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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/22699-8.txt b/22699-8.txt new file mode 100644 index 0000000..ef7c586 --- /dev/null +++ b/22699-8.txt @@ -0,0 +1,6300 @@ +The Project Gutenberg eBook, Pipefuls, by Christopher Morley + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Pipefuls + + +Author: Christopher Morley + + + +Release Date: September 21, 2007 [eBook #22699] + +Language: English + +Character set encoding: ISO-8859-1 + + +***START OF THE PROJECT GUTENBERG EBOOK PIPEFULS*** + + +E-text prepared by Audrey Longhurst, Marcia Brooks, and the Project +Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 22699-h.htm or 22699-h.zip: + (https://www.gutenberg.org/dirs/2/2/6/9/22699/22699-h/22699-h.htm) + or + (https://www.gutenberg.org/dirs/2/2/6/9/22699/22699-h.zip) + + + + + +PIPEFULS + + * * * * * + +_Other Books by the Author_ + + PARNASSUS ON WHEELS + + THE HAUNTED BOOKSHOP + + SHANDYGAFF + + MINCE PIE + + KATHLEEN + + SONGS FOR A LITTLE HOUSE + + THE ROCKING HORSE + + HIDE AND SEEK + + TRAVELS IN PHILADELPHIA + + * * * * * + + + +PIPEFULS + +by + +CHRISTOPHER MORLEY + +[Illustration] + +Illustrated by Walter Jack Duncan + + + + + + + +Garden City New York +Doubleday, Page & Company +1920 + +Copyright, 1920, by +Doubleday, Page & Company +All Rights Reserved, Including That of Translation +into Foreign Languages, Including the Scandinavian + + + + +THIS BOOK IS DEDICATED +TO +THREE MEN + +HULBERT FOOTNER +EUGENE SAXTON +WILLIAM ROSE BENÉT + +BECAUSE, IF I MENTIONED ONLY ONE +OF THEM, I WOULD HAVE TO +WRITE BOOKS +TO INSCRIBE TO THE OTHER TWO + + + + +PREFACE + + +Sir Thomas Browne said that Eve was "edified out of the rib of +Adam." This little book was edified (for the most part) out of +the ribs of two friendly newspapers, The New York _Evening Post_ +and The Philadelphia _Evening Public Ledger_. To them, and to +_The Bookman_, _Everybody's_, and _The Publishers' Weekly_, I am +grateful for permission to reprint. + +Tristram Shandy said, "When a man is hemm'd in by two indecorums, +and must commit one of 'em let him chuse which he will, the world +will blame him." Now it is one indecorum to let this collection +of small sketches go out (as they do) unrevised and just as they +assaulted the defenceless reader of the daily prints; and the +other indecorum would be to take fragments of this kind too +gravely, and attempt by more careful disposition of their pallid +members to arrange them into some appearance of painless decease. +As Gilbert Chesterton said (I wish I could say, on a similar +occasion): "Their vices are too vital to be improved with a blue +pencil, or with anything I can think of, except dynamite." + +These sketches gave me pain to write; they will give the +judicious patron pain to read; therefore we are quits. I think, +as I look over their slattern paragraphs, of that most tragic +hour--it falls about 4 P. M. in the office of an evening +newspaper--when the unhappy compiler tries to round up the +broodings of the day and still get home in time for supper. And +yet perhaps the will-to-live is in them, for are they not a naked +exhibit of the antics a man will commit in order to earn a +living? In extenuation it may be pleaded that none of them are so +long that they may not be mitigated by an accompanying pipe of +tobacco. + +THE AUTHOR. + +Roslyn, Long Island, +July, 1920. + + + + +CONTENTS + + + PAGE + +Preface vii + +On Making Friends 3 + +Thoughts on Cider 10 + +One-Night Stands 18 + +The Owl Train 25 + +Safety Pins 29 + +Confessions of a "Colyumist" 34 + +Moving 42 + +Surf Fishing 48 + +"Idolatry" 52 + +The First Commencement Address 60 + +The Downfall of George Snipe 63 + +Meditations of a Bookseller 66 + +If Buying a Meal Were Like Buying a House 71 + +Adventures in High Finance 74 + +On Visiting Bookshops 78 + +A Discovery 83 + +Silas Orrin Howes 91 + +Joyce Kilmer 97 + +Tales of Two Cities 109 + + I. _Philadelphia_: + An Early Train + Ridge Avenue + The University and the Urchin + Pine Street + Pershing in Philadelphia + Fall Fever + Two Days Before Christmas + In West Philadelphia + Horace Traubel + + II. _New York_: + The Anatomy of Manhattan + Vesey Street + Brooklyn Bridge + Three Hours for Lunch + Passage from Some Memoirs + First Lessons in Clowning + House Hunting + Long Island Revisited + On Being in a Hurry + Confessions of a Human Globule + Notes on a Fifth Avenue Bus + Sunday Morning + Venison Pasty + Grand Avenue, Brooklyn + +On Waiting for the Curtain to Go Up 236 + +Musings of John Mistletoe 240 + +The World's Most Famous Oration 242 + +On Laziness 244 + +Teaching the Prince to Take Notes 249 + +A City Notebook 253 + +On Going to Bed 270 + + + + +PIPEFULS + + + + +ON MAKING FRIENDS + +[Illustration] + + +Considering that most friendships are made by mere hazard, how is it +that men find themselves equipped and fortified with just the friends +they need? We have heard of men who asserted that they would like to +have more money, or more books, or more pairs of pyjamas; but we have +never heard of a man saying that he did not have enough friends. For, +while one can never have too many friends, yet those one has are always +enough. They satisfy us completely. One has never met a man who would +say, "I wish I had a friend who would combine the good humour of A, the +mystical enthusiasm of B, the love of doughnuts which is such an +endearing quality in C, and who would also have the habit of giving +Sunday evening suppers like D, and the well-stocked cellar which is so +deplorably lacking in E." No; the curious thing is that at any time and +in any settled way of life a man is generally provided with friends far +in excess of his desert, and also in excess of his capacity to absorb +their wisdom and affectionate attentions. + +There is some pleasant secret behind this, a secret that none is wise +enough to fathom. The infinite fund of disinterested humane kindliness +that is adrift in the world is part of the riddle, the insoluble riddle +of life that is born in our blood and tissue. It is agreeable to think +that no man, save by his own gross fault, ever went through life +unfriended, without companions to whom he could stammer his momentary +impulses of sagacity, to whom he could turn in hours of loneliness. It +is not even necessary to know a man to be his friend. One can sit at a +lunch counter, observing the moods and whims of the white-coated +pie-passer, and by the time you have juggled a couple of fried eggs you +will have caught some grasp of his philosophy of life, seen the quick +edge and tang of his humour, memorized the shrewdness of his worldly +insight and been as truly stimulated as if you had spent an evening with +your favourite parson. + +If there were no such thing as friendship existing to-day, it would +perhaps be difficult to understand what it is like from those who have +written about it. We have tried, from time to time, to read Emerson's +enigmatic and rather frigid essay. It seems that Emerson must have put +his cronies to a severe test before admitting them to the high-vaulted +and rather draughty halls of his intellect. There are fine passages in +his essay, but it is intellectualized, bloodless, heedless of the +trifling oddities of human intercourse that make friendship so +satisfying. He seems to insist upon a sterile ceremony of mutual +self-improvement, a kind of religious ritual, a profound interchange of +doctrines between soul and soul. His friends (one gathers) are to be +antisepticated, all the poisons and pestilence of their faulty humours +are to be drained away before they may approach the white and icy +operating table of his heart. "Why insist," he says, "on rash personal +relations with your friend? Why go to his house, or know his wife and +family?" And yet does not the botanist like to study the flower in the +soil where it grows? + +Polonius, too, is another ancient supposed to be an authority on +friendship. The Polonius family must have been a thoroughly dreary one +to live with; we have often thought that poor Ophelia would have gone +mad anyway, even if there had been no Hamlet. Laertes preaches to +Ophelia; Polonius preaches to Laertes. Laertes escaped by going abroad, +but the girl had to stay at home. Hamlet saw that pithy old Polonius was +a preposterous and orotund ass. Polonius's doctrine of friendship--"The +friends thou hast, and their adoption tried, grapple them to thy soul +with hoops of steel"--was, we trow, a necessary one in his case. It +would need a hoop of steel to keep them near such a dismal old +sawmonger. + +Friendships, we think, do not grow up in any such carefully tended and +contemplated fashion as Messrs. Emerson and Polonius suggest. They begin +haphazard. As we look back on the first time we saw our friends we find +that generally our original impression was curiously astray. We have +worked along beside them, have consorted with them drunk or sober, have +grown to cherish their delicious absurdities, have outrageously imposed +on each other's patience--and suddenly we awoke to realize what had +happened. We had, without knowing it, gained a new friend. In some +curious way the unseen border line had been passed. We had reached the +final culmination of Anglo-Saxon regard when two men rarely look each +other straight in the eyes because they are ashamed to show each other +how fond they are. We had reached the fine flower and the ultimate test +of comradeship--that is, when you get a letter from one of your "best +friends," you know you don't need to answer it until you get ready to. + +Emerson is right in saying that friendship can't be hurried. It takes +time to ripen. It needs a background of humorous, wearisome, or even +tragic events shared together, a certain tract of memories shared in +common, so that you know that your own life and your companion's have +really moved for some time in the same channel. It needs interchange of +books, meals together, discussion of one another's whims with mutual +friends, to gain a proper perspective. It is set in a rich haze of +half-remembered occasions, sudden glimpses, ludicrous pranks, +unsuspected observations, midnight confidences when heart spoke to +candid heart. + +[Illustration] + +The soul preaches humility to itself when it realizes, startled, that +it has won a new friend. Knowing what a posset of contradictions we all +are, it feels a symptom of shame at the thought that our friend knows +all our frailties and yet thinks us worth affection. We all have cause +to be shamefast indeed; for whereas we love ourselves in spite of our +faults, our friends often love us even on account of our faults, the +highest level to which attachment can go. And what an infinite appeal +there is in their faces! How we grow to cherish those curious little +fleshy cages--so oddly sculptured--which inclose the spirit within. To +see those faces, bent unconsciously over their tasks--each different, +each unique, each so richly and queerly expressive of the lively and +perverse enigma of man, is a full education in human tolerance. +Privately, one studies his own ill-modeled visnomy to see if by any +chance it bespeaks the emotions he inwardly feels. We know--as Hamlet +did--the vicious mole of nature in us, the o'ergrowth of some complexion +that mars the purity of our secret resolutions. Yet--our friends have +passed it over, have shown their willingness to take us as we are. Can +we do less than hope to deserve their generous tenderness, granted +before it was earned? + +The problem of education, said R. L. S., is two-fold--"first to know, +then to utter." Every man knows what friendship means, but few can utter +that complete frankness of communion, based upon full comprehension of +mutual weakness, enlivened by a happy understanding of honourable +intentions generously shared. When we first met our friends we met with +bandaged eyes. We did not know what journeys they had been on, what +winding roads their spirits had travelled, what ingenious shifts they +had devised to circumvent the walls and barriers of the world. We know +these now, for some of them they have told us; others we have guessed. +We have watched them when they little dreamed it; just as they (we +suppose) have done with us. Every gesture and method of their daily +movement have become part of our enjoyment of life. Not until a time +comes for saying good-bye will we ever know how much we would like to +have said. At those times one has to fall back on shrewder tongues. You +remember Hilaire Belloc: + + From quiet homes and first beginning + Out to the undiscovered ends, + There's nothing worth the wear of winning + But laughter, and the love of friends. + + + + +THOUGHTS ON CIDER + +[Illustration] + + +Our friend Dove Dulcet, the poet, came into our kennel and found +us arm in arm with a deep demijohn of Chester County cider. We +poured him out a beaker of the cloudy amber juice. It was just in +prime condition, sharpened with a blithe tingle, beaded with a +pleasing bubble of froth. Dove looked upon it with a kindled eye. +His arm raised the tumbler in a manner that showed this gesture +to be one that he had compassed before. The orchard nectar began +to sluice down his throat. + +Dove is one who has faced many and grievous woes. His Celtic +soul peers from behind cloudy curtains of alarm. Old unhappy +far-off things and battles long ago fume in the smoke of his +pipe. His girded spirit sees agrarian unrest in the daffodil and +industrial riot in a tin of preserved prunes. He sees the world +moving on the brink of horror and despair. Sweet dalliance with a +baked bloater on a restaurant platter moves him to grief over the +hard lot of the Newfoundland fishing fleet. Six cups of tea warm +him to anguish over the peonage of Sir Thomas Lipton's coolies in +Ceylon. Souls in perplexity cluster round him like Canadian dimes +in a cash register in Plattsburgh, N. Y. He is a human sympathy +trust. When we are on our deathbed we shall send for him. The +perfection of his gentle sorrow will send us roaring out into the +dark, and will set a valuable example to the members of our +family. + +But it is the rack of clouds that makes the sunset lovely. The +bosomy vapours of Dove's soul are the palette upon which the +decumbent sun of his spirit casts its vivid orange and scarlet +colours. His joy is the more perfect to behold because it bursts +goldenly through the pangs of his tender heart. His soul is like +the infant Moses, cradled among dark and prickly bullrushes; but +anon it floats out upon the river and drifts merrily downward on +a sparkling spate. + +It has nothing to do with Dove, but we will here interject the +remark that a pessimist overtaken by liquor is the cheeriest +sight in the world. Who is so extravagantly, gloriously, and +irresponsibly gay? + +Dove's eyes beaconed as the cider went its way. The sweet +lingering tang filled the arch of his palate with a soft mellow +cheer. His gaze fell upon us as his head tilted gently backward. +We wish there had been a painter there--someone like F. Walter +Taylor--to rush onto canvas the gorgeous benignity of his aspect. +It would have been a portrait of the rich Flemish school. Dove's +eyes were full of a tender emotion, mingled with a charmed and +wistful surprise. It was as though the poet was saying he had not +realized there was anything so good left on earth. His bearing +was devout, religious, mystical. In one moment of revelation (so +it appeared to us as we watched) Dove looked upon all the +profiles and aspects of life, and found them of noble outline. +Not since the grandest of Grand Old Parties went out of power has +Dove looked less as though he felt the world were on the verge of +an abyss. For several moments revolution and anarchy receded, +profiteers were tamed, capital and labour purred together on a +mattress of catnip, and the cosmos became a free verse poem. He +did not even utter the customary and ungracious remark of those +to whom cider potations are given: "That'll be at its best in +about a week." We apologized for the cider being a little warmish +from standing (discreetly hidden) under our desk. Douce man, he +said: "I think cider, like ale, ought not to be drunk too cold. +I like it just this way." He stood for a moment, filled with +theology and metaphysics. "By gracious," he said, "it makes all +the other stuff taste like poison." Still he stood for a brief +instant, transfixed with complete bliss. It was apparent to us +that his mind was busy with apple orchards and autumn sunshine. +Perhaps he was wondering whether he could make a poem out of it. +Then he turned softly and went back to his job in a life +insurance office. + +As for ourself, we then poured out another tumbler, lit a corncob +pipe, and meditated. Falstaff once said that he had forgotten +what the inside of a church looked like. There will come a time +when many of us will perhaps have forgotten what the inside of a +saloon looked like, but there will still be the consolation of +the cider jug. Like the smell of roasting chestnuts and the +comfortable equatorial warmth of an oyster stew, it is a +consolation hard to put into words. It calls irresistibly for +tobacco; in fact the true cider toper always pulls a long puff at +his pipe before each drink, and blows some of the smoke into the +glass so that he gulps down some of the blue reek with his +draught. Just why this should be, we know not. Also some +enthusiasts insist on having small sugared cookies with their +cider; others cry loudly for Reading pretzels. Some have +ingenious theories about letting the jug stand, either tightly +stoppered or else unstoppered, until it becomes "hard." In our +experience hard cider is distressingly like drinking vinegar. We +prefer it soft, with all its sweetness and the transfusing savour +of the fruit animating it. At the peak of its deliciousness it +has a small, airy sparkle against the roof of the mouth, a +delicate tactile sensation like the feet of dancing flies. This, +we presume, is the 4-1/2 to 7 per cent of sin with which +fermented cider is credited by works of reference. There are +pedants and bigots who insist that the jug must be stoppered with +a corncob. For our own part, the stopper does not stay in the +neck long enough after the demijohn reaches us to make it worth +while worrying about this matter. Yet a nice attention to detail +may prove that the cob has some secret affinity with cider, for a +Missouri meerschaum never tastes so well as after three glasses +of this rustic elixir. + +That ingenious student of social niceties, John Mistletoe, in his +famous Dictionary of Deplorable Facts--a book which we heartily +commend to the curious, for he includes a long and most informing +article on cider, tracing its etymology from the old Hebrew word +_shaker_ meaning "to quaff deeply"--maintains that cider should +only be drunk beside an open fire of applewood logs: + + And preferably on an evening of storm and wetness, when the swish + and sudden pattering of rain against the panes lend an added + agreeable snugness to the cheerful scene within, where master and + dame sit by the rosy hearth frying sausages in a pan laid on the + embers. + +This reminds one of the anecdote related by ex-Senator Beveridge in his +Life of John Marshall. Justice Story told his wife that the justices of +the Supreme Court were of a self-denying habit, never taking wine except +in wet weather. "But it does sometimes happen that the Chief Justice +will say to me, when the cloth is removed, 'Brother Story, step to the +window and see if it does not look like rain.' And if I tell him that +the sun is shining brightly, Judge Marshall will sometimes reply, 'All +the better, for our jurisdiction extends over so large a territory that +the doctrine of chances makes it certain that it must be raining +somewhere.'" + +Our own theory about cider is that the time to drink it is when it +reaches you; and if it hails from Chester County, so much the better. + +We remember with gusto a little soliloquy on cider delivered by another +friend of ours, as we both stood in a decent ordinary on Fulton Street, +going through all the motions of jocularity and cheer. Cider (he said) +is our refuge and strength. Cider, he insisted, drawing from his pocket +a clipping much tarnished with age, is a drink for men of reason and +genteel nurture; a drink for such as desire to drink pleasantly, +amiably, healthily, and with perseverance and yet retain the command and +superintendence of their faculties. I have here (he continued) a +clipping sent me by an eminent architect in the great city of +Philadelphia (a city which it is a pleasure for me to contemplate by +reason of the beauty and virtue of its women, the infinite vivacity and +good temper of its men, the rectitudinal disposition of its highways)--I +have here (he exclaimed) a clipping sent me by an architect of fame, +charming parts, and infinite cellarage, explaining the virtues of cider. +Cider, this clipping asserts, produces a clearness of the complexion. It +brightens the eye, particularly in women, conducing to the composition +of generous compliment and all the social suavity that endears the +intercourse of the sexes. Longevity, this extract maintains, is the +result of application to good cider. The Rev. Martin Johnson, vicar of +Dilwyn, in Herefordshire, from 1651 to 1698 (he read from his clipping), +wrote: + + _This parish, wherein sider is plentiful, hath many people that + do enjoy this blessing of long life; neither are the aged + bedridden or decrepit as elsewhere; next to God, wee ascribe it + to our flourishing orchards, first that the bloomed trees in + spring do not only sweeten but purify the ambient air; next, that + they yield us plenty of rich and winy liquors, which do conduce + very much to the constant health of our inhabitants. Their + ordinary course is to breakfast and sup with toast and sider + through the whole Lent; which heightens their appetites and + creates in them durable strength to labour._ + +There was a pause, and our friend (he is a man of girth and with a brow +bearing all the candor of a life of intense thought) leaned against the +mahogany counter. + +That is very fine, we said, draining our chalice, and feeling brightness +of eye, length of years, and durable strength to labour added to our +person. In the meantime (we said) why do you not drink the rich and winy +liquor which your vessel contains? + +He folded up his clipping and put it away with a sigh. + +I always have to read that first, he said, to make the damned stuff +palatable. It will be ten years, he said, before the friend who sent me +that clipping will have to drink any cider. + + + + +ONE-NIGHT STANDS + +[Illustration] + + +To those looking for an exhilarating vacation let us commend a +week of "trouping" on one-night stands with a theatrical company, +which mirthful experience has just been ours. We went along in +the very lowly capacity of co-author, which placed us somewhat +beneath the stage hands as far as dignity was concerned; and we +flatter ourself that we have learned our station and observe it +with due humility. The first task of the director who stages a +play is to let the author know where he gets off. This was +accomplished in our case by an argument concerning a speech in +the play where one of the characters remarks, "I propose to send +a mental message to Eliza." This sounds (we contend) quite a +harmless sentiment, but the director insisted that the person +speaking, being an Englishman of studious disposition, would not +say anything so inaccurate. "He would use much more correct +language," said the director. "He ought to say 'I _purpose_ to +send.'" We balked mildly at this. "All right," said our mentor. +"The trouble with you is you don't know any English. I'll send +you a copy of the Century dictionary." + +This gentleman carried purism to almost extravagant lengths. He +objected to the customary pronunciation of "jew's-harp," +insisting that the word should be "juice-harp," and instructing +the actor who mentioned this innocent instrument of melody to +write it down so in his script. When the dress rehearsal came +round, he was surveying the "set" for the first act with +considerable complacence. This scenery was intended to represent +a very ancient English inn at Stratford-on-Avon, and one of the +authors was heard to remark softly that it looked more like a +broker's office on Wall Street. But the director was unshaken. +"There's an old English inn up at Larchmont," said he, "and this +looks a good deal like it, so I guess we're all right." + +Let any one who imagines the actor's life is one of bevo and +skittles sally along with a new play on its try-out in the +one-night circuit. When one sees the delightful humour, +fortitude, and high spirits with which the players face their +task he gains a new respect for the profession. It is with a +sense of shame that the wincing author hears his lines repeated +night after night--lines that seem to him to have grown so stale +and disreputably stupid, and which the ingenuity of the players +contrives to instill with life. With a sense of shame indeed does +he reflect that because one day long ago he was struck with a +preposterous idea, here are honest folk depending on it to earn +daily bread and travelling on a rainy day on a local train on the +Central New England Railway; here are 800 people in Saratoga +Springs filing into a theatre with naïve expectation on their +faces. Amusing things happen faster than he can stay to count +them. A fire breaks out in a cigar store a few minutes before +theatre time. It is extinguished immediately, but half the town +has rushed down to see the excitement. The cigar store is almost +next door to the theatre, and the crowd sees the lighted sign and +drops in to give the show the once-over, thus giving one a +capacity house. Then there are the amusing accidents that happen +on the stage, due to the inevitable confusion of one-night stands +with long jumps each day, when scenery and props arrive at the +theatre barely in time to be set up. In the third act one of the +characters has to take his trousers out of a handbag. He opens +the bag, but by some error no garments are within. Heavens! has +the stage manager mixed up the bags? He has only one hope. The +girlish heroine's luggage is also on the stage, and our comedian +dashes over and finds his trousers in her bag. This casts a most +sinister imputation on the adorable heroine, but our friend +(blessings on him) contrives it so delicately that the audience +doesn't get wise. Then doors that are supposed to be locked have +a habit of swinging open, and the luckless heroine, ready to say +furiously to the hero, "_Will_ you unlock the door?" finds +herself facing an open doorway and has to invent a line to get +herself off the stage. + +Going on the road is a very humanizing experience and one gathers +a considerable respect for the small towns one visits. They are +so brisk, so proud in their local achievements, so prosperous and +so full of attractive shop-windows. When one finds in Johnstown, +N. Y., for instance, a bookshop with almost as well-assorted a +stock as one would see here in Philadelphia; or in Gloversville +and Newburgh public libraries that would be a credit to any large +city, one realizes the great tide of public intelligence that has +risen perceptibly in recent years. At the hotel in Gloversville +the proprietress assured us that "an English duke" had just left +who told her that he preferred her hotel to the Biltmore in New +York. We rather wondered about this English duke, but we looked +him up on the register and found that he was Sir H. Urnick of +Fownes Brothers, the glove manufacturers, who have a factory in +Gloversville. But then, being a glove manufacturer, he may have +been kidding her, as the low comedian of our troupe observed. But +the local pride of the small town is a genial thing. It may +always be noted in the barber shops. The small-town barber knows +his customers and when a strange face appears to be shaved on the +afternoon when the bills are announcing a play, he puts two and +two together. "Are you with that show?" he asks; and being +answered in the affirmative (one naturally would not admit that +one is merely there in the frugal capacity of co-author, and +hopes that he will imagine that such a face might conceivably +belong to the low comedian) he proceeds to expound the favourite +doctrine that this is a wise burg. "Yes," he says, "folks here +are pretty cagy. If your show can get by here you needn't worry +about New York. Believe me, if you get a hand here you can go +right down to Broadway. I always take in the shows, and I've +heard lots of actors say this town is harder to please than any +place they ever played." + +One gets a new viewpoint on many matters by a week of one-night +stands. Theatrical billboards, for instance. We had always +thought, in a vague kind of way, that they were a defacement to a +town and cluttered up blank spaces in an unseemly way. But when +you are trouping, the first thing you do, after registering at +the hotel, is to go out and scout round the town yearning for +billboards and complaining because there aren't enough of them. +You meet another member of the company on the same errand and +say, "I don't see much paper out," this being the technical +phrase. You both agree that the advance agent must be loafing. +Then you set out to see what opposition you are playing against, +and emit groans on learning that "The Million Dollar Doll in +Paris" is also in town, or "Harry Bulger's Girly Show" will be +there the following evening, or Mack Sennett's Bathing Beauties +in Person. "That's the kind of stuff they fall for," said the +other author mournfully, and you hustle around to the box office +to see whether the ticket rack is still full of unsold pasteboard. + +At this time of year, when all the metropolitan theatres are +crowded and there are some thirty plays cruising round in the +offing waiting for a chance to get into New York and praying that +some show now there will "flop," one crosses the trail of many +other wandering troupes that are battering about from town to +town. In remote Johnstown, N. Y., which can only be reached by +trolley and where there is no hotel (but a very fine large +theatre) one finds that Miss Grace George is to be the next +attraction. On the train to Saratoga one rides on the same train +with the Million Dollar Doll, and those who have seen her "paper" +on the billboards in Newburgh or Poughkeepsie keep an attentive +optic open for the lady herself to see how nearly she lives up to +her lithographs. And if the passerby should see a lighted window +in the hotel glimmering at two in the morning, he will probably +aver that there are some of those light-hearted "show people" +carousing over a flagon of Virginia Dare. Little does he suspect +that long after the tranquil thespians have gone to their +well-earned hay, the miserable authors of the trying-out piece +may be vigiling together, trying to dope out a new scene for the +third act. The saying is not new, but it comes frequently to the +lips of the one-night stander--It's a great life if you don't +weaken. + + + + +THE OWL TRAIN + +[Illustration] + + +Across the cold moonlit landscapes, while good folk are at home curling +their toes in the warm bottom of the bed, the Owl trains rumble with a +gentle drone, neither fast nor slow. + +There are several Owl trains with which we have been familiar. One, +rather aristocratic of its kind, is the caravan of sleeping cars that +leaves New York at midnight and deposits hustling business men of the +most aggressive type at the South Station, Boston. After a dissolute +progress full of incredible jerks and jolts these pilgrims reach this +dampest, darkest, and most Arctic of all terminals about the time the +morning codfish begins to warm his bosom on the gridirons of the sacred +city. Another, a terrible nocturnal prowler, slips darkly away from +Albany about 1 A. M., and rambles disconsolately and with shrill +wailings along the West Shore line. Below the grim Palisades of the +Hudson it wakes painful echoes. Its first six units, as far as one can +see in the dark, are blind express cars, containing milk cans and +coffins. We once boarded it at Kingston, and after uneasy slumber across +two facing seats found ourself impaled upon Weehawken three hours later. +There one treads dubiously upon a ferryboat in the fog and brume of +dawn, ungluing eyelids in the bleak dividing pressure of the river +breeze. + +But the Owl train we propose to celebrate is the vehicle that departs +modestly from the crypt of the Pennsylvania Station in New York at +half-past midnight and emits blood-shot wanderers at West Philadelphia +at 3:16 in the morning. The railroad company, which thinks these +problems out with nice care, lulls the passengers into unconsciousness +of their woes not only by a gentle and even gait, a progress almost +tender in its carefully modulated repression of speed, but also by +keeping the cars at such an amazing heat that the victims promptly fade +into a swoon. Nowhere will you see a more complete abandonment to the +wild postures of fatigue and despair than in the pathetic sprawl of +these human forms upon the simmering plush settees. A hot eddy of some +varnish-tinctured vapour--certainly not air--rises from under the seats +and wraps the traveller in a nightmarish trance. Occasionally he starts +wildly from his dream and glares frightfully through the misted pane. It +is the custom of the trainmen, who tiptoe softly through the cars, +never to disturb their clients by calling out the names of stations. +When New Brunswick is reached many think that they have arrived at West +Philadelphia, or (worse still) have been carried on to Wilmington. They +rush desperately to the bracing chill of the platform to learn where +they are. There is a mood of mystery about this Owl of ours. The +trainmen take a quaint delight in keeping the actual whereabouts of the +caravan a merciful secret. + +Oddly assorted people appear on this train. Occasional haughty +revellers, in evening dress and opera capes, appear among the humbler +voyagers. For a time they stay on their dignity: sit bravely upright and +talk with apparent intelligence. Then the drowsy poison of that stifled +atmosphere overcomes them, too, and they fall into the weakness of their +brethren. They turn over the opposing seat, elevate their nobler shins, +and droop languid heads over the ticklish plush chair-back. Strange +aliens lie spread over the seats. Nowhere will you see so many faces of +curious foreign carving. It seems as though many desperate exiles, who +never travel by day, use the Owl for moving obscurely from city to city. +This particular train is bound south to Washington, and at least half +its tenants are citizens of colour. Even the endless gayety of our dusky +brother is not proof against the venomous exhaustion of that boxed-in +suffocation. The ladies of his race are comfortably prepared for the +hardships of the route. They wrap themselves in huge fur coats and all +have sofa cushions to recline on. Even in an all-night session of +Congress you will hardly note so complete an abandonment of disillusion, +weariness, and cynical despair as is written upon the blank faces all +down the aisle. Even the will-power of a George Creel or a Will H. Hays +would droop before this three-hour ordeal. Professor Einstein, who talks +so delightfully of discarding Time and Space, might here reconsider his +theories if he brooded, baking gradually upward, on the hot green plush. + +This genial Owl is not supposed to stop at North Philadelphia, but it +always does. By this time Philadelphia passengers are awake and gathered +in the cold vestibules, panting for escape. Some of them, against the +rules of the train, manage to escape on the North Philadelphia platform. +The rest, standing huddled over the swaying couplings, find the +leisurely transit to West Philadelphia as long as the other segments of +the ride put together. Stoically, and beyond the power of words, they +lean on one another. At last the train slides down a grade. In the dark +and picturesque tunnel of the West Philadelphia station, through thick +mists of steam where the glow of the fire box paints the fog a golden +rose, they grope and find the ancient stairs. Then they stagger off to +seek a lonely car or a night-hawk taxi. + + + + +SAFETY PINS + +[Illustration] + + +Ligature of infancy, healing engine of emergency, base and +mainstay of our civilization--we celebrate the safety pin. + +What would we do without safety pins? Is it not odd to think, +looking about us on our fellowmen (bearded realtors, ejaculating +poets, plump and ruddy policemen, even the cheerful dusky +creature who runs the elevator and whistles "Oh, What a Pal Was +Mary" as the clock draws near 6 P. M.)--all these were first +housed and swaddled and made seemly with a paper of safety pins. +How is it that the inventor who first conferred this great gift +on the world is not known by name for the admiration and applause +of posterity? Was it not the safety pin that made the world safe +for infancy? + +There will be some, mayhap, to set up the button as rival to the +safety pin in service to humanity. But our homage bends toward +the former. Not only was it our shield and buckler when we were +too puny and impish to help ourselves, but it is also (now we are +parent) symbol of many a hard-fought field, where we have +campaigned all over the white counterpane of a large bed to +establish an urchin in his proper gear, while he kicked and +scrambled, witless of our dismay. It is fortunate, pardee, that +human memory does not extend backward to the safety pin +era--happily the recording carbon sheet of the mind is not +inserted on the roller of experience until after the singular +humiliations of earliest childhood have passed. Otherwise our +first recollection would doubtless be of the grimly flushed large +face of a resolute parent, bending hotly downward in effort to +make both ends meet while we wambled and waggled in innocent, +maddening sport. In those days when life was (as George Herbert +puts it) "assorted sorrows, anguish of all sizes," the safety pin +was the only thing that raised us above the bandar-log. No wonder +the antique schoolmen used to enjoy computing the number of +angels that might dance on the point of a pin. But only +archangels would be worthy to pirouette on a safety pin, which is +indeed mightier than the sword. When Adam delved and Eve did +spin, what did they do for a safety pin? + +Great is the stride when an infant passes from the safety pin +period to the age of buttons. There are three ages of human +beings in this matter: (1) Safety pins, (2) Buttons, (3) Studs, +or (for females) Hooks and Eyes. Now there is an interim in the +life of man when he passes away from safety pins, and, for a +season, knows them not--save as mere convenience in case of +breakdown. He thinks of them, in his antic bachelor years, as +merely the wrecking train of the sartorial system, a casual +conjunction for pyjamas, or an impromptu hoist for small clothes. +Ah! with humility and gratitude he greets them again later, +seeing them at their true worth, the symbol of integration for +the whole social fabric. Women, with their intuitive wisdom, are +more subtle in this subject. They never wholly outgrow safety +pins, and though they love to ornament them with jewellery, +precious metal, and enamels, they are naught but safety pins +after all. Some ingenious philosopher could write a full tractate +on woman in her relation to pins--hairpins, clothes pins, rolling +pins, hatpins. + +Only a bachelor, as we have implied, scoffs at pins. Hamlet +remarked, after seeing the ghost, and not having any Sir Oliver +Lodge handy to reassure him, that he did not value his life at a +pin's fee. Pope, we believe, coined the contemptuous phrase, "I +care not a pin." The pin has never been done justice in the +world of poetry. As one might say, the pin has had no Pindar. Of +course there is the old saw about see a pin and pick it up, all +the day you'll have good luck. This couplet, barbarous as it is +in its false rhyme, points (as Mother Goose generally does) to a +profound truth. When you see a pin, you must pick it up. In other +words, it is on the floor, where pins generally are. Their +instinctive affinity for terra firma makes one wonder why they, +rather than the apple, did not suggest the law of gravitation to +someone long before Newton. + +Incidentally, of course, the reason why Adam and Eve were +forbidden to pick the apple was that it was supposed to stay on +the tree until it fell, and Adam would then have had the credit +of spotting the principle of gravitation. + +Much more might be said about pins, touching upon their curious +capacity for disappearing, superstitions concerning them, +usefulness of hatpins or hairpins as pipe-cleaners, usefulness of +pins to schoolboys, both when bent for fishing and when filed to +an extra point for use on the boy in the seat in front (honouring +him in the breech, as Hamlet would have said) and their curious +habits of turning up in unexpected places, undoubtedly caught by +pins in their long association with the lovelier sex. But of +these useful hyphens of raiment we will merely conclude by saying +that those interested in the pin industry will probably emigrate +to England, for we learn from the Encyclopædia Britannica that in +that happy island pins are cleaned by being boiled in weak beer. +Let it not be forgotten, however, that of all kinds, the safety +is the King Pin. + + + + +CONFESSIONS OF A "COLYUMIST" + +[Illustration] + + +I can not imagine any pleasant job so full of pangs, or any painful job +so full of pleasures, as the task of conducting a newspaper column. + +The colyumist, when he begins his job, is disheartened because nobody +notices it. He soon outgrows this, and is disheartened because too many +people notice it, and he imagines that all see the paltriness of it as +plainly as he does. There is nothing so amazing to him as to find that +any one really enjoys his "stuff." Poor soul, he remembers how he +groaned over it at his desk. He remembers the hours he sat with +lack-lustre eye and addled brain, brooding at the sluttish typewriter. +He remembers the flush of shame that tingled him as he walked sadly +homeward, thinking of some atrocious inanity he had sent upstairs to the +composing-room. It is a job that engenders a healthy humility. + +I had always wanted to have a try at writing a column. Heaven help me, I +think I had an idea that I was born for the job. I may as well be +candid. There was a time when I seriously thought of inserting the +following ad in a Philadelphia newspaper. I find a memorandum of it in +my scrap-book: + + HUMORIST: Young and untamed, lineal descendent of Eugene Field, + Frank Stockton, and François Rabelais, desires to run a column in + a Philadelphia newspaper. A guaranteed circulation-getter. + + Said Humorist can also supply excellent veins of philosophy, + poetry, satire, uplift, glad material and indiscriminate musings. + Remarkable opportunity for any newspaper desiring a really + unusual editorial feature. Address HUMORIST, etc. + +So besotted was I, I would have paid to have this printed if I had not +been counselled by an older and wiser head. + +I instance this to show that the colyumist is likely to begin his job +with the conception that it is to be a perpetual uproar of mirth and +high spirits. This lasts about a week. He then learns, in secret, to +take it rather seriously. He has to deal with the most elusive and +grotesque material he knows--his own mind; and the unhappy creature, +everlastingly probing himself in the hope of discovering what is so rare +in minds (a thought), is likely to end in a ferment of bitterness. The +happiest times in life are when one can just live along and enjoy things +as they happen. If you have to be endlessly speculating, watching, and +making mental notes, your brain-gears soon get a hot box. The original +of all paragraphers--Ecclesiastes--came very near ending as a complete +cynic; though in what F. P. A. would call his "lastline," he managed to +wriggle into a more hopeful mood. + +The first valuable discovery that the colyumist is likely to make is +that all minds are very much the same. The doctors tell us that all +patent medicines are built on a stock formula--a sedative, a purge, and +a bitter. If you are to make steady column-topers out of your readers, +your daily dose must, as far as possible, average up to that same +prescription. If you employ the purge all the time, or the sedative, or +the acid, your clients will soon ask for something with another label. + +Don Marquis once wrote an admirable little poem called "A Colyumist's +Prayer." Mr. Marquis, who is the king of all colyumists, realizes that +there is what one may call a religious side in colyumizing. It is hard +to get the colyumist to admit this, for he fears spoofing worse than the +devil; but it is eminently true. If I were the owner of a newspaper, I +think I would have painted up on the wall of the local room the +following words from Isaiah, the best of all watchwords for all who +write: + + Woe unto them that call evil good, and good evil; that put + darkness for light, and light for darkness; that put bitter for + sweet, and sweet for bitter! + +The most painful privilege of the colyumist's job is the number of +people who drop in to see him, usually when he is imprecating his way +toward the hour of going to press. This is all a part of the great and +salutary human instinct against work. When people see a man toiling, +they have an irresistible impulse to crowd round and stop him. They seem +to imagine that he has been put there on purpose to help them solve +their problems, to find a job for their friend from Harrisburg, or to +tell them how to find a publisher for their poems. Unhappily, their +victim being merely human, is likely to grow a bit snappish under +infliction. Yet now and then he gets a glimpse into a human vexation so +sincere, so honest, and so moving that he turns away from the typewriter +with a sigh. He wonders how one dare approach the chronicling of this +muddled panorama with anything but humility and despair. Frank Harris +once said of Oscar Wilde: "If England insists on treating her criminals +like this, she doesn't deserve to have any." Similarly, if the public +insists on bringing its woes to its colyumists, it doesn't deserve to +have any colyumists. Then the battered jester turns again to his machine +and ticks off something like this: + + _We have heard of ladies who have been tempted beyond their + strength. We have also seen some who have been strengthened + beyond their temptation._ + +Of course there are good days, too. (This is not one of them.) Days when +the whole course of the news seems planned for the benefit of the +chaffish and irreverent commentator. When Governor Hobby of Texas issues +a call for the state cavalry. When one of your clients drops in, in the +goodness of his heart, to give you his own definition of a pessimist--a +pessimist, he says, is a man who wears both belt and suspenders. When a +big jewellery firm in the city puts out a large ad-- + + Bailey, Banks & Biddle Company + Watches for Women + Of Superior Design and Perfection + of Movement + +all that one needs to do to that is to write over it the caption + +SO DO WE ALL + +and pass on to the next paragraph. + +The more a colyumist is out on the streets, making himself the reporter +of the moods and oddities of men, the better his stuff will be. It seems +to me that his job ought to be good training for a novelist, as it +teaches him a habit of human sensitiveness. He becomes filled with an +extraordinary curiosity about the motives and purposes of the people he +sees. The other afternoon I was very much struck by the unconscious +pathos of a little, gentle-eyed old man who was standing on Chestnut +Street studying a pocket notebook. His umbrella leaned against a +shop-window, on the sill of which he had laid a carefully rolled-up +newspaper. By his feet was a neat leather brief-case, plumply filled +with contents not discernible. There he stood (a sort of unsuccessful +Cyrus Curtis), very diminutive, his gray hair rather long abaft his +neck, his yellowish straw hat (with curly brim) tilted backward as +though in perplexity, his timid and absorbed blue eyes poring over his +memorandum-book which was full of pencilled notes. He had a slightly +unkempt, brief beard and whiskers, his cheek-bones pinkish, his linen a +little frayed. There was something strangely pathetic about him, and I +would have given much to have been able to speak to him. I halted at a +window farther down the street and studied him; then returned to pass +him again, and watched him patiently. He stood quite absorbed, and was +still there when I went on. + +That is just one of the thousands of vivid little pictures one sees on +the city streets day by day. To catch some hint of the meaning of all +this, to present a few scrawled notes of the amazing interest and colour +of the city's life, this is the colyumist's task as I see it. It is a +task not a whit less worthy, less painful, or less baffling than that of +the most conscientious novelist. And it is carried on in surroundings of +extraordinary stimulation and difficulty. It is heart-racking to +struggle day by day, amid incessant interruption and melee, to snatch +out of the hurly-burly some shreds of humour or pathos or (dare one +say?) beauty, and phrase them intelligibly. + +But it is fun. One never buys a package of tobacco, crosses a city +square, enters a trolley car or studies a shop-window without trying, in +a baffled, hopeless way, to peer through the frontage of the experience, +to find some glimmer of the thoughts, emotions, and meanings behind. And +in the long run such a habit of inquiry must bear fruit in understanding +and sympathy. Joseph Conrad (who seems, by the way, to be more read by +newspaper men than any other writer) put very nobly the pinnacle of all +scribblers' dreams when he said that human affairs deserve the tribute +of "a sigh which is not a sob, a smile which is not a grin." + +So much, with apology, for the ideals of the colyumist, if he be +permitted to speak truth without fear of mockery. Of course in the +actual process and travail of his job you will find him far different. +You may know him by a sunken, brooding eye; clothing marred by much +tobacco, and a chafed and tetchy humour toward the hour of five P. M. +Having bitterly schooled himself to see men as paragraphs walking, he +finds that his most august musings have a habit of stewing themselves +down to some ferocious or jocular three-line comment. He may yearn +desperately to compose a really thrilling poem that will speak his +passionate soul; to churn up from the typewriter some lyric that will +rock with blue seas and frantic hearts; he finds himself allaying the +frenzy with some jovial sneer at Henry Ford or a yell about the High +Cost of Living. Poor soul, he is like one condemned to harangue the +vast, idiotic world through a keyhole, whence his anguish issues thin +and faint. Yet who will say that all his labour is wholly vain? Perhaps +some day the government will crown a Colyumist Laureate, some majestic +sage with ancient patient blue eyes and a snowy beard nobly stained with +nicotine, whose utterances will be heeded with shuddering respect. All +minor colyumists will wear robes and sandals; they will be an order of +scoffing friars; people will run to them on crowded streets to lay +before them the sorrows and absurdities of men. And in that day + + The meanest paragraph that blows will give + Thoughts that do often lie too deep for sneers. + + + + +MOVING + +[Illustration] + + +Man, we suspect, is the only animal capable of persuading himself +that his hardships are medicine to the soul, of flattering +himself into a conviction that some mortal spasm was a fortifying +discipline. + +Having just moved our household goods for the fourth time in four +years, we now find ourself in the singular state of trying to +believe that the horrors of the event have added to our supply of +spiritual resignation. Well, let us see. + +The brutal task of taking one's home on trek is (we can argue) a +stirring tonic, a kind of private rehearsal of the Last Judgment, +when the sheep shall be divided from the shoats. What could be a +more convincing reminder of the instability of man's affairs than +the harrowing upheaval of our cherished properties? Those dark +angels, the moving men, how heartless they seem in their brisk +and resolute dispassion--yet how exactly they prefigure the +implacable sternness of the ultimate shepherds. A strange life is +theirs, taking them day after day into the bosom of homes +prostrated by the emigrating throe. Does this matter-of-fact +bearing conceal an infinite tenderness, a pity that dare not show +itself for fear of unmanly collapse? Are they secretly broken by +the sight of the desolate nursery, the dismantled crib, the +forgotten clockwork monkey lying in a corner of the cupboard +where the helpless Urchin laid it with care before he and his +smaller sister were deported, to be out of the way in the final +storm? Does the o'ermastering pathos of a modest household turned +inside out, its tender vitals displayed to the passing world, +wring their breasts? Stoic men, if so, they well conceal their +pangs. + +They have one hopelessly at a disadvantage. In the interval that +always elapses before the arrival of the second van, there is a +little social chat and utterance of reminiscences. There is a +lively snapping of matchheads on thumbnails, and seated at ease +in the débris of the dismantled living room our friends will +tell of the splendour of some households they have moved before. +The thirty-eight barrels of gilt porcelain, the twenty cases of +oil paintings, the satin-wood grand piano that their spines +twinge to recall. Once our furnitures were moved by a crew of +lusty athletes who had previously done the same for Mr. Ivy Lee, +and while we sat in shamed silence we heard the tale of Mr. Lee's +noble possessions. Of what avail would it have been for us to +protest that we love our stuff as much as Mr. Lee did his? No, we +had a horrid impulse to cry apology, and beg them to hurl the +things into the van anyhow, just to end the agony. + +This interval of social chat being prolonged by the blizzard, the +talk is likely to take a more ominous turn. We are told how, only +last week, a sister van was hit by a train at a crossing and +carried a hundred yards on the engine pilot. Two of the men were +killed, though one of these lived from eleven o'clock Saturday +morning until eleven o'clock Monday night. How, after hearing +this, can one ask what happened to the furniture, even if one is +indecent enough to think of it? Then one learns of another of the +fleet, stalled in a drift on the way to Harrisburg, and hasn't +been heard from for forty-eight hours. Sitting in subdued +silence, one remembers something about "moving accidents by flood +and field," and thanks fortune that these pitiful oddments are +only going to a storage warehouse, not to be transported thence +until the kindly season of spring. + +But packing for storage instead of for moving implies subtler and +more painful anguishes. Here indeed we have a tonic for the soul, +for election must be made among one's belongings: which are to be +stored, and which to accompany? Take the subject of books for +instance. Horrid hesitation: can we subsist for four or five +months on nothing but the "Oxford Book of English Verse" and +Boswell's Johnson? Suppose we want to look up a quotation, in +those late hours of the night when all really worthwhile reading +is done? Our memory is knitted with a wide mesh. Suppose we want +to be sure just what it was that Shakespeare said happened to him +in his "sessions of sweet silent thought," what are we going to +do? We will have to fall back on the customary recourse of the +minor poet--if you can't remember one of Shakespeare's sonnets, +at least you can write one of your own instead. Speaking of +literature, it is a curious thing that the essayists have so +neglected this topic of moving. It would be pleasant to know how +the good and the great have faced this peculiarly terrible crisis +of domestic affairs. When the Bard himself moved back to +Stratford after his years in London, what did he think about it? +How did he get all his papers packed up, and did he, in mere +weariness, destroy the half-done manuscripts of plays? Charles +Lamb moved round London a good deal; did he never write of his +experience? We like to think of Emerson: did he ever move, and if +so, how did he behave when the fatal day came? Did he sit on a +packing case and utter sepulchral aphorisms? Think of Lord Bacon +and how he would have crystallized the matter in a phrase. + +Of course in bachelor days moving may be a huge lark, a humorous +escapade. We remember some high-spirited young men, three of +them, who were moving their chattels from rooms on Twenty-first +Street to a flat on Irving Place. Frugality was their necessary +watchword, and they hired a pushcart in which to transport the +dunnage. It was necessary to do this on Sunday, and one of the +trio, more sensitive than the others, begged that they should +rise and accomplish the public shame early in the morning, before +the streets were alive. In particular, he begged, let the route +be chosen to avoid a certain club on Gramercy Park where he had +many friends, and where he was loath to be seen pushing his +humble intimacies. The others, scenting sport, and brazenly hardy +of spirit, contrived to delay the start on one pretext or another +until the middle of the forenoon. Then, by main force, ignoring +his bitter protest, they impelled the staggering vehicle, grossly +overloaded, past the very door of the club my friend had wished +to avoid. Here, by malicious inspiration, they tilted the wain to +one side and strewed the paving with their property. They skipped +nimbly round the corner, and with highly satisfactory laughter +watched their blushing partner labouring dismally to collect the +fragments. Some of his friends issuing from the club lent a hand, +and the joy of the conspirators was complete. + +But to the family man, moving is no such airy picnic. Sadly he +goes through the last dismal rites and sees the modest fragments +of his dominion hustled toward the cold sepulture of a motor van. +Before the toughened bearing of the hirelings he doubts what +manner to assume. Shall he stand at the front door and exhort +them to particular care with each sentimental item, crying "Be +careful with that little chair; that's the one the Urchin uses +when he eats his evening prunes!" Or shall he adopt a gruesome +sarcasm, hoping to awe them by conveying the impression that even +if the whole van should be splintered in collision, he can get +more at the nearest department store? Whatever policy he adopts, +they will not be much impressed. For, when we handed our +gratuity, not an ungenerous one, to the driver, asking him to +divide it among the gang, we were startled to hear them burst +into loud screams of mirth. We asked, grimly, the cause. It +appeared that during the work one of our friends, apparently +despairing of any pourboire appropriate to his own conceptions of +reward, had sold his share of the tip to the driver for fifteen +cents. We are not going to say how much he lost by so doing. But +this gamble put the driver in such a good humour that we believe +he will keep away from railroad crossings. + + + + +SURF FISHING + +[Illustration] + + +All day long you see them stand thigh-deep in the surf, fishing. +Up on the beach each one has a large basket containing clams for +bait, extra hooks and leaders, a little can of oil for the reel, +and any particular doo-dads dear to the heart of the individual +fisherman. And an old newspaper, all ready to protect the +anticipated catch from the rays of the sun. + +Some of them wear bathing suits; others rubber hip-boots, or +simply old clothes that won't mind getting wet. If they are very +full of swank they will have a leather belt with a socket to hold +the butt of the rod. Every now and then you will see them pacing +backward up the beach, reeling in the line. They will mutter +something about a big strike that time, and he got away with the +bait. With zealous care they spear some more clam on the hook, +twisting it over and over the barb so as to be firmly impaled. +Then, with careful precision, they fling the line with its heavy +pyramid sinker far out beyond the line of breakers. + +There they stand. What do they think about, one wonders? But what +does any one think about when fishing? That is one of the happy +pastimes that don't require much thinking. The long ridges of +surf crumble about their knees and the sun and keen vital air +lull them into a cheerful drowse of the faculties. Do they +speculate on the never-ending fascination of the leaning walls of +water, the rhythmical melody of the rasp and hiss of the water? +Do they watch that indescribable beauty of the breaking wave, a +sight as old as humankind and yet never so described that one who +has not seen it could picture it? + +The wave gathers height and speed as it moves toward the sand. It +seems to pull itself together for the last plunge. The first wave +that ever rolled up to a beach probably didn't break. It just +slid. It was only the second wave that broke--curled over in that +curious way. For our theory--which may be entirely wrong--is that +the breaking is due to the undertow of previous waves. After a +wave sprawls up on the beach, it runs swiftly back. This +receding undercurrent--you can feel it very strongly if you are +swimming just in front of a large wave about to break--digs in +beneath the advancing hill of water. It cuts away the foundations +of that hill, which naturally topples over at the crest. + +The wave of water leans and hangs for a delaying instant. The +actual cascade may begin at one end and run along the length of +the ridge; it may begin at both ends and twirl inward, meeting in +the middle; it may (but very rarely) begin in the middle and work +outward. As the billow is at its height, before it combs over, +the fisherman sees the sunlight gleaming through it--an ecstasy +of perfect lucid green, with the glimmer of yellow sand behind. +Then, for a brief moment--so brief that the details can never be +memorized--he sees a clear crystal screen of water falling +forward. Another instant, and it is all a boil of snowy suds +seething about his legs. He may watch it a thousand times, a +million times; it will never be old, never wholly familiar. +Colour varies from hour to hour, from day to day. Sometimes blue +or violet, sometimes green-olive or gray. The backwash tugs at +his boots, hollowing out little channels under his feet. The sun +wraps him round like a mantle; the salt crusts and thickens in +his hair. And then, when he has forgotten everything save the +rhythm of the falling waves, there comes a sudden tug---- + +He reels in, and a few curious bathers stand still in the surf +to see what he has got. They are inclined to be scornful. It is +such a little fish! One would think that such a vast body of +water would be ashamed to yield only so small a prize. Never +mind. He has compensations they wot not of. Moreover--although he +would hardly admit it himself--the fishing business is only a +pretext. How else could a grown man with grizzled hair have an +excuse to stand all day paddling in the surf? + + + + +"IDOLATRY" + +[Illustration] + + +Once in a while, when the name of R. L. S. is mentioned in +conversation, someone says to us: "Ah well, you're one of the +Stevenson idolators, aren't you?" And this is said with a curious +air of cynical superiority, as of one who has experienced all +these things and is superbly tolerant of the shallow mind that +can still admire Tusitala. His work (such people will generally +tell you) was brilliant but "artificial" ... and for the true +certificated milk of the word one must come along to such modern +giants as Dreiser and Hergesheimer and Cabell. For these artists, +each in his due place, we have only the most genial respect. But +when the passion of our youth is impugned as "idolatry" we feel +in our spirit an intense weariness. We feel the pacifism of the +wise and secretive mind that remains tacit when its most perfect +inward certainties are assailed. One does not argue, for there +are certain things not arguable. One shrugs. After all, what +human gesture more eloquent (or more satisfying to the performer) +than the shrug? + +There is a little village on the skirts of the Forest of +Fontainebleau (heavenly region of springtime and romance!) where +the crystal-green eddies of the Loing slip under an old gray +bridge with sharp angled piers of stone. Near the bridge is a +quiet little inn, one of the many happy places in that country +long frequented by artists for painting and "_villégiature_." +Behind the inn is a garden beside the river-bank. The _salle à +manger_, as in so many of those inns at Barbizon, Moret, and the +other Fontainebleau villages, is panelled and frescoed with +humorous and high-spirited impromptus done by visiting painters. + +In the summer of 1876 an anxious rumour passed among the artist +colonies. It was said that an American lady and her two children +had arrived at Grez, and the young bohemians who regarded this +region as their own sacred retreat were startled and alarmed. +Were their chosen haunts to be invaded by tourists--and tourists +of the disturbing sex? Among three happy irresponsibles this +humorous anxiety was particularly acute. One of the trio was sent +over to Grez as a scout, to spy out the situation and report. The +emissary went, and failed to return. A second explorer was +dispatched to study the problem. He, too, was swallowed up in +silence. The third, impatiently waiting tidings from his +faithless friends, set out to make an end of this mystery. He +reached the inn at dusk: it was a gentle summer evening; the +windows were open to the tender air; lamps were lit within, and a +merry party sat at dinner. Through the open window the suspicious +venturer saw the recreant ambassadors, gay with laughter. And +there, sitting in the lamplight, was the American lady--a +slender, thoughtful enchantress with eyes as dark and glowing as +the wine. Thus it was that Robert Louis Stevenson first saw Fanny +Osbourne. + +A few days later Mrs. Osbourne's eighteen-year-old daughter +Isobel wrote in a letter: "There is a young Scotchman here, a Mr. +Stevenson. He is such a nice-looking ugly man, and I would rather +listen to him talk than read the most interesting book.... Mama +is ever so much better and is getting prettier every day." + +"The Life of Mrs. Robert Louis Stevenson," written by her sister +Mrs. Sanchez (the mother of "little Louis Sanchez on the beach at +Monterey" remembered by lovers of "A Child's Garden of Verses") +is a book that none of the so-called idolaters will want to +overlook. The romantic excitements of R. L. S.'s youth were tame +indeed compared to those of Fanny Van de Grift. R. L. S. had +been thrilled enough by a few nights spent in the dark with the +docile ass of the Cevennes; but here was one, sprung from sober +Philadelphia blood, born in Indianapolis and baptized by Henry +Ward Beecher, who had pioneered across the fabled Isthmus, lived +in the roaring mining camps of Nevada, worked for a dressmaker in +Frisco, and venturously taken her young children to Belgium and +France to study art. She had been married at seventeen, had +already once thought herself to be a widow in fact by the +temporary disappearance of her first husband; and was now, after +enduring repeated infidelities, prepared to make herself a widow +in law. Daring horse woman, a good shot, a supreme cook, artist, +writer, and a very Gene Stratton Porter among flowers, fearless, +beautiful, and of unique charm--where could another woman have +been found so marvellously gifted to be the wife of a romancer? +It seems odd that Philadelphia and Edinburgh, the two most +conservatively minded cities of the Anglo-Saxon earth, should +have combined to produce this, the most radiant pair of +adventurers in our recent annals. + +The reading of this delightful book has taken us back into the +very pang and felicity of our first great passion--our idolatry, +if you will--which we are proud here and now to re-avow. When was +there ever a happier or more wholesome worship for a boy than the +Stevenson mania on which so many of this generation grew up? We +were the luckier in that our zeal was shared in all its gusto and +particularity by a lean, long-legged, sallow-faced, brown-eyed +eccentric (himself incredibly Stevensonian in appearance) with +whom we lay afield in our later teens, reading R. L. S. aloud by +the banks of a small stream which we vowed should become famous +in the world of letters. And so it has, though not by our +efforts, which was what we had designed; for at the crystal +headwater of that same creek was penned "The Amenities of Book +Collecting," that enchanting volume of bookish essays which has +swelled the correspondence of a Philadelphia business man to +insane proportions, and even brought him offers from three +newspapers to conduct a book page. It seems appropriate to the +present chronicler that in a quiet library overlooking the clear +fount and origin of dear Darby Creek there are several of the +most cherished association volumes of R. L. S.--we think +particularly of the "Child's Garden of Verses" which he gave to +Cummy, and the manuscript of little "Smoutie's" very first book, +the "History of Moses." + + * * * * * + +Was there ever a more joyous covenant of affection than that of +Mifflin McGill and ourself in our boyish madness for Tusitala? It +is a happy circumstance, we say, for a youth, before the +multiplying responsibilities of maturity press upon him, to pour +out his enthusiasm in an obsession such as that; and when this +passion can be shared and doubled and knitted in partnership with +an equally freakish, insane, and innocent idiot (such as our +generously mad friend Mifflin) admirable adventures are sure to +follow. The quest begun on Darby Creek took us later on an +all-summer progress among places in England and Scotland hallowed +to us by association with R. L. S. Never, in any young lives past +or to come, could there be an instant of purer excitement and +glory than when, after bicycling hotly all day with the blue +outline of Arthur's Seat apparently always receding before us, we +trundled grimly into Auld Reekie and set out for the old +Stevenson home at 17 Heriot Row, halting only to bestow our +pneumatic steeds in the nearest and humblest available hostelry. +There (for we found the house empty and "To Let") we sat on the +doorstep evening by evening, smoking in the long northern +twilight and spinning our youthful dreams. This lust for hunting +out our favourite author's footsteps even led one of the pair to +a place perhaps never visited by any other Stevensonian +pilgrim--old Cockfield Rectory, in Suffolk, where Mrs. Sitwell +and Sidney Colvin first met the bright-eyed Scotch boy in 1873. +The tracker of footprints remembers how kind were the then +occupants of the old rectory, and how, in a daze of awe, he trod +the green and tranquil lawn and hastened to visit a cottage near +by where there was an ancient rustic who had been coachman at +the rectory when R. L. S. stayed there, fabled to retain some +pithy recollection. Alas, the Suffolk ancient, eager enough to +share tobacco and speech, would only mull over his memories of a +previous rector, describing how it had fallen to him to prepare +the good man for burial; how he smiled in death and his cheeks +were as rosy as a babe's. + +It would take many pages to narrate all the bypaths and happy +excursions trod by these simple youths in their quest of the +immortal Louis. The memories come bustling, and one knows not +where to stop. The supreme adventure, for one of the pair, lay in +the kindness of Sir Sidney Colvin. To this prince of gentlemen +and scholars one of these lads wrote, sending his letter (with +subtle cunning) from a village in Suffolk only a few miles from +Sir Sidney's boyhood home. He calculated that this might arouse +the interest of Sir Sidney, whom he knew to be cruelly badgered +with letters from enthusiasts; and fortune turned in his favour, +granting him numerous ecstatic visits to Sir Sidney and Lady +Colvin and much unwarranted generosity. But, since our mind has +been turned in this direction by Mrs. Sanchez's book, it might be +appropriate to add that one of the most thrilling moments in the +crusade was a season of April days spent beside the green and +stripling Loing, in the forest of Fontainebleau region, visiting +those lovely French villages where R. L. S. roamed as a young +man, crowned by an afternoon at Grez. One remembers the old gray +bridge across the eddying water, and the door of the inn where +the young pilgrim lingered, trying to visualize scenes of +thirty-five years before. + +It is not mere idolatry when the hearts of the young are haunted +by such spells. There was some real divinity behind the +enchantment, some marvellous essence that made all roads Tusitala +trod the Road of Loving Hearts. In these matters we would trust +the simple Samoans to come nearer the truth than our cynic friend +in Greenwich Village. The magic of that great name abides +unimpaired. + + + + +THE FIRST COMMENCEMENT ADDRESS + +(_Delivered to Cain and Abel, the first graduating class of the +Garden of Eden Normal School._) + +[Illustration] + + +My young friends--It is a privilege to be permitted to address you this +morning, for I am convinced that never in the world's history did the +age beckon with so eager a gesture to the young men on the threshold of +active life. Never indeed in the past, and certainly never in the +future, was there or will there be a time more deeply fraught with +significance. And as I gaze upon your keen faces it seems almost as +though the world had amassed all the problems that now confront us +merely in order to give you tasks worthy of your prowess. + +The world, I think I may safely say, is smaller now than ever before. +The recent invention of young women, something quite new in the way of +a social problem, has introduced a hitherto undreamed-of complexity into +human affairs. The extreme rapidity with which ideas and thoughts now +circulate, due to the new invention of speech, makes it probable that +what is said in Eden to-day will be known in the land of Nod within a +year. The greatest need is plainly for big-visioned and purposeful men, +efficient men, men with forward-looking minds. I hope you will pattern +after your admirable father in this respect; he truly was a +forward-looking man, for he had nothing to look back on. + +You are aware, however, that your father has had serious problems to +deal with, and it is well that you should consider those problems in the +light of the experiences you are about to face. One of his most +perplexing difficulties would never have come upon him if he had not +fallen into a deep sleep. I counsel you, therefore, be wary not to +overslumber. The prizes of life always come to those who press +resolutely on, undaunted by fatigue and discouragement. Another of your +father's failings was probably due to the fact that he was never a small +boy and thus had no chance to work the deviltry out of his system. You +yourselves have been abundantly blessed in this regard. I think I may +say that here, in our Normal Academy, you have had an almost ideal +playground to work off those boyish high spirits, to perpetrate those +mischievous pranks that the world expects of its young. Remember that +you are now going out into the mature work of life, where you will +encounter serious problems. + +As you wend your way from these accustomed shades into the full glare of +public life you will do so, I hope, with the consciousness that the eyes +of the world are upon you. The sphere of activity in which you may find +yourselves called upon to perform may be restricted, but you will +remember that not failure but low aim is base. You will hold a just +balance between the conflicting tendencies of radicalism and +conservatism. You will endeavour to secure for labour its due share in +the profits of labour. You will not be forgetful that all government +depends in the last resort on the consent of the governed. These catch +words in the full flush of your youth you may be inclined to dismiss as +truisms, but I assure you that 10,000 years from now men will be +uttering them with the same air of discovery. + +It is my great pleasure to confer upon you both the degree of bachelor +of arts and to pray that you may never bring discredit upon your alma +mater. + + + + +THE DOWNFALL OF GEORGE SNIPE + + +George Snipe was an ardent book-lover, and sat in the smoking car +in a state of suspended ecstasy. He had been invited out to +Mandrake Park to visit the library of Mr. Genial Girth, the +well-known collector of rare autographed books. Devoted amateur +of literature as he was, George's humble career rarely brought +him into contact with bookish treasures, and a tremulous +excitement swam through his brain as he thought of the glories he +was about to see. In his devout meditation the train carried him +a station beyond his alighting place, and he ran frantically back +through the well-groomed suburban countryside in order to reach +Mr. Girth's home on time. + +They went through the library together. Mr. Girth displayed all +his fascinating prizes with generous good nature, and George grew +excited. The palms of his hands were clammy with agitation. All +round the room, encased in scarlet slip-covers of tooled morocco, +on fireproof shelves, were the priceless booty of the collector. +Here was Charles Lamb's "Essays of Elia," inscribed by the author +to the woman he loved. Here was a copy of "Paradise Lost," +signed by John Milton. Here was a "Hamlet" given by Shakespeare +to Bacon with the inscription, "Dear Frank, don't you wish you +could have written something like this?" Here was the unpublished +manuscript of a story by Robert Louis Stevenson. Here was a note +written by Doctor Johnson to the landlord of the Cheshire Cheese, +refusing to pay a bill and accusing the tavern-keeper of +profiteering. Here were volumes autographed by Goldsmith, Keats, +Shelley, Poe, Byron, DeFoe, Swift, Dickens, Thackeray, and all +the other great figures of modern literature. + +Poor George's agitation became painful. His head buzzed as he +surveyed the faded signatures of all these men who had become the +living figures of his day-dreams. His eye rolled wildly in its +orbit. Just then Mr. Girth was called out of the room, and left +George alone among the treasures. + +Just at what instant the mania seized him we shall never know. +There were a pen and an inkpot on the table, and the frenzied +lover of books dipped the quill deep in the dark blue fluid. He +ran eagerly to the shelves. The first volume he saw was a copy of +"Lorna Doone." In it he wrote "Affectionately yours, R. D. +Blackmore." Then came Longfellow's poems. He scrawled "With deep +esteem, Henry W. Longfellow" on the flyleaf. Then three volumes +of Macaulay's "History of England." In the first he jotted "I +have always wanted you to have these admirable books, T. B. M." +In "The Mill on the Floss" he wrote "This comes to you still warm +from the press, George Eliot." The next book happened to be a +copy of Edgar Guest's poems. In this he inscribed "You are the +host I love the best, This is my boast, Yours, Edgar Guest." In a +copy of Browning's Poems he wrote "To my dear and only wife, +Elizabeth, from her devoted Robert." In a pamphlet reprint of the +Gettysburg Speech he penned "This is straight stuff, A. Lincoln." +But perhaps his most triumphant exploit was signing a copy of the +Rubaiyat thus: "This book is given to the Anti-Saloon League of +Naishapur by that thorn in their side, O. Khayyam." + +By the time the ambulance reached Mr. Girth's home George was +completely beyond control. He was taken away screaming because he +had not had a chance to autograph a copy of the "Songs of +Solomon." + + + + +MEDITATIONS OF A BOOKSELLER + +(Roger Mifflin _loquitur_) + +[Illustration] + + +I had a pleasant adventure to-day. A free verse poet came in to see me, +wanted me to buy some copies of "The Pagan Anthology." I looked over the +book, to which he himself had contributed some pieces. I advised him to +read Tennyson. I wish you could have seen his face. + +If you want to see a really good anthology (I said) have a look at +Pearsall Smith's "Treasury of English Prose," just out. The only thing +that surprises me is that Mr. Smith didn't include some free verse in +it. The best thing about free verse is that it is often awfully good +prose. + +It's a superb clear night: a milky pallor washed in the blue: a white +moon overhead: stars rare but brilliant, one in the south twinkles and +flutters like a tiny flower stirred by faint air. The wind is "a cordial +of incredible virtue" (Emerson)--sharp and chill, but with a milder +tincture. To-day, though brisk and snell on the streets, the sunshine +had a lively vigour, a generous quality, a promissory note of the +equinox. I felt it from first rising this morning--the old demiurge at +work! As I sat in the bathtub (when a man is fifty he may be pardoned +for taking a warm bath on winter mornings) my mind fell upon the desire +of wandering: it occurred to me that a spread of legs in the vital air +would be richly repaid. The windows called me: as soon as shirt and +trousers were on, I was at the sill peering out over Gissing Street. +Later, even through closed panes, the chink of milk bottles on the +pavement below seemed to rise with a clearer, merrier note. Setting out +for some tobacco about 8:30, I stopped to study the ice-man's great +blocks of silvery translucence, lying along the curb by a big apartment +house. "Artificial" ice, I suppose: it was interesting to see, in the +meridian of each cake, a kind of silvery fracture or membrane, with the +grain of air-bubbles tending outward therefrom--showing, no doubt, if +one knew the mechanics of refrigeration, just how the freezing +proceeded. Even in so humble a thing as a block of ice are these +harmonic and lovely patterns, the seal of Nature's craft, inscrutable, +inimitable. I might have made a point of this in talking to that free +verse poet. I'm glad I didn't, however: he would have had some tedious +reply, convincing to himself. That's the trouble with replies: they are +always convincing to the replier. As a friend of mine used to say, one +good taciturn deserves another. + +I was thinking, as I took a parcel of laundry up to the Chinaman on +McFee Street just now, it would be interesting to write a book dealing +solely, candidly, exactly, and fully with the events, emotions, and +thoughts of just one day in a man's life. If one could do that, in a way +to carry conviction, assent, and reality, to convey to the reader's +senses a recognition of genuine actual human _being_, one might claim to +be a true artist. + +I have found an admirable book for reading in bed--this little anthology +of prose, collected by Pearsall Smith. He knows what good prose is, +having written some of the daintiest bits of our time in his "Trivia," a +book with which I occasionally delight a truly discerning customer. What +a fascination there is in good prose--"the cool element of prose" as +Milton calls it--a sort of fluid happiness of the mind, unshaken by the +violent pangs of great poetry. I am not subtle enough to describe it, +but in the steadily cumulating satisfaction of first-class prose there +seems to be something that speaks direct to the brain, unmarred by the +claims of the senses, the emotions. I meditate much, ignorantly and +fumblingly, on the modes and purposes of writing. It is so +simple--"Fool!" said my Muse to me, "look in thy heart and write!"--all +that is needful is to tell what happens; and yet how hard it is to +summon up that necessary candor. Every time I read great work I see the +confirmation of what I grope for. How vivid, straight, and cleanly it +seems when done: merely the outward utterance of "what the mind at home, +in the spacious circuits of her musing, hath liberty to propose to +herself." Let a man's mind depart from his audience; let him have no +concern whether to shock or to please. Let him carry no consideration +save to utter, with unsparing fidelity, what passes in his own spirit. +One can trust the brain to do its part. All that is needed is honourable +frankness: not to be ashamed to open our hearts, to speak our privy +weakness, our inward exulting. Then the pain and perplexity, or the +childish satisfactions, of our daily life are the true material of the +writer's art, and that which is sown in weakness may be raised in power. +Curious indeed that in this life, brief and precariously enjoyed, men +should so set their hearts on building a permanence in words: something +to stand, in the lovely stability of ink and leaden types, as our speech +out of silence to those who follow on. Indefensible absurdity, and yet +the secret and impassioned dream of those who write! + +I was about to say that, for the writing of anything truly durable, the +first requisite is plenty of silence. Then I recall Dr. Johnson's +preface to his Dictionary--"written not in the soft obscurities of +retirement, or under the shelter of academic bowers, but amid +inconvenience and distraction, in sickness and in sorrow." + + + + +IF BUYING A MEAL WERE LIKE BUYING A HOUSE + + +This Indenture + +between A. B., an innkeeper, organized and existing under the +laws of good cooking, party of the first part, and C. D., party +of the second part, witnesseth: + +That the said party of the first part, for and in consideration +of the sum of $1.50, lawful money of the United States, paid by +the said party of the second part, does hereby grant and release +unto the said C. D., and his heirs, administrators, and assigns +forever, + +All that certain group, parcels, or allotments of food, viands, +or victuals, situate or to be spread, served, and garnished upon +the premises of said A. B., shown and known and commonly designed +as one square meal, table d'hôte, together with the drinking +water, napkin, ash tray, finger-bowl and hat-and-coat-hanging +privileges or easements appurtenant thereto, + +And Together With the rights, privileges, and opportunities (as +an easement additionally appurtenant to the meal above nominated) +to partake, eat, enjoy, and be nourished upon said victuals, and +to call for extra pats, parcels, or portions of butter. + +Subject to the following restrictions, to wit: That neither the +party of the second part, nor his heirs, executors, or assigns, +will feast immoderately upon onions, to the confusion of his +neighbours; nor will the said C. D. or his guests smoke any form +of tobacco other than cigars and cigarettes, the instrument +commonly known as a pipe being offensive to the head waiter (a +man of delicate nurture); nor will said party of the second part +covet, retain, nor seek to remove any knives, forks, spoons, or +other tableware whatsoever; nor is anything said or implied or +otherwise intimated in this covenant to be construed as +permitting the party of the second part to carry on loud +laughter, song, carnival, nor social uproar; nor unnecessarily, +further than is tactful for the procurement of expeditious +attention, to endear himself to or otherwise cajole, compliment, +and ingratiate the waitress. + +And Furthermore, that title to said Meal does not pass until the +party of the second part has conveyed, of his mansuetude and +proper charity, a gratuity, fee, honorarium, lagniappe, +pourboire, easement or tip of not less than 15 per cent of the +price of said Meal; which easement, while customarily spoken of +as a free-will grant or gratuity, is to be constructively +regarded as an entail and a necessary encumbrance upon said Meal. + +And the said party of the first part covenants with the said +party of the second part as follows: That the said C. D. is +seized of the said Meal in fee simple, and shall quietly enjoy +said Meal subject to the covenants and restrictions and +encumbrances hereinbefore set out, subject to the good pleasure +of the Head Waiter. + +In Witness Whereof these presents are signed, + +(LOC. SIG.) + + + + +ADVENTURES IN HIGH FINANCE + +[Illustration] + + +There is no way in which one can so surely arouse the suspicions of +bankers as by trying to put some money in their hands. We went round to a +near-by bank hoping to open an account. As we had formerly dealt with an +uptown branch of the same institution, and as the cheque we wanted to +deposit bore the name of a quite well-known firm, we thought all would be +easy. But no; it seemed that there was no convincing way to identify +ourself. Hopefully we pulled out a stack of letters, but these were +waved aside. We began to feel more and more as though we had come with +some sinister intent. We started to light our pipe, and then it occurred +to us that perhaps that would be regarded as the gesture of a hardened +cracksman, seeking to appear at his ease. We wondered if, in all our +motions, we were betraying the suspicious conduct of the professional +embezzler. Perhaps the courteous banker was putting us through some +Freudian third degree ... in these days when the workings of the +unconscious are so shrewdly canvassed, was there anything abominable in +the cellar of our soul which we were giving away without realizing ... +had we not thought to ourself, as we entered the door, well, this is a +fairly decent cheque to start an account with, but we won't keep our +balance anywhere near that figure ... perhaps our Freudian banker had +spotted that thought and was sending for a psychological patrol wagon ... +well, how _could_ we identify ourself? Did we know any one who had an +account in that branch? No. + +We thought of a friend of ours who banked at another branch of this +bank, not far away. The banker called him up and whispered strangely +over the phone. We were asked to take off our hat. Apparently our friend +was describing us. We hoped that he was saying "stout" rather than +"fat." But it seemed that the corroboration of our friend only +increased our host's precaution. Perhaps he thought it was a carefully +worked-out con game, in which our friend was a confederate. We signed +our name several times, on little cards, with a desperate attempt to +appear unconcerned. In spite of our best efforts, we could not help +thinking that each time we wrote it we must be looking as though we were +trying to remember how we had written it the last time. Still the banker +hesitated. Then he called up our friend again. He asked him if he would +know our voice over the phone. Our friend said he would. We spoke to our +friend, with whom we had eaten lunch a few minutes before. He asked, to +identify us, what we had had for lunch. Horrible instant! For a moment +we could not remember. The eyes of the banker and his assistant were +glittering upon us. Then we spoke glibly enough. "An oyster patty," we +said; "two cups of tea, and a rice pudding which we asked for cold, but +which was given us hot." + +Our friend asserted, to the banker, that we were undeniably us, and +indeed the homely particularity of the luncheon items had already made +incision in his hardened bosom. He smiled radiantly at us and gave us a +cheque book. Then he told us we couldn't draw against our account until +the original cheque had passed through the Clearing House, and sent a +youth back to the office with us so that we could be unmistakably +identified. + +As we left the banker's office someone else was ushered in. "Here's +another gentleman to open an account," said the assistant. "We hope he +knows what he had for lunch," we said to the banker. + + + + +ON VISITING BOOKSHOPS + +[Illustration] + + +It Is a curious thing that so many people only go into a bookshop when +they happen to need some particular book. Do they never drop in for a +little innocent carouse and refreshment? There are some knightly souls +who even go so far as to make their visits to bookshops a kind of +chivalrous errantry at large. They go in not because they need any +certain volume, but because they feel that there may be some book that +needs them. Some wistful, little forgotten sheaf of loveliness, long +pining away on an upper shelf--why not ride up, fling her across your +charger (or your charge account), and gallop away. Be a little knightly, +you book-lovers! + +The lack of intelligence with which people use bookshops is, one +supposes, no more flagrant than the lack of intelligence with which we +use all the rest of the machinery of civilization. In this age, and +particularly in this city, we haven't time to be intelligent. + +A queer thing about books, if you open your heart to them, is the +instant and irresistible way they follow you with their appeal. You know +at once, if you are clairvoyant in these matters (libre-voyant, one +might say), when you have met your book. You may dally and evade, you +may go on about your affairs, but the paragraph of prose your eye fell +upon, or the snatch of verses, or perhaps only the spirit and flavour of +the volume, more divined than reasonably noted, will follow you. A few +lines glimpsed on a page may alter your whole trend of thought for the +day, reverse the currents of the mind, change the profile of the city. +The other evening, on a subway car, we were reading Walter de la Mare's +interesting little essay about Rupert Brooke. His discussion of +children, their dreaming ways, their exalted simplicity and absorption, +changed the whole tenor of our voyage by some magical chemistry of +thought. It was no longer a wild, barbaric struggle with our fellowmen, +but a venture of faith and recompense, taking us home to the bedtime of +a child. + +The moment when one meets a book and knows, beyond shadow of doubt, that +that book must be his--not necessarily now, but some time--is among the +happiest excitements of the spirit. An indescribable virtue effuses from +some books. One can feel the radiations of an honest book long before +one sees it, if one has a sensitive pulse for such affairs. Its honour +and truth will speak through the advertising. Its mind and heart will +cry out even underneath the extravagance of jacket-blurbings. Some +shrewd soul, who understands books, remarked some time ago on the +editorial page of the _Sun's_ book review that no superlative on a +jacket had ever done the book an atom of good. He was right, as far as +the true bookster is concerned. We choose our dinner not by the +wrappers, but by the veining and gristle of the meat within. The other +day, prowling about a bookshop, we came upon two paper-bound copies of a +little book of poems by Alice Meynell. They had been there for at least +two years. We had seen them before, a year or more ago, but had not +looked into them fearing to be tempted. This time we ventured. We came +upon two poems--"To O, Of Her Dark Eyes," and "A Wind of Clear Weather +in England." The book was ours--or rather, we were its, though we did +not yield at once. We came back the next day and got it. We are still +wondering how a book like that could stay in the shop so long. Once we +had it, the day was different. The sky was sluiced with a clearer blue, +air and sunlight blended for a keener intake of the lungs, faces seen +along the street moved us with a livelier shock of interest and +surprise. The wind that moved over Sussex and blew Mrs. Meynell's heart +into her lines was still flowing across the ribs and ledges of our +distant scene. + +There is no mistaking a real book when one meets it. It is like falling +in love, and like that colossal adventure it is an experience of great +social import. Even as the tranced swain, the book-lover yearns to tell +others of his bliss. He writes letters about it, adds it to the +postscript of all manner of communications, intrudes it into telephone +messages, and insists on his friends writing down the title of the find. +Like the simple-hearted betrothed, once certain of his conquest, "I want +you to love her, too!" It is a jealous passion also. He feels a little +indignant if he finds that any one else has discovered the book, too. He +sees an enthusiastic review--very likely in _The New Republic_--and +says, with great scorn, "I read the book three months ago." There are +even some perversions of passion by which a book-lover loses much of his +affection for his pet if he sees it too highly commended by some rival +critic. + +This sharp ecstasy of discovering books for one's self is not always +widespread. There are many who, for one reason or another, prefer to +have their books found out for them. But for the complete zealot nothing +transcends the zest of pioneering for himself. And therefore working for +a publisher is, to a certain type of mind, a never-failing fascination. +As H. M. Tomlinson says in "Old Junk," that fascinating collection of +sensitive and beautifully poised sketches which came to us recently with +a shock of thrilling delight: + + To come upon a craft rigged so, though at her moorings and with + sails furled, her slender poles upspringing from the bright plane + of a brimming harbour, is to me as rare and sensational a delight + as the rediscovery, when idling with a book, of a favourite + lyric. + +To read just that passage, and the phrase _the bright plane of a +brimming harbour_, is one of those "rare and sensational +delights" that set the mind moving on lovely journeys of its own, +and mark off visits to a bookshop not as casual errands of +reason, but as necessary acts of devotion. We visit bookshops not +so often to buy any one special book, but rather to rediscover, +in the happier and more expressive words of others, our own +encumbered soul. + + + + +A DISCOVERY + +[Illustration] + + +We are going to tell the truth. It has been on our mind for some +time. We are going to tell it exactly, without any balancing or +trimming or crimped edges. We are weary of talking about +trivialities and are going to come plump and plain to the +adventures of our own mind. These are real adventures, just as +real as the things we see. The green frog that took refuge on our +porch last night was no more real. Perhaps frogs don't care so +much for wet as they are supposed to, for when that excellent +thunderstorm came along and the ceiling of the night was sheeted +with lilac brightness, through which ran quivering threads of +naked fire (not just the soft, tame, flabby fire of the domestic +hearth, but the real core and marrow of flame, its hungry, +terrible, destroying self), our friend the frog came hopping up +on the porch where we stood, apparently to take shelter. How +brilliant was his black and silver eye when we picked him up! His +direct and honourable regard somehow made us feel ashamed, we +know not why. And yet we have plenty to be ashamed about--but how +did he know? He was still on the porch this morning. Equally real +was the catbird on the hedge as we came down toward the station. +She--we call her so, for there was unmistakable ladyhood in her +delicately tailored trimness--she bickered at us in a cheerful +way, on top of those bushes which were so loaded with the night's +rainfall that they shone a blurred cobweb gray in the lifting +light. Her eye was also dark and polished and lucid, like a bead +of ink. It also had the same effect of tribulation on our spirit. +Neither the catbird nor the frog, we said to ourself, would have +tormented their souls trying to "invent" something to write +about. They would have told what happened to them, and let it go +at that. So, as we walked along under an arcade of maple trees, +admiring the little green seed-biplanes brought down by the +thrash of the rain--they look rather as though they would make +good coathangers for fairies--we asked ourself why we could not +be as straightforward as the bird and the frog, and talk about +what was in our mind. + +The most exciting thing that happened to us when we got to New +York last February was finding a book in a yellow wrapper. Its +title was "Old Junk," which appealed to us. The name of the +author was H. M. Tomlinson, which immediately became to us a name +of honour and great meaning. All day and every day intelligent +men find themselves surrounded by oceans of what is quaintly +called "reading matter." Most of it is turgid, lumpy, fuzzy in +texture, squalid in intellect. The rewards of the literary +world--that is, the tangible, potable, spendable rewards--go +mostly to the cheapjack and the mountebank. And yet here was a +man who in every paragraph spoke to the keenest intellectual +sense--who, ten times a page, enchanted the reader with the +surprising and delicious pang given by the critically chosen +word. We sat up late at night reading that book, marvelling at +our good fortune. We wanted to cry aloud (to such as cared to +understand), "Rejoice and be exceeding glad, for here is born a +man who knows how to write!" In our exuberance we seized a pen +and wrote in the stern of our copy: "Here speaks the Lord God of +prose; here is the clear eye, the ironic mind, the compassionate +heart; the thrilling honesty and (apparent) simplicity of great +work." Then we set about making the book known to our friends. We +propelled them into bookshops and made them buy it. We took our +own copy down to William McFee on S.S. _Turrialba_ and a glad +heart was ours when he, too, said it was "the real thing." This +is a small matter, you say? When the discovery of an honest pen +becomes a small matter life will lose something of its savour. +Those who understand will understand; let the others spend their +time in the smoker playing pinochle. Those who care about these +things can get the book for themselves. + +Of Mr. Tomlinson in person: he is a London newspaperman, we +understand, and now on the staff of the London _Nation_. (Trust +Mr. Massingham, the editor of that journal, to know an honest +writer when he sees him.) Mr. Tomlinson says of himself: + + My life is like my portrait. It won't bear investigation. I am + not conscious of having done anything that would interest either + a policeman or the young lady of the kind who dotes on Daddy Long + Legs; worse luck. It's about time I got down to business and did + something interesting either to one or the other. That is why it + won't bear investigation, this record of mine. I am about as + entertaining as one of the crowd coming out of the factory gates + with his full dinner pail. All my adventures have been no more + than keeping that pail moderately full. I've been doing that + since I was twelve, in all sorts of ways. I was an office boy and + a clerk among London's ships, in the last days of the clippers. + And I am forced to recall some of the things--such as bookkeeping + in a jam factory and stoking on a tramp steamer--I can understand + why I and my fellows, without wanting to, drifted about in + indecision till we drifted into war and drifted into peace. And + of course, I've been a journalist. I am still; and so have seen + much of Africa, America, and Europe, without knowing exactly why. + I was in France in 1914--the August, too, of that year, and woke + up from that nightmare in 1917, after the Vimy Ridge attack, when + I returned to England to sit with my wife and children in a + cellar whenever it was a fine night and listened to the guns and + bombs. God, who knows all, might make something of this sort of + inconsequential drift of one day into the next, but I give it up. + +But now we pass to the phase of the matter that puzzles us. How +is it that there are some books which can never have abiding life +until they perish and are born again? We have noticed it so +often. There is a book of a certain sort to which this process +seems inevitable. One need only mention Leonard Merrick or Samuel +Butler as examples. The book, we will suppose, has some peculiar +subtlety or flavour of appeal. (We are thinking at the moment of +William McFee's "Letters From an Ocean Tramp.") It is published +and falls dead. Later on--usually about ten years later--it is +taken up with vigour by some other publisher, the stone is rolled +away from the sepulchre, and it begins to move among its destined +lovers. + +This remark is caused by our delighted discovery of a previous +book by the author of "Old Junk." "The Sea and the Jungle" is the +title of it, the tale of a voyage on the tramp steamer _Capella_, +from Swansea to Para in the Brazils, and thence 2,000 miles along +the forests of the Amazon and Madeira rivers. It is the kind of +book whose readers will never forget it; the kind of book that +happens to some happy writers once in a lifetime (and to many +never at all) when the moving hand seems gloriously in gear with +the tremulous and busy mind, and all the spinning earth stands +hearkeningly still waiting for the perfect expression of the +thought. It is the work of a hand trained in laborious task-work +and then set magnificently free, for a few blessed months, under +no burden save that of putting its captaining spirit truthfully +on paper. And this book--in which there is a sea passage that not +even Mr. Conrad has ever bettered--this book, which makes the +utmost self-satisfied heroics of the Prominent Writers of our +market place shrivel uncomfortably in remembrance--this book, we +repeat, though published in this country in 1913, has been long +out of print; and the copy which we were lucky enough to lay hand +on through the courtesy of the State Librarian of Pennsylvania +had not previously been borrowed since November 18, 1913. Someone +asks us if this man can really write. Let us choose a paragraph +for example. This deals with the first day at sea of the tramp +steamer _Capella_: + + It was December, but by luck we found a halcyon morning which had + got lost in the year's procession. It was a Sunday morning, and + it had not been ashore. It was still virgin, bearing a vestal + light. It had not been soiled yet by any suspicion of this + trampled planet, this muddy star, which its innocent and tenuous + rays had discovered in the region of night. I thought it still + was regarding us as a lucky find there. Its light was tremulous, + as if with joy and eagerness. I met this discovering morning as + your ambassador while you still slept, and betrayed not, I hope, + any grayness and bleared satiety of ours to its pure, frail, and + lucid regard. That was the last good service I did before leaving + you quite. I was glad to see how well your old earth did meet + such a light, as though it had no difficulty in looking day in + the face. The world was miraculously renewed. It rose, and + received the newborn of Aurora in its arms. There were clouds of + pearl above hills of chrysoprase. The sea ran in volatile flames. + The shadows on the bright deck shot to and fro as we rolled. The + breakfast bell rang not too soon. This was a right beginning. + +The above is a paragraph that we have chosen from Mr. Tomlinson's +book almost at random. We could spend the whole afternoon (and a +happy afternoon it would be for us) copying out for you passages +from "The Sea and the Jungle" that would give you the extremity +of pleasure, O high-spirited reader! It is an odd thing, it is a +quaint thing, it is a thing that would seem inconceivable (were +we not tolerably acquainted with the vagaries of the reading +public) that a book of this sort should lie perdu on the shelves +of a few libraries. Yet one must not leap too heartily to the +wrong conclusion. The reading public is avid of good books, but +it does not hear about them. Now we would venture to say that we +know fifty people--nay, two hundred and fifty--who would never +have done thanking us if we could lay a copy of a book of this +sort in their hand. They would think it the greatest favour we +could do them if we could tell them where they could go and lay +down honest money and buy it. And we have to retort that it is +out of print, not procurable.[1] Is it the fault of publishers? +We do not think so--or not very often. For every publisher has +experience of this sort of thing--books that he knows to be of +extraordinary quality and fascination which simply lie like lead +in his stockroom, and people will not listen to what he says +about them. Whose fault is it, then? Heaven knows. + +[1] Since this was written, a new edition has been published by +E. P. Dutton & Co. + + + + +SILAS ORRIN HOWES + + +There died in New York, on February 11, 1918, one who perhaps as +worthily as any man in any age represented the peculiar traits and +charms of the book-lover, a man whose personal loveliness was only +equalled by his unassuming modesty, a man who was an honour to the fine +old profession of bookselling. + +There will be some who frequent Brentano's bookstore in New York who +will long remember the quiet little gentleman who held the post nearest +the front door, whose face lit with such a gentle and gracious smile +when he saw a friend approach, who endured with patience and courtesy +the thousand small annoyances that every salesman knows. There were +encounters with the bourgeois customer, there were the exhausting +fatigues of the rush season, there were the day-long calls on the +slender and none too robust frame. But through it all he kept the +perfect and unassuming grace of the high-born gentleman he was. An +old-fashioned courtesy and gallantry moved in his blood. + +It was an honour to know Silas Orrin Howes, and some have been fortunate +to have disclosed to them the richness and simple bravery of that lover +of truth and beauty. The present writer was one of the least and latest +of these. Twice, during the last months of his life, it was my very good +fortune to spend an evening with him at his room on Lexington Avenue, to +drink the delicious coffee he brewed in his percolator given him by +William Marion Reedy, to mull with him over the remarkable scrap-books +he had compiled out of the richness of his varied reading, and to hear +him talk about books and life. + +Silas Orrin Howes was born in Macon, Georgia, October 15, 1867. He +attended school in Macon and Atlanta, and then in Franklin, Indiana. He +never went to college. + +When he was born, a passion for books was born with him. His niece tells +me that by the time he was twenty-one he had collected a considerable +library. He began life as a newspaper man, on the Macon _Telegraph_. +About the age of twenty-four he went to Galveston where he was first a +copy-reader, and then for seven years telegraph editor of the Galveston +_News_. + +I do not know all the details of his life in Galveston, where he lived +for about twenty years. He told me that at the time of the disastrous +storm and flood he was working in a drug store near the Gulf front. He +gave me a thrilling description of the night he spent standing on the +prescription counter with the water swirling about his waist. He slept +in a little room at the back of the store, where he had a shelf of books +which were particularly dear to him. Among them was a volume of Henley's +poems. When the flood subsided all the books were gone, but the next day +as he was looking over the wreckage of neighbouring houses he found his +Henley washed up on a doorstep--covered with slime and filth but still +intact. He sent it to Brentano's in New York to be rebound in vellum, +instructing them not to clean it in any way. He wrote to Henley about +the incident, who sent him a very friendly autographed card which he +pasted in the volume. That was one of the books which he held most dear, +and rightly. + +I do not know just when he came to New York; about 1910, I believe. He +took a position as salesman at Brentano's. After a couple of years there +he became anxious to try the book business on his own account. He and +his nephew opened a shop in San Antonio. Neither of them had much real +business experience. Certainly Howes himself was far too devoted a +book-lover to be a good business man! After a few months the venture +ended in failure, and all the personal library which he had collected +through patient years was swallowed up in the disaster. After this he +returned to Brentano's, where he remained until his death. About a year +before his death he was run over by a taxicab, which shook his nerves a +great deal. + +At some time during his career he came into intimate friendly contact +with Ambrose Bierce, and used to tell many entertaining anecdotes about +that erratic venturer in letters. He edited one of Bierce's volumes, +adding a pleasant and scholarly little introduction. He was an +occasional contributor to _Reedy's Mirror_, where he enjoyed indulging +in his original vein of satire and shrewd comment. He was a great lover +of quaint and exotic restaurants, and was particularly fond of the +Turkish café, the Constantinople, just off Madison Square. It was a +treat to go there with him, see him summon the waiter by clapping his +hands (in the eastern fashion), and enjoy the strangely compounded +dishes of that queer menu. He had sampled every Bulgar, Turkish, Balkan, +French, and Scandinavian restaurant on Lexington Avenue. His taste in +unusual and savoury dishes was as characteristic as his love for the +finer flavours of literature. I remember last November I elicited from +him that he had never tasted gooseberry jam, and had a jolly time +hunting for a jar, which I found at last at Park and Tilford's, although +the sales-girl protested there was no such thing. I took it to him and +made him promise to eat it at his breakfasts. + +He had the true passions of the book-lover, which are not allotted to +many. He had read hungrily, enjoying chiefly those magical draughts of +prose which linger in the mind: Bacon, Sir Thomas Browne, Pater, +Thoreau, Conrad. He was much of a recluse, a little saddened and +sharpened perhaps by some of his experiences; and he loved, above all, +those writers who can present truth with a faint tang of acid flavour, +the gooseberry jam of literature as it were. One of my last +satisfactions was to convert him (in some measure) to an enthusiasm for +Pearsall Smith's "Trivia." + +As one looks back at that quiet, honourable life, one is aware of a +high, noble spirit shining through it: a spirit that sought but little +for itself, welcomed love and comradeship that came its way, and was +content with a modest round of routine duty because it afforded inner +contact with what was beautiful and true. One remembers an innate +gentleness, and a loyalty to a high and chivalrous ideal. + +Such a life might be a lesson, if anything could, to the bumptious and +"efficient" and smug. Time after time I have watched him serving some +furred and jewelled customer who was not fit to exchange words with him; +I have seen him jostled in a crowded aisle by some parvenu ignoramus who +knew not that this quiet little man was one of the immortal spirits of +gentleness and breeding who associate in quiet hours with the unburied +dead of English letters. That corner of the store, near the front door, +can never be the same. + +Such a life could only fittingly be described by the gentle, inseeing +pen of an E. V. Lucas. + +My greatest regret and disappointment, when I heard of his sudden +death, was that he would never know of a little tribute I had paid him +in a forthcoming book. I had been saving it as a surprise for him, for I +knew it would please him. And now he will never know. + +February, 1918. + + + + +JOYCE KILMER + +[Illustration] + +I + + +I wonder if there is any other country where the death of a young +poet is double-column front-page news? + +And if poets were able to proofread their own obits, I wonder if +any two lines would have given Joyce Kilmer more honest pride +than these: + +JOYCE KILMER, POET, +IS KILLED IN ACTION + +which gave many hearts a pang when they picked up the newspaper +last Sunday morning. + +Joyce Kilmer died as he lived--"in action." He found life +intensely amusing, unspeakably interesting; his energy was +unlimited, his courage stout. He attacked life at all points, +rapidly gathered its complexities about him, and the more +intricate it became the more zestful he found it. Nothing +bewildered him, nothing terrified. By the time he was thirty he +had attained an almost unique position in literary circles. He +lectured on poetry, he interviewed famous men of letters, he was +poet, editor, essayist, critic, anthologist. He was endlessly +active, full of delightful mirth and a thousand schemes for +outwitting the devil of necessity that hunts all brainworkers. +Nothing could quench him. He was ready to turn out a poem, an +essay, a critical article, a lecture, at a few minutes' notice. +He had been along all the pavements of Grub Street, perhaps the +most exciting place of breadwinning known to the civilized man. +From his beginning as a sales clerk in a New York bookstore +(where, so the tale goes, by misreading the price cipher he sold +a $150 volume for $1.50) down to the time when he was run over by +an Erie train and dictated his weekly article for the New York +_Times_ in hospital with three broken ribs, no difficulties or +perplexities daunted him. + +But beneath this whirling activity which amused and amazed his +friends there lay a deeper and quieter vein which was rich in its +own passion. It is not becoming to prate of what lies in other +men's souls; we all have our secrecies and sanctuaries, rarely +acknowledged even to ourselves. But no one can read Joyce +Kilmer's poems without grasping his vigorous idealism, his keen +sense of beauty, his devout and simple religion, his clutch on +the preciousness of common things. He loved the precarious +bustle on Grub Street; he was of that adventurous, buoyant stuff +that rejects hum-drum security and a pelfed and padded life. He +always insisted that America is the very shrine and fountain of +poetry, and this country (which is indeed pathetically eager to +take poets to its bosom) stirred his vivid imagination. The +romance of the commuter's train and the suburban street, of the +delicatessen shop and the circus and the snowman in the +yard--these were the familiar themes where he was rich and +felicitous. Many a commuter will remember his beautiful poem "The +12:45," bespeaking the thrill we have all felt in the shabby +midnight train that takes us home, yearning and weary, to the +well-beloved hearth: + + What love commands, the train fulfills + And beautiful upon the hills + Are these our feet of burnished steel. + Subtly and certainly, I feel + That Glen Rock welcomes us to her. + And silent Ridgewood seems to stir + And smile, because she knows the train + Has brought her children back again. + We carry people home--and so + God speeds us, wheresoe'er we go. + The midnight train is slow and old, + But of it let this thing be told, + To its high honour be it said, + It carries weary folk to bed. + +To a man such as this, whose whole fervent and busy adventure was lit +within by the lamplight and firelight of domestic passion, the war, with +its broken homes and defiled sanctities, came as a personal affront. +Both to his craving for the glamour of such a colossal drama, and to his +sense of what was most worshipful in human life, the call was +irresistible. Counsels of prudence and comfort were as nothing; the +heart-shaking poetry of this nation's entry into an utterly unselfish +war burned away all barriers. His life had been a fury of writing, but +those who thought he had entered the war merely to make journalism about +it were mistaken. Only a few weeks before his death he wrote: + + To tell the truth, I am not interested in writing nowadays, + except in so far as writing is the expression of something + beautiful. And I see daily and nightly the expression of beauty + in action instead of words, and I find it more satisfactory. I am + a sergeant in the regimental intelligence section--the most + fascinating work possible--more thrills in it than in any other + branch, except, possibly, aviation. Wonderful life! But I don't + know what I'll be able to do in civilian life--unless I become a + fireman! + +As journalist and lecturer Kilmer was copious and enthusiastic rather +than deep. He found--a good deal to his own secret mirth--women's clubs +and poetry societies sitting earnestly at his feet, expectant to hear +ultimate truth on deep matters. His humour prompted him to give them +the ultimate truth they craved. If his critical judgments were not +always heavily documented or long pondered, they were entertaining and +pleasantly put. The earnest world of literary societies and blue-hosed +salons lay about his feet; he flashed in it merrily, chuckling inwardly +as he found hundreds of worthy people hanging breathless on his words. A +kind of Kilmer cult grew apace; he had his followers and his devotees. I +mention these things because he would have been the first to chuckle +over them. I do not think he would want to be remembered as having taken +all that sort of thing too seriously. It was all a delicious game--part +of the grand joke of living. Sometimes, among his friends, he would +begin to pontificate in his platform manner. Then he would recall +himself, and his characteristic grin would flood his face. + +As a journalist, I say, he was copious; but as a poet his song was +always prompted by a genuine gush of emotion. "A poet is only a +glorified reporter," he used to say; he took as his favourite assignment +the happier precincts of the human heart. As he said of Belloc, a true +poet will never write to order--not even to his own order. He sang +because he heard life singing all about him. His three little books of +poems have always been dear to lovers of honest simplicity. And now +their words will be lit henceforward by an inner and tender +brightness--the memory of a gallant boy who flung himself finely +against the walls of life. Where they breached he broke through and +waved his sword laughing. Where they hurled him back he turned away, +laughing still. + + +II + +Kilmer wrote from France, in answer to an inquiry as to his ideas about +poetry, "All that poetry can be expected to do is to give pleasure of a +noble sort to its readers." He might have said "pleasure or pain of a +noble sort." + +It is both pleasure and pain, of a very noble sort, that the reader will +find in Robert Cortes Holliday's memoir, which introduces the two +volumes of Kilmer's poems, essays, and letters. The ultimate and +eloquent tribute to Kilmer's rich, brave, and jocund personality is that +it has raised up so moving a testament of friendship. Mr. Holliday's +lively and tender essay is worthy to stand among the great memorials of +brotherly affection that have enriched our speech. To say that Kilmer +was not a Keats is not to say that the friendship that irradiates Mr. +Holliday's memoir was less lovely than that of Keats and Severn, for +instance. The beauty of any human intercourse is not measured by the +plane on which it moves. + +Pleasure and pain of a noble sort are woven in every fibre of this +sparkling casting-up of the blithe years. Pleasure indeed of the +fullest, for the chronicle abounds in the surcharged hilarity and +affectionate humour that we have grown to expect in any matters +connected with Joyce Kilmer. The biographer dwells with loving and +smiling particularity on the elvish phases of the young knight-errant. +It is by the very likeness of his tender and glowing portrait that we +find pleasure overflowing into pain--into a wincing recognition of +destiny's unriddled ways with men. This memory was written out of a full +heart, with the poignance that lies in every backward human gaze. It is +only in the backward look that the landscape's contours lie revealed in +their true form and perspective. It is only when we have lost what was +most dear that we know fully what it meant. That is Fate's way with us: +it cannot be amended. + +There will be no need for the most querulous appraiser to find fault +with Mr. Holliday on the score of over-eulogy. He does not try to push +sound carpentry or ready wit into genius. Fortune and his own impetuous +onslaught upon life cast Kilmer into the rôle of hack journalist: he +would have claimed no other title. Yet he adorned Grub Street (that most +fascinating of all thorny ways) with gestures and music of his own. Out +of his glowing and busy brain he drew matter that was never dull, never +bitter or petty or slovenly. In the fervent attack and counter-attack, +shock and counter-shock of his strenuous days he never forgot his +secret loyalty to fine craftsmanship. He kept half a dozen brightly +coloured balls spinning in air at all times--verses, essays, reviews, +lectures, introductions, interviews, anthologies, and what-not; yet each +of these was deftly done. When he went to France and his days of hack +work were over, when the necessities of life no longer threatened him, +the journalistic habit fell away. It was never more than a garment, worn +gracefully, but still only what the tailors call a business suit. + +In France, Kilmer wrote but a handful of pieces intended for +publication, but at least one of them--the prose sketch "Holy +Ireland"--showed his essential fibre. The comparative silence of his pen +when he found himself face to face with war was a true expression. It +bespoke the decent idealism that underlay the combats of a journalist +wringing a living out of the tissues of a busy brain. The tender humour +and quaint austerity of his homeward letters exhibit the man at his +inmost. What could better the imaginative genius of the phrase in which +he speaks of friendship developed by common dangers and hardships as "a +fine, hearty, roaring, mirthful sort of thing, like an open fire of +whole pine trees in a giant's castle?" + +The memoir and Kilmer's own letters admit us to see something of the +spiritual phases of this man's life, whose soul found "happiness and +quiet kind" in the Roman Catholic faith. The most secret strengths and +weaknesses that govern men's lives are strangely unknown to many of +their intimates: one wonders how many of Kilmer's associates on the +_Times_ staff knew of his habit of stopping daily at the Church of the +Holy Innocents, near the newspaper office, to pray. It was the sorrow of +personal affliction that brought Kilmer to the Catholic Church. Shortly +after being received into that communion he wrote: + + Just off Broadway on the way from the Hudson Tube Station to the + Times Building, there is a church called the Church of the Holy + Innocents. Since it is in the heart of the Tenderloin, this name + is strangely appropriate--for there surely is need of youth and + innocence. Well, every morning for months I stopped on my way to + the office and prayed in this church for faith. When faith did + come, it came, I think, by way of my little paralyzed daughter. + Her lifeless hands led me; I think her tiny feet still know + beautiful paths. + +Mr. Holliday does well to point out that Kilmer was almost unique in +this country as a representative of the Bellocian School of Catholic +journalism, in which piety and mirth dwell so comfortably together; +though he might have mentioned T. A. Daly as an older and subtler master +of devout merriment, dipping in his own inkwell rather than in any +imported bottles. It is to Belloc, of course, and to Gilbert +Chesterton, that one must go to learn the secret of Kilmer's literary +manner. Yet, as Holliday affirms, the similarity is due as much to an +affinity of mind with these Englishmen as to any eagerness to imitate. +Kilmer was like them in being essentially a humorist. One glance at his +face, with its glowing red-brown eyes (the colour of port wine), and the +twitching in-drawn corners of the mouth, gave the observer an impression +of benignant drollery. Mr. Holliday well says: "People have made very +creditable reputations as humorists who never wrote anything like as +humorous essays as those of Joyce Kilmer. They fairly reek with the joy +of life." + +"He that lives by the pen shall perish by the pen," the biographer tells +us, quoting James Huneker. "For a sapling poet, within a few short years +and by the hard business of words, to attain to a secretary and a butler +and a family of, at length, four children, is a modern Arabian Nights +Tale." Aye, indeed! But Joyce Kilmer will have as genuine a claim on +remembrance by reason of his friends' love as in anything his own hand +penned. And what an encircling, almost paternal, gentleness there is in +the picture of the young poet as a salesman at Scribner's bookstore: + + His smile, never far away, when it came was winning, charming. It + broke like spring sunshine, it was so fresh and warm and clear. + And there was noticeable then in his eyes a light, a quiet glow, + which marked him as a spirit not to be forgotten. So tenderly + boyish was he in effect that his confrères among the book clerks + accepted with difficulty the story that he was married. When it + was told that he had a son they gasped their incredulity. And + when one day this extraordinary elfin sprite remarked that at the + time of his honeymoon he had had a beard they felt (I remember) + that the world was without power to astonish them further. + +And even more striking is what is implied in the narrative: that when +this "elfin sprite," this gently nurtured young man of bookish pursuits, +took up the art of war, he gloried in his association with a rip-roaring +regiment recruited mainly from hard-handed fellows of the type we may +call (with no atom of disrespect) roughnecks. Hardships and exertions +familiar to them were new to him, but he set himself to win their love +and respect, and did so. He was not content until he had found his way +into the most exhausting and hazardous branch of the whole job. He said, +again and again, that he would rather be a sergeant with the 69th than a +lieutenant with any other outfit. There was a heart of heroism in the +"elfin sprite." The same dashing insouciance that dictated the weekly +article for his paper when in hospital with three broken ribs after +being run down by a train was hardened and steeled in the sergeant who +nightly tore his uniform into ribbons by crawling out through the barbed +wire. + +Laughter and comradeship and hearty meals clustered about Kilmer: +wherever he touched the grindstone of life there flew up a merry shower +of sparks. There is convincing testimony to the courage and beauty that +lay quiet at the heart of this singer who said that the poet is only a +glorified reporter, and wished he had written "Casey at the Bat." + +Let us spare his memory the glib and customary dishonesty that says "He +died as he would have wished to." No man wishes to die--at least, no +poet does. To part with the exhilarating bustle and tumult, the blueness +of the sky, the sunlight that tingles on well-known street corners, the +plumber's bills and the editor's checks, the mirths of fellowship and +the joys of homecoming when lamps are lit--all this is too close a fibre +to be stripped easily from the naked heart. But the poet must go where +the greatest songs are singing. Perhaps he finds, after all, that life +and death are part of the same rhyme. + + + + +TALES OF TWO CITIES + +I. PHILADELPHIA + + + + +AN EARLY TRAIN + +[Illustration] + + +The course of events has compelled me for several months to catch an +early train at Broad Street three times a week. I call it an "early" +train, but, of course, these matters are merely relative; 7:45 are the +figures illuminated over the gateway--not so very precocious, perhaps; +but quite rathe enough for one of Haroun-al-Raschid temper, who seldom +seeks the "oblivion of repose" (Boswell's phrase) before 1 A. M. + +Nothing is more pathetic in human nature than its faculty of +self-deception. Winding up the alarm clock (the night before) I meditate +as to the exact time to elect for its disturbing buzz. If I set it at +6:30 that will give me plenty of time to shave and reach the station +with leisure for a pleasurable cup of coffee. But (so frail is the human +will) when I wake at 6:30 I will think to myself, "There is plenty of +time," and probably turn over for "another five minutes." This will mean +a hideous spasm of awakening conscience about 7:10--an unbathed and +unshaven tumult of preparation, malisons on the shoe manufacturers who +invented boots with eyelets all the way up, a frantic sprint to +Sixteenth Street and one of those horrid intervals that shake the very +citadel of human reason when I ponder whether it is safer to wait for a +possible car or must start hotfoot for the station at once. All this is +generally decided by setting the clock for 6:50. Then, if I am spry, I +can be under way by 7:20 and have a little time to be philosophical at +the corner of Sixteenth and Pine. Of the vile seizures of passion that +shake the bosom when a car comes along, seems about to halt, and then +passes without stopping--of the spiritual scars these crises leave on +the soul of the victim, I cannot trust myself to speak. It does not +always happen, thank goodness. One does not always have to throb madly +up Sixteenth, with head retorted over one's shoulder to see if a car may +still be coming, while the legs make what speed they may on sliddery +paving. Sometimes the car does actually appear and one buffets aboard +and is buried in a brawny human mass. There is a stop, and one wonders +fiercely whether a horse is down ahead, and one had better get out at +once and run for it. Tightly wedged in the heart of the car, nothing can +be seen. It is all very nerve-racking, and I study, for quietness of +mind, the familiar advertising card of the white-bearded old man +announcing "It is really very remarkable that a cigar of this quality +can be had for seven cents." + +Suppose, however, that fortune is with me. I descend at Market Street, +and the City Hall dial, shining softly in the fast paling blue of +morning, marks 7:30. Now I begin to enjoy myself. I reflect on the +curious way in which time seems to stand still during the last minutes +before the departure of a train. The half-hour between 7 and 7:30 has +vanished in a gruesome flash. Now follow fifteen minutes of exquisite +dalliance. Every few moments I look suddenly and savagely at the clock +to see if it can be playing some saturnine trick. No, even now it is +only 7:32. In the lively alertness of the morning mind a whole wealth of +thought and accurate observation can be crammed into a few seconds. I +halt for a moment at the window of that little lunchroom on Market +Street (between Sixteenth and Fifteenth) where the food comes swiftly +speeding from the kitchen on a moving belt. I wonder whether to have +breakfast there. It is such fun to see a platter of pale yellow +scrambled eggs sliding demurely beside the porcelain counter and +whipped dextrously off in front of you by the presiding waiter. But the +superlative coffee of the Broad Street Station lunch counter generally +lures me on. + +What mundane joy can surpass the pleasure of approaching the station +lunch counter, with full ten minutes to satisfy a morning appetite! +"Morning, colonel," says the waiter, recognizing a steady customer. +"Wheatcakes and coffee," you cry. With one deft gesture, it seems, he +has handed you a glass brimming with ice water and spread out a snowy +napkin. In another moment here is the coffee, with the generous jug of +cream. You splash in a large lump of ice to make it cool enough to +drink. Perhaps the seat next you is empty, and you put your books and +papers on it, thus not having to balance them gingerly on your knees. +All round you is a lusty savour of satisfaction, the tinkle of cash +registers, napkins fluttering and flashing across the counters, coloured +waiters darting to and fro, great clouds of steam rising where the big +dish covers are raised on the cooking tables. You see the dark-brown +coffee gently quivering in the glass gauge of the nickel boiler. Then +here come the wheatcakes. Nowhere else on earth, I firmly believe, are +they cooked to just that correct delicacy of golden brown colour; +nowhere else are they so soft and light of texture, so hot, so +beautifully overlaid with a smooth, almost intangible suggestion of +crispness. Two golden butter pats salute the eye, and a jug of syrup. +It is now 7:38. + +As everyone knows, the correct thing is to start immediately on the +first cake, using only syrup. The method of dealing with the other two +is classic. One lifts the upper one and places a whole pat of butter on +the lower cake. Then one replaces the upper cake upon the lower, leaving +the butter to its fate. In that hot and enviable embrace the butter +liquefies and spreads itself, gently anointing the field of coming +action. Upon the upper shield one smilingly distributes the second +butter pat, knifed off into small slices for greater speed of melting. +By the time the first cake has been eaten, with the syrup, the other two +will be ready for manifest destiny. The butter will be docile and +submissive. Now, after again making sure of the time (7:40) the syrup is +brought into play and the palate has the congenial task of determining +whether the added delight of melting butter outweighs the greater +hotness and primal thrill of the first cake which was glossed with the +syrup only. You drain your coffee to the dregs; gaze pityingly on those +rushing in to snap up a breakfast before the 8 o'clock leaves for New +York, pay your check, and saunter out to the train. It is 7:43. + +This, to be sure, is only the curtain-raiser to the pleasures to follow. +This has been a physical and carnal pleasure. Now follow delights of the +mind. In the great gloomy shed wafts and twists of thick steam are +jetting upward, heavily coiled in the cold air. In the train you smoke +two pipes and read the morning paper. Then you are set down at +Haverford. It is like a fairyland of unbelief. Trees and shrubbery are +crusted and sheathed in crystal, lucid like chandeliers in the flat, +thin light. Along the fence, as you go up the hill, you marvel at the +scarlet berries in the hedge, gleaming through the glassy ribs of the +bushes. The old willow tree by the Conklin gate is etched against the +sky like a Japanese drawing--it has a curious greenish colour beneath +that gray sky. There is some mystery in all this. It seems more +beautiful than a merely mortal earth vexed by sinful men has any right +to be. There is some ice palace in Hans Andersen which is something like +it. In a little grove, the boughs, bent down with their shining +glaziery, creak softly as they sway in the moving air. The evergreens +are clotted with lumps and bags of transparent icing, their fronds sag +to the ground. A pale twinkling blueness sifts over distant vistas. The +sky whitens in the south and points of light leap up to the eye as the +wind turns a loaded branch. + +A certain seriousness of demeanour is noticeable on the generally +unfurrowed brows of student friends. Midyears are on and one sees them +walking, freighted with precious and perishable erudition, toward the +halls of trial. They seem a little oppressed with care, too preoccupied +to relish the entrancing pallor of this crystallized Eden. One carries, +gravely, a cushion and an alarm clock. Not such a bad theory of life, +perhaps--to carry in the crises of existence a cushion of philosophy and +an alarum of resolution. + + + + +RIDGE AVENUE + + +One of the odd things about human beings is, that wherever they happen +to live they accept it as a matter of course. In various foreign cities +I have often been amused (as every traveller has) to see people going +about their affairs just as though it were natural and unquestionable +for them to be there. It is just the same at home. Everyone I see on the +streets seems to be not at all amazed at living here instead of (let us +say) Indianapolis or Nashville. I envy my small Urchin his sense of the +extreme improbability of everything. When he gets on a trolley car he +draws a long breath and looks around in ecstasy at the human scenery. I +am teaching him to say in a loud, clear tone, as he gets on the car, +"Look at all the human beings!" in the same accent of amazement that he +uses when he goes to the Zoo. Perhaps in this way he will preserve the +happy faculty of being surprised. + +It is an agreeable thing to keep the same sense of surprise in one's +home town that one would have in a strange city. You will find much to +startle you if you keep your eyes open. Yesterday, for instance, I was +lucky enough to meet a gentleman who had stood only a few feet away from +Lincoln when he made the Gettysburg Speech. Then I found that in a +certain cafeteria which I frequent the price you pay for your lunch is +always just one cent less than that punched on the check. The cashier +explained that this always gives a pleasant surprise to the customers, +and has proved such a good advertising dodge that the proprietor made it +a habit. And I saw, in a clothing dealer's window on Ninth Street, some +fuzzy caps for men, mottled purple and ochre, that proved that the +adventurous spirit has not died in the breast of the male sex. + +There is much to exercise the eye in a voyage along Ridge Avenue. +Approaching by way of Ninth Street, one sees in the window of a barber +shop the new contract that the employing barbers have drawn up with +their journeymen. This agreement shows a sound sense of human equities, +proclaiming as it does that "the owner must not do no act to injure the +barber personal earnings." It suddenly occurred to me, what I had not +thought of before, how the barbers of Great Britain must have grieved +when a London newspaper got up (some years ago) an agitation in favour +of every man in England raising a beard in memory of King Edward. The +plan was that the money thus saved was to be devoted to building--I had +almost said "growing"--a battleship, to be named after the Merry +Monarch. Of course, one should not speak of raising a beard, but of +lowering it. However---- + +Ridge Avenue begins at Ninth and Vine, in a mood of depression. Perhaps +the fact that it runs out toward the city's greatest collection of +cemeteries has made it morbidly conscious of human perishability. At any +rate, it starts among pawnshops, old clothing and furniture, and bottles +of Old Virginia Bitters, the Great Man Restorer. The famous National +Theatre at Callowhill Street has become a garage; it is queer to see the +old proscenium arch and gilded ceiling dustily vaulted over a fleet of +motortrucks. After a wilderness of railway yards one comes to a curious +bit in the 1100 block; a little brick tunnel that bends around into a +huddle of backyards and small houses, where a large green parrot was +stooping and nodding on a pile of old boxes. This little scene is +overlooked by the tall brown spires of the Church of the Assumption on +Spring Garden Street. + +There is matter for tarrying at the Spring Garden Street crossing. Here +is an ambitious fountain built by the bequest of Mary Rebecca Darby +Smith, with the carving by J. J. Boyle picturing another Rebecca (she of +Genesis xxiv, 14) giving a drink to Abraham's servant and his camels. It +is carved in the bronze that the donor gave the fountain "To refresh the +weary and thirsty, both man and beast," so it is disconcerting to find +it dry, as dry as the inns along the way. The horse trough is boarded +over and thirsting equines go up to Broad Street for a draught. The +seat by the fountain was occupied by a man reading the New York +_Journal_, always a depressing sight. + +Across from the fountain is one of the best magazine and stationery +shops in the city. Here I overheard a conversation which I reproduce +textually. "What you doing, reading?" said one to another. "Yes, reading +about the biggest four-flusher in the Yew-nited States," said he, +looking over an afternoon paper which had just come in. "Who do you +mean?" "Penrose. Say if it was a Republican in the White House, theyda +passed the treaty long ago." The proprietor of this shop is a humorist. +Someone came in asking for a certain brand of cigarettes. He does not +sell tobacco. "Next door," he said, and added: "And you'll find some +over on the fountain." + +Ridge Avenue specializes in tobacco shops, where you will find many +brands that require a strong head. Red Snapper, Panhandle Scrap, Pinch +Hit, Red Horse, Brown's Mule, Jolly Tar, Penn Statue Cuttings, Nickel +Cross Cut, Cotton Ball Twist. In the shop windows you will see those +photographs illustrating current events, the two favourites just now +being a picture of Mike Gilhooley, the famous stowaway, gazing +plaintively at the profile of New York, and "Jack Dempsey Goes the +Limit," where Jack signs up for a $1,000 war-savings certificate. One +wonders if Jack's kind of warfare is really so profitable after all. + +There are a number of little side excursions from the avenue that repay +scrutiny. Lemon Street, for instance, where in a lane of old brown +wooden houses some children were playing in an empty wagon, with the +rounded tower of the Rodef Shalom synagogue looming in the background. +Best of all is Melon Street and its modest tributary, Park +Avenue--stretches of quiet little brick homes with green and yellow +shutters and mottled gray marble steps. These little houses have the +serene and sunny air so typical of Philadelphia byways. Through their +narrow side entrances one sees glimpses of green in backyards. In the +front windows move the gently swaying faces of grandmothers, lulled in +the to and fro of a rocking chair. There are shining brass knobs and +bell-pulls; rubber plants on the sills, or perhaps a small bowl of +goldfish with a white china swan floating. In one window was a sign +"Vacancies." Over it hung a faded service flag with a golden star. Who +could phrase the pathos of these two things, side by side? + +At Broad Street, Ridge Avenue leaps up with a spurt of high life. In the +window of a hotel dining room a gentleman sat eating his lunch, +stevedoring a buttered roll with such gusto that one felt tempted to +applaud. There are the white pillars of a bank and the battleship gray +of the Salvation Army headquarters. Beyond Broad, the avenue spruces up +a bit and enters upon a vivacious phase. Dogs are frequent: white bull +terriers lie sunning in the shop windows. Offers to lend money are +enticing. There is a fascinating slate yard at 1525, where great gray +slabs lie in the sun, a temptation to urchins with a bit of chalk. In +the warm bask of the afternoon there rises a pleasing aroma of fruits +and vegetables piled up in baskets and crates on the pavement. Grapes +give off a delectable savour in the golden air. Elderly ladies are out +in force to do the marketing, and their eyes are bright with the +bargaining passion. Round the windows of a ten-cent store, most +fascinating of all human spectacles, they congregate and compare notes. +A fruit dealer has an ingenious stunt to attract attention. On his cash +register lies a weird-looking rotund little fish--a butter fish, he +calls it--which has a face not unlike that of Fatty Arbuckle. Either +this fish inflates itself or he has blown it full of air in some +ingenious manner, for it presents a grotesque appearance, and many +ladies stop to inquire. Then he spoofs them gently. "Sure," he says, +"it's a jitney fish. It lives on the cash register. It can fly, it can +bite, it can talk, and it likes money." + +At the corner of Wylie Street stands an old gray house with a mansard +roof and gable windows. Against it is a vivid store of fruit glowing in +the sun, red and purple and yellow. Here, or on Vineyard Street, one +turns off to enter the quaint triangular settlement of Francisville. + + + + +THE UNIVERSITY AND THE URCHIN + +[Illustration] + + +Sunday afternoon is by old tradition dedicated to the taking of Urchins +out to taste the air, and indeed there is no more agreeable pastime. And +so, as the Urchin sat in his high chair and thoughtfully shovelled his +spoon through meat chopped remarkably small and potatoes mashed in that +curious fashion that produces a mass of soft, curly tendrils, his +curators discussed the question of where he should be taken. + +It was the first Sunday in March--mild and soft and tinctured with +spring. "There's the botanic garden at the University," I suggested. +The Urchin settled it by rattling his spoon on the plate and sliding +several inches of potato into his lap. "Go see garden!" he cried. With +the generous tastes of twenty-seven months he cares very little where he +is taken; he can find fascination in anything; but something about the +word "garden" seemed to allure him. So a little later when he had been +duly habited in brown leggings, his minute brown overcoat, and white hat +with ribbons behind it, he and his curators set out. The Urchin was in +excellent spirits, for he had been promised a ride on a trolley car--a +glorious adventure. In one pocket he carried his private collection of +talismans, including a horse-chestnut and a picture of a mouse. Also, +against emergencies, a miniature handkerchief with a teddy bear +embroidered in one corner and a safety pin. The expedition may be deemed +to have been a success, as none of these properties were called upon or +even remembered. + +The car we boarded did not take us just where we expected to go, but +that made little difference to the Urchin, who gazed steadfastly out of +the window at a panorama of shabby streets, and offered no comment +except one of extreme exultation when we passed a large poster of a cow. +Admirably docile, he felt confident that the unusual conjunction of both +arbiters of destiny and an impressive trolley car would in the end +produce something extremely worth while. We sped across Gray's Ferry +bridge--it seems strange to think that region was once so quiet, green, +and rustic--transferred to another car on Woodland Avenue, past the +white medley of tombstones in Woodland Cemetery, and got off at the +entrance to the dormitory quadrangles at Thirty-seventh Street. We +entered through the archway--the Urchin's first introduction to an +academic atmosphere. "This is the University," I said to him severely, +and he was much impressed. As is his way, he conducted himself with +extreme sobriety until he should get the hang of this new experience and +see what it was all about. I knew from the serene gold sparkle of his +brown eyes that there was plenty of larking spirit in him, waiting until +he knew whether it was safe to give it play. He held my hand +punctiliously while waiting to see what manner of place this University +was. + +A college quadrangle on a Sunday afternoon has a feeling all its own. +Thin tinklings of mandolins eddy from open windows, in which young men +may be seen propped up against bright-coloured cushions, always smoking, +and sometimes reading with an apparent zeal which might deceive a few +onlookers. But the slightest sound of footfalls on the pavement outside +their rooms causes these heads to turn and scan the passers. There is +always a vague hope in these youthful breasts that some damsel of +notable fairness may have strayed within the bastions. Groups of ladies +of youth and beauty do often walk demurely through the courts, and may +be sure of hearing admiring whistles shrilled through the sunny air. +When a lady walks through a college quadrangle and hears no sibilation, +let her know sadly that first youth is past. Even the sedate +guardianship of Scribe and Urchin did not forfeit one Lady of Destiny +her proper homage of tuneful testimonial. So be it ever! + +One who inhabited college quadrangles not so immeasurably long ago, and +remembers with secret pain how massively old, experienced, and worldly +wise he then thought himself, can never resist a throb of amazement at +the entertaining youthfulness of these young monks. How quaintly +juvenile they are, and how oddly that assumption of grave superiority +sits upon their golden brows! With what an inimitable air of wisdom, +cynicism, ancientry, learned aloofness and desire to be observed do they +stroll to and fro across the quads, so keenly aware in their inmost +bosoms of the presence of visitors and determined to grant an appearance +of mingled wisdom, great age, and sad doggishness! What a devil-may-care +swing to the stride, what a nonchalance in the perpetual wreath of +cigarette smoke, what a carefully assumed bearing of one carrying great +wisdom lightly and easily casting it aside for the moment in the pursuit +of some waggish trifle. "Here," those very self-conscious young visages +seem to betray, "is one who might tell you all about the Holy Roman +Empire, and yet is, for the moment, diverting himself with a mere +mandolin." And yet, as the Lady of Destiny shrewdly observed, it is a +pity they should mar their beautiful quadrangles with orange peel and +scraps of paper. + +We walked for some time through those stately courts of Tudor brick and +then passed down the little inclined path to the botanic garden, where +irises and fresh green spikes are already pushing up through the damp +earth. A pale mellow sunlight lay upon the gravel walks and the Urchin +resumed his customary zeal. He ran here and there along the byways, +examined the rock borders with an air of scientific questioning, and +watched the other children playing by the muddy pond. We found shrubbery +swelling with buds, also flappers walking hatless and blanched with +talcum, accompanied by Urchins of a larger growth. Both these phenomena +we took to be a sign of the coming equinox. + +Returning to the dormitory quadrangles, we sat down on a wooden bench to +rest, while the Urchin, now convinced that a university is nothing to be +awed by, scampered about on the turf. His eye was a bright jewel of +roguishness, for he thought that in trotting about the grass he was +doing something supremely wicked. He has been carefully trained not to +err on the grass of the city square to which he is best accustomed, so +this surprising and unchecked revelry quite went to his head. Across and +about those wide plots of sodden turf he trotted and chuckled, a small, +quaint mortal with his hat ribbons fluttering. Cheering whistles hailed +him from open windows above, and he smiled to himself with grave +dignity. Apparently, like a distinguished statesman, he regarded these +tributes not as meant for himself, but for the great body of childhood +he innocently represents, and indeed from which his applauders are not +so inextricably severed. With the placid and unconscious happiness of a +puppy he careered and meandered, without motive or method. Perhaps his +underlying thought of a university, if he has any, is that it is a place +where no one says "Keep Off the Grass," and, intellectually speaking, +that would not be such a bad motto for an institution of learning. + +I don't know whether Doctor Tait McKenzie so intended it, but his +appealing and beautiful statue of Young Franklin in front of the +University gymnasium is admirably devised for the delight of small +Urchins. While their curators take pleasure in the bronze itself, the +Urchin may clamber on the different levels of the base, which is nicely +adapted for the mountaineering capacity of twenty-seven months. The low +brick walls before the gymnasium and the University museum are also just +right for an Urchin who has recently learned the fascination of walking +on something raised above the ground, provided there is a curator near +by to hold his hand. And then, as one walks away toward the South +Street bridge an observant Urchin may spy the delightful spectacle of a +freight train travelling apparently in midair. Some day, one hopes, all +that fine tract of open space leading from the museum down to the +railroad tracks may perhaps be beautified as a park or an addition to +the University's quadrangle system. I don't know who owns it, but its +architectural possibilities must surely make the city-planner's mouth +water. + +By this time the Urchin was beginning to feel a bit weary, and was glad +of a lift on a parental shoulder. Then a Lombard Street car came along +and took us up halfway across the bridge. So ended the Urchin's first +introduction to a university education. + + + + +PINE STREET + + +Our neighbourhood is very genteel. I doubt if any one who has not lived +in Philadelphia can imagine how genteel it is. Visitors from out of town +are wont to sigh with rapture when they see our trim blocks of tall +brick dwellings--that even cornice running in a smooth line for several +hundred yards really is quite a sight--and exclaim, "Oh, I wish we had +something like this in New York!" But our gentility is a little +self-conscious, for we live on the very frontier of a region, darker in +complexion, which is far from scrupulous in deportment. Uproarious and +naïve are the humours of South Street, lying just behind us. Stanleys +have gone exploring thither and come back with merry tales. South Street +on a bright evening, its myriad barber shops gleaming with lathered +dusky cheeks, wafting the essence of innumerable pomades and lotions, +that were a Travel indeed. On South Street the veins of life run close +to the surface. + +We are no less human on our street, but it takes a bit more study to get +at the secret. There is a certain reticence about us. It would take an +earthquake to cause much fraternization along Pine Street. Perhaps it +is because three houses out of every four bear the tablets of doctors. +The average layman fears to stop and speak to his neighbour for fear it +will develop into a professional matter. We board up our front windows +at night with heavy wooden shutters. We have no druggists, only +"apothecaries." These apothecaries are closed on Sundays. They sell +stamps in little isinglass capsules, to be quite sanitary, two twos in a +capsule for five cents. In their shops you can still get soda water with +"plain cream" and shaved ice, such as was customary twenty-five years +ago. When our doctors go away for the summer, someone comes twice a week +from June to October to polish up the little silver name plate. It is +the custom in our neighbourhood (so one observes through drawing room +windows) to have reading lamps with rosy pink shades and at least two +beautiful daughters of débutante age. I hope I am not unjust, but our +street looks to me like the kind of place where people take warm baths, +in a roomy old china tub, on Sunday afternoons. After that, they go +downstairs and play a hymn on the piano, at twilight. + +[Illustration] + +There are a number of very odd features about our neighbourhood. There +is a large schoolhouse at the next corner, but as far as I can see, it +is not used as a school, not for children, at any rate. Sometimes, about +8 o'clock in the evening, I see the building gloriously illuminated, and +a lonely lady stooped and assiduous at a table. She seems quite +solitary. Perhaps her researches are so poignant that the school board +has prescribed entire silence. But midway down the block is a very jolly +little private school, to which very genteel children may be seen +approaching early in the morning. The little girls come with a bustle of +starch, on foot, accompanied by governesses; the small boys arrive in +limousines. They are small boys dressed very much in the English manner, +with heavy woollen stockings ending just below the knee. They probably +do not realize that their tailor has carefully planned them to look like +dear little English boys. Then there is a very mysterious small theatre +near by. If it were a movie theatre, what a boon it would be! But no, it +is devoted to a strange cult called the Religion of Business, which +meets there on Sundays. Before that, there was a Korean congress there. +There is a lovely green room in this theatre, but not much long green in +the box office. Philadelphia prefers Al Jolson to Hank Ibsen. + +We have our tincture of vie de Bohème, though, in our little French +table d'hôte, a thoroughly atmospheric place. Delightful Madame B., with +her racy philosophy of life, what delicious soups and salads she serves! +Happy indeed are those who have learned the way to her little tables, +and heard her cheerful cry "À la cuisine!" when one of her small dogs +prowls into the dining room. Equally unique is the old curiosity shop +near by, one of the few genuine "notion" shops left in the city (though +there is a delightful one on Market Street near Seventeenth, to enter +which is to step into a country village). This is just the kind of shop +bought by the old gentleman in one of Frank Stockton's agreeable tales, +"Mr. Tolman," in the volume called "The Magic Egg". The proprietress, +charming and conversable lady, will sell you anything in the "notions" +line, from a paper of pins to garter elastic. Then there is the laundry, +whose patrons carry on a jovial game known as "Looking for Your Own." +Every week, by some cheery habit of confusion, the lists are lost, and +one hunts through shelves of neatly piled and crisply laundered garments +to pick out one's own collars, pyjamas, or whatever it may be. The +amusing humour of this pastime must be experienced to be understood. + +The little cigar and magazine shop on the corner is the political and +social focus of the neighbourhood. I shall never forget the pallid and +ghastly countenance of the newsdealer when the rumour first went the +rounds that "Hampy" was elected. Every evening a little gathering of +local sages meets in the shop; on tilted chairs, in a haze of tobacco, +they while the hours away. In tobacco the host adheres to the standard +blends, but in literature he is enterprising. Until recently this was +the only place I know in Philadelphia where one could get the +_Illustrated London News_ every week. + +There are twinges of modernity going on along our street. Some of the +old houses have been remodeled into apartments. There is an "electric +shoe repairer" just round the corner. But the antique dealers and +plumbers for which the street is famous still hold sway; the fine old +brick pavement still collects rain water in its numerous dimpled +hollows, and the yellowish marble horse-blocks adorn the curb. The nice +shabby stables in the little side streets have not yet been turned into +studios by artists, and the neighbourhood's youngest urchins set sail +for Rittenhouse Square every morning on their fleet of "kiddie-cars." +Their small stout legs, twinkling along the pavements in white gaiters +on a wintry day, are a pleasant sight. Even our urchins are notably +genteel. Surrounded on all sides by the medical profession, they are +reared on registered milk and educator crackers. If Philadelphia ever +betrays its soul, it does so on this delightful, bland, and genteel +highway. + + + + +PERSHING IN PHILADELPHIA + +[Illustration] + + +The pavement in front of Independence Hall was a gorgeous jumble of +colours. The great silken flags of the Allies, carried by vividly +costumed ladies, burned and flapped in the wind. On a pedestal stood the +Goddess of Liberty, in rich white draperies that seemed fortunately of +sufficient texture to afford some warmth, for the air was cool. She +graciously turned round for Walter Crail, the photographer of our +contemporary, the _Evening Public Ledger_, to take a shot at her. + +Down Chestnut Street came a rising tide of cheers. A squadron of mounted +police galloped by. Then the First City Troop, with shining swords. +Fred Eckersburg, the State House engineer, was fidgeting excitedly +inside the hall, in a new uniform. This was Fred's greatest day, but we +saw that he was worried about Martha Washington, the Independence Hall +cat. He was apprehensive lest the excitement should give her a fit or a +palsy. Independence Hall is no longer the quiet old place Martha used to +enjoy before the war. + +The Police Band struck up "Hail to the Chief." Yells and cheers burst +upward from the ground like an explosion. Here he was, standing in the +car. There was the famous chin, the Sam Browne belt, the high laced +boots with spurs. Even the tan gloves carried in the left hand. There +was the smile, without which no famous man is properly equipped for +public life. There was Governor Sproul's placid smile, too, but the +Mayor seemed too excited to smile. Rattle, rattle, rattle went the +shutters of the photographers. Up the scarlet lane of carpet came the +general. His manner has a charming, easy grace. He saluted each one of +the fair ladies garbed in costumes of our Allies, but taking care not to +linger too long in front of any one of them lest any embracing should +get started. A pattering of tiger lilies or some such things came +dropping down from above. He passed into the hall, which was cool and +smelt like a wedding with a musk of flowers. + +While the Big Chief was having a medal presented to him inside the hall +we managed to scuttle round underneath the grand stand and take up a +pencil of vantage just below the little pulpit where the general was to +speak. Here the crowd groaned against a bulwark of stout policemen. +Philadelphia cops, bless them, are the best tempered in the world. (How +Boston must envy us.) Genially two gigantic bluecoats made room against +the straining hawser for young John Fisher, aged eleven, of 332 +Greenwich Street. John is a small, freckle-faced urchin. It was amusing +to see him thrusting his eager little beezer between the vast, soft, +plushy flanks of two patrolmen. He had been there over two hours waiting +for just this adventure. Then, to assert the equality of the sexes, +Mildred Dubivitch, aged eleven, and Eva Ciplet, aged nine, managed to +insert themselves between the chinks in the line of cops. An old lady +more than eighty years old was sitting placidly in a small chair just +inside the ropes. She had been in the square more than five hours, and +the police had found her a seat. "Are you going to put Pershing's name +in, too?" asked John as we noted his address. + +Independence Square never knew a more thrilling fifteen minutes. The +trees were tossing and bending in the thrilling blue air. There was a +bronzy tint in their foliage, as though they were putting on olive drab +in honour of the general. Great balloons of silver clouds scoured across +the cobalt sky. At one minute to 11 Pershing appeared at the top of the +stand. The whole square, massed with people, shook with cheers. + +Had it been any other man we would have said the general was frightened. +He came down the aisle of the stand with his delightful, easy, smiling +swing; but he looked shrewdly about, with a narrow-eyed, puckered gaze. +He was plainly a little flabbergasted. He seemed taken aback by the +greatness of Philadelphia's voice. He said something to himself. On his +lips it looked like "What the deuce," or something of similar purport. +He sat down on a chair beside Governor Sproul. Not more than four feet +away, amazed at our own audacity, we peered over the floor of the stand. + +He was paler than we expected. He looked a bit tired. Speaking as a +father, we were pleased to note the absence of Warren, who was (we hope) +getting a good sleep somewhere. We had a good look at the renowned chin, +which is well worth study. It must be a hard chin to shave. It juts +upward, reaching a line exactly below the brim of his cap. Below his +crescent moustache there is no lower lip visible: it is tucked and +folded in by the rising thrust of the jaw. It is this which gives him +the "grim" aspect which every reader of the papers hears about. He is +grim, there's no doubt about it, with the grimness of a man going +through a tough ordeal. "I can see him all right," squeaked little John +Fisher, "but he doesn't see me." The first two rows of seats at the +right of the aisle were crammed with generals, two-star and three-star. +From our lowly station we could see a grand panorama of mahogany leather +boots and the flaring curves of riding breeches. It was a great day for +Sam Browne. The thought came to us that has reached us before. The +higher you go in the A. E. F. the more the officers are tailored after +the English manner. It is the finest proof of international cousinship. +When England and America wear the same kind of clothes, alliance is knit +solid. + +Pershing sat with his palms on his knees. He looked worried. There was a +wavering crease down his lean cheeks. The plumply genial countenance of +Governor Sproul next to him was an odd contrast to that dry, hard face. +The bell in the tower tolled eleven times. He stood up for the +photographers. Walter Crail, appearing from somewhere, sprang up on the +parapet facing the general. "Look this way!" he shouted as the general +turned toward some movie men. That will be Walter's first cry when he +gets to heaven, or wherever. Mayor Smith's face was pallid with +excitement. His nicely draped trouserings, which were only six inches +from our notebook, quivered slightly as he said fifteen words of +introduction. + +As Pershing stood up to speak the crowd surged forward. The general was +worried. "Don't, don't! Somebody will get hurt!" he called sharply. Then +Mayor Smith surged forward also and said something to the police about +watching the crowd. + +The general took off his cap. Holding it in his left hand (with the +gloves) he patted his close-cropped hair nervously. He frowned. He began +to speak. + +The speech has already been covered by our hated rivals. We will not +repeat it, save to say that it was as crisp, clean-cut, and pointed as +his chin. He was nervous, as we could see by the clenching and +unclenching of his hands. His voice is rather high. We liked him for not +being a suave and polished speaker. He gestured briskly with a pointing +forefinger, and pronounced the word _patriotic_ with a short +A--"pattriotic." Later he stumbled over it again and got it out as +_patterotism_. We liked him again for that. He doesn't have to pronounce +it, anyway. We liked him best of all for the unconscious slip he made. +"This reception," he said, "I understand is for the splendid soldiery of +America that played such an important part in the war with our Allies." +A respectful ripple of laughter passed over the stand at this, but he +did not notice it. He was fighting too hard to think what to say next. +We liked him, too, for saying "such an important part." A man who had +been further away from the fighting would have said that it was America, +alone and unaided, that won the war. He is just as we have hoped he +would be: a plain, blunt man. We have heard that he is going to enter +the banking business. We'd like to have an account at that bank. + + + + +FALL FEVER + +[Illustration] + + +About this time of year, when the mellow air swoons (as the poets say) +with golden languor and the landscape is tinged a soft brown like a +piece of toast, we feel the onset and soft impeachment of fall fever. + +Fall fever is (in our case at any rate) more insidious than the familiar +disease of spring. Spring fever impels us to get out in the country; to +seize a knotted cudgel and a pouchful of tobacco and agitate our limbs +over the landscape. But the drowsiness of autumn is a lethargy in the +true sense of that word--a forgetfulness. A forgetfulness of past +discontents and future joys; a forgetfulness of toil that is gone and +leisure to come; a mere breathing existence in which one stands vacantly +eyeing the human scene, living in a gentle simmer of the faculties like +a boiling kettle when the gas is turned low. + +Fall fever, one supposes, is our inheritance from the cave man, who +(like the bear and the--well, some other animal, whatever it is) went +into hibernation about the first of November. Autumn with its soft +inertia lulled him to sleep. He ate a hearty meal, raked together some +dry leaves, curled up and slid off until the alarm clock of April. + +This agreeable disease does not last very long with the modern man. He +fights bravely against it; then the frost comes along, or the coal bill, +and stings him into activity. But for a few days its genial torpor may +be seen (by the observant) even in our bustling modern career. When we +read yesterday that Judge Audenried's court clerks had fallen asleep +during ballot-counting proceedings we knew that the microbe was among us +again. Keats, in his lovely Ode, describes the figure of Autumn as +stretched out "on a half-reaped furrow sound asleep." Unhappily the +conventions forbid city dwellers from curling up on the pavements for a +cheerful nap. If one were brave enough to do so, unquestionably many +would follow his example. But the urbanite has taught himself to doze +upright. You may see many of us, standing dreamily before Chestnut +Street show windows in the lunch hour, to all intents and purposes in a +state of slumber. Yesterday, in that lucid shimmer of warmth and light, +a group stood in front of a doughnut window near Ninth Street: not one +of them was more than half awake. Similarly a gathering watched the +three small birds who have become a traditional window ornament on +Chestnut Street (they have recently moved from an oculist to a +correspondence course office) and a faint whisper of snoring arose on +the sultry air. The customs of city life permit a man to stand still as +long as he likes if he will only pretend to be watching something. We +saw a substantial burgher pivoted by the window of Mr. Albert, the +violin maker, on Ninth Street. Apparently he was studying the fine +autographed photo of Patti there displayed; but when we sidled near we +saw that his eyes were closed; this admirable person, who seemed to be +what is known as a "busy executive," and whose desk undoubtedly carries +a plate-glass sheet with the orisons of Swett Marden under it, was in a +blissful doze. + +Modern life (as we say) struggles against this sweet enchantment of +autumn, but Nature is too strong for us. Why is it that all these +strikes occur just at this time of year? The old hibernating instinct +again, perhaps. The workman has a subconscious yearning to scratch +together a nice soft heap of manila envelopes and lie down on that couch +for a six months' ear-pounding. There are all sorts of excuses that one +can make to one's self for waving farewell to toil. Only last Sunday we +saw this ad in a paper: + + HEIRS WANTED. The war is over and has made many new heirs. You + may be one of them. Investigate. Many now living in poverty are + rich, but don't know it. + +Now what could be simpler (we said to ourself as we stood contemplating +those doughnuts) than to forsake our jolly old typewriter and spend a +few months in "investigating" whether any one had made us his heir? It +might be. Odd things have happened. Down in Washington Square, for +instance (we thought), are a number of sun-warmed benches, very +reposeful to the sedentary parts, on which we might recline and think +over the possibility of our being rich unawares. We hastened thither, +but apparently many had had the same idea. There was not a bench vacant. +The same was true in Independence Square and in Franklin Square. We will +never make a good loafer. There is too much competition. + +So we came back, sadly, to our rolltop and fell to musing. We picked up +a magazine and found some pictures showing how Mary Pickford washes her +hair. "If I am sun-drying my hair," said Mary (under a photo showing her +reclining in a lovely garden doing just that), "I usually have the +opportunity to read a scenario or do some other duty which requires +concentration." And it occurred to us that if a strain like that is put +upon a weak woman we surely ought to be able to go on moiling for a +while, Indian summer or not. And then we found some pictures by our +favourite artist, Coles Phillips, with that lovely shimmer around the +ankles, and we resolved to be strong and brave and have pointed +finger-nails. But still, in the back of our mind, the debilitating +influence of fall fever was at work. We said to ourself, without the +slightest thought of printing it (for it seemed to put us in a false +light), that the one triumphant and unanswerable epigram of mankind, the +grandest and most resolute utterance in the face of implacable fate, is +the snore. + + + + +TWO DAYS BEFORE CHRISTMAS + + +Will the hand-organ man please call? Our wife has dug up our old +overcoat and insists on giving it to him. We intended to give it to the +Honolulu Girls around at the Walnut Theatre, they looked a bit +goose-fleshed last week, but we always have hay fever when we get near +those grass skirts. Grass widows is what the profession calls the +Hawaiian ladies. Hope the temperature isn't going up again. We love the +old-fashioned Christmas and all that sort of thing. Nipping air makes +cheeks pink; we love to see them nestled in fur coats on Chestnut +Street. This is the time of year to do unexpected kindnesses. We know +one man who stands in line for hours in front of movie theatres just in +order to shout _Merry Christmas_ through the little hole in the glass. +Shaving seems less of a bore. Newspapers are supposed to be heartless, +but they all take a hand in trying to help poor children. Find ourselves +humming hymn tunes. Very odd, haven't been to a church for years. Great +fun surprising people. We've been reading the new phone book; noticed +several ways in which people might surprise each other by calling up and +wishing many happy returns of the day. Why doesn't Beulah R. Wine ring +up Mrs. Louis F. Beer, for instance? Or, A. D. Smoker and Burton J. +Puffer might go around to W. C. Matchett, tobacconist, at 1635 South +Second Street, and buy their Christmas cigars. George Wharton Pepper +might give Mayme Salt a ring (on the phone, that is). What a pleasant +voice that telephone operatrix has. Here's to you, child, and many of +them. Grand time, Christmas. + + * * * * * + +Fine old Anglo-Saxon festival, Christmas. A time of jovial cheer and +bracing mirth. Must be so, because Doctor Frank Crane and Ralph Waldo +Trine have often said so. Christmas hard on people like that, however: +they are bursting with the Christmas spirit all the year round; very +trying when the real occasion comes. That's the beauty of having a +peevish and surly disposition: when one softens up at Christmas +everybody notices it and is pleased. Chaucer, fine old English poet, +first English humorist, gave good picture of Christmas cheer more than +five hundred years ago. Never quoted on Christmas cards, why not copy it +here? Chaucer's spelling very like Ring Lardner's, but good sort just +the same. Says he: + + And this was, as thise bookes me remembre, + The colde, frosty sesoun of Decembre.... + The bittre frostes with the sleet and reyn + Destroyed hath the grene in every yard; + Janus sit by the fyre with double beard, + And drynketh of his bugle horn the wyn; + Biforn hym stant brawn of the tusked swyn, + And "_Nowel_" crieth every lusty man. + +Janus, god of doors, what we call nowadays a janitor. Had two faces so +he could watch the front and back door at once and get a double tip at +Christmas time. Also, that was why he wore a beard; too much trouble to +shave. We don't cry _Nowel_ any more; instead we petition the janitor to +send up a little more steam. But what a jolly picture Chaucer gives of +Christmas! Wine to drink (fine ruddy wine, as red as the holly berries), +crackling flitch of pig to eat, and a merry cry of welcome sounding at +the threshold as your friends come stamping in through the snow. + +Grand time, Christmas! No one is really a Philadelphian until he has +waited for a Pine Street car on a snowy night. Please have my seat, +madam, there's plenty of room on the strap. Wonder why the pavement on +Chestnut Street is the slipperiest in the world? Always fall down just +in front of our bank; most embarrassing; hope the paying teller doesn't +see us. Very annoying to lose our balance just there. Awfully nice +little girl in there who balances the books. Has a kind heart. The +countless gold of a merry heart, as William Blake said. She looks +awfully downcast when our balance gets the way it is now. Hate to +disappoint her. Won't have our book balanced again for a devil of a +while. Even the most surly is full of smiles nowadays. Most of us when +we fall on the pavement (did you ever try it on Chestnut between Sixth +and Seventh on a slippery day?) curse the granolithic trust and wamble +there groaning. But not nowadays. Make the best of things. Fine panorama +of spats. + + * * * * * + +Association of ideas. Everybody wears silk stockings at Christmas time. +Excessive geniality of the ad-writers. Uproarious good cheer. Makes one +almost ashamed to notice the high price of everything. Radicals being +deported. Why not deport Santa Claus, too? Very radical notion that, +love your neighbour better than yourself. Easy to do; very few of us +such dam fools as to love ourselves, but so often when you love your +neighbour she doesn't return it. Nice little boxes they have at the +ten-cent stores, all covered with poinsettia flowers, to put presents +in. Wonder when poinsettia began to be used as a Christmas decoration +and why? Everyone in ten-cent store calls them "poinsettias," but named +after J. R. Poinsett. Encyclopedia very handy at times; makes a good +Christmas present, one dollar down and a dollar a month for life. Nobody +can tell the difference between real pearls and imitation; somebody +ought to put the oysters wise. Save them a lot of trouble and anxiety. +Don't know just what duvetyne is, but there seems to be a lot of it +drunk nowadays. Hope that clockwork train for the Urchin will arrive +soon; we were hoping to have three happy evenings playing with it before +he sees it. Fine to have children; lots of fun playing with their +presents. We are sure that life after death is really so, because +children always kick the blankets off at night. Fine bit of symbolism +that; put it in a sermon, unless Doctor Conwell gets there first. + +Grand time, Christmas! We vowed to try to take down our weight this +winter, and then they put sugar back on the menu, and doughnut shops +spring up on every street, and Charles F. Jenkins sent us a big sack of +Pocono buckwheat flour and we're eating a basketful of griddle cakes +every morning for breakfast. Terrible to be a coward; we always turn on +the hot water first in the shower bath, except the first morning we used +it. The plumber got the indicator on the wrong way round, and when you +turn to the place marked HOT it comes down like ice. Our idea of a +really happy man is the fellow driving a wagonload of truck just in +front of a trolley car, holding it back all the way downtown; when he +hears the motorman clanging away he pretends he thinks it's the +Christmas chimes and sings "Hark the Herald Angels." + +Speaking of Herald Angels reminds us of a good story about James Gordon +Bennett; we'll spring it one of these days when we're hard up for copy. +Jack Frost must be a married man, did you see him try to cover up the +show windows with his little traceries the other day when the shopping +was at its height? There was a pert little hat in a window on Walnut +Street we were very much afraid someone might see; the frost saved us. +Don't forget to put Red Cross seals on your letters. Delightful to watch +the faces on the streets at Christmas time. Everybody trying hard to be +pleasant; sometimes rather a strain. Curious things faces--some of them +seem almost human; queer to think that each belongs to someone and no +chance to get rid of it; sorry we're not in the mirror industry; never +thought of it before, but it ought to be profitable. Happier most of us, +if mirrors never had been invented. Hope all our nice-natured clients +will have the best kind of a time; forgive us for not answering letters; +we are too disillusioned about ourself to make any resolutions to do +better. We're going home now; on the way we'll think of a lot of nice +things we might have said, write them down and use them to-morrow. Hope +Dorothy Gish will get something nice in her stocking. Don't make the +obvious retort. Grand time, Christmas! + + + + +IN WEST PHILADELPHIA + +[Illustration] + + +Climbing aboard car No. 13--ominously labelled "Mt. Moriah"--I voyaged +toward West Philadelphia. It was a keen day, the first snow of winter +had fallen, and sparkling gushes of chill swept inward every time the +side doors opened. The conductor, who gets the full benefit of this +ventilation, was feeling cynical, and seeing his blue hands I didn't +blame him. Long lines of ladies, fumbling with their little bags and +waiting for change, stepped off one by one into the windy eddies of the +street corners. One came up to pay her fare ten blocks or so before her +destination, and then retired to her seat again. This puzzled the +conductor and he rebuked her. The argument grew busy. To the amazement +of the passengers this richly dressed female brandished lusty epithets. +"You Irish mick!" she said. (One would not have believed it possible if +he had not heard it.) "That's what I am, and proud of it," said he. The +shopping solstice is not all fur coats and pink cheeks. If you watch the +conductors in the blizzard season, and see the slings and arrows they +have to bear, you will coin a new maxim. The conductor is always right. + +It is always entertaining to move for a little in a college atmosphere. +I stopped at College Hall at the University and seriously contemplated +slipping in to a lecture. The hallways were crowded with earnest youths +of both sexes--I was a bit surprised at the number of co-eds, +particularly the number with red hair--discussing the tribulations of +their lot. "Think of it," said one man, "I'm a senior, and carrying +twenty-three hours. Got a thesis to do, 20,000 words." On a bulletin +board I observed the results of a "General Intelligence Exam." It +appears that 1,770 students took part. They were listed by numbers, not +by names. It was not stated what the perfect mark would have been; the +highest grade attained was 159, by Mr. (or Miss?) 735. The lowest mark +was 23. I saw that both 440 and 1124 got the mark of 149. If these +gentlemen (or ladies) are eager to play off the tie, it would be a +pleasure to arrange a deciding competition for them. The elaborate care +with which the boys and girls ignore one another as they pass in the +halls was highly delightful, and reminded me of exactly the same thing +at Oxford. But I saw the possible beginning of true romance in the +following notice on one of the boards: + + WANTED: Names and addresses of ten nice American university + students who must remain in Philadelphia over Christmas, away + from home, to be invited to a Christmas Eve party to help + entertain some Bryn Mawr College girls in one of the nicest homes + in a suburb of Philadelphia. + +Certainly there is the stage set for a short story. Perhaps not such a +short one, either. + +Naturally I could not resist a visit to the library, where most of the +readers seemed wholly absorbed, though one student was gaping forlornly +over a volume of Tennyson. I found an intensely amusing book, "Who's Who +in Japan," a copy of which would be a valuable standby to a newspaper +paragrapher in his bad moments. For instance: + + SASAKI, TETSUTARO: One of the highest taxpayers of Fukushima-ken, + President of the Hongu Reeling Partnership, Director of the Dai + Nippon Radium Water Co.; brewer, reeler; born Aug., 1860. + + SAKURAI, ICHISAKU: Member of the Niigata City Council; Director + of the Niigata Gas Co., Niigata Savings Bank. Born June, 1872, + Studied Japanese and Chinese classics and arithmetic. At present + also he connects with the Niigata Orphanage and various other + philanthropic bodies. Was imprisoned by acting contrary to the + act of explosive compound for seven years. Recreations: reading, + Western wine. + +Relying on my apparent similarity to the average undergrad, I +plunged into the sancta of Houston Hall and bought a copy of the +_Punch Bowl_. What that sprightly journal calls "A little group +of Syria's thinkers" was shooting pool. The big fireplaces, like +most fireplaces in American colleges, don't seem to be used. They +don't even show any traces of ever having been used, a curious +contrast to the always blazing hearths of English colleges. The +latter, however, are more necessary, as in England there is +usually no other source of warmth. A bitter skirmish of winds, +carrying powdered snow dust, nipped round the gateways of the +dormitories and Tait McKenzie's fine statue of Whitefield stood +sharply outlined against a cold blue sky. I lunched at a varsity +hash counter on Spruce Street and bought tobacco in a varsity +drug store, where a New York tailor, over for the day, was +cajoling students into buying his "snappy styles" in time for +Christmas. There is no more interesting game than watching a lot +of college men, trying to pick out those who may be of some value +to the community in future--the scientists, poets, and teachers +of the next generation. The well-dressed youths one sees in the +varsity drug stores are not generally of this type. + +The Evans School of Dentistry at Fortieth and Spruce is a +surprising place. Its grotesque gargoyles, showing (with true +medieval humour) the sufferings of tooth patients, are the first +thing one notices. Then one finds the museum, in which is housed +Doctor Thomas W. Evans's collection of paintings and curios +brought back from France. Unfortunately there seems to be no +catalogue of the items, so that there is no way of knowing what +interesting associations belong to them. But most surprising of +all is to find the travelling carriage of the Empress Eugenie in +which she fled from France in the fatal September days of 1870. +She spent her last night in France at the home of Doctor Evans, +and there is a spirited painting by Dupray showing her leaving +his house the next morning, ushered into the carriage by the +courtly doctor. The old black barouche, or whatever one calls it, +seems in perfect condition still, with the empress's monogram on +the door panel. Only the other day we read in the papers that the +remarkable old lady (now in her ninety-fourth year) has been +walking about Paris, revisiting well-known scenes. How it would +surprise her to see her carriage again here in this University +building in West Philadelphia. The whole museum is delightfully +French in flavour; as soon as one enters one seems to step back +into the curiously bizarre and tragic extravagance of the Second +Empire. + +One passes into the dignified and placid residence section of +Spruce and Pine streets, with its distinctly academic air. Behind +those quiet walls one suspects bookcases and studious professors +and all the delightful passions of the mind. On Baltimore Avenue +the wintry sun shone white and cold; in Clark Park, Charles +Dickens wore a little cap of snow, and Little Nell looked more +pathetic than ever. There is a breath of mystery about Baltimore +Avenue. What does that large sign mean, in front of a house near +Clark Park--THE EASTERN TRAVELLERS? Then one comes to the famous +shop of S. F. Hiram, the Dodoneaean Shoemaker he calls himself. +This wise coloured man has learned the advertising advantages of +the unusual. His placard reads: + + Originator of that famous Dobrupolyi System of repairing. + +When one enters and asks to know more about this system, he +points to another placard, which says: + + It assumes the nature and character of an appellative noun, and + carries the article The System. + +His shop contains odd curios as well as the usual traffic of a +cobbler. "The public loves to be hood-winked," he adds sagely. + + + + +HORACE TRAUBEL + + +We wait with particular interest to hear what Philadelphia will have to +say about the passing of Horace Traubel. Traubel was the official echo +of the Great Voice of Camden, and in his obituary one may discern the +vivacity of the Whitman tradition. This is a matter of no small concern +to the curators of the Whitman cult. The soul of Philadelphia cannot be +kept alive by conventions and statistics alone. Such men as Traubel have +helped. + +There are two kinds of rebels. By their neckties you may know them. Walt +Whitman was of the kind that wears no necktie at all. Then there is the +lesser sort, of which Traubel was one--the rebel who wears a flowing +black bow tie with long trailers. Elbert Hubbard wore one of these. It +is a mild rebellion of which this is symbol. It often goes with shell +spectacles. + +[Illustration] + +We never knew Horace Traubel, though he was the man we most wanted to +meet when we came to Philadelphia. We have heard men of all conditions +speak of him with affection and respect. He was dedicated from boyhood +to the Whitman cause. From Walt himself he caught the habit of talking +about Walt, and he carried it on with as much gusto and happiness as +Walt did. Only recently he said in his little magazine _The +Conservator_: + + When I was quite small I used to want to be a great man. But in + my observations of the old man's better than great way of meeting + the gifts as well as the reverses of fate I didn't want to be a + great man. I only wanted to stay unannexed to any institution as + he was. No college ever decorated him. For the best of reasons. + No college could. He could decorate them. + +So Traubel remained unannexed. He was fired from a bank because he +happened to take issue in public with one of the bank's chief +depositors. He floated about happily, surrounded by young Whitman +disciples, carrying on his guerrilla for what his leader called the +"peerless, passionate, good cause" of human democracy. His little +magazine led a precarious life, supported by good friends. His protest +against iniquities was an honest, good-humoured protest. + +Horace Traubel will be remembered, as he wished to be remembered, as the +biographer of Whitman. Whitman also, we may add, wished Traubel to be so +remembered. In his careful record of the Camden sage's utterances and +pulse-beats he approached (as nearly as any one) the devoted dignity of +Boswell. We were about to say the self-effacing devotion of Boswell; but +the beauty of biography is that the biographer cannot wholly delete +himself from the book. One is always curious about the recording +instrument. When we see a particularly fine photograph our first +question is always, "What kind of camera was it taken with?" + +It seems to us--speaking only by intuition, for we never knew him--that +Traubel was a happy man. He was untouched by many of the harassing +ambitions that make the lives of prosperous men miserable. He was +touched in boyhood by one simple and overmastering motive--to carry on +the Whitman message and spread it out for the younger world. Much of the +dunnage of life he cast overboard. He was too good a Whitman disciple to +estimate success in the customary terms. When he left his job in the +bank he opened an account in the Walt Whitman philosophy--and he kept a +healthy balance there to the end. + + + + +TALES OF TWO CITIES + +II. NEW YORK + + + + +THE ANATOMY OF MANHATTAN + + +She is the only city whose lovers live always in a mood of wonder and +expectancy. There are others where one may sink peacefully, contentedly +into the life of the town, affectionate and understanding of its ways. +But she, the woman city, who is bold enough to say he understands her? +The secret of her thrilling and inscrutable appeal has never been told. +How could it be? She has always been so much greater than any one who +has lived with her. (Shall we mention Walt Whitman as the only possible +exception? O. Henry came very near to her, but did he not melodramatize +her a little, sometimes cheapen her by his epigrammatic appraisal, fit +her too neatly into his plot? Kipling seemed to see her only as the +brutal, heedless wanton.) Truly the magic of her spell can never be +exacted. She changes too rapidly, day by day. Realism, as they call it, +can never catch the boundaries of her pearly beauty. She needs a mystic. + +No city so challenges and debilitates the imagination. Here, where +wonder is a daily companion, desire to tell her our ecstasy becomes at +last only a faint pain in the mind. If you would mute a poet's lyre, +put him on a ferry from Jersey City some silver April morning; or send +him aboard at Liberty Street in an October dusk. Poor soul, his mind +will buzz (for years to come) after adequate speech to tell those cliffs +and scarps, amethyst and lilac in the mingled light; the clear topaz +chequer of window panes; the dull bluish olive of the river, streaked +and crinkled with the churn of the screw! Many a poet has come to her in +the wooing passion. Give him six months, he is merely her Platonist. He +lives content with placid companionship. Where are his adjectives, his +verbs? That inward knot of amazement, what speech can unravel it? + +Her air, when it is typical, is light, dry, cool. It is pale, it is +faintly tinctured with pearl and opal. Heaven is unbelievably remote; +the city itself daring so high, heaven lifts in a cautious remove. Light +and shadow are fantastically banded, striped, and patchworked among her +cavern streets; a cool, deep gloom is cut across with fierce jags and +blinks of brightness. She smiles upon man who takes his ease in her +colossal companionship. Her clean soaring perpendiculars call the eye +upward. One wanders as a botanist in a tropical forest. That great +smooth groinery of the Pennsylvania Station train shed: is it not the +arching fronds of iron palm trees? Oh, to be a botanist of this vivid +jungle, spread all about one, anatomist of the ribs and veins that run +from the great backbone of Broadway! + +To love her, one thinks, is to love one's fellows; each of them having +some unknown share in her loveliness. Any one of her streets would be +the study and delight of a lifetime. To speak at random, we think of +that little world of brightness and sound bourgeois cheer that spreads +around the homely Verdi statue at Seventy-third Street. We have a +faithful affection for that neighbourhood, for reasons of our own. +Within a radius, thereabouts, of a quarter-mile each way, we could live +a year and learn new matters every day. They call us a hustling folk. +Observe the tranquil afternoon light in those brownstone byways. Pass +along leisurely Amsterdam Avenue, the region of small and genial shops, +Amsterdam Avenue of the many laundries. See the children trooping +upstairs to their own room at the St. Agnes branch of the Public +Library. See the taxi drivers, sitting in their cars alongside the Verdi +grass plot (a rural breath of new-mown turf sweetening the warm, crisp +air) and smoking pipes. Every one of them is to us as fascinating as a +detective story. What a hand they have had in ten thousand romances. At +this very moment, what quaint and many-stranded destinies may hail them +and drive off? But there they sit, placid enough, with a pipe and the +afternoon paper. The light, fluttering dresses of enigmatic fair ones +pass gayly on the pavement. Traffic flows, divides, and flows on, a +sparkling river. Here is that mystery, a human being, buying a cigar. +Here is another mystery asking for a glass of frosted chocolate. Why is +it that we cannot accost that tempting riddle and ask him to give us an +accurate précis of his life to date? And that red-haired burly sage, he +who used to bake the bran muffins in the little lunchroom near by, and +who lent us his Robby Burns one night--what has become of him? + +So she teases us, so she allures. Sometimes, on the L, as one passes +along that winding channel where the walls and windows come so close, +there is a felicitous sense of being immersed, surrounded, drowned in a +great, generous ocean of humanity. It is a fine feeling. All life +presses around one, the throb and the problem are close, are close. Who +could be weary, who could be at odds with life, in such an embrace of +destiny? The great tall sides of buildings fly open, the human hive is +there, beautiful and arduous beyond belief. Here is our worship and here +our lasting joy, here is our immortality of encouragement. Yes, perhaps +O. Henry did say the secret after all: "He saw no longer a rabble, but +his brothers seeking the ideal." + + + + +VESEY STREET + +[Illustration] + + +The first duty of the conscientious explorer is to study his own +neighbourhood, so we set off to familiarize ourself with Vesey Street. +This amiable byway (perhaps on account of the proximity of Washington +Market) bases its culture on a solid appreciation of the virtue of good +food, an admirable trait in any street. Upon this firm foundation it +erects a seemly interest in letters. The wanderer who passes up the +short channel of our street, from the docks to St. Paul's churchyard, +must not be misled by the character of the books the bibliothecaries +display in their windows. Outwardly they lure the public by Bob +Ingersoll's lectures, Napoleon's Dream Book, efficiency encyclopædias +and those odd and highly coloured small brochures of smoking-car tales +of the Slow Train Through Arkansaw type. But once you penetrate, you may +find quarry of a more stimulating kind. For fifteen cents we eloped with +a first edition of Bunner's "Love in Old Cloathes," which we were glad +to have in memory of the "old red box on Vesey Street" which Banner +immortalized in rhyme, and which still stands (is it the same box?) by +the railing of St. Paul's. Also, even nobler treasure to our way of +thinking, did we not just now find (for fifteen cents) Hilaire Belloc's +"Hills and the Sea," that enchanting little volume of essays, which we +are almost afraid to read again. Belloc, the rogue--the devil is in him. +Such a lusty beguilery moves in his nimble prose that after reading him +it is hard not to fall into a clumsy imitation of his lively and frolic +manner. There is at least one essayist in this city who fell subject to +the hilarious Hilaire years ago. It is an old jape but not such a bad +one: our friend Murray Hill will never return to the status quo ante +Belloc. + +But we were speaking of Vesey Street. It looks down to the water, and +the soft music of steamship whistles comes tuning on a cold, gusty air. +Thoroughly mundane little street, yet not unmindful of matters +spiritual, bounded as it is by divine Providence at one end (St. Paul's) +and by Providence, R. I. (the Providence Line pier) at the other. +Perhaps it is the presence of the graveyard that has startled Vesey +Street into a curious reversal of custom. On most other streets, we +think, the numbers of the houses run even on the south side, odd on the +north. But just the opposite on Vesey. You will find all even numbers on +the north, odd on the south. Still, Wall Street errs in the same way. + +If marooned or quarantined on Vesey Street a man might lead a life of +gayety and sound nourishment for a considerable while, without having +recourse to more exalted thoroughfares. There are lodging houses in that +row of old buildings down toward the docks; from the garret windows he +could see masts moving on the river. For food he would live high indeed. +Where will one see such huge glossy blue-black grapes; such enormous +Indian River grapefruit; such noble display of fish--scallops, +herrings, smelts, and the larger kind with their dead and desolate eyes? +There are pathetic rows of rabbits, frozen stiff in the bitter cold +wind; huge white hares hanging in rows; a tray of pigeons with their +iridescent throat feathers catching gleams of the pale sunlight. There +are great sacks of nuts, barrels of cranberries, kegs of olive oil, +thick slabs of yellow cheese. On such a cold day it was pleasant to see +a sign "Peanut Roasters and Warmers." + +Passing the gloomy vista of Greenwich Street--under the "L" is one of +those mysterious little vents in the floor of the street from which +issues a continual spout of steam--our Vesey grows more intellectual. +The first thing one sees, going easterly, is a sign: THE TRUTH SEEKER, +_One flight Up_. The temptation is almost irresistible, but then Truth +is always one flight higher up, so one reflects, what's the use? In this +block, while there is still much doing in the way of food--and even food +in the live state, a window full of entertaining chicks and ducklings +clustered round a colony brooder--another of Vesey Street's interests +begins to show itself. Tools. Every kind of tool that gladdens the heart +of man is displayed in various shops. One realizes more and more that +this is a man's street, and indeed (except at the meat market) few of +the gayer sex are to be seen along its pavements. One of the tool shops +has open-air boxes with all manner of miscellaneous oddments, from mouse +traps to oil cans, and you may see delighted enthusiasts poring over the +assortment with the same professional delight that ladies show at a +notion counter. One of the tool merchants, however, seems to have +weakened in his love of city existence, for he has put up a placard: + +WANTED TO RENT _Small Farm Must Have Fruit and Spring Water_ + +How many years of repressed yearning may speak behind that modest +ambition! + +Our own taste for amusement leads us (once luncheon dispatched; you +should taste Vesey Street's lentil soup) to the second-hand bookshops. +Our imagined castaway, condemned to live on Vesey Street for a term of +months, would never need to languish for mental stimulation. Were he +devout, there is always St. Paul's, as we have said; and were he +atheist, what a collection of Bob Ingersoll's essays greets the faring +eye! There is the customary number of copies of "The Pentecost of +Calamity"; it seems to the frequenter of second-hand bazaars as though +almost everybody who bought that lively booklet in the early days of the +war must have sold it again since the armistice. Much rarer, we saw a +copy of "Hopkins's Pond," that little volume of agreeable sketches +written so long ago by Dr. Robert T. Morris, the well-known surgeon, and +if we had not already a copy which the doctor inscribed for us we would +certainly have rescued it from this strange exile. + +There are only two of the really necessary delights of life that the +Vesey Street maroon would miss. There is no movie, there are no +doughnuts. We are wondering whether in any part of this city there has +sprung up the great doughnut craze that has ravaged Philadelphia in the +past months. As soon as prohibition became a certainty, certain astute +merchants of the Quaker City devoted themselves to inoculating the +public with a taste for these humble fritters, and now they bubble gayly +in the windows of Philadelphia's most aristocratic thoroughfare. It is +really a startling sight to see Philadelphia lining up for its noonday +quota of doughnuts, and the merchants over there have devised an +ingenious method of tempting the crowd. A funnel, erected over the +frying sinkers, carries the fragrant fumes out through a transom and +gushes it into the open air, so that the sniff of doughnuts is +perceptible all down the block. There is a fortune waiting on Vesey +Street for the man who will establish a doughnut foundry, and we +solemnly pledge our own appetite and that of all our friends toward his +success.[2] + +At its upper end, perhaps in memory of the vanished Astor House, Vesey +Street stirs itself into a certain magnificence, devoting its window +space to jewellery and silver-mounted books of prayer. At this window +one may regulate his watch at a clock warranted by Charles Frodsham of +84, Strand, to whose solid British accuracy we hereby pay decent +tribute. Over all this varied scene lifts the shining javelin-head of +the Woolworth Building, seen now and then in an almost disbelieved +glimpse of sublimity; and the golden Lightning of the Telephone and +Telegraph pinnacle, waving his zigzag brands in the sun. + +[2] Since this was written, the lack has been supplied--on Park Row, +just above the top of Vesey Street; probably the most luxurious doughnut +shop ever conceived. + + + + +BROOKLYN BRIDGE + +[Illustration] + + +A windy day, one would have said in the dark channels of downtown ways. +In the chop house on John Street, lunch-time patrons came blustering in, +wrapped in overcoats and mufflers, with something of that air of +ostentatious hardiness that men always assume on coming into a warm room +from a cold street. Thick chops were hissing on the rosy grill at the +foot of the stairs. In one of the little crowded stalls a man sat with a +glass of milk. It was the first time we had been in that chop house for +several years ... it doesn't seem the same. As Mr. Wordsworth said, it +is not now as it hath been of yore. But still, + + The homely Nurse doth all she can + To make her foster-child, her Inn-mate Man, + Forget the glories he hath known. + +It's a queer thing that all these imitation beers taste to us exactly as +real beer did the first time we tasted it (we were seven years old) and +shuddered. "Two glasses of cider," we said to the comely serving maid. +Alas + + That nature yet remembers + What was so fugitive. + +There is a nice point of etiquette involved in lunching in a crowded +chop house. Does the fact of having bought and eaten a moderate meal +entitle one to sit with one's companion for a placid talk and smoke +afterward? Or is one compelled to relinquish the table as soon as one is +finished, to make place for later comers? These last are standing +menacingly near by, gazing bitterly upon us as we look over the card and +debate the desirability of having some tapioca pudding. But our +presiding Juno has already settled the matter, and made courtesy a +matter of necessity. "These gentlemen will be through in a moment," she +says to the new candidates. Our companion, the amiable G---- W----, was +just then telling us of a brand of synthetic whiskey now being +distilled by a famous tavern of the underworld. The superlative charm of +this beverage seems to be the extreme rigidity it imparts to the +persevering communicant. "What does it taste like?" we asked. "Rather +like gnawing furniture," said G---- W----. "It's like a long, healthy +draught of shellac. It seems to me that it would be less trouble if you +offered the barkeep fifty cents to hit you over the head with a hammer. +The general effect would be about the same, and you wouldn't feel nearly +so bad in the morning." + +A windy day, and perishing chill, we thought as we strolled through the +gloomy caverns and crypts underneath the Brooklyn Bridge. Those twisted +vistas seen through the archways give an impression of wrecked Louvain. +A great bonfire was burning in the middle of the street. Under the Pearl +Street elevated the sunlight drifted through the girders in a lively +chequer, patterning piles of gray-black snow with a criss-cross of +brightness. We had wanted to show our visitor Franklin Square, which he, +as a man of letters, had always thought of as a trimly gardened plot +surrounded by quiet little old-fashioned houses with brass knockers, and +famous authors tripping in and out. As we stood examining the façade of +Harper and Brothers, our friend grew nervous. He was carrying under his +arm the dummy of an "export catalogue" for a big brass foundry, that +being his line of work. "They'll think we're free verse poets trying to +get up courage enough to go in and submit a manuscript," he said, and +dragged us away. + +A windy day, we had said in the grimy recesses of Cliff and Dover +streets. (Approaching this sentiment for the third time, perhaps we may +be permitted to accomplish our thought and say what we had in mind.) But +up on the airy decking of the Brooklyn Bridge, where we repaired with +G---- W---- for a brief stroll, the afternoon seemed mild and tranquil. +It is a mistake to assume that the open spaces are the windier. The +subway is New York's home of Æolus, and most of the gusts that buffet us +on the streets are merely hastening round a corner in search of the +nearest subway entrance so that they can get down there where they feel +they belong. Up on the bridge it was plain to perceive that the March +sunshine had elements of strength. The air was crisp but genial. A few +pedestrians were walking resolutely toward the transpontine borough; the +cop on duty stood outside his little cabin with the air of one ungrieved +by care. Behind us stood the high profiles of the lower city, sharpened +against the splendidly clear blue sky which is New York's special +blessing. On the water moved a large tug, towing barges. Smoke trailed +behind it in the same easy and comfortable way that tobacco reek gushes +over a man's shoulder when he walks across a room puffing his pipe. + +The bridge is a curiously delightful place to watch the city from. +Walking toward the central towers seems like entering a vast spider's +web. The footway between the criss-cross cables draws one inward with a +queer fascination, the perspective diminishing the network to the eye so +that it seems to tighten round you as you advance. Even when there is +but little traffic the bridge is never still. It is alive, trembling, +vibrant, the foot moves with a springy recoil. One feels the lift and +strain of gigantic forces, and looks in amazement on the huge sagging +hawsers that carry the load. The bars and rods quiver, the whole lively +fabric is full of a tremor, but one that conveys no sense of +insecureness. It trembles as a tree whispers in a light air. + +And of the view from the bridge, it is too sweeping to carry wholly in +mind. Best, one thinks, it is seen in a winter dusk, when the panes of +Manhattan's mountains are still blazing against a crystal blue-green +sky, and the last flush of an orange sunset lingers in the west. Such we +saw it once, coming over from Brooklyn, very hungry after walking in +most of the way from Jamaica, and pledged in our own resolve not to +break fast until reaching a certain inn on Pearl Street where they used +to serve banana omelets. Dusk simplifies the prospect, washes away the +lesser units, fills in the foreground with obliterating shadow, leaves +only the monstrous sierras of Broadway jagged against the vault. It +deepens this incredible panorama into broad sweeps of gold and black and +peacock blue which one may file away in memory, tangled eyries of +shining windows swimming in empty air. As seen in the full brilliance of +noonday the bristle of detail is too bewildering to carry in one clutch +of the senses. The eye is distracted by the abysses between buildings, +by the uneven elevation of the summits, by the jumbled compression of +the streets. In the vastness of the scene one looks in vain for some +guiding principle of arrangement by which vision can focus itself. It is +better not to study this strange and disturbing outlook too minutely, +lest one lose what knowledge of it one has. Let one do as the veteran +prowlers of the bridge: stroll pensively to and fro in the sun, taking +man's miracles for granted, exhilarated and content. + + + + +THREE HOURS FOR LUNCH + + +Hudson Street has a pleasant savour of food. It resounds with the dull +rumble of cruising drays, which bear the names of well-known brands of +groceries; it is faintly salted by an aroma of the docks. One sees great +signs announcing cocoanut and whalebone or such unusual wares; there is +a fine tang of coffee in the air round about the corner of Beach Street. +Here is that vast, massy brick edifice, the New York Central freight +station, built 1868, which gives an impression of being about to be torn +down. From a dilapidated upper window hangs a faded banner of the Irish +Republic. At noontime this region shows a mood of repose. Truckmen loll +in sunny corners, puffing pipes, with their curved freight hooks hung +round their necks. In a dark smithy half a dozen sit comfortably round a +huge wheel which rests on an anvil, using it as a lunch table. Near +Canal Street two men are loading ice into a yellow refrigerator car, and +their practiced motions are pleasant to watch. One stands in the wagon +and swings the big blocks upward with his tongs. The other, on the wagon +roof, seizes the piece deftly and drops it through a trap on top of the +car. The blocks of ice flash and shimmer as they pass through the +sunshine. In Jim O'Dea's blacksmith shop, near Broome Street, fat white +horses are waiting patiently to be shod, while a pink glow wavers +outward from the forge. + +[Illustration] + +At the corner of Hudson and Broome streets we fell in with our friend +Endymion, it being our purpose to point out to him the house, one of +that block of old red dwellings between Hudson and Varick, which Robert +C. Holliday has described in "Broome Street Straws," a book which we +hope is known to all lovers of New York local colour. Books which have a +strong sense of place, and are born out of particular streets--and +especially streets of an odd, rich, and well-worn flavour--are not any +too frequent. Mr. Holliday's Gissingesque appreciation of the humours of +landladies and all the queer fish that shoal through the backwaters of +New York lodging houses makes this Broome Street neighbourhood +exceedingly pleasant for the pilgrim to examine. It was in Mr. +Holliday's honour that we sallied into a Hudson Street haberdashery, +just opposite the channel of Broome Street, and adorned ourself with a +new soft collar, also having the pleasure of seeing Endymion regretfully +wave away some gorgeous mauve and pink neckwear that the agreeable +dealer laid before him with words of encouragement. We also stood +tranced by a marvellous lithograph advertising a roach powder in a +neighbouring window, and wondered whether Mr. Holliday himself could +have drawn the original in the days when he and Walter Jack Duncan lived +in garrets on Broome Street and were art students together. Certainly +this picture had the vigorous and spirited touch that one would expect +from the draughting wrist of Mr. Holliday. It showed a very terrible +scene, apparently a civil war among the roaches, for one army of these +agile insects was treasonously squirting a house with the commended +specific, and the horrified and stricken inmates were streaming forth +and being carried away in roach ambulances, attended by roach nurses, to +a neighbouring roach cemetery. All done on a large and telling scale, +with every circumstance of dismay and reproach on the faces of the dying +blattidæ. Not even our candour, which is immense, permits us to reprint +the slogan the manufacturer has adopted for his poster: those who go +prowling on Hudson Street may see it for themselves. + +In the old oyster and chop house just below Canal Street we enjoyed a +very agreeable lunch. To this place the Broome Street garreteers (so Mr. +Holliday has told us) used to come on days of high prosperity when some +cheque arrived from a publisher. At that time the tavern kept an open +fireplace, with a bright nest of coals in the chilly season; and there +was a fine mahogany bar. But we are no laudator of acted time; the +fireplace has been bricked up, it is true; but the sweet cider is +admirable, and as for the cheesecake, we would back it against all the +Times Square variety that Ben De Casseres rattles about. It is +delightful and surprising to find on Hudson Street an ordinary so droll +and Dickensish in atmosphere, and next door is a window bearing the sign +WALTER PETER. We feel sure that Mr. Holliday, were he still living in +those parts, would have cajoled the owner into changing that E to an A. + +Our stroll led us north as far as Charlton Street, which the geographers +of Greenwich Village claim as the lower outpost of their domain. +Certainly it is a pleasing byway, running quietly through the afternoon, +and one lays an envious eye upon the demure brick houses, with their +old-fashioned doorways, pale blue shutters, and the studio windows on +the southern side. At the corner of Varick Street is a large house +showing the sign, "Christopher Columbus University of America." +Macdougal Street gives one a distant blink of the thin greenery of +Washington Square. + +An unexpected impulse led us eastward on Grand Street, to revisit Max +Maisel's interesting bookshop.--We had never forgotten the thrill of +finding this place by chance one night when prowling toward Seward Park. +In bookshops of a liberal sort we always find it advisable to ask first +of all for a copy of Frank Harris's "The Man Shakespeare." It is hardly +ever to be found (unfortunately), so the inquiry is comparatively safe +for one in a frugal mood; and it is a tactful question, for the mention +of this book shows the bookseller that you are an intelligent and +understanding kind of person, and puts intercourse on good terms at +once. However, we did find one book that we felt we simply had to have, +as it is our favourite book for giving away to right-minded people--"The +Invisible Playmate," by William Canton. We fear that there are still +lovers of children who do not know this book; but if so, it is not our +fault. + +Grand Street is a child at heart, and one may watch it making merry not +only along the pavement but in the shop windows. Endymion's gallant +spirit was strongly uplifted by this lively thoroughfare, and he strode +like one whose heart was hitting on all six cylinders. Max Maisel's +bookshop alone is enough to put one in a seemly humour. But then one +sees the gorgeous pink and green allurements of the pastry cooks' +windows, and who can resist those little lemon-flavoured, +saffron-coloured cakes, which are so thirst-compelling and send one +hastily to the nearest bar for another beaker of cider? And it seems +natural to find here the oldest toyshop in New York, where Endymion +dashed to the upper floor in search of juvenile baubles, and we both +greatly admired the tall, dark, and beauteous damsel who waited on us +with such patience and charity. Endymion by this time was convinced that +he was living in the very heart and climax of a poem; he became more and +more unreal as we walked along: we could see his physical outline +(tenuous enough at best) shimmer and blur as he became increasingly +alcaic. + +Along the warm crowded pavement there suddenly piped a liquid, gurgling, +chirring whistle, rising and dropping with just the musical trill that +floats from clumps of creekside willows at this time of year. We had +passed several birdshops on our walk, and supposed that another was +near. A song sparrow, was our instant conclusion, and we halted to see +where the cage could be hung. And then we saw our warbler. He was little +and plump and red-faced, with a greasy hat and a drooping beer-gilded +moustache, and he wore on his coat a bright blue peddler's license +badge. He shuffled along, stooping over a pouch of tin whistles and +gurgling in one as he went. There's your poem, we said to +Endymion--"The Song-Sparrow on Grand Street." + +We propose to compile a little handbook for truants, which we shall call +"How to Spend Three Hours at Lunch Time." This idea occurred to us on +looking at our watch when we got back to our kennel. + + + + +PASSAGE FROM SOME MEMOIRS + + +How long ago it seems, that spring noonshine when two young men (we will +call them Dactyl and Spondee) set off to plunder the golden bag of Time. +These creatures had an oppressive sense that first Youth was already +fled. For one of them, in fact, it was positively his thirtieth +birthday; poor soul, how decrepitly he flitted in front of motor trucks. +As for the other, he was far decumbent in years, quite of a previous +generation, a perfect Rameses, whose senile face was wont to crack into +wrinklish mirth when his palsied cronies called him the greatest poet +born on February 2, 1886. + +It was a day--well, it is fortunate that some things do not have to be +described. Suppose one had to explain to the pallid people of the +thither moon what a noonday sunshine is like in New York about the Nones +of May? It could not be done to carry credence. Let it be said it was a +Day, and leave it so. You have all known that gilded envelopment of +sunshine and dainty air. + +These pitiful creatures arose from the subway at Fourteenth Street and +took the world in their right hands. From this revolving orb, said they, +they would squeeze a luncheon hour of exquisite satisfactions. They +gazed sombrely at Union Square, and uttered curious reminiscences of the +venerable days when one of them had worked, actually toiled for a +living, upon the shores of that expanse. Ten years had passed (yes, at +least ten--_O edax rerum!_). Upon a wall these observant strollers saw a +tablet to the memory of William Lloyd Garrison. Strange, said they, we +never noticed this before. Ah, said one, this is hallowed ground. It was +near here that I used to borrow a quarter, the day before pay-day, to +buy my lunch. The other contributed similar recollections. And now, +quoth he, I am grown so prosperous that when I need money I can't afford +to borrow less than two hundred dollars. + +They lunched (one brushes away the mist of time to recall the details) +where the bright sunlight fell athwart a tablecloth of excellent +whiteness. They ate (may one be precise at so great a distance?)--yes, +they ate broiled mackerel to begin with; the kind of mackerel called +(but why?) Spanish. Whereupon succeeded a course of honeycomb tripe, +which moved Dactyl to quoting Rabelais, something that Grangousier had +said about tripes. Only by these tripes is memory supported and made +positive, for it was the first time either had tackled this dish. +Concurrent with the tripes, one inducted the other into the true mystery +of blending shandygaff, explaining the first doctrine of that worthy +draught, which is that the beer must be poured into the beaker before +the ginger ale, for so arises a fatter and lustier bubblement of foam. +The reason whereof they leave no testament. While this portion of the +meal was under discussion their minds moved free, unpinioned, with airy +lightness, over all manner of topics. It seemed no effort at all to +talk. Ripe, mellow with long experience of men and matters, their +comments were notable for wisdom and sagacity. The waiter, overhearing +shreds of their discourse, made a private notation to the effect that +these were Men of Large Affairs. Then they embarked upon some salty +crackers, enlivened with Camembert cheese and green-gage jam. By this +time they were touching upon religion, from which they moved lightly to +the poems of Louise Imogen Guiney. It is all quite distinct as one looks +back upon it. + +[Illustration] + +Issuing upon the street, Dactyl said something about going back to the +office, but the air and sunlight said him nay. Rather, remarked Spondee, +let us fare forward upon this street and see what happens. This is ever +a comely doctrine, adds the chronicler. They moved gently, not without a +lilac trailing of tobacco fume, across quiet stretches of pavement. In +the blue upwardness stood the tower of the Metropolitan Life Building, a +reminder that humanity as a whole pays its premiums with decent +regularity. They conned the nice gradations of tint in the spring +foliage of Gramercy Park. They talked, a little soberly, of thrift, and +of their misspent years. + +Lexington Avenue lay guileless beneath their rambling footfalls. At the +corner of Twenty-second Street was a crowd gathered, and a man with the +customary reverted cap in charge of a moving picture machine. A swift +car drew up before the large house at the southeast corner. Thrill upon +thrill: something being filmed for the movies! In the car, a handsome +young rogue at the wheel, and who was this blithe creature in shiny +leather coat and leather cap, with crumpling dark curls cascading +beneath it? A suspicion tinkled in the breast of Spondee, in those days +a valiant movie fan. Up got the young man, and hopped out of the car. Up +stood the blithe creature--how neatly breeched, indeed, a heavenly +forked radish--and those shining riding boots! She dismounted--lifted +down (so unnecessarily it seemed) by the rogue. She stood there a moment +and Spondee was convinced. DOROTHY GISH, said he to Dactyl. Miss Gish +and her escort darted into the house, the camera man reeling busily. At +an upper window of the dwelling a white-haired lady was looking out, +between lace curtains, with a sort of horror. Query, was she part of the +picture, or only the aristocratic owner of the house, dismayed at +finding her home suddenly become part of a celluloid drama? Spondee had +always had a soft spot in his heart for Miss Dorothy, esteeming her a +highly entertaining creature. He was disappointed in the tranquil +outcome of the scene. He had hoped to see leaping from windows and all +manner of hot stuff. Near by stood a coloured groom with a horse. The +observers concluded that Miss Gish was to do a little galloping shortly. +Dactyl and Spondee moved away. Spondee quoted a poem he had once written +about Miss Dorothy. He recollected only two lines: + + She makes all the rest seem a shoal of poor fish + So _we_ cast _our_ ballot for Dorothy Gish. + +Peering again into the dark backward and abysm, it seems that the two +rejuvenated gossips trundled up on Lexington Avenue to Alfred +Goldsmith's cheerful bookshop. Here they were startled to hear Mr. +Goldsmith cry: "Well, Chris, here are some nice bones for you." One of +these visitors assumed this friendly greeting was for him, but then it +was explained that Mr. Goldsmith's dog, named Christmas, was feeling +seedy, and was to be pampered. At this moment in came the postman with a +package of books, arrived all the way from Canada. One of these books +was "Salt of the Sea," a volume of tales by Morley Roberts, and upon +this Spondee fell with a loud cry, for it contained "The Promotion of +the Admiral," being to his mind a tale of great virtue which he had not +seen in several years. Dactyl, meanwhile, was digging out some volumes +of Gissing, and on the faces of both these creatures might have been +seen a pleasant radiation of innocent cheer. Mr. Goldsmith also +exhibited (it is still remembered) a beautiful photo of Walt Whitman, +which entertained the visitors, for it showed old Walt with his +coat-sleeve full of pins, which was ever Walt's way. + +How long ago it all seems. Does Miss Dorothy still act for the pictures? +Does Chris, the amiable Scots terrier, still enjoy his bones? Does old +Dactyl still totter about his daily tasks? Queer to think that it +happened only yesterday. Well, time runs swift in New York. + + + + +FIRST LESSONS IN CLOWNING + +[Illustration] + + +A medley of crashing music, pungently odd and exhilarating smells, the +roaring croon of the steam calliope, the sweet lingering savour of +clown-white grease paint, elephants, sleek barking seals, trained pigs, +superb white horses, frolicking dogs, exquisite ladies in tights and +spangles, the pallid Venuses of the "living statuary," a whole jumble +of incongruous and fantastic glimpses, moving in perfect order through +its arranged cycles--this is the blurred and ecstatic recollection of an +amateur clown at the circus. + +It was pay day that afternoon and all the performers were in cheerful +humour. Perhaps that was why the two outsiders, who played a very +inconspicuous part in the vast show, were so gently treated. Certainly +they had approached the Garden in some secret trepidation. They had had +visions of dire jests and grievous humiliations: of finding themselves +suddenly astride the bare backs of berserk mules, or hoisted by blazing +petards, or douched with mysterious cascades of icy water. Pat Valdo had +written: "I am glad to hear you are going to clown a bit. I hope you +both will enjoy the experience." To our overwrought imaginations this +sounded a little ominous. What would Pat and his lively confrères do to +us? + +We need not have feared. Not in the most genial club could we have been +more kindly treated than in the dressing room where we found Pat Valdo +opening his trunk and getting out the antic costumes he had provided. +(The eye of a certain elephant, to tell the truth, was the only real +embarrassment we suffered. We happened to stand by him as he was waiting +to go on, and in his shrewd and critical orb we saw a complete disdain. +He spotted us at once. He knew us for interlopers. He knew that we were +not a real clown, and his eye showed a spark of scorn. We felt shamed, +and slunk away.) + +A liberal coating of clown-white, well rubbed into the palms before +applying; a rich powdering of talcum; and decorations applied by Pat +Valdo with his red and black paint-sticks--these give an effect that +startles the amateur when he considers himself in the mirror. Topped +with a skull-cap of white flannel (on which perches a supreme oddity in +the way of a Hooligan hat) and enveloped in a baggy Pierrot garment--one +is ready to look about and study the dressing room, where our fellows, +in every kind of gorgeous grotesquerie, are preparing for the Grand +Introductory Pageant--followed by the "Strange People." (They don't call +them Freaks any more.) Here is Johannes Joseffson, the Icelandic +Gladiator, sitting on his trunk, with his bare feet gingerly placed on +his slippers to keep them off the dusty floor while he puts on his +wrestling tights. As he bends over with arched back, and raises one leg +to insert it into the long pink stocking, one must admire the perfect +muscular grace of his thighs and shoulders. Here is the equally muscular +dwarf, being massaged by a friend before he dons his pink frills and +dashing plumed hat and becomes Mlle. Spangletti, "the marvel +equestrienne, darling of the Parisian boulevards." Here is the +inevitable Charley Chaplin, and here the dean of all the clowns, an old +gentleman of seventy-four, in his frolicsome costume, as lively as +ever. Here is a trunk inscribed _Australian Woodchoppers_, and sitting +on it one of the woodchoppers himself, a quiet, humorous, cultivated +gentleman with a great fund of philosophy. A rumour goes the rounds--as +it does behind the scenes in every kind of show. "Do you know who we +have with us to-day? I see one of the boxes is all decorated up." "It's +Mrs. Vincent Astor." "Who's she?" interjects the Australian woodchopper, +satirically. "It's General Wood." "Did you hear, Wood and Pershing are +here to-day?" Charley Chaplin asserts that he has "a good gag" that he's +going to try out to-day and see how it goes. One of the other clowns in +the course of dressing comes up to Pat Valdo, and Pat introduces his two +pupils. "Newspaper men, hey?" says the latter. "What did you tell me +for? I usually double-cross the newspaper men when they come up to do +some clowning," he explains to us. We are left wondering in what this +double-crossing consists. Suddenly they all troop off down the dark +narrow stairs for the triumphal entry. The splendour of this parade may +not be marred by any clown costumes, so the two novices are left +upstairs, peering through holes in the dressing-room wall. The big arena +is all an expanse of eager faces. The band strikes up a stirring ditty. +A wave of excitement sweeps through the dingy quarters of the Garden. +The show is on, and how delirious it all is! + +Downstairs, the space behind the arena is a fascinating jostle of odd +sights. The elephants come swaying up the runway from the basement and +stand in line waiting their turn. Here is a cage of trained bears. In +the background stands the dogcatcher's cart, attached to the famous +kicking mule. From the ladies' dressing quarters come the aerial human +butterflies in their wings and gauzy draperies. On the wall is a list of +names, _Mail Uncalled For_. One of the names is "Toby Hamilton." That +must mean old Toby, and we fear the letter will never be called for now, +for Toby Hamilton, the famous old Barnum and Bailey press agent, who +cleaned up more "free space" than any man who ever lived, died in 1916. +Suddenly appears a person clad in flesh tights and a barrel, carrying a +label announcing himself as _The Common People_. Someone thrusts a large +sign into the hands of one of the amateur clowns, and he is thrust upon +the arena, to precede the barrelled Common People round the sawdust +circuit. He has hardly time to see what the sign says--something about +"On Strike Against $100 Suits." The amateur clown is somewhat aghast at +the huge display of friendly faces. Is he to try to be funny? Here is +the flag-hung box, and he tries to see who is in it. He doesn't see +either Wood, Pershing, or Mrs. Astor, who are not there; but a lot of +wounded soldiers, who smile at him encouragingly. He feels better and +proceeds, finding himself, with a start, just beneath some flying +acrobats who are soaring in air, hanging by their teeth. Common People +shouts to him to keep the sign facing toward the audience. The tour is +made without palpable dishonour. + +Things are now moving so fast it is hard to keep up with them. Pat Valdo +is dressed as a prudish old lady with an enormous bustle. Escorted by +the clown policeman and the two amateurs, Pat sets out, fanning himself +demurely. Hullo! the bustle has detached itself from the old lady, but +she proceeds, unconscious. The audience shouts with glee. Finally the +cop sees what has happened and screams. The amateur clowns scream, too, +and one of them, in a burst of inspiration, takes off his absurd hat to +the bustle, which is now left yards behind. But Pat is undismayed, turns +and beckons with his hand. The bustle immediately runs forward of its +own accord and reattaches itself to the rear of the skirt. You see, +there is a dwarf inside it. The two amateur clowns are getting excited +by this time and execute some impromptu tumbling. One tackles the other +and they roll over and over desperately. In the scuffle one loses both +his hat and skull-cap and flees shamefast from the scene. It is asserted +by our partner that "this went big." He swears it got a laugh. Pat Valdo +hurries off to prepare for his boomerang throwing. Pat is a busy man, +for he is not only a clown, but he and Mrs. Valdo also do wonderful +stunts of their own on Ring Number One. + +And there are moments of sheer poetry, too. Into the darkened arena, +crossed by dazzling shafts of light, speeds a big white motor car. Bird +Millman descends, tossing aside her cloak. "A fairy on a cobweb" the +press agents call her, and as two humble clowns watch entranced through +the peepholes in the big doors the phrase seems none too extravagant. +See her, in a foam of short fluffy green skirts, twirl and tiptoe on the +glittering wire, all grace and slenderness and agile enchantment. She +bows in the dazzle of light and kisses her hands to the crowd. Then she +hops into the big car and is borne back behind the scenes. Once behind +the doors her gay vivacity ceases. She sits, wearily, several minutes, +before getting out of the car. And then, later, comes Mlle. Leitzel. +She, like all the other stars, is said to have "amazed all Europe." We +don't know whether Europe is harder to amaze than America. Certainly no +one could be more admiringly astounded than the amateur clowns gazing +entranced through the crack of the doorway. To that nerve-tightening +roll of drums she spins deliriously high up in giddy air, floating, a +tiny human pin-wheel, in a shining cone of light. One can hear the crowd +catch its breath. She walks back, all smiles, while her maid trots ahead +saying something unintelligible. Her tall husband is waiting for her at +the doorway. He catches her up like a child and carries her off, limp +and exhausted. One of the clowns (irreverent creature) makes a piteous +squawk and begs us to carry him to his dressing room. + +A trained pig, trotting cheerfully round in search of tidbits, is +retrieved from under the hooves of Mrs. Curtis's horse, which is about +to go out and dance. The dogcatcher's wagon is drawn up ready to rush +forth, and the trained terrier which accompanies it is leaping with +excitement. He regards it as a huge lark, and knows his cue perfectly. +When the right time comes he makes a dash for a clown dressed as an +elderly lady and tears off her skirt. One of the amateurs was allowed to +ride behind the kicking mule, but to his great chagrin the mule did not +kick as well as usual. Here are Charley Chaplin and some others throwing +enormous dice from a barrel. No matter how the dice are thrown they +always turn up seven. Into this animated gamble the amateur clown enters +with enjoyment. All round him the wildest capers are proceeding. The +double-ended flivver is prancing about. John Barleycorn's funeral +procession is going its way. "Give me plenty of space," says Charley +Chaplin to us, "so the people can watch me." We do so, reverently, for +Charley's antics are worth watching. We make a wild dash, and plan to do +a tumble in imitation of Charley's. To our disappointment we find that +instead of sliding our feet dig into the soft sawdust, and the +projected collapse does not arrive. Intoxicated by the rich spice of +circus odours, the booming calliope, the galloping horses, we hardly +know what we are doing half the time. We hear Miss May Wirth, the Wonder +Rider of the World, complaining bitterly that someone got in front of +her when she was doing her particularly special stunt. We wonder +dubiously whether we were the guilty one. Alas, it is all over but the +washing up. Pat Valdo, gentlest of hosts, is taking off his trick hat +with the water cistern concealed in it. He has a clean towel ready for +his grateful pupils. + +The band is playing "The Star-Spangled Banner," and all the clowns, in +various stages of undress, stand at attention. Our little peep into the +gay, good-hearted, courageous, and extraordinary world of the circus is +over. Pat and his fellows will go on, twice a day, for the next six +months. It takes patience and endurance. But it must be some consolation +to know that nothing else in the world gives half as much pleasure to so +many people. + + + + +HOUSE-HUNTING + +[Illustration] + + +A curious vertigo afflicts the mind of the house-hunter. In the first +place, it is sufficiently maddening to see the settled homes of other +happier souls, all apparently so firmly rooted in a warm soil of +contentment while he floats, an unhappy sea-urchin, in an ocean of +indecision. Furthermore, how confusing (to one who likes to feel himself +somewhat securely established in a familiar spot) the startling panorama +of possible places in which he visualizes himself. One day it is Great +Neck, the next it is Nutley; one day Hollis, the next Englewood; one +day Bronxville, and then Garden City. As the telephone rings, or the +suasive accents of friendly realtors expound the joys and glories of +various regions, his uneasy imagination flits hoppingly about the +compass, conceiving his now vanished household goods reassembled and +implanted in these contrasting scenes. + +Startling scenarios are filmed in his reeling mind while he listens, +over the tinkling wire, to the enumeration of rooms, baths, pantries, +mortgages, commuting schedules, commodious closets, open fireplaces, and +what not. In the flash and coruscation of thought he has transported his +helpless family to Yonkers, or to Manhasset, or to Forest Hills, or +wherever it may be, and tries to focus and clarify his vision of what it +would all be like. He sees himself (in a momentary close-up) commuting +on the bland and persevering Erie, or hastening hotly for a Liberty +Street ferry, or changing at Jamaica (that mystic ritual of the Long +Island brotherhood). For an instant he is settled again, with a modest +hearth to return to at dusk ... and then the sorrowful compliment is +paid him and he wonders how the impression got abroad that he is a +millionaire. + +There is one consoling aspect of his perplexity, however, and that is +the friendly intercourse he has with high-spirited envoys who represent +real estate firms and take him voyaging to see "properties" in the +country. For these amiable souls he expresses his candid admiration. +Just as when one contemplates the existence of the doctors one knows, +one can never imagine them ill, so one cannot conceive of the friendly +realtor as in any wise distressed or grieved by the problems of the +home. There is something Olympian about them, happy creatures! They deal +only in severely "restricted" tracts. They have a stalwart and serene +optimism. Odd as it seems, one of these friends told us that some people +are so malign as to waste the time of real estate men by going out to +look at houses in the country without the slightest intention of +"acting." As a kind of amusement, indeed! A harmless way of passing an +afternoon, of getting perhaps a free motor ride and enjoying the novelty +of seeing what other people's houses look like inside. But our friend +was convinced of one humble inquirer's passionate sincerity when he saw +him gayly tread the ice floes of rustic Long Island in these days of +slush and slither. + +How do these friends of ours, who see humanity in its most painful and +distressing gesture (i.e., when it is making up its mind to part with +some money), manage to retain their fine serenity and blitheness of +spirit? They have to contemplate all the pathetic struggles of +mortality, for what is more pathetic than the spectacle of a man trying +to convince a real estate agent that he is not really a wealthy creature +masking millions behind an eccentric pose of humility? Our genial +adviser Grenville Kleiser, who has been showering his works upon us, +has classified all possible mental defects as follows: + + (_a_) _Too easy acquiescence_ + + (_b_) _A mental attitude of contradiction_ + + (_c_) _Undue skepticism_ + + (_d_) _A dogmatic spirit_ + + (_e_) _Lack of firmness of mind_ + + (_f_) _A tendency to take extreme views_ + + (_g_) _Love of novelty; that is, of what is foreign, ancient, + unusual, or mysterious._ + +All these serious weaknesses of judgment may be discerned, in rapid +rotation, in the mind of the house-hunter. It would be only natural, we +think, if the real estate man were to tell him to go away and study Mr. +Kleiser's "How to Build Mental Power." In the meantime, the vision of +the home he had dreamed of becomes fainter and fainter in the seeker's +mind--like the air of a popular song he has heard whistled about the +streets, but does not know well enough to reproduce. How he envies the +light-hearted robins, whose house-hunting consists merely in a gay +flitting from twig to twig. Yet, even in his disturbance and nostalgia +of spirit, he comforts himself with the common consolation of his +cronies--"Oh, well, one always finds something"--and thus (in the words +of good Sir Thomas Browne) teaches his haggard and unreclaimed reason to +stoop unto the lure of Faith. + + + + +LONG ISLAND REVISITED + + +The anfractuosities of legal procedure having caused us to wonder +whether there really were any such place as the home we have just +bought, we thought we would go out to Salamis, L. I., and have a look at +it. Of course we knew it had been there a few weeks ago, but the title +companies do confuse one so. We had been sitting for several days in the +office of the most delightful lawyer in the world (and if we did not +fear that all the other harassed and beset creatures in these parts +would instantly rush to lay their troubles in his shrewd and friendly +bosom we would mention his name right here and do a little metrical +pirouette in his honour)--we had been sitting there, we say, watching +the proceedings, without the slightest comprehension of what was +happening. It is really quite surprising, let us add, to find how many +people are suddenly interested in some quiet, innocent-looking shebang +nestling off in a quiet dingle in the country, and how, when it is to be +sold, they all bob up from their coverts in Flushing, Brooklyn, or Long +Island City, and have to be "satisfied." What floods of papers go +crackling across the table, drawn out from those mysterious brown +cardboard wallets; what quaint little jests pass between the emissaries +of the title company and the legal counsel of the seller, jests that +seem to bear upon the infirmity of human affairs and cause the +well-wishing adventurer to wonder whether he had ever sufficiently +pondered the strange tissue of mortal uncertainties that hides behind +every earthly venture ... there was, for instance, occasional reference +to a vanished gentleman who had once crossed the apparently innocent +proscenium of our estate and had skipped, leaving someone six thousand +dollars to the bad; this ingenious buccaneer was, apparently, the only +one who did not have to be "satisfied." At any rate, we thought that we, +who entered so modestly and obscurely into this whole affair, being only +the purchaser, would finally satisfy ourself, too, by seeing if the +property was still there. + +Long Island and spring--the conjunction gives us a particular thrill. +There are more beautiful places than the Long Island flats, but it was +there that we earned our first pay envelope, and it was there that we +first set up housekeeping; and as long as we live the station platform +of Jamaica will move us strangely--not merely from one train to another, +but also inwardly. There is no soil that receives a more brimming +benison of sunshine than Long Island in late April. As the train moves +across the plain it seems to swim in a golden tide of light. Billboards +have been freshly painted and announce the glories of phonographs in +screaming scarlets and purples, or the number of miles that divide you +from a Brooklyn department store. Out at Hillside the stones that +demarcate the territory of an old-fashioned house are new and snowily +whitewashed. At Hollis the trees are a cloud of violent mustard-yellow +(the colour of a safety-matchbox label). Magnolias (if that is what they +are) are creamy pink. Moving vans are bustling along the road. Across +the wide fields of Bellaire there is a view of the brown woods on the +ridge, turning a faint olive as the leaves gain strength. Gus Wuest's +roadhouse at Queens looks inviting as of old, and the red-brown of the +copper beeches reminds one of the tall amber beakers. Here is the little +park by the station in Queens, the flag on the staff, the forsythia +bushes the colour of scrambled eggs. + +Is it the influence of the Belmont Park race track? There seem to be, in +the smoking cars, a number of men having the air of those accustomed to +associate (in a not unprofitable way) with horses. Here is one, a +handsome person, who holds our eye as a bright flower might. He wears a +flowing overcoat of fleecy fawn colour and a derby of biscuit brown. He +has a gray suit and joyful socks of heavy wool, yellow and black and +green in patterned squares which are so vivid they seem cubes rather +than squares. He has a close-cut dark moustache, his shaven cheeks are a +magnificent sirloin tint, his chin splendidly blue by the ministration +of the razor. His shirt is blue with a stripe of sunrise pink, and the +collar to match. He talks briskly and humorously to two others, leaning +over in the seat behind them. As he argues, we see his brown low shoe +tapping on the floor. One can almost see his foot think. It pivots +gently on the heel, the toe wagging in air, as he approaches the climax +of each sentence. Every time he drives home a point in his talk down +comes the whole foot, softly, but firmly. He relights his cigar in the +professional manner, not by inhaling as he applies the match, but by +holding the burned portion in the flame, away from his mouth, until it +has caught. His gold watch has a hunting case; when he has examined it, +it shuts again with a fine rich snap, which we can hear even above the +noise of the car. + +On this early morning train there are others voyaging for amusement. +Here are two golfing zealots, puffing pipes and discussing with amazing +persistence the minutiæ of their sport. Their remarks are addressed to a +very fashionable-looking curate, whose manners are superb. Whether he is +going to play golf we know not; at any rate, he smiles mildly and +politely to all they say. Perhaps he is going round the course with +them, in the hope of springing some ecclesiastical strategy while they +are softened and chastened by the glee of the game. The name of their +Maker, it is only fair to suspect, has more than once been mentioned on +the putting green; and if it should slip out, the curate will seize the +cue and develop it. In the meantime, one of the enthusiasts (while his +companion is silenced in the act of lighting his pipe) is explaining to +the cloth how his friend plays golf. "I'll tell you how he plays," he +says. "Imagine him sitting down in a low chair and swinging a club. Then +take the chair away and he still keeps the same position. That's what he +looks like when he drives." The curate smiles at this and prepares his +face to smile with equal gentleness when the other retorts. + +After Floral Park the prospect becomes more plainly rural. The Mineola +trolley zooms along, between wide fields of tilled brown earth. There is +an occasional cow; here and there a really old barn and farmhouse +standing, incongruously, among the settlements of modern kindling-wood +cottages; and a mysterious agricultural engine at work with a spinning +fly-wheel. Against the bright horizon stand the profiles of Garden City: +the thin cathedral spire, the bulk of St. Paul's school, the white +cupola of the hotel. The tree-lined vistas of Mineola are placidly +simmering in the morning sun. A white dog with erect and curly tail +trots very purposefully round the corner of the First National Bank. We +think that we see the spreading leaves of some rhubarb plants in a +garden; and there are some of those (to us very enigmatic, as we are no +gardener) little glass window frames set in the soil, as though a whole +house, shamed by the rent the owner wanted to charge, had sunk out of +sight, leaving only a skylight. + +As we leave East Williston we approach more interesting country, with a +semblance of hills, and wooded thickets still brownly tapestried with +the dry funeral of last year's leaves. On the trees the new foliage +sways in little clusters, catching the light like the wings of perching +green butterflies. Some of the buds are a coppery green, some a burning +red, but the prevailing colour is the characteristic sulphur yellow of +early spring. And now we are set down at Salamis, where the first and +most surprising impression is of the unexpected abundance of competitive +taxicabs. Having reached the terminus of our space, we can only add that +we found our estate still there--and there are a few stalks of rhubarb +surviving from an earlier plantation. + + + + +ON BEING IN A HURRY + + +New York is a perplexing city to loaf in. (Walt Whitman if he came back +to Mannahatta would soon get brain fever.) During the middle hours of +the day, at any rate, it is almost impossible to idle with the proper +spirit and completeness. There is a prevailing bustle and skirmish that +"exerts a compulsion," as President Wilson would say. The air is +electric and nervous. We have often tried to dawdle gently about the +neighbourhood of the City Hall in the lunch hour, to let the general +form and spirit of that clearing among the cliffs sink into our mind, so +that we could get some picture of it. We have sat under a big brown +umbrella, to have our shoes shined, when we had nothing more important +to do than go to the doughnut foundry on Park Row and try some of those +delectable combinations of foods they have there, such as sponge cake +with whipped cream and chocolate fudge. And in a few seconds we have +found ourself getting all stirred up and crying loudly to the artist +that we only wanted a once-over, as we had an important appointment. You +have to put a very heavy brake on your spirit in downtown New York or +you find yourself dashing about in a prickle of excitement, gloriously +happy just to be in a hurry, without particularly caring whither you are +hastening, or why. + +[Illustration] + +One of the odd things about being in a hurry is that it seems so +fiercely important when you yourself are the hurrier and so comically +ludicrous when it is someone else. We see our friend Artaxerxes +scorching up Church Street and we scream with laughter at him, because +we know perfectly well that there is absolutely not one of his affairs +important enough to cause him to buzz along like that. We look after him +with a sort of mild and affectionate pity for a deluded creature who +thinks that his concerns are of such glorious magnitude. And then, a few +hours later, we find ourself on a subway car with only ten minutes to +catch the train for Salamis at Atlantic Avenue. And what is our state of +mind? We stand, gritting our teeth (we are too excited to sit, even if +there were a seat) and holding our watch. The whole train, it seems to +us, is occupied by invalids, tottering souls and lumbago cripples, who +creep off at the stations as though five seconds made not the slightest +difference. We glare and fume and could gladly see them all maced in +sunder with battle-axes. Nothing, it seems to us, could soothe our +bitter hunger for haste but to have a brilliant Lexington Avenue express +draw up at the platform with not a soul in it. Out would step a polite +guard, looking at his watch. "You want to catch a train at 5:27?" he +asks. "Yes, sir, yes, sir; step aboard." All the other competitors are +beaten back with knotted thongs and we are ushered to a seat. The bells +go chiming in quick sequence up the length of the train and we are off +at top speed, flying wildly past massed platforms of indignant people. +We draw up at Atlantic Avenue, and the solitary passenger, somewhat +appeased, steps off. "Compliments of the Interborough, sir," says the +guard. + +The commuter, urgently posting toward the 5:27, misses the finest +flavour of the city's life, for it is in the two or three hours after +office work is over that the town is at her best. What a spry and +smiling mood is shown along the pavements, particularly on these clear, +warm evenings when the dropping sun pours a glowing tide of soft rosy +light along the cross-town streets. There is a cool lightness in the +air; restaurants are not yet crowded (it is, let us say, a little after +six) and beside snowy tablecloths the waiters stand indulgently with +folded arms. Everybody seems in a blithe and spirited humour. Work is +over for the day, and now what shall we do for amusement? This is the +very peak of living, it seems to us, as we sally cheerily along the +street. It is like the beginning of an O. Henry story. The streets are +fluttering with beautiful women; light summer frocks are twinkling in +the busy frolic air. Oh, to be turned loose at the corner of Broadway +and Thirty-second Street at 6:15 o'clock of a June evening, with nothing +to do but follow the smile of adventure to the utmost! Thirty-second, we +might add, is our favourite street in New York. It saddens us to think +that the old boarding house on the corner of Madison Avenue is vanished +now and all those quaint and humorous persons dispersed. We can still +remember the creak of the long stairs and the clink of a broken slab in +the tiled flooring of the hall as one walked down to the dining room. + +Affection for any particular street largely depends on the associations +it has accumulated in one's mind. For several years most of our +adventures in New York centred round Thirty-second Street; but its +physique has changed so much lately that it has lost some of its appeal. +We remember an old stone-yard that used to stand where the Pennsylvania +Hotel is now, a queer jumbled collection of odd carvings and relics. At +the front door there was a bust of Pan on a tall pedestal, which used to +face us with a queer crooked grin twice a day, morning and evening. We +had a great affection for that effigy, and even wrote a little piece +about him in one of the papers, for which we got about $4 at a time +when it was considerably needed. We used to say to ourself that some day +when we had a home in the country we would buy Pan and set him in a Long +Island garden where he would feel more at home than in the dusty winds +of Thirty-second Street. Time went on and we disappeared from our old +haunts, and when we came back Pan had vanished, too. You may imagine our +pleasure when we found him again the other day standing in front of a +chop house on Forty-fourth Street. + +But one great addition to the delights of the Thirty-second Street +region is the new and shining white tunnel that leads one from the Penn +Station subway platform right into the heart of what used (we think) to +be called Greeley Square. It is so dazzling and candid in its new tiling +that it seems rather like a vast hospital corridor. One emerges through +the Hudson Tube station and perhaps sets one's course for a little +restaurant on Thirty-fifth Street which always holds first place in our +affection. It is somewhat declined from its former estate, for the upper +floors, where the violent orchestra was and the smiling little +dandruffian used to sing solos when the evening grew glorious, are now +rented to a feather and ostrich plume factory. But the old basement is +still there, much the same in essentials, by which we mean the pickled +beet appetizers, the minestrone soup, the delicious soft bread with its +brittle crust, and the thick slices of rather pale roast beef swimming +in thin, pinkish gravy. And the three old French waiters, hardened in +long experience of the frailties of mortality, smile to see a former +friend. One, grinning upon us rather bashfully, recalls the time when +there was a hilarious Oriental wedding celebrating in a private room +upstairs and two young men insisted on going in to dance with the bride. +He has forgiven various pranks, we can see, though he was wont to be +outraged at the time. "Getting very stout," he says, beaming down at us. +"You weigh a hundred pounds more than you used to." This is not merely +cruel; it is untrue. We refrain from retorting on the growth of his bald +spot. + + + + +CONFESSIONS OF A HUMAN GLOBULE + + +As a matter of fact, we find the evening subway jam very restful. Being +neatly rounded in contour, with just a gentle bulge around the +equatorial transit, we have devised a very satisfactory system. We make +for the most crowded car we can find, and having buffeted our way in, we +are perfectly serene. Once properly wedged, and provided no one in the +immediate neighbourhood is doing anything with any garlic (it is well to +avoid the vestibules if one is squeamish in that particular) we lift our +feet off the floor, tuck them into the tail of our overcoat, and remain +blissfully suspended in midair from Chambers Street to Ninety-sixth. The +pressure of our fellow-passengers, powerfully impinging upon the +globular perimeter we spoke of, keeps us safely elevated above the +floor. We have had some leather stirrups sewed into the bottom of our +overcoat, in which we slip our feet to keep them from dangling +uncomfortably. Another feature of our technique is that we always go +into the car with our arms raised and crossed neatly on our chest, so +that they will not be caught and pinioned to our flanks. In that +position, once we are gently nested among the elastic mass of genial +humanity, it is easy to draw out from our waistcoat pocket our copy of +Boethius's "Consolations of Philosophy" and really get in a little +mental improvement. Or, if we have forgotten the book, we gently droop +our head into our overcoat collar, lay it softly against the shoulder of +the tall man who is always handy, and pass into a tranquil nescience. + +The subway is a great consolation to the philosopher if he knows how to +make the most of it. Think how many people one encounters and never sees +again. + + + + +NOTES ON A FIFTH AVENUE BUS + +[Illustration] + + +Far down the valley of the Avenue the traffic lights wink in unison, +green, yellow, red, changing their colours with well-drilled promptness. +It is cold: a great wind flaps and tangles the flags; the tops of the +buses are almost empty. That brisk April air seems somehow in key with +the mood of the Avenue--hard, plangent, glittering, intensely material. +It is a proud, exultant, exhilarating street; it fills the mind with +strange liveliness. A magnificent pomp of humanity--what a flux of +lacquered motors, what a twinkling of spats along the pavements! On what +other of the world's great highways would one find churches named for +the material of which they are built?--the _Brick Church_, the _Marble +Church_! It is not a street for loitering--there is an eager, ambitious +humour in its blood; one walks fast, revolving schemes of worldly +dominion. Only on the terrace in front of the Public Library is there +any temptation for tarrying and consideration. There one may pause and +study the inscription--_But Above All Things Truth Beareth Away the +Victory_ ... of course the true eloquence of the words lies in the +_But_. Much reason for that _But_, implying a previous contradiction--on +the Avenue's part? Sometimes, pacing vigorously in that river of lovely +pride and fascination, one might have suspected that other things bore +away the victory--spats, diamond necklaces, smoky blue furs nestling +under lovely chins.... Hullo! here is a sign, "Headquarters of the Save +New York Committee." Hum! Save from what? There was a time when the +great charm of New York lay in the fact that it didn't want to be saved. +Who is it that the lions in front of the Public Library remind us of? We +have so often pondered. Let's see: the long slanting brow, the head +thrown back, the haughty and yet genial abstraction--to be sure, it's +Vachel Lindsay! + +We defy the most resolute philosopher to pass along the giddy, enticing, +brilliant vanity of that superb promenade and not be just a little moved +by worldly temptation. + + + + +SUNDAY MORNING + + +It was a soft, calm morning of sunshine and placid air. Clear and cool, +it was "a Herbert Spencer of a day," as H. G. Wells once remarked. The +vista of West Ninety-eighth Street, that engaging alcove in the city's +enormous life, was all freshness and kempt tranquillity, from the gray +roof of the old training ship at the river side up to the tall red spire +near Columbus Avenue. This pinnacle, which ripens to a fine claret +colour when suffused with sunset, we had presumed to be a church tower, +but were surprised, on exploration, to find it a standpipe of some sort +connected with the Croton water system. + +Sunday morning in this neighbourhood has its own distinct character. +There is a certain air of luxurious ease in the picture. One has a +feeling that in those tall apartment houses there are a great many +ladies taking breakfast in negligée. They are wearing (if one may trust +the shop windows along Broadway) boudoir caps and mules. Mules, like +their namesakes in the animal world, are hybrid things, the offspring of +a dancing pump and a bedroom slipper. They are distinctly futile, but no +matter, no matter. Wearing mules, however, is not a mere vanity; it is +a form of physical culture, for these skimpish little things are always +disappearing under the bed, and crawling after them keeps one slender. +Again we say, no matter. This is no concern of ours. + +[Illustration] + +Near Broadway a prosperous and opulently tailored costume emerges from +an apartment house: cutaway coat, striped trousers, very long pointed +patent leather shoes with lilac cloth tops. Within this gear, we +presently see, is a human being, in the highest spirits. "All set!" he +says, joining a group of similars waiting by a shining limousine. Among +these, one lady of magnificently millinered aspect, and a smallish man +in very new and shiny riding boots, of which he is grandly conscious. +There are introductions. "Mr. Goldstone, meet Mrs. Silverware." They are +met. There is a flashing of eyes. Three or four silk hats simultaneously +leap into the shining air, are flourished and replaced. The observer is +aware of the prodigious gayety and excitement of life. All climb into +the car and roll away down Broadway. All save the little man in riding +boots. He is left on the sidewalk, gallantly waving his hand. Come, we +think, he is going riding. A satiny charger waits somewhere round the +corner. We will follow and see. He slaps his hunting crop against his +glorious boots, which are the hue of quebracho wood. No; to our chagrin, +he descends into the subway. + +We sit on the shoeshining stand on Ninety-sixth Street, looking over the +Sunday papers. Very odd, in the adjoining chairs men are busily engaged +polishing shoes that have nobody in them, not visibly, at any rate. +Perhaps Sir Oliver is right after all. While we are not watching, the +beaming Italian has inserted a new pair of laces for us. Long afterward, +at bedtime, we find that he has threaded them in that unique way known +only to shoe merchants and polishers, by which every time they are tied +and untied one end of the lace gets longer and the other shorter. Life +is full of needless complexities. We descend the hill. Already (it is +9:45 A. M.) men are playing tennis on the courts at the corner of West +End Avenue. A great wagon crammed with scarlet sides of beef comes +stumbling up the hill, drawn, with difficulty, by five horses. + +When we get down to the Ninety-Sixth Street pier we see the barque +_Windrush_ lying near by with the airy triangles of her rigging +pencilled against the sky, and look amorously on the gentle curve of her +strakes (if that is what they are). We feel that it would be a fine +thing to be off soundings, greeting the bounding billow, not to say the +bar-room steward; and yet, being a cautious soul of reservations all +compact, we must admit that about the time we got abreast of New Dorp +we would be homesick for our favourite subway station. + +The pier, despite its deposit of filth, bales of old shoes, reeking +barrels, scows of rubbish, sodden papers, boxes of broken bottles and a +thick paste of dust and ash-powder everywhere, is a happy lounging +ground for a few idlers on Sunday morning. A large cargo steamer, the +_Eclipse_, lay at the wharf, standing very high out of the water. Three +small boys were watching a peevish old man tending his fishing lines, +fastened to wires with little bells on them. "What do you catch here?" +we said. Just then one of the little bells gave a cracked tinkle and the +angler pulled up a small fish, wriggling briskly, about three inches +long. This seemed to anger him. He seemed to consider himself in some +way humiliated by the incident. He grunted. One of the small boys was +tactful. "Oh, gee!" he said. "Sometimes you catch fish that long," +indicating a length which began at about a yard and diminished to about +eighteen inches as he meditated. "I don't know what kind they are," he +said. "They're not trouts, but some other kind of fish." + +This started the topic of relative sizes, always fascinating to small +boys. "That's a pretty big boat," said one, craning up at the tall stem +of the _Eclipse_. "Oh, gee, that ain't big!" said another. "You ought to +see some of the Cunard boats, the _Olympic_ or the _Baltic_." + +On Riverside Drive horseback riders were cantering down the bridlepath, +returning from early outings. The squirrels, already grossly overfed, +were brooding languidly that another day of excessive peanuts was at +hand. Behind a rapidly spinning limousine pedalled a grotesquely humped +bicyclist, using the car as a pacemaker. He throbbed fiercely just +behind the spare tire, with his face bent down into a rich travelling +cloud of gasoline exhaust. An odd way of enjoying one's self! Children +were coming out in troops, with their nurses, for the morning air. Here +was a little boy with a sailor hat, and on the band a gilt legend that +was new to us. Instead of the usual naval slogan, it simply said +_Democracy_. This interested us, as later in the day we saw another, +near the goldfish pond in Central Park. Behind the cashier's grill of a +Broadway drug store the good-tempered young lady was reading Zane Grey. +"I love his books," she said, "but they make me want to break loose and +go out West." + + + + +VENISON PASTY + +[Illustration] + + +The good old days are gone, we have been frequently and authoritatively +assured; and yet, sitting in an agreeable public on William Street where +the bright eye of our friend Harold Phillips discerned _venison pasty_ +on the menu, and listening to a seafaring man describe a recent "blow" +off Hatteras during which he stood four hours up to his waist in the +bilges, and watching our five jocund companions dismiss no less than +twenty-one beakers of cider, we felt no envy whatever for the ancients +of the Mermaid Tavern. After venison pasty, and feeling somewhat in the +mood of Robin Hood and Friar Tuck, we set off with our friend Endymion +for a stroll through the wilderness. The first adventure of note that we +encountered was the curb market on Broad Street, where we stood +entranced at the merry antics of the brokers. This, however, is a +spectacle that no layman can long contemplate and still deem himself +sane. That sea of flickering fingers, the hubbub of hoarse cries, and +the enigmatic gestures of youths framed in the open windows gave an +impression of something fierce and perilous happening. Endymion, still +deeming himself in Sherwood Forest, insisted that this was the abode of +the Sheriff of Nottingham. "Stout deeds are toward!" he cried. "These +villain wights have a damsel imprisoned in yonder keep!" With difficulty +we restrained him from pressing to the rescue of the lady (for indeed we +could see her, comely enough, appearing now and then at one of the +windows; and anon disappearing, abashed at the wild throng). But +gradually we realized that no such dire matter was being transacted, for +the knights, despite occasional spasms of hot gesticulating fury, were +mild and meant her no ill. One, after a sudden flux of business +concerning (it seemed) 85 shares of Arizona Copper, fell suddenly +placid, and was eating chocolate ice cream from a small paper plate. +Young gallants, wearing hats trimmed with variegated brightly coloured +stuffs (the favours of their ladies, we doubted not), were conferring +together, but without passion or rancour. + +We have a compact with our friend Endymion that as soon as either of us +spends money for anything not strictly necessary he must straightway +return to the office. After leaving the curb market, we found ourselves +in a basement bookshop on Broadway, and here Endymion fell afoul of a +copy of Thomas Hardy's "Wessex Poems," illustrated by the author. +Piteously he tried to persuade us that it was a matter of professional +advancement to him to have this book; moreover, he said, he had just won +five dollars at faro (or some such hazard) so that he was not really +spending money at all; but we countered all his sophisms with slogging +rhetoric. He bought the book, and so had to return to the office in +disgrace. + +We fared further, having a mind to revisit the old Eastern Hotel, down +by the South Ferry, of whose cool and dusky bar-room we had pleasant +memories in times gone by; but we found to our distress that this also, +like many more of our familiar landmarks, is a prey to the +house-wrecker, and is on its way to become an office building. On our +way back up Broadway it occurred to us to revisit what we have long +considered one of the most impressive temples in our acquaintance, the +lobby of the Telephone and Telegraph Building, on Dey Street. Here, +passing by the enticing little terrace with brocaded chairs and soft +lights where two gracious ladies sit to interview aspiring telephone +débutantes, one stands in a dim golden glow, among great fluted pillars +and bowls of softly burning radiance swung (like censers) by long +chains. Occasionally there is an airy flutter, a bell clangs, bronze +doors slide apart, and an elevator appears, in charge of a chastely +uniformed priestess. Lights flash up over this dark little cave which +stands invitingly open: UP, they say, LOCAL 1-13. The door-sill of the +cave shines with a row of golden beads (small lights, to guide the +foot)--it is irresistible. There is an upward impulse about the whole +place: the light blossoms upward from the hanging translucent shells: +people step gently in, the doors close, they are not seen again. It is +the temple of the great American religion, _Going Up_. The shining gold +stars in the ceiling draw the eye aloft. The temptation is too great. We +step into the little bronze crypt, say "Thirteen" at a venture, and are +borne softly and fluently up. Then, of course, we have to come down +again, past the wagons of spring onions on Fulton Street, and back to +the office. + + + + +GRAND AVENUE, BROOKLYN + + +We have always been a strong partisan of Brooklyn, and when we found +ourself, in company with Titania, set down in the middle of a golden +afternoon with the vista of Grand Avenue before us, we felt highly +elated. Just how these two wayfarers chanced to be deposited in that +quiet serenity, so far from their customary concerns, is not part of the +narrative. + +There are regions of Brooklyn, we have always felt, that are too good to +be real. Placid stretches of streets, with baby carriages simmering in +the sun, solid and comfortable brownstone houses exhaling a prosperous +condition of life, tranquil old-fashioned apothecaries' shops without +soda fountains, where one peers in and sees only a solitary customer +turning over the pages of a telephone book. It is all rather like a +chapter from a story, and reminds us of a passage in "The Dynamiter" +where some untroubled faubourgs of London are winningly described. + +Titania was wearing a little black hat with green feathers. She looked +her best, and was not unaware of it. Our general plan, when destiny +suddenly plumps us into the heart of Brooklyn, is to make our way +toward Fulton Street, which is a kind of life-line. Once on Fulton +Street we know our way. Moreover, Fulton Street has admirable +second-hand bookshops. Nor do we ever forget that it was at the corner +of Fulton and Cranberry streets that "Leaves of Grass" was set up, in +the spring of 1855, Walt doing a good deal of the work himself. The only +difficulty about getting to Fulton Street is that people will give you +such contradictory instruction. One will tell you to go this way; the +next will point in the opposite direction. It is as though Brooklynites +suspect the presence of a stranger, and do not wish their sacred secrets +to be discovered. There is a deep, mysterious freemasonry among the +residents of this genial borough. + +At the corner of Grand and Greene avenues we thought it well to ask our +way. A lady was standing on the corner, lost in pleasant drowse. April +sunshine shimmered all about: trees were bustling into leaf, a wagonload +of bananas stood by the curb and the huckster sang a gay, persuasive +madrigal. We approached the lady, and Titania spoke gently: "Can you +tell me----" The lady screamed, and leaped round in horror, her face +stricken with fearful panic. She gasped and tottered. We felt guilty and +cruel. "We were not meditating an attack," we said, "but just wanted to +ask you the way to Fulton Street." Perhaps the poor soul's nerves were +unstrung, for she gave us instruction that we felt instinctively to be +wrong. Had we gone as she said (we now see by studying the map) we would +have debouched into Wallabout Bay. But undoubtedly it was the protective +instinct of the Brooklynite, on guard before strangers. Is there some +terrific secret in Brooklyn that all residents know about but which must +never be revealed to outsiders? + +Making a mental note not to speak too suddenly at the next encounter, +the two cheerful derelicts drifted along the sunny coast of Grand +Avenue. A shining and passionless peace presided over the streets. A +gentle clop-clop of hooves came trotting down the way: here was a man +driving a white horse in a neat rubber-tired buggy without a top. He +leaned back and smiled to himself as he drove along. Life did not seem +to be the same desperate venture it appears round about Broadway and +Wall Street. Who can describe the settled amiability of those rows of +considerable brown houses, with their heavy oak doors, their pots of +daisies on the stoop, their clear window panes, and now and then the +face of a benignant grandmother peeping from behind lace curtains. The +secret of Brooklyn, perhaps, is contentment, and its cautious residents +do not want the rest of us to know too much about it, lest we all flock +over there in swarms. + +We then came to the bustle of Fulton Street, which deserves a book in +itself. Some day we want to revisit a certain section of Fulton Street +where (if we remember rightly) a rotisserie and a certain bookstore +conspire to make one of the pleasantest haunts in our experience. We +don't know exactly what the secret of Brooklyn may be, but we are going +to spend some time over there this spring and lie in wait for it. + + + + +ON WAITING FOR THE CURTAIN TO GO UP + +[Illustration] + + +We often wonder whether people are really as human as they appear, or is +it only our imagination? Everybody, we suggest, thinks of others as +being excessively human, with all the frailties and crotchets +appertaining to that curious condition. But each of us also (we are not +dogmatic on this matter) seems to regard himself as existing on a +detached plane of observation, exempt (save in moments of vivid crisis) +from the strange whims of humanity en masse. + +For example, consider the demeanour of people at a theatre while waiting +for the curtain to go up. To note the censoriousness with which they +study each other, one concludes that each deems himself (herself) +singularly blessed as the repository of human correctness. + +Incidentally, why is it that one gets so thirsty at the theatre? We +never get thirsty at the movies, or not nearly so thirsty. The other +evening we drank seven paper cups full of water in the intermissions of +a four-act play. + +The presence of people sitting behind one is the reason (we fancy) for a +great deal of the queer antics that take place while one is waiting for +the curtain to rise, particularly when it is twenty minutes late in +going up as it was at a certain theatre the other evening. People behind +one have a horrible advantage. One knows that they can hear everything +you say, unless you whisper it in a furtive manner, which makes them +suspect things far worse than any one would be likely to say in a +Philadelphia theatre, except, of course, on the stage. The fact that you +know they can overhear you, and intend to do so, leads one on to make +the most outrageous, cynical, and scoffish remarks, particularly to +denounce with fury a play that you may be enjoying quite passably well. +All over the house you will hear (after the first act) men saying to +their accompanying damsels, "How outrageously clumsy that act was. I +can't conceive how the director let it get by." Now they only say this +because they think it will make the people behind feel ashamed for +having enjoyed such a botch. But does it? The people in the row behind +immediately begin to praise the play vigorously, for the benefit of the +people behind _them_; and in a minute you see the amusing spectacle of +the theatre cheering and damning by alternate rows. + +Here and there you will see a lady whispering something to her escort, +and will notice how ladies always look backward over a lily shoulder +while whispering. They want to see what effect this whispering will have +on the people behind. There is a deep-rooted feud between every two rows +in an audience. The front row, having nobody to hate (except possibly +the actors), take it out in speculating why on earth anybody can want to +sit in the boxes, where they can see nothing. + +What the boxes think about we are not sure. We never sat in a box except +at a burlicue. + +And then a complete essay might be written on the ads in the theatre +program--what high-spirited ads they are! How full of the savour and +luxurious tang of the _beau monde_! How they insist on saying +_specialité_ instead of specialty! + +Well, all we meant to say when we began was, the heroine was Only +Fair--by which we mean to say she was beautiful and nothing else. + + + + +MUSINGS OF JOHN MISTLETOE + + +It was old John Mistletoe, we think, in his "Book of Deplorable Facts," +discussing the congenial topic of "Going to Bed" (or was it in his essay +on "The Concinnity of Washerwomen?") said something like this: + + Life passes by with deplorable rapidity. _Post commutatorem sedet + horologium terrificum_, behind the commuter rideth the alarm + clock, no sooner hath he attained to the office than it is time + for lunch, no sooner hath lunch been dispatched than it is time + to sign those dictated letters, no sooner this accomplished, 'tis + time to hasten trainward. The essential thing, then, is not to + let one's experiences flow irrevocably past like a river, but to + clutch and hold them, thoughtfully, long enough to examine and, + in a manner, sieve them, to halt them in the mind for meditation. + The relentless fluidity of life, the ease with which it vanisheth + down the channel of the days, is the problem the thoughtful man + must deal with. The urgent necessity is to dam the stream here + and there so we can go swimming in it. + + Time is a breedy creature: the minutes propagate hours, the hours + beget days, the days raise huge families of months, and before we + know it we are crowded out of this sweet life by mere surplus of + Time's offspring. This is a brutish Malthusianism which must be + adamantly countered. Therefore it is my counsel that every man, + ere he retire for the night and commit his intellect to + inscrutable nothingness, do let it hop abroad for a little + freedom. Life must be taken with a grain of saltation: let the + spirit dance a measure or two ere it collapse. For this purpose + it is my pleasure, about the hour of midnight, to draw a jug of + cider from the keg and a book from the shelf. I choose some + volume ill written and stupidly conceived, to set me in conceit + with myself. I read a few pages, and then apply myself to the + composition of verses. These done, I burn them, and go to bed + with a cheerful spirit. + + + + +THE WORLD'S MOST FAMOUS ORATION + +Address to An Employer Upon Demanding a Raise, or, The Battle of +Manila Envelopes + + + _As Planned_ _As Delivered_ + +I think you will admit, If you are not too +sir, that the quality busy, sir, there is one +of my work during the other matter--in fact, +last two years has been the truth of the matter +such that my services in fact is exactly--well, +could not easily be replaced. sir, I was precisely +I speak more wondering whether--of +in pain than in anger course I know this is a +when I say that it has bad time--indeed I have +been a matter of profound been very pleased to see +surprise to me to business picking up a +note that you have not bit lately, and I am sure +seen fit to acknowledge my own department has +my value to the firm in been--but to tell you the +some substantial way. I truth, sir, I have been +think I may say that wondering--of course it +I have been patient. is just as you think best +I have continued my and I wouldn't think of +efforts with unremitting insisting, but after all, +zeal, and I think I may perhaps I have made a +flatter myself that my mistake in mentioning +endeavors have not been it, but I was thinking +without result. I have that possibly you might +here, carefully tabulated, bear in mind the idea of +a memorandum of a possible future raise in +the increased profits in salary at some future time. +my department during +the last twelve months, +due in great part to my +careful management. I +am sorry to have to +force you into a decision, +but I think I owe it to +myself to say candidly +that unless you see the +matter in the same way +that I do I shall feel +obliged to deprive the +firm of my services. + + + + +ON LAZINESS + +[Illustration] + + +To-day we rather intended to write an essay on Laziness, but were too +indolent to do so. + +The sort of thing we had in mind to write would have been exceedingly +persuasive. We intended to discourse a little in favour of a greater +appreciation of Indolence as a benign factor in human affairs. + +It is our observation that every time we get into trouble it is due to +not having been lazy enough. Unhappily, we were born with a certain fund +of energy. We have been hustling about for a number of years now, and +it doesn't seem to get us anything but tribulation. Henceforward we are +going to make a determined effort to be more languid and demure. It is +the bustling man who always gets put on committees, who is asked to +solve the problems of other people and neglect his own. + +The man who is really, thoroughly, and philosophically slothful is the +only thoroughly happy man. It is the happy man who benefits the world. +The conclusion is inescapable. + +We remember a saying about the meek inheriting the earth. The truly meek +man is the lazy man. He is too modest to believe that any ferment and +hubbub of his can ameliorate the earth or assuage the perplexities of +humanity. + +O. Henry said once that one should be careful to distinguish laziness +from dignified repose. Alas, that was a mere quibble. Laziness is always +dignified, it is always reposeful. Philosophical laziness, we mean. The +kind of laziness that is based upon a carefully reasoned analysis of +experience. Acquired laziness. We have no respect for those who were +born lazy; it is like being born a millionaire: they cannot appreciate +their bliss. It is the man who has hammered his laziness out of the +stubborn material of life for whom we chant praise and allelulia. + +The laziest man we know--we do not like to mention his name, as the +brutal world does not yet recognize sloth at its community value--is +one of the greatest poets in this country; one of the keenest satirists; +one of the most rectilinear thinkers. He began life in the customary +hustling way. He was always too busy to enjoy himself. He became +surrounded by eager people who came to him to solve their problems. +"It's a queer thing," he said sadly; "no one ever comes to me asking for +help in solving _my_ problems." Finally the light broke upon him. He +stopped answering letters, buying lunches for casual friends and +visitors from out of town, he stopped lending money to old college pals +and frittering his time away on all the useless minor matters that +pester the good-natured. He sat down in a secluded café with his cheek +against a seidel of dark beer and began to caress the universe with his +intellect. + +The most damning argument against the Germans is that they were not lazy +enough. In the middle of Europe, a thoroughly disillusioned, indolent +and delightful old continent, the Germans were a dangerous mass of +energy and bumptious push. If the Germans had been as lazy, as +indifferent, and as righteously laissez-fairish as their neighbours, the +world would have been spared a great deal. + +People respect laziness. If you once get a reputation for complete, +immovable, and reckless indolence the world will leave you to your own +thoughts, which are generally rather interesting. + +Doctor Johnson, who was one of the world's great philosophers, was lazy. +Only yesterday our friend the Caliph showed us an extraordinarily +interesting thing. It was a little leather-bound notebook in which +Boswell jotted down memoranda of his talks with the old doctor. These +notes he afterward worked up into the immortal Biography. And lo and +behold, what was the very first entry in this treasured little relic? + + Doctor Johnson told me in going to Ilam from Ashbourne, 22 + September, 1777, that the way the plan of his Dictionary came to + be addressed to Lord Chesterfield was this: He had neglected to + write it by the time appointed. Dodsley suggested a desire to + have it addressed to Lord C. Mr. J. laid hold of this as an + excuse for delay, that it might be better done perhaps, and let + Dodsley have his desire. Mr. Johnson said to his friend, Doctor + Bathurst: "Now if any good comes of my addressing to Lord + Chesterfield it will be ascribed to deep policy and address, + when, in fact, it was only a casual excuse for laziness." + +Thus we see that it was sheer laziness that led to the greatest triumph +of Doctor Johnson's life, the noble and memorable letter to Chesterfield +in 1775. + +Mind your business is a good counsel; but mind your idleness also. It's +a tragic thing to make a business of your mind. Save your mind to amuse +yourself with. + +The lazy man does not stand in the way of progress. When he sees +progress roaring down upon him he steps nimbly out of the way. The lazy +man doesn't (in the vulgar phrase) pass the buck. He lets the buck pass +him. We have always secretly envied our lazy friends. Now we are going +to join them. We have burned our boats or our bridges or whatever it is +that one burns on the eve of a momentous decision. + +Writing on this congenial topic has roused us up to quite a pitch of +enthusiasm and energy. + + + + +TEACHING THE PRINCE TO TAKE NOTES + +[Illustration] + + +The Prince of Wales probably suffers severely during his tours abroad, +for he is a shy youth; but he also makes many friends, for he is a +delightfully simple and agreeable person. When we used to see him he +looked a good deal like the traditional prince of the fairy tales, for +he was a slender boy with yellow hair, and blue eyes, and a quick pink +blush. And we feel toward him the friendly sense of superiority that the +college alumnus always feels toward the man who was a freshman when he +himself was a senior; for the prince and ourself stood in that relation +a few years ago at a certain haunt of letters. + +There was a course of lectures on history that we were to attend. It was +a popular course, and the attendance was large. Arriving late at the +first lecture the room was packed, and we could see from the door that +there was only one empty seat. This happened to be in the very front +row, and wondering how it was that so desirable a place had not been +seized we hastened to it. The lecturer was a swift talker, and we fell +to taking notes busily. Not for some minutes did we have a chance to +scrutinize our surroundings. We then saw that in the adjoining chair sat +the prince, and surmised that no one had wanted to take the chair for +fear of being twitted by his companions for a supposed desire to hobnob +with royalty. + +If we remember correctly, it was the prince's first term of college +life. The task of taking notes from a rapid-fire lecturer was plainly +one to which he was not accustomed, and as he wrestled with his notebook +we could see that he had not learned the art of considering the +lecturer's remarks and putting down only the gist of them, in some +abbreviated system of his own, as every experienced student learns. +Grant Robertson, the well-known historian, was lecturing on English +constitutional documents, and his swift and informal utterance was +perfectly easy to summarize if one knew how to get down the important +points and neglect the rest. But the unhappy prince, desperately eager +to do the right thing in this new experience, was trying to write down +every word. If, for instance, Mr. Robertson said (in a humorous aside), +"Henry VIII was a sinful old man with a hobby of becoming a widower," +the experienced listener would jot down something like this: H 8, +_self-made widower_. But we could see that the prince was laboriously +copying out the sentence in full. And naturally, by the end of a few +paragraphs, he was hopelessly behind. But he scribbled away +industriously, doing his best. He realized, however, that he had not +quite got the hang of the thing, and at the end of the lecture he turned +to us with most agreeable bashfulness and asked if we would lend him our +notebook, so that he could get down the points that he had missed. We +did so, and briefly explained our own system of abbreviating. We noticed +that in succeeding sessions our royal neighbour did very much better, +learning in some measure to discriminate between what was advisable to +note down and what was mere explanatory matter or persiflage on the part +of the lecturer. But (if we must be candid) we would not recommend him +as a newspaper reporter. And, indeed, the line of work to which he has +been called does not require quite as intense concentration as that of a +cub on what Philip Gibbs calls "The Street of Adventure." + +No one could come in contact with the prince without liking him, for his +bashful, gentle, and teachable nature is very winning. We remember with +a certain amusement the time that Grant Robertson got off one of his +annual gags to the effect that, according to the principle of strict +legitimacy, there were in Europe several hundred (we forget the figure) +people with a greater right to the British throne than the family at +present occupying it. The roomful of students roared with genial mirth, +and the unhappy prince blushed in a way that young girls used to in the +good old days of three-piece bathing suits. + + + + +A CITY NOTEBOOK + +(_Philadelphia_) + + +It would be hard to find a more lovely spot in the flush of a summer +sunset than Wister Woods. Old residents of the neighbourhood say that +the trees are not what they were fifteen and twenty years ago; the +chestnuts have died off; even some of the tall tulip-poplars are a +little bald at the top, and one was recently felled by a gale. But still +that quiet plateau stands in a serene hush, flooded with rich orange +glow on a warm evening. The hollyhocks in the back gardens of Rubicam +Street are scarlet and Swiss-cheese-coloured and black; and looking +across the railroad ravine one sees crypts and aisles of green as though +in the heart of some cathedral of the great woods. + +Belfield Avenue, which bends through the valley in a curve of warm thick +yellow dust, will some day be boulevarded into a spick-and-span highway +for motors. But now it lies little trafficked, and one might prefer to +have it so, for in the stillness of the evening the birds are eloquent. +The thrushes of Wister Woods, which have been immortalized by T. A. Daly +in perhaps the loveliest poem ever written in Philadelphia, flute and +whistle their tantalizing note, while the song sparrow echoes them with +his confident, challenging call. Down behind the dusty sumac shrubbery +lies the little blue-green cottage said to have been used by Benjamin +West as a studio. In a meadow beside the road two cows were grazing in +the blue shadow of overhanging woodland. + +[Illustration] + +Over the road leans a flat outcrop of stone, known locally as "The Bum's +Rock." An antique philosopher of those parts assured the wayfarer that +it is named for a romantic vagabond who perished there by the explosion +of a can of Bohemian goulash which he was heating over a small fire of +sticks; but one doubts the tale. Our own conjecture is that it is named +for Jacob Boehm, the oldtime brewer of Germantown, who predicted in his +chronicles that the world would come to an end in July, 1919. From his +point of view he was not so far wrong. + +Above Boehm's Rock, in a grassy level among the trees, a merry little +circle of young ladies was sitting round a picnic supper. The twilight +grew darker and fireflies began to twinkle. In the steep curve of the +Cinder and Bloodshot (between Fisher's and Wister stations) a cheerful +train rumbled, with its engine running backward just like a country +local. Its bright shaft of light wavered among the tall tree trunks. One +would not imagine that it was less than six miles to the City Hall. + + * * * * * + +A quarter to one A. M., and a hot, silent night. As one walks up +Chestnut Street a distant roaring is heard, which rapidly grows louder. +The sound has a note of terrifying menace. Then, careering down the +almost deserted highway, comes a huge water-tank, throbbing like an +airplane. A creamy sheet of water, shot out at high pressure, floods the +street on each side, dashing up on the pavements. A knot of belated +revellers in front of the Adelphia Hotel, standing in mid-street, to +discuss ways and means of getting home, skip nimbly to one side, the +ladies lifting up their dresses with shrill squeaks of alarm as the +water splashes round them. Pedestrians plodding quietly up the street +cower fearfully against the buildings, while a fine mist envelops them. + +After the tank comes, more leisurely, a squad of brooms. The street is +dripping, every sewer opening clucks and gurgles with the falling water. +There is something unbelievably humorous in the way that roaring +Niagara of water dashes madly down the silent street. There is a note of +irony in it, too, for the depressed enthusiasts who have been sitting +all evening in a restaurant over lemonade and ginger ale. Perhaps the +chauffeur is a prohibitionist gone mad. + + * * * * * + +While eating half a dozen doughnuts in a Broad Street lunchroom at one +o'clock in the morning, we mused happily about our friends all tucked +away in bed, sound asleep. There is one in particular on whom we thought +with serene pleasure. It was charming to think of that delightful, +argumentative, contradictory, volatile person, his active mind stilled +in the admirable reticence of slumber. He, so endlessly speculatory, so +full of imaginative enthusiasms and riotous intuitions and troubled +zeals concerning humanity, lost in a beneficent swoon of +unconsciousness! We could not just say why, but we broke into chuckles +to think of him lying there, not denying any of our statements, +absolutely and positively saying nothing. To have one's friends asleep +now and then is very refreshing. + + * * * * * + +Off Walnut Street, below Fifth, and just east of the window where that +perfectly lovely damsel sits operating an adding machine--why is it, by +the way, that the girls who run adding machines are always so +marvellously fair? Is there some secret virtue in the process of adding +that makes one lovely? We feel sure that a subtracting engine would not +have that subtle beautifying effect--just below Fifth Street, we started +to say, there runs a little alley called (we believe) De Silver Court. +It is a sombre little channel between high walls and barred windows, but +it is a retreat we recommend highly to hay fever sufferers. For in one +of the buildings adjoining there seems to be a warehouse of some company +that makes an "aromatic disinfector." Wandering in there by chance, we +stood delighted at the sweet medicinal savour that was wafted on the +air. It had a most cheering effect upon our emunctory woes, and we +lingered so long, in a meditative and healing ecstasy, that young women +immured in the basement of the aromatic warehouse began to peer upward +from the barred windows of their basement and squeak with astonished and +nervous mirth. We blew a loud salute and moved away. + + * * * * * + +We entered a lunchroom on Broad Street for our favourite breakfast of +coffee and a pair of crullers. It was strangely early and only a few of +the flat-arm chairs were occupied. After dispatching the rations we +carefully filled our pipe. With us we had a copy of an agreeable book, +"The Calamities and Quarrels of Authors." It occurred to us that here, +in the brisk serenity of the morning, would be a charming opportunity +for a five-minute smoke and five pages of reading before attacking the +ardours and endurances of the day. Lovingly we applied the match to the +fuel. We began to read: + + Of all the sorrows in which the female character may participate, + there are few more affecting than those of an authoress---- + +[Illustration] + +A stern, white-coated official came over to us and tapped us on the +shoulder. + +"There's a sign behind you," he said. + +We looked, guiltily, and saw: + +POSITIVELY +NO SMOKING + + * * * * * + +The cocoateria on Eighth Street closes at one A. M. Between +twelve-thirty and closing time it is full of busy eaters, mostly the +night shift from the Chestnut Street newspaper offices and printing and +engraving firms in the neighbourhood. Ham and eggs blossom merrily. The +white-coated waiters move in swift, stern circuit. Griddle cakes bake +with amazing swiftness toward the stroke of one. Little dishes of baked +beans stand hot and ready in the steam-chest. The waiter punches your +check as he brings your frankfurters and coffee. He adds another +perforation when you get your ice cream. Then he comes back and punches +it again. + +"Here," you cry, "let it alone and stop bullying it!" + +"Sorry, brother," he says. "I forgot that peach cream was fifteen +cents." + +One o'clock. They lock the door and turn out the little gas jet where +smokers light up. As the tables empty the chairs are stacked up on top. +And if it is a clear warm evening the customers smoke a final weed along +the Chestnut Street doorsteps, talking together in a cheery undertone. + + * * * * * + +No man has ever started upon a new cheque-book without a few sourly +solemn thoughts. + +In the humble waters of finance wherein we paddle we find that a book of +fifty cheques lasts us about four months, allowing for two or three duds +when we start to make out a foil payable to bearer (self) and decide to +renounce that worthy ambition and make it out to the gas company +instead. + +It occurs to us that if Bunyan had been writing "Pilgrim's Progress" +nowadays instead of making Christian encounter lions in the path he +would have substituted gas meters, particularly the quarter-in-the-slot +kind that one finds in a seaside cottage. However---- + +Four months is quite a long time. It may be weak of us, but we can never +resist wondering as we survey that flock of empty cheques just what +adventures our bank account is going to undergo during that period, and +whether our customary technique of being aloof with the receiving teller +and genial and commentary with the paying ditto is the right one. We +always believe in keeping a paying teller in a cheerful frame of mind. +We would never admit to him that we think it is going to rain. We say, +rather, "Well, it may blow over," and try not to surmise how many +hundreds there are in the pile at his elbow. Probably we think the +explanation for the really bizarre architecture of our bank is to keep +depositors' attention from the money. Unquestionably Walt Whitman's tomb +over in Harleigh--Walt's vault--was copied from our bank. + +The cheques in our book are blue. We have always regretted this. If we +had known it beforehand perhaps we would have inflicted our problems +upon another bank. Because there are so many more interesting colours +for cheques, tints upon which the ink shows up in a more imposing +manner. A pale pink or cream-coloured cheque for $2.74 looks much more +exciting than a blue cheque for $25. We have known gray, pink, white, +brown, green, and salmon-coloured cheques. A friend of ours once showed +us one that was a bright orange, but refused to let us handle it. But +yellow is the colour that appeals to us most strongly. When we were very +young and away from home our monthly allowance, the amount of which we +shall not state, but it cost us less effort than any money we ever +received since, came to us by way of pale primrose-coloured cheques. +For, after all, there are no cheques like those one used to get from +one's father. We hope the Urchin will think so some day. + + * * * * * + +We like to pay homage to the true artist in all lines. At the corner of +Market and Marshall streets--between Sixth and Seventh--the collar-clasp +orator has his rostrum, and it seems to us that his method of harangue +has the quality of genuine art. He does not bawl or try to terrify or +bully his audience into purchase as do the auctioneers of the +"pawnbrokers' outlets." How gently, how winningly, how sweetly he pleads +the merits of his little collar clasp! And there is shrewd imagination +in his attention-catching device, which is a small boy dressed in black, +wearing a white hood of cheesecloth that hides his face. This peculiar +silent figure, with a touch of mystery about it, serves to keep the +crowd wondering until the oration begins. + +[Illustration] + +With a smile, with infinite ingratiation and gentle persuasion, our +friend exhibits the merits of his device which does away with the +traditional collar-button. His art is to make the collar-button seem a +piteous, almost a tragic thing. His eyes swim with unshed tears as he +describes the discomfort of the man whose collar, fastened by the +customary button, cannot be given greater freedom on a hot, muggy day. +He shows, by exhibition on his own person, the exquisite relief afforded +by the adjustable collar clasp. "When the day grows cool," he says, +"when you begin to enjoy yourself and want your collar tighter, you just +loosen the clasp, slide the tabs closer together, and there you are. And +no picking at your tie to get the knot undone. Now, how many of you men +have spoiled an expensive tie by picking at it? Your fingers come in +contact with the fibres of the silk and the first thing you know the tie +is soiled. This little clasp"--and he casts a beam of affection upon +it--"saves your tie, it saves your collar, and it saves your patience." +A note of yearning pathos comes into his agreeable voice, and he holds +out a handful of the old-fashioned collar-buttons. "You men are wearing +the same buttons your great-grandfathers wore. Don't you want to get +out of collar slavery? _Don't_ you want to quit working your face all +out of shape struggling with a collar-button? Now as this is a +manufacturing demonstration----" + + * * * * * + +On a warm evening nothing is more pleasant than a ride on the front +platform of the Market Street L, with the front door open. As the train +leaves Sixty-ninth Street it dips down the Millbourne bend and the cool, +damp smell of the Cobb's Creek meadows gushes through the car. Then the +track straightens out for a long run toward the City Hall. Roaring over +the tree tops, with the lights of movies and shops glowing up from +below, a warm typhoon makes one lean against it to keep one's footing. +The airy stations are lined by girls in light summer dresses, attended +by their swains. The groan of the wheels underfoot causes a curious +tickling in the soles of the feet as one stands on the steel platform. + +This groan rises to a shrill scream as the train gathers speed between +stations, gradually diminishing to a reluctant grumble as the cars come +to a stop. In the distance, in a peacock-blue sky, the double gleam of +the City Hall tower shines against the night. Down on the left is the +hiss and clang of West Philadelphia station, with the long, dim, amber +glow of the platform and belated commuters pacing about. Then the smoky +dive across the Schuylkill and the bellow of the subway. + + * * * * * + +From time to time humanity is forced to revise its customary notions in +the interests of truth. This is always painful. + +It is an old fetich that the week-end in summer is a time for riotous +enjoyment, of goodly cheer and mirthful solace. A careful examination of +human beings during this hebdomadal period of carnival leads us to +question the doctrine. + +[Illustration] + +When we watch the horrors of discomfort and vexation endured by +simple-hearted citizens in pursuit of a light-hearted Saturday and +Sunday, we often wonder how it is that humanity will so gleefully +inflict upon itself sufferings which, if they were imposed by some +taskmaster, would be called atrocious. + +We observe, for instance, women and children standing sweltering in the +aisles of trains during a two-hour run to the seashore. We observe the +number of drownings, motor accidents, murders, and suicides that take +place during the Saturday to Monday period. We observe families loaded +down with small children, who might have been happy and reasonably cool +at home, struggling desperately to get away for a day in the country, +rising at 5 A. M., standing in line at the station, fanning themselves +with blasphemy, and weary before they start. We observe them chased home +by thunderstorms or colic, dazed and blistered with sunburn, or groaning +with a surfeit of ice cream cones. + +It is a lamentable fact (and the truth is almost always lamentable, and +hotly denied) that for the hard-working majority the week-end is a curse +rather than a blessing. The saddest fact in human annals is that most +people are never so happy as when they are hard at work. The time may +come when criminals will be condemned, not to the chair, but to twenty +successive week-ends spent standing in the aisles of crowded excursion +trains. + + * * * * * + +[Illustration] + +Strolling downtown to a well-known home of fish dinners, it is +appetizing to pass along the curve of Dock Street in the coolness of the +evening. The clean, lively odours of vegetables and fruit are strong on +the air. Under the broad awnings of the commission merchants and +produce dealers the stock is piled up in neat and engaging piles ready +to be carted away at dawn. Under the glow of pale arcs and gas lamps the +colours of the scene are vivid. Great baskets of eggplant shine like +huge grapes, a polished port wine colour; green and scarlet peppers +catch points of light; a flat pinkish colour gleams on carrots. Each +species seems to have an ordered pattern of its own. Potatoes are ranged +in a pyramid; watermelons in long rows; white and yellow onions are +heaped in sacks. The sweet musk of cantaloupes is the scent that +overbreathes all others. Then, down nearer to the waterfront, comes the +strong, damp fishy whiff of oysters. To stroll among these gleaming +piles of victuals, to watch the various colours where the lamps pour a +pale silver and yellow on cairns and pyramids of vegetables, is to +gather a lusty appetite and attack the first oyster stew of the season +with a stout heart. + +It being a very humid day, we stopped to compliment the curly-headed +sandwich man at Ninth and Market on his décolleté corsage, which he +wears in the Walt Whitman manner. "Wish we could get away with it the +way you do," we said, admiringly. He looked at us with the patience of +one inured to bourgeois comment. "It's got to be tried," said he, "like +everything else." + + * * * * * + +We stopped by the Weather Man's little illuminated booth at Ninth and +Chestnut about 10 o'clock in the evening. We were scrutinizing his +pretty coloured pictures, wondering how soon the rain would determine, +when a slender young man appeared out of the gloom, said "I'm sorry to +have to do this," switched off the light, and pulled down the rolling +front of the booth. It was the Weather Man himself. + +We were greatly elated to meet this mythical sage and walked down the +street a little way with him. In order to cheer him up, we complimented +him on the artistic charm of his little booth, with its glow of golden +light shining on the coloured map and the bright loops and curves of +crayon. We told him how almost at any time in the evening groups of +people can be seen admiring his stall, but his sensitive heart was +gloomy. + +"Most of them don't understand it," he said, morosely. "The women are +the worst. I've gone there in the evening and found them studying the +map eagerly. Hopefully, I would creep up behind to hear their comments. +One will say, 'Yes, that's where my husband came from,' or 'I spent last +summer over there,' pointing to some place on the map. They seem to +think it's put there for them to study geography." + +We tried to sympathize with the broken-hearted scientist, but his spirit +had been crushed by a long series of woes. + +"The other evening," said he, "I saw a couple of girls gazing at the +map, and they looked so intelligent I really was charmed. Apparently +they were discussing an area of low pressure that was moving down from +the Great Lakes, and I lent an ear. Imagine my chagrin when one of them +said: 'You see the colour of that chalk line? I'm going to make my next +knitted vestee just like that.' And the other one said: 'I think the +whole colour scheme is adorable. I'm going to use it as a pattern for my +new camouflage bathing-suit.'" + +"Thank goodness," cried the miserable Weather Man: "I have another map +like that down at the Bourse, and the brokers really give it some +intelligent attention." + +We went on our way sadly, thinking how many sorrows there are in the +world. It is grievous to think of the poor Weather Man, lurking with +beating pulses in the neighbourhood of Ninth and Chestnut in the hope +of finding someone who understands his painstaking display. The next +time you are standing in front of his booth do say something about the +Oceanic High in the South Atlantic or the dangerous Aleutian Low or the +anticyclonic condition prevailing in the Alleghenies. He might overhear +you, and it would do his mournful heart good. + + * * * * * + +[Illustration] + +It was eight o'clock, a cool drizzling night. Chestnut Street was gray +with a dull, pearly, opaque twilight. In the little portico east of +Independence Hall the gas lamp under the ceiling cast a soft pink glow +on the brick columns. + +Independence Square was a sea of tremulous, dripping boughs. The quaint +heptahedral lamps threw splashed shimmers of topaz colour across the +laky pavement. "Golden lamps in a green night," as Marvell says, +twinkled through the stir and moisture of the evening. + + + + +ON GOING TO BED + + +One of the characters in "The Moon and Sixpence" remarked that he had +faithfully lived up to the old precept about doing every day two things +you heartily dislike; for, said he, every day he had got up and he had +gone to bed. + +It is a sad thing that as soon as the hands of the clock have turned ten +the shadow of going to bed begins to creep over the evening. We have +never heard bedtime spoken of with any enthusiasm. One after another we +have seen a gathering disperse, each person saying (with an air of +solemn resignation): "Well, I guess I'll go to bed." But there was no +hilarity about it. It is really rather touching how they cling to the +departing skirts of the day that is vanishing under the spinning shadow +of night. + +This is odd, we repeat, for sleep is highly popular among human beings. +The reluctance to go to one's couch is not at all a reluctance to +slumber, for almost all of us will doze happily in an armchair or on a +sofa, or even festooned on the floor with a couple of cushions. But the +actual and formal yielding to sheets and blankets is to be postponed to +the last possible moment. + +The devil of drowsiness is at his most potent, we find, about 10:30 +P. M. At this period the human carcass seems to consider that it has +finished its cycle, which began with so much courage nearly sixteen +hours before. It begins to slack and the mind halts on a dead centre +every now and then, refusing to complete the revolution. Now there are +those who hold that this is certainly the seemly and appointed time to +go to bed and they do so as a matter of routine. These are, commonly, +the happier creatures, for they take the tide of sleep at the flood and +are borne calmly and with gracious gentleness out to great waters of +nothingness. They push off from the wharf on a tranquil current and +nothing more is to be seen or heard of these voyagers until they +reappear at the breakfast table, digging lustily into their grapefruit. + +These people are happy, aye, in a brutish and sedentary fashion, but +they miss the admirable adventures of those more embittered wrestlers +who will not give in without a struggle. These latter suffer severe +pangs between 10:30 and about 11:15 while they grapple with their fading +faculties and seek to reëstablish the will on its tottering throne. This +requires courage stout, valour unbending. Once you yield, be it ever so +little, to the tempter, you are lost. And here our poor barren clay +plays us false, undermining the intellect with many a trick and wile. "I +will sit down for a season in that comfortable chair," the creature +says to himself, "and read this sprightly novel. That will ease my mind +and put me in humour for a continuance of lively thinking." And the end +of that man is a steady nasal buzz from the bottom of the chair where he +has collapsed, an unsightly object and a disgrace to humanity. This also +means a big bill from the electric light company at the end of the +month. In many such ways will his corpus bewray him, leading him by +plausible self-deceptions into a pitfall of sleep, whence he is aroused +about 3 A. M. when the planet turns over on the other side. Only by +stiff perseverance and rigid avoidance of easy chairs may the critical +hour between 10:30 and 11:30 be safely passed. Tobacco, a self-brewed +pot of tea, and a browsing along bookshelves (remain standing and do not +sit down with your book) are helps in this time of struggle. Even so, +there are some happily drowsy souls who can never cross these shallows +alone without grounding on the Lotus Reefs. Our friend J---- D---- +K----, magnificent creature, was (when we lived with him) so potently +hypnoidal that, even erect and determined as his bookcase and urgently +bent upon Brann's _Iconoclast_ or some other literary irritant, sleep +would seep through his pores and he would fall with a crash, lying there +in unconscious bliss until someone came in and prodded him up, reeling +and ashamed. + +But, as we started to say, those who survive this drastic weeding out +which Night imposes upon her wooers--so as to cull and choose only the +truly meritorious lovers--experience supreme delights which are unknown +to their snoring fellows. When the struggle with somnolence has been +fought out and won, when the world is all-covering darkness and +close-pressing silence, when the tobacco suddenly takes on fresh vigour +and fragrance and the books lie strewn about the table, then it seems as +though all the rubbish and floating matter of the day's thoughts have +poured away and only the bright, clear, and swift current of the mind +itself remains, flowing happily and without impediment. This perfection +of existence is not to be reached very often; but when properly +approached it may be won. It is a different mind that one uncovers then, +a spirit which is lucid and hopeful, to which (for a few serene hours) +time exists not. The friable resolutions of the day are brought out +again and recemented and chiselled anew. Surprising schemes are started +and carried through to happy conclusion, lifetimes of amazement are +lived in a few passing ticks. There is one who at such moments resolves, +with complete sincerity, to start at one end of the top shelf and read +again all the books in his library, intending this time really to +extract their true marrow. He takes a clean sheet of paper and sets down +memoranda of all the people he intends to write to, and all the plumbers +and what not that he will call up the next day. And the next time this +happy seizure attacks him he will go through the same gestures again +without surprise and without the slightest mortification. And then, +having lived a generation of good works since midnight struck, he +summons all his resolution and goes to bed. + +[Illustration] + + +[Illustration] + +THE COUNTRY LIFE PRESS + +GARDEN CITY, N. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: Pipefuls</p> +<p>Author: Christopher Morley</p> +<p>Release Date: September 21, 2007 [eBook #22699]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK PIPEFULS***</p> +<p> </p> +<h3>E-text prepared by Audrey Longhurst, Marcia Brooks,<br /> + and the Project Gutenberg Online Distributed Proofreading Team<br /> + (http://www.pgdp.net)</h3> +<p> </p> +<hr class="full" /> +<p> </p> +<p> </p> + +<p><span class='pagenum'><a name="Page_i" id="Page_i">[Pg i]</a></span></p> +<h1>PIPEFULS</h1> +<div class="figcenter"><a href="images/cover.jpg"> +<img src="images/cover_t.jpg" alt="cover" title="Pipefuls" /></a></div> +<div class="figcenter"><span class="caption">Original Cover</span></div> + +<p><span class='pagenum'><a name="Page_ii" id="Page_ii">[Pg ii]</a></span></p> + +<div class="bbox"> +<h4><i>Other Books by the Author</i></h4> +<span class="smcap">Parnassus on Wheels</span><br /> +<span class="smcap">The Haunted Bookshop</span><br /> +<span class="smcap">Shandygaff</span><br /> +<span class="smcap">Mince Pie</span><br /> +<span class="smcap">Kathleen</span><br /> +<span class="smcap">Songs for a Little House</span><br /> +<span class="smcap">The Rocking Horse</span><br /> +<span class="smcap">Hide and Seek</span><br /> +<span class="smcap">Travels in Philadelphia</span> +</div> + +<p><span class='pagenum'><a name="Page_iii" id="Page_iii">[Pg iii]</a></span></p> + +<h1>PIPEFULS</h1> + +<h3>BY</h3> +<h2>CHRISTOPHER MORLEY</h2> +<div class="figcenter" style="width: 243px;"> +<img src="images/illo_title_page.jpg" width="243" height="250" alt="title page" title="Title page" /></div> + +<h4>ILLUSTRATED<br /> +BY<br /> +WALTER JACK DUNCAN</h4> +<p> </p> +<p> </p> + +<center> +GARDEN CITY NEW YORK<br /> +DOUBLEDAY, PAGE & COMPANY<br /> +1920</center> + +<br /> +<p><span class='pagenum'><a name="Page_iv" id="Page_iv">[Pg iv]</a></span></p> +<hr style="width: 15%;" /> + +<h5> +COPYRIGHT, 1920, BY<br /> +DOUBLEDAY, PAGE & COMPANY<br /> +ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION<br /> +INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN<br /> +</h5> +<hr style="width: 15%;" /> +<p><span class='pagenum'><a name="Page_v" id="Page_v">[Pg v]</a></span></p> + +<center> +THIS BOOK IS DEDICATED<br /> +TO<br /> +THREE MEN<br /> +<br /> +HULBERT FOOTNER<br /> +EUGENE SAXTON<br /> +WILLIAM ROSE BENÉT<br /> +<br /> +BECAUSE, IF I MENTIONED ONLY ONE<br /> +OF THEM, I WOULD HAVE TO<br /> +WRITE BOOKS<br /> +TO INSCRIBE TO THE OTHER TWO<br /> +</center> +<p><span class='pagenum'><a name="Page_vii" id="Page_vii">[Pg vii]</a></span></p> + +<hr style="width: 65%;" /> +<div class="figcenter" style="width: 500px;"> +<img src="images/illo_vii.jpg" width="500" height="148" alt="illiio_vii" title="Preface" /></div> +<h2><a name="PREFACE" id="PREFACE"></a>PREFACE</h2> + + +<p>Sir Thomas Browne said that Eve was “edified +out of the rib of Adam.” This little book was +edified (for the most part) out of the ribs of two +friendly newspapers, The New York <i>Evening Post</i> +and The Philadelphia <i>Evening Public Ledger</i>. To +them, and to <i>The Bookman</i>, <i>Everybody's</i>, and <i>The +Publishers' Weekly</i>, I am grateful for permission to +reprint.</p> + +<p>Tristram Shandy said, “When a man is hemm'd in +by two indecorums, and must commit one of 'em +let him chuse which he will, the world will blame +him.” Now it is one indecorum to let this collection +of small sketches go out (as they do) unrevised +and just as they assaulted the defenceless +reader of the daily prints; and the other indecorum +would be to take fragments of this kind too gravely, +and attempt by more careful disposition of their +pallid members to arrange them into some appearance +of painless decease. As Gilbert Chesterton +said (I wish I could say, on a similar occasion): +“Their vices are too vital to be improved with a +blue pencil, or with anything I can think of, except +dynamite.”<span class='pagenum'><a name="Page_viii" id="Page_viii">[Pg viii]</a></span></p> + +<p>These sketches gave me pain to write; they will +give the judicious patron pain to read; therefore we +are quits. I think, as I look over their slattern +paragraphs, of that most tragic hour—it falls about +4 <span class="smcap">p. m.</span> in the office of an evening newspaper—when +the unhappy compiler tries to round up the broodings +of the day and still get home in time for supper. +And yet perhaps the will-to-live is in them, for are +they not a naked exhibit of the antics a man will +commit in order to earn a living? In extenuation it +may be pleaded that none of them are so long that +they may not be mitigated by an accompanying pipe +of tobacco.</p> + +<p style="text-align: right;">THE AUTHOR.</p> +<p>Roslyn, Long Island,<br /> +<span style="margin-left: 1em;">July, 1920.</span></p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_ix" id="Page_ix">[Pg ix]</a></span></p> +<a name="toc" id="toc"></a> +<h2>CONTENTS</h2> + +<div class='center'> +<table border="0" cellpadding="4" cellspacing="0" summary="TOC" width="80%"> +<tr><td></td><td></td><td align='left'></td><td align='right'>PAGE</td></tr> +<tr><td></td><td></td><td align='left'><a href="#PREFACE"><b>Preface</b></a></td><td align='right'><a href="#Page_vii">vii</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#ON_MAKING_FRIENDS"><b>On Making Friends</b></a></td><td align='right'><a href="#Page_3">3</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#THOUGHTS_ON_CIDER"><b>Thoughts on Cider</b></a></td><td align='right'><a href="#Page_10">10</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#ONE-NIGHT_STANDS"><b>One-Night Stands</b></a></td><td align='right'><a href="#Page_18">18</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#THE_OWL_TRAIN"><b>The Owl Train</b></a></td><td align='right'><a href="#Page_25">25</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#SAFETY_PINS"><b>Safety Pins</b></a></td><td align='right'><a href="#Page_29">29</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#CONFESSIONS"><b>Confessions of a “Colyumist”</b></a></td><td align='right'><a href="#Page_34">34</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#MOVING"><b>Moving</b></a></td><td align='right'><a href="#Page_42">42</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#SURF_FISHING"><b>Surf Fishing</b></a></td><td align='right'><a href="#Page_48">48</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#IDOLATRY"><b>“Idolatry”</b></a></td><td align='right'><a href="#Page_52">52</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#THE_FIRST_COMMENCEMENT_ADDRESS"><b>The First Commencement Address</b></a></td><td align='right'><a href="#Page_60">60</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#THE_DOWNFALL_OF_GEORGE_SNIPE"><b>The Downfall of George Snipe</b></a></td><td align='right'><a href="#Page_63">63</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#MEDITATIONS_OF_A_BOOKSELLER"><b>Meditations of a Bookseller</b></a></td><td align='right'><a href="#Page_66">66</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#IF_BUYING_A_MEAL"><b>If Buying a Meal Were Like Buying a House</b></a></td><td align='right'><a href="#Page_71">71</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#ADVENTURES_IN_HIGH_FINANCE"><b>Adventures in High Finance</b></a></td><td align='right'><a href="#Page_74">74</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#ON_VISITING_BOOKSHOPS"><b>On Visiting Bookshops</b></a></td><td align='right'><a href="#Page_78">78</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#A_DISCOVERY"><b>A Discovery</b></a></td><td align='right'><a href="#Page_83">83</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#SILAS_ORRIN_HOWES"><b>Silas Orrin Howes</b></a></td><td align='right'><a href="#Page_91">91</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#JOYCE_KILMER"><b>Joyce Kilmer</b></a></td><td align='right'><a href="#Page_97">97</a></td></tr> +<tr><td></td><td align='left'><a href="#TALES_OF_TWO_CITIES"><b>Tales of Two Cities</b></a></td><td></td><td align='right'><a href="#Page_109">109</a></td></tr> + +<tr><td>I.</td><td align='left'><a href="#PHILADELPHIA"><b><i>Philadelphia</i>:</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#AN_EARLY_TRAIN"><b>An Early Train</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#RIDGE_AVENUE"><b>Ridge Avenue</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#THE_UNIVERSITY"><b>The University and the Urchin</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#PINE_STREET"><b>Pine Street</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#PERSHING_IN_PHILADELPHIA"><b>Pershing in Philadelphia</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#FALL_FEVER"><b>Fall Fever</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#TWO_DAYS_BEFORE_CHRISTMAS"><b>Two Days Before Christmas</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#IN_WEST_PHILADELPHIA"><b>In West Philadelphia</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#HORACE_TRAUBEL"><b>Horace Traubel</b></a></td></tr> + +<tr><td>II.</td><td align='left'><a href="#NEW_YORK"><b><i>New York</i>:</b></a></td><td></td><td align='right'><a href="#Page_163">163</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#THE_ANATOMY_OF_MANHATTAN"><b>The Anatomy of Manhattan</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#VESEY_STREET"><b>Vesey Street</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#BROOKLYN_BRIDGE"><b>Brooklyn Bridge</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#THREE_HOURS_FOR_LUNCH"><b>Three Hours for Lunch</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#PASSAGE_FROM_SOME_MEMOIRS"><b>Passage from Some Memoirs</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#FIRST_LESSONS"><b>First Lessons in Clowning</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#HOUSE_HUNTING"><b>House Hunting</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#LONG_ISLAND"><b>Long Island Revisited</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#ON_BEING_IN_A_HURRY"><b>On Being in a Hurry</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#CONFESSIONS_OF_A_HUMAN_GLOBULE"><b>Confessions of a Human Globule</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#NOTES_ON_A_FIFTH_AVENUE_BUS"><b>Notes on a Fifth Avenue Bus</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#SUNDAY_MORNING"><b>Sunday Morning</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#VENISON_PASTY"><b>Venison Pasty</b></a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#GRAND_AVENUE"><b>Grand Avenue, Brooklyn</b></a></td></tr> + +<tr><td></td><td></td><td align='left'><a href="#ON_WAITING_FOR_THE_CURTAIN"><b>On Waiting for the Curtain to Go Up</b></a></td><td align='right'><a href="#Page_236">236</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#MUSINGS_OF_JOHN_MISTLETOE"><b>Musings of John Mistletoe</b></a></td><td align='right'><a href="#Page_240">240</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#THE_WORLDS_MOST_FAMOUS_ORATION"><b>The World's Most Famous Oration</b></a></td><td align='right'><a href="#Page_242">242</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#ON_LAZINESS"><b>On Laziness</b></a></td><td align='right'><a href="#Page_244">244</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#TEACHING_THE_PRINCE"><b>Teaching the Prince to Take Notes</b></a></td><td align='right'><a href="#Page_249">249</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#A_CITY_NOTEBOOK"><b>A City Notebook</b></a></td><td align='right'><a href="#Page_253">253</a></td></tr> +<tr><td></td><td></td><td align='left'><a href="#ON_GOING_TO_BED"><b>On Going to Bed</b></a></td><td align='right'><a href="#Page_270">270</a></td></tr> +</table></div> + +<p><span class='pagenum'><a name="Page_1" id="Page_1">[Pg 1]</a></span></p> +<hr style="width: 65%;" /> +<h1>PIPEFULS</h1> +<p><span class='pagenum'><a name="Page_2" id="Page_2">[Pg 2]</a></span></p> + + +<hr style="width: 65%;" /> +<h1>PIPEFULS</h1> + +<h2><a name="ON_MAKING_FRIENDS" id="ON_MAKING_FRIENDS"></a>ON MAKING FRIENDS</h2> +<p><span class='pagenum'><a name="Page_3" id="Page_3">[Pg 3]</a></span></p> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p003.jpg" width="300" height="236" alt="illo_p003" title="On Making Friends" /></div> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>Considering that most friendships are +made by mere hazard, how is it that men find +themselves equipped and fortified with just the +friends they need? We have heard of men who +asserted that they would like to have more money, +or more books, or more pairs of pyjamas; but we have +never heard of a man saying that he did not have +enough friends. For, while one can never have too +many friends, yet those one has are always enough. +They satisfy us completely. One has never met a +man who would say, “I wish I had a friend who<span class='pagenum'><a name="Page_4" id="Page_4">[Pg 4]</a></span> +would combine the good humour of A, the mystical +enthusiasm of B, the love of doughnuts which is such +an endearing quality in C, and who would also have +the habit of giving Sunday evening suppers like D, +and the well-stocked cellar which is so deplorably +lacking in E.” No; the curious thing is that at any +time and in any settled way of life a man is generally +provided with friends far in excess of his desert, and +also in excess of his capacity to absorb their wisdom +and affectionate attentions.</p> + +<p>There is some pleasant secret behind this, a secret +that none is wise enough to fathom. The infinite +fund of disinterested humane kindliness that is +adrift in the world is part of the riddle, the insoluble +riddle of life that is born in our blood and tissue. It +is agreeable to think that no man, save by his own +gross fault, ever went through life unfriended, without +companions to whom he could stammer his +momentary impulses of sagacity, to whom he could +turn in hours of loneliness. It is not even necessary +to know a man to be his friend. One can sit at a +lunch counter, observing the moods and whims of the +white-coated pie-passer, and by the time you have +juggled a couple of fried eggs you will have caught +some grasp of his philosophy of life, seen the quick +edge and tang of his humour, memorized the shrewdness +of his worldly insight and been as truly stimulated +as if you had spent an evening with your +favourite parson.<span class='pagenum'><a name="Page_5" id="Page_5">[Pg 5]</a></span></p> + +<p>If there were no such thing as friendship existing +to-day, it would perhaps be difficult to understand +what it is like from those who have written about it. +We have tried, from time to time, to read Emerson's +enigmatic and rather frigid essay. It seems that +Emerson must have put his cronies to a severe test +before admitting them to the high-vaulted and +rather draughty halls of his intellect. There are +fine passages in his essay, but it is intellectualized, +bloodless, heedless of the trifling oddities of human +intercourse that make friendship so satisfying. He +seems to insist upon a sterile ceremony of mutual +self-improvement, a kind of religious ritual, a profound +interchange of doctrines between soul and +soul. His friends (one gathers) are to be antisepticated, +all the poisons and pestilence of their faulty +humours are to be drained away before they may +approach the white and icy operating table of his +heart. “Why insist,” he says, “on rash personal +relations with your friend? Why go to his house, or +know his wife and family?” And yet does not the +botanist like to study the flower in the soil where it +grows?</p> + +<p>Polonius, too, is another ancient supposed to be +an authority on friendship. The Polonius family +must have been a thoroughly dreary one to live with; +we have often thought that poor Ophelia would have +gone mad anyway, even if there had been no Hamlet. +Laertes preaches to Ophelia; Polonius preaches to<span class='pagenum'><a name="Page_6" id="Page_6">[Pg 6]</a></span> +Laertes. Laertes escaped by going abroad, but the +girl had to stay at home. Hamlet saw that pithy old +Polonius was a preposterous and orotund ass. +Polonius's doctrine of friendship—“The friends thou +hast, and their adoption tried, grapple them to thy +soul with hoops of steel”—was, we trow, a necessary +one in his case. It would need a hoop of steel to keep +them near such a dismal old sawmonger.</p> + +<p>Friendships, we think, do not grow up in any such +carefully tended and contemplated fashion as +Messrs. Emerson and Polonius suggest. They begin +haphazard. As we look back on the first time we +saw our friends we find that generally our original +impression was curiously astray. We have worked +along beside them, have consorted with them drunk +or sober, have grown to cherish their delicious +absurdities, have outrageously imposed on each +other's patience—and suddenly we awoke to realize +what had happened. We had, without knowing it, +gained a new friend. In some curious way the unseen +border line had been passed. We had reached +the final culmination of Anglo-Saxon regard when +two men rarely look each other straight in the eyes +because they are ashamed to show each other how +fond they are. We had reached the fine flower and +the ultimate test of comradeship—that is, when you +get a letter from one of your “best friends,” you +know you don't need to answer it until you get ready +to.<span class='pagenum'><a name="Page_7" id="Page_7">[Pg 7]</a></span></p> + +<p>Emerson is right in saying that friendship can't be +hurried. It takes time to ripen. It needs a background +of humorous, wearisome, or even tragic +events shared together, a certain tract of memories +shared in common, so that you know that your own +life and your companion's have really moved for +some time in the same channel. It needs interchange +of books, meals together, discussion of one +another's whims with mutual friends, to gain a +proper perspective. It is set in a rich haze of half-remembered +occasions, sudden glimpses, ludicrous +pranks, unsuspected observations, midnight confidences +when heart spoke to candid heart.</p> + +<div class="figcenter" style="width: 478px;"> +<img src="images/illo_p007.jpg" width="478" height="500" alt="p007" title="Page 7" /></div> + +<p>The soul preaches humility to itself when it<span class='pagenum'><a name="Page_8" id="Page_8">[Pg 8]</a></span> +realizes, startled, that it has won a new friend. +Knowing what a posset of contradictions we all are, +it feels a symptom of shame at the thought that our +friend knows all our frailties and yet thinks us worth +affection. We all have cause to be shamefast indeed; +for whereas we love ourselves in spite of our +faults, our friends often love us even on account of +our faults, the highest level to which attachment can +go. And what an infinite appeal there is in their +faces! How we grow to cherish those curious little +fleshy cages—so oddly sculptured—which inclose the +spirit within. To see those faces, bent unconsciously +over their tasks—each different, each +unique, each so richly and queerly expressive of the +lively and perverse enigma of man, is a full education +in human tolerance. Privately, one studies his +own ill-modeled visnomy to see if by any chance it +bespeaks the emotions he inwardly feels. We know—as +Hamlet did—the vicious mole of nature in us, +the o'ergrowth of some complexion that mars the +purity of our secret resolutions. Yet—our friends +have passed it over, have shown their willingness to +take us as we are. Can we do less than hope to deserve +their generous tenderness, granted before it +was earned?</p> + +<p>The problem of education, said R. L. S., is two-fold—“first +to know, then to utter.” Every man +knows what friendship means, but few can utter that +complete frankness of communion, based upon full<span class='pagenum'><a name="Page_9" id="Page_9">[Pg 9]</a></span> +comprehension of mutual weakness, enlivened by a +happy understanding of honourable intentions +generously shared. When we first met our friends +we met with bandaged eyes. We did not know what +journeys they had been on, what winding roads +their spirits had travelled, what ingenious shifts they +had devised to circumvent the walls and barriers of +the world. We know these now, for some of them +they have told us; others we have guessed. We +have watched them when they little dreamed it; just +as they (we suppose) have done with us. Every +gesture and method of their daily movement have +become part of our enjoyment of life. Not until a +time comes for saying good-bye will we ever know +how much we would like to have said. At those +times one has to fall back on shrewder tongues. +You remember Hilaire Belloc:</p> + +<div class="poem"><div class="stanza"> +<span class="i0">From quiet homes and first beginning<br /></span> +<span class="i1">Out to the undiscovered ends,<br /></span> +<span class="i0">There's nothing worth the wear of winning<br /></span> +<span class="i1">But laughter, and the love of friends.<br /></span> +</div></div> + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_10" id="Page_10">[Pg 10]</a></span></p> +<h2><a name="THOUGHTS_ON_CIDER" id="THOUGHTS_ON_CIDER"></a>THOUGHTS ON CIDER</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 243px;"> +<img src="images/illo_p010.jpg" width="243" height="300" alt="p010" title="Thoughts on Cider" /></div> + +<p>Our friend Dove Dulcet, the poet, came into +our kennel and found us arm in arm with a +deep demijohn of Chester County cider. We +poured him out a beaker of the cloudy amber juice. +It was just in prime condition, sharpened with a +blithe tingle, beaded with a pleasing bubble of froth. +Dove looked upon it with a kindled eye. His +arm raised the tumbler in a manner that showed +this gesture to be one that he had compassed before. +The orchard nectar began to sluice down his +throat.</p> + +<p>Dove is one who has faced many and grievous<span class='pagenum'><a name="Page_11" id="Page_11">[Pg 11]</a></span> +woes. His Celtic soul peers from behind cloudy +curtains of alarm. Old unhappy far-off things and +battles long ago fume in the smoke of his pipe. His +girded spirit sees agrarian unrest in the daffodil and +industrial riot in a tin of preserved prunes. He +sees the world moving on the brink of horror and +despair. Sweet dalliance with a baked bloater on a +restaurant platter moves him to grief over the hard +lot of the Newfoundland fishing fleet. Six cups of +tea warm him to anguish over the peonage of Sir +Thomas Lipton's coolies in Ceylon. Souls in +perplexity cluster round him like Canadian dimes in +a cash register in Plattsburgh, N. Y. He is a human +sympathy trust. When we are on our deathbed we +shall send for him. The perfection of his gentle sorrow +will send us roaring out into the dark, and will +set a valuable example to the members of our family.</p> + +<p>But it is the rack of clouds that makes the sunset +lovely. The bosomy vapours of Dove's soul are the +palette upon which the decumbent sun of his spirit +casts its vivid orange and scarlet colours. His joy +is the more perfect to behold because it bursts +goldenly through the pangs of his tender heart. +His soul is like the infant Moses, cradled among dark +and prickly bullrushes; but anon it floats out upon +the river and drifts merrily downward on a sparkling +spate.</p> + +<p>It has nothing to do with Dove, but we will here +interject the remark that a pessimist overtaken by<span class='pagenum'><a name="Page_12" id="Page_12">[Pg 12]</a></span> +liquor is the cheeriest sight in the world. Who is so +extravagantly, gloriously, and irresponsibly gay?</p> + +<p>Dove's eyes beaconed as the cider went its way. +The sweet lingering tang filled the arch of his palate +with a soft mellow cheer. His gaze fell upon us as +his head tilted gently backward. We wish there +had been a painter there—someone like F. Walter +Taylor—to rush onto canvas the gorgeous benignity +of his aspect. It would have been a portrait of the +rich Flemish school. Dove's eyes were full of a +tender emotion, mingled with a charmed and wistful +surprise. It was as though the poet was saying he +had not realized there was anything so good left on +earth. His bearing was devout, religious, mystical. +In one moment of revelation (so it appeared to us as +we watched) Dove looked upon all the profiles and +aspects of life, and found them of noble outline. +Not since the grandest of Grand Old Parties went out +of power has Dove looked less as though he felt the +world were on the verge of an abyss. For several +moments revolution and anarchy receded, profiteers +were tamed, capital and labour purred together on a +mattress of catnip, and the cosmos became a free +verse poem. He did not even utter the customary +and ungracious remark of those to whom cider +potations are given: “That'll be at its best in +about a week.” We apologized for the cider being a +little warmish from standing (discreetly hidden) +under our desk. Douce man, he said: “I think<span class='pagenum'><a name="Page_13" id="Page_13">[Pg 13]</a></span> +cider, like ale, ought not to be drunk too cold. I like +it just this way.” He stood for a moment, filled +with theology and metaphysics. “By gracious,” he +said, “it makes all the other stuff taste like poison.” +Still he stood for a brief instant, transfixed with +complete bliss. It was apparent to us that his mind +was busy with apple orchards and autumn sunshine. +Perhaps he was wondering whether he could make +a poem out of it. Then he turned softly and went +back to his job in a life insurance office.</p> + +<p>As for ourself, we then poured out another +tumbler, lit a corncob pipe, and meditated. Falstaff +once said that he had forgotten what the inside of a +church looked like. There will come a time when +many of us will perhaps have forgotten what the inside +of a saloon looked like, but there will still be the +consolation of the cider jug. Like the smell of +roasting chestnuts and the comfortable equatorial +warmth of an oyster stew, it is a consolation hard to +put into words. It calls irresistibly for tobacco; in +fact the true cider toper always pulls a long puff at +his pipe before each drink, and blows some of the +smoke into the glass so that he gulps down some of +the blue reek with his draught. Just why this +should be, we know not. Also some enthusiasts insist +on having small sugared cookies with their +cider; others cry loudly for Reading pretzels. Some +have ingenious theories about letting the jug stand, +either tightly stoppered or else unstoppered, until<span class='pagenum'><a name="Page_14" id="Page_14">[Pg 14]</a></span> +it becomes “hard.” In our experience hard cider is +distressingly like drinking vinegar. We prefer it +soft, with all its sweetness and the transfusing savour +of the fruit animating it. At the peak of its deliciousness +it has a small, airy sparkle against the roof of the +mouth, a delicate tactile sensation like the feet of +dancing flies. This, we presume, is the 4½ to 7 per +cent of sin with which fermented cider is credited by +works of reference. There are pedants and bigots +who insist that the jug must be stoppered with a +corncob. For our own part, the stopper does not +stay in the neck long enough after the demijohn +reaches us to make it worth while worrying about +this matter. Yet a nice attention to detail may +prove that the cob has some secret affinity with +cider, for a Missouri meerschaum never tastes so +well as after three glasses of this rustic elixir.</p> + +<p>That ingenious student of social niceties, John +Mistletoe, in his famous Dictionary of Deplorable +Facts—a book which we heartily commend to the +curious, for he includes a long and most informing +article on cider, tracing its etymology from the old +Hebrew word <i>shaker</i> meaning “to quaff deeply”—maintains +that cider should only be drunk beside an +open fire of applewood logs:</p> + +<div class="blockquot"><p>And preferably on an evening of storm and wetness, +when the swish and sudden pattering of rain +against the panes lend an added agreeable snugness +to the cheerful scene within, where master and +<span class='pagenum'><a name="Page_15" id="Page_15">[Pg 15]</a></span>dame sit by the rosy hearth frying sausages in a +pan laid on the embers.</p></div> + +<p>This reminds one of the anecdote related by ex-Senator +Beveridge in his Life of John Marshall. +Justice Story told his wife that the justices of the +Supreme Court were of a self-denying habit, never +taking wine except in wet weather. “But it does +sometimes happen that the Chief Justice will say +to me, when the cloth is removed, 'Brother Story, +step to the window and see if it does not look like +rain.' And if I tell him that the sun is shining +brightly, Judge Marshall will sometimes reply, 'All +the better, for our jurisdiction extends over so large a +territory that the doctrine of chances makes it certain +that it must be raining somewhere.'”</p> + +<p>Our own theory about cider is that the time to +drink it is when it reaches you; and if it hails from +Chester County, so much the better.</p> + +<p>We remember with gusto a little soliloquy on cider +delivered by another friend of ours, as we both stood +in a decent ordinary on Fulton Street, going through +all the motions of jocularity and cheer. Cider (he +said) is our refuge and strength. Cider, he insisted, +drawing from his pocket a clipping much +tarnished with age, is a drink for men of reason and +genteel nurture; a drink for such as desire to drink +pleasantly, amiably, healthily, and with perseverance +and yet retain the command and superintendence of<span class='pagenum'><a name="Page_16" id="Page_16">[Pg 16]</a></span> +their faculties. I have here (he continued) a clipping +sent me by an eminent architect in the great +city of Philadelphia (a city which it is a pleasure for +me to contemplate by reason of the beauty and +virtue of its women, the infinite vivacity and good +temper of its men, the rectitudinal disposition of its +highways)—I have here (he exclaimed) a clipping +sent me by an architect of fame, charming parts, and +infinite cellarage, explaining the virtues of cider. +Cider, this clipping asserts, produces a clearness of +the complexion. It brightens the eye, particularly +in women, conducing to the composition of generous +compliment and all the social suavity that endears +the intercourse of the sexes. Longevity, this +extract maintains, is the result of application to +good cider. The Rev. Martin Johnson, vicar of +Dilwyn, in Herefordshire, from 1651 to 1698 (he +read from his clipping), wrote:</p> + +<div class="blockquot"><p><i>This parish, wherein sider is plentiful, hath many +people that do enjoy this blessing of long life; neither +are the aged bedridden or decrepit as elsewhere; next to +God, wee ascribe it to our flourishing orchards, first that +the bloomed trees in spring do not only sweeten but +purify the ambient air; next, that they yield us plenty +of rich and winy liquors, which do conduce very much +to the constant health of our inhabitants. Their +ordinary course is to breakfast and sup with toast and +sider through the whole Lent; which heightens their +appetites and creates in them durable strength to +labour.</i></p></div><p><span class='pagenum'><a name="Page_17" id="Page_17">[Pg 17]</a></span></p> + +<p>There was a pause, and our friend (he is a man of +girth and with a brow bearing all the candor of a +life of intense thought) leaned against the mahogany +counter.</p> + +<p>That is very fine, we said, draining our chalice, and +feeling brightness of eye, length of years, and durable +strength to labour added to our person. In the +meantime (we said) why do you not drink the rich +and winy liquor which your vessel contains?</p> + +<p>He folded up his clipping and put it away with a +sigh.</p> + +<p>I always have to read that first, he said, to make +the damned stuff palatable. It will be ten years, he +said, before the friend who sent me that clipping will +have to drink any cider.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_18" id="Page_18">[Pg 18]</a></span></p> +<h2><a name="ONE-NIGHT_STANDS" id="ONE-NIGHT_STANDS"></a>ONE-NIGHT STANDS</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 166px;"> +<img src="images/illo_p018.jpg" width="166" height="300" alt="p018" title="One Night Stands" /></div> + +<p>To those looking for an exhilarating vacation +let us commend a week of “trouping” on one-night +stands with a theatrical company, which +mirthful experience has just been ours. We went +along in the very lowly capacity of co-author, which +placed us somewhat beneath the stage hands as far +as dignity was concerned; and we flatter ourself that +we have learned our station and observe it with due +humility. The first task of the director who stages +a play is to let the author know where he gets off. +This was accomplished in our case by an argument +concerning a speech in the play where one of the<span class='pagenum'><a name="Page_19" id="Page_19">[Pg 19]</a></span> +characters remarks, “I propose to send a mental +message to Eliza.” This sounds (we contend) quite +a harmless sentiment, but the director insisted that +the person speaking, being an Englishman of +studious disposition, would not say anything so inaccurate. +“He would use much more correct +language,” said the director. “He ought to say 'I +<i>purpose</i> to send.'” We balked mildly at this. “All +right,” said our mentor. “The trouble with you is +you don't know any English. I'll send you a copy of +the Century dictionary.”</p> + +<p>This gentleman carried purism to almost extravagant +lengths. He objected to the customary +pronunciation of “jew's-harp,” insisting that the +word should be “juice-harp,” and instructing the +actor who mentioned this innocent instrument of +melody to write it down so in his script. When the +dress rehearsal came round, he was surveying the +“set” for the first act with considerable complacence. +This scenery was intended to represent a very +ancient English inn at Stratford-on-Avon, and one +of the authors was heard to remark softly that it +looked more like a broker's office on Wall Street. +But the director was unshaken. “There's an old +English inn up at Larchmont,” said he, “and this +looks a good deal like it, so I guess we're all right.”</p> + +<p>Let any one who imagines the actor's life is one of +bevo and skittles sally along with a new play on its +try-out in the one-night circuit. When one sees the<span class='pagenum'><a name="Page_20" id="Page_20">[Pg 20]</a></span> +delightful humour, fortitude, and high spirits with +which the players face their task he gains a new +respect for the profession. It is with a sense of +shame that the wincing author hears his lines repeated +night after night—lines that seem to him to +have grown so stale and disreputably stupid, and +which the ingenuity of the players contrives to instill +with life. With a sense of shame indeed does he +reflect that because one day long ago he was struck +with a preposterous idea, here are honest folk depending +on it to earn daily bread and travelling on a +rainy day on a local train on the Central New +England Railway; here are 800 people in Saratoga +Springs filing into a theatre with naïve expectation +on their faces. Amusing things happen faster than +he can stay to count them. A fire breaks out in a +cigar store a few minutes before theatre time. It is +extinguished immediately, but half the town has +rushed down to see the excitement. The cigar store +is almost next door to the theatre, and the crowd +sees the lighted sign and drops in to give the show +the once-over, thus giving one a capacity house. +Then there are the amusing accidents that happen on +the stage, due to the inevitable confusion of one-night +stands with long jumps each day, when +scenery and props arrive at the theatre barely in +time to be set up. In the third act one of the +characters has to take his trousers out of a handbag. +He opens the bag, but by some error no garments are<span class='pagenum'><a name="Page_21" id="Page_21">[Pg 21]</a></span> +within. Heavens! has the stage manager mixed up +the bags? He has only one hope. The girlish +heroine's luggage is also on the stage, and our comedian +dashes over and finds his trousers in her bag. +This casts a most sinister imputation on the adorable +heroine, but our friend (blessings on him) contrives +it so delicately that the audience doesn't get wise. +Then doors that are supposed to be locked have a +habit of swinging open, and the luckless heroine, +ready to say furiously to the hero, “<i>Will</i> you unlock +the door?” finds herself facing an open doorway and +has to invent a line to get herself off the stage.</p> + +<p>Going on the road is a very humanizing experience +and one gathers a considerable respect for the small +towns one visits. They are so brisk, so proud in +their local achievements, so prosperous and so full of +attractive shop-windows. When one finds in Johnstown, +N. Y., for instance, a bookshop with almost as +well-assorted a stock as one would see here in +Philadelphia; or in Gloversville and Newburgh +public libraries that would be a credit to any large +city, one realizes the great tide of public intelligence +that has risen perceptibly in recent years. At the +hotel in Gloversville the proprietress assured us that +“an English duke” had just left who told her that he +preferred her hotel to the Biltmore in New York. +We rather wondered about this English duke, but we +looked him up on the register and found that he was +Sir H. Urnick of Fownes Brothers, the glove manu<span class='pagenum'><a name="Page_22" id="Page_22">[Pg 22]</a></span>facturers, +who have a factory in Gloversville. But +then, being a glove manufacturer, he may have been +kidding her, as the low comedian of our troupe +observed. But the local pride of the small town is a +genial thing. It may always be noted in the barber +shops. The small-town barber knows his customers +and when a strange face appears to be shaved on the +afternoon when the bills are announcing a play, he +puts two and two together. “Are you with that +show?” he asks; and being answered in the affirmative +(one naturally would not admit that one is +merely there in the frugal capacity of co-author, and +hopes that he will imagine that such a face might +conceivably belong to the low comedian) he proceeds +to expound the favourite doctrine that this is a wise +burg. “Yes,” he says, “folks here are pretty cagy. +If your show can get by here you needn't worry +about New York. Believe me, if you get a hand here +you can go right down to Broadway. I always take +in the shows, and I've heard lots of actors say this +town is harder to please than any place they ever +played.”</p> + +<p>One gets a new viewpoint on many matters by a +week of one-night stands. Theatrical billboards, for +instance. We had always thought, in a vague kind +of way, that they were a defacement to a town and +cluttered up blank spaces in an unseemly way. +But when you are trouping, the first thing you do, +after registering at the hotel, is to go out and scout<span class='pagenum'><a name="Page_23" id="Page_23">[Pg 23]</a></span> +round the town yearning for billboards and complaining +because there aren't enough of them. You +meet another member of the company on the same +errand and say, “I don't see much paper out,” this +being the technical phrase. You both agree that the +advance agent must be loafing. Then you set out +to see what opposition you are playing against, and +emit groans on learning that “The Million Dollar +Doll in Paris” is also in town, or “Harry Bulger's +Girly Show” will be there the following evening, or +Mack Sennett's Bathing Beauties in Person. +“That's the kind of stuff they fall for,” said the +other author mournfully, and you hustle around to +the box office to see whether the ticket rack is still +full of unsold pasteboard.</p> + +<p>At this time of year, when all the metropolitan +theatres are crowded and there are some thirty +plays cruising round in the offing waiting for a +chance to get into New York and praying that some +show now there will “flop,” one crosses the trail of +many other wandering troupes that are battering +about from town to town. In remote Johnstown, +N. Y., which can only be reached by trolley and +where there is no hotel (but a very fine large theatre) +one finds that Miss Grace George is to be the next +attraction. On the train to Saratoga one rides on +the same train with the Million Dollar Doll, and +those who have seen her “paper” on the billboards +in Newburgh or Poughkeepsie keep an attentive<span class='pagenum'><a name="Page_24" id="Page_24">[Pg 24]</a></span> +optic open for the lady herself to see how nearly she +lives up to her lithographs. And if the passerby +should see a lighted window in the hotel glimmering +at two in the morning, he will probably aver that +there are some of those light-hearted “show people” +carousing over a flagon of Virginia Dare. Little +does he suspect that long after the tranquil thespians +have gone to their well-earned hay, the miserable +authors of the trying-out piece may be vigiling together, +trying to dope out a new scene for the third +act. The saying is not new, but it comes frequently +to the lips of the one-night stander—It's a great life +if you don't weaken.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_25" id="Page_25">[Pg 25]</a></span></p> +<h2><a name="THE_OWL_TRAIN" id="THE_OWL_TRAIN"></a>THE OWL TRAIN</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p025.jpg" width="300" height="291" alt="p025" title="The Owl Train" /></div> + +<p>Across the cold moonlit landscapes, while +good folk are at home curling their toes in +the warm bottom of the bed, the Owl trains rumble +with a gentle drone, neither fast nor slow.</p> + +<p>There are several Owl trains with which we have +been familiar. One, rather aristocratic of its kind, +is the caravan of sleeping cars that leaves New York +at midnight and deposits hustling business men of +the most aggressive type at the South Station, Boston. +After a dissolute progress full of incredible +jerks and jolts these pilgrims reach this dampest, +darkest, and most Arctic of all terminals about the +time the morning codfish begins to warm his bosom +on the gridirons of the sacred city. Another, a +terrible nocturnal prowler, slips darkly away from +Albany about 1 <span class="smcap">a. m.</span>, and rambles disconsolately +and with shrill wailings along the West Shore line. +Below the grim Palisades of the Hudson it wakes<span class='pagenum'><a name="Page_26" id="Page_26">[Pg 26]</a></span> +painful echoes. Its first six units, as far as one can +see in the dark, are blind express cars, containing +milk cans and coffins. We once boarded it at Kingston, +and after uneasy slumber across two facing +seats found ourself impaled upon Weehawken three +hours later. There one treads dubiously upon a ferryboat +in the fog and brume of dawn, ungluing eyelids +in the bleak dividing pressure of the river breeze.</p> + +<p>But the Owl train we propose to celebrate is the +vehicle that departs modestly from the crypt of the +Pennsylvania Station in New York at half-past +midnight and emits blood-shot wanderers at West +Philadelphia at 3:16 in the morning. The railroad +company, which thinks these problems out with +nice care, lulls the passengers into unconsciousness +of their woes not only by a gentle and even gait, a +progress almost tender in its carefully modulated +repression of speed, but also by keeping the cars at +such an amazing heat that the victims promptly +fade into a swoon. Nowhere will you see a more +complete abandonment to the wild postures of +fatigue and despair than in the pathetic sprawl of +these human forms upon the simmering plush settees. +A hot eddy of some varnish-tinctured +vapour—certainly not air—rises from under the +seats and wraps the traveller in a nightmarish trance. +Occasionally he starts wildly from his dream and +glares frightfully through the misted pane. It is +the custom of the trainmen, who tiptoe softly<span class='pagenum'><a name="Page_27" id="Page_27">[Pg 27]</a></span> +through the cars, never to disturb their clients by +calling out the names of stations. When New +Brunswick is reached many think that they have +arrived at West Philadelphia, or (worse still) have +been carried on to Wilmington. They rush desperately +to the bracing chill of the platform to learn +where they are. There is a mood of mystery about +this Owl of ours. The trainmen take a quaint +delight in keeping the actual whereabouts of the +caravan a merciful secret.</p> + +<p>Oddly assorted people appear on this train. +Occasional haughty revellers, in evening dress and +opera capes, appear among the humbler voyagers. +For a time they stay on their dignity: sit bravely +upright and talk with apparent intelligence. Then +the drowsy poison of that stifled atmosphere overcomes +them, too, and they fall into the weakness +of their brethren. They turn over the opposing +seat, elevate their nobler shins, and droop languid +heads over the ticklish plush chair-back. Strange +aliens lie spread over the seats. Nowhere will you +see so many faces of curious foreign carving. It +seems as though many desperate exiles, who never +travel by day, use the Owl for moving obscurely +from city to city. This particular train is bound +south to Washington, and at least half its tenants are +citizens of colour. Even the endless gayety of our +dusky brother is not proof against the venomous +exhaustion of that boxed-in suffocation. The<span class='pagenum'><a name="Page_28" id="Page_28">[Pg 28]</a></span> +ladies of his race are comfortably prepared for the +hardships of the route. They wrap themselves in +huge fur coats and all have sofa cushions to recline +on. Even in an all-night session of Congress you +will hardly note so complete an abandonment of +disillusion, weariness, and cynical despair as is +written upon the blank faces all down the aisle. +Even the will-power of a George Creel or a Will H. +Hays would droop before this three-hour ordeal. +Professor Einstein, who talks so delightfully of discarding +Time and Space, might here reconsider his +theories if he brooded, baking gradually upward, on +the hot green plush.</p> + +<p>This genial Owl is not supposed to stop at North +Philadelphia, but it always does. By this time +Philadelphia passengers are awake and gathered in +the cold vestibules, panting for escape. Some of +them, against the rules of the train, manage to +escape on the North Philadelphia platform. The +rest, standing huddled over the swaying couplings, +find the leisurely transit to West Philadelphia as +long as the other segments of the ride put together. +Stoically, and beyond the power of words, they lean +on one another. At last the train slides down a grade. +In the dark and picturesque tunnel of the West +Philadelphia station, through thick mists of steam +where the glow of the fire box paints the fog a golden +rose, they grope and find the ancient stairs. Then they +stagger off to seek a lonely car or a night-hawk taxi.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_29" id="Page_29">[Pg 29]</a></span></p> +<h2><a name="SAFETY_PINS" id="SAFETY_PINS"></a>SAFETY PINS</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 269px;"> +<img src="images/illo_p029.jpg" width="269" height="300" alt="illo_p029" title="Safety Pins" /></div> + +<p>Ligature of infancy, healing engine of emergency, +base and mainstay of our civilization—we +celebrate the safety pin.</p> + +<p>What would we do without safety pins? Is it +not odd to think, looking about us on our fellowmen +(bearded realtors, ejaculating poets, plump +and ruddy policemen, even the cheerful dusky +creature who runs the elevator and whistles “Oh, +What a Pal Was Mary” as the clock draws near +6 <span class="smcap">p. m.</span>)—all these were first housed and swaddled +and made seemly with a paper of safety pins. +How is it that the inventor who first conferred +this great gift on the world is not known by name +for the admiration and applause of posterity? Was<span class='pagenum'><a name="Page_30" id="Page_30">[Pg 30]</a></span> +it not the safety pin that made the world safe for +infancy?</p> + +<p>There will be some, mayhap, to set up the button +as rival to the safety pin in service to humanity. +But our homage bends toward the former. Not +only was it our shield and buckler when we were too +puny and impish to help ourselves, but it is also (now +we are parent) symbol of many a hard-fought field, +where we have campaigned all over the white counterpane +of a large bed to establish an urchin in his +proper gear, while he kicked and scrambled, witless +of our dismay. It is fortunate, pardee, that human +memory does not extend backward to the safety +pin era—happily the recording carbon sheet of the +mind is not inserted on the roller of experience until +after the singular humiliations of earliest childhood +have passed. Otherwise our first recollection would +doubtless be of the grimly flushed large face of a +resolute parent, bending hotly downward in effort +to make both ends meet while we wambled and +waggled in innocent, maddening sport. In those +days when life was (as George Herbert puts it) +“assorted sorrows, anguish of all sizes,” the safety +pin was the only thing that raised us above the +bandar-log. No wonder the antique schoolmen +used to enjoy computing the number of angels that +might dance on the point of a pin. But only archangels +would be worthy to pirouette on a safety pin, +which is indeed mightier than the sword. When<span class='pagenum'><a name="Page_31" id="Page_31">[Pg 31]</a></span> +Adam delved and Eve did spin, what did they do for +a safety pin?</p> + +<p>Great is the stride when an infant passes from +the safety pin period to the age of buttons. There +are three ages of human beings in this matter: (1) +Safety pins, (2) Buttons, (3) Studs, or (for females) +Hooks and Eyes. Now there is an interim in the life +of man when he passes away from safety pins, and, +for a season, knows them not—save as mere convenience +in case of breakdown. He thinks of them, +in his antic bachelor years, as merely the wrecking +train of the sartorial system, a casual conjunction +for pyjamas, or an impromptu hoist for small +clothes. Ah! with humility and gratitude he greets +them again later, seeing them at their true worth, +the symbol of integration for the whole social fabric. +Women, with their intuitive wisdom, are more +subtle in this subject. They never wholly outgrow +safety pins, and though they love to ornament +them with jewellery, precious metal, and enamels, +they are naught but safety pins after all. Some +ingenious philosopher could write a full tractate on +woman in her relation to pins—hairpins, clothes +pins, rolling pins, hatpins.</p> + +<p>Only a bachelor, as we have implied, scoffs at pins. +Hamlet remarked, after seeing the ghost, and not +having any Sir Oliver Lodge handy to reassure him, +that he did not value his life at a pin's fee. Pope, we +believe, coined the contemptuous phrase, “I care not<span class='pagenum'><a name="Page_32" id="Page_32">[Pg 32]</a></span> +a pin.” The pin has never been done justice in the +world of poetry. As one might say, the pin has had +no Pindar. Of course there is the old saw about see +a pin and pick it up, all the day you'll have good luck. +This couplet, barbarous as it is in its false rhyme, +points (as Mother Goose generally does) to a profound +truth. When you see a pin, you must pick +it up. In other words, it is on the floor, where pins +generally are. Their instinctive affinity for terra +firma makes one wonder why they, rather than the +apple, did not suggest the law of gravitation to someone +long before Newton.</p> + +<p>Incidentally, of course, the reason why Adam and +Eve were forbidden to pick the apple was that it was +supposed to stay on the tree until it fell, and Adam +would then have had the credit of spotting the +principle of gravitation.</p> + +<p>Much more might be said about pins, touching +upon their curious capacity for disappearing, superstitions +concerning them, usefulness of hatpins or +hairpins as pipe-cleaners, usefulness of pins to schoolboys, +both when bent for fishing and when filed to an +extra point for use on the boy in the seat in front +(honouring him in the breech, as Hamlet would have +said) and their curious habits of turning up in unexpected +places, undoubtedly caught by pins in their +long association with the lovelier sex. But of these +useful hyphens of raiment we will merely conclude +by saying that those interested in the pin industry<span class='pagenum'><a name="Page_33" id="Page_33">[Pg 33]</a></span> +will probably emigrate to England, for we learn from +the Encyclopædia Britannica that in that happy +island pins are cleaned by being boiled in weak beer. +Let it not be forgotten, however, that of all kinds, +the safety is the King Pin.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_34" id="Page_34">[Pg 34]</a></span></p> +<h2><a name="CONFESSIONS" id="CONFESSIONS"></a>CONFESSIONS OF A “COLYUMIST”</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p034.jpg" width="300" height="279" alt="p034" title="Confessions of a Colyumist" /></div> + +<p>I can not imagine any pleasant job so full of +pangs, or any painful job so full of pleasures, +as the task of conducting a newspaper column.</p> + +<p>The colyumist, when he begins his job, is disheartened +because nobody notices it. He soon outgrows +this, and is disheartened because too many +people notice it, and he imagines that all see the +paltriness of it as plainly as he does. There is<span class='pagenum'><a name="Page_35" id="Page_35">[Pg 35]</a></span> +nothing so amazing to him as to find that any one +really enjoys his “stuff.” Poor soul, he remembers +how he groaned over it at his desk. He remembers +the hours he sat with lack-lustre eye and addled +brain, brooding at the sluttish typewriter. He remembers +the flush of shame that tingled him as he +walked sadly homeward, thinking of some atrocious +inanity he had sent upstairs to the composing-room. +It is a job that engenders a healthy humility.</p> + +<p>I had always wanted to have a try at writing a +column. Heaven help me, I think I had an idea that +I was born for the job. I may as well be candid. +There was a time when I seriously thought of inserting +the following ad in a Philadelphia newspaper. +I find a memorandum of it in my scrap-book:</p> + +<div class="blockquot"><p><span class="smcap">Humorist</span>: Young and untamed, lineal descendent +of Eugene Field, Frank Stockton, and François +Rabelais, desires to run a column in a Philadelphia +newspaper. A guaranteed circulation-getter.</p> + +<p>Said Humorist can also supply excellent veins of +philosophy, poetry, satire, uplift, glad material +and indiscriminate musings. Remarkable opportunity +for any newspaper desiring a really unusual +editorial feature. Address <span class="smcap">Humorist</span>, etc.</p></div> + +<p>So besotted was I, I would have paid to have this +printed if I had not been counselled by an older and +wiser head.</p> + +<p>I instance this to show that the colyumist is likely +to begin his job with the conception that it is to be a<span class='pagenum'><a name="Page_36" id="Page_36">[Pg 36]</a></span> +perpetual uproar of mirth and high spirits. This +lasts about a week. He then learns, in secret, to take +it rather seriously. He has to deal with the most +elusive and grotesque material he knows—his own +mind; and the unhappy creature, everlastingly probing +himself in the hope of discovering what is so +rare in minds (a thought), is likely to end in a ferment +of bitterness. The happiest times in life are +when one can just live along and enjoy things as they +happen. If you have to be endlessly speculating, +watching, and making mental notes, your brain-gears +soon get a hot box. The original of all paragraphers—Ecclesiastes—came +very near ending as a +complete cynic; though in what F. P. A. would call +his “lastline,” he managed to wriggle into a more +hopeful mood.</p> + +<p>The first valuable discovery that the colyumist is +likely to make is that all minds are very much the +same. The doctors tell us that all patent medicines +are built on a stock formula—a sedative, a purge, and +a bitter. If you are to make steady column-topers +out of your readers, your daily dose must, as far as +possible, average up to that same prescription. If you +employ the purge all the time, or the sedative, or the +acid, your clients will soon ask for something with +another label.</p> + +<p>Don Marquis once wrote an admirable little poem +called “A Colyumist's Prayer.” Mr. Marquis, who +is the king of all colyumists, realizes that there is<span class='pagenum'><a name="Page_37" id="Page_37">[Pg 37]</a></span> +what one may call a religious side in colyumizing. +It is hard to get the colyumist to admit this, for he +fears spoofing worse than the devil; but it is eminently +true. If I were the owner of a newspaper, I +think I would have painted up on the wall of the local +room the following words from Isaiah, the best of all +watchwords for all who write:</p> + +<div class="blockquot"><p>Woe unto them that call evil good, and good evil; +that put darkness for light, and light for darkness; +that put bitter for sweet, and sweet for bitter!</p></div> + +<p>The most painful privilege of the colyumist's job +is the number of people who drop in to see him, +usually when he is imprecating his way toward the +hour of going to press. This is all a part of the great +and salutary human instinct against work. When +people see a man toiling, they have an irresistible impulse +to crowd round and stop him. They seem to +imagine that he has been put there on purpose to help +them solve their problems, to find a job for their +friend from Harrisburg, or to tell them how to find a +publisher for their poems. Unhappily, their victim +being merely human, is likely to grow a bit snappish +under infliction. Yet now and then he gets a +glimpse into a human vexation so sincere, so honest, +and so moving that he turns away from the typewriter +with a sigh. He wonders how one dare approach +the chronicling of this muddled panorama +with anything but humility and despair. Frank<span class='pagenum'><a name="Page_38" id="Page_38">[Pg 38]</a></span> +Harris once said of Oscar Wilde: “If England insists +on treating her criminals like this, she doesn't +deserve to have any.” Similarly, if the public insists +on bringing its woes to its colyumists, it doesn't +deserve to have any colyumists. Then the battered +jester turns again to his machine and ticks off something +like this:</p> + +<div class="blockquot"><p><i>We have heard of ladies who have been tempted beyond +their strength. We have also seen some who +have been strengthened beyond their temptation.</i></p></div> + +<p>Of course there are good days, too. (This is not +one of them.) Days when the whole course of the +news seems planned for the benefit of the chaffish and +irreverent commentator. When Governor Hobby of +Texas issues a call for the state cavalry. When one +of your clients drops in, in the goodness of his heart, +to give you his own definition of a pessimist—a +pessimist, he says, is a man who wears both belt and +suspenders. When a big jewellery firm in the city +puts out a large ad—</p> + +<div class="poem"><div class="stanza"> +<span class="i0">Bailey, Banks & Biddle Company<br /></span> +<span class="i2">Watches for Women<br /></span> +<span class="i0">Of Superior Design and Perfection<br /></span> +<span class="i6">of Movement<br /></span> +</div></div> + +<p>all that one needs to do to that is to write over it the +caption</p> + +<center>SO DO WE ALL</center> + +<p>and pass on to the next paragraph.<span class='pagenum'><a name="Page_39" id="Page_39">[Pg 39]</a></span></p> + +<p>The more a colyumist is out on the streets, making +himself the reporter of the moods and oddities of +men, the better his stuff will be. It seems to me that +his job ought to be good training for a novelist, +as it teaches him a habit of human sensitiveness. +He becomes filled with an extraordinary curiosity +about the motives and purposes of the people he +sees. The other afternoon I was very much struck +by the unconscious pathos of a little, gentle-eyed +old man who was standing on Chestnut Street +studying a pocket notebook. His umbrella leaned +against a shop-window, on the sill of which he had +laid a carefully rolled-up newspaper. By his feet +was a neat leather brief-case, plumply filled with +contents not discernible. There he stood (a +sort of unsuccessful Cyrus Curtis), very diminutive, +his gray hair rather long abaft his neck, +his yellowish straw hat (with curly brim) tilted +backward as though in perplexity, his timid and +absorbed blue eyes poring over his memorandum-book +which was full of pencilled notes. He had a +slightly unkempt, brief beard and whiskers, his +cheek-bones pinkish, his linen a little frayed. There +was something strangely pathetic about him, and I +would have given much to have been able to speak +to him. I halted at a window farther down the +street and studied him; then returned to pass him +again, and watched him patiently. He stood quite +absorbed, and was still there when I went on.<span class='pagenum'><a name="Page_40" id="Page_40">[Pg 40]</a></span></p> + +<p>That is just one of the thousands of vivid little +pictures one sees on the city streets day by day. To +catch some hint of the meaning of all this, to present +a few scrawled notes of the amazing interest and +colour of the city's life, this is the colyumist's task as +I see it. It is a task not a whit less worthy, less +painful, or less baffling than that of the most conscientious +novelist. And it is carried on in surroundings +of extraordinary stimulation and difficulty. +It is heart-racking to struggle day by day, amid +incessant interruption and melee, to snatch out +of the hurly-burly some shreds of humour or pathos +or (dare one say?) beauty, and phrase them intelligibly.</p> + +<p>But it is fun. One never buys a package of tobacco, +crosses a city square, enters a trolley-car or +studies a shop-window without trying, in a baffled, +hopeless way, to peer through the frontage of the +experience, to find some glimmer of the thoughts, +emotions, and meanings behind. And in the long +run such a habit of inquiry must bear fruit in understanding +and sympathy. Joseph Conrad (who +seems, by the way, to be more read by newspaper +men than any other writer) put very nobly the pinnacle +of all scribblers' dreams when he said that +human affairs deserve the tribute of “a sigh which +is not a sob, a smile which is not a grin.”</p> + +<p>So much, with apology, for the ideals of the +colyumist, if he be permitted to speak truth without<span class='pagenum'><a name="Page_41" id="Page_41">[Pg 41]</a></span> +fear of mockery. Of course in the actual process and +travail of his job you will find him far different. +You may know him by a sunken, brooding eye; +clothing marred by much tobacco, and a chafed and +tetchy humour toward the hour of five <span class="smcap">p. m.</span> Having +bitterly schooled himself to see men as paragraphs +walking, he finds that his most august musings have +a habit of stewing themselves down to some ferocious +or jocular three-line comment. He may yearn desperately +to compose a really thrilling poem that will +speak his passionate soul; to churn up from the +typewriter some lyric that will rock with blue seas +and frantic hearts; he finds himself allaying the +frenzy with some jovial sneer at Henry Ford or a +yell about the High Cost of Living. Poor soul, he +is like one condemned to harangue the vast, idiotic +world through a keyhole, whence his anguish issues +thin and faint. Yet who will say that all his labour +is wholly vain? Perhaps some day the government +will crown a Colyumist Laureate, some majestic +sage with ancient patient blue eyes and a snowy +beard nobly stained with nicotine, whose utterances +will be heeded with shuddering respect. All minor +colyumists will wear robes and sandals; they will be +an order of scoffing friars; people will run to them +on crowded streets to lay before them the sorrows +and absurdities of men. And in that day</p> + +<div class="poem"><div class="stanza"> +<span class="i0">The meanest paragraph that blows will give<br /></span> +<span class="i0">Thoughts that do often lie too deep for sneers.<br /></span> +</div></div> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_42" id="Page_42">[Pg 42]</a></span></p> +<h2><a name="MOVING" id="MOVING"></a>MOVING</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p042.jpg" width="300" height="297" alt="p042" title="Moving" /></div> + +<p>Man, we suspect, is the only animal capable of +persuading himself that his hardships are +medicine to the soul, of flattering himself into a conviction +that some mortal spasm was a fortifying +discipline.</p> + +<p>Having just moved our household goods for the +fourth time in four years, we now find ourself in the +singular state of trying to believe that the horrors of +the event have added to our supply of spiritual +resignation. Well, let us see.</p> + +<p>The brutal task of taking one's home on trek is (we<span class='pagenum'><a name="Page_43" id="Page_43">[Pg 43]</a></span> +can argue) a stirring tonic, a kind of private rehearsal +of the Last Judgment, when the sheep shall be +divided from the shoats. What could be a more convincing +reminder of the instability of man's affairs +than the harrowing upheaval of our cherished +properties? Those dark angels, the moving men, +how heartless they seem in their brisk and resolute +dispassion—yet how exactly they prefigure the +implacable sternness of the ultimate shepherds. A +strange life is theirs, taking them day after day into +the bosom of homes prostrated by the emigrating +throe. Does this matter-of-fact bearing conceal an +infinite tenderness, a pity that dare not show itself +for fear of unmanly collapse? Are they secretly +broken by the sight of the desolate nursery, the dismantled +crib, the forgotten clockwork monkey +lying in a corner of the cupboard where the helpless +Urchin laid it with care before he and his smaller +sister were deported, to be out of the way in the final +storm? Does the o'ermastering pathos of a modest +household turned inside out, its tender vitals displayed +to the passing world, wring their breasts? +Stoic men, if so, they well conceal their pangs.</p> + +<p>They have one hopelessly at a disadvantage. In +the interval that always elapses before the arrival of +the second van, there is a little social chat and utterance +of reminiscences. There is a lively snapping of +matchheads on thumbnails, and seated at ease in the +débris of the dismantled living room our friends will<span class='pagenum'><a name="Page_44" id="Page_44">[Pg 44]</a></span> +tell of the splendour of some households they have +moved before. The thirty-eight barrels of gilt +porcelain, the twenty cases of oil paintings, the satin-wood +grand piano that their spines twinge to recall. +Once our furnitures were moved by a crew of lusty +athletes who had previously done the same for Mr. +Ivy Lee, and while we sat in shamed silence we heard +the tale of Mr. Lee's noble possessions. Of what +avail would it have been for us to protest that we love +our stuff as much as Mr. Lee did his? No, we had a +horrid impulse to cry apology, and beg them to hurl +the things into the van anyhow, just to end the agony.</p> + +<p>This interval of social chat being prolonged by the +blizzard, the talk is likely to take a more ominous +turn. We are told how, only last week, a sister van +was hit by a train at a crossing and carried a hundred +yards on the engine pilot. Two of the men were +killed, though one of these lived from eleven o'clock +Saturday morning until eleven o'clock Monday +night. How, after hearing this, can one ask what +happened to the furniture, even if one is indecent +enough to think of it? Then one learns of another of +the fleet, stalled in a drift on the way to Harrisburg, +and hasn't been heard from for forty-eight hours. +Sitting in subdued silence, one remembers something +about “moving accidents by flood and field,” and +thanks fortune that these pitiful oddments are only +going to a storage warehouse, not to be transported +thence until the kindly season of spring.<span class='pagenum'><a name="Page_45" id="Page_45">[Pg 45]</a></span></p> + +<p>But packing for storage instead of for moving +implies subtler and more painful anguishes. Here +indeed we have a tonic for the soul, for election must +be made among one's belongings: which are to be +stored, and which to accompany? Take the subject +of books for instance. Horrid hesitation: can we +subsist for four or five months on nothing but the +“Oxford Book of English Verse” and Boswell's Johnson? +Suppose we want to look up a quotation, in +those late hours of the night when all really worthwhile +reading is done? Our memory is knitted with +a wide mesh. Suppose we want to be sure just what +it was that Shakespeare said happened to him in his +“sessions of sweet silent thought,” what are we going +to do? We will have to fall back on the customary +recourse of the minor poet—if you can't remember +one of Shakespeare's sonnets, at least you can write +one of your own instead. Speaking of literature, it +is a curious thing that the essayists have so neglected +this topic of moving. It would be pleasant to know +how the good and the great have faced this peculiarly +terrible crisis of domestic affairs. When the Bard +himself moved back to Stratford after his years in +London, what did he think about it? How did he +get all his papers packed up, and did he, in mere +weariness, destroy the half-done manuscripts of +plays? Charles Lamb moved round London a good +deal; did he never write of his experience? We like +to think of Emerson: did he ever move, and if so,<span class='pagenum'><a name="Page_46" id="Page_46">[Pg 46]</a></span> +how did he behave when the fatal day came? Did +he sit on a packing case and utter sepulchral aphorisms? +Think of Lord Bacon and how he would +have crystallized the matter in a phrase.</p> + +<p>Of course in bachelor days moving may be a huge +lark, a humorous escapade. We remember some +high-spirited young men, three of them, who were +moving their chattels from rooms on Twenty-first +Street to a flat on Irving Place. Frugality was +their necessary watchword, and they hired a pushcart +in which to transport the dunnage. It was +necessary to do this on Sunday, and one of the trio, +more sensitive than the others, begged that they +should rise and accomplish the public shame early in +the morning, before the streets were alive. In +particular, he begged, let the route be chosen to +avoid a certain club on Gramercy Park where he had +many friends, and where he was loath to be seen +pushing his humble intimacies. The others, scenting +sport, and brazenly hardy of spirit, contrived to +delay the start on one pretext or another until the +middle of the forenoon. Then, by main force, +ignoring his bitter protest, they impelled the staggering +vehicle, grossly overloaded, past the very door of +the club my friend had wished to avoid. Here, by +malicious inspiration, they tilted the wain to one +side and strewed the paving with their property. +They skipped nimbly round the corner, and with +highly satisfactory laughter watched their blushing<span class='pagenum'><a name="Page_47" id="Page_47">[Pg 47]</a></span> +partner labouring dismally to collect the fragments. +Some of his friends issuing from the club lent a hand, +and the joy of the conspirators was complete.</p> + +<p>But to the family man, moving is no such airy +picnic. Sadly he goes through the last dismal rites +and sees the modest fragments of his dominion +hustled toward the cold sepulture of a motor van. +Before the toughened bearing of the hirelings he +doubts what manner to assume. Shall he stand at +the front door and exhort them to particular care +with each sentimental item, crying “Be careful with +that little chair; that's the one the Urchin uses when +he eats his evening prunes!” Or shall he adopt a +gruesome sarcasm, hoping to awe them by conveying +the impression that even if the whole van should be +splintered in collision, he can get more at the nearest +department store? Whatever policy he adopts, they +will not be much impressed. For, when we handed +our gratuity, not an ungenerous one, to the driver, +asking him to divide it among the gang, we were +startled to hear them burst into loud screams of +mirth. We asked, grimly, the cause. It appeared +that during the work one of our friends, apparently +despairing of any pourboire appropriate to his own +conceptions of reward, had sold his share of the tip +to the driver for fifteen cents. We are not going to +say how much he lost by so doing. But this gamble +put the driver in such a good humour that we believe +he will keep away from railroad crossings.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_48" id="Page_48">[Pg 48]</a></span></p> +<h2><a name="SURF_FISHING" id="SURF_FISHING"></a>SURF FISHING</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p048.jpg" width="300" height="227" alt="p048" title="Surf Fishing" /></div> + +<p>All day long you see them stand thigh-deep in +the surf, fishing. Up on the beach each one +has a large basket containing clams for bait, extra +hooks and leaders, a little can of oil for the reel, and +any particular doo-dads dear to the heart of the +individual fisherman. And an old newspaper, all +ready to protect the anticipated catch from the rays +of the sun.</p> + +<p>Some of them wear bathing suits; others rubber +hip-boots, or simply old clothes that won't mind +getting wet. If they are very full of swank they +will have a leather belt with a socket to hold the +butt of the rod. Every now and then you will see +them pacing backward up the beach, reeling in the<span class='pagenum'><a name="Page_49" id="Page_49">[Pg 49]</a></span> +line. They will mutter something about a big +strike that time, and he got away with the bait. +With zealous care they spear some more clam on the +hook, twisting it over and over the barb so as to be +firmly impaled. Then, with careful precision, they +fling the line with its heavy pyramid sinker far out +beyond the line of breakers.</p> + +<p>There they stand. What do they think about, +one wonders? But what does any one think about +when fishing? That is one of the happy pastimes +that don't require much thinking. The long ridges +of surf crumble about their knees and the sun and +keen vital air lull them into a cheerful drowse of the +faculties. Do they speculate on the never-ending +fascination of the leaning walls of water, the rhythmical +melody of the rasp and hiss of the water? Do +they watch that indescribable beauty of the breaking +wave, a sight as old as humankind and yet never +so described that one who has not seen it could +picture it?</p> + +<p>The wave gathers height and speed as it moves +toward the sand. It seems to pull itself together for +the last plunge. The first wave that ever rolled up to +a beach probably didn't break. It just slid. It was +only the second wave that broke—curled over in that +curious way. For our theory—which may be +entirely wrong—is that the breaking is due to the +undertow of previous waves. After a wave sprawls +up on the beach, it runs swiftly back. This receding<span class='pagenum'><a name="Page_50" id="Page_50">[Pg 50]</a></span> +undercurrent—you can feel it very strongly if you +are swimming just in front of a large wave about to +break—digs in beneath the advancing hill of water. +It cuts away the foundations of that hill, which +naturally topples over at the crest.</p> + +<p>The wave of water leans and hangs for a delaying +instant. The actual cascade may begin at one end +and run along the length of the ridge; it may begin +at both ends and twirl inward, meeting in the +middle; it may (but very rarely) begin in the middle +and work outward. As the billow is at its height, before +it combs over, the fisherman sees the sunlight +gleaming through it—an ecstasy of perfect lucid +green, with the glimmer of yellow sand behind. +Then, for a brief moment—so brief that the details +can never be memorized—he sees a clear crystal +screen of water falling forward. Another instant, +and it is all a boil of snowy suds seething about his +legs. He may watch it a thousand times, a million +times; it will never be old, never wholly familiar. +Colour varies from hour to hour, from day to day. +Sometimes blue or violet, sometimes green-olive or +gray. The backwash tugs at his boots, hollowing +out little channels under his feet. The sun wraps +him round like a mantle; the salt crusts and thickens +in his hair. And then, when he has forgotten everything +save the rhythm of the falling waves, there +comes a sudden tug——</p> + +<p>He reels in, and a few curious bathers stand still<span class='pagenum'><a name="Page_51" id="Page_51">[Pg 51]</a></span> +in the surf to see what he has got. They are inclined +to be scornful. It is such a little fish! One would +think that such a vast body of water would be +ashamed to yield only so small a prize. Never mind. +He has compensations they wot not of. Moreover—although +he would hardly admit it himself—the +fishing business is only a pretext. How else could a +grown man with grizzled hair have an excuse to +stand all day paddling in the surf?</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_52" id="Page_52">[Pg 52]</a></span></p> +<h2><a name="IDOLATRY" id="IDOLATRY"></a>“IDOLATRY”</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p052.jpg" width="300" height="254" alt="p052" title="Idolatry" /></div> + +<p>Once in a while, when the name of R. L. S. is +mentioned in conversation, someone says to +us: “Ah well, you're one of the Stevenson idolators, +aren't you?” And this is said with a curious air of +cynical superiority, as of one who has experienced all +these things and is superbly tolerant of the shallow +mind that can still admire Tusitala. His work +(such people will generally tell you) was brilliant +but “artificial” ... and for the true certificated +milk of the word one must come along to such +modern giants as Dreiser and Hergesheimer and +Cabell. For these artists, each in his due place, we +have only the most genial respect. But when the +passion of our youth is impugned as “idolatry” we +feel in our spirit an intense weariness. We feel the<span class='pagenum'><a name="Page_53" id="Page_53">[Pg 53]</a></span> +pacifism of the wise and secretive mind that remains +tacit when its most perfect inward certainties are +assailed. One does not argue, for there are certain +things not arguable. One shrugs. After all, what +human gesture more eloquent (or more satisfying to +the performer) than the shrug?</p> + +<p>There is a little village on the skirts of the Forest +of Fontainebleau (heavenly region of springtime and +romance!) where the crystal-green eddies of the +Loing slip under an old gray bridge with sharp angled +piers of stone. Near the bridge is a quiet little inn, +one of the many happy places in that country long +frequented by artists for painting and “<i>villégiature</i>.” +Behind the inn is a garden beside the river-bank. +The <i>salle à manger</i>, as in so many of those inns at +Barbizon, Moret, and the other Fontainebleau +villages, is panelled and frescoed with humorous and +high-spirited impromptus done by visiting painters.</p> + +<p>In the summer of 1876 an anxious rumour passed +among the artist colonies. It was said that an +American lady and her two children had arrived at +Grez, and the young bohemians who regarded this +region as their own sacred retreat were startled and +alarmed. Were their chosen haunts to be invaded +by tourists—and tourists of the disturbing sex? +Among three happy irresponsibles this humorous +anxiety was particularly acute. One of the trio was +sent over to Grez as a scout, to spy out the situation +and report. The emissary went, and failed to<span class='pagenum'><a name="Page_54" id="Page_54">[Pg 54]</a></span> +return. A second explorer was dispatched to study +the problem. He, too, was swallowed up in silence. +The third, impatiently waiting tidings from his +faithless friends, set out to make an end of this +mystery. He reached the inn at dusk: it was a +gentle summer evening; the windows were open to +the tender air; lamps were lit within, and a merry +party sat at dinner. Through the open window +the suspicious venturer saw the recreant ambassadors, +gay with laughter. And there, sitting in the +lamplight, was the American lady—a slender, +thoughtful enchantress with eyes as dark and glowing +as the wine. Thus it was that Robert Louis +Stevenson first saw Fanny Osbourne.</p> + +<p>A few days later Mrs. Osbourne's eighteen-year-old +daughter Isobel wrote in a letter: “There is a +young Scotchman here, a Mr. Stevenson. He is +such a nice-looking ugly man, and I would rather +listen to him talk than read the most interesting +book.... Mama is ever so much better and is +getting prettier every day.”</p> + +<p>“The Life of Mrs. Robert Louis Stevenson,” +written by her sister Mrs. Sanchez (the mother of +“little Louis Sanchez on the beach at Monterey” +remembered by lovers of “A Child's Garden of +Verses”) is a book that none of the so-called idolaters +will want to overlook. The romantic excitements +of R. L. S.'s youth were tame indeed compared +to those of Fanny Van de Grift. R. L. S. had<span class='pagenum'><a name="Page_55" id="Page_55">[Pg 55]</a></span> +been thrilled enough by a few nights spent in the +dark with the docile ass of the Cevennes; but here +was one, sprung from sober Philadelphia blood, +born in Indianapolis and baptized by Henry Ward +Beecher, who had pioneered across the fabled +Isthmus, lived in the roaring mining camps of +Nevada, worked for a dressmaker in Frisco, and +venturously taken her young children to Belgium +and France to study art. She had been married at +seventeen, had already once thought herself to be +a widow in fact by the temporary disappearance +of her first husband; and was now, after enduring +repeated infidelities, prepared to make herself a +widow in law. Daring horse woman, a good shot, +a supreme cook, artist, writer, and a very Gene +Stratton Porter among flowers, fearless, beautiful, +and of unique charm—where could another woman +have been found so marvellously gifted to be the +wife of a romancer? It seems odd that Philadelphia +and Edinburgh, the two most conservatively minded +cities of the Anglo-Saxon earth, should have combined +to produce this, the most radiant pair of +adventurers in our recent annals.</p> + +<p>The reading of this delightful book has taken us +back into the very pang and felicity of our first great +passion—our idolatry, if you will—which we are +proud here and now to re-avow. When was there +ever a happier or more wholesome worship for a boy +than the Stevenson mania on which so many of this<span class='pagenum'><a name="Page_56" id="Page_56">[Pg 56]</a></span> +generation grew up? We were the luckier in that +our zeal was shared in all its gusto and particularity +by a lean, long-legged, sallow-faced, brown-eyed +eccentric (himself incredibly Stevensonian in appearance) +with whom we lay afield in our later teens, +reading R. L. S. aloud by the banks of a small stream +which we vowed should become famous in the world +of letters. And so it has, though not by our efforts, +which was what we had designed; for at the crystal +headwater of that same creek was penned “The +Amenities of Book Collecting,” that enchanting +volume of bookish essays which has swelled the correspondence +of a Philadelphia business man to insane +proportions, and even brought him offers from three +newspapers to conduct a book page. It seems appropriate +to the present chronicler that in a quiet +library overlooking the clear fount and origin of +dear Darby Creek there are several of the most +cherished association volumes of R. L. S.—we think +particularly of the “Child's Garden of Verses” +which he gave to Cummy, and the manuscript of +little “Smoutie's” very first book, the “History of +Moses.”</p> + +<br /> +<p>Was there ever a more joyous covenant of affection +than that of Mifflin McGill and ourself in our +boyish madness for Tusitala? It is a happy circumstance, +we say, for a youth, before the multiplying +responsibilities of maturity press upon him, to pour<span class='pagenum'><a name="Page_57" id="Page_57">[Pg 57]</a></span> +out his enthusiasm in an obsession such as that; and +when this passion can be shared and doubled and +knitted in partnership with an equally freakish, insane, +and innocent idiot (such as our generously mad +friend Mifflin) admirable adventures are sure to +follow. The quest begun on Darby Creek took us +later on an all-summer progress among places in +England and Scotland hallowed to us by association +with R. L. S. Never, in any young lives past or to +come, could there be an instant of purer excitement +and glory than when, after bicycling hotly all day +with the blue outline of Arthur's Seat apparently +always receding before us, we trundled grimly into +Auld Reekie and set out for the old Stevenson home +at 17 Heriot Row, halting only to bestow our +pneumatic steeds in the nearest and humblest available +hostelry. There (for we found the house +empty and “To Let”) we sat on the doorstep evening +by evening, smoking in the long northern +twilight and spinning our youthful dreams. This +lust for hunting out our favourite author's footsteps +even led one of the pair to a place perhaps never +visited by any other Stevensonian pilgrim—old +Cockfield Rectory, in Suffolk, where Mrs. Sitwell +and Sidney Colvin first met the bright-eyed Scotch +boy in 1873. The tracker of footprints remembers +how kind were the then occupants of the old rectory, +and how, in a daze of awe, he trod the green and +tranquil lawn and hastened to visit a cottage near by<span class='pagenum'><a name="Page_58" id="Page_58">[Pg 58]</a></span> +where there was an ancient rustic who had been +coachman at the rectory when R. L. S. stayed there, +fabled to retain some pithy recollection. Alas, the +Suffolk ancient, eager enough to share tobacco and +speech, would only mull over his memories of a +previous rector, describing how it had fallen to him +to prepare the good man for burial; how he smiled in +death and his cheeks were as rosy as a babe's.</p> + +<p>It would take many pages to narrate all the +bypaths and happy excursions trod by these simple +youths in their quest of the immortal Louis. The +memories come bustling, and one knows not where to +stop. The supreme adventure, for one of the pair, +lay in the kindness of Sir Sidney Colvin. To this +prince of gentlemen and scholars one of these lads +wrote, sending his letter (with subtle cunning) from +a village in Suffolk only a few miles from Sir Sidney's +boyhood home. He calculated that this might +arouse the interest of Sir Sidney, whom he knew to +be cruelly badgered with letters from enthusiasts; +and fortune turned in his favour, granting him +numerous ecstatic visits to Sir Sidney and Lady +Colvin and much unwarranted generosity. But, +since our mind has been turned in this direction by +Mrs. Sanchez's book, it might be appropriate to add +that one of the most thrilling moments in the crusade +was a season of April days spent beside the green and +stripling Loing, in the forest of Fontainebleau region, +visiting those lovely French villages where R. L. S.<span class='pagenum'><a name="Page_59" id="Page_59">[Pg 59]</a></span> +roamed as a young man, crowned by an afternoon +at Grez. One remembers the old gray bridge across +the eddying water, and the door of the inn where the +young pilgrim lingered, trying to visualize scenes of +thirty-five years before.</p> + +<p>It is not mere idolatry when the hearts of the +young are haunted by such spells. There was some +real divinity behind the enchantment, some marvellous +essence that made all roads Tusitala trod the +Road of Loving Hearts. In these matters we would +trust the simple Samoans to come nearer the truth +than our cynic friend in Greenwich Village. The +magic of that great name abides unimpaired.</p> + + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_60" id="Page_60">[Pg 60]</a></span></p> +<h2><a name="THE_FIRST_COMMENCEMENT_ADDRESS" id="THE_FIRST_COMMENCEMENT_ADDRESS"></a>THE FIRST COMMENCEMENT ADDRESS</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<center>(<i>Delivered to Cain and Abel, the first graduating class +of the Garden of Eden Normal School.</i>)</center> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p060.jpg" width="300" height="231" alt="p060" title="The First Commencement Address" /></div> + +<p>My young friends—It is a privilege to be +permitted to address you this morning, for +I am convinced that never in the world's history did +the age beckon with so eager a gesture to the young +men on the threshold of active life. Never indeed in +the past, and certainly never in the future, was there +or will there be a time more deeply fraught with +significance. And as I gaze upon your keen faces it +seems almost as though the world had amassed all +the problems that now confront us merely in order +to give you tasks worthy of your prowess.</p> + +<p>The world, I think I may safely say, is smaller now +than ever before. The recent invention of young<span class='pagenum'><a name="Page_61" id="Page_61">[Pg 61]</a></span> +women, something quite new in the way of a social +problem, has introduced a hitherto undreamed-of +complexity into human affairs. The extreme +rapidity with which ideas and thoughts now circulate, +due to the new invention of speech, makes it +probable that what is said in Eden to-day will be +known in the land of Nod within a year. The +greatest need is plainly for big-visioned and purposeful +men, efficient men, men with forward-looking +minds. I hope you will pattern after your admirable +father in this respect; he truly was a forward-looking +man, for he had nothing to look back on.</p> + +<p>You are aware, however, that your father has had +serious problems to deal with, and it is well that you +should consider those problems in the light of the +experiences you are about to face. One of his most +perplexing difficulties would never have come upon +him if he had not fallen into a deep sleep. I counsel +you, therefore, be wary not to overslumber. The +prizes of life always come to those who press resolutely +on, undaunted by fatigue and discouragement. +Another of your father's failings was probably due to +the fact that he was never a small boy and thus had +no chance to work the deviltry out of his system. +You yourselves have been abundantly blessed in this +regard. I think I may say that here, in our Normal +Academy, you have had an almost ideal playground +to work off those boyish high spirits, to perpetrate +those mischievous pranks that the world expects of<span class='pagenum'><a name="Page_62" id="Page_62">[Pg 62]</a></span> +its young. Remember that you are now going out +into the mature work of life, where you will encounter +serious problems.</p> + +<p>As you wend your way from these accustomed +shades into the full glare of public life you will do so, +I hope, with the consciousness that the eyes of the +world are upon you. The sphere of activity in +which you may find yourselves called upon to perform +may be restricted, but you will remember that +not failure but low aim is base. You will hold a just +balance between the conflicting tendencies of radicalism +and conservatism. You will endeavour to +secure for labour its due share in the profits of labour. +You will not be forgetful that all government depends +in the last resort on the consent of the governed. +These catch words in the full flush of your +youth you may be inclined to dismiss as truisms, but +I assure you that 10,000 years from now men will be +uttering them with the same air of discovery.</p> + +<p>It is my great pleasure to confer upon you both +the degree of bachelor of arts and to pray that you +may never bring discredit upon your alma mater.</p> + + +<hr style="width: 65%;" /> +<span class='pagenum'><a name="Page_63" id="Page_63">[Pg 63]</a></span> +<h2><a name="THE_DOWNFALL_OF_GEORGE_SNIPE" id="THE_DOWNFALL_OF_GEORGE_SNIPE"></a>THE DOWNFALL OF GEORGE SNIPE</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>George Snipe was an ardent book-lover, and +sat in the smoking car in a state of suspended +ecstasy. He had been invited out to Mandrake +Park to visit the library of Mr. Genial Girth, the +well-known collector of rare autographed books. +Devoted amateur of literature as he was, George's +humble career rarely brought him into contact with +bookish treasures, and a tremulous excitement swam +through his brain as he thought of the glories +he was about to see. In his devout meditation the +train carried him a station beyond his alighting +place, and he ran frantically back through the well-groomed +suburban countryside in order to reach Mr. +Girth's home on time.</p> + +<p>They went through the library together. Mr. +Girth displayed all his fascinating prizes with +generous good nature, and George grew excited. +The palms of his hands were clammy with agitation. +All round the room, encased in scarlet slip-covers of +tooled morocco, on fireproof shelves, were the priceless +booty of the collector. Here was Charles +Lamb's “Essays of Elia,” inscribed by the author to +the woman he loved. Here was a copy of “Paradise<span class='pagenum'><a name="Page_64" id="Page_64">[Pg 64]</a></span> +Lost,” signed by John Milton. Here was a “Hamlet” +given by Shakespeare to Bacon with the inscription, +“Dear Frank, don't you wish you could +have written something like this?” Here was the +unpublished manuscript of a story by Robert Louis +Stevenson. Here was a note written by Doctor +Johnson to the landlord of the Cheshire Cheese, +refusing to pay a bill and accusing the tavern-keeper +of profiteering. Here were volumes autographed by +Goldsmith, Keats, Shelley, Poe, Byron, DeFoe, Swift, +Dickens, Thackeray, and all the other great figures +of modern literature.</p> + +<p>Poor George's agitation became painful. His +head buzzed as he surveyed the faded signatures of +all these men who had become the living figures of +his day-dreams. His eye rolled wildly in its orbit. +Just then Mr. Girth was called out of the room, and +left George alone among the treasures.</p> + +<p>Just at what instant the mania seized him we +shall never know. There were a pen and an inkpot +on the table, and the frenzied lover of books dipped +the quill deep in the dark blue fluid. He ran +eagerly to the shelves. The first volume he saw was +a copy of “Lorna Doone.” In it he wrote “Affectionately +yours, R. D. Blackmore.” Then came +Longfellow's poems. He scrawled “With deep +esteem, Henry W. Longfellow” on the flyleaf. +Then three volumes of Macaulay's “History of +England.” In the first he jotted “I have always<span class='pagenum'><a name="Page_65" id="Page_65">[Pg 65]</a></span> +wanted you to have these admirable books, T. B. +M.” In “The Mill on the Floss” he wrote “This +comes to you still warm from the press, George +Eliot.” The next book happened to be a copy of +Edgar Guest's poems. In this he inscribed “You +are the host I love the best, This is my boast, Yours, +Edgar Guest.” In a copy of Browning's Poems he +wrote “To my dear and only wife, Elizabeth, from +her devoted Robert.” In a pamphlet reprint of the +Gettysburg Speech he penned “This is straight stuff, +A. Lincoln.” But perhaps his most triumphant +exploit was signing a copy of the Rubaiyat thus: +“This book is given to the Anti-Saloon League of +Naishapur by that thorn in their side, O. Khayyam.”</p> + +<p>By the time the ambulance reached Mr. Girth's +home George was completely beyond control. He +was taken away screaming because he had not had a +chance to autograph a copy of the “Songs of Solomon.”</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_66" id="Page_66">[Pg 66]</a></span></p> +<h2><a name="MEDITATIONS_OF_A_BOOKSELLER" id="MEDITATIONS_OF_A_BOOKSELLER"></a>MEDITATIONS OF A BOOKSELLER</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<center>(Roger Mifflin <i>loquitur</i>)</center> +<div class="figcenter" style="width: 255px;"> +<img src="images/illo_p066.jpg" width="255" height="300" alt="p066" title="Meditations of a Bookseller" /></div> + +<p>I had a pleasant adventure to-day. A free verse +poet came in to see me, wanted me to buy some +copies of “The Pagan Anthology.” I looked over +the book, to which he himself had contributed some +pieces. I advised him to read Tennyson. I wish +you could have seen his face.</p> + +<p>If you want to see a really good anthology (I said)<span class='pagenum'><a name="Page_67" id="Page_67">[Pg 67]</a></span> +have a look at Pearsall Smith's “Treasury of English +Prose,” just out. The only thing that surprises me +is that Mr. Smith didn't include some free verse in it. +The best thing about free verse is that it is often awfully +good prose.</p> + +<p>It's a superb clear night: a milky pallor washed +in the blue: a white moon overhead: stars rare +but brilliant, one in the south twinkles and flutters +like a tiny flower stirred by faint air. The wind is +“a cordial of incredible virtue” (Emerson)—sharp +and chill, but with a milder tincture. To-day, +though brisk and snell on the streets, the sunshine +had a lively vigour, a generous quality, a promissory +note of the equinox. I felt it from first rising this +morning—the old demiurge at work! As I sat in the +bathtub (when a man is fifty he may be pardoned for +taking a warm bath on winter mornings) my mind +fell upon the desire of wandering: it occurred to me +that a spread of legs in the vital air would be richly +repaid. The windows called me: as soon as shirt +and trousers were on, I was at the sill peering out +over Gissing Street. Later, even through closed +panes, the chink of milk bottles on the pavement +below seemed to rise with a clearer, merrier note. +Setting out for some tobacco about 8:30, I stopped to +study the ice-man's great blocks of silvery translucence, +lying along the curb by a big apartment house. +“Artificial” ice, I suppose: it was interesting to +see, in the meridian of each cake, a kind of silvery<span class='pagenum'><a name="Page_68" id="Page_68">[Pg 68]</a></span> +fracture or membrane, with the grain of air-bubbles +tending outward therefrom—showing, no doubt, if +one knew the mechanics of refrigeration, just how +the freezing proceeded. Even in so humble a thing +as a block of ice are these harmonic and lovely +patterns, the seal of Nature's craft, inscrutable, +inimitable. I might have made a point of this in +talking to that free verse poet. I'm glad I didn't, +however: he would have had some tedious reply, +convincing to himself. That's the trouble with +replies: they are always convincing to the replier. +As a friend of mine used to say, one good taciturn +deserves another.</p> + +<p>I was thinking, as I took a parcel of laundry up to +the Chinaman on McFee Street just now, it would +be interesting to write a book dealing solely, candidly, +exactly, and fully with the events, emotions, and +thoughts of just one day in a man's life. If one +could do that, in a way to carry conviction, assent, +and reality, to convey to the reader's senses a +recognition of genuine actual human <i>being</i>, one +might claim to be a true artist.</p> + +<p>I have found an admirable book for reading in +bed—this little anthology of prose, collected by +Pearsall Smith. He knows what good prose is, +having written some of the daintiest bits of our time +in his “Trivia,” a book with which I occasionally +delight a truly discerning customer. What a +fascination there is in good prose—“the cool element<span class='pagenum'><a name="Page_69" id="Page_69">[Pg 69]</a></span> +of prose” as Milton calls it—a sort of fluid happiness +of the mind, unshaken by the violent pangs of great +poetry. I am not subtle enough to describe it, but +in the steadily cumulating satisfaction of first-class +prose there seems to be something that speaks direct +to the brain, unmarred by the claims of the senses, +the emotions. I meditate much, ignorantly and +fumblingly, on the modes and purposes of writing. +It is so simple—“Fool!” said my Muse to me, “look in +thy heart and write!”—all that is needful is to tell +what happens; and yet how hard it is to summon up +that necessary candor. Every time I read great +work I see the confirmation of what I grope for. +How vivid, straight, and cleanly it seems when done: +merely the outward utterance of “what the mind at +home, in the spacious circuits of her musing, hath +liberty to propose to herself.” Let a man's mind +depart from his audience; let him have no concern +whether to shock or to please. Let him carry no +consideration save to utter, with unsparing fidelity, +what passes in his own spirit. One can trust the +brain to do its part. All that is needed is honourable +frankness: not to be ashamed to open our +hearts, to speak our privy weakness, our inward +exulting. Then the pain and perplexity, or the +childish satisfactions, of our daily life are the true +material of the writer's art, and that which is sown +in weakness may be raised in power. Curious indeed +that in this life, brief and precariously enjoyed, men<span class='pagenum'><a name="Page_70" id="Page_70">[Pg 70]</a></span> +should so set their hearts on building a permanence +in words: something to stand, in the lovely stability +of ink and leaden types, as our speech out of silence +to those who follow on. Indefensible absurdity, and +yet the secret and impassioned dream of those who +write!</p> + +<p>I was about to say that, for the writing of anything +truly durable, the first requisite is plenty of silence. +Then I recall Dr. Johnson's preface to his Dictionary—“written +not in the soft obscurities of +retirement, or under the shelter of academic bowers, +but amid inconvenience and distraction, in sickness +and in sorrow.”</p> + + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_71" id="Page_71">[Pg 71]</a></span></p> +<h2><a name="IF_BUYING_A_MEAL" id="IF_BUYING_A_MEAL"></a>IF BUYING A MEAL WERE LIKE BUYING A HOUSE</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<center> +<span class="ff">This Indenture</span> +</center> + +<p>between A. B., an innkeeper, organized and existing +under the laws of good cooking, party of the first +part, and C. D., party of the second part, witnesseth:</p> + +<p><span class="ff">That</span> the said party of the first part, for and in +consideration of the sum of $1.50, lawful +money of the United States, paid by the said party +of the second part, does hereby grant and release +unto the said C. D., and his heirs, administrators, +and assigns forever,</p> + +<p><span class="ff">All</span> that certain group, parcels, or allotments of +food, viands, or victuals, situate or to be +spread, served, and garnished upon the premises of +said A. B., shown and known and commonly designed +as one square meal, table d'hôte, together +with the drinking water, napkin, ash tray, finger-bowl +and hat-and-coat-hanging privileges or easements +appurtenant thereto,</p> + +<p><span class="ff">And Together With</span> the rights, +privileges, and<span class='pagenum'><a name="Page_72" id="Page_72">[Pg 72]</a></span> +opportunities (as an easement additionally appurtenant +to the meal above nominated) to partake, eat, +enjoy, and be nourished upon said victuals, and to +call for extra pats, parcels, or portions of butter.</p> + +<p><span class="ff">Subject</span> to the following restrictions, to wit: +That neither the party of the second +part, nor his heirs, executors, or assigns, will feast +immoderately upon onions, to the confusion of his +neighbours; nor will the said C. D. or his guests +smoke any form of tobacco other than cigars +and cigarettes, the instrument commonly known +as a pipe being offensive to the head waiter +(a man of delicate nurture); nor will said party of the +second part covet, retain, nor seek to remove any +knives, forks, spoons, or other tableware whatsoever; +nor is anything said or implied or otherwise intimated +in this covenant to be construed as permitting +the party of the second part to carry on loud +laughter, song, carnival, nor social uproar; nor unnecessarily, +further than is tactful for the procurement +of expeditious attention, to endear himself to +or otherwise cajole, compliment, and ingratiate the +waitress.</p> + +<p><span class="ff">And Furthermore,</span> that title to said +Meal does not +pass until the party of the second part has conveyed, +of his mansuetude and proper charity, a gratuity, fee,<span class='pagenum'><a name="Page_73" id="Page_73">[Pg 73]</a></span> +honorarium, lagniappe, pourboire, easement or tip +of not less than 15 per cent of the price of said +Meal; which easement, while customarily spoken of +as a free-will grant or gratuity, is to be constructively +regarded as an entail and a necessary encumbrance +upon said Meal.</p> + +<p><span class="ff">And</span> the said party of the first part covenants +with the said party of the second part as +follows: That the said C. D. is seized of the said +Meal in fee simple, and shall quietly enjoy said Meal +subject to the covenants and restrictions and +encumbrances hereinbefore set out, subject to the +good pleasure of the Head Waiter.</p> + +<p><span class="ff">In Witness Whereof</span> these presents +are signed,</p> + +<p style="text-align: right;">(LOC. SIG.)</p> + + +<p><span class='pagenum'><a name="Page_74" id="Page_74">[Pg 74]</a></span></p> +<hr style="width: 65%;" /> +<h2><a name="ADVENTURES_IN_HIGH_FINANCE" id="ADVENTURES_IN_HIGH_FINANCE"></a>ADVENTURES IN HIGH FINANCE</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p074.jpg" width="300" height="291" alt="p074" title="Adventures in High Finance" /></div> + +<p>There is no way in which one can so surely +arouse the suspicions of bankers as by trying to +put some money in their hands. We went round to +a near-by bank hoping to open an account. As we +had formerly dealt with an uptown branch of the +same institution, and as the cheque we wanted to +deposit bore the name of a quite well-known firm, +we thought all would be easy. But no; it seemed +that there was no convincing way to identify ourself. +Hopefully we pulled out a stack of letters, but<span class='pagenum'><a name="Page_75" id="Page_75">[Pg 75]</a></span> +these were waved aside. We began to feel more and +more as though we had come with some sinister intent. +We started to light our pipe, and then it occurred +to us that perhaps that would be regarded as +the gesture of a hardened cracksman, seeking to +appear at his ease. We wondered if, in all our +motions, we were betraying the suspicious conduct +of the professional embezzler. Perhaps the courteous +banker was putting us through some Freudian +third degree ... in these days when the +workings of the unconscious are so shrewdly canvassed, +was there anything abominable in the cellar +of our soul which we were giving away without +realizing ... had we not thought to ourself, +as we entered the door, well, this is a fairly decent +cheque to start an account with, but we won't keep +our balance anywhere near that figure ... perhaps +our Freudian banker had spotted that thought +and was sending for a psychological patrol wagon +... well, how <i>could</i> we identify ourself? Did +we know any one who had an account in that +branch? No.</p> + +<p>We thought of a friend of ours who banked at another +branch of this bank, not far away. The +banker called him up and whispered strangely over +the phone. We were asked to take off our hat. +Apparently our friend was describing us. We +hoped that he was saying “stout” rather than “fat.” +But it seemed that the corroboration of our friend<span class='pagenum'><a name="Page_76" id="Page_76">[Pg 76]</a></span> +only increased our host's precaution. Perhaps he +thought it was a carefully worked-out con game, +in which our friend was a confederate. We signed +our name several times, on little cards, with a +desperate attempt to appear unconcerned. In spite +of our best efforts, we could not help thinking that +each time we wrote it we must be looking as though +we were trying to remember how we had written it +the last time. Still the banker hesitated. Then he +called up our friend again. He asked him if he +would know our voice over the phone. Our friend +said he would. We spoke to our friend, with whom +we had eaten lunch a few minutes before. He +asked, to identify us, what we had had for lunch. +Horrible instant! For a moment we could not remember. +The eyes of the banker and his assistant +were glittering upon us. Then we spoke glibly +enough. “An oyster patty,” we said; “two cups of +tea, and a rice pudding which we asked for cold, but +which was given us hot.”</p> + +<p>Our friend asserted, to the banker, that we were +undeniably us, and indeed the homely particularity +of the luncheon items had already made incision in +his hardened bosom. He smiled radiantly at us and +gave us a cheque book. Then he told us we couldn't +draw against our account until the original cheque +had passed through the Clearing House, and sent a +youth back to the office with us so that we could be +unmistakably identified.<span class='pagenum'><a name="Page_77" id="Page_77">[Pg 77]</a></span></p> + +<p>As we left the banker's office someone else was +ushered in. “Here's another gentleman to open +an account,” said the assistant. “We hope he +knows what he had for lunch,” we said to the +banker.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_78" id="Page_78">[Pg 78]</a></span></p> +<h2><a name="ON_VISITING_BOOKSHOPS" id="ON_VISITING_BOOKSHOPS"></a>ON VISITING BOOKSHOPS</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 253px;"> +<img src="images/illo_p078.jpg" width="253" height="300" alt="p078" title="On Visiting Bookshops" /></div> + +<p>It Is a curious thing that so many people only go +into a bookshop when they happen to need some +particular book. Do they never drop in for a little +innocent carouse and refreshment? There are some +knightly souls who even go so far as to make their +visits to bookshops a kind of chivalrous errantry at +large. They go in not because they need any certain +volume, but because they feel that there may be<span class='pagenum'><a name="Page_79" id="Page_79">[Pg 79]</a></span> +some book that needs them. Some wistful, little +forgotten sheaf of loveliness, long pining away on +an upper shelf—why not ride up, fling her across your +charger (or your charge account), and gallop away. +Be a little knightly, you book-lovers!</p> + +<p>The lack of intelligence with which people use +bookshops is, one supposes, no more flagrant than the +lack of intelligence with which we use all the rest of +the machinery of civilization. In this age, and +particularly in this city, we haven't time to be +intelligent.</p> + +<p>A queer thing about books, if you open your +heart to them, is the instant and irresistible way they +follow you with their appeal. You know at once, if +you are clairvoyant in these matters (libre-voyant, +one might say), when you have met your book. You +may dally and evade, you may go on about your +affairs, but the paragraph of prose your eye fell +upon, or the snatch of verses, or perhaps only the +spirit and flavour of the volume, more divined than +reasonably noted, will follow you. A few lines +glimpsed on a page may alter your whole trend of +thought for the day, reverse the currents of the +mind, change the profile of the city. The other +evening, on a subway car, we were reading Walter de +la Mare's interesting little essay about Rupert +Brooke. His discussion of children, their dreaming +ways, their exalted simplicity and absorption, +changed the whole tenor of our voyage by some<span class='pagenum'><a name="Page_80" id="Page_80">[Pg 80]</a></span> +magical chemistry of thought. It was no longer a +wild, barbaric struggle with our fellowmen, but a +venture of faith and recompense, taking us home to +the bedtime of a child.</p> + +<p>The moment when one meets a book and knows, +beyond shadow of doubt, that that book must be +his—not necessarily now, but some time—is among +the happiest excitements of the spirit. An indescribable +virtue effuses from some books. One +can feel the radiations of an honest book long before +one sees it, if one has a sensitive pulse for such +affairs. Its honour and truth will speak through +the advertising. Its mind and heart will cry +out even underneath the extravagance of jacket-blurbings. +Some shrewd soul, who understands +books, remarked some time ago on the editorial +page of the <i>Sun's</i> book review that no superlative on +a jacket had ever done the book an atom of good. +He was right, as far as the true bookster is concerned. +We choose our dinner not by the wrappers, but by +the veining and gristle of the meat within. The +other day, prowling about a bookshop, we came upon +two paper-bound copies of a little book of poems by +Alice Meynell. They had been there for at least +two years. We had seen them before, a year or more +ago, but had not looked into them fearing to be +tempted. This time we ventured. We came upon +two poems—“To O, Of Her Dark Eyes,” and “A +Wind of Clear Weather in England.” The book<span class='pagenum'><a name="Page_81" id="Page_81">[Pg 81]</a></span> +was ours—or rather, we were its, though we did not +yield at once. We came back the next day and got +it. We are still wondering how a book like that +could stay in the shop so long. Once we had it, the +day was different. The sky was sluiced with a +clearer blue, air and sunlight blended for a keener +intake of the lungs, faces seen along the street moved +us with a livelier shock of interest and surprise. The +wind that moved over Sussex and blew Mrs. Meynell's +heart into her lines was still flowing across the +ribs and ledges of our distant scene.</p> + +<p>There is no mistaking a real book when one meets +it. It is like falling in love, and like that colossal +adventure it is an experience of great social import. +Even as the tranced swain, the book-lover yearns to +tell others of his bliss. He writes letters about it, +adds it to the postscript of all manner of communications, +intrudes it into telephone messages, +and insists on his friends writing down the title of the +find. Like the simple-hearted betrothed, once +certain of his conquest, “I want you to love her, +too!” It is a jealous passion also. He feels a little +indignant if he finds that any one else has discovered +the book, too. He sees an enthusiastic review—very +likely in <i>The New Republic</i>—and says, with great +scorn, “I read the book three months ago.” There +are even some perversions of passion by which a +book-lover loses much of his affection for his pet if he +sees it too highly commended by some rival critic.<span class='pagenum'><a name="Page_82" id="Page_82">[Pg 82]</a></span></p> + +<p>This sharp ecstasy of discovering books for one's +self is not always widespread. There are many who, +for one reason or another, prefer to have their books +found out for them. But for the complete zealot +nothing transcends the zest of pioneering for himself. +And therefore working for a publisher is, to a +certain type of mind, a never-failing fascination. +As H. M. Tomlinson says in “Old Junk,” that +fascinating collection of sensitive and beautifully +poised sketches which came to us recently with a +shock of thrilling delight:</p> + +<div class="blockquot"><p>To come upon a craft rigged so, though at her +moorings and with sails furled, her slender poles +upspringing from the bright plane of a brimming +harbour, is to me as rare and sensational a delight +as the rediscovery, when idling with a book, of a +favourite lyric.</p></div> + +<p>To read just that passage, and the phrase <i>the +bright plane of a brimming harbour</i>, is one of those +“rare and sensational delights” that set the mind +moving on lovely journeys of its own, and mark off +visits to a bookshop not as casual errands of reason, +but as necessary acts of devotion. We visit bookshops +not so often to buy any one special book, but +rather to rediscover, in the happier and more +expressive words of others, our own encumbered +soul.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_83" id="Page_83">[Pg 83]</a></span></p> +<h2><a name="A_DISCOVERY" id="A_DISCOVERY"></a>A DISCOVERY</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p083.jpg" width="300" height="283" alt="p083" title="A Discovery" /></div> + +<p>We are going to tell the truth. It has been on +our mind for some time. We are going to tell +it exactly, without any balancing or trimming or +crimped edges. We are weary of talking about +trivialities and are going to come plump and plain +to the adventures of our own mind. These are real +adventures, just as real as the things we see. The +green frog that took refuge on our porch last night +was no more real. Perhaps frogs don't care so much +for wet as they are supposed to, for when that +excellent thunderstorm came along and the ceiling of +the night was sheeted with lilac brightness, through +which ran quivering threads of naked fire (not just +the soft, tame, flabby fire of the domestic hearth, but<span class='pagenum'><a name="Page_84" id="Page_84">[Pg 84]</a></span> +the real core and marrow of flame, its hungry, +terrible, destroying self), our friend the frog came +hopping up on the porch where we stood, apparently +to take shelter. How brilliant was his black and +silver eye when we picked him up! His direct and +honourable regard somehow made us feel ashamed, +we know not why. And yet we have plenty to be +ashamed about—but how did he know? He was +still on the porch this morning. Equally real was +the catbird on the hedge as we came down toward +the station. She—we call her so, for there was +unmistakable ladyhood in her delicately tailored +trimness—she bickered at us in a cheerful way, on +top of those bushes which were so loaded with the +night's rainfall that they shone a blurred cobweb +gray in the lifting light. Her eye was also dark and +polished and lucid, like a bead of ink. It also had +the same effect of tribulation on our spirit. Neither +the catbird nor the frog, we said to ourself, would +have tormented their souls trying to “invent” +something to write about. They would have told +what happened to them, and let it go at that. So, as +we walked along under an arcade of maple trees, admiring +the little green seed-biplanes brought down +by the thrash of the rain—they look rather as though +they would make good coathangers for fairies—we +asked ourself why we could not be as straightforward +as the bird and the frog, and talk about what was in +our mind.<span class='pagenum'><a name="Page_85" id="Page_85">[Pg 85]</a></span></p> + +<p>The most exciting thing that happened to us when +we got to New York last February was finding a book +in a yellow wrapper. Its title was “Old Junk,” +which appealed to us. The name of the author was +H. M. Tomlinson, which immediately became to us +a name of honour and great meaning. All day and +every day intelligent men find themselves surrounded +by oceans of what is quaintly called “reading +matter.” Most of it is turgid, lumpy, fuzzy in +texture, squalid in intellect. The rewards of the +literary world—that is, the tangible, potable, +spendable rewards—go mostly to the cheapjack and +the mountebank. And yet here was a man who in +every paragraph spoke to the keenest intellectual +sense—who, ten times a page, enchanted the reader +with the surprising and delicious pang given by the +critically chosen word. We sat up late at night +reading that book, marvelling at our good fortune. +We wanted to cry aloud (to such as cared to understand), +“Rejoice and be exceeding glad, for here is +born a man who knows how to write!” In our +exuberance we seized a pen and wrote in the stern of +our copy: “Here speaks the Lord God of prose; +here is the clear eye, the ironic mind, the compassionate +heart; the thrilling honesty and (apparent) +simplicity of great work.” Then we set about +making the book known to our friends. We propelled +them into bookshops and made them buy it. +We took our own copy down to William McFee on<span class='pagenum'><a name="Page_86" id="Page_86">[Pg 86]</a></span> +S.S. <i>Turrialba</i> and a glad heart was ours when he, +too, said it was “the real thing.” This is a small +matter, you say? When the discovery of an honest +pen becomes a small matter life will lose something of +its savour. Those who understand will understand; +let the others spend their time in the smoker playing +pinochle. Those who care about these things can +get the book for themselves.</p> + +<p>Of Mr. Tomlinson in person: he is a London newspaperman, +we understand, and now on the staff of +the London <i>Nation</i>. (Trust Mr. Massingham, the +editor of that journal, to know an honest writer +when he sees him.) Mr. Tomlinson says of himself:</p> + +<div class="blockquot"><p>My life is like my portrait. It won't bear investigation. +I am not conscious of having done +anything that would interest either a policeman or +the young lady of the kind who dotes on Daddy +Long Legs; worse luck. It's about time I got down +to business and did something interesting either to +one or the other. That is why it won't bear investigation, +this record of mine. I am about as +entertaining as one of the crowd coming out of the +factory gates with his full dinner pail. All my +adventures have been no more than keeping that +pail moderately full. I've been doing that since I +was twelve, in all sorts of ways. I was an office boy +and a clerk among London's ships, in the last days +of the clippers. And I am forced to recall some of +the things—such as bookkeeping in a jam factory +and stoking on a tramp steamer—I can understand +<span class='pagenum'><a name="Page_87" id="Page_87">[Pg 87]</a></span>why I and my fellows, without wanting to, drifted +about in indecision till we drifted into war and +drifted into peace. And of course, I've been a +journalist. I am still; and so have seen much of +Africa, America, and Europe, without knowing +exactly why. I was in France in 1914—the August, +too, of that year, and woke up from that nightmare +in 1917, after the Vimy Ridge attack, when I returned +to England to sit with my wife and children +in a cellar whenever it was a fine night and listened +to the guns and bombs. God, who knows all, might +make something of this sort of inconsequential +drift of one day into the next, but I give it +up.</p></div> + +<p>But now we pass to the phase of the matter that +puzzles us. How is it that there are some books +which can never have abiding life until they perish +and are born again? We have noticed it so often. +There is a book of a certain sort to which this +process seems inevitable. One need only mention +Leonard Merrick or Samuel Butler as examples. +The book, we will suppose, has some peculiar +subtlety or flavour of appeal. (We are thinking at +the moment of William McFee's “Letters From an +Ocean Tramp.”) It is published and falls dead. +Later on—usually about ten years later—it is taken +up with vigour by some other publisher, the stone is +rolled away from the sepulchre, and it begins to move +among its destined lovers.</p> + +<p>This remark is caused by our delighted discovery<span class='pagenum'><a name="Page_88" id="Page_88">[Pg 88]</a></span> +of a previous book by the author of “Old Junk.” +“The Sea and the Jungle” is the title of it, the tale +of a voyage on the tramp steamer <i>Capella</i>, from +Swansea to Para in the Brazils, and thence 2,000 +miles along the forests of the Amazon and Madeira +rivers. It is the kind of book whose readers will +never forget it; the kind of book that happens to +some happy writers once in a lifetime (and to many +never at all) when the moving hand seems gloriously +in gear with the tremulous and busy mind, and all +the spinning earth stands hearkeningly still waiting +for the perfect expression of the thought. It is the +work of a hand trained in laborious task-work and +then set magnificently free, for a few blessed months, +under no burden save that of putting its captaining +spirit truthfully on paper. And this book—in +which there is a sea passage that not even Mr. Conrad +has ever bettered—this book, which makes the +utmost self-satisfied heroics of the Prominent +Writers of our market place shrivel uncomfortably +in remembrance—this book, we repeat, though +published in this country in 1913, has been long out +of print; and the copy which we were lucky enough +to lay hand on through the courtesy of the State +Librarian of Pennsylvania had not previously been +borrowed since November 18, 1913. Someone asks +us if this man can really write. Let us choose a +paragraph for example. This deals with the first +day at sea of the tramp steamer <i>Capella</i>:<span class='pagenum'><a name="Page_89" id="Page_89">[Pg 89]</a></span></p> + +<div class="blockquot"><p>It was December, but by luck we found a halcyon +morning which had got lost in the year's procession. +It was a Sunday morning, and it had not been +ashore. It was still virgin, bearing a vestal light. +It had not been soiled yet by any suspicion of this +trampled planet, this muddy star, which its innocent +and tenuous rays had discovered in the region of +night. I thought it still was regarding us as a +lucky find there. Its light was tremulous, as if with +joy and eagerness. I met this discovering morning +as your ambassador while you still slept, and betrayed +not, I hope, any grayness and bleared satiety +of ours to its pure, frail, and lucid regard. That was +the last good service I did before leaving you quite. +I was glad to see how well your old earth did meet +such a light, as though it had no difficulty in looking +day in the face. The world was miraculously +renewed. It rose, and received the newborn of +Aurora in its arms. There were clouds of pearl +above hills of chrysoprase. The sea ran in volatile +flames. The shadows on the bright deck shot to and +fro as we rolled. The breakfast bell rang not too +soon. This was a right beginning.</p></div> + +<p>The above is a paragraph that we have chosen +from Mr. Tomlinson's book almost at random. We +could spend the whole afternoon (and a happy afternoon +it would be for us) copying out for you passages +from “The Sea and the Jungle” that would give you +the extremity of pleasure, O high-spirited reader! +It is an odd thing, it is a quaint thing, it is a thing +that would seem inconceivable (were we not tolerably +acquainted with the vagaries of the reading<span class='pagenum'><a name="Page_90" id="Page_90">[Pg 90]</a></span> +public) that a book of this sort should lie perdu on +the shelves of a few libraries. Yet one must not +leap too heartily to the wrong conclusion. The +reading public is avid of good books, but it does not +hear about them. Now we would venture to say +that we know fifty people—nay, two hundred and +fifty—who would never have done thanking us if we +could lay a copy of a book of this sort in their hand. +They would think it the greatest favour we could do +them if we could tell them where they could go and +lay down honest money and buy it. And we have to +retort that it is out of print, not procurable.<a name="FNanchor_1_1" id="FNanchor_1_1"></a><a href="#Footnote_1_1" class="fnanchor">[1]</a> Is it the +fault of publishers? We do not think so—or not +very often. For every publisher has experience of +this sort of thing—books that he knows to be of +extraordinary quality and fascination which simply +lie like lead in his stockroom, and people will not +listen to what he says about them. Whose fault +is it, then? Heaven knows.</p> + +<div class="footnotes"> +<div class="footnote"><p><a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a> Since this was written, a new edition has been published by E. P. +Dutton & Co.</p></div></div> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_91" id="Page_91">[Pg 91]</a></span></p> +<h2><a name="SILAS_ORRIN_HOWES" id="SILAS_ORRIN_HOWES"></a>SILAS ORRIN HOWES</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>There died in New York, on February 11, +1918, one who perhaps as worthily as any man +in any age represented the peculiar traits and +charms of the book-lover, a man whose personal loveliness +was only equalled by his unassuming modesty, +a man who was an honour to the fine old profession of +bookselling.</p> + +<p>There will be some who frequent Brentano's +bookstore in New York who will long remember the +quiet little gentleman who held the post nearest the +front door, whose face lit with such a gentle and +gracious smile when he saw a friend approach, who +endured with patience and courtesy the thousand +small annoyances that every salesman knows. +There were encounters with the bourgeois customer, +there were the exhausting fatigues of the rush +season, there were the day-long calls on the slender +and none too robust frame. But through it all he +kept the perfect and unassuming grace of the high-born +gentleman he was. An old-fashioned courtesy +and gallantry moved in his blood.</p> + +<p>It was an honour to know Silas Orrin Howes, and +some have been fortunate to have disclosed to them<span class='pagenum'><a name="Page_92" id="Page_92">[Pg 92]</a></span> +the richness and simple bravery of that lover of +truth and beauty. The present writer was one of +the least and latest of these. Twice, during the +last months of his life, it was my very good fortune to +spend an evening with him at his room on Lexington +Avenue, to drink the delicious coffee he brewed in his +percolator given him by William Marion Reedy, to +mull with him over the remarkable scrap-books he +had compiled out of the richness of his varied reading, +and to hear him talk about books and life.</p> + +<p>Silas Orrin Howes was born in Macon, Georgia, +October 15, 1867. He attended school in Macon +and Atlanta, and then in Franklin, Indiana. He +never went to college.</p> + +<p>When he was born, a passion for books was born +with him. His niece tells me that by the time he +was twenty-one he had collected a considerable +library. He began life as a newspaper man, on the +Macon <i>Telegraph</i>. About the age of twenty-four he +went to Galveston where he was first a copy-reader, +and then for seven years telegraph editor of the +Galveston <i>News</i>.</p> + +<p>I do not know all the details of his life in Galveston, +where he lived for about twenty years. He told +me that at the time of the disastrous storm and +flood he was working in a drug store near the Gulf +front. He gave me a thrilling description of the +night he spent standing on the prescription counter +with the water swirling about his waist. He slept<span class='pagenum'><a name="Page_93" id="Page_93">[Pg 93]</a></span> +in a little room at the back of the store, where he had +a shelf of books which were particularly dear to him. +Among them was a volume of Henley's poems. When +the flood subsided all the books were gone, but the +next day as he was looking over the wreckage of +neighbouring houses he found his Henley washed +up on a doorstep—covered with slime and filth but +still intact. He sent it to Brentano's in New York +to be rebound in vellum, instructing them not to +clean it in any way. He wrote to Henley about the +incident, who sent him a very friendly autographed +card which he pasted in the volume. That was one +of the books which he held most dear, and rightly.</p> + +<p>I do not know just when he came to New York; +about 1910, I believe. He took a position as salesman +at Brentano's. After a couple of years there he +became anxious to try the book business on his own +account. He and his nephew opened a shop in San +Antonio. Neither of them had much real business +experience. Certainly Howes himself was far too devoted +a book-lover to be a good business man! After +a few months the venture ended in failure, and all +the personal library which he had collected through +patient years was swallowed up in the disaster. +After this he returned to Brentano's, where he remained +until his death. About a year before his +death he was run over by a taxicab, which shook his +nerves a great deal.</p> + +<p>At some time during his career he came into<span class='pagenum'><a name="Page_94" id="Page_94">[Pg 94]</a></span> +intimate friendly contact with Ambrose Bierce, and +used to tell many entertaining anecdotes about that +erratic venturer in letters. He edited one of +Bierce's volumes, adding a pleasant and scholarly +little introduction. He was an occasional contributor +to <i>Reedy's Mirror</i>, where he enjoyed indulging in his +original vein of satire and shrewd comment. He +was a great lover of quaint and exotic restaurants, +and was particularly fond of the Turkish café, the +Constantinople, just off Madison Square. It was a +treat to go there with him, see him summon the +waiter by clapping his hands (in the eastern fashion), +and enjoy the strangely compounded dishes of that +queer menu. He had sampled every Bulgar, +Turkish, Balkan, French, and Scandinavian restaurant +on Lexington Avenue. His taste in unusual and +savoury dishes was as characteristic as his love for +the finer flavours of literature. I remember last +November I elicited from him that he had never +tasted gooseberry jam, and had a jolly time hunting +for a jar, which I found at last at Park and Tilford's, +although the sales-girl protested there was no such +thing. I took it to him and made him promise to +eat it at his breakfasts.</p> + +<p>He had the true passions of the book-lover, which +are not allotted to many. He had read hungrily, +enjoying chiefly those magical draughts of prose +which linger in the mind: Bacon, Sir Thomas +Browne, Pater, Thoreau, Conrad. He was much of<span class='pagenum'><a name="Page_95" id="Page_95">[Pg 95]</a></span> +a recluse, a little saddened and sharpened perhaps +by some of his experiences; and he loved, above all, +those writers who can present truth with a faint tang +of acid flavour, the gooseberry jam of literature as it +were. One of my last satisfactions was to convert +him (in some measure) to an enthusiasm for Pearsall +Smith's “Trivia.”</p> + +<p>As one looks back at that quiet, honourable life, +one is aware of a high, noble spirit shining through +it: a spirit that sought but little for itself, welcomed +love and comradeship that came its way, and was +content with a modest round of routine duty because +it afforded inner contact with what was beautiful and +true. One remembers an innate gentleness, and a +loyalty to a high and chivalrous ideal.</p> + +<p>Such a life might be a lesson, if anything could, to +the bumptious and “efficient” and smug. Time +after time I have watched him serving some furred +and jewelled customer who was not fit to exchange +words with him; I have seen him jostled in a crowded +aisle by some parvenu ignoramus who knew not +that this quiet little man was one of the immortal +spirits of gentleness and breeding who associate in +quiet hours with the unburied dead of English +letters. That corner of the store, near the front +door, can never be the same.</p> + +<p>Such a life could only fittingly be described by +the gentle, inseeing pen of an E. V. Lucas.</p> + +<p>My greatest regret and disappointment, when I<span class='pagenum'><a name="Page_96" id="Page_96">[Pg 96]</a></span> +heard of his sudden death, was that he would never +know of a little tribute I had paid him in a forthcoming +book. I had been saving it as a surprise for +him, for I knew it would please him. And now he +will never know.</p> + +<p>February, 1918.</p> + + +<hr style="width: 65%;" /> +<span class='pagenum'><a name="Page_97" id="Page_97">[Pg 97]</a></span> +<h2><a name="JOYCE_KILMER" id="JOYCE_KILMER"></a>JOYCE KILMER</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 500px;"> +<img src="images/illo_p097.jpg" width="500" height="171" alt="p097" title="Joyce Kilmer" /></div> + +<h3>I</h3> + +<p>I wonder if there is any other country where the +death of a young poet is double-column front-page +news?</p> + +<p>And if poets were able to proofread their own +obits, I wonder if any two lines would have given +Joyce Kilmer more honest pride than these:</p> + +<center> +JOYCE KILMER, POET,<br /> +IS KILLED IN ACTION<br /> +</center> + +<p>which gave many hearts a pang when they picked +up the newspaper last Sunday morning.</p> + +<p>Joyce Kilmer died as he lived—“in action.” He +found life intensely amusing, unspeakably interesting; +his energy was unlimited, his courage stout. He +attacked life at all points, rapidly gathered its +complexities about him, and the more intricate it<span class='pagenum'><a name="Page_98" id="Page_98">[Pg 98]</a></span> +became the more zestful he found it. Nothing +bewildered him, nothing terrified. By the time he +was thirty he had attained an almost unique position +in literary circles. He lectured on poetry, he interviewed +famous men of letters, he was poet, editor, +essayist, critic, anthologist. He was endlessly +active, full of delightful mirth and a thousand +schemes for outwitting the devil of necessity that +hunts all brainworkers. Nothing could quench him. +He was ready to turn out a poem, an essay, a critical +article, a lecture, at a few minutes' notice. He had +been along all the pavements of Grub Street, perhaps +the most exciting place of breadwinning known to the +civilized man. From his beginning as a sales clerk +in a New York bookstore (where, so the tale goes, by +misreading the price cipher he sold a $150 volume for +$1.50) down to the time when he was run over by an +Erie train and dictated his weekly article for the +New York <i>Times</i> in hospital with three broken ribs, +no difficulties or perplexities daunted him.</p> + +<p>But beneath this whirling activity which amused +and amazed his friends there lay a deeper and quieter +vein which was rich in its own passion. It is not +becoming to prate of what lies in other men's souls; +we all have our secrecies and sanctuaries, rarely +acknowledged even to ourselves. But no one can +read Joyce Kilmer's poems without grasping his +vigorous idealism, his keen sense of beauty, his +devout and simple religion, his clutch on the<span class='pagenum'><a name="Page_99" id="Page_99">[Pg 99]</a></span> +preciousness of common things. He loved the +precarious bustle on Grub Street; he was of that adventurous, +buoyant stuff that rejects hum-drum +security and a pelfed and padded life. He always +insisted that America is the very shrine and fountain +of poetry, and this country (which is indeed pathetically +eager to take poets to its bosom) stirred his +vivid imagination. The romance of the commuter's +train and the suburban street, of the delicatessen +shop and the circus and the snowman in the +yard—these were the familiar themes where he was +rich and felicitous. Many a commuter will remember +his beautiful poem “The 12:45,” bespeaking +the thrill we have all felt in the shabby midnight +train that takes us home, yearning and weary, to +the well-beloved hearth:</p> + +<div class="poem"><div class="stanza"> +<span class="i0">What love commands, the train fulfills<br /></span> +<span class="i0">And beautiful upon the hills<br /></span> +<span class="i0">Are these our feet of burnished steel.<br /></span> +<span class="i0">Subtly and certainly, I feel<br /></span> +<span class="i0">That Glen Rock welcomes us to her.<br /></span> +<span class="i0">And silent Ridgewood seems to stir<br /></span> +<span class="i0">And smile, because she knows the train<br /></span> +<span class="i0">Has brought her children back again.<br /></span> +<span class="i0">We carry people home—and so<br /></span> +<span class="i0">God speeds us, wheresoe'er we go.<br /></span> +<span class="i0">The midnight train is slow and old,<br /></span> +<span class="i0">But of it let this thing be told,<br /></span> +<span class="i0">To its high honour be it said,<br /></span> +<span class="i0">It carries weary folk to bed.<br /></span> +<span class='pagenum'><a name="Page_100" id="Page_100">[Pg 100]</a></span></div></div> + +<p>To a man such as this, whose whole fervent and +busy adventure was lit within by the lamplight and +firelight of domestic passion, the war, with its +broken homes and defiled sanctities, came as a +personal affront. Both to his craving for the +glamour of such a colossal drama, and to his sense +of what was most worshipful in human life, the call +was irresistible. Counsels of prudence and comfort +were as nothing; the heart-shaking poetry of this +nation's entry into an utterly unselfish war burned +away all barriers. His life had been a fury of +writing, but those who thought he had entered the +war merely to make journalism about it were mistaken. +Only a few weeks before his death he wrote:</p> + +<div class="blockquot"><p>To tell the truth, I am not interested in writing +nowadays, except in so far as writing is the expression +of something beautiful. And I see daily and nightly +the expression of beauty in action instead of words, +and I find it more satisfactory. I am a sergeant in +the regimental intelligence section—the most fascinating +work possible—more thrills in it than in any +other branch, except, possibly, aviation. Wonderful +life! But I don't know what I'll be able to do +in civilian life—unless I become a fireman!</p></div> + +<p>As journalist and lecturer Kilmer was copious and +enthusiastic rather than deep. He found—a good +deal to his own secret mirth—women's clubs and +poetry societies sitting earnestly at his feet, expectant +to hear ultimate truth on deep matters.<span class='pagenum'><a name="Page_101" id="Page_101">[Pg 101]</a></span> +His humour prompted him to give them the ultimate +truth they craved. If his critical judgments were +not always heavily documented or long pondered, +they were entertaining and pleasantly put. The +earnest world of literary societies and blue-hosed +salons lay about his feet; he flashed in it merrily, +chuckling inwardly as he found hundreds of worthy +people hanging breathless on his words. A kind of +Kilmer cult grew apace; he had his followers and his +devotees. I mention these things because he would +have been the first to chuckle over them. I do not +think he would want to be remembered as having +taken all that sort of thing too seriously. It was all +a delicious game—part of the grand joke of living. +Sometimes, among his friends, he would begin to +pontificate in his platform manner. Then he would +recall himself, and his characteristic grin would flood +his face.</p> + +<p>As a journalist, I say, he was copious; but as a +poet his song was always prompted by a genuine +gush of emotion. “A poet is only a glorified reporter,” +he used to say; he took as his favourite assignment +the happier precincts of the human heart. As he said +of Belloc, a true poet will never write to order—not +even to his own order. He sang because he heard +life singing all about him. His three little books of +poems have always been dear to lovers of honest +simplicity. And now their words will be lit henceforward +by an inner and tender brightness—the<span class='pagenum'><a name="Page_102" id="Page_102">[Pg 102]</a></span> +memory of a gallant boy who flung himself finely +against the walls of life. Where they breached he +broke through and waved his sword laughing. +Where they hurled him back he turned away, +laughing still.</p> + + +<h3>II</h3> + +<p>Kilmer wrote from France, in answer to an inquiry +as to his ideas about poetry, “All that poetry can be +expected to do is to give pleasure of a noble sort to its +readers.” He might have said “pleasure or pain of +a noble sort.”</p> + +<p>It is both pleasure and pain, of a very noble sort, +that the reader will find in Robert Cortes Holliday's +memoir, which introduces the two volumes of +Kilmer's poems, essays, and letters. The ultimate +and eloquent tribute to Kilmer's rich, brave, and +jocund personality is that it has raised up so moving +a testament of friendship. Mr. Holliday's lively and +tender essay is worthy to stand among the great +memorials of brotherly affection that have enriched +our speech. To say that Kilmer was not a Keats is +not to say that the friendship that irradiates Mr. +Holliday's memoir was less lovely than that of +Keats and Severn, for instance. The beauty of any +human intercourse is not measured by the plane on +which it moves.</p> + +<p>Pleasure and pain of a noble sort are woven in +every fibre of this sparkling casting-up of the blithe<span class='pagenum'><a name="Page_103" id="Page_103">[Pg 103]</a></span> +years. Pleasure indeed of the fullest, for the +chronicle abounds in the surcharged hilarity and +affectionate humour that we have grown to expect +in any matters connected with Joyce Kilmer. The +biographer dwells with loving and smiling particularity +on the elvish phases of the young knight-errant. +It is by the very likeness of his tender and glowing +portrait that we find pleasure overflowing into pain—into +a wincing recognition of destiny's unriddled +ways with men. This memory was written out of a +full heart, with the poignance that lies in every backward +human gaze. It is only in the backward look +that the landscape's contours lie revealed in their +true form and perspective. It is only when we have +lost what was most dear that we know fully what it +meant. That is Fate's way with us: it cannot be +amended.</p> + +<p>There will be no need for the most querulous +appraiser to find fault with Mr. Holliday on the +score of over-eulogy. He does not try to push +sound carpentry or ready wit into genius. Fortune +and his own impetuous onslaught upon life cast +Kilmer into the rôle of hack journalist: he would +have claimed no other title. Yet he adorned Grub +Street (that most fascinating of all thorny ways) with +gestures and music of his own. Out of his glowing +and busy brain he drew matter that was never dull, +never bitter or petty or slovenly. In the fervent +attack and counter-attack, shock and counter-shock<span class='pagenum'><a name="Page_104" id="Page_104">[Pg 104]</a></span> +of his strenuous days he never forgot his secret +loyalty to fine craftsmanship. He kept half a dozen +brightly coloured balls spinning in air at all times—verses, +essays, reviews, lectures, introductions, interviews, +anthologies, and what-not; yet each of these +was deftly done. When he went to France and his +days of hack work were over, when the necessities of +life no longer threatened him, the journalistic habit +fell away. It was never more than a garment, worn +gracefully, but still only what the tailors call a business +suit.</p> + +<p>In France, Kilmer wrote but a handful of pieces intended +for publication, but at least one of them—the +prose sketch “Holy Ireland”—showed his essential +fibre. The comparative silence of his pen when he +found himself face to face with war was a true expression. +It bespoke the decent idealism that underlay +the combats of a journalist wringing a living +out of the tissues of a busy brain. The tender humour +and quaint austerity of his homeward letters exhibit +the man at his inmost. What could better the +imaginative genius of the phrase in which he speaks +of friendship developed by common dangers and +hardships as “a fine, hearty, roaring, mirthful sort of +thing, like an open fire of whole pine trees in a giant's +castle?”</p> + +<p>The memoir and Kilmer's own letters admit us to +see something of the spiritual phases of this man's +life, whose soul found “happiness and quiet kind” in<span class='pagenum'><a name="Page_105" id="Page_105">[Pg 105]</a></span> +the Roman Catholic faith. The most secret +strengths and weaknesses that govern men's lives are +strangely unknown to many of their intimates: one +wonders how many of Kilmer's associates on the +<i>Times</i> staff knew of his habit of stopping daily at the +Church of the Holy Innocents, near the newspaper +office, to pray. It was the sorrow of personal +affliction that brought Kilmer to the Catholic +Church. Shortly after being received into that +communion he wrote:</p> + +<div class="blockquot"><p>Just off Broadway on the way from the Hudson +Tube Station to the Times Building, there is a +church called the Church of the Holy Innocents. +Since it is in the heart of the Tenderloin, this name is +strangely appropriate—for there surely is need of +youth and innocence. Well, every morning for +months I stopped on my way to the office and +prayed in this church for faith. When faith did +come, it came, I think, by way of my little paralyzed +daughter. Her lifeless hands led me; I think her +tiny feet still know beautiful paths.</p></div> + +<p>Mr. Holliday does well to point out that Kilmer +was almost unique in this country as a representative +of the Bellocian School of Catholic journalism, in +which piety and mirth dwell so comfortably together; +though he might have mentioned T. A. Daly as an +older and subtler master of devout merriment, dipping +in his own inkwell rather than in any imported +bottles. It is to Belloc, of course, and to Gilbert<span class='pagenum'><a name="Page_106" id="Page_106">[Pg 106]</a></span> +Chesterton, that one must go to learn the secret of +Kilmer's literary manner. Yet, as Holliday affirms, +the similarity is due as much to an affinity of mind +with these Englishmen as to any eagerness to imitate. +Kilmer was like them in being essentially a +humorist. One glance at his face, with its glowing +red-brown eyes (the colour of port wine), and the +twitching in-drawn corners of the mouth, gave the +observer an impression of benignant drollery. Mr. +Holliday well says: “People have made very +creditable reputations as humorists who never +wrote anything like as humorous essays as those of +Joyce Kilmer. They fairly reek with the joy of +life.”</p> + +<p>“He that lives by the pen shall perish by the pen,” +the biographer tells us, quoting James Huneker. +“For a sapling poet, within a few short years and by +the hard business of words, to attain to a secretary +and a butler and a family of, at length, four children, +is a modern Arabian Nights Tale.” Aye, indeed! +But Joyce Kilmer will have as genuine a claim on +remembrance by reason of his friends' love as in +anything his own hand penned. And what an encircling, +almost paternal, gentleness there is in the +picture of the young poet as a salesman at Scribner's +bookstore:</p> + +<div class="blockquot"><p>His smile, never far away, when it came was +winning, charming. It broke like spring sunshine, +it was so fresh and warm and clear. And there was +<span class='pagenum'><a name="Page_107" id="Page_107">[Pg 107]</a></span>noticeable then in his eyes a light, a quiet glow, +which marked him as a spirit not to be forgotten. +So tenderly boyish was he in effect that his confrères +among the book clerks accepted with difficulty the +story that he was married. When it was told that he +had a son they gasped their incredulity. And when +one day this extraordinary elfin sprite remarked that +at the time of his honeymoon he had had a beard +they felt (I remember) that the world was without +power to astonish them further.</p></div> + +<p>And even more striking is what is implied in the +narrative: that when this “elfin sprite,” this gently +nurtured young man of bookish pursuits, took up the +art of war, he gloried in his association with a rip-roaring +regiment recruited mainly from hard-handed +fellows of the type we may call (with no atom of +disrespect) roughnecks. Hardships and exertions +familiar to them were new to him, but he set himself +to win their love and respect, and did so. He was +not content until he had found his way into the most +exhausting and hazardous branch of the whole job. +He said, again and again, that he would rather be a +sergeant with the 69th than a lieutenant with any +other outfit. There was a heart of heroism in the +“elfin sprite.” The same dashing insouciance that +dictated the weekly article for his paper when in +hospital with three broken ribs after being run down +by a train was hardened and steeled in the sergeant +who nightly tore his uniform into ribbons by crawling +out through the barbed wire.<span class='pagenum'><a name="Page_108" id="Page_108">[Pg 108]</a></span></p> + +<p>Laughter and comradeship and hearty meals +clustered about Kilmer: wherever he touched the +grindstone of life there flew up a merry shower of +sparks. There is convincing testimony to the +courage and beauty that lay quiet at the heart of +this singer who said that the poet is only a glorified +reporter, and wished he had written “Casey at the +Bat.”</p> + +<p>Let us spare his memory the glib and customary +dishonesty that says “He died as he would have +wished to.” No man wishes to die—at least, no +poet does. To part with the exhilarating bustle and +tumult, the blueness of the sky, the sunlight that +tingles on well-known street corners, the plumber's +bills and the editor's checks, the mirths of fellowship +and the joys of homecoming when lamps are lit—all +this is too close a fibre to be stripped easily from +the naked heart. But the poet must go where the +greatest songs are singing. Perhaps he finds, after +all, that life and death are part of the same rhyme.<span class='pagenum'><a name="Page_109" id="Page_109">[Pg 109]</a></span></p> + + +<hr style="width: 45%;" /> + +<h2><a name="TALES_OF_TWO_CITIES" id="TALES_OF_TWO_CITIES"></a>TALES OF TWO CITIES</h2> +<h3><a name="PHILADELPHIA" id="PHILADELPHIA"></a>I. PHILADELPHIA</h3> + + +<hr style="width: 45%;" /> +<p><span class='pagenum'><a name="Page_111" id="Page_111">[Pg 111]</a></span></p> +<h2><a name="AN_EARLY_TRAIN" id="AN_EARLY_TRAIN"></a>AN EARLY TRAIN</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p111.jpg" width="300" height="244" alt="p111" title="An Early Train" /></div> + +<p>The course of events has compelled me for +several months to catch an early train at Broad +Street three times a week. I call it an “early” +train, but, of course, these matters are merely +relative; 7:45 are the figures illuminated over the +gateway—not so very precocious, perhaps; but quite +rathe enough for one of Haroun-al-Raschid temper, +who seldom seeks the “oblivion of repose” (Boswell's +phrase) before 1 <span class="smcap">a. m.</span></p> + +<p>Nothing is more pathetic in human nature than its +faculty of self-deception. Winding up the alarm +clock (the night before) I meditate as to the exact +time to elect for its disturbing buzz. If I set it at<span class='pagenum'><a name="Page_112" id="Page_112">[Pg 112]</a></span> +6:30 that will give me plenty of time to shave and +reach the station with leisure for a pleasurable cup of +coffee. But (so frail is the human will) when I wake +at 6:30 I will think to myself, “There is plenty of +time,” and probably turn over for “another five +minutes.” This will mean a hideous spasm of +awakening conscience about 7:10—an unbathed and +unshaven tumult of preparation, malisons on the +shoe manufacturers who invented boots with eyelets +all the way up, a frantic sprint to Sixteenth Street +and one of those horrid intervals that shake the very +citadel of human reason when I ponder whether it is +safer to wait for a possible car or must start hotfoot +for the station at once. All this is generally decided +by setting the clock for 6:50. Then, if I am spry, I +can be under way by 7:20 and have a little time to +be philosophical at the corner of Sixteenth and Pine. +Of the vile seizures of passion that shake the bosom +when a car comes along, seems about to halt, and +then passes without stopping—of the spiritual scars +these crises leave on the soul of the victim, I cannot +trust myself to speak. It does not always happen, +thank goodness. One does not always have to throb +madly up Sixteenth, with head retorted over one's +shoulder to see if a car may still be coming, while the +legs make what speed they may on sliddery paving. +Sometimes the car does actually appear and one +buffets aboard and is buried in a brawny human +mass. There is a stop, and one wonders fiercely<span class='pagenum'><a name="Page_113" id="Page_113">[Pg 113]</a></span> +whether a horse is down ahead, and one had better +get out at once and run for it. Tightly wedged +in the heart of the car, nothing can be seen. It is all +very nerve-racking, and I study, for quietness of +mind, the familiar advertising card of the white-bearded +old man announcing “It is really very +remarkable that a cigar of this quality can be had for +seven cents.”</p> + +<p>Suppose, however, that fortune is with me. I +descend at Market Street, and the City Hall dial, +shining softly in the fast paling blue of morning, +marks 7:30. Now I begin to enjoy myself. I +reflect on the curious way in which time seems to +stand still during the last minutes before the departure +of a train. The half-hour between 7 and +7:30 has vanished in a gruesome flash. Now follow +fifteen minutes of exquisite dalliance. Every few +moments I look suddenly and savagely at the clock +to see if it can be playing some saturnine trick. No, +even now it is only 7:32. In the lively alertness of +the morning mind a whole wealth of thought and +accurate observation can be crammed into a few +seconds. I halt for a moment at the window of that +little lunchroom on Market Street (between Sixteenth +and Fifteenth) where the food comes swiftly +speeding from the kitchen on a moving belt. I +wonder whether to have breakfast there. It is such +fun to see a platter of pale yellow scrambled eggs +sliding demurely beside the porcelain counter and<span class='pagenum'><a name="Page_114" id="Page_114">[Pg 114]</a></span> +whipped dextrously off in front of you by the +presiding waiter. But the superlative coffee of the +Broad Street Station lunch counter generally lures +me on.</p> + +<p>What mundane joy can surpass the pleasure of +approaching the station lunch counter, with full ten +minutes to satisfy a morning appetite! “Morning, +colonel,” says the waiter, recognizing a steady +customer. “Wheatcakes and coffee,” you cry. +With one deft gesture, it seems, he has handed you a +glass brimming with ice water and spread out a +snowy napkin. In another moment here is the +coffee, with the generous jug of cream. You splash +in a large lump of ice to make it cool enough to +drink. Perhaps the seat next you is empty, and you +put your books and papers on it, thus not having to +balance them gingerly on your knees. All round +you is a lusty savour of satisfaction, the tinkle of +cash registers, napkins fluttering and flashing across +the counters, coloured waiters darting to and fro, +great clouds of steam rising where the big dish covers +are raised on the cooking tables. You see the dark-brown +coffee gently quivering in the glass gauge of +the nickel boiler. Then here come the wheatcakes. +Nowhere else on earth, I firmly believe, are they +cooked to just that correct delicacy of golden brown +colour; nowhere else are they so soft and light of +texture, so hot, so beautifully overlaid with a smooth, +almost intangible suggestion of crispness. Two<span class='pagenum'><a name="Page_115" id="Page_115">[Pg 115]</a></span> +golden butter pats salute the eye, and a jug of syrup. +It is now 7:38.</p> + +<p>As everyone knows, the correct thing is to start +immediately on the first cake, using only syrup. The +method of dealing with the other two is classic. One +lifts the upper one and places a whole pat of butter +on the lower cake. Then one replaces the upper +cake upon the lower, leaving the butter to its fate. +In that hot and enviable embrace the butter liquefies +and spreads itself, gently anointing the field of +coming action. Upon the upper shield one smilingly +distributes the second butter pat, knifed off into +small slices for greater speed of melting. By the +time the first cake has been eaten, with the syrup, +the other two will be ready for manifest destiny. +The butter will be docile and submissive. Now, +after again making sure of the time (7:40) the syrup +is brought into play and the palate has the congenial +task of determining whether the added delight of +melting butter outweighs the greater hotness and +primal thrill of the first cake which was glossed with +the syrup only. You drain your coffee to the dregs; +gaze pityingly on those rushing in to snap up a +breakfast before the 8 o'clock leaves for New York, +pay your check, and saunter out to the train. It is +7:43.</p> + +<p>This, to be sure, is only the curtain-raiser to the +pleasures to follow. This has been a physical and +carnal pleasure. Now follow delights of the mind.<span class='pagenum'><a name="Page_116" id="Page_116">[Pg 116]</a></span> +In the great gloomy shed wafts and twists of thick +steam are jetting upward, heavily coiled in the cold +air. In the train you smoke two pipes and read the +morning paper. Then you are set down at Haverford. +It is like a fairyland of unbelief. Trees and +shrubbery are crusted and sheathed in crystal, lucid +like chandeliers in the flat, thin light. Along the +fence, as you go up the hill, you marvel at the +scarlet berries in the hedge, gleaming through the +glassy ribs of the bushes. The old willow tree by the +Conklin gate is etched against the sky like a Japanese +drawing—it has a curious greenish colour beneath +that gray sky. There is some mystery in all this. +It seems more beautiful than a merely mortal earth +vexed by sinful men has any right to be. There is +some ice palace in Hans Andersen which is something +like it. In a little grove, the boughs, bent +down with their shining glaziery, creak softly as they +sway in the moving air. The evergreens are clotted +with lumps and bags of transparent icing, their +fronds sag to the ground. A pale twinkling blueness +sifts over distant vistas. The sky whitens in the +south and points of light leap up to the eye as the +wind turns a loaded branch.</p> + +<p>A certain seriousness of demeanour is noticeable +on the generally unfurrowed brows of student +friends. Midyears are on and one sees them +walking, freighted with precious and perishable +erudition, toward the halls of trial. They seem a<span class='pagenum'><a name="Page_117" id="Page_117">[Pg 117]</a></span> +little oppressed with care, too preoccupied to relish +the entrancing pallor of this crystallized Eden. +One carries, gravely, a cushion and an alarm clock. +Not such a bad theory of life, perhaps—to carry in +the crises of existence a cushion of philosophy and an +alarum of resolution.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_118" id="Page_118">[Pg 118]</a></span></p> +<h2><a name="RIDGE_AVENUE" id="RIDGE_AVENUE"></a>RIDGE AVENUE</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>One of the odd things about human beings is, +that wherever they happen to live they accept +it as a matter of course. In various foreign cities I +have often been amused (as every traveller has) to see +people going about their affairs just as though it were +natural and unquestionable for them to be there. +It is just the same at home. Everyone I see on the +streets seems to be not at all amazed at living here +instead of (let us say) Indianapolis or Nashville. I +envy my small Urchin his sense of the extreme +improbability of everything. When he gets on a +trolley car he draws a long breath and looks around +in ecstasy at the human scenery. I am teaching +him to say in a loud, clear tone, as he gets on the car, +“Look at all the human beings!” in the same accent +of amazement that he uses when he goes to the Zoo. +Perhaps in this way he will preserve the happy +faculty of being surprised.</p> + +<p>It is an agreeable thing to keep the same sense of +surprise in one's home town that one would have in +a strange city. You will find much to startle you if +you keep your eyes open. Yesterday, for instance, I +was lucky enough to meet a gentleman who had +stood only a few feet away from Lincoln when he<span class='pagenum'><a name="Page_119" id="Page_119">[Pg 119]</a></span> +made the Gettysburg Speech. Then I found that in +a certain cafeteria which I frequent the price you +pay for your lunch is always just one cent less than +that punched on the check. The cashier explained +that this always gives a pleasant surprise to the +customers, and has proved such a good advertising +dodge that the proprietor made it a habit. And I +saw, in a clothing dealer's window on Ninth Street, +some fuzzy caps for men, mottled purple and ochre, +that proved that the adventurous spirit has not +died in the breast of the male sex.</p> + +<p>There is much to exercise the eye in a voyage along +Ridge Avenue. Approaching by way of Ninth +Street, one sees in the window of a barber shop the +new contract that the employing barbers have +drawn up with their journeymen. This agreement +shows a sound sense of human equities, proclaiming +as it does that “the owner must not do no act to +injure the barber personal earnings.” It suddenly +occurred to me, what I had not thought of before, +how the barbers of Great Britain must have grieved +when a London newspaper got up (some years ago) +an agitation in favour of every man in England +raising a beard in memory of King Edward. The +plan was that the money thus saved was to be devoted +to building—I had almost said “growing”—a +battleship, to be named after the Merry Monarch. +Of course, one should not speak of raising a beard, +but of lowering it. However—<span class='pagenum'><a name="Page_120" id="Page_120">[Pg 120]</a></span>—</p> + +<p>Ridge Avenue begins at Ninth and Vine, in a +mood of depression. Perhaps the fact that it runs +out toward the city's greatest collection of cemeteries +has made it morbidly conscious of human perishability. +At any rate, it starts among pawnshops, +old clothing and furniture, and bottles of Old Virginia +Bitters, the Great Man Restorer. The +famous National Theatre at Callowhill Street has +become a garage; it is queer to see the old +proscenium arch and gilded ceiling dustily vaulted +over a fleet of motortrucks. After a wilderness of +railway yards one comes to a curious bit in the 1100 +block; a little brick tunnel that bends around into a +huddle of backyards and small houses, where a +large green parrot was stooping and nodding on a +pile of old boxes. This little scene is overlooked by +the tall brown spires of the Church of the Assumption +on Spring Garden Street.</p> + +<p>There is matter for tarrying at the Spring Garden +Street crossing. Here is an ambitious fountain built +by the bequest of Mary Rebecca Darby Smith, with +the carving by J. J. Boyle picturing another Rebecca +(she of Genesis xxiv, 14) giving a drink to Abraham's +servant and his camels. It is carved in the +bronze that the donor gave the fountain “To refresh +the weary and thirsty, both man and beast,” so it is +disconcerting to find it dry, as dry as the inns along +the way. The horse trough is boarded over and +thirsting equines go up to Broad Street for a draught.<span class='pagenum'><a name="Page_121" id="Page_121">[Pg 121]</a></span> +The seat by the fountain was occupied by a man reading +the New York <i>Journal</i>, always a depressing +sight.</p> + +<p>Across from the fountain is one of the best magazine +and stationery shops in the city. Here I overheard +a conversation which I reproduce textually. +“What you doing, reading?” said one to another. +“Yes, reading about the biggest four-flusher in the +Yew-nited States,” said he, looking over an afternoon +paper which had just come in. “Who do you +mean?” “Penrose. Say if it was a Republican in the +White House, theyda passed the treaty long ago.” +The proprietor of this shop is a humorist. Someone +came in asking for a certain brand of cigarettes. +He does not sell tobacco. “Next door,” he said, and +added: “And you'll find some over on the fountain.”</p> + +<p>Ridge Avenue specializes in tobacco shops, where +you will find many brands that require a strong head. +Red Snapper, Panhandle Scrap, Pinch Hit, Red +Horse, Brown's Mule, Jolly Tar, Penn Statue Cuttings, +Nickel Cross Cut, Cotton Ball Twist. In +the shop windows you will see those photographs +illustrating current events, the two favourites just +now being a picture of Mike Gilhooley, the famous +stowaway, gazing plaintively at the profile of New +York, and “Jack Dempsey Goes the Limit,” where +Jack signs up for a $1,000 war-savings certificate. +One wonders if Jack's kind of warfare is really so +profitable after all.<span class='pagenum'><a name="Page_122" id="Page_122">[Pg 122]</a></span></p> + +<p>There are a number of little side excursions from +the avenue that repay scrutiny. Lemon Street, for +instance, where in a lane of old brown wooden houses +some children were playing in an empty wagon, with +the rounded tower of the Rodef Shalom synagogue +looming in the background. Best of all is Melon +Street and its modest tributary, Park Avenue—stretches +of quiet little brick homes with green and +yellow shutters and mottled gray marble steps. +These little houses have the serene and sunny air so +typical of Philadelphia byways. Through their +narrow side entrances one sees glimpses of green in +backyards. In the front windows move the gently +swaying faces of grandmothers, lulled in the to and +fro of a rocking chair. There are shining brass +knobs and bell-pulls; rubber plants on the sills, or +perhaps a small bowl of goldfish with a white china +swan floating. In one window was a sign +“Vacancies.” Over it hung a faded service flag +with a golden star. Who could phrase the pathos of +these two things, side by side?</p> + +<p>At Broad Street, Ridge Avenue leaps up with a +spurt of high life. In the window of a hotel dining +room a gentleman sat eating his lunch, stevedoring a +buttered roll with such gusto that one felt tempted to +applaud. There are the white pillars of a bank and +the battleship gray of the Salvation Army headquarters. +Beyond Broad, the avenue spruces up a +bit and enters upon a vivacious phase. Dogs are<span class='pagenum'><a name="Page_123" id="Page_123">[Pg 123]</a></span> +frequent: white bull terriers lie sunning in the +shop windows. Offers to lend money are enticing. +There is a fascinating slate yard at 1525, where +great gray slabs lie in the sun, a temptation to urchins +with a bit of chalk. In the warm bask of the +afternoon there rises a pleasing aroma of fruits and +vegetables piled up in baskets and crates on the +pavement. Grapes give off a delectable savour in the +golden air. Elderly ladies are out in force to do the +marketing, and their eyes are bright with the bargaining +passion. Round the windows of a ten-cent +store, most fascinating of all human spectacles, they +congregate and compare notes. A fruit dealer has +an ingenious stunt to attract attention. On his cash +register lies a weird-looking rotund little fish—a +butter fish, he calls it—which has a face not unlike +that of Fatty Arbuckle. Either this fish inflates itself +or he has blown it full of air in some ingenious +manner, for it presents a grotesque appearance, and +many ladies stop to inquire. Then he spoofs them +gently. “Sure,” he says, “it's a jitney fish. It +lives on the cash register. It can fly, it can bite, it +can talk, and it likes money.”</p> + +<p>At the corner of Wylie Street stands an old gray +house with a mansard roof and gable windows. +Against it is a vivid store of fruit glowing in the sun, +red and purple and yellow. Here, or on Vineyard +Street, one turns off to enter the quaint triangular +settlement of Francisville.</p> + + +<hr style="width: 65%;" /> +<span class='pagenum'><a name="Page_124" id="Page_124">[Pg 124]</a></span> +<h2><a name="THE_UNIVERSITY" id="THE_UNIVERSITY"></a>THE UNIVERSITY AND THE URCHIN</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 280px;"> +<img src="images/illo_p124.jpg" width="280" height="300" alt="p124" title="The University and the Urchin" /></div> + +<p>Sunday afternoon is by old tradition dedicated +to the taking of Urchins out to taste +the air, and indeed there is no more agreeable +pastime. And so, as the Urchin sat in his high +chair and thoughtfully shovelled his spoon through +meat chopped remarkably small and potatoes +mashed in that curious fashion that produces a mass +of soft, curly tendrils, his curators discussed the +question of where he should be taken.</p> + +<p>It was the first Sunday in March—mild and soft +and tinctured with spring. “There's the botanic +garden at the University,” I suggested. The<span class='pagenum'><a name="Page_125" id="Page_125">[Pg 125]</a></span> +Urchin settled it by rattling his spoon on the plate +and sliding several inches of potato into his lap. +“Go see garden!” he cried. With the generous +tastes of twenty-seven months he cares very little +where he is taken; he can find fascination in anything; +but something about the word “garden” +seemed to allure him. So a little later when he had +been duly habited in brown leggings, his minute +brown overcoat, and white hat with ribbons behind +it, he and his curators set out. The Urchin was in +excellent spirits, for he had been promised a ride on a +trolley car—a glorious adventure. In one pocket he +carried his private collection of talismans, including +a horse-chestnut and a picture of a mouse. Also, +against emergencies, a miniature handkerchief with +a teddy bear embroidered in one corner and a safety +pin. The expedition may be deemed to have been a +success, as none of these properties were called upon +or even remembered.</p> + +<p>The car we boarded did not take us just where we +expected to go, but that made little difference to the +Urchin, who gazed steadfastly out of the window at +a panorama of shabby streets, and offered no comment +except one of extreme exultation when we +passed a large poster of a cow. Admirably docile, he +felt confident that the unusual conjunction of both +arbiters of destiny and an impressive trolley car +would in the end produce something extremely +worth while. We sped across Gray's Ferry bridge<span class='pagenum'><a name="Page_126" id="Page_126">[Pg 126]</a></span>—it +seems strange to think that region was once so +quiet, green, and rustic—transferred to another car +on Woodland Avenue, past the white medley of +tombstones in Woodland Cemetery, and got off at +the entrance to the dormitory quadrangles at Thirty-seventh +Street. We entered through the archway—the +Urchin's first introduction to an academic atmosphere. +“This is the University,” I said to him +severely, and he was much impressed. As is his +way, he conducted himself with extreme sobriety +until he should get the hang of this new experience and +see what it was all about. I knew from the serene +gold sparkle of his brown eyes that there was plenty +of larking spirit in him, waiting until he knew +whether it was safe to give it play. He held my +hand punctiliously while waiting to see what manner +of place this University was.</p> + +<p>A college quadrangle on a Sunday afternoon has a +feeling all its own. Thin tinklings of mandolins +eddy from open windows, in which young men may +be seen propped up against bright-coloured cushions, +always smoking, and sometimes reading with an +apparent zeal which might deceive a few onlookers. +But the slightest sound of footfalls on the pavement +outside their rooms causes these heads to turn and +scan the passers. There is always a vague hope in +these youthful breasts that some damsel of notable +fairness may have strayed within the bastions. +Groups of ladies of youth and beauty do often walk<span class='pagenum'><a name="Page_127" id="Page_127">[Pg 127]</a></span> +demurely through the courts, and may be sure of +hearing admiring whistles shrilled through the sunny +air. When a lady walks through a college quadrangle +and hears no sibilation, let her know sadly +that first youth is past. Even the sedate guardianship +of Scribe and Urchin did not forfeit one Lady of +Destiny her proper homage of tuneful testimonial. +So be it ever!</p> + +<p>One who inhabited college quadrangles not so +immeasurably long ago, and remembers with secret +pain how massively old, experienced, and worldly +wise he then thought himself, can never resist a +throb of amazement at the entertaining youthfulness +of these young monks. How quaintly juvenile they +are, and how oddly that assumption of grave +superiority sits upon their golden brows! With +what an inimitable air of wisdom, cynicism, +ancientry, learned aloofness and desire to be observed +do they stroll to and fro across the quads, so +keenly aware in their inmost bosoms of the presence +of visitors and determined to grant an appearance of +mingled wisdom, great age, and sad doggishness! +What a devil-may-care swing to the stride, what a +nonchalance in the perpetual wreath of cigarette +smoke, what a carefully assumed bearing of one +carrying great wisdom lightly and easily casting it +aside for the moment in the pursuit of some waggish +trifle. “Here,” those very self-conscious young +visages seem to betray, “is one who might tell you<span class='pagenum'><a name="Page_128" id="Page_128">[Pg 128]</a></span> +all about the Holy Roman Empire, and yet is, for the +moment, diverting himself with a mere mandolin.” +And yet, as the Lady of Destiny shrewdly observed, +it is a pity they should mar their beautiful quadrangles +with orange peel and scraps of paper.</p> + +<p>We walked for some time through those stately +courts of Tudor brick and then passed down the +little inclined path to the botanic garden, where +irises and fresh green spikes are already pushing up +through the damp earth. A pale mellow sunlight +lay upon the gravel walks and the Urchin resumed +his customary zeal. He ran here and there along the +byways, examined the rock borders with an air of +scientific questioning, and watched the other children +playing by the muddy pond. We found shrubbery +swelling with buds, also flappers walking hatless +and blanched with talcum, accompanied by Urchins +of a larger growth. Both these phenomena we took +to be a sign of the coming equinox.</p> + +<p>Returning to the dormitory quadrangles, we sat +down on a wooden bench to rest, while the Urchin, +now convinced that a university is nothing to be +awed by, scampered about on the turf. His eye was +a bright jewel of roguishness, for he thought that in +trotting about the grass he was doing something +supremely wicked. He has been carefully trained +not to err on the grass of the city square to which he +is best accustomed, so this surprising and unchecked +revelry quite went to his head. Across and about<span class='pagenum'><a name="Page_129" id="Page_129">[Pg 129]</a></span> +those wide plots of sodden turf he trotted and +chuckled, a small, quaint mortal with his hat ribbons +fluttering. Cheering whistles hailed him from open +windows above, and he smiled to himself with grave +dignity. Apparently, like a distinguished statesman, +he regarded these tributes not as meant for +himself, but for the great body of childhood he +innocently represents, and indeed from which his +applauders are not so inextricably severed. With +the placid and unconscious happiness of a puppy he +careered and meandered, without motive or method. +Perhaps his underlying thought of a university, if he +has any, is that it is a place where no one says “Keep +Off the Grass,” and, intellectually speaking, that +would not be such a bad motto for an institution of +learning.</p> + +<p>I don't know whether Doctor Tait McKenzie so +intended it, but his appealing and beautiful statue of +Young Franklin in front of the University +gymnasium is admirably devised for the delight of +small Urchins. While their curators take pleasure +in the bronze itself, the Urchin may clamber on the +different levels of the base, which is nicely adapted +for the mountaineering capacity of twenty-seven +months. The low brick walls before the gymnasium +and the University museum are also just right for +an Urchin who has recently learned the fascination +of walking on something raised above the ground, +provided there is a curator near by to hold his hand.<span class='pagenum'><a name="Page_130" id="Page_130">[Pg 130]</a></span> +And then, as one walks away toward the South +Street bridge an observant Urchin may spy the delightful +spectacle of a freight train travelling apparently +in midair. Some day, one hopes, all that +fine tract of open space leading from the museum +down to the railroad tracks may perhaps be +beautified as a park or an addition to the University's +quadrangle system. I don't know who owns it, but +its architectural possibilities must surely make the +city-planner's mouth water.</p> + +<p>By this time the Urchin was beginning to feel a +bit weary, and was glad of a lift on a parental +shoulder. Then a Lombard Street car came along +and took us up halfway across the bridge. So +ended the Urchin's first introduction to a university +education.<span class='pagenum'><a name="Page_131" id="Page_131">[Pg 131]</a></span></p> + + +<hr style="width: 65%;" /> +<h2><a name="PINE_STREET" id="PINE_STREET"></a>PINE STREET</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>Our neighbourhood is very genteel. I doubt if +any one who has not lived in Philadelphia can +imagine how genteel it is. Visitors from out of +town are wont to sigh with rapture when they see +our trim blocks of tall brick dwellings—that even +cornice running in a smooth line for several hundred +yards really is quite a sight—and exclaim, “Oh, I +wish we had something like this in New York!” +But our gentility is a little self-conscious, for we live +on the very frontier of a region, darker in complexion, +which is far from scrupulous in deportment. +Uproarious and naïve are the humours of South +Street, lying just behind us. Stanleys have gone +exploring thither and come back with merry tales. +South Street on a bright evening, its myriad barber +shops gleaming with lathered dusky cheeks, wafting +the essence of innumerable pomades and lotions, that +were a Travel indeed. On South Street the veins of +life run close to the surface.</p> + +<p>We are no less human on our street, but it takes a +bit more study to get at the secret. There is a certain +reticence about us. It would take an earthquake +to cause much fraternization along Pine Street.<span class='pagenum'><a name="Page_132" id="Page_132">[Pg 132]</a></span> +Perhaps it is because three houses out of every four +bear the tablets of doctors. The average layman +fears to stop and speak to his neighbour for fear it +will develop into a professional matter. We board up +our front windows at night with heavy wooden +shutters. We have no druggists, only “apothecaries.” +These apothecaries are closed on Sundays. +They sell stamps in little isinglass capsules, to be +quite sanitary, two twos in a capsule for five cents. +In their shops you can still get soda water with +“plain cream” and shaved ice, such as was customary +twenty-five years ago. When our doctors +go away for the summer, someone comes twice a +week from June to October to polish up the little +silver name plate. It is the custom in our neighbourhood +(so one observes through drawing room windows) +to have reading lamps with rosy pink shades +and at least two beautiful daughters of débutante +age. I hope I am not unjust, but our street looks to +me like the kind of place where people take warm +baths, in a roomy old china tub, on Sunday afternoons. +After that, they go downstairs and play a +hymn on the piano, at twilight.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illo_p133.jpg" width="500" height="485" alt="p133" title="p133" /></div> + +<p>There are a number of very odd features about our +neighbourhood. There is a large schoolhouse at the +next corner, but as far as I can see, it is not used as a +school, not for children, at any rate. Sometimes, +about 8 o'clock in the evening, I see the building +gloriously illuminated, and a lonely lady stooped and<span class='pagenum'><a name="Page_133" id="Page_133">[Pg 133]</a></span> +assiduous at a table. She seems quite solitary. +Perhaps her researches are so poignant that the +school board has prescribed entire silence. But +midway down the block is a very jolly little private +school, to which very genteel children may be seen +approaching early in the morning. The little girls +come with a bustle of starch, on foot, accompanied +by governesses; the small boys arrive in limousines. +They are small boys dressed very much in the +English manner, with heavy woollen stockings ending +just below the knee. They probably do not realize +that their tailor has carefully planned them to look +like dear little English boys. Then there is a very +mysterious small theatre near by. If it were a +movie theatre, what a boon it would be! But no, it +is devoted to a strange cult called the Religion of<span class='pagenum'><a name="Page_134" id="Page_134">[Pg 134]</a></span> +Business, which meets there on Sundays. Before +that, there was a Korean congress there. There is a +lovely green room in this theatre, but not much long +green in the box office. Philadelphia prefers Al +Jolson to Hank Ibsen.</p> + +<p>We have our tincture of vie de Bohème, though, in +our little French table d'hôte, a thoroughly atmospheric +place. Delightful Madame B., with her +racy philosophy of life, what delicious soups and +salads she serves! Happy indeed are those who have +learned the way to her little tables, and heard her +cheerful cry “À la cuisine!” when one of her small +dogs prowls into the dining room. Equally unique +is the old curiosity shop near by, one of the few genuine +“notion” shops left in the city (though there is +a delightful one on Market Street near Seventeenth, +to enter which is to step into a country village). This +is just the kind of shop bought by the old gentleman +in one of Frank Stockton's agreeable tales, “Mr. +Tolman,” in the volume called “The Magic Egg”. The +proprietress, charming and conversable lady, will sell +you anything in the “notions” line, from a paper of +pins to garter elastic. Then there is the laundry, +whose patrons carry on a jovial game known as +“Looking for Your Own.” Every week, by some +cheery habit of confusion, the lists are lost, and one +hunts through shelves of neatly piled and crisply +laundered garments to pick out one's own collars, +pyjamas, or whatever it may be. The amusing<span class='pagenum'><a name="Page_135" id="Page_135">[Pg 135]</a></span> +humour of this pastime must be experienced to be +understood.</p> + +<p>The little cigar and magazine shop on the corner is +the political and social focus of the neighbourhood. I +shall never forget the pallid and ghastly countenance +of the newsdealer when the rumour first went the +rounds that “Hampy” was elected. Every evening a +little gathering of local sages meets in the shop; on +tilted chairs, in a haze of tobacco, they while the +hours away. In tobacco the host adheres to the +standard blends, but in literature he is enterprising. +Until recently this was the only place I know in +Philadelphia where one could get the <i>Illustrated +London News</i> every week.</p> + +<p>There are twinges of modernity going on along our +street. Some of the old houses have been remodeled +into apartments. There is an “electric shoe repairer” +just round the corner. But the antique +dealers and plumbers for which the street is famous +still hold sway; the fine old brick pavement still collects +rain water in its numerous dimpled hollows, +and the yellowish marble horse-blocks adorn the curb. +The nice shabby stables in the little side streets have +not yet been turned into studios by artists, and the +neighbourhood's youngest urchins set sail for Rittenhouse +Square every morning on their fleet of “kiddie-cars.” +Their small stout legs, twinkling along the +pavements in white gaiters on a wintry day, are a +pleasant sight. Even our urchins are notably gen<span class='pagenum'><a name="Page_136" id="Page_136">[Pg 136]</a></span>teel. +Surrounded on all sides by the medical profession, +they are reared on registered milk and educator +crackers. If Philadelphia ever betrays its soul, it +does so on this delightful, bland, and genteel highway.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_137" id="Page_137">[Pg 137]</a></span></p> +<h2><a name="PERSHING_IN_PHILADELPHIA" id="PERSHING_IN_PHILADELPHIA"></a>PERSHING IN PHILADELPHIA</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p137.jpg" width="300" height="163" alt="p137" title="Perishing in Philadelphia" /></div> + +<p>The pavement in front of Independence Hall +was a gorgeous jumble of colours. The great +silken flags of the Allies, carried by vividly costumed +ladies, burned and flapped in the wind. On a +pedestal stood the Goddess of Liberty, in rich white +draperies that seemed fortunately of sufficient +texture to afford some warmth, for the air was cool. +She graciously turned round for Walter Crail, the +photographer of our contemporary, the <i>Evening +Public Ledger</i>, to take a shot at her.</p> + +<p>Down Chestnut Street came a rising tide of +cheers. A squadron of mounted police galloped by. +Then the First City Troop, with shining swords.<span class='pagenum'><a name="Page_138" id="Page_138">[Pg 138]</a></span> +Fred Eckersburg, the State House engineer, was +fidgeting excitedly inside the hall, in a new uniform. +This was Fred's greatest day, but we saw that he was +worried about Martha Washington, the Independence +Hall cat. He was apprehensive lest the +excitement should give her a fit or a palsy. Independence +Hall is no longer the quiet old place +Martha used to enjoy before the war.</p> + +<p>The Police Band struck up “Hail to the Chief.” +Yells and cheers burst upward from the ground like +an explosion. Here he was, standing in the car. +There was the famous chin, the Sam Browne belt, +the high laced boots with spurs. Even the tan +gloves carried in the left hand. There was the smile, +without which no famous man is properly equipped +for public life. There was Governor Sproul's +placid smile, too, but the Mayor seemed too excited +to smile. Rattle, rattle, rattle went the shutters of +the photographers. Up the scarlet lane of carpet +came the general. His manner has a charming, easy +grace. He saluted each one of the fair ladies garbed +in costumes of our Allies, but taking care not to +linger too long in front of any one of them lest any +embracing should get started. A pattering of tiger +lilies or some such things came dropping down from +above. He passed into the hall, which was cool and +smelt like a wedding with a musk of flowers.</p> + +<p>While the Big Chief was having a medal presented +to him inside the hall we managed to scuttle round<span class='pagenum'><a name="Page_139" id="Page_139">[Pg 139]</a></span> +underneath the grand stand and take up a pencil of +vantage just below the little pulpit where the general +was to speak. Here the crowd groaned against a +bulwark of stout policemen. Philadelphia cops, +bless them, are the best tempered in the world. +(How Boston must envy us.) Genially two gigantic +bluecoats made room against the straining hawser for +young John Fisher, aged eleven, of 332 Greenwich +Street. John is a small, freckle-faced urchin. It +was amusing to see him thrusting his eager little +beezer between the vast, soft, plushy flanks of two +patrolmen. He had been there over two hours +waiting for just this adventure. Then, to assert the +equality of the sexes, Mildred Dubivitch, aged +eleven, and Eva Ciplet, aged nine, managed to insert +themselves between the chinks in the line of cops. +An old lady more than eighty years old was sitting +placidly in a small chair just inside the ropes. She +had been in the square more than five hours, and the +police had found her a seat. “Are you going to put +Pershing's name in, too?” asked John as we noted +his address.</p> + +<p>Independence Square never knew a more thrilling +fifteen minutes. The trees were tossing and bending +in the thrilling blue air. There was a bronzy tint in +their foliage, as though they were putting on olive +drab in honour of the general. Great balloons of +silver clouds scoured across the cobalt sky. At one +minute to 11 Pershing appeared at the top of the<span class='pagenum'><a name="Page_140" id="Page_140">[Pg 140]</a></span> +stand. The whole square, massed with people, +shook with cheers.</p> + +<p>Had it been any other man we would have said the +general was frightened. He came down the aisle of +the stand with his delightful, easy, smiling swing; but +he looked shrewdly about, with a narrow-eyed, puckered +gaze. He was plainly a little flabbergasted. +He seemed taken aback by the greatness of Philadelphia's +voice. He said something to himself. On +his lips it looked like “What the deuce,” or something +of similar purport. He sat down on a chair +beside Governor Sproul. Not more than four feet +away, amazed at our own audacity, we peered over +the floor of the stand.</p> + +<p>He was paler than we expected. He looked a bit +tired. Speaking as a father, we were pleased to note +the absence of Warren, who was (we hope) getting a +good sleep somewhere. We had a good look at the +renowned chin, which is well worth study. It must +be a hard chin to shave. It juts upward, reaching a +line exactly below the brim of his cap. Below his +crescent moustache there is no lower lip visible: it +is tucked and folded in by the rising thrust of the +jaw. It is this which gives him the “grim” aspect +which every reader of the papers hears about. +He is grim, there's no doubt about it, with the grimness +of a man going through a tough ordeal. “I can +see him all right,” squeaked little John Fisher, “but +he doesn't see me.” The first two rows of seats at<span class='pagenum'><a name="Page_141" id="Page_141">[Pg 141]</a></span> +the right of the aisle were crammed with generals, +two-star and three-star. From our lowly station we +could see a grand panorama of mahogany leather +boots and the flaring curves of riding breeches. It +was a great day for Sam Browne. The thought came +to us that has reached us before. The higher you go +in the A. E. F. the more the officers are tailored after +the English manner. It is the finest proof of international +cousinship. When England and America +wear the same kind of clothes, alliance is knit solid.</p> + +<p>Pershing sat with his palms on his knees. He +looked worried. There was a wavering crease down +his lean cheeks. The plumply genial countenance +of Governor Sproul next to him was an odd contrast +to that dry, hard face. The bell in the tower tolled +eleven times. He stood up for the photographers. +Walter Crail, appearing from somewhere, sprang up +on the parapet facing the general. “Look this way!” +he shouted as the general turned toward some movie +men. That will be Walter's first cry when he gets to +heaven, or wherever. Mayor Smith's face was pallid +with excitement. His nicely draped trouserings, +which were only six inches from our notebook, quivered +slightly as he said fifteen words of introduction.</p> + +<p>As Pershing stood up to speak the crowd surged +forward. The general was worried. “Don't, don't! +Somebody will get hurt!” he called sharply. Then +Mayor Smith surged forward also and said something +to the police about watching the crowd.<span class='pagenum'><a name="Page_142" id="Page_142">[Pg 142]</a></span></p> + +<p>The general took off his cap. Holding it in his +left hand (with the gloves) he patted his close-cropped +hair nervously. He frowned. He began to +speak.</p> + +<p>The speech has already been covered by our hated +rivals. We will not repeat it, save to say that it was +as crisp, clean-cut, and pointed as his chin. He was +nervous, as we could see by the clenching and unclenching +of his hands. His voice is rather high. +We liked him for not being a suave and polished +speaker. He gestured briskly with a pointing forefinger, +and pronounced the word <i>patriotic</i> with a +short A—“pattriotic.” Later he stumbled over it +again and got it out as <i>patterotism</i>. We liked him +again for that. He doesn't have to pronounce it, +anyway. We liked him best of all for the unconscious +slip he made. “This reception,” he said, +“I understand is for the splendid soldiery of America +that played such an important part in the war with +our Allies.” A respectful ripple of laughter passed +over the stand at this, but he did not notice it. He +was fighting too hard to think what to say next. +We liked him, too, for saying “such an important +part.” A man who had been further away from the +fighting would have said that it was America, alone +and unaided, that won the war. He is just as we +have hoped he would be: a plain, blunt man. We +have heard that he is going to enter the banking +business. We'd like to have an account at that bank.</p> + + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_143" id="Page_143">[Pg 143]</a></span></p> +<h2><a name="FALL_FEVER" id="FALL_FEVER"></a>FALL FEVER</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 500px;"> +<img src="images/illo_p143.jpg" width="500" height="173" alt="p143" title="Fall Fever" /> +</div> + +<p>About this time of year, when the mellow air +swoons (as the poets say) with golden languor +and the landscape is tinged a soft brown like a piece +of toast, we feel the onset and soft impeachment of +fall fever.</p> + +<p>Fall fever is (in our case at any rate) more insidious +than the familiar disease of spring. Spring +fever impels us to get out in the country; to seize a +knotted cudgel and a pouchful of tobacco and +agitate our limbs over the landscape. But the +drowsiness of autumn is a lethargy in the true sense +of that word—a forgetfulness. A forgetfulness of +past discontents and future joys; a forgetfulness of +toil that is gone and leisure to come; a mere breathing +existence in which one stands vacantly eyeing the +human scene, living in a gentle simmer of the faculties +like a boiling kettle when the gas is turned low.</p> + +<p>Fall fever, one supposes, is our inheritance from +the cave man, who (like the bear and the—well, some<span class='pagenum'><a name="Page_144" id="Page_144">[Pg 144]</a></span> +other animal, whatever it is) went into hibernation +about the first of November. Autumn with its soft +inertia lulled him to sleep. He ate a hearty meal, +raked together some dry leaves, curled up and slid off +until the alarm clock of April.</p> + +<p>This agreeable disease does not last very long with +the modern man. He fights bravely against it; then +the frost comes along, or the coal bill, and stings him +into activity. But for a few days its genial torpor +may be seen (by the observant) even in our bustling +modern career. When we read yesterday that +Judge Audenried's court clerks had fallen asleep +during ballot-counting proceedings we knew that the +microbe was among us again. Keats, in his lovely +Ode, describes the figure of Autumn as stretched out +“on a half-reaped furrow sound asleep.” Unhappily +the conventions forbid city dwellers from +curling up on the pavements for a cheerful nap. If +one were brave enough to do so, unquestionably +many would follow his example. But the urbanite +has taught himself to doze upright. You may see +many of us, standing dreamily before Chestnut +Street show windows in the lunch hour, to all intents +and purposes in a state of slumber. Yesterday, in +that lucid shimmer of warmth and light, a group +stood in front of a doughnut window near Ninth +Street: not one of them was more than half awake. +Similarly a gathering watched the three small birds +who have become a traditional window ornament on<span class='pagenum'><a name="Page_145" id="Page_145">[Pg 145]</a></span> +Chestnut Street (they have recently moved from an +oculist to a correspondence course office) and a faint +whisper of snoring arose on the sultry air. The +customs of city life permit a man to stand still as +long as he likes if he will only pretend to be watching +something. We saw a substantial burgher pivoted +by the window of Mr. Albert, the violin maker, on +Ninth Street. Apparently he was studying the fine +autographed photo of Patti there displayed; but +when we sidled near we saw that his eyes were closed; +this admirable person, who seemed to be what is +known as a “busy executive,” and whose desk undoubtedly +carries a plate-glass sheet with the orisons +of Swett Marden under it, was in a blissful doze.</p> + +<p>Modern life (as we say) struggles against this +sweet enchantment of autumn, but Nature is too +strong for us. Why is it that all these strikes occur +just at this time of year? The old hibernating +instinct again, perhaps. The workman has a subconscious +yearning to scratch together a nice soft +heap of manila envelopes and lie down on that +couch for a six months' ear-pounding. There are all +sorts of excuses that one can make to one's self for +waving farewell to toil. Only last Sunday we saw +this ad in a paper:</p> + +<div class="blockquot"><p>HEIRS WANTED. The war is over and has +made many new heirs. You may be one of them. +Investigate. Many now living in poverty are rich, +but don't know it.</p></div><p><span class='pagenum'><a name="Page_146" id="Page_146">[Pg 146]</a></span></p> + +<p>Now what could be simpler (we said to ourself as +we stood contemplating those doughnuts) than to +forsake our jolly old typewriter and spend a few +months in “investigating” whether any one had +made us his heir? It might be. Odd things have +happened. Down in Washington Square, for instance +(we thought), are a number of sun-warmed +benches, very reposeful to the sedentary parts, on +which we might recline and think over the possibility +of our being rich unawares. We hastened thither, +but apparently many had had the same idea. +There was not a bench vacant. The same was +true in Independence Square and in Franklin Square. +We will never make a good loafer. There is too +much competition.</p> + +<p>So we came back, sadly, to our rolltop and fell to +musing. We picked up a magazine and found some +pictures showing how Mary Pickford washes her +hair. “If I am sun-drying my hair,” said Mary +(under a photo showing her reclining in a lovely +garden doing just that), “I usually have the opportunity +to read a scenario or do some other duty +which requires concentration.” And it occurred to +us that if a strain like that is put upon a weak +woman we surely ought to be able to go on moiling +for a while, Indian summer or not. And then we +found some pictures by our favourite artist, Coles +Phillips, with that lovely shimmer around the ankles, +and we resolved to be strong and brave and have<span class='pagenum'><a name="Page_147" id="Page_147">[Pg 147]</a></span> +pointed finger-nails. But still, in the back of our +mind, the debilitating influence of fall fever was at +work. We said to ourself, without the slightest +thought of printing it (for it seemed to put us in a +false light), that the one triumphant and unanswerable +epigram of mankind, the grandest and most +resolute utterance in the face of implacable fate, is +the snore.<span class='pagenum'><a name="Page_148" id="Page_148">[Pg 148]</a></span></p> + + +<hr style="width: 65%;" /> +<h2><a name="TWO_DAYS_BEFORE_CHRISTMAS" id="TWO_DAYS_BEFORE_CHRISTMAS"></a>TWO DAYS BEFORE CHRISTMAS</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>Will the hand-organ man please call? Our +wife has dug up our old overcoat and insists +on giving it to him. We intended to give it to the +Honolulu Girls around at the Walnut Theatre, they +looked a bit goose-fleshed last week, but we always +have hay fever when we get near those grass skirts. +Grass widows is what the profession calls the +Hawaiian ladies. Hope the temperature isn't going +up again. We love the old-fashioned Christmas and +all that sort of thing. Nipping air makes cheeks +pink; we love to see them nestled in fur coats on +Chestnut Street. This is the time of year to do unexpected +kindnesses. We know one man who +stands in line for hours in front of movie theatres +just in order to shout <i>Merry Christmas</i> through the +little hole in the glass. Shaving seems less of a bore. +Newspapers are supposed to be heartless, but they all +take a hand in trying to help poor children. Find +ourselves humming hymn tunes. Very odd, haven't +been to a church for years. Great fun surprising +people. We've been reading the new phone book; +noticed several ways in which people might surprise +each other by calling up and wishing many happy<span class='pagenum'><a name="Page_149" id="Page_149">[Pg 149]</a></span> +returns of the day. Why doesn't Beulah R. Wine +ring up Mrs. Louis F. Beer, for instance? Or, A. D. +Smoker and Burton J. Puffer might go around to +W. C. Matchett, tobacconist, at 1635 South Second +Street, and buy their Christmas cigars. George +Wharton Pepper might give Mayme Salt a ring (on +the phone, that is). What a pleasant voice that +telephone operatrix has. Here's to you, child, and +many of them. Grand time, Christmas.</p> + +<br /> +<p>Fine old Anglo-Saxon festival, Christmas. A +time of jovial cheer and bracing mirth. Must be so, +because Doctor Frank Crane and Ralph Waldo +Trine have often said so. Christmas hard on +people like that, however: they are bursting with +the Christmas spirit all the year round; very trying +when the real occasion comes. That's the beauty of +having a peevish and surly disposition: when one +softens up at Christmas everybody notices it and is +pleased. Chaucer, fine old English poet, first +English humorist, gave good picture of Christmas +cheer more than five hundred years ago. Never +quoted on Christmas cards, why not copy it here? +Chaucer's spelling very like Ring Lardner's, but good +sort just the same. Says he:</p> + +<div class="poem"><div class="stanza"> +<span class="i0">And this was, as thise bookes me remembre,<br /></span> +<span class="i0">The colde, frosty sesoun of Decembre....<br /></span> +<span class="i0">The bittre frostes with the sleet and reyn<br /></span> +<span class="i0">Destroyed hath the grene in every yard;<br /></span> +<span class='pagenum'><a name="Page_150" id="Page_150">[Pg 150]</a></span><span class="i0">Janus sit by the fyre with double beard,<br /></span> +<span class="i0">And drynketh of his bugle horn the wyn;<br /></span> +<span class="i0">Biforn hym stant brawn of the tusked swyn,<br /></span> +<span class="i0">And “<i>Nowel</i>” crieth every lusty man.<br /></span> +</div></div> + +<p>Janus, god of doors, what we call nowadays a +janitor. Had two faces so he could watch the front +and back door at once and get a double tip at +Christmas time. Also, that was why he wore a +beard; too much trouble to shave. We don't cry +<i>Nowel</i> any more; instead we petition the janitor to +send up a little more steam. But what a jolly +picture Chaucer gives of Christmas! Wine to +drink (fine ruddy wine, as red as the holly berries), +crackling flitch of pig to eat, and a merry cry of welcome +sounding at the threshold as your friends come +stamping in through the snow.</p> + +<p>Grand time, Christmas! No one is really a +Philadelphian until he has waited for a Pine Street +car on a snowy night. Please have my seat, madam, +there's plenty of room on the strap. Wonder why +the pavement on Chestnut Street is the slipperiest +in the world? Always fall down just in front of our +bank; most embarrassing; hope the paying teller +doesn't see us. Very annoying to lose our balance +just there. Awfully nice little girl in there who +balances the books. Has a kind heart. The countless +gold of a merry heart, as William Blake said. +She looks awfully downcast when our balance gets +the way it is now. Hate to disappoint her. Won't<span class='pagenum'><a name="Page_151" id="Page_151">[Pg 151]</a></span> +have our book balanced again for a devil of a while. +Even the most surly is full of smiles nowadays. +Most of us when we fall on the pavement (did you +ever try it on Chestnut between Sixth and Seventh +on a slippery day?) curse the granolithic trust and +wamble there groaning. But not nowadays. Make +the best of things. Fine panorama of spats.</p> + +<br /> +<p>Association of ideas. Everybody wears silk +stockings at Christmas time. Excessive geniality of +the ad-writers. Uproarious good cheer. Makes +one almost ashamed to notice the high price of everything. +Radicals being deported. Why not deport +Santa Claus, too? Very radical notion that, love +your neighbour better than yourself. Easy to do; +very few of us such dam fools as to love ourselves, +but so often when you love your neighbour she +doesn't return it. Nice little boxes they have at the +ten-cent stores, all covered with poinsettia flowers, to +put presents in. Wonder when poinsettia began to +be used as a Christmas decoration and why? Everyone +in ten-cent store calls them “poinsettias,” but +named after J. R. Poinsett. Encyclopedia very +handy at times; makes a good Christmas present, +one dollar down and a dollar a month for life. Nobody +can tell the difference between real pearls and +imitation; somebody ought to put the oysters wise. +Save them a lot of trouble and anxiety. Don't +know just what duvetyne is, but there seems to be a<span class='pagenum'><a name="Page_152" id="Page_152">[Pg 152]</a></span> +lot of it drunk nowadays. Hope that clockwork +train for the Urchin will arrive soon; we were hoping +to have three happy evenings playing with it before +he sees it. Fine to have children; lots of fun playing +with their presents. We are sure that life after +death is really so, because children always kick the +blankets off at night. Fine bit of symbolism that; +put it in a sermon, unless Doctor Conwell gets there +first.</p> + +<p>Grand time, Christmas! We vowed to try to take +down our weight this winter, and then they put +sugar back on the menu, and doughnut shops spring +up on every street, and Charles F. Jenkins sent us +a big sack of Pocono buckwheat flour and we're eating +a basketful of griddle cakes every morning for +breakfast. Terrible to be a coward; we always turn +on the hot water first in the shower bath, except the +first morning we used it. The plumber got the indicator +on the wrong way round, and when you turn +to the place marked HOT it comes down like ice. +Our idea of a really happy man is the fellow driving a +wagonload of truck just in front of a trolley car, +holding it back all the way downtown; when he hears +the motorman clanging away he pretends he thinks +it's the Christmas chimes and sings “Hark the +Herald Angels.”</p> + +<p>Speaking of Herald Angels reminds us of a good +story about James Gordon Bennett; we'll spring it +one of these days when we're hard up for copy.<span class='pagenum'><a name="Page_153" id="Page_153">[Pg 153]</a></span> +Jack Frost must be a married man, did you see him +try to cover up the show windows with his little +traceries the other day when the shopping was at its +height? There was a pert little hat in a window on +Walnut Street we were very much afraid someone +might see; the frost saved us. Don't forget to put +Red Cross seals on your letters. Delightful to +watch the faces on the streets at Christmas time. +Everybody trying hard to be pleasant; sometimes +rather a strain. Curious things faces—some of them +seem almost human; queer to think that each belongs +to someone and no chance to get rid of it; sorry +we're not in the mirror industry; never thought of it +before, but it ought to be profitable. Happier most +of us, if mirrors never had been invented. Hope all +our nice-natured clients will have the best kind of a +time; forgive us for not answering letters; we are too +disillusioned about ourself to make any resolutions to +do better. We're going home now; on the way we'll +think of a lot of nice things we might have said, +write them down and use them to-morrow. Hope +Dorothy Gish will get something nice in her stocking. +Don't make the obvious retort. Grand time, +Christmas!</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_154" id="Page_154">[Pg 154]</a></span></p> +<h2><a name="IN_WEST_PHILADELPHIA" id="IN_WEST_PHILADELPHIA"></a>IN WEST PHILADELPHIA</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p154.jpg" width="300" height="285" alt="p154" title="In West Philadelphia" /></div> + +<p>Climbing aboard car No. 13—ominously +labelled “Mt. Moriah”—I voyaged toward +West Philadelphia. It was a keen day, the first +snow of winter had fallen, and sparkling gushes of +chill swept inward every time the side doors opened. +The conductor, who gets the full benefit of this +ventilation, was feeling cynical, and seeing his blue +hands I didn't blame him. Long lines of ladies, fumbling +with their little bags and waiting for change, +stepped off one by one into the windy eddies of the +street corners. One came up to pay her fare ten +blocks or so before her destination, and then retired +to her seat again. This puzzled the conductor and +he rebuked her. The argument grew busy. To the +amazement of the passengers this richly dressed +female brandished lusty epithets. “You Irish<span class='pagenum'><a name="Page_155" id="Page_155">[Pg 155]</a></span> +mick!” she said. (One would not have believed it +possible if he had not heard it.) “That's what I +am, and proud of it,” said he. The shopping +solstice is not all fur coats and pink cheeks. If you +watch the conductors in the blizzard season, and see +the slings and arrows they have to bear, you will coin +a new maxim. The conductor is always right.</p> + +<p>It is always entertaining to move for a little in a +college atmosphere. I stopped at College Hall at +the University and seriously contemplated slipping in +to a lecture. The hallways were crowded with +earnest youths of both sexes—I was a bit surprised +at the number of co-eds, particularly the number +with red hair—discussing the tribulations of their lot. +“Think of it,” said one man, “I'm a senior, and +carrying twenty-three hours. Got a thesis to do, +20,000 words.” On a bulletin board I observed the +results of a “General Intelligence Exam.” It appears +that 1,770 students took part. They were +listed by numbers, not by names. It was not stated +what the perfect mark would have been; the highest +grade attained was 159, by Mr. (or Miss?) 735. The +lowest mark was 23. I saw that both 440 and 1124 +got the mark of 149. If these gentlemen (or ladies) +are eager to play off the tie, it would be a pleasure to +arrange a deciding competition for them. The +elaborate care with which the boys and girls ignore +one another as they pass in the halls was highly +delightful, and reminded me of exactly the same<span class='pagenum'><a name="Page_156" id="Page_156">[Pg 156]</a></span> +thing at Oxford. But I saw the possible beginning +of true romance in the following notice on one of the +boards:</p> + +<div class="blockquot"><p>WANTED: Names and addresses of ten nice +American university students who must remain in +Philadelphia over Christmas, away from home, to be +invited to a Christmas Eve party to help entertain +some Bryn Mawr College girls in one of the nicest +homes in a suburb of Philadelphia.</p></div> + +<p>Certainly there is the stage set for a short story. +Perhaps not such a short one, either.</p> + +<p>Naturally I could not resist a visit to the library, +where most of the readers seemed wholly absorbed, +though one student was gaping forlornly over a +volume of Tennyson. I found an intensely amusing +book, “Who's Who in Japan,” a copy of which +would be a valuable standby to a newspaper paragrapher +in his bad moments. For instance:</p> + +<div class="blockquot"><p><span class="smcap">Sasaki, Tetsutaro</span>: One of the highest taxpayers +of Fukushima-ken, President of the Hongu +Reeling Partnership, Director of the Dai Nippon +Radium Water Co.; brewer, reeler; born Aug., 1860.</p> + +<p><span class="smcap">Sakurai, Ichisaku</span>: Member of the Niigata City +Council; Director of the Niigata Gas Co., Niigata +Savings Bank. Born June, 1872, Studied Japanese +and Chinese classics and arithmetic. At present +also he connects with the Niigata Orphanage and +various other philanthropic bodies. Was imprisoned +by acting contrary to the act of explosive compound +for seven years. Recreations: reading, Western +wine.</p></div><p><span class='pagenum'><a name="Page_157" id="Page_157">[Pg 157]</a></span></p> + +<p>Relying on my apparent similarity to the average +undergrad, I plunged into the sancta of Houston +Hall and bought a copy of the <i>Punch Bowl</i>. What +that sprightly journal calls “A little group of +Syria's thinkers” was shooting pool. The big fireplaces, +like most fireplaces in American colleges, +don't seem to be used. They don't even show any +traces of ever having been used, a curious contrast to +the always blazing hearths of English colleges. The +latter, however, are more necessary, as in England +there is usually no other source of warmth. A +bitter skirmish of winds, carrying powdered snow +dust, nipped round the gateways of the dormitories +and Tait McKenzie's fine statue of Whitefield stood +sharply outlined against a cold blue sky. I lunched +at a varsity hash counter on Spruce Street and +bought tobacco in a varsity drug store, where a New +York tailor, over for the day, was cajoling students +into buying his “snappy styles” in time for Christmas. +There is no more interesting game than +watching a lot of college men, trying to pick out +those who may be of some value to the community in +future—the scientists, poets, and teachers of the next +generation. The well-dressed youths one sees in the +varsity drug stores are not generally of this type.</p> + +<p>The Evans School of Dentistry at Fortieth and +Spruce is a surprising place. Its grotesque gargoyles, +showing (with true medieval humour) the +sufferings of tooth patients, are the first thing one<span class='pagenum'><a name="Page_158" id="Page_158">[Pg 158]</a></span> +notices. Then one finds the museum, in which is +housed Doctor Thomas W. Evans's collection of +paintings and curios brought back from France. +Unfortunately there seems to be no catalogue of the +items, so that there is no way of knowing what interesting +associations belong to them. But most surprising +of all is to find the travelling carriage of the +Empress Eugenie in which she fled from France in +the fatal September days of 1870. She spent her +last night in France at the home of Doctor Evans, +and there is a spirited painting by Dupray showing +her leaving his house the next morning, ushered into +the carriage by the courtly doctor. The old black +barouche, or whatever one calls it, seems in perfect +condition still, with the empress's monogram on the +door panel. Only the other day we read in the +papers that the remarkable old lady (now in her +ninety-fourth year) has been walking about Paris, +revisiting well-known scenes. How it would surprise +her to see her carriage again here in this +University building in West Philadelphia. The +whole museum is delightfully French in flavour; as +soon as one enters one seems to step back into the +curiously bizarre and tragic extravagance of the +Second Empire.</p> + +<p>One passes into the dignified and placid residence +section of Spruce and Pine streets, with its distinctly +academic air. Behind those quiet walls one suspects +bookcases and studious professors and all the de<span class='pagenum'><a name="Page_159" id="Page_159">[Pg 159]</a></span>lightful +passions of the mind. On Baltimore Avenue +the wintry sun shone white and cold; in Clark Park, +Charles Dickens wore a little cap of snow, and Little +Nell looked more pathetic than ever. There is a +breath of mystery about Baltimore Avenue. What +does that large sign mean, in front of a house near +Clark Park—THE EASTERN TRAVELLERS? +Then one comes to the famous shop of S. F. Hiram, +the Dodoneaean Shoemaker he calls himself. This +wise coloured man has learned the advertising advantages +of the unusual. His placard reads:</p> + +<div class="blockquot"><p>Originator of that famous Dobrupolyi System of +repairing.</p></div> + +<p>When one enters and asks to know more about +this system, he points to another placard, which says:</p> + +<div class="blockquot"><p>It assumes the nature and character of an appellative +noun, and carries the article The System.</p></div> + +<p>His shop contains odd curios as well as the usual +traffic of a cobbler. “The public loves to be hood-winked,” +he adds sagely.<span class='pagenum'><a name="Page_160" id="Page_160">[Pg 160]</a></span></p> + + +<hr style="width: 65%;" /> +<h2><a name="HORACE_TRAUBEL" id="HORACE_TRAUBEL"></a>HORACE TRAUBEL</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>We wait with particular interest to hear what +Philadelphia will have to say about the passing +of Horace Traubel. Traubel was the official echo +of the Great Voice of Camden, and in his obituary one +may discern the vivacity of the Whitman tradition. +This is a matter of no small concern to the curators of +the Whitman cult. The soul of Philadelphia cannot +be kept alive by conventions and statistics alone. +Such men as Traubel have helped.</p> + +<div class="figleft" style="width: 280px;"> +<img src="images/illo_p160.jpg" width="280" height="300" alt="p160" title="p160" /></div> + +<p>There are two kinds of rebels. By their neckties +you may know them. Walt Whitman was of the +kind that wears no necktie at all. Then there is the +lesser sort, of which Traubel +was one—the rebel who +wears a flowing black bow +tie with long trailers. +Elbert Hubbard wore one +of these. It is a mild rebellion +of which this is +symbol. It often goes +with shell spectacles.</p> + +<p>We never knew Horace Traubel, though he was +the man we most wanted to meet when we came to<span class='pagenum'><a name="Page_161" id="Page_161">[Pg 161]</a></span> +Philadelphia. We have heard men of all conditions +speak of him with affection and respect. He was +dedicated from boyhood to the Whitman cause. +From Walt himself he caught the habit of talking +about Walt, and he carried it on with as much gusto +and happiness as Walt did. Only recently he said in +his little magazine <i>The Conservator</i>:</p> + +<div class="blockquot"><p>When I was quite small I used to want to be a +great man. But in my observations of the old man's +better than great way of meeting the gifts as well as +the reverses of fate I didn't want to be a great man. +I only wanted to stay unannexed to any institution +as he was. No college ever decorated him. For the +best of reasons. No college could. He could +decorate them.</p></div> + +<p>So Traubel remained unannexed. He was fired +from a bank because he happened to take issue in +public with one of the bank's chief depositors. He +floated about happily, surrounded by young Whitman +disciples, carrying on his guerrilla for what his +leader called the “peerless, passionate, good cause” +of human democracy. His little magazine led a +precarious life, supported by good friends. His protest +against iniquities was an honest, good-humoured +protest.</p> + +<p>Horace Traubel will be remembered, as he wished +to be remembered, as the biographer of Whitman. +Whitman also, we may add, wished Traubel to be so +remembered. In his careful record of the Camden<span class='pagenum'><a name="Page_162" id="Page_162">[Pg 162]</a></span> +sage's utterances and pulse-beats he approached (as +nearly as any one) the devoted dignity of Boswell. +We were about to say the self-effacing devotion of +Boswell; but the beauty of biography is that the +biographer cannot wholly delete himself from the +book. One is always curious about the recording +instrument. When we see a particularly fine +photograph our first question is always, “What kind +of camera was it taken with?”</p> + +<p>It seems to us—speaking only by intuition, for we +never knew him—that Traubel was a happy man. +He was untouched by many of the harassing ambitions +that make the lives of prosperous men miserable. +He was touched in boyhood by one simple +and overmastering motive—to carry on the Whitman +message and spread it out for the younger +world. Much of the dunnage of life he cast overboard. +He was too good a Whitman disciple to +estimate success in the customary terms. When he +left his job in the bank he opened an account in the +Walt Whitman philosophy—and he kept a healthy +balance there to the end.<span class='pagenum'><a name="Page_163" id="Page_163">[Pg 163]</a></span></p> + + + +<hr style="width: 45%;" /> +<h2>TALES OF TWO CITIES</h2> + +<h3><a name="NEW_YORK" id="NEW_YORK"></a>II. NEW YORK</h3> +<p><span class='pagenum'><a name="Page_165" id="Page_165">[Pg 165]</a></span></p> +<hr style="width: 45%;" /> +<h2><a name="THE_ANATOMY_OF_MANHATTAN" id="THE_ANATOMY_OF_MANHATTAN"></a>THE ANATOMY OF MANHATTAN</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>She is the only city whose lovers live always in a +mood of wonder and expectancy. There are +others where one may sink peacefully, contentedly +into the life of the town, affectionate and understanding +of its ways. But she, the woman city, who +is bold enough to say he understands her? The +secret of her thrilling and inscrutable appeal has +never been told. How could it be? She has always +been so much greater than any one who has lived +with her. (Shall we mention Walt Whitman as the +only possible exception? O. Henry came very near +to her, but did he not melodramatize her a little, +sometimes cheapen her by his epigrammatic appraisal, +fit her too neatly into his plot? Kipling +seemed to see her only as the brutal, heedless wanton.) +Truly the magic of her spell can never be +exacted. She changes too rapidly, day by day. +Realism, as they call it, can never catch the boundaries +of her pearly beauty. She needs a mystic.</p> + +<p>No city so challenges and debilitates the imagination. +Here, where wonder is a daily companion, +desire to tell her our ecstasy becomes at last only a +faint pain in the mind. If you would mute a poet's<span class='pagenum'><a name="Page_166" id="Page_166">[Pg 166]</a></span> +lyre, put him on a ferry from Jersey City some silver +April morning; or send him aboard at Liberty Street +in an October dusk. Poor soul, his mind will buzz +(for years to come) after adequate speech to tell +those cliffs and scarps, amethyst and lilac in the +mingled light; the clear topaz chequer of window +panes; the dull bluish olive of the river, streaked and +crinkled with the churn of the screw! Many a poet +has come to her in the wooing passion. Give him +six months, he is merely her Platonist. He lives +content with placid companionship. Where are his +adjectives, his verbs? That inward knot of amazement, +what speech can unravel it?</p> + +<p>Her air, when it is typical, is light, dry, cool. It is +pale, it is faintly tinctured with pearl and opal. +Heaven is unbelievably remote; the city itself daring +so high, heaven lifts in a cautious remove. Light +and shadow are fantastically banded, striped, and +patchworked among her cavern streets; a cool, deep +gloom is cut across with fierce jags and blinks of +brightness. She smiles upon man who takes his +ease in her colossal companionship. Her clean soaring +perpendiculars call the eye upward. One +wanders as a botanist in a tropical forest. That +great smooth groinery of the Pennsylvania Station +train shed: is it not the arching fronds of iron palm +trees? Oh, to be a botanist of this vivid jungle, +spread all about one, anatomist of the ribs and veins +that run from the great backbone of Broadway!<span class='pagenum'><a name="Page_167" id="Page_167">[Pg 167]</a></span></p> + +<p>To love her, one thinks, is to love one's fellows; +each of them having some unknown share in her +loveliness. Any one of her streets would be the +study and delight of a lifetime. To speak at random, +we think of that little world of brightness and sound +bourgeois cheer that spreads around the homely +Verdi statue at Seventy-third Street. We have a +faithful affection for that neighbourhood, for reasons +of our own. Within a radius, thereabouts, of a +quarter-mile each way, we could live a year and learn +new matters every day. They call us a hustling +folk. Observe the tranquil afternoon light in those +brownstone byways. Pass along leisurely Amsterdam +Avenue, the region of small and genial shops, +Amsterdam Avenue of the many laundries. See the +children trooping upstairs to their own room at the +St. Agnes branch of the Public Library. See the +taxi drivers, sitting in their cars alongside the Verdi +grass plot (a rural breath of new-mown turf sweetening +the warm, crisp air) and smoking pipes. Every +one of them is to us as fascinating as a detective +story. What a hand they have had in ten thousand +romances. At this very moment, what quaint +and many-stranded destinies may hail them and +drive off? But there they sit, placid enough, with a +pipe and the afternoon paper. The light, fluttering +dresses of enigmatic fair ones pass gayly on the +pavement. Traffic flows, divides, and flows on, a +sparkling river. Here is that mystery, a human<span class='pagenum'><a name="Page_168" id="Page_168">[Pg 168]</a></span> +being, buying a cigar. Here is another mystery +asking for a glass of frosted chocolate. Why is it +that we cannot accost that tempting riddle and ask +him to give us an accurate précis of his life to date? +And that red-haired burly sage, he who used to bake +the bran muffins in the little lunchroom near by, +and who lent us his Robby Burns one night—what +has become of him?</p> + +<p>So she teases us, so she allures. Sometimes, on +the L, as one passes along that winding channel +where the walls and windows come so close, there is +a felicitous sense of being immersed, surrounded, +drowned in a great, generous ocean of humanity. +It is a fine feeling. All life presses around one, the +throb and the problem are close, are close. Who +could be weary, who could be at odds with life, in +such an embrace of destiny? The great tall sides of +buildings fly open, the human hive is there, beautiful +and arduous beyond belief. Here is our worship +and here our lasting joy, here is our immortality of +encouragement. Yes, perhaps O. Henry did say the +secret after all: “He saw no longer a rabble, but his +brothers seeking the ideal.”</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_169" id="Page_169">[Pg 169]</a></span></p> +<h2><a name="VESEY_STREET" id="VESEY_STREET"></a>VESEY STREET</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 274px;"> +<img src="images/illo_p169.jpg" width="274" height="300" alt="p169" title="Vesey Street" /></div> + +<p>The first duty of the conscientious explorer is to +study his own neighbourhood, so we set off to +familiarize ourself with Vesey Street. This amiable +byway (perhaps on account of the proximity of +Washington Market) bases its culture on a solid +appreciation of the virtue of good food, an admirable +trait in any street. Upon this firm foundation it +erects a seemly interest in letters. The wanderer +who passes up the short channel of our street, from +the docks to St. Paul's churchyard, must not be<span class='pagenum'><a name="Page_170" id="Page_170">[Pg 170]</a></span> +misled by the character of the books the bibliothecaries +display in their windows. Outwardly they +lure the public by Bob Ingersoll's lectures, Napoleon's +Dream Book, efficiency encyclopædias and +those odd and highly coloured small brochures of +smoking-car tales of the Slow Train Through +Arkansaw type. But once you penetrate, you may +find quarry of a more stimulating kind. For +fifteen cents we eloped with a first edition of Bunner's +“Love in Old Cloathes,” which we were glad to +have in memory of the “old red box on Vesey +Street” which Banner immortalized in rhyme, and +which still stands (is it the same box?) by the railing +of St. Paul's. Also, even nobler treasure to our +way of thinking, did we not just now find (for fifteen +cents) Hilaire Belloc's “Hills and the Sea,” that enchanting +little volume of essays, which we are almost +afraid to read again. Belloc, the rogue—the devil is +in him. Such a lusty beguilery moves in his nimble +prose that after reading him it is hard not to fall +into a clumsy imitation of his lively and frolic manner. +There is at least one essayist in this city who fell +subject to the hilarious Hilaire years ago. It is an +old jape but not such a bad one: our friend Murray +Hill will never return to the status quo ante Belloc.</p> + +<p>But we were speaking of Vesey Street. It looks +down to the water, and the soft music of steamship +whistles comes tuning on a cold, gusty air. Thoroughly +mundane little street, yet not unmindful of<span class='pagenum'><a name="Page_171" id="Page_171">[Pg 171]</a></span> +matters spiritual, bounded as it is by divine Providence +at one end (St. Paul's) and by Providence, +R. I. (the Providence Line pier) at the other. Perhaps +it is the presence of the graveyard that has +startled Vesey Street into a curious reversal of custom. +On most other streets, we think, the numbers +of the houses run even on the south side, odd on the +north. But just the opposite on Vesey. You will +find all even numbers on the north, odd on the south. +Still, Wall Street errs in the same way.</p> + +<p>If marooned or quarantined on Vesey Street a man +might lead a life of gayety and sound nourishment for +a considerable while, without having recourse to +more exalted thoroughfares. There are lodging +houses in that row of old buildings down toward the +docks; from the garret windows he could see masts +moving on the river. For food he would live high +indeed. Where will one see such huge glossy blue-black +grapes; such enormous Indian River grapefruit; +such noble display of fish—scallops, herrings, +smelts, and the larger kind with their dead and +desolate eyes? There are pathetic rows of rabbits, +frozen stiff in the bitter cold wind; huge white hares +hanging in rows; a tray of pigeons with their iridescent +throat feathers catching gleams of the pale +sunlight. There are great sacks of nuts, barrels of +cranberries, kegs of olive oil, thick slabs of yellow +cheese. On such a cold day it was pleasant to see a +sign “Peanut Roasters and Warmers<span class='pagenum'><a name="Page_172" id="Page_172">[Pg 172]</a></span>.”</p> + +<p>Passing the gloomy vista of Greenwich Street—under +the “L” is one of those mysterious little vents +in the floor of the street from which issues a continual +spout of steam—our Vesey grows more intellectual. +The first thing one sees, going easterly, is a sign: +<span class="smcap">The Truth Seeker</span>, <i>One flight Up</i>. The temptation +is almost irresistible, but then Truth is always +one flight higher up, so one reflects, what's the use? +In this block, while there is still much doing in the +way of food—and even food in the live state, a +window full of entertaining chicks and ducklings +clustered round a colony brooder—another of Vesey +Street's interests begins to show itself. Tools. +Every kind of tool that gladdens the heart of man is +displayed in various shops. One realizes more and +more that this is a man's street, and indeed (except +at the meat market) few of the gayer sex are to be +seen along its pavements. One of the tool shops has +open-air boxes with all manner of miscellaneous oddments, +from mouse traps to oil cans, and you may +see delighted enthusiasts poring over the assortment +with the same professional delight that ladies show at +a notion counter. One of the tool merchants, however, +seems to have weakened in his love of city +existence, for he has put up a placard:</p> + +<center> +<span class="smcap">Wanted To Rent</span><br /> +<i>Small Farm<br /> +Must Have Fruit and Spring Water</i><br /></center> +<p><span class='pagenum'><a name="Page_173" id="Page_173">[Pg 173]</a></span></p> + +<p>How many years of repressed yearning may speak +behind that modest ambition!</p> + +<p>Our own taste for amusement leads us (once +luncheon dispatched; you should taste Vesey +Street's lentil soup) to the second-hand bookshops. +Our imagined castaway, condemned to live on Vesey +Street for a term of months, would never need to +languish for mental stimulation. Were he devout, +there is always St. Paul's, as we have said; and were +he atheist, what a collection of Bob Ingersoll's +essays greets the faring eye! There is the customary +number of copies of “The Pentecost of Calamity”; +it seems to the frequenter of second-hand bazaars as +though almost everybody who bought that lively +booklet in the early days of the war must have sold it +again since the armistice. Much rarer, we saw +a copy of “Hopkins's Pond,” that little volume of +agreeable sketches written so long ago by Dr. +Robert T. Morris, the well-known surgeon, and if we +had not already a copy which the doctor inscribed for +us we would certainly have rescued it from this +strange exile.</p> + +<p>There are only two of the really necessary delights +of life that the Vesey Street maroon would miss. +There is no movie, there are no doughnuts. We are +wondering whether in any part of this city there has +sprung up the great doughnut craze that has ravaged +Philadelphia in the past months. As soon as +prohibition became a certainty, certain astute<span class='pagenum'><a name="Page_174" id="Page_174">[Pg 174]</a></span> +merchants of the Quaker City devoted themselves to +inoculating the public with a taste for these humble +fritters, and now they bubble gayly in the windows +of Philadelphia's most aristocratic thoroughfare. It +is really a startling sight to see Philadelphia lining +up for its noonday quota of doughnuts, and the +merchants over there have devised an ingenious +method of tempting the crowd. A funnel, erected +over the frying sinkers, carries the fragrant fumes +out through a transom and gushes it into the open +air, so that the sniff of doughnuts is perceptible all +down the block. There is a fortune waiting on +Vesey Street for the man who will establish a doughnut +foundry, and we solemnly pledge our own appetite +and that of all our friends toward his success.<a name="FNanchor_2_2" id="FNanchor_2_2"></a><a href="#Footnote_2_2" class="fnanchor">[2]</a></p> + +<p>At its upper end, perhaps in memory of the vanished +Astor House, Vesey Street stirs itself into a +certain magnificence, devoting its window space to +jewellery and silver-mounted books of prayer. At this +window one may regulate his watch at a clock warranted +by Charles Frodsham of 84, Strand, to whose +solid British accuracy we hereby pay decent tribute. +Over all this varied scene lifts the shining javelin-head +of the Woolworth Building, seen now and then +in an almost disbelieved glimpse of sublimity; and +the golden Lightning of the Telephone and Telegraph +pinnacle, waving his zigzag brands in the sun.</p> + +<div class="footnotes"> +<div class="footnote"><p><a name="Footnote_2_2" id="Footnote_2_2"></a><a href="#FNanchor_2_2"><span class="label">[2]</span></a> Since this was written, the lack has been supplied—on Park Row, just +above the top of Vesey Street; probably the most luxurious doughnut +shop ever conceived.</p></div></div> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_175" id="Page_175">[Pg 175]</a></span></p> +<h2><a name="BROOKLYN_BRIDGE" id="BROOKLYN_BRIDGE"></a>BROOKLYN BRIDGE</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 300px;"> +<img src="images/illo_p175.jpg" width="300" height="262" alt="p175" title="Brooklyn Bridge" /></div> + +<p>A windy day, one would have said in the dark +channels of downtown ways. In the chop +house on John Street, lunch-time patrons came +blustering in, wrapped in overcoats and mufflers, +with something of that air of ostentatious hardiness +that men always assume on coming into a warm +room from a cold street. Thick chops were hissing +on the rosy grill at the foot of the stairs. In one of +the little crowded stalls a man sat with a glass of +milk. It was the first time we had been in that chop +house for several years ... it doesn't seem the<span class='pagenum'><a name="Page_176" id="Page_176">[Pg 176]</a></span> +same. As Mr. Wordsworth said, it is not now as it +hath been of yore. But still,</p> + +<div class="poem"><div class="stanza"> +<span class="i0">The homely Nurse doth all she can<br /></span> +<span class="i0">To make her foster-child, her Inn-mate Man,<br /></span> +<span class="i0">Forget the glories he hath known.<br /></span> +</div></div> + +<p>It's a queer thing that all these imitation beers taste +to us exactly as real beer did the first time we tasted +it (we were seven years old) and shuddered. “Two +glasses of cider,” we said to the comely serving maid. +Alas</p> + +<div class="poem"><div class="stanza"> +<span class="i0">That nature yet remembers<br /></span> +<span class="i0">What was so fugitive.<br /></span> +</div></div> + +<p>There is a nice point of etiquette involved in lunching +in a crowded chop house. Does the fact of having +bought and eaten a moderate meal entitle one to sit +with one's companion for a placid talk and smoke +afterward? Or is one compelled to relinquish the +table as soon as one is finished, to make place for +later comers? These last are standing menacingly +near by, gazing bitterly upon us as we look over the +card and debate the desirability of having some +tapioca pudding. But our presiding Juno has +already settled the matter, and made courtesy a +matter of necessity. “These gentlemen will be +through in a moment,” she says to the new candidates. +Our companion, the amiable G—— W——, +was just then telling us of a brand of synthetic<span class='pagenum'><a name="Page_177" id="Page_177">[Pg 177]</a></span> +whiskey now being distilled by a famous tavern of +the underworld. The superlative charm of this +beverage seems to be the extreme rigidity it imparts +to the persevering communicant. “What does it +taste like?” we asked. “Rather like gnawing +furniture,” said G—— W——. “It's like a long, +healthy draught of shellac. It seems to me that it +would be less trouble if you offered the barkeep fifty +cents to hit you over the head with a hammer. The +general effect would be about the same, and you +wouldn't feel nearly so bad in the morning.”</p> + +<p>A windy day, and perishing chill, we thought as +we strolled through the gloomy caverns and crypts +underneath the Brooklyn Bridge. Those twisted +vistas seen through the archways give an impression +of wrecked Louvain. A great bonfire was burning in +the middle of the street. Under the Pearl Street +elevated the sunlight drifted through the girders in a +lively chequer, patterning piles of gray-black snow +with a criss-cross of brightness. We had wanted to +show our visitor Franklin Square, which he, as a man +of letters, had always thought of as a trimly gardened +plot surrounded by quiet little old-fashioned houses +with brass knockers, and famous authors tripping in +and out. As we stood examining the façade of Harper +and Brothers, our friend grew nervous. He was +carrying under his arm the dummy of an “export +catalogue” for a big brass foundry, that being his +line of work. “They'll think we're free verse poets<span class='pagenum'><a name="Page_178" id="Page_178">[Pg 178]</a></span> +trying to get up courage enough to go in and submit +a manuscript,” he said, and dragged us away.</p> + +<p>A windy day, we had said in the grimy recesses of +Cliff and Dover streets. (Approaching this sentiment +for the third time, perhaps we may be permitted +to accomplish our thought and say what we +had in mind.) But up on the airy decking of the +Brooklyn Bridge, where we repaired with G—— +W—— for a brief stroll, the afternoon seemed mild +and tranquil. It is a mistake to assume that the +open spaces are the windier. The subway is New +York's home of Æolus, and most of the gusts that +buffet us on the streets are merely hastening round a +corner in search of the nearest subway entrance so +that they can get down there where they feel they +belong. Up on the bridge it was plain to perceive +that the March sunshine had elements of strength. +The air was crisp but genial. A few pedestrians +were walking resolutely toward the transpontine +borough; the cop on duty stood outside his little +cabin with the air of one ungrieved by care. Behind +us stood the high profiles of the lower city, +sharpened against the splendidly clear blue sky +which is New York's special blessing. On the water +moved a large tug, towing barges. Smoke trailed +behind it in the same easy and comfortable way that +tobacco reek gushes over a man's shoulder when he +walks across a room puffing his pipe.</p> + +<p>The bridge is a curiously delightful place to<span class='pagenum'><a name="Page_179" id="Page_179">[Pg 179]</a></span> +watch the city from. Walking toward the central +towers seems like entering a vast spider's web. The +footway between the criss-cross cables draws one +inward with a queer fascination, the perspective +diminishing the network to the eye so that it seems +to tighten round you as you advance. Even when +there is but little traffic the bridge is never still. It +is alive, trembling, vibrant, the foot moves with a +springy recoil. One feels the lift and strain of +gigantic forces, and looks in amazement on the huge +sagging hawsers that carry the load. The bars and +rods quiver, the whole lively fabric is full of a +tremor, but one that conveys no sense of insecureness. +It trembles as a tree whispers in a +light air.</p> + +<p>And of the view from the bridge, it is too sweeping +to carry wholly in mind. Best, one thinks, it is seen +in a winter dusk, when the panes of Manhattan's +mountains are still blazing against a crystal blue-green +sky, and the last flush of an orange sunset +lingers in the west. Such we saw it once, coming +over from Brooklyn, very hungry after walking in +most of the way from Jamaica, and pledged in our +own resolve not to break fast until reaching a certain +inn on Pearl Street where they used to serve banana +omelets. Dusk simplifies the prospect, washes +away the lesser units, fills in the foreground with +obliterating shadow, leaves only the monstrous +sierras of Broadway jagged against the vault.<span class='pagenum'><a name="Page_180" id="Page_180">[Pg 180]</a></span> +It deepens this incredible panorama into broad +sweeps of gold and black and peacock blue which one +may file away in memory, tangled eyries of shining +windows swimming in empty air. As seen in the +full brilliance of noonday the bristle of detail is too +bewildering to carry in one clutch of the senses. +The eye is distracted by the abysses between buildings, +by the uneven elevation of the summits, by the +jumbled compression of the streets. In the vastness +of the scene one looks in vain for some guiding +principle of arrangement by which vision can focus +itself. It is better not to study this strange and +disturbing outlook too minutely, lest one lose what +knowledge of it one has. Let one do as the veteran +prowlers of the bridge: stroll pensively to and fro in +the sun, taking man's miracles for granted, exhilarated +and content.<span class='pagenum'><a name="Page_181" id="Page_181">[Pg 181]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="THREE_HOURS_FOR_LUNCH" id="THREE_HOURS_FOR_LUNCH"></a>THREE HOURS FOR LUNCH</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>Hudson Street has a pleasant savour of food. +It resounds with the dull rumble of cruising +drays, which bear the names of well-known brands +of groceries; it is faintly salted by an aroma of the +docks. One sees great signs announcing cocoanut +and whalebone or such unusual wares; there is a +fine tang of coffee in the air round about the corner +of Beach Street. Here is that vast, massy brick +edifice, the New York Central freight station, built +1868, which gives an impression of being about to be +torn down. From a dilapidated upper window +hangs a faded banner of the Irish Republic. At +noontime this region shows a mood of repose. +Truckmen loll in sunny corners, puffing pipes, with +their curved freight hooks hung round their necks. +In a dark smithy half a dozen sit comfortably round +a huge wheel which rests on an anvil, using it as a +lunch table. Near Canal Street two men are loading +ice into a yellow refrigerator car, and their practiced +motions are pleasant to watch. One stands in the +wagon and swings the big blocks upward with his +tongs. The other, on the wagon roof, seizes the +piece deftly and drops it through a trap on top of the<span class='pagenum'><a name="Page_182" id="Page_182">[Pg 182]</a></span> +car. The blocks of ice flash and shimmer as they +pass through the sunshine. In Jim O'Dea's blacksmith +shop, near Broome Street, fat white horses are +waiting patiently to be shod, while a pink glow +wavers outward from the forge.</p> + +<p>At the corner of Hudson and Broome streets we +fell in with our friend Endymion, it being our purpose +to point out to him the house, one of that +block of old red dwellings between Hudson and +Varick, which Robert C. Holliday has described in +“Broome Street Straws,” a book which we hope is +known to all lovers of New York local colour. +Books which have a strong sense of place, and are +born out of particular streets—and especially streets +of an odd, rich, and well-worn flavour—are not any +too frequent. Mr. Holliday's Gissingesque appreciation +of the humours of landladies and all the +queer fish that shoal through the backwaters of New +York lodging houses makes this Broome Street +neighbourhood exceedingly pleasant for the pilgrim +to examine. It was in Mr. Holliday's honour that +we sallied into a Hudson Street haberdashery, just +opposite the channel of Broome Street, and adorned +ourself with a new soft collar, also having the +pleasure of seeing Endymion regretfully wave away +some gorgeous mauve and pink neckwear that the +agreeable dealer laid before him with words of +encouragement. We also stood tranced by a +marvellous lithograph advertising a roach powder in<span class='pagenum'><a name="Page_183" id="Page_183">[Pg 183]</a></span> +a neighbouring window, and wondered whether Mr. +Holliday himself could have drawn the original in the +days when he and Walter Jack Duncan lived in +garrets on Broome Street and were art students +together. Certainly this picture had the vigorous +and spirited touch that one would expect from the +draughting wrist of Mr. Holliday. It showed a very +terrible scene, apparently a civil war among the +roaches, for one army of these agile insects was +treasonously squirting a house with the commended +specific, and the horrified and stricken inmates were +streaming forth and being carried away in roach +ambulances, attended by roach nurses, to a neighbouring +roach cemetery. All done on a large and +telling scale, with every circumstance of dismay and +reproach on the faces of the dying blattidæ. Not +even our candour, which is immense, permits us to +reprint the slogan the manufacturer has adopted for<span class='pagenum'><a name="Page_184" id="Page_184">[Pg 184]</a></span> +his poster: those who go prowling on Hudson +Street may see it for themselves.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illo_p183.jpg" width="500" height="276" alt="p183" title="p183" /></div> + +<p>In the old oyster and chop house just below Canal +Street we enjoyed a very agreeable lunch. To this +place the Broome Street garreteers (so Mr. Holliday +has told us) used to come on days of high prosperity +when some cheque arrived from a publisher. At +that time the tavern kept an open fireplace, with a +bright nest of coals in the chilly season; and there +was a fine mahogany bar. But we are no laudator of +acted time; the fireplace has been bricked up, it is +true; but the sweet cider is admirable, and as for the +cheesecake, we would back it against all the Times +Square variety that Ben De Casseres rattles about. +It is delightful and surprising to find on Hudson +Street an ordinary so droll and Dickensish in atmosphere, +and next door is a window bearing the +sign <span class="smcap">Walter Peter</span>. We feel sure that Mr. +Holliday, were he still living in those parts, would +have cajoled the owner into changing that <span class="smcap">E</span> to an <span class="smcap">A</span>.</p> + +<p>Our stroll led us north as far as Charlton Street, +which the geographers of Greenwich Village claim as +the lower outpost of their domain. Certainly it is a +pleasing byway, running quietly through the afternoon, +and one lays an envious eye upon the demure +brick houses, with their old-fashioned doorways, pale +blue shutters, and the studio windows on the southern +side. At the corner of Varick Street is a large +house showing the sign, “Christopher Columbus<span class='pagenum'><a name="Page_185" id="Page_185">[Pg 185]</a></span> +University of America.” Macdougal Street gives +one a distant blink of the thin greenery of Washington +Square.</p> + +<p>An unexpected impulse led us eastward on Grand +Street, to revisit Max Maisel's interesting bookshop.—We +had never forgotten the thrill of finding this +place by chance one night when prowling toward +Seward Park. In bookshops of a liberal sort we +always find it advisable to ask first of all for a copy +of Frank Harris's “The Man Shakespeare.” It is +hardly ever to be found (unfortunately), so the +inquiry is comparatively safe for one in a frugal +mood; and it is a tactful question, for the mention of +this book shows the bookseller that you are an intelligent +and understanding kind of person, and +puts intercourse on good terms at once. However, +we did find one book that we felt we simply had to +have, as it is our favourite book for giving away to +right-minded people—“The Invisible Playmate,” +by William Canton. We fear that there are still +lovers of children who do not know this book; but if +so, it is not our fault.</p> + +<p>Grand Street is a child at heart, and one may +watch it making merry not only along the pavement +but in the shop windows. Endymion's gallant +spirit was strongly uplifted by this lively thoroughfare, +and he strode like one whose heart was hitting +on all six cylinders. Max Maisel's bookshop alone +is enough to put one in a seemly humour. But<span class='pagenum'><a name="Page_186" id="Page_186">[Pg 186]</a></span> +then one sees the gorgeous pink and green allurements +of the pastry cooks' windows, and who can +resist those little lemon-flavoured, saffron-coloured +cakes, which are so thirst-compelling and send one +hastily to the nearest bar for another beaker of +cider? And it seems natural to find here the +oldest toyshop in New York, where Endymion +dashed to the upper floor in search of juvenile +baubles, and we both greatly admired the tall, dark, +and beauteous damsel who waited on us with such +patience and charity. Endymion by this time was +convinced that he was living in the very heart and +climax of a poem; he became more and more unreal +as we walked along: we could see his physical outline +(tenuous enough at best) shimmer and blur as he +became increasingly alcaic.</p> + +<p>Along the warm crowded pavement there suddenly +piped a liquid, gurgling, chirring whistle, rising and +dropping with just the musical trill that floats from +clumps of creekside willows at this time of year. We +had passed several birdshops on our walk, and supposed +that another was near. A song sparrow, was +our instant conclusion, and we halted to see where +the cage could be hung. And then we saw our +warbler. He was little and plump and red-faced, +with a greasy hat and a drooping beer-gilded moustache, +and he wore on his coat a bright blue peddler's +license badge. He shuffled along, stooping over a +pouch of tin whistles and gurgling in one as he went.<span class='pagenum'><a name="Page_187" id="Page_187">[Pg 187]</a></span> +There's your poem, we said to Endymion—“The +Song-Sparrow on Grand Street.”</p> + +<p>We propose to compile a little handbook for +truants, which we shall call “How to Spend Three +Hours at Lunch Time.” This idea occurred to us on +looking at our watch when we got back to our +kennel.<span class='pagenum'><a name="Page_188" id="Page_188">[Pg 188]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="PASSAGE_FROM_SOME_MEMOIRS" id="PASSAGE_FROM_SOME_MEMOIRS"></a>PASSAGE FROM SOME MEMOIRS</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>How long ago it seems, that spring noonshine +when two young men (we will call them Dactyl +and Spondee) set off to plunder the golden bag of +Time. These creatures had an oppressive sense that +first Youth was already fled. For one of them, in +fact, it was positively his thirtieth birthday; poor +soul, how decrepitly he flitted in front of motor +trucks. As for the other, he was far decumbent in +years, quite of a previous generation, a perfect +Rameses, whose senile face was wont to crack into +wrinklish mirth when his palsied cronies called him +the greatest poet born on February 2, 1886.</p> + +<p>It was a day—well, it is fortunate that some things +do not have to be described. Suppose one had to +explain to the pallid people of the thither moon what +a noonday sunshine is like in New York about the +Nones of May? It could not be done to carry +credence. Let it be said it was a Day, and leave it +so. You have all known that gilded envelopment of +sunshine and dainty air.</p> + +<p>These pitiful creatures arose from the subway at +Fourteenth Street and took the world in their right +hands. From this revolving orb, said they, they<span class='pagenum'><a name="Page_189" id="Page_189">[Pg 189]</a></span> +would squeeze a luncheon hour of exquisite satisfactions. +They gazed sombrely at Union Square, +and uttered curious reminiscences of the venerable +days when one of them had worked, actually toiled +for a living, upon the shores of that expanse. Ten +years had passed (yes, at least ten—<i>O edax rerum!</i>). +Upon a wall these observant strollers saw a tablet to +the memory of William Lloyd Garrison. Strange, +said they, we never noticed this before. Ah, said +one, this is hallowed ground. It was near here that +I used to borrow a quarter, the day before pay-day, +to buy my lunch. The other contributed similar +recollections. And now, quoth he, I am grown so +prosperous that when I need money I can't afford to +borrow less than two hundred dollars.</p> + +<p>They lunched (one brushes away the mist of time +to recall the details) where the bright sunlight fell +athwart a tablecloth of excellent whiteness. They +ate (may one be precise at so great a distance?)—yes, +they ate broiled mackerel to begin with; the kind of +mackerel called (but why?) Spanish. Whereupon +succeeded a course of honeycomb tripe, which moved +Dactyl to quoting Rabelais, something that +Grangousier had said about tripes. Only by these +tripes is memory supported and made positive, for it +was the first time either had tackled this dish. +Concurrent with the tripes, one inducted the other +into the true mystery of blending shandygaff, +explaining the first doctrine of that worthy draught,<span class='pagenum'><a name="Page_190" id="Page_190">[Pg 190]</a></span> +which is that the beer must be poured into the +beaker before the ginger ale, for so arises a fatter and +lustier bubblement of foam. The reason whereof +they leave no testament. While this portion of +the meal was under discussion their minds moved +free, unpinioned, with airy lightness, over all manner +of topics. It seemed no effort at all to talk. Ripe, +mellow with long experience of men and matters, +their comments were notable for wisdom and +sagacity. The waiter, overhearing +shreds of their discourse, +made a private notation +to the effect that these +were Men of Large Affairs. +Then they embarked upon +some salty crackers, enlivened +with Camembert cheese and +green-gage jam. By this time +they were touching upon religion, +from which they moved +lightly to the poems of Louise +Imogen Guiney. It is all quite distinct as one +looks back upon it.</p> + +<div class="figleft" style="width: 289px;"> +<img src="images/illo_p190.jpg" width="289" height="500" alt="p190" title="Waiter" /></div> + +<p>Issuing upon the street, Dactyl said something +about going back to the office, but the air and sunlight +said him nay. Rather, remarked Spondee, let +us fare forward upon this street and see what +happens. This is ever a comely doctrine, adds the +chronicler. They moved gently, not without a lilac<span class='pagenum'><a name="Page_191" id="Page_191">[Pg 191]</a></span> +trailing of tobacco fume, across quiet stretches of +pavement. In the blue upwardness stood the tower +of the Metropolitan Life Building, a reminder that +humanity as a whole pays its premiums with decent +regularity. They conned the nice gradations of tint +in the spring foliage of Gramercy Park. They +talked, a little soberly, of thrift, and of their misspent +years.</p> + +<p>Lexington Avenue lay guileless beneath their +rambling footfalls. At the corner of Twenty-second +Street was a crowd gathered, and a man with the +customary reverted cap in charge of a moving picture +machine. A swift car drew up before the large +house at the southeast corner. Thrill upon thrill: +something being filmed for the movies! In the car, +a handsome young rogue at the wheel, and who was +this blithe creature in shiny leather coat and leather +cap, with crumpling dark curls cascading beneath it? +A suspicion tinkled in the breast of Spondee, in those +days a valiant movie fan. Up got the young man, +and hopped out of the car. Up stood the blithe +creature—how neatly breeched, indeed, a heavenly +forked radish—and those shining riding boots! She +dismounted—lifted down (so unnecessarily it +seemed) by the rogue. She stood there a moment +and Spondee was convinced. <span class="smcap">Dorothy Gish</span>, said +he to Dactyl. Miss Gish and her escort darted into +the house, the camera man reeling busily. At an +upper window of the dwelling a white-haired lady<span class='pagenum'><a name="Page_192" id="Page_192">[Pg 192]</a></span> +was looking out, between lace curtains, with a sort of +horror. Query, was she part of the picture, or only +the aristocratic owner of the house, dismayed at +finding her home suddenly become part of a celluloid +drama? Spondee had always had a soft spot in his +heart for Miss Dorothy, esteeming her a highly +entertaining creature. He was disappointed in the +tranquil outcome of the scene. He had hoped to +see leaping from windows and all manner of +hot stuff. Near by stood a coloured groom with +a horse. The observers concluded that Miss Gish +was to do a little galloping shortly. Dactyl and +Spondee moved away. Spondee quoted a poem he +had once written about Miss Dorothy. He recollected +only two lines:</p> + +<div class="poem"><div class="stanza"> +<span class="i0">She makes all the rest seem a shoal of poor fish<br /></span> +<span class="i0">So <i>we</i> cast <i>our</i> ballot for Dorothy Gish.<br /></span> +</div></div> + +<p>Peering again into the dark backward and abysm, +it seems that the two rejuvenated gossips trundled +up on Lexington Avenue to Alfred Goldsmith's +cheerful bookshop. Here they were startled to hear +Mr. Goldsmith cry: “Well, Chris, here are some +nice bones for you.” One of these visitors assumed +this friendly greeting was for him, but then it was +explained that Mr. Goldsmith's dog, named Christmas, +was feeling seedy, and was to be pampered. +At this moment in came the postman with a package +of books, arrived all the way from Canada. One of<span class='pagenum'><a name="Page_193" id="Page_193">[Pg 193]</a></span> +these books was “Salt of the Sea,” a volume of tales +by Morley Roberts, and upon this Spondee fell with +a loud cry, for it contained “The Promotion of the +Admiral,” being to his mind a tale of great virtue +which he had not seen in several years. Dactyl, +meanwhile, was digging out some volumes of Gissing, +and on the faces of both these creatures might have +been seen a pleasant radiation of innocent cheer. Mr. +Goldsmith also exhibited (it is still remembered) a +beautiful photo of Walt Whitman, which entertained +the visitors, for it showed old Walt with his coat-sleeve +full of pins, which was ever Walt's way.</p> + +<p>How long ago it all seems. Does Miss Dorothy +still act for the pictures? Does Chris, the amiable +Scots terrier, still enjoy his bones? Does old +Dactyl still totter about his daily tasks? Queer to +think that it happened only yesterday. Well, time +runs swift in New York.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_194" id="Page_194">[Pg 194]</a></span></p> +<h2><a name="FIRST_LESSONS" id="FIRST_LESSONS"></a>FIRST LESSONS IN CLOWNING</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 205px;"> +<img src="images/illo_p194.jpg" width="205" height="300" alt="p194" title="First Lessions in Clowning" /></div> + +<p>A medley of crashing music, pungently odd +and exhilarating smells, the roaring croon of +the steam calliope, the sweet lingering savour of +clown-white grease paint, elephants, sleek barking +seals, trained pigs, superb white horses, frolicking +dogs, exquisite ladies in tights and spangles, the +pallid Venuses of the “living statuary,” a whole<span class='pagenum'><a name="Page_195" id="Page_195">[Pg 195]</a></span> +jumble of incongruous and fantastic glimpses, moving +in perfect order through its arranged cycles—this +is the blurred and ecstatic recollection of an amateur +clown at the circus.</p> + +<p>It was pay day that afternoon and all the performers +were in cheerful humour. Perhaps that was +why the two outsiders, who played a very inconspicuous +part in the vast show, were so gently +treated. Certainly they had approached the Garden +in some secret trepidation. They had had visions +of dire jests and grievous humiliations: of finding +themselves suddenly astride the bare backs of +berserk mules, or hoisted by blazing petards, or +douched with mysterious cascades of icy water. +Pat Valdo had written: “I am glad to hear you are +going to clown a bit. I hope you both will enjoy the +experience.” To our overwrought imaginations +this sounded a little ominous. What would Pat and +his lively confrères do to us?</p> + +<p>We need not have feared. Not in the most genial +club could we have been more kindly treated than in +the dressing room where we found Pat Valdo opening +his trunk and getting out the antic costumes he had +provided. (The eye of a certain elephant, to tell the +truth, was the only real embarrassment we suffered. +We happened to stand by him as he was waiting to +go on, and in his shrewd and critical orb we saw a +complete disdain. He spotted us at once. He +knew us for interlopers. He knew that we were not<span class='pagenum'><a name="Page_196" id="Page_196">[Pg 196]</a></span> +a real clown, and his eye showed a spark of scorn. +We felt shamed, and slunk away.)</p> + +<p>A liberal coating of clown-white, well rubbed into +the palms before applying; a rich powdering of +talcum; and decorations applied by Pat Valdo with +his red and black paint-sticks—these give an effect +that startles the amateur when he considers himself +in the mirror. Topped with a skull-cap of white +flannel (on which perches a supreme oddity in the +way of a Hooligan hat) and enveloped in a baggy +Pierrot garment—one is ready to look about and +study the dressing room, where our fellows, in every +kind of gorgeous grotesquerie, are preparing for the +Grand Introductory Pageant—followed by the +“Strange People.” (They don't call them Freaks +any more.) Here is Johannes Joseffson, the Icelandic +Gladiator, sitting on his trunk, with his bare +feet gingerly placed on his slippers to keep them off +the dusty floor while he puts on his wrestling tights. +As he bends over with arched back, and raises one +leg to insert it into the long pink stocking, one must +admire the perfect muscular grace of his thighs and +shoulders. Here is the equally muscular dwarf, +being massaged by a friend before he dons his pink +frills and dashing plumed hat and becomes Mlle. +Spangletti, “the marvel equestrienne, darling of the +Parisian boulevards.” Here is the inevitable +Charley Chaplin, and here the dean of all the clowns, +an old gentleman of seventy-four, in his frolicsome<span class='pagenum'><a name="Page_197" id="Page_197">[Pg 197]</a></span> +costume, as lively as ever. Here is a trunk inscribed +<i>Australian Woodchoppers</i>, and sitting on it +one of the woodchoppers himself, a quiet, humorous, +cultivated gentleman with a great fund of +philosophy. A rumour goes the rounds—as it does +behind the scenes in every kind of show. “Do you +know who we have with us to-day? I see one of +the boxes is all decorated up.” “It's Mrs. Vincent +Astor.” “Who's she?” interjects the Australian +woodchopper, satirically. “It's General Wood.” +“Did you hear, Wood and Pershing are here to-day?” +Charley Chaplin asserts that he has “a good gag” +that he's going to try out to-day and see how it goes. +One of the other clowns in the course of dressing +comes up to Pat Valdo, and Pat introduces his two +pupils. “Newspaper men, hey?” says the latter. +“What did you tell me for? I usually double-cross +the newspaper men when they come up to do some +clowning,” he explains to us. We are left wondering +in what this double-crossing consists. Suddenly they +all troop off down the dark narrow stairs for the +triumphal entry. The splendour of this parade +may not be marred by any clown costumes, so the +two novices are left upstairs, peering through holes +in the dressing-room wall. The big arena is all an +expanse of eager faces. The band strikes up a +stirring ditty. A wave of excitement sweeps +through the dingy quarters of the Garden. The +show is on, and how delirious it all is!<span class='pagenum'><a name="Page_198" id="Page_198">[Pg 198]</a></span></p> + +<p>Downstairs, the space behind the arena is a fascinating +jostle of odd sights. The elephants come +swaying up the runway from the basement and stand +in line waiting their turn. Here is a cage of trained +bears. In the background stands the dogcatcher's +cart, attached to the famous kicking mule. From +the ladies' dressing quarters come the aerial human +butterflies in their wings and gauzy draperies. On +the wall is a list of names, <i>Mail Uncalled For</i>. One +of the names is “Toby Hamilton.” That must +mean old Toby, and we fear the letter will never be +called for now, for Toby Hamilton, the famous old +Barnum and Bailey press agent, who cleaned up +more “free space” than any man who ever lived, +died in 1916. Suddenly appears a person clad +in flesh tights and a barrel, carrying a label announcing +himself as <i>The Common People</i>. Someone +thrusts a large sign into the hands of one of the +amateur clowns, and he is thrust upon the arena, to +precede the barrelled Common People round the +sawdust circuit. He has hardly time to see what +the sign says—something about “On Strike Against +$100 Suits.” The amateur clown is somewhat +aghast at the huge display of friendly faces. Is he to +try to be funny? Here is the flag-hung box, and he +tries to see who is in it. He doesn't see either Wood, +Pershing, or Mrs. Astor, who are not there; but a lot +of wounded soldiers, who smile at him encouragingly. +He feels better and proceeds, finding himself, with a<span class='pagenum'><a name="Page_199" id="Page_199">[Pg 199]</a></span> +start, just beneath some flying acrobats who are +soaring in air, hanging by their teeth. Common +People shouts to him to keep the sign facing toward +the audience. The tour is made without palpable +dishonour.</p> + +<p>Things are now moving so fast it is hard to keep +up with them. Pat Valdo is dressed as a prudish +old lady with an enormous bustle. Escorted by the +clown policeman and the two amateurs, Pat sets out, +fanning himself demurely. Hullo! the bustle has +detached itself from the old lady, but she proceeds, +unconscious. The audience shouts with glee. +Finally the cop sees what has happened and screams. +The amateur clowns scream, too, and one of them, in a +burst of inspiration, takes off his absurd hat to the +bustle, which is now left yards behind. But Pat is +undismayed, turns and beckons with his hand. +The bustle immediately runs forward of its own +accord and reattaches itself to the rear of the skirt. +You see, there is a dwarf inside it. The two amateur +clowns are getting excited by this time and execute +some impromptu tumbling. One tackles the other +and they roll over and over desperately. In the +scuffle one loses both his hat and skull-cap and +flees shamefast from the scene. It is asserted by our +partner that “this went big.” He swears it got a +laugh. Pat Valdo hurries off to prepare for his +boomerang throwing. Pat is a busy man, for he is +not only a clown, but he and Mrs. Valdo also do<span class='pagenum'><a name="Page_200" id="Page_200">[Pg 200]</a></span> +wonderful stunts of their own on Ring Number +One.</p> + +<p>And there are moments of sheer poetry, too. Into +the darkened arena, crossed by dazzling shafts of +light, speeds a big white motor car. Bird Millman +descends, tossing aside her cloak. “A fairy on a +cobweb” the press agents call her, and as two humble +clowns watch entranced through the peepholes in +the big doors the phrase seems none too extravagant. +See her, in a foam of short fluffy green skirts, twirl +and tiptoe on the glittering wire, all grace and slenderness +and agile enchantment. She bows in the +dazzle of light and kisses her hands to the crowd. +Then she hops into the big car and is borne back +behind the scenes. Once behind the doors her gay +vivacity ceases. She sits, wearily, several minutes, +before getting out of the car. And then, later, +comes Mlle. Leitzel. She, like all the other stars, is +said to have “amazed all Europe.” We don't +know whether Europe is harder to amaze than +America. Certainly no one could be more admiringly +astounded than the amateur clowns gazing +entranced through the crack of the doorway. To +that nerve-tightening roll of drums she spins deliriously +high up in giddy air, floating, a tiny human pin-wheel, +in a shining cone of light. One can hear the +crowd catch its breath. She walks back, all smiles, +while her maid trots ahead saying something unintelligible. +Her tall husband is waiting for her at<span class='pagenum'><a name="Page_201" id="Page_201">[Pg 201]</a></span> +the doorway. He catches her up like a child and +carries her off, limp and exhausted. One of the +clowns (irreverent creature) makes a piteous squawk +and begs us to carry him to his dressing room.</p> + +<p>A trained pig, trotting cheerfully round in search of +tidbits, is retrieved from under the hooves of Mrs. +Curtis's horse, which is about to go out and dance. +The dogcatcher's wagon is drawn up ready to rush +forth, and the trained terrier which accompanies it is +leaping with excitement. He regards it as a huge +lark, and knows his cue perfectly. When the right +time comes he makes a dash for a clown dressed as an +elderly lady and tears off her skirt. One of the +amateurs was allowed to ride behind the kicking +mule, but to his great chagrin the mule did not kick +as well as usual. Here are Charley Chaplin and some +others throwing enormous dice from a barrel. No +matter how the dice are thrown they always turn up +seven. Into this animated gamble the amateur +clown enters with enjoyment. All round him the +wildest capers are proceeding. The double-ended +flivver is prancing about. John Barleycorn's funeral +procession is going its way. “Give me plenty of +space,” says Charley Chaplin to us, “so the people +can watch me.” We do so, reverently, for Charley's +antics are worth watching. We make a wild dash, +and plan to do a tumble in imitation of Charley's. +To our disappointment we find that instead of sliding +our feet dig into the soft sawdust, and the projected<span class='pagenum'><a name="Page_202" id="Page_202">[Pg 202]</a></span> +collapse does not arrive. Intoxicated by the rich +spice of circus odours, the booming calliope, the +galloping horses, we hardly know what we are doing +half the time. We hear Miss May Wirth, the +Wonder Rider of the World, complaining bitterly +that someone got in front of her when she was doing +her particularly special stunt. We wonder dubiously +whether we were the guilty one. Alas, it is all +over but the washing up. Pat Valdo, gentlest of +hosts, is taking off his trick hat with the water cistern +concealed in it. He has a clean towel ready for his +grateful pupils.</p> + +<p>The band is playing “The Star-Spangled Banner,” +and all the clowns, in various stages of undress, +stand at attention. Our little peep into the gay, +good-hearted, courageous, and extraordinary world +of the circus is over. Pat and his fellows will go on, +twice a day, for the next six months. It takes +patience and endurance. But it must be some consolation +to know that nothing else in the world gives +half as much pleasure to so many people.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_203" id="Page_203">[Pg 203]</a></span></p> +<h2><a name="HOUSE_HUNTING" id="HOUSE_HUNTING"></a>HOUSE-HUNTING</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 291px;"> +<img src="images/illo_p203.jpg" width="291" height="300" alt="p203" title="House Hunting" /></div> + +<p>A curious vertigo afflicts the mind of the +house-hunter. In the first place, it is sufficiently +maddening to see the settled homes of other +happier souls, all apparently so firmly rooted in a +warm soil of contentment while he floats, an unhappy +sea-urchin, in an ocean of indecision. Furthermore, +how confusing (to one who likes to feel himself +somewhat securely established in a familiar +spot) the startling panorama of possible places in +which he visualizes himself. One day it is Great +Neck, the next it is Nutley; one day Hollis, the next<span class='pagenum'><a name="Page_204" id="Page_204">[Pg 204]</a></span> +Englewood; one day Bronxville, and then Garden +City. As the telephone rings, or the suasive accents +of friendly realtors expound the joys and glories of +various regions, his uneasy imagination flits hoppingly +about the compass, conceiving his now +vanished household goods reassembled and implanted +in these contrasting scenes.</p> + +<p>Startling scenarios are filmed in his reeling mind +while he listens, over the tinkling wire, to the +enumeration of rooms, baths, pantries, mortgages, +commuting schedules, commodious closets, open +fireplaces, and what not. In the flash and coruscation +of thought he has transported his helpless +family to Yonkers, or to Manhasset, or to Forest +Hills, or wherever it may be, and tries to focus and +clarify his vision of what it would all be like. He +sees himself (in a momentary close-up) commuting on +the bland and persevering Erie, or hastening hotly +for a Liberty Street ferry, or changing at Jamaica +(that mystic ritual of the Long Island brotherhood). +For an instant he is settled again, with a modest +hearth to return to at dusk ... and then the sorrowful +compliment is paid him and he wonders how +the impression got abroad that he is a millionaire.</p> + +<p>There is one consoling aspect of his perplexity, +however, and that is the friendly intercourse he has +with high-spirited envoys who represent real estate +firms and take him voyaging to see “properties” in +the country. For these amiable souls he expresses<span class='pagenum'><a name="Page_205" id="Page_205">[Pg 205]</a></span> +his candid admiration. Just as when one contemplates +the existence of the doctors one knows, one +can never imagine them ill, so one cannot conceive +of the friendly realtor as in any wise distressed or +grieved by the problems of the home. There is +something Olympian about them, happy creatures! +They deal only in severely “restricted” tracts. +They have a stalwart and serene optimism. Odd +as it seems, one of these friends told us that some +people are so malign as to waste the time of real +estate men by going out to look at houses in the +country without the slightest intention of “acting.” +As a kind of amusement, indeed! A harmless way of +passing an afternoon, of getting perhaps a free motor +ride and enjoying the novelty of seeing what other +people's houses look like inside. But our friend was +convinced of one humble inquirer's passionate sincerity +when he saw him gayly tread the ice floes of +rustic Long Island in these days of slush and slither.</p> + +<p>How do these friends of ours, who see humanity in +its most painful and distressing gesture (i.e., when +it is making up its mind to part with some money), +manage to retain their fine serenity and blitheness of +spirit? They have to contemplate all the pathetic +struggles of mortality, for what is more pathetic +than the spectacle of a man trying to convince a real +estate agent that he is not really a wealthy creature +masking millions behind an eccentric pose of humility? +Our genial adviser Grenville Kleiser, who<span class='pagenum'><a name="Page_206" id="Page_206">[Pg 206]</a></span> +has been showering his works upon us, has classified +all possible mental defects as follows:</p> + +<div class="blockquot"> +<ol type="a"><li><i>Too easy acquiescence</i></li> +<li><i>A mental attitude of contradiction</i></li> +<li><i>Undue skepticism</i></li> +<li><i>A dogmatic spirit</i></li> +<li><i>Lack of firmness of mind</i></li> +<li><i>A tendency to take extreme views</i></li> +<li><i>Love of novelty; that is, of what is foreign, +ancient, unusual, or mysterious.</i></li></ol></div> + +<p>All these serious weaknesses of judgment may be +discerned, in rapid rotation, in the mind of the +house-hunter. It would be only natural, we think, +if the real estate man were to tell him to go away and +study Mr. Kleiser's “How to Build Mental Power.” +In the meantime, the vision of the home he had +dreamed of becomes fainter and fainter in the +seeker's mind—like the air of a popular song he has +heard whistled about the streets, but does not know +well enough to reproduce. How he envies the light-hearted +robins, whose house-hunting consists merely +in a gay flitting from twig to twig. Yet, even in his +disturbance and nostalgia of spirit, he comforts +himself with the common consolation of his cronies—“Oh, +well, one always finds something”—and thus +(in the words of good Sir Thomas Browne) teaches +his haggard and unreclaimed reason to stoop unto +the lure of Faith.<span class='pagenum'><a name="Page_207" id="Page_207">[Pg 207]</a></span></p> + + +<hr style="width: 65%;" /> +<h2><a name="LONG_ISLAND" id="LONG_ISLAND"></a>LONG ISLAND REVISITED</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>The anfractuosities of legal procedure having +caused us to wonder whether there really were +any such place as the home we have just bought, we +thought we would go out to Salamis, L. I., and have +a look at it. Of course we knew it had been there a +few weeks ago, but the title companies do confuse +one so. We had been sitting for several days in the +office of the most delightful lawyer in the world (and +if we did not fear that all the other harassed and +beset creatures in these parts would instantly rush to +lay their troubles in his shrewd and friendly bosom +we would mention his name right here and do a little +metrical pirouette in his honour)—we had been +sitting there, we say, watching the proceedings, +without the slightest comprehension of what was +happening. It is really quite surprising, let us add, +to find how many people are suddenly interested in +some quiet, innocent-looking shebang nestling off in +a quiet dingle in the country, and how, when it is to +be sold, they all bob up from their coverts in Flushing, +Brooklyn, or Long Island City, and have to be +“satisfied.” What floods of papers go crackling +across the table, drawn out from those mysterious<span class='pagenum'><a name="Page_208" id="Page_208">[Pg 208]</a></span> +brown cardboard wallets; what quaint little jests +pass between the emissaries of the title company +and the legal counsel of the seller, jests that seem +to bear upon the infirmity of human affairs and +cause the well-wishing adventurer to wonder whether +he had ever sufficiently pondered the strange tissue +of mortal uncertainties that hides behind every +earthly venture ... there was, for instance, +occasional reference to a vanished gentleman who +had once crossed the apparently innocent proscenium +of our estate and had skipped, leaving someone six +thousand dollars to the bad; this ingenious buccaneer +was, apparently, the only one who did not have to be +“satisfied.” At any rate, we thought that we, who +entered so modestly and obscurely into this whole +affair, being only the purchaser, would finally satisfy +ourself, too, by seeing if the property was still there.</p> + +<p>Long Island and spring—the conjunction gives us +a particular thrill. There are more beautiful places +than the Long Island flats, but it was there that we +earned our first pay envelope, and it was there that +we first set up housekeeping; and as long as we live +the station platform of Jamaica will move us +strangely—not merely from one train to another, but +also inwardly. There is no soil that receives a more +brimming benison of sunshine than Long Island in +late April. As the train moves across the plain it +seems to swim in a golden tide of light. Billboards +have been freshly painted and announce the glories<span class='pagenum'><a name="Page_209" id="Page_209">[Pg 209]</a></span> +of phonographs in screaming scarlets and purples, +or the number of miles that divide you from a +Brooklyn department store. Out at Hillside the +stones that demarcate the territory of an old-fashioned +house are new and snowily whitewashed. At +Hollis the trees are a cloud of violent mustard-yellow +(the colour of a safety-matchbox label). Magnolias +(if that is what they are) are creamy pink. Moving +vans are bustling along the road. Across the wide +fields of Bellaire there is a view of the brown woods +on the ridge, turning a faint olive as the leaves gain +strength. Gus Wuest's roadhouse at Queens looks +inviting as of old, and the red-brown of the copper +beeches reminds one of the tall amber beakers. +Here is the little park by the station in Queens, the +flag on the staff, the forsythia bushes the colour of +scrambled eggs.</p> + +<p>Is it the influence of the Belmont Park race track? +There seem to be, in the smoking cars, a number of +men having the air of those accustomed to associate +(in a not unprofitable way) with horses. Here is +one, a handsome person, who holds our eye as a +bright flower might. He wears a flowing overcoat of +fleecy fawn colour and a derby of biscuit brown. He +has a gray suit and joyful socks of heavy wool, +yellow and black and green in patterned squares +which are so vivid they seem cubes rather than +squares. He has a close-cut dark moustache, his +shaven cheeks are a magnificent sirloin tint, his chin<span class='pagenum'><a name="Page_210" id="Page_210">[Pg 210]</a></span> +splendidly blue by the ministration of the razor. +His shirt is blue with a stripe of sunrise pink, and the +collar to match. He talks briskly and humorously +to two others, leaning over in the seat behind them. +As he argues, we see his brown low shoe tapping on +the floor. One can almost see his foot think. It +pivots gently on the heel, the toe wagging in air, as +he approaches the climax of each sentence. Every +time he drives home a point in his talk down comes +the whole foot, softly, but firmly. He relights his +cigar in the professional manner, not by inhaling as he +applies the match, but by holding the burned portion +in the flame, away from his mouth, until it has +caught. His gold watch has a hunting case; when he +has examined it, it shuts again with a fine rich snap, +which we can hear even above the noise of the car.</p> + +<p>On this early morning train there are others +voyaging for amusement. Here are two golfing +zealots, puffing pipes and discussing with amazing +persistence the minutiæ of their sport. Their +remarks are addressed to a very fashionable-looking +curate, whose manners are superb. Whether he is +going to play golf we know not; at any rate, he +smiles mildly and politely to all they say. Perhaps +he is going round the course with them, in the +hope of springing some ecclesiastical strategy while +they are softened and chastened by the glee of +the game. The name of their Maker, it is only +fair to suspect, has more than once been mentioned<span class='pagenum'><a name="Page_211" id="Page_211">[Pg 211]</a></span> +on the putting green; and if it should slip out, the +curate will seize the cue and develop it. In the +meantime, one of the enthusiasts (while his companion +is silenced in the act of lighting his pipe) is +explaining to the cloth how his friend plays golf. +“I'll tell you how he plays,” he says. “Imagine him +sitting down in a low chair and swinging a club. +Then take the chair away and he still keeps the +same position. That's what he looks like when he +drives.” The curate smiles at this and prepares his +face to smile with equal gentleness when the other +retorts.</p> + +<p>After Floral Park the prospect becomes more +plainly rural. The Mineola trolley zooms along, +between wide fields of tilled brown earth. There is +an occasional cow; here and there a really old barn +and farmhouse standing, incongruously, among the +settlements of modern kindling-wood cottages; and +a mysterious agricultural engine at work with a +spinning fly-wheel. Against the bright horizon +stand the profiles of Garden City: the thin cathedral +spire, the bulk of St. Paul's school, the white +cupola of the hotel. The tree-lined vistas of Mineola +are placidly simmering in the morning sun. A +white dog with erect and curly tail trots very purposefully +round the corner of the First National +Bank. We think that we see the spreading leaves of +some rhubarb plants in a garden; and there are some +of those (to us very enigmatic, as we are no gardener)<span class='pagenum'><a name="Page_212" id="Page_212">[Pg 212]</a></span> +little glass window frames set in the soil, as though a +whole house, shamed by the rent the owner wanted +to charge, had sunk out of sight, leaving only a +skylight.</p> + +<p>As we leave East Williston we approach more interesting +country, with a semblance of hills, and +wooded thickets still brownly tapestried with the dry +funeral of last year's leaves. On the trees the new +foliage sways in little clusters, catching the light +like the wings of perching green butterflies. Some of +the buds are a coppery green, some a burning red, +but the prevailing colour is the characteristic sulphur +yellow of early spring. And now we are set down at +Salamis, where the first and most surprising impression +is of the unexpected abundance of competitive +taxicabs. Having reached the terminus of +our space, we can only add that we found our estate +still there—and there are a few stalks of rhubarb +surviving from an earlier plantation.<span class='pagenum'><a name="Page_213" id="Page_213">[Pg 213]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="ON_BEING_IN_A_HURRY" id="ON_BEING_IN_A_HURRY"></a>ON BEING IN A HURRY</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>New York is a perplexing city to loaf in. +(Walt Whitman if he came back to Mannahatta +would soon get brain fever.) During the middle +hours of the day, at any rate, it is almost impossible +to idle with the proper spirit and completeness. +There is a prevailing bustle and skirmish that +“exerts a compulsion,” as President Wilson would +say. The air is electric and nervous. We have +often tried to dawdle gently about the neighbourhood +of the City Hall in the lunch hour, to let the +general form and spirit of that clearing among the +cliffs sink into our mind, so that we could get some +picture of it. We have sat under a big brown umbrella, +to have our shoes shined, when we had nothing +more important to do than go to the doughnut +foundry on Park Row and try some of those delectable +combinations of foods they have there, such as +sponge cake with whipped cream and chocolate +fudge. And in a few seconds we have found ourself +getting all stirred up and crying loudly to the artist +that we only wanted a once-over, as we had an +important appointment. You have to put a very +heavy brake on your spirit in downtown New York<span class='pagenum'><a name="Page_214" id="Page_214">[Pg 214]</a></span> +or you find yourself dashing about in a prickle of +excitement, gloriously happy just to be in a hurry, +without particularly caring whither you are hastening, +or why.</p> + +<div class="figleft" style="width: 328px;"> +<img src="images/illo_p214.jpg" width="328" height="400" alt="p214" title="p214" /></div> + +<p>One of the odd things about being in a hurry is +that it seems so fiercely important when you yourself +are the hurrier and so comically ludicrous when it is +someone else. We see our friend Artaxerxes scorching +up Church Street and we scream with laughter at +him, because we know perfectly well that there is +absolutely not one of his affairs important enough to +cause him to buzz along like that. We look after +him with a sort of mild and affectionate pity for a +deluded creature who thinks that his concerns are of +such glorious magnitude. And then, a few hours +later, we find ourself on +a subway car with only +ten minutes to catch the +train for Salamis at +Atlantic Avenue. And +what is our state of +mind? We stand, gritting +our teeth (we are +too excited to sit, even if +there were a seat) and +holding our watch. The +whole train, it seems to us, is occupied by invalids, +tottering souls and lumbago cripples, who creep off at +the stations as though five seconds made not the<span class='pagenum'><a name="Page_215" id="Page_215">[Pg 215]</a></span> +slightest difference. We glare and fume and could +gladly see them all maced in sunder with battle-axes. +Nothing, it seems to us, could soothe our +bitter hunger for haste but to have a brilliant +Lexington Avenue express draw up at the platform +with not a soul in it. Out would step a polite guard, +looking at his watch. “You want to catch a train +at 5:27?” he asks. “Yes, sir, yes, sir; step aboard.” +All the other competitors are beaten back with +knotted thongs and we are ushered to a seat. The +bells go chiming in quick sequence up the length of +the train and we are off at top speed, flying wildly +past massed platforms of indignant people. We +draw up at Atlantic Avenue, and the solitary passenger, +somewhat appeased, steps off. “Compliments +of the Interborough, sir,” says the guard.</p> + +<p>The commuter, urgently posting toward the 5:27, +misses the finest flavour of the city's life, for it is in +the two or three hours after office work is over that +the town is at her best. What a spry and smiling +mood is shown along the pavements, particularly on +these clear, warm evenings when the dropping sun +pours a glowing tide of soft rosy light along the cross-town +streets. There is a cool lightness in the air; +restaurants are not yet crowded (it is, let us say, a +little after six) and beside snowy tablecloths the +waiters stand indulgently with folded arms. Everybody +seems in a blithe and spirited humour. Work +is over for the day, and now what shall we do for<span class='pagenum'><a name="Page_216" id="Page_216">[Pg 216]</a></span> +amusement? This is the very peak of living, it +seems to us, as we sally cheerily along the street. It +is like the beginning of an O. Henry story. The +streets are fluttering with beautiful women; light +summer frocks are twinkling in the busy frolic air. +Oh, to be turned loose at the corner of Broadway +and Thirty-second Street at 6:15 o'clock of a June +evening, with nothing to do but follow the smile of +adventure to the utmost! Thirty-second, we might +add, is our favourite street in New York. It saddens +us to think that the old boarding house on the +corner of Madison Avenue is vanished now and all +those quaint and humorous persons dispersed. We +can still remember the creak of the long stairs +and the clink of a broken slab in the tiled flooring of +the hall as one walked down to the dining room.</p> + +<p>Affection for any particular street largely depends +on the associations it has accumulated in one's +mind. For several years most of our adventures in +New York centred round Thirty-second Street; but +its physique has changed so much lately that it has +lost some of its appeal. We remember an old stone-yard +that used to stand where the Pennsylvania +Hotel is now, a queer jumbled collection of odd +carvings and relics. At the front door there was a +bust of Pan on a tall pedestal, which used to face us +with a queer crooked grin twice a day, morning and +evening. We had a great affection for that effigy, +and even wrote a little piece about him in one of the<span class='pagenum'><a name="Page_217" id="Page_217">[Pg 217]</a></span> +papers, for which we got about $4 at a time when it +was considerably needed. We used to say to ourself +that some day when we had a home in the country +we would buy Pan and set him in a Long Island +garden where he would feel more at home than in the +dusty winds of Thirty-second Street. Time went on +and we disappeared from our old haunts, and when +we came back Pan had vanished, too. You may +imagine our pleasure when we found him again the +other day standing in front of a chop house on +Forty-fourth Street.</p> + +<p>But one great addition to the delights of the +Thirty-second Street region is the new and shining +white tunnel that leads one from the Penn Station +subway platform right into the heart of what used +(we think) to be called Greeley Square. It is so +dazzling and candid in its new tiling that it seems +rather like a vast hospital corridor. One emerges +through the Hudson Tube station and perhaps sets +one's course for a little restaurant on Thirty-fifth +Street which always holds first place in our affection. +It is somewhat declined from its former estate, for +the upper floors, where the violent orchestra was and +the smiling little dandruffian used to sing solos when +the evening grew glorious, are now rented to a feather +and ostrich plume factory. But the old basement is +still there, much the same in essentials, by which we +mean the pickled beet appetizers, the minestrone +soup, the delicious soft bread with its brittle crust,<span class='pagenum'><a name="Page_218" id="Page_218">[Pg 218]</a></span> +and the thick slices of rather pale roast beef swimming +in thin, pinkish gravy. And the three old +French waiters, hardened in long experience of the +frailties of mortality, smile to see a former friend. +One, grinning upon us rather bashfully, recalls the +time when there was a hilarious Oriental wedding +celebrating in a private room upstairs and two young +men insisted on going in to dance with the bride. +He has forgiven various pranks, we can see, though +he was wont to be outraged at the time. “Getting +very stout,” he says, beaming down at us. “You +weigh a hundred pounds more than you used to.” +This is not merely cruel; it is untrue. We refrain +from retorting on the growth of his bald spot.<span class='pagenum'><a name="Page_219" id="Page_219">[Pg 219]</a></span></p> + + +<hr style="width: 65%;" /> +<h2><a name="CONFESSIONS_OF_A_HUMAN_GLOBULE" id="CONFESSIONS_OF_A_HUMAN_GLOBULE"></a>CONFESSIONS OF A HUMAN GLOBULE</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>As a matter of fact, we find the evening subway +jam very restful. Being neatly rounded +in contour, with just a gentle bulge around the +equatorial transit, we have devised a very satisfactory +system. We make for the most crowded car +we can find, and having buffeted our way in, we are +perfectly serene. Once properly wedged, and provided +no one in the immediate neighbourhood is doing +anything with any garlic (it is well to avoid the +vestibules if one is squeamish in that particular) we +lift our feet off the floor, tuck them into the tail +of our overcoat, and remain blissfully suspended in +midair from Chambers Street to Ninety-sixth. The +pressure of our fellow-passengers, powerfully impinging +upon the globular perimeter we spoke of, +keeps us safely elevated above the floor. We have +had some leather stirrups sewed into the bottom of +our overcoat, in which we slip our feet to keep them +from dangling uncomfortably. Another feature of +our technique is that we always go into the car with +our arms raised and crossed neatly on our chest, so +that they will not be caught and pinioned to our +flanks. In that position, once we are gently nested<span class='pagenum'><a name="Page_220" id="Page_220">[Pg 220]</a></span> +among the elastic mass of genial humanity, it is +easy to draw out from our waistcoat pocket our copy +of Boethius's “Consolations of Philosophy” and +really get in a little mental improvement. Or, if we +have forgotten the book, we gently droop our head +into our overcoat collar, lay it softly against the +shoulder of the tall man who is always handy, and +pass into a tranquil nescience.</p> + +<p>The subway is a great consolation to the philosopher +if he knows how to make the most of it. Think +how many people one encounters and never sees +again.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_221" id="Page_221">[Pg 221]</a></span></p> +<h2><a name="NOTES_ON_A_FIFTH_AVENUE_BUS" id="NOTES_ON_A_FIFTH_AVENUE_BUS"></a>NOTES ON A FIFTH AVENUE BUS</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 500px;"> +<img src="images/illo_p221.jpg" width="500" height="180" alt="p221" title="Notes on a Fifth Avenue Bus" /></div> + +<p>Far down the valley of the Avenue the traffic +lights wink in unison, green, yellow, red, +changing their colours with well-drilled promptness. +It is cold: a great wind flaps and tangles the flags; +the tops of the buses are almost empty. That brisk +April air seems somehow in key with the mood of the +Avenue—hard, plangent, glittering, intensely material. +It is a proud, exultant, exhilarating street; it +fills the mind with strange liveliness. A magnificent +pomp of humanity—what a flux of lacquered motors, +what a twinkling of spats along the pavements! +On what other of the world's great highways would +one find churches named for the material of which +they are built?—the <i>Brick Church</i>, the <i>Marble +Church</i>! It is not a street for loitering—there is an +eager, ambitious humour in its blood; one walks fast, +revolving schemes of worldly dominion. Only on<span class='pagenum'><a name="Page_222" id="Page_222">[Pg 222]</a></span> +the terrace in front of the Public Library is there any +temptation for tarrying and consideration. There +one may pause and study the inscription—<i>But Above +All Things Truth Beareth Away the Victory</i> ... +of course the true eloquence of the words lies in the +<i>But</i>. Much reason for that <i>But</i>, implying a previous +contradiction—on the Avenue's part? Sometimes, +pacing vigorously in that river of lovely pride and +fascination, one might have suspected that other +things bore away the victory—spats, diamond necklaces, +smoky blue furs nestling under lovely chins.... +Hullo! here is a sign, “Headquarters of the +Save New York Committee.” Hum! Save from +what? There was a time when the great charm of +New York lay in the fact that it didn't want to be +saved. Who is it that the lions in front of the Public +Library remind us of? We have so often pondered. +Let's see: the long slanting brow, the head thrown +back, the haughty and yet genial abstraction—to be +sure, it's Vachel Lindsay!</p> + +<p>We defy the most resolute philosopher to pass +along the giddy, enticing, brilliant vanity of that +superb promenade and not be just a little moved by +worldly temptation.<span class='pagenum'><a name="Page_223" id="Page_223">[Pg 223]</a></span></p> + + +<hr style="width: 65%;" /> +<h2><a name="SUNDAY_MORNING" id="SUNDAY_MORNING"></a>SUNDAY MORNING</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>It was a soft, calm morning of sunshine and +placid air. Clear and cool, it was “a Herbert +Spencer of a day,” as H. G. Wells once remarked. +The vista of West Ninety-eighth Street, that engaging +alcove in the city's enormous life, was all +freshness and kempt tranquillity, from the gray roof +of the old training ship at the river side up to the tall +red spire near Columbus Avenue. This pinnacle, +which ripens to a fine claret colour when suffused with +sunset, we had presumed to be a church tower, but +were surprised, on exploration, to find it a standpipe +of some sort connected with the Croton water +system.</p> + +<p>Sunday morning in this neighbourhood has its own +distinct character. There is a certain air of luxurious +ease in the picture. One has a feeling that in +those tall apartment houses there are a great many +ladies taking breakfast in negligée. They are wearing +(if one may trust the shop windows along Broadway) +boudoir caps and mules. Mules, like their +namesakes in the animal world, are hybrid things, +the offspring of a dancing pump and a bedroom +slipper. They are distinctly futile, but no matter,<span class='pagenum'><a name="Page_224" id="Page_224">[Pg 224]</a></span> +no matter. Wearing mules, however, is not a mere +vanity; it is a form of physical culture, for these +skimpish little things are always disappearing under +the bed, and crawling after them keeps one slender. +Again we say, no matter. This is no concern of ours.</p> + +<div class="figleft" style="width: 206px;"> +<img src="images/illo_p224.jpg" width="206" height="400" alt="p224" title="p224" /></div> + +<p>Near Broadway a prosperous and opulently tailored +costume emerges from an apartment house: cutaway +coat, striped trousers, very long pointed patent +leather shoes with lilac cloth tops. Within this +gear, we presently see, is a human being, in the +highest spirits. “All set!” he says, joining a group +of similars waiting by a shining limousine. Among +these, one lady of magnificently millinered aspect, +and a smallish man in very new and shiny riding +boots, of which he is grandly conscious. There are +introductions. “Mr. Goldstone, meet Mrs. Silverware.” +They are met. There is a +flashing of eyes. Three or four silk +hats simultaneously leap into the +shining air, are flourished and replaced. +The observer is aware of +the prodigious gayety and excitement +of life. All climb into the +car and roll away down Broadway. +All save the little man in riding +boots. He is left on the sidewalk, +gallantly waving his hand. Come, +we think, he is going riding. A satiny charger +waits somewhere round the corner. We will follow<span class='pagenum'><a name="Page_225" id="Page_225">[Pg 225]</a></span> +and see. He slaps his hunting crop against his glorious +boots, which are the hue of quebracho wood. +No; to our chagrin, he descends into the subway.</p> + +<p>We sit on the shoeshining stand on Ninety-sixth +Street, looking over the Sunday papers. Very odd, +in the adjoining chairs men are busily engaged +polishing shoes that have nobody in them, not +visibly, at any rate. Perhaps Sir Oliver is right +after all. While we are not watching, the beaming +Italian has inserted a new pair of laces for us. Long +afterward, at bedtime, we find that he has threaded +them in that unique way known only to shoe merchants +and polishers, by which every time they are +tied and untied one end of the lace gets longer and +the other shorter. Life is full of needless complexities. +We descend the hill. Already (it is 9:45 +<span class="smcap">a. m.</span>) men are playing tennis on the courts at the +corner of West End Avenue. A great wagon +crammed with scarlet sides of beef comes stumbling +up the hill, drawn, with difficulty, by five horses.</p> + +<p>When we get down to the Ninety-Sixth Street pier +we see the barque <i>Windrush</i> lying near by with the +airy triangles of her rigging pencilled against the +sky, and look amorously on the gentle curve of her +strakes (if that is what they are). We feel that it +would be a fine thing to be off soundings, greeting +the bounding billow, not to say the bar-room steward; +and yet, being a cautious soul of reservations all +compact, we must admit that about the time we got<span class='pagenum'><a name="Page_226" id="Page_226">[Pg 226]</a></span> +abreast of New Dorp we would be homesick for our +favourite subway station.</p> + +<p>The pier, despite its deposit of filth, bales of old +shoes, reeking barrels, scows of rubbish, sodden +papers, boxes of broken bottles and a thick paste of +dust and ash-powder everywhere, is a happy lounging +ground for a few idlers on Sunday morning. A +large cargo steamer, the <i>Eclipse</i>, lay at the wharf, +standing very high out of the water. Three small +boys were watching a peevish old man tending his +fishing lines, fastened to wires with little bells on +them. “What do you catch here?” we said. Just +then one of the little bells gave a cracked tinkle +and the angler pulled up a small fish, wriggling +briskly, about three inches long. This seemed to +anger him. He seemed to consider himself in some +way humiliated by the incident. He grunted. One +of the small boys was tactful. “Oh, gee!” he said. +“Sometimes you catch fish that long,” indicating a +length which began at about a yard and diminished +to about eighteen inches as he meditated. “I don't +know what kind they are,” he said. “They're not +trouts, but some other kind of fish.”</p> + +<p>This started the topic of relative sizes, always fascinating +to small boys. “That's a pretty big boat,” +said one, craning up at the tall stem of the <i>Eclipse</i>. +“Oh, gee, that ain't big!” said another. “You +ought to see some of the Cunard boats, the <i>Olympic</i> +or the <i>Baltic</i><span class='pagenum'><a name="Page_227" id="Page_227">[Pg 227]</a></span>.”</p> + +<p>On Riverside Drive horseback riders were cantering +down the bridlepath, returning from early outings. +The squirrels, already grossly overfed, were +brooding languidly that another day of excessive +peanuts was at hand. Behind a rapidly spinning +limousine pedalled a grotesquely humped bicyclist, +using the car as a pacemaker. He throbbed fiercely +just behind the spare tire, with his face bent down +into a rich travelling cloud of gasoline exhaust. An +odd way of enjoying one's self! Children were coming +out in troops, with their nurses, for the morning +air. Here was a little boy with a sailor hat, and on +the band a gilt legend that was new to us. Instead +of the usual naval slogan, it simply said <i>Democracy</i>. +This interested us, as later in the day we saw another, +near the goldfish pond in Central Park. Behind +the cashier's grill of a Broadway drug store the +good-tempered young lady was reading Zane Grey. +“I love his books,” she said, “but they make me +want to break loose and go out West.”</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_228" id="Page_228">[Pg 228]</a></span></p> +<h2><a name="VENISON_PASTY" id="VENISON_PASTY"></a>VENISON PASTY</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 287px;"> +<img src="images/illo_p228.jpg" width="287" height="300" alt="p228" title="Venison Pasty" /></div> + +<p>The good old days are gone, we have been +frequently and authoritatively assured; and +yet, sitting in an agreeable public on William Street +where the bright eye of our friend Harold Phillips +discerned <i>venison pasty</i> on the menu, and listening to +a seafaring man describe a recent “blow” off +Hatteras during which he stood four hours up to his +waist in the bilges, and watching our five jocund +companions dismiss no less than twenty-one beakers<span class='pagenum'><a name="Page_229" id="Page_229">[Pg 229]</a></span> +of cider, we felt no envy whatever for the ancients +of the Mermaid Tavern. After venison pasty, +and feeling somewhat in the mood of Robin Hood +and Friar Tuck, we set off with our friend Endymion +for a stroll through the wilderness. The first adventure +of note that we encountered was the curb market +on Broad Street, where we stood entranced at the +merry antics of the brokers. This, however, is a spectacle +that no layman can long contemplate and still +deem himself sane. That sea of flickering fingers, the +hubbub of hoarse cries, and the enigmatic gestures of +youths framed in the open windows gave an impression +of something fierce and perilous happening. +Endymion, still deeming himself in Sherwood Forest, +insisted that this was the abode of the Sheriff of +Nottingham. “Stout deeds are toward!” he cried. +“These villain wights have a damsel imprisoned in +yonder keep!” With difficulty we restrained him +from pressing to the rescue of the lady (for indeed we +could see her, comely enough, appearing now and +then at one of the windows; and anon disappearing, +abashed at the wild throng). But gradually we +realized that no such dire matter was being transacted, +for the knights, despite occasional spasms of +hot gesticulating fury, were mild and meant her no +ill. One, after a sudden flux of business concerning +(it seemed) 85 shares of Arizona Copper, fell suddenly +placid, and was eating chocolate ice cream from +a small paper plate. Young gallants, wearing hats<span class='pagenum'><a name="Page_230" id="Page_230">[Pg 230]</a></span> +trimmed with variegated brightly coloured stuffs +(the favours of their ladies, we doubted not), were +conferring together, but without passion or rancour.</p> + +<p>We have a compact with our friend Endymion that +as soon as either of us spends money for anything not +strictly necessary he must straightway return to the +office. After leaving the curb market, we found ourselves +in a basement bookshop on Broadway, and +here Endymion fell afoul of a copy of Thomas +Hardy's “Wessex Poems,” illustrated by the author. +Piteously he tried to persuade us that it was a matter +of professional advancement to him to have this +book; moreover, he said, he had just won five dollars +at faro (or some such hazard) so that he was not +really spending money at all; but we countered all +his sophisms with slogging rhetoric. He bought the +book, and so had to return to the office in disgrace.</p> + +<p>We fared further, having a mind to revisit the old +Eastern Hotel, down by the South Ferry, of whose +cool and dusky bar-room we had pleasant memories +in times gone by; but we found to our distress that +this also, like many more of our familiar landmarks, +is a prey to the house-wrecker, and is on its way to +become an office building. On our way back up +Broadway it occurred to us to revisit what we have +long considered one of the most impressive temples +in our acquaintance, the lobby of the Telephone and +Telegraph Building, on Dey Street. Here, passing +by the enticing little terrace with brocaded chairs<span class='pagenum'><a name="Page_231" id="Page_231">[Pg 231]</a></span> +and soft lights where two gracious ladies sit to interview +aspiring telephone débutantes, one stands in +a dim golden glow, among great fluted pillars and +bowls of softly burning radiance swung (like censers) +by long chains. Occasionally there is an airy flutter, +a bell clangs, bronze doors slide apart, and an +elevator appears, in charge of a chastely uniformed +priestess. Lights flash up over this dark little cave +which stands invitingly open: UP, they say, LOCAL +1-13. The door-sill of the cave shines with a row of +golden beads (small lights, to guide the foot)—it is +irresistible. There is an upward impulse about the +whole place: the light blossoms upward from the +hanging translucent shells: people step gently in, +the doors close, they are not seen again. It is the +temple of the great American religion, <i>Going Up</i>. +The shining gold stars in the ceiling draw the eye +aloft. The temptation is too great. We step into +the little bronze crypt, say “Thirteen” at a venture, +and are borne softly and fluently up. Then, of +course, we have to come down again, past the +wagons of spring onions on Fulton Street, and back +to the office.<span class='pagenum'><a name="Page_232" id="Page_232">[Pg 232]</a></span></p> + + +<hr style="width: 65%;" /> +<h2><a name="GRAND_AVENUE" id="GRAND_AVENUE"></a>GRAND AVENUE, BROOKLYN</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>We have always been a strong partisan of +Brooklyn, and when we found ourself, in +company with Titania, set down in the middle of +a golden afternoon with the vista of Grand Avenue +before us, we felt highly elated. Just how these two +wayfarers chanced to be deposited in that quiet +serenity, so far from their customary concerns, is +not part of the narrative.</p> + +<p>There are regions of Brooklyn, we have always felt, +that are too good to be real. Placid stretches of +streets, with baby carriages simmering in the sun, +solid and comfortable brownstone houses exhaling +a prosperous condition of life, tranquil old-fashioned +apothecaries' shops without soda fountains, where +one peers in and sees only a solitary customer turning +over the pages of a telephone book. It is all +rather like a chapter from a story, and reminds us of +a passage in “The Dynamiter” where some untroubled +faubourgs of London are winningly described.</p> + +<p>Titania was wearing a little black hat with green +feathers. She looked her best, and was not unaware +of it. Our general plan, when destiny suddenly<span class='pagenum'><a name="Page_233" id="Page_233">[Pg 233]</a></span> +plumps us into the heart of Brooklyn, is to make our +way toward Fulton Street, which is a kind of life-line. +Once on Fulton Street we know our way. +Moreover, Fulton Street has admirable second-hand +bookshops. Nor do we ever forget that it was +at the corner of Fulton and Cranberry streets that +“Leaves of Grass” was set up, in the spring of 1855, +Walt doing a good deal of the work himself. The +only difficulty about getting to Fulton Street is that +people will give you such contradictory instruction. +One will tell you to go this way; the next will point +in the opposite direction. It is as though Brooklynites +suspect the presence of a stranger, and do not +wish their sacred secrets to be discovered. There is +a deep, mysterious freemasonry among the residents +of this genial borough.</p> + +<p>At the corner of Grand and Greene avenues we +thought it well to ask our way. A lady was standing +on the corner, lost in pleasant drowse. April +sunshine shimmered all about: trees were bustling +into leaf, a wagonload of bananas stood by the curb +and the huckster sang a gay, persuasive madrigal. +We approached the lady, and Titania spoke gently: +“Can you tell me——” The lady screamed, and +leaped round in horror, her face stricken with fearful +panic. She gasped and tottered. We felt guilty +and cruel. “We were not meditating an attack,” +we said, “but just wanted to ask you the way to +Fulton Street.” Perhaps the poor soul's nerves<span class='pagenum'><a name="Page_234" id="Page_234">[Pg 234]</a></span> +were unstrung, for she gave us instruction that +we felt instinctively to be wrong. Had we gone as +she said (we now see by studying the map) we would +have debouched into Wallabout Bay. But undoubtedly +it was the protective instinct of the +Brooklynite, on guard before strangers. Is there +some terrific secret in Brooklyn that all residents +know about but which must never be revealed to +outsiders?</p> + +<p>Making a mental note not to speak too suddenly +at the next encounter, the two cheerful derelicts +drifted along the sunny coast of Grand Avenue. A +shining and passionless peace presided over the +streets. A gentle clop-clop of hooves came trotting +down the way: here was a man driving a white horse +in a neat rubber-tired buggy without a top. He +leaned back and smiled to himself as he drove along. +Life did not seem to be the same desperate venture +it appears round about Broadway and Wall Street. +Who can describe the settled amiability of those +rows of considerable brown houses, with their heavy +oak doors, their pots of daisies on the stoop, their +clear window panes, and now and then the face of a +benignant grandmother peeping from behind lace +curtains. The secret of Brooklyn, perhaps, is contentment, +and its cautious residents do not want the +rest of us to know too much about it, lest we all +flock over there in swarms.</p> + +<p>We then came to the bustle of Fulton Street,<span class='pagenum'><a name="Page_235" id="Page_235">[Pg 235]</a></span> +which deserves a book in itself. Some day we want +to revisit a certain section of Fulton Street where (if +we remember rightly) a rotisserie and a certain bookstore +conspire to make one of the pleasantest haunts +in our experience. We don't know exactly what the +secret of Brooklyn may be, but we are going to spend +some time over there this spring and lie in wait for it.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_236" id="Page_236">[Pg 236]</a></span></p> +<h2><a name="ON_WAITING_FOR_THE_CURTAIN" id="ON_WAITING_FOR_THE_CURTAIN"></a>ON WAITING FOR THE CURTAIN TO GO UP</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 292px;"> +<img src="images/illo_p236.jpg" width="292" height="300" alt="p236" title="On Waiting for the Curtain to go Up" /></div> + +<p>We often wonder whether people are really +as human as they appear, or is it only our +imagination? Everybody, we suggest, thinks of +others as being excessively human, with all the +frailties and crotchets appertaining to that curious<span class='pagenum'><a name="Page_237" id="Page_237">[Pg 237]</a></span> +condition. But each of us also (we are not dogmatic +on this matter) seems to regard himself as +existing on a detached plane of observation, exempt +(save in moments of vivid crisis) from the strange +whims of humanity en masse.</p> + +<p>For example, consider the demeanour of people at +a theatre while waiting for the curtain to go up. To +note the censoriousness with which they study each +other, one concludes that each deems himself (herself) +singularly blessed as the repository of human +correctness.</p> + +<p>Incidentally, why is it that one gets so thirsty +at the theatre? We never get thirsty at the movies, +or not nearly so thirsty. The other evening we +drank seven paper cups full of water in the intermissions +of a four-act play.</p> + +<p>The presence of people sitting behind one is the +reason (we fancy) for a great deal of the queer +antics that take place while one is waiting for the +curtain to rise, particularly when it is twenty minutes +late in going up as it was at a certain theatre +the other evening. People behind one have a horrible +advantage. One knows that they can hear +everything you say, unless you whisper it in a +furtive manner, which makes them suspect things far +worse than any one would be likely to say in a +Philadelphia theatre, except, of course, on the stage. +The fact that you know they can overhear you, and +intend to do so, leads one on to make the most out<span class='pagenum'><a name="Page_238" id="Page_238">[Pg 238]</a></span>rageous, +cynical, and scoffish remarks, particularly +to denounce with fury a play that you may be enjoying +quite passably well. All over the house you +will hear (after the first act) men saying to their +accompanying damsels, “How outrageously clumsy +that act was. I can't conceive how the director +let it get by.” Now they only say this because +they think it will make the people behind feel +ashamed for having enjoyed such a botch. But does +it? The people in the row behind immediately begin +to praise the play vigorously, for the benefit of +the people behind <i>them</i>; and in a minute you see the +amusing spectacle of the theatre cheering and +damning by alternate rows.</p> + +<p>Here and there you will see a lady whispering +something to her escort, and will notice how ladies +always look backward over a lily shoulder while +whispering. They want to see what effect this +whispering will have on the people behind. There +is a deep-rooted feud between every two rows in an +audience. The front row, having nobody to hate +(except possibly the actors), take it out in speculating +why on earth anybody can want to sit in the boxes, +where they can see nothing.</p> + +<p>What the boxes think about we are not sure. +We never sat in a box except at a burlicue.</p> + +<p>And then a complete essay might be written on +the ads in the theatre program—what high-spirited +ads they are! How full of the savour and luxurious<span class='pagenum'><a name="Page_239" id="Page_239">[Pg 239]</a></span> +tang of the <i>beau monde</i>! How they insist on saying +<i>specialité</i> instead of specialty!</p> + +<p>Well, all we meant to say when we began was, the +heroine was Only Fair—by which we mean to say +she was beautiful and nothing else.<span class='pagenum'><a name="Page_240" id="Page_240">[Pg 240]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="MUSINGS_OF_JOHN_MISTLETOE" id="MUSINGS_OF_JOHN_MISTLETOE"></a>MUSINGS OF JOHN MISTLETOE</h2> + + +<p>It was old John Mistletoe, we think, in his +“Book of Deplorable Facts,” discussing the +congenial topic of “Going to Bed” (or was it in his +essay on “The Concinnity of Washerwomen?”) +said something like this:</p> + +<div class="blockquot"><p>Life passes by with deplorable rapidity. <i>Post +commutatorem sedet horologium terrificum</i>, behind +the commuter rideth the alarm clock, no sooner hath +he attained to the office than it is time for lunch, no +sooner hath lunch been dispatched than it is time to +sign those dictated letters, no sooner this accomplished, +'tis time to hasten trainward. The essential +thing, then, is not to let one's experiences flow irrevocably +past like a river, but to clutch and hold +them, thoughtfully, long enough to examine and, in +a manner, sieve them, to halt them in the mind for +meditation. The relentless fluidity of life, the ease +with which it vanisheth down the channel of the +days, is the problem the thoughtful man must deal +with. The urgent necessity is to dam the stream +here and there so we can go swimming in it.</p> + +<p>Time is a breedy creature: the minutes propagate +hours, the hours beget days, the days raise huge +families of months, and before we know it we are +crowded out of this sweet life by mere surplus of +Time's offspring. This is a brutish Malthusianism +<span class='pagenum'><a name="Page_241" id="Page_241">[Pg 241]</a></span>which must be adamantly countered. Therefore +it is my counsel that every man, ere he retire for the +night and commit his intellect to inscrutable nothingness, +do let it hop abroad for a little freedom. Life +must be taken with a grain of saltation: let the spirit +dance a measure or two ere it collapse. For this +purpose it is my pleasure, about the hour of midnight, +to draw a jug of cider from the keg and a book +from the shelf. I choose some volume ill written +and stupidly conceived, to set me in conceit with +myself. I read a few pages, and then apply myself +to the composition of verses. These done, I burn +them, and go to bed with a cheerful spirit.</p></div><p><span class='pagenum'><a name="Page_242" id="Page_242">[Pg 242]</a></span></p> + + +<hr style="width: 65%;" /> +<h2><a name="THE_WORLDS_MOST_FAMOUS_ORATION" id="THE_WORLDS_MOST_FAMOUS_ORATION"></a>THE WORLD'S MOST FAMOUS ORATION</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<h4>Address to An Employer Upon Demanding a Raise,<br /> +or, The Battle of Manila Envelopes</h4> + +<span class='pagenum'><a name="Page_243" id="Page_243">[Pg 243]</a></span> +<div class='center'> +<table width="400" border="0" cellpadding="6" cellspacing="6" summary="To an Employer"> +<tr><td width="33%"><center><i>As Planned</i></center> +<p>I think you will admit, +sir, that the quality +of my work during the +last two years has been +such that my services +could not easily be replaced. +I speak more +in pain than in anger +when I say that it has +been a matter of profound +surprise to me to +note that you have not +seen fit to acknowledge +my value to the firm in +some substantial way. I +think I may say that +I have been patient. +I have continued my +efforts with unremitting +zeal, and I think I may +flatter myself that my +endeavors have not been +without result. I have +here, carefully tabulated, +a memorandum of +the increased profits in +my department during +the last twelve months, +due in great part to my +careful management. I +am sorry to have to +force you into a decision, +but I think I owe it to +myself to say candidly +that unless you see the +matter in the same way +that I do I shall feel +obliged to deprive the +firm of my services.</p></td> +<td width="33%"><center><i>As Delivered</i></center> +<p>If you are not too +busy, sir, there is one +other matter—in fact, +the truth of the matter +in fact is exactly—well, +sir, I was precisely +wondering whether—of +course I know this is a +bad time—indeed I have +been very pleased to see +business picking up a +bit lately, and I am sure +my own department has +been—but to tell you the +truth, sir, I have been +wondering—of course it +is just as you think best +and I wouldn't think of +insisting, but after all, +perhaps I have made a +mistake in mentioning +it, but I was thinking +that possibly you might +bear in mind the idea of +a possible future raise in +salary at some future +time.<br /><br /><br /><br /><br /><br /><br /> +<br /><br /><br /><br /><br /><br /><br /></p></td> +</tr></table></div> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_244" id="Page_244">[Pg 244]</a></span></p> +<h2><a name="ON_LAZINESS" id="ON_LAZINESS"></a>ON LAZINESS</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 262px;"> +<img src="images/illo_p244.jpg" width="262" height="300" alt="p244" title="On Laziness" /></div> + +<p>To-day we rather intended to write an essay +on Laziness, but were too indolent to do so.</p> + +<p>The sort of thing we had in mind to write would +have been exceedingly persuasive. We intended to +discourse a little in favour of a greater appreciation +of Indolence as a benign factor in human affairs.</p> + +<p>It is our observation that every time we get into +trouble it is due to not having been lazy enough. +Unhappily, we were born with a certain fund of +energy. We have been hustling about for a number<span class='pagenum'><a name="Page_245" id="Page_245">[Pg 245]</a></span> +of years now, and it doesn't seem to get us anything +but tribulation. Henceforward we are going to +make a determined effort to be more languid and +demure. It is the bustling man who always gets +put on committees, who is asked to solve the problems +of other people and neglect his own.</p> + +<p>The man who is really, thoroughly, and philosophically +slothful is the only thoroughly happy man. +It is the happy man who benefits the world. The +conclusion is inescapable.</p> + +<p>We remember a saying about the meek inheriting +the earth. The truly meek man is the lazy man. +He is too modest to believe that any ferment and +hubbub of his can ameliorate the earth or assuage +the perplexities of humanity.</p> + +<p>O. Henry said once that one should be careful to +distinguish laziness from dignified repose. Alas, +that was a mere quibble. Laziness is always dignified, +it is always reposeful. Philosophical laziness, +we mean. The kind of laziness that is based +upon a carefully reasoned analysis of experience. +Acquired laziness. We have no respect for those +who were born lazy; it is like being born a millionaire: +they cannot appreciate their bliss. It is the +man who has hammered his laziness out of the stubborn +material of life for whom we chant praise and +allelulia.</p> + +<p>The laziest man we know—we do not like to +mention his name, as the brutal world does not yet<span class='pagenum'><a name="Page_246" id="Page_246">[Pg 246]</a></span> +recognize sloth at its community value—is one of the +greatest poets in this country; one of the keenest +satirists; one of the most rectilinear thinkers. He +began life in the customary hustling way. He was +always too busy to enjoy himself. He became +surrounded by eager people who came to him to +solve their problems. “It's a queer thing,” he said +sadly; “no one ever comes to me asking for help in +solving <i>my</i> problems.” Finally the light broke upon +him. He stopped answering letters, buying lunches +for casual friends and visitors from out of town, he +stopped lending money to old college pals and frittering +his time away on all the useless minor matters +that pester the good-natured. He sat down in a +secluded café with his cheek against a seidel of dark +beer and began to caress the universe with his intellect.</p> + +<p>The most damning argument against the Germans +is that they were not lazy enough. In the +middle of Europe, a thoroughly disillusioned, indolent +and delightful old continent, the Germans +were a dangerous mass of energy and bumptious +push. If the Germans had been as lazy, as indifferent, +and as righteously laissez-fairish as their neighbours, +the world would have been spared a great deal.</p> + +<p>People respect laziness. If you once get a reputation +for complete, immovable, and reckless indolence +the world will leave you to your own +thoughts, which are generally rather interesting.<span class='pagenum'><a name="Page_247" id="Page_247">[Pg 247]</a></span></p> + +<p>Doctor Johnson, who was one of the world's +great philosophers, was lazy. Only yesterday our +friend the Caliph showed us an extraordinarily interesting +thing. It was a little leather-bound notebook +in which Boswell jotted down memoranda of his +talks with the old doctor. These notes he afterward +worked up into the immortal Biography. And +lo and behold, what was the very first entry in this +treasured little relic?</p> + +<div class="blockquot"><p>Doctor Johnson told me in going to Ilam from +Ashbourne, 22 September, 1777, that the way the +plan of his Dictionary came to be addressed to Lord +Chesterfield was this: He had neglected to write it +by the time appointed. Dodsley suggested a desire +to have it addressed to Lord C. Mr. J. laid hold +of this as an excuse for delay, that it might be better +done perhaps, and let Dodsley have his desire. Mr. +Johnson said to his friend, Doctor Bathurst: “Now +if any good comes of my addressing to Lord Chesterfield +it will be ascribed to deep policy and address, +when, in fact, it was only a casual excuse for laziness.”</p></div> + +<p>Thus we see that it was sheer laziness that led +to the greatest triumph of Doctor Johnson's life, +the noble and memorable letter to Chesterfield in +1775.</p> + +<p>Mind your business is a good counsel; but mind +your idleness also. It's a tragic thing to make a +business of your mind. Save your mind to amuse +yourself with.<span class='pagenum'><a name="Page_248" id="Page_248">[Pg 248]</a></span></p> + +<p>The lazy man does not stand in the way of progress. +When he sees progress roaring down upon him +he steps nimbly out of the way. The lazy man +doesn't (in the vulgar phrase) pass the buck. He +lets the buck pass him. We have always secretly +envied our lazy friends. Now we are going to join +them. We have burned our boats or our bridges or +whatever it is that one burns on the eve of a momentous +decision.</p> + +<p>Writing on this congenial topic has roused us up +to quite a pitch of enthusiasm and energy.</p> + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_249" id="Page_249">[Pg 249]</a></span></p> +<h2><a name="TEACHING_THE_PRINCE" id="TEACHING_THE_PRINCE"></a>TEACHING THE PRINCE TO TAKE NOTES</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<div class="figcenter" style="width: 162px;"> +<img src="images/illo_p249.jpg" width="162" height="300" alt="p249" title="Teaching the Prince" /></div> + +<p>The Prince of Wales probably suffers severely +during his tours abroad, for he is a shy youth; +but he also makes many friends, for he is a delightfully +simple and agreeable person. When we used +to see him he looked a good deal like the traditional +prince of the fairy tales, for he was a slender +boy with yellow hair, and blue eyes, and a quick pink +blush. And we feel toward him the friendly sense +of superiority that the college alumnus always feels +toward the man who was a freshman when he himself +was a senior; for the prince and ourself stood in +that relation a few years ago at a certain haunt of +letters.<span class='pagenum'><a name="Page_250" id="Page_250">[Pg 250]</a></span></p> + +<p>There was a course of lectures on history that we +were to attend. It was a popular course, and the attendance +was large. Arriving late at the first +lecture the room was packed, and we could see from +the door that there was only one empty seat. This +happened to be in the very front row, and wondering +how it was that so desirable a place had not been +seized we hastened to it. The lecturer was a swift +talker, and we fell to taking notes busily. Not for +some minutes did we have a chance to scrutinize +our surroundings. We then saw that in the adjoining +chair sat the prince, and surmised that no one +had wanted to take the chair for fear of being +twitted by his companions for a supposed desire to +hobnob with royalty.</p> + +<p>If we remember correctly, it was the prince's first +term of college life. The task of taking notes from +a rapid-fire lecturer was plainly one to which he was +not accustomed, and as he wrestled with his notebook +we could see that he had not learned the art of +considering the lecturer's remarks and putting down +only the gist of them, in some abbreviated system of +his own, as every experienced student learns. Grant +Robertson, the well-known historian, was lecturing +on English constitutional documents, and his swift +and informal utterance was perfectly easy to summarize +if one knew how to get down the important +points and neglect the rest. But the unhappy +prince, desperately eager to do the right thing in<span class='pagenum'><a name="Page_251" id="Page_251">[Pg 251]</a></span> +this new experience, was trying to write down every +word. If, for instance, Mr. Robertson said (in a +humorous aside), “Henry VIII was a sinful old man +with a hobby of becoming a widower,” the experienced +listener would jot down something like +this: H 8, <i>self-made widower</i>. But we could see +that the prince was laboriously copying out the +sentence in full. And naturally, by the end of a few +paragraphs, he was hopelessly behind. But he +scribbled away industriously, doing his best. He +realized, however, that he had not quite got the +hang of the thing, and at the end of the lecture he +turned to us with most agreeable bashfulness and +asked if we would lend him our notebook, so that he +could get down the points that he had missed. We +did so, and briefly explained our own system of +abbreviating. We noticed that in succeeding sessions +our royal neighbour did very much better, +learning in some measure to discriminate between +what was advisable to note down and what was mere +explanatory matter or persiflage on the part of the +lecturer. But (if we must be candid) we would not +recommend him as a newspaper reporter. And, indeed, +the line of work to which he has been called +does not require quite as intense concentration as +that of a cub on what Philip Gibbs calls “The Street +of Adventure.”</p> + +<p>No one could come in contact with the prince +without liking him, for his bashful, gentle, and<span class='pagenum'><a name="Page_252" id="Page_252">[Pg 252]</a></span> +teachable nature is very winning. We remember +with a certain amusement the time that Grant +Robertson got off one of his annual gags to the effect +that, according to the principle of strict legitimacy, +there were in Europe several hundred (we forget the +figure) people with a greater right to the British +throne than the family at present occupying it. The +roomful of students roared with genial mirth, and +the unhappy prince blushed in a way that young girls +used to in the good old days of three-piece bathing +suits.<span class='pagenum'><a name="Page_253" id="Page_253">[Pg 253]</a></span></p> + + +<hr style="width: 65%;" /> +<h2><a name="A_CITY_NOTEBOOK" id="A_CITY_NOTEBOOK"></a>A CITY NOTEBOOK</h2> +<span class="totoc"><a href="#toc">Top</a></span> +<h4>(<i>Philadelphia</i>)</h4> + +<p>It would be hard to find a more lovely spot +in the flush of a summer sunset than Wister +Woods. Old residents of the neighbourhood say +that the trees are not what they were fifteen and +twenty years ago; the chestnuts have died off; even +some of the tall tulip-poplars are a little bald at the +top, and one was recently felled by a gale. But still +that quiet plateau stands in a serene hush, flooded +with rich orange glow on a warm evening. The +hollyhocks in the back gardens of Rubicam Street +are scarlet and Swiss-cheese-coloured and black; and +looking across the railroad ravine one sees crypts +and aisles of green as though in the heart of some +cathedral of the great woods.</p> + +<p>Belfield Avenue, which bends through the valley +in a curve of warm thick yellow dust, will some day +be boulevarded into a spick-and-span highway for +motors. But now it lies little trafficked, and one +might prefer to have it so, for in the stillness of the +evening the birds are eloquent. The thrushes of +Wister Woods, which have been immortalized by +T. A. Daly in perhaps the loveliest poem ever<span class='pagenum'><a name="Page_254" id="Page_254">[Pg 254]</a></span> +written in Philadelphia, flute and whistle their +tantalizing note, while the song sparrow echoes them +with his confident, challenging call. Down behind +the dusty sumac shrubbery lies the little blue-green +cottage said to have been used by Benjamin West +as a studio. In a meadow beside the road two +cows were grazing in the blue shadow of overhanging +woodland.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illo_p254.jpg" width="500" height="237" alt="p254" title="p254" /></div> + +<p>Over the road leans a flat outcrop of stone, known +locally as “The Bum's Rock.” An antique philosopher +of those parts assured the wayfarer that it is +named for a romantic vagabond who perished there +by the explosion of a can of Bohemian goulash which +he was heating over a small fire of sticks; but one +doubts the tale. Our own conjecture is that it is +named for Jacob Boehm, the oldtime brewer of +Germantown, who predicted in his chronicles that +the world would come to an end in July, 1919. +From his point of view he was not so far wrong.</p> + +<p>Above Boehm's Rock, in a grassy level among the<span class='pagenum'><a name="Page_255" id="Page_255">[Pg 255]</a></span> +trees, a merry little circle of young ladies was sitting +round a picnic supper. The twilight grew +darker and fireflies began to twinkle. In the steep +curve of the Cinder and Bloodshot (between Fisher's +and Wister stations) a cheerful train rumbled, with +its engine running backward just like a country +local. Its bright shaft of light wavered among the +tall tree trunks. One would not imagine that it was +less than six miles to the City Hall.</p> + +<hr style='width: 35%;' /> + +<p>A quarter to one <span class="smcap">a. m.</span>, and a hot, silent night. +As one walks up Chestnut Street a distant roaring is +heard, which rapidly grows louder. The sound has +a note of terrifying menace. Then, careering down +the almost deserted highway, comes a huge water-tank, +throbbing like an airplane. A creamy sheet +of water, shot out at high pressure, floods the street +on each side, dashing up on the pavements. A knot +of belated revellers in front of the Adelphia Hotel, +standing in mid-street, to discuss ways and means +of getting home, skip nimbly to one side, the ladies +lifting up their dresses with shrill squeaks of alarm +as the water splashes round them. Pedestrians +plodding quietly up the street cower fearfully against +the buildings, while a fine mist envelops them.</p> + +<p>After the tank comes, more leisurely, a squad of +brooms. The street is dripping, every sewer opening +clucks and gurgles with the falling water. There is +something unbelievably humorous in the way that<span class='pagenum'><a name="Page_256" id="Page_256">[Pg 256]</a></span> +roaring Niagara of water dashes madly down the +silent street. There is a note of irony in it, too, for +the depressed enthusiasts who have been sitting all +evening in a restaurant over lemonade and ginger ale. +Perhaps the chauffeur is a prohibitionist gone mad.</p> + +<hr style='width: 35%;' /> + +<p>While eating half a dozen doughnuts in a Broad +Street lunchroom at one o'clock in the morning, we +mused happily about our friends all tucked away in +bed, sound asleep. There is one in particular on +whom we thought with serene pleasure. It was +charming to think of that delightful, argumentative, +contradictory, volatile person, his active mind stilled +in the admirable reticence of slumber. He, so endlessly +speculatory, so full of imaginative enthusiasms +and riotous intuitions and troubled zeals concerning +humanity, lost in a beneficent swoon of +unconsciousness! We could not just say why, but +we broke into chuckles to think of him lying there, +not denying any of our statements, absolutely and +positively saying nothing. To have one's friends +asleep now and then is very refreshing.</p> + +<hr style='width: 35%;' /> + +<p>Off Walnut Street, below Fifth, and just east of +the window where that perfectly lovely damsel sits +operating an adding machine—why is it, by the way, +that the girls who run adding machines are always so +marvellously fair? Is there some secret virtue in +the process of adding that makes one lovely? We<span class='pagenum'><a name="Page_257" id="Page_257">[Pg 257]</a></span> +feel sure that a subtracting engine would not have +that subtle beautifying effect—just below Fifth +Street, we started to say, there runs a little alley +called (we believe) De Silver Court. It is a sombre +little channel between high walls and barred windows, +but it is a retreat we recommend highly to +hay fever sufferers. For in one of the buildings +adjoining there seems to be a warehouse of some +company that makes an “aromatic disinfector.” +Wandering in there by chance, we stood delighted at +the sweet medicinal savour that was wafted on the air. +It had a most cheering effect upon our emunctory +woes, and we lingered so long, in a meditative and +healing ecstasy, that young women immured in the +basement of the aromatic warehouse began to peer +upward from the barred windows of their basement +and squeak with astonished and nervous mirth. We +blew a loud salute and moved away.</p> + +<hr style='width: 35%;' /> + +<p>We entered a lunchroom on Broad Street for our +favourite breakfast of coffee and a pair of crullers. +It was strangely early and only a few of the flat-arm +chairs were occupied. After dispatching the rations +we carefully filled our pipe. With us we had a copy +of an agreeable book, “The Calamities and Quarrels +of Authors.” It occurred to us that here, in the brisk +serenity of the morning, would be a charming opportunity +for a five-minute smoke and five pages of +reading before attacking the ardours and endurances<span class='pagenum'><a name="Page_258" id="Page_258">[Pg 258]</a></span> +of the day. Lovingly we applied the match to the +fuel. We began to read:</p> + +<div class="blockquot"><p>Of all the sorrows in which the female character +may participate, there are few more affecting than +those of an authoress——</p></div> + +<div class="figcenter" style="width: 428px;"> +<img src="images/illo_p258.jpg" width="428" height="500" alt="p258" title="p258" /></div> + +<p>A stern, white-coated official came over to us and +tapped us on the shoulder.</p> + +<p>“There's a sign behind you,” he said.</p> + +<p>We looked, guiltily, and saw:</p> + +<center> +POSITIVELY<br /> +NO SMOKING<br /> +</center> + +<hr style='width: 35%;' /> + +<p>The cocoateria on Eighth Street closes at one <span class="smcap">a. m.</span> +Between twelve-thirty and closing time it is full of<span class='pagenum'><a name="Page_259" id="Page_259">[Pg 259]</a></span> +busy eaters, mostly the night shift from the Chestnut +Street newspaper offices and printing and engraving +firms in the neighbourhood. Ham and eggs blossom +merrily. The white-coated waiters move in swift, +stern circuit. Griddle cakes bake with amazing +swiftness toward the stroke of one. Little dishes of +baked beans stand hot and ready in the steam-chest. +The waiter punches your check as he brings your +frankfurters and coffee. He adds another perforation +when you get your ice cream. Then he comes +back and punches it again.</p> + +<p>“Here,” you cry, “let it alone and stop bullying it!”</p> + +<p>“Sorry, brother,” he says. “I forgot that peach +cream was fifteen cents.”</p> + +<p>One o'clock. They lock the door and turn out +the little gas jet where smokers light up. As the +tables empty the chairs are stacked up on top. And +if it is a clear warm evening the customers smoke +a final weed along the Chestnut Street doorsteps, +talking together in a cheery undertone.</p> + +<hr style='width: 35%;' /> + +<p>No man has ever started upon a new cheque-book +without a few sourly solemn thoughts.</p> + +<p>In the humble waters of finance wherein we paddle +we find that a book of fifty cheques lasts us about +four months, allowing for two or three duds when we +start to make out a foil payable to bearer (self) and +decide to renounce that worthy ambition and make it +out to the gas company instead.<span class='pagenum'><a name="Page_260" id="Page_260">[Pg 260]</a></span></p> + +<p>It occurs to us that if Bunyan had been writing +“Pilgrim's Progress” nowadays instead of making +Christian encounter lions in the path he would have +substituted gas meters, particularly the quarter-in-the-slot +kind that one finds in a seaside cottage. +However——</p> + +<p>Four months is quite a long time. It may be +weak of us, but we can never resist wondering as we +survey that flock of empty cheques just what adventures +our bank account is going to undergo during +that period, and whether our customary technique +of being aloof with the receiving teller and genial +and commentary with the paying ditto is the right +one. We always believe in keeping a paying teller +in a cheerful frame of mind. We would never admit +to him that we think it is going to rain. We say, +rather, “Well, it may blow over,” and try not to +surmise how many hundreds there are in the pile at +his elbow. Probably we think the explanation for +the really bizarre architecture of our bank is to keep +depositors' attention from the money. Unquestionably +Walt Whitman's tomb over in Harleigh—Walt's +vault—was copied from our bank.</p> + +<p>The cheques in our book are blue. We have always +regretted this. If we had known it beforehand +perhaps we would have inflicted our problems upon +another bank. Because there are so many more interesting +colours for cheques, tints upon which the ink +shows up in a more imposing manner. A pale pink<span class='pagenum'><a name="Page_261" id="Page_261">[Pg 261]</a></span> +or cream-coloured cheque for $2.74 looks much more +exciting than a blue cheque for $25. We have known +gray, pink, white, brown, green, and salmon-coloured +cheques. A friend of ours once showed us one that +was a bright orange, but refused to let us handle it. +But yellow is the colour that appeals to us most +strongly. When we were very young and away from +home our monthly allowance, the amount of which +we shall not state, but it cost us less effort than any +money we ever received since, came to us by way of +pale primrose-coloured cheques. For, after all, there +are no cheques like those one used to get from one's +father. We hope the Urchin will think so some day.</p> + +<hr style='width: 35%;' /> + +<p>We like to pay homage to the true artist in all +lines. At the corner of Market and Marshall +streets—between Sixth and Seventh—the collar-clasp +orator has his rostrum, and it seems to us that +his method of harangue has the quality of genuine +art. He does not bawl or try to terrify or bully his +audience into purchase as do the auctioneers of the +“pawnbrokers' outlets.” How gently, how winningly, +how sweetly he pleads the merits of his little +collar clasp! And there is shrewd imagination in his +attention-catching device, which is a small boy +dressed in black, wearing a white hood of cheesecloth +that hides his face. This peculiar silent figure, +with a touch of mystery about it, serves to keep the +crowd wondering until the oration begins.<span class='pagenum'><a name="Page_262" id="Page_262">[Pg 262]</a></span></p> + +<div class="figleft" style="width: 355px;"> +<img src="images/illo_p262.jpg" width="355" height="400" alt="p262" title="p262" /></div> + +<p>With a smile, with infinite ingratiation and gentle +persuasion, our friend exhibits the merits of his +device which does away with the traditional collar-button. +His art is to make the collar-button seem a +piteous, almost a tragic +thing. His eyes swim +with unshed tears as he describes +the discomfort of +the man whose collar, +fastened by the customary +button, cannot be given +greater freedom on a hot, +muggy day. He shows, by +exhibition on his own person, +the exquisite relief afforded by the adjustable collar +clasp. “When the day grows cool,” he says, “when +you begin to enjoy yourself and want your collar +tighter, you just loosen the clasp, slide the tabs closer +together, and there you are. And no picking at +your tie to get the knot undone. Now, how many +of you men have spoiled an expensive tie by picking +at it? Your fingers come in contact with the fibres +of the silk and the first thing you know the tie is +soiled. This little clasp”—and he casts a beam of +affection upon it—“saves your tie, it saves your +collar, and it saves your patience.” A note of +yearning pathos comes into his agreeable voice, and +he holds out a handful of the old-fashioned collar-buttons. +“You men are wearing the same buttons<span class='pagenum'><a name="Page_263" id="Page_263">[Pg 263]</a></span> +your great-grandfathers wore. Don't you want to +get out of collar slavery? <i>Don't</i> you want to quit +working your face all out of shape struggling with a +collar-button? Now as this is a manufacturing +demonstration——”</p> + +<hr style='width: 35%;' /> + +<p>On a warm evening nothing is more pleasant than +a ride on the front platform of the Market Street L, +with the front door open. As the train leaves Sixty-ninth +Street it dips down the Millbourne bend and +the cool, damp smell of the Cobb's Creek meadows +gushes through the car. Then the track straightens +out for a long run toward the City Hall. Roaring +over the tree tops, with the lights of movies and +shops glowing up from below, a warm typhoon +makes one lean against it to keep one's footing. +The airy stations are lined by girls in light summer +dresses, attended by their swains. The groan of the +wheels underfoot causes a curious tickling in the +soles of the feet as one stands on the steel platform.</p> + +<p>This groan rises to a shrill scream as the train gathers +speed between stations, gradually diminishing +to a reluctant grumble as the cars come to a stop. +In the distance, in a peacock-blue sky, the double +gleam of the City Hall tower shines against the +night. Down on the left is the hiss and clang of +West Philadelphia station, with the long, dim, amber +glow of the platform and belated commuters pacing<span class='pagenum'><a name="Page_264" id="Page_264">[Pg 264]</a></span> +about. Then the smoky dive across the Schuylkill +and the bellow of the subway.</p> + +<hr style='width: 35%;' /> + +<p>From time to time humanity is forced to revise its +customary notions in the interests of truth. This is +always painful.</p> + +<p>It is an old fetich that the week-end in summer is a +time for riotous enjoyment, of goodly cheer and +mirthful solace. A careful examination of human +beings during this hebdomadal period of carnival +leads us to question the doctrine.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illo_p264.jpg" width="500" height="413" alt="p264" title="p264" /></div> + +<p>When we watch the horrors of discomfort and +vexation endured by simple-hearted citizens in +pursuit of a light-hearted Saturday and Sunday, we +often wonder how it is that humanity will so gleefully +inflict upon itself sufferings which, if they were +imposed by some taskmaster, would be called +atrocious.<span class='pagenum'><a name="Page_265" id="Page_265">[Pg 265]</a></span></p> + +<p>We observe, for instance, women and children +standing sweltering in the aisles of trains during a +two-hour run to the seashore. We observe the +number of drownings, motor accidents, murders, and +suicides that take place during the Saturday to +Monday period. We observe families loaded down +with small children, who might have been happy and +reasonably cool at home, struggling desperately to +get away for a day in the country, rising at 5 <span class="smcap">a. m.</span>, +standing in line at the station, fanning themselves +with blasphemy, and weary before they start. We +observe them chased home by thunderstorms or +colic, dazed and blistered with sunburn, or groaning +with a surfeit of ice cream cones.</p> + +<p>It is a lamentable fact (and the truth is almost always +lamentable, and hotly denied) that for the +hard-working majority the week-end is a curse +rather than a blessing. The saddest fact in human +annals is that most people are never so happy as +when they are hard at work. The time may come +when criminals will be condemned, not to the chair, +but to twenty successive week-ends spent standing +in the aisles of crowded excursion trains.</p> + +<hr style='width: 35%;' /> +<div class="figcenter" style="width: 500px;"> +<img src="images/illo_p266.jpg" width="500" height="260" alt="p266" title="p266" /></div> + +<p>Strolling downtown to a well-known home of fish +dinners, it is appetizing to pass along the curve of +Dock Street in the coolness of the evening. The +clean, lively odours of vegetables and fruit are strong +on the air. Under the broad awnings of the com<span class='pagenum'><a name="Page_266" id="Page_266">[Pg 266]</a></span>mission +merchants and produce dealers the stock is +piled up in neat and engaging piles ready to be +carted away at dawn. Under the glow of pale arcs +and gas lamps the colours of the scene are vivid. +Great baskets of eggplant shine like huge grapes, a +polished port wine colour; green and scarlet peppers +catch points of light; a flat pinkish colour gleams on +carrots. Each species seems to have an ordered +pattern of its own. Potatoes are ranged in a pyramid; +watermelons in long rows; white and yellow +onions are heaped in sacks. The sweet musk of +cantaloupes is the scent that overbreathes all others. +Then, down nearer to the waterfront, comes the +strong, damp fishy whiff of oysters. To stroll +among these gleaming piles of victuals, to watch the +various colours where the lamps pour a pale silver and +yellow on cairns and pyramids of vegetables, is to +gather a lusty appetite and attack the first oyster +stew of the season with a stout heart.<span class='pagenum'><a name="Page_267" id="Page_267">[Pg 267]</a></span></p> + +<p>It being a very humid day, we stopped to compliment +the curly-headed sandwich man at Ninth +and Market on his décolleté corsage, which he +wears in the Walt Whitman manner. “Wish we +could get away with it the way you do,” we said, +admiringly. He looked at us with the patience of +one inured to bourgeois comment. “It's got to be +tried,” said he, “like everything else.”</p> + +<hr style='width: 35%;' /> + +<p>We stopped by the Weather Man's little illuminated +booth at Ninth and Chestnut about +10 o'clock in the evening. We were scrutinizing his +pretty coloured pictures, wondering how soon the +rain would determine, when a slender young man +appeared out of the gloom, said “I'm sorry to have +to do this,” switched off the light, and pulled down +the rolling front of the booth. It was the Weather +Man himself.</p> + +<p>We were greatly elated to meet this mythical sage +and walked down the street a little way with him. +In order to cheer him up, we complimented him on +the artistic charm of his little booth, with its glow of +golden light shining on the coloured map and the +bright loops and curves of crayon. We told him +how almost at any time in the evening groups of +people can be seen admiring his stall, but his +sensitive heart was gloomy.</p> + +<p>“Most of them don't understand it,” he said, +morosely. “The women are the worst. I've gone<span class='pagenum'><a name="Page_268" id="Page_268">[Pg 268]</a></span> +there in the evening and found them studying the +map eagerly. Hopefully, I would creep up behind +to hear their comments. One will say, 'Yes, that's +where my husband came from,' or 'I spent last summer +over there,' pointing to some place on the map. +They seem to think it's put there for them to study +geography.”</p> + +<p>We tried to sympathize with the broken-hearted +scientist, but his spirit had been crushed by a long +series of woes.</p> + +<p>“The other evening,” said he, “I saw a couple of +girls gazing at the map, and they looked so intelligent +I really was charmed. Apparently they were +discussing an area of low pressure that was moving +down from the Great Lakes, and I lent an ear. Imagine +my chagrin when one of them said: 'You see +the colour of that chalk line? I'm going to make my +next knitted vestee just like that.' And the other +one said: 'I think the whole colour scheme is adorable. +I'm going to use it as a pattern for my new +camouflage bathing-suit.'</p> + +<p>“Thank goodness,” cried the miserable Weather +Man: “I have another map like that down at the +Bourse, and the brokers really give it some intelligent +attention.”</p> + +<p>We went on our way sadly, thinking how many +sorrows there are in the world. It is grievous to +think of the poor Weather Man, lurking with beating +pulses in the neighbourhood of Ninth and Chestnut<span class='pagenum'><a name="Page_269" id="Page_269">[Pg 269]</a></span> +in the hope of finding someone who understands his +painstaking display. The next time you are standing +in front of his booth do say something about +the Oceanic High in the South Atlantic or the +dangerous Aleutian Low or the anticyclonic condition +prevailing in the Alleghenies. He might overhear +you, and it would do his mournful heart good.</p> + +<hr style='width: 35%;' /> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illo_p269.jpg" width="500" height="291" alt="p269" title="p269" /></div> + +<p>It was eight o'clock, a cool drizzling night. +Chestnut Street was gray with a dull, pearly, +opaque twilight. In the little portico east of Independence +Hall the gas lamp under the ceiling +cast a soft pink glow on the brick columns.</p> + +<p>Independence Square was a sea of tremulous, +dripping boughs. The quaint heptahedral lamps +threw splashed shimmers of topaz colour across the +laky pavement. “Golden lamps in a green night,” +as Marvell says, twinkled through the stir and moisture +of the evening.<span class='pagenum'><a name="Page_270" id="Page_270">[Pg 270]</a></span></p> + + +<hr style="width: 65%;" /> +<h2><a name="ON_GOING_TO_BED" id="ON_GOING_TO_BED"></a>ON GOING TO BED</h2> +<span class="totoc"><a href="#toc">Top</a></span> + +<p>One of the characters in “The Moon and Sixpence” +remarked that he had faithfully lived +up to the old precept about doing every day two +things you heartily dislike; for, said he, every day +he had got up and he had gone to bed.</p> + +<p>It is a sad thing that as soon as the hands of the +clock have turned ten the shadow of going to bed +begins to creep over the evening. We have never +heard bedtime spoken of with any enthusiasm. +One after another we have seen a gathering disperse, +each person saying (with an air of solemn resignation): +“Well, I guess I'll go to bed.” But there was +no hilarity about it. It is really rather touching +how they cling to the departing skirts of the day that +is vanishing under the spinning shadow of night.</p> + +<p>This is odd, we repeat, for sleep is highly popular +among human beings. The reluctance to go to +one's couch is not at all a reluctance to slumber, for +almost all of us will doze happily in an armchair or on +a sofa, or even festooned on the floor with a couple of +cushions. But the actual and formal yielding to +sheets and blankets is to be postponed to the last +possible moment.<span class='pagenum'><a name="Page_271" id="Page_271">[Pg 271]</a></span></p> + +<p>The devil of drowsiness is at his most potent, we +find, about 10:30 <span class="smcap">p. m.</span> At this period the human +carcass seems to consider that it has finished its +cycle, which began with so much courage nearly +sixteen hours before. It begins to slack and the +mind halts on a dead centre every now and then, refusing +to complete the revolution. Now there are +those who hold that this is certainly the seemly and +appointed time to go to bed and they do so as a +matter of routine. These are, commonly, the +happier creatures, for they take the tide of sleep at +the flood and are borne calmly and with gracious +gentleness out to great waters of nothingness. They +push off from the wharf on a tranquil current and +nothing more is to be seen or heard of these voyagers +until they reappear at the breakfast table, digging +lustily into their grape fruit.</p> + +<p>These people are happy, aye, in a brutish and +sedentary fashion, but they miss the admirable +adventures of those more embittered wrestlers who +will not give in without a struggle. These latter +suffer severe pangs between 10:30 and about 11:15 +while they grapple with their fading faculties and +seek to reëstablish the will on its tottering throne. +This requires courage stout, valour unbending. +Once you yield, be it ever so little, to the tempter, +you are lost. And here our poor barren clay plays us +false, undermining the intellect with many a trick +and wile. “I will sit down for a season in that com<span class='pagenum'><a name="Page_272" id="Page_272">[Pg 272]</a></span>fortable +chair,” the creature says to himself, “and +read this sprightly novel. That will ease my mind +and put me in humour for a continuance of lively +thinking.” And the end of that man is a steady +nasal buzz from the bottom of the chair where he +has collapsed, an unsightly object and a disgrace to +humanity. This also means a big bill from the +electric light company at the end of the month. In +many such ways will his corpus bewray him, leading +him by plausible self-deceptions into a pitfall of +sleep, whence he is aroused about 3 <span class="smcap">a. m.</span> when the +planet turns over on the other side. Only by stiff +perseverance and rigid avoidance of easy chairs may +the critical hour between 10:30 and 11:30 be safely +passed. Tobacco, a self-brewed pot of tea, and a +browsing along bookshelves (remain standing and do +not sit down with your book) are helps in this time of +struggle. Even so, there are some happily drowsy +souls who can never cross these shallows alone without +grounding on the Lotus Reefs. Our friend +J—— D—— K——, magnificent creature, was +(when we lived with him) so potently hypnoidal that, +even erect and determined as his bookcase and +urgently bent upon Brann's <i>Iconoclast</i> or some other +literary irritant, sleep would seep through his pores +and he would fall with a crash, lying there in unconscious +bliss until someone came in and prodded +him up, reeling and ashamed.</p> + +<p>But, as we started to say, those who survive this<span class='pagenum'><a name="Page_273" id="Page_273">[Pg 273]</a></span> +drastic weeding out which Night imposes upon her +wooers—so as to cull and choose only the truly meritorious +lovers—experience supreme delights which +are unknown to their snoring fellows. When the +struggle with somnolence has been fought out and +won, when the world is all-covering darkness and +close-pressing silence, when the tobacco suddenly +takes on fresh vigour and fragrance and the books lie +strewn about the table, then it seems as though all +the rubbish and floating matter of the day's thoughts +have poured away and only the bright, clear, and +swift current of the mind itself remains, flowing +happily and without impediment. This perfection +of existence is not to be reached very often; but +when properly approached it may be won. It is a +different mind that one uncovers then, a spirit which +is lucid and hopeful, to which (for a few serene hours) +time exists not. The friable resolutions of the day +are brought out again and recemented and chiselled +anew. Surprising schemes are started and carried +through to happy conclusion, lifetimes of amazement +are lived in a few passing ticks. There is one +who at such moments resolves, with complete +sincerity, to start at one end of the top shelf and read +again all the books in his library, intending this +time really to extract their true marrow. He takes +a clean sheet of paper and sets down memoranda of +all the people he intends to write to, and all the +plumbers and what not that he will call up the next<span class='pagenum'><a name="Page_274" id="Page_274">[Pg 274]</a></span> +day. And the next time this happy seizure attacks +him he will go through the same gestures again without +surprise and without the slightest mortification. +And then, having lived a generation of good works +since midnight struck, he summons all his resolution +and goes to bed.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illo_p274.jpg" width="500" height="395" alt="p274" title="p274" /></div> +<h4>The End</h4> +<p><span class='pagenum'><a name="Page_275" id="Page_275">[Pg 275]</a></span></p> +<hr style="width: 25%;" /> +<div class="figcenter" style="width: 150px;"> +<img src="images/illo_p275.jpg" width="150" height="149" alt="p275" title="p275" /></div> +<center>THE COUNTRY LIFE PRESS<br /> +GARDEN CITY, N. Y.</center> + +<p> </p> +<p> </p> +<hr class="full" /> +<p>***END OF THE PROJECT GUTENBERG EBOOK PIPEFULS***</p> +<p>******* This file should be named 22699-h.txt or 22699-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="http://www.gutenberg.org/dirs/2/2/6/9/22699">http://www.gutenberg.org/2/2/6/9/22699</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Pipefuls + + +Author: Christopher Morley + + + +Release Date: September 21, 2007 [eBook #22699] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK PIPEFULS*** + + +E-text prepared by Audrey Longhurst, Marcia Brooks, and the Project +Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 22699-h.htm or 22699-h.zip: + (https://www.gutenberg.org/dirs/2/2/6/9/22699/22699-h/22699-h.htm) + or + (https://www.gutenberg.org/dirs/2/2/6/9/22699/22699-h.zip) + + + + + +PIPEFULS + + * * * * * + +_Other Books by the Author_ + + PARNASSUS ON WHEELS + + THE HAUNTED BOOKSHOP + + SHANDYGAFF + + MINCE PIE + + KATHLEEN + + SONGS FOR A LITTLE HOUSE + + THE ROCKING HORSE + + HIDE AND SEEK + + TRAVELS IN PHILADELPHIA + + * * * * * + + + +PIPEFULS + +by + +CHRISTOPHER MORLEY + +[Illustration] + +Illustrated by Walter Jack Duncan + + + + + + + +Garden City New York +Doubleday, Page & Company +1920 + +Copyright, 1920, by +Doubleday, Page & Company +All Rights Reserved, Including That of Translation +into Foreign Languages, Including the Scandinavian + + + + +THIS BOOK IS DEDICATED +TO +THREE MEN + +HULBERT FOOTNER +EUGENE SAXTON +WILLIAM ROSE BENET + +BECAUSE, IF I MENTIONED ONLY ONE +OF THEM, I WOULD HAVE TO +WRITE BOOKS +TO INSCRIBE TO THE OTHER TWO + + + + +PREFACE + + +Sir Thomas Browne said that Eve was "edified out of the rib of +Adam." This little book was edified (for the most part) out of +the ribs of two friendly newspapers, The New York _Evening Post_ +and The Philadelphia _Evening Public Ledger_. To them, and to +_The Bookman_, _Everybody's_, and _The Publishers' Weekly_, I am +grateful for permission to reprint. + +Tristram Shandy said, "When a man is hemm'd in by two indecorums, +and must commit one of 'em let him chuse which he will, the world +will blame him." Now it is one indecorum to let this collection +of small sketches go out (as they do) unrevised and just as they +assaulted the defenceless reader of the daily prints; and the +other indecorum would be to take fragments of this kind too +gravely, and attempt by more careful disposition of their pallid +members to arrange them into some appearance of painless decease. +As Gilbert Chesterton said (I wish I could say, on a similar +occasion): "Their vices are too vital to be improved with a blue +pencil, or with anything I can think of, except dynamite." + +These sketches gave me pain to write; they will give the +judicious patron pain to read; therefore we are quits. I think, +as I look over their slattern paragraphs, of that most tragic +hour--it falls about 4 P. M. in the office of an evening +newspaper--when the unhappy compiler tries to round up the +broodings of the day and still get home in time for supper. And +yet perhaps the will-to-live is in them, for are they not a naked +exhibit of the antics a man will commit in order to earn a +living? In extenuation it may be pleaded that none of them are so +long that they may not be mitigated by an accompanying pipe of +tobacco. + +THE AUTHOR. + +Roslyn, Long Island, +July, 1920. + + + + +CONTENTS + + + PAGE + +Preface vii + +On Making Friends 3 + +Thoughts on Cider 10 + +One-Night Stands 18 + +The Owl Train 25 + +Safety Pins 29 + +Confessions of a "Colyumist" 34 + +Moving 42 + +Surf Fishing 48 + +"Idolatry" 52 + +The First Commencement Address 60 + +The Downfall of George Snipe 63 + +Meditations of a Bookseller 66 + +If Buying a Meal Were Like Buying a House 71 + +Adventures in High Finance 74 + +On Visiting Bookshops 78 + +A Discovery 83 + +Silas Orrin Howes 91 + +Joyce Kilmer 97 + +Tales of Two Cities 109 + + I. _Philadelphia_: + An Early Train + Ridge Avenue + The University and the Urchin + Pine Street + Pershing in Philadelphia + Fall Fever + Two Days Before Christmas + In West Philadelphia + Horace Traubel + + II. _New York_: + The Anatomy of Manhattan + Vesey Street + Brooklyn Bridge + Three Hours for Lunch + Passage from Some Memoirs + First Lessons in Clowning + House Hunting + Long Island Revisited + On Being in a Hurry + Confessions of a Human Globule + Notes on a Fifth Avenue Bus + Sunday Morning + Venison Pasty + Grand Avenue, Brooklyn + +On Waiting for the Curtain to Go Up 236 + +Musings of John Mistletoe 240 + +The World's Most Famous Oration 242 + +On Laziness 244 + +Teaching the Prince to Take Notes 249 + +A City Notebook 253 + +On Going to Bed 270 + + + + +PIPEFULS + + + + +ON MAKING FRIENDS + +[Illustration] + + +Considering that most friendships are made by mere hazard, how is it +that men find themselves equipped and fortified with just the friends +they need? We have heard of men who asserted that they would like to +have more money, or more books, or more pairs of pyjamas; but we have +never heard of a man saying that he did not have enough friends. For, +while one can never have too many friends, yet those one has are always +enough. They satisfy us completely. One has never met a man who would +say, "I wish I had a friend who would combine the good humour of A, the +mystical enthusiasm of B, the love of doughnuts which is such an +endearing quality in C, and who would also have the habit of giving +Sunday evening suppers like D, and the well-stocked cellar which is so +deplorably lacking in E." No; the curious thing is that at any time and +in any settled way of life a man is generally provided with friends far +in excess of his desert, and also in excess of his capacity to absorb +their wisdom and affectionate attentions. + +There is some pleasant secret behind this, a secret that none is wise +enough to fathom. The infinite fund of disinterested humane kindliness +that is adrift in the world is part of the riddle, the insoluble riddle +of life that is born in our blood and tissue. It is agreeable to think +that no man, save by his own gross fault, ever went through life +unfriended, without companions to whom he could stammer his momentary +impulses of sagacity, to whom he could turn in hours of loneliness. It +is not even necessary to know a man to be his friend. One can sit at a +lunch counter, observing the moods and whims of the white-coated +pie-passer, and by the time you have juggled a couple of fried eggs you +will have caught some grasp of his philosophy of life, seen the quick +edge and tang of his humour, memorized the shrewdness of his worldly +insight and been as truly stimulated as if you had spent an evening with +your favourite parson. + +If there were no such thing as friendship existing to-day, it would +perhaps be difficult to understand what it is like from those who have +written about it. We have tried, from time to time, to read Emerson's +enigmatic and rather frigid essay. It seems that Emerson must have put +his cronies to a severe test before admitting them to the high-vaulted +and rather draughty halls of his intellect. There are fine passages in +his essay, but it is intellectualized, bloodless, heedless of the +trifling oddities of human intercourse that make friendship so +satisfying. He seems to insist upon a sterile ceremony of mutual +self-improvement, a kind of religious ritual, a profound interchange of +doctrines between soul and soul. His friends (one gathers) are to be +antisepticated, all the poisons and pestilence of their faulty humours +are to be drained away before they may approach the white and icy +operating table of his heart. "Why insist," he says, "on rash personal +relations with your friend? Why go to his house, or know his wife and +family?" And yet does not the botanist like to study the flower in the +soil where it grows? + +Polonius, too, is another ancient supposed to be an authority on +friendship. The Polonius family must have been a thoroughly dreary one +to live with; we have often thought that poor Ophelia would have gone +mad anyway, even if there had been no Hamlet. Laertes preaches to +Ophelia; Polonius preaches to Laertes. Laertes escaped by going abroad, +but the girl had to stay at home. Hamlet saw that pithy old Polonius was +a preposterous and orotund ass. Polonius's doctrine of friendship--"The +friends thou hast, and their adoption tried, grapple them to thy soul +with hoops of steel"--was, we trow, a necessary one in his case. It +would need a hoop of steel to keep them near such a dismal old +sawmonger. + +Friendships, we think, do not grow up in any such carefully tended and +contemplated fashion as Messrs. Emerson and Polonius suggest. They begin +haphazard. As we look back on the first time we saw our friends we find +that generally our original impression was curiously astray. We have +worked along beside them, have consorted with them drunk or sober, have +grown to cherish their delicious absurdities, have outrageously imposed +on each other's patience--and suddenly we awoke to realize what had +happened. We had, without knowing it, gained a new friend. In some +curious way the unseen border line had been passed. We had reached the +final culmination of Anglo-Saxon regard when two men rarely look each +other straight in the eyes because they are ashamed to show each other +how fond they are. We had reached the fine flower and the ultimate test +of comradeship--that is, when you get a letter from one of your "best +friends," you know you don't need to answer it until you get ready to. + +Emerson is right in saying that friendship can't be hurried. It takes +time to ripen. It needs a background of humorous, wearisome, or even +tragic events shared together, a certain tract of memories shared in +common, so that you know that your own life and your companion's have +really moved for some time in the same channel. It needs interchange of +books, meals together, discussion of one another's whims with mutual +friends, to gain a proper perspective. It is set in a rich haze of +half-remembered occasions, sudden glimpses, ludicrous pranks, +unsuspected observations, midnight confidences when heart spoke to +candid heart. + +[Illustration] + +The soul preaches humility to itself when it realizes, startled, that +it has won a new friend. Knowing what a posset of contradictions we all +are, it feels a symptom of shame at the thought that our friend knows +all our frailties and yet thinks us worth affection. We all have cause +to be shamefast indeed; for whereas we love ourselves in spite of our +faults, our friends often love us even on account of our faults, the +highest level to which attachment can go. And what an infinite appeal +there is in their faces! How we grow to cherish those curious little +fleshy cages--so oddly sculptured--which inclose the spirit within. To +see those faces, bent unconsciously over their tasks--each different, +each unique, each so richly and queerly expressive of the lively and +perverse enigma of man, is a full education in human tolerance. +Privately, one studies his own ill-modeled visnomy to see if by any +chance it bespeaks the emotions he inwardly feels. We know--as Hamlet +did--the vicious mole of nature in us, the o'ergrowth of some complexion +that mars the purity of our secret resolutions. Yet--our friends have +passed it over, have shown their willingness to take us as we are. Can +we do less than hope to deserve their generous tenderness, granted +before it was earned? + +The problem of education, said R. L. S., is two-fold--"first to know, +then to utter." Every man knows what friendship means, but few can utter +that complete frankness of communion, based upon full comprehension of +mutual weakness, enlivened by a happy understanding of honourable +intentions generously shared. When we first met our friends we met with +bandaged eyes. We did not know what journeys they had been on, what +winding roads their spirits had travelled, what ingenious shifts they +had devised to circumvent the walls and barriers of the world. We know +these now, for some of them they have told us; others we have guessed. +We have watched them when they little dreamed it; just as they (we +suppose) have done with us. Every gesture and method of their daily +movement have become part of our enjoyment of life. Not until a time +comes for saying good-bye will we ever know how much we would like to +have said. At those times one has to fall back on shrewder tongues. You +remember Hilaire Belloc: + + From quiet homes and first beginning + Out to the undiscovered ends, + There's nothing worth the wear of winning + But laughter, and the love of friends. + + + + +THOUGHTS ON CIDER + +[Illustration] + + +Our friend Dove Dulcet, the poet, came into our kennel and found +us arm in arm with a deep demijohn of Chester County cider. We +poured him out a beaker of the cloudy amber juice. It was just in +prime condition, sharpened with a blithe tingle, beaded with a +pleasing bubble of froth. Dove looked upon it with a kindled eye. +His arm raised the tumbler in a manner that showed this gesture +to be one that he had compassed before. The orchard nectar began +to sluice down his throat. + +Dove is one who has faced many and grievous woes. His Celtic +soul peers from behind cloudy curtains of alarm. Old unhappy +far-off things and battles long ago fume in the smoke of his +pipe. His girded spirit sees agrarian unrest in the daffodil and +industrial riot in a tin of preserved prunes. He sees the world +moving on the brink of horror and despair. Sweet dalliance with a +baked bloater on a restaurant platter moves him to grief over the +hard lot of the Newfoundland fishing fleet. Six cups of tea warm +him to anguish over the peonage of Sir Thomas Lipton's coolies in +Ceylon. Souls in perplexity cluster round him like Canadian dimes +in a cash register in Plattsburgh, N. Y. He is a human sympathy +trust. When we are on our deathbed we shall send for him. The +perfection of his gentle sorrow will send us roaring out into the +dark, and will set a valuable example to the members of our +family. + +But it is the rack of clouds that makes the sunset lovely. The +bosomy vapours of Dove's soul are the palette upon which the +decumbent sun of his spirit casts its vivid orange and scarlet +colours. His joy is the more perfect to behold because it bursts +goldenly through the pangs of his tender heart. His soul is like +the infant Moses, cradled among dark and prickly bullrushes; but +anon it floats out upon the river and drifts merrily downward on +a sparkling spate. + +It has nothing to do with Dove, but we will here interject the +remark that a pessimist overtaken by liquor is the cheeriest +sight in the world. Who is so extravagantly, gloriously, and +irresponsibly gay? + +Dove's eyes beaconed as the cider went its way. The sweet +lingering tang filled the arch of his palate with a soft mellow +cheer. His gaze fell upon us as his head tilted gently backward. +We wish there had been a painter there--someone like F. Walter +Taylor--to rush onto canvas the gorgeous benignity of his aspect. +It would have been a portrait of the rich Flemish school. Dove's +eyes were full of a tender emotion, mingled with a charmed and +wistful surprise. It was as though the poet was saying he had not +realized there was anything so good left on earth. His bearing +was devout, religious, mystical. In one moment of revelation (so +it appeared to us as we watched) Dove looked upon all the +profiles and aspects of life, and found them of noble outline. +Not since the grandest of Grand Old Parties went out of power has +Dove looked less as though he felt the world were on the verge of +an abyss. For several moments revolution and anarchy receded, +profiteers were tamed, capital and labour purred together on a +mattress of catnip, and the cosmos became a free verse poem. He +did not even utter the customary and ungracious remark of those +to whom cider potations are given: "That'll be at its best in +about a week." We apologized for the cider being a little warmish +from standing (discreetly hidden) under our desk. Douce man, he +said: "I think cider, like ale, ought not to be drunk too cold. +I like it just this way." He stood for a moment, filled with +theology and metaphysics. "By gracious," he said, "it makes all +the other stuff taste like poison." Still he stood for a brief +instant, transfixed with complete bliss. It was apparent to us +that his mind was busy with apple orchards and autumn sunshine. +Perhaps he was wondering whether he could make a poem out of it. +Then he turned softly and went back to his job in a life +insurance office. + +As for ourself, we then poured out another tumbler, lit a corncob +pipe, and meditated. Falstaff once said that he had forgotten +what the inside of a church looked like. There will come a time +when many of us will perhaps have forgotten what the inside of a +saloon looked like, but there will still be the consolation of +the cider jug. Like the smell of roasting chestnuts and the +comfortable equatorial warmth of an oyster stew, it is a +consolation hard to put into words. It calls irresistibly for +tobacco; in fact the true cider toper always pulls a long puff at +his pipe before each drink, and blows some of the smoke into the +glass so that he gulps down some of the blue reek with his +draught. Just why this should be, we know not. Also some +enthusiasts insist on having small sugared cookies with their +cider; others cry loudly for Reading pretzels. Some have +ingenious theories about letting the jug stand, either tightly +stoppered or else unstoppered, until it becomes "hard." In our +experience hard cider is distressingly like drinking vinegar. We +prefer it soft, with all its sweetness and the transfusing savour +of the fruit animating it. At the peak of its deliciousness it +has a small, airy sparkle against the roof of the mouth, a +delicate tactile sensation like the feet of dancing flies. This, +we presume, is the 4-1/2 to 7 per cent of sin with which +fermented cider is credited by works of reference. There are +pedants and bigots who insist that the jug must be stoppered with +a corncob. For our own part, the stopper does not stay in the +neck long enough after the demijohn reaches us to make it worth +while worrying about this matter. Yet a nice attention to detail +may prove that the cob has some secret affinity with cider, for a +Missouri meerschaum never tastes so well as after three glasses +of this rustic elixir. + +That ingenious student of social niceties, John Mistletoe, in his +famous Dictionary of Deplorable Facts--a book which we heartily +commend to the curious, for he includes a long and most informing +article on cider, tracing its etymology from the old Hebrew word +_shaker_ meaning "to quaff deeply"--maintains that cider should +only be drunk beside an open fire of applewood logs: + + And preferably on an evening of storm and wetness, when the swish + and sudden pattering of rain against the panes lend an added + agreeable snugness to the cheerful scene within, where master and + dame sit by the rosy hearth frying sausages in a pan laid on the + embers. + +This reminds one of the anecdote related by ex-Senator Beveridge in his +Life of John Marshall. Justice Story told his wife that the justices of +the Supreme Court were of a self-denying habit, never taking wine except +in wet weather. "But it does sometimes happen that the Chief Justice +will say to me, when the cloth is removed, 'Brother Story, step to the +window and see if it does not look like rain.' And if I tell him that +the sun is shining brightly, Judge Marshall will sometimes reply, 'All +the better, for our jurisdiction extends over so large a territory that +the doctrine of chances makes it certain that it must be raining +somewhere.'" + +Our own theory about cider is that the time to drink it is when it +reaches you; and if it hails from Chester County, so much the better. + +We remember with gusto a little soliloquy on cider delivered by another +friend of ours, as we both stood in a decent ordinary on Fulton Street, +going through all the motions of jocularity and cheer. Cider (he said) +is our refuge and strength. Cider, he insisted, drawing from his pocket +a clipping much tarnished with age, is a drink for men of reason and +genteel nurture; a drink for such as desire to drink pleasantly, +amiably, healthily, and with perseverance and yet retain the command and +superintendence of their faculties. I have here (he continued) a +clipping sent me by an eminent architect in the great city of +Philadelphia (a city which it is a pleasure for me to contemplate by +reason of the beauty and virtue of its women, the infinite vivacity and +good temper of its men, the rectitudinal disposition of its highways)--I +have here (he exclaimed) a clipping sent me by an architect of fame, +charming parts, and infinite cellarage, explaining the virtues of cider. +Cider, this clipping asserts, produces a clearness of the complexion. It +brightens the eye, particularly in women, conducing to the composition +of generous compliment and all the social suavity that endears the +intercourse of the sexes. Longevity, this extract maintains, is the +result of application to good cider. The Rev. Martin Johnson, vicar of +Dilwyn, in Herefordshire, from 1651 to 1698 (he read from his clipping), +wrote: + + _This parish, wherein sider is plentiful, hath many people that + do enjoy this blessing of long life; neither are the aged + bedridden or decrepit as elsewhere; next to God, wee ascribe it + to our flourishing orchards, first that the bloomed trees in + spring do not only sweeten but purify the ambient air; next, that + they yield us plenty of rich and winy liquors, which do conduce + very much to the constant health of our inhabitants. Their + ordinary course is to breakfast and sup with toast and sider + through the whole Lent; which heightens their appetites and + creates in them durable strength to labour._ + +There was a pause, and our friend (he is a man of girth and with a brow +bearing all the candor of a life of intense thought) leaned against the +mahogany counter. + +That is very fine, we said, draining our chalice, and feeling brightness +of eye, length of years, and durable strength to labour added to our +person. In the meantime (we said) why do you not drink the rich and winy +liquor which your vessel contains? + +He folded up his clipping and put it away with a sigh. + +I always have to read that first, he said, to make the damned stuff +palatable. It will be ten years, he said, before the friend who sent me +that clipping will have to drink any cider. + + + + +ONE-NIGHT STANDS + +[Illustration] + + +To those looking for an exhilarating vacation let us commend a +week of "trouping" on one-night stands with a theatrical company, +which mirthful experience has just been ours. We went along in +the very lowly capacity of co-author, which placed us somewhat +beneath the stage hands as far as dignity was concerned; and we +flatter ourself that we have learned our station and observe it +with due humility. The first task of the director who stages a +play is to let the author know where he gets off. This was +accomplished in our case by an argument concerning a speech in +the play where one of the characters remarks, "I propose to send +a mental message to Eliza." This sounds (we contend) quite a +harmless sentiment, but the director insisted that the person +speaking, being an Englishman of studious disposition, would not +say anything so inaccurate. "He would use much more correct +language," said the director. "He ought to say 'I _purpose_ to +send.'" We balked mildly at this. "All right," said our mentor. +"The trouble with you is you don't know any English. I'll send +you a copy of the Century dictionary." + +This gentleman carried purism to almost extravagant lengths. He +objected to the customary pronunciation of "jew's-harp," +insisting that the word should be "juice-harp," and instructing +the actor who mentioned this innocent instrument of melody to +write it down so in his script. When the dress rehearsal came +round, he was surveying the "set" for the first act with +considerable complacence. This scenery was intended to represent +a very ancient English inn at Stratford-on-Avon, and one of the +authors was heard to remark softly that it looked more like a +broker's office on Wall Street. But the director was unshaken. +"There's an old English inn up at Larchmont," said he, "and this +looks a good deal like it, so I guess we're all right." + +Let any one who imagines the actor's life is one of bevo and +skittles sally along with a new play on its try-out in the +one-night circuit. When one sees the delightful humour, +fortitude, and high spirits with which the players face their +task he gains a new respect for the profession. It is with a +sense of shame that the wincing author hears his lines repeated +night after night--lines that seem to him to have grown so stale +and disreputably stupid, and which the ingenuity of the players +contrives to instill with life. With a sense of shame indeed does +he reflect that because one day long ago he was struck with a +preposterous idea, here are honest folk depending on it to earn +daily bread and travelling on a rainy day on a local train on the +Central New England Railway; here are 800 people in Saratoga +Springs filing into a theatre with naive expectation on their +faces. Amusing things happen faster than he can stay to count +them. A fire breaks out in a cigar store a few minutes before +theatre time. It is extinguished immediately, but half the town +has rushed down to see the excitement. The cigar store is almost +next door to the theatre, and the crowd sees the lighted sign and +drops in to give the show the once-over, thus giving one a +capacity house. Then there are the amusing accidents that happen +on the stage, due to the inevitable confusion of one-night stands +with long jumps each day, when scenery and props arrive at the +theatre barely in time to be set up. In the third act one of the +characters has to take his trousers out of a handbag. He opens +the bag, but by some error no garments are within. Heavens! has +the stage manager mixed up the bags? He has only one hope. The +girlish heroine's luggage is also on the stage, and our comedian +dashes over and finds his trousers in her bag. This casts a most +sinister imputation on the adorable heroine, but our friend +(blessings on him) contrives it so delicately that the audience +doesn't get wise. Then doors that are supposed to be locked have +a habit of swinging open, and the luckless heroine, ready to say +furiously to the hero, "_Will_ you unlock the door?" finds +herself facing an open doorway and has to invent a line to get +herself off the stage. + +Going on the road is a very humanizing experience and one gathers +a considerable respect for the small towns one visits. They are +so brisk, so proud in their local achievements, so prosperous and +so full of attractive shop-windows. When one finds in Johnstown, +N. Y., for instance, a bookshop with almost as well-assorted a +stock as one would see here in Philadelphia; or in Gloversville +and Newburgh public libraries that would be a credit to any large +city, one realizes the great tide of public intelligence that has +risen perceptibly in recent years. At the hotel in Gloversville +the proprietress assured us that "an English duke" had just left +who told her that he preferred her hotel to the Biltmore in New +York. We rather wondered about this English duke, but we looked +him up on the register and found that he was Sir H. Urnick of +Fownes Brothers, the glove manufacturers, who have a factory in +Gloversville. But then, being a glove manufacturer, he may have +been kidding her, as the low comedian of our troupe observed. But +the local pride of the small town is a genial thing. It may +always be noted in the barber shops. The small-town barber knows +his customers and when a strange face appears to be shaved on the +afternoon when the bills are announcing a play, he puts two and +two together. "Are you with that show?" he asks; and being +answered in the affirmative (one naturally would not admit that +one is merely there in the frugal capacity of co-author, and +hopes that he will imagine that such a face might conceivably +belong to the low comedian) he proceeds to expound the favourite +doctrine that this is a wise burg. "Yes," he says, "folks here +are pretty cagy. If your show can get by here you needn't worry +about New York. Believe me, if you get a hand here you can go +right down to Broadway. I always take in the shows, and I've +heard lots of actors say this town is harder to please than any +place they ever played." + +One gets a new viewpoint on many matters by a week of one-night +stands. Theatrical billboards, for instance. We had always +thought, in a vague kind of way, that they were a defacement to a +town and cluttered up blank spaces in an unseemly way. But when +you are trouping, the first thing you do, after registering at +the hotel, is to go out and scout round the town yearning for +billboards and complaining because there aren't enough of them. +You meet another member of the company on the same errand and +say, "I don't see much paper out," this being the technical +phrase. You both agree that the advance agent must be loafing. +Then you set out to see what opposition you are playing against, +and emit groans on learning that "The Million Dollar Doll in +Paris" is also in town, or "Harry Bulger's Girly Show" will be +there the following evening, or Mack Sennett's Bathing Beauties +in Person. "That's the kind of stuff they fall for," said the +other author mournfully, and you hustle around to the box office +to see whether the ticket rack is still full of unsold pasteboard. + +At this time of year, when all the metropolitan theatres are +crowded and there are some thirty plays cruising round in the +offing waiting for a chance to get into New York and praying that +some show now there will "flop," one crosses the trail of many +other wandering troupes that are battering about from town to +town. In remote Johnstown, N. Y., which can only be reached by +trolley and where there is no hotel (but a very fine large +theatre) one finds that Miss Grace George is to be the next +attraction. On the train to Saratoga one rides on the same train +with the Million Dollar Doll, and those who have seen her "paper" +on the billboards in Newburgh or Poughkeepsie keep an attentive +optic open for the lady herself to see how nearly she lives up to +her lithographs. And if the passerby should see a lighted window +in the hotel glimmering at two in the morning, he will probably +aver that there are some of those light-hearted "show people" +carousing over a flagon of Virginia Dare. Little does he suspect +that long after the tranquil thespians have gone to their +well-earned hay, the miserable authors of the trying-out piece +may be vigiling together, trying to dope out a new scene for the +third act. The saying is not new, but it comes frequently to the +lips of the one-night stander--It's a great life if you don't +weaken. + + + + +THE OWL TRAIN + +[Illustration] + + +Across the cold moonlit landscapes, while good folk are at home curling +their toes in the warm bottom of the bed, the Owl trains rumble with a +gentle drone, neither fast nor slow. + +There are several Owl trains with which we have been familiar. One, +rather aristocratic of its kind, is the caravan of sleeping cars that +leaves New York at midnight and deposits hustling business men of the +most aggressive type at the South Station, Boston. After a dissolute +progress full of incredible jerks and jolts these pilgrims reach this +dampest, darkest, and most Arctic of all terminals about the time the +morning codfish begins to warm his bosom on the gridirons of the sacred +city. Another, a terrible nocturnal prowler, slips darkly away from +Albany about 1 A. M., and rambles disconsolately and with shrill +wailings along the West Shore line. Below the grim Palisades of the +Hudson it wakes painful echoes. Its first six units, as far as one can +see in the dark, are blind express cars, containing milk cans and +coffins. We once boarded it at Kingston, and after uneasy slumber across +two facing seats found ourself impaled upon Weehawken three hours later. +There one treads dubiously upon a ferryboat in the fog and brume of +dawn, ungluing eyelids in the bleak dividing pressure of the river +breeze. + +But the Owl train we propose to celebrate is the vehicle that departs +modestly from the crypt of the Pennsylvania Station in New York at +half-past midnight and emits blood-shot wanderers at West Philadelphia +at 3:16 in the morning. The railroad company, which thinks these +problems out with nice care, lulls the passengers into unconsciousness +of their woes not only by a gentle and even gait, a progress almost +tender in its carefully modulated repression of speed, but also by +keeping the cars at such an amazing heat that the victims promptly fade +into a swoon. Nowhere will you see a more complete abandonment to the +wild postures of fatigue and despair than in the pathetic sprawl of +these human forms upon the simmering plush settees. A hot eddy of some +varnish-tinctured vapour--certainly not air--rises from under the seats +and wraps the traveller in a nightmarish trance. Occasionally he starts +wildly from his dream and glares frightfully through the misted pane. It +is the custom of the trainmen, who tiptoe softly through the cars, +never to disturb their clients by calling out the names of stations. +When New Brunswick is reached many think that they have arrived at West +Philadelphia, or (worse still) have been carried on to Wilmington. They +rush desperately to the bracing chill of the platform to learn where +they are. There is a mood of mystery about this Owl of ours. The +trainmen take a quaint delight in keeping the actual whereabouts of the +caravan a merciful secret. + +Oddly assorted people appear on this train. Occasional haughty +revellers, in evening dress and opera capes, appear among the humbler +voyagers. For a time they stay on their dignity: sit bravely upright and +talk with apparent intelligence. Then the drowsy poison of that stifled +atmosphere overcomes them, too, and they fall into the weakness of their +brethren. They turn over the opposing seat, elevate their nobler shins, +and droop languid heads over the ticklish plush chair-back. Strange +aliens lie spread over the seats. Nowhere will you see so many faces of +curious foreign carving. It seems as though many desperate exiles, who +never travel by day, use the Owl for moving obscurely from city to city. +This particular train is bound south to Washington, and at least half +its tenants are citizens of colour. Even the endless gayety of our dusky +brother is not proof against the venomous exhaustion of that boxed-in +suffocation. The ladies of his race are comfortably prepared for the +hardships of the route. They wrap themselves in huge fur coats and all +have sofa cushions to recline on. Even in an all-night session of +Congress you will hardly note so complete an abandonment of disillusion, +weariness, and cynical despair as is written upon the blank faces all +down the aisle. Even the will-power of a George Creel or a Will H. Hays +would droop before this three-hour ordeal. Professor Einstein, who talks +so delightfully of discarding Time and Space, might here reconsider his +theories if he brooded, baking gradually upward, on the hot green plush. + +This genial Owl is not supposed to stop at North Philadelphia, but it +always does. By this time Philadelphia passengers are awake and gathered +in the cold vestibules, panting for escape. Some of them, against the +rules of the train, manage to escape on the North Philadelphia platform. +The rest, standing huddled over the swaying couplings, find the +leisurely transit to West Philadelphia as long as the other segments of +the ride put together. Stoically, and beyond the power of words, they +lean on one another. At last the train slides down a grade. In the dark +and picturesque tunnel of the West Philadelphia station, through thick +mists of steam where the glow of the fire box paints the fog a golden +rose, they grope and find the ancient stairs. Then they stagger off to +seek a lonely car or a night-hawk taxi. + + + + +SAFETY PINS + +[Illustration] + + +Ligature of infancy, healing engine of emergency, base and +mainstay of our civilization--we celebrate the safety pin. + +What would we do without safety pins? Is it not odd to think, +looking about us on our fellowmen (bearded realtors, ejaculating +poets, plump and ruddy policemen, even the cheerful dusky +creature who runs the elevator and whistles "Oh, What a Pal Was +Mary" as the clock draws near 6 P. M.)--all these were first +housed and swaddled and made seemly with a paper of safety pins. +How is it that the inventor who first conferred this great gift +on the world is not known by name for the admiration and applause +of posterity? Was it not the safety pin that made the world safe +for infancy? + +There will be some, mayhap, to set up the button as rival to the +safety pin in service to humanity. But our homage bends toward +the former. Not only was it our shield and buckler when we were +too puny and impish to help ourselves, but it is also (now we are +parent) symbol of many a hard-fought field, where we have +campaigned all over the white counterpane of a large bed to +establish an urchin in his proper gear, while he kicked and +scrambled, witless of our dismay. It is fortunate, pardee, that +human memory does not extend backward to the safety pin +era--happily the recording carbon sheet of the mind is not +inserted on the roller of experience until after the singular +humiliations of earliest childhood have passed. Otherwise our +first recollection would doubtless be of the grimly flushed large +face of a resolute parent, bending hotly downward in effort to +make both ends meet while we wambled and waggled in innocent, +maddening sport. In those days when life was (as George Herbert +puts it) "assorted sorrows, anguish of all sizes," the safety pin +was the only thing that raised us above the bandar-log. No wonder +the antique schoolmen used to enjoy computing the number of +angels that might dance on the point of a pin. But only +archangels would be worthy to pirouette on a safety pin, which is +indeed mightier than the sword. When Adam delved and Eve did +spin, what did they do for a safety pin? + +Great is the stride when an infant passes from the safety pin +period to the age of buttons. There are three ages of human +beings in this matter: (1) Safety pins, (2) Buttons, (3) Studs, +or (for females) Hooks and Eyes. Now there is an interim in the +life of man when he passes away from safety pins, and, for a +season, knows them not--save as mere convenience in case of +breakdown. He thinks of them, in his antic bachelor years, as +merely the wrecking train of the sartorial system, a casual +conjunction for pyjamas, or an impromptu hoist for small clothes. +Ah! with humility and gratitude he greets them again later, +seeing them at their true worth, the symbol of integration for +the whole social fabric. Women, with their intuitive wisdom, are +more subtle in this subject. They never wholly outgrow safety +pins, and though they love to ornament them with jewellery, +precious metal, and enamels, they are naught but safety pins +after all. Some ingenious philosopher could write a full tractate +on woman in her relation to pins--hairpins, clothes pins, rolling +pins, hatpins. + +Only a bachelor, as we have implied, scoffs at pins. Hamlet +remarked, after seeing the ghost, and not having any Sir Oliver +Lodge handy to reassure him, that he did not value his life at a +pin's fee. Pope, we believe, coined the contemptuous phrase, "I +care not a pin." The pin has never been done justice in the +world of poetry. As one might say, the pin has had no Pindar. Of +course there is the old saw about see a pin and pick it up, all +the day you'll have good luck. This couplet, barbarous as it is +in its false rhyme, points (as Mother Goose generally does) to a +profound truth. When you see a pin, you must pick it up. In other +words, it is on the floor, where pins generally are. Their +instinctive affinity for terra firma makes one wonder why they, +rather than the apple, did not suggest the law of gravitation to +someone long before Newton. + +Incidentally, of course, the reason why Adam and Eve were +forbidden to pick the apple was that it was supposed to stay on +the tree until it fell, and Adam would then have had the credit +of spotting the principle of gravitation. + +Much more might be said about pins, touching upon their curious +capacity for disappearing, superstitions concerning them, +usefulness of hatpins or hairpins as pipe-cleaners, usefulness of +pins to schoolboys, both when bent for fishing and when filed to +an extra point for use on the boy in the seat in front (honouring +him in the breech, as Hamlet would have said) and their curious +habits of turning up in unexpected places, undoubtedly caught by +pins in their long association with the lovelier sex. But of +these useful hyphens of raiment we will merely conclude by saying +that those interested in the pin industry will probably emigrate +to England, for we learn from the Encyclopaedia Britannica that in +that happy island pins are cleaned by being boiled in weak beer. +Let it not be forgotten, however, that of all kinds, the safety +is the King Pin. + + + + +CONFESSIONS OF A "COLYUMIST" + +[Illustration] + + +I can not imagine any pleasant job so full of pangs, or any painful job +so full of pleasures, as the task of conducting a newspaper column. + +The colyumist, when he begins his job, is disheartened because nobody +notices it. He soon outgrows this, and is disheartened because too many +people notice it, and he imagines that all see the paltriness of it as +plainly as he does. There is nothing so amazing to him as to find that +any one really enjoys his "stuff." Poor soul, he remembers how he +groaned over it at his desk. He remembers the hours he sat with +lack-lustre eye and addled brain, brooding at the sluttish typewriter. +He remembers the flush of shame that tingled him as he walked sadly +homeward, thinking of some atrocious inanity he had sent upstairs to the +composing-room. It is a job that engenders a healthy humility. + +I had always wanted to have a try at writing a column. Heaven help me, I +think I had an idea that I was born for the job. I may as well be +candid. There was a time when I seriously thought of inserting the +following ad in a Philadelphia newspaper. I find a memorandum of it in +my scrap-book: + + HUMORIST: Young and untamed, lineal descendent of Eugene Field, + Frank Stockton, and Francois Rabelais, desires to run a column in + a Philadelphia newspaper. A guaranteed circulation-getter. + + Said Humorist can also supply excellent veins of philosophy, + poetry, satire, uplift, glad material and indiscriminate musings. + Remarkable opportunity for any newspaper desiring a really + unusual editorial feature. Address HUMORIST, etc. + +So besotted was I, I would have paid to have this printed if I had not +been counselled by an older and wiser head. + +I instance this to show that the colyumist is likely to begin his job +with the conception that it is to be a perpetual uproar of mirth and +high spirits. This lasts about a week. He then learns, in secret, to +take it rather seriously. He has to deal with the most elusive and +grotesque material he knows--his own mind; and the unhappy creature, +everlastingly probing himself in the hope of discovering what is so rare +in minds (a thought), is likely to end in a ferment of bitterness. The +happiest times in life are when one can just live along and enjoy things +as they happen. If you have to be endlessly speculating, watching, and +making mental notes, your brain-gears soon get a hot box. The original +of all paragraphers--Ecclesiastes--came very near ending as a complete +cynic; though in what F. P. A. would call his "lastline," he managed to +wriggle into a more hopeful mood. + +The first valuable discovery that the colyumist is likely to make is +that all minds are very much the same. The doctors tell us that all +patent medicines are built on a stock formula--a sedative, a purge, and +a bitter. If you are to make steady column-topers out of your readers, +your daily dose must, as far as possible, average up to that same +prescription. If you employ the purge all the time, or the sedative, or +the acid, your clients will soon ask for something with another label. + +Don Marquis once wrote an admirable little poem called "A Colyumist's +Prayer." Mr. Marquis, who is the king of all colyumists, realizes that +there is what one may call a religious side in colyumizing. It is hard +to get the colyumist to admit this, for he fears spoofing worse than the +devil; but it is eminently true. If I were the owner of a newspaper, I +think I would have painted up on the wall of the local room the +following words from Isaiah, the best of all watchwords for all who +write: + + Woe unto them that call evil good, and good evil; that put + darkness for light, and light for darkness; that put bitter for + sweet, and sweet for bitter! + +The most painful privilege of the colyumist's job is the number of +people who drop in to see him, usually when he is imprecating his way +toward the hour of going to press. This is all a part of the great and +salutary human instinct against work. When people see a man toiling, +they have an irresistible impulse to crowd round and stop him. They seem +to imagine that he has been put there on purpose to help them solve +their problems, to find a job for their friend from Harrisburg, or to +tell them how to find a publisher for their poems. Unhappily, their +victim being merely human, is likely to grow a bit snappish under +infliction. Yet now and then he gets a glimpse into a human vexation so +sincere, so honest, and so moving that he turns away from the typewriter +with a sigh. He wonders how one dare approach the chronicling of this +muddled panorama with anything but humility and despair. Frank Harris +once said of Oscar Wilde: "If England insists on treating her criminals +like this, she doesn't deserve to have any." Similarly, if the public +insists on bringing its woes to its colyumists, it doesn't deserve to +have any colyumists. Then the battered jester turns again to his machine +and ticks off something like this: + + _We have heard of ladies who have been tempted beyond their + strength. We have also seen some who have been strengthened + beyond their temptation._ + +Of course there are good days, too. (This is not one of them.) Days when +the whole course of the news seems planned for the benefit of the +chaffish and irreverent commentator. When Governor Hobby of Texas issues +a call for the state cavalry. When one of your clients drops in, in the +goodness of his heart, to give you his own definition of a pessimist--a +pessimist, he says, is a man who wears both belt and suspenders. When a +big jewellery firm in the city puts out a large ad-- + + Bailey, Banks & Biddle Company + Watches for Women + Of Superior Design and Perfection + of Movement + +all that one needs to do to that is to write over it the caption + +SO DO WE ALL + +and pass on to the next paragraph. + +The more a colyumist is out on the streets, making himself the reporter +of the moods and oddities of men, the better his stuff will be. It seems +to me that his job ought to be good training for a novelist, as it +teaches him a habit of human sensitiveness. He becomes filled with an +extraordinary curiosity about the motives and purposes of the people he +sees. The other afternoon I was very much struck by the unconscious +pathos of a little, gentle-eyed old man who was standing on Chestnut +Street studying a pocket notebook. His umbrella leaned against a +shop-window, on the sill of which he had laid a carefully rolled-up +newspaper. By his feet was a neat leather brief-case, plumply filled +with contents not discernible. There he stood (a sort of unsuccessful +Cyrus Curtis), very diminutive, his gray hair rather long abaft his +neck, his yellowish straw hat (with curly brim) tilted backward as +though in perplexity, his timid and absorbed blue eyes poring over his +memorandum-book which was full of pencilled notes. He had a slightly +unkempt, brief beard and whiskers, his cheek-bones pinkish, his linen a +little frayed. There was something strangely pathetic about him, and I +would have given much to have been able to speak to him. I halted at a +window farther down the street and studied him; then returned to pass +him again, and watched him patiently. He stood quite absorbed, and was +still there when I went on. + +That is just one of the thousands of vivid little pictures one sees on +the city streets day by day. To catch some hint of the meaning of all +this, to present a few scrawled notes of the amazing interest and colour +of the city's life, this is the colyumist's task as I see it. It is a +task not a whit less worthy, less painful, or less baffling than that of +the most conscientious novelist. And it is carried on in surroundings of +extraordinary stimulation and difficulty. It is heart-racking to +struggle day by day, amid incessant interruption and melee, to snatch +out of the hurly-burly some shreds of humour or pathos or (dare one +say?) beauty, and phrase them intelligibly. + +But it is fun. One never buys a package of tobacco, crosses a city +square, enters a trolley car or studies a shop-window without trying, in +a baffled, hopeless way, to peer through the frontage of the experience, +to find some glimmer of the thoughts, emotions, and meanings behind. And +in the long run such a habit of inquiry must bear fruit in understanding +and sympathy. Joseph Conrad (who seems, by the way, to be more read by +newspaper men than any other writer) put very nobly the pinnacle of all +scribblers' dreams when he said that human affairs deserve the tribute +of "a sigh which is not a sob, a smile which is not a grin." + +So much, with apology, for the ideals of the colyumist, if he be +permitted to speak truth without fear of mockery. Of course in the +actual process and travail of his job you will find him far different. +You may know him by a sunken, brooding eye; clothing marred by much +tobacco, and a chafed and tetchy humour toward the hour of five P. M. +Having bitterly schooled himself to see men as paragraphs walking, he +finds that his most august musings have a habit of stewing themselves +down to some ferocious or jocular three-line comment. He may yearn +desperately to compose a really thrilling poem that will speak his +passionate soul; to churn up from the typewriter some lyric that will +rock with blue seas and frantic hearts; he finds himself allaying the +frenzy with some jovial sneer at Henry Ford or a yell about the High +Cost of Living. Poor soul, he is like one condemned to harangue the +vast, idiotic world through a keyhole, whence his anguish issues thin +and faint. Yet who will say that all his labour is wholly vain? Perhaps +some day the government will crown a Colyumist Laureate, some majestic +sage with ancient patient blue eyes and a snowy beard nobly stained with +nicotine, whose utterances will be heeded with shuddering respect. All +minor colyumists will wear robes and sandals; they will be an order of +scoffing friars; people will run to them on crowded streets to lay +before them the sorrows and absurdities of men. And in that day + + The meanest paragraph that blows will give + Thoughts that do often lie too deep for sneers. + + + + +MOVING + +[Illustration] + + +Man, we suspect, is the only animal capable of persuading himself +that his hardships are medicine to the soul, of flattering +himself into a conviction that some mortal spasm was a fortifying +discipline. + +Having just moved our household goods for the fourth time in four +years, we now find ourself in the singular state of trying to +believe that the horrors of the event have added to our supply of +spiritual resignation. Well, let us see. + +The brutal task of taking one's home on trek is (we can argue) a +stirring tonic, a kind of private rehearsal of the Last Judgment, +when the sheep shall be divided from the shoats. What could be a +more convincing reminder of the instability of man's affairs than +the harrowing upheaval of our cherished properties? Those dark +angels, the moving men, how heartless they seem in their brisk +and resolute dispassion--yet how exactly they prefigure the +implacable sternness of the ultimate shepherds. A strange life is +theirs, taking them day after day into the bosom of homes +prostrated by the emigrating throe. Does this matter-of-fact +bearing conceal an infinite tenderness, a pity that dare not show +itself for fear of unmanly collapse? Are they secretly broken by +the sight of the desolate nursery, the dismantled crib, the +forgotten clockwork monkey lying in a corner of the cupboard +where the helpless Urchin laid it with care before he and his +smaller sister were deported, to be out of the way in the final +storm? Does the o'ermastering pathos of a modest household turned +inside out, its tender vitals displayed to the passing world, +wring their breasts? Stoic men, if so, they well conceal their +pangs. + +They have one hopelessly at a disadvantage. In the interval that +always elapses before the arrival of the second van, there is a +little social chat and utterance of reminiscences. There is a +lively snapping of matchheads on thumbnails, and seated at ease +in the debris of the dismantled living room our friends will +tell of the splendour of some households they have moved before. +The thirty-eight barrels of gilt porcelain, the twenty cases of +oil paintings, the satin-wood grand piano that their spines +twinge to recall. Once our furnitures were moved by a crew of +lusty athletes who had previously done the same for Mr. Ivy Lee, +and while we sat in shamed silence we heard the tale of Mr. Lee's +noble possessions. Of what avail would it have been for us to +protest that we love our stuff as much as Mr. Lee did his? No, we +had a horrid impulse to cry apology, and beg them to hurl the +things into the van anyhow, just to end the agony. + +This interval of social chat being prolonged by the blizzard, the +talk is likely to take a more ominous turn. We are told how, only +last week, a sister van was hit by a train at a crossing and +carried a hundred yards on the engine pilot. Two of the men were +killed, though one of these lived from eleven o'clock Saturday +morning until eleven o'clock Monday night. How, after hearing +this, can one ask what happened to the furniture, even if one is +indecent enough to think of it? Then one learns of another of the +fleet, stalled in a drift on the way to Harrisburg, and hasn't +been heard from for forty-eight hours. Sitting in subdued +silence, one remembers something about "moving accidents by flood +and field," and thanks fortune that these pitiful oddments are +only going to a storage warehouse, not to be transported thence +until the kindly season of spring. + +But packing for storage instead of for moving implies subtler and +more painful anguishes. Here indeed we have a tonic for the soul, +for election must be made among one's belongings: which are to be +stored, and which to accompany? Take the subject of books for +instance. Horrid hesitation: can we subsist for four or five +months on nothing but the "Oxford Book of English Verse" and +Boswell's Johnson? Suppose we want to look up a quotation, in +those late hours of the night when all really worthwhile reading +is done? Our memory is knitted with a wide mesh. Suppose we want +to be sure just what it was that Shakespeare said happened to him +in his "sessions of sweet silent thought," what are we going to +do? We will have to fall back on the customary recourse of the +minor poet--if you can't remember one of Shakespeare's sonnets, +at least you can write one of your own instead. Speaking of +literature, it is a curious thing that the essayists have so +neglected this topic of moving. It would be pleasant to know how +the good and the great have faced this peculiarly terrible crisis +of domestic affairs. When the Bard himself moved back to +Stratford after his years in London, what did he think about it? +How did he get all his papers packed up, and did he, in mere +weariness, destroy the half-done manuscripts of plays? Charles +Lamb moved round London a good deal; did he never write of his +experience? We like to think of Emerson: did he ever move, and if +so, how did he behave when the fatal day came? Did he sit on a +packing case and utter sepulchral aphorisms? Think of Lord Bacon +and how he would have crystallized the matter in a phrase. + +Of course in bachelor days moving may be a huge lark, a humorous +escapade. We remember some high-spirited young men, three of +them, who were moving their chattels from rooms on Twenty-first +Street to a flat on Irving Place. Frugality was their necessary +watchword, and they hired a pushcart in which to transport the +dunnage. It was necessary to do this on Sunday, and one of the +trio, more sensitive than the others, begged that they should +rise and accomplish the public shame early in the morning, before +the streets were alive. In particular, he begged, let the route +be chosen to avoid a certain club on Gramercy Park where he had +many friends, and where he was loath to be seen pushing his +humble intimacies. The others, scenting sport, and brazenly hardy +of spirit, contrived to delay the start on one pretext or another +until the middle of the forenoon. Then, by main force, ignoring +his bitter protest, they impelled the staggering vehicle, grossly +overloaded, past the very door of the club my friend had wished +to avoid. Here, by malicious inspiration, they tilted the wain to +one side and strewed the paving with their property. They skipped +nimbly round the corner, and with highly satisfactory laughter +watched their blushing partner labouring dismally to collect the +fragments. Some of his friends issuing from the club lent a hand, +and the joy of the conspirators was complete. + +But to the family man, moving is no such airy picnic. Sadly he +goes through the last dismal rites and sees the modest fragments +of his dominion hustled toward the cold sepulture of a motor van. +Before the toughened bearing of the hirelings he doubts what +manner to assume. Shall he stand at the front door and exhort +them to particular care with each sentimental item, crying "Be +careful with that little chair; that's the one the Urchin uses +when he eats his evening prunes!" Or shall he adopt a gruesome +sarcasm, hoping to awe them by conveying the impression that even +if the whole van should be splintered in collision, he can get +more at the nearest department store? Whatever policy he adopts, +they will not be much impressed. For, when we handed our +gratuity, not an ungenerous one, to the driver, asking him to +divide it among the gang, we were startled to hear them burst +into loud screams of mirth. We asked, grimly, the cause. It +appeared that during the work one of our friends, apparently +despairing of any pourboire appropriate to his own conceptions of +reward, had sold his share of the tip to the driver for fifteen +cents. We are not going to say how much he lost by so doing. But +this gamble put the driver in such a good humour that we believe +he will keep away from railroad crossings. + + + + +SURF FISHING + +[Illustration] + + +All day long you see them stand thigh-deep in the surf, fishing. +Up on the beach each one has a large basket containing clams for +bait, extra hooks and leaders, a little can of oil for the reel, +and any particular doo-dads dear to the heart of the individual +fisherman. And an old newspaper, all ready to protect the +anticipated catch from the rays of the sun. + +Some of them wear bathing suits; others rubber hip-boots, or +simply old clothes that won't mind getting wet. If they are very +full of swank they will have a leather belt with a socket to hold +the butt of the rod. Every now and then you will see them pacing +backward up the beach, reeling in the line. They will mutter +something about a big strike that time, and he got away with the +bait. With zealous care they spear some more clam on the hook, +twisting it over and over the barb so as to be firmly impaled. +Then, with careful precision, they fling the line with its heavy +pyramid sinker far out beyond the line of breakers. + +There they stand. What do they think about, one wonders? But what +does any one think about when fishing? That is one of the happy +pastimes that don't require much thinking. The long ridges of +surf crumble about their knees and the sun and keen vital air +lull them into a cheerful drowse of the faculties. Do they +speculate on the never-ending fascination of the leaning walls of +water, the rhythmical melody of the rasp and hiss of the water? +Do they watch that indescribable beauty of the breaking wave, a +sight as old as humankind and yet never so described that one who +has not seen it could picture it? + +The wave gathers height and speed as it moves toward the sand. It +seems to pull itself together for the last plunge. The first wave +that ever rolled up to a beach probably didn't break. It just +slid. It was only the second wave that broke--curled over in that +curious way. For our theory--which may be entirely wrong--is that +the breaking is due to the undertow of previous waves. After a +wave sprawls up on the beach, it runs swiftly back. This +receding undercurrent--you can feel it very strongly if you are +swimming just in front of a large wave about to break--digs in +beneath the advancing hill of water. It cuts away the foundations +of that hill, which naturally topples over at the crest. + +The wave of water leans and hangs for a delaying instant. The +actual cascade may begin at one end and run along the length of +the ridge; it may begin at both ends and twirl inward, meeting in +the middle; it may (but very rarely) begin in the middle and work +outward. As the billow is at its height, before it combs over, +the fisherman sees the sunlight gleaming through it--an ecstasy +of perfect lucid green, with the glimmer of yellow sand behind. +Then, for a brief moment--so brief that the details can never be +memorized--he sees a clear crystal screen of water falling +forward. Another instant, and it is all a boil of snowy suds +seething about his legs. He may watch it a thousand times, a +million times; it will never be old, never wholly familiar. +Colour varies from hour to hour, from day to day. Sometimes blue +or violet, sometimes green-olive or gray. The backwash tugs at +his boots, hollowing out little channels under his feet. The sun +wraps him round like a mantle; the salt crusts and thickens in +his hair. And then, when he has forgotten everything save the +rhythm of the falling waves, there comes a sudden tug---- + +He reels in, and a few curious bathers stand still in the surf +to see what he has got. They are inclined to be scornful. It is +such a little fish! One would think that such a vast body of +water would be ashamed to yield only so small a prize. Never +mind. He has compensations they wot not of. Moreover--although he +would hardly admit it himself--the fishing business is only a +pretext. How else could a grown man with grizzled hair have an +excuse to stand all day paddling in the surf? + + + + +"IDOLATRY" + +[Illustration] + + +Once in a while, when the name of R. L. S. is mentioned in +conversation, someone says to us: "Ah well, you're one of the +Stevenson idolators, aren't you?" And this is said with a curious +air of cynical superiority, as of one who has experienced all +these things and is superbly tolerant of the shallow mind that +can still admire Tusitala. His work (such people will generally +tell you) was brilliant but "artificial" ... and for the true +certificated milk of the word one must come along to such modern +giants as Dreiser and Hergesheimer and Cabell. For these artists, +each in his due place, we have only the most genial respect. But +when the passion of our youth is impugned as "idolatry" we feel +in our spirit an intense weariness. We feel the pacifism of the +wise and secretive mind that remains tacit when its most perfect +inward certainties are assailed. One does not argue, for there +are certain things not arguable. One shrugs. After all, what +human gesture more eloquent (or more satisfying to the performer) +than the shrug? + +There is a little village on the skirts of the Forest of +Fontainebleau (heavenly region of springtime and romance!) where +the crystal-green eddies of the Loing slip under an old gray +bridge with sharp angled piers of stone. Near the bridge is a +quiet little inn, one of the many happy places in that country +long frequented by artists for painting and "_villegiature_." +Behind the inn is a garden beside the river-bank. The _salle a +manger_, as in so many of those inns at Barbizon, Moret, and the +other Fontainebleau villages, is panelled and frescoed with +humorous and high-spirited impromptus done by visiting painters. + +In the summer of 1876 an anxious rumour passed among the artist +colonies. It was said that an American lady and her two children +had arrived at Grez, and the young bohemians who regarded this +region as their own sacred retreat were startled and alarmed. +Were their chosen haunts to be invaded by tourists--and tourists +of the disturbing sex? Among three happy irresponsibles this +humorous anxiety was particularly acute. One of the trio was sent +over to Grez as a scout, to spy out the situation and report. The +emissary went, and failed to return. A second explorer was +dispatched to study the problem. He, too, was swallowed up in +silence. The third, impatiently waiting tidings from his +faithless friends, set out to make an end of this mystery. He +reached the inn at dusk: it was a gentle summer evening; the +windows were open to the tender air; lamps were lit within, and a +merry party sat at dinner. Through the open window the suspicious +venturer saw the recreant ambassadors, gay with laughter. And +there, sitting in the lamplight, was the American lady--a +slender, thoughtful enchantress with eyes as dark and glowing as +the wine. Thus it was that Robert Louis Stevenson first saw Fanny +Osbourne. + +A few days later Mrs. Osbourne's eighteen-year-old daughter +Isobel wrote in a letter: "There is a young Scotchman here, a Mr. +Stevenson. He is such a nice-looking ugly man, and I would rather +listen to him talk than read the most interesting book.... Mama +is ever so much better and is getting prettier every day." + +"The Life of Mrs. Robert Louis Stevenson," written by her sister +Mrs. Sanchez (the mother of "little Louis Sanchez on the beach at +Monterey" remembered by lovers of "A Child's Garden of Verses") +is a book that none of the so-called idolaters will want to +overlook. The romantic excitements of R. L. S.'s youth were tame +indeed compared to those of Fanny Van de Grift. R. L. S. had +been thrilled enough by a few nights spent in the dark with the +docile ass of the Cevennes; but here was one, sprung from sober +Philadelphia blood, born in Indianapolis and baptized by Henry +Ward Beecher, who had pioneered across the fabled Isthmus, lived +in the roaring mining camps of Nevada, worked for a dressmaker in +Frisco, and venturously taken her young children to Belgium and +France to study art. She had been married at seventeen, had +already once thought herself to be a widow in fact by the +temporary disappearance of her first husband; and was now, after +enduring repeated infidelities, prepared to make herself a widow +in law. Daring horse woman, a good shot, a supreme cook, artist, +writer, and a very Gene Stratton Porter among flowers, fearless, +beautiful, and of unique charm--where could another woman have +been found so marvellously gifted to be the wife of a romancer? +It seems odd that Philadelphia and Edinburgh, the two most +conservatively minded cities of the Anglo-Saxon earth, should +have combined to produce this, the most radiant pair of +adventurers in our recent annals. + +The reading of this delightful book has taken us back into the +very pang and felicity of our first great passion--our idolatry, +if you will--which we are proud here and now to re-avow. When was +there ever a happier or more wholesome worship for a boy than the +Stevenson mania on which so many of this generation grew up? We +were the luckier in that our zeal was shared in all its gusto and +particularity by a lean, long-legged, sallow-faced, brown-eyed +eccentric (himself incredibly Stevensonian in appearance) with +whom we lay afield in our later teens, reading R. L. S. aloud by +the banks of a small stream which we vowed should become famous +in the world of letters. And so it has, though not by our +efforts, which was what we had designed; for at the crystal +headwater of that same creek was penned "The Amenities of Book +Collecting," that enchanting volume of bookish essays which has +swelled the correspondence of a Philadelphia business man to +insane proportions, and even brought him offers from three +newspapers to conduct a book page. It seems appropriate to the +present chronicler that in a quiet library overlooking the clear +fount and origin of dear Darby Creek there are several of the +most cherished association volumes of R. L. S.--we think +particularly of the "Child's Garden of Verses" which he gave to +Cummy, and the manuscript of little "Smoutie's" very first book, +the "History of Moses." + + * * * * * + +Was there ever a more joyous covenant of affection than that of +Mifflin McGill and ourself in our boyish madness for Tusitala? It +is a happy circumstance, we say, for a youth, before the +multiplying responsibilities of maturity press upon him, to pour +out his enthusiasm in an obsession such as that; and when this +passion can be shared and doubled and knitted in partnership with +an equally freakish, insane, and innocent idiot (such as our +generously mad friend Mifflin) admirable adventures are sure to +follow. The quest begun on Darby Creek took us later on an +all-summer progress among places in England and Scotland hallowed +to us by association with R. L. S. Never, in any young lives past +or to come, could there be an instant of purer excitement and +glory than when, after bicycling hotly all day with the blue +outline of Arthur's Seat apparently always receding before us, we +trundled grimly into Auld Reekie and set out for the old +Stevenson home at 17 Heriot Row, halting only to bestow our +pneumatic steeds in the nearest and humblest available hostelry. +There (for we found the house empty and "To Let") we sat on the +doorstep evening by evening, smoking in the long northern +twilight and spinning our youthful dreams. This lust for hunting +out our favourite author's footsteps even led one of the pair to +a place perhaps never visited by any other Stevensonian +pilgrim--old Cockfield Rectory, in Suffolk, where Mrs. Sitwell +and Sidney Colvin first met the bright-eyed Scotch boy in 1873. +The tracker of footprints remembers how kind were the then +occupants of the old rectory, and how, in a daze of awe, he trod +the green and tranquil lawn and hastened to visit a cottage near +by where there was an ancient rustic who had been coachman at +the rectory when R. L. S. stayed there, fabled to retain some +pithy recollection. Alas, the Suffolk ancient, eager enough to +share tobacco and speech, would only mull over his memories of a +previous rector, describing how it had fallen to him to prepare +the good man for burial; how he smiled in death and his cheeks +were as rosy as a babe's. + +It would take many pages to narrate all the bypaths and happy +excursions trod by these simple youths in their quest of the +immortal Louis. The memories come bustling, and one knows not +where to stop. The supreme adventure, for one of the pair, lay in +the kindness of Sir Sidney Colvin. To this prince of gentlemen +and scholars one of these lads wrote, sending his letter (with +subtle cunning) from a village in Suffolk only a few miles from +Sir Sidney's boyhood home. He calculated that this might arouse +the interest of Sir Sidney, whom he knew to be cruelly badgered +with letters from enthusiasts; and fortune turned in his favour, +granting him numerous ecstatic visits to Sir Sidney and Lady +Colvin and much unwarranted generosity. But, since our mind has +been turned in this direction by Mrs. Sanchez's book, it might be +appropriate to add that one of the most thrilling moments in the +crusade was a season of April days spent beside the green and +stripling Loing, in the forest of Fontainebleau region, visiting +those lovely French villages where R. L. S. roamed as a young +man, crowned by an afternoon at Grez. One remembers the old gray +bridge across the eddying water, and the door of the inn where +the young pilgrim lingered, trying to visualize scenes of +thirty-five years before. + +It is not mere idolatry when the hearts of the young are haunted +by such spells. There was some real divinity behind the +enchantment, some marvellous essence that made all roads Tusitala +trod the Road of Loving Hearts. In these matters we would trust +the simple Samoans to come nearer the truth than our cynic friend +in Greenwich Village. The magic of that great name abides +unimpaired. + + + + +THE FIRST COMMENCEMENT ADDRESS + +(_Delivered to Cain and Abel, the first graduating class of the +Garden of Eden Normal School._) + +[Illustration] + + +My young friends--It is a privilege to be permitted to address you this +morning, for I am convinced that never in the world's history did the +age beckon with so eager a gesture to the young men on the threshold of +active life. Never indeed in the past, and certainly never in the +future, was there or will there be a time more deeply fraught with +significance. And as I gaze upon your keen faces it seems almost as +though the world had amassed all the problems that now confront us +merely in order to give you tasks worthy of your prowess. + +The world, I think I may safely say, is smaller now than ever before. +The recent invention of young women, something quite new in the way of +a social problem, has introduced a hitherto undreamed-of complexity into +human affairs. The extreme rapidity with which ideas and thoughts now +circulate, due to the new invention of speech, makes it probable that +what is said in Eden to-day will be known in the land of Nod within a +year. The greatest need is plainly for big-visioned and purposeful men, +efficient men, men with forward-looking minds. I hope you will pattern +after your admirable father in this respect; he truly was a +forward-looking man, for he had nothing to look back on. + +You are aware, however, that your father has had serious problems to +deal with, and it is well that you should consider those problems in the +light of the experiences you are about to face. One of his most +perplexing difficulties would never have come upon him if he had not +fallen into a deep sleep. I counsel you, therefore, be wary not to +overslumber. The prizes of life always come to those who press +resolutely on, undaunted by fatigue and discouragement. Another of your +father's failings was probably due to the fact that he was never a small +boy and thus had no chance to work the deviltry out of his system. You +yourselves have been abundantly blessed in this regard. I think I may +say that here, in our Normal Academy, you have had an almost ideal +playground to work off those boyish high spirits, to perpetrate those +mischievous pranks that the world expects of its young. Remember that +you are now going out into the mature work of life, where you will +encounter serious problems. + +As you wend your way from these accustomed shades into the full glare of +public life you will do so, I hope, with the consciousness that the eyes +of the world are upon you. The sphere of activity in which you may find +yourselves called upon to perform may be restricted, but you will +remember that not failure but low aim is base. You will hold a just +balance between the conflicting tendencies of radicalism and +conservatism. You will endeavour to secure for labour its due share in +the profits of labour. You will not be forgetful that all government +depends in the last resort on the consent of the governed. These catch +words in the full flush of your youth you may be inclined to dismiss as +truisms, but I assure you that 10,000 years from now men will be +uttering them with the same air of discovery. + +It is my great pleasure to confer upon you both the degree of bachelor +of arts and to pray that you may never bring discredit upon your alma +mater. + + + + +THE DOWNFALL OF GEORGE SNIPE + + +George Snipe was an ardent book-lover, and sat in the smoking car +in a state of suspended ecstasy. He had been invited out to +Mandrake Park to visit the library of Mr. Genial Girth, the +well-known collector of rare autographed books. Devoted amateur +of literature as he was, George's humble career rarely brought +him into contact with bookish treasures, and a tremulous +excitement swam through his brain as he thought of the glories he +was about to see. In his devout meditation the train carried him +a station beyond his alighting place, and he ran frantically back +through the well-groomed suburban countryside in order to reach +Mr. Girth's home on time. + +They went through the library together. Mr. Girth displayed all +his fascinating prizes with generous good nature, and George grew +excited. The palms of his hands were clammy with agitation. All +round the room, encased in scarlet slip-covers of tooled morocco, +on fireproof shelves, were the priceless booty of the collector. +Here was Charles Lamb's "Essays of Elia," inscribed by the author +to the woman he loved. Here was a copy of "Paradise Lost," +signed by John Milton. Here was a "Hamlet" given by Shakespeare +to Bacon with the inscription, "Dear Frank, don't you wish you +could have written something like this?" Here was the unpublished +manuscript of a story by Robert Louis Stevenson. Here was a note +written by Doctor Johnson to the landlord of the Cheshire Cheese, +refusing to pay a bill and accusing the tavern-keeper of +profiteering. Here were volumes autographed by Goldsmith, Keats, +Shelley, Poe, Byron, DeFoe, Swift, Dickens, Thackeray, and all +the other great figures of modern literature. + +Poor George's agitation became painful. His head buzzed as he +surveyed the faded signatures of all these men who had become the +living figures of his day-dreams. His eye rolled wildly in its +orbit. Just then Mr. Girth was called out of the room, and left +George alone among the treasures. + +Just at what instant the mania seized him we shall never know. +There were a pen and an inkpot on the table, and the frenzied +lover of books dipped the quill deep in the dark blue fluid. He +ran eagerly to the shelves. The first volume he saw was a copy of +"Lorna Doone." In it he wrote "Affectionately yours, R. D. +Blackmore." Then came Longfellow's poems. He scrawled "With deep +esteem, Henry W. Longfellow" on the flyleaf. Then three volumes +of Macaulay's "History of England." In the first he jotted "I +have always wanted you to have these admirable books, T. B. M." +In "The Mill on the Floss" he wrote "This comes to you still warm +from the press, George Eliot." The next book happened to be a +copy of Edgar Guest's poems. In this he inscribed "You are the +host I love the best, This is my boast, Yours, Edgar Guest." In a +copy of Browning's Poems he wrote "To my dear and only wife, +Elizabeth, from her devoted Robert." In a pamphlet reprint of the +Gettysburg Speech he penned "This is straight stuff, A. Lincoln." +But perhaps his most triumphant exploit was signing a copy of the +Rubaiyat thus: "This book is given to the Anti-Saloon League of +Naishapur by that thorn in their side, O. Khayyam." + +By the time the ambulance reached Mr. Girth's home George was +completely beyond control. He was taken away screaming because he +had not had a chance to autograph a copy of the "Songs of +Solomon." + + + + +MEDITATIONS OF A BOOKSELLER + +(Roger Mifflin _loquitur_) + +[Illustration] + + +I had a pleasant adventure to-day. A free verse poet came in to see me, +wanted me to buy some copies of "The Pagan Anthology." I looked over the +book, to which he himself had contributed some pieces. I advised him to +read Tennyson. I wish you could have seen his face. + +If you want to see a really good anthology (I said) have a look at +Pearsall Smith's "Treasury of English Prose," just out. The only thing +that surprises me is that Mr. Smith didn't include some free verse in +it. The best thing about free verse is that it is often awfully good +prose. + +It's a superb clear night: a milky pallor washed in the blue: a white +moon overhead: stars rare but brilliant, one in the south twinkles and +flutters like a tiny flower stirred by faint air. The wind is "a cordial +of incredible virtue" (Emerson)--sharp and chill, but with a milder +tincture. To-day, though brisk and snell on the streets, the sunshine +had a lively vigour, a generous quality, a promissory note of the +equinox. I felt it from first rising this morning--the old demiurge at +work! As I sat in the bathtub (when a man is fifty he may be pardoned +for taking a warm bath on winter mornings) my mind fell upon the desire +of wandering: it occurred to me that a spread of legs in the vital air +would be richly repaid. The windows called me: as soon as shirt and +trousers were on, I was at the sill peering out over Gissing Street. +Later, even through closed panes, the chink of milk bottles on the +pavement below seemed to rise with a clearer, merrier note. Setting out +for some tobacco about 8:30, I stopped to study the ice-man's great +blocks of silvery translucence, lying along the curb by a big apartment +house. "Artificial" ice, I suppose: it was interesting to see, in the +meridian of each cake, a kind of silvery fracture or membrane, with the +grain of air-bubbles tending outward therefrom--showing, no doubt, if +one knew the mechanics of refrigeration, just how the freezing +proceeded. Even in so humble a thing as a block of ice are these +harmonic and lovely patterns, the seal of Nature's craft, inscrutable, +inimitable. I might have made a point of this in talking to that free +verse poet. I'm glad I didn't, however: he would have had some tedious +reply, convincing to himself. That's the trouble with replies: they are +always convincing to the replier. As a friend of mine used to say, one +good taciturn deserves another. + +I was thinking, as I took a parcel of laundry up to the Chinaman on +McFee Street just now, it would be interesting to write a book dealing +solely, candidly, exactly, and fully with the events, emotions, and +thoughts of just one day in a man's life. If one could do that, in a way +to carry conviction, assent, and reality, to convey to the reader's +senses a recognition of genuine actual human _being_, one might claim to +be a true artist. + +I have found an admirable book for reading in bed--this little anthology +of prose, collected by Pearsall Smith. He knows what good prose is, +having written some of the daintiest bits of our time in his "Trivia," a +book with which I occasionally delight a truly discerning customer. What +a fascination there is in good prose--"the cool element of prose" as +Milton calls it--a sort of fluid happiness of the mind, unshaken by the +violent pangs of great poetry. I am not subtle enough to describe it, +but in the steadily cumulating satisfaction of first-class prose there +seems to be something that speaks direct to the brain, unmarred by the +claims of the senses, the emotions. I meditate much, ignorantly and +fumblingly, on the modes and purposes of writing. It is so +simple--"Fool!" said my Muse to me, "look in thy heart and write!"--all +that is needful is to tell what happens; and yet how hard it is to +summon up that necessary candor. Every time I read great work I see the +confirmation of what I grope for. How vivid, straight, and cleanly it +seems when done: merely the outward utterance of "what the mind at home, +in the spacious circuits of her musing, hath liberty to propose to +herself." Let a man's mind depart from his audience; let him have no +concern whether to shock or to please. Let him carry no consideration +save to utter, with unsparing fidelity, what passes in his own spirit. +One can trust the brain to do its part. All that is needed is honourable +frankness: not to be ashamed to open our hearts, to speak our privy +weakness, our inward exulting. Then the pain and perplexity, or the +childish satisfactions, of our daily life are the true material of the +writer's art, and that which is sown in weakness may be raised in power. +Curious indeed that in this life, brief and precariously enjoyed, men +should so set their hearts on building a permanence in words: something +to stand, in the lovely stability of ink and leaden types, as our speech +out of silence to those who follow on. Indefensible absurdity, and yet +the secret and impassioned dream of those who write! + +I was about to say that, for the writing of anything truly durable, the +first requisite is plenty of silence. Then I recall Dr. Johnson's +preface to his Dictionary--"written not in the soft obscurities of +retirement, or under the shelter of academic bowers, but amid +inconvenience and distraction, in sickness and in sorrow." + + + + +IF BUYING A MEAL WERE LIKE BUYING A HOUSE + + +This Indenture + +between A. B., an innkeeper, organized and existing under the +laws of good cooking, party of the first part, and C. D., party +of the second part, witnesseth: + +That the said party of the first part, for and in consideration +of the sum of $1.50, lawful money of the United States, paid by +the said party of the second part, does hereby grant and release +unto the said C. D., and his heirs, administrators, and assigns +forever, + +All that certain group, parcels, or allotments of food, viands, +or victuals, situate or to be spread, served, and garnished upon +the premises of said A. B., shown and known and commonly designed +as one square meal, table d'hote, together with the drinking +water, napkin, ash tray, finger-bowl and hat-and-coat-hanging +privileges or easements appurtenant thereto, + +And Together With the rights, privileges, and opportunities (as +an easement additionally appurtenant to the meal above nominated) +to partake, eat, enjoy, and be nourished upon said victuals, and +to call for extra pats, parcels, or portions of butter. + +Subject to the following restrictions, to wit: That neither the +party of the second part, nor his heirs, executors, or assigns, +will feast immoderately upon onions, to the confusion of his +neighbours; nor will the said C. D. or his guests smoke any form +of tobacco other than cigars and cigarettes, the instrument +commonly known as a pipe being offensive to the head waiter (a +man of delicate nurture); nor will said party of the second part +covet, retain, nor seek to remove any knives, forks, spoons, or +other tableware whatsoever; nor is anything said or implied or +otherwise intimated in this covenant to be construed as +permitting the party of the second part to carry on loud +laughter, song, carnival, nor social uproar; nor unnecessarily, +further than is tactful for the procurement of expeditious +attention, to endear himself to or otherwise cajole, compliment, +and ingratiate the waitress. + +And Furthermore, that title to said Meal does not pass until the +party of the second part has conveyed, of his mansuetude and +proper charity, a gratuity, fee, honorarium, lagniappe, +pourboire, easement or tip of not less than 15 per cent of the +price of said Meal; which easement, while customarily spoken of +as a free-will grant or gratuity, is to be constructively +regarded as an entail and a necessary encumbrance upon said Meal. + +And the said party of the first part covenants with the said +party of the second part as follows: That the said C. D. is +seized of the said Meal in fee simple, and shall quietly enjoy +said Meal subject to the covenants and restrictions and +encumbrances hereinbefore set out, subject to the good pleasure +of the Head Waiter. + +In Witness Whereof these presents are signed, + +(LOC. SIG.) + + + + +ADVENTURES IN HIGH FINANCE + +[Illustration] + + +There is no way in which one can so surely arouse the suspicions of +bankers as by trying to put some money in their hands. We went round to a +near-by bank hoping to open an account. As we had formerly dealt with an +uptown branch of the same institution, and as the cheque we wanted to +deposit bore the name of a quite well-known firm, we thought all would be +easy. But no; it seemed that there was no convincing way to identify +ourself. Hopefully we pulled out a stack of letters, but these were +waved aside. We began to feel more and more as though we had come with +some sinister intent. We started to light our pipe, and then it occurred +to us that perhaps that would be regarded as the gesture of a hardened +cracksman, seeking to appear at his ease. We wondered if, in all our +motions, we were betraying the suspicious conduct of the professional +embezzler. Perhaps the courteous banker was putting us through some +Freudian third degree ... in these days when the workings of the +unconscious are so shrewdly canvassed, was there anything abominable in +the cellar of our soul which we were giving away without realizing ... +had we not thought to ourself, as we entered the door, well, this is a +fairly decent cheque to start an account with, but we won't keep our +balance anywhere near that figure ... perhaps our Freudian banker had +spotted that thought and was sending for a psychological patrol wagon ... +well, how _could_ we identify ourself? Did we know any one who had an +account in that branch? No. + +We thought of a friend of ours who banked at another branch of this +bank, not far away. The banker called him up and whispered strangely +over the phone. We were asked to take off our hat. Apparently our friend +was describing us. We hoped that he was saying "stout" rather than +"fat." But it seemed that the corroboration of our friend only +increased our host's precaution. Perhaps he thought it was a carefully +worked-out con game, in which our friend was a confederate. We signed +our name several times, on little cards, with a desperate attempt to +appear unconcerned. In spite of our best efforts, we could not help +thinking that each time we wrote it we must be looking as though we were +trying to remember how we had written it the last time. Still the banker +hesitated. Then he called up our friend again. He asked him if he would +know our voice over the phone. Our friend said he would. We spoke to our +friend, with whom we had eaten lunch a few minutes before. He asked, to +identify us, what we had had for lunch. Horrible instant! For a moment +we could not remember. The eyes of the banker and his assistant were +glittering upon us. Then we spoke glibly enough. "An oyster patty," we +said; "two cups of tea, and a rice pudding which we asked for cold, but +which was given us hot." + +Our friend asserted, to the banker, that we were undeniably us, and +indeed the homely particularity of the luncheon items had already made +incision in his hardened bosom. He smiled radiantly at us and gave us a +cheque book. Then he told us we couldn't draw against our account until +the original cheque had passed through the Clearing House, and sent a +youth back to the office with us so that we could be unmistakably +identified. + +As we left the banker's office someone else was ushered in. "Here's +another gentleman to open an account," said the assistant. "We hope he +knows what he had for lunch," we said to the banker. + + + + +ON VISITING BOOKSHOPS + +[Illustration] + + +It Is a curious thing that so many people only go into a bookshop when +they happen to need some particular book. Do they never drop in for a +little innocent carouse and refreshment? There are some knightly souls +who even go so far as to make their visits to bookshops a kind of +chivalrous errantry at large. They go in not because they need any +certain volume, but because they feel that there may be some book that +needs them. Some wistful, little forgotten sheaf of loveliness, long +pining away on an upper shelf--why not ride up, fling her across your +charger (or your charge account), and gallop away. Be a little knightly, +you book-lovers! + +The lack of intelligence with which people use bookshops is, one +supposes, no more flagrant than the lack of intelligence with which we +use all the rest of the machinery of civilization. In this age, and +particularly in this city, we haven't time to be intelligent. + +A queer thing about books, if you open your heart to them, is the +instant and irresistible way they follow you with their appeal. You know +at once, if you are clairvoyant in these matters (libre-voyant, one +might say), when you have met your book. You may dally and evade, you +may go on about your affairs, but the paragraph of prose your eye fell +upon, or the snatch of verses, or perhaps only the spirit and flavour of +the volume, more divined than reasonably noted, will follow you. A few +lines glimpsed on a page may alter your whole trend of thought for the +day, reverse the currents of the mind, change the profile of the city. +The other evening, on a subway car, we were reading Walter de la Mare's +interesting little essay about Rupert Brooke. His discussion of +children, their dreaming ways, their exalted simplicity and absorption, +changed the whole tenor of our voyage by some magical chemistry of +thought. It was no longer a wild, barbaric struggle with our fellowmen, +but a venture of faith and recompense, taking us home to the bedtime of +a child. + +The moment when one meets a book and knows, beyond shadow of doubt, that +that book must be his--not necessarily now, but some time--is among the +happiest excitements of the spirit. An indescribable virtue effuses from +some books. One can feel the radiations of an honest book long before +one sees it, if one has a sensitive pulse for such affairs. Its honour +and truth will speak through the advertising. Its mind and heart will +cry out even underneath the extravagance of jacket-blurbings. Some +shrewd soul, who understands books, remarked some time ago on the +editorial page of the _Sun's_ book review that no superlative on a +jacket had ever done the book an atom of good. He was right, as far as +the true bookster is concerned. We choose our dinner not by the +wrappers, but by the veining and gristle of the meat within. The other +day, prowling about a bookshop, we came upon two paper-bound copies of a +little book of poems by Alice Meynell. They had been there for at least +two years. We had seen them before, a year or more ago, but had not +looked into them fearing to be tempted. This time we ventured. We came +upon two poems--"To O, Of Her Dark Eyes," and "A Wind of Clear Weather +in England." The book was ours--or rather, we were its, though we did +not yield at once. We came back the next day and got it. We are still +wondering how a book like that could stay in the shop so long. Once we +had it, the day was different. The sky was sluiced with a clearer blue, +air and sunlight blended for a keener intake of the lungs, faces seen +along the street moved us with a livelier shock of interest and +surprise. The wind that moved over Sussex and blew Mrs. Meynell's heart +into her lines was still flowing across the ribs and ledges of our +distant scene. + +There is no mistaking a real book when one meets it. It is like falling +in love, and like that colossal adventure it is an experience of great +social import. Even as the tranced swain, the book-lover yearns to tell +others of his bliss. He writes letters about it, adds it to the +postscript of all manner of communications, intrudes it into telephone +messages, and insists on his friends writing down the title of the find. +Like the simple-hearted betrothed, once certain of his conquest, "I want +you to love her, too!" It is a jealous passion also. He feels a little +indignant if he finds that any one else has discovered the book, too. He +sees an enthusiastic review--very likely in _The New Republic_--and +says, with great scorn, "I read the book three months ago." There are +even some perversions of passion by which a book-lover loses much of his +affection for his pet if he sees it too highly commended by some rival +critic. + +This sharp ecstasy of discovering books for one's self is not always +widespread. There are many who, for one reason or another, prefer to +have their books found out for them. But for the complete zealot nothing +transcends the zest of pioneering for himself. And therefore working for +a publisher is, to a certain type of mind, a never-failing fascination. +As H. M. Tomlinson says in "Old Junk," that fascinating collection of +sensitive and beautifully poised sketches which came to us recently with +a shock of thrilling delight: + + To come upon a craft rigged so, though at her moorings and with + sails furled, her slender poles upspringing from the bright plane + of a brimming harbour, is to me as rare and sensational a delight + as the rediscovery, when idling with a book, of a favourite + lyric. + +To read just that passage, and the phrase _the bright plane of a +brimming harbour_, is one of those "rare and sensational +delights" that set the mind moving on lovely journeys of its own, +and mark off visits to a bookshop not as casual errands of +reason, but as necessary acts of devotion. We visit bookshops not +so often to buy any one special book, but rather to rediscover, +in the happier and more expressive words of others, our own +encumbered soul. + + + + +A DISCOVERY + +[Illustration] + + +We are going to tell the truth. It has been on our mind for some +time. We are going to tell it exactly, without any balancing or +trimming or crimped edges. We are weary of talking about +trivialities and are going to come plump and plain to the +adventures of our own mind. These are real adventures, just as +real as the things we see. The green frog that took refuge on our +porch last night was no more real. Perhaps frogs don't care so +much for wet as they are supposed to, for when that excellent +thunderstorm came along and the ceiling of the night was sheeted +with lilac brightness, through which ran quivering threads of +naked fire (not just the soft, tame, flabby fire of the domestic +hearth, but the real core and marrow of flame, its hungry, +terrible, destroying self), our friend the frog came hopping up +on the porch where we stood, apparently to take shelter. How +brilliant was his black and silver eye when we picked him up! His +direct and honourable regard somehow made us feel ashamed, we +know not why. And yet we have plenty to be ashamed about--but how +did he know? He was still on the porch this morning. Equally real +was the catbird on the hedge as we came down toward the station. +She--we call her so, for there was unmistakable ladyhood in her +delicately tailored trimness--she bickered at us in a cheerful +way, on top of those bushes which were so loaded with the night's +rainfall that they shone a blurred cobweb gray in the lifting +light. Her eye was also dark and polished and lucid, like a bead +of ink. It also had the same effect of tribulation on our spirit. +Neither the catbird nor the frog, we said to ourself, would have +tormented their souls trying to "invent" something to write +about. They would have told what happened to them, and let it go +at that. So, as we walked along under an arcade of maple trees, +admiring the little green seed-biplanes brought down by the +thrash of the rain--they look rather as though they would make +good coathangers for fairies--we asked ourself why we could not +be as straightforward as the bird and the frog, and talk about +what was in our mind. + +The most exciting thing that happened to us when we got to New +York last February was finding a book in a yellow wrapper. Its +title was "Old Junk," which appealed to us. The name of the +author was H. M. Tomlinson, which immediately became to us a name +of honour and great meaning. All day and every day intelligent +men find themselves surrounded by oceans of what is quaintly +called "reading matter." Most of it is turgid, lumpy, fuzzy in +texture, squalid in intellect. The rewards of the literary +world--that is, the tangible, potable, spendable rewards--go +mostly to the cheapjack and the mountebank. And yet here was a +man who in every paragraph spoke to the keenest intellectual +sense--who, ten times a page, enchanted the reader with the +surprising and delicious pang given by the critically chosen +word. We sat up late at night reading that book, marvelling at +our good fortune. We wanted to cry aloud (to such as cared to +understand), "Rejoice and be exceeding glad, for here is born a +man who knows how to write!" In our exuberance we seized a pen +and wrote in the stern of our copy: "Here speaks the Lord God of +prose; here is the clear eye, the ironic mind, the compassionate +heart; the thrilling honesty and (apparent) simplicity of great +work." Then we set about making the book known to our friends. We +propelled them into bookshops and made them buy it. We took our +own copy down to William McFee on S.S. _Turrialba_ and a glad +heart was ours when he, too, said it was "the real thing." This +is a small matter, you say? When the discovery of an honest pen +becomes a small matter life will lose something of its savour. +Those who understand will understand; let the others spend their +time in the smoker playing pinochle. Those who care about these +things can get the book for themselves. + +Of Mr. Tomlinson in person: he is a London newspaperman, we +understand, and now on the staff of the London _Nation_. (Trust +Mr. Massingham, the editor of that journal, to know an honest +writer when he sees him.) Mr. Tomlinson says of himself: + + My life is like my portrait. It won't bear investigation. I am + not conscious of having done anything that would interest either + a policeman or the young lady of the kind who dotes on Daddy Long + Legs; worse luck. It's about time I got down to business and did + something interesting either to one or the other. That is why it + won't bear investigation, this record of mine. I am about as + entertaining as one of the crowd coming out of the factory gates + with his full dinner pail. All my adventures have been no more + than keeping that pail moderately full. I've been doing that + since I was twelve, in all sorts of ways. I was an office boy and + a clerk among London's ships, in the last days of the clippers. + And I am forced to recall some of the things--such as bookkeeping + in a jam factory and stoking on a tramp steamer--I can understand + why I and my fellows, without wanting to, drifted about in + indecision till we drifted into war and drifted into peace. And + of course, I've been a journalist. I am still; and so have seen + much of Africa, America, and Europe, without knowing exactly why. + I was in France in 1914--the August, too, of that year, and woke + up from that nightmare in 1917, after the Vimy Ridge attack, when + I returned to England to sit with my wife and children in a + cellar whenever it was a fine night and listened to the guns and + bombs. God, who knows all, might make something of this sort of + inconsequential drift of one day into the next, but I give it up. + +But now we pass to the phase of the matter that puzzles us. How +is it that there are some books which can never have abiding life +until they perish and are born again? We have noticed it so +often. There is a book of a certain sort to which this process +seems inevitable. One need only mention Leonard Merrick or Samuel +Butler as examples. The book, we will suppose, has some peculiar +subtlety or flavour of appeal. (We are thinking at the moment of +William McFee's "Letters From an Ocean Tramp.") It is published +and falls dead. Later on--usually about ten years later--it is +taken up with vigour by some other publisher, the stone is rolled +away from the sepulchre, and it begins to move among its destined +lovers. + +This remark is caused by our delighted discovery of a previous +book by the author of "Old Junk." "The Sea and the Jungle" is the +title of it, the tale of a voyage on the tramp steamer _Capella_, +from Swansea to Para in the Brazils, and thence 2,000 miles along +the forests of the Amazon and Madeira rivers. It is the kind of +book whose readers will never forget it; the kind of book that +happens to some happy writers once in a lifetime (and to many +never at all) when the moving hand seems gloriously in gear with +the tremulous and busy mind, and all the spinning earth stands +hearkeningly still waiting for the perfect expression of the +thought. It is the work of a hand trained in laborious task-work +and then set magnificently free, for a few blessed months, under +no burden save that of putting its captaining spirit truthfully +on paper. And this book--in which there is a sea passage that not +even Mr. Conrad has ever bettered--this book, which makes the +utmost self-satisfied heroics of the Prominent Writers of our +market place shrivel uncomfortably in remembrance--this book, we +repeat, though published in this country in 1913, has been long +out of print; and the copy which we were lucky enough to lay hand +on through the courtesy of the State Librarian of Pennsylvania +had not previously been borrowed since November 18, 1913. Someone +asks us if this man can really write. Let us choose a paragraph +for example. This deals with the first day at sea of the tramp +steamer _Capella_: + + It was December, but by luck we found a halcyon morning which had + got lost in the year's procession. It was a Sunday morning, and + it had not been ashore. It was still virgin, bearing a vestal + light. It had not been soiled yet by any suspicion of this + trampled planet, this muddy star, which its innocent and tenuous + rays had discovered in the region of night. I thought it still + was regarding us as a lucky find there. Its light was tremulous, + as if with joy and eagerness. I met this discovering morning as + your ambassador while you still slept, and betrayed not, I hope, + any grayness and bleared satiety of ours to its pure, frail, and + lucid regard. That was the last good service I did before leaving + you quite. I was glad to see how well your old earth did meet + such a light, as though it had no difficulty in looking day in + the face. The world was miraculously renewed. It rose, and + received the newborn of Aurora in its arms. There were clouds of + pearl above hills of chrysoprase. The sea ran in volatile flames. + The shadows on the bright deck shot to and fro as we rolled. The + breakfast bell rang not too soon. This was a right beginning. + +The above is a paragraph that we have chosen from Mr. Tomlinson's +book almost at random. We could spend the whole afternoon (and a +happy afternoon it would be for us) copying out for you passages +from "The Sea and the Jungle" that would give you the extremity +of pleasure, O high-spirited reader! It is an odd thing, it is a +quaint thing, it is a thing that would seem inconceivable (were +we not tolerably acquainted with the vagaries of the reading +public) that a book of this sort should lie perdu on the shelves +of a few libraries. Yet one must not leap too heartily to the +wrong conclusion. The reading public is avid of good books, but +it does not hear about them. Now we would venture to say that we +know fifty people--nay, two hundred and fifty--who would never +have done thanking us if we could lay a copy of a book of this +sort in their hand. They would think it the greatest favour we +could do them if we could tell them where they could go and lay +down honest money and buy it. And we have to retort that it is +out of print, not procurable.[1] Is it the fault of publishers? +We do not think so--or not very often. For every publisher has +experience of this sort of thing--books that he knows to be of +extraordinary quality and fascination which simply lie like lead +in his stockroom, and people will not listen to what he says +about them. Whose fault is it, then? Heaven knows. + +[1] Since this was written, a new edition has been published by +E. P. Dutton & Co. + + + + +SILAS ORRIN HOWES + + +There died in New York, on February 11, 1918, one who perhaps as +worthily as any man in any age represented the peculiar traits and +charms of the book-lover, a man whose personal loveliness was only +equalled by his unassuming modesty, a man who was an honour to the fine +old profession of bookselling. + +There will be some who frequent Brentano's bookstore in New York who +will long remember the quiet little gentleman who held the post nearest +the front door, whose face lit with such a gentle and gracious smile +when he saw a friend approach, who endured with patience and courtesy +the thousand small annoyances that every salesman knows. There were +encounters with the bourgeois customer, there were the exhausting +fatigues of the rush season, there were the day-long calls on the +slender and none too robust frame. But through it all he kept the +perfect and unassuming grace of the high-born gentleman he was. An +old-fashioned courtesy and gallantry moved in his blood. + +It was an honour to know Silas Orrin Howes, and some have been fortunate +to have disclosed to them the richness and simple bravery of that lover +of truth and beauty. The present writer was one of the least and latest +of these. Twice, during the last months of his life, it was my very good +fortune to spend an evening with him at his room on Lexington Avenue, to +drink the delicious coffee he brewed in his percolator given him by +William Marion Reedy, to mull with him over the remarkable scrap-books +he had compiled out of the richness of his varied reading, and to hear +him talk about books and life. + +Silas Orrin Howes was born in Macon, Georgia, October 15, 1867. He +attended school in Macon and Atlanta, and then in Franklin, Indiana. He +never went to college. + +When he was born, a passion for books was born with him. His niece tells +me that by the time he was twenty-one he had collected a considerable +library. He began life as a newspaper man, on the Macon _Telegraph_. +About the age of twenty-four he went to Galveston where he was first a +copy-reader, and then for seven years telegraph editor of the Galveston +_News_. + +I do not know all the details of his life in Galveston, where he lived +for about twenty years. He told me that at the time of the disastrous +storm and flood he was working in a drug store near the Gulf front. He +gave me a thrilling description of the night he spent standing on the +prescription counter with the water swirling about his waist. He slept +in a little room at the back of the store, where he had a shelf of books +which were particularly dear to him. Among them was a volume of Henley's +poems. When the flood subsided all the books were gone, but the next day +as he was looking over the wreckage of neighbouring houses he found his +Henley washed up on a doorstep--covered with slime and filth but still +intact. He sent it to Brentano's in New York to be rebound in vellum, +instructing them not to clean it in any way. He wrote to Henley about +the incident, who sent him a very friendly autographed card which he +pasted in the volume. That was one of the books which he held most dear, +and rightly. + +I do not know just when he came to New York; about 1910, I believe. He +took a position as salesman at Brentano's. After a couple of years there +he became anxious to try the book business on his own account. He and +his nephew opened a shop in San Antonio. Neither of them had much real +business experience. Certainly Howes himself was far too devoted a +book-lover to be a good business man! After a few months the venture +ended in failure, and all the personal library which he had collected +through patient years was swallowed up in the disaster. After this he +returned to Brentano's, where he remained until his death. About a year +before his death he was run over by a taxicab, which shook his nerves a +great deal. + +At some time during his career he came into intimate friendly contact +with Ambrose Bierce, and used to tell many entertaining anecdotes about +that erratic venturer in letters. He edited one of Bierce's volumes, +adding a pleasant and scholarly little introduction. He was an +occasional contributor to _Reedy's Mirror_, where he enjoyed indulging +in his original vein of satire and shrewd comment. He was a great lover +of quaint and exotic restaurants, and was particularly fond of the +Turkish cafe, the Constantinople, just off Madison Square. It was a +treat to go there with him, see him summon the waiter by clapping his +hands (in the eastern fashion), and enjoy the strangely compounded +dishes of that queer menu. He had sampled every Bulgar, Turkish, Balkan, +French, and Scandinavian restaurant on Lexington Avenue. His taste in +unusual and savoury dishes was as characteristic as his love for the +finer flavours of literature. I remember last November I elicited from +him that he had never tasted gooseberry jam, and had a jolly time +hunting for a jar, which I found at last at Park and Tilford's, although +the sales-girl protested there was no such thing. I took it to him and +made him promise to eat it at his breakfasts. + +He had the true passions of the book-lover, which are not allotted to +many. He had read hungrily, enjoying chiefly those magical draughts of +prose which linger in the mind: Bacon, Sir Thomas Browne, Pater, +Thoreau, Conrad. He was much of a recluse, a little saddened and +sharpened perhaps by some of his experiences; and he loved, above all, +those writers who can present truth with a faint tang of acid flavour, +the gooseberry jam of literature as it were. One of my last +satisfactions was to convert him (in some measure) to an enthusiasm for +Pearsall Smith's "Trivia." + +As one looks back at that quiet, honourable life, one is aware of a +high, noble spirit shining through it: a spirit that sought but little +for itself, welcomed love and comradeship that came its way, and was +content with a modest round of routine duty because it afforded inner +contact with what was beautiful and true. One remembers an innate +gentleness, and a loyalty to a high and chivalrous ideal. + +Such a life might be a lesson, if anything could, to the bumptious and +"efficient" and smug. Time after time I have watched him serving some +furred and jewelled customer who was not fit to exchange words with him; +I have seen him jostled in a crowded aisle by some parvenu ignoramus who +knew not that this quiet little man was one of the immortal spirits of +gentleness and breeding who associate in quiet hours with the unburied +dead of English letters. That corner of the store, near the front door, +can never be the same. + +Such a life could only fittingly be described by the gentle, inseeing +pen of an E. V. Lucas. + +My greatest regret and disappointment, when I heard of his sudden +death, was that he would never know of a little tribute I had paid him +in a forthcoming book. I had been saving it as a surprise for him, for I +knew it would please him. And now he will never know. + +February, 1918. + + + + +JOYCE KILMER + +[Illustration] + +I + + +I wonder if there is any other country where the death of a young +poet is double-column front-page news? + +And if poets were able to proofread their own obits, I wonder if +any two lines would have given Joyce Kilmer more honest pride +than these: + +JOYCE KILMER, POET, +IS KILLED IN ACTION + +which gave many hearts a pang when they picked up the newspaper +last Sunday morning. + +Joyce Kilmer died as he lived--"in action." He found life +intensely amusing, unspeakably interesting; his energy was +unlimited, his courage stout. He attacked life at all points, +rapidly gathered its complexities about him, and the more +intricate it became the more zestful he found it. Nothing +bewildered him, nothing terrified. By the time he was thirty he +had attained an almost unique position in literary circles. He +lectured on poetry, he interviewed famous men of letters, he was +poet, editor, essayist, critic, anthologist. He was endlessly +active, full of delightful mirth and a thousand schemes for +outwitting the devil of necessity that hunts all brainworkers. +Nothing could quench him. He was ready to turn out a poem, an +essay, a critical article, a lecture, at a few minutes' notice. +He had been along all the pavements of Grub Street, perhaps the +most exciting place of breadwinning known to the civilized man. +From his beginning as a sales clerk in a New York bookstore +(where, so the tale goes, by misreading the price cipher he sold +a $150 volume for $1.50) down to the time when he was run over by +an Erie train and dictated his weekly article for the New York +_Times_ in hospital with three broken ribs, no difficulties or +perplexities daunted him. + +But beneath this whirling activity which amused and amazed his +friends there lay a deeper and quieter vein which was rich in its +own passion. It is not becoming to prate of what lies in other +men's souls; we all have our secrecies and sanctuaries, rarely +acknowledged even to ourselves. But no one can read Joyce +Kilmer's poems without grasping his vigorous idealism, his keen +sense of beauty, his devout and simple religion, his clutch on +the preciousness of common things. He loved the precarious +bustle on Grub Street; he was of that adventurous, buoyant stuff +that rejects hum-drum security and a pelfed and padded life. He +always insisted that America is the very shrine and fountain of +poetry, and this country (which is indeed pathetically eager to +take poets to its bosom) stirred his vivid imagination. The +romance of the commuter's train and the suburban street, of the +delicatessen shop and the circus and the snowman in the +yard--these were the familiar themes where he was rich and +felicitous. Many a commuter will remember his beautiful poem "The +12:45," bespeaking the thrill we have all felt in the shabby +midnight train that takes us home, yearning and weary, to the +well-beloved hearth: + + What love commands, the train fulfills + And beautiful upon the hills + Are these our feet of burnished steel. + Subtly and certainly, I feel + That Glen Rock welcomes us to her. + And silent Ridgewood seems to stir + And smile, because she knows the train + Has brought her children back again. + We carry people home--and so + God speeds us, wheresoe'er we go. + The midnight train is slow and old, + But of it let this thing be told, + To its high honour be it said, + It carries weary folk to bed. + +To a man such as this, whose whole fervent and busy adventure was lit +within by the lamplight and firelight of domestic passion, the war, with +its broken homes and defiled sanctities, came as a personal affront. +Both to his craving for the glamour of such a colossal drama, and to his +sense of what was most worshipful in human life, the call was +irresistible. Counsels of prudence and comfort were as nothing; the +heart-shaking poetry of this nation's entry into an utterly unselfish +war burned away all barriers. His life had been a fury of writing, but +those who thought he had entered the war merely to make journalism about +it were mistaken. Only a few weeks before his death he wrote: + + To tell the truth, I am not interested in writing nowadays, + except in so far as writing is the expression of something + beautiful. And I see daily and nightly the expression of beauty + in action instead of words, and I find it more satisfactory. I am + a sergeant in the regimental intelligence section--the most + fascinating work possible--more thrills in it than in any other + branch, except, possibly, aviation. Wonderful life! But I don't + know what I'll be able to do in civilian life--unless I become a + fireman! + +As journalist and lecturer Kilmer was copious and enthusiastic rather +than deep. He found--a good deal to his own secret mirth--women's clubs +and poetry societies sitting earnestly at his feet, expectant to hear +ultimate truth on deep matters. His humour prompted him to give them +the ultimate truth they craved. If his critical judgments were not +always heavily documented or long pondered, they were entertaining and +pleasantly put. The earnest world of literary societies and blue-hosed +salons lay about his feet; he flashed in it merrily, chuckling inwardly +as he found hundreds of worthy people hanging breathless on his words. A +kind of Kilmer cult grew apace; he had his followers and his devotees. I +mention these things because he would have been the first to chuckle +over them. I do not think he would want to be remembered as having taken +all that sort of thing too seriously. It was all a delicious game--part +of the grand joke of living. Sometimes, among his friends, he would +begin to pontificate in his platform manner. Then he would recall +himself, and his characteristic grin would flood his face. + +As a journalist, I say, he was copious; but as a poet his song was +always prompted by a genuine gush of emotion. "A poet is only a +glorified reporter," he used to say; he took as his favourite assignment +the happier precincts of the human heart. As he said of Belloc, a true +poet will never write to order--not even to his own order. He sang +because he heard life singing all about him. His three little books of +poems have always been dear to lovers of honest simplicity. And now +their words will be lit henceforward by an inner and tender +brightness--the memory of a gallant boy who flung himself finely +against the walls of life. Where they breached he broke through and +waved his sword laughing. Where they hurled him back he turned away, +laughing still. + + +II + +Kilmer wrote from France, in answer to an inquiry as to his ideas about +poetry, "All that poetry can be expected to do is to give pleasure of a +noble sort to its readers." He might have said "pleasure or pain of a +noble sort." + +It is both pleasure and pain, of a very noble sort, that the reader will +find in Robert Cortes Holliday's memoir, which introduces the two +volumes of Kilmer's poems, essays, and letters. The ultimate and +eloquent tribute to Kilmer's rich, brave, and jocund personality is that +it has raised up so moving a testament of friendship. Mr. Holliday's +lively and tender essay is worthy to stand among the great memorials of +brotherly affection that have enriched our speech. To say that Kilmer +was not a Keats is not to say that the friendship that irradiates Mr. +Holliday's memoir was less lovely than that of Keats and Severn, for +instance. The beauty of any human intercourse is not measured by the +plane on which it moves. + +Pleasure and pain of a noble sort are woven in every fibre of this +sparkling casting-up of the blithe years. Pleasure indeed of the +fullest, for the chronicle abounds in the surcharged hilarity and +affectionate humour that we have grown to expect in any matters +connected with Joyce Kilmer. The biographer dwells with loving and +smiling particularity on the elvish phases of the young knight-errant. +It is by the very likeness of his tender and glowing portrait that we +find pleasure overflowing into pain--into a wincing recognition of +destiny's unriddled ways with men. This memory was written out of a full +heart, with the poignance that lies in every backward human gaze. It is +only in the backward look that the landscape's contours lie revealed in +their true form and perspective. It is only when we have lost what was +most dear that we know fully what it meant. That is Fate's way with us: +it cannot be amended. + +There will be no need for the most querulous appraiser to find fault +with Mr. Holliday on the score of over-eulogy. He does not try to push +sound carpentry or ready wit into genius. Fortune and his own impetuous +onslaught upon life cast Kilmer into the role of hack journalist: he +would have claimed no other title. Yet he adorned Grub Street (that most +fascinating of all thorny ways) with gestures and music of his own. Out +of his glowing and busy brain he drew matter that was never dull, never +bitter or petty or slovenly. In the fervent attack and counter-attack, +shock and counter-shock of his strenuous days he never forgot his +secret loyalty to fine craftsmanship. He kept half a dozen brightly +coloured balls spinning in air at all times--verses, essays, reviews, +lectures, introductions, interviews, anthologies, and what-not; yet each +of these was deftly done. When he went to France and his days of hack +work were over, when the necessities of life no longer threatened him, +the journalistic habit fell away. It was never more than a garment, worn +gracefully, but still only what the tailors call a business suit. + +In France, Kilmer wrote but a handful of pieces intended for +publication, but at least one of them--the prose sketch "Holy +Ireland"--showed his essential fibre. The comparative silence of his pen +when he found himself face to face with war was a true expression. It +bespoke the decent idealism that underlay the combats of a journalist +wringing a living out of the tissues of a busy brain. The tender humour +and quaint austerity of his homeward letters exhibit the man at his +inmost. What could better the imaginative genius of the phrase in which +he speaks of friendship developed by common dangers and hardships as "a +fine, hearty, roaring, mirthful sort of thing, like an open fire of +whole pine trees in a giant's castle?" + +The memoir and Kilmer's own letters admit us to see something of the +spiritual phases of this man's life, whose soul found "happiness and +quiet kind" in the Roman Catholic faith. The most secret strengths and +weaknesses that govern men's lives are strangely unknown to many of +their intimates: one wonders how many of Kilmer's associates on the +_Times_ staff knew of his habit of stopping daily at the Church of the +Holy Innocents, near the newspaper office, to pray. It was the sorrow of +personal affliction that brought Kilmer to the Catholic Church. Shortly +after being received into that communion he wrote: + + Just off Broadway on the way from the Hudson Tube Station to the + Times Building, there is a church called the Church of the Holy + Innocents. Since it is in the heart of the Tenderloin, this name + is strangely appropriate--for there surely is need of youth and + innocence. Well, every morning for months I stopped on my way to + the office and prayed in this church for faith. When faith did + come, it came, I think, by way of my little paralyzed daughter. + Her lifeless hands led me; I think her tiny feet still know + beautiful paths. + +Mr. Holliday does well to point out that Kilmer was almost unique in +this country as a representative of the Bellocian School of Catholic +journalism, in which piety and mirth dwell so comfortably together; +though he might have mentioned T. A. Daly as an older and subtler master +of devout merriment, dipping in his own inkwell rather than in any +imported bottles. It is to Belloc, of course, and to Gilbert +Chesterton, that one must go to learn the secret of Kilmer's literary +manner. Yet, as Holliday affirms, the similarity is due as much to an +affinity of mind with these Englishmen as to any eagerness to imitate. +Kilmer was like them in being essentially a humorist. One glance at his +face, with its glowing red-brown eyes (the colour of port wine), and the +twitching in-drawn corners of the mouth, gave the observer an impression +of benignant drollery. Mr. Holliday well says: "People have made very +creditable reputations as humorists who never wrote anything like as +humorous essays as those of Joyce Kilmer. They fairly reek with the joy +of life." + +"He that lives by the pen shall perish by the pen," the biographer tells +us, quoting James Huneker. "For a sapling poet, within a few short years +and by the hard business of words, to attain to a secretary and a butler +and a family of, at length, four children, is a modern Arabian Nights +Tale." Aye, indeed! But Joyce Kilmer will have as genuine a claim on +remembrance by reason of his friends' love as in anything his own hand +penned. And what an encircling, almost paternal, gentleness there is in +the picture of the young poet as a salesman at Scribner's bookstore: + + His smile, never far away, when it came was winning, charming. It + broke like spring sunshine, it was so fresh and warm and clear. + And there was noticeable then in his eyes a light, a quiet glow, + which marked him as a spirit not to be forgotten. So tenderly + boyish was he in effect that his confreres among the book clerks + accepted with difficulty the story that he was married. When it + was told that he had a son they gasped their incredulity. And + when one day this extraordinary elfin sprite remarked that at the + time of his honeymoon he had had a beard they felt (I remember) + that the world was without power to astonish them further. + +And even more striking is what is implied in the narrative: that when +this "elfin sprite," this gently nurtured young man of bookish pursuits, +took up the art of war, he gloried in his association with a rip-roaring +regiment recruited mainly from hard-handed fellows of the type we may +call (with no atom of disrespect) roughnecks. Hardships and exertions +familiar to them were new to him, but he set himself to win their love +and respect, and did so. He was not content until he had found his way +into the most exhausting and hazardous branch of the whole job. He said, +again and again, that he would rather be a sergeant with the 69th than a +lieutenant with any other outfit. There was a heart of heroism in the +"elfin sprite." The same dashing insouciance that dictated the weekly +article for his paper when in hospital with three broken ribs after +being run down by a train was hardened and steeled in the sergeant who +nightly tore his uniform into ribbons by crawling out through the barbed +wire. + +Laughter and comradeship and hearty meals clustered about Kilmer: +wherever he touched the grindstone of life there flew up a merry shower +of sparks. There is convincing testimony to the courage and beauty that +lay quiet at the heart of this singer who said that the poet is only a +glorified reporter, and wished he had written "Casey at the Bat." + +Let us spare his memory the glib and customary dishonesty that says "He +died as he would have wished to." No man wishes to die--at least, no +poet does. To part with the exhilarating bustle and tumult, the blueness +of the sky, the sunlight that tingles on well-known street corners, the +plumber's bills and the editor's checks, the mirths of fellowship and +the joys of homecoming when lamps are lit--all this is too close a fibre +to be stripped easily from the naked heart. But the poet must go where +the greatest songs are singing. Perhaps he finds, after all, that life +and death are part of the same rhyme. + + + + +TALES OF TWO CITIES + +I. PHILADELPHIA + + + + +AN EARLY TRAIN + +[Illustration] + + +The course of events has compelled me for several months to catch an +early train at Broad Street three times a week. I call it an "early" +train, but, of course, these matters are merely relative; 7:45 are the +figures illuminated over the gateway--not so very precocious, perhaps; +but quite rathe enough for one of Haroun-al-Raschid temper, who seldom +seeks the "oblivion of repose" (Boswell's phrase) before 1 A. M. + +Nothing is more pathetic in human nature than its faculty of +self-deception. Winding up the alarm clock (the night before) I meditate +as to the exact time to elect for its disturbing buzz. If I set it at +6:30 that will give me plenty of time to shave and reach the station +with leisure for a pleasurable cup of coffee. But (so frail is the human +will) when I wake at 6:30 I will think to myself, "There is plenty of +time," and probably turn over for "another five minutes." This will mean +a hideous spasm of awakening conscience about 7:10--an unbathed and +unshaven tumult of preparation, malisons on the shoe manufacturers who +invented boots with eyelets all the way up, a frantic sprint to +Sixteenth Street and one of those horrid intervals that shake the very +citadel of human reason when I ponder whether it is safer to wait for a +possible car or must start hotfoot for the station at once. All this is +generally decided by setting the clock for 6:50. Then, if I am spry, I +can be under way by 7:20 and have a little time to be philosophical at +the corner of Sixteenth and Pine. Of the vile seizures of passion that +shake the bosom when a car comes along, seems about to halt, and then +passes without stopping--of the spiritual scars these crises leave on +the soul of the victim, I cannot trust myself to speak. It does not +always happen, thank goodness. One does not always have to throb madly +up Sixteenth, with head retorted over one's shoulder to see if a car may +still be coming, while the legs make what speed they may on sliddery +paving. Sometimes the car does actually appear and one buffets aboard +and is buried in a brawny human mass. There is a stop, and one wonders +fiercely whether a horse is down ahead, and one had better get out at +once and run for it. Tightly wedged in the heart of the car, nothing can +be seen. It is all very nerve-racking, and I study, for quietness of +mind, the familiar advertising card of the white-bearded old man +announcing "It is really very remarkable that a cigar of this quality +can be had for seven cents." + +Suppose, however, that fortune is with me. I descend at Market Street, +and the City Hall dial, shining softly in the fast paling blue of +morning, marks 7:30. Now I begin to enjoy myself. I reflect on the +curious way in which time seems to stand still during the last minutes +before the departure of a train. The half-hour between 7 and 7:30 has +vanished in a gruesome flash. Now follow fifteen minutes of exquisite +dalliance. Every few moments I look suddenly and savagely at the clock +to see if it can be playing some saturnine trick. No, even now it is +only 7:32. In the lively alertness of the morning mind a whole wealth of +thought and accurate observation can be crammed into a few seconds. I +halt for a moment at the window of that little lunchroom on Market +Street (between Sixteenth and Fifteenth) where the food comes swiftly +speeding from the kitchen on a moving belt. I wonder whether to have +breakfast there. It is such fun to see a platter of pale yellow +scrambled eggs sliding demurely beside the porcelain counter and +whipped dextrously off in front of you by the presiding waiter. But the +superlative coffee of the Broad Street Station lunch counter generally +lures me on. + +What mundane joy can surpass the pleasure of approaching the station +lunch counter, with full ten minutes to satisfy a morning appetite! +"Morning, colonel," says the waiter, recognizing a steady customer. +"Wheatcakes and coffee," you cry. With one deft gesture, it seems, he +has handed you a glass brimming with ice water and spread out a snowy +napkin. In another moment here is the coffee, with the generous jug of +cream. You splash in a large lump of ice to make it cool enough to +drink. Perhaps the seat next you is empty, and you put your books and +papers on it, thus not having to balance them gingerly on your knees. +All round you is a lusty savour of satisfaction, the tinkle of cash +registers, napkins fluttering and flashing across the counters, coloured +waiters darting to and fro, great clouds of steam rising where the big +dish covers are raised on the cooking tables. You see the dark-brown +coffee gently quivering in the glass gauge of the nickel boiler. Then +here come the wheatcakes. Nowhere else on earth, I firmly believe, are +they cooked to just that correct delicacy of golden brown colour; +nowhere else are they so soft and light of texture, so hot, so +beautifully overlaid with a smooth, almost intangible suggestion of +crispness. Two golden butter pats salute the eye, and a jug of syrup. +It is now 7:38. + +As everyone knows, the correct thing is to start immediately on the +first cake, using only syrup. The method of dealing with the other two +is classic. One lifts the upper one and places a whole pat of butter on +the lower cake. Then one replaces the upper cake upon the lower, leaving +the butter to its fate. In that hot and enviable embrace the butter +liquefies and spreads itself, gently anointing the field of coming +action. Upon the upper shield one smilingly distributes the second +butter pat, knifed off into small slices for greater speed of melting. +By the time the first cake has been eaten, with the syrup, the other two +will be ready for manifest destiny. The butter will be docile and +submissive. Now, after again making sure of the time (7:40) the syrup is +brought into play and the palate has the congenial task of determining +whether the added delight of melting butter outweighs the greater +hotness and primal thrill of the first cake which was glossed with the +syrup only. You drain your coffee to the dregs; gaze pityingly on those +rushing in to snap up a breakfast before the 8 o'clock leaves for New +York, pay your check, and saunter out to the train. It is 7:43. + +This, to be sure, is only the curtain-raiser to the pleasures to follow. +This has been a physical and carnal pleasure. Now follow delights of the +mind. In the great gloomy shed wafts and twists of thick steam are +jetting upward, heavily coiled in the cold air. In the train you smoke +two pipes and read the morning paper. Then you are set down at +Haverford. It is like a fairyland of unbelief. Trees and shrubbery are +crusted and sheathed in crystal, lucid like chandeliers in the flat, +thin light. Along the fence, as you go up the hill, you marvel at the +scarlet berries in the hedge, gleaming through the glassy ribs of the +bushes. The old willow tree by the Conklin gate is etched against the +sky like a Japanese drawing--it has a curious greenish colour beneath +that gray sky. There is some mystery in all this. It seems more +beautiful than a merely mortal earth vexed by sinful men has any right +to be. There is some ice palace in Hans Andersen which is something like +it. In a little grove, the boughs, bent down with their shining +glaziery, creak softly as they sway in the moving air. The evergreens +are clotted with lumps and bags of transparent icing, their fronds sag +to the ground. A pale twinkling blueness sifts over distant vistas. The +sky whitens in the south and points of light leap up to the eye as the +wind turns a loaded branch. + +A certain seriousness of demeanour is noticeable on the generally +unfurrowed brows of student friends. Midyears are on and one sees them +walking, freighted with precious and perishable erudition, toward the +halls of trial. They seem a little oppressed with care, too preoccupied +to relish the entrancing pallor of this crystallized Eden. One carries, +gravely, a cushion and an alarm clock. Not such a bad theory of life, +perhaps--to carry in the crises of existence a cushion of philosophy and +an alarum of resolution. + + + + +RIDGE AVENUE + + +One of the odd things about human beings is, that wherever they happen +to live they accept it as a matter of course. In various foreign cities +I have often been amused (as every traveller has) to see people going +about their affairs just as though it were natural and unquestionable +for them to be there. It is just the same at home. Everyone I see on the +streets seems to be not at all amazed at living here instead of (let us +say) Indianapolis or Nashville. I envy my small Urchin his sense of the +extreme improbability of everything. When he gets on a trolley car he +draws a long breath and looks around in ecstasy at the human scenery. I +am teaching him to say in a loud, clear tone, as he gets on the car, +"Look at all the human beings!" in the same accent of amazement that he +uses when he goes to the Zoo. Perhaps in this way he will preserve the +happy faculty of being surprised. + +It is an agreeable thing to keep the same sense of surprise in one's +home town that one would have in a strange city. You will find much to +startle you if you keep your eyes open. Yesterday, for instance, I was +lucky enough to meet a gentleman who had stood only a few feet away from +Lincoln when he made the Gettysburg Speech. Then I found that in a +certain cafeteria which I frequent the price you pay for your lunch is +always just one cent less than that punched on the check. The cashier +explained that this always gives a pleasant surprise to the customers, +and has proved such a good advertising dodge that the proprietor made it +a habit. And I saw, in a clothing dealer's window on Ninth Street, some +fuzzy caps for men, mottled purple and ochre, that proved that the +adventurous spirit has not died in the breast of the male sex. + +There is much to exercise the eye in a voyage along Ridge Avenue. +Approaching by way of Ninth Street, one sees in the window of a barber +shop the new contract that the employing barbers have drawn up with +their journeymen. This agreement shows a sound sense of human equities, +proclaiming as it does that "the owner must not do no act to injure the +barber personal earnings." It suddenly occurred to me, what I had not +thought of before, how the barbers of Great Britain must have grieved +when a London newspaper got up (some years ago) an agitation in favour +of every man in England raising a beard in memory of King Edward. The +plan was that the money thus saved was to be devoted to building--I had +almost said "growing"--a battleship, to be named after the Merry +Monarch. Of course, one should not speak of raising a beard, but of +lowering it. However---- + +Ridge Avenue begins at Ninth and Vine, in a mood of depression. Perhaps +the fact that it runs out toward the city's greatest collection of +cemeteries has made it morbidly conscious of human perishability. At any +rate, it starts among pawnshops, old clothing and furniture, and bottles +of Old Virginia Bitters, the Great Man Restorer. The famous National +Theatre at Callowhill Street has become a garage; it is queer to see the +old proscenium arch and gilded ceiling dustily vaulted over a fleet of +motortrucks. After a wilderness of railway yards one comes to a curious +bit in the 1100 block; a little brick tunnel that bends around into a +huddle of backyards and small houses, where a large green parrot was +stooping and nodding on a pile of old boxes. This little scene is +overlooked by the tall brown spires of the Church of the Assumption on +Spring Garden Street. + +There is matter for tarrying at the Spring Garden Street crossing. Here +is an ambitious fountain built by the bequest of Mary Rebecca Darby +Smith, with the carving by J. J. Boyle picturing another Rebecca (she of +Genesis xxiv, 14) giving a drink to Abraham's servant and his camels. It +is carved in the bronze that the donor gave the fountain "To refresh the +weary and thirsty, both man and beast," so it is disconcerting to find +it dry, as dry as the inns along the way. The horse trough is boarded +over and thirsting equines go up to Broad Street for a draught. The +seat by the fountain was occupied by a man reading the New York +_Journal_, always a depressing sight. + +Across from the fountain is one of the best magazine and stationery +shops in the city. Here I overheard a conversation which I reproduce +textually. "What you doing, reading?" said one to another. "Yes, reading +about the biggest four-flusher in the Yew-nited States," said he, +looking over an afternoon paper which had just come in. "Who do you +mean?" "Penrose. Say if it was a Republican in the White House, theyda +passed the treaty long ago." The proprietor of this shop is a humorist. +Someone came in asking for a certain brand of cigarettes. He does not +sell tobacco. "Next door," he said, and added: "And you'll find some +over on the fountain." + +Ridge Avenue specializes in tobacco shops, where you will find many +brands that require a strong head. Red Snapper, Panhandle Scrap, Pinch +Hit, Red Horse, Brown's Mule, Jolly Tar, Penn Statue Cuttings, Nickel +Cross Cut, Cotton Ball Twist. In the shop windows you will see those +photographs illustrating current events, the two favourites just now +being a picture of Mike Gilhooley, the famous stowaway, gazing +plaintively at the profile of New York, and "Jack Dempsey Goes the +Limit," where Jack signs up for a $1,000 war-savings certificate. One +wonders if Jack's kind of warfare is really so profitable after all. + +There are a number of little side excursions from the avenue that repay +scrutiny. Lemon Street, for instance, where in a lane of old brown +wooden houses some children were playing in an empty wagon, with the +rounded tower of the Rodef Shalom synagogue looming in the background. +Best of all is Melon Street and its modest tributary, Park +Avenue--stretches of quiet little brick homes with green and yellow +shutters and mottled gray marble steps. These little houses have the +serene and sunny air so typical of Philadelphia byways. Through their +narrow side entrances one sees glimpses of green in backyards. In the +front windows move the gently swaying faces of grandmothers, lulled in +the to and fro of a rocking chair. There are shining brass knobs and +bell-pulls; rubber plants on the sills, or perhaps a small bowl of +goldfish with a white china swan floating. In one window was a sign +"Vacancies." Over it hung a faded service flag with a golden star. Who +could phrase the pathos of these two things, side by side? + +At Broad Street, Ridge Avenue leaps up with a spurt of high life. In the +window of a hotel dining room a gentleman sat eating his lunch, +stevedoring a buttered roll with such gusto that one felt tempted to +applaud. There are the white pillars of a bank and the battleship gray +of the Salvation Army headquarters. Beyond Broad, the avenue spruces up +a bit and enters upon a vivacious phase. Dogs are frequent: white bull +terriers lie sunning in the shop windows. Offers to lend money are +enticing. There is a fascinating slate yard at 1525, where great gray +slabs lie in the sun, a temptation to urchins with a bit of chalk. In +the warm bask of the afternoon there rises a pleasing aroma of fruits +and vegetables piled up in baskets and crates on the pavement. Grapes +give off a delectable savour in the golden air. Elderly ladies are out +in force to do the marketing, and their eyes are bright with the +bargaining passion. Round the windows of a ten-cent store, most +fascinating of all human spectacles, they congregate and compare notes. +A fruit dealer has an ingenious stunt to attract attention. On his cash +register lies a weird-looking rotund little fish--a butter fish, he +calls it--which has a face not unlike that of Fatty Arbuckle. Either +this fish inflates itself or he has blown it full of air in some +ingenious manner, for it presents a grotesque appearance, and many +ladies stop to inquire. Then he spoofs them gently. "Sure," he says, +"it's a jitney fish. It lives on the cash register. It can fly, it can +bite, it can talk, and it likes money." + +At the corner of Wylie Street stands an old gray house with a mansard +roof and gable windows. Against it is a vivid store of fruit glowing in +the sun, red and purple and yellow. Here, or on Vineyard Street, one +turns off to enter the quaint triangular settlement of Francisville. + + + + +THE UNIVERSITY AND THE URCHIN + +[Illustration] + + +Sunday afternoon is by old tradition dedicated to the taking of Urchins +out to taste the air, and indeed there is no more agreeable pastime. And +so, as the Urchin sat in his high chair and thoughtfully shovelled his +spoon through meat chopped remarkably small and potatoes mashed in that +curious fashion that produces a mass of soft, curly tendrils, his +curators discussed the question of where he should be taken. + +It was the first Sunday in March--mild and soft and tinctured with +spring. "There's the botanic garden at the University," I suggested. +The Urchin settled it by rattling his spoon on the plate and sliding +several inches of potato into his lap. "Go see garden!" he cried. With +the generous tastes of twenty-seven months he cares very little where he +is taken; he can find fascination in anything; but something about the +word "garden" seemed to allure him. So a little later when he had been +duly habited in brown leggings, his minute brown overcoat, and white hat +with ribbons behind it, he and his curators set out. The Urchin was in +excellent spirits, for he had been promised a ride on a trolley car--a +glorious adventure. In one pocket he carried his private collection of +talismans, including a horse-chestnut and a picture of a mouse. Also, +against emergencies, a miniature handkerchief with a teddy bear +embroidered in one corner and a safety pin. The expedition may be deemed +to have been a success, as none of these properties were called upon or +even remembered. + +The car we boarded did not take us just where we expected to go, but +that made little difference to the Urchin, who gazed steadfastly out of +the window at a panorama of shabby streets, and offered no comment +except one of extreme exultation when we passed a large poster of a cow. +Admirably docile, he felt confident that the unusual conjunction of both +arbiters of destiny and an impressive trolley car would in the end +produce something extremely worth while. We sped across Gray's Ferry +bridge--it seems strange to think that region was once so quiet, green, +and rustic--transferred to another car on Woodland Avenue, past the +white medley of tombstones in Woodland Cemetery, and got off at the +entrance to the dormitory quadrangles at Thirty-seventh Street. We +entered through the archway--the Urchin's first introduction to an +academic atmosphere. "This is the University," I said to him severely, +and he was much impressed. As is his way, he conducted himself with +extreme sobriety until he should get the hang of this new experience and +see what it was all about. I knew from the serene gold sparkle of his +brown eyes that there was plenty of larking spirit in him, waiting until +he knew whether it was safe to give it play. He held my hand +punctiliously while waiting to see what manner of place this University +was. + +A college quadrangle on a Sunday afternoon has a feeling all its own. +Thin tinklings of mandolins eddy from open windows, in which young men +may be seen propped up against bright-coloured cushions, always smoking, +and sometimes reading with an apparent zeal which might deceive a few +onlookers. But the slightest sound of footfalls on the pavement outside +their rooms causes these heads to turn and scan the passers. There is +always a vague hope in these youthful breasts that some damsel of +notable fairness may have strayed within the bastions. Groups of ladies +of youth and beauty do often walk demurely through the courts, and may +be sure of hearing admiring whistles shrilled through the sunny air. +When a lady walks through a college quadrangle and hears no sibilation, +let her know sadly that first youth is past. Even the sedate +guardianship of Scribe and Urchin did not forfeit one Lady of Destiny +her proper homage of tuneful testimonial. So be it ever! + +One who inhabited college quadrangles not so immeasurably long ago, and +remembers with secret pain how massively old, experienced, and worldly +wise he then thought himself, can never resist a throb of amazement at +the entertaining youthfulness of these young monks. How quaintly +juvenile they are, and how oddly that assumption of grave superiority +sits upon their golden brows! With what an inimitable air of wisdom, +cynicism, ancientry, learned aloofness and desire to be observed do they +stroll to and fro across the quads, so keenly aware in their inmost +bosoms of the presence of visitors and determined to grant an appearance +of mingled wisdom, great age, and sad doggishness! What a devil-may-care +swing to the stride, what a nonchalance in the perpetual wreath of +cigarette smoke, what a carefully assumed bearing of one carrying great +wisdom lightly and easily casting it aside for the moment in the pursuit +of some waggish trifle. "Here," those very self-conscious young visages +seem to betray, "is one who might tell you all about the Holy Roman +Empire, and yet is, for the moment, diverting himself with a mere +mandolin." And yet, as the Lady of Destiny shrewdly observed, it is a +pity they should mar their beautiful quadrangles with orange peel and +scraps of paper. + +We walked for some time through those stately courts of Tudor brick and +then passed down the little inclined path to the botanic garden, where +irises and fresh green spikes are already pushing up through the damp +earth. A pale mellow sunlight lay upon the gravel walks and the Urchin +resumed his customary zeal. He ran here and there along the byways, +examined the rock borders with an air of scientific questioning, and +watched the other children playing by the muddy pond. We found shrubbery +swelling with buds, also flappers walking hatless and blanched with +talcum, accompanied by Urchins of a larger growth. Both these phenomena +we took to be a sign of the coming equinox. + +Returning to the dormitory quadrangles, we sat down on a wooden bench to +rest, while the Urchin, now convinced that a university is nothing to be +awed by, scampered about on the turf. His eye was a bright jewel of +roguishness, for he thought that in trotting about the grass he was +doing something supremely wicked. He has been carefully trained not to +err on the grass of the city square to which he is best accustomed, so +this surprising and unchecked revelry quite went to his head. Across and +about those wide plots of sodden turf he trotted and chuckled, a small, +quaint mortal with his hat ribbons fluttering. Cheering whistles hailed +him from open windows above, and he smiled to himself with grave +dignity. Apparently, like a distinguished statesman, he regarded these +tributes not as meant for himself, but for the great body of childhood +he innocently represents, and indeed from which his applauders are not +so inextricably severed. With the placid and unconscious happiness of a +puppy he careered and meandered, without motive or method. Perhaps his +underlying thought of a university, if he has any, is that it is a place +where no one says "Keep Off the Grass," and, intellectually speaking, +that would not be such a bad motto for an institution of learning. + +I don't know whether Doctor Tait McKenzie so intended it, but his +appealing and beautiful statue of Young Franklin in front of the +University gymnasium is admirably devised for the delight of small +Urchins. While their curators take pleasure in the bronze itself, the +Urchin may clamber on the different levels of the base, which is nicely +adapted for the mountaineering capacity of twenty-seven months. The low +brick walls before the gymnasium and the University museum are also just +right for an Urchin who has recently learned the fascination of walking +on something raised above the ground, provided there is a curator near +by to hold his hand. And then, as one walks away toward the South +Street bridge an observant Urchin may spy the delightful spectacle of a +freight train travelling apparently in midair. Some day, one hopes, all +that fine tract of open space leading from the museum down to the +railroad tracks may perhaps be beautified as a park or an addition to +the University's quadrangle system. I don't know who owns it, but its +architectural possibilities must surely make the city-planner's mouth +water. + +By this time the Urchin was beginning to feel a bit weary, and was glad +of a lift on a parental shoulder. Then a Lombard Street car came along +and took us up halfway across the bridge. So ended the Urchin's first +introduction to a university education. + + + + +PINE STREET + + +Our neighbourhood is very genteel. I doubt if any one who has not lived +in Philadelphia can imagine how genteel it is. Visitors from out of town +are wont to sigh with rapture when they see our trim blocks of tall +brick dwellings--that even cornice running in a smooth line for several +hundred yards really is quite a sight--and exclaim, "Oh, I wish we had +something like this in New York!" But our gentility is a little +self-conscious, for we live on the very frontier of a region, darker in +complexion, which is far from scrupulous in deportment. Uproarious and +naive are the humours of South Street, lying just behind us. Stanleys +have gone exploring thither and come back with merry tales. South Street +on a bright evening, its myriad barber shops gleaming with lathered +dusky cheeks, wafting the essence of innumerable pomades and lotions, +that were a Travel indeed. On South Street the veins of life run close +to the surface. + +We are no less human on our street, but it takes a bit more study to get +at the secret. There is a certain reticence about us. It would take an +earthquake to cause much fraternization along Pine Street. Perhaps it +is because three houses out of every four bear the tablets of doctors. +The average layman fears to stop and speak to his neighbour for fear it +will develop into a professional matter. We board up our front windows +at night with heavy wooden shutters. We have no druggists, only +"apothecaries." These apothecaries are closed on Sundays. They sell +stamps in little isinglass capsules, to be quite sanitary, two twos in a +capsule for five cents. In their shops you can still get soda water with +"plain cream" and shaved ice, such as was customary twenty-five years +ago. When our doctors go away for the summer, someone comes twice a week +from June to October to polish up the little silver name plate. It is +the custom in our neighbourhood (so one observes through drawing room +windows) to have reading lamps with rosy pink shades and at least two +beautiful daughters of debutante age. I hope I am not unjust, but our +street looks to me like the kind of place where people take warm baths, +in a roomy old china tub, on Sunday afternoons. After that, they go +downstairs and play a hymn on the piano, at twilight. + +[Illustration] + +There are a number of very odd features about our neighbourhood. There +is a large schoolhouse at the next corner, but as far as I can see, it +is not used as a school, not for children, at any rate. Sometimes, about +8 o'clock in the evening, I see the building gloriously illuminated, and +a lonely lady stooped and assiduous at a table. She seems quite +solitary. Perhaps her researches are so poignant that the school board +has prescribed entire silence. But midway down the block is a very jolly +little private school, to which very genteel children may be seen +approaching early in the morning. The little girls come with a bustle of +starch, on foot, accompanied by governesses; the small boys arrive in +limousines. They are small boys dressed very much in the English manner, +with heavy woollen stockings ending just below the knee. They probably +do not realize that their tailor has carefully planned them to look like +dear little English boys. Then there is a very mysterious small theatre +near by. If it were a movie theatre, what a boon it would be! But no, it +is devoted to a strange cult called the Religion of Business, which +meets there on Sundays. Before that, there was a Korean congress there. +There is a lovely green room in this theatre, but not much long green in +the box office. Philadelphia prefers Al Jolson to Hank Ibsen. + +We have our tincture of vie de Boheme, though, in our little French +table d'hote, a thoroughly atmospheric place. Delightful Madame B., with +her racy philosophy of life, what delicious soups and salads she serves! +Happy indeed are those who have learned the way to her little tables, +and heard her cheerful cry "A la cuisine!" when one of her small dogs +prowls into the dining room. Equally unique is the old curiosity shop +near by, one of the few genuine "notion" shops left in the city (though +there is a delightful one on Market Street near Seventeenth, to enter +which is to step into a country village). This is just the kind of shop +bought by the old gentleman in one of Frank Stockton's agreeable tales, +"Mr. Tolman," in the volume called "The Magic Egg". The proprietress, +charming and conversable lady, will sell you anything in the "notions" +line, from a paper of pins to garter elastic. Then there is the laundry, +whose patrons carry on a jovial game known as "Looking for Your Own." +Every week, by some cheery habit of confusion, the lists are lost, and +one hunts through shelves of neatly piled and crisply laundered garments +to pick out one's own collars, pyjamas, or whatever it may be. The +amusing humour of this pastime must be experienced to be understood. + +The little cigar and magazine shop on the corner is the political and +social focus of the neighbourhood. I shall never forget the pallid and +ghastly countenance of the newsdealer when the rumour first went the +rounds that "Hampy" was elected. Every evening a little gathering of +local sages meets in the shop; on tilted chairs, in a haze of tobacco, +they while the hours away. In tobacco the host adheres to the standard +blends, but in literature he is enterprising. Until recently this was +the only place I know in Philadelphia where one could get the +_Illustrated London News_ every week. + +There are twinges of modernity going on along our street. Some of the +old houses have been remodeled into apartments. There is an "electric +shoe repairer" just round the corner. But the antique dealers and +plumbers for which the street is famous still hold sway; the fine old +brick pavement still collects rain water in its numerous dimpled +hollows, and the yellowish marble horse-blocks adorn the curb. The nice +shabby stables in the little side streets have not yet been turned into +studios by artists, and the neighbourhood's youngest urchins set sail +for Rittenhouse Square every morning on their fleet of "kiddie-cars." +Their small stout legs, twinkling along the pavements in white gaiters +on a wintry day, are a pleasant sight. Even our urchins are notably +genteel. Surrounded on all sides by the medical profession, they are +reared on registered milk and educator crackers. If Philadelphia ever +betrays its soul, it does so on this delightful, bland, and genteel +highway. + + + + +PERSHING IN PHILADELPHIA + +[Illustration] + + +The pavement in front of Independence Hall was a gorgeous jumble of +colours. The great silken flags of the Allies, carried by vividly +costumed ladies, burned and flapped in the wind. On a pedestal stood the +Goddess of Liberty, in rich white draperies that seemed fortunately of +sufficient texture to afford some warmth, for the air was cool. She +graciously turned round for Walter Crail, the photographer of our +contemporary, the _Evening Public Ledger_, to take a shot at her. + +Down Chestnut Street came a rising tide of cheers. A squadron of mounted +police galloped by. Then the First City Troop, with shining swords. +Fred Eckersburg, the State House engineer, was fidgeting excitedly +inside the hall, in a new uniform. This was Fred's greatest day, but we +saw that he was worried about Martha Washington, the Independence Hall +cat. He was apprehensive lest the excitement should give her a fit or a +palsy. Independence Hall is no longer the quiet old place Martha used to +enjoy before the war. + +The Police Band struck up "Hail to the Chief." Yells and cheers burst +upward from the ground like an explosion. Here he was, standing in the +car. There was the famous chin, the Sam Browne belt, the high laced +boots with spurs. Even the tan gloves carried in the left hand. There +was the smile, without which no famous man is properly equipped for +public life. There was Governor Sproul's placid smile, too, but the +Mayor seemed too excited to smile. Rattle, rattle, rattle went the +shutters of the photographers. Up the scarlet lane of carpet came the +general. His manner has a charming, easy grace. He saluted each one of +the fair ladies garbed in costumes of our Allies, but taking care not to +linger too long in front of any one of them lest any embracing should +get started. A pattering of tiger lilies or some such things came +dropping down from above. He passed into the hall, which was cool and +smelt like a wedding with a musk of flowers. + +While the Big Chief was having a medal presented to him inside the hall +we managed to scuttle round underneath the grand stand and take up a +pencil of vantage just below the little pulpit where the general was to +speak. Here the crowd groaned against a bulwark of stout policemen. +Philadelphia cops, bless them, are the best tempered in the world. (How +Boston must envy us.) Genially two gigantic bluecoats made room against +the straining hawser for young John Fisher, aged eleven, of 332 +Greenwich Street. John is a small, freckle-faced urchin. It was amusing +to see him thrusting his eager little beezer between the vast, soft, +plushy flanks of two patrolmen. He had been there over two hours waiting +for just this adventure. Then, to assert the equality of the sexes, +Mildred Dubivitch, aged eleven, and Eva Ciplet, aged nine, managed to +insert themselves between the chinks in the line of cops. An old lady +more than eighty years old was sitting placidly in a small chair just +inside the ropes. She had been in the square more than five hours, and +the police had found her a seat. "Are you going to put Pershing's name +in, too?" asked John as we noted his address. + +Independence Square never knew a more thrilling fifteen minutes. The +trees were tossing and bending in the thrilling blue air. There was a +bronzy tint in their foliage, as though they were putting on olive drab +in honour of the general. Great balloons of silver clouds scoured across +the cobalt sky. At one minute to 11 Pershing appeared at the top of the +stand. The whole square, massed with people, shook with cheers. + +Had it been any other man we would have said the general was frightened. +He came down the aisle of the stand with his delightful, easy, smiling +swing; but he looked shrewdly about, with a narrow-eyed, puckered gaze. +He was plainly a little flabbergasted. He seemed taken aback by the +greatness of Philadelphia's voice. He said something to himself. On his +lips it looked like "What the deuce," or something of similar purport. +He sat down on a chair beside Governor Sproul. Not more than four feet +away, amazed at our own audacity, we peered over the floor of the stand. + +He was paler than we expected. He looked a bit tired. Speaking as a +father, we were pleased to note the absence of Warren, who was (we hope) +getting a good sleep somewhere. We had a good look at the renowned chin, +which is well worth study. It must be a hard chin to shave. It juts +upward, reaching a line exactly below the brim of his cap. Below his +crescent moustache there is no lower lip visible: it is tucked and +folded in by the rising thrust of the jaw. It is this which gives him +the "grim" aspect which every reader of the papers hears about. He is +grim, there's no doubt about it, with the grimness of a man going +through a tough ordeal. "I can see him all right," squeaked little John +Fisher, "but he doesn't see me." The first two rows of seats at the +right of the aisle were crammed with generals, two-star and three-star. +From our lowly station we could see a grand panorama of mahogany leather +boots and the flaring curves of riding breeches. It was a great day for +Sam Browne. The thought came to us that has reached us before. The +higher you go in the A. E. F. the more the officers are tailored after +the English manner. It is the finest proof of international cousinship. +When England and America wear the same kind of clothes, alliance is knit +solid. + +Pershing sat with his palms on his knees. He looked worried. There was a +wavering crease down his lean cheeks. The plumply genial countenance of +Governor Sproul next to him was an odd contrast to that dry, hard face. +The bell in the tower tolled eleven times. He stood up for the +photographers. Walter Crail, appearing from somewhere, sprang up on the +parapet facing the general. "Look this way!" he shouted as the general +turned toward some movie men. That will be Walter's first cry when he +gets to heaven, or wherever. Mayor Smith's face was pallid with +excitement. His nicely draped trouserings, which were only six inches +from our notebook, quivered slightly as he said fifteen words of +introduction. + +As Pershing stood up to speak the crowd surged forward. The general was +worried. "Don't, don't! Somebody will get hurt!" he called sharply. Then +Mayor Smith surged forward also and said something to the police about +watching the crowd. + +The general took off his cap. Holding it in his left hand (with the +gloves) he patted his close-cropped hair nervously. He frowned. He began +to speak. + +The speech has already been covered by our hated rivals. We will not +repeat it, save to say that it was as crisp, clean-cut, and pointed as +his chin. He was nervous, as we could see by the clenching and +unclenching of his hands. His voice is rather high. We liked him for not +being a suave and polished speaker. He gestured briskly with a pointing +forefinger, and pronounced the word _patriotic_ with a short +A--"pattriotic." Later he stumbled over it again and got it out as +_patterotism_. We liked him again for that. He doesn't have to pronounce +it, anyway. We liked him best of all for the unconscious slip he made. +"This reception," he said, "I understand is for the splendid soldiery of +America that played such an important part in the war with our Allies." +A respectful ripple of laughter passed over the stand at this, but he +did not notice it. He was fighting too hard to think what to say next. +We liked him, too, for saying "such an important part." A man who had +been further away from the fighting would have said that it was America, +alone and unaided, that won the war. He is just as we have hoped he +would be: a plain, blunt man. We have heard that he is going to enter +the banking business. We'd like to have an account at that bank. + + + + +FALL FEVER + +[Illustration] + + +About this time of year, when the mellow air swoons (as the poets say) +with golden languor and the landscape is tinged a soft brown like a +piece of toast, we feel the onset and soft impeachment of fall fever. + +Fall fever is (in our case at any rate) more insidious than the familiar +disease of spring. Spring fever impels us to get out in the country; to +seize a knotted cudgel and a pouchful of tobacco and agitate our limbs +over the landscape. But the drowsiness of autumn is a lethargy in the +true sense of that word--a forgetfulness. A forgetfulness of past +discontents and future joys; a forgetfulness of toil that is gone and +leisure to come; a mere breathing existence in which one stands vacantly +eyeing the human scene, living in a gentle simmer of the faculties like +a boiling kettle when the gas is turned low. + +Fall fever, one supposes, is our inheritance from the cave man, who +(like the bear and the--well, some other animal, whatever it is) went +into hibernation about the first of November. Autumn with its soft +inertia lulled him to sleep. He ate a hearty meal, raked together some +dry leaves, curled up and slid off until the alarm clock of April. + +This agreeable disease does not last very long with the modern man. He +fights bravely against it; then the frost comes along, or the coal bill, +and stings him into activity. But for a few days its genial torpor may +be seen (by the observant) even in our bustling modern career. When we +read yesterday that Judge Audenried's court clerks had fallen asleep +during ballot-counting proceedings we knew that the microbe was among us +again. Keats, in his lovely Ode, describes the figure of Autumn as +stretched out "on a half-reaped furrow sound asleep." Unhappily the +conventions forbid city dwellers from curling up on the pavements for a +cheerful nap. If one were brave enough to do so, unquestionably many +would follow his example. But the urbanite has taught himself to doze +upright. You may see many of us, standing dreamily before Chestnut +Street show windows in the lunch hour, to all intents and purposes in a +state of slumber. Yesterday, in that lucid shimmer of warmth and light, +a group stood in front of a doughnut window near Ninth Street: not one +of them was more than half awake. Similarly a gathering watched the +three small birds who have become a traditional window ornament on +Chestnut Street (they have recently moved from an oculist to a +correspondence course office) and a faint whisper of snoring arose on +the sultry air. The customs of city life permit a man to stand still as +long as he likes if he will only pretend to be watching something. We +saw a substantial burgher pivoted by the window of Mr. Albert, the +violin maker, on Ninth Street. Apparently he was studying the fine +autographed photo of Patti there displayed; but when we sidled near we +saw that his eyes were closed; this admirable person, who seemed to be +what is known as a "busy executive," and whose desk undoubtedly carries +a plate-glass sheet with the orisons of Swett Marden under it, was in a +blissful doze. + +Modern life (as we say) struggles against this sweet enchantment of +autumn, but Nature is too strong for us. Why is it that all these +strikes occur just at this time of year? The old hibernating instinct +again, perhaps. The workman has a subconscious yearning to scratch +together a nice soft heap of manila envelopes and lie down on that couch +for a six months' ear-pounding. There are all sorts of excuses that one +can make to one's self for waving farewell to toil. Only last Sunday we +saw this ad in a paper: + + HEIRS WANTED. The war is over and has made many new heirs. You + may be one of them. Investigate. Many now living in poverty are + rich, but don't know it. + +Now what could be simpler (we said to ourself as we stood contemplating +those doughnuts) than to forsake our jolly old typewriter and spend a +few months in "investigating" whether any one had made us his heir? It +might be. Odd things have happened. Down in Washington Square, for +instance (we thought), are a number of sun-warmed benches, very +reposeful to the sedentary parts, on which we might recline and think +over the possibility of our being rich unawares. We hastened thither, +but apparently many had had the same idea. There was not a bench vacant. +The same was true in Independence Square and in Franklin Square. We will +never make a good loafer. There is too much competition. + +So we came back, sadly, to our rolltop and fell to musing. We picked up +a magazine and found some pictures showing how Mary Pickford washes her +hair. "If I am sun-drying my hair," said Mary (under a photo showing her +reclining in a lovely garden doing just that), "I usually have the +opportunity to read a scenario or do some other duty which requires +concentration." And it occurred to us that if a strain like that is put +upon a weak woman we surely ought to be able to go on moiling for a +while, Indian summer or not. And then we found some pictures by our +favourite artist, Coles Phillips, with that lovely shimmer around the +ankles, and we resolved to be strong and brave and have pointed +finger-nails. But still, in the back of our mind, the debilitating +influence of fall fever was at work. We said to ourself, without the +slightest thought of printing it (for it seemed to put us in a false +light), that the one triumphant and unanswerable epigram of mankind, the +grandest and most resolute utterance in the face of implacable fate, is +the snore. + + + + +TWO DAYS BEFORE CHRISTMAS + + +Will the hand-organ man please call? Our wife has dug up our old +overcoat and insists on giving it to him. We intended to give it to the +Honolulu Girls around at the Walnut Theatre, they looked a bit +goose-fleshed last week, but we always have hay fever when we get near +those grass skirts. Grass widows is what the profession calls the +Hawaiian ladies. Hope the temperature isn't going up again. We love the +old-fashioned Christmas and all that sort of thing. Nipping air makes +cheeks pink; we love to see them nestled in fur coats on Chestnut +Street. This is the time of year to do unexpected kindnesses. We know +one man who stands in line for hours in front of movie theatres just in +order to shout _Merry Christmas_ through the little hole in the glass. +Shaving seems less of a bore. Newspapers are supposed to be heartless, +but they all take a hand in trying to help poor children. Find ourselves +humming hymn tunes. Very odd, haven't been to a church for years. Great +fun surprising people. We've been reading the new phone book; noticed +several ways in which people might surprise each other by calling up and +wishing many happy returns of the day. Why doesn't Beulah R. Wine ring +up Mrs. Louis F. Beer, for instance? Or, A. D. Smoker and Burton J. +Puffer might go around to W. C. Matchett, tobacconist, at 1635 South +Second Street, and buy their Christmas cigars. George Wharton Pepper +might give Mayme Salt a ring (on the phone, that is). What a pleasant +voice that telephone operatrix has. Here's to you, child, and many of +them. Grand time, Christmas. + + * * * * * + +Fine old Anglo-Saxon festival, Christmas. A time of jovial cheer and +bracing mirth. Must be so, because Doctor Frank Crane and Ralph Waldo +Trine have often said so. Christmas hard on people like that, however: +they are bursting with the Christmas spirit all the year round; very +trying when the real occasion comes. That's the beauty of having a +peevish and surly disposition: when one softens up at Christmas +everybody notices it and is pleased. Chaucer, fine old English poet, +first English humorist, gave good picture of Christmas cheer more than +five hundred years ago. Never quoted on Christmas cards, why not copy it +here? Chaucer's spelling very like Ring Lardner's, but good sort just +the same. Says he: + + And this was, as thise bookes me remembre, + The colde, frosty sesoun of Decembre.... + The bittre frostes with the sleet and reyn + Destroyed hath the grene in every yard; + Janus sit by the fyre with double beard, + And drynketh of his bugle horn the wyn; + Biforn hym stant brawn of the tusked swyn, + And "_Nowel_" crieth every lusty man. + +Janus, god of doors, what we call nowadays a janitor. Had two faces so +he could watch the front and back door at once and get a double tip at +Christmas time. Also, that was why he wore a beard; too much trouble to +shave. We don't cry _Nowel_ any more; instead we petition the janitor to +send up a little more steam. But what a jolly picture Chaucer gives of +Christmas! Wine to drink (fine ruddy wine, as red as the holly berries), +crackling flitch of pig to eat, and a merry cry of welcome sounding at +the threshold as your friends come stamping in through the snow. + +Grand time, Christmas! No one is really a Philadelphian until he has +waited for a Pine Street car on a snowy night. Please have my seat, +madam, there's plenty of room on the strap. Wonder why the pavement on +Chestnut Street is the slipperiest in the world? Always fall down just +in front of our bank; most embarrassing; hope the paying teller doesn't +see us. Very annoying to lose our balance just there. Awfully nice +little girl in there who balances the books. Has a kind heart. The +countless gold of a merry heart, as William Blake said. She looks +awfully downcast when our balance gets the way it is now. Hate to +disappoint her. Won't have our book balanced again for a devil of a +while. Even the most surly is full of smiles nowadays. Most of us when +we fall on the pavement (did you ever try it on Chestnut between Sixth +and Seventh on a slippery day?) curse the granolithic trust and wamble +there groaning. But not nowadays. Make the best of things. Fine panorama +of spats. + + * * * * * + +Association of ideas. Everybody wears silk stockings at Christmas time. +Excessive geniality of the ad-writers. Uproarious good cheer. Makes one +almost ashamed to notice the high price of everything. Radicals being +deported. Why not deport Santa Claus, too? Very radical notion that, +love your neighbour better than yourself. Easy to do; very few of us +such dam fools as to love ourselves, but so often when you love your +neighbour she doesn't return it. Nice little boxes they have at the +ten-cent stores, all covered with poinsettia flowers, to put presents +in. Wonder when poinsettia began to be used as a Christmas decoration +and why? Everyone in ten-cent store calls them "poinsettias," but named +after J. R. Poinsett. Encyclopedia very handy at times; makes a good +Christmas present, one dollar down and a dollar a month for life. Nobody +can tell the difference between real pearls and imitation; somebody +ought to put the oysters wise. Save them a lot of trouble and anxiety. +Don't know just what duvetyne is, but there seems to be a lot of it +drunk nowadays. Hope that clockwork train for the Urchin will arrive +soon; we were hoping to have three happy evenings playing with it before +he sees it. Fine to have children; lots of fun playing with their +presents. We are sure that life after death is really so, because +children always kick the blankets off at night. Fine bit of symbolism +that; put it in a sermon, unless Doctor Conwell gets there first. + +Grand time, Christmas! We vowed to try to take down our weight this +winter, and then they put sugar back on the menu, and doughnut shops +spring up on every street, and Charles F. Jenkins sent us a big sack of +Pocono buckwheat flour and we're eating a basketful of griddle cakes +every morning for breakfast. Terrible to be a coward; we always turn on +the hot water first in the shower bath, except the first morning we used +it. The plumber got the indicator on the wrong way round, and when you +turn to the place marked HOT it comes down like ice. Our idea of a +really happy man is the fellow driving a wagonload of truck just in +front of a trolley car, holding it back all the way downtown; when he +hears the motorman clanging away he pretends he thinks it's the +Christmas chimes and sings "Hark the Herald Angels." + +Speaking of Herald Angels reminds us of a good story about James Gordon +Bennett; we'll spring it one of these days when we're hard up for copy. +Jack Frost must be a married man, did you see him try to cover up the +show windows with his little traceries the other day when the shopping +was at its height? There was a pert little hat in a window on Walnut +Street we were very much afraid someone might see; the frost saved us. +Don't forget to put Red Cross seals on your letters. Delightful to watch +the faces on the streets at Christmas time. Everybody trying hard to be +pleasant; sometimes rather a strain. Curious things faces--some of them +seem almost human; queer to think that each belongs to someone and no +chance to get rid of it; sorry we're not in the mirror industry; never +thought of it before, but it ought to be profitable. Happier most of us, +if mirrors never had been invented. Hope all our nice-natured clients +will have the best kind of a time; forgive us for not answering letters; +we are too disillusioned about ourself to make any resolutions to do +better. We're going home now; on the way we'll think of a lot of nice +things we might have said, write them down and use them to-morrow. Hope +Dorothy Gish will get something nice in her stocking. Don't make the +obvious retort. Grand time, Christmas! + + + + +IN WEST PHILADELPHIA + +[Illustration] + + +Climbing aboard car No. 13--ominously labelled "Mt. Moriah"--I voyaged +toward West Philadelphia. It was a keen day, the first snow of winter +had fallen, and sparkling gushes of chill swept inward every time the +side doors opened. The conductor, who gets the full benefit of this +ventilation, was feeling cynical, and seeing his blue hands I didn't +blame him. Long lines of ladies, fumbling with their little bags and +waiting for change, stepped off one by one into the windy eddies of the +street corners. One came up to pay her fare ten blocks or so before her +destination, and then retired to her seat again. This puzzled the +conductor and he rebuked her. The argument grew busy. To the amazement +of the passengers this richly dressed female brandished lusty epithets. +"You Irish mick!" she said. (One would not have believed it possible if +he had not heard it.) "That's what I am, and proud of it," said he. The +shopping solstice is not all fur coats and pink cheeks. If you watch the +conductors in the blizzard season, and see the slings and arrows they +have to bear, you will coin a new maxim. The conductor is always right. + +It is always entertaining to move for a little in a college atmosphere. +I stopped at College Hall at the University and seriously contemplated +slipping in to a lecture. The hallways were crowded with earnest youths +of both sexes--I was a bit surprised at the number of co-eds, +particularly the number with red hair--discussing the tribulations of +their lot. "Think of it," said one man, "I'm a senior, and carrying +twenty-three hours. Got a thesis to do, 20,000 words." On a bulletin +board I observed the results of a "General Intelligence Exam." It +appears that 1,770 students took part. They were listed by numbers, not +by names. It was not stated what the perfect mark would have been; the +highest grade attained was 159, by Mr. (or Miss?) 735. The lowest mark +was 23. I saw that both 440 and 1124 got the mark of 149. If these +gentlemen (or ladies) are eager to play off the tie, it would be a +pleasure to arrange a deciding competition for them. The elaborate care +with which the boys and girls ignore one another as they pass in the +halls was highly delightful, and reminded me of exactly the same thing +at Oxford. But I saw the possible beginning of true romance in the +following notice on one of the boards: + + WANTED: Names and addresses of ten nice American university + students who must remain in Philadelphia over Christmas, away + from home, to be invited to a Christmas Eve party to help + entertain some Bryn Mawr College girls in one of the nicest homes + in a suburb of Philadelphia. + +Certainly there is the stage set for a short story. Perhaps not such a +short one, either. + +Naturally I could not resist a visit to the library, where most of the +readers seemed wholly absorbed, though one student was gaping forlornly +over a volume of Tennyson. I found an intensely amusing book, "Who's Who +in Japan," a copy of which would be a valuable standby to a newspaper +paragrapher in his bad moments. For instance: + + SASAKI, TETSUTARO: One of the highest taxpayers of Fukushima-ken, + President of the Hongu Reeling Partnership, Director of the Dai + Nippon Radium Water Co.; brewer, reeler; born Aug., 1860. + + SAKURAI, ICHISAKU: Member of the Niigata City Council; Director + of the Niigata Gas Co., Niigata Savings Bank. Born June, 1872, + Studied Japanese and Chinese classics and arithmetic. At present + also he connects with the Niigata Orphanage and various other + philanthropic bodies. Was imprisoned by acting contrary to the + act of explosive compound for seven years. Recreations: reading, + Western wine. + +Relying on my apparent similarity to the average undergrad, I +plunged into the sancta of Houston Hall and bought a copy of the +_Punch Bowl_. What that sprightly journal calls "A little group +of Syria's thinkers" was shooting pool. The big fireplaces, like +most fireplaces in American colleges, don't seem to be used. They +don't even show any traces of ever having been used, a curious +contrast to the always blazing hearths of English colleges. The +latter, however, are more necessary, as in England there is +usually no other source of warmth. A bitter skirmish of winds, +carrying powdered snow dust, nipped round the gateways of the +dormitories and Tait McKenzie's fine statue of Whitefield stood +sharply outlined against a cold blue sky. I lunched at a varsity +hash counter on Spruce Street and bought tobacco in a varsity +drug store, where a New York tailor, over for the day, was +cajoling students into buying his "snappy styles" in time for +Christmas. There is no more interesting game than watching a lot +of college men, trying to pick out those who may be of some value +to the community in future--the scientists, poets, and teachers +of the next generation. The well-dressed youths one sees in the +varsity drug stores are not generally of this type. + +The Evans School of Dentistry at Fortieth and Spruce is a +surprising place. Its grotesque gargoyles, showing (with true +medieval humour) the sufferings of tooth patients, are the first +thing one notices. Then one finds the museum, in which is housed +Doctor Thomas W. Evans's collection of paintings and curios +brought back from France. Unfortunately there seems to be no +catalogue of the items, so that there is no way of knowing what +interesting associations belong to them. But most surprising of +all is to find the travelling carriage of the Empress Eugenie in +which she fled from France in the fatal September days of 1870. +She spent her last night in France at the home of Doctor Evans, +and there is a spirited painting by Dupray showing her leaving +his house the next morning, ushered into the carriage by the +courtly doctor. The old black barouche, or whatever one calls it, +seems in perfect condition still, with the empress's monogram on +the door panel. Only the other day we read in the papers that the +remarkable old lady (now in her ninety-fourth year) has been +walking about Paris, revisiting well-known scenes. How it would +surprise her to see her carriage again here in this University +building in West Philadelphia. The whole museum is delightfully +French in flavour; as soon as one enters one seems to step back +into the curiously bizarre and tragic extravagance of the Second +Empire. + +One passes into the dignified and placid residence section of +Spruce and Pine streets, with its distinctly academic air. Behind +those quiet walls one suspects bookcases and studious professors +and all the delightful passions of the mind. On Baltimore Avenue +the wintry sun shone white and cold; in Clark Park, Charles +Dickens wore a little cap of snow, and Little Nell looked more +pathetic than ever. There is a breath of mystery about Baltimore +Avenue. What does that large sign mean, in front of a house near +Clark Park--THE EASTERN TRAVELLERS? Then one comes to the famous +shop of S. F. Hiram, the Dodoneaean Shoemaker he calls himself. +This wise coloured man has learned the advertising advantages of +the unusual. His placard reads: + + Originator of that famous Dobrupolyi System of repairing. + +When one enters and asks to know more about this system, he +points to another placard, which says: + + It assumes the nature and character of an appellative noun, and + carries the article The System. + +His shop contains odd curios as well as the usual traffic of a +cobbler. "The public loves to be hood-winked," he adds sagely. + + + + +HORACE TRAUBEL + + +We wait with particular interest to hear what Philadelphia will have to +say about the passing of Horace Traubel. Traubel was the official echo +of the Great Voice of Camden, and in his obituary one may discern the +vivacity of the Whitman tradition. This is a matter of no small concern +to the curators of the Whitman cult. The soul of Philadelphia cannot be +kept alive by conventions and statistics alone. Such men as Traubel have +helped. + +There are two kinds of rebels. By their neckties you may know them. Walt +Whitman was of the kind that wears no necktie at all. Then there is the +lesser sort, of which Traubel was one--the rebel who wears a flowing +black bow tie with long trailers. Elbert Hubbard wore one of these. It +is a mild rebellion of which this is symbol. It often goes with shell +spectacles. + +[Illustration] + +We never knew Horace Traubel, though he was the man we most wanted to +meet when we came to Philadelphia. We have heard men of all conditions +speak of him with affection and respect. He was dedicated from boyhood +to the Whitman cause. From Walt himself he caught the habit of talking +about Walt, and he carried it on with as much gusto and happiness as +Walt did. Only recently he said in his little magazine _The +Conservator_: + + When I was quite small I used to want to be a great man. But in + my observations of the old man's better than great way of meeting + the gifts as well as the reverses of fate I didn't want to be a + great man. I only wanted to stay unannexed to any institution as + he was. No college ever decorated him. For the best of reasons. + No college could. He could decorate them. + +So Traubel remained unannexed. He was fired from a bank because he +happened to take issue in public with one of the bank's chief +depositors. He floated about happily, surrounded by young Whitman +disciples, carrying on his guerrilla for what his leader called the +"peerless, passionate, good cause" of human democracy. His little +magazine led a precarious life, supported by good friends. His protest +against iniquities was an honest, good-humoured protest. + +Horace Traubel will be remembered, as he wished to be remembered, as the +biographer of Whitman. Whitman also, we may add, wished Traubel to be so +remembered. In his careful record of the Camden sage's utterances and +pulse-beats he approached (as nearly as any one) the devoted dignity of +Boswell. We were about to say the self-effacing devotion of Boswell; but +the beauty of biography is that the biographer cannot wholly delete +himself from the book. One is always curious about the recording +instrument. When we see a particularly fine photograph our first +question is always, "What kind of camera was it taken with?" + +It seems to us--speaking only by intuition, for we never knew him--that +Traubel was a happy man. He was untouched by many of the harassing +ambitions that make the lives of prosperous men miserable. He was +touched in boyhood by one simple and overmastering motive--to carry on +the Whitman message and spread it out for the younger world. Much of the +dunnage of life he cast overboard. He was too good a Whitman disciple to +estimate success in the customary terms. When he left his job in the +bank he opened an account in the Walt Whitman philosophy--and he kept a +healthy balance there to the end. + + + + +TALES OF TWO CITIES + +II. NEW YORK + + + + +THE ANATOMY OF MANHATTAN + + +She is the only city whose lovers live always in a mood of wonder and +expectancy. There are others where one may sink peacefully, contentedly +into the life of the town, affectionate and understanding of its ways. +But she, the woman city, who is bold enough to say he understands her? +The secret of her thrilling and inscrutable appeal has never been told. +How could it be? She has always been so much greater than any one who +has lived with her. (Shall we mention Walt Whitman as the only possible +exception? O. Henry came very near to her, but did he not melodramatize +her a little, sometimes cheapen her by his epigrammatic appraisal, fit +her too neatly into his plot? Kipling seemed to see her only as the +brutal, heedless wanton.) Truly the magic of her spell can never be +exacted. She changes too rapidly, day by day. Realism, as they call it, +can never catch the boundaries of her pearly beauty. She needs a mystic. + +No city so challenges and debilitates the imagination. Here, where +wonder is a daily companion, desire to tell her our ecstasy becomes at +last only a faint pain in the mind. If you would mute a poet's lyre, +put him on a ferry from Jersey City some silver April morning; or send +him aboard at Liberty Street in an October dusk. Poor soul, his mind +will buzz (for years to come) after adequate speech to tell those cliffs +and scarps, amethyst and lilac in the mingled light; the clear topaz +chequer of window panes; the dull bluish olive of the river, streaked +and crinkled with the churn of the screw! Many a poet has come to her in +the wooing passion. Give him six months, he is merely her Platonist. He +lives content with placid companionship. Where are his adjectives, his +verbs? That inward knot of amazement, what speech can unravel it? + +Her air, when it is typical, is light, dry, cool. It is pale, it is +faintly tinctured with pearl and opal. Heaven is unbelievably remote; +the city itself daring so high, heaven lifts in a cautious remove. Light +and shadow are fantastically banded, striped, and patchworked among her +cavern streets; a cool, deep gloom is cut across with fierce jags and +blinks of brightness. She smiles upon man who takes his ease in her +colossal companionship. Her clean soaring perpendiculars call the eye +upward. One wanders as a botanist in a tropical forest. That great +smooth groinery of the Pennsylvania Station train shed: is it not the +arching fronds of iron palm trees? Oh, to be a botanist of this vivid +jungle, spread all about one, anatomist of the ribs and veins that run +from the great backbone of Broadway! + +To love her, one thinks, is to love one's fellows; each of them having +some unknown share in her loveliness. Any one of her streets would be +the study and delight of a lifetime. To speak at random, we think of +that little world of brightness and sound bourgeois cheer that spreads +around the homely Verdi statue at Seventy-third Street. We have a +faithful affection for that neighbourhood, for reasons of our own. +Within a radius, thereabouts, of a quarter-mile each way, we could live +a year and learn new matters every day. They call us a hustling folk. +Observe the tranquil afternoon light in those brownstone byways. Pass +along leisurely Amsterdam Avenue, the region of small and genial shops, +Amsterdam Avenue of the many laundries. See the children trooping +upstairs to their own room at the St. Agnes branch of the Public +Library. See the taxi drivers, sitting in their cars alongside the Verdi +grass plot (a rural breath of new-mown turf sweetening the warm, crisp +air) and smoking pipes. Every one of them is to us as fascinating as a +detective story. What a hand they have had in ten thousand romances. At +this very moment, what quaint and many-stranded destinies may hail them +and drive off? But there they sit, placid enough, with a pipe and the +afternoon paper. The light, fluttering dresses of enigmatic fair ones +pass gayly on the pavement. Traffic flows, divides, and flows on, a +sparkling river. Here is that mystery, a human being, buying a cigar. +Here is another mystery asking for a glass of frosted chocolate. Why is +it that we cannot accost that tempting riddle and ask him to give us an +accurate precis of his life to date? And that red-haired burly sage, he +who used to bake the bran muffins in the little lunchroom near by, and +who lent us his Robby Burns one night--what has become of him? + +So she teases us, so she allures. Sometimes, on the L, as one passes +along that winding channel where the walls and windows come so close, +there is a felicitous sense of being immersed, surrounded, drowned in a +great, generous ocean of humanity. It is a fine feeling. All life +presses around one, the throb and the problem are close, are close. Who +could be weary, who could be at odds with life, in such an embrace of +destiny? The great tall sides of buildings fly open, the human hive is +there, beautiful and arduous beyond belief. Here is our worship and here +our lasting joy, here is our immortality of encouragement. Yes, perhaps +O. Henry did say the secret after all: "He saw no longer a rabble, but +his brothers seeking the ideal." + + + + +VESEY STREET + +[Illustration] + + +The first duty of the conscientious explorer is to study his own +neighbourhood, so we set off to familiarize ourself with Vesey Street. +This amiable byway (perhaps on account of the proximity of Washington +Market) bases its culture on a solid appreciation of the virtue of good +food, an admirable trait in any street. Upon this firm foundation it +erects a seemly interest in letters. The wanderer who passes up the +short channel of our street, from the docks to St. Paul's churchyard, +must not be misled by the character of the books the bibliothecaries +display in their windows. Outwardly they lure the public by Bob +Ingersoll's lectures, Napoleon's Dream Book, efficiency encyclopaedias +and those odd and highly coloured small brochures of smoking-car tales +of the Slow Train Through Arkansaw type. But once you penetrate, you may +find quarry of a more stimulating kind. For fifteen cents we eloped with +a first edition of Bunner's "Love in Old Cloathes," which we were glad +to have in memory of the "old red box on Vesey Street" which Banner +immortalized in rhyme, and which still stands (is it the same box?) by +the railing of St. Paul's. Also, even nobler treasure to our way of +thinking, did we not just now find (for fifteen cents) Hilaire Belloc's +"Hills and the Sea," that enchanting little volume of essays, which we +are almost afraid to read again. Belloc, the rogue--the devil is in him. +Such a lusty beguilery moves in his nimble prose that after reading him +it is hard not to fall into a clumsy imitation of his lively and frolic +manner. There is at least one essayist in this city who fell subject to +the hilarious Hilaire years ago. It is an old jape but not such a bad +one: our friend Murray Hill will never return to the status quo ante +Belloc. + +But we were speaking of Vesey Street. It looks down to the water, and +the soft music of steamship whistles comes tuning on a cold, gusty air. +Thoroughly mundane little street, yet not unmindful of matters +spiritual, bounded as it is by divine Providence at one end (St. Paul's) +and by Providence, R. I. (the Providence Line pier) at the other. +Perhaps it is the presence of the graveyard that has startled Vesey +Street into a curious reversal of custom. On most other streets, we +think, the numbers of the houses run even on the south side, odd on the +north. But just the opposite on Vesey. You will find all even numbers on +the north, odd on the south. Still, Wall Street errs in the same way. + +If marooned or quarantined on Vesey Street a man might lead a life of +gayety and sound nourishment for a considerable while, without having +recourse to more exalted thoroughfares. There are lodging houses in that +row of old buildings down toward the docks; from the garret windows he +could see masts moving on the river. For food he would live high indeed. +Where will one see such huge glossy blue-black grapes; such enormous +Indian River grapefruit; such noble display of fish--scallops, +herrings, smelts, and the larger kind with their dead and desolate eyes? +There are pathetic rows of rabbits, frozen stiff in the bitter cold +wind; huge white hares hanging in rows; a tray of pigeons with their +iridescent throat feathers catching gleams of the pale sunlight. There +are great sacks of nuts, barrels of cranberries, kegs of olive oil, +thick slabs of yellow cheese. On such a cold day it was pleasant to see +a sign "Peanut Roasters and Warmers." + +Passing the gloomy vista of Greenwich Street--under the "L" is one of +those mysterious little vents in the floor of the street from which +issues a continual spout of steam--our Vesey grows more intellectual. +The first thing one sees, going easterly, is a sign: THE TRUTH SEEKER, +_One flight Up_. The temptation is almost irresistible, but then Truth +is always one flight higher up, so one reflects, what's the use? In this +block, while there is still much doing in the way of food--and even food +in the live state, a window full of entertaining chicks and ducklings +clustered round a colony brooder--another of Vesey Street's interests +begins to show itself. Tools. Every kind of tool that gladdens the heart +of man is displayed in various shops. One realizes more and more that +this is a man's street, and indeed (except at the meat market) few of +the gayer sex are to be seen along its pavements. One of the tool shops +has open-air boxes with all manner of miscellaneous oddments, from mouse +traps to oil cans, and you may see delighted enthusiasts poring over the +assortment with the same professional delight that ladies show at a +notion counter. One of the tool merchants, however, seems to have +weakened in his love of city existence, for he has put up a placard: + +WANTED TO RENT _Small Farm Must Have Fruit and Spring Water_ + +How many years of repressed yearning may speak behind that modest +ambition! + +Our own taste for amusement leads us (once luncheon dispatched; you +should taste Vesey Street's lentil soup) to the second-hand bookshops. +Our imagined castaway, condemned to live on Vesey Street for a term of +months, would never need to languish for mental stimulation. Were he +devout, there is always St. Paul's, as we have said; and were he +atheist, what a collection of Bob Ingersoll's essays greets the faring +eye! There is the customary number of copies of "The Pentecost of +Calamity"; it seems to the frequenter of second-hand bazaars as though +almost everybody who bought that lively booklet in the early days of the +war must have sold it again since the armistice. Much rarer, we saw a +copy of "Hopkins's Pond," that little volume of agreeable sketches +written so long ago by Dr. Robert T. Morris, the well-known surgeon, and +if we had not already a copy which the doctor inscribed for us we would +certainly have rescued it from this strange exile. + +There are only two of the really necessary delights of life that the +Vesey Street maroon would miss. There is no movie, there are no +doughnuts. We are wondering whether in any part of this city there has +sprung up the great doughnut craze that has ravaged Philadelphia in the +past months. As soon as prohibition became a certainty, certain astute +merchants of the Quaker City devoted themselves to inoculating the +public with a taste for these humble fritters, and now they bubble gayly +in the windows of Philadelphia's most aristocratic thoroughfare. It is +really a startling sight to see Philadelphia lining up for its noonday +quota of doughnuts, and the merchants over there have devised an +ingenious method of tempting the crowd. A funnel, erected over the +frying sinkers, carries the fragrant fumes out through a transom and +gushes it into the open air, so that the sniff of doughnuts is +perceptible all down the block. There is a fortune waiting on Vesey +Street for the man who will establish a doughnut foundry, and we +solemnly pledge our own appetite and that of all our friends toward his +success.[2] + +At its upper end, perhaps in memory of the vanished Astor House, Vesey +Street stirs itself into a certain magnificence, devoting its window +space to jewellery and silver-mounted books of prayer. At this window +one may regulate his watch at a clock warranted by Charles Frodsham of +84, Strand, to whose solid British accuracy we hereby pay decent +tribute. Over all this varied scene lifts the shining javelin-head of +the Woolworth Building, seen now and then in an almost disbelieved +glimpse of sublimity; and the golden Lightning of the Telephone and +Telegraph pinnacle, waving his zigzag brands in the sun. + +[2] Since this was written, the lack has been supplied--on Park Row, +just above the top of Vesey Street; probably the most luxurious doughnut +shop ever conceived. + + + + +BROOKLYN BRIDGE + +[Illustration] + + +A windy day, one would have said in the dark channels of downtown ways. +In the chop house on John Street, lunch-time patrons came blustering in, +wrapped in overcoats and mufflers, with something of that air of +ostentatious hardiness that men always assume on coming into a warm room +from a cold street. Thick chops were hissing on the rosy grill at the +foot of the stairs. In one of the little crowded stalls a man sat with a +glass of milk. It was the first time we had been in that chop house for +several years ... it doesn't seem the same. As Mr. Wordsworth said, it +is not now as it hath been of yore. But still, + + The homely Nurse doth all she can + To make her foster-child, her Inn-mate Man, + Forget the glories he hath known. + +It's a queer thing that all these imitation beers taste to us exactly as +real beer did the first time we tasted it (we were seven years old) and +shuddered. "Two glasses of cider," we said to the comely serving maid. +Alas + + That nature yet remembers + What was so fugitive. + +There is a nice point of etiquette involved in lunching in a crowded +chop house. Does the fact of having bought and eaten a moderate meal +entitle one to sit with one's companion for a placid talk and smoke +afterward? Or is one compelled to relinquish the table as soon as one is +finished, to make place for later comers? These last are standing +menacingly near by, gazing bitterly upon us as we look over the card and +debate the desirability of having some tapioca pudding. But our +presiding Juno has already settled the matter, and made courtesy a +matter of necessity. "These gentlemen will be through in a moment," she +says to the new candidates. Our companion, the amiable G---- W----, was +just then telling us of a brand of synthetic whiskey now being +distilled by a famous tavern of the underworld. The superlative charm of +this beverage seems to be the extreme rigidity it imparts to the +persevering communicant. "What does it taste like?" we asked. "Rather +like gnawing furniture," said G---- W----. "It's like a long, healthy +draught of shellac. It seems to me that it would be less trouble if you +offered the barkeep fifty cents to hit you over the head with a hammer. +The general effect would be about the same, and you wouldn't feel nearly +so bad in the morning." + +A windy day, and perishing chill, we thought as we strolled through the +gloomy caverns and crypts underneath the Brooklyn Bridge. Those twisted +vistas seen through the archways give an impression of wrecked Louvain. +A great bonfire was burning in the middle of the street. Under the Pearl +Street elevated the sunlight drifted through the girders in a lively +chequer, patterning piles of gray-black snow with a criss-cross of +brightness. We had wanted to show our visitor Franklin Square, which he, +as a man of letters, had always thought of as a trimly gardened plot +surrounded by quiet little old-fashioned houses with brass knockers, and +famous authors tripping in and out. As we stood examining the facade of +Harper and Brothers, our friend grew nervous. He was carrying under his +arm the dummy of an "export catalogue" for a big brass foundry, that +being his line of work. "They'll think we're free verse poets trying to +get up courage enough to go in and submit a manuscript," he said, and +dragged us away. + +A windy day, we had said in the grimy recesses of Cliff and Dover +streets. (Approaching this sentiment for the third time, perhaps we may +be permitted to accomplish our thought and say what we had in mind.) But +up on the airy decking of the Brooklyn Bridge, where we repaired with +G---- W---- for a brief stroll, the afternoon seemed mild and tranquil. +It is a mistake to assume that the open spaces are the windier. The +subway is New York's home of AEolus, and most of the gusts that buffet us +on the streets are merely hastening round a corner in search of the +nearest subway entrance so that they can get down there where they feel +they belong. Up on the bridge it was plain to perceive that the March +sunshine had elements of strength. The air was crisp but genial. A few +pedestrians were walking resolutely toward the transpontine borough; the +cop on duty stood outside his little cabin with the air of one ungrieved +by care. Behind us stood the high profiles of the lower city, sharpened +against the splendidly clear blue sky which is New York's special +blessing. On the water moved a large tug, towing barges. Smoke trailed +behind it in the same easy and comfortable way that tobacco reek gushes +over a man's shoulder when he walks across a room puffing his pipe. + +The bridge is a curiously delightful place to watch the city from. +Walking toward the central towers seems like entering a vast spider's +web. The footway between the criss-cross cables draws one inward with a +queer fascination, the perspective diminishing the network to the eye so +that it seems to tighten round you as you advance. Even when there is +but little traffic the bridge is never still. It is alive, trembling, +vibrant, the foot moves with a springy recoil. One feels the lift and +strain of gigantic forces, and looks in amazement on the huge sagging +hawsers that carry the load. The bars and rods quiver, the whole lively +fabric is full of a tremor, but one that conveys no sense of +insecureness. It trembles as a tree whispers in a light air. + +And of the view from the bridge, it is too sweeping to carry wholly in +mind. Best, one thinks, it is seen in a winter dusk, when the panes of +Manhattan's mountains are still blazing against a crystal blue-green +sky, and the last flush of an orange sunset lingers in the west. Such we +saw it once, coming over from Brooklyn, very hungry after walking in +most of the way from Jamaica, and pledged in our own resolve not to +break fast until reaching a certain inn on Pearl Street where they used +to serve banana omelets. Dusk simplifies the prospect, washes away the +lesser units, fills in the foreground with obliterating shadow, leaves +only the monstrous sierras of Broadway jagged against the vault. It +deepens this incredible panorama into broad sweeps of gold and black and +peacock blue which one may file away in memory, tangled eyries of +shining windows swimming in empty air. As seen in the full brilliance of +noonday the bristle of detail is too bewildering to carry in one clutch +of the senses. The eye is distracted by the abysses between buildings, +by the uneven elevation of the summits, by the jumbled compression of +the streets. In the vastness of the scene one looks in vain for some +guiding principle of arrangement by which vision can focus itself. It is +better not to study this strange and disturbing outlook too minutely, +lest one lose what knowledge of it one has. Let one do as the veteran +prowlers of the bridge: stroll pensively to and fro in the sun, taking +man's miracles for granted, exhilarated and content. + + + + +THREE HOURS FOR LUNCH + + +Hudson Street has a pleasant savour of food. It resounds with the dull +rumble of cruising drays, which bear the names of well-known brands of +groceries; it is faintly salted by an aroma of the docks. One sees great +signs announcing cocoanut and whalebone or such unusual wares; there is +a fine tang of coffee in the air round about the corner of Beach Street. +Here is that vast, massy brick edifice, the New York Central freight +station, built 1868, which gives an impression of being about to be torn +down. From a dilapidated upper window hangs a faded banner of the Irish +Republic. At noontime this region shows a mood of repose. Truckmen loll +in sunny corners, puffing pipes, with their curved freight hooks hung +round their necks. In a dark smithy half a dozen sit comfortably round a +huge wheel which rests on an anvil, using it as a lunch table. Near +Canal Street two men are loading ice into a yellow refrigerator car, and +their practiced motions are pleasant to watch. One stands in the wagon +and swings the big blocks upward with his tongs. The other, on the wagon +roof, seizes the piece deftly and drops it through a trap on top of the +car. The blocks of ice flash and shimmer as they pass through the +sunshine. In Jim O'Dea's blacksmith shop, near Broome Street, fat white +horses are waiting patiently to be shod, while a pink glow wavers +outward from the forge. + +[Illustration] + +At the corner of Hudson and Broome streets we fell in with our friend +Endymion, it being our purpose to point out to him the house, one of +that block of old red dwellings between Hudson and Varick, which Robert +C. Holliday has described in "Broome Street Straws," a book which we +hope is known to all lovers of New York local colour. Books which have a +strong sense of place, and are born out of particular streets--and +especially streets of an odd, rich, and well-worn flavour--are not any +too frequent. Mr. Holliday's Gissingesque appreciation of the humours of +landladies and all the queer fish that shoal through the backwaters of +New York lodging houses makes this Broome Street neighbourhood +exceedingly pleasant for the pilgrim to examine. It was in Mr. +Holliday's honour that we sallied into a Hudson Street haberdashery, +just opposite the channel of Broome Street, and adorned ourself with a +new soft collar, also having the pleasure of seeing Endymion regretfully +wave away some gorgeous mauve and pink neckwear that the agreeable +dealer laid before him with words of encouragement. We also stood +tranced by a marvellous lithograph advertising a roach powder in a +neighbouring window, and wondered whether Mr. Holliday himself could +have drawn the original in the days when he and Walter Jack Duncan lived +in garrets on Broome Street and were art students together. Certainly +this picture had the vigorous and spirited touch that one would expect +from the draughting wrist of Mr. Holliday. It showed a very terrible +scene, apparently a civil war among the roaches, for one army of these +agile insects was treasonously squirting a house with the commended +specific, and the horrified and stricken inmates were streaming forth +and being carried away in roach ambulances, attended by roach nurses, to +a neighbouring roach cemetery. All done on a large and telling scale, +with every circumstance of dismay and reproach on the faces of the dying +blattidae. Not even our candour, which is immense, permits us to reprint +the slogan the manufacturer has adopted for his poster: those who go +prowling on Hudson Street may see it for themselves. + +In the old oyster and chop house just below Canal Street we enjoyed a +very agreeable lunch. To this place the Broome Street garreteers (so Mr. +Holliday has told us) used to come on days of high prosperity when some +cheque arrived from a publisher. At that time the tavern kept an open +fireplace, with a bright nest of coals in the chilly season; and there +was a fine mahogany bar. But we are no laudator of acted time; the +fireplace has been bricked up, it is true; but the sweet cider is +admirable, and as for the cheesecake, we would back it against all the +Times Square variety that Ben De Casseres rattles about. It is +delightful and surprising to find on Hudson Street an ordinary so droll +and Dickensish in atmosphere, and next door is a window bearing the sign +WALTER PETER. We feel sure that Mr. Holliday, were he still living in +those parts, would have cajoled the owner into changing that E to an A. + +Our stroll led us north as far as Charlton Street, which the geographers +of Greenwich Village claim as the lower outpost of their domain. +Certainly it is a pleasing byway, running quietly through the afternoon, +and one lays an envious eye upon the demure brick houses, with their +old-fashioned doorways, pale blue shutters, and the studio windows on +the southern side. At the corner of Varick Street is a large house +showing the sign, "Christopher Columbus University of America." +Macdougal Street gives one a distant blink of the thin greenery of +Washington Square. + +An unexpected impulse led us eastward on Grand Street, to revisit Max +Maisel's interesting bookshop.--We had never forgotten the thrill of +finding this place by chance one night when prowling toward Seward Park. +In bookshops of a liberal sort we always find it advisable to ask first +of all for a copy of Frank Harris's "The Man Shakespeare." It is hardly +ever to be found (unfortunately), so the inquiry is comparatively safe +for one in a frugal mood; and it is a tactful question, for the mention +of this book shows the bookseller that you are an intelligent and +understanding kind of person, and puts intercourse on good terms at +once. However, we did find one book that we felt we simply had to have, +as it is our favourite book for giving away to right-minded people--"The +Invisible Playmate," by William Canton. We fear that there are still +lovers of children who do not know this book; but if so, it is not our +fault. + +Grand Street is a child at heart, and one may watch it making merry not +only along the pavement but in the shop windows. Endymion's gallant +spirit was strongly uplifted by this lively thoroughfare, and he strode +like one whose heart was hitting on all six cylinders. Max Maisel's +bookshop alone is enough to put one in a seemly humour. But then one +sees the gorgeous pink and green allurements of the pastry cooks' +windows, and who can resist those little lemon-flavoured, +saffron-coloured cakes, which are so thirst-compelling and send one +hastily to the nearest bar for another beaker of cider? And it seems +natural to find here the oldest toyshop in New York, where Endymion +dashed to the upper floor in search of juvenile baubles, and we both +greatly admired the tall, dark, and beauteous damsel who waited on us +with such patience and charity. Endymion by this time was convinced that +he was living in the very heart and climax of a poem; he became more and +more unreal as we walked along: we could see his physical outline +(tenuous enough at best) shimmer and blur as he became increasingly +alcaic. + +Along the warm crowded pavement there suddenly piped a liquid, gurgling, +chirring whistle, rising and dropping with just the musical trill that +floats from clumps of creekside willows at this time of year. We had +passed several birdshops on our walk, and supposed that another was +near. A song sparrow, was our instant conclusion, and we halted to see +where the cage could be hung. And then we saw our warbler. He was little +and plump and red-faced, with a greasy hat and a drooping beer-gilded +moustache, and he wore on his coat a bright blue peddler's license +badge. He shuffled along, stooping over a pouch of tin whistles and +gurgling in one as he went. There's your poem, we said to +Endymion--"The Song-Sparrow on Grand Street." + +We propose to compile a little handbook for truants, which we shall call +"How to Spend Three Hours at Lunch Time." This idea occurred to us on +looking at our watch when we got back to our kennel. + + + + +PASSAGE FROM SOME MEMOIRS + + +How long ago it seems, that spring noonshine when two young men (we will +call them Dactyl and Spondee) set off to plunder the golden bag of Time. +These creatures had an oppressive sense that first Youth was already +fled. For one of them, in fact, it was positively his thirtieth +birthday; poor soul, how decrepitly he flitted in front of motor trucks. +As for the other, he was far decumbent in years, quite of a previous +generation, a perfect Rameses, whose senile face was wont to crack into +wrinklish mirth when his palsied cronies called him the greatest poet +born on February 2, 1886. + +It was a day--well, it is fortunate that some things do not have to be +described. Suppose one had to explain to the pallid people of the +thither moon what a noonday sunshine is like in New York about the Nones +of May? It could not be done to carry credence. Let it be said it was a +Day, and leave it so. You have all known that gilded envelopment of +sunshine and dainty air. + +These pitiful creatures arose from the subway at Fourteenth Street and +took the world in their right hands. From this revolving orb, said they, +they would squeeze a luncheon hour of exquisite satisfactions. They +gazed sombrely at Union Square, and uttered curious reminiscences of the +venerable days when one of them had worked, actually toiled for a +living, upon the shores of that expanse. Ten years had passed (yes, at +least ten--_O edax rerum!_). Upon a wall these observant strollers saw a +tablet to the memory of William Lloyd Garrison. Strange, said they, we +never noticed this before. Ah, said one, this is hallowed ground. It was +near here that I used to borrow a quarter, the day before pay-day, to +buy my lunch. The other contributed similar recollections. And now, +quoth he, I am grown so prosperous that when I need money I can't afford +to borrow less than two hundred dollars. + +They lunched (one brushes away the mist of time to recall the details) +where the bright sunlight fell athwart a tablecloth of excellent +whiteness. They ate (may one be precise at so great a distance?)--yes, +they ate broiled mackerel to begin with; the kind of mackerel called +(but why?) Spanish. Whereupon succeeded a course of honeycomb tripe, +which moved Dactyl to quoting Rabelais, something that Grangousier had +said about tripes. Only by these tripes is memory supported and made +positive, for it was the first time either had tackled this dish. +Concurrent with the tripes, one inducted the other into the true mystery +of blending shandygaff, explaining the first doctrine of that worthy +draught, which is that the beer must be poured into the beaker before +the ginger ale, for so arises a fatter and lustier bubblement of foam. +The reason whereof they leave no testament. While this portion of the +meal was under discussion their minds moved free, unpinioned, with airy +lightness, over all manner of topics. It seemed no effort at all to +talk. Ripe, mellow with long experience of men and matters, their +comments were notable for wisdom and sagacity. The waiter, overhearing +shreds of their discourse, made a private notation to the effect that +these were Men of Large Affairs. Then they embarked upon some salty +crackers, enlivened with Camembert cheese and green-gage jam. By this +time they were touching upon religion, from which they moved lightly to +the poems of Louise Imogen Guiney. It is all quite distinct as one looks +back upon it. + +[Illustration] + +Issuing upon the street, Dactyl said something about going back to the +office, but the air and sunlight said him nay. Rather, remarked Spondee, +let us fare forward upon this street and see what happens. This is ever +a comely doctrine, adds the chronicler. They moved gently, not without a +lilac trailing of tobacco fume, across quiet stretches of pavement. In +the blue upwardness stood the tower of the Metropolitan Life Building, a +reminder that humanity as a whole pays its premiums with decent +regularity. They conned the nice gradations of tint in the spring +foliage of Gramercy Park. They talked, a little soberly, of thrift, and +of their misspent years. + +Lexington Avenue lay guileless beneath their rambling footfalls. At the +corner of Twenty-second Street was a crowd gathered, and a man with the +customary reverted cap in charge of a moving picture machine. A swift +car drew up before the large house at the southeast corner. Thrill upon +thrill: something being filmed for the movies! In the car, a handsome +young rogue at the wheel, and who was this blithe creature in shiny +leather coat and leather cap, with crumpling dark curls cascading +beneath it? A suspicion tinkled in the breast of Spondee, in those days +a valiant movie fan. Up got the young man, and hopped out of the car. Up +stood the blithe creature--how neatly breeched, indeed, a heavenly +forked radish--and those shining riding boots! She dismounted--lifted +down (so unnecessarily it seemed) by the rogue. She stood there a moment +and Spondee was convinced. DOROTHY GISH, said he to Dactyl. Miss Gish +and her escort darted into the house, the camera man reeling busily. At +an upper window of the dwelling a white-haired lady was looking out, +between lace curtains, with a sort of horror. Query, was she part of the +picture, or only the aristocratic owner of the house, dismayed at +finding her home suddenly become part of a celluloid drama? Spondee had +always had a soft spot in his heart for Miss Dorothy, esteeming her a +highly entertaining creature. He was disappointed in the tranquil +outcome of the scene. He had hoped to see leaping from windows and all +manner of hot stuff. Near by stood a coloured groom with a horse. The +observers concluded that Miss Gish was to do a little galloping shortly. +Dactyl and Spondee moved away. Spondee quoted a poem he had once written +about Miss Dorothy. He recollected only two lines: + + She makes all the rest seem a shoal of poor fish + So _we_ cast _our_ ballot for Dorothy Gish. + +Peering again into the dark backward and abysm, it seems that the two +rejuvenated gossips trundled up on Lexington Avenue to Alfred +Goldsmith's cheerful bookshop. Here they were startled to hear Mr. +Goldsmith cry: "Well, Chris, here are some nice bones for you." One of +these visitors assumed this friendly greeting was for him, but then it +was explained that Mr. Goldsmith's dog, named Christmas, was feeling +seedy, and was to be pampered. At this moment in came the postman with a +package of books, arrived all the way from Canada. One of these books +was "Salt of the Sea," a volume of tales by Morley Roberts, and upon +this Spondee fell with a loud cry, for it contained "The Promotion of +the Admiral," being to his mind a tale of great virtue which he had not +seen in several years. Dactyl, meanwhile, was digging out some volumes +of Gissing, and on the faces of both these creatures might have been +seen a pleasant radiation of innocent cheer. Mr. Goldsmith also +exhibited (it is still remembered) a beautiful photo of Walt Whitman, +which entertained the visitors, for it showed old Walt with his +coat-sleeve full of pins, which was ever Walt's way. + +How long ago it all seems. Does Miss Dorothy still act for the pictures? +Does Chris, the amiable Scots terrier, still enjoy his bones? Does old +Dactyl still totter about his daily tasks? Queer to think that it +happened only yesterday. Well, time runs swift in New York. + + + + +FIRST LESSONS IN CLOWNING + +[Illustration] + + +A medley of crashing music, pungently odd and exhilarating smells, the +roaring croon of the steam calliope, the sweet lingering savour of +clown-white grease paint, elephants, sleek barking seals, trained pigs, +superb white horses, frolicking dogs, exquisite ladies in tights and +spangles, the pallid Venuses of the "living statuary," a whole jumble +of incongruous and fantastic glimpses, moving in perfect order through +its arranged cycles--this is the blurred and ecstatic recollection of an +amateur clown at the circus. + +It was pay day that afternoon and all the performers were in cheerful +humour. Perhaps that was why the two outsiders, who played a very +inconspicuous part in the vast show, were so gently treated. Certainly +they had approached the Garden in some secret trepidation. They had had +visions of dire jests and grievous humiliations: of finding themselves +suddenly astride the bare backs of berserk mules, or hoisted by blazing +petards, or douched with mysterious cascades of icy water. Pat Valdo had +written: "I am glad to hear you are going to clown a bit. I hope you +both will enjoy the experience." To our overwrought imaginations this +sounded a little ominous. What would Pat and his lively confreres do to +us? + +We need not have feared. Not in the most genial club could we have been +more kindly treated than in the dressing room where we found Pat Valdo +opening his trunk and getting out the antic costumes he had provided. +(The eye of a certain elephant, to tell the truth, was the only real +embarrassment we suffered. We happened to stand by him as he was waiting +to go on, and in his shrewd and critical orb we saw a complete disdain. +He spotted us at once. He knew us for interlopers. He knew that we were +not a real clown, and his eye showed a spark of scorn. We felt shamed, +and slunk away.) + +A liberal coating of clown-white, well rubbed into the palms before +applying; a rich powdering of talcum; and decorations applied by Pat +Valdo with his red and black paint-sticks--these give an effect that +startles the amateur when he considers himself in the mirror. Topped +with a skull-cap of white flannel (on which perches a supreme oddity in +the way of a Hooligan hat) and enveloped in a baggy Pierrot garment--one +is ready to look about and study the dressing room, where our fellows, +in every kind of gorgeous grotesquerie, are preparing for the Grand +Introductory Pageant--followed by the "Strange People." (They don't call +them Freaks any more.) Here is Johannes Joseffson, the Icelandic +Gladiator, sitting on his trunk, with his bare feet gingerly placed on +his slippers to keep them off the dusty floor while he puts on his +wrestling tights. As he bends over with arched back, and raises one leg +to insert it into the long pink stocking, one must admire the perfect +muscular grace of his thighs and shoulders. Here is the equally muscular +dwarf, being massaged by a friend before he dons his pink frills and +dashing plumed hat and becomes Mlle. Spangletti, "the marvel +equestrienne, darling of the Parisian boulevards." Here is the +inevitable Charley Chaplin, and here the dean of all the clowns, an old +gentleman of seventy-four, in his frolicsome costume, as lively as +ever. Here is a trunk inscribed _Australian Woodchoppers_, and sitting +on it one of the woodchoppers himself, a quiet, humorous, cultivated +gentleman with a great fund of philosophy. A rumour goes the rounds--as +it does behind the scenes in every kind of show. "Do you know who we +have with us to-day? I see one of the boxes is all decorated up." "It's +Mrs. Vincent Astor." "Who's she?" interjects the Australian woodchopper, +satirically. "It's General Wood." "Did you hear, Wood and Pershing are +here to-day?" Charley Chaplin asserts that he has "a good gag" that he's +going to try out to-day and see how it goes. One of the other clowns in +the course of dressing comes up to Pat Valdo, and Pat introduces his two +pupils. "Newspaper men, hey?" says the latter. "What did you tell me +for? I usually double-cross the newspaper men when they come up to do +some clowning," he explains to us. We are left wondering in what this +double-crossing consists. Suddenly they all troop off down the dark +narrow stairs for the triumphal entry. The splendour of this parade may +not be marred by any clown costumes, so the two novices are left +upstairs, peering through holes in the dressing-room wall. The big arena +is all an expanse of eager faces. The band strikes up a stirring ditty. +A wave of excitement sweeps through the dingy quarters of the Garden. +The show is on, and how delirious it all is! + +Downstairs, the space behind the arena is a fascinating jostle of odd +sights. The elephants come swaying up the runway from the basement and +stand in line waiting their turn. Here is a cage of trained bears. In +the background stands the dogcatcher's cart, attached to the famous +kicking mule. From the ladies' dressing quarters come the aerial human +butterflies in their wings and gauzy draperies. On the wall is a list of +names, _Mail Uncalled For_. One of the names is "Toby Hamilton." That +must mean old Toby, and we fear the letter will never be called for now, +for Toby Hamilton, the famous old Barnum and Bailey press agent, who +cleaned up more "free space" than any man who ever lived, died in 1916. +Suddenly appears a person clad in flesh tights and a barrel, carrying a +label announcing himself as _The Common People_. Someone thrusts a large +sign into the hands of one of the amateur clowns, and he is thrust upon +the arena, to precede the barrelled Common People round the sawdust +circuit. He has hardly time to see what the sign says--something about +"On Strike Against $100 Suits." The amateur clown is somewhat aghast at +the huge display of friendly faces. Is he to try to be funny? Here is +the flag-hung box, and he tries to see who is in it. He doesn't see +either Wood, Pershing, or Mrs. Astor, who are not there; but a lot of +wounded soldiers, who smile at him encouragingly. He feels better and +proceeds, finding himself, with a start, just beneath some flying +acrobats who are soaring in air, hanging by their teeth. Common People +shouts to him to keep the sign facing toward the audience. The tour is +made without palpable dishonour. + +Things are now moving so fast it is hard to keep up with them. Pat Valdo +is dressed as a prudish old lady with an enormous bustle. Escorted by +the clown policeman and the two amateurs, Pat sets out, fanning himself +demurely. Hullo! the bustle has detached itself from the old lady, but +she proceeds, unconscious. The audience shouts with glee. Finally the +cop sees what has happened and screams. The amateur clowns scream, too, +and one of them, in a burst of inspiration, takes off his absurd hat to +the bustle, which is now left yards behind. But Pat is undismayed, turns +and beckons with his hand. The bustle immediately runs forward of its +own accord and reattaches itself to the rear of the skirt. You see, +there is a dwarf inside it. The two amateur clowns are getting excited +by this time and execute some impromptu tumbling. One tackles the other +and they roll over and over desperately. In the scuffle one loses both +his hat and skull-cap and flees shamefast from the scene. It is asserted +by our partner that "this went big." He swears it got a laugh. Pat Valdo +hurries off to prepare for his boomerang throwing. Pat is a busy man, +for he is not only a clown, but he and Mrs. Valdo also do wonderful +stunts of their own on Ring Number One. + +And there are moments of sheer poetry, too. Into the darkened arena, +crossed by dazzling shafts of light, speeds a big white motor car. Bird +Millman descends, tossing aside her cloak. "A fairy on a cobweb" the +press agents call her, and as two humble clowns watch entranced through +the peepholes in the big doors the phrase seems none too extravagant. +See her, in a foam of short fluffy green skirts, twirl and tiptoe on the +glittering wire, all grace and slenderness and agile enchantment. She +bows in the dazzle of light and kisses her hands to the crowd. Then she +hops into the big car and is borne back behind the scenes. Once behind +the doors her gay vivacity ceases. She sits, wearily, several minutes, +before getting out of the car. And then, later, comes Mlle. Leitzel. +She, like all the other stars, is said to have "amazed all Europe." We +don't know whether Europe is harder to amaze than America. Certainly no +one could be more admiringly astounded than the amateur clowns gazing +entranced through the crack of the doorway. To that nerve-tightening +roll of drums she spins deliriously high up in giddy air, floating, a +tiny human pin-wheel, in a shining cone of light. One can hear the crowd +catch its breath. She walks back, all smiles, while her maid trots ahead +saying something unintelligible. Her tall husband is waiting for her at +the doorway. He catches her up like a child and carries her off, limp +and exhausted. One of the clowns (irreverent creature) makes a piteous +squawk and begs us to carry him to his dressing room. + +A trained pig, trotting cheerfully round in search of tidbits, is +retrieved from under the hooves of Mrs. Curtis's horse, which is about +to go out and dance. The dogcatcher's wagon is drawn up ready to rush +forth, and the trained terrier which accompanies it is leaping with +excitement. He regards it as a huge lark, and knows his cue perfectly. +When the right time comes he makes a dash for a clown dressed as an +elderly lady and tears off her skirt. One of the amateurs was allowed to +ride behind the kicking mule, but to his great chagrin the mule did not +kick as well as usual. Here are Charley Chaplin and some others throwing +enormous dice from a barrel. No matter how the dice are thrown they +always turn up seven. Into this animated gamble the amateur clown enters +with enjoyment. All round him the wildest capers are proceeding. The +double-ended flivver is prancing about. John Barleycorn's funeral +procession is going its way. "Give me plenty of space," says Charley +Chaplin to us, "so the people can watch me." We do so, reverently, for +Charley's antics are worth watching. We make a wild dash, and plan to do +a tumble in imitation of Charley's. To our disappointment we find that +instead of sliding our feet dig into the soft sawdust, and the +projected collapse does not arrive. Intoxicated by the rich spice of +circus odours, the booming calliope, the galloping horses, we hardly +know what we are doing half the time. We hear Miss May Wirth, the Wonder +Rider of the World, complaining bitterly that someone got in front of +her when she was doing her particularly special stunt. We wonder +dubiously whether we were the guilty one. Alas, it is all over but the +washing up. Pat Valdo, gentlest of hosts, is taking off his trick hat +with the water cistern concealed in it. He has a clean towel ready for +his grateful pupils. + +The band is playing "The Star-Spangled Banner," and all the clowns, in +various stages of undress, stand at attention. Our little peep into the +gay, good-hearted, courageous, and extraordinary world of the circus is +over. Pat and his fellows will go on, twice a day, for the next six +months. It takes patience and endurance. But it must be some consolation +to know that nothing else in the world gives half as much pleasure to so +many people. + + + + +HOUSE-HUNTING + +[Illustration] + + +A curious vertigo afflicts the mind of the house-hunter. In the first +place, it is sufficiently maddening to see the settled homes of other +happier souls, all apparently so firmly rooted in a warm soil of +contentment while he floats, an unhappy sea-urchin, in an ocean of +indecision. Furthermore, how confusing (to one who likes to feel himself +somewhat securely established in a familiar spot) the startling panorama +of possible places in which he visualizes himself. One day it is Great +Neck, the next it is Nutley; one day Hollis, the next Englewood; one +day Bronxville, and then Garden City. As the telephone rings, or the +suasive accents of friendly realtors expound the joys and glories of +various regions, his uneasy imagination flits hoppingly about the +compass, conceiving his now vanished household goods reassembled and +implanted in these contrasting scenes. + +Startling scenarios are filmed in his reeling mind while he listens, +over the tinkling wire, to the enumeration of rooms, baths, pantries, +mortgages, commuting schedules, commodious closets, open fireplaces, and +what not. In the flash and coruscation of thought he has transported his +helpless family to Yonkers, or to Manhasset, or to Forest Hills, or +wherever it may be, and tries to focus and clarify his vision of what it +would all be like. He sees himself (in a momentary close-up) commuting +on the bland and persevering Erie, or hastening hotly for a Liberty +Street ferry, or changing at Jamaica (that mystic ritual of the Long +Island brotherhood). For an instant he is settled again, with a modest +hearth to return to at dusk ... and then the sorrowful compliment is +paid him and he wonders how the impression got abroad that he is a +millionaire. + +There is one consoling aspect of his perplexity, however, and that is +the friendly intercourse he has with high-spirited envoys who represent +real estate firms and take him voyaging to see "properties" in the +country. For these amiable souls he expresses his candid admiration. +Just as when one contemplates the existence of the doctors one knows, +one can never imagine them ill, so one cannot conceive of the friendly +realtor as in any wise distressed or grieved by the problems of the +home. There is something Olympian about them, happy creatures! They deal +only in severely "restricted" tracts. They have a stalwart and serene +optimism. Odd as it seems, one of these friends told us that some people +are so malign as to waste the time of real estate men by going out to +look at houses in the country without the slightest intention of +"acting." As a kind of amusement, indeed! A harmless way of passing an +afternoon, of getting perhaps a free motor ride and enjoying the novelty +of seeing what other people's houses look like inside. But our friend +was convinced of one humble inquirer's passionate sincerity when he saw +him gayly tread the ice floes of rustic Long Island in these days of +slush and slither. + +How do these friends of ours, who see humanity in its most painful and +distressing gesture (i.e., when it is making up its mind to part with +some money), manage to retain their fine serenity and blitheness of +spirit? They have to contemplate all the pathetic struggles of +mortality, for what is more pathetic than the spectacle of a man trying +to convince a real estate agent that he is not really a wealthy creature +masking millions behind an eccentric pose of humility? Our genial +adviser Grenville Kleiser, who has been showering his works upon us, +has classified all possible mental defects as follows: + + (_a_) _Too easy acquiescence_ + + (_b_) _A mental attitude of contradiction_ + + (_c_) _Undue skepticism_ + + (_d_) _A dogmatic spirit_ + + (_e_) _Lack of firmness of mind_ + + (_f_) _A tendency to take extreme views_ + + (_g_) _Love of novelty; that is, of what is foreign, ancient, + unusual, or mysterious._ + +All these serious weaknesses of judgment may be discerned, in rapid +rotation, in the mind of the house-hunter. It would be only natural, we +think, if the real estate man were to tell him to go away and study Mr. +Kleiser's "How to Build Mental Power." In the meantime, the vision of +the home he had dreamed of becomes fainter and fainter in the seeker's +mind--like the air of a popular song he has heard whistled about the +streets, but does not know well enough to reproduce. How he envies the +light-hearted robins, whose house-hunting consists merely in a gay +flitting from twig to twig. Yet, even in his disturbance and nostalgia +of spirit, he comforts himself with the common consolation of his +cronies--"Oh, well, one always finds something"--and thus (in the words +of good Sir Thomas Browne) teaches his haggard and unreclaimed reason to +stoop unto the lure of Faith. + + + + +LONG ISLAND REVISITED + + +The anfractuosities of legal procedure having caused us to wonder +whether there really were any such place as the home we have just +bought, we thought we would go out to Salamis, L. I., and have a look at +it. Of course we knew it had been there a few weeks ago, but the title +companies do confuse one so. We had been sitting for several days in the +office of the most delightful lawyer in the world (and if we did not +fear that all the other harassed and beset creatures in these parts +would instantly rush to lay their troubles in his shrewd and friendly +bosom we would mention his name right here and do a little metrical +pirouette in his honour)--we had been sitting there, we say, watching +the proceedings, without the slightest comprehension of what was +happening. It is really quite surprising, let us add, to find how many +people are suddenly interested in some quiet, innocent-looking shebang +nestling off in a quiet dingle in the country, and how, when it is to be +sold, they all bob up from their coverts in Flushing, Brooklyn, or Long +Island City, and have to be "satisfied." What floods of papers go +crackling across the table, drawn out from those mysterious brown +cardboard wallets; what quaint little jests pass between the emissaries +of the title company and the legal counsel of the seller, jests that +seem to bear upon the infirmity of human affairs and cause the +well-wishing adventurer to wonder whether he had ever sufficiently +pondered the strange tissue of mortal uncertainties that hides behind +every earthly venture ... there was, for instance, occasional reference +to a vanished gentleman who had once crossed the apparently innocent +proscenium of our estate and had skipped, leaving someone six thousand +dollars to the bad; this ingenious buccaneer was, apparently, the only +one who did not have to be "satisfied." At any rate, we thought that we, +who entered so modestly and obscurely into this whole affair, being only +the purchaser, would finally satisfy ourself, too, by seeing if the +property was still there. + +Long Island and spring--the conjunction gives us a particular thrill. +There are more beautiful places than the Long Island flats, but it was +there that we earned our first pay envelope, and it was there that we +first set up housekeeping; and as long as we live the station platform +of Jamaica will move us strangely--not merely from one train to another, +but also inwardly. There is no soil that receives a more brimming +benison of sunshine than Long Island in late April. As the train moves +across the plain it seems to swim in a golden tide of light. Billboards +have been freshly painted and announce the glories of phonographs in +screaming scarlets and purples, or the number of miles that divide you +from a Brooklyn department store. Out at Hillside the stones that +demarcate the territory of an old-fashioned house are new and snowily +whitewashed. At Hollis the trees are a cloud of violent mustard-yellow +(the colour of a safety-matchbox label). Magnolias (if that is what they +are) are creamy pink. Moving vans are bustling along the road. Across +the wide fields of Bellaire there is a view of the brown woods on the +ridge, turning a faint olive as the leaves gain strength. Gus Wuest's +roadhouse at Queens looks inviting as of old, and the red-brown of the +copper beeches reminds one of the tall amber beakers. Here is the little +park by the station in Queens, the flag on the staff, the forsythia +bushes the colour of scrambled eggs. + +Is it the influence of the Belmont Park race track? There seem to be, in +the smoking cars, a number of men having the air of those accustomed to +associate (in a not unprofitable way) with horses. Here is one, a +handsome person, who holds our eye as a bright flower might. He wears a +flowing overcoat of fleecy fawn colour and a derby of biscuit brown. He +has a gray suit and joyful socks of heavy wool, yellow and black and +green in patterned squares which are so vivid they seem cubes rather +than squares. He has a close-cut dark moustache, his shaven cheeks are a +magnificent sirloin tint, his chin splendidly blue by the ministration +of the razor. His shirt is blue with a stripe of sunrise pink, and the +collar to match. He talks briskly and humorously to two others, leaning +over in the seat behind them. As he argues, we see his brown low shoe +tapping on the floor. One can almost see his foot think. It pivots +gently on the heel, the toe wagging in air, as he approaches the climax +of each sentence. Every time he drives home a point in his talk down +comes the whole foot, softly, but firmly. He relights his cigar in the +professional manner, not by inhaling as he applies the match, but by +holding the burned portion in the flame, away from his mouth, until it +has caught. His gold watch has a hunting case; when he has examined it, +it shuts again with a fine rich snap, which we can hear even above the +noise of the car. + +On this early morning train there are others voyaging for amusement. +Here are two golfing zealots, puffing pipes and discussing with amazing +persistence the minutiae of their sport. Their remarks are addressed to a +very fashionable-looking curate, whose manners are superb. Whether he is +going to play golf we know not; at any rate, he smiles mildly and +politely to all they say. Perhaps he is going round the course with +them, in the hope of springing some ecclesiastical strategy while they +are softened and chastened by the glee of the game. The name of their +Maker, it is only fair to suspect, has more than once been mentioned on +the putting green; and if it should slip out, the curate will seize the +cue and develop it. In the meantime, one of the enthusiasts (while his +companion is silenced in the act of lighting his pipe) is explaining to +the cloth how his friend plays golf. "I'll tell you how he plays," he +says. "Imagine him sitting down in a low chair and swinging a club. Then +take the chair away and he still keeps the same position. That's what he +looks like when he drives." The curate smiles at this and prepares his +face to smile with equal gentleness when the other retorts. + +After Floral Park the prospect becomes more plainly rural. The Mineola +trolley zooms along, between wide fields of tilled brown earth. There is +an occasional cow; here and there a really old barn and farmhouse +standing, incongruously, among the settlements of modern kindling-wood +cottages; and a mysterious agricultural engine at work with a spinning +fly-wheel. Against the bright horizon stand the profiles of Garden City: +the thin cathedral spire, the bulk of St. Paul's school, the white +cupola of the hotel. The tree-lined vistas of Mineola are placidly +simmering in the morning sun. A white dog with erect and curly tail +trots very purposefully round the corner of the First National Bank. We +think that we see the spreading leaves of some rhubarb plants in a +garden; and there are some of those (to us very enigmatic, as we are no +gardener) little glass window frames set in the soil, as though a whole +house, shamed by the rent the owner wanted to charge, had sunk out of +sight, leaving only a skylight. + +As we leave East Williston we approach more interesting country, with a +semblance of hills, and wooded thickets still brownly tapestried with +the dry funeral of last year's leaves. On the trees the new foliage +sways in little clusters, catching the light like the wings of perching +green butterflies. Some of the buds are a coppery green, some a burning +red, but the prevailing colour is the characteristic sulphur yellow of +early spring. And now we are set down at Salamis, where the first and +most surprising impression is of the unexpected abundance of competitive +taxicabs. Having reached the terminus of our space, we can only add that +we found our estate still there--and there are a few stalks of rhubarb +surviving from an earlier plantation. + + + + +ON BEING IN A HURRY + + +New York is a perplexing city to loaf in. (Walt Whitman if he came back +to Mannahatta would soon get brain fever.) During the middle hours of +the day, at any rate, it is almost impossible to idle with the proper +spirit and completeness. There is a prevailing bustle and skirmish that +"exerts a compulsion," as President Wilson would say. The air is +electric and nervous. We have often tried to dawdle gently about the +neighbourhood of the City Hall in the lunch hour, to let the general +form and spirit of that clearing among the cliffs sink into our mind, so +that we could get some picture of it. We have sat under a big brown +umbrella, to have our shoes shined, when we had nothing more important +to do than go to the doughnut foundry on Park Row and try some of those +delectable combinations of foods they have there, such as sponge cake +with whipped cream and chocolate fudge. And in a few seconds we have +found ourself getting all stirred up and crying loudly to the artist +that we only wanted a once-over, as we had an important appointment. You +have to put a very heavy brake on your spirit in downtown New York or +you find yourself dashing about in a prickle of excitement, gloriously +happy just to be in a hurry, without particularly caring whither you are +hastening, or why. + +[Illustration] + +One of the odd things about being in a hurry is that it seems so +fiercely important when you yourself are the hurrier and so comically +ludicrous when it is someone else. We see our friend Artaxerxes +scorching up Church Street and we scream with laughter at him, because +we know perfectly well that there is absolutely not one of his affairs +important enough to cause him to buzz along like that. We look after him +with a sort of mild and affectionate pity for a deluded creature who +thinks that his concerns are of such glorious magnitude. And then, a few +hours later, we find ourself on a subway car with only ten minutes to +catch the train for Salamis at Atlantic Avenue. And what is our state of +mind? We stand, gritting our teeth (we are too excited to sit, even if +there were a seat) and holding our watch. The whole train, it seems to +us, is occupied by invalids, tottering souls and lumbago cripples, who +creep off at the stations as though five seconds made not the slightest +difference. We glare and fume and could gladly see them all maced in +sunder with battle-axes. Nothing, it seems to us, could soothe our +bitter hunger for haste but to have a brilliant Lexington Avenue express +draw up at the platform with not a soul in it. Out would step a polite +guard, looking at his watch. "You want to catch a train at 5:27?" he +asks. "Yes, sir, yes, sir; step aboard." All the other competitors are +beaten back with knotted thongs and we are ushered to a seat. The bells +go chiming in quick sequence up the length of the train and we are off +at top speed, flying wildly past massed platforms of indignant people. +We draw up at Atlantic Avenue, and the solitary passenger, somewhat +appeased, steps off. "Compliments of the Interborough, sir," says the +guard. + +The commuter, urgently posting toward the 5:27, misses the finest +flavour of the city's life, for it is in the two or three hours after +office work is over that the town is at her best. What a spry and +smiling mood is shown along the pavements, particularly on these clear, +warm evenings when the dropping sun pours a glowing tide of soft rosy +light along the cross-town streets. There is a cool lightness in the +air; restaurants are not yet crowded (it is, let us say, a little after +six) and beside snowy tablecloths the waiters stand indulgently with +folded arms. Everybody seems in a blithe and spirited humour. Work is +over for the day, and now what shall we do for amusement? This is the +very peak of living, it seems to us, as we sally cheerily along the +street. It is like the beginning of an O. Henry story. The streets are +fluttering with beautiful women; light summer frocks are twinkling in +the busy frolic air. Oh, to be turned loose at the corner of Broadway +and Thirty-second Street at 6:15 o'clock of a June evening, with nothing +to do but follow the smile of adventure to the utmost! Thirty-second, we +might add, is our favourite street in New York. It saddens us to think +that the old boarding house on the corner of Madison Avenue is vanished +now and all those quaint and humorous persons dispersed. We can still +remember the creak of the long stairs and the clink of a broken slab in +the tiled flooring of the hall as one walked down to the dining room. + +Affection for any particular street largely depends on the associations +it has accumulated in one's mind. For several years most of our +adventures in New York centred round Thirty-second Street; but its +physique has changed so much lately that it has lost some of its appeal. +We remember an old stone-yard that used to stand where the Pennsylvania +Hotel is now, a queer jumbled collection of odd carvings and relics. At +the front door there was a bust of Pan on a tall pedestal, which used to +face us with a queer crooked grin twice a day, morning and evening. We +had a great affection for that effigy, and even wrote a little piece +about him in one of the papers, for which we got about $4 at a time +when it was considerably needed. We used to say to ourself that some day +when we had a home in the country we would buy Pan and set him in a Long +Island garden where he would feel more at home than in the dusty winds +of Thirty-second Street. Time went on and we disappeared from our old +haunts, and when we came back Pan had vanished, too. You may imagine our +pleasure when we found him again the other day standing in front of a +chop house on Forty-fourth Street. + +But one great addition to the delights of the Thirty-second Street +region is the new and shining white tunnel that leads one from the Penn +Station subway platform right into the heart of what used (we think) to +be called Greeley Square. It is so dazzling and candid in its new tiling +that it seems rather like a vast hospital corridor. One emerges through +the Hudson Tube station and perhaps sets one's course for a little +restaurant on Thirty-fifth Street which always holds first place in our +affection. It is somewhat declined from its former estate, for the upper +floors, where the violent orchestra was and the smiling little +dandruffian used to sing solos when the evening grew glorious, are now +rented to a feather and ostrich plume factory. But the old basement is +still there, much the same in essentials, by which we mean the pickled +beet appetizers, the minestrone soup, the delicious soft bread with its +brittle crust, and the thick slices of rather pale roast beef swimming +in thin, pinkish gravy. And the three old French waiters, hardened in +long experience of the frailties of mortality, smile to see a former +friend. One, grinning upon us rather bashfully, recalls the time when +there was a hilarious Oriental wedding celebrating in a private room +upstairs and two young men insisted on going in to dance with the bride. +He has forgiven various pranks, we can see, though he was wont to be +outraged at the time. "Getting very stout," he says, beaming down at us. +"You weigh a hundred pounds more than you used to." This is not merely +cruel; it is untrue. We refrain from retorting on the growth of his bald +spot. + + + + +CONFESSIONS OF A HUMAN GLOBULE + + +As a matter of fact, we find the evening subway jam very restful. Being +neatly rounded in contour, with just a gentle bulge around the +equatorial transit, we have devised a very satisfactory system. We make +for the most crowded car we can find, and having buffeted our way in, we +are perfectly serene. Once properly wedged, and provided no one in the +immediate neighbourhood is doing anything with any garlic (it is well to +avoid the vestibules if one is squeamish in that particular) we lift our +feet off the floor, tuck them into the tail of our overcoat, and remain +blissfully suspended in midair from Chambers Street to Ninety-sixth. The +pressure of our fellow-passengers, powerfully impinging upon the +globular perimeter we spoke of, keeps us safely elevated above the +floor. We have had some leather stirrups sewed into the bottom of our +overcoat, in which we slip our feet to keep them from dangling +uncomfortably. Another feature of our technique is that we always go +into the car with our arms raised and crossed neatly on our chest, so +that they will not be caught and pinioned to our flanks. In that +position, once we are gently nested among the elastic mass of genial +humanity, it is easy to draw out from our waistcoat pocket our copy of +Boethius's "Consolations of Philosophy" and really get in a little +mental improvement. Or, if we have forgotten the book, we gently droop +our head into our overcoat collar, lay it softly against the shoulder of +the tall man who is always handy, and pass into a tranquil nescience. + +The subway is a great consolation to the philosopher if he knows how to +make the most of it. Think how many people one encounters and never sees +again. + + + + +NOTES ON A FIFTH AVENUE BUS + +[Illustration] + + +Far down the valley of the Avenue the traffic lights wink in unison, +green, yellow, red, changing their colours with well-drilled promptness. +It is cold: a great wind flaps and tangles the flags; the tops of the +buses are almost empty. That brisk April air seems somehow in key with +the mood of the Avenue--hard, plangent, glittering, intensely material. +It is a proud, exultant, exhilarating street; it fills the mind with +strange liveliness. A magnificent pomp of humanity--what a flux of +lacquered motors, what a twinkling of spats along the pavements! On what +other of the world's great highways would one find churches named for +the material of which they are built?--the _Brick Church_, the _Marble +Church_! It is not a street for loitering--there is an eager, ambitious +humour in its blood; one walks fast, revolving schemes of worldly +dominion. Only on the terrace in front of the Public Library is there +any temptation for tarrying and consideration. There one may pause and +study the inscription--_But Above All Things Truth Beareth Away the +Victory_ ... of course the true eloquence of the words lies in the +_But_. Much reason for that _But_, implying a previous contradiction--on +the Avenue's part? Sometimes, pacing vigorously in that river of lovely +pride and fascination, one might have suspected that other things bore +away the victory--spats, diamond necklaces, smoky blue furs nestling +under lovely chins.... Hullo! here is a sign, "Headquarters of the Save +New York Committee." Hum! Save from what? There was a time when the +great charm of New York lay in the fact that it didn't want to be saved. +Who is it that the lions in front of the Public Library remind us of? We +have so often pondered. Let's see: the long slanting brow, the head +thrown back, the haughty and yet genial abstraction--to be sure, it's +Vachel Lindsay! + +We defy the most resolute philosopher to pass along the giddy, enticing, +brilliant vanity of that superb promenade and not be just a little moved +by worldly temptation. + + + + +SUNDAY MORNING + + +It was a soft, calm morning of sunshine and placid air. Clear and cool, +it was "a Herbert Spencer of a day," as H. G. Wells once remarked. The +vista of West Ninety-eighth Street, that engaging alcove in the city's +enormous life, was all freshness and kempt tranquillity, from the gray +roof of the old training ship at the river side up to the tall red spire +near Columbus Avenue. This pinnacle, which ripens to a fine claret +colour when suffused with sunset, we had presumed to be a church tower, +but were surprised, on exploration, to find it a standpipe of some sort +connected with the Croton water system. + +Sunday morning in this neighbourhood has its own distinct character. +There is a certain air of luxurious ease in the picture. One has a +feeling that in those tall apartment houses there are a great many +ladies taking breakfast in negligee. They are wearing (if one may trust +the shop windows along Broadway) boudoir caps and mules. Mules, like +their namesakes in the animal world, are hybrid things, the offspring of +a dancing pump and a bedroom slipper. They are distinctly futile, but no +matter, no matter. Wearing mules, however, is not a mere vanity; it is +a form of physical culture, for these skimpish little things are always +disappearing under the bed, and crawling after them keeps one slender. +Again we say, no matter. This is no concern of ours. + +[Illustration] + +Near Broadway a prosperous and opulently tailored costume emerges from +an apartment house: cutaway coat, striped trousers, very long pointed +patent leather shoes with lilac cloth tops. Within this gear, we +presently see, is a human being, in the highest spirits. "All set!" he +says, joining a group of similars waiting by a shining limousine. Among +these, one lady of magnificently millinered aspect, and a smallish man +in very new and shiny riding boots, of which he is grandly conscious. +There are introductions. "Mr. Goldstone, meet Mrs. Silverware." They are +met. There is a flashing of eyes. Three or four silk hats simultaneously +leap into the shining air, are flourished and replaced. The observer is +aware of the prodigious gayety and excitement of life. All climb into +the car and roll away down Broadway. All save the little man in riding +boots. He is left on the sidewalk, gallantly waving his hand. Come, we +think, he is going riding. A satiny charger waits somewhere round the +corner. We will follow and see. He slaps his hunting crop against his +glorious boots, which are the hue of quebracho wood. No; to our chagrin, +he descends into the subway. + +We sit on the shoeshining stand on Ninety-sixth Street, looking over the +Sunday papers. Very odd, in the adjoining chairs men are busily engaged +polishing shoes that have nobody in them, not visibly, at any rate. +Perhaps Sir Oliver is right after all. While we are not watching, the +beaming Italian has inserted a new pair of laces for us. Long afterward, +at bedtime, we find that he has threaded them in that unique way known +only to shoe merchants and polishers, by which every time they are tied +and untied one end of the lace gets longer and the other shorter. Life +is full of needless complexities. We descend the hill. Already (it is +9:45 A. M.) men are playing tennis on the courts at the corner of West +End Avenue. A great wagon crammed with scarlet sides of beef comes +stumbling up the hill, drawn, with difficulty, by five horses. + +When we get down to the Ninety-Sixth Street pier we see the barque +_Windrush_ lying near by with the airy triangles of her rigging +pencilled against the sky, and look amorously on the gentle curve of her +strakes (if that is what they are). We feel that it would be a fine +thing to be off soundings, greeting the bounding billow, not to say the +bar-room steward; and yet, being a cautious soul of reservations all +compact, we must admit that about the time we got abreast of New Dorp +we would be homesick for our favourite subway station. + +The pier, despite its deposit of filth, bales of old shoes, reeking +barrels, scows of rubbish, sodden papers, boxes of broken bottles and a +thick paste of dust and ash-powder everywhere, is a happy lounging +ground for a few idlers on Sunday morning. A large cargo steamer, the +_Eclipse_, lay at the wharf, standing very high out of the water. Three +small boys were watching a peevish old man tending his fishing lines, +fastened to wires with little bells on them. "What do you catch here?" +we said. Just then one of the little bells gave a cracked tinkle and the +angler pulled up a small fish, wriggling briskly, about three inches +long. This seemed to anger him. He seemed to consider himself in some +way humiliated by the incident. He grunted. One of the small boys was +tactful. "Oh, gee!" he said. "Sometimes you catch fish that long," +indicating a length which began at about a yard and diminished to about +eighteen inches as he meditated. "I don't know what kind they are," he +said. "They're not trouts, but some other kind of fish." + +This started the topic of relative sizes, always fascinating to small +boys. "That's a pretty big boat," said one, craning up at the tall stem +of the _Eclipse_. "Oh, gee, that ain't big!" said another. "You ought to +see some of the Cunard boats, the _Olympic_ or the _Baltic_." + +On Riverside Drive horseback riders were cantering down the bridlepath, +returning from early outings. The squirrels, already grossly overfed, +were brooding languidly that another day of excessive peanuts was at +hand. Behind a rapidly spinning limousine pedalled a grotesquely humped +bicyclist, using the car as a pacemaker. He throbbed fiercely just +behind the spare tire, with his face bent down into a rich travelling +cloud of gasoline exhaust. An odd way of enjoying one's self! Children +were coming out in troops, with their nurses, for the morning air. Here +was a little boy with a sailor hat, and on the band a gilt legend that +was new to us. Instead of the usual naval slogan, it simply said +_Democracy_. This interested us, as later in the day we saw another, +near the goldfish pond in Central Park. Behind the cashier's grill of a +Broadway drug store the good-tempered young lady was reading Zane Grey. +"I love his books," she said, "but they make me want to break loose and +go out West." + + + + +VENISON PASTY + +[Illustration] + + +The good old days are gone, we have been frequently and authoritatively +assured; and yet, sitting in an agreeable public on William Street where +the bright eye of our friend Harold Phillips discerned _venison pasty_ +on the menu, and listening to a seafaring man describe a recent "blow" +off Hatteras during which he stood four hours up to his waist in the +bilges, and watching our five jocund companions dismiss no less than +twenty-one beakers of cider, we felt no envy whatever for the ancients +of the Mermaid Tavern. After venison pasty, and feeling somewhat in the +mood of Robin Hood and Friar Tuck, we set off with our friend Endymion +for a stroll through the wilderness. The first adventure of note that we +encountered was the curb market on Broad Street, where we stood +entranced at the merry antics of the brokers. This, however, is a +spectacle that no layman can long contemplate and still deem himself +sane. That sea of flickering fingers, the hubbub of hoarse cries, and +the enigmatic gestures of youths framed in the open windows gave an +impression of something fierce and perilous happening. Endymion, still +deeming himself in Sherwood Forest, insisted that this was the abode of +the Sheriff of Nottingham. "Stout deeds are toward!" he cried. "These +villain wights have a damsel imprisoned in yonder keep!" With difficulty +we restrained him from pressing to the rescue of the lady (for indeed we +could see her, comely enough, appearing now and then at one of the +windows; and anon disappearing, abashed at the wild throng). But +gradually we realized that no such dire matter was being transacted, for +the knights, despite occasional spasms of hot gesticulating fury, were +mild and meant her no ill. One, after a sudden flux of business +concerning (it seemed) 85 shares of Arizona Copper, fell suddenly +placid, and was eating chocolate ice cream from a small paper plate. +Young gallants, wearing hats trimmed with variegated brightly coloured +stuffs (the favours of their ladies, we doubted not), were conferring +together, but without passion or rancour. + +We have a compact with our friend Endymion that as soon as either of us +spends money for anything not strictly necessary he must straightway +return to the office. After leaving the curb market, we found ourselves +in a basement bookshop on Broadway, and here Endymion fell afoul of a +copy of Thomas Hardy's "Wessex Poems," illustrated by the author. +Piteously he tried to persuade us that it was a matter of professional +advancement to him to have this book; moreover, he said, he had just won +five dollars at faro (or some such hazard) so that he was not really +spending money at all; but we countered all his sophisms with slogging +rhetoric. He bought the book, and so had to return to the office in +disgrace. + +We fared further, having a mind to revisit the old Eastern Hotel, down +by the South Ferry, of whose cool and dusky bar-room we had pleasant +memories in times gone by; but we found to our distress that this also, +like many more of our familiar landmarks, is a prey to the +house-wrecker, and is on its way to become an office building. On our +way back up Broadway it occurred to us to revisit what we have long +considered one of the most impressive temples in our acquaintance, the +lobby of the Telephone and Telegraph Building, on Dey Street. Here, +passing by the enticing little terrace with brocaded chairs and soft +lights where two gracious ladies sit to interview aspiring telephone +debutantes, one stands in a dim golden glow, among great fluted pillars +and bowls of softly burning radiance swung (like censers) by long +chains. Occasionally there is an airy flutter, a bell clangs, bronze +doors slide apart, and an elevator appears, in charge of a chastely +uniformed priestess. Lights flash up over this dark little cave which +stands invitingly open: UP, they say, LOCAL 1-13. The door-sill of the +cave shines with a row of golden beads (small lights, to guide the +foot)--it is irresistible. There is an upward impulse about the whole +place: the light blossoms upward from the hanging translucent shells: +people step gently in, the doors close, they are not seen again. It is +the temple of the great American religion, _Going Up_. The shining gold +stars in the ceiling draw the eye aloft. The temptation is too great. We +step into the little bronze crypt, say "Thirteen" at a venture, and are +borne softly and fluently up. Then, of course, we have to come down +again, past the wagons of spring onions on Fulton Street, and back to +the office. + + + + +GRAND AVENUE, BROOKLYN + + +We have always been a strong partisan of Brooklyn, and when we found +ourself, in company with Titania, set down in the middle of a golden +afternoon with the vista of Grand Avenue before us, we felt highly +elated. Just how these two wayfarers chanced to be deposited in that +quiet serenity, so far from their customary concerns, is not part of the +narrative. + +There are regions of Brooklyn, we have always felt, that are too good to +be real. Placid stretches of streets, with baby carriages simmering in +the sun, solid and comfortable brownstone houses exhaling a prosperous +condition of life, tranquil old-fashioned apothecaries' shops without +soda fountains, where one peers in and sees only a solitary customer +turning over the pages of a telephone book. It is all rather like a +chapter from a story, and reminds us of a passage in "The Dynamiter" +where some untroubled faubourgs of London are winningly described. + +Titania was wearing a little black hat with green feathers. She looked +her best, and was not unaware of it. Our general plan, when destiny +suddenly plumps us into the heart of Brooklyn, is to make our way +toward Fulton Street, which is a kind of life-line. Once on Fulton +Street we know our way. Moreover, Fulton Street has admirable +second-hand bookshops. Nor do we ever forget that it was at the corner +of Fulton and Cranberry streets that "Leaves of Grass" was set up, in +the spring of 1855, Walt doing a good deal of the work himself. The only +difficulty about getting to Fulton Street is that people will give you +such contradictory instruction. One will tell you to go this way; the +next will point in the opposite direction. It is as though Brooklynites +suspect the presence of a stranger, and do not wish their sacred secrets +to be discovered. There is a deep, mysterious freemasonry among the +residents of this genial borough. + +At the corner of Grand and Greene avenues we thought it well to ask our +way. A lady was standing on the corner, lost in pleasant drowse. April +sunshine shimmered all about: trees were bustling into leaf, a wagonload +of bananas stood by the curb and the huckster sang a gay, persuasive +madrigal. We approached the lady, and Titania spoke gently: "Can you +tell me----" The lady screamed, and leaped round in horror, her face +stricken with fearful panic. She gasped and tottered. We felt guilty and +cruel. "We were not meditating an attack," we said, "but just wanted to +ask you the way to Fulton Street." Perhaps the poor soul's nerves were +unstrung, for she gave us instruction that we felt instinctively to be +wrong. Had we gone as she said (we now see by studying the map) we would +have debouched into Wallabout Bay. But undoubtedly it was the protective +instinct of the Brooklynite, on guard before strangers. Is there some +terrific secret in Brooklyn that all residents know about but which must +never be revealed to outsiders? + +Making a mental note not to speak too suddenly at the next encounter, +the two cheerful derelicts drifted along the sunny coast of Grand +Avenue. A shining and passionless peace presided over the streets. A +gentle clop-clop of hooves came trotting down the way: here was a man +driving a white horse in a neat rubber-tired buggy without a top. He +leaned back and smiled to himself as he drove along. Life did not seem +to be the same desperate venture it appears round about Broadway and +Wall Street. Who can describe the settled amiability of those rows of +considerable brown houses, with their heavy oak doors, their pots of +daisies on the stoop, their clear window panes, and now and then the +face of a benignant grandmother peeping from behind lace curtains. The +secret of Brooklyn, perhaps, is contentment, and its cautious residents +do not want the rest of us to know too much about it, lest we all flock +over there in swarms. + +We then came to the bustle of Fulton Street, which deserves a book in +itself. Some day we want to revisit a certain section of Fulton Street +where (if we remember rightly) a rotisserie and a certain bookstore +conspire to make one of the pleasantest haunts in our experience. We +don't know exactly what the secret of Brooklyn may be, but we are going +to spend some time over there this spring and lie in wait for it. + + + + +ON WAITING FOR THE CURTAIN TO GO UP + +[Illustration] + + +We often wonder whether people are really as human as they appear, or is +it only our imagination? Everybody, we suggest, thinks of others as +being excessively human, with all the frailties and crotchets +appertaining to that curious condition. But each of us also (we are not +dogmatic on this matter) seems to regard himself as existing on a +detached plane of observation, exempt (save in moments of vivid crisis) +from the strange whims of humanity en masse. + +For example, consider the demeanour of people at a theatre while waiting +for the curtain to go up. To note the censoriousness with which they +study each other, one concludes that each deems himself (herself) +singularly blessed as the repository of human correctness. + +Incidentally, why is it that one gets so thirsty at the theatre? We +never get thirsty at the movies, or not nearly so thirsty. The other +evening we drank seven paper cups full of water in the intermissions of +a four-act play. + +The presence of people sitting behind one is the reason (we fancy) for a +great deal of the queer antics that take place while one is waiting for +the curtain to rise, particularly when it is twenty minutes late in +going up as it was at a certain theatre the other evening. People behind +one have a horrible advantage. One knows that they can hear everything +you say, unless you whisper it in a furtive manner, which makes them +suspect things far worse than any one would be likely to say in a +Philadelphia theatre, except, of course, on the stage. The fact that you +know they can overhear you, and intend to do so, leads one on to make +the most outrageous, cynical, and scoffish remarks, particularly to +denounce with fury a play that you may be enjoying quite passably well. +All over the house you will hear (after the first act) men saying to +their accompanying damsels, "How outrageously clumsy that act was. I +can't conceive how the director let it get by." Now they only say this +because they think it will make the people behind feel ashamed for +having enjoyed such a botch. But does it? The people in the row behind +immediately begin to praise the play vigorously, for the benefit of the +people behind _them_; and in a minute you see the amusing spectacle of +the theatre cheering and damning by alternate rows. + +Here and there you will see a lady whispering something to her escort, +and will notice how ladies always look backward over a lily shoulder +while whispering. They want to see what effect this whispering will have +on the people behind. There is a deep-rooted feud between every two rows +in an audience. The front row, having nobody to hate (except possibly +the actors), take it out in speculating why on earth anybody can want to +sit in the boxes, where they can see nothing. + +What the boxes think about we are not sure. We never sat in a box except +at a burlicue. + +And then a complete essay might be written on the ads in the theatre +program--what high-spirited ads they are! How full of the savour and +luxurious tang of the _beau monde_! How they insist on saying +_specialite_ instead of specialty! + +Well, all we meant to say when we began was, the heroine was Only +Fair--by which we mean to say she was beautiful and nothing else. + + + + +MUSINGS OF JOHN MISTLETOE + + +It was old John Mistletoe, we think, in his "Book of Deplorable Facts," +discussing the congenial topic of "Going to Bed" (or was it in his essay +on "The Concinnity of Washerwomen?") said something like this: + + Life passes by with deplorable rapidity. _Post commutatorem sedet + horologium terrificum_, behind the commuter rideth the alarm + clock, no sooner hath he attained to the office than it is time + for lunch, no sooner hath lunch been dispatched than it is time + to sign those dictated letters, no sooner this accomplished, 'tis + time to hasten trainward. The essential thing, then, is not to + let one's experiences flow irrevocably past like a river, but to + clutch and hold them, thoughtfully, long enough to examine and, + in a manner, sieve them, to halt them in the mind for meditation. + The relentless fluidity of life, the ease with which it vanisheth + down the channel of the days, is the problem the thoughtful man + must deal with. The urgent necessity is to dam the stream here + and there so we can go swimming in it. + + Time is a breedy creature: the minutes propagate hours, the hours + beget days, the days raise huge families of months, and before we + know it we are crowded out of this sweet life by mere surplus of + Time's offspring. This is a brutish Malthusianism which must be + adamantly countered. Therefore it is my counsel that every man, + ere he retire for the night and commit his intellect to + inscrutable nothingness, do let it hop abroad for a little + freedom. Life must be taken with a grain of saltation: let the + spirit dance a measure or two ere it collapse. For this purpose + it is my pleasure, about the hour of midnight, to draw a jug of + cider from the keg and a book from the shelf. I choose some + volume ill written and stupidly conceived, to set me in conceit + with myself. I read a few pages, and then apply myself to the + composition of verses. These done, I burn them, and go to bed + with a cheerful spirit. + + + + +THE WORLD'S MOST FAMOUS ORATION + +Address to An Employer Upon Demanding a Raise, or, The Battle of +Manila Envelopes + + + _As Planned_ _As Delivered_ + +I think you will admit, If you are not too +sir, that the quality busy, sir, there is one +of my work during the other matter--in fact, +last two years has been the truth of the matter +such that my services in fact is exactly--well, +could not easily be replaced. sir, I was precisely +I speak more wondering whether--of +in pain than in anger course I know this is a +when I say that it has bad time--indeed I have +been a matter of profound been very pleased to see +surprise to me to business picking up a +note that you have not bit lately, and I am sure +seen fit to acknowledge my own department has +my value to the firm in been--but to tell you the +some substantial way. I truth, sir, I have been +think I may say that wondering--of course it +I have been patient. is just as you think best +I have continued my and I wouldn't think of +efforts with unremitting insisting, but after all, +zeal, and I think I may perhaps I have made a +flatter myself that my mistake in mentioning +endeavors have not been it, but I was thinking +without result. I have that possibly you might +here, carefully tabulated, bear in mind the idea of +a memorandum of a possible future raise in +the increased profits in salary at some future time. +my department during +the last twelve months, +due in great part to my +careful management. I +am sorry to have to +force you into a decision, +but I think I owe it to +myself to say candidly +that unless you see the +matter in the same way +that I do I shall feel +obliged to deprive the +firm of my services. + + + + +ON LAZINESS + +[Illustration] + + +To-day we rather intended to write an essay on Laziness, but were too +indolent to do so. + +The sort of thing we had in mind to write would have been exceedingly +persuasive. We intended to discourse a little in favour of a greater +appreciation of Indolence as a benign factor in human affairs. + +It is our observation that every time we get into trouble it is due to +not having been lazy enough. Unhappily, we were born with a certain fund +of energy. We have been hustling about for a number of years now, and +it doesn't seem to get us anything but tribulation. Henceforward we are +going to make a determined effort to be more languid and demure. It is +the bustling man who always gets put on committees, who is asked to +solve the problems of other people and neglect his own. + +The man who is really, thoroughly, and philosophically slothful is the +only thoroughly happy man. It is the happy man who benefits the world. +The conclusion is inescapable. + +We remember a saying about the meek inheriting the earth. The truly meek +man is the lazy man. He is too modest to believe that any ferment and +hubbub of his can ameliorate the earth or assuage the perplexities of +humanity. + +O. Henry said once that one should be careful to distinguish laziness +from dignified repose. Alas, that was a mere quibble. Laziness is always +dignified, it is always reposeful. Philosophical laziness, we mean. The +kind of laziness that is based upon a carefully reasoned analysis of +experience. Acquired laziness. We have no respect for those who were +born lazy; it is like being born a millionaire: they cannot appreciate +their bliss. It is the man who has hammered his laziness out of the +stubborn material of life for whom we chant praise and allelulia. + +The laziest man we know--we do not like to mention his name, as the +brutal world does not yet recognize sloth at its community value--is +one of the greatest poets in this country; one of the keenest satirists; +one of the most rectilinear thinkers. He began life in the customary +hustling way. He was always too busy to enjoy himself. He became +surrounded by eager people who came to him to solve their problems. +"It's a queer thing," he said sadly; "no one ever comes to me asking for +help in solving _my_ problems." Finally the light broke upon him. He +stopped answering letters, buying lunches for casual friends and +visitors from out of town, he stopped lending money to old college pals +and frittering his time away on all the useless minor matters that +pester the good-natured. He sat down in a secluded cafe with his cheek +against a seidel of dark beer and began to caress the universe with his +intellect. + +The most damning argument against the Germans is that they were not lazy +enough. In the middle of Europe, a thoroughly disillusioned, indolent +and delightful old continent, the Germans were a dangerous mass of +energy and bumptious push. If the Germans had been as lazy, as +indifferent, and as righteously laissez-fairish as their neighbours, the +world would have been spared a great deal. + +People respect laziness. If you once get a reputation for complete, +immovable, and reckless indolence the world will leave you to your own +thoughts, which are generally rather interesting. + +Doctor Johnson, who was one of the world's great philosophers, was lazy. +Only yesterday our friend the Caliph showed us an extraordinarily +interesting thing. It was a little leather-bound notebook in which +Boswell jotted down memoranda of his talks with the old doctor. These +notes he afterward worked up into the immortal Biography. And lo and +behold, what was the very first entry in this treasured little relic? + + Doctor Johnson told me in going to Ilam from Ashbourne, 22 + September, 1777, that the way the plan of his Dictionary came to + be addressed to Lord Chesterfield was this: He had neglected to + write it by the time appointed. Dodsley suggested a desire to + have it addressed to Lord C. Mr. J. laid hold of this as an + excuse for delay, that it might be better done perhaps, and let + Dodsley have his desire. Mr. Johnson said to his friend, Doctor + Bathurst: "Now if any good comes of my addressing to Lord + Chesterfield it will be ascribed to deep policy and address, + when, in fact, it was only a casual excuse for laziness." + +Thus we see that it was sheer laziness that led to the greatest triumph +of Doctor Johnson's life, the noble and memorable letter to Chesterfield +in 1775. + +Mind your business is a good counsel; but mind your idleness also. It's +a tragic thing to make a business of your mind. Save your mind to amuse +yourself with. + +The lazy man does not stand in the way of progress. When he sees +progress roaring down upon him he steps nimbly out of the way. The lazy +man doesn't (in the vulgar phrase) pass the buck. He lets the buck pass +him. We have always secretly envied our lazy friends. Now we are going +to join them. We have burned our boats or our bridges or whatever it is +that one burns on the eve of a momentous decision. + +Writing on this congenial topic has roused us up to quite a pitch of +enthusiasm and energy. + + + + +TEACHING THE PRINCE TO TAKE NOTES + +[Illustration] + + +The Prince of Wales probably suffers severely during his tours abroad, +for he is a shy youth; but he also makes many friends, for he is a +delightfully simple and agreeable person. When we used to see him he +looked a good deal like the traditional prince of the fairy tales, for +he was a slender boy with yellow hair, and blue eyes, and a quick pink +blush. And we feel toward him the friendly sense of superiority that the +college alumnus always feels toward the man who was a freshman when he +himself was a senior; for the prince and ourself stood in that relation +a few years ago at a certain haunt of letters. + +There was a course of lectures on history that we were to attend. It was +a popular course, and the attendance was large. Arriving late at the +first lecture the room was packed, and we could see from the door that +there was only one empty seat. This happened to be in the very front +row, and wondering how it was that so desirable a place had not been +seized we hastened to it. The lecturer was a swift talker, and we fell +to taking notes busily. Not for some minutes did we have a chance to +scrutinize our surroundings. We then saw that in the adjoining chair sat +the prince, and surmised that no one had wanted to take the chair for +fear of being twitted by his companions for a supposed desire to hobnob +with royalty. + +If we remember correctly, it was the prince's first term of college +life. The task of taking notes from a rapid-fire lecturer was plainly +one to which he was not accustomed, and as he wrestled with his notebook +we could see that he had not learned the art of considering the +lecturer's remarks and putting down only the gist of them, in some +abbreviated system of his own, as every experienced student learns. +Grant Robertson, the well-known historian, was lecturing on English +constitutional documents, and his swift and informal utterance was +perfectly easy to summarize if one knew how to get down the important +points and neglect the rest. But the unhappy prince, desperately eager +to do the right thing in this new experience, was trying to write down +every word. If, for instance, Mr. Robertson said (in a humorous aside), +"Henry VIII was a sinful old man with a hobby of becoming a widower," +the experienced listener would jot down something like this: H 8, +_self-made widower_. But we could see that the prince was laboriously +copying out the sentence in full. And naturally, by the end of a few +paragraphs, he was hopelessly behind. But he scribbled away +industriously, doing his best. He realized, however, that he had not +quite got the hang of the thing, and at the end of the lecture he turned +to us with most agreeable bashfulness and asked if we would lend him our +notebook, so that he could get down the points that he had missed. We +did so, and briefly explained our own system of abbreviating. We noticed +that in succeeding sessions our royal neighbour did very much better, +learning in some measure to discriminate between what was advisable to +note down and what was mere explanatory matter or persiflage on the part +of the lecturer. But (if we must be candid) we would not recommend him +as a newspaper reporter. And, indeed, the line of work to which he has +been called does not require quite as intense concentration as that of a +cub on what Philip Gibbs calls "The Street of Adventure." + +No one could come in contact with the prince without liking him, for his +bashful, gentle, and teachable nature is very winning. We remember with +a certain amusement the time that Grant Robertson got off one of his +annual gags to the effect that, according to the principle of strict +legitimacy, there were in Europe several hundred (we forget the figure) +people with a greater right to the British throne than the family at +present occupying it. The roomful of students roared with genial mirth, +and the unhappy prince blushed in a way that young girls used to in the +good old days of three-piece bathing suits. + + + + +A CITY NOTEBOOK + +(_Philadelphia_) + + +It would be hard to find a more lovely spot in the flush of a summer +sunset than Wister Woods. Old residents of the neighbourhood say that +the trees are not what they were fifteen and twenty years ago; the +chestnuts have died off; even some of the tall tulip-poplars are a +little bald at the top, and one was recently felled by a gale. But still +that quiet plateau stands in a serene hush, flooded with rich orange +glow on a warm evening. The hollyhocks in the back gardens of Rubicam +Street are scarlet and Swiss-cheese-coloured and black; and looking +across the railroad ravine one sees crypts and aisles of green as though +in the heart of some cathedral of the great woods. + +Belfield Avenue, which bends through the valley in a curve of warm thick +yellow dust, will some day be boulevarded into a spick-and-span highway +for motors. But now it lies little trafficked, and one might prefer to +have it so, for in the stillness of the evening the birds are eloquent. +The thrushes of Wister Woods, which have been immortalized by T. A. Daly +in perhaps the loveliest poem ever written in Philadelphia, flute and +whistle their tantalizing note, while the song sparrow echoes them with +his confident, challenging call. Down behind the dusty sumac shrubbery +lies the little blue-green cottage said to have been used by Benjamin +West as a studio. In a meadow beside the road two cows were grazing in +the blue shadow of overhanging woodland. + +[Illustration] + +Over the road leans a flat outcrop of stone, known locally as "The Bum's +Rock." An antique philosopher of those parts assured the wayfarer that +it is named for a romantic vagabond who perished there by the explosion +of a can of Bohemian goulash which he was heating over a small fire of +sticks; but one doubts the tale. Our own conjecture is that it is named +for Jacob Boehm, the oldtime brewer of Germantown, who predicted in his +chronicles that the world would come to an end in July, 1919. From his +point of view he was not so far wrong. + +Above Boehm's Rock, in a grassy level among the trees, a merry little +circle of young ladies was sitting round a picnic supper. The twilight +grew darker and fireflies began to twinkle. In the steep curve of the +Cinder and Bloodshot (between Fisher's and Wister stations) a cheerful +train rumbled, with its engine running backward just like a country +local. Its bright shaft of light wavered among the tall tree trunks. One +would not imagine that it was less than six miles to the City Hall. + + * * * * * + +A quarter to one A. M., and a hot, silent night. As one walks up +Chestnut Street a distant roaring is heard, which rapidly grows louder. +The sound has a note of terrifying menace. Then, careering down the +almost deserted highway, comes a huge water-tank, throbbing like an +airplane. A creamy sheet of water, shot out at high pressure, floods the +street on each side, dashing up on the pavements. A knot of belated +revellers in front of the Adelphia Hotel, standing in mid-street, to +discuss ways and means of getting home, skip nimbly to one side, the +ladies lifting up their dresses with shrill squeaks of alarm as the +water splashes round them. Pedestrians plodding quietly up the street +cower fearfully against the buildings, while a fine mist envelops them. + +After the tank comes, more leisurely, a squad of brooms. The street is +dripping, every sewer opening clucks and gurgles with the falling water. +There is something unbelievably humorous in the way that roaring +Niagara of water dashes madly down the silent street. There is a note of +irony in it, too, for the depressed enthusiasts who have been sitting +all evening in a restaurant over lemonade and ginger ale. Perhaps the +chauffeur is a prohibitionist gone mad. + + * * * * * + +While eating half a dozen doughnuts in a Broad Street lunchroom at one +o'clock in the morning, we mused happily about our friends all tucked +away in bed, sound asleep. There is one in particular on whom we thought +with serene pleasure. It was charming to think of that delightful, +argumentative, contradictory, volatile person, his active mind stilled +in the admirable reticence of slumber. He, so endlessly speculatory, so +full of imaginative enthusiasms and riotous intuitions and troubled +zeals concerning humanity, lost in a beneficent swoon of +unconsciousness! We could not just say why, but we broke into chuckles +to think of him lying there, not denying any of our statements, +absolutely and positively saying nothing. To have one's friends asleep +now and then is very refreshing. + + * * * * * + +Off Walnut Street, below Fifth, and just east of the window where that +perfectly lovely damsel sits operating an adding machine--why is it, by +the way, that the girls who run adding machines are always so +marvellously fair? Is there some secret virtue in the process of adding +that makes one lovely? We feel sure that a subtracting engine would not +have that subtle beautifying effect--just below Fifth Street, we started +to say, there runs a little alley called (we believe) De Silver Court. +It is a sombre little channel between high walls and barred windows, but +it is a retreat we recommend highly to hay fever sufferers. For in one +of the buildings adjoining there seems to be a warehouse of some company +that makes an "aromatic disinfector." Wandering in there by chance, we +stood delighted at the sweet medicinal savour that was wafted on the +air. It had a most cheering effect upon our emunctory woes, and we +lingered so long, in a meditative and healing ecstasy, that young women +immured in the basement of the aromatic warehouse began to peer upward +from the barred windows of their basement and squeak with astonished and +nervous mirth. We blew a loud salute and moved away. + + * * * * * + +We entered a lunchroom on Broad Street for our favourite breakfast of +coffee and a pair of crullers. It was strangely early and only a few of +the flat-arm chairs were occupied. After dispatching the rations we +carefully filled our pipe. With us we had a copy of an agreeable book, +"The Calamities and Quarrels of Authors." It occurred to us that here, +in the brisk serenity of the morning, would be a charming opportunity +for a five-minute smoke and five pages of reading before attacking the +ardours and endurances of the day. Lovingly we applied the match to the +fuel. We began to read: + + Of all the sorrows in which the female character may participate, + there are few more affecting than those of an authoress---- + +[Illustration] + +A stern, white-coated official came over to us and tapped us on the +shoulder. + +"There's a sign behind you," he said. + +We looked, guiltily, and saw: + +POSITIVELY +NO SMOKING + + * * * * * + +The cocoateria on Eighth Street closes at one A. M. Between +twelve-thirty and closing time it is full of busy eaters, mostly the +night shift from the Chestnut Street newspaper offices and printing and +engraving firms in the neighbourhood. Ham and eggs blossom merrily. The +white-coated waiters move in swift, stern circuit. Griddle cakes bake +with amazing swiftness toward the stroke of one. Little dishes of baked +beans stand hot and ready in the steam-chest. The waiter punches your +check as he brings your frankfurters and coffee. He adds another +perforation when you get your ice cream. Then he comes back and punches +it again. + +"Here," you cry, "let it alone and stop bullying it!" + +"Sorry, brother," he says. "I forgot that peach cream was fifteen +cents." + +One o'clock. They lock the door and turn out the little gas jet where +smokers light up. As the tables empty the chairs are stacked up on top. +And if it is a clear warm evening the customers smoke a final weed along +the Chestnut Street doorsteps, talking together in a cheery undertone. + + * * * * * + +No man has ever started upon a new cheque-book without a few sourly +solemn thoughts. + +In the humble waters of finance wherein we paddle we find that a book of +fifty cheques lasts us about four months, allowing for two or three duds +when we start to make out a foil payable to bearer (self) and decide to +renounce that worthy ambition and make it out to the gas company +instead. + +It occurs to us that if Bunyan had been writing "Pilgrim's Progress" +nowadays instead of making Christian encounter lions in the path he +would have substituted gas meters, particularly the quarter-in-the-slot +kind that one finds in a seaside cottage. However---- + +Four months is quite a long time. It may be weak of us, but we can never +resist wondering as we survey that flock of empty cheques just what +adventures our bank account is going to undergo during that period, and +whether our customary technique of being aloof with the receiving teller +and genial and commentary with the paying ditto is the right one. We +always believe in keeping a paying teller in a cheerful frame of mind. +We would never admit to him that we think it is going to rain. We say, +rather, "Well, it may blow over," and try not to surmise how many +hundreds there are in the pile at his elbow. Probably we think the +explanation for the really bizarre architecture of our bank is to keep +depositors' attention from the money. Unquestionably Walt Whitman's tomb +over in Harleigh--Walt's vault--was copied from our bank. + +The cheques in our book are blue. We have always regretted this. If we +had known it beforehand perhaps we would have inflicted our problems +upon another bank. Because there are so many more interesting colours +for cheques, tints upon which the ink shows up in a more imposing +manner. A pale pink or cream-coloured cheque for $2.74 looks much more +exciting than a blue cheque for $25. We have known gray, pink, white, +brown, green, and salmon-coloured cheques. A friend of ours once showed +us one that was a bright orange, but refused to let us handle it. But +yellow is the colour that appeals to us most strongly. When we were very +young and away from home our monthly allowance, the amount of which we +shall not state, but it cost us less effort than any money we ever +received since, came to us by way of pale primrose-coloured cheques. +For, after all, there are no cheques like those one used to get from +one's father. We hope the Urchin will think so some day. + + * * * * * + +We like to pay homage to the true artist in all lines. At the corner of +Market and Marshall streets--between Sixth and Seventh--the collar-clasp +orator has his rostrum, and it seems to us that his method of harangue +has the quality of genuine art. He does not bawl or try to terrify or +bully his audience into purchase as do the auctioneers of the +"pawnbrokers' outlets." How gently, how winningly, how sweetly he pleads +the merits of his little collar clasp! And there is shrewd imagination +in his attention-catching device, which is a small boy dressed in black, +wearing a white hood of cheesecloth that hides his face. This peculiar +silent figure, with a touch of mystery about it, serves to keep the +crowd wondering until the oration begins. + +[Illustration] + +With a smile, with infinite ingratiation and gentle persuasion, our +friend exhibits the merits of his device which does away with the +traditional collar-button. His art is to make the collar-button seem a +piteous, almost a tragic thing. His eyes swim with unshed tears as he +describes the discomfort of the man whose collar, fastened by the +customary button, cannot be given greater freedom on a hot, muggy day. +He shows, by exhibition on his own person, the exquisite relief afforded +by the adjustable collar clasp. "When the day grows cool," he says, +"when you begin to enjoy yourself and want your collar tighter, you just +loosen the clasp, slide the tabs closer together, and there you are. And +no picking at your tie to get the knot undone. Now, how many of you men +have spoiled an expensive tie by picking at it? Your fingers come in +contact with the fibres of the silk and the first thing you know the tie +is soiled. This little clasp"--and he casts a beam of affection upon +it--"saves your tie, it saves your collar, and it saves your patience." +A note of yearning pathos comes into his agreeable voice, and he holds +out a handful of the old-fashioned collar-buttons. "You men are wearing +the same buttons your great-grandfathers wore. Don't you want to get +out of collar slavery? _Don't_ you want to quit working your face all +out of shape struggling with a collar-button? Now as this is a +manufacturing demonstration----" + + * * * * * + +On a warm evening nothing is more pleasant than a ride on the front +platform of the Market Street L, with the front door open. As the train +leaves Sixty-ninth Street it dips down the Millbourne bend and the cool, +damp smell of the Cobb's Creek meadows gushes through the car. Then the +track straightens out for a long run toward the City Hall. Roaring over +the tree tops, with the lights of movies and shops glowing up from +below, a warm typhoon makes one lean against it to keep one's footing. +The airy stations are lined by girls in light summer dresses, attended +by their swains. The groan of the wheels underfoot causes a curious +tickling in the soles of the feet as one stands on the steel platform. + +This groan rises to a shrill scream as the train gathers speed between +stations, gradually diminishing to a reluctant grumble as the cars come +to a stop. In the distance, in a peacock-blue sky, the double gleam of +the City Hall tower shines against the night. Down on the left is the +hiss and clang of West Philadelphia station, with the long, dim, amber +glow of the platform and belated commuters pacing about. Then the smoky +dive across the Schuylkill and the bellow of the subway. + + * * * * * + +From time to time humanity is forced to revise its customary notions in +the interests of truth. This is always painful. + +It is an old fetich that the week-end in summer is a time for riotous +enjoyment, of goodly cheer and mirthful solace. A careful examination of +human beings during this hebdomadal period of carnival leads us to +question the doctrine. + +[Illustration] + +When we watch the horrors of discomfort and vexation endured by +simple-hearted citizens in pursuit of a light-hearted Saturday and +Sunday, we often wonder how it is that humanity will so gleefully +inflict upon itself sufferings which, if they were imposed by some +taskmaster, would be called atrocious. + +We observe, for instance, women and children standing sweltering in the +aisles of trains during a two-hour run to the seashore. We observe the +number of drownings, motor accidents, murders, and suicides that take +place during the Saturday to Monday period. We observe families loaded +down with small children, who might have been happy and reasonably cool +at home, struggling desperately to get away for a day in the country, +rising at 5 A. M., standing in line at the station, fanning themselves +with blasphemy, and weary before they start. We observe them chased home +by thunderstorms or colic, dazed and blistered with sunburn, or groaning +with a surfeit of ice cream cones. + +It is a lamentable fact (and the truth is almost always lamentable, and +hotly denied) that for the hard-working majority the week-end is a curse +rather than a blessing. The saddest fact in human annals is that most +people are never so happy as when they are hard at work. The time may +come when criminals will be condemned, not to the chair, but to twenty +successive week-ends spent standing in the aisles of crowded excursion +trains. + + * * * * * + +[Illustration] + +Strolling downtown to a well-known home of fish dinners, it is +appetizing to pass along the curve of Dock Street in the coolness of the +evening. The clean, lively odours of vegetables and fruit are strong on +the air. Under the broad awnings of the commission merchants and +produce dealers the stock is piled up in neat and engaging piles ready +to be carted away at dawn. Under the glow of pale arcs and gas lamps the +colours of the scene are vivid. Great baskets of eggplant shine like +huge grapes, a polished port wine colour; green and scarlet peppers +catch points of light; a flat pinkish colour gleams on carrots. Each +species seems to have an ordered pattern of its own. Potatoes are ranged +in a pyramid; watermelons in long rows; white and yellow onions are +heaped in sacks. The sweet musk of cantaloupes is the scent that +overbreathes all others. Then, down nearer to the waterfront, comes the +strong, damp fishy whiff of oysters. To stroll among these gleaming +piles of victuals, to watch the various colours where the lamps pour a +pale silver and yellow on cairns and pyramids of vegetables, is to +gather a lusty appetite and attack the first oyster stew of the season +with a stout heart. + +It being a very humid day, we stopped to compliment the curly-headed +sandwich man at Ninth and Market on his decollete corsage, which he +wears in the Walt Whitman manner. "Wish we could get away with it the +way you do," we said, admiringly. He looked at us with the patience of +one inured to bourgeois comment. "It's got to be tried," said he, "like +everything else." + + * * * * * + +We stopped by the Weather Man's little illuminated booth at Ninth and +Chestnut about 10 o'clock in the evening. We were scrutinizing his +pretty coloured pictures, wondering how soon the rain would determine, +when a slender young man appeared out of the gloom, said "I'm sorry to +have to do this," switched off the light, and pulled down the rolling +front of the booth. It was the Weather Man himself. + +We were greatly elated to meet this mythical sage and walked down the +street a little way with him. In order to cheer him up, we complimented +him on the artistic charm of his little booth, with its glow of golden +light shining on the coloured map and the bright loops and curves of +crayon. We told him how almost at any time in the evening groups of +people can be seen admiring his stall, but his sensitive heart was +gloomy. + +"Most of them don't understand it," he said, morosely. "The women are +the worst. I've gone there in the evening and found them studying the +map eagerly. Hopefully, I would creep up behind to hear their comments. +One will say, 'Yes, that's where my husband came from,' or 'I spent last +summer over there,' pointing to some place on the map. They seem to +think it's put there for them to study geography." + +We tried to sympathize with the broken-hearted scientist, but his spirit +had been crushed by a long series of woes. + +"The other evening," said he, "I saw a couple of girls gazing at the +map, and they looked so intelligent I really was charmed. Apparently +they were discussing an area of low pressure that was moving down from +the Great Lakes, and I lent an ear. Imagine my chagrin when one of them +said: 'You see the colour of that chalk line? I'm going to make my next +knitted vestee just like that.' And the other one said: 'I think the +whole colour scheme is adorable. I'm going to use it as a pattern for my +new camouflage bathing-suit.'" + +"Thank goodness," cried the miserable Weather Man: "I have another map +like that down at the Bourse, and the brokers really give it some +intelligent attention." + +We went on our way sadly, thinking how many sorrows there are in the +world. It is grievous to think of the poor Weather Man, lurking with +beating pulses in the neighbourhood of Ninth and Chestnut in the hope +of finding someone who understands his painstaking display. The next +time you are standing in front of his booth do say something about the +Oceanic High in the South Atlantic or the dangerous Aleutian Low or the +anticyclonic condition prevailing in the Alleghenies. He might overhear +you, and it would do his mournful heart good. + + * * * * * + +[Illustration] + +It was eight o'clock, a cool drizzling night. Chestnut Street was gray +with a dull, pearly, opaque twilight. In the little portico east of +Independence Hall the gas lamp under the ceiling cast a soft pink glow +on the brick columns. + +Independence Square was a sea of tremulous, dripping boughs. The quaint +heptahedral lamps threw splashed shimmers of topaz colour across the +laky pavement. "Golden lamps in a green night," as Marvell says, +twinkled through the stir and moisture of the evening. + + + + +ON GOING TO BED + + +One of the characters in "The Moon and Sixpence" remarked that he had +faithfully lived up to the old precept about doing every day two things +you heartily dislike; for, said he, every day he had got up and he had +gone to bed. + +It is a sad thing that as soon as the hands of the clock have turned ten +the shadow of going to bed begins to creep over the evening. We have +never heard bedtime spoken of with any enthusiasm. One after another we +have seen a gathering disperse, each person saying (with an air of +solemn resignation): "Well, I guess I'll go to bed." But there was no +hilarity about it. It is really rather touching how they cling to the +departing skirts of the day that is vanishing under the spinning shadow +of night. + +This is odd, we repeat, for sleep is highly popular among human beings. +The reluctance to go to one's couch is not at all a reluctance to +slumber, for almost all of us will doze happily in an armchair or on a +sofa, or even festooned on the floor with a couple of cushions. But the +actual and formal yielding to sheets and blankets is to be postponed to +the last possible moment. + +The devil of drowsiness is at his most potent, we find, about 10:30 +P. M. At this period the human carcass seems to consider that it has +finished its cycle, which began with so much courage nearly sixteen +hours before. It begins to slack and the mind halts on a dead centre +every now and then, refusing to complete the revolution. Now there are +those who hold that this is certainly the seemly and appointed time to +go to bed and they do so as a matter of routine. These are, commonly, +the happier creatures, for they take the tide of sleep at the flood and +are borne calmly and with gracious gentleness out to great waters of +nothingness. They push off from the wharf on a tranquil current and +nothing more is to be seen or heard of these voyagers until they +reappear at the breakfast table, digging lustily into their grapefruit. + +These people are happy, aye, in a brutish and sedentary fashion, but +they miss the admirable adventures of those more embittered wrestlers +who will not give in without a struggle. These latter suffer severe +pangs between 10:30 and about 11:15 while they grapple with their fading +faculties and seek to reestablish the will on its tottering throne. This +requires courage stout, valour unbending. Once you yield, be it ever so +little, to the tempter, you are lost. And here our poor barren clay +plays us false, undermining the intellect with many a trick and wile. "I +will sit down for a season in that comfortable chair," the creature +says to himself, "and read this sprightly novel. That will ease my mind +and put me in humour for a continuance of lively thinking." And the end +of that man is a steady nasal buzz from the bottom of the chair where he +has collapsed, an unsightly object and a disgrace to humanity. This also +means a big bill from the electric light company at the end of the +month. In many such ways will his corpus bewray him, leading him by +plausible self-deceptions into a pitfall of sleep, whence he is aroused +about 3 A. M. when the planet turns over on the other side. Only by +stiff perseverance and rigid avoidance of easy chairs may the critical +hour between 10:30 and 11:30 be safely passed. Tobacco, a self-brewed +pot of tea, and a browsing along bookshelves (remain standing and do not +sit down with your book) are helps in this time of struggle. Even so, +there are some happily drowsy souls who can never cross these shallows +alone without grounding on the Lotus Reefs. Our friend J---- D---- +K----, magnificent creature, was (when we lived with him) so potently +hypnoidal that, even erect and determined as his bookcase and urgently +bent upon Brann's _Iconoclast_ or some other literary irritant, sleep +would seep through his pores and he would fall with a crash, lying there +in unconscious bliss until someone came in and prodded him up, reeling +and ashamed. + +But, as we started to say, those who survive this drastic weeding out +which Night imposes upon her wooers--so as to cull and choose only the +truly meritorious lovers--experience supreme delights which are unknown +to their snoring fellows. When the struggle with somnolence has been +fought out and won, when the world is all-covering darkness and +close-pressing silence, when the tobacco suddenly takes on fresh vigour +and fragrance and the books lie strewn about the table, then it seems as +though all the rubbish and floating matter of the day's thoughts have +poured away and only the bright, clear, and swift current of the mind +itself remains, flowing happily and without impediment. This perfection +of existence is not to be reached very often; but when properly +approached it may be won. It is a different mind that one uncovers then, +a spirit which is lucid and hopeful, to which (for a few serene hours) +time exists not. The friable resolutions of the day are brought out +again and recemented and chiselled anew. Surprising schemes are started +and carried through to happy conclusion, lifetimes of amazement are +lived in a few passing ticks. There is one who at such moments resolves, +with complete sincerity, to start at one end of the top shelf and read +again all the books in his library, intending this time really to +extract their true marrow. He takes a clean sheet of paper and sets down +memoranda of all the people he intends to write to, and all the plumbers +and what not that he will call up the next day. And the next time this +happy seizure attacks him he will go through the same gestures again +without surprise and without the slightest mortification. And then, +having lived a generation of good works since midnight struck, he +summons all his resolution and goes to bed. + +[Illustration] + + +[Illustration] + +THE COUNTRY LIFE PRESS + +GARDEN CITY, N. 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