diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:53:16 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:53:16 -0700 |
| commit | b7a60d1721f679a6f403feb46de933b2687213da (patch) | |
| tree | ad94c163d3d3a9918c457b0fc09d68e2b5f2872c /22623.txt | |
Diffstat (limited to '22623.txt')
| -rw-r--r-- | 22623.txt | 1129 |
1 files changed, 1129 insertions, 0 deletions
diff --git a/22623.txt b/22623.txt new file mode 100644 index 0000000..9a33fa3 --- /dev/null +++ b/22623.txt @@ -0,0 +1,1129 @@ +The Project Gutenberg EBook of Divinity, by William Morrison + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Divinity + +Author: William Morrison + +Illustrator: Freas + +Release Date: September 16, 2007 [EBook #22623] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK DIVINITY *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + DIVINITY + + BY WILLIAM MORRISON + + ILLUSTRATED BY FREAS + + + Bradley had one fear in his life. He had to escape + regeneration. To do that, he was willing to take + any chance, coward though he was--even if it meant + that he had to become a god! + + +Bradley seemed to have escaped regeneration. Now he had only death to +worry about. + +Ten minutes before, he had been tumbling through the air head over +heels, helpless and despairing. And before that-- + +He remembered how his heart had been in his mouth as he had crept down +the corridor of the speeding ship. He could hear Malevski's voice coming +faintly through one of the walls, and had been tempted to run back, +fearful of being shot down on the spot if he were caught. He had fought +back the temptation and kept on. No one had seen him as he crept into +the lifeboat. + +"This is your one chance," he told himself. "You have to take it. If +they get you back to port, you're finished." + +Luck had been with him. They were broadcasting the results of the +Mars-Earth matches at the time, and most of the crew were grouped around +the visors. He had picked the moment when news came of a sensational +upset, and for a minute or two after the lifeboat blasted off, no one +realized what had happened. When the truth did penetrate, they had a +hard time swinging the ship around, and by then the lifeboat was out of +radar range. He was free. + +He had exulted wildly for a moment, until it struck him that freedom in +space might be a doubtful gift. He would have to get to some civilized +port, convince the port authorities that he had been shipwrecked and +somehow separated from the other crew members, and then lose himself +quickly in the crowd of people that he hoped would fill the place. There +would be risks, but he would take them. It would be better than running +out of air and food in space. + +[Illustration] + +It had been the best possible plan, and it had gone wrong, all wrong. He +had been caught, before he knew it, in the gravity of a planet he had +overlooked. The lifeboat had torn apart under the combined stresses of +its forward momentum and its side rockets blasting full force, and he +had been hurled free in his space suit, falling slowly at first, then +faster, faster, faster-- + +The automatic parachutes had suddenly sprung into operation when he +reached a critical speed, and he had slowed down and stopped tumbling. +He fell more gently, feet first, and when he landed it was with a shock +that jarred but did no real damage. + + * * * * * + +Slowly he picked himself up and fumbled at the air valve. Something in +the intake tubes had jammed under the shock of landing, and the air was +no longer circulating properly. Filled with the moisture of his own +breath, it felt hot and clammy, and clouded the viewplates. + +If he had kept all his wits about him he would have tried to remember, +before he took a chance, whether the planet had an oxygen atmosphere, +and whether the oxygen was of sufficient concentration to support human +life. Not that he had any real choice, but it would have been good to +know. As it was, he turned the air valve automatically, and listened +nervously as the stale air hissed out and the fresh air hissed in. + +He took a deep breath. It didn't kill him. Instead, it sent his blood +racing around with new energy. Slowly the moisture evaporated from his +viewplates. Slowly he began to see. + +He perceived that he was not alone. A group of people stood in front of +him, respectful, their own eyes full of fear and wonder. Some one +uttered a hoarse cry and pointed at his helmet. The unclouding of the +viewplates must have stricken them with awe. + +The air was wonderful to breathe. He would have liked to remove his +helmet and fill his lungs with it unhampered, expose his face to its +soft caress, expand his chest with the constriction of the suit. But +these people-- + +They must have seen him tumble down from the sky and land unhurt. They +carried food and flowers, and now they were kneeling down to him as to +a--Suddenly he realized. To them he was a god. + +The thought of it made him weak. To Malevski and the ship's crew he was +a criminal, a cheap chiseler and pickpocket, almost a murderer, escaping +credit for _that_ crime only by grace of his own good luck and his +victim's thick skull. They had felt such contempt for him that they +hadn't even bothered to guard him too carefully. They had thought him a +complete coward, without the courage to risk an escape, without the +intelligence to find the opportunities that might be offered to him. + +They hadn't realized how terrified he was of the thing with which they +threatened him. Regeneration, the giving up of his old identity? Not for +him. They hadn't realized that he preferred the risks of a dangerous +escape to the certainty of _that_. + +And here he was a god. + + * * * * * + +He lifted his hand without thinking, to wipe away the perspiration that +covered his forehead. But before the hand touched his helmet he realized +what he was doing, and let the hand drop again. + +To the people watching him the gesture must have seemed one of double +significance. It was at once a sign of acceptance of their food and +flowers, and their offer of good-will, and at the same time an order to +withdraw. They bowed, and moved backwards away from him. Behind him they +left their gifts. + +They seemed human, human enough for the features on the men's faces to +impress him as strong and resourceful, for him to recognize that the +women were attractive. And if they were human, the food must be fit for +human beings. Whether it was or wasn't, however, again he had no choice. + +He waited until they were out of sight, and then, stiffly, he removed +his helmet and ate. The food tasted good. And with his helmet off, with +the wind on his face, and the woods around him whispering in his ears, +it was a meal fit for the being they thought him to be. + +He was a god. Possibly it was the space suit which made him one, +especially the goggle-eyed helmet. He could take no chance of becoming +an ordinary mortal, and that would mean that he would have to wear the +space suit continually. Or at least the helmet. That, he decided, was +what he would do. That would leave his body reasonably free, and at the +same time impress them with the fact that he was different from them. + +By manipulating the air valve he would be able to make the viewplates +cloud and uncloud at will, thus giving dramatic expression to his +feelings. It would be a pleasant game to play until he had learned +something of their language. It would be safer than trying to make +things clear to them with speech and gestures that they could not +understand anyway. + +He wondered how long it would be before Malevski would find the +shattered lifeboat drifting in space, and then trace its course and +decide where he had landed. That would be the end of his divinity. +Meanwhile, until then-- + +Until then he was a god. Unregenerated. Permanently unregenerated. +Holding his helmet, he threw back his head and laughed loud and long, +and wondered what his mother would have thought. + + * * * * * + +For awhile he was being left alone. They were afraid of him, of course, +fearful of intruding with their merely mortal affairs upon the +meditations of so divine a being. Later, however, curiosity and perhaps +a desire to show him off to newcomers might draw them back. In the +interval, it would be well to find out what sort of place this was in +which he had landed. + +He looked around him. There were trees, with sharp green branches, sharp +green twigs, sharp red leaves. He shuddered as he thought of what would +have happened to him if he had fallen on the point of a branch. The +trees seemed rigid and unbending in the wind that caressed his face. +There were no birds that he could see. Small black objects bounded from +one branch to another as if engaged in complicated games of tag. He +wondered if the games were as serious as the one he had been playing +with Malevski, with himself as It. + + * * * * * + +There were no ground animals in sight. If any showed up later, they +couldn't be too dangerous, not with the natives living here in such +apparent peace and contentment. There probably wouldn't be anything that +his pocket gun, which he had taken the precaution to remove from the +lifeboat before that shattered, wouldn't be able to handle. + +Near him was a strange spring, or little river, or whatever you might +call it. It broke from the ground, ran along the hard rocky surface for +a dozen feet, and then plunged underground again. There were other +springs of a similar nature scattered here and there, and now he +realized that their combined murmuring was the noise he had mistaken, on +first removing his helmet, for the rustle of the wind in the woods. + +He would have enough to drink. The natives would bring him food. What +else could any reasonable man want? + +It wasn't the kind of life he had dreamed of. No Martian whiskey, no +drugs, no night spots, no bigtime gamblers slapping him on the back and +calling him "pal," no brassy blondes giving him the eye. Still, it was +better than the life he had actually lived, much better. It would do, it +would have to do. + + * * * * * + +From what he had seen of the natives, he liked them--and feared them. +For all their mistaken faith in him, they seemed to be no fools. How +many times before had men from some supposedly superior civilization +dropped in upon the people of a new world and made that first impression +of divinity, only to have the original attitude of worship by the +natives give way to disillusion and contempt? Who was that fellow they +told about in the history books he had read as a kid? Cortez, way back +on Earth, when that planet itself had offered unexplored territory. And +later on it had happened on one of the moons of Jupiter, and on several +planets outside the System. The explorers had been gods, until they had +been found out. Then they had been savage murderers, plunderers, devils. + +It would be too bad if he were found out. He was one against them all, +he would never be able to fight off so many enemies. More than that, he +was a stranger here, he needed friends. No, he mustn't be found out. + +"Better put on your helmet, dope," he told himself savagely. "They'll be +coming back soon, and if they find you without it--" He put on his +helmet, still muttering to himself. It wouldn't make any difference if +he were overheard. They didn't know Earth language and would take his +words for oracular utterances. He could talk to himself all he wanted, +and from the looks of things, there would be no one to understand him. +He hoped he didn't grow crazy and eccentric, like those hermits who had +been lost alone in space for too many years. + +The helmet was the first nuisance. There would be others too. He +couldn't even talk in what had become his natural manner, with a whine +in every word, a whine that came from being treated with contempt by +police and fellow-criminals alike. A god had to speak with slow gravity, +with dignity. A god had to walk like a god. A god had endless +responsibilities here, it seemed. + +He thought again of his mother. Ever since he could remember, it had +been, "Georgie, wipe your nose!" and, "Georgie, keep your fingers out of +the cake!" and Georgie do this and _don't_ do that. A fine way to speak +to a god. Even after he had grown up, his mother had continued to treat +him like a baby. She had never got over examining his face and his ears +and his fingernails to make sure that he had cleaned them properly. He +couldn't so much as comb his hair to suit her; all through his abortive +attempt at college, and later at a job, she had done it for him. + +But she had been a lioness in his defense later on, when he had given +way to that first irresistible impulse to dip his fingers in the till +and get away with what he thought would be unnoticed petty cash. It had +been her fault that the thing had happened, of course. She could have +given him a decent amount of spending money, instead of doling it out to +him from his own wages as if she were giving money for candy to a +schoolboy. She could have treated him more like the man he was supposed +to be. + +Still, he couldn't complain. She had stuck to him all the way through, +whatever the charges against him. When that lug of a traveling salesman +had accused her Georgie of picking his pockets, and that female refugee +from a TV studio had charged poor harmless Georgie with slugging her, it +was his mother who had stood up in court and denounced them, and +solemnly told judge and jury what a sweet, kind, helplessly innocent +lamb her Georgie was. It wasn't her fault if no one had quite believed +her. + +Now he was on his own, without any possibility of help from her. And in +what the ads called a "responsible position" that she had never so much +as dreamed he could fill. + +Unfortunately, now that he had reached so exalted a level, there seemed +to be few possibilities of promotion. There appeared only the chance, on +the one hand, that the natives would find him out and slaughter him, and +on the other that Malevski would track him down and bring him back to +Earth for the punishment he dreaded. + + * * * * * + +It was a good thing he had put on his helmet. Not far away, a group of +the natives was approaching, laden with more food and flowers. It was +larger than the previous group. Evidently, as he had anticipated, they +were showing him off to newcomers. + +He came to a stately halt and waited for them to approach. He could see +the surprise on their faces as they noted his change of costume, and he +watched nervously as they stopped to whisper among themselves. It would +be too bad for him if they didn't like it. + +But they didn't seem to mind. One of them, a very impressive old man +with green hair flecked with red, stepped in front of the others and +made a speech, a melodious speech full of liquid sounds that were +neither quite vowels nor consonants. He didn't have the slightest idea +of what the individual words meant. But the significance of the speech +as a whole was clear enough. As it came to an end, they presented him +with more food and flowers. + +Bradley cleared his throat. And then, with as deep and impressive a +voice as he could manage, he said, "Ladies and gentlemen, it gives me +great pleasure to accept your nomination. I promise you that if elected +I shall keep none of my promises." + +It was his first speech to them, and he enjoyed making it so much that +every time he saw them during the next few days--they settled down to +coming twice a day, morning and night--he made it again, with +variations, listing the wonderful things he would do for them if elected +to the office. + +After awhile, as he began to enjoy the ceremony for its own sake, he +didn't mind at all putting the helmet on for two short periods every +day. Having so little contact with them, he could learn their language +only very slowly. He could distinguish the word for flowers from that +for food, although he himself could pronounce neither. He knew the names +of a few plants, a few parts of the body. And he learned a few names of +people. The red-green haired old man was, as close as he could make the +sounds, Yanyoo. He took the trouble to notice that the prettiest girl +was Aoooya. + + * * * * * + +At first everything had been exceedingly peaceful. But about a week +after his arrival--he couldn't be sure exactly how many days had passed, +because he hadn't kept count--he learned of some of the dangers they +faced. + +It was while they were holding the morning ceremony that the thing came +out of the forest. At first he thought that a tree had moved. It was +green, with reddish blotches like clusters of needle leaves, and it +seemed to ooze forward toward them from among the trees. Aoooya noticed +it first, and pointed and screamed. It was the size of a tiger, thought +Bradley, and might be even more dangerous. He had difficulty keeping +his eyes on the rapidly moving creature through the goggles of his +helmet. He was aware of gleaming eyes, of two rows of dull green teeth, +and of muscles that rippled under the green fur. + +Several of the men had little blowpipes, through which they released a +shower of darts. But the darts bounced off the fur, and the thing came +on. Bradley fumbled for his gun, and almost dropped it in his +excitement. When he finally brought it up into aiming position, his hand +was trembling, and his finger could hardly catch the trigger. + +The thing leaped into the air at the old man, Yanyoo, just as the gun +went off. The body vaporized first, leaving for a fraction of a second +the fierce head and the powerful legs apparently supporting themselves +in the air. Then part of the head went, and the rest fell to the ground. +But sheer momentum carried the green smoky vapor on, so that it +surrounded first the old man, then several of the girls, and after them, +Bradley himself. They were all yelling, all but Bradley, who put away +his gun and muttered to himself in relief, and then the wind began to +dissipate the vapor, and on the ground there was left only part of a +head and six torn legs. + +They were bowing to him and raising their voices high in thanks. It was +easy, thought Bradley. Really, it was a cinch to be a god. The beasts +that were such great dangers to them were mere trifles to him. To him, +with a gun loaded with a thousand thermal charges each of which was +capable of blasting armor plate. The thing wouldn't even have come close +if he himself hadn't been such a timid, cowardly fool. Put Malevski in +his place, and the detective would have got the creature as it came out +of the trees. He wasn't Malevski. + +It was a good thing for him that they couldn't know that. Now his +position was completely secure. Now he could relax and enjoy his divine +life. + +He didn't realize that a much greater danger was yet to come. He found +that out after the evening ceremony. + + * * * * * + +The group that came to see him this time was bigger than ever. +Evidently, to honor him they had dropped all other work. Yanyoo seemed +to have constituted himself Bradley's priest. He made a tremendously +long and rhapsodic-sounding speech, but at the end there was no donation +of the usual food and flowers. Instead, Yanyoo backed away, all the +others doing the same, and looking at Bradley as if expecting him to +follow them. + +He followed. In this manner, with his worshippers walking respectfully +backwards, they arrived at what seemed to Bradley to be an ordinary +small hut. Outside the hut was what he took for a curiously shaped log +of wood. The inside of the hut was in shadow, but as his eyes became +accustomed to the dimness, he saw something in one corner. It was a +weird-looking head, also of wood. + +It struck him then. The log of wood had been the old god, good enough to +worship until he had come along and shown them what a god could really +do. Now it had been contemptuously deposed and decapitated. The hut was +a shrine. It was all his. + +He _had_ been promoted after all. The thought didn't please him in the +least. Suppose _he_ failed them too--and that was very possible, for he +had no idea of what miracles they expected of him. Then he would be +deposed and--he gagged at the thought, but he knew that he had to finish +it--decapitated. + +But for the moment there was no thought of deposing him. The gifts they +offered were more lavish than ever. And in addition to the food and +flowers, there was something new. A jug, filled with a warm, +sweetish-smelling liquid. He could get the odor faintly through the +intake valve of his helmet. Later on, when his worshippers were gone and +he had his helmet off, he realized that it smelled up the entire hut. + +It couldn't be harmful. Nothing that they had offered him so far was +harmful. He took a sip--and sighed with content. This was one of the few +things he had been lacking. There was alcohol, and there were flavors +and essences that reminded him of the drinks he had encountered on a +dozen planets. But this was first class stuff, not diluted or +adulterated with the thousand and one synthetics that were put in to +stretch a good thing as far as it could go. + +Without realizing the danger, he downed the entire contents of the jug. + + * * * * * + +He felt good. He hadn't felt so good in years, not since his mother had +made him a special cake for his birthday when he was--let me see now, +was it eight or nine? No matter, it had been many years ago, and the +occasion had been notable for the fact that she had let him drink some +of the older people's punch, made with a tiny bit of some alcoholic +drink. He felt _very_ good. He picked up his helmet and put it on his +head, and stuck the stem of a green flower rakishly through the exit +valve of the helmet, so that the flower seemed to dance every time he +exhaled, and staggered out of his hut. + +He was fortunate that it was dark. "I'm drunk," he told himself. "Never +been so drunk in my life. Never felt so good. Mother never felt so good. +Malevski never felt so good." + +He passed a shadowy figure in the dark and said, "Hiya, friend and +worshipper. Ever see a god drunk before?" + +The figure bowed, and kept its head lowered until he had moved on. + +"Drunk or sober, I'm shtill divine," he said proudly. And he began to +sing, loudly and impressively, his voice orchestral in his own ears +within the confines of the helmet. "Ould Lang Shyne, she ain't what she +ushed to be, ain't what she ushed to be--" The words came easily, and as +it seemed, naturally to his lips. + +After awhile, however, he tired of them. After awhile he found that his +legs had tired of them. He sat down with a thump under a spiky tree and +said solemnly, "Never felt so good in my life. Never felt so happy--it's +a lie. I don't feel good." + +He didn't, not any more. He felt sick to his stomach. A touch of sober +thought had corroded the happiness of his intoxication, and he was sick +and afraid. Today their god was a hero, today they would forgive him +everything. But did they actually _prefer_ a drunken god? No. +Drunkenness made a god human, all too human. A drunken god was a weak +god, and his hold on his worshippers was their belief in his strength. +As he valued his life, he must get drunk no more. + +"Ain't gonna get drunk no more, no more," he sang sadly and solemnly to +himself, and finally he fell asleep. + + * * * * * + +He awoke with a hangover and a memory. He was not one of those men who +when sober forget all they have done when drunk. He remembered +everything. And he knew that he must put drunkenness away from him. + +That morning they brought him only food and flowers. But at the evening +ceremony they presented him once more with a jug of liquor as an +additional reward for his destruction of the deadly beast. For the first +time, Bradley took an active part in the ceremony. He held up the jug +and said in grave tones, "In the name of Carrie Nation, I renounce thee +and all thy works." + +Then he poured out the liquor and smashed the jug on the ground. + +After that, the smashing of the jug was part of the ceremony of +worshipping him. It left him unhappy at first, but sober. After awhile, +the unhappiness disappeared, but the soberness remained. From now on, he +would act as a god should act. + +The natives were not stupid, he saw that very clearly. The first jugs +they had offered him had been beautiful objects, of excellent +workmanship. But when they perceived that the only use he had for them +was to break them, the quality deteriorated rapidly. Now the jugs they +brought him were crude things indeed, made for the sole purpose of being +smashed. He wondered how many other tribes had tricked their gods +similarly. + +No, they were not at all stupid. It struck him that with such advantages +of civilization as he himself had enjoyed, they would have gone much +further than he did. Two weeks or so after he had come down from the sky +to be their god, he saw that they had learned from him. One of the young +men appeared during the day wearing a wooden helmet. It was a helmet +obviously patterned after his own, although it had no glass or plastic, +and the openings in front of the eyes were left blank. The mythical +Earth-hero, Prometheus, had brought fire down from the skies. He had +brought the Helmet. He was Bradley, the Helmet-Bringer. + +Even at that he had underestimated his worshippers. He had thought at +first that the helmets were meant merely for ornament and decoration. He +learned better one day when a swarm of creatures like flying lizards +swept down out of a group of trees in a fierce attack. He had not known +that such creatures existed here, and now that he saw them, he realized +how fortunate it was that they were not more numerous. They had sharp +teeth and sharper claws, and they tore at his head with a ferocity that +struck fear into his heart. His gun was of less use than usual against +them. He could catch one or two, but the others moved too swiftly for +him to aim. + +By this time, others of the natives wore wooden helmets, and he could +see how the sharp claws ripped splinter after splinter from them. But +the birds or lizards, or whatever they were, didn't go unscathed. From a +sort of skin bellows, several of the natives blew a gray mist at them, +and where the mist made contact with the leather skin, the flying +creatures seemed to be paralyzed in mid-flight, and they fell to the +ground, where they were easily crushed to death. By the time they had +given up the fight and fled, half a dozen of them were lying dead. + +They were evidently useless for food because of the poison they +contained. He was surprised to see, however, that the natives still had +a use for them. They dragged the dead creatures into a field of growing +crops, and left them there to rot into fertilizer. + +But such incidents as this, he found, were to be rare. For the most +part, the life here was peaceful, and he found himself liking it more +and more. Now, without laughter, he wondered again what his mother would +have thought of him. + +She would have been proud. He realized now that she had done her best +for him. And when every one else had given up hope for him, she had not. +Perhaps she had protected him too much--but she had early learned the +need for protection. He could look at her now in a new light. Her own +father had died early in life, and then her husband soon after her son +had been born. She had faced a tough fight, and had thought to spare him +what she herself had gone through. Too bad she hadn't realized exactly +what she was doing. She was bringing him up with the ability, as the old +epigram had it, to resist everything but temptation. + +The temptation to steal that petty cash, to put his hands into a drunk's +pocket and lift the man's wallet, to lie to a pretty girl, to slug a +helpless victim--he had resisted none of them. He had resisted nothing +until that day he had poured the jugful of liquor on the ground and +smashed the jug itself. + +But could he blame his mother for all that? It had all been his own +fault. + + * * * * * + +And it would be his own fault if he failed to resist the new temptation +that now reared its pretty head--Aoooya. She had taken to coming to his +hut-shrine for a private little ceremony of her own. You might almost +have thought that she had fallen in love with him as an individual. He +wondered whether she had been impressed by his helmet. Did she take that +to be his actual head? No, of course not. They had made helmets for +themselves, therefore they knew that the thing he wore was also a +helmet. Perhaps they knew more about him than he thought. + +But they continued to worship him, that was the main thing. And Aoooya +brought him, every day, little presents, special flowers and food +delicacies, that argued a personal affection. + +This was a danger that he recognized from the beginning. Perhaps a god +_might_ fall in love with a mortal without losing his godliness. +Perhaps. It had happened before. But, however the rest of the tribe +might react to the idea, Bradley had noticed one young man who liked to +stay near the girl, and he knew that this rival wouldn't take kindly to +it at all. He might resent the god's behavior. And what happened when +these people didn't like the way a god behaved? Why, they struck his +head off. + +The god might act first, of course. The young man wouldn't stand a +chance against him if he used his gun. In fact, Bradley could blast the +other man unobserved, make him disappear into vapor, without leaving any +traces of how he died. That was murder, but if a god couldn't get away +with murder, what sort of god was he? A pretty poor, cheap sort indeed. +Yes, he could make his own rules. + +And he could go on, maintaining his godhood by little murders of that +sort, and other deadly miracles, until they hated him more than they +loved him. That would follow inevitably. And then, when they all hated +him, not even his gun would save him. Then-- + +"You're a liar," he told himself fiercely. "That isn't the thing you're +afraid of. Your weakness is that you don't have a murderous nature. You +could kill one or two of them and get away with it, and you'd be able to +control yourself and kill no more. That time you hit the man over the +head, you didn't intend to kill him either. You were more frightened, at +first, anyway, by the thought that you might have killed him, than by +the danger of being caught. You were overjoyed when he lived. + +"You hate to kill, that's your trouble. You've had a sense of +responsibility all along, but it never had a chance to develop. Now it's +developed. You feel responsible for these people, for Aoooya and for the +rest of them. That's why you can't take advantage of them. You've been +posing as a rebel all your life, and you're just a respectable, +law-abiding citizen at heart." + +He winced at the thought. His own society had never accepted him at his +own valuation. This one took him for a much greater being than he took +himself, and there seemed to be nothing to do but to live up to what he +was expected to be. + + * * * * * + +All the same, Aoooya continued to be a tempting morsel, and sooner or +later, he feared, he would not be able to resist her. And then the +planet itself provided a diversion. + +They had never seen such a thing and had no idea of what it presaged, +but he knew. He had heard of it on Earth and on Venus, and he had seen +it on other planets where the rock formations had not yet settled down. +A little hollow appeared first in the ground, and then the hollow was +pushed out and suddenly blown into the air. Steam whistled through the +newly made vent, a shower of steam and hot dust and red hot fragments of +rock. Slowly the vent grew, until the cloud from the terrifying geyser +darkened the sky and spread panic through the tribe. + +He knew what would happen next. They were running around in terror, but +not for one moment was he himself in doubt. He donned his complete space +suit, in order to impress them the more, then stalked into the middle of +them, and said, "Pick up all your possessions and follow me." + +They stared at him, and he showed them what he meant by picking up the +belongings of one household in his gloved hands, and handing them to a +waiting woman. Then, when they had grasped the idea and were gathering +all they owned, he led them toward the safety of the trees. Five minutes +after they had set off, the lava began to flow from the new-born +volcano, scorching the ground for a hundred yards around, sparks smoking +and smoldering in the treetops. + +The head start he had given them was enough to help them escape the +resultant forest fire. All that day they traveled, until finally they +came to a forest which couldn't burn, and here they rested. And here +they settled down to build their lives anew. + +It must have been a comfort to know that a god had led them to safety +and was helping them make the new start. Bradley helped them with his +gun, which blasted dangerous beasts, and even more with his slightly +superior knowledge. He showed them how to fashion tools from stone and +how to use these to build better huts. He taught them how to make swords +and other weapons, so that henceforth they wouldn't be forced to rely +for defense on poison alone. He was the most industrious god since +Vulcan. And in helping them he found that he had no time for Aoooya. + +Came the day when the new village settled down to its changed routine of +life. The morning ceremony before his new shrine had just been +completed, but Bradley was not satisfied. Something was wrong. Yanyoo's +demeanor, Aoooya's-- + +With a shock, Bradley realized what it was. From old Yanyoo down the +line, none of the natives seemed to have their original fear of him. +There was respect, there was affection, certainly, but the respect and +affection were those due an older brother rather than a god. + +And he was not displeased. Being a god had been a wearying business. +Being a friend might be a great deal more pleasant. Yes, the change was +something to be happy about. + + * * * * * + +But he had little time to be happy. For that same morning, there came +what he had so long dreaded. Out of a clear, shipless sky, Malevski +appeared, strolling toward him as casually as if he had been there all +along, and said, "Nice little ceremony you have here." + +"Hello, Malevski. Don't give me the credit. They thought it up." + +"Ingenious. Almost as ingenious as the way they've used the help you +gave them. We had this tribe listed long ago as a very capable one, far +behind the rest of its System in development, it's true, but only +because it had started late up the evolutionary ladder. It had been +doing very nicely on its own, and we didn't want to interfere unless we +could give it some real help. + +"I'll admit that I had a few qualms at first, when we traced you here +and learned that you had landed among them. But we've been observing you +for the past day and a half--our space ship landed beyond that burned +out stretch of ground, not too close to that volcano--and I'll have to +admit that, judging from your past record, I didn't think you had it in +you." + +"I suppose that's over with now," said Bradley. + +"Yes, you're finished with being a god. We don't believe in kidding the +natives, Bradley!" + +Bradley nodded ruefully. "They don't seem to believe in it, either. I +guess they found out I wasn't a god before I did. But it didn't seem to +matter to them." He sighed, and turned toward the new village. "Do you +mind, if I sort of--well, hold a farewell ceremony before we go? They +won't understand, but they'll feel better than if I just go off...." + +Malevski shook his head firmly. "No, no time for that. I'll have to get +out a full report, and we're in a hurry to get off. Any word you'd like +to have sent out to your mother, Bradley, before we blast?" + + * * * * * + +Bradley looked back again, and his shoulders came up more firmly. He'd +taught his people here, and led them; but he'd learned a few things +himself--he'd found he could take what was necessary. He'd found that +the easiest way wasn't always the best, that getting drunk was no way +out, and that real friendship and respect meant more than the words of +big-shots. Maybe he'd learned enough to be able to take regeneration.... + +He managed to grin, a little lopsidedly, at Malevski. "Yeah. You might +send her a message. Tell her I'm fine, and that I've learned to wipe my +own nose. I think she'll be glad to hear that." + +"She will," Malevski told him. "When she hears that you're Provisional +Governor of this planet, she'll even believe it." + +"Provisional Governor?" Bradley stood with his mouth open, staring. He +shook his head. "But what about regeneration...?" + +Malevski laughed. "You're appointed, on the basis of my first report +about what you're doing here, Bradley," he answered. "As to regeneration +... well, you think about it, while we bring in the supplies we're +supposed to leave for you, before we blast out of here." + +He went off, chuckling, towards his ship, leaving Bradley to puzzle over +it. + +Then, just as Malevski disappeared, he understood. Damn it, they'd +tricked him! They'd left him here where he had to be a god and assume +the responsibilities of a god. And through that, he'd been +regenerated--completely, thoroughly regenerated! + +Suddenly, he was chuckling as hard as Malevski as he swung around and +went back to face his former worshippers. And they were coming forward +to meet him, their friendly smiles matching his own. + + + + +Transcriber's Note + +This etext was produced from _Space Science Fiction_ 1953. Extensive +research did not uncover any evidence that the U.S. copyright on this +publication was renewed. Minor spelling and typographical errors have +been corrected without note. + + + + + +End of the Project Gutenberg EBook of Divinity, by William Morrison + +*** END OF THIS PROJECT GUTENBERG EBOOK DIVINITY *** + +***** This file should be named 22623.txt or 22623.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/2/6/2/22623/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
