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+The Project Gutenberg EBook of Fringilla: Some Tales In Verse, by
+Richard Doddridge Blackmore
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Fringilla: Some Tales In Verse
+
+Author: Richard Doddridge Blackmore
+
+Illustrator: Louis Fairfax-Muckley and James W. R. Linton
+
+Release Date: August 31, 2007 [EBook #22474]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK FRINGILLA: SOME TALES IN VERSE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+FRINGILLA: SOME TALES IN VERSE
+
+By Richard Doddridge Blackmore
+
+Illustrated by Louis Fairfax-Muckley and James W. R. Linton
+
+
+CONTENTS:
+
+ TO MY PEN
+
+ LITA OF THE NILE
+
+ KADISHA; OR, THE FIRST JEALOUSY
+
+ MOUNT ARAFA
+
+ THE WELL OF SAINT JOHN
+
+ PAUSIAS AND GLYCERA; OR, THE FIRST FLOWER-PAINTER
+
+ BUSCOMBE; OR, A MICHAELMAS GOOSE
+
+ FAME
+
+
+[Illustration: 013]
+
+
+[_Fringilla loquitur_]
+
+"What means your finch?"
+
+"Being well aware that he cannot sing like a Nightingale,
+He flits about from tree to tree, and twitters a little tale."
+
+ Albeit he is an ancient bird, who tried
+ his pipe in better days, and then was
+ scared by random shots, he is fain to
+ lift the migrant wing once more towards the
+ humble perch, among the trees he loves. All
+ gardeners own that he does no harm, unless
+ he flits into a thicket of young buds, or a very
+ choice ladies' seed-bed. And he hopes that he is
+ now too wise to commit such indiscretions.
+
+ Perhaps it would have been wiser still to
+ have shut up his little mandible, or employed it
+
+ only upon grub. But the long gnaw of last
+ winter's frost, which set mankind a-shivering,
+ even in their most downy nest, has made them
+ kindly to the race that has no roof for shelter
+ and no hearth for warmth.
+
+ Anyhow, this little finch can do no harm,
+ if he does no good; and if he pleases nobody,
+ he will not be surprised, because he has never
+ satisfied himself.
+
+ May-day, 1895.
+
+
+NOTE
+
+With kind consent of Messrs. Harper, "Buscombe" returns in altered form
+from the other side of the ocean. Two other little tales appeared of
+old, but nobody would look at them, and now they are offered after
+careful trimming.
+
+Standing afar. I gaze with doubt at other trimmings which are not mine.
+They have conquered the taste of the day perhaps, and high art announces
+them as her last transfiguration. Moreover they are highly recommended--
+as the purest art not always is--by the modesty of the artist.
+
+
+The cover design, borders, initial letters and the whole of the
+full-page illustrations--with the exception of the three to 'Pausias
+and Glycera' by James W. R. Linton--are by Louis Fairfax-Muckley.
+
+
+[Illustration: 017.]
+
+
+
+ I
+
+ Thou feeble implement of mind,
+ Wherewith she strove to scrawl her
+ name;
+ But, like a mitcher, left behind
+ No signature, no stroke, no claim,
+ No hint that she hath pined--
+
+ Shall ever come a stronger time,
+ When thou shalt be a tool of skill,
+ And steadfast purpose, to fulfil
+ A higher task than rhyme?
+
+ II
+
+ Thou puny instrument of soul,
+ Wherewith she labours to impart
+ Her efforts at some arduous goal;
+ But fails to bring thy coarser art
+ Beneath a fine control--
+
+ Shall ever come a fairer day,
+ When thou shalt be a buoyant plume,
+ To soar, where clearer suns illume,
+ And fresher breezes play?
+
+[Illustration: 020.]
+
+[Illustration: 023.]
+
+ III
+
+ Thou weak interpreter of heart,
+ So impotent to tell the tale
+ Of love's delight, of envy's smart,
+ Of passion, and ambition's bale,
+ Of pride that dwells apart--
+
+ Shall I, in length of time, attain
+ (By walking in the human ways,
+ With love of Him, who made and sways)
+ To ply thee, less in vain?
+
+ If so, thou shalt be more to me
+ Than sword, or sceptre, flag, or crown;
+ With mind, and soul, and heart in thee,
+ Despising gold, and sham renown;
+
+ But truthful, kind, and free--
+ Then come; though now a pithless quill,
+ Uncouth, unfledged, indefinite,--
+ In time, thou shalt be taught to write,
+ By patience, and good-will.
+
+
+
+
+LITA OF THE NILE
+
+A TALE IN THREE PARTS
+
+PART I
+
+ I
+
+ "KING, and Father, gift and giver,
+ God revealed in form of river,
+ Issuing perfect, and sublime,
+ From the fountain-head of time;
+
+ "Whom eternal mystery shroudeth,
+ Unapproached, untracked, unknown;
+ Whom the Lord of heaven encloudeth
+ With the curtains of His throne;
+
+ "From the throne of heaven descending,
+ Glory, power, and goodness blending,
+ Grant us, ere the daylight dies,
+ Token of thy rapid rise,"
+
+ II
+
+ Ha, it cometh! Furrowing, flashing,
+ Red blood rushing o'er brown breast;
+ Peaks, and ridges, and domes, dashing
+ Foam on foam, and crest on crest!
+
+ 'Tis the signal Thebes hath waited,
+ Libyan Thebes, the hundred-gated:
+ Rouse, and robe thee, River-priest
+ For thy dedication feast!
+
+ Follows him the loveliest maiden,
+ Afric's thousand hills can show;
+ White apparel'd, flower-laden,
+ With the lotus on her brow.
+
+ III
+
+ Votive maid, who hath espousal
+ Of the river's high carousal;
+ Twenty cubits if he rise,
+ This shall be his bridal prize.
+
+ Calm, and meek of face and carriage,
+ Deigning scarce a quicker breath,
+ Comes she to the funeral marriage,
+ The betrothal of black death.
+
+ Rosy hands, and hennaed fingers,
+ Nails whereon the onyx lingers,
+ Clasped, as at a lover's tale,
+ In the bosom's marble vale.
+
+
+ IV
+
+ Silvery scarf, her waist enwreathing,
+ Wafts a soft Sabaean balm;
+ Like a cloud of incense, breathing
+ Round the column of a palm:
+
+ Snood of lilies interweaveth
+ (Giving less than it receiveth)
+ Beauty of her clustered brow,
+ Calmly bent upon us now.
+
+ Through her dark hair, spread before
+ See the western glory wane,
+ As in groves of dim Cytorus,
+ Or the bowers of Taprobane!
+
+
+ V
+
+ See, the large eyes, lit by heaven,
+ Brighter than the Sisters Seven,
+ (Like a star the storm hath cowed)
+ Sink their flash in sorrow's cloud.
+
+ There the crystal tear refraineth,
+ And the founts of grief are dry;
+ "Father, Mother--none remaineth;
+ All are dead; and why not I?"
+
+ Yet, by God's will, heavenly beauty
+ Owes to Heaven alone its duty;
+ Off ye priests, who dare adjudge
+ Bride, like this, to slime and sludge!
+
+
+ VI
+
+ When they tread the river's margent,
+ All their mitred heads are bowed--
+ What hath browned the ripples argent,
+ Like the plume of thunder-cloud?
+
+ Where yestreen the water slumbered,
+ With a sickly crust encumbered,
+ Leapeth now a roaring flood,
+ Wild as war, and red as blood.
+
+ Every billow hurries quicker,
+ Every surge runs up the strand;
+ While the brindled eddies flicker,
+ Scourged as with a levin brand.
+
+ VII
+
+ Every bulrush, parched and welted,
+ Lifts his long joints yellow-belted;
+ Every lotus, faint and sick,
+ Hangs her fragrant tongue to lick.
+
+ Countless creatures, lone unthought of,
+ Swarm from every hole and nook;
+ What is man, that he make nought of
+ Other entries in God's book?
+
+ Scorpions, rats, and lizards flabby,
+ Centipedes, and hydras scabby,
+ Asp, and slug, and toad, whose gem
+ Outlasts human diadem.
+
+ VIII
+
+ Therefore hath the priest-procession
+ Causeway clean of sandal-wood;
+ That no foul thing make transgression
+ On the votive maiden's blood.
+
+ Pure of blood and soul, she standeth
+ Where the marble gauge demandeth,
+ Marble pillar, with black style,
+ Record of the rising Nile,
+
+ White-robed priests around her kneeling,
+ Ibis-banner floating high,
+ Conchs, and drums, and sistrals pealing,
+ And Sesostris standing nigh.
+
+ IX
+
+ He, whose kingdom-city stretches
+ Further than our eyesight fetches;
+ Every street it wanders down
+ Larger than a regal town;
+
+ Built, when each man was a giant,
+ When the rocks were mason's stones,
+ When the oaks were osiers pliant,
+ And the mountains scarcely thrones;
+
+ City, whose Titanic portals
+ Scorn the puny modern mortals,
+ In thy desert winding-sheet,
+ Sacred from our insect feet.
+
+ X
+
+ Thebes No-Amon, hundred-gated,
+ Every gate could then unfold
+ Cavalry ten thousand, plated,
+ Man and horse, in solid gold.
+
+ Glancing back through serried ranges,
+ Vivid as his own phalanges,
+ Every captain might espy
+ Equal host in sculpture vie;
+
+ Down Piromid vista gazing,
+ Ten miles back from every gate,
+ He can see that temple blazing,
+ Which the world shall never mate.
+
+ XI
+
+ But the Nile-flood, when it swelleth,
+ Recks not man, nor where he dwelleth;
+ And--e'en while Sesostris reigns--
+ Scarce five cubits man attains.
+
+ Lo, the darkening river quaileth,
+ Like a swamp by giant trod,
+ And the broad commotion waileth,
+ Stricken with the hand of God I
+
+ When the rushing deluge raging
+ Flung its flanks, and shook the staging,
+ Priesthood, cowering from the brim,
+ Chanted thus its faltering hymn.
+
+ XII
+
+ "Ocean sire, the earth enclasping,
+ Like a babe upon thy knee,
+ In thy cosmic cycle grasping
+ All that hath been, or shall be;
+
+ "Thou, that art around and over
+ All we labour to discover;
+ Thou, to whom our world no more
+ Than a shell is on thy shore;
+
+ "God, that wast Supreme, or ever
+ Orus, or Osiris, saw;
+ God, with whom is no endeavour,
+ But thy will eternal law:
+
+ XIII
+
+ "We, who keep thy feasts and fastings,
+ We, who live on thy off-castings,
+ Here in low obeisance crave
+ Rich abundance of thy wave.
+
+ "Seven years now, for some transgression,
+ Some neglect, or outrage vile,
+ Vainly hath our poor procession
+ Offered life, and soul to Nile.
+
+ "Seven years now of promise fickle,
+ Niggard ooze, and paltry trickle,
+ Freshet sprinkling scanty dole,
+ Where the roaring flood should roll.
+
+ XIV
+
+ "Therefore are thy children dwindled,
+ Therefore is thine altar bare;
+ Wheat, and rye, and millet spindled,
+ And the fruits of earth despair.
+
+ "Men with haggard bellies languish,
+ Bridal beds are strewn with anguish,
+ Mothers sell their babes for bread,
+ Half the holy kine are dead.
+
+ "Is thy wrath at last relaxing?
+ Art thou merciful, once more?
+ Yea, behold the torrent waxing!
+ Yea, behold the flooded shore!
+
+ XV
+
+ "Nile, that now with life-blood tidest,
+ And in gorgeous cold subsidest,
+ Richer than our victor tread
+ Stirred in far Hydaspes' bed;
+
+ "When thy swelling crest o'er-waveth
+ Yonder twenty cubit mark,
+ And thy tongue of white foam laveth
+ Borders of the desert dark,
+
+ "This, the fairest Theban maiden,
+ Shall be thine, with jewels laden;
+ Lift thy furrowed brow, and see
+ _Lita_, dedicate to thee!"
+
+[Illustration: 032.]
+
+ XVI
+
+ Thus he spake, and lowly stooping
+ O'er the Calasiris hem,
+ Took the holy water, scooping
+ With a bowl of lucid gem;
+
+ Chanting from the Bybline psalter
+ Touched he then her forehead altar;
+ Sleeking back the trickled jet,
+ There the marriage-seal he set.
+
+ "None of mortals dare pursue thee,
+ None come near thy hallowed side:
+ Nile's thou art, and he shall woo thee,--
+ Nile, who swalloweth his bride."
+
+ XVII
+
+ With despair's mute self-reliance,
+ She accepted death's affiance;
+ She, who hath no home or rest,
+ Shrank not from the river's breast.
+
+ Haply there she shall discover
+ Father, lost in wilds unknown,
+ Mother slain, and youthful lover,
+ Seen as yet in dreams alone.
+
+ Ha! sweet maid, what sudden vision
+ Hath dispelled thy cold derision?
+ What new picture hast thou seen,
+ Of a world that might have been?
+
+ XVIII
+
+ From Mount Seir, Duke Iram roveth,
+ Three renewals of the moon:
+ To see Egypt him behoveth,
+ Ere his life be past its noon.
+
+ Soul, and mind, at first fell under
+ Flat discomfiture of wonder,
+ With the Nile before him spread,
+ Temple-crowned, and tempest-fed!
+
+ Yet a nobler creed he owneth,
+ Than to worship things of space:
+ One true God his heart enthroneth
+ Heart that throbs with Esau's race.
+
+ XIX
+
+ Thus he stood, with calm eyes scorning
+ Idols, priests, and their adorning;
+ Seeing, e'en in nature's show,
+ Him alone, who made it so.
+
+ "God of Abraham, our Father,
+ Earth, and heaven, and all we see,
+ Are but gifts of thine, to gather
+ Us, thy children, back to Thee.
+
+ "All the grandeur spread before us,
+ All the miracles shed o'er us,
+ Echoes of the voice above,
+ Tokens of a Father's love."
+
+ XX
+
+ While of heaven his heart indited,
+ And his dark eyes swept the crowd,
+ Sudden on the maid they lighted,
+ Mild and haughty, meek and proud.
+
+ Rapid as the flash of sabre,
+ Strong as giant's toss of caber,
+ Sure as victor's grasp of goal,
+ Came the love-stroke through his soul
+
+ Gently she, her eyes recalling,
+ Felt that Heaven had touched their flight,
+ Peeped again, through lashes falling,
+ Blushed, and shrank, and shunned the light
+
+ XXI
+
+ Ah, what booteth sweet illusion,
+ Fluttering glance, and soft suffusion,
+ Bliss unknown, but felt in sighs,
+ Breast, that shrinks at its own rise?
+
+ She, who is the Nile's devoted,
+ Courted with a watery smile;
+ Her betrothal duly noted
+ By the bridesmaid Crocodile!
+
+ So she bowed her forehead lowly,
+ Tightened her tiara holy;
+ And, with every sigh suppressed,
+ Clasped her hands on passion's breast.
+
+
+PART II
+
+ I
+
+ Twice the moon hath waxed and wasted,
+ Lavish of her dew-bright horn;
+ And the wheeling sun hath hasted
+ Fifty days, towards Capricorn.
+
+ Thebes, and all the Misric nation,
+ Float upon the inundation;
+ Each man shouts and laughs, before
+ Landing at his own house door.
+
+ There the good wife doth return it,
+ Grumbling, as she shows the dish,
+ Chervil, basil, chives, and burnet
+ Feed, instead of seasoning, fish.
+
+ II
+
+ Palm trees, grouped upon the highland,
+ Here and there make pleasant island;
+ On the bark some wag hath wrote--
+ "Who would fly, when he can float?"
+
+ Udder'd cows are standing--pensive,
+ Not belonging to that ilk;
+ How shall horn, or tail defensive,
+ Keep the water from their milk?
+
+ Lo, the black swan, paddling slowly,
+ Pintail ducks, and sheldrakes holy,
+ Nile-goose flaked, and herons gray,
+ Silver-voiced at fall of day!
+
+ III
+
+ Flood hath swallowed dikes and hedges,
+ Lately by Sesostris planned;
+ Till, like ropes, its matted edges
+ Quiver on the desert sand.
+
+ Then each farmer, brisk and mellow,
+ Graspeth by the hand his fellow;
+ And, as one gone labour-proof,
+ Shakes his head at the drowned shadoof
+
+ Soon the Nuphar comes, beguiling
+ Sedgy spears, and swords around,
+ Like that cradled infant smiling,
+ Whom, the royal maiden found.
+
+ IV
+
+ But the time of times foe wonder,
+ Is when ruddy sun goes under;
+ And the dusk throws, half afraid,
+ Silver shuttles of long shade.
+
+ Opens then a scene, the fairest
+ Ever burst on human view;
+ Once behold, and thou comparest
+ Nothing in the world thereto.
+
+ While the broad flood murmurs glistening
+ To the moon that hangeth listening--
+ Moon that looketh down the sky,
+ Like an aloe-bloom on high--
+
+ V
+
+ Sudden conch o'er the wave ringeth!
+ Ere the date-leaves cease to snake,
+ All, that hath existence, springeth
+ Into broad light, wide-awake.
+
+ As at a window of heaven thrown up,
+ All in a dazzling blaze are shown up,
+ Mellowing, ere our eyes avail,
+ To some soft enchanter's tale.
+
+ Every skiff a big ship seemeth,
+ Every bush with tall wings clad;
+ Every man his good brain deemeth
+ The only brain that is not mad.
+
+ VI
+
+ Hark! The pulse of measured rowing,
+ And the silver clarions blowing,
+ From the distant darkness, break
+ Into this illumined lake.
+
+ Tis Sesostris, lord of nations,
+ Victor of three continents,
+ Visiting the celebrations,
+ Priests, and pomps, and regiments.
+
+ Kings, from Indus, and Araxes,
+ Ister, and the Boreal axes,
+ Horsed his chariot to the waves,
+ Then embarked, his galley-slaves.
+
+ VII
+
+ Glittering stands the giant royal,
+ Four tall sons are at his back;
+ Twain, with their own corpses loyal,
+ Bridged the flames Pelusiac.
+
+ As he passeth, myriads bless him,
+ Glorious Monarch all confess him,
+ Sternly upright, to condone
+ No injustice, save his own.
+
+ He, well-pleased, his sceptre swingeth,
+ While his four sons strike the gong;
+ Till the sparkling water ringeth
+ Joy and laughter, joke and song.
+
+ VIII
+
+ Ah, but while loud merry-making
+ Sets the lights and shadows shaking,
+ While the mad world casts away
+ Every thought that is not gay,
+
+ Hath not earth, our sweet step-mother,
+ Very different scene hard by,
+ Tossing one, and trampling other,
+ Some to laugh, and some to sigh?
+
+ Where the fane of Hathor Iowereth,
+ And the black Myrike embowereth,
+ Weepeth one her life gone by;
+ Over young, oh death, to die!
+
+ IX
+
+ Nay, but lately she was yearning
+ To be quit of life's turmoil,
+ In the land of no returning,
+ Where all travel ends, and toil.
+
+ What temptations now entice her?
+ What hath made the world seem nicer?
+ Whence the charm, that strives anew
+ To prolong this last adieu?
+
+ Ah, her heart can understand it,
+ Though her tongue can ne'er explain:
+ Let yon granite Sphinx demand it--
+ Riddle, ever solved in vain.
+
+ X
+
+ No constraint of hands hath bound her,
+ Not a chain hath e'er been round her;
+ Silver star hath sealed her brow,
+ Holy as an Isis cow.
+
+ Free to wander where she listeth;
+ No immurement must defile
+ (So the ancient law insisteth)
+ This, the hallowed bride of Nile.
+
+ What recks Abraham's descendant
+ Idols, priests, and pomps attendant?
+ And how long shall nature heed
+ What the stocks and stones decreed?
+
+ XI
+
+ "Fiendish superstitions hold thee
+ To a vile and hideous death.
+ Break their bonds; let love enfold thee;
+ Off, and fly with me;"--he saith.
+
+ "Off! while priests are cutting capers--
+ Priests of beetles, cats, and tapirs,
+ Brutes, who would thy beauty truck,
+ For an inch of yellow muck.
+
+ "Lo, my horse, _Pyropus_, yearneth
+ For the touch of thy light form;
+ Like the lightning, his eye burneth;
+ And his nostril, like the storm.
+
+ XII
+
+ "What are those unholy pagans?
+ Can they ride? No more than Dagons.
+ Fishtails ne'er could sit a steed;
+ That belongs to Esau's seed.
+
+ "I will make thee Queen of far lands,
+ Flocks, and herds, and camel-trains,
+ Milk and honey, fruit and garlands,
+ Vines and venison, woods and wains.
+
+ "God is with us; He shall speed us;
+ Or (if this vile crew impede us)
+ Let some light into their brain,
+ By the sword of Tubal Cain."
+
+ XIII
+
+ "Nay," she answered, deeply sighing,
+ As the maid grew womanish--
+ "Love, how hard have I been trying'
+ To believe the thing I wish!
+
+ "Thou hast taught me holy teachings,
+ Where to offer my beseechings,
+ Homage due to Heaven alone,
+ Not to ghosts, and graven stone,
+
+ "Thou hast shown me truth and freedom,
+ Love, and faith in One most High;
+ But thou hast not, Prince of Edom,
+ Taught me therewithal, to lie.
+
+ XIV
+
+ "Little cause had I for fretting,
+ None on earth to be regretting;
+ Till I saw thee, brave and kind;
+ And my heart undid my mind.
+
+ "Better, if the Gods had slain me,
+ When no difference could be;
+ Ere the joy had come to pain me,
+ And, alas, my dear one, thee!
+
+ "But shall my poor life throw shame on
+ Royal lineage of Amor?
+ Tis of Egypt's oldest strains;
+ Kingly blood flows in my veins.
+
+ XV
+
+ "Thou hast seen; my faith is plighted,
+ That I will not fly my doom.
+ Honour is a flower unblighted,
+ Though the fates cut off its bloom.
+
+ "I have sent my last sun sleeping,
+ And I am ashamed of weeping.
+ God, my new God, give me grace
+ To be worthy of my race.
+
+ "Though this death our bodies sever,
+ Thou shalt find me there above;
+ Where I shall be learning ever,
+ To be worthy of thy love."
+
+ XVI
+
+ From his gaze she turned, to borrow
+ Pride's assistance against sorrow--
+ God vouchsafes that scanty loan,
+ When He taketh all our own.
+
+ Sudden thought of heaven's inspiring
+ Flashed through bold Duke Iram's heart;
+ Angels more than stand admiring,
+ When a man takes his own part.
+
+ 'Tis the law the Lord hath taught us,
+ To undo what Satan wrought us;
+ To confound the foul fiend's plan,
+ With the manliness of man.
+
+ XVII
+
+ "Thou art right," he answered lowly,
+ As a youth should sneak a maid;
+ "Like thyself, thy word is holy;
+ Love is hate, if it degrade.
+
+ "But when thou hast well surrendered,
+ And thy sacrifice is tendered--
+ God do so, and more to me,
+ If I slay not, who slay thee!
+
+ "Abraham's God hath ne'er forsaken
+ Them who trust in Him alway.
+ Thy sweet life shall not be taken.
+ Rest, and calm thee, while I pray."
+
+ XVIII
+
+ Like a little child, that kneeleth
+ To tell God whate'er he feeleth,
+ Bent the tall young warrior there,
+ And the palm-trees whispered prayer.
+
+ She, outworn with woe and weeping,
+ Shared that influence from above;
+ And the fear of death went sleeping
+ In the maiden faith and love.
+
+ Less the stormy water waileth,
+ E'en the human tumult faileth;
+ Stars their silent torches light,
+ To conduct the car of night
+
+
+
+
+PART III
+
+ I
+
+ Lo, how bright-eyed morn awaketh
+ Tower and temple, nook and Nile;
+ How the sun exultant maketh
+ All the world return his smile!
+
+ O'er the dry sand, vapour twinkleth,
+ Like an eye when old age wrinkleth;
+ While, along the watered shore
+ Runs a river of gold ore.
+
+ Temple-front and court resemble
+ Mirrors swung in wavering light;
+ While the tapering columns tremble
+ At the view of their own height.
+
+ II
+
+ Marble shaft, and granite portal,
+ Statues of the Gods immortal
+ Quiver, with their figures bent,
+ In a liquid pediment
+
+ Thence the flood-leat followeth swiftly,
+ Where the peasant, spade in hand,
+ Guideth many a runnel deftly
+ Through his fruit and pasture-land;
+
+ Oft, the irriguous bank cross-slicing,
+ Plaited trickles he keeps enticing;
+ Till their gravelly gush he feels,
+ Overtaking his brown heels.
+
+ III
+
+ Life--that long hath born the test of
+ More than ours could bear, and live,
+ Springs anew, to make the best of
+ Every chance the Gods may give,
+
+ Doum-tree stiffeneth flagging feather;
+ Pate-leaves cease to cling together;
+ Citrons clear their welted rind;
+ Vines their mildewed sprays unwind.
+
+ Gourds, and melons, spread new lustre
+ On their veiny dull shagreen;
+ While the starred pomegranates cluster
+ Golden balls, with pink between.
+
+ IV
+
+ Yea, but heaven hath ordered duly,
+ Lest mankind should wax unruly,
+ Egypt, garner of all lore,
+ Narrow as a threshing-floor.
+
+ East, and West, lies desolation,
+ Infinite, untracked, untold
+ Shroud for all of God's creation,
+ When the wild blast lifts its fold;
+
+ There eternal melancholy
+ Maketh all delight unholy;
+ As a stricken widow glides
+ Past a group of laughing brides.
+
+ Who is this, that so disdaineth
+ Dome and desert, fear and fate;
+ While his jewell'd horse he reineth.
+ At Amen-Ra's temple-gate?
+
+ He, who crushed the kings of Asia,
+ Like a pod of colocasia;
+ Whom the sons of Anak fled,
+ Puling infants at his tread.
+
+ Who, with his own shoulders, lifted
+ Thrones of many a conquered land;
+ Who the rocks of Scythia rifted--
+ King Sesostris waves his hand
+
+ VI
+
+ Blare of trumpet fills the valley;
+ Slowly, and majestically,
+ Swingeth wide, in solemn state,
+ Lord Amen-Ra's temple-gate.
+
+ Thence the warrior-host emeigeth,
+ Casque, and corselet, spear, and shield;
+ As the tide of red ore suigeth
+ From the furnace-door revealed.
+
+ After them, tumultuous rushing,
+ Mob, and medley, crowd, and crushing;
+ And the hungry file of priests,
+ Loosely zoned for larger feasts.
+
+ VII
+
+ "Look!" The whispered awe enhances
+ With a thrill their merry treat;
+ As one readeth grim romances,
+ In a sunny window-seat
+
+ "Look! It is the maid selected
+ For the sacrifice expected:
+ By the Gods, how proud and brave
+ Steps she to her watery grave!"
+
+ Strike up cymbals, gongs, and tabours,
+ Clarions, double-flutes, and drums;
+ All that bellows, or belabours,
+ In a surging discord comes.
+
+ VIII
+
+ Scarce Duke Iram can keep under
+ His wild steed's disdain and wonder,
+ While his large eyes ask alway--
+ "Dareth man attempt to neigh?"
+
+ He hath snuffed the great Sahara,
+ And the mute parade of stars;
+ Shall he brook this shrill fanfara,
+ Ramshorns, pigskins, screechy jars?
+
+ What hath he to do with rabble?
+ Froth is better than their babble;
+ Let him toss them flakes of froth,
+ To pronounce his scorn and wrath.
+
+ IX
+
+ With his nostrils fierce dilating,
+ With his crest a curling sea,
+ All his volumed power is waiting
+ For the will, to set it free.
+
+ "Peace, my friend!" The touch he knoweth
+ Calms his heart, howe'er it gloweth:
+ Horse can shame a man, to quell
+ Passion, where he loveth well.
+
+ "Nay, endure we," saith the rider,
+ "Till her plighted word be paid;
+ Then, though Satan stand beside her,
+ God shall help me swing this blade."
+
+ X
+
+ Lo, upon the deep-piled dais,
+ Wrought in hallowed looms of Sais,
+ O'er the impetuous torrent's swoop,
+ Stands the sacrificial group!
+
+ Tall High-priest, with zealot fires
+ Blazing in those eyeballs old,
+ Swathes him, as his rank requires,
+ Head to foot, in linen fold.
+
+ Seven attendants round him vying,
+ In a lighter vesture plying,
+ Four with skirts, and other three
+ Tunic'd short from waist to knee.
+
+ XI
+
+ Free among them stands the maiden,
+ Clad in white for her long rest;
+ Crowned with gold, and jewel-laden,
+ With a lily on her breast
+
+ Lily is the mark that showeth
+ Where that pure and sweet heart gloweth;
+ Here must come, to shed her life,
+ Point of sacrificial knife.
+
+ Here the knife is, cold and gleaming,
+ Here the colder butcher band.
+ Was the true love nought but dreaming,
+ Feeble heart, and coward hand?
+
+ XII
+
+ Strength unto the weak is given,
+ When their earthly bonds are riven;
+ Ere the spirit is called away,
+ Heaven begins its tranquil sway.
+
+ Life hath been unstained, and therefore
+ Pleasant to look back upon;
+ But there is not much to care for,
+ When the light of love is gone.
+
+ Still, though love were twice as fleeting,
+ Longeth she for one last greeting;
+ If her eyes might only dwell
+ Once on his, to say farewell
+
+ XIII
+
+ "Glorious Hapi," spake Piromis,
+ Lifting high his weapon'd hand;
+ "Earth thy footstool, heaven thy dome is,
+ We the pebbles on thy strand.
+
+ "Thou hast leaped the cubits twenty,
+ Dowering us with peace and plenty;
+ Mutha shows thee her retreat,
+ And the desert licks thy feet,
+
+ "We have passed through our purgation,
+ Once again we are thy kin;
+ God, accept our expiation,
+ Maiden pure of mortal sin."
+
+ XIV
+
+ "Ha!" the king cried, smiling blandly;
+ "Ha!" the trumpets answered grandly.
+ Proudly priest whirled, knife on high,
+ While the maiden bowed--to die.
+
+ Sudden, through the ranks beside her,
+ Scattering men, like sparks of flint,
+ Burst a snow-white horse and rider,
+ Rapid as the lightning's glint.
+
+ One blow hurls Arch-priest to quiver
+ Headless, in his beloved river,
+ In the twinkling of an eye,
+ All the rest are dead, or fly.
+
+ XV
+
+ Iram, from _Pyropus_ sweeping,
+ As a mower swathes the rye,
+ Caught his love, in terror sleeping,
+ And her light form swings on high.
+
+ "Soul of Khons!" Sesostris shouted,
+ Striding down the planks blood-grouted--
+ Into his beard fell something light,
+ And he spat, and swooned with fright.
+
+ What hath made this great king stagger,
+ Reel, and shriek--"unclean, unclean!"
+ Thunderbolt, or flash of dagger?
+ Nay, 'twas but a garden bean.
+
+ XVI
+
+ Brave _Pyropus_, blood-bespattered,
+ Snorts at men and corpses scattered,
+ Throws his noble chest more wide,
+ Leaps into the leaping tide.
+
+ Vainly hiss a thousand arrows,
+ Launched at random through the foam;
+ Every stroke the distance narrows
+ Twixt him and his desert home.
+
+ Sorely tried, and passion-shaken,
+ Long amid her foes forsaken,
+ Now, in tumult of surprise,
+ Lita knows not where she lies.
+
+[Illustration: 056.]
+
+ XVII
+
+ Till a bright wave breaks upon her,
+ And her clear perceptions wake--
+ All his valour, prowess, honour,
+ Scorn of life, for her poor sake!
+
+ Gently then her eyes she raises,
+ (Eyes, whence all the pure soul gazes)
+ Softly brings her lips to his--
+ Lips, wherein the whole heart is.
+
+ Let the furious waters welter,
+ Let the rough winds roar above;
+ Waves are warmth, and storms are shelter,
+ In the upper heaven of love.
+
+ XVIII
+
+ Fierce the flood, and wild the danger;
+ Yet the noble desert-ranger
+ Flinches not, nor flags, before
+ He hath brought them safe ashore.
+
+ Lives there man, who would have striven,
+ Reckless thus of storm and sword;
+ Leaped into the gulf, and given
+ Heart and soul, to please his Lord?
+
+ With caresses they have plied him,
+ Hand in hand they kneel beside him,
+ While their mutual vows they plight
+ To the God of life and light
+
+ XIX
+
+ Ha! What meaneth yon sword-flashing?
+ Trumps, and shouts from wave and isle?
+ Lo, the warrior galleys dashing,
+ To avenge insulted Nile!
+
+ Haste! The brave steed, leaping lightly,
+ 'Neath his double burden sprightly,
+ Challenges, with scornful note,
+ Every horse in Pharaoh's boat.
+
+ King of Egypt, curb thy rages;
+ Lo, how trouble should be borne!
+ Memnon soothes the woe of ages,
+ With a sweet song, every morn.
+
+[Illustration: 062.]
+
+[Illustration: 065.]
+
+
+
+
+KADISHA; OR, THE FIRST JEALOUSY
+
+AN EASTERN LEGEND
+
+HERE IS A CURIOUS LEGEND AS TO THE ORIGIN OP JEALOUSY. WHEN ADAM AND EVE
+WERE IN PARADISE, THE FORMER WAS ACCUSTOMED TO RETIRE AT EVENTIDE TO THE
+RECESSES OF THE GARDEN, FOR THE PURPOSE OF PRAYER. ON ONE OF THESE
+OCCASIONS THE DEVIL APPEARED TO EVE, AND INFORMED HER THAT HER SOLITUDE
+WAS TO BE ACCOUNTED FOR BY THE ATTRACTIONS OF ANOTHER FAIR ONE. EVE
+REPLIED THAT IT COULD NOT BE SO, AS SHE WAS THE ONLY WOMAN IN EXISTENCE.
+"IF I SHOW YOU ANOTHER, WILL YOU BELIEVE ME?" RETURNED THE EVIL ONE, AND
+PRODUCED A MIRROR, IN WHICH SHE SAW HER OWN REFLECTION, AND MISTOOK
+IT FOR HER RIVAL. See "_Life in Abyssinia_," by Mr. Parkyns.
+Murray, Albemarle Street.
+
+The Kadisha, flowing to the south of Lebanon, is called
+"the holy river," as having been a minor stream of Paradise.
+
+[Illustration: 066.]
+
+
+
+PART I
+
+ True love's regale is incomplete,
+ 'Till bitter leaven make it sweet;
+ Accept not then our tale amiss,
+ That jealousy was part of bliss;
+ But rather note a mercy here,
+ That fact was thus outrun by fear;
+ And so, before the harder bout,
+ When sin must be encountered too,
+ A woman's heart already knew
+ The way to conquer doubt
+
+ I
+
+ "When sleep was in the summer air,
+ And stars looked down on Paradise,
+ And palms and cedars answered fair
+ The visionary night-wind's sighs,
+ And murmuring prayer:
+
+ When every flower was in its hood
+ (By clasps of diamond dew retained),
+ Or sunk to elude Phalcena's brood,
+ Down slumber's breast with shadows veined,
+ In solitude:
+
+ The citron, stephanote, and rose,
+ Pomegranate, hoya, calycanth,
+ And yet unwanted amaranth,
+ Were sweetness in repose:
+
+ II
+
+ When rivulets were loth to creep,
+ Except unto the pillow moss,
+ And distant lake, encurtained deep,
+ Was but a silver thread across
+ The eyes of sleep:
+
+ When nightingales, in the sycamore,
+ Sang low and soft, as an echo dreaming;
+ And slept the moon upon heaven's shore--
+ The tidal shore of heaven, beaming
+ With lazuled ore:
+
+ When new-born earth was fain to lean
+ In Summer's arms, recovering
+ The unaccustomed toil of Spring,
+ Why slept not Eve, their Queen?
+
+ III
+
+ Upon a smooth fern-mantled stone
+ She sat, and watched the wicket-gate,
+ Not timid in her woman's throne,
+ Nor lonely in her sinless state,
+ Though all alone;
+
+ For having spread her simple board
+ With grapes, and peaches, milk, and flowers,
+ She strewed sweet mastic o'er the sward,
+ And waited through the bridal hours
+ Step of her lord.
+
+ Such innocence around her breathed,
+ And freshness of young nature's play,
+ The sensitive plant shrank not away,
+ And cactus' swords were sheathed.
+
+ IV
+
+ The vision of her beauty fell,
+ Like music on a moonlit place,
+ Or trembles of a silver bell,
+ Or memories of a sacred face,
+ Too dear to tell:
+
+ The grace that wandered free of laws,
+ The look that lit the heart's confession,
+ Had never dreamed how fair it was;
+ Nor guessed that purity's expression
+ Is beauty's cause:
+
+ No more that unenquiring heart
+ Perused the sweet home of her breast,
+ Than turtle-doves unline their nest
+ To scan the outer part
+
+ V
+
+ Although, in all that garden fair,
+ Whate'er delight abode, or grew,
+ Flowers, and trees, and balmy air,
+ Fountains, and birds, and heaven blue
+ Beyond compare:
+
+ In her their various charms had met,
+ And grown more varied by combining,
+ As budded plants do give and get,
+ Each inmate doubling while resigning
+ His several debt:
+
+ And yet she nursed one joy, above
+ Her thousand charms, nor bora of them,
+ But blooming on a single stem--
+ Her true faith in her love.
+
+ VI
+
+ And though, before she heard his foot,
+ The moon had climbed the homestead palm,
+ Flinging to her the shadowed fruit,
+ And tree-frogs ceased to break the calm,
+ And birds were mute,
+
+ With sudden transport ever new,
+ She blushed, and sprang from forth the bower,
+ Her eyes, as bright as moon-lit dew,
+ Her bosom glad as snow-veiled flower,
+ When sun shines through;
+
+ He, with a natural dignity
+ Untaught self-consciousness by harm,
+ Sustained her with his manly arm,
+ And smiled upon her glee.
+
+ VII
+
+ Next day, when early evening shone
+ Along the walks of Paradise,
+ Strewing with gold the hills, her throne,
+ Embarrassing the winds with spice
+ (Too rich a loan),
+
+ Fair Eve was in her bower of ease,
+ A cool arcade of fruit and flowers,
+
+ From North and East enclasped by trees,
+ But open to the Western showers,
+ And Southern breeze.
+
+ Here followed she her gardening trade,
+ Her favourites' simple needs attending,
+ And singing soft, above them bending,
+ A song herself had made.
+
+ VIII
+
+ In evening's calm, she walked between
+ The tints and shades of rich delight,
+ While overhead came, arching green,
+ Many a shrub and parasite,
+ To crown their Queen;
+
+ There laughed the joy of the rose, among
+ Myrtle and Iris, heaven's eye,
+ Magnole, with cups of moonlight hung,
+ And Fuchsia's sunny chandlery,
+ And coral tongue;
+
+ And where the shy brook fluttered through,
+ Nepenthe held her chalice leaf
+ (Undrained as yet by human grief),
+ And broad Nymphaea grew.
+
+ IX
+
+ But where the path bent towards the wood,
+ Across it hung a sombre screen,
+ The deadly night-shade, leaden-hued;
+ And there behind it, darkly seen,
+ A Being stood:
+
+ The form, if any form it had,
+ Was likest to a nightly vision
+ In mantle of amazement clad,
+ A terror-sense, without precision,
+ Of something bad.
+
+ A tremble chilled the forest shade,
+ A roving lion turned and fled,
+ The birds cowered home in hush of dread;
+ But Eve was not afraid.
+
+ X
+
+ She stood before him, sweetly bold,
+ To keep him from her garden shrine,
+ With hair that fell, a shower of gold,
+ Around her figure's snowy line
+ And rosy mould:
+
+ He (with a re-awakened sense
+ Of goodness, long for ever lost,
+ And angel beauty's pure defence)
+ Shrank back, unable to accost
+ Such innocence:
+
+ But envy soon scoffed down his shame;
+ And with a smile, designed for fawning,
+ But like hell's daybreak sickly dawning,
+ His crafty accents came.
+
+ XI
+
+ "Sweet ignorance, 'tis sad and hard
+ To break thy fond confiding spell;
+ And my soft heart hath such regard
+ For thine, that I will never tell
+ What may be spared."
+
+ He turned aside, o'erwhelmed with pain,
+ And drew a sigh of deep compassion:
+ She trembled, flushed, and gazed again,
+ And prayed him quick, in woman's fashion,
+ To speak it plain:
+
+ "Then, if thou must be taught to grieve,
+ And scorn the guile thou hast adored--
+ The man who calls himself thy lord,
+ Where goes he, every eve?"
+
+ XII
+
+ "Nay, then," she cried, "if that be all,
+ I care not what thou hast to say;
+ The guile that lurks therein is small--
+ My husband but retires to pray,
+ At evening call."
+
+ "To pray? Oh yes, and on his knees
+ May-hap to find a lovely being:
+ Devotions so devout as these
+ Are best at night, with no one seeing,
+ Among the trees."
+
+ She blushed as deep as modesty,
+ Then glancing back as bright as cride,
+ "What woman can he find,' she cried,
+ "In all the world, but me?"
+
+ XIII
+
+ He laughed with a superior sneer,
+ Enough to shake e'en woman's faith;
+ "Wilt thou believe me, simple dear,
+ If I am able now," he saith,
+ "To show her here?"
+
+ She cried aloud with gladsome heart,
+ "Be that the test whereon to try thee;
+ Nature and heaven shall take my part:
+ Come, show this rival; I defy thee
+ And all thy art."
+
+ A mirror, held in readiness,
+ He set upright before her feet--
+ "Now can thy simple charms compete
+ With beauty such as this?"
+
+ XIV
+
+ A lovelier sight therein she saw
+ Than ever yet had charmed her eyes,
+ A fairer picture, void of flaw,
+ Than any, even Paradise
+ Itself, could draw;
+
+ A woman's form of perfect grace,
+ In shadowy softness delicate;
+ Though flushed by sunset's rich embrace,
+ A white rose could not imitate
+ Her innocent face:
+
+ Then, through the deepening glance of fear,
+ The shaft of doubt came quivering,
+ The sorrow-shaft--a sigh its wing,
+ And for its barb a tear.
+
+ XV
+
+ "Ah me!" she cried, "too true it is!
+ A simple homely thing, like Eve,
+ Hath not a chance to rival this,
+ But must resign herself to grieve
+ O'er by-gone bliss.
+
+ "Till now it was enough for me
+ To be what God our Father made;
+ Oh, Adam, I was proud to be
+ (As I have felt, and thou hast said)
+ A part of thee.
+
+ "No marvel that my lord can spare
+ His true and heaven-appointed bride.
+ And yet affection might have tried
+ To fancy me as fair."
+
+ XVI
+
+ The Tempter, glorying in his wile,
+ Hath ta'en his mirror and withdrawn;
+ Again the flowers look up and smile,
+ And brightens off from air and lawn
+ The taint of guile.
+
+ But smiles come not again to Eve,
+ Nor brightens off her dark reflection:
+ Her garland-crown she hath ceased to weave,
+ And, plucking, maketh no selection;
+ Only to grieve.
+
+ She feels a dewy radiance steep
+ The languid petals of her eyes,
+ And hath another sad surprise,
+ To know the way to weep,
+
+
+
+PART II
+
+ The tears were still in woman's eyes,
+ When morn awoke on Paradise;
+ And still her sense of shame forbade
+ To tell her grievance, or upbraid;
+ Nor knew she which was dearer cost,
+ To seek him, or to shun him most
+ Then Adam, willing to believe
+ A heart by casual fancy moved
+ Would soon come back, at voice she loved,
+ Addressed his song to Eve.
+
+ I
+
+ "Come fairest, while the morn is fair,
+ And dews are bright as yon clear eyes;
+ Calm down this tide of troubled hair,
+ Forget with me all other sighs
+ Than summer air.
+
+ "Like me, the woodland shadows roam
+ At light (their fairer comrade's) side;
+ And peace and joy salute our home;
+ And lo, the sun in all his pride--
+ My sunshine, come!
+
+ "The fawns and birds, that know our call,
+ Are waiting for our presence--see,
+ They wait my presence, love; and thee,
+ The most desired of all.
+
+ II
+
+ "The trees, which thought it grievous thing
+ To weep their own sweet leaves away,
+ Untaught as yet how soon the Spring
+ Upon their nestled heads should lay
+ Her callow wing--
+
+ "The trees, whereat we smiled again,
+ To see them, in their growing wonder,
+ Suppose their buds were verdant rain,
+ Until the gay winds rustled under
+ Their feathered train,
+
+ "Lo, now they stand in braver mien,
+ And, claiming stronger shadow-right,
+ Make prisoner of the intrusive light,
+ And strew the winds with green.
+
+ III
+
+ "Of all the flowers that bow the head,
+ Or gaze erect on sun and sky,
+ Not one there is, declines to sned,
+ Or standeth up, to qualify
+ His incense-meed:
+
+ "Of all that blossom one by one,
+ Or join their lips in loving cluster,
+ Not one hath now resolved alone,
+ Or taken counsel, that his lustre
+ Shall be unshown.
+
+ "So let thy soul a blossom be,
+ To breathe the fragrance of its praise,
+ And lift itself, in early days,
+ To Him who fosters thee.
+
+ IV
+
+ "Of all the founts, bedropped with light,
+ Or silver-tress'd with shade of trees,
+ Not one there is, but sprinkles bright
+ It's plume of freshness on the breeze,
+ And jewelled flight:
+
+ "Of all that hush among the moss,
+ Or babble to the lily-vases,
+ Not one there is but purls across
+ A gush of the delight, that causes
+ It's limpid gloss.
+
+ "So let thy heart a fountain be,
+ To rise in sparkling joy, and fall
+ In dimpled melody--and all
+ For love of home, and me."
+
+ V
+
+ The only fount her heart became
+ Rose quick with sighs, and fell in tears;
+ While pink upon her white cheek came,
+ (Like apple-blossom among pear's)
+ The tinge of shame.
+
+ Her husband, pierced with new alarm,
+ Bent nigh to ask of her distresses,
+ Enclasping her with sheltering arm,
+ Unwinding by discreet caresses,
+ The thread of harm.
+
+ Then she, with sobs of slow relief
+ (For silence is the jail of care)
+ Confessed, for him to heal or share,
+ The first of human grief.
+
+ VI
+
+ "I cannot look on thee, and think
+ That thou has ceased to hold me dear;
+ I cannot break the loosened link:
+ When thou, my only one, art near,
+ How can I shrink?
+
+ "So it were better, love--I mean,
+ My lord, it is more wise and right--
+ That I, as one whose day hath been,
+ Should keep my pain from pleasure's sight,
+ And dwell unseen.
+
+ "And--though it break my heart to say--
+ However sad my loneliness,
+ I fear thou wouldst rejoice in this--
+ To have me far away.
+
+ VII
+
+ "I know not how it is with man,
+ Perhaps his nature is to change,
+ On finding consort fairer than--
+ But oh, I cannot so arrange
+ My nature's plan!
+
+ "And haply thou hast never thought
+ To vex, or make me feel forsaken;
+ But, since to thee the thing was nought,
+ Supposed 'twould be as gaily taken,
+ As lightly brought.
+
+ "Yet, is it strange that I repine,
+ And feel abased in lonely woe,
+ To lose thy love--or e'en to know
+ That half of it is mine?
+
+ VIII
+
+ "For whom have I on earth but thee,
+ What heart to love, or home to bless?
+ Albeit I was wrong, I see,
+ To think my husband took no less
+ Delight in me.
+
+ "But even now, if thou wilt stay,
+ Or try at least no more to wander,
+ And let me love thee, day by day,
+ Till time, or habit, make thee fonder
+ (If so it may)--
+
+ "Thou shalt have one more truly bent,
+ In homely wise, on serving thee,
+ Than any stranger e'er can be;
+ And Eve shall seem content."
+
+ IX
+
+ Not loud she wept--but hope could hear;
+ Sweet hope, who in his lifelong race
+ Made terms, to win the goal from fear,
+ That each alternate step should trace
+ A smile and tear.
+
+ But Adam, lost in wide amaze,
+ Regarded her with troubled glances,
+ Misdoubting 'neath her steady gaze,
+ Himself to be in strange romances,
+ And dreamy haze:
+
+ Then questioning in hurried voice,
+ And scarcely waiting her replies,
+ He spoke, and showed the true surprise
+ That made her soul rejoice.
+
+ X
+
+ She told him what the Tempter said,
+ And what her frightened self had seen,
+ (That form in loveliness arrayed,
+ With modest face, and graceful mien)
+ And how displayed.
+
+ Then well-content to show his bride
+ The worldly knowledge he possessed,
+ (That world whereof was none beside)
+ He laid his hand upon his breast,
+ And thus replied:--
+
+ "Wife, mirror'd here too deep to see,
+ "A little way down yonder path,
+ "And I will show the form which hath
+ "Enchanted thee, and me."
+
+ XI
+
+ Kadisha is a streamlet fair,
+ Which hurries down the pebbled way,
+ As one who hath small time to spare,
+ So far to go, so much to say
+ To summer air;
+
+ Sometimes the wavelets wimple in
+ O'erlapping tiers of crystal shelves,
+ And little circles dimple in,
+ As if the waters quaffed themselves,
+ The while they spin:
+
+ Thence in a clear pool, overbent
+ With lotus-tree and tamarind flower,
+ Empearled, and lulled in golden bower,
+ Kadisha sleeps content.
+
+ XII
+
+ Their steps awoke the quiet dell;
+ The first of men was smiling gay;
+ Still trembled Eve beneath the spell,
+ The mystery of that passion-sway
+ She could not quell.
+
+ As they approached the silver strand,
+ He plucked a moss-rose budding sweetly,
+ And wreathing bright her tresses' band,
+ Therein he set the blossom featly,
+ And took her hand:
+
+ He led her past the maiden-hair,
+ Forget-me-not, and meadow-sweet,
+ Until the margin held her feet,
+ Like water-lilies fain
+
+ XIII
+
+ "Behold," he cried, "on yonder wave,
+ The only one with whom I stray,
+ The only image still I have,
+ Too often, even while I pray
+ To Him who gave.
+
+ The form she saw was long unknown,
+ Except as that beheld yestreen;
+ Till viewing, not that form alone,
+ But his, with hands enclasped between,
+ She guessed her own.
+
+[Illustration: 088..]
+
+ And, bending o'er in sweet surprise,
+ Perused, with simple child's delight,
+ The flowing hair, and forehead white,
+ And soft inquiring eyes.
+
+ XIV
+
+ Then, blushing to a fairer tint
+ Than waves might ever hope to catch,
+ "I see," she cried, "a lovely print;
+ But surely I can never match
+ This lily glint!
+
+ "So pure, so innocent, and bright,
+ So charming free, without endeavour,
+ So fancy-touched with pensive light I
+ I think that I could gaze for ever,
+ With new delight
+
+ "And now that rose-bud in my hair,
+ Perhaps it should be placed above--
+ And yet, I will not change it, love,
+ Since mou hast set it there.
+
+ XV
+
+ "Vain Eve, why glory thus in Eve?
+ What matter Tor thy form or face?
+ Thy beauty is, if love believe
+ Thee worthy of that treasured place
+ Thou ne'er shalt leave.
+
+ "Oh, husband; mine and mine alone,
+ Take back my faith that dared to wander;
+ Forgive my joy to have thee shown
+ Not transient, as thine image yonder,
+ But all my own.
+
+ "And, love, if this be vain of me,
+ This pleasure, and the pride I take;
+ Tis only for thy dearer sake,
+ To be so fair to thee."
+
+ XVI
+
+ No more she said; but smiling fell,
+ And lost her sorrow on his breast;
+ Her love-bright eyes upon him dwell,
+ Like troubled waters laid at rest
+ In comfort's well:
+
+ Tis nothing more, an' if she weep,
+ Than joy she cannot else reveal;
+ As onyx-gems of Pison keep
+ A tear-vein, where the sun may steal
+ Throughout their deep.
+
+ May every Adam's fairer part
+ Thus, only thus, a rival find--
+ The image of herself, enshrined
+ Within the faithful heart!
+
+[Illustration: 092.]
+
+[Illustration: 095.]
+
+
+
+
+MOUNT ARAFA
+
+IN TWO PARTS
+
+"Mount Arafa, situated about a mile from Mecca, is held in great
+veneration by the Mussulmans, as a place very proper for penitence. Its
+fitness in this respect is accounted for by a tradition that Adam and
+Eve, on being banished out of Paradise, in order to do penance for their
+transgression were parted from each other, and after a separation of
+six score years, met again upon this mountain." Ockley's "_History of
+the Saracens_," p. 60
+
+
+
+THE PARTING
+
+ I
+
+ Driven away from Eden's gate
+ With biasing falchions fenced about,
+ Into a desert desolate,
+ A miserable pair came out,
+ To meet their fate.
+
+ To wander in a world of woe,
+ To ache and starve, to burn and shiver,
+ With every living thing their foe--
+ The fire of God above, the river
+ Of death below.
+
+ Of home, of hope, of Heaven bereft;
+ It is the destiny of man
+ To cower beneath his Maker's ban,
+ And hide from his own theft!
+
+ II
+
+ The father of a world unborn--
+ Who hath begotten death, ere life--
+ In sullen silence plods forlorn;
+ His love and pride in his fair wife
+ Are rage and scorn.
+
+ Instead of Angel ministers,
+ What hath he now but fiends devouring;
+ Instead of grapes and melons, burs;
+ In lieu of manna, crab and souring--
+ By whose fault? Hers!
+
+ Alack, good sire of feeble knees,
+ New penance waits thee; since--when thus
+ Thou shouldst have wept for all of us--
+ Thou mournest thine own ease I
+
+ III
+
+ The mother of all loving wives
+ (Condemned unborn to many a tear)
+ Is fain to take his hand, and strives
+ In sorrow to be doubly dear--
+ But shame deprives.
+
+[Illustration: 098.]
+
+ The shame, the woe, the black surprise,
+ That love's first dream should have such ending,
+ To weep, and wipe neglected eyes I
+ Oh loss of true love, far transcending
+ Lost Paradise!
+
+ For is it faith, that cannot live
+ One gloomy hour, and soar above
+ The clouds of fate? And is it love,
+ That will not e'en forgive?
+
+ IV
+
+ The houseless monarch of the earth
+ Hath quickly found what empire means;
+ For while he scoffs with bitter mirth,
+ And curses, after Eden's scenes,
+ This dreary dearth.
+
+ A snake, that twined in playful zeal,
+ But yester morn, around his ankle,
+ Now driven along the dust to steal,
+ Steals up, and leaves its venom'd rankle
+ Deep in his heel.
+
+ He groans awhile. He seeks anon
+ For comfort to this first of pain,
+ Where all his sons to-day are fain;
+ He seeks--but Eve is gone!
+
+
+PART I--ADAM
+
+ _O'er hill, and highland, moor, and plain,
+ A hundred years, he seeks in vain;
+ Oer hill and plain, a hundred years,
+ He pours the sorrow no one hears;
+ Yet finds, as wildest mourners find,
+ Some ease of heart in toil of mind._
+
+ I
+
+ "YE mountains, that forbid the day,
+ Ye glens, that are the steps of night,
+ How long amid you must I stray,
+ Deserted, banished from God's sight,
+ And castaway?
+
+ "Ye trees and flowers the Lord hath made,
+ Ye beasts, to my good-will committed--
+ Although your trust hath been betrayed--
+ Not long ago ye would have pitied
+ Your old comrade.
+
+ "Oh, nature, noblest when alone,
+ Albeit I love your outward part;
+ The nature that enthrals my heart
+ Must be more like my own.
+
+ II
+
+ "The Maker once appointed me--
+ I know not, and I care not why--
+ The lord of everything I see,
+ Or if they walk, or swim, or fly,
+ Whate'er they be.
+
+ "And all the earth whereon they dwell,
+ And all the heavens they are inhaling,
+ And powers, whereof I cannot tell--
+ Dark miscreants, supine and wailing,
+ Until I fell.
+
+ "Twas good and glorious to believe;
+ But now mv majesty is o'er;
+ And I would give it all, and more,
+ For one sweet glimpse of Eve.
+
+ III
+
+ "For what is glory, what is power?
+ And what the pride of standing first?
+ A twig struck down by a thunder shower,
+ A crown of thistle to quench the thirst,
+ A sun-scorched flower.
+
+ "God grant the men who spring from me,
+ As knowledge waxeth deep and splendid,
+ To find a loftier pedigree
+ Than any by the Lord intended--
+ Frog, slug, or tree!
+
+ "So shall they live, without the grief
+ Of having womankind to love,
+ Find nought below, and less above,
+ And be their own belief.
+
+ IV
+
+ "So weak was I, so poorly taught,
+ By any but my Maker's voice,
+ Too happy to indulge in thought,
+ Which gives me Tittle to rejoice,
+ And ends in nought.
+
+ "But now and then, my path grows clear,
+ My mind casts off its grim confusion,
+ When I have chanced on goodly cheer:
+ Then happiness seems no delusion,
+ Even down here.
+
+ "With love and faith, to bless the curse,
+ To heal the mind by touch of heart,
+ To make me feel my better part,
+ And fight against the worse.
+
+ V
+
+ "It may be that I did o'erprize,
+ Above the Giver, that rare gift,
+ Ungird my will for softer ties,
+ And hold my manhood little thrift
+ To woman's eyes.
+
+ "So far she was, so full of grace,
+ So innocent with coy caresses,
+ So proud to step at my own pace,
+ So rosy through her golden tresses;
+ And such a face!
+
+ "Suffice my sins; I'll ne'er approve
+ A thought against my faithful Eve;
+ Suffice my sins; I'll never believe.
+ That it was one, to love.
+
+ VI
+
+ "Oh; love, if e'er this desert plain,
+ Where I must sweat with axe and spade,
+ Shall hold a people sprung from twain,
+ Or better made by Him, who made
+ That pair in vain.
+
+ "Shall any know, as we have known,
+ Thy rapture, terror, vaunting, fretting,
+ Profound despair, ecstatic tone,
+ Crowning of reason, and upsetting
+ Of reason's throne?
+
+ "Bright honey quaffed from cells of gall,
+ Or crimson sting from creamy rose--
+ Thy heavenly half from Eden flows,
+ Thy venom from our fall."
+
+ _Awhile he ceased; far scorching woe
+ Had made a drought of vocal flow;
+ When hungry, weary, desolate,
+ A fox crept home to his defis gate.
+ The sight brought Adam's memory back,
+ And touched him with a keener lack._
+
+ VII
+
+ "Home! Where is home? Of old I thought
+ (Or felt in mystery of bliss)
+ That so divinely was I wrought
+ As not to care for that or this,
+ And value nought;
+
+ "But sit or saunter, rest or roam,
+ Regarding all things most sublimely,
+ As if enthroned on heaven's dome;
+ Away with paltry and untimely
+ Hankerings for _Home!_
+
+ "But now the weary heart is fain
+ For shelter in some lowly nest--
+ To sink upon a softer breast,
+ And smile away its pain,
+
+ VIII
+
+ "For me, what home, what hope is left?
+ What difference of good or ill?
+ Of all I ever loved bereft,
+ Disgraced, discarded, outlawed still,
+ For one small theft!
+
+ "I sicken of my skill and pride;
+ I work, without a bit of caring.
+ The world is waste, the world is wide;
+ Why make good things, with no one sharing
+ Them at my side?
+
+ "What matters how I dwell, or die?
+ Away with such a niggard life!
+ The Lord hath robbed me of my wife;
+ And life is only I.
+
+ IX
+
+ "God, who hast said it is not good
+ For man, thy son, to live alone;
+ Is everlasting solitude,
+ When once united bliss was known,
+ A livelier food?
+
+ "Can'st thou suppose it right or just,
+ When thine own creature so misled us,
+ In virtue of our simple trust,
+ To torture us like this, and tread us
+ Back into dust?
+
+ "Oh, fool I am. Oh, rebel worm!
+ If, when immortal, I was slain,
+ For daring to impugn his reign,
+ How shall I, thus infirm?
+
+ X
+
+ "Woe me, poor me! No humbler yet,
+ For all the penance on me laid!
+ Forgive me, Lord, if I forget
+ That I am but what Thou hast made,
+ My soul Thy debt!
+
+ "Inspire me to survey the skies,
+ And tremble at their golden wonder;
+ To learn the space that _I_ comprise,
+ At once to marvel, and to ponder,
+ And drop mine eyes.
+
+ "And grant me?--for I do but find,
+ In seeking more than God hath shown,
+ I scorn His power and lose my own--
+ Grant me a lowly mind.
+
+ XI
+
+ "A lowly mind! Thou wondrous sprite,
+ Whose frolics make their master weep;
+ Anon, endowed with eagle's flight,
+ Anon, too impotent to creep,
+ Or blink aright;--
+
+ "Howe'er, thy trumpery flashes play
+ Among the miracles above thee,
+ Be taught to feel thy Maker's sway,
+ To labour, so that He shall love thee,
+ And guide thy way.
+
+ "Be led, from out the cloudy dreams
+ Of thy too visionary part,
+ To listen to the whispering heart,
+ And curb thine own extremes.
+
+ XII
+
+ "Then hope shall shine from heaven, and give
+ To fruit of hard work, sunny cheek,
+ And flowers of grace and love revive,
+ And shrivelled pasturage grow sleek,
+ And corn snail thrive.
+
+ "Beholding gladness, Eve and I,
+ Enfolding it also in each other,
+ May talk of heaven without a sigh;
+ Because our heaven in one another
+ Love shall supply.
+
+ "For courage, faith, and bended knees,
+ By stress of patience, cure distress,
+ And turn wild _Love-in-idleness_
+ Into the true _Heartsease_."
+
+ _The Lord breathed on the first of men,
+ And strung his limbs to strength again;
+ He scorned a century of ill,
+ And girt his loins to climb the parting hill._
+
+
+PART II--EVE
+
+ _Meanwhile through lowland, holt, and glade,
+ Sad Eve her lonely travel made;
+ Not fierce, or proud, but well content
+ To own the righteous punishment;
+ Yet found, as gentle mourners find,
+ The hearts confession soothe the mind._
+
+ I
+
+ "Ye valleys, and ye waters vast,
+ Who answer all that look on you
+ With shadows of themselves, that last
+ As long as they, and are as true--
+ Where hath he past?
+
+ "Oh woods, and heights of rugged stone,
+ Oh weariness of sky above me,
+ For ever must I pine and moan,
+ With none to comfort, none to love me,
+ Alone, alone?
+
+ "Thou bird, that hoverest at heaven's gate,
+ Or cleavest limpid lines of air,
+ Return--for thou hast one to care--
+ Return to thy dear mate.
+
+ II
+
+ "For trie, no joy of earth or sky,
+ No commune with the things I see,
+ But dreary converse of the eye
+ With worlds too grand to look at me--
+ No smile, no sigh!
+
+ "In vain I fall Upon my knees,
+ In vain I weep and sob for ever;
+ All other miseries have ease,
+ All other prayers have ruth--but never
+ Any for these.
+
+ "Are we endowed with heavenly breath,
+ And God's own form, that we should win
+ A proud priority of sin,
+ And teach creation death?
+
+ III
+
+ "Not, that is too profound for me,
+ Too lofty for a fallen thing.
+ More keenly do I feel than see;
+ Far liefer would I, than take wing,
+ Beneath it be.
+
+ "The night--the dark--will soon be here,
+ The gloom that doth my heart appal so I
+ How can I tell what may be near?
+ My faith is in the Lord--but also
+ He hath made fear.
+
+ "I quail, I cower, I strive to flee;
+ Though oft I watched without affright,
+ The stern magnificence of night,
+ When Adam was with me
+
+ IV
+
+ "My husband! Ah, I thought sometime
+ That I could do without him well,
+ Communing with the heaven at prime,
+ And in my womanhood could dwell
+ Calm and sublime.
+
+ "Declining, with a playful strife,
+ All thoughts below my own transcendence,
+ All common-sense of earth and life,
+ And counting it a poor dependence
+ To be his wife,
+
+ "But now I know, by trouble's test,
+ How little my poor strength can bear,
+ What folly wisdom is, whene'er
+ The grief is in the breast!
+
+ "The grief is in my breast, because
+ I have not always been as kind
+ As woman should, by nature's laws,
+ But showed sometimes a wilful mind,
+ Carping at straws.
+
+ "While he, perhaps, with larger eyne,
+ Was pleased, instead of vexed, at seeing
+ Some little petulance in mine,
+ And loved me all the more, for being;
+ Not too divine.
+
+ "Until the pride became a snare,
+ The reason a deceit, wherein
+ I dallied face to face with sinh
+ And made a mortal pair.
+
+ VI
+
+ "Dark sin, the deadly foe of love,
+ All bowers of bliss thou shalt infest,
+ Implanting thorns the flowers above,
+ And one black feather in the breast
+ Of purest dove.
+
+ "Almighty Father, once our friend,
+ And ready even now to love us.
+ Thy pitying gaze upon us bend,
+ And through the tempest-clouds above us
+ Thine arm extend.
+
+ "That so thy children may begin
+ In lieu of bliss, to earn content,
+ And find that sinful Eve was meant
+ Not only for a sin."
+
+ _Awhile she ceased; for memory's flow
+ Had drowned the utterance of woe;
+ Until a young hind crossed the lawn,
+ And fondly trotted forth her fawn,
+ Whose frolics of delight made Eve,
+ As in a weeping vision, grieve._
+
+ VII
+
+ "For me, poor me, no hope to learn
+ That sweeter bliss than Paradise,
+ The joy that makes a mother yearn
+ O'er that bright message from the skies
+ Her pains do earn.
+
+ She stoops entranced; she fears to stir,
+ Or think; lest each a thought endanger
+ (While two enraptured hearts confer)
+ That wonderful and wondering stranger,
+ Come home to her,
+
+ "He watches her, in solemn style;
+ A world of love flows to and fro;
+ He smiles; that he may learn to know
+ His mother by her smile.
+
+ VIII
+
+ "Oh, bliss, that to all other bliss
+ Shall be as sunrise unto night,
+ Or heaven to such a place as this,
+ Or God's own voice, with angels bright,
+ To serpent's hiss!
+
+ "I have I betrayed thee, or cast by
+ The pledge in which my soul delighted--
+ That all this wrong and misery
+ Should be avenged at last, and righted,
+ And so should I?
+
+ "Belike, they look on me as dead,
+ Those fiends that found me soft and sweet;
+ But God hath promised me one treat--
+ To crush that serpent's head!
+
+ IX
+
+ "Revenge! Oh, heaven, let some one rise,
+ Some woman, since revenge is small,--
+ Who shall not care about its size,
+ If only she can get it all,
+ For those black lies!
+
+ "Poor Adam is too good and great,
+ I felt it, though he said so little--
+ To hate his foes, as I can hate--
+ And pay them every jot, and tittle,
+ At their own rate.
+
+ "For was there none but I to blame?
+ God knows that if, instead of me,
+ There had been any other she,
+ She would have done the same,
+
+ X
+
+ "Poor me! Of course the whole disgrace,
+ In spite of reason, falls on me:
+ And so all women of my race,
+ In pure right, shall be reason-free,
+ In every case.
+
+ "It shall not be in power of man
+ To bind them to their own contentions;
+ But each shall speak, as speak she can,
+ And start anew with fresh inventions,
+ Where she began.
+
+ "And so shall they be dearer still;
+ For man shall ne'er suspect in them
+ The plucking of the fatal stem,
+ That brought him all his ill.
+
+ XI
+
+ "And when hereafter--as there must,
+ Since He, that made us, so hath sworn--
+ From that whereof we are, the dust,
+ And whereunto we shall return
+ In higher trust--
+
+ "There spring a grand and countless race,
+ Replenishing this vast possession,
+ Till life, hath won a larger space
+ Than death, by quick and fair succession
+ Of health and grace;
+
+ "They too shall find as I have found
+ The grief, that lifts its head on high,
+ A dewy bud the sun shall dry--
+ But not while on the ground.
+
+ XII
+
+ "Then men shall love their wives again,
+ Allowing for the frailer kind,
+ Content to keep the heart's Amen,
+ Content to own the turns of mind
+ Beyond their ken.
+
+ "And wives shall in their lords be blest,
+ Their higher sense of right perceiving
+ (When possible) with love their test;
+ Exalting, solacing, believing
+ All for the test.
+
+ "And for the best shall all things be,
+ If God once more will shine around,
+ And lift my husband from the ground,
+ And teach him to lift me."
+
+ _New faith inspired the first of wives,
+ She smiles, and drooping hope revives;
+ She scorns a hundred years of woe%
+ And binds her hair, because the breezes blow._
+
+
+THE MEETING
+
+ I
+
+ The wind is hushed, the moon is bright,
+ More stars on heaven than may be told;
+ Young flowers are coying with the light,
+ That softly tempts them to unfold,
+ And trust the night.
+
+ What form comes bounding from above
+ Down Arafa, the mountain lonely,
+ Afraid to scare its long-lost dove,
+ Yet swift as joy--"It can be only,
+ Only my love!"
+
+ What shape is that--too fair to leave
+ On Arafa, the mountain lone?
+ So trembling, and so faint--"My own,
+ It must be my own Eve!"
+
+ II
+
+ As when the mantled heavens display
+ The glory of the morning glow,
+ And spread the mountain heights with day,
+ And bid the clouds and shadows go
+ Trooping away,
+
+ The Spirit of the Lord arose,
+ And made the earth and heaven to quiver,
+ And scattered all his hellish foes,
+ And deigned his good stock to deliver
+ From all their woes.
+
+[Illustration: 118.]
+
+[Illustration: 120.]
+
+ So long the twain had strayed apart,
+ That each as at a marvel gazed,
+ With eyes abashed, and brain amazed;
+ While heart enquired of heart.
+
+ III
+
+ Our God hath made a fairer thing
+ Than fairest dawn of summer day--
+ A gentle, timid, fluttering,
+ Confessing glance, that seeks alway
+ Rest for its wing.
+
+ A sweeter sight than azure skies,
+ Or golden star thereon that glideth;
+ And blest are they who see it rise,
+ For, if it cometh, it abideth
+ In woman's eyes.
+
+ The first of men such blessing sued;
+ The first of women smiled consent;
+ For husband, wife and home it meant,
+ And no more solitude!
+
+ IV
+
+ We trample now the faith of old,
+ We make our Gods of dream and doubt;
+ Yet life is but a tale untold,
+ Without one heart to love, without
+ One hand to hold--
+
+ The fairer half of humankind,
+ More gentle, playful, and confiding:
+ Whose soul is not the slave of mind,
+ Whose spirit hath a nobler guiding
+ Than we can find.
+
+ So Eve restores the sweeter part
+ Of what herself unwitting stole,
+ And makes the wounded Adam whole;
+ For half the mind is heart.
+
+[Illustration: 125.]
+
+
+
+
+THE WELL OF SAINT JOHN
+
+The old well of Saint John, in the parish of Newton-Nottage,
+Glamorganshire, has a tide of its own, which appears to run exactly
+counter to that of the sea, some half-mile away. The water is
+beautifully bright and fresh, and the quaint dome among the lonely
+sands is regarded with some awe and reverence.
+
+ _He_
+
+ "THERE is plenty of room for two in here,
+ Within the steep tunnel of old grey stone;
+ And the well is so dark, and the spring so clear,
+ It is quite unsafe to go down alone."
+
+ _She_
+
+ "It is perfectly safe, depend upon it,
+ For a girl who can count the steps, like me;
+ And if ever I saw dear mother's bonnet,
+ It is there on the hill by the old ash-tree."
+
+ _He_
+
+ "There is nobody but Rees Hopkin's cow
+ Watching, the dusk on the milk-white sea;
+ 'Tis the time and the place for a life-long? vow,
+ Such as I owe you, and you owe me."
+
+ _She_
+
+ "Oh, Willie, how can I, in this dark well?
+ I shall drop the brown pitcher if you let go;
+ The long? roof is murmuring like a sea-shell,
+ And the shadows are shuddering to and fro."
+
+ _He_
+
+ "Tis the sound of the ebb, in Newton Bay,
+ Quickens the spring, as the tide grows less;
+ Even as true love flows alway
+ Counter the flood of the world's success."
+
+ _She_
+
+ "There is no other way for love to flow,
+ Whenever it springs in a woman's breast;
+ With the tide of its own heart it must go,
+ And run contrary to all the rest."
+
+ _He_
+
+ "Then fill the sweet cup of your hand, my love,
+ And pledge me your maiden faith thereon,
+ By the touch of the letter'd stone above,
+ And the holy water of Saint John."
+
+ _She_
+
+ "Oh, what shall I say? My heart sinks low;
+ My fingers are cold, and my hand too flat,
+ Is love to be measured by handfuls so;
+ And you know that I love you--without that."
+
+ * * * * *
+
+ They stooped, in the gleam of the faint light, over
+ The print of themselves on the limpid gloom;
+ And she lifted her full palm toward her lover,
+ With her lips preparing the words of doom.
+
+ But the warm heart rose, and the cold hand fell,
+ And the pledge of her faith sprang sweet and clear,
+ From a holier source than the old Saint's well,
+ From the depth of a woman's love--a tear.
+
+[Illustration: 128.]
+
+
+
+
+PAUSIAS AND GLYCERA; OR, THE FIRST FLOWER-PAINTER
+
+A STORY IN THREE SCENES
+
+(_Plin. Nat. Hist., xxxv. ii_)
+
+Scene I:--_Outside the gate of Sicyon--Morning. Glycera
+weaving garlands, Pausias stands admiring._
+
+ $Pausias$
+
+ "YE Gods, I thought myself the Prince of Art,
+ By Phoebus, and the Muses set apart,
+ To smite the critic with his own complaint,
+ And teach the world the proper way to paint.
+ But lo, a young maid trips out of a wood,
+ And what becomes of all I understood?
+
+[Illustration: 132.]
+
+ I stand and stare; I could not draw a line,
+ If ninety Muses came, instead of nine.
+ Thy name, fair maiden, is a debt to me;
+ Teach him to speak, whom thou hast taught to see.
+ Myself already some repute have won,
+ For I am Pausias, Brietes' son.
+ To boast behoves me not, nor do I need,
+ But often wish my friends to win the meed.
+ So shall they now; no more will I pursue
+ The beaten track, but try what thou hast shown,
+ New forms, new curves, new harmonies of tone,
+ New dreams of heaven, and how to make them true."
+
+ $Glycera$
+
+ "Fair Sir, 'tis only what I plucked this morn,
+ Kind nature's gift, ere you and I were born.
+ Through mossy woods, and watered vales, I roam,
+ While day is young, and bring my treasure home;
+ Each lovely bell so tenderly I bear,
+ It knoweth not my fingers from the air,
+ Lo now, they scarce acknowledge their surprise,
+ And how the dewdrops sparkle in their eyes!"
+
+ $Pausias$
+
+ "Because the sun shines out of thine. But hush,
+ To praise a face praiseworthy, makes it blush.
+ I am not of the youths who find delight,
+ In every pretty thing that meets their sight
+ My father is the sage of Sicyon;
+ And I--well, he is proud of such a son."
+
+ $Glycera$
+
+ "And proud am I, my mother's child to be,
+ And earn for her the life she gave to me,
+ Her name is Myrto of the silver hair,
+ Not famed for wisdom, but loved everywhere."
+
+ $Pausias$
+
+ "Then whence thine art? Hath Phoebus given thee boon
+ Of wreath and posy, fillet and festoon?
+ Of tint and grouping, balance, depth, and tone--
+ Lo, I could cast my palette down, and groan!"
+
+ $Glycera$
+
+ "No art, fair sir, hath ever crossed my thought,
+ The lesson I delight in comes untaught.
+ The flowers around me take their own sweet way,
+ They tell me what they wish--and I obey.
+ Unlike poor us, they feel no spleen or spite
+ But earn their joy, oy ministering delight.
+ So loved and cherished, each may well suppose
+ Itself at home again just where it grows.
+ No dread have they of what the Fates may bring,
+ But trust their Gods, and breathe perpetual Spring."
+
+ $Pausias$
+
+ "Fair child of Myrto, simple-hearted maid,
+ Thy innocence doth arrogance upbraid.
+ Ye Gods, I pray you make a flower of me;
+ That I may dwell with nature, and with thee."
+
+ $Glycera$
+
+ "I see the brave sun leap the city wall!
+ The gates swing wide; I hear the herald's call.
+ The Archon ham proclaimed the market-day;
+ And mother will shed tears at my delay.
+ The priest of Zeus hath ordered garlands three;
+ And while I tarry, who will wait for me?"
+
+ $Pausias$
+
+ "No picture have I sold for many a moon,
+ But fortune must improve her habits soon;
+ Then will I purchase all thy stock-in-trade,
+ And thou shalt lead me to thy bower of green,
+ There will I paint the flowers, and thee their Queen--
+ The Queen of dowers, that nevermore shall fade."
+
+ $Glycera$
+
+ "I know a wood-nymph, who her dwelling hath
+ Among the leaves, and far beyond the path,
+ With myrtle and with jasmin roofed across,
+ Enlaced with vine, and carpeted with moss,
+ Whose only threshold is a plaited brook,
+ Whereby the primrose at herself may look;
+ While birds of song melodious make the air--
+ But oh! I must not take a stranger there."
+
+ $Pausias$
+
+ "Nay, but a friend No stranger now am I.
+ Good art is pledge of perfect modesty.
+ From chastened heights the painter glanceth down;
+ No maid can fear a youth who loves renown."
+
+ $Glycera$
+
+ "Thy words are trim, If mother deems them true,
+ Thou shalt come with me. But till then, adieu!" [Exit.
+
+ $Pausias$
+
+ "O! where am I? The mind is all for art--
+ But one warm breath transforms it into heart."
+
+
+Scene II:--_A wood near Sicyon. Pausias with his
+easel, &c. Glycera carrying flowers._
+
+ $Pausias$
+
+ "Confounded tangle! Who could paint all this?
+ A bear might hug him, or a serpent hiss!
+ For love of nature justly am I famed;
+ But when she goes so far as this, she ought to be ashamed."
+
+ $Glycera$
+
+ "Nay, be not frightened by a small affray,
+ Pure love of nature cannot pave its way.
+ But lo, where yonder coney-tracks begin,
+ My nymph hath made her favourite bower within.
+ Yon oak hath reared its rugged antlers thus,
+ Before Deucalion lived, or Daedalus.
+ Inside her woodland Majesty doth keep
+ A world of wonders--if one dared to peep--
+ Of things that burrow, elide, spin webs, or creep;
+ Strange creatures, which before they live must die,
+ And plants that hunt for prey, and flowers that fly!"
+
+[Illustration: 140.]
+
+ $Pausias$
+
+ "My love of nature freezes in a trice;
+ I loathe all earwigs, beetles, and wood-lice.
+ Outside her bower the lady must remain,
+ If she doth wish to have her portrait taen."
+
+ $Glycera$
+
+ "Tis not the lady thou must paint--but me."
+
+ $Pausias$
+
+ "Aha, that will I, with a glow of glee.
+ But when I offered, somebody was vexed,
+ And blushed, and frowned, and longed to say,
+ 'Whatnext?'"
+
+ $Glycera$
+
+ "A painter's tongue hath learnt to paint, I trow.
+ But oh that order--I remember now--
+ For twenty chaplets, from the priest of Zeus!
+ Ah, what a grand majestic Hiereus!"
+ So pleased he was that morning with those three,
+ And such a customer he means to be!
+
+ $Pausias$
+
+ "The priest of _Dis!_a scoundrel with three wives!
+ I'll pull his triple beard, if he arrives."
+
+ $Glycera$
+
+ "High words and threats profane this hallowed place,
+ Where Time rebukes the fuss of human race.
+ And gentle sir, what harm hath he done thee?
+ It is my mother whom he comes to see.
+ Lo, how the Gods our puny wrath deride,
+ With peace and beauty spread on every side!
+ This earth with pleasure of the Spring complete,
+ Too bright to dwell on, were it not so sweet.
+ No theft of man it's affluence impairs,
+ A thousand flowers, without a loss, it spares;
+ Whose bashful elegance no brush can trace,
+ Heartfelt delight, and plenitude of grace;
+ No palettes match their brilliance, although
+ Pandora filled her box from Iris' bow."
+
+ $Pausias$
+
+ "Her want of faith sweet Glycera will rue,
+ When she hath seen what _Pausias_ can do."
+
+ $Glycera$
+ "Forgive me, sir; In truth it was no taunt.
+ A great man can do anything--but vaunt."
+
+ $Pausias$
+
+ "E'en that he can do, if he sees the need.
+ But out on words, when time hath come for deed!
+ Up leaps the sun, to paint thee with his plume,
+ And every blossom seems to be thy bloom."
+
+ $Glycera$
+
+ "Why stand we here, so early of the morn,
+ In love with things that treat our love with scorn--
+ Grey crags, where Time with folded pinion broods,
+ Ana ever young antiquity of woods;
+ The brooks that babble, and the flowers that blush,
+ Ere woman was a reed, or man a rush?
+ And he for ever, as the Gods ordain,
+ Would fain revive with art what he hath slain;
+ Shall nature fail to laugh, while man doth yearn
+ To teach the canvas what he ne'er can learn?"
+
+ $Pausias$
+
+ "Sweet Muse, while thus through heaven's too distant vault,
+ Thy great mind roves--how shall we earn our salt?
+ Though art is not encouraged as of old,
+ She is worth a score of nature; I design
+ To manufacture, from these flowers of thine,
+ A silver * talent--or perhaps of gold!"
+
+ * Lucullus is said to have given two talents for
+ a mere copy of this picture.
+
+ $Glycera$
+
+ "Good heavens, how precious is your Worship's time!
+ Some minds are lowly, others too sublime.
+ Before thee all my simple flowers I spread;
+ Long may they live, when Glycera is dead!"
+
+ $Pausias$
+
+ "The Gods forefend!
+ Fair omen from fair maid--
+ Bright tongue, recall the dark thing thou hast said!"
+
+ $Glycera$
+
+ "Then long live they, with Glycera to aid!"
+
+ $Pausias$
+
+ "And Pausias crowned by Critics, to non-plus
+ Euphranor, Cydias, and Antidotus.
+ But what are they? Below my feet they lie;
+ Poor sons of pelf. The son of art am I.
+ Now rest thee, maiden, on this pillowy bed,
+ With fragrance canopied, with beauty spread;
+ Above thee hovers eglantine's caress,
+ Around thee glows entangled loveliness;
+ Shy primrose smiles, thy gentle smile to woo,
+ And violets take thy glances for the dew."
+
+ &Glycera&
+
+ "Then will they pluck themselves, to see me laugh;
+ Good flowers bring cash; but who will pay for chaff?
+ But haply thus the true poet intervenes,
+ To make us wonder what on earth he means."
+
+ $Pausias$
+
+ "A poet! We do things in a superior way;
+ A painter is a poet, who makes it pay.
+ A poet, though deep and mystic as the Sphinx,
+ Will ne'er earn half of what he eats and drinks,
+ He dreams of Gods, but of himself he thinks."
+
+[Illustration: 146.]
+
+
+Scene III.--_A western slope near Sicyon. Pausias
+has his easel set, Glycera is dressed in white._
+
+ $Pausias$
+
+ "Seven times the moon hath filled her silver horn,
+ And twice a hundred suns awoke the morn,
+ Since thou and I--for half the praise is thine--
+ Began this study of the flowers divine."
+
+ $Glycera$
+
+ "Alas! how swiftly have the months gone by!"
+
+ $Pausias$
+
+ "Not swift alone, but passing sweet for me."
+
+ $Glycera$
+
+ "The world, that was so large, is you and I."
+
+ $Pausias$
+
+ "And shall be larger still, when it is 'We.'"
+
+ $Glycera$
+
+ (Aside) "Sweet dual! Alas, that this shall never be!"
+
+ $Pausias$
+
+ "A tear, bright Glycera in those eyes of thine,
+ Those tender eyes, that should with triumph shine!
+ When I, the owner of that precious heart,
+ Am shouting Iö Pæan of high art;
+ The noblest picture underneath the sun--
+ A few more strokes, and victory is won!"
+
+ $Glycera$
+
+ "Nay, heed me not. True pleasure is not dry;
+ The sunrise of the heart bedews the eye."
+
+ $Pausias$
+
+ "If that were all--but lately there hath been
+ A listless air beneath thy livery mien;
+ Thyself art all fair petal, and sweet perfume,
+ And smiles that light the damask of thy bloom;
+ Yet some, pale distance seems to chill the whole."
+
+ $Glycera$
+
+ "Forgive me, love, forgive a timorous soul.
+ Through brightest hours untimely vapours rise--
+ But while I prate, the lucky moment flies.
+ The work, the weather, and the world are fair;
+ A few more strokes--and fame flies everywhere."
+
+ $Pausias$
+
+ "Who cares for fame, except with love to share?"
+
+ $Glycera$
+
+ "To share! Nay every breath of it is mine,
+ Whene'er it breathes on thee; for I am thine.
+ But pardon now--if I have seemed sometime
+ Impatient, glib, too pert for things sublime,
+ Remember that I meant not so to sink;
+ Forgive your Glycera, when you come to think."
+
+ $Pausias$
+
+ "I'll not forgive my Glycera--until
+ She hath discovered how to do some ill.
+ Now don once more this coronet of bloom,
+ While lilies sweet thy sweeter breast illume."
+
+ $Glycera$
+
+ (Aside) "Ah me, what brightness wasted upon gloom!
+ (Aloud) Oh fling thy sponge across this wretched face,
+ A patch uncouth amid a world of grace."
+
+ $Pausias$
+
+ "Sweet love, thy beauty far outshineth them;
+ The tinsel they are, thou the living gem.
+ Great gift of Gods! Shall flowers of earth despise
+ Those flowers of heaven--thy tresses, and thine eyes?
+ Away with gloom I let no ill-boding make
+ My heart to falter, or my hand to shake.
+ One hour is all I crave. If that be long,
+ Sweet lips beguile it with my favourite song."
+
+ $Glycera$
+
+ "A song like mine, a childish lullaby,
+ Will close--when needed wide-awake--thine eye.
+ But since thou so demandest, let me try.
+
+ "In the fresh woods have I been,
+ Sprinkled with the morning dew;
+ And of all that I have seen,
+ Lo, the fairest are for you!
+
+ Take your choice of many a flower,
+ Lily, rose, and melilot,
+ Lilac, myrtle, virgin's bower,
+ Pansy, and forget-me-not.
+
+ Ladies'-tresses, and harebell,
+ Jasmin, daphne, violet,
+ Meadow-sweet, and pimpernel,
+ Maidenhair, and mignonette.
+
+ What is gold, that doth allure
+ Foolish hearts from field and flower?
+ If you plant them in it pure,
+ Will they keep alive an hour?
+
+ What is fame, compared with these,
+ Fame of wisdom, sword, or pen?
+ Who would quit the meadow breeze,
+ For the sultry breath of men?
+
+ These have been my childhood's love,
+ These my maiden visions were;
+ When I meet their gaze above,
+ These will tell me, God is there."
+
+ $Pausias$
+
+ "'Tis done! No more the palsied doubt molests;
+ The crown of glory on my labour rests.
+ Thy clear voice hath my flagging thoughts supplied,
+ My model thou, my teacher, and my bride!
+ Now stand, beloved one, where the soft glow lies,
+ Yet judge not rashly, ere the colour dries.
+ Find every fault, pick every flaw thou canst;
+ I'll not be vexed; true art is thus advanced.
+ So meek is art, that (when it comprehends)
+ It loves the carping of its dearest friends.
+ If my own bride condemns my efforts--let her.
+ A poor daub? Well let some one do it better."
+
+ $Glycera$
+
+ "My love, my lord, my monarch of high art,
+ Forgive a tongue held fast and bound by heart.
+ Not Orpheus, Linus, or great Hermes could
+ Find words to make their rapture understood.
+ No Muse, no Phoebus, hath this work inspired,
+ But Jove himself, with heaven's own splendour fired.
+ I see the nursing fingers of the day,
+ And night as well, upon their offspring play--
+ The silent glide of moon, that hushed their sleep,
+ (As mother at her infant steals a peep)
+ Anon, with pearly glances half withdrawn,
+ The gentle hesitation of the dawn;
+ I see the sun his golden target raise,
+ And drive in tremulous ranks the woodland haze;
+ Awakened by whose call the flowers arise,
+ With tears of joy and blushes of surprise;
+ From bulb and bush, from leaf and blade, spring up
+ Bell, disk, or star, plume, sceptre, fan, or cup;
+ A thousand forms, a thousand hues of bloom
+ Fill earth and heaven with beauty and perfume.
+ All this, by thine enchantment, liveth here;
+ Oh wondrous power, that chills my pride with fear!"
+
+ $Pausias$
+
+ "Thy praise, sweet critic, makes thee doubly dear.
+ But what of thy fair self--thy form, thy face,
+ The flower of flowers, the gracefulness of grace?"
+
+ $Glycera$
+
+ "I see why thou hast placed me among these;
+ I serve a purpose--'tis to scare the bees.
+ Sweet love hath right to place me anywhere;
+ And yet I mourn, to find myself so fair."
+
+ $Pausias$
+
+ "A maid lament her beauty! Thou hast shown,
+ A thousand times, a wit beyond mine own;
+ Yet is it kind to such a love as mine,
+ To grudge it refuge in a lovely shrine?"
+
+ $Glycera$
+
+ "No shrine, no throne, of earth or heaven above,
+ Can be too fair a dwelling-place for love.
+ But that which makes me grieve, myself to see,
+ Is memory of the bitter loss to thee;
+ That earthly charms--as men such things esteem--
+ Should tantalize thee, in a weeping dream!"
+
+ $Pausias$
+
+ "My own, my only love, what wouldst thou say?
+ My heart hath borne a heavy bode, all day."
+
+ $Glycera$
+
+ "I durst not tell thee, till thy work was done;
+ But now I must, before the setting sun.
+ Last night, when life was lapsed in quietude,
+ Beside my couch a stately figure stood--
+ A virgin form, in garb of chace arrayed,
+ With bow and quiver, baldric, and steel blade;
+ Majestic as a palm that scorns the wind,
+ And taller than the daughters of mankind
+ Twas Artemis, close-girt in silver sheen,
+ The Goddess of the woods, the Maiden-queen.
+ Cold terror seized me, and mute awe, the while
+ She oped her proud lips, with an icy smile--
+ 'Whose votary art thou? Shall I resign
+ 'To wanton Cypris this sworn nymph of mine?
+ 'Have I enfeoffed thee of my holiest glen?
+ 'To have thee tainted by the lips of men?
+ 'Shall urchin Eros laugh at my decree?
+ 'No Hymen torch, no loosened zone for thee I
+ 'To-morrow, when my crescent tops yon oak,
+ 'Thou shalt return unto thy proper yoke.'
+ She closed her lips, and like the barb of frost,
+ Her fingers on my bounding heart outspread:
+ My breast is ice, mv soul is of the dead:
+ The sod, the cold clay, are my marriage-bed;
+ Sweet sun, sweet flowers, sweet Love, forever lost!"
+
+ $Pausias$
+
+ "I'll not endure it; it shall ne'er be true;
+ If that cold tyrant comes--I'll run her through."
+
+ $Glycera$
+
+ "What can'st thou do against the Goddess trine,
+ Selene, Artemis, and Proserpine?
+ Oh love, thou hast before thee life and fame,
+ And some new Glycera with a loftier name.
+ So tender is my heart, that it would break,
+ To think that thou wert suffering for my sake.
+ Be angry with me; doubt my faith--or try;
+ And count it for a crime of mine to die:
+ Or tell thyself--if still a pain there be--
+ That wealth and grandeur were not meant for me.
+ Yet think sometimes, when thou art well consoled,
+ That no one loves thee, like some one of old."
+
+ $Pausias$
+
+ "My life, my soul, my heart of hearts, my all,
+ Together let us cling, till death befall."
+
+ $Glycera$
+
+ "The sun is gone; the crescent waxeth bright;
+ I fly to darkness, or eternal light.
+ Great are the Gods; but greater yet is love;
+ Here thou art mine, and I am thine above."
+
+ * * * * *
+
+ $Pausias$
+
+ "Oh fame, and conquest, pomp, and power, and state,
+ What are ye, when the heart is desolate?
+ A few more years of labour, and slow breath--
+ Till death benign hath overtaken death."
+
+[Illustration: 159.]
+
+
+
+
+BUSCOMBE; OR, A MICHAELMAS GOOSE
+
+ When I was Head of Blunders school,
+ Before the age of stokers,
+ Compelled by rank to look a fool
+ Betwixt a pair of "chokers,"
+
+ Tom Tanner's father's wrote, to say
+ That we should both of us come,
+ To spend Saint Michael's holiday
+ At the Vicarage of Buscombe.
+
+ One trifle marred this merry plan--
+ I had contrived, though barr'd up,
+ To typify the future man,
+ By getting very hard up.
+
+ Oh bimetallic champion, some
+ New ratio doth seem proper,
+ When the circulating medium
+ Has fallen to half a copper.
+
+ Vile mammon hence! Thy low amount
+ Too paltry is to mope for;
+ The more we have in hand to count,
+ The less in heart to hope for.
+
+ Bright youth itself is golden ore,
+ And health the best gold-beater:
+ Without a sigh for two pence more,
+ We passed the gates of Peter.
+
+ A nod suffices surly Cop,
+ Who grins his _bona fides_;
+ As Cerberus preferred his sop
+ To Orpheus and Alcides.
+
+ But Mother Cop! Her cooking knack
+ Would conquer fifty Catos--
+ The Queen of tarts, and tuck, and tack,
+ And cream, and fried potatoes.
+
+ And rashers! Sweet Ulysses, say
+ Old Homer was mistaken;
+ The Goddess must have had her way,
+ And turned thee into bacon.
+
+ That Circe came, and wished us joy,
+ And said, "Goodbye, my dearie!"
+ Because I was an honest boy,
+ And _pauper tneo ære_.
+
+ So Tom and I, like men on strike,
+ Shook hands with all our cronies,
+ Walked fifty yards, to save the pike,
+ And jumped upon our ponies.
+
+ Of apples, nuts, and goose galore
+ I chattered, like a stupid,
+ And thought of shooting coneys, more
+ Than being shot by Cupid.
+
+ * * * * *
+
+ At racing pace the turnpike road
+ (Great Western, in this quicker age)
+ Was swallowed up with whip and goad,
+ And soon we saw the Vicarage.
+
+ A sweet seclusion, to forget
+ The world and its disasters,
+ And fill the mind with mignonette,
+ Clove-pinks, and German asters;
+
+ In pensive, or in playful mood,
+ To saunter here, and dally
+ With leafy calm of solitude,
+ Or sunshine of the valley.
+
+ The Vicar loved his parish well,
+ And well was he loved by it;
+ Religion did not him compel
+ To harass and defy it
+
+ No price he charged for Heavenly love,
+ No discount on _Resurgo_;
+ His conscience told him--one side-shove
+ Is worth ten kicks _a tergo_.
+
+ But while the path of life he showed
+ To win the Christian guerdon,
+ No post was he, to point the road,
+ But a man to share the burden.
+
+ The lapse of years made manifest
+ The sanctuary of holy age;
+ As clearer grows the ring-dove's nest,
+ When time hath stripp'd the foliage.
+
+ The Vicar's wife was much the same,
+ In fairer form presented--
+ A lively, yet a quiet dame,
+ With home, sweet home, contented.
+
+ In parish, needs; and household arts,
+ A lesson to this glib age;
+ Well versed in pickles, jams, and tarts,
+ Piano, chess, and cribbage.
+
+ And well she loved the flowers, that speak
+ A language undefiled--
+ The flowers that lift the dimpled cheek,
+ Or droop the dewy eyelid.
+
+ * * * * *
+
+ Now, if she lingers after us,
+ What ground have we for snarling?
+ What act prohibits private buss,
+ Reserved for "Tommy darling"?
+
+ * * * * *
+
+ But who are these, so fresh and sweet,
+ In lovely hats and dresses,
+ Who half advance, and half retreat,
+ And peep through clouds of tresses?
+
+ "Come, dears!" They shyly offer hand,
+ Beneath the jasmin trellis;
+ "Say who you are, girls"--Charlotte, and
+ Her sister, Caroline Ellis!
+
+ Sweet Charlotte hath a serious face,
+ A gaze almost parental;
+ A type of every maiden grace,
+ But a wee bit sentimental.
+
+ Bright Caroline hath eyes that dance,
+ While buoyant airs engirdle her;
+ Her playful soul may love romance,
+ But not a creepy curdler.
+
+ Sweet Charlotte's are the deep grey eyes
+ That win profound devotion;
+ Bright Carry's flash, like azure skies,
+ With heliograph in motion.
+
+ As merry as the vintage ray,
+ That dances down the grape-rill;
+ As tender as the dews of May,
+ Or apple-buds of April.
+
+ Their charms are safe to grow more bright
+ For at least two lustral stages;
+ And so it seems not unpolite
+ To enquire what their age is.
+
+ "Last May, I was fifteen"; with glee
+ Replies the laughing Carry;
+ Sage Charlotte adds--"And I shall be
+ Seventeen, next February."
+
+ To the dining-room we walk on air,
+ Disdaining jots and tittles;
+ To feed seems such a low affair--
+ And yet, hurrah for victuals!
+
+ Could e'en a boy ply knife and fork,
+ In presence so poetic,
+ Until the vicar draws a cork,
+ And gives the sniff prophetic?
+
+ And when the evening games began,
+ Pope Joan, and Speculation--
+ What head could keep its poise and plan,
+ With the heart in palpitation?
+
+ Until, in soft white-curtained bed,
+ We sink to slumber lowly,
+ And angels fan the childish head,
+ With visions sweet and holy.
+
+ * * * * *
+
+ "Now I do declare," exclaimed our host,
+ As he strode back from the arish,
+ "Those railway fellows soon will boast
+ They have undermined my parish!
+
+ "Though none can say I have ever set
+ My face against improvement,
+ I cannot quite perceive as yet
+ The good of this new movement
+
+ "Like Hannibal, these folk confound
+ All nature's institutions,
+ And shun, with a great dive underground,
+ Parochial contributions!
+
+ "Come boys and girls, let us see their craft,
+ These hills of Devon will task it;
+ 'Tis a pretty walk to White-Ball shaft,
+ If the boys will take a basket
+
+ "Dear wife; if your poor feet are right,
+ The miracles of this cycle
+ Will give you a noble appetite,
+ For the roast goose of Saint Michael."
+
+ In a twinkle, we had baskets twain
+ Of the right stuff for a journey,
+ And beautiful gooseberry Champagne,
+ Superior to Epernay,
+
+ * * * * *
+
+ What myriad joys of heart and mind
+ Flit in and out our brief age!
+ That day it was grand to see how kind
+ The sun looked through the leafage!
+
+ While the leaves for their part pricked their lips,
+ With a dewy simper waiting;
+ They were conscious of some amber tips--
+ But those Were his own creating.
+
+ Can the heart of man alone be dull,
+ And the mind of man be spiteful,
+ When all above is beautiful,
+ And all below delightful?
+
+ When Season bright, and Season rich,
+ Make bids against each other;
+ And earth, uncertain which is which,
+ Smiles up at Nature Mother.
+
+ The copse, the lane, the meadow path,
+ The valleys, banks, and hedges,
+ Were green with summer's aftermath,
+ And gold with autumn's pledges.
+
+ Wild rose hung coral beads above,
+ And satchel'd nuts grew nigh them;
+ Like tips of a little maiden's glove,
+ Ere ever she has to buy them.
+
+ * * * * *
+
+ But ours are not the maids to bite
+ A gore or gusset undone;
+ How neat they look, how trim and tight!
+ Those frocks were made in London.
+
+ Long time, we glance in awe and doubt,
+ Suppressing all frivolity;
+ Till the spirit of the age breaks out,
+ And all is mirth and jollity.
+
+ One flash, that stole from eyes demure,
+ Hath scattered all convention;
+ And then a pearly laugh makes sure
+ That fun is her intention.
+
+ The smiling elders march ahead;
+ We dance, without a fiddler,
+ We play at cross-touch, White and Red,
+ Tip-cat, and Tommy Tidier.
+
+ We laugh and shout, much more than speak,
+ No etiquette importunes;
+ The trees were made for hide-and-seek,
+ The flowers to tell our fortunes;
+
+ The hills, for pretty girls to pant,
+ And glow with richer roses;
+ The wind itself, to toss askant
+ The curls that hide their noses.
+
+ Then sprightly Carry shouts in French--
+ "All boys and girls, come nutting!"
+ We are slipping down a mighty trench--
+ Why, it is the Railway cutting I
+
+ Before us yawns a dark-browed arch,
+ Paved with a muddy runnel;
+ A thousand giant navvies march
+ To delve the White-Ball tunnel.
+
+ Oh, if a man of them but did
+ Presume to glance at Carry,
+ Though he were Milo, or John Ridd,
+ I would toss him to Old Harry.
+
+ I pull my jacket off, like him
+ Who would shatter England's pillars--
+ From the tunnel comes an order grim,
+ "Get out of the way you chillers!"
+
+ * * * * *
+
+ And the same stern order doth apply
+ To the pranks of this remote age!
+ We are sure alike to be thrust by,
+ In our nonage, and our dotage.
+
+ Yet who shall grudge the tranquil age,
+ When nought can now betide ill,
+ To glance, from a distant hermitage,
+ At a summer morning idyll?
+
+ * * * * *
+
+ Oh agony, despair, and woe!
+ Oh two-edged sword to us come!
+ To Blundell's must the body go,
+ While the heart remains at Buscombe.
+
+ All breakfast time, how glum we looked!
+ Our tears were threatening dribblets;
+ Too truly had our goose been cooked,
+ To leave us e'en our giblets.
+
+ Sweet Charlotte, did you share the thrill,
+ The pang; no throat may utter,
+ And strive an aching void to fill
+ With heartless toast and butter?
+
+ And were you sad, bright Caroline,
+ Although you never said so?
+ You did cast down your lovely eyne,
+ And you crumbled up your bread so!
+
+ But the Vicar's views were more sublime,
+ As he asked in all simplicity,
+ "My youthful friends, what is the prime
+ Of all mundane felicity?"
+
+ My answer, though it sounded cool,
+ Was given with trepidation--
+ "To stay at home, and send to school
+ The rising generation."
+
+ A gentle smile flits o'er his lip,
+ He eyes me with benignity;
+ He yearns to offer goodly tip,
+ Yet fears to wound my dignity.
+
+ True benefactor, be not shy,
+ Thou seest a humble fellow,
+ Thy noble impulse gratify--.
+ My stars, if it isn't yellow!
+
+ * * * * *
+
+ But time is over, and above,
+ To end this charming visit;
+ And must we part my own true love?
+ Though I am not sure, which is it.
+
+ Sweet Charlotte lingered in the shade,
+ Most gentle of all houris;
+ Bright Carry in the lobby played
+ With a pair of polished cowries.
+
+ She showed me how alike they were,
+ So Heaven had pleased to make them.
+ Though fortune might divide the pair,
+ She ne'er could separate them.
+
+ I blushed, and stammered at her touch,
+ I feared to beg for either;
+ My heart was in my mouth so much,
+ I could say "Goodbye" to neither.
+
+ * * * * *
+
+ Two strings are wise for every bow,
+ To meet the change of weather;
+ And Cupid's shafts give softer blow,
+ When two are tied together.
+
+ Oh, Charlotte sweet, and Carry bright,
+ My whole, or double-half love,
+ Let no maturer wisdom slight
+ A simple tale of calf-love.
+
+ A blessing on the maiden grace,
+ That beautifies the real,
+ To make the world a fairer place,
+ And lift the low ideal!
+
+ If one, or both, by any chance,
+ Behold what I confess here,
+ Make auld lang syne of young romance,
+ By sending your address here.
+
+ And answer--as I trust you can,
+ When time is flying faster,
+ That he hath served you better than
+ Your humble poetaster.
+
+ * * * * *
+
+ _Postscript (a Fact)_
+
+ This have they done--and oh, by Jove,
+ Not altered by a fraction!
+ If then they were too sweet to love,
+ What are they now? Distraction.
+
+ Of course they must be ever young;
+ How could I be so stupid?
+ Time fell in love with both, and flung
+ His calendar to Cupid!
+
+[Illustration: 175.]
+
+
+
+TO FAME
+
+ I
+
+ Right Fairy of the morn, with flowers arrayed,
+ Whose beauties to thy young pursuer seem
+ Beyond the ecstasy of poet's dream--
+ Shall I overtake thee, ere thy lustre fade?
+
+ II
+
+ Ripe glory of the noon, august, and proud,
+ A vision of high purpose, power, and skill,
+ That melteth into mirage of good-will--
+ Do I o'ertake thee, or embrace a cloud?
+
+ III
+
+ Gray shadow of the evening, gaunt and bare,
+ At random cast, beyond me or above,
+ And cold as memory in the arms of love--
+ If I o'ertook thee now, what should I care?
+
+[Illustration: 176.]
+
+ IV
+
+ "No morn, or noon, or eve am I," she said;
+
+ "But night--the depth of night behind the sun;
+ By all mankind pursued; but never won,
+ Until my shadow falls upon a shade."
+
+1894.
+
+
+
+
+
+End of the Project Gutenberg EBook of Fringilla: Some Tales In Verse, by
+Richard Doddridge Blackmore
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+<?xml version="1.0" encoding="iso-8859-1"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Fringilla: Some Tales in Verse, by Richard Doddridge Blackmore
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Fringilla: Some Tales In Verse, by
+Richard Doddridge Blackmore
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Fringilla: Some Tales In Verse
+
+Author: Richard Doddridge Blackmore
+
+Illustrator: Louis Fairfax-Muckley and James W. R. Linton
+
+Release Date: August 31, 2007 [EBook #22474]
+Last Updated: December 17, 2012
+
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK FRINGILLA: SOME TALES IN VERSE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <h1>
+ FRINGILLA<br /> <br /> SOME TALES IN VERSE
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ By Richard Doddridge Blackmore
+ </h2>
+ <p>
+ <br />
+ </p>
+ <div class="fig" style="width:80%;">
+ <img alt="titlepage (205K)" src="images/titlepage.jpg" width="100%" /><br />
+ </div>
+ <p>
+ <br /> <a name="linkimage-0001" id="linkimage-0001">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/013.jpg" alt="013 " width="100%" /><br />
+ </div>
+ <h2>
+ Contents
+ </h2>
+ <table summary="">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#linkpen"> TO MY PEN </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> LITA OF THE NILE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> KADISHA; OR, THE FIRST JEALOUSY </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> MOUNT ARAFA </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> THE WELL OF SAINT JOHN </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> PAUSIAS AND GLYCERA; OR, THE FIRST
+ FLOWER-PAINTER </a>
+ </p>
+ <p class="toc">
+ <a href="#linkbuscombe"> BUSCOMBE; OR, A MICHAELMAS GOOSE </a>
+ </p>
+ <p class="toc">
+ <a href="#linkfame"> FAME </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ [<i>Fringilla loquitur</i>]
+ </p>
+<pre xml:space="preserve">
+"What means your finch?"
+
+"Being well aware that he cannot sing like a Nightingale,
+He flits about from tree to tree, and twitters a little tale."
+
+ Albeit he is an ancient bird, who tried
+ his pipe in better days, and then was
+ scared by random shots, he is fain to
+ lift the migrant wing once more towards the
+ humble perch, among the trees he loves. All
+ gardeners own that he does no harm, unless
+ he flits into a thicket of young buds, or a very
+ choice ladies' seed-bed. And he hopes that he is
+ now too wise to commit such indiscretions.
+
+ Perhaps it would have been wiser still to
+ have shut up his little mandible, or employed it
+
+ only upon grub. But the long gnaw of last
+ winter's frost, which set mankind a-shivering,
+ even in their most downy nest, has made them
+ kindly to the race that has no roof for shelter
+ and no hearth for warmth.
+
+ Anyhow, this little finch can do no harm,
+ if he does no good; and if he pleases nobody,
+ he will not be surprised, because he has never
+ satisfied himself.
+
+ May-day, 1895.
+</pre>
+ <p>
+ NOTE
+ </p>
+ <p>
+ With kind consent of Messrs. Harper, "Buscombe" returns in altered form
+ from the other side of the ocean. Two other little tales appeared of old,
+ but nobody would look at them, and now they are offered after careful
+ trimming.
+ </p>
+ <p>
+ Standing afar. I gaze with doubt at other trimmings which are not mine.
+ They have conquered the taste of the day perhaps, and high art announces
+ them as her last transfiguration. Moreover they are highly recommended&mdash;
+ as the purest art not always is&mdash;by the modesty of the artist.
+ </p>
+ <p>
+ The cover design, borders, initial letters and the whole of the full-page
+ illustrations&mdash;with the exception of the three to 'Pausias and
+ Glycera' by James W. R. Linton&mdash;are by Louis Fairfax-Muckley.
+ </p>
+ <p>
+ <a name="linkimage-0002" id="linkimage-0002">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/017.jpg" alt="017. " width="100%" /><br />
+ </div>
+ <p>
+ <br /> <a name="linkpen" id="linkpen"></a><br /> <br />
+ </p>
+ <h2>
+ TO MY PEN
+ </h2>
+<pre xml:space="preserve">
+
+ I
+
+ Thou feeble implement of mind,
+ Wherewith she strove to scrawl her
+ name;
+ But, like a mitcher, left behind
+ No signature, no stroke, no claim,
+ No hint that she hath pined&mdash;
+
+ Shall ever come a stronger time,
+ When thou shalt be a tool of skill,
+ And steadfast purpose, to fulfil
+ A higher task than rhyme?
+
+ II
+
+ Thou puny instrument of soul,
+ Wherewith she labours to impart
+ Her efforts at some arduous goal;
+ But fails to bring thy coarser art
+ Beneath a fine control&mdash;
+
+ Shall ever come a fairer day,
+ When thou shalt be a buoyant plume,
+ To soar, where clearer suns illume,
+ And fresher breezes play?
+</pre>
+ <p>
+ <a name="linkimage-0003" id="linkimage-0003">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/020.jpg" alt="020. " width="100%" /><br />
+ </div>
+ <p>
+ <a name="linkimage-0004" id="linkimage-0004">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/023.jpg" alt="023. " width="100%" /><br />
+ </div>
+<pre xml:space="preserve">
+
+ Thou weak interpreter of heart,
+ So impotent to tell the tale
+ Of love's delight, of envy's smart,
+ Of passion, and ambition's bale,
+ Of pride that dwells apart&mdash;
+
+ Shall I, in length of time, attain
+ (By walking in the human ways,
+ With love of Him, who made and sways)
+ To ply thee, less in vain?
+
+ If so, thou shalt be more to me
+ Than sword, or sceptre, flag, or crown;
+ With mind, and soul, and heart in thee,
+ Despising gold, and sham renown;
+
+ But truthful, kind, and free&mdash;
+ Then come; though now a pithless quill,
+ Uncouth, unfledged, indefinite,&mdash;
+ In time, thou shalt be taught to write,
+ By patience, and good-will.
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ LITA OF THE NILE
+ </h2>
+ <h3>
+ A TALE IN THREE PARTS
+ </h3>
+<pre xml:space="preserve">
+PART I
+
+ I
+
+ "KING, and Father, gift and giver,
+ God revealed in form of river,
+ Issuing perfect, and sublime,
+ From the fountain-head of time;
+
+ "Whom eternal mystery shroudeth,
+ Unapproached, untracked, unknown;
+ Whom the Lord of heaven encloudeth
+ With the curtains of His throne;
+
+ "From the throne of heaven descending,
+ Glory, power, and goodness blending,
+ Grant us, ere the daylight dies,
+ Token of thy rapid rise,"
+
+ II
+
+ Ha, it cometh! Furrowing, flashing,
+ Red blood rushing o'er brown breast;
+ Peaks, and ridges, and domes, dashing
+ Foam on foam, and crest on crest!
+
+ 'Tis the signal Thebes hath waited,
+ Libyan Thebes, the hundred-gated:
+ Rouse, and robe thee, River-priest
+ For thy dedication feast!
+
+ Follows him the loveliest maiden,
+ Afric's thousand hills can show;
+ White apparel'd, flower-laden,
+ With the lotus on her brow.
+
+ III
+
+ Votive maid, who hath espousal
+ Of the river's high carousal;
+ Twenty cubits if he rise,
+ This shall be his bridal prize.
+
+ Calm, and meek of face and carriage,
+ Deigning scarce a quicker breath,
+ Comes she to the funeral marriage,
+ The betrothal of black death.
+
+ Rosy hands, and hennaed fingers,
+ Nails whereon the onyx lingers,
+ Clasped, as at a lover's tale,
+ In the bosom's marble vale.
+</pre>
+<pre xml:space="preserve">
+ IV
+
+ Silvery scarf, her waist enwreathing,
+ Wafts a soft Sabaean balm;
+ Like a cloud of incense, breathing
+ Round the column of a palm:
+
+ Snood of lilies interweaveth
+ (Giving less than it receiveth)
+ Beauty of her clustered brow,
+ Calmly bent upon us now.
+
+ Through her dark hair, spread before
+ See the western glory wane,
+ As in groves of dim Cytorus,
+ Or the bowers of Taprobane!
+</pre>
+<pre xml:space="preserve">
+ V
+
+ See, the large eyes, lit by heaven,
+ Brighter than the Sisters Seven,
+ (Like a star the storm hath cowed)
+ Sink their flash in sorrow's cloud.
+
+ There the crystal tear refraineth,
+ And the founts of grief are dry;
+ "Father, Mother&mdash;none remaineth;
+ All are dead; and why not I?"
+
+ Yet, by God's will, heavenly beauty
+ Owes to Heaven alone its duty;
+ Off ye priests, who dare adjudge
+ Bride, like this, to slime and sludge!
+</pre>
+<pre xml:space="preserve">
+ VI
+
+ When they tread the river's margent,
+ All their mitred heads are bowed&mdash;
+ What hath browned the ripples argent,
+ Like the plume of thunder-cloud?
+
+ Where yestreen the water slumbered,
+ With a sickly crust encumbered,
+ Leapeth now a roaring flood,
+ Wild as war, and red as blood.
+
+ Every billow hurries quicker,
+ Every surge runs up the strand;
+ While the brindled eddies flicker,
+ Scourged as with a levin brand.
+
+ VII
+
+ Every bulrush, parched and welted,
+ Lifts his long joints yellow-belted;
+ Every lotus, faint and sick,
+ Hangs her fragrant tongue to lick.
+
+ Countless creatures, lone unthought of,
+ Swarm from every hole and nook;
+ What is man, that he make nought of
+ Other entries in God's book?
+
+ Scorpions, rats, and lizards flabby,
+ Centipedes, and hydras scabby,
+ Asp, and slug, and toad, whose gem
+ Outlasts human diadem.
+
+ VIII
+
+ Therefore hath the priest-procession
+ Causeway clean of sandal-wood;
+ That no foul thing make transgression
+ On the votive maiden's blood.
+
+ Pure of blood and soul, she standeth
+ Where the marble gauge demandeth,
+ Marble pillar, with black style,
+ Record of the rising Nile,
+
+ White-robed priests around her kneeling,
+ Ibis-banner floating high,
+ Conchs, and drums, and sistrals pealing,
+ And Sesostris standing nigh.
+
+ IX
+
+ He, whose kingdom-city stretches
+ Further than our eyesight fetches;
+ Every street it wanders down
+ Larger than a regal town;
+
+ Built, when each man was a giant,
+ When the rocks were mason's stones,
+ When the oaks were osiers pliant,
+ And the mountains scarcely thrones;
+
+ City, whose Titanic portals
+ Scorn the puny modern mortals,
+ In thy desert winding-sheet,
+ Sacred from our insect feet.
+
+ X
+
+ Thebes No-Amon, hundred-gated,
+ Every gate could then unfold
+ Cavalry ten thousand, plated,
+ Man and horse, in solid gold.
+
+ Glancing back through serried ranges,
+ Vivid as his own phalanges,
+ Every captain might espy
+ Equal host in sculpture vie;
+
+ Down Piromid vista gazing,
+ Ten miles back from every gate,
+ He can see that temple blazing,
+ Which the world shall never mate.
+
+ XI
+
+ But the Nile-flood, when it swelleth,
+ Recks not man, nor where he dwelleth;
+ And&mdash;e'en while Sesostris reigns&mdash;
+ Scarce five cubits man attains.
+
+ Lo, the darkening river quaileth,
+ Like a swamp by giant trod,
+ And the broad commotion waileth,
+ Stricken with the hand of God I
+
+ When the rushing deluge raging
+ Flung its flanks, and shook the staging,
+ Priesthood, cowering from the brim,
+ Chanted thus its faltering hymn.
+
+ XII
+
+ "Ocean sire, the earth enclasping,
+ Like a babe upon thy knee,
+ In thy cosmic cycle grasping
+ All that hath been, or shall be;
+
+ "Thou, that art around and over
+ All we labour to discover;
+ Thou, to whom our world no more
+ Than a shell is on thy shore;
+
+ "God, that wast Supreme, or ever
+ Orus, or Osiris, saw;
+ God, with whom is no endeavour,
+ But thy will eternal law:
+
+ XIII
+
+ "We, who keep thy feasts and fastings,
+ We, who live on thy off-castings,
+ Here in low obeisance crave
+ Rich abundance of thy wave.
+
+ "Seven years now, for some transgression,
+ Some neglect, or outrage vile,
+ Vainly hath our poor procession
+ Offered life, and soul to Nile.
+
+ "Seven years now of promise fickle,
+ Niggard ooze, and paltry trickle,
+ Freshet sprinkling scanty dole,
+ Where the roaring flood should roll.
+
+ XIV
+
+ "Therefore are thy children dwindled,
+ Therefore is thine altar bare;
+ Wheat, and rye, and millet spindled,
+ And the fruits of earth despair.
+
+ "Men with haggard bellies languish,
+ Bridal beds are strewn with anguish,
+ Mothers sell their babes for bread,
+ Half the holy kine are dead.
+
+ "Is thy wrath at last relaxing?
+ Art thou merciful, once more?
+ Yea, behold the torrent waxing!
+ Yea, behold the flooded shore!
+
+ XV
+
+ "Nile, that now with life-blood tidest,
+ And in gorgeous cold subsidest,
+ Richer than our victor tread
+ Stirred in far Hydaspes' bed;
+
+ "When thy swelling crest o'er-waveth
+ Yonder twenty cubit mark,
+ And thy tongue of white foam laveth
+ Borders of the desert dark,
+
+ "This, the fairest Theban maiden,
+ Shall be thine, with jewels laden;
+ Lift thy furrowed brow, and see
+ <i>Lita</i>, dedicate to thee!"
+</pre>
+ <p>
+ <a name="linkimage-0005" id="linkimage-0005">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/032.jpg" alt="032. " width="100%" /><br />
+ </div>
+<pre xml:space="preserve">
+
+ Thus he spake, and lowly stooping
+ O'er the Calasiris hem,
+ Took the holy water, scooping
+ With a bowl of lucid gem;
+
+ Chanting from the Bybline psalter
+ Touched he then her forehead altar;
+ Sleeking back the trickled jet,
+ There the marriage-seal he set.
+
+ "None of mortals dare pursue thee,
+ None come near thy hallowed side:
+ Nile's thou art, and he shall woo thee,&mdash;
+ Nile, who swalloweth his bride."
+
+ XVII
+
+ With despair's mute self-reliance,
+ She accepted death's affiance;
+ She, who hath no home or rest,
+ Shrank not from the river's breast.
+
+ Haply there she shall discover
+ Father, lost in wilds unknown,
+ Mother slain, and youthful lover,
+ Seen as yet in dreams alone.
+
+ Ha! sweet maid, what sudden vision
+ Hath dispelled thy cold derision?
+ What new picture hast thou seen,
+ Of a world that might have been?
+
+ XVIII
+
+ From Mount Seir, Duke Iram roveth,
+ Three renewals of the moon:
+ To see Egypt him behoveth,
+ Ere his life be past its noon.
+
+ Soul, and mind, at first fell under
+ Flat discomfiture of wonder,
+ With the Nile before him spread,
+ Temple-crowned, and tempest-fed!
+
+ Yet a nobler creed he owneth,
+ Than to worship things of space:
+ One true God his heart enthroneth
+ Heart that throbs with Esau's race.
+
+ XIX
+
+ Thus he stood, with calm eyes scorning
+ Idols, priests, and their adorning;
+ Seeing, e'en in nature's show,
+ Him alone, who made it so.
+
+ "God of Abraham, our Father,
+ Earth, and heaven, and all we see,
+ Are but gifts of thine, to gather
+ Us, thy children, back to Thee.
+
+ "All the grandeur spread before us,
+ All the miracles shed o'er us,
+ Echoes of the voice above,
+ Tokens of a Father's love."
+
+ XX
+
+ While of heaven his heart indited,
+ And his dark eyes swept the crowd,
+ Sudden on the maid they lighted,
+ Mild and haughty, meek and proud.
+
+ Rapid as the flash of sabre,
+ Strong as giant's toss of caber,
+ Sure as victor's grasp of goal,
+ Came the love-stroke through his soul
+
+ Gently she, her eyes recalling,
+ Felt that Heaven had touched their flight,
+ Peeped again, through lashes falling,
+ Blushed, and shrank, and shunned the light
+
+ XXI
+
+ Ah, what booteth sweet illusion,
+ Fluttering glance, and soft suffusion,
+ Bliss unknown, but felt in sighs,
+ Breast, that shrinks at its own rise?
+
+ She, who is the Nile's devoted,
+ Courted with a watery smile;
+ Her betrothal duly noted
+ By the bridesmaid Crocodile!
+
+ So she bowed her forehead lowly,
+ Tightened her tiara holy;
+ And, with every sigh suppressed,
+ Clasped her hands on passion's breast.
+</pre>
+<pre xml:space="preserve">
+PART II
+
+ I
+
+ Twice the moon hath waxed and wasted,
+ Lavish of her dew-bright horn;
+ And the wheeling sun hath hasted
+ Fifty days, towards Capricorn.
+
+ Thebes, and all the Misric nation,
+ Float upon the inundation;
+ Each man shouts and laughs, before
+ Landing at his own house door.
+
+ There the good wife doth return it,
+ Grumbling, as she shows the dish,
+ Chervil, basil, chives, and burnet
+ Feed, instead of seasoning, fish.
+
+ II
+
+ Palm trees, grouped upon the highland,
+ Here and there make pleasant island;
+ On the bark some wag hath wrote&mdash;
+ "Who would fly, when he can float?"
+
+ Udder'd cows are standing&mdash;pensive,
+ Not belonging to that ilk;
+ How shall horn, or tail defensive,
+ Keep the water from their milk?
+
+ Lo, the black swan, paddling slowly,
+ Pintail ducks, and sheldrakes holy,
+ Nile-goose flaked, and herons gray,
+ Silver-voiced at fall of day!
+
+ III
+
+ Flood hath swallowed dikes and hedges,
+ Lately by Sesostris planned;
+ Till, like ropes, its matted edges
+ Quiver on the desert sand.
+
+ Then each farmer, brisk and mellow,
+ Graspeth by the hand his fellow;
+ And, as one gone labour-proof,
+ Shakes his head at the drowned shadoof
+
+ Soon the Nuphar comes, beguiling
+ Sedgy spears, and swords around,
+ Like that cradled infant smiling,
+ Whom, the royal maiden found.
+
+ IV
+
+ But the time of times foe wonder,
+ Is when ruddy sun goes under;
+ And the dusk throws, half afraid,
+ Silver shuttles of long shade.
+
+ Opens then a scene, the fairest
+ Ever burst on human view;
+ Once behold, and thou comparest
+ Nothing in the world thereto.
+
+ While the broad flood murmurs glistening
+ To the moon that hangeth listening&mdash;
+ Moon that looketh down the sky,
+ Like an aloe-bloom on high&mdash;
+
+ V
+
+ Sudden conch o'er the wave ringeth!
+ Ere the date-leaves cease to snake,
+ All, that hath existence, springeth
+ Into broad light, wide-awake.
+
+ As at a window of heaven thrown up,
+ All in a dazzling blaze are shown up,
+ Mellowing, ere our eyes avail,
+ To some soft enchanter's tale.
+
+ Every skiff a big ship seemeth,
+ Every bush with tall wings clad;
+ Every man his good brain deemeth
+ The only brain that is not mad.
+
+ VI
+
+ Hark! The pulse of measured rowing,
+ And the silver clarions blowing,
+ From the distant darkness, break
+ Into this illumined lake.
+
+ Tis Sesostris, lord of nations,
+ Victor of three continents,
+ Visiting the celebrations,
+ Priests, and pomps, and regiments.
+
+ Kings, from Indus, and Araxes,
+ Ister, and the Boreal axes,
+ Horsed his chariot to the waves,
+ Then embarked, his galley-slaves.
+
+ VII
+
+ Glittering stands the giant royal,
+ Four tall sons are at his back;
+ Twain, with their own corpses loyal,
+ Bridged the flames Pelusiac.
+
+ As he passeth, myriads bless him,
+ Glorious Monarch all confess him,
+ Sternly upright, to condone
+ No injustice, save his own.
+
+ He, well-pleased, his sceptre swingeth,
+ While his four sons strike the gong;
+ Till the sparkling water ringeth
+ Joy and laughter, joke and song.
+
+ VIII
+
+ Ah, but while loud merry-making
+ Sets the lights and shadows shaking,
+ While the mad world casts away
+ Every thought that is not gay,
+
+ Hath not earth, our sweet step-mother,
+ Very different scene hard by,
+ Tossing one, and trampling other,
+ Some to laugh, and some to sigh?
+
+ Where the fane of Hathor Iowereth,
+ And the black Myrike embowereth,
+ Weepeth one her life gone by;
+ Over young, oh death, to die!
+
+ IX
+
+ Nay, but lately she was yearning
+ To be quit of life's turmoil,
+ In the land of no returning,
+ Where all travel ends, and toil.
+
+ What temptations now entice her?
+ What hath made the world seem nicer?
+ Whence the charm, that strives anew
+ To prolong this last adieu?
+
+ Ah, her heart can understand it,
+ Though her tongue can ne'er explain:
+ Let yon granite Sphinx demand it&mdash;
+ Riddle, ever solved in vain.
+
+ X
+
+ No constraint of hands hath bound her,
+ Not a chain hath e'er been round her;
+ Silver star hath sealed her brow,
+ Holy as an Isis cow.
+
+ Free to wander where she listeth;
+ No immurement must defile
+ (So the ancient law insisteth)
+ This, the hallowed bride of Nile.
+
+ What recks Abraham's descendant
+ Idols, priests, and pomps attendant?
+ And how long shall nature heed
+ What the stocks and stones decreed?
+
+ XI
+
+ "Fiendish superstitions hold thee
+ To a vile and hideous death.
+ Break their bonds; let love enfold thee;
+ Off, and fly with me;"&mdash;he saith.
+
+ "Off! while priests are cutting capers&mdash;
+ Priests of beetles, cats, and tapirs,
+ Brutes, who would thy beauty truck,
+ For an inch of yellow muck.
+
+ "Lo, my horse, <i>Pyropus</i>, yearneth
+ For the touch of thy light form;
+ Like the lightning, his eye burneth;
+ And his nostril, like the storm.
+
+ XII
+
+ "What are those unholy pagans?
+ Can they ride? No more than Dagons.
+ Fishtails ne'er could sit a steed;
+ That belongs to Esau's seed.
+
+ "I will make thee Queen of far lands,
+ Flocks, and herds, and camel-trains,
+ Milk and honey, fruit and garlands,
+ Vines and venison, woods and wains.
+
+ "God is with us; He shall speed us;
+ Or (if this vile crew impede us)
+ Let some light into their brain,
+ By the sword of Tubal Cain."
+
+ XIII
+
+ "Nay," she answered, deeply sighing,
+ As the maid grew womanish&mdash;
+ "Love, how hard have I been trying'
+ To believe the thing I wish!
+
+ "Thou hast taught me holy teachings,
+ Where to offer my beseechings,
+ Homage due to Heaven alone,
+ Not to ghosts, and graven stone,
+
+ "Thou hast shown me truth and freedom,
+ Love, and faith in One most High;
+ But thou hast not, Prince of Edom,
+ Taught me therewithal, to lie.
+
+ XIV
+
+ "Little cause had I for fretting,
+ None on earth to be regretting;
+ Till I saw thee, brave and kind;
+ And my heart undid my mind.
+
+ "Better, if the Gods had slain me,
+ When no difference could be;
+ Ere the joy had come to pain me,
+ And, alas, my dear one, thee!
+
+ "But shall my poor life throw shame on
+ Royal lineage of Amor?
+ Tis of Egypt's oldest strains;
+ Kingly blood flows in my veins.
+
+ XV
+
+ "Thou hast seen; my faith is plighted,
+ That I will not fly my doom.
+ Honour is a flower unblighted,
+ Though the fates cut off its bloom.
+
+ "I have sent my last sun sleeping,
+ And I am ashamed of weeping.
+ God, my new God, give me grace
+ To be worthy of my race.
+
+ "Though this death our bodies sever,
+ Thou shalt find me there above;
+ Where I shall be learning ever,
+ To be worthy of thy love."
+
+ XVI
+
+ From his gaze she turned, to borrow
+ Pride's assistance against sorrow&mdash;
+ God vouchsafes that scanty loan,
+ When He taketh all our own.
+
+ Sudden thought of heaven's inspiring
+ Flashed through bold Duke Iram's heart;
+ Angels more than stand admiring,
+ When a man takes his own part.
+
+ 'Tis the law the Lord hath taught us,
+ To undo what Satan wrought us;
+ To confound the foul fiend's plan,
+ With the manliness of man.
+
+ XVII
+
+ "Thou art right," he answered lowly,
+ As a youth should sneak a maid;
+ "Like thyself, thy word is holy;
+ Love is hate, if it degrade.
+
+ "But when thou hast well surrendered,
+ And thy sacrifice is tendered&mdash;
+ God do so, and more to me,
+ If I slay not, who slay thee!
+
+ "Abraham's God hath ne'er forsaken
+ Them who trust in Him alway.
+ Thy sweet life shall not be taken.
+ Rest, and calm thee, while I pray."
+
+ XVIII
+
+ Like a little child, that kneeleth
+ To tell God whate'er he feeleth,
+ Bent the tall young warrior there,
+ And the palm-trees whispered prayer.
+
+ She, outworn with woe and weeping,
+ Shared that influence from above;
+ And the fear of death went sleeping
+ In the maiden faith and love.
+
+ Less the stormy water waileth,
+ E'en the human tumult faileth;
+ Stars their silent torches light,
+ To conduct the car of night
+</pre>
+<pre xml:space="preserve">
+PART III
+
+ I
+
+ Lo, how bright-eyed morn awaketh
+ Tower and temple, nook and Nile;
+ How the sun exultant maketh
+ All the world return his smile!
+
+ O'er the dry sand, vapour twinkleth,
+ Like an eye when old age wrinkleth;
+ While, along the watered shore
+ Runs a river of gold ore.
+
+ Temple-front and court resemble
+ Mirrors swung in wavering light;
+ While the tapering columns tremble
+ At the view of their own height.
+
+ II
+
+ Marble shaft, and granite portal,
+ Statues of the Gods immortal
+ Quiver, with their figures bent,
+ In a liquid pediment
+
+ Thence the flood-leat followeth swiftly,
+ Where the peasant, spade in hand,
+ Guideth many a runnel deftly
+ Through his fruit and pasture-land;
+
+ Oft, the irriguous bank cross-slicing,
+ Plaited trickles he keeps enticing;
+ Till their gravelly gush he feels,
+ Overtaking his brown heels.
+
+ III
+
+ Life&mdash;that long hath born the test of
+ More than ours could bear, and live,
+ Springs anew, to make the best of
+ Every chance the Gods may give,
+
+ Doum-tree stiffeneth flagging feather;
+ Pate-leaves cease to cling together;
+ Citrons clear their welted rind;
+ Vines their mildewed sprays unwind.
+
+ Gourds, and melons, spread new lustre
+ On their veiny dull shagreen;
+ While the starred pomegranates cluster
+ Golden balls, with pink between.
+
+ IV
+
+ Yea, but heaven hath ordered duly,
+ Lest mankind should wax unruly,
+ Egypt, garner of all lore,
+ Narrow as a threshing-floor.
+
+ East, and West, lies desolation,
+ Infinite, untracked, untold
+ Shroud for all of God's creation,
+ When the wild blast lifts its fold;
+
+ There eternal melancholy
+ Maketh all delight unholy;
+ As a stricken widow glides
+ Past a group of laughing brides.
+
+ Who is this, that so disdaineth
+ Dome and desert, fear and fate;
+ While his jewell'd horse he reineth.
+ At Amen-Ra's temple-gate?
+
+ He, who crushed the kings of Asia,
+ Like a pod of colocasia;
+ Whom the sons of Anak fled,
+ Puling infants at his tread.
+
+ Who, with his own shoulders, lifted
+ Thrones of many a conquered land;
+ Who the rocks of Scythia rifted&mdash;
+ King Sesostris waves his hand
+
+ VI
+
+ Blare of trumpet fills the valley;
+ Slowly, and majestically,
+ Swingeth wide, in solemn state,
+ Lord Amen-Ra's temple-gate.
+
+ Thence the warrior-host emeigeth,
+ Casque, and corselet, spear, and shield;
+ As the tide of red ore suigeth
+ From the furnace-door revealed.
+
+ After them, tumultuous rushing,
+ Mob, and medley, crowd, and crushing;
+ And the hungry file of priests,
+ Loosely zoned for larger feasts.
+
+ VII
+
+ "Look!" The whispered awe enhances
+ With a thrill their merry treat;
+ As one readeth grim romances,
+ In a sunny window-seat
+
+ "Look! It is the maid selected
+ For the sacrifice expected:
+ By the Gods, how proud and brave
+ Steps she to her watery grave!"
+
+ Strike up cymbals, gongs, and tabours,
+ Clarions, double-flutes, and drums;
+ All that bellows, or belabours,
+ In a surging discord comes.
+
+ VIII
+
+ Scarce Duke Iram can keep under
+ His wild steed's disdain and wonder,
+ While his large eyes ask alway&mdash;
+ "Dareth man attempt to neigh?"
+
+ He hath snuffed the great Sahara,
+ And the mute parade of stars;
+ Shall he brook this shrill fanfara,
+ Ramshorns, pigskins, screechy jars?
+
+ What hath he to do with rabble?
+ Froth is better than their babble;
+ Let him toss them flakes of froth,
+ To pronounce his scorn and wrath.
+
+ IX
+
+ With his nostrils fierce dilating,
+ With his crest a curling sea,
+ All his volumed power is waiting
+ For the will, to set it free.
+
+ "Peace, my friend!" The touch he knoweth
+ Calms his heart, howe'er it gloweth:
+ Horse can shame a man, to quell
+ Passion, where he loveth well.
+
+ "Nay, endure we," saith the rider,
+ "Till her plighted word be paid;
+ Then, though Satan stand beside her,
+ God shall help me swing this blade."
+
+ X
+
+ Lo, upon the deep-piled dais,
+ Wrought in hallowed looms of Sais,
+ O'er the impetuous torrent's swoop,
+ Stands the sacrificial group!
+
+ Tall High-priest, with zealot fires
+ Blazing in those eyeballs old,
+ Swathes him, as his rank requires,
+ Head to foot, in linen fold.
+
+ Seven attendants round him vying,
+ In a lighter vesture plying,
+ Four with skirts, and other three
+ Tunic'd short from waist to knee.
+
+ XI
+
+ Free among them stands the maiden,
+ Clad in white for her long rest;
+ Crowned with gold, and jewel-laden,
+ With a lily on her breast
+
+ Lily is the mark that showeth
+ Where that pure and sweet heart gloweth;
+ Here must come, to shed her life,
+ Point of sacrificial knife.
+
+ Here the knife is, cold and gleaming,
+ Here the colder butcher band.
+ Was the true love nought but dreaming,
+ Feeble heart, and coward hand?
+
+ XII
+
+ Strength unto the weak is given,
+ When their earthly bonds are riven;
+ Ere the spirit is called away,
+ Heaven begins its tranquil sway.
+
+ Life hath been unstained, and therefore
+ Pleasant to look back upon;
+ But there is not much to care for,
+ When the light of love is gone.
+
+ Still, though love were twice as fleeting,
+ Longeth she for one last greeting;
+ If her eyes might only dwell
+ Once on his, to say farewell
+
+ XIII
+
+ "Glorious Hapi," spake Piromis,
+ Lifting high his weapon'd hand;
+ "Earth thy footstool, heaven thy dome is,
+ We the pebbles on thy strand.
+
+ "Thou hast leaped the cubits twenty,
+ Dowering us with peace and plenty;
+ Mutha shows thee her retreat,
+ And the desert licks thy feet,
+
+ "We have passed through our purgation,
+ Once again we are thy kin;
+ God, accept our expiation,
+ Maiden pure of mortal sin."
+
+ XIV
+
+ "Ha!" the king cried, smiling blandly;
+ "Ha!" the trumpets answered grandly.
+ Proudly priest whirled, knife on high,
+ While the maiden bowed&mdash;to die.
+
+ Sudden, through the ranks beside her,
+ Scattering men, like sparks of flint,
+ Burst a snow-white horse and rider,
+ Rapid as the lightning's glint.
+
+ One blow hurls Arch-priest to quiver
+ Headless, in his beloved river,
+ In the twinkling of an eye,
+ All the rest are dead, or fly.
+
+ XV
+
+ Iram, from <i>Pyropus</i> sweeping,
+ As a mower swathes the rye,
+ Caught his love, in terror sleeping,
+ And her light form swings on high.
+
+ "Soul of Khons!" Sesostris shouted,
+ Striding down the planks blood-grouted&mdash;
+ Into his beard fell something light,
+ And he spat, and swooned with fright.
+
+ What hath made this great king stagger,
+ Reel, and shriek&mdash;"unclean, unclean!"
+ Thunderbolt, or flash of dagger?
+ Nay, 'twas but a garden bean.
+
+ XVI
+
+ Brave <i>Pyropus</i>, blood-bespattered,
+ Snorts at men and corpses scattered,
+ Throws his noble chest more wide,
+ Leaps into the leaping tide.
+
+ Vainly hiss a thousand arrows,
+ Launched at random through the foam;
+ Every stroke the distance narrows
+ Twixt him and his desert home.
+
+ Sorely tried, and passion-shaken,
+ Long amid her foes forsaken,
+ Now, in tumult of surprise,
+ Lita knows not where she lies.
+</pre>
+ <p>
+ <a name="linkimage-0006" id="linkimage-0006">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/056.jpg" alt="056. " width="100%" /><br />
+ </div>
+<pre xml:space="preserve">
+
+ Till a bright wave breaks upon her,
+ And her clear perceptions wake&mdash;
+ All his valour, prowess, honour,
+ Scorn of life, for her poor sake!
+
+ Gently then her eyes she raises,
+ (Eyes, whence all the pure soul gazes)
+ Softly brings her lips to his&mdash;
+ Lips, wherein the whole heart is.
+
+ Let the furious waters welter,
+ Let the rough winds roar above;
+ Waves are warmth, and storms are shelter,
+ In the upper heaven of love.
+
+ XVIII
+
+ Fierce the flood, and wild the danger;
+ Yet the noble desert-ranger
+ Flinches not, nor flags, before
+ He hath brought them safe ashore.
+
+ Lives there man, who would have striven,
+ Reckless thus of storm and sword;
+ Leaped into the gulf, and given
+ Heart and soul, to please his Lord?
+
+ With caresses they have plied him,
+ Hand in hand they kneel beside him,
+ While their mutual vows they plight
+ To the God of life and light
+
+ XIX
+
+ Ha! What meaneth yon sword-flashing?
+ Trumps, and shouts from wave and isle?
+ Lo, the warrior galleys dashing,
+ To avenge insulted Nile!
+
+ Haste! The brave steed, leaping lightly,
+ 'Neath his double burden sprightly,
+ Challenges, with scornful note,
+ Every horse in Pharaoh's boat.
+
+ King of Egypt, curb thy rages;
+ Lo, how trouble should be borne!
+ Memnon soothes the woe of ages,
+ With a sweet song, every morn.
+</pre>
+ <p>
+ <a name="linkimage-0007" id="linkimage-0007">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/062.jpg" alt="062. " width="100%" /><br />
+ </div>
+ <p>
+ <a name="linkimage-0008" id="linkimage-0008">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/065.jpg" alt="065. " width="100%" /><br />
+ </div>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ KADISHA; OR, THE FIRST JEALOUSY
+ </h2>
+ <h3>
+ AN EASTERN LEGEND
+ </h3>
+ <p>
+ HERE IS A CURIOUS LEGEND AS TO THE ORIGIN OP JEALOUSY. WHEN ADAM AND EVE
+ WERE IN PARADISE, THE FORMER WAS ACCUSTOMED TO RETIRE AT EVENTIDE TO THE
+ RECESSES OF THE GARDEN, FOR THE PURPOSE OF PRAYER. ON ONE OF THESE
+ OCCASIONS THE DEVIL APPEARED TO EVE, AND INFORMED HER THAT HER SOLITUDE
+ WAS TO BE ACCOUNTED FOR BY THE ATTRACTIONS OF ANOTHER FAIR ONE. EVE
+ REPLIED THAT IT COULD NOT BE SO, AS SHE WAS THE ONLY WOMAN IN EXISTENCE.
+ "IF I SHOW YOU ANOTHER, WILL YOU BELIEVE ME?" RETURNED THE EVIL ONE, AND
+ PRODUCED A MIRROR, IN WHICH SHE SAW HER OWN REFLECTION, AND MISTOOK IT FOR
+ HER RIVAL. See "<i>Life in Abyssinia</i>," by Mr. Parkyns. Murray,
+ Albemarle Street.
+ </p>
+ <p>
+ The Kadisha, flowing to the south of Lebanon, is called "the holy river,"
+ as having been a minor stream of Paradise.
+ </p>
+<pre xml:space="preserve">
+PART I
+
+ True love's regale is incomplete,
+ 'Till bitter leaven make it sweet;
+ Accept not then our tale amiss,
+ That jealousy was part of bliss;
+ But rather note a mercy here,
+ That fact was thus outrun by fear;
+ And so, before the harder bout,
+ When sin must be encountered too,
+ A woman's heart already knew
+ The way to conquer doubt
+
+ I
+
+ "When sleep was in the summer air,
+ And stars looked down on Paradise,
+ And palms and cedars answered fair
+ The visionary night-wind's sighs,
+ And murmuring prayer:
+
+ When every flower was in its hood
+ (By clasps of diamond dew retained),
+ Or sunk to elude Phalcena's brood,
+ Down slumber's breast with shadows veined,
+ In solitude:
+
+ The citron, stephanote, and rose,
+ Pomegranate, hoya, calycanth,
+ And yet unwanted amaranth,
+ Were sweetness in repose:
+
+ II
+
+ When rivulets were loth to creep,
+ Except unto the pillow moss,
+ And distant lake, encurtained deep,
+ Was but a silver thread across
+ The eyes of sleep:
+
+ When nightingales, in the sycamore,
+ Sang low and soft, as an echo dreaming;
+ And slept the moon upon heaven's shore&mdash;
+ The tidal shore of heaven, beaming
+ With lazuled ore:
+
+ When new-born earth was fain to lean
+ In Summer's arms, recovering
+ The unaccustomed toil of Spring,
+ Why slept not Eve, their Queen?
+
+ III
+
+ Upon a smooth fern-mantled stone
+ She sat, and watched the wicket-gate,
+ Not timid in her woman's throne,
+ Nor lonely in her sinless state,
+ Though all alone;
+
+ For having spread her simple board
+ With grapes, and peaches, milk, and flowers,
+ She strewed sweet mastic o'er the sward,
+ And waited through the bridal hours
+ Step of her lord.
+
+ Such innocence around her breathed,
+ And freshness of young nature's play,
+ The sensitive plant shrank not away,
+ And cactus' swords were sheathed.
+
+ IV
+
+ The vision of her beauty fell,
+ Like music on a moonlit place,
+ Or trembles of a silver bell,
+ Or memories of a sacred face,
+ Too dear to tell:
+
+ The grace that wandered free of laws,
+ The look that lit the heart's confession,
+ Had never dreamed how fair it was;
+ Nor guessed that purity's expression
+ Is beauty's cause:
+
+ No more that unenquiring heart
+ Perused the sweet home of her breast,
+ Than turtle-doves unline their nest
+ To scan the outer part
+
+ V
+
+ Although, in all that garden fair,
+ Whate'er delight abode, or grew,
+ Flowers, and trees, and balmy air,
+ Fountains, and birds, and heaven blue
+ Beyond compare:
+
+ In her their various charms had met,
+ And grown more varied by combining,
+ As budded plants do give and get,
+ Each inmate doubling while resigning
+ His several debt:
+
+ And yet she nursed one joy, above
+ Her thousand charms, nor bora of them,
+ But blooming on a single stem&mdash;
+ Her true faith in her love.
+
+ VI
+
+ And though, before she heard his foot,
+ The moon had climbed the homestead palm,
+ Flinging to her the shadowed fruit,
+ And tree-frogs ceased to break the calm,
+ And birds were mute,
+
+ With sudden transport ever new,
+ She blushed, and sprang from forth the bower,
+ Her eyes, as bright as moon-lit dew,
+ Her bosom glad as snow-veiled flower,
+ When sun shines through;
+
+ He, with a natural dignity
+ Untaught self-consciousness by harm,
+ Sustained her with his manly arm,
+ And smiled upon her glee.
+
+ VII
+
+ Next day, when early evening shone
+ Along the walks of Paradise,
+ Strewing with gold the hills, her throne,
+ Embarrassing the winds with spice
+ (Too rich a loan),
+
+ Fair Eve was in her bower of ease,
+ A cool arcade of fruit and flowers,
+
+ From North and East enclasped by trees,
+ But open to the Western showers,
+ And Southern breeze.
+
+ Here followed she her gardening trade,
+ Her favourites' simple needs attending,
+ And singing soft, above them bending,
+ A song herself had made.
+
+ VIII
+
+ In evening's calm, she walked between
+ The tints and shades of rich delight,
+ While overhead came, arching green,
+ Many a shrub and parasite,
+ To crown their Queen;
+
+ There laughed the joy of the rose, among
+ Myrtle and Iris, heaven's eye,
+ Magnole, with cups of moonlight hung,
+ And Fuchsia's sunny chandlery,
+ And coral tongue;
+
+ And where the shy brook fluttered through,
+ Nepenthe held her chalice leaf
+ (Undrained as yet by human grief),
+ And broad Nymphaea grew.
+
+ IX
+
+ But where the path bent towards the wood,
+ Across it hung a sombre screen,
+ The deadly night-shade, leaden-hued;
+ And there behind it, darkly seen,
+ A Being stood:
+
+ The form, if any form it had,
+ Was likest to a nightly vision
+ In mantle of amazement clad,
+ A terror-sense, without precision,
+ Of something bad.
+
+ A tremble chilled the forest shade,
+ A roving lion turned and fled,
+ The birds cowered home in hush of dread;
+ But Eve was not afraid.
+
+ X
+
+ She stood before him, sweetly bold,
+ To keep him from her garden shrine,
+ With hair that fell, a shower of gold,
+ Around her figure's snowy line
+ And rosy mould:
+
+ He (with a re-awakened sense
+ Of goodness, long for ever lost,
+ And angel beauty's pure defence)
+ Shrank back, unable to accost
+ Such innocence:
+
+ But envy soon scoffed down his shame;
+ And with a smile, designed for fawning,
+ But like hell's daybreak sickly dawning,
+ His crafty accents came.
+
+ XI
+
+ "Sweet ignorance, 'tis sad and hard
+ To break thy fond confiding spell;
+ And my soft heart hath such regard
+ For thine, that I will never tell
+ What may be spared."
+
+ He turned aside, o'erwhelmed with pain,
+ And drew a sigh of deep compassion:
+ She trembled, flushed, and gazed again,
+ And prayed him quick, in woman's fashion,
+ To speak it plain:
+
+ "Then, if thou must be taught to grieve,
+ And scorn the guile thou hast adored&mdash;
+ The man who calls himself thy lord,
+ Where goes he, every eve?"
+
+ XII
+
+ "Nay, then," she cried, "if that be all,
+ I care not what thou hast to say;
+ The guile that lurks therein is small&mdash;
+ My husband but retires to pray,
+ At evening call."
+
+ "To pray? Oh yes, and on his knees
+ May-hap to find a lovely being:
+ Devotions so devout as these
+ Are best at night, with no one seeing,
+ Among the trees."
+
+ She blushed as deep as modesty,
+ Then glancing back as bright as cride,
+ "What woman can he find,' she cried,
+ "In all the world, but me?"
+
+ XIII
+
+ He laughed with a superior sneer,
+ Enough to shake e'en woman's faith;
+ "Wilt thou believe me, simple dear,
+ If I am able now," he saith,
+ "To show her here?"
+
+ She cried aloud with gladsome heart,
+ "Be that the test whereon to try thee;
+ Nature and heaven shall take my part:
+ Come, show this rival; I defy thee
+ And all thy art."
+
+ A mirror, held in readiness,
+ He set upright before her feet&mdash;
+ "Now can thy simple charms compete
+ With beauty such as this?"
+
+ XIV
+
+ A lovelier sight therein she saw
+ Than ever yet had charmed her eyes,
+ A fairer picture, void of flaw,
+ Than any, even Paradise
+ Itself, could draw;
+
+ A woman's form of perfect grace,
+ In shadowy softness delicate;
+ Though flushed by sunset's rich embrace,
+ A white rose could not imitate
+ Her innocent face:
+
+ Then, through the deepening glance of fear,
+ The shaft of doubt came quivering,
+ The sorrow-shaft&mdash;a sigh its wing,
+ And for its barb a tear.
+
+ XV
+
+ "Ah me!" she cried, "too true it is!
+ A simple homely thing, like Eve,
+ Hath not a chance to rival this,
+ But must resign herself to grieve
+ O'er by-gone bliss.
+
+ "Till now it was enough for me
+ To be what God our Father made;
+ Oh, Adam, I was proud to be
+ (As I have felt, and thou hast said)
+ A part of thee.
+
+ "No marvel that my lord can spare
+ His true and heaven-appointed bride.
+ And yet affection might have tried
+ To fancy me as fair."
+
+ XVI
+
+ The Tempter, glorying in his wile,
+ Hath ta'en his mirror and withdrawn;
+ Again the flowers look up and smile,
+ And brightens off from air and lawn
+ The taint of guile.
+
+ But smiles come not again to Eve,
+ Nor brightens off her dark reflection:
+ Her garland-crown she hath ceased to weave,
+ And, plucking, maketh no selection;
+ Only to grieve.
+
+ She feels a dewy radiance steep
+ The languid petals of her eyes,
+ And hath another sad surprise,
+ To know the way to weep,
+</pre>
+<pre xml:space="preserve">
+PART II
+
+ The tears were still in woman's eyes,
+ When morn awoke on Paradise;
+ And still her sense of shame forbade
+ To tell her grievance, or upbraid;
+ Nor knew she which was dearer cost,
+ To seek him, or to shun him most
+ Then Adam, willing to believe
+ A heart by casual fancy moved
+ Would soon come back, at voice she loved,
+ Addressed his song to Eve.
+
+ I
+
+ "Come fairest, while the morn is fair,
+ And dews are bright as yon clear eyes;
+ Calm down this tide of troubled hair,
+ Forget with me all other sighs
+ Than summer air.
+
+ "Like me, the woodland shadows roam
+ At light (their fairer comrade's) side;
+ And peace and joy salute our home;
+ And lo, the sun in all his pride&mdash;
+ My sunshine, come!
+
+ "The fawns and birds, that know our call,
+ Are waiting for our presence&mdash;see,
+ They wait my presence, love; and thee,
+ The most desired of all.
+
+ II
+
+ "The trees, which thought it grievous thing
+ To weep their own sweet leaves away,
+ Untaught as yet how soon the Spring
+ Upon their nestled heads should lay
+ Her callow wing&mdash;
+
+ "The trees, whereat we smiled again,
+ To see them, in their growing wonder,
+ Suppose their buds were verdant rain,
+ Until the gay winds rustled under
+ Their feathered train,
+
+ "Lo, now they stand in braver mien,
+ And, claiming stronger shadow-right,
+ Make prisoner of the intrusive light,
+ And strew the winds with green.
+
+ III
+
+ "Of all the flowers that bow the head,
+ Or gaze erect on sun and sky,
+ Not one there is, declines to sned,
+ Or standeth up, to qualify
+ His incense-meed:
+
+ "Of all that blossom one by one,
+ Or join their lips in loving cluster,
+ Not one hath now resolved alone,
+ Or taken counsel, that his lustre
+ Shall be unshown.
+
+ "So let thy soul a blossom be,
+ To breathe the fragrance of its praise,
+ And lift itself, in early days,
+ To Him who fosters thee.
+
+ IV
+
+ "Of all the founts, bedropped with light,
+ Or silver-tress'd with shade of trees,
+ Not one there is, but sprinkles bright
+ It's plume of freshness on the breeze,
+ And jewelled flight:
+
+ "Of all that hush among the moss,
+ Or babble to the lily-vases,
+ Not one there is but purls across
+ A gush of the delight, that causes
+ It's limpid gloss.
+
+ "So let thy heart a fountain be,
+ To rise in sparkling joy, and fall
+ In dimpled melody&mdash;and all
+ For love of home, and me."
+
+ V
+
+ The only fount her heart became
+ Rose quick with sighs, and fell in tears;
+ While pink upon her white cheek came,
+ (Like apple-blossom among pear's)
+ The tinge of shame.
+
+ Her husband, pierced with new alarm,
+ Bent nigh to ask of her distresses,
+ Enclasping her with sheltering arm,
+ Unwinding by discreet caresses,
+ The thread of harm.
+
+ Then she, with sobs of slow relief
+ (For silence is the jail of care)
+ Confessed, for him to heal or share,
+ The first of human grief.
+
+ VI
+
+ "I cannot look on thee, and think
+ That thou has ceased to hold me dear;
+ I cannot break the loosened link:
+ When thou, my only one, art near,
+ How can I shrink?
+
+ "So it were better, love&mdash;I mean,
+ My lord, it is more wise and right&mdash;
+ That I, as one whose day hath been,
+ Should keep my pain from pleasure's sight,
+ And dwell unseen.
+
+ "And&mdash;though it break my heart to say&mdash;
+ However sad my loneliness,
+ I fear thou wouldst rejoice in this&mdash;
+ To have me far away.
+
+ VII
+
+ "I know not how it is with man,
+ Perhaps his nature is to change,
+ On finding consort fairer than&mdash;
+ But oh, I cannot so arrange
+ My nature's plan!
+
+ "And haply thou hast never thought
+ To vex, or make me feel forsaken;
+ But, since to thee the thing was nought,
+ Supposed 'twould be as gaily taken,
+ As lightly brought.
+
+ "Yet, is it strange that I repine,
+ And feel abased in lonely woe,
+ To lose thy love&mdash;or e'en to know
+ That half of it is mine?
+
+ VIII
+
+ "For whom have I on earth but thee,
+ What heart to love, or home to bless?
+ Albeit I was wrong, I see,
+ To think my husband took no less
+ Delight in me.
+
+ "But even now, if thou wilt stay,
+ Or try at least no more to wander,
+ And let me love thee, day by day,
+ Till time, or habit, make thee fonder
+ (If so it may)&mdash;
+
+ "Thou shalt have one more truly bent,
+ In homely wise, on serving thee,
+ Than any stranger e'er can be;
+ And Eve shall seem content."
+
+ IX
+
+ Not loud she wept&mdash;but hope could hear;
+ Sweet hope, who in his lifelong race
+ Made terms, to win the goal from fear,
+ That each alternate step should trace
+ A smile and tear.
+
+ But Adam, lost in wide amaze,
+ Regarded her with troubled glances,
+ Misdoubting 'neath her steady gaze,
+ Himself to be in strange romances,
+ And dreamy haze:
+
+ Then questioning in hurried voice,
+ And scarcely waiting her replies,
+ He spoke, and showed the true surprise
+ That made her soul rejoice.
+
+ X
+
+ She told him what the Tempter said,
+ And what her frightened self had seen,
+ (That form in loveliness arrayed,
+ With modest face, and graceful mien)
+ And how displayed.
+
+ Then well-content to show his bride
+ The worldly knowledge he possessed,
+ (That world whereof was none beside)
+ He laid his hand upon his breast,
+ And thus replied:&mdash;
+
+ "Wife, mirror'd here too deep to see,
+ "A little way down yonder path,
+ "And I will show the form which hath
+ "Enchanted thee, and me."
+
+ XI
+
+ Kadisha is a streamlet fair,
+ Which hurries down the pebbled way,
+ As one who hath small time to spare,
+ So far to go, so much to say
+ To summer air;
+
+ Sometimes the wavelets wimple in
+ O'erlapping tiers of crystal shelves,
+ And little circles dimple in,
+ As if the waters quaffed themselves,
+ The while they spin:
+
+ Thence in a clear pool, overbent
+ With lotus-tree and tamarind flower,
+ Empearled, and lulled in golden bower,
+ Kadisha sleeps content.
+
+ XII
+
+ Their steps awoke the quiet dell;
+ The first of men was smiling gay;
+ Still trembled Eve beneath the spell,
+ The mystery of that passion-sway
+ She could not quell.
+
+ As they approached the silver strand,
+ He plucked a moss-rose budding sweetly,
+ And wreathing bright her tresses' band,
+ Therein he set the blossom featly,
+ And took her hand:
+
+ He led her past the maiden-hair,
+ Forget-me-not, and meadow-sweet,
+ Until the margin held her feet,
+ Like water-lilies fain
+
+ XIII
+
+ "Behold," he cried, "on yonder wave,
+ The only one with whom I stray,
+ The only image still I have,
+ Too often, even while I pray
+ To Him who gave.
+
+ The form she saw was long unknown,
+ Except as that beheld yestreen;
+ Till viewing, not that form alone,
+ But his, with hands enclasped between,
+ She guessed her own.
+
+ And, Bending O'er in Sweet Surprise,
+ Perused, With Simple Child's Delight,
+ the Flowing Hair, and Forehead White,
+ and Soft Inquiring Eyes.
+</pre>
+ <p>
+ <a name="linkimage-0010" id="linkimage-0010">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/088.jpg" alt="088. " width="100%" /><br />
+ </div>
+<pre xml:space="preserve">
+
+ XIV
+
+ Then, blushing to a fairer tint
+ Than waves might ever hope to catch,
+ "I see," she cried, "a lovely print;
+ But surely I can never match
+ This lily glint!
+
+ "So pure, so innocent, and bright,
+ So charming free, without endeavour,
+ So fancy-touched with pensive light I
+ I think that I could gaze for ever,
+ With new delight
+
+ "And now that rose-bud in my hair,
+ Perhaps it should be placed above&mdash;
+ And yet, I will not change it, love,
+ Since mou hast set it there.
+
+ XV
+
+ "Vain Eve, why glory thus in Eve?
+ What matter Tor thy form or face?
+ Thy beauty is, if love believe
+ Thee worthy of that treasured place
+ Thou ne'er shalt leave.
+
+ "Oh, husband; mine and mine alone,
+ Take back my faith that dared to wander;
+ Forgive my joy to have thee shown
+ Not transient, as thine image yonder,
+ But all my own.
+
+ "And, love, if this be vain of me,
+ This pleasure, and the pride I take;
+ Tis only for thy dearer sake,
+ To be so fair to thee."
+
+ XVI
+
+ No more she said; but smiling fell,
+ And lost her sorrow on his breast;
+ Her love-bright eyes upon him dwell,
+ Like troubled waters laid at rest
+ In comfort's well:
+
+ Tis nothing more, an' if she weep,
+ Than joy she cannot else reveal;
+ As onyx-gems of Pison keep
+ A tear-vein, where the sun may steal
+ Throughout their deep.
+
+ May every Adam's fairer part
+ Thus, only thus, a rival find&mdash;
+ The image of herself, enshrined
+ Within the faithful heart!
+</pre>
+ <p>
+ <a name="linkimage-0011" id="linkimage-0011">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/092.jpg" alt="092. " width="100%" /><br />
+ </div>
+ <p>
+ <a name="linkimage-0012" id="linkimage-0012">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/095.jpg" alt="095. " width="100%" /><br />
+ </div>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ MOUNT ARAFA
+ </h2>
+ <h3>
+ IN TWO PARTS
+ </h3>
+ <p>
+ "Mount Arafa, situated about a mile from Mecca, is held in great
+ veneration by the Mussulmans, as a place very proper for penitence. Its
+ fitness in this respect is accounted for by a tradition that Adam and Eve,
+ on being banished out of Paradise, in order to do penance for their
+ transgression were parted from each other, and after a separation of six
+ score years, met again upon this mountain." Ockley's "<i>History of the
+ Saracens</i>," p. 60
+ </p>
+<pre xml:space="preserve">
+THE PARTING
+
+ I
+
+ Driven away from Eden's gate
+ With biasing falchions fenced about,
+ Into a desert desolate,
+ A miserable pair came out,
+ To meet their fate.
+
+ To wander in a world of woe,
+ To ache and starve, to burn and shiver,
+ With every living thing their foe&mdash;
+ The fire of God above, the river
+ Of death below.
+
+ Of home, of hope, of Heaven bereft;
+ It is the destiny of man
+ To cower beneath his Maker's ban,
+ And hide from his own theft!
+
+ II
+
+ The father of a world unborn&mdash;
+ Who hath begotten death, ere life&mdash;
+ In sullen silence plods forlorn;
+ His love and pride in his fair wife
+ Are rage and scorn.
+
+ Instead of Angel ministers,
+ What hath he now but fiends devouring;
+ Instead of grapes and melons, burs;
+ In lieu of manna, crab and souring&mdash;
+ By whose fault? Hers!
+
+ Alack, good sire of feeble knees,
+ New penance waits thee; since&mdash;when thus
+ Thou shouldst have wept for all of us&mdash;
+ Thou mournest thine own ease I
+
+ III
+
+ The mother of all loving wives
+ (Condemned unborn to many a tear)
+ Is fain to take his hand, and strives
+ In sorrow to be doubly dear&mdash;
+ But shame deprives.
+
+ The Shame, The Woe, The Black Surprise,
+ That Love's First Dream Should Have Such Ending,
+ to Weep, and Wipe Neglected Eyes I
+ Oh Loss of True Love, Far Transcending
+ Lost Paradise!
+
+</pre>
+ <p>
+ <a name="linkimage-0013" id="linkimage-0013">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/098.jpg" alt="098. " width="100%" /><br />
+ </div>
+<pre xml:space="preserve">
+
+ For is it faith, that cannot live
+ One gloomy hour, and soar above
+ The clouds of fate? And is it love,
+ That will not e'en forgive?
+
+ IV
+
+ The houseless monarch of the earth
+ Hath quickly found what empire means;
+ For while he scoffs with bitter mirth,
+ And curses, after Eden's scenes,
+ This dreary dearth.
+
+ A snake, that twined in playful zeal,
+ But yester morn, around his ankle,
+ Now driven along the dust to steal,
+ Steals up, and leaves its venom'd rankle
+ Deep in his heel.
+
+ He groans awhile. He seeks anon
+ For comfort to this first of pain,
+ Where all his sons to-day are fain;
+ He seeks&mdash;but Eve is gone!
+</pre>
+<pre xml:space="preserve">
+PART I&mdash;ADAM
+
+ <i>O'er hill, and highland, moor, and plain,
+ A hundred years, he seeks in vain;
+ Oer hill and plain, a hundred years,
+ He pours the sorrow no one hears;
+ Yet finds, as wildest mourners find,
+ Some ease of heart in toil of mind.</i>
+
+ I
+
+ "YE mountains, that forbid the day,
+ Ye glens, that are the steps of night,
+ How long amid you must I stray,
+ Deserted, banished from God's sight,
+ And castaway?
+
+ "Ye trees and flowers the Lord hath made,
+ Ye beasts, to my good-will committed&mdash;
+ Although your trust hath been betrayed&mdash;
+ Not long ago ye would have pitied
+ Your old comrade.
+
+ "Oh, nature, noblest when alone,
+ Albeit I love your outward part;
+ The nature that enthrals my heart
+ Must be more like my own.
+
+ II
+
+ "The Maker once appointed me&mdash;
+ I know not, and I care not why&mdash;
+ The lord of everything I see,
+ Or if they walk, or swim, or fly,
+ Whate'er they be.
+
+ "And all the earth whereon they dwell,
+ And all the heavens they are inhaling,
+ And powers, whereof I cannot tell&mdash;
+ Dark miscreants, supine and wailing,
+ Until I fell.
+
+ "Twas good and glorious to believe;
+ But now mv majesty is o'er;
+ And I would give it all, and more,
+ For one sweet glimpse of Eve.
+
+ III
+
+ "For what is glory, what is power?
+ And what the pride of standing first?
+ A twig struck down by a thunder shower,
+ A crown of thistle to quench the thirst,
+ A sun-scorched flower.
+
+ "God grant the men who spring from me,
+ As knowledge waxeth deep and splendid,
+ To find a loftier pedigree
+ Than any by the Lord intended&mdash;
+ Frog, slug, or tree!
+
+ "So shall they live, without the grief
+ Of having womankind to love,
+ Find nought below, and less above,
+ And be their own belief.
+
+ IV
+
+ "So weak was I, so poorly taught,
+ By any but my Maker's voice,
+ Too happy to indulge in thought,
+ Which gives me Tittle to rejoice,
+ And ends in nought.
+
+ "But now and then, my path grows clear,
+ My mind casts off its grim confusion,
+ When I have chanced on goodly cheer:
+ Then happiness seems no delusion,
+ Even down here.
+
+ "With love and faith, to bless the curse,
+ To heal the mind by touch of heart,
+ To make me feel my better part,
+ And fight against the worse.
+
+ V
+
+ "It may be that I did o'erprize,
+ Above the Giver, that rare gift,
+ Ungird my will for softer ties,
+ And hold my manhood little thrift
+ To woman's eyes.
+
+ "So far she was, so full of grace,
+ So innocent with coy caresses,
+ So proud to step at my own pace,
+ So rosy through her golden tresses;
+ And such a face!
+
+ "Suffice my sins; I'll ne'er approve
+ A thought against my faithful Eve;
+ Suffice my sins; I'll never believe.
+ That it was one, to love.
+
+ VI
+
+ "Oh; love, if e'er this desert plain,
+ Where I must sweat with axe and spade,
+ Shall hold a people sprung from twain,
+ Or better made by Him, who made
+ That pair in vain.
+
+ "Shall any know, as we have known,
+ Thy rapture, terror, vaunting, fretting,
+ Profound despair, ecstatic tone,
+ Crowning of reason, and upsetting
+ Of reason's throne?
+
+ "Bright honey quaffed from cells of gall,
+ Or crimson sting from creamy rose&mdash;
+ Thy heavenly half from Eden flows,
+ Thy venom from our fall."
+
+ <i>Awhile he ceased; far scorching woe
+ Had made a drought of vocal flow;
+ When hungry, weary, desolate,
+ A fox crept home to his defis gate.
+ The sight brought Adam's memory back,
+ And touched him with a keener lack.</i>
+
+ VII
+
+ "Home! Where is home? Of old I thought
+ (Or felt in mystery of bliss)
+ That so divinely was I wrought
+ As not to care for that or this,
+ And value nought;
+
+ "But sit or saunter, rest or roam,
+ Regarding all things most sublimely,
+ As if enthroned on heaven's dome;
+ Away with paltry and untimely
+ Hankerings for <i>Home!</i>
+
+ "But now the weary heart is fain
+ For shelter in some lowly nest&mdash;
+ To sink upon a softer breast,
+ And smile away its pain,
+
+ VIII
+
+ "For me, what home, what hope is left?
+ What difference of good or ill?
+ Of all I ever loved bereft,
+ Disgraced, discarded, outlawed still,
+ For one small theft!
+
+ "I sicken of my skill and pride;
+ I work, without a bit of caring.
+ The world is waste, the world is wide;
+ Why make good things, with no one sharing
+ Them at my side?
+
+ "What matters how I dwell, or die?
+ Away with such a niggard life!
+ The Lord hath robbed me of my wife;
+ And life is only I.
+
+ IX
+
+ "God, who hast said it is not good
+ For man, thy son, to live alone;
+ Is everlasting solitude,
+ When once united bliss was known,
+ A livelier food?
+
+ "Can'st thou suppose it right or just,
+ When thine own creature so misled us,
+ In virtue of our simple trust,
+ To torture us like this, and tread us
+ Back into dust?
+
+ "Oh, fool I am. Oh, rebel worm!
+ If, when immortal, I was slain,
+ For daring to impugn his reign,
+ How shall I, thus infirm?
+
+ X
+
+ "Woe me, poor me! No humbler yet,
+ For all the penance on me laid!
+ Forgive me, Lord, if I forget
+ That I am but what Thou hast made,
+ My soul Thy debt!
+
+ "Inspire me to survey the skies,
+ And tremble at their golden wonder;
+ To learn the space that <i>I</i> comprise,
+ At once to marvel, and to ponder,
+ And drop mine eyes.
+
+ "And grant me?&mdash;for I do but find,
+ In seeking more than God hath shown,
+ I scorn His power and lose my own&mdash;
+ Grant me a lowly mind.
+
+ XI
+
+ "A lowly mind! Thou wondrous sprite,
+ Whose frolics make their master weep;
+ Anon, endowed with eagle's flight,
+ Anon, too impotent to creep,
+ Or blink aright;&mdash;
+
+ "Howe'er, thy trumpery flashes play
+ Among the miracles above thee,
+ Be taught to feel thy Maker's sway,
+ To labour, so that He shall love thee,
+ And guide thy way.
+
+ "Be led, from out the cloudy dreams
+ Of thy too visionary part,
+ To listen to the whispering heart,
+ And curb thine own extremes.
+
+ XII
+
+ "Then hope shall shine from heaven, and give
+ To fruit of hard work, sunny cheek,
+ And flowers of grace and love revive,
+ And shrivelled pasturage grow sleek,
+ And corn snail thrive.
+
+ "Beholding gladness, Eve and I,
+ Enfolding it also in each other,
+ May talk of heaven without a sigh;
+ Because our heaven in one another
+ Love shall supply.
+
+ "For courage, faith, and bended knees,
+ By stress of patience, cure distress,
+ And turn wild <i>Love-in-idleness</i>
+ Into the true <i>Heartsease</i>."
+
+ <i>The Lord breathed on the first of men,
+ And strung his limbs to strength again;
+ He scorned a century of ill,
+ And girt his loins to climb the parting hill.</i>
+</pre>
+<pre xml:space="preserve">
+PART II&mdash;EVE
+
+ <i>Meanwhile through lowland, holt, and glade,
+ Sad Eve her lonely travel made;
+ Not fierce, or proud, but well content
+ To own the righteous punishment;
+ Yet found, as gentle mourners find,
+ The hearts confession soothe the mind.</i>
+
+ I
+
+ "Ye valleys, and ye waters vast,
+ Who answer all that look on you
+ With shadows of themselves, that last
+ As long as they, and are as true&mdash;
+ Where hath he past?
+
+ "Oh woods, and heights of rugged stone,
+ Oh weariness of sky above me,
+ For ever must I pine and moan,
+ With none to comfort, none to love me,
+ Alone, alone?
+
+ "Thou bird, that hoverest at heaven's gate,
+ Or cleavest limpid lines of air,
+ Return&mdash;for thou hast one to care&mdash;
+ Return to thy dear mate.
+
+ II
+
+ "For trie, no joy of earth or sky,
+ No commune with the things I see,
+ But dreary converse of the eye
+ With worlds too grand to look at me&mdash;
+ No smile, no sigh!
+
+ "In vain I fall Upon my knees,
+ In vain I weep and sob for ever;
+ All other miseries have ease,
+ All other prayers have ruth&mdash;but never
+ Any for these.
+
+ "Are we endowed with heavenly breath,
+ And God's own form, that we should win
+ A proud priority of sin,
+ And teach creation death?
+
+ III
+
+ "Not, that is too profound for me,
+ Too lofty for a fallen thing.
+ More keenly do I feel than see;
+ Far liefer would I, than take wing,
+ Beneath it be.
+
+ "The night&mdash;the dark&mdash;will soon be here,
+ The gloom that doth my heart appal so I
+ How can I tell what may be near?
+ My faith is in the Lord&mdash;but also
+ He hath made fear.
+
+ "I quail, I cower, I strive to flee;
+ Though oft I watched without affright,
+ The stern magnificence of night,
+ When Adam was with me
+
+ IV
+
+ "My husband! Ah, I thought sometime
+ That I could do without him well,
+ Communing with the heaven at prime,
+ And in my womanhood could dwell
+ Calm and sublime.
+
+ "Declining, with a playful strife,
+ All thoughts below my own transcendence,
+ All common-sense of earth and life,
+ And counting it a poor dependence
+ To be his wife,
+
+ "But now I know, by trouble's test,
+ How little my poor strength can bear,
+ What folly wisdom is, whene'er
+ The grief is in the breast!
+
+ "The grief is in my breast, because
+ I have not always been as kind
+ As woman should, by nature's laws,
+ But showed sometimes a wilful mind,
+ Carping at straws.
+
+ "While he, perhaps, with larger eyne,
+ Was pleased, instead of vexed, at seeing
+ Some little petulance in mine,
+ And loved me all the more, for being;
+ Not too divine.
+
+ "Until the pride became a snare,
+ The reason a deceit, wherein
+ I dallied face to face with sinh
+ And made a mortal pair.
+
+ VI
+
+ "Dark sin, the deadly foe of love,
+ All bowers of bliss thou shalt infest,
+ Implanting thorns the flowers above,
+ And one black feather in the breast
+ Of purest dove.
+
+ "Almighty Father, once our friend,
+ And ready even now to love us.
+ Thy pitying gaze upon us bend,
+ And through the tempest-clouds above us
+ Thine arm extend.
+
+ "That so thy children may begin
+ In lieu of bliss, to earn content,
+ And find that sinful Eve was meant
+ Not only for a sin."
+
+ <i>Awhile she ceased; for memory's flow
+ Had drowned the utterance of woe;
+ Until a young hind crossed the lawn,
+ And fondly trotted forth her fawn,
+ Whose frolics of delight made Eve,
+ As in a weeping vision, grieve.</i>
+
+ VII
+
+ "For me, poor me, no hope to learn
+ That sweeter bliss than Paradise,
+ The joy that makes a mother yearn
+ O'er that bright message from the skies
+ Her pains do earn.
+
+ She stoops entranced; she fears to stir,
+ Or think; lest each a thought endanger
+ (While two enraptured hearts confer)
+ That wonderful and wondering stranger,
+ Come home to her,
+
+ "He watches her, in solemn style;
+ A world of love flows to and fro;
+ He smiles; that he may learn to know
+ His mother by her smile.
+
+ VIII
+
+ "Oh, bliss, that to all other bliss
+ Shall be as sunrise unto night,
+ Or heaven to such a place as this,
+ Or God's own voice, with angels bright,
+ To serpent's hiss!
+
+ "I have I betrayed thee, or cast by
+ The pledge in which my soul delighted&mdash;
+ That all this wrong and misery
+ Should be avenged at last, and righted,
+ And so should I?
+
+ "Belike, they look on me as dead,
+ Those fiends that found me soft and sweet;
+ But God hath promised me one treat&mdash;
+ To crush that serpent's head!
+
+ IX
+
+ "Revenge! Oh, heaven, let some one rise,
+ Some woman, since revenge is small,&mdash;
+ Who shall not care about its size,
+ If only she can get it all,
+ For those black lies!
+
+ "Poor Adam is too good and great,
+ I felt it, though he said so little&mdash;
+ To hate his foes, as I can hate&mdash;
+ And pay them every jot, and tittle,
+ At their own rate.
+
+ "For was there none but I to blame?
+ God knows that if, instead of me,
+ There had been any other she,
+ She would have done the same,
+
+ X
+
+ "Poor me! Of course the whole disgrace,
+ In spite of reason, falls on me:
+ And so all women of my race,
+ In pure right, shall be reason-free,
+ In every case.
+
+ "It shall not be in power of man
+ To bind them to their own contentions;
+ But each shall speak, as speak she can,
+ And start anew with fresh inventions,
+ Where she began.
+
+ "And so shall they be dearer still;
+ For man shall ne'er suspect in them
+ The plucking of the fatal stem,
+ That brought him all his ill.
+
+ XI
+
+ "And when hereafter&mdash;as there must,
+ Since He, that made us, so hath sworn&mdash;
+ From that whereof we are, the dust,
+ And whereunto we shall return
+ In higher trust&mdash;
+
+ "There spring a grand and countless race,
+ Replenishing this vast possession,
+ Till life, hath won a larger space
+ Than death, by quick and fair succession
+ Of health and grace;
+
+ "They too shall find as I have found
+ The grief, that lifts its head on high,
+ A dewy bud the sun shall dry&mdash;
+ But not while on the ground.
+
+ XII
+
+ "Then men shall love their wives again,
+ Allowing for the frailer kind,
+ Content to keep the heart's Amen,
+ Content to own the turns of mind
+ Beyond their ken.
+
+ "And wives shall in their lords be blest,
+ Their higher sense of right perceiving
+ (When possible) with love their test;
+ Exalting, solacing, believing
+ All for the test.
+
+ "And for the best shall all things be,
+ If God once more will shine around,
+ And lift my husband from the ground,
+ And teach him to lift me."
+
+ <i>New faith inspired the first of wives,
+ She smiles, and drooping hope revives;
+ She scorns a hundred years of woe%
+ And binds her hair, because the breezes blow.</i>
+</pre>
+<pre xml:space="preserve">
+THE MEETING
+
+ I
+
+ The wind is hushed, the moon is bright,
+ More stars on heaven than may be told;
+ Young flowers are coying with the light,
+ That softly tempts them to unfold,
+ And trust the night.
+
+ What form comes bounding from above
+ Down Arafa, the mountain lonely,
+ Afraid to scare its long-lost dove,
+ Yet swift as joy&mdash;"It can be only,
+ Only my love!"
+
+ What shape is that&mdash;too fair to leave
+ On Arafa, the mountain lone?
+ So trembling, and so faint&mdash;"My own,
+ It must be my own Eve!"
+
+ II
+
+ As when the mantled heavens display
+ The glory of the morning glow,
+ And spread the mountain heights with day,
+ And bid the clouds and shadows go
+ Trooping away,
+
+ The Spirit of the Lord arose,
+ And made the earth and heaven to quiver,
+ And scattered all his hellish foes,
+ And deigned his good stock to deliver
+ From all their woes.
+
+ So Long the Twain Had Strayed Apart,
+ That Each As at a Marvel Gazed,
+ With Eyes Abashed, and Brain Amazed;
+ While Heart Enquired of Heart.
+
+</pre>
+ <p>
+ <a name="linkimage-0014" id="linkimage-0014">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/118.jpg" alt="118. " width="100%" /><br />
+ </div>
+<pre xml:space="preserve">
+
+ III
+
+ Our God hath made a fairer thing
+ Than fairest dawn of summer day&mdash;
+ A gentle, timid, fluttering,
+ Confessing glance, that seeks alway
+ Rest for its wing.
+
+ A sweeter sight than azure skies,
+ Or golden star thereon that glideth;
+ And blest are they who see it rise,
+ For, if it cometh, it abideth
+ In woman's eyes.
+
+ The first of men such blessing sued;
+ The first of women smiled consent;
+ For husband, wife and home it meant,
+ And no more solitude!
+
+ IV
+
+ We trample now the faith of old,
+ We make our Gods of dream and doubt;
+ Yet life is but a tale untold,
+ Without one heart to love, without
+ One hand to hold&mdash;
+
+ The fairer half of humankind,
+ More gentle, playful, and confiding:
+ Whose soul is not the slave of mind,
+ Whose spirit hath a nobler guiding
+ Than we can find.
+
+ So Eve restores the sweeter part
+ Of what herself unwitting stole,
+ And makes the wounded Adam whole;
+ For half the mind is heart.
+</pre>
+ <p>
+ <a name="linkimage-0016" id="linkimage-0016">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/125.jpg" alt="125. " width="100%" /><br />
+ </div>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE WELL OF SAINT JOHN
+ </h2>
+<pre xml:space="preserve">
+The old well of Saint John, in the parish of Newton-Nottage,
+Glamorganshire, has a tide of its own, which appears to run exactly
+counter to that of the sea, some half-mile away. The water is
+beautifully bright and fresh, and the quaint dome among the lonely
+sands is regarded with some awe and reverence.
+
+ <i>He</i>
+
+ "THERE is plenty of room for two in here,
+ Within the steep tunnel of old grey stone;
+ And the well is so dark, and the spring so clear,
+ It is quite unsafe to go down alone."
+
+ <i>She</i>
+
+ "It is perfectly safe, depend upon it,
+ For a girl who can count the steps, like me;
+ And if ever I saw dear mother's bonnet,
+ It is there on the hill by the old ash-tree."
+
+ <i>He</i>
+
+ "There is nobody but Rees Hopkin's cow
+ Watching, the dusk on the milk-white sea;
+ 'Tis the time and the place for a life-long? vow,
+ Such as I owe you, and you owe me."
+
+ <i>She</i>
+
+ "Oh, Willie, how can I, in this dark well?
+ I shall drop the brown pitcher if you let go;
+ The long? roof is murmuring like a sea-shell,
+ And the shadows are shuddering to and fro."
+
+ <i>He</i>
+
+ "Tis the sound of the ebb, in Newton Bay,
+ Quickens the spring, as the tide grows less;
+ Even as true love flows alway
+ Counter the flood of the world's success."
+
+ <i>She</i>
+
+ "There is no other way for love to flow,
+ Whenever it springs in a woman's breast;
+ With the tide of its own heart it must go,
+ And run contrary to all the rest."
+
+ <i>He</i>
+
+ "Then fill the sweet cup of your hand, my love,
+ And pledge me your maiden faith thereon,
+ By the touch of the letter'd stone above,
+ And the holy water of Saint John."
+
+ <i>She</i>
+
+ "Oh, what shall I say? My heart sinks low;
+ My fingers are cold, and my hand too flat,
+ Is love to be measured by handfuls so;
+ And you know that I love you&mdash;without that."
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ They stooped, in the gleam of the faint light, over
+ The print of themselves on the limpid gloom;
+ And she lifted her full palm toward her lover,
+ With her lips preparing the words of doom.
+
+ But the warm heart rose, and the cold hand fell,
+ And the pledge of her faith sprang sweet and clear,
+ From a holier source than the old Saint's well,
+ From the depth of a woman's love&mdash;a tear.
+</pre>
+ <p>
+ <a name="linkimage-0017" id="linkimage-0017">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/128.jpg" alt="128. " width="100%" /><br />
+ </div>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PAUSIAS AND GLYCERA; OR, THE FIRST FLOWER-PAINTER
+ </h2>
+ <h3>
+ A STORY IN THREE SCENES
+ </h3>
+ <p>
+ (<i>Plin. Nat. Hist., xxxv. ii</i>)
+ </p>
+<pre xml:space="preserve">
+Scene I:&mdash;<i>Outside the gate of Sicyon&mdash;Morning. Glycera
+weaving garlands, Pausias stands admiring.</i>
+
+ <b>Pausias</b>
+
+ "YE Gods, I thought myself the Prince of Art,
+ By Phoebus, and the Muses set apart,
+ To smite the critic with his own complaint,
+ And teach the world the proper way to paint.
+ But lo, a young maid trips out of a wood,
+ And what becomes of all I understood?
+ I Stand and Stare; I Could Not Draw a Line,
+ if Ninety Muses Came, Instead of Nine.
+ Thy Name, Fair Maiden, is a Debt to Me;
+ Teach Him to Speak, Whom Thou Hast Taught To See.
+ Myself Already Some Repute Have Won,
+ for I Am Pausias, Brietes' Son.
+ to Boast Behoves Me Not, Nor Do I Need,
+ But Often Wish My Friends to Win the Meed.
+ So Shall They Now; No More Will I Pursue
+ the Beaten Track, But Try What Thou Hast Shown,
+ New Forms, New Curves, New Harmonies of Tone,
+ New Dreams of Heaven, and How to Make Them True."
+
+</pre>
+ <p>
+ <a name="linkimage-0018" id="linkimage-0018">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/132.jpg" alt="132. " width="100%" /><br />
+ </div>
+<pre xml:space="preserve">
+
+ <b>Glycera</b>
+
+ "Fair Sir, 'tis only what I plucked this morn,
+ Kind nature's gift, ere you and I were born.
+ Through mossy woods, and watered vales, I roam,
+ While day is young, and bring my treasure home;
+ Each lovely bell so tenderly I bear,
+ It knoweth not my fingers from the air,
+ Lo now, they scarce acknowledge their surprise,
+ And how the dewdrops sparkle in their eyes!"
+
+ <b>Pausias</b>
+
+ "Because the sun shines out of thine. But hush,
+ To praise a face praiseworthy, makes it blush.
+ I am not of the youths who find delight,
+ In every pretty thing that meets their sight
+ My father is the sage of Sicyon;
+ And I&mdash;well, he is proud of such a son."
+
+ <b>Glycera</b>
+
+ "And proud am I, my mother's child to be,
+ And earn for her the life she gave to me,
+ Her name is Myrto of the silver hair,
+ Not famed for wisdom, but loved everywhere."
+
+ <b>Pausias</b>
+
+ "Then whence thine art? Hath Phoebus given thee boon
+ Of wreath and posy, fillet and festoon?
+ Of tint and grouping, balance, depth, and tone&mdash;
+ Lo, I could cast my palette down, and groan!"
+
+ <b>Glycera</b>
+
+ "No art, fair sir, hath ever crossed my thought,
+ The lesson I delight in comes untaught.
+ The flowers around me take their own sweet way,
+ They tell me what they wish&mdash;and I obey.
+ Unlike poor us, they feel no spleen or spite
+ But earn their joy, oy ministering delight.
+ So loved and cherished, each may well suppose
+ Itself at home again just where it grows.
+ No dread have they of what the Fates may bring,
+ But trust their Gods, and breathe perpetual Spring."
+
+ <b>Pausias</b>
+
+ "Fair child of Myrto, simple-hearted maid,
+ Thy innocence doth arrogance upbraid.
+ Ye Gods, I pray you make a flower of me;
+ That I may dwell with nature, and with thee."
+
+ <b>Glycera</b>
+
+ "I see the brave sun leap the city wall!
+ The gates swing wide; I hear the herald's call.
+ The Archon ham proclaimed the market-day;
+ And mother will shed tears at my delay.
+ The priest of Zeus hath ordered garlands three;
+ And while I tarry, who will wait for me?"
+
+ <b>Pausias</b>
+
+ "No picture have I sold for many a moon,
+ But fortune must improve her habits soon;
+ Then will I purchase all thy stock-in-trade,
+ And thou shalt lead me to thy bower of green,
+ There will I paint the flowers, and thee their Queen&mdash;
+ The Queen of dowers, that nevermore shall fade."
+
+ <b>Glycera</b>
+
+ "I know a wood-nymph, who her dwelling hath
+ Among the leaves, and far beyond the path,
+ With myrtle and with jasmin roofed across,
+ Enlaced with vine, and carpeted with moss,
+ Whose only threshold is a plaited brook,
+ Whereby the primrose at herself may look;
+ While birds of song melodious make the air&mdash;
+ But oh! I must not take a stranger there."
+
+ <b>Pausias</b>
+
+ "Nay, but a friend No stranger now am I.
+ Good art is pledge of perfect modesty.
+ From chastened heights the painter glanceth down;
+ No maid can fear a youth who loves renown."
+
+ <b>Glycera</b>
+
+ "Thy words are trim, If mother deems them true,
+ Thou shalt come with me. But till then, adieu!" [Exit.
+
+ <b>Pausias</b>
+
+ "O! where am I? The mind is all for art&mdash;
+ But one warm breath transforms it into heart."
+</pre>
+<pre xml:space="preserve">
+Scene II:&mdash;<i>A wood near Sicyon. Pausias with his
+easel, &amp;c. Glycera carrying flowers.</i>
+
+ <b>Pausias</b>
+
+ "Confounded tangle! Who could paint all this?
+ A bear might hug him, or a serpent hiss!
+ For love of nature justly am I famed;
+ But when she goes so far as this, she ought to be ashamed."
+
+ <b>Glycera</b>
+
+ "Nay, be not frightened by a small affray,
+ Pure love of nature cannot pave its way.
+ But lo, where yonder coney-tracks begin,
+ My nymph hath made her favourite bower within.
+ Yon oak hath reared its rugged antlers thus,
+ Before Deucalion lived, or Daedalus.
+ Inside her woodland Majesty doth keep
+ A world of wonders&mdash;if one dared to peep&mdash;
+ Of things that burrow, elide, spin webs, or creep;
+ Strange creatures, which before they live must die,
+ And plants that hunt for prey, and flowers that fly!"
+</pre>
+ <p>
+ <a name="linkimage-0019" id="linkimage-0019">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/140.jpg" alt="140. " width="100%" /><br />
+ </div>
+<pre xml:space="preserve">
+ <b>Pausias</b>
+
+ "My love of nature freezes in a trice;
+ I loathe all earwigs, beetles, and wood-lice.
+ Outside her bower the lady must remain,
+ If she doth wish to have her portrait taen."
+
+ <b>Glycera</b>
+
+ "Tis not the lady thou must paint&mdash;but me."
+
+ <b>Pausias</b>
+
+ "Aha, that will I, with a glow of glee.
+ But when I offered, somebody was vexed,
+ And blushed, and frowned, and longed to say,
+ 'Whatnext?'"
+
+ <b>Glycera</b>
+
+ "A painter's tongue hath learnt to paint, I trow.
+ But oh that order&mdash;I remember now&mdash;
+ For twenty chaplets, from the priest of Zeus!
+ Ah, what a grand majestic Hiereus!"
+ So pleased he was that morning with those three,
+ And such a customer he means to be!
+
+ <b>Pausias</b>
+
+ "The priest of <i>Dis!</i>a scoundrel with three wives!
+ I'll pull his triple beard, if he arrives."
+
+ <b>Glycera</b>
+
+ "High words and threats profane this hallowed place,
+ Where Time rebukes the fuss of human race.
+ And gentle sir, what harm hath he done thee?
+ It is my mother whom he comes to see.
+ Lo, how the Gods our puny wrath deride,
+ With peace and beauty spread on every side!
+ This earth with pleasure of the Spring complete,
+ Too bright to dwell on, were it not so sweet.
+ No theft of man it's affluence impairs,
+ A thousand flowers, without a loss, it spares;
+ Whose bashful elegance no brush can trace,
+ Heartfelt delight, and plenitude of grace;
+ No palettes match their brilliance, although
+ Pandora filled her box from Iris' bow."
+
+ <b>Pausias</b>
+
+ "Her want of faith sweet Glycera will rue,
+ When she hath seen what <i>Pausias</i> can do."
+
+ <b>Glycera</b>
+ "Forgive me, sir; In truth it was no taunt.
+ A great man can do anything&mdash;but vaunt."
+
+ <b>Pausias</b>
+
+ "E'en that he can do, if he sees the need.
+ But out on words, when time hath come for deed!
+ Up leaps the sun, to paint thee with his plume,
+ And every blossom seems to be thy bloom."
+
+ <b>Glycera</b>
+
+ "Why stand we here, so early of the morn,
+ In love with things that treat our love with scorn&mdash;
+ Grey crags, where Time with folded pinion broods,
+ Ana ever young antiquity of woods;
+ The brooks that babble, and the flowers that blush,
+ Ere woman was a reed, or man a rush?
+ And he for ever, as the Gods ordain,
+ Would fain revive with art what he hath slain;
+ Shall nature fail to laugh, while man doth yearn
+ To teach the canvas what he ne'er can learn?"
+
+ <b>Pausias</b>
+
+ "Sweet Muse, while thus through heaven's too distant vault,
+ Thy great mind roves&mdash;how shall we earn our salt?
+ Though art is not encouraged as of old,
+ She is worth a score of nature; I design
+ To manufacture, from these flowers of thine,
+ A silver * talent&mdash;or perhaps of gold!"
+
+ * Lucullus is said to have given two talents for
+ a mere copy of this picture.
+
+ <b>Glycera</b>
+
+ "Good heavens, how precious is your Worship's time!
+ Some minds are lowly, others too sublime.
+ Before thee all my simple flowers I spread;
+ Long may they live, when Glycera is dead!"
+
+ <b>Pausias</b>
+
+ "The Gods forefend!
+ Fair omen from fair maid&mdash;
+ Bright tongue, recall the dark thing thou hast said!"
+
+ <b>Glycera</b>
+
+ "Then long live they, with Glycera to aid!"
+
+ <b>Pausias</b>
+
+ "And Pausias crowned by Critics, to non-plus
+ Euphranor, Cydias, and Antidotus.
+ But what are they? Below my feet they lie;
+ Poor sons of pelf. The son of art am I.
+ Now rest thee, maiden, on this pillowy bed,
+ With fragrance canopied, with beauty spread;
+ Above thee hovers eglantine's caress,
+ Around thee glows entangled loveliness;
+ Shy primrose smiles, thy gentle smile to woo,
+ And violets take thy glances for the dew."
+
+ &amp;Glycera&amp;
+
+ "Then will they pluck themselves, to see me laugh;
+ Good flowers bring cash; but who will pay for chaff?
+ But haply thus the true poet intervenes,
+ To make us wonder what on earth he means."
+
+ <b>Pausias</b>
+
+ "A poet! We do things in a superior way;
+ A painter is a poet, who makes it pay.
+ A poet, though deep and mystic as the Sphinx,
+ Will ne'er earn half of what he eats and drinks,
+ He dreams of Gods, but of himself he thinks."
+</pre>
+ <p>
+ <a name="linkimage-0020" id="linkimage-0020">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/146.jpg" alt="146. " width="100%" /><br />
+ </div>
+<pre xml:space="preserve">
+Scene III.&mdash;<i>A western slope near Sicyon. Pausias
+has his easel set, Glycera is dressed in white.</i>
+
+ <b>Pausias</b>
+
+ "Seven times the moon hath filled her silver horn,
+ And twice a hundred suns awoke the morn,
+ Since thou and I&mdash;for half the praise is thine&mdash;
+ Began this study of the flowers divine."
+
+ <b>Glycera</b>
+
+ "Alas! how swiftly have the months gone by!"
+
+ <b>Pausias</b>
+
+ "Not swift alone, but passing sweet for me."
+
+ <b>Glycera</b>
+
+ "The world, that was so large, is you and I."
+
+ <b>Pausias</b>
+
+ "And shall be larger still, when it is 'We.'"
+
+ <b>Glycera</b>
+
+ (Aside) "Sweet dual! Alas, that this shall never be!"
+
+ <b>Pausias</b>
+
+ "A tear, bright Glycera in those eyes of thine,
+ Those tender eyes, that should with triumph shine!
+ When I, the owner of that precious heart,
+ Am shouting Iö Pæan of high art;
+ The noblest picture underneath the sun&mdash;
+ A few more strokes, and victory is won!"
+
+ <b>Glycera</b>
+
+ "Nay, heed me not. True pleasure is not dry;
+ The sunrise of the heart bedews the eye."
+
+ <b>Pausias</b>
+
+ "If that were all&mdash;but lately there hath been
+ A listless air beneath thy livery mien;
+ Thyself art all fair petal, and sweet perfume,
+ And smiles that light the damask of thy bloom;
+ Yet some, pale distance seems to chill the whole."
+
+ <b>Glycera</b>
+
+ "Forgive me, love, forgive a timorous soul.
+ Through brightest hours untimely vapours rise&mdash;
+ But while I prate, the lucky moment flies.
+ The work, the weather, and the world are fair;
+ A few more strokes&mdash;and fame flies everywhere."
+
+ <b>Pausias</b>
+
+ "Who cares for fame, except with love to share?"
+
+ <b>Glycera</b>
+
+ "To share! Nay every breath of it is mine,
+ Whene'er it breathes on thee; for I am thine.
+ But pardon now&mdash;if I have seemed sometime
+ Impatient, glib, too pert for things sublime,
+ Remember that I meant not so to sink;
+ Forgive your Glycera, when you come to think."
+
+ <b>Pausias</b>
+
+ "I'll not forgive my Glycera&mdash;until
+ She hath discovered how to do some ill.
+ Now don once more this coronet of bloom,
+ While lilies sweet thy sweeter breast illume."
+
+ <b>Glycera</b>
+
+ (Aside) "Ah me, what brightness wasted upon gloom!
+ (Aloud) Oh fling thy sponge across this wretched face,
+ A patch uncouth amid a world of grace."
+
+ <b>Pausias</b>
+
+ "Sweet love, thy beauty far outshineth them;
+ The tinsel they are, thou the living gem.
+ Great gift of Gods! Shall flowers of earth despise
+ Those flowers of heaven&mdash;thy tresses, and thine eyes?
+ Away with gloom I let no ill-boding make
+ My heart to falter, or my hand to shake.
+ One hour is all I crave. If that be long,
+ Sweet lips beguile it with my favourite song."
+
+ <b>Glycera</b>
+
+ "A song like mine, a childish lullaby,
+ Will close&mdash;when needed wide-awake&mdash;thine eye.
+ But since thou so demandest, let me try.
+
+ "In the fresh woods have I been,
+ Sprinkled with the morning dew;
+ And of all that I have seen,
+ Lo, the fairest are for you!
+
+ Take your choice of many a flower,
+ Lily, rose, and melilot,
+ Lilac, myrtle, virgin's bower,
+ Pansy, and forget-me-not.
+
+ Ladies'-tresses, and harebell,
+ Jasmin, daphne, violet,
+ Meadow-sweet, and pimpernel,
+ Maidenhair, and mignonette.
+
+ What is gold, that doth allure
+ Foolish hearts from field and flower?
+ If you plant them in it pure,
+ Will they keep alive an hour?
+
+ What is fame, compared with these,
+ Fame of wisdom, sword, or pen?
+ Who would quit the meadow breeze,
+ For the sultry breath of men?
+
+ These have been my childhood's love,
+ These my maiden visions were;
+ When I meet their gaze above,
+ These will tell me, God is there."
+
+ <b>Pausias</b>
+
+ "'Tis done! No more the palsied doubt molests;
+ The crown of glory on my labour rests.
+ Thy clear voice hath my flagging thoughts supplied,
+ My model thou, my teacher, and my bride!
+ Now stand, beloved one, where the soft glow lies,
+ Yet judge not rashly, ere the colour dries.
+ Find every fault, pick every flaw thou canst;
+ I'll not be vexed; true art is thus advanced.
+ So meek is art, that (when it comprehends)
+ It loves the carping of its dearest friends.
+ If my own bride condemns my efforts&mdash;let her.
+ A poor daub? Well let some one do it better."
+
+ <b>Glycera</b>
+
+ "My love, my lord, my monarch of high art,
+ Forgive a tongue held fast and bound by heart.
+ Not Orpheus, Linus, or great Hermes could
+ Find words to make their rapture understood.
+ No Muse, no Phoebus, hath this work inspired,
+ But Jove himself, with heaven's own splendour fired.
+ I see the nursing fingers of the day,
+ And night as well, upon their offspring play&mdash;
+ The silent glide of moon, that hushed their sleep,
+ (As mother at her infant steals a peep)
+ Anon, with pearly glances half withdrawn,
+ The gentle hesitation of the dawn;
+ I see the sun his golden target raise,
+ And drive in tremulous ranks the woodland haze;
+ Awakened by whose call the flowers arise,
+ With tears of joy and blushes of surprise;
+ From bulb and bush, from leaf and blade, spring up
+ Bell, disk, or star, plume, sceptre, fan, or cup;
+ A thousand forms, a thousand hues of bloom
+ Fill earth and heaven with beauty and perfume.
+ All this, by thine enchantment, liveth here;
+ Oh wondrous power, that chills my pride with fear!"
+
+ <b>Pausias</b>
+
+ "Thy praise, sweet critic, makes thee doubly dear.
+ But what of thy fair self&mdash;thy form, thy face,
+ The flower of flowers, the gracefulness of grace?"
+
+ <b>Glycera</b>
+
+ "I see why thou hast placed me among these;
+ I serve a purpose&mdash;'tis to scare the bees.
+ Sweet love hath right to place me anywhere;
+ And yet I mourn, to find myself so fair."
+
+ <b>Pausias</b>
+
+ "A maid lament her beauty! Thou hast shown,
+ A thousand times, a wit beyond mine own;
+ Yet is it kind to such a love as mine,
+ To grudge it refuge in a lovely shrine?"
+
+ <b>Glycera</b>
+
+ "No shrine, no throne, of earth or heaven above,
+ Can be too fair a dwelling-place for love.
+ But that which makes me grieve, myself to see,
+ Is memory of the bitter loss to thee;
+ That earthly charms&mdash;as men such things esteem&mdash;
+ Should tantalize thee, in a weeping dream!"
+
+ <b>Pausias</b>
+
+ "My own, my only love, what wouldst thou say?
+ My heart hath borne a heavy bode, all day."
+
+ <b>Glycera</b>
+
+ "I durst not tell thee, till thy work was done;
+ But now I must, before the setting sun.
+ Last night, when life was lapsed in quietude,
+ Beside my couch a stately figure stood&mdash;
+ A virgin form, in garb of chace arrayed,
+ With bow and quiver, baldric, and steel blade;
+ Majestic as a palm that scorns the wind,
+ And taller than the daughters of mankind
+ Twas Artemis, close-girt in silver sheen,
+ The Goddess of the woods, the Maiden-queen.
+ Cold terror seized me, and mute awe, the while
+ She oped her proud lips, with an icy smile&mdash;
+ 'Whose votary art thou? Shall I resign
+ 'To wanton Cypris this sworn nymph of mine?
+ 'Have I enfeoffed thee of my holiest glen?
+ 'To have thee tainted by the lips of men?
+ 'Shall urchin Eros laugh at my decree?
+ 'No Hymen torch, no loosened zone for thee I
+ 'To-morrow, when my crescent tops yon oak,
+ 'Thou shalt return unto thy proper yoke.'
+ She closed her lips, and like the barb of frost,
+ Her fingers on my bounding heart outspread:
+ My breast is ice, mv soul is of the dead:
+ The sod, the cold clay, are my marriage-bed;
+ Sweet sun, sweet flowers, sweet Love, forever lost!"
+
+ <b>Pausias</b>
+
+ "I'll not endure it; it shall ne'er be true;
+ If that cold tyrant comes&mdash;I'll run her through."
+
+ <b>Glycera</b>
+
+ "What can'st thou do against the Goddess trine,
+ Selene, Artemis, and Proserpine?
+ Oh love, thou hast before thee life and fame,
+ And some new Glycera with a loftier name.
+ So tender is my heart, that it would break,
+ To think that thou wert suffering for my sake.
+ Be angry with me; doubt my faith&mdash;or try;
+ And count it for a crime of mine to die:
+ Or tell thyself&mdash;if still a pain there be&mdash;
+ That wealth and grandeur were not meant for me.
+ Yet think sometimes, when thou art well consoled,
+ That no one loves thee, like some one of old."
+
+ <b>Pausias</b>
+
+ "My life, my soul, my heart of hearts, my all,
+ Together let us cling, till death befall."
+
+ <b>Glycera</b>
+
+ "The sun is gone; the crescent waxeth bright;
+ I fly to darkness, or eternal light.
+ Great are the Gods; but greater yet is love;
+ Here thou art mine, and I am thine above."
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ <b>Pausias</b>
+
+ "Oh fame, and conquest, pomp, and power, and state,
+ What are ye, when the heart is desolate?
+ A few more years of labour, and slow breath&mdash;
+ Till death benign hath overtaken death."
+</pre>
+ <p>
+ <br /> <br /> <a name="linkimage-0021" id="linkimage-0021">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/159.jpg" alt="159. " width="100%" /><br />
+ </div>
+ <p>
+ <a name="linkbuscombe" id="linkbuscombe"></a><br /> <br />
+ </p>
+ <h2>
+ BUSCOMBE; OR, A MICHAELMAS GOOSE
+ </h2>
+<pre xml:space="preserve">
+
+ When I was Head of Blunders school,
+ Before the age of stokers,
+ Compelled by rank to look a fool
+ Betwixt a pair of "chokers,"
+
+ Tom Tanner's father's wrote, to say
+ That we should both of us come,
+ To spend Saint Michael's holiday
+ At the Vicarage of Buscombe.
+
+ One trifle marred this merry plan&mdash;
+ I had contrived, though barr'd up,
+ To typify the future man,
+ By getting very hard up.
+
+ Oh bimetallic champion, some
+ New ratio doth seem proper,
+ When the circulating medium
+ Has fallen to half a copper.
+
+ Vile mammon hence! Thy low amount
+ Too paltry is to mope for;
+ The more we have in hand to count,
+ The less in heart to hope for.
+
+ Bright youth itself is golden ore,
+ And health the best gold-beater:
+ Without a sigh for two pence more,
+ We passed the gates of Peter.
+
+ A nod suffices surly Cop,
+ Who grins his <i>bona fides</i>;
+ As Cerberus preferred his sop
+ To Orpheus and Alcides.
+
+ But Mother Cop! Her cooking knack
+ Would conquer fifty Catos&mdash;
+ The Queen of tarts, and tuck, and tack,
+ And cream, and fried potatoes.
+
+ And rashers! Sweet Ulysses, say
+ Old Homer was mistaken;
+ The Goddess must have had her way,
+ And turned thee into bacon.
+
+ That Circe came, and wished us joy,
+ And said, "Goodbye, my dearie!"
+ Because I was an honest boy,
+ And <i>pauper tneo ære</i>.
+
+ So Tom and I, like men on strike,
+ Shook hands with all our cronies,
+ Walked fifty yards, to save the pike,
+ And jumped upon our ponies.
+
+ Of apples, nuts, and goose galore
+ I chattered, like a stupid,
+ And thought of shooting coneys, more
+ Than being shot by Cupid.
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ At racing pace the turnpike road
+ (Great Western, in this quicker age)
+ Was swallowed up with whip and goad,
+ And soon we saw the Vicarage.
+
+ A sweet seclusion, to forget
+ The world and its disasters,
+ And fill the mind with mignonette,
+ Clove-pinks, and German asters;
+
+ In pensive, or in playful mood,
+ To saunter here, and dally
+ With leafy calm of solitude,
+ Or sunshine of the valley.
+
+ The Vicar loved his parish well,
+ And well was he loved by it;
+ Religion did not him compel
+ To harass and defy it
+
+ No price he charged for Heavenly love,
+ No discount on <i>Resurgo</i>;
+ His conscience told him&mdash;one side-shove
+ Is worth ten kicks <i>a tergo</i>.
+
+ But while the path of life he showed
+ To win the Christian guerdon,
+ No post was he, to point the road,
+ But a man to share the burden.
+
+ The lapse of years made manifest
+ The sanctuary of holy age;
+ As clearer grows the ring-dove's nest,
+ When time hath stripp'd the foliage.
+
+ The Vicar's wife was much the same,
+ In fairer form presented&mdash;
+ A lively, yet a quiet dame,
+ With home, sweet home, contented.
+
+ In parish, needs; and household arts,
+ A lesson to this glib age;
+ Well versed in pickles, jams, and tarts,
+ Piano, chess, and cribbage.
+
+ And well she loved the flowers, that speak
+ A language undefiled&mdash;
+ The flowers that lift the dimpled cheek,
+ Or droop the dewy eyelid.
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ Now, if she lingers after us,
+ What ground have we for snarling?
+ What act prohibits private buss,
+ Reserved for "Tommy darling"?
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ But who are these, so fresh and sweet,
+ In lovely hats and dresses,
+ Who half advance, and half retreat,
+ And peep through clouds of tresses?
+
+ "Come, dears!" They shyly offer hand,
+ Beneath the jasmin trellis;
+ "Say who you are, girls"&mdash;Charlotte, and
+ Her sister, Caroline Ellis!
+
+ Sweet Charlotte hath a serious face,
+ A gaze almost parental;
+ A type of every maiden grace,
+ But a wee bit sentimental.
+
+ Bright Caroline hath eyes that dance,
+ While buoyant airs engirdle her;
+ Her playful soul may love romance,
+ But not a creepy curdler.
+
+ Sweet Charlotte's are the deep grey eyes
+ That win profound devotion;
+ Bright Carry's flash, like azure skies,
+ With heliograph in motion.
+
+ As merry as the vintage ray,
+ That dances down the grape-rill;
+ As tender as the dews of May,
+ Or apple-buds of April.
+
+ Their charms are safe to grow more bright
+ For at least two lustral stages;
+ And so it seems not unpolite
+ To enquire what their age is.
+
+ "Last May, I was fifteen"; with glee
+ Replies the laughing Carry;
+ Sage Charlotte adds&mdash;"And I shall be
+ Seventeen, next February."
+
+ To the dining-room we walk on air,
+ Disdaining jots and tittles;
+ To feed seems such a low affair&mdash;
+ And yet, hurrah for victuals!
+
+ Could e'en a boy ply knife and fork,
+ In presence so poetic,
+ Until the vicar draws a cork,
+ And gives the sniff prophetic?
+
+ And when the evening games began,
+ Pope Joan, and Speculation&mdash;
+ What head could keep its poise and plan,
+ With the heart in palpitation?
+
+ Until, in soft white-curtained bed,
+ We sink to slumber lowly,
+ And angels fan the childish head,
+ With visions sweet and holy.
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ "Now I do declare," exclaimed our host,
+ As he strode back from the arish,
+ "Those railway fellows soon will boast
+ They have undermined my parish!
+
+ "Though none can say I have ever set
+ My face against improvement,
+ I cannot quite perceive as yet
+ The good of this new movement
+
+ "Like Hannibal, these folk confound
+ All nature's institutions,
+ And shun, with a great dive underground,
+ Parochial contributions!
+
+ "Come boys and girls, let us see their craft,
+ These hills of Devon will task it;
+ 'Tis a pretty walk to White-Ball shaft,
+ If the boys will take a basket
+
+ "Dear wife; if your poor feet are right,
+ The miracles of this cycle
+ Will give you a noble appetite,
+ For the roast goose of Saint Michael."
+
+ In a twinkle, we had baskets twain
+ Of the right stuff for a journey,
+ And beautiful gooseberry Champagne,
+ Superior to Epernay,
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ What myriad joys of heart and mind
+ Flit in and out our brief age!
+ That day it was grand to see how kind
+ The sun looked through the leafage!
+
+ While the leaves for their part pricked their lips,
+ With a dewy simper waiting;
+ They were conscious of some amber tips&mdash;
+ But those Were his own creating.
+
+ Can the heart of man alone be dull,
+ And the mind of man be spiteful,
+ When all above is beautiful,
+ And all below delightful?
+
+ When Season bright, and Season rich,
+ Make bids against each other;
+ And earth, uncertain which is which,
+ Smiles up at Nature Mother.
+
+ The copse, the lane, the meadow path,
+ The valleys, banks, and hedges,
+ Were green with summer's aftermath,
+ And gold with autumn's pledges.
+
+ Wild rose hung coral beads above,
+ And satchel'd nuts grew nigh them;
+ Like tips of a little maiden's glove,
+ Ere ever she has to buy them.
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ But ours are not the maids to bite
+ A gore or gusset undone;
+ How neat they look, how trim and tight!
+ Those frocks were made in London.
+
+ Long time, we glance in awe and doubt,
+ Suppressing all frivolity;
+ Till the spirit of the age breaks out,
+ And all is mirth and jollity.
+
+ One flash, that stole from eyes demure,
+ Hath scattered all convention;
+ And then a pearly laugh makes sure
+ That fun is her intention.
+
+ The smiling elders march ahead;
+ We dance, without a fiddler,
+ We play at cross-touch, White and Red,
+ Tip-cat, and Tommy Tidier.
+
+ We laugh and shout, much more than speak,
+ No etiquette importunes;
+ The trees were made for hide-and-seek,
+ The flowers to tell our fortunes;
+
+ The hills, for pretty girls to pant,
+ And glow with richer roses;
+ The wind itself, to toss askant
+ The curls that hide their noses.
+
+ Then sprightly Carry shouts in French&mdash;
+ "All boys and girls, come nutting!"
+ We are slipping down a mighty trench&mdash;
+ Why, it is the Railway cutting I
+
+ Before us yawns a dark-browed arch,
+ Paved with a muddy runnel;
+ A thousand giant navvies march
+ To delve the White-Ball tunnel.
+
+ Oh, if a man of them but did
+ Presume to glance at Carry,
+ Though he were Milo, or John Ridd,
+ I would toss him to Old Harry.
+
+ I pull my jacket off, like him
+ Who would shatter England's pillars&mdash;
+ From the tunnel comes an order grim,
+ "Get out of the way you chillers!"
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ And the same stern order doth apply
+ To the pranks of this remote age!
+ We are sure alike to be thrust by,
+ In our nonage, and our dotage.
+
+ Yet who shall grudge the tranquil age,
+ When nought can now betide ill,
+ To glance, from a distant hermitage,
+ At a summer morning idyll?
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ Oh agony, despair, and woe!
+ Oh two-edged sword to us come!
+ To Blundell's must the body go,
+ While the heart remains at Buscombe.
+
+ All breakfast time, how glum we looked!
+ Our tears were threatening dribblets;
+ Too truly had our goose been cooked,
+ To leave us e'en our giblets.
+
+ Sweet Charlotte, did you share the thrill,
+ The pang; no throat may utter,
+ And strive an aching void to fill
+ With heartless toast and butter?
+
+ And were you sad, bright Caroline,
+ Although you never said so?
+ You did cast down your lovely eyne,
+ And you crumbled up your bread so!
+
+ But the Vicar's views were more sublime,
+ As he asked in all simplicity,
+ "My youthful friends, what is the prime
+ Of all mundane felicity?"
+
+ My answer, though it sounded cool,
+ Was given with trepidation&mdash;
+ "To stay at home, and send to school
+ The rising generation."
+
+ A gentle smile flits o'er his lip,
+ He eyes me with benignity;
+ He yearns to offer goodly tip,
+ Yet fears to wound my dignity.
+
+ True benefactor, be not shy,
+ Thou seest a humble fellow,
+ Thy noble impulse gratify&mdash;.
+ My stars, if it isn't yellow!
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ But time is over, and above,
+ To end this charming visit;
+ And must we part my own true love?
+ Though I am not sure, which is it.
+
+ Sweet Charlotte lingered in the shade,
+ Most gentle of all houris;
+ Bright Carry in the lobby played
+ With a pair of polished cowries.
+
+ She showed me how alike they were,
+ So Heaven had pleased to make them.
+ Though fortune might divide the pair,
+ She ne'er could separate them.
+
+ I blushed, and stammered at her touch,
+ I feared to beg for either;
+ My heart was in my mouth so much,
+ I could say "Goodbye" to neither.
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ Two strings are wise for every bow,
+ To meet the change of weather;
+ And Cupid's shafts give softer blow,
+ When two are tied together.
+
+ Oh, Charlotte sweet, and Carry bright,
+ My whole, or double-half love,
+ Let no maturer wisdom slight
+ A simple tale of calf-love.
+
+ A blessing on the maiden grace,
+ That beautifies the real,
+ To make the world a fairer place,
+ And lift the low ideal!
+
+ If one, or both, by any chance,
+ Behold what I confess here,
+ Make auld lang syne of young romance,
+ By sending your address here.
+
+ And answer&mdash;as I trust you can,
+ When time is flying faster,
+ That he hath served you better than
+ Your humble poetaster.
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ <i>Postscript (a Fact)</i>
+
+ This have they done&mdash;and oh, by Jove,
+ Not altered by a fraction!
+ If then they were too sweet to love,
+ What are they now? Distraction.
+
+ Of course they must be ever young;
+ How could I be so stupid?
+ Time fell in love with both, and flung
+ His calendar to Cupid!
+</pre>
+ <p>
+ <a name="linkimage-0022" id="linkimage-0022">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/175.jpg" alt="175. " width="100%" /><br />
+ </div>
+ <p>
+ <br /> <br /> <a name="linkfame" id="linkfame"></a><br />
+ </p>
+ <h2>
+ TO FAME
+ </h2>
+<pre xml:space="preserve">
+ I
+
+ Right Fairy of the morn, with flowers arrayed,
+ Whose beauties to thy young pursuer seem
+ Beyond the ecstasy of poet's dream&mdash;
+ Shall I overtake thee, ere thy lustre fade?
+
+ II
+
+ Ripe glory of the noon, august, and proud,
+ A vision of high purpose, power, and skill,
+ That melteth into mirage of good-will&mdash;
+ Do I o'ertake thee, or embrace a cloud?
+
+ III
+
+ Gray shadow of the evening, gaunt and bare,
+ At random cast, beyond me or above,
+ And cold as memory in the arms of love&mdash;
+ If I o'ertook thee now, what should I care?
+</pre>
+ <p>
+ <a name="linkimage-0023" id="linkimage-0023">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/176.jpg" alt="176. " width="100%" /><br />
+ </div>
+<pre xml:space="preserve">
+ IV
+
+ "No morn, or noon, or eve am I," she said;
+
+ "But night&mdash;the depth of night behind the sun;
+ By all mankind pursued; but never won,
+ Until my shadow falls upon a shade."
+</pre>
+ <p>
+ 1894. <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Fringilla: Some Tales In Verse, by
+Richard Doddridge Blackmore
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+</html>
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+The Project Gutenberg EBook of Fringilla: Some Tales In Verse, by
+Richard Doddridge Blackmore
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Fringilla: Some Tales In Verse
+
+Author: Richard Doddridge Blackmore
+
+Illustrator: Louis Fairfax-Muckley and James W. R. Linton
+
+Release Date: August 31, 2007 [EBook #22474]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK FRINGILLA: SOME TALES IN VERSE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+FRINGILLA: SOME TALES IN VERSE
+
+By Richard Doddridge Blackmore
+
+Illustrated by Louis Fairfax-Muckley and James W. R. Linton
+
+
+CONTENTS:
+
+ TO MY PEN
+
+ LITA OF THE NILE
+
+ KADISHA; OR, THE FIRST JEALOUSY
+
+ MOUNT ARAFA
+
+ THE WELL OF SAINT JOHN
+
+ PAUSIAS AND GLYCERA; OR, THE FIRST FLOWER-PAINTER
+
+ BUSCOMBE; OR, A MICHAELMAS GOOSE
+
+ FAME
+
+
+[Illustration: 013]
+
+
+[_Fringilla loquitur_]
+
+"What means your finch?"
+
+"Being well aware that he cannot sing like a Nightingale,
+He flits about from tree to tree, and twitters a little tale."
+
+ Albeit he is an ancient bird, who tried
+ his pipe in better days, and then was
+ scared by random shots, he is fain to
+ lift the migrant wing once more towards the
+ humble perch, among the trees he loves. All
+ gardeners own that he does no harm, unless
+ he flits into a thicket of young buds, or a very
+ choice ladies' seed-bed. And he hopes that he is
+ now too wise to commit such indiscretions.
+
+ Perhaps it would have been wiser still to
+ have shut up his little mandible, or employed it
+
+ only upon grub. But the long gnaw of last
+ winter's frost, which set mankind a-shivering,
+ even in their most downy nest, has made them
+ kindly to the race that has no roof for shelter
+ and no hearth for warmth.
+
+ Anyhow, this little finch can do no harm,
+ if he does no good; and if he pleases nobody,
+ he will not be surprised, because he has never
+ satisfied himself.
+
+ May-day, 1895.
+
+
+NOTE
+
+With kind consent of Messrs. Harper, "Buscombe" returns in altered form
+from the other side of the ocean. Two other little tales appeared of
+old, but nobody would look at them, and now they are offered after
+careful trimming.
+
+Standing afar. I gaze with doubt at other trimmings which are not mine.
+They have conquered the taste of the day perhaps, and high art announces
+them as her last transfiguration. Moreover they are highly recommended--
+as the purest art not always is--by the modesty of the artist.
+
+
+The cover design, borders, initial letters and the whole of the
+full-page illustrations--with the exception of the three to 'Pausias
+and Glycera' by James W. R. Linton--are by Louis Fairfax-Muckley.
+
+
+[Illustration: 017.]
+
+
+
+ I
+
+ Thou feeble implement of mind,
+ Wherewith she strove to scrawl her
+ name;
+ But, like a mitcher, left behind
+ No signature, no stroke, no claim,
+ No hint that she hath pined--
+
+ Shall ever come a stronger time,
+ When thou shalt be a tool of skill,
+ And steadfast purpose, to fulfil
+ A higher task than rhyme?
+
+ II
+
+ Thou puny instrument of soul,
+ Wherewith she labours to impart
+ Her efforts at some arduous goal;
+ But fails to bring thy coarser art
+ Beneath a fine control--
+
+ Shall ever come a fairer day,
+ When thou shalt be a buoyant plume,
+ To soar, where clearer suns illume,
+ And fresher breezes play?
+
+[Illustration: 020.]
+
+[Illustration: 023.]
+
+ III
+
+ Thou weak interpreter of heart,
+ So impotent to tell the tale
+ Of love's delight, of envy's smart,
+ Of passion, and ambition's bale,
+ Of pride that dwells apart--
+
+ Shall I, in length of time, attain
+ (By walking in the human ways,
+ With love of Him, who made and sways)
+ To ply thee, less in vain?
+
+ If so, thou shalt be more to me
+ Than sword, or sceptre, flag, or crown;
+ With mind, and soul, and heart in thee,
+ Despising gold, and sham renown;
+
+ But truthful, kind, and free--
+ Then come; though now a pithless quill,
+ Uncouth, unfledged, indefinite,--
+ In time, thou shalt be taught to write,
+ By patience, and good-will.
+
+
+
+
+LITA OF THE NILE
+
+A TALE IN THREE PARTS
+
+PART I
+
+ I
+
+ "KING, and Father, gift and giver,
+ God revealed in form of river,
+ Issuing perfect, and sublime,
+ From the fountain-head of time;
+
+ "Whom eternal mystery shroudeth,
+ Unapproached, untracked, unknown;
+ Whom the Lord of heaven encloudeth
+ With the curtains of His throne;
+
+ "From the throne of heaven descending,
+ Glory, power, and goodness blending,
+ Grant us, ere the daylight dies,
+ Token of thy rapid rise,"
+
+ II
+
+ Ha, it cometh! Furrowing, flashing,
+ Red blood rushing o'er brown breast;
+ Peaks, and ridges, and domes, dashing
+ Foam on foam, and crest on crest!
+
+ 'Tis the signal Thebes hath waited,
+ Libyan Thebes, the hundred-gated:
+ Rouse, and robe thee, River-priest
+ For thy dedication feast!
+
+ Follows him the loveliest maiden,
+ Afric's thousand hills can show;
+ White apparel'd, flower-laden,
+ With the lotus on her brow.
+
+ III
+
+ Votive maid, who hath espousal
+ Of the river's high carousal;
+ Twenty cubits if he rise,
+ This shall be his bridal prize.
+
+ Calm, and meek of face and carriage,
+ Deigning scarce a quicker breath,
+ Comes she to the funeral marriage,
+ The betrothal of black death.
+
+ Rosy hands, and hennaed fingers,
+ Nails whereon the onyx lingers,
+ Clasped, as at a lover's tale,
+ In the bosom's marble vale.
+
+
+ IV
+
+ Silvery scarf, her waist enwreathing,
+ Wafts a soft Sabaean balm;
+ Like a cloud of incense, breathing
+ Round the column of a palm:
+
+ Snood of lilies interweaveth
+ (Giving less than it receiveth)
+ Beauty of her clustered brow,
+ Calmly bent upon us now.
+
+ Through her dark hair, spread before
+ See the western glory wane,
+ As in groves of dim Cytorus,
+ Or the bowers of Taprobane!
+
+
+ V
+
+ See, the large eyes, lit by heaven,
+ Brighter than the Sisters Seven,
+ (Like a star the storm hath cowed)
+ Sink their flash in sorrow's cloud.
+
+ There the crystal tear refraineth,
+ And the founts of grief are dry;
+ "Father, Mother--none remaineth;
+ All are dead; and why not I?"
+
+ Yet, by God's will, heavenly beauty
+ Owes to Heaven alone its duty;
+ Off ye priests, who dare adjudge
+ Bride, like this, to slime and sludge!
+
+
+ VI
+
+ When they tread the river's margent,
+ All their mitred heads are bowed--
+ What hath browned the ripples argent,
+ Like the plume of thunder-cloud?
+
+ Where yestreen the water slumbered,
+ With a sickly crust encumbered,
+ Leapeth now a roaring flood,
+ Wild as war, and red as blood.
+
+ Every billow hurries quicker,
+ Every surge runs up the strand;
+ While the brindled eddies flicker,
+ Scourged as with a levin brand.
+
+ VII
+
+ Every bulrush, parched and welted,
+ Lifts his long joints yellow-belted;
+ Every lotus, faint and sick,
+ Hangs her fragrant tongue to lick.
+
+ Countless creatures, lone unthought of,
+ Swarm from every hole and nook;
+ What is man, that he make nought of
+ Other entries in God's book?
+
+ Scorpions, rats, and lizards flabby,
+ Centipedes, and hydras scabby,
+ Asp, and slug, and toad, whose gem
+ Outlasts human diadem.
+
+ VIII
+
+ Therefore hath the priest-procession
+ Causeway clean of sandal-wood;
+ That no foul thing make transgression
+ On the votive maiden's blood.
+
+ Pure of blood and soul, she standeth
+ Where the marble gauge demandeth,
+ Marble pillar, with black style,
+ Record of the rising Nile,
+
+ White-robed priests around her kneeling,
+ Ibis-banner floating high,
+ Conchs, and drums, and sistrals pealing,
+ And Sesostris standing nigh.
+
+ IX
+
+ He, whose kingdom-city stretches
+ Further than our eyesight fetches;
+ Every street it wanders down
+ Larger than a regal town;
+
+ Built, when each man was a giant,
+ When the rocks were mason's stones,
+ When the oaks were osiers pliant,
+ And the mountains scarcely thrones;
+
+ City, whose Titanic portals
+ Scorn the puny modern mortals,
+ In thy desert winding-sheet,
+ Sacred from our insect feet.
+
+ X
+
+ Thebes No-Amon, hundred-gated,
+ Every gate could then unfold
+ Cavalry ten thousand, plated,
+ Man and horse, in solid gold.
+
+ Glancing back through serried ranges,
+ Vivid as his own phalanges,
+ Every captain might espy
+ Equal host in sculpture vie;
+
+ Down Piromid vista gazing,
+ Ten miles back from every gate,
+ He can see that temple blazing,
+ Which the world shall never mate.
+
+ XI
+
+ But the Nile-flood, when it swelleth,
+ Recks not man, nor where he dwelleth;
+ And--e'en while Sesostris reigns--
+ Scarce five cubits man attains.
+
+ Lo, the darkening river quaileth,
+ Like a swamp by giant trod,
+ And the broad commotion waileth,
+ Stricken with the hand of God I
+
+ When the rushing deluge raging
+ Flung its flanks, and shook the staging,
+ Priesthood, cowering from the brim,
+ Chanted thus its faltering hymn.
+
+ XII
+
+ "Ocean sire, the earth enclasping,
+ Like a babe upon thy knee,
+ In thy cosmic cycle grasping
+ All that hath been, or shall be;
+
+ "Thou, that art around and over
+ All we labour to discover;
+ Thou, to whom our world no more
+ Than a shell is on thy shore;
+
+ "God, that wast Supreme, or ever
+ Orus, or Osiris, saw;
+ God, with whom is no endeavour,
+ But thy will eternal law:
+
+ XIII
+
+ "We, who keep thy feasts and fastings,
+ We, who live on thy off-castings,
+ Here in low obeisance crave
+ Rich abundance of thy wave.
+
+ "Seven years now, for some transgression,
+ Some neglect, or outrage vile,
+ Vainly hath our poor procession
+ Offered life, and soul to Nile.
+
+ "Seven years now of promise fickle,
+ Niggard ooze, and paltry trickle,
+ Freshet sprinkling scanty dole,
+ Where the roaring flood should roll.
+
+ XIV
+
+ "Therefore are thy children dwindled,
+ Therefore is thine altar bare;
+ Wheat, and rye, and millet spindled,
+ And the fruits of earth despair.
+
+ "Men with haggard bellies languish,
+ Bridal beds are strewn with anguish,
+ Mothers sell their babes for bread,
+ Half the holy kine are dead.
+
+ "Is thy wrath at last relaxing?
+ Art thou merciful, once more?
+ Yea, behold the torrent waxing!
+ Yea, behold the flooded shore!
+
+ XV
+
+ "Nile, that now with life-blood tidest,
+ And in gorgeous cold subsidest,
+ Richer than our victor tread
+ Stirred in far Hydaspes' bed;
+
+ "When thy swelling crest o'er-waveth
+ Yonder twenty cubit mark,
+ And thy tongue of white foam laveth
+ Borders of the desert dark,
+
+ "This, the fairest Theban maiden,
+ Shall be thine, with jewels laden;
+ Lift thy furrowed brow, and see
+ _Lita_, dedicate to thee!"
+
+[Illustration: 032.]
+
+ XVI
+
+ Thus he spake, and lowly stooping
+ O'er the Calasiris hem,
+ Took the holy water, scooping
+ With a bowl of lucid gem;
+
+ Chanting from the Bybline psalter
+ Touched he then her forehead altar;
+ Sleeking back the trickled jet,
+ There the marriage-seal he set.
+
+ "None of mortals dare pursue thee,
+ None come near thy hallowed side:
+ Nile's thou art, and he shall woo thee,--
+ Nile, who swalloweth his bride."
+
+ XVII
+
+ With despair's mute self-reliance,
+ She accepted death's affiance;
+ She, who hath no home or rest,
+ Shrank not from the river's breast.
+
+ Haply there she shall discover
+ Father, lost in wilds unknown,
+ Mother slain, and youthful lover,
+ Seen as yet in dreams alone.
+
+ Ha! sweet maid, what sudden vision
+ Hath dispelled thy cold derision?
+ What new picture hast thou seen,
+ Of a world that might have been?
+
+ XVIII
+
+ From Mount Seir, Duke Iram roveth,
+ Three renewals of the moon:
+ To see Egypt him behoveth,
+ Ere his life be past its noon.
+
+ Soul, and mind, at first fell under
+ Flat discomfiture of wonder,
+ With the Nile before him spread,
+ Temple-crowned, and tempest-fed!
+
+ Yet a nobler creed he owneth,
+ Than to worship things of space:
+ One true God his heart enthroneth
+ Heart that throbs with Esau's race.
+
+ XIX
+
+ Thus he stood, with calm eyes scorning
+ Idols, priests, and their adorning;
+ Seeing, e'en in nature's show,
+ Him alone, who made it so.
+
+ "God of Abraham, our Father,
+ Earth, and heaven, and all we see,
+ Are but gifts of thine, to gather
+ Us, thy children, back to Thee.
+
+ "All the grandeur spread before us,
+ All the miracles shed o'er us,
+ Echoes of the voice above,
+ Tokens of a Father's love."
+
+ XX
+
+ While of heaven his heart indited,
+ And his dark eyes swept the crowd,
+ Sudden on the maid they lighted,
+ Mild and haughty, meek and proud.
+
+ Rapid as the flash of sabre,
+ Strong as giant's toss of caber,
+ Sure as victor's grasp of goal,
+ Came the love-stroke through his soul
+
+ Gently she, her eyes recalling,
+ Felt that Heaven had touched their flight,
+ Peeped again, through lashes falling,
+ Blushed, and shrank, and shunned the light
+
+ XXI
+
+ Ah, what booteth sweet illusion,
+ Fluttering glance, and soft suffusion,
+ Bliss unknown, but felt in sighs,
+ Breast, that shrinks at its own rise?
+
+ She, who is the Nile's devoted,
+ Courted with a watery smile;
+ Her betrothal duly noted
+ By the bridesmaid Crocodile!
+
+ So she bowed her forehead lowly,
+ Tightened her tiara holy;
+ And, with every sigh suppressed,
+ Clasped her hands on passion's breast.
+
+
+PART II
+
+ I
+
+ Twice the moon hath waxed and wasted,
+ Lavish of her dew-bright horn;
+ And the wheeling sun hath hasted
+ Fifty days, towards Capricorn.
+
+ Thebes, and all the Misric nation,
+ Float upon the inundation;
+ Each man shouts and laughs, before
+ Landing at his own house door.
+
+ There the good wife doth return it,
+ Grumbling, as she shows the dish,
+ Chervil, basil, chives, and burnet
+ Feed, instead of seasoning, fish.
+
+ II
+
+ Palm trees, grouped upon the highland,
+ Here and there make pleasant island;
+ On the bark some wag hath wrote--
+ "Who would fly, when he can float?"
+
+ Udder'd cows are standing--pensive,
+ Not belonging to that ilk;
+ How shall horn, or tail defensive,
+ Keep the water from their milk?
+
+ Lo, the black swan, paddling slowly,
+ Pintail ducks, and sheldrakes holy,
+ Nile-goose flaked, and herons gray,
+ Silver-voiced at fall of day!
+
+ III
+
+ Flood hath swallowed dikes and hedges,
+ Lately by Sesostris planned;
+ Till, like ropes, its matted edges
+ Quiver on the desert sand.
+
+ Then each farmer, brisk and mellow,
+ Graspeth by the hand his fellow;
+ And, as one gone labour-proof,
+ Shakes his head at the drowned shadoof
+
+ Soon the Nuphar comes, beguiling
+ Sedgy spears, and swords around,
+ Like that cradled infant smiling,
+ Whom, the royal maiden found.
+
+ IV
+
+ But the time of times foe wonder,
+ Is when ruddy sun goes under;
+ And the dusk throws, half afraid,
+ Silver shuttles of long shade.
+
+ Opens then a scene, the fairest
+ Ever burst on human view;
+ Once behold, and thou comparest
+ Nothing in the world thereto.
+
+ While the broad flood murmurs glistening
+ To the moon that hangeth listening--
+ Moon that looketh down the sky,
+ Like an aloe-bloom on high--
+
+ V
+
+ Sudden conch o'er the wave ringeth!
+ Ere the date-leaves cease to snake,
+ All, that hath existence, springeth
+ Into broad light, wide-awake.
+
+ As at a window of heaven thrown up,
+ All in a dazzling blaze are shown up,
+ Mellowing, ere our eyes avail,
+ To some soft enchanter's tale.
+
+ Every skiff a big ship seemeth,
+ Every bush with tall wings clad;
+ Every man his good brain deemeth
+ The only brain that is not mad.
+
+ VI
+
+ Hark! The pulse of measured rowing,
+ And the silver clarions blowing,
+ From the distant darkness, break
+ Into this illumined lake.
+
+ Tis Sesostris, lord of nations,
+ Victor of three continents,
+ Visiting the celebrations,
+ Priests, and pomps, and regiments.
+
+ Kings, from Indus, and Araxes,
+ Ister, and the Boreal axes,
+ Horsed his chariot to the waves,
+ Then embarked, his galley-slaves.
+
+ VII
+
+ Glittering stands the giant royal,
+ Four tall sons are at his back;
+ Twain, with their own corpses loyal,
+ Bridged the flames Pelusiac.
+
+ As he passeth, myriads bless him,
+ Glorious Monarch all confess him,
+ Sternly upright, to condone
+ No injustice, save his own.
+
+ He, well-pleased, his sceptre swingeth,
+ While his four sons strike the gong;
+ Till the sparkling water ringeth
+ Joy and laughter, joke and song.
+
+ VIII
+
+ Ah, but while loud merry-making
+ Sets the lights and shadows shaking,
+ While the mad world casts away
+ Every thought that is not gay,
+
+ Hath not earth, our sweet step-mother,
+ Very different scene hard by,
+ Tossing one, and trampling other,
+ Some to laugh, and some to sigh?
+
+ Where the fane of Hathor Iowereth,
+ And the black Myrike embowereth,
+ Weepeth one her life gone by;
+ Over young, oh death, to die!
+
+ IX
+
+ Nay, but lately she was yearning
+ To be quit of life's turmoil,
+ In the land of no returning,
+ Where all travel ends, and toil.
+
+ What temptations now entice her?
+ What hath made the world seem nicer?
+ Whence the charm, that strives anew
+ To prolong this last adieu?
+
+ Ah, her heart can understand it,
+ Though her tongue can ne'er explain:
+ Let yon granite Sphinx demand it--
+ Riddle, ever solved in vain.
+
+ X
+
+ No constraint of hands hath bound her,
+ Not a chain hath e'er been round her;
+ Silver star hath sealed her brow,
+ Holy as an Isis cow.
+
+ Free to wander where she listeth;
+ No immurement must defile
+ (So the ancient law insisteth)
+ This, the hallowed bride of Nile.
+
+ What recks Abraham's descendant
+ Idols, priests, and pomps attendant?
+ And how long shall nature heed
+ What the stocks and stones decreed?
+
+ XI
+
+ "Fiendish superstitions hold thee
+ To a vile and hideous death.
+ Break their bonds; let love enfold thee;
+ Off, and fly with me;"--he saith.
+
+ "Off! while priests are cutting capers--
+ Priests of beetles, cats, and tapirs,
+ Brutes, who would thy beauty truck,
+ For an inch of yellow muck.
+
+ "Lo, my horse, _Pyropus_, yearneth
+ For the touch of thy light form;
+ Like the lightning, his eye burneth;
+ And his nostril, like the storm.
+
+ XII
+
+ "What are those unholy pagans?
+ Can they ride? No more than Dagons.
+ Fishtails ne'er could sit a steed;
+ That belongs to Esau's seed.
+
+ "I will make thee Queen of far lands,
+ Flocks, and herds, and camel-trains,
+ Milk and honey, fruit and garlands,
+ Vines and venison, woods and wains.
+
+ "God is with us; He shall speed us;
+ Or (if this vile crew impede us)
+ Let some light into their brain,
+ By the sword of Tubal Cain."
+
+ XIII
+
+ "Nay," she answered, deeply sighing,
+ As the maid grew womanish--
+ "Love, how hard have I been trying'
+ To believe the thing I wish!
+
+ "Thou hast taught me holy teachings,
+ Where to offer my beseechings,
+ Homage due to Heaven alone,
+ Not to ghosts, and graven stone,
+
+ "Thou hast shown me truth and freedom,
+ Love, and faith in One most High;
+ But thou hast not, Prince of Edom,
+ Taught me therewithal, to lie.
+
+ XIV
+
+ "Little cause had I for fretting,
+ None on earth to be regretting;
+ Till I saw thee, brave and kind;
+ And my heart undid my mind.
+
+ "Better, if the Gods had slain me,
+ When no difference could be;
+ Ere the joy had come to pain me,
+ And, alas, my dear one, thee!
+
+ "But shall my poor life throw shame on
+ Royal lineage of Amor?
+ Tis of Egypt's oldest strains;
+ Kingly blood flows in my veins.
+
+ XV
+
+ "Thou hast seen; my faith is plighted,
+ That I will not fly my doom.
+ Honour is a flower unblighted,
+ Though the fates cut off its bloom.
+
+ "I have sent my last sun sleeping,
+ And I am ashamed of weeping.
+ God, my new God, give me grace
+ To be worthy of my race.
+
+ "Though this death our bodies sever,
+ Thou shalt find me there above;
+ Where I shall be learning ever,
+ To be worthy of thy love."
+
+ XVI
+
+ From his gaze she turned, to borrow
+ Pride's assistance against sorrow--
+ God vouchsafes that scanty loan,
+ When He taketh all our own.
+
+ Sudden thought of heaven's inspiring
+ Flashed through bold Duke Iram's heart;
+ Angels more than stand admiring,
+ When a man takes his own part.
+
+ 'Tis the law the Lord hath taught us,
+ To undo what Satan wrought us;
+ To confound the foul fiend's plan,
+ With the manliness of man.
+
+ XVII
+
+ "Thou art right," he answered lowly,
+ As a youth should sneak a maid;
+ "Like thyself, thy word is holy;
+ Love is hate, if it degrade.
+
+ "But when thou hast well surrendered,
+ And thy sacrifice is tendered--
+ God do so, and more to me,
+ If I slay not, who slay thee!
+
+ "Abraham's God hath ne'er forsaken
+ Them who trust in Him alway.
+ Thy sweet life shall not be taken.
+ Rest, and calm thee, while I pray."
+
+ XVIII
+
+ Like a little child, that kneeleth
+ To tell God whate'er he feeleth,
+ Bent the tall young warrior there,
+ And the palm-trees whispered prayer.
+
+ She, outworn with woe and weeping,
+ Shared that influence from above;
+ And the fear of death went sleeping
+ In the maiden faith and love.
+
+ Less the stormy water waileth,
+ E'en the human tumult faileth;
+ Stars their silent torches light,
+ To conduct the car of night
+
+
+
+
+PART III
+
+ I
+
+ Lo, how bright-eyed morn awaketh
+ Tower and temple, nook and Nile;
+ How the sun exultant maketh
+ All the world return his smile!
+
+ O'er the dry sand, vapour twinkleth,
+ Like an eye when old age wrinkleth;
+ While, along the watered shore
+ Runs a river of gold ore.
+
+ Temple-front and court resemble
+ Mirrors swung in wavering light;
+ While the tapering columns tremble
+ At the view of their own height.
+
+ II
+
+ Marble shaft, and granite portal,
+ Statues of the Gods immortal
+ Quiver, with their figures bent,
+ In a liquid pediment
+
+ Thence the flood-leat followeth swiftly,
+ Where the peasant, spade in hand,
+ Guideth many a runnel deftly
+ Through his fruit and pasture-land;
+
+ Oft, the irriguous bank cross-slicing,
+ Plaited trickles he keeps enticing;
+ Till their gravelly gush he feels,
+ Overtaking his brown heels.
+
+ III
+
+ Life--that long hath born the test of
+ More than ours could bear, and live,
+ Springs anew, to make the best of
+ Every chance the Gods may give,
+
+ Doum-tree stiffeneth flagging feather;
+ Pate-leaves cease to cling together;
+ Citrons clear their welted rind;
+ Vines their mildewed sprays unwind.
+
+ Gourds, and melons, spread new lustre
+ On their veiny dull shagreen;
+ While the starred pomegranates cluster
+ Golden balls, with pink between.
+
+ IV
+
+ Yea, but heaven hath ordered duly,
+ Lest mankind should wax unruly,
+ Egypt, garner of all lore,
+ Narrow as a threshing-floor.
+
+ East, and West, lies desolation,
+ Infinite, untracked, untold
+ Shroud for all of God's creation,
+ When the wild blast lifts its fold;
+
+ There eternal melancholy
+ Maketh all delight unholy;
+ As a stricken widow glides
+ Past a group of laughing brides.
+
+ Who is this, that so disdaineth
+ Dome and desert, fear and fate;
+ While his jewell'd horse he reineth.
+ At Amen-Ra's temple-gate?
+
+ He, who crushed the kings of Asia,
+ Like a pod of colocasia;
+ Whom the sons of Anak fled,
+ Puling infants at his tread.
+
+ Who, with his own shoulders, lifted
+ Thrones of many a conquered land;
+ Who the rocks of Scythia rifted--
+ King Sesostris waves his hand
+
+ VI
+
+ Blare of trumpet fills the valley;
+ Slowly, and majestically,
+ Swingeth wide, in solemn state,
+ Lord Amen-Ra's temple-gate.
+
+ Thence the warrior-host emeigeth,
+ Casque, and corselet, spear, and shield;
+ As the tide of red ore suigeth
+ From the furnace-door revealed.
+
+ After them, tumultuous rushing,
+ Mob, and medley, crowd, and crushing;
+ And the hungry file of priests,
+ Loosely zoned for larger feasts.
+
+ VII
+
+ "Look!" The whispered awe enhances
+ With a thrill their merry treat;
+ As one readeth grim romances,
+ In a sunny window-seat
+
+ "Look! It is the maid selected
+ For the sacrifice expected:
+ By the Gods, how proud and brave
+ Steps she to her watery grave!"
+
+ Strike up cymbals, gongs, and tabours,
+ Clarions, double-flutes, and drums;
+ All that bellows, or belabours,
+ In a surging discord comes.
+
+ VIII
+
+ Scarce Duke Iram can keep under
+ His wild steed's disdain and wonder,
+ While his large eyes ask alway--
+ "Dareth man attempt to neigh?"
+
+ He hath snuffed the great Sahara,
+ And the mute parade of stars;
+ Shall he brook this shrill fanfara,
+ Ramshorns, pigskins, screechy jars?
+
+ What hath he to do with rabble?
+ Froth is better than their babble;
+ Let him toss them flakes of froth,
+ To pronounce his scorn and wrath.
+
+ IX
+
+ With his nostrils fierce dilating,
+ With his crest a curling sea,
+ All his volumed power is waiting
+ For the will, to set it free.
+
+ "Peace, my friend!" The touch he knoweth
+ Calms his heart, howe'er it gloweth:
+ Horse can shame a man, to quell
+ Passion, where he loveth well.
+
+ "Nay, endure we," saith the rider,
+ "Till her plighted word be paid;
+ Then, though Satan stand beside her,
+ God shall help me swing this blade."
+
+ X
+
+ Lo, upon the deep-piled dais,
+ Wrought in hallowed looms of Sais,
+ O'er the impetuous torrent's swoop,
+ Stands the sacrificial group!
+
+ Tall High-priest, with zealot fires
+ Blazing in those eyeballs old,
+ Swathes him, as his rank requires,
+ Head to foot, in linen fold.
+
+ Seven attendants round him vying,
+ In a lighter vesture plying,
+ Four with skirts, and other three
+ Tunic'd short from waist to knee.
+
+ XI
+
+ Free among them stands the maiden,
+ Clad in white for her long rest;
+ Crowned with gold, and jewel-laden,
+ With a lily on her breast
+
+ Lily is the mark that showeth
+ Where that pure and sweet heart gloweth;
+ Here must come, to shed her life,
+ Point of sacrificial knife.
+
+ Here the knife is, cold and gleaming,
+ Here the colder butcher band.
+ Was the true love nought but dreaming,
+ Feeble heart, and coward hand?
+
+ XII
+
+ Strength unto the weak is given,
+ When their earthly bonds are riven;
+ Ere the spirit is called away,
+ Heaven begins its tranquil sway.
+
+ Life hath been unstained, and therefore
+ Pleasant to look back upon;
+ But there is not much to care for,
+ When the light of love is gone.
+
+ Still, though love were twice as fleeting,
+ Longeth she for one last greeting;
+ If her eyes might only dwell
+ Once on his, to say farewell
+
+ XIII
+
+ "Glorious Hapi," spake Piromis,
+ Lifting high his weapon'd hand;
+ "Earth thy footstool, heaven thy dome is,
+ We the pebbles on thy strand.
+
+ "Thou hast leaped the cubits twenty,
+ Dowering us with peace and plenty;
+ Mutha shows thee her retreat,
+ And the desert licks thy feet,
+
+ "We have passed through our purgation,
+ Once again we are thy kin;
+ God, accept our expiation,
+ Maiden pure of mortal sin."
+
+ XIV
+
+ "Ha!" the king cried, smiling blandly;
+ "Ha!" the trumpets answered grandly.
+ Proudly priest whirled, knife on high,
+ While the maiden bowed--to die.
+
+ Sudden, through the ranks beside her,
+ Scattering men, like sparks of flint,
+ Burst a snow-white horse and rider,
+ Rapid as the lightning's glint.
+
+ One blow hurls Arch-priest to quiver
+ Headless, in his beloved river,
+ In the twinkling of an eye,
+ All the rest are dead, or fly.
+
+ XV
+
+ Iram, from _Pyropus_ sweeping,
+ As a mower swathes the rye,
+ Caught his love, in terror sleeping,
+ And her light form swings on high.
+
+ "Soul of Khons!" Sesostris shouted,
+ Striding down the planks blood-grouted--
+ Into his beard fell something light,
+ And he spat, and swooned with fright.
+
+ What hath made this great king stagger,
+ Reel, and shriek--"unclean, unclean!"
+ Thunderbolt, or flash of dagger?
+ Nay, 'twas but a garden bean.
+
+ XVI
+
+ Brave _Pyropus_, blood-bespattered,
+ Snorts at men and corpses scattered,
+ Throws his noble chest more wide,
+ Leaps into the leaping tide.
+
+ Vainly hiss a thousand arrows,
+ Launched at random through the foam;
+ Every stroke the distance narrows
+ Twixt him and his desert home.
+
+ Sorely tried, and passion-shaken,
+ Long amid her foes forsaken,
+ Now, in tumult of surprise,
+ Lita knows not where she lies.
+
+[Illustration: 056.]
+
+ XVII
+
+ Till a bright wave breaks upon her,
+ And her clear perceptions wake--
+ All his valour, prowess, honour,
+ Scorn of life, for her poor sake!
+
+ Gently then her eyes she raises,
+ (Eyes, whence all the pure soul gazes)
+ Softly brings her lips to his--
+ Lips, wherein the whole heart is.
+
+ Let the furious waters welter,
+ Let the rough winds roar above;
+ Waves are warmth, and storms are shelter,
+ In the upper heaven of love.
+
+ XVIII
+
+ Fierce the flood, and wild the danger;
+ Yet the noble desert-ranger
+ Flinches not, nor flags, before
+ He hath brought them safe ashore.
+
+ Lives there man, who would have striven,
+ Reckless thus of storm and sword;
+ Leaped into the gulf, and given
+ Heart and soul, to please his Lord?
+
+ With caresses they have plied him,
+ Hand in hand they kneel beside him,
+ While their mutual vows they plight
+ To the God of life and light
+
+ XIX
+
+ Ha! What meaneth yon sword-flashing?
+ Trumps, and shouts from wave and isle?
+ Lo, the warrior galleys dashing,
+ To avenge insulted Nile!
+
+ Haste! The brave steed, leaping lightly,
+ 'Neath his double burden sprightly,
+ Challenges, with scornful note,
+ Every horse in Pharaoh's boat.
+
+ King of Egypt, curb thy rages;
+ Lo, how trouble should be borne!
+ Memnon soothes the woe of ages,
+ With a sweet song, every morn.
+
+[Illustration: 062.]
+
+[Illustration: 065.]
+
+
+
+
+KADISHA; OR, THE FIRST JEALOUSY
+
+AN EASTERN LEGEND
+
+HERE IS A CURIOUS LEGEND AS TO THE ORIGIN OP JEALOUSY. WHEN ADAM AND EVE
+WERE IN PARADISE, THE FORMER WAS ACCUSTOMED TO RETIRE AT EVENTIDE TO THE
+RECESSES OF THE GARDEN, FOR THE PURPOSE OF PRAYER. ON ONE OF THESE
+OCCASIONS THE DEVIL APPEARED TO EVE, AND INFORMED HER THAT HER SOLITUDE
+WAS TO BE ACCOUNTED FOR BY THE ATTRACTIONS OF ANOTHER FAIR ONE. EVE
+REPLIED THAT IT COULD NOT BE SO, AS SHE WAS THE ONLY WOMAN IN EXISTENCE.
+"IF I SHOW YOU ANOTHER, WILL YOU BELIEVE ME?" RETURNED THE EVIL ONE, AND
+PRODUCED A MIRROR, IN WHICH SHE SAW HER OWN REFLECTION, AND MISTOOK
+IT FOR HER RIVAL. See "_Life in Abyssinia_," by Mr. Parkyns.
+Murray, Albemarle Street.
+
+The Kadisha, flowing to the south of Lebanon, is called
+"the holy river," as having been a minor stream of Paradise.
+
+[Illustration: 066.]
+
+
+
+PART I
+
+ True love's regale is incomplete,
+ 'Till bitter leaven make it sweet;
+ Accept not then our tale amiss,
+ That jealousy was part of bliss;
+ But rather note a mercy here,
+ That fact was thus outrun by fear;
+ And so, before the harder bout,
+ When sin must be encountered too,
+ A woman's heart already knew
+ The way to conquer doubt
+
+ I
+
+ "When sleep was in the summer air,
+ And stars looked down on Paradise,
+ And palms and cedars answered fair
+ The visionary night-wind's sighs,
+ And murmuring prayer:
+
+ When every flower was in its hood
+ (By clasps of diamond dew retained),
+ Or sunk to elude Phalcena's brood,
+ Down slumber's breast with shadows veined,
+ In solitude:
+
+ The citron, stephanote, and rose,
+ Pomegranate, hoya, calycanth,
+ And yet unwanted amaranth,
+ Were sweetness in repose:
+
+ II
+
+ When rivulets were loth to creep,
+ Except unto the pillow moss,
+ And distant lake, encurtained deep,
+ Was but a silver thread across
+ The eyes of sleep:
+
+ When nightingales, in the sycamore,
+ Sang low and soft, as an echo dreaming;
+ And slept the moon upon heaven's shore--
+ The tidal shore of heaven, beaming
+ With lazuled ore:
+
+ When new-born earth was fain to lean
+ In Summer's arms, recovering
+ The unaccustomed toil of Spring,
+ Why slept not Eve, their Queen?
+
+ III
+
+ Upon a smooth fern-mantled stone
+ She sat, and watched the wicket-gate,
+ Not timid in her woman's throne,
+ Nor lonely in her sinless state,
+ Though all alone;
+
+ For having spread her simple board
+ With grapes, and peaches, milk, and flowers,
+ She strewed sweet mastic o'er the sward,
+ And waited through the bridal hours
+ Step of her lord.
+
+ Such innocence around her breathed,
+ And freshness of young nature's play,
+ The sensitive plant shrank not away,
+ And cactus' swords were sheathed.
+
+ IV
+
+ The vision of her beauty fell,
+ Like music on a moonlit place,
+ Or trembles of a silver bell,
+ Or memories of a sacred face,
+ Too dear to tell:
+
+ The grace that wandered free of laws,
+ The look that lit the heart's confession,
+ Had never dreamed how fair it was;
+ Nor guessed that purity's expression
+ Is beauty's cause:
+
+ No more that unenquiring heart
+ Perused the sweet home of her breast,
+ Than turtle-doves unline their nest
+ To scan the outer part
+
+ V
+
+ Although, in all that garden fair,
+ Whate'er delight abode, or grew,
+ Flowers, and trees, and balmy air,
+ Fountains, and birds, and heaven blue
+ Beyond compare:
+
+ In her their various charms had met,
+ And grown more varied by combining,
+ As budded plants do give and get,
+ Each inmate doubling while resigning
+ His several debt:
+
+ And yet she nursed one joy, above
+ Her thousand charms, nor bora of them,
+ But blooming on a single stem--
+ Her true faith in her love.
+
+ VI
+
+ And though, before she heard his foot,
+ The moon had climbed the homestead palm,
+ Flinging to her the shadowed fruit,
+ And tree-frogs ceased to break the calm,
+ And birds were mute,
+
+ With sudden transport ever new,
+ She blushed, and sprang from forth the bower,
+ Her eyes, as bright as moon-lit dew,
+ Her bosom glad as snow-veiled flower,
+ When sun shines through;
+
+ He, with a natural dignity
+ Untaught self-consciousness by harm,
+ Sustained her with his manly arm,
+ And smiled upon her glee.
+
+ VII
+
+ Next day, when early evening shone
+ Along the walks of Paradise,
+ Strewing with gold the hills, her throne,
+ Embarrassing the winds with spice
+ (Too rich a loan),
+
+ Fair Eve was in her bower of ease,
+ A cool arcade of fruit and flowers,
+
+ From North and East enclasped by trees,
+ But open to the Western showers,
+ And Southern breeze.
+
+ Here followed she her gardening trade,
+ Her favourites' simple needs attending,
+ And singing soft, above them bending,
+ A song herself had made.
+
+ VIII
+
+ In evening's calm, she walked between
+ The tints and shades of rich delight,
+ While overhead came, arching green,
+ Many a shrub and parasite,
+ To crown their Queen;
+
+ There laughed the joy of the rose, among
+ Myrtle and Iris, heaven's eye,
+ Magnole, with cups of moonlight hung,
+ And Fuchsia's sunny chandlery,
+ And coral tongue;
+
+ And where the shy brook fluttered through,
+ Nepenthe held her chalice leaf
+ (Undrained as yet by human grief),
+ And broad Nymphaea grew.
+
+ IX
+
+ But where the path bent towards the wood,
+ Across it hung a sombre screen,
+ The deadly night-shade, leaden-hued;
+ And there behind it, darkly seen,
+ A Being stood:
+
+ The form, if any form it had,
+ Was likest to a nightly vision
+ In mantle of amazement clad,
+ A terror-sense, without precision,
+ Of something bad.
+
+ A tremble chilled the forest shade,
+ A roving lion turned and fled,
+ The birds cowered home in hush of dread;
+ But Eve was not afraid.
+
+ X
+
+ She stood before him, sweetly bold,
+ To keep him from her garden shrine,
+ With hair that fell, a shower of gold,
+ Around her figure's snowy line
+ And rosy mould:
+
+ He (with a re-awakened sense
+ Of goodness, long for ever lost,
+ And angel beauty's pure defence)
+ Shrank back, unable to accost
+ Such innocence:
+
+ But envy soon scoffed down his shame;
+ And with a smile, designed for fawning,
+ But like hell's daybreak sickly dawning,
+ His crafty accents came.
+
+ XI
+
+ "Sweet ignorance, 'tis sad and hard
+ To break thy fond confiding spell;
+ And my soft heart hath such regard
+ For thine, that I will never tell
+ What may be spared."
+
+ He turned aside, o'erwhelmed with pain,
+ And drew a sigh of deep compassion:
+ She trembled, flushed, and gazed again,
+ And prayed him quick, in woman's fashion,
+ To speak it plain:
+
+ "Then, if thou must be taught to grieve,
+ And scorn the guile thou hast adored--
+ The man who calls himself thy lord,
+ Where goes he, every eve?"
+
+ XII
+
+ "Nay, then," she cried, "if that be all,
+ I care not what thou hast to say;
+ The guile that lurks therein is small--
+ My husband but retires to pray,
+ At evening call."
+
+ "To pray? Oh yes, and on his knees
+ May-hap to find a lovely being:
+ Devotions so devout as these
+ Are best at night, with no one seeing,
+ Among the trees."
+
+ She blushed as deep as modesty,
+ Then glancing back as bright as cride,
+ "What woman can he find,' she cried,
+ "In all the world, but me?"
+
+ XIII
+
+ He laughed with a superior sneer,
+ Enough to shake e'en woman's faith;
+ "Wilt thou believe me, simple dear,
+ If I am able now," he saith,
+ "To show her here?"
+
+ She cried aloud with gladsome heart,
+ "Be that the test whereon to try thee;
+ Nature and heaven shall take my part:
+ Come, show this rival; I defy thee
+ And all thy art."
+
+ A mirror, held in readiness,
+ He set upright before her feet--
+ "Now can thy simple charms compete
+ With beauty such as this?"
+
+ XIV
+
+ A lovelier sight therein she saw
+ Than ever yet had charmed her eyes,
+ A fairer picture, void of flaw,
+ Than any, even Paradise
+ Itself, could draw;
+
+ A woman's form of perfect grace,
+ In shadowy softness delicate;
+ Though flushed by sunset's rich embrace,
+ A white rose could not imitate
+ Her innocent face:
+
+ Then, through the deepening glance of fear,
+ The shaft of doubt came quivering,
+ The sorrow-shaft--a sigh its wing,
+ And for its barb a tear.
+
+ XV
+
+ "Ah me!" she cried, "too true it is!
+ A simple homely thing, like Eve,
+ Hath not a chance to rival this,
+ But must resign herself to grieve
+ O'er by-gone bliss.
+
+ "Till now it was enough for me
+ To be what God our Father made;
+ Oh, Adam, I was proud to be
+ (As I have felt, and thou hast said)
+ A part of thee.
+
+ "No marvel that my lord can spare
+ His true and heaven-appointed bride.
+ And yet affection might have tried
+ To fancy me as fair."
+
+ XVI
+
+ The Tempter, glorying in his wile,
+ Hath ta'en his mirror and withdrawn;
+ Again the flowers look up and smile,
+ And brightens off from air and lawn
+ The taint of guile.
+
+ But smiles come not again to Eve,
+ Nor brightens off her dark reflection:
+ Her garland-crown she hath ceased to weave,
+ And, plucking, maketh no selection;
+ Only to grieve.
+
+ She feels a dewy radiance steep
+ The languid petals of her eyes,
+ And hath another sad surprise,
+ To know the way to weep,
+
+
+
+PART II
+
+ The tears were still in woman's eyes,
+ When morn awoke on Paradise;
+ And still her sense of shame forbade
+ To tell her grievance, or upbraid;
+ Nor knew she which was dearer cost,
+ To seek him, or to shun him most
+ Then Adam, willing to believe
+ A heart by casual fancy moved
+ Would soon come back, at voice she loved,
+ Addressed his song to Eve.
+
+ I
+
+ "Come fairest, while the morn is fair,
+ And dews are bright as yon clear eyes;
+ Calm down this tide of troubled hair,
+ Forget with me all other sighs
+ Than summer air.
+
+ "Like me, the woodland shadows roam
+ At light (their fairer comrade's) side;
+ And peace and joy salute our home;
+ And lo, the sun in all his pride--
+ My sunshine, come!
+
+ "The fawns and birds, that know our call,
+ Are waiting for our presence--see,
+ They wait my presence, love; and thee,
+ The most desired of all.
+
+ II
+
+ "The trees, which thought it grievous thing
+ To weep their own sweet leaves away,
+ Untaught as yet how soon the Spring
+ Upon their nestled heads should lay
+ Her callow wing--
+
+ "The trees, whereat we smiled again,
+ To see them, in their growing wonder,
+ Suppose their buds were verdant rain,
+ Until the gay winds rustled under
+ Their feathered train,
+
+ "Lo, now they stand in braver mien,
+ And, claiming stronger shadow-right,
+ Make prisoner of the intrusive light,
+ And strew the winds with green.
+
+ III
+
+ "Of all the flowers that bow the head,
+ Or gaze erect on sun and sky,
+ Not one there is, declines to sned,
+ Or standeth up, to qualify
+ His incense-meed:
+
+ "Of all that blossom one by one,
+ Or join their lips in loving cluster,
+ Not one hath now resolved alone,
+ Or taken counsel, that his lustre
+ Shall be unshown.
+
+ "So let thy soul a blossom be,
+ To breathe the fragrance of its praise,
+ And lift itself, in early days,
+ To Him who fosters thee.
+
+ IV
+
+ "Of all the founts, bedropped with light,
+ Or silver-tress'd with shade of trees,
+ Not one there is, but sprinkles bright
+ It's plume of freshness on the breeze,
+ And jewelled flight:
+
+ "Of all that hush among the moss,
+ Or babble to the lily-vases,
+ Not one there is but purls across
+ A gush of the delight, that causes
+ It's limpid gloss.
+
+ "So let thy heart a fountain be,
+ To rise in sparkling joy, and fall
+ In dimpled melody--and all
+ For love of home, and me."
+
+ V
+
+ The only fount her heart became
+ Rose quick with sighs, and fell in tears;
+ While pink upon her white cheek came,
+ (Like apple-blossom among pear's)
+ The tinge of shame.
+
+ Her husband, pierced with new alarm,
+ Bent nigh to ask of her distresses,
+ Enclasping her with sheltering arm,
+ Unwinding by discreet caresses,
+ The thread of harm.
+
+ Then she, with sobs of slow relief
+ (For silence is the jail of care)
+ Confessed, for him to heal or share,
+ The first of human grief.
+
+ VI
+
+ "I cannot look on thee, and think
+ That thou has ceased to hold me dear;
+ I cannot break the loosened link:
+ When thou, my only one, art near,
+ How can I shrink?
+
+ "So it were better, love--I mean,
+ My lord, it is more wise and right--
+ That I, as one whose day hath been,
+ Should keep my pain from pleasure's sight,
+ And dwell unseen.
+
+ "And--though it break my heart to say--
+ However sad my loneliness,
+ I fear thou wouldst rejoice in this--
+ To have me far away.
+
+ VII
+
+ "I know not how it is with man,
+ Perhaps his nature is to change,
+ On finding consort fairer than--
+ But oh, I cannot so arrange
+ My nature's plan!
+
+ "And haply thou hast never thought
+ To vex, or make me feel forsaken;
+ But, since to thee the thing was nought,
+ Supposed 'twould be as gaily taken,
+ As lightly brought.
+
+ "Yet, is it strange that I repine,
+ And feel abased in lonely woe,
+ To lose thy love--or e'en to know
+ That half of it is mine?
+
+ VIII
+
+ "For whom have I on earth but thee,
+ What heart to love, or home to bless?
+ Albeit I was wrong, I see,
+ To think my husband took no less
+ Delight in me.
+
+ "But even now, if thou wilt stay,
+ Or try at least no more to wander,
+ And let me love thee, day by day,
+ Till time, or habit, make thee fonder
+ (If so it may)--
+
+ "Thou shalt have one more truly bent,
+ In homely wise, on serving thee,
+ Than any stranger e'er can be;
+ And Eve shall seem content."
+
+ IX
+
+ Not loud she wept--but hope could hear;
+ Sweet hope, who in his lifelong race
+ Made terms, to win the goal from fear,
+ That each alternate step should trace
+ A smile and tear.
+
+ But Adam, lost in wide amaze,
+ Regarded her with troubled glances,
+ Misdoubting 'neath her steady gaze,
+ Himself to be in strange romances,
+ And dreamy haze:
+
+ Then questioning in hurried voice,
+ And scarcely waiting her replies,
+ He spoke, and showed the true surprise
+ That made her soul rejoice.
+
+ X
+
+ She told him what the Tempter said,
+ And what her frightened self had seen,
+ (That form in loveliness arrayed,
+ With modest face, and graceful mien)
+ And how displayed.
+
+ Then well-content to show his bride
+ The worldly knowledge he possessed,
+ (That world whereof was none beside)
+ He laid his hand upon his breast,
+ And thus replied:--
+
+ "Wife, mirror'd here too deep to see,
+ "A little way down yonder path,
+ "And I will show the form which hath
+ "Enchanted thee, and me."
+
+ XI
+
+ Kadisha is a streamlet fair,
+ Which hurries down the pebbled way,
+ As one who hath small time to spare,
+ So far to go, so much to say
+ To summer air;
+
+ Sometimes the wavelets wimple in
+ O'erlapping tiers of crystal shelves,
+ And little circles dimple in,
+ As if the waters quaffed themselves,
+ The while they spin:
+
+ Thence in a clear pool, overbent
+ With lotus-tree and tamarind flower,
+ Empearled, and lulled in golden bower,
+ Kadisha sleeps content.
+
+ XII
+
+ Their steps awoke the quiet dell;
+ The first of men was smiling gay;
+ Still trembled Eve beneath the spell,
+ The mystery of that passion-sway
+ She could not quell.
+
+ As they approached the silver strand,
+ He plucked a moss-rose budding sweetly,
+ And wreathing bright her tresses' band,
+ Therein he set the blossom featly,
+ And took her hand:
+
+ He led her past the maiden-hair,
+ Forget-me-not, and meadow-sweet,
+ Until the margin held her feet,
+ Like water-lilies fain
+
+ XIII
+
+ "Behold," he cried, "on yonder wave,
+ The only one with whom I stray,
+ The only image still I have,
+ Too often, even while I pray
+ To Him who gave.
+
+ The form she saw was long unknown,
+ Except as that beheld yestreen;
+ Till viewing, not that form alone,
+ But his, with hands enclasped between,
+ She guessed her own.
+
+[Illustration: 088..]
+
+ And, bending o'er in sweet surprise,
+ Perused, with simple child's delight,
+ The flowing hair, and forehead white,
+ And soft inquiring eyes.
+
+ XIV
+
+ Then, blushing to a fairer tint
+ Than waves might ever hope to catch,
+ "I see," she cried, "a lovely print;
+ But surely I can never match
+ This lily glint!
+
+ "So pure, so innocent, and bright,
+ So charming free, without endeavour,
+ So fancy-touched with pensive light I
+ I think that I could gaze for ever,
+ With new delight
+
+ "And now that rose-bud in my hair,
+ Perhaps it should be placed above--
+ And yet, I will not change it, love,
+ Since mou hast set it there.
+
+ XV
+
+ "Vain Eve, why glory thus in Eve?
+ What matter Tor thy form or face?
+ Thy beauty is, if love believe
+ Thee worthy of that treasured place
+ Thou ne'er shalt leave.
+
+ "Oh, husband; mine and mine alone,
+ Take back my faith that dared to wander;
+ Forgive my joy to have thee shown
+ Not transient, as thine image yonder,
+ But all my own.
+
+ "And, love, if this be vain of me,
+ This pleasure, and the pride I take;
+ Tis only for thy dearer sake,
+ To be so fair to thee."
+
+ XVI
+
+ No more she said; but smiling fell,
+ And lost her sorrow on his breast;
+ Her love-bright eyes upon him dwell,
+ Like troubled waters laid at rest
+ In comfort's well:
+
+ Tis nothing more, an' if she weep,
+ Than joy she cannot else reveal;
+ As onyx-gems of Pison keep
+ A tear-vein, where the sun may steal
+ Throughout their deep.
+
+ May every Adam's fairer part
+ Thus, only thus, a rival find--
+ The image of herself, enshrined
+ Within the faithful heart!
+
+[Illustration: 092.]
+
+[Illustration: 095.]
+
+
+
+
+MOUNT ARAFA
+
+IN TWO PARTS
+
+"Mount Arafa, situated about a mile from Mecca, is held in great
+veneration by the Mussulmans, as a place very proper for penitence. Its
+fitness in this respect is accounted for by a tradition that Adam and
+Eve, on being banished out of Paradise, in order to do penance for their
+transgression were parted from each other, and after a separation of
+six score years, met again upon this mountain." Ockley's "_History of
+the Saracens_," p. 60
+
+
+
+THE PARTING
+
+ I
+
+ Driven away from Eden's gate
+ With biasing falchions fenced about,
+ Into a desert desolate,
+ A miserable pair came out,
+ To meet their fate.
+
+ To wander in a world of woe,
+ To ache and starve, to burn and shiver,
+ With every living thing their foe--
+ The fire of God above, the river
+ Of death below.
+
+ Of home, of hope, of Heaven bereft;
+ It is the destiny of man
+ To cower beneath his Maker's ban,
+ And hide from his own theft!
+
+ II
+
+ The father of a world unborn--
+ Who hath begotten death, ere life--
+ In sullen silence plods forlorn;
+ His love and pride in his fair wife
+ Are rage and scorn.
+
+ Instead of Angel ministers,
+ What hath he now but fiends devouring;
+ Instead of grapes and melons, burs;
+ In lieu of manna, crab and souring--
+ By whose fault? Hers!
+
+ Alack, good sire of feeble knees,
+ New penance waits thee; since--when thus
+ Thou shouldst have wept for all of us--
+ Thou mournest thine own ease I
+
+ III
+
+ The mother of all loving wives
+ (Condemned unborn to many a tear)
+ Is fain to take his hand, and strives
+ In sorrow to be doubly dear--
+ But shame deprives.
+
+[Illustration: 098.]
+
+ The shame, the woe, the black surprise,
+ That love's first dream should have such ending,
+ To weep, and wipe neglected eyes I
+ Oh loss of true love, far transcending
+ Lost Paradise!
+
+ For is it faith, that cannot live
+ One gloomy hour, and soar above
+ The clouds of fate? And is it love,
+ That will not e'en forgive?
+
+ IV
+
+ The houseless monarch of the earth
+ Hath quickly found what empire means;
+ For while he scoffs with bitter mirth,
+ And curses, after Eden's scenes,
+ This dreary dearth.
+
+ A snake, that twined in playful zeal,
+ But yester morn, around his ankle,
+ Now driven along the dust to steal,
+ Steals up, and leaves its venom'd rankle
+ Deep in his heel.
+
+ He groans awhile. He seeks anon
+ For comfort to this first of pain,
+ Where all his sons to-day are fain;
+ He seeks--but Eve is gone!
+
+
+PART I--ADAM
+
+ _O'er hill, and highland, moor, and plain,
+ A hundred years, he seeks in vain;
+ Oer hill and plain, a hundred years,
+ He pours the sorrow no one hears;
+ Yet finds, as wildest mourners find,
+ Some ease of heart in toil of mind._
+
+ I
+
+ "YE mountains, that forbid the day,
+ Ye glens, that are the steps of night,
+ How long amid you must I stray,
+ Deserted, banished from God's sight,
+ And castaway?
+
+ "Ye trees and flowers the Lord hath made,
+ Ye beasts, to my good-will committed--
+ Although your trust hath been betrayed--
+ Not long ago ye would have pitied
+ Your old comrade.
+
+ "Oh, nature, noblest when alone,
+ Albeit I love your outward part;
+ The nature that enthrals my heart
+ Must be more like my own.
+
+ II
+
+ "The Maker once appointed me--
+ I know not, and I care not why--
+ The lord of everything I see,
+ Or if they walk, or swim, or fly,
+ Whate'er they be.
+
+ "And all the earth whereon they dwell,
+ And all the heavens they are inhaling,
+ And powers, whereof I cannot tell--
+ Dark miscreants, supine and wailing,
+ Until I fell.
+
+ "Twas good and glorious to believe;
+ But now mv majesty is o'er;
+ And I would give it all, and more,
+ For one sweet glimpse of Eve.
+
+ III
+
+ "For what is glory, what is power?
+ And what the pride of standing first?
+ A twig struck down by a thunder shower,
+ A crown of thistle to quench the thirst,
+ A sun-scorched flower.
+
+ "God grant the men who spring from me,
+ As knowledge waxeth deep and splendid,
+ To find a loftier pedigree
+ Than any by the Lord intended--
+ Frog, slug, or tree!
+
+ "So shall they live, without the grief
+ Of having womankind to love,
+ Find nought below, and less above,
+ And be their own belief.
+
+ IV
+
+ "So weak was I, so poorly taught,
+ By any but my Maker's voice,
+ Too happy to indulge in thought,
+ Which gives me Tittle to rejoice,
+ And ends in nought.
+
+ "But now and then, my path grows clear,
+ My mind casts off its grim confusion,
+ When I have chanced on goodly cheer:
+ Then happiness seems no delusion,
+ Even down here.
+
+ "With love and faith, to bless the curse,
+ To heal the mind by touch of heart,
+ To make me feel my better part,
+ And fight against the worse.
+
+ V
+
+ "It may be that I did o'erprize,
+ Above the Giver, that rare gift,
+ Ungird my will for softer ties,
+ And hold my manhood little thrift
+ To woman's eyes.
+
+ "So far she was, so full of grace,
+ So innocent with coy caresses,
+ So proud to step at my own pace,
+ So rosy through her golden tresses;
+ And such a face!
+
+ "Suffice my sins; I'll ne'er approve
+ A thought against my faithful Eve;
+ Suffice my sins; I'll never believe.
+ That it was one, to love.
+
+ VI
+
+ "Oh; love, if e'er this desert plain,
+ Where I must sweat with axe and spade,
+ Shall hold a people sprung from twain,
+ Or better made by Him, who made
+ That pair in vain.
+
+ "Shall any know, as we have known,
+ Thy rapture, terror, vaunting, fretting,
+ Profound despair, ecstatic tone,
+ Crowning of reason, and upsetting
+ Of reason's throne?
+
+ "Bright honey quaffed from cells of gall,
+ Or crimson sting from creamy rose--
+ Thy heavenly half from Eden flows,
+ Thy venom from our fall."
+
+ _Awhile he ceased; far scorching woe
+ Had made a drought of vocal flow;
+ When hungry, weary, desolate,
+ A fox crept home to his defis gate.
+ The sight brought Adam's memory back,
+ And touched him with a keener lack._
+
+ VII
+
+ "Home! Where is home? Of old I thought
+ (Or felt in mystery of bliss)
+ That so divinely was I wrought
+ As not to care for that or this,
+ And value nought;
+
+ "But sit or saunter, rest or roam,
+ Regarding all things most sublimely,
+ As if enthroned on heaven's dome;
+ Away with paltry and untimely
+ Hankerings for _Home!_
+
+ "But now the weary heart is fain
+ For shelter in some lowly nest--
+ To sink upon a softer breast,
+ And smile away its pain,
+
+ VIII
+
+ "For me, what home, what hope is left?
+ What difference of good or ill?
+ Of all I ever loved bereft,
+ Disgraced, discarded, outlawed still,
+ For one small theft!
+
+ "I sicken of my skill and pride;
+ I work, without a bit of caring.
+ The world is waste, the world is wide;
+ Why make good things, with no one sharing
+ Them at my side?
+
+ "What matters how I dwell, or die?
+ Away with such a niggard life!
+ The Lord hath robbed me of my wife;
+ And life is only I.
+
+ IX
+
+ "God, who hast said it is not good
+ For man, thy son, to live alone;
+ Is everlasting solitude,
+ When once united bliss was known,
+ A livelier food?
+
+ "Can'st thou suppose it right or just,
+ When thine own creature so misled us,
+ In virtue of our simple trust,
+ To torture us like this, and tread us
+ Back into dust?
+
+ "Oh, fool I am. Oh, rebel worm!
+ If, when immortal, I was slain,
+ For daring to impugn his reign,
+ How shall I, thus infirm?
+
+ X
+
+ "Woe me, poor me! No humbler yet,
+ For all the penance on me laid!
+ Forgive me, Lord, if I forget
+ That I am but what Thou hast made,
+ My soul Thy debt!
+
+ "Inspire me to survey the skies,
+ And tremble at their golden wonder;
+ To learn the space that _I_ comprise,
+ At once to marvel, and to ponder,
+ And drop mine eyes.
+
+ "And grant me?--for I do but find,
+ In seeking more than God hath shown,
+ I scorn His power and lose my own--
+ Grant me a lowly mind.
+
+ XI
+
+ "A lowly mind! Thou wondrous sprite,
+ Whose frolics make their master weep;
+ Anon, endowed with eagle's flight,
+ Anon, too impotent to creep,
+ Or blink aright;--
+
+ "Howe'er, thy trumpery flashes play
+ Among the miracles above thee,
+ Be taught to feel thy Maker's sway,
+ To labour, so that He shall love thee,
+ And guide thy way.
+
+ "Be led, from out the cloudy dreams
+ Of thy too visionary part,
+ To listen to the whispering heart,
+ And curb thine own extremes.
+
+ XII
+
+ "Then hope shall shine from heaven, and give
+ To fruit of hard work, sunny cheek,
+ And flowers of grace and love revive,
+ And shrivelled pasturage grow sleek,
+ And corn snail thrive.
+
+ "Beholding gladness, Eve and I,
+ Enfolding it also in each other,
+ May talk of heaven without a sigh;
+ Because our heaven in one another
+ Love shall supply.
+
+ "For courage, faith, and bended knees,
+ By stress of patience, cure distress,
+ And turn wild _Love-in-idleness_
+ Into the true _Heartsease_."
+
+ _The Lord breathed on the first of men,
+ And strung his limbs to strength again;
+ He scorned a century of ill,
+ And girt his loins to climb the parting hill._
+
+
+PART II--EVE
+
+ _Meanwhile through lowland, holt, and glade,
+ Sad Eve her lonely travel made;
+ Not fierce, or proud, but well content
+ To own the righteous punishment;
+ Yet found, as gentle mourners find,
+ The hearts confession soothe the mind._
+
+ I
+
+ "Ye valleys, and ye waters vast,
+ Who answer all that look on you
+ With shadows of themselves, that last
+ As long as they, and are as true--
+ Where hath he past?
+
+ "Oh woods, and heights of rugged stone,
+ Oh weariness of sky above me,
+ For ever must I pine and moan,
+ With none to comfort, none to love me,
+ Alone, alone?
+
+ "Thou bird, that hoverest at heaven's gate,
+ Or cleavest limpid lines of air,
+ Return--for thou hast one to care--
+ Return to thy dear mate.
+
+ II
+
+ "For trie, no joy of earth or sky,
+ No commune with the things I see,
+ But dreary converse of the eye
+ With worlds too grand to look at me--
+ No smile, no sigh!
+
+ "In vain I fall Upon my knees,
+ In vain I weep and sob for ever;
+ All other miseries have ease,
+ All other prayers have ruth--but never
+ Any for these.
+
+ "Are we endowed with heavenly breath,
+ And God's own form, that we should win
+ A proud priority of sin,
+ And teach creation death?
+
+ III
+
+ "Not, that is too profound for me,
+ Too lofty for a fallen thing.
+ More keenly do I feel than see;
+ Far liefer would I, than take wing,
+ Beneath it be.
+
+ "The night--the dark--will soon be here,
+ The gloom that doth my heart appal so I
+ How can I tell what may be near?
+ My faith is in the Lord--but also
+ He hath made fear.
+
+ "I quail, I cower, I strive to flee;
+ Though oft I watched without affright,
+ The stern magnificence of night,
+ When Adam was with me
+
+ IV
+
+ "My husband! Ah, I thought sometime
+ That I could do without him well,
+ Communing with the heaven at prime,
+ And in my womanhood could dwell
+ Calm and sublime.
+
+ "Declining, with a playful strife,
+ All thoughts below my own transcendence,
+ All common-sense of earth and life,
+ And counting it a poor dependence
+ To be his wife,
+
+ "But now I know, by trouble's test,
+ How little my poor strength can bear,
+ What folly wisdom is, whene'er
+ The grief is in the breast!
+
+ "The grief is in my breast, because
+ I have not always been as kind
+ As woman should, by nature's laws,
+ But showed sometimes a wilful mind,
+ Carping at straws.
+
+ "While he, perhaps, with larger eyne,
+ Was pleased, instead of vexed, at seeing
+ Some little petulance in mine,
+ And loved me all the more, for being;
+ Not too divine.
+
+ "Until the pride became a snare,
+ The reason a deceit, wherein
+ I dallied face to face with sinh
+ And made a mortal pair.
+
+ VI
+
+ "Dark sin, the deadly foe of love,
+ All bowers of bliss thou shalt infest,
+ Implanting thorns the flowers above,
+ And one black feather in the breast
+ Of purest dove.
+
+ "Almighty Father, once our friend,
+ And ready even now to love us.
+ Thy pitying gaze upon us bend,
+ And through the tempest-clouds above us
+ Thine arm extend.
+
+ "That so thy children may begin
+ In lieu of bliss, to earn content,
+ And find that sinful Eve was meant
+ Not only for a sin."
+
+ _Awhile she ceased; for memory's flow
+ Had drowned the utterance of woe;
+ Until a young hind crossed the lawn,
+ And fondly trotted forth her fawn,
+ Whose frolics of delight made Eve,
+ As in a weeping vision, grieve._
+
+ VII
+
+ "For me, poor me, no hope to learn
+ That sweeter bliss than Paradise,
+ The joy that makes a mother yearn
+ O'er that bright message from the skies
+ Her pains do earn.
+
+ She stoops entranced; she fears to stir,
+ Or think; lest each a thought endanger
+ (While two enraptured hearts confer)
+ That wonderful and wondering stranger,
+ Come home to her,
+
+ "He watches her, in solemn style;
+ A world of love flows to and fro;
+ He smiles; that he may learn to know
+ His mother by her smile.
+
+ VIII
+
+ "Oh, bliss, that to all other bliss
+ Shall be as sunrise unto night,
+ Or heaven to such a place as this,
+ Or God's own voice, with angels bright,
+ To serpent's hiss!
+
+ "I have I betrayed thee, or cast by
+ The pledge in which my soul delighted--
+ That all this wrong and misery
+ Should be avenged at last, and righted,
+ And so should I?
+
+ "Belike, they look on me as dead,
+ Those fiends that found me soft and sweet;
+ But God hath promised me one treat--
+ To crush that serpent's head!
+
+ IX
+
+ "Revenge! Oh, heaven, let some one rise,
+ Some woman, since revenge is small,--
+ Who shall not care about its size,
+ If only she can get it all,
+ For those black lies!
+
+ "Poor Adam is too good and great,
+ I felt it, though he said so little--
+ To hate his foes, as I can hate--
+ And pay them every jot, and tittle,
+ At their own rate.
+
+ "For was there none but I to blame?
+ God knows that if, instead of me,
+ There had been any other she,
+ She would have done the same,
+
+ X
+
+ "Poor me! Of course the whole disgrace,
+ In spite of reason, falls on me:
+ And so all women of my race,
+ In pure right, shall be reason-free,
+ In every case.
+
+ "It shall not be in power of man
+ To bind them to their own contentions;
+ But each shall speak, as speak she can,
+ And start anew with fresh inventions,
+ Where she began.
+
+ "And so shall they be dearer still;
+ For man shall ne'er suspect in them
+ The plucking of the fatal stem,
+ That brought him all his ill.
+
+ XI
+
+ "And when hereafter--as there must,
+ Since He, that made us, so hath sworn--
+ From that whereof we are, the dust,
+ And whereunto we shall return
+ In higher trust--
+
+ "There spring a grand and countless race,
+ Replenishing this vast possession,
+ Till life, hath won a larger space
+ Than death, by quick and fair succession
+ Of health and grace;
+
+ "They too shall find as I have found
+ The grief, that lifts its head on high,
+ A dewy bud the sun shall dry--
+ But not while on the ground.
+
+ XII
+
+ "Then men shall love their wives again,
+ Allowing for the frailer kind,
+ Content to keep the heart's Amen,
+ Content to own the turns of mind
+ Beyond their ken.
+
+ "And wives shall in their lords be blest,
+ Their higher sense of right perceiving
+ (When possible) with love their test;
+ Exalting, solacing, believing
+ All for the test.
+
+ "And for the best shall all things be,
+ If God once more will shine around,
+ And lift my husband from the ground,
+ And teach him to lift me."
+
+ _New faith inspired the first of wives,
+ She smiles, and drooping hope revives;
+ She scorns a hundred years of woe%
+ And binds her hair, because the breezes blow._
+
+
+THE MEETING
+
+ I
+
+ The wind is hushed, the moon is bright,
+ More stars on heaven than may be told;
+ Young flowers are coying with the light,
+ That softly tempts them to unfold,
+ And trust the night.
+
+ What form comes bounding from above
+ Down Arafa, the mountain lonely,
+ Afraid to scare its long-lost dove,
+ Yet swift as joy--"It can be only,
+ Only my love!"
+
+ What shape is that--too fair to leave
+ On Arafa, the mountain lone?
+ So trembling, and so faint--"My own,
+ It must be my own Eve!"
+
+ II
+
+ As when the mantled heavens display
+ The glory of the morning glow,
+ And spread the mountain heights with day,
+ And bid the clouds and shadows go
+ Trooping away,
+
+ The Spirit of the Lord arose,
+ And made the earth and heaven to quiver,
+ And scattered all his hellish foes,
+ And deigned his good stock to deliver
+ From all their woes.
+
+[Illustration: 118.]
+
+[Illustration: 120.]
+
+ So long the twain had strayed apart,
+ That each as at a marvel gazed,
+ With eyes abashed, and brain amazed;
+ While heart enquired of heart.
+
+ III
+
+ Our God hath made a fairer thing
+ Than fairest dawn of summer day--
+ A gentle, timid, fluttering,
+ Confessing glance, that seeks alway
+ Rest for its wing.
+
+ A sweeter sight than azure skies,
+ Or golden star thereon that glideth;
+ And blest are they who see it rise,
+ For, if it cometh, it abideth
+ In woman's eyes.
+
+ The first of men such blessing sued;
+ The first of women smiled consent;
+ For husband, wife and home it meant,
+ And no more solitude!
+
+ IV
+
+ We trample now the faith of old,
+ We make our Gods of dream and doubt;
+ Yet life is but a tale untold,
+ Without one heart to love, without
+ One hand to hold--
+
+ The fairer half of humankind,
+ More gentle, playful, and confiding:
+ Whose soul is not the slave of mind,
+ Whose spirit hath a nobler guiding
+ Than we can find.
+
+ So Eve restores the sweeter part
+ Of what herself unwitting stole,
+ And makes the wounded Adam whole;
+ For half the mind is heart.
+
+[Illustration: 125.]
+
+
+
+
+THE WELL OF SAINT JOHN
+
+The old well of Saint John, in the parish of Newton-Nottage,
+Glamorganshire, has a tide of its own, which appears to run exactly
+counter to that of the sea, some half-mile away. The water is
+beautifully bright and fresh, and the quaint dome among the lonely
+sands is regarded with some awe and reverence.
+
+ _He_
+
+ "THERE is plenty of room for two in here,
+ Within the steep tunnel of old grey stone;
+ And the well is so dark, and the spring so clear,
+ It is quite unsafe to go down alone."
+
+ _She_
+
+ "It is perfectly safe, depend upon it,
+ For a girl who can count the steps, like me;
+ And if ever I saw dear mother's bonnet,
+ It is there on the hill by the old ash-tree."
+
+ _He_
+
+ "There is nobody but Rees Hopkin's cow
+ Watching, the dusk on the milk-white sea;
+ 'Tis the time and the place for a life-long? vow,
+ Such as I owe you, and you owe me."
+
+ _She_
+
+ "Oh, Willie, how can I, in this dark well?
+ I shall drop the brown pitcher if you let go;
+ The long? roof is murmuring like a sea-shell,
+ And the shadows are shuddering to and fro."
+
+ _He_
+
+ "Tis the sound of the ebb, in Newton Bay,
+ Quickens the spring, as the tide grows less;
+ Even as true love flows alway
+ Counter the flood of the world's success."
+
+ _She_
+
+ "There is no other way for love to flow,
+ Whenever it springs in a woman's breast;
+ With the tide of its own heart it must go,
+ And run contrary to all the rest."
+
+ _He_
+
+ "Then fill the sweet cup of your hand, my love,
+ And pledge me your maiden faith thereon,
+ By the touch of the letter'd stone above,
+ And the holy water of Saint John."
+
+ _She_
+
+ "Oh, what shall I say? My heart sinks low;
+ My fingers are cold, and my hand too flat,
+ Is love to be measured by handfuls so;
+ And you know that I love you--without that."
+
+ * * * * *
+
+ They stooped, in the gleam of the faint light, over
+ The print of themselves on the limpid gloom;
+ And she lifted her full palm toward her lover,
+ With her lips preparing the words of doom.
+
+ But the warm heart rose, and the cold hand fell,
+ And the pledge of her faith sprang sweet and clear,
+ From a holier source than the old Saint's well,
+ From the depth of a woman's love--a tear.
+
+[Illustration: 128.]
+
+
+
+
+PAUSIAS AND GLYCERA; OR, THE FIRST FLOWER-PAINTER
+
+A STORY IN THREE SCENES
+
+(_Plin. Nat. Hist., xxxv. ii_)
+
+Scene I:--_Outside the gate of Sicyon--Morning. Glycera
+weaving garlands, Pausias stands admiring._
+
+ $Pausias$
+
+ "YE Gods, I thought myself the Prince of Art,
+ By Phoebus, and the Muses set apart,
+ To smite the critic with his own complaint,
+ And teach the world the proper way to paint.
+ But lo, a young maid trips out of a wood,
+ And what becomes of all I understood?
+
+[Illustration: 132.]
+
+ I stand and stare; I could not draw a line,
+ If ninety Muses came, instead of nine.
+ Thy name, fair maiden, is a debt to me;
+ Teach him to speak, whom thou hast taught to see.
+ Myself already some repute have won,
+ For I am Pausias, Brietes' son.
+ To boast behoves me not, nor do I need,
+ But often wish my friends to win the meed.
+ So shall they now; no more will I pursue
+ The beaten track, but try what thou hast shown,
+ New forms, new curves, new harmonies of tone,
+ New dreams of heaven, and how to make them true."
+
+ $Glycera$
+
+ "Fair Sir, 'tis only what I plucked this morn,
+ Kind nature's gift, ere you and I were born.
+ Through mossy woods, and watered vales, I roam,
+ While day is young, and bring my treasure home;
+ Each lovely bell so tenderly I bear,
+ It knoweth not my fingers from the air,
+ Lo now, they scarce acknowledge their surprise,
+ And how the dewdrops sparkle in their eyes!"
+
+ $Pausias$
+
+ "Because the sun shines out of thine. But hush,
+ To praise a face praiseworthy, makes it blush.
+ I am not of the youths who find delight,
+ In every pretty thing that meets their sight
+ My father is the sage of Sicyon;
+ And I--well, he is proud of such a son."
+
+ $Glycera$
+
+ "And proud am I, my mother's child to be,
+ And earn for her the life she gave to me,
+ Her name is Myrto of the silver hair,
+ Not famed for wisdom, but loved everywhere."
+
+ $Pausias$
+
+ "Then whence thine art? Hath Phoebus given thee boon
+ Of wreath and posy, fillet and festoon?
+ Of tint and grouping, balance, depth, and tone--
+ Lo, I could cast my palette down, and groan!"
+
+ $Glycera$
+
+ "No art, fair sir, hath ever crossed my thought,
+ The lesson I delight in comes untaught.
+ The flowers around me take their own sweet way,
+ They tell me what they wish--and I obey.
+ Unlike poor us, they feel no spleen or spite
+ But earn their joy, oy ministering delight.
+ So loved and cherished, each may well suppose
+ Itself at home again just where it grows.
+ No dread have they of what the Fates may bring,
+ But trust their Gods, and breathe perpetual Spring."
+
+ $Pausias$
+
+ "Fair child of Myrto, simple-hearted maid,
+ Thy innocence doth arrogance upbraid.
+ Ye Gods, I pray you make a flower of me;
+ That I may dwell with nature, and with thee."
+
+ $Glycera$
+
+ "I see the brave sun leap the city wall!
+ The gates swing wide; I hear the herald's call.
+ The Archon ham proclaimed the market-day;
+ And mother will shed tears at my delay.
+ The priest of Zeus hath ordered garlands three;
+ And while I tarry, who will wait for me?"
+
+ $Pausias$
+
+ "No picture have I sold for many a moon,
+ But fortune must improve her habits soon;
+ Then will I purchase all thy stock-in-trade,
+ And thou shalt lead me to thy bower of green,
+ There will I paint the flowers, and thee their Queen--
+ The Queen of dowers, that nevermore shall fade."
+
+ $Glycera$
+
+ "I know a wood-nymph, who her dwelling hath
+ Among the leaves, and far beyond the path,
+ With myrtle and with jasmin roofed across,
+ Enlaced with vine, and carpeted with moss,
+ Whose only threshold is a plaited brook,
+ Whereby the primrose at herself may look;
+ While birds of song melodious make the air--
+ But oh! I must not take a stranger there."
+
+ $Pausias$
+
+ "Nay, but a friend No stranger now am I.
+ Good art is pledge of perfect modesty.
+ From chastened heights the painter glanceth down;
+ No maid can fear a youth who loves renown."
+
+ $Glycera$
+
+ "Thy words are trim, If mother deems them true,
+ Thou shalt come with me. But till then, adieu!" [Exit.
+
+ $Pausias$
+
+ "O! where am I? The mind is all for art--
+ But one warm breath transforms it into heart."
+
+
+Scene II:--_A wood near Sicyon. Pausias with his
+easel, &c. Glycera carrying flowers._
+
+ $Pausias$
+
+ "Confounded tangle! Who could paint all this?
+ A bear might hug him, or a serpent hiss!
+ For love of nature justly am I famed;
+ But when she goes so far as this, she ought to be ashamed."
+
+ $Glycera$
+
+ "Nay, be not frightened by a small affray,
+ Pure love of nature cannot pave its way.
+ But lo, where yonder coney-tracks begin,
+ My nymph hath made her favourite bower within.
+ Yon oak hath reared its rugged antlers thus,
+ Before Deucalion lived, or Daedalus.
+ Inside her woodland Majesty doth keep
+ A world of wonders--if one dared to peep--
+ Of things that burrow, elide, spin webs, or creep;
+ Strange creatures, which before they live must die,
+ And plants that hunt for prey, and flowers that fly!"
+
+[Illustration: 140.]
+
+ $Pausias$
+
+ "My love of nature freezes in a trice;
+ I loathe all earwigs, beetles, and wood-lice.
+ Outside her bower the lady must remain,
+ If she doth wish to have her portrait taen."
+
+ $Glycera$
+
+ "Tis not the lady thou must paint--but me."
+
+ $Pausias$
+
+ "Aha, that will I, with a glow of glee.
+ But when I offered, somebody was vexed,
+ And blushed, and frowned, and longed to say,
+ 'Whatnext?'"
+
+ $Glycera$
+
+ "A painter's tongue hath learnt to paint, I trow.
+ But oh that order--I remember now--
+ For twenty chaplets, from the priest of Zeus!
+ Ah, what a grand majestic Hiereus!"
+ So pleased he was that morning with those three,
+ And such a customer he means to be!
+
+ $Pausias$
+
+ "The priest of _Dis!_a scoundrel with three wives!
+ I'll pull his triple beard, if he arrives."
+
+ $Glycera$
+
+ "High words and threats profane this hallowed place,
+ Where Time rebukes the fuss of human race.
+ And gentle sir, what harm hath he done thee?
+ It is my mother whom he comes to see.
+ Lo, how the Gods our puny wrath deride,
+ With peace and beauty spread on every side!
+ This earth with pleasure of the Spring complete,
+ Too bright to dwell on, were it not so sweet.
+ No theft of man it's affluence impairs,
+ A thousand flowers, without a loss, it spares;
+ Whose bashful elegance no brush can trace,
+ Heartfelt delight, and plenitude of grace;
+ No palettes match their brilliance, although
+ Pandora filled her box from Iris' bow."
+
+ $Pausias$
+
+ "Her want of faith sweet Glycera will rue,
+ When she hath seen what _Pausias_ can do."
+
+ $Glycera$
+ "Forgive me, sir; In truth it was no taunt.
+ A great man can do anything--but vaunt."
+
+ $Pausias$
+
+ "E'en that he can do, if he sees the need.
+ But out on words, when time hath come for deed!
+ Up leaps the sun, to paint thee with his plume,
+ And every blossom seems to be thy bloom."
+
+ $Glycera$
+
+ "Why stand we here, so early of the morn,
+ In love with things that treat our love with scorn--
+ Grey crags, where Time with folded pinion broods,
+ Ana ever young antiquity of woods;
+ The brooks that babble, and the flowers that blush,
+ Ere woman was a reed, or man a rush?
+ And he for ever, as the Gods ordain,
+ Would fain revive with art what he hath slain;
+ Shall nature fail to laugh, while man doth yearn
+ To teach the canvas what he ne'er can learn?"
+
+ $Pausias$
+
+ "Sweet Muse, while thus through heaven's too distant vault,
+ Thy great mind roves--how shall we earn our salt?
+ Though art is not encouraged as of old,
+ She is worth a score of nature; I design
+ To manufacture, from these flowers of thine,
+ A silver * talent--or perhaps of gold!"
+
+ * Lucullus is said to have given two talents for
+ a mere copy of this picture.
+
+ $Glycera$
+
+ "Good heavens, how precious is your Worship's time!
+ Some minds are lowly, others too sublime.
+ Before thee all my simple flowers I spread;
+ Long may they live, when Glycera is dead!"
+
+ $Pausias$
+
+ "The Gods forefend!
+ Fair omen from fair maid--
+ Bright tongue, recall the dark thing thou hast said!"
+
+ $Glycera$
+
+ "Then long live they, with Glycera to aid!"
+
+ $Pausias$
+
+ "And Pausias crowned by Critics, to non-plus
+ Euphranor, Cydias, and Antidotus.
+ But what are they? Below my feet they lie;
+ Poor sons of pelf. The son of art am I.
+ Now rest thee, maiden, on this pillowy bed,
+ With fragrance canopied, with beauty spread;
+ Above thee hovers eglantine's caress,
+ Around thee glows entangled loveliness;
+ Shy primrose smiles, thy gentle smile to woo,
+ And violets take thy glances for the dew."
+
+ &Glycera&
+
+ "Then will they pluck themselves, to see me laugh;
+ Good flowers bring cash; but who will pay for chaff?
+ But haply thus the true poet intervenes,
+ To make us wonder what on earth he means."
+
+ $Pausias$
+
+ "A poet! We do things in a superior way;
+ A painter is a poet, who makes it pay.
+ A poet, though deep and mystic as the Sphinx,
+ Will ne'er earn half of what he eats and drinks,
+ He dreams of Gods, but of himself he thinks."
+
+[Illustration: 146.]
+
+
+Scene III.--_A western slope near Sicyon. Pausias
+has his easel set, Glycera is dressed in white._
+
+ $Pausias$
+
+ "Seven times the moon hath filled her silver horn,
+ And twice a hundred suns awoke the morn,
+ Since thou and I--for half the praise is thine--
+ Began this study of the flowers divine."
+
+ $Glycera$
+
+ "Alas! how swiftly have the months gone by!"
+
+ $Pausias$
+
+ "Not swift alone, but passing sweet for me."
+
+ $Glycera$
+
+ "The world, that was so large, is you and I."
+
+ $Pausias$
+
+ "And shall be larger still, when it is 'We.'"
+
+ $Glycera$
+
+ (Aside) "Sweet dual! Alas, that this shall never be!"
+
+ $Pausias$
+
+ "A tear, bright Glycera in those eyes of thine,
+ Those tender eyes, that should with triumph shine!
+ When I, the owner of that precious heart,
+ Am shouting Ioe Paean of high art;
+ The noblest picture underneath the sun--
+ A few more strokes, and victory is won!"
+
+ $Glycera$
+
+ "Nay, heed me not. True pleasure is not dry;
+ The sunrise of the heart bedews the eye."
+
+ $Pausias$
+
+ "If that were all--but lately there hath been
+ A listless air beneath thy livery mien;
+ Thyself art all fair petal, and sweet perfume,
+ And smiles that light the damask of thy bloom;
+ Yet some, pale distance seems to chill the whole."
+
+ $Glycera$
+
+ "Forgive me, love, forgive a timorous soul.
+ Through brightest hours untimely vapours rise--
+ But while I prate, the lucky moment flies.
+ The work, the weather, and the world are fair;
+ A few more strokes--and fame flies everywhere."
+
+ $Pausias$
+
+ "Who cares for fame, except with love to share?"
+
+ $Glycera$
+
+ "To share! Nay every breath of it is mine,
+ Whene'er it breathes on thee; for I am thine.
+ But pardon now--if I have seemed sometime
+ Impatient, glib, too pert for things sublime,
+ Remember that I meant not so to sink;
+ Forgive your Glycera, when you come to think."
+
+ $Pausias$
+
+ "I'll not forgive my Glycera--until
+ She hath discovered how to do some ill.
+ Now don once more this coronet of bloom,
+ While lilies sweet thy sweeter breast illume."
+
+ $Glycera$
+
+ (Aside) "Ah me, what brightness wasted upon gloom!
+ (Aloud) Oh fling thy sponge across this wretched face,
+ A patch uncouth amid a world of grace."
+
+ $Pausias$
+
+ "Sweet love, thy beauty far outshineth them;
+ The tinsel they are, thou the living gem.
+ Great gift of Gods! Shall flowers of earth despise
+ Those flowers of heaven--thy tresses, and thine eyes?
+ Away with gloom I let no ill-boding make
+ My heart to falter, or my hand to shake.
+ One hour is all I crave. If that be long,
+ Sweet lips beguile it with my favourite song."
+
+ $Glycera$
+
+ "A song like mine, a childish lullaby,
+ Will close--when needed wide-awake--thine eye.
+ But since thou so demandest, let me try.
+
+ "In the fresh woods have I been,
+ Sprinkled with the morning dew;
+ And of all that I have seen,
+ Lo, the fairest are for you!
+
+ Take your choice of many a flower,
+ Lily, rose, and melilot,
+ Lilac, myrtle, virgin's bower,
+ Pansy, and forget-me-not.
+
+ Ladies'-tresses, and harebell,
+ Jasmin, daphne, violet,
+ Meadow-sweet, and pimpernel,
+ Maidenhair, and mignonette.
+
+ What is gold, that doth allure
+ Foolish hearts from field and flower?
+ If you plant them in it pure,
+ Will they keep alive an hour?
+
+ What is fame, compared with these,
+ Fame of wisdom, sword, or pen?
+ Who would quit the meadow breeze,
+ For the sultry breath of men?
+
+ These have been my childhood's love,
+ These my maiden visions were;
+ When I meet their gaze above,
+ These will tell me, God is there."
+
+ $Pausias$
+
+ "'Tis done! No more the palsied doubt molests;
+ The crown of glory on my labour rests.
+ Thy clear voice hath my flagging thoughts supplied,
+ My model thou, my teacher, and my bride!
+ Now stand, beloved one, where the soft glow lies,
+ Yet judge not rashly, ere the colour dries.
+ Find every fault, pick every flaw thou canst;
+ I'll not be vexed; true art is thus advanced.
+ So meek is art, that (when it comprehends)
+ It loves the carping of its dearest friends.
+ If my own bride condemns my efforts--let her.
+ A poor daub? Well let some one do it better."
+
+ $Glycera$
+
+ "My love, my lord, my monarch of high art,
+ Forgive a tongue held fast and bound by heart.
+ Not Orpheus, Linus, or great Hermes could
+ Find words to make their rapture understood.
+ No Muse, no Phoebus, hath this work inspired,
+ But Jove himself, with heaven's own splendour fired.
+ I see the nursing fingers of the day,
+ And night as well, upon their offspring play--
+ The silent glide of moon, that hushed their sleep,
+ (As mother at her infant steals a peep)
+ Anon, with pearly glances half withdrawn,
+ The gentle hesitation of the dawn;
+ I see the sun his golden target raise,
+ And drive in tremulous ranks the woodland haze;
+ Awakened by whose call the flowers arise,
+ With tears of joy and blushes of surprise;
+ From bulb and bush, from leaf and blade, spring up
+ Bell, disk, or star, plume, sceptre, fan, or cup;
+ A thousand forms, a thousand hues of bloom
+ Fill earth and heaven with beauty and perfume.
+ All this, by thine enchantment, liveth here;
+ Oh wondrous power, that chills my pride with fear!"
+
+ $Pausias$
+
+ "Thy praise, sweet critic, makes thee doubly dear.
+ But what of thy fair self--thy form, thy face,
+ The flower of flowers, the gracefulness of grace?"
+
+ $Glycera$
+
+ "I see why thou hast placed me among these;
+ I serve a purpose--'tis to scare the bees.
+ Sweet love hath right to place me anywhere;
+ And yet I mourn, to find myself so fair."
+
+ $Pausias$
+
+ "A maid lament her beauty! Thou hast shown,
+ A thousand times, a wit beyond mine own;
+ Yet is it kind to such a love as mine,
+ To grudge it refuge in a lovely shrine?"
+
+ $Glycera$
+
+ "No shrine, no throne, of earth or heaven above,
+ Can be too fair a dwelling-place for love.
+ But that which makes me grieve, myself to see,
+ Is memory of the bitter loss to thee;
+ That earthly charms--as men such things esteem--
+ Should tantalize thee, in a weeping dream!"
+
+ $Pausias$
+
+ "My own, my only love, what wouldst thou say?
+ My heart hath borne a heavy bode, all day."
+
+ $Glycera$
+
+ "I durst not tell thee, till thy work was done;
+ But now I must, before the setting sun.
+ Last night, when life was lapsed in quietude,
+ Beside my couch a stately figure stood--
+ A virgin form, in garb of chace arrayed,
+ With bow and quiver, baldric, and steel blade;
+ Majestic as a palm that scorns the wind,
+ And taller than the daughters of mankind
+ Twas Artemis, close-girt in silver sheen,
+ The Goddess of the woods, the Maiden-queen.
+ Cold terror seized me, and mute awe, the while
+ She oped her proud lips, with an icy smile--
+ 'Whose votary art thou? Shall I resign
+ 'To wanton Cypris this sworn nymph of mine?
+ 'Have I enfeoffed thee of my holiest glen?
+ 'To have thee tainted by the lips of men?
+ 'Shall urchin Eros laugh at my decree?
+ 'No Hymen torch, no loosened zone for thee I
+ 'To-morrow, when my crescent tops yon oak,
+ 'Thou shalt return unto thy proper yoke.'
+ She closed her lips, and like the barb of frost,
+ Her fingers on my bounding heart outspread:
+ My breast is ice, mv soul is of the dead:
+ The sod, the cold clay, are my marriage-bed;
+ Sweet sun, sweet flowers, sweet Love, forever lost!"
+
+ $Pausias$
+
+ "I'll not endure it; it shall ne'er be true;
+ If that cold tyrant comes--I'll run her through."
+
+ $Glycera$
+
+ "What can'st thou do against the Goddess trine,
+ Selene, Artemis, and Proserpine?
+ Oh love, thou hast before thee life and fame,
+ And some new Glycera with a loftier name.
+ So tender is my heart, that it would break,
+ To think that thou wert suffering for my sake.
+ Be angry with me; doubt my faith--or try;
+ And count it for a crime of mine to die:
+ Or tell thyself--if still a pain there be--
+ That wealth and grandeur were not meant for me.
+ Yet think sometimes, when thou art well consoled,
+ That no one loves thee, like some one of old."
+
+ $Pausias$
+
+ "My life, my soul, my heart of hearts, my all,
+ Together let us cling, till death befall."
+
+ $Glycera$
+
+ "The sun is gone; the crescent waxeth bright;
+ I fly to darkness, or eternal light.
+ Great are the Gods; but greater yet is love;
+ Here thou art mine, and I am thine above."
+
+ * * * * *
+
+ $Pausias$
+
+ "Oh fame, and conquest, pomp, and power, and state,
+ What are ye, when the heart is desolate?
+ A few more years of labour, and slow breath--
+ Till death benign hath overtaken death."
+
+[Illustration: 159.]
+
+
+
+
+BUSCOMBE; OR, A MICHAELMAS GOOSE
+
+ When I was Head of Blunders school,
+ Before the age of stokers,
+ Compelled by rank to look a fool
+ Betwixt a pair of "chokers,"
+
+ Tom Tanner's father's wrote, to say
+ That we should both of us come,
+ To spend Saint Michael's holiday
+ At the Vicarage of Buscombe.
+
+ One trifle marred this merry plan--
+ I had contrived, though barr'd up,
+ To typify the future man,
+ By getting very hard up.
+
+ Oh bimetallic champion, some
+ New ratio doth seem proper,
+ When the circulating medium
+ Has fallen to half a copper.
+
+ Vile mammon hence! Thy low amount
+ Too paltry is to mope for;
+ The more we have in hand to count,
+ The less in heart to hope for.
+
+ Bright youth itself is golden ore,
+ And health the best gold-beater:
+ Without a sigh for two pence more,
+ We passed the gates of Peter.
+
+ A nod suffices surly Cop,
+ Who grins his _bona fides_;
+ As Cerberus preferred his sop
+ To Orpheus and Alcides.
+
+ But Mother Cop! Her cooking knack
+ Would conquer fifty Catos--
+ The Queen of tarts, and tuck, and tack,
+ And cream, and fried potatoes.
+
+ And rashers! Sweet Ulysses, say
+ Old Homer was mistaken;
+ The Goddess must have had her way,
+ And turned thee into bacon.
+
+ That Circe came, and wished us joy,
+ And said, "Goodbye, my dearie!"
+ Because I was an honest boy,
+ And _pauper tneo aere_.
+
+ So Tom and I, like men on strike,
+ Shook hands with all our cronies,
+ Walked fifty yards, to save the pike,
+ And jumped upon our ponies.
+
+ Of apples, nuts, and goose galore
+ I chattered, like a stupid,
+ And thought of shooting coneys, more
+ Than being shot by Cupid.
+
+ * * * * *
+
+ At racing pace the turnpike road
+ (Great Western, in this quicker age)
+ Was swallowed up with whip and goad,
+ And soon we saw the Vicarage.
+
+ A sweet seclusion, to forget
+ The world and its disasters,
+ And fill the mind with mignonette,
+ Clove-pinks, and German asters;
+
+ In pensive, or in playful mood,
+ To saunter here, and dally
+ With leafy calm of solitude,
+ Or sunshine of the valley.
+
+ The Vicar loved his parish well,
+ And well was he loved by it;
+ Religion did not him compel
+ To harass and defy it
+
+ No price he charged for Heavenly love,
+ No discount on _Resurgo_;
+ His conscience told him--one side-shove
+ Is worth ten kicks _a tergo_.
+
+ But while the path of life he showed
+ To win the Christian guerdon,
+ No post was he, to point the road,
+ But a man to share the burden.
+
+ The lapse of years made manifest
+ The sanctuary of holy age;
+ As clearer grows the ring-dove's nest,
+ When time hath stripp'd the foliage.
+
+ The Vicar's wife was much the same,
+ In fairer form presented--
+ A lively, yet a quiet dame,
+ With home, sweet home, contented.
+
+ In parish, needs; and household arts,
+ A lesson to this glib age;
+ Well versed in pickles, jams, and tarts,
+ Piano, chess, and cribbage.
+
+ And well she loved the flowers, that speak
+ A language undefiled--
+ The flowers that lift the dimpled cheek,
+ Or droop the dewy eyelid.
+
+ * * * * *
+
+ Now, if she lingers after us,
+ What ground have we for snarling?
+ What act prohibits private buss,
+ Reserved for "Tommy darling"?
+
+ * * * * *
+
+ But who are these, so fresh and sweet,
+ In lovely hats and dresses,
+ Who half advance, and half retreat,
+ And peep through clouds of tresses?
+
+ "Come, dears!" They shyly offer hand,
+ Beneath the jasmin trellis;
+ "Say who you are, girls"--Charlotte, and
+ Her sister, Caroline Ellis!
+
+ Sweet Charlotte hath a serious face,
+ A gaze almost parental;
+ A type of every maiden grace,
+ But a wee bit sentimental.
+
+ Bright Caroline hath eyes that dance,
+ While buoyant airs engirdle her;
+ Her playful soul may love romance,
+ But not a creepy curdler.
+
+ Sweet Charlotte's are the deep grey eyes
+ That win profound devotion;
+ Bright Carry's flash, like azure skies,
+ With heliograph in motion.
+
+ As merry as the vintage ray,
+ That dances down the grape-rill;
+ As tender as the dews of May,
+ Or apple-buds of April.
+
+ Their charms are safe to grow more bright
+ For at least two lustral stages;
+ And so it seems not unpolite
+ To enquire what their age is.
+
+ "Last May, I was fifteen"; with glee
+ Replies the laughing Carry;
+ Sage Charlotte adds--"And I shall be
+ Seventeen, next February."
+
+ To the dining-room we walk on air,
+ Disdaining jots and tittles;
+ To feed seems such a low affair--
+ And yet, hurrah for victuals!
+
+ Could e'en a boy ply knife and fork,
+ In presence so poetic,
+ Until the vicar draws a cork,
+ And gives the sniff prophetic?
+
+ And when the evening games began,
+ Pope Joan, and Speculation--
+ What head could keep its poise and plan,
+ With the heart in palpitation?
+
+ Until, in soft white-curtained bed,
+ We sink to slumber lowly,
+ And angels fan the childish head,
+ With visions sweet and holy.
+
+ * * * * *
+
+ "Now I do declare," exclaimed our host,
+ As he strode back from the arish,
+ "Those railway fellows soon will boast
+ They have undermined my parish!
+
+ "Though none can say I have ever set
+ My face against improvement,
+ I cannot quite perceive as yet
+ The good of this new movement
+
+ "Like Hannibal, these folk confound
+ All nature's institutions,
+ And shun, with a great dive underground,
+ Parochial contributions!
+
+ "Come boys and girls, let us see their craft,
+ These hills of Devon will task it;
+ 'Tis a pretty walk to White-Ball shaft,
+ If the boys will take a basket
+
+ "Dear wife; if your poor feet are right,
+ The miracles of this cycle
+ Will give you a noble appetite,
+ For the roast goose of Saint Michael."
+
+ In a twinkle, we had baskets twain
+ Of the right stuff for a journey,
+ And beautiful gooseberry Champagne,
+ Superior to Epernay,
+
+ * * * * *
+
+ What myriad joys of heart and mind
+ Flit in and out our brief age!
+ That day it was grand to see how kind
+ The sun looked through the leafage!
+
+ While the leaves for their part pricked their lips,
+ With a dewy simper waiting;
+ They were conscious of some amber tips--
+ But those Were his own creating.
+
+ Can the heart of man alone be dull,
+ And the mind of man be spiteful,
+ When all above is beautiful,
+ And all below delightful?
+
+ When Season bright, and Season rich,
+ Make bids against each other;
+ And earth, uncertain which is which,
+ Smiles up at Nature Mother.
+
+ The copse, the lane, the meadow path,
+ The valleys, banks, and hedges,
+ Were green with summer's aftermath,
+ And gold with autumn's pledges.
+
+ Wild rose hung coral beads above,
+ And satchel'd nuts grew nigh them;
+ Like tips of a little maiden's glove,
+ Ere ever she has to buy them.
+
+ * * * * *
+
+ But ours are not the maids to bite
+ A gore or gusset undone;
+ How neat they look, how trim and tight!
+ Those frocks were made in London.
+
+ Long time, we glance in awe and doubt,
+ Suppressing all frivolity;
+ Till the spirit of the age breaks out,
+ And all is mirth and jollity.
+
+ One flash, that stole from eyes demure,
+ Hath scattered all convention;
+ And then a pearly laugh makes sure
+ That fun is her intention.
+
+ The smiling elders march ahead;
+ We dance, without a fiddler,
+ We play at cross-touch, White and Red,
+ Tip-cat, and Tommy Tidier.
+
+ We laugh and shout, much more than speak,
+ No etiquette importunes;
+ The trees were made for hide-and-seek,
+ The flowers to tell our fortunes;
+
+ The hills, for pretty girls to pant,
+ And glow with richer roses;
+ The wind itself, to toss askant
+ The curls that hide their noses.
+
+ Then sprightly Carry shouts in French--
+ "All boys and girls, come nutting!"
+ We are slipping down a mighty trench--
+ Why, it is the Railway cutting I
+
+ Before us yawns a dark-browed arch,
+ Paved with a muddy runnel;
+ A thousand giant navvies march
+ To delve the White-Ball tunnel.
+
+ Oh, if a man of them but did
+ Presume to glance at Carry,
+ Though he were Milo, or John Ridd,
+ I would toss him to Old Harry.
+
+ I pull my jacket off, like him
+ Who would shatter England's pillars--
+ From the tunnel comes an order grim,
+ "Get out of the way you chillers!"
+
+ * * * * *
+
+ And the same stern order doth apply
+ To the pranks of this remote age!
+ We are sure alike to be thrust by,
+ In our nonage, and our dotage.
+
+ Yet who shall grudge the tranquil age,
+ When nought can now betide ill,
+ To glance, from a distant hermitage,
+ At a summer morning idyll?
+
+ * * * * *
+
+ Oh agony, despair, and woe!
+ Oh two-edged sword to us come!
+ To Blundell's must the body go,
+ While the heart remains at Buscombe.
+
+ All breakfast time, how glum we looked!
+ Our tears were threatening dribblets;
+ Too truly had our goose been cooked,
+ To leave us e'en our giblets.
+
+ Sweet Charlotte, did you share the thrill,
+ The pang; no throat may utter,
+ And strive an aching void to fill
+ With heartless toast and butter?
+
+ And were you sad, bright Caroline,
+ Although you never said so?
+ You did cast down your lovely eyne,
+ And you crumbled up your bread so!
+
+ But the Vicar's views were more sublime,
+ As he asked in all simplicity,
+ "My youthful friends, what is the prime
+ Of all mundane felicity?"
+
+ My answer, though it sounded cool,
+ Was given with trepidation--
+ "To stay at home, and send to school
+ The rising generation."
+
+ A gentle smile flits o'er his lip,
+ He eyes me with benignity;
+ He yearns to offer goodly tip,
+ Yet fears to wound my dignity.
+
+ True benefactor, be not shy,
+ Thou seest a humble fellow,
+ Thy noble impulse gratify--.
+ My stars, if it isn't yellow!
+
+ * * * * *
+
+ But time is over, and above,
+ To end this charming visit;
+ And must we part my own true love?
+ Though I am not sure, which is it.
+
+ Sweet Charlotte lingered in the shade,
+ Most gentle of all houris;
+ Bright Carry in the lobby played
+ With a pair of polished cowries.
+
+ She showed me how alike they were,
+ So Heaven had pleased to make them.
+ Though fortune might divide the pair,
+ She ne'er could separate them.
+
+ I blushed, and stammered at her touch,
+ I feared to beg for either;
+ My heart was in my mouth so much,
+ I could say "Goodbye" to neither.
+
+ * * * * *
+
+ Two strings are wise for every bow,
+ To meet the change of weather;
+ And Cupid's shafts give softer blow,
+ When two are tied together.
+
+ Oh, Charlotte sweet, and Carry bright,
+ My whole, or double-half love,
+ Let no maturer wisdom slight
+ A simple tale of calf-love.
+
+ A blessing on the maiden grace,
+ That beautifies the real,
+ To make the world a fairer place,
+ And lift the low ideal!
+
+ If one, or both, by any chance,
+ Behold what I confess here,
+ Make auld lang syne of young romance,
+ By sending your address here.
+
+ And answer--as I trust you can,
+ When time is flying faster,
+ That he hath served you better than
+ Your humble poetaster.
+
+ * * * * *
+
+ _Postscript (a Fact)_
+
+ This have they done--and oh, by Jove,
+ Not altered by a fraction!
+ If then they were too sweet to love,
+ What are they now? Distraction.
+
+ Of course they must be ever young;
+ How could I be so stupid?
+ Time fell in love with both, and flung
+ His calendar to Cupid!
+
+[Illustration: 175.]
+
+
+
+TO FAME
+
+ I
+
+ Right Fairy of the morn, with flowers arrayed,
+ Whose beauties to thy young pursuer seem
+ Beyond the ecstasy of poet's dream--
+ Shall I overtake thee, ere thy lustre fade?
+
+ II
+
+ Ripe glory of the noon, august, and proud,
+ A vision of high purpose, power, and skill,
+ That melteth into mirage of good-will--
+ Do I o'ertake thee, or embrace a cloud?
+
+ III
+
+ Gray shadow of the evening, gaunt and bare,
+ At random cast, beyond me or above,
+ And cold as memory in the arms of love--
+ If I o'ertook thee now, what should I care?
+
+[Illustration: 176.]
+
+ IV
+
+ "No morn, or noon, or eve am I," she said;
+
+ "But night--the depth of night behind the sun;
+ By all mankind pursued; but never won,
+ Until my shadow falls upon a shade."
+
+1894.
+
+
+
+
+
+End of the Project Gutenberg EBook of Fringilla: Some Tales In Verse, by
+Richard Doddridge Blackmore
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