diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 22470-h.zip | bin | 0 -> 82663 bytes | |||
| -rw-r--r-- | 22470-h/22470-h.htm | 864 | ||||
| -rw-r--r-- | 22470-h/images/001.png | bin | 0 -> 70104 bytes | |||
| -rw-r--r-- | 22470-page-images/p117.png | bin | 0 -> 1526397 bytes | |||
| -rw-r--r-- | 22470-page-images/p118.png | bin | 0 -> 139743 bytes | |||
| -rw-r--r-- | 22470-page-images/p119.png | bin | 0 -> 121687 bytes | |||
| -rw-r--r-- | 22470-page-images/p120.png | bin | 0 -> 69990 bytes | |||
| -rw-r--r-- | 22470.txt | 672 | ||||
| -rw-r--r-- | 22470.zip | bin | 0 -> 11483 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
12 files changed, 1552 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/22470-h.zip b/22470-h.zip Binary files differnew file mode 100644 index 0000000..5a2469f --- /dev/null +++ b/22470-h.zip diff --git a/22470-h/22470-h.htm b/22470-h/22470-h.htm new file mode 100644 index 0000000..79e0ce0 --- /dev/null +++ b/22470-h/22470-h.htm @@ -0,0 +1,864 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of The Bell Tone, by Edmund H. Leftwich + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + h1 { + text-align: center; margin-top: 2em; + } + + h2 { + text-align: center; margin-top: 3em; margin-bottom: 3em; + } + + hr { width: 20%; + margin-top: .5em; + margin-bottom: .5em; + margin-left: auto; + margin-right: auto; + clear: both; + } + + body{margin-left: 10%; + margin-right: 10%; + } + + .center {text-align: center;} + .smcap {font-variant: small-caps;} + + .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 1em; margin-top: + 1em; margin-right: 1em; padding: 0; text-align: center;} + + .trans1 {border: solid 1px; + margin: 3em 15%; padding: 1em; text-align: left;} + + .zerop {margin-top: 0em; margin-bottom: 0em;} + + img {border: none} + + .ctop {margin-top: 2em; clear: both;} + + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of The Bell Tone, by Edmund H. Leftwich + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Bell Tone + +Author: Edmund H. Leftwich + +Release Date: August 31, 2007 [EBook #22470] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE BELL TONE *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + + +<div class="figleft" style="width: 500px;"> +<img src="images/001.png" width="500" height="441" alt="" title="" /> +</div> + + +<h1>THE BELL TONE</h1> + + +<h2>by<br /><br /> +EDMUND H.<br /> +LEFTWICH</h2> + + +<p class="center"><i>It is no use. It's too late.<br /> +The earth—I must dig—alone.</i></p> + + +<p class="ctop"><i>To Whom It May Concern:</i></p> + +<p>In order to clear up any misunderstanding +or false impressions regarding +the amazing case of my beloved +friend and co-worker, Professor Howard +E. Edwards, I submit herewith, +extracts from the professor's notebook, +which I found on the desk.</p> + +<p><span class="smcap">Evans Barclay, B.S.</span> Fellow IRE.</p> + +<hr /> + +<p><i>Jan. 25.</i></p> + +<p>Last night, in my dreams, I was a +monstrous ant, and had been digging +myself a burrow in the soft fresh +earth. The dream was intensely real, +and when I awoke, I felt as tired as if +I had actually been digging. My arms +ached, and I was astonished, upon +examining my hands, to find them raw.</p> + +<p>Dressing hastily, I rushed to the +back yard, and there, sure enough, +near the fence, was a large hole about +two feet deep and three feet long. +Hurriedly, I filled it in and returned +to the house.</p> + +<p>I must rest for a few days, as I +feel that the intense excitement caused +by my investigations, is preying too +heavily upon my mind.</p> + +<p>At this time, I feel that I should +make a brief summary of my findings +in respect to the ants, so that Barclay +may go over these notes upon his return +from his vacation.</p> + +<p><i>First:</i> The ant colony is the source +of a powerful bell-like tone which is +radiated continuously on two wave-lengths, +.0018 meter, and .00176 meter. +This tone acts as a radio-beacon, +and directs the ants to the colony, +no matter where they may be located. +The .0018 meter wave is used by +the ants for their "clacking" conversations, +by means of which they communicate +with each other and the colony, +receiving orders from the directing +intelligence, reporting the location +of food, and requesting help, when +needed.</p> + +<p>The wave .00176 meter, is used for +sending thought images or pictures +which may be sent with the "clacking" +code, or independently. I cannot +conceive a more efficient or highly specialized +communications system. I +<i>must</i> learn their secret, their methods.</p> + +<hr /> + +<p><i>Jan. 30.</i></p> + +<p>This morning, while sitting at the +receiver in a semi-doze, with the bell-tone +ringing in my ears, I fell into that +state known as "day-dreaming." Little +"Nippy," my beloved fox terrier, +and constant companion, rushed into +the laboratory and ran up to me.</p> + +<p>For a moment my mind went blank. +My hands shot out. I grasped the dog +around the throat and began to throttle +him. I had risen from my chair, +and the dog was nearly dead, when I +slipped and fell, pulling the phone +plug out of the receiver.</p> + +<p>Instantly, my mind cleared, and +words cannot express the remorse I +felt at my inhuman actions. Nippy +would have nothing to do with me, +and crawled dejectedly from the room, +a terrified look in his eyes.</p> + +<p>I have no explanation for my actions.</p> + +<hr /> + +<p><i>Feb. 3.</i></p> + +<p>The transmitter is ready for operation. +I have constructed a pair of metal +disc-electrodes which clamp tightly +to my head and press upon my temples. +This device will pick up the +thought impulses from my brain, feed +them directly into the radio-frequency +amplifier, where they will be amplified, +and then radiated in a tight directed +beam.</p> + +<p>My two ants were in their little enclosure +under the microscope when I +threw the switch to the "send" position. +I pictured myself as I looked +as a man, and sent the thought, "I am +a man."</p> + +<p>Hastily, I threw the switch to the +"receive" position. I looked through +the microscope.</p> + +<p>The ants were lying on their sides. +Somehow, I felt that the power was +too great, and had stunned them. +Keeping my eye to the microscope, I +again threw the switch to "send," and +cut the power to half.</p> + +<p>"Get up, friends ... get up," I +thought, as I pictured them rising. +Sure enough ... the ants slowly regained +their feet. They looked about +in apparent bewilderment. Back +again, in "receive" position, I was +conscious of the thought image,</p> + +<p>"The man ... he is the man. The +man holds us here. He is killing us. +We must kill the man."</p> + +<p>They gnashed their fierce-looking +mandibles. I snapped back to "send" +and thought.</p> + +<p>"No ... you must not kill the man. +The man will not harm you ... he is +your friend. He will help you."</p> + +<p>As I watched, the ants seemed to +become less excited. From the larger +of the two, I received the thought,</p> + +<p>"We are dying. The man is killing +us with his strong vibrations. We +must kill the man."</p> + +<p>Then a very powerful thought impression +burst upon my brain.</p> + +<p>It seemed to come from the colony, +three feet away.</p> + +<p>"Warning to the man. Stop your +thought transmissions at once! Your +vibrations are killing us. We want +nothing from you. We have everything +we need. You will learn nothing +from us. You will stop <i>at once</i>!"</p> + +<p>I threw the switch to "send." +Viewed through the microscope, the +two ants were lying on their backs +... dead, to all appearances.</p> + +<p>"What if I don't stop?" I sent the +thought question, "I want to learn the +secret of your communication. In return, +I will teach you many things. I +can't stop now!"</p> + +<p>I changed to receive, and the answer +came back,</p> + +<p>"If you do not stop ... we will kill +you!"</p> + +<p>I turned off the apparatus, but the +powerful bell tone continued to pound +incessantly into my brain.</p> + +<p>I laughed. They'd kill me ... would +they? Those tiny insects ... what +could they do? Well—let them try, but +I'd get what I was after. I would not +quit now, with success so near. What +if my transmissions did kill a few of +them? Of what importance were the +lives of a few ants as compared to +the advancement of the science of +Communication?</p> + +<hr /> + +<p><i>Feb. 9.</i></p> + +<p>I found myself digging again in the +back yard yesterday. As before, I had +been "day-dreaming," when an overwhelming +desire to go outside and feel +the cool moist earth between my fingers +and on my face took possession +of me.</p> + +<p>I rushed out into the back yard, and +began digging feverishly ... madly, +until finally I fell, exhausted. Then my +mind cleared and I filled in the hole.</p> + +<p>About half the ants have died, due +no doubt to the strength of my radiations. +No matter how low I cut the +power, they still cannot live but a +short time under the force of my +transmissions. They have stopped +sending thought impressions entirely, +and are using only their "clacking" +code signals, which they seem to realize +I cannot understand.</p> + +<p>I feel that they are undertaking +some sort of campaign against me. +For hours they congregate, closely +packed, their antennae stiffly pointed +straight up. Their thought currents +seem to be flowing into and merging +with the bell tone, which grows +stronger and more penetrating day +by day.</p> + +<p>In my back yard, there are four +large ant hills, and at each hill, curiously, +there is no activity except the +same mass concentration of the ants. +Have they, too, been affected by my +radiations and joined forces with the +original colony against myself?</p> + +<p>The bell tone continues to grow +stronger.</p> + +<hr /> + +<p><i>Feb. 11</i></p> + +<p>Mrs. Winslow, the middle-aged +widow, who comes to clean my house +and laboratory twice a week, was here +this morning.</p> + +<p>She is short, dumpy, and inclined +to be stout. As she went about her +work, I noticed particularly the fat +firm flesh of her neck, just below the +jaw. I felt an uncontrollable desire to +sink my teeth deep into that flesh, and +enjoy the taste of the warm fresh +blood.</p> + +<p>I had actually risen from my chair +to accomplish my desire, when the +telephone rang ... and my mind +cleared.</p> + +<hr /> + +<p><i>Feb. 14.</i></p> + +<p>I have decided to stop my experiments +with the ants.</p> + +<p>As they refuse to send any more +thought impressions, there is nothing +further I can learn from them. Somehow, +I feel that they are gaining a hold +upon my mind, and that every time I +listen in on the receiver, that hold becomes +stronger. I firmly believe that I +would have attacked poor Mrs. Winslow, +had not the ringing of the 'phone +so opportunely interrupted me. I have +sent word for her to stay away ... +as I cannot trust myself.</p> + +<p>I keep a box of fresh earth on the +table in my laboratory. I often run my +hands through it, and taste it. It is +remarkable how much this soothes my +nerves.</p> + +<hr /> + +<p><i>Feb. 16.</i></p> + +<p>It is too late!</p> + +<p>For two days, I have kept my apparatus +shut off. I have not so much +as looked at the ants, but still that +confounded bell tone rings in my ears +with all the insistence of African tom-toms. +Hour by hour ... the tone becomes +more penetrating. I cannot +sleep, and can eat but little.</p> + +<p>As a last resort, I destroyed my ant +colony. I even went so far as to pour +boiling water on the four ant hills in +my yard.</p> + +<p>Still ... the bell tone persists. I can +stand it no longer!</p> + +<p>Perhaps if I were to dig ... again +in the yard ... in the soothing earth, +I could forget....</p> + +<hr /> + +<p class="center">(News Clipping: From Philadelphia +Banner)<br />RADIO COMMUNICATIONS +ENGINEER DEAD<br />Howard E. Edwards, Suicide</p> + +<p><i>Philadelphia, Feb. 18.</i> The body of +Howard E. Edwards, B.S., PhD., +Member I. R. E., eminent authority +on Radio Communications, aged 56, +was found this morning in the back +yard of his residence, 1427 Raines +Avenue. The body was almost completely +buried in a long narrow hole +in the ground.</p> + +<p>At first, foul-play was suspected, +but later it appeared that Edwards +had dug himself into the ground and +died of suffocation, as his nostrils and +mouth were filled with dirt.</p> + +<p>Dr. P. A. Hofner, who examined +the body, found no wounds, stated +that Edwards had been dead for about +two days, and pronounced the death +as a clear case of suicide, the strange +means employed probably due to an +unbalanced mental condition.</p> + +<p>Elaborate radio apparatus upon +which Edwards had been working had +been smashed to bits.</p> + + + + + +<div class="trans1"><p class="zerop"><b>Transcriber's Note:</b><br />This etext was produced from <i>Comet</i> July 1941. +Extensive research did not uncover any evidence that the U.S. copyright +on this publication was renewed. Minor spelling and typographical errors +have been corrected without note.</p></div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Bell Tone, by Edmund H. Leftwich + +*** END OF THIS PROJECT GUTENBERG EBOOK THE BELL TONE *** + +***** This file should be named 22470-h.htm or 22470-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/4/7/22470/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/22470-h/images/001.png b/22470-h/images/001.png Binary files differnew file mode 100644 index 0000000..ab17bb3 --- /dev/null +++ b/22470-h/images/001.png diff --git a/22470-page-images/p117.png b/22470-page-images/p117.png Binary files differnew file mode 100644 index 0000000..bf42a00 --- /dev/null +++ b/22470-page-images/p117.png diff --git a/22470-page-images/p118.png b/22470-page-images/p118.png Binary files differnew file mode 100644 index 0000000..b9bbf86 --- /dev/null +++ b/22470-page-images/p118.png diff --git a/22470-page-images/p119.png b/22470-page-images/p119.png Binary files differnew file mode 100644 index 0000000..ac90777 --- /dev/null +++ b/22470-page-images/p119.png diff --git a/22470-page-images/p120.png b/22470-page-images/p120.png Binary files differnew file mode 100644 index 0000000..3a680c4 --- /dev/null +++ b/22470-page-images/p120.png diff --git a/22470.txt b/22470.txt new file mode 100644 index 0000000..3d35239 --- /dev/null +++ b/22470.txt @@ -0,0 +1,672 @@ +The Project Gutenberg EBook of The Bell Tone, by Edmund H. Leftwich + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Bell Tone + +Author: Edmund H. Leftwich + +Release Date: August 31, 2007 [EBook #22470] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE BELL TONE *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + +[Illustration] + + + + +THE BELL TONE + +by + +EDMUND H. LEFTWICH + + + + + _It is no use. It's too late. + The earth--I must dig--alone._ + + +_To Whom It May Concern:_ + +In order to clear up any misunderstanding or false impressions regarding +the amazing case of my beloved friend and co-worker, Professor Howard E. +Edwards, I submit herewith, extracts from the professor's notebook, +which I found on the desk. + +EVANS BARCLAY, B.S. Fellow IRE. + + * * * * * + +_Jan. 25._ + +Last night, in my dreams, I was a monstrous ant, and had been digging +myself a burrow in the soft fresh earth. The dream was intensely real, +and when I awoke, I felt as tired as if I had actually been digging. My +arms ached, and I was astonished, upon examining my hands, to find them +raw. + +Dressing hastily, I rushed to the back yard, and there, sure enough, +near the fence, was a large hole about two feet deep and three feet +long. Hurriedly, I filled it in and returned to the house. + +I must rest for a few days, as I feel that the intense excitement caused +by my investigations, is preying too heavily upon my mind. + +At this time, I feel that I should make a brief summary of my findings +in respect to the ants, so that Barclay may go over these notes upon his +return from his vacation. + +_First:_ The ant colony is the source of a powerful bell-like tone which +is radiated continuously on two wave-lengths, .0018 meter, and .00176 +meter. This tone acts as a radio-beacon, and directs the ants to the +colony, no matter where they may be located. The .0018 meter wave is +used by the ants for their "clacking" conversations, by means of which +they communicate with each other and the colony, receiving orders from +the directing intelligence, reporting the location of food, and +requesting help, when needed. + +The wave .00176 meter, is used for sending thought images or pictures +which may be sent with the "clacking" code, or independently. I cannot +conceive a more efficient or highly specialized communications system. I +_must_ learn their secret, their methods. + + * * * * * + +_Jan. 30._ + +This morning, while sitting at the receiver in a semi-doze, with the +bell-tone ringing in my ears, I fell into that state known as +"day-dreaming." Little "Nippy," my beloved fox terrier, and constant +companion, rushed into the laboratory and ran up to me. + +For a moment my mind went blank. My hands shot out. I grasped the dog +around the throat and began to throttle him. I had risen from my chair, +and the dog was nearly dead, when I slipped and fell, pulling the phone +plug out of the receiver. + +Instantly, my mind cleared, and words cannot express the remorse I felt +at my inhuman actions. Nippy would have nothing to do with me, and +crawled dejectedly from the room, a terrified look in his eyes. + +I have no explanation for my actions. + + * * * * * + +_Feb. 3._ + +The transmitter is ready for operation. I have constructed a pair of +metal disc-electrodes which clamp tightly to my head and press upon my +temples. This device will pick up the thought impulses from my brain, +feed them directly into the radio-frequency amplifier, where they will +be amplified, and then radiated in a tight directed beam. + +My two ants were in their little enclosure under the microscope when I +threw the switch to the "send" position. I pictured myself as I looked +as a man, and sent the thought, "I am a man." + +Hastily, I threw the switch to the "receive" position. I looked through +the microscope. + +The ants were lying on their sides. Somehow, I felt that the power was +too great, and had stunned them. Keeping my eye to the microscope, I +again threw the switch to "send," and cut the power to half. + +"Get up, friends ... get up," I thought, as I pictured them rising. Sure +enough ... the ants slowly regained their feet. They looked about in +apparent bewilderment. Back again, in "receive" position, I was +conscious of the thought image, + +"The man ... he is the man. The man holds us here. He is killing us. We +must kill the man." + +They gnashed their fierce-looking mandibles. I snapped back to "send" +and thought. + +"No ... you must not kill the man. The man will not harm you ... he is +your friend. He will help you." + +As I watched, the ants seemed to become less excited. From the larger of +the two, I received the thought, + +"We are dying. The man is killing us with his strong vibrations. We +must kill the man." + +Then a very powerful thought impression burst upon my brain. + +It seemed to come from the colony, three feet away. + +"Warning to the man. Stop your thought transmissions at once! Your +vibrations are killing us. We want nothing from you. We have everything +we need. You will learn nothing from us. You will stop _at once_!" + +I threw the switch to "send." Viewed through the microscope, the two +ants were lying on their backs ... dead, to all appearances. + +"What if I don't stop?" I sent the thought question, "I want to learn +the secret of your communication. In return, I will teach you many +things. I can't stop now!" + +I changed to receive, and the answer came back, + +"If you do not stop ... we will kill you!" + +I turned off the apparatus, but the powerful bell tone continued to +pound incessantly into my brain. + +I laughed. They'd kill me ... would they? Those tiny insects ... what +could they do? Well--let them try, but I'd get what I was after. I would +not quit now, with success so near. What if my transmissions did kill a +few of them? Of what importance were the lives of a few ants as compared +to the advancement of the science of Communication? + + * * * * * + +_Feb. 9._ + +I found myself digging again in the back yard yesterday. As before, I +had been "day-dreaming," when an overwhelming desire to go outside and +feel the cool moist earth between my fingers and on my face took +possession of me. + +I rushed out into the back yard, and began digging feverishly ... madly, +until finally I fell, exhausted. Then my mind cleared and I filled in +the hole. + +About half the ants have died, due no doubt to the strength of my +radiations. No matter how low I cut the power, they still cannot live +but a short time under the force of my transmissions. They have stopped +sending thought impressions entirely, and are using only their +"clacking" code signals, which they seem to realize I cannot understand. + +I feel that they are undertaking some sort of campaign against me. For +hours they congregate, closely packed, their antennae stiffly pointed +straight up. Their thought currents seem to be flowing into and merging +with the bell tone, which grows stronger and more penetrating day by +day. + +In my back yard, there are four large ant hills, and at each hill, +curiously, there is no activity except the same mass concentration of +the ants. Have they, too, been affected by my radiations and joined +forces with the original colony against myself? + +The bell tone continues to grow stronger. + + * * * * * + +_Feb. 11_ + +Mrs. Winslow, the middle-aged widow, who comes to clean my house and +laboratory twice a week, was here this morning. + +She is short, dumpy, and inclined to be stout. As she went about her +work, I noticed particularly the fat firm flesh of her neck, just below +the jaw. I felt an uncontrollable desire to sink my teeth deep into that +flesh, and enjoy the taste of the warm fresh blood. + +I had actually risen from my chair to accomplish my desire, when the +telephone rang ... and my mind cleared. + + * * * * * + +_Feb. 14._ + +I have decided to stop my experiments with the ants. + +As they refuse to send any more thought impressions, there is nothing +further I can learn from them. Somehow, I feel that they are gaining a +hold upon my mind, and that every time I listen in on the receiver, that +hold becomes stronger. I firmly believe that I would have attacked poor +Mrs. Winslow, had not the ringing of the 'phone so opportunely +interrupted me. I have sent word for her to stay away ... as I cannot +trust myself. + +I keep a box of fresh earth on the table in my laboratory. I often run +my hands through it, and taste it. It is remarkable how much this +soothes my nerves. + + * * * * * + +_Feb. 16._ + +It is too late! + +For two days, I have kept my apparatus shut off. I have not so much as +looked at the ants, but still that confounded bell tone rings in my ears +with all the insistence of African tom-toms. Hour by hour ... the tone +becomes more penetrating. I cannot sleep, and can eat but little. + +As a last resort, I destroyed my ant colony. I even went so far as to +pour boiling water on the four ant hills in my yard. + +Still ... the bell tone persists. I can stand it no longer! + +Perhaps if I were to dig ... again in the yard ... in the soothing +earth, I could forget.... + + * * * * * + +(News Clipping: From Philadelphia Banner) + +RADIO COMMUNICATIONS ENGINEER DEAD + +Howard E. Edwards, Suicide + +_Philadelphia, Feb. 18._ The body of Howard E. Edwards, B.S., PhD., +Member I. R. E., eminent authority on Radio Communications, aged 56, was +found this morning in the back yard of his residence, 1427 Raines +Avenue. The body was almost completely buried in a long narrow hole in +the ground. + +At first, foul-play was suspected, but later it appeared that Edwards +had dug himself into the ground and died of suffocation, as his nostrils +and mouth were filled with dirt. + +Dr. P. A. Hofner, who examined the body, found no wounds, stated that +Edwards had been dead for about two days, and pronounced the death as a +clear case of suicide, the strange means employed probably due to an +unbalanced mental condition. + +Elaborate radio apparatus upon which Edwards had been working had been +smashed to bits. + + + + +Transcriber's Note: + +This etext was produced from _Comet_ July 1941. Extensive research did +not uncover any evidence that the U.S. copyright on this publication was +renewed. Minor spelling and typographical errors have been corrected +without note. + + + + + +End of the Project Gutenberg EBook of The Bell Tone, by Edmund H. Leftwich + +*** END OF THIS PROJECT GUTENBERG EBOOK THE BELL TONE *** + +***** This file should be named 22470.txt or 22470.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/4/7/22470/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/22470.zip b/22470.zip Binary files differnew file mode 100644 index 0000000..a59794c --- /dev/null +++ b/22470.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..444f287 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #22470 (https://www.gutenberg.org/ebooks/22470) |
