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diff --git a/22380-8.txt b/22380-8.txt new file mode 100644 index 0000000..a9f16ed --- /dev/null +++ b/22380-8.txt @@ -0,0 +1,1503 @@ +The Project Gutenberg EBook of Punch, or the London Charivari, Volume 104, +March 4, 1893, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Volume 104, March 4, 1893 + +Author: Various + +Editor: Francis Burnand + +Release Date: August 23, 2007 [EBook #22380] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON *** + + + + +Produced by Matt Whittaker, Juliet Sutherland and the +Online Distributed Proofreading Team at http://www.pgdp.net + + + + + +Transcriber's Note: The short pieces "Suppositious" and "Quite Another +Thing" were moved from their original positions accompanying the +illustration "The Political Fancy Dress Ball at Covent Gardent" to the end, +to prevent the "Essence of Parliament" article from being broken in the +middle. + + + + +PUNCH, + +OR THE LONDON CHARIVARI. + +VOL. 104. + + + + +March 4, 1893. + + + + +A BALLAD OF WEALTHY WOOING. + + Ah, why, my Love, receive me + With such tip-tilted scorn? + Self-love can scarce retrieve me + From obloquy forlorn; + 'Twas not my fault, believe me, + That wealthy I was born. + Of Nature's gifts invidious + I'd choose I know not which; + One might as well be hideous + As shunn'd because he's rich. + O Love, if thou art bitter, + Then death must pleasant be; + I know not which is fitter, + Not I--(or is't "not me"?) + + 'Tis not that thou abhorrest, + Oh, maid of dainty mould! + The foison of the florist, + The goldsmith's craft of gold; + Nor less than others storest + Rare pelts by furriers sold; + But knowing I adore thee, + And deem all graces thine, + My choicest offerings bore + Just because they are mine. + Then, smile not, dear deceiver, + Keep no kind word for me, + Enough that the receiver + Is thou--(or is it "thee"?) + + When others come, how trimly + Thou sett'st thy chatty sail! + For me alone all dimly + Seemeth the sun to fail. + Young FRANK he frowneth grimly, + And thou turn'st haughty pale. + 'Tis not the taint of "City," + For here be scores who sport + Their Mayfair manners pretty + In Cop-the-Needle Court. + Ah, chill me not so coolly, + A Croesus though I be-- + The one who loveth truly + I swear is I--(or "me"?) + + But what availeth grammar + As taught in straitest schools-- + The hammer of the Crammer + Forging Bellona's tools-- + Or words that humbly stammer + Regardless of the rules? + And what availeth fretting, + Deep sighs, and dwindling waist, + And what the sad forgetting + Of culinary taste, + Since still thou fondly spurnest + Five hundred thou. (or "thee."?) + And on young STONEY turnest + Love's eye--(or _is_ it "me"?) + + * * * * * + +SAD CONCLUSION.--To be virtuous for virtue's sake, without prospect of +reward, this is to be good for nothing! + + * * * * * + +[Illustration: BYE-ELECTION-OLOGY. + +_Gladys._ "LISTEN, SIBYL. PAPA HAS WON A GREAT MORAL VICTORY----WHAT DOES A +MORAL VICTORY MEAN EXACTLY?" + +_Sibyl_ (_who has had more experience_). "OH, IT MEANS--WELL, THAT WE ARE +TO BE THE VICTIMS OF POLITICAL ECONOMY, AND NOT GO TO LONDON, AFTER ALL!"] + + * * * * * + +INDERWICKEDNESS. + +"I do not wish to make a joke," Mr. INDERWICK, Q.C., is reported to have +observed in the course of examining the plaintiff in a divorce case, but, +in spite of this pathetic announcement, which passed without any comment +from the Judge, the ruling passion was too strong for him, and he +continued, "but Artists' models are not always models of virtue, are they?" +Not new, not by any means new, of course, but he had apologised beforehand, +and he couldn't help it; as the weak heroine, who yields to strong +temptation in a French novel or play, usually acknowledges "_C'était plus +fort que moi_." The inflammable materials being in close contact, there was +nothing to 'inder-wick from catching fire when in proximity to a spark of +genius. Yet so powerfully had the eminent Queen's Counsel's prefatial +apology affected the court and the audience, that his saucy sally--(for +there is life in the old sally yet, whether in our alley or in this +Court)--was not followed by the usually reported "laughter." How was it +received? Doubtless with decorous silence and downcast eyes, expressive of +sweet memories of dear old jokes made long ago, in happier and brighter +times, "when all the world was young." + +When a good old joke is again brought into Court with or without apology, +instead of its being received with respectful silence, we should like to +read that it was greeted with "tears" or "sobs." It would, indeed, not be +unbecoming on the part of the Judge if, unable to control his emotion, he +had immediately arisen, and, in broken judicial utterances, had adjourned +the Court for the day, out of respect to the memory (for old jokes) of the +Leader or Junior who had apologetically perpetrated one. Should Mr. +INDERWICK try this again, the new effect, as above suggested, may be +obtained to the satisfaction of all parties, except, maybe, those to the +suit, "whom," as one learned brother might say with another, and still +profounder apology, "such a proceeding would not _suit_ at all." + + * * * * * + +LINES ON A LIFE-BELT. + +(_After Waller's "On a Girdle._") + + ["According to the evidence of the only two witnesses who sailed with + her, no Life-belts were forthcoming, when the Life-belts might have + given many of those on board a last chance of life."--_The "Times" on + the Inquiry into the Wreck of the "Roumania."_] + +_Shipwrecked Passenger loquitur_:-- + + That which would give me ease of mind, + And hope of life, I cannot find. + No monarch but would give his crown + For a Life-belt, when ships go down. + + It would relieve extremest fear, + That circlet light, that cork-lined sphere; + But in dark nooks below above, + The careless crew such trifles shove! + + A narrow compass, and yet there + Dwells safety, but for want of care. + Give me the Belt, which can't be found, + And I might live, who must be drowned! + + * * * * * + +A certain noble Lord was supposed to have somewhat disparaged one of his +horses on sale by describing him as "a Whistler." JAMES MCNEILL, "of that +ilk," was of opinion that this description, supposing the animal to have +been "a genuine Whistler," ought to have increased its value considerably. + + * * * * * + +The Musical Coster Craze. + +_Customer._ Have you a copy of COSTA'S _Eli_? + +_Shopman._ No, Sir; we have none of CHEVALIER'S songs. + + * * * * * + +SUPERLATIVE!--The appointment of Mr. DUFF, M.P., to be Governor of New +South Wales is a "positive" good, seeing that they might have appointed "a +comparative Duffer." + + * * * * * + +LOVELY CHEESE! OR, A WELSH RARE-BIT. + +[Illustration] + +AIR--_"Lovely Night." Dissenting Anti-Church Mice sing_:-- + + Lovely Cheese! Lovely Cheese! + To Church Mice thou art most dear, + But _do_ please, but _do_ please + Let _us_ also share thy cheer: + For though our "freedom" gladsome seems, + Too oft it brings poor fare alone; + But aided by what haunts our dreams, + How many joys Church Mice have known! + Lovely Cheese! Lovely Cheese! + Long we've yearned to draw more near + To the ease, toothsome ease, + Of the dwellers in thy sphere! + + Lovely cheese! Lovely cheese! + When a mouse thy cover nears, + Growling fit his heart to freeze, + Some keen-claw'd (Church) cat appears. + But now--that knife portends a boon; + Monopoly slice by slice 'twill slay. + We, too, may get--let it be soon!-- + Our bit of cheese, some day, some day! + Lovely Cheese! Lovely Cheese! + When that cover's lifted clear, + With what ease, with what ease + We poor mice may share Church cheer! + + * * * * * + +There was a feeling of uncertainty in the House of Commons last Wednesday, +as to what should be taken to constitute "A Religious Body." Not to go +harking back to the Rev. SYDNEY SMITH'S definition of "a +Corporation"--which, without speaking it profanely, cannot be here quoted +without offending eyes polite,--one may say that "A Religious Body" is a +contradiction in terms. It is simply "A Soul-less Thing." + + * * * * * + +"What's the name of that German Beer?" asked Mrs. R., "I rather think it is +Pil-sen-ner. It sounds to me more like medicine." + + * * * * * + +THE MAN FROM BLANKLEYS. + +A STORY IN SCENES. + + SCENE XI.--_The Drawing-room._ Mrs. GILWATTLE _is still unable to + express her feelings by more than a contemptuous glare._ + +_Uncle Gabriel._ My--ah--love, you didn't hear me. I was saying I've almost +prevailed on his Lordship---- + +_Mrs. Gilwattle_ (_becoming articulate_). His Lordship, indeed! If _that's_ +a Lord, I don't wonder you're such a Radical! + +_Uncle Gab._ Why--why--what's _come_ to you, JOANNA? My Lord, I hope you'll +excuse her--she's a little---- + +_Mrs. Gil._ Fiddlesticks! You've been made a fool of, GABRIEL! Can't you +see for yourself that he's neither the manners nor yet the appearance of a +_real_ nobleman--or anything but what he _is_? + +_Uncle Gab._ (_dropping_ Lord S.'s _arm_). Eh? If you're not a Lord, Sir, +what else _are_ you? + +_Lord Strath._ (_wavering between wrath and amusement_). Afraid I can't +enlighten you--I'm extremely curious to know myself. + +_Mrs. Tid._ (_distractedly_). Oh, Aunt, it wasn't my fault, really! +MONTAGUE _would_ have him! And--and we _sent_ round to say he wouldn't be +required--we did indeed! Please, _please_ don't tell anybody! + +_Mrs. Gil._ (_rigidly_). It is my _duty_ to let everyone here know how +disgracefully we have been insulted to-night, MARIA, and might have gone +away in ignorance, but for that innocent child--who has done nothing, that +_I_ can see, to deserve being shaken like that! _I_'m not going to sit by +in silence and see a man passed off as a Lord who is nothing more nor less +than one of the assistants out of BLANKLEY'S shop, hired to come and fill a +vacant seat! Yes, GABRIEL, if you doubt my word, look at MARIA--and _now_ +ask that young man to dine! + + [_Profound sensation among the company._ + +_Uncle Gab._ I--ah--withdraw the invitation, of course--it is cancelled, +Sir, cancelled! + +_Feminine Murmur._ I had a feeling, the moment he came in, as if--so +thankful now I didn't commit myself by so much as--ah, my dear, it all +comes from a desire to make a show!--&c., &c. + +_Uncle Gab._ It's the bare-faced impudence of coming here on false +pretences, that _I_ can't get over. Come, Mr. SHOPWALKER, COUNTERJUMPER, or +whatever you really are, what have _you_ got to say for yourself? + +_Lord Strath._ Say? Why---- + + [_He struggles to control his countenance for a moment, until he is + convulsed at last by irrepressible laughter._ + +_All_ (_except the_ TIDMARSHES). He's laughing--positively _laughing_ at +Us! The brazenness of it! + +_Lord Strath._ (_regaining composure_). I--I'm awfully sorry, but it struck +me suddenly as so----After all, the joke is only against myself. (_To +himself._) Must try and get my unfortunate hostess out of this fix--not +that she deserves it! (_Aloud._) If you will kindly let me explain, I think +I can---- + +_Mr. Tid._ (_suddenly_). Oh, hang explaining! It's all out now, and you'd +better leave it there! + +_Lord Strath._ I can't, indeed. I must make you all understand that this +well-meaning lady with the highly-developed sense of duty has done our host +and hostess a grave injustice, besides paying me a compliment I don't +deserve. I'm sorry to say I can't claim to be half as useful a member of +the community as any of the very obliging and attentive gentlemen in Mr. +BLANKLEY'S employment. If I'm anything, I'm a--an Egyptologist, in an +amateur sort of way, you know. A--in fact, I'm writing a book on Ancient +Egypt. + +_The Others._ A _literary_ man! As if _that_ made it any better! + +_Lord Strath._ I merely mention it because it led me to write to Mr. +CARTOUCHE--whom I happened to hear of as a famous collector--and ask to be +allowed to call and inspect his collection. Mr. CARTOUCHE (who lives, I +believe, at No. 92, next door) very kindly wrote, giving me leave, and +inviting me to dine at the same time, and--I know it was unpardonably +careless of me--but somehow I came here instead, and, Mr. and Mrs. TIDMARSH +being both too--er--hospitable to undeceive me, I never found my mistake +out till too late to put it right, without inconveniencing everybody. +That's really all. + + [_Uneasy reaction in the company._ + +_Uncle Gab._ (_pompously_). Ha--hum--no doubt that puts a somewhat +different complexion on the case, but it doesn't explain your conduct in +calling yourself Lord STRATHFOOZLEUM, or whatever it was. + +_Lord Strath._ I think you mean STRATHSPORRAN. I did call myself that, +because it happens to be my name. + +_Mrs. Tid._ (_passionately_). I don't believe it.... I _can't_. If it is, +why did Miss SEATON call you "Mr. CLAYPOLE"? + +_Lord Strath._ I beg your pardon--CLAYMORE. Because, when we last met, I +was DOUGLAS CLAYMORE, with no prospect whatever, as it seemed then, of +being anything else. + +_Mrs. Tid._ (_faintly_). Then he really is--_Oh_! + + [_She sinks on the couch, crushed._ + +_Uncle Gab._ Ha, well, my Lord, I'm glad this little misunderstanding is so +satisfactorily cleared up, and if I may venture to hope for the honour of +your company,--shall we say Friday wee----(Lord S. _looks at him +steadily._) Oh, if your Lordship has some better engagement, well and good. +Makes no difference to _me_ I assure you. JOANNA, our carriage must be here +by now, say good-bye and have done with it! Good-night, MARIA, I'll see you +don't expose me to _this_ again! + + + SCENE XII.--_The guests have all taken leave with extremely frosty + farewells_; Mr. TIDMARSH _is downstairs superintending their + departure._ GWENNIE _has been pardoned on_ Lord S.'s _intercession, + and dismissed, in much bewilderment, to bed._ Mrs. TIDMARSH _and_ Lord + STRATHSPORRAN _are alone._ + +_Mrs. Tid._ (_hysterically_). Oh, Lord STRATHSPORRAN, when I think how +I----What can I _ever_ say to you? + +_Lord Strath._ Only, I hope, that you forgive my stupidity in blundering in +here as I did, Mrs. TIDMARSH. + +_Mrs. Tid._ It _was_ a good deal your fault. If you had only said who you +really were--if my husband had not been idiot enough to misunderstand--if +Miss SEATON had been more straightforward, all this would never----! + +[Illustration: "Sitting down heavily on a Settee."] + +_Lord Strath._ We were all the victims of circumstances, weren't we? But I, +at least, have no reason to regret it. And, if I may ask one last +indulgence, will you--a--let me have an opportunity of saying good-bye to +Miss SEATON? + +_Mrs. Tid._ She, she doesn't _deserve_--Oh, I don't know _what_ I'm saying. +Of _course_, Lord STRATHSPORRAN, anything, _anything_ I can do to----I will +send her down to you, if you will only wait. She shall not keep you long! + +_Lord Strath._ (_alone, to himself_). It's an ill wind, &c. I shall have +MARJORY all to myself, now! To think that--but for a lucky blunder--I +should be spelling out scarabs and things on the wrong side of that wall at +this moment, and never dreaming that MARJORY was so----Ah, she's coming! +(Miss SEATON _enters, looking pale and disconsolate._) MARJORY, you've no +idea what you've missed! I _must_ tell you--it's too good to lose. What +_do_ you think all these good people have been taking me for? You'll never +guess! They actually believed I was hired from BLANKLEY'S! Give you my word +they did!... Why don't you _laugh_, MARJORY? + +_Miss Seaton_ (_faintly_). I--I _am_ laughing. No, DOUGLAS, I'm not. I +can't; I haven't the conscience to. Oh, I never meant you to know--but I +must tell you, whatever comes of it! _I_ believed it too, at first. +(_Tragically._) I _did_, DOUGLAS! + +_Lord Strath._ _Did_ you though, MARJORY? Then, by Jove, I _must_ have +looked the character! + +_Miss Seaton_ (_timidly_). I knew you--you weren't very well off, DOUGLAS, +and so I fancied you might----Oh, I know it was hateful of me ever to think +such a thing, but I did. And you can never _really_ forgive me! + +_Lord Strath._ Couldn't think of it! Shall I tell you something else, +MARJORY? I've a strong impression that you will not be an inmate of this +happy English household _much_ longer. + +_Miss Seaton._ I'm _sure_ I shan't, from Mrs. TIDMARSH'S expression just +now. But I don't care! + +_Lord Strath._ Don't be reckless. How do you know there isn't a moral lion +about? And where will you go next, MARJORY? + +_Miss Seaton_ (_with a shrug_). I don't know. I suppose to anybody who +wants a Governess, and doesn't mind taking her without a reference, if +there _is_ such a person! + +_Lord Strath._ Well, oddly enough, I fancy I know somebody who has been +trying for a long time to find a young person of just your age and +appearance, and might be induced to waive a reference on a personal +interview. (Miss SEATON _looks incredulous._)... MARJORY, don't you +understand? If I hadn't been such a pauper, I'd have spoken long ago, when +we were up in Scotland together, only it didn't seem fair then. I--I +daresay I've no better chance now; but, at least, I've more right to speak +than I had, and--and--will you have me, MARJORY? (_She turns away._) I--I +won't worry you, dear, if you really can't care about me in that way; +but--but if you only _could_, MARJORY, even a little! + +_Miss Seaton._ DOUGLAS!... + + _Same Scene--somewhat later._ + +_Lord Strath._ Not yet, MARJORY--I can't let you go just yet!... Must I, +really? Before I've said half what I wanted!... Well--in one minute, then. +And you're coming to my people as soon as you can get out of this, MARJORY; +and I shall see you every day, till--till we shall never be separated +any----Confound it!--who's that? [Mr. TIDMARSH _enters suddenly._ + +_Mr. Tid._ Oh--er--Lord STRATHSPORRAN, sorry to interrupt you, but--hem--my +wife, who's feeling too unwell to come down again, desires me to say that, +in her opinion, Miss SEATON has been here quite long enough. [Miss SEATON +_escapes by the back drawing-room._ + +_Lord Strath._ I entirely agree with Mrs. TIDMARSH; but I am happy to say +that Miss SEATON will not remain here very much longer, as she has just +done me the honour of consenting to be my wife. Good night, Sir, and many +thanks for a most er--eventful evening. + + [_He goes out._ + +_Mr. Tid._ (_making an effort to escort him downstairs, but giving it up, +and sitting down heavily on a settee instead_). She'll be Lady +STRATHSPORRAN! And I shall have to break it to MARIA--after she's just gone +in and stuck a month's salary and immediate notice on her pincushion! Oh, +lor--as if my poor wife hadn't trouble enough to bear as it was! + +THE END. + + * * * * * + +HARE-ING HIS DIPLOMACY. + +As I have already conveyed, in a short note last week, the first night of +the revival of _Diplomacy_, viz., Saturday, Feb. 18th, will be for ever +memorable in the annals of the English stage in general, and in the +reminiscences of Mr. JOHN HARE in particular, whenever he may choose to +give them to the public. It will also afford matter for a brilliant chapter +in the second or third series of Mr. and Mrs. BANCROFT'S _On and Off the +Stage_. A great night, too, for the eminent adapters Messrs. SCOTT and +STEPHENSON, once known as "the Brothers ROWE," who rowed in the same boat. + +Never, at any time, has this version of the French play been so well cast +as it is now at Garrick Theatre, though nervousness told on all the actors, +especially on the elder ones, except, apparently, Mrs. BANCROFT, in whose +performance there was hardly any trace of it, though once she nearly missed +her cue while resting awhile at the back of the stage. + +The part of _Lady Henry Fairfax_ has literally nothing whatever to do with +the plot, and were it not played as it is now, and played so capitally by +Mrs. BANCROFT, it would be better, for an English audience at least, if +omitted entirely, or reduced to a few appropriate lines in pleasant places. +An English audience wants the story, when once begun, to go on without any +break or interruption; and indeed, but for dramatic effect, an English +audience is inclined to resent even the division of a piece into Acts, +unless such arrangement is evidently necessitated by some heavy mechanical +change of scenery. + +So our audiences would decidedly prefer to have the _rôles_ of _Lady Henry_ +and _The Marquise de Rio Zarès_ (with her wearisome iteration about "Don +ALVA," and played with rather too much accentuation by Lady MONCKTON) +reduced to the smallest possible algebraic expression. Mr. BANCROFT was the +same _Count Orloff_ as he was years ago on the little stage of the old +Prince of Wales's Theatre; his action more deliberate than when he was +younger and more impetuous; his pauses for meditation longer by a thought +or so than of yore; while in his tone and manner there was just a +delicately-deepened colouring of the genuine original Bancroftian "Old +Master." To Mr. BANCROFT, resuscitating our old courtly friend _Count +Orloff_ (now _Count Orl-on-again_), I would address the once well-known +line from "_Woodman, spare that Tree_"-- + +"Touch not a single _bow_!" + +[Illustration: "Three Men in a boat."] + +ARTHUR CECIL, too, as _Baron Stein_, excellent, _cela va sans dire_; yet, +somehow, his effects now seem to me to be laid on with too broad a brush, +especially in the scene of his last appearance, where he makes a sly, and, +for the _Baron Stein_, a rather over-elaborated and farcical attempt to +recapture the letter he has just given up. FORBES ROBERTSON is good from +first to last as the very weak-knee'd _Julian Beauelere_, sufficiently +emotional in the strong situations, and never better than when the +character itself is at its weakest; that is, in the one great scene with +his wife. + +The _Algie Fairfax_, of Mr. GILBERT HARE, was natural where the authors +have allowed him to be natural, and best, therefore, in the last Act, where +he has become a responsible personage in a diplomatic office. The +"three-men-in-a-difficulty" scene went as well as ever, though, on the +whole, played far too slowly, and with so much "suppressed force," that the +celebrated "_Monsieur! à vos ordres!_" when _Orloff_ suddenly breaks out +into "the language of diplomacy," did not electrify the house. On the +contrary, the audience took it very quietly, awaiting with some curiosity +the interference of _Henry Beauclerc_. And it was at this point that the +services of Mr. JOHN HARE in this character were invaluable. Never had his +crisp incisive style produced more marked effect. It is a pity that in the +Third Act, which being the weak point of the play requires all the strength +of the actor to be seriously employed, Mr. HARE should have given a very +light comedy, nay, even a farcical touch to his treatment of the "business" +of sniffing the perfume--when he is literally "on the scent"--and to the +momentous situation of his interview with _Zicka_. "_Maintenant à nos +deux!_" Odd that, in his treatment of the strength of the scent, SARDOU +should have shown the feebleness of his methods. Yet so it is. The play, at +this point, being practically played out, he carelessly chucks the puppets +into a corner. He has made his great scenes, and there's an end of it; let +the weakest go to the wall. + +[Illustration: DUET--_Baron Cecil Stein and Lady Henry Bancroft Fairfax_ +(_with original model of Strasbourg Clock_)--"Here we are again!"] + +[Illustration: SCENT ZICKA--from a (guilt)-stained-glass Russian window.] + +Last of all to be mentioned with unstinted praise is Miss KATE RORKE. It is +as well to remember throughout that we are witnessing a play of +semi-French, not purely domestic English life, and the essence of the play +could not be adapted to ordinary English notions. _Julian Beauclerc_, for +example, in England, would never have challenged _Count Orloff_; he might +have had "a deuce of a row with him"; _et voilà tout_. _Dora_, as a young +Irish girl, and not, as she is here, a half-breed, would never have +threatened to suicide herself out of the window, though all else she, as a +not particularly well-educated, but certainly very impulsive girl, might +probably have done. Her great scene, where she bangs her fists against the +looked doors, shrieking to her husband to return--an effect to be led up to +and made within the space of a minute--was, if I may be allowed to say so, +without being suspected of exaggeration, "just perfect." That some +considerable time will elapse before the enthusiasm aroused by this revival +dies out among the patrons and lovers of the Drama-at-its-best is the +private opinion, publicly expressed, of Yours, truly, "THE ONE MAN SEEN" IN +A BOX. + +P.S.--When _Diplomacy_ shall have accomplished its Hundred Nights, Mr. HARE +can announce its Scentenary. + + * * * * * + +A LAST STRAW. + +(_By One who has to Make Bricks with It._) + + ["... It is rumoured that a measure will shortly be introduced for + transferring the duties of Revising Barristers to Magistrates."] + + Go, tell the budding blooms they'll ne'er have dew more, + Go, doom the summer trees to languish leafless-- + A like effect this ultra-fiendish rumour + Works in the drooping bosoms of the Briefless. + + No more Reviserships! No paltry pittance + For Themis' harvesters, too often sheafless! + Is this the Constitution, once Great Britain's; + _This_, your provision for the meekly Briefless? + + As well proclaim to such as slave at Sessions, + A world unburglarised and wholly thiefless, + As rob the least rewarded of professions + Of its ancestral comfort for the Briefless. + + What's to become of us?--I speak for many, + Idle and "Unemployed," but oh! not griefless; + Please, please kind Government to spare a penny, + Or yet Trafalgar Square shall rouse the Briefless. + + Yes! Don't imagine, uncomplaining creatures + Are quite disorganised and limp, and chiefless; + Our jaw is one of our most drastic features, + And Art is long, though Life perforce be Briefless. + + * * * * * + +[Illustration: A REGULAR KNOUT AND KNOUTER!!!] + + * * * * * + +"'BEN' TROVATO."--Odd that the French author of such truly Parisian stories +as _Coeur d'Actrice_, _L'Amour pour Rire_, _Flirtage_, and others _du même +genre_, should be named "TILLET." There is a "du" before the French +author's name, and it is of course proverbial that even a certain person in +the Lower House shall have his "due." 'Tis just this, that, as far as name +goes, differentiates him from t'other TILLET, "which his Christian name is +BEN." + + * * * * * + +Further Fall in Irish Stocks. + +(_Vide Daily Papers, Feb. 24, 1893._) + + Though mongers of panic, with malice satanic, + The credit of Ireland be troublin', + Home Rule cannot shake her, nor severance break her, + So long as her _capital's D(o)ublin_.' + + * * * * * + +WEATHER FORECAST BY MRS. R.--"After this cold snowy weather," she observed, +oracularly, "we may expect what they call 'equally obnoxious gales.'" + + * * * * * + +[Illustration: HISTORY CONTRADICTS ITSELF. + +THE MISSES ROUNDABOUT THINK TIGHT SKIRTS A PREPOSTEROUS AND EXTRAVAGANT +INVENTION, AND APPEAR AT MRS. WEASEL'S PARTY IN A SIMPLE AND ELEGANT +ATTIRE. [_Vide "Punch" for Nov. 21, 1857._] + + * * * * * + +PUTTING IT PLEASANTLY. + + [Mr. FOWLER announced the Government's willingness to appoint "a small + Commission" to consider how the City could be amalgamated with the + rest of London.] + + "Dilly, Dilly, come and be killed!" + Cried good _Mrs. Bond_ to the ducks, in the story. + Conceive with what rapture the victims were thrilled, + And then picture the joy of our Turtle friends, filled + With sweet premonitions of glory! + + No little testudinate triflers are these, + Unmindful of doom unforbodingly playing. + The cook's charming manners are likely to please, + But the flash of that knife Snapping Turtles might freeze, + 'Tis so strangely suggestive of--slaying. + + The civic Brer Terrapin certainly seems + Extremely content with its time-honoured station. + Our "young men" may dream highly optimist dreams, + But Turtledom feareth what Turtledom deems + The perils of--Unification! + + "No compulsion, of course, only, darlings, you must!" + That's their reading _au fond_ of the C. C. Cook's attitude. + "'Amalgamate' Us? Doosed cool, most unjust! + Your offer inspires us with dismal distrust, + Your 'Commission' won't move us to gratitude. + + "We love the traditions of Old London Town, + We Turtles. Pray leave us alone, and don't bother! + Amalgamate? Nay, on the notion we frown! + Like the lion and lamb we'll together lie down---- + When the one is safe inside the other!" + + Alack and alas! But the new _Mrs. Bond_ + Means mischief, we fear, with her kind "Dilly, Dilly!" + And well may the Turtles droop fins and despond. + When the snug isolation of which they're so fond, + They must part with at last, willy-nilly! + + * * * * * + +WAGES. + +(_A long way after Lord Tennyson._) + + ["Lord WOLMER ... pointed out that Mr. GLADSTONE'S majority of forty + would be wiped out if the 'paid mercenaries' of the Irish-American + factions were withdrawn, or were even unable to keep up a steady + attendance in the House of Commons."--_The Times._ + + "The proposed Bill to Provide for the Payment of Members of Parliament + ... is a bold attempt to transfer to the tax-payers of Great Britain + the burden of supporting at Westminster the Irish Nationalist + Members."--_Ibid._] + + Glory of Irishman, glory of orator, going it strong, + Paid by his countrymen's mites from across the Atlantic Sea-- + Glory of PAT, to spout, to struggle, right Ireland's old wrong! + Nay, but they aim not at glory, or Home Rule (swears WOLMER, swears + he): + Give 'em the glory of living on _us_ and our L. S. D.! + + The wages of swells are high; if high wage to a Minister's just. + Shall we have the heart low wages to hard-worked M.P.'s to deny? + _Mercenaries?_ What then are those toffs in high places of trust, + Who live on our golden largess? Will WOLMER inform us just why + We _may_ give wages to Wealth, and _not_ unto Poverty? + + * * * * * + +"Down Among the Dead Men." + +_Ebriosus loquitur_:-- + + Silly spook-hunters show a wish to learn + If (_hic!_) departed spiritsh e'er return! + _Did_ they, I should not have so dry a throttle, + Nor would it cost so mush to--passh the bottle! + Thersh no returning (_hic!_) of Spiritsh fled, + And (_hic!_) "dead men"--_worsh luck!_--continue dead! + + * * * * * + +WANTED BADLY.--A "close time" for Autograph-hunting. Alas! the great--and +even the not-so-very-great--are "made game of" all the year round. + + * * * * * + +[Illustration: PUTTING IT PLEASANTLY! + +COUNTY COUNCIL COOK. "DILLY, DILLY, DILLY! COME AND BE--_AMALGAMATED_!!"] + + * * * * * + +[Illustration: A TRUSTY KNIGHT. + +_Tommy_ (_who has undertaken to escort his fair Cousin to see the Hounds +draw Covert_), "AND YOU KNOW YOU NEEDN'T MIND ALL THESE MEN. IT'S ALL +RIGHT, AS YOU'VE GOT ANOTHER FELLOW WITH YOU."] + + * * * * * + +MR. PUNCH'S CHILD'S GUIDE TO KNOWLEDGE. + +_Question._ What is a holiday? + +_Answer._ The hard work of that wearisome pursuit known as "pleasure." + +_Q._ To whom are holidays profitable? + +_A._ To the butchers, the pastry-cooks, and last, but certainly not least, +the doctors. + +_Q._ What are the ends of holidays? + +_A._ Pills and Bills. + +_Q._ What are pills? + +_A._ The means by which fortunes are made, and in another sense Clubs kept +select. + +_Q._ And Bills? + +_A._ Necessary evils laid on the table in the House of Commons, and thrown +into the waste-paper basket in the domestic circle. + +_Q._ What is Parliament? + +_A._ An assembly of men in which hats are worn when the Members don't want +to talk, and removed when they wish to show what amount of brains they may +possess. + +_Q._ What is a hat? + +_A._ Generally a nuisance. + +_Q._ What is cover? + +_A._ The profit made by an Outside Broker out of his too confiding +customers. + +_Q._ What is the difference between an Outside Broker and an Inside Broker? + +_A._ One is associated with the Stock Exchange, and the other is usually +made comfortable with a pot of beer and a penny paper in the kitchen. + +_Q._ What is a kitchen? + +_A._ The source from which happiness or misery flows under the +superintendence of a cook. + +_Q._ Describe a cook. + +_A._ As a food-preparer he, or she, is often an executioner. + +_Q._ What is a century? + +_A._ When obtained by a cricketer, an honour; when achieved by an +individual, a distinction that must be shortly followed by extinction. + + * * * * * + +OUR BOOKING-OFFICE.--JOHN OLIVER HOBBES'S last contribution to FISHER +UNWIN'S charming Pseudonym Library is well named _A Study in Temptations_. +It is not in itself an attractive title, but it accurately indicates the +style of the book. It is a study for a novel rather than an accomplished +work. One expects, my Baronite says, that in some leisure time the author +will come back and finish it. It is well worth the labour, being full of +living characters. _Lady Warbeck_ in particular, is excellent, reminiscent +of, and worthy of THACKERAY. The temptingly arranged pages glitter with +shrewd thoughts admirably phrased. BARON DE B.-W. + + * * * * * + +NO DOUBT AS TO THE ANSWER.--In the list of "Noblemen and Gentlemen" +(invidious distinction, by the way) attending the _Levée_ at St. James's +Palace, whose name would be always found?--Why that of "JAMES O. FORBES, +_of Corse_." + + * * * * * + +NEW (NORWEGIAN) NONSENSE VERSE. + +(_After seeing Ibsen's Dramas._) + + There was a young female in Norway, + Who fancied herself in a poor way, + Because she felt that + Her sweet sex was squeezed flat, + As though caught in cold Destiny's doorway. + + This rebellious young woman of Norway + Cried, "Man, in his coarse, brutal boor-way, + Would wipe his big feet + On my sex soft and sweet; + But _I_'ll be no mere mat in Man's doorway!" + + And so this young woman of Norway + Got IBSEN to write, in cock-sure way, + Concerning her woes, + And tip-tilted her nose, + Crying, "_Now_ womankind will have more way!" + + But alas! this young woman of Norway + _Still_ feels that her soul's in a poor way, + Because, in a play, + She won't charm (so they say) + Or draw crowds through the theatre's doorway. + + * * * * * + +LATEST À PROPOS OF THE COVENT GARDEN FANCY DRESS BALLS.--"Of course," +observed Mrs. R., "as ladies do not want to be recognised, they simply go +in dummy noses." + + * * * * * + +LEGAL QUERY.--When a leading Barrister gets someone to "devil" for him, may +the latter's occupation be correctly described as "devilry"? + + * * * * * + +[Illustration: "IL Y EN A TOUJOURS UN QUI AIME--ET L'AUTRE QUI TEND LA +JOUE." + +_He._ "AH! YOU'D THINK A PRECIOUS LOT MORE OF ME, MATILDA, IF I WAS ONLY +SIX FEET HIGH!" + +_She._ "YES, DEAREST! BUT THEN YOU WOULDN'T THINK SUCH A PRECIOUS LOT OF +_ME_!"] + + * * * * * + +AN ORLEANS PLUM.--Prince HENRI D'ORLÉANS (says the _Times_) has just been +rebuking the British people for the Chauvinism of their Oriental policy. +Like the late M. MASSIE, whose shade he invokes, the young Prince seems to +object to us, not because we commit any specific acts of hostility, but +"because we look on in a most aggravating fashion." This is truly funny! +One country may steal a--Tonkin, but another may not look over a boundary! +Prince HENRY presents a peculiarly close parallel to KEENE'S infuriated +(and incoherent) Paterfamilias, who angrily commanded his silent son "not +to look at him in _that_ tone of voice!" + + * * * * * + +OPERA AND DISESTABLISHMENT.--_La Damnation de Faust_ was produced most +successfully at the Theatre at Monte Carlo. According to some stern +moralists, who regard the Principality as a gambling-hell upon earth, this +particular Opera was in a quite congenial atmosphere. Odd that in the two +Principalities, Monte Carlo and Wales, the objects for Disestablishment +should be so diametrically opposite. In Wales it is the particular Church, +and at Monte Carlo it is the not-at-all-particular t'other word, +unmentionable twice in the same paragraph to ears polite. + + * * * * * + +NEW READING.--(_By a Musical Lady Latinist._)--"Amor et melle et KELLIE est +fecundissimus." + + * * * * * + +ESSENCE OF PARLIAMENT. + +EXTRACTED FROM THE DIARY OF TOBY, M.P. + +_House of Commons, Monday, February 20._--New Chairman to-day; dropped in +in most casual way. Wondered to see MELLOR wandering about Library and +corridors at three o'clock in afternoon in full evening dress. "Going out +to tea?" I asked, in my genial way. + +"Order! order!" said MELLOR; "the Hon. Member will please give notice of +that question." And he stalked off, trying to convey to the mind of his +astonished interlocutor as near an approach to back view of COURTNEY as +could be attained, without loan of late Chairman's famous summer +pantaloons. + +Everything explained later. Soon as questions over, Mr. G., rising and +fixing glittering eye on SPEAKER, observed, "I beg to move that you, Sir, +do now leave the Chair." Strangers in Gallery pricked up their ears; +thought SPEAKER been doing something, and was now in for it. Right Hon. +Gentleman offered no defence, but meekly left Chair. Mr. G. up again like a +shot. "I beg to move that Mr. MELLOR do take the Chair," he said. Then +MELLOR (fortuitously on spot in evening dress) stepped into Chair, where +through six Sessions, COURTNEY has sat ruling the whirlwind out of order, +and riding on the storm. All done in moment. Before you knew where you +were, there was new Chairman of Committees proposing vote of £2,000 for +rearrangement of rooms in Houses of Parliament. ALPHEUS CLEOPHAS rose, with +evident intent of wanting to know "about these rooms," when irrepressible +Mr. G. on his feet again. "I beg to move," he said, addressing Chairman, +"that you do report progress, and ask leave to sit again." + +Rather hard this on MELLOR. Just got into Chair; beginning to feel +comfortable. Had proposed subject that might have agreeably occupied +Committee for half an hour, when here comes the untameable, irresistible, +peremptory Mr. G., and bundles him off. At first some signs of inclination +to resist. New Chairman, having put question and declared it carried, +should forthwith have stepped away from the table. MELLOR dropped into +Chair again. + +A moment of embarrassment. COURTNEY, looking critically on form below +Gangway, grimly smiled. Members under Gallery tittered. Clerk nudged new +Chairman in ribs. MELLOR sat on till, lifting his eyes, discovered Mr. G. +meaningly regarding him. Knew he'd be up again if he didn't go; so with +promising alacrity, hopped out of Chair, and disappeared from ken of House. + +"Well, I don't know," said honest BILL CREMER. "Of course I don't hold with +COURTNEY'S goings-on in the political field, and he can scarcely have +expected us to keep him on in a snug berth. But this I will say, the +manners of the new Chairman may, so to speak, be more MELLOR, but, as +Chairman of Committees, COURTNEY'll be hard to beat." + +_Business done._--"Ban, ban, Caliban, got a new Premier, get a new man"--in +Chairman of Committees. + +_Tuesday._--"The life of Her Majesty's Ministers," said the GRAND YOUNG +GARDNER, moodily contemplating his spats, "is not an entirely happy one. I +think I may add that is peculiarly the case with the MINISTER for +AGRICULTURE. I must say, if the language, be not regarded as too +flowery----" + +"The MINISTER for AGRICULTURE," I said, desiring to put GARDNER at his +ease, "would be fully justified in using cauliflowery language." + +"Thank you. Then I'll say I go to bed with tuberculosis, and get up with +HARRY CHAPLIN. The casual observer is, doubtless, aware that CHAPLIN has an +eye. He sees it gleaming through the eyeglass. I feel it ever upon me. It +is no slight thing to have succeeded a statesman of the calibre of CHAPLIN. +But when he persistently sits opposite you, critically observing all your +movements with that air of supreme intelligence which more than hints that, +as MINISTER for AGRICULTURE, he was personally acquainted with every one of +the cattle on a thousand hills, it is an ordeal that calls into play all +the higher faculties of Man. As to the tuberculosis, it is always breaking +out in unexpected places; people concerned insist upon regarding me as +personally responsible for the visitation." + +[Illustration: THE POLITICAL FANCY DRESS BALL AT COVENT GARDEN.] + +"But," I said, "you have your little holiday, Saturday to Monday, and get +out to dinner on off-nights?" + +"No," he sighed, "the MINISTER for AGRICULTURE has no off-nights; and if I +go to church at the seaside on a Sunday, the Church-warden in passing round +the collection-plate, is sure to steal into my hand a telegram, announcing +a fresh outbreak of tuberculosis. As to going out to dinner----" + +[Illustration: Harry'd H-rry Ch-pl-n, as he appeared when meditating on +Bimetallistic and Agricultural Distress.] + +"Ministers," CAUSTON here observed, "never dine out when the House is +sitting, unless commanded by the QUEEN, and Whips can't be spared even to +dine with HER MAJESTY." + +"As to going out to dinner," continued the GRAND YOUNG GARDNER, ignoring +the interruption of his genial colleague, "it is impossible. It was said, I +believe by one of themselves, 'The Guard dies, but never surrenders.' I may +add, the MINISTER for AGRICULTURE lunches but never dines. What would +become of the Government if a division-bell rang and he was found out of +the way? Now to-night, you would say, looking at the business, I might well +be spared. We commence with KIMBER on disparities in the representation of +constituencies. ROLLIT will follow in the interests of undersized +flat-fish. What has the MINISTER for AGRICULTURE to do with flat-fish of +whatever size? you might ask. To the casual observer, nothing. But, looking +ahead, as the responsibilities of my position make it necessary I should +habitually do, I recall the fact that sometimes the placid pilchard is cast +upon our shores in such quantities as to be carted away for manurial +purposes. I am not intimately acquainted with the pilchard. It is not like +the terrapin a land fish. I am not sure it is flat. Still I have a strong +impression it is undersized. Therefore it might come within the purview of +the discussion on ROLLIT'S motion. MUNDELLA, as you say, is in charge of +the debate, and I might comfortably go to dinner. But what does MUNDELLA +know of manure? No; the MINISTER for AGRICULTURE remains, and will +dine,--if necessary die, at his post." + +_Business done._--8:10 P.M., House Counted Out, whilst GRAND YOUNG GARDNER +is explaining how it was he couldn't go out to dinner. + +[Illustration: "THE WESTMINSTER PLAY." + +_Young Grandolphus_ (_in costume, with appropriate action_). "Hæc recinunt +Juvenes dictata senesque!"] + +_Friday_, 12:30 A.M.--Storm subsided. Magnificent whilst it lasted. +GRANDOLPH in fine form. Mr. G., under his influence, renewed his youth like +the eagle. At same time, though Welsh Church may be doomed, supply of cabs +on night like this inadequate. Better be put in yard in good time. KENYON +lingers on scene, still asking for Bill to be "taken _de die in diem_." "As +if he were giving a prescription," said WILFRID LAWSON, back from Mansion +House, where he has seen his portrait presented to Lady LAWSON. KENYON, +with eye on Bishop of ST. ASAPH, up in Peers' Gallery, made desperate +resistance to attack on Church. Bishop looked a little grave when KENYON +dropped into metaphor. + +[Illustration: A FEATURE OF THE DEBATE. + +_M-nd-lla._ À cause de mon nom suis-je "alien"? + +_J. L-wth-r_ (_heard but not seen_). Non, Monsieur! Mais vous _n'osez_ pas +dire le contraire.] + +"Bill like bagged fox, don't you know," said KENYON, nodding confidentially +to SPEAKER. "Meant to run any way you like. What I mean to say is--" and +here he turned for approval to Lord Bishop, consorting in Gallery with his +fighting Dean, "this fox is so tainted with insincerity, or aniseed, that +the hounds may just as well shut up their noses, and have nothing to do +with it." + +With this sage remark, and, something horribly like a wink at the Bishop, +KENYON sat down. Up again later, when Closure moved. HICKS-BEACH, in +temporary command of Opposition, deprecated resistance. But KENYON'S blood +up. With strong effort of self-restraint he stopped himself midway in +stentorian shout, "Yoicks!" dexterously turned the "Yo" into "No," and so +saved himself from reproof of SPEAKER. Having got the "No!" he made most of +it. Nothing left but to clear House for Division. Members near entreated +KENYON to desist from further opposition. No use fighting Closure; only +meant another Division and twenty minutes' prolongation of sitting. KENYON, +with eye reverently fixed on Bishop, immovable. Others might falter on the +way; might palter with the truth; might parlay with the enemy. KENYON would +have no compromise, no surrender. "Yoic----" he meant "No! no!" and he +shouted it too. + +"Will the Hon. Member name another teller?" said the wary SPEAKER, when +House cleared for Division. KENYON, evidently still seeing the fox steal +away, Aniseed at the Helm and Insincerity at the Prow, almost stumbled on +the name "YOICKS!" Again stopped himself just in time, and looked forlornly +round; eye finally resting on Peers' Gallery. If only the Bishop could +"tell" with him! That evidently out of order. Bishop belonged, to other +House. No one volunteering to stand with him in the breach, and two tellers +being a necessary preliminary to Division, KENYON bent his head in silent +grief, and leave given to bring in Bill which ASQUITH remorselessly +admitted was first step towards Disestablishment of Welsh Church. + +_Business done._--Welsh Church Suspensory Bill read First Time, by majority +of 56, in excited House of 546 Members. + +_Friday Night._--After the storm, the customary calm. Spent night in +discussing tempting themes of Local Taxation in London, and Superannuation +of School-teachers. On latter subject that _preux Chevalier_, TEMPLE, +laying down the lute, and leaving Amaryllis in the shade, delivered +luminous speech; convinced CHANCELLOR of the EXCHEQUER; made him promise to +fork out. + +_Business done._--Much of useful kind. + + * * * * * + +"SUPPOSITIOUS."--"Well," observed our old friend, who was discussing a +recent case that had been headed "Romance in the Court of Chancery," "this +all comes from bringing up a child that they pretended was their own. I +mean what they call 'A Superstitious Child.'" + + * * * * * + +QUITE ANOTHER THING.--With reference to a recent burglary at Sir THOMAS +PIGOT'S, it is stated that "thieves were known to be in the neighbourhood, +and the police have the matter in hand." Wouldn't it be better if they had +the thieves there? + + * * * * * + +NOTICE.--Rejected Communications or Contributions, whether MS., Printed +Matter, Drawings, or Pictures of any description, will in no case be +returned, not even when accompanied by a Stamped and Addressed Envelope, +Cover, or Wrapper. To this rule there will be no exception. + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Volume +104, March 4, 1893, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON *** + +***** This file should be named 22380-8.txt or 22380-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/3/8/22380/ + +Produced by Matt Whittaker, Juliet Sutherland and the +Online Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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