diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:48:46 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:48:46 -0700 |
| commit | 71490fb15ff33f70e4408749d1ad28bd62f88cdf (patch) | |
| tree | 8171731942705ad74555c2bd354b91b4b0e868de /22374.txt | |
Diffstat (limited to '22374.txt')
| -rw-r--r-- | 22374.txt | 1132 |
1 files changed, 1132 insertions, 0 deletions
diff --git a/22374.txt b/22374.txt new file mode 100644 index 0000000..b4dadf4 --- /dev/null +++ b/22374.txt @@ -0,0 +1,1132 @@ +The Project Gutenberg EBook of CAW! CAW!, by RM + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: CAW! CAW! + The Chronicle of Crows, A Tale of the Spring-time + +Author: RM + +Illustrator: JB + +Release Date: August 22, 2007 [EBook #22374] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK CAW! CAW! *** + + + + +Produced by David Edwards, Jacqueline Jeremy and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/American Libraries.) + + + + + + + + + + CAW! CAW! + + or + + The Chronicle of Crows + A Tale of the Spring-time + + by + RM + + Illustrated by + JB + + LONDON; GRANT & GRIFFITH, SUCCESSORS TO NEWBERY & HARRIS: + THE CORNER OF ST PAUL'S CHURCHYARD. + + + + + [Illustration: WHAT HAPPENS IN SPRING WHEN THE LITTLE BIRDS SING.] + + In the merry spring time, thus says my song, + When the sun shines bright and the days grow long, + And the crocuses brilliant, in purple and gold, + Bloom in the gardens in numbers untold; + When in the fields the grass grows green, + And a few early lambs are seen; + When daffodils in gaudy gowns + Look gay upon the verdant downs, + And fair spring flowers of each degree + In every sheltered nook you see, + + + [Illustration: HOW MANY STICKS GO TO THE NEST OF A CROW.] + + Upon a bright and sunny day + The Crows to one-another say, + "CAW! CAW! our nests now let us build." + Away they fly: each beak is fill'd + With little sticks of beechen wood, + With which they build their houses good: + When all is done, with joy they see + The work of their community. + + + [Illustration: THE NESTS NOW MADE, THE EGGS ARE LAID.] + + And, circling widely, CAW! they say, + CAW! CAW! our eggs now let us lay. + Two spotted eggs in every nest + For warmth await the mother's breast. + And all the Crows around them fly + With flapping wings and joyful cry: + "CAW! CAW!" they say, "now it is fit + That we upon our eggs should sit." + + + [Illustration: EACH CROW BRINGS FOOD TO HIS MATE SO GOOD.] + + The patient Crows for many a week + No other occupation seek; + But, while one sits and looks around, + The other makes the woods resound + With cawings loud, or frequent brings + Worms, seeds, or such delicious things, + And kindly feeds his brooding mate + From early morn till evening late. + + + [Illustration: THE YOUNG CROW KNOWS WELL HOW TO CHIP THE SHELL.] + + Till, to reward their anxious care, + A gentle sound the parents hear + Of tapping from within the shell: + This sound doth please the mother well, + And, fondly helping with her bill, + She hears the voices weak and shrill. + "Caw! Caw!" the downy young ones say, + "How lovely is this peep of day, + Oh what a glorious sight is this, + There can be nothing here but bliss." + "CAW! CAW!" replies the mother crow, + "There is no joy unmixed with woe." + + + [Illustration: THE CROWS SEEK SPOIL FROM THE PLOUGHMAN'S TOIL.] + + The father crows with tender heart + In the parental cares take part-- + "CAW! CAW!" they say, "for food we'll fly + Before our young ones hungry cry." + In course direct they fly afar + To where the ploughmen lab'ring are, + And, seeking in the upturn'd soil, + They meet with many a wormy spoil; + And, filling their capacious beak, + Straightway their forest homes they seek. + + + [Illustration: THE FATHER GOOD BRINGS YOUNG ONES FOOD.] + + The young crows see them homeward fly, + And stretch their skinny necks on high; + And gulping down the luscious food, + "Caw! Caw!" they say, "'tis very good." + So daily every parent flies, + Each young one grows in strength and size; + Till seated on a branch at length, + Exulting in increasing strength, + "Caw! Caw! Caw! Caw!" they proudly cry, + "We shall be flying by and bye;" + But ah, poor Crows, there's many a slip + Between the cup and longing lip. + + + [Illustration: THE FARMER IN RAGE, WAR DOTH WAGE.] + + The farmer heard the cawing sound, + And sent to all his neighbours round, + Begging of them every one + To bring a rifle or a gun, + If they would come the sport to see + Of shooting at the rookery; + And try to check the rural pest, + Which did the country so infest, + And stop the robbery of corn, + Which was no longer to be borne. + + + [Illustration: LITTLE CARE CROWS FOR THE SCARE-CROWS.] + + For though the farmers had a plan + To scare them with the form of man, + The Crows, at first much terrified, + And wheeling high in circles wide, + Had soon become too bold for that; + And even perched upon the hat, + And loud in mockery cried "CAW! CAW! + 'Tis nothing but a man of straw." + + + [Illustration: AN OLD CROW'S EYE DOTH MISCHIEF SPY.] + + The next day, as the picture shows, + The farmers met to shoot the Crows-- + Their rustling underneath the trees + The young ones thought was but the breeze; + But an old Crow's experienced eye + Discovered soon their enemy; + Whose purpose was not left in doubt, + For, uttering a murderous shout, + The shooters levelled each his gun-- + Bang! Bang! the slaughter is begun. + + + [Illustration: THE FARMER'S GUN THE WORK HATH DONE.] + + Bang! Bang! again for every ball + Wounded or dead the young Crows fall; + The old Crows wheeling in the skies + Helpless behold their agonies, + And, piteous cawing up on high, + Answer their young ones dying cry-- + Who fall, poor little suffering things, + With broken legs and wounded wings. + + + [Illustration: AT DAY'S DECLINE THE MOON DOTH SHINE.] + + At last the sun begins to sink, + And soon is on the very brink + Of setting in the quiet sea; + The ploughing horses leave the lea, + The weary workman homeward goes + Thinking of supper and repose; + And darkness closes o'er the scene, + Where late the murderous sport had been: + The moon, with pale and pitying looks, + Shines on the slaughter-field of rooks: + The owlets hoot, from ivy bower, + In the grey embattled tower-- + "Tuwit, tuwit, towhoo!" they say, + And echoing through the ruins grey, + The sound disturbs the daily sleep + Of bats who dwell in dungeon keep, + Who 'mong the ruins nightly flit, + And under aged arches sit. + + + [Illustration: HOME RETURNING AT THE GLOAMING.] + + The farmers can no longer mark + The Crows among the branches dark: + Now let us homeward go, they say; + And gathering up their slaughtered prey, + His share each one in bundles ties, + And takes them home to make crow pies. + + + [Illustration: THE CROWS FLY AWAY BUT RETURN THE NEXT DAY.] + + Of Crows who were not shot, the few + Far to the distant mountains flew, + But found not there the expected rest: + A longing seized them for their nest, + "CAW! CAW!" with one accord they cry, + "Let us directly homeward fly." + + So in undeviating track, + Like column huge of dotted black, + Straightway their course they homeward bent, + And meditating as they went-- + "CAW! CAW!" they say, "How well we know + There is no joy unmixed with woe." + + + + + [Illustration] + + THE + ENGLISH STRUWWELPETER + OR + PRETTY STORIES + AND + FUNNY PICTURES. + + + When the children have been good, + That is, be it understood, + Good at meal-times, good at play, + Good all night, and good all day,-- + They shall have the pretty things + Merry Christmas always brings. + Naughty, romping girls and boys + Tear their clothes and make a noise, + Spoil their pinafores and frocks, + And deserve no Christmas-box. + Such as these shall never look + At this pretty Picture-Book. + + + 1. SHOCK-HEADED PETER. + + [Illustration] + + Just look at him! There he stands, + With his nasty hair and hands. + See! his nails are never cut; + They are grim'd as black as soot; + And the sloven, I declare, + Never once has comb'd his hair; + Any thing to me is sweeter + Than to see Shock-headed Peter. + + + 2. THE STORY OF CRUEL FREDERICK. + + [Illustration] + + Here is cruel Frederick, see! + A horrid wicked boy was he; + He caught the flies, poor little things, + And then tore off their tiny wings; + He kill'd the birds, and broke the chairs, + And threw the kitten down the stairs; + And Oh! far worse than all beside, + He whipp'd his Mary, till she cried. + + [Illustration] + + The trough was full, and faithful Tray + Came out to drink one sultry day; + He wagg'd his tail, and wet his lip, + When cruel Fred snatch'd up a whip, + And whipp'd poor Tray till he was sore, + And kick'd and whipp'd him more and more; + At this, good Tray grew very red, + And growl'd and bit him till he bled; + Then you should only have been by, + To see how Fred did stream and cry! + + [Illustration] + + So Frederick had to go to bed; + His leg was very sore and red! + The Doctor came and shook his head, + And made a very great to-do, + And gave him nasty physic too. + + [Illustration] + + But good dog Tray is happy now; + He has no time to say "bow-wow!" + He seats himself in Frederick's chair, + And laughs to see the nice things there: + The soup he swallows, sup by sup,-- + And eats the pies and puddings up. + + + 3. THE DREADFUL STORY ABOUT HARRIET AND THE MATCHES. + + [Illustration] + + It almost makes me cry to tell + What foolish Harriet befell. + Mamma and Nurse went out one day, + And left her all alone at play; + Now, on the table close at hand, + A box of matches chanc'd to stand; + And kind Mamma and Nurse had told her, + That if she touch'd them, they should scold her. + But Harriet said, "Oh, what a pity! + For, when they burn, it is so pretty; + They crackle so, and spit, and flame; + Mamma, too, often does the same." + + The pussy-cats heard this, + And they began to hiss, + And stretch their claws, + And raise their paws; + "Me-ow," they said, "me-ow, me-o + You'll burn to death, if you do so". + + But Harriet would not take advice, + She lit a match, it was so nice! + It crackled so, it burn'd so clear,-- + Exactly like the picture here. + She jump'd for joy and ran about, + And was too pleas'd to put it out. + + The pussy-cats saw this, + And said, "Oh, naughty, naughty Miss!" + And stretch'd their claws, + And rais'd their paws; + "'Tis very, very wrong, you know, + Me-ow, Me-o, Me-ow, Me-o, + You will be burnt, if you do so". + + [Illustration] + + And see! Oh! what a dreadful thing! + The fire has caught her apron-string; + Her apron burns, her arms, her hair; + She burns all over, every where. + + Then how the pussy-cats did mew, + What else, poor pussies, could they do? + They scream'd for help, 'twas all in vain! + So then, they said,--"we'll scream again; + Make haste, make haste, me-ow, me-o + She'll burn to death,--we told her so". + + So she was burnt, with all her clothes, + And arms, and hands, and eyes and nose; + Till she had nothing more to lose + Except her little scarlet shoes; + And nothing else but these was found + Among her ashes on the ground. + + And when the good cats sat beside + The smoking ashes, how they cried! + "Me-ow, me-oo, me-ow, me-oo + What will Mamma and Nursy do?" + Their tears ran down their cheeks so fast, + They made a little pond at last. + + + 4. THE STORY OF THE INKY BOYS. + + [Illustration] + + As he had often done before, + The woolly-headed black-a-moor + One nice fine summer's day went out + To see the shops and walk about; + And as he found it hot, poor fellow, + He took with him his green umbrella. + Then Edward, little noisy wag, + Ran out and laugh'd, and wav'd his flag; + And William came in jacket trim, + And brought his wooden hoop with him; + And Arthur, too, snatch'd up his toys + And join'd the other naughty boys; + So, one and all set up a roar + And laugh'd and hooted more and more, + And kept on singing,--only think!-- + "Oh! Blacky, you're as black as ink." + + [Illustration] + + Now tall Agrippa lived close by,-- + So tall, he almost touch'd the sky; + He had a mighty inkstand too, + In which a great goose-feather grew; + He call'd out in an angry tone, + "Boys, leave the black-a-moor alone! + For if he tries with all his might, + He cannot change from black to white." + But ah! they did not mind a bit + What great Agrippa said of it; + But went on laughing, as before, + And hooting at the black-a-moor. + + [Illustration] + + Then great Agrippa foams with rage, + Look at him on this very page! + He seizes Arthur, seizes Ned, + Takes William by his little head; + And they may scream and kick, and call, + Into the ink he dips them all; + Into the inkstand, one, two, three, + Till they are black, as black can be; + Turn over now and you shall see. + + [Illustration] + + See, there they are, and there they run! + The black-a-moor enjoys the fun. + They have been made as black as crows, + Quite black all over, eyes and nose, + And legs, and arms, and heads, and toes, + And trowsers, pinafores, and toys,-- + The silly little inky boys! + Because they set up such a roar, + And teas'd the harmless black-a-moor. + + + 5. THE STORY OF THE MAN THAT WENT OUT SHOOTING. + + This is the man that shoots the hares; + This is the coat he always wears: + With game-bag, powder-horn and gun, + He's going out to have some fun. + + He finds it hard, without a pair + Of spectacles, to shoot the hare: + The hare sits snug in leaves and grass, + And laughs to see the green man pass. + + [Illustration] + + Now, as the sun grew very hot, + And he a heavy gun had got, + He lay down underneath a tree + And went to sleep, as you may see. + And, while he slept like any top, + The little hare came, hop, hop, hop,-- + Took gun and spectacles, and then + On her hind legs went off again. + + [Illustration] + + The green man wakes, and sees her place + The spectacles upon her face; + And now she's trying, all she can, + To shoot the sleepy green-coat man. + He cries and screams and runs away; + The hare runs after him all day, + And hears him call out every where, + "Help! Fire! Help! The Hare! The Hare!" + + [Illustration] + + At last he stumbled at the well + Head over ears, and in he fell. + The hare stopp'd short, took aim, and hark! + Bang went the gun,--she miss'd her mark! + + [Illustration] + + The poor man's wife was drinking up + Her coffee in her coffee-cup; + The gun shot cup and saucer through + "O dear!" cried she, "what shall I do?" + There liv'd close by the cottage there + The hare's own child, the little hare; + And while she stood upon her toes, + The coffee fell and burn'd her nose, + "O dear!" she cried, with spoon in hand, + "Such fun I do not understand." + + + 6. THE STORY OF LITTLE SUCK-A-THUMB. + + [Illustration] + + One day, Mamma said "Conrad dear, + I must go out and leave you here. + But mind now, Conrad, what I say, + Don't suck your thumb while I'm away. + The great tall tailor always comes + To little boys that suck their thumbs; + And ere they dream what he's about, + He takes his great sharp scissars out + And cuts their thumbs clean off,--and then, + You know, they never grow again." + + Mamma had scarcely turn'd her back, + The thumb was in, Alack! Alack! + + [Illustration] + + The door flew open, in he ran, + The great, long, red-legg'd scissar-man. + Oh! children, see! the tailor's come + And caught out little Suck-a-Thumb. + Snip! Snap! Snip! the scissars go; + And Conrad cries out--Oh! Oh! Oh! + Snip! Snap! Snip! They go so fast; + That both his thumbs are off at last. + + Mamma comes home; there Conrad stands, + And looks quite sad, and shows his hands;-- + "Ah!" said Mamma, "I knew he'd come + To naughty little Suck-a-Thumb." + + + 7. THE STORY OF AUGUSTUS WHO WOULD NOT HAVE ANY SOUP. + + [Illustration] + + Augustus was a chubby lad; + Fat ruddy cheeks Augustus had; + And every body saw with joy + The plump and hearty healthy boy. + He ate and drank as he was told, + And never let his soup get cold. + But one day, one cold winter's day! + He scream'd out--"Take the soup away! + O take the nasty soup away! + I won't have any soup to-day." + + Next day, now look, the picture shows + How lank and lean Augustus grows! + Yet, though he feels so weak and ill, + The naughty fellow cries out still-- + "Not any soup for me, I say: + O take the nasty soup away! + I won't have any soup to-day." + + The third day comes; Oh what a sin! + To make himself so pale and thin. + Yet, when the soup is put on table, + He screams, as loud as he is able,-- + "Not any soup for me, I say: + O take the nasty soup away! + I won't have any soup to-day!" + + Look at him, now the fourth day's come + He scarcely weighs a sugar-plum; + He's like a little bit of thread; + And on the fifth day, he was--dead! + + + 8. THE STORY OF FIDGETY PHILIP. + + [Illustration] + + Let me see if Philip can + Be a little gentleman; + Let me see, if he is able + To sit still for once at table: + Thus Papa bade Phil behave; + And Mamma look'd very grave. + But fidgety Phil, + He won't sit still; + He wriggles + And giggles, + And then, I declare, + Swings backwards and forwards + And tilts up his chair, + Just like any rocking horse;-- + "Philip! I am getting cross!" + + [Illustration] + + See the naughty restless child + Growing still more rude and wild, + Till his chair falls over quite. + Philip screams with all his might + Catches at the cloth, but then + That makes matters worse again. + Down upon the ground they fall, + Glasses, plates, knives, forks and all. + How Mamma did fret and frown, + When she saw them tumbling down! + And Papa made such a face! + Philip is in sad disgrace. + + [Illustration] + + Where is Philip, where is he? + Fairly cover'd up you see! + Cloth and all are lying on him; + He has pull'd down all upon him. + What a terrible to-do! + Dishes, glasses, snapt in two! + Here a knife, and there a fork! + Philip, this is cruel work. + Table all so bare, and ah! + Poor Papa, and poor Mamma + Look quite cross, and wonder how + They shall make their dinner now. + + + 9. THE STORY OF JOHNNY HEAD-IN-AIR. + + [Illustration] + + As he trudg'd along to school, + It was always Johnny's rule + To be looking at the sky + And the clouds that floated by; + But what just before him lay, + In his way, + Johnny never thought about; + So that every one cried out-- + "Look at little Johnny there, + Little Johnny Head-In-Air!" + + Running just in Johnny's way, + Came a little dog one day; + Johnny's eyes were still astray + Up on high, + In the sky; + And he never heard them cry-- + "Johnny, mind, the dog is nigh!" + Bump! + Dump! + Down they fell, with such a thump. + Dog and Johnny in a lump! + + [Illustration] + + Once, with head as high as ever, + Johnny walk'd beside the river. + Johnny watch'd the swallows trying + Which was cleverest at flying. + Oh! what fun! + Johnny watch'd the bright round sun + Going in and coming out; + This was all he thought about. + So he strode on, only think! + To the river's very brink, + Where the bank was high and steep, + And the water very deep; + And the fishes, in a row, + Stared to see him coming so. + + One step more! Oh! sad to tell! + Headlong in poor Johnny fell. + And the fishes, in dismay, + Wagg'd their tails and ran away. + + [Illustration] + + There lay Johnny on his face, + With his nice red writing-case; + But, as they were passing by, + Two strong men had heard him cry; + And, with sticks, these two strong men + Hook'd poor Johnny out again. + + [Illustration] + + Oh! you should have seen him shiver + When they pull'd him from the river. + He was in a sorry plight, + Dripping wet, and such a fright! + Wet all over, every where, + Clothes, and arms, and face, and hair: + Johnny never will forget + What it is to be so wet. + + And the fishes, one, two, three, + Are come back again, you see; + Up they came the moment after, + To enjoy the fun and laughter. + Each popp'd out his little head. + And, to tease poor Johnny, said + "Silly little Johnny, look, + You have lost your writing-book!" + + + 10. THE STORY OF FLYING ROBERT. + + [Illustration] + + When the rain comes tumbling down + In the country or the town, + All good little girls and boys + Stay at home and mind their toys. + Robert thought,--"No, when it pours, + It is better out of doors." + Rain it _did_, and in a minute + Bob was in it. + Here you see him, silly fellow, + Underneath his red umbrella. + + [Illustration] + + What a wind! Oh! how it whistles + Through the trees and flow'rs and thistles! + It has caught his red umbrella; + Now look at him, silly fellow, + Up he flies + To the skies. + No one heard his screams and cries; + Through the clouds the rude wind bore him, + And his hat flew on before him. + + [Illustration] + + Soon they got to such a height, + They were nearly out of sight! + And the hat went up so high, + That it really touch'd the sky. + No one ever yet could tell + Where they stopp'd, or where they fell: + Only, this one thing is plain, + Bob was never seen again! + + + + + +End of the Project Gutenberg EBook of CAW! CAW!, by RM + +*** END OF THIS PROJECT GUTENBERG EBOOK CAW! CAW! *** + +***** This file should be named 22374.txt or 22374.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/3/7/22374/ + +Produced by David Edwards, Jacqueline Jeremy and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/American Libraries.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
