path: root/22338.txt

The Project Gutenberg EBook of The Impossibles, by
Gordon Randall Garrett and Laurence Mark Janifer

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Impossibles

Author: Gordon Randall Garrett
        Laurence Mark Janifer

Release Date: August 16, 2007 [EBook #22338]
[Last updated: July 16, 2011]

Date Last Updated: October 2, 2007

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE IMPOSSIBLES ***









Transcriber's Note:

This etext was produced from the 1963 book publication of the story.
Extensive research did not uncover any evidence that the copyright on
this publication was renewed.

Minor spelling and typographical errors have been corrected without
note.

                              * * * * *

Since the publication of BRAIN TWISTER (Pyramid Book F-783), Mark
(Laurence M. Janifer) Phillips (Randall Philip Garrett) has, or have,
undergone several changes. In order to keep the reader posted on the
latest developments regarding this author, or these authors, he, or
they, has, or have, passed on the following details:

GARRETT is still engaged. He and his charming fiancee plan to run out
of excuses during the early Fall of 1994, but this date may be changed
at any time by mutual agreement, or the end of the world. He has given
up an interest in river pollution in favor of a new hobby, grading
type-cleaner. Garrett, who spends an hour each day expanding his
repertoire, now claims the ability to distinguish year and vineyard
for over one thousand type-cleaners.

JANIFER is still on the other hand. He has had his eyeglasses cleaned,
and is happy to report that he has recently met a woman. The woman,
however, seems to have been looking for a man. Janifer's hobbies,
humming and blinking, remain constant, but in an effort to add more
healthful activity to his life he has begun training in leaping to
conclusions. He states that he can now clear a conclusion of better
than seven feet, eight and one-half inches from a running start.

THE IMPOSSIBLES was written in six days. On the seventh day, nothing
of any interest whatsoever occurred.


                           The Impossibles

                            Mark Phillips


To John J.,

without whose accident in 1945 this series would not have been
possible.


                                  1

The sidewalk was as soft as a good bed. Malone lay curled on it,
thinking about nothing at all. He was drifting off into a wonderful
dream, and he didn't want to interrupt it. There was this girl, a
beautiful girl, more wonderful than anything he had ever imagined,
with big blue eyes and long blonde hair and a figure that made the
average pin-up girl look like a man. And she had her soft white hand
on his arm, and she was looking, up at him with trust and devotion and
even adoration in her eyes, and her voice was the softest possible
whisper of innocence and promise.

"I'd love to go up to your apartment with you, Mr. Malone," she said.

Malone smiled back at her, gently but with complete confidence. "Call
me Ken," he said, noticing that he was seven feet tall and superbly
muscled. He put his free hand on the girl's warm, soft shoulder and
she wriggled with delight.

"All right--Ken," she said. "You know, I've never met anyone like you
before. I mean, you're so wonderful and everything."

Malone chuckled modestly, realizing, in passing, how full and rich his
voice had become. He felt a weight pressing over his heart, and knew
that it was his wallet, stuffed to bursting with thousand-dollar
bills.

But was this a time to think of money?

No, Malone told himself. This was the time for adventure, for romance,
for love. He looked down at the girl and put his arm around her waist.
She snuggled closer.

He led her easily down the long wide street to his car at the end of
the block. It stood in godlike solitude, a beautiful red Cadillac
capable of going a hundred and ten miles an hour in any gear, equipped
with fully automatic steering and braking, and with a stereophonic
radio, a hi-fi and a 3-D set installed in both front and back seats.
It was a 1972 job, but he meant to trade it in on something even
better when the 1973 models came out. In the meantime, he decided, it
would do.

He handed the girl in, went round to the other side and slid in under
the wheel. There was soft music playing somewhere, and a magnificent
sunset appeared ahead of them as Malone pushed a button on the
dashboard and the red Cadillac started off down the wide, empty,
wonderfully paved street into the sunset, while he... The red
Cadillac?

The sidewalk became a little harder, and, Malone suddenly realized
that he was lying on it. Something terrible had happened; he knew that
right away. He opened his eyes to look for the girl, but the sunset
had become much brighter; his head began to pound with the slow
regularity of a dead-march, and he closed his eyes again in a hurry.

The sidewalk swayed a little, but he managed to keep his balance on it
somehow; and after a couple of minutes it was quiet again. His head
hurt. Maybe that was the terrible thing that had happened, but Malone
wasn't quite sure. As a matter of fact, he wasn't very sure about
anything, and he started to ask himself questions to make certain he
was all there.

He didn't feel all there. He felt as if several of his parts had been
replaced with second- or even third-hand experimental models, and
something had happened to the experiment. It was even hard to think of
any questions, but after a while he managed to come up with a few.

_What is your name?_

Kenneth Malone.

_Where do you live?_

Washington, D. C.

_What is your work?_

I work for the FBI.

_Then what the hell are you doing on a sidewalk in New York in broad
daylight?_

He tried to find an answer to that, but there didn't seem to be any,
no matter where he looked. The only thing he could think of was the
red Cadillac.

And if the red Cadillac had anything to do with anything, Malone
didn't know about it.

Very slowly and carefully, he opened his eyes again, one at a time. He
discovered that the light was not coming from the gorgeous Hollywood
sunset he had dreamed up. As a matter of fact, sunset was several
hours in the past, and it never looked very pretty in New York anyhow.
It was the middle of the night, and Malone was lying under a
convenient street lamp.

He closed his eyes again and waited patiently for his head to go away.

A few minutes passed. It was obvious that his head had settled down
for a long stay, and no matter how bad it felt, Malone told himself,
it _was_ his head, after all. He felt a certain responsibility for it.
And he couldn't just leave it lying around somewhere with its eyes
closed.

He opened the head's eyes once more, and this time he kept them open.
For a long time he stared at the post of the street lamp, considering
it, and he finally decided that it looked sturdy enough to support a
hundred and sixty-five pounds of FBI man, even with the head added in.
He grabbed for the post with both hands and started to pull himself
upright, noticing vaguely that his legs had somehow managed to get
underneath him.

As soon as he was standing, he wished he'd stayed on the nice
horizontal sidewalk. His head was spinning dizzily, and his mind was
being sucked down into the whirlpool. He held on to the post grimly
and tried to stay conscious.

A long time, possibly two or three seconds, passed. Malone hadn't
moved at all when the two cops came along.

One of them was a big man with a brassy voice and a face that looked
as if it had been overbaked in a waffle iron. He came up behind Malone
and tapped him on the shoulder, but Malone barely felt the touch. Then
the cop bellowed into Malone's ear: "What's the matter, buddy?"

Malone appreciated the man's sympathy. It was good to know that you
had friends. But he wished, remotely, that the cop and his friend, a
shorter and thinner version of the beat patrolman, would go away and
leave him in peace. Maybe he could lie down on the sidewalk again and
get a couple of hundred years' rest.

Who could tell? "Mallri," he said.

"You're all right?" the big cop said. "That's fine. That's great. So
why don't you go home and sleep it off?"

"Sleep?" Malone said. "Home?"

"Wherever you live, buddy," the big cop said. "Come on. Can't stand
around on the sidewalk all night."

Malone shook his head, and decided at once never to do it again. He
had some kind of rare disease, he realized. His brain was loose, and
the inside of his skull was covered with sandpaper. Every time his
head moved, the brain jounced against some of the sandpaper.

But the policemen thought he was drunk. That wasn't right. He couldn't
let the police get the wrong impression of FBI agents. Now the men
would go around telling people that the FBI was always drunk and
disorderly.

"Not drunk," he said clearly.

"Sure," the big cop said. "You're fine. Maybe just one too many, huh?"

"No," Malone said. The effort exhausted him, and he had to catch his
breath before he could say anything else. But the cops waited
patiently. At last he said, "Somebody slugged me."

"Slugged?" the big cop said.

"Right." Malone remembered just in time not to nod his head.

"How about a description, buddy?" the big cop said.

"Didn't see him," Malone said. He let go of the post with one hand,
keeping a precarious grip with the other. He stared at his watch. The
hands danced back and forth, but he focused on them after a while. It
was 1:05. "Happened just--a few minutes ago," he said. "Maybe you can
catch him."

The big cop said, "Nobody around here. The place is deserted--except
for you, buddy." He paused and then added: "Let's see some
identification, huh? Or did he take your wallet?"

Malone thought about getting the wallet, and decided against it. The
motions required would be a little tricky, and he wasn't sure he could
manage them without letting go of the post entirely. At last he
decided to let the cop get his wallet. "Inside coat pocket," he said.

The other policeman blinked and looked up. His face was a studied
blank. "Hey, buddy," he said. "You know you got blood on your head?"

"Be damned," the big cop said. "Sam's right. You're bleeding, mister."

"Good," Malone said.

 The big cop said, "Huh?"

"I thought maybe my skull was going to explode from high blood
pressure," Malone said. It was beginning to be a little easier to
talk. "But as long as there's a slow leak, I guess I'm out of danger."

"Get his wallet," Sam said. "I'll watch him."

A hand went into Malone's jacket pocket. It tickled a little bit, but
Malone didn't think of objecting. Naturally enough, the hand and
Malone's wallet did not make an instantaneous connection. When the
hand touched the bulky object strapped near Malone's armpit, it
stopped, frozen, and then cautiously snaked the object out.

"What's that, Bill?" Sam said.

Bill looked up with the object in his hand. He seemed a little dazed.
"It's a gun," he said.

"My God," Sam said. "The guy's heeled! Watch him! Don't let him get
away!"

Malone considered getting away, and decided that he couldn't move.
"It's okay," he said.

"Okay, hell," Sam said. "It's a .44 Magnum. What are you doing with a
gun, Mac?" He was no longer polite and friendly. "Why [are] you
carrying a gun?" he said.

"I'm not carrying it," Malone said tiredly. "Bill is. Your pal."

Bill backed away from Malone, putting the Magnum in his pocket and
keeping the FBI agent covered with his own Police Positive. At the
same time, he fished out the personal radio every patrolman carried in
his uniform, and began calling for a prowl car in a low, somewhat
nervous voice.

Sam said, "My God. A gun. He could of shot everybody."

"Get his wallet," Bill said. "He can't hurt you now. I disarmed him."

Malone began to feel slightly dangerous. Maybe he _was_ a famous
gangster. He wasn't sure. Maybe all this about being an FBI agent was
just a figment of his imagination. Blows on the head did funny things.
"I'll drill everybody full of holes," he said in a harsh, underworld
sort of voice, but it didn't sound very convincing. Sam approached him
gently and fished out his wallet with great care, as if Malone were a
ticking bomb ready to go off any second.

There was a little silence. Then Sam said, "Give him his gun back,
Bill," in a hushed and respectful tone.

"Give him back his gun?" the big cop said. "You gone nuts, Sam?"

Sam shook his head slowly. "Nope," he said. "But we made a terrible
mistake. Know who this guy is?"

"He's heeled," Bill said. "That's all I want to know." He put the
radio away and gave all his attention to Malone.

"He's FBI," Sam said. "The wallet says so. Badge and everything. And
not only that, Bill. He's Kenneth J. Malone."

Well, Malone thought with relief, that settled that. He wasn't a
gangster after all. He was just the FBI agent he had always known and
loved. Maybe now the cops would do-something about his head and take
him away for burial.

"Malone?" Bill said. "You mean the guy who's here about all those red
Cadillacs?"

"Sure," Sam said. "So give him his gun back." He looked at Malone.
"Listen, Mr. Malone," he said. "We're sorry. We're sorry as hell."

"That's all right," Malone said absently. He moved his head slowly and
looked around. His suspicions were confirmed. There wasn't a red
Cadillac anywhere in sight, and from the looks of the street there
never had been. "It's gone," he said, but the cops weren't listening.

"We better get you to a hospital," Bill said. "As soon as the prowl
car gets here, we'll take you right on down to St. Vincent's. Can you
tell us what happened? Or is it classified?"

Malone wondered what could be classified about a blow on the head, and
decided not to think about it. "I can tell you," he said, "if you'll
answer one question for me."

"Sure, Mr. Malone," Bill said. "We'll be glad to help."

"Anything at all," Sam said.

Malone gave them what he hoped was a gracious and condescending smile.
"All right, then," he said. "Where the hell am I?"

"In New York," Sam said.

"I know that," Malone said tiredly. "Anywhere in particular, or just
sort of all over New York?"

"Ninth Street," Bill said hurriedly. "Near the Village. Is that where
you were when they slugged you?"

"I guess so," Malone said. "Sure." He nodded, and immediately
remembered that he shouldn't have. He closed his eyes until the pain
had softened to agony, and then opened them again. "I was getting
pretty tired of sitting around waiting for something to break on this
case," he said, "and I couldn't sleep, so I went out for a walk. I
ended up in Greenwich Village--which is a hell of a place for a
self-respecting man to end up."

"I know just what you mean," Sam said sympathetically. "Bohemians,
they call themselves. Crazy people."

"Not the people," Malone said. "The streets. I got sort of lost."
Chicago, he reflected, was a long way from the easiest city in the
world to get around in. And he supposed you could even get confused in
Washington if you tried hard enough. But he knew those cities. He
could find his way around in them. Greenwich Village was different.

It was harder to navigate in than the trackless forests of the Amazon.
The Village had tracks, all right--thousands of tracks. Only none of
them led anywhere in particular.

"Anyhow," Malone said, "I saw this red Cadillac."

The cops looked around hurriedly and then looked back at Malone. Bill
started to say, "But there isn't any--"

"I know," Malone said. "It's gone now. That's the trouble."

"You mean somebody got in and drove it away?" Sam said.

"For all I know," Malone said, "it sprouted wings and flew away." He
paused. "When I saw it, though--when I saw it, I decided to go over
and have a look. Just in case."

"Sure," Bill said. "Makes sense." He stared at his partner as if
defying him to prove it didn't make sense. Malone didn't really care.

"There wasn't anybody else on the street," he said, "so I walked over
and tried the door. That's all. I didn't even open the car or
anything. And I'll swear there was nobody behind me."

"Well," Sam said, "the street was empty when we got here."

"But a guy could have driven off in that red Cadillac before we got
here," Bill said.

"Sure," Malone said. "But where did he come from? I figured maybe
somebody dropped something by mistake--a safe or something. Because
there wasn't anybody behind me."

"There had to be," Bill said.

"Well," Malone said, "there wasn't."

There was a little silence.

"What happened then?" Sam said. "After you tried the door handle, I
mean."

"Then?" Malone said. "Then I went out like a light."

A pair of headlights rounded the nearby corner. Bill looked up.
"That's the prowl car," he announced, and went over to meet it.

The driver was a solidly built little man with the face of a
Pekingese. His partner, a tall man who looked as if he'd have been
much more comfortable in a ten-gallon Stetson instead of the
regulation blue cap, leaned out at Bill, Sam, and Malone.

"What's the trouble here?" he said in a harsh, high voice.

"No trouble," Bill said, and went over to the car. He began talking to
the two cops inside in a low, urgent voice. Meanwhile, Sam got his arm
around Malone and began pulling him away from the lamp post.

Malone was a little unwilling to let go, at first. But Sam was
stronger than he looked. He convoyed the FBI agent carefully to the
rear door of the prowl car, opened it and levered Malone gently to a
seat inside, just as Bill said, "So with the cut and all, we figured
he ought to go over to St. Vincent's. You people were already on the
way, so we didn't bother with ambulances."

The driver snorted. "Next time you want taxi service," he said, "you
just call us up. What do you think, a prowl car's an easy life?"

"Easier than doing a beat," Bill said mournfully. "And anyway," he
added in a low, penetrating whisper, "the guy's FBI."

"So the FBI's got all kinds of equipment," the driver said. "The
latest. Why don't he whistle up a helicopter or a jet?" Then,
apparently deciding that further invective would get him nowhere, he
settled back in his seat, said, "Aah, forget it," and started the car
with a small but perceptible jerk.

Malone decided not to get into the argument. He was tired, and it was
late. He rested his head on the back seat and tried to relax, but all
he could do was think about red Cadillacs.

He wished he had never even heard of red Cadillacs.


                                  2

And it had all started so simply, too. Malone remembered very clearly
the first time he had had any indication that red Cadillacs were
anything unusual, or special. Before that, he'd viewed them all with
slightly wistful eyes: red, blue, green, gray, white, or even black
Cadillacs were all the same to him. They spelled luxury and wealth and
display, and a lot of other nice things.

Now, he wasn't at all sure what they spelled. Except that it was
definitely uncomfortable, and highly baffling.

He'd walked into the offices of Andrew J. Burris, Director of the FBI,
just one week ago. It was a beautiful office, pine-paneled and
spacious, and it boasted an enormous polished desk. And behind the
desk sat Burris himself, looking both tired and somehow a little
kindly.

"You sent for me, Chief?" Malone said.

"That's right." Burris nodded. "Malone, you've been working too hard
lately."

Now, Malone thought, it was coming. The dismissal he'd always feared.
At last Burris had found out that he wasn't the bright, intelligent,
fearless, and alert FBI agent he was supposed to be. Burris had
discovered that he was nothing more or less than lucky, and that all
the "fine jobs" he was supposed to have done were only the result of
luck.

Oh, well, Malone thought. Not being an FBI agent wouldn't be so bad.
He could always find another job.

Only at the moment he couldn't think of one he liked.

He decided to make one last plea. "I haven't been working so hard,
Chief," he said. "Not too hard, anyhow. I'm in great shape. I--"

"I've taken advantage of you, Malone, that's what I've done," Burris
said, just as if Malone hadn't spoken at all. "Just because you're the
best agent I've got, that's no reason for me to hand you all the tough
ones."

"Just because I'm what?" Malone said, feeling slightly faint.

"I've given you the tough ones because you could handle them," Burris
said. "But that's no reason to keep loading jobs on you. After that
job you did on the Gorelik kidnaping, and the way you wrapped up the
Transom counterfeit ring--well, Malone, I think you need a little
relaxation."

"Relaxation?" Malone said, feeling just a little bit pleased. Of
course, he didn't deserve any of the praise he was getting, he knew.
He'd just happened to walk in on the Gorelik kidnapers because his
telephone had been out of order. And the Transom ring hadn't been just
his job. After all, if other agents hadn't managed to trace the
counterfeit bills back to a common area in Cincinnati, he'd never have
been able to complete his part of the assignment. But it was nice to
be praised, anyhow. Malone felt a twinge of guilt, and told himself
sternly to relax and enjoy himself.

"That's what I said," Burris told him. "Relaxation."

"Well," Malone said, "I certainly would like a vacation, that's for
sure. I'd like to snooze for a couple of weeks, or maybe go up to Cape
Cod for a while. There's a lot of nice scenery up around there. It's
restful, sort of, and I could just--"

He stopped. Burris was frowning, and when Andrew J. Burris frowned it
was a good idea to look attentive, interested, and alert. "Now,
Malone," Burris said sadly, "I wasn't exactly thinking about a
vacation. You're not scheduled for one until August, you know."

"Oh, I know, Chief," Malone said. "But I thought--"

"Much as I'd like to," Burris said, "I just can't make an exception;
you know that, Malone. I've got to go pretty much by the schedule."

"Yes, sir," Malone said, feeling just a shade disappointed.

"But I do think you deserve a rest," Burris said.

"Well, if I--"

"Here's what I'm going to do," Burris said, and paused. Malone felt a
little unsure as to exactly what his chief was talking about, but by
now he knew better than to ask a lot of questions. Sooner or later,
Burris would probably explain himself. And if he didn't, then there
was no use worrying about it. That was just the way Burris acted.

"Suppose I gave you a chance to take it easy for a while," Burris
said. "You could catch up on your sleep, see some shows, have a couple
of drinks during the evening, take girls out for dinner--you know.
Something like that. How would you like it?"

"Well..." Malone said cautiously.

"Good," Burris said. "I knew you would."

Malone opened his mouth, thought briefly and closed it again. After
all, it did sound sort of promising, and if there was a catch in it
he'd find out about it soon enough.

"It's really just a routine case," Burris said in an offhand tone.
"Nothing to it."

"Oh," Malone said.

"There's this red Cadillac," Burris said. "It was stolen from a party
in Connecticut, out near Danbury, and it showed up in New York City.
Now, the car's crossed a state line."

"That puts it in our jurisdiction," Malone said, feeling obvious.

"Right," Burris said. "Right on the nose."

"But the New York office--"

"Naturally, they're in charge of everything," Burris said. "But I'm
sending you out as sort of a special observer. Just keep your eyes
open, and nose around and let me know what's happening."

"Keep my eyes and nose what?" Malone said.

"Open," Burris said. "And let me know about it."

Malone tried to picture himself with his eyes and nose open, and
decided he didn't look very attractive that way. Well, it was only a
figure of speech or something. He didn't have to think about it.

It really made a very ugly picture.

"But why a special observer?" he said after a second. Burris could
read the reports from the New York office, and probably get more facts
than any single agent could find out just wandering around a strange
city. It sounded as if there were something, Malone told himself, just
a tiny shade rotten in Denmark. It sounded as if there were going to
be something in the nice easy assignment he was getting that would
make him wish he'd gone lion hunting in Darkest Africa instead.

And then again, maybe he was wrong. He stood at ease and waited to
find out.

"Well," Burris said, "it is just a routine case. Just like I said. But
there seems to be something a little bit odd about it."

"I see," Malone said with a sinking feeling.

"Here's what happened," Burris said hurriedly, as if he were afraid
Malone was going to change his mind and refuse the assignment. "This
red Cadillac I told you about was reported stolen from Danbury. Three
days later, it turned up in New York City--parked smack across the
street from a precinct police station. Of course it took them a while
to wake up, but one of the officers happened to notice the routine
report on stolen cars in the area, and he decided to go across the
street and check the license number on the car. Then something funny
happened."

"Something funny?" Malone asked. He doubted that, whatever it was, it
was going to make him laugh. But he kept his face a careful, receptive
blank.

"That's right," Burris said. "Now, if you're going to understand what
happened, you've got to get the whole picture."

"Sure," Malone said.

"Only that isn't what I mean," Burris added suddenly.

Malone blinked. "_What_ isn't what you mean?" he said.

"Understanding what happened," Burris said. "That's the trouble. You
won't understand what happened. I don't understand it, and neither
does anybody else. So what do you think about it?"

"Think about what?" Malone said.

"About what I've been telling you," Burris snapped. "This car."

Malone took a deep breath. "Well," he said, "this officer went over to
check the license plate. It seems like the right thing to do. It's
just what I'd have done myself."

"Sure you would," Burris said. "Anybody would. But listen to me."

"All right, Chief," Malone said.

"It was just after dawn--early in the morning." Malone wondered
briefly if there were parts of the world where dawn came, say, late in
the afternoon, or during the evening sometime, but he said nothing.
"The street was deserted," Burris went on. "But it was pretty light
out, and the witnesses are willing to swear that there was nobody on
that street for a block in either direction. Except them, of course."

"Except who?" Malone said.

"Except the witnesses," Burris said patiently. "Four cops, police
officers who were standing on the front steps of the precinct station,
talking. They were waiting to go on duty, or anyhow that's what the
report said. It's lucky they were there, for whatever reason; they're
the only witnesses we've got."

Burris stopped. Malone waited a few seconds and then said, as calmly
as he could, "Witnesses to what?"

"To this whole business with Sergeant Jukovsky," Burris said.

The sudden introduction of a completely new name confused Malone for
an instant, but he recovered gamely. "Sergeant Jukovsky was the man
who investigated the car," he said.

"That's right," Burris said. "Except that he didn't."

Malone sighed.

"Those four officers--the witnesses--they weren't paying much
attention to what looked like the routine investigation of a parked
car," Burris said. "But here's their testimony. They were standing
around talking when this Sergeant Jukovsky came out of the station,
spoke to them in passing, and went on across the street. He didn't
seem very worried or alarmed about anything."

"Good," Malone said involuntarily. "I mean, go on, Chief," he added.

"Ah," Burris said. "All right. Well. According to Jukovsky, he took a
look at the plate and found the numbers checked the listing he had for
a stolen Connecticut car. Then he walked around to take a look inside
the car. It was empty. Get that, Malone. The car was empty."

"Well," Malone said, "it was parked. I suppose parked cars are usually
empty. What's special about this one?"

"Wait and see," Burris said ominously. "Jukovsky swears the car was
empty. He tried the doors, and they were all locked but one, the front
door on the curb side, the driver's door. So he opened it, and leaned
over to have a look at the odometer to check the mileage. And
something clobbered him on the back of the head."

"One of the other cops," Malone said.

"One of the--who?" Burris said. "No. Not the cops. Not at all."

"Then something fell on him," Malone said. "Okay. Then whatever fell
on him ought to be--"

"Malone," Burris said.

"Yes, Chief?"

"Jukovsky woke up on the sidewalk with the other cops all around him.
There was nothing on that sidewalk but Jukovsky. Nothing could have
fallen on him; it hadn't landed anywhere, if you see what I mean."

"Sure," Malone said. "But--"

"Whatever it was," Burris said, "they didn't find it. But that isn't
the peculiar thing."

"No?"

"No," Burris said slowly. "Now--"

"Wait a minute," Malone said. "They looked on the sidewalk and around
there. But did they think to search the car?"

"They didn't get a chance," Burris said. "Anyhow, not then. Not until
they got around to picking up the pieces of the car uptown at 125th
Street."

Malone closed his eyes. "Where was this precinct?" he said.

"Midtown," Burris said. "In the forties."

"And the pieces of the car were eighty blocks away when they searched
it?" Malone said.

Burris nodded.

"All right," Malone said pleasantly. "I give up."

"Well, that's what I'm trying to tell you," Burris said. "According to
the witnesses, after Jukovsky fell out of the car, the motor started
and the car drove off uptown."

"Oh," Malone said. He thought about that for a minute and decided at
last to hazard one little question. It sounded silly--but then, what
didn't? "The car just drove off all by itself?" he said.

Burris seemed abashed. "Well, Malone," he said carefully, "that's
where the conflicting stories of the eyewitnesses don't agree. You
see, two of the cops say there was nobody in the car. Nobody at all.
Of any kind. Small or large."

"And the other two?" Malone said.

"The other two swear they saw somebody at the wheel," Burris said,
"but they won't say whether it was a man, a woman, a small child, or
an anthropoid ape. And they haven't the faintest idea where he, she,
or it came from."

"Great," Malone said. He felt a little tired. This trip was beginning
to sound less and less like a vacation.

"Those two cops swear there was something--or somebody--driving the
car," Burris said. "And that isn't all."

"It isn't?" Malone said.

Burris shook his head. "A couple of the cops jumped into a squad car
and started following the red Cadillac. One of these cops saw somebody
in the car when it left the curb. The other one didn't. Got that?"

"I've got it," Malone said, "but I don't exactly know what to do with
it."

"Just hold on to it," Burris said, "and listen to this. The cops were
about two blocks behind at the start, and they couldn't close the gap
right away. The Cadillac headed west and climbed up the ramp of the
West Side Highway, heading north, out toward Westchester. I'd give a
lot to know where they were going, too."

"But they crashed," Malone said, remembering that the pieces were at
125th Street. "So--"

"They didn't crash right away," Burris said. "The prowl car started
gaining on the Cadillac slowly. And--now, get this, Malone--both the
cops swear there _was_ somebody in the driver's seat now."

"Wait a minute," Malone said. "One of these cops didn't see anybody at
all in the driver's seat when the car started off."

"Right," Burris said.

"But on the West Side Highway, he did see a driver," Malone said. He
thought for a minute. "Hell, it could happen. They took off so fast he
could have been confused, or something."

"There's another explanation," Burris said.

"Sure," Malone said cheerfully. "We're all crazy. The whole world is
crazy."

"Not that one," Burris said. "I'll tell you when I finish with this
thing about the car itself. There isn't much description of whoever or
whatever was driving that car on the West Side Highway, by the way. In
case you were thinking of asking."

Malone, who hadn't been thinking of asking anything, tried to look
clever. Burris regarded him owlishly for a second, and then went on:

"The car was hitting it up at about a hundred and ten by this time,
and accelerating all the time. But the souped-up squad car was coming
on fast, too, and it was quite a chase. Luckily, there weren't many
cars on the road. Somebody could have been killed, Malone."

"Like the driver of the Cadillac," Malone ventured.

Burris looked pained. "Not exactly," he said. "Because the car hit the
125th Street exit like a bomb. It swerved right, just as though it
were going to take the exit and head off somewhere, but it was going
much too fast by that time. There just wasn't any way to maneuver. The
Cadillac hit the embankment, flipped over the edge, and smashed. It
caught fire almost at once. Of course the prowl car braked fast and
went down the exit after it. But there wasn't anything to do."

"That's what I said," Malone said. "The driver of the Cadillac was
killed. In a fire like that--"

"Don't jump to conclusions, Malone," Burris said. "Wait. When the
prowl car boys got to the scene, there was no sign of anybody in the
car. Nobody at all."

"In the heat of those flames--" Malone began.

"Not enough heat, and not enough time," Burris said. "A human body
couldn't have been destroyed in just a few minutes, not that
completely. Some of the car's metal was melted, sure; but there would
have been traces of anybody who'd been in the car. Nice, big, easily
seen traces. And there weren't any. No corpse, no remains, no
nothing."

Malone let that stew in his mind for a few seconds. "But the cops
said--"

"Whatever the cops said," Burris snapped, "there was nobody at all in
that Cadillac when it went off the embankment."

"Now, wait a minute," Malone said. "Here's a car with a driver who
appears and disappears practically at will. Sometimes he's there and
sometimes he's not there."

"Ah," Burris said. "That's why I have another explanation."

Malone shifted his feet. Maybe there _was_ another explanation. But,
he told himself, it would have to be a good one.

"Nobody expects a car to drive itself down a highway," Burris said.

"That's right," Malone said. "That's why it's all impossible."

"So," Burris said, "it would be a natural hallucination--or illusion,
anyhow--for somebody to imagine he did see a driver when there wasn't
any."

"Okay," Malone said. "There wasn't any driver. So the car couldn't
have gone anywhere. So the New York police force is lying to us. It's
a good explanation, but it--"

"They aren't lying," Burris said. "Why should they? I'm thinking of
something else." He stopped, his eyes bright as he leaned across the
desk toward Malone.

"Do I get three guesses?" Malone said.

Burris ignored him. "Frankly," he said, "I've got a hunch that the
whole thing was done with remote control. Somewhere in that car was a
very cleverly concealed device that was capable of running the
Cadillac from a distance."

It did sound plausible, Malone thought. "Did the prowl car boys find
any traces of it when they examined the wreckage?" he said.

"Not a thing," Burris said. "But, after all, it could have been
melted. The fire did destroy a lot of the Cadillac, and there's just
no telling. But I'd give long odds that there must have been some kind
of robot device in that car. It's the only answer, isn't it?"

"I suppose so," Malone said.

"Malone," Burns said, his voice filled with Devotion To One's Country
In The Face of Great Obstacles, "Malone, I want you to find that
device!"

"In the wreck?" Malone said.

Burris sighed and leaned back. "No," he said. "Of course not. Not in
the wreck. But the other red Cadillacs--some of them, anyhow--ought to
have--"

"What red Cadillacs?" Malone said.

"The other ones that have been stolen. From Connecticut, mostly. One
from New Jersey, out near Passaic."

"Have any of the others been moving around without drivers?" Malone
said.

"Well," Burris said, "there's been no report of it. But who can tell?"
He gestured with both arms. "Anything is possible, Malone."

"Sure," Malone said.

"Now," Burris said, "all of the stolen cars are red 1972 Cadillacs.
There's got to be some reason for that. I think they're covering up
another car like the one that got smashed: a remote-controlled
Cadillac. Or even a self-guiding, automatic, robot-controlled
Cadillac."

"They?" Malone said. "Who?"

"Whoever is stealing the cars," Burris said patiently.

"Oh," Malone said. "Sure. But--"

"So get up to New York," Burris said, "keep your eyes open, and nose
around. Got it?"

"I have now," Malone said.

"And when that Cadillac is found, Malone, we want to take a look at
it. Okay?"

"Yes, sir," Malone said.

                              * * * * *

Of course there were written reports, too. Burris had handed Malone a
sheaf of them--copies of the New York police reports to Burris
himself--and Malone, wanting some time to look through them, had taken
a train to New York instead of a plane. Besides, the new planes still
made him slightly nervous, though he could ride one when he had to. If
jet engines had been good enough for the last generation, he thought,
they were certainly good enough for him.

But avoidance of the new planes was all the good the train trip did
him. The reports contained thousands of words, none of which was
either new or, apparently, significant to Malone. Burris, he
considered, had given him everything necessary for the job.

Except, of course, a way to make sense out of the whole thing. He
considered robot-controlled Cadillacs. What good were they? They might
make it easier for the average driver, of course--but that was no
reason to cover up for them, hitting policemen over the head and
smashing cars and driving a hundred and ten miles an hour on the West
Side Highway.

All the same, it was the only explanation Malone had, and he cherished
it deeply. He put the papers back in his brief case when the train
pulled into Penn Station, handed his suitcases to a redcap and punched
the buttons for the waiting room. Now, he thought as he strolled
slowly along behind the robot, there was an invention that made sense.
And nobody had to get killed for it, or hit over the head or smashed
up, had they?

So what was all this nonsense about robot-controlled red Cadillacs?

Driving these unwelcome reflections from his mind, he paused to light
a cigarette. He had barely taken the first puff when a familiar voice
said, "Hey, buddy, hold the light, will you?"

Malone looked up, blinked and grinned happily. "Boyd!" he said. "What
are you doing here? I haven't seen you since--"

"Sure haven't," Boyd said. "I've been out West on a couple of cases.
Must be a year since we worked together."

"Just about," Malone said. "But what are you doing in New York?
Vacationing?"

"Not exactly," Boyd said. "The chief called it sort of a vacation,
but--"

"Oh," Malone said. "You re working with me."

Boyd nodded. "The chief sent me up. When I got back from the West, he
suddenly decided you might need a good assistant, so I took the plane
down, and got here ahead of you."

"Great," Malone said. "But I want to warn you about the vacation--"

"Never mind," Boyd said; just a shade sadly. "I know. It isn't." He
seemed deep in thought, as if he were deciding whether or not to get
rid of Anne Boleyn. It was, Malone thought, an unusually apt simile.
Boyd, six feet tall and weighing about two hundred and twenty-five
pounds, had a large square face and a broad-beamed figure that might
have made him a dead ringer for Henry VIII of England even without his
Henry-like fringe of beard and his mustache. With them--thanks to the
recent FBI rule that agents could wear "facial hair, at the discretion
of the director or such board as he may appoint"--the resemblance to
the Tudor monarch was uncanny.

But, like his famous double, Boyd didn't stay sad for long. "I thought
I'd meet you at the station," he said, cheering up, "and maybe talk
over old times for a while, on the way to the hotel, anyhow. So long
as there wasn't anything else to do."

"Sure," Malone said. "It's good to see you again. And when did you get
pulled out of the Frisco office?"

Boyd grimaced. "You know," he said, "I had a good thing going for me
out there. Agent-in-Charge of the entire office. But right after that
job we did together--the Queen Elizabeth affair--Burris decided I was
too good a man to waste my fragrance on the desert air. Or whatever it
is. So he recalled me, assigned me from the home office, and I've been
on one case after another ever since."

"You're a home-office agent now?" Malone said.

"I'm a Roving Reporter," Boyd said, and struck a pose. "I'm a General
Trouble-shooter and a Mr. Fix-It. Just like you, Hero."

"Thanks," Malone said. "How about the local office here? Seen the boys
yet?"

Boyd shook his head. "Not yet," he said. "I was waiting for you to
show up. But I did manage hotel rooms--a couple of rooms with a
connecting bath over at the Hotel New Yorker. Nice place. You'll like
it, Ken."

"I'll love it," Malone said. "Especially that connecting bath. It
would have been terrible to have an unconnecting bath. Sort of
distracting."

"Okay," Boyd said. "Okay. You know what I mean." He stared down at
Malone's hand. "You know you've still got your lighter on?" he added.

Malone looked down at it and shut it off. "You asked me to hold it,"
he said.

"I didn't mean indefinitely," Boyd said. "Anyhow, how about grabbing a
cab and heading on down to the hotel to get your stuff away, before we
check in at 69th Street?"

"Good idea," Malone said. "And besides, I could do with a clean shirt.
Not to mention a bath."

"Trains get worse and worse," Boyd said absently.

Malone punched the redcap's buttons again, and he and Boyd followed it
through the crowded station to the taxi stand. The robot piled the
suitcases into the cab, and somehow Malone and Boyd found room for
themselves.

"Hotel New Yorker," Boyd said grandly.

The driver swung around to stare at them, blinked, and finally said,
"Okay, Mac. You said it." He started with a terrific grinding of
gears, drove out of the Penn Station arch and went two blocks.

"Here you are, Mac," he said, stopping the cab.

Malone stared at Boyd with a reproachful expression.

"So how was I to know?" Boyd said.

"I didn't look. If I'd known it was so close we could've walked."

"And saved half a buck," Malone said. "But don't let it bother
you--this is expense-account money."

"That's right," Boyd said. He beamed and tipped the driver heavily.
The cab drove off and Malone hailed the New Yorker doorman, who
equipped them with a robot bellhop and sent them upstairs to their
rooms.

Three-quarters of an hour later, Boyd and Malone were in the offices
of the Federal Bureau of Investigation, on East 69th Street. There
they picked up a lot of nice, new, shiny facts. It was unfortunate, if
not particularly surprising, that the facts did not seem to make any
sense.

In the first place, only red 1972 Cadillacs seemed to be involved.
Anybody who owned such a car was likely to find it missing at any
time; there had been a lot of thefts reported, including some that
hadn't had time to get into Burris' reports. New Jersey now claimed
two victims, and New York had three of its own.

And all the cars weren't turning up in New York, by any means. Some of
the New York cars had turned up in New Jersey. Some had turned up in
Connecticut--including one of the New Jersey cars. So far, there had
been neither thefts nor discoveries in Pennsylvania, but Malone
couldn't see why.

There was absolutely no pattern that he, Boyd, or anyone else could
find. The list of thefts and recoveries had been fed into an
electronic calculator, which had neatly regurgitated them without
being in the least helpful. It had remarked that the square of seven
was forty-nine, but this was traced to a defect in the mechanism.

Whoever was borrowing the red Caddies exhibited a peculiar combination
of burglarious genius and what looked to Malone like outright idiocy.
This was plainly impossible.

Unfortunately, it had happened.

Locking the car doors didn't do a bit of good. The thief, or thieves,
got in without so much as scratching the lock. This obviously proved
that the criminal was either an extremely good lock-pick or else knew
where to get duplicate keys.

However, the ignition was invariably shorted across.

This proved neatly that the criminal was not a very good lock-pick,
and did not know where to get duplicate keys.

Query: Why work so hard on the doors, and not work at all on the
ignition?

That was the first place. The second place was just what had been
bothering Malone all along. There didn't seem to be any purpose to the
car thefts. They hadn't been sold, or used as getaway cars. True,
teenage delinquents sometimes stole cars just to use them joy-riding,
or as some sort of prank.

But a car or two every night? How many joy-rides can one gang take?
Malone thought. And how long does it take to get tired of the same
prank?

And why, Malone asked himself wearily for what was beginning to feel
like the ten thousandth time, why only red Cadillacs?

Burris, he told himself, must have been right all along. The red
Cadillacs were only a smoke screen for something else. Perhaps it was
the robot car, perhaps not; but whatever it was, Burris' general
answer was the only one that made any sense at all.

That should have been a comforting thought, Malone reflected. Somehow,
though, it wasn't.

After they'd finished with the files and personnel at 69th Street,
Malone and Boyd started downtown on what turned out to be a sort of
unguided tour of the New York Police Department. They spoke to some of
the eyewitnesses, and ended up in Centre Street asking a lot of
reasonably useless questions in the Bureau of Motor Vehicles. In
general, they spent nearly six hours on the Affair of the
Self-Propelled Cadillac, picking up a whole bundle of facts. Some of
the facts they had already known. Some were new, but unhelpful.

Somehow, nobody felt much like going out for a night on the town.
Instead both agents climbed wearily into bed, thinking morose and
disillusioned thoughts.

And, after that, a week passed. It was filled with ennui.

Only one new thing became clear. In spite of the almost identical
modus operandi used in all the car thefts, they were obviously the
work of a gang rather than a single person. This required the
assumption that there was not one insane man at work, but a crew of
them, all identically unbalanced.

"But the jobs are just too scattered to be the work of one man,"
Malone said. "To steal a car in Connecticut and drive it to the Bronx,
and then steal another car in Westfield, New Jersey, fifteen minutes
later takes more than talent. It takes an outright for-sure magician."

This conclusion, while interesting, was not really helpful. The fact
was that Malone needed more clues--or, anyhow, more facts--before he
could do anything at all. And there just weren't any new facts around.
He spent the week wandering morosely from one place to another
sometimes accompanied by Thomas Boyd and sometimes all alone. Time, he
knew, was ticking by at its usual rate. But there wasn't a thing he
could do about it.

He did try to relax and have some fun, as Burris had suggested. But he
didn't seem to be able to get his mind off the case.

Boyd, after the first little while, had no such trouble. He entered
the social life of the city with a whoop of joy and disappeared from
sight. That was fine for Boyd, Malone reflected, but it did leave
Malone himself just a little bit at loose ends.

Not that he begrudged Boyd his fun. It was nice that one of them was
enjoying himself, anyway.

It was just that Malone was beginning to get fidgety. He needed to be
doing something--even if it was only taking a walk.

So he took a walk and ended up, to his own surprise, downtown near
Greenwich Village.

And then he'd been bopped on the head.


                                  3

The patrol car pulled up in front of St. Vincent's Hospital, and one
of the cops helped Malone into the emergency receiving room. He didn't
feel as bad as he had a few minutes before. The motion of the car
hadn't helped any, but his head seemed to be knitting a little, and
his legs were a little steadier. True, he didn't feel one hundred per
cent healthy, but he was beginning to think he might live, after all.
And while the doctor was bandaging his head, a spirit of new life
began to fill the FBI agent.

He was no longer morose and undirected. He had a purpose in life, and
the purpose filled him with cold determination. He was going to find
the robot-operated car--or whatever it turned out to be.

The doctor, Malone noticed, was whistling _Greensleeves_ under his
breath as he worked. That, he supposed, was the influence of the
Bohemian folk-singers of Greenwich Village. But he put the noise
resolutely out of his mind and concentrated on the red Cadillac.

It was one thing to think about a robot car miles away, doing
something or other to somebody you'd never heard of before. That was
just theoretical, a case for solution, nothing but an ordinary job.

But when the car stepped up and bopped Malone himself on the head, it
became a personal matter. Now Malone had more than a job to contend
with. Now he was thinking about revenge.

_By God_, he told himself, _no car in the world--not even a
Cadillac--can get away with beaning Kenneth J. Malone!_

Malone was not quite certain that he agreed with Burris' idea of a
self-operating car, but at least it was something to work on. A car
that could reach out, crown an investigator, and then drive off
humming something innocent under its breath was certainly a unique and
dangerous machine within the meaning of the act. Of course, there were
problems attendant on this view of things. For one thing, Malone
couldn't quite see how the car could have beaned him when he was ten
feet away from it. But that was, he told himself uncomfortably, a
minor point. He could deal with it when he felt a little better.

The important thing was the car itself. Malone jerked a little under
the doctor's calm hands, and swore subvocally.

"Hold still," the doctor said. "Don't go wiggling your head around
that way. Just wait quietly until the dermijel sets."

Obediently, Malone froze. There was a crick in his neck, but he
decided he could stand it. "My head still hurts," he said accusingly.

"Sure it still hurts," the doctor agreed.

"But you--"

"What did you expect?" the doctor said. "Even an FBI agent isn't
immune to blackjacks, you know." He resumed his work on Malone's
skull.

"Blackjacks?" Malone said. "What blackjacks?"

"The ones that hit you," the doctor said. "Or the one, anyhow."

Malone blinked. Somehow, though he could manage a fuzzy picture of a
car reaching out to hit him, the introduction of a blackjack into this
imaginative effort confused things a little. But he resolutely ignored
it.

"The bruise is just the right size and shape," the doctor said. "And
that cut on your head comes from the seams on the leather casing."

"You're sure?" Malone said doubtfully. It did seem as if a car had a
lot more dangerous weapons around, without resorting to blackjacks. If
it had really wanted to damage him, why hadn't it hit him with the
engine block?

"I'm sure," the doctor said. "I've worked in Emergency in this
hospital long enough to recognize a blackjack wound."

That was a disturbing idea, in a way. It gave a new color to Malone's
reflection on Greenwich Villagers. Maybe things had changed since he'd
heard about them. Maybe the blackjack had supplanted the guitar.

But that wasn't the important thing.

The fact that it had been a blackjack that had hit him _was_
important. It was vital, as a matter of fact. Malone knew that
perfectly well. It was a key fact in the case he was investigating.

The only trouble was that he didn't see what, if anything, it meant.

The doctor stepped back and regarded Malone's head with something like
pride. "There," he said. "You'll be all right now."

"A concussion?"

"Sure," the doctor said. "But it isn't serious. Just take these
pills--one every two hours until they're gone--and you'll be rid of
any effects within twenty-four hours." He went to a cabinet, fiddled
around for a minute, and came back with a small bottle containing six
orange pills. They looked very large and threatening.

"Fine," Malone said doubtfully.

"You'll be all right," the doctor said, giving Malone a cheerful,
confident grin. "Nothing at all to worry about." He loaded a hypojet
and blasted something through the skin of Malone's upper arm. Malone
swallowed hard. He knew perfectly well that he hadn't felt a thing but
he couldn't quite make himself believe it.

"That'll take care of you for tonight," the doctor said. "Get some
sleep and start in on the pills when you wake up, okay?"

"Okay," Malone said. It was going to make waking up something less
than a pleasure, but he wanted to get well, didn't he?

Of course he did. If that Cadillac thought it was going to beat him...

"You can stand up now," the doctor said.

"Okay," Malone said, trying it. "Thanks, Doctor. I--"

There was a knock at the door. The doctor jerked his head around.

"Who's that?" he said.

"Me," a bass voice said, unhelpfully.

The emergency-room door opened a crack and a face peered in. It took
Malone a second to recognize Bill, the waffle-faced cop who had picked
him up next to the lamp post three years or so before. "Long time no
see," Malone said at random.

"What?" Bill said, and opened the door wider. He came in and closed it
behind him. "It's okay, Doc," he said to the attendant. "I'm a cop."

"Been hurt?" the doctor said.

Bill shook his head. "Not recently," he said. "I came to see this
guy." He looked at Malone. "They told me you were still here," he
said.

"Who's they?" Malone said.

"Outside," Bill said. "The attendants out there. They said you were
still getting stitched up."

"And quite right, too," Malone said solemnly.

"Oh," Bill said. "Sure." He fished in his pockets. "You dropped your
notebook, though, and I came to give it back to you." He located the
object he was hunting for and brought it out with the triumphant
gesture of a man displaying the head of a dragon he had slain. "Here,"
he said, waving the book.

"Notebook?" Malone said. He stared at it. It was a small looseleaf
book bound in cheap black plastic.

"We found it in the gutter," Bill said.

Malone took a tentative step forward and managed not to fall. He
stepped back again and looked at Bill scornfully. "I wasn't even in
the gutter," he said. "There are limits."

"Sure," Bill said. "But the notebook was, so I brought it along to
you. I thought you might need it or something." He handed it over to
Malone with a flourish.

It wasn't Malone's notebook. In the first place, he had never owned a
notebook that looked anything like that, and in the second place he
hadn't had any notebooks on him when he went for his walk. _Mine not
to question why_, Malone told himself with a shrug, and flipped the
book open.

At once he saw why the cop had mistaken it for his.

It had his name in it.

On the very first page were two names, written out in a careful,
semieducated scrawl:

     _Mr. Kenneth J. Malone, FBI_
     _Lt. Peter Lynch, NYPD_

The rest of the page was blank. Malone wondered who Lieutenant Lynch
was, and made a mental note to find out. Then he wondered what his
name was doing in somebody else's notebook. Maybe, he thought, it was
a list of people to slug, and the car had made it up. But he hadn't
heard of anybody named Lynch being hit on the head by a marauding
automobile, and he couldn't quite picture a Cadillac jotting things
down in a notebook for future reference. Besides, he had an idea that
a Cadillac's handwriting would be more formal, and prettier.

He turned the page. On the next leaf there were more names, eight of
them. The first one was written in red pencil and the others were in
ordinary black. Malone stared at them:

     _Mike F._
     _Ramon O._
     _Mario G._
     _Silvo E._
     _Alvarez A._
     _Felipe la B._
     _Juan de los S._
     _Ray del E._

All the names except Mike F. sounded Spanish, or possibly Puerto
Rican. Malone wondered who they were. Juvenile delinquents? Other
people to slug? Police officers?

Maybe they were all the names of Spanish-speaking Cadillacs.

He blinked and rubbed at his forehead with one hand. His head still
hurt, and that was probably why he was getting such strange ideas. It
was obvious that, whatever the notebook was, it hadn't been written by
an automobile.

He turned the page again.

Here there was a carefully detailed drawing of a car. Malone
recognized it as a 1972 Cadillac without any effort at all.

And it had been carefully colored in with red pencil.

Wow, Malone asked himself, _What the hell does that mean?_

He couldn't find an answer. He turned the page, hoping for some more
facts that might make some sense out of what he had been seeing, but
there was nothing more. All the rest of the pages in the notebook were
blank.

He looked up at the cop and the doctor with a bland, blank face.
"Thanks a lot," he told Bill. "I thought I'd lost this book. I
appreciate it."

"Oh, that's okay, Mr. Malone," Bill said. "Glad to do it."

"You don't know what this means to me," Malone said truthfully.

"No trouble at all," Bill said. "Any time." He gave Malone a big smile
and turned back to the door. "But I got to get back to my beat," he
said. "Listen, I'll see you. And if I can be any help--"

"Sure," Malone said. "I'll let you know. And thanks again."

"Welcome," Bill said, and opened the door. He strode out with the air
of a man who has just been decorated with the Silver Star, the Purple
Heart and the Congressional Medal of Honor.

Malone tried a few more steps and discovered that he could walk
without falling down. He thanked the doctor again.

"Perfectly all right," the doctor said. "Nothing to it. Why, you ought
to see some of the cases we get here. There was a guy here the other
night with both his legs all mashed up by a--"

"I'll bet," Malone said hurriedly. "Well, I've got to be on my way.
Just send the bill to FBI headquarters on 69th Street." He closed the
door on the doctor's enthusiastic "Yes, _sir!_" and went on down the
hallway and out into the street. At Seventh Avenue and Greenwich
Avenue he flagged a cab.

It was a hell of a place to be, Malone thought as the cab drove away.
Where but in Greenwich Village did avenues intersect each other
without so much as a by-your-leave?

"Hotel New Yorker," he said, giving the whole thing up as a bad job.
He put his hat on his head and adjusted it painfully to the proper
angle.

And that, he thought, made another little problem. The car had not
only hit him on the head, it had removed his hat before doing so, and
then replaced it. It had only fallen off when he'd started to get up
against the lamp post.

_A nice quiet vacation_, Malone thought bitterly.

He fumed in silence all the way to the hotel, through the lobby, up in
the elevator, and to the door of his room. Then he remembered the
notebook.

That was important evidence. He decided to tell Boyd about it right
away.

He went into the bathroom and tapped gently on the door to Boyd's
connecting room. The door swung open.

Boyd, apparently, was still out painting the town--Malone considered
the word _red_ and dropped the whole phrase with a sigh. At any rate,
his partner was nowhere in the room.

"The hell with it," Malone announced loudly to no one in particular.
He went back into his own room, closed the door, and got wearily ready
for bed.

                              * * * * *

Dawn came, and then daylight, and then a lot more daylight. It was
streaming in through the windows with careless abandon, filling the
room with a lot of bright sunshine and the muggy heat of the city.
From the street below, the cheerful noises of traffic and pedestrians
floated up and filled Malone's ears.

He got up, turned over in bed, and tried to go back to sleep.

But sleep wouldn't come. After a long time he gave up, and swung
himself over the edge of the bed. Standing up was a delicate job, but
he managed it, feeling rather proud of himself in a dim, semiconscious
sort of way.

He went into the bathroom, brushed his teeth, and then opened the
connecting door to Boyd's room softly.

Boyd was home. He lay in a great tangle of bedclothes, snoring
hideously and making little motions with his hands and arms like a
beached whale. Malone padded over to him and dug him fiercely in the
ribs.

"Come on," he said. "Wake up, Tommy-boy."

Boyd's eyes did not open. In a voice as hollow as a zombie's, he said,
"My head hurts."

"Can't feel any worse than mine," Malone said cheerily. This, he
reflected, was not quite true. Considering everything it had been
through recently, his head felt remarkably like its old carefree self.
"You'll feel better once you're awake."

"No, I won't," Boyd said simply. He jammed his head under a pillow and
began to snore again. It was an awesome sound, like a man strangling
to death in chicken fat. Malone sighed and poked at random among the
bedclothes.

Boyd swore distantly, and Malone poked him again.

"The sun is up," Malone said, "and all the little pedestrians are
chirping. It is time to rise."

Boyd said, "Gah," and withdrew his head from the pillow. Gently, as if
he were afraid he were going to fall apart, he rose to a sitting
position. When he had arrived at it, he opened his eyes.

"Now," Malone said. "Isn't that better?"

Boyd closed his eyes again. "No," he said.

"Come on," Malone said. "We've got to be up and moving."

"I'm up," Boyd said. His eyes flickered open. "But I can't move," he
added. "We had quite a time last night."

"We?" Malone said.

"Me, and a couple of girls, and another guy. Just people I met." Boyd
started to stand up and thought better of it. "Just having a good
time, that's, all."

Malone thought of reading his partner a lecture on the Evils of Drink,
and decided against it. Boyd might remember it, and use it against him
sometime. Then he realized what had to be done. He went back into his
own room, dialed for room service, and ordered a couple of pots of
strong black coffee.

By the time a good deal of that was awash in Boyd's intestinal system,
he was almost capable of rational, connected conversation. He filled
himself to the eyebrows with aspirins and other remedies, and actually
succeeded in getting dressed. He seemed quite proud of this feat.

"Okay," Malone said. "Now we have to go downstairs."

"You mean outside?" Boyd said. "Into all that noise?" He winced.

"Bite the bullet," Malone said cheerfully. "Keep a stiff upper lip."

"Nonsense," Boyd said, hunting for his coat with a doleful air. "Have
you ever seen anybody with a loose upper lip?"

Malone, busy with his own coat, didn't bother with a reply. He managed
somehow to get Boyd downstairs and bundled into a cab. They headed for
69th Street. There he made several phone calls. The first, of course,
was to Burris in Washington. After that he got the New York Police
Commissioner on the wire and, finding that he needed still more
authority, he called the mayor and then, by long-distance to Albany,
the governor.

But by noon he had everything straightened out. He had a plan fully
worked out in his mind, and he had the authority to go ahead with it.
Now, he could make his final call.

"They're completely trustworthy," Burris had told him. "Not only that,
but they have a clearance for this kind of special work--we've needed
them before."

"Good," Malone said.

"Not only that," Burris told him. "They're damned good men. Maybe
among the best in their field."

So Malone made his last call, to the firm of Leibowitz and Hardin,
Electronic Engineers.

Then he beckoned to Boyd.

"I don't see what I've been sitting around here for, all this time,"
his partner complained. "I could have been home sleeping until you
needed me."

"I need you now," Malone said. "I want you to take over part of this
plan."

Boyd nodded sourly. "Oh, all right," he said.

"Here's what I want," Malone said. "Every red 1972 Cadillac in the
area is to be picked up for inspection. I don't care why--make up a
reason. A general traffic check. Anything you please. You can work
that end of it out with the commissioner; he knows about it and he's
willing to go along."

"Great," Boyd said. "Do you have any idea how many cars there are in a
city this size?"

"Well, we don't want all of them," Malone said. "Only red 1972
Cadillacs."

"It's still a lot," Boyd said.

"If there were only three," Malone said, "we wouldn't have any
problems."

"And wouldn't that be nice?" Boyd said.

"Sure," Malone said, "but it isn't true. Anyhow, I want every one of
those cars checked for any oddity, no matter how small. If there's an
inch-long scratch on one fender, I want to know about it. If you've
got to take the cars apart, then do that."

"Me?" Boyd said. "All by myself?"

"My God, no," Malone said. "Use your head. There'll be a team working
with you. Let me explain it. Every nut, every bolt, every inch of
those cars has to be examined thoroughly--got it?"

"I've got it," Boyd said, "but I'm damned if I like it. After all,
Malone--"

Malone ignored him. "The governor of New York's promised his
cooperation," he said, "and he said he'd get in touch with the
governors of New Jersey and Connecticut and get cooperation from that
angle. So we'll have both state and local police working with us."

"That's a help," Boyd said. "We'll make such a happy team of workmen.
Singing as we pull the cars apart through the long day and night
and--listen, Malone, when do you want reports on this?"

"Yesterday," Malone said.

Boyd's eyebrows raised, then lowered. "Great," he said dully.

"I don't care how you get the cars," Malone said. "If you've got to,
condemn 'em. But get every last one of them. And bring them over to
Leibowitz and Hardin for a complete checkup. I'll give you the
address."

"Thanks," Boyd said.

"Not at all," Malone said. "Glad to be of help. And don't worry; I'll
have other work to do." He paused, and then went on, "I talked to Dr.
Isaac Leibowitz--he's the head of the firm out there--and he says--"

"Wait a minute," Boyd said. "What?"

"You mean I don't have to take the cars apart myself? You mean this
Leibowitz and Hardin, or whatever it is, will do it for me?"

"Of course," Malone said wearily. "You're not an auto technician or an
electronics man. You're an agent of the FBI."

"I was beginning to wonder," Boyd said. "After all."

"Anyhow," Malone said doggedly, "I talked to Leibowitz, and he says he
can give a car a complete check in about six hours, normally."

"Six hours?" Boyd stared. "That's going to take forever," he said.

"Well, he can set up a kind of assembly-line process and  turn out a
car every fifteen minutes. Any better?"

Boyd nodded.

"Good," Malone said. "There can't be so many 1972 red Cadillacs in the
area that we can't get through them all at that speed." He thought a
minute and then added, "By the way, you might check with the Cadillac
dealers around town, and find out just how many have been sold to
people living in the area."

"And while I'm doing all that," Boyd said, "what are you going to be
doing?"

Malone looked at him and sighed. "I'll worry about that," he said.
"Just get started."

"Suppose Leibowitz can't find anything?" Boyd said.

"If Leibowitz can't find it, it's not there," Malone said. "He can
find electronic devices anywhere in any car made, he says--even if
they're printed circuits hidden under the paint job."

"Pretty good," Boyd said. "But suppose he doesn't?"

"Then they aren't there," Malone said, "and we'll have to think of
something else." He considered that. It sounded fine. Only he wished
he knew what else there was to think of.

Well, that was just pessimism. Leibowitz would find something, and the
case would be over, and he could go back to Washington and rest. In
August he was going to have his vacation anyway, and August wasn't
very far away.

Malone put a smile carefully on his face and told Boyd, "Get going."
He slammed his hat on his head.

Wincing, he took it off and replaced it gently. The bottle of pills
was still in his pocket, but he wasn't due for another one just yet.

He had time to go over to the precinct station in the West Eighties
first. He headed outside to get another taxi.


                                  4

The door didn't say anything at all except _Lt. P. Lynch_. Malone
looked at it for a couple of seconds. He'd asked the desk sergeant for
Lynch, shown his credentials and been directed up a set of stairs and
around a hall. But he still didn't know what Lynch did, who he was, or
what his name was doing in the little black notebook.

Well, he told himself, there was only one way to find out.

He opened the door.

The room was small and dark. It had a single desk in it, and three
chairs, and a hatrack. There wasn't any coat or hat on the hatrack,
and there was nobody in the chairs. In a fourth chair, behind the
desk, sat a huskily built man. He had steel-gray hair, a hard jaw and,
Malone noticed with surprise, a faint twinkle in his eye.

"Lieutenant Lynch?" Malone said.

"Right," Lynch said. "What's the trouble?"

"I'm Kenneth J. Malone, FBI." He reached for his wallet and found it.
He flipped it open for Lynch, who stared at it for what seemed a long,
long time, and then burst into laughter.

"What's so funny?" Malone asked. Lynch laughed some more.

"Oh, come on," Malone said bitterly. "After all, there's no reason to
treat an FBI agent like some kind of a--"

"FBI agent?" Lynch said. "Listen, buster, this is the funniest gag
I've seen since I came on the force. Really a hell of a funny thing.
Who told you to pull it? Jablonski downstairs? Or one of the boys on
the beat? I know those beat patrolmen, always on the lookout for a new
joke.. But this tops 'em all. This is the--"

"You're a disgrace to the Irish," Malone said tartly.

"A what?" Lynch said. "I'm not Irish."

"You talk like an Irishman," Malone said.

"I know it," Lynch said, and shrugged. "Around some precincts, you
sort of pick it up. When all the other cops are--hey, listen. How'd we
get to talking about me?"

"I said you were a disgrace to the Irish," Malone said.

"I was a--_what_?"

"Disgrace." Malone looked carefully at Lynch. In a fight, he
considered, he might get in a lucky punch that would kill Malone.
Otherwise, Malone didn't have a thing to worry about except a few
months of hospitalization.

Lynch looked as if he were about to get mad, and then he looked down
at Malone's wallet again and started to laugh.

"For God's sake," Malone said. "What's so damned funny?"

He grabbed the wallet and turned it toward him. At once, of course, he
realized what had happened. He hadn't flipped it open to his badge at
all. He'd flipped it open, instead, to a card in the card case:


                 KNOW ALL MEN BY THESE PRESENTS THAT
      Sir Kenneth Malone, Knight, is hereby formally installed
                         with the title of
                        KNIGHT OF THE BATH
        and this card shall signify his right to that title
     and his high and respected position as officer in and of
                       THE QUEEN'S OWN FBI


In a very small voice, Malone said, "There's been a terrible mistake."

"Mistake?" Lynch said.

Malone flipped the wallet open to his FBI shield. Lynch gave it a good
long examination, peering at it from every angle and holding it up to
the light two or three times. He even wet his thumb and rubbed the
badge with it. At last he looked up.

"I guess you are the FBI," he said. "But what's with the gag?"

"It isn't a gag," Malone said. "It's just--" He thought of the little
old lady in Yucca Flats, the little old lady who had been the prime
mover in the last case he and Boyd had worked on together. Without the
little old lady, the case might never have been solved; she was an
authentic telepath, about the best that had ever been found.

But with her, Boyd and Malone had had enough troubles. Besides being a
telepath, she was quite thoroughly insane. She had one fixed delusion:
she believed she was Queen Elizabeth I.

She was still at Yucca Flats, along with the other telepaths Malone's
investigation had turned up. And she still believed, quite calmly,
that she was Good Queen Bess. Malone had been knighted by her during
the course of the investigation. This new honor had come to him
through the mail; apparently she had decided to ennoble some of her
friends still further.

Malone made a mental note to ask Boyd if he'd received one. After all,
there couldn't be too many Knights of the Bath. There was no sense in
letting _everybody_ in.

Then he realized that he was beginning to believe everything again.
There had been times, working with the little old lady, when he had
been firmly convinced that he was, in fact, the swaggering, ruthless
swordsman, Sir Kenneth Malone. And even now...

"Well?" Lynch said.

"It's too long a story," Malone said. "And besides, it's not what I
came here about."

Lynch shrugged again. "Okay," he said. "Tell it your way."

"First," Malone said, "what's your job?"

"Me? Precinct Lieutenant."

"Of this precinct?"

Lynch stared. "What else?" he said.

"Who knows?" Malone said. He found the black notebook and passed it
across to Lynch. "I'm on this red Cadillac business, you know," he
said by way of introduction.

"I've been hearing about it," Lynch said. He picked up the notebook
without opening it and held it like a ticking bomb. "And I mean
hearing about it," he said. "We haven't had any trouble at all in this
precinct."

"I know," Malone said. "I've read the reports."

"Listen, not a single red Cadillac has been stolen from here, or been
reported found here. We run a tight precinct here, and let me tell
you--"

"I'm sure you do a fine job," Malone said hastily. "But I want you to
look at the notebook. The first page."

Lynch opened his mouth, closed it, and then flipped the notebook
cover. He stared at the first page for a few seconds. "What's this?"
he said at last. "Another gag?"

"No gag, Lieutenant," Malone said.

"It's your name and mine," Lynch said. "What is that supposed to
mean?"

Malone shrugged. "Search me," he said. "The notebook was found only a
couple of feet away from another car theft, last night." That was the
simplest way he could think of to put it. "So I asked the Commissioner
who Peter Lynch was, and he told me it was you."

"And, by God, it is," Lynch said, staring at the notebook. He seemed
to be expecting it to rise and strike him.

Malone said, "Have you got any idea who'd be writing about you and
me?"

Lynch shook his head. "If I had any ideas I'd feel a lot better," he
said.

He wet his finger and turned the notebook page carefully over. When he
saw the list of names on the second page he stopped again, and stared.
This time he whistled under his breath.

Very cautiously, Malone said, "Something?"

"I'll be damned," Lynch said feelingly.

"What's wrong?" Malone said.

The police lieutenant looked up. "I don't know if it's wrong or what,"
he said. "It gives me sort of the willies. I know every one of these
kids."

Malone took out a pill and swallowed it in a hurry. He felt exactly as
if he had been given another concussion, absolutely free and without
any obligations. His mouth opened but nothing came out for a long
time. At last he managed to say, _"Kids?"_

"That's right," Lynch said. "What did you think?"

Malone shrugged helplessly.

"Every single one of them," Lynch said. "Right from around here."

There was a little silence.

"Who are they?" Malone said carefully.

"They're some kind of kid gang--a social club, or something like that.
This first kid--Miguel Fueyo's his full name--is the leader. They call
themselves the Silent Spooks."

"The what?" It seemed to Malone that the name was just a little fancy,
even for a kid gang.

"The Silent Spooks," Lynch said. "I can't help it. But here they are,
every one of them: Fueyo, Ramon Otravez, Mario Grito, Silvo Envoz,
Alvarez Altapor, Felipe la Barba, Juan de los Santos, and Ray del
Este. Right down the line." He looked up from the notebook with a
blank expression on his face. "All of them kids from this
neighborhood. The Silent Spooks."

"They know you?" Malone said.

"Sure they do," Lynch said. "They all know me. But do they know you?"

Malone thought. "They could have heard of me," he said at last, trying
to be as modest as possible.

"I guess," Lynch said grudgingly. "How old are they?" Malone said.

"Fourteen to seventeen," Lynch said. "Somewhere in there. You know how
these kid things run."

"The Silent Spooks," Malone said meditatively. It was a nice name, in
a way; you just had to get used to it for a while. When he had been a
kid, he'd belonged to a group that called itself the East Division
Street Kids. There just wasn't much romance in a name like that. Now
the Silent Spooks...

With a wrench, he brought his mind back to the subject at hand. "Do
they get into much trouble?" he said.

"Well, no," Lynch said reluctantly. "As a matter of fact, they don't.
For a bunch like that, around here, they're pretty well behaved, as
far as that goes."

"What do you mean?" Malone said.

Lynch's face took on a delicately unconcerned appearance. "I don't
know," he said. "They just don't get into neighborhood trouble. Maybe
a scrap now and then--nothing big, though. Or maybe one of them cuts a
class at school or argues with his teacher. But there's nothing
unusual, and damn little of anything." He frowned.

Malone said, "Something's got to be wrong. What is it?"

"Well," Lynch said, "they do seem to have a hell of a lot of money to
spend."

Malone sat down in a chair across the desk, and leaned eagerly toward
Lynch. "Money?" he said.

"Money," Lynch said. "New clothes. Cigarettes. Malone, three of them
are even supporting their parents. Old Jose Otravez--Ramon's old
man--quit his job a couple of months ago, and hasn't worked since.
Spends all his time in bars, and never runs out of dough--and don't
tell me you can do that on unemployment insurance. Or social security
payments."

"Okay," Malone said. "I won't tell you."

"And there's others. All the others, in fact. Mike Fueyo's sister
dresses fit to kill, like a high-fashion model. And the Grito kid--"

"Wait a minute," Malone said. "From what you tell me, this isn't just
a little extra money. These kids must be rolling in the stuff. Up to
their ears in dough."

"Listen," Lynch said sadly, "Those kids spend more than I do. Hell,
they do better than that--they spend more than I _earn_." He looked
remotely sorry for himself, but not for long. "Every one of those kids
spends like a drunken sailor, tossing his money away on all sorts of
things."

"Like an expense account," Malone said idly. Lynch looked up. "Sorry,"
Malone said. "I was thinking about something else."

"I'll bet you were," Lynch said with unconcealed envy.

"No," Malone said. "Really. Listen, I'll check with Internal Revenue
on that money. But have you got a list of the kids' addresses?"

"I can get one," Lynch said, and went to the door.

It closed behind him. Malone sat waiting alone for a few minutes, and
then Lynch came back. "List'll be here in a minute," he said. He sat
down behind his desk and reached for the notebook again. When he
turned to the third page his expression changed to one of surprise.

"Be damned," he said. "There does seem to be a connection, doesn't
there?" He held up the picture of the red Cadillac for Malone to see.

"Sure does," Malone said. "That's why I want those addresses. If there
is a connection, I sure as hell want to find out about it."

Ten minutes later, Malone was walking out of the precinct station with
the list of addresses in his pocket. He was heading for his Great
Adventure, but he didn't know it. All he was thinking about was the
red Cadillacs, and the eight teenagers.

"I'm going to get to the bottom of this if it takes me all summer," he
said, muttering to himself.

"That's the spirit," he told himself. "Never say die."

Then, realizing he had just said it, he frowned. Perhaps it hadn't
really counted. But then again...

He was on his way down the steps when he hit the girl.

The mutual collision was not catastrophic. On the other hand, it was
not exactly minor. It fell somewhere between the two, as an
unclassifiable phenomenon of undoubted potency. Malone said, "Oog,"
with, some fervor as the girl collided with his chest and rebounded
like a handball striking a wall. Something was happening to her, but
Malone had no time to spare to notice just what. He was falling
through space, touching a concrete step once in a while, but not long
enough to make any real acquaintance with it. It seemed to take him a
long time to touch bottom, and when he had, he wondered if _touch_ was
quite the word.

_Bottom_ certainly was. He had fallen backward and landed directly on
his _glutei maximi_, obeying the law regarding equal and opposite
reaction and several other laws involving falling bodies.

His first thought was that he was now neatly balanced. His tail had
received the same treatment as his head. He wondered if a person could
get concussion of the tail bones, and had reached no definite
conclusion when, unexpectedly, his eyes focused again.

He was looking at a girl. That was all he saw at first. She had
apparently fallen just as he had, bounced once and sat down rather
hard. She was now lying flat on her back, making a sound like "rrr"
between her teeth.

Malone discovered that he was sitting undignifiedly on the steps. He
opened his mouth to say something objectionable, took another look at
the girl, and shut it with a snap. This was no ordinary girl.

He smiled at her. She shook her head and sat up, still going "rrr."
Then she stopped and said instead, "What do you think--"

"I'm sorry," Malone said in what he hoped was a charming, debonair,
and apologetic voice. It was quite a lot to get into one voice, but he
tried his very hardest. "I just didn't see--"

"You didn't?" the girl said. She took a long, slow look at him, shook
her head again, and then pulled her skirt down carefully. "If you
didn't, you must be blind," she said.

Malone noticed with hope that there was no anger in her voice. The
last thing in the world he wanted was to get this girl angry at him.

"Oh, no," Malone said. "I'm not blind. Not blind at all." He smiled at
her and stood up. His tail throbbed a little, but it didn't seem to be
anything really serious. "I'm just polite," he said, and smiled again.
His face was beginning to get a little tired, but he retained his last
smile as he went over to her, extended a hand and pulled her to her
feet.

She was something special. Her hair was long and dark, and fell in
soft waves to her shoulders. The shoulders were something all by
themselves, but Malone postponed consideration of them for a minute to
take a look at her face.

It was heart-shaped and rather thin. She had large brown liquid eyes
that could look, Malone imagined, appealing, loving, worshiping--or,
like a minute ago, downright furious. Below these features she had a
straight lovely nose and a pair of lips which Malone immediately
classified as kissable.

Her figure, including the shoulders, was on the slim side, but she was
very definitely all there. Malone couldn't think of any parts the
Creator had left out, and if there were any he didn't want to hear
about them. In an instant, Malone knew that he had met the only great
love of his life.

Again.

His mind was whirling, and for a second he didn't know what to do. And
then he remembered the Queen's Own FBI. Phrases flowered forth in his
mind as if it were a garden packed corner to corner with the most
exquisite varieties of blooming idiots.

"My deepest apologies, my dear," Sir Kenneth Malone said gallantly,
even managing a small display bow for the occasion. "May I be of any
assistance?"

The girl smiled up at him as she came to her feet. The smile was
radiant and beautiful and almost loving. Malone felt as if he couldn't
stand it. Tingles of the most wonderful kind ran through him, reached
his toes and then back the other way, meeting a whole new set going
forward.

"You're very nice," the girl said, and the tingles became positive
waves of sensation. "Actually, it was all my fault. Please don't
apologize, Mr.--" She paused expectantly.

"Me?" Malone said, his gallantry deserting him for the second. But it
returned full force before he expected it. "I'm Malone," he said.
"Kenneth Joseph Malone." He had always liked the middle name he had
inherited from his father, but he never had much opportunity to use
it. He made the most of it now, rolling it out with all sorts of
subsidiary flourishes. As a matter of fact, he barely restrained
himself from putting a "Sir" before his name.

The girl's brown eyes widened just a trifle. Malone felt as if he
could have fallen into them and drowned. "Oh, my," she said. "You must
be a detective." And then, like the merest afterthought, "My name's
Dorothy."

_Dorothy._ It was a beautiful name. It made Malone feel all choked up
inside. He blinked at the girl and tried to look manly and wonderful.
It was an effort, but he nearly carried it off.

After a second or two he realized that she had asked him a question.
He didn't want to disillusion her in any way, and, after all, an FBI
agent was a kind of detective, but he thought it was only fair that
she should know the whole truth about him right from the start.

"Not exactly a detective," he said.

"Not exactly?" she said, looking puzzled. She looked positively
glorious when puzzled, Malone decided at once.

"That is," he said carefully, "I do detect, but not for the city of
New York."

"Oh," she said. "A private eye. Is that right?"

"Well," Malone said, "no." She looked even more puzzled.

Malone hastened to explain before he got to the point where
conversation was impossible.

"Federal Bureau of Investigation," he said. After a second he thought
of a clarification and added, "FBI."

"Oh," the girl said. _"Oh."_

"But you can call me Ken," Malone said.

"All right--Ken," she said. "And you call me Dorothy."

"Sure," he said. He tried it out. "Dorothy." It felt swell.

"Well," she said after a second.

"Oh," Malone said. "Were you looking for a detective? Because if I can
help in any way--"

"Not exactly," Dorothy said. "Just a little routine business. I'll go
on in and--"

Malone suddenly found himself talking without having any idea why he'd
started, or what he was going to say. At first he said, "Urr," as if
the machine were warming up, and this stopped Dorothy and caused her
to give him a rather sharp, baffled stare. Then he found some words
and used them hurriedly, before they got away.

"Dorothy," he said, "would you like to take in a show this evening? I
think I can get tickets to--well, I guess I could get tickets to
almost anything, if I really tried." His expression attempted to leave
no doubt that he would really try.

Dorothy appeared to consider for a moment. "Well," she said at last,
"how about _The Hot Seat_?"

Malone felt just the way he had several years before when he had
bluffed his way into a gigantic pot during a Washington poker game,
with only a pair of fours to work with. At the last moment, his bluff
had been called.

It had, he realized, been called again. _The Hot Seat_ had set some
sort of record, not only for Broadway longevity, but for audience
frenzy. Getting tickets for it was about the same kind of proposition
as buying grass on the moon, and getting them with absolutely no prior
notice would require all the wire-pulling Malone could manage. He
thought about _The Hot Seat_ and wished Dorothy had picked something
easy, like arranging for her to meet the Senate.

But he swallowed bravely. "I'll do my best," he said. "Got any second
choice?"

"Sure," she said, and laughed. "Pick any one you want. I haven't seen
them all, and the ones I have seen are worth seeing again."

"Oh," Malone said.

"I really didn't expect you to get tickets for _The Hot Seat_," she
said.

"Nothing," Malone said, "is impossible." He grinned at her.
"Meanwhile, where can I pick you up? Your home?"

Dorothy frowned and shook her head. "No," she said. "You see, I'm
living with an aunt, and I--well, never mind." She thought for a
minute. "I know," she said. "Topp's."

"What?" Malone said.

"Topp's," Dorothy said. "On Forty-second Street, just east of
Broadway? It's a restaurant."

"I don't exactly know where it is," Malone said, "but if it's there,
I'll find it." He looked gallant and determined. "We can get something
to eat there before the show--whatever the show turns out to be."

"Fine," Dorothy said.

"How about making it at six?" Malone said.

She nodded. "Six it is," she said. "Now bye-bye." She touched her
forefinger to her lips, and brushed Malone's cheek with the kissed
finger.

By the time the new set of tingles had begun to evaporate, she had
gone into the police station. Malone heaved a great sigh of passion,
and held down a strong impulse to follow her and protect her. He
wasn't quite sure what he was going to protect her from, but he felt
certain that that would come to him when the time arrived.

Nevertheless, he had work to do, unpleasant as the idea had suddenly
begun to seem. He pulled the list of addresses out of his pocket and
looked at the first one.

_Mike Fueyo._

Mike was the leader of the Silent Spooks, according to Lieutenant
Lynch. Logically, therefore, he would be the first one to talk to.
Malone tried to think of some good questions, but the best one he
could come up with was: "Well, what about all those red Cadillacs?"

Somehow he doubted that this would provide a satisfactory reply.

He checked the address again and started firmly down the street,
trying to think of some better questions along the way.

                              * * * * *

The building was just off Amsterdam Avenue, in the eighties. It had
been a shining new development once, but it was beginning to slide
downhill now. The metal on the window frames was beginning to look
worn, and the brickwork hadn't been cleaned in a long time. Where
chain fences had once protected lonely blades of grass, children,
mothers, and baby carriages held sway now, and the grass was gone.
Instead, the building was pretty well surrounded by a moat of
sick-looking brown dirt.

Malone went into the first building and checked the name against the
mailboxes there, trying to ignore the combined smells of sour milk,
red pepper, and here and there a whiff of unwashed humanity.

It was on the tenth floor: _Fueyo, J._ That, he supposed, would be
Mike's widowed mother; Lynch had told him that much about the boy and
his family. He found the elevator, which was covered with scribbles
ranging from JANEY LOVES MIGUEL to startling obscenities, and rode it
upstairs.

Apartment 1004 looked like every other apartment in the building, at
least from the outside. Malone pressed the button and waited a second
to hear the faint buzzing at the other side of the door. After a
minute, he pressed it again.

The door swung open very suddenly, and Malone stepped back.

A short, wrinkled, dark-eyed woman in a print housedress was eying him
with deep suspicion. "My daughter is not home," she announced at once.

"I'm not looking for your daughter," Malone said. "I'd like to talk to
Mike."

"Mike?" Her expression grew even more suspicious. "You want to talk to
Mike?"

"That's right," Malone said.

"Ah," the woman said. "You one of those hoodlum friends he has. I'm
right? You can talk to Mike when I am dead and have no control over
him. For now, you can just--"

"Wait a minute," Malone said. He pulled out his wallet and flipped it
open to show his badge, being very careful that he made the right flip
this time. He didn't know exactly how this woman would react to the
Queen's Own FBI, but he didn't especially want to find out.

She looked down at the badge without taking the wallet from him.
"Hah," she said. "You're cop, eh?" Her eyes left the wallet and
examined Malone from head to foot. It was perfectly plain that they
didn't like what they saw. "Cop," she said again, as if to herself. It
sounded like a curse.

Malone said, "Well, I--"

"You want to ask me stupid questions," she said. "That is what you
want to do. I'm right?"

"I only--"

"I know nothing," she said. "Nothing of any kind." She closed her
mouth and stood regarding him as if he were a particularly repulsive
statue. Malone looked past her into the living room beyond the door.

It was faded now, but it had once been bright and colorful. There was
an old rug on the floor, and tables were everywhere. The one bright
thing about the room was the assortment of flowers; there were flowers
everywhere, in vases, in pots, and even in window boxes. There was
also a lot of crockery statuary, mostly faded, chipped, or worn in
some way. The room looked to Malone as if its last inhabitant had died
ten years before; only the flowers had been renewed. Everything else
had not only the appearance of age, but the look of having been cast
up as a high-water mark by the sea, which had receded and left only
the tangled wreckage.

The woman cleared her throat, and Malone's gaze came back to her. "I
can tell you nothing," she said.

"I don't want to talk to you," Malone said again. "I want to talk to
Mike."

Her eyes were very cold. "You from the police, and you want to talk to
Mike. You make a joke. Only I don't think the joke is very funny."

"Joke?" Malone said. "You mean Mike's not here?"

Her gaze never wavered. "You know he is not," she said. "Ten minutes
ago the policemen were taking him away to the police station. How then
could he be here?"

"Ten minutes ago?" Malone blinked. Ten minutes ago he had been looking
for this apartment. Probably it hadn't taken Lynch's men ten minutes
to find it; they weren't strangers in New York. "He was arrested?"
Malone said.

"I said so, didn't I?" the woman said. "You must be crazy or else
something." Her eyes were still cold points, but Malone suddenly saw a
glow behind them, the glow of tears. Mike was her son. She did not
seem surprised that the police had taken him away, but she was
determined to protect him. He was her son.

Malone's voice was very gentle. "Why did they arrest him?" he said.

The woman shrugged, a single sharp gesture. "You ask me this?" she
said.

"I'm not a cop," Malone said. "I'm from the FBI. I don't know anything
about why the cops might have arrested Mike."

"FBI?" the woman said.

"It's all right," Malone said, with all the assurance he could muster.
"I only want to talk to him."

"Ah," the woman said. Tears were plain in her eyes now, glittering on
the surface. "Why they take him away, I do not know. My Mike do
nothing. Nothing."

"But didn't they say anything about--"

"They say?" the woman cried. "They say only they have orders from this
Lieutenant Lynch. He is lieutenant at police station."

"I know," Malone said gently.

"Lieutenant Lynch wants to ask Mike questions, so police come, take
him away." Her English was beginning to lose ground as the tears came
closer, as she slowly lost control.

"Lynch asked for him?" Malone said. He frowned. Whatever that meant,
he wanted to be there himself. And perhaps he could help the old woman
in some way. Anyhow, he would try. She stared up at him stonily.
"Look, Mrs. Fueyo," he said. "I'm going down there to talk to Mike
right now. And if he hasn't done anything, I'll see that he gets right
on home to you. Right away."

Her expression changed a trifle. She did not actually soften, but
Malone could feel the gratitude lurking behind her eyes as if it were
afraid to come out. She nodded gravely and said nothing at all. He
stepped away, and she closed the door without a sound.

He stood staring at the door for a few seconds. Then he turned and
punched the elevator button savagely.

There wasn't any time to lose.

He walked back to the precinct station. Knowing the way, it took him
about five minutes instead of the fifteen it had taken him to find the
Fueyo residence. But he still felt as if time were passing much too
fast. He ran up the steps and passed right by the desk sergeant, who
apparently recognized him; he said nothing as Malone charged up the
stairs and around the hall to Lynch's office.

It was empty.

Malone stared at it and started down the hall again without knowing
where he was heading. Halfway to the stairs he met a patrolman.

"Where's Lynch?" he asked.

"The lieutenant?" the patrolman said.

Malone fumed. "Who else?" he said. "Where is he?"

"Got some kid back in the tank, or somewhere," the patrolman said.
"Asking him a couple of questions, that's all." He added, "Hey,
listen, buddy, what do you want to see the lieutenant for? I mean, you
can't just go charging in to--"

Malone was down the stairs before he'd finished. He went, up to the
desk.

The desk sergeant looked down. "What's it this time?" he said. "A
track meet?"

"I'm in a hurry," Malone said. "Where are the cells? I want to see
Lieutenant Lynch."

The desk sergeant nodded. "Okay," he said. "But the lieutenant ain't
in any of the cells. He's back in Interrogation with some kid."

"Take me there," Malone said.

"I'll show you, anyway," the sergeant said. "Can't leave the desk on
duty." He cleared his throat and gave Malone a set of directions that
took him around to the back of the station. He was repeating the
directions when Malone left.

There was a door at the end of a corridor at the back of the station.
It was a plain wooden door with the numeral _1_ stenciled on it.
Malone opened it and looked inside.

He was staring into a rather small, rather plain little room. There
were absolutely no bright beam lights burning, and there didn't seem
to be any rubber hoses around anywhere. There were only four chairs.

Seated in three of the chairs were Lieutenant Lynch and two other
police officers. In the fourth chair, facing them, was a young boy.

He didn't look like a tough kid. He had wavy black hair, brown eyes,
and what Malone thought looked like a generally friendly appearance.
He was slight and wiry, not over five feet five or six. And he wore an
expression that was neither too eager nor hostile. It wasn't just
blank, either; Malone finally pinned it down as receptive.

He had the strangest impression that he had seen the boy somewhere
before. But he couldn't remember when or where.

Lieutenant Lynch was talking.

"...all we want, Mike, is a little information. We thought you'd be
able to help us, if you wanted to. Now, how about it?"

"Sure," Mike Fueyo said. His voice was a little high, but it was well
controlled and responsive. "Sure, Lieutenant. I'll help if I can, but
I just don't dig what you're giving me. It doesn't make sense."

Lynch stirred a little impatiently, and his voice began to carry a new
bite. "I'm talking about Cadillacs," he said. "Red Cadillacs, 1972
models."

"It's a nice car," Mike said.

"What do you know about them?" Lynch said.

"Know about them?" Mike said. "I know they're nice cars. That's about
it. What else am I going to know, Lieutenant? Maybe you think I own
one of these big red 1972 Caddies. Maybe you think I got that kind of
money. Well, listen, Lieutenant. I'd like to help you out, but I'm
just not--"

"The Cadillacs," Lynch said, "were--"

"Just a minute, Lieutenant," Malone said. Dead silence fell with great
suddenness. Lynch and all the others looked around at Malone, who
smiled apologetically. "I don't want to disturb anything," he said.
"But I would like to talk to Mike here for a little while."

"Oh," Lynch said sourly. "Sure. Sure."

"I'd like to ask him a couple of questions," Malone said. "Alone."

"Alone." Lynch said. "Oh." But there was nothing for him to do, Malone
knew, except bow to the inevitable. "Of course," he said. "Go right
ahead."

"You can stand outside the door," Malone said. "He won't get away. And
you'd better hold this." Malone, knowing perfectly well that staying
armed and alone in a room with a suspect was something you just did
not do, unstrapped his .44 Magnum and handed it to the lieutenant.

He left reluctantly with his men. The door closed.

Malone could understand Lynch's attitude. If Malone solved the case,
Lynch would not get any credit. Otherwise, it might go down in his
personal record. And of course the NYPD would rather wrap the case up
themselves; the FBI was treated as a necessary interference.
Unfortunately, Malone thought, Lynch had had absolutely no choice. He
sighed gently, and turned his attention to Mike Fueyo, who was still
sitting in his chair.

"Now, Mike--" he began, and was interrupted.

The door opened. Lieutenant Lynch said, "If you need us, Malone, just
yell."

"You'll hear me," Malone promised. The door shut.

He turned back to the boy. "Now, Mike," he began again. "My name is
Malone, and I'm with the FBI in Washington. I'd like to ask you a
few--"

"Gee, Mr. Malone," Mike broke in eagerly. "I'm glad you're here. I'm
really glad about that."

Malone said, "Well, I--"

"These cops here have been giving me a pretty rough deal, you know?"
Mike said.

"I'm sure they--" Malone began.

"But I've been looking for you," Mike went on. "See, I wanted to say
something to you. Something real important."

Malone leaned forward expectantly. At last he was going to get some
information--perhaps the information that would break the whole case
wide open. He said, "Yes?"

"Well," Mike began, and stopped.

"You don't have to be afraid of me, Mike," Malone said. "Just tell me
whatever's on your mind."

"Sure," Mike said. "It's this."

He took a deep breath. Malone clenched his fists. Now it was coming.
Now he would hear the all-important fact. He waited.

Mike stuck out his tongue and blew the longest, loudest, brassiest,
and juiciest Bronx cheer that Malone had ever heard.

Then, almost instantly, the room was empty except for Malone himself.

Mike was gone.

There wasn't any place to hide, and there hadn't been any time to hide
in. Malone looked around wildly, but he had no doubts at all.

Mike Fueyo had vanished, utterly and instantaneously. He'd gone out
like a light.


                                  5

Thirty seconds passed.

During that time, Malone did nothing at all. He just sat there, while
a confused montage of pictures tumbled through his head. Sometimes he
saw double exposures, and sometimes a couple of pictures overlapped,
but it didn't seem to make any difference, because none of the
pictures meant anything anyhow.

The reason for that was obvious. He was no longer sane. He had cracked
up. At a crucial moment his brain had failed him, and now people would
have to come in and cart him away and put him in a strait jacket. It
was perfectly obvious to Malone that he was no longer capable of
dealing with everyday life. The blow on the head had probably taken
final effect, and it had been more serious than the doctor had
imagined.

He had always distrusted doctors anyhow.

And now he was suffering from a delayed reaction. He wasn't living in
the real world any more. He had gone off to dreamland, where people
disappeared when you looked at them. There was no hope for him any
more.

It was a nice theory, and it was even comforting in a way. There was
only one thing wrong with it.

The room around him didn't look dreamlike at all. It was perfectly
solid and real, and it looked just the way it had looked before Mike
Fueyo had--well, Malone amended, before whatever had happened had
happened. It was a perfectly complete little room, and it had four
chairs in it. Malone was sitting in one of the chairs and all the
others were empty.

There was absolutely nothing else in the room.

With some regret, Malone abandoned the theory that he had gone mad.
This left him with no ideas at all. Because if he hadn't become
insane, then what _had_ happened?

After another second or two, some ideas began to filter through the
daze. Perhaps he'd just blacked out for a minute and the kid had gone
out the door. That was possible, wasn't it?

Sure it was. And maybe he had just not seen the kid go. His eyes had
failed for a second or two. That could certainly happen after a blow
on the head. Malone tried to remember where the sight centers of the
brain were. Maybe whoever had hit him had disturbed them, and he'd had
a sudden blackout.

Come to think of it, that made pretty good sense. He had blacked out,
and Mike had just walked out the door. It had to be the door, of
course--the windows were out of the question, since there weren't any
windows. And six-inch-wide air-conditioner ducts do not provide
reasonable space for an exit, not if you happen to be a human being.

That, Malone told himself, was settled--and a good thing, too. He had
begun to worry about it. But now he knew just what had happened, and
he felt relieved. He got up from his chair, walked over to the door
and opened it.

Lieutenant Lynch nearly fell into the room. He'd obviously had his ear
pressed tightly to the door and hadn't expected it to open. The other
two cops stood behind him, just about filling the hallway with their
broad shoulders.

"Well, well," Malone said.

Lynch recovered his balance and glared at the FBI agent. He said
nothing.

"Where is he?" Malone said.

"Where is he?" Lynch repeated, and blinked. "Where's _who_?"

Malone shook his head impatiently. "Fueyo," he said. "The kid. Where
did he--"

Lynch's expression was the same as that on the faces of the other two
cops: complete and utter bafflement. Malone stopped and stared. It was
suddenly very obvious that the lovely theory he had worked out for
Mike's disappearance wasn't true in the least. If Mike Fueyo had come
out the door, then these cops would know about it. But they obviously
knew nothing at all about it.

Therefore, he hadn't come out through the door.

Malone took a deep breath.

"What are you talking about?" Lynch said. "Isn't the kid in there with
you? What's happened?"

There was only one thing to do and, straight-faced, Malone went ahead
and did it. "Of course not," he snapped, trying to sound impatient and
official. "I released him."

"You _what_?"

"Released him," Malone said. He stepped out into the hall and closed
the door of the interrogation room firmly behind him. "I got all the
information I needed, so I let him go."

"Thanks," Lynch said bitterly. "After all, I was the one who--"

"You called him in for questioning, didn't you, Lieutenant?" Malone
said.

"Yes, I did, and I--"

"Well," Malone said, "I questioned him."

There was a little silence. Then Lynch asked, in a strangled voice,
"What did he say?"

"Sorry," Malone said at once. "That's classified information." He
pushed his way into the corridor, trying to look as if he had fifteen
other jobs to accomplish within the next hour. Being an FBI agent was
going to help a little, but he still had to look good in order to
carry it off.

"But--"

"Thanks for your co-operation, Lieutenant," Malone said. "You've all
been very helpful." He smiled at them in what he hoped was a superior
manner. "So long," he said, and started walking.

"Wait!" Lynch said. He flung open the door of the interrogation room.
There was no doubt that it was empty. "Wait! Malone!"

Malone turned slowly, trying to look calm and in control of the
situation. "Yes?" he said.

Lynch looked at him with puzzled, pleading eyes. "Malone, _how_ did
you release him? We were right here. He didn't come through the door.
There isn't any other exit. So how did you get him out?"

There was only one answer to that, and Malone gave it with a quiet,
assured air. "I'm terribly sorry, Lieutenant," he said, "but that's
classified information, too." He gave the cops a little wave and
walked slowly down the corridor. When he reached the stairs he began
to speed up and he was out of the precinct station and into a taxicab
before any of the cops could have realized what had happened.

He took a deep breath, feeling as if it were the first he'd had in
several days. "Breathe air," he told himself. "It's _good_ for you."
Not that New York had any real air in it. It was mostly carbon fumes
and the like. But it was the nearest thing to air that Malone could
find at the moment, and he determined to go right on breathing it
until something better and cleaner showed up.

But that wasn't important now. As the cab tooled along down Broadway
toward 69th Street, Malone closed his eyes and began going over the
whole thing in his mind.

Mike Fueyo had vanished.

Of that, Malone told himself, there was no shadow of doubt. No
probable, possible shadow of doubt.

No possible doubt (as a matter of fact) whatever.

Dismissing the Grand Inquisitor with a negligent wave of his hand, he
concentrated on the main question. It was a good question. Malone
could have sat and pondered it admiringly for a long time.

As a matter of fact, that was all he could think of to do, as the cab
turned up 70th Street and headed east. He certainly didn't have any
answers for it.

But it was a lovely question:

_Where does that leave Kenneth J. Malone?_

And, possibly even more important: _Where was Miguel Fueyo?_

It was obvious that he'd vanished on purpose. And it hadn't just been
something he'd recently discovered. He had known all along that he
could pull the trick; if he hadn't known that, he wouldn't have done
what he had done beforehand. No seventeen-year-old boy, no matter what
he was, would give the FBI the raspberry unless he was pretty sure he
could get away with it.

Malone remembered the raspberry and winced slightly. The cab driver
called back, "Anything wrong, buddy?"

"Everything," Malone said. "But don't worry about it."

The cab driver shrugged and turned back to the wheel. Malone went back
to Mike Fueyo.

The kid could make himself vanish at will.

Invisibility?

Malone thought about that for a while. The fact that it was impossible
didn't decide him against it. Everything was impossible; that much was
clear. But he didn't think Mike Fueyo had just become invisible. No.
There had been the sense of presence actually leaving the room. If
Mike had become invisible and stayed, Malone was sure he wouldn't have
felt the boy leave.

Mike had not just become invisible. (_And what do I mean, "just"?_
Malone asked himself unhappily.) He had gone--elsewhere.

This brought him back full circle to his original question. Where was
the boy now? But he ignored it for a minute or two as another, even
more difficult query presented itself.

_Never mind where_, Malone told himself. _How?_

Something was bothering him. Malone realized that it had been
bothering him for a long time. At last he managed to locate it and
hold it up to the light for inspection.

Dr. O'Connor, the psionics expert at Westinghouse, had mentioned
something during Malone's last conversation with him. Dr. O'Connor,
who'd invented a telepathy detector, had been discussing further
reaches in his field.

"After all," he'd said, "if thoughts can bridge any distance whatever,
regardless of other barriers, there is no reason why matter could not
do likewise."

"But it doesn't," Malone had said. "Or at least it hasn't so far."

"There's no way to be sure of that," Dr. O'Connor had said sternly.
"After all, we have no reports of it--but that means little. Our
search has only begun."

"Oh," Malone had said. "Sure."

"Matter, controlled by thought, might bridge distances
instantaneously," Dr. O'Connor had said.

And he'd referred to something, some word...

_Teleportation._

That was it. Malone sat back. All you had to do, he reflected, was to
think yourself somewhere else, and--bing!--you were there. If Malone
had been able to do it, it would not only have saved him a lot of time
and trouble, but also such things as cab fare and train fare and ...
oh, a lot of different things.

But he couldn't. And Dr. O'Connor hadn't found anyone else who could,
either. As far as Malone knew, nobody could teleport.

Except Mike Fueyo.

The cab stopped in front of FBI headquarters. "You some kind of secret
agent?" the cabbie said. "Like on 3-D?"

"Of course not," Malone said pleasantly. "I'm a foreign spy."

"Oh," the cabbie said. "Sure." He took his money with a somewhat
puzzled air, while Malone crossed the sidewalk and went into the
building.

Everyone was active. Malone pushed his way through arguing knots of
men until he reached the small office which he and Boyd had been
assigned. He had already decided not to tell Boyd about the
disappearing boy. That would only confuse him, and matters were
confused enough as they stood. Malone had no proof; he had only his
word and the word of a few baffled policemen, all of whom were
probably thoroughly confused by now.

Boyd had a job to do, and Malone had decided to let him go on doing
it. That, as a matter of fact, was what he was doing when Malone
entered the room.

He was sitting at his desk, talking on the telephone. Malone couldn't
see the face on the screen, but Boyd was scowling at it fiercely.
"Sure," he said. "So some guy makes a fuss. That's what you're there
for."

"But he wants to sue the city," a voice said tinnily. "Or somebody,
anyhow."

"Let him sue," Boyd said. "We've got authority. Just get that car."

"Look," the voice said. "I--"

"I don't care now," Boyd snapped. "Get it. Then hand it over to the
pickup squad and say, 'Mr. Malone wants this car immediately.' They'll
know what to do. Got that?"

"Sure, Mr. Boyd," the voice said. "But I don't--"

"Never mind," Boyd said. "Go ahead and get the job done. The United
States of America is depending on you." With one last scowl, he hung
up and swung around to face Malone. "You gave me a great job," he
said. "I really love it, you know that?"

"It's got to be done," Malone said in a noncommittal voice. "How's it
going so far?"

Boyd closed his eyes for a second. "Twenty-three red 1972 Cadillacs to
date--which isn't bad, I suppose," he said. "And six calls like the
one you just heard. All from agents with problems. What _am_ I
supposed to do when a guy catches a couple necking in a 1972 red
Cadillac?"

"At this time of day?" Malone said.

"New York," Boyd said, and shrugged. "Things are funny here."

Malone nodded. "What did you do about them?" he said.

"Told the agent to take the car and give 'em a pass to a movie," Boyd
said.

"Good," Malone said. "Keep that sort of thing in the dark where it
belongs." For some reason, this reminded him of Dorothy. He still had
to get tickets for a show. But that could wait. "How about the
assembly line?" he said.

"Disassembly," Boyd said. "Leibowitz has started it going. He borrowed
the use of a big auto repair shop out in Jersey City, and they'll be
doing a faster job than we thought." He paused. "But it's been a
wonderful day," he said. "One to remember as long as I live. Possibly
even until tomorrow. And how have you been doing?"

"Well," Malone said, "I'm not absolutely sure yet."

"That's a nice helpful answer," Boyd said. "In the best traditions of
the FBI."

"I can't help it," Malone said. "It's true."

"Well, what the hell have you been doing?" Boyd said. "Drinking?
Helling around? Living it up while I sit here and talk to people about
Cadillacs?"

"Not exactly," Malone said. "I've been--well, doing more or less what
Burris told me to do. Nosing around. Keeping my eyes open. I think--"

The phone chimed. Boyd flipped up the mike and eyed the screen
balefully. "Federal Bureau of Investigation," he said crisply. "Who
the hell are you?"

A voice on the other end said, "What?" before the image on the screen
cleared.

"Federal Bureau of Investigation," Boyd said in a perfectly innocent
voice. "Boyd speaking."

"Oh," a voice said. It was a very calm, quiet voice. "Hello, Boyd."

The image cleared. Boyd was facing the picture of a man in his middle
thirties, a brown-haired man with large, gentle brown eyes and an
expression that somehow managed to look both sad and confident.
"Hello, Dr. Leibowitz," Boyd said.

"Is Mr. Malone in?" Leibowitz said. "I really wanted to talk to him."

"Sure," Boyd said. "Just a second."

He motioned to Malone, who came around and sat at Boyd's desk as Boyd
got up. He nodded to Leibowitz, and the electronics engineer nodded
back.

"How's everything coming, Dr. Leibowitz?" Malone said.

Leibowitz shrugged meaningfully. "All right," he said. "I called you
to tell you about that, by the way. We've managed to cut the per-car
time down somewhat."

"That's wonderful," Malone said.

"It's now down to about four hours per car, and that means we may be
able to do even better than running one off the line every fifteen
minutes. At the moment, fifteen minutes is about standard, though,
with sixteen cars in the line."

"Sure," Malone said. "But anything you can do to speed it up--"

"I understand," Leibowitz said. "Of course I'll do anything that I can
for you. I have got a small preliminary report, by the way."

"Yes?"

"The first car has just been run off the assembly line," Leibowitz
said. "And I'm afraid, Mr. Malone, that there's nothing odd about it
at all."

"Well," Malone said, "we can't expect to hit the jackpot with our
first try."

"Certainly not," Leibowitz said. "But the second should be off soon.
And then the rest. I'm keeping my eye on every one, of course."

"Fine," Malone said, and meant it. Leibowitz was the kind of man who
inspired instant and complete trust. Malone was perfectly sure he'd do
the job he had started to do. Then an idea struck him. "Has the first
car been reassembled yet?" he asked.

"Of course," Leibowitz said. "We took that step into account in our
timing. What would you like done with it--and with the other ones, as
they come off?"

"Unless you can find something odd about a car, just return it to its
owner," Malone said. "Or pass the problem on to the squad men; they'll
take care of it." He paused. "If you do find something odd--"

"I'll call you at once, of course," Leibowitz said.

"Good," Malone said. "Incidentally, I did want to ask you something. I
don't want you to think I'm doubting your work, or anything like that.
Believe me."

"I'm sure you're not," Leibowitz said.

"But," Malone said, "why does it take so long? I'd think it would be
fairly easy to spot a robotic or a semi-robotic brain capable of
controlling a car."

"It might have been, once," Leibowitz said. "But these days the
problems are rather special. Oh, I don't mean we can't do it--we can
and we will. But with subminiaturization, Mr. Malone, and semipsionic
circuits, a pretty good brain can be hidden beneath a coat of paint."

For no reason at all, Malone suddenly thought of Dorothy again. "A
coat of paint?" he said in a disturbed tone.

"Certainly," Leibowitz said, and smiled at him. It was a warm smile
that had little or nothing to do with the problem they were talking
about. But Malone liked it. It made him feel as if Leibowitz liked
him, and approved of him. He grinned back.

"But a coat of paint isn't very much," Malone said.

"It doesn't have to be very much," Leibowitz said. "Not these days.
I've often told Emily--that's my wife, Mr. Malone--that I could hide a
TV circuit under her lipstick. Not that there would be any use in it;
but the techniques are there. Mr. Malone. And if your conjecture is
correct, someone is using them."

"Oh," Malone said. "Sure. But you _can_ find the circuits, if they're
there?"

Leibowitz nodded slowly. "We can, Mr. Malone," he said. "They betray
themselves. A microcircuit need not be more than a few microns thick,
you see--as far as the conductors and insulators are concerned, at any
rate. But the regulators-transistors and such--have to be as big as a
pinhead."

"Enormous, huh?" Malone said.

"Well," Leibowitz said, and chuckled, "quite large enough to locate
without trouble, at any rate. They're very hard to conceal. And the
leads from the brain to the power controls are even easier to
find--comparatively speaking, of course."

"Of course," Malone said.

"All the brain does, you see," Leibowitz said, "is control the
mechanism that steers the car. But it takes real power to steer--a
great deal more than it does to compute the steering."

"I see," Malone, who didn't, said desperately. "In other words, unless
something radically new has been developed, you can find the
circuits."

"Right," Leibowitz said, grinning. "It would have to be something very
new indeed, Mr. Malone. We're up on most of the latest developments
here; we've got to be. But I don't want you giving me the credit for
this."

"No?" Malone said.

"Oh, no," Leibowitz said. "All I do is work out the general
application to theory, as far as actual detection is concerned. It's
my partner, Mr. Hardin, who takes care of all the engineering
details."

Malone said, "Well, so long as one of you--"

"Sal's a real crackerjack," Leibowitz said enthusiastically. "He had
an intuitive feel about these things. It's really amazing to watch him
go to work."

"It must be," Malone said politely.

"Oh, it really is," Leibowitz said. "And it's because of Sal that I
can make the guarantee I do make: that if there are any unusual
circuits in those cars, we can find them."

"Thanks," Malone said. "I'm sure you'll do the job. And we need that
information. Don't bother to send along a detailed report, though,
unless you find something out of the ordinary."

"Of course, Mr. Malone," Leibowitz said. "I wouldn't have bothered you
except for the production speed-up here."

"I understand," Malone said. "It's perfectly all right. I'll be
hearing from you, then?"

"Certainly, Mr. Malone," Leibowitz said.

Malone cut the circuit at once and started to turn away, but he never
got the chance. It started to chime again at once.

"Federal Bureau of Investigation," Malone said as he flipped up the
receiver. He wanted badly to copy Boyd's salutation, but he found that
he just didn't have the gall to do it, and said sadly instead, "Malone
speaking."

There was no immediate answer from the other party. Instead, the
screen slowly cleared, showing Malone the picture of a woman he
recognized instantly.

It was Juanita Fueyo, Mike's mother.

Malone stared at her. It seemed to him as if a couple of hours passed
while he tried to find his voice. Of course, she'd looked up the FBI
number in the phone book, and found him that way. But she was about
the last person on earth from whom he'd expected a call.

"Oh, Mr. Malone," she said, "thank you so much. You got my Mike back
from the police."

Malone gulped. "I did?" he said. "Well, I--"

"But, Mr. Malone, you must help me again. Because now my Mike says he
must not stay at home! He is leaving, he is leaving right away!"

"Leaving?" Malone said.

He thought of a thousand things to do. He could send a squad of men to
arrest Mike. And Mike could disappear while they were trying to get
hold of him. He could go down himself--and be greeted, if he knew Mike
Fueyo, with another giant economy-size raspberry. He could try to
plead with Mike on the phone.

And what good would that do?

So, instead, he just sat and stared while Mrs. Fueyo went right on.

"He says he will send me money, but money is nothing compared to my
own boy, my own Mike. He says he must go away, Mr. Malone, but I know
you can stop him. I know it!"

"Sure," Malone said. "But I--"

"Oh, I knew that you would," Mrs. Fueyo shrieked. She almost came
through the screen at him. "You are a great man, Mr. Malone. I will
say many prayers for you. Every day I will pray for you in all your
work. I will never stop praying for you because you help me." Her
voice and face changed abruptly. "Excuse me now," she said. "I must go
back to work."

"Well," Malone said, "if I--"

Then she turned back and beamed at him again. "Oh, thank you, Mr.
Malone. Thank you with the thanks of a mother. Bring my boy back to
me."

And the image faded and died.

Boyd tapped Malone on the shoulder. "I didn't know you were involved
in an advice column for the lovelorn," he said.

"I'm not," Malone said sourly.

Boyd sighed. "I'll bite," he said. "Who was that?"

Malone thought of several possible answers and finally chose one.
"That," he said, "was my mother-in-law. She worries about me every
time I go out on a job with you."

"Very funny," Boyd said. "I am screaming with laughter."

"Just get back to work, Tommy-boy," Malone said, "and leave everything
to me."

He hoped he sounded more confident than he felt. Lighting a
cigarette--and wishing he were alone in his own room, so that he could
smoke a cigar and not have to worry about looking dashing and
alert--Malone strolled out of the office with a final wave to Boyd. He
was thinking about Mike Fueyo, and he stopped his chain of reasoning
just long enough to look in at the office of the Agent-in-Charge, and
ask him to pry loose two tickets for _The Hot Seat_ for that night.

"My God," the agent said. He was a tall thin man who looked as if he
suffered from chronic stomach trouble. "You must be crazy. Are they
all like that in Washington?"

"No," Malone said cheerfully. "Some of them are pretty normal. There's
this one man--Napoleon, we call him--who keeps insisting that he
should have won the battle of Waterloo. But otherwise he's perfectly
fine."

He flicked his cigarette in the air and left, grinning. Five steps
away the grin disappeared and a frown took its place.


                                  6

He walked along 69th Street to Park Avenue without noticing where he
was going. Luckily, the streets weren't really crowded, and Malone
only had to apologize twice, once for stepping on a man's toe and once
for absently toeing a woman's dog. When he reached the corner he
headed downtown, humming _Kathleen Mavourneen_ under his breath and
trying to figure out his next move.

He needed more than one move. He needed a whole series of moves. This
was not the usual kind of case. Burris had called it a vacation and,
in one way, Malone supposed, Burris was perfectly right. For once
there was no question about who had committed the crimes. It was
obvious by now that Mike Fueyo and his Silent Spooks had been stealing
the Cadillacs.

It was even obvious that Mike--or someone with Mike's talent--had
bopped him on the head, and taken the red Cadillac he had been
examining. And the same gang probably accounted for the Sergeant
Jukovsky affair, too.

Or at least it was reasonable to assume that they did, Malone thought.
He could see how it had worked. One of the Silent Spooks was a lot
smaller than a grown man, and the two cops who hadn't seen anyone in
the parked car just hadn't been able to catch sight of the undersized
driver. Of course, there _had_ been someone in the car when it had
been driving along the West Side Highway. Someone who had teleported
himself right out of the car when it had gone over the embankment.

That, of course, meant that there would be no secret machines found in
the red Cadillacs Leibowitz and Hardin were examining now. But Malone
had already decided to let that phase of things go on. First of all,
it was always possible that he was wrong, and that some such machine
really did exist. Second, even if they didn't find a machine, they
might find something else. Almost anything, he thought, might turn up.

And third, it kept Boyd decently busy, and out of Malone's hair.

That had been an easy solution. And, Malone thought, the problem of
who had been taking the red Cadillacs looked just as easy now, if his
answers were right. And he was reasonably sure of that.

Unfortunately, he was now left with a new and unusual question: _How
do you catch a teleport?_

Malone looked up, jarred to a stop by a man built like a brown bear,
with a chunky body and an oval, slightly sloping head and face. He had
very short brown hair shot through with gray, and gave Malone a small
inquisitive stare and looked away without a word.

Malone mumbled, "Sorry," and looked up at the street sign. He was at
47th Street and Park Avenue. He jerked a hand up to his face, and
managed to hook the chunky man by the suit. It fell away, exposing the
initials S.M. carefully worked into his shirt. Second Mistake, Malone
thought wildly, muttered, "Sorry," again and turned west, feeling
fairly grateful to the unfortunate bystander.

He had reminded Malone of one thing. If he wanted to get even a part
of his plan past the drawing-board stage, he had to make a call in a
hurry.

He found a phone booth in a bar called the Ad Lib, at Madison Avenue.
Sternly telling himself that he was stopping there to make a phone
call, a business phone call, and not to have a drink, he marched right
past the friendly bartender and went into the phone booth, where he
made a call to New York Police Commissioner John Henry Fernack.

Fernack's face was that of an old man, but there was no telling how
old. The early seventies was one guess, Malone imagined; the late
fifties might be another. He looked tough, as if he had spent all of
his life trying to persuade other people that he was young enough for
the handball tournament. When he saw Malone, his eyebrows lifted
slightly, but he didn't say anything.

"Commissioner," Malone said, "I called to ask you to do me a favor."

There was caution hidden in the calm and quiet voice. "Well," Fernack
said, "what is it, Malone?"

"Can you have all the robberies for a given period run through the
computer?" Malone said. "I need some dope."

"Depends on the given period," Fernack said. "I can't do it for 1774."

"What would I need data on robberies in 1774 for?" Malone said,
honestly interested.

"I never question the FBI," Fernack said soberly. "But what dates do
you want?"

"The past year, maybe the past year and a half."

"And what data?"

"I want every reported crime that hasn't been solved," Malone said,
"and which seems to have been committed by some impossible means. A
safe that was robbed without being opened, for instance--that's the
kind of thing I mean."

"Every unsolved crime?" Fernack said. "Now, hold your horses, Malone.
I'm not at all sure that--"

"Don't worry about a thing, Commissioner," Malone said. "This is
confidential."

"You know how I'd feel about this if word ever got out to--"

"I said confidential, John Henry," Malone said, trying to sound
friendly and trustworthy. "After all, every place has unsolved crimes.
Even the FBI isn't absolutely perfect."

"Oh," Fernack said. "Sure. But confidential, Malone."

"You have my word," Malone said sincerely.

Fernack said, "Well--"

"How fast can you get me the dope?" Malone said.

"I don't exactly know," Fernack said. "The last time anything even
remotely like this was run through--departmental survey, but you
wouldn't be interested--it took something like eight hours."

"Fine," Malone said. "Eight hours, then. I'll look everything over and
if we need a second run-through it won't take too long. I'll let you
know as soon as I can about that." He grinned into the phone.

Fernack cleared his throat and asked delicately, "Mind telling me what
all this is for?"

Malone offered up a little prayer before answering, and when he did
answer it was in his softest and friendliest tones. "I'd rather not
say just now, John Henry."

"But, Malone--" Fernack's voice sounded a little strained, and his jaw
set just a trifle--"if you--"

Malone knew perfectly well how Fernack reacted when he didn't get a
bit of information he wanted. And this was no time to set off any
fireworks in the commissioner's office. "Look, John Henry," he said
gently, "I'll tell you as soon as I can. Honest. But this is
classified information; it's not my fault."

Fernack said, "But--" and apparently realized that argument was not
going to do him any good. "All right, Malone," he said at last. "I'll
have it for you as soon as possible."

"Great," Malone said. "Then I'll see you later."

"Sure," Fernack said. He paused, as if he were about to open the
controversy just once more. But all he said was "So long, Malone."

Malone breathed a great sigh of relief and flipped the phone off. He
stepped out of the booth feeling so proud of himself that he could
barely walk. Not only had he managed to calm down Commissioner
Fernack, he had also walked right past a bar on the way to the phone.
He had performed several acts, he felt, above and beyond the call of
duty, and he told himself that he deserved a reward.

Happily, the reward was convenient to hand. He went to the bar and
beckoned the bartender over to him. "Bourbon and soda," he said. "And
a medal, if possible."

"A what?" the bartender said.

"A medal," Malone said. "For conduct beyond reproach."

The bartender nodded sadly. "Maybe you just ought to go home, Mac," he
said. "Sleep it off for a while."

New Yorkers, Malone decided as the bartender went off to get his
drink, had no sense of humor. Back in Chicago--where he'd been more or
less weaned on gin, and discovered that, unlike his father, he didn't
much care for the stuff--and even in Washington, people didn't go
around accusing you of drunkenness just because you made some harmless
little pleasantry.

Oh, well. Malone drank his drink and went out into the afternoon
sunlight.

He considered the itinerary of the magical Miguel Fueyo. He had gone
straight home from the police station, apparently, and had then told
his mother that he was going to leave home. But he had promised to
send her money.

Of course, money was easy for Mike to get. With a shudder, Malone
thought he was beginning to realize just _how_ easy. Houdini had once
boasted that no bank vault could hold him. In Mike Fueyo's case, that
was just doubly true. The vault could neither hold him out nor keep
him in.

But he was going to leave home.

Malone said, "Hmm," to himself, cleared his throat and tried it again.
By now he was at the corner of the block, where he nearly collided
with a workman who was busily stowing away a gigantic ladder, a pot of
paint, and a brush. Malone looked at the street sign, where the words
_Avenue of the Americas_ had been painted out, and _Sixth Avenue_
hand-lettered in.

"They finally give in," the painter told him. "But do you think they
buy new signs? Nah. Cheap. That's all they are. Cheap as pretzels." He
gave Malone a friendly push with one end of the ladder and disappeared
into the crowd.

Malone didn't have the faintest idea of what he was talking about. And
how cheap could a pretzel be, anyhow? Malone didn't remember ever
having seen an especially tight-fisted one.

New York, he decided for the fifteenth time, was a strange place.

He walked downtown for a block, still thinking about Mike Fueyo, and
absently turned west again. Between Sixth and Seventh, he had another
attack of brilliance and began looking for another phone booth.

He found one in a Mexican bar named the Xochitl, across the street
from the Church of Saint Mary the Virgin. It was a coincidence that he
had landed in another bar, he told himself hopefully, but he didn't
quite believe it. To prove it to himself, he headed straight for the
phone booths again and put in his call, ignoring the blandishments of
several rows of sparkling bottles which he passed on the way.

He dialed the number of Lieutenant Lynch's precinct, and then found
himself connected with a new desk sergeant.

"I'm Malone," he said. "I want to talk to Lynch."

"Glad to know you, Malone," the desk sergeant said pleasantly. "Only
_Lieutenant_ Lynch doesn't want to subscribe to the Irish _Echo_!"

"Damn it," Malone said, "I'm the FBI." He showed his badge.

The desk sergeant took a good long look at it. "Maybe you are, and
maybe you aren't," he said at last.

"Does the lieutenant know you?"

"We were kids together," Malone said. "We're brothers. Siamese twins.
Put him on the phone."

"Wait a minute," said the desk sergeant. "I'll check."

The screen went blank for two agonizing minutes before it cleared
again to show Lynch's face.

"Hello, Mr. Malone," Lynch said formally. "Have you found some new
little trick to show up poor stupid policemen? Like, say, making
yourself vanish?"

"I'll make the whole damn police force vanish," Malone said, "in a
couple of minutes. I called to ask a favor."

"Anything," Lynch said. "Anything within my poor power. Whatever I
have is yours. Whither thou goest--"

"Knock it off," Malone said, and then grinned. After all, there was no
sense in making an enemy out of Lynch.

Lynch blinked, took a deep breath, and said in an entirely different
voice, "Okay, Malone. What's the favor?"

"Do you still have that list of Silent Spooks?" Malone said.

"Sure I do," Lynch said. "Why? I gave you a copy of it."

"I can't do this job," Malone said. "You'll have to.".

"Yes, sir," Lynch said, and saluted.

"Just listen," Malone said. "I want you to check up on every kid on
that list."

"And what are we supposed to do when we find them?" Lynch said.

"That's the trouble," Malone said. "You won't."

"And why not?"

"I'll lay you ten to one," Malone said, "that every one of them has
skipped out. Left home. Without giving a forwarding address."

Lynch nodded slowly. "Ten to one?" he said. "Want to make that a money
bet? Or does the FBI frown on gambling?"

"Ten dollars to your one," Malone said. "Okay?"

"Made," Lynch said. "You've got the bet--just for the hell of it,
understand."

"Oh, sure," Malone said.

"And where can I call you to collect?"

Malone shook his head. "You can't," he said. "I'll call you."

"I will wait with anxiety," Lynch said. "But it had better be before
eight. I get off then."

"If I can make it," Malone said.

"If you can't," Lynch said, "call me at home." He gave Malone the
number, and then added, "Whatever information I get, I can keep for my
own use this time, can't I?"

"Hell," Malone said, "you've already got all the information you're
going to get. I just gave it to you."

"That," Lynch said, "we'll see."

"I'll call to collect my money," Malone said.

"Well talk about it later," Lynch said. "Farewell, old pal."

"Flights of angels," Malone said, "sing thee to thy rest."

Malone replaced the microphone and headed for the door. Halfway there,
however, he stopped. He hadn't had any tequila in a long time, and he
thought he owed it to himself. He felt he had come out ahead in his
exchange with Lynch, and another medal was in order.

Only a small one, though. He told himself that he would order one
tequila and quit. Besides, he had to meet Dorothy.

He sat down on one of the tall bar stools. The bartender bustled over
and eyed him speculatively.

_"Tequila con limon,"_ he said negligently.

"Ah," the bartender said. _"Si, senor."_

Malone waited with ill-concealed impatience. At last it arrived,
Malone took the small glass of tequila in his right hand, with the
slice of lemon held firmly between the index and middle fingers of the
same hand, the rind facing in toward the glass. On the web between the
thumb and forefinger of his left hand he had sprinkled a little salt.
Moving adroitly and with dispatch, he downed the tequila, licked off
the salt, and bit his teeth into the lemon slice.

It felt better than good; it felt wonderful. He hadn't had such a good
time in years.

He had three more before he left the Xochitl.

Then, noticing the time, he moved in a hurry and got out of the bar
before temptation overcame him and he started ordering still more. It
was nearly six o'clock, and he had to meet Dorothy at Topp's.

He hoped he could find it.

He headed downtown toward 42nd Street, turned right and, sure enough,
there was a big red sign. It said Topp's. Malone beamed his approval
at it. It was just where it ought to be, and he was grateful.

He pushed open the glass door of the place and went in.

The maitre d'hotel was a chunky man with a pleasant face, a receding
hairline and, some distance back on his head, dark curly hair. He
beamed at Malone as if the FBI agent were a long-lost brother. "Table
for one, sir?" he said.

"No," Malone said, peering into the place. It was much bigger than he
had expected. "No," he said again. "I guess I'll just have a drink at
the bar."

The maitre d' smiled and bowed him to a bar stool. Malone sat down and
looked the place over again. His first glance had shown him that
Dorothy wasn't there yet, but he saw no harm in making sure. _Always
be careful of your facts_, he admonished himself a little fuzzily.

There were a lot of women in the place, but they were all with
escorts. Some of them had two escorts, and Malone wondered about them.
Were they drunk, or was he? It was obvious that someone was seeing
double, but Malone wasn't quite sure who.

He stared at his face in the bar mirror for a few seconds, and ordered
a bourbon and soda when a bartender came over and occluded the image.
The bartender went away and Malone went on studying himself.

He wasn't bad looking for an FBI agent. He was taller than his father,
anyway, and less heavily built. That was one good thing. As a matter
of fact, Malone told himself, he was really a pretty good-looking guy.

So why did women keep him waiting?

He heard her voice before he saw her. But she wasn't talking to him.

"Hello, Milty," she said. "How's everything?"

Malone turned around to get a look at Milty. He turned out to be the
maitre d'. What did he have that Malone didn't have? the agent asked
himself sourly. Obviously Dorothy was captivated by his charm. Well,
that showed him what city girls were like. Butterflies. Social
butterflies. Flitting hither and yon with the wind, now attracted to
this man, now to that. Once, Malone told himself sadly, he had known
this beautiful woman. Now she belonged to someone else.

He felt a little bit sad about it, but he told himself to buck up and
learn to live with his tragedy. He drank some more of his bourbon and
soda, and then she noticed him.

He heard her say, "Oh. Excuse me, Milty. There's my man." She came
over and sat down next to him.

He wanted to ignore her, just to teach her a lesson. But he had
already turned around and smiled at her, and she smiled back.

"Hi," she said. "Did you get the tickets?"

_Tickets._

Malone knew there was something he'd forgotten, and now he knew what
it was. "Oh," he said. "Sure. Just a second. I've got to check up."

"Check up?"

"Friend of mine," Malone improvised hurriedly. "Bringing them." He
gave Dorothy a big smile and climbed down off the bar stool. He
managed to find a phone booth, and dialed FBI headquarters on 69th
Street and blessed several saints when he found that the A-in-C was
still there.

"Tickets," Malone said.

The Agent-in-Charge blinked at him. "What tickets?" he said.

"The _Hot Seat_ tickets," Malone said. "Did you get 'em?"

"I got 'em," the Agent-in-Charge said sourly. "Had to chase all over
town and pull more wires than there are on a grand piano. But they
turned up, brother. Two seats. Do you know what a job like that
entails?"

"I'm grateful," Malone said. "I'm hysterical with gratitude."

"I'd rather track down a gang of fingerless second-story men than go
through that again," the Agent-in-Charge said. He looked as if his
stomach trouble had suddenly gotten a great deal worse. Malone thought
that the A-in-C was considering calling a doctor, and would probably
decide to make it the undertaker instead, and save the price of a
call.

"I can't express my gratitude," Malone told him. "Where are they?
Where do I pick them up?"

"Box office," the A-in-C said sourly. "I tell you, everybody in
Washington must be nuts. The things I have to go through--"

"Thanks," Malone said. "Thanks a lot. Thanks a million. If there's
ever anything I can do for you, let me know and I'll do it." He hung
up and went back to the bar, walking very carefully.

"Well?" Dorothy said. "Where do we go tonight? Joe's hot-dog stand? Or
a revival of _The Wild Duck_ in a loft on Bleecker Street?"

There was pride in Malone's manner as he stood there on his feet.
There was just a touch of hauteur as he said, "We'll see _Hot Seat_."

And he was repaid for all of the Agent-in-Charge's efforts. Dorothy's
eyes went wide with appreciation and awe. "My goodness," she said. "A
man of his word--and what a tough word, too! Mr. Malone, I
congratulate you."

"Nothing," Malone said. "A mere absolute nothing."

"Nothing, the man says," Dorothy muttered. "My goodness. And modest,
too. Tell me, how do you do, Mr. Malone?"

"Me?" Malone said. "Very well, so far." He finished his drink. "And
you?"

"I work at it," she said cryptically.

"May I have another drink?"

Malone gave her a grin. "Another?" he said. "Have two. Have a dozen."

"And what," she said, "would I do with a dozen drinks? Don't answer. I
think I can guess. But let's just take them one at a time, okay?" She
signaled to the bartender. "Wally, I'll have a martini. And Mr. Malone
will have whatever it is he has, I imagine."

"Bourbon and soda," Malone said, and gave the bartender a grin too,
just to make sure he didn't feel left out. The sun was shining
(although it was evening outside), and the birds were singing
(although, Malone reflected, catching a bird on 42nd Street and
Broadway might take a bit of doing), and all was well with the world.

There was only a tiny, nagging, disturbing thought in his mind. It had
to do with Mike Fueyo and the Silent Spooks, and a lot of red
Cadillacs. But he pushed it resolutely away. It had nothing to do with
the evening he was about to spend. Nothing at all.

After all, this _was_ supposed to be a vacation, wasn't it?

"Well, Mr. Malone," Dorothy said, when the drinks had arrived.

"Very well indeed," Malone said, raising his. "And just call me Ken.
Didn't I tell you that once before?"

"You did," she said. "And I asked you to call me Dorothy. Not Dotty.
Try and remember that."

"I will remember it," Malone said, "just as long as ever I live. You
don't look the least bit dotty, anyhow. Which is probably more than
anybody could say for me." He started to look at himself in the bar
mirror again, and decided not to. "By the way," he added, as a sudden
thought struck him. "Dotty what?"

"Now," she said. "There you go doing it."

"Doing what?"

"Calling me that name."

"Oh," Malone said. "Make it Dorothy. Dorothy what?" He blinked. "I
mean, I know you've got a last name. Dorothy Something. Only it
probably isn't Something. What is it?"

"Francis," she said obligingly. "Dorothy Francis. My middle name is
Something, in case you ever want to call me by my middle name. Just
yell, 'Hey, Something,' and I'll come a-running. Unless I have
something else to do. In which case everything will be very simple: I
won't come."

"Ah," Malone said doubtfully. "And what do--"

"What do I do?" she said. "A standard question. Number two of a
series. I do modeling. Photographic modeling. And that's not all; I
also do commercials on 3-D. If I look familiar to you, it's probably
because you've seen me on 3-D. Do I look familiar to you?"

"I never watch 3-D," Malone said, crestfallen.

"Fine," Dorothy said unexpectedly. "You have excellent taste."

"Well," Malone said, "it's just that I never seem to get the time--"

"Don't apologize for it," Dorothy said. "I have to appear on it, but I
don't have to like it. And now that I've answered your questions, how
about answering some of mine."

"Gladly," Malone said. "The inmost secrets of the FBI are yours for
the asking."

"Hmm," Dorothy said slowly. "What do you do as an FBI agent, anyhow?
Dig up spies?"

"Oh, no," Malone said. "We've got enough trouble with the live ones.
We don't go around digging anybody up. Believe me." He paused, feeling
dimly that the conversation was beginning to get out of control. "Have
I told you that you are the most beautiful woman I've ever met?" he
said at last.

"No," Dorothy said. "Not yet, anyway. But I was expecting it."

"You were?" Malone said, disappointed.

"Certainly," Dorothy said. "You've been drinking. As a matter of fact,
you've managed to get quite a head start."

Malone hung his head guiltily. "True," he said in a low voice. "Too
true. Much too true."

Dorothy nodded, downed her drink and waved to the bartender. "Wally,
bring me a double this time."

"A double?"

"Sure," Dorothy said. "I've got to do some fast catching-up on Mr.
Malone here."

"Call me Ken," Malone muttered.

"Don't be silly," Dorothy told him. "Wally hardly knows you. He'll
call you Mr. Malone and like it."

The bartender went away, and Malone sat on his stool and thought
busily for a minute. At last he said, "If you really want to catch up
with me..."

"Yes?" Dorothy said.

"Better have a triple," Malone muttered.

Dorothy's eyebrows rose slightly.

"Because I intend to have another one," Malone added. "And even then
you'll be just a little behind."

"That sounds sort of sad, in a way," Dorothy said. "Just a little
behind. Tell me, is that a compliment or an insult?"

"Both," Malone said instantly. "And an observation, too."

Dorothy nodded. "I can see why you're a Federal cop," she said.

"Really?" Malone said. "I didn't know it showed. Why?"

"You're good at observing," she said. "Like this morning, for
instance."

"Ah," Malone said. He searched in his mind for a quotation and found
it. "If thine eye offend thee, pluck it out and cast it from thee," he
said triumphantly.

"Sounds sort of grisly," Dorothy said.

Malone shrugged. "I can't help it," he said. "That's what it says."

"Well?" Dorothy said. "Did you?"

"Did I what?"

"Pluck your eye out and cast it from you?"

"Didn't have to," Malone said. "Mine eye did not offend me." He
blinked and added, "Far from it."

"I guess we'll just have to leave it unplucked," Dorothy said sadly.
"It didn't offend me, either."

"Good," Malone said, and the bartender brought drinks.

Malone picked his up and held it in the air. "I propose a toast," he
said.

Dorothy picked up her glass. "A toast?"

"An old German toast, as a matter of fact," Malone said.

He fell silent. After a few seconds Dorothy said, "Well? Go ahead."

_"Zwieback!"_ Malone said, bowed carefully to Dorothy and drained his
glass with a flourish.


                                  7

It started a million years ago.

In that distant past, a handful of photons deep in the interior of Sol
began their random journey to the photosphere. They had been born as
ultrahard gamma radiation, and they were positively bursting with
energy, attempting to push their respective ways through the dense
nucleonic gas that had been their womb. Within millimicroseconds, they
had been swallowed up by the various particles surrounding
them--swallowed, and emitted again, as the particles met in violent
collision.

And then the process was repeated. After a thousand thousand years,
and billions on billions of such repetitions, the handful of photons
reached the relatively cool photosphere of the sun. But the long
battle had taken some of the drive out of them; over the past million
years, even the strongest had become only hard ultraviolet, and the
weakest just sputtered out in the form of long radio waves.

But now, at last, they were free! And in the first flush of this
newfound freedom, they flung themselves over ninety-three million
miles of space, traveling at one hundred and eighty-six thousand miles
a second, and making the entire trip in less than eight and one-half
minutes.

They struck the earth's ionosphere, and their numbers diminished. The
hard ultraviolet was gobbled up by ozone; much of the blue was
scattered through the atmosphere. The remainder bore steadily onward.

Down through the air they came, only slightly weakened this time. They
hit the glass of a window in the Hotel New Yorker, losing more of
their members in the plunge.

And, a few feet from the glass, they ended their million-year epic by
illuminating a face.

The face responded to them with something less than pleasure. It was
clear that the face did not like being illuminated. The light was very
bright, much too bright. It seemed to be searing its way through the
face's closed eyelids, right past the optic nerves into the brain-pan
itself. The face twisted in a sudden spasm, as if its brain were
shriveling with heat. Its owner thoughtfully turned over, and the face
sought the seclusion and comparative darkness of a pillow.

Unfortunately, the motion brought the face's owner to complete
wakefulness. He did not want to be awake, but he had very little
choice in the matter. Even though his face was no longer being
illuminated, he could feel other rays of sunlight eating at the back
of his head. He put the pillow over his head and felt more comfortable
for a space, but this slight relief passed, too.

He thought about mausoleums. Mausoleums were nice, cool, dark places
where there was never any sun or heat, and never any reason to wake
up. Maybe, he told himself cunningly, if he went to sleep again he
would wake up dead, in a mausoleum. That, he thought, would be nice.

Death was nice and pleasant. Unfortunately, he realized, he was not
dead. And there was absolutely no chance of his ever getting back to
sleep. He finally rolled over again, being very careful to avoid any
more poisonous sunlight. Getting up was an even more difficult
process, but Malone knew it had to be managed. Somehow he got his feet
firmly planted on the floor and sat up.

It had been a remarkable feat, he told himself. He deserved a medal.

That reminded him of the night before. He had been thinking quite a
lot about the medals he deserved for various feats. He had even
awarded some of them to himself, in the shape of liquid decoctions.

He remembered all that quite well. There were a lot of cloudy things
in his mind, but from all the testimony he could gather, he imagined
that he'd had quite a time the night before. Quite a wonderful time,
as a matter of fact.

Not that that reflection did anything for him now. As he opened his
eyes, one at a time, he thought of Boyd. Once, long ago, ages and ages
ago, he had had to wake Boyd up, and he recalled how rough he had been
about it. That had been unforgivable.

He made a mental note to apologize to Boyd the next time he saw
him--if he could ever see again. Now, he knew how Boyd had felt. And
it was terrible.

Still sitting on the bed, he told himself that, in spite of
everything, he was lucky. To judge by his vague memories, he'd had
quite a time the night before, and if the hangover was payment for it,
then he was willing to accept the payment. Almost. Because it had
really been a terrific time. The only nagging thought in his mind was
that there had been something vital he'd forgotten.

"Tickets," he said aloud, and was surprised that his voice was
audible. As a matter of fact, it was too audible; the noise made him
wince slightly. He shifted his position very quietly.

And he hadn't forgotten the tickets. No. He distinctly remembered
going to see _The Hot Seat_, and finding seats, and actually sitting
through the show with Dorothy at his side. He couldn't honestly say
that he remembered much of the show itself, but that couldn't be the
important thing he'd forgotten. By no means.

He had heard that it was a good show, though. Sometime, he reminded
himself, he would have to get tickets and actually see it.

He checked through the evening. Drinks. Dinner ... he had had dinner,
hadn't he? Yes, he had. He recalled a broiled sea bass looking up at
him with mournful eyes. He couldn't have dreamed anything like that.

And then the theater, and after that some more drinks ... and so on,
and so on, and so on, right to his arrival back in his hotel room, at
four-thirty in the morning, on a bright, boiled cloud.

He even remembered arguing with Dorothy about taking her home. She'd
won that round by ducking into a subway entrance, and he had turned
around after she'd left him and headed for home. Had he taken a taxi?

Yes, Malone decided, he had. He even remembered that.

Then what had he forgotten?

He had met Dorothy, he told himself, starting all over again in an
effort to locate the gaps, at six o'clock, right after phoning...

"My God!" Malone said, and winced. He looked at his watch. It was ten
o'clock in the morning. He had completely forgotten to call Fernack
and Lynch.

Hangover or no hangover, Malone told himself grimly, there was work to
be done. Somehow, he managed to get to his feet and start moving.

He checked Boyd's room after a while. But his partner wasn't home.
_Probably at work already_, Malone thought, _while I lie here useless
and helpless._ He thought of the Sermon on the Evils of Alcohol, and
decided he'd better read it to himself instead of delivering it to
Boyd.

But he didn't waste any time with it. By ten-fifteen he was showered
and shaved, his teeth were brushed, and he was dressed. He felt, he
estimated, about fifteen hundred per cent better. That was still
lousy, but it wasn't quite as bad as it had been. He could move around
and talk and even think a little, if he was careful about it. Before
he left, he took a look at himself in the mirror.

Well, he told himself, that was nice.

It hardly showed at all. He looked tired, to be sure, but that was
almost normal. The eyes weren't bloodshot red, and didn't seem to bug
out at all, although Malone would have sworn that they were bleeding
all over his face. His head was its normal size, as near as he
remembered; it was not swollen visibly, or pulsing like a jellyfish at
every move.

He looked even better than he felt.

He started for the door, and then stopped himself. There was no need
to go out so early; he could start work right in his own hotel room
and not even have to worry about the streets of New York, the cars or
the pedestrians for a while.

He thought wistfully about a hair of the hound, decided against it
with great firmness, and sat down to the phone.

He dialed a number, and the face of Commissioner Fernack appeared
almost at once. Malone forced himself to smile cheerfully, reasonably
sure that he was going to crack something as he did it. "Hello, John
Henry," he said in what he hoped was a good imitation of a happy,
carefree voice. "And how are you this lovely morning?"

"Me?" Fernack said sourly. "I'm in great shape. Tiptop. Dancing in the
goddamn daisies. Malone, how did you--"

"Any news for me?" Malone said.

Fernack waited a long time before he answered, and when he did his
voice was dangerously soft and calm. "Malone," he said, "when you
asked for this survey, just what kind of news did you expect to get?"

"A godawful lot of impossible crimes," Malone said frankly. "How did I
do, John Henry?"

"You did damn well," Fernack said. "Too damn well. Listen, Malone, how
could you know about anything like this?"

Malone blinked. "Well," he said, "we have our sources. Confidential.
Top secret. I'm sure you understand, Commissioner." Hurriedly, he
added, "What does the breakdown look like?"

"It looks like hell," Fernack said. "About eight months ago, according
to the computer, there was a terrific upswing in certain kinds of
crime. And since then it's been pretty steady, right at the top of the
swing. Hasn't moved down hardly at all."

"Great," Malone said.

Fernack stared. "What?" he said.

"I mean--" Malone stopped, thought of an answer and tried it. "I mean,
that checks out my guess. My information. Sources."

Fernack seemed to weigh risks in his mind. "Malone, I know you're
FBI," he said at last. "But this sounds pretty fishy to me. Pretty
strange."

"You have no idea how strange," Malone said truthfully.

"I'm beginning to," Fernack said. "And if I ever find out that you had
anything to do with this--"

"Me?"

"And don't look innocent," Fernack said. "It doesn't succeed in
looking anything but horrible. You remind me of a convicted murderer
trying to steal thirty cents from the prison chaplain."

"What would I have to do with all these crimes?" Malone said. "And
what kind of crimes were they, anyway?"

"What you'd have to do with them," Fernack said, "is an unanswered
question. And so long as it remains unanswered, Malone, you're safe.
But when I come up with enough facts to answer it--"

"Don't be silly. Commissioner," Malone said. "How about those crimes?
What kind were they?"

"Burglaries," Fernack said. "And I have a hunch you know that well
enough. Most of them were just burglaries--locked barrooms, for
instance, early in the morning. There's never any sign of tampering
with the locks, no sign of breaking and entering, no sign of any
alarms being tampered with in any way. But the money's gone from the
cash register, and all of the liquor is gone too."

Malone stared. "_All_ the liquor?" he said in a dazed voice.

"Well," Fernack said, "all of it that's in plain sight, anyway. Except
for the open bottles. Disappeared. Gone. Without a trace. And most of
the time the extra stock's gone too, from the basement or wherever
they happen to keep it."

"That's a lot of liquor," Malone said.

"A hell of a lot," Fernack said. "Some of the bars have gone broke,
not being insured against the losses."

The thought of thousands of bottles of liquor--millions of
bottles--went through Malone's mind like an ice pick. He could almost
see them, handle them, taste them. "Hair of the dog," he muttered.
"What hair. What a dog."

"What did you say, Malone?"

"Nothing," Malone said hastily. "Nothing at all." After a second
another query occurred to him. "You mean to tell me that only bars
were robbed? Nothing else?"

"Oh, no," Fernack said. "Bars are only part of it. Malone, why are you
asking me to tell you this?"

"Because I want to know," Malone said patiently.

"I still think--" Fernack began, and then said, "Never mind.. But it
hasn't been only bars. Supermarkets. Homes. Cleaning and tailoring
shops. Jewelers. Hell, Malone, you name it and it's been hit."

Malone tried valiantly to resist temptation, but he was not at his
best, and he lost. "All right," he said. "I will name it. Here's a
list of places that haven't even been touched by the rising crime
wave. Banks, for one."

"Malone!"

"Safes that have been locked, for another," Malone went on. "Homes
with wall safes, though that's not quite accurate. The homes may have
been robbed, but the safes won't have been touched."

"Malone, how much do you know?" Fernack said. "My God, man--"

"I'll make a general rule for you," Malone said. "Any place that fits
the following description is safe: it's got a secure lock on it, and
it's too small for a human being to get into."

Fernack opened his mouth, shut it, and stared downward, obviously
scanning some papers lying on the desk in front of him. Malone waited
patiently for the explosion, but it never came.

Instead, Fernack said, "You know, Malone, you remind me of an old
friend of mine."

"Really?" Malone said pleasantly.

"You certainly do," Fernack said. "There's just one small difference.
You're an FBI man, and he's a crook. If that's a difference."

"It is," Malone said. "And on behalf of the FBI, I resent the
allegation. And, as a matter of fact, defy the allegator. But that's
neither here nor there," he continued. "If that's the difference, what
are the similarities?"

Fernack drew in a deep, hissing breath, and when he spoke his voice
was as calm and quiet as a coiled cobra. "The both of you come up with
the goddamnedest answers to things. Things I never knew about or even
cared about before. Things I wish I'd never heard of. Things that
don't have any explanation. And--" He stopped, his face dark in the
screen. Malone wondered what color it was going to turn, and decided
on purple as a good choice.

"Well?" Malone said at last.

"And you're always so goddamned right it makes me sick," Fernack
finished flatly. He rubbed a hand through his hair and stared into the
screen at Malone. "How did you know all this stuff?" he said.

Malone waited one full second, while Fernack got darker and darker on
the screen. When he judged that the color was right, he said quietly,
"I'm prescient. And thanks a lot, John Henry; just send the reports to
me personally, at 69th Street. By messenger. So long."

He cut the circuit just as Fernack started: "Now, Malone--"

With a satisfied, somewhat sheepish smile, Malone dialed another
number. This time a desk sergeant told him politely that Lynch wasn't
at the precinct, and wouldn't arrive until noon.

Malone had Lynch's home number. He dialed it.

It was a long wait before the lieutenant answered, and he didn't look
much like a police officer when his face finally showed up on the
screen. His hair was uncombed and he was unshaven. His eyes were
slightly bleary, but he was definitely awake.

"Oh," Malone said. "Hello."

"Hi, there," Lynch said with enormous cheerfulness. "Old buddy-boy.
Old pal. Old friend."

"What's wrong?" Malone said.

"Wrong?" Lynch said. "Nothing. Nothing. Nothing at all. I just wanted
to thank you for not waking me up last night. I only waited for your
call until midnight. Then I decided I just wasn't very important to
you. You obviously had much bigger things on your mind."

"As a matter of fact," Malone said, speculatively eying Lynch's
figure, dressed in a pair of trousers and a T-shirt, "you're right."

"That's what I thought," Lynch said. "And I decided that, since you
were so terribly busy, it could wait until I woke up. Or even until I
got down to the station. How about it, _buddy-boy_?"

"Listen, Lynch," Malone said, "we made a bet. Ten to one. I just want
to know if I can come down to collect or not."

There was a second of silence.

"All right," Lynch said at last, looking crestfallen. "I owe you a
buck. Every last one of those kids has skipped out on us."

"Good," Malone said. He wondered briefly just what was good about it,
and decided he'd rather have lost the money to Lynch. But facts, he
reflected, were facts. Thoroughly nasty facts.

"I spent all night tracing them," Lynch said. "Got nowhere. Nowhere at
all. Malone, how did you know--"

"Classified," Malone said. "Very classified. But you're sure they're
all gone? Vanished?"

Lynch's face reddened. "Sure I'm sure," he said. "Every last one of
them is gone. And what more do you want me to do about it?" He paused,
then added, "What do you expect, Malone? Miracles?"

Malone shook his head gently. "No," he said. "I--"

"Oh, never mind," Lynch said. "But I--"

"Look, Malone," Lynch said, "there's a guy who wants to talk to you."

"One of the Silent Spooks?" Malone said hopefully.

Lynch shook his head and made a growling noise. "Don't be silly," he
said. "It's just that this guy might have some information, but he
won't say anything to me about it. He's a social worker or something
like that."

"Social worker?" Malone said. "He works with the kids, right?"

"I guess," Lynch said. "His name's Kettleman. Albert Kettleman."

Malone nodded. "Okay," he said. "I'll be right over."

"Hey," Lynch said, "hold on. He's not here now. What do you think this
is--my house or a reception center?"

"Sorry," Malone said wearily. "Where and when?"

"How about three o'clock at the precinct station?" Lynch said. "I can
have him there by then, and you can get together and talk." He paused.
"Nobody likes the cops," he said. "People hear the FBI's mixed up in
this, and they figure the cops are all second-stringers or something."

"Sorry to hear it," Malone said.

"I'll bet you are," Lynch told him bitterly.

Malone shrugged. "Anyway," he said, "I'll see you at three, right?"

"Right," Lynch said, and Malone flipped off.

He sat there for a few seconds, grinning quietly. His brain throbbed
like an overheated motor, but he didn't really mind any more. His
theory had been justified, and that was the most important thing.

The Silent Spooks were all teleports.

Eight of them--eight kids on the loose, stealing everything they could
lay their hands on, and completely safe. How could you catch a boy who
just disappeared when you started for him? No wonder their names
hadn't appeared on the police blotter, Malone thought.

Spooks didn't get into trouble. They didn't have to.

They could get into any place big enough to hold them, take what they
wanted and just disappear. They'd been doing it for about eight
months, according to the figures Malone had received from Fernack;
maybe teleportative ability didn't develop until you were around
fourteen or fifteen.

But it had developed in these kids--and they were using it in the most
obvious way. They had a sure method of getting away from the cops, and
a sure method of taking anything they wanted. No wonder they had so
much money.

Malone got up, feeling slightly dazed, and left the hotel room.


                                  8

By three o'clock, he was again among the living. Maybe his occupations
had had something to do with it; he'd spent about four hours
supervising Operation Dismemberment, and then listening to the reports
on the dismantled Cadillacs. It was nice, peaceful, unimportant work,
but there just wasn't anything else to do. FBI work was ninety-five
per cent marking time, anyway. Malone felt grateful that there was any
action at all in what he was doing.

Dr. Leibowitz had found all sort of things in the commandeered
Caddies--everything from guns and narcotics to pornographic pictures
in lots of three hundred, for shipment into New York City from the
suburbs where the processing plant probably was. Of course, there had
been personal effects, too--maps and lucky dolls and, just once, a
single crutch.

Malone wondered about that for quite a while. Who'd just walk off and
leave one crutch in a car? But people did things like that all the
time, he finally told himself heavily. There wasn't any explanation
for it, and there probably never would be.

But in spite of the majestic assortment of valuables found in the
cars, there was no sign of anything remotely resembling an
electro-psionic brain. Dr. Leibowitz had found just about everything--
except what he was looking for.

At a quarter to three, Malone gave up. The search wasn't quite
finished, but he'd heard enough to last him for a long time. He
grabbed a cab downstairs and went over to Lynch's office to meet
Kettleman.

The "social worker or something" was a large, balding man about six
feet tall. Malone estimated his weight as close to two hundred and
fifty pounds, and he looked every pound of it; his face was round
without being chubby, and his body was stocky and hard. He wore
black-rimmed glasses, and he was going bald in front. His face was
like a mask; it was held in a gentle, almost eager expression that
Malone would have sworn had nothing to do with the way Kettleman felt
underneath.

Lynch performed the introductions, escorted the two of them to one of
the interrogation rooms at the rear of the station, and left them
there, with, "If either of you guys comes up with anything, let me
know," for a parting shot.

Kettleman blinked slowly behind his glasses. "Mr. Malone," he said, "I
understand that the FBI is interested in one of the--ah--adolescent
social groups with which I work."

"Well, the Silent Spooks," Malone said. "That's right."

"The Spooks," Kettleman said. His voice was rather higher than Malone
would have expected, oddly breathy without much depth to it. "My, yes.
I did want to talk to somebody about it, and I thought you might be
the man."

"I'll be interested in anything you have to say," Malone said
diplomatically. He was beginning to doubt whether he'd get any real
information out of Kettleman. But it was impossible to tell. He sat
back in a hard wooden chair and tried to look fascinated.

"Well," Kettleman said tentatively, "the boys themselves have sort of
a word for it. They'd say that there was something oddball about the
Spooks. Do you understand? Not just the fact that they never drink
liquor, but--"

"Something strange," Malone said. "Is that what you mean?"

"Ah," Kettleman said. "_Strange._ Of course." He acted, Malone
thought, as if he had never heard the word before, and was both
pleased and startled by its sound. "Perhaps I had better explain my
position a little more clearly," he said. "That will give you an idea
of just where I 'fit into' this picture."

"Whatever you think best," Malone said, resigning himself to a very
dull hour. He tried to picture Kettleman in the midst of a gang of
juvenile delinquents. It was very hard to do.

"I'm a social worker," Kettleman said, "working on an individual basis
with these--social groups that the adolescents have formed. It's my
job to make friends with them, become accepted by them, and try to
turn their hostile impulses toward society into more useful, more
acceptable channels."

"I see," Malone said, feeling that something was expected of him.
"That's fine."

"Oh, we don't expect praise, we social workers," Kettleman said
instantly. "The worth of a good job well done, that's enough for us."
He smiled. The effect was a little unsettling, as if a hippopotamus
had begun to laugh like a hyena. "But to continue, Mr. Malone," he
said.

"Of course," Malone said. "Certainly."

"I've worked with many of the organizations in this neighborhood,"
Kettleman said. "And I've been quite successful in getting to know
them, and in being accepted by them. Of course, the major part of my
job is more difficult, but--well, I'm sure that's enough about my own
background. That isn't what you're interested in, now, is it?"

He looked penitent. Malone said, "It's all right. I don't mind." He
shifted positions on the hard chair.

"Well, then," Kettleman said, with the air of a man suddenly getting
down to business. He leaned forward eagerly, his eyes big and bright
behind the lenses. "There's something very peculiar about those boys,"
he said in a whisper.

"Really?" Malone said.

"Very peculiar indeed," Kettleman said. "My, yes. All of the other
social groups are afraid of them."

"Big, huh?" Malone said. "Big strong boys who--"

"Oh, my, no," Kettleman said. "My goodness, no. All of the Spooks are
rather slight, as a matter of fact. They've got _something_, but it
isn't strength."

"My goodness," Malone said tiredly.

"I doubt if--in the language of my own groups--any one of the Spooks
could punch his way out of a paper bag," Kettleman said. "It's more
than that."

"Frankly," Malone said, "I'm inclined to agree with you. But what is
this something that frightens everyone else?"

Kettleman leaned even closer. "I'm not sure," he said softly. "I can't
say for certain, Mr. Malone. I've only heard rumors."

"Well," Malone said, "rumors might--"

"Rumors are a very powerful force among my groups, Mr. Malone,"
Kettleman said. "I've learned, over the years, to keep my ear to the
ground, as it were, and pay very close attention to rumors."

"I'm sure," Malone said patiently. "But what did this particular rumor
say?"

"Well," Kettleman said, and stopped. "Well," he said again. And at
last he gulped and got it out. "Magicians, Mr. Malone. They say the
Spooks are magicians--that they can come and go at will. Make
themselves invisible. All sorts of things. Of course, I don't believe
that, but--"

"Oh, it's quite true," Malone said, solemn faced.

"It's what?"

"Perfectly true," Malone said. "We know all that."

"Oh, my," Kettleman said. His face took on a whitish cast. "Oh, my
goodness," he said. "Isn't that--isn't that amazing." He swallowed
hard. "True all the time," he said.

"Magicians. I--"

"You see, this information isn't new to us," Malone said.

"Oh," Kettleman said. "No. Of course not. My. It's--rather
disconcerting to think about, isn't it?"

"There," Malone said, "I agree with you."

Kettleman fell silent. Malone offered him a cigarette, but the social
worker refused with a pale smile, and Malone lit one for himself. He
took a couple of puffs in the silence, and then Kettleman said, "Well,
Mr. Malone, Lieutenant Lynch did say that I was to tell you everything
I could about these boys."

"I'm sure we all appreciate that," Malone said at random, wondering
exactly what he meant.

"There is--well, there is one more thing," Kettleman said.
"Ordinarily, of course, I wouldn't say anything about this to anyone.
In my line of work, Mr. Malone, you learn the need for confidence. For
being able to keep one's word."

"Certainly," Malone said, wondering what startling new fact was on its
way now.

"And we certainly try to keep the confidence of the boys," Kettleman
said maddeningly. "We wouldn't betray them to the police in any way
unless it were absolutely necessary."

"Betray them? Mr. Kettleman," Malone said, "just what are you trying
to tell me?"

"It's about their meeting place," Kettleman said. "Oh, my. I'm not at
all sure I ought to tell you this." He wrung his pale fat hands
together and looked at Malone appealingly.

"Now, now," Malone said, feeling foolish. "It's perfectly all right.
We don't want to hurt the Spooks. Not any more than we have to. You
can tell me, Mr. Kettleman."

"Oh," Kettleman said. "Well, the Spooks do have a sort of secret
meeting place, you know. And they meet there."

He stopped. Malone said, "Where is it?"

"Oh, it's a big empty warehouse," Kettleman said. "I really feel
terrible about this. They're meeting there tonight sometime, or that's
what the rumors say. I shouldn't be telling you--"

"Of course you should," Malone said, trying to sound reassuring.
"Don't worry about a thing, Mr. Kettleman. Tonight?"

"That's right," Kettleman said eagerly. He grinned, and then looked
morosely down at his hands.

"Do you know where this warehouse is?" Malone said. "If any of the
other little social groups use it--"

"Oh, no, they don't," Kettleman said. "That's what makes it so funny.
You see, the warehouse is deserted, but it's kept in good repair;
there are bars on the windows, and it's protected by all sorts of
alarm systems and things like that. So none of the others can use it.
Only the Spooks. You can't get in without a key, not at all."

"But do the Spooks--" Malone began.

"Oh, no," Kettleman moaned. "They don't have a key. At least, that's
what the other groups say. The Spooks just--just melt borough the
walls, or something like that."

"Mr. Kettleman," Malone said, "where is this warehouse?"

"I shouldn't be telling you this," Kettleman said.

Malone sighed. "Please, Mr. Kettleman. You know we're working for the
good of those boys, don't you?"

"Well, I--"

"Sure we are," Malone said. "So you can tell me."

Kettleman blinked behind his glasses, and moaned a little. Malone
waited with his hands tense in his lap. At last Kettleman said, "It's
on West Street, near Chambers. That's downtown." He gave Malone an
address. "That's where it is," he said. "But you won't do anything to
the boys, will you? They're basically good boys. No matter what. And
they--"

"Don't worry about it, Mr. Kettleman," Malone said. "We'll take care
of the Spooks."

"Oh," Kettleman said. "Yes. Sure."

He got up. Malone said, "There's just one more thing, Mr. Kettleman."

"Yes?" The big man's voice had reached the high, breathy pitch of a
fife.

"Do you have any idea what time the Spooks usually meet?"

"Well, now," Kettleman said, "I don't really know. You see, the reason
I wanted to tell you all this was because Lieutenant Lynch was
checking up on all those boys yesterday, and I thought..." He stopped
and cleared his throat, and when he began again his voice had dropped
almost to a whisper. "Well, Mr. Malone, I thought, after all, that
since he was asking me questions--you know, questions about where the
Spooks were, and all of that--since he was asking me questions..."

"Yes?" Malone said.

"I thought perhaps I ought to tell you about them," Kettleman said.
"Where they were, and all of that."

Malone stood up. "Mr. Kettleman," he said in his most official voice,
"I want you to know that the FBI appreciates what you've done. Your
information will probably be very helpful to us, and the FBI certainly
commends you for being public-spirited enough to come to us and tell
us what you know." He thought for a second, and then added, "In the
name of the FBI, Mr. Kettleman--well done!"

Kettleman stared, smiled, and gulped. "My goodness," he said. "Well."
He smiled again, a little more broadly. "One has one's duty, you know.
My, yes. Duty." He nodded to Malone.

"Of course," Malone said, going to the door and opening it. "Thanks
again, Mr. Kettleman."

Kettleman saw the open door and headed for it blindly. As he left he
flashed one last smile after Malone, who sighed, shut the door, and
leaned against it for a second.

The things an FBI agent had to go through!

When he had recovered, he opened the door again and peered carefully
down the hallway to make sure Kettleman had gone. Then he left the
interrogation room and went down the hall, past the desk sergeant, and
up the stairs to Lieutenant Lynch's office. He was still breathing a
little hard when he opened Lynch's door, and Lynch didn't seem to be
expecting him at all. He was very busy with a veritable snow flurry of
papers, and he looked as if he had been involved with them steadily
ever since he had left Malone and Kettleman alone downstairs.

"Well," Malone said. "Hello there, Lieutenant."

Lynch looked up, his face a mask of surprise. "Oh," he said. "It's
you. Through with Kettleman?"

"I'm through," Malone said. "As if you didn't know." He looked at
Lynch for a long minute, and then said, "Lieutenant..."

Lynch had gone right back to his papers. He looked up again with a
bland expression. "Yes?"

"Lieutenant, how reliable is Kettleman?" Malone said.

Lynch shrugged. "He's always been pretty good with the kids, if that's
what you mean. You know these social workers--I've never got much
information out of him. He feels it's his duty to the kids--I don't
know. Some such thing. Why do you ask?"

"Well," Malone said, "what he told me. Was he kidding me? Or does he
know what he's talking about? Was what he said reasonably accurate?"

"How would I know?" Lynch said. "After all, you were down there alone,
weren't you? I was up here working. If you'll tell me what he said,
maybe I'll be able to tell you whether or not I think he was kidding."

Malone placed both his palms on the lieutenant's desk, mashing a
couple of piles of papers. He leaned forward slowly, his eyes on
Lynch's bland, innocent face. "Now look, Lynch," he said. "I like you.
I really do. You're a good cop. You get things done."

"Well, thanks," Lynch said. "But I don't see what this has to do
with--"

"I just don't want you trying to kid your buddy-boy," Malone said.

"Kid you?" Lynch said. "I don't get it."

"Come on, now," Malone said. "I know that room was bugged, just as
well as you do. It was the sensible thing for you to pull, and you
pulled it. You've got the whole thing recorded, haven't you?"

"Me?" Lynch said. "Why would I--"

"Oh, cut it out," Malone said impatiently. "Let's not play games,
okay?"

There was a second of silence.

"All right," Lynch said. "So I recorded the conversation. Kill me.
Crucify me. I'm stealing FBI secrets. I'm a spy secretly working for a
foreign power. Take me out and electrocute me."

"I don't want to fight you," Malone said wearily. "So you've got the
stuff recorded. That's your business."

"My business?"

"Sure," Malone said cheerfully. "As long as you don't try to use it."

"Now, Malone--" Lynch began.

"This is touchy stuff," Malone said. "We're going to have to take a
lot of care in handling it. And I don't want you throwing raids all
over the place and mixing everything up."

"Malone, I--"

"Eventually," Malone said, "I'm going to need your help with these
kids. But for right now, I want to handle this my way, without any
interference."

"I wouldn't think of--"

"You wanted information," Malone said. "Fine. That's all right with
me. You got the information, and that's okay too. But if you try to
use it before I say the word, I'll--I'll talk to good old Uncle John
Henry Fernack. And he'll help me out; he'll give you a refresher
course on How To Be A Beat Cop. In Kew Gardens. It's nice and lonely
out there now, Lynch, You'd love it."

"Malone," Lynch said tiredly.

"Don't give me any arguments," Malone said. "I don't want any
arguments."

"I won't argue with you, Malone," Lynch said. "I've been trying to
tell you something."

Malone stepped away from the desk. "All right," he said. "Go ahead."

Lynch took a deep breath. "Malone, I'm not trying to queer your
pitch," he said. "If I were going to pull a raid, here's what I'd have
to do: get my own cops together, then call the precinct that covers
that old warehouse. We don't cover the warehouse from here, Malone,
and we'd need the responsible precinct's aid in anything we did down
there."

Malone said, "Well, all I--"

"Not only that," Lynch said. "I'd have to call Safe and Loft, and get
them in on it. A warehouse raid would probably be their baby first of
all. That means it takes this precinct, the warehouse precinct, and
the Safe and Loft Squad, all together, to raid that warehouse. Malone,
would I pull a raid at this stage, if I had to go through all that,
without knowing what the hell I was going to find down there?"

"Oh," Malone said.

"If those kids can just appear and disappear at will," Lynch said,
"I'm not going to pull a raid on them, and end up looking like a damn
fool, until I've got some way of making sure they're there when the
raid goes through."

Malone coughed gently. "Okay," he said at last. "Sorry."

"There's only one thing I want," Lynch said. "I want to be able to
move as soon as possible."

"Well, sure," Malone said apologetically.

"And that means I'm going to have to be informed," Lynch said. "I want
to know what's going on, as fast as possible."

Malone nodded gently. "Sure," he said. "I'll tell you everything that
happens--as soon as I know myself. But right now, I haven't got a
thing for you. All I have is a kind of theory, and it's pretty
screwy."

He stopped. Lynch looked up at him. "How screwy can it get?" he said.
"The facts are nutty enough."

"You have absolutely no idea," Malone assured him. "I'm not even
saying a word about this, not until I prove it out one way or another.
I'm not even thinking about it--not until it stops sounding so nutty
to me."

"Okay, Malone," Lynch said. "I can see a piece of it, if no more. The
Fueyo kid vanishes mysteriously--never mind all that about you getting
him out of the interrogation room by some kind of confidential method.
There isn't any confidential method. I know that better than you do."

"I had to say something, didn't I?" Malone asked apologetically.

"So the kid disappears," Lynch said, brushing Malone's question away
with a wave of his hand. "So now I hear all this stuff from Kettleman.
And it begins to add up. The kids can disappear somehow, and reappear
some place else. Walk through walls?" He shrugged. "How should I know?
But they can sure as hell do something like it."

"Something," Malone said. "Like I said, it sounds screwy."

"I don't like it," Lynch said.

Malone nodded. "Nobody likes it," he said. "But keep it under your
hat. I'll give you everything I have--whenever I have anything. And by
the way--"

"Yes?" Lynch said.

"Thanks for giving me and Kettleman a chance to talk," Malone said.
"Even if you had reasons of your own."

"Oh," Lynch said. "You mean the recording."

"I was a little suspicious," Malone said. "I didn't think you'd give
Kettleman to me without getting _something_ for yourself."

"Would you?" Lynch said.

Malone shrugged. "I'm not crazy either," he said.

Lynch picked up a handful of papers. "I've got all this work to do,"
he said. "So I'll see you later."

"Okay," Malone said.

"And if you need my help, buddy-boy," Lynch said, "just yell. Right?"

"I'll yell," Malone said. "Don't worry about that. I'll yell loud
enough to get myself heard in Space Station One."


                                  9

The afternoon was bright and sunny, but it didn't match Malone's mood.
He got a cab outside the precinct station and headed for 69th Street,
dining off his nails en route. When he hit the FBI headquarters, he
called Washington and got Burris on the line.

He made a full report to the FBI chief, including his wild theory and
everything else that had happened. "And there was this notebook," he
said, and reached into his jacket pocket for it.

The pocket was empty.

"What notebook?" Burris said.

Malone tried to remember if he'd left the book in his room. He
couldn't quite recall. "This book I picked up," he said, and described
it. "I'll send it on, or bring it in when the case is over."

"All right," Burris said.

Malone went on with his description of what had happened. When he'd
finished, Burris heaved a great sigh.

"My goodness," he said. "Last year it was telepathic spies, and this
year it's teleporting thieves. Malone, I hate to think about next
year."

"I wish you hadn't said that," Malone said sadly.

Burris blinked. "Why?" he said.

"Oh, just because," Malone said. "I haven't even had time to think
about next year yet. But I'll think about it now."

"Well, maybe it won't be so bad," Burris said.

Malone shook his head. "No, Chief," he said. "You're wrong. It'll be
worse."

"This is bad enough," Burris said.

"It's a great vacation," Malone said.

"Please," Burris said. "Did I have any idea--"

"Yes," Malone said.

Burris' eyes closed. "All right, Malone," he said after a little
pause. "Let's get back to the report. At least it explains the red
Cadillac business. Sergeant Jukovsky was hit by a boy who vanished.
Vanished. My God."

"I was hit by a boy who vanished, too," Malone said bitterly. "But of
course I'm just an FBI agent. Expendable. Nobody cares about--"

"Don't say that, Malone," Burris said. "You're one of my most valuable
agents."

Malone tried to stop himself from beaming, but he couldn't. "Well,
Chief," he began, "I--"

"Vanishing boys," Burris muttered. "What are you going to do with
them, Malone?"

"I was hoping you might have some kind of suggestion," Malone said.

"Me?"

"Well," Malone said, "I suppose I'll figure it out. When I catch them.
But I did want something from you, Chief."

"Anything, Malone," Burris said. "Anything at all."

"I want you to get hold of Dr. O'Connor, out at Yucca Flats, if you
can. He's the best psionics man Westinghouse has right now, and I
might need him."

"If you say so," Burris said doubtfully.

"Well," Malone said, "these kids are teleports. And maybe there's some
way to stop a teleport. Give him a good hard kick in the psi, for
instance."

"In the what?"

"Never mind," Malone said savagely. "But if I'm going to get any
information on what makes teleports tick, I'm going to have to get it
from Dr. O'Connor. Right?"

"Right," Burris said.

"So get in touch with Dr. O'Connor," Malone said.

"I'll have him call you," Burris said. "Meanwhile--well, meanwhile
just carry on, Malone. I've got every confidence in you."

"Thanks," Malone growled.

"If anybody can crack a case like this," Burris said, "it's you."

"I suppose it had better be," Malone said, and rang off.

Then he started to think. The notebook wasn't in his pockets. He
checked every one, even the jacket pocket where he usually kept a
handkerchief and nothing else. It wasn't anywhere on his person.

Had he left it in his room?

He thought about that for several minutes, and finally decided that he
hadn't. He hadn't taken it out of his pocket, for one thing, and if it
had fallen to the ground he couldn't have helped seeing it. Of course
he'd put his wallet, keys, change, and other such items on the
dresser, and then replaced them in his pockets in the morning. But he
could remember how they'd looked on the dresser.

The notebook hadn't been there among them.

Now that he came to think of it, when had he seen the notebook last?
He'd shown it to Lieutenant Lynch during the afternoon, and then he'd
put it back in his pocket, and he hadn't looked for it again.

So it had to be somewhere in one of the bars he'd visited, or at the
theater where he and Dorothy had seen _The Hot Seat_.

Proud of himself for this careful and complete job of deduction, he
strolled out and, giving Boyd and the Agent-in-Charge one small smile
each, to remember him by, he went into the sunlight, trying to decide
which place to check first.

He settled on the theater because it was most probable. After all,
people were always losing things in theaters. Besides, if he started
at the theater, and found the notebook there, he could then go on to a
bar to celebrate. If he found the notebook in a bar, he didn't much
relish the idea of going on to an empty theater in the middle of the
afternoon to celebrate.

Shaking his head over this flimsy structure of logic, he headed down
to _The Hot Seat_. He banged on the lobby doors for a while without
any good result, and finally leaned against one of the side doors,
which opened. Malone fell through, recovered his balance, and found
himself facing an old bewhiskered man with a dustpan, a broom, and a
surprised expression.

"I'm looking for a notebook," Malone said.

"Try a stationery store, youngster," the old man said. "I thought I'd
heard 'em all, but--"

"No," Malone said. "You don't understand."

"I don't got to understand," the old man said. "That's what's so
restful about this here job. I just got to sweep up. I don't got to
understand nothing. Good-bye."

"I'm looking for a notebook I lost here last night," Malone said
desperately.

"Oh," the old man said. "Lost and Found. That's different. You come
with me."

The old man led Malone in silence to a cave deep in the bowels of the
theater, where he went behind a little desk, took up a pencil as if it
were a club, held it poised over a sheet of grimy paper, and said,
"Name?"

Malone said, "I just want to find a notebook."

"Got to give me your name, youngster," the old man said solemnly.
"It's the rules here."

Malone sighed. "Kenneth Malone," he said. "And my address is--"

The old man, fiercely scribbling, looked up. "Wait a minute, can't
you?" he said. "I ain't through 'Kenneth' yet." He wrote on, and
finally said, "Address?"

"Hotel New Yorker," Malone said. "In Manhattan?" the old man said.
"That's right," Malone said wearily.

"Ah," the old man said. "Tourist, ain't you? Tourists is always losing
things. Once it was a big dog. Don't know yet how a dog got into this
here theater. Had to feed it for four days before somebody showed up
to claim it. Fierce-looking animal. Part bloodhound, part water
spaniel."

Fascinated in spite of himself, Malone said, "That's impossible."

"Nothing's impossible," the old man said. "Work for a theater long
enough and you find that out. Part bloodhound, I said, and part water
spaniel. Should have seen that dog before you start talking about
impossibilities. Hell of a strange-looking beast. And then there was
the time--"

"About the notebook," Malone said.

"Notebook?" the old man said.

"I lost a notebook," Malone said. "I was hoping that--"

"Description?" the old man said, and poised his pencil again.

Malone heaved a great sigh. "Black plastic," he said. "About so big."
He made motions with his hands. "No names or initials on it. But the
first page had my name written on it, along with Lieutenant Peter
Lynch."

"Who's he?" the old man said.

"He's a cop," Malone said.

"My, my," the old man said. "Valuable notebook, with a cop's name in
it and all. You a cop, youngster?"

Malone shook his head.

"Too bad," the old man said obscurely. "I like cops." He stood up.
"You said black plastic? Black?"

"That's right," Malone said. "Do you have it here?"

"Got no notebooks at all here, youngster," the old man said. "Empty
billfold, three hats, a couple of coats, and some pencils. And an
umbrella. No dogs tonight, youngster, _and_ no notebooks."

"Oh," Malone said. "Well--wait a minute."

"What is it, youngster?" the old man said. "I'm busy this time of day.
Got to sweep and clean. Got work to do. Not like you tourists."

With difficulty, Malone leashed his temper. "Why did I have to
describe the notebook?" he said. "You haven't got any notebooks at
all."

"That's right," the old man said cheerfully.

"But you made me describe--"

"That's the rules," the old man said. "And I ain't about to go against
the rules. Not for no tourist." He put the pencil down and rose. "Wish
you were a cop," he said. "I never met a cop. They don't lose things
like people do."

Making a mental note to call up later and talk to the manager, if the
notebook hadn't turned up in the meantime, Malone went off to find the
bars he had stopped in before the theater.

Saving Topp's for last, he started at the Ad Lib, where a surprised
bald-headed man told him they hadn't found a notebook anywhere in the
bar for something like six weeks. "Now if you'd been looking for
umbrellas," he said, "we could have accommodated you. Got over ten
umbrellas downstairs, waiting for their owners. I wonder why people
lose so many umbrellas?"

"Maybe they hate rain," Malone said.

"I don't know," the bald man said. "I'm sort of a psychologist--you
know, a judge of people. I think it's an unconscious protest against
the fetters of a society which is slowly strangling them by--"

Malone said good-bye in a hurry and left. His next stop was the
Xochitl, the Mexican bar on 46th Street. He greeted the bartender
warmly.

"Ah," the bartender told him. "You come back. We look for you."

"Look for me?" Malone said. "You mean you found my notebook?"

"Notesbook?" the bartender said.

"A little black plastic book," Malone said, making motions, "about so
big. And it--"

"Not find," the bartender said. "You lose him?"

"Sure I lost him," Malone said. "I mean _it_. Would I be looking for
it if I hadn't lost it?"

"Who knows?" the bartender said, and shrugged.

"But you said you were looking for me," Malone said. "What about?"

"Oh," the bartender said. "I only say that. Make customer feel good,
think we miss him. Customers like, so we do. What your name?"

"Pizarro," Malone said disgustedly, and went away.

The last stop was Topp's. Well, he had to find the notebook there. It
was the only place the notebook could be. That was logic, and Malone
was proud of it. He walked into Topp's, trying to remember the
bartender's name, and found it just as he walked into the bar.

"Hello, Wally," he said gaily.

The bartender stared at him. "I'm not Wally," he said. "Wally's the
night barman. My name's Ray."

"Oh," Malone said, feeling deflated. "Well, I've come about a
notebook."

"Yes, sir?" Ray said.

"I lost the notebook here yesterday evening, between six and eight. If
you'll just take me to the Lost and Found--"

"One moment, sir," Ray said, and left him standing at the bar, all
alone.

In a few seconds he was back. "I didn't see the notebook myself, sir,"
he said. "But if Wally picked it up, he'd have turned it over to the
maitre d'. Perhaps you'd like to check with him."

"Sure," Malone said. The daytime maitre d' turned out to be a
shortish, heavy-set man with large blue eyes, a silver mane, and a
thin, pencil-line mustache. He was addressed, for no reason Malone was
able to discover, as BeeBee.

Ray introduced them. "This gentleman wants to know about a notebook,"
he told BeeBee.

"Notebook?" BeeBee said.

Malone explained at length. BeeBee nodded in an understanding fashion
for some moments and, when Malone had finished, disappeared in search
of the Lost and Found. He came back rather quickly, with the
disturbing news that no notebook was anywhere in the place.

"It's got to be here," Malone said.

"Well," BeeBee said, "it isn't. Maybe you left it some place else.
Maybe it's home now."

"It isn't," Malone said. "And I've tried every place else."

"New York's a big city, Mr. Malone," BeeBee said.

Malone sighed. "I've tried every place I've been. The notebook
couldn't be somewhere I haven't been. A rolling stone follows its
owner." He thought about that. It didn't seem to mean anything, but
maybe it had. There was no way to tell for sure.

He went back to the bar to think things over and figure out his next
move. A bourbon and soda while thinking seemed the obvious order, and
Ray bustled off to get it.

Had he left the notebook on the street somewhere, just dropping it by
accident? Malone couldn't quite see that happening. It was, of course,
possible; but the possibility was so remote that he decided to try and
think of everything else first. There was Dorothy, for instance.

Had he got stewed enough so that he'd showed Dorothy the notebook?

He didn't remember doing it, and he didn't quite see why he would
have. Most of the evening was more or less clear in his mind; he
hadn't apparently, forgotten any other details, either.

All the same, it was an idea. He decided to give the girl a call and
find out for sure. Maybe she remembered something that would help him,
anyway.

He took the drink from Ray and slid off the bar stool. Two steps away,
he remembered one more little fact.

He didn't have her number, and he didn't know anything about where she
lived, except that it could be reached by subway. That, Malone told
himself morosely, limited things nicely to the five boroughs of New
York.

And she said she was living with her aunt. Would she have a phone
listing under her own name? Or would the listing be under her aunt's
name, which he also didn't know?

At any rate, he could check listings under Dorothy Francis, he told
himself.

He did so.

There were lots and lots of people named Dorothy Francis, in Manhattan
and in all the other boroughs.

Malone went back to the bar to think some more. He was on his second
bourbon and soda, still thinking but without any new ideas, when
BeeBee tapped him gently on the shoulder.

"Pardon me," the maitre d' said, "but are you English?"

"Am I what?" Malone said, spilling a little of his drink on the bar.

"Are you English?" BeeBee said.

"Oh," Malone said. "No. Irish. Very Irish."

"That's nice," BeeBee said.

Malone stared at him. "I think it's fine," he said, "but I'd love to
know why you asked me."

"Well," BeeBee said, "I knew you couldn't be American. Not after the
phone call. You don't have to hide your nationality here; we're quite
accustomed to foreign visitors. And we don't have special prices for
tourists."

Malone waited two breaths. "Will you please tell me," he said slowly,
"what it is you're talking about?"

"Certainly," BeeBee said with aplomb. "There's a call for you in the
upstairs booth. A long-distance call, personal."

"Oh," Malone said. "Who'd know I was--" He stopped, thinking hard.
There was no way for anybody in the world to know he was in Topp's.
Therefore, nobody could be calling him. "They've got the wrong name,"
he said decisively.

"Oh, no," BeeBee said. "I heard them quite distinctly. You _are_ Sir
Kenneth Malone, aren't you?"

Malone gaped for one long second, and then his mind caught up with the
facts. "Oh," he said. "Sure." He raced upstairs to the phone booth,
said, "This is Sir Kenneth Malone," into the blank screen, and waited.

After a while an operator said, "Person-to-person call, Sir Kenneth,
from Yucca Flats. Will you take this call?"

"I'll take it," Malone said. A face appeared on the screen, and Malone
knew he was right. He knew exactly how he'd been located, and by whom.

Looking only at the face in the screen, it might have been thought
that the woman who appeared there was somebody's grandmother, kindly,
red-cheeked, and twinkle-eyed. Perhaps that wasn't the only
stereotype; she could have been an old-maid schoolteacher, one of the
kindly schoolteachers who taught, once upon a time that never was, in
the little red schoolhouses of the dim past. The face positively
radiated kindliness, and friendship, and peace.

But if the face was the face of a sentimental dream, the garb was the
garb of royalty. Somebody's grandmother was on her way to a costume
party. She wore the full court costume of the days of Queen Elizabeth
I, complete with brocaded velvet gown, wide ruff collar, and bejeweled
skullcap.

She was, Malone knew, completely insane.

Like all the other telepaths Malone and the rest of the FBI had found
during their work in uncovering a telepathic spy, she had been located
in an insane asylum. Months of extensive psychotherapy, including all
the newest techniques and some so old that psychiatrists were a little
afraid to use them, had done absolutely nothing to shake the firm
conviction in the mind of Miss Rose Thompson.

She was, she insisted, Elizabeth Tudor, rightful Queen of England.

She claimed she was immortal, which was not true. She also claimed to
be a telepath. This was perfectly accurate. It had been her help that
had enabled Malone to find the telepathic spy, and a grateful
government had rewarded her.

It had given her a special expense allotment for life, covering the
clothing she wore, and the style in which she lived. Rooms had been
set aside for her at Yucca Flats, and she held court there, sometimes
being treated by psychiatrists and sometimes helping Dr. Thomas
O'Connor in his experiments and in the development of new psionic
machines.

She was probably the happiest psychopath on Earth.

Malone stared at her. For a second he could think of nothing to say
but, "My God." He said it.

"Not at all, Sir Kenneth," the little old lady said. "Your Queen."

Malone took a deep breath. "Good afternoon, Your Majesty," he said.

"Good afternoon, Sir Kenneth," she said, and waited. After a second
Malone figured out what she was waiting for.

He inclined his head in as courtly a bow as he could manage over a
visiphone. "I am deeply honored," he said, "that Your Majesty has
called on me. Is there any way in which I might be of service?"

"Oh, goodness me, no," said the little old lady. "I don't need a
thing. They do one very well here in Yucca Flats. You must come out
soon and see my new throne room. I've had the decorations done by--but
I can see you're not interested in that, Sir Kenneth."

"But--" Malone realized it was useless to argue with the old lady. She
was telepathic, and knew exactly what he was thinking. That, after
all, was how he had been located; she had mentally "hunted" for him
until she found him.

But why?

"I'll tell you why, Sir Kenneth," the little old lady said. "I'm
worried about you."

"Worried? About me, Your Majesty?"

"Certainly," the little old lady said, inclining her head just the
proper number of degrees, and raising it again. "You, Sir Kenneth, and
that silly little notebook you lost. You've been stewing about it for
the last hour."

It was obvious that, for reasons of her own, the Queen had seen fit to
look into Malone's mind. She'd found him worrying, and called him
about it. It was, Malone thought, sweet of her in a way. But it was
also just a bit disconcerting.

He was perfectly well aware that the Queen could read his mind at any
distance. But unless something reminded him of the fact, he didn't
have to think about it.

And he didn't like to think about it.

"Don't be disturbed," the Queen said. "Please. I only want to help
you, Sir Kenneth; you know that."

"Well, of course I do," Malone said. "But--"

"Heavens to Betsy," she said. "Sir Kenneth, what kind of a detective
are you?"

"What?" Malone said, and added at once, "Your Majesty." He knew
perfectly well, of course, that Miss Thompson was not Queen Elizabeth
I--and he knew that Miss Thompson knew what he thought.

But she didn't mind. Politeness, she held, was the act of being
pleasant on the surface, no matter what a person really thought.
People were polite to their bosses, she pointed out, even though they
were perfectly sure that they could do a better job than the bosses
were doing.

So she insisted on the surface pretense that Malone was going through,
treating her like a Queen.

The psychiatrists had called her delusion a beautifully rationalized
one. As far as Malone was concerned, it made more sense than most of
real life.

"That's very nice of you, Sir Kenneth," the Queen said. "But I ask you
again, what kind of detective are you? Haven't you got any common
sense at all?"

Malone hated to admit it, but he had always had just that suspicion.
After all, he wasn't a very good detective. He was just lucky. His
luck had enabled him to break a lot of tough cases. But some day
people would find out, and then--

"Well," the Queen said, "at the very least you ought to _act_ like a
detective." She sniffed audibly. "Sir Kenneth, I'm ashamed that a
member of my own FBI can't do any better than you're doing now."

Malone blinked into the screen. He did feel ashamed in a vague sort of
way, and he was willing to admit it. But he did feel, wistfully, that
it would be nice to know just what he was being ashamed of. "Have I
been missing something?" he said.

"Outside of the obvious," the Queen said, "that you've been missing
your notebook--or rather Mike Fueyo's notebook--"

"Yes?" Malone said.

"You certainly have," the Queen said. "Don't you see what happened to
that notebook? You've been missing the only possible explanation."

"But there isn't any," Malone said. "Unless Miss Francis has it."

Her Majesty gave him a bright smile. "There!" she said.

"There, what?" Malone said.

"I knew you could do it," the Queen said. "All you had to do was apply
your intelligence, and you'd come up with just the fact you needed."

"What fact?" Malone said.

"That Miss Francis has your notebook," the Queen said. "You just told
me."

"All right," Malone said, and stopped and took a deep breath. "My
God," he said after a pause. "What is that supposed to mean? Did I
give it to her after all?"

"No," the Queen said.

"Did I lose it, and did she pick it up?"

"No," the Queen said.

"My God," Malone said again. "All right. I give up. Is this Twenty
Questions?"

"Sir Kenneth!" the Queen said. "What a way to talk to your Queen!"

Malone took another breath. "I'm sorry," he muttered. "But--"

"Yes, I know," the Queen said sympathetically. "You're upset. But you
didn't give Miss Francis the notebook, and she didn't find it after
you'd lost it."

"Then--" Malone stared. "She stole it. She stole it from me."

"I imagine she took it right from your jacket pocket," the Queen said.
"Now, if you'd only wear proper clothing, and a proper pouch at your
belt--"

"I'd be stared at," Malone said. "In court clothing."

"No one in New York would stare at you," the Queen said. "They'd think
it was what they call an advertising stunt."

"Anyhow," Malone said, "I wasn't wearing court clothing. So that made
it easy for her to steal the notebook. But why, for God's sake? Why?"

"Because," the Queen said, "she needed it."

_"Needed it?"_ Malone shrieked.

"Please, Sir Kenneth," the Queen said. "Don't talk to your Sovereign
in that manner. And I do wish you'd stop thinking of that girl as
Dorothy Francis. She isn't at all, you know."

"No," Malone said. "I don't know. If she isn't Dorothy Francis, who in
hell is she?"

"Don't swear, Sir Kenneth," the Queen said. "She's Dorothea Francisca
Fueyo, if you want to know."

Malone gulped. "Then she's--"

"That's right," the Queen said. "She's little Miguel Fueyo's older
sister."


                                  10

Malone put in a great deal of time, he imagined, just staring at the
face of the little old lady on the screen. At last he spoke. "My God,"
he said. "Her name is Fueyo. I'll be damned."

"I've told you," the Queen said with some asperity, "not to swear, Sir
Kenneth."

"I know," Malone said. "But--"

"You're excited," the Queen said. "You're stunned. Goodness, you don't
need to tell me that, Sir Kenneth. I know."

"But she's--" Malone discovered that he couldn't talk. He swallowed a
couple of times and then went on. "She's Mike Fueyo's sister."

"That's exactly right, Sir Kenneth," the Queen said. "That's just what
I told you."

"Then she swiped the book to protect her little brother," Malone said.
"Oh, boy."

"Exactly, Sir Kenneth," the Queen said.

"And she doesn't care about me at all," Malone said. "I mean, she only
went out with me because I was me. Malone. And she wanted the
notebook. That was all there was to it." He added an expletive. The
Queen frowned, but said nothing about it.

"I wouldn't say that if I were you," she went on. "Quite the contrary.
She does like you, you know. And she thinks you're a very nice
person." The Queen beamed. "You are, you know," she said.

"Oh," Malone said uncomfortably. "Sure."

"You don't have to think that she merely went out with you because of
her brother's notebook," the Queen said. "But she does have a strong
sense of loyalty--and he is--her younger brother, after all."

"He sure is," Malone said. "He's a great kid, little Mike."

"You see," the Queen continued imperturbably, "Mike told her about
losing the notebook the other night--when he struck you."

"When he struck me," Malone said. "Oh, yes. He struck me, all right."

"He guessed that you must have it when you started asking questions
about the Silent Spooks, you see," the Queen said. "That was the only
way you could have found out about him--unless you were telepathic.
Which, of course, you're not."

"No," Malone said.

"Now, understand me," the Queen said. "I do not think that his
striking you was a very nice act."

"I don't either," Malone said. "It hurt like--it hurt quite a lot."

"Certainly," the Queen said. "But he didn't hurt the car any, and he
didn't want to. He just wanted to ride around in it for a while."

"He likes red Cadillacs," Malone said.

"Oh, yes," the Queen said. "He thinks they're wonderful."

"Good for him," Malone said sourly.

"Well, now," the Queen said. "You just go right on over to her house.
Of course she doesn't live with an aunt."

"No," Malone said. "She lives with Mike and his mother."

"Why not?" the Queen said. "She's part of the family."

Malone nodded silently.

"She'll give you the book, Sir Kenneth. I just know that she will. And
I want you to be very nice to her when you ask for it. She's a very
nice girl, you know."

"She's a swell girl," Malone said morosely. "And I'll--hey. Wait a
minute."

"Yes, Sir Kenneth?"

"How come you can read her thoughts?" Malone said. "And Mike's? I
thought you had to know somebody pretty well before you could read
them at a distance like this. Do you? Know them, I mean."

"Oh, no," the Queen said. "But I can read _you_, of course." Malone
could see that the Queen was trying very hard not to look proud of
herself. "And last night," she went on, "you two were--well, Sir
Kenneth, you had a real _rapport_ with each other. My goodness, yes."

"Well," Malone said, "we--"

"Don't explain, Sir Kenneth," the Queen said. "It really isn't
necessary; I thought it was very sweet. And, in any case, I can pick
her up now. Because of that rapport. Not quite as well as I can pick
you up, but enough to get the strong surface thoughts."

"Oh," Malone said. "But Mike--"

"I can't pick him up at all, this far away," the Queen said. "There is
just a faint touch of him, though, through the girl. But all I know
about him is what she thinks." She smiled gently. "He's a nice boy,
basically," she said.

"Sure he is," Malone said. "He's got a nice blackjack,
too--basically." He grimaced. "Were you reading my mind all last
night?" he said.

"Well," the Queen said, "no. Toward morning you were getting so fuzzy
I just didn't bother."

"I can understand that," Malone said. "I nearly didn't bother myself."

The queen nodded. "But toward afternoon," she said, "I didn't have
anything to do, so I just listened in. You do have such a nice mind,
Sir Kenneth. So refreshing and different. Especially when you're in
love."

Malone blushed quietly.

"Oh, I know," the Queen said. "You'd much rather think of yourself as
a sort of apprentice lecher, a kind of cynical Don Juan, but--"

"I know," Malone said. "Don't tell me about it. All right?"

"Of course, Sir Kenneth," the Queen said, "if you wish it."

"Basically, I'm a nice boy," Malone said. "Sure I am." He paused. "Do
you have any more pertinent information, Your Majesty?"

"Not right now," the Queen admitted. "But if I do, I'll let you know."
She giggled. "You know, I had to argue awfully hard with Dr. Hatterer
to get to use the telephone," she said.

"I'll bet," Malone said.

"But I did manage," she said, and winked. "I won't have that sort of
trouble again."

Malone wondered briefly what dark secret Dr. Hatterer had, that Her
Majesty had discovered in his mind and used to blackmail him with. At
last he decided that it was probably none of his business, and didn't
matter too much anyway.

"Quite right, Sir Kenneth," the Queen said. "And good bye for now."

"Good-bye, Your Majesty," Malone said. He bowed again, and flipped off
the phone. Bowing in a phone booth wasn't the easiest thing in the
world to do, he thought to himself. But somehow he had managed it.

He reached into his pocket, half-convinced for a moment that it was an
Elizabethan belt-pouch. Talks with Her Majesty always had that effect;
after a time, Malone came to believe in the strange, bright world. But
he shook off the lingering effects of her psychosis, fished out some
coins and thought for a minute.

So Dorothy--Dorothea--had lifted the notebook. That was some help,
certainly. It let him know something more about the enemy he was
facing. But it wasn't really a lot of help.

What did he do now?

Her Majesty had suggested going to the Fueyo house, collaring the girl
(but treating her nicely, Malone reminded himself) and demanding the
book back. She'd even said he would get the book back, and since she
knew some of what went on in Dorothea Fueyo's mind, she was probably
right.

But what good was that going to do him?

He knew everything that was in the book. Getting it back was something
that could wait. It didn't sound particularly profitable, and it
didn't even sound like fun.

What he needed was a next move. He thought for a minute, dropped the
coins into the phone and dialed the number of the Police
Commissioner's office. After a brief argument with a secretary, he had
Fernack on the phone. And this time, Malone told himself, he was going
to be polite.

If possible.

"Good afternoon, John Henry," he said sunnily, when the commissioner's
face was finally on the screen. "Can you get me some more
information?"

Fernack stared at him sourly. "Depends," he said.

"On what?" Malone said, telling himself he wasn't going to get
irritated, and knowing perfectly well that he was lying.

"On what kind of information you want," Fernack said.

"Well," Malone said, "there's a warehouse I want to know some more
about. Who the owner is, for one thing, and--"

Fernack nodded. "I've got it," he said. He fished around on his desk,
and brought up a sheet of paper. He held it up to the screen while
Malone copied off the name and address. "Lieutenant Lynch told me all
about it."

"Lynch?" Malone said. "But he--"

"Lynch works for me, Malone," Fernack said. "Remember that."

"But he said he'd--"

"He said he wouldn't do anything, and he won't," Fernack said. "He
just reported it to me for my action. He knew I was working with you,
Malone. And I am his boss, remember."

"Great," Malone said. "Now, John Henry--"

"Hold it, Malone," Fernack said. "I'd like a little information too,
you know. I'd like to know just what the hell is going on, if it isn't
too much trouble."

"It's not that, John Henry," Malone said earnestly. "Really. It's just
that I--"

"All this about vanishing boys," Fernack said. "Disappearing into thin
air. All this nonsense."

"It isn't nonsense," Malone said.

"All right," Fernack said indulgently. "Boys disappear every day like
that. Sure they do." He leaned toward the screen and his voice was as
hard as his face. "Malone, are these kids mixed up with those
impossible robberies you had me looking up?"

"Well," Malone said, "I think so. But I doubt if you could prove it."

Fernack's face had begun its slow climb toward purple again. "Malone,"
he said, "if you're suppressing evidence, even if you are the FBI,
I'll--"

"I'm not suppressing any evidence," Malone said. "I don't think _you_
could prove a connection. I don't think _I_ could prove a connection.
I don't think _anybody_ could--not right now."

Fernack leaned back, apparently mollified.

"John Henry," Malone said, "I want to ask you to keep your hands off
this case. To let me handle it my way."

Fernack nodded absently. "Sure, Malone," he said.

_"What?"_

"I said sure," Fernack said. "Isn't that what you wanted?"

"Well, yes," Malone said, "but--"

Fernack leaned all the way back in his chair, his face a mask of
disappointment and frustration. "Malone," he said, "I wish I'd never
heard of this case. I wish I'd been retired or died before it ever
came up. I've been a police officer in New York for a long time, and I
wish this case had waited a few more years to happen."

He stopped. Malone leaned against the back wall of the phone booth and
lit a cigarette.

"Andy Burris called me less than half an hour ago," Fernack said.

"Oh," Malone said.

"That's right," Fernack said. "Good old Burris of the FBI. And he told
me this was a National Security case. National Security! It's your
baby, Malone, because Burris wants it that way." He snorted. "So don't
worry about me," he said. "I'm just here to co-operate. The patriotic,
loyal, dumb slave of a grateful government."

Malone blew out a plume of smoke. "You know, John Henry," he said,
"you might have made a good FBI man yourself. You've got the right
attitude."

"Never mind the jokes," Fernack said bitterly.

"Okay," Malone said. "But tell me, did you actually make arrangements
for me to get into that warehouse? I suppose you know that's what I
want."

"I guessed that much," Fernack said. "I haven't made any arrangements
at all yet, but I will. I'll have Safe and Loft get the keys, and a
full set of floor plans to the place while they're at it. Will that
do, Your Majesty?"

Malone choked on his smoke and shot a quick look over his shoulder.
There was nothing there but the wall of the booth. Queen Elizabeth I
was nowhere in evidence. Then he realized that Fernack had been
talking to him.

"Don't _do_ that," he said.

"What?" Fernack said.

Malone realized in one awful second how strange the explanation was
going to sound. Could he say that he thought he'd been mistaken for an
old friend of his, Elizabeth Tudor? Could he say that he'd just had a
call from her?

In the end he merely said, "Nothing," and let it go at that.

"Well, anyhow," Fernack said, "do you want anything else?"

"Not right now," Malone said. "I'll let you know, though And thanks,
John Henry. No matter why you're doing this, thanks."

"I don't deserve 'em," Fernack muttered. "And I hope you get caught in
some kind of deadfall and have to come screaming to the cops."

That, Malone reflected, was the second time a cop had suggested his
yelling if he got into trouble. Hadn't the police force ever heard of
telephones?

He said good-bye and flipped off.

Then he stared at the screen for a little while, as his cigarette
burned down between his fingers. At last he put the cigarette out and
went downstairs again to the bar.

If he had to do some heavy thinking, he told himself, there was
absolutely no reason why he couldn't enjoy himself a little while
doing it.

The evening rush had begun, and Malone found himself a stool simply by
slipping into one while a drinker's back was turned. Once ensconced,
he huddled himself up like an old drunk, thus effectively cutting
himself off from interruptions, and lit another cigarette. Ray was
down at the other end of the bar, chatting with a red-headed woman and
her pale, bald escort. Malone sighed and set himself to the job of
serious, constructive thinking.

_How,_ he asked himself, _do you go about catching a person who can
vanish away like so much smoke?_

Well, Malone could think of one solution, but it was pretty bloody.

Nailing the kids to a wall would probably work, but he couldn't say
much else for it. There had to be another way out. For some reason,
Malone just couldn't see himself with a mouthful of nails, a hammer,
and a teen-ager.

It sounded just a little too messy.

Then, of course, there were handcuffs.

That sounded a little better. The trouble was that Malone simply
didn't have enough information, and knew it. Obviously, the kids could
carry stuff with them when they teleported; the stuff they stole
proved that. And their clothes, Malone added. Apparently the kids
didn't arrive at wherever they went stark staring naked.

But how close to a teleport did the things he carried have to be?

In other words, Malone thought, if you put handcuffs on a teleport,
would the handcuffs vanish when the teleport did? And did that include
the part of the cuff you were holding?

What happened if you snapped half the cuff around your own wrist
first? Did you go along with the teleport? Or did your wrist go, while
you stayed behind and wondered how long it would take to bleed to
death?

Or what?

All the questions were intriguing ones. Malone sighed, wishing he knew
the answer to even one of them.

It was somewhat comforting to think that he'd managed to progress a
little, anyway. The kids hadn't meant anybody to find out about them;
but Malone had found out about them, and alerted all the cops in town,
as well as the rest of the FBI. He knew just who they were, and where
they lived, and how they performed the "miracles" they performed.

Anyhow, he knew something about that last item.

He even knew who had his notebook.

He tabled that thought, and went back to feeling victorious. Within a
few seconds, the sense of achievement was gone, and futility had come
in its place. After all, he still didn't know how to catch the kids,
did he?

No.

He thought about handcuffs some more and then gave up. He'd just have
to try it and see how it worked. And if the teleports took his wrist
away he'd--he'd go after them and make them give it back.

Sure he would.

That reminded him of the notebook again, and since the thing was being
so persistent, he decided he might as well pay some attention to it.

Dorothea had the notebook. Malone tried to see himself barging in on
her and asking for it, and he didn't care for the picture at all--no
matter how Good Queen Bess felt about it.

After all, she thought Mike Fueyo was basically a nice kid.

So what did she know?

He closed his eyes. There he was, in the Fueyo apartment, talking to
Dorothea.

"Dorothea," he muttered. "You filched my notebook."

That didn't sound very effective. And besides, it wasn't really his
notebook. He tried again.

"Dorothea, you pinched your brother's notebook."

Now, for some reason, it sounded like something covered by the Vice
Squad. It sounded terrible. But there were other ways of saying the
same thing.

"Dorothea," he muttered, "you borrowed your brother's notebook."

That was too patronizing. Malone told himself that he sounded like a
character straight out of 3-D screens, and settled himself gamely for
another try.

"Dorothea, you _have_ your brother's notebook."

To which the obvious answer was, "Yes, I do, and so what?"

Or possibly, "How do you know?"

And Malone thought about answering that one. "Queen Elizabeth told
me," was the literal truth, but somehow it didn't sound like it. And
he couldn't find another answer to give the girl.

"Dorothea," he said, and a voice from nowhere added:

"Will you have another drink?"

"Damn it," Malone exploded, "that's not the question. Drinks have
nothing to do with notebooks. It's notebooks I'm after. Can't you
understand..." Belatedly, he looked up.

There was Ray, the barman. "Oh," he said.

"I just came over," Ray said. "And I figured if you couldn't find your
notebook, maybe you'd like a drink. So long as you're here."

"Ray," Malone said with feeling, "you are an eminently reasonable
fellow. I accept your solution. Nay, more. I endorse your solution.
Wholeheartedly."

Ray went off to mix, and Malone stared after him happily. This was
really a nice place, he reflected; almost as nice as the City Hall Bar
in Chicago, where he'd gone long ago with his father.

But he tore his mind away from the happy past, and concentrated
instead on the miserable present. He decided for the last time that he
was not going to ask Dorothea for the book--not just yet, anyhow.
After all, it wasn't as if he needed the book; he knew his own name,
and he knew Lynch's name, and he knew the names on the second page.
And he didn't see any particular need for a picture of a red Cadillac,
no matter how nicely colored it was.

So, he asked himself, why embarrass everybody by trying to get it
back?

Of course, it _was_ technically a crime to pick pockets, and that went
double or triple for the pockets of FBI agents. But Malone told
himself that he didn't feel like pressing charges, anyhow. And Dorothy
probably didn't make a habit of pocket-picking.

He sighed and glanced at his watch. It was fifteen minutes of six.

Now he knew what his next move was going to be.

He was going to go back to his hotel and change his clothes.

That is, he amended, as soon as he finished the drink that Ray was
setting up in front of him.


                                  11

By the time Malone reached the Hotel New Yorker it was six-twenty.
Malone hadn't reckoned with New York's rush-hour traffic, and, after
seeing it, he still didn't believe it. Finding a cab had been
impossible, and he had started for the subway, hoping that he wouldn't
get lost and end up somewhere in Brooklyn.

But one look at the shrieking mob trying to sardine itself into the
Seventh Avenue subway entrance had convinced him it was better to
walk. Bucking the street crowds was bad enough. Bucking the subway
crowds was something Malone didn't even want to think about.

He let himself into his room, and was taking off his shoes with a
grateful sigh when there was a rap on the door of the bathroom that
connected his room with Boyd's. Malone padded over to the door, his
shoes in one hand. "Tom?" he said.

"You are expecting maybe Titus Moody?" Boyd called.

"Okay," Malone said. "Come on in."

Boyd pushed open the door. He was stripped to the waist, a state of
dress which showed the largest expanse of chest Malone had ever seen,
and he was carrying the small scissors which he used to trim his Henry
VIII beard. He stabbed the scissors toward Malone, who shuffled back
hurriedly.

"Listen," Boyd said. "Did you call the office after you left this
afternoon?"

"No," Malone admitted. "Why? What happened?"

"There was a call for you," Boyd said. "Long distance, just before I
left at five. I came on back to the hotel and waited until I heard you
come in. Thought you might want to know about it."

"I do, I guess," Malone said. "Who from?" Looking at Boyd, a
modern-day Henry VIII, the association was too obvious to be missed.
Malone thought of Good Queen Bess, and wondered why she was calling
him again.

And--more surprising--why she'd called him at FBI headquarters, when
she must have known that he wasn't there.

"Dr. O'Connor," Boyd said.

"Oh," Malone said, somewhat relieved. "At Yucca Flats."

Boyd nodded. "Right," he said.

"You're to call operator nine."

"Thanks." Malone went over to the phone, remembered his shoes and put
them down carefully on the floor. "Anything else of importance?" he
asked.

"On the Cadillacs," Boyd said. "We've got a final report now.
Leibowitz and Hardin finally finished checking the last of them; there
weren't quite as many as we were afraid there were going to be. Red
isn't a very popular color around here."

"Good," Malone said.

"And there isn't a doggone thing on any of 'em," Boyd said. "Oh, we
cleared up a lot of small-time crime, one thing and another, but
that's about all. No such thing as an electro-psionic brain to be
found anywhere in the lot. Leibowitz says he's willing to swear to
it."

Malone sighed. "I didn't think he'd find one," he said.

"You didn't?"

"No," Malone said.

Boyd stabbed at him with the scissors again. "Then why did you cause
all that trouble?" he said.

"Because I thought we might find electro-psionic brains," Malone said
wearily. "Or one, anyhow."

"But you just said--"

Malone picked up the phone, got long distance, and motioned Boyd to
silence in one sweeping series of moves. The long-distance operator
said, "Yes, sir? May we help you?"

"Give me operator nine," Malone said.

There was a buzz, a click, and a new voice which said, "Operator
ni-yun. May we help you?"

"All nine of you?" Malone muttered. "Never mind. This is Kenneth
Malone. I've got a call from Dr. Thomas O'Connor at Yucca Flats.
Please connect me."

There was another buzz, a click and an ungodly howl which was followed
by the voice of operator ni-yun saying, "We are connecting you. There
will be a slight delay. We are sor-ree."

Malone waited. At last there was another small howl, and the screen
lit up. Dr. O'Connor's face, as stern and ascetic as ever, stared
through at Malone.

"I understand you called me," Malone said.

"Ah, yes," Dr. O'Connor said. "It's very good to see you again, Mr.
Malone." He gave Malone a smile good for exchange at your corner
grocery; worth, one icicle.

"It's good to see you too," Malone lied.

"Mr. Burris explained to me what it was that you wanted to talk to me
about," O'Connor said, "Am I to understand that you have actually
found a teleport?"

"Unless my theories are away off," Malone said, "I've done a lot
better than that. I've found eight of them."

"Eight." Dr. O'Connor's smile grew perceptibly warmer. It now stood at
about thirty-four degrees Fahrenheit. "That is really excellent, Mr.
Malone. You have done a fine job."

"Thanks," Malone muttered. He wished that O'Connor didn't make him
feel quite so much like a first-year law student talking to an
egomaniacal professor.

"When can you deliver them?" O'Connor said.

"Well," Malone said carefully, "that depends." O'Connor seemed to
view the teleports as pieces of equipment, he thought. "I can't
deliver them until I catch them," he said. "And that's why I wanted to
talk to you."

"Some slight delay," Dr. O'Connor said, "will be quite
understandable." His face left no doubt that he didn't like the
necessity of understanding anything that was going to keep him and the
eight teleports apart for even thirty seconds longer, now that he knew
about them.

"You see," Malone said, "they're kids. Juvenile delinquents, or
something like that. But they are teleports, that's for sure."

"I see," Dr. O'Connor said.

"So we've got to nab them," Malone said. "And for that I need all the
information I can get."

Dr. O'Connor nodded slowly. "I'll be happy," he said, "to give you any
information I can provide."

Malone took a deep breath, and plunged. "How does this teleportation
bit work, anyhow?" he said.

"You've asked a very delicate question," Dr. O'Connor said. "Actually,
we can't be quite positive." His expression showed just how little he
wanted to make this admission. "However," he went on, brightening,
"there is some evidence which seems to show that it is basically the
same process as psychokinesis. And we do have quite a bit of empirical
data on psychokinesis." He scribbled something on a sheet of paper and
said, "For instance, there's this." He held the paper up to the screen
so that Malone could read it.

It said:

(m*d)/(f*t**2) = 1/k

Malone looked at it for some seconds. At last he said, "It's very
pretty. What the hell is it?"

"This," Dr. O'Connor said, in a condescending tone of voice that
meant, You should have known all along, but you're just hopeless, "is
the basic formula for the phenomenon, where _m_ is the mass in grams,
_d_ is the distance in centimeters, _f_ is the force in dynes, and _t_
is the time in seconds. _K_ is a constant whose value is not yet
known, and the numeral 1 is unity."

Malone said, "Hmm," and stared at the equation again. Somehow, the
explanation was not very helpful. The numeral 1 was unity. He
understood that much, all right, but it didn't seem to do him any
good.

"As you can see," Dr. O'Connor went on, "the greater the force, and
the longer time it is applied, the greater distance any given mass can
be moved. Or, contrariwise, the more mass, the greater mass, that is,
the easier it is to move it any given distance. This is, as you
undoubtedly understand, not at all in contradistinction to physical
phenomena."

"Ah," Malone said, feeling that something was expected of him, but not
being quite sure what.

Dr. O'Connor frowned. "I must admit," he said, "that the uncertainty
as to the constant _k_, and the lack of any real knowledge as to just
what kind of force is being applied, have held up our work so far."
Then his face smoothed out. "Of course, when we have the teleports to
work with, we may derive a full set of laws which--"

"Never mind that now," Malone said.

"But our work is most important, Mr. Malone," Dr. O'Connor said with a
motion of his eyebrows. "As I'm sure you must understand."

"Oh," Malone said, feeling if he'd been caught without his homework,
"of course. But if you don't mind--"

"Yes, Mr. Malone?" Dr. O'Connor said smoothly.

"What I want to know," Malone said, "is this. What are the limitations
of this--uh--phenomenon?"

Dr. O'Connor brightened up thoroughly. "Well, theoretically," he said,
"there do not appear to be any limitations. However, practical
limitations do exist. If the process is at all parallel with
psychokinesis, or with levitation"--he stared at Malone, as if daring
him to say that it wasn't--"if that parallel exists, then the subject
is mentally limited by his own physical strength."

Malone said, "What?"

"Try and be patient, Mr. Malone," O'Connor said calmly. "Please. As I
was saying, the subject is limited by his own physical strength. In
other words, he cannot move psionically any subject larger than he can
lift physically. This appears to be a psychological limitation
which--"

"Oh," Malone said. "You mean he couldn't carry off a building, or
anything like that?"

"Of course not," Dr. O'Connor said. "Nor, as a matter of fact, could
he carry off anything that was securely bolted down. I hope you follow
me."

"I think so," Malone said. "But look here. Suppose you handcuffed him
to, say, a radiator, or a jail cell bar."

"Yes?"

"Could he get _away_?"

Dr. O'Connor appeared to consider this with some care. "Well," he said
at last, "he certainly couldn't take the radiator with him, or the
cell bar. If that's what you mean." He hesitated, looked slightly
shamefaced, and then went on: "But you must realize that we lack any
really extensive data on this phenomenon."

"Of course," Malone said.

"That's why I'm so very anxious to get those subjects," Dr. O'Connor
said.

"Dr. O'Connor," Malone said earnestly, "that's just what I had in mind
from the start. I've been going to a lot of extra trouble to make sure
that those kids don't get killed or end up in reform schools or
something, just so you could work with them."

"I appreciate that, Mr. Malone," O'Connor said gravely.

Malone felt as if someone had given him a gold star. Fighting down the
emotion, he went on: "I know right now that I can catch one or two of
them. But I don't know for sure that I can hold one for more than a
fraction of a second."

"I see your problem," Dr. O'Connor said. "Believe me, Mr. Malone. I do
see your problem."

"And is there a way out?" Malone said. "I mean a way I can hold on to
them for--"

"At present," Dr. O'Connor said heavily, "I have no suggestions. I
lack data."

"Oh, fine," Malone said. "We need the kids to get the data, and we
need the data to get the kids." He sighed. "Hooray for our side," he
added.

"There does appear to be something of a dilemma here," Dr. O'Connor
admitted sadly.

"Dilemma is putting it mildly," Malone said.

Dr. O'Connor opened his mouth, shut it, opened it again and said, "I
agree."

"Well," Malone said, "maybe one of us will think of something. If
anything does occur to you, let me know at once."

"I certainly will," Dr. O'Connor said. "Believe me, Mr. Malone, I want
you to capture those kids just as badly as you want to capture them
yourself."

"I'll try," Malone said at random. He flipped off and turned with a
sense of relief back to Boyd. But it looked as if Henry VIII had been
hit on the head with a cow, or something equally weighty. Boyd looked
glassy-eyed and slightly stunned.

"What's the matter with you?" Malone said. "Sick?"

"I'm not sick," Boyd said carefully. "At least I don't think I'm sick.
It's hard to tell."

"What's wrong?"

"Teleporting!" Boyd said. "Juvenile delinquents!"

Malone felt a sudden twinge in the area of his conscience. He realized
that he had told Boyd nothing at all about what had been going on
since the discovery of the notebook two nights ago. He filled his
partner in rapidly, while Boyd stood in front of the mirror and rather
shakily attempted to trim his beard.

"That's why I had the car search continue," Malone said. "I was fairly
sure the fault wasn't in the cars, but the boys. But I had to make
absolutely sure."

Boyd said, "Oh," chopped a small section out of the center of his
beard and added, "Damn. My hand's shaky."

"Well," Malone said, "that's the story."

"It's a hell of a story," Boyd said. "And I don't want you to think I
don't believe it. Because I don't."

"It's true," Malone said.

"That doesn't affect me," Boyd said. "I'll go along with the gag. But
enough is enough. Vanishing teenagers. Ridiculous."

"Just so you go along with me," Malone said.

"Oh, I'll go along," Boyd said. "This is my vacation too, isn't it?
What's the next move, Mastermind?"

"We're going down to that warehouse," Malone said decisively. "I've
got a hunch the kids have been hiding there ever since they left their
homes yesterday."

"Malone," Boyd said. "What?"

"You mean we're going down to the warehouse _tonight_?" Boyd said.

Malone nodded.

"I might have known," Boyd said. "I might have known!"

"Tom," Malone said. "What's wrong?"

"Oh, nothing," Boyd said. "Nothing at all. Everything's fine and
dandy. I think I'm going to commit suicide, but don't let that bother
you."

"What happened?" Malone said.

Boyd stared at him. "You happened," he said. "You and the teen-agers
and the bloody damn warehouse happened. Three days' work--ruined."

Malone scratched his head, found out that his head still hurt and put
his hand down again. "What work?" he said.

"For three days," Boyd said, "I've been taking this blonde chick all
over New York. Wining her. Dining her. Spending money as if I were
Burris himself, instead of the common or garden variety of FBI agent.
Night clubs. Theaters. Bars. The works. Malone, we were getting along
famously. It was wonderful."

"And tonight--" Malone said.

"Tonight," Boyd said, "was supposed to be the night. The big night.
The payoff. We've got a date for dinner--T-bone steak, two inches
thick, with mushrooms. At her apartment, Malone. She will probably--"

"You'll have to break it," Malone said sympathetically. "Too bad, but
it can't be helped now. You can pick up a sandwich before you go."

"A sandwich," Boyd said with great dignity, "is not my idea of
something to eat."

"Look, Tom--" Malone began.

"All right, all right," Boyd said tiredly. "Duty is duty. I'll go call
her."

"Fine," Malone said. "And meanwhile, I'll get us a little insurance."

"Insurance?"

"John Henry Fernack," Malone said, "and his Safe and Loft Squad."


                                  12

The warehouse was locked up tight, all right, Malone thought. In the
dim light that surrounded the neighborhood, it stood like a single
stone block, alone near the waterfront. There were other buildings
nearby, but they seemed smaller; the warehouse loomed over Malone and
Boyd threateningly. They stood in a shadow-blacked alley just across
the street, watching the big building nervously, studying it for weak
points and escape areas.

Boyd whispered softly, "Do you think they have a look-out?"

Malone's voice was equally low. "We'll have to assume they've got at
least one kid posted," he said. "But they can't be watching all the
time. Remember, they can't do everything."

"They don't have to," Boyd said. "They do quite enough for me. Do you
realize that, right now, I could be--"

"Break it up," Malone said. He took a small handset from his pocket
and pressed the stud. "Lynch?" he whispered.

A tinny voice came from the earpiece. "Here, Malone."

"Have you got them located yet?" Malone said.

"Not yet," Lynch's voice replied. "We're working on a triangulation
now. Just hold on for a minute or so. I'll let you know as soon as
we've got results."

The police squads--Lynch and his men, the warehouse precinct men, and
the Safe and Loft Squad--had set up a careful cordon around the area,
and were now hard at work trying to determine two things.

First, they had to know whether there was anybody in the building at
all.

Second, they had to be able to locate anyone in the building with
precision.

The silence of the downtown warehouse district helped. They had
several specially designed, highly sensitive directional microphones
aimed at the building from carefully selected spots around the area,
trying to pick up the muffled sounds of speech or motion within the
warehouse. The watchmen in buildings nearby had been warned off for
the time being so that their footsteps wouldn't occlude any results.

Malone waited, feeling nervous and cold. Finally Lynch's voice came
through again. "We're getting something, all right," he said. "There
are obviously several people in there. You were right, Malone."

"Thanks," Malone said. "How about that fix?"

"Hold it a second," Lynch said. Wind swept off the river at Malone and
Boyd. Malone closed his eyes and shivered. He could smell fish and
iodine and waste, the odor of the Hudson as it passes the city. Across
the river lights sparkled warmly. Here there was nothing but darkness.

A long time passed, perhaps ten seconds.

Then Lynch's voice was back. "Sergeant McNulty says they're on the top
floor, Malone," he said. "Can't tell how many for sure. But they're
talking and moving around."

"It's a shame these things won't pick up the actual words at a
distance," Malone said.

"Just a general feeling of noise is all we get," Lynch said. "But it
does some good."

"Sure," Malone said. "Now listen carefully. Boyd and I are going in.
Alone."

Lynch's voice whispered, "Right."

"If those mikes pick up any unusual ruckus--any sharp increase in the
noise level--come running," Malone said. "Otherwise, just sit still
and wait for my signal. Got that?"

"Check," Lynch said.

Malone pocketed the radiophone. "Okay, Tom," he whispered. "This is
it."

"Right," Boyd muttered. "Let's move in."

"Wait a minute," Malone said. He took his goggles and brought them
down over his eyes, adjusting the helmet on his head. Boyd did the
same. Malone flicked on the infrared flashlight he held in his hand.

"Okay?" he whispered. "Check," Boyd said.

Thanks to the goggles, both of them could see the normally invisible
beams of the infrared flashlight. They'd equipped themselves to move
in darkness without betraying themselves, and they'd be able to see
where a person without equipment would be blind.

Malone stayed well within the shadows as he moved silently around to
the alley behind the warehouse, and then to a narrow passageway that
led to the building next door. Boyd followed a few feet behind him
along the carefully planned route.

Malone unlocked the small door that led into the ground floor of the
building adjoining. As he did so, he heard a sound behind him and
called, "Tom?"

"Hey, Malone," Boyd whispered. "It's--"

Before there was any outcry, Malone rushed back. Boyd was struggling
with a figure in the dimness. Malone grabbed the figure and clamped
his hand over its mouth. It bit him. He swore in a low voice, and
clamped the hand over the mouth again.

It hadn't taken him more than half a second to realize what, whoever
it was who struggled in his arms, it wasn't a boy.

"Shut up!" Malone hissed in her ear. "I won't hurt you."

The struggle stopped immediately. Malone gently eased his hand off the
girl's mouth. She turned and looked at him.

"Kenneth Malone," she said, "you look like a man from Mars."

"Dorothea!" Malone gasped. "What are you doing here? Looking for your
brother?"

"Never mind that," she said. "You play too rough. I'm going home to
Mother."

"Answer me!" Malone said.

"All right," Dorothea said. "You must know anyhow, since you're
here.... Yes, I'm looking for that fatheaded brother of mine. But now
I suppose it's too late. He'll--he'll go to prison."

Her voice broke. Malone found his shoulder suddenly occupied by a
crying face.

"No," he said quickly. "No. Please. He won't."

"Really?"

Boyd whispered: "Malone, what is this? It's a hell of a place for a
date. And I--"

"Oh, shut up," Malone told him in a kindly fashion. He turned back to
Dorothea. "I promise he won't," he said. "If I can just talk to your
brother, make him listen to reason, I think we can get him and the
others off. Believe me."

"But you--"

"Please," Malone said. "Believe me."

"Oh, Ken," Dorothea said, raising her head. "Do you mean it?"

"Sure I mean it," Malone said. "What have I been saying? The
Government needs these kids."

"The Government?"

"It's nothing to worry about," Malone said. "Just go on home now, and
I'll call you tomorrow. Late tonight, if I can. All right?"

"No," Dorothea said. "It's not all right. Not at all."

"But--"

Boyd hissed, "Malone!"

Malone ignored him. He had a bigger fight on his hands. "I'm not going
home," Dorothea announced. "I'm going in there with you. After all,"
she added, "I can talk more sense into Mike's head than you can."

"Now look," Malone began.

Dorothea grinned in the darkness. "If you don't take me along," she
said quietly, "I'll scream and warn them."

Malone surrendered at once. He had no doubt at all that Dorothea meant
what she said. And, after all, the girl might really be some use to
them. And there probably wouldn't be much danger.

Of course there wouldn't, he thought. He was going to see to that.

"All right," he said. "Come along. Stick close to us, and don't worry
about the darkness. We can see, even if you can't, so let us guide
you. And for heaven's sake be quiet!"

Boyd whispered, "Malone, what's going on?"

"She's coming with us," Malone said, pointing to Dorothea.

Boyd shrugged. "Malone," he said, "who do you think you are? The Pied
Piper of Hamelin?"

Malone wheeled and went ahead. Opening the door, he played his I-R
flashlight on the room inside and he, Boyd, and Dorothea trailed in,
going through rooms piled with huge boxes. They went up an iron
stairway to the second floor, and so on up to the roof.

They moved quickly across the roof to the wall of the warehouse, which
was two stories higher than the building they were on. Of course there
were no windows in the warehouse wall facing them, except on the top
story.

But there was a single, heavy, fireproof emergency exit. It would have
taken power machinery or explosive to open that door from the outside
without a key, although from the inside it would open easily.
Fortunately, Malone had a key.

He took it out and stepped aside. "Give that lock the works," he
whispered to Boyd.

Boyd took a lubricant gun from his pocket and fired three silent shots
of special oil into the lock. Then he shot the hinges, and the cracks
around the door.

They waited for a minute or two while the oil, forced in under
pressure, did its work. Then Malone fitted the key carefully into the
lock and turned it, slowly and delicately.

The door swung open in silence. Malone slipped inside, followed by
Boyd and Dorothea Fueyo.

Infrared equipment went on again, and the eerie illumination spread
over their surroundings. Malone tapped Boyd on the shoulder, and
jerked his thumb toward the back stairs. This was plainly no time for
talk.

From the floor above, they could hear the murmur of youthful voices.

They started for the stairway. Fortunately, the building was of the
steel-and-concrete type; there were no wooden floors to creak and
groan beneath their feet.

At the bottom of the stairs, they paused. Voices came down the
stairwell clearly, even words being defined in the silence.

"...and quit harping on whose fault it was." Malone recognized Mike
Fueyo's voice. "That FBI guy was onto us, and we had to pull out; you
know that. We always figured we'd have to pull out some day. So why
not now?"

"Yeah," another voice said. "But you didn't have to go and vanish
right under that Fed's nose. You been beating it into our heads not to
do that sort of stuff ever since we first found out we could make this
vanishing bit. And then you go and do it in front of a Fed. Sure, you
got a big bang out of it, but is it smart? I ask you--"

"Yeah?" Mike said. "Listen, Silvo, they never would've got onto us if
it hadn't been for your stupid tricks. Slugging a cop on the dome.
Cracking up a car. You and your bug for speed!"

Malone blinked. Then it hadn't been Miguel Fueyo who'd hit Sergeant
Jukovsky, but Silvo. Malone tried to remember the list of Silent
Spooks. Silvo Envoz--that was his name.

"You slugged the FBI guy, Mike," Silvo said. "And now you got us all
on the run. That's your fault, Mike. I want to see my old lady."

"I had to slug him," Mike said. "Listen, all Ramon's stuff was in that
Cadillac. What would've happened if he'd found all that stuff?"

"So what happened anyway?" a third voice said (That was probably
Ramon Otravez, Malone thought.) "He found your stupid notebook, didn't
he? He went yelling to the cops, didn't he? We're running, ain't we?
So what's the difference?"

"Shut up!" Mike roared.

"You ain't telling me to shut up!"

"Me either," Silvo yelled. "You think you're a great big big-shot! You
think you're king of the world!"

"Who figured out the Vanish?" Mike screamed. "You'd all be a bunch of
bums if I hadn't showed you that! And you know it! You'd all--"

"Don't give us that," Silvo said. "We'd have been able to do it, same
as you. Like you said, anybody who's got talent could do it. There
were guys you tried to teach--"

"Sure," said a fourth voice. "Listen, Fueyo, you're so bright--so why
don't you try teaching it to somebody who don't have the talent?"

"Yeah," said voice number five. "You think you could teach that flashy
sister of yours the Vanish?"

"You shut up about my sister, Phil!" Mike screamed.

"So what's so great about her?"

"She got that book back from the Fed," Mike said. "That's what. It's
enough!"

"Hell," a voice said, "any dame with a little--"

"Shut your goddamn face before I shut it for you!"

Malone couldn't tell who was yelling what at who after a minute. They
all seemed unhappy about being on the run from the police, and they
were all tired of being cooped up in a warehouse under Mike's orders.
Mike was the only person they could take it out on--and Mike was under
heavy attack.

Two of the boys, surprisingly, seemed to side with him. The other five
were trying to outshout them. Malone wondered if it would become a
fight, and then realized that these kids could hardly fight each other
when the one who was losing could always fade out.

He leaned over and whispered to Dorothea and Boyd, "Let's sneak up
there while the argument's going on."

"But--" Boyd began.

"Less chance of their noticing us," Malone explained, and Started
forward.

They tiptoed up the stairs and got behind a pile of crates in the
shadows, while invective roared around them. This floor was lit by a
single small bulb hanging from a socket in the ceiling. The windows
were hung with heavy blankets to keep the light from shining out.

The kids didn't notice anything except each other. Malone took a
couple of deep breaths and began to look around.

All things considered, he thought, the kids had fixed the place up
pretty nicely. The unused warehouse had practically been made over
into an apartment. There were chairs, beds, tables, and everything
else in the line of furnishings for which the kids could conceivably
have any use. There were even some floor lamps scattered around, but
they weren't plugged in. Malone guessed that a job would have to be
done on the warehouse wiring to get the floor lamps in operation, and
the kids just hadn't got around to it yet.

By now the boys were practically standing toe-to-toe, ripping
air-blueing epithets at each other. Not a single hand was lifted.

Malone stared at them for a second, then turned to Dorothea. "We'll
wait till they calm down a little," he whispered. "Then you go out and
talk to them. Tell them we won't hurt them or lock them up or
anything. All we want to do is talk to them for awhile."

"All right," she whispered back.

"They can vanish any time they want to," Malone said, "so there's no
reason for them not to listen to--"

He stopped suddenly, listening. Over the shouting, screaming, and
cursing of the kids, he heard motion on the floor below.

Cops?

It couldn't be, he told himself. But when he took out his radiophone,
his hands were shaking a little.

Lynch's voice was already coming over it when Malone thumbed it on.

"...so hang on, Malone! I repeat: We heard the ruckus, and we're
coming in! We're on our way! Hang on, Malone!"

The voice stopped. There was a click.

Malone stared at the handset, fascinated and horrified. He swallowed.
"No, Lynch!" he whispered, afraid to talk any louder for fear the kids
would hear him. "No! Don't come up. Go away. Repeat: Go away! Stay
away, Lynch!"

It was no use. The radiophone was dead.

Lynch, apparently thinking Malone's set had been smashed in the fight,
or else that Malone was unconscious, had shut his own receiver off.

There was absolutely nothing that Malone could do.

The kids were still yelling at the top of their voices, but the
thundering of heavy, flat feet galumphing up from the lower depths
couldn't be ignored for long. All the boys noticed it at about the
same time. They jerked their heads round to face the stairway. Malone
and his compatriots crouched lower behind the boxes.

Mike Fueyo was the first to speak. "Don't vanish yet," he snapped.
"Let's see who it is."

The internal dissent among the Silent Spooks disappeared as if it had
never been, as they faced a common foe. Once again they fell naturally
under Fueyo's leadership. "If it's cops," he said, "we'll give 'em the
grasshopper play we worked out. We'll show 'em."

"They can't fool with us," another boy said. "Sure. The grasshopper
play."

It was cops, all right. Lieutenant Lynch ran up the stairs waving his
billy in a heroic fashion, followed by a horde of blue-clad officers.

"Where's Malone?" Lynch shouted as he came through the doorway.

"Where's your what?" Mike yelled back, and the fight was on.

Later, Malone thought that he should have been surprised, but he
wasn't. There wasn't any time to be surprised. The kids didn't
disappear.

They spread out over the floor of the room easily and lightly, and the
cops charged them in a great blundering mass.

Naturally, the kids winked out one by one--and re-formed in the center
of the cops' muddle. Malone saw one cop raise his billy and swing it
at Mike. Mike watched it come down and vanished at the last instant.
The cop's billy descended on the head of another cop, standing just
behind where Mike had been.

The second cop, blinded by the blow on his head, swung back and hit
the first cop. Meanwhile, Mike was somewhere else.

Malone stayed crouched behind the boxes. Dorothea stood up and
shouted, "Mike! Mike! We just want to talk to you!"

Unfortunately, the police were making such a racket that this could
not be heard more than a foot or so from the speaker. Lynch himself
charged into the mass, swinging his billy and his free fist, and
laying others out one after the other. Pretty soon the floor was
littered with cops. Lynch was doing yeoman duty, but it was hard to
tell what side he was on.

The vanishing trick Mike had worked out was being used by all of the
kids. Cops were hitting other cops, Lynch was hitting everybody, and
the kids were winking on and off all over the loft. It was a scene of
tremendous noise and carnage.

Malone suddenly sprang to his feet and charged into the melee,
shouting at the top of his lungs and swinging both fists. The first
person he saw was one of the teen-agers, and he charged him with
abandon.

He should, he reflected, have known better. The kid disappeared.
Malone caromed off the stomach of a policeman, received a blow on the
shoulder from his billy, and rebounded into the arms of a surprised
police officer at the edge of the battle.

"Who're you?" the officer gasped.

"Malone," Malone said.

"You on our side?"

"How about you?" Malone said.

"I'm a lieutenant here," the officer said. "In charge of the warehouse
precinct. I--"

Malone and the lieutenant stepped nimbly aside as another cop careened
by them, waving his billy helplessly. They looked away as the crash
came. The cop had fallen over a table, and now lay with his legs in
the air, supported by the overturned table, blissfully unconscious.

"We seem," Malone said, "to be in an area of some activity. Let's
move."

They shifted away a few feet. Malone looked into the foray and saw
Boyd at work, roaring and going after the kids. One of them had
established a kind of game with him. He appeared just in front of
Boyd, who rushed at him, arms outstretched. As Boyd almost reached
him, the kid disappeared, and reappeared again just behind Boyd. He
tapped the FBI agent gently on the shoulder; Boyd turned and the
process was repeated.

Boyd seemed to be getting winded.

"Damn kids," the lieutenant muttered suddenly, and dashed back into
the fray. Malone looked around, saw Mike Fueyo flickering in and out
at the edges, and headed for him.

A cop swung at Mike, missed, and hit Malone on the arm. Malone swore.
The cop backed off, looking in a bewildered fashion for his victim,
who was nowhere in sight. Then Malone caught sight of him, at the
other edge of the fight. He started to work his way around.

He tried to avoid blows, but it wasn't always possible. A reeling cop
caught his lapel and tore it, and Lynch, indefatigable in battle,
managed to graze his chin with a blow meant for one of the
disappearing boys. Other cops were battling each other, going after
the kids and clutching empty air, cursing and screaming unheard orders
in the fracas.

Malone ducked past Lynch, rubbed at his chin and looked for Mike. In
the tangle of bodies it was getting hard to see. There was the sound
of breaking ceramics as a floor lamp went over, and then a table
followed it, but Malone avoided both. He looked for Mike Fueyo.

A cop clutched him around the middle, out of nowhere, said, "Sorry,
buddy. Who the hell are you?" and dove back into the mass of bodies.
Malone caught his breath and forged onward.

There was Mike, at the edge of the fight, watching everything coolly.
No cop was near him. In the dim light the place looked like a scene
from hell, a special hell for policemen.

Malone wove through battling hordes to the edge, and came out a few
feet away from Mike Fueyo.

Fueyo didn't see him. He was looking at Boyd instead--still stumbling
back and forth as the teen-ager baiting him winked on and off in front
of him and behind him. He was laughing.

Malone came up silently from behind. The trip seemed to take hours. He
was being very quiet, although he was reasonably sure that even if he
yelled he wouldn't be heard. But he didn't want to take the slightest
chance.

He sprang on Mike, and attached the handcuffs to his wrist and to
Mike's wrist within ten seconds.

"Ha!" he said involuntarily. "Now come with me!"

He gave his end of the handcuffs a tremendous yank.

He started to stagger, trailing an empty cuff behind him, flailing his
arms wildly. Ahead of him he could see a big cop with an upraised
billy. Malone tried to alter his course, but it was too late. He
skidded helplessly into the cop, who jerked round and swung the billy
automatically. Malone said: "Ugh," as he caught the blow on the
cheekbone, bounced off the cop and kept going.

He careened past a blur of figures, trying to avoid hard surfaces and
other human beings. But there was--

Oh, no, Malone thought. Lynch.

Lynch was ready to swing. His fist was cocked, and he was heading for
one of the teen-agers with murder in his eye. Malone knew their paths
were going to intersect. "Watch out," he yelled. "Watch out, it's me!
Stop me! Somebody stop me!" He went completely unheard.

Lynch swung and missed, hitting a cop who had been hiding behind the
teen-ager. The cop went down to join the wounded, and Lynch roared
like a bull and swung around, looking for more enemies.

That was when Malone hit him.

Long afterward, he remembered Lynch's hat sailing through the air, and
landing in the center of a struggling mass of policemen. He remembered
Lynch saying, "So there you are!" and swinging before he looked.

He remembered the blow on the chin.

And then he remembered falling, and falling, and falling. Somewhere
there was a voice: "Where the hell are they? They've disappeared for
good."

And then, for long seconds, nothing.

He woke up with a headache, but it wasn't too bad. Surprisingly, not
much time had passed; he got up and dusted off his trousers, looking
around at the battlefield. Wounded and groaning cops were lying all
over. The room was a shambles; the walking wounded--which comprised
the rest of the force--were stumbling around in a slow, hopeless sort
of fashion.

Lynch was standing next to him. "Malone," he said, "I'm sorry. I hit
you, didn't I?"

"Uh-huh," Malone said. "You seemed to be hitting every body."

"I was _trying_ for the kids," Lynch said.

"So was I," Malone said. "I got the cuffs on one and yanked him along,
but he disappeared and left me with the cuffs."

"Great," Lynch said. "Hell of a raid."

"Very jolly," Malone agreed. "Fun and games were had by all."

A cop stumbled up, handed Lynch his cap and disappeared without a
word. Lynch stared mournfully at it. The emblem was crushed, and the
cap looked rather worn and useless. He put it on his head, where it
assumed the rakish tilt of a hobo's favorite tam-o'-shanter, and said,
"I hope you're not thinking of blaming _me_ for this fiasco."

"Not at all," Malone said nobly. He hurt all over, but on reflection
he thought that he would probably live. "It was nobody's fault."
Except, he thought, his own. If he'd only told Lynch to come in when
called for--and under no other circumstances--this wouldn't have
happened. He looked around at the remains of New York's Finest, and
felt guilty.

The lieutenant from the local precinct limped up, rubbing a
well-kicked shin and trying to disentangle pieces of floor lamp from
his hair. "Listen, Lynch," he said, "What's with these kids? What's
going on here? Look at my men."

"Some days," Lynch said, "it just doesn't pay to get up."

"Sure," the local man said. "But what do I do now?"

"Make your reports."

"But--"

"To the Commissioner," Lynch said, "and to nobody else. If this gets
into the papers, heads will roll."

"My head is rolling right now," the local man said. "Know what one of
those kids did? Stood in front of a floor lamp. I swung at him and he
vanished. Vanished! I hit the lamp, and then the lamp hit me."

"Just see that this doesn't get out," Lynch said.

"It can't," the local man said. "Anybody who mentioned this to a
reporter would just be laughed out of town. It's not possible." He
paused thoughtfully, and added, "We'd all be laughed out of town."

"And probably replaced with the FBI," Lynch said morosely. He looked
at Malone. "Nothing personal, you understand," he said.

"Of course," Malone said. "We can't do any more here, can we?"

"I don't think we can do any more anywhere," Lynch said. "Let's lock
the place up and leave and forget all about it."

"Fine," Malone said. "I've got work to do." He looked around, found
Dorothea and signaled to her. "Come on, Dorothea. Where's Boyd?"

"Here I am," Boyd said, walking slowly across the big room to Malone.
He had one hand held to his chin.

"What's the matter with you?" Malone asked.

Boyd took his hand away. There was a bald spot the size of a quarter
on the point of his chin. "One of those kids," he said sadly, "has a
hell of a strong grip. Come on, Miss Fueyo. Come on, Malone. Let's get
out of here."


                                  13

"Logically," Malone said, "there has to be _some_ way to catch them."
He looked around the hotel room as though he expected to find an
answer painted in big black letters on the wall. "Logically," he said
again, and tried to think of what came next. He liked the sound of the
word, but that was as far as it went.

"That's fine," Boyd said. He sat on a chair, staring gloomily at the
floor and rubbing the bald spot on his chin with a single, sad,
inquisitive forefinger. "There has to be an answer. You're probably
right. But what the hell is it?"

Malone started to answer, and then wondered what he had been going to
say. He sunk himself in thought. There was a knock at the door. "Who's
there?" he called, glad of any relief at all.

"It's me," a small voice said. "Dorothea."

"Come in," Malone said.

The door opened. Dorothea came in, shut the door behind her, and
looked around the room a little awkwardly.

"Did you get a good night's sleep?" Malone said.

She nodded. "I guess so," she said. "Sure. It was nice of you to get
me a room for the night. I mean, I guess I was--well..."

"Forget it," Malone said grandly. "You were upset and tired, that's
all. Hell, in the car on the way back here last night, you fainted."

"I did not faint," she said.

"Well," Malone said, "you sure looked like--"

"I was tired," Dorothea said.

Malone shrugged. "Okay. You were tired."

"You're not mad, are you," she said, "because I stole your notebook?"

"Of course not," Malone said. "I said forget it, didn't I? Sit down
and help us out."

"Help you?" she said.

"That's right," Boyd said. "Help us figure out how to catch this bunch
of maniacs before they steal everything in New York."

Dorothea said, "Maniacs? I--" and Malone interrupted her in a hurry.

"Police Commissioner Fernack has called twice this morning already,"
he said. "He's screaming about all the burglaries that have been
occurring since midnight last night."

"Oh," Dorothea said. "You mean the Spooks? Mike and the others?
They've been stealing again?"

"They sure have, Miss Fueyo," Boyd said.

"I guess they're furnishing their new hideout," Malone said. "Wherever
it is. Only God knows."

"And even if He told us," Boyd said, "it wouldn't do us any good.
Chase 'em out of there, and they'd go somewhere else."

Malone stood up, fished for his cigarettes and lit one. "What we
need," he said, blowing out smoke, "is some way to trap 'em and hold
'em. And I don't see how we can do either."

"After last night," Dorothea said, "I really don't see--"

"Wait a minute," Boyd said. "You said _trap_, didn't you?" He looked
slowly and speculatively at Dorothea Fueyo.

A second passed.

"Oh, no, you don't!" she said. "Oh, no. Not on your life. I'll help
catch him if I can, because I know you don't mean to hurt him or the
others. But I wouldn't want Mike to know about it. You're not using me
as bait in any trap."

Boyd looked at Malone, shook his head slowly, and said disconsolately,
"Well, it was an idea." He returned his gaze to the floor.

The furtive gleam of the half bottle of bourbon on Malone's dresser
caught his eye. He'd had it sent up the night before, feeling the need
of some medicinal refreshment. Now it winked at him. He ignored it
resolutely. "Dorothea," he said.

"Yes?"

"Dorothea, do you have any idea how far one of those kids can go when
he teleports?"

"No," Dorothea said. "I really haven't any idea about any of it. Mike
tried to teach me once, but I guess I just don't have the talent."

"Oh," Malone said.

"I wish I could help," Dorothea said.

Silence fell, and gloom followed it.

Time ticked by. The bourbon bottle resumed its seductive winking.

"There is one thing," Dorothea said suddenly. "He did say one thing
about it."

"What?" Malone said eagerly.

"He said you couldn't teleport to some place you haven't been before.
You've got to be able to visualize where you're going."

Malone said, "Hmm." It seemed like the right answer. Dorothea's
statement was a fact, certainly, but he didn't see how the fact fit in
anywhere.

"He didn't mention anything about distance, and I don't think any of
the Spooks ever tested it for that," Dorothea said.

"There probably is a distance limit," Malone said. "At least if Dr.
O'Connor's theories are right. I just wish I knew what the limit was."

Silence fell again. Malone sighed. Dorothea sighed. Boyd sighed,
looked around at the others and muttered, "Damn thing's catching." He
got up and walked over to the dresser and picked up the bottle of
bourbon.

"You, too?" Malone murmured, but Boyd didn't hear him.

"I don't care if it is early in the morning," he said, resolutely. "I
need a drink. I need something to take the fog out of my head,
anyhow." He poured himself a shot, held the bottle aloft, and said,
"Dorothea? Malone?"

The girl shook her head.

Malone was tempted but he put Satan behind him with decision. "No," he
said firmly. "The way I feel now, one drink would probably immobilize
me."

Dorothea chuckled. "You sound just like Mike," she said.

"Mike doesn't drink in the morning either?" Malone said.

"Of course he doesn't," Boyd said. "Mike is a nice kid. A swell kid."

"You keep quiet," Dorothea shot at him. She turned back to Malone.
"Mike never drinks at all," she said. "He says it immobilizes
him--just what you said."

Somewhere in the black galactic depths of Malone's mind, a very small
hot star gulped, took a deep breath and became a supernova.

The light was tremendous! It shed beams over everything, beams of a
positively supernal brilliance. And in the all-pervasive brightness of
that single inner light, bits of data began to fall into place with
all the precision of aerial bombs, each falling neatly and exactly
into its own little predetermined bomb crater.

It was beautiful. It was magnificent. Malone felt all choked up.

None of the Silent Spooks drank. He remembered Kettleman telling him
that. And the Queen never touched the stuff either.

"What's wrong?" Boyd said.

"Malone, you look green."

"I feel green," Malone said. "I feel like newly sprung grass. I feel
as if I had just hatched out of something. I feel wonderful."

"It's the strain," Boyd said. "That's what it is, strain. You've
cracked at last."

Malone ignored him. "Tell me," he said to Dorothea with elaborate
casualness, "when your brother says that, what does he mean?"

"What?" she said. "Oh, I don't know. I--" She stopped and her eyes
widened. "You don't think that--"

"I don't know," Malone said. "But we can sure as hell find out."

Dorothea blinked. "What can you do?" she said. "I mean, to find out.
You can't force them to drink or anything, can you?"

"No," Malone said. "I can't do that. But it does give me an idea."

Boyd held his untasted drink in his hand, staring at Malone and the
girl. "What are you two talking about?" he said. "Or is this the
special Captain Midnight code? I left my code ring home this week."

"Boyd," Malone snapped, "get on the phone."

"Are you sure it will hold me?" Boyd said.

"I want you to call Dr. O'Connor at Yucca Flats," Malone said. "Shut
up and listen."

There was silence.

Finally Boyd said, "I don't hear anything."

"Never mind," Malone said. "I mean listen to me. I know it's pretty
early out where O'Connor is, but that doesn't matter now. Wake him up.
Wake everybody up, for all I care."

"Malone," Boyd said carefully, "are you sure you haven't gone nuts?"

Malone grinned cheerfully. "No," he said. "Are you? Now listen: find
out what effect drugs have on psionic abilities."

"Drugs?" Boyd said, and then his eyes lit up. "My God!" he said. "We
might have something, at that!"

"Get the Queen up too," Malone said. "Ask her the same question. I
hope we do have something."

"So do I," Dorothea said.

"And if we get the information we're hoping to get, I want Her Majesty
on the first plane to New York," Malone said. "I don't care what
strings you have to pull to get that done. Call Burris if you have to.
It'll be worth it." Malone paused. "Hell," he said, "call him anyway
and tell him what's happened. But get the Queen here!"

"Right!" Boyd said. He dove for the phone and started dialing.
Suddenly he looked around. "Hey!" he yelled. "Where are you going?"

Malone, one hand on the door, turned. "Down to see Fernack," he said.
"I've got to make some arrangements. I'm betting we're right, Tom!" He
charged out the door, slamming it. A second passed and it opened
again. Malone's head popped back in. "Dorothea," he said. "When Tom
gets off the phone call your mother. Tell her you're going to be away
for a day or two--two at the most--and she's not to worry. We'll need
you, and her, too, to talk to Mike when the time comes. So stick
around."

Then he was gone.

                              * * * * *

Twelve hours later, Kenneth J. Malone was sitting quietly in a small
room at the rear of a sporting-goods store on upper Madison Avenue,
trying to remain calm and hoping that the finest, most beautiful hunch
he had ever had in his life was going to pay off. With him were Boyd
and two agents from the 69th Street office. They were sitting quietly
too, but there was a sense of enormous excitement in the air. Malone
wanted to get up and walk around, but he didn't dare. He clamped his
hands in his lap and sat tight.

They waited in silence, not daring to talk. There was no sound except
for the faint whoosh of their breathing through the gas masks they
were wearing, and the muffled hiss from a tank nearby.

There was no reason why the plan shouldn't work. Malone told himself.

It looked foolproof. But he didn't believe it would work. This was the
time, he assured himself, that his luck ran out. He'd been lucky for
too long, and now the wheel was going to turn and he'd be lost. All he
could do was wait for it, and hope.

Her Majesty had said definitely that this would be the place the
Spooks would hit tonight. She had no doubts about it. And Malone
couldn't think of a single reason why she might be wrong. But maybe
he'd got the address mixed up. Maybe the Spooks were somewhere else
right now, robbing what they pleased, safe from capture....

His hunch about drugs had been correct, or at least everybody had said
it was correct. Dr. O'Connor had assured Boyd that the deleterious
effects of drugs on psionic abilities had been known ever since the
early days of Dr. Rhine's pioneering work, more than twenty years
before. And Good Queen Bess had admitted the same thing. She never
drank, she said, because on the one occasion when she'd tried it,
she'd lost her telepathic ability, and "My goodness, it was just like
going blind."

Burris had had to put on the pressure, but it had worked. The Queen
had been flown to New York, under psychiatric guard just as soon as
possible after Boyd's phone call, and she'd been able to pick up Mike
Fueyo without any trouble at all as soon as she was within the same
city, and close enough to him.

It doesn't do much good to know where a teleporter _is_, Malone
thought. But it's extremely handy to know where he's _going to be_.
And if you also know what he plans to do when he gets where he's
going, you've got an absolute lead-pipe cinch to work with.

The Queen had provided that lead-pipe cinch. Reading Mike's mind,
she'd told Malone that he planned to raid the sporting-goods store
with the rest of the Spooks that night. Lucky again, Malone thought;
he might have had to wait two or three days before the Spooks set up a
robbery.

But, of course, he might just be riding for some kind of horrible,
unforeseen fall.

The main part of the sporting-goods store was fairly well lit, even at
night, though it was by no means brightly illuminated. There were
show-window lights on, and the street lamp from outside cast a nice
glow. But the back room was dark, and the four men there were well
concealed. A curtain closed the room off, and Malone watched the front
of the store through a narrow opening in it. He stared through it
until his eyes ached, afraid to blink in case he missed the appearance
of the Spooks. Everything had to go off just right, precisely on
schedule.

And it was going to happen any minute, he told himself nervously. In
just a few minutes, everything would be over.

Malone held his breath.

Then he saw the figure walk slowly by the glass front of the shop,
looking in with elaborate casualness. He was casing the joint, making
sure there were none left in it.

Mike Fueyo.

Malone tried to breathe, and couldn't.

Seconds ticked by.

And then--almost magically--they appeared. Eight of them, almost
simultaneously, in the center of the room.

Mike Fueyo spoke in a low, controlled voice. "Okay, now," he said.
"Let's move fast. We--"

And that was all he said.

The odorless anesthetic gas that filled the room had its sudden
effect. Fueyo dropped out like a light.

The other seven followed him within seconds. Ramon Otravez, the
tallest of them, stayed on his feet a little longer than the rest,
obviously trying with all his strength to teleport himself out of
danger, but the effects of the fast-working gas had already been felt.
He was, literally, too stunned to move.

He too slumped to the floor.

For a second after that, none of the men in the rear room moved.

Then Malone said, "All right, boys. Let's get them out of here. They
can't stay too long in this atmosphere." The men started forward into
the front room, toward the still bodies. "Boyd," Malone said. "Get out
front and wave the ambulance over here. I'll get the air-conditioners
working and stop the gas."

He reached down and turned off the valve on the gently hissing tank of
anesthetic gas that sat on the floor near him. "You guys get the
kids," he said. "And let's make it fast, okay?"


                                  14

"The one thing we had to worry about," Malone said, pouring some more
champagne into the two hollow-stemmed glasses, "was whether it was
possible to give them just enough synthecaine. Too little, and they'd
still be able to teleport. Too much, and they'd be too groggy."

Dorothea relaxed in her chair and looked around at the hotel room
walls with contentment. She looked like the proverbial cat who has
swallowed the cream. "It looked to me as if it worked," she said.
"Mike seemed pretty normal--except that he had that awful _trapped_
feeling."

Malone handed her one of the filled glasses with an air. He was
beginning slowly to feel less like the nervous, uncertain Kenneth J.
Malone, and more and more like Sir Kenneth Malone. "I can see why he
felt trapped," he said. "If a guy's been unhampered by four walls all
the time, even only for a year or so, he's certainly going to feel
penned in when he loses the ability to get through them. It might be
just a little claustrophobic." He grinned, proud of himself.
"Claustrophobic," he said again. "My tongue and palate are in
excellent condition."

"The main thing is," Dorothea said, "that everybody's so happy.
Commissioner Fernack, even--with Mr. Burris promising to give him a
medal."

"And Lynch," Malone said reflectively. "He'll get a promotion out of
this for sure. And good old Kettleman."

"Kettleman?" Dorothea said. "Oh, the funny fat man. He's some kind of
social worker or something."

"And now he's getting a scroll from the FBI," Malone said. "A citation
for coming up with the essential clue in this case. Even though he
didn't know it _was_ the essential clue. You know," he added
reflectively, "one thing puzzles me about that man."

"Yes?"

"Well," Malone said, "he worked in your neighborhood. You knew him."

"Of course I did," Dorothea said. "We all knew Kettleman."

"He said he had a lot of success as a social worker," Malone said.
"Now, I've met him. And talked with him. And I just can't picture--"

"Oh," Dorothea said. "We keep him around--kept him around, I mean--as
a sort of joke. A pet, or a mascot. Of course, he never did catch on.
I don't suppose he has yet."

Malone laughed. "Nope," he said. "He hasn't."

"And even your friend is happy," Dorothea said.

"Boyd?" Malone said. "Sure. He called his blonde and she was just
thrilled at the adventures of an FBI agent, and he's with her now."

"You sound jealous," Dorothea said.

"The hell I am," Malone said, and proceeded to prove his point. Some
minutes later they relaxed.

"Mike," Dorothea said. "What?"

"Mike," she said. "He's probably the happiest of all. After Mom and I
talked to him for a while, anyhow, and he began to lose that--that
_trapped_ feeling. Now he's all excited about being an FBI man." She
looked worriedly at Malone for a second. "You weren't kidding about
that, were you?" she said.

She looked very pretty when she was worried. Malone leaned over and
kissed her with great care. After a second, the kiss seemed to gain
momentum on its own, and all restraint went by the wayside. A long
time passed.

Then, as Malone pulled away and began to recover his breath, he said
weakly, "You were saying?"

"Was I?" Dorothea said. "Oh, yes. I was. About Mike being an FBI man."

"Oh," Malone said. "Well, normally you've got to be a lawyer or an
accountant, but there are a few special cases. And maybe Mike would
fit into the special-case bracket. If he doesn't--well, he'll be doing
some sort of official work for the Government. You can be sure of
that."

"That woman in the costume--the one you call Your Majesty--certainly
threw a scare into the boys," Dorothea said.

"Well," Malone said, "we had to prove one thing to them. We can pick
them up at any time. You see, they've got to think about where they're
teleporting, and as soon as they do that one of our telepaths--like
the Queen--will know where they're going to be. And we can crack
down."

"That's what she said," Dorothea said.

"Right," Malone said. "After all, we did them quite a favor--getting
them out of all the trouble they'd gotten themselves into. If they try
to--"

"That reminds me, Ken," Dorothea said. "All the things that were
stolen. The liquor and all of that, Money. What's going to happen to
that?"

"Well," Malone said, "everything that can be returned--and that
includes most of the liquor, because they hadn't had a chance to get
rid of it to the bootleggers around this area--will be returned. What
can't be returned--money, stuff that they've used, broken, or
sold--well, I don't exactly know about that. It might take a special
act of Congress," he said brightly.

"All for the boys?" Dorothea said.

"Well, they'll be at Yucca Flats, and they'll be pretty useful,"
Malone said. "And, as I was saying, if they try to run away from Yucca
Flats, we'll just have to keep them drugged all the time, little as we
want to. They can be of some use that way, too. The Government isn't
doing all this for nothing."

"But keeping them drugged--"

"I said we didn't want to do it. And I don't think we'll have to.
They'll be well taken care of, don't worry. Some of the best
psychiatrists and doctors are out there. And Mike and the others--if
they can show they're trustworthy--can come home every weekend, or
even every night if they can teleport that far." Malone paused. "But
it isn't charity," he added. "We need people with specialized psionic
abilities--and, for a variety of reasons, they're pretty hard to
find."

"You know," Dorothea said, "you're pretty wonderful, Mr. Malone."

Malone didn't answer her. He just kissed her again, not caring
particularly whether or not the kiss went wild.

Dorothea pushed him gently away. "I'm envious," she announced.
"Everybody gets a reward but me. Do I get left out just because I
swiped your notebook?"

Malone kissed her again. "What kind of a reward do you want?" he
asked.

She sighed. "Oh, well," she said. "I suppose this is good enough."

"Good enough?" Malone said. "Just good enough?"

His lips met hers for the fifth time. She reached one hand gently out
to the light switch and pushed it.

The lights went out.






End of the Project Gutenberg EBook of The Impossibles, by
Gordon Randall Garrett and Laurence Mark Janifer

*** END OF THIS PROJECT GUTENBERG EBOOK THE IMPOSSIBLES ***

***** This file should be named 22338.txt or 22338.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/2/2/3/3/22338/



Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.