summaryrefslogtreecommitdiff
path: root/21883-8.txt
diff options
context:
space:
mode:
Diffstat (limited to '21883-8.txt')
-rw-r--r--21883-8.txt8065
1 files changed, 8065 insertions, 0 deletions
diff --git a/21883-8.txt b/21883-8.txt
new file mode 100644
index 0000000..603800e
--- /dev/null
+++ b/21883-8.txt
@@ -0,0 +1,8065 @@
+The Project Gutenberg EBook of We Three, by Gouverneur Morris
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: We Three
+
+Author: Gouverneur Morris
+
+Illustrator: Henry Hutt
+
+Release Date: June 21, 2007 [EBook #21883]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK WE THREE ***
+
+
+
+
+Produced by Al Haines
+
+
+
+
+
+
+
+
+
+
+[Frontispiece: "Dark against the light illumination of the hall stood
+Lucy Fulton."]
+
+
+
+
+
+
+WE THREE
+
+
+BY
+
+GOUVERNEUR MORRIS
+
+
+
+AUTHOR OF THE SEVEN DARLINGS, ETC
+
+
+
+ILLUSTRATED BY
+
+HENRY HUTT
+
+
+
+GROSSET & DUNLAP
+
+PUBLISHERS
+
+NEW YORK
+
+
+
+
+COPYRIGHT, 1916, BY
+
+D. APPLETON AND COMPANY
+
+
+COPYRIGHT, 1913, 1916, BY THE INTERNATIONAL MAGAZINE COMPANY
+
+
+
+
+LIST OF ILLUSTRATIONS
+
+
+"Dark against the light illumination of the hall
+ stood Lucy Fulton" . . . . . . _Frontispiece_
+
+"They met with an honest kiss, like lovers long parted"
+
+"It's what you and I stood up and promised before
+ a lot of people"
+
+"'You are all that counts . . . you know that'"
+
+
+
+
+WE THREE
+
+
+I
+
+When I know that Lucy is going to Palm Beach for the winter I shall go
+to Aiken. When I know that she is going to Aiken, I shall go to Palm
+Beach. And I shall play the same game with Bar Harbor, Newport,
+Europe, and other summer resorts. So we shall only meet by accident,
+and hardly ever. We've been asked not to.
+
+But I ought to begin further back. It would do no harm to begin at the
+beginning. There is even a king's advice to that effect. Said the
+king in "Alice," "Begin at the Beginning, go on to the End, and then
+stop."
+
+In the beginning, then: When I was a little boy, old enough to be
+warned against playing with matches, I began of course to think them
+desirable playthings, and whenever I got a chance played with them.
+And I never:
+
+(1) Set myself on fire,
+
+(2) Nor anybody else,
+
+(3) Nor the house in which my parents lived with me.
+
+And yet I had been told that I should do all of these things; not often
+perhaps, but certainly every once in a while.
+
+Of course it is possible to do all sorts of things with a match. You
+may light it and blow it out, for instance. Lighted, you may put it in
+your mouth without burning yourself. And if you do this in the dark,
+the light will shine through your cheek, and if you are a fat child you
+will give the impression of a Hallowe'en lantern carved from a pumpkin.
+Or you may light the butt of your father's cigar and learn to smoke.
+It is one of the cheapest ways. Or you may set fire to the lower edge
+of the newspaper which your grandfather is reading in the big armchair
+by the window, and I guarantee that you will surprise him. Here is an
+interesting play: Light a match, blow it out, and, while the end is
+still red hot, touch the cook firmly on the back of the neck. If she
+has been reading Swinburne she will imagine that she has been kissed by
+a policeman. When she finds out that she hasn't she will be
+disappointed, and perhaps you will be disappointed, too. Oh, a match
+is a wonderful thing, even the wooden ones that are made on earth! You
+may burn a whole city to the ground. And once, I am told, there was a
+man who lighted a match and fired a cannon that was heard around the
+world.
+
+To play with matches is one thing: to play with the fire that you have
+lighted, or helped light, is another. And it was not until I played
+with fire that I did any real harm in this world (that I know about).
+Playing with fire I singed a moth; I singed a butterfly, and I burnt a
+man.
+
+If this was just the story of my own life I wouldn't be so impertinent
+as to hope that it would be interesting to anybody. It isn't my story,
+and no matter how much I may seem to figure in it, I am neither its
+hero, nor, I think, the god who started the machinery.
+
+Thirty-five years ago I took to live with me a middle-aged couple, who
+had begun to fear that they were going to die without issue. Though I
+say it that shouldn't, I was very good to them. I let them kiss me and
+maul me from morning till night. Later, when I knew that it was the
+very worst thing in the world for me, I let them spoil me as much as
+they wanted to. They even gave me the man's name, without my consent,
+and I didn't make a row. But I _did_ lift my head with sufficient
+suddenness and violence to cause the Bishop of New York to bite his
+tongue, and to utter a word that is not to be found in the prayer book.
+I was christened Archibald Mannering Damn.
+
+But I have never used the surname with which the good Bishop so
+suddenly and without due authorization provided me. Certain old
+friends, acquainted with the story, do not always, however, show my
+exquisite taste and reticence in this matter. Only the other day in
+the Knickerbocker Club I overheard some men talking. And one of them,
+in a voice which I did not care for, said "Archibald Mannering--damn!"
+And conveyed without other word or qualification than the tone of his
+voice, that he had very little use for me. Well, I can thank God for
+putting into the world some other people who have not that man's
+clearsightedness and excellent powers for passing judgment upon his
+fellow men.
+
+So the man gave me his name and took other liberties with me, and the
+woman gave me her watch to break (I broke it) and took other liberties,
+and a second woman who called herself Nana took still other liberties
+with me--liberties which made me furiously angry at the time, and which
+even now would make me blush.
+
+Sometimes I was sorry that I had taken the man and the woman to live
+with me. At times they bored me. They seemed to me intelligent, and I
+had to choose my words carefully, and talk down to them as to a pair of
+children. But I got used to them gradually. And I got to like them,
+especially the woman. I even formed the habit of forgiving her things
+offhand without being asked to--Oh, my dear parents, I am only trying
+to poke a little fun at you! And you weren't middle-aged when you came
+to live with me. I only imagine that you must have seemed so to a baby
+whose eyes had only just come undone. Thirty-five years have rolled
+by--bringing, taking, and, alas! leaving behind them cares and
+vicissitudes, and still you seem no more than middle-aged to me. You,
+father, with your fine, frank weather-beaten face of a county squire
+with the merry smile and the wit which makes you so welcome wherever
+you go, even those ghosts of sorrow deep in your eyes don't make you
+look more than middle-aged. And yet I think no hour of your life
+passes in which you don't recall, with a strangling at your throat, how
+my little sister, Pitapat, came in from the garden drooping, to you,
+almost always to you, when she was in trouble, and climbed and was
+lifted into your lap, and cuddled against you--Oh, I can't write the
+rest. But I tell you that I, too, sir, have recalled little Pitapat,
+and how she died, all on a summer's day, in her "Dada's" arms, and that
+the thought of what she was to you, and what such another child might
+be to such another man, has twisted even my tough entrails, and caused
+me for once, at least, to draw back from a piece of easy and enticing
+mischief, and play the man.
+
+And you, mother, with your face of a saint, haven't I always poked fun
+at you? You don't look more than middle-aged either. You look less.
+And yet you too have your sorrow that never dies. For you were fitted
+to be a mother of men, and you have brought into the world only a
+lovely flower that soon withered away, and a Butterfly.
+
+I don't call myself a Butterfly from choice. I only do it because I'm
+trying to be honest, and I think that it's just about what I am. But
+do we really know what a butterfly is? Have we given that ornamental
+(though I say it--that shouldn't) and light-minded (though I say it
+with shame) and light-hearted (though the very lightest of hearts must
+weigh _something_, you know) insect a square deal? I confess that only
+a light-hearted insect would perpetrate such a sentence as the
+foregoing; but wouldn't it be fun if, when the whole truth comes to be
+known about butterflies, we found them more or less self-respecting,
+more or less monogamous, occasionally ratiocinative, carelessly kind,
+rather than light-hearted creatures, and not insects, in the accepted
+sense, at all? It would surprise me no more to learn that an insect
+was really a man, than that a man, even so great and thinking a man as
+Mr. Bryan for example, was an insect.
+
+If the butterfly at lunch flits from flower to flower; and the
+butterfly at play flits from butterfly to butterfly; so then may the
+butterfly (at what he is pleased to call his work) flit from theme to
+theme, from subject to subject, from character to character, from plot
+to counterplot, and crosswise and back again. If more autobiographists
+realized how many difficulties may be avoided in this way, far fewer
+autobiographists would be heroes and many, many more would be
+butterflies.
+
+
+
+
+II
+
+Even before I was born the richer people of New York did not inhabit
+that city the year round, but their holiday excursions were far shorter
+than now, both in distance and duration. To escape the intenser heats
+of summer the moneyed citizen of those days sent his family to the
+seaside for six weeks or to the mountains. Later his family began to
+insist that it must also be spared the seasons of intense cold. And
+nowadays there are families (and the number of these increases by leaps
+and bounds) who if they are not allowed to escape from everything which
+seems to them disagreeable or difficult, get very down in the mouth
+about it. Even the laboring classes are affected. The rich man wishes
+to live without any discomfort whatever, and the poor man wishes to
+live without doing any work whatever. That, I think, is at the root of
+their most bloody differences of opinion, for the poor man thinks that
+the rich man ought to be uncomfortable, and the rich man thinks that
+the poor man ought to work. And they will never be in agreement.
+
+Given enough money it becomes easier and easier to run from one
+difficulty or discomfort into another. And even the laborer finds it
+continually easier to make a living without earning it.
+
+When I was a little boy, Newport and Bar Harbor were a long way from
+New York. To Europe was a real voyage; while such places as Palm Beach
+and Aiken were never mentioned in polite society, for the simple reason
+that polite society had never heard of them. But nowadays it is not
+uncommon for a man to have visited all these places (and some of them
+more than once) in the course of a year. Europe which was once a
+foreign country is now but as a suburb of New York. And I myself, I am
+happy to say, have been far oftener in Paris than in Brooklyn.
+
+The modern butterfly thinks little of flying out to Pittsburg or
+Cleveland or St. Louis for a dance or a mere wedding. He attends
+athletic events thousands of miles apart, and knows his way from the
+front door to the bar and card room of every important club between the
+Jockey Club in Paris and the Pacific Union in San Francisco, excepting,
+of course, those clubs in his own city to which he does not happen to
+belong.
+
+My father, because of my little sister's fragility, was one of the
+first men I know to make a practice of going South for the winter, and
+to Long Island for the spring and autumn. In summer we went to Europe
+or Bar Harbor, for with justice he preferred the climate of the latter
+to that of Newport or Southampton. We were less and less in our town
+house, and indeed so jumped about from place to place, that although my
+mother succeeded in making her other houses easy and indeed charming to
+live in, I have never known what it was to have a home. And indeed I
+cannot at this moment call to mind a single New York family of the
+upper class that lives in a home.
+
+My mother is old-fashioned. She would have preferred to live in one
+place the year around, to beautify and to ennoble that place; to be
+buried from it as she had been married into it, and to leave upon it
+the stamp of her character, incessant industry and good taste; to fill
+it gradually with the things she loved best or admired most, and to be
+always there, ready for the children or the grandchildren to come home.
+
+But she gave up this ambition at a hint of delicacy in a child's face,
+and a note of anxiety in a husband's voice, and took to packing trunks
+to go somewhere, and unpacking them when they arrived. Of course she
+couldn't do this to all of them, for we moved with very many, but there
+were certain ones to which she would let nobody put hand but
+herself--my father's, my sister's, mine, and her own. And you always
+knew that if you had accidentally left letters and notes in your
+pockets that you didn't want seen, they wouldn't be.
+
+My father would almost abuse her for doing so much work with her own
+hands, and for always being up so early, but in secret he was very
+proud of her; and to see her dressed for the dance or the opera, eager
+and gay as a girl, slender and beautiful, her head very high and
+fearless, you would have thought that she had never done anything in
+all her life, but be pampered and groomed and sheltered.
+
+Upon one good old-fashioned custom they were in firm agreement. They
+always slept in the same bed; they do still. And they will lie in the
+same grave.
+
+Whichever home it was that we happened to be inhabiting, unless out of
+season because of my sister, it was always pretty well filled with
+people. My father loved people, and my mother got to love them for his
+sake. For my part, until very recently, I have always hated to be
+alone. Flint is a gloomy solitary, but when he meets with Steel there
+are sparks.
+
+I suppose there are brooding lovers of knowledge in this world who are
+fonder of their own than of any other company. But most people can
+only think half thoughts and need other people to complete them. It is
+amusing enough to knock a ball against a wall, and a wonderful help in
+the perfection of strokes, but it is far more amusing to face somebody
+across a net and play lawn tennis.
+
+My father and mother always hoped that I would be a great man, and even
+now they hope that I may one day turn over a new leaf. Unfortunately
+there was no greatness in me, and as for those leaves of my life which
+I have not yet read, they are uncut, and I am always mislaying the
+paper knife. And whether the matter on the next leaf or the one after
+will be new or not, is for the future to know. You cannot, I think,
+teach a child to grow great.
+
+But you can teach a child to dance and swim and shoot and sail, and to
+ride and to be polite, and to keep clean, and by example rather than
+precept, to be natural and unaffected! It was hoped then that I would
+be a great man; in the event, however, of my turning out to be nothing
+but a butterfly, I was brought up to be as ornamental a butterfly as
+possible. I cannot remember when I wasn't being prepared and groomed
+to take, without awkwardness, a place in society.
+
+Well-bred grown-ups talk to children, without affectation or
+condescension, as if they too were grown-ups. My parents were always
+entertaining people, and it was assumed without comment that I too was
+host no less than they. Twice a day I had to be in evidence: at tea
+time, face and hands shining clean, hair carefully brushed, my small
+body covered with crisp white duck, black silk stockings, on my legs,
+and patent leather pumps on my feet. No conversation was required of
+me, but if I had forgotten a name and the face that went with it, I was
+allowed to feel uncomfortable; allowed to feel as a grown man feels
+when he has accidentally said something that would better have been
+left unsaid. It was my duty to go accurately from guest to guest, to
+shake hands, and to say perfectly naturally not "Hunh!" as so many
+modern children do, but "How do you do, Mrs. Lessing," or "How do you
+do, Mrs. Green," and not to stare and fidget or be awkward. Then I had
+my tea, discolored hot water with sugar and cream, my buttered toast,
+and a bit of cake. After that my mother would make it exceedingly easy
+for me to get away. My second public appearance was just before
+dinner. Then, dressed once more in white and patent leather, I came to
+the drawing-room to wish and be wished good night.
+
+To obey my mother, when there was no real temptation to disobey her,
+was very easy, and nobody ever saw me look sulky or balky when I was
+told to do this or that. It was easy to obey her, because from the
+first, she took it absolutely for granted that she was going to be
+obeyed. Of course it was different with general orders designed to
+cover long periods of time, for here the tempter had his chance at me,
+and I was forever falling. "Stop kicking the table leg, Archie," is an
+order easily and instantly obeyed. For "Never kick a table," I cannot
+say the same. I used to divide her orders into two classes: The now
+nows and the never nevers. The latter were mostly beyond me. Though
+you may halt one sinner in the act of throwing a stone at another,
+there is little reason to believe that he will not soon be trying his
+aim again.
+
+I like children when they are polite and a little reticent, when they
+are not too much in evidence, and when the whole household is not made
+to revolve about them.
+
+Fulton once said to me, in that shy yet eager way of his: "If only I
+could arrest my babies' development; keep them exactly as they are; on
+tap when I wanted them, and hibernated like a couple of little bears
+when I was busy and mustn't be disturbed! They should never change,
+while I lived, if I had my way. And I'd promise not to abuse my
+privileges. I'd only take 'em out of the ice box when I absolutely
+needed them and couldn't do without them."
+
+It was the first time that I ever was in the Fulton house that he said
+that. The two babies, a boy and a girl, Jock and "Hurry," two
+roly-polies, with their mother's eyes and mischievous smile, had been
+brought in to the tea table to be polite and share a lump of sugar.
+And they had been very polite, and had shown the proper command over
+their shyness, and had shaken me decorously by the hand, and made their
+funny grave little bows and asked me how I did. And I had said
+something in praise of the little girl to her face, and Fulton had
+reproached me a little for doing so.
+
+"In India," he had said, "it is very bad luck to praise a child to its
+face, very bad luck indeed."
+
+"I'm so sorry," I said, when the children had gone. "I ought to have
+remembered that even very little babies in the cradle understand
+everything that's said to them. May I praise them now? Because they
+are the two most delicious babies in the world. I'd like to eat them."
+
+"When I'm tired or worried," said Fulton, his eyes lighting with
+tenderness, "Hurry always knows. And she comes and climbs into my lap
+and leans against me without saying a word, and she keeps creepy-mouse
+still until she knows that I'm feeling better. Then she chuckles, and
+I hug her. Sometimes I wish that she was made like a tennis ball; then
+I could hug her as hard as I wanted to without hurting her."
+
+While he was speaking, Mrs. Fulton looked all the time at her husband's
+face. I remember thinking, "God! If ever some woman should look at me
+like that!" Her mouth smiled mischievously, just the way little
+Hurry's smiled, and her eyes--I won't try to describe the love and
+tenderness that was in them, nor the dog-like faithfulness--were eyes
+that prayed. And they were the deepest, most brilliant blue--like
+those Rheims windows that the Beast smashed the other day. She laughed
+and said: "Hurry and her father don't care about each other--not _at_
+all."
+
+Fulton lifted his eyes to hers and it was as if "I _love_ you" flashed
+from each to the other in that crumb of time. His face reddened a
+little, and hers became more rosy. They weren't a bit ashamed of being
+obviously in love with each other. I think they rather prided
+themselves on it.
+
+"Why _Hurry_?" I asked. "Is it a real name? Of course I remember
+Hurry Harry in Cooper----"
+
+"Her real name is Lucy," said Fulton, "same as her Mumsey, but they
+look so ridiculously alike that I was afraid I'd get 'em mixed up. And
+so we call her Hurry, because she always hurries; she hurries like mad.
+Same as her Mumsey."
+
+"Do you," I asked, "hurry like mad?"
+
+She gave a comical hurried nod that made me laugh right out, and Fulton
+said:
+
+"She has smashed the more haste the less speed fallacy all to pieces."
+You could see that the man was glowing with pride. And he began to
+boast about her, and though she tried to stop him, she couldn't help
+looking perfectly delighted with herself, like some radiant child in
+the new dress for the party.
+
+When Fulton had finished his eulogy, a long one, filled with humor,
+character drawing, and tenderness--something in his voice rather than
+his words, perhaps, always gave people the feeling that he had a
+wonderfully light touch, and a point of view at once sentimental and
+humorous--I reproached him, in turn, for praising a child to her face.
+
+"In India," I said, "it's considered beastly unlucky."
+
+Mrs. Fulton sprang to his defense. "I'm not a child," she defied me,
+"I'm a married woman."
+
+They took me to the front door themselves, and watched me as far as the
+gate. I know this, because although I did not look back, it was when I
+reached the gate that I heard the door close, and I thought: "Now if I
+looked back, and the door was transparent, I'd see a pretty picture.
+It's a thousand to one shot that he's caught her in his arms and is
+kissing her and that she's perfectly delighted."
+
+
+
+
+III
+
+It is not easy for me to keep away from Lucy Fulton either on paper or
+in real life. The latter I have to do, for I think that I am able to
+keep a promise, and I ought to do the former as much as I can, if I am
+to tell her story and her husband's and my own in their true
+proportions. Otherwise we should but appear as one of those "eternal
+triangles" to which so much of French dramatic genius has been devoted;
+whereas it appears to me, though not, I am afraid, to Fulton, that if
+our relations to each other could be symbolized by a figure, that
+figure would not be a triangle; but a cross, let us say, between a
+triangle and a square.
+
+Fulton and I are the same age. We were in the same class at Mr.
+Cutter's school for a year or two, and were quite friendly at times.
+But except that we both collected postage stamps, we had no tastes in
+common. It is almost enough to say that he was full of character and
+reserve, and that I was unstable and kept the whole of my goods
+displayed in the shop window. I cannot imagine thirteen-year-old
+Fulton in love with fifteen-year-old Nell or Nancy, but I was
+frequently in love with both at the same time, or so fancied myself,
+and, almost consciously, as it seems, he was conserving his powers of
+loving for the one great passion of his life, when he should give all
+that a man may have in him of purity and faith and purpose. But when
+my time for a great passion came, though I gave all that I had to give,
+it is true, still that _all_ was not the whole that I might have had;
+it was only all that was left, all that had not already been given.
+But there was enough at that to hurt and do harm.
+
+Fulton was studious and enamored of knowledge for its own sake. I was
+lazy and only interested in such pieces of knowledge as I felt might be
+of use to me. But we both stood well in our classes; he because he had
+brains and knew how to use them, and I because the Lord had gifted me
+with a capital sight memory.
+
+Perhaps I should do better to state who our intimates were in those
+days, and what has become of them. Fulton's most intimate friend was a
+boy named Lansing, who made a practice of cutting open dead things to
+see what was inside of them. Today Lansing (of course that's not his
+real name) is so great a surgeon that even the man in the street knows
+him by sight. My most intimate friend was Harry Colemain, and we were
+mixed up in all sorts of deviltries together. To me he has been always
+a faithful friend and a charming companion, but of his career, what can
+I say that is really pleasant? Nothing, unless I modify each statement
+by pages of explanation and reminiscence. As he danced the old dances,
+so he dances the new, to greater perfection than any man in New York.
+He is gorgeously built, and has a carriage of the head, an eye and a
+smile, and a way with him that can shake a man from the water wagon or
+a woman from her virtue. He smokes like a factory, and drinks like a
+fish, yet at a moment's notice he is ready for some great feat of
+endurance--such as playing through the racket championship, or swimming
+from Newport to Narragansett Pier. He might have been--anything you
+please. But what can I say definitely that he _is_? Well, at this
+very moment, he is co-respondent in a divorce suit which is delighting
+the newspapers, and it looks as if he'd have to marry her in the end.
+And that's a pity because they were tired of each other before they got
+found out, and she's not the kind of woman that his friends are going
+to like.
+
+Fulton's friend Ludlow has just published the best book on the birds of
+New York, past and present, that was ever written. My friend Pierson
+died the other day of pneumonia. As a boy he had the constitution of
+an ox, and ought to have thrown off pneumonia as I would throw off a
+cold in the head, but the doctors say that he had simply burned up his
+powers of resistance with overdoses of alcohol. You never saw him
+drunk or off his balance or merry in any way; he simply and slowly
+soaked himself till his insides were like sponges dipped in the stuff.
+And Pierson's not the only man in my circle who has gone out like that;
+and as they went so will others go; strong and well Saturday to the
+casual eye, and dead Monday.
+
+This is not the time to take up those great issues which have risen
+between those who are tempted by drink and fall, and those who are not
+tempted and don't. But I am very sure of this: that a vast majority of
+the men who make the world go round drink or have drunk; and that when
+at last the world comes to be governed by those who don't and haven't,
+it will be even worse governed, more pettily and meddlesomely, than it
+is at present. And that is saying a good deal, even for a butterfly.
+
+You mustn't gather that Fulton and his friends were a goody-goody set
+of boys. They erred and strayed from their ways at times, like the
+worst of us. There was Browning for instance, a born experimenter, who
+so experimented with cocktails one fine morning (at the corner of Sixth
+Avenue and Forty-third Street) that he marched into Madame Castignet's
+French class, drunk as a lord, full of argument, and was presently
+expelled from the school. It was commonly said that the disgrace of it
+would hound him through life. Far from it! Those who at this day pack
+Carnegie Lyceum to hear him play the violin, and who listen, laughing
+and crying, and comparing him to the incomparable Kreisler, perceive no
+disgrace in that youthful episode, rather they see in it an early
+indication of the divine temperament trying to shake off its fetters
+and be free.
+
+One boy that I went to school with is on the famous Meadowbrook team;
+another has played in Davis Cup matches; another brought home a First
+from the Olympic games. In the pack that I run with there is even one
+Roper who achieves a large income by writing fiction for the magazines,
+but even he isn't in the least like that brilliant little circle to
+which Fulton belonged. For we feel that we are paying him an immense
+compliment when we say, "Would you ever suspect that he was an author?"
+Good at games, fond of late hours and laughter, with the easiest and
+most affectionate good manners, he is quite convinced, if you can get
+him to talk shop, at all, that art for art's sake is bunk, and that
+there is more amusement and inspiration to be had on Bailey's Beach and
+in the Casino at Newport than in the whole of Italy.
+
+I must set Roper off against Fulton's friend Garrick. Poor Garrick
+slaved and slaved and reached after perfection. Some say that in the
+thin little volume that he succeeded at last in getting published, and
+leaving behind for the delight of posterity, he actually touched
+perfection. Perhaps he did. I don't know. But I do know this: that
+he had enough talent and energy to make a living, and didn't. That he
+loved his art more than his wife and family, and that they all starved
+together. Is it worse to starve your family for love of liquor than
+for love of art? Roper loves his liquor but he fights against it and
+makes a handsome income; Garrick gave himself up body and soul to his
+love for art, and if it wasn't for his friends Mrs. Garrick would be
+working in a sweatshop.
+
+Fulton and I discussed him once (when I was going to the Fulton house a
+good deal), but we had to give it up as a topic. Fulton saw something
+fine and generous in the man, and could not speak of him without
+emotion, while I found it impossible to speak of him without contempt.
+
+Fulton himself fell away from his friends in later years, not
+spiritually but physically. Lucy Fulton simply had to go on living
+among the people with whom she had been brought up, and in the manner
+to which she was accustomed; and Fulton seeing her pine and grow
+sorrowful in other conditions, and bored and fretful, gradually fell
+into her ways and wishes, as a gentleman shouldn't (but does always),
+and made his new friends among those who are born to be amused. Her
+love and happiness were far more important to him than changed ways and
+the injured feelings of old friends. Once he talked to me about this
+(for we grew quite intimate). I remember he said:
+
+"Somehow I don't seem to see my old friends any more or keep up with
+them. If anything happened to Lucy, I'd be absolutely alone in the
+world, except for the babies. A man does wrong to drift away from
+those who he knows by a thousand proofs care for him, on any pretext or
+for any cause."
+
+And yet he had come to wear the hallmarks of the pack, and to talk the
+language of the world that only asks to be happy and amused. He took
+to games seriously and played them well, and you couldn't point to him
+as one of those cautious persons who never by any chance drank even one
+cocktail too many. Indeed, he often became hilarious and witty, and
+added no end to the gayety of occasions, and was afterward privately
+reproached by Lucy. Coming from another, the hilarity and wit would
+have rejoiced her, but, coming from her nearest and dearest, her mind
+narrowed, and the cold fear that women have of liquor possessed her.
+
+To me it has always been comical, even when I didn't feel well myself,
+to see the husbands come into the club after a big night; each wearing
+upon his face, as plainly as if they had been physical scratches, the
+marks of the wifely tears which he had been forced to witness, and of
+the reproaches which he had been forced to hear, and yet each trying to
+look as if he was the master of his own house and his own destiny. No
+well-born woman, however cold and calculating, can silently put up with
+her husband's drinking, yet how easily she overlooks it in any other
+man! How many excuses she will find for him:
+
+"Why, he's quite wonderful! Of course I knew at once that he was
+tipsy, but he was perfectly sensible--perfectly."
+
+If men didn't drink, women wouldn't have so many parties to go to or so
+much money to spend. How many teetotalers let their wives spend them
+into ruin and disgrace? It is the drinking American who indulges his
+wife and lets her make a fool of herself and him. It's his
+unconfessed, and perhaps unadmitted, remorse seeking a short cut to
+forgiveness.
+
+It seems that I played too much pool and billiards for a small boy; and
+got into too much city mischief, for I learned at the end of a
+delightful Newport summer that I was to finish my schooling, not at Mr.
+Cutter's, but at Groton.
+
+
+
+
+IV
+
+In those Groton days I let matches strictly alone; I neither played
+with them, nor used them to light cigarettes with. I was vaguely
+ambitious to be great and splendid, and I was down on purposeless boys
+who didn't behave themselves.
+
+Lucy's brother was in my form. She used to come to visit him, with her
+parents, in their car. Even for Groton parents the Ludlows were
+enormously rich, or if they weren't enormously rich, they were enormous
+spenders.
+
+Lucy was seven years our junior, but even in those baby days she had
+the laughing mouth and the praying eyes that were to play such havoc
+later on. She was a child of the world; natural, straightforward, and
+easy-going.
+
+Lucy at nine was so pretty, so engaging, and had so much charm and
+magnetism that I remember having regretted, very solemnly, and with
+youthful finality, that we did not belong to the same generation. I
+was sorry that she was not fifteen or sixteen like myself; so that I
+could be in love with her and she with me!
+
+Once Lucy was so sick that they thought she was going to die, and
+Schuyler was called home from school. The whole school was affected,
+so strong and vivid was its memory of an engaging and fearless child.
+I remember being sorrier than ever that I had been confirmed into a
+system which makes disease contagious instead of health, and asking one
+of the masters how he reconciled the death of a kid like that, whom
+everybody loved, with his conception of an all-wise and all-merciful
+God. He answered, it has always seemed to me very lamely, that if we
+didn't believe that all was for the best, in this best of all worlds,
+we should never get anywhere.
+
+All for the best! If we are to forgive the Power that sets him on, why
+not the murderer himself who does the real dirty work? If _all_ is for
+the best, so then must the component parts of all (each and every) be
+for the best. In short we can do no wrong in this best of worlds. Oh,
+what grim, weak-minded nonsense they prate and preach!
+
+There was hand-clapping when the Rector told us that Schuyler Ludlow's
+little sister was going to get well, and presently Schuyler returned to
+school somewhat self-important, as becomes one who has sat at meat with
+famous doctors, and talked of them _in extremis_.
+
+The first rime I rode with Lucy through the Aiken woods, I recalled
+this famous illness of hers, and I think it had something to do with
+all that happened afterward.
+
+We had lost ourselves, a little, as you do at Aiken, among the infinity
+of sand trails beyond the Whitney drive. We knew where we were, of
+course, and we knew where Aiken was, but every trail that started
+toward it fetched up short with a wrong turning. It was one of those
+bright hot days in late February, when a few jasmine flowers have
+opened, and you are pretty sure that there won't be any more long
+spells of rain or freezing cold. Even Lucy, who loved riding, was
+content to sit a walking horse, and bask in the sunshine.
+
+I mentioned her famous illness, and she remembered nothing about It.
+"I'm always too busy," she said, "with what's going on right now to
+remember things."
+
+"Why," I said, "Schuyler was sent for, and you were given up half a
+dozen times. Don't you really remember at all?"
+
+"They wouldn't have told me I was being given up right and left, would
+they? Probably it didn't hurt much, and I was given a great many
+presents. It seems to me I do remember one particularly great time of
+presents, when lots of old gentlemen came to see me."
+
+"I hoped you'd remember better," I said; "because at the time it seemed
+to me one of the most important things that had ever happened in the
+world."
+
+Lucy listened eagerly. She didn't in the least mind a conversation
+that was all about herself.
+
+"The whole school," I said, "was touched with solemnity. Now you
+wouldn't take me for a praying man, would you?"
+
+"I don't know. Wouldn't I?"
+
+"Whether I am or not," I said, "doesn't matter now, because I have so
+little to pray for. But at that time I went down on my knees and
+prayed that you'd get well."
+
+"You were very fond of Schuyler, weren't you?"
+
+"And am. But that wasn't the reason. I don't know just what the
+reason was. Maybe I was looking forward to this ride, and didn't want
+to miss it! I was ashamed to be seen praying, so I prayed in bed. But
+I was afraid that wouldn't do any good, so when my roommate had gone to
+sleep I got up in the dark and went down on my marrowbones on the bare
+icy floor, and I prayed like a good 'un."
+
+Lucy's mouth laughed, but her eyes prayed.
+
+"Then, maybe," she said, "if it hadn't been for you, I wouldn't be here
+now."
+
+"I'd like to think that," I said; "but there must have been lots of
+others who prayed. I should like nothing better than a Carnegie hero
+medal, with the attached pension, but the jury require proofs."
+
+"It's funny," she said, "to think of you kneeling on the icy floor and
+praying for me."
+
+"For your _recovery_!" I corrected her.
+
+"I think it would have been nicer if you had prayed for me. Didn't
+you--even a little?"
+
+"If I had realized that I could be seven years older than you and still
+belong to the same generation, my prayers would have been altogether
+different, and there would have been more of them."
+
+"Where do you think _this_ road goes?"
+
+She turned into it without waiting for an answer, and urged her pony
+into a gentle amble.
+
+I caught up with her and said: "I know this trail. It will take us
+straight to the Whitney drive. Then we can go right up over the hill
+and come out by Sand River."
+
+"It's fun," she said, "to find somebody that likes riding. Everybody's
+mad about golf. John rides whenever I ask him, but it's cruel to
+separate him from the new mid-iron that Jimmie made for him. And he
+won't let me ride alone."
+
+Poor John Fulton showed little worldly wisdom in making that
+prohibition.
+
+"I'd rather ride than eat," I said. "Will you ride again tomorrow?"
+
+She quoted the Aiken story of the lonely bachelor in the
+boarding-house. He is called to the telephone, hears a hospitable
+voice that says, "Will you come to lunch tomorrow at one-thirty?" and
+answers promptly, "You _bet_ I will! . . . Who is it?"
+
+Just before you reach the Whitney drive there is a right angle turn
+from the trail which we were following; it back-tracks a little, errs
+and strays through some fine jasmine "bowers," and comes out at the old
+race track.
+
+"It's early," I said; "let's go this way."
+
+She wheeled her pony instantly.
+
+"Do you always do what you're told?"
+
+She bowed her head very humbly, and meekly, through a mischievous
+mouth, said: "Yes, sir!" And added: "Except when awfully long."
+
+"What do you mean by that?"
+
+"That the most fun is beginning something, and then beginning something
+else before you get all tired out and tangled up. Never say no until
+you are sure that what's been proposed isn't any good. _Then_ back
+out!"
+
+"Don't you ever say no?"
+
+"I 'spect I was very badly brought up. Nobody ever said no to me."
+
+We wound up a hot hillside among tangled masses of jasmine, in which
+here and there were set star-like golden flowers, whose gardenia-like
+perfume mixed with the resinous aromatic smell of the long-needle
+pines. I rode a little behind, on purpose, for I love to see a pretty
+woman turn her head and look backward across her shoulder. She has no
+pose more charming, unless it be when she stands before the "laughing
+mirror" and lifts her hands to her hair.
+
+"I have often wondered," I said, "how you happened to marry Fulton.
+But now I understand. It was because you couldn't say no to anybody,
+and yet he couldn't by any possible chance have been the first to ask.
+What has become of the first poor fellow to whom you were unable to say
+no? . . . And all the others?"
+
+She looked back at me over her shoulder, her eyebrows lifted in an
+effort of memory, which, with a mischievous laugh, she presently
+abandoned.
+
+"Why," she said, "as far as I know: 'One flew east and one flew west
+and one flew over the cuckoo's nest.'" I wish I could convey by words
+the lilt of her clear, fearless, boyish voice, the sparkle of mischief
+and daring in her eyes, and deep beneath, like treasures in the sea,
+that look of steadfastness, of praying, that made you wonder if she was
+really as happy and as carefree as she seemed to be, and not some loyal
+martyr upon the altar of matrimony.
+
+To look at, she was but a child in her teens, slender and virginal, and
+yet I had it from Fulton himself that her babies had weighed nine
+pounds apiece and that she had nursed them both. "She looks down," he
+said, "with contempt, on bottle babies."
+
+He was just coming in from golf, with the smug smile of one who has
+played a good round, on his face. His buggy boy, Cornelius Twombly, a
+black imp of twelve, who carried a razor in his hip pocket, wore also
+the smug look of one who has caddied to victory, and won certain
+nickels and dimes from another caddie upon the main and minor issues of
+the match.
+
+As Fulton climbed out of his rickety, clattering runabout, Mrs. Fulton
+slipped from her smart pony, and they met with an honest kiss, like
+lovers long parted, and at once each began to tell the other all about
+everything.
+
+[Illustration: "They met with an honest kiss, like lovers long parted."]
+
+"If they love each other like that," I thought, "why doesn't he always
+ride with her, or why doesn't she always play golf with him?"
+
+I heard such expressions as "And the new mid-iron" . . . "The jasmine
+will be in full bloom in a week." "As we were going to Black Jack"
+(this is the eighth hole at Aiken, where the holes are all so good that
+they are spoken of by name instead of by number). "Mr. Mannering is
+the _nicest_ person to ride with," etc., etc.
+
+Then Fulton remembered my existence. "You'll not go without a drink!"
+he said.
+
+Mrs. Fulton's eyes confirmed the invitation, so I chucked the reins
+over my pony's head to make him think that he was tied to a
+hitching-post, and went into the house with them. But I did not stay
+long. Fulton wanted to talk golf; Mrs. Fulton wanted to bathe and
+change into skirts, and I wanted to go away by myself and think. I
+wanted to study out why it was that toward the end of our ride
+together, whenever Mrs. Fulton spoke to me or looked back at me over
+her shoulder, my pulses seemed to quicken--and my breathing.
+
+
+
+
+V
+
+We were at the beginning of those parlous times when the Democrats,
+having come into power upon a wave of impassioned idiocy and jealousy,
+were beginning to make us poor at home and despised abroad. A
+schoolmaster president, with three cabinet officers plucked by the hair
+from a Gilbert and Sullivan opera, had put a temporary end to all our
+best qualities as a nation, with the possible exception of the power to
+laugh at jokes.
+
+It was a hectic winter in Aiken. Some of the richest members of the
+Aiken Club were in trouble. There was some talk of making two and a
+half cents a point bridge standard instead of five. Even my own father
+asked me to go a little light, if I could, and not be led into any
+foolishness. "I've not been hit yet," he said, "but you can't tell
+what the fools will do next." You heard very few bets made. There was
+less drinking. It was as if certain men were going into training in
+order to be at their very best when the worst times should come.
+
+Fulton's Cartridge Company, with its headquarters in New York and its
+mills in Bridgeport, Connecticut, had not paid a dividend in some time.
+He had only his salary as president (twenty or twenty-five thousand a
+year, I believe), and it was with the drastic intention of cutting that
+salary in two, and otherwise paring the company's expenses to the
+quick, that he went north the first week in March.
+
+I dined with them the night before he left. There were only four of
+us: the Fultons, myself, and one of those charming Southampton girls,
+with sea-blue eyes, and sunburned hair, who swim like seals, play
+tennis like men, and fear nothing. Evelyn Gray was the name of this
+particular one. I liked her immensely, and was not altogether sorry to
+learn that she was to keep Lucy Fulton company until Fulton returned.
+
+But it was a somewhat depressing dinner. There was an atmosphere in
+the cheerful blue and white dining-room, the white panels of the doors
+and wainscoting had a narrow border of blue, like impending fate.
+Fulton, it seemed, had never yet been away from home over night. And
+this was a record of devotion which he was very loath to break. Even
+more loath to see it broken was Lucy Fulton.
+
+"I tell him," she said, "that if he goes it will be the beginning of
+the end." She spoke in jest, and although Fulton laughed back at her
+you could see that what she had said troubled him and hurt him. "As a
+matter of fact," she went on, "he's been looking for an excuse for some
+time. And now he thinks he's found one, but it wouldn't pass in a
+court of chivalry. He could _write_ to his old directors just as well
+as not. Oh, you needn't think you're the only one who's going to have
+a gay time. You needn't be surprised to hear that I, too, have left
+home in the company of a dark and fascinating foreigner. And anyway I
+shall give a dance and open all the champagne in the cellar."
+
+"There are only two quarts and a pint," said Fulton, and he turned to
+me. "_You've_ never been married, have you? So you don't know what
+the modern woman can spend when she gets going, do you?"
+
+I had a pretty good idea, but did not make the admission and continued
+to look interrogative.
+
+"Well," he said, smiling, "she just has to spend so much, she says so
+herself. Then her poor husband's dividends are passed, and still she
+has to spend so much; she just has to, she says so herself. Then her
+poor husband's poor salary has to be cut in half, and she speaks calmly
+of giving dances and opening wine. Evelyn, I count on you as an old
+and tried friend. If necessary you will interpose your dead body
+between Lucy and this dance of hers."
+
+Superficially he was very tolerant and good-natured, but you could see
+that beneath the surface, nerves were jumping, and that he was in that
+condition of financial and perhaps mental embarrassment which causes
+molehills to look like mountains. And it was here, and now, that I
+learned something new about Lucy; that even in jest she did not enjoy
+having economy preached to her. She looked a little sullen for a
+moment and bored.
+
+"What's the matter with my giving a dance?" I asked.
+
+"Oh, will you?" cried Lucy, the sullen look vanishing beneath a radiant
+flash of child-like joy and enthusiasm. "Where will you give it? At
+Wilcox's?"
+
+"Anywhere you say."
+
+Fulton tossed his hands in a merry gesture of despair.
+
+"Now _you're_ stung!" he said, and then to Lucy, with a swift change of
+voice and manner: "I was only joking, you know that. If you want to
+give a dance, give it."
+
+It was as if a child had cried to be taken up, and in the face of all
+the tenets of modern training, had been taken up. And you knew that
+with the lightest heart in the world Mrs. Fulton was going to spend
+money, which her husband could ill afford.
+
+Shortly after dinner a loud yelling arose in the nursery, and the
+Fultons hurried off to investigate and give comfort, leaving the
+manipulation of a fearful and wonderful glass coffee machine to Evelyn
+Gray and me.
+
+"Lucy," said Evelyn, "has as much idea of money as an alcohol lamp has.
+She ought to be well shaken. I don't believe John has been able to lay
+by a cent for a rainy day."
+
+"But think what a run she gives him for his money. He's the original
+happy married man. Think how she works to make him comfortable, and
+how she mothers the babies, and how she hangs on his words, as if
+nobody else was present. Just now, most people would have sent a
+servant to find out which baby was making a disturbance, and why--but
+those two simply bolted for the nursery as if controlled by one brain
+and one set of muscles."
+
+"Almost makes a bachelor wish he wasn't a bachelor!"
+
+"Just the same I think they are a model of what married people ought to
+be. Since I got to know them pretty well, I've entirely changed my
+notions of the institution."
+
+"I always thought it was a bully good institution,"' said Evelyn.
+Through two glass tubes water, raised almost to the boiling point by an
+alcohol flame, began to mount from one retort into another containing
+pulverized coffee.
+
+"But," she went on with an affectation of melancholy, "I've never found
+the right man, or he's never found me."
+
+"Have you looked," I asked, "diligently and with patience?"
+
+She lifted her fine sea-blue eyes to mine. "Not so diligently, I hope,
+as to be conspicuous," she said. "But no girl fails to examine the
+possibility of every man she meets--married or single--and the girl you
+think the most matter-of-fact is the one who most often slips out of
+bed, sits by her window, and looks at the moon."
+
+"Do _you_ want to get married?"
+
+"There, you're not merely surprised, you're shocked at the idea. Of
+_course_ I do. Look now the coffee's running down into the bottom
+thing. What do we do next?"
+
+"It's too pale," I said. "Put the lamp back and send it through again.
+And pray that it don't explode. But listen--for the sake of
+argument--I want to get married, too."
+
+"_You_! A nice husband _you'd_ make!"
+
+"That's what I wanted to know. So even I have had my matrimonial
+possibilities examined into by matter-of-fact ladies, who sit at
+windows in their nightgowns, and look at the moon! I didn't like to
+ask more directly. Now tell me what's wrong with me?"
+
+Her eyebrows rose mirthfully. "Are we playing truths, or shall I let
+you down easily?"
+
+"I want the truth."
+
+"Well, if your father lost his money, or disinherited you, you couldn't
+support a wife."
+
+"Decision deferred," I said.
+
+"You would begin married life with the highest and most generous
+resolutions; your subsequent fall would be all the harder for your wife
+to bear. You have a certain something about you that few really good
+men have, that attracts women. How long could you let that power rest
+without experimenting to see if you still had it? Not very long. You
+are the kind of man whose wife doesn't dare to have a good-looking
+maid."
+
+"There," I said somewhat nettled, "you do me an injustice."
+
+"You are a faithful friend," she said, "but you wouldn't be a faithful
+lover. Change and excitement and risk are bread and meat to you."
+
+"Look here," I said, laughing, "you've not only considered me, you've
+considered me more than once, and seriously!"
+
+"You have always," she said, "charmed me far more than was good for me."
+
+I answered her mocking look with one as mocking.
+
+"I should like," I said, "nothing better than to disprove all the
+things you think about me."
+
+"You never will."
+
+"Do you know what I think about myself? I think that I shall astonish
+the world with one of those grand passions which make history worth
+reading. The girl who gets me will be very lucky!"
+
+"If you ever do have a grand passion," said Evelyn thoughtfully, "and
+it's just barely possible, it won't be for a girl. It won't be the
+kind that brings any good to anybody."
+
+As they appeared in the door of the living-room, Fulton's hand dropped
+from his wife's waist. She was very rosy and lovely. They looked as
+if they had loitered on their way back from the nursery.
+
+"Mrs. Fulton," I said, "I don't like your coffee-machine because I
+think it's going to explode, and we don't know how to get the coffee
+out. And I don't like your friend. She _has_ exploded and scalded me
+cruelly."
+
+"Oh," said Lucy, with the look of a knowing child, "I know, you've been
+playing truths, and Evelyn's got a New England conscience."
+
+"If she wasn't so good-looking," I said, "I don't believe people would
+have her around, after a few experiences."
+
+"You must try not to let her get on your nerves," said Fulton, "for I'm
+counting on you to keep an eye on this household while I'm away, and to
+see that those who inhabit it behave themselves."
+
+"I don't want any more talk about going away," said Mrs. Fulton; "the
+fact is bad enough. I'm not a bit ashamed to have people know that
+I'll be miserable and cross all the time you are gone."
+
+But she wasn't.
+
+I saw her the next day just after his train had pulled out. She had
+taken Jock and Hurry to see him off. And all three, I was told by an
+eye-witness, had wept openly and without shame. My informant, Mrs.
+Deering, said that she had been reminded of Louis XVI leaving his
+family for the scaffold. But when I saw them five minutes later (you
+could still hear the far-off coughing of the northbound train) only
+Hurry looked grave, while Jock and his mother were illustrating to
+perfection the old adage, "Out of sight out of mind."
+
+They did not look like a mother and her children, but like a big sister
+with her very littlest brother and sister. Hurry, sitting in the
+middle, was being allowed to hold the reins and the whip. She was in
+her usual hurry, and you could see at a glance that over any actual use
+of the whip friction was constantly arising. Under the runabout could
+be seen the thin dangling legs of Cornelius Twombly. I waved and
+shouted. Mrs. Fulton and Jock waved and shouted back, and Hurry seized
+the opportunity to strike cunningly with the whip. The horse lurched
+sharply forward, the three handsome bare heads jerked sharply back, and
+upon two wheels, in dust and laughter, they rounded the nearest corner
+and vanished.
+
+I was going nowhere in particular, and so I turned my pony and trotted
+after them. If they came to grief, I thought, I owed it to Fulton to
+be on hand to pick up the pieces. But I didn't really expect to be
+useful. I caught them just as they pulled up in front of their house,
+and within a minute Hurry had commandeered me to ride her round the
+block, so I took her up in front, and we had a fine ride; then Jock,
+looking wistful, had to have his turn, and after that I was ordered to
+leave my pony and come see the new sand pile and the new puppy. Mrs.
+Fulton had gone into the house and left me to my fate, so I gave a hand
+to Jock and a hand to Hurry, and they dragged me to their own
+particular playground, and made me build King Solomon's palace in the
+"Butterfly that Stamped," and plant a whole palace garden with sprigs
+of box and Carolina cherry. And I built and planted with all my might,
+and it was a lot of fun, until suddenly Hurry crawled into my lap, and
+laid her head against me and went to sleep.
+
+"You mustn't mind her," said Jock, "she's only a little baby."
+
+I didn't mind her a bit; but somehow she had taken all the fun out of
+me, and made me feel more serious and tender than I liked. I made her
+as comfortable as I could, and presently my own crossed legs began to
+go to sleep; the new puppy made a hunter-like dash into the nearest
+shrubbery, Jock caught up his bow and arrow and followed, the
+children's nurse scuttled off toward the kitchen wing for a cup of tea,
+and I was generally abandoned to my fate.
+
+Once or twice Hurry twitched sharply as all young animals do in sleep;
+and once she shook her head quite sharply as if a dream had required
+something of her and been denied. Then she turned her face upward so
+that it was in the full glare of the sun and because I had no hat I
+shielded it with my hand.
+
+Then very quietly came Lucy Fulton and stood looking down at us, and I
+looked up at her, and in that exchange of glances was promoted from an
+acquaintance to an old and intimate friend of the family. Thereafter
+we did not have to make new beginnings of conversations, but could if
+we chose resume where we had left off.
+
+Hurry waked as suddenly as she had gone to sleep, and Lucy made her
+thank me for taking such good care of her. But when it was time for me
+to get up out of the hot sand, I couldn't at first because of the
+soundly sleeping legs, and when I managed it, it was for Hurry's
+benefit, with a great, and I hope, humorous exaggeration of the pains
+and difficulties.
+
+I don't know why I drank so many cocktails that night before dinner,
+nor so much champagne at dinner, nor so many whiskies afterward. I had
+neither made a heavy killing at the races, nor met with disaster. If
+the day differed from other days it was only in this, that I had
+received the confidence of a little child and her mother; that this
+confidence had touched my heart very nearly, and given me the wish to
+be of use to those two, and if necessary to sacrifice my selfish self
+for them. Feeling then that I was a better man than I had thought
+myself, elated with that thought, and almost upon the brink of good
+resolutions, I cut into a rubber of bridge, and began to drink
+cocktails. Why, I shall never know. Let those who drink explain and
+understand, each to himself, and let those who don't drink despise and
+condemn, publicly, as is usual with them.
+
+
+
+
+VI
+
+I was feeling very sentimental by the time I got to bed. I had had a
+long, and I suppose maudlin, talk with Harry Colemain on the beauties
+of matrimony. We had maintained the Fultons against all comers, as our
+ideal example of that institution.
+
+"Just think," I said, "this very night is the first one that John has
+been away from her since they were married. That's going some. That's
+some record. He boarded the train like a man mounting the scaffold to
+have his head chopped off."
+
+I almost cried over the touching picture which I felt I had drawn.
+
+"There aren't many couples like them," Harry agreed wistfully. "But I
+bet even you and I had it in us to be decent and faithful if we'd ever
+struck the right girl. Those things are the purest luck, and we've
+been unlucky. But it makes me sick to be as old as we are, and no
+nearer _home_ than the day we left college."
+
+"When that baby was asleep in my lap--did I tell you about that?"
+
+"Twice," said Harry mournfully.
+
+I didn't believe him, and related the episode again. "It was
+wonderful," I said; "she was like a little stove with a fire in it.
+She made me feel so trusted and tender that I could have put back my
+head and bawled like a wolf. Think of having babies like that for your
+very own, and a wife like Lucy Fulton thrown in."
+
+"She could have married most anybody," said Harry, "but she took a poor
+man and a rank outsider because she--hic--loved him. That's the kind
+of girl she is! Why nobody ever thought she'd settle to anybody. I
+bet she broke her word to half a dozen men, before she gave it to
+Fulton and kept it."
+
+"I wouldn't call him exactly an outsider," I said; "anyway she's made
+an insider of him. Everybody likes him, and admires him. I never
+thought much of him at school, but I think he's a peach now. And he
+understands everything you say to him."
+
+"He understands a good deal more than we'll ever be able to say to him.
+_He's_ got brains. Evelyn Gray is staying with them."
+
+"I know she is. I dined there last night. She's looking very pretty."
+
+"She _is_ pretty," said Harry, "and she's got pretty hands and feet;
+most pretty women haven't. It's usually the woman with a face that
+would stop a clock that has pretty feet."
+
+"Like Mrs. Deering," I suggested.
+
+"Exactly," he said. "But Deering is no fool."
+
+"How do you mean he isn't a fool?"
+
+"Why," said Harry, "he makes her sleep with her feet on the pillow."
+
+This struck me as very funny, and I laughed until I had forgotten what
+I was laughing at. Harry got laughing, too, after a while. He put his
+whole soul in it. Then we ordered two bottles of ale and had some fat
+wood put on the fire, and watched it roar and sputter with flame as
+only fat wood can. After much meditation and a swallow of the
+fresh-brought ale, my mind began to harp on Evelyn Gray, and to magnify
+her good looks and attractions. So I said:
+
+"Harry, why don't _you_ marry Evelyn?"
+
+For a moment he scowled at the fire. Then he spoke in a bitter voice.
+
+"Suppose _I_ wanted to, and _she_ wanted to," he said, "still we
+couldn't."
+
+"Why not?" I asked innocently, expecting, I think, that his phrase was
+some sort of a conundrum.
+
+"Why, Archie, my boy," he said, and his scowl faded to a look of
+weariness and disgust, "it looks as if I might have to marry somebody
+else."
+
+"Not----?"
+
+He nodded. And presently he said, "It will be best for her--of course."
+
+"But I haven't heard even a rumor. Has he started anything?"
+
+"No. He's a decentish little chap. He's trying to make up his mind
+whether to divorce her or be divorced himself. It hinges on the
+children. If he divorces her he'll get them, and if he lets himself be
+divorced, she will."
+
+"It's big trouble, Harry!"
+
+"Yes. For we are sick and tired of each other. I'd rather like to
+blow my head off."
+
+"But if she divorces him, you needn't marry her."
+
+He rose slowly to his full height and held out his hand. "I'm going to
+turn in," he said. "Good night."
+
+"Good night, Harry. I'm sorry for you, you know that."
+
+"I only have my deserts," he said. "Sensible men, like you, steer
+clear of family complications."
+
+When he had gone I had another bottle of ale in front of the fire, and
+from thinking of Harry, I got to thinking of how well ale seemed to go
+on top of whiskey, and to congratulating myself on my strong head and
+stomach. "Nobody," I thought complacently, "would suspect that I had
+been drinking." Then I got to thinking once more about Evelyn Gray.
+It was time I settled down, why not with Evelyn--if only to prove to
+her that the truths she had told me about myself weren't true? I began
+to fancy that I had in me all the qualities that go to make the ideal
+husband, and that in Evelyn were to be found all the qualities which
+make the ideal wife. I could have wept to think what a good sportsman
+she was, and how Pilgrim-father honest.
+
+On her writing-desk my mother has three little monkeys carved in ivory.
+One has his hands clapped to his ears, one to his eyes, and the other
+to his mouth. Their names are "Hear no Evil," "See no Evil," and
+"Speak no Evil."
+
+I have to pass her door to get to my room. But late at night that door
+is never left ajar. She is not the kind of mother who puts in a sudden
+(and wholly accidental!) appearance when her son is coming home a
+little the worse for wear. She has never seen me the worse for wear
+(and I'm not very often), and if she has her way (and I have mine) she
+never will.
+
+"What in thunderation started _you_ last night?" said my father at
+breakfast.
+
+"I'm hanged if I know," I said; "but what makes you think I got
+started?"
+
+"I'd just put out the lights in the library when you came in. You
+stopped in front of the hall mirror, and said:
+
+ "Beautiful Evelyn Gray is dead
+ Come and sit by her side an hour."
+
+
+"I _didn't_," I exclaimed indignantly.
+
+My father began to chuckle all over like Santa Claus in the Christmas
+poem.
+
+"You mean beautiful Evelyn Hope, don't you?" I asked.
+
+"Gray was the name."
+
+"I'd like to know what _you_ were doing up so late?"
+
+"Oh, we had a big night--three tables of bridge and one of poker. I
+sat up late to count my winnings."
+
+"How much did you drop, as a matter of fact?"
+
+"Only about eighty."
+
+"Any twinges this morning?"
+
+"No, sir. And a better appetite than you've got."
+
+"I doubt that."
+
+And, indeed, we both ate very hearty breakfasts.
+
+
+
+
+VII
+
+If I thought that Lucy would be melancholy during her husband's absence
+I was mistaken. It was almost as if she had no husband. She was like
+some radiant schoolgirl home for the holidays. But I am pretty sure
+that Fulton missed her during every waking moment. He wrote to her at
+least twice a day and sent her many telegrams.
+
+"He knows what a shocking memory I have," she explained; "and he's
+afraid that I'll forget him unless constantly reminded. Wouldn't it be
+funny if people only existed for us when they were actually present?
+Some time I think I'm a little like that about people. Until I really
+fell in love, I always loved the boy that was on the spot."
+
+"I've heard that you were an outrageous flirt."
+
+"I didn't know my own mind. _That_ isn't flirting. And when a boy
+said he liked me, I was so pleased and flattered that I always said I
+liked him, too, and the minute he was out of sight, I'd find that I
+didn't."
+
+A few days of hot sunshine had worked wonders with the jasmine. Here
+and there the bright golden trumpets were so massed as to give an
+effect of bonfires; here and there a vine carried beauty and sweetness
+to the top of a tall tree, or festooning among the branches resembled a
+string of lights. The humming of bees was steady and insistent like
+the roar of far-off surf. And so strong was the mounting of the sap
+that already the twigs and branches of deciduous trees appeared as
+through a mist of green. The buds on the laurel, swollen and pink,
+looked like sugar decorations for wedding cakes. Flashes of brightest
+blue and scarlet told of birds recently arrived from still farther
+south. Lucy Fulton had just received a telegram from her husband,
+saying that in New York a blizzard was raging.
+
+She was in one of her talkative moods. Her voice, clear and boyish and
+far-carrying, was so easy and pleasant to listen to that it didn't
+matter much what she said. Should I convey an erroneous impression and
+one derogatory to a charming companion if I said that she chattered
+along like a magpie? She talked about servants, and I gathered that
+she had never had any trouble with servants. And I thought, "Why
+should you, you who are so friendly, so frank, and so kind?" She gave
+me both sides of the argument about bare legs for children versus
+stockinged legs. She confessed to an immense passion for so lowly a
+dish as stewed prunes, she memorialized upon dogs and horses that had
+belonged to her. I learned that her favorite story was the "Brushwood
+Boy," that her favorite poem was "The Last Ride Together," and that her
+favorite flower was Olea fragrans, the tea-olive (she really said its
+Latin name), whose waxy-white blossom is no bigger than the head of a
+pin, and whose fragrance is as that of a whole basketful of hot-house
+peaches.
+
+Had I really and truly liked the teagown she wore the other night?
+Would I cross my heart to that effect? Well, then, she had made it all
+herself in a day. If the worse came to the worst, if cartridges fell
+upon still more evil days, she would turn dressmaker, and become rich
+and famous. Wasn't it a pity that John had to work so hard, and miss
+so many lovely days?
+
+"I think he'd be quite rich," she said, "if it wasn't for me. I was
+brought up to spend all the money I wanted to, and I don't seem able to
+stop. I know it isn't fair to John, and John says it isn't fair to the
+babies, and I make beautiful resolutions and forget all about them."
+
+"But now that your husband has had to cut his salary in half, you'll
+simply have to be good, won't you?"
+
+She admitted that now she would simply have to be good. And a moment
+later she was making plans for the dance that she was going to give at
+Wilcox's.
+
+"Why wouldn't it be a fine beginning of economy to cut that dance out?"
+I asked. "Why not let me give it? I'm quite flush just now. It
+wouldn't hurt me a bit."
+
+"I thrashed it all out with John," she said, "that same night after
+you'd gone. He told me to go ahead, and not disappoint myself. I
+didn't see why you shouldn't give a dance for me if you wanted to, and
+I wanted you to. But John wouldn't listen to that for a minute. I
+must say I couldn't see why, and I don't yet. It isn't like paying my
+dressmaker's bill, or giving me a pearl necklace. I said that. And he
+said no, it wasn't like that, but that it was a second cousin twice
+removed."
+
+"I think he'd be mightily pleased if he came back and found that the
+price of this dance was still to his credit in that firm and excellent
+institution, the Bank of Western Carolina."
+
+"If we are really hard up," she said, "what does a few hundred dollars
+matter one way or the other?"
+
+It seemed to me that I had done all that I could to save Fulton's money
+for him. I had the feeling that if I continued to preach economy I
+might get myself disliked, for already Lucy seemed to have lost
+something of her light-heartedness and vivacity.
+
+"When do you give it?" I said. "Please ask me."
+
+"I shall give it day after tomorrow night," she said; "and I shall ask
+everybody in Aiken."
+
+I said that she insulted me, and then we laughed like two silly
+children, and light-heartedness and vivacity returned to her like two
+bright birds to a flowering bush. We planned the dance in full detail.
+There was just time to get a famous quartette down from Washington.
+She would have the rooms decorated with wagon-loads of jasmine. Once I
+had seen the expression of Hurry's face upon learning that there was to
+be chocolate ice cream for dessert. In planning her dance Lucy's face
+had just the same expression. When she was excited with happiness it
+seemed to me that she had the loveliest face I had ever seen.
+
+We rode until dusk, but I could not accept her invitation for tea or a
+drink, because my mother was expecting some people over from Augusta
+and I had promised to come home. The people's motor, however, had
+broken down, and I found my mother all alone, presiding at a tea table
+that almost groaned with good things to eat.
+
+"What have you been doing?" she asked.
+
+"I've been riding--as you see. I've been riding with Mrs. Fulton."
+
+"Again? It seems to me you ride with her every day. You must find her
+fascinating, or you wouldn't do it."
+
+"You read me like a book, mother. I certainly wouldn't. But don't you
+think fascinating is rather a strong word? She's the most easy-going
+and engaging little person in the world, but fascinating . . .?
+Fascination suggests the effect of paint and fixed smiles and lights
+and spangles upon old men with bald heads, the effect of the wily
+serpent upon the guileless bird."
+
+"Aiken," said my mother, "is such a very small place."
+
+"It isn't like you to beat about the bush. Why not say frankly that if
+I keep on I'll end by making Lucy Fulton conspicuous?"
+
+"Very well," smiled my mother (very gently), "that's just what I do
+say."
+
+"Aiken," I said, "can go hang. If two people like to ride together,
+for no worse reason than that they like riding and are good friends,
+what earthly business is it of Aiken's? People make me sick. That's a
+bromide, but it's a good one. As for Lucy Fulton, I really like her a
+lot, and she really amuses me, but if I knew that I was never to see
+her again in this world, I'd lose no sleep over it. Why, they are the
+original happy married pair. Just think he's away from home for the
+first time since they were married. They make love to each other
+openly, right under your very nose, so that it's downright
+embarrassing. Latterly I've had a meal ticket at their house, and
+seeing them together with their babies, and noting all the peace and
+trustfulness and lovingness of it, has opened my eyes (that were so
+firmly shut) to the possibilities and beauties of matrimony."
+
+"At any rate," said my mother, "you haven't talked yourself entirely
+out."
+
+"Well, you see, I was a listener today. Part of the time I was
+lectured on the empty life I lead, and then I was almost persuaded that
+I ought to fall in love with Evelyn Gray, and she with me. I shouldn't
+wonder if Mrs. Fulton bullied us into it before she got through."
+
+"It would be a delightful marriage," said my mother with enthusiasm,
+"for everybody."
+
+"With the possible exception of Evelyn and me."
+
+Just after this Evelyn, who was great friends with my mother, came in
+without being announced, and said that she was famished, and that she
+put herself entirely in our hands. So we fed her tea, toast, hot
+biscuits, three kinds of sandwiches, and as many kinds of cakes. And
+she finished off with a tumbler full of thick cream.
+
+"Been sitting by your window lately," I asked, "looking at the moon?"
+
+"_He_ thinks," Evelyn complained to my mother, "that delicate
+sentiments and a hearty appetite don't go together. But we know
+better, don't we?"
+
+"When I'm in love," I said, "I eat like a canary bird. I just waste
+away. Don't I, mother?"
+
+"Fall in love with somebody," said my mother, "and I'll tell you."
+
+"Nobody encourages me," I said; "my life has been one long rebuff, I
+remind myself of a dog with muddy paws; whenever I start to jump up I
+get a whack on the nose."
+
+"Your sad lot," said Evelyn, "is almost the only topic of conversation
+among sympathetic people. But of course, if you _will_ have muddy
+paws----!"
+
+"And yet, seriously," I said; "somewhere in this wide world there must
+be one girl in whose eyes I might succeed in passing myself off as a
+hero. I wish to heaven I had her address--a little cream?"
+
+Evelyn scorned the hospitable suggestion and reached for her gloves and
+riding crop.
+
+"I came to see you," she said to my mother, "really I did. And I've
+done nothing but eat. I'm coming again soon when there's nobody here
+but you, and the larder is low."
+
+"Good Lord!" I said, when we had reached the front gate. "Where's your
+pony?"
+
+"I sent him away," she said; "I'm walking. And you _don't have_ to see
+me home."
+
+"But if I want to? And anyway it's too late and dark for you to walk
+home alone. Once upon a time there was a girl and her name was Little
+Red Riding Hood, and once as she was walking home in the dark, after an
+unusually heavy tea, she met a wolf. And he said, 'Evening, Little Red
+Riding Hood,' and she, though she was twittering with fear, and in no
+condition for running because of the immensely heavy tea, said,
+'Evening, Mr. Wolf.'"
+
+"Come along then!" said Evelyn. "Already you have persuaded me that
+Little Red Riding Hood is a pig, and that she is in great danger."
+
+But we didn't walk to the Fultons', we strolled. And the deep dusk
+turned to a velvety black night, soft and warm as a garment, and all
+spangled over with stars. It was one of the Aiken nights that smells
+of red cedar. We passed more than one pair of soft-voiced darkies who
+appeared to lean against each other as they strolled, and from whom
+came sounds like the cooing of doves. Once far off we heard shouting
+and a pistol shot, and presently one came running and crossed our path
+far ahead, but whether a white man or a black we could not tell.
+
+The lights in the Fultons' yard had not yet been switched on. In a
+recess cut from the foliage of a cedar tree, a white garden seat
+glimmered in the starlight.
+
+"It's too early to dress for dinner," I said, "and it's a pity to go
+indoors."
+
+Without a word Evelyn turned into the fragrant recess. The sudden
+acquiescence of one usually so disputatious, where I was concerned,
+troubled me a little, because I could not explain it to my
+satisfaction. It never had happened before. I could not see her face
+clearly enough to gather its expression, and so I put a cigarette in my
+mouth and struck a match. It missed fire, and Evelyn said, "Please
+don't. Unless you want to very much."
+
+"I don't want to at all," I said; "it was just habit. Cedar smells
+better than tobacco, and that's saying a good deal."
+
+She did not answer and a few moments later I said:
+
+"Any other couple, I suppose, seated on this bench in these
+surroundings would make a noise like the cooing of doves. But either
+you or I don't say anything, like tonight walking home, or we fight.
+And yet I think that if the whole truth were told we like each other
+quite a good deal. I admit that you often say hard things about me to
+my face, but I deny that you say them behind my back. Behind my back I
+have heard that you sometimes make valiant and comradely efforts
+to--well to make a silk purse out of a sow's ear, so to speak."
+
+"I've always remembered," she said, very gently, "and never forgotten
+how nice you were to me at my coming-out party, when I was so scared
+and young and all. I thought you were the most wonderful man in the
+world, and had the most understanding and the most tact."
+
+She laughed softly, but not mirthfully.
+
+"That night," she said; "if you'd asked me to run away with you I'd
+have done it like a shot."
+
+"But tonight," I said, "if I so much as touched your hand, you'd turn
+into an icicle, and send me about my business with a few disagreeable
+truths to wear in my bonnet. And I think I know the reason. It's
+because on that first night, even if I had been desperately in love
+with you, I wouldn't have thought of asking you to run away with me,
+whereas now I can conceive of making such a proposition to somebody
+that I didn't even love two bits' worth--for no better reason than that
+she was lovely to look at and that the night smelled of cedar."
+
+"I've only been out seven years," said Evelyn; "seven years tonight."
+
+"Many happy returns, Evelyn. I had no idea this was an anniversary."
+
+"It doesn't seem possible," she went on, "for a man to change his whole
+moral nature in seven years, and to boast about that change."
+
+"I haven't changed and I didn't boast. If I ever knew what was right
+and what was wrong, I still know. The only difference is that I used
+to think it mattered a lot, and now I'm not so sure. I see good people
+suffer, and wicked people triumph; and I don't think that everything is
+for the best in this best of worlds; I think most things are decidedly
+for the worst. Why should so many people be poor and sick and
+uncomfortable? Why should so many men marry the wrong girls, so many
+girls the wrong men? If we are suffering for our sins, well and good,
+but what was the use of making us so pesky sinful! You won't, of
+course, but most people come back at one with one's inability to
+comprehend--they always say 'comprehend' the Great Design. As if they
+themselves comprehended said Great Design to perfection. If there _is_
+a Great Design, no human being understands a jot of it; that's certain.
+Why be so sure then that something we don't understand, and which may
+not even exist, is absolutely right and beautiful? Suppose it could be
+proved to us that there was no Great Design, and no Great Designer,
+that the world was the result of some blind, happy-go-lucky creative
+force, what would we think of the world then, poor thing? A poor woman
+with nothing to live for walks the streets that she may live; a rich
+woman with much to live for dies slowly and in great torture, of
+cancer. If we accept the Great Design we shouldn't even feel pity for
+these two women, we should say of them merely, 'How right! How
+beautiful!' But we do feel pity for them, and by that mere feeling of
+pity deny automatically the beauty of the Great Design, in the first
+place, and its subsequent execution. I can conceive, I think, of a
+lovely picture: you for instance, on a white bench, under a cedar in
+the starlight, listening to my delightful conversation, but I couldn't
+possibly draw the picture, let alone paint it. The Great Design, it
+seems to me, had a tremendous gift for landscape, but fell down a
+little when it came to people."
+
+"Archie," said Evelyn, "you talk like an irreverent schoolboy."
+
+"Of course I do," I said; "I must. I can't help myself. I am only
+playing my part in the Great Design. But if you believe in that then
+it is irreverent of you to say that my talk is anything but absolutely
+right, just, and beautiful. So there!"
+
+She said nothing. And after a few moments of silence I began to feel
+sorry that I had talked flippantly.
+
+"Evelyn," I said, "you mustn't mind poor old me."
+
+Almost unconscious of what I was doing I lifted her right hand from her
+lap, and held it in both mine. She made one feeble little effort to
+tug her hand away and then no more. In the heavens, a star slipped,
+and from the heavens fell, leaving a wake of golden glory. And it
+seemed after that sudden blazing as if the night was blacker than
+before.
+
+I slid my left arm around her shoulders, and, unresisted, drew her a
+little toward me, until I could feel her heart beating strongly against
+mine.
+
+Just then the latch of the house door turned with a strong oil click,
+the door swung open, and dark against the light illumination of the
+hall stood Lucy Fulton. As she stood looking and listening, the strong
+bell of the far-off courthouse clock began to strike. Long before the
+lights and last clanging concussion, Evelyn and I had withdrawn to the
+uttermost ends of our bench.
+
+Then Lucy turned and went back into the house and shut the door after
+her.
+
+Evelyn had risen.
+
+"Good night," she said, but she did not hold out her hand.
+
+"Good night," I said; "I've made you late. I'm sorry."
+
+She started to speak, hesitated, and then said, very quietly, "Why did
+you make love to me just now?"
+
+It seemed to me that the least I could do was to answer "Because I love
+you." But the words must have choked me, and with shame, I told her
+the truth.
+
+"I made love to you," I said, "because I have only one life to live."
+
+"I thought so," she said, still very quietly, and turned toward the
+house. But I had caught up with her in a mere crumb of time.
+
+"I have been honest with you, Evelyn," I said; "will you be honest with
+me? I have told you why I made love to you. I want to know; it seems
+to me that I _ought_ to know. Why did you let me?"
+
+"Oh," she said, "I shut my eyes and pretended that we were in the
+conservatory, seven years ago tonight."
+
+"Pretended?"
+
+"Yes, Archie, honestly."
+
+Halfway up the steps of the house she turned, and said a little
+wearily, "How many lives do you think _I_ have to live?"
+
+"May it be long and happy."
+
+On that we parted, and I heard the ghost of a cynical laugh as she let
+herself into the house.
+
+And I hurried home, inexcusably late for dinner, and filled with shame
+and remorse. And ever at the back of my head was the image, not of
+Evelyn Gray, vague and illusive in the starlight, but of that other
+image that had stood forth dark and sharply defined against the light
+of the hall.
+
+"Lucy Fulton," I said to myself, "you came in the nick of time. And
+you are my good angel."
+
+
+
+
+VIII
+
+On the following day I had no especial desire to see Evelyn. I thought
+that it might be embarrassing for her, and I knew that it would be
+embarrassing for me, so that it was not without trepidation that I
+presented myself at the Fultons' house to keep a riding engagement with
+Lucy.
+
+But you never know what will embarrass a woman and what won't. I
+remember when the Jocelyn house burned down, and nothing was saved but
+a piano (at which Peter Reddy seated himself and played the "Fire
+Music") and a scuttle of coal, how Mrs. Jocelyn, usually the shyest and
+most easily shocked person in the world, came down a ladder in nothing
+but a flimsy nightgown, and stood among us utterly unselfconscious and
+calmly making the best of things, until someone (it was a warm night
+and there were no overcoats in the crowd) tore down a veranda awning
+and wrapped her in it. And I remember a certain very rich and pushing
+Mrs. Edison from somewhere in New Jersey who worked herself almost into
+the top circle of society, and was then caught in a very serious and
+offensive lie, which ended her social career as suddenly as a sentence
+is ended by a period. I had been present when she told the lie, and I
+was present when it was brought home to her, and I felt almost as sick
+as if I had told it myself, and been caught. But she didn't turn a
+hair. She just laughed and said, "Yes. I made it up. What are you
+going to do about it?" Morgan Forbes, about whom the lie had been
+told, was trembling so with rage that he could hardly articulate. He
+said, "The next time you set foot in Newport you will be arrested and
+prosecuted for criminal libel." And she knew that he meant it and that
+her career was ended; still she didn't turn a hair. You couldn't help
+admiring her. Sometimes I can't help wondering what has become of her.
+She looked like one of those Broken Pitcher girls that Greuze painted;
+and you'd no more have expected to find poison in her than in a
+humming-bird.
+
+Nor did Evelyn show any embarrassment whatever. She was sitting
+cross-legged on the big living-room lounge, reading a Peter Rabbit book
+to Jock and Hurry, and looking cool as a lily. She looked serene and
+aloof. I could not believe that only a few hours before she had felt
+that, having but one life to live, nothing mattered much one way or
+another. "At least," I thought, "she'll never wish to talk the thing
+over, and that's a blessing!"
+
+Lucy, dressed for riding, was drumming on a window-pane, and looking
+out into the shady, over-grown garden. I thought her expression a
+little quizzical, her hand a little cool and casual, not altogether
+friendly. And I was surprised to find how great an effect of
+discomfort and dreariness this thought had upon me.
+
+"Any news from the man of the house?" I asked.
+
+"Be back Monday," she said. This was a day sooner than she had
+expected him, but she spoke without any show of enthusiasm. Indeed,
+she spoke a little wearily. I had never seen her face with so little
+color in it. Evelyn, after a friendly nod, and a "You mustn't
+interrupt," had gone on with her reading.
+
+"Are we riding?" I said. "We don't seem to be wanted here."
+
+"Yes," said Lucy. "Let's ride. I feel as if I hadn't exercised for a
+week." She led the way to the ponies, through the garden and round the
+house, almost brusquely. A Spanish bayonet pricked her in the arm, and
+she made a monosyllabic exclamation in which there was more anger than
+pain. Usually so gay and chattersome, she seemed now a petulant and
+taciturn creature.
+
+But she was no sooner astride her pony than the color returned to her
+cheeks, and the sparkle, if not the gayety, to her eyes. And at once,
+as if her taciturnity had been a vow, to be ended when she should touch
+leather, she began to talk. "I'm cross with you," she said.
+
+"With _me_?"
+
+"About last night. I thought--I don't know what I thought. But I've
+liked you so much. And all your thoughts about people are kind and
+generous, and I simply won't believe that it's all put on for effect,
+and----"
+
+"What about last night? I didn't even see you. What have I done?"
+
+"Evelyn saw you, didn't she? Well, I saw Evelyn right afterward. A
+child could have seen that she was upset, and I made her tell me all
+about everything. You don't care two straws about her, really. Do
+you?"
+
+"Does she care two straws about me?"
+
+"Was it just one of those things that happen when it's dark and
+romantic and two people feel lonely, and----"
+
+"And have forgotten yesterday, and aren't considering tomorrow. But
+nothing did happen. You came out on the porch, and the courthouse bell
+sounded a shockingly late hour, and if we didn't remember yesterday or
+consider tomorrow, at least we thought of dinner."
+
+"Evelyn," said Lucy, "was wild with anger and shame."
+
+"I am sorry."
+
+"You don't look a bit sorry."
+
+"I don't believe a man is ever sorry unless he makes real trouble."
+
+"Isn't losing faith in oneself real trouble?"
+
+"And who has done that?"
+
+"Why, Evelyn, of course. She thought that she was as unapproachable as
+an icicle, and now she says all sorts of wild things about herself.
+Just before you came in the children asked her to read Peter Rabbit to
+them. She said she would, but that she didn't think she was _fit_ to."
+
+I burst out laughing, and so did Lucy. "And still," she cried, "you
+don't look sorry."
+
+"I'm looking at you," I said, "and I'm hanged if I can look at you and
+either feel sorry or half the time keep a straight face. And if I
+could, I wouldn't. As for Evelyn I'm glad she's found out that she
+isn't an icicle. Look here, I'll bet you a thousand dollars she's
+engaged or married within a year, beginning today."
+
+"I couldn't pay if I lost," said Lucy. "But if you'll make it ten
+dollars, I'll take you ten times."
+
+We shook hands, and then, as is usual, tried to prove that we had bet
+wisely.
+
+"She's lonely," I said, "that's all that is the matter with her. She
+sees all her friends married and established, she has the perfectly
+ludicrous idea that she is not as young as she used to be. She feels
+like an ambitious thoroughbred that's been left at the post."
+
+To this characterization of Evelyn Lucy took opposing views. Her
+friend, as a matter of fact, wasn't in the least lonely, but was
+excellent company for herself, and led a full life. She was not the
+marrying kind. If she liked men it was only because they played the
+games she liked to play better than women play them. "Imagine Evelyn,"
+she said, "unable to eat, unable to sleep! Imagine her sitting at the
+window in her nightgown and looking pensively at the moon!"
+
+"Funny," I said, "but that's just what I was imagining. All girls do
+it and some wives. It's as much a part of a girl as long hair, and the
+fear of spiders. If a girl didn't get her moon bath now and then,
+she'd just shrivel up and die."
+
+"Well," said Lucy, and she pretended to sigh, "there may be something
+in it. But not for Evelyn."
+
+A moment later.
+
+"Listen," she said, "just to make me out wrong, and win my good money
+you wouldn't----"
+
+"My word," I said, "you are suspicious. But I thought you were a born
+matchmaker. I thought you'd be pleased if you got Evelyn and me
+married!"
+
+"It wouldn't do at all," she said.
+
+"Why not?"
+
+"Oh," she said, "if you must know, it's because I like
+you--both--better the way you are."
+
+And from a walk she put her pony into a brisk gallop, and I followed
+suit, and caught up with her. And I was a little moved and troubled by
+what she had said. For it seemed to me as if she had said it of me
+alone, and that the inclusion of Evelyn in that delayed and hanging
+fire "both" of her phrase had been an afterthought.
+
+After a pleasant uphill while of soft galloping, she signaled with her
+hand, and once more the ponies walked.
+
+"Tell me truthfully," she said. "_Are_ you interested in Evelyn?"
+
+"Is it manners for a man to say he isn't interested in a girl?"
+
+"You couldn't say it to me, because--Oh, because I really want to know."
+
+"Mrs. Fulton," I said, "if I've made her think so, I deserve to be
+kicked."
+
+"Then that's all right. She knows exactly the value to put on your
+attentions. And I'm glad."
+
+"Why?"
+
+"I don't think it would be much fun to ride with a man who couldn't
+bring his mind along with him, do you? Especially now that all the
+flowers are popping out and it's so lovely in the woods."
+
+"But," I said, "you have yet to forgive me for last night."
+
+"There's nothing to forgive," she said. "Don't you know that though
+the man always takes the blame, it's always the girl's fault. A man
+can't get himself into trouble by just sitting still and looking
+pensive, but a girl can. From the moment Evelyn sat on that bench
+under the cedar she had only one thought. It was to see if she could
+make you kiss her."
+
+"No, no, Mrs. Fulton," I exclaimed. "It wasn't a bit like that.
+Honestly it wasn't."
+
+"In that case," said Mrs. Fulton, and her rosy face was at its very
+gayest, "Evelyn is a liar."
+
+"She told you that she tried to make me?"
+
+"Why, what else was there for her to be ashamed about?"
+
+"But you said she was also angry."
+
+"I suppose," said Lucy mischievously, "she was angry because I came out
+on the porch."
+
+
+
+
+IX
+
+In the days of the waltz and the twostep, Aiken did not dance, but
+immediately upon the introduction of the Turkey Trot and the Grizzly
+Bear, she made honorable amends. Wilcox built an oval ballroom with a
+platform for musicians, the big room at the Golf Club was found to have
+a capital floor, and the grip of bridge whist upon society was rudely
+loosened.
+
+Whatever may be said in derogation of the modern dances, they have
+rejuvenated the old and knocked a lot of nonsense out of the young. To
+my eye there is nothing more charming than a well-danced maxixe. To
+dance well a man must be an athlete and a musician; to be either is
+surely a worthy ambition. To dance well a girl must at the very least
+have grace and charm.
+
+So far as I am concerned, Lucy Fulton's dance was a great success, from
+the arrival of the first guest. I was the first guest.
+
+We had a whole dance to ourselves while Evelyn was busy with the
+telephone and before the second guest arrived. In all her life Lucy
+had never looked more animated or more lovely. The musicians caught
+her enthusiasm and the high spirit which flowed from her like an
+electric current, and at once these things appeared in their music.
+
+"I've only one sorrow," I said, "that I can't dance with you and watch
+you dance at the same time."
+
+"But if you had to choose one or the other?"
+
+"I shall choose often," I said, "but I'm afraid others will begin
+getting chosen. If I had my way there would be no other man but me and
+no other girl but you, and we'd dance till breakfast time."
+
+"Evelyn," said Lucy, her eyes full of mischief, "could chaperon us from
+a bench. She could send for her knitting."
+
+"Who is this Evelyn?" I said.
+
+And then the rhythm of the music became too much for us, and we did not
+speak any more, only danced; only danced and liked each other more and
+more.
+
+That night it seemed there were no tired men or women in Aiken. There
+were no lingering groups of yarn-swapping men in the buffet, only
+half-melted humanity who gulped down a glass of champagne and flew back
+to the dance. We made so much noise that half the dogs in Aiken barked
+all night, and roosters waked from sleep began to crow at eleven
+o'clock.
+
+I am sure that Lucy did not give many thoughts to poor John Fulton,
+worrying his head off in far New York. She had the greatest power upon
+her own thoughts of any woman or man I ever knew. And always she chose
+agreeable and even delightful things to think about. When I try to
+make castles in the air I get worrying about details, such as neighbors
+and plumbing. Sometimes I have felt that it would be agreeable to run
+away from everyone and everything, and live on some South Sea beach in
+an undershirt and an old pair of trousers. I can see the palms and the
+breadfruit, as well as the next man. I can picture the friendly brown
+girls with their bright, black eyes and their long necklaces of scarlet
+flowers and many-colored shells, and I can hear the long-drawn roar of
+the surf on the coral beach. But always my bright, hopeful pictures go
+to smash on details. More insistent than the roar of the surf, I hear
+the humming of great angry mosquitoes, and I try to figure out what I
+should do if I came down with appendicitis and no surgeon within a
+thousand miles.
+
+Lucy chose her thoughts as she would have selected neckties, choosing
+the pretty ones, tossing the ugly ones aside and never thinking of them
+again, or, for that matter, of the bill for the pretty neckties that
+would be sent to her husband. Only very great matters, such as love
+and death, could have occupied her mind against her will.
+
+Toward one o'clock the dance became hilarious. One or two men had the
+good sense to go home, two or three others had not. One of them--the
+King boy--made quite a nuisance of himself, and to revenge himself for
+a snub (greatly exaggerated by the alcoholic mind), sought and found
+the hotel switchboard and in the midst of a fox trot shut off all the
+lights.
+
+But the music went right on, and so did many of the dancers. There
+were violent collisions, shouts of laughter, and exclamations of pain.
+
+I was facing the nearest wall of the room when the lights went out and
+I backed Lucy toward it, and then, groping, for I hadn't a match in my
+clothes, found it and stood guard over her, one hand pressing the wall
+on each side of her and my back braced. I received one thundering jolt
+over the kidneys, and one cruel kick on the ankle bone. And then the
+lights went on again, and we finished our dance.
+
+Lucy said she hated people who weren't cool and collected in time of
+danger. That if she was ever in a theater when it caught fire she
+hoped there'd be somebody with her, like _me_, to take care of her!
+"That was the neatest thing," she said, "the way you got us out of
+that. We might have been knocked down and trampled to death."
+
+When that dance ended, we went out of doors for a few minutes to get
+cool. We took a turn the length of the narrow, sanded yard and back.
+We could hear the buggy boys just beyond the tall privet hedge. Some
+were cracking jokes; others were heavily snoring, and there were
+whispered conversations that had to do, no doubt, with mischief, and
+petty crimes.
+
+"It's been a grand party," I said. "By and by I'm going to give one."
+
+"But not for me, you know, just a spontaneous party. Oh, do please,
+will you?"
+
+"Of course I will. But it will really be given----"
+
+"I mustn't know."
+
+"You shall never know if you mustn't."
+
+"I think you ought to dance once with Evelyn."
+
+"I have danced with her, but only half a dance. She said she was
+tired--and then she finished it with Dawson Cooper."
+
+"I wish they'd get to like each other."
+
+"So do I. They're the right age. They've the right amount of money
+between them, and they like the same sort of things. But it rests with
+Evelyn. Dawson would fly to a dropped handkerchief as a pigeon flies
+home; but he's very shy and doesn't think much of himself."
+
+It seemed a good omen when we entered the main hall and found them
+sitting out a dance together.
+
+Dawson rose, but with some reluctance, it seemed to me.
+
+"Isn't it about my turn, Lucy?" he said. "Will you?"
+
+"Did Evelyn tell you you had to?"
+
+He blushed like a schoolboy, and Evelyn burst out laughing.
+
+"Then I will," said Lucy, "when I see a man trying to do his duty like
+a man, I help him always, and besides you dance like a breeze."
+
+So they went away together, he apologizing and she teasing.
+
+"How about me?" I said to Evelyn. "Is it my turn?"
+
+"No," she said, "it isn't. I want to talk to you."
+
+I sat down facing her in the chair that Dawson Cooper had occupied.
+"Just now," she said, "when you and Lucy went outside, I heard someone
+say to someone else----"
+
+"Hadn't they any names?"
+
+"No. She said to him, 'It's about time John Fulton came back. Lucy's
+making a fool of herself.'"
+
+Somehow I seemed to turn all cold inside.
+
+"Of course," said Evelyn, "Lucy knows and you know and I know, but the
+man in the street who sees you ride out together day after day, and the
+woman who's no particular friend of yours, who sees you dance dance
+after dance together--_they_ don't know. Aiken is a small place, but
+like the night, it has a thousand eyes, and as many idle tongues. If I
+didn't know Lucy so well, and you so well, I'd be a little worried."
+
+"Why," I said, "it's a golf year. Nobody would rather ride, except
+Lucy and me."
+
+"The reason doesn't matter," said Evelyn. "When two young people are
+together a whole lot, their feelings don't stand still. They either
+get to like each other less and less, or more and more. You and Lucy
+don't like each other less and less. Anybody can see that, so it must
+be more and more. And there's always danger in that. Isn't there?"
+
+I thought for a moment, and then said: "Not for her, certainly."
+
+"You knew Lucy when she was a little girl, but you didn't see her often
+when she was growing up, did you? Her best friend never thought that
+she would ever settle to any one man. She was the most outrageous
+little flirt you ever saw. No, not outrageous, because each time she
+thought she was really in love herself. It was one boy after another,
+all crazy about her, and she about them. Then it was one man after
+another. What Lucy doesn't know about moonlight and verandas, and the
+sad sounds of the sea at night, isn't worth knowing. But all the time,
+from the time she was fifteen, there was John Fulton in the background.
+He was never first favorite till she actually accepted him and married
+him, but he was always in the running, in second or third place, and
+whether he won her down by faithfulness and devotion nobody knows.
+Nobody quite knows how or why she changed toward him. I don't believe
+she does. He was just about the last man anybody thought she'd marry.
+But anyway her young and flighty affections got round to him at last,
+and fastened to him. They fastened to him like leeches. No man was
+ever loved as hard as she loved him when she got round to it. She made
+up for all the sorry dances she'd led him. She was absolutely
+shameless. She made love to him in public, she----"
+
+"She still does, Evelyn," I said. "I think that's one reason why I
+like her so much, and him. There's nobody else so frank and natural
+about their feelings for each other. Why, it's beautiful to see."
+
+"Archie," said Evelyn, "for short periods of time she loved some of the
+men she didn't marry almost as hard."
+
+After a moment's silence, she said with hesitation,
+
+"It's a lucky thing for her that all the men she thought she cared
+about were gentlemen. You must have noticed yourself how little
+yesterday means to her, how less than nothing tomorrow means, until it
+becomes today."
+
+"Well," I said, "it all bolls down to this, that after many
+vicissitudes, she found her Paradise at last."
+
+"Who can be sure that a girl who had as many love affairs as she had
+is--all through!"
+
+Just then Dawson Cooper came back and took Evelyn away with him. I was
+immensely interested in all that she had told me about Lucy. I rather
+wished that I might, for a while, have been one of the many. And I was
+annoyed to learn that people were undertaking to make our business
+theirs.
+
+"I'll tell John about it when he comes back," I said, "and if he thinks
+best, why I won't see so much of her."
+
+But when he came back it did not seem worth while to tell him.
+
+
+
+
+X
+
+I had forgotten that John Fulton was to return Monday, until Lucy gave
+it as a reason for not being able to ride on that afternoon.
+
+"Even if the train is on time," she said, "I don't think I ought to go
+chasing off, do you? He'd like us all to be at home together and maybe
+later he'd like me to take him for a little drive."
+
+She was rather solemn for Lucy. I did not in the least gather that she
+would rather ride with me than play around with her husband. I did
+gather that she was not using her own wishes and preferences as an
+excuse, but the physical fact of John's home-coming. And I learned in
+the same moment that I wished his return might be indefinitely
+postponed, and that Monday afternoon with no Lucy to ride with promised
+to be a bore.
+
+I saw her doing chores in the village, Jock and Hurry crowded into the
+seat beside her, just before the arrival of the New York train. From
+the back of the runabout dangled the reed-like, moth-eaten legs of
+Cornelius Twombley. For him, too, the return of the master was a
+joyous occasion; there would be a quarter for him if he had been a good
+boy, and some inner voice evidently was telling him that he had. There
+was a red-and-white-striped camellia in his buttonhole, and his narrow
+body was beautified by a dirty white waistcoat.
+
+The New York train whistled. Lucy flicked the horse with the whip,
+three handsome hatless heads were jerked backward, Cornelius Twombley's
+peanut-shaped head was jerked forward, the voices of Jock and Hurry
+made noises like excited tree frogs, and away they all flew toward the
+station.
+
+It was easy to picture the beaming faces that John Fulton could see
+when he got off the train; it was [Transcriber's note: two words
+obliterated here] hear the happy joyous voices all going at once, that
+would greet him. If there was trouble in his life he would forget it
+in those moments.
+
+I turned into the Aiken Club feeling a little lonely. How good, I
+thought, it would be to be met, even once, as Fulton is being met.
+
+And now I must set down things that I did not know at this time, and
+only found out afterward. And other things that are only approximately
+true, things that wouldn't happen in my presence, but which I am very
+sure must have happened.
+
+When Lucy drove off at such a reckless pace to get to the station
+before the train, I don't think it even occurred to her that during his
+absence her feelings for her husband had changed in any way. It was
+he, I think, who was the first to know that there was a change. He did
+not realize it at the station or on the way home. How could he with
+Jock and Hurry piled in his lap, and both talking two-forty, and Lucy
+at his side, trying to make herself heard and even understood? No man
+could. It must have been shortly after he got home, at that moment,
+indeed, when he was alone with her, and his arms went out to her with
+all the love and yearning accumulated at compound interest during
+absence. Habit, and the wish to hurt no one, must have carried her
+arms to tighten a little about him, and to lift her lips to him. Then
+I think she must have turned her head a little, so that it was only her
+cheek that he kissed. I imagine that until that time Fulton's
+love-making had always found the swiftest response, that with those two
+passion had always been as mutual and spontaneous as passion can be;
+and that now, perhaps the very first time, his fire met with that which
+it could not kindle into answering flame.
+
+I do not think that he at once let her go. I think that first his arms
+that held her so close loosened (already the pressure had all gone out
+of hers). I think she was sorry they had to loosen, and glad that they
+had. Then his arms must have dropped to his sides. He did not at once
+turn away, but kept on looking at her, as she at him--he, hurt, he did
+not know why, but brimming with love and compassion and tenderness and
+a little desperate with the effort to understand and to make allowances
+for whatever might have to be understood. Her great blue eyes looked
+almost black for once, prayer upon prayer was in their depths, they
+were steady upon his and unfaltering. It was as if she was giving him
+every opportunity to look down through them and see what was in her
+soul.
+
+It could not have been till many days later that a whole sequence of
+episodes which hurt and could not be understood forced him into speech.
+I think he must suddenly in a moment of trial, have come out with
+something like this:
+
+"Why, Lucy, it sometimes seems as if you didn't love me any more."
+
+When she didn't answer, it must have flashed through him like a streak
+of ice-cold lightning that perhaps she really didn't.
+
+I am glad that it is only in imagination that I can hear his next
+question and her answer. There must have been a something in his voice
+from which the most callous-hearted would have wished to run, as from
+the deathbed of a little child.
+
+"_Don't_ you, Lucy?"
+
+And how terribly it must have hurt her to answer that question!
+Considering what he had been to her and she to him, for how long a
+period of time neither had been able to see anything in this world
+beyond the other, and considering with even more weight than these
+things their own children for whom the feelings of neither could ever
+really change, I think that Lucy ought to have lied. I think she ought
+to have lied with all her might and main, lied as John Fulton would
+have lied if the situation had been reversed, and that thereafter,
+until his death or hers, she ought to have acted those lies, with
+unflagging fervor and patience. Tenderness for him she never lost.
+She might, upon that foundation, have built a saintly edifice of
+simulated love and passion.
+
+But it was not in her nature to lie. I think she probably said: "I
+don't know. I'm afraid not." And then I think her sad face must have
+begun to pucker like that of a little child going to cry, and I think
+it is very likely, so strong is habit, that she then hurried into her
+husband's arms and had her cry upon his breast.
+
+
+
+
+XI
+
+I imagine that thereafter for a time John Fulton's attitude toward Lucy
+was now dignified and manly, and now almost childlike in its despair.
+Having made her love him once, he must have felt at first that he could
+make her love him again. I imagine him making love to her with all the
+chivalry and poetry that was in him, and then breaking off short to
+rail against fate, against the whole treacherous race of women,
+perhaps, and to ask what he had done to deserve so much suffering?
+"Why didn't you do this to me when I was proposing? Why did you wait
+till I was stone broke and worried half sick, with everything going
+from bad to worse? Is it anything I've done, anything I've failed to
+do? Why, Lucy, we were such a model of happiness that people looked up
+to us. How can anybody suddenly stop caring the way you have? If it
+had been gradual! But you were in love with me the night I went away,
+weren't you? _Weren't_ you?"
+
+Here he catches her shoulders and forces that one admission from her,
+and makes the great praying woebegone eyes meet his. Then, almost, he
+pushes her away from him.
+
+"And I go away for a few days," he cries, "and come back and everything
+is changed. I who had a sweetheart, haven't even a wife. Why have you
+changed so? There must be a reason? What is it? Are you sick? Have
+you eaten something that has made you forget? Have you been bewitched?
+That's no fool question. Have you? Have you?"
+
+"Have I what?"
+
+"Have you been bewitched? Tell me, dear, who has done this thing to
+you?"
+
+Again he has her by the shoulders.
+
+"Lucy, is there someone? Never mind the other things, just tell me
+that? You've gotten to like someone else? Is that it?"
+
+And Lucy must have answered that there was no one else. And there is
+no question but that to the best of her belief and knowledge she was
+telling the truth.
+
+But the mere thought that there might be someone else had moved Fulton
+as he had never been moved before. He once told me that even as a
+little boy he had never in all his life known one pang of jealousy. He
+will never be able to make that boast again. And like some damned
+insidious tropical malaria, the passion has taken root in his system,
+so that only death can wholly cure him.
+
+Like some vile reptile it had found within him some cave from which it
+might emerge to brandish its hideous envenomed horned head, and into
+which betimes it might withdraw.
+
+I can imagine no one so stupid as to question any serious statement of
+fact that Lucy might make. Her eyes were wells of truth; her voice
+fearless and sure, like that of some kingly boy.
+
+So when she said there was _no one_, Fulton, who knew her far better
+than anyone else, believed her without any question. And a great
+weight must have been lifted from his heart. With the truth that he
+had wrung from her, I think he must have rested almost content for a
+few hours.
+
+But contentment is far off from a man who hears the great edifice of
+love and happiness which he has reared, crashing about his ears.
+
+He could not make up his mind to any definite course of action. Now,
+calm and judicial, I hear him discussing matters with coolness, and
+self-forgetfulness.
+
+"If there is any chance for me, ever," he would say, "it would be silly
+of us to take any action which would be final. And, besides, I don't
+see how I could reconcile my conscience to giving you a divorce. Or
+you yours to getting one. It would be hard enough for you to lie about
+the most trifling thing. You couldn't, you simply couldn't face the
+court and tell them that I had been cruel and unfaithful. You couldn't
+accuse me of anything so gross, and so unlike me, as the other woman
+who would have to be hired for the occasion. There's another side to
+it. I think the children are better off with you than with me. You're
+the best mother that ever was, the most sensible and the most careful.
+But I don't think I could give them up. If you and the babies were all
+three to drop out of my life, I'd have nothing left but the duty of
+finding money to support you. There's a certain pleasure in doing your
+duty, of course, but in this case hardly enough. Honestly, dear, with
+never a sight or touch of you, I simply couldn't keep things going
+long."
+
+Then perhaps Lucy asked some such question as this: "Don't people
+often, when they've stopped caring about each other, go on living
+together just the same, as far as other people know? And really just
+be good friends and live their own lives?"
+
+"This is very different. We haven't stopped caring about each other.
+You've stopped caring about me. I care about you, just as I did in the
+beginning, and always shall. We _couldn't_ lead separate lives under
+the same roof. God knows I feel old enough, but I'm still a young man,
+and like it or not, you are still my wife. It is something to own the
+shell that once contained the pearl."
+
+Another time he goes hurrying through the house, prayer-book in hand, a
+thumb marking the marriage ceremony. He has been brooding and brooding
+and snatching at straws.
+
+"Read this, Lucy. Just look it over. It's what you and I stood up and
+promised before a lot of people. I'm glad I looked it up. You'll see
+right away that it's a contract which nobody could have the face to
+break. I want you to read it over to yourself."
+
+[Illustration: "'It's what you and I stood up and promised before a lot
+of people.'"]
+
+Finally she does, just to please him, in the sad knowledge that no good
+will come of it.
+
+"You'd forgotten, hadn't you? But just see what you promised. Didn't
+you mean to keep these promises when you made them?"
+
+"Oh, of course I did. Why ask that?"
+
+"But now you want to back out."
+
+Then the old argument that a promise which one is powerless to keep
+isn't a bona fide promise and cannot be so regarded. Fulton sees that
+for himself presently.
+
+"No, of course," he says. "If you don't love me, you can't make
+yourself by an effort of will. And if you don't honor me . . ."
+
+"You _know_ I do."
+
+"How about the other thing, the promise to obey? That is surely in
+your power to keep."
+
+She admits that she can keep that promise; but she leaves herself a
+loophole. She does not say that she _will_ keep it.
+
+And so the words of the prayer book shed no light on the situation, and
+I shouldn't wonder if Fulton raged against the book, and flung it into
+a far corner, and was immediately sorry.
+
+For a man situated as Fulton was, some definite plan of action is
+necessary; and to my mind the one that would be best would be one in
+which the least possible consideration for the woman should be shown.
+When Lucy began to play clench-dummy with her own life, with her
+husband's love, and with the institution of marriage, Fulton, I think,
+would have made no mistake if he had stripped her to the skin and taken
+a great whip to her.
+
+Her whole life had been one of self-indulgence. She had indulged
+herself with Fulton's love till she was glutted with it; that she was
+the mother of two children may, perhaps, be traced to self-indulgence,
+and surely it must be laid down to self-indulgence that she was not the
+mother of more than two. Her self-indulgence kept Fulton poor and in
+debt, and it had come to this: that her impulse to self-indulgence
+would now stop at nothing unless circumstances should prove too strong
+for it.
+
+It is not the gentle, faithful, self-sacrificing man who keeps his
+wife's love; it never was. It was always the man who had in him a good
+deal of the brute.
+
+But, except in a moment of insanity, a man does not go against his
+nature. Fulton has too good a brain not to think that if Lucy were
+locked up for a week or so, and fed on bread and water, good might come
+of it. But his was not the hand to turn the key in the lock. He could
+no more have done it than he could have struck her. This sudden
+failure of her love for him was only another evidence of that
+wastefulness and extravagance which had so often hurt him financially.
+Surely it must have occurred to him more than once to publish notices
+in the newspapers to the effect that he would only be responsible for
+his own debts. He must, I think, have threatened the thing from time
+to time, knowing in his heart that he could never bring himself to put
+it into execution.
+
+I wonder how Fulton felt when hard upon the knowledge that she no
+longer loved him, he received the bill for the dance which she had
+given against his wishes, and in full knowledge of his present
+financial predicament?
+
+She had treated him so badly that it is a wonder of wonders that he
+kept on loving her.
+
+For one thing they deserve great credit. Even Evelyn Gray, a guest in
+the house, did not know that there was any trouble between them. All
+she thought was that owing to financial and other worries, which time
+would right, Fulton seemed a little graver and less enthusiastic than
+usual.
+
+Nor was I any wiser. I had not, of course, so many chances of seeing
+the two together, but I saw as much of Lucy as ever, for we rode
+together nearly every day.
+
+
+
+
+XII
+
+If nothing more definite had come of all this, I should now see but
+little significance in those long afternoons of riding with Lucy. She
+could leave the substance of her trouble behind, as easily as she could
+have left a pair of gloves, and she took into the saddle with her only
+a shadow of the tragedy that was glowering upon her house.
+
+I see now, that, at this time, we must have begun to talk more
+seriously and upon more intimate topics; that we laughed less and that
+there were longer silences between us. We began to take an interest in
+the trees and flowers among which we rode, to learn their names, and to
+linger longer over those which did not at once strike the eye.
+
+And I see now that Lucy talked more than usually about her husband. It
+was as if by doing constant justice to his character she hoped to make
+up to him for her failure of affection. In his domestic relations he
+was a real hero by all accounts. Didn't I _think_ they lived nicely?
+She thought so, too, but it wasn't her fault. She was so extravagant,
+and such a bad manager, it was a wonder they could live at all. She
+admitted so much with shame. But if I could understand how it is with
+some men about drink, then it must be easy for me to understand how it
+is with some women about money. Oh, she'd spent John into some
+dreadful holes; but he had always managed to creep out of them. How he
+hated an unpaid bill! It wasn't his fault that there were so many of
+them. For her part (wasn't it awful!) they filled her neither with
+shame nor compunction. And he'd been so fine about people. His
+instinct was to be a scholar and a hermit. But she loved people, she
+simply couldn't be happy without them, and (wasn't it fun?) she had had
+her way, and now John liked people almost as much as she did. And he
+had a knack of putting life and laughter into the simplest parties.
+
+Sometimes when we had finished riding, we had tea in the garden. It
+would be turning cool, and she would slip a heavy coon-skin coat over
+her riding things; and there was a long voluminous polo-coat of John's
+that I used to borrow. Evelyn nearly always joined us, John not so
+often. Sometimes Dawson Cooper came. He was getting over his shyness.
+Sometimes he was quite brazen and facetious. It looked almost as if he
+was being encouraged by someone.
+
+Of the sorrow that was gnawing at John Fulton's heart I saw no sign.
+He was alert, hospitable, humorous often, and toward Lucy his manner
+was wonderfully considerate and gentle. If I had guessed at anything,
+it would have been that the wife was in trouble and not the husband.
+He could not sit still for long at a time, but he did not in the least
+suggest a man who was on the verge of a nervous breakdown. His
+activity and sudden shiftings from place to place and from topic to
+topic were rather those of a man who superabounds in physical and
+mental energy.
+
+At this time he did not know whether he and Lucy were going to separate
+or not. If they should, he was already preparing dust to throw in the
+world's eyes. He let it be known that at any moment he might have to
+go to Messina in the interests of his cartridge company (this was a
+polite fiction) and that he might have to be gone a long time.
+Business was a hard master. He had always tried to keep it out of his
+home life, but in times like these a man must be ready to catch at
+straws.
+
+And Lucy, just her head and fingers showing from the great coon-skin
+coat, would give him a look that I should not now interpret as I did
+then. I thought that it made her feel sick at heart even to think of
+his going to some far-off place without her!
+
+"Speaking of far-off places," I said once, "Gerald Colebridge is taking
+some men to Burlingham to play polo. He's asked me, and I'm tempted
+almost beyond my strength. What does everybody think?"
+
+"I'd go like a shot," said Dawson Cooper. "Gerald will take his car
+and everything will be beautifully done; and California just about
+now!" Here he bunched his fingers, kissed them and sent the kiss
+heavenward.
+
+"Wish _I_ was asked!" exclaimed Evelyn.
+
+"Ever been to California?" Fulton asked. "Because if not, go. And
+still I've thought sometimes that spring in Aiken is almost as lovely."
+
+Poor fellow, it must have been quite obvious that he didn't think so
+any more. But then Evelyn, Dawson, and I were blind and deaf, at this
+time.
+
+"When," said Lucy at last, "would you go, if you go?"
+
+"Why, in a day or two," I said. "I'd probably leave day after tomorrow
+on the three o'clock and join the party in New York."
+
+"Oh, dear," she said, "I'll have to take up golf then. You're the only
+man in Aiken who likes to ride. And John won't let me ride alone."
+
+"Why not," said he, "ask me to ride with you?"
+
+"Oh, I know you'd do it," she said. "You're a hero, but I'm not quite
+such a brute."
+
+I wish I could have gone to California.
+
+I rode with Lucy the next afternoon, for the last time as we both
+thought. As we came home through Lover's Lane, the ponies walking very
+slowly, she leaned toward me a little, turned the great praying eyes
+upon me, and said, her mouth smiling falteringly:
+
+"Please don't go away. I hate it. Everything's gone all wrong with
+the world. And if you're not my friend that I can talk to and tell
+things to, I haven't one."
+
+"Are you serious, Lucy?"
+
+"Oh, it's no matter!" she said lightly, and began to gather her reins,
+preparatory to a gallop.
+
+"It's only that it didn't seem possible that you could need one
+particular friend out of so many. Of course, I stay. Will you tell me
+now what it is that's gone all wrong?"
+
+"Yes," she said with a quickly drawn breath. "I've had to tell John
+that I don't love him any more, and don't want to be his wife."
+
+If one of those still and stately pines which lend Lover's Lane the
+appearance of a cathedral aisle had fallen across my shoulders, I could
+hardly have been more suddenly stunned.
+
+When I looked at her the corners of her lovely mouth were down like
+those of a child in trouble.
+
+"Please don't look at me," she said.
+
+We rode on very slowly in silence. Sometimes, without looking, I could
+not be sure that she was still crying. Then I would hear a little
+pathetic sniffling--a catching of the breath. Or she would fall to
+pounding the thigh with her fist.
+
+But she pulled herself together very quickly and borrowed my
+handkerchief and when we reached the telegraph office her own husband
+could not have known that she had been crying.
+
+She held my pony while I telegraphed Gerald Colebridge that I could not
+go to California with him.
+
+Far from looking like one who had recently been crying, she looked a
+triumphant little creature, as she sat the one pony, and held the
+other. The color had all come back to her face, and she looked--why,
+she looked happy!
+
+
+
+
+XIII
+
+"Well, my dear," said my mother, "we shall miss you."
+
+"Oh," I said, "I've given it up. I'm not going."
+
+As she had said that she would miss me, this answer ought to have given
+my mother unmixed pleasure. It didn't seem to. She smiled upon me
+with the greatest affection, and at the same time looked troubled.
+
+"When you came into my room this morning your mind was definitely made
+up. Has anything happened?"
+
+"Only that I've changed my mind. Aiken is too nice to leave."
+
+"I sometimes think," said my mother, "that the life you lead is
+narrowing. At your age, how I should have jumped at the chance to see
+California in spring! But I shan't ask you why you don't jump. I know
+very well you'd not tell me."
+
+"Must I have a reason? They say women don't have reasons for doing
+things. Why should men?"
+
+"A woman," said my mother, "does nothing without a reason. But often
+she has to be ashamed of her reasons, and so she pretends she hasn't
+any. Men are stronger. They don't have to give their reasons, and so
+they don't pretend."
+
+"Maybe," I said, "I'm fond of my family and don't want to be away from
+them."
+
+My mother blushed a little, and laughed.
+
+"I shall pretend to myself," she said, "that that is why you have given
+up your trip. But I'm afraid it isn't your father and me that you've
+suddenly grown so fond of."
+
+"Now look here, mamma," I said, "we thrashed that all out the other
+day."
+
+"Thrashed all what out?--Oh, I remember--your attentions to Lucy
+Fulton, or hers to you, which was it?"
+
+"It wasn't our attentions to each other, as I remember. It was the
+attention which Aiken is or was paying to us."
+
+"So it was," said my mother.
+
+She gave me, then, a second cup of tea, and talked cheerfully of other
+things. Some people came in, and I managed presently to escape from
+them.
+
+It hadn't been easy to tell my mother that I had given up the
+California trip. I knew that her triple intuition would connect the
+change of plan with Lucy Fulton, and I was not in the mood to meet such
+an accusation with the banter and levity which it no longer deserved.
+
+Like it or not, I was staying on in Aiken because Lucy had asked me to.
+That we had been gossiped about had angered me; but it could do so no
+longer. That we were good friends, and enjoyed riding and being
+together, was no longer the whole truth. There was in addition this:
+that Lucy no longer loved her husband, and that she had made me her
+confidant.
+
+From the first to the last of my dressing for dinner that night,
+everything went wrong. I stepped into a cold tub, under the impression
+that I had told my man to run a hot one. He had laid out for me an
+undershirt that had lost all its buttons, and a pair of socks that I
+hated. I broke the buckle of the belt that I always wear with my
+dinner trousers; I dropped my watch face downward on the brick hearth,
+and I spilled a cocktail all over my dress shirt, _after_ I had got my
+collar on and tied my tie!
+
+Usually such a succession of misadventures would have given rise to one
+rage after another. But I was too busy thinking about Lucy. I could
+no longer deny that she attracted me immensely. Perhaps she had from
+the beginning. I can't be sure. But I should never have confessed
+this to myself, or so I think, if I had not learned that she had
+suddenly fallen out of love with her husband. In that ideal state of
+matrimony, in which I had first gotten to know her, she had seemed a
+holy thing upon a plane far above this covetous world. But now the
+angel had fallen out of that which had been her heaven, and come down
+to earth. That I had had anything to do with this, I should even now
+have denied to God or man with complete conviction. I had no interest
+in the causes of her descent, only in the fact of it. And all that
+time of bungling dressing for dinner I kept thinking, not that I should
+help her look for a new heaven, but that I must try, as her true
+friend, to get her back into her old one. At that time John Fulton had
+no better friend than I. It seemed to me really terrible that things
+should have gone wrong with these two.
+
+My father came in while I was still dressing.
+
+"Hear you've given up California," he said bluntly; "do you think
+that's wise? . . . Where do you keep your bell?"
+
+I showed him.
+
+"How many times do you ring if you want a cocktail?"
+
+"Twice. If you'll ring four times I'll have one with you. I spilt
+mine."
+
+So my father pushed the bell four times and complimented me on my love
+of system and order, and then he returned to his first question.
+
+"Do you think it wise?"
+
+"Well, father," I said, "we've always been pretty good friends. Will
+you tell me why you think it isn't wise?"
+
+"Yes, I will," he said; "I think it's foolish for a man to run after
+women in his own class for any other purpose than matrimony."
+
+"So do I!" said I.
+
+"A man," he persisted, "doesn't always know that he is running after a
+woman. Nature will fool him. Look at young lovers! Why, they
+actually believe in the beautiful fabric of spiritual poetry that they
+weave about each other. And nature lets 'em. But men who have seen
+life, and have lived, as I shouldn't be at all surprised if you had,
+for instance, are able to see the ugly mundane facts through the rosy
+mist. My boy, you and Lucy Fulton are being talked about. You don't
+have to tell me it's none of my business, I know that. But I can't
+help wanting you to steer clear of rows, and I don't want to see any
+woman get mud thrown on her because of you. For a man of course,
+unfortunately, consequences never amount to much. It's for the woman
+that I should plead if I had any eloquence or persuasiveness. I'd say
+to you, don't run away for your own sake, that's not worth while; but
+run away for hers. Now you will forgive me, my dear fellow, won't you,
+for butting in like this. . . ."
+
+The cocktails came, and when the man who brought them had gone, I said:
+
+"It's for her sake that I'm staying, father; will you listen a little?
+You're the only man in the world that I can talk to without fear of
+being repeated. As far as going to California is concerned I _was_
+going--until a late hour this afternoon. I felt more concern at
+leaving my mother than anyone else. You believe that?"
+
+He nodded to what was left of his cocktail.
+
+"Lucy and I may have been talked about, but there was absolutely no
+reason why we should have been. We rode together this afternoon and
+out of a clear sky she told me that she had fallen out of love with her
+husband--for no _reason_ at all, that's the worst of it--and she
+doesn't know what to do, and has no friend she feels like talking to
+about it, except me. That's why I'm staying. She _asked_ me not to
+go. And of course I said I wouldn't."
+
+My father finished his cocktail, and blew his nose.
+
+"Oh," I said, "I'm not infatuated with the situation either."
+
+"Women certainly do beat the Dutch!" said my father. "I suppose she
+wants advice, and backing when she doesn't follow it."
+
+"If I can keep her in the path of her duty, father, be sure I will."
+
+"And if you can't?"
+
+"It's a real tragedy," I said. "They were the happiest and most loving
+couple in the world, except you and mother, and only a short time ago."
+
+"What time is it?" asked my father.
+
+"I've broken my watch."
+
+"Well, it doesn't matter if we are a little late for dinner."
+
+He cleared his throat, and turned a fine turkey-cock red, and looked
+very old-fashioned and handsome.
+
+"I never thought to tell you this," he said; "it's like throwing mud on
+a saint. Once your mother came to me and said she didn't love me any
+more and that she loved another man and wanted to go away with him."
+
+"I feel as if you'd kicked my feet out from under me."
+
+"It doesn't seem to have come quite to that with Lucy, but it may, and
+in some ways the cases are parallel. I took counsel with your
+grandfather. He advised me to whip her. When I refused to do that, he
+gave less drastic advice, which I followed. I told your mother and the
+man that if after a year during which they should neither see each
+other nor communicate they still wanted each other, I would give your
+mother a divorce. I don't know when they stopped caring about each
+other. I think it took your mother less than three months to get over
+him. And if he lasted three weeks, why I'm the dog that--he was."
+
+I detected a ring of passionate hatred in my father's voice.
+
+"So she came back to me," he said presently, "in a little less than a
+year. Your little sister was your mother's offering of conciliation.
+And we have lived happily. But things have never been with us quite as
+they were. I have never known if your mother really got to loving me
+again, or if she has raised a great monument of simulation and devotion
+upon a pedestal of shame and remorse. Even now, if I drink a little
+more than is good for me, she never criticizes. She feels that she has
+forfeited that prerogative."
+
+"What became of the man?"
+
+"He died of heart failure," said my father, "in a disreputable place.
+They tried to hush it up, but the facts came out. When I heard of it,
+I plumped right down in a chair and laughed till I was almost sick. I
+knew what he was," he said with sudden savageness, "all along. But
+there is no making a woman believe what she doesn't want to believe.
+He was fascinating to women, and a cur. He kept his compact with me,
+not because of his given word, but because he was physically afraid of
+me."
+
+"Thank you for telling me all this, father," I said; "I like you better
+and better. But in one way the cases aren't parallel. In Lucy's case
+there is no other man."
+
+"Not yet," said my father; "but when a woman no longer loves her
+husband, look out for her. She has become a huntress--she is a lovely
+sloop-of-war that has cleared her decks for action. . . . Are you
+ready?"
+
+I slipped my arm through my father's and we went downstairs together.
+
+"I'm sorry you're mixed up in this," he said; "but you couldn't go when
+she made a point of your staying. I'm obliged to you for telling me."
+
+
+
+
+XIV
+
+It grew very warm during the evening and windy. By bedtime there was a
+hot, lifeless gale blowing from the southeast. Now and then the moon
+shone out brightly through the smother of tearing clouds, and was
+visible for a moment in all her glory, only to be submerged the next
+moment and blotted out. About two o'clock single raindrops began to
+splash so loudly on the veranda roof just outside my window that the
+noise waked me; after that I only slept fitfully, and my ears were
+never free from the loud roaring of the tropic rain that began
+presently to fall upon Aiken. I dreamed that somebody had stolen the
+Great Lakes and while being hotly pursued had dropped them. All day it
+rained like that, and all the following night, and only let up a little
+the afternoon of the second day. I got into an oilskin then and walked
+out to the Fultons'.
+
+Theirs was a nervous household. Jock and Hurry confined indoors for
+nearly two days had had too little exercise and too many good things to
+eat. They were quite cross and irrepressible. John had the fidgets.
+He couldn't even stay in the same room for more than a minute, and he
+wouldn't even try sitting down for a change. Lucy had had to give up
+at least a dozen things that required dry weather and sunshine. She
+seemed to take the rain as something directed particularly against
+herself by malicious persons. Evelyn, also cross and nervous, was on
+the point of retiring to her own room to write letters. Just then
+Dawson Cooper telephoned to know if she cared to take a little walk in
+the rain and she accepted with alacrity.
+
+"It's gotten so that he only has to whistle," said Lucy petulantly,
+when Evelyn had gone. "I think she's made up her mind to be landed."
+
+Fulton came and went. Every now and then he dropped on the piano-stool
+for a few moments and made the instrument roar and thunder; once he
+played something peaceful and sad and even, in which one voice with
+tears in it ran away from another.
+
+The piano was in the next room, and whenever it began to sound, Lucy
+dropped her work into her lap and listened. At such time she had an
+alert, startled look. She resembled a fawn when it hears a stick snap
+in the forest.
+
+We heard him leave the piano, cross the hall and go into the
+dining-room.
+
+"He's hardly touched his piano in years," said Lucy. "But now he's at
+it in fits and starts from morning till night. Night before last when
+the rain began he got up and went down in his bare feet and played for
+hours. I had to fetch him and make him come back to bed."
+
+Then she seemed to feel that an explanation was necessary. She bent
+rosily over the work, and said: "We don't want the servants to know."
+
+Again the piano began to ripple and thunder. Again we heard John go
+into the dining-room.
+
+I must have lifted an eyebrow, for Lucy said:
+
+"Yes. I'm afraid so, but it doesn't seem to go to his head. Oh," she
+said, "it wrings my heart, but I haven't the right to say anything."
+
+"Lucy," I said, "have you thought out anything since I saw you last?"
+
+"I think in circles," she said; "one minute I'm for doing my duty to
+him, the next minute I can only think of myself. It _can't_ be right
+for me to be his wife when I've stopped being--Oh, anything but awfully
+fond of him."
+
+"You _are_ that?"
+
+"Of course I am."
+
+"It's just about the saddest thing that ever came to my knowledge," I
+said; "and you won't be angry if I say that I think you ought to stick
+to him and make the best of it?"
+
+"You're not a woman. No man understands a woman's feeling of
+degradation at belonging to a man she doesn't love. Oh, it's an
+impossible situation. And I can't see any way out. I _couldn't_ take
+money from John, if I left him; I haven't got a penny of my own. And I
+think it would kill me to go away from Jock and Hurry for long. And
+the other thing would just kill me."
+
+"That," I said, "Lucy, I don't believe."
+
+"You don't know. Not being a woman, you _can't_ know."
+
+"Men," I said, "and women too survive all sorts of things, mental and
+physical, that they think _can't be_ survived. I read up the Spanish
+Inquisition once for a college essay, and the things they did to people
+were so bad that I was ashamed to put them in, and yet lots of those
+people survived and lived usefully to ripe old ages."
+
+"Who did?"
+
+Unheard by us, John had finished in the dining-room and had come to pay
+us a flying visit.
+
+"People that were tortured by the Spanish Inquisition," I said.
+
+"A lot they know about torture," said he. "They only did things to
+people that the same people could imagine doing back to them. Nothing
+is real torture if you can see your way to revenge it--if only in
+imagination. Torture is what you get through no fault of your own from
+somebody you'd not torture back for anything in the world. It's what
+sons do to mothers, husbands to wives, wives to husbands. Isn't that
+so, Lucy?"
+
+"I suppose so," she said very quietly, her head bent close to her work.
+
+"But what," exclaimed John, "has all this to do with the high cost of
+living?"
+
+He would neither sit down nor stand still. He moved here and there,
+changing the positions of framed photographs and ash trays, lighting
+cigarettes, and throwing them into the fire. He had the pinched,
+hungry look of a man who is not sleeping well, and whose temperature is
+a little higher than normal.
+
+"Were you in the Spanish War?" he asked me suddenly.
+
+(At the moment I was thinking: "If you go on like this you'll never win
+her back, you'll only make matters worse!") I said: "In a way, but I
+didn't see any fighting. I got mixed up in the Porto Rico campaign."
+
+"I was with the Rough Riders," he said; "I've just been remembering
+what fun it all was. I wish you could go to a war whenever you wanted
+to, the way you can to a ball game."
+
+Then as quickly as he had introduced war, he switched to a new subject.
+
+"I want you to try some old Bourbon a man sent me."
+
+He had crossed the room, quick as thought, and pushed a bell; when the
+waitress came he told her to bring a tray.
+
+"Isn't whiskey bad for you when you're so nervous?" said Lucy quietly,
+and without looking up.
+
+"I don't know," said John, with a certain frolicking quality in his
+voice; "I'm trying to find out."
+
+"What was that you were playing a while ago?" I asked. "The slow,
+peaceful, sad sort of thing."
+
+"This?" And he whistled a few bars.
+
+I nodded.
+
+"I made it up as I went along," he said; "music's like a language.
+When a man's heard a lot of the words and the idioms he can make a
+bluff at talking it; but I can only speak a few words. I've only got a
+child's vocabulary. I can only say, 'I'm hungry,' or 'I'm sleepy,' or
+'I want a set of carpenter's tools,' or 'Brown swiped my tennis bat and
+I'm going to punch his head,' or 'The little girl over the fence has
+bright blue eyes and throws a ball like a boy and climbs trees.'"
+
+He had to laugh himself at the idea of being able to express such
+things in musical terms, but when he had sponged up a long glass of
+very darkly mixed Bourbon and Apollinaris, the picture of the little
+girl over the fence must have been still in his mind, for having left
+us abruptly for the piano, he preluded and then began to improvise upon
+that theme. He talked rather than sang, but always in tune and with
+the clearest enunciation, and any amount of experience.
+
+He began merrily, and in no time had us both laughing; I think the
+first air which he tortured to fit his unrhymed and unrhythmical words
+belonged once to Mozart, but I am not sure. It was made out of
+merriness, sunshine, and dew.
+
+ "The little girl over the fence, the fence
+ Has bri-i-i-ight blue-ooo eyes
+ And throws a ball like a boy, a boy,
+ And cli-i-i-i-i-i-imbs trees."
+
+
+He repeated in the minor, modulated into a more solemn key, and once
+more talked off the words. He left you with a slight feeling of
+anxiety. You began to be afraid that the little girl would fall out of
+the trees and hurt herself. But no, instead he grabbed something by
+the hair right out of a Beethoven adagio, and began to want that little
+girl with the blue eyes as a little girl with blue eyes has seldom been
+wanted before; she became Psyche, Trojan Helen, a lover's dream; all
+that is most exquisite and to be desired in the world--and then
+suddenly he lost all hope of her and borrowed from Palestrina to tell
+about it, and the last time she climbed trees it was plump on up into
+Heaven that she climbed, and from hell below, or pretty close to it,
+there arose the words "And climb trees" like a solemn ecclesiastical
+amen.
+
+It was an astounding performance, almost demoniac in its cleverness and
+in its power to move the hearer.
+
+Lucy's eyes were filled with tears.
+
+"I wish he wouldn't," she said.
+
+There was quite a long silence, but as we did not hear him moving
+about, he probably sat on at the piano, for presently, in a whisper,
+you may say, more to himself than to us, he sang that Scotch song,
+"Turn ye to me," which to my ear at least stands a head and shoulders
+taller and lovelier than any folk song in all the world, unless it's
+that Norman sailor song that Chopin used in one of the Nocturnes.
+
+ "The waves are dancing merrily, merrily,
+ Ho-ro, Whairidher, turn ye to me:
+ The sea-birds are wailing, wearily, wearily,
+ Horo Whairidher, turn ye to me.
+
+ "Hushed be thy moaning, love bird of the sea,
+ Thy home on the rocks is a shelter to thee;
+ Thy home is the angry wave, mine but the lonely grave,
+ Horo Whairidher, turn ye to me."
+
+
+Lucy rose abruptly and left the room. I could hear her whispering to
+him, pleading.
+
+Surely he must have sung that song to her when she was only the little
+girl with blue eyes over the fence, and it must have had something to
+do with making her love him. But the qualities of his voice that could
+once make her heart beat and fire her with love for him could do so no
+more. He had left, poor fellow, only the power to torture her with
+remorse and make her cry.
+
+
+
+
+XV
+
+The next day I kept a riding engagement with Lucy, but she didn't.
+
+"She's gone for a walk with John," said Evelyn, who had come out of the
+house to give me Lucy's messages of regret and apology.
+
+"Lucy gone walking!" I exclaimed. "Have the heavens fallen?"
+
+"Sometimes I think they have," said Evelyn. "But you know more about
+that than I do."
+
+"Know more about what?"
+
+"Haven't you noticed?"
+
+I shook my head.
+
+"Why, John is all up in the air about something or other, and Lucy is
+worried sick about him. I thought probably she'd told you what the
+trouble was. I've asked. She said probably money had something to do
+with it; and that was all I could get out of her. Come down off that
+high horse and talk to me. I'm not riding till four."
+
+So I left my pony standing at the front gate and Evelyn and I strolled
+about the grounds.
+
+"Money isn't the whole trouble," said Evelyn presently. "I know that.
+Something even more serious has gone terribly wrong. And I want to
+help."
+
+"Won't they work it out best by themselves?" I suggested.
+
+"Sometimes," she said, "it seems almost as if they had quarreled.
+Sometimes John looks at her--Oh, as if he was going to die and was
+looking at her for the last time. Could he have something serious the
+matter with him?"
+
+"He could, of course, but it doesn't seem likely."
+
+"He doesn't _look_ well."
+
+"True."
+
+"Look here, Archie, don't you know what's wrong?"
+
+"I wish I did," said I. "If I could right it."
+
+As a matter of fact I didn't know what was wrong. I knew only that
+Lucy no longer loved her husband. But why she no longer loved him was
+the real trouble, and she had not told me that, even if she knew It
+herself. But wishing to strengthen my answer, I said: "You're the one
+who ought to know what's wrong. You're on the spot. And besides,
+you're a woman and a woman is supposed to have three intuitions to a
+man's one."
+
+Evelyn ignored this.
+
+"Sometimes," she said, "John's so gentle and pathetic that I want to
+cry. Sometimes he is cantankerous and flies into rages about trifles.
+It's getting on my nerves."
+
+"Why not pack up your duds and move on?"
+
+"Oh, because----"
+
+I laughed maliciously. "We might move on together," I suggested.
+
+"_You_ were going to move on," she said, "but you have stayed. I
+wonder why?"
+
+I did not enlighten her.
+
+"If," she said presently, "people find out that things in this house
+are at sixes and sevens I wonder if they won't find fault with you and
+Lucy? Has that occurred to you?"
+
+"It has occurred to you," I said, "to my own mamma and doubtless to
+other connections. But it hasn't occurred to me. We see too much of
+each other?"
+
+"Altogether."
+
+"You really think that?"
+
+Evelyn shrugged her shoulders. "For appearance' sake, yes," she said.
+"Of course you do. But it's my opinion that if you'd been going to get
+sentimental about each other you'd have done it long ago."
+
+"Evelyn," I said, "I've never made trouble in a family."
+
+"Is that because of your natural virtue or because you have never
+wanted to?"
+
+"A little of both, I think. People fall in love at first sight. That
+can't be helped. Or they fall in love very quickly, and that's hard to
+help. But people who fall in love gradually through long association
+have no good excuse for doing so, if they oughtn't. They should see it
+coming and quit seeing each other before it's too late."
+
+"But I don't agree," said Evelyn. "I think love is always a
+first-sight affair. I don't mean necessarily the first time two people
+see each other, but that suddenly after years of association even, they
+will see each other in a new light."
+
+"A light that was never on sea or land?"
+
+"A light that is always where people are, just waiting to be turned on."
+
+At that moment we heard Dawson Cooper's voice calling: "Hallo there!
+Where are you?"
+
+Presently he hove into sight, and did not seem altogether pleased at
+finding Evelyn and me together.
+
+"Archie thought he was going to ride with Lucy," Evelyn explained, "but
+she threw him down, and I suppose we have got to ask him to ride with
+us!"
+
+"Yes," I said, "I think you have, but I don't have to accept, do I?
+You're just doing it so's not to hurt my feelings, aren't you? Of
+course if you really want me----"
+
+"Come along, Coops," said Evelyn. "He's trying to tease us. He
+wouldn't ride with us for a farm."
+
+We separated at the mounting-block, and I watched them a little way
+down the road. And felt a little touch of envy. Evelyn was looking
+very alluring that afternoon.
+
+I rode in the opposite direction until I came to the big open flat
+north of the racetrack; there, a long way off, I saw John Fulton and
+Lucy walking slowly side by side. John was sabering dead weed stalks
+with his stick. So I turned east to avoid them, then north, until I
+had passed the forlorn yellow pesthouse with its high, deer-park fence,
+and was well out in the country.
+
+Then I left the main road, and followed one tortuous sandy track after
+another. Suddenly Heroine shied. I looked up from a deep, aimless
+reverie, and saw sitting at the side of a trail a withered old negress.
+She looked like a monkey buried in a mound of rags.
+
+"Evening, Auntie," I said.
+
+"Evening, boss."
+
+Heroine had broken into a sweat, and was trembling. She kept her eyes
+on the old negress and her ears pointed at her, her nostrils widely
+dilated.
+
+"My horse thinks you're a witch, Auntie," I said. "Hope you'll excuse
+her."
+
+"I allows I got ter, boss, caze that's jes what I is."
+
+"Honest to Gospel?" I laughed.
+
+"You got fifty cents, boss?"
+
+I found such a coin in my pocket and tossed it to her.
+
+"I used to have," I said.
+
+She rose to her feet and Heroine drew away from her, firmly and rudely.
+
+"Don' min' me, honey," said the old woman, and she held out a hand like
+a monkey's paw. To my astonishment Heroine began to crane her head
+toward the hand, sniffed at it presently, gave a long sigh of relief
+and stood at ease, muscles relaxed, and eyelids drooping.
+
+"Now I believe you," I said. "What else can you do?"
+
+She turned her bright, beady eyes this way and that, searching perhaps
+for anyone who might be watching and listening. Then she said, "I kin
+tell fo'tunes, boss."
+
+"Just tell me my name."
+
+"You is Mista Mannering, boss."
+
+"Hum, that's too easy," I said. "I've been coming to Aiken a great
+many years. What is my horse's name?"
+
+"Her name is He'win, boss."
+
+"Hum," I said and felt a little creepy feeling of wonder.
+
+"Does you want to know any mo'?"
+
+I nodded.
+
+"You's flighty, boss, but you ain't bad. You is goin' ter be lucky in
+love, 'n then you is goin' ter be unlucky. You is goin' ter risk
+gettin' shot, but dere ain't goin' ter be no shootin'. When summer
+come around you is goin' ter have sorrer in you' breas', and when
+winter comes around dere'll be de same ole sorrer, a twistin' and a
+gnawin'."
+
+"What sort of a sorrow, Auntie?"
+
+"Sorrer like when you strikes a lil chile what ain't done no harm, only
+seem like he done harm, sorrer like you feels w'en you baby dies, 'case
+you is too close-fisted ter sen' fer de doctor, sorrer like----"
+
+She broke off short, looking a little dazed and foolish.
+
+"You've had your share of sorrow, Auntie, I can see that."
+
+"Is I a beas' o' de fiel'?" she exclaimed indignantly, "or is I a
+humanous bein'?"
+
+"Must all human beings have sorrows?"
+
+"Yes, boss, but each has he own kin'! Big man has big sorrer, little
+man have little sorrer, and dem as is middlin' men dey has middlin'
+sorrers."
+
+"It's all one," I said, "each gets what he can stand and no more. Put
+a big sorrow on a little man and he'd break under it; put a little
+sorrow on a big man and he wouldn't know that he was carrying it. What
+else can you tell me, Auntie?"
+
+"I ain't goin' ter tell yo' no mo'."
+
+"Not for another half-dollar?"
+
+"No, boss."
+
+"Well, there it is anyway. Good evening."
+
+"Good evening, boss."
+
+She had made me feel a little shivery and I rode off at the gallop.
+
+XVI
+
+I was surprised to find John Fulton in the Club. As a home-loving man
+he was not a frequent visitor. He had dropped in, he said, to get a
+game of bridge, had tired of waiting for somebody to cut out, and had
+been reading the newspapers to find out how the world was getting along.
+
+"I haven't more than glanced at them in a week," he said, "but there's
+nothing new, is there? Just new variations of public animosity and
+domestic misfortunes. Have you read this Overman business?"
+
+"I haven't."
+
+"It's a case or a hard-working, thoroughly respectable man who, for no
+reason that is known, suddenly shoots down his wife and children in
+cold blood, and then blows his own head to smithereens."
+
+"But of course there was a reason," I said; "he must have felt that he
+was justified."
+
+"He seems to have had enough money and good health. And he passed for
+a sane, matter-of-fact sort of fellow."
+
+"If it was the regular reason," I said, "jealousy, he wouldn't have
+hurt the children."
+
+"Only a very unhappy man could kill his children," said Fulton. "His
+idea would be to save them from such unhappiness as he himself had
+experienced. But in nine cases out of ten it would be a mistaken
+kindness. Causes similar to those which drove the father into a
+despair of unhappiness would in all probability affect the children
+less. No two persons enjoy to the same degree, suffer to the same
+degree or are tempted alike. How many wronged husbands are there who
+swallow their trouble and endure to one who shoots?"
+
+"Legions," I said. "Fortunately. Otherwise one could hardly sleep for
+the popping of pistols."
+
+"Do you believe that or do you say it to be amusing?"
+
+"I think that the number of husbands who find out that they have been
+wronged is only exceeded by the number who never even suspect it. But
+they are not the husbands we know, the modern novelist to the contrary
+notwithstanding. In our class it is the wives who are wronged as a
+rule; in the lower classes, the husbands. I've known hundreds of what
+the newspapers call society people; the women are good, with just
+enough exceptions to prove the rule: the men aren't."
+
+"When you say that the women are good, you mean they are technically
+good?"
+
+"Who is technically good?"
+
+"Hallo, Harry!"
+
+Colemain, having pushed a bell, pulled up a big chair and joined us.
+
+"We were saying that the average woman we know is technically good."
+
+"You bet she is!" said Colemain. "She has to be! If she wasn't how
+could she ever put over the things she does put over? And as a rule
+her husband isn't technically good and so she has power over him. She
+says nothing, but he knows that she knows, and so when she does
+something peculiarly extravagant and outrageous, he reaches meekly for
+his checkbook. For one man who is ruined by drink there are ten ruined
+by women; and not by the kind of women who are supposed to ruin men
+either; not by the street-walker, the chorus girl or the demi-mondaine.
+American men are ruined by their wives and daughters who are
+technically good. Don't we know dozens of cases? When there is a
+crash in Wall Street how many well-to-do married men go to smash to one
+well-to-do bachelor? A marriage isn't a partnership. It's the
+opposite except in name. It's a partnership in which the junior
+partner gives her whole mind to extracting from the business sums of
+money which ought to go back into it. And she spends those sums almost
+invariably on things which diminish in value the moment they are
+bought. It isn't the serpent that is the arch enemy of mankind. It's
+the pool in which Eve first saw that she was beautiful, or would be if
+she could only get her fig-leaf skirt to hang right."
+
+"But I think," said Fulton gently, "that women ought to have pretty
+clothes, and bright jewels and luxuries. If a girl loves a man, and
+proves it and keeps on loving him, how is it possible for him to pay
+her back short of ruining himself? Haven't you ever felt that if the
+whole world was yours to give you'd give it gladly? Why complain then
+when afterwards you are only asked to give that infinitesimal portion
+of the world that happens at the moment to be yours? If a man is
+ruined for his wife, if cares shorten his life, even then he has done
+far, far less than he once said he was willing and eager to do."
+
+He looked at the big clock over the mantelpiece, sat silent for a
+moment, then rose, wished us good-night and went out.
+
+"You wouldn't think," said Harry, "to hear him talk that a woman was
+playing chuck-cherry with that infinitesimal portion of the world that
+happens to be his. I was in the bank this morning and I saw him come
+out of the President's room. He looked a little as if he'd just
+identified the body of a missing dear one in the morgue."
+
+"I'm afraid he is frightfully hard up," I said, "but he hasn't said
+anything to me about it, and I don't like to volunteer."
+
+"He's a good man," said Harry, "one of the few really good men I know,
+and it's a blamed shame."
+
+"Oh, it will all come out in the wash."
+
+"It depends on how dirty the linen is!"
+
+"American men," I said, "never seem to have the courage to retrench.
+Why not take your family to a cheap boarding-house for a year or two?
+Cut the Gordian knot and get right down to bed rock? Boarding-house
+food may be bad for the spirit, but it's good for the body. My father
+had dyspepsia one spring, and his doctor told him to spend six weeks in
+a summer hotel--_any_ summer hotel--and take _all_ his meals in it."
+
+Just then one of the bell-boys interrupted us. He said that Mrs.
+Fulton wished to speak with me. He followed me into the coat room,
+where the telephone is, in a persistent sort of way, so that I turned
+on him rather sharply and asked what he wanted.
+
+His eyes were bulging with a look of importance and his black face had
+an expression of mystery. "She ain't on de telephone," he said, "she's
+outside."
+
+"Well, why couldn't you say so?"
+
+I went out bareheaded into the dusk and walked quickly between the
+bedded hyacinths and the evergreen hedges of Carolina cherry to the
+sidewalk. But she wasn't there. Far up the street I saw a familiar
+horse and buggy, and a whip that signaled to me.
+
+She was all alone. Even Cornelius Twombley, as much a part of the
+buggy as one of the wheels, had been dropped off somewhere.
+
+"I haven't seen you all day," she said. "I thought maybe you'd like to
+go for a little drive."
+
+I simply climbed into the buggy and sat down beside her.
+
+"Evelyn and Dawson," she explained, "were crowding the living-room, so
+I thought of this. Is John in the Club?"
+
+"He was, but he said good-night to Harry Colemain and me, and I think
+he went home. . . . How is everything? I saw you and John from afar,
+walking together. I knew you could run because I've seen you play
+tennis, but I didn't suppose you'd ever learned to walk. You're always
+either on a horse or behind one."
+
+"Was it very bold of me to come to the Club for you? I suppose I ought
+to have telephoned." Then she laughed. "I ought to have had more
+consideration of your reputation," she said.
+
+"My reputation will survive," I said. "But look here, Lucy----"
+
+"I'm looking!"
+
+"I meant look with your mind. I don't know if I ought to bring it up;
+it's just gossip. Harry saw John coming out of the President's room in
+the bank. He said it looked to him as if John had been trying to make
+a touch and hadn't gotten away with it. You know I hate to see him
+distressed for money, especially now when other things are distressing
+him, and I wonder if there isn't some tactful arrangement by which I
+could let him have some money without his knowing that it came from me."
+
+"_Aren't_ you good!" she exclaimed. "Oh, I suppose he makes things out
+as bad as he can so as to influence me as much as possible; but he says
+we are in a terrible hole, that we oughtn't to have come here at all,
+that if he'd had any idea how much money I'd been spending in New York
+before we came he wouldn't have considered coming, that everybody is
+hounding him for money, and that he doesn't see how he can possibly pay
+his bills at the end of the season. Of course it's mostly my fault;
+but I can't help it if the Democrats are in power and business is bad,
+can I?"
+
+"Well," I said, "I'm flush just now and I'll think up a scheme.
+Meanwhile let's forget about everything that isn't pleasant. Where are
+you going to drive me?"
+
+"I don't care. Let's get away from the lights. What time is it? John
+doesn't like me to be late; and besides I haven't kissed the kiddies
+good-night. Let's just take a little dip in the woods. On a hot night
+it's almost like going for a swim. Oughtn't you to have a hat or
+something? If you get cold you can put the cooler on like a shawl."
+
+Her manner affected me as it had never affected me before.
+
+The dip from the hot dusk of the dusty road into the cool midnight of
+the pine woods had all the exhilaration of an adventure. The fact that
+she had sent into the Club for me flattered my vanity. She wanted me
+and not another to be with her. I felt a tenderness for her that I had
+never felt before. I wanted a chance to show that I understood her and
+was her friend without qualification. Shoulder touched shoulder now
+and then and it seemed to me as if I was being appealed to by that
+contact for support, countenance, and protection.
+
+We chattered about the night and the pale stars, and the smells of
+flowers. We wished that there was no such thing as dinner, that the
+woods lasted forever, and that we might drive on through the soft
+perfumed air until we came to the end of them.
+
+Then there was quite a long silence, and for the first time in my life
+I experienced the wish, well, not to kiss her, but to lay my cheek
+against hers. It was a wish singularly hard to resist.
+
+"I suppose we ought to turn back."
+
+"You know best," I said.
+
+"Do you want to?"
+
+"No, do you?"
+
+"No."
+
+But we turned back and came up out of the woods into the lights of the
+town.
+
+"Where shall I drop you--at the Club?"
+
+"Let me drop you," I said, "and borrow your buggy afterward to take me
+home. You ought not to drive alone at night."
+
+"Maybe it would be better if I did," she said.
+
+We said good-night at the door of her house, but not easily. For once
+it seemed hard to say anything final.
+
+"Was I very brazen," she said, "to ask you to go with me, when I didn't
+want to be alone?"
+
+"You were not," I said, "it was sweet of you. I loved it."
+
+Cornelius Twombly lunged from the black shadow of a cedar tree and went
+to the horse's head.
+
+"Good-night, Lucy. Good luck!"
+
+Just then we heard John calling.
+
+"That you, Lucy? You're late. I was getting anxious."
+
+We could see him coming down the path, a vague shadow among the
+shadows, his cigarette burning brightly.
+
+"Hallo, who is it? I can't see."
+
+"It's Archie Mannering," said Lucy.
+
+"Oh, is it? Won't you come in?"
+
+"Can't, thanks. Got to dress. Lovely night, isn't it? Good-night.
+Good-night, Lucy."
+
+When I had driven a little way I turned and looked over my shoulder,
+but though I could only see the fire of John's cigarette, I imagined
+that I could see his face--a little puzzled, a little anxious, and very
+sad.
+
+It was on that same night that he said to Lucy: "Aren't you seeing a
+good deal of Archie Mannering?"
+
+And she answered:
+
+"Am I? I suppose I am. I like him awfully."
+
+
+
+
+XVII
+
+I awoke the next morning with the feeling that something or other was
+impending. I had no idea what it might be, pleasant or unpleasant. I
+felt a little the way you feel just before a race on which you have bet
+altogether too much money, a little excited, a little nervous, equally
+ready for laughter or anger. I had also the feeling that I had a great
+many things to do, and could not possibly get them done in so short a
+space of time as one day.
+
+I hurried through breakfast. I hurried through the papers. And then I
+realized with a sense of anti-climax that until four o'clock, when I
+was to ride with Lucy, I had but one thing of any possible importance
+to do. And upon that business from first to last including the walk to
+the village and thence to the Club I spent no more than three-quarters
+of an hour. It had been an eccentric piece of business, and I was
+rather pleased with myself for having brought it to a satisfactory
+conclusion. But I wanted others to know what I had done and to be
+pleased with me for doing it; and to tell anyone was quite out of the
+question.
+
+In the Club letter-box under "M," I saw a small gray envelope.
+Instinct told me that it was for me, and that it was from Lucy. Then
+somehow all my feeling of restlessness and suspense melted away like a
+lump of sugar in hot tea. I felt at once serene and comfortable.
+
+I carried the note to a writing-table, for I imagined that it would
+require an immediate answer, and then read it. Like all Lucy's notes
+it began without the conventional endearment, and ended with initials.
+It contained also her usual half-dozen mistakes in spelling.
+
+
+John says he has no money and can't get any. So we've got to close the
+house and go back north, and live very cheaply till better times. So
+I've got to begin packing. So I can't ride this afternoon. Isn't it
+all a beastly shame? But please drop in and say how-dy-do just the
+same, and don't mind if you have to sit on a trunk. And please be a
+little sorry because I'm going away and we can't have any more rides.
+And please don't say anything about this; because John isn't just
+himself and maybe when we get all packed up he'll change his mind.
+
+L. F.
+
+
+Long before they were "all packed up," John did change his mind. I was
+present when he changed it. Lucy, Evelyn, and I were in the
+living-room helping each other to pack large silver-framed photographs
+into the tray of a trunk. It was slow work. During the winter none of
+us had looked at the photographs or commented on the originals, but now
+that they were to be swathed in tissue paper and put out of sight each
+one had to be approved or disapproved, and long excursions had to be
+made into the life histories and affairs of the friends who had sat for
+them.
+
+Lucy had just taken a large photograph of Evelyn from the top of the
+low bookshelves that filled one end of the room when John came in from
+the garden with an open letter in his hand. He was smiling in a
+puzzled sort of way.
+
+"What do you know about this!" he exclaimed rather than asked.
+
+"Nothing," said Lucy, "_yet_." And she began to wrap Evelyn's
+photograph in many folds of tissue paper.
+
+"Yesterday," said John, "I tried to get some money from the bank, but
+they turned me down. Now they write that upon reconsideration I can
+have anything I like."
+
+Well, Lucy's expression at that moment was worth a great deal more than
+the few thousands which her husband would see fit to borrow from the
+bank, and I couldn't but feel that there are moments when it is really
+worth while to be alive and rich.
+
+"Wonder what made 'em change their minds?" said John.
+
+"There's one thing sure," said Lucy. "You are not to look a gift horse
+in the mouth."
+
+She unwrapped the photograph of Evelyn and put it back in its old place
+on top of the bookshelves.
+
+"This settles everything, does it?" asked John. "We don't go back to
+New York?"
+
+"We do not," said Lucy firmly.
+
+"Well," said John, "I'd better see the bank before it changes its mind
+again. Is the buggy outside?"
+
+"No, but you can take Archie's or Evelyn's. Can't he? I sent
+Cornelius Twombly to do some chores."
+
+"I'll drive you down," said Evelyn, "having a telegram to send."
+
+"And I'll stay and help Lucy unpack," I said. "Lord, people, I'm glad
+you're not going!"
+
+The moment we were alone Lucy said: "You did it."
+
+"Did what?"
+
+"Don't beat about the bush! Don't pretend that you are not a blessed
+angel in disguise!"
+
+Her face was very grave and lovely.
+
+"It's the kindest, tactfulest thing that anybody ever did."
+
+"I couldn't bear the thought of your going back to the city when it's
+such fun here."
+
+"What can I say or do to thank you?"
+
+"Nothing, Lucy. Yes, you can. You can ride with me this afternoon."
+
+She looked a little troubled. "Last night, after you had gone," she
+said, "John said, 'Aren't you seeing a good deal of Archie Mannering?'"
+
+For a moment I felt distinctly chilled and uncomfortable. Then I said:
+"Oh, dear! Now Brutus himself is beginning to worry about us. How
+silly!"
+
+"How silly!" echoed Lucy, and we stood staring at each other rather
+vapidly, finding nothing to say.
+
+After a while I asked if John had said any more on the subject. "Did
+he embroider the theme at all?" I asked.
+
+Lucy took a photograph out of the trunk tray and began to unwrap it.
+"Yes," she said. "He did. He even held forth. He said that when a
+woman no longer cared for her husband, it was dangerous for her to see
+much of another man. He realized, he said, that ours was an
+exceptional case, but that soon people would guess about _him_ and me,
+and that then they'd begin to talk about _you_ and me. And he hates
+anything conspicuous, and so forth, and so forth."
+
+"What did you say?"
+
+She smiled up at me, but not very joyously. "I said, 'I'm not going to
+be rude to one of the best friends I've got, just for fun. If you
+forbid me to see him, why I suppose I'll obey you, but I'd have to
+explain to him, wouldn't I? I'd have to say, "John considers our
+friendship dangerous, so we're not to see each other any more!"' And
+of course he said that that was out of the question, and I agreed with
+him."
+
+"Still you've said it."
+
+And we smiled at each other.
+
+"He didn't give me a good character," said Lucy dolefully. "He said I
+never think of yesterday or tomorrow, but only of the moment. He said
+I neglect the children, and Oh, I'd like to end it all! It's an
+impossible situation. I'd give my life gladly to feel about him the
+way I used to, but I can't--I can't ever."
+
+She looked very tragic.
+
+"Oh," she went on vehemently, "it's terrible. I'm all cold and dumb.
+Every power of affection that I had has gone out like a candle. I _do_
+neglect the children! It's because I can't look them in the face.
+I've failed him, and I've failed them, and I ought to tie a stone round
+my neck and jump into the nearest millpond."
+
+"It's a good three miles to the nearest millpond," I said. "And there
+isn't a stone in this part of South Carolina. You are all up in the
+air now, because the situation you are in is so new to you. But you'll
+get used to it."
+
+"If I don't go mad first."
+
+"Why, Lucy?"
+
+"You don't understand," she cried. "You have never had loving arms to
+go to when you were in trouble. I've had them and I've lost them. I
+mean I've lost the power to go to them and find comfort."
+
+A picture of her running to my arms for comfort flashed through my
+mind, and troubled me to the marrow. And I had from that moment the
+definite wish to take her in my arms. And in that same moment I
+realized that those who thought we were too much together were not such
+meddling fools as I had thought them.
+
+"Lucy," I said, and I hardly recognized my own voice. "Whatever
+happens, you've a friend who will never fail you."
+
+"I know that," she said, and she held out her two hands, and I took
+them in mine.
+
+"If you sent for me to the ends of the earth, I would come."
+
+"I know that."
+
+"There is nothing you could ask of me that I wouldn't give."
+
+"I know that."
+
+And that afternoon we rode together in the woods.
+
+
+
+
+XVIII
+
+A man must have descended to the very deepest levels of depression
+before he loses his power to laugh, or to be cheered by an unexpected
+bettering of his financial position. John Fulton was in a bad way, but
+certain things still struck him as funny, and the money which he had
+been enabled to borrow from the bank had eased his mind. Still, so
+Lucy told me, he could not sleep at night, and it must have been
+obvious to the most casual observer that he was a sick man. He had a
+drawn and hungry look. Jock and Hurry could by no means satisfy his
+appetite for affection. Indeed, I think the sight and touch and the
+sounds of them at play were no great comfort to him at this time. He
+must have felt in their presence something of that anguish of pity
+which a man feels for children who have lost their mother.
+
+He had hoped at first that Lucy's failure of affection was but a
+temporary aberration. But at last he must have come to despair of any
+change in her feelings for him, at least under existing conditions.
+Indeed their relations were going from bad to worse. A man loved and
+beloved falls into habits of passion for which there is no cure but
+death or old age. Yet a man would readily believe that separation
+might affect him like an opiate, and it must have been in this belief
+that Fulton determined to accompany Harry Colemain on a trip to Palm
+Beach. To me he vouchsafed the explanation that he was not well and
+that he couldn't sleep, and that when he wasn't well, and that when he
+couldn't sleep, his one thought and desire was to get to salt water.
+"It always cures me," he said, just as if he had often been sick
+before. From Lucy I had the truth of the matter.
+
+"He thinks," she said, "that if he goes away and stays away for a long
+time that perhaps I will miss him enough to want him back, and on the
+old footing. He isn't even going to write to me. It's going to be
+exactly as if he didn't exist."
+
+"Do you think it wise for him to go, Lucy?"
+
+"Perhaps it will do him good. It won't change me. I know that. If
+only he'd change. Haven't I done him enough harm to make him hate me?
+Archie, I'm so sorry for him that I wish I was dead. And yet I want to
+live. I'm too young to die. I want to live, and be happy--happy the
+way I used to be happy."
+
+"And you can't with John?"
+
+She shook her head quietly. "It's the most wonderful thing to be in
+love!" she said. "I wonder what I did to have that wonderful thing? I
+wonder what I've done to deserve to lose it? And even if--even if it
+happened again it could never be the same. There can be only one first
+time--even if you've got a silly memory that doesn't remember very
+well. And you make ties and habits and all these have to be thrown
+overboard when the second time happens, and there's scandal, and cold
+shoulders, and--what do you think I _ought_ to do? If I can't give him
+what he's paying for oughtn't I to cut loose on my own, to support
+myself, and not be a burden to him and a ubiquitous reminder that we've
+failed to make a go of living together? What _ought_ I to do?"
+
+It had become very hard for me to tell her what I thought she ought to
+do. Ever since that moment when I had first known that I wanted to
+take her in my arms and comfort her, I had begun to have doubts of my
+own honesty. And now she had put that honesty to a definite test, and
+I was determined that it should come through the ordeal alive.
+
+"Must I really tell you what I think you ought to do?"
+
+"Yes."
+
+"Some of the things I think you ought to do, are things that I know you
+don't want to do--things that you think perhaps you _can't_ do. Women
+often say _can't_ when they mean _won't_, don't they?"
+
+"Maybe."
+
+"I'm afraid you aren't going to like what I'm going to say, nor me for
+saying it."
+
+"Try me," she said, and she gave me a look of great trust and
+understanding.
+
+"I'm going to tell you what I think you ought to do, Lucy, and what I
+think you ought to have done."
+
+Any teacher whose scholars looked at him with the trustfulness and
+expectation with which Lucy now looked at me, must be inspired, I
+think, to the very top notch of his sense of honor and duty. I am sure
+at least that I laid the law down of what I thought she should do, and
+should have done with complete honesty and without regard to
+consequences. If I got nothing better for my pains than dislike, at
+least I could criticize her conduct and character without being biased
+by my growing affection for her.
+
+"In the first place," I said, "when you found out that you no longer
+loved your husband, you made your first mistake. By your own admission
+he had given you everything in the way of devotion and faithfulness
+that a man can give a woman. When you found that you no longer loved
+him, you shouldn't have told him. He ought never to have known. You
+should have summoned all your fortitude and delicacy to deceive him
+into thinking that you had not changed toward him, and never would."
+
+"I _couldn't_!" exclaimed Lucy.
+
+"You wouldn't," I said.
+
+"It wouldn't have been honest."
+
+"Perhaps not. But it would have been noble."
+
+Lucy naturally enough preferred praise to blame, and this showed in her
+face and in her voice. I felt infinitely removed from our previous
+terms of intimate confidence, when she said: "Couldn't or wouldn't,
+it's history that I didn't."
+
+"That being so," I said, "I think you should go now to your husband and
+tell him that love or no love you propose to be his faithful wife till
+death part you; to put him first in your head, if not in your heart.
+It may be that through a long course of simulation you will come once
+more to care for him. Self-sacrifice is a noble weapon. I think,
+Lucy, that you would be very wise if you told him that two is not a
+lucky number."
+
+"I don't understand."
+
+"Jock and Hurry," I said, "are two."
+
+She changed color to the roots of her hair. "Oh," she cried, "you
+don't understand how a woman feels about that! I'd rather die. I--I
+_couldn't_!"
+
+"You _won't_."
+
+"I thought _you_ understood me better. I thought _you_ wanted me to be
+happy!"
+
+"Upon my soul, Lucy, I think that you might find happiness that way."
+
+She shrugged her shoulders and her face looked hard as marble. "And
+that's your advice!" she said. And then with a sudden change of
+expression, "It's what you think I _ought_ to do. Would it please you
+if I took your advice? Is it what you _want_ me to do?"
+
+I had spoken as I thought duty commanded. It hadn't been easy. With
+each word I felt that I had lost ground in her estimation. She asked
+that last question with the expression of a weary woebegone child, and
+I answered it without thought, and upon the urge of a wrong impulse.
+
+"No--no," I cried. "It's not what I want you to do. I had almost
+rather see you dead."
+
+There was a long silence.
+
+"Do you mean that?"
+
+"Yes, Lucy. Yes."
+
+"Then you _do_ care. Oh, thank God!"
+
+I don't know how she got there. It was as if I had waked up and found
+her in my arms.
+
+Kissed and kissing, we heard the opening of the distant front door.
+And Oh, how I wish I had found the courage when Fulton came into the
+livingroom, to tell him that I loved his wife, and that she loved me,
+and what was he going to do about it! I did have the impulse, but not
+the courage. When Fulton came in Lucy was knitting at an interminable
+green necktie, and I was talking to her from a far chair across an open
+number of the illustrated _London News_. We looked, I believe, as
+casual and innocent as cherubim, but my conscience was very guilty, and
+it seemed to me, rightly or wrongly, that for the first time Fulton
+showed me a certain curtness of manner, as if he was not pleased at
+finding me so often in his house.
+
+
+
+
+XIX
+
+With the knowledge that I loved Lucy and that she loved me, came also
+the knowledge that for a long time the situation had been
+inevitable--inevitable if we kept on being so much in each other's
+company. Passages between us of words and looks now recurred to my
+memory filled with portentous meaning. Oh, I thought, how could I have
+been so blind! A fool must have seen it coming. I ought to have seen
+it coming. I ought to have run from it as a man runs from a
+conflagration. When Lucy told me that she no longer loved her husband
+I ought to have known that the fault was mine, and I ought to have gone
+to a far place, and left that little family to rehabilitate itself in
+peace. Surely after a "blank" spell Lucy would have loved her husband
+again.
+
+But all the thoughts that I carried to bed with me that night were not
+dark with remorse. It was possible for whole minutes of time,
+especially between sleeping and waking, to forget the complications of
+the situation and to bask in the blissful warmth of its serenities.
+The laughter, the prayers, the adoration of Lucy's lovely eyes were
+mine now. She loved me better than her children, better than life
+itself. She had not said these things to me, she had looked them to
+me. It was wonderful to feel that I had been trusted with so much that
+was beautiful and precious.
+
+Once a spoiled child, always a spoiled child. In the scheme of things
+I _would_ not at first give their proper place to those awful barriers
+which society has set up between a man and another man's wife. We
+loved each other with might and main, and our only happiness could be
+in passing over those barriers and belonging to each other. John
+Fulton and his children were but vague pale shadows across the sunshine.
+
+The sleep that I got that night, short though it was, was infinitely
+refreshing. I waked with the feeling that happiness had at last come
+into my life, and that I was not thirty-five years old, but twenty
+years young.
+
+I walked in my mother's garden waiting for servants to come downstairs
+and make coffee for me and poach eggs. It was going to be a lovely
+day. Already the sun had coaxed the tea-olives to give out their odor
+of ripe peaches. "How she loves them," I thought. "If only she were
+with me now."
+
+The garden seemed very beautiful to me. For the first time in my life,
+I think, I took a flower in my hands and examined it to see how it was
+made. A great and new curiosity filled me. How beautiful the world
+was, and all things in it; how short the time to find out all that
+there was to be known about all those beautiful things! And what an
+ignoble basis of ignorance I must start from if I was to "find out,"
+and to "understand!" There filled me a sense of unworthiness and a
+strong desire for self-improvement.
+
+"I must learn the names of some of these things," I thought, and I
+began to read the labels which stood among the flowers and shrubbery,
+for in such matters my mother was very strict and particular: _Abeleia
+grandiflora, Laurestinus, Olea fragrans, Ligustrum napalense, Rosa
+watsoniana_---- Now really could that thing be a rose? It looked more
+like a cross between a fern and an ostrich plume. I looked closer.
+Each slender light green leaf was mottled with lighter green, a miracle
+of exquisite tracing, and the thing was in bud, millions and millions
+of buds no bigger than the eggs in a shad roe. Yes, it was a rose. I
+looked at the drop of blood on the ball of my thumb, and thought what a
+beautiful color it was, and how gladly, if need be, I would shed every
+drop of it for Her.
+
+Dark smoke began to pour from the kitchen chimney, and I knew that the
+cook was down. Hilda must have seen me in the garden, for she was
+setting a place for me at one end of the big dining-table. How fresh
+and clean she always looked and how tidy. Almost you might have
+thought that her hair was carved from some rich brown substance. It
+was always as neat as the hair of a statue.
+
+"Good morning, Hilda."
+
+"Good morning, Mr. Archie."
+
+"How about breakfast?"
+
+"It will be ready directly."
+
+"Wish you'd give me a long glass of Apollinaris with a lot of ice in
+it."
+
+"With pleasure."
+
+I heard her pounding ice in the pantry and then the pop as the bottle
+came open. She stood behind my chair while I drank. And somehow I got
+the feeling that she was smiling. I turned my head quickly. She was
+smiling, but tremulously, almost as if she was going to cry.
+
+"What's the matter, Hilda--have I forgotten to brush the back of my
+hair?"
+
+"No, sir--it's----"
+
+"It's _what_?"
+
+"Nothing, sir--only----"
+
+"Don't be silly---- Tell me."
+
+She told me, and for a moment, so odd was her statement, I thought she
+must have gone out of her mind.
+
+"The window of my room," she said, "is just over one of the windows of
+yours."
+
+I didn't know what to say. I really thought she must be slightly
+deranged. I said lamely: "Which window?"
+
+"The one by your bed, the one you always leave open so's the air can
+get to you."
+
+"Well, Hilda, what about it?"
+
+"Sometimes I hear you talking in your sleep, and then I lean out of my
+window and listen."
+
+With this admission she blushed crimson and no longer looked me in the
+eyes.
+
+"Do you think that's quite fair?"
+
+"I don't lead a very full life, Mr. Archie."
+
+"And my unconscious prattle helps to fill it? Do I often talk in my
+sleep?"
+
+"You talked last night."
+
+Her voice was full of meaning and somehow I felt chilled and no longer
+so very gay and happy.
+
+"What did I talk about?"
+
+"About a lady."
+
+With humiliation I realized that I was now turning red; but I laughed,
+and said: "We look like a couple of boiled lobsters, Hilda. What did I
+say about the lady?"
+
+"You said--I only thought you ought to know that I know--so's--well
+so's you can keep that window shut, and fix it so no one else will
+know."
+
+I felt like a convicted criminal.
+
+"Did I--mention the lady's name?"
+
+She nodded. "You were talking about Mrs. Fulton," she said in a low
+voice, "only you didn't call her that."
+
+"Hilda," I said firmly. "Mrs. Fulton and I are very old
+friends--nothing more."
+
+I could see that she didn't believe me, and I changed my tactics.
+"You'll not talk, Hilda?"
+
+Her face had resumed its natural color, and she now looked me once more
+in the eyes. "I'd sooner die than hurt you, Mr. Archie."
+
+"Why, Hilda----!"
+
+All this time I had been sitting and talking over my shoulder, but now
+I got quickly out of my chair, and drew her hands away from her face.
+"Oh, Hilda, I _am_ so sorry. What _can_ I do? I'm so sorry, Hilda,
+and so proud, too."
+
+She looked up at that.
+
+"You poor child! I feel like a dog, a miserable dog!"
+
+"You couldn't help it, Mr. Archie. You can't help being you. Can you?"
+
+She tried to smile.
+
+"How long," I asked, "has it been like this?"
+
+"Ever since the day I came--three years and two hundred and twenty-one
+days ago--and I heard you say to Mrs. Mannering--to your
+mother--'Mother,' you said, 'that new maid is as pretty as a picture.'
+And that did it!"
+
+"Hilda," I said as quietly as I could, "I'm more touched and flattered
+than I can express. I'll be a good friend to you as long as I live.
+But--I think I ought to say it, even if it's a cold rough thing to say.
+I don't believe I'm ever going to feel the same way about you, and
+so----"
+
+"Oh, I know that, but---- Oh, do you still think I'm pretty?"
+
+"_Indeed_ I do. I've always thought that. Always known that."
+
+"Well," she said, speaking very bravely but with a mouth that quivered,
+"that's something. I don't lead a very full life, but that's
+something."
+
+
+
+
+XX
+
+"Mother, are you very busy with those letters?"
+
+"Yes, dear, very."
+
+"I thought so; so put them down and come into the garden. There is a
+bench where the thyme and eglantine----"
+
+"My dear, you frighten me. What has happened?"
+
+My mother rose, one hand on her bosom.
+
+"Nothing to be frightened about. It's only a little tragedy in a life
+that isn't very full. Come and talk it over."
+
+I gave her my arm and we strolled into the garden like a pair of lovers.
+
+"Do you remember when Hilda came to us?"
+
+"Perfectly."
+
+"I said to you on that day, 'Mother, the new maid is as pretty as a
+picture.' Do you remember?"
+
+"No."
+
+"Well, I said it, and Hilda heard me say it, and please don't laugh, it
+seems that my saying it made the poor child--Oh, care about me. She's
+cared ever since, and I'm afraid she cares a whole lot."
+
+"How did you get to know?"
+
+"She told me, this morning, practically out of a clear sky. One thing
+I want to make clear is that it's just as little my fault as it
+possibly can be. I feel like the devil about it, but I can't for the
+life of me find one little hook to hang a shred of self-reproach on.
+My morals aren't what they should be. But I am a fastidious man, and
+the roof under which my mother lives is to me as the roof of a temple.
+But you know all this. Now what's to be done? One thing is clear, I
+can't and won't be amorously waited on. I think the poor child will
+have to be sent away."
+
+"Oh, dear!" cried my mother, "and just when she's getting to be a
+perfect servant, and your father so used to her now--says he never
+knows when she's in the room and when she isn't."
+
+We returned to the house.
+
+"I'll talk it over with her," announced my mother, "and try to decide
+what's best--best for her, the poor, pretty little thing."
+
+You may be sure that that meeting in the little room where my mother
+wrote her letters was no meeting between a mistress and a servant, but
+between two honest women who in different ways loved the same man.
+
+I was with Lucy while it took place, but certain gists of what was said
+and done have come to me, some from my mother, and some from Hilda.
+
+My mother, it seemed, waived at once all those degrees of the social
+scale which separated them, took Hilda in her arms, kissed her, and
+held her while Hilda had what women call a "good cry." My mother is
+too proud and brave to cry, but she was unhappy without affectation.
+After the embrace and the cry they sat side by side on a little
+brocaded sofa and talked. My mother fortunately did not have to point
+out the social obstacles in the way of a match between Hilda and me, as
+there was never any question of such a match. Indeed, in the talk
+between them I was not at first mentioned. My mother took the position
+that Hilda was just a sweet, nice-minded girl who was very unhappy and
+needed comforting, and advice. First she made Hilda tell the story of
+her life. To be permitted to do this in the presence of a sincere
+listener and well-wisher is one of the greatest comforts to anyone.
+
+"The poor child," said my mother, "has had such a drab, colorless,
+unhappy life that it made her almost happy to tell about it."
+
+It seemed that Hilda wasn't "anybody" even for a servant. Her earliest
+recollections were of life in an English orphanage--one of those
+orphanages where the mothers of the orphans are still alive and there
+never were any fathers.
+
+"But she's made herself think," my mother told me, "that her father was
+a gentleman--God save the mark!"
+
+Well, she went into service when she was a "great" girl of fourteen or
+fifteen, and after various drab adventures in servitude came to this
+country and was presently sent to my mother on approval. She had left
+her last place in England because of a horrible butler. He was
+bowlegged and very old. He drank and made the poor frightened girls in
+the house listen to horrible stories. One found notes, printed notes,
+pinned on one's pincushion. "Have a heart. Don't lock your door
+tonight," and such like. Or a piece of plate would be missed and one
+would find it in one's bureau drawer, where the horrible old man had
+put it, and one dared not complain to the master lest upon carefully
+planned circumstantial evidence one be made out to be a thief.
+
+It had been so wonderful coming to live in my mother's house. The
+servants were so different, so kind, so worthy. The servants' rooms
+were so clean and neat and well-furnished as the master's rooms. So
+much was done to make the servants comfortable and happy. Nobody had
+ever spoken crossly to one in my mother's house----"And, Oh, Mrs.
+Mannering, I feel so low and ashamed to have made so much trouble for
+you and Mr. Archie."
+
+That was the first mention of my name.
+
+"My dear Hilda, you mustn't feel ashamed because you've had a romance."
+
+"Oh, it has been a sort of romance, hasn't it, Mrs. Mannering? But I
+never--never should have let it all come out. Because now I'll have to
+go away, and never even see him ever any more. I never should have let
+it come out, but I couldn't help it. And him always so kind and
+polite, and never once guessing all these years!"
+
+Now my mother had not gone into that interview without a definite plan.
+She had heard that the Fultons--of all the people in this world whom it
+might have been!--were being abandoned by their waitress, and already
+by a brisk use of the telephone my mother had secured the place for
+Hilda.
+
+It's a wonder that Hilda did not burst out laughing or screaming when
+she heard into whose service she was to go. I don't think she hated
+Lucy--yet. But for a woman who loved a man to take a place with the
+woman the man loved must have struck her as the most grotesque of
+propositions. But what could she do? Loyal to me, and to my secret,
+she wasn't going to give me away to my mother.
+
+"But," she protested, "Mr. Archie goes so much to that house!"
+
+"But now," said my mother, "don't you see, he won't go so much."
+
+Indeed the dear manager felt that she had killed two birds with one
+stone. Lucy had a good place, and from now on there would be in the
+Fultons' house a living reason why a man of tact (like her beloved
+son!) should keep away. Alas, mother, there were other living reasons
+in that house which should have served to keep me away, and didn't.
+
+I heard from my mother of the arrangement and was troubled. For once
+in her life of smoothing out other people's lives she had blundered
+seriously. Her measures had in them only this of success: that I found
+many excuses for not taking meals in the Fultons' house, and from that
+time forward saw Hilda very seldom. My mother gave her a lot of
+clothes, and quite a lot of money, I suppose, and the poor child for a
+while dropped out of sight. But not out of mind, I can tell you; for
+it worried me sick to feel that she was always in Lucy's house,
+watching and listening when she could.
+
+I had not at this time had any great experience with the passion of
+jealousy. But a man who reads the newspapers, or has done his turn at
+jury duty in Criminal Sessions, cannot be ignorant of the desperate
+acts to which now and again it drives men and women.
+
+Hilda, according to the slight knowledge I had of her character, was
+gentle and patient; she would be treated by Lucy as all Lucy's servants
+were, with the greatest tact and friendliness, and still the mere fact
+of her presence in that house filled me with forebodings. She would be
+in a position to make so much trouble, if ever anything should happen
+to start her on the war path. She had proved already that her moral
+nature was not superior to eavesdropping; already she had my secret by
+the ears, and one-sided and innocent though that secret may have
+appeared to her, it was not really a one-sided secret, and when she had
+got her clutch upon the other side, she could be almost as dangerous
+and mischievous as you please.
+
+At best, Hilda was one more difficulty with which Lucy and I would have
+to contend.
+
+It would have been wisest to tell Lucy all that I knew about Hilda.
+But you may have noticed with butterflies that they do not fly the
+straight line between two points; rather they fly in circles, with
+back-tracking, excursions, and gyrations, so that unless you have seen
+them start you cannot guess where they have started from, nor until the
+wings close and the insects come to a definite rest, are you in a
+position to know what their objective was.
+
+In the face of our recently declared love for each other, any mention
+of Hilda's below-stairs passion for the "young master" seemed to me a
+blatant indelicacy. Almost it might have a quality of pluming and
+boasting, a gross acceptance of man's polygamous potentialities.
+
+There would be time later for conversations in which future
+practicalities should take precedence over romantic fancies and
+protestations. Just now the Butterfly did not care a rap what should
+happen when winter came; for the present the world was filled with
+flowers--all his, and all containing honey.
+
+
+
+
+XXI
+
+"He broke up their home," is a familiar phrase. But few men in the act
+of breaking up a home realize the gravity of what they are about. I
+had gone a long way toward breaking up Fulton's happy family life
+without having the slightest notion that I was doing anything of the
+kind. When Lucy fell out of love with her husband, it was not because
+she had fallen in love with me. It was because she was going to. The
+lovely little sloop-of-war was merely clearing her decks for action.
+She didn't know this; I didn't. I frequented the house a little more
+than other men; that was all. And I frequented it not because of the
+charm exercised upon me by an individual member of the Fulton family,
+but of the charm which it exercised upon me as a whole. _There_ was
+peace, _there_ was happiness, _there_ was love and understanding; there
+was poignant food for a lonely bachelor to chew upon. Remembering this
+how can I believe that this is the best of all possible worlds, and
+that everything in it is for the best? If I had not been fascinated by
+the Fultons as a family, I should never have become a frequenter of
+their house. If I had not been a frequenter of their house, I should
+never have split that family which as a whole so fascinated me with a
+wedge of tragedy. It is a horrid circle of thought.
+
+When I learned that Lucy no longer loved her husband my heart had given
+no guilty bound of anticipation; instead it had turned lead-heavy for
+sheer sorrowing and sunk into my boots. The other day the Germans
+smashed the blue glass in Rheims Cathedral. A friend brought me a
+little fragment of this, and among my personal possessions I give it
+the place of first treasure. It's a more wonderful blue than Lucy's
+eyes, even. The light of heaven has poured through it to illumine the
+face of Joan of Arc. Its price is far above rubies and sapphires, and
+it seems to me the most wonderful treasure to have for my very own.
+But does this fact automatically make me glad that the Germans banged
+the great cathedral to pieces? It does not. Sometimes when I look at
+the light through my piece of blue glass I see red. And I hope that
+those who trained guns against the holy shrine and who are not already
+in hell, soon will be. And I could wish myself the hell of never
+having known Lucy's love, if by so doing I could restore the Fulton
+family to the blessed and tranquil state in which I first knew them.
+
+I began this chapter with an idea of self-defense. How much of the
+tragedy am I responsible for? Upon my soul I can never answer that
+question to my satisfaction, and my conscience has put it to me
+thousands of times. I ought to have seen it coming. I didn't--at
+least I'm very sure that I didn't. But sometimes I am not so very sure
+of this. It is so obvious (now) that I ought to have seen it coming,
+that sometimes I persuade myself that I actually did. But how could I?
+For if I had, with any certainty at all, surely I would have been man
+enough to hide myself away somewhere, even at the ends of the earth.
+Love does not grow and wax great upon air. Solid food is needed in the
+occasional presence of the beloved. Suppose I had fled away the moment
+I learned that Lucy no longer loved her husband? Already her heart
+must have been turning to me, if only a little, but with the magnet
+which had caused it to turn that little removed from sight, first, and
+presently from mind, I believe that after a dazed numbed period that
+heart of hers might have swung back into its place.
+
+Later when Fulton said to me, "But you ought to have seen it coming,
+and taken measures to see that it didn't come," I gave him my word that
+I hadn't seen it coming, and it was very obvious that he didn't believe
+me. Will anyone believe me? It doesn't matter. I am not even sure
+myself that I am telling the truth. But I know that I am trying to.
+
+I had left my mother to her interview with Hilda, and betaken myself to
+the club. It was too early even to hope for a sight of Lucy. There
+were a number of men in the reading-room discussing the morning leader
+in that fair-minded and pithy sheet, the _Charleston News and Courier_,
+and one of these, eyeing me with a quizzical expression, said: "You
+look as if you had won a bet."
+
+So already _it_ showed in my face.
+
+Well, I felt as if I had won many bets, and was only twenty, and that
+the course before me was all plain sailing. I was not yet in a
+condition to argue with myself about right and wrong. It did not seem
+worth while to look into the serried faces of difficulties and think
+how I could burst through them. It was more natural on that first
+morning after the discovery to look boldly over their heads to the rich
+open and peaceful country beyond.
+
+A line from the "Brushwood Boy" kept occurring to me, "But what shall I
+do when I see you in the light?"
+
+What should I do, what would Lucy do? Would there be people about or
+would we have the good luck to meet alone? Did she still love me, or
+had the dark night brought council and a change of heart? I knew that
+it hadn't. We were as definitely engaged to each other as if there was
+no husband in the way, no children, no law, no convention, no nothing.
+I was idiotically happy.
+
+One thing only troubled me a little. Had Lucy's impulse to precipitate
+frankness already started any machinery of opposition into action? Had
+she told her husband? Knowing her so intimately, I could not make up
+my mind, but would have been inclined to take either end of the bet.
+
+Suppose she had told him?
+
+Wouldn't she give me a word of warning so that I could be prepared for
+anything he might say to me at our first meeting? I thought so, but
+could not be sure.
+
+"If he does know," I thought, "I don't want to see him. Why don't I
+want to see him? Am I afraid of him? I am not afraid of him
+physically. I am stronger than he and more skillful, and I am not
+afraid of him mentally. He has a better mind than I have, but that is
+nothing to be afraid of. Well, then, why don't I want to see him? Oh,
+because it will be awkward and disagreeable; because he will look sick
+to death and irreparably injured. Because he will not do me justice,
+because he will think it is all my fault; and because he will require
+of me things which I shall not promise him."
+
+I heard the telephone ringing in the distance. My heart bounded and I
+knew that Lucy was asking for me. I had risen and half crossed the
+room to meet the boy who came to tell me that I was indeed wanted on
+the phone. My heart began to thump in my breast, like a trunk falling
+downstairs. I glanced guiltily to see if the rumpus it seemed to me to
+be making was attracting notice. No. Every man was sunk in his
+newspaper. A moment later, I heard her voice in my ear.
+
+"Listen, I'd like to see you. I'll be dressed and downstairs in ten
+minutes. Evelyn and John have driven to the golf club to get John's
+sticks. He's really going to Palm Beach. They start sometime soon
+after lunch. . . . How do I feel? . . . Oh, about the same as
+yesterday!"
+
+I cannot describe the thrill or emotion which I managed to abstract
+from that last phrase. About the same as yesterday! I, too, felt like
+that, only more so.
+
+"Good-by--for ten minutes."
+
+She hung up suddenly. But I could not at once leave the telephone
+room. It seemed to me that I must be visibly trembling from head to
+foot.
+
+My buggy was at the club door. First I drove home, raced up the stairs
+to my room, and from a closet in which I keep all sorts of hunting and
+fishing gear, snatched a fine deep-sea rod by Hardy of London, and a
+big pigskin box of tackle. I remembered to have heard John Fulton say
+that he had none of such things with him in Aiken, and I thought they
+might come in handy for him at Palm Beach. I cannot quite explain why
+it was, but I had the sudden desire to load the man with favors and
+presents.
+
+It was only on the way to his house that the rod and the tackle-box
+struck me as an excellent excuse for so early a morning call. I left
+them on the table in the front hall, and marched boldly through the
+house, and unannounced into the living-room.
+
+Of all the Lucy that turned swiftly from a window at the sound of my
+steps, and hurried to meet me, I saw only the great blue eyes.
+
+She came into my arms as if it was the most natural thing in the world
+for her to do, as if they had always been her comfort and her refuge.
+She was calm and fresh as a rose in the early morning. I could feel
+her heart beating tranquilly against mine. It seemed to me that the
+essence of every sweetest flower in the world had been used in her
+making. I felt that she was the most precious and defenseless thing in
+creation, and that me alone she trusted to cherish her and to defend
+her. It could not but be right to hold her thus closer and closer and
+to learn that her heart beat no longer tranquilly, but with a
+fluttering throbbing quickness like the heart of a wild bird that you
+have caught and hold in your hand.
+
+All this while my lips were pressed to hers and hers to mine. Then
+from the playground door rose in lamentation over some tragic-seeming
+mishap of play, the voice of Hurry.
+
+Our kiss ended upon the shrill note of woe and protest. But still we
+looked each other in the eyes, and she said: "What are we going to do
+about it?"
+
+
+
+
+XXII
+
+She hadn't told her husband.
+
+She had been on the point of telling him, but for once her great gift
+of frankness had failed her. She had not feared any storm that might
+burst upon her own head; it was only that her heart had rebelled
+against adding to the weight of care and sorrow which her husband
+already carried. Let him have what pleasure he could out of the trip
+to Palm Beach. When he returned she could do her telling.
+
+The fact that she had not told, and was not going to for some time,
+troubled her. She felt, she said, as if she was lying. She made it
+very clear that her reticence was for his sake, not for her own.
+
+Personally I rejoiced in the failure of her frankness. Trouble enough
+was bound to come of our love for each other; at best there would be
+weary months of waiting for old knots to be untied before there could
+be any question of tying new ones. There would be at least one
+dreadful interview to be gone through with John Fulton; many
+readjustments of friendships, some friends would side with him, some
+with her; and last and worst, that moment when I should have to tell my
+mother and she would grow old before my eyes.
+
+"There'll be heaps of little worries and troubles, Lucy, dear," I said;
+"bound to be. But we'll not begin to think about them till John comes
+back from Palm Beach. If it's wrong for us to love each other at all,
+at least we are going to make it as right as we can. We owe ourselves
+all the unalloyed happiness we can lay hands on. So--let's pretend."
+
+We sat on the sofa in the Fultons' living-room holding hands, like two
+children.
+
+"Let's pretend," I said, "that there aren't any complications; that
+time has gone backward ten years; that we've just gotten engaged; that
+there's nobody to disapprove and be unhappy about it. I can pretend
+true, if you can."
+
+"It's easy for me," said Lucy; "I was never any good at remembering or
+looking forward, never any good at anything that wasn't going on right
+there and then. Oh, I'm so glad it's _you_!"
+
+"Why, Lucy?"
+
+"Because you're not a bit like me. If you were like me, we wouldn't
+think of what would happen later on, we'd just go away together. It's
+so complicated and foolish to think we can't. Laws and people make
+such a snarl of things. I wouldn't try to untangle it, I'd just cut it
+all to pieces, and then I suppose we'd be sorry."
+
+"Yes, dear, we'd be very, very sorry. And the world would make us
+suffer almost more than our love could make up to us for. So we'll
+just have to pretend for a while."
+
+"And besides," she said in a startled sort of way, "I might fall out of
+love with you, mightn't I? Oh, I've fallen out of love lots of
+times--then with John, and maybe I'll fail you. You must know that I'm
+not any good. But even if I'm not, I do love you. Oh, I do."
+
+"Do you?"
+
+"And I _trust_ you so. There's nobody so kind and thoughtful and
+strong."
+
+It is pleasant for an unkind, thoughtless weak man to be told such
+untruths by the woman he loves. And for a few moments I imagined I had
+the qualities that she had wished upon me, nay, loved upon me. For a
+few moments there was no kindness, no thoughtfulness, no strength of
+which I was incapable.
+
+"When your arms are around me I know that nothing can hurt me."
+
+I was holding her in my arms now. But there came in through the hall a
+pattering of little feet, and by the time Jock and Hurry had burst into
+the room I was at a garden window looking out, and Lucy had caught up
+from her work bag that Penelope's web of a silk necktie upon which she
+so often worked, and made no progress.
+
+"Has Favver come back?"
+
+"Why, no, you little goose. He's gone to Palm Beach. We took him to
+the train. He won't be back tomorrow, nor the day after. Nor the day
+after that," and she halted only when she had come to about the tenth
+tomorrow. "And now make your manners to Mr. Mannering."
+
+In fiction children and dogs have an intuitive aversion for the villain
+of the piece. But Jock and Hurry had none for me. Indeed they liked
+me very much and looked to me for treats, and rides round the block,
+and romping games in which I fled and they pursued. But then it was
+only since yesterday that I had become a genuine villain. Had their
+intuition made the discovery? I think I was a little anxious.
+
+But they rushed upon me, and we were to remain for the present at
+least, so it seemed, the same old friends.
+
+It flashed across my mind that some day in the not far future these
+children would live under my roof; surely the courts would award them
+to Lucy; and I highly resolved to be a genuine father to them through
+thick and thin. Somehow or other they must always be fond of me.
+Whatever I had to leave when I died they must share equally with any
+children that I might happen to have of my own. Children? I caught
+Lucy's eyes. We looked at each other across the tops of those
+children's heads, and read each other's thoughts. I know this, because
+when Jock and Hurry had been sent away, I said: "Did you know what I
+was thinking of just then? I was thinking, wondering, hoping----"
+
+"I couldn't love you," she said quietly, "and not want what you want
+and hope what you hope."
+
+"Lucy!"
+
+I touched her hair with the tips of my fingers.
+
+"What, dear?"
+
+"There was never anyone in the world so wonderful as you, so beautiful,
+so generous."
+
+"I suppose it's nice to have you think so." She looked with great
+contentment at the necktie.
+
+"You haven't told me when Schuyler is coming."
+
+"He's coming tomorrow."
+
+"That's fine. But it will have its funny side."
+
+"Why?"
+
+"Well, I shall have to tell him all about us, won't I? And we were
+schoolmates together, and I think telling him I love his sister and
+want to marry her and asking his consent has its funny side. _He'll_
+be on our side anyway, Lucy."
+
+"I'm afraid nobody will think it's as nice as we do."
+
+"Well, of course, it isn't as nice for anybody as it is for us."
+
+"Will you tell him right away?"
+
+"Couldn't I wait a few days? Somehow I like to bask in the sunshine of
+just _you_ knowing and just _me_ knowing. What do _you_ think?"
+
+She gave me a wonderful look. "I'm not here to think--I'm here to take
+orders from my dear."
+
+I let five days go before I told Schuyler. They were five wonderful
+days, during which we borrowed no trouble from the past or the future;
+five days during which we agreed to cross our bridges only when we came
+to them. On that fifth day I received a long letter from Harry
+Colemain dated Palm Beach.
+
+
+MY DEAR FELLOW [he wrote]: At the risk of losing you I think that I
+must tell you something of the experiences that I have been having with
+John Fulton. To begin with he told me about his wife's failure of
+affection and their domestic smash-up. He told me going down in the
+train. We shared the drawing-room. Every time I was jolted into
+wakefulness, I found him wide awake. For five days I don't think he
+has slept a wink. He looks parched and dry like a mummy. He has tried
+very hard to be a cheerful companion, and we have fished and swum and
+gone through the motions of all the Palm Beach recreations. But his
+mind is never for one single instant clear of his troubles. We have
+become very intimate. I think he had to talk or die. He apologizes
+very often for having talked and continuing to do so, but throws
+himself upon what he calls my mercifulness. He talks in a circle,
+always coming back to the questions _why_ and _what_. _Why_ has it
+happened? _What_ has he done to deserve it? He searches his memory
+for reasons as you look for bits of gold in a handful of sand. Yes, he
+was very cross once about some money, but that was years before she
+stopped loving him. It couldn't be _that_, etc., etc.
+
+Our rooms are separated by a little parlor. I'm a sound sleeper, and
+hate being disturbed, but I have given him positive orders to wake me
+if he gets lonely and wants to talk. He's only obeyed these orders
+once. And then he didn't exactly obey them, he waked me because he
+couldn't control his nerves. He couldn't sleep, as usual, so he
+started to get up, and just when he got his legs over the side of the
+bed he began to laugh. It was his laughter that waked me. By the time
+I was wide awake the laughter sounded very ugly, and by the time I got
+to him it was mixed with awful sobs that came all the way from his
+diaphragm and seemed as if they were going to tear him to pieces. I
+turned on the light, but the moment I saw his face I turned it off. It
+isn't decent for one man to see another have hysterics. We haven't
+spoken of the thing since, but he knows that I came in and sat by him
+and felt horribly sorry for him. I can read this in his eye. And I
+think he would do anything in the world for me. The next morning his
+voice was very hoarse; sometimes a woman's voice is that way after
+she's paid somewhat over-handsomely for being a woman. I am trying to
+convey to you the impression that the man is in a terribly bad way, and
+through no possible fault of his own, which must make his torment
+harder to bear.
+
+What I think about Lucy Fulton is simply this: that she ought to be
+cowhided until she sees which side her bread is buttered on. And this
+is where you come in. You're great friends with her, and have a lot of
+influence with her. John says so. She admires what she is pleased to
+call your judgment. Can't you make her see that just because she has
+been spoiled, and given all the best of everything, she's gotten bored,
+and is letting one of the best men in this world eat his heart out with
+grieving? She ought to lie to him. She ought to telegraph him to come
+back, and when she gets him back she ought to make him think that she
+still loves him. Every woman has at heart one chance to be decent.
+This is hers.
+
+Another thing. John has betrayed his notion that Lucy sees too much of
+you for her own good, at this time. He doesn't even imagine that she
+cares for you in any way that she shouldn't or you for her; but he does
+wish--well, that you'd gone to California when you planned to, etc.,
+etc. Now the season's pretty nearly over, and I know that a few weeks
+one way or the other never did matter to you and won't now. Of course,
+it has its ridiculous side, but I really think it would comfort John
+Fulton quite a little if he heard that you had left Aiken. You see
+he's half crazy with grief and insomnia, and he's got it in his head
+that if Lucy had fewer other people to amuse her, she might get bored
+again and in sheer boredom turn again to him. But just use your
+influence with Lucy, if you've got any. I tell you on the honor of a
+cynical and skeptical man, that if things go on the way they are going,
+I think John Fulton will die of a broken heart. You see, he's had too
+much--more than you and I can possibly imagine--and that much he has
+now lost. If he isn't to get back any portion of it, he'll curl up and
+die.
+
+Hoping you're having a fine time and fine weather,
+
+Always your affectionate friend,
+ H.C.
+
+
+Well, the days of basking in the sunshine on top of the powder magazine
+were over.
+
+After some thought, I went to Lucy's brother and gave him Harry's
+letter to read. He had slept late, and I found him dressing.
+
+Schuyler was, of course, deeply troubled and concerned. That he
+himself hadn't had "an inkling of this--not an inkling," seemed for
+some minutes quite important to him, for he made the statement a number
+of times. Then, for he was energetic, and, like Lucy, oftenest in a
+hurry, he said:
+
+"The thing to do is for us to take this letter to Lucy, stand over her
+while she reads it, and then throw hot shot into her. Why it's a
+damned shame! John's been twice as good a husband as Lucy's been a
+wife. And now she does this to him." Then something appeared to
+strike Schuyler's sense of humor, for he burst out laughing. "And he's
+getting jealous of you!" he said gleefully. "When did you first become
+a snake in the grass?"
+
+"Perhaps you'll end by calling me that," I said gravely. "Stop
+laughing, Schuyler. A very sad thing has happened and a very wonderful
+thing. Lucy and I----"
+
+His face became instantly as grave as mine. "Lucy and you?"
+
+"We hope that you'll be on our side."
+
+"And John doesn't know?"
+
+"You see by Harry's letter that although he doesn't _know_, his
+intuition is trying to tell him."
+
+"How long's this been goin' on?"
+
+"It just came, Schuyler, happened, was--not many days ago. We didn't
+see it coming, and----"
+
+He interrupted sharply, his eyes grown suddenly cold. "I want to know
+if you have still a sort of right to be in this house?"
+
+"Why--yes--I think so."
+
+"_Think_--don't you _know_?"
+
+He gave a harsh short laugh.
+
+"I know what you are driving at, of course. We care about each other.
+If _that's_ wrong, that's all that is wrong."
+
+"You take a weight off me," he said, and his tone was more friendly.
+
+"You always maintained that love was its own justification, Schuyler?"
+
+"And I've heard you maintain that it wasn't. Now we seem to have
+swapped beliefs."
+
+He turned to his dressing-table and tied his tie. While so doing he
+muttered: "Pleasant vacation in sunny South."
+
+And then was silent. I could not think of anything to say. Having
+finished dressing he thrust his hands into his trousers pockets and
+began to pace about the disordered room.
+
+"Shall we go out in the sun?" I suggested.
+
+"A dark cave would be more in keepin' with my feelings. Let's stop
+here a little and talk. What's the idea anyway?"
+
+"Why, the usual idea, I suppose."
+
+"John to give Lucy a divorce, you and Lucy to marry shortly after, and
+Jock and Hurry to go to hell! I think less than nothing of the usual
+idea. To begin with, why should John give Lucy a divorce? She's the
+one that's done all the harm. I _know_ I'm her brother. It only helps
+me to see her character clearer than other people do. Well, say he
+isn't the fool I think he is. Say he _won't_ give her a divorce? What
+then?"
+
+"Hadn't we better cross that bridge when we come to it?"
+
+"In the usual way, I suppose. No. I'm too old-fashioned to like usual
+ways of doing things. Furthermore, I like you and Lucy too much. I
+don't want to see her life ruined, and John after all is a manufacturer
+of ammunition. How about crossin' the bridge and findin' him on the
+other side with a big bang-stick in his hand?"
+
+I shrugged my shoulders, though at heart I was not indifferent to the
+picture which Schuyler had conjured up.
+
+"Oh," said he, "what a damned mess! Come, we'll talk to Lucy."
+
+I went with him most unwillingly. And I thought it good fortune that
+we did not find her alone, but with Evelyn, Dawson and the children.
+
+Schuyler kissed his sister good morning with warm, brotherly affection
+and gave her a playful pat or two on the back.
+
+"All we need," he said cheerfully, "is old John, and a girl apiece for
+Archie and me, to be a happy family party."
+
+He made goat's eyes at Evelyn and Dawson. The latter blushed. But the
+former returned his glance with a fine and mischievous indifference.
+
+"Now, people," Schuyler continued, "I'm on my vacation. I've plenty of
+energy, and I'm open to suggestion. You, Evelyn, do you want to ride
+with me or with Dawson?"
+
+"I want to ride with you, but I'm going to play golf with Dawson."
+
+"When?"
+
+"We were just lingering to say good morning."
+
+She rose a little languidly, and I perceived with misgivings that she
+and Dawson were really about to depart.
+
+"Well," said Schuyler, "any time you feel like shakin' Dawson, just put
+me wise, there's a good fellow!"
+
+When Dawson and Evelyn had gone, Schuyler proceeded to get rid of the
+children. He gave them fifty cents apiece, and said that if he didn't
+see them or hear them for half an hour they could keep the money.
+
+"Are you trying to get this room all to yourself?" asked Lucy. "Do you
+want Archie and me to vanish, too?"
+
+"No," said Schuyler; "much as you and Archie may wish to, I want
+nothing of the kind. Lucy, I think you'd better telegraph John to come
+home, don't you?"
+
+"I've told Schuyler, Lucy," I said.
+
+"And that's a good thing," said Schuyler; "because I don't have to take
+sides. I like you all. You and Archie _have_ to take your side, and
+John has to take his, naturally."
+
+Lucy, her hands folded in her lap, looked bored and annoyed.
+
+"A lot of talk isn't going to help any," she said.
+
+"For certain reasons, Lucy," said Schuyler, "you and Archie are just
+now as blind as two bats. You don't see what you are doing, and you
+don't see what you are up against."
+
+"I've only one life," said Lucy, "and it's my own."
+
+"But it isn't," said Schuyler; "you gave it to John. I'd be mightily
+hurt and shocked to find out that you were an Indian giver."
+
+"John will give my life back to me when he knows."
+
+"Well, find out if he will or not. Send for him. Tell him what's
+happened."
+
+"I think that would be best, Lucy," I said.
+
+"Then, of course, I'll send," she said. "But----"
+
+"John, you know," said Schuyler, "may not take you two very seriously.
+He may think that Lucy's feelings for you, Archie, are just a passing
+whim. Upon the grounds of his own experience with Lucy, he would be
+within his rights to feel that way. Why not," his face brightened into
+a sort of cheerfulness, "why not test yourselves a little? You go
+north, Archie, and wait around, and then, after a while, if you and
+Lucy feel the same, it will be time enough to tell John. It's all been
+too sudden for you to feel sure of yourselves. It isn't as if neither
+of you had ever been in love before and gotten over it. As a matter of
+cold fact, you've both been tried before now and found wanting. So I
+think you ought to go slow--for John's sake. He's the fellow that's
+been tried and that hasn't been found wanting."
+
+It was obvious that Lucy did not like her brother's suggestion at all,
+for she rose suddenly, her hands clenched, and exclaimed:
+
+"Oh, you don't understand at all. How can I go on living with a man I
+don't love? How can you ask me to be so false to myself and to
+Archie----"
+
+"And to Jock and Hurry?" asked Schuyler gently.
+
+She showed no emotion at the mention of these names.
+
+"Don't they count for anything?" persisted Schuyler.
+
+"Of course they count for something, so does poor John. Do you think
+it's any pleasure to have hurt him so? But is it my fault if they
+don't count _enough_?"
+
+Here she came swiftly to my side, and slid her hand under my arm and
+clung to it. "They count," she said, "but they don't count enough."
+And she turned to me. "You are all that counts. I'd give up my life
+for you, and I'd give up my children and everything. You know that."
+
+[Illustration: "'You are all that counts . . . you know that.'"]
+
+There was a long silence. Then Schuyler, speaking very slowly, said:
+"You'd go away with him, and never see Jock and Hurry again, not be
+able to go to them when they were sick, not to be at little Hurry's
+wedding when she grows up and gets married. . . . For God's sake!"
+
+"_Now_ do you realize that I'm in earnest?" she cried.
+
+Schuyler turned quietly on his heel and left the room. After a while
+we heard his voice in the distance, mingling joyfully with the voices
+of Jock and Hurry.
+
+Lucy's face, all tears now, was pressed to my breast.
+
+"You are giving up too much for me, my darling," I said; "I'm not worth
+it."
+
+"But if you went out of my life I'd die!"
+
+"I won't go out of your life, Lucy. But there are lives and lives. We
+could meet and be together to gather strength for the times we had to
+be apart."
+
+At that she had a renewal of crying, and cried for a long time.
+
+"It isn't right for Jock and Hurry to run any risk of losing you," I
+said, "and love--Lucy--love with renunciation is a wonderful thing, and
+a strong thing."
+
+"I'm not strong. I don't want to be strong. I just want to give and
+give and give."
+
+"We could have our own life apart from everybody else--but not a hidden
+guilty life--a life to be proud of--a life in which you would
+strengthen me for my other life and I would strengthen you for yours."
+
+She stopped crying all at once and freed herself from my arms. "Then
+you don't want me?"
+
+"I want you."
+
+She lifted her hands to my shoulders. "Suppose we find that we can't
+stand a life of love--with renunciation?"
+
+"At least we would have tried to do what seemed to make for the
+happiness of the most people."
+
+"And you think I ought to live on with John, as--as his wife?"
+
+"No, I couldn't bear that--but as his friend, Lucy, as the mother of
+Jock and Hurry. Oh, no," I said; "I couldn't bear it, if--if you
+weren't faithful to me."
+
+"And you would be faithful to me?"
+
+"In thought and deed."
+
+"And we'd just be wonderful friends?"
+
+"Lovers, too, Lucy. We couldn't help that."
+
+And I kissed her on the forehead. And at that moment I felt very
+noble, and that the way of life which I had proposed was a very fine
+way of life, and possible of being lived.
+
+"Then," she said, "John mustn't know. He must never know. It will
+always be our secret. But then Schuyler knows."
+
+"When I tell him what we mean to do, he won't tell."
+
+And the first chance I had I told Schuyler. And finished with, "So
+don't tell John, will you?"
+
+"I'll see how happy Lucy manages to make him, first," said Schuyler.
+"But if you think he won't find out all by himself, you're mistaken.
+It's a rotten business all around."
+
+And he looked at me with a kind of comical amazement. "Think of Lucy
+carin' more for you than for Jock and Hurry!" he exclaimed. "I suppose
+you regale her from time to time with episodes from your past
+life? . . . Well, if I didn't think you'd both get tired of each other
+before long, I'd feel worse. One thing, though, if I promise you that
+I won't give you away to John, will you promise me for yourself and for
+Lucy that you won't take any serious step, without telling me first,
+and giving me a chance to try to dissuade you?"
+
+"As there is to be no question of a serious step," I said, "I promise."
+
+
+
+
+XXIII
+
+Ours was to be one of the most beautiful and beneficial loves of
+history. Almost we fell in love with our new way of loving. It had,
+we felt, a dignity and a purpose lacking in other loves. To look each
+other in the eyes, and feel that in a moment of strength, spurred by
+pity for those who had no such love as ours to sustain them, we had
+renounced each other, was a state of serenity and peace.
+
+It added to the beauty of our renunciation that it claimed no luster of
+publicity, but had been made in quiet privacy. No one, we thought,
+will ever know; yet it will have been strong and pure, so that the
+world cannot but be the better for it.
+
+We delighted for a while in our supreme renunciation as children
+delight in a new toy. And even now I can look back upon that time and
+wish that there could have been a little more substance to the shadow.
+It was a time of wonderful and sweet intimacy. We were to tell each
+other everything. There was delight in that. There was the delight of
+looking ahead and planning the meetings that should be ours in other
+places, until at last John himself came to realize that in our loving
+friendship was nothing unbeautiful, or unbeneficent, and meetings would
+happen when or where we pleased, the world silenced by the husband's
+approval.
+
+So I did not take Harry Colemain's well-meant advice, and leave Aiken.
+
+For a while it would suffice John to know that Lucy intended to stand
+by him and be the keeper of his house; to put his interests first, and
+to make up to him in dutifulness and economy for the love which she
+could not but reserve. Yes, indeed! Riding slowly through the spring
+woods, I made bold to preach a gospel of new life to her, and she
+listened very meekly, like a blessed angel, and she felt sure that from
+me she would derive the will and the strength. Mostly it was a gospel
+of economy that I preached and how best she might help her husband back
+upon his feet. And before his return from Palm Beach she had made a
+beginning. She bought a book to keep accounts in, and she got together
+all the bills she could lay hands on, and added them up to an appalling
+total (several, for it came different each time) and she stacked the
+bills in order of their pressingness, with the requests for payment
+from lawyers and collectors on top, and she felt an unparalleled glow
+of virtue and helpfulness.
+
+And one day she took Jock and Hurry in the runabout (Cornelius Twombly
+behind) and drove to the station to welcome John home. How sweet the
+sight of those three faces must have seemed to him after absence!
+Indeed they had seemed very sweet to me as I looked into them just
+before they drove stationward. I was not to show up for two or three
+days. That was one compromise on Harry Colemain's advice. It would
+show John that Lucy and I were not entirely engrossed in each other's
+society. It would give him time to turn around and see how he liked
+the fact that Lucy was going to stick to him, and in many ways be a
+better wife to him. It would give me an opportunity to see, and be
+seen by many people. It would, in short, be a beginning of knocking on
+the head and silencing most of the talk that there had been about Lucy
+and me.
+
+When you have a secret you might as well do your best to keep it.
+
+So I did not see John Fulton for three days after his return from Palm
+Beach, and then by accident.
+
+He had stopped at my father's house to leave the rod and tackle-box
+which I had loaned him, and I, happening to be in the hall, opened the
+door myself, and went out to speak with him.
+
+"Have a good time?" I asked.
+
+The man looked so sick that I pitied him.
+
+"Mechanically, yes. I went through the motions," he said. "That's a
+beautiful rod. It was the most useful thing I had along. Going to the
+club? I'll drive you."
+
+"Will you? Thanks. I'll just put these things in the hall."
+
+We drove slowly toward the club.
+
+"Glad to be back?"
+
+"Very. I couldn't have stayed away from Lucy and the kids much longer,
+even if I'd been held."
+
+He laughed gently.
+
+"Lucy," he said, "must have thought that I wasn't ever coming back.
+She's been trying to put the house in order."
+
+"How do you mean?"
+
+"Oh, finding out how much money's owed, and making a beginning of tying
+up loose ends."
+
+"Kids all right? I haven't set eyes on 'em for three or four days."
+
+"Yes, the kids are fine," and he added, after a pause, "and Lucy's fine
+too."
+
+There were several men in the club and they made John heartily welcome,
+and told him how much better he looked than when he went away. As a
+matter of fact he looked much worse.
+
+We all had tea together and asked questions about Palm Beach, and if he
+had seen so and so, and if he'd brought any money away from the
+gambling place, and what was new, and amusing, etc.
+
+"Do you know," he said all of a sudden, "there was one very interesting
+thing that happened. Anybody mind if I talk shop?"
+
+Nobody did; so he went on: "I had a telegram from a Baron Schroeder
+asking if it would be convenient for me to see him. He came all the
+way down to Palm Beach, talked to me all the time between trains, and
+flew away north again. He wanted to know how many rifle cartridges I
+could make in a year, at a price, a very round price, how many in five
+years. He wanted to know if I could convert any of my plant into a
+manufactory for shrapnel, and so on. What interested me is that he
+should take all that trouble over a small concern like mine. It looks
+as if someone saw a time when there would be a great dearth of
+ammunition. Two days ago Schroeder had gone away. I was braced, while
+in swimming, by a Russian gentleman. He apologized and plied me with
+the same sort of questions; I gave him the same sort of offhand answers
+that I had given Schroeder, and then I asked him what it was all about,
+and I told him about Schroeder without mentioning names. He said he
+could only guess, but that if I would sign a contract he would keep my
+plant running full for five years. It looks, doesn't it, as if
+somebody had decided to change the map of Europe, and as if others
+suspected the design?"
+
+"Well, what came of it? Did you land a contract? Tell more."
+
+"Nothing has come of it yet. But I think something will. I'm to meet
+the Russian in New York shortly."
+
+"Why the Russian? The Baron saw you first."
+
+"The Russian had better manners," said Fulton simply. "I think he
+liked me, and I know I liked him!"
+
+Fulton asked me to dinner, but I refused, and so it was nearly four
+days before I saw Lucy again. In the meanwhile Harry Colemain told me
+more about the Palm Beach trip. The ammunition inquiries had, it
+seemed, strengthened Fulton's nerves; there had been no repetition of
+the hysterics.
+
+"A man," Harry said, "must be even more down and out than Fulton not to
+be braced by a prospect of good business. From what he told me, if the
+contract goes through, he stands to make a fortune."
+
+"Is there anything peculiarly good about the Fulton cartridges, or is
+Europe just out to gather up all the ammunition she can?"
+
+"It looks rather like a sudden general demand. But of course nobody
+_knows_ anything except the insiders. Fulton says if the contract goes
+through he can die any time and be sure that his family will be well
+provided for. That feeling will stiffen his backbone. But you haven't
+told me if you said anything to Lucy?"
+
+I had been dreading that question as one which could not be answered
+with complete frankness. I don't enjoy lying. Not that my moral sense
+revolts, but because I am lazy. Lying calls for deliberate efforts of
+invention.
+
+"In a general way, yes," I evaded. "But her own good sense has come to
+the rescue. John's absence gave her a chance to see how she really
+felt about things. She won't leave him. Indeed, she'll try to make up
+to him in every way she can for her failure of affection."
+
+"If she does _that_," said Harry, "I daresay the affection will come
+back. The more you benefit a person the more you like that person.
+The more you fail in your duty to a person, the less you like that
+person. I'm delighted with what you say. With all her charm and
+beauty she can make him happy if she tries."
+
+"I think it's not a question of charm and beauty," I said. "It's a
+question of keeping house for him, and being a good mother to the
+children, and being loyal to him and them."
+
+"There are reservations?"
+
+"She doesn't love him."
+
+"Oh," said Harry scornfully, "_that_ sort of thing won't work."
+
+"We know a good many cases where that sort of thing seems to work."
+
+"It only works when the husband acts like a natural man. Fulton won't.
+For him only Lucy is possible. There can be no substitute. No. In
+this case it won't work. He's too young and she's too good-looking."
+
+"Then it won't work," I said shortly.
+
+"She makes me sick," said Harry. "She gets her board and lodging and
+her clothes and spending money from him, and love and protection,
+and--Oh, it isn't as if there'd never been anything between them.
+After all, as far as he's concerned, she's no novice."
+
+"The moment she stopped loving him she became spiritually separated
+from him."
+
+"Spiritually be damned!" exclaimed Harry. "Don't talk to me. There
+are women in New York who to keep from starvation, will make love to
+any man that comes along, for a pittance. They do the very best they
+can to earn the money. I can't help admiring 'em. But your
+fashionable married woman, she's too refined, too delicately souled,
+too spiritual to do anything but eat herself sick on her man's money
+and spend him into a hole. It's bad enough to be a prostitute who
+plays the game, but it's a damned sight worse to be a prostitute who
+doesn't."
+
+"I'm not going to get angry with you, Harry. We've been through too
+much together. But I think you have said enough. Lucy is one of the
+finest, purest-minded women in the world."
+
+"Then she ought to be her husband's wife, or get out. If she's not his
+wife, she's no business grafting on him for board and lodging and
+pocket money. How long does a pure-minded, good-looking woman keep off
+the streets if she can't raise the wind any other way? Not long. And
+how many men can she graft on? Plenty of 'em--once. But not twice.
+The word goes round about her. 'She's a beauty to look at,' says the
+word, 'but she doesn't earn her money.'"
+
+"Many marriages," I said, "_have_ to be re-arranged and compromised."
+
+"Don't say _have_ to be, say _are_."
+
+"Harry," I said with great firmness, "the country needs rain like the
+devil."
+
+After a moment, good humor returned to his face. He said; "You've just
+won an argument. I also am dry as a bone."
+
+
+
+
+XXIV
+
+"This isn't the last ride together," said Lucy, "but almost. This time
+we are really going."
+
+We had turned into Lovers' Lane, outward-bound, the ponies walking.
+
+"John will have to be in New York for many days about this Russian
+contract, and he doesn't want to take the long trip back. So we're all
+going together."
+
+"I shan't stay here very long after you've gone."
+
+"No, you mustn't."
+
+"We'll have lots of nice parties in New York."
+
+"John says he's going to sell our house here, or rent it, or get rid of
+it somehow."
+
+"Why?"
+
+"Because he's been so unhappy in it. He says unless his whole mind is
+made over we'll never come to Aiken again."
+
+She drew a long breath, and her eyes roved among the great pine trees
+on either side of the road as if she wished to impress them forever
+upon her memory.
+
+"I love it all so much," she said simply.
+
+"I'm so sorry," I said; "and it means that I won't ever be coming back
+for more than a minute. And I love it, too."
+
+"We're to spend the summer in Stamford to be near the works.
+_Stamford_!"
+
+"You'll find lots of people to like, and bully sailing and swimming."
+
+"And bully spells of white-hot, damp weather, and bully big mosquitoes."
+
+"It ought to be cheap."
+
+"Very cheap."
+
+Then we both laughed. Then we were silent.
+
+"Tell me," I said, "how is the great compromise working?"
+
+"I don't know. I told him how I'd made up my mind to stick by the
+ship, so that there wouldn't be any scandal, or anything to break up
+his home, or hurt the children, and how I was going to be better about
+money, and he said, 'Very well, Lucy, we'll try it for a while, but I
+don't think compromises are much good.' He wants me to do all I'm
+trying to do, and be his wife too. I thought he'd--Oh, I thought he'd
+be pleased and grateful--instead of that he tries to be cold to me, and
+is very sharp and stern."
+
+"It takes time to settle down to any new modus vivendi."
+
+"Well," she cried, "I'm not doing it because I want to, am I? I'm only
+doing it for his sake. I'm doing every blessed thing I _can_ to save
+the situation; and if there are things I simply _can't_ do--why he
+ought to be generous and understand. Oh, I know it isn't going to
+work! And all the time when he isn't being cold and stern, he--he's
+trying to make me love him again, and come back to him. And right in
+the middle of that he'll fly into a rage, and say that I ought to be
+_compelled_ to behave like a rational human being."
+
+"But he wouldn't compel you to do anything you didn't want to do, Lucy.
+Trust him for that."
+
+"I don't know. He's so different from the way he used to be.
+Sometimes I'm afraid. Sometimes I am afraid to be alone in the same
+house with him. If I didn't have you to back me up, and give me
+strength I'd--but it can't last long. I know it can't. And I don't
+know that it's worth trying."
+
+"You are still fond of him, Lucy?"
+
+"And sorry for him, Oh, so sorry. But fondness and sorrow aren't
+everything."
+
+"It will be better when he has the new contract to occupy him, and keep
+him away. It won't be an all-day affair then. And all the time you
+and I'll be meeting to talk things over, and borrow strength to go on
+with. It isn't easy for me either, dear. And of course, if after
+trial we find it won't work, why then it will be our duty to ourselves
+to cut the Gordian knot."
+
+She turned toward me and we looked into each other's eyes for a long
+time.
+
+"I've given him all I can," she said. "It isn't enough. It never will
+be enough. Oh, if there are knots to be cut, let's cut 'em and have
+done with it."
+
+I dropped my reins, and leaning wide, took her in my arms and kissed
+her many times.
+
+"We are romantic children," I said, "to think that there could be any
+other way. God bless you, my darling, we'll cut all the knots, and
+begin life all over again, and always be together."
+
+She became then wonderfully cheerful and excited, and riding always at
+a walk, no longer on roads, but through the deep woods, we made our
+plans for the future.
+
+Nothing was to be said to John until we were in a bigger place than
+Aiken. The bigger the place the smaller the scandal. I offered (with
+grave misgivings) to do the telling; but Lucy would not have it so.
+"It's his right," she said, "to know from me." John having been told,
+would, we felt sure from what we knew of his character, be willing to
+do the right thing. It wasn't as if he had been dishonored in any way.
+He would even be grateful to us for having been strong-minded and
+aboveboard. It would hurt him terribly. Yes, but a sudden final hurt
+was better than the lingering sickness from which he was now suffering.
+There would, of course, be no question of alimony. My father, much as
+he might disapprove of the whole affair, was not only fond of me, but
+fond of Lucy, and he would see us through.
+
+It would take a long while to get a divorce. That was the darkest
+cloud on the horizon. But we must face that cheerfully; our reward
+would be all the greater when it came.
+
+That John would be unwilling to give up Lucy even when he knew that she
+loved someone else never occurred to us. He belonged to that class of
+men whose code is to give the women all the best of everything. He was
+too fond of Lucy to wish to see her hurt. And if he wouldn't give her
+a divorce, hurt she would be, for in that unlikely event we were
+determined to jump on the nearest steamer and sail away for parts
+unknown.
+
+"Why not come in?" said Lucy, when we had finished our ride. "You
+haven't been near the house for days, so it won't be very noticeable."
+
+"All right," I said, "for a minute."
+
+It was between dusk and dark. The lights had not been turned on in the
+hall. The opportunity seemed rare and sweet. We stood for one brief
+fleeting moment closely enlaced--and swiftly separated, and stood
+breathing fast, and listening.
+
+Lucy was the first to make up her mind.
+
+She stepped swiftly to the dining-room door and flung it open. She was
+in time to see the trim shoulders and white cap of a servant
+disappearing from the dining-room into the pantry.
+
+"Who was it?"
+
+"My new waitress."
+
+"Hilda?"
+
+Lucy smiled grimly. "She'll leave tomorrow."
+
+"Don't discharge her. She might tell. Perhaps she didn't see."
+
+I joined Lucy in the dining-room, closed the door, knelt and looked
+back into the hall through the keyhole.
+
+"Could she see?"
+
+I rose to my feet and nodded.
+
+"He mustn't hear from anyone but me," said Lucy. "I'll speak to her."
+
+But Hilda was not in the pantry.
+
+"I don't think she'll tell," I said, "and after all what does it
+matter? Let's take a chance."
+
+Mentally I resolved to communicate with Hilda at the earliest possible
+moment, and to use whatever influence I had upon her. So I was no
+sooner in my room at home than I took the receiver from my private
+telephone and gave the number of the Fultons' house. After an interval
+I heard Hilda's voice.
+
+"It's Mr. Mannering, Hilda."
+
+"Yes, sir."
+
+"I want to see you about something important."
+
+"I know."
+
+So she knew, did she?
+
+"Can you meet me at ten o'clock tonight?"
+
+"Where?"
+
+"Leave the house at ten sharp, and walk toward the town; I'll be
+watching for you. You'll come?"
+
+"Yes, sir."
+
+
+
+
+XXV
+
+Near the Fultons, fronting on the street, is a large overgrown yard
+that has never been built on. Here in the shadow of a great cedar tree
+I waited and watched for Hilda. On the stroke of ten I saw her coming.
+She had a neat, brave, brisk way of walking, her head well up, as if
+she was afraid of nothing. A few moments later I hailed her from under
+my cedar, and after glancing up and down the street to see if anyone
+was watching, she joined me there.
+
+It was very dark. I could just make out her face. She was breathing
+fast and had one hand pressed upon her heart.
+
+"Thank you for coming, Hilda. You saw Mrs. Fulton and me in the hall?"
+
+"And heard you."
+
+"I'm throwing myself on your mercy, Hilda. Mrs. Fulton and I love each
+other. When we get back to New York we are going to tell Mr. Fulton.
+He will let Mrs. Fulton divorce him, and then we are to be married.
+You'll be my friend, won't you, and not tell? There's been nothing
+wrong, Hilda----"
+
+"Only kisses."
+
+"But if he found out from anyone but Mrs. Fulton--you see he isn't very
+well and he might do something crazy--something tragic. You see if you
+told him what you'd seen, he might act before anyone had a chance to
+explain."
+
+I was trying to make the matter sound more serious than I felt it to
+be. Whatever happened, I did not think that Fulton was the kind of man
+who forgets his education and his civilization, but I wanted, if I
+could, to frighten Hilda into secrecy.
+
+"You'd not want to get me all shot up, would you, Hilda?"
+
+She was silent for a time, as if weighing pros and cons in her head.
+Then she looked up at me and said:
+
+"When _I_ saw, _I_ didn't do anything crazy."
+
+"Hilda," I said, "he has to be hurt and you have to be hurt. That's
+always been the way with love--it always will be."
+
+She was silent again. Then she said in a low voice that carried with
+it a certain power to thrill: "He'd die for her. And I'd die for you.
+But he's only a worn-out glove, and I'm only a common servant. She
+thinks she'd die for you, and you think you'd die for her. But you're
+both wrong. A woman that won't stand by her babies isn't going to die
+for anyone, not if she knows it. A man that gets to your age without
+marrying any of the women he's gone with isn't going to die for anyone
+if he can help it. Wait till you've crossed her selfish will a few
+times and see how much she'll die for you; wait till she begins to use
+you the way she used him. A whole lot you'll want to die
+for--her--then----"
+
+"I can't listen to this, Hilda."
+
+"You _will_ listen, or else I'll scream and say you attacked me--a
+whole lot she'll feel like dying for you _then_. Servants have eyes
+and ears and hearts. There's servants in that house that know how
+things used to be, who see how things are now, since you came
+philandering around. And do you know what those servants think of her,
+and what I think of her for the way she's treated him? Oh, they like
+her well enough because she's gentle and easy-going, and good-tempered
+and easy to get on with; but there isn't a servant in that house would
+change characters with her. We think she's the kind of woman that's
+beneath contempt--lazy, selfish, spendthrift--always pampering number
+one--and going about the world looking like a sad, bruised lily. Do
+you think the servants in that house don't know all about your goings
+and comings, and the life you've led, the harm you've done and didn't
+have to do, the good you might have done, and didn't?"
+
+"But, Hilda----"
+
+She motioned me to be silent. Her ears, sharper than mine, or more
+attentive, had heard voices. They were negro voices, a man's and a
+woman's. We drew deeper into the shadow of the cedar.
+
+"So you got no mo' use for me, nigger?" The man's voice rumbled softly
+and threatened like distant thunder. "Yo' got to have yo' fling?"
+
+Then the woman's voice, shrill but subdued: "I don' love you no mo',
+Frank."
+
+"You got er nice home 'n nice lil' babies, 'n you goin' to leave 'em
+fo' a yaller man--is you?"
+
+They were opposite us now, walking very slowly and occasionally
+lurching against each other.
+
+"Yo' ain't goin' ter make trouble, Frank?"
+
+"I ain't goin' ter give you up, Lily."
+
+"You ain't? How you goin' ter fix fo' ter keep me?"
+
+They came to a halt and faced each other, the woman defensive and
+defiant, the man somber, quiet, with a certain savage dignity and
+slowly smoldering like an inactive volcano. You couldn't see their
+features, only a white flashing of eyes and teeth in such light as
+there was.
+
+"You's one er dese new women," said the man softly. "You's got ter be
+boss 'n have yo' own way."
+
+He stood for some moments looking down into her face, appraising as it
+were her flightiness, and meditating justice. Then he struck her
+quietly, swiftly and hard, so that her half-open mouth closed with a
+sharp snap.
+
+She was not senseless, but she made no effort to rise. He stood over
+her, smoldering. Then, his voice suddenly soft and tender, "I reckon I
+is got ter learn you," he said, and he picked her up in his arms and
+carried her from the roadside deep into the tangled growths of the
+vacant yard--deeper and deeper, until no sound at all came to us from
+them.
+
+"That was Mrs. Fulton's laundress and her husband," said Hilda. "She's
+been trying to copy Mrs. Fulton; but _he's_ settled that. He's a real
+man, and he'll keep his wife. Women like to be hit and trampled. It
+proves to them that they're worth while."
+
+"That may be, Hilda. I don't know. I couldn't hit a woman. . . . You
+haven't told me that you're not going to tell what you saw."
+
+"I don't know," she said; "he's suffered enough. It ought to end."
+
+"But I thought you--didn't want to hurt me?"
+
+"I don't. Still----"
+
+"Still what?"
+
+"Oh, favors aren't everything."
+
+"What do you mean, Hilda!"
+
+"Oh, I'm just a servant. I suppose I could be bought."
+
+"I thought better of you."
+
+"Not with money."
+
+"Not with money? How then?"
+
+She turned her face up to mine, then smiled and closed her eyes. "A
+kiss more or less," she said, "wouldn't matter much to _you_."
+
+And I kissed her.
+
+Then she opened her eyes and looked up at me until the silence between
+us grew oppressive. Then with a sudden, "Oh, what's the use!" turned
+and hurried off. But I caught up with her in two bounds.
+
+"Don't go away like that."
+
+"Oh," she cried, "I hoped you _wouldn't_. But you _did_. It's bad
+enough to love you, but to despise you too! Oh, don't worry. _I_
+won't tell. I've been bought, I've _lived_."
+
+I remained for a long time, alone, under the cedar tree. I was
+horribly ashamed and troubled, not because I had kissed her, but
+because I had had the impulse to kiss her again, because I realized at
+last that it takes more than a romantic love affair to make a silk
+purse out of a sow's ear. Because for a moment I saw myself as Hilda
+saw me--because for a moment I was able to judge Lucy and me, as others
+would judge us.
+
+I remained for a long time. The negro and his wife came quietly out of
+the bushes, her arm through his. She would not now run off with the
+yellow man. I watched them until the darkness swallowed them.
+
+I leaned against the fragrant stem of the cedar, my hand across my
+eyes. And in that moment of self-reproach, dread and contempt of the
+future, I too wished the most worthy and sincere wish of my life.
+
+I wished that I had never been born.
+
+
+
+
+XXVI
+
+For once, with complete fervor, I wished that I had never been born.
+And if I was to get back any glimmerings of self-respect, I must act
+like a man. Upon what grounds did I found the hope that Fulton would
+not soon find out about Lucy and me? Why, on the grounds of moral
+cowardice, of course. I dreaded to face any drastic, final issue.
+There was no other reason. Well, if I was to prove to myself that I
+was not a moral coward, Fulton must be told and the issue faced, and
+Fulton himself must be out-faced. It was not enough to love and be
+loved in secret. That way lies stealing and cheating. We must come
+into the open hand in hand, proclaim our love and demand our rights.
+If these were denied us--well, it would be too bad. But at least we
+would have come out from under the rose, and the consequences could be
+flung openly and courageously in the faces of those who denied us. And
+it would be fairer to Fulton to tell him. He was suffering torment.
+With a definite cause to face, it would be easier for him to regain his
+health and his sanity.
+
+Strong in these resolutions, I felt as if a great weight had been
+lifted from my shoulders. But if you think that I went at once to
+Fulton and told him, you have greatly misapprehended the mental
+workings of a butterfly.
+
+I went first to Lucy, and told her that I was going to tell. And from
+her, too, it was as if a weight had been lifted.
+
+"We can't go on this way forever," I said; "we thought we could, but we
+know we can't. We love each other and we're human, and sooner or
+later--Oh, it's best to go to him now with a clean bill, and tell him
+that love is too strong for us all, and that he must come out on the
+side of love no matter how much it hurts him."
+
+"When are you going to tell him?"
+
+"No time like the present, Lucy."
+
+And I drew a long breath, for in spite of the bold words, I felt
+panicky. I felt as if the doctors had just set the time for the
+operation, and that it was sooner than I expected.
+
+"We ought to have told him long ago. Where is he?"
+
+"In the garden."
+
+"It's a hard thing to do. Give me a kiss."
+
+A moment later I felt strong enough and noble enough to slay dragons.
+And I found Fulton sitting on a garden bench in a recess of clipped
+privet, Hurry on his lap.
+
+"She isn't feeling very well, poor baby," he said; "it's the sudden
+heat. She couldn't eat any breakfast. Did you want to see me about
+something special?"
+
+"Why, yes, I do. But you're busy with Hurry."
+
+"We were just going in to lie down, weren't we?" he said to the child.
+"I won't be a minute."
+
+He picked her up in his arms, and carried her into the house. A few
+moments later he returned, smiling, as if she had said something that
+had touched his humor.
+
+"Let's sit on the bench," he said. "It's the one cool place in Aiken,
+this morning."
+
+Mechanically I sat down beside him and accepted a cigarette from his
+case.
+
+"I always dread the first hot spell for the babies," he said. "I'm
+glad we're going up early this year."
+
+"You'll be in New York a while?"
+
+"At the New Turner. And then Stamford. Poor Lucy dreads Stamford, but
+I've got to be near the works. What are you planning to do this
+summer?"
+
+"It depends a great deal on you, John."
+
+Now he turned to me with a very grave expression on his face. "On me?"
+
+"I love Lucy, John, and she feels the same way about me."
+
+His expression of courteous inquiring gravity did not change. "So
+_that's_ what was at the bottom of everything. I told her she was
+seeing too much of you, but she wouldn't listen. Of course, my
+contention was just on general principles. I thought you were both to
+be trusted."
+
+"We only found it out just before you went to Palm Beach."
+
+"You ought to have seen it coming. A man of your experience and record
+isn't like a college freshman in such matters."
+
+"If I had seen it coming, John, believe me I'd have run from it. But
+all at once it had come, and it's a question now, not of what might
+have been, but of Lucy's happiness."
+
+"Yes," he said, "we mustn't think of ourselves now, or of the children.
+We must think of what is best for Lucy. And what is best for Lucy
+can't be thought out offhand. There's the complication of winding up
+here, moving, and so forth. What is your idea? Yours and Lucy's?"
+
+"We hope and trust that you won't want to stand in our way."
+
+"Divorce? Well, of course, it might come to that. It's not, however,
+an idea which I am prepared offhand to receive with enthusiasm. Any
+more than I propose to act upon the very first impulse which I had when
+you told me."
+
+"What was that?"
+
+"I thought how delicious it would be to get my automatic and fill you
+full of lead. But you and Lucy, I take it, have so far resisted your
+temptations, and I must battle with mine."
+
+"I ought to have said _that_; our temptations have been resisted, John."
+
+He shrugged that vital fact aside with, "Oh, I should have known if
+there had been anything to know."
+
+"I needn't say, need I, that I feel like hell about your position, your
+end of it?"
+
+"My position is not so bad as it was. I have something definite to
+face now. But much as I appreciate your impulsive good will, I don't
+think that your sympathy is a thing which I care to accept. Lucy, of
+course, feels that her fancy for you is a more imperative call than her
+duty to her children and me."
+
+"You've been in love, John."
+
+"I _am_ in love. I think we had better not discuss our several powers
+of loving."
+
+He rose from the bench and began to stroll up and down in front of it.
+
+"I haven't," he said, "given this contingency any thought whatever.
+You and Lucy will have to possess your souls in patience for a time.
+It is all very sudden. But supposing for a moment that I should
+consent to a divorce. Are you able to support a wife?"
+
+"I have no money of my own," I said, "but my father, as you know, has
+oceans of it, and gives me a very handsome income."
+
+"And yet he might not care to support you above the ruins of a home.
+In that eventuality what could you do? Lucy is very extravagant."
+
+"I could work my hands to the bone for her."
+
+Fulton looked curiously at his own lean, nervous hands, smiled faintly,
+and said: "Yes, and then be chucked aside like a worn-out garment.
+Well, we'll cross that bridge when we come to it. And now you'll be
+anxious to see Lucy, and report. Tell her that I swallowed the pill
+without making too much of a face. Tell her that I seemed inclined to
+be reasonable. Tell her also with my compliments that she must
+continue to exercise self-restraint and patience. Things are bad
+enough. If they were any worse I could not answer the consequences."
+
+"All right, John. Thank you for taking it so calmly."
+
+"Oh, I'm not calm inside. Don't worry about that."
+
+I left him there--standing very straight in the garden path, his face
+the color of granite, and of the stillness.
+
+
+
+
+XXVII
+
+"What did he say?"
+
+Her face was brilliant with excitement and anxiety. And I told her as
+well as I could.
+
+"He was preternaturally calm and easy," I said; "I couldn't imagine a
+man being more well-bred about anything. But he won't say anything
+definite now. Of course, he ought to have time to think. We could
+have counted on that, if we'd thought. He will take plenty of time to
+make up his mind, and then he won't change it. But Lord, I'm glad he
+knows now; and from us."
+
+There was a quiet knocking on the half-open door of the living-room.
+
+"Come in. . . . Oh, John, you needn't have knocked."
+
+He came in slowly and quietly, a gentle smile on his lips. The gray
+granite look had softened into his natural coloring.
+
+"I must say you're a very handsome pair," he said. "Don't go just yet,
+Archie. If we three are to talk things over in the future, we had
+better have a little tentative practice. Are we three the only ones
+who know of this sensational development?"
+
+"And Schuyler," I said.
+
+"Is he for you or against you?"
+
+"We thought we could be just great friends and see each other once in a
+while. He was for that. But, of course, that was only romantic
+nonsense."
+
+"Yes, that was nonsense," said Fulton. "It would have made my position
+altogether too ridiculous. Did it occur to you to be great friends,
+and not see each other?"
+
+"John," exclaimed Lucy, "you don't understand."
+
+"I don't understand the importance which lovers attach to love? Well,
+perhaps not. Drunkards hate to cure themselves of drink; smokers of
+smoke; lovers of love. Yet all these appetites can be cured, often to
+the immense benefit of the sufferers and of everybody concerned. And
+so you thought you could lead two lives at once, Lucy?"
+
+"I did think so."
+
+"Gathering strength in romantic byways to see you through the prosy
+thoroughfares? It wouldn't have worked."
+
+"We know that now."
+
+"You couldn't have lied about every meeting with Archie--lied as to
+where you were going and where you had been. Truth comes natural to
+you, even if you seem to have fallen down on some of the other virtues."
+
+I _knew_ that he was laboring under a great strain. And yet for the
+life of me I could not read any symptoms of that laboring in his face
+or voice. His voice was easy, casual, and tinged with humor. It was
+almost as if he was relieved to find two such inconsequential persons
+as Lucy and myself at the bottom of his troubles. Now and then his
+left eyebrow arched high on his forehead, and there would be a sharp
+sudden glance in the corresponding eye.
+
+"I wonder," he said, turning to me, "if people in your situation ever
+look at it from the critical outsider's point of view. Have you
+considered that a passion for something forbidden is not a natural, not
+a respectable passion? According to all moral and social laws Lucy is
+a forbidden object for your love and vice versa. People are not going
+to think well of you two."
+
+"Oh, we know _that_," said Lucy, wearily.
+
+"My dear Lucy, you mustn't show signs of distress so early in the game.
+What we are discussing, or trying to throw a little light on, is the
+subject which just now, by all accounts, should interest you more than
+anything else in the world. Furthermore, I really must insist on
+consideration for myself and the children."
+
+"No amount of talk ever made me do right--or wrong," said Lucy; "I just
+do right or wrong, and of course _you_ think this is wrong. So what's
+the use?"
+
+"Think it wrong," exclaimed Fulton, "of course I do. Don't _you_?"
+His voice expressed almost horrified surprise. "Don't _you_ think it
+wrong to fall out of love with your husband, into love with another
+man, and to take no more interest in your children than if they were a
+couple of wooden dolls made in Germany?"
+
+"Caring enough makes everything right," she said, still wearily, as if
+the whole subject bored her.
+
+"Caring _enough_!" exclaimed John. "Oh, caring _enough_ makes
+everything right. But do you care _enough_--either of you? I may
+change my mind, but just now, as a man fighting for what little
+happiness there may be left for him in the world, this question of how
+much you care is the crux of the whole matter. If I thought that you
+cared _enough_ I'd take my hat off to the exception which proves the
+rule that all illicit passions are wrong. If I thought that you cared
+_enough_ I'd think that a great wonder had come to pass in the world,
+and I'd give you my blessing and tell you to go your ways."
+
+Lucy rose and went appealingly to him. "John, dear," she said, "we
+_do_ care enough."
+
+He turned to me quickly.
+
+"And you think that?"
+
+"I care enough," I said, "so that nothing else matters--not even the
+hurt to you."
+
+"Do you care so much that no argument will change you?"
+
+I think Lucy and I must both have smiled at him.
+
+"No pressure of opposition?"
+
+"Caring is supposed to thrive on opposition, isn't it?" said I.
+
+"In short," said John, "if I refuse to be divorced you care enough to
+run away together into social ostracism?"
+
+Lucy smiled at me and I smiled back at her. And at that Fulton's
+calmness left him for a moment.
+
+"My God," he cried, "I am up against it."
+
+But almost instantly he had himself once more in hand, and was speaking
+again in level, almost cheerful tones.
+
+"Social ostracism," he said, "would be very horrid if you stopped
+caring for each other."
+
+"Why take it for granted that we'd stop caring?"
+
+"I don't. I'm taking nothing for granted. But no girl, Archie, ever
+cared for a man more than Lucy cared for me--and then she stopped
+caring. I know less about your stamina. But this is not the first
+time you've cared."
+
+"It's the first time I've _really_ cared," I said.
+
+"It's not the first time you've _said_ that you really cared, is it?"
+
+I was unable to answer, and his eyes twinkled with a kind of automatic
+amusement. Then once more grave, "I never even _thought_," he said,
+"that I ever cared about anyone but Lucy. That gives me a peculiar
+advantage in passing judgment on matters of caring--an advantage
+enjoyed neither by you nor Lucy. I wasn't any more her first flame
+than she is yours. But she was my first and only flame. I can speak
+with a troop of faithful years at my back. But you and she have only
+been faithful to each other for a matter of days. I am not doubting
+the intensity of your inclination, but I can't help asking, Will it
+last? Are you prepared to swear that you will love her and no other
+all your days?"
+
+"Yes," I said firmly. And I loved her so much at that moment that I
+felt purified in so saying and believing.
+
+"How about you, Lucy'? Never mind, don't answer. You are thinking of
+that day when you stood up before all our friends and swore that you
+would love me all your days. Naturally it would embarrass you to
+repeat that with respect to another, before my face. So I won't ask
+you to . . ."
+
+"John," said Lucy, "all this is so obvious. And it leads nowhere.
+Talk won't change us. So won't you please say what you are going to
+do?"
+
+"Not until I know myself," he said. "But there is one thing . . . I
+think it would be better all round if you saw less of each other until
+something is decided. I realize that Jock and Hurry and I are very
+much in the way. Jock and Hurry naturally don't care how much you two
+are together. But I do. It isn't that I don't trust you out of my
+sight. You know that. But the mind of a jealous man is a gallery hung
+with intolerable pictures. Merely to think of Lucy, Archie, giving you
+the same look that she used to have for me is to burn in hell-fire."
+
+He turned on his heel, and left us abruptly. We could hear him calling
+to the nurse to ask how Hurry was feeling, and we could hear his steps
+going up the stair to the nursery.
+
+"He's going to do the right thing, Lucy," I said.
+
+"I wish he wouldn't talk and talk. The milk's spilled. I suppose
+we've _got_ to keep more or less apart."
+
+"Yes, Lucy."
+
+I held out my arms, and for a moment we made, I suppose, one of those
+intolerable pictures that hung in Fulton's mental gallery. And then I
+went away.
+
+It was good to have told. I was very deeply in love; I thought that
+Lucy's and my future could soon be smoothed into shape, but I did not
+feel happy. I felt as if I had been through a great ordeal of some
+sort, and had come off second best. It seemed to me that I ought to
+have stood up more loudly for my love, for its intensity and power to
+endure.
+
+In addition there had been about John Fulton an ominous quiet. I could
+better have endured a violent outbreak. For there is no action without
+its reaction. After a storm there is calm. But Fulton's calm was more
+like that which precedes a storm.
+
+His breakdown came after I had left. Lucy told me about it. He had
+come back to her in the living-room, and said things about me that she
+would never never forgive.
+
+"I don't care what he says about me," she cried, "but if he talks to me
+against you, I won't stand it."
+
+"It's natural for him to feel bitter against me. I'm sorry, of course.
+But it doesn't matter."
+
+"If he's got to feel bitter, let him feel bitter against me. If anyone
+is to blame, I am to blame."
+
+"What did he say about me?" I asked.
+
+"He said you were the kind of man that men didn't count when they were
+counting up the number of men they knew. He said you had always been
+too idle to keep out of mischief. And that no pretty woman would be
+safe from you--if you weren't afraid . . . Afraid!"
+
+"That's quite an indictment."
+
+"I said: 'Why didn't you say all that to his face, when he was here,
+instead of waiting till you could say it behind his back . . .'"
+
+Here she turned to me with the most wonderful look of tenderness and
+trust.
+
+"But I know what I know. And you are the kindest and the truest and
+the gentlest man . . ."
+
+"Oh, I'm not! I'm not, Lucy! . . . But what does that matter, if I
+never let you find out the difference? . . . We mustn't take what John
+says too seriously. He's had enough trouble to warp his mind."
+
+She still looked up into my face with that wonderful trust and
+tenderness. "And you are the most generous man to another man!" she
+said.
+
+
+
+
+XXVIII
+
+The very next day Evelyn told a few old friends that she was going to
+be married to Dawson Cooper. At once Lucy felt that she must give a
+dinner in the happy young people's honor, and to this dinner, as one of
+Evelyn's oldest friends and of Dawson's for that matter, I had to be
+asked.
+
+In many ways, this dinner differed in my memory from other dinners. To
+begin with, it was exceedingly short, and well done. The table was
+decorated with that flower which some people call Johnny jump-up, and
+some heartsease, and of which all that I can state positively is that
+it is the great-grandmother of the pansy family. We had some tag-ends
+of Moet and Chandon '84 to drink and a bottle of the old Chartreuse.
+In the second place, it was the last time I was ever to sit at meat
+under John Fulton's roof. The dinner had psychological peculiarities.
+I was in love with my hostess; she with me. Twice I could have run
+away with the girl in honor of whose engagement the dinner was being
+given. My host, who personally had insisted on my presence, would have
+been delighted to hear of my sudden death. The waitress would have
+died for me (I had her word for it), and at the same time she despised
+me. Within the week I had thrown myself on her mercy, and bought her
+silence with a kiss.
+
+What a dinner it would have been if we had elected to play truth; if
+each person present could have been forced to say what he or she knew
+about the others!
+
+Personally I must have rushed out of the house, my fingers in my ears,
+like Pilgrim.
+
+But we didn't talk about embarrassing things. We made a lot of noise,
+and did a lot of laughing, and toasting. But I was glad when it was
+all over. I was always catching someone's eye, and thinking how much
+harm a man can do, if with no will to do harm, he follows the lines of
+least resistance and drifts. The harm that is done of malice and
+purpose has at least a strength of conviction about it, and disregard
+of consequences. It is far more respectable to do murder in cold
+blood, than to slaughter a friend because you happen to be careless
+with firearms.
+
+Among other things that dinner proved to me that it is possible to do
+several things at once: to laugh, talk, and think. I kept laughing and
+talking and helping now and then to tease Evelyn and Dawson, and yet
+all the while I was busy thinking of other things. And all the
+thinking was based on one wish; not that I had never been born, but
+that I had my whole life to live over again. Surely, I thought, with
+another trial I might have amounted to something. I had money back of
+me, I thought, and position, and a mind--well, not much of a mind, but
+when you think what that Italian woman does with half-wit
+children--surely the right educators could have made something quite
+showy out of me. The energy I had put into acquiring skill at games
+and in learning the short cuts to pleasure, might have been expended on
+righteousness and the development of character. Most at ease with the
+great, I might, during the dearth of great men, have aspired to be an
+ambassador. I'd have married young, and have given all the tenderness
+which various women have roused in me, to one woman. And there would
+have been children, and stability, and a home constantly invaded by
+proud and happy grandparents. Or if these fine things had not been in
+my reach, at least I might have shaken the dust of futile places from
+my feet, and closed my ears to the voices of futile people. Often I
+have had the valorous adventurous impulse, and the curiosity to find
+out what was "beyond the ranges"--merely to resist it. I am Tomlinson,
+I thought. I might have been Childe Roland.
+
+Was there not still time to turn a new leaf--to be somebody, to
+accomplish something? Yes, I could make the woman who awaited me
+beyond the puddle of scandal--happy. I could--I must be unselfish and
+fine where she was concerned. The world might forgive me, it would
+never quite forgive her. The world would never believe that we had
+played the game as fairly as it can be played. There would be such
+talk as, "Of course the moment Fulton found out what was going on, he
+got rid of her." Other people would say, "Well, damaged goods is all
+he ever deserved, anyway."
+
+Lucy, damaged goods? I stole a look at her. Little and lovely and
+happy and full of laughter at the head of her table, there was no
+shadow upon that pansy face. She was, as always, living in the moment.
+From all our troubles and complications, "a rose high up against the
+thunder were not so white and far away." Remorse would never greatly
+torment her. In time, too, Fulton's hungry stone-gray face of the last
+weeks would fade from my memory.
+
+
+
+
+XXIX
+
+Beyond saying that he thought for various reasons we should see less of
+each other, Fulton had made no effort to keep Lucy and me apart. If he
+had an adviser in this, that adviser was Schuyler. The idea, I
+suppose, was that Lucy, unopposed, would soon tire of the affair, as
+she had tired of others in her extreme youth, and return to her duty,
+if not to her affection. But we only loved each other the more. And
+the various exasperations of delay became hard to bear. Lucy, when
+what seemed to her a reasonable time had passed, and Fulton had not yet
+made up his mind about the divorce, was against delay. We had warned
+Fulton we had played the game, why should we lose time to do so? I had
+to argue with her against the next steamer for foreign parts, and to
+persuade her (half persuade her) that in the long run patience would
+serve us best. "Now," I said, "we don't feel that we need anyone but
+ourselves. But we both love people--our own kind of people. If John
+won't play fair (we called it that) our own kind of people will be on
+our side, no matter what we do. But we should have John's word for it
+that he is not going to play fair, before we take any drastic step."
+
+The Fultons left Aiken, and after what seemed to me a decent delay of a
+few days, I followed them to New York. John seemed further than ever
+from coming to a decision, so Lucy thought. But she evinced a more
+patient spirit. For the young woman with credit and a fondness for
+clothes New York is a great solace, even if she is half broken-hearted.
+
+"The contract with the Russian has gone through," she said; "John will
+make a lot of money. I tell him that it's horrid to get rich by making
+things that are used to kill people with, but he says there are too
+many people in the world, and that most of them would be the better for
+a little killing--so he's given me a fine credit, and I'm buying all
+the clothes I need."
+
+"Lucy, I don't think you ought to spend his money--any more than you
+absolutely have to--considering."
+
+"We spoke of that. He said I'd hurt him enough, and that while I was
+still ostensibly his wife, he wished me to have all that he could give
+me."
+
+"While you are still ostensibly his wife? That sounds as if--Oh, as if
+he was going to step out, Lucy, doesn't it?"
+
+"Sometimes he talks as if it was all arranged. He says, 'Next year, if
+you shouldn't happen to be with me, I'll do so and so,' and all that
+sort of talk. At other times he talks of building a big house down on
+Long Island--just the kind of house I've always wanted--just as if he
+was sure that I would still be living with him."
+
+Well, one day Fulton came to my hotel and sent up his card. I went
+down to him as quickly as I could finish dressing. He said:
+
+"Sorry to trouble you, but my time isn't quite my own. This seemed a
+golden opportunity. We've a lot to talk over. I've a taxi outside.
+Will you drive around a little?"
+
+"Certainly, if you'll just wait while I telephone."
+
+I called up Lucy.
+
+"I can't meet you this morning, I am to have a talk with John. Somehow
+I feel sure that something is going to be decided." My heart was
+beating quick and fast. I was unaccountably excited. This excitement
+seemed to communicate itself to Lucy. She said as much.
+
+"I'm terribly excited," she said, and her voice had a kind of wild,
+triumphant note in it. "You'll tell me everything the minute you can?"
+
+"Of course. Good luck."
+
+"Good luck."
+
+We drove across Forty-third Street and up the crowded Avenue for
+several blocks without speaking. Then Fulton smiled a little and spoke
+in a level, easy voice.
+
+"Perhaps," he said, "the water is not so cold as it looks. Shall we
+take the plunge?"
+
+"By all means," I said. My heart was thumping nervously. I hoped he
+would not notice it.
+
+"Lucy and I," he said, "as you know, were wonderfully happy for a good
+many years. Until last winter, I was never away from her over night.
+And then, only because of a financial crisis. I have never even looked
+at another woman with desire, or thought of one. Until last winter,
+Lucy was the same about other men. She was a wonderful little mother
+to her kids, and the most faithful, loving, valiant wife that ever
+belonged to a man full of cares and worries."
+
+"I know all this, John," I said; "I could wish that you had been
+unhappy together."
+
+"I wish to make several things clear," he said. "According to all
+civil and moral law, I am an absolutely undivorceable man. There is
+only one ground for divorce in this state. To clear the decks for you
+and Lucy, I should have to smirch myself and take a black eye."
+
+"But the people who count always understand these things."
+
+"In order to secure my own unhappiness, to make it everlasting, I
+should have to perjure myself. I know that it is the custom of the
+country for married gentlemen who are no longer loved to perjure
+themselves. But it seems to me a custom that would bear mending.
+However, it is not yet a question of that."
+
+"Still undecided?"
+
+"No. My mind is made up. I am prepared to step down and take my black
+eye on certain conditions."
+
+I bowed my head.
+
+"Lucy," he said, "doesn't love the children as much as I do. She has
+allowed herself to forget how dear they are to her, so it would have to
+be understood among us three that I should retain the children. You
+see, I've got to keep something of what belongs to me--to keep me
+going. Lucy will agree to this, because just now all she wants is new
+clothes and you. There is another point upon which I feel that I must
+be satisfied."
+
+"What is that?"
+
+"How long is your young people's infatuation for each other going to
+last? If it is to be brief and evanescent, it would be absurd for me
+to take a black eye. But if it is to be stable and enduring, I should
+be ashamed to stand in the way of it. Knowing something of Lucy's
+history, how long do you think her fancy for you will last?"
+
+"These things are on the lap of the gods."
+
+"Well, then, yours for her? Now, I know that my love for her, which
+has been tried by fire and ice and time, will last until I die, or lose
+my reason. With me it is not a question of _thinking_, but of
+_knowing_. How long do you _know_ that your love for her will last?"
+
+"That is an impossible question to answer. I think it will always
+last."
+
+"Thought won't do, Archie, on this all-important phase of the
+situation, we must have the light of definite knowledge. Now, as a man
+who has had many love affairs, some innocent and some not, you should
+have a good working knowledge of your endurance in such matters. If
+you were cast away on a desert island with a very pretty woman, you to
+whom women have always been necessary, you from whose hand there has
+always been some woman or other ready to eat, how long would your love
+for Lucy last?"
+
+I was amazed momentarily by his question, but it was not one which I
+could answer.
+
+"A week?" He rather shot this at me, and for a moment there was a
+satiric gleam in his eye.
+
+I nodded.
+
+"You _know_ that it would last a week?"
+
+I began to feel a little angry, and I said, quite sharply: "I _know_
+it."
+
+"A month?"
+
+"Yes, a month."
+
+Both our voices had risen. His became easy and level once more.
+
+"A year, Archie?"
+
+"How can I know that, John?" I tried to meet his quick change of
+manner. "I _think_ so. I'm very sure of it."
+
+"But you don't know?"
+
+"I can't _know_."
+
+"And if the very pretty woman on the island came to you in the night
+and said she had seen hob-goblin eyes in the dark, and was afraid--how
+long, though you still love her, would you be faithful to Lucy? A man
+like you, in good health, with an incompletely developed moral sense?"
+
+"We are getting nowhere," I said, determined to keep my temper.
+
+"We are getting to this," said he, "that if a year from today, you and
+Lucy still love each other, and have been faithful to each other, and
+still want each other--you shall have each other."
+
+"A year?" I think he smiled at the surprise and disappointment in my
+voice.
+
+"During which year," he said, "you will not meet each other except by
+accident, and you will not correspond."
+
+I said nothing, but he read my thoughts.
+
+"It isn't fair to you and Lucy? At least it is fair to me. Nobody has
+thought about me. I have had to think for myself, and for the
+children. Admit this--if your love stands a year's test you will stand
+a far greater chance of happiness than if you ran away together now,
+unblessed by the man you had wronged, and unclergied. Admit this,
+too--that if your love doesn't stand the test, then my life has been
+ruined for as futile, puerile, misbegotten a passion as ever reared its
+head under an honest man's roof. Admit it! Admit it."
+
+"I'm not sure that I admit any such thing."
+
+"Then, my dear fellow," he said, "your mental and moral capacity are on
+precisely the same plane. . . . I'm sure you don't want to injure
+Lucy. Give her this chance to straighten out and get untangled. If
+there is any truth in your love for her you will see that this way is
+best for her."
+
+"I am thinking of her happiness."
+
+"_Are_ you?"
+
+"She's been very patient, John. I can't tell you how patient."
+
+"For God's sake don't try to tell me. Haven't I had enough to bear?"
+
+"I think Lucy won't be willing to wait a year."
+
+"She must be made willing. You must help. A year soon passes--soon
+passes. If things then are as they are now, then I shall believe that
+your love for each other is strong and fine, and I shall renounce my
+claim with a good grace--a good grace."
+
+"If we can't wait a year, John!"
+
+"You mean if you won't? In that case I shall not feel that Lucy is
+entitled to a divorce, or either of you to any money at my hands.
+Among the people who are necessary to you and Lucy, a wronged and
+upright husband has great power. If you are such children, such fools,
+as not to be willing to stand a test of your love, you will have to be
+punished. It would mean that your passion has nothing to do with what
+is understood by love. You would merely be pointed at and passed up as
+a rather well-known young couple with adulterous proclivities."
+
+There was a long, charged silence.
+
+"The law and the prophets are all on your side, John, but----"
+
+"You'll not answer now, please. You'll think it over. And don't
+forget all the pleasant things that you can do in a year. There's that
+hunting trip in Somaliland you used to talk about so much--there's
+London and Paris--wonderful places for a man who's trying to cure
+himself of an unlawful love."
+
+"Trying to _cure_ himself?"
+
+"Of course. Jesting aside, don't you think that what you and Lucy want
+to do to Jock and Hurry and me is _wrong_? Of course you do. You're
+not a devil. If, by uttering the wish, you could bring it about that
+you had never loved Lucy, that she had never fallen out of love with me
+and loved you over the heads of her children, that all might be as it
+was when you first began to come to our house, wouldn't you utter that
+wish? Of course you would."
+
+He was smiling at me now, very gently and cunningly, and there was, at
+the same time, in his eyes an awful pathos.
+
+"Why, yes," I said, "I suppose so."
+
+"Just bear out what I've always maintained," said he; "I've always
+maintained that you were a good fellow--at heart."
+
+"Am I to see Lucy again--before the year begins?"
+
+"Is it very necessary?"
+
+"I suppose not. But----"
+
+"Well, I imagine Lucy will insist on seeing you. It will be a pity,
+but after all she's only a little child in some ways. It's all going
+to be very hard for you both, at first," he said gently. "So you shall
+see each other again--if she says so."
+
+Suddenly he reached out his hand, and I took it.
+
+"Oh," he said, "I needed your help."
+
+
+
+
+XXX
+
+It seemed to me, at the time, that I had showed myself very weak in the
+conference in the taxi-cab. It seemed to me that my acquiescence in
+Fulton's proposals reflected on the strength of my love for Lucy.
+Perhaps it did. But in the clearer light of today it seems to me that
+to his questions I made the only answers possible; and that only a
+demented person could have found serious flaws in the logic of his
+position.
+
+When we had parted, I walked for a long time in the most crowded
+streets, trying to reconcile myself to the long separation from Lucy,
+and to the weakness which I thought I had betrayed in agreeing to it.
+
+Could I endure that separation? The world would be empty with no Lucy
+to go to, no Lucy even to hear from. I loved her too much to part with
+all but the thought of her. It did not seem possible that the mere
+passage of time could dull the edge of my passion. Yet cold memory
+blinked at this very possibility.
+
+I had parted from other women, thinking that thoughts of them must fill
+the rest of my life to the exclusion of everything else; only to find
+that after a little lapse of time their images faded, and even the
+memory of what they had been to me had no power to think.
+
+So might it be with Lucy. "You know it _might_," said cold memory.
+"Don't be a fool--you think it _won't_, but you know it might."
+
+"But," I argued, "this is different. No other woman ever loved me as
+she does. I may be a fool, but her eyes have spoken, and I know the
+truth when I hear it."
+
+"She _does_ love you," said my other self, which I have called cold
+memory, "and she did love him, and before his time, others, if only
+briefly. Without the sight of you to feed on, her love will starve and
+die. It is almost always so."
+
+"Almost."
+
+"There are exceptions. Is it likely, considering your records, that
+you and she will be an exception? It is not likely."
+
+It wasn't. John Fulton was probably right. He believed that time
+would cure us, and almost the whole of human experience agreed with him.
+
+And wouldn't it be better if we were cured? Far better. I had to
+admit that. We ought, indeed, to hope that we should be cured; to help
+with all our strength in the effecting of that cure. And conversely,
+Lucy ought to try to return to her affection for John and to her duty.
+
+Suddenly I felt cold and shivery as before undergoing an operation.
+
+Poor little Lucy! Even now she must be listening to John's ultimatum,
+as I had listened, but with this difference; she could not see the
+justice and the logic of his position. She would only see that she was
+being cruelly hurt, and thwarted, and disappointed; that she was being
+curbed and punished by forces too strong for her to cope with. And I
+pictured her, all reserve gone at last, a tortured child--just sobbing.
+It seemed to me that I must go to her or die. And indeed I went a
+little way toward their hotel. Then I thought, perhaps her sobs would
+move him to a change of heart. Perhaps he will weaken, and let her go.
+Upon the strength of this thought I returned to my own hotel, rearing a
+blissful edifice of immediate happiness.
+
+I sat in the lobby in a position of reading, a newspaper before my
+face; but I did not read. I was listening for the boy who would page
+me to the telephone. Many names were called in the lobby, but it was
+two o'clock before I started at the sound of my own.
+
+Fulton was at the other end of the telephone, not Lucy. He sounded
+very much upset and depressed: "Lucy would like to see you right away,
+if you can come round."
+
+"Of course."
+
+We said no more.
+
+Her face was white and tear-stained. I had no sooner closed the door
+of their sitting-room behind me, than she flung herself upon my breast
+and burst into a storm of sobs. After a long time words began to
+mingle with the sobs.
+
+"It will kill me. Why does he want me to die? . . . I've only got
+you. . . . I want to belong to you--to you."
+
+I talked and I talked, and I soothed and I soothed, but she was sick
+with grief and pain and a kind of insane resentment, as if she had gone
+through a major operation without an anesthetic. It would have been
+horrible to see anybody suffer so. And she was the woman I loved! The
+strain was so great upon me that at last my powers of resistance
+snapped. I flung honor to the winds, and became strong with
+resolution. And now my words seemed to pierce her consciousness and to
+calm her.
+
+"It's all right, Lucy." I had to speak loudly at first, as if she was
+deaf. "You shan't suffer like this. I tell you you shan't--not if I
+am damned to hell."
+
+I knew now that she was listening, the sobs became muffled and less
+frequent. "It's you and me against the world now," I said. "There'll
+be no more flimflamming. I promised John to wait a year. That doesn't
+matter. A promise made at your expense won't hold. . . . When is your
+husband coming back?"
+
+". . . hour," was all the answer I got. . . .
+
+"Then there's not much time left. Try to pull yourself together.
+We've got to make all our plans right now, and there's not much time."
+
+"You will take me away?"
+
+"Of course. Now listen. There's no sense in putting your husband on
+his guard. Let him think that we are both agreed to the year's
+probation. I'll look up things and engage passage. I'll do that this
+afternoon. Tonight I'll go to Hot Springs to see my father and get
+money. My own balance is very low, unfortunately. Day after tomorrow
+I'll be in town again. Now, how are we going to communicate?"
+
+I can't say that she was calm now, but she no longer sobbed, and her
+mind was in working order again.
+
+"By telephone," she said. "Every morning when I know John's plans for
+the day I'll let you know, and so you'll know when to call me up."
+
+Already the anticipations of our great adventure were bringing back the
+color to her cheeks and the sparkle to her eyes. I smiled at her.
+"Don't be too cheerful," I said; "we might get ourselves suspected."
+
+"Couldn't we just tell John that we had decided to go--and go?"
+
+"Better not."
+
+"I hate to deceive and play act and be underhanded."
+
+"So do I--but--Lucy, darling, you're going to trust me in more
+important things than this. I _think_ my way is best. We don't want
+any more agonies and recriminations and scenes. _Do_ we?"
+
+I took her in my arms and whispered, "It's only a few days now, but I
+don't see how I can wait. I don't see how."
+
+And she burrowed with her face between my cheek and shoulder, and
+whispered back, "And I don't see how I can wait."
+
+There was a little space of very tense silence, during which my eyes
+roved to the little silver traveling-clock on the mantel, and then I
+said in a voice that shook:
+
+"I'd better get out before he comes back."
+
+
+
+
+XXXI
+
+My parents, loafing North, via Hot Springs, were delighted to see me.
+As soon as courtesy to my mother made it possible, I got my father
+aside, and told him that my real purpose in coming was to raise the
+wind.
+
+"I need a lot of money," I said; "sooner or later you'll know why. So
+I may as well tell you."
+
+My father's fine weather-beaten face of a country squire expressed an
+interest at once frankly affectionate and tinged with a kind of
+detached cynicism.
+
+"I am going to run off with Lucy Fulton," I said.
+
+"I supposed that was it," said my father, without evincing the least
+surprise.
+
+"You _did_?"
+
+"Oh, we old fellows put an ear to the ground now and then," he
+explained; "and sometimes sleep with one eye open. Punch's advice to
+the young couple about to marry was 'Don't.' My advice to you and Lucy
+is double don't. Why not give yourselves a year to think it all over,
+as John Fulton so sanely and generously suggests?"
+
+Astonishment at my father's superhuman knowledge of events must have
+showed in my face. Still smiling with frank affection, he said, "John
+put me in touch with the whole situation before he left Aiken. The
+year of probation was my suggestion to him."
+
+"But Lucy and I can't agree."
+
+"Then you can't. Do you sail, fly, entrain, or row--and when?"
+
+"We sail, father, next Wednesday."
+
+"A week from today. I am profoundly sorry. It's very rough on Fulton,
+just when he has closed with this Russian contract and is by way of
+getting rich."
+
+"It's our _one_ chance for happiness, father."
+
+He cocked an eyebrow at me. "And I think it is your one sure road to
+misery."
+
+"But you'll see me through?"
+
+"Come to me a year from today. Tell me that during that time you have
+neither seen Lucy nor communicated with her, but that you still love
+each other--_then_ I'll see you _through_."
+
+"My dear father, it's so much better for you to put up the money than
+for me to borrow it from one of my friends."
+
+"Only because the friend would expect you to pay him back. How would
+you live when his money was gone--keep on borrowing?"
+
+"Why, father, you're acting like a parent in an old-fashioned novel.
+Are you threatening to cut me off?"
+
+"My son," said he, "a man who had done well, and who deserved well of
+the world came to me and showed me his heart--a heart tormented beyond
+endurance with unreturned love, with jealousy, and with despair. He
+threw himself upon my mercy. And I said that I would help him, with
+whatever power of help I have at command. I don't love that man, my
+son. I love you. But I am on his side. All my fighting blood is
+aroused when I learn that still another American husband has been
+wronged by his wife, and by an idle flirting bachelor. God keep me
+firm in what must seem to you like cruelty in one to whom you have
+always turned with the utmost frankness and loyalty in your
+emergencies. And from whom until this moment you have always received
+help."
+
+I was appalled and thunderstruck. After a while I said, "Father, she
+sobbed so that I thought she would break a blood vessel. I couldn't
+stand it. I had to say I would take her away. If I don't, I think she
+will die or kill herself."
+
+My father drew himself up very straight, and looked very handsome and
+stern, for a moment. Then his frame relaxed and his eyes twinkled, and
+he said, "Die? Kill herself? My grandmother!"
+
+"Oh, father," I cried, "don't! Don't! She is all the world to me.
+You talk as if----"
+
+"I talk as if she was an excellent example of the modern American wife
+in what the papers call 'society.' And that is precisely what she is.
+You know that as well as I do. Just because you love her is no reason
+for pretending that she's a saint and a martyr and the victim of a
+grand historical passion. She _is_ lovely to look at. She _is_
+charming to be with. But that doesn't prevent her from being a bad
+little egg."
+
+"Father," I said, as gently as I could, "I love her with all my heart.
+Why, she's like a little child, and she's being so hurt. You've never
+refused me anything. Help me to make her happy."
+
+"When she has gotten over her fancy for you, when Fulton has plenty of
+money for her to spend, she will be as happy as she deserves to
+be--until she makes herself miserable again by indulging in some affair
+similar to this. Now, my dear boy, go back to her, tell her that you
+haven't enough money to elope on and no way of getting it. Tell her
+also that if at the end of a year's probation you and she still want
+each other, nobody will oppose you, and that you, on the day of your
+marriage to her, will be made a rich man in your own right."
+
+"Father, I _want_ her so."
+
+"And I _want_ champagne so," said my father. "And the accursed doctor
+has forbidden it. Do I torture myself? Not at all. I turn for solace
+to an excellent bottle of Scotch whiskey. And this has at least the
+effect of making me want the champagne less. Don't get confused
+between psychology and physiology. If I were in your boots I'd slip
+over to Paris--and drink Scotch whiskey."
+
+So I went back to New York, and, as soon as possible, I talked to Lucy
+over the telephone, and told her about the interview with my father.
+
+"But," I finished, "we'll do whatever you say. We can't very well land
+in Europe without any money; but I've still got most of the passage
+money; and if you say so, we can stay right in this country and live on
+that for a few weeks, while I try to get a job. I could borrow some
+money, but it would have to be paid back. Oh, Lucy, this is such a
+humiliating confession to make, but what _can_ I do?"
+
+"Everybody is against us," she said, "everything--I don't suppose
+there's any use struggling."
+
+She sounded cold and tired.
+
+"I suppose," she went on slowly, "we'll have to wait, the way John
+says. Shall we?"
+
+"You say it, Lucy. Don't make me say it."
+
+"So we'll wait," she said; "not see each other, and not communicate. I
+don't see how I can stand it, but I suppose I can. . . . A whole
+year--a whole year!"
+
+"At the end of it, my darling, all that there is in the world for me,
+nobody will stand in our way; there'll be plenty of money and a long
+life before us."
+
+"Listen . . . all the long time will you take care of yourself?"
+
+"Yes, Lucy."
+
+"And not notice any other ladies?" . . .
+
+"Lucy . . . let's take a chance on what I have got."
+
+A long silence. Then: "Oh, no. I suppose John's right. Everybody's
+right. . . . But"--there was a valiant ring in her voice, "we'll show
+'em they were wrong and cruel. Won't we?"
+
+"Yes, Lucy."
+
+"Good-by, then, and God bless and keep you."
+
+"It's only for a year, Lucy."
+
+I heard a short, dry sob. It was mine.
+
+
+
+
+XXXII
+
+I don't know how I got through the next ten days. After three of them
+had passed I began to fear a mental breakdown, because my mind kept
+working all by itself, without orders. If I wanted to think forward,
+to the end of the probationary year, I couldn't. Always I kept
+thinking I ought to have done, or said, so and so. I ought to have
+been firmer. I was always reviving that drive in the taxicab with
+Fulton, or that last interview with my father. If my love was strong
+and fine I ought never to have knuckled under. They had had too easy a
+time with me. I had played into their hands, and they had treated me
+like a child. From pure humiliation I could not sleep at night.
+
+And what was Lucy doing? How was she bearing it? What sort of life
+was she leading, the poor, abused child? The world seemed to have all
+joined against me in a conspiracy of silence. Nobody mentioned Lucy in
+my hearing. Although the same city held us, until they moved to
+Stamford, I had no accidental glimpse of her. Our last talk had not
+been in the least satisfactory. It seemed to me that I must see her
+once more to preach courage and hope. During those first ten nights I
+hardly slept at all. Sometimes I would picture out Lucy's whole course
+of life during the next few months. And I imagined that, grown at last
+utterly indifferent through suffering, she might drift back into her
+former relations with Fulton, if only because he loved her so much, and
+no one can keep on saying no forever. Such imaginings had sometimes
+the vividness of scenes actually witnessed and threw me into tortures
+of jealousy.
+
+Not until a short period of the tenth day was Lucy ever actually out of
+my mind. I had been sitting in a chair staring at a newspaper, all my
+nerves tense and hungry, when suddenly they seemed to have relaxed and
+to have been fed. The skin of my face no longer seemed tightly
+stretched. I felt as if I had waked from a refreshing sleep; but this
+was not the case. I had simply, without deliberation, forgotten Lucy
+for half an hour, and been making agreeable personal plans for the year
+of probation.
+
+"Good Lord," I thought; "has living without her, already begun to be
+easier?"
+
+It had. I began to take pleasure in seeing my friends; to look forward
+to the Newport season, to the international tennis, to the golf
+championship at Ekwanok, to the thousand and one things that make for
+the happiness of a butterfly's summer.
+
+After a month of Newport, days passed with only hurried thoughts of
+Lucy. Chance mention of her name gave me no uneasiness; they affected
+my heart, like sudden trumpets, but I knew that my face had become an
+inscrutable mask, and that my voice was in perfect control. Those who
+had thought that there was something between us began to think
+differently.
+
+And then, after days of suspense, surmise, and real consternation, the
+legs of civilization seemed to have been knocked from under it, and the
+greatest nations of Europe flew at each other.
+
+Now indeed there seemed an easy way to the year's end. The Germans
+rolled through Belgium and into France, outraging humanity. It looked
+as if they would roll right into Paris, and sow salt where the world's
+first city had stood.
+
+I rushed up to Bar Harbor to tell my parents that I was going to France
+to enlist in the foreign legion. Oh, how swiftly the time would fly, I
+thought. That I might get crippled or killed never occurred to me. I
+thought only that having failed at everything else, I must obviously be
+possessed of military genius. I pictured myself climbing the bloody
+ladder of promotion to high command and winning the gratitude of that
+country which next to my own I love the most.
+
+My mother, to whom I first broached the news, did not cry or make a
+fuss. But I saw that I had distressed her terribly.
+
+"It isn't our war," she said; "and what use will one more enlisted man
+be to _them_? And besides, my dear, _only_ sons are always the first
+ones to get hurt; only sons and men whose families are dependent upon
+them. But . . ." and here she gave me a wonderful look . . . "I think
+I know why you want to go. And that makes me very proud."
+
+"I think you _do_ know, Mumsey," I said. "It's because we'd rather get
+hurt trying to do something worth while, than go on the way we've
+always gone on, amounting to nothing, and disappointing everybody."
+
+Then she got me in her arms, and cried over me a little.
+
+My father, as usual, took my decision with the most good-natured
+indifference.
+
+"Fine experience," he said, "for any man that's free to go. Makes me
+wish I were younger and without obligations. Still I can enjoy the
+music at the swimming-pool with a free conscience; because I'm sending
+over all the money I can spare. . . . How did you reach the conclusion
+that you could go?"
+
+"_Could_ go?"
+
+"Yes. Of course you've no complication in your life that should keep
+you from going. Well, I'm glad of that."
+
+"It seems to me that if anyone is free to go, I am."
+
+He smiled upon me, somewhat too playfully for my comfort, and shook his
+head slowly. "So Fulton and I were right about the year's probation.
+I'm delighted. How soon did you and Lucy find out that absence
+_doesn't_ make the heart grow fonder?"
+
+"Oh," I said, "it isn't _that_. What has that to do with it? There's
+a year to be got over, and fighting's the most agreeable and the
+quickest way I can think of just now."
+
+My father looked disappointed.
+
+"I hoped you had got over caring. And--you haven't?"
+
+For a few moments I met his eyes. But only for a few moments. He
+didn't laugh. "I'm glad," he said simply.
+
+I tried to explain exactly how I felt.
+
+"Of course not seeing her or hearing from her--why--you see--but when I
+do see her it will all come right back. I _know_ that."
+
+He smiled a little grimly. "Normally," he said, "there are years of
+pleasant living before you. But not if you get yourself killed--not if
+you lose an arm or a leg, or come back with half your face shot off,
+and your one remaining ear stone deaf from cannon fire. But anyway I'm
+glad the Fulton business is over. Your love has cooled and, even if
+Lucy's hasn't--there could never be anything between you now?"
+
+He was speaking sarcastically. He went on in the same vein: "The year
+over--even if you found that Lucy was still wrapped up in you, that her
+happiness depended on you, you would not, of course, feel that you were
+under any obligation to _pretend_ that you still cared for her and to
+do a gentleman's best to make her happy."
+
+"I get your point, father," I said; "and of course if she still cares,
+I must try to make good. Of course I must."
+
+"Suppose," he said, no longer sarcastically, but very earnestly,
+"suppose the year is up. Suppose Lucy still cares, and as a reward for
+her faithfulness and her patience there is nothing but your grave
+'somewhere in France'? This is why I asked you if you _could_ go."
+
+"I'll look like a fool," I said. "I've told several people that I was
+surely going."
+
+"That's too bad," he said; "but you'll have to stand it. You have a
+good reputation for physical pluck, though, and nobody will say
+anything very nasty. And as for us," his voice rang a little, "who are
+on the inside, we know that it is braver of you to stay than to go."
+
+"Anyway," I said, "if she--if Lucy--doesn't care any more--why I can go
+then."
+
+"You can go _then_. But it seems to me that a man of education is
+wasted in a trench. That, however, is a matter of taste."
+
+
+
+
+XXXIII
+
+It was not until the early winter that I saw Lucy. It was by accident.
+I sat just behind her at a musical comedy. She was with her husband.
+They looked very prosperous. They seemed to be comradely enough.
+Mostly I saw only the back of her head; once, her full profile; and
+then at last she turned half around in her seat, and saw me. I don't
+know what I did. I think I smiled, half rose to my feet, and lifted my
+hand as if to take off a hat--which of course I didn't have on. She
+nodded, and smiled brightly; but her eyes had that expression of
+praying that I have so often mentioned.
+
+It was long since I had thought of her for more than a few minutes at a
+time. But now my heart began to beat furiously and all my sleeping
+love for her waked in my heart.
+
+And now she was telling her husband _who_ was sitting just behind them.
+
+I went out after the act, intending to stay out. But Fulton followed
+so quickly that he caught me just as I was leaving the theater.
+"Hello, Archie," he said.
+
+"Hello, John. How are you all?"
+
+"Pretty well," he said; "and you?"
+
+"Pretty well. Cartridges still looking up?"
+
+"Yes. We're doubling the capacity of the plant for the second time
+since the war started. Have a drink?"
+
+We walked to the nearest saloon. "We heard that you were going to
+enlist."
+
+"I did think of it, and then I got cold feet."
+
+"Like hell you did!"
+
+"Well, reasons against it were found for me. Reasons which I ought to
+have thought of for myself. Here's how."
+
+"Santé!" said John. A moment later, "Going to Aiken?" he asked.
+
+"Why, it depends."
+
+There was an awkward silence.
+
+"Lucy is very anxious," he then said, "to open our house again this
+winter."
+
+"As a matter of fact," said I glibly, "I've more than half decided on
+Palm Beach."
+
+A bell rang shrilly.
+
+"Time to go back," he said.
+
+"One moment, John. I'm not going back--of course. How is Lucy?"
+
+"Oh, pretty well," he said stiffly; "I think she'll come through all
+right. Had a tough time for a while."
+
+Upon that he hurried off to rejoin her, and I turned my face once more
+to the bar, and gave an order. I felt as if I had been through a
+terrible ordeal. I was all in.
+
+From now on I heard more often of the Fultons, for they were leading a
+conspicuously gay life. Somebody had loaned them a house for six
+weeks, and by all accounts Lucy was making money fly.
+
+I saw her in the distance three times. Twice to bow and exchange
+smiles. The other time she didn't see me. Seeing her meant two or
+three days of torture; then her image and desirability would begin to
+fade once more. But at least no other woman interested me in the least.
+
+Presently they went to Aiken. A few days later I entrained for Palm
+Beach; but found that I could not stand the place or the pace for long
+periods of time, and fell into the habit of commuting with New York.
+It was the war, I think, which made me so restless. It seemed to me
+that the night had not been well slept, nor the most promising day well
+begun until I had read the headlines in the papers. My hot wish to
+fight as a soldier had cooled. More and more I wanted to be of
+service, but in some way which seemed to me more imaginative and
+intelligent. But I could not hit on the way. I must go to Paris, I
+thought, then surely the inspiration of helpfulness would come. But I
+could not very well go to Paris until the year of probation was up. If
+Lucy still cared--well, it would be easy enough for me to care. I knew
+now that her physical presence was sufficient to make me care--at any
+given moment. "Oh," I thought, "I can't lose. Either I'll go to Paris
+and be useful, or I'll begin a new life with the girl I love who loves
+me."
+
+Late in February Harry Colemain joined me at Palm Beach. He had
+wintered at Aiken, and I had all the Aiken news from him. The place
+had never been so full--people who usually went abroad, etc.,
+etc.--some delightful new people, about all the old standbys. It was
+not a sporting winter. Most of the men were feeling too poor for high
+stakes. Would I believe it, the golf course was crowded all day? The
+new hotel? It looked as if it was going to be a success. The clubs
+were having the biggest year in their history. The golf club would be
+able to reset the green with Bermuda grass. Some of the holes had come
+through the summer splendidly. Some were better than they ever had
+been, others were worse, etc., etc.
+
+I asked him about this and about that. At last I said: "How are the
+Fultons?"
+
+"Well, John comes and goes. He seems to have gotten back his health.
+The kids are fine . . . of course they are not what they _were_ as a
+family. That's obvious. But Lucy seems to have come to her senses.
+She was very gay at first. Then she went round looking--well, she
+looked frightened. Lots of people noticed it. It was as if the doctor
+had told her she had lung trouble. She quit riding and dropped out of
+everything--except very quiet little dinners. Then she got very
+interested in her yard, and had experts over from Berckman's and did a
+lot of new planting . . ."
+
+"But why did she look frightened? There wasn't anything the matter,
+was there?"
+
+"Well, you know the trouble she made for John, wouldn't be his wife and
+all that? Well, he seems to have won her round to his way of looking
+at compromise--or she got more or less fond of him again. I don't
+know."
+
+"I don't quite understand what you're driving at."
+
+"You _don't_? Why, she's to have a baby. And everybody who knew there
+had been trouble says, 'Thank God for that.'"
+
+My hands began to tremble so that I had to hide them under the table at
+which we were sitting.
+
+"Bully, isn't it?" said Harry; fortunately he had turned his head to
+look at two very lovely young women who had strolled into the palm
+garden.
+
+"Bully," I said.
+
+"See those two, Archie?" he said in a guarded voice.
+
+"Sure I see them."
+
+"One of 'em's the famous Mrs. Paxton, who----"
+
+"I know."
+
+"Met her last autumn at----" He rose suddenly to his feet, and
+advanced to meet the two women. "Hello, there! Glad to see you."
+
+Mrs. Paxton's cool demure face broke into a delighted smile.
+
+"Why, Harry!" she exclaimed. "Miss Coles, let me introduce Mr.
+Colemain."
+
+A moment later Harry had dragged me forward (literally) and I was being
+introduced. Miss Coles had very beautiful brown eyes, very white
+teeth, and a very deep dimple.
+
+"Why," said Harry, "shouldn't all you good people dine with me?"
+
+"Why not?" exclaimed Mrs. Paxton.
+
+I started to say that I had a pressing engagement, discovered Miss
+Coles' exceedingly beautiful eyes lifted to mine, and saw upon her face
+an expression of the most alluring mockery, and so--"Why not?" said I.
+
+We had a long and a merry dinner. I felt defiant of life, a man
+without responsibilities, who owed nothing and to whom nothing was owed.
+
+After dinner we went strolling in the moonlight. Harry and Mrs. Paxton
+strolled in one direction, Miss Coles and I in another.
+
+Miss Coles looked very beautiful, and she wore an expression of
+childlike proprietorship which was very becoming to her.
+
+"Why are you _Miss_ Coles?" I asked.
+
+"I'm not--really." Her voice was little more than a whisper. "It's
+more fun to be _Miss_ while the divorce is pending. I'm from
+California--nobody knows me here."
+
+"And you're getting a divorce?"
+
+She nodded slowly. And then with a flash of engaging frankness: "No,
+I'm not," she said; "_he_ is."
+
+"Oh!"
+
+We strolled on in silence for a moment, and then as if by agreement
+came to a sudden halt and looked at each other.
+
+Then she laughed softly, her head tilted back, and her round bare
+throat showing very white in the moonlight.
+
+I threw my cigar into a bed of scarlet flowers.
+
+
+
+
+XXXIV
+
+I had passed through one of those stages of mental and spiritual
+depression during which a man does not even ask forgiveness of himself
+for any of his acts. If "Miss" Coles had wished me to marry her I
+would have done so; but the suggestion was never made by either of us.
+We parted, a little gloomily, but not unhappily, and before there was
+even a breath of scandal. It was just after she heard that her husband
+had secured his decree against her. That hard cold fact, that proof of
+things which no woman likes to have proved against her, seemed to sober
+her, you may say, and bring her up with a round turn. From now on she
+was going to be good, she said. No. I mustn't blame myself for
+anything. Everything was her fault. Everything always had been. I
+was ashamed too? She was glad of that. We'd always be good friends.
+Why, yes! From a friend, yes--if he was really as rich as all that.
+It would help her to look around, to get her bearings for the new and
+better life. It had been a frightfully expensive winter. It had been
+sweet of me to keep her rooms so full of flowers. She loved
+flowers. . . . Oh, nobody was hurt much, and nobody but us anyway.
+
+Reform is a great thing. I learned from Harry that the very night I
+left Palm Beach she lost all the money I had "conveyed" to her at
+gambling, and only the other day she ran off with a man I know very
+well indeed--and a married man at that. I hope she won't talk too much
+in the first few weeks of her infatuation.
+
+I reached New York feeling like the cad that I suppose I am. But it
+was pretty bitter hearing about Lucy, and the baby. At least I had
+kept faith longer than she had. I wondered if she once more loved her
+husband. Did I hope so? Yes, of course, in the same way that you
+express conventional horror when you hear of the latest famine in China.
+
+Well, for better for worse, I was a free man again. Free--if it is
+free to be tormented by remorse, to feel cheap, futile, a waster--a
+thing of no account to anyone. If this is freedom it isn't good to be
+free. No man is happy who comes and goes as he pleases. There must be
+responsibilities to shoulder, and ties which bind him. If he lives for
+himself alone and for what, in the first glad bursts of unattachment he
+imagines to be pleasure, a day will come when the acid of self-contempt
+begins to corrode him.
+
+I determined to go to France, via London for I needed clothes, and if I
+had a definite place it was to volunteer as a nurse in the American
+hospital. So I took out a passport, and engaged my passage.
+
+A few days later, while crossing from Madison Avenue to Fifth, I found
+myself suddenly face to face with Hilda. She averted her head and
+tried to pass without being recognized, but I called her name, and she
+stopped short and turned back.
+
+"It's just to ask how you are getting on, Hilda."
+
+"I've just left Mrs. Fulton," she said; "I'm going home."
+
+"Home?"
+
+"England."
+
+"You don't mean it! But why?"
+
+"Oh," she said, "it's all gotten on my nerves--the war. I want to
+help. I've saved enough money to take me over, and to keep me if I
+have to look round a bit."
+
+"I'm going over, too," I said.
+
+"To help?"
+
+"Oh, Hilda, I don't know. I _hope_ so."
+
+"Oh, I hope so, too, Mr. Mannering."
+
+"But, Hilda, I want to talk to you. There may not be another chance.
+Where are you going _now_?"
+
+"I'm staying with friends till I sail."
+
+"Well, tell them you're going for a motor ride with another friend, and
+to dine somewhere along the Sound, will you?"
+
+"Oh, I couldn't, not very well."
+
+"Hilda," I said, "there are so many things I want to know, and only you
+can tell me about Stamford--about last winter--is it true that Mrs.
+Fulton is going----?"
+
+"Yes, she is."
+
+We were silent for a moment. Then she spoke. "Do you still----?"
+
+"No, I don't _think_ so, Hilda."
+
+"Then I'll come--if you want me to, and think I ought. But if any of
+your friends----?"
+
+"Do I have to tell you that you are one of the smartest looking people
+I know, Hilda? They'll think you are the Marchioness of Amber----" I
+glanced at her red hair, which did have amber lights in it, "and
+they'll envy. So do come. Will you?"
+
+I borrowed a fine new racing runabout, and at six o'clock called for
+her at the address she had given me. She had gotten herself up with
+the most discreet good taste, and looked perfectly charming. She must
+have read the approval in my glance, for the color flew to her cheeks,
+and she looked triumphantly pleased.
+
+"Going to be warm enough?"
+
+"Yes, thank you."
+
+"It's mighty nice of you to come."
+
+"Oh, when you held out half an excuse to me, I couldn't help coming."
+
+"What's your idea--for England? To be a nurse--or what?"
+
+"A nurse, sir."
+
+"I'm not _sir_, please. I'm going to be a nurse, too. I told you once
+that I'd always be your friend. And a friend isn't ever sir. So don't
+do it again."
+
+"I'll not," she said.
+
+Presently I began to ask her about the Fultons. At first her answers
+were short and unsatisfactory, but presently she began to warm to the
+topic.
+
+Stamford? Oh, it had been awful. The house had never been divided in
+its allegiance, but nobody could have remained callous to Mrs. Fulton's
+grief. Meals were especially awful. Mr. and Mrs. Fulton tried to make
+conversation. Sometimes just when it seemed as if she was going to be
+a little cheerful--phist! her eyes would fill with tears, and she would
+bolt from the room. At such times Mr. Fulton's face was a study of
+pity for her and grief for them both. She was good to the children; no
+question about that. Sometimes she grabbed them into her arms and
+hugged them too hard. It was as if she was trying by sheer physical
+effort to give them back what she had taken away from them.
+
+Sometimes one thought one heard little Hurry crying very softly and
+bitterly, and it would turn out to be Mrs. Fulton, locked in her
+bedroom. Pressure of business, success, kept Mr. Fulton going.
+Sometimes the two tried to talk things over. But it was an irritating,
+mosquitoey house. Always their voices ended by rising to the point
+where they could be heard all over the ramshackle paper-thin dwelling.
+
+It stood on a lawn that sloped to tidal waters, very ugly and muddy at
+low tide. A long gangway reached to a float for boats; here the water
+was deep enough to dive into at half tide. Often at dawn, if the tide
+was right, and you happened to be awake, you might see Mr. Fulton
+descend the wet lawn in wrapper and bare feet for the swim that seemed
+to make up to him for his sleepless nights. You knew that he was in
+trouble by the way that he took to the water. It's always a little
+shivery at dawn, but he never hesitated. His wrapper was coming off by
+the time he reached the float--it was too far off to mind watching
+him--and into the water he'd go, head first, as quick as he could get
+in. It was almost as if he was afraid he'd die before he got to it.
+He was a fine swimmer, but oftenest he just lay about, sometimes with
+his face under. Then he looked like a drowned man. Sometimes he went
+in earlier than dawn. She had seen phosphorescence off the float in
+the black night, and heard the clean, quiet splash of his dive.
+
+Once he stayed in so long that Mrs. Fulton called to him from her
+window, "_Please_ come in, John, I'm frightened." Oh, yes, she wanted
+to be free from him, perhaps she still does, but not that way. If
+anything had happened to him, if he had taken his life, for instance,
+one imagined that in the first agonies of remorse she would have taken
+hers too.
+
+It must have been terrible for her--at first--never hearing from _you_,
+not knowing where you were, or what you were doing, whether you were
+sick or well. Of course she wanted you to be happy, but with _her_.
+It would have been a comfort to know that you were suffering as much as
+she was. And she couldn't know.
+
+She had a calendar in her room. She kept tab on it of the days as they
+passed, beginning with the first day of the probationary year. She'd
+draw a line through each day--each day when she went to bed, and hoped
+that the day was really over. She had her bad, wicked, black,
+sleepless nights, too. You could always tell by how late she was in
+the morning. She had a child's happy faculty of being able to make up
+for lost sleep. Well, when the day seemed over she drew a line through
+it. One day the chambermaid came below stairs (it was the first we
+knew of it) and propounded a conundrum. "When is a day not a day?" No
+one could guess. So she said, "When Mrs. Fulton doesn't draw a line
+through it." So it seemed that the forty-ninth day of her probation
+had not been a passage of time. Time had stood still. Why? Well, in
+the afternoon Mrs. Fulton had gone as crew with a young gentleman who
+owned a knockabout, and they had got wet to the skin, and had won a leg
+on some pennant or other after a close, well-sailed race. Mrs. Fulton
+had come home about dark, drenched, blooming, buoyant, and chattering
+about the events of the afternoon. She had had her first heart-felt
+good time of the probationary year. For once, time had not dragged.
+Time had stood excitingly, exhilaratingly still. She had forgotten to
+scratch off the day.
+
+Things went better after that. Twice a week, rain or shine, she was
+crew of the young gentleman's knockabout. Often they went for practice
+sails. Sometimes they took Jock and Hurry. In hot weather they wore
+bathing suits. The young gentleman? He was to be a Yale senior, come
+autumn. He rowed on the Yale crew. My! you should have seen his arms
+and legs--so strong and so brown, so becoming to his dark blue bathing
+suit. His hair was so sunburnt that it looked like molasses candy. He
+could stay in the water all day and fetch from the bottom anything that
+was thrown in for him. Sometimes he came to meals. He was very quiet
+and shy. He blushed a good deal. And there was a weight on his mind.
+He had a condition to make up--political economy. He could hold Jock
+and Hurry out at arm's length, one in each hand, but the weight on his
+mind was too much for him. Every time the Fultons mentioned it to him,
+he groaned. He was truly comical when he groaned. Toward autumn he
+began to get gloomy. Summer was over, college would open. No more
+sails; no more Mrs. Fulton. Below stairs one knew that he was in love
+with Mrs. Fulton. How? Well, when one let him out at the front door,
+he always drew in a sigh that he held all the way to the front gate.
+One waited to hear him let it out. It would have blown out a gas jet
+across a good-sized room. There were other ways of telling. And since
+the forty-ninth day that was not a day, no one had heard Mrs. Fulton
+crying.
+
+He came to say good-by. One never knew just what happened. They were
+in the front hall. Suddenly the front door must have opened. Fulton
+must have come in, for suddenly one heard his laugh. It was the
+strangest laugh in the world, full of joy, full of laughter, and full
+of scorn.
+
+He saw the young gentleman to the front gate. He clapped the young
+gentleman on the back, and said (the parlor maid had heard); "Don't
+worry! It's all right! Don't make a mountain out of a mole-hill!" and
+then in a different voice, "Bless you, my son!"
+
+Then he had come back to the house still laughing, and one heard him
+shouting, "Where are you, Lucy? Come here! The game's up now! You
+must see that for yourself! Don't be a goat!"
+
+Did she see for herself? Oh, yes. She hadn't loved the young
+gentleman, not really. She had liked him enough to get over you being
+a life and death matter to her. That was all. She had liked him
+enough to let him kiss her at parting. That must have been what Mr.
+Fulton had caught them at.
+
+"But, Hilda," I interrupted, "why didn't he tell me that it was all
+over, when I saw him in New York--just before Christmas?"
+
+"Well, they couldn't know how you felt, could they? Maybe he wanted
+you to have your full year. Maybe he thought you'd fall down as she
+had, and that she'd hear of it and that it would be a lesson to her.
+How should _I_ know?"
+
+She told me more. The very night of the young gentleman's departure,
+late, a telegram had come to Mr. Fulton. She, Hilda, had gone down to
+the front door, signed for the telegram, and carried it to Mr. Fulton's
+room. He did not answer to her first light knock; nor to a first or
+second loud knock. She pushed the door open. The room was full of
+moonlight. Mr. Fulton's bed was empty. It had not been slept in.
+
+Hilda tiptoed to the end of the corridor, laid the telegram on the
+floor in front of Mrs. Fulton's door, knocked very firmly, and the
+moment she heard someone stirring within, turned upon her heel and fled.
+
+So much for the average strength of those grand passions upon which so
+many marriages are wrecked!
+
+"Are they happy now, Hilda--the way they used to be?"
+
+Oh no, not happy, fairly contented. She would never love him the way
+she used to. Her fantastics [Transcriber's note: fantasies?] had taken
+the beauty plumb out of their lives. But something remained. A loving
+husband, an unloving, but naturally kind, good-natured and affectionate
+wife, trying to do her duty by the two children that were and the one
+that was to be.
+
+"Oh, Mr. Mannering," said Hilda; "you mustn't blame yourself too much.
+If it hadn't been you, it would have been someone else. I didn't think
+so, but now I do. And _he_ might not have been a gentleman."
+
+
+
+
+XXXV
+
+We had dinner on the terrace of the Tamerlane Inn, overlooking the
+Sound.
+
+"But, Hilda," I was arguing, toward coffee, "we might have gone on
+caring forever--if we hadn't been separated. Propinquity feeds love;
+absence starves it."
+
+"Love? Indeed it doesn't. Fancy? Yes."
+
+She looked straight in my eyes.
+
+"Hilda," I said, "you--you don't still--that way--about me?"
+
+"Don't I?" she said slowly. "Why else would I lie awake to hear Mr.
+Fulton go swimming? Why else would I be wanting to go with the Red
+Cross to the front where the bullets are?"
+
+"But you told me in Aiken that you--that you despised me."
+
+"It would be a poor love," she said, "that couldn't live down a little
+contempt that had jealousy for its father and mother."
+
+We continued to look at each other while the waiter brought and served
+the coffee. Then I said: "Hilda, I know one thing. What you've got to
+give ought not to go begging."
+
+Her eyes part-way filled, but she gave her shoulders a valiant little
+shrug. Then, with a sudden strong emotion, and a thrill in her voice:
+"That's for you to say," she said.
+
+"Do you mean that?"
+
+"You had only to ask," she said; "ever."
+
+I was deeply moved, and a conviction that for me there might still be
+something true and fine raced into my mind. And was followed by a
+whole host of gentle and unselfish and pitying thoughts, as to a tree
+at evening flocks of starlings come to roost.
+
+"Hilda," I said, "if there is no power of loving in me, but only of
+fancying, still you have said that fancy feeds on propinquity. I have
+no right to say that I love you; no right to promise that I ever will.
+It's not your sweet pretty face that's moving me now. It's your power
+of loving--your power of loving me--your constancy--your trust--your
+courage in saying that these things shall not go begging--if I say they
+shall not. What I thought another had, what I thought I had, only you
+have. I dare not make promises. I dare not boast. But caring the way
+you care, if you think you can make anything out of me--say so."
+
+She thought for a while, her eyes lowered, her lips parted in a
+peaceful sort of smile. Then she said; "It'll be good to have heard
+all that."
+
+"It'll be better to have tried," I said.
+
+"Not if you don't want me _at all_."
+
+"But I do."
+
+"Well," she said, looking up now, and a valiant ring in her sweet
+English voice: "If I wanted to say no, I couldn't. If I thought I
+ought to say no, I wouldn't. But I don't think I ought to. I think
+when the Lord God put what's in my heart in it, he meant for there to
+be _something_ for me at the end of torment. So I say yes. For I've
+knelt on cold floors and hot floors to pray God that some day I could
+give myself to the man I love."
+
+"And that shall be when you are married to him. . . . Don't look so
+frightened . . . it's got to be like that. Give a man a chance to make
+good. Do you think I'm such a fool as to throw away the love you've
+got for me? . . . We'll try this nursing game together, but not at the
+front, where the bullets are. I want us to live and to have our
+chance, you yours and I mine--taken together. Don't you see that I am
+speaking with every ounce of sincerity there is in me? I _couldn't_
+take such love as yours and not make good. That's in my heart. I
+couldn't, I couldn't. Isn't it in my face, too--isn't it?"
+
+She did not answer at first, only looked in my face, her eyes flooding.
+
+Then she said: "I don't see your face any more--only a kind of glory."
+
+
+We ran slowly back to the city, slowly, and very peacefully. Now and
+again we talked a little, and argued a little.
+
+"But," she said, "it will ruin your life if you marry a servant. So
+please, please don't! What would I do when I knew I'd hurt you?"
+
+"There's no life to ruin, Hilda. What's been is just dust and ashes.
+You and I--we'll live for each other, and we'll try to help where
+help's needed. It will be fine for me to have helped, after all these
+foolish years--when I did only harm, and only half-hearted harm at
+that."
+
+"It would be so different if only--if only----"
+
+"If only I loved you?" I freed one hand from the steering wheel and
+put my arm around her. "But you feel tenderness?"
+
+"I feel tenderness."
+
+I pressed her close to my side.
+
+"Was I ever unkind to you?"
+
+"Never."
+
+"Tenderness and kindness--that's something to go on."
+
+She turned her head and kissed the hand that pressed against her
+shoulder. It was the slightest, gentlest, softest kiss, and a lump
+rose in my throat.
+
+"If the angels could see me now," she said, "and know what was in my
+heart, they'd die of envy."
+
+"And what's in your heart, Hilda?"
+
+"You," she said.
+
+The house where she was staying had an inner and an outer door. In the
+obscurity between these two we stood for a little while at parting, and
+kissed each other.
+
+And as soon thereafter as could be, we were quietly married.
+
+When I began to put down this story about the Fultons, I was still head
+over heels in love with Lucy, and I did not know how it was all going
+to end. And I don't know now. I began to write before Hilda became a
+definite figure in my life, to write in order to pass the time. And so
+I wrote until I realized that I had failed Lucy, and began to hope that
+she had failed me. Even then I expected to live the same old fleeting
+life of a butterfly bachelor to the end. Then I began to think that
+out of the thing I was writing, there was beginning to rise a kind of
+lesson, a preachment. It seemed to me that I was going through an
+experience that others would do well to know about.
+
+Can a man live down the shame of scorching another man's happiness,
+after finding that the cause which drove him to do so, has lost its
+power to impel? I am not ashamed of having loved Lucy; I am ashamed of
+not having loved her enough. Thank God no greater harm was done to
+Fulton than was done. He has his Lucy, what there is left of her, his
+children, and a greater financial success than ever he hoped for. And
+he has had his triumph over me. He must have told her, in some of his
+bad moments, just what kind of a man I was--a waster, a male flirt, a
+man who had the impulse to raise the devil, but lacked the courage, and
+the character. And she knows now, after her short period of
+over-powering love for me and belief in me, that he was right. That is
+his triumph. I think he is too good a gentleman to rub it in.
+
+My father and mother accepted Hilda with the sweetest good grace. She
+was not what they had hoped for; she was not what they had expected or
+feared. To my father it seemed, he was good enough to say so, that I
+had played the man. And he could not, he said, help loving any woman,
+whether she came from the roof of the world or its cellar, who had
+loved his son so faithfully and so long.
+
+And the rings on Hilda's finger, and the pride in her new estate, and
+the pretty clothes that my mother helped her to buy worked a wondrous
+change in her. People couldn't help looking after her, she was so
+pretty, so graceful, and had so much faith and worship in her eyes.
+
+We had put off our date of sailing a little, so that my friends might
+see that I was not ashamed of what I had done, but that I gloried in
+it, and that my parents showed a face of approval to the world. Those
+days of postponement were, I think, the best days of my life. A
+treasure had been given into my guardianship, and it seemed to me that
+I was going to be worthy of the trust.
+
+Then, the very day before we were to sail, I met Lucy face to face in
+the street; and began to tremble a little. She held out both hands;
+she was always so natural and frank.
+
+"So you've done it!" she exclaimed; "I think she's sweet, and so
+good-looking."
+
+Then the smile faded from her lips, and she made the praying eyes at
+me, and I knew that I had only to be with her a moment to love her.
+
+"Of course," she said, "it's all right our meeting and speaking _now_."
+
+"Of course," I said, and they sounded lame words, lamely spoken.
+
+"Do you believe in post-mortems?" she asked.
+
+"No," I said, "but I like them."
+
+"We--Oh, it's lucky we had parents and guardians, isn't it? When did
+you come to the end of your rope?"
+
+I could only shake my head.
+
+"Was it when you--heard about me?"
+
+"I like post-mortems, but I don't approve of them."
+
+So she abandoned the post-mortem.
+
+"Tell me," she said, "why you married her? Was she an old flame?"
+
+"No, Lucy--a new flame."
+
+"I hope you will be very, very happy," she said.
+
+"But you doubt it."
+
+"Why shouldn't I?"
+
+"Why indeed?"
+
+"Listen. It--it wasn't any of it your fault. I tried to make you like
+me, and succeeded, and the harm was done--but now we've settled down to
+a harmless and quiet old age."
+
+Had we? Oh, why had that pansy face and those great praying eyes come
+into my life again? Would it be always so when we met, the heart
+leaping, and the brain swimming, and the body shaken with tenderness
+and desire?
+
+I spoke no word of betrayal, but so standing a little to one side of
+the passing crowds on the sidewalk, looking into that upturned face,
+seeing those eyes so sad and prayerful above the smiling mouth, I
+betrayed my wife for the first time, and Lucy read me like a primer,
+and she knew that I loved her--either _still_ or once more. Of her own
+emotions her face told me nothing.
+
+"I hear," she said, "that you are both to volunteer as nurses. I think
+that is splendid."
+
+"If only I can live so as to help someone, Lucy. I am going to try
+very hard. And I am going to try very hard to be a good husband, for
+my wife has showered me with noble and priceless gifts."
+
+After a moment: "I hope," said Lucy, "you're going on the American
+line. The Germans seem to be torpedoing everything else in sight."
+
+"We're sailing on the _Lusitania_."
+
+"When?"
+
+"Tomorrow."
+
+"They couldn't do anything to her. She's too big. You'll have some
+distinguished company."
+
+"Really! I haven't seen the passenger list."
+
+"Why, there's Justus Miles Forman, and Charles Frohman, and Alfred
+Vanderbilt and I don't know who all. . . . Well," she held out her
+hand suddenly; "I've chores to do, thousands of them, so good luck to
+you, and good-by, if I don't see you again."
+
+
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of We Three, by Gouverneur Morris
+
+*** END OF THIS PROJECT GUTENBERG EBOOK WE THREE ***
+
+***** This file should be named 21883-8.txt or 21883-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/1/8/8/21883/
+
+Produced by Al Haines
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.