summaryrefslogtreecommitdiff
path: root/21874.txt
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 01:46:20 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 01:46:20 -0700
commitf179fd555c38cf8b0629adab438206f6f74a854d (patch)
treef8e15e7c1496bf933fd748d71b597917ff34d5b0 /21874.txt
initial commit of ebook 21874HEADmain
Diffstat (limited to '21874.txt')
-rw-r--r--21874.txt1392
1 files changed, 1392 insertions, 0 deletions
diff --git a/21874.txt b/21874.txt
new file mode 100644
index 0000000..72064ea
--- /dev/null
+++ b/21874.txt
@@ -0,0 +1,1392 @@
+The Project Gutenberg EBook of The Bay and Padie Book, by Furnley Maurice
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Bay and Padie Book
+ Kiddie Songs
+
+Author: Furnley Maurice
+
+Illustrator: Vera Hamilton
+ Cyril Dobbs
+
+Release Date: June 20, 2007 [EBook #21874]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE BAY AND PADIE BOOK ***
+
+
+
+
+Produced by Jason Isbell, Irma Spehar, Christine D. and
+the Online Distributed Proofreading Team at
+https://www.pgdp.net
+
+
+
+
+
+
+
+"Do you like ours 'n' father's new book, Bay?"
+
+"Aw, there's not any picture of the Santa-cart written in it!"
+
+ Oh!
+ What a lot of lots of things
+ For little boys to like!
+
+[Illustration: So Bay doesn't stay in the stars any more]
+
+
+
+
+THE BAY AND PADIE BOOK
+
+
+The Writer wishes to thank the Editor of "The Bulletin," Sydney,
+for permission to reprint "Nonsense Immortal," and the Editor of
+"The Triad," Sydney, for a similar courtesy regarding "Kitchen
+Lullaby" and "Little Boys."
+
+ The
+ BAY AND PADIE
+ BOOK
+
+ KIDDIE SONGS
+
+ By
+ FURNLEY MAURICE
+
+ Illustrations by
+ VERA HAMILTON
+ and
+ CYRIL DOBBS
+
+ Commonwealth of Australia
+ Sydney J. Endacott
+ Melbourne
+ 1917
+
+[Illustration: Signature: Sydney J. Endacott]
+
+First Edition November 1917 Second Edition February 1918
+
+Wholly set up and printed in Australia at the Galleon Press,
+Norris-street, Surrey Hills, Vic., for Sydney J. Endacott, 14
+Cumming-street, Moonee Vale, Vic.
+
+
+
+
+THE SHADOW SHOW
+
+ Trains with wheels and clouds of smoke,
+ Funny crowds of dodging folk,
+ Trams that run along with sparks,
+ Sofa games and pillow larks,
+ Grubs and ponies, worms and tigers,
+ Sparrows on the tree,
+ Oh!
+ What a lot of lots of things
+ For little boys to see!
+
+ Aeroplanes and paper darts,
+ Woodmen driving broken carts,
+ Minahs on the chimney tops,
+ Swallows dodging near the shops,
+ Barking pups that make the postman
+ Fall down off his bike;
+ Oh!
+ What a lot of lots of things
+ For little boys to like!
+
+ Great big pictures in big books,
+ Pastry from the pastrycook's,
+ Circuses and Mentone sand,
+ Musics of the soldier band,
+ Chocolates wrapped in silver paper
+ So they won't get wet;
+ Oh!
+ What a lot of lots of things
+ For little boys to get!
+
+
+
+
+THE SOLDIER BAND
+
+ My mother and my father are both having tea to drink;
+ Inside the pastry shop they saw me last.
+ They don't know where I've got to, for I've runned from where they think;
+ I heard the soldier band go marching past.
+
+ Oh, tiddley--om--ti--pomp they go! Stamp soldier, stamp!
+ A cab-horse jumped into the air and bumped against a lamp.
+ Ta--rah--ra--rah, the trumpets go telling the boys to come,
+ And always and all the time, bang goes the drum.
+
+ Look at their lovely leather legs! The big brass things they blow!
+ I don't care where I walk or who I meet,
+ I'm following the band away to where the musics grow,
+ I'm hitting my boots heavy on the street.
+
+ For I must find the music man that lets them play so loud,
+ And find the funny place where soldiers go
+ To fill their trumpets with the noise they blow among the crowd--
+ It's not a tea and pastry shop I know.
+
+ Oh, I must find the music place, and stamp along the track,
+ And try to let no trams run over me;
+ If I'm a long, long way from home, the band will play me back,
+ That's if I'm good and never spill my tea.
+
+ When I grow up a soldier man, I'll buy a pole to wag,
+ With silver top and tassels red and blue;
+ I'll tell my little brother to be carrying the flag,
+ While I call out and tell him how to do.
+
+ I don't know where my father is, I've left him in a shop,
+ And if I'm lost there's bound to be a noise;
+ If fathers want their children, they should make the policeman stop
+ The music of the bands that steal the boys.
+
+ Oh, tiddley--om--ti--pomp they go! Stamp, soldier, stamp!
+ A captain with a silver sword is marching them to camp.
+ Ta--rah--ra--rah, the trumpets go, telling the boys to come,
+ And always and all the time, bang goes the drum.
+
+
+
+
+INVALID
+
+ Raid, raid, go away,
+ Dote cub back udtil I say,
+ That wote be for beddy a day.
+
+ Ad wot's the good of sudlight, dow?
+ When I ab kept id bed,
+ Ad rubbed ad poultised for to cure
+ The cold that's id be head?
+
+ I've beed out od the kitched lawd,
+ With dothig od be feet,
+ Ad subthig's coffig id be deck
+ Ad all be head's a heat.
+
+ Tell Bay to dot bake such a doise;
+ Dote rud the cart so hard!
+ For tissudt fair, just wud of us
+ To rud arowd the yard.
+
+ Ad wed I try to say a tale,
+ Or sig a little sog,
+ The coffig cubs idtoo be deck
+ Ad tickles dredful strog.
+
+ Ad wed is father cubbig obe?
+ He'd dot be log he said--
+ If this is jist a cold it bust
+ Be awful to be dead!
+
+ Oh what a log, log day it is!
+ Ibe tired of blocks ad books;
+ I've cowted all the ceilig lides,
+ I've thought of sheep ad chooks.
+
+ I've drawd a bad's face with a bo,
+ I've drawed a pipe to sboke;
+ Just wed I thought I was asleep
+ I wedt ad thought I woke!
+
+ Wot's the good of sudlight dow,
+ Ad wot's the good of raid?
+ Ad wot's the good of eddythig
+ Wed all your head's a paid?
+
+ Raid, raid go away,
+ Ad dote cub back udtil I say,
+ Ad that wote be for beddy a day.
+
+
+
+
+WHOM THE GODS LOVE
+
+ He's so chubby and happy and wonderful,
+ Dainty and perfectly made,
+ That when he kicks at the sunbeams there,
+ Out on the grass in his cradle chair,
+ Somehow I feel afraid.
+
+ We ought to hide him away, I think,
+ Real beauty was always a bane,
+ If the gods get to know of his baby wiles,
+ Of his firm round limbs, or his magic smiles,
+ They'll want him back again.
+
+
+
+
+LITTLE BOYS
+
+ The roads go out to Macedon, the roads go out to Rome,
+ Some die in snowy Buffaloes and some turn home;
+ I've done the Alps and Apennines, and Naples to the moon,
+ For fancies cover splendid ground in a Summer afternoon.
+ And then I come to gloryland, and whom do I see there
+ But little Boyo Browneyes and Billy Wirehair?
+
+ Little Imps of Gloryland with great big eyes
+ Follow me with questionings and laughter and surprise;
+ Little cheeky pixie boys whom nothing can suppress,
+ Whose pandects, codes and institutes are bound in mother's "Yes."
+
+ When Uncle comes in Sunday clothes they clamour to be kissed,
+ Black-currants sticking to each face and pancakes in each fist.
+ Four fists that is, all over jam, and four black sticky lips
+ Just come from playing motor-chairs and sailing sofa-ships.
+ And if you wander on the lawn untended in the dark
+ With tricycles and wheelbarrows your shins will lose some bark!
+
+ For what's your talk of tidiness and putting things "right there"
+ To little Boyo Browneyes and Billy Wirehair?
+
+ I'm picking up the channel or I'm trucking up the slope,
+ I'm hauling on the shear-head with a length of yellow rope;
+ No matter where I'm wandering, in dreaming or in fact,
+ Wool-loaded down the blacksoil plains or past the desert tract,
+ About the city clamorous with many brakes and bells,
+ It takes no sweep of wizard wand nor moonlit fairy spells
+ To bring me back to kitchen land, and whom do I see there
+ But little Boyo Browneyes and Billy Wirehair!
+
+
+
+
+PEEP SONG
+
+ Oh, Friday night's the laundry night,
+ Down the street in the dark--
+ And Saturday night's the picture night,
+ When bands play in the park.
+
+ But Sunday morning is the time
+ We do the pillow-peep,
+ To see what things the fairies brought
+ While two boys were asleep.
+
+
+
+
+NATURE STUDY
+
+ A mouse jumped into the watering-can
+ And peeped out of the spout,
+ And said: "If it wasn't for that young man
+ I'm sure I could get out!"
+
+ But Sufi sprang from an unknown spot,
+ And the two boys wondered, afraid,
+ When he carried the mouse to a garden plot
+ And played, and played, and played.
+
+
+
+
+THE SKY IN THE POOL
+
+ Down by the glassy pool
+ Sand and water meet,
+ There's a little wooden stool,
+ Marks of little feet.
+
+ When the broth was in the bowl,
+ Mother called to-day;
+ Mother called and no one came,
+ Someone was away.
+
+ Then there came a little boy,
+ Whose broth was very cool,
+ Stuttering in wonderment,
+ "The sky is in the pool!"
+
+ And mother wept, because the clear
+ Depths of all pool-skies,
+ The soul's wonder, the heart's fear,
+
+
+
+
+NEELY LORST
+
+ There's women and there's men as well and little baby things,
+ And some haves only dresses on and some of 'em haves wings,
+ They nibble dandelions for meat, they drink the bubble frorf,
+ They never spill their cocoa-milk all down the table-clorf,
+ They never cry because it hurts, they always eat their brorf.
+
+ Last night we heard a trumpet in the tea-tree down the street,
+ And Padie left the table that was full of things to eat,
+ He galloped for the music that seemed not so far away,
+ And neely found the fairies where the trumpet used to play!
+
+ Our mother went and catched him and he neely wasn't found,
+ He neely fell into the creek through looking round and round.
+ A naughty sea-shell cutted him, he had a bleedy toe,
+ He lorst one Sunday sandal and he didn't seem to know;
+ He only stood and wondered why all fairies live in moons,
+ And go home in the twilight with their trumpets blowing tunes.
+
+
+
+
+A WHISPER SONG
+
+ When you're coming in the door,
+ Please come gently, very gently!
+ Micky might be on the floor!
+ Fact, he might be anywhere!
+ Near the hallstand, by the stair!
+ Hush! step gently, very gently!
+ When you're coming in the door.
+
+ Tip-toe, tip-toe, hush the noise,
+ There's a wide-eye-whisper tune!
+ Micky's making songs for boys
+ Sleepy after the afternoon.
+
+ Anyone seen Micky here?
+ Him that lives above the ceiling?
+ Sometimes far and sometimes near
+ Boys have heard his little squealing.
+
+ Hush you! Hush! I heard a patter
+ On the 'randah in the wet!
+ Now'n again we've heard him chatter,
+ But we've never seen him yet.
+
+ Tip-toe, tip-toe, through the house,
+ 'Round the pantry, down the hall!
+ P'raps he's only just a mouse,
+ P'raps he's nuffing real at all.
+
+ Hush you! Hush! I think I hear
+ Just a little noise of humming!
+ If you see him waiting near,
+ Please don't whisper him we're coming.
+
+ Someone smashed the photo-lady;
+ Who upset the pot of musk?
+ Was it Micky? Was it Padie
+ Hunting Micky in the dusk?
+
+ In the after afternoons
+ When there comes big, starey moons,
+ Often we've heard Micky playing
+ By the window, fairy tunes;
+ But I don't know what he's saying
+ In the after afternoons.
+
+ Anyone seen Micky, say,
+ On the Coota-wattle perching?
+ He might know and run away
+ If he knows we're searching, searching.
+
+ When he talks to Bay and me,
+ Micky doesn't seem to know
+ It's too far for boys to see
+ If he's in the trellis tree;
+ It's too damp for boys to go
+ Hunting in the grass below.
+
+ On the rafters in the night
+ I've heard little footmarks trot;
+ And I watch the candle light,
+ Wondering if it's him or not.
+
+ Micky's always everywhere;
+ Watches children while they sleeping;
+ 'Round about the attic stair
+ Sometimes mother saw him peeping.
+
+ Micky doesn't like much noise,
+ He's a wide-eye whisper fairy;
+ Very kind to girls and boys,
+ Very shy and most contrary.
+
+ Tip-toe, tip-toe! Hush the noise!
+ There's a wide-eye whisper tune!
+ Micky's telling songs to boys
+ Sleepy after the afternoon.
+
+
+
+
+THE LADY NANCY
+
+ What's the gooder being good?
+ Always every day
+ Somefing comes and compradicks
+ Everyfing I play.
+
+ I was digging in the garden
+ And I digged me toe,
+ Why do I do that for?
+ I don't know!
+
+ Then I goes and chases Sufi,
+ Sufi won't be chased:
+ I falled over the wheelbarrow
+ And hurted all me waist.
+
+ I tooks me little pictures out
+ And laid them in a row,
+ I told the wind to stop away
+ And not come round and blow.
+
+ Up there comes a norful wind
+ And brushed the lot away:
+ Daddie, Gord's been 'noying me
+ All this day.
+
+
+
+
+THE HANGING SWORD
+
+ I used to stride like a warrior
+ All hot for alarms, and game--
+ But I'm not the fellow I was before
+ The little babies came.
+
+ Now, furtive 'mid the city's noise,
+ I pause, I start, I flee!
+ For what would happen to my little boys
+ If a tram ran over me?
+
+
+
+
+NONSENSE IMMORTAL
+
+ From France or Spain or the Himalayas,
+ Out of the hearts of unknown loons,
+ In toothless mouths of old soothsayers,
+ On hairy lips of wandering players
+ Come the lullabies, come the croons.
+
+ Lords have lashed and poets have pondered,
+ Blood has flowed in the runnels deep,
+ Beacons have broken and faiths been squandered;
+ Through dank forests these songs have wandered
+ Quietly crooning our babes to sleep.
+
+ Grandmother melodies, grandmother fancies,
+ Crooned by the Oxus ever endure!
+ Epics of valour and throne romances
+ Have much honour and take big chances,
+ But the clowns who sang for the babes are sure.
+
+ The goblin speaks while in old caves moulder
+ Priest-made destinies and lord-made law,
+ The goblin leered from the monarch's shoulder
+ And, his sight being true and his young heart bolder,
+ 'Twas only the goblin the baby saw!
+
+ So the god's death agonies are baby chatter!
+ A ball on the floor of the nursery room
+ The red earth rolls, for what can matter
+ If old John Spratt licks clean his platter
+ And the brown cows go to the broom?
+
+
+
+
+THE ROAD OF NOW AND THEN
+
+ Tinkle, tinkle go the bells,
+ King and prince and silver knight
+ March through stories grandma tells
+ When the winter fire's alight.
+
+ Down the Road of Stories ride
+ People who have never died;
+ Fairies float and trumpets blow,
+ Pretty soldiers fence and bow,
+ On the Road from Long Ago,
+ Long Ago till Now.
+
+ Johnnie Fawkner sailed a boat,
+ There's its picture in the book;
+ Roses, wreaths and banners float
+ 'Round the head of Captain Cook.
+
+ In the time when knights were bold
+ Ladies rode with bells and chains,
+ Horses rugged in white and gold,
+ Feather-legged with plaited manes.
+
+ Singing, Watch Europa go,
+ Wearing thinner clothes than silk.
+ Riding from the cattle show
+ On her bull as white as milk.
+
+ Sturt he led a caravan,
+ Kelly made the bankers jump;
+ Leichardt was a camel-man
+ Riding on a camel-hump.
+
+ Down the Road of Stories march
+ Gentle-folk and bullock-men,
+ Cracking whips and wearing starch
+
+ Down the Road of Stories go
+ All the people that we know.
+ Oh! what wonders grandmas show,
+ Spectacles on brow,
+ 'Bout the Road from Long Ago,
+ Long Ago, Long Ago,
+ 'Bout the Road from Long Ago,
+ Long Ago till Now.
+
+
+
+
+SLEEP SONG
+
+ Half-past bunny-time,
+ 'Possums by the moon;
+ Tea and bread-and-honey time,
+ Sleep-time soon.
+
+ Things that poets pant to see,
+ The beautiful, the true,
+ Are nothing to the phantasy
+ The closed eyes view.
+
+
+
+
+KITCHEN LULLABY
+
+ Steady in the kitchen, steady in the hall,
+ Don't let the dipper or the gruel pot fall!
+ The ole blind's flapping
+ And the little dog's snapping
+ At the butcher and the baker and the woodman when they call.
+
+ Ssh! ssh! ssh! for the little boy peeping,
+ Ssh! ssh! ssh! did the milky make him start?
+ Little boy sleeping, sleeping, sleeping,
+ Little boy sleeping at his mother's heart.
+
+ What a lot of noises, carts and buzzing flies!
+ Keep his little hands down, shut his little eyes;
+ For the boys are larking
+ And the dogs are barking
+ And he can't go to bye-low though he tries and tries.
+
+ Ssh! ssh! ssh! for the little boy blinking,
+ Blinking at the fairies who are wanting him to go;
+ Little boy thinking, thinking, thinking,
+ Little boy thinking if he will or no.
+
+ Rubs his little eye for to push the sleep away;
+ Better on the lawn is it? Watching spriggies play?
+ Minahs and starlings,
+ But no such darlings
+ As the little boy that's never been to sleep this day.
+
+ Ssh! ssh! ssh! for the big eyes gleaming,
+ Dee, dee, softly his mother sings;
+ Little boy dreaming, dreaming, dreaming,
+ Fluttering to bye-low on bull-fly wings.
+
+
+
+
+BARTER
+
+ Kiddies must have little shoes
+ Softly buckled round their toes,
+ Rompers wrought in butcher blues,
+ That's the way the money goes.
+
+ In the Summer silky cool
+ Fabrics foaming in the breeze;
+ In the Winter muffling wool--
+ We must buy our kiddies these.
+
+ Woolly gaiters, tasselled hoods,
+ Mantles soft that flow and fall,
+ All the very best of foods,
+ All the very best of all.
+
+ Babies must have songs for sleep,
+ Anxious watchings night and day,
+ Kisses if they laugh or weep,
+ So the ripe hours rush away.
+
+ And for this we pay (it seems
+ We may not serve visions, too)
+ With our high neglected dreams,
+ With great things we meant to do.
+
+
+
+
+FATHER SONG
+
+ They mean such a wonderful lot to me,
+ It's quite absurd how my soul is smitten
+ With Padie, who's four, and Bay, who's three,
+ And Sufi, a Persian kitten!
+
+ So mother must worry, and father must fuss,
+ But I'll fake these songs to a sadder version
+ When manhood steals the boys from us,
+ And the Bottle-o pinches the Persian!
+
+
+
+
+SUNDAY DINNER
+
+ The butcher comed and he bringed no meat,
+ But he crawled in the poultry pen,
+ And he putted his hand among they feet,
+ And catched the father hen.
+
+ He catched it as hard as anything,
+ But it didn't once crowed at all,
+ And he tied its feet with a bundle of string
+ And hanged it up on the wall.
+
+ And now and again its wings went flap,
+ But that didn't frighten me!
+ I runned for my little brother chap
+ To come outside and see.
+
+ The father hen's not crowing now,
+ The ittooest ittoo bit;
+ We're going to tell our father how
+ The butcher's hurted it!
+
+ Our father has mended the bathroom door
+ And the leg of the rocking chair:
+ He mended the fence long time before,
+ And he bought my horse some hair.
+
+ He made the bikes so they wouldn't squeal,
+ And he made the bunny to talk;
+ He hammered some tacks in the engine wheel
+ When the engine couldn't walk.
+
+ And he cured the teddy when it was dead,
+ And he mended the barrow for me--
+ So father will mend the rooster's head
+ Before he haves his tea.
+
+
+
+
+THE CONCERT IN THE GARDEN
+
+ The wheelbarrow wept to the willows
+ And Padie called out for a hymn:
+ He dabbled his boots on the pillows
+ And the minister looked quite grim.
+
+ While the Emu turned the pages
+ The Wallaby sang with zest,
+ Of the error in uncle's wages
+ While the chairs all turned to the West.
+
+ The Baker paused with a frigid stare
+ And his heels apart, of course;
+ And the shell-back sprang from his sunny lair
+ With his hand upon his horse.
+
+ The rooster's grandma nursed the cat,
+ Which uttered nor purr nor sound,
+ While the Platypus followed the Minister's hat
+ Around and round and round.
+
+
+
+
+WHISPER!!!
+
+ Sit up in your beds and hark!
+ Something said "meow" in the dark!
+ Was it a gentleman saying some prayers?
+ Was it a mousie trapped under the stairs?
+ Was it a manager stealing some shares
+ Or a newspaper having a lark?
+ Sit up in your beds and hark!
+ Something said "meow" in the dark!
+ Would you your treasures securely keep,
+ Never turn lamps out and never go sleep.
+
+
+
+
+THE COMING OF BAY
+
+ Bay doesn't stay in the stars any more;
+ He didn't much cry nor care
+ When God pushed him out of a big star door
+ Into the everywhere.
+
+ I ringed him up on the telephome
+ And down he flied to me!
+ Didn't you know how Bay came home?
+ I got the push-cart, see?
+ And wheeled him in the front-yard door
+ Just one way and another,
+ I didn't make mud-marks on the floor,
+ Or scratch the paint on the front-way door,
+ 'Cos I am a careful brother;
+ I putted him into the new white cot,
+ I covered him up till he grew quite hot,
+ And then called mother to see;
+ So Bay doesn't stay in the stars any more
+ But only with mother and me.
+
+
+
+
+BABY SONG
+
+ The grandmas talked with worried eyes
+ And said it was a shame--
+ Nobody wanted Littley then
+ Before our Littley came.
+
+ Boyo's nose will be out of joint,
+ He's a toddling baby yet,
+ And now there's another one coming along,
+ Poor little pet!
+
+ But Littley rode through the storm of doubt
+ And the cloud of the troubled brow;
+ Nobody wanted Littley then--
+ But you should hear them now!
+
+
+
+
+SOUL DISCIPLINE
+
+ They say I'm a bad-tempered man,
+ And yet I never swear
+ When flop into my porridge
+ Comes a woolly Teddy Bear!
+
+ They say I'm an impatient man,
+ And yet I never shoot
+ When, after breakfasting, I find
+ Damp toffy in my boot!
+
+ And when my wife and my two sons
+ Are dutifully kissed,
+ I don't go crook if I'm called back
+ When Sufi has been missed!
+
+ I'm always on the scowl and quick
+ To censure or condemn;
+ But, somehow things seem different
+ With little boys like them.
+
+
+
+
+WEEP SONG
+
+ Strike, strike, strike again,
+ Bump them on the head;
+ Every minute somebody,
+ Falls down dead.
+
+ Algernons and Berts
+ Washing out their shirts,
+ Babies in the bed
+ Crying for some bread.
+ Gentlemen with brains,
+ Looking for their trains.
+
+ Strike, strike, strike again,
+ Always on the head;
+ Every minute somebody
+ Drops down dead.
+
+
+
+
+MASTER IN EQUITY
+
+ Did I hear the two boys say,
+ "Two boys have been good to-day?"
+ Santa's schooner's lost a sail,
+ Someone tored it with a nail,
+ What's that mark on Sufi's tail?
+ I dunno, da you?
+ Did boys eat they trifle slow
+ When they mother told them to?
+ I dunno, I dunno,
+ I dunno, da you?
+
+ Who's been cutting Sufi's hair?
+ There's a broken dish I see;
+ Padie, don't be hiding there,
+ Bring my slippers out to me.
+ Both boys have been good they say,
+ Only cried an ittoo bit;
+ Anyone been fighting Bay,
+ Two new scars since yesterday?
+ That was just a weeny hit,
+ 'Cos he'd always want to sit
+ On the picture of the train
+ Just when I was reading it.
+ Two boys have been good again.
+ Two boys didn't do some more
+ What they were said not to do,
+ Two boys have been good it's true!
+ On the lawn's a splendid show,
+ Twenteen firewoods in a row!
+ Where does this hand-mirror go?
+ I dunno, I dunno!
+ Wheelmarks on the front-room floor,
+ Sunday cake forks spread out too!
+ Mudprints on the kitchen door--
+
+ Wonder how they got there for?
+ I dunno, I dunno,
+ I dunno, da you?
+
+ Did I hear the two boys say,
+ "Two boys have been good to-day?"
+ Why is mother worried so?
+ All these good things can't be true.
+ Have the boys been good who show
+ Scratches red and bruises blue?
+ I dunno, I dunno,
+ I dunno, da you?
+
+
+
+
+EVENTIDE
+
+ Come and have your bath, boys,
+ Two boys together,
+ Rolling on the lawn all day
+ In the dusty weather.
+ Padie, jump into the water,
+ Soak the brown legs white;
+ Come and have your bath, boys,
+ No heads to-night!
+
+ Boats to sail and feets to scrub
+ Feets and faces too;
+ Sliding 'round the 'namel tub
+ Frowing soap at you;
+ Drop your scooter quick, Bay,
+ Everything's all right,
+ Didn't you hear mother say
+ No heads to-night?
+
+
+
+
+THE ORDER OF THE BED
+
+ Say about the Three Pigs,
+ And what the soldier said,
+ Wynken song and Tom, Tom,
+ And piggy-back to bed.
+
+ Little boys are sleepy, sleepy,
+ Never mind they prayers,
+ Let them wait for mother here,
+ Father's knees for chairs.
+ Sufi, singing like a kettle,
+ Or a nightingale,
+ Puts his nose against our toes
+ And smoothes them with his tail.
+
+ Here comes mother with the blankets
+ Bundled on her chest,
+ Holding them and folding them
+ For two boys' nest.
+ Boys washed and pillows patted,
+ Everything's all right,
+ Picture books to cuddoo up,
+ And please leave the light.
+
+ Hey Dee and Hey Ho!
+ And little Bo-Peep,
+ One story, two songs,
+ To make the boys asleep.
+ Say about Red Riding Hood
+ And what the Bunyip said,
+ Wynken song and Tom, Tom,
+ And piggy-back to bed.
+
+
+
+
+"IDEAS"
+
+ Please can I have a light, mother?
+ I never know what to do
+ When the Three Bears ride on the White Bell-horse,
+ And the Mermaid gallops to Banbury Cross,
+ And the Cheshire Cat says "Moo!"
+
+ Gnomes come round with prickly wings
+ And squeeze in under the clo's,
+ The dark gets full of story things,
+ The window-moon says "Fee, fo, fum!"
+ And the Pigs that went to market come
+ And nibble at my toes!
+
+ Two big eyes walk round the room,
+ Fierce Pirate Ships go by;
+ And Sleeping Beauty straddles a broom
+ And falls all down the sky;
+ The Man in the Moon waits underneath
+ And gobbles her up with great big teeth,
+ And that's what makes me cry!
+
+ The things you tell in the afternoon
+ Get mixed and won't come right;
+ "Fee-fo-fum!" says the Window-Moon--
+ It's the little candle they fear, mother,
+ Will you leave the candle here, mother?
+ Please can I have a light?
+
+
+
+
+MOTHERHOOD
+
+ It would appear that no great pleasures can be
+ Without their merit of trial and urgency:
+ For I do know a lady whose rare joys
+ Wake when she has tucked in two little boys.
+
+
+
+
+GOOD-NIGHT
+
+ Two brown heads on the pillows white....
+ Bye ... good-bye ... that's all to-night.
+
+ Two bikes 'round in the picnic place ...
+ Old horse tied to the apple-case.
+
+ Gentle Jesus ... send the boys,
+ Bats and balls for they winter toys.
+
+ Sufi's naughty ... not 'lowed out....
+ Pigeon feathers blowing about.
+
+ Two bikes 'round in the ... two bikes 'round....
+ Feathers blowing ... the scooter's found.
+
+ God bless Jesus ... Bay's asleep ...
+ Where's my pillow-book? ... Soul to keep.
+
+ Two bikes ... two ... are the stars alight?
+ Bye ... good-bye ... that's all ... t'night.
+
+ Two brown heads on the pillows deep,
+ Two boys mumble theyselfs to sleep.
+
+
+ Transcriber's note
+
+ The original pages each have a verse of "A Whisper Song" appearing
+ as a sidenote. Since this also appears on its own as a poem I removed
+ the sidenoted verses from the text version to make it less disjointed.
+ The sidenoted verses were, however, retained for the html.
+
+
+
+
+
+End of Project Gutenberg's The Bay and Padie Book, by Furnley Maurice
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE BAY AND PADIE BOOK ***
+
+***** This file should be named 21874.txt or 21874.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/1/8/7/21874/
+
+Produced by Jason Isbell, Irma Spehar, Christine D. and
+the Online Distributed Proofreading Team at
+https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.