diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:46:18 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:46:18 -0700 |
| commit | ec8eee24de1b95df778280c0a7aef0a0f47aeb51 (patch) | |
| tree | 721c61dd698f742a2551aa2da98e3dc59053d5b7 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 21864-8.txt | 15008 | ||||
| -rw-r--r-- | 21864-8.zip | bin | 0 -> 286440 bytes | |||
| -rw-r--r-- | 21864-h.zip | bin | 0 -> 6301835 bytes | |||
| -rw-r--r-- | 21864-h/21864-h.htm | 15958 | ||||
| -rw-r--r-- | 21864-h/images/cap-a.png | bin | 0 -> 946 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-c.png | bin | 0 -> 925 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-e.png | bin | 0 -> 920 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-f.png | bin | 0 -> 939 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-h.png | bin | 0 -> 762 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-i.png | bin | 0 -> 915 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-l.png | bin | 0 -> 921 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-m.png | bin | 0 -> 962 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-n.png | bin | 0 -> 973 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-o.png | bin | 0 -> 982 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-r.png | bin | 0 -> 978 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-t.png | bin | 0 -> 870 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-w.png | bin | 0 -> 957 bytes | |||
| -rw-r--r-- | 21864-h/images/cap-y.png | bin | 0 -> 879 bytes | |||
| -rw-r--r-- | 21864-h/images/image01-full.jpg | bin | 0 -> 156790 bytes | |||
| -rw-r--r-- | 21864-h/images/image01.jpg | bin | 0 -> 107294 bytes | |||
| -rw-r--r-- | 21864-h/images/image02-full.jpg | bin | 0 -> 101209 bytes | |||
| -rw-r--r-- | 21864-h/images/image02.jpg | bin | 0 -> 46605 bytes | |||
| -rw-r--r-- | 21864-h/images/image03.png | bin | 0 -> 18282 bytes | |||
| -rw-r--r-- | 21864-h/images/image04.png | bin | 0 -> 17239 bytes | |||
| -rw-r--r-- | 21864-h/images/image05-full.png | bin | 0 -> 60001 bytes | |||
| -rw-r--r-- | 21864-h/images/image05.png | bin | 0 -> 16065 bytes | |||
| -rw-r--r-- | 21864-h/images/image06-full.png | bin | 0 -> 121721 bytes | |||
| -rw-r--r-- | 21864-h/images/image06.png | bin | 0 -> 29567 bytes | |||
| -rw-r--r-- | 21864-h/images/image07-full.png | bin | 0 -> 42966 bytes | |||
| -rw-r--r-- | 21864-h/images/image07.png | bin | 0 -> 13331 bytes | |||
| -rw-r--r-- | 21864-h/images/image08.png | bin | 0 -> 2586 bytes | |||
| -rw-r--r-- | 21864-h/images/image09-full.png | bin | 0 -> 89100 bytes | |||
| -rw-r--r-- | 21864-h/images/image09.png | bin | 0 -> 23407 bytes | |||
| -rw-r--r-- | 21864-h/images/image10-full.jpg | bin | 0 -> 95403 bytes | |||
| -rw-r--r-- | 21864-h/images/image10.jpg | bin | 0 -> 32937 bytes | |||
| -rw-r--r-- | 21864-h/images/image11-full.jpg | bin | 0 -> 100851 bytes | |||
| -rw-r--r-- | 21864-h/images/image11.jpg | bin | 0 -> 65452 bytes | |||
| -rw-r--r-- | 21864-h/images/image12-full.png | bin | 0 -> 71420 bytes | |||
| -rw-r--r-- | 21864-h/images/image12.png | bin | 0 -> 18675 bytes | |||
| -rw-r--r-- | 21864-h/images/image13-full.png | bin | 0 -> 50735 bytes | |||
| -rw-r--r-- | 21864-h/images/image13.png | bin | 0 -> 14566 bytes | |||
| -rw-r--r-- | 21864-h/images/image14-full.png | bin | 0 -> 35828 bytes | |||
| -rw-r--r-- | 21864-h/images/image14.png | bin | 0 -> 9027 bytes | |||
| -rw-r--r-- | 21864-h/images/image15-full.png | bin | 0 -> 58480 bytes | |||
| -rw-r--r-- | 21864-h/images/image15.png | bin | 0 -> 16035 bytes | |||
| -rw-r--r-- | 21864-h/images/image16-full.png | bin | 0 -> 110311 bytes | |||
| -rw-r--r-- | 21864-h/images/image16.png | bin | 0 -> 28151 bytes | |||
| -rw-r--r-- | 21864-h/images/image17-full.png | bin | 0 -> 13132 bytes | |||
| -rw-r--r-- | 21864-h/images/image17.png | bin | 0 -> 3796 bytes | |||
| -rw-r--r-- | 21864-h/images/image18-full.png | bin | 0 -> 62600 bytes | |||
| -rw-r--r-- | 21864-h/images/image18.png | bin | 0 -> 16029 bytes | |||
| -rw-r--r-- | 21864-h/images/image19-full.png | bin | 0 -> 71620 bytes | |||
| -rw-r--r-- | 21864-h/images/image19.png | bin | 0 -> 17464 bytes | |||
| -rw-r--r-- | 21864-h/images/image20-full.png | bin | 0 -> 58962 bytes | |||
| -rw-r--r-- | 21864-h/images/image20.png | bin | 0 -> 16729 bytes | |||
| -rw-r--r-- | 21864-h/images/image21-full.png | bin | 0 -> 57406 bytes | |||
| -rw-r--r-- | 21864-h/images/image21.png | bin | 0 -> 15854 bytes | |||
| -rw-r--r-- | 21864-h/images/image22-full.png | bin | 0 -> 99211 bytes | |||
| -rw-r--r-- | 21864-h/images/image22.png | bin | 0 -> 26689 bytes | |||
| -rw-r--r-- | 21864-h/images/image23-full.png | bin | 0 -> 70656 bytes | |||
| -rw-r--r-- | 21864-h/images/image23.png | bin | 0 -> 18254 bytes | |||
| -rw-r--r-- | 21864-h/images/image24-full.png | bin | 0 -> 25115 bytes | |||
| -rw-r--r-- | 21864-h/images/image24.png | bin | 0 -> 6354 bytes | |||
| -rw-r--r-- | 21864-h/images/image25-full.png | bin | 0 -> 102966 bytes | |||
| -rw-r--r-- | 21864-h/images/image25.png | bin | 0 -> 26156 bytes | |||
| -rw-r--r-- | 21864-h/images/image26-full.png | bin | 0 -> 29178 bytes | |||
| -rw-r--r-- | 21864-h/images/image26.png | bin | 0 -> 7260 bytes | |||
| -rw-r--r-- | 21864-h/images/image27-full.jpg | bin | 0 -> 95218 bytes | |||
| -rw-r--r-- | 21864-h/images/image27.jpg | bin | 0 -> 54099 bytes | |||
| -rw-r--r-- | 21864-h/images/image28-full.png | bin | 0 -> 52306 bytes | |||
| -rw-r--r-- | 21864-h/images/image28.png | bin | 0 -> 13831 bytes | |||
| -rw-r--r-- | 21864-h/images/image29-full.png | bin | 0 -> 73632 bytes | |||
| -rw-r--r-- | 21864-h/images/image29.png | bin | 0 -> 20342 bytes | |||
| -rw-r--r-- | 21864-h/images/image30-full.png | bin | 0 -> 87635 bytes | |||
| -rw-r--r-- | 21864-h/images/image30.png | bin | 0 -> 23408 bytes | |||
| -rw-r--r-- | 21864-h/images/image31-full.jpg | bin | 0 -> 98956 bytes | |||
| -rw-r--r-- | 21864-h/images/image31.jpg | bin | 0 -> 40224 bytes | |||
| -rw-r--r-- | 21864-h/images/image32-full.jpg | bin | 0 -> 95733 bytes | |||
| -rw-r--r-- | 21864-h/images/image32.jpg | bin | 0 -> 52910 bytes | |||
| -rw-r--r-- | 21864-h/images/image33-full.png | bin | 0 -> 91761 bytes | |||
| -rw-r--r-- | 21864-h/images/image33.png | bin | 0 -> 21888 bytes | |||
| -rw-r--r-- | 21864-h/images/image34-full.png | bin | 0 -> 73017 bytes | |||
| -rw-r--r-- | 21864-h/images/image34.png | bin | 0 -> 18484 bytes | |||
| -rw-r--r-- | 21864-h/images/image35.png | bin | 0 -> 872 bytes | |||
| -rw-r--r-- | 21864-h/images/image36-full.jpg | bin | 0 -> 101734 bytes | |||
| -rw-r--r-- | 21864-h/images/image36.jpg | bin | 0 -> 55973 bytes | |||
| -rw-r--r-- | 21864-h/images/image37-full.png | bin | 0 -> 100829 bytes | |||
| -rw-r--r-- | 21864-h/images/image37.png | bin | 0 -> 23475 bytes | |||
| -rw-r--r-- | 21864-h/images/image38-full.png | bin | 0 -> 91932 bytes | |||
| -rw-r--r-- | 21864-h/images/image38.png | bin | 0 -> 22181 bytes | |||
| -rw-r--r-- | 21864-h/images/image39-full.png | bin | 0 -> 64054 bytes | |||
| -rw-r--r-- | 21864-h/images/image39.png | bin | 0 -> 16333 bytes | |||
| -rw-r--r-- | 21864-h/images/image40-full.png | bin | 0 -> 64944 bytes | |||
| -rw-r--r-- | 21864-h/images/image40.png | bin | 0 -> 17049 bytes | |||
| -rw-r--r-- | 21864-h/images/image41-full.png | bin | 0 -> 99559 bytes | |||
| -rw-r--r-- | 21864-h/images/image41.png | bin | 0 -> 24564 bytes | |||
| -rw-r--r-- | 21864-h/images/image42-full.jpg | bin | 0 -> 104149 bytes | |||
| -rw-r--r-- | 21864-h/images/image42.jpg | bin | 0 -> 61960 bytes | |||
| -rw-r--r-- | 21864-h/images/image43-full.png | bin | 0 -> 76710 bytes | |||
| -rw-r--r-- | 21864-h/images/image43.png | bin | 0 -> 18640 bytes | |||
| -rw-r--r-- | 21864-h/images/image44-full.png | bin | 0 -> 76416 bytes | |||
| -rw-r--r-- | 21864-h/images/image44.png | bin | 0 -> 18887 bytes | |||
| -rw-r--r-- | 21864-h/images/image45-full.png | bin | 0 -> 63947 bytes | |||
| -rw-r--r-- | 21864-h/images/image45.png | bin | 0 -> 16508 bytes | |||
| -rw-r--r-- | 21864-h/images/image46-full.png | bin | 0 -> 73409 bytes | |||
| -rw-r--r-- | 21864-h/images/image46.png | bin | 0 -> 17563 bytes | |||
| -rw-r--r-- | 21864-h/images/image47-full.png | bin | 0 -> 70241 bytes | |||
| -rw-r--r-- | 21864-h/images/image47.png | bin | 0 -> 17024 bytes | |||
| -rw-r--r-- | 21864-h/images/image48-full.png | bin | 0 -> 17116 bytes | |||
| -rw-r--r-- | 21864-h/images/image48.png | bin | 0 -> 4754 bytes | |||
| -rw-r--r-- | 21864-h/images/image49-full.png | bin | 0 -> 60055 bytes | |||
| -rw-r--r-- | 21864-h/images/image49.png | bin | 0 -> 15754 bytes | |||
| -rw-r--r-- | 21864-h/images/image50-full.png | bin | 0 -> 78187 bytes | |||
| -rw-r--r-- | 21864-h/images/image50.png | bin | 0 -> 19735 bytes | |||
| -rw-r--r-- | 21864-h/images/image51-full.png | bin | 0 -> 95245 bytes | |||
| -rw-r--r-- | 21864-h/images/image51.png | bin | 0 -> 27917 bytes | |||
| -rw-r--r-- | 21864-h/images/image52-full.png | bin | 0 -> 98564 bytes | |||
| -rw-r--r-- | 21864-h/images/image52.png | bin | 0 -> 25336 bytes | |||
| -rw-r--r-- | 21864-h/images/image53-full.png | bin | 0 -> 12956 bytes | |||
| -rw-r--r-- | 21864-h/images/image53.png | bin | 0 -> 4190 bytes | |||
| -rw-r--r-- | 21864-h/images/image54-full.png | bin | 0 -> 101836 bytes | |||
| -rw-r--r-- | 21864-h/images/image54.png | bin | 0 -> 27884 bytes | |||
| -rw-r--r-- | 21864-h/images/image55-full.png | bin | 0 -> 74481 bytes | |||
| -rw-r--r-- | 21864-h/images/image55.png | bin | 0 -> 21996 bytes | |||
| -rw-r--r-- | 21864-h/images/image56-full.png | bin | 0 -> 78627 bytes | |||
| -rw-r--r-- | 21864-h/images/image56.png | bin | 0 -> 19772 bytes | |||
| -rw-r--r-- | 21864-h/images/image57-full.png | bin | 0 -> 100308 bytes | |||
| -rw-r--r-- | 21864-h/images/image57.png | bin | 0 -> 26411 bytes | |||
| -rw-r--r-- | 21864-h/images/image58-full.png | bin | 0 -> 51790 bytes | |||
| -rw-r--r-- | 21864-h/images/image58.png | bin | 0 -> 14970 bytes | |||
| -rw-r--r-- | 21864-h/images/image59-full.png | bin | 0 -> 109389 bytes | |||
| -rw-r--r-- | 21864-h/images/image59.png | bin | 0 -> 31713 bytes | |||
| -rw-r--r-- | 21864-h/images/image60-full.png | bin | 0 -> 59021 bytes | |||
| -rw-r--r-- | 21864-h/images/image60.png | bin | 0 -> 17467 bytes | |||
| -rw-r--r-- | 21864-h/images/image61-full.png | bin | 0 -> 94075 bytes | |||
| -rw-r--r-- | 21864-h/images/image61.png | bin | 0 -> 27312 bytes | |||
| -rw-r--r-- | 21864-h/images/image62-full.png | bin | 0 -> 9017 bytes | |||
| -rw-r--r-- | 21864-h/images/image62.png | bin | 0 -> 2895 bytes | |||
| -rw-r--r-- | 21864-h/images/image63-full.png | bin | 0 -> 68381 bytes | |||
| -rw-r--r-- | 21864-h/images/image63.png | bin | 0 -> 16385 bytes | |||
| -rw-r--r-- | 21864-h/images/image64-full.png | bin | 0 -> 52134 bytes | |||
| -rw-r--r-- | 21864-h/images/image64.png | bin | 0 -> 12289 bytes | |||
| -rw-r--r-- | 21864.txt | 15008 | ||||
| -rw-r--r-- | 21864.zip | bin | 0 -> 286352 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
147 files changed, 45990 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/21864-8.txt b/21864-8.txt new file mode 100644 index 0000000..c92793b --- /dev/null +++ b/21864-8.txt @@ -0,0 +1,15008 @@ +The Project Gutenberg EBook of Journeys Through Bookland, Vol. 6, by +Charles H. Sylvester + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Journeys Through Bookland, Vol. 6 + +Author: Charles H. Sylvester + +Release Date: June 19, 2007 [EBook #21864] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK JOURNEYS THROUGH BOOKLAND, VOL. 6 *** + + + + +Produced by Juliet Sutherland, Julia Miller, and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + +Transcriber's Note + +Obvious typographical errors have been corrected. A list of changes is +found at the end of the book. Inconsistent spelling and hyphenation +have been maintained. A list of those words is found at the end of the +book. Oe ligatures have been expanded. The original book used both +numerical and symbolic footnote markers. This version follows the +original usage. + + + + +[Illustration: THE TOURNAMENT] + + + + + Journeys + Through Bookland + + A NEW AND ORIGINAL + PLAN FOR READING APPLIED TO THE + WORLD'S BEST LITERATURE + FOR CHILDREN + + _BY_ + CHARLES H. SYLVESTER + _Author of English and American Literature_ + + VOLUME SIX + _New Edition_ + + [Illustration] + + Chicago + BELLOWS-REEVE COMPANY + PUBLISHERS + + + + + Copyright, 1922 + BELLOWS-REEVE COMPANY + + + + +CONTENTS + + PAGE + HORATIUS _Lord Macaulay_ 1 + LORD ULLIN'S DAUGHTER _Thomas Campbell_ 23 + SIR WALTER SCOTT _Grace E. Sellon_ 26 + THE TOURNAMENT _Sir Walter Scott_ 38 + THE RAINBOW _Thomas Campbell_ 91 + THE LION AND THE MISSIONARY _David Livingstone_ 93 + THE MOSS ROSE _Translated from Krummacher_ 98 + FOUR DUCKS ON A POND _William Allingham_ 98 + RAB AND HIS FRIENDS _John Brown, M.D._ 99 + ANNIE LAURIE _William Douglas_ 119 + THE BLIND LASSIE _T. C. Latto_ 120 + BOYHOOD _Washington Allston_ 122 + SWEET AND LOW _Alfred Tennyson_ 122 + CHILDHOOD _Donald G. Mitchell_ 124 + THE BUGLE SONG _Alfred Tennyson_ 133 + THE IMITATION OF CHRIST _Thomas à Kempis_ 134 + THE DESTRUCTION OF SENNACHERIB _Lord Byron_ 141 + RUTH 143 + THE VISION OF BELSHAZZAR _Lord Byron_ 153 + SOHRAB AND RUSTEM 157 + SOHRAB AND RUSTUM _Matthew Arnold_ 173 + THE POET AND THE PEASANT _Emile Souvestre_ 206 + JOHN HOWARD PAYNE AND _Home, Sweet Home_ 221 + AULD LANG SYNE _Robert Burns_ 228 + HOME THEY BROUGHT HER WARRIOR DEAD _Alfred Tennyson_ 231 + CHARLES DICKENS 232 + A CHRISTMAS CAROL _Charles Dickens_ 244 + CHRISTMAS IN OLD TIME _Sir Walter Scott_ 356 + ELEGY WRITTEN IN A COUNTRY CHURCHYARD _Thomas Gray_ 360 + THE SHIPWRECK _Robert Louis Stevenson_ 371 + ELEPHANT HUNTING _Roualeyn Gordon Cumming_ 385 + SOME CLEVER MONKEYS _Thomas Belt_ 402 + POOR RICHARD'S ALMANAC _Benjamin Franklin_ 407 + GEORGE ROGERS CLARK 422 + THE CAPTURE OF VINCENNES _George Rogers Clark_ 428 + THREE SUNDAYS IN A WEEK _Edgar Allan Poe_ 453 + THE MODERN BELLE _Stark_ 463 + WIDOW MACHREE _Samuel Lover_ 464 + LIMESTONE BROTH _Gerald Griffin_ 467 + THE KNOCK-OUT _Davy Crockett_ 471 + THE COUNTRY SQUIRE _Thomas Yriarte_ 474 + TO MY INFANT SON _Thomas Hood_ 478 + + PRONUNCIATION OF PROPER NAMES 481 + +For Classification of Selections, see General Index, at end of Volume X + + + + +ILLUSTRATIONS + + + PAGE + THE TOURNAMENT (Color Plate) _Donn P. Crane_ FRONTISPIECE + THE LONG ARRAY OF HELMETS BRIGHT _Herbert N. Rudeen_ 5 + "LIE THERE," HE CRIED, "FELL PIRATE" _Herbert N. Rudeen_ 13 + HORATIO IN HIS HARNESS, HALTING UPON ONE KNEE _Herbert N. Rudeen_ 21 + "BOATMAN, DO NOT TARRY" _Herbert N. Rudeen_ 24 + SIR WALTER SCOTT (Halftone) 26 + ABBOTSFORD (Color Plate) 30 + THRONG GOING TO THE LISTS _R. F. Babcock_ 41 + THE DISINHERITED KNIGHT UNHORSES BRYAN _R. F. Babcock_ 59 + THE ARMOUR MAKERS _R. F. Babcock_ 69 + PRINCE JOHN THROWS DOWN THE TRUNCHEON _R. F. Babcock_ 85 + ROWENA CROWNING DISINHERITED KNIGHT _R. F. Babcock_ 89 + "RAB, YE THIEF!" _Herbert N. Rudeen_ 103 + JAMES BURIED HIS WIFE _Herbert N. Rudeen_ 117 + SHE REACHES DOWN TO DIP HER TOE _Herbert N. Rudeen_ 125 + POOR TRAY IS DEAD _Herbert N. Rudeen_ 132 + "WHITHER THOU GOEST, I WILL GO" _R. F. Babcock_ 145 + RUTH GLEANING _R. F. Babcock_ 147 + THE WRITING ON THE WALL _Louis Grell_ 155 + SOHRAB AND PERAN-WISA (Color Plate) _Louis Grell_ 174 + PERAN-WISA GIVES SOHRAB'S CHALLENGE _R. F. Babcock_ 179 + THE SPEAR RENT THE TOUGH PLATES _R. F. Babcock_ 191 + RUSTUM SORROWS OVER SOHRAB _R. F. Babcock_ 203 + MATTHEW ARNOLD (Halftone) 204 + JOHN HOWARD PAYNE (Halftone) 222 + THERE IS NO PLACE LIKE HOME _Iris Weddell White_ 225 + FOR AULD LANG SYNE _Herbert N. Rudeen_ 230 + CHARLES DICKENS (Halftone) 232 + THE CLERK SMILED FAINTLY _Iris Weddell White_ 255 + "IN LIFE I WAS YOUR PARTNER, JACOB MARLEY" _Iris Weddell White_ 263 + IN THE BEST PARLOR _Iris Weddell White_ 281 + THE FIDDLER STRUCK UP "SIR ROGER DE COVERLEY" _Iris Weddell White_ 285 + UPON THE COUCH THERE SAT A JOLLY GIANT _Iris Weddell White_ 297 + BOB AND TINY TIM (Color Plate) _Hazel Frazee_ 304 + THERE NEVER WAS SUCH A GOOSE _Iris Weddell White_ 307 + "SO I AM TOLD," RETURNED THE SECOND _Iris Weddell White_ 329 + HE READ HIS OWN NAME _Iris Weddell White_ 344 + HE STOOD BY THE WINDOW--GLORIOUS! _Iris Weddell White_ 348 + "A MERRY CHRISTMAS, BOB!" _Iris Weddell White_ 355 + HOMEWARD PLODS HIS WEARY WAY _R. F. Babcock_ 361 + THE COUNTRY CHURCHYARD _R. F. Babcock_ 369 + I FOUND I WAS HOLDING TO A SPAR _Herbert N. Rudeen_ 372 + WITH BEATING HEART I APPROACHED A VIEW _R. F. Babcock_ 397 + A CEBUS MONKEY _Herbert N. Rudeen_ 405 + THE SLEEPING FOX CATCHES NO POULTRY _Herbert N. Rudeen_ 411 + CLARK TOOK THE LEAD _R. F. Babcock_ 433 + WE MET AT THE CHURCH _R. F. Babcock_ 449 + "WELL, THEN, BOBBY, MY BOY" _Herbert N. Rudeen_ 455 + IN KATE, HOWEVER, I HAD A FIRM FRIEND _Herbert N. Rudeen_ 458 + "FAITH, I WISH YOU'D TAKE ME!" _Herbert N. Rudeen_ 465 + HE SOON SEES A FARMHOUSE AT A LITTLE DISTANCE _Herbert N. Rudeen_ 468 + THE SQUIRE'S LIBRARY _Iris Weddell White_ 475 + "THERE GOES MY INK!" _Lucille Enders_ 479 + + + +HORATIUS + +_By_ LORD MACAULAY + + + NOTE.--This spirited poem by Lord Macaulay is founded on one of the + most popular Roman legends. While the story is based on facts, we + can by no means be certain that all of the details are historical. + + According to Roman legendary history, the Tarquins, Lucius + Tarquinius Priscus and Lucius Tarquinius Superbus, were among the + early kings of Rome. The reign of the former was glorious, but that + of the latter was most unjust and tyrannical. Finally the + unscrupulousness of the king and his son reached such a point that + it became unendurable to the people, who in 509 B. C. rose in + rebellion and drove the entire family from Rome. Tarquinius + Superbus appealed to Lars Porsena, the powerful king of Clusium for + aid and the story of the expedition against Rome is told in this + poem. + + Lars Porsena of Clusium[1-1] + By the Nine Gods[1-2] he swore + That the great house of Tarquin + Should suffer wrong no more. + By the Nine Gods he swore it, + And named a trysting day, + And bade his messengers ride forth + East and west and south and north, + To summon his array. + + East and west and south and north + The messengers ride fast, + And tower and town and cottage + Have heard the trumpet's blast. + Shame on the false Etruscan + Who lingers in his home, + When Porsena of Clusium + Is on the march for Rome. + + The horsemen and the footmen + Are pouring in amain + From many a stately market-place; + From many a fruitful plain. + From many a lonely hamlet, + Which, hid by beech and pine, + Like an eagle's nest, hangs on the crest + Of purple Apennine; + + * * * * * + + There be thirty chosen prophets, + The wisest of the land, + Who alway by Lars Porsena + Both morn and evening stand: + Evening and morn the Thirty + Have turned the verses o'er, + Traced from the right on linen white[2-3] + By mighty seers of yore. + + And with one voice the Thirty + Have their glad answer given: + "Go forth, go forth, Lars Porsena; + Go forth, beloved of Heaven: + Go, and return in glory + To Clusium's royal dome; + And hang round Nurscia's[3-4] altars + The golden shields of Rome." + + And now hath every city + Sent up her tale[3-5] of men: + The foot are fourscore thousand, + The horse are thousand ten. + Before the gates of Sutrium[3-6] + Is met the great array. + A proud man was Lars Porsena + Upon the trysting day. + + For all the Etruscan armies + Were ranged beneath his eye, + And many a banished Roman, + And many a stout ally; + And with a mighty following + To join the muster came + The Tusculan Mamilius, + Prince of the Latian[3-7] name. + + But by the yellow Tiber + Was tumult and affright: + From all the spacious champaign[3-8] + To Rome men took their flight. + A mile around the city, + The throng stopped up the ways; + A fearful sight it was to see + Through two long nights and days. + + For aged folks on crutches, + And women great with child, + And mothers sobbing over babes + That clung to them and smiled, + And sick men borne in litters + High on the necks of slaves, + And troops of sunburnt husbandmen + With reaping-hooks and staves, + + And droves of mules and asses + Laden with skins of wine, + And endless flocks of goats and sheep, + And endless herds of kine, + And endless trains of wagons + That creaked beneath the weight + Of corn-sacks and of household goods, + Choked every roaring gate. + + Now, from the rock Tarpeian[4-9] + Could the wan burghers spy + The line of blazing villages + Red in the midnight sky. + The Fathers of the City,[5-10] + They sat all night and day, + For every hour some horseman came + With tidings of dismay. + + To eastward and to westward + Have spread the Tuscan bands; + Nor house nor fence nor dovecote + In Crustumerium stands. + Verbenna down to Ostia[5-11] + Hath wasted all the plain; + Astur hath stormed Janiculum,[5-12] + And the stout guards are slain. + + Iwis,[5-13] in all the Senate, + There was no heart so bold, + But sore it ached, and fast it beat, + When that ill news was told. + Forthwith up rose the Consul,[5-14] + Uprose the Fathers all; + In haste they girded up their gowns, + And hied them to the wall. + + They held a council standing + Before the River-Gate; + Short time was there, ye well may guess, + For musing or debate. + Out spake the Consul roundly: + "The bridge must straight go down; + For since Janiculum is lost, + Naught else can save the town." + + Just then a scout came flying, + All wild with haste and fear; + "To arms! to arms! Sir Consul: + Lars Porsena is here." + On the low hills to westward + The Consul fixed his eye, + And saw the swarthy storm of dust + Rise fast along the sky. + + And nearer fast and nearer + Doth the red whirlwind come; + And louder still and still more loud, + From underneath that rolling cloud, + Is heard the trumpet's war-note proud, + The trampling, and the hum. + And plainly and more plainly + Now through the gloom appears, + Far to left and far to right, + In broken gleams of dark-blue light, + The long array of helmets bright, + The long array of spears. + + And plainly, and more plainly + Above that glimmering line, + Now might ye see the banners + Of twelve fair cities shine; + But the banner of proud Clusium + Was highest of them all, + The terror of the Umbrian, + The terror of the Gaul. + + Fast by the royal standard, + O'erlooking all the war, + Lars Porsena of Clusium + Sat in his ivory car. + By the right wheel rode Mamilius, + Prince of the Latian name, + And by the left false Sextus,[7-15] + That wrought the deed of shame. + +[Illustration: THE LONG ARRAY OF HELMETS BRIGHT] + + But when the face of Sextus + Was seen among the foes, + A yell that bent the firmament + From all the town arose. + On the house-tops was no woman + But spat toward him and hissed, + No child but screamed out curses, + And shook its little fist. + + But the Consul's brow was sad, + And the Consul's speech was low, + And darkly looked he at the wall, + And darkly at the foe. + "Their van will be upon us + Before the bridge goes down; + And if they once may win the bridge, + What hope to save the town?" + + Then out spake brave Horatius, + The Captain of the Gate: + "To every man upon this earth + Death cometh soon or late. + And how can man die better + Than facing fearful odds, + For the ashes of his fathers, + And the temples of his gods, + + "And for the tender mother + Who dandled him to rest, + And for the wife who nurses + His baby at her breast, + And for the holy maidens + Who feed the eternal flame,[8-16] + To save them from false Sextus + That wrought the deed of shame? + + "Hew down the bridge, Sir Consul, + With all the speed ye may; + I, with two more to help me, + Will hold the foe in play. + In yon strait path a thousand + May well be stopped by three. + Now who will stand on either hand, + And keep the bridge with me?" + + Then out spake Spurius Lartius; + A Ramnian proud was he: + "Lo, I will stand at thy right hand, + And keep the bridge with thee." + And out spake strong Herminius; + Of Titian blood was he: + "I will abide on thy left side, + And keep the bridge with thee." + + "Horatius," quoth the Consul, + "As thou sayest, so let it be." + And straight against that great array + Forth went the dauntless Three. + For Romans in Rome's quarrel + Spared neither land nor gold, + Nor son nor wife, nor limb nor life, + In the brave days of old. + + Then none was for a party; + Then all were for the state; + Then the great man helped the poor, + And the poor man loved the great: + Then lands were fairly portioned; + Then spoils were fairly sold: + The Romans were like brothers + In the brave days of old. + + Now while the Three were tightening + Their harness on their backs, + The Consul was the foremost man + To take in hand an axe: + And Fathers mixed with Commons[10-17] + Seized hatchet, bar, and crow, + And smote upon the planks above, + And loosed the props below. + + Meanwhile the Tuscan army, + Right glorious to behold, + Came flashing back the noonday light, + Rank behind rank, like surges bright + Of a broad sea of gold. + Four hundred trumpets sounded + A peal of warlike glee, + As that great host, with measured tread, + And spears advanced, and ensigns spread, + Rolled slowly towards the bridge's head, + Where stood the dauntless Three. + + The Three stood calm and silent, + And looked upon the foes, + And a great shout of laughter + From all the vanguard rose; + And forth three chiefs came spurring + Before that deep array; + To earth they sprang, their swords they drew, + And lifted high their shields, and flew + To win the narrow way; + + Aunus from green Tifernum,[11-18] + Lord of the Hill of Vines; + And Seius, whose eight hundred slaves + Sicken in Ilva's mines; + And Picus, long to Clusium + Vassal in peace and war, + Who led to fight his Umbrian powers + From that gray crag where, girt with towers, + The fortress of Nequinum lowers + O'er the pale waves of Nar. + + Stout Lartius hurled down Aunus + Into the stream beneath: + Herminius struck at Seius, + And clove him to the teeth: + At Picus brave Horatius + Darted one fiery thrust; + And the proud Umbrian's gilded arms + Clashed in the bloody dust. + + Then Ocnus of Falerii + Rushed on the Roman Three: + And Lausulus of Urgo, + The rover of the sea; + And Aruns of Volsinium, + Who slew the great wild boar, + The great wild boar that had his den + Amidst the reeds of Cosa's fen, + And wasted fields, and slaughtered men, + Along Albinia's shore. + + Herminius smote down Aruns: + Lartius laid Ocnus low: + Right to the heart of Lausulus + Horatius sent a blow. + "Lie there," he cried, "fell pirate! + No more, aghast and pale, + From Ostia's walls the crowd shall mark + The track of thy destroying bark. + No more Campania's[12-19] hinds[12-20] shall fly + To woods and caverns when they spy + Thy thrice accursed sail." + + But now no sound of laughter + Was heard among the foes. + A wild and wrathful clamor + From all the vanguard rose. + Six spears' lengths from the entrance + Halted that deep array, + And for a space no man came forth + To win the narrow way. + + But hark! the cry is Astur: + And lo! the ranks divide; + And the great Lord of Luna + Comes with his stately stride. + Upon his ample shoulders + Clangs loud the fourfold shield, + And in his hand he shakes the brand + Which none but he can wield. + +[Illustration: "LIE THERE," HE CRIED, "FELL PIRATE!"] + + He smiled on those bold Romans + A smile serene and high; + He eyed the flinching Tuscans, + And scorn was in his eye. + Quoth he, "The she-wolf's litter[14-21] + Stand savagely at bay: + But will ye dare to follow, + If Astur clears the way?" + + Then, whirling up his broadsword + With both hands to the height, + He rushed against Horatius, + And smote with all his might. + With shield and blade Horatius + Right deftly turned the blow. + The blow, though turned, came yet too nigh; + It missed his helm, but gashed his thigh: + The Tuscans raised a joyful cry + To see the red blood flow. + + He reeled, and on Herminius + He leaned one breathing-space; + Then, like a wild-cat mad with wounds, + Sprang right at Astur's face. + Through teeth, and skull, and helmet, + So fierce a thrust he sped, + The good sword stood a handbreadth out + Behind the Tuscan's head. + + And the great Lord of Luna + Fell at that deadly stroke, + As falls on Mount Alvernus + A thunder-smitten oak. + Far o'er the crashing forest + The giant arms lie spread; + And the pale augurs, muttering low, + Gaze on the blasted head. + + On Astur's throat Horatius + Right firmly pressed his heel, + And thrice and four times tugged amain, + Ere he wrenched out the steel. + "And see," he cried, "the welcome, + Fair guests, that waits you here! + What noble Lucumo comes next + To taste our Roman cheer?" + + But at his haughty challenge + A sullen murmur ran, + Mingled of wrath and shame and dread, + Along that glittering van. + There lacked not men of prowess, + Nor men of lordly race; + For all Etruria's noblest + Were round the fatal place. + + But all Etruria's noblest + Felt their hearts sink to see + On the earth the bloody corpses, + In the path the dauntless Three: + And, from the ghastly entrance + Where those bold Romans stood, + All shrank, like boys who unaware, + Ranging the woods to start a hare, + Come to the mouth of the dark lair + Where, growling low, a fierce old bear + Lies amidst bones and blood. + + Was none who would be foremost + To lead such dire attack: + But those behind cried "Forward!" + And those before cried "Back!" + And backward now and forward + Wavers the deep array; + And on the tossing sea of steel, + To and fro the standards reel; + And the victorious trumpet-peal + Dies fitfully away. + + Yet one man for one moment + Stood out before the crowd; + Well known was he to all the Three, + And they gave him greeting loud. + "Now welcome, welcome, Sextus! + Now welcome to thy home! + Why dost thou stay, and turn away? + Here lies the road to Rome." + + Thrice looked he at the city; + Thrice looked he at the dead; + And thrice came on in fury, + And thrice turned back in dread; + And, white with fear and hatred, + Scowled at the narrow way + Where, wallowing in a pool of blood, + The bravest Tuscans lay. + + But meanwhile axe and lever + Have manfully been plied; + And now the bridge hangs tottering + Above the boiling tide. + "Come back, come back, Horatius!" + Loud cried the Fathers all. + "Back, Lartius! back, Herminius! + Back, ere the ruin fall!" + + Back darted Spurius Lartius; + Herminius darted back: + And, as they passed, beneath their feet + They felt the timbers crack. + But when they turned their faces, + And on the farther shore + Saw brave Horatius stand alone, + They would have crossed once more. + + But with a crash like thunder + Fell every loosened beam, + And, like a dam, the mighty wreck + Lay right athwart the stream; + And a long shout of triumph + Rose from the walls of Rome, + As to the highest turret-tops + Was splashed the yellow foam. + + And, like a horse unbroken + When first he feels the rein, + The furious river struggled hard, + And tossed his tawny mane, + And burst the curb, and bounded, + Rejoicing to be free, + And whirling down, in fierce career, + Battlement, and plank, and pier, + Rushed headlong to the sea. + + Alone stood brave Horatius, + But constant still in mind; + Thrice thirty thousand foes before, + And the broad flood behind. + "Down with him!" cried false Sextus, + With a smile on his pale face. + "Now yield thee," cried Lars Porsena, + "Now yield thee to our grace." + + Round turned he, as not deigning + Those craven ranks to see; + Naught spake he to Lars Porsena, + To Sextus naught spake he; + But he saw on Palatinus[18-22] + The white porch of his home; + And he spake to the noble river + That rolls by the towers of Rome. + + "O Tiber! father Tiber![18-23] + To whom the Romans pray, + A Roman's life, a Roman's arms, + Take thou in charge this day!" + So he spake, and speaking sheathed + The good sword by his side, + And with his harness on his back + Plunged headlong in the tide. + + No sound of joy or sorrow + Was heard from either bank; + But friends and foes in dumb surprise, + With parted lips and straining eyes, + Stood gazing where he sank; + And when above the surges + They saw his crest appear, + All Rome sent forth a rapturous cry, + And even the ranks of Tuscany + Could scarce forbear to cheer. + + But fiercely ran the current, + Swollen high by months of rain: + And fast his blood was flowing, + And he was sore in pain, + And heavy with his armor, + And spent with changing blows: + And oft they thought him sinking, + But still again he rose. + + Never, I ween, did swimmer, + In such an evil case, + Struggle through such a raging flood + Safe to the landing-place: + But his limbs were borne up bravely + By the brave heart within, + And our good father Tiber + Bore bravely up his chin. + + "Curse on him!" quoth false Sextus; + "Will not the villain drown? + But for this stay, ere close of day + We should have sacked the town!" + "Heaven help him!" quoth Lars Porsena, + "And bring him safe to shore; + For such a gallant feat of arms + Was never seen before." + + And now he feels the bottom; + Now on dry earth he stands; + Now round him throng the Fathers + To press his gory hands; + And now, with shouts and clapping, + And noise of weeping loud, + He enters through the River-Gate, + Borne by the joyous crowd. + + They gave him of the corn-land, + That was of public right, + As much as two strong oxen + Could plow from morn till night; + And they made a molten image, + And set it up on high, + And there it stands unto this day + To witness if I lie. + + It stands in the Comitium,[20-24] + Plain for all folk to see; + Horatius in his harness, + Halting upon one knee: + And underneath is written, + In letters all of gold, + How valiantly he kept the bridge + In the brave days of old. + + And still his name sounds stirring + Unto the men of Rome, + As the trumpet-blast that cries to them + To charge the Volscian[20-25] home; + And wives still pray to Juno[20-26] + For boys with hearts as bold + As his who kept the bridge so well + In the brave days of old. + + And in the nights of winter, + When the cold north-winds blow, + And the long howling of the wolves + Is heard amidst the snow; + When round the lonely cottage + Roars loud the tempest's din, + And the good logs of Algidus + Roar louder yet within: + +[Illustration: HORATIUS IN HIS HARNESS, HALTING UPON ONE KNEE] + + When the oldest cask is opened, + And the largest lamp is lit; + When the chestnuts glow in the embers, + And the kid turns on the spit; + When young and old in circle + Around the firebrands close; + And the girls are weaving baskets, + And the lads are shaping bows; + + When the goodman mends his armor, + And trims his helmet's plume; + When the goodwife's shuttle merrily + Goes flashing through the loom,-- + With weeping and with laughter + Still is the story told, + How well Horatius kept the bridge + In the brave days of old.[22-27] + +[Illustration] + + + +FOOTNOTES: + +[1-1] Clusium was a powerful town in Etruria. + +[1-2] According to the religion of the Etruscans there were nine great +gods. An oath by them was considered the most binding oath that a man +could take. + +[2-3] This line shows us that the writing of the Etruscans was done +backwards, as we should consider it; that is, they wrote from right to +left instead of from left to right. + +[3-4] Nurscia was a city of the Sabines. + +[3-5] _Tale_ here means _number_. + +[3-6] Sutrium was an Etruscan town twenty-nine miles from Rome. + +[3-7] The Latins were an Italian race who, even before the dawn of +history, dwelt on the plains south of the Tiber. Rome was supposed to be +a colony of Alba Longa, the chief Latin city, but the Latin peoples were +in the fourth century brought into complete subjection to Rome. + +[3-8] _Champaign_, or _campagna_, means any open, level tract of +country. The name is specifically applied to the extensive plains about +Rome. + +[4-9] A part of the Capitoline, one of the seven hills on which Rome is +built, was called the Tarpeian Rock, after Tarpeia, daughter of an early +governor of the citadel on the Capitoline. According to the popular +legend, when the Sabines came against Rome, Tarpeia promised to open the +gate of the fortress to them if they would give her what they wore on +their left arms. It was their jewelry which she coveted, but she was +punished for her greed and treachery, for when the soldiers had entered +the fortress they hurled their shields upon her, crushing her to death. + +[5-10] _Fathers of the City_ was the name given to the members of the +Roman Senate. + +[5-11] Ostia was the port of Rome, situated at the mouth of the Tiber. + +[5-12] Janiculum is a hill on the west bank of the Tiber at Rome. It was +strongly fortified, and commanded the approach to Rome. + +[5-13] _Iwis_ is an obsolete word meaning _truly_. + +[5-14] When the kings were banished from Rome the people vowed that +never again should one man hold the supreme power. Two chief rulers were +therefore chosen, and were given the name of _consuls_. + +[7-15] Sextus was the son of the last king of Rome. It was a shameful +deed of his which finally roused the people against the Tarquin family. + +[8-16] In the temple of the goddess Vesta a sacred flame was kept +burning constantly, and it was thought that the consequences to the city +would be most dire if the fire were allowed to go out. The Vestal +virgins, priestesses who tended the flame, were held in the highest +honor. + +[10-17] The Roman people were divided into two classes, the patricians, +to whom belonged all the privileges of citizenship, and the plebeians, +who were not allowed to hold office or even to own property. Macaulay +gives the English name _Commons_ to the plebeians. + +[11-18] A discussion as to who these chiefs were, or as to where the +places mentioned were located, would be profitless. The notes attempt to +give only such information as will aid in understanding the story. + +[12-19] _Campania_ is another name for the campagna. + +[12-20] _Hinds_ here means _peasants_. + +[14-21] Romulus, the founder of Rome, and Remus, his brother, were, +according to the legend, rescued and brought up by a she-wolf, after +they had been cast into the Tiber to die. + +[18-22] The Palatine is one of the seven hills of Rome. + +[18-23] The Romans personified the Tiber River, and even offered prayers +to it. + +[20-24] The Comitium was the old Roman polling-place, a square situated +between the Forum and the Senate House. + +[20-25] The Volscians were among the most determined of the Italian +enemies of Rome. + +[20-26] Juno was the goddess who was thought of as presiding over +marriage and the birth of children. + +[22-27] You can tell from these last three stanzas, that Macaulay is +writing his poem, not as an Englishman of the nineteenth century, but as +if he were a Roman in the days when Rome, though powerful, had not yet +become the luxurious city which it afterward was. That is, he thought of +himself as writing in the days of the Republic, not in the days of the +Empire. + + + + +LORD ULLIN'S DAUGHTER + +_By_ THOMAS CAMPBELL + + + A chieftain, to the Highlands bound, + Cries, "Boatman, do not tarry! + And I'll give thee a silver pound, + To row us o'er the ferry." + + "Now who be ye, would cross Lochgyle, + This dark and stormy water?" + "O, I'm the chief of Ulva's isle, + And this Lord Ullin's daughter. + + "And fast before her father's men + Three days we've fled together, + For should he find us in the glen, + My blood would stain the heather. + + "His horsemen hard behind us ride; + Should they our steps discover, + Then who will cheer my bonny bride + When they have slain her lover?" + + Out spoke the hardy Highland wight, + "I'll go, my chief--I'm ready; + It is not for your silver bright, + But for your winsome lady: + + "And by my word! the bonny bird + In danger shall not tarry; + So though the waves are raging white, + I'll row you o'er the ferry." + +[Illustration: "BOATMAN, DO NOT TARRY!"] + + By this the storm grew loud apace, + The water-wraith was shrieking; + And in the scowl of heaven each face + Grew dark as they were speaking. + + But still as wilder blew the wind, + And as the night grew drearer, + Adown the glen rode armed men, + Their trampling sounded nearer. + + "O haste thee, haste!" the lady cries, + "Though tempests round us gather; + I'll meet the raging of the skies, + But not an angry father." + + The boat had left a stormy land, + A stormy sea before her,-- + When, oh! too strong for human hand, + The tempest gather'd o'er her. + + And still they row'd amidst the roar + Of waters fast prevailing: + Lord Ullin reach'd that fatal shore, + His wrath was changed to wailing. + + For sore dismay'd, through storm and shade, + His child he did discover:-- + One lovely hand she stretch'd for aid, + And one was round her lover. + + "Come back! come back!" he cried in grief, + "Across this stormy water: + And I'll forgive your Highland chief, + My daughter!--oh my daughter!" + + 'Twas vain: the loud waves lashed the shore, + Return or aid preventing; + The waters wild went o'er his child, + And he was left lamenting. + + + + +SIR WALTER SCOTT + +_By_ GRACE E. SELLON + + +Of the old and honorable families of Scotland there are perhaps none +more worthy than those from which were descended the parents of Sir +Walter Scott. In the long line of ancestors on either side were fearless +knights and bold chiefs of the Scottish Border whose adventures became a +delightful heritage to the little boy born into the Edinburgh family of +Scott in 1771. Perhaps his natural liking for strange and exciting +events would have made him even more eager than other children to be +told fairy stories and tales of real heroes of his own land. But even +had this not been so, the way in which he was forced to spend his early +childhood was such that entertainment of this kind was about all that he +could enjoy. He was not two years old when, after a brief illness, he +lost the use of one of his legs and thus became unable to run about as +before, or even to stand. Soon afterward he was sent to his +grandfather's farm at Sandy-Knowe, where it was thought that the country +life would help him. There he spent his days in listening to lively +stories of Scotsmen who had lived in the brave and rollicking fashion of +Robin Hood, in being read to by his aunt or in lying out among the +rocks, cared for by his grandfather's old shepherd. When thus out of +doors he found so much of interest about him that he could not lie +still and would try so hard to move himself about that at length he +became able to rise to his feet and even to walk and run. + +[Illustration: SIR WALTER SCOTT 1771-1832] + +Except for his lameness, he grew so well and strong that when he was +about eight years old he was placed with his brothers in the upper class +of the Edinburgh grammar school, known as the High School. Though he had +had some lessons in Latin with a private tutor, he was behind his class +in this subject, and being a high-spirited and sensitive boy, he felt +rather keenly this disadvantage. Perhaps the fact that he could not be +one of the leaders of his class made him careless; at any rate, he could +never be depended upon to prepare his lesson, and at no time did he make +a consistently good record. However, he found not a little comfort for +his failure as a student in his popularity as a storyteller and +kind-hearted comrade. Among the boys of his own rank in the school he +won great admiration for his never-ending supply of exciting narratives +and his willingness to give help upon lessons that he would otherwise +have left undone. + +At the end of three years his class was promoted, and he found the new +teacher much more to his liking. Indeed, his ability to appreciate the +meaning and beauty of the Latin works studied became recognized: he +began to make translations in verse that won praise, and, with a new +feeling of distinction, he was thus urged on to earnest efforts. After +leaving this school, he continued his excellent progress in the study of +Latin for a short time under a teacher in the village of Kelso, where he +had gone to visit an aunt. + +Meanwhile his hours out of school were spent in ways most pleasing to +his lively imagination. His lameness did not debar him from the most +active sports, nor even from the vigorous encounters in which, either +with a single opponent or with company set against company, the Scotch +schoolboys defended their reputation as hard fighters. One of these +skirmishes that made a lasting impression upon Walter Scott he himself +tells us of, and his biographer, Lockhart, has quoted it in describing +the hardy boyhood days of the great writer. It frequently happened that +bands of children from different parts of Edinburgh would wage war with +each other, fighting with stones and clubs and other like weapons. +Perhaps the city authorities thought that these miniature battles +afforded good training: at least the police seem not to have interfered. +The boys in the neighborhood where Walter lived had formed a company +that had been given a beautiful standard by a young noblewoman. This +company fought every week with a band composed of boys of the poorer +classes. The leader of the latter was a fine-looking young fellow who +bore himself as bravely as any chieftain. In the midst of a hotly fought +contest, this boy had all but captured the enemy's proudly erected +standard when he was struck severely to the ground with a cruelly heavy +weapon. The dismayed companies fled in all directions, and the lad was +taken to the hospital. In a few days, however, he recovered; and then it +was that through a friendly baker Walter Scott and his brothers were +able to get word to their mistreated opponent and to offer a sum of +money in token of their regret. But Green-breeks, as the young leader +had been dubbed, refused to accept this, and said besides that they +might be sure of his not telling what he knew of the affair in which he +had been hurt, for he felt it a disgrace to be a talebearer. This +generous conduct so impressed young Scott and his companions that always +afterward the fighting was fair. + +It must have been with not a little difficulty that this warlike spirit +was subdued and made obedient to the strict rules observed in the +Presbyterian home on Sunday. To a boy whose mind was filled with +stirring deeds of adventure and all sorts of vivid legends and romances, +the long, gloomy services seemed a tiresome burden. Monday, however, +brought new opportunities for reading favorite poets and works of +history and travel, and many were the spare moments through the week +that were spent thus. The marvelous characters and incidents in +Spenser's _Faerie Queene_ were a never-ending source of enjoyment, and +later Percy's _Reliques of Ancient English Poetry_ was discovered by the +young reader with a gladness that made him forget everything else in the +world. "I remember well," he has written, "the spot where I read these +volumes for the first time. It was beneath a huge platanus tree, in the +ruins of what had been intended for an old-fashioned arbor in the garden +I have mentioned. The summer day sped onward so fast that, +notwithstanding the sharp appetite of thirteen, I forgot the hour of +dinner, was sought for with anxiety, and was found still entranced in my +intellectual banquet. To read and to remember was in this instance the +same thing, and henceforth I overwhelmed my schoolfellows, and all who +would hearken to me, with tragical recitations from the ballads of +Bishop Percy. The first time, too, I could scrape a few shillings +together, which were not common occurrences with me, I bought unto +myself a copy of these beloved volumes; nor do I believe I ever read a +book half so frequently, or with half the enthusiasm." + +After his return from Kelso, Walter was sent to college, but with no +better results than in the early years at the High School. The Latin +teacher was so mild in his requirements that it was easy to neglect the +lessons, and in beginning the study of Greek the boy was again at a +disadvantage, for nearly all his classmates, unlike himself, knew a +little of the language. He was scarcely more successful in a private +course in mathematics, but did well in his classes in moral philosophy. +History and civil and municipal law completed his list of studies. So +meager did this education seem that in later years Scott wrote in a +brief autobiography, "If, however, it should ever fall to the lot of +youth to peruse these pages--let such a reader remember that it is with +the deepest regret that I recollect in my manhood the opportunities of +learning which I neglected in my youth: that through every part of my +literary career I have felt pinched and hampered by my own ignorance: +and that I would at this moment give half the reputation I have had the +good fortune to acquire, if by doing so I could rest the remaining part +upon a sound foundation of learning and science." + +[Illustration: ABBOTSFORD] + +It had been decided that Walter should follow his father's profession, +that of the law, and accordingly he entered his father's office, to +serve a five years' apprenticeship. Though it may seem surprising, in +view of his former indolence, it is true that he gave himself to his +work with great industry. At the same time, however, he continued to +read stories of adventure and history and other similar works with as +much zest as ever, and entered into an agreement with a friend whereby +each was to entertain the other with original romances. The monotony of +office duties was also relieved by many trips about the country, in +which the keenest delight was felt in natural beauties and in the +historical associations of old ruins and battlefields and other places +of like interest. Then, too, there were literary societies that advanced +the young law-apprentice both intellectually and socially. Thus the +years with his father passed. Then, as he was to prepare himself for +admission to the bar, he entered law classes in the University of +Edinburgh, with the result that in 1792 he was admitted into the Faculty +of Advocates. + +The first years of his practice, though not without profit, might have +seemed dull and irksome to the young lawyer, had not his summers been +spent in journeys about Scotland in which he came into possession of a +wealth of popular legends and ballads. It was during one of these +excursions, made in 1797, that he met the attractive young French woman, +Charlotte Carpenter, who a few months later became his wife. A previous +and unfortunate love affair had considerably sobered Scott's ardent +nature, but his friendship and marriage with Miss Carpenter brought him +much of the happiness of which he had believed himself to have been +deprived. + +The young couple spent their winters in Edinburgh and their summers at +the suburb Lasswade. During the resting time passed in the country +cottage, Scott found enjoyment in composing poems based upon some of the +legends and superstitions with which he had become familiar in his +jaunts among ruined castles and scenes in the Highlands. Some of these +verses, shown in an offhand manner to James Ballantyne, who was the head +of a printing establishment in Kelso, met with such favorable +recognition that Scott was encouraged to lay bare to his friend a plan +that had been forming in his mind for publishing a great collection of +Scotch ballads. As a result Scott entered upon the work of editing them +and by 1803 had published the three volumes of his _Minstrelsy of the +Scottish Border_. So successful was this venture that shortly afterward +he began the _Lay of the Last Minstrel_, a lengthy poem in which his +keen interest in the thrilling history of the Scottish Border found full +expression. This poem, published in 1805, was heartily welcomed, and +opened to its author the career for which he was best fitted. + +The popularity of the _Lay_, together with the fact that the young poet +had won no honors as an advocate, doubtless accounts for his retiring +from the bar in 1806. He had been made sheriff of Selkirkshire in 1799, +and to the income thus received was added that of a clerk of the Court +of Sessions, an office to which he was appointed in 1806. More than +this, he had in the preceding year become a partner in the Ballantyne +printing establishment, which had moved to Edinburgh, and his growing +fame as a writer seemed to promise that his association with this firm +would bring considerable profit. + +With a good income thus assured, Scott was able within the following +four years to produce besides minor works, two other great poems, +_Marmion, a Tale of Flodden Field_, and _The Lady of the Lake_. These +rank with the most stirring and richly colored narrative poems in our +language. So vivid, indeed, are the pictures of Scottish scenery found +in _The Lady of the Lake_, that, according to a writer who was living +when it was published, "The whole country rang with the praises of the +poet--crowds set off to view the scenery of Loch Katrine, till then +comparatively unknown; and as the book came out just before the season +for excursions, every house and inn in that neighborhood was crammed +with a constant succession of visitors." + +This lively and pleasing story, with its graceful verse form, has become +such a favorite for children's reading, that it seems very amusing to be +told of the answer given by one of Scott's little daughters to a family +friend who had asked her how she liked the poem: "Oh, I have not read +it; papa says there's nothing so bad for young people as reading bad +poetry." The biographer Lockhart recounts also a little incident in +which young Walter Scott, returning from school with the marks of battle +showing plainly on his face, was asked why he had been fighting, and +replied, looking down in shame, that he had been called a _lassie_. +Never having heard of even the title of his father's poem, the boy had +fiercely resented being named, by some of his playmates, _The Lady of +the Lake_. + +In order to fulfil his duties as sheriff, Scott had in 1804 leased the +estate of Ashestiel, and in this wild and beautiful stretch of country +on the Tweed River had spent his summers. When his lease expired in +1811, he bought a farm of one hundred acres extending along the same +river, and in the following year removed with his family to the cottage +on this new property. This was the simple beginning of the magnificent +Abbotsford home. Year after year changes were made, and land was added +to the estate until by the close of 1824 a great castle had been +erected. The building and furnishing of this mansion were of the keenest +interest to its owner, an interest that was expressed probably with most +delight in the two wonderful armories containing weapons borne by many +heroes of history, and in the library with its carved oak ceiling, its +bookcases filled with from fifteen to twenty thousand volumes, among +which are some of unusual value, and its handsome portrait of the eldest +of Scott's sons. + +The building of this splendid dwelling place shows Scott to have been +exceptionally prosperous as a writer. Yet his way was by no means always +smooth. In 1808 he had formed with the Ballantynes a publishing house +that, as a result of poor management, failed completely in 1813. Scott +bore the trouble with admirable coolness, and by means of good +management averted further disaster and made arrangements for the +continued publication of his works. + +By this time he had found through the marked success of his novel +_Waverley_, published in 1814, that a new and promising field lay before +him. He decided then to give up poetry and devote himself especially to +writing romances, in which his love of the picturesque and thrilling in +history and of the noble and chivalrous in human character could find +the widest range of expression. With marvelous industry he added one +after another to the long series of his famous Waverley Novels. Perhaps +the height of his power was reached in 1819 in the production of +_Ivanhoe_, though _Waverley_, _Guy Mannering_ and _The Heart of +Midlothian_, previously written, as well as _Kenilworth_ and _Quentin +Durward_, published later, must also be given first rank. In the +intervals of his work on these novels, Scott also wrote reviews and +essays and miscellaneous articles. He became recognized as the most +gifted prose writer of his age, and his works, it is said, became "the +daily food, not only of his countrymen, but of all educated Europe." He +was sought after with eager homage by the wealthy and notable, and was +given the title of baronet, yet remained as simple and sincere at heart +as in the early days of his career. + +With the sales of his books amounting to $50,000 or more a year, it is +not strange that he should have felt his fortune assured. But again, and +this time with the most serious results, he was deceived by the +mismanagement of others. The printing firm of James Ballantyne and +Company, in which he had remained a partner, became bankrupt in 1826. +Had it not been for a high sense of honor, he would have withdrawn with +the others of the firm; but the sense of his great debt pressed upon him +so sorely that he agreed to pay all that he owed, at whatever cost to +himself. For the remaining six years of his life he worked as hard as +failing health would allow, and the strain of his labor told on him +severely. + +At length he consented to a trip to southern Europe, but the change did +not bring back his health. Not long after his return to Abbotsford, in +1832, he called his son-in-law to his bedside early one morning, and +speaking in calm tones, said: "Lockhart, I may have but a minute to +speak to you. My dear, be a good man--be virtuous--be religious--be a +good man. Nothing else will give you any comfort when you come to lie +here." After a few words more he asked God's blessing on all in the +household and then fell into a quiet sleep from which he did not awake +on earth. + +Had Scott lived but a few years longer he would undoubtedly have paid +off all his voluntarily assumed obligations. As it was, all his debts +were liquidated in 1847 by the sale of copyrights. + +Many years have passed since the death of Sir Walter Scott, and to the +young readers of to-day the time in which he lived may seem far away and +indistinct. But every boy and girl can share with him the pleasure that +he felt, all his life, in stories of battle on sea and land, in love +tales of knights and ladies, in mysterious superstitions and in +everything else that spurs one on at the liveliest speed through the +pages of a book. These interests and delights of his boyhood he never +outgrew. They kept him always young at heart and gave to his works a +freshness and brightness that few writers have been able to retain +throughout their lives. + +When he became _laird_ of Abbotsford, the same sunny nature and kindly +feeling for others that had drawn about him many comrades in his +schoolboy days, attracted to him crowds of visitors who, though they +intruded on his time, were received with generous courtesy. His tall, +strongly built figure was often the center of admiring groups of guests +who explored with him the wonders and beauties of Abbotsford, listening +meanwhile to his humorous stories. At such times, with his clear, +wide-open blue eyes, and his pleasant smile lighting his somewhat heavy +features, he would have been called a handsome man. Of all who came to +the home at Abbotsford, none were more gladly received than the children +of the tenants who lived in the little homes on the estate. Each year, +on the last morning in December, it was customary for them to pay a +visit of respect to the _laird_, and though they may not have known it, +he found more pleasure in this simple ceremony than in all the others of +the Christmas season. + +To these gentler qualities of his nature was joined not a little of the +hardihood of the Scotch heroes whose lives he has celebrated. The same +"high spirit with which, in younger days," he has written, "I used to +enjoy a Tam-o'-Shanter ride through darkness, wind and rain, the boughs +groaning and cracking over my head, the good horse free to the road and +impatient for home, and feeling the weather as little as I did," was +that which bore him bravely through misfortune and gave him the splendid +courage with which in his last years he faced the ruin of his fortune. +With an influence as strong and wholesome as that of his works as a +writer, remains the example of his loyal, industrious life. + + + + +THE TOURNAMENT + +_By_ SIR WALTER SCOTT + + + NOTE.--Scott's _Ivanhoe_, from which this account of _The + Tournament_ is taken, belongs to the class of books known as + historical novels. Such a book does not necessarily have as the + center of its plot an historical incident, nor does it necessarily + have an historical character as hero or heroine; it does, however, + introduce historic scenes or historic people, or both. In + _Ivanhoe_, the events of which take place in England in the twelfth + century, during the reign of Richard I, both the king and his + brother John appear, though they are by no means the chief + characters. The great movements known as the Crusades, while they + are frequently mentioned and give a sort of an atmosphere to the + book, do not influence the plot directly. + + _Ivanhoe_ does much more, however, than introduce us casually to + Richard and John; it gives us a striking picture of customs and + manners in the twelfth century. The story is not made to halt for + long descriptions, but the events themselves and their settings are + so brought before us that we have much clearer pictures of them + than hours of reading in histories and encyclopedias could give us. + This account of a tournament, for instance, while it lets us see + all the gorgeousness that was a part of such pageants, does not + fail to give us also the cruel, brutal side. + +The poor as well as the rich, the vulgar as well as the noble, in the +event of a tournament, which was the grand spectacle of that age, felt +as much interested as the half-starved citizen of Madrid, who has not a +real left to buy provisions for his family, feels in the issue of a +bull-fight. Neither duty nor infirmity could keep youth or age from such +exhibitions. The passage of arms, as it was called, which was to take +place at Ashby, in the county of Leicester, as champions of the first +renown were to take the field in the presence of Prince John himself, +who was expected to grace the lists, had attracted universal attention, +and an immense confluence of persons of all ranks hastened upon the +appointed morning to the place of combat. + +The scene was singularly romantic. On the verge of a wood near Ashby, +was an extensive meadow of the finest and most beautiful green turf, +surrounded on one side by the forest, and fringed on the other by +straggling oak trees, some of which had grown to an immense size. The +ground, as if fashioned on purpose for the martial display which was +intended, sloped gradually down on all sides to a level bottom, which +was enclosed for the lists with strong palisades, forming a space of a +quarter of a mile in length, and about half as broad. The form of the +enclosure was an oblong square, save that the corners were considerably +rounded off, in order to afford more convenience for the spectators. The +openings for the entry of the combatants were at the northern and +southern extremities of the lists, accessible by strong wooden gates, +each wide enough to admit two horsemen riding abreast. At each of these +portals were stationed two heralds, attended by six trumpets, as many +pursuivants,[39-1] and a strong body of men-at-arms, for maintaining +order, and ascertaining the quality of the knights who proposed to +engage in this martial game. + +On a platform beyond the southern entrance, formed by a natural +elevation of the ground, were pitched five magnificent pavilions, +adorned with pennons of russet and black, the chosen colors of the five +knights challengers. The cords of the tents were of the same color. +Before each pavilion was suspended the shield of the knight by whom it +was occupied, and beside it stood his squire, quaintly disguised as a +salvage[40-2] or silvan man, or in some other fantastic dress, according +to the taste of his master and the character he was pleased to assume +during the game. The central pavilion, as the place of honor, had been +assigned to Brian de Bois-Guilbert, whose renown in all games of +chivalry, no less than his connection with the knights who had +undertaken this passage of arms, had occasioned him to be eagerly +received into the company of challengers, and even adopted as their +chief and leader, though he had so recently joined them. On one side of +his tent were pitched those of Reginald Front-de-Boeuf and Richard +(Philip) de Malvoisin, and on the other was the pavilion of Hugh de +Grantmesnil, a noble baron in the vicinity, whose ancestor had been Lord +High Steward of England in the time of the Conqueror and his son William +Rufus. Ralph de Vipont, a knight of Saint John of Jerusalem, who had +some ancient possessions at a place called Heather, near +Ashby-de-la-Zouche, occupied the fifth pavilion. + +From the entrance into the lists a gently sloping passage, ten yards in +breadth, led up to the platform on which the tents were pitched. It was +strongly secured by a palisade on each side, as was the esplanade in +front of the pavilions, and the whole was guarded by men-at-arms. + +The northern access to the lists terminated in a similar entrance of +thirty feet in breadth, at the extremity of which was a large enclosed +space for such knights as might be disposed to enter the lists with the +challengers, behind which were placed tents containing refreshments of +every kind for their accommodation, with armorers, farriers, and other +attendants, in readiness to give their services wherever they might be +necessary. + +[Illustration: THRONG GOING TO THE LISTS] + +The exterior of the lists was in part occupied by temporary galleries, +spread with tapestries and carpets, and accommodated with cushions for +the convenience of those ladies and nobles who were expected to attend +the tournament. A narrow space between these galleries and the lists +gave accommodation for yeomanry and spectators of a better degree than +the mere vulgar, and might be compared to the pit of a theatre. The +promiscuous multitude arranged themselves upon large banks of turf +prepared for the purpose, which, aided by the natural elevation of the +ground, enabled them to overlook the galleries, and obtain a fair view +into the lists. Besides the accommodation which these stations afforded, +many hundred had perched themselves on the branches of the trees which +surrounded the meadow; and even the steeple of a country church, at some +distance, was crowded with spectators. + +It only remains to notice respecting the general arrangement, that one +gallery in the very centre of the eastern side of the lists, and +consequently exactly opposite to the spot where the shock of the combat +was to take place, was raised higher than the others, more richly +decorated, and graced by a sort of throne and canopy, on which the royal +arms were emblazoned. Squires, pages, and yeomen in rich liveries waited +around this place of honor, which was designed for Prince John and his +attendants. Opposite to this royal gallery was another, elevated to the +same height, on the western side of the lists; and more gayly, if less +sumptuously, decorated than that destined for the Prince himself. A +train of pages and of young maidens, the most beautiful who could be +selected, gayly dressed in fancy habits of green and pink, surrounded a +throne decorated in the same colors; Among pennons and flags, bearing +wounded hearts, burning hearts, bleeding hearts, bows and quivers, and +all the commonplace emblems of the triumphs of Cupid, a blazoned +inscription informed the spectators that this seat of honor was designed +for _La Royne de la Beaute et des Amours_. But who was to represent the +Queen of Beauty and of Love on the present occasion no one was prepared +to guess. + +Meanwhile, spectators of every description thronged forward to occupy +their respective stations, and not without many quarrels concerning +those which they were entitled to hold. Some of these were settled by +the men-at-arms with brief ceremony; the shafts of their battle-axes and +pummels of their swords being readily employed as arguments to convince +the more refractory. Others, which involved the rival claims of more +elevated persons, were determined by the heralds, or by the two marshals +of the field, William de Wyvil and Stephen de Martival, who, armed at +all points, rode up and down the lists to enforce and preserve good +order among the spectators. + +Gradually the galleries became filled with knights and nobles, in their +robes of peace, whose long and rich-tinted mantles were contrasted with +the gayer and more splendid habits of the ladies, who, in a greater +proportion than even the men themselves, thronged to witness a sport +which one would have thought too bloody and dangerous to afford their +sex much pleasure. The lower and interior space was soon filled by +substantial yeomen and burghers, and such of the lesser gentry as, from +modesty, poverty, or dubious title, durst not assume any higher place. +It was of course amongst these that the most frequent disputes for +precedence occurred. + +Suddenly the attention of every one was called to the entrance of Prince +John, who at that moment entered the lists, attended by a numerous and +gay train, consisting partly of laymen, partly of church-men, as light +in their dress, and as gay in their demeanor, as their companions. Among +the latter was the Prior of Jorvaulx, in the most gallant trim which a +dignitary of the church could venture to exhibit. Fur and gold were not +spared in his garments; and the points of his boots turned up so very +far as to be attached not to his knees merely, but to his very girdle, +and effectually prevented him from putting his foot into the stirrup. +This, however, was a slight inconvenience to the gallant Abbot, who, +perhaps even rejoicing in the opportunity to display his accomplished +horsemanship before so many spectators, especially of the fair sex, +dispensed with the use of these supports to a timid rider. The rest of +Prince John's retinue consisted of the favorite leaders of his mercenary +troops, some marauding barons and profligate attendants upon the court, +with several Knights Templars and Knights of Saint John. + +Attended by this gallant equipage, himself well mounted, and splendidly +dressed in crimson and in gold, bearing upon his hand a falcon, and +having his head covered by a rich fur bonnet, adorned with a circle of +precious stones, from which his long curled hair escaped and overspread +his shoulders, Prince John, upon a gray and high-mettled palfrey, +caracoled within the lists at the head of his jovial party, laughing +loud with his train, and eyeing with all the boldness of royal criticism +the beauties who adorned the lofty galleries. + +In the midst of Prince John's cavalcade, he suddenly stopped, and, +appealing to the Prior of Jorvaulx, declared the principal business of +the day had been forgotten. + +"By my halidom," said he, "we have neglected, Sir Prior, to name the +fair Sovereign of Love and of Beauty, by whose white hand the palm is to +be distributed. For my part, I am liberal in my ideas, and I care not if +I give my vote for the black-eyed Rebecca." + +"Holy Virgin," answered the Prior, turning up his eyes in horror, "a +Jewess! We should deserve to be stoned out of the lists; and I am not +yet old enough to be a martyr. Besides, I swear by my patron saint that +she is far inferior to the lovely Saxon, Rowena." + +From the tone in which this was spoken, John saw the necessity of +acquiescence. "I did but jest," he said; "and you turn upon me like an +adder! Name whom you will, in the fiend's name, and please yourselves." + +"Nay, nay," said De Bracy, "let the fair sovereign's throne remain +unoccupied until the conqueror shall be named, and then let him choose +the lady by whom it shall be filled. It will add another grace to his +triumph, and teach fair ladies to prize the love of valiant knights, who +can exalt them to such distinction." + +"If Brian de Bois-Guilbert gain the prize," said the Prior, "I will gage +my rosary that I name the Sovereign of Love and Beauty." + +"Bois-Guilbert," answered De Bracy, "is a good lance; but there are +others around these lists, Sir Prior, who will not fear to encounter +him." + +"Silence, sirs," said Waldemar, "and let the Prince assume his seat. The +knights and spectators are alike impatient, the time advances, and +highly fit it is that the sports should commence." + +Prince John, though not yet a monarch, had in Waldemar Fitzurse all the +inconveniences of a favorite minister, who, in serving his sovereign, +must always do so in his own way. The Prince acquiesced, however, +although his disposition was precisely of that kind which is apt to be +obstinate upon trifles, and, assuming his throne, and being surrounded +by his followers, gave signal to the heralds to proclaim the laws of the +tournament, which were briefly as follows: + +First, the five challengers were to undertake all comers. + +Secondly, any knight proposing to combat might, if he pleased, select a +special antagonist from among the challengers, by touching his shield. +If he did so with the reverse of his lance, the trial of skill was made +with what were called the arms of courtesy, that is, with lances at +whose extremity a piece of round flat board was fixed, so that no danger +was encountered, save from the shock of the horses and riders. But if +the shield was touched with the sharp end of the lance, the combat was +understood to be at _outrance_,[46-3] that is, the knights were to fight +with sharp weapons, as in actual battle. + +Thirdly, when the knights present had accomplished their vow, by each of +them breaking five lances, the Prince was to declare the victor in the +first day's tourney, who should receive as prize a war-horse of +exquisite beauty and matchless strength; and in addition to this reward +of valor, it was now declared, he should have the peculiar honor of +naming the Queen of Love and Beauty, by whom the prize should be given +on the ensuing day. + +Fourthly, it was announced that, on the second day, there should be a +general tournament, in which all the knights present, who were desirous +to win praise, might take part; and being divided into two bands, of +equal numbers, might fight it out manfully until the signal was given by +Prince John to cease the combat. The elected Queen of Love and Beauty +was then to crown the knight, whom the Prince should adjudge to have +borne himself best in this second day, with a coronet composed of thin +gold plate, cut into the shape of a laurel crown. On this second day the +knightly games ceased. But on that which was to follow, feats of +archery, of bull-baiting, and other popular amusements were to be +practiced, for the more immediate amusement of the populace. In this +manner did Prince John endeavor to lay the foundation of a popularity +which he was perpetually throwing down by some inconsiderate act of +wanton aggression upon the feelings and prejudices of the people. + +The lists now presented a most splendid spectacle. The sloping galleries +were crowded with all that was noble, great, wealthy, and beautiful in +the northern and midland parts of England; and the contrast of the +various dresses of these dignified spectators rendered the view as gay +as it was rich, while the interior and lower space, filled with the +substantial burgesses and yeomen of merry England, formed, in their more +plain attire, a dark fringe, or border, around this circle of brilliant +embroidery, relieving, and at the same time setting off, its splendor. + +The heralds finished their proclamation with their usual cry of +"Largesse,[48-4] largesse, gallant knights!" and gold and silver pieces +were showered on them from the galleries, it being a high point of +chivalry to exhibit liberality toward those whom the age accounted at +once the secretaries and historians of honor. The bounty of the +spectators was acknowledged by the customary shouts of "Love of +ladies--Death of champions--Honor to the generous--Glory to the brave!" +To which the more humble spectators added their acclamations, and a +numerous band of trumpeters the flourish of their martial instruments. +When these sounds had ceased, the heralds withdrew from the lists in gay +and glittering procession, and none remained within them save the +marshals of the field, who, armed cap-à-pie, sat on horseback, +motionless as statues, at the opposite ends of the lists. Meantime, the +inclosed space at the northern extremity of the lists, large as it was, +was now completely crowded with knights desirous to prove their skill +against the challengers, and, when viewed from the galleries, presented +the appearance of a sea of waving plumage, intermixed with glistening +helmets and tall lances, to the extremities of which were, in many +cases, attached small pennons of about a span's breadth, which, +fluttering in the air as the breeze caught them, joined with the +restless motion of the feathers to add liveliness to the scene. + +At length the barriers were opened, and five knights, chosen by lot, +advanced slowly into the area; a single champion riding in front, and +the other four following in pairs. All were splendidly armed, and my +Saxon authority (in the Wardour Manuscript) records at great length +their devices, their colors, and the embroidery of their horse +trappings. It is unnecessary to be particular on these subjects. + +Their escutcheons have long mouldered from the walls of their castles. +Their castles themselves are but green mounds and shattered ruins: the +place that once knew them, knows them no more--nay, many a race since +theirs has died out and been forgotten in the very land which they +occupied with all the authority of feudal proprietors and feudal lords. +What, then, would it avail the reader to know their names, or the +evanescent symbols of their martial rank? + +Now, however, no whit anticipating the oblivion which awaited their +names and feats, the champions advanced through the lists, restraining +their fiery steeds, and compelling them to move slowly, while, at the +same time, they exhibited their paces, together with the grace and +dexterity of the riders. As the procession entered the lists, the sound +of a wild barbaric music was heard from behind the tents of the +challengers, where the performers were concealed. It was of Eastern +origin, having been brought from the Holy Land; and the mixture of the +cymbals and bells seemed to bid welcome at once, and defiance, to the +knights as they advanced. With the eyes of an immense concourse of +spectators fixed upon them, the five Knights advanced up the platform +upon which the tents of the challengers stood, and there separating +themselves, each touched slightly, and with the reverse of his lance, +the shield of the antagonist to whom he wished to oppose himself. The +lower order of spectators in general--nay, many of the higher class, and +it is even said several of the ladies--were rather disappointed at the +champions choosing the arms of courtesy. For the same sort of persons +who, in the present day, applaud most highly the deepest tragedies were +then interested in a tournament exactly in proportion to the danger +incurred by the champions engaged. + +Having intimated their more pacific purpose, the champions retreated to +the extremity of the lists, where they remained drawn up in a line; +while the challengers, sallying each from his pavilion, mounted their +horses, and, headed by Brian de Bois-Guilbert, descended from the +platform and opposed themselves individually to the knights who had +touched their respective shields. + +At the flourish of clarions and trumpets, they started out against each +other at full gallop; and such was the superior dexterity or good +fortune of the challengers, that those opposed to Bois-Guilbert, +Malvoisin, and Front-de-Boeuf rolled on the ground. The antagonist of +Grantmesnil, instead of bearing his lance-point fair against the crest +or the shield of his enemy, swerved so much from the direct line as to +break the weapon athwart the person of his opponent--a circumstance +which was accounted more disgraceful than that of being actually +unhorsed, because the latter might happen from accident, whereas the +former evinced awkwardness and want of management of the weapon and of +the horse. The fifth knight alone maintained the honor of his party, and +parted fairly with the Knight of Saint John, both splintering their +lances without advantage on either side. + +The shouts of the multitude, together with the acclamations of the +heralds and the clangor of the trumpets, announced the triumph of the +victors and the defeat of the vanquished. The former retreated to their +pavilions, and the latter, gathering themselves up as they could, +withdrew from the lists in disgrace and dejection, to agree with their +victors concerning the redemption of their arms and their horses, which, +according to the laws of the tournament, they had forfeited. The fifth +of their number alone tarried in the lists long enough to be greeted by +the applauses of the spectators, among whom he retreated, to the +aggravation, doubtless, of his companions' mortification. + +A second and a third party of knights took the field; and although they +had various success, yet, upon the whole, the advantage decidedly +remained with the challengers, not one of them whom lost his seat or +swerved from his charge--misfortunes which befell one or two of their +antagonists in each encounter. The spirits, therefore, of those opposed +to them seemed to be considerably damped by their continued success. +Three knights only appeared on the fourth entry, who, avoiding the +shields of Bois-Guilbert and Front-de-Boeuf, contented themselves with +touching those of the three other knights who had not altogether +manifested the same strength and dexterity. This politic selection did +not alter the fortune of the field: the challengers were still +successful. One of their antagonists was overthrown; and both the others +failed in the _attaint_, that is, in striking the helmet and shield of +their antagonist firmly and strongly, with the lance held in a direct +line, so that the weapon might break unless the champion was overthrown. + +After this fourth encounter, there was a considerable pause; nor did it +appear that any one was very desirous of renewing the contest. The +spectators murmured among themselves; for, among the challengers, +Malvoisin and Front-de-Boeuf were unpopular from their characters, and +the others, except Grantmesnil, were disliked as strangers and +foreigners. + +But none shared the general feeling of dissatisfaction so keenly as +Cedric the Saxon, who saw, in each advantage gained by the Norman +challengers, a repeated triumph over the honor of England. His own +education had taught him no skill in the games of chivalry, although, +with the arms of his Saxon ancestors, he had manifested himself, on many +occasions, a brave and determined soldier. + +He looked anxiously to Athelstane, who had learned the accomplishments +of the age, as if desiring that he should make some personal effort to +recover the victory which was passing into the hands of the Templar and +his associates. But, though both stout of heart and strong of person, +Athelstane had a disposition too inert and unambitious to make the +exertions which Cedric seemed to expect from him. + +"The day is against England, my lord," said Cedric, in a marked tone; +"are you not tempted to take the lance?" + +"I shall tilt to-morrow," answered Athelstane, "in the _mêlée_; it is +not worth while for me to arm myself to-day." + +Two things displeased Cedric in this speech. It contained the Norman +word _mêlée_ (to express the general conflict), and it evinced some +indifference to the honor of the country; but it was spoken by +Athelstane, whom he held in such profound respect that he would not +trust himself to canvass his motives or his foibles. Moreover, he had no +time to make any remark, for Wamba thrust in his word, observing, "It +was better, though scarce easier, to be the best man among a hundred +than the best man of two." + +Athelstane took the observation as a serious compliment; but Cedric, who +better understood the Jester's meaning, darted at him a severe and +menacing look; and lucky it was for Wamba, perhaps, that the time and +place prevented his receiving, notwithstanding his place and service, +more sensible marks of his master's resentment. + +The pause in the tournament was still uninterrupted, excepting by the +voices of the heralds exclaiming--"Love of ladies, splintering of +lances! stand forth, gallant knights, fair eyes look upon your deeds!" + +The music also of the challengers breathed from time to time wild bursts +expressive of triumph or defiance, while the clowns[53-5] grudged a +holiday which seemed to pass away in inactivity; and old knights and +nobles lamented in whispers the decay of martial spirit, spoke of the +triumphs of their younger days, but agreed that the land did not now +supply dames of such transcendent beauty as had animated the jousts of +former times. Prince John began to talk to his attendants about making +ready the banquet, and the necessity of adjudging the prize to Brian de +Bois-Guilbert, who had, with a single spear, overthrown two knights and +foiled a third. + +At length, as the Saracenic music of the challengers concluded one of +those long and high flourishes with which they had broken the silence of +the lists, it was answered by a solitary trumpet, which breathed a note +of defiance from the northern extremity. All eyes were turned to see the +new champion which these sounds announced, and no sooner were the +barriers opened than he paced into the lists. As far as could be judged +of a man sheathed in armor, the new adventurer did not greatly exceed +the middle size, and seemed to be rather slender than strongly made. His +suit of armor was formed of steel, richly inlaid with gold, and the +device on his shield was a young oak-tree pulled up by the roots, with +the Spanish word _Desdichado_, signifying Disinherited. He was mounted +on a gallant black horse, and as he passed through the lists he +gracefully saluted the Prince and the ladies by lowering his lance. The +dexterity with which he managed his steed, and something of youthful +grace which he displayed in his manner, won him the favor of the +multitude, which some of the lower classes observed by calling out, +"Touch Ralph de Vipont's shield--touch the Hospitaller's shield; he has +the least sure seat, he is your cheapest bargain." + +The champion, moving onward amid these well-meant hints, ascended the +platform by the sloping alley which led to it from the lists, and, to +the astonishment of all present, riding straight up to the central +pavilion, struck with the sharp end of his spear the shield of Brian de +Bois-Guilbert until it rang again. All stood astonished at his +presumption, but none more than the redoubted Knight whom he had thus +defied to mortal combat, and who, little expecting so rude a challenge, +was standing carelessly at the door of the pavilion. + +"Have you confessed yourself, brother," said the Templar, "and have you +heard mass this morning, that you peril your life so frankly?" + +"I am fitter to meet death than thou art," answered the Disinherited +Knight; for by this name the stranger had recorded himself in the books +of the tourney. + +"Then take your place in the lists," said Bois-Guilbert, "and look your +last upon the sun; for this night thou shalt sleep in paradise." + +"Gramercy for thy courtesy," replied the Disinherited Knight, "and to +requite it, I advise thee to take a fresh horse and a new lance, for by +my honor you will need both." + +Having expressed himself thus confidently, he reined his horse backward +down the slope which he had ascended, and compelled him in the same +manner to move backward through the lists, till he reached the northern +extremity, where he remained stationary, in expectation of his +antagonist. This feat of horsemanship again attracted the applause of +the multitude. + +However incensed at his adversary for the precautions he recommended, +Brian de Bois-Guilbert did not neglect his advice; for his honor was too +nearly concerned to permit his neglecting any means which might insure +victory over his presumptuous opponent. He changed his horse for a +proved and fresh one of great strength and spirit. He chose a new and +tough spear, lest the wood of the former might have been strained in the +previous encounters he had sustained. Lastly he laid aside his shield, +which had received some little damage, and received another from his +squires. His first had only borne the general device of his order, +representing two knights riding upon one horse, an emblem expressive of +the original humility and poverty of the Templars, qualities which they +had since exchanged for the arrogance and wealth that finally occasioned +their suppression. Bois-Guilbert's new shield bore a raven in full +flight, holding in its claws a skull, and bearing the motto, _Gare le +Corbeau_.[56-6] + +When the two champions stood opposed to each other at the two +extremities of the lists, the public expectation was strained to the +highest pitch. Few augured the possibility that the encounter could +terminate well for the Disinherited Knight; yet his courage and +gallantry secured the general good wishes of the spectators. + +The trumpets had no sooner given the signal, than the champions vanished +from their posts with the speed of lightning, and closed in the centre +of the lists with the shock of a thunderbolt. The lances burst into +shivers up to the very grasp, and it seemed at the moment that both +knights had fallen, for the shock had made each horse recoil backward +upon its haunches. The address of the riders recovered their steeds by +use of the bridle and spur; and having glared on each other for an +instant with eyes which seemed to flash fire through the bars of their +visors, each made a demi-volte,[57-7] and, retiring to the extremity of +the lists, received a fresh lance from the attendants. + +A loud shout from the spectators, waving of scarfs and handkerchiefs, +and general acclamations, attested the interest taken by the spectators +in this encounter--the most equal, as well as the best performed, which +had graced the day. But no sooner had the knights resumed their station +than the clamor of applause was hushed into a silence so deep and so +dead that it seemed the multitude were afraid even to breathe. + +A few minutes' pause having been allowed, that the combatants and their +horses might recover breath, Prince John with his truncheon signed to +the trumpets to sound the onset. The champions a second time sprung from +their stations, and closed in the centre of the lists, with the same +speed, the same dexterity, the same violence, but not the same equal +fortune as before. + +In this second encounter, the Templar aimed at the centre of his +antagonist's shield, and struck it so fair and forcibly that his spear +went to shivers, and the Disinherited Knight reeled in his saddle. On +the other hand, that champion had, at the beginning of his career, +directed the point of his lance toward Bois-Guilbert's shield, but, +changing his aim almost in the moment of encounter, he addressed it to +the helmet, a mark more difficult to hit, but which, if attained, +rendered the shock more irresistible. Fair and true he hit the Norman on +the visor, where his lance's point kept hold of the bars. Yet, even at +this disadvantage, the Templar sustained his high reputation; and had +not the girths of his saddle burst, he might not have been unhorsed. As +it chanced, however, saddle, horse, and man rolled on the ground under a +cloud of dust. + +To extricate himself from the stirrups and fallen steed was to the +Templar scarce the work of a moment; and, stung with madness, both at +his disgrace and at the acclamations with which it was hailed by the +spectators, he drew his sword and waved it in defiance of his conqueror. +The Disinherited Knight sprung from his steed, and also unsheathed his +sword. The marshals of the field, however, spurred their horses between +them, and reminded them that the laws of the tournament did not, on the +present occasion, permit this species of encounter. + +"We shall meet again, I trust," said the Templar, casting a resentful +glance at his antagonist; "and where there are none to separate us." + +"If we do not," said the Disinherited Knight, "the fault shall not be +mine. On foot or horseback, with spear, with axe, or with sword, I am +alike ready to encounter thee." + +More and angrier words would have been exchanged, but the marshals, +crossing their lances between them, compelled them to separate. The +Disinherited Knight returned to his first station, and Bois-Guilbert to +his tent, where he remained for the rest of the day in an agony of +despair. + +Without alighting from his horse, the conqueror called for a bowl of +wine, and opening the beaver, or lower part of his helmet, announced +that he quaffed it, "To all true English hearts, and to the confusion +of foreign tyrants." He then commanded his trumpet to sound a defiance +to the challengers, and desired a herald to announce to them that he +should make no election, but was willing to encounter them in the order +in which they pleased to advance against him. + +[Illustration: DISINHERITED KNIGHT UNHORSES BRIAN] + +The gigantic Front-de-Boeuf, armed in sable armor, was the first who +took the field. He bore on a white shield a black bull's head,[59-8] +half defaced by the numerous encounters which he had undergone, and +bearing the arrogant motto, _Cave, Adsum_.[59-9] Over this champion the +Disinherited Knight obtained a slight but decisive advantage. Both +knights broke their lances fairly, but Front-de-Boeuf, who lost a +stirrup in the encounter, was adjudged to have the disadvantage. + +In the stranger's third encounter, with Sir Philip Malvoisin, he was +equally successful; striking that baron so forcibly on the casque that +the laces of the helmet broke, and Malvoisin, only saved from falling by +being unhelmeted, was declared vanquished like his companions. + +In his fourth combat, with De Grantmesnil, the Disinherited Knight +showed as much courtesy as he had hitherto evinced courage and +dexterity. De Grantmesnil's horse, which was young and violent, reared +and plunged in the course of the career so as to disturb the rider's +aim, and the stranger, declining to take the advantage which this +accident afforded him, raised his lance, and passing his antagonist +without touching him, wheeled his horse and rode back again to his own +end of the lists, offering his antagonist, by a herald, the chance of a +second encounter. This De Grantmesnil declined, avow himself vanquished +as much by the courtesy as by the address of his opponent. + +Ralph de Vipont summed up the list of the stranger's triumphs, being +hurled to the ground with such force that the blood gushed from his nose +and his mouth, and he was borne senseless from the lists. + +The acclamations of thousands applauded the unanimous award of the +Prince and marshals, announcing that day's honors to the Disinherited +Knight. + +William de Wyvil and Stephen de Martival, the marshals of the field, +were the first to offer their congratulations to the victor, praying +him, at the same time, to suffer his helmet to be unlaced, or, at least, +that he would raise his visor ere they conducted him to receive the +prize of the day's tourney from the hands of Prince John. The +Disinherited Knight, with all knightly courtesy, declined their request, +alleging, that he could not at this time suffer his face to be seen, for +reasons which he had assigned to the heralds when he entered the lists. +The marshals were perfectly satisfied by this reply; for amid the +frequent and capricious vows by which knights were accustomed to bind +themselves in the days of chivalry, there were none more common than +those by which they engaged to remain incognito for a certain space, or +until some particular adventure was achieved. The marshals, therefore, +pressed no further into the mystery of the Disinherited Knight, but, +announcing to Prince John the conqueror's desire to remain unknown, they +requested permission to bring him before his Grace, in order that he +might receive the reward of his valor. + +John's curiosity was excited by the mystery observed by the stranger; +and, being already displeased with the issue of the tournament, in which +the challengers whom he favored had been successively defeated by one +knight, he answered haughtily to the marshals, "By the light of Our +Lady's brow, this same knight hath been disinherited as well of his +courtesy as of his lands, since he desires to appear before us without +uncovering his face. Wot ye, my lords," he said, turning round to his +train, "who this gallant can be that bears himself thus proudly?" + +"I cannot guess," answered De Bracy, "nor did I think there had been +within the four seas that girth Britain a champion that could bear down +these five knights in one day's jousting. By my faith, I shall never +forget the force with which he shocked De Vipont. The poor +Hospitaller[62-10] was hurled from his saddle like a stone from a +sling." + +"Boast not of that," said a Knight of Saint John, who was present; "your +Temple champion had no better luck. I saw your brave lance, +Bois-Guilbert, roll thrice over, grasping his hands full of sand at +every turn." + +De Bracy, being attached to the Templars, would have replied, but was +prevented by Prince John. "Silence, sirs!" he said; "what unprofitable +debate have we here?" + +"The victor," said De Wyvil, "still waits the pleasure of your +Highness." + +"It is our pleasure," answered John, "that he do so wait until we learn +whether there is not some one who can at least guess at his name and +quality. Should he remain there till nightfall, he has had work enough +to keep him warm." + +"Your Grace," said Waldemar Fitzurse, "will do less than due honor to +the victor if you compel him to wait till we tell your Highness that +which we cannot know; at least I can form no guess--unless he be one of +the good lances who accompanied King Richard to Palestine, and who are +now straggling homeward from the Holy Land." + +While he was yet speaking, the marshals brought forward the Disinherited +Knight to the foot of a wooden flight of steps, which formed the ascent +from the lists to Prince John's throne. With a short and embarrassed +eulogy upon his valor, the Prince caused to be delivered to him the +war-horse assigned as the prize. + +But the Disinherited Knight spoke not a word in reply to the compliment +of the Prince, which he only acknowledged with a profound obeisance. + +The horse was led into the lists by two grooms richly dressed, the +animal itself being fully accoutred with the richest war-furniture; +which, however, scarcely added to the value of the noble creature in the +eyes of those who were judges. Laying one hand upon the pommel of the +saddle, the Disinherited Knight vaulted at once upon the back of the +steed without making use of the stirrup, and, brandishing aloft his +lance, rode twice around the lists, exhibiting the points and paces of +the horse with the skill of a perfect horseman. + +The appearance of vanity which might otherwise have been attributed to +this display was removed by the propriety shown in exhibiting to the +best advantage the princely reward with which he had been just honored, +and the Knight was again greeted by the acclamation of all present. + +In the meanwhile, the bustling Prior of Jorvaulx had reminded Prince +John, in a whisper, that the victor must now display his good judgment, +instead of his valor, by selecting from among the beauties who graced +the galleries a lady who should fill the throne of the Queen of Beauty +and of Love, and deliver the prize of the tourney, upon the ensuing day. +The Prince accordingly made a sign with his truncheon as the Knight +passed him in his second career around the lists. The Knight turned +toward the throne, and, sinking his lance until the point was within a +foot of the ground, remained motionless, as if expecting John's +commands; while all admired the sudden dexterity with which he instantly +reduced his fiery steed from a state of violent emotion and high +excitation to the stillness of an equestrian statue. + +"Sir Disinherited Knight," said Prince John, "since that is the only +title by which we can address you, it is now your duty, as well as +privilege, to name the fair lady who, as Queen of Honor and of Love, is +to preside over next day's festival. If, as a stranger in our land, you +should require the aid of other judgment to guide your own we can only +say that Alicia, the daughter of our gallant knight Waldemar Fitzurse, +has at our court been long held the first in beauty as in place. +Nevertheless, it is your undoubted prerogative to confer on whom you +please this crown, by the delivery of which to the lady of your choice +the election of to-morrow's Queen will be formal and complete. Raise +your lance." + +The Knight obeyed; and Prince John placed upon its point a coronet of +green satin, having around its edge a circlet of gold, the upper edge of +which was relieved by arrow-points and hearts placed interchangeably, +like the strawberry leaves and balls upon a ducal crown. + +In the broad hint which he dropped respecting the daughter of Waldemar +Fitzurse, John had more than one motive, each the offspring of a mind +which was a strange mixture of carelessness and presumption with low +artifice and cunning. He was desirous of conciliating Alicia's father, +Waldemar, of whom he stood in awe, and who had more than once shown +himself dissatisfied during the course of the day's proceedings; he had +also a wish to establish himself in the good graces of the lady. But +besides all these reasons, he was desirous to raise up against the +Disinherited Knight, toward whom he already entertained a strong +dislike, a powerful enemy in the person of Waldemar Fitzurse, who was +likely, he thought, highly to resent the injury done to his daughter in +case, as was not unlikely, the victor should make another choice. + +And so indeed it proved. For the Disinherited Knight passed the gallery, +close to that of the Prince, in which the Lady Alicia was seated in the +full pride of triumphant beauty, and pacing forward as slowly as he had +hitherto rode swiftly around the lists, he seemed to exercise his right +of examining the numerous fair faces which adorned that splendid circle. + +It was worth while to see the different conduct of the beauties who +underwent this examination, during the time it was proceeding. Some +blushed; some assumed an air of pride and dignity; some looked straight +forward, and essayed to seem utterly unconscious of what was going on; +some drew back in alarm, which was perhaps affected; some endeavored to +forbear smiling; and there were two or three who laughed outright. There +were also some who dropped their veils over their charms; but as the +Wardour Manuscript says these were fair ones of ten years' standing, it +may be supposed that, having had their full share of such vanities, they +were willing to withdraw their claim in order to give a fair chance to +the rising beauties of the age. + +At length the champion paused beneath the balcony in which the Lady +Rowena was placed, and the expectation of the spectators was excited to +the utmost. + +It must be owned that, if an interest displayed in his success could +have bribed the Disinherited Knight, the part of the lists before which +he paused had merited his predilection. Cedric the Saxon, overjoyed at +the discomfiture of the Templar, and still more so at the miscarriage of +his two malevolent neighbors, Front-de-Boeuf and Malvoisin, had +accompanied the victor in each course not with his eyes only, but with +his whole heart and soul. The Lady Rowena had watched the progress of +the day with equal attention, though without openly betraying the same +intense interest. Even the unmoved Athelstane had shown symptoms of +shaking off his apathy, when, calling for a huge goblet of muscadine, he +quaffed it to the health of the Disinherited Knight. + +Whether from indecision or some other motive of hesitation, the champion +of the day remained stationary for more than a minute, while the eyes of +the silent audience were riveted upon his motions; and then, gradually +and gracefully sinking the point of his lance, he deposited the coronet +which it supported at the feet of the fair Rowena. The trumpets +instantly sounded, while the heralds proclaimed the Lady Rowena the +Queen of Beauty and of Love for the ensuing day, menacing with suitable +penalties those who should be disobedient to her authority. They then +repeated their cry of "Largesse," to which Cedric, in the height of his +joy, replied by an ample donative, and to which Athelstane, though less +promptly, added one equally large. + +There was some murmuring among the damsels of Norman descent, who were +as much unused to see the preference given to a Saxon beauty as the +Norman nobles were to sustain defeat in the games of chivalry which they +themselves had introduced. But these sounds of disaffection were drowned +by the popular shout of "Long live the Lady Rowena, the chosen and +lawful Queen of Love and of Beauty!" To which many in the lower area +added, "Long live the Saxon Princess! long live the race of the immortal +Alfred!" + +However unacceptable these sounds might be to Prince John and to those +around him, he saw himself nevertheless obliged to confirm the +nomination of the victor, and accordingly calling to horse, he left his +throne, and mounting his jennet, accompanied by his train, he again +entered the lists. + +Spurring his horse, as if to give vent to his vexation, he made the +animal bound forward to the gallery where Rowena was seated, with the +crown still at her feet. + +"Assume," he said, "fair lady, the mark of your sovereignty, to which +none vows homage more sincerely than ourself, John of Anjou; and if it +please you to-day, with your noble sire and friends, to grace our +banquet in the Castle of Ashby, we shall learn to know the empress to +whose service we devote to-morrow." + +Rowena remained silent, and Cedric answered for her in his native Saxon. + +"The Lady Rowena," he said, "possesses not the language in which to +reply to your courtesy, or to sustain her part in your festival. I also, +and the noble Athelstane of Coningsburgh, speak only the language and +practice only the manners, of our fathers. We therefore decline with +thanks your Highness's courteous invitation to the banquet. To-morrow, +the Lady Rowena will take upon her the state to which she has been +called by the free election of the victor Knight, confirmed by the +acclamations of the people." + +So saying, he lifted the coronet and placed it upon Rowena's head, in +token of her acceptance of the temporary authority assigned to her. + +In various routes, according to the different quarters from which they +came, and in groups of various numbers, the spectators were seen +retiring over the plain. By far the most numerous part streamed toward +the town of Ashby, where many of the distinguished persons were lodged +in the castle, and where others found accommodation in the town itself. +Among these were most of the knights who had already appeared in the +tournament, or who proposed to fight there the ensuing day, and who, as +they rode slowly along, talking over the events of the day, were greeted +with loud shouts by the populace. The same acclamations were bestowed +upon Prince John, although he was indebted for them rather to the +splendor of his appearance and train than to the popularity of his +character. + +A more sincere and more general, as well as a better merited +acclamation, attended the victor of the day, until, anxious to withdraw +himself from popular notice, he accepted the accommodation of one of +those pavilions pitched at the extremities of the lists, the use of +which was courteously tendered him by the marshals of the field. On his +retiring to his tent, many who had lingered in the lists, to look upon +and form conjectures concerning him, also dispersed. + +The signs and sounds of a tumultuous concourse of men lately crowded +together in one place, and agitated by the same passing events, were now +exchanged for the distant hum of voices of different groups retreating +in all directions, and these speedily died away in silence. No other +sounds were heard save the voices of the menials who stripped the +galleries of their cushions and tapestry, in order to put them in safety +for the night, and wrangled among themselves for half-used bottles of +wine and relics of the refreshments which had been served round to the +spectators. + +[Illustration: THE ARMOUR MAKERS] + +Beyond the precincts of the lists more than one forge was erected; and +these now began to glimmer through the twilight, announcing the toil of +the armorers, which was to continue through the whole night, in order to +repair or alter the suits of armor to be used again on the morrow. + +A strong guard of men-at-arms, renewed at intervals, from two hours to +two hours, surrounded the lists, and kept watch during the night. + +The Disinherited Knight had no sooner reached his pavilion than squires +and pages in abundance tendered their services to disarm him, to bring +fresh attire, and to offer him the refreshment of the bath. Their zeal +on this occasion was perhaps sharpened by curiosity, since every one +desired to know who the knight was that had gained so many laurels, yet +had refused, even at the command of Prince John, to lift his visor or to +name his name. But their officious inquisitiveness was not gratified. +The Disinherited Knight refused all other assistance save that of his +own squire, or rather yeoman--a clownish-looking man, who, wrapped in a +cloak of dark-colored felt, and having his head and face half buried in +a Norman bonnet made of black fur, seemed to affect the incognito as +much as his master. All others being excluded from the tent, this +attendant relieved his master from the more burdensome parts of his +armor, and placed food and wine before him, which the exertions of the +body rendered very acceptable. + +The Knight had scarcely finished a hasty meal ere his menial announced +to him that five men, each leading a barbed steed,[70-11] desired to +speak with him. The Disinherited Knight had exchanged his armor for the +long robe usually worn by those of his condition, which, being furnished +with a hood, concealed the features, when such was the pleasure of the +wearer, almost as completely as the visor of the helmet itself; but the +twilight, which was now fast darkening, would of itself have rendered a +disguise unnecessary, unless to persons to whom the face of an +individual chanced to be particularly well known. + +The Disinherited Knight, therefore, stepped boldly forth to the front of +his tent, and found in attendance the squires of the challengers, whom +he easily knew by their russet and black dresses, each of whom led his +master's charger, loaded with the armor in which he had that day fought. + +"According to the laws of chivalry," said the foremost of these men, "I, +Baldwin de Oyley, squire to the redoubted Knight Brian de Bois-Guilbert, +make offer to you, styling yourself for the present the Disinherited +Knight, of the horse and armor used by the said Brian de Bois-Guilbert +in this day's passage of arms, leaving it with your nobleness to retain +or to ransom the same, according to your pleasure; for such is the law +of arms." + +The other squires repeated nearly the same formula, and then stood to +await the decision of the Disinherited Knight. + +"To you four, sirs," replied the Knight, addressing those who had last +spoken, "and to your honorable and valiant masters, I have one common +reply. Commend me to the noble knights, your masters, and say, I should +do ill to deprive them of steeds and arms which can never be used by +braver cavaliers. I would I could here end my message to these gallant +knights; but being, as I term myself, in truth and earnest, the +Disinherited, I must be thus far bound to your masters, that they will, +of their courtesy, be pleased to ransom their steeds and armor, since +that which I wear I can hardly term mine own." + +"We stand commissioned, each of us," answered the squire of Reginald +Front-de-Boeuf, "to offer a hundred zecchins[72-12] in ransom of +these horses and suits of armor." + +"It is sufficient," said the Disinherited Knight. "Half the sum my +present necessities compel me to accept; of the remaining half, +distribute one moiety among yourselves, sir squires, and divide the +other half between the heralds and the pursuivants, and minstrels, and +attendants." + +The squires, with cap in hand, and low reverences, expressed their deep +sense of a courtesy and generosity not often practiced, at least upon a +scale so extensive. + +The Disinherited Knight then addressed his discourse to Baldwin, the +squire of Brian de Bois-Guilbert. "From your master," said he, "I will +accept neither arms nor ransom. Say to him in my name, that our strife +is not ended--no, not till we have fought as well with swords as with +lances, as well on foot as on horseback. To this mortal quarrel he has +himself defied me, and I shall not forget the challenge. Meantime, let +him be assured that I hold him not as one of his companions, with whom I +can with pleasure exchange courtesies; but rather as one with whom I +stand upon terms of mortal defiance." + +"My master," answered Baldwin, "knows how to requite scorn with scorn, +and blows with blows, as well as courtesy with courtesy. Since you +disdain to accept from him any share of the ransom at which you have +rated the arms of the other knights, I must leave his armor and his +horse here, being well assured that he will never deign to mount the one +nor wear the other." + +"You have spoken well, good squire," said the Disinherited Knight--"well +and boldly, as it beseemeth him to speak who answers for an absent +master. Leave not, however, the horse and armor here. Restore them to +thy master; or, if he scorns to accept them, retain them, good friend, +for thine own use. So far as they are mine, I bestow them upon you +freely." + +Baldwin made a deep obeisance, and retired with his companions; and the +Disinherited Knight entered the pavilion. + +Morning arose in unclouded splendor, and ere the sun was much above the +horizon the idlest or the most eager of the spectators appeared on the +common, moving to the lists as to a general centre, in order to secure a +favorable situation for viewing the continuation of the expected games. + +The marshals and their attendants appeared next on the field, together +with the heralds, for the purpose of receiving the names of the knights +who intended to joust, with the side which each chose to espouse. This +was a necessary precaution in order to secure equality between the two +bodies who should be opposed to each other. + +According to due formality, the Disinherited Knight was to be considered +as leader of the one body, while Brian de Bois-Guilbert, who had been +rated as having done second-best in the preceding day, was named first +champion of the other band. Those who had concurred in the challenge +adhered to his party, of course, excepting only Ralph de Vipont, whom +his fall had rendered unfit so soon to put on his armor. There was no +want of distinguished candidates to fill up the ranks on either side. + +In fact, although the general tournament, in which all knights fought at +once, was more dangerous than single encounters, they were, +nevertheless, more frequented and practiced by the chivalry of the age. +Many knights, who had not sufficient confidence in their own skill to +defy a single adversary of high reputation, were, nevertheless, desirous +of displaying their valor in the general combat, where they might meet +others with whom they were more upon an equality. + +On the present occasion, about fifty knights were inscribed as desirous +of combating upon each side, when the marshals declared that no more +could be admitted, to the disappointment of several who were too late in +preferring their claim to be included. + +About the hour of ten o'clock the whole plain was crowded with horsemen, +horsewomen, and foot-passengers, hastening to the tournament; and +shortly after, a grand flourish of trumpets announced Prince John and +his retinue, attended by many of those knights who meant to take share +in the game, as well as others who had no such intention. + +About the same time arrived Cedric the Saxon, with the Lady Rowena, +unattended, however, by Athelstane. This Saxon lord had arrayed his tall +and strong person in armor, in order to take his place among the +combatants; and, considerably to the surprise of Cedric, had chosen to +enlist himself on the part of the Knight Templar. The Saxon, indeed, had +remonstrated strongly with his friend upon the injudicious choice he had +made of his party; but he had only received that sort of answer usually +given by those who are more obstinate in following their own course than +strong in justifying it. + +His best, if not his only, reason for adhering to the party of Brian de +Bois-Guilbert, Athelstane had the prudence to keep to himself. Though +his apathy of disposition prevented his taking any means to recommend +himself to the Lady Rowena, he was, nevertheless, by no means insensible +to her charms, and considered his union with her as a matter already +fixed beyond doubt by the assent of Cedric and her other friends. It +had, therefore, been with smothered displeasure that the proud though +indolent Lord of Coningsburgh beheld the victor of the preceding day +select Rowena as the object of that honor which it became his privilege +to confer. In order to punish him for a preference which seemed to +interfere with his own suit, Athelstane, confident of his strength, and +to whom his flatterers, at least, ascribed great skill in arms, had +determined not only to deprive the Disinherited Knight of his powerful +succor, but, if an opportunity should occur, to make him feel the weight +of his battle-axe. + +De Bracy, and other knights attached to Prince John, in obedience to a +hint from him, had joined the party of the challengers, John being +desirous to secure, if possible, the victory to that side. On the other +hand, many other knights, both English and Norman, natives and +strangers, took part against the challengers, the more readily that the +opposite band was to be led by so distinguished a champion as the +Disinherited Knight had approved himself. + +As soon as Prince John observed that the destined Queen of the day +arrived upon the field, assuming that air of courtesy which sat well +upon him when he was pleased to exhibit it, he rode forward to meet her, +doffed his bonnet, and, alighting from his horse, assisted the Lady +Rowena from her saddle, while his followers uncovered at the same time, +and one of the most distinguished dismounted to hold her palfrey. + +"It is thus," said Prince John, "that we set the dutiful example of +loyalty to the Queen of Love and Beauty, and are ourselves her guide to +the throne which she must this day occupy. Ladies," he said, "attend +your Queen, as you wish in your turn to be distinguished by like +honors." + +So saying, the Prince marshalled Rowena to the seat of honor opposite +his own, while the fairest and most distinguished ladies present crowded +after her to obtain places as near as possible to their temporary +sovereign. + +No sooner was Rowena seated than a burst of music, half-drowned by the +shouts of the multitude, greeted her new dignity. Meantime, the sun +shone fierce and bright upon the polished arms of the knights of either +side, who crowded the opposite extremities of the lists, and held eager +conference together concerning the best mode of arranging their line of +battle and supporting the conflict. + +The heralds then proclaimed silence until the laws of the tourney should +be rehearsed. These were calculated in some degree to abate the dangers +of the day--a precaution the more necessary as the conflict was to be +maintained with sharp swords and pointed lances. + +The champions were therefore prohibited to thrust with the sword, and +were confined to striking. A knight, it was announced, might use a mace +or battle-axe at pleasure; but the dagger was a prohibited weapon. A +knight unhorsed might renew the fight on foot with any other on the +opposite side in the same predicament; but mounted horsemen were in that +case forbidden to assail him. When any knight could force his antagonist +to the extremity of the lists, so as to touch the palisade with his +person or arms, such opponent was obliged to yield himself vanquished, +and his armor and horse were placed at the disposal of the conqueror. A +knight thus overcome was not permitted to take further share in the +combat. If any combatant was struck down, and unable to recover his feet, +his squire or page might enter the lists and drag his master out of the +press; but in that case the knight was adjudged vanquished, and his arms +and horse declared forfeited. The combat was to cease as soon as Prince +John should throw down his leading staff, or truncheon--another +precaution usually taken to prevent the unnecessary effusion of blood by +the too long endurance of a sport so desperate. Any knight breaking the +rules of the tournament, or otherwise transgressing the rules of +honorable chivalry, was liable to be stripped of his arms, and, having +his shield reversed, to be placed in that posture astride upon the bars +of the palisade, and exposed to public derision, in punishment of his +unknightly conduct. Having announced these precautions, the heralds +concluded with an exhortation to each good knight to do his duty, and to +merit favor from the Queen of Beauty and Love. + +This proclamation having been made, the heralds withdrew to their +stations. The knights, entering at either end of the lists in long +procession, arranged themselves in a double file, precisely opposite to +each other, the leader of each party being in the center of the foremost +rank, a post which he did not occupy until each had carefully arranged +the ranks of his party, and stationed every one in his place. + +It was a goodly, and at the same time an anxious, sight to behold so +many gallant champions, mounted bravely and armed richly, stand ready +prepared for an encounter so formidable, seated on their war-saddles +like so many pillars of iron, and awaiting the signal of encounter with +the same ardor as their generous steeds, which, by neighing and pawing +the ground, gave signal of their impatience. + +As yet the knights held their long lances upright, their bright points +glancing to the sun, and the streamers with which they were decorated +fluttering over the plumage of the helmets. Thus they remained while the +marshals of the field surveyed their ranks with the utmost exactness, +lest either party had more or fewer than the appointed number. The tale +was found exactly complete. The marshals then withdrew from the lists, +and William de Wyvil, with a voice of thunder, pronounced the signal +words--"_Laissez aller!_"[78-13] The trumpets sounded as he spoke; the +spears of the champions were at once lowered and placed in the rests; +the spurs were dashed into the flanks of the horses; and the two +foremost ranks of either party rushed upon each other in full gallop, +and met in the middle of the lists with a shock the sound of which was +heard at a mile's distance. The rear rank of each party advanced at a +slower pace to sustain the defeated, and follow up the success of the +victors, of their party. + +The consequences of the encounter were not instantly seen, for the dust +raised by the trampling of so many steeds darkened the air, and it was a +minute ere the anxious spectators could see the fate of the encounter. +When the fight became visible, half the knights on each side were +dismounted--some by the dexterity of their adversary's lance; some by +the superior weight and strength of opponents, which had borne down both +horse and man; some lay stretched on earth as if never more to rise; +some had already gained their feet, and were closing hand to hand with +those of their antagonists who were in the same predicament; and several +on both sides, who had received wounds by which they were disabled, were +stopping their blood by their scarfs, and endeavoring to extricate +themselves from the tumult. The mounted knights, whose lances had been +almost all broken by the fury of the encounter, were now closely engaged +with their swords, shouting their war-cries, and exchanging buffets, as +if honor and life depended on the issue of the combat. + +The tumult was presently increased by the advance of the second rank on +either side, which, acting as a reserve, now rushed on to aid their +companions. The followers of Brian de Bois-Guilbert shouted--"_Ha! +Beau-seant! Beau-seant!_[79-14] For the Temple! For the Temple!" The +opposite shouted in answer--"_Desdichado! Desdichado!_" which watchword +they took from the motto upon their leaders' shield. + +The champions thus encountering each other with the utmost fury, and +with alternate success, the tide of battle seemed to flow now toward the +southern, now toward the northern, extremity of the lists, as the one or +the other party prevailed. Meantime the clang of the blows and the +shouts of the combatants mixed fearfully with the sound of the trumpets, +and drowned the groans of those who fell, and lay rolling defenceless +beneath the feet of the horses. The splendid armor of the combatants was +now defaced with dust and blood, and gave way at every stroke of the +sword and battle-axe. The gay plumage, shorn from the crests, drifted +upon the breeze like snowflakes. All that was beautiful and graceful in +the martial array had disappeared, and what was now visible was only +calculated to awake terror or compassion. + +Yet such is the force of habit, that not only the vulgar spectators, who +are naturally attracted by sights of horror, but even the ladies of +distinction, who crowded the galleries, saw the conflict with a +thrilling interest certainly, but without a wish to withdraw their eyes, +from a sight so terrible. Here and there, indeed, a fair cheek might +turn pale, or a faint scream might be heard, as a lover, a brother, or a +husband was struck from his horse. But, in general, the ladies around +encouraged the combatants, not only by clapping their hands and waving +their veils and kerchiefs, but even by exclaiming, "Brave lance! Good +sword!" when any successful thrust or blow took place under their +observation. + +Such being the interest taken by the fair sex in this bloody game, that +of men is the more easily understood. It showed itself in loud +acclamations upon every change of fortune, while all eyes were so +riveted on the lists that the spectators seemed as if they themselves +had dealt and received the blows which were there so freely bestowed. +And between every pause was heard the voice of the heralds, exclaiming, +"Fight on, brave knights! Man dies, but glory lives! Fight on; death is +better than defeat! Fight on, brave knights! for bright eyes behold your +deeds!" + +Amid the varied fortunes of the combat, the eyes of all endeavored to +discover the leaders of each band, who, mingling in the thick of the +fight, encouraged their companions both by voice and example. Both +displayed great feats of gallantry nor did either Bois-Guilbert or the +Disinherited Knight find in the ranks opposed to them a champion who +could be termed their unquestioned match. They repeatedly endeavored to +single out each other, spurred by mutual animosity, and aware that the +fall of either leader might be considered as decisive of victory. Such, +however, was the crowd and confusion that, during the earlier part of +the conflict, their efforts to meet were unavailing, and they were +repeatedly separated by the eagerness of their followers, each of whom +was anxious to win honor by measuring his strength against the leader of +the opposite party. + +But when the field became thin by the numbers on either side who had +yielded themselves vanquished, had been compelled to the extremity of +the lists, or been otherwise rendered incapable of continuing the +strife, the Templar and the Disinherited Knight at length encountered +hand to hand, with all the fury that mortal animosity, joined to rivalry +of honor, could inspire. Such was the address of each in parrying and +striking, that the spectators broke forth into a unanimous and +involuntary shout, expressive of their delight and admiration. + +But at this moment the party of the Disinherited Knight had the worst; +the gigantic arm of Front-de-Boeuf on the one flank, and the ponderous +strength of Athelstane on the other, bearing down and dispersing those +immediately opposed to them. Finding themselves freed from their +immediate antagonists, it seems to have occurred to both these knights +at the same instant that they would render the most decisive advantage +to their party by aiding the Templar in his contest with his rival. +Turning their horses, therefore, at the same moment, the Norman spurred +against the Disinherited Knight on the one side and the Saxon on the +other. It was utterly impossible that the object of this unequal and +unexpected assault could have sustained it, had he not been warned by a +general cry from the spectators, who could not but take interest in one +exposed to such disadvantage. + +"Beware! beware! Sir Disinherited!" was shouted so universally that the +knight became aware of his danger; and striking a full blow at the +Templar, he reined back his steed in the same moment, so as to escape +the charge of Athelstane and Front-de-Boeuf. These knights, therefore, +their aim being thus eluded, rushed from opposite sides between the +object of their attack and the Templar, almost running their horses +against each other ere they could stop their career. Recovering their +horses, however, and wheeling them round, the whole three pursued their +united purpose of bearing to the earth the Disinherited Knight. + +Nothing could have saved him except the remarkable strength and activity +of the noble horse which he had won on the preceding day. + +This stood him in the more stead, as the horse of Bois-Guilbert was +wounded and those of Front-de-Boe and Athelstane were both tired +with the weight of their gigantic masters, clad in complete armor, and +with the preceding exertions of the day. The masterly horsemanship of +the Disinherited Knight, and the activity of the noble animal which he +mounted, enabled him for a few minutes to keep at sword's point his +three antagonists, turning and wheeling with the agility of a hawk upon +the wing, keeping his enemies as far separate as he could, and rushing +now against the one, now against the other, dealing sweeping blows with +his sword, without waiting to receive those which were aimed at him in +return. + +But although the lists rang with the applauses of his dexterity, it was +evident that he must at last be overpowered; and the nobles around +Prince John implored him with one voice to throw down his warder, and to +save so brave a knight from the disgrace of being overcome by odds. + +"Not I, by the light of Heaven!" answered Prince John: "this same +springal,[83-15] who conceals his name and despises our proffered +hospitality, hath already gained one prize, and may now afford to let +others have their turn." As he spoke thus, an unexpected incident +changed the fortune of the day. + +There was among the ranks of the Disinherited Knight a champion in black +armor, mounted on a black horse, large of size, tall, and to all +appearance powerful and strong, like the rider by whom he was mounted. +This knight, who bore on his shield no device of any kind, had hitherto +evinced very little interest in the event of the fight, beating off with +seeming ease those combatants who attacked him, but neither pursuing his +advantages nor himself assailing any one. In short, he had hitherto +acted the part rather of a spectator than of a party in the tournament, +a circumstance which procured him among the spectators the name of _Le +Noir Faineant_, or the Black Sluggard. + +At once this knight seemed to throw aside his apathy, when he discovered +the leader of his party so hard bested; for, setting spurs to his horse, +which was quite fresh, he came to his assistance like a thunderbolt, +exclaiming, in a voice like a trumpet-call, "_Desdichado_, to the +rescue!" It was high time; for, while the Disinherited Knight was +pressing upon the Templar, Front-de-Boeuf had got nigh to him with his +uplifted sword; but ere the blow could descend, the Sable Knight dealt a +stroke on his head, which, glancing from the polished helmet, lighted +with violence scarcely abated on the chamfron[84-16] of the steed, and +Front-de-Boeuf rolled on the ground, both horse and man equally +stunned by the fury of the blow. _Le Noir Faineant_ then turned his +horse upon Athelstane of Coningsburgh; and his own sword having been +broken in his encounter with Front-de-Boeuf, he wrenched from the hand +of the bulky Saxon the battle-axe which he wielded, and, like one +familiar with the use of the weapon, bestowed him such a blow upon the +crest that Athelstane also lay senseless on the field. Having achieved +this double feat, for which he was the more highly applauded that it was +totally unexpected from him, the knight seemed to resume the +sluggishness of his character, returning calmly to the northern +extremity of the lists, leaving his leader to cope as he best could with +Brian de Bois-Guilbert. This was no longer matter of so much difficulty +as formerly. The Templar's horse had bled much, and gave way under the +shock of the Disinherited Knight's charge. Brian de Bois-Guilbert +rolled on the field, encumbered with the stirrup, from which he was +unable to draw his foot. His antagonist sprung from horseback, waved his +fatal sword over the head of his adversary, and commanded him to yield +himself; when Prince John, more moved by the Templar's dangerous +situation than he had been by that of his rival, saved him the +mortification of confessing himself vanquished, by casting down his +warder and putting an end to the conflict. + +[Illustration: PRINCE JOHN THROWS DOWN THE TRUNCHEON] + +It was, indeed, only the relics and embers of the fight which continued +to burn; for of the few knights who still continued in the lists, the +greater part had, by tacit consent, forborne the conflict for some time, +leaving it to be determined by the strife of the leaders. + +The squires, who had found it a matter of danger and difficulty to +attend their masters during the engagement, now thronged into the lists +to pay their dutiful attendance to the wounded, who were removed with +the utmost care and attention to the neighboring pavilions, or to the +quarters prepared for them in the adjoining village. + +Thus ended the memorable field of Ashby-de-la-Zouche, one of the most +gallantly contested tournaments of that age; for although only four +knights, including one who was smothered by the heat of his armor, had +died upon the field, yet upward of thirty were desperately wounded, four +or five of whom never recovered. Several more were disabled for life; +and those who escaped best carried the marks of the conflict to the +grave with them. Hence it is always mentioned in the old records as the +"gentle and joyous passage of arms of Ashby." + +It being now the duty of Prince John to name the knight who had done +best, he determined that the honor of the day remained with the knight +whom the popular voice had termed _Le Noir Faineant_. It was pointed out +to the Prince, in impeachment of this decree, that the victory had been +in fact won by the Disinherited Knight, who, in the course of the day, +had overcome six champions with his own hand, and who had finally +unhorsed and struck down the leader of the opposite party. But Prince +John adhered to his own opinion, on the ground that the Disinherited +Knight and his party had lost the day but for the powerful assistance of +the Knight of the Black Armor, to whom, therefore, he persisted in +awarding the prize. + +To the surprise of all present, however, the knight thus preferred was +nowhere to be found. He had left the lists immediately when the conflict +ceased, and had been observed by some spectators to move down one of the +forest glades with the same slow pace and listless and indifferent +manner which had procured him the epithet of the Black Sluggard.[87-17] +After he had been summoned twice by sound of trumpet and proclamation of +the heralds, it became necessary to name another to receive the honors +which had been assigned to him. Prince John had now no further excuse +for resisting the claim of the Disinherited Knight, whom, therefore, he +named the champion of the day. + +Through a field slippery with blood and encumbered with broken armor and +the bodies of slain and wounded horses, the marshals again conducted +the victor to the foot of Prince John's throne. + +"Disinherited Knight," said Prince John, "since by that title only you +will consent to be known to us, we a second time award to you the honors +of this tournament, and announce to you your right to claim and receive +from the hands of the Queen of Love and Beauty the chaplet of honor +which your valor has justly deserved." + +The Knight bowed low and gracefully, but returned no answer. + +While the trumpets sounded, while the heralds strained their voices in +proclaiming honor to the brave and glory to the victor, while ladies +waved their silken kerchiefs and embroidered veils, and while all ranks +joined in a clamorous shout of exultation, the marshals conducted the +Disinherited Knight across the lists to the foot of that throne of honor +which was occupied by the Lady Rowena. + +On the lower step of this throne the champion was made to kneel down. +Indeed, his whole action since that the fight had ended seemed rather to +have been upon the impulse of those around him than from his own free +will; and it was observed that he tottered as they guided him the second +time across the lists. Rowena, descending from her station with a +graceful and dignified step, was about to place the chaplet which she +held in her hand upon the helmet of the champion, when the marshals +exclaimed with one voice, "It must not be thus; his head must be bare." +The knight muttered faintly a few words, which were lost in the hollow +of his helmet; but their purport seemed to be a desire that his casque +might not be removed. + +[Illustration: ROWENA CROWNING DISINHERITED KNIGHT] + +Whether from love of form or from curiosity, the marshals paid no +attention to his expressions of reluctance, but unhelmed him by cutting +the laces of his casque, and undoing the fastening of his gorget. When +the helmet was removed the well-formed yet sun-burned features of a +young man of twenty-five were seen, amid a profusion of short fair +hair. His countenance was as pale as death, and marked in one or two +places with streaks of blood. + +Rowena had no sooner beheld him that she uttered a faint shriek; but at +once summoning up the energy of her disposition, and compelling herself, +as it were, to proceed, while her frame yet trembled with the violence +of sudden emotion, she placed upon the drooping head of the victor the +splendid chaplet which was the destined reward of the day, and +pronounced in a clear and distinct tone these words: "I bestow on thee +this chaplet, Sir Knight, as the meed of valor assigned to this day's +victor." Here she paused a moment, and then firmly added, "And upon brow +more worthy could a wreath of chivalry never be placed!" + +The knight stooped his head and kissed the hand of the lovely Sovereign +by whom his valor had been rewarded; and then, sinking yet further +forward, lay prostrate at her feet. + +There was a general consternation. Cedric, who had been struck mute by +the sudden appearance of his banished son, now rushed forward as if to +separate him from Rowena. But this had been already accomplished by the +marshals of the field, who, guessing the cause of Ivanhoe's swoon, had +hastened to undo his armor, and found that the head of a lance had +penetrated his breastplate and inflicted a wound in his side. + + + +FOOTNOTES: + +[39-1] A pursuivant was an attendant on a herald. + +[40-2] _Salvage_ is an old form of the word _savage_. + +[46-3] _Outrance_ is an old word meaning _the last extremity_. + +[48-4] A largesse is a gift or donation. + +[53-5] _Clowns_ here means _peasants_. + +[56-6] _Gare le Corbeau_ means _Beware of the raven_. + +[57-7] A demi-volte is a certain movement of a horse, by which he makes +a half turn with the fore-feet off the ground. + +[59-8] _Front-de-Boeuf_ means bull's head. + +[59-9] _Cave, Adsum_ is a Latin expression meaning _Beware, I am here_. + +[62-10] _Hospitallers_ was another name for the Knights of Saint John. + +[70-11] _Barbed_, or _barded_, is a term used of a war-horse, and means +_furnished with armor_. + +[72-12] A zecchin, or sequin, is worth about $2.25. + +[78-13] _Laissez aller_ means literally _Let go_. + +[79-14] _Beau-seant_ was the name given to the black and white banner of +the Templars. + +[83-15] _Springal_ is an old word meaning _youth_ or _young man_. + +[84-16] The _chamfron_ is the defensive armor of the front part of the +head of a war-horse. + +[87-17] The Black Sluggard was the king of England, Richard the +Lion-Hearted, who had been absent from England on a Crusade and had come +back without allowing his brother John to know of his return. + + + + +THE RAINBOW + +_By_ THOMAS CAMPBELL + + + Triumphal arch, that fill'st the sky + When storms prepare to part, + I ask not proud Philosophy + To teach me what thou art. + + Still seem, as to my childhoods' sight, + A midway station given, + For happy spirits to alight, + Betwixt the earth and heaven. + + Can all that optics teach, unfold + Thy form to please me so, + As when I dreamt of gems and gold + Hid in thy radiant bow?[91-1] + + When science from creation's face + Enchantment's veil withdraws, + What lovely visions yield their place + To cold material laws! + + And yet, fair bow, no fabling dreams, + But words of the Most High, + Have told why first thy robe of beams + Was woven in the sky.[91-2] + + When o'er the green undeluged earth + Heaven's covenant thou didst shine, + How came the world's gray fathers forth + To watch thy sacred sign! + + And when its yellow lustre smiled + O'er mountains yet untrod, + Each mother held aloft her child + To bless the bow of God. + + The earth to thee her incense yields, + The lark thy welcome sings, + When, glittering in the freshen'd fields, + The snowy mushroom springs. + + How glorious is thy girdle, cast + O'er mountain, tower, and town, + Or mirror'd in the ocean vast + A thousand fathoms down! + + As fresh in yon horizon dark, + As young thy beauties seem, + As when the eagle from the ark + First sported in thy beam. + + For, faithful to its sacred page, + Heaven still rebuilds thy span; + Nor lets the type grow pale with age + That first spoke peace to man. + + +FOOTNOTES: + +[91-1] There was an old, old belief that a pot of god was hidden at the +end of the rainbow, and that whoever found his way to the spot might +claim the gold. This superstition has existed in almost all lands, and +references to it are constantly to be found in literature. + +[91-2] According to the account given in _Genesis IX_, God said to Noah +after the flood: + +"And I will establish my covenant with you; neither shall all flesh be +cut off any more by the waters of a flood; neither shall there any more +be a flood to destroy the earth. + +"This is the token of the covenant which I make between me and you, and +every living creature that is with you for perpetual generations: + +"I do set my bow in the cloud, and it shall be for a token of a covenant +between me and the earth. + +"And it shall come to pass, when I bring a cloud over the earth, that +the bow shall be seen in the cloud: + +"And I will remember my covenant, which is between me and you, and every +living creature of all flesh; and the waters shall no more become a +flood to destroy all flesh." + + + + +THE LION AND THE MISSIONARY + +_By_ DAVID LIVINGSTONE + + + NOTE.--Few men have endured more hardships, dangers and excitement + that did David Livingstone, missionary and African traveler, from + whose writings this account of an adventure with a lion is taken. + He penetrated to parts of Africa where no white man had ever been + before, he suffered repeated attacks of African fever, he exposed + himself to constant danger from wild beasts and wilder men; and he + did none of this in his own interests. He was no merchant seeking + for gold and diamonds, he was no discoverer seeking for fame; his + only aim was to open up the continent of Africa so that + civilization and Christianity might enter. + + In 1840 Livingstone was sent as medical missionary to South Africa. + Here he joined Robert Moffat, in Bechuanaland, where he worked for + nine years. Learning from the natives that there was a large lake + to the northward, he set out on his first exploring trip, and at + length discovered Lake Ngami. Later, he undertook other journeys of + exploration, on one of which he reached the Atlantic coast and then + returned, crossing the entire continent. His greatest achievement + was the exploration of the lake region of South Africa. So cut off + was he, in the African jungles, from all the outer world that no + communication was received from him for three years, and fears as + to his safety were relieved only when Stanley, sent out by the _New + York Herald_ to search for Livingstone, reported that he had seen + and assisted him. + + In May, 1873, Livingstone died, at a village near Lake Bangweolo. + His body was taken to England and laid in Westminster Abbey, but + his heart was buried at the foot of the tree under whose branches + he died. + +Returning toward Kuruman, I selected the beautiful valley of Mabotsa +(latitude 25° 14´ south, longitude 26° 30´) as the site of a missionary +station, and thither I removed in 1843. Here an occurrence took place +concerning which I have frequently been questioned in England, and +which, but for the importunities of friends, I meant to have kept in +store to tell my children when in my dotage. The Bakatla of the village +Mabotsa were much troubled by lions, which leaped into the cattle pens +by night and destroyed their cows. They even attacked the herds in open +day. This was so unusual an occurrence that the people believed that +they were bewitched,--"given," as they said, "into the power of the +lions by a neighboring tribe." They went once to attack the animals, +but, being rather a cowardly people compared to Bechuanas in general on +such occasions, they returned without killing any. + +It is well known that if one of a troop of lions is killed, the others +take the hint and leave that part of the country. So, the next time the +herds were attacked, I went with the people, in order to encourage them +to rid themselves of the annoyance by destroying one of the marauders. +We found the lions on a small hill about a quarter of a mile in length, +and covered with trees. A circle of men was formed round it, and they +gradually closed up, ascending pretty near to each other. Being down +below on the plain with a native schoolmaster, named Mebálwe, a most +excellent man, I saw one of the lions sitting on a piece of rock within +the now closed circle of men. Mebálwe fired at him before I could, and +the ball struck the rock on which the animal was sitting. He bit at the +spot struck, as a dog does at a stick or stone thrown at him; then +leaping away, broke through the opening circle and escaped unhurt. The +men were afraid to attack him, perhaps on account of their belief in +witchcraft. When the circle was reformed, we saw two other lions in it; +but we were afraid to fire lest we should strike the men, and they +allowed the beasts to burst through also. + +If the Bakatla had acted according to the custom of the country, they +would have speared the lions in their attempt to get out. Seeing we +could not get them to kill one of the lions, we bent our footsteps +toward the village; in going round the end of the hill, however, I saw +one of the beasts sitting on a piece of rock as before, but this time he +had a little bush in front. Being about thirty yards off, I took a good +aim at his body through the bush, and fired both barrels into it. The +men then called out, "He is shot, he is shot!" Others cried, "He has +been shot by another man too; let us go to him!" I did not see any one +else shoot at him, but I saw the lion's tail erected in anger behind the +bush, and turning to the people, said, "Stop a little, till I load +again." When in the act of ramming down the bullets, I heard a shout. +Starting, and looking half round, I saw the lion just in the act of +springing upon me. + +I was upon a little height; he caught my shoulder as he sprang, and we +both came to the ground below together. Growling horribly close to my +ear, he shook me as a terrier dog does a rat. The shock produced a +stupor similar to that which seems to be felt by a mouse after the first +shake of the cat. It caused a sort of dreaminess, in which there was no +sense of pain nor feeling of terror, though I was quite conscious of all +that was happening. It was like what patients partially under the +influence of chloroform describe, who see all the operation, but feel +not the knife. This singular condition was not the result of any mental +process. The shake annihilated fear, and allowed no sense of horror in +looking round at the beast. This peculiar state is probably produced in +all animals killed by the carnivora; and if so, is a merciful provision +by our benevolent Creator for lessening the pain of death. Turning round +to relieve myself of the weight, as he had one paw on the back of my +head, I saw his eyes directed to Mebálwe, who was trying to shoot him at +a distance of ten or fifteen yards. His gun, a flint one, missed fire in +both barrels; the lion immediately left me, and, attacking Mebálwe, bit +his thigh. Another man, whose life I had saved before, after he had been +tossed by a buffalo, attempted to spear the lion while he was biting +Mebálwe. He left Mebálwe and caught this man by the shoulder, but at +that moment the bullets he had received took effect, and he fell down +dead. The whole was the work of a few moments, and must have been his +paroxysms of dying rage. In order to take out the charm from him, the +Bakatla on the following day made a huge bonfire over the carcass, which +was declared to be that of the largest lion they had ever seen. Besides +crunching the bone into splinters, he left eleven teeth wounds on the +upper part of my arm. + +A wound from this animal's tooth resembles a gunshot wound; it is +generally followed by a great deal of sloughing and discharge, and +pains are felt in the part, periodically ever afterward. I had on a +tartan jacket on the occasion, and I believe that it wiped off all the +virus from the teeth that pierced the flesh, for my two companions in +this affray have both suffered from the peculiar pains, while I have +escaped with only the inconvenience of a false joint in my limb. The man +whose shoulder was wounded, showed me his wound actually burst forth +afresh on the same month of the following year. This curious point +certainly deserves the attention of inquirers. + +[Illustration] + + + + +THE MOSS ROSE + +TRANSLATED FROM KRUMMACHER + + + The angel of the flowers, one day, + Beneath a rose-tree sleeping lay,-- + That spirit to whose charge 'tis given + To bathe young buds in dews of heaven. + Awaking from his light repose, + The angel whispered to the rose: + "O fondest object of my care, + Still fairest found, where all are fair; + For the sweet shade thou giv'st to me + Ask what thou wilt, 'tis granted thee." + "Then," said the rose, with deepened glow, + "On me another grace bestow." + The spirit paused, in silent thought,-- + What grace was there that flower had not? + 'Twas but a moment,--o'er the rose + A veil of moss the angel throws, + And, robed in nature's simplest weed, + Could there a flower that rose exceed? + + + + +FOUR DUCKS ON A POND + +_By_ WILLIAM ALLINGHAM + + + Four ducks on a pond, + A grass bank beyond, + A blue sky of spring, + White clouds on the wing; + What a little thing + To remember for years, + To remember with tears. + + + + +RAB AND HIS FRIENDS + +_By_ JOHN BROWN, M. D. + + +Four and thirty years ago, Bob Ainslie and I were coming up Infirmary +street from the high school, our heads together, and our arms +intertwisted, as only lovers and boys know how or why. + +When we got to the top of the street, and turned north, we espied a +crowd at the Tron-church. "A dog fight!" shouted Bob, and was off; and +so was I, both of us all but praying that it might not be over before we +got up! And is not this boy nature! and human nature too? and don't we +all wish a house on fire not to be out before we see it? Dogs like +fighting; old Isaac says they "delight" in it, and for the best of all +reasons; and boys are not cruel because they like to see the fight. They +see three of the great cardinal virtues of dog or man--courage, +endurance, and skill--in intense action. This is very different from a +love of making dogs fight, and enjoying, and aggravating, and making +gain by their pluck. A boy--be he ever so fond himself of fighting, if +he be a good boy, hates and despises all this, but he would have run off +with Bob and me fast enough; it is a natural, and a not wicked, interest +that all boys and men have in witnessing intense energy in action. + +Does any curious and finely-ignorant woman wish to know how Bob's eye at +a glance announced a dog fight to his brain? He did not, he could not +see the dogs fighting; it was a flash of an inference, a rapid +induction. The crowd round a couple of dogs fighting, is a crowd +masculine mainly, with an occasional active, compassionate woman, +fluttering wildly round the outside, and using her tongue and her hands +freely upon the men, as so many "brutes"; it is a crowd annular, compact +and mobile; a crowd centripetal, having its eyes and its heads all bent +downward and inward, to one common focus. + +Well, Bob and I are up, and find it is not over; a small thoroughbred, +white bull-terrier, is busy throttling a large shepherd's dog, +unaccustomed to war, but not to be trifled with. They are hard at it; +the scientific little fellow doing his work in great style, his pastoral +enemy fighting wildly, but with the sharpest of teeth and a great +courage. Science and breeding, however, soon had their own; the Game +Chicken, as the premature Bob called him, working his way up, took his +final grip of poor Yarrow's throat--and he lay gasping and done for. His +master, a brown, handsome, big young shepherd from Tweedsmuir, would +have liked to have knocked down any man, would "drink up Esil, or eat a +crocodile," for that part, if he had a chance; it was no use kicking the +little dog; that would only make him hold the closer. Many were the +means shouted out in mouthfuls, of the best possible ways of ending it. + +"Water!" but there was none near, and many cried for it who might have +got it from the well at Blackfriars Wynd. + +"Bite the tail!" and a large, vague, benevolent, middle-aged man, more +desirous than wise, with some struggle got the bushy end of Yarrow's +tail into his ample mouth, and bit it with all his might. This was more +than enough for the much-enduring, much-perspiring shepherd, who, with a +gleam of joy over his broad visage, delivered a terrific facer upon our +large, vague, benevolent, middle-aged friend--who went down like a shot. + +Still the Chicken holds; death not far off. + +"Snuff! a pinch of snuff!" observed a calm, highly-dressed young buck, +with an eye-glass in his eye. "Snuff, indeed!" growled the angry crowd, +affronted and glaring. + +"Snuff! a pinch of snuff!" again observes the buck, but with more +urgency; whereupon were produced several open boxes, and from a mull +which may have been at Culloden, he took a pinch, knelt down, and +presented it to the nose of the Chicken. The laws of physiology and of +snuff take their course; the Chicken sneezes, and Yarrow is free. + +The young pastoral giant stalks off with Yarrow in his arms--comforting +him. + +But the bull-terrier's blood is up, and his soul unsatisfied; he grips +the first dog he meets, and discovering she is not a dog, in Homeric +phrase, he makes a brief sort of _amende_,[101-1] and is off. The boys, +with Bob and me at their head, are after him; down Niddry street he +goes, bent on mischief; up the Cowgate like an arrow--Bob and I, and our +small men, panting behind. + +There, under the single arch of the South bridge is a huge mastiff, +sauntering down the middle of the causeway, as if with his hands in his +pockets; he is old, gray, brindled, as big as a little Highland bull, +and has the Shakespearian dewlaps shaking as he goes. + +The Chicken makes straight at him, and fastens on his throat. To our +astonishment, the great creature does nothing but stand still, holds +himself up, and roar--yes, roar; a long, serious, remonstrative roar. +How is this? Bob and I are up to them. _He is muzzled!_ The bailies had +proclaimed a general muzzling, and his master, studying strength and +economy mainly, had encompassed his huge jaws in a homemade apparatus, +constructed out of the leather of some ancient breechin. His mouth was +open as far as it could; his lips curled up in rage--a sort of terrible +grin; his teeth gleaming, ready, from out of the darkness; the strap +across his mouth tense as a bow string; his whole frame stiff with +indignation and surprise; his roar asking us all round, "Did you ever +see the like of this?" + +He looked a statue of anger and astonishment, done in Aberdeen granite. + +We soon had a crowd; the Chicken held on. "A knife!" cried Bob; and a +cobbler gave him his knife; you know the kind of knife, worn away +obliquely to a point, and always keen. I put its edge to the tense +leather; it ran before it; and then!--one sudden jerk of that enormous +head, a sort of dirty mist about his mouth, no noise, and the bright and +fierce little fellow is dropped, limp, and dead. A solemn pause; this +was more than any of us had bargained for. I turned the little fellow +over, and saw he was quite dead; the mastiff had taken him by the small +of the back, like a rat, and broken it. + +He looked down at his victim appeased, ashamed and amazed; snuffed him +all over, stared at him, and taking a sudden thought, turned round and +trotted off. + +Bob took the dead dog up, and said, "John, we'll bury him after tea." + +[Illustration: "RAB, YE THIEF!"] + +"Yes," said I, and was off after the mastiff. He made up the Cowgate at +a rapid swing; he had forgotten some engagement. He turned up the +Candlemaker Row, and stopped at the Harrow Inn. + +There was a carrier's cart ready to start, and a keen, thin, impatient, +black-a-vised little man, his hand at his gray horse's head looking +about angrily for something. + +"Rab, ye thief!" said he, aiming a kick at my great friend, who drew +cringing up, and avoiding the heavy shoe with more agility than dignity, +and watching his master's eye, slunk dismayed under the cart--his ears +down, and as much as he had of tail down too. + +What a man this must be--thought I--to whom my tremendous hero turns +tail! The carrier saw the muzzle hanging, cut and useless, from his +neck, and I eagerly told him the story which Bob and I always thought, +and still think, Homer, or King David, or Sir Walter, alone were worthy +to rehearse. The severe little man was mitigated, and condescended to +say, "Rab, ma man, puir Rabbie"--whereupon the stump of a tail rose up, +the ears were cocked, the eyes filled, and were comforted; the two +friends were reconciled. "Hupp!" and a stroke of the whip were given to +Jess; and off went the three. + +Bob and I buried the Game Chicken that night (we had not much of a tea) +in the back-green of his house in Melville street, No. 17, with +considerable gravity and silence; and being at the time in the Iliad, +and, like all boys, Trojans, we called him Hector of course. + + * * * * * + +Six years have passed--a long time for a boy and a dog: Bob Ainslie is +off to the wars; I am a medical student, and clerk at Minto House +Hospital. + +Rab I saw almost every week, on the Wednesday; and we had much pleasant +intimacy. I found the way to his heart by frequent scratching of his +huge head, and an occasional bone. When I did not notice him he would +plant himself straight before me, and stand wagging that bud of a tail, +and looking up, with his head a little to the one side. His master I +occasionally saw; he used to call me "Maister John," but was laconic as +any Spartan. + +One fine October afternoon, I was leaving the hospital when I saw the +large gate open, and in walked Rab with that great and easy saunter of +his. He looked as if taking general possession of the place; like the +Duke of Wellington entering a subdued city, satiated with victory and +peace. + +After him came Jess, now white from age, with her cart; and in it a +woman, carefully wrapped up--the carrier leading the horse anxiously, +and looking back. + +When he saw me, James (for his name was James Noble) made a curt and +grotesque "boo," and said, "Maister John, this is the mistress; she's +got a trouble in her breest--some kind of an income we'er thinkin'." + +By this time I saw the woman's face; she was sitting on a sack filled +with straw, her husband's plaid round her, and his big-coat, with its +large white metal buttons, over her feet. + +I never saw a more unforgettable face--pale, serious, _lonely_, +delicate, sweet, without being at all what we call fine. She looked +sixty, and had on a mutch, white as snow, with its black ribbon; her +silvery, smooth hair setting off her dark-gray eyes--eyes such as one +sees only twice or thrice in a lifetime, full of suffering, full also of +the overcoming of it; her eyebrows black and delicate, and her mouth +firm, patient, and contented, which few mouths ever are. + +As I have said, I never saw a more beautiful countenance, or a more +subdued or settled quiet. "Ailie," said James, "this is Maister John, +the young doctor; Rab's freend, ye ken. We often speak aboot you, +doctor." + +She smiled, and made a movement, but said nothing; and prepared to come +down, putting her plaid aside and rising. Had Solomon, in all his glory, +been handing down the Queen of Sheba, at his palace gate, he could not +have done it more daintily, more tenderly, more like a gentleman, than +did James, the Howgate carrier, when he lifted down Ailie, his wife. + +The contrast of his small, swarthy, weatherbeaten, keen, worldly face to +hers--pale, subdued, and beautiful--was something wonderful. Rab looked +on concerned and puzzled, but ready for anything that might turn +up--were it to strangle the nurse, the porter, or even me. Ailie and he +seemed great friends. + +"As I was sayin', she's got a kind o' trouble in her breest, doctor; +wull ye tak' a look at it?" We walked into the consulting-room, all +four; Rab grim and comic, willing to be happy and confidential if cause +could be shown, willing also to be the reverse on the same terms. Ailie +sat down, undid her open gown and her lawn handkerchief round her neck, +and, without a word, showed me her right breast. I looked at and +examined it carefully, she and James watching me, and Rab eying all +three. What could I say? There it was that had once been so soft, so +shapely, so white, so gracious and bountiful, so "full of all blessed +conditions"--hard as a stone, a center of horrid pain, making that pale +face, with its gray, lucid, reasonable eyes, and its sweet resolved +mouth, express the full measure of suffering overcome. Why was that +gentle, modest, sweet woman, clean and lovable, condemned by God to bear +such a burden? + +I got her away to bed. + +"May Rab and me bide?" said James. + +"_You_ may; and Rab, if he will behave himself." + +"I'se warrant he's do that, doctor;" and in slunk the faithful beast. + +I wish you could have seen him. There are no such dogs now. He belonged +to a lost tribe. As I have said, he was brindled, and gray like Rubislaw +granite; his hair short, hard, and close, like a lion's; his body +thickset, like a little bull--a sort of compressed Hercules of a dog. He +must have been ninety pounds' weight, at the least; he had a large blunt +head; his muzzle black as night, his mouth blacker than any night, a +tooth or two--being all he had--gleaming out of his jaws of darkness. +His head was scarred with the records of old wounds, a sort of series of +fields of battle all over it; one eye out, one ear cropped as close as +was Archbishop Leighton's father's; the remaining eye had the power of +two; and above it, and in constant communication with it, was a tattered +rag of an ear, which was forever unfurling itself, like an old flag; and +then that bud of a tail, about one inch long, if it could in any sense +be said to be long, being as broad as long--the mobility, the +instantaneousness of that bud were very funny and surprising, and its +expressive twinklings and winkings, the intercommunications between the +eye, the ear, and it, were of the oddest and swiftest. + +Rab had the dignity and simplicity of great size; and having fought his +way all along the road to absolute supremacy, he was as mighty in his +own line as Julius Cæsar or the Duke of Wellington, and had the gravity +of all great fighters. + +You must have often observed the likeness of certain men to certain +animals, and of certain dogs to men. Now, I never looked at Rab without +thinking of the great Baptist preacher, Andrew Fuller. The same large, +heavy, menacing, combative, sombre, honest countenance, the same deep +inevitable eye, the same look--as of thunder asleep, but ready--neither +a dog nor a man to be trifled with. + +Next day, my master, the surgeon, examined Ailie. There was no doubt it +must kill her, and soon. It could be removed--it might never return--it +would give her speedy relief--she should have it done. + +She curtsied, looked at James, and said, "When?" + +"To-morrow," said the kind surgeon--a man of few words. + +She and James and Rab and I retired. I noticed that he and she spoke a +little, but seemed to anticipate everything in each other. The following +day at noon, the students came in, hurrying up the great stair. At the +first landing-place, on a small well-known blackboard, was a bit of +paper fastened by wafers and many remains of old wafers beside it. On +the paper were the words--"An operation to-day. J. B., _Clerk_." + +Up ran the youths, eager to secure good places; in they crowded, full of +interest and talk. + +"What's the case? Which side is it?" + +Don't think them heartless; they are neither better nor worse than you +or I; they get over their professional horrors, and into their proper +work; and in them pity--as an _emotion_, ending in itself or at best in +tears and a long-drawn breath, lessens, while pity as a _motive_ is +quickened, and gains power and purpose. It is well for poor human +nature that it is so. + +The operating theatre is crowded; much talk and fun, and all the +cordiality and stir of youth. The surgeon with his staff of assistants +is there. In comes Ailie; one look at her quiets and abates the eager +students. The beautiful old woman is too much for them. They sit down, +and are dumb, and gaze at her. These rough boys feel the power of her +presence. + +She walks in quickly, but without haste; dressed in her mutch, her +neckerchief, her white dimity short-gown, her black bombazine petticoat, +showing her white worsted stockings and her carpet-shoes. Behind her was +James with Rab. James sat down in the distance, and took that huge and +noble head between his knees. Rab looked perplexed and dangerous; +forever cocking his ear and dropping it as fast. + +Ailie stepped up on a seat, and laid herself on the table, as her friend +the surgeon told her; arranged herself, gave a rapid look at James, shut +her eyes, rested herself on me, and took my hand. The operation was at +once begun; it was necessarily slow; and chloroform--one of God's best +gifts to his suffering children--was then unknown. The surgeon did his +work. Rab's soul was working within him; he saw that something strange +was going on--blood flowing from his mistress, and she suffering; his +ragged ear was up, and importunate; he growled and gave now and then a +sharp impatient yelp; he would have liked to have done something to that +man. But James had him firm, and gave him a _glower_[109-2] from time to +time, and an intimation of a possible kick;--all the better for James, +it kept his eye and his mind off Ailie. + +It is over; she is dressed, steps gently and decently down from the +table, looks for James; then, turning to the surgeon and the students, +she curtsies--and in a low, clear voice, begs their pardon if she has +behaved ill. The students--all of us--wept like children; the surgeon +happed her up carefully--and, resting on James and me, Ailie went to her +room, Rab following. We put her to bed. James took off his heavy shoes, +crammed with tackets, heel-capt and toe-capt, and put them carefully +under the table, saying, "Maister John, I'm for nane o' yer strynge +nurse bodies for Ailie. I'll be her nurse, and I'll gang about on my +stockin' soles as canny as pussy." + +And so he did; handy and clever, and swift and tender as any woman, was +that horny-handed, snell, peremptory little man. Everything she got he +gave her; he seldom slept; and often I saw his small, shrewd eyes out of +the darkness, fixed on her. As before, they spoke little. + +Rab behaved well, never moving, showing us how meek and gentle he could +be, and occasionally, in his sleep, letting us know that he was +demolishing some adversary. He took a walk with me every day, generally +to the Candlemaker Row; but he was sombre and mild; declined doing +battle, though some fit cases offered, and indeed submitted to sundry +indignities; and was always very ready to turn and came faster back, and +trotted up the stair with much lightness, and went straight to that +door. + +Jess, the mare, had been sent, with her weather-worn cart, to Howgate, +and had doubtless her own dim and placid meditations and confusions, on +the absence of her master and Rab, and her unnatural freedom from the +road and her cart. + +For some days Ailie did well. The wound healed "by the first intention;" +for as James said, "Our Ailie's skin's ower clean to beil." The students +came in quiet and anxious, and surrounded her bed. She said she liked to +see their young, honest faces. The surgeon dressed her, and spoke to her +in his own short, kind way, pitying her through his eyes, Rab and James +outside the circle--Rab being now reconciled, and even cordial, and +having made up his mind that as yet nobody required worrying, but as you +may suppose _semper paratus_.[111-3] + +So far well; but four days after the operation my patient had a sudden +and long shivering, a "groosin'," as she called it. I saw her soon +after; her eyes were too bright, her cheek colored; she was restless, +and ashamed of being so; the balance was lost; mischief had begun. + +On looking at the wound, a blush of red told the secret; her pulse was +rapid, her breathing anxious and quick, she wasn't herself, as she said, +and was vexed at her restlessness. We tried what we could, James did +everything, was everywhere; never in the way, never out of it. Rab +subsided under the table into a dark place, and was motionless, all but +his eye, which followed every one. Ailie got worse; began to wander in +her mind, gently; was more demonstrative in her ways to James, rapid in +her questions, and sharp at times. He was vexed, and said, "She was +never that way afore; no, never." + +For a time she knew her head was wrong, and was always asking our +pardon--the dear, gentle old woman; then delirium set in strong, without +pause. Her brain gave way, and then came that terrible spectacle, + + "The intellectual power, through words and things, + Went sounding on its dim and perilous way;" + +she sang bits of old songs and psalms, stopping suddenly, mingling the +Psalms of David, and the diviner words of his Son and Lord, with homely +odds and ends and scraps of ballads. + +Nothing more touching, or in a sense more strangely beautiful, did I +ever witness. Her tremulous, rapid, affectionate, eager, Scotch +voice--the swift, aimless, bewildered mind, the baffled utterance, the +bright and perilous eye; some wild words, some household cares, +something for James, the names of the dead, Rab called rapidly and in a +"fremyt"[112-4] voice, and he starting up, surprised, and slinking off +as if he were to blame somehow, or had been dreaming he heard. Many +eager questions and beseechings which James and I could make nothing of, +and on which she seemed to set her all, and then sink back ununderstood. +It was very sad, but better than many things that are not called sad. +James hovered about, put out and miserable, but active and exact as +ever; read to her, when there was a lull, short bits from the Psalms, +prose and metre, chanting the latter in his own rude and serious way, +showing great knowledge of the fit words, bearing up like a man, and +doating over her as his "ain Ailie," "Ailie, ma woman!" "Ma ain bonnie +wee dawtie!" + +The end was drawing on: the golden bowl was breaking; the silver cord +was fast being loosed--that _animula blandula, vagula, hospes, +comesque_[113-5] was about to flee. The body and the soul--companions +for sixty years--were being sundered, and taking leave. She was walking, +alone, through the valley of that shadow, into which one day we must all +enter--and yet she was not alone, for we knew whose rod and staff were +comforting her. + +One night she had fallen quiet, and as we hoped, asleep; her eyes were +shut. We put down the gas and sat watching her. Suddenly she sat up in +bed, and taking a bedgown which was lying on it rolled up, she held it +eagerly to her breast--to the right side. We could see her eyes bright +with surpassing tenderness and joy, bending over this bundle of clothes. +She held it as a woman holds her sucking child; opening out her +nightgown impatiently, and holding it close, and brooding over it, and +murmuring foolish little words, as one whom his mother comforteth, and +who sucks and is satisfied. It was pitiful and strange to see her +wasting dying look, keen and yet vague--her immense love. + +"Preserve me!" groaned James, giving away. And then she rocked back and +forward, as if to make it sleep, hushing it, and wasting on it her +infinite fondness. + +"Wae's me, doctor; I declare she's thinkin' it's that bairn." + +"What bairn?" + +"The only bairn we ever had; our wee Mysie, and she's in the Kingdom, +forty years and mair." + +It was plainly true: the pain in the breast telling its urgent story to +a bewildered, ruined brain, was misread, and mistaken; it suggested to +her the uneasiness of a breast full of milk, and then the child; and so +again once more they were together, and she had her ain wee Mysie in her +bosom. + +This was the close. She sank rapidly: the delirium left her; but, as she +whispered, she was "clean silly"; it was the lightening before the final +darkness. After having for some time lain still--her eyes shut, she +said, "James!" + +He came close to her, and lifting up her calm, clear, beautiful eyes, +she gave him a long look, turned to me kindly but shortly, looked for +Rab but could not see him, then turned to her husband again, as if she +would never leave off looking, shut her eyes and composed herself. She +lay for some time breathing quick, and passed away so gently, that when +we thought she was gone, James, in his old-fashioned way, held the +mirror to her face. After a long pause, one small spot of dimness was +breathed out; it vanished away, and never returned, leaving the blank +clear darkness of the mirror without a stain. "What is your life? it is +even a vapor, which appeareth for a little time, and then vanisheth +away." + +Rab all this time had been full awake and motionless; he came forward +beside us; Ailie's hand, which James had held, was hanging down; it was +soaked with his tears; Rab licked it all over carefully, looked at her, +and returned to his place under the table. + +James and I sat, I don't know how long, but for some time--saying +nothing: he started up, abruptly, and with some noise went to the table, +and putting his right fore and middle fingers each into a shoe, pulled +them out, and put them on, breaking one of the leather latchets, and +muttering in anger, "I never did the like o' that afore." + +I believe he never did; nor after either. "Rab!" he said roughly, and +pointing with his thumb to the bottom of the bed. Rab leaped up, and +settled himself; his head and eye to the dead face. "Maister John, ye'll +wait for me," said the carrier, and disappeared in the darkness, +thundering downstairs in his heavy shoes. I ran to a front window: there +he was, already round the house, and out at the gate fleeing like a +shadow. + +I was afraid about him, and yet not afraid; so I sat down beside Rab, +and being wearied, fell asleep. I awoke from a sudden noise outside. It +was November, and there had been a heavy fall of snow. Rab was _in statu +quo_;[115-6] he heard the noise too, and plainly knew it, but never +moved. I looked out, and there, at the gate, in the dim morning--for the +sun was not up--was Jess and the cart--a cloud of steam rising from the +old mare. I did not see James; he was already at the door, and came up +to the stairs, and met me. It was less than three hours since he left, +and he must have posted out--who knows how--to Howgate, full nine miles +off; yoked Jess, and driven her astonished into town. He had an armful +of blankets, and was streaming with perspiration. He nodded to me, +spread out on the floor two pairs of clean old blankets, having at their +corners "A. G., 1794," in large letters in red worsted. These were the +initials of Alison Græme, and James may have looked in at her from +without--himself unseen but not unthought of--when he was "wat, wat and +weary," and after having walked many a mile over the hills, may have +seen her sitting, while "a' the lave were sleepin';" and by the +firelight working her name on the blankets, for her ain James' bed. + +He motioned Rab down, and taking his wife in his arms, laid her in the +blankets, and happed her carefully and firmly up, leaving the face +uncovered; and then lifting her, he nodded again sharply to me, and with +a resolved but utterly miserable face, strode along the passage, and +downstairs, followed by Rab. I followed with a light; but he didn't need +it. I went out, holding stupidly the candle in my hand in the calm +frosty air; we were soon at the gate. I could have helped him, but I saw +he was not to be meddled with, and he was strong, and did not need it. +He laid her down as tenderly, as safely, as he had lifted her out ten +days before--as tenderly as when he had her first in his arms when she +was only "A. G."--sorted her, leaving that beautiful sealed face open to +the heavens; and then taking Jess by the head, he moved away. He did not +notice me, neither did Rab, who presided behind the cart. + +I stood till they passed through the long shadow of the College, and +turned up Nicholson Street. I heard the solitary cart sound through the +streets, and die away and come again; and I returned, thinking of that +company going up Libberton Brae, then along Roslin Muir, the morning +light touching the Pentlands and making them on-looking ghosts; then +down the hill through Auchindinny woods, past "haunted Woodhouselee"; +and as daybreak came sweeping up the bleak Lammermuirs, and fell on his +own door, the company would stop, and James would take the key, and +lift Ailie up again, laying her on her own bed, and, having put Jess up, +would return with Rab and shut the door. + +[Illustration: JAMES BURIED HIS WIFE] + +James buried his wife, with his neighbors mourning, Rab inspecting the +solemnity from a distance. It was snow, and that black ragged hole would +look strange in the midst of the swelling spotless cushion of white. +James looked after everything; then rather suddenly fell ill, and took +to bed; was insensible when the doctor came, and soon died. A sort of +low fever was prevailing in the village, and his want of sleep, his +exhaustion, and his misery, made him apt to take it. The grave was not +difficult to reopen. A fresh fall of snow had again made all things +white and smooth; Rab once more looked on, and slunk home to the +stable. + +And what of Rab? I asked for him next week of the new carrier who got +the goodwill of James's business, and was now master of Jess and her +cart. + +"How's Rab?" + +He put me off, and said rather rudely, "What's _your_ business wi' the +dowg?" + +I was not to be so put off. + +"Where's Rab?" + +He, getting confused and red, and intermeddling with his hair, said, +"'Deed sir, Rab's died." + +"Dead! what did he die of?" + +"Well, sir," said he, getting redder, "he didna exactly dee; he was +killed. I had to brain him wi' a rack-pin; there was nae doing wi' him. +He lay in the treviss wi' the mear, and wadna come oot. I tempit him wi' +the kail and meat, but he wad tak naething, and keepit me frae feedin' +the beast, and he was aye gur gurrin', and grup gruppin' me by the legs. +I was laith to make awa wi' the old dowg, his like wasne atween this and +Thornhill--but, 'deed, sir, I could do naething else." + +I believed him. Fit end for Rab, quick and complete. His teeth and his +friends gone, why should he keep the peace and be civil? + + +FOOTNOTES: + +[101-1] _Amende_ means _apology_. + +[109-2] _Glower_, a Scotch word meaning a savage stare. + +[111-3] _Semper paratus_ means _always ready_. + +[112-4] _Fremyt_ means _trembling, querulous_. + +[113-5] _Animula blandula, vagula, hospes, comesque_, means _sweet +fleeting life, companion and sojourner_. + +[115-6] _In statu quo_ means _in the same position_. + + + + +ANNIE LAURIE + + + NOTE.--Concerning the history of this song it is stated on good + authority that there did really live, in the seventeenth century, + an Annie Laurie. She was a daughter of Sir Robert Laurie, first + baronet of the Maxwelton family, and was celebrated for her beauty. + We should be glad to hear that Annie Laurie married the Mr. Douglas + whose love for her inspired the writing of this poem, but records + show that she became the wife of another man. + + Only the first two verses were composed by Douglas; the last was + added by an unknown author. + + Maxwelton braes are bonnie + Where early fa's the dew, + And it's there that Annie Laurie + Gie'd me her promise true,-- + Gie'd me her promise true, + Which ne'er forgot will be; + And for bonnie Annie Laurie + I'd lay me doune and dee. + + Her brow is like the snaw drift; + Her throat is like the swan; + Her face it is the fairest + That e'er the sun shone on,-- + That e'er the sun shone on; + And dark blue is her ee; + And for bonnie Annie Laurie + I'd lay me doune and dee. + + Like dew on the gowan lying + Is the fa' o' her fairy feet; + And like winds in summer sighing, + Her voice is low and sweet,-- + Her voice is low and sweet; + And she's a' the world to me; + And for bonnie Annie Laurie + I'd lay me doune and dee. + + + + +THE BLIND LASSIE + +_By_ T. C. LATTO + + + O hark to the strain that sae[120-1] sweetly is ringin', + And echoing clearly o'er lake and o'er lea,[120-2] + Like some fairy bird in the wilderness singin'; + It thrills to my heart, yet nae[120-3] minstrel I see. + Round yonder rock knittin', a dear child is sittin', + Sae toilin' her pitifu' pittance[120-4] is won, + Hersel' tho' we see nae,[120-5] 'tis mitherless[120-6] Jeanie-- + The bonnie[120-7] blind lassie that sits i' the sun. + + Five years syne come autumn[120-8] she cam'[120-9] wi' her mither, + A sodger's[120-10] puir[120-11] widow, sair[120-12] wasted an' + gane;[120-13] + As brown fell the leaves, sae wi' them did she wither, + And left the sweet child on the wide world her lane.[121-14] + She left Jeanie weepin', in His holy keepin' + Wha[121-15] shelters the lamb frae[121-16] the cauld[121-17] wintry + win'; + We had little siller,[121-18] yet a' were good till her, + The bonnie blind lassie that sits i' the sun. + + An' blythe now an' cheerfu', frae mornin' to e'enin + She sits thro' the simmer, an' gladdens ilk[121-19] ear, + Baith[121-20] auld and young daut[121-21] her, sae gentle and winnin'; + To a' the folks round the wee lassie is dear. + Braw[121-22] leddies[121-23] caress her, wi' bounties would press her; + The modest bit[121-24] darlin' their notice would shun; + For though she has naething, proud-hearted this wee thing, + The bonnie blind lassie that sits i' the sun. + + +FOOTNOTES: + +[120-1] _Sae_ is the Scotch word for _so_. + +[120-2] A lea is a grassy field or meadow. + +[120-3] _Nae_ means _no_. + +[120-4] _Pittance_ means _small earnings_. + +[120-5] _Nae_ is _not_. + +[120-6] _Mither_ is the Scotch form of _mother_. + +[120-7] _Bonnie_ means _pretty_. + +[120-8] _Since come autumn_; that is, it will be nine years next autumn. + +[120-9] _Cam'_ is a contraction of _came_. + +[120-10] _Sodger's_ is _soldier's_. + +[120-11] _Puir_ is the Scotch spelling of _poor_. + +[120-12] _Sair_ is _sore_, that is, _sadly_. + +[120-13] _Gane_ means _gone_. + +[121-14] _Her lane_ means _by herself_. + +[121-15] _Wha_ is Scotch for _who_. + +[121-16] _Frae_ means _from_. + +[121-17] _Cauld_ is the Scotch form of _cold_. + +[121-18] _Siller_ means _silver money_, or simply _money_. + +[121-19] _Ilk_ means _every_. + +[121-20] _Baith_ is Scotch for _both_. + +[121-21] _Daut_ means _pet_. + +[121-22] _Braw_ means _fine_, or _gay_. + +[121-23] _Leddies_ is the Scotch form of _ladies_. + +[121-24] _Bit_ means _little_. + + + + +BOYHOOD + +_By_ WASHINGTON ALLSTON + + + Ah, then how sweetly closed those crowded days! + The minutes parting one by one like rays, + That fade upon a summer's eve. + But O, what charm or magic numbers + Can give me back the gentle slumbers + Those weary, happy days did leave? + When by my bed I saw my mother kneel, + And with her blessing took her nightly kiss; + Whatever Time destroys, he cannot this;-- + E'en now that nameless kiss I feel. + + + + +SWEET AND LOW + + + NOTE.--In Tennyson's long poem _The Princess_ is a little lullaby + so wonderfully sweet that all who have read it wish to read it + again. It is one that we all love, no matter whether we are little + children and hear it sung to us or are older children and look back + to the evenings when we listened to mother's loving voice as she + led us gently into the land of dreams while she watched patiently + for father's return. + + Here are the stanzas which are usually known by the name _Sweet and + Low_: + + Sweet and low, sweet and low, + Wind of the western sea, + Low, low, breathe and blow, + Wind of the western sea! + Over the rolling waters go, + Come from the dying moon, and blow, + Blow him again to me; + While my little one, while my pretty one sleeps. + + Sleep and rest, sleep and rest, + Father will come to thee soon; + Rest, rest, on mother's breast, + Father will come to thee soon; + Father will come to his babe in the nest, + Silver sails all out of the west + Under the silver moon: + Sleep, my little one, sleep, my pretty one, sleep. + + It is interesting to try to determine just how a great poet makes + us feel so strongly the thing that he tells us. In this case + Tennyson thinks of a mother in England and a father who is + somewhere in the West, out on the broad Atlantic, but is coming + home to his little one. The mother dreams only of the home-coming + of her husband, and she wishes the baby to learn to love its father + as much as she does, so as she sings the little one to sleep, she + pours out her love for both in beautiful melody. + + To express this mother-love and anxious care the poet has chosen + simple words that have rich, musical sounds, that can be spoken + easily and smoothly and that linger on the tongue. He speaks of the + sea, the gentle wind, the rolling waters, the dying moon and the + silver sails, all of which call up ideas that rest us and make us + happy, and then with rare skill he arranges the words so that when + we read the lines we can feel the gentle rocking movement that + lulls the little one, the pretty one into its gentle slumbers. + + + + +CHILDHOOD[124-1] + +_By_ DONALD G. MITCHELL + + +Isabel and I--she is my cousin, and is seven years old, and I am +ten--are sitting together on the bank of a stream, under an oak tree +that leans half way over to the water. I am much stronger than she, and +taller by a head. I hold in my hands a little alder rod, with which I am +fishing for the roach and minnows, that play in the pool below us. + +She is watching the cork tossing on the water, or playing with the +captured fish that lie upon the bank. She has auburn ringlets that fall +down upon her shoulders; and her straw hat lies back upon them, held +only by the strip of ribbon, that passes under her chin. But the sun +does not shine upon her head; for the oak tree above us is full of +leaves; and only here and there, a dimple of the sunlight plays upon the +pool, where I am fishing. + +Her eye is hazel, and bright; and now and then she turns it on me with a +look of girlish curiosity, as I lift up my rod--and again in playful +menace, as she grasps in her little fingers one of the dead fish, and +threatens to throw it back upon the stream. Her little feet hang over +the edge of the bank; and from time to time, she reaches down to dip her +toe in the water; and laughs a girlish laugh of defiance, as I scold +her for frightening away the fishes. + +"Bella," I say, "what if you should tumble in the river?" + +"But I won't." + +"Yes, but if you should?" + +[Illustration: SHE REACHES DOWN TO DIP HER TOE] + +"Why then you would pull me out." + +"But if I wouldn't pull you out?" + +"But I know you would; wouldn't you, Paul?" + +"What makes you think so, Bella?" + +"Because you love Bella." + +"How do you know I love Bella?" + +"Because once you told me so; and because you pick flowers for me that I +cannot reach; and because you let me take your rod, when you have a fish +upon it." + +"But that's no reason, Bella." + +"Then what is, Paul?" + +"I'm sure I don't know, Bella." + +A little fish has been nibbling for a long time at the bait; the cork +has been bobbing up and down--and now he is fairly hooked, and pulls +away toward the bank, and you cannot see the cork. + +"Here, Bella, quick!"--and she springs eagerly to clasp her little hands +around the rod. But the fish has dragged it away on the other side of +me; and as she reaches farther, and farther, she slips, cries--"Oh, +Paul!" and falls into the water. + +The stream, they told us when we came, was over a man's head--it is +surely over little Isabel's. I fling down the rod, and thrusting one +hand into the roots that support the overhanging bank, I grasp at her +hat, as she comes up; but the ribbons give way, and I see the terribly +earnest look upon her face as she goes down again. Oh, my +mother--thought I--if you were only here! + +But she rises again; this time, I thrust my hand into her dress, and +struggling hard, keep her at the top, until I can place my foot down +upon a projecting root; and so bracing myself, I drag her to the bank, +and having climbed up, take hold of her belt firmly with both hands, and +drag her out; and poor Isabel, choked, chilled, and wet, is lying upon +the grass. + +I commence crying aloud. The workmen in the fields hear me, and come +down. One takes Isabel in his arms, and I follow on foot to our uncle's +home upon the hill. + +--"Oh, my dear children!" says my mother; and she takes Isabel in her +arms; and presently with dry clothes, and blazing wood-fire, little +Bella smiles again. I am at my mother's knee. + +"I told you so, Paul," says Isabel--"aunty, doesn't Paul love me?" + +"I hope so, Bella," said my mother. + +"I know so," said I; and kissed her cheek. + +And how did I know it? The boy does not ask; the man does. Oh, the +freshness, the honesty, the vigor of a boy's heart! how the memory of it +refreshes like the first gush of spring, or the break of an April +shower! + +But boyhood has its PRIDE, as well as its LOVES. + +My uncle is a tall, hard-faced man; I fear him when he calls +me--"child;" I love him when he calls me--"Paul." He is almost always +busy with his books; and when I steal into the library door, as I +sometimes do, with a string of fish, or a heaping basket of nuts to show +to him--he looks for a moment curiously at them, sometimes takes them in +his fingers--gives them back to me, and turns over the leaves of his +book. You are afraid to ask him if you have not worked bravely; yet you +want to do so. + +You sidle out softly, and go to your mother; she scarce looks at your +little stores; but she draws you to her with her arm, and prints a kiss +upon your forehead. Now your tongue is unloosed; that kiss and that +action have done it; you will tell what capital luck you have had; and +you hold up your tempting trophies; "are they not great, mother?" But +she is looking in your face, and not at your prize. + +"Take them, mother," and you lay the basket upon her lap. + +"Thank you, Paul, I do not wish them: but you must give some to Bella." + +And away you go to find laughing, playful, cousin Isabel. And we sit +down together on the grass, and I pour out my stores between us. "You +shall take, Bella, what you wish in your apron, and then when study +hours are over, we will have such a time down by the big rock in the +meadow!" + +"But I do not know if papa will let me," says Isabel. + +"Bella," I say, "do you love your papa?" + +"Yes," says Bella, "why not?" + +"Because he is so cold; he does not kiss you, Bella, so often as my +mother does; and besides, when he forbids your going away, he does not +say, as mother does--my little girl will be tired, she had better not +go--but he says only--Isabel must not go. I wonder what makes him talk +so?" + +"Why Paul, he is a man, and doesn't--at any rate, I love him, Paul. +Besides, my mother is sick, you know." + +"But Isabel, my mother will be your mother, too. Come, Bella, we will go +ask her if we may go." + +And there I am, the happiest of boys, pleading with the kindest of +mothers. And the young heart leans into that mother's heart--none of the +void now that will overtake it in the years that are to come. It is +joyous, full, and running over! + +"You may go," she says, "if your uncle is willing." + +"But mamma, I am afraid to ask him; I do not believe he loves me." + +"Don't say so, Paul," and she draws you to her side; as if she would +supply by her own love the lacking love of a universe. + +"Go, with your cousin Isabel, and ask him kindly; and if he says +no--make no reply." + +And with courage, we go hand in hand, and steal in at the library door. +There he sits--I seem to see him now--in the old wainscoted room, +covered over with books and pictures; and he wears his heavy-rimmed +spectacles, and is poring over some big volume, full of hard words, that +are not in any spelling-book. + +We step up softly; and Isabel lays her little hand upon his arm; and he +turns, and says--"Well, my little daughter?" + +I ask if we may go down to the big rock in the meadow? + +He looks at Isabel, and says he is afraid--"we cannot go." + +"But why, uncle? It is only a little way, and we will be very careful." + +"I am afraid, my children; do not say any more: you can have the pony, +and Tray, and play at home." + +"But, uncle----" + +"You need say no more, my child." + +I pinch the hand of little Isabel, and look in her eye--my own half +filling with tears. I feel that my forehead is flushed, and I hide it +behind Bella's tresses--whispering to her at the same time--"Let us go." + +"What, sir," says my uncle, mistaking my meaning--"do you persuade her +to disobey?" + +Now I am angry, and say blindly--"No, sir, I didn't!" And then my rising +pride will not let me say, that I wished only Isabel should go out with +me. + +Bella cries; and I shrink out; and am not easy until I have run to bury +my head in my mother's bosom. Alas! pride cannot always find such +covert! There will be times when it will harass you strangely; when it +will peril friendships--will sever old, standing intimacy; and then--no +resource but to feed on its own bitterness. Hateful pride!--to be +conquered, as a man would conquer an enemy, or it will make whirlpools +in the current of your affections--nay, turn the whole tide of the heart +into rough and unaccustomed channels. + +But boyhood has its GRIEF too, apart from PRIDE. + +You love the old dog, Tray; and Bella loves him as well as you. He is a +noble old fellow, with shaggy hair, and long ears, and big paws, that he +will put up into your hands, if you ask him. And he never gets angry +when you play with him, and tumble him over in the long grass, and pull +his silken ears. Sometimes, to be sure, he will open his mouth, as if he +would bite, but when he gets your hand fairly in his jaws, he will +scarce leave the print of his teeth upon it. He will swim, too, bravely, +and bring ashore all the sticks you throw upon the water; and when you +fling a stone to tease him, he swims round and round, and whines, and +looks sorry, that he cannot find it. + +He will carry a heaping basket full of nuts, too, in his mouth, and +never spill one of them; and when you come out to your uncle's home in +the spring, after staying a whole winter in the town, he knows you--old +Tray does! And he leaps upon you, and lays his paws on your shoulder, +and licks your face; and is almost as glad to see you, as cousin Bella +herself. And when you put Bella on his back for a ride, he only +pretends to bite her little feet--but he wouldn't do it for the world. +Ay, Tray is a noble old dog! + +But one summer, the farmers say that some of their sheep are killed, and +that the dogs have worried them; and one of them comes to talk with my +uncle about it. + +But Tray never worried sheep; you know he never did; and so does nurse; +and so does Bella; for in the spring, she had a pet lamb, and Tray never +worried little Fidele. + +And one or two of the dogs that belong to the neighbors are shot; though +nobody knows who shot them; and you have great fears about poor Tray; +and try to keep him at home, and fondle him more than ever. But Tray +will sometimes wander off; till finally, one afternoon, he comes back +whining piteously, and with his shoulder all bloody. + +Little Bella cries loud; and you almost cry, as nurse dresses the wound; +and poor old Tray whines very sadly. You pat his head, and Bella pats +him; and you sit down together by him on the floor of the porch, and +bring a rug for him to lie upon; and try and tempt him with a little +milk, and Bella brings a piece of cake for him--but he will eat nothing. +You sit up till very late, long after Bella has gone to bed, patting his +head, and wishing you could do something for poor Tray; but he only +licks your hand, and whines more piteously than ever. + +In the morning, you dress early, and hurry downstairs; but Tray is not +lying on the rug; and you run through the house to find him, and +whistle, and call--Tray--Tray! At length you see him lying in his old +place, out by the cherry tree, and you run to him; but he does not +start; and you lean down to pat him--but he is cold, and the dew is wet +upon him--poor Tray is dead! + +[Illustration: POOR TRAY IS DEAD] + +You take his head upon your knees, and pat again those glossy ears, and +cry; but you cannot bring him to life. And Bella comes, and cries with +you. You can hardly bear to have him put in the ground; but uncle says +he must be buried. So one of the workmen digs a grave under the cherry +tree, where he died--a deep grave, and they round it over with earth, +and smooth the sods upon it--even now I can trace Tray's grave. + +You and Bella together put up a little slab for a tombstone; and she +hangs flowers upon it, and ties them there with a bit of ribbon. You +can scarce play all that day; and afterward, many weeks later, when you +are rambling over the fields, or lingering by the brook, throwing off +sticks into the eddies, you think of old Tray's shaggy coat, and of his +big paw, and of his honest eye; and the memory of your boyish grief +comes upon you; and you say with tears, "Poor Tray!" And Bella too, in +her sad sweet tones, says--"Poor old Tray--he is dead!" + + +FOOTNOTES: + +[124-1] From _Reveries of a Bachelor_, by Donald G. Mitchell (Ik +Marvel). + + + + +THE BUGLE SONG + +_By_ ALFRED TENNYSON + + + The splendor falls on castle walls + And snowy summits old in story: + The long light shakes across the lakes, + And the wild cataract leaps in glory. + Blow, bugle, blow, set the wild echoes flying, + Blow, bugle; answer, echoes, dying, dying, dying. + + O hark, O hear! how thin and clear, + And thinner, clearer, farther going! + O sweet and far from cliff and scar + The horns of Elfland faintly blowing! + Blow, let us hear the purple glens replying: + Blow, bugle; answer, echoes, dying, dying, dying. + + O love, they die in yon rich sky, + They faint on hill or field or river: + Or echoes roll from soul to soul, + And grow for ever and for ever. + Blow, bugle, blow, set the wild echoes flying, + And answer, echoes, answer, dying, dying, dying. + + + + +FROM THE IMITATION OF CHRIST + +_By_ THOMAS à KEMPIS + +OF FOLLOWING CHRIST AND DESPISING ALL WORLDLY VANITIES + + +Our Lord saith: he that followeth me walketh not in darkness. + +These are the words of Christ in the which we are admonished to follow +his life and his manners if we would be truly enlightened and be +delivered from all manner of blindness of heart. + +Wherefore let our chief study be upon the life of Jesus Christ. + +Sublime words make not a man holy and righteous, but it is a virtuous +life that maketh him dear to God. + +I desire rather to know compunction than its definition. If thou knewest +all the sayings of all the philosophers, what should that avail thee +without charity and grace? + +All other things in the world, save only to love God and serve him, are +vanity of vanities and all vanity. + +And it is vanity also to desire honour and for a man to lift himself on +high. + +And it is vanity to follow the desires of the flesh and to desire the +thing for which man must afterward grievously be punished. + +And it is vanity to desire a long life and to take no care to live a +good life. + +And it is vanity for a man to take heed only to this present life and +not to see before those things that are to come. + +Study therefore to withdraw thy heart from love of things visible and +turn thee to things invisible. + +For they that follow their senses stain their consciences and lose the +grace of God. + + +OF A HUMBLE OPINION OF OURSELVES + +Every man naturally desireth knowledge; but knowledge without love and +fear of God, what availeth it? + +Certainly the meek plow-man that serveth God is much better than the +proud philosopher that, taking no heed of his own living, studies the +course of the stars. + +He that knoweth himself well is lowly in his own sight and hath no +delight in man's praises. + +If I knew all things that are in the world and had not charity, what +should that help me before God who shall judge me according to my deeds? + +Unwise is he that more attendeth to other things than to the health of +his soul. + +Many words fill not the soul; but a good life refresheth the mind and a +pure conscience giveth a great confidence in God. + +The more thou canst do and the better that thou canst do, the more +grievously thou shalt be judged unless thou live holily. + +Think not highly of thyself but rather acknowledge thine ignorance. + +If thou wilt learn and know anything profitably, love to be unknown and +to be accounted as of little worth. + + +OF THE TEACHING OF TRUTH + +Blissful is he whom truth itself teacheth, not by figures or voices, but +as it is. + +What availeth great searching of dark and hidden things for the which we +shall not be blamed in the judgment though we know them not? + +He to whom the Word Everlasting speaketh is delivered from a multitude +of opinions. Of one Word came all things, and all things speak one word; +that is the Beginning that speaketh to us. No man without the Word +understandeth or judgeth righteously. + +He to whom all things are one and who draweth all things to one and +seeth all things in one may be quiet in heart and peaceably abide in +God. + +O God of truth, make me one with thee in everlasting love! + +Ofttimes it wearieth me to hear and read many things; in thee Lord is +all that I wish and can desire. + +Let all teachers hold their peace and all manner of creatures keep their +silence in thy sight: Speak thou alone to me! + +Who hath a stronger battle than he that useth force to overcome himself? +This should be our occupation, to overcome ourselves and every day to be +stronger and somewhat holier. + +Meek knowing of thyself is more acceptable to God than deep inquiry +after knowledge. + +Knowledge or bare and simple knowing of things is not to be blamed, the +which, in itself considered, is good and ordained of God: but a good +conscience and a virtuous life is ever to be preferred. + +And forasmuch as many people study more to have knowledge than to live +well, therefore ofttimes they err and bring forth little fruit or none. + +Certainly at the day of doom it shall not be asked of us what we have +read but what we have done; nor what good we have spoken but how +religiously we have lived. + +Verily he is great that in himself is little and meek and setteth at +naught all height of honour. Verily he is great that hath great love. +Verily he is prudent that deemeth all earthly things foul so that he may +win Christ. And he is verily well learned that doth the will of God and +forsaketh his own will. + + +OF WISDOM IN MAN'S ACTIONS + +It is not fit to give credence to every word nor to every suggestion, +but every thing is to be weighed according to God, warily and in +leisure. + +Alas, rather is evil believed of another man than good; we are so weak. + +But the perfect believe not easily all things that men tell, for they +know man's infirmity, ready to speak evil and careless enough in words. + +Hereto it belongeth also not to believe every man's words, nor to tell +other men what we hear or carelessly believe. + +Have thy counsel with a wise man and a man of conscience and seek rather +to be taught by thy betters than to follow thine own inventions. + +Good life maketh a man wise in God's sight and expert in many things. + +The more meek that a man is and the more subject to God the more wise +shall he be in all things--and the more patient. + + +OF READING THE SCRIPTURES + +Truth is to be sought in holy writings, not in eloquence. Every holy +writing ought to be read with the same spirit wherewith it was made. + +We ought in Scriptures rather to seek profitableness than subtle +language. + +We ought as gladly to read simple and devout books as high and profound +ones. + +Let not the authority of him that writeth, whether he be of great name +or little, change thy thought, but let the love of pure truth draw thee +to read. + +Ask not who said this, but take heed what is said. Man passeth, but the +truth of the Lord abideth everlastingly. + +God speaketh to us in diverse ways without respect to persons. + +If thou wilt draw profit in reading, read meekly, simply and truly, not +desiring to have a reputation for knowledge. + + +OF INORDINATE AFFECTIONS + +Whenever a man coveteth anything inordinately, anon is he disquieted in +himself. + +The proud man and covetous hath never rest: the poor and the meek in +spirit dwell in peace. + +The man that is not perfectly dead to himself is soon tempted and soon +overcome by small things and things of little price. + +In withstanding passions and not in serving them, standeth peace of +heart. + +There is no peace in the heart of the carnal man nor in him that is all +given to outward things; but in the fervent, spiritual man is peace. + + +OF SHUNNING TOO GREAT FAMILIARITY + +Show not thy heart to every man but bring thy cause to him that is wise +and feareth God. + +Converse rarely with young people and strangers. + +Flatter not rich men and seek not great men; but keep company thyself +with meek and simple men and talk of such things as will edify. + +Be not familiar to any woman; but generally commend all good women to +God. + +Desire to be familiar with God and with his angels and avoid knowledge +of men. Love is to be given to all men, but familiarity is not +expedient. + +It happeneth some times that a person unknown shineth by his bright +fame, whose presence offendeth and maketh dark the eyes of the +beholders. We often hope to please others by our being and living with +them, but often we displease them through the bad manners they find in +us. + + +OF SHUNNING MANY WORDS + +Avoid noise and the press of men as much as thou mayest: for talking of +worldly deeds, though they be brought forth with true and simple +intention, hindereth much: for we be soon defiled and led into vanity. + +I have wished myself ofttimes to have held my peace and not to have been +among men. Why speak we and talk we together so gladly, since seldom we +come home without hurting of conscience? + +We talk so oft together because by such speaking we seek comfort each +from the other and to relieve the heart that is made weary with many +thoughts; and we speak much of such things as we love or desire or such +things as we dislike. But, alas, it is ofttimes vainly and fruitlessly, +for such outward comfort is a great hindering to inward and heavenly +consolation. Therefore we ought to watch and pray that our time pass not +idly by. + + +OF FLEEING FROM VAIN HOPE AND ELATION + +He is vain that putteth his hope in men or in other created things. + +Be not ashamed to serve other men for the love of Jesus Christ and to be +considered poor in this world. Stand not upon thyself but set thy trust +in God. Do what in thee is and God shall be nigh to thy good will. + +Trust not in thine own knowledge nor in the skill of any man living; but +rather in the grace of God that helpeth meek folk and maketh low them +that are proud. + +Rejoice thee not in riches if thou have any, nor in friends if they be +mighty; but in God that giveth all things and above all things desireth +to give Himself. + +Rejoice not for thy greatness nor for the beauty of that body which is +corrupted and disfigured with a little sickness. + +Please not thyself for thy ability or for thy wit lest thou displease +God of whom cometh all the good that thou hast naturally. + +Account not thyself better than others, lest peradventure thou be held +worse in the sight of God that knoweth what is in man. + +Be not proud of good works; for God's judgments are otherwise than +thine. Ofttimes what pleaseth man displeaseth God. + +If thou hast any good things in thee believe better things of others +that thou mayest keep thy humility. + +It hurteth thee not to be set under all men: it might hinder thee if +thou settest thyself afore others. + +Continual peace is with the meek man, but in the heart of the proud man +are often envy and indignation. + + Thomas à Kempis was born in the latter part of the fourteenth + century and lived to a good old age. His name in full was Thomas + Haemercken, but as he was born in the town of Kempen he has been + generally known by the title above given. The _Imitation_ was + written slowly, a little at a time, and as the result of reading, + reflection and prayer. + + The very brief selections given above are condensed from the first + ten chapters of the first book. While in the main following the + best translation of the original, the language has been simplified + in a few places. + + + + +THE DESTRUCTION OF SENNACHERIB + +_By_ LORD BYRON + + + NOTE.--Byron takes for granted his readers' knowledge of the events + with which this poem deals; that is, he does not tell the whole + story. Indeed, he gives us very few facts. Is there, for instance, + in the poem any hint as to who Sennacherib was, or as to who the + enemy was that the Assyrians came against? But if we turn to the + eighteenth and nineteenth chapters of _Second Kings_, we shall find + the whole account of Sennacherib, king of Assyria, and his + expedition against the Hebrew people. The climax of the story, with + which this poem deals, is to be found in _Second Kings_, xix, 35. + + The Assyrian came down like the wolf on the fold, + And his cohorts were gleaming in purple and gold, + And the sheen of their spears was like stars on the sea, + When the blue wave rolls nightly on deep Galilee. + + Like the leaves of the forest when summer is green, + That host with their banners at sunset were seen; + Like the leaves of the forest when autumn hath blown, + That host on the morrow lay wither'd and strown. + + For the Angel of Death spread his wings on the blast, + And breathed in the face of the foe as he pass'd; + And the eyes of the sleepers wax'd deadly and chill, + And their hearts but once heaved, and forever grew still. + + And there lay the steed with his nostril all wide, + But through it there roll'd not the breath of his pride: + And the foam of his gasping lay white on the turf, + And cold as the spray of the rock-beating surf. + + And there lay the rider, distorted and pale, + With the dew on his brow, and the rust on his mail; + And the tents were all silent, the banners alone, + The lances unlifted, the trumpet unblown. + + And the widows of Ashur[142-1] are loud in their wail, + And the idols are broke in the temple of Baal,[142-2] + And the might of the Gentile, unsmote by the sword, + Hath melted like snow in the glance of the Lord! + + +FOOTNOTES: + +[142-1] _Ashur_ is the Assyrian form of our word _Assyria_. + +[142-2] Baal was the chief god of the Assyrians. + + + + +RUTH + + + NOTE.--This charming story may be found complete in the book of + _Ruth_ in the Old Testament by those who wish the literal Bible + narrative as it is there given. + + Little is known as to the date of the writing of the book of + _Ruth_. Some authorities believe that it was written earlier than + 500 B.C., while others contend that it was not written until much + later. As to the purpose, also, there are differences of opinion; + is the book merely a religious romance, told to point a moral, or + is it an historical narrative meant to give information as to the + ancestry of David? Whichever is true, the story is a delightful + one, and we enjoy reading it just as we do any other story, apart + from its Biblical interest. + +I + +Now it came to pass in the days when the judges ruled in Judah that +there was a famine in the land, and a certain man of Bethlehem-Judah +went to sojourn in the country of Moab, he, and his wife and his two +sons. Together they came into the land and continued there; but the man +died, and the wife was left, and her two sons. + +And they took them wives of the women of Moab; the name of the one was +Orpah, and the name of the other was Ruth; and they dwelled there about +ten years. Then the two sons died also both of them; and the woman, +Naomi, their mother, alone was left of the family that came into Moab. + +Then she arose with her daughters-in-law, that she might return from the +country of Moab; for she had heard in the country of Moab how that the +Lord had visited his people in giving them bread. + +Wherefore she went forth out of the place where she was, and her two +daughters-in-law with her; and they went on the way to return unto the +land of Judah. + +But Naomi said unto her two daughters-in-law, "Go, return each to her +mother's house. The Lord deal kindly with you, as ye have dealt with the +dead, and with me. The Lord grant you that ye may find rest again, each +in the house of her husband." + +Then she kissed them; and they lifted up their voices and wept, and said +unto her, "Surely we will return with thee unto thy people." + +Naomi said, "Turn again, my daughters, why will you go with me? Have I +yet any more sons that may be your husbands? Nay, it grieveth me much +for your sakes that the hand of the Lord is gone out against me. Turn +again my daughters; go your way." + +Again they lifted up their voice and wept, and Orpah kissed her +mother-in-law, but Ruth clave unto her. + +Naomi said, "Behold, thy sister-in-law is gone back unto her people, and +unto her gods; return thou after thy sister-in-law." + +And Ruth said, "Entreat me not to leave thee, or to return from +following after thee: for whither thou goest, I will go; and where thou +lodgest, I will lodge: thy people shall be my people, and thy God my +God: where thou diest, will I die, and there will I be buried: the Lord +do so to me, and more also, if ought but death part thee and me." + +When Naomi saw that Ruth was steadfastly minded to go with her, then she +left speaking unto her. So they two went until they came to Bethlehem. + +[Illustration: "WHITHER THOU GOEST, I WILL GO"] + +There it came to pass that all the city was moved about them, and the +people said, "Is this Naomi?" + +"Call me not Naomi," she said unto them. "Call me Mara: for the Almighty +hath dealt very bitterly with me.[146-1] I went out full and the Lord +hath brought me home again empty: why then call me Naomi, seeing the +Lord hath testified against me, and the Almighty hath afflicted me?" + +So Naomi returned, and Ruth the Moabitess, her daughter-in-law, with +her, which returned out of the country of Moab: and they came to +Bethlehem in the beginning of barley harvest. + + +II + +Naomi had a kinsman of her husband's, a mighty man of wealth; and his +name was Boaz. + +And Ruth said unto Naomi, "Let me now go to the field, and glean ears of +corn after him in whose sight I shall find grace." And Naomi answered, +"Go, my daughter." + +And she went, and came, and gleaned in the field after the reapers: and +her hap was to light on a part of the field belonging unto Boaz. + +And, behold, Boaz came from Bethlehem and said unto the reapers, "The +Lord be with you." + +And the reapers answered him, "The Lord bless thee." Then said Boaz unto +his servant that was set over the reapers, "Whose damsel is this?" + +And the servant answered and said, "It is the Moabitish damsel that came +back with Naomi out of the country of Moab. And she said, 'I pray you, +let me glean and gather after the reapers among the sheaves': so she +came, and hath continued even from the morning until now, that she +tarried a little in the house." + +Boaz said unto Ruth, "Hearest thou not, my daughter? Go not to glean in +another field, neither go from hence, but abide here fast by my maidens. +Let thine eyes be on the field that they do reap, and go thou after +them: have I not charged the young men that they shall not touch thee? +and when thou art athirst, go unto the vessels, and drink of that which +the young men have drawn." + +[Illustration: RUTH GLEANING] + +Then she fell on her face and bowed herself to the ground, and said unto +him, "Why have I found grace in thine eyes, that thou shouldest take +knowledge of me, seeing I am a stranger?" + +And Boaz answered and said unto her, "It hath fully been shewed me, all +that thou hast done unto thy mother-in-law since the death of thine +husband: and how thou hast left thy father and thy mother, and the land +of thy nativity, and art come unto a people which thou knewest not +heretofore. The Lord recompense thy work, and a full reward be given +thee of the Lord God of Israel, under whose wings thou art come to +trust." + +Then she said, "Let me find favour in thy sight, my lord; for that thou +hast comforted me, and for that thou hast spoken friendly unto thine +handmaid, though I be not like unto one of thine handmaidens." + +And Boaz said unto her, "At mealtime come thou hither, and eat of the +bread and dip thy morsel in the vinegar." + +And she sat beside the reapers; and he reached her parched corn, and she +did eat, and was sufficed and left. + +And when she was risen up to glean again, Boaz commanded his young men, +saying, "Let her glean even among the sheaves and reproach her not; and +let fall also some handfuls of purpose for her, and leave them that she +may glean them, and rebuke her not." + +So she gleaned in the field until even, and beat out that she had +gleaned: and it was about an ephah[148-2] of barley. And she took it up, +and went into the city: and her mother-in-law saw what she had gleaned. + +And her mother-in-law said unto her, "Where hast thou gleaned to-day? +and where wroughtest thou? blessed be he that did take knowledge of +thee." + +And she showed her mother-in-law with whom she had wrought, and said, +"The man's name with whom I wrought to-day is Boaz." + +And Naomi said unto her daughter-in-law, "Blessed be he of the Lord, who +hath not left off his kindness to the living and to the dead." And Naomi +said unto her, "The man is near of kin unto us, one of our next +kinsmen." + +And Ruth the Moabitess said, "He said unto me also, 'Thou shalt keep +fast by my young men, until they have ended all my harvest.'" + +And Naomi said unto Ruth, her daughter-in-law, "It is good, my daughter, +that thou go out with his maidens, that they meet thee not in any other +field." + +So she kept fast by the maidens of Boaz to glean unto the end of barley +harvest and of wheat harvest; and dwelt with her mother-in-law. + + +III + +Then Naomi, her mother-in-law, said unto Ruth, "My daughter, shall I not +seek rest for thee, that it may be well with thee? And now is not Boaz +of our kindred, with whose maidens thou wast? Behold he winnoweth barley +to-night in the threshing floor. Wash thyself, therefore, and anoint +thee, and put thy raiment upon thee and get thee down to the floor, and +he will tell thee what to do." + +And Ruth said, "All that thou sayest unto me, that will I do." + +Therefore went she down unto the threshing floor and did according to +all that her mother-in-law bade her. And Boaz saw her and loved her and +asked her, "Who art thou?" + +She answered, "I am Ruth, thy handmaid." + +And Boaz said, "Blessed be thou of the Lord, my daughter, and fear not, +for all the city of my people doth know thou art a virtuous woman. And +now it is true that I am thy near kinsman: howbeit, there is a kinsman +nearer than I. Tarry this night, and it shall be in the morning that if +he will perform unto thee the part of a kinsman, well; let him do the +kinsman's part. But if he will not do the part of a kinsman to thee, +then will I do the part of the kinsman to thee, as the Lord liveth. +Bring now the vail that thou hast upon thee and hold it." + +And when she held it, he measured six measures of barley, and laid it on +her, and she returned into the city. + +When now she came to her mother, Naomi asked, "Who art thou?" And Ruth +told her all that the man had said and done, and said, "These six +measures of barley gave he me, for he said to me, 'Go not empty unto thy +mother-in-law.'" + +Then said Naomi, "Sit still, my daughter, until thou know how the matter +will fall; for the man will not be in rest until he have finished the +thing this day." + + +IV + +Then went Boaz up to the gate and sat him down there; and, behold, the +kinsman of whom Boaz spoke, came by; unto whom Boaz said, "Ho, such a +one! turn aside, sit down here." And he turned aside and sat down. + +And Boaz took also ten men of the elders of the city and said, "Sit ye +down here." And they sat down. + +Then said Boaz unto the kinsman, "Naomi, that is come again out of the +land of Moab, selleth a parcel of land, which was our brother's. And I +thought to ask thee to buy it before the inhabitants and before the +elders of my people. If thou wilt redeem it, redeem it; but if thou wilt +not redeem it, then tell me, that I may know: for there is none to +redeem it beside thee, and I am after thee. And what day thou buyest it +of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the +wife of the dead." + +And the kinsman said, "I cannot redeem it for myself, lest I mar mine +own inheritance; redeem thou my right to thyself: for I cannot redeem +it." + +Now this was the manner in former time in Israel, concerning redeeming +and concerning changing, for to confirm all things: a man plucked off +his shoe and gave it to his neighbor; and this was a testimony in +Israel. Therefore the kinsman said unto Boaz, "Buy it for thee." So he +drew off his shoe. + +And Boaz said unto the elders and all the people, "Ye are witnesses this +day that I have bought all that was Naomi's husband's and all that was +her son's of the hand of Naomi. Moreover, Ruth the Moabitess, the wife +of my kinsman that is dead, have I purchased to be my wife, that the +name of the dead be not cut off from among his brethren, and from the +gate of his place: ye are witnesses this day." + +And all the people that were there in the gate, and the elders, said, +"We are witnesses. The Lord make the woman that is come into thine house +like Rachel and like Leah, which two did build the house of Israel: and +do thou worthily and be famous in Bethlehem." + +So Boaz took Ruth, and she was his wife, and she bare him a son. And the +women said unto Naomi, "Blessed be the Lord that hath not left thee this +day without a kinsman, that his name may be famous in Israel. And he +shall be unto thee a restorer of thy life, and a nourisher of thine old +age; for thy daughter-in-law which loveth thee, which is better to thee +than seven sons, hath borne him." + +And Naomi took the child and laid it in her bosom, and became nurse unto +it. And the women, her neighbors, gave it a name, saying, "There is a +son born to Naomi, and his name is Obed." + +This same Obed is the father of Jesse, who is the father of David. + +[Illustration] + + +FOOTNOTES: + +[146-1] _Naomi_ means _pleasant_, while _Mara_ means _bitter_. + +[148-2] The _ephah_ was equal to about two pecks and five quarts. + + + + +THE VISION OF BELSHAZZAR + +_By_ LORD BYRON + + + NOTE.--According to the account given in the fifth chapter of + _Daniel_, Belshazzar was the last king of Babylon, and the son of + the great king Nebuchadnezzar, who had destroyed Jerusalem and + taken the Jewish people captive to Babylon. The dramatic incident + with which the second stanza of Byron's poem deals is thus + described: + + "In the same hour came forth fingers of a man's hand, and wrote + over against the candlestick upon the plaister of the wall of the + king's palace; and the king saw the part of the hand that wrote." + + After all the Babylonian wise men had tried in vain to read the + writing, the "captive in the land," Daniel, was sent for, and he + interpreted the mystery. + + "And this is the writing that was written, MENE, MENE, TEKEL, + UPHARSIN. + + "This is the interpretation of the thing: MENE; God hath numbered + thy kingdom, and finished it. + + "TEKEL; Thou art weighed in the balances, and art found wanting. + + "PERES; Thy kingdom is divided, and given to the Medes and + Persians." + + The fulfillment of the prophecy thus declared by Daniel is + described thus briefly: "In that night was Belshazzar the king of + the Chaldeans slain. And Darius the Median took the kingdom." + + The King was on his throne, + The Satraps[153-1] throng'd the hall; + A thousand bright lamps shone + O'er that high festival. + A thousand cups of gold, + In Judah deem'd divine-- + Jehovah's vessels hold[154-2] + The godless Heathen's wine. + + In that same hour and hall + The fingers of a Hand + Came forth against the wall, + And wrote as if on sand: + The fingers of a man;-- + A solitary hand + Along the letters ran, + And traced them like a wand. + + The monarch saw, and shook, + And bade no more rejoice; + All bloodless wax'd his look, + And tremulous his voice:-- + "Let the men of lore appear, + The wisest of the earth, + And expound the words of fear, + Which mar our royal mirth." + + Chaldea's[154-3] seers are good, + But here they have no skill; + And the unknown letters stood + Untold and awful still. + And Babel's[154-4] men of age + Are wise and deep in lore; + But now they were not sage, + They saw--but knew no more. + +[Illustration: THE WRITING ON THE WALL] + + A Captive in the land, + A stranger and a youth, + He heard the king's command, + He saw that writing's truth; + The lamps around were bright, + The prophecy in view; + He read it on that night,-- + The morrow proved it true! + + "Belshazzar's grave is made, + His kingdom pass'd away, + He, in the balance weigh'd, + Is light and worthless clay; + The shroud, his robe of state; + His canopy, the stone: + The Mede is at his gate! + The Persian on his throne!" + +[Illustration] + + +FOOTNOTES: + +[153-1] The satraps were the governors of the provinces, who ruled under +the king and were accountable to him. + +[154-2] These were the sacred "vessels that were taken out of the temple +of the house of God which was at Jerusalem." + +[154-3] The terms _Chaldea_ and _Babylonia_ were used practically +synonymously. + +[154-4] _Babel_ is a shortened form of _Babylon_. + + + + +SOHRAB AND RUSTEM + +RUSTEM + + +The Persians have a great epic which is to them about what the _Iliad_ +and the _Odyssey_ were to the Greeks and the _Æneid_ was to the Romans. +In character, however, the Persian epic is more like the English +narrative _Morte d' Arthur_, from which readings will be found elsewhere +in these volumes. This wonderful poem, the _Shah Nameh_, relates +exploits of the Shahs of Persia for a period that is supposed to extend +over more than three thousand years. It was written by Firdusi, a famous +Persian poet, toward the close of the tenth century, and is filled with +tales of the marvelous adventures and stirring achievements of national +heroes. Fierce monsters like those that appear in the legendary tales of +all nations stalk through its pages, and magicians, good and bad, work +their enchantments for and against the devoted Persians. The imagination +of Eastern writers is more vivid than that of the Europeans, and for +that reason the stories are more full of thrilling episodes and +supernatural occurrences. + +Chief among the heroes is Rustem, who seems to have lived through many +centuries, and to have been the one great defender of the Persian +throne. From the cradle he was marked for renown, for he was larger, +stronger and healthier than any other babe that was ever born. His +mother alone could not feed him, and ten nurses were required to +satisfy the infant's hunger. His father, Zal, the white-haired, looked +with pride upon his growing son, who as soon as he was weaned fell upon +bread and meat as his only diet and required as much of them as would +feed five ordinary men. Such a child ought to make a wonderful man, and +this one fulfilled the highest hopes of his parents, for he became +taller in stature, broader in shoulders, deeper in the chest and +stronger in all his muscles than any other man the Persian race had ever +known. + +His childish exploits were quite as wonderful as those of his later +years. One night he was awakened from his slumbers by hearing the +servants say that the great white elephant on which his father rode on +state occasions had broken loose and was running about the royal +gardens, mad with rage, pulling up the trees, tearing down buildings and +killing every one that came in his way. Not a man dared stand against +the fierce beast, and though the archers had tried again and again their +weapons had no effect upon him. + +Rustem rose from his couch, put on his clothes, caught from the wall the +huge club his grandfather had owned, and made for the door of his +chamber. + +"Where are you going? What will you do?" cried the frightened servants. + +"Open the door. I must stop that elephant before he does greater +damage," answered the boy. + +One of his serving men, braver than the rest, opposed the boy. "I dare +not obey you," said the man; "your father would never forgive me if I +let you go forth to be slain by that ferocious beast whose broken chains +clank about his legs and whose huge trunk brings destruction to +everything it strikes. You will be knocked down and trampled to death. +This is pure folly!" + +"Out of my way," cried the enraged Rustem. "You rush upon your own +doom." + +Almost blind with anger, the furious youth swung his club about him and +struck the faithful servant so fearful a blow that his head was knocked +from his body and rolled along the floor like a huge ball. The other +servants fled to the corners of the room and gave Rustem a clear path. +One blow from his great club broke the iron balls from the door and sent +it flying from its hinges. Shouldering his club Rustem hurried into the +garden, where he soon found the maddened elephant in the midst of the +ruin he was making. When the unwieldy animal saw the boy approaching it +rushed at him with savage bellowings, swinging its long, powerful trunk +from side to side in great circles. The terrible spectacle frightened +Rustem not in the least, and the dauntless youth rushed forward and +struck the elephant a single blow full in its forehead. The great legs +trembled and bent, the huge body tottered and fell, making a mountain of +quivering flesh. Rustem calmly shouldered his club, returned to his +chamber, and finished his sleep. + +As Rustem grew to manhood he became the owner of a great horse little +less wonderful than his master. Raksh, for that was the animal's name, +not only carried Rustem in war and in the chase, but he fought for his +master in every conflict, watched over him in his sleep, and defended +him with human intelligence. On one of his expeditions Rustem lay down +to sleep near the den of a lion, that as he came forth to hunt at night +saw the horse and rider asleep before him. The lion, knowing that if he +could kill the horse the man would not get away, made ready to spring +upon Raksh, but that wary animal was sleeping with one eye open and met +the leaping lion more than half way with two great hoofs planted +squarely in his face. Before the astonished animal could recover his +senses Raksh seized him by the back and beat his life out upon the +ground. + +Of Rustem's countless struggles with dragons, witches, genii and other +strange beings, and of the wonderful battles by which he defended the +throne of Persia, we cannot stop to read. They were all very similar in +one respect at least, for always he escaped from deadly peril by his own +wisdom and strength, aided often, as we have said, by Raksh. But there +is one part of his life, one series of more than human adventures that +we ought to know. + +One day Rustem was hunting over a plain on the borders of Tartary when +he discovered a large herd of wild asses. No animal could outstrip +Raksh, and so his master was soon among the herd, killing the animals to +right and left. Some he slew with the arrows of his strong bow, others +he lassoed and killed with his trusty club. When his love for hunting +was satisfied he built a fire, roasted one of the asses and prepared for +a great feast. In time even his sharp appetite was quenched, and lying +down upon his blanket he was soon buried in a sound slumber. + +As he slept Raksh wandered about the plains quietly feeding. Without +noticing it he strayed far away from his master, and in fact quite out +of sight. + +Then it happened that seven Tartars who had been following Raksh made a +dash at him and tried to capture him with their lassoes. The noble horse +fought them manfully, killing two of them with the blows of his forefeet +and biting the head from the shoulders of another. But the ropes from +the lassoes became tangled with his legs, and even the marvelous Raksh +was at last thrown, overpowered and led struggling away. + +When Rustem awoke his first thought was for his horse, but though he +looked everywhere the faithful animal was not in sight. Such a thing had +never happened before, and Rustem grew pale with sorrow and dread. + +"What can I do without my noble charger?" he said. "How can I carry my +arrows, club and other weapons? How can I defend myself? Moreover, I +shall be the laughingstock of friends and enemies alike, for all will +say that in my carelessness I slept and allowed my horse to be stolen." + +At last he discovered the tracks of Raksh in the dust of the plain, and +following them with difficulty he found himself at the town of Samengan. +The king and nobles of the town knew Rustem, but seemed surprised to see +him come walking. The wanderer explained what had happened, and the wily +monarch answered, "Have no fear, noble Rustem. Every one knows your +wonderful horse Raksh, and soon some one will come and bring him to you. +I will even send many men to search for him. In the meantime, rest with +us and be happy. We will entertain you with the best, and in pleasure +you will forget your loss till Raksh is returned to you." + +This plan pleased Rustem, and the king kept his word in royal +entertainments in which he served his guest with grave humility. +Moreover, the princess Tehmina likewise served Rustem with becoming +grace and dignity. No maiden was ever more beautiful. She was tall as +the cypress and as graceful as a gazelle. Her neck and shoulders were +like ivory; her hair, black and shiny as a raven's wings, hung in two +long braids down her back, as the Persian horseman loops his lasso to +his saddle bow; her lips were like twin rubies, and her black brilliant +eyes glanced from highly-arched eye-brows. + +Rustem fell deeply in love with the fair maiden as soon as he saw her, +and at the first opportunity told her of his affection. Tehmina then +confessed that she had long loved Rustem from the reports she had heard +of his noble character and deeds of great prowess. The capture of Raksh +was a part of her plan for meeting the owner, for she felt sure he would +follow the animal's track to her father's capital. All this served to +make more strong the love of Rustem, who immediately demanded of the +king his daughter's hand in marriage. The king, glad enough to have so +powerful a man for his son, consented willingly to the match, and after +they were married amid great rejoicings, Rustem settled down at the +court in quiet enjoyment of his new-found home. + +A powerful man like Rustem cannot always remain in idleness, however, +and when news came to him that the Persian king was in need of his +greatest warrior, Rustem took his lasso, his bow and arrows and his +club, mounted Raksh and rode away. Before going, however, he took from +his arm an onyx bracelet that had been his father's, and calling +Tehmina to him handed it to her, saying: + +"Take this bracelet, my dear one, and keep it. If we have a child and it +be a girl, weave the bracelet in her hair and she will grow tall, +beautiful and good; if our child be a boy, fasten the bracelet on his +arm, and he will become strong and courageous, a mighty warrior and a +wise counsellor." + + +SOHRAB + +When Rustem had gone Tehmina wept bitterly, but consoled herself with +the thought that her husband would soon return. After her child was +born, she devoted herself to the wonderful boy and waited patiently for +the father that never returned. She remembered the parting words of +Rustem, and fastened upon the arm of her infant son the magic bracelet +of his race. + +He was a marvelous boy, this son of Rustem and Tehmina. Beautiful in +face as the moon when it rides the heavens in its fullness, he was +large, well-formed, with limbs as straight as the arrows of his father. +He grew at an astonishing rate. When he was but a month old he was as +tall as any year-old baby; at three years of age he could use the bow, +the lasso and the club with the skill of a man; at five he was as brave +as a lion, and at ten not a man in the kingdom was his match in strength +and agility. + +Tehmina, rejoicing in the intelligent, shining face of her boy, had +named him Sohrab, but as she feared that Rustem might send for his son +if he knew that he had so promising a one, she sent word to her husband +that her child was a girl. Disappointed in this, Rustem paid no +attention to his offspring, who grew up unknown to his parent, and +himself ignorant of the name of his father. + +When Sohrab was about ten years old he began to notice that, unlike the +other young men, he seemed to have no father. Accordingly he went to his +mother and questioned her. + +"What shall I say," he inquired, "when the young men ask me who is my +father? Must I always tell them that I do not know? Whose son am I?" + +"My son, you ask and you have a right to know. You need feel no shame +because of your father. He is the mighty Rustem, the greatest of Persian +warriors, the noblest man that ever lived. But I beg you to tell no one +lest word should come to Rustem, for I know he would take you from me +and I should never see you again." + +Sohrab was overjoyed to hear of his noble parentage and felt his heart +swell with pride, for he had heard all his life of the heroic deeds of +his father. + +"Such a thing as this cannot be kept secret," he cried. "Sooner or later +every one in the world will know that I am Rustem's son. But not now +will we tell the tale. I will gather a great army of Tartars and make +war upon Kaoos, the Persian king. When I have defeated him I will set my +father Rustem upon the throne, and then I will overthrow Afrasiab, King +of the Turanians, and take his throne myself. There is room in the world +for but two kings, my father Rustem and myself." + +The youthful warrior began his preparations immediately. First he sought +far and wide for a horse worthy to carry him, and at last succeeded in +finding a noble animal of the same breed as the famous Raksh. Mounted on +this splendid steed he rode about and rapidly collected an army of +devoted followers. + +The noise of these preparations spread abroad and soon came to the ears +of Afrasiab, who saw in this war an opportunity for profit to himself +and humiliation for Kaoos. Accordingly, he sent offers of assistance to +Sohrab, who accepted them willingly and received among his followers the +hosts of the Turanian king. + +But Afrasiab was a wily monarch, and sent to Sohrab two astute +counsellors, Haman and Barman with instructions to watch the young +leader carefully and to keep from him all knowledge of his father. + +"If possible," said the treacherous monarch, "bring the two together and +let them fight, neither knowing who the other is. Then may Sohrab slay +his mighty father and we be left to rule the youthful and inexperienced +son by our superior cunning and wisdom. If on the other hand Rustem +shall slay his son, his heart will fail him, and he will die in +despair." + +When the army was fully in readiness Sohrab set forth against Persia. In +his way lay the great White Fort whose chief defender was the mighty +Hujir. The Persians felt only contempt for the boyish leader and had no +fear of his great army. As they approached, Hujir rode forth to meet +them and called aloud in derision. + +"Let the mighty Sohrab come forth to meet me alone. I will slay him with +ease and give his body to the vultures for food." + +Undismayed by these threats Sohrab met the doughty Persian and unhorsed +him in the first encounter. Springing from his horse Sohrab raised his +sword to strike, but the Persian begged so lustily for quarter that he +was granted his life, though sent a prisoner to the king. + +Among those who watched the defeat of Hujir was Gurdafrid, the daughter +of the old governor of the White Fort. She was stronger than any warrior +in the land and fully accustomed to the use of arms. When she became +aware that Hujir was indeed vanquished she hastily clothed herself in +full armor, thrust her long hair under her helmet and rode gallantly out +to meet Sohrab. The girl shot a perfect shower of arrows at Sohrab, but +all glanced harmlessly from his armor. Seeing that she could not find a +weak spot in his mail she put her shield in rest and charged valiantly +at her foe. However, she was no match for her antagonist and was borne +from her saddle by the fierce lance of her enemy. As she fell, however, +she drew her sword and severed the spear of Sohrab. Before he could +change weapons she had mounted her horse and was galloping wildly toward +the fort with her late antagonist in full pursuit. Long ere the castle +walls were reached Sohrab overtook her and seized her by the helmet, +when its fastenings gave way and her long hair fell about her shoulders, +disclosing the fact that he had been fighting with a woman. + +Struck by the beauty of the girl and ashamed that he had been fighting +with her, Sohrab released her after she had promised that she would make +no further resistance and that the castle would surrender at his +approach. The fierce Gurdafrid, however, had no idea of giving up the +fort, but as soon as she was within, the gates were closed, and she, +mounting upon the walls, jeered at the waiting Sohrab. + +"It is now too late to fight, but when morning comes I will level your +fort to the earth and leave not one stone upon the other." With these +words the incensed warrior galloped back to his camp. When in the +morning he marched his army against the fort he found that his prey had +escaped, for during the night Gurdafrid had led the whole garrison out +through a secret passage and had gone to warn King Kaoos of the approach +of the mighty Sohrab and his powerful army. The allied Tartars and +Turanians followed as rapidly as they might, but it was some time before +they could come anywhere near the Persian capital. + +What was happening in Persia has been very well told by Alfred J. Church +in his story of Sohrab and Rustem: + +"When King Kaoos heard that there had appeared among the Tartars a +mighty champion, against whom, such was the strength of his arms, no one +could stand; how he had overthrown and taken their champion and now +threatened to overrun and conquer the whole land of Persia, he was +greatly troubled, and calling a scribe, said to him, 'Sit down and write +a letter to Rustem.' + +"So the scribe sat down and wrote. The letter was this: 'There has +appeared among the Tartars a great champion, strong as an elephant and +as fierce as a lion. No one can stand against him. We look to you for +help. It is of your doing that our warriors hold their heads so high. +Come, then, with all the speed that you can use, so soon as you shall +have read this letter. Be it night or day, come at once; do not open +your mouth to speak; if you have a bunch of roses in your hand do not +stop to smell it, but come; for the warrior of whom I write is such that +you only can meet him.' + +"King Kaoos sealed the letter and gave it to a warrior named Giv. At the +same time he said, 'Haste to Rustem. Tarry not on the way; and when you +are come, do not rest there for an hour. If you arrive in the night, +depart again the next morning.' + +"So Giv departed, and traveled with all his speed, allowing himself +neither sleep nor food. When he approached Zabulistan, the watchman +said, 'A warrior comes from Persia riding like the wind.' So Rustem, +with his chiefs, went out to meet him. When they had greeted each other, +they returned together to Rustem's palace. + +"Giv delivered his message, and handed the king's letter, telling +himself much more that he had heard about the strength and courage of +this Tartar warrior. Rustem heard him with astonishment, and said, 'This +champion is like, you say, to the great San, my grandfather. That such a +man should come from the free Persians is possible; but that he should +be among those slaves the Tartars, is past belief. I have myself a +child, whom the daughter of a Tartar king bore to me; but the child is a +girl. This, then, that you tell me is passing strange; but for the +present let us make merry.' + +"So they made merry with the chiefs that were assembled in Rustem's +palace. But after a while Giv said again: 'King Kaoos commanded me, +saying, "You must not sleep in Zabulistan; if you arrive in the night, +set out again the next morning. It will go ill with us if we have to +fight before Rustem comes." It is necessary, then, great hero, that we +set out in all haste for Persia.' + +"Rustem said, 'Do not trouble yourself about this matter. We must all +die some day. Let us, therefore, enjoy the present. Our lips are dry, +let us wet them with wine. As to this Tartar, fortune will not always be +with him. When he sees my standard, his heart will fail him.' + +"So they sat, drinking the red wine and singing merry songs, instead of +thinking of the king and his commands. The next day Rustem passed in the +same fashion, and the third also. But on the fourth Giv made +preparations to depart, saying to Rustem, 'If we do not make haste to +set out, the king will be wroth, and his anger is terrible.' + +"Rustem said, 'Do not trouble yourself; no man dares to be wroth with +me.' Nevertheless, he bade them saddle Raksh and set out with his +companions. + +"When they came near the king's palace, a great company of nobles rode +out to meet them, and conducted them to the king, and they paid their +homage to him. But the king turned away from them in a rage. 'Who is +Rustem,' he cried, 'that he forgets his duty to me, and disobeys my +commands? If I had a sword in my hand this moment, I would cut off his +head, as a man cuts an orange in half. Take him, hang him up alive on +gallows, and never mention his name again in my presence.' + +"Giv answered, 'Sir, will you lay hands upon Rustem?' The king burst out +again in rage against Giv and Rustem, crying to one of his nobles, 'Take +these two villains and hang them alive on gallows.' And he rose up from +his throne in fury. + +"The noble to whom he had spoken laid his hand upon Rustem, wishing to +lead him out of the king's presence, lest Kaoos in his rage should do +him an injury. But Rustem cried out, 'What a king are you! Hang this +Tartar, if you can, on your gallows. Keep such things for your enemies. +All the world has bowed itself before me and Raksh, my horse. And +you--you are king by my grace.' + +"Thus speaking, he struck away the hand that the noble had laid upon him +so fiercely that the man fell headlong to the ground, and he passed over +his body to go from the presence of the king. And as he mounted on +Raksh, he cried: 'What is Kaoos that he should deal with me in this +fashion? It is God who has given me strength and victory, and not he or +his army. The nobles would have given me the throne of Persia long +since, but I would not receive it; I kept the right before my eyes. +Verily, had I not done so, you, Kaoos, would not be sitting upon the +throne.' Then he turned to the Persians that stood by, and said, 'This +brave Tartar will come. Look out for yourselves how you may save your +lives. Me you shall see no more in the land of Persia.' + +"The Persians were greatly troubled to hear such words; for they were +sheep, and Rustem was their shepherd. So the nobles assembled, and said +to each other: 'The king has forgotten all gratitude and decency. Does +he not remember that he owes to Rustem his throne--nay, his very life? +If the gallows be Rustem's reward, what shall become of us?' + +"So the oldest among them came and stood before the king, and said: 'O +king, have you forgotten what Rustem has done for you and this land--how +he conquered Mazanieran and its king and the White Genius; how he gave +you back the sight of your eyes? And now you have commanded that he +shall be hanged alive upon a gallows. Are these fitting words for a +king?' + +"The king listened to the old man, and said: 'You speak well. The words +of a king should be words of wisdom. Go now to Rustem, and speak good +words to him, and make him forget my anger.' + +"So the old man rode after Rustem, and many of the nobles went with him. +When they had overtaken him, the old man said, 'You know that the king +is a wrathful man, and that in his rage he speaks hard words. But you +know also that he soon repents. But now he is ashamed of what he said. +And if he has offended, yet the Persians have done no wrong that you +should thus desert them.' + +"Rustem answered, 'Who is the king that I should care for him? My saddle +is my throne and my helmet is my crown, my corselet is my robe of state. +What is the king to me but a grain of dust? Why should I fear his anger? +I delivered him from prison; I gave him back his crown. And now my +patience is at an end.' + +"The old man said, 'This is well. But the king and his nobles will +think, "Rustem fears this Tartar," and they will say, "If Rustem is +afraid, what can we do but leave our country?" I pray you therefore not +to turn your back upon the king, when things are in such a plight. Is it +well that the Persians should become the slaves of the infidel Tartars?' + +"Rustem stood confounded to hear such words. 'If there were fear in my +heart, then I would tear my soul from my body. But you know that it is +not; only the king has treated me with scorn.' + +"But he perceived that he must yield to the old man's advice. So he went +back with the nobles. + +"As soon as the king saw him, he leaped upon his feet, and said, 'I am +hard of soul, but a man must grow as God has made him. My heart was +troubled by the fear of this new enemy. I looked to you for safety, and +you delayed your coming. Then I spoke in my wrath; but I have repented, +and my mouth is full of dust.' + +"Rustem said, 'It is yours to command, O king, and ours to obey. You are +the master, and we are the slaves. I am but as one of those who open the +door for you, if indeed I am worthy to be reckoned among them. And now I +come to execute your commands.' + +"Kaoos said, 'It is well. Now let us feast. To-morrow we will prepare +for war.' + +"So Kaoos, and Rustem, and the nobles feasted till the night had passed +and the morning came. The next day King Kaoos and Rustem, with a great +army, began their march." + +Matthew Arnold, the great English critic, scholar and poet, has used the +incidents that follow as the subject of one of his most interesting +poems. To that poem we will look for a continuation of the story. Arnold +alters the story at times to suit the needs of his poem, and he often +employs a slightly different spelling of proper names from that used in +the above account. + + + + +SOHRAB AND RUSTUM + +AN EPISODE + +_By_ MATTHEW ARNOLD + + + And the first gray of morning fill'd the east, + And the fog rose out of the Oxus[173-1] stream. + But all the Tartar camp along the stream + Was hush'd, and still the men were plunged in sleep; + Sohrab alone, he slept not; all night long + He had lain wakeful, tossing on his bed; + But when the gray dawn stole into his tent, + He rose, and clad himself, and girt his sword, + And took his horseman's cloak, and left his tent, + And went abroad into the cold wet fog, + Through the dim camp to Peran-Wisa's[173-2] tent. + Through the black Tartar tents he pass'd, which stood + Clustering like beehives on the low flat strand + Of Oxus, where the summer floods o'erflow + When the sun melts the snow in high Pamere;[173-3] + Through the black tents he pass'd, o'er that low strand, + And to a hillock came, a little back + From the stream's brink--the spot where first a boat, + Crossing the stream in summer, scrapes the land. + The men of former times had crown'd the top + With a clay fort; but that was fall'n, and now + The Tartars built there Peran-Wisa's tent, + A dome of laths, and over it felts were spread. + And Sohrab came there, and went in, and stood + Upon the thick piled carpets in the tent, + And found the old man sleeping on his bed + Of rugs and felts, and near him lay his arms. + And Peran-Wisa heard him, though the step + Was dull'd; for he slept light, an old man's sleep; + And he rose quickly on one arm, and said:-- + "Who art thou? for it is not yet clear dawn. + Speak! is there news, or any night alarm?" + But Sohrab came to the bedside, and said:-- + "Thou know'st me, Peran-Wisa! it is I. + The sun is not yet risen, and the foe + Sleep; but I sleep not; all night long I lie + Tossing and wakeful, and I come to thee. + For so did King Afrasiab bid me seek + Thy counsel and to heed thee as thy son, + In Samarcand,[174-4] before the army march'd; + And I will tell thee what my heart desires. + Thou know'st if, since from Ader-baijan first + I came among the Tartars and bore arms, + I have still served Afrasiab well, and shown, + At my boy's years, the courage of a man. + +[Illustration: SOHRAB AND PERAN-WISA] + + This too thou know'st, that while I still bear on + The conquering Tartar ensigns through the world, + And beat the Persians back on every field, + I seek one man, one man, and one alone-- + Rustum, my father; who I hoped should greet, + Should one day greet, upon some well-fought field, + His not unworthy, not inglorious son. + So I long hoped, but him I never find. + Come then, hear now, and grant me what I ask. + Let the two armies rest to-day; but I + Will challenge forth the bravest Persian lords + To meet me man to man; if I prevail, + Rustum will surely hear it; if I fall-- + Old man, the dead need no one, claim no kin. + Dim is the rumor of a common[175-5] fight, + Where host meets host, and many names are sunk; + But of a single combat fame speaks clear." + He spoke; and Peran-Wisa took the hand + Of the young man in his, and sigh'd, and said:-- + "O Sohrab, an unquiet heart is thine! + Canst thou not rest among the Tartar chiefs, + And share the battle's common chance with us + Who love thee, but must press forever first, + In single fight incurring single risk, + To find a father thou hast never seen? + That were far best, my son, to stay with us + Unmurmuring; in our tents, while it is war, + And when 'tis truce, then in Afrasiab's towns. + But, if this one desire indeed rules all, + To seek out Rustum--seek him not through fight! + Seek him in peace and carry to his arms, + O Sohrab, carry an unwounded son! + But far hence seek him, for he is not here. + For now it is not as when I was young, + When Rustum was in front of every fray; + But now he keeps apart, and sits at home, + In Seistan,[176-6] with Zal, his father old. + Whether that[176-7] his own mighty strength at last + Feels the abhorr'd approaches of old age, + Or in some quarrel with the Persian King. + There go!--Thou wilt not? Yet my heart forbodes + Danger or death awaits thee on this field. + Fain would I know thee safe and well, though lost + To us; fain therefore send thee hence, in peace + To seek thy father, not seek single fights + In vain;--but who can keep the lion's cub + From ravening, and who govern Rustum's son? + Go, I will grant thee what thy heart desires." + So said he, and dropped Sohrab's hand and left + His bed, and the warm rugs whereon he lay; + And o'er his chilly limbs his woolen coat + He passed, and tied his sandals on his feet, + And threw a white cloak round him, and he took + In his right hand a ruler's staff, no sword; + And on his head he set his sheepskin cap, + Black, glossy, curl'd, the fleece of Kara-Kul; + And raised the curtain of his tent, and call'd + His herald to his side and went abroad. + The sun by this had risen, and cleared the fog + From the broad Oxus and the glittering sands. + And from their tents the Tartar horsemen filed + Into the open plain; so Haman bade-- + Haman, who next to Peran-Wisa ruled + The host, and still was in his lusty prime. + From their black tents, long files of horse, they stream'd; + As when some gray November morn the files, + In marching order spread, of long-neck'd cranes + Stream over Casbin and the southern slopes + Of Elburz, from the Aralian estuaries, + Or some frore[177-8] Caspian reed bed, southward bound + For the warm Persian seaboard--so they streamed. + The Tartars of the Oxus, the King's guard, + First, with black sheepskin caps and with long spears; + Large men, large steeds; who from Bokhara come + And Khiva, and ferment the milk of mares.[177-9] + Next, the more temperate Toorkmuns of the south, + The Tukas, and the lances of Salore, + And those from Attruck and the Caspian sands; + Light men and on light steeds, who only drink + The acrid milk of camels, and their wells. + And then a swarm of wandering horse, who came + From far, and a more doubtful service own'd; + The Tartars of Ferghana, from the banks + Of the Jaxartes, men with scanty beards + And close-set skullcaps; and those wilder hordes + Who roam o'er Kipchak and the northern waste, + Kalmucks and unkempt Kuzzacks, tribes who stray + Nearest the Pole, and wandering Kirghizzes, + Who come on shaggy ponies from Pamere; + These all filed out from camp into the plain. + And on the other side the Persians form'd;-- + First a light cloud of horse, Tartars they seem'd, + The Ilyats of Khorassan; and behind, + The royal troops of Persia, horse and foot, + Marshal'd battalions bright in burnish'd steel. + But Peran-Wisa with his herald came, + Threading the Tartar squadrons to the front, + And with his staff kept back the foremost ranks. + And when Ferood, who led the Persians, saw + That Peran-Wisa kept the Tartars back, + He took his spear, and to the front he came, + And check'd his ranks, and fix'd[178-10] them where they stood. + And the old Tartar came upon the sand + Betwixt the silent hosts, and spake, and said:-- + "Ferood, and ye, Persians and Tartars, hear! + Let there be truce between the hosts to-day, + But choose a champion from the Persian lords + To fight our champion Sohrab, man to man." + As, in the country, on a morn in June, + When the dew glistens on the pearled ears, + A shiver runs through the deep corn[178-11] for joy-- + So, when they heard what Peran-Wisa said, + A thrill through all the Tartar squadrons ran + Of pride and hope for Sohrab, whom they loved. + But as a troop of peddlers, from Cabool, + Cross underneath the Indian Caucasus, + That vast sky-neighboring mountain of milk snow; + Crossing so high, that, as they mount, they pass + Long flocks of traveling birds dead on the snow, + Choked by the air, and scarce can they themselves + Slake their parch'd throats with sugar'd mulberries-- + In single file they move, and stop their breath, + For fear they should dislodge the o'erhanging snows-- + +[Illustration: PERAN-WISA GIVES SOHRAB'S CHALLENGE] + + So the pale Persians held their breath with fear. + And to Ferood his brother chiefs came up + To counsel; Gudurz and Zoarrah came, + And Feraburz, who ruled the Persian host + Second, and was the uncle of the King; + These came and counsel'd, and then Gudurz said:-- + "Ferood, shame bids us take their challenge up, + Yet champion have we none to match this youth. + He has the wild stag's foot, the lion's heart. + But Rustum came last night; aloof he sits + And sullen, and has pitch'd his tents apart. + Him will I seek, and carry to his ear + The Tartar challenge, and this young man's name. + Haply he will forget his wrath, and fight. + Stand forth the while, and take their challenge up." + So spake he; and Ferood stood forth and cried:-- + "Old man, be it agreed as thou hast said! + Let Sohrab arm, and we will find a man." + He spake: and Peran-Wisa turn'd, and strode + Back through the opening squadrons to his tent. + But through the anxious Persians Gudurz ran, + And cross'd the camp which lay behind, and reach'd + Out on the sand beyond it, Rustum's tents. + Of scarlet cloth they were, and glittering gay, + Just pitch'd; the high pavilion in the midst + Was Rustum's and his men lay camp'd around. + And Gudurz enter'd Rustum's tent, and found + Rustum; his morning meal was done, but still + The table stood before him, charged with food-- + A side of roasted sheep, and cakes of bread, + And dark-green melons, and there Rustum sate + Listless, and held a falcon on his wrist, + And play'd with it; but Gudurz came and stood + Before him; and he look'd, and saw him stand, + And with a cry sprang up and dropped the bird, + And greeted Gudurz with both hands, and said:-- + "Welcome! these eyes could see no better sight. + What news? but sit down first, and eat and drink." + But Gudurz stood in the tent door, and said:-- + "Not now! a time will come to eat and drink, + But not to-day; to-day has other needs. + The armies are drawn out, and stand at gaze; + For from the Tartars is a challenge brought + To pick a champion from the Persian lords + To fight their champion and thou know'st his name-- + Sohrab men call him, but his birth is hid. + O Rustum, like thy might is this young man's! + He has the wild stag's foot, the lion's heart; + And he is young, and Iran's chiefs are old, + Or else too weak; and all eyes turn to thee. + Come down and help us, Rustum, or we lose!" + He spoke; but Rustum answer'd with a smile:-- + "Go to! if Iran's chiefs are old, then I + Am older; if the young are weak, the King + Errs strangely; for the King, for Kai Khosroo,[181-12] + Himself is young, and honors younger men, + And lets the aged molder to their graves. + Rustum he loves no more, but loves the young-- + The young may rise at Sohrab's vaunts, not I. + For what care I, though all speak Sohrab's fame? + For would that I myself had such a son, + And not that one slight helpless girl I have-- + A son so famed, so brave, to send to war, + And I to tarry with the snow-hair'd Zal,[181-13] + My father, whom the robber Afghans vex, + And clip his borders short, and drive his herds, + And he has none to guard his weak old age. + There would I go, and hang my armor up, + And with my great name fence that weak old man, + And spend the goodly treasures I have got, + And rest my age, and hear of Sohrab's fame, + And leave to death the hosts of thankless kings, + And with these slaughterous hands draw sword no more." + He spoke, and smiled; and Gudurz made reply:-- + "What then, O Rustum, will men say to this, + When Sohrab dares our bravest forth, and seeks + Thee most of all, and thou, whom most he seeks, + Hidest thy face? Take heed lest men should say: + 'Like some old miser, Rustum hoards his fame, + And shuns to peril it with younger men,'" + And, greatly moved, then Rustum made reply:-- + "Oh, Gudurz, wherefore dost thou say such words? + Thou knowest better words than this to say. + What is one more, one less, obscure or famed, + Valiant or craven, young or old, to me? + Are not they mortal, am not I myself? + But who for men of naught would do great deeds? + Come, thou shalt see how Rustum hoards his fame! + But I will fight unknown, and in plain arms; + Let not men say of Rustum, he was match'd + In single fight with any mortal man." + He spoke, and frown'd; and Gudurz turn'd and ran + Back quickly through the camp in fear and joy-- + Fear at his wrath, but joy that Rustum came. + But Rustum strode to his tent door, and call'd + His followers in, and bade them bring his arms, + And clad himself in steel; the arms he chose + Were plain, and on his shield was no device, + Only his helm was rich, inlaid with gold, + And, from the fluted spine atop, a plume + Of horsehair waved, a scarlet horsehair plume. + So arm'd, he issued forth; and Ruksh,[183-14] his horse, + Follow'd him like a faithful hound at heel-- + Ruksh, whose renown was noised through all the earth, + The horse, whom Rustum on a foray once + Did in Bokhara by the river find + A colt beneath its dam, and drove him home, + And rear'd him; a bright bay, with lofty crest, + Dight with a saddlecloth of broider'd green + Crusted with gold, and on the ground were work'd + All beasts of chase, all beasts which hunters know. + So follow'd, Rustum left his tents, and cross'd + The camp, and to the Persian host appear'd. + And all the Persians knew him, and with shouts + Hail'd; but the Tartars knew not who he was. + And dear as the wet diver to the eyes + Of his pale wife who waits and weeps on shore, + By sandy Bahrein, in the Persian Gulf, + Plunging all day in the blue waves, at night, + Having made up his tale[183-15] of precious pearls, + Rejoins her in their hut upon the sands-- + So dear to the pale Persians Rustum came. + And Rustum to the Persian front advanced, + And Sohrab arm'd in Haman's tent, and came. + And as afield the reapers cut a swath + Down through the middle of a rich man's corn, + And on each side are squares of standing corn, + And in the midst a stubble, short and bare-- + So on each side were squares of men, with spears + Bristling, and in the midst, the open sand. + And Rustum came upon the sand, and cast + His eyes toward the Tartar tents, and saw + Sohrab come forth, and eyed him as he came. + As some rich woman, on a winter's morn, + Eyes through her silken curtains the poor drudge + Who with numb blacken'd fingers makes her fire-- + At cock-crow, on a starlit winter's morn, + When the frost flowers the whiten'd window-panes-- + And wonders how she lives, and what the thoughts + Of that poor drudge may be; so Rustum eyed + The unknown adventurous youth, who from afar + Came seeking Rustum, and defying forth + All the most valiant chiefs; long he perused + His spirited air, and wonder'd who he was. + For very young he seem'd, tenderly rear'd; + Like some young cypress, tall, and dark, and straight, + Which in a queen's secluded garden throws + Its slight dark shadow on the moonlit turf, + By midnight, to a bubbling fountain's sound-- + So slender Sohrab seem'd, so softly rear'd.[184-16] + And a deep pity enter'd Rustum's soul + As he beheld him coming; and he stood, + And beckon'd to him with his hand, and said:-- + "O thou young man, the air of heaven is soft, + And warm, and pleasant; but the grave is cold! + Heaven's air is better than the cold dead grave. + Behold me! I am vast, and clad in iron, + And tried; and I have stood on many a field + Of blood, and I have fought with many a foe-- + Never was that field lost, or that foe saved. + O Sohrab, wherefore wilt thou rush on death? + Be govern'd![185-17] quit the Tartar host, and come + To Iran, and be as my son to me, + And fight beneath my banner till I die! + There are no youths in Iran brave as thou." + So he spake, mildly; Sohrab heard his voice, + The mighty voice of Rustum, and he saw + His giant figure planted on the sand, + Sole, like some single tower, which a chief + Hath builded on the waste in former years + Against the robbers; and he saw that head, + Streak'd with its first gray hairs;--hope fill'd his soul, + And he ran forward and embraced his knees, + And clasp'd his hand within his own, and said:-- + "Oh, by thy father's head! by thine own soul! + Art thou not Rustum? speak! art thou not he?" + But Rustum eyed askance the kneeling youth, + And turn'd away, and spake to his own soul:-- + "Ah me, I muse what this young fox may mean! + False, wily, boastful, are these Tartar boys. + For if I now confess this thing he asks, + And hide it not, but say: 'Rustum is here!' + He will not yield indeed, nor quit our foes, + But he will find some pretext not to fight, + And praise my fame, and proffer courteous gifts, + A belt or sword perhaps, and go his way. + And on a feast tide, in Afrasiab's hall, + In Samarcand, he will arise and cry: + 'I challenged once, when the two armies camp'd + Beside the Oxus, all the Persian lords + To cope with me in single fight; but they + Shrank, only Rustum dared; then he and I + Changed gifts, and went on equal terms away. + So will he speak, perhaps, while men applaud; + Then were the chiefs of Iran shamed through me." + And then he turn'd, and sternly spake aloud:-- + "Rise! wherefore dost thou vainly question thus + Of Rustum? I am here, whom thou hast call'd + By challenge forth; make good thy vaunt, or yield! + Is it with Rustum only thou wouldst fight? + Rash boy, men look on Rustum's face and flee! + For well I know, that did great Rustum stand + Before thy face this day, and were reveal'd, + There would be then no talk of fighting more. + But being what I am, I tell thee this-- + Do thou record it in thine inmost soul: + Either thou shalt renounce thy vaunt and yield, + Or else thy bones shall strew this sand, till winds + Bleach them, or Oxus with his summer floods, + Oxus in summer wash them all away." + He spoke; and Sohrab answer'd, on his feet:-- + "Art thou so fierce? Thou wilt not fright me so! + I am no girl, to be made pale by words. + Yet this thou hast said well, did Rustum stand + Here on this field, there were no fighting then. + But Rustum is far hence, and we stand here. + Begin! thou art more vast, more dread than I, + And thou art proved, I know, and I am young-- + But yet success sways with the breath of heaven. + And though thou thinkest that thou knowest sure + Thy victory, yet thou canst not surely know. + For we are all, like swimmers in the sea, + Poised on the top of a huge wave of fate, + Which hangs uncertain to which side to fall. + And whether it will heave us up to land, + Or whether it will roll us out to sea, + Back out to sea, to the deep waves of death, + We know not, and no search will make us know; + Only the event will teach us in its hour." + He spoke, and Rustum answer'd not, but hurl'd + His spear; down from the shoulder, down it came, + As on some partridge in the corn a hawk, + That long has tower'd in the airy clouds, + Drops like a plummet; Sohrab saw it come, + And sprang aside, quick as a flash; the spear + Hiss'd and went quivering down into the sand, + Which it sent flying wide;--then Sohrab threw + In turn, and full struck Rustum's shield; sharp rang, + The iron plates rang sharp, but turn'd the spear. + And Rustum seized his club, which none but he + Could wield; an unlopp'd trunk it was, and huge, + Still rough--like those which men in treeless plains + To build them boats fish from the flooded rivers, + Hyphasis or Hydaspes, when, high up + By their dark spring, the wind in winter time + Hath made in Himalayan forests wrack, + And strewn the channels with torn boughs--so huge + The club which Rustum lifted now, and struck + One stroke; but again Sohrab sprang aside, + Lithe as the glancing snake, and the club came + Thundering to earth, and leapt from Rustum's hand. + And Rustum follow'd his own blow, and fell + To his knees, and with his fingers clutch'd the sand; + And now might Sohrab have unsheathed his sword, + And pierced the mighty Rustum while he lay + Dizzy, and on his knees, and choked with sand; + But he look'd on, and smiled, nor bared his sword, + But courteously drew back, and spoke, and said:-- + "Thou strik'st too hard! that club of thine will float + Upon the summer floods, and not my bones. + But rise, and be not wroth! not wroth am I; + No, when I see thee, wrath forsakes my soul. + Thou say'st, thou art not Rustum; be it so! + Who art thou then, that canst so touch my soul? + Boy as I am, I have seen battles too-- + Have waded foremost in their bloody waves, + And heard their hollow roar of dying men; + But never was my heart thus touch'd before. + Are they from Heaven, these softenings of the heart? + O thou old warrior, let us yield to Heaven! + Come, plant we here in earth our angry spears, + And make a truce, and sit upon this sand, + And pledge each other in red wine, like friends, + And thou shalt talk to me of Rustum's deeds. + There are enough foes in the Persian host, + Whom I may meet, and strike, and feel no pang; + Champions enough Afrasiab has, whom thou + Mayst fight; fight _them_, when they confront thy spear! + But oh, let there be peace 'twixt thee and me!" + He ceased, but while he spake, Rustum had risen, + And stood erect, trembling with rage; his club + He left to lie, but had regained his spear, + Whose fiery point now in his mail'd right hand + Blazed bright and baleful, like that autumn star, + The baleful sign of fevers; dust had soil'd + His stately crest, and dimm'd his glittering arms. + His breast heaved, his lips foam'd, and twice his voice + Was choked with rage; at last these words broke way:-- + "Girl! nimble with thy feet, not with thy hands! + Curl'd minion, dancer, coiner of sweet words! + Fight, let me hear thy hateful voice no more! + Thou are not in Afrasiab's gardens now + With Tartar girls, with whom thou art wont to dance; + But on the Oxus sands, and in the dance + Of battle, and with me, who make no play + Of war; I fight it out, and hand to hand. + Speak not to me of truce, and pledge, and wine! + Remember all thy valor; try thy feints + And cunning! all the pity I had is gone; + Because thou hast shamed me before both the hosts + With thy light skipping tricks, and thy girl's wiles." + + He spoke, and Sohrab kindled at his taunts, + And he too drew his sword; at once they rush'd + Together, as two eagles on one prey + Come rushing down together from the clouds, + One from the east, one from the west; their shields + Dash'd with a clang together, and a din + Rose, such as that the sinewy woodcutters + Make often in the forest's heart at morn, + Of hewing axes, crashing trees--such blows + Rustum and Sohrab on each other hail'd. + And you would say that sun and stars took part + In that unnatural[189-18] conflict; for a cloud + Grew suddenly in heaven, and dark'd the sun + Over the fighters' heads; and a wind rose + Under their feet, and moaning swept the plain, + And in a sandy whirlwind wrapp'd the pair. + In gloom they twain were wrapp'd, and they alone; + For both the onlooking hosts on either hand + Stood in broad daylight, and the sky was pure, + And the sun sparkled on the Oxus stream. + But in the gloom they fought, with bloodshot eyes + And laboring breath; first Rustum struck the shield + Which Sohrab held stiff out; the steel-spiked spear + Rent the tough plates, but fail'd to reach the skin, + And Rustum pluck'd it back with angry groan. + Then Sohrab with his sword smote Rustum's helm, + Nor clove its steel quite through; but all the crest + He shore away, and that proud horsehair plume, + Never till now defiled, sank to the dust; + And Rustum bow'd his head; and then the gloom + Grew blacker, thunder rumbled in the air, + And lightnings rent the cloud; and Ruksh, the horse, + Who stood at hand, utter'd a dreadful cry;-- + No horse's cry was that, most like the roar + Of some pain'd desert lion, who all day + Hath trail'd the hunter's javelin in his side, + And comes at night to die upon the sand. + The two hosts heard that cry, and quaked for fear, + And Oxus curdled as it cross'd his stream. + But Sohrab heard, and quail'd not, but rush'd on, + And struck again; and again Rustum bow'd + His head; but this time all the blade, like glass, + Sprang in a thousand shivers on the helm, + And in the hand the hilt remain'd alone. + Then Rustum raised his head; his dreadful eyes + Glared, and he shook on high his menacing spear, + And shouted: "Rustum!"--Sohrab heard that shout, + And shrank amazed: back he recoil'd one step, + And scann'd with blinking eyes the advancing form; + And then he stood bewilder'd, and he dropp'd + His covering shield, and the spear pierced his side.[191-19] + He reel'd, and, staggering back, sank to the ground; + And then the gloom dispersed, and the wind fell, + +[Illustration: THE SPEAR RENT THE TOUGH PLATES] + + And the bright sun broke forth, and melted all + The cloud; and the two armies saw the pair-- + Saw Rustum standing, safe upon his feet, + And Sohrab, wounded, on the bloody sand. + Then, with a bitter smile, Rustum began:-- + "Sohrab, thou thoughtest in thy mind to kill + A Persian lord this day, and strip his corpse, + And bear thy trophies to Afrasiab's tent; + Or else that the great Rustum would come down + Himself to fight, and that thy wiles would move + His heart to take a gift, and let thee go; + And then that all the Tartar host would praise + Thy courage or thy craft, and spread thy fame, + To glad thy father in his weak old age. + Fool, thou art slain, and by an unknown man! + Dearer to the red jackals shalt thou be + Than to thy friends, and to thy father old." + And, with a fearless mien, Sohrab replied:-- + "Unknown thou art; yet thy fierce vaunt is vain. + Thou dost not slay me, proud and boastful man! + No! Rustum slays me, and this filial heart. + For were I match'd with ten such men as thee, + And I were that which till to-day I was, + They should be lying here, I standing there. + But that beloved name unnerved my arm-- + That name, and something, I confess, in thee, + Which troubles all my heart, and made my shield + Fall; and thy spear transfix'd an unarm'd foe. + And now thou boastest, and insult'st my fate. + But hear thou this, fierce man, tremble to hear: + The mighty Rustum shall avenge my death! + My father, whom I seek through all the world, + He shall avenge my death, and punish thee!" + As when some hunter in the spring hath found + A breeding eagle sitting on her nest, + Upon the craggy isle of a hill lake, + And pierced her with an arrow as she rose, + And follow'd her to find her where she fell + Far off;--anon her mate comes winging back + From hunting, and a great way off descries + His huddling young left sole;[193-20] at that, he checks + His pinion, and with short uneasy sweeps + Circles above his eyry, with loud screams + Chiding his mate back to her nest; but she + Lies dying, with the arrow in her side, + In some far stony gorge out of his ken, + A heap of fluttering feathers--never more + Shall the lake glass[193-21] her, flying over it; + Never the black and dripping precipices + Echo her stormy scream as she sails by-- + As that poor bird flies home, nor knows his loss, + So Rustum knew not his own loss, but stood + Over his dying son, and knew him not. + But, with a cold incredulous voice, he said:-- + "What prate is this of fathers and revenge? + The mighty Rustum never had a son." + And, with a failing voice, Sohrab replied:-- + "Ah yes, he had! and that lost son am I. + Surely the news will one day reach his ear, + Reach Rustum, where he sits, and tarries long, + Somewhere, I know not where, but far from here; + And pierce him like a stab, and make him leap + To arms, and cry for vengeance upon thee. + Fierce man, bethink thee, for an only son! + What will that grief, what will that vengeance be? + Oh, could I live till I that grief had seen! + Yet him I pity not so much, but her, + My mother, who in Ader-baijan dwells + With that old king, her father, who grows gray + With age, and rules over the valiant Koords. + Her most I pity, who no more will see + Sohrab returning from the Tartar camp, + With spoils and honor, when the war is done. + But a dark rumor will be bruited up, + From tribe to tribe, until it reach her ear; + And then will that defenseless woman learn + That Sohrab will rejoice her sight no more, + But that in battle with a nameless foe, + By the far-distant Oxus, he is slain." + He spoke; and as he ceased, he wept aloud, + Thinking of her he left, and his own death. + He spoke; but Rustum listen'd, plunged in thought. + Nor did he yet believe it was his son + Who spoke, although he call'd back names he knew; + For he had had sure tidings that the babe, + Which was in Ader-baijan born to him, + Had been a puny girl, no boy at all-- + So that sad mother sent him word, for fear + Rustum should seek the boy, to train in arms. + And so he deem'd that either Sohrab took, + By a false boast, the style of Rustum's son; + Or that men gave it him, to swell his fame. + So deem'd he: yet he listen'd, plunged in thought; + And his soul set to grief, as the vast tide + Of the bright rocking Ocean sets to shore + At the full moon; tears gather'd in his eyes; + For he remember'd his own early youth, + And all its bounding rapture; as, at dawn, + The shepherd from his mountain lodge descries + A far, bright city, smitten by the sun, + Through many rolling clouds--so Rustum saw + His youth; saw Sohrab's mother, in her bloom; + And that old king, her father, who loved well + His wandering guest, and gave him his fair child + With joy; and all the pleasant life they led, + They three, in that long-distant summer time-- + The castle, and the dewy woods, and hunt + And hound, and morn on those delightful hills + In Ader-baijan. And he saw that youth, + Of age and looks to be his own dear son,[195-22] + Piteous and lovely, lying on the sand, + Like some rich hyacinth which by the scythe + Of an unskillful gardener has been cut, + Mowing the garden grassplots near its bed, + And lies, a fragrant tower of purple bloom, + On the mown, dying grass--so Sohrab lay, + Lovely in death, upon the common sand. + And Rustum gazed on him with grief, and said:-- + "O Sohrab, thou indeed art such a son + Whom Rustum, wert thou his, might well have loved! + Yet here thou errest, Sohrab, or else men + Have told thee false--thou art not Rustum's son. + For Rustum had no son; one child he had-- + But one--a girl; who with her mother now + Plies some light female task, nor dreams of us-- + Of us she dreams not, nor of wounds, nor war." + But Sohrab answer'd him in wrath; for now + The anguish of the deep-fix'd spear grew fierce, + And he desired to draw forth the steel, + And let the blood flow free, and so to die-- + But first he would convince his stubborn foe; + And, rising sternly on one arm, he said:-- + "Man, who art thou who dost deny my words? + Truth sits upon the lips of dying men, + And falsehood, while I lived, was far from mine. + I tell thee, prick'd upon this arm I bear + That seal which Rustum to my mother gave, + That she might prick it on the babe she bore."[196-23] + He spoke: and all the blood left Rustum's cheeks, + And his knees totter'd, and he smote his hand + Against his breast, his heavy mailed hand, + That the hard iron corselet clank'd aloud; + And to his heart he press'd the other hand, + And in a hollow voice he spake, and said:-- + "Sohrab, that were a proof which could not lie! + If thou show this, then art thou Rustum's son." + Then, with weak hasty fingers, Sohrab loosed + His belt, and near the shoulder bared his arm, + And show'd a sign in faint vermilion points + Prick'd; as a cunning workman, in Pekin, + Pricks with vermilion some clear porcelain vase, + An emperor's gift--at early morn he paints, + And all day long, and, when night comes, the lamp + Lights up his studious forehead and thin hands-- + So delicately prick'd the sign appear'd + On Sohrab's arm, the sign of Rustum's seal. + It was that griffin,[196-24] which of old rear'd Zal, + Rustum's great father, whom they left to die, + A helpless babe, among the mountain rocks; + Him that kind creature found, and rear'd and loved-- + Then Rustum took it for his glorious sign. + And Sohrab bared that image on his arm, + And himself scann'd it long with mournful eyes, + And then he touch'd it with his hand, and said:-- + "How say'st thou? Is that sign the proper sign + Of Rustum's son, or of some other man's?" + He spoke; but Rustum gazed, and gazed, and stood + Speechless; and then he utter'd one sharp cry: + "O boy--thy father!" and his voice choked there. + And then a dark cloud pass'd before his eyes, + And his head swam, and he sank down to earth. + But Sohrab crawl'd to where he lay, and cast + His arms about his neck, and kiss'd his lips, + And with fond faltering fingers stroked his cheeks, + Trying to call him back to life; and life + Came back to Rustum, and he oped his eyes, + And they stood wide with horror; and he seized + In both his hands the dust which lay around, + And threw it on his head, and smirch'd his hair,-- + His hair, and face, and beard, and glittering arms; + And strong convulsive groanings shook his breast, + And his sobs choked him; and he clutch'd his sword, + To draw it, and forever let life out. + But Sohrab saw his thought, and held his hands, + And with a soothing voice he spake, and said:-- + "Father, forbear! for I but meet to-day + The doom which at my birth was written down + In heaven, and thou art heaven's unconscious hand. + Surely my heart cried out that it was thou, + When first I saw thee; and thy heart spoke too, + I know it! but fate trod those promptings down + Under its iron heel; fate, fate engaged + The strife, and hurl'd me on my father's spear. + But let us speak no more of this! I find + My father; let me feel that I have found! + Come, sit beside me on the sand, and take + My head betwixt thy hands, and kiss my cheeks, + And wash them with thy tears, and say: 'My son!' + Quick! quick! for number'd are my sands of life, + And swift; for like the lightning to this field + I came, and like the wind I go away-- + Sudden, and swift, and like a passing wind + But it was writ in heaven that this should be." + So said he, and his voice released the heart + Of Rustum, and his tears broke forth; he cast + His arms round his son's neck, and wept aloud, + And kiss'd him. And awe fell on both the hosts, + When they saw Rustum's grief; and Ruksh, the horse, + With his head bowing to the ground and mane + Sweeping the dust, came near, and in mute woe + First to the one then to the other moved + His head, as if inquiring what their grief + Might mean; and from his dark, compassionate eyes, + The big warm tears roll'd down, and caked the sand, + But Rustum chid him with stern voice, and said:-- + "Ruksh, now thou grievest; but, O Ruksh, thy feet + Should first have rotted on their nimble joints, + Or ere they brought thy master to this field!" + But Sohrab look'd upon the horse, and said:-- + "Is this, then, Ruksh? How often, in past days, + My mother told me of thee, thou brave steed, + My terrible father's terrible horse! and said, + That I should one day find thy lord and thee. + Come, let me lay my hand upon thy mane! + O Ruksh, thou art more fortunate than I; + For thou hast gone where I shall never go, + And snuff'd the breezes of my father's home. + And thou hast trod the sands of Seistan. + And seen the River of Helmund, and the Lake + Of Zirrah; and the aged Zal himself + Has often stroked thy neck, and given thee food, + Corn in a golden platter soak'd with wine, + And said: 'O Ruksh! bear Rustum well,'--but I + Have never known my grandsire's furrow'd face, + Nor seen his lofty house in Seistan, + Nor slaked my thirst at the clear Helmund stream; + But lodged among my father's foes, and seen + Afrasiab's cities only, Samarcand, + Bokhara, and lone Khiva in the waste, + And the black Toorkmun tents; and only drunk + The desert rivers, Moorghab and Tejend, + Kohik, and where the Kalmuks feed their sheep, + The northern Sir; and this great Oxus stream, + The yellow Oxus, by whose brink I die." + Then, with a heavy groan, Rustum bewail'd:-- + "Oh, that its waves were flowing over me! + Oh, that I saw its grains of yellow silt + Roll tumbling in the current o'er my head!" + But, with a grave mild voice, Sohrab replied:-- + "Desire not that, my father! thou must live. + For some are born to do great deeds, and live, + As some are born to be obscured, and die. + Do thou the deeds I die too young to do, + And reap a second glory in thine age; + Thou art my father, and thy gain is mine. + But come! thou seest this great host of men + Which follow me; I pray thee, slay not these! + Let me entreat for them; what have they done? + They follow'd me, my hope, my fame, my star. + Let them all cross the Oxus back in peace. + But me thou must bear hence, not send with them, + But carry me with thee to Seistan, + And place me on a bed, and mourn for me, + Thou, and the snow-hair'd Zal, and all thy friends. + And thou must lay me in that lovely earth, + And heap a stately mound above my bones,[200-25] + And plant a far-seen pillar over all. + That so the passing horseman on the waste + May see my tomb a great way off, and cry: + 'Sohrab, the mighty Rustum's son, lies there, + Whom his great father did in ignorance kill!' + And I be not forgotten in my grave." + And, with a mournful voice, Rustum replied:-- + "Fear not! as thou hast said, Sohrab, my son, + So shall it be; for I will burn my tents, + And quit the host, and bear thee hence with me, + And carry thee away to Seistan, + And place thee on a bed, and mourn for thee, + With the snow-headed Zal, and all my friends. + And I will lay thee in that lovely earth, + And heap a stately mound above thy bones, + And plant a far-seen pillar over all, + And men shall not forget thee in thy grave. + And I will spare thy host; yea, let them go! + Let them all cross the Oxus back in peace! + What should I do with slaying any more? + For would that all that I have ever slain + Might be once more alive; my bitterest foes, + And they who were call'd champions in their time, + And through whose death I won that fame I have-- + And I were nothing but a common man, + A poor, mean soldier, and without renown, + So thou mightest live too, my son, my son! + Or rather would that I, even I myself, + Might now be lying on this bloody sand, + Near death, and by an ignorant stroke of thine, + Not thou of mine! and I might die, not thou; + And I, not thou, be borne to Seistan; + And Zal might weep above my grave, not thine; + And say: 'O son, I weep thee not too sore, + For willingly, I know, thou met'st thine end!' + But now in blood and battles was my youth, + And full of blood and battles is my age, + And I shall never end this life of blood." + Then, at the point of death, Sohrab replied:-- + "A life of blood indeed, though dreadful man! + But thou shalt yet have peace; only not now, + Not yet! but thou shalt have it on that day[201-26] + When thou shalt sail in a high-masted ship, + Thou and the other peers of a Kai Khosroo, + Returning home over the salt blue sea, + From laying thy dear master in his grave." + And Rustum gazed in Sohrab's face, and said:-- + "Soon be that day, my son, and deep that sea! + Till then, if fate so wills, let me endure." + He spoke; and Sohrab smiled on him, and took + The spear, and drew it from his side, and eased + His wound's imperious anguish; but the blood + Came welling from the open gash, and life + Flow'd with the stream;--all down his cold white side + The crimson torrent ran, dim now and soil'd, + Like the soil'd tissue of white violets + Left, freshly gather'd, on their native bank, + By children whom their nurses call with haste + Indoors from the sun's eye; his head droop'd low, + His limbs grew slack; motionless, white, he lay-- + White, with eyes closed; only when heavy gasps, + Deep heavy gasps quivering through all his frame, + Convulsed him back to life, he open'd them, + And fix'd them feebly on his father's face; + Till now all strength was ebb'd, and from his limbs + Unwillingly the spirit fled away, + Regretting the warm mansion which it left, + And youth, and bloom, and this delightful world. + So, on the bloody sand, Sohrab lay dead; + And the great Rustum drew his horseman's cloak + Down o'er his face, and sate by his dead son. + As those black granite pillars, once high-rear'd + By Jemshid in Persepolis, to bear + His house, now 'mid their broken flights of steps + Lie prone, enormous, down the mountain side-- + So in the sand lay Rustum by his son. + And night came down over the solemn waste, + And the two gazing hosts, and that sole pair, + And darken'd all; and a cold fog, with night, + Crept from the Oxus. Soon a hum arose, + As of a great assembly loosed, and fires + Began to twinkle through the fog; for now + Both armies moved to camp, and took their meal; + The Persians took it on the open sands + Southward, the Tartars by the river marge; + And Rustum and his son were left alone. + + But the majestic river floated on, + Out of the mist and hum of that low land, + Into the frosty starlight, and there moved, + Rejoicing, through the hush'd Chorasmian waste, + Under the solitary moon;--he flow'd + Right for the polar star, past Orgunjè, + Brimming, and bright, and large; then sands begin + +[Illustration: RUSTUM SORROWS OVER SOHRAB] + + To hem his watery march, and dam his streams, + And split his currents; that for many a league + The shorn and parcel'd Oxus strains along + Through beds of sand and matted rushy isles-- + Oxus, forgetting the bright speed he had + In his high mountain cradle in Pamere, + A foil'd circuitous wanderer--till at last + The long'd-for dash of waves is heard, and wide + His luminous home of waters opens, bright + And tranquil, from whose floor the new-bathed stars + Emerge, and shine upon the Aral Sea.[204-27] + + Matthew Arnold was one of England's purest and greatest men. As + scholar, teacher, poet and critic he labored zealously for the + betterment of his race and sought to bring them back to a clearer, + lovelier spiritual life and to win them from the base and sordid + schemes that make only for material success. + + He was born in 1822 and was the son of Doctor Thomas Arnold, the + great teacher who was so long headmaster of the famous Rugby + school, and whose scholarly and Christian influence is so + faithfully brought out in Hughes's ever popular story _Tom Brown's + School Days_. + + Matthew Arnold received his preparatory education in his father's + school at Rugby, and his college training at Oxford. He was always + a student and always active in educational work, as an inspector of + schools, and for ten years as professor of poetry at Oxford. He + twice visited the United States and both times lectured here. His + criticisms of America and Americans were severe, for he saw + predominant the spirit of money-getting, the thirst for material + prosperity and the absence of spiritual interests. In 1888, while + at the house of a friend in Liverpool, he died suddenly and + peacefully from an attack of heart disease. + + Arnold was one of the most exacting and critical of English + writers, a man who applied to his own works the same severe + standards that he set up for others. As a result his writings have + become one of the standards of purity and taste in style. + +[Illustration: MATTHEW ARNOLD + +1822-1888] + + The story of _Sohrab and Rustum_ pleased him, and he enjoyed + writing the poem, as may be seen from a letter to his mother, + written in 1853. He says: + + "All my spare time has been spent on a poem which I have just + finished, and which I think by far the best thing I have yet done, + and I think it will be generally liked; though one can never be + sure of this. I have had the greatest pleasure in composing it, a + rare thing with me, and, as I think, a good test of the pleasure + what you write is likely to afford to others. But the story is a + very noble and excellent one." + + Two men, both competent to judge, have given at length their + opinion of Matthew Arnold's character. So admirable a man deserves + to be known by the young, although most of his writings will be + understood and appreciated only by persons of some maturity in + years. Mr. John Morley says: + + "He was incapable of sacrificing the smallest interest of anybody + to his own; he had not a spark of envy or jealousy; he stood well + aloof from all the hustlings and jostlings by which selfish men + push on; he bore life's disappointments--and he was disappointed in + some reasonable hopes--with good nature and fortitude; he cast no + burden upon others, and never shrank from bearing his own share of + the daily load to the last ounce of it; he took the deepest, + sincerest, and most active interest in the well-being of his + country and his countrymen." + + Mr. George E. Woodbury in an essay on Arnold remarks concerning the + man as shown in his private letters: + + "A nature warm to its own, kindly to all, cheerful, fond of sport + and fun, and always fed from pure fountains, and with it a + character so founded upon the rock, so humbly serviceable, so + continuing in power and grace, must wake in all the responses of + happy appreciation and leave the charm of memory." + + +FOOTNOTES: + +[173-1] The Oxus, 1300 miles long, is the chief river of Central Asia, +and one of the boundaries of Persia. + +[173-2] Peran-Wisa was the commander of King Afrasiab's troops, a +Turanian chief who ruled over the many wild Tartar tribes whose men +composed his army. + +[173-3] Pamir or Pamere is a high tableland called by the natives "the +roof of the world." In it lies the source of the Oxus. Arnold has named +many places for the purpose of giving an air of reality to the poem. It +is not necessary to locate them accurately in order to understand the +poem, and so the notes will refer to them only as the story is made +clearer by the explanation. + +[174-4] Samarcand is a city of Turkistan, now a center of learning and +of commerce. + +[175-5] _Common_ here means _general_. The idea is that little fame +comes to him who fights in a general combat in which numbers take part. +What is the real reason for Sohrab's desire to fight in single combat? +Arnold gives a different reason from that in the _Shah Nameh_. In the +latter case it is that by defeating their champion Sohrab may frighten +the Persians into submission. + +[176-6] Seistan was the province in which Rustum and his father Zal had +ruled for many years, subjects of the King of Persia. + +[176-7] _Whether that_ and _Or in_ beginning the second line below may +be understood to read _Either because_ and _Or because of_. + +[177-8] _Frore_ means _frozen_. + +[177-9] From mares' milk is made koumiss, a favorite fermented drink of +Tartar tribes. + +[178-10] _Fix'd_ means _halted_. He caused his army to remain stationary +while he rode forward. + +[178-11] The _corn_ is grain of some kind, not our maize or Indian corn. + +[181-12] Kai Khosroo was one of the Persian kings who lived in the sixth +century B. C., and is now understood to be Cyrus. He was the grandson of +Kai Kaoos, in whose reign the _Shah Nameh_ places the episode of Sohrab +and Rustum. Here as elsewhere Arnold alters the legend to suit his +convenience and to make the poem more effective. For instance, he +compresses the combat into a single day, while in the Persian epic, the +battle lasts three days. This change gives greater vitality and more +rapid action to the poem. + +[181-13] Zal was born with snowy hair, a most unusual thing among the +black-haired Persians. His father was so angered by the appearance of +his son that he abandoned the innocent babe in the Elburz mountains, +where, however, a great bird or griffin miraculously preserved the +infant and in time returned it to its father, who had repented of his +hasty action. + +[183-14] _Ruksh_, also spelled _Raksh_. + +[183-15] _Tale_ means _count_ or _reckoning_. The diver had gathered all +the pearls required from him for the day. + +[184-16] This description by Arnold scarcely tallies with the idea we +have obtained of the powerful Sohrab from reading the accounts taken +from the _Shah Nameh_. Arnold's is the more poetic idea, and increases +the reader's sympathy for Sohrab. + +[185-17] _Be governed_, that is, _take my advice_. + +[189-18] It is not natural for father and son to fight thus. + +[191-19] In the _Shah Nameh_ Rustum overpowers Sohrab and slays him by +his superior power and skill. Arnold takes the more poetic view that +Sohrab's arm is powerless when he hears his father's name. + +[193-20] _Sole_ means _solitary, alone_. + +[193-21] _Glass her_ means _reflect her_ as in a mirror. + +[195-22] He sees that this young men, as far as age and appearance are +concerned, might be a son of his. + +[196-23] Again Arnold departs from the Persian tale, in which Sohrab +wears a bracelet or amulet on his arm. Arnold's work gives a more +certain identification. + +[196-24] The griffin spoken of in note 13. + +[200-25] The Persian tradition is that over the spot where Sohrab was +buried a huge mound, shaped like the hoof of a horse, was erected. + +[201-26] It is said that shortly after the death of Sohrab the king +himself died while on a visit to a famous spring far in the north, and +as the nobles were returning with his corpse all were lost in a great +tempest. Unfortunately for Sohrab's prophecy, Persian traditions do not +include Rustum among the lost. + +[204-27] This beautiful stanza makes a peculiarly artistic termination +to the poem. After the storm and stress of the combat and the +heart-breaking pathos of Sohrab's death, the reader willingly rests his +thought on the majestic Oxus that still flows on, unchangeable, but ever +changing. The suggestion is that after all nature is triumphant, that +our pains and losses, our most grievous disappointments and greatest +griefs are but incidents in the great drama of life, and that, though +like the river Oxus, we for a time become "foiled, circuitous +wanderers," we at last see before us the luminous home, bright and +tranquil under the shining stars. + + + + +THE POET AND THE PEASANT + +FROM THE FRENCH OF EMILE SOUVESTRE + + +A young man was walking through a forest, and in spite of the approach +of night, in spite of the mist that grew denser every moment, he was +walking slowly, paying no heed either to the weather or to the hour. + +His dress of green cloth, his buckskin gaiters, and the gun slung across +his shoulder might have caused him to be taken for a sportsman, had not +the book that half protruded from his game-bag betrayed the dreamer, and +proved that Arnold de Munster was less occupied with observing the track +of wild game than in communing with himself. + +For some moments his mind had been filled with thoughts of his family +and of the friends he had left in Paris. He remembered the studio that +he had adorned with fantastic engravings, strange paintings, curious +statuettes; the German songs that his sister had sung, the melancholy +verses that he had repeated in the subdued light of the evening lamps, +and the long talks in which every one confessed his inmost feelings, in +which all the mysteries of thought were discussed and translated into +impassioned or graceful words! Why had he abandoned these choice +pleasures to bury himself in the country? + +He was aroused at last from his meditations by the consciousness that +the mist had changed into rain and was beginning to penetrate his +shooting-coat. He was about to quicken his steps, but in looking around +him he saw that he had lost his way, and he tried vainly to determine +the direction he must take. A first attempt only succeeded in +bewildering him still more. The daylight faded, the rain fell more +heavily, and he continued to plunge at random into unknown paths. + +He had begun to be discouraged, when the sound of bells reached him +through the leafless trees. A cart driven by a big man in a blouse had +appeared at an intersecting road and was coming toward the one that +Arnold had just reached. + +Arnold stopped to wait for the man and asked him if he were far from +Sersberg. + +"Sersberg!" repeated the carter; "you don't expect to sleep there +to-night?" + +"Pardon me, but I do," answered the young man. + +"At Sersberg?" went on his interlocutor; "you'll have to go by train, +then! It is six good leagues from here to the gate; and considering the +weather and the roads, they are equal to twelve." + +The young man uttered an exclamation. He had left the château that +morning and did not think that he had wandered so far; but he had been +on the wrong path for hours, and in thinking to take the road to +Sersberg he had continued to turn his back upon it. It was too late to +make good such an error; so he was forced to accept the shelter offered +by his new companion, whose farm was fortunately within gunshot. + +He accordingly regulated his pace to the carter's and attempted to enter +into conversation with him; but Moser was not a talkative man and was +apparently a complete stranger to the young man's usual sensations. +When, on issuing from the forest, Arnold pointed to the magnificent +horizon purpled by the last rays of the setting sun, the farmer +contented himself with a grimace. + +"Bad weather for to-morrow," he muttered, drawing his cloak about his +shoulders. + +"One ought to be able to see the entire valley from here," went on +Arnold, striving to pierce the gloom that already clothed the foot of +the mountain. + +"Yes, yes," said Moser, shaking his head; "the ridge is high enough for +that. There's an invention for you that isn't good for much." + +"What invention?" + +"The mountains." + +"You would rather have everything level?" + +"What a question!" cried the farmer, laughing. "You might as well ask me +if I would not rather ruin my horses." + +"True," said Arnold in a tone of somewhat contemptuous irony. "I had +forgotten the horses! It is clear that God should have thought +principally of them when he created the world." + +"I don't know as to God," answered Moser quietly, "but the engineers +certainly made a mistake in forgetting them when they made the roads. +The horse is the laborer's best friend, monsieur--without disrespect to +the oxen, which have their value too." + +Arnold looked at the peasant. "So you see in your surroundings only the +advantages you can derive from them?" he asked gravely. "The forest, the +mountains, the clouds, all say nothing to you? You have never paused +before the setting sun or at the sight of the woods lighted by the +stars?" + +"I?" cried the farmer. "Do you take me for a maker of almanacs? What +should I get out of your starlight and the setting sun? The main thing +is to earn enough for three meals a day and to keep one's stomach warm. +Would monsieur like a drink of cognac? It comes from the other side of +the Rhine." + +He held out a little wicker-covered bottle to Arnold, who refused by a +gesture. The positive coarseness of the peasant had rekindled his regret +and his contempt. Were they really men such as he was, these +unfortunates, doomed to unceasing labor, who lived in the bosom of +nature without heeding it and whose souls never rose above the most +material sensations? Was there one point of resemblance which could +attest their original brotherhood to such as he? Arnold doubted this +more and more each moment. + +These thoughts had the effect of communicating to his manner a sort of +contemptuous indifference toward his conductor, to whom he ceased to +talk. Moser showed neither surprise nor pain and set to whistling an +air, interrupted from time to time by some brief word of encouragement +to his horses. + +Thus they arrived at the farm, where the noise of the bells announced +their coming. A young boy and a woman of middle age appeared on the +threshold. + +"Ah, it is the father!" cried the woman, looking back into the house, +where could be heard the voices of several children, who came running to +the door with shouts of joy and pressed around the peasant. + +"Wait a moment, youngsters," interrupted the father in his big voice as +he rummaged in the cart and brought forth a covered basket. "Let Fritz +unharness." + +But the children continued to besiege the farmer, all talking at once. +He bent to kiss them, one after another; then rising suddenly: + +"Where is Jean?" he asked with a quickness that had something of +uneasiness in it. + +"Here, father, here," answered a shrill little voice from the farm-house +door; "mother doesn't want me to go out in the rain." + +"Stay where you are," said Moser, throwing the traces on the backs of +the horses; "I will go to you, little son. Go in, the rest of you, so as +not to tempt him to come out." + +The three children went back to the doorway, where little Jean was +standing beside his mother, who was protecting him from the weather. + +He was a poor little creature, so cruelly deformed that at the first +glance one could not have told his age or the nature of his infirmity. +His whole body, distorted by sickness, formed a curved, not to say a +broken line. His disproportionately large head was sunken between two +unequally rounded shoulders, while his body was sustained by two little +crutches; these took the place of the shrunken legs, which could not +support him. + +At the farmer's approach he held out his thin arms with an expression of +love that made Moser's furrowed face brighten. The father lifted him in +his strong arms with an exclamation of tender delight. + +"Come!" he cried, "hug your father--with both arms--hard! How has he +been since yesterday?" + +The mother shook her head. + +"Always the cough," she answered in a low tone. + +"It's nothing, father," the child answered in his shrill voice. "Louis +had drawn me too fast in my wheeled chair; but I am well, very well; I +feel as strong as a man." + +The peasant placed him carefully on the ground, set him upon his little +crutches, which had fallen, and looked at him with an air of +satisfaction. + +"Don't you think he's growing, wife?" he asked in the tone of a man who +wishes to be encouraged. "Walk a bit, Jean; walk, boy! He walks more +quickly and more strongly. It'll all come right, wife; we must only be +patient." + +The farmer's wife made no reply, but her eyes turned toward the feeble +child with a look of despair so deep that Arnold trembled; fortunately +Moser paid no heed. + +"Come, the whole brood of you," he went on, opening the basket he had +taken from the cart; "here is something for every one! In line and hold +out your hands." + +The peasant had displayed three small white rolls glazed in the baking; +three cries of joy burst forth simultaneously and six hands advanced to +seize the rolls, but they all paused at the word of command. + +"And Jean?" asked the childish voices. + +"To the devil with Jean," answered Moser gayly; "there is nothing for +him to-night. Jean shall have his share another time." + +But the child smiled and tried to get up to look into the basket. The +farmer stepped back a pace, took off the cover carefully, and lifting +his arm with an air of solemnity, displayed before the eyes of all a +cake of gingerbread garnished with almonds and pink and white +sugar-plums. + +There was a general shout of admiration. Jean himself could not restrain +a cry of delight; a slight flush rose to his pale face and he held out +his hands with an air of joyful expectancy. + +"Ah, you like it, little mole!" cried the peasant, whose face was +radiant at the sight of the child's pleasure; "take it, old man, take +it; it is nothing but sugar and honey." + +He placed the gingerbread in the hands of the little hunchback, who +trembled with happiness, watched him hobble off, and turning to Arnold +when the sound of the crutches was lost in the house, said with a slight +break in his voice: + +"He is my eldest. Sickness has deformed him a little, but he's a shrewd +fellow and it only depends upon us to make a gentleman of him." + +While speaking he had crossed the first room on the ground-floor and led +his guest into a species of dining-room, the whitewashed walls of which +were decorated only with a few rudely colored prints. As he entered, +Arnold saw Jean seated on the floor and surrounded by his brothers, +among whom he was dividing the cake given him by his father. But each +one objected to the size of his portion and wished to lessen it; it +required all the little hunchback's eloquence to make them accept what +he had given them. For some time the young sportsman watched this +dispute with singular interest, and when the children had gone out again +he expressed his admiration to the farmer's wife. + +"It is quite true," she said with a smile and a sigh, "that there are +times when it seems as though it were a good thing for them to see +Jean's infirmity. It is hard for them to give up to each other, but not +one of them can refuse Jean anything; it is a constant exercise in +kindness and devotion." + +"Great virtue, that!" interrupted Moser. "Who could refuse anything to +such a poor, afflicted little innocent? It's a silly thing for a man to +say; but, look you, monsieur, that child there always makes me want to +cry. Often when I am at work in the fields, I begin all at once to think +about him. I say to myself Jean is ill! or Jean is dead! and then I have +to find some excuse for coming home to see how it is. Then he is so weak +and so ailing! If we did not love him more than the others, he would be +too unhappy." + +"Yes," said the mother gently, "the poor child is our cross and our joy +at the same time. I love all my children, monsieur, but whenever I hear +the sound of Jean's crutches on the floor, I always feel a rush of +happiness. It is a sign that the good God has not yet taken our darling +away from us. It seems to me as though Jean brought happiness to the +house just like swallows' nests fastened to the windows. If I hadn't him +to take care of, I should think there was nothing for me to do." + +Arnold listened to these naive expressions of tenderness with an +interest that was mingled with astonishment. The farmer's wife called a +servant to help set the table; and at Moser's invitation, the young man +approached the brushwood fire which had been rekindled. + +As he was leaning against the smoky mantelpiece, his eye fell upon a +small black frame that inclosed a withered leaf. Moser noticed it. + +"Ah! you are looking at my relic. It's a leaf of the weeping-willow that +grows down there on the tomb of Napoleon! I got it from a Strasbourg +merchant who had served in the Old Guard. I wouldn't part with it for a +hundred crowns." + +"Then there is some particular sentiment attached to it?" + +"Sentiment, no," answered the peasant; "but I too was discharged from +the Fourth Regiment of Hussars, a brave regiment, monsieur. There were +only eight men left of our squadron, so when the Little Corporal passed +in front of the line he saluted us--yes, monsieur, raised his hat to us! +That was something to make us ready to die to the last man, look you. +Ah! he was the father of the soldier!" + +Here the peasant began to fill his pipe, looking the while at the black +frame and the withered leaf. In this reminder of a marvelous destiny +there was evidently for him a whole romance of youth, emotion, and +regret. He recalled the last struggles of the Empire, in which he had +taken part, the reviews held by the emperor, when his mere presence +aroused confidence in victory; the passing successes of France's famous +campaign, so soon expiated by the disaster at Waterloo; the departure of +the vanquished general and his long agony on the rock of Saint Helena. + +Arnold respected the old soldier's silent preoccupation and waited until +he should resume the conversation. + +The arrival of supper roused him from his reverie; he drew up a chair +for his guest and took his place at the opposite side of the table. + +"Come! fall to on the soup," he cried brusquely. "I have had nothing +since morning but two swallows of cognac. I should eat an ox whole +to-night." + +To prove his words, he began to empty the huge porringer of soup before +him. + +For several moments nothing was heard but the clatter of spoons followed +by that of the knives cutting up the side of bacon served by the +farmer's wife. His walk and the fresh air had given Arnold himself an +appetite that made him forget his Parisian daintiness. The supper grew +gayer and gayer, when all at once the peasant raised his head. + +"And Farraut?" he asked. "I have not seen him since my return." + +His wife and the children looked at each other without answering. + +"Well, what is it?" went on Moser, who saw their embarrassment. "Where +is the dog? What has happened to him? Why don't you answer, Dorothée?" + +"Don't be angry, father," interrupted Jean; "we didn't dare tell you, +but Farraut went away and has not come back." + +"A thousand devils! You should have told me!" cried the peasant, +striking the table with his fist. "What road did he take?" + +"The road to Garennes." + +"When was it?" + +"After dinner: we saw him go up the little path." + +"Something must have happened to him," said Moser, getting up. "The poor +animal is almost blind and there are sand pits all along the road! Go +fetch my sheepskin and the lantern, wife. I must find Farraut, dead or +alive." + +Dorothée went out without making any remark either about the hour or the +weather, and soon reappeared with what her husband had asked for. + +"You must think a great deal of this dog," said Arnold, surprised at +such zeal. + +"It is not I," answered Moser, lighting his pipe; "but he did good +service to Dorothée's father. One day when the old man was on his way +home from market with the price of his oxen in his pocket, four men +tried to murder him for his money, and they would have done it if it had +not been for Farraut; so when the good man died two years ago, he called +me to his bedside and asked me to care for the dog as for one of his +children--those were his words. I promised, and it would be a crime not +to keep one's promise to the dead. Fritz, give me my iron-shod stick. I +wouldn't have anything happen to Farraut for a pint of my blood. The +animal has been in the family for twenty years--he knows us all by our +voices--and he recalls the grandfather. I shall see you again, monsieur, +and good-night until to-morrow." + +Moser wrapped himself in his sheepskin and went out. They could hear the +sound of his iron-shod stick die away in the soughing of the wind and +the falling of the rain. + +After awhile the farmer's wife offered to conduct Arnold to his quarters +for the night, but Arnold asked permission to await the return of the +master of the house, if his return were not delayed too long. His +interest in the man who had at first seemed to him so vulgar, and in the +humble family whose existence he had thought to be so valueless, +continued to increase. + +The vigil was prolonged, however, and Moser did not return. The children +had fallen asleep one after another, and even Jean, who had held out the +longest, had to seek his bed at last. Dorothée, uneasy, went +incessantly from the fireside to the door and from the door to the +fireside. Arnold strove to reassure her, but her mind was excited by +suspense. She accused Moser of never thinking of his health or of his +safety; of always being ready to sacrifice himself for others; of being +unable to see a human being or an animal suffer without risking all to +relieve it. As she went on with her complaint, which sounded strangely +like a glorification, her fears grew more vivid; she had a thousand +gloomy forebodings. The dog had howled all through the previous night; +an owl had perched upon the roof of the house; it was a Wednesday, +always an unfortunate day in the family. Her fears reached such a pitch +at last that the young man volunteered to go in search of her husband, +and she was about to awaken Fritz to accompany him, when the sound of +footsteps was heard outside. + +"It is Moser!" said the woman, stopping short. + +"Oho, there, open quickly, wife," cried the farmer from without. + +She ran to draw the bolt, and Moser appeared, carrying in his arms the +old blind dog. + +"Here he is," he said gayly. "God help me! I thought I should never find +him: the poor brute had rolled to the bottom of the big stone quarry." + +"And you went there to get him?" asked Dorothée, horror-stricken. + +"Should I have left him at the bottom to find him drowned to-morrow?" +asked the old soldier. "I slid down the length of the big mountain and I +carried him up in my arms like a child: the lantern was left behind, +though." + +"But you risked your life, you foolhardy man!" cried Dorothée, who was +shuddering at her husband's explanation. + +The latter shrugged his shoulders. + +"Ah, bah!" he said with careless gayety; "who risks nothing has nothing; +I have found Farraut--that's the principal thing. If the grandfather +sees us from up there, he ought to be satisfied." + +This reflection, made in an almost indifferent tone, touched Arnold, who +held out his hand impetuously to the peasant. + +"What you have done was prompted by a good heart," he said with feeling. + +"What? Because I have kept a dog from drowning?" answered Moser. "Dogs +and men--thank God I have helped more than one out of a hole since I was +born; but I have sometimes had better weather than to-night to do it in. +Say, wife, there must be a glass of cognac left; bring the bottle here; +there is nothing that dries you better when you're wet." + +Dorothée brought the bottle to the farmer, who drank to his guest's +health, and then each sought his bed. + +The next morning the weather was fine again; the sky was clear, and the +birds, shaking their feathers, sang on the still dripping trees. + +When he descended from the garret, where a bed had been prepared for +him, Arnold found near the door Farraut, who was warming himself in the +sun, while little Jean, seated on his crutches, was making him a collar +of eglantine berries. A little further on, in the first room, the farmer +was clinking glasses with a beggar who had come to collect his weekly +tithe; Dorothée was holding his wallet, which she was filling. + +"Come, old Henri, one more draught," said the peasant, refilling the +beggar's glass; "if you mean to finish your round you must take +courage." + +"That one always finds here," said the beggar with a smile; "there are +not many houses in the parish where they give more, but there is not one +where they give with such good will." + +"Be quiet, will you, Père Henri?" interrupted Moser; "do people talk of +such things? Drink and let the good God judge each man's actions. You, +too, have served; we are old comrades." + +The old man contented himself with a shake of the head and touched his +glass to the farmer's; but one could see that he was more moved by the +heartiness that accompanied the alms than the alms itself. + +When he had taken up his wallet again and bade them good-by, Moser +watched him go until he had disappeared around a bend in the road. Then +drawing a breath, he said, turning to his guest: + +"One more poor old man without a home. You may believe me or not, +monsieur, but when I see men with shaking heads going about like that, +begging their bread from door to door, it turns my blood. I should like +to set the table for them all and touch glasses with them all as I did +just now with Père Henri. To keep your heart from breaking at such a +sight, you must believe that there is a world up there where those who +have not been summoned to the ordinary here will receive double rations +and double pay." + +"You must hold to that belief," said Arnold; "it will support and +console you. It will be long before I shall forget the hours I have +passed in your house, and I trust they will not be the last." + +"Whenever you choose," said the old soldier; "if you don't find the bed +up there too hard and if you can digest our bacon, come at your +pleasure, and we shall always be under obligations to you." + +He shook the hand that the young man had extended, pointed out the way +that he must take, and did not leave the threshold until he had seen his +guest disappear in the turn of the road. + +For some time Arnold walked with lowered head, but upon reaching the +summit of the hill he turned to take a last backward look, and seeing +the farm-house chimney, above which curled a light wreath of smoke, he +felt a tear of tenderness rise to his eye. + +"May God always protect those who live under that roof!" he murmured; +"for where pride made me see creatures incapable of understanding the +finer qualities of the soul, I have found models for myself. I judged +the depths by the surface and thought poetry absent because, instead of +showing itself without, it hid itself in the heart of the things +themselves; ignorant observer that I was, I pushed aside with my foot +what I thought were pebbles, not guessing that in these rude stones were +hidden diamonds." + + + + +JOHN HOWARD PAYNE AND "HOME, SWEET HOME" + + +About a hundred years ago, a young man, little more than a boy, was +drawing large audiences to the theaters of our eastern cities. New York +received him with enthusiasm, cultured Boston was charmed by his person +and his graceful bearing, while warm-hearted Baltimore fairly outdid +herself in hospitality. Until this time five hundred dollars was a large +sum for a theater to yield in a single night in Baltimore, but people +paid high premiums to hear the boy actor, and a one-evening audience +brought in more than a thousand dollars. + +About the same time in England another boy actor, Master Betty, was +creating great excitement, and him they called the Young Roscius, a name +that was quickly caught up by the admirers of the Yankee youth, who then +became known as the Young American Roscius. + +He was a wonderful boy in every way, was John Howard Payne. One of a +large family of children, several of whom were remarkably bright, he had +from his parents the most careful training, though they were not able +always to give him the advantages they wished. John was born in New York +City, but early moved with his parents to East Hampton, the most eastern +town on the jutting southern point of Long Island. Here in the charming +little village he passed his childhood, a leader among his playmates, +and a favorite among his elders. His slight form, rounded face, +beautiful features and graceful bearing combined to attract also the +marked attention of every stranger who met him. + +At thirteen years of age he was at work in New York, and soon was +discovered to be the editor in secret of a paper called _The Thespian +Mirror_. The merit of this juvenile sheet attracted the attention of +many people, and among them of Mr. Seaman, a wealthy New Yorker who +offered the talented boy an opportunity to go to college free of +expense. Young Payne gladly accepted the invitation, and proceeded to +Union College, where he soon became one of the most popular boys in the +school. His handsome face, graceful manners and elegant delivery were +met with applause whenever he spoke in public, and a natural taste led +him to seek every chance for declamation and acting. Even as a child he +had showed his dramatic ability, and more than once he was urged to go +upon the stage. But his father refused all offers and kept the boy +steadily at his work. + +When he was seventeen, however, two events occurred which changed all +his plans. First his mother died, and then his father failed in +business, and the young man saw that he must himself take up the burdens +of the family. Accordingly he left college before graduation and began +his career as an actor. + +[Illustration: JOHN HOWARD PAYNE + +1791-1852] + +His success was immediate and unusual, if we may judge from the words of +contemporary critics. His first appearance in Boston was on February +24, 1809, as Douglas in _Young Norval_. In this play occurs the +speech that countless American boys have declaimed, "On the Grampian +Hills my father feeds his flocks." Of Payne's rendition a critic says, +"He had all the skill of a finished artist combined with the freshness +and simplicity of youth. Great praise, but there are few actors who can +claim any competition with him." Six weeks later he was playing Hamlet +there, and his elocution is spoken of as remarkable for its purity, his +action as suited to the passion he represented, and his performance as +an exquisite one that delighted his brilliant audience. + + "Upon the stage, a glowing boy appeared + Whom heavenly smiles and grateful thunders cheered; + Then through the throng delighted murmurs ran. + The boy enacts more wonders than a man." + +Another, writing about this time, says, "Young Payne was a perfect Cupid +in his beauty, and his sweet voice, self-possessed yet modest manners, +wit, vivacity and premature wisdom, made him a most engaging prodigy." + +And again, "A more engaging youth could not be imagined; he won all +hearts by the beauty of his person and his captivating address, the +premature richness of his mind and his chaste and flowing utterance." + +His great successes here led him to go to England, where his popularity +was not nearly so great, and where the critics pounced upon him +unmercifully, hurting his feelings beyond repair. Still he succeeded +moderately both in England and on the Continent, until he turned his +attention to writing rather than to acting. _Brutus_, a tragedy, is the +only one of the sixty works which he wrote, translated or adapted, that +ever is played nowadays. In _Clari, the Maid of Milan_, one of his +operas, however, appeared a little song that has made the name of John +Howard Payne eternally famous throughout the world. + +_Home, Sweet Home_ had originally four stanzas, but by common consent +the third and fourth have been dropped because of their inferiority. The +two remaining ones are sung everywhere with heartfelt appreciation, and +the air, whatever its origin, has now association only with the words of +the old home song. Miss Ellen Tree, who sang it in the opera, charmed +her audience instantly, and in the end won her husband through its +melody. + +In 1823, 100,000 copies were sold, and the publishers made 2,000 guineas +from it in two years. In fact, it enriched everybody who had anything to +do with it, except Payne, who sold it originally for £30. + +Perhaps the most noteworthy incident connected with the public rendition +of _Home, Sweet Home_ occurred in Washington at one of the theaters +where Jenny Lind was singing before an audience composed of the first +people of our land. In one of the boxes sat the author, then on a visit +to this country, and a favorite everywhere. The prima donna sang her +greatest classical music and moved her audience to the wildest applause. +Then in response to the renewed calls she stepped to the front of the +stage, turned her face to the box where the poet sat, and in a voice of +marvelous pathos and power sang: + + "Mid pleasures and palaces though we may roam, + Be it ever so humble, there's no place like home! + A charm from the skies seems to hallow us there, + Which, seek through the world, is ne'er met with elsewhere. + Home, Home! Sweet, sweet Home! + There's no place like Home! + There's no place like Home! + +[Illustration: THERE'S NO PLACE LIKE HOME] + + "An exile from home, splendor dazzles in vain! + O, give me my lowly thatched cottage again! + The birds singing gaily that came at my call;-- + Give me them! and the peace of mind dearer than all! + Home, Home! Sweet, sweet Home! + There's no place like Home! + There's no place like Home!"[226-1] + +The audience were moved to tears. Even Daniel Webster, stern man of law, +lost control of himself and wept like a child. + +Payne's later life was not altogether a happy one, and he felt some +resentment against the world, although it may not have been justified. +He was unmarried, but was no more homeless than most bachelors. He +exiled himself voluntarily from his own country, and so lost much of the +delightful result of his own early popularity. He may have been reduced +to privation and suffering, but it was not for long at a time. Some +writers have sought to heighten effect by making the author of the +greatest song of home a homeless wanderer. The truth is that Payne's +unhappiness was largely the result of his own peculiarities. He was +given to poetic exaggeration, for there is now known to be little stern +fact in the following oft-quoted writing of himself: + +"How often have I been in the heart of Paris, Berlin, London or some +other city, and have heard persons singing or hand organs playing _Sweet +Home_ without having a shilling to buy myself the next meal or a place +to lay my head! The world has literally sung my song until every heart +is familiar with its melody, yet I have been a wanderer from my +boyhood. My country has turned me ruthlessly from office and in my old +age I have to submit to humiliation for my bread." + +Upon his own request he was appointed United States consul at Tunis, and +after being removed from that office continued to reside there until his +death. He was buried in Saint George's Cemetery in Tunis, and there his +body rested for more than thirty years, until W. W. Corcoran, a wealthy +resident of Washington, had it disinterred, brought to this country and +buried in the beautiful Oak Hill Cemetery near Washington. There a white +marble shaft surmounted by a bust of the poet marks his last home. On +one side of the shaft is the inscription: + + John Howard Payne, + Author of "Home, Sweet Home." + Born June 9, 1792. Died April 9, 1852. + +On the other side is chiseled this stanza: + + "Sure when thy gentle spirit fled + To realms above the azure dome, + With outstretched arms God's angels said + Welcome to Heaven's Home, Sweet Home." + +Much sentiment has been wasted over Payne, who was really not a great +poet and whose lack of stamina prevented him from grasping the power +already in his hand. We should remember, too, that the astonishing +popularity of _Home, Sweet Home_ is doubtless due more to the glorious +melody of the air, probably composed by some unknown Sicilian, than to +the wording of the two stanzas. + +When we study the verses themselves we see that the first three lines +are rather fine, but the fourth line is clumsy and matter-of-fact +compared with the others. In the second stanza "lowly thatched cottage" +may be a poetic description, but the home longing is not confined to +people who have lived in thatched cottages. Tame singing birds are +interesting, but home stands for higher and holier things. All he asks +for are a thatched cottage, singing birds and peace of mind: a curious +group of things. The fourth line of that stanza is unmusical and +inharmonious. + +These facts make us see that what really has made the song so dear to us +is its sweet music and the powerful emotion that seizes us all when we +think of the home of our childhood. + + +FOOTNOTES: + +[226-1] Capitals and punctuation as written by Payne. + + + + +AULD LANG SYNE[228-1] + +_By_ ROBERT BURNS + + + NOTE.--The song as we know it is not the first song to bear that + title, nor is it entirely original with Robert Burns. It is said + that the second and third stanzas were written by him, but that the + others were merely revised. In a letter to a friend, written in + 1793, Burns says, "The air (of _Auld Lang Syne_) is but mediocre; + but the following song, the old song of the olden time, which has + never been in print, nor even in manuscript, until I took it down + from an old man's singing, is enough to recommend any air." This + refers to the song as we know it, but the friend, a Mr. Thompson, + set the words to an old Lowland air which is the one every one now + uses. + + At an earlier date Burns wrote to another friend: "Is not the + Scottish phrase, _auld lang syne_, exceedingly expressive? There is + an old song and tune that has often thrilled through my soul. + Light be the turf on the breast of the heaven-inspired poet who + composed this glorious fragment." + + We cannot be certain that this refers to the exact wording he + subsequently set down, for there were at least three versions known + at that time. + + Should auld acquaintance be forgot, + And never brought to min'? + Should auld acquaintance be forgot, + And days o' lang syne? + + _For auld lang syne, my dear, + For auld lang syne, + We'll tak a cup o' kindness yet,[229-2] + For auld lang syne._ + + We twa[229-3] hae[229-4] run about the braes,[229-5] + And pou'd[229-6] the gowans[229-7] fine; + But we've wandered mony[229-8] a weary foot + Sin'[229-9] auld lang syne. + _For auld_, etc. + + We twa hae paidl't[229-10] i' the burn,[229-11] + Frae[229-12] mornin' sun till dine;[229-13] + But seas between us braid[229-14] hae roared + Sin' auld lang syne. + _For auld_, etc. + + And here's a hand, my trusty frere,[230-15] + And gie's[230-16] a hand o' thine; + And we'll tak a right guid[230-17] willie-waught[230-18] + For auld lang syne. + _For auld_, etc. + +[Illustration: FOR AULD LANG SYNE] + + And surely ye'll be your pint-stoup,[230-19] + And surely I'll be mine; + And we'll tak a cup o' kindness yet + For auld lang syne. + _For auld_, etc. + + +FOOTNOTES: + +[228-1] Literally, _Auld Lang Syne_ means _Old Long-Since_. It is +difficult to bring out the meaning of the Scotch phrase by a single +English word. Perhaps _The Good Old Times_ comes as near to it as +anything. The song gives so much meaning to the Scotch phrase that now +every man and woman knows what _Auld Lang Syne_ really stands for. + +[229-2] That is, _we will drink for the sake of old times_. + +[229-3] _Twa_ means _two_. + +[229-4] _Hae_ is the Scotch for _have_. + +[229-5] A brae is a sloping hillside. + +[229-6] _Pou'd_ is a contracted form of _pulled_. + +[229-7] Dandelions, daisies and other yellow flowers are called _gowans_ +by the Scotch. + +[229-8] _Mony_ is _many_. + +[229-9] _Sin'_ is a contraction of _since_. + +[229-10] _Paidl't_ means _paddled_. + +[229-11] A burn is a brook. + +[229-12] _Frae_ is the Scotch word for _from_. + +[229-13] _Dine_ means _dinner-time_, _midday_. + +[229-14] _Braid_ is the Scotch form of _broad_. + +[230-15] _Frere_ means _friend_. + +[230-16] _Gie's_ is a contracted form of _give us_. + +[230-17] _Guid_ is the Scottish spelling of _good_. + +[230-18] A willie-waught is a hearty draught. + +[230-19] A pint-stoup is a pint-cup or flagon. + + + + +HOME THEY BROUGHT HER WARRIOR DEAD + +_By_ ALFRED TENNYSON + + + Home they brought her warrior dead: + She nor swoon'd nor utter'd cry: + All her maidens, watching, said, + "She must weep or she will die." + + Then they praised him, soft and low, + Call'd him worthy to be loved, + Truest friend and noblest foe; + Yet she never spoke nor moved. + + Stole a maiden from her place, + Lightly to the warrior stept, + Took a face-cloth from the face; + Yet she neither moved nor wept. + + Rose a nurse of ninety years, + Set his child upon her knee-- + Like summer tempest came her tears-- + "Sweet my child, I live for thee." + +[Illustration] + + + + +CHARLES DICKENS + + +"To begin my life with the beginning of my life," Dickens makes one of +his heroes say, "I record that I was born (as I have been informed and +believe) on a Friday, at twelve o'clock at night." Dickens was born on a +Friday, the date the 7th of February, 1812, the place Landport in +Portsea, England. The house was a comfortable one, and during Charles's +early childhood his surroundings were prosperous; for his father, John +Dickens, a clerk in the navy pay-office, was temporarily in easy +circumstances. When Charles was but two, the family moved to London, +taking lodgings for a time in Norfolk Street, Bloomsbury, and finally +settling in Chatham. Here they lived in comfort, and here Charles gained +more than the rudiments of an education, his earliest teacher being his +mother, who instructed him not only in English, but in Latin also. Later +he became the pupil of Mr. Giles, who seems to have taken in him an +extraordinary interest. + +[Illustration: CHARLES DICKENS + +1812-1870] + +Indeed, he was a child in whom it was difficult not to take an +extraordinary interest. Small for his years, and attacked occasionally +by a sort of spasm which was exceedingly painful, he was not fitted for +much active exercise; but the _aliveness_ which was apparent in him all +his life distinguished him now. He was very fond of reading, and in +_David Copperfield_ he put into the mouth of his hero a description +of his own delight in certain books. "My father had left a small +collection of books in a little room upstairs, to which I had access +(for it adjoined my own), and which nobody else in our house ever +troubled. From that blessed little room, _Roderick Random_, _Peregrine +Pickle_, _Humphrey Clinker_, _Tom Jones_, _The Vicar of Wakefield_, _Don +Quixote_, _Gil Blas_ and _Robinson Crusoe_ came out, a glorious host, to +keep me company. They kept alive my fancy, ... they, and the _Arabian +Nights_ and the _Tales of the Genii_--and did me no harm; for whatever +harm was in some of them was not there for me; I knew nothing of it.... +I have been Tom Jones (a child's Tom Jones, a harmless creature) for a +week together. I have sustained my own idea of Roderick Random for a +month at a stretch, I verily believe. I had a greedy relish for a few +volumes of Voyages and Travels--I forget what, now--that were on those +shelves; and for days and days I can remember to have gone about my +region of our house, armed with the center piece out of an old set of +boot-trees--the perfect realization of Captain Somebody, of the Royal +British Navy, in danger of being beset by savages, and resolved to sell +his life at a great price." + +Not only did the little Charles read all he could lay hands upon; he +made up stories, too, which he told to his small playmates, winning +thereby their wondering admiration. Some of these tales he wrote down, +and thus he became an author in a small way while he was yet a very +small boy. His making believe to be the characters out of books shows +another trait which clung to him all his life--his fondness for +"play-acting." It was, in fact, often said of the mature Dickens that +he would have made as good an actor as he was a novelist, and Dickens's +father seems to have recognized in his little son decided traces of +ability; for often, when there was company at the house, little Charles, +with his face flushed and his eyes shining, would be placed on a table +to sing a comic song, amid the applause of all present. + +His early days were thus very happy; but when he was about eleven years +old, money difficulties beset the family, and they were obliged to move +to a poor part of London. Mrs. Dickens made persistent efforts to open a +school for young ladies, but no one ever showed the slightest intention +of coming. Matters went from bad to worse, and finally Mr. Dickens was +arrested for debt and taken to the Marshalsea prison. The time that +followed was a most painful one to the sensitive boy--far more painful, +it would seem, than to the "Prodigal Father," as Dickens later called +him. This father, whom Dickens long afterward described, in _David +Copperfield_, as Mr. Micawber, was, as his son was always most willing +to testify, a kind, generous man; but he was improvident to the last +degree; and when in difficulties which would have made melancholy any +other man, he was able, by the mere force of his rhetoric, to lift +himself above circumstances or to make himself happy in them. + +At length all the family except the oldest sister, who was at school, +and Charles, went to live in the prison; and Charles was given work in a +blacking-warehouse of which a relative of his mother's was manager. The +sufferings which the boy endured at this time were intense. It was not +only that the work was sordid, monotonous, uncongenial; it was not only +that his pride was outraged; what hurt him most of all was that he +should have been "so easily cast away at such an age," and that "no one +made any sign." He had always yearned for an education; he had always +felt that he must grow up to be worth something. And to see himself +condemned, as he felt with the hopelessness of childhood, for life, to +the society of such boys as he found in the blacking-warehouse, was +almost more than he could endure. During his later life, prosperous and +happy, he could scarcely bear to speak, even to his dearest friends, of +this period of his life. + +Though this period of his life seemed to him long, it was not really so, +for he was not yet thirteen when he was taken from the warehouse and +sent to school. Once given a chance, he learned rapidly and easily, +although in all probability the schools to which he went were not of the +best. After a year or two at school he again began work, but this time +under more hopeful circumstances. He was, to be sure, but an +under-clerk--little more than an office-boy in a solicitor's office; but +at least the surroundings were less sordid and the companions more +congenial. However, he had no intention of remaining an under-clerk, and +he set to work to make himself a reporter. + +Of his difficulties in mastering shorthand he has written feelingly in +that novel which contains so much autobiographical material--_David +Copperfield_. "I bought an approved scheme of the noble art and mystery +of stenography ... and plunged into a sea of perplexity that brought me, +in a few weeks, to the confines of distraction. The changes that were +rung upon dots, which in such a position meant such a thing, and in such +another position something else, entirely different; the wonderful +vagaries that were played by circles; the unaccountable consequences +that resulted from marks like flies' legs, the tremendous effect of a +curve in the wrong place; not only troubled my waking hours, but +reappeared before me in my sleep." + +When Dickens once made up his mind to do a thing, however, he always +went through with it, and before so very long he had perfected himself +in his "art and mystery," and was one of the most rapid and accurate +reporters in London. + +At nineteen he became a reporter of the speeches in Parliament. Before +taking up his newspaper work, he made an attempt to go upon the stage; +but it was not long before he found his true vocation, and abandoned all +thought of the stage as a means of livelihood. In 1833 he published a +sketch in the _Old Monthly Magazine_, and this was the first of those +_Sketches by Boz_ which were published at intervals for the next two +years. + +The year 1836 was a noteworthy one for Dickens, for in that year he +married Catherine Hogarth, the daughter of an associate on the +_Chronicle_; and in that year began the publication of _The Posthumous +Papers of the Pickwick Club_. The publication of the first few numbers +wakened no great enthusiasm, but with the appearance of the fifth +number, in which Sam Weller is introduced, began that popularity which +did not decline until Dickens's death. In fact, as one writer has said, +"In dealing with Dickens, we are dealing with a man whose public success +was a marvel and almost a monstrosity." Every one, old and young, +serious and flippant, talked of _Pickwick_, and it was actually +reported, by no less an authority than Thomas Carlyle, that a solemn +clergyman, being told that he had not long to live, exclaimed, "Well, +thank God, _Pickwick_ will be out in ten days anyway!" + +_Oliver Twist_ followed, and then _Nicholas Nickleby_; and by this time +Dickens began to get, what he did not receive from his first work, +something like his fair share of the enormous profits, so that his +growing family lived in comfort, if not in luxury. When the _Old +Curiosity Shop_, and, later, _Barnaby Rudge_, appeared, the number of +purchasers of the serials rose as high as seventy thousand. + +Early in 1842 Dickens and his wife made a journey to America, leaving +their children in the care of a friend. Shortly after arriving in the +United States he wrote to a friend, "I can give you no conception of my +welcome here. There was never a king or emperor upon the earth so +cheered and followed by crowds, and entertained in public at splendid +balls and dinners, and waited on by public bodies and deputations of all +kinds;" and again, "In every town where we stay, though it be only for a +day, we hold a regular levee or drawing-room, where I shake hands on an +average with five or six hundred people." + +Dickens had come prepared to like America and Americans--and in many +ways he did like them. But in other ways he was disappointed. He +ventured to object, in various speeches, to the pirating, in America, of +English literature, and fierce were the denunciations which this course +drew upon him. Having fancied that in the republic of America he might +have at least free speech on a matter which so closely concerned him, +Dickens resented this treatment, and the Americans resented his +resentment. However, it was with the kindliest feelings toward the many +friends he had made in the United States, and with the most out-spoken +admiration for many American institutions that he left for England. The +publication of his _American Notes_ and of _Martin Chuzzlewit_ did not +tend to reconcile Americans to Dickens; but there seems to have been no +falling off in the sale of his books in this country. + +Dickens's life, like the lives of most literary men, was not +particularly eventful. It was, however, a constantly busy life. Book +followed book in rapid succession, and still their popularity grew. +Sometimes in London, sometimes in Italy or Rome or Switzerland, he +created those wonderful characters of his which will live as long as the +English language. The first of the Christmas books, _A Christmas Carol_, +appeared in 1843, and henceforward one of the things to which people +looked forward at Yuletide was the publication of a new Dickens +Christmas story. + +One diversion--if diversion it can be called--Dickens allowed himself +not infrequently, and enjoyed most thoroughly. This was the production, +sometimes before a selected audience, sometimes in public, of plays, in +which Dickens himself usually took the chief part. Often these plays +were given not only in London, but in various parts of the country, as +benefits for poor authors or actors, or for the widows and families of +such; and always they were astonishingly successful. It is reported that +an old stage prompter or property man said one time to Dickens "Lor, +Mr. Dickens! If it hadn't been for them books, what an actor you would +have made." + +Naturally, a man of Dickens's eminence had as his friends and +acquaintances many of the foremost men of his time, and a most +affectionate and delightful friend he was. His letters fall no whit +below the best of his writing in his novels in their power of +observation, their brightness, their humorous manner of expression. + +In 1849 was begun the publication of _David Copperfield_, Dickens's own +favorite among his novels. It contains, as has already been said, much +that is autobiographical, and one of the most interesting facts in +connection with this phase of it is that there really was, in Dickens's +young days, a "Dora" whom he worshiped. Years later he met her again, +and what his feelings on that occasion must have been may be imagined +when we know that this Dora-grown-older was the original of "Flora" in +_Little Dorrit_. + +The things that Dickens, writing constantly and copiously, found time to +do are wonderful. One of the matters in which he took great interest and +an active part was the children's theatricals. These were held each year +during the Christmas holiday season at Dickens's home, and while his +children and their friends were the principal actors, Dickens +superintended the whole, introduced three-quarters of the fun, and +played grown-up parts, adopting as his stage title the "Modern Garrick." + +Though the story of these crowded years is quickly told, the years were +far from being uneventful in their passing. Occasional sojourns, either +with his family or with friends, in France and in Italy always made +Dickens but the more glad to be in his beloved London, where he seemed +most in his element and where his genius had freest play. This does not +mean that he did not enjoy France and Italy, or appreciate their +beauties, but simply that he was always an Englishman--a city +Englishman. His observations, however, on what he saw in traveling were +always most acute and entertaining. + +His account of his well-nigh unsuccessful attempt to find the house of +Mr. Lowther, English chargé d'affaires at Naples, with whom he had been +invited to dine, may be quoted here to show his power of humorous +description: + +"We had an exceedingly pleasant dinner of eight, preparatory to which I +was near having the ridiculous adventure of not being able to find the +house and coming back dinnerless. I went in an open carriage from the +hotel in all state, and the coachman, to my surprise, pulled up at the +end of the Chiaja. + +"'Behold the house' says he, 'of Signor Larthoor!'--at the same time +pointing with his whip into the seventh heaven, where the early stars +were shining. + +"'But the Signor Larthoor,' returns the Inimitable darling, 'lives at +Pausilippo.' + +"'It is true,' says the coachman (still pointing to the evening star), +'but he lives high up the Salita Sant' Antonio, where no carriage ever +yet ascended, and that is the house' (evening star as aforesaid), 'and +one must go on foot. Behold the Salita Sant' Antonio!' + +"I went up it, a mile and a half I should think. I got into the +strangest places, among the wildest Neapolitans--kitchens, +washing-places, archways, stables, vineyards--was baited by dogs, +answered in profoundly unintelligible Neapolitan, from behind lonely +locked doors, in cracked female voices, quaking with fear; could hear of +no such Englishman or any Englishman. By-and-by I came upon a +Polenta-shop in the clouds, where an old Frenchman, with an umbrella +like a faded tropical leaf (it had not rained for six weeks) was staring +at nothing at all, with a snuff-box in his hand. To him I appealed +concerning the Signor Larthoor. + +"'Sir,' said he, with the sweetest politeness, 'can you speak French?' + +"'Sir,' said I, 'a little.' + +"'Sir,' said he, 'I presume the Signor Lootheere'--you will observe that +he changed the name according to the custom of his country--'is an +Englishman.' + +"I admitted that he was the victim of circumstances and had that +misfortune. + +"'Sir,' said he, 'one word more. _Has_ he a servant with a wooden leg?' + +"'Great Heaven, sir,' said I, 'how do I know? I should think not, but it +is possible.' + +"'It is always,' said the Frenchman, 'possible. Almost all the things of +the world are always possible.' + +"'Sir,' said I--you may imagine my condition and dismal sense of my own +absurdity by this time--'that is true.' + +"He then took an immense pinch of snuff, wiped the dust off his +umbrella, led me to an arch commanding a wonderful view of the Bay of +Naples, and pointed deep into the earth from which I had mounted. + +"'Below there, near the lamp, one finds an Englishman, with a servant +with a wooden leg. It is always possible that he is the Signor +Lootheere.' + +"I had been asked at six, and it was now getting on for seven. I went +down again in a state of perspiration and misery not to be described, +and without the faintest hope of finding the place. But as I was going +down to the lamp, I saw the strangest staircase up a dark corner, with a +man in a white waistcoat (evidently hired) standing on the top of it +fuming. I dashed in at a venture, found it was the place, made the most +of the whole story, and was indescribably popular." + +"Indescribably popular" Dickens was almost every place he went. And in +1858 there came to him increased popularity by reason of a new venture. +In this year he began his public readings from his own works, which +brought him in immense sums of money. Through England, Scotland, Ireland +and the United States he journeyed, reading, as only he could read, +scenes humorous and pathetic from his great novels, and everywhere the +effect was the same. + +Descriptive of an evening at Edinburgh, he wrote: "Such a pouring of +hundreds into a place already full to the throat, such indescribable +confusion, such a rending and tearing of dresses, and yet such a scene +of good humor on the whole!... I read with the platform crammed with +people. I got them to lie down upon it, and it was like some impossible +tableau or gigantic picnic; one pretty girl in full dress hang on her +side all night, holding on to one of the legs of my table. And yet from +the moment I began to the moment of my leaving off, they never missed a +point, and they ended with a burst of cheers." + +Meanwhile Dickens's domestic life had not been happy. He and his wife +were not entirely congenial in temper, and the incompatibility increased +with the years, until in 1858 they agreed to live apart. Most of the +children remained with their father, although they were given perfect +freedom to visit their mother. + +Among Dickens's later novels are the _Tale of Two Cities_, _Great +Expectations_, which is one of his very best books, and _Our Mutual +Friend_, which, while as a story it has many faults, yet abounds with +the humor and fancy which are characteristic of Dickens. In October, +1869, was begun _Edwin Drood_, which was published like most of its +predecessors, as a serial. Six numbers appeared, and there the story +closed; for on June 9, 1870, Charles Dickens died, after an illness of +but one day, during all of which he was unconscious. + +His family desired to have him buried near his home, the Gad's Hill +which he had admired from his childhood and had purchased in his +manhood; but the general wish was that he should be laid in Westminster +Abbey, and to this wish his family felt that it would be wrong to +object. For days there were crowds of mourners about the grave, shedding +tears, scattering flowers, testifying to the depth of affection they had +felt for the man who had given them so many happy hours. + + + + +A CHRISTMAS CAROL + +_By_ CHARLES DICKENS + + +STAVE ONE + +_Marley's Ghost_ + +Marley was dead: to begin with. There is no doubt whatever about that. +The register of his burial was signed by the clergyman, the clerk, the +undertaker, and the chief mourner. Scrooge signed it: and Scrooge's name +was good upon 'Change, for anything he chose to put his hand to. Old +Marley was as dead as a door-nail. + +Mind! I don't mean to say that I know, of my own knowledge, what there +is particularly dead about a door-nail. I might have been inclined, +myself, to regard a coffin-nail as the deadest piece of ironmongery in +the trade. But the wisdom of our ancestors is in the simile; and my +unhallowed hands shall not disturb it, or the Country's done for. You +will therefore permit me to repeat, emphatically, that Marley was as +dead as a door-nail. + +Scrooge knew he was dead? Of course he did. How could it be otherwise? +Scrooge and he were partners for I don't know how many years. Scrooge +was his sole executor, his sole administrator, his sole assign, his sole +residuary legatee, his sole friend and sole mourner. And even Scrooge +was not so dreadfully cut up by the sad event, but that he was an +excellent man of business on the very day of the funeral, and solemnized +it with an undoubted bargain. + +The mention of Marley's funeral brings me back to the point I started +from. There is no doubt that Marley was dead. This must be distinctly +understood, or nothing wonderful can come of the story I am going to +relate. If we were not perfectly convinced that Hamlet's Father died +before the play began, there would be nothing more remarkable in his +taking a stroll at night, in an easterly wind, upon his own ramparts, +than there would be in any other middle-aged gentleman rashly turning +out after dark in a breezy spot--say Saint Paul's Churchyard for +instance--literally to astonish his son's weak mind. + +Scrooge never painted out Old Marley's name. There it stood, years +afterwards, above the warehouse door: Scrooge and Marley. The firm was +known as Scrooge and Marley. Sometimes people new to the business called +Scrooge Scrooge and sometimes Marley, but he answered to both names: it +was all the same to him. + +Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a +squeezing, wrenching, grasping, scraping, clutching, covetous, old +sinner! Hard and sharp as flint, from which no steel had even struck out +generous fire; secret, and self-contained, and solitary as an oyster. +The cold within him froze his old features, nipped his pointed nose, +shrivelled his cheek, stiffened his gait; made his eyes red, his thin +lips blue; and spoke out shrewdly in his grating voice. A frosty rime +was on his head, and on his eyebrows, and his wiry chin. He carried his +own low temperature always about with him; he iced his office in the +dog-days; and didn't thaw it one degree at Christmas. + +External heat and cold had little influence on Scrooge. No warmth could +warm, nor wintry weather chill him. No wind that blew was bitterer than +he, no falling snow was more intent upon its purpose, no pelting rain +less open to entreaty. Foul weather didn't know where to have him. The +heaviest rain, and snow, and hail, and sleet, could boast of the +advantage over him in only one respect. They often "came down" +handsomely, and Scrooge never did. + +Nobody ever stopped him in the street to say, with gladsome looks, "My +dear Scrooge, how are you? When will you come to see me?" No beggars +implored him to bestow a trifle, no children asked him what it was +o'clock, no man or woman ever once in all his life inquired the way to +such and such a place, of Scrooge. Even the blind men's dogs appeared to +know him; and when they saw him coming on, would tug their owners into +doorways and up courts; and then would wag their tails as though they +said, "No eye at all is better than an evil eye, dark master!" + +But what did Scrooge care? It was the very thing he liked. To edge his +way along the crowded paths of life, warning all human sympathy to keep +its distance, was what the knowing ones call "nuts" to Scrooge. + +Once upon a time--of all the good days in the year, on Christmas +Eve--old Scrooge sat busy in his counting-house. It was cold, bleak, +biting weather: foggy withal: and he could hear the people in the court +outside go wheezing up and down, beating their hands upon their breasts, +and stamping their feet upon the pavement stones to warm them. The City +clocks had only just gone three, but it was quite dark already: it had +not been light all day: and candles were flaring in the windows of the +neighboring offices, like ruddy smears upon the palpable brown air. The +fog came pouring in at every chink and keyhole, and was so dense +without, that although the court was of the narrowest, the houses +opposite were mere phantoms. To see the dingy cloud come drooping down, +obscuring everything, one might have thought that Nature lived hard by, +and was brewing on a large scale.[247-1] + +The door of Scrooge's counting-house was open that he might keep his eye +upon his clerk, who in a dismal little cell beyond, a sort of tank, was +copying letters. Scrooge had a very small fire, but the clerk's fire was +so very much smaller that it looked like one coal. But he couldn't +replenish it, for Scrooge kept the coal-box in his own room; and so +surely as the clerk came in with the shovel, the master predicted that +it would be necessary for them to part. Wherefore the clerk put on his +white comforter, and tried to warm himself at the candle; in which +effort, not being a man of strong imagination, he failed. + +"A merry Christmas, uncle! God save you!" cried a cheerful voice. It was +the voice of Scrooge's nephew, who came upon him so quickly that this +was the first intimation he had of his approach. + +"Bah!" said Scrooge. "Humbug!" + +He had so heated himself with rapid walking in the fog and frost, this +nephew of Scrooge's, that he was all in a glow; his face was ruddy and +handsome; his eyes sparkled, and his breath smoked again. + +"Christmas a humbug, uncle!" said Scrooge's nephew. "You don't mean +that, I am sure." + +"I do," said Scrooge. "Merry Christmas! What right have you to be merry? +What reason have you to be merry? You're poor enough." + +"Come, then," returned the nephew gaily. "What right have you to be +dismal? What reason have you to be morose? You're rich enough." + +Scrooge having no better answer ready on the spur of the moment, said, +"Bah!" again; and followed it up with "Humbug." + +"Don't be cross, uncle," said the nephew. + +"What else can I be," returned the uncle, "when I live in such a world +of fools as this? Merry Christmas! Out upon merry Christmas! What's +Christmas time to you but a time for paying bills without money; a time +for finding yourself a year older, but not an hour richer; a time for +balancing your books and having every item in 'em through a round dozen +months presented dead against you? If I could work my will," said +Scrooge, indignantly, "every idiot who goes about with 'Merry Christmas' +on his lips, should be boiled with his own pudding, and buried with a +stake of holly through his heart. He should!" + +"Uncle!" pleaded the nephew. + +"Nephew!" returned the uncle, sternly, "keep Christmas in your own way, +and let me keep it in mine." + +"Keep it!" repeated Scrooge's nephew. "But you don't keep it." + +"Let me leave it alone, then," said Scrooge. "Much good may it do you! +Much good it has ever done you!" + +"There are many things from which I might have derived good, by which I +have not profited, I dare say," returned the nephew: "Christmas among +the rest. But I am sure I have always thought of Christmas time, when it +has come round--apart from the veneration due to its sacred name and +origin, if anything belonging to it can be apart from that--as a good +time: a kind, forgiving, charitable, pleasant time: the only time I know +of, in the long calendar of the year, when men and women seem by one +consent to open their shut-up hearts freely, and to think of people +below them as if they really were fellow-passengers to the grave, and +not another race of creatures bound on other journeys. And therefore, +uncle, though it has never put a scrap of gold or silver in my pocket, I +believe that it _has_ done me good, and _will_ do me good; and I say, +God bless it!" + +The clerk in the Tank involuntarily applauded: becoming immediately +sensible of the impropriety, he poked the fire, and extinguished the +last frail spark for ever. + +"Let me hear another sound from _you_," said Scrooge, "and you'll keep +your Christmas by losing your situation. You're quite a powerful +speaker, Sir," he added, turning to his nephew. "I wonder you don't go +into Parliament." + +"Don't be angry, uncle. Come! Dine with us to-morrow." + +Scrooge said that he would see him--yes, indeed he did. He went the +whole length of the expression, and said that he would see him in that +extremity first. + +"But why?" cried Scrooge's nephew. "Why?" + +"Why did you get married?" said Scrooge. + +"Because I fell in love." + +"Because you fell in love!" growled Scrooge, as if that were the only +one thing in the world more ridiculous than a merry Christmas. "Good +afternoon!" + +"Nay, uncle, but you never came to see me before that happened. Why give +it as a reason for not coming now?" + +"Good afternoon," said Scrooge. + +"I want nothing from you; I ask nothing of you; why cannot we be +friends?" + +"Good afternoon," said Scrooge. + +"I am sorry, with all my heart, to find you so resolute. We have never +had any quarrel to which I have been a party. But I have made the trial +in homage to Christmas, and I'll keep my Christmas humour to the last. +So A Merry Christmas, uncle!" + +"Good afternoon!" said Scrooge. + +"And A Happy New Year!" + +"Good afternoon!" said Scrooge. + +His nephew left the room without an angry word, notwithstanding. He +stopped at the outer door to bestow the greetings of the season on the +clerk, who, cold as he was, was warmer than Scrooge; for he returned +them cordially. + +"There's another fellow," muttered Scrooge; who overheard him: "my +clerk, with fifteen shillings a week, and a wife and family, talking +about a merry Christmas. I'll retire to Bedlam."[251-2] + +This lunatic, in letting Scrooge's nephew out, had let two other people +in. They were portly gentlemen, pleasant to behold, and now stood, with +their hats off, in Scrooge's office. They had books and papers in their +hands, and bowed to him. + +"Scrooge and Marley's, I believe," said one of the gentlemen, referring +to his list. "Have I the pleasure of addressing Mr. Scrooge, or Mr. +Marley?" + +"Mr. Marley has been dead these seven years," Scrooge replied. "He died +seven years ago, this very night." + +"We have no doubt his liberality is well represented by his surviving +partner," said the gentleman, presenting his credentials. + +It certainly was; for they had been two kindred spirits. At the ominous +word "liberality," Scrooge frowned, and shook his head, and handed the +credentials back. + +"At this festive season of the year, Mr. Scrooge," said the gentleman, +taking up a pen, "it is more than usually desirable that we should make +some slight provision for the poor and destitute, who suffer greatly at +the present time. Many thousands are in want of common necessaries; +hundreds of thousands are in want of common comforts, Sir." + +"Are there no prisons?" asked Scrooge. + +"Plenty of prisons," said the gentleman, laying down the pen again. + +"And the Union workhouses?"[252-3] demanded Scrooge. "Are they still in +operation?" + +"They are. Still," returned the gentleman, "I wish I could say they were +not." + +"The Treadmill[252-4] and the Poor Law are in full vigour, then?" said +Scrooge. + +"Both very busy, Sir." + +"Oh! I was afraid, from what you said at first, that something had +occurred to stop them in their useful course," said Scrooge. "I'm very +glad to hear it." + +"Under the impression that they scarcely furnish Christian cheer of mind +or body to the multitude," returned the gentleman, "a few of us are +endeavoring to raise a fund to buy the poor some meat and drink, and +means of warmth. We choose this time, because it is a time, of all +others, when want is keenly felt, and abundance rejoices. What shall I +put you down for?" + +"Nothing!" Scrooge replied. + +"You wish to be anonymous?" + +"I wish to be left alone," said Scrooge. "Since you ask me what I wish, +gentlemen, that is my answer. I don't make merry myself at Christmas, +and I can't afford to make idle people merry. I help to support the +establishments I have mentioned: they cost enough: and those who are +badly off must go there." + +"Many can't go there; and many would rather die." + +"If they would rather die," said Scrooge, "they had better do it, and +decrease the surplus population. Besides--excuse me--I don't know that." + +"But you might know it," observed the gentleman. + +"It's not my business," Scrooge returned. "It's enough for a man to +understand his own business, and not to interfere with other people's. +Mine occupies me constantly. Good afternoon, gentlemen!" + +Seeing clearly that it would be useless to pursue their point, the +gentlemen withdrew. Scrooge resumed his labours with an improved opinion +of himself, and in more facetious temper than was usual with him. + +Meanwhile the fog and darkness thickened so, that the people ran about +with flaring links,[253-5] proffering their services to go before horses +in carriages, and conduct them on their way. The ancient tower of a +church, whose gruff old bell was always peeping slily down at Scrooge +out of a gothic window in the wall, became invisible, and struck the +hours and quarters in the clouds, with tremulous vibrations afterwards +as if its teeth were chattering in its frozen head up there. The cold +became intense. In the main street at the corner of the court, some +labourers were repairing the gas-pipes, and had lighted a great fire in +a brazier, round which a party of ragged men and boys were gathered: +warming their hands and winking their eyes before the blaze in rapture. +The water-plug being left in solitude, its overflowings sullenly +congealed, and turned to misanthropic ice. The brightness of the shop +where holly sprigs and berries crackled in the lamp heat of the windows, +made pale faces ruddy as they passed. Poulterers' and grocers' trades +became a splendid joke: a glorious pageant, with which it was next to +impossible to believe that such dull principles as bargain and sale had +anything to do. The Lord Mayor, in the stronghold of the mighty Mansion +House, gave orders to his fifty cooks and butlers to keep Christmas as a +Lord Mayor's household should; and even the little tailor, whom he had +fined five shillings on the previous Monday for being drunk and +bloodthirsty in the streets, stirred up to-morrow's pudding in his +garret, while his lean wife and the baby sallied out to buy the beef. + +Foggier yet, and colder! Piercing, searching, biting cold. If the good +Saint Dunstan[254-6] had but nipped the Evil Spirit's nose with a touch +of such weather as that, instead of using his familiar weapons, then +indeed he would have roared to lusty purpose. The owner of one scant +young nose, gnawed and mumbled by the hungry cold as bones are gnawed by +dogs, stooped down at Scrooge's keyhole to regale him with a Christmas +carol: but at the first sound of + + "God bless you, merry gentlemen! + May nothing you dismay!"[254-7] + +Scrooge seized the ruler with such energy of action, that the singer +fled in terror, leaving the keyhole to the fog and even more congenial +frost. + +At length the hour of shutting up the counting-house arrived. With an +ill-will Scrooge dismounted from his stool, and tacitly admitted the +fact to the expectant clerk in the Tank, who instantly snuffed his +candle out, and put on his hat. + +[Illustration: THE CLERK SMILED FAINTLY] + +"You'll want all day to-morrow, I suppose?" said Scrooge. + +"If quite convenient, Sir." + +"It's not convenient," said Scrooge, "and it's not fair. If I was to +stop half-a-crown for it, you'd think yourself ill-used, I'll be bound?" + +The clerk smiled faintly. + +"And yet," said Scrooge, "you don't think _me_ ill-used, when I pay a +day's wages for no work." + +The clerk observed that it was only once a year. + +"A poor excuse for picking a man's pocket every twenty-fifth of +December!" said Scrooge, buttoning his great-coat to the chin. "But I +suppose you must have the whole day. Be here all the earlier next +morning!" + +The clerk promised that he would; and Scrooge walked out with a growl. +The office was closed in a twinkling, and the clerk, with the long ends +of his white comforter dangling below his waist (for he boasted no +great-coat), went down a slide on Cornhill, at the end of a lane of +boys, twenty times, in honour of its being Christmas Eve, and then ran +home to Camden Town as hard as he could pelt, to play at +blindman's-buff. + +Scrooge took his melancholy dinner in his usual melancholy tavern; and +having read all the newspapers, and beguiled the rest of the evening +with his banker's-book, went home to bed. He lived in chambers which had +once belonged to his deceased partner. They were a gloomy suite of +rooms, in a lowering pile of building up a yard, where it had so little +business to be, that one could scarcely help fancying it must have run +there when it was a young house, playing at hide-and-seek with other +houses, and have forgotten the way out again. It was old enough now, and +dreary enough, for nobody lived in it but Scrooge, the other rooms +being all let out as offices. The yard was so dark that even Scrooge, +who knew its every stone, was fain to grope with his hands. The fog and +frost so hung about the black old gateway of the house, that it seemed +as if the Genius of the Weather sat in mournful meditation on the +threshold. Now, it is a fact, that there was nothing at all particular +about the knocker on the door, except that it was very large. It is also +a fact, that Scrooge had seen it, night and morning, during his whole +residence in that place; also that Scrooge had as little of what is +called fancy about him as any man in the City of London, even +including--which is a bold word--the corporation, aldermen, and livery. +Let it also be borne in mind that Scrooge had not bestowed one thought +on Marley, since his last mention of his seven-years' dead partner that +afternoon. And then let any man explain to me, if he can, how it +happened that Scrooge, having his key in the lock of the door, saw in +the knocker, without its undergoing any intermediate process of change, +not a knocker, but Marley's face. + +Marley's face. It was not in impenetrable shadow as the other objects in +the yard were, but had a dismal light about it, like a bad lobster in a +dark cellar. It was not angry or ferocious, but looked at Scrooge as +Marley used to look: with ghostly spectacles turned up on its ghostly +forehead. The hair was curiously stirred, as if by breath or hot air; +and, though the eyes were wide open, they were perfectly motionless. +That, and its livid colour, made it horrible; but its horror seemed to +be in spite of the face and beyond its control, rather than a part of +its own expression. + +As Scrooge looked fixedly at this phenomenon, it was a knocker again. + +To say that he was not startled, or that his blood was not conscious of +a terrible sensation to which it had been a stranger from infancy, would +be untrue. But he put his hand upon the key he had relinquished, turned +it sturdily, walked in, and lighted his candle. + +He _did_ pause, with a moment's irresolution, before he shut the door; +and he _did_ look cautiously behind it first, as if he half expected to +be terrified with the sight of Marley's pigtail sticking out into the +hall. But there was nothing on the back of the door, except the screws +and nuts that held the knocker on; so he said "Pooh, pooh!" and closed +it with a bang. + +The sound resounded through the house like thunder. Every room above, +and every cask in the wine-merchant's cellars below, appeared to have a +separate peal of echoes of its own. Scrooge was not a man to be +frightened by echoes. He fastened the door, and walked across the hall, +and up the stairs, slowly too, trimming his candle as he went. + +You may talk vaguely about driving a coach-and-six up a good old flight +of stairs, or through a bad young Act of Parliament; but I mean to say +you might have got a hearse up that staircase, and taken it broadwise, +with the splinter-bar[258-8] towards the wall, and the door towards the +balustrades: and done it easy. There was plenty of width for that, and +room to spare; which is perhaps the reason why Scrooge thought he saw a +locomotive hearse going on before him in the gloom. Half-a-dozen +gas-lamps out of the street wouldn't have lighted the entry too well, so +you may suppose that it was pretty dark with Scrooge's dip. + +Up Scrooge went, not caring a button for that: darkness is cheap, and +Scrooge liked it. But before he shut his heavy door, he walked through +his rooms to see that all was right. He had just enough recollection of +the face to desire to do that. + +Sitting-room, bedroom, lumber-room. All as they should be. Nobody under +the table, nobody under the sofa; a small fire in the grate; spoon and +basin ready; and the little saucepan of gruel (Scrooge had a cold in his +head) upon the hob. Nobody under the bed; nobody in the closet; nobody +in his dressing-gown, which was hanging up in a suspicious attitude +against the wall. Lumber-room as usual. Old fire-guard, old shoes, two +fish-baskets, washing-stand on three legs, and a poker. + +Quite satisfied, he closed his door, and locked himself in; +double-locked himself in, which was not his custom. Thus secured against +surprise, he took off his cravat; put on his dressing-gown and slippers, +and his nightcap; and sat down before the fire to take his gruel. + +It was a very low fire indeed; nothing on such a bitter night. He was +obliged to sit close to it, and brood over it, before he could extract +the least sensation of warmth from such a handful of fuel. The fireplace +was an old one, built by some Dutch merchant long ago, and paved all +round with quaint Dutch tiles, designed to illustrate the Scriptures. +There were Cains and Abels, Pharaoh's daughters, Queens of Sheba, +angelic messengers descending through the air on clouds like +feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in +butter-boats, hundreds of figures, to attract his thoughts; and yet that +face of Marley, seven years dead, came like the ancient Prophet's rod, +and swallowed up the whole. If each smooth tile had been a blank at +first, with power to shape some picture on its surface, from the +disjointed fragments of his thoughts, there would have been a copy of +old Marley's head on every one. + +"Humbug!" said Scrooge; and walked across the room. + +After several turns, he sat down again. As he threw his head back in the +chair, his glance happened to rest upon a bell, a disused bell, that +hung in the room, and communicated for some purpose now forgotten with a +chamber in the highest story of the building. It was with great +astonishment, and with a strange, inexplicable dread, that as he looked, +he saw this bell begin to swing. It swung so softly in the outset that +it scarcely made a sound; but soon it rang out loudly, and so did every +bell in the house. This might have lasted half a minute, or a minute, +but it seemed an hour. The bells ceased as they had begun, together. +They were succeeded by a clanking noise, deep down below; as if some +person were dragging a heavy chain over the casks in the wine-merchant's +cellar. Scrooge then remembered to have heard that ghosts in haunted +houses were described as dragging chains. + +The cellar-door flew open with a booming sound, and then he heard the +noise much louder, on the floors below; then coming up the stairs; then +coming straight towards his door. + +"It's humbug still!" said Scrooge. "I won't believe it." + +His colour changed though, when, without a pause, it came on through the +heavy door, and passed into the room before his eyes. Upon its coming +in, the flame leaped up, as though it cried "I know him! Marley's +Ghost!" and fell again. + +The same face: the very same. Marley in his pigtail, usual waistcoat, +tights and boots; the tassels on the latter bristling, like his pigtail, +and his coat-skirts, and the hair upon his head. The chain he drew was +clasped about his middle. It was long, and wound about him like a tail; +and it was made (for Scrooge observed it closely) of cash-boxes, keys, +padlocks, ledgers, deeds, and heavy purses wrought in steel. His body +was transparent; so that Scrooge, observing him, and looking through his +waistcoat, could see the two buttons on his coat behind. + +Scrooge had often heard it said that Marley had no bowels[261-9], but he +had never believed it until now. + +No, nor did he believe it even now. Though he looked the phantom through +and through, and saw it standing before him; though he felt the chilling +influence of its death-cold eyes; and marked the very texture of the +folded kerchief bound about its head and chin, which wrapper he had not +observed before: he was still incredulous, and fought against his +senses. + +"How now!" said Scrooge, caustic and cold as ever. "What do you want +with me?" + +"Much!"--Marley's voice, no doubt about it. + +"Who are you?" + +"Ask me who I _was_." + +"Who _were_ you then?" said Scrooge, raising his voice. "You're +particular--for a shade." He was going to say "_to_ a shade," but +substituted this, as more appropriate. + +"In life I was your partner, Jacob Marley." + +"Can you--can you sit down?" asked Scrooge, looking doubtfully at him. + +"I can." + +"Do it then." + +Scrooge asked the question, because he didn't know whether a ghost so +transparent might find himself in a condition to take a chair; and felt +that in the event of its being impossible, it might involve the +necessity of an embarrassing explanation. But the Ghost sat down on the +opposite side of the fireplace, as if he were quite used to it. + +"You don't believe in me," observed the Ghost. + +"I don't," said Scrooge. + +"What evidence would you have of my reality beyond that of your senses?" + +"I don't know," said Scrooge. + +"Why do you doubt your senses?" + +"Because," said Scrooge, "a little thing affects them. A slight disorder +of the stomach makes them cheats. You may be an undigested bit of beef, +a blot of mustard, a crumb of cheese, a fragment of an underdone potato. +There's more of gravy than of grave about you, whatever you are!" + +Scrooge was not much in the habit of cracking jokes, nor did he feel, in +his heart, by any means waggish then. The truth is, that he tried to be +smart, as a means of distracting his own attention, and keeping down his +terror; for the spectre's voice disturbed the very marrow in his bones. + +[Illustration: "IN LIFE I WAS YOUR PARTNER, JACOB MARLEY"] + +To sit staring at those fixed, glazed eyes in silence for a moment, +would play, Scrooge felt, the very deuce with him. There was something +very awful, too, in the spectre's being provided with an infernal +atmosphere of its own. Scrooge could not feel it himself, but this was +clearly the case; for though the Ghost sat perfectly motionless, its +hair, and skirts, and tassels, were still agitated as by the hot vapour +from an oven. + +"You see this toothpick?" said Scrooge, returning quickly to the charge, +for the reason just assigned; and wishing, though it were only for a +second, to divert the vision's stony gaze from himself. + +"I do," replied the Ghost. + +"You are not looking at it," said Scrooge. + +"But I see it," said the Ghost, "notwithstanding." + +"Well!" returned Scrooge. "I have but to swallow this, and be for the +rest of my days persecuted by a legion of goblins, all of my own +creation. Humbug, I tell you--humbug!" + +At this the spirit raised a frightful cry, and shook its chain with such +a dismal and appalling noise, that Scrooge held on tight to his chair, +to save himself from falling in a swoon. But how much greater was his +horror, when, the phantom taking off the bandage round its head, as if +it were too warm to wear indoors, its lower jaw dropped down upon its +breast! + +Scrooge fell upon his knees, and clasped his hands before his face. + +"Mercy!" he said. "Dreadful apparition, why do you trouble me?" + +"Man of the worldly mind!" replied the Ghost, "do you believe in me or +not?" + +"I do," said Scrooge. "I must. But why do spirits walk the earth, and +why do they come to me?" + +"It is required of every man," the Ghost returned, "that the spirit +within him should walk abroad among his fellow-men, and travel far and +wide; and if that spirit goes not forth in life, it is condemned to do +so after death. It is doomed to wander through the world--oh, woe is +me!--and witness what it cannot share, but might have shared on earth, +and turned to happiness!" + +Again the spectre raised a cry, and shook its chain, and wrung its +shadowy hands. + +"You are fettered," said Scrooge, trembling. "Tell me why?" + +"I wear the chain I forged in life," replied the Ghost. "I made it link +by link, and yard by yard; I girded it on of my own free will, and of my +own free will I bore it. Is its pattern strange to _you_?" + +Scrooge trembled more and more. + +"Or would you know," pursued the Ghost, "the weight and length of the +strong coil you bear yourself? It was full as heavy and as long as this, +seven Christmas Eves ago. You have laboured on it, since. It is a +ponderous chain!" + +Scrooge glanced about him on the floor, in the expectation of finding +himself surrounded by some fifty or sixty fathoms of iron cable: but he +could see nothing. + +"Jacob," he said, imploringly. "Old Jacob Marley, tell me more. Speak +comfort to me, Jacob." + +"I have none to give," the Ghost replied. "It comes from other regions, +Ebenezer Scrooge, and is conveyed by other ministers, to other kinds of +men. Nor can I tell you what I would. A very little more, is all +permitted to me. I cannot rest, I cannot stay, I cannot linger anywhere. +My spirit never walked beyond our counting-house--mark me!--in life my +spirit never roved beyond the narrow limits of our money-changing hole +and weary journeys lie before me!" + +It was a habit with Scrooge, whenever he became thoughtful, to put his +hands in his breeches pockets. Pondering on what the Ghost had said, he +did so now, but without lifting his eyes, or getting off his knees. "You +must have been very slow about it, Jacob," Scrooge observed, in a +business-like manner, though with humility and deference. + +"Slow!" the Ghost repeated. + +"Seven years dead," mused Scrooge. "And travelling all the time!" + +"The whole time," said the Ghost. "No rest, no peace. Incessant torture +of remorse." + +"You travel fast?" said Scrooge. + +"On the wings of the wind," replied the Ghost. + +"You might have got over a great quantity of ground in seven years," +said Scrooge. + +The Ghost, on hearing this, set up another cry, and clanked its chain so +hideously in the dead silence of the night, that the Ward would have +been justified in indicting it for a nuisance. + +"Oh! captive, bound, and double-ironed," cried the phantom, "not to +know, that ages of incessant labour, by immortal creatures, for this +earth must pass into eternity before the good of which it is susceptible +is all developed. Not to know that any Christian spirit working kindly +in its little sphere, whatever it may be, will find its mortal life too +short for its vast means of usefulness. Not to know that no space of +regret can make amends for one life's opportunity misused! Yet such was +I! Oh! such was I!" + +"But you were always a good man of business, Jacob," faltered Scrooge, +who now began to apply this to himself. + +"Business!" cried the Ghost, wringing its hands again. "Mankind was my +business. The common welfare was my business; charity, mercy, +forbearance, and benevolence, were, all, my business. The dealings of my +trade were but a drop of water in the comprehensive ocean of my +business!" + +It held up its chain at arm's length, as if that were the cause of all +its unavailing grief, and flung it heavily upon the ground again. + +"At this time of the rolling year," the spectre said, "I suffer most. +Why did I walk through crowds of fellow-beings with my eyes turned down, +and never raise them to that blessed Star which led the Wise Men to a +poor abode! Were there no poor homes to which its light would have +conducted _me_?" + +Scrooge was very much dismayed to hear the spectre going on at this +rate, and began to quake exceedingly. + +"Hear me!" cried the Ghost. "My time is nearly gone." + +"I will," said Scrooge. "But don't be hard upon me! Don't be flowery, +Jacob! Pray!" + +"How it is that I appear before you in a shape that you can see, I may +not tell. I have sat invisible beside you many and many a day." + +It was not an agreeable idea. Scrooge shivered, and wiped the +perspiration from his brow. + +"That is no light part of my penance," pursued the Ghost. "I am here +to-night to warn you, that you have yet a chance and hope of escaping my +fate. A chance and hope of my procuring, Ebenezer." + +"You were always a good friend to me," said Scrooge. "Thank'ee!" + +"You will be haunted," resumed the Ghost, "by Three Spirits." + +Scrooge's countenance fell almost as low as the Ghost's had done. + +"Is that the chance and hope you mentioned, Jacob," he demanded, in a +faltering voice. + +"It is." + +"I--I think I'd rather not," said Scrooge. + +"Without their visits," said the Ghost, "you cannot hope to shun the +path I tread. Expect the first to-morrow, when the bell tolls one." + +"Couldn't I take 'em all at once, and have it over, Jacob?" hinted +Scrooge. + +"Expect the second on the next night at the same hour. The third upon +the next night when the last stroke of twelve has ceased to vibrate. +Look to see me no more; and look that, for your own sake, you remember +what has passed between us!" + +When it had said these words, the spectre took its wrapper from the +table, and bound it round its head, as before. Scrooge knew this, by the +smart sound its teeth made, when the jaws were brought together by the +bandage. He ventured to raise his eyes again, and found his supernatural +visitor confronting him in an erect attitude, with its chain wound over +and about its arm. + +The apparition walked backward from him; and at every step it took, the +window raised itself a little, so that when the spectre reached it, it +was wide open. It beckoned Scrooge to approach, which he did. When they +were within two paces of each other, Marley's Ghost held up its hand, +warning him to come no nearer. Scrooge stopped. + +Not so much in obedience, as in surprise and fear: for on the raising of +the hand, he became sensible of confused noises in the air; incoherent +sounds of lamentation and regret; wailings inexpressibly sorrowful and +self-accusatory. The spectre, after listening for a moment, joined in +the mournful dirge; and floated out upon the bleak, dark night. + +Scrooge followed to the window: desperate in his curiosity. He looked +out. + +The air was filled with phantoms, wandering hither and thither in +restless haste, and moaning as they went. Every one of them wore chains +like Marley's Ghost; some few (they might be guilty governments) were +linked together; none were free. Many had been personally known to +Scrooge in their lives. He had been quite familiar with one old ghost, +in a white waistcoat, with a monstrous iron safe attached to his ankle, +who cried piteously at being unable to assist a wretched woman with an +infant, whom it saw below upon a door-step. The misery with them all +was, clearly, that they sought to interfere, for good, in human matters, +and had lost the power for ever. + +Whether these creatures faded into mist, or mist enshrouded them, he +could not tell. But they and their spirit voices faded together; and the +night became as it had been when he walked home. + +Scrooge closed the window, and examined the door by which the Ghost had +entered. It was double-locked, as he had locked it with his own hands, +and the bolts were undisturbed. He tried to say "Humbug!" but stopped at +the first syllable. And being, from the emotion he had undergone, or the +fatigues of the day, or his glimpse of the Invisible World, or the dull +conversation of the Ghost, or the lateness of the hour, much in need of +repose; went straight to bed, without undressing, and fell asleep upon +the instant. + + +STAVE TWO + +_The First of the Three Spirits_ + +When Scrooge awoke, it was so dark, that looking out of bed, he could +scarcely distinguish the transparent window from the opaque walls of his +chamber. He was endeavoring to pierce the darkness with his ferret eyes, +when the chimes of a neighboring church struck the four quarters. So he +listened for the hour. + +To his great astonishment the heavy bell went on from six to seven, and +from seven to eight, and regularly up to twelve; then stopped. Twelve! +It was past two when he went to bed. The clock was wrong. An icicle must +have got into the works. Twelve! + +He touched the spring of his repeater, to correct this most preposterous +clock. Its rapid little pulse beat twelve; and stopped. + +"Why, it isn't possible," said Scrooge, "that I can have slept through a +whole day and far into another night. It isn't possible that anything +has happened to the sun, and this is twelve at noon!" + +The big idea being an alarming one, he scrambled out of bed, and groped +his way to the window. He was obliged to rub the frost off with the +sleeve of his dressing-gown before he could see anything; and could see +very little then. All he could make out was, that it was still very +foggy and extremely cold, and that there was no noise of people running +to and fro, and making a great stir, as there unquestionably would have +been if night had beaten off bright day, and taken possession of the +world. This was a great relief, because "three days after sight of this +First of Exchange pay to Mr. Ebenezer Scrooge or his order," and so +forth, would have become a mere United States' security if there were no +days to count by. + +Scrooge went to bed again, and thought, and thought, and thought it over +and over and over, and could make nothing of it. The more he thought, +the more perplexed he was; and the more he endeavoured not to think, the +more he thought. Marley's Ghost bothered him exceedingly. Every time he +resolved within himself, after mature inquiry, that it was all a dream, +his mind flew back again, like a strong spring released, to its first +position, and presented the same problem to be worked all through, "Was +it a dream or not?" + +Scrooge lay in this state until the chimes had gone three quarters more, +when he remembered, on a sudden, that the Ghost had warned him of a +visitation when the bell tolled one. He resolved to lie awake until the +hour was passed; and, considering that he could no more go to sleep than +go to Heaven, this was perhaps the wisest resolution in his power. + +The quarter was so long, that he was more than once convinced he must +have sunk into a doze unconsciously, and missed the clock. At length it +broke upon his listening ear. + +"Ding, dong!" + +"A quarter past," said Scrooge, counting. + +"Ding, dong!" + +"Half-past!" said Scrooge. + +"Ding, dong!" + +"A quarter to it," said Scrooge. + +"Ding, dong!" + +"The hour itself," said Scrooge, triumphantly, "and nothing else!" + +He spoke before the hour bell sounded, which it now did with a deep, +dull, hollow, melancholy One. Light flashed up in the room upon the +instant, and the curtains of his bed were drawn. + +The curtains of his bed were drawn aside, I tell you, by a hand. Not the +curtains at his feet, nor the curtains at his back, but those to which +his face was addressed. The curtains of his bed were drawn aside; and +Scrooge, starting up into a half-recumbent attitude, found himself face +to face with the unearthly visitor who drew them: as close to it as I am +now to you, and I am standing in the spirit at your elbow. + +It was a strange figure--like a child: yet not so like a child as like +an old man, viewed through some supernatural medium, which gave him the +appearance of having receded from the view, and being diminished to a +child's proportions. Its hair, which hung about its neck and down its +back, was white as if with age; and yet the face had not a wrinkle in +it, and the tenderest bloom was on the skin. The arms were very long and +muscular; the hands the same, as if its hold were of uncommon strength. +Its legs and feet, most delicately formed, were, like those upper +members, bare. It wore a tunic of the purest white; and round its waist +was bound a lustrous belt, the sheen of which was beautiful. It held a +branch of fresh green holly in its hand; and, in singular contradiction +of that wintry emblem, had its dress trimmed with summer flowers. But +the strangest thing about it was, that from the crown of its head there +sprang a bright clear jet of light, by which all this was visible; and +which was doubtless the occasion of its using, in its duller moments, a +great extinguisher for a cap, which it now held under its arm. + +Even this, though, when Scrooge looked at it with increasing steadiness, +was _not_ its strangest quality. For as its belt sparkled and glittered +now in one part and now in another, and what was light one instant, at +another time was dark, so the figure itself fluctuated in its +distinctness: being now a thing with one arm, now with one leg, now with +twenty legs, now a pair of legs without a head, now a head without a +body: of which dissolving parts, no outline would be visible in the +dense gloom wherein they melted away. And in the very wonder of this, it +would be itself again; distinct and clear as ever. + +"Are you the Spirit, Sir, whose coming was foretold to me?" asked +Scrooge. + +"I am!" + +The voice was soft and gentle. Singularly low, as if instead of being so +close beside him, it were at a distance. + +"Who, and what are you?" Scrooge demanded. + +"I am the Ghost of Christmas Past." + +"Long past?" inquired Scrooge, observant of its dwarfish stature. + +"No. Your past." + +Perhaps, Scrooge could not have told anybody why, if anybody could have +asked him; but he had a special desire to see the Spirit in his cap; +and begged him to be covered. + +"What!" exclaimed the Ghost, "would you so soon put out, with worldly +hands, the light I give? Is it not enough that you are one of those +whose passions made this cap, and force me through whole trains of years +to wear it low upon my brow!" + +Scrooge reverently disclaimed all intention to offend, and then made +bold to inquire what business brought him there. + +"Your welfare!" said the Ghost. + +Scrooge expressed himself much obliged, but could not help thinking that +a night of unbroken rest would have been more conducive to that end. The +spirit must have heard him thinking, for it said immediately: "Your +reclamation, then. Take heed!" + +It put out its strong hand as it spoke, and clasped him gently by the +arm. + +"Rise! and walk with me!" + +It would have been in vain for Scrooge to plead that the weather and the +hour were not adapted to pedestrian purposes; that bed was warm, and the +thermometer a long way below freezing; that he was clad but lightly in +his slippers, dressing-gown, and nightcap; and that he had a cold upon +him at that time. The grasp, though gentle as a woman's hand, was not to +be resisted. He rose: but finding that the Spirit made towards the +window, clasped its robe in supplication. + +"I am a mortal," Scrooge remonstrated, "and liable to fall." + +"Bear but a touch of my hand _there_," said the Spirit, laying it upon +his heart, "and you shall be upheld in more than this!" + +As the words were spoken, they passed through the wall, and stood upon +an open country road, with fields on either hand. The city had entirely +vanished. Not a vestige of it was to be seen. The darkness and the mist +had vanished with it, for it was a clear, cold, winter day, with snow +upon the ground. + +"Good Heaven!" said Scrooge, clasping his hands together, as he looked +about him. "I was bred in this place. I was a boy here!" + +The Spirit gazed upon him mildly. Its gentle touch, though it had been +light and instantaneous, appeared still present to the old man's sense +of feeling. He was conscious of a thousand odors floating in the air, +each one connected with a thousand thoughts, and hopes, and joys, and +cares long, long forgotten! + +"Your lip is trembling," said the Ghost. "And what is that upon your +cheek?" + +Scrooge muttered, with an unusual catching in his voice, that it was a +pimple; and begged the Ghost to lead him where he would. + +"You recollect the way?" inquired the Spirit. + +"Remember it!" cried Scrooge with fervor--"I could walk it blindfold." + +"Strange to have forgotten it for so many years!" observed the Ghost. +"Let us go on." + +They walked along the road; Scrooge recognizing every gate, and post, +and tree; until a little market-town appeared in the distance, with its +bridge, its church, and winding river. Some shaggy ponies now were seen +trotting towards them with boys upon their backs, who called to other +boys in country gigs and carts, driven by farmers. All these boys were +in great spirits, and shouted to each other, until the broad fields were +so full of merry music, that the crisp air laughed to hear it. + +"These are but shadows of the things that have been," said the Ghost. +"They have no consciousness of us." + +The jocund travellers came on; and as they came, Scrooge knew and named +them every one. Why was he rejoiced beyond all bounds to see them! Why +did his cold eye glisten, and his heart leap up as they went past! Why +was he filled with gladness when he heard them give each other Merry +Christmas, as they parted at cross-roads and bye-ways, for their several +homes! What was merry Christmas to Scrooge? Out upon merry Christmas! +What good had it ever done to him? + +"The school is not quite deserted," said the Ghost. "A solitary child, +neglected by his friends, is left there still." + +Scrooge said he knew it. And he sobbed. + +They left the high-road, by a well-remembered lane, and soon approached +a mansion of dull red brick, with a little weathercock-surmounted +cupola, on the roof, and a bell hanging in it. It was a large house, but +one of broken fortunes; for the spacious offices were little used, their +walls were damp and mossy, their windows broken, and their gates +decayed. Fowls clucked and strutted in the stables; and the coach-houses +and sheds were overrun with grass. Nor was it more retentive of its +ancient state, within; for entering the dreary hall, and glancing +through the open doors of many rooms, they found them poorly furnished, +cold, and vast. There was an earthy savour in the air, a chilly bareness +in the place, which associated itself somehow with too much getting up +by candle-light, and not too much to eat. + +They went, the Ghost and Scrooge, across the hall, to a door at the back +of the house. It opened before them, and disclosed a long, bare, +melancholy room, made barer still by lines of plain deal forms and +desks. At one of these a lonely boy was reading near a feeble fire; and +Scrooge sat down upon a form, and wept to see his poor forgotten self as +he had used to be. + +Not a latent echo in the house, not a squeak and scuffle from the mice +behind the panelling, not a drip from the half-thawed water-spout in the +dull yard behind, not a sigh among the leafless boughs of one despondent +poplar, not the idle swinging of an empty store-house door, no, not a +clicking in the fire, but fell upon the heart of Scrooge with softening +influence, and gave a freer passage to his tears. + +The spirit touched him on the arm, and pointed to his younger self, +intent upon his reading. Suddenly a man in foreign garments: wonderfully +real and distinct to look at: stood outside the window, with an axe +stuck in his belt, and leading an ass laden with wood by the bridle. + +"Why, it's Ali Baba!"[277-10] Scrooge exclaimed in ecstasy. "It's dear +old honest Ali Baba! Yes, yes, I know! One Christmas time, when yonder +solitary child was left here all alone, he _did_ come, for the first +time, just like that. Poor boy! And Valentine," said Scrooge, "and his +wild brother, Orson; there they go! And what's his name, who was put +down in his drawers, asleep, at the Gate of Damascus; don't you see him! +And the Sultan's Groom turned upside down by the Genii; there he is upon +his head! Serve him right. I'm glad of it. What business had _he_ to be +married to the Princess!" + +To hear Scrooge expending all the earnestness of his nature on such +subjects, in a most extraordinary voice between laughing and crying; and +to see his heightened and excited face; would have been a surprise to +his business friends in the City, indeed. + +"There's the Parrot!" cried Scrooge. "Green body and yellow tail, with a +thing like a lettuce growing out of the top of his head; there he is! +Poor Robin Crusoe, he called him, when he came home again after sailing +round the island. 'Poor Robin Crusoe, where have you been, Robin +Crusoe?' The man thought he was dreaming, but he wasn't. It was the +Parrot, you know. There goes Friday, running for his life to the little +creek! Halloa! Hoop! Halloo!" + +Then, with a rapidity of transition very foreign to his usual character, +he said, in pity for his former self, "Poor boy!" and cried again. + +"I wish," Scrooge muttered, putting his hand in his pocket, and looking +about him, after drying his eyes with his cuff: "but it's too late now." + +"What is the matter?" asked the Spirit. + +"Nothing," said Scrooge. "Nothing. There was a boy singing a Christmas +Carol at my door last night. I should like to have given him something: +that's all." + +The Ghost smiled thoughtfully, and waved its hand: saying as it did so, +"Let us see another Christmas!" + +Scrooge's former self grew larger at the words, and the room became a +little darker and more dirty. The panels shrank, the windows cracked; +fragments of plaster fell out of the ceiling, and the naked laths were +shown instead; but how all this was brought about, Scrooge knew no more +than you do. He only knew that it was quite correct; that everything had +happened so; that there he was, alone again, when all the other boys had +gone home for the jolly holidays. + +He was not reading now, but walking up and down despairingly. Scrooge +looked at the Ghost, and with a mournful shaking of his head, glanced +anxiously towards the door. + +It opened; and a little girl, much younger than the boy, came darting +in, and putting her arms about his neck, and often kissing him, +addressed him as her "Dear, dear brother." + +"I have come to bring you home, dear brother!" said the child, clapping +her tiny hands, and bending down to laugh. "To bring you home, home, +home!" + +"Home, little Fan?" returned the boy. + +"Yes!" said the child, brimful of glee. "Home, for good and all. Home, +for ever and ever. Father is so much kinder than he used to be, that +home's like Heaven! He spoke so gently to me one dear night when I was +going to bed, that I was not afraid to ask him once more if you might +come home; and he said Yes, you should; and sent me in a coach to bring +you. And you're to be a man!" said the child, opening her eyes, "and are +never to come back here; but first, we're to be together all the +Christmas long, and have the merriest time in all the world." + +"You are quite a woman, little Fan!" exclaimed the boy. + +She clapped her hands and laughed, and tried to touch his head; but +being too little, laughed again, and stood on tiptoe to embrace him. +Then she began to drag him, in her childish eagerness, towards the door; +and he, nothing loth to go, accompanied her. + +A terrible voice in the hall cried, "Bring down Master Scrooge's box, +there!" and in the hall appeared the schoolmaster himself, who glared on +Master Scrooge with a ferocious condescension, and threw him into a +dreadful state of mind by shaking hands with him. He then conveyed him +and his sister into the veriest old well of a shivering best-parlor that +ever was seen, where the maps upon the wall, and the celestial and +terrestrial globes in the windows, were waxy with cold. Here he produced +a decanter of curiously light wine, and a block of curiously heavy cake, +and administered instalments of those dainties to the young people: at +the same time, sending out a meagre servant to offer a glass of +"something" to the postboy, who answered that he thanked the gentleman, +but if it was the same tap as he had tasted before, he had rather not. +Master Scrooge's trunk being by this time tied on to the top of the +chaise, the children bade the schoolmaster good-bye right willingly; and +getting into it, drove gaily down the garden-sweep: the quick wheels +dashing the hoar-frost and snow from off the dark leaves of the +evergreens like spray. + +"Always a delicate creature, whom a breath might have withered," said +the Ghost. "But she had a large heart!" + +"So she had," cried Scrooge. "You're right. I'll not gainsay it, Spirit. +God forbid!" + +"She died a woman," said the Ghost, "and had, as I think, children." + +[Illustration: IN THE BEST PARLOR] + +"One child," Scrooge returned. + +"True," said the Ghost. "Your nephew!" + +Scrooge seemed uneasy in his mind; and answered briefly, "Yes." + +Although they had but that moment left the school behind them, they were +now in the busy thoroughfares of a city, where shadowy passengers +passed and repassed; where shadowy carts and coaches battled for the +way, and all the strife and tumult of a real city were. It was made +plain enough, by the dressing of the shops, that here, too, it was +Christmas time again; but it was evening, and the streets were lighted +up. + +The Ghost stopped at a certain warehouse door, and asked Scrooge if he +knew it. + +"Know it!" said Scrooge. "Was I apprenticed here?" + +They went in. At sight of an old gentleman in a Welsh wig, sitting +behind such a high desk, that if he had been two inches taller he must +have knocked his head against the ceiling, Scrooge cried in great +excitement: + +"Why, it's old Fezziwig! Bless his heart; it's Fezziwig alive again!" + +Old Fezziwig laid down his pen, and looked up at the clock, which +pointed to the hour of seven. He rubbed his hands; adjusted his +capacious waistcoat; laughed all over himself, from his shoes to his +organ of benevolence; and called out in a comfortable, oily, rich, fat, +jovial voice: + +"Yo ho, there! Ebenezer! Dick!" + +Scrooge's former self, now grown a young man, came briskly in, +accompanied by his fellow-'prentice. + +"Dick Wilkins, to be sure!" said Scrooge to the Ghost. "Bless me, yes. +There he is. He was very much attached to me, was Dick. Poor Dick! Dear, +dear!" + +"You ho, my boys!" said Fezziwig. "No more work to-night. Christmas Eve, +Dick. Christmas, Ebenezer! Let's have the shutters up," cried old +Fezziwig, with a sharp clap of his hands, "before a man can say Jack +Robinson!" + +You wouldn't believe how those two fellows went at it! They charged into +the street with the shutters--one, two, three--had 'em up in their +places--four, five, six--barred 'em and pinned 'em--seven, eight, +nine--and came back before you could have got to twelve, panting like +race horses. + +"Hilli-ho!" cried old Fezziwig, skipping down from the high desk, with +wonderful agility. "Clear away, my lads, and let's have lots of room +here! Hilli-ho, Dick; Chirrup, Ebenezer!" + +Clear away! There was nothing they wouldn't have cleared away, or +couldn't have cleared away, with old Fezziwig looking on. It was done in +a minute. Every movable was packed off, as if it were dismissed from +public life for ever more; the floor was swept and watered, the lamps +were trimmed, fuel was heaped upon the fire, and the warehouse was as +snug, and warm, and dry, and bright a ball-room, as you would desire to +see upon a winter's night. + +In came a fiddler with a music-book, and went up to the lofty desk, and +made an orchestra of it, and tuned like fifty stomach-aches. In came +Mrs. Fezziwig, one vast substantial smile. In came the three Miss +Fezziwigs, beaming and lovable. In came the six young followers whose +hearts they broke. In came all the young men and women employed in the +business. In came the housemaid, with her cousin, the baker. In came the +cook, with her brother's particular friend, the milkman. In came the boy +from over the way, who was suspected of not having board enough from his +master; trying to hide himself behind the girl from next door but one, +who was proved to have had her ears pulled by her mistress. In they all +came, one after another; some shyly, some boldly, some gracefully, some +awkwardly, some pushing, some pulling; in they all came, anyhow and +everyhow. Away they all went, twenty couple at once, hands half round +and back again the other way; down the middle and up again, round and +round in various stages of affectionate grouping; old top couple always +turning up in the wrong place; new top couple starting off again as soon +as they got there; all top couples at last, and not a bottom one to help +them. When this result was brought about, old Fezziwig, clapping his +hands to stop the dance, cried out, "Well done!" and the fiddler plunged +his hot face into a pot of porter, especially provided for that purpose. +But scorning rest upon his reappearance, he instantly began again, +though there were no dancers yet, as if the other fiddler had been +carried home, exhausted, on a shutter; and he were a bran-new man +resolved to beat him out of sight, or perish. + +There were more dances, and there were forfeits, and more dances, and +there was cake, and there was negus, and there was a great piece of Cold +Roast, and there was a great piece of Cold Boiled, and there were +mince-pies, and plenty of beer. But the great effect of the evening came +after the Roast and Boiled, when the fiddler (an artful, dog, mind! The +sort of man who knew his business better than you or I could have told +it him!) struck up "Sir Roger de Coverley."[284-11] Then old Fezziwig +stood out to dance with Mrs. Fezziwig. Top couple, too; with a good +stiff piece of work cut out for them; three or four and twenty pair of +partners; people who were not to be trifled with; people who _would_ +dance, and had no notion of walking. + +[Illustration: THE FIDDLER STRUCK UP "SIR ROGER DE COVERLEY"] + +But if they had been twice as many: ah, four times: old Fezziwig would +have been a match for them, and so would Mrs. Fezziwig. As to _her_, she +was worthy to be his partner in every sense of the term. If that's not +high praise, tell me higher, and I'll use it. A positive light appeared +to issue from Fezziwig's calves. They shone in every part of the dance +like moons. You couldn't have predicted, at any given time, what would +become of 'em next. And when old Fezziwig and Mrs. Fezziwig had gone all +through the dance; advance and retire, hold hands with your partner; bow +and curtsey; corkscrew; thread-the-needle, and back again to your place; +Fezziwig "cut"--cut so deftly, that he appeared to wink with his legs, +and came upon his feet again without a stagger. + +When the clock struck eleven, this domestic ball broke up. Mr. and Mrs. +Fezziwig took their stations, one on either side the door, and shaking +hands with every person individually as he or she went out, wished him +or her a Merry Christmas. + +When everybody had retired but the two 'prentices, they did the same to +them; and thus the cheerful voices died away, and the lads were left to +their beds; which were under a counter in the back-shop. + +During the whole of this time, Scrooge had acted like a man out of his +wits. His heart and soul were in the scene, and with his former self. He +corroborated everything, remembered everything, enjoyed everything, and +underwent the strangest agitation. It was not until now, when the bright +faces of his former self and Dick were turned from them, that he +remembered the Ghost, and became conscious that it was looking full upon +him, while the light upon its head burnt very clear. + +"A small matter," said the Ghost, "to make these silly folks so full of +gratitude." + +"Small!" echoed Scrooge. + +The spirit signed to him to listen to the two apprentices, who were +pouring out their hearts in praise of Fezziwig: and when he had done so, +said, + +"Why! Is it not? He has spent but a few pounds of your mortal money: +three or four, perhaps. Is that so much that he deserves this praise?" + +"It isn't that," said Scrooge, heated by the remark, and speaking +unconsciously like his former, not his latter, self. "It isn't that, +Spirit. He has the power to render us happy or unhappy; to make our +service light or burdensome; a pleasure or a toil. Say that his power +lies in words and looks; in things so slight and insignificant that it +is impossible to add and count 'em up: what then? The happiness he +gives, is quite as great as if it cost a fortune." + +He felt the Spirit's glance, and stopped. + +"What is the matter?" asked the Ghost. + +"Nothing particular," said Scrooge. + +"Something, I think?" the Ghost insisted. + +"No," said Scrooge. "No. I should like to be able to say a word or two +to my clerk just now! That's all." + +His former self turned down the lamps as he gave utterance to the wish; +and Scrooge and the Ghost again stood side by side in the open air. + +"My time grows short," observed the Spirit. "Quick!" + +This was not addressed to Scrooge, or to any one whom he could see, but +it produced an immediate effect. For again Scrooge saw himself. He was +older now; a man in the prime of life. His face had not the harsh and +rigid lines of later years; but it had begun to wear the signs of care +and avarice. There was an eager, greedy, restless motion in the eye, +which showed the passion that had taken root, and where the shadow of +the growing tree would fall. He was not alone, but sat by the side of a +fair young girl in a mourning dress; in whose eyes there were tears, +which sparkled in the light that shone out of the Ghost of Christmas +Past. + +"It matters little," she said, softly. "To you, very little. Another +idol has displaced me; and if it can cheer and comfort you in time to +come, as I would have tried to do, I have no just cause to grieve." + +"What idol has displaced you?" he rejoined. + +"A golden one." + +"This is the even-handed dealing of the world!" he said. "There is +nothing on which it is so hard as poverty; and there is nothing it +professes to condemn with such severity as the pursuit of wealth!" + +"You fear the world too much," she answered, gently. "All your other +hopes have merged into the hope of being beyond the chance of its sordid +reproach. I have seen your nobler aspirations fall off one by one, until +the master-passion, Gain, engrosses you. Have I not?" + +"What then?" he retorted. "Even if I have grown so much wiser, what +then? I am not changed towards you." + +She shook her head. + +"Am I?" + +"Our contract is an old one. It was made when we were both poor and +content to be so, until, in good season, we could improve our worldly +fortune by our patient industry. You _are_ changed. When it was made, +you were another man." + +"I was a boy," he said impatiently. + +"Your own feeling tells you that you were not what you are," she +returned. "I am. That which promised happiness when we were one in +heart, is fraught with misery now that we are two. How often and how +keenly I have thought of this, I will not say. It is enough that I +_have_ thought of it, and can release you." + +"Have I ever sought release?" + +"In words, no. Never." + +"In what, then?" + +"In a changed nature; in an altered spirit; in another atmosphere of +life; another Hope as its great end. In everything that made my love of +any worth or value in your sight. If this had never been between us," +said the girl, looking mildly, but with steadiness, upon him; "tell me, +would you seek me out and try to win me now? Ah, no!" + +He seemed to yield to the justice of this supposition, in spite of +himself. But he said with a struggle, "You think not." + +"I would gladly think otherwise if I could," she answered, "Heaven +knows! When _I_ have learned a Truth like this, I know how strong and +irresistible it must be. + +"But if you were free to-day, to-morrow, yesterday, can even I believe +that you would choose a dowerless girl--you who, in your very confidence +with her, weigh everything by Gain: or, choosing her, if for a moment +you were false enough to your one guiding principle to do so, do I not +know that your repentance and regret would surely follow? I do; and I +release you. With a full heart, for the love of him you once were." + +He was about to speak; but with her head turned from him, she resumed. + +"You may--the memory of what is past half makes me hope you will--have +pain in this. A very, very brief time, and you will dismiss the +recollection of it, gladly, as an unprofitable dream, from which it +happened well that you awoke. May you be happy in the life you have +chosen!" + +She left him, and they parted. + +"Spirit!" said Scrooge, "show me no more! Conduct me home. Why do you +delight to torture me?" + +"One shadow more!" exclaimed the Ghost. + +"No more!" cried Scrooge. "No more. I don't wish to see it. Show me no +more!" + +But the relentless Ghost pinioned him in both his arms, and forced him +to observe what happened next. + +They were in another scene and place; a room, not very large or +handsome, but full of comfort. Near to the winter fire sat a beautiful +young girl, so like the last that Scrooge believed it was the same, +until he saw _her_, now a comely matron, sitting opposite her daughter. +The noise in this room was perfectly tumultuous, for there were more +children there than Scrooge in his agitated state of mind could count; +and, unlike the celebrated herd in the poem, they were not forty +children conducting themselves like one, but every child was conducting +itself like forty. The consequences were uproarious beyond belief; but +no one seemed to care; on the contrary, the mother and daughter laughed +heartily, and enjoyed it very much; and the latter, soon beginning to +mingle in the sports, got pillaged by the young brigands most +ruthlessly. What would I not have given to be one of them! Though I +never could have been so rude, no, no! I wouldn't for the wealth of all +the world have crushed that braided hair, and torn it down; and for the +precious little shoe, I wouldn't have plucked it off, God bless my soul! +to save my life. As to measuring her waist in sport, as they did, bold +young brood; I couldn't have done it; I should have expected my arm to +have grown round it for a punishment, and never come straight again. And +yet I should have dearly liked, I own, to have touched her lips; to have +questioned her, that she might have opened them; to have looked upon the +lashes of her downcast eyes, and never raised a blush; to have let loose +waves of hair, an inch of which would be a keepsake beyond price: in +short, I should have liked, I do confess, to have had the lightest +license of a child, and yet been man enough to know its value. + +But now a knocking at the door was heard, and such a rush immediately +ensued that she with laughing face and plundered dress was borne towards +it the centre of a flushed and boisterous group, just in time to greet +the father, who came home attended by a man laden with Christmas toys +and presents. Then the shouting and the struggling, and the onslaught +that was made on the defenceless porter! The scaling him with chairs for +ladders to dive into his pockets, despoil him of brown-paper parcels, +hold on tight by his cravat, hug him around the neck, pommel his back, +and kick his legs in irrepressible affection! The shouts of wonder and +delight with which the development of every package was received! The +terrible announcement that the baby had been taken in the act of putting +a doll's frying-pan into his mouth, and was more than suspected of +having swallowed a fictitious turkey, glued on a wooden platter! The +immense relief of finding this a false alarm! The joy, and gratitude, +and ecstasy! They are all indescribable alike. It is enough that by +degrees the children and their emotions got out of the parlour, and by +one stair at a time, up to the top of the house; where they went to bed, +and so subsided. + +And now Scrooge looked on more attentively than ever, when the master of +the house, having his daughter leaning fondly on him, sat down, with her +and her mother at his own fireside; and when he thought that such +another creature, quite as graceful and as full of promise, might have +called him father, and been a spring-time in the haggard winter of his +life, his sight grew very dim indeed. + +"Belle," said the husband, turning to his wife with a smile, "I saw an +old friend of yours this afternoon." + +"Who was it?" + +"Guess!" + +"How can I? Tut, don't I know?" she added in the same breath, laughing +as he laughed. "Mr. Scrooge." + +"Mr. Scrooge it was. I passed his office window; and as it was not shut +up, and he had a candle inside, I could scarcely help seeing him. His +partner lies upon the point of death, I hear; and there he sat alone. +Quite alone in the world, I do believe." + +"Spirit!" said Scrooge in a broken voice, "remove me from this place." + +"I told you these were shadows of the things that have been," said the +Ghost. "That they are what they are, do not blame me!" + +"Remove me!" Scrooge exclaimed, "I cannot bear it!" + +He turned upon the Ghost, and seeing that it looked upon him with a face +in which in some strange way there were fragments of all the faces it +had shown him, wrestled with it. + +"Leave me! Take me back. Haunt me no longer!" + +In the struggle, if that can be called a struggle in which the Ghost +with no visible resistance on its own part was undisturbed by any effort +of its adversary, Scrooge observed that its light was burning high and +bright; and dimly connecting that with its influence over him, he seized +the extinguisher-cap, and by a sudden action pressed it down upon its +head. + +The Spirit dropped beneath it, so that the extinguisher covered its +whole form; but though Scrooge pressed it down with all his force, he +could not hide the light, which streamed from under it, in an unbroken +flood upon the ground. + +He was conscious of being exhausted, and overcome by an irresistible +drowsiness; and further, of being in his own bedroom. He gave the cap a +parting squeeze, in which his hand relaxed; and had barely time to reel +to bed, before he sank into a heavy sleep. + + +STAVE THREE + +_The Second of the Three Spirits_ + +Awaking in the middle of a prodigiously tough snore, and sitting up in +bed to get his thoughts together, Scrooge had no occasion to be told +that the bell was again upon the stroke of One. He felt that he was +restored to consciousness in the right nick of time, for the especial +purpose of holding a conference with the second messenger despatched to +him through Jacob Marley's intervention. But, finding that he turned +uncomfortably cold when he began to wonder which of his curtains this +new spectre would draw back, he put them every one aside with his own +hands, and lying down again, established a sharp lookout all round the +bed. For he wished to challenge the Spirit on the moment of its +appearance, and did not wish to be taken by surprise and made nervous. + +Gentlemen of the free-and-easy sort, who plume themselves on being +acquainted with a move or two, and being usually equal to the +time-of-day, express the wide range of their capacity for adventure by +observing that they are good for anything from pitch-and-toss to +manslaughter; between which opposite extremes, no doubt, there lies a +tolerably wide and comprehensive range of subjects. Without venturing +for Scrooge quite as hardily as this, I don't mind calling on you to +believe that he was ready for a good broad field of strange appearances, +and that nothing between a baby and rhinoceros would have astonished him +very much. + +Now, being prepared for almost anything, he was not by any means +prepared for nothing; and, consequently, when the bell struck One, and +no shape appeared, he was taken with a violent fit of trembling. Five +minutes, ten minutes, a quarter of an hour went by, yet nothing came. +All this time, he lay upon his bed, the very core and centre of a blaze +of ruddy light, which streamed upon it when the clock proclaimed the +hour; and which, being only light, was more alarming than a dozen +ghosts, as he was powerless to make out what it meant, or would be at; +and was sometimes apprehensive that he might be at that very moment an +interesting case of spontaneous combustion, without having the +consolation of knowing it. At last, however, he began to think--as you +or I would have thought at first; for it is always the person not in the +predicament who knows what ought to have been done in it, and would +unquestionably have done it too--at last, I say, he began to think that +the source and secret of this ghostly light might be in the adjoining +room, from whence, on further tracing it, it seemed to shine. This idea +taking full possession of his mind, he got up softly and shuffled in his +slippers to the door. + +The moment Scrooge's hand was on the lock, a strange voice called him by +his name, and bade him enter. He obeyed. + +It was his own room. There was no doubt about that. But it had undergone +a surprising transformation. The walls and ceiling were so hung with +living green, that it looked a perfect grove, from every part of which, +bright gleaming berries glistened. The crisp leaves of holly, mistletoe, +and ivy reflected back the light, as if so many little mirrors had been +scattered there; and such a mighty blaze went roaring up the chimney, as +that dull petrifaction of a hearth had never known in Scrooge's time, or +Marley's, or for many and many a winter season gone. Heaped up on the +floor, to form a kind of throne, were turkeys, geese, game, poultry, +brawn, great joints of meat, sucking-pigs, long wreaths of sausages, +mince-pies, plum-puddings, barrels of oysters, red hot chestnuts, +cherry-cheeked apples, juicy oranges, luscious pears, immense +twelfth-cakes, and seething bowls of punch, that made the chamber dim +with their delicious steam. In easy state upon this couch there sat a +jolly Giant, glorious to see; who bore a glowing torch, in shape not +unlike Plenty's horn, and held it up, high up, to shed its light on +Scrooge, as he came peeping round the door. + +"Come in!" exclaimed the Ghost. "Come in! and know me better, man!" + +Scrooge entered timidly, and hung his head before this Spirit. He was +not the dogged Scrooge he had been; and though the Spirit's eyes were +clear and kind, he did not like to meet them. + +"I am the Ghost of Christmas Present," said the Spirit. "Look upon me!" + +Scrooge reverently did so. It was clothed in one simple deep green robe, +or mantle, bordered with white fur. This garment hung so loosely on the +figure, that its capacious breast was bare, as if disdaining to be +warded or concealed by any artifice. Its feet, observable beneath the +ample folds of the garment, were also bare; and on its head it wore no +other covering than a holly wreath set here and there with shining +icicles. Its dark brown curls were long and free; free as its genial +face, its sparkling eye, its open hand, its cheery voice, its +unconstrained demeanour, and its joyful air. Girded round its middle was +an antique scabbard; but no sword was in it, and the ancient sheath was +eaten up with rust. + +[Illustration: UPON THIS COUCH THERE SAT A JOLLY GIANT] + +"You have never seen the like of me before!" exclaimed the Spirit. + +"Never," Scrooge made answer to it. + +"Have never walked forth with the younger members of my family; meaning +(for I am very young) my elder brothers born in these later years?" +pursued the Phantom. + +"I don't think I have," said Scrooge. "I am afraid I have not. Have you +had many brothers, Spirit?" + +"More than eighteen hundred," said the Ghost. + +"A tremendous family to provide for!" muttered Scrooge. + +The Ghost of Christmas Present rose. + +"Spirit," said Scrooge submissively, "conduct me where you will. I went +forth last night on compulsion, and I learnt a lesson which is working +now. To-night, if you have aught to teach me, let me profit by it." + +"Touch my robe!" + +Scrooge did as he was told, and held it fast. + +Holly, mistletoe, red berries, ivy, turkeys, geese, game, poultry, +brawn, meat, pigs, sausages, oysters, pies, puddings, fruit, and punch, +all vanished instantly. So did the room, the fire, the ruddy glow, the +hour of night, and they stood in the city streets on Christmas morning, +where (for the weather was severe) the people made a rough, but brisk +and not unpleasant kind of music, in scraping the snow from the pavement +in front of their dwellings, and from the tops of their houses: whence +it was mad delight to the boys to see it come plumping down into the +road below, and splitting into artificial little snowstorms. + +The house fronts looked black enough, and the windows blacker, +contrasting with the smooth white sheet of snow upon the roofs, and with +the dirtier snow upon the ground; which last deposit had been ploughed +up in deep furrows by the heavy wheels of carts and waggons; furrows +that crossed and recrossed each other hundreds of times where the great +streets branched off, and made intricate channels, hard to trace, in the +thick yellow mud and icy water. The sky was gloomy, and the shortest +streets were choked up with a dingy mist, half thawed, half frozen, +whose heavier particles descended in a shower of sooty atoms, as if all +the chimneys in Great Britain had, by one consent, caught fire, and were +blazing away to their dear hearts' content. There was nothing very +cheerful in the climate or the town, and yet there was an air of +cheerfulness abroad that the clearest summer air and brightest summer +sun might have endeavoured to diffuse in vain. + +For, the people who were shovelling away on the housetops were jovial +and full of glee; calling out to one another from the parapets, and now +and then exchanging a facetious snowball--better-natured missile far +than many a wordy jest--laughing heartily if it went right and not less +heartily if it went wrong. The poulterers' shops were still half open, +and the fruiterers' were radiant in their glory. There were great, round +pot-bellied baskets of chestnuts, shaped like the waistcoats of jolly +old gentlemen, lolling at the doors, and tumbling out into the street in +their apoplectic opulence. There were ruddy, brown-faced broad-girthed +Spanish onions, shining in the fatness of their growth like Spanish +Friars; and winking from their shelves in wanton slyness at the girls as +they went by, and glanced demurely at the hung-up mistletoe. There were +pears and apples, clustered high in blooming pyramids; there were +bunches of grapes, made, in the shopkeepers' benevolence, to dangle +from conspicuous hooks, that people's mouths might water gratis as they +passed; there were piles of filberts, mossy and brown, recalling, in +their fragrance, ancient walks among the woods, and pleasant shufflings +ankle deep through withered leaves; there were Norfolk Biffins,[300-12] +squab and swarthy, setting off the yellow of the oranges and lemons, +and, in the great compactness of their juicy persons, urgently +entreating and beseeching to be carried home in paper bags and eaten +after dinner. The very gold and silver fish, set forth among these +choice fruits in a bowl, though members of a dull and stagnant-blooded +race, appeared to know that there was something going on; and, to a +fish, went gasping round and round their little world in slow and +passionless excitement. + +The Grocers'! oh the Grocers'! nearly closed, with perhaps two shutters +down, or one; but through those gaps such glimpses! It was not alone +that the scales descending on the counter made a merry sound, or that +the twine and roller parted company so briskly, or that the canisters +were rattled up and down like juggling tricks, or even that the blended +scents of tea, and coffee were so grateful to the nose, or even that the +raisins were so plentiful and rare, the almonds so extremely white, the +sticks of cinnamon so long and straight, the other spices so delicious, +the candied fruits so caked and spotted with molten sugar as to make the +coldest lookers-on feel faint and subsequently bilious. Nor was it that +the figs were moist and pulpy, or that the French plums blushed in +modest tartness from their highly-decorated boxes, or that everything +was good to eat and in its Christmas dress: but the customers were all +so hurried and so eager in the hopeful promise of the day, that they +tumbled up against each other at the door, clashing their wicker baskets +wildly, and left their purchases upon the counter, and came running back +to fetch them, and committed hundreds of the like mistakes in the best +humour possible; while the Grocer and his people were so frank and fresh +that the polished hearts with which they fastened their aprons behind +might have been their own, worn outside for general inspection, and for +Christmas daws to peck at if they chose. + +But soon the steeples called good people all, to church and chapel, and +away they came, flocking through the streets in their best clothes, and +with their gayest faces. And at the same time there emerged from scores +of by-streets, lanes, and nameless turnings, innumerable people carrying +their dinner to the bakers' shops. The sight of these poor revellers +appeared to interest the Spirit very much, for he stood with Scrooge +beside him in a baker's[301-13] doorway, and taking off the covers as +their bearers passed, sprinkled incense on their dinners from his torch. +And it was a very uncommon kind of torch, for once or twice when there +were angry words between some dinner-carriers who had jostled with each +other, he shed a few drops of water on them from it, and their good +humour was restored directly. For they said, it was a shame to quarrel +upon Christmas Day. And so it was! God love it, so it was! + +In time the bells ceased, and the bakers were shut up; and yet there was +a genial shadowing forth of all these dinners and the progress of their +cooking, in the thawed blotch of wet above each baker's oven; where the +pavement smoked as if its stones were cooking too. + +"Is there a peculiar flavour in what you sprinkle from your torch?" +asked Scrooge. + +"There is. My own." + +"Would it apply to any kind of dinner on this day?" asked Scrooge. + +"To any kindly given. To a poor one most." + +"Why to a poor one most?" asked Scrooge. + +"Because it needs it most." + +"Spirit," said Scrooge, after a moment's thought, "I wonder you, of all +the beings in the many worlds about us, should desire to cramp these +people's opportunities of innocent enjoyment." + +"I!" cried the Spirit. + +"You would deprive them of their means of dining every seventh day, +often the only day on which they can be said to dine at all," said +Scrooge. "Wouldn't you?" + +"I!" cried the Spirit. + +"You seek to close these places on the seventh day?" said Scrooge. "And +it comes to the same thing." + +"I seek!" exclaimed the Spirit. + +"Forgive me if I am wrong. It has been done in your name, or at least in +that of your family," said Scrooge. + +"There are some upon this earth of yours," returned the Spirit, "who lay +claim to know us, and who do their deeds of passion, pride, ill-will, +hatred, envy, bigotry, and selfishness in our name, who are as strange +to us and all our kith and kin, as if they had never lived. Remember +that, and charge their doings on themselves, not us." + +Scrooge promised that he would; and they went on, invisible, as they had +been before, into the suburbs of the town. It was a remarkable quality +of the Ghost (which Scrooge had observed at the baker's), that +notwithstanding his gigantic size, he could accommodate himself to any +place with ease; and that he stood beneath a low roof quite as +gracefully and like a supernatural creature, as it was possible he could +have done in any lofty hall. + +And perhaps it was the pleasure the good Spirit had in showing off this +power of his, or else it was his own kind, generous, hearty nature, and +his sympathy with all poor men, that led him straight to Scrooge's +clerk's; for there he went, and took Scrooge with him, holding to his +robe; and on the threshold of the door the Spirit smiled, and stopped to +bless Bob Cratchit's dwelling with the sprinklings of his torch. Think +of that! Bob had but fifteen "bob"[303-14] a week himself; he pocketed +on Saturdays but fifteen copies of his Christian name; and yet the Ghost +of Christmas Present blessed his four-roomed house! + +Then up rose Mrs. Cratchit, Cratchit's wife, dressed out but poorly in a +twice-turned gown, but brave in ribbons, which are cheap and make a +goodly show for sixpence; and she laid the cloth, assisted by Belinda +Cratchit, second of her daughters, also brave in ribbons; while Master +Peter Cratchit plunged a fork into the saucepan of potatoes, and +getting the corners of his monstrous shirt collar (Bob's private +property, conferred upon his son and heir in honour of the day) into his +mouth, rejoiced to find himself so gallantly attired, and yearned to +show his linen in the fashionable Parks. And now two smaller Cratchits, +boy and girl, came tearing in, screaming that outside the baker's they +had smelt the goose, and known it for their own; and basking in +luxurious thoughts of sage-and-onion, these young Cratchits danced about +the table, and exalted Master Peter Cratchit to the skies, while he (not +proud, although his collars nearly choked him) blew the fire, until the +slow potatoes bubbling up, knocked loudly at the saucepan-lid to be let +out and peeled. + +"What has ever got your precious father then?" said Mrs. Cratchit. "And +your brother, Tiny Tim! And Martha warn't as late last Christmas Day by +half-an-hour!" + +"Here's Martha, mother!" said a girl, appearing as she spoke. + +"Here's Martha, mother!" cried the two young Cratchits. "Hurrah! There's +_such_ a goose, Martha!" + +"Why, bless your heart alive, my dear, how late you are!" said Mrs. +Cratchit, kissing her a dozen times, and taking off her shawl and bonnet +for her with officious zeal. + +"We'd a deal of work to finish up last night," replied the girl, "and +had to clear away this morning, mother!" + +[Illustration: BOB AND TINY TIM] + +"Well! Never mind so long as you are come," said Mrs. Cratchit. "Sit ye +down before the fire, my dear, and have a warm, Lord bless ye!" + +"No, no! There's father coming," cried the two young Cratchits, who were +everywhere at once. "Hide, Martha, hide!" + +So Martha hid herself, and in came little Bob, the father, with at least +three feet of comforter exclusive of the fringe, hanging down before +him; and his threadbare clothes darned up and brushed, to look +seasonable; and Tiny Tim upon his shoulder. Alas for Tiny Tim, he bore a +little crutch, and had his limbs supported by an iron frame! + +"Why, where's our Martha?" cried Bob Cratchit, looking round. + +"Not coming," said Mrs. Cratchit. + +"Not coming!" said Bob, with a sudden declension in his high spirits; +for he had been Tim's blood horse all the way from church, and had come +home rampant. "Not coming upon Christmas Day!" + +Martha didn't like to see him disappointed, if it were only in joke; so +she came out prematurely from behind the closet door, and ran into his +arms, while the two young Cratchits hustled Tiny Tim, and bore him off +into the wash-house, that he might hear the pudding singing in the +copper. + +"And how did little Tim behave?" asked Mrs. Cratchit, when she had +rallied Bob on his credulity, and Bob had hugged his daughter to his +heart's content. + +"As good as gold," said Bob, "and better. Somehow he gets thoughtful, +sitting by himself so much, and thinks the strangest things you ever +heard. He told me, coming home, that he hoped the people saw him, +because he was a cripple, and it might be pleasant to them to remember +upon Christmas Day, who made lame beggars walk and blind men see." + +Bob's voice was tremulous when he told them this, and trembled more when +he said that Tiny Tim was growing strong and hearty. + +His active little crutch was heard upon the floor, and back came Tiny +Tim before another word was spoken, escorted by his brother and sister +to his stool before the fire; and while Bob, turning up his cuffs--as +if, poor fellow, they were capable of being made more shabby--compounded +some hot mixture in a jug with gin and lemons, and stirred it round and +round and put it on the hob to simmer; Master Peter, and the two +ubiquitous young Cratchits went to fetch the goose, with which they soon +returned in high procession. + +Such a bustle ensued that you might have thought a goose the rarest of +all birds; a feathered phenomenon, to which a black swan was a matter of +course--and in truth it was something very like it in that house. Mrs. +Cratchit made the gravy (ready beforehand in a little saucepan) hissing +hot; Master Peter mashed the potatoes with incredible vigour; Miss +Belinda sweetened up the apple-sauce; Martha dusted the hot plates; Bob +took Tiny Tim beside him in a tiny corner at the table; the two young +Cratchits set chairs for everybody, not forgetting themselves, and +mounting guard upon their posts, crammed spoons into their mouths, lest +they should shriek for goose before their turn came to be helped. At +last the dishes were set on, and grace was said. It was succeeded by a +breathless pause, as Mrs. Cratchit, looking slowly all along the +carving-knife, prepared to plunge it in the breast; but when she did, +and when the long expected gush of stuffing issued forth, one murmur of +delight arose all round the board, and even Tiny Tim, excited by the +two young Cratchits, beat on the table with the handle of his knife, and +feebly cried "Hurrah!" + +[Illustration: THERE NEVER WAS SUCH A GOOSE] + +There never was such a goose. Bob said he didn't believe there ever was +such a goose cooked. Its tenderness and flavour, size and cheapness, +were the themes of universal admiration. Eked out by the apple-sauce and +mashed potatoes, it was a sufficient dinner for the whole family; +indeed, as Mrs. Cratchit said with great delight (surveying one small +atom of a bone upon the dish) they hadn't ate it all at last! Yet +everyone had had enough, and the youngest Cratchits in particular, were +steeped in sage and onion to the eyebrows! But now, the plates being +changed by Miss Belinda, Mrs. Cratchit left the room alone--too nervous +to bear witnesses--to take the pudding up and bring it in. + +Suppose it should not be done enough! Suppose it should break in turning +out! Suppose somebody should have got over the wall of the back-yard, +and stolen it, while they were merry with the goose--a supposition at +which the two young Cratchits became livid! All sorts of horrors were +supposed. + +Hallo! A great deal of steam! The pudding was out of the copper. A smell +like a washing-day! That was the cloth. A smell like an eating-house and +a pastrycook's next door to each other, with a laundress's next door to +that! That was the pudding! In half a minute Mrs. Cratchit +entered--flushed, but smiling proudly--with the pudding like a speckled +cannon-ball so hard and firm blazing in half of half-a-quartern of +ignited brandy, and bedight with Christmas holly stuck into the top. + +Oh, a wonderful pudding! Bob Cratchit said, and calmly too, that he +regarded it as the greatest success achieved by Mrs. Cratchit since +their marriage. Mrs. Cratchit said that now the weight was off her mind, +she would confess she had had her doubts about the quantity of flour. +Everybody had something to say about it, but nobody said or thought it +was at all a small pudding for a large family. It would have been flat +heresy to do so. Any Cratchit would have blushed to hint at such a +thing. + +At last the dinner was all done, the cloth was cleared, the hearth +swept, and the fire made up. The compound in the jug being tasted, and +considered perfect, apples and oranges were put upon the table, and a +shovel-full of chestnuts on the fire. Then all the Cratchit family drew +round the hearth, in what Bob Cratchit called a circle, meaning half a +one; and at Bob Cratchit's elbow stood the family display of glass. Two +tumblers, and a custard-cup without a handle. + +These held the hot stuff from the jug, however, as well as golden +goblets would have done; and Bob served it out with beaming looks, while +the chestnuts on the fire sputtered and cracked noisily. Then Bob +proposed: + +"A Merry Christmas to us all, my dears. God bless us!" Which all the +family re-echoed. + +"God bless us every one!" said Tiny Tim, the last of all. + +He sat very close to his father's side upon his little stool. Bob held +his withered little hand in his, as if he loved the child, and wished to +keep him by his side, and dreaded that he might be taken from him. + +"Spirit!" said Scrooge, with an interest he had never felt before, "tell +me if Tiny Tim will live." + +"I see a vacant seat," replied the Ghost, "in the poor chimney-corner, +and a crutch without an owner, carefully preserved. If these shadows +remain unaltered by the Future, the child will die." + +"No, no," said Scrooge. "Oh, no, kind Spirit! say he will be spared." + +"If these shadows remain unaltered by the Future, none other of my +race," returned the Ghost, "will find him here. What then? If he be +like to die, he had better do it, and decrease the surplus population." + +Scrooge hung his head to hear his own words quoted by the Spirit, and +was overcome with penitence and grief. + +"Man," said the Ghost, "if man you be in heart, not adamant, forbear +that wicked cant until you have discovered What the surplus is, and +Where it is. Will you decide what men shall live, what men shall die? It +may be, that in the sight of Heaven, you are more worthless and less fit +to live than millions like this poor man's child. Oh God! to hear the +insect on the leaf pronouncing on the too much life among his hungry +brothers in the dust!" + +Scrooge bent before the Ghost's rebuke, and trembling cast his eyes upon +the ground. But he raised them speedily, on hearing his own name. + +"Mr. Scrooge!" said Bob; "I'll give you Mr. Scrooge, the Founder of the +Feast!" + +"The Founder of the Feast indeed!" cried Mrs. Cratchit, reddening. "I +wish I had him here. I'd give him a piece of my mind to feast upon, and +I hope he'd have a good appetite for it." + +"My dear," said Bob, "the children! Christmas Day." + +"It should be Christmas Day, I am sure," said she, "on which one drinks +the health of such an odious, stingy, hard, unfeeling man as Mr. +Scrooge. You know he is, Robert! Nobody knows it better than you do, +poor fellow!" + +"My dear," was Bob's mild answer, "Christmas Day." + +"I'll drink his health for your sake and the day's," said Mrs. Cratchit, +"not for his. Long life to him! A Merry Christmas and a Happy New Year! +He'll be very merry and very happy, I have no doubt!" + +The children drank the toast after her. It was the first of their +proceedings which had no heartiness in it. Tiny Tim drank it last of +all, but he didn't care twopence for it. Scrooge was the Ogre of the +family. The mention of his name cast a dark shadow on the party, which +was not dispelled for full five minutes. + +After it had passed away, they were ten times merrier than before, from +the mere relief of Scrooge the Baleful being done with. Bob Cratchit +told them how he had a situation in his eye for Master Peter, which +would bring in, if obtained, full five-and-six-pence[311-15] weekly. The +two young Cratchits laughed tremendously at the idea of Peter's being a +man of business; and Peter himself looked thoughtfully at the fire from +between his collars, as if he were deliberating what particular +investments he should favour when he came into the receipt of that +bewildering income. Martha, who was a poor apprentice at a milliner's, +then told them what kind of work she had to do, and how many hours she +worked at a stretch, and how she meant to lie abed to-morrow morning for +a good long rest; to-morrow being a holiday she passed at home. Also how +she had seen a countess and a lord some days before, and how the lord +"was much about as tall as Peter;" at which Peter pulled up his collars +so high that you couldn't have seen his head if you had been there. All +this time the chestnuts and the jug went round and round; and +bye-and-bye they had a song, about a lost child travelling in the snow, +from Tiny Tim, who had a plaintive little voice, and sang it very well +indeed. + +There was nothing of high mark in this. They were not a handsome family; +they were not well dressed; their shoes were far from being waterproof; +their clothes were scanty; and Peter might have known, and very likely +did, the inside of a pawnbroker's. But, they were happy, grateful, +pleased with one another, and contented with the time; and when they +faded, and looked happier yet in the bright sprinklings of the Spirit's +torch at parting, Scrooge had his eye upon them, and especially on Tiny +Tim, until the last. + +By this time it was getting dark, and snowing pretty heavily; and as +Scrooge and the Spirit went along the streets, the brightness of the +roaring fires in kitchens, parlours, and all sorts of rooms, was +wonderful. Here, the flickering of the blaze showed preparations for a +cozy dinner, with hot plates baking through and through before the fire, +and deep red curtains, ready to be drawn to shut out cold and darkness. +There, all the children of the house were running out into the snow to +meet their married sisters, brothers, cousins, uncles, aunts, and be the +first to greet them. Here, again, were shadows on the window-blind of +guests assembling; and there a group of handsome girls, all hooded and +fur-booted, and all chattering at once, tripped lightly off to some near +neighbor's house; where, woe upon the single man who saw them +enter--artful witches; well they knew it--in a glow! + +But if you had judged from the numbers of people on their way to +friendly gatherings, you might have thought that no one was at home to +give them welcome when they got there, instead of every house expecting +company, and piling up its fires half-chimney high. Blessings on it, how +the Ghost exulted! How it bared its breadth of breast, and opened its +capacious palm, and floated on, outpouring, with a generous hand, its +bright and harmless mirth on everything within its reach! The very +lamp-lighter, who ran on before dotting the dusky street with specks of +light, and who was dressed to spend the evening somewhere, laughed out +loudly as the Spirit passed: though little kenned the lamp-lighter that +he had any company but Christmas! + +And now, without a word of warning from the Ghost, they stood upon a +bleak and desert moor, where monstrous masses of rude stone were cast +about, as though it were the burial-place of giants; and water spread +itself wheresoever it listed, or would have done so, but for the frost +that held it prisoner; and nothing grew but moss and furze, and coarse, +rank grass. Down in the west the setting sun had left a streak of fiery +red, which glared upon the desolation for an instant, like a sullen eye, +and frowning lower, lower, lower yet, was lost in the thick gloom of +darkest night. + +"What place is this?" asked Scrooge. + +"A place where miners live, who labour in the bowels of the earth," +returned the Spirit. "But they know me. See!" + +A light shone from the window of a hut, and swiftly they advanced +towards it. Passing through the wall of mud and stone, they found a +cheerful company assembled round a glowing fire. An old, old man and +woman, with their children and their children's children, and another +generation beyond that, all decked out gaily in their holiday attire. +The old man, in a voice that seldom rose above the howling of the wind +upon the barren waste, was singing them a Christmas song; it had been a +very old song when he was a boy; and from time to time they all joined +in the chorus. So surely as they raised their voices, the old man got +quite blithe and loud; and so surely as they stopped, his vigour sank +again. + +The Spirit did not tarry here, but bade Scrooge hold his robe, and +passing on above the moor, sped whither? Not to sea? To sea. To +Scrooge's horror, looking back, he saw the last of the land, a frightful +range of rocks, behind them; and his ears were deafened by the +thundering of water, as it rolled, and roared, and raged among the +dreadful caverns it had worn, and fiercely tried to undermine the earth. + +Built upon a dismal reef of sunken rocks, some leagues or so from shore, +on which the waters chafed and dashed, the wild year through, there +stood a solitary lighthouse. Great heaps of seaweed clung to its base, +and storm-birds--born of the wind one might suppose, as sea-weed of the +water--rose and fell about it, like the waves they skimmed. + +But even here, two men who watched the light had made a fire, that +through the loophole in the thick stone wall shed out a ray of +brightness on the awful sea. Joining their horny hands over the rough +table at which they sat, they wished each other Merry Christmas in their +can of grog; and one of them, the elder, too, with his face all damaged +and scarred with hard weather, as the figure-head of an old ship might +be, struck up a sturdy song that was like a Gale in itself. + +Again the Ghost sped on, above the black and heavy sea--on, on--until, +being far away, as he told Scrooge, from any shore, they lighted on a +ship. They stood beside the helmsman at the wheel, the lookout in the +bow, the officers who had the watch; dark, ghostly figures in their +several stations; but every man among them hummed a Christmas tune, or +had a Christmas thought, or spoke below his breath to his companion of +some bygone Christmas Day, with homeward hopes belonging to it. And +every man on board, waking or sleeping, good or bad, had had a kinder +word for another on that day than on any day in the year; and had shared +to some extent in its festivities; and had remembered those he cared for +at a distance, and had known that they delighted to remember him. + +It was a great surprise to Scrooge, while listening to the moaning of +the wind, and thinking what a solemn thing it was to move on through the +lonely darkness over an unknown abyss, whose depths were secrets as +profound as Death: it was a great surprise to Scrooge, while thus +engaged to hear a hearty laugh. It was a much greater surprise to +Scrooge to recognize it as his own nephew's, and to find himself in a +bright, dry, gleaming room, with the Spirit standing smiling by his +side, and looking at that same nephew with approving affability. + +"Ha, ha!" laughed Scrooge's nephew. "Ha, ha, ha!" + +If you should happen, by any unlikely chance, to know a man more blest +in a laugh than Scrooge's nephew, all I can say is, I should like to +know him too. Introduce him to me, and I'll cultivate his acquaintance. + +It is a fair, even-handed, noble adjustment of things, that while there +is infection in disease and sorrow, there is nothing in the world so +irresistibly contagious as laughter and good-humour. When Scrooge's +nephew laughed in this way: holding his sides, rolling his head, and +twisting his face into the most extravagant contortions: Scrooge's +niece, by marriage, laughed as heartily as he. And their assembled +friends being not a bit behindhand, roared out, lustily. + +"Ha, ha! Ha, ha, ha, ha!" + +"He said that Christmas was a humbug, as I live!" cried Scrooge's +nephew. "He believed it too!" + +"More shame for him, Fred!" said Scrooge's niece, indignantly. Bless +those women; they never do anything by halves. They are always in +earnest. + +She was very pretty: exceedingly pretty. With a dimpled, +surprised-looking, capital face; a ripe little mouth, that seemed made +to be kissed--and no doubt it was; all kinds of good little dots about +her chin, that melted into one another when she laughed; and the +sunniest pair of eyes you ever saw in any little creature's head. +Altogether she was what you would have called provoking, you know; but +satisfactory, too. Oh, perfectly satisfactory! + +"He's a comical old fellow," said Scrooge's nephew, "that's the truth; +and not so pleasant as he might be. However, his offences carry their +own punishment, and I have nothing to say against him." + +"I'm sure he is very rich, Fred," hinted Scrooge's niece. "At least you +always tell _me_ so." + +"What of that, my dear!" said Scrooge's nephew. "His wealth is of no use +to him. He don't do any good with it. He don't make himself comfortable +with it. He hasn't the satisfaction of thinking--ha, ha, ha!--that he is +ever going to benefit Us with it." + +"I have no patience with him," observed Scrooge's niece. + +Scrooge's niece's sister, and all the other ladies, expressed the same +opinion. + +"Oh, I have!" said Scrooge's nephew. "I am sorry for him; I couldn't be +angry with him if I tried. Who suffers by his ill whims? Himself, +always. Here, he takes it into his head to dislike us, and he won't come +and dine with us. What's the consequence! He don't lose much of a +dinner----" + +"Indeed, I think he loses a very good dinner," interrupted Scrooge's +niece. Everybody else said the same, and they must be allowed to have +been competent judges, because they had just had dinner; and, with the +dessert upon the table, were clustered round the fire, by lamplight. + +"Well! I'm very glad to hear it," said Scrooge's nephew, "because I +haven't any great faith in these young housekeepers. What do _you_ say, +Topper?" + +Topper had clearly got his eye upon one of Scrooge's niece's sisters, +for he answered that a bachelor was a wretched outcast, who had no right +to express an opinion on the subject. Whereat Scrooge's niece's +sister--the plump one with the lace tucker: not the one with the +roses--blushed. + +"Do go on, Fred," said Scrooge's niece, clapping her hands. "He never +finishes what he begins to say! He is such a ridiculous fellow!" + +Scrooge's nephew revelled in another laugh, and as it was impossible to +keep the infection off, though the plump sister tried hard to do it with +aromatic vinegar, his example was unanimously followed. + +"I was only going to say," said Scrooge's nephew, "that the consequence +of his taking a dislike to us, and not making merry with us, is, as I +think, that he loses some pleasant moments, which could do him no harm. +I am sure he loses pleasanter companions than he can find in his own +thoughts, either in his mouldy old office, or his dusty chambers. I mean +to give him the same chance every year, whether he likes it or not, for +I pity him. He may rail at Christmas till he dies, but he can't help +thinking better of it--I defy him--if he finds me going there, in good +temper, year after year, and saying, 'Uncle Scrooge, how are you?' If it +only puts him in the vein to leave his poor clerk fifty pounds, _that's_ +something; and I think I shook him yesterday." + +It was their turn to laugh now at the notion of his shaking Scrooge. But +being thoroughly good-natured, and not much caring what they laughed at, +so that they laughed at any rate, he encouraged them in their merriment, +and passed the bottle joyously. + +After tea, they had some music. For they were a musical family, and knew +what they were about, when they sang a Glee or Catch, I can assure you; +especially Topper, who could growl away in the bass like a good one, and +never swell the large veins in his forehead, or get red in the face over +it. Scrooge's niece played well upon the harp; and played among other +tunes a simple little air (a mere nothing: you might learn to whistle it +in two minutes), which had been familiar to the child who fetched +Scrooge from the boarding-school, as he had been reminded by the Ghost +of Christmas Past. When this strain of music sounded, all the things +that Ghost had shown him, came upon his mind; he softened more and more; +and thought that if he could have listened to it often, years ago, he +might have cultivated the kindnesses of life for his own happiness with +his own hands, without resorting to the sexton's spade that buried Jacob +Marley.[319-16] + +But they didn't devote the whole evening to music. After a while they +played at forfeits; for it is good to be children sometimes, and never +better than at Christmas, when its mighty Founder was a child himself. +Stop! There was first a game at blind-man's buff. Of course there was. +And I no more believe Topper was really blind than I believe he had eyes +in his boots. My opinion is, that it was a done thing between him and +Scrooge's nephew: and that the Ghost of Christmas Present knew it. The +way he went after that plump sister in the lace tucker, was an outrage +on the credulity of human nature. Knocking down the fire-irons, tumbling +over the chairs, bumping up against the piano, smothering himself among +the curtains, wherever she went, there went he. He always knew where the +plump sister was. He wouldn't catch anybody else. If you had fallen up +against him, as some of them did, and stood there; he would have made a +feint of endeavoring to seize you, which would have been an affront to +your understanding; and would instantly have sidled off in the direction +of the plump sister. She often cried out that it wasn't fair; and it +really was not. But when at last he caught her; when, in spite of all +her silken rustlings, and her rapid flutterings past him, he got her +into a corner whence there was no escape; then his conduct was most +execrable. For his pretending not to know her; his pretending that it +was necessary to touch her head-dress, and further to assure himself of +her identity by pressing a certain ring upon her finger, and a certain +chain about her neck; was vile, monstrous! No doubt she told him her +opinion of it, when, another blind man being in office, they were so +very confidential together, behind the curtains. + +Scrooge's niece was not one of the blind-man's buff party, but was made +comfortable with a large chair and a footstool, in a snug corner, where +the Ghost and Scrooge were close behind her. But she joined in the +forfeits, and loved her love to admiration with all the letters of the +alphabet.[320-17] Likewise at the game of How, When, and Where, she was +very great, and to the secret joy of Scrooge's nephew, beat her sisters +hollow: though they were sharp girls too, as Topper could have told you. +There might have been twenty people there, young and old, but they all +played, and so did Scrooge, for, wholly forgetting in the interest he +had in what was going on, that his voice made no sound in their ears, he +sometimes came out with his guess quite loud, and very often guessed +quite right, too; for the sharpest needle, best Whitechapel, warranted +not to cut in the eye, was not sharper than Scrooge: blunt as he took it +in his head to be. + +The Ghost was greatly pleased to find him in this mood, and looked upon +him with such favor, that he begged like a boy to be allowed to stay +until the guests departed. But this the Spirit said could not be done. + +"Here is a new game," said Scrooge. "One half-hour, Spirit, only one!" + +It is a game called Yes and No, where Scrooge's nephew had to think of +something, and the rest must find out what; he only answering to their +questions yes or no, as the case was. The brisk fire of questioning to +which he was exposed, elicited from him that he was thinking of an +animal, a live animal, rather a disagreeable animal, a savage animal, an +animal that growled and grunted sometimes, and talked sometimes, and +lived in London, and walked about the streets, and wasn't made a show +of, and wasn't led by anybody, and didn't live in a menagerie, and was +never killed in a market, and was not a horse, or an ass, or a cow, or a +bull, or a tiger, or a dog, or a pig, or a cat, or a bear. At every +fresh question that was put to him, this nephew burst into a fresh roar +of laughter; and was so inexpressibly tickled, that he was obliged to +get up off the sofa and stamp. + +At last the plump sister, falling into a similar state, cried out: + +"I have found it out. I know what it is, Fred! I know what it is!" + +"What is it?" cried Fred. + +"It's your Uncle Scro-o-o-o-oge!" + +Which it certainly was. Admiration was the universal sentiment, though +some objected that the reply to "Is it a bear?" ought to have been +"Yes;" inasmuch as an answer in the negative was sufficient to have +diverted their thoughts from Mr. Scrooge, supposing they had ever had +any tendency that way. + +"He has given us plenty of merriment, I am sure," said Fred, "and it +would be ungrateful not to drink his health. Here is a glass of mulled +wine ready to our hand at the moment; and I say, 'Uncle Scrooge!'" + +"Well! Uncle Scrooge!" they cried. + +"A Merry Christmas and a Happy New Year to the old man, whatever he is!" +said Scrooge's nephew. "He wouldn't take it from me, but may he have it, +nevertheless. Uncle Scrooge!" + +Uncle Scrooge had imperceptibly become so gay and light of heart, that +he would have pledged the unconscious company in return, and thanked +them in an inaudible speech, if the Ghost had given him time. But the +whole scene passed off in the breath of the last word spoken by his +nephew; and he and the Spirit were again upon their travels. + +Much they saw, and far they went, and many homes they visited, but +always with a happy end. The Spirit stood beside sick-beds, and they +were cheerful; on foreign lands, and they were close at home; by +struggling men, and they were patient in their greater hope; by poverty, +and it was rich. In almshouse, hospital, and jail, in misery's every +refuge, where vain man in his little brief authority had not made fast +the door, and barred the Spirit out, he left his blessing, and taught +Scrooge his precepts. + +It was a long night, if it were only a night; but Scrooge had his doubts +of this, because the Christmas Holidays appeared to be condensed into +the space of time they passed together. It was strange, too, that while +Scrooge remained unaltered in his outward form, the Ghost grew older, +clearly older. Scrooge had observed this change, but never spoke of it, +until they left a children's Twelfth Night party, when, looking at the +Spirit as they stood together in an open place, he noticed that his hair +was gray. + +"Are spirits' lives so short?" asked Scrooge. + +"My life upon this globe is very brief," replied the Ghost. "It ends +to-night." + +"To-night!" cried Scrooge. + +"To-night at midnight. Hark! The time is drawing near." + +The chimes were ringing the three quarters past eleven at that moment. + +"Forgive me if I am not justified in what I ask," said Scrooge, looking +intently at the Spirit's robe, "but I see something strange, and not +belonging to yourself, protruding from your skirts! Is it a foot or a +claw!" + +"It might be a claw, for the flesh there is upon it," was the Spirit's +sorrowful reply. "Look here." + +From the foldings of its robe, it brought two children; wretched, +abject, frightful, hideous, miserable. They knelt down at its feet, and +clung upon the outside of its garment. + +"Oh, Man! look here. Look, look, down here!" exclaimed the Ghost. + +They were a boy and girl. Yellow, meagre, ragged, scowling, wolfish; but +prostrate, too, in their humility. Where graceful youth should have +filled their features out, and touched them with its freshest tints, a +stale and shrivelled hand, like that of age, had pinched, and twisted +them, and pulled them into shreds. Where angels might have sat +enthroned, devils lurked, and glared out menacing. No change, no +degradation, no perversion of humanity, in any grade, through all the +mysteries of wonderful creation, has monsters half so horrible and +dread. + +Scrooge started back, appalled. Having them shown to him in this way, he +tried to say they were fine children, but the words choked themselves, +rather than be parties to a lie of such enormous magnitude. + +"Spirit! are they yours?" Scrooge could say no more. + +"They are Man's," said the Spirit, looking down upon them. "And they +cling to me, appealing from their fathers. This boy is Ignorance. This +girl is Want. Beware them both, and all of their degree, but most of all +beware this boy, for on his brow I see that written which is Doom, +unless the writing be erased. Deny it!" cried the Spirit, stretching out +its hand towards the city. "Slander those who tell it ye! Admit it for +your factious purposes, and make it worse! And bide the end!" + +"Have they no refuge or resource?" cried Scrooge. + +"Are there no prisons?" said the Spirit, turning on him for the last +time with his own words. "Are there no workhouses?" + +The bell struck twelve. + +Scrooge looked about him for the Ghost, and saw it not. As the last +stroke ceased to vibrate, he remembered the prediction of old Jacob +Marley, and lifting up his eyes, beheld a solemn Phantom, draped and +hooded, coming, like a mist along the ground, towards him. + + +STAVE FOUR + +_The Last of the Spirits_ + +The Phantom slowly, gravely approached. When it came near him, Scrooge +bent down upon his knee; for in the very air through which this Spirit +moved it seemed to scatter gloom and mystery. + +It was shrouded in a deep black garment, which concealed its head, its +face, its form, and left nothing of it visible save one outstretched +hand. But for this it would have been difficult to detach its figure +from the night, and separate it from the darkness by which it was +surrounded. + +He felt that it was tall and stately when it came beside him, and that +its mysterious presence filled him with a solemn dread. He knew no more, +for the Spirit neither spoke nor moved. + +"I am in the presence of the Ghost of Christmas Yet to Come?" said +Scrooge. + +The Spirit answered not, but pointed downward with its hand. + +"You are about to show me shadows of the things that have not happened, +but will happen in the time before us," Scrooge pursued. "Is that so, +Spirit?" + +The upper portion of the garment was contracted for an instant in its +folds, as if the Spirit had inclined its head. That was the only answer +he received. + +Although well used to ghostly company by this time, Scrooge feared the +silent shape so much that his legs trembled beneath him, and he found +that he could hardly stand when he prepared to follow it. The Spirit +paused a moment, as observing his condition, and giving him time to +recover. + +But Scrooge was all the worse for this. It thrilled him with a vague +uncertain horror, to know that behind the dusky shroud there were +ghostly eyes intently fixed upon him, while he, though he stretched his +own to the utmost, could see nothing but a spectral hand and one great +heap of black. + +"Ghost of the Future!" he exclaimed, "I fear you more than any Spectre I +have seen. But, as I know your purpose is to do me good, and as I hope +to live to be another man from what I was, I am prepared to bear you +company, and do it with a thankful heart. Will you not speak to me?" + +It gave him no reply. The hand was pointed straight before them. + +"Lead on!" said Scrooge. "Lead on! The night is waning fast, and it is +precious time to me, I know. Lead on, Spirit!" + +The Phantom moved away as it had come towards him. Scrooge followed in +the shadow of its dress, which bore him up, he thought, and carried him +along. + +They scarcely seemed to enter the city; for the city rather seemed to +spring up about them, and encompass them of its own act. But there they +were, in the heart of it; on 'Change, amongst the merchants; who hurried +up and down, and chinked the money in their pockets, and conversed in +groups, and looked at their watches, and trifled thoughtfully with +their great gold seals; and so forth, as Scrooge had seen them often. + +The Spirit stopped beside one little knot of business men. Observing +that the hand was pointed to them, Scrooge advanced to listen to their +talk. + +"No," said a great fat man with a monstrous chin, "I don't know much +about it, either way. I only know he's dead." + +"When did he die?" inquired another. + +"Last night, I believe." + +"Why, what was the matter with him?" asked a third, taking a vast +quantity of snuff out of a very large snuffbox. "I thought he'd never +die." + +"God knows," said the first, with a yawn. + +"What has he done with his money?" asked a red-faced gentleman with a +pendulous excrescence on the end of his nose, that shook like the gills +of a turkey-cock. + +"I haven't heard," said the man with the large chin, yawning again. +"Left it to his Company, perhaps. He hasn't left it to _me_. That's all +I know." + +This pleasantry was received with a general laugh. + +"It's likely to be a very cheap funeral," said the same speaker; "for +upon my life I don't know of anybody to go to it. Suppose we make up a +party and volunteer?" + +"I don't mind going if a lunch is provided," observed the gentleman with +the excrescence on his nose. "But I must be fed, if I make one." + +Another laugh. + +"Well, I am the most disinterested among you, after all," said the first +speaker, "for I never wear black gloves, and I never eat lunch. But I'll +offer to go, if anybody else will. When I come to think of it, I'm not +at all sure that I wasn't his most particular friend; for we used to +stop and speak whenever we met. Bye, bye!" + +Speakers and listeners strolled away, and mixed with other groups. +Scrooge knew the men, and looked towards the Spirit for an explanation. + +The Phantom glided on into a street. Its finger pointed to two persons +meeting. Scrooge listened again, thinking that the explanation might lie +here. + +He knew these men, also, perfectly. They were men of business: very +wealthy, and of great importance. He had made a point always of standing +well in their esteem--in a business point of view, that is; strictly in +a business point of view. + +"How are you?" said one. + +"How are you?" returned the other. + +"Well!" said the first. "Old Scratch has got his own at last, hey?" + +"So I am told," returned the second. "Cold, isn't it?" + +"Seasonable for Christmas time. You're not a skater, I suppose?" + +"No. No. Something else to think of. Good morning!" Not another word. +That was their meeting, their conversation, and their parting. + +Scrooge was at first inclined to be surprised that the Spirit should +attach importance to conversations apparently so trivial; but feeling +assured that they must have some hidden purpose, he set himself to +consider what it was likely to be. They could scarcely be supposed to +have any bearing on the death of Jacob, his old partner, for that was +Past, and this Ghost's province was the Future. Nor could he think of +any one immediately connected with himself, to whom he could apply them. +But nothing doubting that to whomsoever they applied they had some +latent moral for his own improvement, he resolved to treasure up every +word he heard, and everything he saw; and especially to observe the +shadow of himself when it appeared. For he had an expectation that the +conduct of his future self would give him the clue he missed, and would +render the solution of these riddles easy. + +[Illustration: "SO I AM TOLD," RETURNED THE SECOND] + +He looked about in that very place for his own image; but another man +stood in his accustomed corner, and though the clock pointed to his +usual time of day for being there, he saw no likeness of himself among +the multitudes that poured in through the Porch. It gave him little +surprise, however; for he had been revolving in his mind a change of +life, and thought and hoped he saw his new-born resolutions carried out +in this. + +Quiet and dark, beside him stood the Phantom, with its outstretched +hand. When he roused himself from his thoughtful quest, he fancied from +the turn of the hand, and its situation in reference to himself, that +the Unseen Eyes were looking at him keenly. It made him shudder and feel +very cold. + +They left the busy scene, and went into an obscure part of the town, +where Scrooge had never penetrated before, although he recognized its +situation, and its bad repute. The ways were foul and narrow; the shops +and houses wretched; the people half-naked, drunken, slipshod, ugly. +Alleys and archways, like so many cesspools, disgorged their offences of +smell, and dirt, and life, upon the straggling streets; and the whole +quarter reeked with crime, with filth, and misery. + +Far in this den of infamous resort, there was a low-browed, beetling +shop, below a pent-house roof, where iron, old rags, bottles, bones, and +greasy offal, were bought. Upon the floor within, were piled up heaps of +rusty keys, nails, chains, hinges, files, scales, weights, and refuse +iron of all kinds. Secrets that few would like to scrutinise were bred +and hidden in mountains of unseemly rags, masses of corrupted fat, and +sepulchres of bones. Sitting in among the wares he dealt in, by a +charcoal-stove, made of old bricks, was a grey-haired rascal, nearly +seventy years of age; who had screened himself from the cold air +without, by a frowsy curtaining of miscellaneous tatters, hung upon a +line; and smoked his pipe in all the luxury of calm retirement. + +Scrooge and the Phantom came into the presence of this man, just as a +woman with a heavy bundle slunk into the shop. But she had scarcely +entered, when another woman, similarly laden, came in too; and she was +closely followed by a man in faded black, who was no less startled by +the sight of them, than they had been upon the recognition of each +other. After a short period of blank astonishment, in which the old man +with the pipe had joined them, they all three burst into a laugh. + +"Let the charwoman alone to be the first!" cried she who had entered +first. "Let the laundress alone to be the second; and let the +undertaker's man alone to be the third. Look here, old Joe, here's a +chance! If we haven't all three met here without meaning it!" + +"You couldn't have met in a better place," said old Joe, removing his +pipe from his mouth. "Come into the parlour. You were made free of it +long ago, you know; and the other two ain't strangers. Stop till I shut +the door of the shop. Ah! How it skreeks! There an't such a rusty bit of +metal in the place as its own hinges, I believe; and I'm sure there's no +such old bones here, as mine. Ha, ha! We're all suitable to our calling, +we're well matched. Come into the parlour. Come into the parlour." + +The parlour was the space behind the screen of rags. The old man raked +the fire together with an old stair-rod, and having trimmed his smoky +lamp (for it was night), with the stem of his pipe, put it in his mouth +again. + +While he did this, the woman who had already spoken, threw her bundle on +the floor, and sat down in a flaunting manner on a stool; crossing her +elbows on her knees, and looking with a bold defiance at the other two. + +"What odds then! What odds, Mrs. Dilber?" said the woman. "Every person +has a right to take care of themselves. _He_ always did!" + +"That's true, indeed!" said the laundress. "No man more so." + +"Why, then, don't stand staring as if you was afraid, woman; who's the +wiser? We're not going to pick holes in each other's coats, I suppose?" + +"No, indeed!" said Mrs. Dilber and the man together. "We should hope +not." + +"Very well, then!" cried the woman. "That's enough. Who's the worse for +the loss of a few things like these? Not a dead man, I suppose." + +"No, indeed," said Mrs. Dilber, laughing. + +"If he wanted to keep 'em after he was dead, a wicked old screw," +pursued the woman, "why wasn't he natural in his lifetime? If he had +been, he'd have had somebody to look after him when he was struck with +Death, instead of lying gasping out his last there, alone by himself." + +"It's the truest word that ever was spoke," said Mrs. Dilber. "It's a +judgment on him." + +"I wish it was a little heavier one," replied the woman; "and it should +have been, you may depend upon it, if I could have laid my hands on +anything else. Open that bundle, old Joe, and let me know the value of +it. Speak out plain. I'm not afraid to be the first, nor afraid for +them to see it. We knew pretty well that we were helping ourselves, +before we met here, I believe. It's no sin. Open the bundle, Joe." + +But the gallantry of her friends would not allow of this; and the man in +faded black, mounting the breach first, produced _his_ plunder. It was +not extensive. A seal or two, a pencil-case, a pair of sleeve-buttons, +and a brooch of no great value, were all. They were severally examined +and appraised by old Joe, who chalked the sums he was disposed to give +for each, upon the wall, and added them up into a total when he found +there was nothing more to come. + +"That's your account," said Joe, "and I wouldn't give another sixpence, +if I was to be boiled for not doing it. Who's next?" + +Mrs. Dilber was next. Sheets and towels, a little wearing apparel, two +old-fashioned silver teaspoons, a pair of sugar-tongs, and a few boots. +Her account was stated on the wall in the same manner. + +"I always give too much to ladies. It's a weakness of mine, and that's +the way I ruin myself," said old Joe. "That's your account. If you asked +me for another penny, and made it an open question, I'd repent of being +so liberal and knock off half-a-crown." + +"And now undo _my_ bundle, Joe," said the first woman. + +Joe went down on his knees for the greater convenience of opening it, +and having unfastened a great many knots, dragged out a large and heavy +roll of some dark stuff. + +"What do you call this?" said Joe. "Bed-curtains!" + +"Ah!" returned the woman, laughing and leaning forward on her crossed +arms. "Bed-curtains!" + +"You don't mean to say you took 'em down, rings and all, with him lying +there?" said Joe. + +"Yes I do," replied the woman. "Why not?" + +"You were born to make your fortune," said Joe, "and you'll certainly do +it." + +"I certainly shan't hold my hand, when I can get anything in it by +reaching it out, for the sake of such a man as He was, I promise you, +Joe," returned the woman coolly. "Don't drop that oil upon the blankets, +now." + +"His blankets?" asked Joe. + +"Whose else's do you think?" replied the woman. "He isn't likely to take +cold without 'em, I dare say." + +"I hope he didn't die of anything catching? Eh?" said old Joe, stopping +in his work, and looking up. + +"Don't you be afraid of that," returned the woman. "I an't so fond of +his company that I'd loiter about him for such things, if he did. Ah! +you may look through that shirt till your eyes ache; but you won't find +a hole in it, nor a threadbare place. It's the best he had, and a fine +one too. They'd have wasted it, if it hadn't been for me." + +"What do you call wasting of it?" asked old Joe. + +"Putting it on him to be buried in, to be sure," replied the woman with +a laugh. "Somebody was fool enough to do it, but I took it off again. If +calico an't good enough for such a purpose, it isn't good enough for +anything. He can't look uglier than he did in that one." + +Scrooge listened to this dialogue in horror. As they sat grouped about +their spoil, in the scanty light afforded by the old man's lamp, he +viewed them with a detestation and disgust, which could hardly have +been greater, though they had been obscene demons, marketing the corpse +itself. + +"Ha, ha!" laughed the same woman, when old Joe, producing a flannel bag +with money in it, told out their several gains upon the ground. "This is +the end of it, you see! He frightened every one away from him when he +was alive, to profit us when he was dead! Ha, ha, ha!" + +"Spirit!" said Scrooge, shuddering from head to foot. "I see, I see. The +case of this unhappy man might be my own. My life tends that way, now. +Merciful Heaven, what is this!" + +He recoiled in terror, for the scene had changed, and now he almost +touched a bed: a bare, uncurtained bed: on which, beneath a ragged +sheet, there lay a something covered up, which, though it was dumb, +announced itself in awful language. + +The room was very dark, too dark to be observed with any accuracy, +though Scrooge glanced round it in obedience to a secret impulse, +anxious to know what kind of room it was. + +A pale light, rising in the outer air, fell straight upon the bed; and +on it, plundered and bereft, unwatched, unwept, uncared for, was the +body of this man. + +Scrooge glanced towards the Phantom. Its steady hand was pointed to the +head. The cover was so carelessly adjusted that the slightest raising of +it, the motion of a finger upon Scrooge's part, would have disclosed the +face. He thought of it, felt how easy it would be to do, and longed to +do it; but had no more power to withdraw the veil than to dismiss the +spectre at his side. + +Oh cold, cold, rigid, dreadful Death, set up thine altar here, and dress +it with such terrors as thou hast at thy command: for this is thy +dominion! But of the loved, revered, and honoured head, thou canst not +turn one hair to thy dread purposes, or make one feature odious. It is +not that the hand is heavy and will fall down when released; it is not +that the heart and pulse are still; but that the hand was open, +generous, and true; the heart brave, warm, and tender; and the pulse a +man's. Strike, Shadow, strike! And see his good deeds springing from the +wound, to sow the world with life immortal! + +No voice pronounced these words in Scrooge's ears, and yet he heard them +when he looked upon the bed. He thought, if this man could be raised up +now, what would be his foremost thoughts? Avarice, hard dealing, griping +cares? They have brought him to a rich end, truly! + +He lay, in the dark empty house, with not a man, a woman, or a child, to +say that he was kind to me in this or that, and for the memory of one +kind word I will be kind to him. A cat was tearing at the door, and +there was a sound of gnawing rats beneath the hearth-stone. What _they_ +wanted in the room of death, and why they were so restless and +disturbed, Scrooge did not dare to think. + +"Spirit!" he said, "this is a fearful place. In leaving it, I shall not +leave its lesson, trust me. Let us go!" + +Still the Ghost pointed with an unmoved finger to the head. + +"I understand you," Scrooge returned, "and I would do it, if I could. +But I have not the power, Spirit. I have not the power." + +Again it seemed to look upon him. + +"If there is any person in the town, who feels emotion caused by this +man's death," said Scrooge, quite agonized, "show that person to me, +Spirit, I beseech you!" + +The Phantom spread its dark robe before him for a moment, like a wing; +and withdrawing it, revealed a room by daylight, where a mother and her +children were. + +She was expecting some one, and with anxious eagerness; for she walked +up and down the room; started at every sound; looked out from the +window; glanced at the clock; tried, but in vain, to work with her +needle; and could hardly bear the voices of the children in their play. + +At length the long-expected knock was heard. She hurried to the door, +and met her husband; a man whose face was careworn and depressed, though +he was young. There was a remarkable expression in it now; a kind of +serious delight of which he felt ashamed, and which he struggled to +repress. + +He sat down to the dinner that had been hoarding for him by the fire; +and when she asked him faintly what news (which was not until after a +long silence) he appeared embarrassed how to answer. + +"Is it good," she said, "or bad?"--to help him. + +"Bad," he answered. + +"We are quite ruined?" + +"No. There is hope yet, Caroline." + +"If _he_ relents," she said, amazed, "there is! Nothing is past hope, if +such a miracle has happened." + +"He is past relenting," said her husband. "He is dead." + +She was a mild and patient creature if her face spoke truth; but she was +thankful in her soul to hear it, and she said so, with clasped hands. +She prayed forgiveness the next moment, and was sorry; but the first was +the emotion of her heart. + +"What the half-drunken woman whom I told you of last night, said to me, +when I tried to see him and obtain a week's delay; and what I thought +was a mere excuse to avoid me; turns out to have been quite true. He was +not only very ill, but dying, then." + +"To whom will our debt be transferred?" + +"I don't know. But before that time we shall be ready with the money; +and even though we were not, it would be bad fortune indeed to find so +merciless a creditor in his successor. We may sleep to-night with light +hearts, Caroline!" + +Yes. Soften it as they would, their hearts were lighter. The children's +faces, hushed, and clustered round to hear what they so little +understood, were brighter; and it was a happier house for this man's +death; The only emotion that the Ghost could show him, caused by the +event, was one of pleasure. + +"Let me see some tenderness connected with a death," said Scrooge; "or +that dark chamber, Spirit, which we left just now, will be for ever +present to me." + +The Ghost conducted him through several streets familiar to his feet; +and as they went along, Scrooge looked here and there to find himself, +but nowhere was he to be seen. They entered poor Bob Cratchit's house; +the dwelling he had visited before; and found the mother and the +children seated round the fire. + +Quiet. Very quiet. The noisy little Cratchits were as still as statues +in one corner, and sat looking up at Peter, who had a book before him. +The mother and her daughter were engaged in sewing. But surely they were +very quiet! + +"'And He took a child, and set him in the midst of them.'" + +Where had Scrooge heard those words? He had not, dreamed them. The boy +must have read them out, as he and the Spirit crossed the threshold. Why +did he not go on? + +The mother laid her work upon the table, and put her hand up to her +face. + +"The colour hurts my eyes," she said. + +The colour? Ah, poor Tiny Tim! + +"They're better now again," said Cratchit's wife. "It makes them weak by +candlelight; and I wouldn't show weak eyes to your father when he comes +home, for the world. It must be near his time." + +"Past it rather," Peter answered, shutting up his book. "But I think +he's walked a little slower than he used, these few last evenings, +mother." + +They were very quiet again. At last she said, and in a steady cheerful +voice, that only faltered once: + +"I have known him walk with--I have known him walk with Tiny Tim upon +his shoulder, very fast indeed." + +"And so have I," cried Peter. "Often." + +"And so have I," exclaimed another. So had all. + +"But he was very light to carry," she resumed, intent upon her work, +"and his father loved him so, that it was no trouble--no trouble. And +there is your father at the door!" + +She hurried out to meet him; and little Bob in his comforter--he had +need of it, poor fellow--came in. His tea was ready for him on the hob, +and they all tried who should help him to it most. Then the two young +Cratchits got upon his knees and laid, each child, a little cheek +against his face, as if they said, "Don't mind it, father. Don't be +grieved!" + +Bob was very cheerful with them, and spoke pleasantly to all the family. +He looked at the work upon the table, and praised the industry and speed +of Mrs. Cratchit and the girls. They would be done long before Sunday he +said. + +"Sunday! You went to-day then, Robert?" said his wife. + +"Yes, my dear," returned Bob. "I wish you could have gone. It would have +done you good to see how green a place it is. But you'll see it often. I +promised him that I would walk there on a Sunday. My little, little +child!" cried Bob. "My little child!" + +He broke down all at once. He couldn't help it. If he could have helped +it, he and his child would have been farther apart perhaps than they +were. + +He left the room, and went upstairs into the room above, which was +lighted cheerfully, and hung with Christmas. There was a chair set close +beside the child, and there were signs of some one having been there, +lately. Poor Bob sat down in it, and when he had thought a little and +composed himself, he kissed the little face. He was reconciled to what +had happened, and went down again quite happy. + +They drew about the fire, and talked; the girls and mother working +still. Bob told them of the extraordinary kindness of Mr. Scrooge's +nephew, whom he had scarcely seen but once, and who, meeting him in the +street that day, and seeing that he looked a little--"just a little down +you know," said Bob, inquired what had happened to distress him. "On +which," said Bob, "for he is the pleasantest-spoken gentleman you ever +heard, I told him. 'I am heartily sorry for it, Mr. Cratchit,' he said, +'and heartily sorry for your good wife.' By the bye, how he ever knew +_that_, I don't know." + +"Knew what, my dear?" + +"Why, that you were a good wife," replied Bob. + +"Everybody knows that!" said Peter. + +"Very well observed, my boy!" cried Bob. "I hope they do. 'Heartily +sorry,' he said, 'for your good wife. If I can be of service to you in +any way,' he said, giving me his card, 'that's where I live. Pray come +to me.' Now, it wasn't," cried Bob, "for the sake of anything he might +be able to do for us, so much as for his kind way, that this was quite +delightful. It really seemed as if he had known our Tiny Tim, and felt +with us." + +"I'm sure he's a good soul!" said Mrs. Cratchit. + +"You would be surer of it, my dear," returned Bob, "if you saw and spoke +to him. I shouldn't be at all surprised, mark what I say, if he got +Peter a better situation." + +"Only hear that, Peter," said Mrs. Cratchit. + +"And then," cried one of the girls, "Peter will be keeping company with +some one, and setting up for himself." + +"Get along with you!" retorted Peter, grinning. + +"It's just as likely as not," said Bob, "one of these days; though +there's plenty of time for that, my dear. But however and whenever we +part from one another, I am sure we shall none of us forget poor Tiny +Tim--shall we--or this first parting that there was among us?" + +"Never, father!" cried they all. + +"And I know," said Bob, "I know, my dears, that when we recollect how +patient and how mild he was; although he was a little, little child; we +shall not quarrel easily among ourselves, and forget poor Tiny Tim in +doing it." + +"No, never, father!" they all cried again. + +"I am very happy," said little Bob, "I am very happy!" + +Mrs. Cratchit kissed him, his daughters kissed him, the two young +Cratchits kissed him, and Peter and himself shook hands. Spirit of Tiny +Tim, thy childish essence was from God! + +"Spectre," said Scrooge, "something informs me that our parting moment +is at hand. I know it, but I know not how. Tell me what man that was +whom we saw lying dead?" + +The Ghost of Christmas Yet To Come conveyed him, as before--though at a +different time, he thought: indeed, there seemed no order in these +latter visions, save that they were in the Future--into the resorts of +business men, but showed him not himself. Indeed, the Spirit did not +pause, but went straight on, as to the end just now desired, until +besought by Scrooge to tarry for a moment. + +"This court," said Scrooge, "through which we hurry now, is where my +place of occupation is, and has been for a length of time. I see the +house. Let me behold what I shall be, in days to come!" + +The Spirit stopped; the hand was pointed elsewhere. + +"The house is yonder," Scrooge exclaimed, "Why do you point away?" + +The inexorable finger underwent no change. + +Scrooge hastened to the window of his office, and looked in. It was an +office still, but not his. The furniture was not the same, and the +figure in the chair was not himself. The Phantom pointed as before. He +joined it once again, and wondering why and whither he had gone, +accompanied it until they reached an iron gate. He paused to look round +before entering. + +A churchyard. Here, then, the wretched man whose name he had now to +learn, lay underneath the ground. It was a worthy place. Walled in by +houses; overrun by grass and weeds, the growth of vegetation's death, +not life; choked up with too much burying; fat with repleted appetite. A +worthy place! + +The Spirit stood among the graves, and pointed down to One. He advanced +towards it trembling. The Phantom was exactly as it had been, but he +dreaded that he saw new meaning in its solemn shape. + +"Before I draw nearer to that stone to which you point," said Scrooge, +"answer me one question. Are these shadows of the things that Will be, +or are they shadows of things that May be, only?" + +Still the Ghost pointed downward to the grave by which it stood. + +"Men's courses will foreshadow certain ends, to which, if persevered in, +they must lead," said Scrooge. "But if the courses be departed from, the +ends will change. Say it is thus with what you show me!" + +The Spirit was immovable as ever. + +Scrooge crept towards it, trembling as he went; and following the +finger, read upon the stone of the neglected grave his own name, +EBENEZER SCROOGE. + +[Illustration: HE READ HIS OWN NAME] + +"Am _I_ that man who lay upon the bed?" he cried, upon his knees. + +The finger pointed from the grave to him, and back again. + +"No, Spirit! Oh no, no!" + +The finger still was there. + +"Spirit!" he cried, tight clutching at its robe, "hear me! I am not the +man I was. I will not be the man I must have been but for this +intercourse. Why show me this, if I am past all hope!" + +For the first time the hand appeared to shake. + +"Good Spirit," he pursued, as down upon the ground he fell before it: +"Your nature intercedes for me, and pities me. Assure me that I yet may +change these shadows you have shown me, by an altered life!" + +The kind hand trembled. + +"I will honour Christmas in my heart, and try to keep it all the year. I +will live in the Past, the Present, and the Future. The Spirits of all +Three shall strive within me. I will not shut out the lessons that they +teach. Oh, tell me I may sponge away the writing on this stone!" + +In his agony, he caught the spectral hand. It sought to free itself, but +he was strong in his entreaty, and detained it. The Spirit, stronger +yet, repulsed him. + +Holding up his hands in one last prayer to have his fate reversed, he +saw an alteration in the Phantom's hood and dress. It shrank, collapsed, +and dwindled down into a bedpost. + + +STAVE FIVE + +_The End of It_ + +Yes! and the bedpost was his own. The bed was his own, the room was his +own. Best and happiest of all, the Time before him was his own, to make +amends in! + +"I will live in the Past, the Present, and the Future!" Scrooge +repeated, as he scrambled out of bed. "The Spirits of all Three shall +strive within me. Oh Jacob Marley! Heaven and the Christmas Time be +praised for this! I say it on my knees, old Jacob, on my knees!" + +He was so fluttered and so glowing with his good intentions, that his +broken voice would scarcely answer to his call. He had been sobbing +violently in his conflict with the Spirit, and his face was wet with +tears. + +"They are not torn down," cried Scrooge, folding one of his bed-curtains +in his arms, "they are not torn down, rings and all. They are here: I am +here: the shadows of the things that would have been, may be dispelled. +They will be. I know they will!" + +His hands were busy with his garments all this time: turning them inside +out, putting them on upside down, tearing them, mislaying them, making +them parties to every kind of extravagance. + +"I don't know what to do!" cried Scrooge, laughing and crying in the +same breath; and making a perfect Laocoön[346-18] of himself with his +stockings. "I am as light as a feather, I am as happy as an angel, I am +as merry as a schoolboy. I am as giddy as a drunken man. A Merry +Christmas to everybody! A Happy New Year to all the world. Hallo here! +Whoop! Hallo!" + +He had frisked into the sitting-room, and was now standing there: +perfectly winded. + +"There's the saucepan that the gruel was in!" cried Scrooge, starting +off again, and frisking round the fireplace. "There's the door, by which +the Ghost of Jacob Marley entered! There's the corner where the Ghost of +Christmas Present sat! There's the window where I saw the wandering +Spirits! It's all right, it's all true, it all happened. Ha, ha, ha!" + +Really, for a man who had been out of practice for so many years, it was +a splendid laugh, a most illustrious laugh. The father of a long, long +line of brilliant laughs! + +"I don't know what day of the month it is!" said Scrooge. "I don't know +how long I've been among the Spirits. I don't know anything. I'm quite a +baby. Never mind. I don't care. I'd rather be a baby. Hallo! Whoop! +Hallo here!" + +He was checked in his transports by the churches ringing out the +lustiest peals he had ever heard. Clash, clang, hammer, ding, dong, +bell. Bell, dong, ding, hammer, clang, clash! Oh, glorious, glorious! + +Running to the window, he opened it, and put out his head. No fog, no +mist; clear, bright, jovial, stirring, cold; cold, piping for the blood +to dance to; golden sunlight; heavenly sky; sweet fresh air; merry +bells. Oh, glorious! Glorious! + +"What's to-day?" cried Scrooge, calling downward to a boy in Sunday +clothes, who perhaps had loitered in to look about him. + +"EH?" returned the boy, with all his might of wonder. + +[Illustration: HE STOOD BY THE WINDOW--GLORIOUS!] + +"What's to-day, my fine fellow?" said Scrooge. + +"To-day!" replied the boy. "Why, CHRISTMAS DAY." + +"It's Christmas Day!" said Scrooge to himself. "I haven't missed it. The +Spirits have done it all in one night. They can do anything they like. +Of course they can. Of course they can. Hallo, my fine fellow!" +"Hallo!" returned the boy. + +"Do you know the poulterer's, in the next street but one, at the +corner?" Scrooge inquired. + +"I should hope I did," replied the lad. + +"An intelligent boy!" said Scrooge. "A remarkable boy! Do you know +whether they've sold the prize turkey that was hanging up there? Not the +little prize turkey: the big one?" + +"What, the one as big as me?" returned the boy. + +"What a delightful boy!" said Scrooge. "It's a pleasure to talk to him. +Yes, my buck!" + +"It's hanging there now," replied the boy. + +"Is it?" said Scrooge. "Go and buy it." + +"Walk-ER!"[349-19] exclaimed the boy. + +"No, no," said Scrooge, "I am in earnest. Go and buy it, and tell 'em to +bring it here, that I may give them the direction where to take it. Come +back with the man, and I'll give you a shilling. Come back with him in +less than five minutes, and I'll give you half-a-crown!" + +The boy was off like a shot. He must have had a steady hand at a trigger +who could have got a shot off half so fast. + +"I'll send it to Bob Cratchit's!" whispered Scrooge, rubbing his hands, +and splitting with a laugh. "He shan't know who sends it. It's twice the +size of Tiny Tim. Joe Miller[349-20] never made such a joke as sending +it to Bob's will be!" + +The hand in which he wrote the address was not a steady one, but write +it he did, somehow, and went downstairs to open the street door, ready +for the coming of the poulterer's man. As he stood there, waiting his +arrival, the knocker caught his eye. + +"I shall love it, as long as I live!" cried Scrooge, patting it with his +hand. "I scarcely ever looked at it before. What an honest expression it +has in its face! It's a wonderful knocker!--Here's the turkey. Hallo! +Whoop! How are you! Merry Christmas!" + +It _was_ a turkey! He could never have stood upon his legs, that bird. +He would have snapped 'em short off in a minute, like sticks of +sealing-wax. + +"Why, it's impossible to carry that to Camden Town," said Scrooge. "You +must have a cab." + +The chuckle with which he said this, and the chuckle with which he paid +for the turkey, and the chuckle with which he paid for the cab, and the +chuckle with which he recompensed the boy, were only to be exceeded by +the chuckle with which he sat down breathless in his chair again, and +chuckled till he cried. + +Shaving was not an easy task, for his hand continued to shake very much; +and shaving requires attention, even when you don't dance while you are +at it. But if he had cut the end of his nose off, he would have put a +piece of sticking-plaster over it, and been quite satisfied. + +He dressed himself "all in his best," and at last got out into the +streets. The people were by this time pouring forth, as he had seen them +with the Ghost of Christmas Present; and walking with his hands behind +him, Scrooge regarded every one with a delighted smile. He looked so +irresistibly pleasant, in a word, that three or four good-humoured +fellows said, "Good morning, Sir! A Merry Christmas to you!" And Scrooge +said often afterwards, that of all the blithe sounds he had ever heard, +those were the blithest in his ears. + +He had not gone far, when coming on towards him he beheld the portly +gentleman, who had walked into his counting-house the day before and +said, "Scrooge and Marley's, I believe?" It sent a pang across his heart +to think how this old gentleman would look upon him when they met; but +he knew what path lay straight before him, and he took it. + +"My dear Sir," said Scrooge, quickening his pace, and taking the old +gentleman by both his hands. "How do you do? I hope you succeeded +yesterday. It was very kind of you. A Merry Christmas to you, Sir!" + +"Mr. Scrooge?" + +"Yes," said Scrooge. "That is my name, and I fear it may not be pleasant +to you. Allow me to ask your pardon. And will you have the +goodness"--here Scrooge whispered in his ear. + +"Lord bless me," cried the gentleman, as if his breath were gone. "My +dear Mr. Scrooge, are you serious?" + +"If you please," said Scrooge. "Not a farthing less. A great many +back-payments are included in it, I assure you. Will you do me that +favour?" + +"My dear Sir," said the other, shaking hands with him. "I don't know +what to say to such munifi----" + +"Don't say anything, please," retorted Scrooge. "Come and see me. Will +you come and see me?" + +"I will!" cried the old gentleman. And it was clear he meant to do it. + +"Thank'ee," said Scrooge. "I am much obliged to you. I thank you fifty +times. Bless you!" + +He went to church, and walked about the streets, and watched the people +hurrying to and fro, and patted children on the head, and questioned +beggars, and looked down into the kitchens of houses, and up to the +windows; and found that everything could yield him pleasure. He had +never dreamed that any walk--that anything--could give him so much +happiness. In the afternoon, he turned his steps towards his nephew's +house. He passed the door a dozen times, before he had the courage to go +up and knock. But he made a dash, and did it. + +"Is your master at home, my dear?" said Scrooge to the girl. Nice girl! +Very. + +"Yes, Sir." + +"Where is he, my love?" said Scrooge. + +"He's in the dining-room, Sir, along with mistress. I'll show you +upstairs, if you please." + +"Thank'ee. He knows me," said Scrooge, with his hand already on the +dining-room lock. "I'll go in here, my dear." + +He turned it gently, and sidled his face in, round the door. They were +looking at the table (which was spread out in great array); for these +young housekeepers are always nervous on such points, and like to see +that everything is right. + +"Fred!" said Scrooge. + +Dear heart alive, how his niece by marriage started! Scrooge had +forgotten, for the moment, about her sitting in the corner with the +footstool, or he wouldn't have done it, on any account. + +"Why bless my soul!" cried Fred, "who's that?" + +"It's I. Your uncle Scrooge. I have come to dinner. Will you let me in, +Fred?" + +Let him in! It is a mercy he didn't shake his arm off. He was at home in +five minutes. Nothing could be heartier. His niece looked just the same. +So did Topper when _he_ came. So did the plump sister, when _she_ came. +So did every one when _they_ came. Wonderful party, wonderful games, +wonderful unanimity, won-der-ful happiness! + +But he was early at the office next morning. Oh he was early there. If +he could only be there first, and catch Bob Cratchit coming late! That +was the thing he had set his heart upon. + +And he did it; yes he did! The clock struck nine. No Bob. A quarter +past. No Bob. He was full eighteen minutes and a half behind his time. +Scrooge sat with his door wide open, that he might see him come into the +Tank. His hat was off, before he opened the door; his comforter too. He +was on his stool in a jiffy; driving away with his pen, as if he were +trying to overtake nine o'clock. + +"Hallo!" growled Scrooge in his accustomed voice as near as he could +feign it. "What do you mean by coming here at this time of day?" + +"I am very sorry, Sir," said Bob. "I _am_ behind my time." + +"You are?" repeated Scrooge. "Yes. I think you are. Step this way, Sir, +if you please." + +"It's only once a year, Sir," pleaded Bob, appearing from the Tank. "It +shall not be repeated. I was making rather merry yesterday, Sir." + +"Now, I'll tell you what, my friend," said Scrooge. "I am not going to +stand this sort of thing any longer. And therefore," he continued, +leaping from his stool, and giving Bob such a dig in the waistcoat that +he staggered back into the Tank again: "and therefore I am about to +raise your salary!" + +Bob trembled, and got a little nearer to the ruler. He had a momentary +idea of knocking Scrooge down with it; holding him; and calling to the +people in the court for help and a strait-waist-coat. + +"A Merry Christmas, Bob!" said Scrooge, with an earnestness that could +not be mistaken, as he clapped him on the back. "A merrier Christmas, +Bob, my good fellow, than I have given you for many a year! I'll raise +your salary, and endeavor to assist your struggling family, and we will +discuss your affairs this very afternoon, over a Christmas bowl of +smoking bishop, Bob! Make up the fires, and buy another coal-scuttle +before you dot another i, Bob Cratchit!" + + * * * * * + +Scrooge was better than his word. He did it all, and infinitely more; +and to Tiny Tim, who did NOT die, he was a second father. He became as +good a friend, as good a master, and as good a man, as the good old city +knew, or any other good old city, town, or borough, in the good old +world. Some people laughed to see the alteration in him, but he let them +laugh, and little heeded them; for he was wise enough to know that +nothing ever happened on this globe, for good, at which some people did +not have their fill of laughter in the outset; and knowing that such as +these would be blind anyway, he thought it quite as well that they +should wrinkle up their eyes in grins, as have the malady in less +attractive forms. His own heart laughed: and that was quite enough for +him. + +[Illustration: "A MERRY CHRISTMAS, BOB!"] + +He had no further intercourse with Spirits, but lived upon the Total +Abstinence Principle, ever afterwards; and it was always said of him, +that he knew how to keep Christmas well, if any man alive possessed the +knowledge. May that be truly said of us, and all of us! And so, as Tiny +Tim observed, God Bless Us, Every One! + + +FOOTNOTES: + +[247-1] The fogs of London are famous. A genuine London fog seems not +like the heavy gray mist which we know as a fog, but, as Dickens says, +like "palpable brown air." So dense is this brown air at times that all +traffic is obliged to cease, for not even those best acquainted with the +geography of the city can find their way about. + +[251-2] _Bedlam_ is the name of a famous asylum for lunatics, in London. +In former times the treatment of the inmates was far from humane, but at +the present time the management is excellent, and a large proportion of +the inmates are cured. + +[252-3] Workhouses are establishments where paupers are cared for, a +certain amount of labor being expected from those who are able. + +[252-4] In England formerly there existed a device for the punishment of +prisoners which was known as the _treadmill_. A huge wheel, usually in +the form of a long hollow cylinder, was provided with steps about its +circumference, and made to revolve by the weight of the prisoner as he +moved from step to step. + +[253-5] Links are torches made of tow and pitch. In the days before the +invention of street lights, they were in common use in England, and they +are still seen during the dense London fogs. + +[254-6] Saint Dunstan was an English archbishop and statesman who lived +in the tenth century. + +[254-7] This is one of the best-known and oftenest-sung of Christmas +carols. In many parts of England, parties of men and boys go about for +several nights before Christmas singing carols before people's houses. +These troops of singers are known as "waits." + +[258-8] The splinter-bar is the cross-bar of a vehicle, to which the +traces of the horses are fastened. + +[261-9] There is a play on the word _bowels_ here. What Scrooge had +heard said of Marley was that he had no bowels of compassion--that is, +no pity. + +[277-10] Scrooge sees and recognizes the heroes of the books which had +been almost his only comforters in his neglected childhood. + +[284-11] "Sir Roger de Coverley" is the English name for the +old-fashioned country-dance which is called in the United States the +"Virginia Reel." + +[300-12] Biffins are an excellent variety of apples raised in England. + +[301-13] _Baker's_ here does not mean exactly what it means with us. In +England the poorer people often take their dinners to a baker's to be +cooked. + +[303-14] A _bob_, in English slang, is a shilling. + +[311-15] _Five-and-sixpence_ means five shillings and sixpence, or about +$1.32. + +[319-16] In what sense has Scrooge "resorted to the sexton's spade that +buried Jacob Marley" to cultivate the kindnesses of life? + +[320-17] "I love my love" is an old game of which there are several +slightly different forms. The player says "I love my love with an _A_ +because he's--," giving some adjective beginning with _A_; "I hate him +with an _A_ because he's--; I took him to--and fed him on--," all the +blanks being filled with words beginning with _A_. This is carried out +through the whole alphabet. + +[346-18] The Laocoön is a famous ancient statue of a Trojan priest, +Laocoön, and his two sons, struggling in the grip of two monstrous +serpents. You have doubtless seen pictures of the group. Dickens's +figure gives us a humorously exaggerated picture of Scrooge and his +stockings. + +[349-19] This is a slang expression, used to express incredulity. It has +somewhat the same meaning as the slang phrase heard in the United +States--"Over the left." + +[349-20] Joe Miller was an English comedian who lived from 1684 to 1738. +The year after his death there appeared a little book called _Joe +Miller's Jests_. These stories and jokes, however, were not written by +Miller. + + + + +CHRISTMAS IN OLD TIME + +_By_ Sir Walter Scott + + + Heap on more wood![356-1]--the wind is chill; + But let it whistle as it will, + We'll keep our Christmas merry still. + Each age has deem'd the new-born year + The fittest time for festal cheer:[356-2] + And well our Christian sires of old + Loved when the year its course had roll'd, + And brought blithe Christmas back again, + With all his hospitable train.[356-3] + Domestic and religious rite[356-4] + Gave honor to the holy night; + On Christmas Eve the bells were rung;[356-5] + On Christmas Eve the mass[356-6] was sung: + That only night in all the year, + Saw the stoled priest the chalice rear.[356-7] + The damsel donn'd her kirtle sheen;[356-8] + + The hall was dress'd with holly green; + Forth to the wood did merry-men go, + To gather in the mistletoe.[357-9] + Then open'd wide the baron's hall + To vassal,[357-10] tenant,[357-11] serf,[357-12] and all; + Power laid his rod of rule aside,[357-13] + And ceremony doff'd his pride.[357-14] + The heir, with roses in his shoes,[357-15] + That night might village partner choose;[357-16] + The lord, underogating,[357-17] share + The vulgar game of "post and pair."[357-18] + All hail'd, with uncontroll'd delight + And general voice, the happy night, + That to the cottage, as the crown, + Brought tidings of Salvation down.[357-19] + + The fire, with well-dried logs supplied, + Went roaring up the chimney wide; + The huge hall-table's oaken face, + Scrubb'd till it shone, the day to grace, + Bore then upon its massive board + No mark to part the squire and lord.[358-20] + Then was brought in the lusty brawn,[358-21] + By old blue-coated serving-man; + Then the grim boar's head frown'd on high, + Crested with bays and rosemary.[358-22] + Well can the green-garb'd ranger[358-23] tell, + How, when, and where, the monster fell; + What dogs before his death he tore, + And all the baiting of the boar.[358-24] + The wassail[358-25] round, in good brown bowls, + Garnish'd with ribbons, blithely trowls.[358-26] + + There the huge sirloin reek'd; hard by + Plum-porridge stood, and Christmas pie;[358-27] + Nor fail'd old Scotland to produce, + At such high tide, her savory goose. + Then came the merry maskers in, + And carols roar'd with blithesome din: + If unmelodious was the song, + It was a hearty note, and strong. + Who lists may in their mumming see + Traces of ancient mystery;[359-28] + White shirts supplied the masquerade, + And smutted cheeks the visors made;--[359-29] + But, O! what maskers, richly dight, + Can boast of bosoms, half so light![359-30] + England was merry England, when + Old Christmas brought his sports again. + 'Twas Christmas broach'd the mightiest ale; + 'Twas Christmas told the merriest tale; + A Christmas gambol oft could cheer + The poor man's heart through half the year. + +[Illustration] + + +FOOTNOTES: + +[356-1] Is there a stove or a fireplace in the room where the poet sees +Christmas kept? + +[356-2] What is cheer? What is festal cheer? + +[356-3] What is a "train"? How could it be called a hospitable train? +Whose train was it? + +[356-4] What is a rite? + +[356-5] What bells were rung? + +[356-6] What is a mass? + +[356-7] What is a _stoled_ priest? What is a chalice? What did the +priest do when he reared the chalice? + +[356-8] The kirtle was a dress-skirt or outer petticoat. _Sheen_ means +_gay_ or _bright_. + +[357-9] What is mistletoe? Is there anything peculiar in its habits of +growth? What did they want of it? What custom is still said to follow +the use of mistletoe at Christmastime? + +[357-10] A vassal was one of the followers of the baron and paid for +protection or for lands he held by fighting in the baron's troops or +rendering some other service. + +[357-11] A tenant held lands or houses, for which he paid some form of +rent. + +[357-12] A serf was a slave. + +[357-13] At Christmastime even the powerful were willing to cease from +ruling and join with the common people. + +[357-14] Instead of grand ceremonies, everybody joined in simple +amusements, without pride or prejudice. + +[357-15] Who was the heir? What was he heir to? Why did he have roses in +his shoes? + +[357-16] Was he permitted to dance with village maidens at any other +time? + +[357-17] Without losing any of his dignity. + +[357-18] An old-fashioned game of cards. + +[357-19] Who brought the tidings of Salvation? To whom was it brought? +Who was "the crown"? + +[358-20] A lord was one who had power and authority, while a squire was +merely an attendant upon a lord. + +[358-21] Brawn, in England, is a preparation of meat, generally sheep's +head, pig's head, hock of beef, or boar's meat, boiled and seasoned, and +run into jelly moulds. + +[358-22] What are bays? What is rosemary? Why should the boar's head be +called _crested_? Where was it? Why was it there? Why does the poet say +it _frowned_ on high? + +[358-23] Who was a ranger? What did he do? Do you see any reason for his +being green-garbed? + +[358-24] What is meant by _baiting_? Who tore the dogs? Why did he tear +them? What made the monster fall? + +[358-25] Wassail (_wossil_): the liquor in which they drank their +toasts, and which signified the good cheer of Christmastime. + +[358-26] Moves about; that is, the liquor in good brown bowls was +merrily passed along the table from hand to hand. + +[358-27] What was near the sirloin? How many kinds of meat were there on +the table? Is anything mentioned besides meat? Do you suppose they had +other things to eat? Did they have bread and vegetables? + +[359-28] In the _mumming_ or acting of these maskers could be seen +traces of the ancient mystic plays in which religious lessons were given +in plays that were acted with the approval of the church. + +[359-29] Did the maskers have rich costumes? What did they wear over +their faces? How did they conceal their clothing? + +[359-30] Does the poet think that rich maskers would enjoy their +pleasure as much as the old-fashioned Christmas merrymakers? + + + + +ELEGY + +WRITTEN IN A COUNTRY CHURCHYARD + +_By_ THOMAS GRAY + + + NOTE.--A mournful song written to express grief at the loss of some + friend or relative, and at the same time to praise the dead person, + is known as an elegy. Sometimes the word has a wider meaning, and + includes a poem which expresses the same ideas but applies them to + a class of people rather than to an individual. Such a poem is not + so personal, and for that very reason it will be appreciated by a + larger number of readers. Gray's _Elegy_ is of the latter class--is + perhaps the one great poem of that class; for in all probability + more people have loved it and found in its gentle sadness, its + exquisite phraseology and its musical lines more genuine charm than + in any similar poem in the language. + + To one who already loves it, any comments on the poem may at first + thought seem like desecration, but, on the other hand, there is so + much more in the _Elegy_ than appears at first glance that it is + worth while to read it in the light of another's eyes. Not a few + persons find some enjoyment in reading, but fall far short of the + highest pleasure because of their failure really to comprehend the + meaning of certain words and forms of expression. For that reason, + notes are appended where they may be needed. A good reader is never + troubled by notes at the bottom of the page. If they are of no + interest or benefit to him, he knows it with a glance and passes on + with his reading. If the note is helpful, he gathers the + information and returns to his reading, beginning not at the word + from which the reference was made, but at the beginning of the + sentence or stanza; then he loses nothing by going to the footnote. + + The curfew[361-1] tolls the knell[361-2] of parting day, + The lowing herd winds slowly o'er the lea, + The plowman homeward plods his weary way + And leaves the world to darkness and to me. + +[Illustration: HOMEWARD PLODS HIS WEARY WAY] + + Now fades the glimmering landscape on the sight, + And all the air a solemn stillness holds, + Save where the beetle wheels his droning flight, + And drowsy tinklings lull the distant folds;[361-3] + + Save that from yonder ivy-mantled tower[362-4] + The moping owl does to the moon complain + Of such as, wandering near her secret bower, + Molest her ancient solitary reign.[362-5] + + Beneath those rugged elms, that yew-tree's shade, + Where heaves the turf in many a mold'ring heap, + Each in his narrow cell forever laid, + The rude[362-6] forefathers of the hamlet sleep. + + The breezy call of incense-breathing morn, + The swallow twittering from the straw-built shed, + The cock's shrill clarion,[362-7] or the echoing horn, + No more shall rouse them from their lowly bed.[362-8] + + For them no more the blazing hearth shall burn, + Or busy housewife ply her evening care;[362-9] + No children run to lisp their sire's return,[363-10] + Or climb his knees the envied kiss to share. + + Oft did the harvest to their sickle yield, + Their furrow oft the stubborn glebe[363-11] has broke; + How jocund[363-12] did they drive their team a-field! + How bowed the woods beneath their sturdy stroke! + + Let not Ambition[363-13] mock their useful toil, + Their homely joys and destiny obscure; + Nor Grandeur hear, with a disdainful smile, + The short and simple annals of the poor. + + The boast of heraldry, the pomp of power, + And all that beauty, all that wealth e'er gave, + Await[363-14] alike th' inevitable hour: + The paths of glory lead but to the grave.[363-15] + + Nor you, ye proud, impute to these the fault, + If Memory o'er their tomb no trophies raise, + Where, through the long-drawn aisle[364-16] and fretted vault, + The pealing anthem swells the note of praise. + + Can storied urn or animated bust[364-17] + Back to its mansion call the fleeting breath? + Can Honour's voice provoke[364-18] the silent dust, + Or Flattery soothe the dull cold ear of Death? + + Perhaps in this neglected spot is laid + Some heart once pregnant with celestial fire;[364-19] + Hands that the rod of empire might have swayed, + Or waked to ecstasy the living lyre.[364-20] + + But Knowledge to their eyes her ample page, + Rich with the spoils of time, did ne'er unroll;[364-21] + Chill Penury repressed their noble rage, + And froze the genial current of the soul. + + Full many a gem of purest ray serene + The dark, unfathomed caves of ocean bear; + Full many a flower is born to blush unseen, + And waste its sweetness on the desert air. + + Some village Hampden, that with dauntless breast + The little tyrant of his fields withstood, + Some mute inglorious Milton here may rest-- + Some Cromwell, guiltless of his country's blood.[365-22] + + Th' applause[365-23] of listening senates to command + The threats of pain and ruin to despise, + To scatter plenty o'er a smiling land, + And read their history in a nation's eyes, + + Their lot forbade: nor circumscribed alone + Their growing virtues, but their crimes confined; + Forbade to wade through slaughter to a throne,[365-24] + And shut the gates of mercy on mankind; + + The struggling pangs of conscious truth to hide + To quench the blushes of ingenuous shame, + Or heap the shrine of Luxury and Pride + With incense kindled at the Muse's flame.[366-25] + + Far from the madding[366-26] crowd's ignoble strife, + Their sober wishes never learned to stray; + Along the cool, sequestered vale of life + They kept the noiseless tenor of their way. + + Yet ev'n these bones from insult to protect + Some frail memorial[366-27] still erected nigh, + With uncouth[366-28] rhymes and shapeless sculpture decked, + Implores the passing tribute of a sigh. + + Their name, their years, spelt by th' unlettered Muse, + The place of fame and elegy supply; + And many a holy text around she strews, + That teach the rustic moralist to die.[366-29] + + For who, to dumb Forgetfulness a prey, + This pleasing, anxious being e'er resigned, + Left the warm precincts of the cheerful day, + Nor cast one longing, ling'ring look behind?[367-30] + + On some fond breast the parting soul relies, + Some pious drops the closing eye requires; + E'en from the tomb the voice of Nature cries, + E'en in our ashes live their wonted fires. + + For thee,[367-31] who, mindful of th' unhonored dead, + Dost in these lines their artless tale relate; + If chance, by lonely Contemplation led, + Some kindred spirit shall inquire thy fate, + + Haply some hoary-headed swain may say, + "Oft have we seen him at the peep of dawn, + Brushing with hasty steps the dews away, + To meet the sun upon the upland lawn. + + "There at the foot of yonder nodding beech, + That wreathes its old fantastic roots so high, + His listless length at noontide would he stretch, + And pore upon the brook that babbles by. + + "Hard by yon wood, now smiling as in scorn, + Mutt'ring his wayward fancies, he would rove; + Now drooping, woeful-wan, like one forlorn, + Or crazed with care, or crossed in hopeless love. + + "One morn I missed him from the customed hill, + Along the heath, and near his fav'rite tree. + Another came; nor yet beside the rill, + Nor up the lawn, nor at the wood was he. + + "The next, with dirges due,[368-32] in sad array, + Slow through the church way path we saw him borne.-- + Approach and read, for thou canst read, the lay + Graved on the stone beneath yon aged thorn."[368-33] + + +THE EPITAPH + + Here rests his head upon the lap of Earth, + A youth, to Fortune and to Fame unknown: + Fair Science frowned not on his humble birth, + And Melancholy marked him for her own. + + Large was his bounty, and his soul sincere; + Heaven did a recompense as largely send: + He gave to Misery, all he had, a tear, + He gained from Heaven ('twas all he wished) a friend. + + No farther seek his merits to disclose, + Or draw his frailties from their dread abode, + (There they alike in trembling hope repose,) + The bosom of his Father and his God. + +[Illustration: THE COUNTRY CHURCHYARD] + + Thomas Gray was born in London on the twenty-sixth of December, + 1716, and received his education at Cambridge, where he lived most + of his quiet life and where he died in 1771. He was a small and + graceful man with handsome features and rather an effeminate + appearance, always dressed with extreme care. The greater part of + his life was spent in neatly furnished rooms among his books, for + he was a hard student, and became noted as one of the first + scholars of his time. Among his friends he was witty and + entertaining, but among strangers, quiet and reserved, almost + timid. He loved his mother devotedly, and after her death he kept + her dress neatly folded in his trunk, always by him. Innocent, + well-meaning, gentle and retiring, he drew many warm friends to + him, though his great learning and his fondness for giving + information made many people think him something of a prig. + + It might be considered a weakness in the _Elegy_ that it drifts + into an elegy on the writer, who becomes lost in the pathos of his + own sad end. Yet, knowing the man as we do, we can understand his + motives and forgive the seeming selfishness. He is not the only + poet whose own sorrows, real or imaginary, were his greatest + inspiration. + + The metre of the _Elegy_ had been used, before Gray's time, by Sir + John Davies for his _Immortality of the Soul_, Sir William Davenant + in his _Gondibert_, and Dryden in his _Annus Mirabilis_, and + others; but in no instance so happily as here by Gray. In the + _Elegy_ the quatrain has not the somewhat disjunctive and isolating + effect that it has in some other works where there is continuous + argument or narrative that should run on with as few metrical + hindrances as possible. It is well adapted to convey a series of + solemn reflections, and that is its work in the _Elegy_. + + +FOOTNOTES: + +[361-1] In some of our American towns and cities a curfew bell is rung +as a signal that the children must leave the streets and go to their +homes. Many years ago it was the custom in English villages to ring a +bell at nightfall as a signal for people to cover their fires with ashes +to preserve till morning, and as a signal for bed. The word _curfew_, in +fact, is from the French, and means _cover fire_. + +[361-2] The word _knell_ suggests death, and gives the first mournful +note to the poem. + +[361-3] The sheep are shut up for the night in the _folds_ or pens. What +are the _tinklings_? Why should they be called _drowsy_? + +[362-4] The poem is supposed to have been written in the yard of +Stoke-Pogis church, a little building with a square tower, the whole +covered with a riotous growth of ivy vines. The church is in the +country, not many miles from Windsor Castle; and even to this day the +beautiful landscape preserves the rural charms it had in Gray's time. We +must not suppose that Gray actually sat in the churchyard and wrote his +lines. As a matter of fact, he was a very careful and painstaking +writer, and for eight years was at work on this poem, selecting each +word so that it should express just the shade of meaning he wanted and +give the perfect melody he sought. However, he did begin the poem at +Stoke in October or November of 1742 and continued it there in November, +1749; but it was finished in Cambridge in June, 1750. + +[362-5] _Reign_ here means _dominion_ or _possessions_. Why is the bird +called a _moping_ owl? Why is her reign _solitary_? What word is +understood after _such_ in the third line of this stanza? + +[362-6] _Rude_ means _uneducated_, _uncultured_, not _ill-mannered_. + +[362-7] A clarion is a loud, clear-sounding trumpet. + +[362-8] In the church are the tombs of the wealthy and titled of the +neighborhood, and in the building and on the walls are monuments that +tell the virtues of the lordly dead. It is outside, however, under the +sod, in their narrow cells, that the virtuous poor, the real subjects of +the poet's thoughts, lie in quiet slumbers. + +[362-9] What evening cares has the busy housewife? Was she making the +clothes of her children, knitting, mending, darning, after the supper +dishes were put away? + +[363-10] Where were the children? Were they waiting for their father's +return? To whom would they run to tell of his coming? + +[363-11] The _glebe_ is the turf. Why should it be called _stubborn_? + +[363-12] _Jocund_ means _joyful_. + +[363-13] The word _Ambition_ begins with a capital letter because Gray +speaks of ambition as though it were a person. The line means, "Let not +ambitious persons speak lightly of the work the rude forefathers did." + +[363-14] The inevitable hour (death) alike awaits the boast of heraldry, +the pomp of power, and all that beauty, all that wealth e'er gave. + +[363-15] This is perhaps the most famous stanza in the poem. The +following story is told of General Wolfe as he was leading his troops to +the daring assault on Quebec in 1759: "At past midnight, when the +heavens were hung black with clouds, and the boats were floating +silently back with the tide to the intended landing-place at the chosen +ascent to the Plains of Abraham, he repeated in low tones to the +officers around him this touching stanza of Gray's _Elegy_. 'Now, +gentlemen,' said Wolfe, 'I would rather be the author of that poem than +the possessor of the glory of beating the French to-morrow!' He fell the +next day, and expired just as the shouts of the victory of the English +fell upon his almost unconscious ears." + +[364-16] Now, an aisle is the passageway between the pews or the seats +in a church or other public hall: in the poem it means the passageways +running to the sides of the main body of the church. + +[364-17] A storied urn is an urn-shaped monument on which are inscribed +the virtues of the dead. Why should a _bust_ be called _animated_? What +is the _mansion_ of _the fleeting breath_? + +[364-18] In this instance _provoke_ means what it originally meant in +the Latin language; namely, _call forth_. + +[364-19] The line means, "Some heart once filled with the heavenly +inspiration." + +[364-20] A poet or musician is said to sing, and the lyre is the +instrument with which the ancients accompanied their songs. _To wake to +ecstasy the living lyre_ is to write the noblest poetry, to sing the +most inspired songs. + +[364-21] The books of the ancients were rolls of manuscripts. Did any of +those persons resting in this neglected spot ever write great poetry, +rule empires or sing inspiring songs? If not, what prevented them from +doing such things if they had the ability? + +[365-22] At first this stanza was written thus: + + "Some village Cato, who with dauntless breast + The little tyrant of his fields withstood; + Some mute, inglorious Tully here may rest; + Some Caesar guiltless of his country's blood." + +It is interesting to notice that at his first writing Gray selected +three of the famous men of antiquity, but in his revision he substituted +the names of three of his own countrymen. Who were Hampden, Milton and +Cromwell? + +[365-23] The three stanzas beginning at this point make but one +sentence. Turned into prose the sentence would read: "Their lot forbade +them to command the applause of listening senates, to despise the +threats of pain and ruin, to scatter plenty o'er a smiling land, and +read their history in a nation's eyes: their lot not only circumscribed +their growing virtues but confined their crimes as well; it forbade them +to wade through slaughter to a throne and shut the gates of mercy on +mankind, to hide the struggling pangs of conscious truth, to quench the +blushes of ingenuous shame, and to heap the shrine of Luxury and Pride +with incense kindled at the Muse's flame." + +[365-24] This line means that they could not become rulers by fighting +and killing their fellowmen as Napoleon did not long afterward. + +[366-25] Many of the English poets wrote in praise of the wealthy and +titled in order to be paid or favored by the men they flattered. Gray +thinks that such conduct is disgraceful, and rejoices that the rude +forefathers of the hamlet were prevented from writing poetry for such an +end. The Greeks thought poetry was inspired by one of the Muses, and +genius is often spoken as a flame. + +[366-26] _Madding_ means _excited_ or _raging_. + +[366-27] The _frail memorials_ were simple headstones, similar to those +one may see in any country graveyard in America. On such headstones may +often be seen _shapeless sculpture_ that would almost provoke a smile, +were it not for its pathetic meaning. A picture of Stoke-Pogis +churchyard shows many stories of the ordinary type. + +[366-28] The rhymes were _uncouth_ in the sense that they were unlearned +and unpolished. + +[366-29] What facts were inscribed on the headstones? _Elegy_ here means +_praise_. Where were the texts strewn? Why were the texts called _holy?_ +What was the nature of the texts? Can you think of one that might have +been used? + +[367-30] This is one of the difficult stanzas, and there is some dispute +as to its exact meaning, owing to the phrase, _to dumb forgetfulness a +prey_. Perhaps the correct meaning is shown in the following prose +version: "For who has ever died (resigned this pleasing, anxious being, +left the warm precincts of this cheerful day), a prey to dumb +forgetfulness, and cast not one longing, lingering look behind?" + +[367-31] _Thee_ refers to the poet, Gray himself. The remainder of the +poem is personal. Summed up briefly it means that perhaps a sympathetic +soul may some day come to inquire as to the poet's fate, and will be +told by some hoary-headed swain a few of the poet's habits, and then +will have pointed out to him the poet's own grave, on which may be read +his epitaph. + +[368-32] _Due_ means _appropriate_ or _proper_. + +[368-33] As first written, the poem contained the following stanza, +placed before the epitaph; but in the final revision Gray rejected it as +unworthy. It seems a very critical taste that would reject such lines as +these: + + "There scatter'd oft, the earliest of the year, + By hands unseen are show'rs of violets found: + The redbreast loves to build and warble there, + And little footsteps lightly print the ground." + + + + + + +THE SHIPWRECK[371-1] + +_By_ ROBERT LOUIS STEVENSON + + +I went down, and drank my fill; and then came up, and got a blink at the +moon; and then down again. They say a man sinks the third time for good. +I cannot be made like other folk, then, for I would not like to write +how often I went down or how often I came up again. All the while, I was +being hurled along, and beaten upon and choked, and then swallowed +whole; and the thing was so distracting to my wits, that I was neither +sorry nor afraid. + +Presently, I found I was holding to a spar, which helped me somewhat. +And then all of a sudden I was in quiet water, and began to come to +myself. + +It was the spare yard I had got hold of, and I was amazed to see how far +I had traveled from the brig. I hailed her, indeed; but it was plain she +was already out of cry. She was still holding together; but whether or +not they had yet launched the boat, I was too far off and too low down +to see. + +[Illustration: I FOUND I WAS HOLDING TO A SPAR] + +While I was hailing the brig, I spied a tract of water lying between us, +where no great waves came, but which yet boiled white all over and +bristled in the moon with rings and bubbles. Sometimes the whole tract +swung to one side, like the tail of a live serpent; sometimes, for a +glimpse, it would all disappear and then boil up again. What it was I +had no guess, which for the time increased my fear of it; but I now know +it must have been the roost or tide-race, which had carried me away so +fast and tumbled me about so cruelly, and at last, as if tired of that +play, had flung out me and the spare yard upon its landward margin. + +I now lay quite becalmed, and began to feel that a man can die of cold +as well as of drowning. The shores of Earraid were close in; I could see +in the moonlight the dots of heather and the sparkling of the mica in +the rocks. + +"Well," thought I to myself, "if I cannot get as far as that, it's +strange." + +I had no skill of swimming; but when I laid hold upon the yard with both +arms, and kicked out with both feet, I soon began to find that I was +moving. Hard work it was, and mortally slow; but in about an hour of +kicking and splashing, I had got well in between the points of a sandy +bay surrounded by low hills. + +The sea was here quite quiet; there was no sound of any surf; the moon +shone clear, and I thought in my heart I had never seen a place so +desert and desolate. But it was dry land; and when at last it grew so +shallow that I could leave the yard and wade ashore upon my feet, I +cannot tell if I was more tired or more grateful. Both at least, I was; +tired as I never was before that night; and grateful to God, as I trust +I have been often, though never with more cause. + +With my stepping ashore, I began the most unhappy part of my adventures. +It was half-past twelve in the morning, and though the wind was broken +by the land, it was a cold night. I dared not sit down (for I thought I +should have frozen), but took off my shoes and walked to and fro upon +the sand, barefoot and beating my breast with infinite weariness. There +was no sound of man or cattle; not a cock crew, though it was about the +hour of their first waking; only the surf broke outside in the distance, +which put me in mind of my perils. To walk by the sea at that hour of +the morning, and in a place so desert-like and lonesome, struck me with +a kind of fear. + +As soon as the day began to break, I put on my shoes and climbed a +hill--the ruggedest scramble I ever undertook--falling, the whole way +between big blocks of granite or leaping from one to another. When I got +to the top the dawn was come. There was no sign of the brig, which must +have been lifted from the reef and sunk. The boat, too, was nowhere to +be seen. There was never a sail upon the ocean; and in what I could see +of the land, was neither house nor man. + +I was afraid to think what had befallen my ship-mates, and afraid to +look longer at so empty a scene. What with my wet clothes and weariness, +and my belly that now began to ache with hunger, I had enough to trouble +me without that. So I set off eastward along the south coast, hoping to +find a house where I might warm myself, and perhaps get news of those I +had lost. And at the worst, I considered the sun would soon rise and dry +my clothes. + +After a little, my way was stopped by a creek or inlet of the sea, which +seemed to run pretty deep into the land; and as I had no means to get +across, I must needs change my direction to go about the end of it. It +was still the roughest kind of walking; indeed the whole, not only of +Earraid, but of the neighboring part of Mull (which they call the Ross) +is nothing but a jumble of granite rocks with heather in among. At first +the creek kept narrowing as I had looked to see; but presently to my +surprise it began to widen out again. At this I scratched my head, but +had still no notion of the truth; until at last I came to a rising +ground, and it burst upon me all in a moment that I was cast upon a +little, barren isle, and cut off on every side by the salt seas. + +Instead of the sun rising to dry me, it came on to rain, with a thick +mist; so that my case was lamentable. + +I stood in the rain, and shivered, and wondered what to do, till it +occurred to me that perhaps the creek was fordable. Back I went to the +narrowest point, and waded in. But not three yards from shore, I plunged +in head over ears; and if ever I was heard of more it was rather by +God's grace than my own prudence. I was no wetter (for that could hardly +be), but I was all the colder for this mishap; and having lost another +hope, was the more unhappy. + +And now, all at once, the yard came in my head. What had carried me +through the roost, would surely serve to cross this little quiet creek +in safety. With that I set off, undaunted, across the top of the isle, +to fetch and carry it back. It was a weary tramp in all ways, and if +hope had not buoyed me up, I must have cast myself down and given up. +Whether with the sea salt, or because I was growing fevered, I was +distressed with thirst, and had to stop, as I went, and drink the peaty +water out of the hags. + +I came to the bay at last, more dead than alive; and at the first +glance, I thought the yard was something further out than when I left +it. In I went, for the third time, into the sea. The sand was smooth and +firm and shelved gradually down; so that I could wade out till the water +was almost to my neck and the little waves splashed into my face. But at +that depth my feet began to leave me and I durst venture no farther. As +for the yard, I saw it bobbing very quietly some twenty feet in front of +me. + +I had borne up well until this last disappointment; but at that I came +ashore, and flung myself down upon the sands and wept. + +The time I spent upon the island is still so horrible a thought to me, +that I must pass it lightly over. In all the books I have read of people +cast away, they had either their pockets full of tools, or a chest of +things would be thrown upon the beach along with them, as if on purpose. +My case was very different. I had nothing in my pockets but money; and +being inland bred, I was as much short of knowledge as of means. + +I knew indeed that shell-fish were counted good to eat; and among the +rocks of the isle I found a great plenty of limpets, which at first I +could scarcely strike from their places, not knowing quickness to be +needful. There were, besides, some of the little shells that we call +buckies; I think periwinkle is the English name. Of these two I made my +whole diet, devouring them cold and raw as I found them; and so hungry +was I, that at first they seemed to me delicious. + +Perhaps they were out of season, or perhaps there was something wrong in +the sea about my island. But at least I had no sooner eaten my first +meal than I was seized with giddiness and retching, and lay for a long +time no better than dead. A second trial of the same food (indeed I had +no other) did better with me and revived my strength. But as long as I +was on the island, I never knew what to expect when I had eaten; +sometimes all was well, and sometimes I was thrown into a miserable +sickness; nor could I ever distinguish what particular fish it was that +hurt me. + +All day it streamed rain; the island ran like a sop, there was no dry +spot to be found; and when I lay down that night, between two boulders +that made a kind of roof, my feet were in a bog. + +The second day, I crossed the island to all sides. There was no one part +of it better than another; it was all desolate and rocky; nothing living +on it but game birds which I lacked the means to kill, and the gulls +which haunted the outlying rocks in a prodigious number. But the creek, +or straits, that cut off the isle from the main land of the Ross, opened +out on the north into a bay, and the bay again opened into the Sound of +Iona; and it was the neighborhood of this place that I chose to be my +home; though if I had thought upon the very name of home in such a spot, +I must have burst out crying. + +I had good reasons for my choice. There was in this part of the isle a +little hut of a house like a pig's hut, where fishers used to sleep when +they came there upon their business; but the turf roof of it had fallen +entirely in; so that the hut was of no use to me, and gave me less +shelter than my rocks. What was more important, the shell-fish on which +I lived grew there in great plenty; when the tide was out I could gather +a peck at a time: and this was doubtless a convenience. But the other +reason went deeper. I had become in no way used to the horrid solitude +of the isle, but still looked round me on all sides (like a man that was +hunted) between fear and hope that I might see some human creature +coming. Now, from a little up the hillside over the bay, I could catch a +sight of the great, ancient church and the roofs of the people's houses +in Iona. And on the other hand, over the low country of the Ross, I saw +smoke go up, morning and evening, as if from a homestead in a hollow of +the land. + +I used to watch this smoke, when I was wet and cold, and had my head +half turned with loneliness; and think of the fireside and the company, +till my heart burned. It was the same with the roofs of Iona. +Altogether, this sight I had of men's homes and comfortable lives, +although it put a point on my own sufferings, yet it kept hope alive, +and helped me to eat my raw shell-fish (which had soon grown to be a +disgust) and saved me from the sense of horror I had whenever I was +quite alone with dead rocks, and fowls, and the rain, and the cold sea. + +I say it kept hope alive; and indeed it seemed impossible that I should +be left to die on the shores of my own country, and within view of a +church tower and the smoke of men's houses. But the second day passed; +and though as long as the light lasted I kept a bright lookout for boats +on the sound or men passing on the Ross, no help came near me. It still +rained; and I turned in to sleep, as wet as ever and with a cruel sore +throat, but a little comforted, perhaps, by having said good-night to my +next neighbors, the people of Iona. + +Charles the Second declared a man could stay out doors more days in the +year in the climate of England than in any other. This was very like a +king with a palace at his back and changes of dry clothes. But he must +have had better luck than I had on that miserable isle. It was the +height of the summer; yet it rained for more than twenty-four hours, and +did not clear until the afternoon of the third day. + +This was the day of incidents. In the morning I saw a red deer, a buck +with a fine spread of antlers, standing in the rain on the top of the +island; but he had scarce seen me rise from under my rock, before he +trotted off upon the other side. I supposed he must have swum the +straits; though what should bring any creature to Earraid, was more than +I could fancy. + +A little later, as I was jumping about after my limpets, I was startled +by a guinea piece, which fell upon a rock in front of me and glanced off +into the sea. When the sailors gave me my money again, they kept back +not only about a third of the whole sum, but my father's leather purse; +so that from that day out, I carried my gold loose in a pocket with a +button. I now saw there must be a hole, and clapped my hand to the place +in a great hurry. But this was to lock the stable door after the steed +was stolen. I had left the shore at Queensferry with near on fifty +pounds; now I found no more than two guinea pieces and a silver +shilling. + +It is true I picked up a third guinea a little after, where it lay +shining on a piece of turf. That made a fortune of three pounds and four +shillings, English money, for a lad, the rightful heir of an estate, and +now starving on an isle at the extreme end of the wild Highlands. + +This state of my affairs dashed me still further; and indeed my plight +on that third morning was truly pitiful. My clothes were beginning to +rot; my stockings in particular were quite worn through, so that my +shanks went naked; my hands had grown quite soft with the continual +soaking; my throat was very sore, my strength had much abated, and my +heart so turned against the horrid stuff I was condemned to eat, that +the very sight of it came near to sicken me. + +And yet the worst was not yet come. + +There is a pretty high rock on the northwest of Earraid, which (because +it had a flat top and overlooked the sound) I was much in the habit of +frequenting; not that ever I stayed in one place, save when asleep, my +misery giving me no rest. Indeed, I wore myself down with continual and +aimless goings and comings in the rain. + +As soon, however, as the sun came out, I lay down on the top of that +rock to dry myself. The comfort of the sunshine is a thing I cannot +tell. It set me thinking hopefully of my deliverance, of which I had +begun to despair; and I scanned the sea and the Ross with a fresh +interest. + +On the south of my rock, a part of the island jutted out and hid the +open ocean, so that a boat could thus come quite near me upon that side, +and I be none the wiser. + +Well, all of a sudden, a coble[381-2] with a brown sail and a pair of +fishers aboard of it, came flying round that corner of the isle, bound +for Iona. I shouted out, and then fell on my knees on the rock and +reached up my hands and prayed to them. They were near enough to hear--I +could even see the color of their hair; and there was no doubt but they +observed me, for they cried out in the Gaelic tongue and laughed. But +the boat never turned aside, and flew on, right before my eyes, for +Iona. + +I could not believe such wickedness, and ran along the shore from rock +to rock, crying on them piteously; even after they were out of reach of +my voice, I still cried and waved to them; and when they were quite +gone, I thought my heart would have burst. All the time of my troubles, +I wept only twice. Once, when I could not reach the oar; and now, the +second time, when these fishers turned a deaf ear to my cries. But this +time I wept and roared like a wicked child, tearing up the turf with my +nails and grinding my face in the earth. If a wish would kill men, those +two fishers would never have seen morning; and I should likely have died +upon my island. + +When I was a little over my anger, I must eat again, but with such +loathing of the mess as I could now scarcely control. Sure enough, I +should have done as well to fast, for my fishes poisoned me again. I had +all my first pains; my throat was so sore I could scarce swallow; I had +a fit of strong shuddering, which clucked my teeth together; and there +came on me that dreadful sense of illness, which we have no name for +either in Scotch or English. I thought I should have died, and made my +peace with God, forgiving all men, even my uncle and the fishers; and as +soon as I had thus made up my mind to the worst, clearness came upon me: +I observed the night was falling dry; my clothes were dried a good deal; +truly, I was in a better case than ever before since I had landed on the +isle; and so I got to sleep at last, with a thought of gratitude. + +The next day (which was the fourth of this horrible life of mine) I +found my bodily strength run very low. But the sun shone, the air was +sweet, and what I managed to eat of the shell-fish agreed well with me +and revived my courage. + +I was scarce back on my rock (where I went always the first thing after +I had eaten) before I observed a boat coming down the sound and with her +head, as I thought, in my direction. + +I began at once to hope and fear exceedingly; for I thought these men +might have thought better of their cruelty and be coming back to my +assistance. But another disappointment such as yesterday's was more than +I could bear. I turned my back, accordingly, upon the sea, and did not +look again till I had counted many hundreds. The boat was still heading +for the island. The next time I counted the full thousand, as slowly as +I could, my heart beating so as to hurt me. And then it was out of all +question. She was coming straight to Earraid! + +I could no longer hold myself back, but ran to the seaside and out, from +one rock to another, as far as I could go. It is a marvel I was not +drowned; for when I was brought to a stand at last, my legs shook under +me, and my mouth was so dry, I must wet it with the sea water before I +was able to shout. + +All this time the boat was coming on; and now I was able to perceive it +was the same boat and the same two men as yesterday. This I knew by +their hair, which the one had of a bright yellow and the other black. +But now there was a third man along with them, who looked to be of a +better class. + +As soon as they were come within easy speech, they let down their sail +and lay quiet. In spite of my supplications, they drew no nearer in, and +what frightened me most of all, the new man tee-hee'd with laughter as +he talked and looked at me. + +Then he stood up in the boat and addressed me a long while, speaking +fast and with many wavings of his hand. I told him I had no Gaelic; and +at this he became very angry, and I began to suspect he thought he was +talking English. Listening very close, I caught the word, "whateffer," +several times; but all the rest was Gaelic, and might have been Greek +and Hebrew for me. + +"Whateffer," said I, to show him I had caught a word. + +"Yes, yes--yes, yes," says he, and then he looked at the other men, as +much as to say, "I told you I spoke English," and began again as hard as +ever in the Gaelic. + +This time I picked out another word, "tide." Then I had a flash of hope. +I remembered he was always waving his hand toward the mainland of the +Ross. + +"Do you mean when the tide is out----?" I cried, and could not finish. + +"Yes, yes," said he. "Tide." + +At that I turned tail upon their boat (where my adviser had once more +begun to tee-hee with laughter), leaped back the way I had come, from +one stone to another, and set off running across the isle as I had never +run before. In about half an hour I came out upon the shores of the +creek; and, sure enough, it was shrunk into a little trickle of water, +through which I dashed, not above my knees, and landed with a shout on +the main island. + +A sea-bred boy would not have stayed a day on Earraid; which is only +what they call a tidal islet; and except in the bottom of the neaps, can +be entered and left twice in every twenty-four hours, either dry-shod, +or at the most by wading. Even I, who had the tide going out and in +before me in the bay, and even watched for the ebbs, the better to get +my shell-fish--even I (I say), if I had sat down to think, instead of +raging at my fate, must have soon guessed the secret and got free. It +was no wonder the fishers had not understood me. The wonder was rather +that they had ever guessed my pitiful illusion, and taken the trouble to +come back. I had starved with cold and hunger on that island for close +upon one hundred hours. But for the fishers, I might have left my bones +there, in pure folly. + +And even as it was, I had paid for it pretty dear, not only in past +sufferings, but in my present case; being clothed like a beggar-man, +scarce able to walk, and in great pain of my sore throat. + +I have seen wicked men and fools, a great many of both; and I believe +they both get paid in the end; but the fools first. + + +FOOTNOTES: + +[371-1] This selection is from _Kidnapped_, the story of a young man, +David Balfour by name, who, by the treachery of an uncle who has usurped +David's right to the family estate and fortune, is taken by force on +board a brig bound for the Carolinas in North America. In the Carolinas, +according to the compact made between David's uncle and the captain of +the brig, David is to be sold. He is saved from this fate by the sinking +of the brig. The selection as here given begins at the point where David +is washed from the deck into the sea. The Island of Earraid is a small, +unimportant island off the coast of Scotland. + +[381-2] A coble is a small boat used in fishing. + + + + +ELEPHANT HUNTING + +_By_ ROUALEYN GORDON CUMMING + + + NOTE.--Mr. Cumming, a native of Scotland, was always passionately + fond of hunting. Even in boyhood he devoted most of his time to + sports of the field, and showed a great fondness for all forms of + natural history. + + For a time he served in the English army in India, and hunted the + big game of those regions. However, he was not satisfied with this, + and after a visit to Newfoundland, which was more disappointing to + him, he went to Africa and there spent five adventurous years + hunting and exploring. + + Throughout this time he kept a journal of his exploits and + adventures, and it is from this journal that he wrote his _A + Hunter's Life Among Lions, Elephants and Other Wild Animals of + South Africa_, from which the following selection is taken. We may + judge from his account that he did not find Africa as disappointing + as India and Newfoundland had proved. + + His style is not that of a literary man, but he has the happy + faculty of presenting things in a very vivid manner, so that we are + willing to make some allowance for faults in style. He was + conscious of his weakness in this matter, and partially explained + it by saying, "The hand, wearied all day with the grasping of a + rifle, is not the best suited for wielding the pen." + +On the 25th, at dawn of day, we inspanned, and trekked about five hours +in a northeasterly course, through a boundless open country sparingly +adorned with dwarfish old trees. In the distance the long-sought +mountains of Bamangwato at length loomed blue before me. We halted +beside a glorious fountain, which at once made me forget all the cares +and difficulties I had encountered in reaching it. The name of this +fountain was Massouey, but I at once christened it "the Elephant's own +Fountain." This was a very remarkable spot on the southern borders of +endless elephant forests, at which I had at length arrived. The fountain +was deep and strong, situated in a hollow at the eastern extremity of an +extensive vley,[386-1] and its margin was surrounded by a level stratum +of solid old red sandstone. Here and there lay a thick layer of soil +upon the rock, and this was packed flat with the fresh spoor of +elephants. Around the water's edge the very rock was worn down by the +gigantic feet which for ages had trodden there. + +The soil of the surrounding country was white and yellow sand, but +grass, trees, and bushes were abundant. From the borders of the fountain +a hundred well-trodden elephant foot-paths led away in every direction, +like the radii of a circle. The breadth of these paths was about three +feet; those leading to the northward and east were the most frequented, +the country in those directions being well wooded. We drew up the wagons +on a hillock on the eastern side of the water. This position commanded a +good view of any game that might approach to drink. I had just cooked my +breakfast, and commenced to feed, when I heard my men exclaim, "Almagtig +keek de ghroote clomp cameel;" and, raising my eyes from the +sassaby[386-2] stew, I beheld a truly beautiful and very unusual scene. + +From the margin of the fountain there extended an open level vley, +without a tree or bush, that stretched away about a mile to the +northward, where it was bounded by extensive groves of wide-spreading +mimosas. Up the middle of the vley stalked a troop of ten colossal +giraffes, flanked by two large herds of blue wildebeests and zebras, +with an advanced guard of pallahs. They were all coming to the fountain +to drink, and would be within rifle-shot of the wagons before I could +finish my breakfast. I, however, continued to swallow my food with the +utmost expedition, having directed my men to catch and saddle Colesberg. +In a few minutes the giraffes were slowly advancing within two hundred +yards, stretching their graceful necks, and gazing in wonder at the +unwonted wagons. + +Grasping my rifle, I now mounted Colesberg, and rode slowly toward them. +They continued gazing at the wagons until I was within one hundred yards +of them, when, whisking their long tails over their rumps, they made off +at an easy canter. As I pressed upon them they increased their pace; but +Colesberg had much the speed of them, and before we proceeded half a +mile I was riding by the shoulder of the dark-chestnut old bull, whose +head towered high above the rest. Letting fly at the gallop, I wounded +him behind the shoulder; soon after which I broke him from the herd, and +presently, going ahead of him, he came to a stand. I then gave him a +second bullet, somewhere near the first. These two shots had taken +effect, and he was now in my power, but I would not lay him low so far +from camp; so, having waited until he had regained his breath, I drove +him half way back toward the wagons. Here he became obstreperous; so, +loading one barrel, and pointing my rifle toward the clouds, I shot him +in the throat, when, rearing high, he fell backward and expired. + +This was a magnificent specimen of the giraffe, measuring upward of +eighteen feet in height. I stood for nearly half an hour engrossed in +the contemplation of his extreme beauty and gigantic proportions; and, +if there had been no elephants, I could have exclaimed, like Duke +Alexander of Gordon when he killed the famous old stag with seventeen +tine, "Now I can die happy." But I longed for an encounter with the +noble elephants, and I thought little more of the giraffe than if I had +killed a gemsbok or an eland. + +In the afternoon I removed my wagons to a correct distance from the +fountain, and drew them up among some bushes about four hundred yards to +leeward of the water. In the evening I was employed in manufacturing +hardened bullets for the elephants, using a composition of one of pewter +to four of lead; and I had just completed my work, when we heard a troop +of elephants splashing and trumpeting in the water. This was to me a +joyful sound; I slept little that night. + +On the 26th I arose at earliest dawn, and, having fed four of my horses, +proceeded with Isaac to the fountain to examine the spoor of the +elephants which had drunk there during the night. A number of the paths +contained fresh spoor of elephants of all sizes, which had gone from the +fountain in different directions. We reckoned that at least thirty of +these gigantic quadrupeds had visited the water during the night. + +We hastily returned to camp, where, having breakfasted, I saddled up, +and proceeded to take up the spoor of the largest bull elephant, +accompanied by after-riders and three of the guides to assist in +spooring. I was also accompanied by my dogs. Having selected the spoor +of a mighty bull, the Bechuanas went ahead and I followed them. It was +extremely interesting and exciting work. The footprint of this elephant +was about two feet in diameter, and was beautifully visible in the soft +sand. The spoor at first led us for about three miles in an easterly +direction, along one of the sandy foot-paths, without a check. We then +entered a very thick forest, and the elephant had gone a little out of +the path to smash some trees, and to plow up the earth with his tusks. +He soon, however, again took the path, and held along it for several +miles. + +We were on rather elevated ground, with a fine view of a part of the +Bamangwato chain of mountains before us. Here the trees were large and +handsome, but not strong enough to resist the inconceivable strength of +the mighty monarchs of these forests. Almost every tree had half its +branches broken short by them, and at every hundred yards I came upon +entire trees, and these the largest in the forest, uprooted clean out of +the ground, or broken short across their stems. I observed several large +trees placed in an inverted position, having their roots uppermost in +the air. Our friend had here halted, and fed for a long time upon a +large, wide-spreading tree, which he had broken short across within a +few feet of the ground. After following the spoor some distance further +through the dense mazes of the forest, we got into ground so thickly +trodden by elephants that we were baffled in our endeavors to trace the +spoor any further; and after wasting several hours in attempting by +casts to take up the proper spoor, we gave it up, and with a sorrowful +heart I turned my horse's head toward camp. + +Having reached the wagons, while drinking my coffee I reviewed the whole +day's work, and felt much regret at my want of luck in my first day's +elephant hunting, and I resolved that night to watch the water, and try +what could be done with elephants by night shooting. I accordingly +ordered the usual watching-hole to be constructed, and, having placed my +bedding in it, repaired thither shortly after sundown. I had lain about +two hours in the hole, when I heard a low rumbling noise like distant +thunder, caused (as the Bechuanas affirmed) by the bowels of the +elephants which were approaching the fountain. I lay on my back, with my +mouth open, attentively listening, and could hear them plowing up the +earth with their tusks. Presently they walked up to the water, and +commenced drinking within fifty yards of me. + +They approached with so quiet a step that I fancied it was the footsteps +of jackals which I had heard, and I was not aware of their presence +until I heard the water, which they had drawn up in their trunks and +were pouring into their mouths, dropping into the fountain. I then +peeped from my sconce with a beating heart, and beheld two enormous bull +elephants, which looked like two great castles, standing before me. I +could not see very distinctly, for there was only starlight. Having lain +on my breast some time taking my aim, I let fly at one of the +elephants, using the Dutch rifle carrying six to the pound. The ball +told loudly on his shoulder, and, uttering a loud cry, he stumbled +through the fountain, when both made off in different directions. + +All night large herds of zebras and blue wildebeests capered around me, +coming sometimes within a few yards. Several parties of rhinoceroses +also made their appearance. I felt a little apprehensive that lions +might visit the fountain, and every time that hyaenas or jackals lapped +the water I looked forth, but no lions appeared. At length I fell into a +sound sleep, nor did I awake until the bright star of morn had shot far +above the eastern horizon. + +Before proceeding further with my narrative, it may here be interesting +to make a few remarks on the African elephant and his habits. The +elephant is widely diffused through the vast forests, and is met with in +herds of various numbers. The male is very much larger than the female, +consequently much more difficult to kill. He is provided with two +enormous tusks. These are long, tapering, and beautifully arched; their +length averages from six to eight feet, and they weigh from sixty to a +hundred pounds each. In the vicinity of the equator the elephants attain +to a greater size than to the southward; and I am in the possession of a +pair of tusks of the African bull elephant, the larger of which measures +ten feet nine inches in length, and weighs one hundred and seventy-three +pounds. The females, unlike Asiatic elephants in this respect, are +likewise provided with tusks. Old bull elephants are found singly or in +pairs, or consorting together in small herds, varying from six to twenty +individuals. The younger bulls remain for many years in the company of +their mothers, and these are met together in large herds of from twenty +to a hundred individuals. The food of the elephant consists of the +branches, leaves, and roots of trees, and also of a variety of bulbs, of +the situation of which he is advised by his exquisite sense of smell. To +obtain these he turns up the ground with his tusks, and whole acres may +be seen thus plowed up. Elephants consume an immense quantity of food, +and pass the greater part of the day and night in feeding. Like the +whale in the ocean, the elephant on land is acquainted with, and roams +over, wide and extensive tracts. He is extremely particular in always +frequenting the freshest and most verdant districts of the forest; and +when one district is parched and barren, he will forsake it for years, +and wander to great distances in quest of better pasture. + +The elephant entertains an extraordinary horror of man, and a child can +put a hundred of them to flight by passing at a quarter of a mile to +windward; and when thus disturbed, they go a long way before they halt. +It is surprising how soon these sagacious animals are aware of the +presence of a hunter in their domains. When one troop has been attacked, +all the other elephants frequenting the district are aware of the fact +within two or three days, when they all forsake it, and migrate to +distant parts, leaving the hunter no alternative but to inspan his +wagons, and remove to fresh ground. This constitutes one of the greatest +difficulties which a skilful elephant-hunter encounters. Even in the +most remote parts, which may be reckoned the headquarters of the +elephant, it is only occasionally, and with inconceivable toil and +hardship, that the eye of the hunter is cheered by the sight of one. +Owing to habits peculiar to himself, the elephant is more inaccessible, +and much more rarely seen, than any other game quadruped, excepting +certain rare antelopes. They choose for their resort the most lonely and +secluded depths of the forest, generally at a very great distance from +the rivers and fountains at which they drink. In dry and warm weather +they visit these waters nightly, but in cool and cloudy weather they +drink only once every third or fourth day. About sundown the elephant +leaves his distant midday haunt, and commences his march toward the +fountain, which is probably from twelve to twenty miles distant. This he +generally reaches between the hours of nine and midnight, when, having +slaked his thirst and cooled his body by spouting large volumes of water +over his back with his trunk, he resumes the path to his forest +solitudes. Having reached a secluded spot, I have remarked that +full-grown bulls lie down on their broad-sides, about the hour of +midnight, and sleep for a few hours. The spot which they usually select +is an ant-hill, and they lie around it with their backs resting against +it; these hills, formed by the white ants, are from thirty to forty feet +in diameter at their base. The mark of the under tusk is always deeply +imprinted in the ground, proving that they lie upon their sides. I never +remarked that females had thus lain down, and it is only in the more +secluded districts that the bulls adopt this practice; for I observed +that, in districts where the elephants were liable to frequent +disturbance, they took repose standing on their legs beneath some shady +tree. + +Having slept, they then proceed to feed extensively. Spreading out from +one another, and proceeding in a zigzag course, they smash and destroy +all the finest trees in the forest which happen to lie in their course. +The number of goodly trees which a herd of bull elephants will thus +destroy is utterly incredible. They are extremely capricious, and on +coming to a group of five or six trees, they break down not unfrequently +the whole of them, when, having perhaps only tasted one or two small +branches, they pass on and continue their wanton work of destruction. I +have repeatedly ridden through forests where the trees thus broken lay +so thick across one another that it was almost impossible to ride +through the district, and it is in situations such as these that +attacking the elephant is attended with most danger. During the night +they will feed in open plains and thinly-wooded districts, but as day +dawns they retire to the densest covers within reach, which nine times +in ten are composed of the impracticable wait-a-bit thorns, and here +they remain drawn up in a compact herd during the heat of the day. In +remote districts, however, and in cool weather, I have known herds to +continue pasturing throughout the whole day. + +The appearance of the wild elephant is inconceivably majestic and +imposing. His gigantic height and colossal bulk, so greatly surpassing +all other quadrupeds, combined with his sagacious disposition and +peculiar habits, impart to him an interest in the eyes of the hunter +which no other animal can call forth. The pace of the elephant, when +undisturbed, is a bold, free, sweeping step; and from the peculiar +spongy formation of his foot, his tread is extremely light and +inaudible, and all his movements are attended with a peculiar gentleness +and grace. This, however, only applies to the elephant when roaming +undisturbed in his jungle; for, when roused by the hunter, he proves the +most dangerous enemy, and far more difficult to conquer than any other +beast of the chase. + +On the 27th, as day dawned, I left my shooting-hole, and proceeded to +inspect the spoor of my wounded elephant. After following it for some +distance I came to an abrupt hillock, and fancying that from the summit +a good view might be obtained of the surrounding country, I left my +followers to seek the spoor while I ascended. I did not raise my eyes +from the ground until I had reached the highest pinnacle of rock. I then +looked east, and, to my inexpressible gratification, beheld a troop of +nine or ten elephants quietly browsing within a quarter of a mile of me. +I allowed myself only one glance at them, and then rushed down to warn +my followers to be silent. A council of war was hastily held, the result +of which was my ordering Isaac to ride hard to camp, with instructions +to return as quickly as possible, accompanied by Kleinboy, and to bring +me my dogs, the large Dutch rifle, and a fresh horse. I once more +ascended the hillock to feast my eyes upon the enchanting sight before +me, and, drawing out my spy-glass, narrowly watched the motions of the +elephants. The herd consisted entirely of females, several of which were +followed by small calves. + +Presently on reconnoitering the surrounding country, I discovered a +second herd, consisting of five bull elephants, which were quietly +feeding about a mile to the northward. The cows were feeding toward a +rocky ridge that stretched away from the base of the hillock on which I +stood. Burning with impatience to commence the attack, I resolved to try +the stalking system with these, and to hunt the troop of bulls with dogs +and horses. Having thus decided, I directed the guides to watch the +elephants from the summit of the hillock, and with a beating heart I +approached them. The ground and wind favoring me, I soon gained the +rocky ridge toward which they were feeding. They were now within one +hundred yards, and I resolved to enjoy the pleasure of watching their +movements for a little before I fired. They continued to feed slowly +toward me, breaking the branches from the trees with their trunks, and +eating the leaves and tender shoots. I soon selected the finest in the +herd, and kept my eye on her in particular. At length two of the troop +had walked slowly past at about sixty yards, and the one which I had +selected was feeding with two others, on a thorny tree before me. + +My hand was now as steady as the rock on which it rested; so, taking a +deliberate aim, I let fly at her head a little behind the eye. She got +it hard and sharp, just where I aimed, but it did not seem to affect her +much. Uttering a loud cry, she wheeled about, when I gave her the second +ball close behind the shoulder. All the elephants uttered a strange +rumbling noise, and made off in a line to the northward at a brisk, +ambling pace, their huge, fan-like ears flapping in the ratio of their +speed. I did not wait to load, but ran back to the hillock to obtain a +view. On gaining its summit the guides pointed out the elephants; they +were standing in a grove of shady trees, but the wounded one was some +distance behind with another elephant, doubtless its particular friend, +who was endeavoring to assist it. These elephants had probably never +before heard the report of a gun, and, having neither seen nor smelt me, +they were unaware of the presence of man, and did not seem inclined to +go any further. Presently my men hove in sight, bringing the dogs and +when these came up, I waited some time before commencing the attack, +that the dogs and horses might recover their wind. We then rode slowly +toward the elephants, and had advanced within two hundred yards of them, +when, the ground being open, they observed us, and made off in an +easterly direction; but the wounded one immediately dropped astern, and +the next moment was surrounded by the dogs, which, barking angrily, +seemed to engross her attention. + +[Illustration: WITH BEATING HEART I APPROACHED A VIEW] + +Having placed myself between her and the retreating troop, I dismounted +to fire within forty yards of her, in open ground. Colesberg was +extremely afraid of the elephants, and gave me much trouble, jerking my +arm when I tried to fire. At length I let fly; but, on endeavoring to +regain my saddle, Colesberg declined to allow me to mount; and when I +tried to lead him, and run for it, he only backed toward the wounded +elephant. At this moment I heard another elephant close behind; and on +looking about, I beheld the "friend," with uplifted trunk, charging down +upon me at top speed, shrilly trumpeting, and following an old black +pointer name Schwart, that was perfectly deaf, and trotted along before +the enraged elephant quite unaware of what was behind him. I felt +certain that she would have either me or my horse. I, however, +determined not to relinquish my steed, but to hold on by the bridle. My +men, who of course kept at a safe distance, stood aghast with their +mouths open, and for a few seconds my position was certainly not an +enviable one. Fortunately, however, the dogs took off the attention of +the elephants; and just as they were upon me, I managed to spring into +the saddle, where I was safe. As I turned my back to mount, the +elephants were so very near that I really expected to feel one of their +trunks lay hold of me. I rode up to Kleinboy for my double-barreled +two-grooved rifle; he and Isaac were pale and almost speechless with +fright. Returning to the charge, I was soon once more alongside, and, +firing from the saddle, I sent another brace of bullets into the wounded +elephant. Colesberg was extremely unsteady, and destroyed the +correctness of my aim. + +The friend now seemed resolved to do some mischief, and charged me +furiously, pursuing me to a distance of several hundred yards. I +therefore deemed it proper to give her a gentle hint to act less +officiously, and, accordingly, having loaded, I approached within thirty +yards, and gave it her sharp, right and left, behind the shoulder, upon +which she at once made off with drooping trunk, evidently with a mortal +wound. I never recur to this my first day's elephant shooting without +regretting my folly in contenting myself with securing only one +elephant. The first was now dying, and could not leave the ground, and +the second was also mortally wounded, and I had only to follow and +finish her; but I foolishly allowed her to escape, while I amused myself +with the first, which kept walking backward, and standing by every tree +she passed. Two more shots finished her: on receiving them, she tossed +her trunk up and down two or three times, and, falling on her broadside +against a thorny tree, which yielded like grass, before her enormous +weight, she uttered a deep, hoarse cry and expired. This was a very +handsome old cow elephant, and was decidedly the best in the troop. She +was in excellent condition, and carried a pair of long and perfect +tusks. + +I was in high spirits at my success, and felt so perfectly satisfied +with having killed one, that, although it was still early in the day, +and my horses were fresh, I allowed the troop of five bulls to remain +unmolested, foolishly trusting to fall in with them next day. How little +did I then know of the habits of elephants, or the rules to be adopted +in hunting them, or deem it probable I should never see them more! + +Having knee-haltered our horses, we set to work with our knives and +assagais to prepare the skull for the hatchet, in order to cut out the +tusks, nearly half the length of which, I may mention, is imbedded in +bone sockets in the fore part of the skull. To cut out the tusks of a +cow elephant requires barely one-fifth of the labor requisite to cut out +those of a bull; and when the sun went down, we had managed by our +combined efforts to cut out one of the tusks of my first elephant, with +which we triumphantly returned to camp, having left the guides in charge +of the carcass, where they volunteered to take up their quarters for the +night. On reaching my wagons I found Johannus and Carollus in a happy +state of indifference to all passing events: they were both very drunk, +having broken into my wine-cask and spirit-case. + +On the 28th I arose at an early hour, and, burning with anxiety to look +forth once more from the summit of the hillock which the day before +brought me such luck, I made a hasty breakfast, and rode thither with +after-riders and my dogs. But, alas! I had allowed the golden +opportunity to slip. This day I sought in vain; and although I often +again ascended to the summit of my favorite hillock in that and in the +succeeding year, my eyes were destined never again to hail from it a +troop of elephants. + +[Illustration] + + +FOOTNOTES: + +[386-1] A vley is a swamp or morass. + +[386-2] The sassaby is a large African antelope, resembling the +hartbeest, but having regularly curved horns. + + + + +SOME CLEVER MONKEYS[402-*] + +_By_ THOMAS BELT + + +On the dryer ridges near the Artigua River, a valuable timber tree, the +"nispera," as it is called by the native, is common. It grows to a great +size, and its timber is almost indestructible; so that we used it in the +construction of all our permanent works. White ants do not eat it, nor, +excepting when first cut, and before it is barked, do any of the +wood-boring beetles. It bears a round fruit about the size of an apple, +hard and heavy when green, and at this time is much frequented by the +large yellowish-brown spider-monkey, which roams over the tops of the +trees in bands of from ten to twenty. Sometimes they lay quiet until I +was passing underneath, when, shaking a branch of the nispera tree, they +would send down a shower of the hard round fruit; but fortunately I was +never struck by them. As soon as I looked up, they would commence +yelping and barking, and putting on the most threatening gestures, +breaking off pieces of branches and letting them fall, and shaking off +more fruit, but never throwing anything, simply letting it fall. Often, +when on lower trees, they would hang from the branches two or three +together, holding on to each other and to the branch with their fore +feet and long tail, whilst their hind feet hung down, all the time +making threatening gestures and cries. + +Sometimes a female would be seen carrying a young one on its back, to +which it clung with legs and tail, the mother making its way along the +branches, and leaping from tree to tree, apparently but little +encumbered with its baby. A large black and white eagle is said to prey +upon them, but I never saw one, although I was constantly falling in +with troops of the monkeys. Don Francisco Velasquez, one of our +officers, told me that one day he heard a monkey crying out in the +forest for more than two hours, and at last, going out to see what was +the matter, he saw a monkey on a branch and an eagle beside it trying to +frighten it to turn its back, when it would have seized it. The monkey, +however, kept its face to its foe, and the eagle did not care to engage +with it in this position, but probably would have tired it out. +Velasquez fired at the eagle, and frightened it away. I think it likely, +from what I have seen of the habits of this monkey, that they defend +themselves from its attack by keeping two or three together, thus +assisting each other, and that it is only when the eagle finds one +separated from its companions that it dares to attack it. + +Sometimes, but more rarely, a troop of the white-faced cebus monkey +would be fallen in with, rapidly running away, throwing themselves from +tree to tree. This monkey feeds also partly on fruit, but is incessantly +on the look-out for insects, examining the crevices in trees and +withered leaves, seizing the largest beetles and munching them up with +the greatest relish. It is also very fond of eggs and young birds, and +must play havoc among the nestlings. Probably owing to its carnivorous +habits, its flesh is not considered so good by monkey eaters as that of +the fruit-feeding spider-monkey. + +It is a very intelligent and mischievous animal. I kept one for a long +time as a pet, and was much amused with its antics. At first, I had it +fastened with a light chain; but it managed to open the links and escape +several times, and then made straight for the fowls' nests, breaking +every egg it could get hold of. Generally, after being a day or two +loose, it would allow itself to be caught again. I tried tying it up +with a cord, and afterwards with a rawhide thong, but had to nail the +end, as it could loosen any knot in a few minutes. It would sometimes +entangle itself around a pole to which it was fastened, and then unwind +the coils again with the greatest discernment. Its chain allowed it to +swing down below the verandah, but it could not reach to the ground. + +Sometimes, when there was a brood of young ducks about, it would hold +out a piece of bread in one hand and, when it had tempted a duckling +within reach, seize it by the other, and kill it with a bite in the +breast. There was such an uproar amongst the fowls on these occasions, +that we soon knew what was the matter, and would rush out and punish +Mickey (as we called him) with a switch; so that he was ultimately cured +of his poultry-killing propensities. One day, when whipping him, I held +up the dead duckling in front of him, and at each blow of the light +switch told him to take hold of it, and at last, much to my surprise, he +did so, taking it and holding it tremblingly in one hand. + +[Illustration: A CEBUS MONKEY] + +He would draw things towards him with a stick, and even use a swing for +the same purpose. It had been put up for the children, and could be +reached by Mickey, who now and then indulged himself with a swing on it. +One day, I had put down some bird skins on a chair to dry, far beyond, +as I thought, Mickey's reach; but, fertile in expedients, he took the +swing and launched it towards the chair, and actually managed to knock +the skins off in the return of the swing, so as to bring them within his +reach. He also procured some jelly that was set out to cool in the same +way. Mickey's actions were very human like. When any one came near to +fondle him, he never neglected the opportunity of pocket-picking. He +would pull out letters, and quickly take them from their envelopes. +Anything eatable disappeared into his mouth immediately. Once he +abstracted a small bottle of turpentine from the pocket of our medical +officer. He drew the cork, held it first to one nostril, then to the +other, made a wry face, recorked it, and returned it to the doctor. + +One day, when he got loose, he was detected carrying off the cream-jug +from the table, holding it upright with both hands, and trying to move +off on his hind limbs. He gave the jug up without spilling a drop, all +the time making an apologetic chuckle he often used when found out in +any mischief, and which always meant, "I know I have done wrong, but +don't punish me; in fact, I did not mean to do it--it was accidental." +Whenever, however, he saw he was going to be punished, he would change +his tone to a shrill, threatening note, showing his teeth, and trying to +intimidate. He had quite an extensive vocabulary of sounds, varying from +a gruff bark to a shrill whistle; and we could tell by them, without +seeing him, when it was he was hungry, eating, frightened, or menacing; +doubtless, one of his own species would have understood various minor +shades of intonation and expression that we, not entering into his +feelings and wants, passed over as unintelligible. + + +FOOTNOTES: + +[402-*] This selection is taken from _The Naturalist in Nicaragua_. + + + + +POOR RICHARD'S ALMANAC + + + NOTE.--In the time of Benjamin Franklin, almanacs were a very + popular form of literature. Few of the poorer people could afford + newspapers, but almost every one could afford an almanac once a + year; and the anecdotes and scraps of information which these + contained in addition to their regular contents, were read and + re-read everywhere. + + In 1732, Franklin began the publication of an almanac. For + twenty-five years, under the assumed name of Richard Saunders, he + issued it annually. He himself says of it: + + "I endeavored to make it both entertaining and useful; and it + accordingly came to be in such demand that I reaped considerable + profit from it, vending annually nearly ten thousand. And observing + that it was generally read, scarce any neighborhood in the province + being without it, I considered it as a proper vehicle for conveying + instruction among the common people, who bought scarcely any other + books; I therefore filled all the little spaces that occurred + between the remarkable days in the calendar with proverbial + sentences, chiefly such as inculcated industry and frugality as a + means of procuring wealth, and thereby securing virtue; it being + more difficult for a man in want to act always honestly as, to use + here one of the proverbs, it is hard for an empty sack to stand + upright. + + "These proverbs, which contain the wisdom of many ages and nations, + I assembled and formed into a connected discourse, prefixed to the + almanac of 1757, as the harangue of a wise old man to the people + attending an auction. The bringing all these scattered counsels + thus into a focus enabled them to make greater impression. The + piece, being universally approved, was copied in all the newspapers + of the continent and reprinted in Britain on a broadside, to be + stuck up in houses; two translations were made of it in French and + great numbers bought by the clergy and gentry, to distribute gratis + among their poor parishioners and tenants. In Pennsylvania, as it + discouraged useless expense in foreign superfluities, some thought + it had its share of influence in producing that growing plenty of + money which was observable for several years after its + publication." + +THE PREFACE FOR THE YEAR 1757 + +Courteous Reader: I have heard that nothing gives an author so great +pleasure as to find his works respectfully quoted by other learned +authors. This pleasure I have seldom enjoyed. For though I have been, if +I may say it without vanity, an eminent author of almanacs annually now +for a full quarter of a century, my brother authors in the same way, for +what reason I know not, have ever been very sparing in their applauses, +and no other author has taken the least notice of me; so that did not my +writings produce me some solid pudding, the great deficiency of praise +would have quite discouraged me. + +I concluded at length that the people were the best judges of my merit, +for they buy my works; and besides, in my rambles, where I am not +personally known I have frequently heard one or other of my adages +repeated, with _as Poor Richard says_ at the end of it. This gave me +some satisfaction, as it showed not only that my instructions were +regarded, but discovered likewise some respect for my authority; and I +own that to encourage the practice of remembering and repeating those +sentences, I have sometimes quoted myself with great gravity. + +Judge, then, how much I must have been gratified by an incident I am +going to relate to you. I stopped my horse lately where a great number +of people were collected at a vendue[409-1] of merchants' goods. The +hour of sale not being come, they were conversing on the badness of the +times; and one of the company called to a plain, clean old man with +white locks, "Pray, Father Abraham, what think you of the times? Won't +these heavy taxes quite ruin the country? How shall we ever be able to +pay them? What would you advise us to do?" Father Abraham stood up and +replied: "If you would have my advice, I will give it you in short; for, +'a word to the wise is enough,'[409-2] and 'many words won't fill a +bushel,'[409-3] as Poor Richard says." They all joined, desiring him to +speak his mind, and gathering round him he proceeded as follows: + +Friends and neighbors, the taxes are indeed very heavy, and if those +laid on by the government were the only ones we had to pay, we might +more easily discharge them; but we have many others, and much more +grievous to some of us. We are taxed twice as much by our IDLENESS, +three times as much by our PRIDE, and four times as much by our FOLLY; +and from these taxes the commissioners cannot ease or deliver us by +allowing an abatement. However, let us hearken to good advice, and +something may be done for us. "God helps them that help themselves," as +Poor Richard says in his almanac of 1733. + +It would be thought a hard government that should tax its people +one-tenth part of their TIME, to be employed in its service, but +idleness taxes many of us much more, if we reckon all that is spent in +absolute sloth or doing of nothing, with that which is spent in idle +employments or amusements that amount to nothing. Sloth, by bringing on +diseases, absolutely shortens life. "Sloth, like rust, consumes faster +than labor wears; while the used key is always bright," as Poor Richard +says. "But dost thou love life? then do not squander time, for that's +the stuff life is made of," as Poor Richard says. + +How much more than is necessary do we spend in sleep? forgetting that +"the sleeping fox catches no poultry," and that "there will be sleeping +enough in the grave," as Poor Richard says. If time be of all things the +most precious, "wasting of time must be," as Poor Richard says, "the +greatest prodigality;" since, as he elsewhere tells us, "lost time is +never found again," and what we call "time enough! always proves little +enough." Let us, then, up and be doing, and doing to the purpose; so by +diligence shall we do more with less perplexity. "Sloth makes all things +difficult, but industry all things easy," as Poor Richard says; and "he +that riseth late must trot all day, and shall scarce overtake his +business at night; while laziness travels so slowly that poverty soon +overtakes him," as we read in Poor Richard; who adds, "drive thy +business! let not that drive thee!" and + + "Early to bed and early to rise + Makes a man healthy, wealthy and wise." + +[Illustration: "THE SLEEPING FOX CATCHES NO POULTRY"] + +So what signifies wishing and hoping for better times? We may make these +times better if we bestir ourselves. "Industry need not wish," as Poor +Richard says, and "he that lives on hope will die fasting." "There are +no gains without pains; then help, hands! for I have no lands;" or, if I +have, they are smartly taxed. And as Poor Richard likewise observes, "he +that hath a trade hath an estate, and he that hath a calling hath an +office of profit and honor;" but then the trade must be worked at and +the calling well followed, or neither the estate nor the office will +enable us to pay our taxes. If we are industrious we shall never starve; +for, as Poor Richard says, "at the working-man's house hunger looks in, +but dares not enter." Nor will the bailiff or the constable enter, for +"industry pays debt, while despair increaseth them." + +What though you have found no treasure, nor has any rich relation left +you a legacy, "diligence is the mother of good luck," as Poor Richard +says, and "God gives all things to industry." + + "Then plow deep while sluggards sleep, + And you shall have corn to sell and to keep," + +says Poor Dick. Work while it is called to-day, for you know not how +much you may be hindered to-morrow; which makes Poor Richard say, "one +to-day is worth two to-morrows;" and further, "have you somewhat to do +to-morrow? Do it to-day!" + +If you were a servant would you not be ashamed that a good master should +catch you idle? Are you, then, your own master? "Be ashamed to catch +yourself idle," as Poor Dick says. When there is so much to be done for +yourself, your family, your country, and your gracious king, be up by +peep of day! "Let not the sun look down and say, 'Inglorious here he +lies!'" Handle your tools without mittens! remember that "the cat in +gloves catches no mice!" as Poor Richard says. + +'Tis true there is much to be done, and perhaps you are weak-handed; but +stick to it steadily and you will see great effects; for "constant +dropping wears away stones;" and "by diligence and patience the mouse +ate in two the cable;" and "little strokes fell great oaks," as Poor +Richard says in his almanac, the year I cannot just now remember. + +Methinks I hear some of you say, "Must a man afford himself no leisure?" +I will tell thee, my friend, what Poor Richard says, "employ thy time +well if thou meanest to gain leisure;" and "since thou art not sure of a +minute, throw not away an hour!" Leisure is time for doing something +useful; this leisure the diligent man will obtain, but the lazy man +never; so that, as Poor Richard says, "a life of leisure and a life of +laziness are two things." Do you imagine that sloth will afford you more +comfort than labor? No! for, as Poor Richard says, "trouble springs from +idleness and grievous toil from needless ease." "Many, without labor, +would live by their wits only, but they'll break for want of stock;" +whereas industry gives comfort, and plenty, and respect. "Fly pleasure +and they'll follow you;" "the diligent spinner has a large shift;" and + + "Now I have a sheep and a cow, + Everybody bids me good-morrow." + +All which is well said by Poor Richard. But with our industry we must +likewise be steady, settled, and careful, and oversee our own affairs +with our own eyes and not trust too much to others; for, as Poor Richard +says, + + "I never saw an oft-removed tree + Nor yet an oft-removed family + That throve so well as those that settled be." + +And again, "three removes are as bad as a fire"; and again, "keep thy +shop and thy shop will keep thee"; and again, "if you would have your +business done, go; if not, send." And again + + "He that by the plow would thrive, + Himself must either hold or drive." + +And again, "the eye of the master will do more work than both his +hands;" and again, "want of care does us more damage than want of +knowledge;" and again, "not to oversee workmen is to leave them your +purse open." + +Trusting too much to others' care is the ruin of many; for, as the +almanac says, "in the affairs of this world men are saved, not by faith, +but by the want of it;" but a man's own care is profitable; for, saith +Poor Dick, "learning is to the studious and riches to the careful;" as +well as "power to the bold" and "heaven to the virtuous." And further, +"if you would have a faithful servant and one that you like, serve +yourself." + +And again, he adviseth to circumspection and care, even in the smallest +matters; because sometimes "a little neglect may breed great mischief;" +adding, "for want of a nail the shoe was lost; for want of a shoe the +horse was lost; and for want of a horse the rider was lost;" being +overtaken and slain by the enemy; all for the want of a little care +about a horseshoe nail! + +So much for industry, my friends, and attention to one's own business; +but to these we must add frugality if we would make our industry more +certainly successful. "A man may," if he knows not how to save as he +goes "keep his nose all his life to the grindstone and die not worth a +groat at last." "A fat kitchen makes a lean will," as Poor Richard +says; and + + "Many estates are spent in the getting, + Since women for tea[415-4] forsook spinning and knitting, + And men for punch forsook hewing and splitting." + +If you would be wealthy, says he in another almanac, "think of saving as +well as of getting. The Indies have not made Spain rich, because her +outgoes are greater than her incomes." + +Away, then, with your expensive follies, and you will not have so much +cause to complain of hard times, heavy taxes, and chargeable families; +for, as Poor Dick says, + + "Women and wine, game and deceit, + Make the wealth small and the wants great." + +And further, "what maintains one vice would bring up two children." You +may think, perhaps, that a little tea or a little punch now and then, a +diet a little more costly, clothes a little finer, and a little more +entertainment now and then, can be no great matter; but remember what +Poor Richard says, "many a little makes a mickle"; and further, "beware +of little expenses; a small leak will sink a great ship"; and again, + + "Who dainties love shall beggars prove"; + +and moreover, "fools make feasts and wise men eat them." + +Here are you all got together at this vendue of fineries and +knick-knacks. You call them goods; but if you do not take care they +will prove evils to some of you. You expect they will be sold cheap, and +perhaps they may for less than they cost; but if you have no occasion +for them they must be dear to you. Remember what Poor Richard says: "Buy +what thou hast no need of, and ere long thou shalt sell thy +necessaries." And again, "at a great pennyworth pause awhile." He means +that perhaps the cheapness is apparent only and not real; or the bargain +by straitening thee in thy business may do thee more harm than good. For +in another place he says, "many have been ruined by buying good +pennyworths." + +Again, Poor Richard says, "'tis foolish to lay out money in a purchase +of repentance;" and yet this folly is practiced every day at vendues for +want of minding the almanac. + +"Wise men," as Poor Richard says, "learn by others' harm; fools scarcely +by their own;" but _Felix quem faciunt aliena pericula cautum_.[416-5] +Many a one, for the sake of finery on the back, has gone with a hungry +belly and half-starved his family. "Silks and satins, scarlets and +velvets," as Poor Richard says, "put out the kitchen fire." These are +not the necessaries of life; they can scarcely be called the +conveniences; and yet, only because they look pretty, how many want to +have them! The artificial wants of mankind thus become more numerous +than the natural; and as Poor Dick says, "for one poor person there are +a hundred indigent." + +By these and other extravagances the genteel are reduced to poverty and +forced to borrow of those whom they formerly despised, but who, through +industry and frugality, have maintained their standing; in which case it +appears plainly that "a plowman on his legs is higher than a gentleman +on his knees," as Poor Richard says. Perhaps they have had a small +estate left them, which they knew not the getting of; they think, "'tis +day and will never be night;" that "a little to be spent out of so much +is not worth minding" (a child and a fool, as Poor Richard says, imagine +twenty shillings and twenty years can never be spent); but "always +taking out of the meal-tub, and never putting in, soon comes to the +bottom." Then, as Poor Dick says, "when the well's dry they know the +worth of water." But this they might have known before if they had taken +his advice. "If you would know the value of money, go and try to borrow +some;" for "he that goes a-borrowing goes a sorrowing," and indeed so +does he that lends to such people, when he goes to get it in again. + +Poor Dick further advises and says: + + "Fond pride of dress is, sure, a very curse; + Ere fancy you consult, consult your purse." + +And again, "pride is as loud a beggar as want and a great deal more +saucy." When you have bought one fine thing you must buy ten more, that +your appearance may be all of a piece; but Poor Dick says, "'tis easier +to suppress the first desire than to satisfy all that follow it." And +'tis as true folly for the poor to ape the rich as for the frog to swell +in order to equal the ox. + + "Great estates may venture more, + But little boats should keep near shore." + +'Tis, however, a folly soon punished; for "pride that dines on vanity +sups on contempt," as Poor Richard says. And in another place, "pride +breakfasted with plenty, dined with poverty, and supped with infamy." + +And after all, of what use is this pride of appearance, for which so +much is risked, so much is suffered? It cannot promote health or ease +pain; it makes no increase of merit in the person; it creates envy; it +hastens misfortune. + + "What is a butterfly? At best + He's but a caterpillar drest, + The gaudy fop's his picture just," + +as Poor Richard says. + +But what madness must it be to run into debt for these superfluities! We +are offered by the terms of this vendue six months' credit; and that, +perhaps, has induced some of us to attend it, because we cannot spare +the ready money and hope now to be fine without it. But ah! think what +you do when you run in debt: you give to another power over your +liberty. If you cannot pay at the time you will be ashamed to see your +creditor; you will be in fear when you speak to him; you will make poor, +pitiful, sneaking excuses, and by degrees come to lose your veracity and +sink into base, downright lying; for, as Poor Richard says, "the second +vice is lying, the first is running into debt;" and again, to the same +purpose, "lying rides upon debt's back;" whereas a free-born Englishman +ought not to be ashamed or afraid to see or speak to any man living. But +poverty often deprives a man of all spirit and virtue. "'Tis hard for an +empty bag to stand upright!" as Poor Richard truly says. What would you +think of that prince or the government who should issue an edict +forbidding you to dress like a gentleman or gentlewoman, on pain of +imprisonment or servitude? Would you not say that you are free, have a +right to dress as you please, and that such an edict would be a breach +of your privileges and such a government tyrannical? And yet you are +about to put yourself under such tyranny when you run in debt for such +dress! Your creditor has authority, at his pleasure, to deprive you of +your liberty by confining you in jail for life or to sell you for a +servant if you should not be able to pay him. When you have got your +bargain you may, perhaps, think little of payment; but "creditors," Poor +Richard tells us, "have better memories than debtors;" and in another +place says, "creditors are a superstitious set, great observers of set +days and times." + +The day comes round before you are aware, and the demand is made before +you are prepared to satisfy it; or, if you bear your debt in mind, the +term which at first seemed so long will, as it lessens, appear extremely +short. Time will seem to have added wings to his heels as well as his +shoulders. "Those have a short Lent," saith Poor Richard, "who owe money +to be paid at Easter." Then since, as he says, "the borrower is a slave +to the lender and the debtor to the creditor," disdain the chain, +preserve your freedom, and maintain your independence. Be industrious +and free; be frugal and free. At present, perhaps, you may think +yourself in thriving circumstances, and that you can bear a little +extravagance without injury; but + + "For age and want, save while you may; + No morning sun lasts a whole day." + +As Poor Richard says, gain may be temporary and uncertain; but ever +while you live expense is constant and certain; and "'tis easier to +build two chimneys than to keep one in fuel," as Poor Richard says; so, +"rather go to bed supperless than rise in debt." + + "Get what you can, and what you get hold; + 'Tis the stone that will turn all your lead into gold,"[420-6] + +as Poor Richard says: and when you have got the philosopher's stone, +sure, you will no longer complain of bad times or the difficulty of +paying taxes. + +This doctrine, my friends, is reason and wisdom; but, after all, do not +depend too much upon your own industry and frugality and prudence, +though excellent things, for they may all be blasted without the +blessing of Heaven; and therefore ask that blessing humbly, and be not +uncharitable to those that at present seem to want it, but comfort and +help them. Remember Job suffered and was afterward prosperous. + +And now, to conclude, "experience keeps a dear school, but fools will +learn in no other, and scarce in that;" for it is true, "we may give +advice, but we cannot give conduct," as Poor Richard says. However, +remember this: "they that won't be counseled can't be helped," as Poor +Richard says; and further, that "if you will not hear reason she'll +surely rap your knuckles." + +Thus the old gentleman ended his harangue. The people heard it and +approved the doctrine, and immediately practiced the contrary, just as +if it had been a common sermon. For the vendue opened and they began to +buy extravagantly, notwithstanding all his cautions and their own fear +of taxes. I found the good man had thoroughly studied my almanacs and +digested all I had dropped on those topics during the course of +twenty-five years. The frequent mention he made of me must have tired +any one else; but my vanity was wonderfully delighted with it, though I +was conscious that not a tenth part of the wisdom was my own which he +ascribed to me, but rather the gleanings that I had made of the sense of +all ages and nations. However, I resolved to be the better for the echo +of it, and though I had at first determined to buy stuff for a new coat, +I went away resolved to wear my old one a little longer. Reader, if thou +wilt do the same, thy profit will be as great as mine. I am, as ever, +thine to serve thee. + + RICHARD SAUNDERS. + + _July 7th, 1757._ + + +FOOTNOTES: + +[409-1] A vendue is an auction. + +[409-2] Very few of the proverbs which Franklin made use of in his +almanacs were original with him. As he said in his comment, they +represented "the wisdom of many ages and nations." + +[409-3] This is similar to that other proverbial expression--"Fine words +butter no parsnips." + +[415-4] Tea at this time was expensive and regarded as a luxury. + +[416-5] He's a lucky fellow who is made prudent by other men's perils. + +[420-6] The philosopher's stone, so called; a mineral having the power +of turning base metals into gold. + + + + +GEORGE ROGERS CLARK + + +One of the most remarkable men of Revolutionary times was George Rogers +Clark, and his exploits read more like those of the hero of some novel +than like the deeds of a simple soldier and patriot. + +In early boyhood and youth he acquired the rather scanty education which +was then considered necessary for a child of fairly well-to-do parents, +but he never applied himself so closely to his books as to lose his love +for the woods and streams of the wild country that surrounded him. He +became a surveyor, and among the wonders and trials of the wilderness +lost much of the little polish he had acquired. But he learned the +woods, the mountain passes and the river courses, and became fully +acquainted with the wild human denizens of the forests. His six feet of +muscular body, his courage and his fierce passions fitted him to lead +men and to overawe his enemies, red or white. He had "red hair and a +black penetrating eye," two gifts that marked him among the adventurous +men who were finding their way across the Alleghanies. He tried farming, +but succeeded better as a fighter in those fierce conflicts with Indians +and border desperadoes which gave to Kentucky the name of "Dark and +Bloody Ground." + +In 1777, after the breaking out of the Revolution, there were several +French settlements lying to the north of the Ohio and scattered from +Detroit to the Mississippi. Among these were Mackinac, Green Bay, +Prairie du Chien, Vincennes, Kaskaskia and Cahokia. The English were in +possession of all these and held them usually by a single commanding +officer and a very small garrison. The French inhabitants had made +friends with the Indians, and in many instances had intermarried with +them. Moreover, while they were submissive to the British they were by +no means attached to them and were apparently quite likely to submit +with equal willingness to the Americans should they succeed in the +struggle. This was what Clark understood so thoroughly that he early +became possessed of the idea that it would be a comparatively simple +matter to secure to the United States all that promising land lying +between the Alleghanies, the Ohio and the Mississippi. + +The jealousy that existed between Pennsylvania and Virginia over an +extension westward made it extremely difficult for Clark to get aid from +the Colonies or even from Virginia, his native state. However, he +succeeded in interesting Patrick Henry, then governor of Virginia, and +preserving the greatest secrecy, he set about recruiting his forces. + +It was a desperate undertaking, and the obstacles, naturally great, were +made infinitely more trying by the fact that he could tell none of his +men the real purpose for which they were enlisting. By May, 1778, +however, he had secured one hundred and fifty backwoodsmen from the +western reaches of Virginia. With these he started on his venturous +undertaking. + +Reuben Gold Thwaites, in his _How George Rogers Clark Won the +Northwest_, describes the volunteers as follows: + +"There was of course no attempt among them at military uniform, officers +in no wise being distinguished from men. The conventional dress of +eighteenth-century borderers was an adaptation to local conditions, +being in part borrowed from the Indians. Their feet were encased in +moccasins. Perhaps the majority of the corps had loose, thin trousers of +homespun or buckskin, with a fringe of leather thongs down each outer +seam of the legs; but many wore only leggings of leather, and were as +bare of knee and thigh as a Highland clansman; indeed, many of the +pioneers were Scotch-Irish, some of whom had been accustomed to this +airy costume in the mother-land. Common to all were fringed hunting +shirts or smocks, generally of buckskin--a picturesque, flowing garment +reaching from neck to knees, and girded about the waist by a leathern +belt, from which dangled the tomahawk and scalping-knife. On one hip +hung the carefully scraped powder horn; on the other, a leather sack, +serving both as game-bag and provision-pouch, although often the folds +of the shirt, full and ample above the belt, were the depository for +food and ammunition. A broad-brimmed felt hat, or a cap of fox-skin or +squirrel-skin, with the tail dangling behind, crowned the often tall and +always sinewy frontiersman. His constant companion was his home-made +flint-lock rifle--a clumsy, heavy weapon, so long that it reached to the +chin of the tallest man, but unerring in the hands of an expert +marksman, such as was each of these backwoodsmen. + +"They were rough in manners and in speech. Among them, we must confess, +were men who had fled from the coast settlements because no longer to be +tolerated in a law-abiding community. There were not lacking mean, +brutal fellows, whose innate badness had on the untrammelled frontier +developed into wickedness. Many joined Clark for mere adventure, for +plunder and deviltry. The majority, however, were men of good parts, who +sought to protect their homes at whatever peril--sincere men, as large +of heart as they were of frame, many of them in later years developing +into citizens of a high type of effectiveness in a frontier +commonwealth. As a matter of history, most of them proved upon this +expedition to be heroes worthy of the fame they won and the leader whom +they followed." + +Early in June Clark had reached the falls in the Ohio at the present +city of Louisville, and here on an island commanding the falls he built +a block house and planted some corn. Here he left the weak and +dissatisfied members of his company, and having been joined by a few +Kentucky volunteers, he resumed his journey down the river. His first +goal was Kaskaskia on the Mississippi, and after a long and perilous +journey, the latter part across the country, he captured the post by +surprise, seizing the French commandant of the English garrison in an +upper room of his own house. He had little difficulty in winning the +confidence of the French settlers, who then willingly transferred their +loyalty to the new Republic that claimed to be their friend. + +A different situation developed with the Indians, but after skilful +treatment and a long interview with representatives of the many tribes +he succeeded in winning their friendship, or at least a quiet +neutrality. In the meantime, Father Gibault, an active, friendly French +priest, had crossed the country and induced the inhabitants of Vincennes +to raise the American flag. Clark sent Captain Helm to take charge of +the fort and to lead the French militia. + +Clark's ambition was to capture Detroit, but so great were the +difficulties besetting him that he was compelled to winter at Kaskaskia +with insufficient forces, struggling to keep peace and to hold the +country he had so successfully seized. In January, a month after the +event happened, Clark heard that Hamilton had recaptured Vincennes for +the British and was preparing to advance on Kaskaskia. Had Hamilton been +prompt in his actions and proceeded at once against Clark he might +easily have driven the latter from Kaskaskia and secured to the British +the wonderful Northwest territory. His delays, however, gave Clark time +to gather a larger force and to show his wonderful power as a leader and +his skill as a military campaigner. + +Few men could have accomplished what Clark did, for few have either the +ability or the devotion. "I would have bound myself seven years a +Slave," he says, "to have had five hundred troops." Nothing, however, +deterred him. He built a large barge or galley, mounted small cannon +upon it and manned it with a crew of forty men. This was dispatched to +patrol the Ohio, and if possible to get within ten leagues of Vincennes +on the Wabash. It was Clark's determination not to wait for attack from +the British but to surprise Hamilton in his own fort. It required almost +superhuman power to gather the men necessary from the motley crowds at +Kaskaskia and from other posts on the river, but the day after the +"Willing" (for so he named his barge) sailed, he moved out of Kaskaskia, +with a hundred and seventy men following him, to march the two hundred +and thirty miles across the wintry wilderness to Vincennes. How he fared +and how he accomplished his desire you may read in the selection from +his journal. + +Clark's activity did not end with the capture of Vincennes, but that was +the most remarkable of his long series of military achievements. No more +heroic man ever lived, and few Americans have left such a memory for +high patriotism, self-sacrifice and wonderful achievement. His +accomplishments are unparalleled in the history of the Mississippi +valley, and the youth of the region may well be proud that to such a man +they are indebted for their right to live in the United States. + +Unfortunately, Clark's later years were not in keeping with his early +character. He felt that his country was ungrateful to him, the liquor +habit mastered him, he was mixed up in unfortunate political deals with +France, and at last sank into poverty and was almost forgotten. It is +said that once when in his latter years the State of Virginia sent him a +sword in token of their appreciation of his services, he angrily thrust +the sword into the ground and broke the blade with his crutch, while he +cried out: "When Virginia needed a sword I gave her one. She sends me +now a toy. I want bread!" + +He lived until 1818, and then died at his sister's house near +Louisville, and was buried at Cave Hill Cemetery in that city. + + + + +THE CAPTURE OF VINCENNES[428-1] + +_By_ GEORGE ROGERS CLARK[428-2] + + +Everything being ready, on the 5th of February, after receiving a +lecture and absolution from the priest, we crossed the Kaskaskia River +with one hundred and seventy men, marched about three miles and +encamped, where we lay until the 7th, and set out. The weather wet (but +fortunately not cold for the season) and a great part of the plains +under water several inches deep. It was very difficult and fatiguing +marching. My object was now to keep the men in spirits. I suffered them +to shoot game on all occasions, and feast on it like Indian war-dancers, +each company by turns inviting the others to their feasts, which was the +case every night, as the company that was to give the feast was always +supplied with horses to lay up a sufficient store of wild meat in the +course of the day, myself and principal officers putting on the +woodsmen, shouting now and then, and running as much through the mud and +water as any of them. + +Thus, insensibly, without a murmur, were those men led on to the banks +of the Little Wabash, which we reached on the 13th, through incredible +difficulties, far surpassing anything that any of us had ever +experienced. Frequently the diversions of the night wore off the +thoughts of the preceding day. We formed a camp on a height which we +found on the bank of the river, and suffered our troops to amuse +themselves. + +I viewed this sheet of water for some time with distrust; but, accusing +myself of doubting, I immediately set to work, without holding any +consultation about it, or suffering anybody else to do so in my +presence; ordered a pirogue to be built immediately, and acted as though +crossing the water would be only a piece of diversion. As but few could +work at the pirogue at a time, pains were taken to find diversion for +the rest to keep them in high spirits. In the evening of the 14th, our +vessel was finished, manned, and sent to explore the drowned lands, on +the opposite side of the Little Wabash, with private instructions what +report to make, and, if possible, to find some spot of dry land. They +found about half an acre, and marked the trees from thence back to the +camp, and made a very favorable report. + +Fortunately, the 15th happened to be a warm, moist day for the season. +The channel of the river where we lay was about thirty yards wide. A +scaffold was built on the opposite shore (which was about three feet +under water), and our baggage ferried across, and put on it. Our horses +swam across, and received their loads at the scaffold, by which time the +troops were also brought across, and we began our march through the +water. + +By evening we found ourselves encamped on a pretty height, in high +spirits, each party laughing at the other, in consequence of something +that had happened in the course of this ferrying business, as they +called it. A little antic drummer afforded them great diversion by +floating on his drum, etc. All this was greatly encouraged; and they +really began to think themselves superior to other men, and that neither +the rivers nor the seasons could stop their progress. Their whole +conversation now was concerning what they would do when they got about +the enemy. They now began to view the main Wabash as a creek, and made +no doubt but such men as they were could find a way to cross it. They +wound themselves up to such a pitch that they soon took Post Vincennes, +divided the spoil, and before bedtime were far advanced on their route +to Detroit. All this was, no doubt, pleasing to those of us who had more +serious thoughts. + +We were now convinced that the whole of the low country on the Wabash +was drowned, and that the enemy could easily get to us, if they +discovered us, and wished to risk an action; if they did not, we made no +doubt of crossing the river by some means or other. Even if Captain +Rogers, with our galley, did not get to his station agreeable to his +appointment, we flattered ourselves that all would be well, and marched +on in high spirits. + +The last day's march through the water was far superior to anything the +Frenchmen[431-3] had an idea of. They were backward in speaking; said +that the nearest land to us was a small league called the Sugar Camp, on +the bank of the [river?]. A canoe was sent off, and returned without +finding that we could pass. I went in her myself, and sounded the water; +found it deep as to my neck. I returned with a design to have the men +transported on board the canoes to the Sugar Camp, which I knew would +spend the whole day and ensuing night, as the vessels would pass slowly +through the bushes. The loss of so much time, to men half-starved, was a +matter of consequence. I would have given now a great deal for a day's +provision or for one of our horses. I returned but slowly to the troops, +giving myself time to think. + +On our arrival, all ran to hear what was the report. Every eye was fixed +on me. I unfortunately spoke in a serious manner to one of the officers. +The whole were alarmed without knowing what I said. I viewed their +confusion for about one minute, whispered to those near me to do as I +did: immediately put some water in my hand, poured on powder, blackened +my face, gave the war-whoop, and marched into the water without saying a +word. The party gazed, and fell in, one after another, without saying a +word, like a flock of sheep. I ordered those near me to begin a favorite +song of theirs. It soon passed through the line, and the whole went on +cheerfully. I now intended to have them transported across the deepest +part of the water; but, when about waist deep, one of the men informed +me that he thought he felt a path. We examined, and found it so, and +concluded that it kept on the highest ground, which it did; and, by +taking pains to follow it we got to the Sugar Camp without the least +difficulty, where there was about half an acre of dry ground, at least +not under water, where we took up our lodging. + +The Frenchmen that we had taken on the river appeared to be uneasy at +our situation. They begged that they might be permitted to go in the two +canoes to town in the night. They said that they would bring from their +own houses provisions, without a possibility of any persons knowing it; +that some of our men should go with them as a surety of their good +conduct; that it was impossible we could march from that place till the +water fell, for the plain was too deep to march. Some of the [officers?] +believed that it might be done. I would not suffer it. I never could +well account for this piece of obstinacy, and give satisfactory reasons +to myself or anybody else why I denied a proposition apparently so easy +to execute and of so much advantage; but something seemed to tell me +that it should not be done, and it was not done. + +The most of the weather that we had on this march was moist and warm for +the season. This was the coldest night we had. The ice, in the morning, +was from one-half to three-quarters of an inch thick near the shores and +in still water. The morning was the finest we had on our march. A little +after sunrise I lectured the whole. What I said to them I forgot, but it +may be easily imagined by a person that could possess my affections for +them at that time. I concluded by informing them that passing the plain +that was then in full view and reaching the opposite woods would put an +end to their fatigue, that in a few hours they would have a sight of +their long-wished-for object, and immediately stepped into the water +without waiting for any reply. A huzza took place. + +[Illustration: CLARK TOOK THE LEAD] + +As we generally marched through the water in a line, before the third +entered I halted, and called to Major Bowman, ordering him to fall in +the rear with twenty-five men, and put to death any man who refused to +march, as we wished to have no such person among us. The whole gave a +cry of approbation, and on we went. This was the most trying of all the +difficulties we had experienced. I generally kept fifteen or twenty of +the strongest men next myself, and judged from my own feelings what must +be that of others. Getting about the middle of the plain, the water +about mid-deep, I found myself sensibly failing; and, as there were no +trees nor bushes for the men to support themselves by, I feared that +many of the most weak would be drowned. + +I ordered the canoes to make the land, discharge their loading, and play +backward and forward with all diligence, and pick up the men; and, to +encourage the party, sent some of the strongest men forward, with +orders, when they got to a certain distance, to pass the word back that +the water was getting shallow, and when getting near the woods to cry +out, 'Land!' This stratagem had its desired effect. The men, encouraged +by it, exerted themselves almost beyond their abilities; the weak +holding by the stronger. + +The water never got shallower, but continued deepening. Getting to the +woods, where the men expected land, the water was up to my shoulders; +but gaining the woods was of great consequence. All the low men and the +weakly hung to the trees, and floated on the old logs until they were +taken off by the canoes. The strong and tall got ashore and built +fires. Many would reach the shore, and fall with their bodies half in +the water, not being able to support themselves without it. + +This was a delightful dry spot of ground of about ten acres. We soon +found that the fires answered no purpose, but that two strong men taking +a weaker one by the arms was the only way to recover him; and, being a +delightful day, it soon did. But, fortunately, as if designed by +Providence, a canoe of Indian squaws and children was coming up to town, +and took through part of this plain as a nigh way. It was discovered by +our canoes as they were out after the men. They gave chase, and took the +Indian canoe, on board of which was near half a quarter of a buffalo, +some corn, tallow, kettles, and other provisions. This was a grand +prize, and was invaluable. Broth was immediately made, and served out to +the most weakly with great care. Most of the whole got a little; but a +great many gave their part to the weakly, jocosely saying something +cheering to their comrades. This little refreshment and fine weather by +the afternoon gave new life to the whole. + +Crossing a narrow deep lake in the canoes, and marching some distance, +we came to a copse of timber called the Warrior's Island. We were now in +full view of the fort and town, not a shrub between us, at about two +miles distance. Every man now feasted his eyes, and forgot that he had +suffered anything, saying that all that had passed was owing to good +policy and nothing but what a man could bear; and that a soldier had no +right to think, etc.,--passing from one extreme to another, which is +common in such cases. + +It was now we had to display our abilities. The plain between us and the +town was not a perfect level. The sunken grounds were covered with water +full of ducks. We observed several men out on horseback, shooting them, +within a half mile of us, and sent out as many of our active young +Frenchmen to decoy and take one of these men prisoner in such a manner +as not to alarm the others, which they did. The information we got from +this person was similar to that which we got from those we took on the +river, except that of the British having that evening completed the wall +of the fort, and that there were a good many Indians in town. + +Our situation was now truly critical,--no possibility of retreating in +case of defeat, and in full view of a town that had, at this time, +upward of six hundred men in it,--troops, inhabitants, and Indians. The +crew of the galley, though not fifty men, would have been now a +reënforcement of immense magnitude to our little army (if I may so call +it), but we would not think of them. We were now in the situation that I +had labored to get ourselves in. The idea of being made prisoner was +foreign to almost every man, as they expected nothing but torture from +the savages, if they fell into their hands. Our fate was now to be +determined, probably in a few hours. We knew that nothing but the most +daring conduct would insure success. + +I knew that a number of the inhabitants wished us well, that many were +lukewarm to the interest of either, and I also learned that the grand +chief, the Tobacco's son, had but a few days before openly declared, in +council with the British, that he was a brother and friend to the Big +Knives. These were favorable circumstances; and, as there was but +little probability of our remaining until dark undiscovered, I +determined to begin the career immediately, and wrote the following +placard to the inhabitants:-- + + "TO THE INHABITANTS OF POST VINCENNES: + + "_Gentlemen:_--Being now within two miles of your village, with my + army, determined to take your fort this night, and not being + willing to surprise you, I take this method to request such of you + as are true citizens and willing to enjoy the liberty I bring you + to remain still in your houses; and those, if any there be, that + are friends to the king will instantly repair to the fort, and join + the hair-buyer[437-4] general, and fight like men. And, if any such + as do not go to the fort shall be discovered afterward, they may + depend on severe punishment. On the contrary, those who are true + friends to liberty may depend on being well treated; and I once + more request them to keep out of the streets. For every one I find + in arms on my arrival I shall treat him as an enemy. + + "(Signed) G. R. CLARK." + +I had various ideas on the supposed results of this letter. I knew that +it could do us no damage, but that it would cause the lukewarm to be +decided, encourage our friends, and astonish our enemies. + +We anxiously viewed this messenger until he entered the town, and in a +few minutes could discover by our glasses some stir in every street that +we could penetrate into, and great numbers running or riding out into +the commons, we supposed, to view us, which was the case. But what +surprised us was that nothing had yet happened that had the appearance +of the garrison being alarmed,--no drum nor gun. We began to suppose +that the information we got from our prisoners was false, and that the +enemy already knew of us, and were prepared. + +A little before sunset we moved, and displayed ourselves in full view of +the town, crowds gazing at us. We were plunging ourselves into certain +destruction or success. There was no midway thought of. We had but +little to say to our men, except inculcating an idea of the necessity of +obedience, etc. We knew they did not want encouraging, and that anything +might be attempted with them that was possible for such a +number,--perfectly cool, under proper subordination, pleased with the +prospect before them, and much attached to their officers. They all +declared that they were convinced that an implicit obedience to orders +was the only thing that would insure success, and hoped that no mercy +would be shown the person that should violate them. Such language as +this from soldiers to persons in our station must have been exceedingly +agreeable. + +We moved on slowly in full view of the town; but, as it was a point of +some consequence to us to make ourselves appear as formidable, we, in +leaving the covert that we were in, marched and counter-marched in such +a manner that we appeared numerous. In raising volunteers in the +Illinois, every person that set about the business had a set of colors +given him, which they brought with them to the amount of ten or twelve +pairs. These were displayed to the best advantage; and, as the low +plain we marched through was not a perfect level, but had frequent +risings in it seven or eight feet higher than the common level (which +was covered with water), and as these risings generally run in an +oblique direction to the town, we took the advantage of one of them, +marching through the water under it, which completely prevented our +being numbered. But our colors showed considerably above the heights, as +they were fixed on long poles procured for the purpose, and at a +distance made no despicable appearance; and, as our young Frenchmen had, +while we lay on the Warrior's Island, decoyed and taken several fowlers +with their horses, officers were mounted on these horses, and rode +about, more completely to deceive the enemy. + +In this manner we moved, and directed our march in such a way as to +suffer it to be dark before we had advanced more than half-way to the +town. We then suddenly altered our direction, and crossed ponds where +they could not have suspected us, and about eight o'clock gained the +heights back of the town. As there was yet no hostile appearance, we +were impatient to have the cause unriddled. Lieutenant Bayley was +ordered, with fourteen men, to march and fire on the fort. The main body +moved in a different direction, and took possession of the strongest +part of the town. + +The firing now commenced on the fort, but they did not believe it was an +enemy until one of their men was shot down through a port, as drunken +Indians frequently saluted the fort after night. The drums now sounded, +and the business fairly commenced on both sides. Re-enforcements were +sent to the attack of the garrison, while other arrangements were +making in town. + +We now found that the garrison had known nothing of us; that, having +finished the fort that evening, they had amused themselves at different +games, and had just retired before my letter arrived, as it was near +roll-call. The placard being made public, many of the inhabitants were +afraid to show themselves out of the houses for fear of giving offence, +and not one dare give information. Our friends flew to the commons and +other convenient places to view the pleasing sight. This was observed +from the garrison, and the reason asked, but a satisfactory excuse was +given; and, as a part of the town lay between our line of march and the +garrison, we could not be seen by the sentinels on the walls. + +Captain W. Shannon and another being some time before taken prisoners by +one of their [scouting parties], and that evening brought in, the party +had discovered at the Sugar Camp some signs of us. They supposed it to +be a party of observation that intended to land on the height some +distance below the town. Captain Lamotte was sent to intercept them. It +was at him the people said they were looking, when they were asked the +reason of their unusual stir. + +Several suspected persons had been taken to the garrison; among them was +Mr. Moses Henry. Mrs. Henry went, under the pretense of carrying him +provisions, and whispered him the news and what she had seen. Mr. Henry +conveyed it to the rest of his fellow-prisoners, which gave them much +pleasure, particularly Captain Helm, who amused himself very much +during the siege, and, I believe, did much damage. + +Ammunition was scarce with us, as the most of our stores had been put on +board of the galley. Though her crew was but few, such a reënforcement +to us at this time would have been invaluable in many instances. But, +fortunately, at the time of its being reported that the whole of the +goods in the town were to be taken for the king's use (for which the +owners were to receive bills), Colonel Legras, Major Bosseron, and +others had buried the greatest part of their powder and ball. This was +immediately produced, and we found ourselves well supplied by those +gentlemen. + +The Tobacco's son, being in town with a number of warriors, immediately +mustered them, and let us know that he wished to join us, saying that by +morning he would have a hundred men. He received for answer that we +thanked for his friendly disposition; and, as we were sufficiently +strong ourselves, we wished him to desist, and that we would counsel on +the subject in the morning; and, as we knew that there were a number of +Indians in and near the town that were our enemies, some confusion might +happen if our men should mix in the dark, but hoped that we might be +favored with his counsel and company during the night, which was +agreeable to him. + +The garrison was soon completely surrounded, and the firing continued +without intermission (except about fifteen minutes a little before day) +until about nine o'clock the following morning. It was kept up by the +whole of the troops, joined by a few of the young men of the town, who +got permission, except fifty men kept as a reserve. + +I had made myself fully acquainted with the situation of the fort and +town and the parts relative to each. The cannon of the garrison was on +the upper floors of strong blockhouses at each angle of the fort, eleven +feet above the surface, and the ports so badly cut that many of our +troops lay under the fire of them within twenty or thirty yards of the +walls. They did no damage, except to the buildings of the town, some of +which they much shattered; and their musketry, in the dark, employed +against woodsmen covered by houses, palings, ditches, the banks of the +river, etc., was but of little avail, and did no injury to us except +wounding a man or two. + +As we could not afford to lose men, great care was taken to preserve +them, sufficiently covered, and to keep up a hot fire in order to +intimidate the enemy as well as to destroy them. The embrasures of their +cannon were frequently shut, for our riflemen, finding the true +direction of them, would pour in such volleys when they were opened that +the men could not stand to the guns. Seven or eight of them in a short +time got cut down. Our troops would frequently abuse the enemy, in order +to aggravate them to open their ports and fire their cannon, that they +might have the pleasure of cutting them down with their rifles, fifty of +which, perhaps, would be levelled the moment the port flew open; and I +believe that, if they had stood at their artillery, the greater part of +them would have been destroyed in the course of the night, as the +greater part of our men lay within thirty yards of the walls, and in a +few hours were covered equally to those within the walls, and much more +experienced in that mode of fighting. + +Sometimes an irregular fire, as hot as possible, was kept up from +different directions for a few minutes, and then only a continual +scattering fire at the ports as usual; and a great noise and laughter +immediately commenced in different parts of the town, by the reserved +parties, as if they had only fired on the fort a few minutes for +amusement, and as if those continually firing at the fort were only +regularly relieved. Conduct similar to this kept the garrison constantly +alarmed. They did not know what moment they might be stormed or [blown +up?], as they could plainly discover that we had flung up some +entrenchments across the streets, and appeared to be frequently very +busy under the bank of the river, which was within thirty feet of the +walls. + +The situation of the magazine we knew well. Captain Bowman began some +works in order to blow it up, in the case our artillery should arrive; +but, as we knew that we were daily liable to be overpowered by the +numerous bands of Indians on the river, in case they had again joined +the enemy (the certainty of which we were unacquainted with), we +resolved to lose no time, but to get the fort in our possession as soon +as possible. If the vessel did not arrive before the ensuing night, we +resolved to undermine the fort, and fixed on the spot and plan of +executing this work, which we intended to commence the next day. + +The Indians of different tribes that were inimical had left the town and +neighborhood. Captain Lamotte continued to hover about it in order, if +possible, to make his way good into the fort. Parties attempted in vain +to surprise him. A few of his party were taken, one of which was +Maisonville, a famous Indian partisan. Two lads had captured him, tied +him to a post in the street, and fought from behind him as a breastwork, +supposing that the enemy would not fire at them for fear of killing him, +as he would alarm them by his voice. The lads were ordered, by an +officer who discovered them at their amusement, to untie their prisoner, +and take him off to the guard, which they did, but were so inhuman as to +take part of his scalp on the way. There happened to him no other +damage. + +As almost the whole of the persons who were most active in the +department of Detroit were either in the fort or with Captain Lamotte, I +got extremely uneasy for fear that he would not fall into our power, +knowing that he would go off, if he could not get into the fort in the +course of the night. Finding that, without some unforeseen accident, the +fort must inevitably be ours, and that a reënforcement of twenty men, +although considerable to them, would not be of great moment to us in the +present situation of affairs, and knowing that we had weakened them by +killing or wounding many of their gunners, after some deliberation, we +concluded to risk the reënforcement in preference of his going again +among the Indians. The garrison had at least a month's provisions; and, +if they could hold out, in the course of that time he might do us much +damage. + +A little before day the troops were withdrawn from their positions about +the fort, except a few parties of observation, and the firing totally +ceased. Orders were given, in case of Lamotte's approach, not to alarm +or fire on him without a certainty of killing or taking the whole. In +less than a quarter of an hour, he passed within ten feet of an officer +and a party that lay concealed. Ladders were flung over to them; and, as +they mounted them, our party shouted. Many of them fell from the top of +the walls,--some within, and others back; but, as they were not fired +on, they all got over, much to the joy of their friends. But, on +considering the matter, they must have been convinced that it was a +scheme of ours to let them in, and that we were so strong as to care but +little about them or the manner of their getting into the garrison. + +The firing immediately commenced on both sides with double vigor; and I +believe that more noise could not have been made by the same number of +men. Their shouts could not be heard for the fire-arms; but a continual +blaze was kept around the garrison, without much being done, until about +daybreak, when our troops were drawn off to posts prepared for them, +about sixty or seventy yards from the fort. A loophole then could +scarcely be darkened but a rifle-ball would pass through it. To have +stood to their cannon would have destroyed their men, without a +probability of doing much service. Our situation was nearly similar. It +would have been imprudent in either party to have wasted their men, +without some decisive stroke required it. + +Thus the attack continued until about nine o'clock on the morning of the +24th. Learning that the two prisoners they had brought in the day before +had a considerable number of letters with them, I supposed it an express +that we expected about this time, which I knew to be of the greatest +moment to us, as we had not received one since our arrival in the +country; and, not being fully acquainted with the character of our +enemy, we were doubtful that those papers might be destroyed, to prevent +which I sent a flag [with a letter] demanding the garrison.[446-5] + + * * * * * + +The firing then commenced warmly for a considerable time; and we were +obliged to be careful in preventing our men from exposing themselves too +much, as they were now much animated, having been refreshed during the +flag. They frequently mentioned their wishes to storm the place, and put +an end to the business at once. The firing was heavy through every crack +that could be discovered in any part of the fort. Several of the +garrison got wounded, and no possibility of standing near the +embrasures. Toward the evening a flag appeared with the following +proposals:-- + + "Lieutenant-governor Hamilton proposes to Colonel Clark a truce for + three days, during which time he promises there shall be no + defensive works carried on in the garrison, on condition that + Colonel Clark shall observe, on his part, a like cessation of any + defensive work,--that is, he wishes to confer with Colonel Clark as + soon as can be, and promises that whatever may pass between them + two and another person mutually agreed upon to be present shall + remain secret till matters be finished, as he wishes that, whatever + the result of the conference may be, it may tend to the honor and + credit of each party. If Colonel Clark makes a difficulty of coming + into the fort, Lieutenant-governor Hamilton will speak to him by + the gate. + + "(Signed) HENRY HAMILTON. + "24th February, 1779." + +I was at a great loss to conceive what reason Lieutenant-governor +Hamilton could have for wishing a truce of three days on such terms as +he proposed. Numbers said it was a scheme to get me into their +possession. I had a different opinion and no idea of his possessing such +sentiments, as an act of that kind would infallibly ruin him. Although +we had the greatest reason to expect a reënforcement in less than three +days, that would at once put an end to the siege, I yet did not think it +prudent to agree to the proposals, and sent the following answer:-- + + "Colonel Clark's compliments to Lieutenant-governor Hamilton, and + begs leave to inform him that he will not agree to any terms other + than Mr. Hamilton's surrendering himself and garrison prisoners at + discretion. If Mr. Hamilton is desirous of a conference with + Colonel Clark, he will meet him at the church with Captain Helm. + + "(Signed) G. R. C. + "February 24th, 1779." + +We met at the church, about eighty yards from the fort, +Lieutenant-governor Hamilton, Major Hay, superintendent of Indian +affairs, Captain Helm, their prisoner, Major Bowman, and myself. The +conference began. Hamilton produced terms of capitulation, signed, that +contained various articles, one of which was that the garrison should be +surrendered on their being permitted to go to Pensacola on parole. After +deliberating on every article, I rejected the whole. + +He then wished that I would make some proposition. I told him that I had +no other to make than what I had already made,--that of his surrendering +as prisoners at discretion. I said that his troops had behaved with +spirit; that they could not suppose that they would be worse treated in +consequence of it; that, if he chose to comply with the demand, though +hard, perhaps the sooner the better; that it was in vain to make any +proposition to me; that he, by this time, must be sensible that the +garrison would fall; that both of us must [view?] all blood spilt for +the future by the garrison as murder; that my troops were already +impatient, and called aloud for permission to tear down and storm the +fort. If such a step was taken, many, of course, would be cut down; and +the result of an enraged body of woodsmen breaking in must be obvious to +him. It would be out of the power of an American officer to save a +single man. + +Various altercation took place for a considerable time. Captain Helm +attempted to moderate our fixed determination. I told him he was a +British prisoner; and it was doubtful whether or not he could, with +propriety, speak on the subject. Hamilton then said that Captain Helm +was from that moment liberated, and might use his pleasure. I informed +the Captain that I would not receive him on such terms; that he must +return to the garrison, and await his fate. I then told +Lieutenant-governor Hamilton that hostilities should not commence until +five minutes after the drums gave the alarm. + +[Illustration: WE MET AT THE CHURCH] + +We took our leave, and parted but a few steps, when Hamilton stopped, +and politely asked me if I would be so kind as to give him my reasons +for refusing the garrison any other terms than those I had offered. I +told him I had no objections in giving him my real reasons, which were +simply these: that I knew the greater part of the principal Indian +partisans of Detroit were with him; that I wanted an excuse to put them +to death or otherwise treat them as I thought proper; that the cries of +the widows and the fatherless on the frontiers, which they had +occasioned, now required their blood from my hand; and that I did not +choose to be so timorous as to disobey the absolute commands of their +authority, which I looked upon to be next to divine; that I would rather +lose fifty men than not to empower myself to execute this piece of +business with propriety; that, if he chose to risk the massacre of his +garrison for their sakes, it was his own pleasure; and that I might, +perhaps, take it into my head to send for some of those widows to see it +executed. + +Major Hay paying great attention, I had observed a kind of distrust in +his countenance, which in a great measure influenced my conversation +during this time. On my concluding, "Pray, sir," said he, "who is it +that you call Indian partisans?" "Sir," I replied, "I take Major Hay to +be one of the principal." I never saw a man in the moment of execution +so struck as he appeared to be,--pale and trembling, scarcely able to +stand. Hamilton blushed, and, I observed, was much affected at his +behavior. Major Bowman's countenance sufficiently explained his disdain +for the one and his sorrow for the other. + +Some moments elapsed without a word passing on either side. From that +moment my resolutions changed respecting Hamilton's situation. I told +him that we would return to our respective posts; that I would +reconsider the matter, and let him know the result. No offensive +measures should be taken in the meantime. Agreed to; and we parted. What +had passed being made known to our officers, it was agreed that we +should moderate our resolutions. + +That afternoon the following articles were signed and the garrison +surrendered: + +I. Lieutenant-governor Hamilton engages to deliver up to Colonel Clark, +Fort Sackville, as it is at present, with all the stores, etc. + +II. The garrison are to deliver themselves as prisoners of war, and +march out with their arms and accoutrements, etc. + +III. The garrison to be delivered up at ten o'clock tomorrow. + +IV. Three days time to be allowed the garrison to settle their accounts +with the inhabitants and traders of this place. + +V. The officers of the garrison to be allowed their necessary baggage, +etc. + +Signed at Post St. Vincent (Vincennes), 24th of February, 1779. + +Agreed for the following reasons: the remoteness from succor; the state +and quantity of provisions, etc.; unanimity of officers and men in its +expediency; the honorable terms allowed; and, lastly, the confidence in +a generous enemy. + + (Signed) HENRY HAMILTON, + _Lieut.-Gov. and Superintendent._ + + * * * * * + +The business being now nearly at an end, troops were posted in several +strong houses around the garrison and patrolled during the night to +prevent any deception that might be attempted. The remainder on duty +lay on their arms, and for the first time for many days past got some +rest. + +During the siege, I got only one man wounded. Not being able to lose +many, I made them secure themselves well. Seven were badly wounded in +the fort through ports. + +Almost every man had conceived a favorable opinion of +Lieutenant-governor Hamilton,--I believe what affected myself made some +impression on the whole; and I was happy to find that he never deviated, +while he stayed with us, from that dignity of conduct that became an +officer in his situation. The morning of the 25th approaching, +arrangements were made for receiving the garrison [which consisted of +seventy-nine men], and about ten o'clock it was delivered in form; and +everything was immediately arranged to the best advantage.[452-7] + + +FOOTNOTES: + +[428-1] The first permanent settlement in Indiana was made on the Wabash +River 117 miles southwest of the present city of Indianapolis. On what +was originally the location of a prominent Indian village, the French +established a fort in 1702, and it was generally known as _The Post_. In +1736 the name of Vinsenne, an early commandant of the post, was applied +to the little settlement, and this name later came to be written +_Vincennes_, in its present form. + +The English took the place in 1763; in 1778 the weak English garrison +was driven out by the forerunners of George Rogers Clark, who from +Kaskaskia sent Captain Helm to take charge. The same winter Captain Helm +and the one soldier who constituted his garrison were compelled to +surrender to the British General, Hamilton, who had come from Detroit to +recapture the fort. It was in the following February that Clark made the +final capture as told in these memoirs. Thereafter Vincennes belonged to +Virginia, who ceded it to the United States in 1783. Vincennes was the +capital of Indiana territory from 1801 to 1816. + +[428-2] The selection is taken from General Clark's Memoirs. + +[431-3] These were men from Vincennes whom Clark had taken from canoes +and from whom he obtained much information, although it was not given +with perfect willingness. + +[437-4] It was said with some show of justice that General Hamilton had +paid the Indians a bounty on the scalps of American settlers. His course +in many ways had aroused the bitterest hatred among the colonists, and +especially among the "Big Knives." + +[446-5] The letter addressed to Lieutenant-governor Hamilton read as +follows: + +"SIR:--In order to save yourself from the impending storm that now +threatens you, I order you immediately to surrender yourself, with all +your garrison, stores, etc. For, if I am obliged to storm, you may +depend on such treatment as is justly due to a murderer. Beware of +destroying stores of any kind or any papers or letters that are in your +possession, or hurting one house in town: for, by heavens! if you do, +there shall be no mercy shown you. + + (Signed) G. R. CLARK." + +In reply the British officer sent the following: + +"Lieutenant-governor Hamilton begs leave to acquaint Colonel Clark that +he and his garrison are not disposed to be awed into any action unworthy +British subjects." + +[452-7] Clark was a man of action, not a scholar; and the errors of +which his writings are full may well be overlooked, so full of interest +is what he says. The selections above have been slightly changed, +principally, however, in spelling and the use of capital letters. + +Hamilton was sent in irons to Virginia and was kept in close +confinement, at Williamsburg, till nearly the end of the Revolution. +Washington wrote, as a reason for not exchanging the British prisoner, +that he "had issued proclamations and approved of practices, which were +marked with cruelty towards the people that fell into his hands, such as +inciting the Indians to bring in scalps, putting prisoners in irons, and +giving men up to be the victims of savage barbarity." + + + + +THREE SUNDAYS IN A WEEK + +_Adapted from_ EDGAR A. POE + + + NOTE.--The ingeniousness of the idea in this story marks it as + Poe's, though it lacks some of the characteristics which we expect + to find in everything that came from the brain of that most unusual + writer. Many of his poems and many of his most famous stories, such + as _Ligeia_, _The Fall of the House of Usher_, _Eleanora_ and _The + Masque of the Red Death_, have a fantastic horror about them which + is scarcely to be found in the writings of any other man. _The Gold + Bug_, which is included in Volume IX of this series is a + characteristic example of another type of Poe's stories; it shows + at its best his marvelous inventive power. + + _Three Sundays in a Week_, as given here, has been abridged + somewhat, though nothing that is essential to the story has been + omitted. + +"You hard-hearted, dunder-headed, obstinate, rusty, crusty, musty, +fusty, old savage!" said I, in fancy, one afternoon, to my granduncle, +Rumgudgeon, shaking my fist at him in imagination. Only in imagination. +The fact is, some trivial difference did exist, just then, between what +I said and what I had not the courage to say--between what I did and +what I had half a mind to do. + +The old porpoise, as I opened the drawing-room door, was sitting with +his feet upon the mantelpiece, making strenuous efforts to accomplish a +ditty. + +"My _dear_ uncle," said I, closing the door gently and approaching him +with the blandest of smiles, "you are always so very kind and +considerate, and have evinced your benevolence in so many--so very many +ways--that--that I feel I have only to suggest this little point to you +once more to make sure of your full acquiescence." + +"Hem!" said he, "good boy! go on!" + +"I am sure, my dearest uncle (you confounded old rascal!) that you have +no design really and seriously to oppose my union with Kate. This is +merely a joke of yours, I know--ha! ha! ha!--how very pleasant you are +at times." + +"Ha! ha! ha!" said he, "curse you! yes!" + +"To be sure--of course! I knew you were jesting. Now, uncle, all that +Kate and myself wish at present, is that you would oblige us--as regards +the _time_--you know, uncle--in short, when will it be most convenient +for yourself that the wedding shall--shall come off, you know?" + +"Come off, you scoundrel! what do you mean by that?--Better wait till it +goes on." + +"Ha! ha! ha!--he! he! he!--oh, that's good--oh, that's capital--such a +wit! But all we want, just now, you know, uncle, is that you should +indicate the time precisely." + +"Ah!--precisely?" + +"Yes, uncle--that is, if it would be quite agreeable to yourself." + +"Wouldn't it answer, Bobby, if I were to leave it at random--sometime +within a year or so, for example?--_must_ I say precisely?" + +"_If_ you please, uncle--precisely." + +"Well, then, Bobby, my boy--you're a fine fellow, aren't you?--since you +_will_ have the exact time, I'll--why, I'll oblige you for once." + +"Dear uncle!" + +[Illustration: "WELL, THEN, BOBBY, MY BOY"] + +"Hush, sir!" (drowning my voice)--"I'll oblige you for once. You shall +have my consent--and the _plum_, we mustn't forget the plum--let me see! +When shall it be? To-day's Sunday--isn't it! Well, then, you shall be +married precisely--_precisely_, now mind!--_when three Sundays come +together in a week_! Do you hear me, sir! What are you gaping at? I say, +you shall have Kate and her plum when three Sundays come together in a +week--but not _till_ then--you young scapegrace--not _till_ then, if I +die for it. You know me--_I'm a man of my word_--_now be off_!" Here he +grinned at me viciously, and I rushed from the room in despair. + +A very "fine old English gentleman" was my granduncle, Rumgudgeon, but, +unlike him of the song, he had his weak points. He was a little, pursy, +pompous, passionate, semi-circular somebody, with a red nose, a thick +skull, a long purse, and a strong sense of his own consequence. With the +best heart in the world, he contrived, through a predominate whim of +contradiction, to earn for himself, among those who only knew him +superficially, the character of a curmudgeon. Like many excellent +people, he seemed possessed with a spirit of tantalization, which might +easily, at a casual glance, be mistaken for malevolence. To every +request, a positive "No!" was his immediate answer; but in the end--in +the long, long end--there were exceedingly few requests which he +refused. Against all attacks upon his purse he made the most sturdy +defence; but the amount extorted from him at last, was generally in +direct ratio with the length of the siege and the stubbornness of the +resistance. In charity, no one gave more liberally, or with a worse +grace. + +For the fine arts, especially for the belles-lettres, he entertained a +profound contempt. Thus my own inkling for the Muses had excited his +entire displeasure. He assured me one day, when I asked him for a new +copy of Horace, that the translation of "_Poeta nascitur, non +fit_"[456-1] was "a nasty poet for nothing fit"--a remark which I took +in high dudgeon. His repugnance to the "humanities" had, also, much +increased of late, by an accidental bias in favor of what he supposed to +be natural science. Somebody had accosted him in the street, mistaking +him for a no less personage than Doctor Dubble L. Dee, the lecturer upon +quack physics. This set him off at a tangent; and just at the epoch of +this story, my granduncle, Rumgudgeon, was accessible and pacific only +upon the points which happened to chime in with the hobby he was riding. + +I had lived with the old gentleman all my life. My parents in dying had +bequeathed me to him as a rich legacy. I believe the old villain loved +me as his own child--nearly if not quite as well as he loved Kate--but +it was a dog's existence that he led me after all. From my first year +until my fifth, he obliged me with very regular floggings. From five to +fifteen, he threatened me, hourly, with the House of Correction. From +fifteen to twenty not a day passed in which he did not promise to cut me +off with a shilling. I was a sad dog it is true, but then it was a part +of my nature--a point of my faith. + +In Kate, however, I had a firm friend, and I knew it. She was a good +girl, and told me very sweetly that I might have her (plum and all) +whenever I could badger my granduncle, Rumgudgeon, into the necessary +consent. Poor girl! she was barely fifteen, and without this consent her +little amount in the funds was not come-at-able until five immeasurable +summers had "dragged their slow length along." What then to do? In vain +we besieged the old gentleman with importunities. It would have stirred +the indignation of Job himself to see how much like an old mouser he +behaved to us two little mice. In his heart he wished for nothing more +ardently than our union. He had made up his mind to this all along. In +fact he would have given ten thousand pounds from his own pocket (Kate's +plum was _her own_) if he could have invented anything like an excuse +for complying with our very natural wishes. But then we had been so +imprudent as to broach the matter ourselves. Not to oppose it under +the circumstances, I sincerely believe, was not in his power. + +[Illustration: "IN KATE, HOWEVER, I HAD A FIRM FRIEND"] + +My granduncle was, after his own fashion, a man of his word, no doubt. +The spirit of his vows he made no scruple of setting at naught, but the +letter was a bond inviolable. Now it was this peculiarity in his +disposition of which Kate's ingenuity enabled us one fine day, not long +after our interview in the drawing-room, to take a very unexpected +advantage. + +It happened then--so the Fates ordered it--that among the naval +acquaintances of my betrothed were two gentlemen who had just set foot +upon the shores of England, after a year's absence, each, in foreign +travel. In company with these gentlemen, Kate and I, preconcertedly, +paid uncle Rumgudgeon a visit on the afternoon of Sunday, October the +tenth--just three weeks after the memorable decision which had so +cruelly defeated our hopes. For about half an hour the conversation ran +upon ordinary topics; but at last we contrived, quite naturally, to give +it the following turn: + +_Capt. Pratt._ "Well, I have been absent just one year. Just one year +to-day, as I live--let me see! yes!--this is October the tenth. You +remember, Mr. Rumgudgeon, I called this day year, to bid you good-bye. +And by the way, it does seem something like a coincidence, does it +not--that our friend, Captain Smitherton, has been absent exactly a year +also, a year to-day?" + +_Smitherton._ "Yes! just one year to a fraction. You will remember, Mr. +Rumgudgeon, that I called with Captain Pratt on this very day last year, +to pay my parting respects." + +_Uncle._ "Yes, yes, yes--I remember it very well--very queer indeed! +Both of you gone just one year. A very strange coincidence indeed! Just +what Doctor Dubble L. Dee would denominate an extraordinary concurrence +of events. Doctor Dub--" + +_Kate_ (_interrupting_). "To be sure papa, it _is_ something strange; +but then Captain Pratt and Captain Smitherton didn't go altogether the +same route, and that makes a difference you know." + +_Uncle._ "I don't know any such thing, you hussy! How should I? I think +it only makes the matter more remarkable. Doctor Dubble L. Dee--" + +_Kate._ "Why, papa, Captain Pratt went round Cape Horn, and Captain +Smitherton doubled the Cape of Good Hope." + +_Uncle._ "Precisely! the one went east and the other went west, you +jade, and they have both gone quite round the world. By the bye, Doctor +Dub--" + +_Myself_ (_hurriedly_). "Captain Pratt, you must come and spend the +evening with us to-morrow--you and Smitherton--you can tell us all about +your voyage, and we'll have a game of whist, and--" + +_Pratt._ "Whist, my dear fellow--you forget. To-morrow will be Sunday. +Some other evening--" + +_Kate._ "Oh, no, fie!--Robert's not _quite_ so bad as that. _To-day's_ +Sunday." + +_Uncle._ "To be sure--to be sure." + +_Pratt._ "I beg both your pardons--but I can't be so much mistaken. I +know to-morrow's Sunday, because--" + +_Smitherton_ (_much surprised_). "What _are_ you all thinking about? +Wasn't _yesterday_ Sunday, I should like to know?" + +_All._ "Yesterday, indeed! you _are_ out!" + +_Uncle._ "To-day's Sunday, I say--don't I know?" + +_Pratt._ "Oh, no!--to-morrow's Sunday." + +_Smitherton._ "You are _all_ mad--every one of you. I am as positive +that yesterday was Sunday as I am that I sit upon this chair." + +_Kate_ (_jumping up eagerly_). "I see it--I see it all. Papa, this is a +judgment upon you, about--about you know what. Let me alone, and I'll +explain it all in a minute. It's a very simple thing, indeed. Captain +Smitherton says that yesterday was Sunday: so it was; he is right. +Cousin Bobby, and papa and I, say that to-day is Sunday: so it is, we +are right. Captain Pratt maintains that to-morrow will be Sunday: so it +will, he is right, too. The fact is, we are all right, and thus _three +Sundays have come together in a week_." + +_Smitherton_ (_after a pause_). "By the bye, Pratt, Kate has us +completely. What fools we two are! Mr. Rumgudgeon, the matter stands +thus: the earth, you know, is twenty-four thousand miles in +circumference. Now this globe turns upon its own axis--revolves--spins +around--these twenty-four thousand miles of extent, going from west to +east, in precisely twenty-four hours. Do you understand, Mr. +Rumgudgeon?" + +_Uncle._ "To be sure--to be sure. Doctor Dub--" + +_Smitherton_ (_drowning his voice_). "Well sir, that is at the rate of +one thousand miles per hour. Now, suppose that I sail from this position +a thousand miles east. Of course I anticipate the rising of the sun here +at London by just one hour. I see the sun rise one hour before you do. +Proceeding, in the same direction, yet another thousand miles, I +anticipate the rising by two hours--another thousand, and I anticipate +it by three hours, and so on, until I go entirely round the globe, and +back to this spot, when having gone twenty-four thousand miles east, I +anticipate the rising of the London sun by no less than twenty-four +hours; that is to say, I am a day _in advance_ of your time. Understand, +eh?" + +_Uncle._ "But Dubble L. Dee--" + +_Smitherton_ (_speaking very loud_). "Captain Pratt, on the contrary, +when he had sailed a thousand miles west of this position, was an hour, +and when he had sailed twenty-four thousand miles west was twenty-four +hours, or one day, _behind_ the time at London. Thus, with me, yesterday +was Sunday--thus with you, to-day is Sunday--and thus with Pratt, +to-morrow will be Sunday. And what is more, Mr. Rumgudgeon, it is +positively clear that that we are _all right_; for there can be no +philosophical reason assigned why the idea of one of us should have +preference over that of the other." + +_Uncle._ "My eyes!--well, Kate--well Bobby!--this _is_ a judgment upon +me as you say. But I am a man of my word--_mark that_! You shall have +her, my boy (plum and all), when you please. Done up, by Jove! Three +Sundays in a row! I'll go and take Dubble L. Dee's opinion upon _that_." + + +FOOTNOTES: + +[456-1] A poet is born, not made. + + + + +THE MODERN BELLE + +_By_ STARK + + + She sits in a fashionable parlor, + And rocks in her easy chair; + She is clad in silks and satins, + And jewels are in her hair; + She winks and giggles and simpers, + And simpers and giggles and winks; + And though she talks but little, + 'Tis a good deal more than she thinks. + + She lies abed in the morning + Till nearly the hour of noon, + Then comes down snapping and snarling + Because she was called so soon; + Her hair is still in papers, + Her cheeks still fresh with paint,-- + Remains of her last night's blushes, + Before she intended to faint. + + She dotes upon men unshaven, + And men with "flowing hair;" + She's eloquent over mustaches, + They give such a foreign air. + She talks of Italian music, + And falls in love with the moon; + And, if a mouse were to meet her, + She would sink away in a swoon. + + Her feet are so very little, + Her hands are so very white, + Her jewels so very heavy, + And her head so very light; + Her color is made of cosmetics + (Though this she will never own), + Her body is made mostly of cotton, + Her heart is made wholly of stone. + + She falls in love with a fellow + Who swells with a foreign air; + He marries her for her money, + She marries him for his hair! + One of the very best matches,-- + Both are well mated in life; + _She's got a fool for a husband, + He's got a fool for a wife_! + + + + +WIDOW MACHREE + +_By_ SAMUEL LOVER + + + Widow machree, it's no wonder you frown,-- + Och hone! widow machree; + Faith, it ruins your looks, that same dirty black gown,-- + Och hone! widow machree. + How altered your air, + With that close cap you wear,-- + 'Tis destroying your hair, + Which should be flowing free; + Be no longer a churl + Of its black silken curl,-- + Och hone! widow machree! + + Widow machree, now the summer is come,-- + Och hone! widow machree, + When everything smiles, should a beauty look glum? + Och hone! widow machree! + See the birds go in pairs, + And the rabbits and hares; + Why, even the bears + Now in couples agree; + And the mute little fish, + Though they can't spake, they wish,-- + Och hone! widow machree. + +[Illustration: FAITH, I WISH YOU'D TAKE ME!] + + Widow machree, and when winter comes in,-- + Och hone! widow machree,-- + To be poking the fire all alone is a sin, + Och hone! widow machree. + Sure the shovel and tongs + To each other belongs, + And the kettle sings songs + Full of family glee; + While alone with your cup + Like a hermit you sup, + Och hone! widow machree. + + And how do you know, with the comforts I've towld,-- + Och hone! widow machree,-- + But you're keeping some poor fellow out in the cowld, + Och hone! widow machree! + With such sins on your head, + Sure your peace would be fled; + Could you sleep in your bed + Without thinking to see + Some ghost or some sprite, + That would wake you each night, + Crying "Och hone! widow machree!" + + Then take my advice, darling widow machree,-- + Och hone! widow machree,-- + And with my advice, Faith, I wish you'd take me, + Och hone! widow machree! + You'd have me to desire + Then to stir up the fire; + And sure hope is no liar + In whispering to me, + That the ghosts would depart + When you'd me near your heart,-- + Och hone! widow machree! + + + + +LIMESTONE BROTH + +_By_ GERALD GRIFFIN + + +"My father went once upon a time about the country, in the idle season, +seeing if he could make a penny at all by cutting hair or setting +rashurs or pen-knives, or any other job that would fall in his way. + +Weel an' good--he was one day walking alone in the mountains of Kerry, +without a ha'p'ny in his pocket (for though he traveled afoot, it cost +him more than he earned), an' knowing there was but little love for a +County Limerick man in the place where he was, an' being half perished +with the hunger, an' evening drawing nigh, he didn't know well what to +do with himself till morning. + +Very good--he went along the wild road; an' if he did, he soon sees a +farmhouse at a little distance o' one side--a snug-looking place, with +the smoke curling up out of the chimney, an' all tokens of good living +inside. Well, some people would live where a fox would starve. + +What do you think did my father do? He wouldn't beg (a thing one of our +people never done yet, thank heaven!) an' he hadn't the money to buy a +thing, so what does he do? He takes up a couple o' the big limestones +that were lying in the road, in his two hands, an' away with him to the +house. + +[Illustration: HE SOON SEES A FARMHOUSE AT A LITTLE DISTANCE] + +'Lord save all here!' says he, walking in the door. + +'And you kindly,' says they. + +'I'm come to you,' says he, this way, looking at the two limestones, 'to +know would ye let me make a little limestone broth over your fire, until +I'll make my dinner?' + +'Limestone broth!' says they to him again: 'what's that, _aroo_?' + +'Broth made of limestone,' says he; 'what else?' + +'We never heard of such a thing,' says they. + +'Why, then, you may hear it now,' says he, 'an' see it also, if you'll +gi' me a pot an' a couple o' quarts o' soft water.' + +'You can have it an' welcome,' says they. + +So they put down the pot an' the water, an' my father went over an' tuk +a chair hard by the pleasant fire for himself, an' put down his two +limestones to boil, an' kept stirrin' them round like stir-about. + +Very good--well, by-an'-by, when the wather began to boil--''Tis +thickening finely,' says my father; 'now if it had a grain o' salt at +all, 'twould be a great improvement to it.' + +'Raich down the salt-box, Nell,' says the man o' the house to his wife. +So she did. + +'Oh, that's the very thing, just,' says my father, shaking some of it +into the pot. So he stirred it again a while, looking as sober as a +minister. By-an'-by he takes the spoon he had stirring it an' tastes it. + +'It is very good now,' says he, 'altho' it wants something yet.' + +'What is it?' says they. + +'Oyeh, wisha nothin',' says he; 'maybe 't is only fancy o' me.' + +'If it's anything we can give you,' says they, 'you're welcome to it.' + +''Tis very good as it is,' says he; 'but when I'm at home, I find it +gives it a fine flavor just to boil a little knuckle o' bacon, or mutton +trotters, or anything that way along with it.' + +'Raich hether that bone o' sheep's head we had at dinner yesterday, +Nell,' says the man o' the house. + +'Oyeh, don't mind it,' says my father; 'let it be as it is.' + +'Sure if it improves it, you may as well,' says they. + +'Baithershin!' says my father, putting it down. + +So after boiling it a good piece longer, ''Tis fine limestone broth,' +says he, 'as ever was tasted, and if a man had a few piatez,' says he, +looking at a pot o' them that was smoking in the chimney corner, 'he +couldn't desire a better dinner.' + +They gave him the piatez, and he made a good dinner of themselves and +the broth, not forgetting the bone, which he polished equal to chaney +before he let it go. The people themselves tasted it, an' tho't it as +good as any mutton broth in the world." + + + + +THE KNOCKOUT + +_Adapted From The Autobiography of_ DAVY CROCKETT + + +One day as I was walking through the woods, I came to a clearing on a +hillside, and as I climbed the slope I was startled by loud, profane and +boisterous voices which seemed to proceed from a thick cover of +undergrowth about two hundred yards in advance of me. + +"You kin, kin you?" + +"Yes I kin and I'm able to do it! Boo-oo-oo!--O wake snakes, brimstone +and fire! Don't hold me, Nick Stoval; the fight's made up and I'll jump +down your throat before you kin say 'quit.'" + +"Now Nick, don't hold him! Just let the wildcat come, and I'll tame him. +Ned'll see me a fair fight, won't you Ned?" + +"O yes, I'll see you a fair fight; blast my old shoes if I don't." + +"That's sufficient, as Tom Haines said when he saw the elephant; now let +him come." + +Thus they went on with countless oaths and with much that I could not +distinctly hear. In mercy's name, I thought, what a band of ruffians is +at work here. I quickened my gait and had come nearly opposite the thick +grove, whence the noises proceeded, when my eye caught, indistinctly +through the foliage of the scrub oaks and hickories that intervened, +glimpses of a man or men who seemed to be in a violent struggle. +Occasionally, too, I could catch those deep-drawn, emphatic oaths which +men utter when they deal heavy blows in conflict. As I was hurrying to +the spot, I saw the combatants fall to the ground, and after a short +struggle I saw the uppermost one (for I could not see the others) make a +heavy plunge with both his thumbs. At the same instant I heard a cry in +the accent of keenest torture--"Enough, my eye is out." + +For a moment I stood completely horror-struck. The accomplices in this +brutal deed had apparently all fled at my approach, for not a one was to +be seen. + +"Now blast your corn-shucking soul," said the victor, a lad of about +eighteen, as he arose from the ground, "come cuttin' your shines 'bout +me agin next time I come to the court-house will you? Get your owl-eye +in agin if you kin." + +At this moment he saw me for the first time. He looked frightened and +was about to run away when I called out--"Come back, you brute, and help +me relieve the poor critter you have ruined forever." + +Upon this rough salutation he stopped, and with a taunting curl of the +nose, replied. "You needn't kick before you're spurred. There an't +nobody here nor han't been, nuther. I was just seeing how I could have +fout." So saying, he pointed to his plow, which stood in the corner of +the fence about fifty yards from the battle ground. Would any man in his +senses believe that a rational being could make such a fool of himself? +All that I had heard and seen was nothing more nor less than a rehearsal +of a knock-down and drag-out fight in which the young man had played all +the parts for his own amusement. I went to the ground from which he had +risen, and there were the prints of his two thumbs plunged up to the +balls in the mellow earth, and the ground around was broken up as if two +stags had been fighting on it. + +As I resumed my journey, I laughed outright at this adventure, for it +reminded me of Andrew Jackson's attack on the United States bank. He had +magnified it into a monster and then began to swear and gouge until he +thought he had the monster on his back, and when the fight was over and +he got up to look for his enemy, he could find none anywhere. + +[Illustration] + + + + +THE COUNTRY SQUIRE + +_Translated From The Spanish of_ THOMAS YRIARTE + + + A country squire of greater wealth than wit + (For fools are often blessed with fortune's smile), + Had built a splendid house and furnished it + In splendid style. + + "One thing is wanting," said a friend; "for though + The rooms are fine, the furniture profuse, + You lack a library, dear sir, for show, + If not for use." + + "'Tis true, but zounds!" replied the squire with glee, + "The lumber-room in yonder northern wing + (I wonder I ne'er thought of it) will be + The very thing. + + "I'll have it fitted up without delay + With shelves and presses of the newest mode, + And rarest wood, befitting every way + A squire's abode. + + "And when the whole is ready, I'll dispatch + My coachman--a most knowing fellow--down + To buy me, by admeasurement, a batch + Of books in town." + + But ere the library was half supplied + With all its pomps of cabinet and shelf, + The booby squire repented him, and cried + Unto himself: + + "This room is much more roomy than I thought; + Ten thousand volumes hardly would suffice + To fill it, and would cost, however bought, + A plaguey price. + +[Illustration: THE SQUIRE'S LIBRARY] + + "Now, as I only want them for their looks, + It might, on second thoughts, be just as good, + And cost me next to nothing, if the books + Were made of wood. + + "It shall be so, I'll give the shaven deal + A coat of paint--a colorable dress, + To look like calf or vellum and conceal + Its nakedness. + + "And, gilt and lettered with the author's name, + Whatever is most excellent and rare + Shall be, or seem to be ('tis all the same), + Assembled there." + + The work was done, the simulated hoards + Of wit and wisdom round the chamber stood, + In binding some; and some, of course, in _boards_ + Where all were wood. + + From bulky folios down to slender twelves + The choicest tomes, in many an even row + Displayed their lettered backs upon the shelves, + A goodly show. + + With such a stock as seemingly surpassed + The best collections ever formed in Spain, + What wonder if the owner grew at last + Supremely vain? + + What wonder, as he paced from shelf to shelf + And conned their titles, that the squire began, + Despite his ignorance, to think himself + A learned man? + + Let every amateur, who merely looks + To backs and binding, take the hint, and sell + His costly library--_for painted books + Would serve as well_. + + Poetry means more to us and we get more enjoyment from reading it + when we understand some of the difficulties that the poet has in + writing it and can recognize those things which make it poetry in + form. + + For instance, you will notice in the poem which we have just read + that every stanza has four lines; that, in printing, the first and + third lines begin close to the margin, while the second and fourth + lines begin a little farther in on the page--that is, they are + _indented_. Now if you will look at the ends of the lines you will + see that the words with which the first and third lines terminate + are in rhyme, and that the words with which the second and fourth + lines terminate are in rhyme. In other words, the indentation at + beginning of lines in poetry calls attention to the rhymes. + + It is true throughout _The Country Squire_ that every pair of lines + taken alternately ends in rhymes which are perfect or nearly so. + Now a perfect rhyme is one in which the two rhyming syllables are + both accented, the vowel sound and the consonants which follow the + vowels are identical, and the sounds preceding the vowel are + different. For instance, the words _smile_ and _style_ rhyme. Both + of these are monosyllables and hence accented. The vowel sound is + the long sound of _i_; the consonant sound of _l_ follows. The + sounds preceding the _i_ are similar but not identical, represented + by _sm_ in the first case and _st_ in the second. In the fifth + stanza the first line ends with the word _dispatch_, the third with + the word _batch_. This rhyme is perfect, because the accent on the + word _dispatch_ is naturally on the second syllable. In the ninth + stanza the word _dress_ is made to rhyme with _nakedness_. This is + not strictly perfect, for the natural accent of _nakedness_ is on + the first syllable. + + It may be interesting for beginners to work out the rhyme scheme of + a poem and write it down. This is very easily done. Take the first + stanza in _The Country Squire_. Represent the rhyming syllable of + the first line by _a_, the rhyming syllable of the second line by + _b_. It follows then that the rhyming syllable of the third line + must be represented by _a_, and the rhyming syllable of the fourth + line by _b_. Writing these letters in succession we have the + nonsense word _abab_, which will always stand for stanzas of this + kind. If you are interested in this turn to the studies at the end + of the next poem, _To My Infant Son_. + + + + +TO MY INFANT SON + +_By_ Thomas Hood + + + Thou happy, happy elf! + (But stop, first let me kiss away that tear,) + Thou tiny image of myself! + (My love, he's poking peas into his ear,) + Thou merry, laughing sprite, + With spirits, feather light, + Untouched by sorrow, and unsoiled by sin; + (My dear, the child is swallowing a pin!) + + Thou little tricksy Puck! + With antic toys so funnily bestuck, + Light as the singing bird that rings the air,-- + (The door! the door! he'll tumble down the stair!) + Thou darling of thy sire! + (Why, Jane, he'll set his pinafore afire!) + Thou imp of mirth and joy! + In love's dear chain so bright a link, + Thou idol of thy parents;--(Drat the boy! + There goes my ink.) + + Thou cherub, but of earth; + Fit playfellow for fairies, by moonlight pale, + In harmless sport and mirth, + (That dog will bite him, if he pulls his tail!) + Thou human humming-bee, extracting honey + From every blossom in the world that blows, + Singing in youth's Elysium ever sunny,-- + (Another tumble! That's his precious nose!) + + Thy father's pride and hope! + (He'll break that mirror with that skipping rope!) + With pure heart newly stamped from nature's mint, + (Where did he learn that squint?) + Thou young domestic dove! + (He'll have that ring off with another shove,) + +[Illustration: "THERE GOES MY INK!"] + + Dear nursling of the hymeneal nest! + (Are these torn clothes his best?) + Little epitome of man! + (He'll climb upon the table, that's his plan,) + Touched with the beauteous tints of dawning life, + (He's got a knife!) + + Thou enviable being! + No storms, no clouds, in thy blue sky foreseeing, + Play on, play on, + My elfin John! + Toss the light ball, bestride the stick,-- + (I knew so many cakes would make him sick!) + With fancies buoyant as the thistle-down, + Prompting the face grotesque, and antic brisk, + With many a lamb-like frisk! + (He's got the scissors snipping at your gown!) + Thou pretty opening rose! + (Go to your mother, child, and wipe your nose!) + Balmy and breathing music like the south + (He really brings my heart into my mouth!) + Bold as a hawk, yet gentle as the dove; + (I'll tell you what, my love, + I cannot write unless he's sent above.) + + The stanzas of this poem vary considerably in length, but it will + be interesting to examine them according to the plans suggested at + the end of the preceding poem, _The Country Squire_. The first + stanza here has eight lines, the first four of them rhyming + alternately in pairs, the next four in couplets. If now we apply + the plan that is suggested for writing out the rhyme scheme, the + word for the first stanza is _ababccdd_. + + The second stanza has ten lines. Its rhyme scheme is evidently + quite different, for here the first six lines rhyme in couplets and + the last four alternately in pairs. The word to represent such a + scheme is _aabbccdede_. + + Can you write out the words which will represent the rhyme scheme + in the other stanzas in this poem? + + Find the other poems in this book and write out the rhyme scheme + for them. Notice that in most poems the stanzas have the same + number of lines, and that the rhyme scheme of one stanza is just + like that of another. Take the other books in this series and turn + to the poems, find what an endless variety of rhymes there is and + how the scheme differs in different poems. + + + + +PRONUNCIATION OF PROPER NAMES + + +NOTE.--The pronunciation of difficult words is indicated by respelling +them phonetically. _N_ is used to indicate the French nasal sound; _K_ +the sound of _ch_ in German; _ü_ the sound of the German _ü_, and French +_u_; _ö_ the sound of _ö_ in foreign languages. + + ALGIDUS, _al´ ji dus_ + + ANJOU, _oN´´ zhoo´_ + + ATHELSTANE, _ath´ el stane_ + + BANGWEOLO, _bang´´ we o´ lo_ + + BECHUANALAND, _beck´´ oo ah´ na land_ + + BOIS-GUILBERT, BRIAN DE, _bwah geel bayr´_, _bre oN´ deh_ + + CEDRIC, _ked´ rick_, or _sed´ rick_ + + CHALDEA, _kal de´ ah_ + + CHARGÉ D'AFFAIRES, _shahr´´ zhay´ daf fayr´_ + + CHIAJA, _kyah´ ya_ + + FALERII, _fah le´ ry i_ + + FRONT-DE-BOEUF, _froN deh beuf´_ + + GIBAULT, _zhee bo´_ + + KHIVA, _ke´ vah_ + + LIGEIA, _li je´ yah_ + + MAISONVILLE, _may´´ zoN veel´_ + + MALVOISIN, _mal vwah saN´_ + + MARESCHAL, _mahr´ shal_ + + MASSOUEY, _mas su´ y_ + + NAOMI, _nay o´ mi_ + + NGAMI, _ngah´ me_ + + NICARAGUA, _nee´´ kar ah´ gwah_ + + ONEIDA, _o ni´ dah_ + + PSALMS, _sahms_ + + RAKSH, _rahksh_ + + ROWENA, _ro e´ na_ + + RUSTUM, _roos´ tum_ + + SAGA, _say´ gah_ + + SEIUS, _se´ yus_ + + SEISTAN, _says´ tahn_ + + SENNACHERIB, _sen nak´ e rib_ + + SOHRAB, _so´ rahb_ + + TARPEIAN, _tahr pe´ yan_ + + TONGRES, _toN´ gr´_ + + VELASQUEZ, _vay lahs´ kayth_ + + VENEZUELA, _ven e zwe´ lah_ + + VINCENNES, _vin senz´_ + + YRIARTE, _e re ahr´ tay_ + + ZOUCHE, _zooch_ + + + + + ix Babocck changed to Babcock + Plate facing p. 30 Abbottsford changed to Abbotsford + 37 glady changed to gladly + 45 Saxon, Rowena. changed to Saxon, Rowena." + 60 avow-himself changed to avow himself + 76 occupy. "Ladies," changed to occupy. Ladies," + 86 puting changed to putting + 106 burden?" changed to burden? + 108 landingplace changed to landing-place + 161 carelessnesss changed to carelessness + 172 "It is yours changed to 'It is yours + 174 Aber-baijan changed to Ader-baijan + 182 Gudruz changed to Gudurz + 196, fn. 23 indentification changed to identification + 221 Engand changed to England + 264 its breast!" changed to its breast! + 308 with Chrismas holly changed to with Christmas holly + 345 hear me! changed to "hear me! + 352 footsool changed to footstool + 356 Chrismas Eve the mass changed to Christmas Eve the mass + 363, fn. 13 line means. changed to line means, + 363, fn. 15 ascent to to changed to ascent to + 363, fn. 15 Now. gentlemen changed to Now, gentlemen + 368 woful-wan changed to woeful-wan + 432 well acount for changed to well account for + 451 and patroled during changed to and patrolled during + 452 bady changed to badly + 460 Why, papa changed to "Why, papa + + Inconsistent hyphenation and spelling + + blindman's-buff / blind-man's buff + candle-light / candlelight + eye-brows / eyebrows + farm-house / farmhouse + fellow-men / fellowmen + fore-feet / forefeet + home-made / homemade + house-tops / housetops + look-out / lookout + on-looking / onlooking + plow-man / plowman + sea-weed / seaweed + snuff-box / snuffbox + to-morrow / tomorrow + wild-cat / wildcat + + + + + +End of the Project Gutenberg EBook of Journeys Through Bookland, Vol. 6, by +Charles H. Sylvester + +*** END OF THIS PROJECT GUTENBERG EBOOK JOURNEYS THROUGH BOOKLAND, VOL. 6 *** + +***** This file should be named 21864-8.txt or 21864-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/1/8/6/21864/ + +Produced by Juliet Sutherland, Julia Miller, and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/21864-8.zip b/21864-8.zip Binary files differnew file mode 100644 index 0000000..7076c8c --- /dev/null +++ b/21864-8.zip diff --git a/21864-h.zip b/21864-h.zip Binary files differnew file mode 100644 index 0000000..f272d45 --- /dev/null +++ b/21864-h.zip diff --git a/21864-h/21864-h.htm b/21864-h/21864-h.htm new file mode 100644 index 0000000..d1868fa --- /dev/null +++ b/21864-h/21864-h.htm @@ -0,0 +1,15958 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of Journeys Through Bookland, vol. 6, by Charles H. Sylvester. + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + text-indent: 1em; + } + p.noindent {text-indent: 0em;} + p.titlepage {text-indent: 0em; text-align: center; } + p.opening {text-indent: 0em; margin-top: 2em;} + + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + } + .chapterhead {margin-top: 4em; font-weight: normal;} + .story {font-weight: normal; margin-top: 3em;} + .section {font-weight: normal; margin-top: 2em;} + + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + .storybreak {width: 65%;} + + table {margin-left: auto; margin-right: auto;} + td {padding: 0em 0.2em 0em 0.2em; vertical-align: top;} + .tdr {text-align: right;} + + body{margin-left: 10%; + margin-right: 10%; + } + + a:focus, a:active { outline:#ffee66 solid 2px; background-color:#ffee66;} + a:focus img, a:active img {outline: #ffee66 solid 2px; } + + img {border: 0;} + + abbr { border:none; text-decoration:none; font-variant:normal; } + + .pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-variant: normal; + font-size: smaller; + text-align: right; + text-indent: 0em; + } /* page numbers */ + + .blockquot{font-size: 90%;} + + .center {text-align: center;} + .right {text-align: right;} + .smcap {font-variant: small-caps;} + .dropcap {font-size: 200%; float: left; padding-right: 0.1em; vertical-align: text-top;} + .upper {text-transform: uppercase;} + .hide {display: none;} + + .caption {font-size: smaller;} + + .figcenter {margin: 2em auto; text-align: center;} + + .dropcapa {float: left; + height: 100px; width: 71px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-a.png") no-repeat top left;} + .dropcapc {float: left; + height: 100px; width: 72px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-c.png") no-repeat top left;} + .dropcape {float: left; + height: 100px; width: 72px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-e.png") no-repeat top left;} + .dropcapf {float: left; + height: 100px; width: 71px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-f.png") no-repeat top left;} + .dropcaph {float: left; + height: 100px; width: 72px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-h.png") no-repeat top left;} + .dropcapi {float: left; + height: 100px; width: 71px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-i.png") no-repeat top left;} + .dropcapl {float: left; + height: 100px; width: 71px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-l.png") no-repeat top left;} + .dropcapm {float: left; + height: 100px; width: 70px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-m.png") no-repeat top left;} + .dropcapn {float: left; + height: 100px; width: 71px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-n.png") no-repeat top left;} + .dropcapo {float: left; + height: 100px; width: 72px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-o.png") no-repeat top left;} + .dropcapr {float: left; + height: 100px; width: 73px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-r.png") no-repeat top left;} + .dropcapt {float: left; + height: 100px; width: 71px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-t.png") no-repeat top left;} + .dropcapw {float: left; + height: 100px; width: 71px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-w.png") no-repeat top left;} + .dropcapy {float: left; + height: 100px; width: 72px; + margin: 0 0.5em 0.5em 0; + background: url("images/cap-y.png") no-repeat top left;} + + ul.vocab {list-style-type: none;} + + .footnotes {border-top: solid 1px; margin-top: 2em; text-indent: 0.5em; font-size: 90%; text-align: justify; } + .label {font-size: 80%; vertical-align: 0.3em; } + .fnanchor {vertical-align: 0.3em; font-size: 80%; padding-left: 0.1em;} + + .poem {margin-left: 20%; margin-right: 10%; text-align: left; text-indent: 0em;} + .poemopening {margin-top: 2em; margin-left: 20%; margin-right: 10%; text-align: left; text-indent: 0em;} + .i1 {margin-left: 1em;} + .i2 {margin-left: 2em;} + .i3 {margin-left: 3em;} + .i4 {margin-left: 4em;} + .i6 {margin-left: 6em;} + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Journeys Through Bookland, Vol. 6, by +Charles H. Sylvester + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Journeys Through Bookland, Vol. 6 + +Author: Charles H. Sylvester + +Release Date: June 19, 2007 [EBook #21864] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK JOURNEYS THROUGH BOOKLAND, VOL. 6 *** + + + + +Produced by Juliet Sutherland, Julia Miller, and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + +<div style="background-color: #EEE; padding: 0.5em 1em 0.5em 1em;"> +<p class="center"><b>Transcriber’s Note</b></p> + +<p class="noindent">Obvious typographical errors have been corrected. A <a href="#trans_note">list</a> of these changes +is found at the end of the text. Inconsistencies in spelling and +hyphenation have been maintained. A <a href="#trans_note">list</a> of inconsistently spelled and +hyphenated words is found at the end of the text. The original book used both +numerical and symbolic footnote markers. This version follows the +original usage.</p> +</div> + +<hr class="storybreak" /> + +<div class="figcenter" style="width: 600px;"> +<a href="images/image01-full.jpg"><img src="images/image01.jpg" width="600" height="432" alt="A knight on horseback is approaching the sea. A castle is visible in the background and there are ships on the sea." title="Endpaper" /></a> +</div> + + +<hr class="storybreak" /> + +<p><span class='pagenum'><a name="Page_v" id="Page_v">[v]</a></span></p> + +<div class="figcenter" style="width: 295px;"> +<a name="frontispiece" id="frontispiece"></a><a href="images/image02-full.jpg"><img src="images/image02.jpg" width="295" height="400" alt="Two knights have met in a joust and the loser is falling to the ground." title="The Tournament" /></a> +<span class="caption smcap">The Tournament</span> +</div> + + +<hr class="storybreak" /> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image03.png" width="400" height="143" alt="Journeys Through Bookland" title="Journeys Through Bookland" /> +</div> + +<p class="titlepage" style="margin-top: 2em;"> +A NEW AND ORIGINAL<br /> +PLAN FOR READING APPLIED TO THE<br /> +WORLD’S BEST LITERATURE<br /> +FOR CHILDREN</p> + +<p class="titlepage" style="margin-top: 2em;"><em>BY</em><br /> +<span style="margin-top: 1.5em;">CHARLES H. SYLVESTER</span><br /> +<em>Author of English and American Literature</em></p> + + +<p class="titlepage" style="margin-top: 2em;">VOLUME SIX<br /> +<em>New Edition</em></p> + +<div class="figcenter" style="width: 150px;"> +<img src="images/image04.png" width="100" height="113" alt="Colophon" title="Colophon" /> +</div> + +<p class="titlepage" style="margin-top: 2em;"> +Chicago<br /> +BELLOWS-REEVE COMPANY<br /> +PUBLISHERS</p> + +<hr class="storybreak" /> + +<p><span class='pagenum'><a name="Page_vi" id="Page_vi">[vi]</a></span></p> + + + + +<p class="titlepage">Copyright, 1922<br /> +BELLOWS-REEVE COMPANY</p> + + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_vii" id="Page_vii">[vii]</a></span></p> + +<h2 class="chapterhead"><a name="CONTENTS" id="CONTENTS"></a>CONTENTS</h2> + + + + +<table border="0" cellpadding="0" cellspacing="0" summary="table of contents"> +<tr> + <td></td> + <td></td> + <td class="right"><span style="font-size: smaller;">PAGE</span></td> +</tr> +<tr> + <td class="smcap"><a href="#HORATIUS">Horatius</a></td> + <td class="tdr"><em>Lord Macaulay</em></td> + <td class="tdr"><a href="#HORATIUS">1</a></td> +</tr> +<tr> + <td class="smcap"><a href="#LORD_ULLINS_DAUGHTER">Lord Ullin’s Daughter</a></td> + <td class="tdr"><em>Thomas Campbell</em></td> + <td class="tdr"><a href="#LORD_ULLINS_DAUGHTER">23</a></td> +</tr> +<tr> + <td class="smcap"><a href="#SIR_WALTER_SCOTT">Sir Walter Scott</a></td> + <td class="tdr"><em>Grace E. Sellon</em></td> + <td class="tdr"><a href="#SIR_WALTER_SCOTT">26</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_TOURNAMENT">The Tournament</a></td> + <td class="tdr"><em>Sir Walter Scott</em></td> + <td class="tdr"><a href="#THE_TOURNAMENT">38</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_RAINBOW">The Rainbow</a></td> + <td class="tdr"><em>Thomas Campbell</em></td> + <td class="tdr"><a href="#THE_RAINBOW">91</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_LION_AND_THE_MISSIONARY">The Lion and the Missionary</a></td> + <td class="tdr"><em>David Livingstone</em></td> + <td class="tdr"><a href="#THE_LION_AND_THE_MISSIONARY">93</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_MOSS_ROSE">The Moss Rose</a></td> + <td class="tdr"><em>Translated from Krummacher</em></td> + <td class="tdr"><a href="#THE_MOSS_ROSE">98</a></td> +</tr> +<tr> + <td class="smcap"><a href="#FOUR_DUCKS_ON_A_POND">Four Ducks on a Pond</a></td> + <td class="tdr"><em>William Allingham</em></td> + <td class="tdr"><a href="#FOUR_DUCKS_ON_A_POND">98</a></td> +</tr> +<tr> + <td class="smcap"><a href="#RAB_AND_HIS_FRIENDS">Rab and His Friends</a></td> + <td class="tdr"><em>John Brown, M.D.</em></td> + <td class="tdr"><a href="#RAB_AND_HIS_FRIENDS">99</a></td> +</tr> +<tr> + <td class="smcap"><a href="#ANNIE_LAURIE">Annie Laurie</a></td> + <td class="tdr"><em>William Douglas</em></td> + <td class="tdr"><a href="#ANNIE_LAURIE">119</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_BLIND_LASSIE">The Blind Lassie</a></td> + <td class="tdr"><em>T. C. Latto</em></td> + <td class="tdr"><a href="#THE_BLIND_LASSIE">120</a></td> +</tr> +<tr> + <td class="smcap"><a href="#BOYHOOD">Boyhood</a></td> + <td class="tdr"><em>Washington Allston</em></td> + <td class="tdr"><a href="#BOYHOOD">122</a></td> +</tr> +<tr> + <td class="smcap"><a href="#SWEET_AND_LOW">Sweet and Low</a></td> + <td class="tdr"><em>Alfred Tennyson</em></td> + <td class="tdr"><a href="#SWEET_AND_LOW">122</a></td> +</tr> +<tr> + <td class="smcap"><a href="#CHILDHOOD">Childhood</a></td> + <td class="tdr"><em>Donald G. Mitchell</em></td> + <td class="tdr"><a href="#CHILDHOOD">124</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_BUGLE_SONG">The Bugle Song</a></td> + <td class="tdr"><em>Alfred Tennyson</em></td> + <td class="tdr"><a href="#THE_BUGLE_SONG">133</a></td> +</tr> +<tr> + <td class="smcap"><a href="#FROM_THE_IMITATION_OF_CHRIST">The Imitation of Christ</a></td> + <td class="tdr"><em>Thomas à Kempis</em></td> + <td class="tdr"><a href="#FROM_THE_IMITATION_OF_CHRIST">134</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_DESTRUCTION_OF_SENNACHERIB">The Destruction of Sennacherib</a></td> + <td class="tdr"><em>Lord Byron</em></td> + <td class="tdr"><a href="#THE_DESTRUCTION_OF_SENNACHERIB">141</a></td> +</tr> +<tr> + <td class="smcap"><a href="#RUTH">Ruth</a></td> + <td></td> + <td class="tdr"><a href="#RUTH">143</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_VISION_OF_BELSHAZZAR">The Vision of Belshazzar</a></td> + <td class="tdr"><em>Lord Byron</em></td> + <td class="tdr"><a href="#THE_VISION_OF_BELSHAZZAR">153</a></td> +</tr> +<tr> + <td class="smcap"><a href="#SOHRAB_AND_RUSTEM">Sohrab and Rustem</a></td> + <td></td> + <td class="tdr"><a href="#SOHRAB_AND_RUSTEM">157</a></td> +</tr> +<tr> + <td class="smcap"><a href="#SOHRAB_AND_RUSTUM">Sohrab and Rustum</a></td> + <td class="tdr"><em>Matthew Arnold</em></td> + <td class="tdr"><a href="#SOHRAB_AND_RUSTUM">173</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_POET_AND_THE_PEASANT">The Poet and the Peasant</a></td> + <td class="tdr"><em>Emile Souvestre</em></td> + <td class="tdr"><a href="#THE_POET_AND_THE_PEASANT">206</a></td> +</tr> +<tr> + <td><a href="#JOHN_HOWARD_PAYNE_AND_HOME_SWEET_HOME"><span class="smcap">John Howard Payne and</span> <em>Home, Sweet Home</em></a></td> + <td></td> + <td class="tdr"><a href="#JOHN_HOWARD_PAYNE_AND_HOME_SWEET_HOME">221</a></td> +</tr> +<tr> + <td class="smcap"><a href="#AULD_LANG_SYNE">Auld Lang Syne</a></td> + <td class="tdr"><em>Robert Burns</em></td> + <td class="tdr"><a href="#AULD_LANG_SYNE">228</a></td> +</tr> +<tr> + <td class="smcap"><a href="#HOME_THEY_BROUGHT_HER_WARRIOR_DEAD">Home They Brought Her Warrior Dead</a></td> + <td class="tdr"><em>Alfred Tennyson</em></td> + <td class="tdr"><a href="#HOME_THEY_BROUGHT_HER_WARRIOR_DEAD">231</a></td> +</tr> +<tr> + <td class="smcap"><a href="#CHARLES_DICKENS">Charles Dickens</a></td> + <td></td> + <td class="tdr"><a href="#CHARLES_DICKENS">232</a></td> +</tr> +<tr> + <td class="smcap"><a href="#A_CHRISTMAS_CAROL">A Christmas Carol</a></td> + <td class="tdr"><em>Charles Dickens</em></td> + <td class="tdr"><a href="#A_CHRISTMAS_CAROL">244</a></td> +</tr> +<tr> + <td class="smcap"><a href="#CHRISTMAS_IN_OLD_TIME">Christmas in Old Time</a></td> + <td class="tdr"><em>Sir Walter Scott</em></td> + <td class="tdr"><a href="#CHRISTMAS_IN_OLD_TIME">356</a></td> +</tr> +<tr> + <td class="smcap"><a href="#ELEGY">Elegy Written in a Country Churchyard</a></td> + <td class="tdr"><em>Thomas Gray</em></td> + <td class="tdr"><a href="#ELEGY">360</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_SHIPWRECK">The Shipwreck</a></td> + <td class="tdr"><em>Robert Louis Stevenson</em></td> + <td class="tdr"><a href="#THE_SHIPWRECK">371</a></td> +</tr> +<tr> + <td class="smcap"><a href="#ELEPHANT_HUNTING">Elephant Hunting</a></td> + <td class="tdr"><em>Roualeyn Gordon Cumming</em></td> + <td class="tdr"><a href="#ELEPHANT_HUNTING">385</a></td> +</tr> +<tr> + <td class="smcap"><a href="#SOME_CLEVER_MONKEYS">Some Clever Monkeys</a></td> + <td class="tdr"><em>Thomas Belt</em></td> + <td class="tdr"><a href="#SOME_CLEVER_MONKEYS">402</a></td> +</tr> +<tr> + <td class="smcap"><a href="#POOR_RICHARDS_ALMANAC">Poor Richard’s Almanac</a></td> + <td class="tdr"><em>Benjamin Franklin</em></td> + <td class="tdr"><a href="#POOR_RICHARDS_ALMANAC">407</a></td> +</tr> +<tr> + <td class="smcap"><a href="#GEORGE_ROGERS_CLARK">George Rogers Clark</a></td> + <td></td> + <td class="tdr"><a href="#GEORGE_ROGERS_CLARK">422</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_CAPTURE_OF_VINCENNES">The Capture of Vincennes</a></td> + <td class="tdr"><em>George Rogers Clark</em></td> + <td class="tdr"><a href="#THE_CAPTURE_OF_VINCENNES">428</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THREE_SUNDAYS_IN_A_WEEK">Three Sundays in a Week</a></td> + <td class="tdr"><em>Edgar Allan Poe</em></td> + <td class="tdr"><a href="#THREE_SUNDAYS_IN_A_WEEK">453</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_MODERN_BELLE">The Modern Belle</a></td> + <td class="tdr"><em>Stark</em></td> + <td class="tdr"><a href="#THE_MODERN_BELLE">463</a></td> +</tr> +<tr> + <td class="smcap"><a href="#WIDOW_MACHREE">Widow Machree</a></td> + <td class="tdr"><em>Samuel Lover</em></td> + <td class="tdr"><a href="#WIDOW_MACHREE">464</a></td> +</tr> +<tr> + <td class="smcap"><span class='pagenum'><a name="Page_viii" id="Page_viii">[viii]</a></span><a href="#LIMESTONE_BROTH">Limestone Broth</a></td> + <td class="tdr"><em>Gerald Griffin</em></td> + <td class="tdr"><a href="#LIMESTONE_BROTH">467</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_KNOCKOUT">The Knock-Out</a></td> + <td class="tdr"><em>Davy Crockett</em></td> + <td class="tdr"><a href="#THE_KNOCKOUT">471</a></td> +</tr> +<tr> + <td class="smcap"><a href="#THE_COUNTRY_SQUIRE">The Country Squire</a></td> + <td class="tdr"><em>Thomas Yriarte</em></td> + <td class="tdr"><a href="#THE_COUNTRY_SQUIRE">474</a></td> +</tr> +<tr> + <td class="smcap"><a href="#TO_MY_INFANT_SON">To My Infant Son</a></td> + <td class="tdr"><em>Thomas Hood</em></td> + <td class="tdr"><a href="#TO_MY_INFANT_SON">478</a></td> +</tr> +<tr> + <td class="smcap" style="padding-top: 1em;"><a href="#PRONUNCIATION_OF_PROPER_NAMES">Pronunciation of Proper Names</a></td> + <td></td> + <td class="tdr" style="padding-top: 1em;"><a href="#PRONUNCIATION_OF_PROPER_NAMES">481</a></td> +</tr> +</table> + +<p class="titlepage">For Classification of Selections, see General Index, at end of Volume X</p> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_ix" id="Page_ix">[ix]</a></span></p> + +<h2 class="chapterhead"><a name="ILLUSTRATIONS" id="ILLUSTRATIONS"></a>ILLUSTRATIONS</h2> + + +<table border="0" cellpadding="0" cellspacing="0" summary="list of illustrations"> +<tr> + <td></td> + <td></td> + <td class="right"><span style="font-size: smaller;">PAGE</span></td> +</tr> +<tr> + <td><a href="#frontispiece"><span class="smcap">The Tournament</span></a> (Color Plate)</td> + <td class="tdr"><em>Donn P. Crane</em></td> + <td class="tdr"><a href="#frontispiece"><span class="smcap">Frontispiece</span></a></td> +</tr> +<tr> + <td class="smcap"><a href="#image05">The Long Array of Helmets Bright</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image05">5</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image06">“Lie There,” He Cried, “Fell Pirate”</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image06">13</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image07">Horatio in His Harness, Halting Upon One Knee</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image07">21</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image09">“Boatman, Do Not Tarry”</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image09">24</a></td> +</tr> +<tr> + <td><a href="#image10"><span class="smcap">Sir Walter Scott</span></a> (Halftone)</td> + <td></td> + <td class="tdr"><a href="#image10">26</a></td> +</tr> +<tr> + <td><a href="#image11"><span class="smcap">Abbotsford</span></a> (Color Plate)</td> + <td></td> + <td class="tdr"><a href="#image11">30</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image12">Throng Going To the Lists</a></td> + <td class="tdr"><em>R. F. <a name="corr1" id="corr1"></a>Babcock</em></td> + <td class="tdr"><a href="#image12">41</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image13">The Disinherited Knight Unhorses Bryan</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image13">59</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image14">The Armour Makers</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image14">69</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image15">Prince John Throws Down the Truncheon</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image15">85</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image16">Rowena Crowning Disinherited Knight</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image16">89</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image18">“Rab, Ye Thief!”</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image18">103</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image19">James Buried His Wife</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image19">117</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image20">She Reaches Down to Dip Her Toe</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image20">125</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image21">Poor Tray is Dead</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image21">132</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image22">“Whither Thou Goest, I Will Go”</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image22">145</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image23">Ruth Gleaning</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image23">147</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image25">The Writing on the Wall</a></td> + <td class="tdr"><em>Louis Grell</em></td> + <td class="tdr"><a href="#image25">155</a></td> +</tr> +<tr> + <td><a href="#image27"><span class="smcap">Sohrab and Peran-Wisa</span></a> (Color Plate)</td> + <td class="tdr"><em>Louis Grell</em></td> + <td class="tdr"><a href="#image27">174</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image28">Peran-Wisa Gives Sohrab’s Challenge</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image28">179</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image29">The Spear Rent the Tough Plates</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image29">191</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image30">Rustum Sorrows Over Sohrab</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image30">203</a></td> +</tr> +<tr> + <td><a href="#image31"><span class="smcap">Matthew Arnold</span></a> (Halftone)</td> + <td></td> + <td class="tdr"><a href="#image31">204</a></td> +</tr> +<tr> + <td><a href="#image32"><span class="smcap">John Howard Payne</span></a> (Halftone)</td> + <td></td> + <td class="tdr"><a href="#image32">222</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image33">There Is No Place Like Home</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image33">225</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image34">For Auld Lang Syne</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image34">230</a></td> +</tr> +<tr> + <td><a href="#image36"><span class="smcap">Charles Dickens</span></a> (Halftone)</td> + <td></td> + <td class="tdr"><a href="#image36">232</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image37">The Clerk Smiled Faintly</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image37">255</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image38">“In Life I Was Your Partner, Jacob Marley”</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image38">263</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image39">In the Best Parlor</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image39">281</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image40">The Fiddler Struck up “Sir Roger de Coverley”</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image40">285</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image41">Upon the Couch There Sat a Jolly Giant</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image41">297</a></td> +</tr> +<tr> + <td><a href="#image42"><span class="smcap">Bob and Tiny Tim</span></a> (Color Plate)</td> + <td class="tdr"><em>Hazel Frazee</em></td> + <td class="tdr"><a href="#image42">304</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image43">There Never Was Such a Goose</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image43">307</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image44">“So I Am Told,” Returned the Second</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image45">329</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image45">He Read His Own Name</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image45">344</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image46">He Stood by the Window—Glorious!</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image46">348</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image47">“A Merry Christmas, Bob!”</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image47">355</a></td> +</tr> +<tr> + <td class="smcap"><span class='pagenum'><a name="Page_x" id="Page_x">[x]</a></span><a href="#image49">Homeward Plods His Weary Way</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image49">361</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image50">The Country Churchyard</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image50">369</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image51">I Found I Was Holding to a Spar</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image51">372</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image52">With Beating Heart I Approached a View</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image52">397</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image54">A Cebus Monkey</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image54">405</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image55">The Sleeping Fox Catches No Poultry</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image55">411</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image56">Clark Took the Lead</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image56">433</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image57">We Met at the Church</a></td> + <td class="tdr"><em>R. F. Babcock</em></td> + <td class="tdr"><a href="#image57">449</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image58">“Well, Then, Bobby, My Boy”</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image58">455</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image59">In Kate, However, I Had a Firm Friend</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image59">458</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image60">“Faith, I Wish You’d Take Me!”</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image60">465</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image61">He Soon Sees a Farmhouse at a Little Distance</a></td> + <td class="tdr"><em>Herbert N. Rudeen</em></td> + <td class="tdr"><a href="#image61">468</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image63">The Squire’s Library</a></td> + <td class="tdr"><em>Iris Weddell White</em></td> + <td class="tdr"><a href="#image63">475</a></td> +</tr> +<tr> + <td class="smcap"><a href="#image64">“There Goes My Ink!”</a></td> + <td class="tdr"><em>Lucille Enders</em></td> + <td class="tdr"><a href="#image64">479</a></td> +</tr> +</table> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_1" id="Page_1">[1]</a></span></p> + +<h2 class="story"><a name="HORATIUS" id="HORATIUS"></a>HORATIUS</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Lord Macaulay</span></p> + + +<div class="blockquot"><p><span class="smcap">Note.</span>—This spirited poem by Lord Macaulay is founded on one of the +most popular Roman legends. While the story is based on facts, we +can by no means be certain that all of the details are historical.</p> + +<p>According to Roman legendary history, the Tarquins, Lucius +Tarquinius Priscus and Lucius Tarquinius Superbus, were among the +early kings of Rome. The reign of the former was glorious, but that +of the latter was most unjust and tyrannical. Finally the +unscrupulousness of the king and his son reached such a point that +it became unendurable to the people, who in 509 B. C. rose in +rebellion and drove the entire family from Rome. Tarquinius +Superbus appealed to Lars Porsena, the powerful king of Clusium for +aid and the story of the expedition against Rome is told in this +poem.</p></div> + +<p class="poemopening"><span class="dropcapl"><span class="hide">L</span></span><span class="upper">ars Porsena</span> of <span class="nowrap">Clusium<a name="Anchor_1-1" id="Anchor_1-1"></a><a title="Go to footnote 1-1" href="#Footnote_1-1" class="fnanchor">1-1</a></span><br /> +<span class="i1">By the Nine <span class="nowrap">Gods<a name="Anchor_1-2" id="Anchor_1-2"></a><a title="Go to footnote 1-2" href="#Footnote_1-2" class="fnanchor">1-2</a></span> he swore</span><br /> +That the great house of Tarquin<br /> +<span class="i1">Should suffer wrong no more.</span><br /> +By the Nine Gods he swore it,<br /> +<span class="i1">And named a trysting day,</span><br /> +And bade his messengers ride forth<br /> +East and west and south and north,<br /> +<span class="i1">To summon his array.</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_2" id="Page_2">[2]</a></span>East and west and south and north<br /> +<span class="i1">The messengers ride fast,</span><br /> +And tower and town and cottage<br /> +<span class="i1">Have heard the trumpet’s blast.</span><br /> +Shame on the false Etruscan<br /> +<span class="i1">Who lingers in his home,</span><br /> +When Porsena of Clusium<br /> +<span class="i1">Is on the march for Rome.</span></p> + +<p class="poem">The horsemen and the footmen<br /> +<span class="i1">Are pouring in amain</span><br /> +From many a stately market-place;<br /> +<span class="i1">From many a fruitful plain.</span><br /> +From many a lonely hamlet,<br /> +<span class="i1">Which, hid by beech and pine,</span><br /> +Like an eagle’s nest, hangs on the crest<br /> +<span class="i1">Of purple Apennine;</span></p> + +<p class="poem" style="letter-spacing: 0.5em;"> * * * * * * * *</p> + +<p class="poem">There be thirty chosen prophets,<br /> +<span class="i1">The wisest of the land,</span><br /> +Who alway by Lars Porsena<br /> +<span class="i1">Both morn and evening stand:</span><br /> +Evening and morn the Thirty<br /> +<span class="i1">Have turned the verses o’er,</span><br /> +Traced from the right on linen <span class="nowrap">white<a name="Anchor_2-3" id="Anchor_2-3"></a><a title="Go to footnote 2-3" href="#Footnote_2-3" class="fnanchor">2-3</a></span><br /> +<span class="i1">By mighty seers of yore.</span></p> + +<p class="poem">And with one voice the Thirty<br /> +<span class="i1">Have their glad answer given:</span><br /> +“Go forth, go forth, Lars Porsena;<br /> +<span class="i1">Go forth, beloved of Heaven:</span><br /> +<span class='pagenum'><a name="Page_3" id="Page_3">[3]</a></span>Go, and return in glory<br /> +<span class="i1">To Clusium’s royal dome;</span><br /> +And hang round <span class="nowrap">Nurscia’s<a name="Anchor_3-4" id="Anchor_3-4"></a><a title="Go to footnote 3-4" href="#Footnote_3-4" class="fnanchor">3-4</a></span> altars<br /> +<span class="i1">The golden shields of Rome.”</span></p> + +<p class="poem">And now hath every city<br /> +<span class="i1">Sent up her <span class="nowrap">tale<a name="Anchor_3-5" id="Anchor_3-5"></a><a title="Go to footnote 3-5" href="#Footnote_3-5" class="fnanchor">3-5</a></span> of men:</span><br /> +The foot are fourscore thousand,<br /> +<span class="i1">The horse are thousand ten.</span><br /> +Before the gates of <span class="nowrap">Sutrium<a name="Anchor_3-6" id="Anchor_3-6"></a><a title="Go to footnote 3-6" href="#Footnote_3-6" class="fnanchor">3-6</a></span><br /> +<span class="i1">Is met the great array.</span><br /> +A proud man was Lars Porsena<br /> +<span class="i1">Upon the trysting day.</span></p> + +<p class="poem">For all the Etruscan armies<br /> +<span class="i1">Were ranged beneath his eye,</span><br /> +And many a banished Roman,<br /> +<span class="i1">And many a stout ally;</span><br /> +And with a mighty following<br /> +<span class="i1">To join the muster came</span><br /> +The Tusculan Mamilius,<br /> +<span class="i1">Prince of the <span class="nowrap">Latian<a name="Anchor_3-7" id="Anchor_3-7"></a><a title="Go to footnote 3-7" href="#Footnote_3-7" class="fnanchor">3-7</a></span> name.</span></p> + +<p class="poem">But by the yellow Tiber<br /> +<span class="i1">Was tumult and affright:</span><br /> +From all the spacious <span class="nowrap">champaign<a name="Anchor_3-8" id="Anchor_3-8"></a><a title="Go to footnote 3-8" href="#Footnote_3-8" class="fnanchor">3-8</a></span><br /> +<span class='pagenum'><a name="Page_4" id="Page_4">[4]</a></span><span class="i1">To Rome men took their flight.</span><br /> +A mile around the city,<br /> +<span class="i1">The throng stopped up the ways;</span><br /> +A fearful sight it was to see<br /> +<span class="i1">Through two long nights and days.</span></p> + +<p class="poem">For aged folks on crutches,<br /> +<span class="i1">And women great with child,</span><br /> +And mothers sobbing over babes<br /> +<span class="i1">That clung to them and smiled,</span><br /> +And sick men borne in litters<br /> +<span class="i1">High on the necks of slaves,</span><br /> +And troops of sunburnt husbandmen<br /> +<span class="i1">With reaping-hooks and staves,</span></p> + +<p class="poem">And droves of mules and asses<br /> +<span class="i1">Laden with skins of wine,</span><br /> +And endless flocks of goats and sheep,<br /> +<span class="i1">And endless herds of kine,</span><br /> +And endless trains of wagons<br /> +<span class="i1">That creaked beneath the weight</span><br /> +Of corn-sacks and of household goods,<br /> +<span class="i1">Choked every roaring gate.</span></p> + +<p class="poem">Now, from the rock <span class="nowrap">Tarpeian<a name="Anchor_4-9" id="Anchor_4-9"></a><a title="Go to footnote 4-9" href="#Footnote_4-9" class="fnanchor">4-9</a></span><br /> +<span class="i1">Could the wan burghers spy</span><br /> +The line of blazing villages<br /> +<span class="i1">Red in the midnight sky.</span><br /> +<span class='pagenum'><a name="Page_5" id="Page_5">[5]</a></span>The Fathers of the <span class="nowrap">City,<a name="Anchor_5-10" id="Anchor_5-10"></a><a title="Go to footnote 5-10" href="#Footnote_5-10" class="fnanchor">5-10</a></span><br /> +<span class="i1">They sat all night and day,</span><br /> +For every hour some horseman came<br /> +<span class="i1">With tidings of dismay.</span></p> + +<p class="poem">To eastward and to westward<br /> +<span class="i1">Have spread the Tuscan bands;</span><br /> +Nor house nor fence nor dovecote<br /> +<span class="i1">In Crustumerium stands.</span><br /> +Verbenna down to <span class="nowrap">Ostia<a name="Anchor_5-11" id="Anchor_5-11"></a><a title="Go to footnote 5-11" href="#Footnote_5-11" class="fnanchor">5-11</a></span><br /> +<span class="i1">Hath wasted all the plain;</span><br /> +Astur hath stormed <span class="nowrap">Janiculum,<a name="Anchor_5-12" id="Anchor_5-12"></a><a title="Go to footnote 5-12" href="#Footnote_5-12" class="fnanchor">5-12</a></span><br /> +<span class="i1">And the stout guards are slain.</span></p> + +<p class="poem"><span class="nowrap">Iwis,<a name="Anchor_5-13" id="Anchor_5-13"></a><a title="Go to footnote 5-13" href="#Footnote_5-13" class="fnanchor">5-13</a></span> in all the Senate,<br /> +<span class="i1">There was no heart so bold,</span><br /> +But sore it ached, and fast it beat,<br /> +<span class="i1">When that ill news was told.</span><br /> +Forthwith up rose the <span class="nowrap">Consul,<a name="Anchor_5-14" id="Anchor_5-14"></a><a title="Go to footnote 5-14" href="#Footnote_5-14" class="fnanchor">5-14</a></span><br /> +<span class="i1">Uprose the Fathers all;</span><br /> +In haste they girded up their gowns,<br /> +<span class="i1">And hied them to the wall.</span></p> + +<p class="poem">They held a council standing<br /> +<span class="i1">Before the River-Gate;</span><br /> +Short time was there, ye well may guess,<br /> +<span class="i1">For musing or debate.</span><br /> +<span class='pagenum'><a name="Page_6" id="Page_6">[6]</a></span>Out spake the Consul roundly:<br /> +<span class="i1">“The bridge must straight go down;</span><br /> +For since Janiculum is lost,<br /> +<span class="i1">Naught else can save the town.”</span></p> + +<p class="poem">Just then a scout came flying,<br /> +<span class="i1">All wild with haste and fear;</span><br /> +“To arms! to arms! Sir Consul:<br /> +<span class="i1">Lars Porsena is here.”</span><br /> +On the low hills to westward<br /> +<span class="i1">The Consul fixed his eye,</span><br /> +And saw the swarthy storm of dust<br /> +<span class="i1">Rise fast along the sky.</span></p> + +<p class="poem">And nearer fast and nearer<br /> +<span class="i1">Doth the red whirlwind come;</span><br /> +And louder still and still more loud,<br /> +From underneath that rolling cloud,<br /> +Is heard the trumpet’s war-note proud,<br /> +<span class="i1">The trampling, and the hum.</span><br /> +And plainly and more plainly<br /> +<span class="i1">Now through the gloom appears,</span><br /> +Far to left and far to right,<br /> +In broken gleams of dark-blue light,<br /> +The long array of helmets bright,<br /> +<span class="i1">The long array of spears.</span></p> + +<p class="poem">And plainly, and more plainly<br /> +<span class="i1">Above that glimmering line,</span><br /> +Now might ye see the banners<br /> +<span class="i1">Of twelve fair cities shine;</span><br /> +But the banner of proud Clusium<br /> +<span class="i1">Was highest of them all,</span><br /> +The terror of the Umbrian,<br /> +<span class="i1">The terror of the Gaul.</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_7" id="Page_7">[7]</a></span>Fast by the royal standard,<br /> +<span class="i1">O’erlooking all the war,</span><br /> +Lars Porsena of Clusium<br /> +<span class="i1">Sat in his ivory car.</span><br /> +By the right wheel rode Mamilius,<br /> +<span class="i1">Prince of the Latian name,</span><br /> +And by the left false <span class="nowrap">Sextus,<a name="Anchor_7-15" id="Anchor_7-15"></a><a title="Go to footnote 7-15" href="#Footnote_7-15" class="fnanchor">7-15</a></span><br /> +<span class="i1">That wrought the deed of shame.</span></p> + +<div class="figcenter" style="width: 250px;"> +<a name="image05" id="image05"></a><a href="images/image05-full.png"><img src="images/image05.png" width="250" height="197" alt="Two Romans conversing on the battlements of a fort." title="THE LONG ARRAY OF HELMETS BRIGHT" /></a> +<span class="caption">THE LONG ARRAY OF HELMETS BRIGHT</span> +</div> + +<p class="poem">But when the face of Sextus<br /> +<span class="i1">Was seen among the foes,</span><br /> +A yell that bent the firmament<br /> +<span class="i1">From all the town arose.</span><br /> +<span class='pagenum'><a name="Page_8" id="Page_8">[8]</a></span>On the house-tops was no woman<br /> +<span class="i1">But spat toward him and hissed,</span><br /> +No child but screamed out curses,<br /> +<span class="i1">And shook its little fist.</span></p> + +<p class="poem">But the Consul’s brow was sad,<br /> +<span class="i1">And the Consul’s speech was low,</span><br /> +And darkly looked he at the wall,<br /> +<span class="i1">And darkly at the foe.</span><br /> +“Their van will be upon us<br /> +<span class="i1">Before the bridge goes down;</span><br /> +And if they once may win the bridge,<br /> +<span class="i1">What hope to save the town?”</span></p> + +<p class="poem">Then out spake brave Horatius,<br /> +<span class="i1">The Captain of the Gate:</span><br /> +“To every man upon this earth<br /> +<span class="i1">Death cometh soon or late.</span><br /> +And how can man die better<br /> +<span class="i1">Than facing fearful odds,</span><br /> +For the ashes of his fathers,<br /> +<span class="i1">And the temples of his gods,</span></p> + +<p class="poem">“And for the tender mother<br /> +<span class="i1">Who dandled him to rest,</span><br /> +And for the wife who nurses<br /> +<span class="i1">His baby at her breast,</span><br /> +And for the holy maidens<br /> +<span class="i1">Who feed the eternal <span class="nowrap">flame,<a name="Anchor_8-16" id="Anchor_8-16"></a><a title="Go to footnote 8-16" href="#Footnote_8-16" class="fnanchor">8-16</a></span></span><br /> +To save them from false Sextus<br /> +<span class="i1">That wrought the deed of shame?</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_9" id="Page_9">[9]</a></span>“Hew down the bridge, Sir Consul,<br /> +<span class="i1">With all the speed ye may;</span><br /> +I, with two more to help me,<br /> +<span class="i1">Will hold the foe in play.</span><br /> +In yon strait path a thousand<br /> +<span class="i1">May well be stopped by three.</span><br /> +Now who will stand on either hand,<br /> +<span class="i1">And keep the bridge with me?”</span></p> + +<p class="poem">Then out spake Spurius Lartius;<br /> +<span class="i1">A Ramnian proud was he:</span><br /> +“Lo, I will stand at thy right hand,<br /> +<span class="i1">And keep the bridge with thee.”</span><br /> +And out spake strong Herminius;<br /> +<span class="i1">Of Titian blood was he:</span><br /> +“I will abide on thy left side,<br /> +<span class="i1">And keep the bridge with thee.”</span></p> + +<p class="poem">“Horatius,” quoth the Consul,<br /> +<span class="i1">“As thou sayest, so let it be.”</span><br /> +And straight against that great array<br /> +<span class="i1">Forth went the dauntless Three.</span><br /> +For Romans in Rome’s quarrel<br /> +<span class="i1">Spared neither land nor gold,</span><br /> +Nor son nor wife, nor limb nor life,<br /> +<span class="i1">In the brave days of old.</span></p> + +<p class="poem">Then none was for a party;<br /> +<span class="i1">Then all were for the state;</span><br /> +Then the great man helped the poor,<br /> +<span class="i1">And the poor man loved the great:</span><br /> +Then lands were fairly portioned;<br /> +<span class="i1">Then spoils were fairly sold:</span><br /> +The Romans were like brothers<br /> +<span class="i1">In the brave days of old.</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_10" id="Page_10">[10]</a></span>Now while the Three were tightening<br /> +<span class="i1">Their harness on their backs,</span><br /> +The Consul was the foremost man<br /> +<span class="i1">To take in hand an axe:</span><br /> +And Fathers mixed with <span class="nowrap">Commons<a name="Anchor_10-17" id="Anchor_10-17"></a><a title="Go to footnote 10-17" href="#Footnote_10-17" class="fnanchor">10-17</a></span><br /> +<span class="i1">Seized hatchet, bar, and crow,</span><br /> +And smote upon the planks above,<br /> +<span class="i1">And loosed the props below.</span></p> + +<p class="poem">Meanwhile the Tuscan army,<br /> +<span class="i1">Right glorious to behold,</span><br /> +Came flashing back the noonday light,<br /> +Rank behind rank, like surges bright<br /> +<span class="i1">Of a broad sea of gold.</span><br /> +Four hundred trumpets sounded<br /> +<span class="i1">A peal of warlike glee,</span><br /> +As that great host, with measured tread,<br /> +And spears advanced, and ensigns spread,<br /> +Rolled slowly towards the bridge’s head,<br /> +<span class="i1">Where stood the dauntless Three.</span></p> + +<p class="poem">The Three stood calm and silent,<br /> +<span class="i1">And looked upon the foes,</span><br /> +And a great shout of laughter<br /> +<span class="i1">From all the vanguard rose;</span><br /> +And forth three chiefs came spurring<br /> +<span class="i1">Before that deep array;</span><br /> +To earth they sprang, their swords they drew,<br /> +And lifted high their shields, and flew<br /> +<span class="i1">To win the narrow way;</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_11" id="Page_11">[11]</a></span>Aunus from green <span class="nowrap">Tifernum,<a name="Anchor_11-18" id="Anchor_11-18"></a><a title="Go to footnote 11-18" href="#Footnote_11-18" class="fnanchor">11-18</a></span><br /> +<span class="i1">Lord of the Hill of Vines;</span><br /> +And Seius, whose eight hundred slaves<br /> +<span class="i1">Sicken in Ilva’s mines;</span><br /> +And Picus, long to Clusium<br /> +<span class="i1">Vassal in peace and war,</span><br /> +Who led to fight his Umbrian powers<br /> +From that gray crag where, girt with towers,<br /> +The fortress of Nequinum lowers<br /> +<span class="i1">O’er the pale waves of Nar.</span></p> + +<p class="poem">Stout Lartius hurled down Aunus<br /> +<span class="i1">Into the stream beneath:</span><br /> +Herminius struck at Seius,<br /> +<span class="i1">And clove him to the teeth:</span><br /> +At Picus brave Horatius<br /> +<span class="i1">Darted one fiery thrust;</span><br /> +And the proud Umbrian’s gilded arms<br /> +<span class="i1">Clashed in the bloody dust.</span></p> + +<p class="poem">Then Ocnus of Falerii<br /> +<span class="i1">Rushed on the Roman Three:</span><br /> +And Lausulus of Urgo,<br /> +<span class="i1">The rover of the sea;</span><br /> +And Aruns of Volsinium,<br /> +<span class="i1">Who slew the great wild boar,</span><br /> +The great wild boar that had his den<br /> +Amidst the reeds of Cosa’s fen,<br /> +And wasted fields, and slaughtered men,<br /> +<span class="i1">Along Albinia’s shore.</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_12" id="Page_12">[12]</a></span>Herminius smote down Aruns:<br /> +<span class="i1">Lartius laid Ocnus low:</span><br /> +Right to the heart of Lausulus<br /> +<span class="i1">Horatius sent a blow.</span><br /> +“Lie there,” he cried, “fell pirate!<br /> +<span class="i1">No more, aghast and pale,</span><br /> +From Ostia’s walls the crowd shall mark<br /> +The track of thy destroying bark.<br /> +No more <span class="nowrap">Campania’s<a name="Anchor_12-19" id="Anchor_12-19"></a><a title="Go to footnote 12-19" href="#Footnote_12-19" class="fnanchor">12-19</a></span> <span class="nowrap">hinds<a name="Anchor_12-20" id="Anchor_12-20"></a><a title="Go to footnote 12-20" href="#Footnote_12-20" class="fnanchor">12-20</a></span> shall fly<br /> +To woods and caverns when they spy<br /> +<span class="i1">Thy thrice accursed sail.”</span></p> + +<p class="poem">But now no sound of laughter<br /> +<span class="i1">Was heard among the foes.</span><br /> +A wild and wrathful clamor<br /> +<span class="i1">From all the vanguard rose.</span><br /> +Six spears’ lengths from the entrance<br /> +<span class="i1">Halted that deep array,</span><br /> +And for a space no man came forth<br /> +<span class="i1">To win the narrow way.</span></p> + +<p class="poem">But hark! the cry is Astur:<br /> +<span class="i1">And lo! the ranks divide;</span><br /> +And the great Lord of Luna<br /> +<span class="i1">Comes with his stately stride.</span><br /> +Upon his ample shoulders<br /> +<span class="i1">Clangs loud the fourfold shield,</span><br /> +And in his hand he shakes the brand<br /> +<span class="i1">Which none but he can wield.</span></p> + +<div class="figcenter" style="width: 252px;"> +<a name="image06" id="image06"></a><a href="images/image06-full.png"><img src="images/image06.png" width="252" height="397" alt="A battle scene" title="“LIE THERE,” HE CRIED, “FELL PIRATE!”" /></a> +<span class="caption">“LIE THERE,” HE CRIED, “FELL PIRATE!”</span> +</div> + +<p class="poem">He smiled on those bold Romans<br /> +<span class="i1">A smile serene and high;</span><br /> +<span class='pagenum'><a name="Page_13" id="Page_13">[13]</a></span><span class='pagenum'><a name="Page_14" id="Page_14"><br />[14]</a></span>He eyed the flinching Tuscans,<br /> +<span class="i1">And scorn was in his eye.</span><br /> +Quoth he, “The she-wolf’s <span class="nowrap">litter<a name="Anchor_14-21" id="Anchor_14-21"></a><a title="Go to footnote 14-21" href="#Footnote_14-21" class="fnanchor">14-21</a></span><br /> +<span class="i1">Stand savagely at bay:</span><br /> +But will ye dare to follow,<br /> +<span class="i1">If Astur clears the way?”</span></p> + +<p class="poem">Then, whirling up his broadsword<br /> +<span class="i1">With both hands to the height,</span><br /> +He rushed against Horatius,<br /> +<span class="i1">And smote with all his might.</span><br /> +With shield and blade Horatius<br /> +<span class="i1">Right deftly turned the blow.</span><br /> +The blow, though turned, came yet too nigh;<br /> +It missed his helm, but gashed his thigh:<br /> +The Tuscans raised a joyful cry<br /> +<span class="i1">To see the red blood flow.</span></p> + +<p class="poem">He reeled, and on Herminius<br /> +<span class="i1">He leaned one breathing-space;</span><br /> +Then, like a wild-cat mad with wounds,<br /> +<span class="i1">Sprang right at Astur’s face.</span><br /> +Through teeth, and skull, and helmet,<br /> +<span class="i1">So fierce a thrust he sped,</span><br /> +The good sword stood a handbreadth out<br /> +<span class="i1">Behind the Tuscan’s head.</span></p> + +<p class="poem">And the great Lord of Luna<br /> +<span class="i1">Fell at that deadly stroke,</span><br /> +As falls on Mount Alvernus<br /> +<span class="i1">A thunder-smitten oak.</span><br /> +<span class='pagenum'><a name="Page_15" id="Page_15">[15]</a></span>Far o’er the crashing forest<br /> +<span class="i1">The giant arms lie spread;</span><br /> +And the pale augurs, muttering low,<br /> +<span class="i1">Gaze on the blasted head.</span></p> + +<p class="poem">On Astur’s throat Horatius<br /> +<span class="i1">Right firmly pressed his heel,</span><br /> +And thrice and four times tugged amain,<br /> +<span class="i1">Ere he wrenched out the steel.</span><br /> +“And see,” he cried, “the welcome,<br /> +<span class="i1">Fair guests, that waits you here!</span><br /> +What noble Lucumo comes next<br /> +<span class="i1">To taste our Roman cheer?”</span></p> + +<p class="poem">But at his haughty challenge<br /> +<span class="i1">A sullen murmur ran,</span><br /> +Mingled of wrath and shame and dread,<br /> +<span class="i1">Along that glittering van.</span><br /> +There lacked not men of prowess,<br /> +<span class="i1">Nor men of lordly race;</span><br /> +For all Etruria’s noblest<br /> +<span class="i1">Were round the fatal place.</span></p> + +<p class="poem">But all Etruria’s noblest<br /> +<span class="i1">Felt their hearts sink to see</span><br /> +On the earth the bloody corpses,<br /> +<span class="i1">In the path the dauntless Three:</span><br /> +And, from the ghastly entrance<br /> +<span class="i1">Where those bold Romans stood,</span><br /> +All shrank, like boys who unaware,<br /> +Ranging the woods to start a hare,<br /> +Come to the mouth of the dark lair<br /> +Where, growling low, a fierce old bear<br /> +<span class="i1">Lies amidst bones and blood.</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_16" id="Page_16">[16]</a></span>Was none who would be foremost<br /> +<span class="i1">To lead such dire attack:</span><br /> +But those behind cried “Forward!”<br /> +<span class="i1">And those before cried “Back!”</span><br /> +And backward now and forward<br /> +<span class="i1">Wavers the deep array;</span><br /> +And on the tossing sea of steel,<br /> +To and fro the standards reel;<br /> +And the victorious trumpet-peal<br /> +<span class="i1">Dies fitfully away.</span></p> + +<p class="poem">Yet one man for one moment<br /> +<span class="i1">Stood out before the crowd;</span><br /> +Well known was he to all the Three,<br /> +<span class="i1">And they gave him greeting loud.</span><br /> +“Now welcome, welcome, Sextus!<br /> +<span class="i1">Now welcome to thy home!</span><br /> +Why dost thou stay, and turn away?<br /> +<span class="i1">Here lies the road to Rome.”</span></p> + +<p class="poem">Thrice looked he at the city;<br /> +<span class="i1">Thrice looked he at the dead;</span><br /> +And thrice came on in fury,<br /> +<span class="i1">And thrice turned back in dread;</span><br /> +And, white with fear and hatred,<br /> +<span class="i1">Scowled at the narrow way</span><br /> +Where, wallowing in a pool of blood,<br /> +<span class="i1">The bravest Tuscans lay.</span></p> + +<p class="poem">But meanwhile axe and lever<br /> +<span class="i1">Have manfully been plied;</span><br /> +And now the bridge hangs tottering<br /> +<span class="i1">Above the boiling tide.</span><br /> +“Come back, come back, Horatius!”<br /> +<span class="i1">Loud cried the Fathers all.</span><br /> +<span class='pagenum'><a name="Page_17" id="Page_17">[17]</a></span>“Back, Lartius! back, Herminius!<br /> +<span class="i1">Back, ere the ruin fall!”</span></p> + +<p class="poem">Back darted Spurius Lartius;<br /> +<span class="i1">Herminius darted back:</span><br /> +And, as they passed, beneath their feet<br /> +<span class="i1">They felt the timbers crack.</span><br /> +But when they turned their faces,<br /> +<span class="i1">And on the farther shore</span><br /> +Saw brave Horatius stand alone,<br /> +<span class="i1">They would have crossed once more.</span></p> + +<p class="poem">But with a crash like thunder<br /> +<span class="i1">Fell every loosened beam,</span><br /> +And, like a dam, the mighty wreck<br /> +<span class="i1">Lay right athwart the stream;</span><br /> +And a long shout of triumph<br /> +<span class="i1">Rose from the walls of Rome,</span><br /> +As to the highest turret-tops<br /> +<span class="i1">Was splashed the yellow foam.</span></p> + +<p class="poem">And, like a horse unbroken<br /> +<span class="i1">When first he feels the rein,</span><br /> +The furious river struggled hard,<br /> +<span class="i1">And tossed his tawny mane,</span><br /> +And burst the curb, and bounded,<br /> +<span class="i1">Rejoicing to be free,</span><br /> +And whirling down, in fierce career,<br /> +Battlement, and plank, and pier,<br /> +<span class="i1">Rushed headlong to the sea.</span></p> + +<p class="poem">Alone stood brave Horatius,<br /> +<span class="i1">But constant still in mind;</span><br /> +Thrice thirty thousand foes before,<br /> +<span class="i1">And the broad flood behind.</span><br /> +<span class='pagenum'><a name="Page_18" id="Page_18">[18]</a></span>“Down with him!” cried false Sextus,<br /> +<span class="i1">With a smile on his pale face.</span><br /> +“Now yield thee,” cried Lars Porsena,<br /> +<span class="i1">“Now yield thee to our grace.”</span></p> + +<p class="poem">Round turned he, as not deigning<br /> +<span class="i1">Those craven ranks to see;</span><br /> +Naught spake he to Lars Porsena,<br /> +<span class="i1">To Sextus naught spake he;</span><br /> +But he saw on <span class="nowrap">Palatinus<a name="Anchor_18-22" id="Anchor_18-22"></a><a title="Go to footnote 18-22" href="#Footnote_18-22" class="fnanchor">18-22</a></span><br /> +<span class="i1">The white porch of his home;</span><br /> +And he spake to the noble river<br /> +<span class="i1">That rolls by the towers of Rome.</span></p> + +<p class="poem">“O Tiber! father <span class="nowrap">Tiber!<a name="Anchor_18-23" id="Anchor_18-23"></a><a title="Go to footnote 18-23" href="#Footnote_18-23" class="fnanchor">18-23</a></span><br /> +<span class="i1">To whom the Romans pray,</span><br /> +A Roman’s life, a Roman’s arms,<br /> +<span class="i1">Take thou in charge this day!”</span><br /> +So he spake, and speaking sheathed<br /> +<span class="i1">The good sword by his side,</span><br /> +And with his harness on his back<br /> +<span class="i1">Plunged headlong in the tide.</span></p> + +<p class="poem">No sound of joy or sorrow<br /> +<span class="i1">Was heard from either bank;</span><br /> +But friends and foes in dumb surprise,<br /> +With parted lips and straining eyes,<br /> +<span class="i1">Stood gazing where he sank;</span><br /> +And when above the surges<br /> +<span class="i1">They saw his crest appear,</span><br /> +All Rome sent forth a rapturous cry,<br /> +<span class='pagenum'><a name="Page_19" id="Page_19">[19]</a></span>And even the ranks of Tuscany<br /> +<span class="i1">Could scarce forbear to cheer.</span></p> + +<p class="poem">But fiercely ran the current,<br /> +<span class="i1">Swollen high by months of rain:</span><br /> +And fast his blood was flowing,<br /> +<span class="i1">And he was sore in pain,</span><br /> +And heavy with his armor,<br /> +<span class="i1">And spent with changing blows:</span><br /> +And oft they thought him sinking,<br /> +<span class="i1">But still again he rose.</span></p> + +<p class="poem">Never, I ween, did swimmer,<br /> +<span class="i1">In such an evil case,</span><br /> +Struggle through such a raging flood<br /> +<span class="i1">Safe to the landing-place:</span><br /> +But his limbs were borne up bravely<br /> +<span class="i1">By the brave heart within,</span><br /> +And our good father Tiber<br /> +<span class="i1">Bore bravely up his chin.</span></p> + +<p class="poem">“Curse on him!” quoth false Sextus;<br /> +<span class="i1">“Will not the villain drown?</span><br /> +But for this stay, ere close of day<br /> +<span class="i1">We should have sacked the town!”</span><br /> +“Heaven help him!” quoth Lars Porsena,<br /> +<span class="i1">“And bring him safe to shore;</span><br /> +For such a gallant feat of arms<br /> +<span class="i1">Was never seen before.”</span></p> + +<p class="poem">And now he feels the bottom;<br /> +<span class="i1">Now on dry earth he stands;</span><br /> +Now round him throng the Fathers<br /> +<span class="i1">To press his gory hands;</span><br /> +<span class='pagenum'><a name="Page_20" id="Page_20">[20]</a></span>And now, with shouts and clapping,<br /> +<span class="i1">And noise of weeping loud,</span><br /> +He enters through the River-Gate,<br /> +<span class="i1">Borne by the joyous crowd.</span></p> + +<p class="poem">They gave him of the corn-land,<br /> +<span class="i1">That was of public right,</span><br /> +As much as two strong oxen<br /> +<span class="i1">Could plow from morn till night;</span><br /> +And they made a molten image,<br /> +<span class="i1">And set it up on high,</span><br /> +And there it stands unto this day<br /> +<span class="i1">To witness if I lie.</span></p> + +<p class="poem">It stands in the <span class="nowrap">Comitium,<a name="Anchor_20-24" id="Anchor_20-24"></a><a title="Go to footnote 20-24" href="#Footnote_20-24" class="fnanchor">20-24</a></span><br /> +<span class="i1">Plain for all folk to see;</span><br /> +Horatius in his harness,<br /> +<span class="i1">Halting upon one knee:</span><br /> +And underneath is written,<br /> +<span class="i1">In letters all of gold,</span><br /> +How valiantly he kept the bridge<br /> +<span class="i1">In the brave days of old.</span></p> + +<p class="poem">And still his name sounds stirring<br /> +<span class="i1">Unto the men of Rome,</span><br /> +As the trumpet-blast that cries to them<br /> +<span class="i1">To charge the <span class="nowrap">Volscian<a name="Anchor_20-25" id="Anchor_20-25"></a><a title="Go to footnote 20-25" href="#Footnote_20-25" class="fnanchor">20-25</a></span> home;</span><br /> +And wives still pray to <span class="nowrap">Juno<a name="Anchor_20-26" id="Anchor_20-26"></a><a title="Go to footnote 20-26" href="#Footnote_20-26" class="fnanchor">20-26</a></span><br /> +<span class="i1">For boys with hearts as bold</span><br /> +<span class='pagenum'><a name="Page_21" id="Page_21">[21]</a></span>As his who kept the bridge so well<br /> +<span class="i1">In the brave days of old.</span></p> + +<p class="poem">And in the nights of winter,<br /> +<span class="i1">When the cold north-winds blow,</span><br /> +And the long howling of the wolves<br /> +<span class="i1">Is heard amidst the snow;</span><br /> +When round the lonely cottage<br /> +<span class="i1">Roars loud the tempest’s din,</span><br /> +And the good logs of Algidus<br /> +<span class="i1">Roar louder yet within:</span></p> + +<div class="figcenter" style="width: 251px;"> +<a name="image07" id="image07"></a><a href="images/image07-full.png"><img src="images/image07.png" width="251" height="199" alt="A statue of a Roman warrior, dressed for battle." title="HORATIUS IN HIS HARNESS, HALTING UPON ONE KNEE" /></a> +<span class="caption">HORATIUS IN HIS HARNESS, HALTING UPON ONE KNEE</span> +</div> + +<p class="poem">When the oldest cask is opened,<br /> +<span class="i1">And the largest lamp is lit;</span><br /> +When the chestnuts glow in the embers,<br /> +<span class="i1">And the kid turns on the spit;</span><br /> +<span class='pagenum'><a name="Page_22" id="Page_22">[22]</a></span>When young and old in circle<br /> +<span class="i1">Around the firebrands close;</span><br /> +And the girls are weaving baskets,<br /> +<span class="i1">And the lads are shaping bows;</span></p> + +<p class="poem">When the goodman mends his armor,<br /> +<span class="i1">And trims his helmet’s plume;</span><br /> +When the goodwife’s shuttle merrily<br /> +<span class="i1">Goes flashing through the loom,—</span><br /> +With weeping and with laughter<br /> +<span class="i1">Still is the story told,</span><br /> +How well Horatius kept the bridge<br /> +<span class="i1">In the brave days of <span class="nowrap">old.<a name="Anchor_22-27" id="Anchor_22-27"></a><a title="Go to footnote 22-27" href="#Footnote_22-27" class="fnanchor">22-27</a></span></span></p> + +<div class="figcenter" style="width: 107px;"> +<img src="images/image08.png" width="107" height="104" alt="Decorative break" title="Decorative break" /> +</div> + + + +<div class="footnotes"> +<p><a name="Footnote_1-1" id="Footnote_1-1"></a><a title="Return to text." href="#Anchor_1-1" class="label">1-1</a> Clusium was a powerful town in Etruria.</p> + +<p><a name="Footnote_1-2" id="Footnote_1-2"></a><a title="Return to text." href="#Anchor_1-2" class="label">1-2</a> According to the religion of the Etruscans there were +nine great gods. An oath by them was considered the most binding oath +that a man could take.</p> + +<p><a name="Footnote_2-3" id="Footnote_2-3"></a><a title="Return to text." href="#Anchor_2-3" class="label">2-3</a> This line shows us that the writing of the Etruscans was +done backwards, as we should consider it; that is, they wrote from right +to left instead of from left to right.</p> + +<p><a name="Footnote_3-4" id="Footnote_3-4"></a><a title="Return to text." href="#Anchor_3-4" class="label">3-4</a> Nurscia was a city of the Sabines.</p> + +<p><a name="Footnote_3-5" id="Footnote_3-5"></a><a title="Return to text." href="#Anchor_3-5" class="label">3-5</a> <em>Tale</em> here means <em>number</em>.</p> + +<p><a name="Footnote_3-6" id="Footnote_3-6"></a><a title="Return to text." href="#Anchor_3-6" class="label">3-6</a> Sutrium was an Etruscan town twenty-nine miles from +Rome.</p> + +<p><a name="Footnote_3-7" id="Footnote_3-7"></a><a title="Return to text." href="#Anchor_3-7" class="label">3-7</a> The Latins were an Italian race who, even before the dawn +of history, dwelt on the plains south of the Tiber. Rome was supposed to +be a colony of Alba Longa, the chief Latin city, but the Latin peoples +were in the fourth century brought into complete subjection to Rome.</p> + +<p><a name="Footnote_3-8" id="Footnote_3-8"></a><a title="Return to text." href="#Anchor_3-8" class="label">3-8</a> <em lang="fr" xml:lang="fr">Champaign</em>, or <em lang="it" xml:lang="it">campagna</em>, means any open, level tract +of country. The name is specifically applied to the extensive plains +about Rome.</p> + +<p><a name="Footnote_4-9" id="Footnote_4-9"></a><a title="Return to text." href="#Anchor_4-9" class="label">4-9</a> A part of the Capitoline, one of the seven hills on which +Rome is built, was called the Tarpeian Rock, after Tarpeia, daughter of +an early governor of the citadel on the Capitoline. According to the +popular legend, when the Sabines came against Rome, Tarpeia promised to +open the gate of the fortress to them if they would give her what they +wore on their left arms. It was their jewelry which she coveted, but she +was punished for her greed and treachery, for when the soldiers had +entered the fortress they hurled their shields upon her, crushing her to +death.</p> + +<p><a name="Footnote_5-10" id="Footnote_5-10"></a><a title="Return to text." href="#Anchor_5-10" class="label">5-10</a> <em>Fathers of the City</em> was the name given to the members +of the Roman Senate.</p> + +<p><a name="Footnote_5-11" id="Footnote_5-11"></a><a title="Return to text." href="#Anchor_5-11" class="label">5-11</a> Ostia was the port of Rome, situated at the mouth of the +Tiber.</p> + +<p><a name="Footnote_5-12" id="Footnote_5-12"></a><a title="Return to text." href="#Anchor_5-12" class="label">5-12</a> Janiculum is a hill on the west bank of the Tiber at +Rome. It was strongly fortified, and commanded the approach to Rome.</p> + +<p><a name="Footnote_5-13" id="Footnote_5-13"></a><a title="Return to text." href="#Anchor_5-13" class="label">5-13</a> <em>Iwis</em> is an obsolete word meaning <em>truly</em>.</p> + +<p><a name="Footnote_5-14" id="Footnote_5-14"></a><a title="Return to text." href="#Anchor_5-14" class="label">5-14</a> When the kings were banished from Rome the people vowed +that never again should one man hold the supreme power. Two chief rulers +were therefore chosen, and were given the name of <em>consuls</em>.</p> + +<p><a name="Footnote_7-15" id="Footnote_7-15"></a><a title="Return to text." href="#Anchor_7-15" class="label">7-15</a> Sextus was the son of the last king of Rome. It was a +shameful deed of his which finally roused the people against the Tarquin +family.</p> + +<p><a name="Footnote_8-16" id="Footnote_8-16"></a><a title="Return to text." href="#Anchor_8-16" class="label">8-16</a> In the temple of the goddess Vesta a sacred flame was +kept burning constantly, and it was thought that the consequences to the +city would be most dire if the fire were allowed to go out. The Vestal +virgins, priestesses who tended the flame, were held in the highest +honor.</p> + +<p><a name="Footnote_10-17" id="Footnote_10-17"></a><a title="Return to text." href="#Anchor_10-17" class="label">10-17</a> The Roman people were divided into two classes, the +patricians, to whom belonged all the privileges of citizenship, and the +plebeians, who were not allowed to hold office or even to own property. +Macaulay gives the English name <em>Commons</em> to the plebeians.</p> + +<p><a name="Footnote_11-18" id="Footnote_11-18"></a><a title="Return to text." href="#Anchor_11-18" class="label">11-18</a> A discussion as to who these chiefs were, or as to +where the places mentioned were located, would be profitless. The notes +attempt to give only such information as will aid in understanding the +story.</p> + +<p><a name="Footnote_12-19" id="Footnote_12-19"></a><a title="Return to text." href="#Anchor_12-19" class="label">12-19</a> <em lang="it" xml:lang="it">Campania</em> is another name for the campagna.</p> + +<p><a name="Footnote_12-20" id="Footnote_12-20"></a><a title="Return to text." href="#Anchor_12-20" class="label">12-20</a> <em>Hinds</em> here means <em>peasants</em>.</p> + +<p><a name="Footnote_14-21" id="Footnote_14-21"></a><a title="Return to text." href="#Anchor_14-21" class="label">14-21</a> Romulus, the founder of Rome, and Remus, his brother, +were, according to the legend, rescued and brought up by a she-wolf, +after they had been cast into the Tiber to die.</p> + +<p><a name="Footnote_18-22" id="Footnote_18-22"></a><a title="Return to text." href="#Anchor_18-22" class="label">18-22</a> The Palatine is one of the seven hills of Rome.</p> + +<p><a name="Footnote_18-23" id="Footnote_18-23"></a><a title="Return to text." href="#Anchor_18-23" class="label">18-23</a> The Romans personified the Tiber River, and even +offered prayers to it.</p> + +<p><a name="Footnote_20-24" id="Footnote_20-24"></a><a title="Return to text." href="#Anchor_20-24" class="label">20-24</a> The Comitium was the old Roman polling-place, a square +situated between the Forum and the Senate House.</p> + +<p><a name="Footnote_20-25" id="Footnote_20-25"></a><a title="Return to text." href="#Anchor_20-25" class="label">20-25</a> The Volscians were among the most determined of the +Italian enemies of Rome.</p> + +<p><a name="Footnote_20-26" id="Footnote_20-26"></a><a title="Return to text." href="#Anchor_20-26" class="label">20-26</a> Juno was the goddess who was thought of as presiding +over marriage and the birth of children.</p> + +<p><a name="Footnote_22-27" id="Footnote_22-27"></a><a title="Return to text." href="#Anchor_22-27" class="label">22-27</a> You can tell from these last three stanzas, that +Macaulay is writing his poem, not as an Englishman of the nineteenth +century, but as if he were a Roman in the days when Rome, though +powerful, had not yet become the luxurious city which it afterward was. +That is, he thought of himself as writing in the days of the Republic, +not in the days of the Empire.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_23" id="Page_23">[23]</a></span></p> + +<h2 class="story"><a name="LORD_ULLINS_DAUGHTER" id="LORD_ULLINS_DAUGHTER"></a>LORD ULLIN’S DAUGHTER</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Thomas Campbell</span></p> + + +<p class="poemopening"><span class="dropcapa"><span class="hide">A</span></span> <span class="upper">chieftain,</span> to the Highlands bound,<br /> +<span class="i1">Cries, “Boatman, do not tarry!</span><br /> +And I’ll give thee a silver pound,<br /> +<span class="i1">To row us o’er the ferry.”</span></p> + +<p class="poem">“Now who be ye, would cross Lochgyle,<br /> +<span class="i1">This dark and stormy water?”</span><br /> +“O, I’m the chief of Ulva’s isle,<br /> +<span class="i1">And this Lord Ullin’s daughter.</span></p> + +<p class="poem">“And fast before her father’s men<br /> +<span class="i1">Three days we’ve fled together,</span><br /> +For should he find us in the glen,<br /> +<span class="i1">My blood would stain the heather.</span></p> + +<p class="poem">“His horsemen hard behind us ride;<br /> +<span class="i1">Should they our steps discover,</span><br /> +Then who will cheer my bonny bride<br /> +<span class="i1">When they have slain her lover?”</span></p> + +<p class="poem">Out spoke the hardy Highland wight,<br /> +<span class="i1">“I’ll go, my chief—I’m ready;</span><br /> +It is not for your silver bright,<br /> +<span class="i1">But for your winsome lady:</span></p> + +<p class="poem">“And by my word! the bonny bird<br /> +<span class="i1">In danger shall not tarry;</span><br /> +<span class='pagenum'><a name="Page_24" id="Page_24">[24]</a></span>So though the waves are raging white,<br /> +<span class="i1">I’ll row you o’er the ferry.”</span></p> + +<div class="figcenter" style="width: 246px;"> +<a name="image09" id="image09"></a><a href="images/image09-full.png"><img src="images/image09.png" width="246" height="293" alt="A man and a woman, under a tree, bidding farewell to the boatman." title="“BOATMAN, DO NOT TARRY!”" /></a> +<span class="caption">“BOATMAN, DO NOT TARRY!”</span> +</div> + +<p class="poem">By this the storm grew loud apace,<br /> +<span class="i1">The water-wraith was shrieking;</span><br /> +And in the scowl of heaven each face<br /> +<span class="i1">Grew dark as they were speaking.</span></p> + +<p class="poem">But still as wilder blew the wind,<br /> +<span class="i1">And as the night grew drearer,</span><br /> +<span class='pagenum'><a name="Page_25" id="Page_25">[25]</a></span>Adown the glen rode armed men,<br /> +<span class="i1">Their trampling sounded nearer.</span></p> + +<p class="poem">“O haste thee, haste!” the lady cries,<br /> +<span class="i1">“Though tempests round us gather;</span><br /> +I’ll meet the raging of the skies,<br /> +<span class="i1">But not an angry father.”</span></p> + +<p class="poem">The boat had left a stormy land,<br /> +<span class="i1">A stormy sea before her,—</span><br /> +When, oh! too strong for human hand,<br /> +<span class="i1">The tempest gather’d o’er her.</span></p> + +<p class="poem">And still they row’d amidst the roar<br /> +<span class="i1">Of waters fast prevailing:</span><br /> +Lord Ullin reach’d that fatal shore,<br /> +<span class="i1">His wrath was changed to wailing.</span></p> + +<p class="poem">For sore dismay’d, through storm and shade,<br /> +<span class="i1">His child he did discover:—</span><br /> +One lovely hand she stretch’d for aid,<br /> +<span class="i1">And one was round her lover.</span></p> + +<p class="poem">“Come back! come back!” he cried in grief,<br /> +<span class="i1">“Across this stormy water:</span><br /> +And I’ll forgive your Highland chief,<br /> +<span class="i1">My daughter!—oh my daughter!”</span></p> + +<p class="poem">’Twas vain: the loud waves lashed the shore,<br /> +<span class="i1">Return or aid preventing;</span><br /> +The waters wild went o’er his child,<br /> +<span class="i1">And he was left lamenting.</span></p> + + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_26" id="Page_26">[26]</a></span></p> + +<h2 class="story"><a name="SIR_WALTER_SCOTT" id="SIR_WALTER_SCOTT"></a>SIR WALTER SCOTT</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Grace E. Sellon</span></p> + + +<p class="opening"><span class="dropcapo"><span class="hide">O</span></span><span class="upper">f</span> the old and honorable families of Scotland there are perhaps none +more worthy than those from which were descended the parents of Sir +Walter Scott. In the long line of ancestors on either side were fearless +knights and bold chiefs of the Scottish Border whose adventures became a +delightful heritage to the little boy born into the Edinburgh family of +Scott in 1771. Perhaps his natural liking for strange and exciting +events would have made him even more eager than other children to be +told fairy stories and tales of real heroes of his own land. But even +had this not been so, the way in which he was forced to spend his early +childhood was such that entertainment of this kind was about all that he +could enjoy. He was not two years old when, after a brief illness, he +lost the use of one of his legs and thus became unable to run about as +before, or even to stand. Soon afterward he was sent to his +grandfather’s farm at Sandy-Knowe, where it was thought that the country +life would help him. There he spent his days in listening to lively +stories of Scotsmen who had lived in the brave and rollicking fashion of +Robin Hood, in being read to by his aunt or in lying out among the +rocks, cared for by his grandfather’s old shepherd. When thus out of +doors he found so<span class='pagenum'><a name="Page_27" id="Page_27">[27]</a></span> much of interest about him that he could not lie +still and would try so hard to move himself about that at length he +became able to rise to his feet and even to walk and run.</p> + +<div class="figcenter" style="width: 300px;"> +<a name="image10" id="image10"></a><a href="images/image10-full.jpg"><img src="images/image10.jpg" width="300" height="400" alt="Portrait of Sir Walter Scott" title="Sir Walter Scott 1771-1832" /></a> +<span class="caption smcap">Sir Walter Scott<br /> +1771-1832</span> +</div> + +<p>Except for his lameness, he grew so well and strong that when he was +about eight years old he was placed with his brothers in the upper class +of the Edinburgh grammar school, known as the High School. Though he had +had some lessons in Latin with a private tutor, he was behind his class +in this subject, and being a high-spirited and sensitive boy, he felt +rather keenly this disadvantage. Perhaps the fact that he could not be +one of the leaders of his class made him careless; at any rate, he could +never be depended upon to prepare his lesson, and at no time did he make +a consistently good record. However, he found not a little comfort for +his failure as a student in his popularity as a storyteller and +kind-hearted comrade. Among the boys of his own rank in the school he +won great admiration for his never-ending supply of exciting narratives +and his willingness to give help upon lessons that he would otherwise +have left undone.</p> + +<p>At the end of three years his class was promoted, and he found the new +teacher much more to his liking. Indeed, his ability to appreciate the +meaning and beauty of the Latin works studied became recognized: he +began to make translations in verse that won praise, and, with a new +feeling of distinction, he was thus urged on to earnest efforts. After +leaving this school, he continued his excellent progress in the study of +Latin for a short time under a teacher in the village of Kelso, where he +had gone to visit an aunt.</p> + +<p><span class='pagenum'><a name="Page_28" id="Page_28">[28]</a></span>Meanwhile his hours out of school were spent in ways most pleasing to +his lively imagination. His lameness did not debar him from the most +active sports, nor even from the vigorous encounters in which, either +with a single opponent or with company set against company, the Scotch +schoolboys defended their reputation as hard fighters. One of these +skirmishes that made a lasting impression upon Walter Scott he himself +tells us of, and his biographer, Lockhart, has quoted it in describing +the hardy boyhood days of the great writer. It frequently happened that +bands of children from different parts of Edinburgh would wage war with +each other, fighting with stones and clubs and other like weapons. +Perhaps the city authorities thought that these miniature battles +afforded good training: at least the police seem not to have interfered. +The boys in the neighborhood where Walter lived had formed a company +that had been given a beautiful standard by a young noblewoman. This +company fought every week with a band composed of boys of the poorer +classes. The leader of the latter was a fine-looking young fellow who +bore himself as bravely as any chieftain. In the midst of a hotly fought +contest, this boy had all but captured the enemy’s proudly erected +standard when he was struck severely to the ground with a cruelly heavy +weapon. The dismayed companies fled in all directions, and the lad was +taken to the hospital. In a few days, however, he recovered; and then it +was that through a friendly baker Walter Scott and his brothers were +able to get word to their mistreated opponent and to offer a sum of +money in token of their regret. But Green-breeks, as the young leader<span class='pagenum'><a name="Page_29" id="Page_29">[29]</a></span> +had been dubbed, refused to accept this, and said besides that they +might be sure of his not telling what he knew of the affair in which he +had been hurt, for he felt it a disgrace to be a talebearer. This +generous conduct so impressed young Scott and his companions that always +afterward the fighting was fair.</p> + +<p>It must have been with not a little difficulty that this warlike spirit +was subdued and made obedient to the strict rules observed in the +Presbyterian home on Sunday. To a boy whose mind was filled with +stirring deeds of adventure and all sorts of vivid legends and romances, +the long, gloomy services seemed a tiresome burden. Monday, however, +brought new opportunities for reading favorite poets and works of +history and travel, and many were the spare moments through the week +that were spent thus. The marvelous characters and incidents in +Spenser’s <cite>Faerie Queene</cite> were a never-ending source of enjoyment, and +later Percy’s <cite>Reliques of Ancient English Poetry</cite> was discovered by the +young reader with a gladness that made him forget everything else in the +world. “I remember well,” he has written, “the spot where I read these +volumes for the first time. It was beneath a huge platanus tree, in the +ruins of what had been intended for an old-fashioned arbor in the garden +I have mentioned. The summer day sped onward so fast that, +notwithstanding the sharp appetite of thirteen, I forgot the hour of +dinner, was sought for with anxiety, and was found still entranced in my +intellectual banquet. To read and to remember was in this instance the +same thing, and henceforth I overwhelmed my schoolfellows, and all who +would<span class='pagenum'><a name="Page_30" id="Page_30">[30]</a></span> hearken to me, with tragical recitations from the ballads of +Bishop Percy. The first time, too, I could scrape a few shillings +together, which were not common occurrences with me, I bought unto +myself a copy of these beloved volumes; nor do I believe I ever read a +book half so frequently, or with half the enthusiasm.”</p> + +<p>After his return from Kelso, Walter was sent to college, but with no +better results than in the early years at the High School. The Latin +teacher was so mild in his requirements that it was easy to neglect the +lessons, and in beginning the study of Greek the boy was again at a +disadvantage, for nearly all his classmates, unlike himself, knew a +little of the language. He was scarcely more successful in a private +course in mathematics, but did well in his classes in moral philosophy. +History and civil and municipal law completed his list of studies. So +meager did this education seem that in later years Scott wrote in a +brief autobiography, “If, however, it should ever fall to the lot of +youth to peruse these pages—let such a reader remember that it is with +the deepest regret that I recollect in my manhood the opportunities of +learning which I neglected in my youth: that through every part of my +literary career I have felt pinched and hampered by my own ignorance: +and that I would at this moment give half the reputation I have had the +good fortune to acquire, if by doing so I could rest the remaining part +upon a sound foundation of learning and science.”</p> + +<div class="figcenter" style="width: 400px;"> +<a name="image11" id="image11"></a><a href="images/image11-full.jpg"><img src="images/image11.jpg" width="400" height="258" alt="Large manor house at Abbotsford" title="Abbotsford" /></a> +<span class="caption smcap"><a name="corr2" id="corr2"></a>Abbotsford</span> +</div> + +<p>It had been decided that Walter should follow his father’s profession, +that of the law, and accordingly he entered his father’s office, to +serve a five<span class='pagenum'><a name="Page_31" id="Page_31">[31]</a></span> years’ apprenticeship. Though it may seem surprising, in +view of his former indolence, it is true that he gave himself to his +work with great industry. At the same time, however, he continued to +read stories of adventure and history and other similar works with as +much zest as ever, and entered into an agreement with a friend whereby +each was to entertain the other with original romances. The monotony of +office duties was also relieved by many trips about the country, in +which the keenest delight was felt in natural beauties and in the +historical associations of old ruins and battlefields and other places +of like interest. Then, too, there were literary societies that advanced +the young law-apprentice both intellectually and socially. Thus the +years with his father passed. Then, as he was to prepare himself for +admission to the bar, he entered law classes in the University of +Edinburgh, with the result that in 1792 he was admitted into the Faculty +of Advocates.</p> + +<p>The first years of his practice, though not without profit, might have +seemed dull and irksome to the young lawyer, had not his summers been +spent in journeys about Scotland in which he came into possession of a +wealth of popular legends and ballads. It was during one of these +excursions, made in 1797, that he met the attractive young French woman, +Charlotte Carpenter, who a few months later became his wife. A previous +and unfortunate love affair had considerably sobered Scott’s ardent +nature, but his friendship and marriage with Miss Carpenter brought him +much of the happiness of which he had believed himself to have been +deprived.</p> + +<p>The young couple spent their winters in Edin<span class='pagenum'><a name="Page_32" id="Page_32">[32]</a></span>burgh and their summers at +the suburb Lasswade. During the resting time passed in the country +cottage, Scott found enjoyment in composing poems based upon some of the +legends and superstitions with which he had become familiar in his +jaunts among ruined castles and scenes in the Highlands. Some of these +verses, shown in an offhand manner to James Ballantyne, who was the head +of a printing establishment in Kelso, met with such favorable +recognition that Scott was encouraged to lay bare to his friend a plan +that had been forming in his mind for publishing a great collection of +Scotch ballads. As a result Scott entered upon the work of editing them +and by 1803 had published the three volumes of his <cite>Minstrelsy of the +Scottish Border</cite>. So successful was this venture that shortly afterward +he began the <cite>Lay of the Last Minstrel</cite>, a lengthy poem in which his +keen interest in the thrilling history of the Scottish Border found full +expression. This poem, published in 1805, was heartily welcomed, and +opened to its author the career for which he was best fitted.</p> + +<p>The popularity of the <cite>Lay</cite>, together with the fact that the young poet +had won no honors as an advocate, doubtless accounts for his retiring +from the bar in 1806. He had been made sheriff of Selkirkshire in 1799, +and to the income thus received was added that of a clerk of the Court +of Sessions, an office to which he was appointed in 1806. More than +this, he had in the preceding year become a partner in the Ballantyne +printing establishment, which had moved to Edinburgh, and his growing +fame as a writer seemed to promise that his association with this firm +would bring considerable profit.</p> + +<p><span class='pagenum'><a name="Page_33" id="Page_33">[33]</a></span>With a good income thus assured, Scott was able within the following +four years to produce besides minor works, two other great poems, +<cite>Marmion, a Tale of Flodden Field</cite>, and <cite>The Lady of the Lake</cite>. These +rank with the most stirring and richly colored narrative poems in our +language. So vivid, indeed, are the pictures of Scottish scenery found +in <cite>The Lady of the Lake</cite>, that, according to a writer who was living +when it was published, “The whole country rang with the praises of the +poet—crowds set off to view the scenery of Loch Katrine, till then +comparatively unknown; and as the book came out just before the season +for excursions, every house and inn in that neighborhood was crammed +with a constant succession of visitors.”</p> + +<p>This lively and pleasing story, with its graceful verse form, has become +such a favorite for children’s reading, that it seems very amusing to be +told of the answer given by one of Scott’s little daughters to a family +friend who had asked her how she liked the poem: “Oh, I have not read +it; papa says there’s nothing so bad for young people as reading bad +poetry.” The biographer Lockhart recounts also a little incident in +which young Walter Scott, returning from school with the marks of battle +showing plainly on his face, was asked why he had been fighting, and +replied, looking down in shame, that he had been called a <em>lassie</em>. +Never having heard of even the title of his father’s poem, the boy had +fiercely resented being named, by some of his playmates, <cite>The Lady of +the Lake</cite>.</p> + +<p>In order to fulfil his duties as sheriff, Scott had in 1804 leased the +estate of Ashestiel, and in this wild and beautiful stretch of country +on the Tweed<span class='pagenum'><a name="Page_34" id="Page_34">[34]</a></span> River had spent his summers. When his lease expired in +1811, he bought a farm of one hundred acres extending along the same +river, and in the following year removed with his family to the cottage +on this new property. This was the simple beginning of the magnificent +Abbotsford home. Year after year changes were made, and land was added +to the estate until by the close of 1824 a great castle had been +erected. The building and furnishing of this mansion were of the keenest +interest to its owner, an interest that was expressed probably with most +delight in the two wonderful armories containing weapons borne by many +heroes of history, and in the library with its carved oak ceiling, its +bookcases filled with from fifteen to twenty thousand volumes, among +which are some of unusual value, and its handsome portrait of the eldest +of Scott’s sons.</p> + +<p>The building of this splendid dwelling place shows Scott to have been +exceptionally prosperous as a writer. Yet his way was by no means always +smooth. In 1808 he had formed with the Ballantynes a publishing house +that, as a result of poor management, failed completely in 1813. Scott +bore the trouble with admirable coolness, and by means of good +management averted further disaster and made arrangements for the +continued publication of his works.</p> + +<p>By this time he had found through the marked success of his novel +<cite>Waverley</cite>, published in 1814, that a new and promising field lay before +him. He decided then to give up poetry and devote himself especially to +writing romances, in which his love of the picturesque and thrilling in +history and of the<span class='pagenum'><a name="Page_35" id="Page_35">[35]</a></span> noble and chivalrous in human character could find +the widest range of expression. With marvelous industry he added one +after another to the long series of his famous Waverley Novels. Perhaps +the height of his power was reached in 1819 in the production of +<cite>Ivanhoe</cite>, though <cite>Waverley</cite>, <cite>Guy Mannering</cite> and <cite>The Heart of +Midlothian</cite>, previously written, as well as <cite>Kenilworth</cite> and <cite>Quentin +Durward</cite>, published later, must also be given first rank. In the +intervals of his work on these novels, Scott also wrote reviews and +essays and miscellaneous articles. He became recognized as the most +gifted prose writer of his age, and his works, it is said, became “the +daily food, not only of his countrymen, but of all educated Europe.” He +was sought after with eager homage by the wealthy and notable, and was +given the title of baronet, yet remained as simple and sincere at heart +as in the early days of his career.</p> + +<p>With the sales of his books amounting to $50,000 or more a year, it is +not strange that he should have felt his fortune assured. But again, and +this time with the most serious results, he was deceived by the +mismanagement of others. The printing firm of James Ballantyne and +Company, in which he had remained a partner, became bankrupt in 1826. +Had it not been for a high sense of honor, he would have withdrawn with +the others of the firm; but the sense of his great debt pressed upon him +so sorely that he agreed to pay all that he owed, at whatever cost to +himself. For the remaining six years of his life he worked as hard as +failing health would allow, and the strain of his labor told on him +severely.</p> + +<p>At length he consented to a trip to southern Europe, but the change did +not bring back his health.<span class='pagenum'><a name="Page_36" id="Page_36">[36]</a></span> Not long after his return to Abbotsford, in +1832, he called his son-in-law to his bedside early one morning, and +speaking in calm tones, said: “Lockhart, I may have but a minute to +speak to you. My dear, be a good man—be virtuous—be religious—be a +good man. Nothing else will give you any comfort when you come to lie +here.” After a few words more he asked God’s blessing on all in the +household and then fell into a quiet sleep from which he did not awake +on earth.</p> + +<p>Had Scott lived but a few years longer he would undoubtedly have paid +off all his voluntarily assumed obligations. As it was, all his debts +were liquidated in 1847 by the sale of copyrights.</p> + +<p>Many years have passed since the death of Sir Walter Scott, and to the +young readers of to-day the time in which he lived may seem far away and +indistinct. But every boy and girl can share with him the pleasure that +he felt, all his life, in stories of battle on sea and land, in love +tales of knights and ladies, in mysterious superstitions and in +everything else that spurs one on at the liveliest speed through the +pages of a book. These interests and delights of his boyhood he never +outgrew. They kept him always young at heart and gave to his works a +freshness and brightness that few writers have been able to retain +throughout their lives.</p> + +<p>When he became <em lang="sco" xml:lang="sco">laird</em> of Abbotsford, the same sunny nature and kindly +feeling for others that had drawn about him many comrades in his +schoolboy days, attracted to him crowds of visitors who, though they +intruded on his time, were received with generous courtesy. His tall, +strongly built figure was often the center of admiring groups of guests<span class='pagenum'><a name="Page_37" id="Page_37">[37]</a></span> +who explored with him the wonders and beauties of Abbotsford, listening +meanwhile to his humorous stories. At such times, with his clear, +wide-open blue eyes, and his pleasant smile lighting his somewhat heavy +features, he would have been called a handsome man. Of all who came to +the home at Abbotsford, none were more <a name="corr3" id="corr3"></a>gladly received than the children +of the tenants who lived in the little homes on the estate. Each year, +on the last morning in December, it was customary for them to pay a +visit of respect to the <em lang="sco" xml:lang="sco">laird</em>, and though they may not have known it, +he found more pleasure in this simple ceremony than in all the others of +the Christmas season.</p> + +<p>To these gentler qualities of his nature was joined not a little of the +hardihood of the Scotch heroes whose lives he has celebrated. The same +“high spirit with which, in younger days,” he has written, “I used to +enjoy a Tam-o’-Shanter ride through darkness, wind and rain, the boughs +groaning and cracking over my head, the good horse free to the road and +impatient for home, and feeling the weather as little as I did,” was +that which bore him bravely through misfortune and gave him the splendid +courage with which in his last years he faced the ruin of his fortune. +With an influence as strong and wholesome as that of his works as a +writer, remains the example of his loyal, industrious life.</p> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_38" id="Page_38">[38]</a></span></p> + +<h2 class="story"><a name="THE_TOURNAMENT" id="THE_TOURNAMENT"></a>THE TOURNAMENT</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Sir Walter Scott</span></p> + + +<div class="blockquot"><p><span class="smcap">Note.</span>—Scott’s <cite>Ivanhoe</cite>, from which this account of <em>The +Tournament</em> is taken, belongs to the class of books known as +historical novels. Such a book does not necessarily have as the +center of its plot an historical incident, nor does it necessarily +have an historical character as hero or heroine; it does, however, +introduce historic scenes or historic people, or both. In +<cite>Ivanhoe</cite>, the events of which take place in England in the twelfth +century, during the reign of Richard I, both the king and his +brother John appear, though they are by no means the chief +characters. The great movements known as the Crusades, while they +are frequently mentioned and give a sort of an atmosphere to the +book, do not influence the plot directly.</p> + +<p><cite>Ivanhoe</cite> does much more, however, than introduce us casually to +Richard and John; it gives us a striking picture of customs and +manners in the twelfth century. The story is not made to halt for +long descriptions, but the events themselves and their settings are +so brought before us that we have much clearer pictures of them +than hours of reading in histories and encyclopedias could give us. +This account of a tournament, for instance, while it lets us see +all the gorgeousness that was a part of such pageants, does not +fail to give us also the cruel, brutal side.</p></div> + +<p class="opening"><span class="dropcapt"><span class="hide">T</span></span><span class="upper">he</span> poor as well as the rich, the vulgar as well as the noble, in the +event of a tournament, which was the grand spectacle of that age, felt +as much interested as the half-starved citizen of Madrid, who has not a +real left to buy provisions for his family, feels in the<span class='pagenum'><a name="Page_39" id="Page_39">[39]</a></span> issue of a +bull-fight. Neither duty nor infirmity could keep youth or age from such +exhibitions. The passage of arms, as it was called, which was to take +place at Ashby, in the county of Leicester, as champions of the first +renown were to take the field in the presence of Prince John himself, +who was expected to grace the lists, had attracted universal attention, +and an immense confluence of persons of all ranks hastened upon the +appointed morning to the place of combat.</p> + +<p>The scene was singularly romantic. On the verge of a wood near Ashby, +was an extensive meadow of the finest and most beautiful green turf, +surrounded on one side by the forest, and fringed on the other by +straggling oak trees, some of which had grown to an immense size. The +ground, as if fashioned on purpose for the martial display which was +intended, sloped gradually down on all sides to a level bottom, which +was enclosed for the lists with strong palisades, forming a space of a +quarter of a mile in length, and about half as broad. The form of the +enclosure was an oblong square, save that the corners were considerably +rounded off, in order to afford more convenience for the spectators. The +openings for the entry of the combatants were at the northern and +southern extremities of the lists, accessible by strong wooden gates, +each wide enough to admit two horsemen riding abreast. At each of these +portals were stationed two heralds, attended by six trumpets, as many +<span class="nowrap">pursuivants,<a name="Anchor_39-1" id="Anchor_39-1"></a><a title="Go to footnote 39-1" href="#Footnote_39-1" class="fnanchor">39-1</a></span> and a strong body of men-at-arms, for maintaining +order, and ascertaining the quality of the knights who proposed to +engage in this martial game.</p> + +<p><span class='pagenum'><a name="Page_40" id="Page_40">[40]</a></span>On a platform beyond the southern entrance, formed by a natural +elevation of the ground, were pitched five magnificent pavilions, +adorned with pennons of russet and black, the chosen colors of the five +knights challengers. The cords of the tents were of the same color. +Before each pavilion was suspended the shield of the knight by whom it +was occupied, and beside it stood his squire, quaintly disguised as a +<span class="nowrap">salvage<a name="Anchor_40-2" id="Anchor_40-2"></a><a title="Go to footnote 40-2" href="#Footnote_40-2" class="fnanchor">40-2</a></span> or silvan man, or in some other fantastic dress, according +to the taste of his master and the character he was pleased to assume +during the game. The central pavilion, as the place of honor, had been +assigned to Brian de Bois-Guilbert, whose renown in all games of +chivalry, no less than his connection with the knights who had +undertaken this passage of arms, had occasioned him to be eagerly +received into the company of challengers, and even adopted as their +chief and leader, though he had so recently joined them. On one side of +his tent were pitched those of Reginald Front-de-Bœuf and Richard +(Philip) de Malvoisin, and on the other was the pavilion of Hugh de +Grantmesnil, a noble baron in the vicinity, whose ancestor had been Lord +High Steward of England in the time of the Conqueror and his son William +Rufus. Ralph de Vipont, a knight of Saint John of Jerusalem, who had +some ancient possessions at a place called Heather, near +Ashby-de-la-Zouche, occupied the fifth pavilion.</p> + +<p>From the entrance into the lists a gently sloping passage, ten yards in +breadth, led up to the platform on which the tents were pitched. It was +strongly secured by a palisade on each side, as<span class='pagenum'><a name="Page_41" id="Page_41">[41]</a></span> was the esplanade in +front of the pavilions, and the whole was guarded by men-at-arms.</p> + +<p>The northern access to the lists terminated in a similar entrance of +thirty feet in breadth, at the extremity of which was a large enclosed +space for such knights as might be disposed to enter the lists with the +challengers, behind which were placed tents containing refreshments of +every kind for their accommodation, with armorers, farriers, and other +attendants, in readiness to give their services wherever they might be +necessary.</p> + +<div class="figcenter" style="width: 248px;"> +<a name="image12" id="image12"></a><a href="images/image12-full.png"><img src="images/image12.png" width="248" height="202" alt="Man and woman on horseback, making their way through a crowd." title="THRONG GOING TO THE LISTS" /></a> +<span class="caption">THRONG GOING TO THE LISTS</span> +</div> + +<p>The exterior of the lists was in part occupied by temporary galleries, +spread with tapestries and carpets, and accommodated with cushions for +the convenience of those ladies and nobles who were expect<span class='pagenum'><a name="Page_42" id="Page_42">[42]</a></span>ed to attend +the tournament. A narrow space between these galleries and the lists +gave accommodation for yeomanry and spectators of a better degree than +the mere vulgar, and might be compared to the pit of a theatre. The +promiscuous multitude arranged themselves upon large banks of turf +prepared for the purpose, which, aided by the natural elevation of the +ground, enabled them to overlook the galleries, and obtain a fair view +into the lists. Besides the accommodation which these stations afforded, +many hundred had perched themselves on the branches of the trees which +surrounded the meadow; and even the steeple of a country church, at some +distance, was crowded with spectators.</p> + +<p>It only remains to notice respecting the general arrangement, that one +gallery in the very centre of the eastern side of the lists, and +consequently exactly opposite to the spot where the shock of the combat +was to take place, was raised higher than the others, more richly +decorated, and graced by a sort of throne and canopy, on which the royal +arms were emblazoned. Squires, pages, and yeomen in rich liveries waited +around this place of honor, which was designed for Prince John and his +attendants. Opposite to this royal gallery was another, elevated to the +same height, on the western side of the lists; and more gayly, if less +sumptuously, decorated than that destined for the Prince himself. A +train of pages and of young maidens, the most beautiful who could be +selected, gayly dressed in fancy habits of green and pink, surrounded a +throne decorated in the same colors; Among pennons and flags, bearing +wounded hearts, burning<span class='pagenum'><a name="Page_43" id="Page_43">[43]</a></span> hearts, bleeding hearts, bows and quivers, and +all the commonplace emblems of the triumphs of Cupid, a blazoned +inscription informed the spectators that this seat of honor was designed +for <em lang="fr" xml:lang="fr">La Royne de la Beaute et des Amours</em>. But who was to represent the +Queen of Beauty and of Love on the present occasion no one was prepared +to guess.</p> + +<p>Meanwhile, spectators of every description thronged forward to occupy +their respective stations, and not without many quarrels concerning +those which they were entitled to hold. Some of these were settled by +the men-at-arms with brief ceremony; the shafts of their battle-axes and +pummels of their swords being readily employed as arguments to convince +the more refractory. Others, which involved the rival claims of more +elevated persons, were determined by the heralds, or by the two marshals +of the field, William de Wyvil and Stephen de Martival, who, armed at +all points, rode up and down the lists to enforce and preserve good +order among the spectators.</p> + +<p>Gradually the galleries became filled with knights and nobles, in their +robes of peace, whose long and rich-tinted mantles were contrasted with +the gayer and more splendid habits of the ladies, who, in a greater +proportion than even the men themselves, thronged to witness a sport +which one would have thought too bloody and dangerous to afford their +sex much pleasure. The lower and interior space was soon filled by +substantial yeomen and burghers, and such of the lesser gentry as, from +modesty, poverty, or dubious title, durst not assume any higher place. +It was of course amongst these that the most frequent disputes for +precedence occurred.</p> + +<p><span class='pagenum'><a name="Page_44" id="Page_44">[44]</a></span>Suddenly the attention of every one was called to the entrance of Prince +John, who at that moment entered the lists, attended by a numerous and +gay train, consisting partly of laymen, partly of church-men, as light +in their dress, and as gay in their demeanor, as their companions. Among +the latter was the Prior of Jorvaulx, in the most gallant trim which a +dignitary of the church could venture to exhibit. Fur and gold were not +spared in his garments; and the points of his boots turned up so very +far as to be attached not to his knees merely, but to his very girdle, +and effectually prevented him from putting his foot into the stirrup. +This, however, was a slight inconvenience to the gallant Abbot, who, +perhaps even rejoicing in the opportunity to display his accomplished +horsemanship before so many spectators, especially of the fair sex, +dispensed with the use of these supports to a timid rider. The rest of +Prince John’s retinue consisted of the favorite leaders of his mercenary +troops, some marauding barons and profligate attendants upon the court, +with several Knights Templars and Knights of Saint John.</p> + +<p>Attended by this gallant equipage, himself well mounted, and splendidly +dressed in crimson and in gold, bearing upon his hand a falcon, and +having his head covered by a rich fur bonnet, adorned with a circle of +precious stones, from which his long curled hair escaped and overspread +his shoulders, Prince John, upon a gray and high-mettled palfrey, +caracoled within the lists at the head of his jovial party, laughing +loud with his train, and eyeing with all the boldness of royal criticism +the beauties who adorned the lofty galleries.</p> + +<p><span class='pagenum'><a name="Page_45" id="Page_45">[45]</a></span>In the midst of Prince John’s cavalcade, he suddenly stopped, and, +appealing to the Prior of Jorvaulx, declared the principal business of +the day had been forgotten.</p> + +<p>“By my halidom,” said he, “we have neglected, Sir Prior, to name the +fair Sovereign of Love and of Beauty, by whose white hand the palm is to +be distributed. For my part, I am liberal in my ideas, and I care not if +I give my vote for the black-eyed Rebecca.”</p> + +<p>“Holy Virgin,” answered the Prior, turning up his eyes in horror, “a +Jewess! We should deserve to be stoned out of the lists; and I am not +yet old enough to be a martyr. Besides, I swear by my patron saint that +she is far inferior to the lovely <a name="corr4" id="corr4"></a>Saxon, Rowena.”</p> + +<p>From the tone in which this was spoken, John saw the necessity of +acquiescence. “I did but jest,” he said; “and you turn upon me like an +adder! Name whom you will, in the fiend’s name, and please yourselves.”</p> + +<p>“Nay, nay,” said De Bracy, “let the fair sovereign’s throne remain +unoccupied until the conqueror shall be named, and then let him choose +the lady by whom it shall be filled. It will add another grace to his +triumph, and teach fair ladies to prize the love of valiant knights, who +can exalt them to such distinction.”</p> + +<p>“If Brian de Bois-Guilbert gain the prize,” said the Prior, “I will gage +my rosary that I name the Sovereign of Love and Beauty.”</p> + +<p>“Bois-Guilbert,” answered De Bracy, “is a good lance; but there are +others around these lists, Sir Prior, who will not fear to encounter +him.”</p> + +<p><span class='pagenum'><a name="Page_46" id="Page_46">[46]</a></span>“Silence, sirs,” said Waldemar, “and let the Prince assume his seat. The +knights and spectators are alike impatient, the time advances, and +highly fit it is that the sports should commence.”</p> + +<p>Prince John, though not yet a monarch, had in Waldemar Fitzurse all the +inconveniences of a favorite minister, who, in serving his sovereign, +must always do so in his own way. The Prince acquiesced, however, +although his disposition was precisely of that kind which is apt to be +obstinate upon trifles, and, assuming his throne, and being surrounded +by his followers, gave signal to the heralds to proclaim the laws of the +tournament, which were briefly as follows:</p> + +<p>First, the five challengers were to undertake all comers.</p> + +<p>Secondly, any knight proposing to combat might, if he pleased, select a +special antagonist from among the challengers, by touching his shield. +If he did so with the reverse of his lance, the trial of skill was made +with what were called the arms of courtesy, that is, with lances at +whose extremity a piece of round flat board was fixed, so that no danger +was encountered, save from the shock of the horses and riders. But if +the shield was touched with the sharp end of the lance, the combat was +understood to be at <span class="nowrap"><em lang="fr" xml:lang="fr">outrance</em>,<a name="Anchor_46-3" id="Anchor_46-3"></a><a title="Go to footnote 46-3" href="#Footnote_46-3" class="fnanchor">46-3</a></span> that is, the knights were to fight +with sharp weapons, as in actual battle.</p> + +<p>Thirdly, when the knights present had accomplished their vow, by each of +them breaking five lances, the Prince was to declare the victor in the +first day’s tourney, who should receive as prize a war-horse of +exquisite beauty and matchless<span class='pagenum'><a name="Page_47" id="Page_47">[47]</a></span> strength; and in addition to this reward +of valor, it was now declared, he should have the peculiar honor of +naming the Queen of Love and Beauty, by whom the prize should be given +on the ensuing day.</p> + +<p>Fourthly, it was announced that, on the second day, there should be a +general tournament, in which all the knights present, who were desirous +to win praise, might take part; and being divided into two bands, of +equal numbers, might fight it out manfully until the signal was given by +Prince John to cease the combat. The elected Queen of Love and Beauty +was then to crown the knight, whom the Prince should adjudge to have +borne himself best in this second day, with a coronet composed of thin +gold plate, cut into the shape of a laurel crown. On this second day the +knightly games ceased. But on that which was to follow, feats of +archery, of bull-baiting, and other popular amusements were to be +practiced, for the more immediate amusement of the populace. In this +manner did Prince John endeavor to lay the foundation of a popularity +which he was perpetually throwing down by some inconsiderate act of +wanton aggression upon the feelings and prejudices of the people.</p> + +<p>The lists now presented a most splendid spectacle. The sloping galleries +were crowded with all that was noble, great, wealthy, and beautiful in +the northern and midland parts of England; and the contrast of the +various dresses of these dignified spectators rendered the view as gay +as it was rich, while the interior and lower space, filled with the +substantial burgesses and yeomen of merry England, formed, in their more +plain attire, a dark fringe, or border, around this circle of brilliant<span class='pagenum'><a name="Page_48" id="Page_48">[48]</a></span> +embroidery, relieving, and at the same time setting off, its splendor.</p> + +<p>The heralds finished their proclamation with their usual cry of +<span class="nowrap">“Largesse,<a name="Anchor_48-4" id="Anchor_48-4"></a><a title="Go to footnote 48-4" href="#Footnote_48-4" class="fnanchor">48-4</a></span> largesse, gallant knights!” and gold and silver pieces +were showered on them from the galleries, it being a high point of +chivalry to exhibit liberality toward those whom the age accounted at +once the secretaries and historians of honor. The bounty of the +spectators was acknowledged by the customary shouts of “Love of +ladies—Death of champions—Honor to the generous—Glory to the brave!” +To which the more humble spectators added their acclamations, and a +numerous band of trumpeters the flourish of their martial instruments. +When these sounds had ceased, the heralds withdrew from the lists in gay +and glittering procession, and none remained within them save the +marshals of the field, who, armed cap-à-pie, sat on horseback, +motionless as statues, at the opposite ends of the lists. Meantime, the +inclosed space at the northern extremity of the lists, large as it was, +was now completely crowded with knights desirous to prove their skill +against the challengers, and, when viewed from the galleries, presented +the appearance of a sea of waving plumage, intermixed with glistening +helmets and tall lances, to the extremities of which were, in many +cases, attached small pennons of about a span’s breadth, which, +fluttering in the air as the breeze caught them, joined with the +restless motion of the feathers to add liveliness to the scene.</p> + +<p>At length the barriers were opened, and five knights, chosen by lot, +advanced slowly into the<span class='pagenum'><a name="Page_49" id="Page_49">[49]</a></span> area; a single champion riding in front, and +the other four following in pairs. All were splendidly armed, and my +Saxon authority (in the Wardour Manuscript) records at great length +their devices, their colors, and the embroidery of their horse +trappings. It is unnecessary to be particular on these subjects.</p> + +<p>Their escutcheons have long mouldered from the walls of their castles. +Their castles themselves are but green mounds and shattered ruins: the +place that once knew them, knows them no more—nay, many a race since +theirs has died out and been forgotten in the very land which they +occupied with all the authority of feudal proprietors and feudal lords. +What, then, would it avail the reader to know their names, or the +evanescent symbols of their martial rank?</p> + +<p>Now, however, no whit anticipating the oblivion which awaited their +names and feats, the champions advanced through the lists, restraining +their fiery steeds, and compelling them to move slowly, while, at the +same time, they exhibited their paces, together with the grace and +dexterity of the riders. As the procession entered the lists, the sound +of a wild barbaric music was heard from behind the tents of the +challengers, where the performers were concealed. It was of Eastern +origin, having been brought from the Holy Land; and the mixture of the +cymbals and bells seemed to bid welcome at once, and defiance, to the +knights as they advanced. With the eyes of an immense concourse of +spectators fixed upon them, the five Knights advanced up the platform +upon which the tents of the challengers stood, and there separating +themselves, each touched slightly, and with the reverse of his<span class='pagenum'><a name="Page_50" id="Page_50">[50]</a></span> lance, +the shield of the antagonist to whom he wished to oppose himself. The +lower order of spectators in general—nay, many of the higher class, and +it is even said several of the ladies—were rather disappointed at the +champions choosing the arms of courtesy. For the same sort of persons +who, in the present day, applaud most highly the deepest tragedies were +then interested in a tournament exactly in proportion to the danger +incurred by the champions engaged.</p> + +<p>Having intimated their more pacific purpose, the champions retreated to +the extremity of the lists, where they remained drawn up in a line; +while the challengers, sallying each from his pavilion, mounted their +horses, and, headed by Brian de Bois-Guilbert, descended from the +platform and opposed themselves individually to the knights who had +touched their respective shields.</p> + +<p>At the flourish of clarions and trumpets, they started out against each +other at full gallop; and such was the superior dexterity or good +fortune of the challengers, that those opposed to Bois-Guilbert, +Malvoisin, and Front-de-Bœuf rolled on the ground. The antagonist of +Grantmesnil, instead of bearing his lance-point fair against the crest +or the shield of his enemy, swerved so much from the direct line as to +break the weapon athwart the person of his opponent—a circumstance +which was accounted more disgraceful than that of being actually +unhorsed, because the latter might happen from accident, whereas the +former evinced awkwardness and want of management of the weapon and of +the horse. The fifth knight alone maintained the honor of his party, and +parted fairly with<span class='pagenum'><a name="Page_51" id="Page_51">[51]</a></span> the Knight of Saint John, both splintering their +lances without advantage on either side.</p> + +<p>The shouts of the multitude, together with the acclamations of the +heralds and the clangor of the trumpets, announced the triumph of the +victors and the defeat of the vanquished. The former retreated to their +pavilions, and the latter, gathering themselves up as they could, +withdrew from the lists in disgrace and dejection, to agree with their +victors concerning the redemption of their arms and their horses, which, +according to the laws of the tournament, they had forfeited. The fifth +of their number alone tarried in the lists long enough to be greeted by +the applauses of the spectators, among whom he retreated, to the +aggravation, doubtless, of his companions’ mortification.</p> + +<p>A second and a third party of knights took the field; and although they +had various success, yet, upon the whole, the advantage decidedly +remained with the challengers, not one of them whom lost his seat or +swerved from his charge—misfortunes which befell one or two of their +antagonists in each encounter. The spirits, therefore, of those opposed +to them seemed to be considerably damped by their continued success. +Three knights only appeared on the fourth entry, who, avoiding the +shields of Bois-Guilbert and Front-de-Bœuf, contented themselves with +touching those of the three other knights who had not altogether +manifested the same strength and dexterity. This politic selection did +not alter the fortune of the field: the challengers were still +successful. One of their antagonists was overthrown; and both the others +failed in the <em>attaint</em>, that is, in striking the helmet and shield of +their<span class='pagenum'><a name="Page_52" id="Page_52">[52]</a></span> antagonist firmly and strongly, with the lance held in a direct +line, so that the weapon might break unless the champion was overthrown.</p> + +<p>After this fourth encounter, there was a considerable pause; nor did it +appear that any one was very desirous of renewing the contest. The +spectators murmured among themselves; for, among the challengers, +Malvoisin and Front-de-Bœuf were unpopular from their characters, and +the others, except Grantmesnil, were disliked as strangers and +foreigners.</p> + +<p>But none shared the general feeling of dissatisfaction so keenly as +Cedric the Saxon, who saw, in each advantage gained by the Norman +challengers, a repeated triumph over the honor of England. His own +education had taught him no skill in the games of chivalry, although, +with the arms of his Saxon ancestors, he had manifested himself, on many +occasions, a brave and determined soldier.</p> + +<p>He looked anxiously to Athelstane, who had learned the accomplishments +of the age, as if desiring that he should make some personal effort to +recover the victory which was passing into the hands of the Templar and +his associates. But, though both stout of heart and strong of person, +Athelstane had a disposition too inert and unambitious to make the +exertions which Cedric seemed to expect from him.</p> + +<p>“The day is against England, my lord,” said Cedric, in a marked tone; +“are you not tempted to take the lance?”</p> + +<p>“I shall tilt to-morrow,” answered Athelstane, “in the <em lang="fr" xml:lang="fr">mêlée</em>; it is +not worth while for me to arm myself to-day.”</p> + +<p><span class='pagenum'><a name="Page_53" id="Page_53">[53]</a></span>Two things displeased Cedric in this speech. It contained the Norman +word <em lang="fr" xml:lang="fr">mêlée</em> (to express the general conflict), and it evinced some +indifference to the honor of the country; but it was spoken by +Athelstane, whom he held in such profound respect that he would not +trust himself to canvass his motives or his foibles. Moreover, he had no +time to make any remark, for Wamba thrust in his word, observing, “It +was better, though scarce easier, to be the best man among a hundred +than the best man of two.”</p> + +<p>Athelstane took the observation as a serious compliment; but Cedric, who +better understood the Jester’s meaning, darted at him a severe and +menacing look; and lucky it was for Wamba, perhaps, that the time and +place prevented his receiving, notwithstanding his place and service, +more sensible marks of his master’s resentment.</p> + +<p>The pause in the tournament was still uninterrupted, excepting by the +voices of the heralds exclaiming—“Love of ladies, splintering of +lances! stand forth, gallant knights, fair eyes look upon your deeds!”</p> + +<p>The music also of the challengers breathed from time to time wild bursts +expressive of triumph or defiance, while the <span class="nowrap">clowns<a name="Anchor_53-5" id="Anchor_53-5"></a><a title="Go to footnote 53-5" href="#Footnote_53-5" class="fnanchor">53-5</a></span> grudged a +holiday which seemed to pass away in inactivity; and old knights and +nobles lamented in whispers the decay of martial spirit, spoke of the +triumphs of their younger days, but agreed that the land did not now +supply dames of such transcendent beauty as had animated the jousts of +former times. Prince John began to talk to his attendants about making +ready the ban<span class='pagenum'><a name="Page_54" id="Page_54">[54]</a></span>quet, and the necessity of adjudging the prize to Brian de +Bois-Guilbert, who had, with a single spear, overthrown two knights and +foiled a third.</p> + +<p>At length, as the Saracenic music of the challengers concluded one of +those long and high flourishes with which they had broken the silence of +the lists, it was answered by a solitary trumpet, which breathed a note +of defiance from the northern extremity. All eyes were turned to see the +new champion which these sounds announced, and no sooner were the +barriers opened than he paced into the lists. As far as could be judged +of a man sheathed in armor, the new adventurer did not greatly exceed +the middle size, and seemed to be rather slender than strongly made. His +suit of armor was formed of steel, richly inlaid with gold, and the +device on his shield was a young oak-tree pulled up by the roots, with +the Spanish word <em lang="es" xml:lang="es">Desdichado</em>, signifying Disinherited. He was mounted +on a gallant black horse, and as he passed through the lists he +gracefully saluted the Prince and the ladies by lowering his lance. The +dexterity with which he managed his steed, and something of youthful +grace which he displayed in his manner, won him the favor of the +multitude, which some of the lower classes observed by calling out, +“Touch Ralph de Vipont’s shield—touch the Hospitaller’s shield; he has +the least sure seat, he is your cheapest bargain.”</p> + +<p>The champion, moving onward amid these well-meant hints, ascended the +platform by the sloping alley which led to it from the lists, and, to +the astonishment of all present, riding straight up to the central +pavilion, struck with the sharp end of<span class='pagenum'><a name="Page_55" id="Page_55">[55]</a></span> his spear the shield of Brian de +Bois-Guilbert until it rang again. All stood astonished at his +presumption, but none more than the redoubted Knight whom he had thus +defied to mortal combat, and who, little expecting so rude a challenge, +was standing carelessly at the door of the pavilion.</p> + +<p>“Have you confessed yourself, brother,” said the Templar, “and have you +heard mass this morning, that you peril your life so frankly?”</p> + +<p>“I am fitter to meet death than thou art,” answered the Disinherited +Knight; for by this name the stranger had recorded himself in the books +of the tourney.</p> + +<p>“Then take your place in the lists,” said Bois-Guilbert, “and look your +last upon the sun; for this night thou shalt sleep in paradise.”</p> + +<p>“Gramercy for thy courtesy,” replied the Disinherited Knight, “and to +requite it, I advise thee to take a fresh horse and a new lance, for by +my honor you will need both.”</p> + +<p>Having expressed himself thus confidently, he reined his horse backward +down the slope which he had ascended, and compelled him in the same +manner to move backward through the lists, till he reached the northern +extremity, where he remained stationary, in expectation of his +antagonist. This feat of horsemanship again attracted the applause of +the multitude.</p> + +<p>However incensed at his adversary for the precautions he recommended, +Brian de Bois-Guilbert did not neglect his advice; for his honor was too +nearly concerned to permit his neglecting any means which might insure +victory over his presumptuous opponent. He changed his horse for a +proved and<span class='pagenum'><a name="Page_56" id="Page_56">[56]</a></span> fresh one of great strength and spirit. He chose a new and +tough spear, lest the wood of the former might have been strained in the +previous encounters he had sustained. Lastly he laid aside his shield, +which had received some little damage, and received another from his +squires. His first had only borne the general device of his order, +representing two knights riding upon one horse, an emblem expressive of +the original humility and poverty of the Templars, qualities which they +had since exchanged for the arrogance and wealth that finally occasioned +their suppression. Bois-Guilbert’s new shield bore a raven in full +flight, holding in its claws a skull, and bearing the motto, <em lang="fr" xml:lang="fr">Gare le</em> +<span class="nowrap"><em lang="fr" xml:lang="fr">Corbeau</em>.<a name="Anchor_56-6" id="Anchor_56-6"></a><a title="Go to footnote 56-6" href="#Footnote_56-6" class="fnanchor">56-6</a></span></p> + +<p>When the two champions stood opposed to each other at the two +extremities of the lists, the public expectation was strained to the +highest pitch. Few augured the possibility that the encounter could +terminate well for the Disinherited Knight; yet his courage and +gallantry secured the general good wishes of the spectators.</p> + +<p>The trumpets had no sooner given the signal, than the champions vanished +from their posts with the speed of lightning, and closed in the centre +of the lists with the shock of a thunderbolt. The lances burst into +shivers up to the very grasp, and it seemed at the moment that both +knights had fallen, for the shock had made each horse recoil backward +upon its haunches. The address of the riders recovered their steeds by +use of the bridle and spur; and having glared on each other for an +instant with eyes which seemed to flash fire through the bars of their<span class='pagenum'><a name="Page_57" id="Page_57">[57]</a></span> +visors, each made a <span class="nowrap">demi-volte,<a name="Anchor_57-7" id="Anchor_57-7"></a><a title="Go to footnote 57-7" href="#Footnote_57-7" class="fnanchor">57-7</a></span> and, retiring to the extremity of +the lists, received a fresh lance from the attendants.</p> + +<p>A loud shout from the spectators, waving of scarfs and handkerchiefs, +and general acclamations, attested the interest taken by the spectators +in this encounter—the most equal, as well as the best performed, which +had graced the day. But no sooner had the knights resumed their station +than the clamor of applause was hushed into a silence so deep and so +dead that it seemed the multitude were afraid even to breathe.</p> + +<p>A few minutes’ pause having been allowed, that the combatants and their +horses might recover breath, Prince John with his truncheon signed to +the trumpets to sound the onset. The champions a second time sprung from +their stations, and closed in the centre of the lists, with the same +speed, the same dexterity, the same violence, but not the same equal +fortune as before.</p> + +<p>In this second encounter, the Templar aimed at the centre of his +antagonist’s shield, and struck it so fair and forcibly that his spear +went to shivers, and the Disinherited Knight reeled in his saddle. On +the other hand, that champion had, at the beginning of his career, +directed the point of his lance toward Bois-Guilbert’s shield, but, +changing his aim almost in the moment of encounter, he addressed it to +the helmet, a mark more difficult to hit, but which, if attained, +rendered the shock more irresistible. Fair and true he hit the Norman on +the visor, where his lance’s point kept hold of the bars. Yet, even<span class='pagenum'><a name="Page_58" id="Page_58">[58]</a></span> at +this disadvantage, the Templar sustained his high reputation; and had +not the girths of his saddle burst, he might not have been unhorsed. As +it chanced, however, saddle, horse, and man rolled on the ground under a +cloud of dust.</p> + +<p>To extricate himself from the stirrups and fallen steed was to the +Templar scarce the work of a moment; and, stung with madness, both at +his disgrace and at the acclamations with which it was hailed by the +spectators, he drew his sword and waved it in defiance of his conqueror. +The Disinherited Knight sprung from his steed, and also unsheathed his +sword. The marshals of the field, however, spurred their horses between +them, and reminded them that the laws of the tournament did not, on the +present occasion, permit this species of encounter.</p> + +<p>“We shall meet again, I trust,” said the Templar, casting a resentful +glance at his antagonist; “and where there are none to separate us.”</p> + +<p>“If we do not,” said the Disinherited Knight, “the fault shall not be +mine. On foot or horseback, with spear, with axe, or with sword, I am +alike ready to encounter thee.”</p> + +<p>More and angrier words would have been exchanged, but the marshals, +crossing their lances between them, compelled them to separate. The +Disinherited Knight returned to his first station, and Bois-Guilbert to +his tent, where he remained for the rest of the day in an agony of +despair.</p> + +<p>Without alighting from his horse, the conqueror called for a bowl of +wine, and opening the beaver, or lower part of his helmet, announced +that he quaffed it, “To all true English hearts, and to the<span class='pagenum'><a name="Page_59" id="Page_59">[59]</a></span> confusion +of foreign tyrants.” He then commanded his trumpet to sound a defiance +to the challengers, and desired a herald to announce to them that he +should make no election, but was willing to encounter them in the order +in which they pleased to advance against him.</p> + +<div class="figcenter" style="width: 250px;"> +<a name="image13" id="image13"></a><a href="images/image13-full.png"><img src="images/image13.png" width="250" height="204" alt="A knight being unhorsed in a joust." title="DISINHERITED KNIGHT UNHORSES BRIAN" /></a> +<span class="caption">DISINHERITED KNIGHT UNHORSES BRIAN</span> +</div> + +<p>The gigantic Front-de-Bœuf, armed in sable armor, was the first who +took the field. He bore on a white shield a black bull’s <span class="nowrap">head,<a name="Anchor_59-8" id="Anchor_59-8"></a><a title="Go to footnote 59-8" href="#Footnote_59-8" class="fnanchor">59-8</a></span> +half defaced by the numerous encounters which he had undergone, and +bearing the arrogant motto, <em lang="la" xml:lang="la">Cave, </em><span class="nowrap"><em lang="la" xml:lang="la">Adsum</em>.<a name="Anchor_59-9" id="Anchor_59-9"></a><a title="Go to footnote 59-9" href="#Footnote_59-9" class="fnanchor">59-9</a></span> Over this champion the +Disinherited Knight obtained a slight but decisive advantage. Both<span class='pagenum'><a name="Page_60" id="Page_60">[60]</a></span> +knights broke their lances fairly, but Front-de-Bœuf, who lost a +stirrup in the encounter, was adjudged to have the disadvantage.</p> + +<p>In the stranger’s third encounter, with Sir Philip Malvoisin, he was +equally successful; striking that baron so forcibly on the casque that +the laces of the helmet broke, and Malvoisin, only saved from falling by +being unhelmeted, was declared vanquished like his companions.</p> + +<p>In his fourth combat, with De Grantmesnil, the Disinherited Knight +showed as much courtesy as he had hitherto evinced courage and +dexterity. De Grantmesnil’s horse, which was young and violent, reared +and plunged in the course of the career so as to disturb the rider’s +aim, and the stranger, declining to take the advantage which this +accident afforded him, raised his lance, and passing his antagonist +without touching him, wheeled his horse and rode back again to his own +end of the lists, offering his antagonist, by a herald, the chance of a +second encounter. This De Grantmesnil declined, <a name="corr5" id="corr5"></a>avow himself vanquished +as much by the courtesy as by the address of his opponent.</p> + +<p>Ralph de Vipont summed up the list of the stranger’s triumphs, being +hurled to the ground with such force that the blood gushed from his nose +and his mouth, and he was borne senseless from the lists.</p> + +<p>The acclamations of thousands applauded the unanimous award of the +Prince and marshals, announcing that day’s honors to the Disinherited +Knight.</p> + +<p>William de Wyvil and Stephen de Martival, the marshals of the field, +were the first to offer their<span class='pagenum'><a name="Page_61" id="Page_61">[61]</a></span> congratulations to the victor, praying +him, at the same time, to suffer his helmet to be unlaced, or, at least, +that he would raise his visor ere they conducted him to receive the +prize of the day’s tourney from the hands of Prince John. The +Disinherited Knight, with all knightly courtesy, declined their request, +alleging, that he could not at this time suffer his face to be seen, for +reasons which he had assigned to the heralds when he entered the lists. +The marshals were perfectly satisfied by this reply; for amid the +frequent and capricious vows by which knights were accustomed to bind +themselves in the days of chivalry, there were none more common than +those by which they engaged to remain incognito for a certain space, or +until some particular adventure was achieved. The marshals, therefore, +pressed no further into the mystery of the Disinherited Knight, but, +announcing to Prince John the conqueror’s desire to remain unknown, they +requested permission to bring him before his Grace, in order that he +might receive the reward of his valor.</p> + +<p>John’s curiosity was excited by the mystery observed by the stranger; +and, being already displeased with the issue of the tournament, in which +the challengers whom he favored had been successively defeated by one +knight, he answered haughtily to the marshals, “By the light of Our +Lady’s brow, this same knight hath been disinherited as well of his +courtesy as of his lands, since he desires to appear before us without +uncovering his face. Wot ye, my lords,” he said, turning round to his +train, “who this gallant can be that bears himself thus proudly?”</p> + +<p><span class='pagenum'><a name="Page_62" id="Page_62">[62]</a></span>“I cannot guess,” answered De Bracy, “nor did I think there had been +within the four seas that girth Britain a champion that could bear down +these five knights in one day’s jousting. By my faith, I shall never +forget the force with which he shocked De Vipont. The poor +<span class="nowrap">Hospitaller<a name="Anchor_62-10" id="Anchor_62-10"></a><a title="Go to footnote 62-10" href="#Footnote_62-10" class="fnanchor">62-10</a></span> was hurled from his saddle like a stone from a +sling.”</p> + +<p>“Boast not of that,” said a Knight of Saint John, who was present; “your +Temple champion had no better luck. I saw your brave lance, +Bois-Guilbert, roll thrice over, grasping his hands full of sand at +every turn.”</p> + +<p>De Bracy, being attached to the Templars, would have replied, but was +prevented by Prince John. “Silence, sirs!” he said; “what unprofitable +debate have we here?”</p> + +<p>“The victor,” said De Wyvil, “still waits the pleasure of your +Highness.”</p> + +<p>“It is our pleasure,” answered John, “that he do so wait until we learn +whether there is not some one who can at least guess at his name and +quality. Should he remain there till nightfall, he has had work enough +to keep him warm.”</p> + +<p>“Your Grace,” said Waldemar Fitzurse, “will do less than due honor to +the victor if you compel him to wait till we tell your Highness that +which we cannot know; at least I can form no guess—unless he be one of +the good lances who accompanied King Richard to Palestine, and who are +now straggling homeward from the Holy Land.”</p> + +<p>While he was yet speaking, the marshals brought forward the Disinherited +Knight to the foot of a wooden flight of steps, which formed the ascent<span class='pagenum'><a name="Page_63" id="Page_63">[63]</a></span> +from the lists to Prince John’s throne. With a short and embarrassed +eulogy upon his valor, the Prince caused to be delivered to him the +war-horse assigned as the prize.</p> + +<p>But the Disinherited Knight spoke not a word in reply to the compliment +of the Prince, which he only acknowledged with a profound obeisance.</p> + +<p>The horse was led into the lists by two grooms richly dressed, the +animal itself being fully accoutred with the richest war-furniture; +which, however, scarcely added to the value of the noble creature in the +eyes of those who were judges. Laying one hand upon the pommel of the +saddle, the Disinherited Knight vaulted at once upon the back of the +steed without making use of the stirrup, and, brandishing aloft his +lance, rode twice around the lists, exhibiting the points and paces of +the horse with the skill of a perfect horseman.</p> + +<p>The appearance of vanity which might otherwise have been attributed to +this display was removed by the propriety shown in exhibiting to the +best advantage the princely reward with which he had been just honored, +and the Knight was again greeted by the acclamation of all present.</p> + +<p>In the meanwhile, the bustling Prior of Jorvaulx had reminded Prince +John, in a whisper, that the victor must now display his good judgment, +instead of his valor, by selecting from among the beauties who graced +the galleries a lady who should fill the throne of the Queen of Beauty +and of Love, and deliver the prize of the tourney, upon the ensuing day. +The Prince accordingly made a sign with his truncheon as the Knight +passed him in his second career around the lists. The Knight turned +toward<span class='pagenum'><a name="Page_64" id="Page_64">[64]</a></span> the throne, and, sinking his lance until the point was within a +foot of the ground, remained motionless, as if expecting John’s +commands; while all admired the sudden dexterity with which he instantly +reduced his fiery steed from a state of violent emotion and high +excitation to the stillness of an equestrian statue.</p> + +<p>“Sir Disinherited Knight,” said Prince John, “since that is the only +title by which we can address you, it is now your duty, as well as +privilege, to name the fair lady who, as Queen of Honor and of Love, is +to preside over next day’s festival. If, as a stranger in our land, you +should require the aid of other judgment to guide your own we can only +say that Alicia, the daughter of our gallant knight Waldemar Fitzurse, +has at our court been long held the first in beauty as in place. +Nevertheless, it is your undoubted prerogative to confer on whom you +please this crown, by the delivery of which to the lady of your choice +the election of to-morrow’s Queen will be formal and complete. Raise +your lance.”</p> + +<p>The Knight obeyed; and Prince John placed upon its point a coronet of +green satin, having around its edge a circlet of gold, the upper edge of +which was relieved by arrow-points and hearts placed interchangeably, +like the strawberry leaves and balls upon a ducal crown.</p> + +<p>In the broad hint which he dropped respecting the daughter of Waldemar +Fitzurse, John had more than one motive, each the offspring of a mind +which was a strange mixture of carelessness and presumption with low +artifice and cunning. He was desirous of conciliating Alicia’s father, +Waldemar, of whom<span class='pagenum'><a name="Page_65" id="Page_65">[65]</a></span> he stood in awe, and who had more than once shown +himself dissatisfied during the course of the day’s proceedings; he had +also a wish to establish himself in the good graces of the lady. But +besides all these reasons, he was desirous to raise up against the +Disinherited Knight, toward whom he already entertained a strong +dislike, a powerful enemy in the person of Waldemar Fitzurse, who was +likely, he thought, highly to resent the injury done to his daughter in +case, as was not unlikely, the victor should make another choice.</p> + +<p>And so indeed it proved. For the Disinherited Knight passed the gallery, +close to that of the Prince, in which the Lady Alicia was seated in the +full pride of triumphant beauty, and pacing forward as slowly as he had +hitherto rode swiftly around the lists, he seemed to exercise his right +of examining the numerous fair faces which adorned that splendid circle.</p> + +<p>It was worth while to see the different conduct of the beauties who +underwent this examination, during the time it was proceeding. Some +blushed; some assumed an air of pride and dignity; some looked straight +forward, and essayed to seem utterly unconscious of what was going on; +some drew back in alarm, which was perhaps affected; some endeavored to +forbear smiling; and there were two or three who laughed outright. There +were also some who dropped their veils over their charms; but as the +Wardour Manuscript says these were fair ones of ten years’ standing, it +may be supposed that, having had their full share of such vanities, they +were willing to withdraw their claim in order to give a fair chance to +the rising beauties of the age.</p> + +<p><span class='pagenum'><a name="Page_66" id="Page_66">[66]</a></span>At length the champion paused beneath the balcony in which the Lady +Rowena was placed, and the expectation of the spectators was excited to +the utmost.</p> + +<p>It must be owned that, if an interest displayed in his success could +have bribed the Disinherited Knight, the part of the lists before which +he paused had merited his predilection. Cedric the Saxon, overjoyed at +the discomfiture of the Templar, and still more so at the miscarriage of +his two malevolent neighbors, Front-de-Bœuf and Malvoisin, had +accompanied the victor in each course not with his eyes only, but with +his whole heart and soul. The Lady Rowena had watched the progress of +the day with equal attention, though without openly betraying the same +intense interest. Even the unmoved Athelstane had shown symptoms of +shaking off his apathy, when, calling for a huge goblet of muscadine, he +quaffed it to the health of the Disinherited Knight.</p> + +<p>Whether from indecision or some other motive of hesitation, the champion +of the day remained stationary for more than a minute, while the eyes of +the silent audience were riveted upon his motions; and then, gradually +and gracefully sinking the point of his lance, he deposited the coronet +which it supported at the feet of the fair Rowena. The trumpets +instantly sounded, while the heralds proclaimed the Lady Rowena the +Queen of Beauty and of Love for the ensuing day, menacing with suitable +penalties those who should be disobedient to her authority. They then +repeated their cry of “Largesse,” to which Cedric, in the height of his +joy, replied by an ample donative, and to which Athelstane, though less +promptly, added one equally large.</p> + +<p><span class='pagenum'><a name="Page_67" id="Page_67">[67]</a></span>There was some murmuring among the damsels of Norman descent, who were +as much unused to see the preference given to a Saxon beauty as the +Norman nobles were to sustain defeat in the games of chivalry which they +themselves had introduced. But these sounds of disaffection were drowned +by the popular shout of “Long live the Lady Rowena, the chosen and +lawful Queen of Love and of Beauty!” To which many in the lower area +added, “Long live the Saxon Princess! long live the race of the immortal +Alfred!”</p> + +<p>However unacceptable these sounds might be to Prince John and to those +around him, he saw himself nevertheless obliged to confirm the +nomination of the victor, and accordingly calling to horse, he left his +throne, and mounting his jennet, accompanied by his train, he again +entered the lists.</p> + +<p>Spurring his horse, as if to give vent to his vexation, he made the +animal bound forward to the gallery where Rowena was seated, with the +crown still at her feet.</p> + +<p>“Assume,” he said, “fair lady, the mark of your sovereignty, to which +none vows homage more sincerely than ourself, John of Anjou; and if it +please you to-day, with your noble sire and friends, to grace our +banquet in the Castle of Ashby, we shall learn to know the empress to +whose service we devote to-morrow.”</p> + +<p>Rowena remained silent, and Cedric answered for her in his native Saxon.</p> + +<p>“The Lady Rowena,” he said, “possesses not the language in which to +reply to your courtesy, or to sustain her part in your festival. I also, +and the noble Athelstane of Coningsburgh, speak only the<span class='pagenum'><a name="Page_68" id="Page_68">[68]</a></span> language and +practice only the manners, of our fathers. We therefore decline with +thanks your Highness’s courteous invitation to the banquet. To-morrow, +the Lady Rowena will take upon her the state to which she has been +called by the free election of the victor Knight, confirmed by the +acclamations of the people.”</p> + +<p>So saying, he lifted the coronet and placed it upon Rowena’s head, in +token of her acceptance of the temporary authority assigned to her.</p> + +<p>In various routes, according to the different quarters from which they +came, and in groups of various numbers, the spectators were seen +retiring over the plain. By far the most numerous part streamed toward +the town of Ashby, where many of the distinguished persons were lodged +in the castle, and where others found accommodation in the town itself. +Among these were most of the knights who had already appeared in the +tournament, or who proposed to fight there the ensuing day, and who, as +they rode slowly along, talking over the events of the day, were greeted +with loud shouts by the populace. The same acclamations were bestowed +upon Prince John, although he was indebted for them rather to the +splendor of his appearance and train than to the popularity of his +character.</p> + +<p>A more sincere and more general, as well as a better merited +acclamation, attended the victor of the day, until, anxious to withdraw +himself from popular notice, he accepted the accommodation of one of +those pavilions pitched at the extremities of the lists, the use of +which was courteously tendered him by the marshals of the field. On his +retiring to his tent, many who had lingered in the<span class='pagenum'><a name="Page_69" id="Page_69">[69]</a></span> lists, to look upon +and form conjectures concerning him, also dispersed.</p> + +<p>The signs and sounds of a tumultuous concourse of men lately crowded +together in one place, and agitated by the same passing events, were now +exchanged for the distant hum of voices of different groups retreating +in all directions, and these speedily died away in silence. No other +sounds were heard save the voices of the menials who stripped the +galleries of their cushions and tapestry, in order to put them in safety +for the night, and wrangled among themselves for half-used bottles of +wine and relics of the refreshments which had been served round to the +spectators.</p> + +<div class="figcenter" style="width: 249px;"> +<a name="image14" id="image14"></a><a href="images/image14-full.png"><img src="images/image14.png" width="249" height="105" alt="Three ironworkers making armour" title="THE ARMOUR MAKERS" /></a> +<span class="caption">THE ARMOUR MAKERS</span> +</div> + +<p>Beyond the precincts of the lists more than one forge was erected; and +these now began to glimmer through the twilight, announcing the toil of +the armorers, which was to continue through the whole night, in order to +repair or alter the suits of armor to be used again on the morrow.</p> + +<p>A strong guard of men-at-arms, renewed at intervals, from two hours to +two hours, surrounded the lists, and kept watch during the night.</p> + +<p><span class='pagenum'><a name="Page_70" id="Page_70">[70]</a></span>The Disinherited Knight had no sooner reached his pavilion than squires +and pages in abundance tendered their services to disarm him, to bring +fresh attire, and to offer him the refreshment of the bath. Their zeal +on this occasion was perhaps sharpened by curiosity, since every one +desired to know who the knight was that had gained so many laurels, yet +had refused, even at the command of Prince John, to lift his visor or to +name his name. But their officious inquisitiveness was not gratified. +The Disinherited Knight refused all other assistance save that of his +own squire, or rather yeoman—a clownish-looking man, who, wrapped in a +cloak of dark-colored felt, and having his head and face half buried in +a Norman bonnet made of black fur, seemed to affect the incognito as +much as his master. All others being excluded from the tent, this +attendant relieved his master from the more burdensome parts of his +armor, and placed food and wine before him, which the exertions of the +body rendered very acceptable.</p> + +<p>The Knight had scarcely finished a hasty meal ere his menial announced +to him that five men, each leading a barbed <span class="nowrap">steed,<a name="Anchor_70-11" id="Anchor_70-11"></a><a title="Go to footnote 70-11" href="#Footnote_70-11" class="fnanchor">70-11</a></span> desired to +speak with him. The Disinherited Knight had exchanged his armor for the +long robe usually worn by those of his condition, which, being furnished +with a hood, concealed the features, when such was the pleasure of the +wearer, almost as completely as the visor of the helmet itself; but the +twilight, which was now fast darkening, would of itself have rendered a +disguise unnecessary, unless to persons to whom the face of<span class='pagenum'><a name="Page_71" id="Page_71">[71]</a></span> an +individual chanced to be particularly well known.</p> + +<p>The Disinherited Knight, therefore, stepped boldly forth to the front of +his tent, and found in attendance the squires of the challengers, whom +he easily knew by their russet and black dresses, each of whom led his +master’s charger, loaded with the armor in which he had that day fought.</p> + +<p>“According to the laws of chivalry,” said the foremost of these men, “I, +Baldwin de Oyley, squire to the redoubted Knight Brian de Bois-Guilbert, +make offer to you, styling yourself for the present the Disinherited +Knight, of the horse and armor used by the said Brian de Bois-Guilbert +in this day’s passage of arms, leaving it with your nobleness to retain +or to ransom the same, according to your pleasure; for such is the law +of arms.”</p> + +<p>The other squires repeated nearly the same formula, and then stood to +await the decision of the Disinherited Knight.</p> + +<p>“To you four, sirs,” replied the Knight, addressing those who had last +spoken, “and to your honorable and valiant masters, I have one common +reply. Commend me to the noble knights, your masters, and say, I should +do ill to deprive them of steeds and arms which can never be used by +braver cavaliers. I would I could here end my message to these gallant +knights; but being, as I term myself, in truth and earnest, the +Disinherited, I must be thus far bound to your masters, that they will, +of their courtesy, be pleased to ransom their steeds and armor, since +that which I wear I can hardly term mine own.”</p> + +<p>“We stand commissioned, each of us,” answered the squire of Reginald +Front-de-Bœuf, “to offer a<span class='pagenum'><a name="Page_72" id="Page_72">[72]</a></span> hundred <span class="nowrap">zecchins<a name="Anchor_72-12" id="Anchor_72-12"></a><a title="Go to footnote 72-12" href="#Footnote_72-12" class="fnanchor">72-12</a></span> in ransom of +these horses and suits of armor.”</p> + +<p>“It is sufficient,” said the Disinherited Knight. “Half the sum my +present necessities compel me to accept; of the remaining half, +distribute one moiety among yourselves, sir squires, and divide the +other half between the heralds and the pursuivants, and minstrels, and +attendants.”</p> + +<p>The squires, with cap in hand, and low reverences, expressed their deep +sense of a courtesy and generosity not often practiced, at least upon a +scale so extensive.</p> + +<p>The Disinherited Knight then addressed his discourse to Baldwin, the +squire of Brian de Bois-Guilbert. “From your master,” said he, “I will +accept neither arms nor ransom. Say to him in my name, that our strife +is not ended—no, not till we have fought as well with swords as with +lances, as well on foot as on horseback. To this mortal quarrel he has +himself defied me, and I shall not forget the challenge. Meantime, let +him be assured that I hold him not as one of his companions, with whom I +can with pleasure exchange courtesies; but rather as one with whom I +stand upon terms of mortal defiance.”</p> + +<p>“My master,” answered Baldwin, “knows how to requite scorn with scorn, +and blows with blows, as well as courtesy with courtesy. Since you +disdain to accept from him any share of the ransom at which you have +rated the arms of the other knights, I must leave his armor and his +horse here, being well assured that he will never deign to mount the one +nor wear the other.”</p> + +<p><span class='pagenum'><a name="Page_73" id="Page_73">[73]</a></span>“You have spoken well, good squire,” said the Disinherited Knight—“well +and boldly, as it beseemeth him to speak who answers for an absent +master. Leave not, however, the horse and armor here. Restore them to +thy master; or, if he scorns to accept them, retain them, good friend, +for thine own use. So far as they are mine, I bestow them upon you +freely.”</p> + +<p>Baldwin made a deep obeisance, and retired with his companions; and the +Disinherited Knight entered the pavilion.</p> + +<p>Morning arose in unclouded splendor, and ere the sun was much above the +horizon the idlest or the most eager of the spectators appeared on the +common, moving to the lists as to a general centre, in order to secure a +favorable situation for viewing the continuation of the expected games.</p> + +<p>The marshals and their attendants appeared next on the field, together +with the heralds, for the purpose of receiving the names of the knights +who intended to joust, with the side which each chose to espouse. This +was a necessary precaution in order to secure equality between the two +bodies who should be opposed to each other.</p> + +<p>According to due formality, the Disinherited Knight was to be considered +as leader of the one body, while Brian de Bois-Guilbert, who had been +rated as having done second-best in the preceding day, was named first +champion of the other band. Those who had concurred in the challenge +adhered to his party, of course, excepting only Ralph de Vipont, whom +his fall had rendered unfit so soon to put on his armor. There was no +want of distinguished candidates to fill up the ranks on either side.</p> + +<p><span class='pagenum'><a name="Page_74" id="Page_74">[74]</a></span>In fact, although the general tournament, in which all knights fought at +once, was more dangerous than single encounters, they were, +nevertheless, more frequented and practiced by the chivalry of the age. +Many knights, who had not sufficient confidence in their own skill to +defy a single adversary of high reputation, were, nevertheless, desirous +of displaying their valor in the general combat, where they might meet +others with whom they were more upon an equality.</p> + +<p>On the present occasion, about fifty knights were inscribed as desirous +of combating upon each side, when the marshals declared that no more +could be admitted, to the disappointment of several who were too late in +preferring their claim to be included.</p> + +<p>About the hour of ten o’clock the whole plain was crowded with horsemen, +horsewomen, and foot-passengers, hastening to the tournament; and +shortly after, a grand flourish of trumpets announced Prince John and +his retinue, attended by many of those knights who meant to take share +in the game, as well as others who had no such intention.</p> + +<p>About the same time arrived Cedric the Saxon, with the Lady Rowena, +unattended, however, by Athelstane. This Saxon lord had arrayed his tall +and strong person in armor, in order to take his place among the +combatants; and, considerably to the surprise of Cedric, had chosen to +enlist himself on the part of the Knight Templar. The Saxon, indeed, had +remonstrated strongly with his friend upon the injudicious choice he had +made of his party; but he had only received that sort of answer<span class='pagenum'><a name="Page_75" id="Page_75">[75]</a></span> usually +given by those who are more obstinate in following their own course than +strong in justifying it.</p> + +<p>His best, if not his only, reason for adhering to the party of Brian de +Bois-Guilbert, Athelstane had the prudence to keep to himself. Though +his apathy of disposition prevented his taking any means to recommend +himself to the Lady Rowena, he was, nevertheless, by no means insensible +to her charms, and considered his union with her as a matter already +fixed beyond doubt by the assent of Cedric and her other friends. It +had, therefore, been with smothered displeasure that the proud though +indolent Lord of Coningsburgh beheld the victor of the preceding day +select Rowena as the object of that honor which it became his privilege +to confer. In order to punish him for a preference which seemed to +interfere with his own suit, Athelstane, confident of his strength, and +to whom his flatterers, at least, ascribed great skill in arms, had +determined not only to deprive the Disinherited Knight of his powerful +succor, but, if an opportunity should occur, to make him feel the weight +of his battle-axe.</p> + +<p>De Bracy, and other knights attached to Prince John, in obedience to a +hint from him, had joined the party of the challengers, John being +desirous to secure, if possible, the victory to that side. On the other +hand, many other knights, both English and Norman, natives and +strangers, took part against the challengers, the more readily that the +opposite band was to be led by so distinguished a champion as the +Disinherited Knight had approved himself.</p> + +<p><span class='pagenum'><a name="Page_76" id="Page_76">[76]</a></span>As soon as Prince John observed that the destined Queen of the day +arrived upon the field, assuming that air of courtesy which sat well +upon him when he was pleased to exhibit it, he rode forward to meet her, +doffed his bonnet, and, alighting from his horse, assisted the Lady +Rowena from her saddle, while his followers uncovered at the same time, +and one of the most distinguished dismounted to hold her palfrey.</p> + +<p>“It is thus,” said Prince John, “that we set the dutiful example of +loyalty to the Queen of Love and Beauty, and are ourselves her guide to +the throne which she must this day occupy. <a name="corr6" id="corr6"></a>Ladies,” he said, “attend +your Queen, as you wish in your turn to be distinguished by like +honors.”</p> + +<p>So saying, the Prince marshalled Rowena to the seat of honor opposite +his own, while the fairest and most distinguished ladies present crowded +after her to obtain places as near as possible to their temporary +sovereign.</p> + +<p>No sooner was Rowena seated than a burst of music, half-drowned by the +shouts of the multitude, greeted her new dignity. Meantime, the sun +shone fierce and bright upon the polished arms of the knights of either +side, who crowded the opposite extremities of the lists, and held eager +conference together concerning the best mode of arranging their line of +battle and supporting the conflict.</p> + +<p>The heralds then proclaimed silence until the laws of the tourney should +be rehearsed. These were calculated in some degree to abate the dangers +of the day—a precaution the more necessary as the conflict was to be +maintained with sharp swords and pointed lances.</p> + +<p><span class='pagenum'><a name="Page_77" id="Page_77">[77]</a></span>The champions were therefore prohibited to thrust with the sword, and +were confined to striking. A knight, it was announced, might use a mace +or battle-axe at pleasure; but the dagger was a prohibited weapon. A +knight unhorsed might renew the fight on foot with any other on the +opposite side in the same predicament; but mounted horsemen were in that +case forbidden to assail him. When any knight could force his antagonist +to the extremity of the lists, so as to touch the palisade with his +person or arms, such opponent was obliged to yield himself vanquished, +and his armor and horse were placed at the disposal of the conqueror. A +knight thus overcome was not permitted to take further share in the +combat. If any combatant was struck down, and unable to recover his +feet, his squire or page might enter the lists and drag his master out +of the press; but in that case the knight was adjudged vanquished, and +his arms and horse declared forfeited. The combat was to cease as soon +as Prince John should throw down his leading staff, or +truncheon—another precaution usually taken to prevent the unnecessary +effusion of blood by the too long endurance of a sport so desperate. Any +knight breaking the rules of the tournament, or otherwise transgressing +the rules of honorable chivalry, was liable to be stripped of his arms, +and, having his shield reversed, to be placed in that posture astride +upon the bars of the palisade, and exposed to public derision, in +punishment of his unknightly conduct. Having announced these +precautions, the heralds concluded with an exhortation to each good +knight to do his duty, and to merit favor from the Queen of Beauty and +Love.</p> + +<p><span class='pagenum'><a name="Page_78" id="Page_78">[78]</a></span>This proclamation having been made, the heralds withdrew to their +stations. The knights, entering at either end of the lists in long +procession, arranged themselves in a double file, precisely opposite to +each other, the leader of each party being in the center of the foremost +rank, a post which he did not occupy until each had carefully arranged +the ranks of his party, and stationed every one in his place.</p> + +<p>It was a goodly, and at the same time an anxious, sight to behold so +many gallant champions, mounted bravely and armed richly, stand ready +prepared for an encounter so formidable, seated on their war-saddles +like so many pillars of iron, and awaiting the signal of encounter with +the same ardor as their generous steeds, which, by neighing and pawing +the ground, gave signal of their impatience.</p> + +<p>As yet the knights held their long lances upright, their bright points +glancing to the sun, and the streamers with which they were decorated +fluttering over the plumage of the helmets. Thus they remained while the +marshals of the field surveyed their ranks with the utmost exactness, +lest either party had more or fewer than the appointed number. The tale +was found exactly complete. The marshals then withdrew from the lists, +and William de Wyvil, with a voice of thunder, pronounced the signal +words—“<em lang="fr" xml:lang="fr">Laissez </em><span class="nowrap"><em lang="fr" xml:lang="fr">aller!</em>”<a name="Anchor_78-13" id="Anchor_78-13"></a><a title="Go to footnote 78-13" href="#Footnote_78-13" class="fnanchor">78-13</a></span> The trumpets sounded as he spoke; the +spears of the champions were at once lowered and placed in the rests; +the spurs were dashed into the flanks of the horses; and the two +foremost ranks of either party rushed upon each other in full gallop, +and met in the middle of the lists with a shock the sound of which was +heard<span class='pagenum'><a name="Page_79" id="Page_79">[79]</a></span> at a mile’s distance. The rear rank of each party advanced at a +slower pace to sustain the defeated, and follow up the success of the +victors, of their party.</p> + +<p>The consequences of the encounter were not instantly seen, for the dust +raised by the trampling of so many steeds darkened the air, and it was a +minute ere the anxious spectators could see the fate of the encounter. +When the fight became visible, half the knights on each side were +dismounted—some by the dexterity of their adversary’s lance; some by +the superior weight and strength of opponents, which had borne down both +horse and man; some lay stretched on earth as if never more to rise; +some had already gained their feet, and were closing hand to hand with +those of their antagonists who were in the same predicament; and several +on both sides, who had received wounds by which they were disabled, were +stopping their blood by their scarfs, and endeavoring to extricate +themselves from the tumult. The mounted knights, whose lances had been +almost all broken by the fury of the encounter, were now closely engaged +with their swords, shouting their war-cries, and exchanging buffets, as +if honor and life depended on the issue of the combat.</p> + +<p>The tumult was presently increased by the advance of the second rank on +either side, which, acting as a reserve, now rushed on to aid their +companions. The followers of Brian de Bois-Guilbert shouted—“<em lang="fr" xml:lang="fr">Ha! +Beau-seant! </em><span class="nowrap"><em lang="fr" xml:lang="fr">Beau-seant!</em><a name="Anchor_79-14" id="Anchor_79-14"></a><a title="Go to footnote 79-14" href="#Footnote_79-14" class="fnanchor">79-14</a></span> For the Temple! For the Temple!” The +opposite<span class='pagenum'><a name="Page_80" id="Page_80">[80]</a></span> shouted in answer—“<em lang="es" xml:lang="es">Desdichado! Desdichado!</em>” which watchword +they took from the motto upon their leaders’ shield.</p> + +<p>The champions thus encountering each other with the utmost fury, and +with alternate success, the tide of battle seemed to flow now toward the +southern, now toward the northern, extremity of the lists, as the one or +the other party prevailed. Meantime the clang of the blows and the +shouts of the combatants mixed fearfully with the sound of the trumpets, +and drowned the groans of those who fell, and lay rolling defenceless +beneath the feet of the horses. The splendid armor of the combatants was +now defaced with dust and blood, and gave way at every stroke of the +sword and battle-axe. The gay plumage, shorn from the crests, drifted +upon the breeze like snowflakes. All that was beautiful and graceful in +the martial array had disappeared, and what was now visible was only +calculated to awake terror or compassion.</p> + +<p>Yet such is the force of habit, that not only the vulgar spectators, who +are naturally attracted by sights of horror, but even the ladies of +distinction, who crowded the galleries, saw the conflict with a +thrilling interest certainly, but without a wish to withdraw their eyes, +from a sight so terrible. Here and there, indeed, a fair cheek might +turn pale, or a faint scream might be heard, as a lover, a brother, or a +husband was struck from his horse. But, in general, the ladies around +encouraged the combatants, not only by clapping their hands and waving +their veils and kerchiefs, but even by exclaiming, “Brave lance! Good +sword!” when any successful thrust or blow took place under their +observation.</p> + +<p><span class='pagenum'><a name="Page_81" id="Page_81">[81]</a></span>Such being the interest taken by the fair sex in this bloody game, that +of men is the more easily understood. It showed itself in loud +acclamations upon every change of fortune, while all eyes were so +riveted on the lists that the spectators seemed as if they themselves +had dealt and received the blows which were there so freely bestowed. +And between every pause was heard the voice of the heralds, exclaiming, +“Fight on, brave knights! Man dies, but glory lives! Fight on; death is +better than defeat! Fight on, brave knights! for bright eyes behold your +deeds!”</p> + +<p>Amid the varied fortunes of the combat, the eyes of all endeavored to +discover the leaders of each band, who, mingling in the thick of the +fight, encouraged their companions both by voice and example. Both +displayed great feats of gallantry nor did either Bois-Guilbert or the +Disinherited Knight find in the ranks opposed to them a champion who +could be termed their unquestioned match. They repeatedly endeavored to +single out each other, spurred by mutual animosity, and aware that the +fall of either leader might be considered as decisive of victory. Such, +however, was the crowd and confusion that, during the earlier part of +the conflict, their efforts to meet were unavailing, and they were +repeatedly separated by the eagerness of their followers, each of whom +was anxious to win honor by measuring his strength against the leader of +the opposite party.</p> + +<p>But when the field became thin by the numbers on either side who had +yielded themselves vanquished, had been compelled to the extremity of +the lists, or been otherwise rendered incapable of<span class='pagenum'><a name="Page_82" id="Page_82">[82]</a></span> continuing the +strife, the Templar and the Disinherited Knight at length encountered +hand to hand, with all the fury that mortal animosity, joined to rivalry +of honor, could inspire. Such was the address of each in parrying and +striking, that the spectators broke forth into a unanimous and +involuntary shout, expressive of their delight and admiration.</p> + +<p>But at this moment the party of the Disinherited Knight had the worst; +the gigantic arm of Front-de-Bœuf on the one flank, and the ponderous +strength of Athelstane on the other, bearing down and dispersing those +immediately opposed to them. Finding themselves freed from their +immediate antagonists, it seems to have occurred to both these knights +at the same instant that they would render the most decisive advantage +to their party by aiding the Templar in his contest with his rival. +Turning their horses, therefore, at the same moment, the Norman spurred +against the Disinherited Knight on the one side and the Saxon on the +other. It was utterly impossible that the object of this unequal and +unexpected assault could have sustained it, had he not been warned by a +general cry from the spectators, who could not but take interest in one +exposed to such disadvantage.</p> + +<p>“Beware! beware! Sir Disinherited!” was shouted so universally that the +knight became aware of his danger; and striking a full blow at the +Templar, he reined back his steed in the same moment, so as to escape +the charge of Athelstane and Front-de-Bœuf. These knights, therefore, +their aim being thus eluded, rushed from opposite sides between the +object of their attack and the Templar, almost run<span class='pagenum'><a name="Page_83" id="Page_83">[83]</a></span>ning their horses +against each other ere they could stop their career. Recovering their +horses, however, and wheeling them round, the whole three pursued their +united purpose of bearing to the earth the Disinherited Knight.</p> + +<p>Nothing could have saved him except the remarkable strength and activity +of the noble horse which he had won on the preceding day.</p> + +<p>This stood him in the more stead, as the horse of Bois-Guilbert was +wounded and those of Front-de-Bœuf and Athelstane were both tired +with the weight of their gigantic masters, clad in complete armor, and +with the preceding exertions of the day. The masterly horsemanship of +the Disinherited Knight, and the activity of the noble animal which he +mounted, enabled him for a few minutes to keep at sword’s point his +three antagonists, turning and wheeling with the agility of a hawk upon +the wing, keeping his enemies as far separate as he could, and rushing +now against the one, now against the other, dealing sweeping blows with +his sword, without waiting to receive those which were aimed at him in +return.</p> + +<p>But although the lists rang with the applauses of his dexterity, it was +evident that he must at last be overpowered; and the nobles around +Prince John implored him with one voice to throw down his warder, and to +save so brave a knight from the disgrace of being overcome by odds.</p> + +<p>“Not I, by the light of Heaven!” answered Prince John: “this same +<span class="nowrap">springal,<a name="Anchor_83-15" id="Anchor_83-15"></a><a title="Go to footnote 83-15" href="#Footnote_83-15" class="fnanchor">83-15</a></span> who conceals his name and despises our proffered +hospitality, hath already gained one prize, and may now afford to let +others<span class='pagenum'><a name="Page_84" id="Page_84">[84]</a></span> have their turn.” As he spoke thus, an unexpected incident +changed the fortune of the day.</p> + +<p>There was among the ranks of the Disinherited Knight a champion in black +armor, mounted on a black horse, large of size, tall, and to all +appearance powerful and strong, like the rider by whom he was mounted. +This knight, who bore on his shield no device of any kind, had hitherto +evinced very little interest in the event of the fight, beating off with +seeming ease those combatants who attacked him, but neither pursuing his +advantages nor himself assailing any one. In short, he had hitherto +acted the part rather of a spectator than of a party in the tournament, +a circumstance which procured him among the spectators the name of <em lang="fr" xml:lang="fr">Le +Noir Faineant</em>, or the Black Sluggard.</p> + +<p>At once this knight seemed to throw aside his apathy, when he discovered +the leader of his party so hard bested; for, setting spurs to his horse, +which was quite fresh, he came to his assistance like a thunderbolt, +exclaiming, in a voice like a trumpet-call, “<em lang="es" xml:lang="es">Desdichado</em>, to the +rescue!” It was high time; for, while the Disinherited Knight was +pressing upon the Templar, Front-de-Bœuf had got nigh to him with his +uplifted sword; but ere the blow could descend, the Sable Knight dealt a +stroke on his head, which, glancing from the polished helmet, lighted +with violence scarcely abated on the <span class="nowrap">chamfron<a name="Anchor_84-16" id="Anchor_84-16"></a><a title="Go to footnote 84-16" href="#Footnote_84-16" class="fnanchor">84-16</a></span> of the steed, and +Front-de-Bœuf rolled on the ground, both horse and man equally +stunned by the fury of the blow. <em lang="fr" xml:lang="fr">Le Noir Faineant</em> then turned his +horse upon Athelstane of Coningsburgh; and his own<span class='pagenum'><a name="Page_85" id="Page_85">[85]</a></span> sword having been +broken in his encounter with Front-de-Bœuf, he wrenched from the hand +of the bulky Saxon the battle-axe which he wielded, and, like one +familiar with the use of the weapon, bestowed him such a blow upon the +crest that Athelstane also lay senseless on the field. Having achieved +this double feat, for which he was the more highly applauded that it was +totally unexpected from him, the knight seemed to resume the +sluggishness of his character, returning calmly to the northern +extremity of the lists, leaving his leader to cope as he best could with +Brian de Bois-Guilbert. This was no longer matter of so much difficulty +as formerly. The Templar’s horse had bled much, and gave way under the +shock of the Disinherited<span class='pagenum'><a name="Page_86" id="Page_86">[86]</a></span> Knight’s charge. Brian de Bois-Guilbert +rolled on the field, encumbered with the stirrup, from which he was +unable to draw his foot. His antagonist sprung from horseback, waved his +fatal sword over the head of his adversary, and commanded him to yield +himself; when Prince John, more moved by the Templar’s dangerous +situation than he had been by that of his rival, saved him the +mortification of confessing himself vanquished, by casting down his +warder and <a name="corr7" id="corr7"></a>putting an end to the conflict.</p> + +<div class="figcenter" style="width: 247px;"> +<a name="image15" id="image15"></a><a href="images/image15-full.png"><img src="images/image15.png" width="247" height="202" alt="Two men in the viewing stands of the joust." title="PRINCE JOHN THROWS DOWN THE TRUNCHEON" /></a> +<span class="caption">PRINCE JOHN THROWS DOWN THE TRUNCHEON</span> +</div> + +<p>It was, indeed, only the relics and embers of the fight which continued +to burn; for of the few knights who still continued in the lists, the +greater part had, by tacit consent, forborne the conflict for some time, +leaving it to be determined by the strife of the leaders.</p> + +<p>The squires, who had found it a matter of danger and difficulty to +attend their masters during the engagement, now thronged into the lists +to pay their dutiful attendance to the wounded, who were removed with +the utmost care and attention to the neighboring pavilions, or to the +quarters prepared for them in the adjoining village.</p> + +<p>Thus ended the memorable field of Ashby-de-la-Zouche, one of the most +gallantly contested tournaments of that age; for although only four +knights, including one who was smothered by the heat of his armor, had +died upon the field, yet upward of thirty were desperately wounded, four +or five of whom never recovered. Several more were disabled for life; +and those who escaped best carried the marks of the conflict to the +grave with them. Hence it is always mentioned in the old records as the +“gentle and joyous passage of arms of Ashby.”</p> + +<p><span class='pagenum'><a name="Page_87" id="Page_87">[87]</a></span>It being now the duty of Prince John to name the knight who had done +best, he determined that the honor of the day remained with the knight +whom the popular voice had termed <em lang="fr" xml:lang="fr">Le Noir Faineant</em>. It was pointed out +to the Prince, in impeachment of this decree, that the victory had been +in fact won by the Disinherited Knight, who, in the course of the day, +had overcome six champions with his own hand, and who had finally +unhorsed and struck down the leader of the opposite party. But Prince +John adhered to his own opinion, on the ground that the Disinherited +Knight and his party had lost the day but for the powerful assistance of +the Knight of the Black Armor, to whom, therefore, he persisted in +awarding the prize.</p> + +<p>To the surprise of all present, however, the knight thus preferred was +nowhere to be found. He had left the lists immediately when the conflict +ceased, and had been observed by some spectators to move down one of the +forest glades with the same slow pace and listless and indifferent +manner which had procured him the epithet of the Black <span class="nowrap">Sluggard.<a name="Anchor_87-17" id="Anchor_87-17"></a><a title="Go to footnote 87-17" href="#Footnote_87-17" class="fnanchor">87-17</a></span> +After he had been summoned twice by sound of trumpet and proclamation of +the heralds, it became necessary to name another to receive the honors +which had been assigned to him. Prince John had now no further excuse +for resisting the claim of the Disinherited Knight, whom, therefore, he +named the champion of the day.</p> + +<p>Through a field slippery with blood and encumbered with broken armor and +the bodies of slain<span class='pagenum'><a name="Page_88" id="Page_88">[88]</a></span> and wounded horses, the marshals again conducted +the victor to the foot of Prince John’s throne.</p> + +<p>“Disinherited Knight,” said Prince John, “since by that title only you +will consent to be known to us, we a second time award to you the honors +of this tournament, and announce to you your right to claim and receive +from the hands of the Queen of Love and Beauty the chaplet of honor +which your valor has justly deserved.”</p> + +<p>The Knight bowed low and gracefully, but returned no answer.</p> + +<p>While the trumpets sounded, while the heralds strained their voices in +proclaiming honor to the brave and glory to the victor, while ladies +waved their silken kerchiefs and embroidered veils, and while all ranks +joined in a clamorous shout of exultation, the marshals conducted the +Disinherited Knight across the lists to the foot of that throne of honor +which was occupied by the Lady Rowena.</p> + +<p>On the lower step of this throne the champion was made to kneel down. +Indeed, his whole action since that the fight had ended seemed rather to +have been upon the impulse of those around him than from his own free +will; and it was observed that he tottered as they guided him the second +time across the lists. Rowena, descending from her station with a +graceful and dignified step, was about to place the chaplet which she +held in her hand upon the helmet of the champion, when the marshals +exclaimed with one voice, “It must not be thus; his head must be bare.” +The knight muttered faintly a few words, which were lost in the hollow +of his helmet; but their purport seemed to be a desire that his casque +might not be removed.</p> + +<p><span class='pagenum'><a name="Page_89" id="Page_89">[89]</a></span></p> + +<div class="figcenter" style="width: 248px;"> +<a name="image16" id="image16"></a><a href="images/image16-full.png"><img src="images/image16.png" width="248" height="303" alt="A woman placing a crown on the head of a knight, while a crowd looks on." title="ROWENA CROWNING DISINHERITED KNIGHT" /></a> +<span class="caption">ROWENA CROWNING DISINHERITED KNIGHT</span> +</div> + +<p>Whether from love of form or from curiosity, the marshals paid no +attention to his expressions of reluctance, but unhelmed him by cutting +the laces of his casque, and undoing the fastening of his gorget. When +the helmet was removed the well-formed yet sun-burned features of a +young man of twenty-five were seen, amid a profusion of short fair +hair.<span class='pagenum'><a name="Page_90" id="Page_90">[90]</a></span> His countenance was as pale as death, and marked in one or two +places with streaks of blood.</p> + +<p>Rowena had no sooner beheld him that she uttered a faint shriek; but at +once summoning up the energy of her disposition, and compelling herself, +as it were, to proceed, while her frame yet trembled with the violence +of sudden emotion, she placed upon the drooping head of the victor the +splendid chaplet which was the destined reward of the day, and +pronounced in a clear and distinct tone these words: “I bestow on thee +this chaplet, Sir Knight, as the meed of valor assigned to this day’s +victor.” Here she paused a moment, and then firmly added, “And upon brow +more worthy could a wreath of chivalry never be placed!”</p> + +<p>The knight stooped his head and kissed the hand of the lovely Sovereign +by whom his valor had been rewarded; and then, sinking yet further +forward, lay prostrate at her feet.</p> + +<p>There was a general consternation. Cedric, who had been struck mute by +the sudden appearance of his banished son, now rushed forward as if to +separate him from Rowena. But this had been already accomplished by the +marshals of the field, who, guessing the cause of Ivanhoe’s swoon, had +hastened to undo his armor, and found that the head of a lance had +penetrated his breastplate and inflicted a wound in his side.</p> + + + +<div class="footnotes"> + +<p><a name="Footnote_39-1" id="Footnote_39-1"></a><a title="Return to text." href="#Anchor_39-1" class="label">39-1</a> A pursuivant was an attendant on a herald.</p> + +<p><a name="Footnote_40-2" id="Footnote_40-2"></a><a title="Return to text." href="#Anchor_40-2" class="label">40-2</a> <em>Salvage</em> is an old form of the word <em>savage</em>.</p> + +<p><a name="Footnote_46-3" id="Footnote_46-3"></a><a title="Return to text." href="#Anchor_46-3" class="label">46-3</a> <em lang="fr" xml:lang="fr">Outrance</em> is an old word meaning <em>the last extremity</em>.</p> + +<p><a name="Footnote_48-4" id="Footnote_48-4"></a><a title="Return to text." href="#Anchor_48-4" class="label">48-4</a> A largesse is a gift or donation.</p> + +<p><a name="Footnote_53-5" id="Footnote_53-5"></a><a title="Return to text." href="#Anchor_53-5" class="label">53-5</a> <em>Clowns</em> here means <em>peasants</em>.</p> + +<p><a name="Footnote_56-6" id="Footnote_56-6"></a><a title="Return to text." href="#Anchor_56-6" class="label">56-6</a> <em lang="fr" xml:lang="fr">Gare le Corbeau</em> means <em>Beware of the raven</em>.</p> + +<p><a name="Footnote_57-7" id="Footnote_57-7"></a><a title="Return to text." href="#Anchor_57-7" class="label">57-7</a> A demi-volte is a certain movement of a horse, by which +he makes a half turn with the fore-feet off the ground.</p> + +<p><a name="Footnote_59-8" id="Footnote_59-8"></a><a title="Return to text." href="#Anchor_59-8" class="label">59-8</a> <em lang="fr" xml:lang="fr">Front-de-Boeuf</em> means bull’s head.</p> + +<p><a name="Footnote_59-9" id="Footnote_59-9"></a><a title="Return to text." href="#Anchor_59-9" class="label">59-9</a> <em lang="la" xml:lang="la">Cave, Adsum</em> is a Latin expression meaning <em>Beware, I +am here</em>.</p> + +<p><a name="Footnote_62-10" id="Footnote_62-10"></a><a title="Return to text." href="#Anchor_62-10" class="label">62-10</a> <em>Hospitallers</em> was another name for the Knights of +Saint John.</p> + +<p><a name="Footnote_70-11" id="Footnote_70-11"></a><a title="Return to text." href="#Anchor_70-11" class="label">70-11</a> <em>Barbed</em>, or <em>barded</em>, is a term used of a war-horse, +and means <em>furnished with armor</em>.</p> + +<p><a name="Footnote_72-12" id="Footnote_72-12"></a><a title="Return to text." href="#Anchor_72-12" class="label">72-12</a> A zecchin, or sequin, is worth about $2.25.</p> + +<p><a name="Footnote_78-13" id="Footnote_78-13"></a><a title="Return to text." href="#Anchor_78-13" class="label">78-13</a> <em lang="fr" xml:lang="fr">Laissez aller</em> means literally <em>Let go</em>.</p> + +<p><a name="Footnote_79-14" id="Footnote_79-14"></a><a title="Return to text." href="#Anchor_79-14" class="label">79-14</a> <em lang="fr" xml:lang="fr">Beau-seant</em> was the name given to the black and white +banner of the Templars.</p> + +<p><a name="Footnote_83-15" id="Footnote_83-15"></a><a title="Return to text." href="#Anchor_83-15" class="label">83-15</a> <em>Springal</em> is an old word meaning <em>youth</em> or <em>young +man</em>.</p> + +<p><a name="Footnote_84-16" id="Footnote_84-16"></a><a title="Return to text." href="#Anchor_84-16" class="label">84-16</a> The <em lang="fr" xml:lang="fr">chamfron</em> is the defensive armor of the front part +of the head of a war-horse.</p> + +<p><a name="Footnote_87-17" id="Footnote_87-17"></a><a title="Return to text." href="#Anchor_87-17" class="label">87-17</a> The Black Sluggard was the king of England, Richard the +Lion-Hearted, who had been absent from England on a Crusade and had come +back without allowing his brother John to know of his return.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_91" id="Page_91">[91]</a></span></p> + +<h2 class="story"><a name="THE_RAINBOW" id="THE_RAINBOW"></a>THE RAINBOW</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Thomas Campbell</span></p> + + +<p class="poemopening"><span class="dropcapt"><span class="hide">T</span></span><span class="upper">riumphal</span> arch, that fill’st the sky<br /> +<span class="i1">When storms prepare to part,</span><br /> +I ask not proud Philosophy<br /> +<span class="i1">To teach me what thou art.</span></p> + +<p class="poem">Still seem, as to my childhoods’ sight,<br /> +<span class="i1">A midway station given,</span><br /> +For happy spirits to alight,<br /> +<span class="i1">Betwixt the earth and heaven.</span></p> + +<p class="poem">Can all that optics teach, unfold<br /> +<span class="i1">Thy form to please me so,</span><br /> +As when I dreamt of gems and gold<br /> +<span class="i1">Hid in thy radiant <span class="nowrap">bow?<a name="Anchor_91-1" id="Anchor_91-1"></a><a title="Go to footnote 91-1" href="#Footnote_91-1" class="fnanchor">91-1</a></span></span></p> + +<p class="poem">When science from creation’s face<br /> +<span class="i1">Enchantment’s veil withdraws,</span><br /> +What lovely visions yield their place<br /> +<span class="i1">To cold material laws!</span></p> + +<p class="poem">And yet, fair bow, no fabling dreams,<br /> +<span class="i1">But words of the Most High,</span><br /> +Have told why first thy robe of beams<br /> +<span class="i1">Was woven in the <span class="nowrap">sky.<a name="Anchor_91-2" id="Anchor_91-2"></a><a title="Go to footnote 91-2" href="#Footnote_91-2" class="fnanchor">91-2</a></span></span></p> + +<p class="poem"><span class='pagenum'><a name="Page_92" id="Page_92">[92]</a></span>When o’er the green undeluged earth<br /> +<span class="i1">Heaven’s covenant thou didst shine,</span><br /> +How came the world’s gray fathers forth<br /> +<span class="i1">To watch thy sacred sign!</span></p> + +<p class="poem">And when its yellow lustre smiled<br /> +<span class="i1">O’er mountains yet untrod,</span><br /> +Each mother held aloft her child<br /> +<span class="i1">To bless the bow of God.</span></p> + +<p class="poem">The earth to thee her incense yields,<br /> +<span class="i1">The lark thy welcome sings,</span><br /> +When, glittering in the freshen’d fields,<br /> +<span class="i1">The snowy mushroom springs.</span></p> + +<p class="poem">How glorious is thy girdle, cast<br /> +<span class="i1">O’er mountain, tower, and town,</span><br /> +Or mirror’d in the ocean vast<br /> +<span class="i1">A thousand fathoms down!</span></p> + +<p class="poem">As fresh in yon horizon dark,<br /> +<span class="i1">As young thy beauties seem,</span><br /> +As when the eagle from the ark<br /> +<span class="i1">First sported in thy beam.</span></p> + +<p class="poem">For, faithful to its sacred page,<br /> +<span class="i1">Heaven still rebuilds thy span;</span><br /> +Nor lets the type grow pale with age<br /> +<span class="i1">That first spoke peace to man.</span></p> + + +<div class="footnotes"> + +<p><a name="Footnote_91-1" id="Footnote_91-1"></a><a title="Return to text." href="#Anchor_91-1" class="label">91-1</a> There was an old, old belief that a pot of god was +hidden at the end of the rainbow, and that whoever found his way to the +spot might claim the gold. This superstition has existed in almost all +lands, and references to it are constantly to be found in literature.</p> + +<p><a name="Footnote_91-2" id="Footnote_91-2"></a><a title="Return to text." href="#Anchor_91-2" class="label">91-2</a> According to the account given in <cite>Genesis IX</cite>, God said +to Noah after the flood:</p> + +<p>“And I will establish my covenant with you; neither shall all flesh be +cut off any more by the waters of a flood; neither shall there any more +be a flood to destroy the earth.</p> + +<p>“This is the token of the covenant which I make between me and you, and +every living creature that is with you for perpetual generations:</p> + +<p>“I do set my bow in the cloud, and it shall be for a token of a covenant +between me and the earth.</p> + +<p>“And it shall come to pass, when I bring a cloud over the earth, that +the bow shall be seen in the cloud:</p> + +<p>“And I will remember my covenant, which is between me and you, and every +living creature of all flesh; and the waters shall no more become a +flood to destroy all flesh.”</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_93" id="Page_93">[93]</a></span></p> + +<h2 class="story"><a name="THE_LION_AND_THE_MISSIONARY" id="THE_LION_AND_THE_MISSIONARY"></a>THE LION AND THE MISSIONARY</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">David Livingstone</span></p> + + +<div class="blockquot"><p><span class="smcap">Note.</span>—Few men have endured more hardships, dangers and excitement +that did David Livingstone, missionary and African traveler, from +whose writings this account of an adventure with a lion is taken. +He penetrated to parts of Africa where no white man had ever been +before, he suffered repeated attacks of African fever, he exposed +himself to constant danger from wild beasts and wilder men; and he +did none of this in his own interests. He was no merchant seeking +for gold and diamonds, he was no discoverer seeking for fame; his +only aim was to open up the continent of Africa so that +civilization and Christianity might enter.</p> + +<p>In 1840 Livingstone was sent as medical missionary to South Africa. +Here he joined Robert Moffat, in Bechuanaland, where he worked for +nine years. Learning from the natives that there was a large lake +to the northward, he set out on his first exploring trip, and at +length discovered Lake Ngami. Later, he undertook other journeys of +exploration, on one of which he reached the Atlantic coast and then +returned, crossing the entire continent. His greatest achievement +was the exploration of the lake region of South Africa. So cut off +was he, in the African jungles, from all the outer world that no +communication was received from him for three years, and fears as +to his safety were relieved only when Stanley, sent out by the <cite>New +York Herald</cite> to search for Livingstone, reported that he had seen +and assisted him.</p> + +<p>In May, 1873, Livingstone died, at a village near Lake Bangweolo. +His body was taken to England and laid in Westminster Abbey, but +his heart was buried at the foot of the tree under whose branches +he died.</p></div> + +<p><span class='pagenum'><a name="Page_94" id="Page_94">[94]</a></span></p> + +<p class="opening"><span class="dropcapr"><span class="hide">R</span></span><span class="upper">eturning</span> toward Kuruman, I selected the beautiful valley of Mabotsa +(latitude 25° 14´ south, longitude 26° 30´) as the site of a missionary +station, and thither I removed in 1843. Here an occurrence took place +concerning which I have frequently been questioned in England, and +which, but for the importunities of friends, I meant to have kept in +store to tell my children when in my dotage. The Bakatla of the village +Mabotsa were much troubled by lions, which leaped into the cattle pens +by night and destroyed their cows. They even attacked the herds in open +day. This was so unusual an occurrence that the people believed that +they were bewitched,—“given,” as they said, “into the power of the +lions by a neighboring tribe.” They went once to attack the animals, +but, being rather a cowardly people compared to Bechuanas in general on +such occasions, they returned without killing any.</p> + +<p>It is well known that if one of a troop of lions is killed, the others +take the hint and leave that part of the country. So, the next time the +herds were attacked, I went with the people, in order to encourage them +to rid themselves of the annoyance by destroying one of the marauders. +We found the lions on a small hill about a quarter of a mile in length, +and covered with trees. A circle of men was formed round it, and they +gradually closed up, ascending pretty near to each other. Being down +below on the plain with a native schoolmaster, named Mebálwe, a most +excellent man, I saw one of the lions sitting on a piece of rock within +the now closed circle of men. Mebálwe fired at him before I could,<span class='pagenum'><a name="Page_95" id="Page_95">[95]</a></span> and +the ball struck the rock on which the animal was sitting. He bit at the +spot struck, as a dog does at a stick or stone thrown at him; then +leaping away, broke through the opening circle and escaped unhurt. The +men were afraid to attack him, perhaps on account of their belief in +witchcraft. When the circle was reformed, we saw two other lions in it; +but we were afraid to fire lest we should strike the men, and they +allowed the beasts to burst through also.</p> + +<p>If the Bakatla had acted according to the custom of the country, they +would have speared the lions in their attempt to get out. Seeing we +could not get them to kill one of the lions, we bent our footsteps +toward the village; in going round the end of the hill, however, I saw +one of the beasts sitting on a piece of rock as before, but this time he +had a little bush in front. Being about thirty yards off, I took a good +aim at his body through the bush, and fired both barrels into it. The +men then called out, “He is shot, he is shot!” Others cried, “He has +been shot by another man too; let us go to him!” I did not see any one +else shoot at him, but I saw the lion’s tail erected in anger behind the +bush, and turning to the people, said, “Stop a little, till I load +again.” When in the act of ramming down the bullets, I heard a shout. +Starting, and looking half round, I saw the lion just in the act of +springing upon me.</p> + +<p>I was upon a little height; he caught my shoulder as he sprang, and we +both came to the ground below together. Growling horribly close to my +ear, he shook me as a terrier dog does a rat. The shock produced a +stupor similar to that which seems to be felt by a mouse after the first +shake of the cat. It<span class='pagenum'><a name="Page_96" id="Page_96">[96]</a></span> caused a sort of dreaminess, in which there was no +sense of pain nor feeling of terror, though I was quite conscious of all +that was happening. It was like what patients partially under the +influence of chloroform describe, who see all the operation, but feel +not the knife. This singular condition was not the result of any mental +process. The shake annihilated fear, and allowed no sense of horror in +looking round at the beast. This peculiar state is probably produced in +all animals killed by the carnivora; and if so, is a merciful provision +by our benevolent Creator for lessening the pain of death. Turning round +to relieve myself of the weight, as he had one paw on the back of my +head, I saw his eyes directed to Mebálwe, who was trying to shoot him at +a distance of ten or fifteen yards. His gun, a flint one, missed fire in +both barrels; the lion immediately left me, and, attacking Mebálwe, bit +his thigh. Another man, whose life I had saved before, after he had been +tossed by a buffalo, attempted to spear the lion while he was biting +Mebálwe. He left Mebálwe and caught this man by the shoulder, but at +that moment the bullets he had received took effect, and he fell down +dead. The whole was the work of a few moments, and must have been his +paroxysms of dying rage. In order to take out the charm from him, the +Bakatla on the following day made a huge bonfire over the carcass, which +was declared to be that of the largest lion they had ever seen. Besides +crunching the bone into splinters, he left eleven teeth wounds on the +upper part of my arm.</p> + +<p>A wound from this animal’s tooth resembles a gunshot wound; it is +generally followed by a great<span class='pagenum'><a name="Page_97" id="Page_97">[97]</a></span> deal of sloughing and discharge, and +pains are felt in the part, periodically ever afterward. I had on a +tartan jacket on the occasion, and I believe that it wiped off all the +virus from the teeth that pierced the flesh, for my two companions in +this affray have both suffered from the peculiar pains, while I have +escaped with only the inconvenience of a false joint in my limb. The man +whose shoulder was wounded, showed me his wound actually burst forth +afresh on the same month of the following year. This curious point +certainly deserves the attention of inquirers.</p> + +<div class="figcenter" style="width: 114px;"> +<a name="image17" id="image17"></a><a href="images/image17-full.png"><img src="images/image17.png" width="114" height="115" alt="A lion on an outcrop of rock." title="Lion" /></a> +</div> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_98" id="Page_98">[98]</a></span></p> + +<h2 class="story"><a name="THE_MOSS_ROSE" id="THE_MOSS_ROSE"></a>THE MOSS ROSE</h2> + +<p class="titlepage" style="font-size: smaller;">TRANSLATED FROM KRUMMACHER</p> + + +<p class="poemopening"><span class="dropcap">T</span><span class="upper">he</span> angel of the flowers, one day,<br /> +Beneath a rose-tree sleeping lay,—<br /> +That spirit to whose charge ’tis given<br /> +To bathe young buds in dews of heaven.<br /> +Awaking from his light repose,<br /> +The angel whispered to the rose:<br /> +“O fondest object of my care,<br /> +Still fairest found, where all are fair;<br /> +For the sweet shade thou giv’st to me<br /> +Ask what thou wilt, ’tis granted thee.”<br /> +“Then,” said the rose, with deepened glow,<br /> +“On me another grace bestow.”<br /> +The spirit paused, in silent thought,—<br /> +What grace was there that flower had not?<br /> +’Twas but a moment,—o’er the rose<br /> +A veil of moss the angel throws,<br /> +And, robed in nature’s simplest weed,<br /> +Could there a flower that rose exceed?</p> + + + +<hr class="storybreak" /> +<h2 class="story"><a name="FOUR_DUCKS_ON_A_POND" id="FOUR_DUCKS_ON_A_POND"></a>FOUR DUCKS ON A POND</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">William Allingham</span></p> + + +<p class="poemopening"><span class="dropcap">F</span><span class="upper">our</span> ducks on a pond,<br /> +A grass bank beyond,<br /> +A blue sky of spring,<br /> +White clouds on the wing;<br /> +What a little thing<br /> +To remember for years,<br /> +To remember with tears.</p> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_99" id="Page_99">[99]</a></span></p> + +<h2 class="story"><a name="RAB_AND_HIS_FRIENDS" id="RAB_AND_HIS_FRIENDS"></a>RAB AND HIS FRIENDS</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">John Brown, M. D.</span></p> + + +<p><span class="dropcapf"><span class="hide">F</span></span><span class="upper">our</span> and thirty years ago, Bob Ainslie and I were coming up Infirmary +street from the high school, our heads together, and our arms +intertwisted, as only lovers and boys know how or why.</p> + +<p>When we got to the top of the street, and turned north, we espied a +crowd at the Tron-church. “A dog fight!” shouted Bob, and was off; and +so was I, both of us all but praying that it might not be over before we +got up! And is not this boy nature! and human nature too? and don’t we +all wish a house on fire not to be out before we see it? Dogs like +fighting; old Isaac says they “delight” in it, and for the best of all +reasons; and boys are not cruel because they like to see the fight. They +see three of the great cardinal virtues of dog or man—courage, +endurance, and skill—in intense action. This is very different from a +love of making dogs fight, and enjoying, and aggravating, and making +gain by their pluck. A boy—be he ever so fond himself of fighting, if +he be a good boy, hates and despises all this, but he would have run off +with Bob and me fast enough; it is a natural, and a not wicked, interest +that all boys and men have in witnessing intense energy in action.</p> + +<p>Does any curious and finely-ignorant woman wish to know how Bob’s eye at +a glance announced<span class='pagenum'><a name="Page_100" id="Page_100">[100]</a></span> a dog fight to his brain? He did not, he could not +see the dogs fighting; it was a flash of an inference, a rapid +induction. The crowd round a couple of dogs fighting, is a crowd +masculine mainly, with an occasional active, compassionate woman, +fluttering wildly round the outside, and using her tongue and her hands +freely upon the men, as so many “brutes”; it is a crowd annular, compact +and mobile; a crowd centripetal, having its eyes and its heads all bent +downward and inward, to one common focus.</p> + +<p>Well, Bob and I are up, and find it is not over; a small thoroughbred, +white bull-terrier, is busy throttling a large shepherd’s dog, +unaccustomed to war, but not to be trifled with. They are hard at it; +the scientific little fellow doing his work in great style, his pastoral +enemy fighting wildly, but with the sharpest of teeth and a great +courage. Science and breeding, however, soon had their own; the Game +Chicken, as the premature Bob called him, working his way up, took his +final grip of poor Yarrow’s throat—and he lay gasping and done for. His +master, a brown, handsome, big young shepherd from Tweedsmuir, would +have liked to have knocked down any man, would “drink up Esil, or eat a +crocodile,” for that part, if he had a chance; it was no use kicking the +little dog; that would only make him hold the closer. Many were the +means shouted out in mouthfuls, of the best possible ways of ending it.</p> + +<p>“Water!” but there was none near, and many cried for it who might have +got it from the well at Blackfriars Wynd.</p> + +<p>“Bite the tail!” and a large, vague, benevolent, middle-aged man, more +desirous than wise, with<span class='pagenum'><a name="Page_101" id="Page_101">[101]</a></span> some struggle got the bushy end of Yarrow’s +tail into his ample mouth, and bit it with all his might. This was more +than enough for the much-enduring, much-perspiring shepherd, who, with a +gleam of joy over his broad visage, delivered a terrific facer upon our +large, vague, benevolent, middle-aged friend—who went down like a shot.</p> + +<p>Still the Chicken holds; death not far off.</p> + +<p>“Snuff! a pinch of snuff!” observed a calm, highly-dressed young buck, +with an eye-glass in his eye. “Snuff, indeed!” growled the angry crowd, +affronted and glaring.</p> + +<p>“Snuff! a pinch of snuff!” again observes the buck, but with more +urgency; whereupon were produced several open boxes, and from a mull +which may have been at Culloden, he took a pinch, knelt down, and +presented it to the nose of the Chicken. The laws of physiology and of +snuff take their course; the Chicken sneezes, and Yarrow is free.</p> + +<p>The young pastoral giant stalks off with Yarrow in his arms—comforting +him.</p> + +<p>But the bull-terrier’s blood is up, and his soul unsatisfied; he grips +the first dog he meets, and discovering she is not a dog, in Homeric +phrase, he makes a brief sort of <span class="nowrap"><em>amende</em>,<a name="Anchor_101-1" id="Anchor_101-1"></a><a title="Go to footnote 101-1" href="#Footnote_101-1" class="fnanchor">101-1</a></span> and is off. The boys, +with Bob and me at their head, are after him; down Niddry street he +goes, bent on mischief; up the Cowgate like an arrow—Bob and I, and our +small men, panting behind.</p> + +<p>There, under the single arch of the South bridge is a huge mastiff, +sauntering down the middle of the causeway, as if with his hands in his +pockets; he is old, gray, brindled, as big as a little Highland bull,<span class='pagenum'><a name="Page_102" id="Page_102">[102]</a></span> +and has the Shakespearian dewlaps shaking as he goes.</p> + +<p>The Chicken makes straight at him, and fastens on his throat. To our +astonishment, the great creature does nothing but stand still, holds +himself up, and roar—yes, roar; a long, serious, remonstrative roar. +How is this? Bob and I are up to them. <em>He is muzzled!</em> The bailies had +proclaimed a general muzzling, and his master, studying strength and +economy mainly, had encompassed his huge jaws in a homemade apparatus, +constructed out of the leather of some ancient breechin. His mouth was +open as far as it could; his lips curled up in rage—a sort of terrible +grin; his teeth gleaming, ready, from out of the darkness; the strap +across his mouth tense as a bow string; his whole frame stiff with +indignation and surprise; his roar asking us all round, “Did you ever +see the like of this?”</p> + +<p>He looked a statue of anger and astonishment, done in Aberdeen granite.</p> + +<p>We soon had a crowd; the Chicken held on. “A knife!” cried Bob; and a +cobbler gave him his knife; you know the kind of knife, worn away +obliquely to a point, and always keen. I put its edge to the tense +leather; it ran before it; and then!—one sudden jerk of that enormous +head, a sort of dirty mist about his mouth, no noise, and the bright and +fierce little fellow is dropped, limp, and dead. A solemn pause; this +was more than any of us had bargained for. I turned the little fellow +over, and saw he was quite dead; the mastiff had taken him by the small +of the back, like a rat, and broken it.</p> + +<p>He looked down at his victim appeased, ashamed and amazed; snuffed him +all over, stared at him, and<span class='pagenum'><a name="Page_103" id="Page_103">[103]</a></span> taking a sudden thought, turned round and +trotted off.</p> + +<p>Bob took the dead dog up, and said, “John, we’ll bury him after tea.”</p> + +<div class="figcenter" style="width: 249px;"> +<a name="image18" id="image18"></a><a href="images/image18-full.png"><img src="images/image18.png" width="249" height="196" alt="A man approaching a dog that is crouched by the door of a house." title="“RAB, YE THIEF!”" /></a> +<span class="caption">“RAB, YE THIEF!”</span> +</div> + +<p>“Yes,” said I, and was off after the mastiff. He made up the Cowgate at +a rapid swing; he had forgotten some engagement. He turned up the +Candlemaker Row, and stopped at the Harrow Inn.</p> + +<p>There was a carrier’s cart ready to start, and a keen, thin, impatient, +black-a-vised little man, his hand at his gray horse’s head looking +about angrily for something.</p> + +<p>“Rab, ye thief!” said he, aiming a kick at my great friend, who drew +cringing up, and avoiding the heavy shoe with more agility than dignity, +and watching his master’s eye, slunk dismayed under<span class='pagenum'><a name="Page_104" id="Page_104">[104]</a></span> the cart—his ears +down, and as much as he had of tail down too.</p> + +<p>What a man this must be—thought I—to whom my tremendous hero turns +tail! The carrier saw the muzzle hanging, cut and useless, from his +neck, and I eagerly told him the story which Bob and I always thought, +and still think, Homer, or King David, or Sir Walter, alone were worthy +to rehearse. The severe little man was mitigated, and condescended to +say, “Rab, ma man, puir Rabbie”—whereupon the stump of a tail rose up, +the ears were cocked, the eyes filled, and were comforted; the two +friends were reconciled. “Hupp!” and a stroke of the whip were given to +Jess; and off went the three.</p> + +<p>Bob and I buried the Game Chicken that night (we had not much of a tea) +in the back-green of his house in Melville street, No. 17, with +considerable gravity and silence; and being at the time in the Iliad, +and, like all boys, Trojans, we called him Hector of course.</p> + +<p class="titlepage" style="letter-spacing: 1em;"> * * * * * * * *</p> + +<p>Six years have passed—a long time for a boy and a dog: Bob Ainslie is +off to the wars; I am a medical student, and clerk at Minto House +Hospital.</p> + +<p>Rab I saw almost every week, on the Wednesday; and we had much pleasant +intimacy. I found the way to his heart by frequent scratching of his +huge head, and an occasional bone. When I did not notice him he would +plant himself straight before me, and stand wagging that bud of a tail, +and looking up, with his head a little to the one side. His master I +occasionally saw; he used to call me “Maister John,” but was laconic as +any Spartan.</p> + +<p><span class='pagenum'><a name="Page_105" id="Page_105">[105]</a></span>One fine October afternoon, I was leaving the hospital when I saw the +large gate open, and in walked Rab with that great and easy saunter of +his. He looked as if taking general possession of the place; like the +Duke of Wellington entering a subdued city, satiated with victory and +peace.</p> + +<p>After him came Jess, now white from age, with her cart; and in it a +woman, carefully wrapped up—the carrier leading the horse anxiously, +and looking back.</p> + +<p>When he saw me, James (for his name was James Noble) made a curt and +grotesque “boo,” and said, “Maister John, this is the mistress; she’s +got a trouble in her breest—some kind of an income we’er thinkin’.”</p> + +<p>By this time I saw the woman’s face; she was sitting on a sack filled +with straw, her husband’s plaid round her, and his big-coat, with its +large white metal buttons, over her feet.</p> + +<p>I never saw a more unforgettable face—pale, serious, <em>lonely</em>, +delicate, sweet, without being at all what we call fine. She looked +sixty, and had on a mutch, white as snow, with its black ribbon; her +silvery, smooth hair setting off her dark-gray eyes—eyes such as one +sees only twice or thrice in a lifetime, full of suffering, full also of +the overcoming of it; her eyebrows black and delicate, and her mouth +firm, patient, and contented, which few mouths ever are.</p> + +<p>As I have said, I never saw a more beautiful countenance, or a more +subdued or settled quiet. “Ailie,” said James, “this is Maister John, +the young doctor; Rab’s freend, ye ken. We often speak aboot you, +doctor.”</p> + +<p><span class='pagenum'><a name="Page_106" id="Page_106">[106]</a></span>She smiled, and made a movement, but said nothing; and prepared to come +down, putting her plaid aside and rising. Had Solomon, in all his glory, +been handing down the Queen of Sheba, at his palace gate, he could not +have done it more daintily, more tenderly, more like a gentleman, than +did James, the Howgate carrier, when he lifted down Ailie, his wife.</p> + +<p>The contrast of his small, swarthy, weatherbeaten, keen, worldly face to +hers—pale, subdued, and beautiful—was something wonderful. Rab looked +on concerned and puzzled, but ready for anything that might turn +up—were it to strangle the nurse, the porter, or even me. Ailie and he +seemed great friends.</p> + +<p>“As I was sayin’, she’s got a kind o’ trouble in her breest, doctor; +wull ye tak’ a look at it?” We walked into the consulting-room, all +four; Rab grim and comic, willing to be happy and confidential if cause +could be shown, willing also to be the reverse on the same terms. Ailie +sat down, undid her open gown and her lawn handkerchief round her neck, +and, without a word, showed me her right breast. I looked at and +examined it carefully, she and James watching me, and Rab eying all +three. What could I say? There it was that had once been so soft, so +shapely, so white, so gracious and bountiful, so “full of all blessed +conditions”—hard as a stone, a center of horrid pain, making that pale +face, with its gray, lucid, reasonable eyes, and its sweet resolved +mouth, express the full measure of suffering overcome. Why was that +gentle, modest, sweet woman, clean and lovable, condemned by God to bear +such a <a name="corr8" id="corr8"></a>burden?</p> + +<p><span class='pagenum'><a name="Page_107" id="Page_107">[107]</a></span>I got her away to bed.</p> + +<p>“May Rab and me bide?” said James.</p> + +<p>“<em>You</em> may; and Rab, if he will behave himself.”</p> + +<p>“I’se warrant he’s do that, doctor;” and in slunk the faithful beast.</p> + +<p>I wish you could have seen him. There are no such dogs now. He belonged +to a lost tribe. As I have said, he was brindled, and gray like Rubislaw +granite; his hair short, hard, and close, like a lion’s; his body +thickset, like a little bull—a sort of compressed Hercules of a dog. He +must have been ninety pounds’ weight, at the least; he had a large blunt +head; his muzzle black as night, his mouth blacker than any night, a +tooth or two—being all he had—gleaming out of his jaws of darkness. +His head was scarred with the records of old wounds, a sort of series of +fields of battle all over it; one eye out, one ear cropped as close as +was Archbishop Leighton’s father’s; the remaining eye had the power of +two; and above it, and in constant communication with it, was a tattered +rag of an ear, which was forever unfurling itself, like an old flag; and +then that bud of a tail, about one inch long, if it could in any sense +be said to be long, being as broad as long—the mobility, the +instantaneousness of that bud were very funny and surprising, and its +expressive twinklings and winkings, the intercommunications between the +eye, the ear, and it, were of the oddest and swiftest.</p> + +<p>Rab had the dignity and simplicity of great size; and having fought his +way all along the road to absolute supremacy, he was as mighty in his +own line as Julius Cæsar or the Duke of Wellington, and had the gravity +of all great fighters.</p> + +<p><span class='pagenum'><a name="Page_108" id="Page_108">[108]</a></span>You must have often observed the likeness of certain men to certain +animals, and of certain dogs to men. Now, I never looked at Rab without +thinking of the great Baptist preacher, Andrew Fuller. The same large, +heavy, menacing, combative, sombre, honest countenance, the same deep +inevitable eye, the same look—as of thunder asleep, but ready—neither +a dog nor a man to be trifled with.</p> + +<p>Next day, my master, the surgeon, examined Ailie. There was no doubt it +must kill her, and soon. It could be removed—it might never return—it +would give her speedy relief—she should have it done.</p> + +<p>She curtsied, looked at James, and said, “When?”</p> + +<p>“To-morrow,” said the kind surgeon—a man of few words.</p> + +<p>She and James and Rab and I retired. I noticed that he and she spoke a +little, but seemed to anticipate everything in each other. The following +day at noon, the students came in, hurrying up the great stair. At the +first <a name="corr9" id="corr9"></a>landing-place, on a small well-known blackboard, was a bit of +paper fastened by wafers and many remains of old wafers beside it. On +the paper were the words—“An operation to-day. J. B., <em>Clerk</em>.”</p> + +<p>Up ran the youths, eager to secure good places; in they crowded, full of +interest and talk.</p> + +<p>“What’s the case? Which side is it?”</p> + +<p>Don’t think them heartless; they are neither better nor worse than you +or I; they get over their professional horrors, and into their proper +work; and in them pity—as an <em>emotion</em>, ending in itself or at best in +tears and a long-drawn breath, lessens, while pity as a <em>motive</em> is +quickened, and gains power and<span class='pagenum'><a name="Page_109" id="Page_109">[109]</a></span> purpose. It is well for poor human +nature that it is so.</p> + +<p>The operating theatre is crowded; much talk and fun, and all the +cordiality and stir of youth. The surgeon with his staff of assistants +is there. In comes Ailie; one look at her quiets and abates the eager +students. The beautiful old woman is too much for them. They sit down, +and are dumb, and gaze at her. These rough boys feel the power of her +presence.</p> + +<p>She walks in quickly, but without haste; dressed in her mutch, her +neckerchief, her white dimity short-gown, her black bombazine petticoat, +showing her white worsted stockings and her carpet-shoes. Behind her was +James with Rab. James sat down in the distance, and took that huge and +noble head between his knees. Rab looked perplexed and dangerous; +forever cocking his ear and dropping it as fast.</p> + +<p>Ailie stepped up on a seat, and laid herself on the table, as her friend +the surgeon told her; arranged herself, gave a rapid look at James, shut +her eyes, rested herself on me, and took my hand. The operation was at +once begun; it was necessarily slow; and chloroform—one of God’s best +gifts to his suffering children—was then unknown. The surgeon did his +work. Rab’s soul was working within him; he saw that something strange +was going on—blood flowing from his mistress, and she suffering; his +ragged ear was up, and importunate; he growled and gave now and then a +sharp impatient yelp; he would have liked to have done something to that +man. But James had him firm, and gave him a <span class="nowrap"><em>glower</em><a name="Anchor_109-2" id="Anchor_109-2"></a><a title="Go to footnote 109-2" href="#Footnote_109-2" class="fnanchor">109-2</a></span> from time to +time, and an intimation<span class='pagenum'><a name="Page_110" id="Page_110">[110]</a></span> of a possible kick;—all the better for James, +it kept his eye and his mind off Ailie.</p> + +<p>It is over; she is dressed, steps gently and decently down from the +table, looks for James; then, turning to the surgeon and the students, +she curtsies—and in a low, clear voice, begs their pardon if she has +behaved ill. The students—all of us—wept like children; the surgeon +happed her up carefully—and, resting on James and me, Ailie went to her +room, Rab following. We put her to bed. James took off his heavy shoes, +crammed with tackets, heel-capt and toe-capt, and put them carefully +under the table, saying, “Maister John, I’m for nane o’ yer strynge +nurse bodies for Ailie. I’ll be her nurse, and I’ll gang about on my +stockin’ soles as canny as pussy.”</p> + +<p>And so he did; handy and clever, and swift and tender as any woman, was +that horny-handed, snell, peremptory little man. Everything she got he +gave her; he seldom slept; and often I saw his small, shrewd eyes out of +the darkness, fixed on her. As before, they spoke little.</p> + +<p>Rab behaved well, never moving, showing us how meek and gentle he could +be, and occasionally, in his sleep, letting us know that he was +demolishing some adversary. He took a walk with me every day, generally +to the Candlemaker Row; but he was sombre and mild; declined doing +battle, though some fit cases offered, and indeed submitted to sundry +indignities; and was always very ready to turn and came faster back, and +trotted up the stair with much lightness, and went straight to that +door.</p> + +<p>Jess, the mare, had been sent, with her weather-worn cart, to Howgate, +and had doubtless her own<span class='pagenum'><a name="Page_111" id="Page_111">[111]</a></span> dim and placid meditations and confusions, on +the absence of her master and Rab, and her unnatural freedom from the +road and her cart.</p> + +<p>For some days Ailie did well. The wound healed “by the first intention;” +for as James said, “Our Ailie’s skin’s ower clean to beil.” The students +came in quiet and anxious, and surrounded her bed. She said she liked to +see their young, honest faces. The surgeon dressed her, and spoke to her +in his own short, kind way, pitying her through his eyes, Rab and James +outside the circle—Rab being now reconciled, and even cordial, and +having made up his mind that as yet nobody required worrying, but as you +may suppose <em lang="la" xml:lang="la">semper </em><span class="nowrap"><em lang="la" xml:lang="la">paratus</em>.<a name="Anchor_111-3" id="Anchor_111-3"></a><a title="Go to footnote 111-3" href="#Footnote_111-3" class="fnanchor">111-3</a></span></p> + +<p>So far well; but four days after the operation my patient had a sudden +and long shivering, a “groosin’,” as she called it. I saw her soon +after; her eyes were too bright, her cheek colored; she was restless, +and ashamed of being so; the balance was lost; mischief had begun.</p> + +<p>On looking at the wound, a blush of red told the secret; her pulse was +rapid, her breathing anxious and quick, she wasn’t herself, as she said, +and was vexed at her restlessness. We tried what we could, James did +everything, was everywhere; never in the way, never out of it. Rab +subsided under the table into a dark place, and was motionless, all but +his eye, which followed every one. Ailie got worse; began to wander in +her mind, gently; was more demonstrative in her ways to James, rapid in +her questions, and sharp at times. He was vexed, and said, “She was +never that way afore; no, never.”</p> + +<p><span class='pagenum'><a name="Page_112" id="Page_112">[112]</a></span>For a time she knew her head was wrong, and was always asking our +pardon—the dear, gentle old woman; then delirium set in strong, without +pause. Her brain gave way, and then came that terrible spectacle,</p> + +<p class="poem">“The intellectual power, through words and things,<br /> +Went sounding on its dim and perilous way;”</p> + +<p class="noindent">she sang bits of old songs and psalms, stopping suddenly, mingling the +Psalms of David, and the diviner words of his Son and Lord, with homely +odds and ends and scraps of ballads.</p> + +<p>Nothing more touching, or in a sense more strangely beautiful, did I +ever witness. Her tremulous, rapid, affectionate, eager, Scotch +voice—the swift, aimless, bewildered mind, the baffled utterance, the +bright and perilous eye; some wild words, some household cares, +something for James, the names of the dead, Rab called rapidly and in a +<span class="nowrap">“fremyt”<a name="Anchor_112-4" id="Anchor_112-4"></a><a title="Go to footnote 112-4" href="#Footnote_112-4" class="fnanchor">112-4</a></span> voice, and he starting up, surprised, and slinking off +as if he were to blame somehow, or had been dreaming he heard. Many +eager questions and beseechings which James and I could make nothing of, +and on which she seemed to set her all, and then sink back ununderstood. +It was very sad, but better than many things that are not called sad. +James hovered about, put out and miserable, but active and exact as +ever; read to her, when there was a lull, short bits from the Psalms, +prose and metre, chanting the latter in his own rude and serious way, +showing great knowledge of the fit words, bearing up like a man, and +doating over her as his “ain Ailie,” “Ailie, ma woman!” “Ma ain bonnie +wee dawtie!”</p> + +<p><span class='pagenum'><a name="Page_113" id="Page_113">[113]</a></span>The end was drawing on: the golden bowl was breaking; the silver cord +was fast being loosed—that <em lang="la" xml:lang="la">animula blandula, vagula, hospes,</em> +<span class="nowrap"><em lang="la" xml:lang="la">comesque</em><a name="Anchor_113-5" id="Anchor_113-5"></a><a title="Go to footnote 113-5" href="#Footnote_113-5" class="fnanchor">113-5</a></span> was about to flee. The body and the soul—companions +for sixty years—were being sundered, and taking leave. She was walking, +alone, through the valley of that shadow, into which one day we must all +enter—and yet she was not alone, for we knew whose rod and staff were +comforting her.</p> + +<p>One night she had fallen quiet, and as we hoped, asleep; her eyes were +shut. We put down the gas and sat watching her. Suddenly she sat up in +bed, and taking a bedgown which was lying on it rolled up, she held it +eagerly to her breast—to the right side. We could see her eyes bright +with surpassing tenderness and joy, bending over this bundle of clothes. +She held it as a woman holds her sucking child; opening out her +nightgown impatiently, and holding it close, and brooding over it, and +murmuring foolish little words, as one whom his mother comforteth, and +who sucks and is satisfied. It was pitiful and strange to see her +wasting dying look, keen and yet vague—her immense love.</p> + +<p>“Preserve me!” groaned James, giving away. And then she rocked back and +forward, as if to make it sleep, hushing it, and wasting on it her +infinite fondness.</p> + +<p>“Wae’s me, doctor; I declare she’s thinkin’ it’s that bairn.”</p> + +<p>“What bairn?”</p> + +<p>“The only bairn we ever had; our wee Mysie, and she’s in the Kingdom, +forty years and mair.”</p> + +<p><span class='pagenum'><a name="Page_114" id="Page_114">[114]</a></span>It was plainly true: the pain in the breast telling its urgent story to +a bewildered, ruined brain, was misread, and mistaken; it suggested to +her the uneasiness of a breast full of milk, and then the child; and so +again once more they were together, and she had her ain wee Mysie in her +bosom.</p> + +<p>This was the close. She sank rapidly: the delirium left her; but, as she +whispered, she was “clean silly”; it was the lightening before the final +darkness. After having for some time lain still—her eyes shut, she +said, “James!”</p> + +<p>He came close to her, and lifting up her calm, clear, beautiful eyes, +she gave him a long look, turned to me kindly but shortly, looked for +Rab but could not see him, then turned to her husband again, as if she +would never leave off looking, shut her eyes and composed herself. She +lay for some time breathing quick, and passed away so gently, that when +we thought she was gone, James, in his old-fashioned way, held the +mirror to her face. After a long pause, one small spot of dimness was +breathed out; it vanished away, and never returned, leaving the blank +clear darkness of the mirror without a stain. “What is your life? it is +even a vapor, which appeareth for a little time, and then vanisheth +away.”</p> + +<p>Rab all this time had been full awake and motionless; he came forward +beside us; Ailie’s hand, which James had held, was hanging down; it was +soaked with his tears; Rab licked it all over carefully, looked at her, +and returned to his place under the table.</p> + +<p>James and I sat, I don’t know how long, but for some time—saying +nothing: he started up, abruptly, and with some noise went to the table, +and putting<span class='pagenum'><a name="Page_115" id="Page_115">[115]</a></span> his right fore and middle fingers each into a shoe, pulled +them out, and put them on, breaking one of the leather latchets, and +muttering in anger, “I never did the like o’ that afore.”</p> + +<p>I believe he never did; nor after either. “Rab!” he said roughly, and +pointing with his thumb to the bottom of the bed. Rab leaped up, and +settled himself; his head and eye to the dead face. “Maister John, ye’ll +wait for me,” said the carrier, and disappeared in the darkness, +thundering downstairs in his heavy shoes. I ran to a front window: there +he was, already round the house, and out at the gate fleeing like a +shadow.</p> + +<p>I was afraid about him, and yet not afraid; so I sat down beside Rab, +and being wearied, fell asleep. I awoke from a sudden noise outside. It +was November, and there had been a heavy fall of snow. Rab was <em lang="la" xml:lang="la">in statu</em> +<span class="nowrap"><em lang="la" xml:lang="la">quo</em>;<a name="Anchor_115-6" id="Anchor_115-6"></a><a title="Go to footnote 115-6" href="#Footnote_115-6" class="fnanchor">115-6</a></span> he heard the noise too, and plainly knew it, but never +moved. I looked out, and there, at the gate, in the dim morning—for the +sun was not up—was Jess and the cart—a cloud of steam rising from the +old mare. I did not see James; he was already at the door, and came up +to the stairs, and met me. It was less than three hours since he left, +and he must have posted out—who knows how—to Howgate, full nine miles +off; yoked Jess, and driven her astonished into town. He had an armful +of blankets, and was streaming with perspiration. He nodded to me, +spread out on the floor two pairs of clean old blankets, having at their +corners “A. G., 1794,” in large letters in red worsted. These were the +initials of Alison Græme, and James may have looked in at her from +without—himself unseen<span class='pagenum'><a name="Page_116" id="Page_116">[116]</a></span> but not unthought of—when he was “wat, wat and +weary,” and after having walked many a mile over the hills, may have +seen her sitting, while “a’ the lave were sleepin’;” and by the +firelight working her name on the blankets, for her ain James’ bed.</p> + +<p>He motioned Rab down, and taking his wife in his arms, laid her in the +blankets, and happed her carefully and firmly up, leaving the face +uncovered; and then lifting her, he nodded again sharply to me, and with +a resolved but utterly miserable face, strode along the passage, and +downstairs, followed by Rab. I followed with a light; but he didn’t need +it. I went out, holding stupidly the candle in my hand in the calm +frosty air; we were soon at the gate. I could have helped him, but I saw +he was not to be meddled with, and he was strong, and did not need it. +He laid her down as tenderly, as safely, as he had lifted her out ten +days before—as tenderly as when he had her first in his arms when she +was only “A. G.”—sorted her, leaving that beautiful sealed face open to +the heavens; and then taking Jess by the head, he moved away. He did not +notice me, neither did Rab, who presided behind the cart.</p> + +<p>I stood till they passed through the long shadow of the College, and +turned up Nicholson Street. I heard the solitary cart sound through the +streets, and die away and come again; and I returned, thinking of that +company going up Libberton Brae, then along Roslin Muir, the morning +light touching the Pentlands and making them on-looking ghosts; then +down the hill through Auchindinny woods, past “haunted Woodhouselee”; +and as daybreak came sweeping up the bleak Lammermuirs, and fell on his +own door, the company would stop, and James<span class='pagenum'><a name="Page_117" id="Page_117">[117]</a></span> would take the key, and +lift Ailie up again, laying her on her own bed, and, having put Jess up, +would return with Rab and shut the door.</p> + +<div class="figcenter" style="width: 247px;"> +<a name="image19" id="image19"></a><a href="images/image19-full.png"><img src="images/image19.png" width="247" height="195" alt="A man standing by a snow-covered grave." title="JAMES BURIED HIS WIFE" /></a> +<span class="caption">JAMES BURIED HIS WIFE</span> +</div> + +<p>James buried his wife, with his neighbors mourning, Rab inspecting the +solemnity from a distance. It was snow, and that black ragged hole would +look strange in the midst of the swelling spotless cushion of white. +James looked after everything; then rather suddenly fell ill, and took +to bed; was insensible when the doctor came, and soon died. A sort of +low fever was prevailing in the village, and his want of sleep, his +exhaustion, and his misery, made him apt to take it. The grave was not +difficult to reopen. A fresh fall of snow had again made all things +white and smooth; Rab once more looked on, and slunk home to the +stable.</p> + +<p><span class='pagenum'><a name="Page_118" id="Page_118">[118]</a></span>And what of Rab? I asked for him next week of the new carrier who got +the goodwill of James’s business, and was now master of Jess and her +cart.</p> + +<p>“How’s Rab?”</p> + +<p>He put me off, and said rather rudely, “What’s <em>your</em> business wi’ the +dowg?”</p> + +<p>I was not to be so put off.</p> + +<p>“Where’s Rab?”</p> + +<p>He, getting confused and red, and intermeddling with his hair, said, +“’Deed sir, Rab’s died.”</p> + +<p>“Dead! what did he die of?”</p> + +<p>“Well, sir,” said he, getting redder, “he didna exactly dee; he was +killed. I had to brain him wi’ a rack-pin; there was nae doing wi’ him. +He lay in the treviss wi’ the mear, and wadna come oot. I tempit him wi’ +the kail and meat, but he wad tak naething, and keepit me frae feedin’ +the beast, and he was aye gur gurrin’, and grup gruppin’ me by the legs. +I was laith to make awa wi’ the old dowg, his like wasne atween this and +Thornhill—but, ’deed, sir, I could do naething else.”</p> + +<p>I believed him. Fit end for Rab, quick and complete. His teeth and his +friends gone, why should he keep the peace and be civil?</p> + + +<div class="footnotes"> + +<p><a name="Footnote_101-1" id="Footnote_101-1"></a><a title="Return to text." href="#Anchor_101-1" class="label">101-1</a> <em>Amende</em> means <em>apology</em>.</p> + +<p><a name="Footnote_109-2" id="Footnote_109-2"></a><a title="Return to text." href="#Anchor_109-2" class="label">109-2</a> <em>Glower</em>, a Scotch word meaning a savage stare.</p> + +<p><a name="Footnote_111-3" id="Footnote_111-3"></a><a title="Return to text." href="#Anchor_111-3" class="label">111-3</a> <em lang="la" xml:lang="la">Semper paratus</em> means <em>always ready</em>.</p> + +<p><a name="Footnote_112-4" id="Footnote_112-4"></a><a title="Return to text." href="#Anchor_112-4" class="label">112-4</a> <em>Fremyt</em> means <em>trembling, querulous</em>.</p> + +<p><a name="Footnote_113-5" id="Footnote_113-5"></a><a title="Return to text." href="#Anchor_113-5" class="label">113-5</a> <em lang="la" xml:lang="la">Animula blandula, vagula, hospes, comesque</em>, means +<em>sweet fleeting life, companion and sojourner</em>.</p> + +<p><a name="Footnote_115-6" id="Footnote_115-6"></a><a title="Return to text." href="#Anchor_115-6" class="label">115-6</a> <em lang="la" xml:lang="la">In statu quo</em> means <em>in the same position</em>.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_119" id="Page_119">[119]</a></span></p> + +<h2 class="story"><a name="ANNIE_LAURIE" id="ANNIE_LAURIE"></a>ANNIE LAURIE</h2> + + +<div class="blockquot"><p><span class="smcap">Note.</span>—Concerning the history of this song it is stated on good +authority that there did really live, in the seventeenth century, +an Annie Laurie. She was a daughter of Sir Robert Laurie, first +baronet of the Maxwelton family, and was celebrated for her beauty. +We should be glad to hear that Annie Laurie married the Mr. Douglas +whose love for her inspired the writing of this poem, but records +show that she became the wife of another man.</p> + +<p>Only the first two verses were composed by Douglas; the last was +added by an unknown author.</p></div> + +<p class="poemopening"><span class="dropcapm"><span class="hide">M</span></span><span class="upper">axwelton</span> <span lang="sco" xml:lang="sco">braes</span> are bonnie<br /> +Where early <span lang="sco" xml:lang="sco">fa’s</span> the dew,<br /> +And it’s there that Annie Laurie<br /> +Gie’d me her promise true,—<br /> +Gie’d me her promise true,<br /> +Which ne’er forgot will be;<br /> +And for bonnie Annie Laurie<br /> +I’d lay me <span lang="sco" xml:lang="sco">doune</span> and <span lang="sco" xml:lang="sco">dee</span>.</p> + +<p class="poem">Her brow is like the <span lang="sco" xml:lang="sco">snaw</span> drift;<br /> +Her throat is like the swan;<br /> +Her face it is the fairest<br /> +That e’er the sun shone on,—<br /> +That e’er the sun shone on;<br /> +And dark blue is her ee;<br /> +And for bonnie Annie Laurie<br /> +I’d lay me <span lang="sco" xml:lang="sco">doune</span> and <span lang="sco" xml:lang="sco">dee</span>.</p> + +<p class="poem">Like dew on the <span lang="sco" xml:lang="sco">gowan</span> lying<br /> +Is the fa’ o’ her fairy feet;<br /> +<span class='pagenum'><a name="Page_120" id="Page_120">[120]</a></span>And like winds in summer sighing,<br /> +Her voice is low and sweet,—<br /> +Her voice is low and sweet;<br /> +And she’s a’ the world to me;<br /> +And for bonnie Annie Laurie<br /> +I’d lay me <span lang="sco" xml:lang="sco">doune</span> and <span lang="sco" xml:lang="sco">dee</span>.</p> + + + +<hr class="storybreak" /> +<h2 class="story"><a name="THE_BLIND_LASSIE" id="THE_BLIND_LASSIE"></a>THE BLIND LASSIE</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">T. C. Latto</span></p> + + +<p class="poemopening"><span class="dropcap">O</span> <span class="upper">hark</span> to the strain that <span class="nowrap">sae<a name="Anchor_120-1" id="Anchor_120-1"></a><a title="Go to footnote 120-1" href="#Footnote_120-1" class="fnanchor">120-1</a></span> sweetly is ringin’,<br /> +<span class="i1">And echoing clearly o’er lake and o’er <span class="nowrap">lea,<a name="Anchor_120-2" id="Anchor_120-2"></a><a title="Go to footnote 120-2" href="#Footnote_120-2" class="fnanchor">120-2</a></span></span><br /> +Like some fairy bird in the wilderness singin’;<br /> +<span class="i1">It thrills to my heart, yet <span class="nowrap" lang="sco" xml:lang="sco">nae<a name="Anchor_120-3" id="Anchor_120-3"></a><a title="Go to footnote 120-3" href="#Footnote_120-3" class="fnanchor">120-3</a></span> minstrel I see.</span><br /> +Round yonder rock knittin’, a dear child is sittin’,<br /> +<span class="i1"><span lang="sco" xml:lang="sco">Sae</span> toilin’ her pitifu’ <span class="nowrap">pittance<a name="Anchor_120-4" id="Anchor_120-4"></a><a title="Go to footnote 120-4" href="#Footnote_120-4" class="fnanchor">120-4</a></span> is won,</span><br /> +Hersel’ tho’ we see <span class="nowrap">nae,<a name="Anchor_120-5" id="Anchor_120-5"></a><a title="Go to footnote 120-5" href="#Footnote_120-5" class="fnanchor">120-5</a></span> ’tis <span class="nowrap" lang="sco" xml:lang="sco">mitherless<a name="Anchor_120-6" id="Anchor_120-6"></a><a title="Go to footnote 120-6" href="#Footnote_120-6" class="fnanchor">120-6</a></span> Jeanie—<br /> +<span class="i1">The <span class="nowrap">bonnie<a name="Anchor_120-7" id="Anchor_120-7"></a><a title="Go to footnote 120-7" href="#Footnote_120-7" class="fnanchor">120-7</a></span> blind lassie that sits i’ the sun.</span></p> + +<p class="poem">Five years <span lang="sco" xml:lang="sco">syne</span> come <span class="nowrap">autumn<a name="Anchor_120-8" id="Anchor_120-8"></a><a title="Go to footnote 120-8" href="#Footnote_120-8" class="fnanchor">120-8</a></span> she <span class="nowrap">cam’<a name="Anchor_120-9" id="Anchor_120-9"></a><a title="Go to footnote 120-9" href="#Footnote_120-9" class="fnanchor">120-9</a></span> wi’ her <span lang="sco" xml:lang="sco">mither</span>,<br /> +<span class="i1">A <span class="nowrap" lang="sco" xml:lang="sco">sodger’s<a name="Anchor_120-10" id="Anchor_120-10"></a><a title="Go to footnote 120-10" href="#Footnote_120-10" class="fnanchor">120-10</a></span> <span class="nowrap" lang="sco" xml:lang="sco">puir<a name="Anchor_120-11" id="Anchor_120-11"></a><a title="Go to footnote 120-11" href="#Footnote_120-11" class="fnanchor">120-11</a></span> widow, <span class="nowrap">sair<a name="Anchor_120-12" id="Anchor_120-12"></a><a title="Go to footnote 120-12" href="#Footnote_120-12" class="fnanchor">120-12</a></span> wasted an’ <span class="nowrap" lang="sco" xml:lang="sco">gane;<a name="Anchor_120-13" id="Anchor_120-13"></a><a title="Go to footnote 120-13" href="#Footnote_120-13" class="fnanchor">120-13</a></span></span><br /> +<span class='pagenum'><a name="Page_121" id="Page_121">[121]</a></span>As brown fell the leaves, <span lang="sco" xml:lang="sco">sae</span> wi’ them did she wither,<br /> +<span class="i1">And left the sweet child on the wide world her <span class="nowrap">lane.<a name="Anchor_121-14" id="Anchor_121-14"></a><a title="Go to footnote 121-14" href="#Footnote_121-14" class="fnanchor">121-14</a></span></span><br /> +She left Jeanie weepin’, in His holy keepin’<br /> +<span class="i1"><span class="nowrap" lang="sco" xml:lang="sco">Wha<a name="Anchor_121-15" id="Anchor_121-15"></a><a title="Go to footnote 121-15" href="#Footnote_121-15" class="fnanchor">121-15</a></span> shelters the lamb <span class="nowrap" lang="sco" xml:lang="sco">frae<a name="Anchor_121-16" id="Anchor_121-16"></a><a title="Go to footnote 121-16" href="#Footnote_121-16" class="fnanchor">121-16</a></span> the <span class="nowrap" lang="sco" xml:lang="sco">cauld<a name="Anchor_121-17" id="Anchor_121-17"></a><a title="Go to footnote 121-17" href="#Footnote_121-17" class="fnanchor">121-17</a></span> wintry win’;</span><br /> +We had little <span class="nowrap" lang="sco" xml:lang="sco">siller,<a name="Anchor_121-18" id="Anchor_121-18"></a><a title="Go to footnote 121-18" href="#Footnote_121-18" class="fnanchor">121-18</a></span> yet a’ were good till her,<br /> +<span class="i1">The bonnie blind lassie that sits i’ the sun.</span></p> + +<p class="poem">An’ blythe now an’ cheerfu’, <span lang="sco" xml:lang="sco">frae</span> mornin’ to e’enin<br /> +<span class="i1">She sits thro’ the <span lang="sco" xml:lang="sco">simmer</span>, an’ gladdens <span class="nowrap" lang="sco" xml:lang="sco">ilk<a name="Anchor_121-19" id="Anchor_121-19"></a><a title="Go to footnote 121-19" href="#Footnote_121-19" class="fnanchor">121-19</a></span> ear,</span><br /> +<span class="nowrap" lang="sco" xml:lang="sco">Baith<a name="Anchor_121-20" id="Anchor_121-20"></a><a title="Go to footnote 121-20" href="#Footnote_121-20" class="fnanchor">121-20</a></span> <span lang="sco" xml:lang="sco">auld</span> and young <span class="nowrap" lang="sco" xml:lang="sco">daut<a name="Anchor_121-21" id="Anchor_121-21"></a><a title="Go to footnote 121-21" href="#Footnote_121-21" class="fnanchor">121-21</a></span> her, <span lang="sco" xml:lang="sco">sae</span> gentle and winnin’;<br /> +<span class="i1">To a’ the folks round the wee lassie is dear.</span><br /> +<span class="nowrap" lang="sco" xml:lang="sco">Braw<a name="Anchor_121-22" id="Anchor_121-22"></a><a title="Go to footnote 121-22" href="#Footnote_121-22" class="fnanchor">121-22</a></span> <span class="nowrap" lang="sco" xml:lang="sco">leddies<a name="Anchor_121-23" id="Anchor_121-23"></a><a title="Go to footnote 121-23" href="#Footnote_121-23" class="fnanchor">121-23</a></span> caress her, wi’ bounties would press her;<br /> +<span class="i1">The modest <span class="nowrap" lang="sco" xml:lang="sco">bit<a name="Anchor_121-24" id="Anchor_121-24"></a><a title="Go to footnote 121-24" href="#Footnote_121-24" class="fnanchor">121-24</a></span> darlin’ their notice would shun;</span><br /> +For though she has <span lang="sco" xml:lang="sco">naething</span>, proud-hearted this wee thing,<br /> +<span class="i1">The bonnie blind lassie that sits i’ the sun.</span></p> + + +<div class="footnotes"> + +<p><a name="Footnote_120-1" id="Footnote_120-1"></a><a title="Return to text." href="#Anchor_120-1" class="label">120-1</a> <em lang="sco" xml:lang="sco">Sae</em> is the Scotch word for <em>so</em>.</p> + +<p><a name="Footnote_120-2" id="Footnote_120-2"></a><a title="Return to text." href="#Anchor_120-2" class="label">120-2</a> A lea is a grassy field or meadow.</p> + +<p><a name="Footnote_120-3" id="Footnote_120-3"></a><a title="Return to text." href="#Anchor_120-3" class="label">120-3</a> <em lang="sco" xml:lang="sco">Nae</em> means <em>no</em>.</p> + +<p><a name="Footnote_120-4" id="Footnote_120-4"></a><a title="Return to text." href="#Anchor_120-4" class="label">120-4</a> <em>Pittance</em> means <em>small earnings</em>.</p> + +<p><a name="Footnote_120-5" id="Footnote_120-5"></a><a title="Return to text." href="#Anchor_120-5" class="label">120-5</a> <em>Nae</em> is <em>not</em>.</p> + +<p><a name="Footnote_120-6" id="Footnote_120-6"></a><a title="Return to text." href="#Anchor_120-6" class="label">120-6</a> <em lang="sco" xml:lang="sco">Mither</em> is the Scotch form of <em>mother</em>.</p> + +<p><a name="Footnote_120-7" id="Footnote_120-7"></a><a title="Return to text." href="#Anchor_120-7" class="label">120-7</a> <em>Bonnie</em> means <em>pretty</em>.</p> + +<p><a name="Footnote_120-8" id="Footnote_120-8"></a><a title="Return to text." href="#Anchor_120-8" class="label">120-8</a> <em>Since come autumn</em>; that is, it will be nine years +next autumn.</p> + +<p><a name="Footnote_120-9" id="Footnote_120-9"></a><a title="Return to text." href="#Anchor_120-9" class="label">120-9</a> <em>Cam’</em> is a contraction of <em>came</em>.</p> + +<p><a name="Footnote_120-10" id="Footnote_120-10"></a><a title="Return to text." href="#Anchor_120-10" class="label">120-10</a> <em>Sodger’s</em> is <em>soldier’s</em>.</p> + +<p><a name="Footnote_120-11" id="Footnote_120-11"></a><a title="Return to text." href="#Anchor_120-11" class="label">120-11</a> <em lang="sco" xml:lang="sco">Puir</em> is the Scotch spelling of <em>poor</em>.</p> + +<p><a name="Footnote_120-12" id="Footnote_120-12"></a><a title="Return to text." href="#Anchor_120-12" class="label">120-12</a> <em lang="sco" xml:lang="sco">Sair</em> is <em>sore</em>, that is, <em>sadly</em>.</p> + +<p><a name="Footnote_120-13" id="Footnote_120-13"></a><a title="Return to text." href="#Anchor_120-13" class="label">120-13</a> <em lang="sco" xml:lang="sco">Gane</em> means <em>gone</em>.</p> + +<p><a name="Footnote_121-14" id="Footnote_121-14"></a><a title="Return to text." href="#Anchor_121-14" class="label">121-14</a> <em lang="sco" xml:lang="sco">Her lane</em> means <em>by herself</em>.</p> + +<p><a name="Footnote_121-15" id="Footnote_121-15"></a><a title="Return to text." href="#Anchor_121-15" class="label">121-15</a> <em lang="sco" xml:lang="sco">Wha</em> is Scotch for <em>who</em>.</p> + +<p><a name="Footnote_121-16" id="Footnote_121-16"></a><a title="Return to text." href="#Anchor_121-16" class="label">121-16</a> <em lang="sco" xml:lang="sco">Frae</em> means <em>from</em>.</p> + +<p><a name="Footnote_121-17" id="Footnote_121-17"></a><a title="Return to text." href="#Anchor_121-17" class="label">121-17</a> <em lang="sco" xml:lang="sco">Cauld</em> is the Scotch form of <em>cold</em>.</p> + +<p><a name="Footnote_121-18" id="Footnote_121-18"></a><a title="Return to text." href="#Anchor_121-18" class="label">121-18</a> <em lang="sco" xml:lang="sco">Siller</em> means <em>silver money</em>, or simply <em>money</em>.</p> + +<p><a name="Footnote_121-19" id="Footnote_121-19"></a><a title="Return to text." href="#Anchor_121-19" class="label">121-19</a> <em lang="sco" xml:lang="sco">Ilk</em> means <em>every</em>.</p> + +<p><a name="Footnote_121-20" id="Footnote_121-20"></a><a title="Return to text." href="#Anchor_121-20" class="label">121-20</a> <em lang="sco" xml:lang="sco">Baith</em> is Scotch for <em>both</em>.</p> + +<p><a name="Footnote_121-21" id="Footnote_121-21"></a><a title="Return to text." href="#Anchor_121-21" class="label">121-21</a> <em lang="sco" xml:lang="sco">Daut</em> means <em>pet</em>.</p> + +<p><a name="Footnote_121-22" id="Footnote_121-22"></a><a title="Return to text." href="#Anchor_121-22" class="label">121-22</a> <em lang="sco" xml:lang="sco">Braw</em> means <em>fine</em>, or <em>gay</em>.</p> + +<p><a name="Footnote_121-23" id="Footnote_121-23"></a><a title="Return to text." href="#Anchor_121-23" class="label">121-23</a> <em lang="sco" xml:lang="sco">Leddies</em> is the Scotch form of <em>ladies</em>.</p> + +<p><a name="Footnote_121-24" id="Footnote_121-24"></a><a title="Return to text." href="#Anchor_121-24" class="label">121-24</a> <em lang="sco" xml:lang="sco">Bit</em> means <em>little</em>.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_122" id="Page_122">[122]</a></span></p> + +<h2 class="story"><a name="BOYHOOD" id="BOYHOOD"></a>BOYHOOD</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Washington Allston</span></p> + + +<p class="poemopening"><span class="dropcap">A</span><span class="upper">h, then</span> how sweetly closed those crowded days!<br /> +The minutes parting one by one like rays,<br /> +<span class="i1">That fade upon a summer’s eve.</span><br /> +But O, what charm or magic numbers<br /> +Can give me back the gentle slumbers<br /> +<span class="i1">Those weary, happy days did leave?</span><br /> +When by my bed I saw my mother kneel,<br /> +<span class="i1">And with her blessing took her nightly kiss;</span><br /> +<span class="i1">Whatever Time destroys, he cannot this;—</span><br /> +E’en now that nameless kiss I feel.</p> + + + +<hr class="storybreak" /> +<h2 class="story"><a name="SWEET_AND_LOW" id="SWEET_AND_LOW"></a>SWEET AND LOW</h2> + + +<div class="blockquot"><p><span class="smcap">Note.</span>—In Tennyson’s long poem <cite>The Princess</cite> is a little lullaby +so wonderfully sweet that all who have read it wish to read it +again. It is one that we all love, no matter whether we are little +children and hear it sung to us or are older children and look back +to the evenings when we listened to mother’s loving voice as she +led us gently into the land of dreams while she watched patiently +for father’s return.</p> + +<p>Here are the stanzas which are usually known by the name <cite>Sweet and +Low</cite>:</p></div> + +<p class="poemopening"><span class="dropcap">S</span><span class="upper">weet</span> and low, sweet and low,<br /> +<span class="i1">Wind of the western sea,</span><br /> +Low, low, breathe and blow,<br /> +<span class="i1">Wind of the western sea!</span><br /> +<span class='pagenum'><a name="Page_123" id="Page_123">[123]</a></span>Over the rolling waters go,<br /> +Come from the dying moon, and blow,<br /> +<span class="i1">Blow him again to me;</span><br /> +While my little one, while my pretty one sleeps.</p> + +<p class="poem">Sleep and rest, sleep and rest,<br /> +<span class="i1">Father will come to thee soon;</span><br /> +Rest, rest, on mother’s breast,<br /> +<span class="i1">Father will come to thee soon;</span><br /> +Father will come to his babe in the nest,<br /> +Silver sails all out of the west<br /> +<span class="i1">Under the silver moon:</span><br /> +Sleep, my little one, sleep, my pretty one, sleep.</p> + +<div class="blockquot"><p>It is interesting to try to determine just how a great poet makes +us feel so strongly the thing that he tells us. In this case +Tennyson thinks of a mother in England and a father who is +somewhere in the West, out on the broad Atlantic, but is coming +home to his little one. The mother dreams only of the home-coming +of her husband, and she wishes the baby to learn to love its father +as much as she does, so as she sings the little one to sleep, she +pours out her love for both in beautiful melody.</p> + +<p>To express this mother-love and anxious care the poet has chosen +simple words that have rich, musical sounds, that can be spoken +easily and smoothly and that linger on the tongue. He speaks of the +sea, the gentle wind, the rolling waters, the dying moon and the +silver sails, all of which call up ideas that rest us and make us +happy, and then with rare skill he arranges the words so that when +we read the lines we can feel the gentle rocking movement that +lulls the little one, the pretty one into its gentle slumbers.</p></div> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_124" id="Page_124">[124]</a></span></p> + +<h2 class="story"><a name="CHILDHOOD" id="CHILDHOOD"></a><span class="nowrap">CHILDHOOD<a name="Anchor_124-1" id="Anchor_124-1"></a><a title="Go to footnote 124-1" href="#Footnote_124-1" class="fnanchor" style="font-size: smaller;">124-1</a></span></h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Donald G. Mitchell</span></p> + + +<p class="opening"><span class="dropcapi"><span class="hide">I</span></span><span class="upper">sabel</span> and I—she is my cousin, and is seven years old, and I am +ten—are sitting together on the bank of a stream, under an oak tree +that leans half way over to the water. I am much stronger than she, and +taller by a head. I hold in my hands a little alder rod, with which I am +fishing for the roach and minnows, that play in the pool below us.</p> + +<p>She is watching the cork tossing on the water, or playing with the +captured fish that lie upon the bank. She has auburn ringlets that fall +down upon her shoulders; and her straw hat lies back upon them, held +only by the strip of ribbon, that passes under her chin. But the sun +does not shine upon her head; for the oak tree above us is full of +leaves; and only here and there, a dimple of the sunlight plays upon the +pool, where I am fishing.</p> + +<p>Her eye is hazel, and bright; and now and then she turns it on me with a +look of girlish curiosity, as I lift up my rod—and again in playful +menace, as she grasps in her little fingers one of the dead fish, and +threatens to throw it back upon the stream. Her little feet hang over +the edge of the bank; and from time to time, she reaches down to dip her +toe<span class='pagenum'><a name="Page_125" id="Page_125">[125]</a></span> in the water; and laughs a girlish laugh of defiance, as I scold +her for frightening away the fishes.</p> + +<p>“Bella,” I say, “what if you should tumble in the river?”</p> + +<p>“But I won’t.”</p> + +<p>“Yes, but if you should?”</p> + +<div class="figcenter" style="width: 247px;"> +<a name="image20" id="image20"></a><a href="images/image20-full.png"><img src="images/image20.png" width="247" height="196" alt="A girl and a boy with a fishing pole, sitting on the bank of a stream." title="SHE REACHES DOWN TO DIP HER TOE" /></a> +<span class="caption">SHE REACHES DOWN TO DIP HER TOE</span> +</div> + +<p>“Why then you would pull me out.”</p> + +<p>“But if I wouldn’t pull you out?”</p> + +<p>“But I know you would; wouldn’t you, Paul?”</p> + +<p>“What makes you think so, Bella?”</p> + +<p>“Because you love Bella.”</p> + +<p>“How do you know I love Bella?”</p> + +<p>“Because once you told me so; and because you pick flowers for me that I +cannot reach; and because you let me take your rod, when you have a fish +upon it.”</p> + +<p><span class='pagenum'><a name="Page_126" id="Page_126">[126]</a></span>“But that’s no reason, Bella.”</p> + +<p>“Then what is, Paul?”</p> + +<p>“I’m sure I don’t know, Bella.”</p> + +<p>A little fish has been nibbling for a long time at the bait; the cork +has been bobbing up and down—and now he is fairly hooked, and pulls +away toward the bank, and you cannot see the cork.</p> + +<p>“Here, Bella, quick!”—and she springs eagerly to clasp her little hands +around the rod. But the fish has dragged it away on the other side of +me; and as she reaches farther, and farther, she slips, cries—“Oh, +Paul!” and falls into the water.</p> + +<p>The stream, they told us when we came, was over a man’s head—it is +surely over little Isabel’s. I fling down the rod, and thrusting one +hand into the roots that support the overhanging bank, I grasp at her +hat, as she comes up; but the ribbons give way, and I see the terribly +earnest look upon her face as she goes down again. Oh, my +mother—thought I—if you were only here!</p> + +<p>But she rises again; this time, I thrust my hand into her dress, and +struggling hard, keep her at the top, until I can place my foot down +upon a projecting root; and so bracing myself, I drag her to the bank, +and having climbed up, take hold of her belt firmly with both hands, and +drag her out; and poor Isabel, choked, chilled, and wet, is lying upon +the grass.</p> + +<p>I commence crying aloud. The workmen in the fields hear me, and come +down. One takes Isabel in his arms, and I follow on foot to our uncle’s +home upon the hill.</p> + +<p>—“Oh, my dear children!” says my mother; and she takes Isabel in her +arms; and presently with dry<span class='pagenum'><a name="Page_127" id="Page_127">[127]</a></span> clothes, and blazing wood-fire, little +Bella smiles again. I am at my mother’s knee.</p> + +<p>“I told you so, Paul,” says Isabel—“aunty, doesn’t Paul love me?”</p> + +<p>“I hope so, Bella,” said my mother.</p> + +<p>“I know so,” said I; and kissed her cheek.</p> + +<p>And how did I know it? The boy does not ask; the man does. Oh, the +freshness, the honesty, the vigor of a boy’s heart! how the memory of it +refreshes like the first gush of spring, or the break of an April +shower!</p> + +<p>But boyhood has its <span class="smcap">Pride</span>, as well as its <span class="smcap">Loves</span>.</p> + +<p>My uncle is a tall, hard-faced man; I fear him when he calls +me—“child;” I love him when he calls me—“Paul.” He is almost always +busy with his books; and when I steal into the library door, as I +sometimes do, with a string of fish, or a heaping basket of nuts to show +to him—he looks for a moment curiously at them, sometimes takes them in +his fingers—gives them back to me, and turns over the leaves of his +book. You are afraid to ask him if you have not worked bravely; yet you +want to do so.</p> + +<p>You sidle out softly, and go to your mother; she scarce looks at your +little stores; but she draws you to her with her arm, and prints a kiss +upon your forehead. Now your tongue is unloosed; that kiss and that +action have done it; you will tell what capital luck you have had; and +you hold up your tempting trophies; “are they not great, mother?” But +she is looking in your face, and not at your prize.</p> + +<p>“Take them, mother,” and you lay the basket upon her lap.</p> + +<p><span class='pagenum'><a name="Page_128" id="Page_128">[128]</a></span>“Thank you, Paul, I do not wish them: but you must give some to Bella.”</p> + +<p>And away you go to find laughing, playful, cousin Isabel. And we sit +down together on the grass, and I pour out my stores between us. “You +shall take, Bella, what you wish in your apron, and then when study +hours are over, we will have such a time down by the big rock in the +meadow!”</p> + +<p>“But I do not know if papa will let me,” says Isabel.</p> + +<p>“Bella,” I say, “do you love your papa?”</p> + +<p>“Yes,” says Bella, “why not?”</p> + +<p>“Because he is so cold; he does not kiss you, Bella, so often as my +mother does; and besides, when he forbids your going away, he does not +say, as mother does—my little girl will be tired, she had better not +go—but he says only—Isabel must not go. I wonder what makes him talk +so?”</p> + +<p>“Why Paul, he is a man, and doesn’t—at any rate, I love him, Paul. +Besides, my mother is sick, you know.”</p> + +<p>“But Isabel, my mother will be your mother, too. Come, Bella, we will go +ask her if we may go.”</p> + +<p>And there I am, the happiest of boys, pleading with the kindest of +mothers. And the young heart leans into that mother’s heart—none of the +void now that will overtake it in the years that are to come. It is +joyous, full, and running over!</p> + +<p>“You may go,” she says, “if your uncle is willing.”</p> + +<p>“But mamma, I am afraid to ask him; I do not believe he loves me.”</p> + +<p>“Don’t say so, Paul,” and she draws you to her side; as if she would +supply by her own love the lacking love of a universe.</p> + +<p><span class='pagenum'><a name="Page_129" id="Page_129">[129]</a></span>“Go, with your cousin Isabel, and ask him kindly; and if he says +no—make no reply.”</p> + +<p>And with courage, we go hand in hand, and steal in at the library door. +There he sits—I seem to see him now—in the old wainscoted room, +covered over with books and pictures; and he wears his heavy-rimmed +spectacles, and is poring over some big volume, full of hard words, that +are not in any spelling-book.</p> + +<p>We step up softly; and Isabel lays her little hand upon his arm; and he +turns, and says—“Well, my little daughter?”</p> + +<p>I ask if we may go down to the big rock in the meadow?</p> + +<p>He looks at Isabel, and says he is afraid—“we cannot go.”</p> + +<p>“But why, uncle? It is only a little way, and we will be very careful.”</p> + +<p>“I am afraid, my children; do not say any more: you can have the pony, +and Tray, and play at home.”</p> + +<p>“But, uncle——”</p> + +<p>“You need say no more, my child.”</p> + +<p>I pinch the hand of little Isabel, and look in her eye—my own half +filling with tears. I feel that my forehead is flushed, and I hide it +behind Bella’s tresses—whispering to her at the same time—“Let us go.”</p> + +<p>“What, sir,” says my uncle, mistaking my meaning—“do you persuade her +to disobey?”</p> + +<p>Now I am angry, and say blindly—“No, sir, I didn’t!” And then my rising +pride will not let me say, that I wished only Isabel should go out with +me.</p> + +<p><span class='pagenum'><a name="Page_130" id="Page_130">[130]</a></span>Bella cries; and I shrink out; and am not easy until I have run to bury +my head in my mother’s bosom. Alas! pride cannot always find such +covert! There will be times when it will harass you strangely; when it +will peril friendships—will sever old, standing intimacy; and then—no +resource but to feed on its own bitterness. Hateful pride!—to be +conquered, as a man would conquer an enemy, or it will make whirlpools +in the current of your affections—nay, turn the whole tide of the heart +into rough and unaccustomed channels.</p> + +<p>But boyhood has its <span class="smcap">Grief</span> too, apart from <span class="smcap">Pride</span>.</p> + +<p>You love the old dog, Tray; and Bella loves him as well as you. He is a +noble old fellow, with shaggy hair, and long ears, and big paws, that he +will put up into your hands, if you ask him. And he never gets angry +when you play with him, and tumble him over in the long grass, and pull +his silken ears. Sometimes, to be sure, he will open his mouth, as if he +would bite, but when he gets your hand fairly in his jaws, he will +scarce leave the print of his teeth upon it. He will swim, too, bravely, +and bring ashore all the sticks you throw upon the water; and when you +fling a stone to tease him, he swims round and round, and whines, and +looks sorry, that he cannot find it.</p> + +<p>He will carry a heaping basket full of nuts, too, in his mouth, and +never spill one of them; and when you come out to your uncle’s home in +the spring, after staying a whole winter in the town, he knows you—old +Tray does! And he leaps upon you, and lays his paws on your shoulder, +and licks your face; and is almost as glad to see you, as cousin Bella +her<span class='pagenum'><a name="Page_131" id="Page_131">[131]</a></span>self. And when you put Bella on his back for a ride, he only +pretends to bite her little feet—but he wouldn’t do it for the world. +Ay, Tray is a noble old dog!</p> + +<p>But one summer, the farmers say that some of their sheep are killed, and +that the dogs have worried them; and one of them comes to talk with my +uncle about it.</p> + +<p>But Tray never worried sheep; you know he never did; and so does nurse; +and so does Bella; for in the spring, she had a pet lamb, and Tray never +worried little Fidele.</p> + +<p>And one or two of the dogs that belong to the neighbors are shot; though +nobody knows who shot them; and you have great fears about poor Tray; +and try to keep him at home, and fondle him more than ever. But Tray +will sometimes wander off; till finally, one afternoon, he comes back +whining piteously, and with his shoulder all bloody.</p> + +<p>Little Bella cries loud; and you almost cry, as nurse dresses the wound; +and poor old Tray whines very sadly. You pat his head, and Bella pats +him; and you sit down together by him on the floor of the porch, and +bring a rug for him to lie upon; and try and tempt him with a little +milk, and Bella brings a piece of cake for him—but he will eat nothing. +You sit up till very late, long after Bella has gone to bed, patting his +head, and wishing you could do something for poor Tray; but he only +licks your hand, and whines more piteously than ever.</p> + +<p>In the morning, you dress early, and hurry downstairs; but Tray is not +lying on the rug; and you run through the house to find him, and +whistle, and<span class='pagenum'><a name="Page_132" id="Page_132">[132]</a></span> call—Tray—Tray! At length you see him lying in his old +place, out by the cherry tree, and you run to him; but he does not +start; and you lean down to pat him—but he is cold, and the dew is wet +upon him—poor Tray is dead!</p> + +<div class="figcenter" style="width: 248px;"> +<a name="image21" id="image21"></a><a href="images/image21-full.png"><img src="images/image21.png" width="248" height="196" alt="A girl hanging a wreath on the headstone of a grave, while a boy stands watching." title="POOR TRAY IS DEAD" /></a> +<span class="caption">POOR TRAY IS DEAD</span> +</div> + +<p>You take his head upon your knees, and pat again those glossy ears, and +cry; but you cannot bring him to life. And Bella comes, and cries with +you. You can hardly bear to have him put in the ground; but uncle says +he must be buried. So one of the workmen digs a grave under the cherry +tree, where he died—a deep grave, and they round it over with earth, +and smooth the sods upon it—even now I can trace Tray’s grave.</p> + +<p>You and Bella together put up a little slab for a tombstone; and she +hangs flowers upon it, and<span class='pagenum'><a name="Page_133" id="Page_133">[133]</a></span> ties them there with a bit of ribbon. You +can scarce play all that day; and afterward, many weeks later, when you +are rambling over the fields, or lingering by the brook, throwing off +sticks into the eddies, you think of old Tray’s shaggy coat, and of his +big paw, and of his honest eye; and the memory of your boyish grief +comes upon you; and you say with tears, “Poor Tray!” And Bella too, in +her sad sweet tones, says—“Poor old Tray—he is dead!”</p> + + +<div class="footnotes"> + +<p><a name="Footnote_124-1" id="Footnote_124-1"></a><a title="Return to text." href="#Anchor_124-1" class="label">124-1</a> From <cite>Reveries of a Bachelor</cite>, by Donald G. Mitchell +(Ik Marvel).</p> +</div> + + +<hr class="storybreak" /> +<h2 class="story"><a name="THE_BUGLE_SONG" id="THE_BUGLE_SONG"></a>THE BUGLE SONG</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Alfred Tennyson</span></p> + + +<p class="poem"><span class="i1"><span class="dropcap">T</span><span class="upper">he</span> splendor falls on castle walls</span><br /> +<span class="i2">And snowy summits old in story:</span><br /> +<span class="i1">The long light shakes across the lakes,</span><br /> +<span class="i2">And the wild cataract leaps in glory.</span><br /> +Blow, bugle, blow, set the wild echoes flying,<br /> +Blow, bugle; answer, echoes, dying, dying, dying.</p> + +<p class="poem"><span class="i1">O hark, O hear! how thin and clear,</span><br /> +<span class="i2">And thinner, clearer, farther going!</span><br /> +<span class="i1">O sweet and far from cliff and scar</span><br /> +<span class="i2">The horns of Elfland faintly blowing!</span><br /> +Blow, let us hear the purple glens replying:<br /> +Blow, bugle; answer, echoes, dying, dying, dying.</p> + +<p class="poem"><span class="i1">O love, they die in yon rich sky,</span><br /> +<span class="i2">They faint on hill or field or river:</span><br /> +<span class="i1">Or echoes roll from soul to soul,</span><br /> +<span class="i2">And grow for ever and for ever.</span><br /> +Blow, bugle, blow, set the wild echoes flying,<br /> +And answer, echoes, answer, dying, dying, dying.</p> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_134" id="Page_134">[134]</a></span></p> + +<h2 class="story"><a name="FROM_THE_IMITATION_OF_CHRIST" id="FROM_THE_IMITATION_OF_CHRIST"></a>FROM THE IMITATION OF CHRIST</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Thomas</span> à <span class="smcap">Kempis</span></p> + +<h3 class="section">OF FOLLOWING CHRIST AND DESPISING ALL WORLDLY VANITIES</h3> + + +<p class="noindent"><span class="dropcapo"><span class="hide">O</span></span><span class="upper">ur</span> Lord saith: he that followeth me walketh not in darkness.</p> + +<p>These are the words of Christ in the which we are admonished to follow +his life and his manners if we would be truly enlightened and be +delivered from all manner of blindness of heart.</p> + +<p>Wherefore let our chief study be upon the life of Jesus Christ.</p> + +<p>Sublime words make not a man holy and righteous, but it is a virtuous +life that maketh him dear to God.</p> + +<p>I desire rather to know compunction than its definition. If thou knewest +all the sayings of all the philosophers, what should that avail thee +without charity and grace?</p> + +<p>All other things in the world, save only to love God and serve him, are +vanity of vanities and all vanity.</p> + +<p>And it is vanity also to desire honour and for a man to lift himself on +high.</p> + +<p>And it is vanity to follow the desires of the flesh and to desire the +thing for which man must afterward grievously be punished.</p> + +<p><span class='pagenum'><a name="Page_135" id="Page_135">[135]</a></span>And it is vanity to desire a long life and to take no care to live a +good life.</p> + +<p>And it is vanity for a man to take heed only to this present life and +not to see before those things that are to come.</p> + +<p>Study therefore to withdraw thy heart from love of things visible and +turn thee to things invisible.</p> + +<p>For they that follow their senses stain their consciences and lose the +grace of God.</p> + + +<h3 class="section">OF A HUMBLE OPINION OF OURSELVES</h3> + +<p>Every man naturally desireth knowledge; but knowledge without love and +fear of God, what availeth it?</p> + +<p>Certainly the meek plow-man that serveth God is much better than the +proud philosopher that, taking no heed of his own living, studies the +course of the stars.</p> + +<p>He that knoweth himself well is lowly in his own sight and hath no +delight in man’s praises.</p> + +<p>If I knew all things that are in the world and had not charity, what +should that help me before God who shall judge me according to my deeds?</p> + +<p>Unwise is he that more attendeth to other things than to the health of +his soul.</p> + +<p>Many words fill not the soul; but a good life refresheth the mind and a +pure conscience giveth a great confidence in God.</p> + +<p>The more thou canst do and the better that thou canst do, the more +grievously thou shalt be judged unless thou live holily.</p> + +<p>Think not highly of thyself but rather acknowledge thine ignorance.</p> + +<p><span class='pagenum'><a name="Page_136" id="Page_136">[136]</a></span>If thou wilt learn and know anything profitably, love to be unknown and +to be accounted as of little worth.</p> + + +<h3 class="section">OF THE TEACHING OF TRUTH</h3> + +<p>Blissful is he whom truth itself teacheth, not by figures or voices, but +as it is.</p> + +<p>What availeth great searching of dark and hidden things for the which we +shall not be blamed in the judgment though we know them not?</p> + +<p>He to whom the Word Everlasting speaketh is delivered from a multitude +of opinions. Of one Word came all things, and all things speak one word; +that is the Beginning that speaketh to us. No man without the Word +understandeth or judgeth righteously.</p> + +<p>He to whom all things are one and who draweth all things to one and +seeth all things in one may be quiet in heart and peaceably abide in +God.</p> + +<p>O God of truth, make me one with thee in everlasting love!</p> + +<p>Ofttimes it wearieth me to hear and read many things; in thee Lord is +all that I wish and can desire.</p> + +<p>Let all teachers hold their peace and all manner of creatures keep their +silence in thy sight: Speak thou alone to me!</p> + +<p>Who hath a stronger battle than he that useth force to overcome himself? +This should be our occupation, to overcome ourselves and every day to be +stronger and somewhat holier.</p> + +<p>Meek knowing of thyself is more acceptable to God than deep inquiry +after knowledge.</p> + +<p>Knowledge or bare and simple knowing of things is not to be blamed, the +which, in itself considered,<span class='pagenum'><a name="Page_137" id="Page_137">[137]</a></span> is good and ordained of God: but a good +conscience and a virtuous life is ever to be preferred.</p> + +<p>And forasmuch as many people study more to have knowledge than to live +well, therefore ofttimes they err and bring forth little fruit or none.</p> + +<p>Certainly at the day of doom it shall not be asked of us what we have +read but what we have done; nor what good we have spoken but how +religiously we have lived.</p> + +<p>Verily he is great that in himself is little and meek and setteth at +naught all height of honour. Verily he is great that hath great love. +Verily he is prudent that deemeth all earthly things foul so that he may +win Christ. And he is verily well learned that doth the will of God and +forsaketh his own will.</p> + + +<h3 class="section">OF WISDOM IN MAN’S ACTIONS</h3> + +<p>It is not fit to give credence to every word nor to every suggestion, +but every thing is to be weighed according to God, warily and in +leisure.</p> + +<p>Alas, rather is evil believed of another man than good; we are so weak.</p> + +<p>But the perfect believe not easily all things that men tell, for they +know man’s infirmity, ready to speak evil and careless enough in words.</p> + +<p>Hereto it belongeth also not to believe every man’s words, nor to tell +other men what we hear or carelessly believe.</p> + +<p>Have thy counsel with a wise man and a man of conscience and seek rather +to be taught by thy betters than to follow thine own inventions.</p> + +<p>Good life maketh a man wise in God’s sight and expert in many things.</p> + +<p><span class='pagenum'><a name="Page_138" id="Page_138">[138]</a></span>The more meek that a man is and the more subject to God the more wise +shall he be in all things—and the more patient.</p> + + +<h3 class="section">OF READING THE SCRIPTURES</h3> + +<p>Truth is to be sought in holy writings, not in eloquence. Every holy +writing ought to be read with the same spirit wherewith it was made.</p> + +<p>We ought in Scriptures rather to seek profitableness than subtle +language.</p> + +<p>We ought as gladly to read simple and devout books as high and profound +ones.</p> + +<p>Let not the authority of him that writeth, whether he be of great name +or little, change thy thought, but let the love of pure truth draw thee +to read.</p> + +<p>Ask not who said this, but take heed what is said. Man passeth, but the +truth of the Lord abideth everlastingly.</p> + +<p>God speaketh to us in diverse ways without respect to persons.</p> + +<p>If thou wilt draw profit in reading, read meekly, simply and truly, not +desiring to have a reputation for knowledge.</p> + + +<h3 class="section">OF INORDINATE AFFECTIONS</h3> + +<p>Whenever a man coveteth anything inordinately, anon is he disquieted in +himself.</p> + +<p>The proud man and covetous hath never rest: the poor and the meek in +spirit dwell in peace.</p> + +<p>The man that is not perfectly dead to himself is soon tempted and soon +overcome by small things and things of little price.</p> + +<p>In withstanding passions and not in serving them, standeth peace of +heart.</p> + +<p><span class='pagenum'><a name="Page_139" id="Page_139">[139]</a></span>There is no peace in the heart of the carnal man nor in him that is all +given to outward things; but in the fervent, spiritual man is peace.</p> + + +<h3 class="section">OF SHUNNING TOO GREAT FAMILIARITY</h3> + +<p>Show not thy heart to every man but bring thy cause to him that is wise +and feareth God.</p> + +<p>Converse rarely with young people and strangers.</p> + +<p>Flatter not rich men and seek not great men; but keep company thyself +with meek and simple men and talk of such things as will edify.</p> + +<p>Be not familiar to any woman; but generally commend all good women to +God.</p> + +<p>Desire to be familiar with God and with his angels and avoid knowledge +of men. Love is to be given to all men, but familiarity is not +expedient.</p> + +<p>It happeneth some times that a person unknown shineth by his bright +fame, whose presence offendeth and maketh dark the eyes of the +beholders. We often hope to please others by our being and living with +them, but often we displease them through the bad manners they find in +us.</p> + + +<h3 class="section">OF SHUNNING MANY WORDS</h3> + +<p>Avoid noise and the press of men as much as thou mayest: for talking of +worldly deeds, though they be brought forth with true and simple +intention, hindereth much: for we be soon defiled and led into vanity.</p> + +<p>I have wished myself ofttimes to have held my peace and not to have been +among men. Why speak we and talk we together so gladly, since seldom we +come home without hurting of conscience?</p> + +<p>We talk so oft together because by such speak<span class='pagenum'><a name="Page_140" id="Page_140">[140]</a></span>ing we seek comfort each +from the other and to relieve the heart that is made weary with many +thoughts; and we speak much of such things as we love or desire or such +things as we dislike. But, alas, it is ofttimes vainly and fruitlessly, +for such outward comfort is a great hindering to inward and heavenly +consolation. Therefore we ought to watch and pray that our time pass not +idly by.</p> + + +<h3 class="section">OF FLEEING FROM VAIN HOPE AND ELATION</h3> + +<p>He is vain that putteth his hope in men or in other created things.</p> + +<p>Be not ashamed to serve other men for the love of Jesus Christ and to be +considered poor in this world. Stand not upon thyself but set thy trust +in God. Do what in thee is and God shall be nigh to thy good will.</p> + +<p>Trust not in thine own knowledge nor in the skill of any man living; but +rather in the grace of God that helpeth meek folk and maketh low them +that are proud.</p> + +<p>Rejoice thee not in riches if thou have any, nor in friends if they be +mighty; but in God that giveth all things and above all things desireth +to give Himself.</p> + +<p>Rejoice not for thy greatness nor for the beauty of that body which is +corrupted and disfigured with a little sickness.</p> + +<p>Please not thyself for thy ability or for thy wit lest thou displease +God of whom cometh all the good that thou hast naturally.</p> + +<p>Account not thyself better than others, lest peradventure thou be held +worse in the sight of God that knoweth what is in man.</p> + +<p><span class='pagenum'><a name="Page_141" id="Page_141">[141]</a></span>Be not proud of good works; for God’s judgments are otherwise than +thine. Ofttimes what pleaseth man displeaseth God.</p> + +<p>If thou hast any good things in thee believe better things of others +that thou mayest keep thy humility.</p> + +<p>It hurteth thee not to be set under all men: it might hinder thee if +thou settest thyself afore others.</p> + +<p>Continual peace is with the meek man, but in the heart of the proud man +are often envy and indignation.</p> + +<div class="blockquot"><p>Thomas à Kempis was born in the latter part of the fourteenth +century and lived to a good old age. His name in full was Thomas +Haemercken, but as he was born in the town of Kempen he has been +generally known by the title above given. The <cite>Imitation</cite> was +written slowly, a little at a time, and as the result of reading, +reflection and prayer.</p> + +<p>The very brief selections given above are condensed from the first +ten chapters of the first book. While in the main following the +best translation of the original, the language has been simplified +in a few places.</p></div> + + + +<hr class="storybreak" /> +<h2 class="story"><a name="THE_DESTRUCTION_OF_SENNACHERIB" id="THE_DESTRUCTION_OF_SENNACHERIB"></a>THE DESTRUCTION OF SENNACHERIB</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Lord Byron</span></p> + + +<div class="blockquot"><p><span class="smcap">Note.</span>—Byron takes for granted his readers’ knowledge of the events +with which this poem deals; that is, he does not tell the whole +story. Indeed, he gives us very few facts. Is there, for instance, +in the poem any hint as to who Sennacherib was, or as to who the +enemy was that the Assyrians came against? But if we turn to the +eighteenth and nineteenth chapters of <cite>Second Kings</cite>, we shall find +the whole account of Sennacherib, king of Assyria, and his +expedition against the Hebrew people. The climax of the story, with +which this poem deals, is to be found in <cite>Second Kings</cite>, xix, 35.</p></div> + +<p><span class='pagenum'><a name="Page_142" id="Page_142">[142]</a></span></p> + +<p class="poemopening"><span class="dropcap">T</span><span class="upper">he</span> Assyrian came down like the wolf on the fold,<br /> +And his cohorts were gleaming in purple and gold,<br /> +And the sheen of their spears was like stars on the sea,<br /> +When the blue wave rolls nightly on deep Galilee.</p> + +<p class="poem">Like the leaves of the forest when summer is green,<br /> +That host with their banners at sunset were seen;<br /> +Like the leaves of the forest when autumn hath blown,<br /> +That host on the morrow lay wither’d and strown.</p> + +<p class="poem">For the Angel of Death spread his wings on the blast,<br /> +And breathed in the face of the foe as he pass’d;<br /> +And the eyes of the sleepers wax’d deadly and chill,<br /> +And their hearts but once heaved, and forever grew still.</p> + +<p class="poem">And there lay the steed with his nostril all wide,<br /> +But through it there roll’d not the breath of his pride:<br /> +And the foam of his gasping lay white on the turf,<br /> +And cold as the spray of the rock-beating surf.</p> + +<p class="poem">And there lay the rider, distorted and pale,<br /> +With the dew on his brow, and the rust on his mail;<br /> +And the tents were all silent, the banners alone,<br /> +The lances unlifted, the trumpet unblown.</p> + +<p class="poem">And the widows of <span class="nowrap">Ashur<a name="Anchor_142-1" id="Anchor_142-1"></a><a title="Go to footnote 142-1" href="#Footnote_142-1" class="fnanchor">142-1</a></span> are loud in their wail,<br /> +And the idols are broke in the temple of <span class="nowrap">Baal,<a name="Anchor_142-2" id="Anchor_142-2"></a><a title="Go to footnote 142-2" href="#Footnote_142-2" class="fnanchor">142-2</a></span><br /> +And the might of the Gentile, unsmote by the sword,<br /> +Hath melted like snow in the glance of the Lord!</p> + + +<div class="footnotes"> + +<p><a name="Footnote_142-1" id="Footnote_142-1"></a><a title="Return to text." href="#Anchor_142-1" class="label">142-1</a> <em>Ashur</em> is the Assyrian form of our word <em>Assyria</em>.</p> + +<p><a name="Footnote_142-2" id="Footnote_142-2"></a><a title="Return to text." href="#Anchor_142-2" class="label">142-2</a> Baal was the chief god of the Assyrians.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_143" id="Page_143">[143]</a></span></p> + +<h2 class="story"><a name="RUTH" id="RUTH"></a>RUTH</h2> + + +<div class="blockquot"><p><span class="smcap">Note.</span>—This charming story may be found complete in the book of +<cite>Ruth</cite> in the Old Testament by those who wish the literal Bible +narrative as it is there given.</p> + +<p>Little is known as to the date of the writing of the book of +<cite>Ruth</cite>. Some authorities believe that it was written earlier than +500 <span class="smcap">B.C.</span>, while others contend that it was not written until much +later. As to the purpose, also, there are differences of opinion; +is the book merely a religious romance, told to point a moral, or +is it an historical narrative meant to give information as to the +ancestry of David? Whichever is true, the story is a delightful +one, and we enjoy reading it just as we do any other story, apart +from its Biblical interest.</p></div> + +<h3 class="section"><abbr title="One">I</abbr></h3> + +<p class="noindent"><span class="dropcapn"><span class="hide">N</span></span><span class="upper">ow</span> it came to pass in the days when the judges ruled in Judah that +there was a famine in the land, and a certain man of Bethlehem-Judah +went to sojourn in the country of Moab, he, and his wife and his two +sons. Together they came into the land and continued there; but the man +died, and the wife was left, and her two sons.</p> + +<p>And they took them wives of the women of Moab; the name of the one was +Orpah, and the name of the other was Ruth; and they dwelled there about +ten years. Then the two sons died also both of them; and the woman, +Naomi, their mother, alone was left of the family that came into Moab.</p> + +<p>Then she arose with her daughters-in-law, that she might return from the +country of Moab; for<span class='pagenum'><a name="Page_144" id="Page_144">[144]</a></span> she had heard in the country of Moab how that the +Lord had visited his people in giving them bread.</p> + +<p>Wherefore she went forth out of the place where she was, and her two +daughters-in-law with her; and they went on the way to return unto the +land of Judah.</p> + +<p>But Naomi said unto her two daughters-in-law, “Go, return each to her +mother’s house. The Lord deal kindly with you, as ye have dealt with the +dead, and with me. The Lord grant you that ye may find rest again, each +in the house of her husband.”</p> + +<p>Then she kissed them; and they lifted up their voices and wept, and said +unto her, “Surely we will return with thee unto thy people.”</p> + +<p>Naomi said, “Turn again, my daughters, why will you go with me? Have I +yet any more sons that may be your husbands? Nay, it grieveth me much +for your sakes that the hand of the Lord is gone out against me. Turn +again my daughters; go your way.”</p> + +<p>Again they lifted up their voice and wept, and Orpah kissed her +mother-in-law, but Ruth clave unto her.</p> + +<p>Naomi said, “Behold, thy sister-in-law is gone back unto her people, and +unto her gods; return thou after thy sister-in-law.”</p> + +<p>And Ruth said, “Entreat me not to leave thee, or to return from +following after thee: for whither thou goest, I will go; and where thou +lodgest, I will lodge: thy people shall be my people, and thy God my +God: where thou diest, will I die, and there will I be buried: the Lord +do so to me, and more also, if ought but death part thee and me.”</p> + +<p><span class='pagenum'><a name="Page_145" id="Page_145">[145]</a></span>When Naomi saw that Ruth was steadfastly minded to go with her, then she +left speaking unto her. So they two went until they came to Bethlehem.</p> + +<div class="figcenter" style="width: 250px;"> +<a name="image22" id="image22"></a><a href="images/image22-full.png"><img src="images/image22.png" width="250" height="303" alt="A woman kneeling in front of a standing woman." title="“WHITHER THOU GOEST, I WILL GO”" /></a> +<span class="caption">“WHITHER THOU GOEST, I WILL GO”</span> +</div> + +<p>There it came to pass that all the city was moved about them, and the +people said, “Is this Naomi?”</p> + +<p>“Call me not Naomi,” she said unto them. “Call me Mara: for the Almighty +hath dealt very bitterly<span class='pagenum'><a name="Page_146" id="Page_146">[146]</a></span> with <span class="nowrap">me.<a name="Anchor_146-1" id="Anchor_146-1"></a><a title="Go to footnote 146-1" href="#Footnote_146-1" class="fnanchor">146-1</a></span> I went out full and the Lord +hath brought me home again empty: why then call me Naomi, seeing the +Lord hath testified against me, and the Almighty hath afflicted me?”</p> + +<p>So Naomi returned, and Ruth the Moabitess, her daughter-in-law, with +her, which returned out of the country of Moab: and they came to +Bethlehem in the beginning of barley harvest.</p> + + +<h3 class="section"><abbr title="Two">II</abbr></h3> + +<p class="noindent"><span class="dropcapn"><span class="hide">N</span></span><span class="upper">aomi</span> had a kinsman of her husband’s, a mighty man of wealth; and his +name was Boaz.</p> + +<p>And Ruth said unto Naomi, “Let me now go to the field, and glean ears of +corn after him in whose sight I shall find grace.” And Naomi answered, +“Go, my daughter.”</p> + +<p>And she went, and came, and gleaned in the field after the reapers: and +her hap was to light on a part of the field belonging unto Boaz.</p> + +<p>And, behold, Boaz came from Bethlehem and said unto the reapers, “The +Lord be with you.”</p> + +<p>And the reapers answered him, “The Lord bless thee.” Then said Boaz unto +his servant that was set over the reapers, “Whose damsel is this?”</p> + +<p>And the servant answered and said, “It is the Moabitish damsel that came +back with Naomi out of the country of Moab. And she said, ‘I pray you, +let me glean and gather after the reapers among the sheaves’: so she +came, and hath continued even from the morning until now, that she +tarried a little in the house.”</p> + +<p><span class='pagenum'><a name="Page_147" id="Page_147">[147]</a></span>Boaz said unto Ruth, “Hearest thou not, my daughter? Go not to glean in +another field, neither go from hence, but abide here fast by my maidens. +Let thine eyes be on the field that they do reap, and go thou after +them: have I not charged the young men that they shall not touch thee? +and when thou art athirst, go unto the vessels, and drink of that which +the young men have drawn.”</p> + +<div class="figcenter" style="width: 247px;"> +<a name="image23" id="image23"></a><a href="images/image23-full.png"><img src="images/image23.png" width="247" height="201" alt="Two women gleaning, with two men watching." title="RUTH GLEANING" /></a> +<span class="caption">RUTH GLEANING</span> +</div> + +<p>Then she fell on her face and bowed herself to the ground, and said unto +him, “Why have I found grace in thine eyes, that thou shouldest take +knowledge of me, seeing I am a stranger?”</p> + +<p>And Boaz answered and said unto her, “It hath fully been shewed me, all +that thou hast done unto thy mother-in-law since the death of thine +husband: and how thou hast left thy father and thy mother,<span class='pagenum'><a name="Page_148" id="Page_148">[148]</a></span> and the land +of thy nativity, and art come unto a people which thou knewest not +heretofore. The Lord recompense thy work, and a full reward be given +thee of the Lord God of Israel, under whose wings thou art come to +trust.”</p> + +<p>Then she said, “Let me find favour in thy sight, my lord; for that thou +hast comforted me, and for that thou hast spoken friendly unto thine +handmaid, though I be not like unto one of thine handmaidens.”</p> + +<p>And Boaz said unto her, “At mealtime come thou hither, and eat of the +bread and dip thy morsel in the vinegar.”</p> + +<p>And she sat beside the reapers; and he reached her parched corn, and she +did eat, and was sufficed and left.</p> + +<p>And when she was risen up to glean again, Boaz commanded his young men, +saying, “Let her glean even among the sheaves and reproach her not; and +let fall also some handfuls of purpose for her, and leave them that she +may glean them, and rebuke her not.”</p> + +<p>So she gleaned in the field until even, and beat out that she had +gleaned: and it was about an <span class="nowrap">ephah<a name="Anchor_148-2" id="Anchor_148-2"></a><a title="Go to footnote 148-2" href="#Footnote_148-2" class="fnanchor">148-2</a></span> of barley. And she took it up, +and went into the city: and her mother-in-law saw what she had gleaned.</p> + +<p>And her mother-in-law said unto her, “Where hast thou gleaned to-day? +and where wroughtest thou? blessed be he that did take knowledge of +thee.”</p> + +<p>And she showed her mother-in-law with whom she had wrought, and said, +“The man’s name with whom I wrought to-day is Boaz.”</p> + +<p><span class='pagenum'><a name="Page_149" id="Page_149">[149]</a></span>And Naomi said unto her daughter-in-law, “Blessed be he of the Lord, who +hath not left off his kindness to the living and to the dead.” And Naomi +said unto her, “The man is near of kin unto us, one of our next +kinsmen.”</p> + +<p>And Ruth the Moabitess said, “He said unto me also, ‘Thou shalt keep +fast by my young men, until they have ended all my harvest.’”</p> + +<p>And Naomi said unto Ruth, her daughter-in-law, “It is good, my daughter, +that thou go out with his maidens, that they meet thee not in any other +field.”</p> + +<p>So she kept fast by the maidens of Boaz to glean unto the end of barley +harvest and of wheat harvest; and dwelt with her mother-in-law.</p> + + +<h3 class="section"><abbr title="Three">III</abbr></h3> + +<p class="noindent"><span class="dropcapt"><span class="hide">T</span></span><span class="upper">hen</span> Naomi, her mother-in-law, said unto Ruth, “My daughter, shall I not +seek rest for thee, that it may be well with thee? And now is not Boaz +of our kindred, with whose maidens thou wast? Behold he winnoweth barley +to-night in the threshing floor. Wash thyself, therefore, and anoint +thee, and put thy raiment upon thee and get thee down to the floor, and +he will tell thee what to do.”</p> + +<p>And Ruth said, “All that thou sayest unto me, that will I do.”</p> + +<p>Therefore went she down unto the threshing floor and did according to +all that her mother-in-law bade her. And Boaz saw her and loved her and +asked her, “Who art thou?”</p> + +<p>She answered, “I am Ruth, thy handmaid.”</p> + +<p><span class='pagenum'><a name="Page_150" id="Page_150">[150]</a></span>And Boaz said, “Blessed be thou of the Lord, my daughter, and fear not, +for all the city of my people doth know thou art a virtuous woman. And +now it is true that I am thy near kinsman: howbeit, there is a kinsman +nearer than I. Tarry this night, and it shall be in the morning that if +he will perform unto thee the part of a kinsman, well; let him do the +kinsman’s part. But if he will not do the part of a kinsman to thee, +then will I do the part of the kinsman to thee, as the Lord liveth. +Bring now the vail that thou hast upon thee and hold it.”</p> + +<p>And when she held it, he measured six measures of barley, and laid it on +her, and she returned into the city.</p> + +<p>When now she came to her mother, Naomi asked, “Who art thou?” And Ruth +told her all that the man had said and done, and said, “These six +measures of barley gave he me, for he said to me, ‘Go not empty unto thy +mother-in-law.’”</p> + +<p>Then said Naomi, “Sit still, my daughter, until thou know how the matter +will fall; for the man will not be in rest until he have finished the +thing this day.”</p> + + +<h3 class="section"><abbr title="Four">IV</abbr></h3> + +<p class="noindent"><span class="dropcapt"><span class="hide">T</span></span><span class="upper">hen</span> went Boaz up to the gate and sat him down there; and, behold, the +kinsman of whom Boaz spoke, came by; unto whom Boaz said, “Ho, such a +one! turn aside, sit down here.” And he turned aside and sat down.</p> + +<p>And Boaz took also ten men of the elders of the city and said, “Sit ye +down here.” And they sat down.</p> + +<p><span class='pagenum'><a name="Page_151" id="Page_151">[151]</a></span>Then said Boaz unto the kinsman, “Naomi, that is come again out of the +land of Moab, selleth a parcel of land, which was our brother’s. And I +thought to ask thee to buy it before the inhabitants and before the +elders of my people. If thou wilt redeem it, redeem it; but if thou wilt +not redeem it, then tell me, that I may know: for there is none to +redeem it beside thee, and I am after thee. And what day thou buyest it +of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the +wife of the dead.”</p> + +<p>And the kinsman said, “I cannot redeem it for myself, lest I mar mine +own inheritance; redeem thou my right to thyself: for I cannot redeem +it.”</p> + +<p>Now this was the manner in former time in Israel, concerning redeeming +and concerning changing, for to confirm all things: a man plucked off +his shoe and gave it to his neighbor; and this was a testimony in +Israel. Therefore the kinsman said unto Boaz, “Buy it for thee.” So he +drew off his shoe.</p> + +<p>And Boaz said unto the elders and all the people, “Ye are witnesses this +day that I have bought all that was Naomi’s husband’s and all that was +her son’s of the hand of Naomi. Moreover, Ruth the Moabitess, the wife +of my kinsman that is dead, have I purchased to be my wife, that the +name of the dead be not cut off from among his brethren, and from the +gate of his place: ye are witnesses this day.”</p> + +<p>And all the people that were there in the gate, and the elders, said, +“We are witnesses. The Lord make the woman that is come into thine house +like Rachel and like Leah, which two did build the house of Israel: and +do thou worthily and be famous in Bethlehem.”</p> + +<p><span class='pagenum'><a name="Page_152" id="Page_152">[152]</a></span>So Boaz took Ruth, and she was his wife, and she bare him a son. And the +women said unto Naomi, “Blessed be the Lord that hath not left thee this +day without a kinsman, that his name may be famous in Israel. And he +shall be unto thee a restorer of thy life, and a nourisher of thine old +age; for thy daughter-in-law which loveth thee, which is better to thee +than seven sons, hath borne him.”</p> + +<p>And Naomi took the child and laid it in her bosom, and became nurse unto +it. And the women, her neighbors, gave it a name, saying, “There is a +son born to Naomi, and his name is Obed.”</p> + +<p>This same Obed is the father of Jesse, who is the father of David.</p> + +<div class="figcenter" style="width: 185px; margin-top: 2em; margin-bottom: 2em;"> +<a name="image24" id="image24"></a><a href="images/image24-full.png"><img src="images/image24.png" width="185" height="120" alt="An oasis." title="Oasis" /></a> +</div> + + +<div class="footnotes"> + +<p><a name="Footnote_146-1" id="Footnote_146-1"></a><a title="Return to text." href="#Anchor_146-1" class="label">146-1</a> <em>Naomi</em> means <em>pleasant</em>, while <em>Mara</em> means <em>bitter</em>.</p> + +<p><a name="Footnote_148-2" id="Footnote_148-2"></a><a title="Return to text." href="#Anchor_148-2" class="label">148-2</a> The <em>ephah</em> was equal to about two pecks and five +quarts.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_153" id="Page_153">[153]</a></span></p> + +<h2 class="story"><a name="THE_VISION_OF_BELSHAZZAR" id="THE_VISION_OF_BELSHAZZAR"></a>THE VISION OF BELSHAZZAR</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Lord Byron</span></p> + + +<div class="blockquot"><p><span class="smcap">Note.</span>—According to the account given in the fifth chapter of +<cite>Daniel</cite>, Belshazzar was the last king of Babylon, and the son of +the great king Nebuchadnezzar, who had destroyed Jerusalem and +taken the Jewish people captive to Babylon. The dramatic incident +with which the second stanza of Byron’s poem deals is thus +described:</p> + +<p>“In the same hour came forth fingers of a man’s hand, and wrote +over against the candlestick upon the plaister of the wall of the +king’s palace; and the king saw the part of the hand that wrote.”</p> + +<p>After all the Babylonian wise men had tried in vain to read the +writing, the “captive in the land,” Daniel, was sent for, and he +interpreted the mystery.</p> + +<p>“And this is the writing that was written, MENE, MENE, TEKEL, +UPHARSIN.</p> + +<p>“This is the interpretation of the thing: MENE; God hath numbered +thy kingdom, and finished it.</p> + +<p>“TEKEL; Thou art weighed in the balances, and art found wanting.</p> + +<p>“PERES; Thy kingdom is divided, and given to the Medes and +Persians.”</p> + +<p>The fulfillment of the prophecy thus declared by Daniel is +described thus briefly: “In that night was Belshazzar the king of +the Chaldeans slain. And Darius the Median took the kingdom.”</p></div> + +<p class="poemopening"><span class="dropcap">T</span><span class="upper">he</span> King was on his throne,<br /> +<span class="i1">The <span class="nowrap">Satraps<a name="Anchor_153-1" id="Anchor_153-1"></a><a title="Go to footnote 153-1" href="#Footnote_153-1" class="fnanchor">153-1</a></span> throng’d the hall;</span><br /> +A thousand bright lamps shone<br /> +<span class="i1">O’er that high festival.</span><br /> +<span class='pagenum'><a name="Page_154" id="Page_154">[154]</a></span>A thousand cups of gold,<br /> +<span class="i1">In Judah deem’d divine—</span><br /> +Jehovah’s vessels <span class="nowrap">hold<a name="Anchor_154-2" id="Anchor_154-2"></a><a title="Go to footnote 154-2" href="#Footnote_154-2" class="fnanchor">154-2</a></span><br /> +<span class="i1">The godless Heathen’s wine.</span></p> + +<p class="poem">In that same hour and hall<br /> +<span class="i1">The fingers of a Hand</span><br /> +Came forth against the wall,<br /> +<span class="i1">And wrote as if on sand:</span><br /> +The fingers of a man;—<br /> +<span class="i1">A solitary hand</span><br /> +Along the letters ran,<br /> +<span class="i1">And traced them like a wand.</span></p> + +<p class="poem">The monarch saw, and shook,<br /> +<span class="i1">And bade no more rejoice;</span><br /> +All bloodless wax’d his look,<br /> +<span class="i1">And tremulous his voice:—</span><br /> +“Let the men of lore appear,<br /> +<span class="i1">The wisest of the earth,</span><br /> +And expound the words of fear,<br /> +<span class="i1">Which mar our royal mirth.”</span></p> + +<p class="poem"><span class="nowrap">Chaldea’s<a name="Anchor_154-3" id="Anchor_154-3"></a><a title="Go to footnote 154-3" href="#Footnote_154-3" class="fnanchor">154-3</a></span> seers are good,<br /> +<span class="i1">But here they have no skill;</span><br /> +And the unknown letters stood<br /> +<span class="i1">Untold and awful still.</span><br /> +And <span class="nowrap">Babel’s<a name="Anchor_154-4" id="Anchor_154-4"></a><a title="Go to footnote 154-4" href="#Footnote_154-4" class="fnanchor">154-4</a></span> men of age<br /> +<span class="i1">Are wise and deep in lore;</span><br /> +But now they were not sage,<br /> +<span class="i1">They saw—but knew no more.</span></p> + +<p><span class='pagenum'><a name="Page_155" id="Page_155">[155]</a></span></p> + +<div class="figcenter" style="width: 249px;"> +<a name="image25" id="image25"></a><a href="images/image25-full.png"><img src="images/image25.png" width="249" height="303" alt="A court scene with a man pointing at the writing on the wall." title="THE WRITING ON THE WALL" /></a> +<span class="caption">THE WRITING ON THE WALL</span> +</div> + +<p class="poem">A Captive in the land,<br /> +<span class="i1">A stranger and a youth,</span><br /> +He heard the king’s command,<br /> +<span class="i1">He saw that writing’s truth;</span><br /> +The lamps around were bright,<br /> +<span class="i1">The prophecy in view;</span><br /> +He read it on that night,—<br /> +<span class="i1">The morrow proved it true!</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_156" id="Page_156">[156]</a></span>“Belshazzar’s grave is made,<br /> +<span class="i1">His kingdom pass’d away,</span><br /> +He, in the balance weigh’d,<br /> +<span class="i1">Is light and worthless clay;</span><br /> +The shroud, his robe of state;<br /> +<span class="i1">His canopy, the stone:</span><br /> +The Mede is at his gate!<br /> +<span class="i1">The Persian on his throne!”</span></p> + +<div class="figcenter" style="width: 191px;"> +<a name="image26" id="image26"></a><a href="images/image26-full.png"><img src="images/image26.png" width="191" height="144" alt="Ruined city" title="Ruined city" /></a> +</div> + + +<div class="footnotes"> + +<p><a name="Footnote_153-1" id="Footnote_153-1"></a><a title="Return to text." href="#Anchor_153-1" class="label">153-1</a> The satraps were the governors of the provinces, who +ruled under the king and were accountable to him.</p> + +<p><a name="Footnote_154-2" id="Footnote_154-2"></a><a title="Return to text." href="#Anchor_154-2" class="label">154-2</a> These were the sacred “vessels that were taken out of +the temple of the house of God which was at Jerusalem.”</p> + +<p><a name="Footnote_154-3" id="Footnote_154-3"></a><a title="Return to text." href="#Anchor_154-3" class="label">154-3</a> The terms <em>Chaldea</em> and <em>Babylonia</em> were used +practically synonymously.</p> + +<p><a name="Footnote_154-4" id="Footnote_154-4"></a><a title="Return to text." href="#Anchor_154-4" class="label">154-4</a> <em>Babel</em> is a shortened form of <em>Babylon</em>.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_157" id="Page_157">[157]</a></span></p> + +<h2 class="story"><a name="SOHRAB_AND_RUSTEM" id="SOHRAB_AND_RUSTEM"></a>SOHRAB AND RUSTEM</h2> + +<h3 class="section">RUSTEM</h3> + + +<p class="opening"><span class="dropcapt"><span class="hide">T</span></span><span class="upper">he</span> Persians have a great epic which is to them about what the <cite>Iliad</cite> +and the <cite>Odyssey</cite> were to the Greeks and the <cite>Æneid</cite> was to the Romans. +In character, however, the Persian epic is more like the English +narrative <cite>Morte d’ Arthur</cite>, from which readings will be found elsewhere +in these volumes. This wonderful poem, the <cite>Shah Nameh</cite>, relates +exploits of the Shahs of Persia for a period that is supposed to extend +over more than three thousand years. It was written by Firdusi, a famous +Persian poet, toward the close of the tenth century, and is filled with +tales of the marvelous adventures and stirring achievements of national +heroes. Fierce monsters like those that appear in the legendary tales of +all nations stalk through its pages, and magicians, good and bad, work +their enchantments for and against the devoted Persians. The imagination +of Eastern writers is more vivid than that of the Europeans, and for +that reason the stories are more full of thrilling episodes and +supernatural occurrences.</p> + +<p>Chief among the heroes is Rustem, who seems to have lived through many +centuries, and to have been the one great defender of the Persian +throne. From the cradle he was marked for renown, for he was larger, +stronger and healthier than any other babe that was ever born. His +mother alone could not<span class='pagenum'><a name="Page_158" id="Page_158">[158]</a></span> feed him, and ten nurses were required to +satisfy the infant’s hunger. His father, Zal, the white-haired, looked +with pride upon his growing son, who as soon as he was weaned fell upon +bread and meat as his only diet and required as much of them as would +feed five ordinary men. Such a child ought to make a wonderful man, and +this one fulfilled the highest hopes of his parents, for he became +taller in stature, broader in shoulders, deeper in the chest and +stronger in all his muscles than any other man the Persian race had ever +known.</p> + +<p>His childish exploits were quite as wonderful as those of his later +years. One night he was awakened from his slumbers by hearing the +servants say that the great white elephant on which his father rode on +state occasions had broken loose and was running about the royal +gardens, mad with rage, pulling up the trees, tearing down buildings and +killing every one that came in his way. Not a man dared stand against +the fierce beast, and though the archers had tried again and again their +weapons had no effect upon him.</p> + +<p>Rustem rose from his couch, put on his clothes, caught from the wall the +huge club his grandfather had owned, and made for the door of his +chamber.</p> + +<p>“Where are you going? What will you do?” cried the frightened servants.</p> + +<p>“Open the door. I must stop that elephant before he does greater +damage,” answered the boy.</p> + +<p>One of his serving men, braver than the rest, opposed the boy. “I dare +not obey you,” said the man; “your father would never forgive me if I +let you go forth to be slain by that ferocious beast whose broken chains +clank about his legs and whose<span class='pagenum'><a name="Page_159" id="Page_159">[159]</a></span> huge trunk brings destruction to +everything it strikes. You will be knocked down and trampled to death. +This is pure folly!”</p> + +<p>“Out of my way,” cried the enraged Rustem. “You rush upon your own +doom.”</p> + +<p>Almost blind with anger, the furious youth swung his club about him and +struck the faithful servant so fearful a blow that his head was knocked +from his body and rolled along the floor like a huge ball. The other +servants fled to the corners of the room and gave Rustem a clear path. +One blow from his great club broke the iron balls from the door and sent +it flying from its hinges. Shouldering his club Rustem hurried into the +garden, where he soon found the maddened elephant in the midst of the +ruin he was making. When the unwieldy animal saw the boy approaching it +rushed at him with savage bellowings, swinging its long, powerful trunk +from side to side in great circles. The terrible spectacle frightened +Rustem not in the least, and the dauntless youth rushed forward and +struck the elephant a single blow full in its forehead. The great legs +trembled and bent, the huge body tottered and fell, making a mountain of +quivering flesh. Rustem calmly shouldered his club, returned to his +chamber, and finished his sleep.</p> + +<p>As Rustem grew to manhood he became the owner of a great horse little +less wonderful than his master. Raksh, for that was the animal’s name, +not only carried Rustem in war and in the chase, but he fought for his +master in every conflict, watched over him in his sleep, and defended +him with human intelligence. On one of his expeditions Rustem lay down +to sleep near the den of a lion, that as he came<span class='pagenum'><a name="Page_160" id="Page_160">[160]</a></span> forth to hunt at night +saw the horse and rider asleep before him. The lion, knowing that if he +could kill the horse the man would not get away, made ready to spring +upon Raksh, but that wary animal was sleeping with one eye open and met +the leaping lion more than half way with two great hoofs planted +squarely in his face. Before the astonished animal could recover his +senses Raksh seized him by the back and beat his life out upon the +ground.</p> + +<p>Of Rustem’s countless struggles with dragons, witches, genii and other +strange beings, and of the wonderful battles by which he defended the +throne of Persia, we cannot stop to read. They were all very similar in +one respect at least, for always he escaped from deadly peril by his own +wisdom and strength, aided often, as we have said, by Raksh. But there +is one part of his life, one series of more than human adventures that +we ought to know.</p> + +<p>One day Rustem was hunting over a plain on the borders of Tartary when +he discovered a large herd of wild asses. No animal could outstrip +Raksh, and so his master was soon among the herd, killing the animals to +right and left. Some he slew with the arrows of his strong bow, others +he lassoed and killed with his trusty club. When his love for hunting +was satisfied he built a fire, roasted one of the asses and prepared for +a great feast. In time even his sharp appetite was quenched, and lying +down upon his blanket he was soon buried in a sound slumber.</p> + +<p>As he slept Raksh wandered about the plains quietly feeding. Without +noticing it he strayed far away from his master, and in fact quite out +of sight.</p> + +<p><span class='pagenum'><a name="Page_161" id="Page_161">[161]</a></span>Then it happened that seven Tartars who had been following Raksh made a +dash at him and tried to capture him with their lassoes. The noble horse +fought them manfully, killing two of them with the blows of his forefeet +and biting the head from the shoulders of another. But the ropes from +the lassoes became tangled with his legs, and even the marvelous Raksh +was at last thrown, overpowered and led struggling away.</p> + +<p>When Rustem awoke his first thought was for his horse, but though he +looked everywhere the faithful animal was not in sight. Such a thing had +never happened before, and Rustem grew pale with sorrow and dread.</p> + +<p>“What can I do without my noble charger?” he said. “How can I carry my +arrows, club and other weapons? How can I defend myself? Moreover, I +shall be the laughingstock of friends and enemies alike, for all will +say that in my <a name="corr10" id="corr10"></a>carelessness I slept and allowed my horse to be stolen.”</p> + +<p>At last he discovered the tracks of Raksh in the dust of the plain, and +following them with difficulty he found himself at the town of Samengan. +The king and nobles of the town knew Rustem, but seemed surprised to see +him come walking. The wanderer explained what had happened, and the wily +monarch answered, “Have no fear, noble Rustem. Every one knows your +wonderful horse Raksh, and soon some one will come and bring him to you. +I will even send many men to search for him. In the meantime, rest with +us and be happy. We will entertain you with the best, and in pleasure +you will forget your loss till Raksh is returned to you.”</p> + +<p><span class='pagenum'><a name="Page_162" id="Page_162">[162]</a></span>This plan pleased Rustem, and the king kept his word in royal +entertainments in which he served his guest with grave humility. +Moreover, the princess Tehmina likewise served Rustem with becoming +grace and dignity. No maiden was ever more beautiful. She was tall as +the cypress and as graceful as a gazelle. Her neck and shoulders were +like ivory; her hair, black and shiny as a raven’s wings, hung in two +long braids down her back, as the Persian horseman loops his lasso to +his saddle bow; her lips were like twin rubies, and her black brilliant +eyes glanced from highly-arched eye-brows.</p> + +<p>Rustem fell deeply in love with the fair maiden as soon as he saw her, +and at the first opportunity told her of his affection. Tehmina then +confessed that she had long loved Rustem from the reports she had heard +of his noble character and deeds of great prowess. The capture of Raksh +was a part of her plan for meeting the owner, for she felt sure he would +follow the animal’s track to her father’s capital. All this served to +make more strong the love of Rustem, who immediately demanded of the +king his daughter’s hand in marriage. The king, glad enough to have so +powerful a man for his son, consented willingly to the match, and after +they were married amid great rejoicings, Rustem settled down at the +court in quiet enjoyment of his new-found home.</p> + +<p>A powerful man like Rustem cannot always remain in idleness, however, +and when news came to him that the Persian king was in need of his +greatest warrior, Rustem took his lasso, his bow and arrows and his +club, mounted Raksh and rode away. Before going, however, he took from +his arm an<span class='pagenum'><a name="Page_163" id="Page_163">[163]</a></span> onyx bracelet that had been his father’s, and calling +Tehmina to him handed it to her, saying:</p> + +<p>“Take this bracelet, my dear one, and keep it. If we have a child and it +be a girl, weave the bracelet in her hair and she will grow tall, +beautiful and good; if our child be a boy, fasten the bracelet on his +arm, and he will become strong and courageous, a mighty warrior and a +wise counsellor.”</p> + + +<h3 class="section">SOHRAB</h3> + +<p class="noindent"><span class="dropcapw"><span class="hide">W</span></span><span class="upper">hen</span> Rustem had gone Tehmina wept bitterly, but consoled herself with +the thought that her husband would soon return. After her child was +born, she devoted herself to the wonderful boy and waited patiently for +the father that never returned. She remembered the parting words of +Rustem, and fastened upon the arm of her infant son the magic bracelet +of his race.</p> + +<p>He was a marvelous boy, this son of Rustem and Tehmina. Beautiful in +face as the moon when it rides the heavens in its fullness, he was +large, well-formed, with limbs as straight as the arrows of his father. +He grew at an astonishing rate. When he was but a month old he was as +tall as any year-old baby; at three years of age he could use the bow, +the lasso and the club with the skill of a man; at five he was as brave +as a lion, and at ten not a man in the kingdom was his match in strength +and agility.</p> + +<p>Tehmina, rejoicing in the intelligent, shining face of her boy, had +named him Sohrab, but as she feared that Rustem might send for his son +if he knew that he had so promising a one, she sent word to her hus<span class='pagenum'><a name="Page_164" id="Page_164">[164]</a></span>band +that her child was a girl. Disappointed in this, Rustem paid no +attention to his offspring, who grew up unknown to his parent, and +himself ignorant of the name of his father.</p> + +<p>When Sohrab was about ten years old he began to notice that, unlike the +other young men, he seemed to have no father. Accordingly he went to his +mother and questioned her.</p> + +<p>“What shall I say,” he inquired, “when the young men ask me who is my +father? Must I always tell them that I do not know? Whose son am I?”</p> + +<p>“My son, you ask and you have a right to know. You need feel no shame +because of your father. He is the mighty Rustem, the greatest of Persian +warriors, the noblest man that ever lived. But I beg you to tell no one +lest word should come to Rustem, for I know he would take you from me +and I should never see you again.”</p> + +<p>Sohrab was overjoyed to hear of his noble parentage and felt his heart +swell with pride, for he had heard all his life of the heroic deeds of +his father.</p> + +<p>“Such a thing as this cannot be kept secret,” he cried. “Sooner or later +every one in the world will know that I am Rustem’s son. But not now +will we tell the tale. I will gather a great army of Tartars and make +war upon Kaoos, the Persian king. When I have defeated him I will set my +father Rustem upon the throne, and then I will overthrow Afrasiab, King +of the Turanians, and take his throne myself. There is room in the world +for but two kings, my father Rustem and myself.”</p> + +<p>The youthful warrior began his preparations immediately. First he sought +far and wide for a horse worthy to carry him, and at last succeeded<span class='pagenum'><a name="Page_165" id="Page_165">[165]</a></span> in +finding a noble animal of the same breed as the famous Raksh. Mounted on +this splendid steed he rode about and rapidly collected an army of +devoted followers.</p> + +<p>The noise of these preparations spread abroad and soon came to the ears +of Afrasiab, who saw in this war an opportunity for profit to himself +and humiliation for Kaoos. Accordingly, he sent offers of assistance to +Sohrab, who accepted them willingly and received among his followers the +hosts of the Turanian king.</p> + +<p>But Afrasiab was a wily monarch, and sent to Sohrab two astute +counsellors, Haman and Barman with instructions to watch the young +leader carefully and to keep from him all knowledge of his father.</p> + +<p>“If possible,” said the treacherous monarch, “bring the two together and +let them fight, neither knowing who the other is. Then may Sohrab slay +his mighty father and we be left to rule the youthful and inexperienced +son by our superior cunning and wisdom. If on the other hand Rustem +shall slay his son, his heart will fail him, and he will die in +despair.”</p> + +<p>When the army was fully in readiness Sohrab set forth against Persia. In +his way lay the great White Fort whose chief defender was the mighty +Hujir. The Persians felt only contempt for the boyish leader and had no +fear of his great army. As they approached, Hujir rode forth to meet +them and called aloud in derision.</p> + +<p>“Let the mighty Sohrab come forth to meet me alone. I will slay him with +ease and give his body to the vultures for food.”</p> + +<p><span class='pagenum'><a name="Page_166" id="Page_166">[166]</a></span>Undismayed by these threats Sohrab met the doughty Persian and unhorsed +him in the first encounter. Springing from his horse Sohrab raised his +sword to strike, but the Persian begged so lustily for quarter that he +was granted his life, though sent a prisoner to the king.</p> + +<p>Among those who watched the defeat of Hujir was Gurdafrid, the daughter +of the old governor of the White Fort. She was stronger than any warrior +in the land and fully accustomed to the use of arms. When she became +aware that Hujir was indeed vanquished she hastily clothed herself in +full armor, thrust her long hair under her helmet and rode gallantly out +to meet Sohrab. The girl shot a perfect shower of arrows at Sohrab, but +all glanced harmlessly from his armor. Seeing that she could not find a +weak spot in his mail she put her shield in rest and charged valiantly +at her foe. However, she was no match for her antagonist and was borne +from her saddle by the fierce lance of her enemy. As she fell, however, +she drew her sword and severed the spear of Sohrab. Before he could +change weapons she had mounted her horse and was galloping wildly toward +the fort with her late antagonist in full pursuit. Long ere the castle +walls were reached Sohrab overtook her and seized her by the helmet, +when its fastenings gave way and her long hair fell about her shoulders, +disclosing the fact that he had been fighting with a woman.</p> + +<p>Struck by the beauty of the girl and ashamed that he had been fighting +with her, Sohrab released her after she had promised that she would make +no further resistance and that the castle would surrender at his +approach. The fierce Gurdafrid, however,<span class='pagenum'><a name="Page_167" id="Page_167">[167]</a></span> had no idea of giving up the +fort, but as soon as she was within, the gates were closed, and she, +mounting upon the walls, jeered at the waiting Sohrab.</p> + +<p>“It is now too late to fight, but when morning comes I will level your +fort to the earth and leave not one stone upon the other.” With these +words the incensed warrior galloped back to his camp. When in the +morning he marched his army against the fort he found that his prey had +escaped, for during the night Gurdafrid had led the whole garrison out +through a secret passage and had gone to warn King Kaoos of the approach +of the mighty Sohrab and his powerful army. The allied Tartars and +Turanians followed as rapidly as they might, but it was some time before +they could come anywhere near the Persian capital.</p> + +<p>What was happening in Persia has been very well told by Alfred J. Church +in his story of Sohrab and Rustem:</p> + +<p>“When King Kaoos heard that there had appeared among the Tartars a +mighty champion, against whom, such was the strength of his arms, no one +could stand; how he had overthrown and taken their champion and now +threatened to overrun and conquer the whole land of Persia, he was +greatly troubled, and calling a scribe, said to him, ‘Sit down and write +a letter to Rustem.’</p> + +<p>“So the scribe sat down and wrote. The letter was this: ‘There has +appeared among the Tartars a great champion, strong as an elephant and +as fierce as a lion. No one can stand against him. We look to you for +help. It is of your doing that our warriors hold their heads so high. +Come, then, with all the speed that you can use, so soon as you shall +have<span class='pagenum'><a name="Page_168" id="Page_168">[168]</a></span> read this letter. Be it night or day, come at once; do not open +your mouth to speak; if you have a bunch of roses in your hand do not +stop to smell it, but come; for the warrior of whom I write is such that +you only can meet him.’</p> + +<p>“King Kaoos sealed the letter and gave it to a warrior named Giv. At the +same time he said, ‘Haste to Rustem. Tarry not on the way; and when you +are come, do not rest there for an hour. If you arrive in the night, +depart again the next morning.’</p> + +<p>“So Giv departed, and traveled with all his speed, allowing himself +neither sleep nor food. When he approached Zabulistan, the watchman +said, ‘A warrior comes from Persia riding like the wind.’ So Rustem, +with his chiefs, went out to meet him. When they had greeted each other, +they returned together to Rustem’s palace.</p> + +<p>“Giv delivered his message, and handed the king’s letter, telling +himself much more that he had heard about the strength and courage of +this Tartar warrior. Rustem heard him with astonishment, and said, ‘This +champion is like, you say, to the great San, my grandfather. That such a +man should come from the free Persians is possible; but that he should +be among those slaves the Tartars, is past belief. I have myself a +child, whom the daughter of a Tartar king bore to me; but the child is a +girl. This, then, that you tell me is passing strange; but for the +present let us make merry.’</p> + +<p>“So they made merry with the chiefs that were assembled in Rustem’s +palace. But after a while Giv said again: ‘King Kaoos commanded me, +saying, “You must not sleep in Zabulistan; if you arrive in the night, +set out again the next morning. It<span class='pagenum'><a name="Page_169" id="Page_169">[169]</a></span> will go ill with us if we have to +fight before Rustem comes.” It is necessary, then, great hero, that we +set out in all haste for Persia.’</p> + +<p>“Rustem said, ‘Do not trouble yourself about this matter. We must all +die some day. Let us, therefore, enjoy the present. Our lips are dry, +let us wet them with wine. As to this Tartar, fortune will not always be +with him. When he sees my standard, his heart will fail him.’</p> + +<p>“So they sat, drinking the red wine and singing merry songs, instead of +thinking of the king and his commands. The next day Rustem passed in the +same fashion, and the third also. But on the fourth Giv made +preparations to depart, saying to Rustem, ‘If we do not make haste to +set out, the king will be wroth, and his anger is terrible.’</p> + +<p>“Rustem said, ‘Do not trouble yourself; no man dares to be wroth with +me.’ Nevertheless, he bade them saddle Raksh and set out with his +companions.</p> + +<p>“When they came near the king’s palace, a great company of nobles rode +out to meet them, and conducted them to the king, and they paid their +homage to him. But the king turned away from them in a rage. ‘Who is +Rustem,’ he cried, ‘that he forgets his duty to me, and disobeys my +commands? If I had a sword in my hand this moment, I would cut off his +head, as a man cuts an orange in half. Take him, hang him up alive on +gallows, and never mention his name again in my presence.’</p> + +<p>“Giv answered, ‘Sir, will you lay hands upon Rustem?’ The king burst out +again in rage against Giv and Rustem, crying to one of his nobles, ‘Take +these two villains and hang them alive on gallows.’ And he rose up from +his throne in fury.</p> + +<p><span class='pagenum'><a name="Page_170" id="Page_170">[170]</a></span>“The noble to whom he had spoken laid his hand upon Rustem, wishing to +lead him out of the king’s presence, lest Kaoos in his rage should do +him an injury. But Rustem cried out, ‘What a king are you! Hang this +Tartar, if you can, on your gallows. Keep such things for your enemies. +All the world has bowed itself before me and Raksh, my horse. And +you—you are king by my grace.’</p> + +<p>“Thus speaking, he struck away the hand that the noble had laid upon him +so fiercely that the man fell headlong to the ground, and he passed over +his body to go from the presence of the king. And as he mounted on +Raksh, he cried: ‘What is Kaoos that he should deal with me in this +fashion? It is God who has given me strength and victory, and not he or +his army. The nobles would have given me the throne of Persia long +since, but I would not receive it; I kept the right before my eyes. +Verily, had I not done so, you, Kaoos, would not be sitting upon the +throne.’ Then he turned to the Persians that stood by, and said, ‘This +brave Tartar will come. Look out for yourselves how you may save your +lives. Me you shall see no more in the land of Persia.’</p> + +<p>“The Persians were greatly troubled to hear such words; for they were +sheep, and Rustem was their shepherd. So the nobles assembled, and said +to each other: ‘The king has forgotten all gratitude and decency. Does +he not remember that he owes to Rustem his throne—nay, his very life? +If the gallows be Rustem’s reward, what shall become of us?’</p> + +<p>“So the oldest among them came and stood before the king, and said: ‘O +king, have you forgotten what Rustem has done for you and this land—how +he<span class='pagenum'><a name="Page_171" id="Page_171">[171]</a></span> conquered Mazanieran and its king and the White Genius; how he gave +you back the sight of your eyes? And now you have commanded that he +shall be hanged alive upon a gallows. Are these fitting words for a +king?’</p> + +<p>“The king listened to the old man, and said: ‘You speak well. The words +of a king should be words of wisdom. Go now to Rustem, and speak good +words to him, and make him forget my anger.’</p> + +<p>“So the old man rode after Rustem, and many of the nobles went with him. +When they had overtaken him, the old man said, ‘You know that the king +is a wrathful man, and that in his rage he speaks hard words. But you +know also that he soon repents. But now he is ashamed of what he said. +And if he has offended, yet the Persians have done no wrong that you +should thus desert them.’</p> + +<p>“Rustem answered, ‘Who is the king that I should care for him? My saddle +is my throne and my helmet is my crown, my corselet is my robe of state. +What is the king to me but a grain of dust? Why should I fear his anger? +I delivered him from prison; I gave him back his crown. And now my +patience is at an end.’</p> + +<p>“The old man said, ‘This is well. But the king and his nobles will +think, “Rustem fears this Tartar,” and they will say, “If Rustem is +afraid, what can we do but leave our country?” I pray you therefore not +to turn your back upon the king, when things are in such a plight. Is it +well that the Persians should become the slaves of the infidel Tartars?’</p> + +<p>“Rustem stood confounded to hear such words. ‘If there were fear in my +heart, then I would tear<span class='pagenum'><a name="Page_172" id="Page_172">[172]</a></span> my soul from my body. But you know that it is +not; only the king has treated me with scorn.’</p> + +<p>“But he perceived that he must yield to the old man’s advice. So he went +back with the nobles.</p> + +<p>“As soon as the king saw him, he leaped upon his feet, and said, ‘I am +hard of soul, but a man must grow as God has made him. My heart was +troubled by the fear of this new enemy. I looked to you for safety, and +you delayed your coming. Then I spoke in my wrath; but I have repented, +and my mouth is full of dust.’</p> + +<p>“Rustem said, <a name="corr11" id="corr11"></a>‘It is yours to command, O king, and ours to obey. You are +the master, and we are the slaves. I am but as one of those who open the +door for you, if indeed I am worthy to be reckoned among them. And now I +come to execute your commands.’</p> + +<p>“Kaoos said, ‘It is well. Now let us feast. To-morrow we will prepare +for war.’</p> + +<p>“So Kaoos, and Rustem, and the nobles feasted till the night had passed +and the morning came. The next day King Kaoos and Rustem, with a great +army, began their march.”</p> + +<p>Matthew Arnold, the great English critic, scholar and poet, has used the +incidents that follow as the subject of one of his most interesting +poems. To that poem we will look for a continuation of the story. Arnold +alters the story at times to suit the needs of his poem, and he often +employs a slightly different spelling of proper names from that used in +the above account.</p> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_173" id="Page_173">[173]</a></span></p> + +<h2 class="story"><a name="SOHRAB_AND_RUSTUM" id="SOHRAB_AND_RUSTUM"></a>SOHRAB AND RUSTUM</h2> + +<p class="titlepage">AN EPISODE</p> + +<p class="titlepage"><em>By</em> <span class="smcap">Matthew Arnold</span></p> + + +<p class="poemopening"><span class="dropcapa"><span class="hide">A</span></span><span class="upper">nd</span> the first gray of morning fill’d the east,<br /> +And the fog rose out of the <span class="nowrap">Oxus<a name="Anchor_173-1" id="Anchor_173-1"></a><a title="Go to footnote 173-1" href="#Footnote_173-1" class="fnanchor">173-1</a></span> stream.<br /> +But all the Tartar camp along the stream<br /> +Was hush’d, and still the men were plunged in sleep;<br /> +Sohrab alone, he slept not; all night long<br /> +He had lain wakeful, tossing on his bed;<br /> +But when the gray dawn stole into his tent,<br /> +He rose, and clad himself, and girt his sword,<br /> +And took his horseman’s cloak, and left his tent,<br /> +And went abroad into the cold wet fog,<br /> +Through the dim camp to <span class="nowrap">Peran-Wisa’s<a name="Anchor_173-2" id="Anchor_173-2"></a><a title="Go to footnote 173-2" href="#Footnote_173-2" class="fnanchor">173-2</a></span> tent.<br /> +<span class="i1">Through the black Tartar tents he pass’d, which stood</span><br /> +Clustering like beehives on the low flat strand<br /> +Of Oxus, where the summer floods o’erflow<br /> +When the sun melts the snow in high <span class="nowrap">Pamere;<a name="Anchor_173-3" id="Anchor_173-3"></a><a title="Go to footnote 173-3" href="#Footnote_173-3" class="fnanchor">173-3</a></span><br /> +<span class='pagenum'><a name="Page_174" id="Page_174">[174]</a></span>Through the black tents he pass’d, o’er that low strand,<br /> +And to a hillock came, a little back<br /> +From the stream’s brink—the spot where first a boat,<br /> +Crossing the stream in summer, scrapes the land.<br /> +The men of former times had crown’d the top<br /> +With a clay fort; but that was fall’n, and now<br /> +The Tartars built there Peran-Wisa’s tent,<br /> +A dome of laths, and over it felts were spread.<br /> +And Sohrab came there, and went in, and stood<br /> +Upon the thick piled carpets in the tent,<br /> +And found the old man sleeping on his bed<br /> +Of rugs and felts, and near him lay his arms.<br /> +And Peran-Wisa heard him, though the step<br /> +Was dull’d; for he slept light, an old man’s sleep;<br /> +And he rose quickly on one arm, and said:—<br /> +<span class="i1">“Who art thou? for it is not yet clear dawn.</span><br /> +Speak! is there news, or any night alarm?”<br /> +<span class="i1">But Sohrab came to the bedside, and said:—</span><br /> +“Thou know’st me, Peran-Wisa! it is I.<br /> +The sun is not yet risen, and the foe<br /> +Sleep; but I sleep not; all night long I lie<br /> +Tossing and wakeful, and I come to thee.<br /> +For so did King Afrasiab bid me seek<br /> +Thy counsel and to heed thee as thy son,<br /> +In <span class="nowrap">Samarcand,<a name="Anchor_174-4" id="Anchor_174-4"></a><a title="Go to footnote 174-4" href="#Footnote_174-4" class="fnanchor">174-4</a></span> before the army march’d;<br /> +And I will tell thee what my heart desires.<br /> +Thou know’st if, since from <a name="corr12" id="corr12"></a>Ader-baijan first<br /> +I came among the Tartars and bore arms,<br /> +I have still served Afrasiab well, and shown,<br /> +At my boy’s years, the courage of a man.</p> + +<div class="figcenter" style="width: 299px;"> +<a name="image27" id="image27"></a><a href="images/image27-full.jpg"><img src="images/image27.jpg" width="299" height="400" alt="A young man entering a tent with an old man lying in the bed." title="Sohrab and Peran-Wisa" /></a> +<span class="caption smcap">Sohrab and Peran-Wisa</span> +</div> + +<p><span class='pagenum'><a name="Page_175" id="Page_175">[175]</a></span></p> + +<p class="poem">This too thou know’st, that while I still bear on<br /> +The conquering Tartar ensigns through the world,<br /> +And beat the Persians back on every field,<br /> +I seek one man, one man, and one alone—<br /> +Rustum, my father; who I hoped should greet,<br /> +Should one day greet, upon some well-fought field,<br /> +His not unworthy, not inglorious son.<br /> +So I long hoped, but him I never find.<br /> +Come then, hear now, and grant me what I ask.<br /> +Let the two armies rest to-day; but I<br /> +Will challenge forth the bravest Persian lords<br /> +To meet me man to man; if I prevail,<br /> +Rustum will surely hear it; if I fall—<br /> +Old man, the dead need no one, claim no kin.<br /> +Dim is the rumor of a <span class="nowrap">common<a name="Anchor_175-5" id="Anchor_175-5"></a><a title="Go to footnote 175-5" href="#Footnote_175-5" class="fnanchor">175-5</a></span> fight,<br /> +Where host meets host, and many names are sunk;<br /> +But of a single combat fame speaks clear.”<br /> +<span class="i1">He spoke; and Peran-Wisa took the hand</span><br /> +Of the young man in his, and sigh’d, and said:—<br /> +<span class="i1">“O Sohrab, an unquiet heart is thine!</span><br /> +Canst thou not rest among the Tartar chiefs,<br /> +And share the battle’s common chance with us<br /> +Who love thee, but must press forever first,<br /> +In single fight incurring single risk,<br /> +To find a father thou hast never seen?<br /> +That were far best, my son, to stay with us<br /> +Unmurmuring; in our tents, while it is war,<br /> +And when ’tis truce, then in Afrasiab’s towns.<br /> +But, if this one desire indeed rules all,<br /> +<span class='pagenum'><a name="Page_176" id="Page_176">[176]</a></span>To seek out Rustum—seek him not through fight!<br /> +Seek him in peace and carry to his arms,<br /> +O Sohrab, carry an unwounded son!<br /> +But far hence seek him, for he is not here.<br /> +For now it is not as when I was young,<br /> +When Rustum was in front of every fray;<br /> +But now he keeps apart, and sits at home,<br /> +In <span class="nowrap">Seistan,<a name="Anchor_176-6" id="Anchor_176-6"></a><a title="Go to footnote 176-6" href="#Footnote_176-6" class="fnanchor">176-6</a></span> with Zal, his father old.<br /> +Whether <span class="nowrap">that<a name="Anchor_176-7" id="Anchor_176-7"></a><a title="Go to footnote 176-7" href="#Footnote_176-7" class="fnanchor">176-7</a></span> his own mighty strength at last<br /> +Feels the abhorr’d approaches of old age,<br /> +Or in some quarrel with the Persian King.<br /> +There go!—Thou wilt not? Yet my heart forbodes<br /> +Danger or death awaits thee on this field.<br /> +Fain would I know thee safe and well, though lost<br /> +To us; fain therefore send thee hence, in peace<br /> +To seek thy father, not seek single fights<br /> +In vain;—but who can keep the lion’s cub<br /> +From ravening, and who govern Rustum’s son?<br /> +Go, I will grant thee what thy heart desires.”<br /> +<span class="i1">So said he, and dropped Sohrab’s hand and left</span><br /> +His bed, and the warm rugs whereon he lay;<br /> +And o’er his chilly limbs his woolen coat<br /> +He passed, and tied his sandals on his feet,<br /> +And threw a white cloak round him, and he took<br /> +In his right hand a ruler’s staff, no sword;<br /> +And on his head he set his sheepskin cap,<br /> +Black, glossy, curl’d, the fleece of Kara-Kul;<br /> +And raised the curtain of his tent, and call’d<br /> +His herald to his side and went abroad.<br /> +<span class="i1">The sun by this had risen, and cleared the fog</span><br /> +From the broad Oxus and the glittering sands.<br /> +<span class='pagenum'><a name="Page_177" id="Page_177">[177]</a></span>And from their tents the Tartar horsemen filed<br /> +Into the open plain; so Haman bade—<br /> +Haman, who next to Peran-Wisa ruled<br /> +The host, and still was in his lusty prime.<br /> +From their black tents, long files of horse, they stream’d;<br /> +As when some gray November morn the files,<br /> +In marching order spread, of long-neck’d cranes<br /> +Stream over Casbin and the southern slopes<br /> +Of Elburz, from the Aralian estuaries,<br /> +Or some <span class="nowrap">frore<a name="Anchor_177-8" id="Anchor_177-8"></a><a title="Go to footnote 177-8" href="#Footnote_177-8" class="fnanchor">177-8</a></span> Caspian reed bed, southward bound<br /> +For the warm Persian seaboard—so they streamed.<br /> +The Tartars of the Oxus, the King’s guard,<br /> +First, with black sheepskin caps and with long spears;<br /> +Large men, large steeds; who from Bokhara come<br /> +And Khiva, and ferment the milk of <span class="nowrap">mares.<a name="Anchor_177-9" id="Anchor_177-9"></a><a title="Go to footnote 177-9" href="#Footnote_177-9" class="fnanchor">177-9</a></span><br /> +Next, the more temperate Toorkmuns of the south,<br /> +The Tukas, and the lances of Salore,<br /> +And those from Attruck and the Caspian sands;<br /> +Light men and on light steeds, who only drink<br /> +The acrid milk of camels, and their wells.<br /> +And then a swarm of wandering horse, who came<br /> +From far, and a more doubtful service own’d;<br /> +The Tartars of Ferghana, from the banks<br /> +Of the Jaxartes, men with scanty beards<br /> +And close-set skullcaps; and those wilder hordes<br /> +Who roam o’er Kipchak and the northern waste,<br /> +Kalmucks and unkempt Kuzzacks, tribes who stray<br /> +Nearest the Pole, and wandering Kirghizzes,<br /> +Who come on shaggy ponies from Pamere;<br /> +<span class='pagenum'><a name="Page_178" id="Page_178">[178]</a></span>These all filed out from camp into the plain.<br /> +And on the other side the Persians form’d;—<br /> +First a light cloud of horse, Tartars they seem’d,<br /> +The Ilyats of Khorassan; and behind,<br /> +The royal troops of Persia, horse and foot,<br /> +Marshal’d battalions bright in burnish’d steel.<br /> +But Peran-Wisa with his herald came,<br /> +Threading the Tartar squadrons to the front,<br /> +And with his staff kept back the foremost ranks.<br /> +And when Ferood, who led the Persians, saw<br /> +That Peran-Wisa kept the Tartars back,<br /> +He took his spear, and to the front he came,<br /> +And check’d his ranks, and <span class="nowrap">fix’d<a name="Anchor_178-10" id="Anchor_178-10"></a><a title="Go to footnote 178-10" href="#Footnote_178-10" class="fnanchor">178-10</a></span> them where they stood.<br /> +And the old Tartar came upon the sand<br /> +Betwixt the silent hosts, and spake, and said:—<br /> +<span class="i1">“Ferood, and ye, Persians and Tartars, hear!</span><br /> +Let there be truce between the hosts to-day,<br /> +But choose a champion from the Persian lords<br /> +To fight our champion Sohrab, man to man.”<br /> +<span class="i1">As, in the country, on a morn in June,</span><br /> +When the dew glistens on the pearled ears,<br /> +A shiver runs through the deep <span class="nowrap">corn<a name="Anchor_178-11" id="Anchor_178-11"></a><a title="Go to footnote 178-11" href="#Footnote_178-11" class="fnanchor">178-11</a></span> for joy—<br /> +So, when they heard what Peran-Wisa said,<br /> +A thrill through all the Tartar squadrons ran<br /> +Of pride and hope for Sohrab, whom they loved.<br /> +<span class="i1">But as a troop of peddlers, from Cabool,</span><br /> +Cross underneath the Indian Caucasus,<br /> +That vast sky-neighboring mountain of milk snow;<br /> +Crossing so high, that, as they mount, they pass<br /> +Long flocks of traveling birds dead on the snow,<br /> +<span class='pagenum'><a name="Page_179" id="Page_179">[179]</a></span>Choked by the air, and scarce can they themselves<br /> +Slake their parch’d throats with sugar’d mulberries—<br /> +In single file they move, and stop their breath,<br /> +For fear they should dislodge the o’erhanging snows—</p> + +<div class="figcenter" style="width: 247px;"> +<a name="image28" id="image28"></a><a href="images/image28-full.png"><img src="images/image28.png" width="247" height="200" alt="A mounted man facing a standing man, with the army at his back." title="PERAN-WISA GIVES SOHRAB’S CHALLENGE" /></a> +<span class="caption">PERAN-WISA GIVES SOHRAB’S CHALLENGE</span> +</div> + +<p class="poem">So the pale Persians held their breath with fear.<br /> +<span class="i1">And to Ferood his brother chiefs came up</span><br /> +To counsel; Gudurz and Zoarrah came,<br /> +And Feraburz, who ruled the Persian host<br /> +Second, and was the uncle of the King;<br /> +These came and counsel’d, and then Gudurz said:—<br /> +<span class="i1">“Ferood, shame bids us take their challenge up,</span><br /> +Yet champion have we none to match this youth.<br /> +He has the wild stag’s foot, the lion’s heart.<br /> +But Rustum came last night; aloof he sits<br /> +<span class='pagenum'><a name="Page_180" id="Page_180">[180]</a></span>And sullen, and has pitch’d his tents apart.<br /> +Him will I seek, and carry to his ear<br /> +The Tartar challenge, and this young man’s name.<br /> +Haply he will forget his wrath, and fight.<br /> +Stand forth the while, and take their challenge up.”<br /> +So spake he; and Ferood stood forth and cried:—<br /> +<span class="i1">“Old man, be it agreed as thou hast said!</span><br /> +Let Sohrab arm, and we will find a man.”<br /> +<span class="i1">He spake: and Peran-Wisa turn’d, and strode</span><br /> +Back through the opening squadrons to his tent.<br /> +But through the anxious Persians Gudurz ran,<br /> +And cross’d the camp which lay behind, and reach’d<br /> +Out on the sand beyond it, Rustum’s tents.<br /> +Of scarlet cloth they were, and glittering gay,<br /> +Just pitch’d; the high pavilion in the midst<br /> +Was Rustum’s and his men lay camp’d around.<br /> +And Gudurz enter’d Rustum’s tent, and found<br /> +Rustum; his morning meal was done, but still<br /> +The table stood before him, charged with food—<br /> +A side of roasted sheep, and cakes of bread,<br /> +And dark-green melons, and there Rustum sate<br /> +Listless, and held a falcon on his wrist,<br /> +And play’d with it; but Gudurz came and stood<br /> +Before him; and he look’d, and saw him stand,<br /> +And with a cry sprang up and dropped the bird,<br /> +And greeted Gudurz with both hands, and said:—<br /> +<span class="i1">“Welcome! these eyes could see no better sight.</span><br /> +What news? but sit down first, and eat and drink.”<br /> +<span class="i1">But Gudurz stood in the tent door, and said:—</span><br /> +“Not now! a time will come to eat and drink,<br /> +But not to-day; to-day has other needs.<br /> +The armies are drawn out, and stand at gaze;<br /> +For from the Tartars is a challenge brought<br /> +To pick a champion from the Persian lords<br /> +<span class='pagenum'><a name="Page_181" id="Page_181">[181]</a></span>To fight their champion and thou know’st his name—<br /> +Sohrab men call him, but his birth is hid.<br /> +O Rustum, like thy might is this young man’s!<br /> +He has the wild stag’s foot, the lion’s heart;<br /> +And he is young, and Iran’s chiefs are old,<br /> +Or else too weak; and all eyes turn to thee.<br /> +Come down and help us, Rustum, or we lose!”<br /> +<span class="i1">He spoke; but Rustum answer’d with a smile:—</span><br /> +“Go to! if Iran’s chiefs are old, then I<br /> +Am older; if the young are weak, the King<br /> +Errs strangely; for the King, for Kai <span class="nowrap">Khosroo,<a name="Anchor_181-12" id="Anchor_181-12"></a><a title="Go to footnote 181-12" href="#Footnote_181-12" class="fnanchor">181-12</a></span><br /> +Himself is young, and honors younger men,<br /> +And lets the aged molder to their graves.<br /> +Rustum he loves no more, but loves the young—<br /> +The young may rise at Sohrab’s vaunts, not I.<br /> +For what care I, though all speak Sohrab’s fame?<br /> +For would that I myself had such a son,<br /> +And not that one slight helpless girl I have—<br /> +A son so famed, so brave, to send to war,<br /> +And I to tarry with the snow-hair’d <span class="nowrap">Zal,<a name="Anchor_181-13" id="Anchor_181-13"></a><a title="Go to footnote 181-13" href="#Footnote_181-13" class="fnanchor">181-13</a></span><br /> +My father, whom the robber Afghans vex,<br /> +And clip his borders short, and drive his herds,<br /> +And he has none to guard his weak old age.<br /> +<span class='pagenum'><a name="Page_182" id="Page_182">[182]</a></span>There would I go, and hang my armor up,<br /> +And with my great name fence that weak old man,<br /> +And spend the goodly treasures I have got,<br /> +And rest my age, and hear of Sohrab’s fame,<br /> +And leave to death the hosts of thankless kings,<br /> +And with these slaughterous hands draw sword no more.”<br /> +<span class="i1">He spoke, and smiled; and <a name="corr13" id="corr13"></a>Gudurz made reply:—</span><br /> +“What then, O Rustum, will men say to this,<br /> +When Sohrab dares our bravest forth, and seeks<br /> +Thee most of all, and thou, whom most he seeks,<br /> +Hidest thy face? Take heed lest men should say:<br /> +‘Like some old miser, Rustum hoards his fame,<br /> +And shuns to peril it with younger men,’”<br /> +<span class="i1">And, greatly moved, then Rustum made reply:—</span><br /> +“Oh, Gudurz, wherefore dost thou say such words?<br /> +Thou knowest better words than this to say.<br /> +What is one more, one less, obscure or famed,<br /> +Valiant or craven, young or old, to me?<br /> +Are not they mortal, am not I myself?<br /> +But who for men of naught would do great deeds?<br /> +Come, thou shalt see how Rustum hoards his fame!<br /> +But I will fight unknown, and in plain arms;<br /> +Let not men say of Rustum, he was match’d<br /> +In single fight with any mortal man.”<br /> +<span class="i1">He spoke, and frown’d; and Gudurz turn’d and ran</span><br /> +Back quickly through the camp in fear and joy—<br /> +Fear at his wrath, but joy that Rustum came.<br /> +But Rustum strode to his tent door, and call’d<br /> +His followers in, and bade them bring his arms,<br /> +And clad himself in steel; the arms he chose<br /> +Were plain, and on his shield was no device,<br /> +Only his helm was rich, inlaid with gold,<br /> +<span class='pagenum'><a name="Page_183" id="Page_183">[183]</a></span>And, from the fluted spine atop, a plume<br /> +Of horsehair waved, a scarlet horsehair plume.<br /> +So arm’d, he issued forth; and <span class="nowrap">Ruksh,<a name="Anchor_183-14" id="Anchor_183-14"></a><a title="Go to footnote 183-14" href="#Footnote_183-14" class="fnanchor">183-14</a></span> his horse,<br /> +Follow’d him like a faithful hound at heel—<br /> +Ruksh, whose renown was noised through all the earth,<br /> +The horse, whom Rustum on a foray once<br /> +Did in Bokhara by the river find<br /> +A colt beneath its dam, and drove him home,<br /> +And rear’d him; a bright bay, with lofty crest,<br /> +Dight with a saddlecloth of broider’d green<br /> +Crusted with gold, and on the ground were work’d<br /> +All beasts of chase, all beasts which hunters know.<br /> +So follow’d, Rustum left his tents, and cross’d<br /> +The camp, and to the Persian host appear’d.<br /> +And all the Persians knew him, and with shouts<br /> +Hail’d; but the Tartars knew not who he was.<br /> +And dear as the wet diver to the eyes<br /> +Of his pale wife who waits and weeps on shore,<br /> +By sandy Bahrein, in the Persian Gulf,<br /> +Plunging all day in the blue waves, at night,<br /> +Having made up his <span class="nowrap">tale<a name="Anchor_183-15" id="Anchor_183-15"></a><a title="Go to footnote 183-15" href="#Footnote_183-15" class="fnanchor">183-15</a></span> of precious pearls,<br /> +Rejoins her in their hut upon the sands—<br /> +So dear to the pale Persians Rustum came.<br /> +<span class="i1">And Rustum to the Persian front advanced,</span><br /> +And Sohrab arm’d in Haman’s tent, and came.<br /> +And as afield the reapers cut a swath<br /> +Down through the middle of a rich man’s corn,<br /> +And on each side are squares of standing corn,<br /> +And in the midst a stubble, short and bare—<br /> +So on each side were squares of men, with spears<br /> +<span class='pagenum'><a name="Page_184" id="Page_184">[184]</a></span>Bristling, and in the midst, the open sand.<br /> +And Rustum came upon the sand, and cast<br /> +His eyes toward the Tartar tents, and saw<br /> +Sohrab come forth, and eyed him as he came.<br /> +<span class="i1">As some rich woman, on a winter’s morn,</span><br /> +Eyes through her silken curtains the poor drudge<br /> +Who with numb blacken’d fingers makes her fire—<br /> +At cock-crow, on a starlit winter’s morn,<br /> +When the frost flowers the whiten’d window-panes—<br /> +And wonders how she lives, and what the thoughts<br /> +Of that poor drudge may be; so Rustum eyed<br /> +The unknown adventurous youth, who from afar<br /> +Came seeking Rustum, and defying forth<br /> +All the most valiant chiefs; long he perused<br /> +His spirited air, and wonder’d who he was.<br /> +For very young he seem’d, tenderly rear’d;<br /> +Like some young cypress, tall, and dark, and straight,<br /> +Which in a queen’s secluded garden throws<br /> +Its slight dark shadow on the moonlit turf,<br /> +By midnight, to a bubbling fountain’s sound—<br /> +So slender Sohrab seem’d, so softly <span class="nowrap">rear’d.<a name="Anchor_184-16" id="Anchor_184-16"></a><a title="Go to footnote 184-16" href="#Footnote_184-16" class="fnanchor">184-16</a></span><br /> +And a deep pity enter’d Rustum’s soul<br /> +As he beheld him coming; and he stood,<br /> +And beckon’d to him with his hand, and said:—<br /> +<span class="i1">“O thou young man, the air of heaven is soft,</span><br /> +And warm, and pleasant; but the grave is cold!<br /> +Heaven’s air is better than the cold dead grave.<br /> +Behold me! I am vast, and clad in iron,<br /> +And tried; and I have stood on many a field<br /> +<span class='pagenum'><a name="Page_185" id="Page_185">[185]</a></span>Of blood, and I have fought with many a foe—<br /> +Never was that field lost, or that foe saved.<br /> +O Sohrab, wherefore wilt thou rush on death?<br /> +Be <span class="nowrap">govern’d!<a name="Anchor_185-17" id="Anchor_185-17"></a><a title="Go to footnote 185-17" href="#Footnote_185-17" class="fnanchor">185-17</a></span> quit the Tartar host, and come<br /> +To Iran, and be as my son to me,<br /> +And fight beneath my banner till I die!<br /> +There are no youths in Iran brave as thou.”<br /> +<span class="i1">So he spake, mildly; Sohrab heard his voice,</span><br /> +The mighty voice of Rustum, and he saw<br /> +His giant figure planted on the sand,<br /> +Sole, like some single tower, which a chief<br /> +Hath builded on the waste in former years<br /> +Against the robbers; and he saw that head,<br /> +Streak’d with its first gray hairs;—hope fill’d his soul,<br /> +And he ran forward and embraced his knees,<br /> +And clasp’d his hand within his own, and said:—<br /> +<span class="i1">“Oh, by thy father’s head! by thine own soul!</span><br /> +Art thou not Rustum? speak! art thou not he?”<br /> +<span class="i1">But Rustum eyed askance the kneeling youth,</span><br /> +And turn’d away, and spake to his own soul:—<br /> +<span class="i1">“Ah me, I muse what this young fox may mean!</span><br /> +False, wily, boastful, are these Tartar boys.<br /> +For if I now confess this thing he asks,<br /> +And hide it not, but say: ‘Rustum is here!’<br /> +He will not yield indeed, nor quit our foes,<br /> +But he will find some pretext not to fight,<br /> +And praise my fame, and proffer courteous gifts,<br /> +A belt or sword perhaps, and go his way.<br /> +And on a feast tide, in Afrasiab’s hall,<br /> +In Samarcand, he will arise and cry:<br /> +‘I challenged once, when the two armies camp’d<br /> +Beside the Oxus, all the Persian lords<br /> +<span class='pagenum'><a name="Page_186" id="Page_186">[186]</a></span>To cope with me in single fight; but they<br /> +Shrank, only Rustum dared; then he and I<br /> +Changed gifts, and went on equal terms away.<br /> +So will he speak, perhaps, while men applaud;<br /> +Then were the chiefs of Iran shamed through me.”<br /> +<span class="i1">And then he turn’d, and sternly spake aloud:—</span><br /> +“Rise! wherefore dost thou vainly question thus<br /> +Of Rustum? I am here, whom thou hast call’d<br /> +By challenge forth; make good thy vaunt, or yield!<br /> +Is it with Rustum only thou wouldst fight?<br /> +Rash boy, men look on Rustum’s face and flee!<br /> +For well I know, that did great Rustum stand<br /> +Before thy face this day, and were reveal’d,<br /> +There would be then no talk of fighting more.<br /> +But being what I am, I tell thee this—<br /> +Do thou record it in thine inmost soul:<br /> +Either thou shalt renounce thy vaunt and yield,<br /> +Or else thy bones shall strew this sand, till winds<br /> +Bleach them, or Oxus with his summer floods,<br /> +Oxus in summer wash them all away.”<br /> +<span class="i1">He spoke; and Sohrab answer’d, on his feet:—</span><br /> +“Art thou so fierce? Thou wilt not fright me so!<br /> +I am no girl, to be made pale by words.<br /> +Yet this thou hast said well, did Rustum stand<br /> +Here on this field, there were no fighting then.<br /> +But Rustum is far hence, and we stand here.<br /> +Begin! thou art more vast, more dread than I,<br /> +And thou art proved, I know, and I am young—<br /> +But yet success sways with the breath of heaven.<br /> +And though thou thinkest that thou knowest sure<br /> +Thy victory, yet thou canst not surely know.<br /> +For we are all, like swimmers in the sea,<br /> +Poised on the top of a huge wave of fate,<br /> +Which hangs uncertain to which side to fall.<br /> +<span class='pagenum'><a name="Page_187" id="Page_187">[187]</a></span>And whether it will heave us up to land,<br /> +Or whether it will roll us out to sea,<br /> +Back out to sea, to the deep waves of death,<br /> +We know not, and no search will make us know;<br /> +Only the event will teach us in its hour.”<br /> +<span class="i1">He spoke, and Rustum answer’d not, but hurl’d</span><br /> +His spear; down from the shoulder, down it came,<br /> +As on some partridge in the corn a hawk,<br /> +That long has tower’d in the airy clouds,<br /> +Drops like a plummet; Sohrab saw it come,<br /> +And sprang aside, quick as a flash; the spear<br /> +Hiss’d and went quivering down into the sand,<br /> +Which it sent flying wide;—then Sohrab threw<br /> +In turn, and full struck Rustum’s shield; sharp rang,<br /> +The iron plates rang sharp, but turn’d the spear.<br /> +And Rustum seized his club, which none but he<br /> +Could wield; an unlopp’d trunk it was, and huge,<br /> +Still rough—like those which men in treeless plains<br /> +To build them boats fish from the flooded rivers,<br /> +Hyphasis or Hydaspes, when, high up<br /> +By their dark spring, the wind in winter time<br /> +Hath made in Himalayan forests wrack,<br /> +And strewn the channels with torn boughs—so huge<br /> +The club which Rustum lifted now, and struck<br /> +One stroke; but again Sohrab sprang aside,<br /> +Lithe as the glancing snake, and the club came<br /> +Thundering to earth, and leapt from Rustum’s hand.<br /> +And Rustum follow’d his own blow, and fell<br /> +To his knees, and with his fingers clutch’d the sand;<br /> +And now might Sohrab have unsheathed his sword,<br /> +And pierced the mighty Rustum while he lay<br /> +Dizzy, and on his knees, and choked with sand;<br /> +<span class='pagenum'><a name="Page_188" id="Page_188">[188]</a></span>But he look’d on, and smiled, nor bared his sword,<br /> +But courteously drew back, and spoke, and said:—<br /> +<span class="i1">“Thou strik’st too hard! that club of thine will float</span><br /> +Upon the summer floods, and not my bones.<br /> +But rise, and be not wroth! not wroth am I;<br /> +No, when I see thee, wrath forsakes my soul.<br /> +Thou say’st, thou art not Rustum; be it so!<br /> +Who art thou then, that canst so touch my soul?<br /> +Boy as I am, I have seen battles too—<br /> +Have waded foremost in their bloody waves,<br /> +And heard their hollow roar of dying men;<br /> +But never was my heart thus touch’d before.<br /> +Are they from Heaven, these softenings of the heart?<br /> +O thou old warrior, let us yield to Heaven!<br /> +Come, plant we here in earth our angry spears,<br /> +And make a truce, and sit upon this sand,<br /> +And pledge each other in red wine, like friends,<br /> +And thou shalt talk to me of Rustum’s deeds.<br /> +There are enough foes in the Persian host,<br /> +Whom I may meet, and strike, and feel no pang;<br /> +Champions enough Afrasiab has, whom thou<br /> +Mayst fight; fight <em>them</em>, when they confront thy spear!<br /> +But oh, let there be peace ’twixt thee and me!”<br /> +<span class="i1">He ceased, but while he spake, Rustum had risen,</span><br /> +And stood erect, trembling with rage; his club<br /> +He left to lie, but had regained his spear,<br /> +Whose fiery point now in his mail’d right hand<br /> +Blazed bright and baleful, like that autumn star,<br /> +The baleful sign of fevers; dust had soil’d<br /> +His stately crest, and dimm’d his glittering arms.<br /> +His breast heaved, his lips foam’d, and twice his voice<br /> +<span class='pagenum'><a name="Page_189" id="Page_189">[189]</a></span>Was choked with rage; at last these words broke way:—<br /> +<span class="i1">“Girl! nimble with thy feet, not with thy hands!</span><br /> +Curl’d minion, dancer, coiner of sweet words!<br /> +Fight, let me hear thy hateful voice no more!<br /> +Thou are not in Afrasiab’s gardens now<br /> +With Tartar girls, with whom thou art wont to dance;<br /> +But on the Oxus sands, and in the dance<br /> +Of battle, and with me, who make no play<br /> +Of war; I fight it out, and hand to hand.<br /> +Speak not to me of truce, and pledge, and wine!<br /> +Remember all thy valor; try thy feints<br /> +And cunning! all the pity I had is gone;<br /> +Because thou hast shamed me before both the hosts<br /> +With thy light skipping tricks, and thy girl’s wiles.”</p> + +<p class="poem"><span class="i1">He spoke, and Sohrab kindled at his taunts,</span><br /> +And he too drew his sword; at once they rush’d<br /> +Together, as two eagles on one prey<br /> +Come rushing down together from the clouds,<br /> +One from the east, one from the west; their shields<br /> +Dash’d with a clang together, and a din<br /> +Rose, such as that the sinewy woodcutters<br /> +Make often in the forest’s heart at morn,<br /> +Of hewing axes, crashing trees—such blows<br /> +Rustum and Sohrab on each other hail’d.<br /> +And you would say that sun and stars took part<br /> +In that <span class="nowrap">unnatural<a name="Anchor_189-18" id="Anchor_189-18"></a><a title="Go to footnote 189-18" href="#Footnote_189-18" class="fnanchor">189-18</a></span> conflict; for a cloud<br /> +Grew suddenly in heaven, and dark’d the sun<br /> +Over the fighters’ heads; and a wind rose<br /> +Under their feet, and moaning swept the plain,<br /> +And in a sandy whirlwind wrapp’d the pair.<br /> +<span class='pagenum'><a name="Page_190" id="Page_190">[190]</a></span>In gloom they twain were wrapp’d, and they alone;<br /> +For both the onlooking hosts on either hand<br /> +Stood in broad daylight, and the sky was pure,<br /> +And the sun sparkled on the Oxus stream.<br /> +But in the gloom they fought, with bloodshot eyes<br /> +And laboring breath; first Rustum struck the shield<br /> +Which Sohrab held stiff out; the steel-spiked spear<br /> +Rent the tough plates, but fail’d to reach the skin,<br /> +And Rustum pluck’d it back with angry groan.<br /> +Then Sohrab with his sword smote Rustum’s helm,<br /> +Nor clove its steel quite through; but all the crest<br /> +He shore away, and that proud horsehair plume,<br /> +Never till now defiled, sank to the dust;<br /> +And Rustum bow’d his head; and then the gloom<br /> +Grew blacker, thunder rumbled in the air,<br /> +And lightnings rent the cloud; and Ruksh, the horse,<br /> +Who stood at hand, utter’d a dreadful cry;—<br /> +No horse’s cry was that, most like the roar<br /> +Of some pain’d desert lion, who all day<br /> +Hath trail’d the hunter’s javelin in his side,<br /> +And comes at night to die upon the sand.<br /> +The two hosts heard that cry, and quaked for fear,<br /> +And Oxus curdled as it cross’d his stream.<br /> +But Sohrab heard, and quail’d not, but rush’d on,<br /> +And struck again; and again Rustum bow’d<br /> +His head; but this time all the blade, like glass,<br /> +Sprang in a thousand shivers on the helm,<br /> +And in the hand the hilt remain’d alone.<br /> +Then Rustum raised his head; his dreadful eyes<br /> +Glared, and he shook on high his menacing spear,<br /> +And shouted: “Rustum!”—Sohrab heard that shout,<br /> +And shrank amazed: back he recoil’d one step,<br /> +And scann’d with blinking eyes the advancing form;<br /> +And then he stood bewilder’d, and he dropp’d<br /> +<span class='pagenum'><a name="Page_191" id="Page_191">[191]</a></span>His covering shield, and the spear pierced his <span class="nowrap">side.<a name="Anchor_191-19" id="Anchor_191-19"></a><a title="Go to footnote 191-19" href="#Footnote_191-19" class="fnanchor">191-19</a></span><br /> +He reel’d, and, staggering back, sank to the ground;<br /> +And then the gloom dispersed, and the wind fell,</p> + +<div class="figcenter" style="width: 246px;"> +<a name="image29" id="image29"></a><a href="images/image29-full.png"><img src="images/image29.png" width="246" height="301" alt="A man with a sword defending himself from the attack of a man with a spear." title="THE SPEAR RENT THE TOUGH PLATES" /></a> +<span class="caption">THE SPEAR RENT THE TOUGH PLATES</span> +</div> + +<p class="poem">And the bright sun broke forth, and melted all<br /> +The cloud; and the two armies saw the pair—<br /> +<span class='pagenum'><a name="Page_192" id="Page_192">[192]</a></span>Saw Rustum standing, safe upon his feet,<br /> +And Sohrab, wounded, on the bloody sand.<br /> +<span class="i1">Then, with a bitter smile, Rustum began:—</span><br /> +“Sohrab, thou thoughtest in thy mind to kill<br /> +A Persian lord this day, and strip his corpse,<br /> +And bear thy trophies to Afrasiab’s tent;<br /> +Or else that the great Rustum would come down<br /> +Himself to fight, and that thy wiles would move<br /> +His heart to take a gift, and let thee go;<br /> +And then that all the Tartar host would praise<br /> +Thy courage or thy craft, and spread thy fame,<br /> +To glad thy father in his weak old age.<br /> +Fool, thou art slain, and by an unknown man!<br /> +Dearer to the red jackals shalt thou be<br /> +Than to thy friends, and to thy father old.”<br /> +<span class="i1">And, with a fearless mien, Sohrab replied:—</span><br /> +“Unknown thou art; yet thy fierce vaunt is vain.<br /> +Thou dost not slay me, proud and boastful man!<br /> +No! Rustum slays me, and this filial heart.<br /> +For were I match’d with ten such men as thee,<br /> +And I were that which till to-day I was,<br /> +They should be lying here, I standing there.<br /> +But that beloved name unnerved my arm—<br /> +That name, and something, I confess, in thee,<br /> +Which troubles all my heart, and made my shield<br /> +Fall; and thy spear transfix’d an unarm’d foe.<br /> +And now thou boastest, and insult’st my fate.<br /> +But hear thou this, fierce man, tremble to hear:<br /> +The mighty Rustum shall avenge my death!<br /> +My father, whom I seek through all the world,<br /> +He shall avenge my death, and punish thee!”<br /> +<span class="i1">As when some hunter in the spring hath found</span><br /> +A breeding eagle sitting on her nest,<br /> +Upon the craggy isle of a hill lake,<br /> +<span class='pagenum'><a name="Page_193" id="Page_193">[193]</a></span>And pierced her with an arrow as she rose,<br /> +And follow’d her to find her where she fell<br /> +Far off;—anon her mate comes winging back<br /> +From hunting, and a great way off descries<br /> +His huddling young left <span class="nowrap">sole;<a name="Anchor_193-20" id="Anchor_193-20"></a><a title="Go to footnote 193-20" href="#Footnote_193-20" class="fnanchor">193-20</a></span> at that, he checks<br /> +His pinion, and with short uneasy sweeps<br /> +Circles above his eyry, with loud screams<br /> +Chiding his mate back to her nest; but she<br /> +Lies dying, with the arrow in her side,<br /> +In some far stony gorge out of his ken,<br /> +A heap of fluttering feathers—never more<br /> +Shall the lake <span class="nowrap">glass<a name="Anchor_193-21" id="Anchor_193-21"></a><a title="Go to footnote 193-21" href="#Footnote_193-21" class="fnanchor">193-21</a></span> her, flying over it;<br /> +Never the black and dripping precipices<br /> +Echo her stormy scream as she sails by—<br /> +As that poor bird flies home, nor knows his loss,<br /> +So Rustum knew not his own loss, but stood<br /> +Over his dying son, and knew him not.<br /> +<span class="i1">But, with a cold incredulous voice, he said:—</span><br /> +“What prate is this of fathers and revenge?<br /> +The mighty Rustum never had a son.”<br /> +<span class="i1">And, with a failing voice, Sohrab replied:—</span><br /> +“Ah yes, he had! and that lost son am I.<br /> +Surely the news will one day reach his ear,<br /> +Reach Rustum, where he sits, and tarries long,<br /> +Somewhere, I know not where, but far from here;<br /> +And pierce him like a stab, and make him leap<br /> +To arms, and cry for vengeance upon thee.<br /> +Fierce man, bethink thee, for an only son!<br /> +What will that grief, what will that vengeance be?<br /> +Oh, could I live till I that grief had seen!<br /> +Yet him I pity not so much, but her,<br /> +My mother, who in Ader-baijan dwells<br /> +<span class='pagenum'><a name="Page_194" id="Page_194">[194]</a></span>With that old king, her father, who grows gray<br /> +With age, and rules over the valiant Koords.<br /> +Her most I pity, who no more will see<br /> +Sohrab returning from the Tartar camp,<br /> +With spoils and honor, when the war is done.<br /> +But a dark rumor will be bruited up,<br /> +From tribe to tribe, until it reach her ear;<br /> +And then will that defenseless woman learn<br /> +That Sohrab will rejoice her sight no more,<br /> +But that in battle with a nameless foe,<br /> +By the far-distant Oxus, he is slain.”<br /> +He spoke; and as he ceased, he wept aloud,<br /> +Thinking of her he left, and his own death.<br /> +<span class="i1">He spoke; but Rustum listen’d, plunged in thought.</span><br /> +Nor did he yet believe it was his son<br /> +Who spoke, although he call’d back names he knew;<br /> +For he had had sure tidings that the babe,<br /> +Which was in Ader-baijan born to him,<br /> +Had been a puny girl, no boy at all—<br /> +So that sad mother sent him word, for fear<br /> +Rustum should seek the boy, to train in arms.<br /> +And so he deem’d that either Sohrab took,<br /> +By a false boast, the style of Rustum’s son;<br /> +Or that men gave it him, to swell his fame.<br /> +So deem’d he: yet he listen’d, plunged in thought;<br /> +And his soul set to grief, as the vast tide<br /> +Of the bright rocking Ocean sets to shore<br /> +At the full moon; tears gather’d in his eyes;<br /> +For he remember’d his own early youth,<br /> +And all its bounding rapture; as, at dawn,<br /> +The shepherd from his mountain lodge descries<br /> +A far, bright city, smitten by the sun,<br /> +Through many rolling clouds—so Rustum saw<br /> +His youth; saw Sohrab’s mother, in her bloom;<br /> +<span class='pagenum'><a name="Page_195" id="Page_195">[195]</a></span>And that old king, her father, who loved well<br /> +His wandering guest, and gave him his fair child<br /> +With joy; and all the pleasant life they led,<br /> +They three, in that long-distant summer time—<br /> +The castle, and the dewy woods, and hunt<br /> +And hound, and morn on those delightful hills<br /> +In Ader-baijan. And he saw that youth,<br /> +Of age and looks to be his own dear <span class="nowrap">son,<a name="Anchor_195-22" id="Anchor_195-22"></a><a title="Go to footnote 195-22" href="#Footnote_195-22" class="fnanchor">195-22</a></span><br /> +Piteous and lovely, lying on the sand,<br /> +Like some rich hyacinth which by the scythe<br /> +Of an unskillful gardener has been cut,<br /> +Mowing the garden grassplots near its bed,<br /> +And lies, a fragrant tower of purple bloom,<br /> +On the mown, dying grass—so Sohrab lay,<br /> +Lovely in death, upon the common sand.<br /> +And Rustum gazed on him with grief, and said:—<br /> +<span class="i1">“O Sohrab, thou indeed art such a son</span><br /> +Whom Rustum, wert thou his, might well have loved!<br /> +Yet here thou errest, Sohrab, or else men<br /> +Have told thee false—thou art not Rustum’s son.<br /> +For Rustum had no son; one child he had—<br /> +But one—a girl; who with her mother now<br /> +Plies some light female task, nor dreams of us—<br /> +Of us she dreams not, nor of wounds, nor war.”<br /> +<span class="i1">But Sohrab answer’d him in wrath; for now</span><br /> +The anguish of the deep-fix’d spear grew fierce,<br /> +And he desired to draw forth the steel,<br /> +And let the blood flow free, and so to die—<br /> +But first he would convince his stubborn foe;<br /> +And, rising sternly on one arm, he said:—<br /> +<span class="i1">“Man, who art thou who dost deny my words?</span><br /> +<span class='pagenum'><a name="Page_196" id="Page_196">[196]</a></span>Truth sits upon the lips of dying men,<br /> +And falsehood, while I lived, was far from mine.<br /> +I tell thee, prick’d upon this arm I bear<br /> +That seal which Rustum to my mother gave,<br /> +That she might prick it on the babe she <span class="nowrap">bore.”<a name="Anchor_196-23" id="Anchor_196-23"></a><a title="Go to footnote 196-23" href="#Footnote_196-23" class="fnanchor">196-23</a></span><br /> +<span class="i1">He spoke: and all the blood left Rustum’s cheeks,</span><br /> +And his knees totter’d, and he smote his hand<br /> +Against his breast, his heavy mailed hand,<br /> +That the hard iron corselet clank’d aloud;<br /> +And to his heart he press’d the other hand,<br /> +And in a hollow voice he spake, and said:—<br /> +<span class="i1">“Sohrab, that were a proof which could not lie!</span><br /> +If thou show this, then art thou Rustum’s son.”<br /> +<span class="i1">Then, with weak hasty fingers, Sohrab loosed</span><br /> +His belt, and near the shoulder bared his arm,<br /> +And show’d a sign in faint vermilion points<br /> +Prick’d; as a cunning workman, in Pekin,<br /> +Pricks with vermilion some clear porcelain vase,<br /> +An emperor’s gift—at early morn he paints,<br /> +And all day long, and, when night comes, the lamp<br /> +Lights up his studious forehead and thin hands—<br /> +So delicately prick’d the sign appear’d<br /> +On Sohrab’s arm, the sign of Rustum’s seal.<br /> +It was that <span class="nowrap">griffin,<a name="Anchor_196-24" id="Anchor_196-24"></a><a title="Go to footnote 196-24" href="#Footnote_196-24" class="fnanchor">196-24</a></span> which of old rear’d Zal,<br /> +Rustum’s great father, whom they left to die,<br /> +A helpless babe, among the mountain rocks;<br /> +Him that kind creature found, and rear’d and loved—<br /> +Then Rustum took it for his glorious sign.<br /> +And Sohrab bared that image on his arm,<br /> +And himself scann’d it long with mournful eyes,<br /> +<span class='pagenum'><a name="Page_197" id="Page_197">[197]</a></span>And then he touch’d it with his hand, and said:—<br /> +<span class="i1">“How say’st thou? Is that sign the proper sign</span><br /> +Of Rustum’s son, or of some other man’s?”<br /> +<span class="i1">He spoke; but Rustum gazed, and gazed, and stood</span><br /> +Speechless; and then he utter’d one sharp cry:<br /> +“O boy—thy father!” and his voice choked there.<br /> +And then a dark cloud pass’d before his eyes,<br /> +And his head swam, and he sank down to earth.<br /> +But Sohrab crawl’d to where he lay, and cast<br /> +His arms about his neck, and kiss’d his lips,<br /> +And with fond faltering fingers stroked his cheeks,<br /> +Trying to call him back to life; and life<br /> +Came back to Rustum, and he oped his eyes,<br /> +And they stood wide with horror; and he seized<br /> +In both his hands the dust which lay around,<br /> +And threw it on his head, and smirch’d his hair,—<br /> +His hair, and face, and beard, and glittering arms;<br /> +And strong convulsive groanings shook his breast,<br /> +And his sobs choked him; and he clutch’d his sword,<br /> +To draw it, and forever let life out.<br /> +But Sohrab saw his thought, and held his hands,<br /> +And with a soothing voice he spake, and said:—<br /> +<span class="i1">“Father, forbear! for I but meet to-day</span><br /> +The doom which at my birth was written down<br /> +In heaven, and thou art heaven’s unconscious hand.<br /> +Surely my heart cried out that it was thou,<br /> +When first I saw thee; and thy heart spoke too,<br /> +I know it! but fate trod those promptings down<br /> +Under its iron heel; fate, fate engaged<br /> +The strife, and hurl’d me on my father’s spear.<br /> +But let us speak no more of this! I find<br /> +My father; let me feel that I have found!<br /> +Come, sit beside me on the sand, and take<br /> +<span class='pagenum'><a name="Page_198" id="Page_198">[198]</a></span>My head betwixt thy hands, and kiss my cheeks,<br /> +And wash them with thy tears, and say: ‘My son!’<br /> +Quick! quick! for number’d are my sands of life,<br /> +And swift; for like the lightning to this field<br /> +I came, and like the wind I go away—<br /> +Sudden, and swift, and like a passing wind<br /> +But it was writ in heaven that this should be.”<br /> +<span class="i1">So said he, and his voice released the heart</span><br /> +Of Rustum, and his tears broke forth; he cast<br /> +His arms round his son’s neck, and wept aloud,<br /> +And kiss’d him. And awe fell on both the hosts,<br /> +When they saw Rustum’s grief; and Ruksh, the horse,<br /> +With his head bowing to the ground and mane<br /> +Sweeping the dust, came near, and in mute woe<br /> +First to the one then to the other moved<br /> +His head, as if inquiring what their grief<br /> +Might mean; and from his dark, compassionate eyes,<br /> +The big warm tears roll’d down, and caked the sand,<br /> +But Rustum chid him with stern voice, and said:—<br /> +<span class="i1">“Ruksh, now thou grievest; but, O Ruksh, thy feet</span><br /> +Should first have rotted on their nimble joints,<br /> +Or ere they brought thy master to this field!”<br /> +<span class="i1">But Sohrab look’d upon the horse, and said:—</span><br /> +“Is this, then, Ruksh? How often, in past days,<br /> +My mother told me of thee, thou brave steed,<br /> +My terrible father’s terrible horse! and said,<br /> +That I should one day find thy lord and thee.<br /> +Come, let me lay my hand upon thy mane!<br /> +O Ruksh, thou art more fortunate than I;<br /> +For thou hast gone where I shall never go,<br /> +And snuff’d the breezes of my father’s home.<br /> +And thou hast trod the sands of Seistan.<br /> +<span class='pagenum'><a name="Page_199" id="Page_199">[199]</a></span>And seen the River of Helmund, and the Lake<br /> +Of Zirrah; and the aged Zal himself<br /> +Has often stroked thy neck, and given thee food,<br /> +Corn in a golden platter soak’d with wine,<br /> +And said: ‘O Ruksh! bear Rustum well,’—but I<br /> +Have never known my grandsire’s furrow’d face,<br /> +Nor seen his lofty house in Seistan,<br /> +Nor slaked my thirst at the clear Helmund stream;<br /> +But lodged among my father’s foes, and seen<br /> +Afrasiab’s cities only, Samarcand,<br /> +Bokhara, and lone Khiva in the waste,<br /> +And the black Toorkmun tents; and only drunk<br /> +The desert rivers, Moorghab and Tejend,<br /> +Kohik, and where the Kalmuks feed their sheep,<br /> +The northern Sir; and this great Oxus stream,<br /> +The yellow Oxus, by whose brink I die.”<br /> +<span class="i1">Then, with a heavy groan, Rustum bewail’d:—</span><br /> +“Oh, that its waves were flowing over me!<br /> +Oh, that I saw its grains of yellow silt<br /> +Roll tumbling in the current o’er my head!”<br /> +<span class="i1">But, with a grave mild voice, Sohrab replied:—</span><br /> +“Desire not that, my father! thou must live.<br /> +For some are born to do great deeds, and live,<br /> +As some are born to be obscured, and die.<br /> +Do thou the deeds I die too young to do,<br /> +And reap a second glory in thine age;<br /> +Thou art my father, and thy gain is mine.<br /> +But come! thou seest this great host of men<br /> +Which follow me; I pray thee, slay not these!<br /> +Let me entreat for them; what have they done?<br /> +They follow’d me, my hope, my fame, my star.<br /> +Let them all cross the Oxus back in peace.<br /> +But me thou must bear hence, not send with them,<br /> +But carry me with thee to Seistan,<br /> +<span class='pagenum'><a name="Page_200" id="Page_200">[200]</a></span>And place me on a bed, and mourn for me,<br /> +Thou, and the snow-hair’d Zal, and all thy friends.<br /> +And thou must lay me in that lovely earth,<br /> +And heap a stately mound above my <span class="nowrap">bones,<a name="Anchor_200-25" id="Anchor_200-25"></a><a title="Go to footnote 200-25" href="#Footnote_200-25" class="fnanchor">200-25</a></span><br /> +And plant a far-seen pillar over all.<br /> +That so the passing horseman on the waste<br /> +May see my tomb a great way off, and cry:<br /> +‘Sohrab, the mighty Rustum’s son, lies there,<br /> +Whom his great father did in ignorance kill!’<br /> +And I be not forgotten in my grave.”<br /> +<span class="i1">And, with a mournful voice, Rustum replied:—</span><br /> +“Fear not! as thou hast said, Sohrab, my son,<br /> +So shall it be; for I will burn my tents,<br /> +And quit the host, and bear thee hence with me,<br /> +And carry thee away to Seistan,<br /> +And place thee on a bed, and mourn for thee,<br /> +With the snow-headed Zal, and all my friends.<br /> +And I will lay thee in that lovely earth,<br /> +And heap a stately mound above thy bones,<br /> +And plant a far-seen pillar over all,<br /> +And men shall not forget thee in thy grave.<br /> +And I will spare thy host; yea, let them go!<br /> +Let them all cross the Oxus back in peace!<br /> +What should I do with slaying any more?<br /> +For would that all that I have ever slain<br /> +Might be once more alive; my bitterest foes,<br /> +And they who were call’d champions in their time,<br /> +And through whose death I won that fame I have—<br /> +And I were nothing but a common man,<br /> +A poor, mean soldier, and without renown,<br /> +So thou mightest live too, my son, my son!<br /> +Or rather would that I, even I myself,<br /> +<span class='pagenum'><a name="Page_201" id="Page_201">[201]</a></span>Might now be lying on this bloody sand,<br /> +Near death, and by an ignorant stroke of thine,<br /> +Not thou of mine! and I might die, not thou;<br /> +And I, not thou, be borne to Seistan;<br /> +And Zal might weep above my grave, not thine;<br /> +And say: ‘O son, I weep thee not too sore,<br /> +For willingly, I know, thou met’st thine end!’<br /> +But now in blood and battles was my youth,<br /> +And full of blood and battles is my age,<br /> +And I shall never end this life of blood.”<br /> +<span class="i1">Then, at the point of death, Sohrab replied:—</span><br /> +“A life of blood indeed, though dreadful man!<br /> +But thou shalt yet have peace; only not now,<br /> +Not yet! but thou shalt have it on that <span class="nowrap">day<a name="Anchor_201-26" id="Anchor_201-26"></a><a title="Go to footnote 201-26" href="#Footnote_201-26" class="fnanchor">201-26</a></span><br /> +When thou shalt sail in a high-masted ship,<br /> +Thou and the other peers of a Kai Khosroo,<br /> +Returning home over the salt blue sea,<br /> +From laying thy dear master in his grave.”<br /> +<span class="i1">And Rustum gazed in Sohrab’s face, and said:—</span><br /> +“Soon be that day, my son, and deep that sea!<br /> +Till then, if fate so wills, let me endure.”<br /> +<span class="i1">He spoke; and Sohrab smiled on him, and took</span><br /> +The spear, and drew it from his side, and eased<br /> +His wound’s imperious anguish; but the blood<br /> +Came welling from the open gash, and life<br /> +Flow’d with the stream;—all down his cold white side<br /> +The crimson torrent ran, dim now and soil’d,<br /> +Like the soil’d tissue of white violets<br /> +Left, freshly gather’d, on their native bank,<br /> +<span class='pagenum'><a name="Page_202" id="Page_202">[202]</a></span>By children whom their nurses call with haste<br /> +Indoors from the sun’s eye; his head droop’d low,<br /> +His limbs grew slack; motionless, white, he lay—<br /> +White, with eyes closed; only when heavy gasps,<br /> +Deep heavy gasps quivering through all his frame,<br /> +Convulsed him back to life, he open’d them,<br /> +And fix’d them feebly on his father’s face;<br /> +Till now all strength was ebb’d, and from his limbs<br /> +Unwillingly the spirit fled away,<br /> +Regretting the warm mansion which it left,<br /> +And youth, and bloom, and this delightful world.<br /> +<span class="i1">So, on the bloody sand, Sohrab lay dead;</span><br /> +And the great Rustum drew his horseman’s cloak<br /> +Down o’er his face, and sate by his dead son.<br /> +As those black granite pillars, once high-rear’d<br /> +By Jemshid in Persepolis, to bear<br /> +His house, now ’mid their broken flights of steps<br /> +Lie prone, enormous, down the mountain side—<br /> +So in the sand lay Rustum by his son.<br /> +<span class="i1">And night came down over the solemn waste,</span><br /> +And the two gazing hosts, and that sole pair,<br /> +And darken’d all; and a cold fog, with night,<br /> +Crept from the Oxus. Soon a hum arose,<br /> +As of a great assembly loosed, and fires<br /> +Began to twinkle through the fog; for now<br /> +Both armies moved to camp, and took their meal;<br /> +The Persians took it on the open sands<br /> +Southward, the Tartars by the river marge;<br /> +And Rustum and his son were left alone.</p> + +<p class="poem"><span class="i1">But the majestic river floated on,</span><br /> +Out of the mist and hum of that low land,<br /> +Into the frosty starlight, and there moved,<br /> +Rejoicing, through the hush’d Chorasmian waste,<br /> +<span class='pagenum'><a name="Page_203" id="Page_203">[203]</a></span>Under the solitary moon;—he flow’d<br /> +Right for the polar star, past Orgunjè,<br /> +Brimming, and bright, and large; then sands begin</p> + +<div class="figcenter" style="width: 246px;"> +<a name="image30" id="image30"></a><a href="images/image30-full.png"><img src="images/image30.png" width="246" height="299" alt="A man seated with the head of the fallen man in his lap and his horse looking on." title="RUSTUM SORROWS OVER SOHRAB" /></a> +<span class="caption">RUSTUM SORROWS OVER SOHRAB</span> +</div> + +<p class="poem">To hem his watery march, and dam his streams,<br /> +And split his currents; that for many a league<br /> +The shorn and parcel’d Oxus strains along<br /> +Through beds of sand and matted rushy isles—<br /> +Oxus, forgetting the bright speed he had<br /> +<span class='pagenum'><a name="Page_204" id="Page_204">[204]</a></span>In his high mountain cradle in Pamere,<br /> +A foil’d circuitous wanderer—till at last<br /> +The long’d-for dash of waves is heard, and wide<br /> +His luminous home of waters opens, bright<br /> +And tranquil, from whose floor the new-bathed stars<br /> +Emerge, and shine upon the Aral <span class="nowrap">Sea.<a name="Anchor_204-27" id="Anchor_204-27"></a><a title="Go to footnote 204-27" href="#Footnote_204-27" class="fnanchor">204-27</a></span></p> + +<div class="blockquot"><p>Matthew Arnold was one of England’s purest and greatest men. As +scholar, teacher, poet and critic he labored zealously for the +betterment of his race and sought to bring them back to a clearer, +lovelier spiritual life and to win them from the base and sordid +schemes that make only for material success.</p> + +<p>He was born in 1822 and was the son of Doctor Thomas Arnold, the +great teacher who was so long headmaster of the famous Rugby +school, and whose scholarly and Christian influence is so +faithfully brought out in Hughes’s ever popular story <cite>Tom Brown’s +School Days</cite>.</p> + +<p>Matthew Arnold received his preparatory education in his father’s +school at Rugby, and his college training at Oxford. He was always +a student and always active in educational work, as an inspector of +schools, and for ten years as professor of poetry at Oxford. He +twice visited the United States and both times lectured here. His +criticisms of America and Americans were severe, for he saw +predominant the spirit of money-getting, the thirst for material +prosperity and the absence of spiritual interests. In 1888, while +at the house of a friend in Liverpool, he died suddenly and +peacefully from an attack of heart disease.</p> + +<p>Arnold was one of the most exacting and critical of Eng<span class='pagenum' style="font-size: 89%"><a name="Page_205" id="Page_205">[205]</a></span>lish +writers, a man who applied to his own works the same severe +standards that he set up for others. As a result his writings have +become one of the standards of purity and taste in style.</p></div> + +<div class="figcenter" style="width: 302px;"> +<a name="image31" id="image31"></a><a href="images/image31-full.jpg"><img src="images/image31.jpg" width="302" height="400" alt="Portrait of Matthew Arnold" title="Matthew Arnold 1822-1888" /></a> +<span class="caption smcap">Matthew Arnold<br /> +1822-1888</span> +</div> + +<div class="blockquot"><p>The story of <cite>Sohrab and Rustum</cite> pleased him, and he enjoyed +writing the poem, as may be seen from a letter to his mother, +written in 1853. He says:</p> + +<p>“All my spare time has been spent on a poem which I have just +finished, and which I think by far the best thing I have yet done, +and I think it will be generally liked; though one can never be +sure of this. I have had the greatest pleasure in composing it, a +rare thing with me, and, as I think, a good test of the pleasure +what you write is likely to afford to others. But the story is a +very noble and excellent one.”</p> + +<p>Two men, both competent to judge, have given at length their +opinion of Matthew Arnold’s character. So admirable a man deserves +to be known by the young, although most of his writings will be +understood and appreciated only by persons of some maturity in +years. Mr. John Morley says:</p> + +<p>“He was incapable of sacrificing the smallest interest of anybody +to his own; he had not a spark of envy or jealousy; he stood well +aloof from all the hustlings and jostlings by which selfish men +push on; he bore life’s disappointments—and he was disappointed in +some reasonable hopes—with good nature and fortitude; he cast no +burden upon others, and never shrank from bearing his own share of +the daily load to the last ounce of it; he took the deepest, +sincerest, and most active interest in the well-being of his +country and his countrymen.”</p> + +<p>Mr. George E. Woodbury in an essay on Arnold remarks concerning the +man as shown in his private letters:</p> + +<p>“A nature warm to its own, kindly to all, cheerful, fond of sport +and fun, and always fed from pure fountains, and with it a +character so founded upon the rock, so humbly serviceable, so +continuing in power and grace, must wake in all the responses of +happy appreciation and leave the charm of memory.”</p></div> + + +<div class="footnotes"> + +<p><a name="Footnote_173-1" id="Footnote_173-1"></a><a title="Return to text." href="#Anchor_173-1" class="label">173-1</a> The Oxus, 1300 miles long, is the chief river of +Central Asia, and one of the boundaries of Persia.</p> + +<p><a name="Footnote_173-2" id="Footnote_173-2"></a><a title="Return to text." href="#Anchor_173-2" class="label">173-2</a> Peran-Wisa was the commander of King Afrasiab’s troops, +a Turanian chief who ruled over the many wild Tartar tribes whose men +composed his army.</p> + +<p><a name="Footnote_173-3" id="Footnote_173-3"></a><a title="Return to text." href="#Anchor_173-3" class="label">173-3</a> Pamir or Pamere is a high tableland called by the +natives “the roof of the world.” In it lies the source of the Oxus. +Arnold has named many places for the purpose of giving an air of reality +to the poem. It is not necessary to locate them accurately in order to +understand the poem, and so the notes will refer to them only as the +story is made clearer by the explanation.</p> + +<p><a name="Footnote_174-4" id="Footnote_174-4"></a><a title="Return to text." href="#Anchor_174-4" class="label">174-4</a> Samarcand is a city of Turkistan, now a center of +learning and of commerce.</p> + +<p><a name="Footnote_175-5" id="Footnote_175-5"></a><a title="Return to text." href="#Anchor_175-5" class="label">175-5</a> <em>Common</em> here means <em>general</em>. The idea is that little +fame comes to him who fights in a general combat in which numbers take +part. What is the real reason for Sohrab’s desire to fight in single +combat? Arnold gives a different reason from that in the <cite>Shah Nameh</cite>. +In the latter case it is that by defeating their champion Sohrab may +frighten the Persians into submission.</p> + +<p><a name="Footnote_176-6" id="Footnote_176-6"></a><a title="Return to text." href="#Anchor_176-6" class="label">176-6</a> Seistan was the province in which Rustum and his father +Zal had ruled for many years, subjects of the King of Persia.</p> + +<p><a name="Footnote_176-7" id="Footnote_176-7"></a><a title="Return to text." href="#Anchor_176-7" class="label">176-7</a> <em>Whether that</em> and <em>Or in</em> beginning the second line +below may be understood to read <em>Either because</em> and <em>Or because of</em>.</p> + +<p><a name="Footnote_177-8" id="Footnote_177-8"></a><a title="Return to text." href="#Anchor_177-8" class="label">177-8</a> <em>Frore</em> means <em>frozen</em>.</p> + +<p><a name="Footnote_177-9" id="Footnote_177-9"></a><a title="Return to text." href="#Anchor_177-9" class="label">177-9</a> From mares’ milk is made koumiss, a favorite fermented +drink of Tartar tribes.</p> + +<p><a name="Footnote_178-10" id="Footnote_178-10"></a><a title="Return to text." href="#Anchor_178-10" class="label">178-10</a> <em>Fix’d</em> means <em>halted</em>. He caused his army to remain +stationary while he rode forward.</p> + +<p><a name="Footnote_178-11" id="Footnote_178-11"></a><a title="Return to text." href="#Anchor_178-11" class="label">178-11</a> The <em>corn</em> is grain of some kind, not our maize or +Indian corn.</p> + +<p><a name="Footnote_181-12" id="Footnote_181-12"></a><a title="Return to text." href="#Anchor_181-12" class="label">181-12</a> Kai Khosroo was one of the Persian kings who lived in +the sixth century B. C., and is now understood to be Cyrus. He was the +grandson of Kai Kaoos, in whose reign the <cite>Shah Nameh</cite> places the +episode of Sohrab and Rustum. Here as elsewhere Arnold alters the legend +to suit his convenience and to make the poem more effective. For +instance, he compresses the combat into a single day, while in the +Persian epic, the battle lasts three days. This change gives greater +vitality and more rapid action to the poem.</p> + +<p><a name="Footnote_181-13" id="Footnote_181-13"></a><a title="Return to text." href="#Anchor_181-13" class="label">181-13</a> Zal was born with snowy hair, a most unusual thing +among the black-haired Persians. His father was so angered by the +appearance of his son that he abandoned the innocent babe in the Elburz +mountains, where, however, a great bird or griffin miraculously +preserved the infant and in time returned it to its father, who had +repented of his hasty action.</p> + +<p><a name="Footnote_183-14" id="Footnote_183-14"></a><a title="Return to text." href="#Anchor_183-14" class="label">183-14</a> <em>Ruksh</em>, also spelled <em>Raksh</em>.</p> + +<p><a name="Footnote_183-15" id="Footnote_183-15"></a><a title="Return to text." href="#Anchor_183-15" class="label">183-15</a> <em>Tale</em> means <em>count</em> or <em>reckoning</em>. The diver had +gathered all the pearls required from him for the day.</p> + +<p><a name="Footnote_184-16" id="Footnote_184-16"></a><a title="Return to text." href="#Anchor_184-16" class="label">184-16</a> This description by Arnold scarcely tallies with the +idea we have obtained of the powerful Sohrab from reading the accounts +taken from the <cite>Shah Nameh</cite>. Arnold’s is the more poetic idea, and +increases the reader’s sympathy for Sohrab.</p> + +<p><a name="Footnote_185-17" id="Footnote_185-17"></a><a title="Return to text." href="#Anchor_185-17" class="label">185-17</a> <em>Be governed</em>, that is, <em>take my advice</em>.</p> + +<p><a name="Footnote_189-18" id="Footnote_189-18"></a><a title="Return to text." href="#Anchor_189-18" class="label">189-18</a> It is not natural for father and son to fight thus.</p> + +<p><a name="Footnote_191-19" id="Footnote_191-19"></a><a title="Return to text." href="#Anchor_191-19" class="label">191-19</a> In the <cite>Shah Nameh</cite> Rustum overpowers Sohrab and slays +him by his superior power and skill. Arnold takes the more poetic view +that Sohrab’s arm is powerless when he hears his father’s name.</p> + +<p><a name="Footnote_193-20" id="Footnote_193-20"></a><a title="Return to text." href="#Anchor_193-20" class="label">193-20</a> <em>Sole</em> means <em>solitary, alone</em>.</p> + +<p><a name="Footnote_193-21" id="Footnote_193-21"></a><a title="Return to text." href="#Anchor_193-21" class="label">193-21</a> <em>Glass her</em> means <em>reflect her</em> as in a mirror.</p> + +<p><a name="Footnote_195-22" id="Footnote_195-22"></a><a title="Return to text." href="#Anchor_195-22" class="label">195-22</a> He sees that this young men, as far as age and +appearance are concerned, might be a son of his.</p> + +<p><a name="Footnote_196-23" id="Footnote_196-23"></a><a title="Return to text." href="#Anchor_196-23" class="label">196-23</a> Again Arnold departs from the Persian tale, in which +Sohrab wears a bracelet or amulet on his arm. Arnold’s work gives a more +certain <a name="corr14" id="corr14"></a>identification.</p> + +<p><a name="Footnote_196-24" id="Footnote_196-24"></a><a title="Return to text." href="#Anchor_196-24" class="label">196-24</a> The griffin spoken of in note 13.</p> + +<p><a name="Footnote_200-25" id="Footnote_200-25"></a><a title="Return to text." href="#Anchor_200-25" class="label">200-25</a> The Persian tradition is that over the spot where +Sohrab was buried a huge mound, shaped like the hoof of a horse, was +erected.</p> + +<p><a name="Footnote_201-26" id="Footnote_201-26"></a><a title="Return to text." href="#Anchor_201-26" class="label">201-26</a> It is said that shortly after the death of Sohrab the +king himself died while on a visit to a famous spring far in the north, +and as the nobles were returning with his corpse all were lost in a +great tempest. Unfortunately for Sohrab’s prophecy, Persian traditions +do not include Rustum among the lost.</p> + +<p><a name="Footnote_204-27" id="Footnote_204-27"></a><a title="Return to text." href="#Anchor_204-27" class="label">204-27</a> This beautiful stanza makes a peculiarly artistic +termination to the poem. After the storm and stress of the combat and +the heart-breaking pathos of Sohrab’s death, the reader willingly rests +his thought on the majestic Oxus that still flows on, unchangeable, but +ever changing. The suggestion is that after all nature is triumphant, +that our pains and losses, our most grievous disappointments and +greatest griefs are but incidents in the great drama of life, and that, +though like the river Oxus, we for a time become “foiled, circuitous +wanderers,” we at last see before us the luminous home, bright and +tranquil under the shining stars.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_206" id="Page_206">[206]</a></span></p> + +<h2 class="story"><a name="THE_POET_AND_THE_PEASANT" id="THE_POET_AND_THE_PEASANT"></a>THE POET AND THE PEASANT</h2> + +<p class="titlepage">FROM THE FRENCH OF EMILE SOUVESTRE</p> + + +<p class="opening"><span class="dropcapa"><span class="hide">A</span></span> <span class="upper">young</span> man was walking through a forest, and in spite of the approach +of night, in spite of the mist that grew denser every moment, he was +walking slowly, paying no heed either to the weather or to the hour.</p> + +<p>His dress of green cloth, his buckskin gaiters, and the gun slung across +his shoulder might have caused him to be taken for a sportsman, had not +the book that half protruded from his game-bag betrayed the dreamer, and +proved that <span lang="fr" xml:lang="fr">Arnold de Munster</span> was less occupied with observing the track +of wild game than in communing with himself.</p> + +<p>For some moments his mind had been filled with thoughts of his family +and of the friends he had left in Paris. He remembered the studio that +he had adorned with fantastic engravings, strange paintings, curious +statuettes; the German songs that his sister had sung, the melancholy +verses that he had repeated in the subdued light of the evening lamps, +and the long talks in which every one confessed his inmost feelings, in +which all the mysteries of thought were discussed and translated into +impassioned or graceful words! Why had he abandoned these choice +pleasures to bury himself in the country?</p> + +<p>He was aroused at last from his meditations by the consciousness that +the mist had changed into rain<span class='pagenum'><a name="Page_207" id="Page_207">[207]</a></span> and was beginning to penetrate his +shooting-coat. He was about to quicken his steps, but in looking around +him he saw that he had lost his way, and he tried vainly to determine +the direction he must take. A first attempt only succeeded in +bewildering him still more. The daylight faded, the rain fell more +heavily, and he continued to plunge at random into unknown paths.</p> + +<p>He had begun to be discouraged, when the sound of bells reached him +through the leafless trees. A cart driven by a big man in a blouse had +appeared at an intersecting road and was coming toward the one that +<span lang="fr" xml:lang="fr">Arnold</span> had just reached.</p> + +<p><span lang="fr" xml:lang="fr">Arnold</span> stopped to wait for the man and asked him if he were far from +<span lang="fr" xml:lang="fr">Sersberg</span>.</p> + +<p>“<span lang="fr" xml:lang="fr">Sersberg!</span>” repeated the carter; “you don’t expect to sleep there +to-night?”</p> + +<p>“Pardon me, but I do,” answered the young man.</p> + +<p>“At <span lang="fr" xml:lang="fr">Sersberg</span>?” went on his interlocutor; “you’ll have to go by train, +then! It is six good leagues from here to the gate; and considering the +weather and the roads, they are equal to twelve.”</p> + +<p>The young man uttered an exclamation. He had left the château that +morning and did not think that he had wandered so far; but he had been +on the wrong path for hours, and in thinking to take the road to +<span lang="fr" xml:lang="fr">Sersberg</span> he had continued to turn his back upon it. It was too late to +make good such an error; so he was forced to accept the shelter offered +by his new companion, whose farm was fortunately within gunshot.</p> + +<p>He accordingly regulated his pace to the carter’s and attempted to enter +into conversation with him; but <span lang="fr" xml:lang="fr">Moser</span> was not a talkative man and was +appar<span class='pagenum'><a name="Page_208" id="Page_208">[208]</a></span>ently a complete stranger to the young man’s usual sensations. +When, on issuing from the forest, <span lang="fr" xml:lang="fr">Arnold</span> pointed to the magnificent +horizon purpled by the last rays of the setting sun, the farmer +contented himself with a grimace.</p> + +<p>“Bad weather for to-morrow,” he muttered, drawing his cloak about his +shoulders.</p> + +<p>“One ought to be able to see the entire valley from here,” went on +<span lang="fr" xml:lang="fr">Arnold</span>, striving to pierce the gloom that already clothed the foot of +the mountain.</p> + +<p>“Yes, yes,” said <span lang="fr" xml:lang="fr">Moser</span>, shaking his head; “the ridge is high enough for +that. There’s an invention for you that isn’t good for much.”</p> + +<p>“What invention?”</p> + +<p>“The mountains.”</p> + +<p>“You would rather have everything level?”</p> + +<p>“What a question!” cried the farmer, laughing. “You might as well ask me +if I would not rather ruin my horses.”</p> + +<p>“True,” said <span lang="fr" xml:lang="fr">Arnold</span> in a tone of somewhat contemptuous irony. “I had +forgotten the horses! It is clear that God should have thought +principally of them when he created the world.”</p> + +<p>“I don’t know as to God,” answered <span lang="fr" xml:lang="fr">Moser</span> quietly, “but the engineers +certainly made a mistake in forgetting them when they made the roads. +The horse is the laborer’s best friend, <span lang="fr" xml:lang="fr">monsieur</span>—without disrespect to +the oxen, which have their value too.”</p> + +<p><span lang="fr" xml:lang="fr">Arnold</span> looked at the peasant. “So you see in your surroundings only the +advantages you can derive from them?” he asked gravely. “The forest, the +mountains, the clouds, all say nothing to you? You have never paused +before the setting sun or at the sight of the woods lighted by the +stars?”</p> + +<p><span class='pagenum'><a name="Page_209" id="Page_209">[209]</a></span>“I?” cried the farmer. “Do you take me for a maker of almanacs? What +should I get out of your starlight and the setting sun? The main thing +is to earn enough for three meals a day and to keep one’s stomach warm. +Would <span lang="fr" xml:lang="fr">monsieur</span> like a drink of cognac? It comes from the other side of +the Rhine.”</p> + +<p>He held out a little wicker-covered bottle to <span lang="fr" xml:lang="fr">Arnold</span>, who refused by a +gesture. The positive coarseness of the peasant had rekindled his regret +and his contempt. Were they really men such as he was, these +unfortunates, doomed to unceasing labor, who lived in the bosom of +nature without heeding it and whose souls never rose above the most +material sensations? Was there one point of resemblance which could +attest their original brotherhood to such as he? Arnold doubted this +more and more each moment.</p> + +<p>These thoughts had the effect of communicating to his manner a sort of +contemptuous indifference toward his conductor, to whom he ceased to +talk. <span lang="fr" xml:lang="fr">Moser</span> showed neither surprise nor pain and set to whistling an +air, interrupted from time to time by some brief word of encouragement +to his horses.</p> + +<p>Thus they arrived at the farm, where the noise of the bells announced +their coming. A young boy and a woman of middle age appeared on the +threshold.</p> + +<p>“Ah, it is the father!” cried the woman, looking back into the house, +where could be heard the voices of several children, who came running to +the door with shouts of joy and pressed around the peasant.</p> + +<p>“Wait a moment, youngsters,” interrupted the father in his big voice as +he rummaged in the cart<span class='pagenum'><a name="Page_210" id="Page_210">[210]</a></span> and brought forth a covered basket. “Let Fritz +unharness.”</p> + +<p>But the children continued to besiege the farmer, all talking at once. +He bent to kiss them, one after another; then rising suddenly:</p> + +<p>“Where is <span lang="fr" xml:lang="fr">Jean</span>?” he asked with a quickness that had something of +uneasiness in it.</p> + +<p>“Here, father, here,” answered a shrill little voice from the farm-house +door; “mother doesn’t want me to go out in the rain.”</p> + +<p>“Stay where you are,” said <span lang="fr" xml:lang="fr">Moser</span>, throwing the traces on the backs of +the horses; “I will go to you, little son. Go in, the rest of you, so as +not to tempt him to come out.”</p> + +<p>The three children went back to the doorway, where little <span lang="fr" xml:lang="fr">Jean</span> was +standing beside his mother, who was protecting him from the weather.</p> + +<p>He was a poor little creature, so cruelly deformed that at the first +glance one could not have told his age or the nature of his infirmity. +His whole body, distorted by sickness, formed a curved, not to say a +broken line. His disproportionately large head was sunken between two +unequally rounded shoulders, while his body was sustained by two little +crutches; these took the place of the shrunken legs, which could not +support him.</p> + +<p>At the farmer’s approach he held out his thin arms with an expression of +love that made <span lang="fr" xml:lang="fr">Moser’s</span> furrowed face brighten. The father lifted him in +his strong arms with an exclamation of tender delight.</p> + +<p>“Come!” he cried, “hug your father—with both arms—hard! How has he +been since yesterday?”</p> + +<p>The mother shook her head.</p> + +<p>“Always the cough,” she answered in a low tone.</p> + +<p><span class='pagenum'><a name="Page_211" id="Page_211">[211]</a></span>“It’s nothing, father,” the child answered in his shrill voice. “<span lang="fr" xml:lang="fr">Louis</span> +had drawn me too fast in my wheeled chair; but I am well, very well; I +feel as strong as a man.”</p> + +<p>The peasant placed him carefully on the ground, set him upon his little +crutches, which had fallen, and looked at him with an air of +satisfaction.</p> + +<p>“Don’t you think he’s growing, wife?” he asked in the tone of a man who +wishes to be encouraged. “Walk a bit, <span lang="fr" xml:lang="fr">Jean</span>; walk, boy! He walks more +quickly and more strongly. It’ll all come right, wife; we must only be +patient.”</p> + +<p>The farmer’s wife made no reply, but her eyes turned toward the feeble +child with a look of despair so deep that <span lang="fr" xml:lang="fr">Arnold</span> trembled; fortunately +<span lang="fr" xml:lang="fr">Moser</span> paid no heed.</p> + +<p>“Come, the whole brood of you,” he went on, opening the basket he had +taken from the cart; “here is something for every one! In line and hold +out your hands.”</p> + +<p>The peasant had displayed three small white rolls glazed in the baking; +three cries of joy burst forth simultaneously and six hands advanced to +seize the rolls, but they all paused at the word of command.</p> + +<p>“And <span lang="fr" xml:lang="fr">Jean</span>?” asked the childish voices.</p> + +<p>“To the devil with <span lang="fr" xml:lang="fr">Jean</span>,” answered <span lang="fr" xml:lang="fr">Moser</span> gayly; “there is nothing for +him to-night. <span lang="fr" xml:lang="fr">Jean</span> shall have his share another time.”</p> + +<p>But the child smiled and tried to get up to look into the basket. The +farmer stepped back a pace, took off the cover carefully, and lifting +his arm with an air of solemnity, displayed before the eyes of all a +cake of gingerbread garnished with almonds and pink and white +sugar-plums.</p> + +<p><span class='pagenum'><a name="Page_212" id="Page_212">[212]</a></span>There was a general shout of admiration. <span lang="fr" xml:lang="fr">Jean</span> himself could not restrain +a cry of delight; a slight flush rose to his pale face and he held out +his hands with an air of joyful expectancy.</p> + +<p>“Ah, you like it, little mole!” cried the peasant, whose face was +radiant at the sight of the child’s pleasure; “take it, old man, take +it; it is nothing but sugar and honey.”</p> + +<p>He placed the gingerbread in the hands of the little hunchback, who +trembled with happiness, watched him hobble off, and turning to <span lang="fr" xml:lang="fr">Arnold</span> +when the sound of the crutches was lost in the house, said with a slight +break in his voice:</p> + +<p>“He is my eldest. Sickness has deformed him a little, but he’s a shrewd +fellow and it only depends upon us to make a gentleman of him.”</p> + +<p>While speaking he had crossed the first room on the ground-floor and led +his guest into a species of dining-room, the whitewashed walls of which +were decorated only with a few rudely colored prints. As he entered, +<span lang="fr" xml:lang="fr">Arnold</span> saw <span lang="fr" xml:lang="fr">Jean</span> seated on the floor and surrounded by his brothers, +among whom he was dividing the cake given him by his father. But each +one objected to the size of his portion and wished to lessen it; it +required all the little hunchback’s eloquence to make them accept what +he had given them. For some time the young sportsman watched this +dispute with singular interest, and when the children had gone out again +he expressed his admiration to the farmer’s wife.</p> + +<p>“It is quite true,” she said with a smile and a sigh, “that there are +times when it seems as though it were a good thing for them to see +<span lang="fr" xml:lang="fr">Jean’s</span> infirmity. It is hard for them to give up to each other, but not +one<span class='pagenum'><a name="Page_213" id="Page_213">[213]</a></span> of them can refuse Jean anything; it is a constant exercise in +kindness and devotion.”</p> + +<p>“Great virtue, that!” interrupted <span lang="fr" xml:lang="fr">Moser</span>. “Who could refuse anything to +such a poor, afflicted little innocent? It’s a silly thing for a man to +say; but, look you, monsieur, that child there always makes me want to +cry. Often when I am at work in the fields, I begin all at once to think +about him. I say to myself <span lang="fr" xml:lang="fr">Jean</span> is ill! or <span lang="fr" xml:lang="fr">Jean</span> is dead! and then I have +to find some excuse for coming home to see how it is. Then he is so weak +and so ailing! If we did not love him more than the others, he would be +too unhappy.”</p> + +<p>“Yes,” said the mother gently, “the poor child is our cross and our joy +at the same time. I love all my children, monsieur, but whenever I hear +the sound of <span lang="fr" xml:lang="fr">Jean’s</span> crutches on the floor, I always feel a rush of +happiness. It is a sign that the good God has not yet taken our darling +away from us. It seems to me as though <span lang="fr" xml:lang="fr">Jean</span> brought happiness to the +house just like swallows’ nests fastened to the windows. If I hadn’t him +to take care of, I should think there was nothing for me to do.”</p> + +<p><span lang="fr" xml:lang="fr">Arnold</span> listened to these naive expressions of tenderness with an +interest that was mingled with astonishment. The farmer’s wife called a +servant to help set the table; and at <span lang="fr" xml:lang="fr">Moser’s</span> invitation, the young man +approached the brushwood fire which had been rekindled.</p> + +<p>As he was leaning against the smoky mantelpiece, his eye fell upon a +small black frame that inclosed a withered leaf. <span lang="fr" xml:lang="fr">Moser</span> noticed it.</p> + +<p>“Ah! you are looking at my relic. It’s a leaf of the weeping-willow that +grows down there on the<span class='pagenum'><a name="Page_214" id="Page_214">[214]</a></span> tomb of Napoleon! I got it from a Strasbourg +merchant who had served in the Old Guard. I wouldn’t part with it for a +hundred crowns.”</p> + +<p>“Then there is some particular sentiment attached to it?”</p> + +<p>“Sentiment, no,” answered the peasant; “but I too was discharged from +the Fourth Regiment of Hussars, a brave regiment, <span lang="fr" xml:lang="fr">monsieur</span>. There were +only eight men left of our squadron, so when the Little Corporal passed +in front of the line he saluted us—yes, <span lang="fr" xml:lang="fr">monsieur</span>, raised his hat to us! +That was something to make us ready to die to the last man, look you. +Ah! he was the father of the soldier!”</p> + +<p>Here the peasant began to fill his pipe, looking the while at the black +frame and the withered leaf. In this reminder of a marvelous destiny +there was evidently for him a whole romance of youth, emotion, and +regret. He recalled the last struggles of the Empire, in which he had +taken part, the reviews held by the emperor, when his mere presence +aroused confidence in victory; the passing successes of France’s famous +campaign, so soon expiated by the disaster at Waterloo; the departure of +the vanquished general and his long agony on the rock of Saint Helena.</p> + +<p><span lang="fr" xml:lang="fr">Arnold</span> respected the old soldier’s silent preoccupation and waited until +he should resume the conversation.</p> + +<p>The arrival of supper roused him from his reverie; he drew up a chair +for his guest and took his place at the opposite side of the table.</p> + +<p>“Come! fall to on the soup,” he cried brusquely. “I have had nothing +since morning but two swallows of cognac. I should eat an ox whole +to-night.”</p> + +<p><span class='pagenum'><a name="Page_215" id="Page_215">[215]</a></span>To prove his words, he began to empty the huge porringer of soup before +him.</p> + +<p>For several moments nothing was heard but the clatter of spoons followed +by that of the knives cutting up the side of bacon served by the +farmer’s wife. His walk and the fresh air had given <span lang="fr" xml:lang="fr">Arnold</span> himself an +appetite that made him forget his Parisian daintiness. The supper grew +gayer and gayer, when all at once the peasant raised his head.</p> + +<p>“And <span lang="fr" xml:lang="fr">Farraut</span>?” he asked. “I have not seen him since my return.”</p> + +<p>His wife and the children looked at each other without answering.</p> + +<p>“Well, what is it?” went on <span lang="fr" xml:lang="fr">Moser</span>, who saw their embarrassment. “Where +is the dog? What has happened to him? Why don’t you answer, <span lang="fr" xml:lang="fr">Dorothée</span>?”</p> + +<p>“Don’t be angry, father,” interrupted <span lang="fr" xml:lang="fr">Jean</span>; “we didn’t dare tell you, +but <span lang="fr" xml:lang="fr">Farraut</span> went away and has not come back.”</p> + +<p>“A thousand devils! You should have told me!” cried the peasant, +striking the table with his fist. “What road did he take?”</p> + +<p>“The road to <span lang="fr" xml:lang="fr">Garennes</span>.”</p> + +<p>“When was it?”</p> + +<p>“After dinner: we saw him go up the little path.”</p> + +<p>“Something must have happened to him,” said <span lang="fr" xml:lang="fr">Moser</span>, getting up. “The poor +animal is almost blind and there are sand pits all along the road! Go +fetch my sheepskin and the lantern, wife. I must find <span lang="fr" xml:lang="fr">Farraut</span>, dead or +alive.”</p> + +<p><span lang="fr" xml:lang="fr">Dorothée</span> went out without making any remark either about the hour or the +weather, and soon reappeared with what her husband had asked for.</p> + +<p><span class='pagenum'><a name="Page_216" id="Page_216">[216]</a></span>“You must think a great deal of this dog,” said <span lang="fr" xml:lang="fr">Arnold</span>, surprised at +such zeal.</p> + +<p>“It is not I,” answered <span lang="fr" xml:lang="fr">Moser</span>, lighting his pipe; “but he did good +service to <span lang="fr" xml:lang="fr">Dorothée’s</span> father. One day when the old man was on his way +home from market with the price of his oxen in his pocket, four men +tried to murder him for his money, and they would have done it if it had +not been for <span lang="fr" xml:lang="fr">Farraut</span>; so when the good man died two years ago, he called +me to his bedside and asked me to care for the dog as for one of his +children—those were his words. I promised, and it would be a crime not +to keep one’s promise to the dead. Fritz, give me my iron-shod stick. I +wouldn’t have anything happen to <span lang="fr" xml:lang="fr">Farraut</span> for a pint of my blood. The +animal has been in the family for twenty years—he knows us all by our +voices—and he recalls the grandfather. I shall see you again, <span lang="fr" xml:lang="fr">monsieur</span>, +and good-night until to-morrow.”</p> + +<p><span lang="fr" xml:lang="fr">Moser</span> wrapped himself in his sheepskin and went out. They could hear the +sound of his iron-shod stick die away in the soughing of the wind and +the falling of the rain.</p> + +<p>After awhile the farmer’s wife offered to conduct <span lang="fr" xml:lang="fr">Arnold</span> to his quarters +for the night, but <span lang="fr" xml:lang="fr">Arnold</span> asked permission to await the return of the +master of the house, if his return were not delayed too long. His +interest in the man who had at first seemed to him so vulgar, and in the +humble family whose existence he had thought to be so valueless, +continued to increase.</p> + +<p>The vigil was prolonged, however, and <span lang="fr" xml:lang="fr">Moser</span> did not return. The children +had fallen asleep one after another, and even <span lang="fr" xml:lang="fr">Jean</span>, who had held out the +long<span class='pagenum'><a name="Page_217" id="Page_217">[217]</a></span>est, had to seek his bed at last. <span lang="fr" xml:lang="fr">Dorothée</span>, uneasy, went +incessantly from the fireside to the door and from the door to the +fireside. <span lang="fr" xml:lang="fr">Arnold</span> strove to reassure her, but her mind was excited by +suspense. She accused <span lang="fr" xml:lang="fr">Moser</span> of never thinking of his health or of his +safety; of always being ready to sacrifice himself for others; of being +unable to see a human being or an animal suffer without risking all to +relieve it. As she went on with her complaint, which sounded strangely +like a glorification, her fears grew more vivid; she had a thousand +gloomy forebodings. The dog had howled all through the previous night; +an owl had perched upon the roof of the house; it was a Wednesday, +always an unfortunate day in the family. Her fears reached such a pitch +at last that the young man volunteered to go in search of her husband, +and she was about to awaken Fritz to accompany him, when the sound of +footsteps was heard outside.</p> + +<p>“It is <span lang="fr" xml:lang="fr">Moser</span>!” said the woman, stopping short.</p> + +<p>“Oho, there, open quickly, wife,” cried the farmer from without.</p> + +<p>She ran to draw the bolt, and <span lang="fr" xml:lang="fr">Moser</span> appeared, carrying in his arms the +old blind dog.</p> + +<p>“Here he is,” he said gayly. “God help me! I thought I should never find +him: the poor brute had rolled to the bottom of the big stone quarry.”</p> + +<p>“And you went there to get him?” asked <span lang="fr" xml:lang="fr">Dorothée</span>, horror-stricken.</p> + +<p>“Should I have left him at the bottom to find him drowned to-morrow?” +asked the old soldier. “I slid down the length of the big mountain and I +carried him up in my arms like a child: the lantern was left behind, +though.”</p> + +<p><span class='pagenum'><a name="Page_218" id="Page_218">[218]</a></span>“But you risked your life, you foolhardy man!” cried <span lang="fr" xml:lang="fr">Dorothée</span>, who was +shuddering at her husband’s explanation.</p> + +<p>The latter shrugged his shoulders.</p> + +<p>“Ah, bah!” he said with careless gayety; “who risks nothing has nothing; +I have found Farraut—that’s the principal thing. If the grandfather +sees us from up there, he ought to be satisfied.”</p> + +<p>This reflection, made in an almost indifferent tone, touched <span lang="fr" xml:lang="fr">Arnold</span>, who +held out his hand impetuously to the peasant.</p> + +<p>“What you have done was prompted by a good heart,” he said with feeling.</p> + +<p>“What? Because I have kept a dog from drowning?” answered <span lang="fr" xml:lang="fr">Moser</span>. “Dogs +and men—thank God I have helped more than one out of a hole since I was +born; but I have sometimes had better weather than to-night to do it in. +Say, wife, there must be a glass of cognac left; bring the bottle here; +there is nothing that dries you better when you’re wet.”</p> + +<p><span lang="fr" xml:lang="fr">Dorothée</span> brought the bottle to the farmer, who drank to his guest’s +health, and then each sought his bed.</p> + +<p>The next morning the weather was fine again; the sky was clear, and the +birds, shaking their feathers, sang on the still dripping trees.</p> + +<p>When he descended from the garret, where a bed had been prepared for +him, <span lang="fr" xml:lang="fr">Arnold</span> found near the door <span lang="fr" xml:lang="fr">Farraut</span>, who was warming himself in the +sun, while little <span lang="fr" xml:lang="fr">Jean</span>, seated on his crutches, was making him a collar +of eglantine berries. A little further on, in the first room, the farmer +was clinking glasses with a beggar who had come to collect his weekly<span class='pagenum'><a name="Page_219" id="Page_219">[219]</a></span> +tithe; <span lang="fr" xml:lang="fr">Dorothée</span> was holding his wallet, which she was filling.</p> + +<p>“Come, old <span lang="fr" xml:lang="fr">Henri</span>, one more draught,” said the peasant, refilling the +beggar’s glass; “if you mean to finish your round you must take +courage.”</p> + +<p>“That one always finds here,” said the beggar with a smile; “there are +not many houses in the parish where they give more, but there is not one +where they give with such good will.”</p> + +<p>“Be quiet, will you, <span lang="fr" xml:lang="fr">Père Henri</span>?” interrupted <span lang="fr" xml:lang="fr">Moser</span>; “do people talk of +such things? Drink and let the good God judge each man’s actions. You, +too, have served; we are old comrades.”</p> + +<p>The old man contented himself with a shake of the head and touched his +glass to the farmer’s; but one could see that he was more moved by the +heartiness that accompanied the alms than the alms itself.</p> + +<p>When he had taken up his wallet again and bade them good-by, <span lang="fr" xml:lang="fr">Moser</span> +watched him go until he had disappeared around a bend in the road. Then +drawing a breath, he said, turning to his guest:</p> + +<p>“One more poor old man without a home. You may believe me or not, +monsieur, but when I see men with shaking heads going about like that, +begging their bread from door to door, it turns my blood. I should like +to set the table for them all and touch glasses with them all as I did +just now with Père Henri. To keep your heart from breaking at such a +sight, you must believe that there is a world up there where those who +have not been summoned to the ordinary here will receive double rations +and double pay.”</p> + +<p>“You must hold to that belief,” said <span lang="fr" xml:lang="fr">Arnold</span>; “it will support and +console you. It will be long before<span class='pagenum'><a name="Page_220" id="Page_220">[220]</a></span> I shall forget the hours I have +passed in your house, and I trust they will not be the last.”</p> + +<p>“Whenever you choose,” said the old soldier; “if you don’t find the bed +up there too hard and if you can digest our bacon, come at your +pleasure, and we shall always be under obligations to you.”</p> + +<p>He shook the hand that the young man had extended, pointed out the way +that he must take, and did not leave the threshold until he had seen his +guest disappear in the turn of the road.</p> + +<p>For some time <span lang="fr" xml:lang="fr">Arnold</span> walked with lowered head, but upon reaching the +summit of the hill he turned to take a last backward look, and seeing +the farm-house chimney, above which curled a light wreath of smoke, he +felt a tear of tenderness rise to his eye.</p> + +<p>“May God always protect those who live under that roof!” he murmured; +“for where pride made me see creatures incapable of understanding the +finer qualities of the soul, I have found models for myself. I judged +the depths by the surface and thought poetry absent because, instead of +showing itself without, it hid itself in the heart of the things +themselves; ignorant observer that I was, I pushed aside with my foot +what I thought were pebbles, not guessing that in these rude stones were +hidden diamonds.”</p> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_221" id="Page_221">[221]</a></span></p> + +<h2 class="story"><a name="JOHN_HOWARD_PAYNE_AND_HOME_SWEET_HOME" id="JOHN_HOWARD_PAYNE_AND_HOME_SWEET_HOME"></a>JOHN HOWARD PAYNE AND “HOME, SWEET HOME”</h2> + + +<p class="opening"><span class="dropcapa"><span class="hide">A</span></span><span class="upper">bout</span> a hundred years ago, a young man, little more than a boy, was +drawing large audiences to the theaters of our eastern cities. New York +received him with enthusiasm, cultured Boston was charmed by his person +and his graceful bearing, while warm-hearted Baltimore fairly outdid +herself in hospitality. Until this time five hundred dollars was a large +sum for a theater to yield in a single night in Baltimore, but people +paid high premiums to hear the boy actor, and a one-evening audience +brought in more than a thousand dollars.</p> + +<p>About the same time in <a name="corr15" id="corr15"></a>England another boy actor, Master Betty, was +creating great excitement, and him they called the Young Roscius, a name +that was quickly caught up by the admirers of the Yankee youth, who then +became known as the Young American Roscius.</p> + +<p>He was a wonderful boy in every way, was John Howard Payne. One of a +large family of children, several of whom were remarkably bright, he had +from his parents the most careful training, though they were not able +always to give him the advantages they wished. John was born in New York +City, but early moved with his parents to East Hampton, the most eastern +town on the jutting southern point of Long Island. Here in the charm<span class='pagenum'><a name="Page_222" id="Page_222">[222]</a></span>ing +little village he passed his childhood, a leader among his playmates, +and a favorite among his elders. His slight form, rounded face, +beautiful features and graceful bearing combined to attract also the +marked attention of every stranger who met him.</p> + +<p>At thirteen years of age he was at work in New York, and soon was +discovered to be the editor in secret of a paper called <cite>The Thespian +Mirror</cite>. The merit of this juvenile sheet attracted the attention of +many people, and among them of Mr. Seaman, a wealthy New Yorker who +offered the talented boy an opportunity to go to college free of +expense. Young Payne gladly accepted the invitation, and proceeded to +Union College, where he soon became one of the most popular boys in the +school. His handsome face, graceful manners and elegant delivery were +met with applause whenever he spoke in public, and a natural taste led +him to seek every chance for declamation and acting. Even as a child he +had showed his dramatic ability, and more than once he was urged to go +upon the stage. But his father refused all offers and kept the boy +steadily at his work.</p> + +<p>When he was seventeen, however, two events occurred which changed all +his plans. First his mother died, and then his father failed in +business, and the young man saw that he must himself take up the burdens +of the family. Accordingly he left college before graduation and began +his career as an actor.</p> + +<div class="figcenter" style="width: 302px;"> +<a name="image32" id="image32"></a><a href="images/image32-full.jpg"><img src="images/image32.jpg" width="302" height="400" alt="Portrait of John Howard Payne" title="John Howard Payne 1791-1852" /></a> +<span class="caption smcap">John Howard Payne<br /> +1791-1852</span> +</div> + +<p>His success was immediate and unusual, if we may judge from the words of +contemporary critics. His first appearance in Boston was on February +24,<span class='pagenum'><a name="Page_223" id="Page_223">[223]</a></span> 1809, as Douglas in <cite>Young Norval</cite>. In this play occurs the +speech that countless American boys have declaimed, “On the Grampian +Hills my father feeds his flocks.” Of Payne’s rendition a critic says, +“He had all the skill of a finished artist combined with the freshness +and simplicity of youth. Great praise, but there are few actors who can +claim any competition with him.” Six weeks later he was playing Hamlet +there, and his elocution is spoken of as remarkable for its purity, his +action as suited to the passion he represented, and his performance as +an exquisite one that delighted his brilliant audience.</p> + +<p class="poem">“Upon the stage, a glowing boy appeared<br /> +Whom heavenly smiles and grateful thunders cheered;<br /> +Then through the throng delighted murmurs ran.<br /> +The boy enacts more wonders than a man.”</p> + +<p>Another, writing about this time, says, “Young Payne was a perfect Cupid +in his beauty, and his sweet voice, self-possessed yet modest manners, +wit, vivacity and premature wisdom, made him a most engaging prodigy.”</p> + +<p>And again, “A more engaging youth could not be imagined; he won all +hearts by the beauty of his person and his captivating address, the +premature richness of his mind and his chaste and flowing utterance.”</p> + +<p>His great successes here led him to go to England, where his popularity +was not nearly so great, and where the critics pounced upon him +unmercifully, hurting his feelings beyond repair. Still he succeeded +moderately both in England and on the Continent, until he turned his +attention to writing rather than to acting. <cite>Brutus</cite>, a tragedy, is the +only one of the sixty works which he wrote, translated or<span class='pagenum'><a name="Page_224" id="Page_224">[224]</a></span> adapted, that +ever is played nowadays. In <cite>Clari, the Maid of Milan</cite>, one of his +operas, however, appeared a little song that has made the name of John +Howard Payne eternally famous throughout the world.</p> + +<p><cite>Home, Sweet Home</cite> had originally four stanzas, but by common consent +the third and fourth have been dropped because of their inferiority. The +two remaining ones are sung everywhere with heartfelt appreciation, and +the air, whatever its origin, has now association only with the words of +the old home song. Miss Ellen Tree, who sang it in the opera, charmed +her audience instantly, and in the end won her husband through its +melody.</p> + +<p>In 1823, 100,000 copies were sold, and the publishers made 2,000 guineas +from it in two years. In fact, it enriched everybody who had anything to +do with it, except Payne, who sold it originally for £30.</p> + +<p>Perhaps the most noteworthy incident connected with the public rendition +of <cite>Home, Sweet Home</cite> occurred in Washington at one of the theaters +where Jenny Lind was singing before an audience composed of the first +people of our land. In one of the boxes sat the author, then on a visit +to this country, and a favorite everywhere. The prima donna sang her +greatest classical music and moved her audience to the wildest applause. +Then in response to the renewed calls she stepped to the front of the +stage, turned her face to the box where the poet sat, and in a voice of +marvelous pathos and power sang:</p> + +<p class="poem">“Mid pleasures and palaces though we may roam,<br /> +Be it ever so humble, there’s no place like home!<br /> +<span class='pagenum'><a name="Page_225" id="Page_225">[225]</a></span>A charm from the skies seems to hallow us there,<br /> +Which, seek through the world, is ne’er met with elsewhere.<br /> +<span class="i2">Home, Home! Sweet, sweet Home!</span><br /> +<span class="i2">There’s no place like Home!</span><br /> +<span class="i2">There’s no place like Home!</span></p> + +<div class="figcenter" style="width: 245px;"> +<a name="image33" id="image33"></a><a href="images/image33-full.png"><img src="images/image33.png" width="245" height="301" alt="A woman holding a baby, seated in a rocking chair with her husband at her side and two girls playing behind." title="THERE’S NO PLACE LIKE HOME" /></a> +<span class="caption">THERE’S NO PLACE LIKE HOME</span> +</div> + +<p><span class='pagenum'><a name="Page_226" id="Page_226">[226]</a></span></p> + +<p class="poem">“An exile from home, splendor dazzles in vain!<br /> +O, give me my lowly thatched cottage again!<br /> +The birds singing gaily that came at my call;—<br /> +Give me them! and the peace of mind dearer than all!<br /> +<span class="i3">Home, Home! Sweet, sweet Home!</span><br /> +<span class="i3">There’s no place like Home!</span><br /> +<span class="i3">There’s no place like <span class="nowrap">Home!”<a name="Anchor_226-1" id="Anchor_226-1"></a><a title="Go to footnote 226-1" href="#Footnote_226-1" class="fnanchor">226-1</a></span></span></p> + +<p>The audience were moved to tears. Even Daniel Webster, stern man of law, +lost control of himself and wept like a child.</p> + +<p>Payne’s later life was not altogether a happy one, and he felt some +resentment against the world, although it may not have been justified. +He was unmarried, but was no more homeless than most bachelors. He +exiled himself voluntarily from his own country, and so lost much of the +delightful result of his own early popularity. He may have been reduced +to privation and suffering, but it was not for long at a time. Some +writers have sought to heighten effect by making the author of the +greatest song of home a homeless wanderer. The truth is that Payne’s +unhappiness was largely the result of his own peculiarities. He was +given to poetic exaggeration, for there is now known to be little stern +fact in the following oft-quoted writing of himself:</p> + +<p>“How often have I been in the heart of Paris, Berlin, London or some +other city, and have heard persons singing or hand organs playing <cite>Sweet +Home</cite> without having a shilling to buy myself the next meal or a place +to lay my head! The world has literally sung my song until every heart +is<span class='pagenum'><a name="Page_227" id="Page_227">[227]</a></span> familiar with its melody, yet I have been a wanderer from my +boyhood. My country has turned me ruthlessly from office and in my old +age I have to submit to humiliation for my bread.”</p> + +<p>Upon his own request he was appointed United States consul at Tunis, and +after being removed from that office continued to reside there until his +death. He was buried in Saint George’s Cemetery in Tunis, and there his +body rested for more than thirty years, until W. W. Corcoran, a wealthy +resident of Washington, had it disinterred, brought to this country and +buried in the beautiful Oak Hill Cemetery near Washington. There a white +marble shaft surmounted by a bust of the poet marks his last home. On +one side of the shaft is the inscription:</p> + +<p class="titlepage">John Howard Payne,<br /> +Author of “Home, Sweet Home.”<br /> +Born June 9, 1792. Died April 9, 1852.</p> + +<p>On the other side is chiseled this stanza:</p> + +<p class="poem">“Sure when thy gentle spirit fled<br /> +To realms above the azure dome,<br /> +With outstretched arms God’s angels said<br /> +Welcome to Heaven’s Home, Sweet Home.”</p> + +<p>Much sentiment has been wasted over Payne, who was really not a great +poet and whose lack of stamina prevented him from grasping the power +already in his hand. We should remember, too, that the astonishing +popularity of <cite>Home, Sweet Home</cite> is doubtless due more to the glorious +melody of the air, probably composed by some unknown Sicilian, than to +the wording of the two stanzas.</p> + +<p>When we study the verses themselves we see that the first three lines +are rather fine, but the fourth<span class='pagenum'><a name="Page_228" id="Page_228">[228]</a></span> line is clumsy and matter-of-fact +compared with the others. In the second stanza “lowly thatched cottage” +may be a poetic description, but the home longing is not confined to +people who have lived in thatched cottages. Tame singing birds are +interesting, but home stands for higher and holier things. All he asks +for are a thatched cottage, singing birds and peace of mind: a curious +group of things. The fourth line of that stanza is unmusical and +inharmonious.</p> + +<p>These facts make us see that what really has made the song so dear to us +is its sweet music and the powerful emotion that seizes us all when we +think of the home of our childhood.</p> + + +<div class="footnotes"> + +<p><a name="Footnote_226-1" id="Footnote_226-1"></a><a title="Return to text." href="#Anchor_226-1" class="label">226-1</a> Capitals and punctuation as written by Payne.</p> +</div> + + +<hr class="storybreak" /> +<h2 class="story"><a name="AULD_LANG_SYNE" id="AULD_LANG_SYNE"></a>AULD LANG <span class="nowrap">SYNE<a name="Anchor_228-1" id="Anchor_228-1"></a><a title="Go to footnote 228-1" href="#Footnote_228-1" class="fnanchor" style="font-size: smaller;">228-1</a></span></h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Robert Burns</span></p> + + +<div class="blockquot"><p><span class="smcap">Note</span>.—The song as we know it is not the first song to bear that +title, nor is it entirely original with Robert Burns. It is said +that the second and third stanzas were written by him, but that the +others were merely revised. In a letter to a friend, written in +1793, Burns says, “The air (of <cite>Auld Lang Syne</cite>) is but mediocre; +but the following song, the old song of the olden time, which has +never been in print, nor even in manuscript, until I took it down +from an old man’s singing, is enough to recommend any air.” This +refers to the song as we know it, but the friend, a Mr. Thompson, +set the words to an old Lowland air which is the one every one now +uses.</p> + +<p>At an earlier date Burns wrote to another friend: “Is not the +Scottish phrase, <em lang="sco" xml:lang="sco">auld lang syne</em>, exceedingly expressive? There is +an old song and tune that has often thrilled<span class='pagenum' style="font-size: 89%"><a name="Page_229" id="Page_229">[229]</a></span> through my soul. +Light be the turf on the breast of the heaven-inspired poet who +composed this glorious fragment.”</p> + +<p>We cannot be certain that this refers to the exact wording he +subsequently set down, for there were at least three versions known +at that time.</p></div> + +<p class="poemopening"><span class="dropcap">S</span><span class="upper">hould</span> <span lang="sco" xml:lang="sco">auld</span> acquaintance be forgot,<br /> +<span class="i1">And never brought to min’?</span><br /> +Should <span lang="sco" xml:lang="sco">auld</span> acquaintance be forgot,<br /> +<span class="i1">And days o’ <span lang="sco" xml:lang="sco">lang syne</span>?</span></p> + +<p class="poem"><span class="i2"><em>For <span lang="sco" xml:lang="sco">auld lang syne</span>, my dear,</em></span><br /> +<span class="i3"><em>For <span lang="sco" xml:lang="sco">auld lang syne</span>,</em></span><br /> +<span class="i2"><em>We’ll <span lang="sco" xml:lang="sco">tak</span> a cup o’ kindness </em><span class="nowrap"><em>yet,</em><a name="Anchor_229-2" id="Anchor_229-2"></a><a title="Go to footnote 229-2" href="#Footnote_229-2" class="fnanchor">229-2</a></span></span><br /> +<span class="i3"><em>For <span lang="sco" xml:lang="sco">auld lang syne</span>.</em></span></p> + +<p class="poem">We <span class="nowrap" lang="sco" xml:lang="sco">twa<a name="Anchor_229-3" id="Anchor_229-3"></a><a title="Go to footnote 229-3" href="#Footnote_229-3" class="fnanchor">229-3</a></span> <span class="nowrap" lang="sco" xml:lang="sco">hae<a name="Anchor_229-4" id="Anchor_229-4"></a><a title="Go to footnote 229-4" href="#Footnote_229-4" class="fnanchor">229-4</a></span> run about the <span class="nowrap" lang="sco" xml:lang="sco">braes,<a name="Anchor_229-5" id="Anchor_229-5"></a><a title="Go to footnote 229-5" href="#Footnote_229-5" class="fnanchor">229-5</a></span><br /> +<span class="i1">And <span class="nowrap" lang="sco" xml:lang="sco">pou’d<a name="Anchor_229-6" id="Anchor_229-6"></a><a title="Go to footnote 229-6" href="#Footnote_229-6" class="fnanchor">229-6</a></span> the <span class="nowrap" lang="sco" xml:lang="sco">gowans<a name="Anchor_229-7" id="Anchor_229-7"></a><a title="Go to footnote 229-7" href="#Footnote_229-7" class="fnanchor">229-7</a></span> fine;</span><br /> +But we’ve wandered <span class="nowrap" lang="sco" xml:lang="sco">mony<a name="Anchor_229-8" id="Anchor_229-8"></a><a title="Go to footnote 229-8" href="#Footnote_229-8" class="fnanchor">229-8</a></span> a weary foot<br /> +<span class="i1"><span class="nowrap" lang="sco" xml:lang="sco">Sin’<a name="Anchor_229-9" id="Anchor_229-9"></a><a title="Go to footnote 229-9" href="#Footnote_229-9" class="fnanchor">229-9</a></span> <span lang="sco" xml:lang="sco">auld lang syne</span>.</span><br /> +<span class="i4"><em lang="sco" xml:lang="sco">For auld</em>, etc.</span></p> + +<p class="poem">We <span lang="sco" xml:lang="sco">twa hae</span> <span class="nowrap" lang="sco" xml:lang="sco">paidl’t<a name="Anchor_229-10" id="Anchor_229-10"></a><a title="Go to footnote 229-10" href="#Footnote_229-10" class="fnanchor">229-10</a></span> i’ the <span class="nowrap" lang="sco" xml:lang="sco">burn,<a name="Anchor_229-11" id="Anchor_229-11"></a><a title="Go to footnote 229-11" href="#Footnote_229-11" class="fnanchor">229-11</a></span><br /> +<span class="i1"><span class="nowrap" lang="sco" xml:lang="sco">Frae<a name="Anchor_229-12" id="Anchor_229-12"></a><a title="Go to footnote 229-12" href="#Footnote_229-12" class="fnanchor">229-12</a></span> mornin’ sun till <span class="nowrap" lang="sco" xml:lang="sco">dine;<a name="Anchor_229-13" id="Anchor_229-13"></a><a title="Go to footnote 229-13" href="#Footnote_229-13" class="fnanchor">229-13</a></span></span><br /> +But seas between us <span class="nowrap" lang="sco" xml:lang="sco">braid<a name="Anchor_229-14" id="Anchor_229-14"></a><a title="Go to footnote 229-14" href="#Footnote_229-14" class="fnanchor">229-14</a></span> <span lang="sco" xml:lang="sco">hae</span> roared<br /> +<span class="i1" lang="sco" xml:lang="sco">Sin’ auld lang syne.</span><br /> +<span class="i4"><em>For auld</em>, etc.</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_230" id="Page_230">[230]</a></span>And here’s a hand, my trusty <span class="nowrap" lang="sco" xml:lang="sco">frere,<a name="Anchor_230-15" id="Anchor_230-15"></a><a title="Go to footnote 230-15" href="#Footnote_230-15" class="fnanchor">230-15</a></span><br /> +<span class="i1">And <span class="nowrap" lang="sco" xml:lang="sco">gie’s<a name="Anchor_230-16" id="Anchor_230-16"></a><a title="Go to footnote 230-16" href="#Footnote_230-16" class="fnanchor">230-16</a></span> a hand o’ thine;</span><br /> +And we’ll tak a right <span class="nowrap" lang="sco" xml:lang="sco">guid<a name="Anchor_230-17" id="Anchor_230-17"></a><a title="Go to footnote 230-17" href="#Footnote_230-17" class="fnanchor">230-17</a></span> <span class="nowrap" lang="sco" xml:lang="sco">willie-waught<a name="Anchor_230-18" id="Anchor_230-18"></a><a title="Go to footnote 230-18" href="#Footnote_230-18" class="fnanchor">230-18</a></span><br /> +<span class="i1">For <span lang="sco" xml:lang="sco">auld lang syne</span>.</span><br /> +<span class="i4"><em>For auld</em>, etc.</span></p> + +<div class="figcenter" style="width: 247px;"> +<a name="image34" id="image34"></a><a href="images/image34-full.png"><img src="images/image34.png" width="247" height="195" alt="Two old men in kilts greeting each other in front of a gate." title="FOR AULD LANG SYNE" /></a> +<span class="caption">FOR AULD LANG SYNE</span> +</div> + +<p class="poem">And surely ye’ll be your <span class="nowrap" lang="sco" xml:lang="sco">pint-stoup,<a name="Anchor_230-19" id="Anchor_230-19"></a><a title="Go to footnote 230-19" href="#Footnote_230-19" class="fnanchor">230-19</a></span><br /> +<span class="i1">And surely I’ll be mine;</span><br /> +And we’ll tak a cup o’ kindness yet<br /> +<span class="i1">For <span lang="sco" xml:lang="sco">auld lang syne</span>.</span><br /> +<span class="i4"><em>For auld</em>, etc.</span></p> + + +<div class="footnotes"> + +<p><a name="Footnote_228-1" id="Footnote_228-1"></a><a title="Return to text." href="#Anchor_228-1" class="label">228-1</a> Literally, <em>Auld Lang Syne</em> means <em>Old Long-Since</em>. It +is difficult to bring out the meaning of the Scotch phrase by a single +English word. Perhaps <em>The Good Old Times</em> comes as near to it as +anything. The song gives so much meaning to the Scotch phrase that now +every man and woman knows what <em>Auld Lang Syne</em> really stands for.</p> + +<p><a name="Footnote_229-2" id="Footnote_229-2"></a><a title="Return to text." href="#Anchor_229-2" class="label">229-2</a> That is, <em>we will drink for the sake of old times</em>.</p> + +<p><a name="Footnote_229-3" id="Footnote_229-3"></a><a title="Return to text." href="#Anchor_229-3" class="label">229-3</a> <em lang="sco" xml:lang="sco">Twa</em> means <em>two</em>.</p> + +<p><a name="Footnote_229-4" id="Footnote_229-4"></a><a title="Return to text." href="#Anchor_229-4" class="label">229-4</a> <em lang="sco" xml:lang="sco">Hae</em> is the Scotch for <em>have</em>.</p> + +<p><a name="Footnote_229-5" id="Footnote_229-5"></a><a title="Return to text." href="#Anchor_229-5" class="label">229-5</a> A brae is a sloping hillside.</p> + +<p><a name="Footnote_229-6" id="Footnote_229-6"></a><a title="Return to text." href="#Anchor_229-6" class="label">229-6</a> <em>Pou’d</em> is a contracted form of <em>pulled</em>.</p> + +<p><a name="Footnote_229-7" id="Footnote_229-7"></a><a title="Return to text." href="#Anchor_229-7" class="label">229-7</a> Dandelions, daisies and other yellow flowers are called +<em lang="sco" xml:lang="sco">gowans</em> by the Scotch.</p> + +<p><a name="Footnote_229-8" id="Footnote_229-8"></a><a title="Return to text." href="#Anchor_229-8" class="label">229-8</a> <em lang="sco" xml:lang="sco">Mony</em> is <em>many</em>.</p> + +<p><a name="Footnote_229-9" id="Footnote_229-9"></a><a title="Return to text." href="#Anchor_229-9" class="label">229-9</a> <em>Sin’</em> is a contraction of <em>since</em>.</p> + +<p><a name="Footnote_229-10" id="Footnote_229-10"></a><a title="Return to text." href="#Anchor_229-10" class="label">229-10</a> <em lang="sco" xml:lang="sco">Paidl’t</em> means <em>paddled</em>.</p> + +<p><a name="Footnote_229-11" id="Footnote_229-11"></a><a title="Return to text." href="#Anchor_229-11" class="label">229-11</a> A burn is a brook.</p> + +<p><a name="Footnote_229-12" id="Footnote_229-12"></a><a title="Return to text." href="#Anchor_229-12" class="label">229-12</a> <em lang="sco" xml:lang="sco">Frae</em> is the Scotch word for <em>from</em>.</p> + +<p><a name="Footnote_229-13" id="Footnote_229-13"></a><a title="Return to text." href="#Anchor_229-13" class="label">229-13</a> <em>Dine</em> means <em>dinner-time</em>, <em>midday</em>.</p> + +<p><a name="Footnote_229-14" id="Footnote_229-14"></a><a title="Return to text." href="#Anchor_229-14" class="label">229-14</a> <em lang="sco" xml:lang="sco">Braid</em> is the Scotch form of <em>broad</em>.</p> + +<p><a name="Footnote_230-15" id="Footnote_230-15"></a><a title="Return to text." href="#Anchor_230-15" class="label">230-15</a> <em lang="sco" xml:lang="sco">Frere</em> means <em>friend</em>.</p> + +<p><a name="Footnote_230-16" id="Footnote_230-16"></a><a title="Return to text." href="#Anchor_230-16" class="label">230-16</a> <em>Gie’s</em> is a contracted form of <em>give us</em>.</p> + +<p><a name="Footnote_230-17" id="Footnote_230-17"></a><a title="Return to text." href="#Anchor_230-17" class="label">230-17</a> <em lang="sco" xml:lang="sco">Guid</em> is the Scottish spelling of <em>good</em>.</p> + +<p><a name="Footnote_230-18" id="Footnote_230-18"></a><a title="Return to text." href="#Anchor_230-18" class="label">230-18</a> A willie-waught is a hearty draught.</p> + +<p><a name="Footnote_230-19" id="Footnote_230-19"></a><a title="Return to text." href="#Anchor_230-19" class="label">230-19</a> A pint-stoup is a pint-cup or flagon.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_231" id="Page_231">[231]</a></span></p> + +<h2 class="story"><a name="HOME_THEY_BROUGHT_HER_WARRIOR_DEAD" id="HOME_THEY_BROUGHT_HER_WARRIOR_DEAD"></a>HOME THEY BROUGHT HER WARRIOR DEAD</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Alfred Tennyson</span></p> + + +<p class="poemopening"><span class="dropcap">H</span><span class="upper">ome</span> they brought her warrior dead:<br /> +<span class="i1">She nor swoon’d nor utter’d cry:</span><br /> +All her maidens, watching, said,<br /> +<span class="i1">“She must weep or she will die.”</span></p> + +<p class="poem">Then they praised him, soft and low,<br /> +<span class="i1">Call’d him worthy to be loved,</span><br /> +Truest friend and noblest foe;<br /> +<span class="i1">Yet she never spoke nor moved.</span></p> + +<p class="poem">Stole a maiden from her place,<br /> +<span class="i1">Lightly to the warrior stept,</span><br /> +Took a face-cloth from the face;<br /> +<span class="i1">Yet she neither moved nor wept.</span></p> + +<p class="poem">Rose a nurse of ninety years,<br /> +<span class="i1">Set his child upon her knee—</span><br /> +Like summer tempest came her tears—<br /> +<span class="i1">“Sweet my child, I live for thee.”</span></p> + +<div class="figcenter" style="width: 75px;"> +<img src="images/image35.png" width="75" height="70" alt="Wreath" title="Wreath" /> +</div> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_232" id="Page_232">[232]</a></span></p> + +<h2 class="story"><a name="CHARLES_DICKENS" id="CHARLES_DICKENS"></a>CHARLES DICKENS</h2> + + +<p><span class="dropcapt"><span class="hide">T</span></span><span class="upper">o</span> begin my life with the beginning of my life,” Dickens makes one of +his heroes say, “I record that I was born (as I have been informed and +believe) on a Friday, at twelve o’clock at night.” Dickens was born on a +Friday, the date the 7th of February, 1812, the place Landport in +Portsea, England. The house was a comfortable one, and during Charles’s +early childhood his surroundings were prosperous; for his father, John +Dickens, a clerk in the navy pay-office, was temporarily in easy +circumstances. When Charles was but two, the family moved to London, +taking lodgings for a time in Norfolk Street, Bloomsbury, and finally +settling in Chatham. Here they lived in comfort, and here Charles gained +more than the rudiments of an education, his earliest teacher being his +mother, who instructed him not only in English, but in Latin also. Later +he became the pupil of Mr. Giles, who seems to have taken in him an +extraordinary interest.</p> + +<div class="figcenter" style="width: 298px;"> +<a name="image36" id="image36"></a><a href="images/image36-full.jpg"><img src="images/image36.jpg" width="298" height="400" alt="Portrait of Charles Dickens" title="Charles Dickens 1812-1870" /></a> +<span class="caption smcap">Charles Dickens<br /> +1812-1870</span> +</div> + +<p>Indeed, he was a child in whom it was difficult not to take an +extraordinary interest. Small for his years, and attacked occasionally +by a sort of spasm which was exceedingly painful, he was not fitted for +much active exercise; but the <em>aliveness</em> which was apparent in him all +his life distinguished him now. He was very fond of reading, and in +<cite>David Copperfield</cite> he put into the mouth of his hero a<span class='pagenum'><a name="Page_233" id="Page_233">[233]</a></span> description +of his own delight in certain books. “My father had left a small +collection of books in a little room upstairs, to which I had access +(for it adjoined my own), and which nobody else in our house ever +troubled. From that blessed little room, <cite>Roderick Random</cite>, <cite>Peregrine +Pickle</cite>, <cite>Humphrey Clinker</cite>, <cite>Tom Jones</cite>, <cite>The Vicar of Wakefield</cite>, <cite>Don +Quixote</cite>, <cite>Gil Blas</cite> and <cite>Robinson Crusoe</cite> came out, a glorious host, to +keep me company. They kept alive my fancy, ... they, and the <cite>Arabian +Nights</cite> and the <cite>Tales of the Genii</cite>—and did me no harm; for whatever +harm was in some of them was not there for me; I knew nothing of it.... +I have been Tom Jones (a child’s Tom Jones, a harmless creature) for a +week together. I have sustained my own idea of Roderick Random for a +month at a stretch, I verily believe. I had a greedy relish for a few +volumes of Voyages and Travels—I forget what, now—that were on those +shelves; and for days and days I can remember to have gone about my +region of our house, armed with the center piece out of an old set of +boot-trees—the perfect realization of Captain Somebody, of the Royal +British Navy, in danger of being beset by savages, and resolved to sell +his life at a great price.”</p> + +<p>Not only did the little Charles read all he could lay hands upon; he +made up stories, too, which he told to his small playmates, winning +thereby their wondering admiration. Some of these tales he wrote down, +and thus he became an author in a small way while he was yet a very +small boy. His making believe to be the characters out of books shows +another trait which clung to him all his life—his fondness for +“play-acting.” It was, in fact, often<span class='pagenum'><a name="Page_234" id="Page_234">[234]</a></span> said of the mature Dickens that +he would have made as good an actor as he was a novelist, and Dickens’s +father seems to have recognized in his little son decided traces of +ability; for often, when there was company at the house, little Charles, +with his face flushed and his eyes shining, would be placed on a table +to sing a comic song, amid the applause of all present.</p> + +<p>His early days were thus very happy; but when he was about eleven years +old, money difficulties beset the family, and they were obliged to move +to a poor part of London. Mrs. Dickens made persistent efforts to open a +school for young ladies, but no one ever showed the slightest intention +of coming. Matters went from bad to worse, and finally Mr. Dickens was +arrested for debt and taken to the Marshalsea prison. The time that +followed was a most painful one to the sensitive boy—far more painful, +it would seem, than to the “Prodigal Father,” as Dickens later called +him. This father, whom Dickens long afterward described, in <cite>David +Copperfield</cite>, as Mr. Micawber, was, as his son was always most willing +to testify, a kind, generous man; but he was improvident to the last +degree; and when in difficulties which would have made melancholy any +other man, he was able, by the mere force of his rhetoric, to lift +himself above circumstances or to make himself happy in them.</p> + +<p>At length all the family except the oldest sister, who was at school, +and Charles, went to live in the prison; and Charles was given work in a +blacking-warehouse of which a relative of his mother’s was manager. The +sufferings which the boy endured at this time were intense. It was not +only that the<span class='pagenum'><a name="Page_235" id="Page_235">[235]</a></span> work was sordid, monotonous, uncongenial; it was not only +that his pride was outraged; what hurt him most of all was that he +should have been “so easily cast away at such an age,” and that “no one +made any sign.” He had always yearned for an education; he had always +felt that he must grow up to be worth something. And to see himself +condemned, as he felt with the hopelessness of childhood, for life, to +the society of such boys as he found in the blacking-warehouse, was +almost more than he could endure. During his later life, prosperous and +happy, he could scarcely bear to speak, even to his dearest friends, of +this period of his life.</p> + +<p>Though this period of his life seemed to him long, it was not really so, +for he was not yet thirteen when he was taken from the warehouse and +sent to school. Once given a chance, he learned rapidly and easily, +although in all probability the schools to which he went were not of the +best. After a year or two at school he again began work, but this time +under more hopeful circumstances. He was, to be sure, but an +under-clerk—little more than an office-boy in a solicitor’s office; but +at least the surroundings were less sordid and the companions more +congenial. However, he had no intention of remaining an under-clerk, and +he set to work to make himself a reporter.</p> + +<p>Of his difficulties in mastering shorthand he has written feelingly in +that novel which contains so much autobiographical material—<cite>David +Copperfield</cite>. “I bought an approved scheme of the noble art and mystery +of stenography ... and plunged into a sea of perplexity that brought me, +in a few weeks, to the confines of distraction. The changes<span class='pagenum'><a name="Page_236" id="Page_236">[236]</a></span> that were +rung upon dots, which in such a position meant such a thing, and in such +another position something else, entirely different; the wonderful +vagaries that were played by circles; the unaccountable consequences +that resulted from marks like flies’ legs, the tremendous effect of a +curve in the wrong place; not only troubled my waking hours, but +reappeared before me in my sleep.”</p> + +<p>When Dickens once made up his mind to do a thing, however, he always +went through with it, and before so very long he had perfected himself +in his “art and mystery,” and was one of the most rapid and accurate +reporters in London.</p> + +<p>At nineteen he became a reporter of the speeches in Parliament. Before +taking up his newspaper work, he made an attempt to go upon the stage; +but it was not long before he found his true vocation, and abandoned all +thought of the stage as a means of livelihood. In 1833 he published a +sketch in the <cite>Old Monthly Magazine</cite>, and this was the first of those +<cite>Sketches by Boz</cite> which were published at intervals for the next two +years.</p> + +<p>The year 1836 was a noteworthy one for Dickens, for in that year he +married Catherine Hogarth, the daughter of an associate on the +<cite>Chronicle</cite>; and in that year began the publication of <cite>The Posthumous +Papers of the Pickwick Club</cite>. The publication of the first few numbers +wakened no great enthusiasm, but with the appearance of the fifth +number, in which Sam Weller is introduced, began that popularity which +did not decline until Dickens’s death. In fact, as one writer has said, +“In dealing with Dickens, we are dealing with a man whose public success +was a marvel and almost a monstrosity.”<span class='pagenum'><a name="Page_237" id="Page_237">[237]</a></span> Every one, old and young, +serious and flippant, talked of <cite>Pickwick</cite>, and it was actually +reported, by no less an authority than Thomas Carlyle, that a solemn +clergyman, being told that he had not long to live, exclaimed, “Well, +thank God, <cite>Pickwick</cite> will be out in ten days anyway!”</p> + +<p><cite>Oliver Twist</cite> followed, and then <cite>Nicholas Nickleby</cite>; and by this time +Dickens began to get, what he did not receive from his first work, +something like his fair share of the enormous profits, so that his +growing family lived in comfort, if not in luxury. When the <cite>Old +Curiosity Shop</cite>, and, later, <cite>Barnaby Rudge</cite>, appeared, the number of +purchasers of the serials rose as high as seventy thousand.</p> + +<p>Early in 1842 Dickens and his wife made a journey to America, leaving +their children in the care of a friend. Shortly after arriving in the +United States he wrote to a friend, “I can give you no conception of my +welcome here. There was never a king or emperor upon the earth so +cheered and followed by crowds, and entertained in public at splendid +balls and dinners, and waited on by public bodies and deputations of all +kinds;” and again, “In every town where we stay, though it be only for a +day, we hold a regular levee or drawing-room, where I shake hands on an +average with five or six hundred people.”</p> + +<p>Dickens had come prepared to like America and Americans—and in many +ways he did like them. But in other ways he was disappointed. He +ventured to object, in various speeches, to the pirating, in America, of +English literature, and fierce were the denunciations which this course +drew upon him. Having fancied that in the republic of America he<span class='pagenum'><a name="Page_238" id="Page_238">[238]</a></span> might +have at least free speech on a matter which so closely concerned him, +Dickens resented this treatment, and the Americans resented his +resentment. However, it was with the kindliest feelings toward the many +friends he had made in the United States, and with the most out-spoken +admiration for many American institutions that he left for England. The +publication of his <cite>American Notes</cite> and of <cite>Martin Chuzzlewit</cite> did not +tend to reconcile Americans to Dickens; but there seems to have been no +falling off in the sale of his books in this country.</p> + +<p>Dickens’s life, like the lives of most literary men, was not +particularly eventful. It was, however, a constantly busy life. Book +followed book in rapid succession, and still their popularity grew. +Sometimes in London, sometimes in Italy or Rome or Switzerland, he +created those wonderful characters of his which will live as long as the +English language. The first of the Christmas books, <cite>A Christmas Carol</cite>, +appeared in 1843, and henceforward one of the things to which people +looked forward at Yuletide was the publication of a new Dickens +Christmas story.</p> + +<p>One diversion—if diversion it can be called—Dickens allowed himself +not infrequently, and enjoyed most thoroughly. This was the production, +sometimes before a selected audience, sometimes in public, of plays, in +which Dickens himself usually took the chief part. Often these plays +were given not only in London, but in various parts of the country, as +benefits for poor authors or actors, or for the widows and families of +such; and always they were astonishingly successful. It is reported that +an old stage prompter or property man said<span class='pagenum'><a name="Page_239" id="Page_239">[239]</a></span> one time to Dickens “Lor, +Mr. Dickens! If it hadn’t been for them books, what an actor you would +have made.”</p> + +<p>Naturally, a man of Dickens’s eminence had as his friends and +acquaintances many of the foremost men of his time, and a most +affectionate and delightful friend he was. His letters fall no whit +below the best of his writing in his novels in their power of +observation, their brightness, their humorous manner of expression.</p> + +<p>In 1849 was begun the publication of <cite>David Copperfield</cite>, Dickens’s own +favorite among his novels. It contains, as has already been said, much +that is autobiographical, and one of the most interesting facts in +connection with this phase of it is that there really was, in Dickens’s +young days, a “Dora” whom he worshiped. Years later he met her again, +and what his feelings on that occasion must have been may be imagined +when we know that this Dora-grown-older was the original of “Flora” in +<cite>Little Dorrit</cite>.</p> + +<p>The things that Dickens, writing constantly and copiously, found time to +do are wonderful. One of the matters in which he took great interest and +an active part was the children’s theatricals. These were held each year +during the Christmas holiday season at Dickens’s home, and while his +children and their friends were the principal actors, Dickens +superintended the whole, introduced three-quarters of the fun, and +played grown-up parts, adopting as his stage title the “Modern Garrick.”</p> + +<p>Though the story of these crowded years is quickly told, the years were +far from being uneventful in their passing. Occasional sojourns,<span class='pagenum'><a name="Page_240" id="Page_240">[240]</a></span> either +with his family or with friends, in France and in Italy always made +Dickens but the more glad to be in his beloved London, where he seemed +most in his element and where his genius had freest play. This does not +mean that he did not enjoy France and Italy, or appreciate their +beauties, but simply that he was always an Englishman—a city +Englishman. His observations, however, on what he saw in traveling were +always most acute and entertaining.</p> + +<p>His account of his well-nigh unsuccessful attempt to find the house of +Mr. Lowther, English chargé d’affaires at Naples, with whom he had been +invited to dine, may be quoted here to show his power of humorous +description:</p> + +<p>“We had an exceedingly pleasant dinner of eight, preparatory to which I +was near having the ridiculous adventure of not being able to find the +house and coming back dinnerless. I went in an open carriage from the +hotel in all state, and the coachman, to my surprise, pulled up at the +end of the Chiaja.</p> + +<p>“‘Behold the house’ says he, ‘of Signor Larthoor!’—at the same time +pointing with his whip into the seventh heaven, where the early stars +were shining.</p> + +<p>“‘But the Signor Larthoor,’ returns the Inimitable darling, ‘lives at +Pausilippo.’</p> + +<p>“‘It is true,’ says the coachman (still pointing to the evening star), +‘but he lives high up the Salita Sant’ Antonio, where no carriage ever +yet ascended, and that is the house’ (evening star as aforesaid), ‘and +one must go on foot. Behold the Salita Sant’ Antonio!’</p> + +<p><span class='pagenum'><a name="Page_241" id="Page_241">[241]</a></span>“I went up it, a mile and a half I should think. I got into the +strangest places, among the wildest Neapolitans—kitchens, +washing-places, archways, stables, vineyards—was baited by dogs, +answered in profoundly unintelligible Neapolitan, from behind lonely +locked doors, in cracked female voices, quaking with fear; could hear of +no such Englishman or any Englishman. By-and-by I came upon a +Polenta-shop in the clouds, where an old Frenchman, with an umbrella +like a faded tropical leaf (it had not rained for six weeks) was staring +at nothing at all, with a snuff-box in his hand. To him I appealed +concerning the Signor Larthoor.</p> + +<p>“‘Sir,’ said he, with the sweetest politeness, ‘can you speak French?’</p> + +<p>“‘Sir,’ said I, ‘a little.’</p> + +<p>“‘Sir,’ said he, ‘I presume the Signor Lootheere’—you will observe that +he changed the name according to the custom of his country—‘is an +Englishman.’</p> + +<p>“I admitted that he was the victim of circumstances and had that +misfortune.</p> + +<p>“‘Sir,’ said he, ‘one word more. <em>Has</em> he a servant with a wooden leg?’</p> + +<p>“‘Great Heaven, sir,’ said I, ‘how do I know? I should think not, but it +is possible.’</p> + +<p>“‘It is always,’ said the Frenchman, ‘possible. Almost all the things of +the world are always possible.’</p> + +<p>“‘Sir,’ said I—you may imagine my condition and dismal sense of my own +absurdity by this time—‘that is true.’</p> + +<p>“He then took an immense pinch of snuff, wiped the dust off his +umbrella, led me to an arch com<span class='pagenum'><a name="Page_242" id="Page_242">[242]</a></span>manding a wonderful view of the Bay of +Naples, and pointed deep into the earth from which I had mounted.</p> + +<p>“‘Below there, near the lamp, one finds an Englishman, with a servant +with a wooden leg. It is always possible that he is the Signor +Lootheere.’</p> + +<p>“I had been asked at six, and it was now getting on for seven. I went +down again in a state of perspiration and misery not to be described, +and without the faintest hope of finding the place. But as I was going +down to the lamp, I saw the strangest staircase up a dark corner, with a +man in a white waistcoat (evidently hired) standing on the top of it +fuming. I dashed in at a venture, found it was the place, made the most +of the whole story, and was indescribably popular.”</p> + +<p>“Indescribably popular” Dickens was almost every place he went. And in +1858 there came to him increased popularity by reason of a new venture. +In this year he began his public readings from his own works, which +brought him in immense sums of money. Through England, Scotland, Ireland +and the United States he journeyed, reading, as only he could read, +scenes humorous and pathetic from his great novels, and everywhere the +effect was the same.</p> + +<p>Descriptive of an evening at Edinburgh, he wrote: “Such a pouring of +hundreds into a place already full to the throat, such indescribable +confusion, such a rending and tearing of dresses, and yet such a scene +of good humor on the whole!... I read with the platform crammed with +people. I got them to lie down upon it, and it was like some impossible +tableau or gigantic picnic; one pretty girl in full dress hang on her +side all night, holding on to<span class='pagenum'><a name="Page_243" id="Page_243">[243]</a></span> one of the legs of my table. And yet from +the moment I began to the moment of my leaving off, they never missed a +point, and they ended with a burst of cheers.”</p> + +<p>Meanwhile Dickens’s domestic life had not been happy. He and his wife +were not entirely congenial in temper, and the incompatibility increased +with the years, until in 1858 they agreed to live apart. Most of the +children remained with their father, although they were given perfect +freedom to visit their mother.</p> + +<p>Among Dickens’s later novels are the <cite>Tale of Two Cities</cite>, <cite>Great +Expectations</cite>, which is one of his very best books, and <cite>Our Mutual +Friend</cite>, which, while as a story it has many faults, yet abounds with +the humor and fancy which are characteristic of Dickens. In October, +1869, was begun <cite>Edwin Drood</cite>, which was published like most of its +predecessors, as a serial. Six numbers appeared, and there the story +closed; for on June 9, 1870, Charles Dickens died, after an illness of +but one day, during all of which he was unconscious.</p> + +<p>His family desired to have him buried near his home, the Gad’s Hill +which he had admired from his childhood and had purchased in his +manhood; but the general wish was that he should be laid in Westminster +Abbey, and to this wish his family felt that it would be wrong to +object. For days there were crowds of mourners about the grave, shedding +tears, scattering flowers, testifying to the depth of affection they had +felt for the man who had given them so many happy hours.</p> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_244" id="Page_244">[244]</a></span></p> + +<h2 class="story"><a name="A_CHRISTMAS_CAROL" id="A_CHRISTMAS_CAROL"></a>A CHRISTMAS CAROL</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Charles Dickens</span></p> + + +<h3 class="section">STAVE ONE</h3> + +<p class="titlepage"><em>Marley’s Ghost</em></p> + +<p><span class="dropcapm"><span class="hide">M</span></span><span class="upper">arley</span> was dead: to begin with. There is no doubt whatever about that. +The register of his burial was signed by the clergyman, the clerk, the +undertaker, and the chief mourner. Scrooge signed it: and Scrooge’s name +was good upon ‘Change, for anything he chose to put his hand to. Old +Marley was as dead as a door-nail.</p> + +<p>Mind! I don’t mean to say that I know, of my own knowledge, what there +is particularly dead about a door-nail. I might have been inclined, +myself, to regard a coffin-nail as the deadest piece of ironmongery in +the trade. But the wisdom of our ancestors is in the simile; and my +unhallowed hands shall not disturb it, or the Country’s done for. You +will therefore permit me to repeat, emphatically, that Marley was as +dead as a door-nail.</p> + +<p>Scrooge knew he was dead? Of course he did. How could it be otherwise? +Scrooge and he were partners for I don’t know how many years. Scrooge +was his sole executor, his sole administrator, his sole assign, his sole +residuary legatee, his sole friend and sole mourner. And even Scrooge +was not so dreadfully cut up by the sad event, but that he was an<span class='pagenum'><a name="Page_245" id="Page_245">[245]</a></span> +excellent man of business on the very day of the funeral, and solemnized +it with an undoubted bargain.</p> + +<p>The mention of Marley’s funeral brings me back to the point I started +from. There is no doubt that Marley was dead. This must be distinctly +understood, or nothing wonderful can come of the story I am going to +relate. If we were not perfectly convinced that Hamlet’s Father died +before the play began, there would be nothing more remarkable in his +taking a stroll at night, in an easterly wind, upon his own ramparts, +than there would be in any other middle-aged gentleman rashly turning +out after dark in a breezy spot—say Saint Paul’s Churchyard for +instance—literally to astonish his son’s weak mind.</p> + +<p>Scrooge never painted out Old Marley’s name. There it stood, years +afterwards, above the warehouse door: Scrooge and Marley. The firm was +known as Scrooge and Marley. Sometimes people new to the business called +Scrooge Scrooge and sometimes Marley, but he answered to both names: it +was all the same to him.</p> + +<p>Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a +squeezing, wrenching, grasping, scraping, clutching, covetous, old +sinner! Hard and sharp as flint, from which no steel had even struck out +generous fire; secret, and self-contained, and solitary as an oyster. +The cold within him froze his old features, nipped his pointed nose, +shrivelled his cheek, stiffened his gait; made his eyes red, his thin +lips blue; and spoke out shrewdly in his grating voice. A frosty rime +was on his head, and on his eyebrows, and his wiry chin. He carried his +own<span class='pagenum'><a name="Page_246" id="Page_246">[246]</a></span> low temperature always about with him; he iced his office in the +dog-days; and didn’t thaw it one degree at Christmas.</p> + +<p>External heat and cold had little influence on Scrooge. No warmth could +warm, nor wintry weather chill him. No wind that blew was bitterer than +he, no falling snow was more intent upon its purpose, no pelting rain +less open to entreaty. Foul weather didn’t know where to have him. The +heaviest rain, and snow, and hail, and sleet, could boast of the +advantage over him in only one respect. They often “came down” +handsomely, and Scrooge never did.</p> + +<p>Nobody ever stopped him in the street to say, with gladsome looks, “My +dear Scrooge, how are you? When will you come to see me?” No beggars +implored him to bestow a trifle, no children asked him what it was +o’clock, no man or woman ever once in all his life inquired the way to +such and such a place, of Scrooge. Even the blind men’s dogs appeared to +know him; and when they saw him coming on, would tug their owners into +doorways and up courts; and then would wag their tails as though they +said, “No eye at all is better than an evil eye, dark master!”</p> + +<p>But what did Scrooge care? It was the very thing he liked. To edge his +way along the crowded paths of life, warning all human sympathy to keep +its distance, was what the knowing ones call “nuts” to Scrooge.</p> + +<p>Once upon a time—of all the good days in the year, on Christmas +Eve—old Scrooge sat busy in his counting-house. It was cold, bleak, +biting weather: foggy withal: and he could hear the people<span class='pagenum'><a name="Page_247" id="Page_247">[247]</a></span> in the court +outside go wheezing up and down, beating their hands upon their breasts, +and stamping their feet upon the pavement stones to warm them. The City +clocks had only just gone three, but it was quite dark already: it had +not been light all day: and candles were flaring in the windows of the +neighboring offices, like ruddy smears upon the palpable brown air. The +fog came pouring in at every chink and keyhole, and was so dense +without, that although the court was of the narrowest, the houses +opposite were mere phantoms. To see the dingy cloud come drooping down, +obscuring everything, one might have thought that Nature lived hard by, +and was brewing on a large <span class="nowrap">scale.<a name="Anchor_247-1" id="Anchor_247-1"></a><a title="Go to footnote 247-1" href="#Footnote_247-1" class="fnanchor">247-1</a></span></p> + +<p>The door of Scrooge’s counting-house was open that he might keep his eye +upon his clerk, who in a dismal little cell beyond, a sort of tank, was +copying letters. Scrooge had a very small fire, but the clerk’s fire was +so very much smaller that it looked like one coal. But he couldn’t +replenish it, for Scrooge kept the coal-box in his own room; and so +surely as the clerk came in with the shovel, the master predicted that +it would be necessary for them to part. Wherefore the clerk put on his +white comforter, and tried to warm himself at the candle; in which +effort, not being a man of strong imagination, he failed.</p> + +<p>“A merry Christmas, uncle! God save you!” cried a cheerful voice. It was +the voice of Scrooge’s nephew, who came upon him so quickly that this +was the first intimation he had of his approach.</p> + +<p><span class='pagenum'><a name="Page_248" id="Page_248">[248]</a></span>“Bah!” said Scrooge. “Humbug!”</p> + +<p>He had so heated himself with rapid walking in the fog and frost, this +nephew of Scrooge’s, that he was all in a glow; his face was ruddy and +handsome; his eyes sparkled, and his breath smoked again.</p> + +<p>“Christmas a humbug, uncle!” said Scrooge’s nephew. “You don’t mean +that, I am sure.”</p> + +<p>“I do,” said Scrooge. “Merry Christmas! What right have you to be merry? +What reason have you to be merry? You’re poor enough.”</p> + +<p>“Come, then,” returned the nephew gaily. “What right have you to be +dismal? What reason have you to be morose? You’re rich enough.”</p> + +<p>Scrooge having no better answer ready on the spur of the moment, said, +“Bah!” again; and followed it up with “Humbug.”</p> + +<p>“Don’t be cross, uncle,” said the nephew.</p> + +<p>“What else can I be,” returned the uncle, “when I live in such a world +of fools as this? Merry Christmas! Out upon merry Christmas! What’s +Christmas time to you but a time for paying bills without money; a time +for finding yourself a year older, but not an hour richer; a time for +balancing your books and having every item in ’em through a round dozen +months presented dead against you? If I could work my will,” said +Scrooge, indignantly, “every idiot who goes about with ‘Merry Christmas’ +on his lips, should be boiled with his own pudding, and buried with a +stake of holly through his heart. He should!”</p> + +<p>“Uncle!” pleaded the nephew.</p> + +<p>“Nephew!” returned the uncle, sternly, “keep Christmas in your own way, +and let me keep it in mine.”</p> + +<p><span class='pagenum'><a name="Page_249" id="Page_249">[249]</a></span>“Keep it!” repeated Scrooge’s nephew. “But you don’t keep it.”</p> + +<p>“Let me leave it alone, then,” said Scrooge. “Much good may it do you! +Much good it has ever done you!”</p> + +<p>“There are many things from which I might have derived good, by which I +have not profited, I dare say,” returned the nephew: “Christmas among +the rest. But I am sure I have always thought of Christmas time, when it +has come round—apart from the veneration due to its sacred name and +origin, if anything belonging to it can be apart from that—as a good +time: a kind, forgiving, charitable, pleasant time: the only time I know +of, in the long calendar of the year, when men and women seem by one +consent to open their shut-up hearts freely, and to think of people +below them as if they really were fellow-passengers to the grave, and +not another race of creatures bound on other journeys. And therefore, +uncle, though it has never put a scrap of gold or silver in my pocket, I +believe that it <em>has</em> done me good, and <em>will</em> do me good; and I say, +God bless it!”</p> + +<p>The clerk in the Tank involuntarily applauded: becoming immediately +sensible of the impropriety, he poked the fire, and extinguished the +last frail spark for ever.</p> + +<p>“Let me hear another sound from <em>you</em>,” said Scrooge, “and you’ll keep +your Christmas by losing your situation. You’re quite a powerful +speaker, Sir,” he added, turning to his nephew. “I wonder you don’t go +into Parliament.”</p> + +<p>“Don’t be angry, uncle. Come! Dine with us to-morrow.”</p> + +<p><span class='pagenum'><a name="Page_250" id="Page_250">[250]</a></span>Scrooge said that he would see him—yes, indeed he did. He went the +whole length of the expression, and said that he would see him in that +extremity first.</p> + +<p>“But why?” cried Scrooge’s nephew. “Why?”</p> + +<p>“Why did you get married?” said Scrooge.</p> + +<p>“Because I fell in love.”</p> + +<p>“Because you fell in love!” growled Scrooge, as if that were the only +one thing in the world more ridiculous than a merry Christmas. “Good +afternoon!”</p> + +<p>“Nay, uncle, but you never came to see me before that happened. Why give +it as a reason for not coming now?”</p> + +<p>“Good afternoon,” said Scrooge.</p> + +<p>“I want nothing from you; I ask nothing of you; why cannot we be +friends?”</p> + +<p>“Good afternoon,” said Scrooge.</p> + +<p>“I am sorry, with all my heart, to find you so resolute. We have never +had any quarrel to which I have been a party. But I have made the trial +in homage to Christmas, and I’ll keep my Christmas humour to the last. +So A Merry Christmas, uncle!”</p> + +<p>“Good afternoon!” said Scrooge.</p> + +<p>“And A Happy New Year!”</p> + +<p>“Good afternoon!” said Scrooge.</p> + +<p>His nephew left the room without an angry word, notwithstanding. He +stopped at the outer door to bestow the greetings of the season on the +clerk, who, cold as he was, was warmer than Scrooge; for he returned +them cordially.</p> + +<p>“There’s another fellow,” muttered Scrooge; who overheard him: “my +clerk, with fifteen shillings a<span class='pagenum'><a name="Page_251" id="Page_251">[251]</a></span> week, and a wife and family, talking +about a merry Christmas. I’ll retire to <span class="nowrap">Bedlam.”<a name="Anchor_251-2" id="Anchor_251-2"></a><a title="Go to footnote 251-2" href="#Footnote_251-2" class="fnanchor">251-2</a></span></p> + +<p>This lunatic, in letting Scrooge’s nephew out, had let two other people +in. They were portly gentlemen, pleasant to behold, and now stood, with +their hats off, in Scrooge’s office. They had books and papers in their +hands, and bowed to him.</p> + +<p>“Scrooge and Marley’s, I believe,” said one of the gentlemen, referring +to his list. “Have I the pleasure of addressing Mr. Scrooge, or Mr. +Marley?”</p> + +<p>“Mr. Marley has been dead these seven years,” Scrooge replied. “He died +seven years ago, this very night.”</p> + +<p>“We have no doubt his liberality is well represented by his surviving +partner,” said the gentleman, presenting his credentials.</p> + +<p>It certainly was; for they had been two kindred spirits. At the ominous +word “liberality,” Scrooge frowned, and shook his head, and handed the +credentials back.</p> + +<p>“At this festive season of the year, Mr. Scrooge,” said the gentleman, +taking up a pen, “it is more than usually desirable that we should make +some slight provision for the poor and destitute, who suffer greatly at +the present time. Many thousands are in want of common necessaries; +hundreds of thousands are in want of common comforts, Sir.”</p> + +<p>“Are there no prisons?” asked Scrooge.</p> + +<p>“Plenty of prisons,” said the gentleman, laying down the pen again.</p> + +<p><span class='pagenum'><a name="Page_252" id="Page_252">[252]</a></span>“And the Union <span class="nowrap">workhouses?”<a name="Anchor_252-3" id="Anchor_252-3"></a><a title="Go to footnote 252-3" href="#Footnote_252-3" class="fnanchor">252-3</a></span> demanded Scrooge. “Are they still in +operation?”</p> + +<p>“They are. Still,” returned the gentleman, “I wish I could say they were +not.”</p> + +<p>“The <span class="nowrap">Treadmill<a name="Anchor_252-4" id="Anchor_252-4"></a><a title="Go to footnote 252-4" href="#Footnote_252-4" class="fnanchor">252-4</a></span> and the Poor Law are in full vigour, then?” said +Scrooge.</p> + +<p>“Both very busy, Sir.”</p> + +<p>“Oh! I was afraid, from what you said at first, that something had +occurred to stop them in their useful course,” said Scrooge. “I’m very +glad to hear it.”</p> + +<p>“Under the impression that they scarcely furnish Christian cheer of mind +or body to the multitude,” returned the gentleman, “a few of us are +endeavoring to raise a fund to buy the poor some meat and drink, and +means of warmth. We choose this time, because it is a time, of all +others, when want is keenly felt, and abundance rejoices. What shall I +put you down for?”</p> + +<p>“Nothing!” Scrooge replied.</p> + +<p>“You wish to be anonymous?”</p> + +<p>“I wish to be left alone,” said Scrooge. “Since you ask me what I wish, +gentlemen, that is my answer. I don’t make merry myself at Christmas, +and I can’t afford to make idle people merry. I help to support the +establishments I have mentioned: they cost enough: and those who are +badly off must go there.”</p> + +<p><span class='pagenum'><a name="Page_253" id="Page_253">[253]</a></span>“Many can’t go there; and many would rather die.”</p> + +<p>“If they would rather die,” said Scrooge, “they had better do it, and +decrease the surplus population. Besides—excuse me—I don’t know that.”</p> + +<p>“But you might know it,” observed the gentleman.</p> + +<p>“It’s not my business,” Scrooge returned. “It’s enough for a man to +understand his own business, and not to interfere with other people’s. +Mine occupies me constantly. Good afternoon, gentlemen!”</p> + +<p>Seeing clearly that it would be useless to pursue their point, the +gentlemen withdrew. Scrooge resumed his labours with an improved opinion +of himself, and in more facetious temper than was usual with him.</p> + +<p>Meanwhile the fog and darkness thickened so, that the people ran about +with flaring <span class="nowrap">links,<a name="Anchor_253-5" id="Anchor_253-5"></a><a title="Go to footnote 253-5" href="#Footnote_253-5" class="fnanchor">253-5</a></span> proffering their services to go before horses +in carriages, and conduct them on their way. The ancient tower of a +church, whose gruff old bell was always peeping slily down at Scrooge +out of a gothic window in the wall, became invisible, and struck the +hours and quarters in the clouds, with tremulous vibrations afterwards +as if its teeth were chattering in its frozen head up there. The cold +became intense. In the main street at the corner of the court, some +labourers were repairing the gas-pipes, and had lighted a great fire in +a brazier, round which a party of ragged men and boys were gathered: +warming their hands and winking their eyes before the blaze<span class='pagenum'><a name="Page_254" id="Page_254">[254]</a></span> in rapture. +The water-plug being left in solitude, its overflowings sullenly +congealed, and turned to misanthropic ice. The brightness of the shop +where holly sprigs and berries crackled in the lamp heat of the windows, +made pale faces ruddy as they passed. Poulterers’ and grocers’ trades +became a splendid joke: a glorious pageant, with which it was next to +impossible to believe that such dull principles as bargain and sale had +anything to do. The Lord Mayor, in the stronghold of the mighty Mansion +House, gave orders to his fifty cooks and butlers to keep Christmas as a +Lord Mayor’s household should; and even the little tailor, whom he had +fined five shillings on the previous Monday for being drunk and +bloodthirsty in the streets, stirred up to-morrow’s pudding in his +garret, while his lean wife and the baby sallied out to buy the beef.</p> + +<p>Foggier yet, and colder! Piercing, searching, biting cold. If the good +Saint <span class="nowrap">Dunstan<a name="Anchor_254-6" id="Anchor_254-6"></a><a title="Go to footnote 254-6" href="#Footnote_254-6" class="fnanchor">254-6</a></span> had but nipped the Evil Spirit’s nose with a touch +of such weather as that, instead of using his familiar weapons, then +indeed he would have roared to lusty purpose. The owner of one scant +young nose, gnawed and mumbled by the hungry cold as bones are gnawed by +dogs, stooped down at Scrooge’s keyhole to regale him with a Christmas +carol: but at the first sound of</p> + +<p class="poem">“God bless you, merry gentlemen!<br /> +May nothing you <span class="nowrap">dismay!”<a name="Anchor_254-7" id="Anchor_254-7"></a><a title="Go to footnote 254-7" href="#Footnote_254-7" class="fnanchor">254-7</a></span></p> + +<p class="noindent"><span class='pagenum'><a name="Page_255" id="Page_255">[255]</a></span>Scrooge seized the ruler with such energy of action, that the singer +fled in terror, leaving the keyhole to the fog and even more congenial +frost.</p> + +<p>At length the hour of shutting up the counting-house arrived. With an +ill-will Scrooge dismounted from his stool, and tacitly admitted the +fact to the expectant clerk in the Tank, who instantly snuffed his +candle out, and put on his hat.</p> + +<div class="figcenter" style="width: 250px;"> +<a name="image37" id="image37"></a><a href="images/image37-full.png"><img src="images/image37.png" width="250" height="272" alt="The clerk standing in front of Scrooge." title="THE CLERK SMILED FAINTLY" /></a> +<span class="caption">THE CLERK SMILED FAINTLY</span> +</div> + +<p>“You’ll want all day to-morrow, I suppose?” said Scrooge.</p> + +<p><span class='pagenum'><a name="Page_256" id="Page_256">[256]</a></span>“If quite convenient, Sir.”</p> + +<p>“It’s not convenient,” said Scrooge, “and it’s not fair. If I was to +stop half-a-crown for it, you’d think yourself ill-used, I’ll be bound?”</p> + +<p>The clerk smiled faintly.</p> + +<p>“And yet,” said Scrooge, “you don’t think <em>me</em> ill-used, when I pay a +day’s wages for no work.”</p> + +<p>The clerk observed that it was only once a year.</p> + +<p>“A poor excuse for picking a man’s pocket every twenty-fifth of +December!” said Scrooge, buttoning his great-coat to the chin. “But I +suppose you must have the whole day. Be here all the earlier next +morning!”</p> + +<p>The clerk promised that he would; and Scrooge walked out with a growl. +The office was closed in a twinkling, and the clerk, with the long ends +of his white comforter dangling below his waist (for he boasted no +great-coat), went down a slide on Cornhill, at the end of a lane of +boys, twenty times, in honour of its being Christmas Eve, and then ran +home to Camden Town as hard as he could pelt, to play at +blindman’s-buff.</p> + +<p>Scrooge took his melancholy dinner in his usual melancholy tavern; and +having read all the newspapers, and beguiled the rest of the evening +with his banker’s-book, went home to bed. He lived in chambers which had +once belonged to his deceased partner. They were a gloomy suite of +rooms, in a lowering pile of building up a yard, where it had so little +business to be, that one could scarcely help fancying it must have run +there when it was a young house, playing at hide-and-seek with other +houses, and have forgotten the way out again. It was old enough now, and +dreary enough, for nobody lived<span class='pagenum'><a name="Page_257" id="Page_257">[257]</a></span> in it but Scrooge, the other rooms +being all let out as offices. The yard was so dark that even Scrooge, +who knew its every stone, was fain to grope with his hands. The fog and +frost so hung about the black old gateway of the house, that it seemed +as if the Genius of the Weather sat in mournful meditation on the +threshold. Now, it is a fact, that there was nothing at all particular +about the knocker on the door, except that it was very large. It is also +a fact, that Scrooge had seen it, night and morning, during his whole +residence in that place; also that Scrooge had as little of what is +called fancy about him as any man in the City of London, even +including—which is a bold word—the corporation, aldermen, and livery. +Let it also be borne in mind that Scrooge had not bestowed one thought +on Marley, since his last mention of his seven-years’ dead partner that +afternoon. And then let any man explain to me, if he can, how it +happened that Scrooge, having his key in the lock of the door, saw in +the knocker, without its undergoing any intermediate process of change, +not a knocker, but Marley’s face.</p> + +<p>Marley’s face. It was not in impenetrable shadow as the other objects in +the yard were, but had a dismal light about it, like a bad lobster in a +dark cellar. It was not angry or ferocious, but looked at Scrooge as +Marley used to look: with ghostly spectacles turned up on its ghostly +forehead. The hair was curiously stirred, as if by breath or hot air; +and, though the eyes were wide open, they were perfectly motionless. +That, and its livid colour, made it horrible; but its horror seemed to +be in spite of the face and beyond its control, rather than a part of +its own expression.</p> + +<p><span class='pagenum'><a name="Page_258" id="Page_258">[258]</a></span>As Scrooge looked fixedly at this phenomenon, it was a knocker again.</p> + +<p>To say that he was not startled, or that his blood was not conscious of +a terrible sensation to which it had been a stranger from infancy, would +be untrue. But he put his hand upon the key he had relinquished, turned +it sturdily, walked in, and lighted his candle.</p> + +<p>He <em>did</em> pause, with a moment’s irresolution, before he shut the door; +and he <em>did</em> look cautiously behind it first, as if he half expected to +be terrified with the sight of Marley’s pigtail sticking out into the +hall. But there was nothing on the back of the door, except the screws +and nuts that held the knocker on; so he said “Pooh, pooh!” and closed +it with a bang.</p> + +<p>The sound resounded through the house like thunder. Every room above, +and every cask in the wine-merchant’s cellars below, appeared to have a +separate peal of echoes of its own. Scrooge was not a man to be +frightened by echoes. He fastened the door, and walked across the hall, +and up the stairs, slowly too, trimming his candle as he went.</p> + +<p>You may talk vaguely about driving a coach-and-six up a good old flight +of stairs, or through a bad young Act of Parliament; but I mean to say +you might have got a hearse up that staircase, and taken it broadwise, +with the <span class="nowrap">splinter-bar<a name="Anchor_258-8" id="Anchor_258-8"></a><a title="Go to footnote 258-8" href="#Footnote_258-8" class="fnanchor">258-8</a></span> towards the wall, and the door towards the +balustrades: and done it easy. There was plenty of width for that, and +room to spare; which is perhaps the reason why Scrooge thought he saw a +locomotive hearse<span class='pagenum'><a name="Page_259" id="Page_259">[259]</a></span> going on before him in the gloom. Half-a-dozen +gas-lamps out of the street wouldn’t have lighted the entry too well, so +you may suppose that it was pretty dark with Scrooge’s dip.</p> + +<p>Up Scrooge went, not caring a button for that: darkness is cheap, and +Scrooge liked it. But before he shut his heavy door, he walked through +his rooms to see that all was right. He had just enough recollection of +the face to desire to do that.</p> + +<p>Sitting-room, bedroom, lumber-room. All as they should be. Nobody under +the table, nobody under the sofa; a small fire in the grate; spoon and +basin ready; and the little saucepan of gruel (Scrooge had a cold in his +head) upon the hob. Nobody under the bed; nobody in the closet; nobody +in his dressing-gown, which was hanging up in a suspicious attitude +against the wall. Lumber-room as usual. Old fire-guard, old shoes, two +fish-baskets, washing-stand on three legs, and a poker.</p> + +<p>Quite satisfied, he closed his door, and locked himself in; +double-locked himself in, which was not his custom. Thus secured against +surprise, he took off his cravat; put on his dressing-gown and slippers, +and his nightcap; and sat down before the fire to take his gruel.</p> + +<p>It was a very low fire indeed; nothing on such a bitter night. He was +obliged to sit close to it, and brood over it, before he could extract +the least sensation of warmth from such a handful of fuel. The fireplace +was an old one, built by some Dutch merchant long ago, and paved all +round with quaint Dutch tiles, designed to illustrate the Scriptures. +There were Cains and Abels, Pharaoh’s daughters, Queens of Sheba, +angelic messengers descending<span class='pagenum'><a name="Page_260" id="Page_260">[260]</a></span> through the air on clouds like +feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in +butter-boats, hundreds of figures, to attract his thoughts; and yet that +face of Marley, seven years dead, came like the ancient Prophet’s rod, +and swallowed up the whole. If each smooth tile had been a blank at +first, with power to shape some picture on its surface, from the +disjointed fragments of his thoughts, there would have been a copy of +old Marley’s head on every one.</p> + +<p>“Humbug!” said Scrooge; and walked across the room.</p> + +<p>After several turns, he sat down again. As he threw his head back in the +chair, his glance happened to rest upon a bell, a disused bell, that +hung in the room, and communicated for some purpose now forgotten with a +chamber in the highest story of the building. It was with great +astonishment, and with a strange, inexplicable dread, that as he looked, +he saw this bell begin to swing. It swung so softly in the outset that +it scarcely made a sound; but soon it rang out loudly, and so did every +bell in the house. This might have lasted half a minute, or a minute, +but it seemed an hour. The bells ceased as they had begun, together. +They were succeeded by a clanking noise, deep down below; as if some +person were dragging a heavy chain over the casks in the wine-merchant’s +cellar. Scrooge then remembered to have heard that ghosts in haunted +houses were described as dragging chains.</p> + +<p>The cellar-door flew open with a booming sound, and then he heard the +noise much louder, on the floors below; then coming up the stairs; then +coming straight towards his door.</p> + +<p><span class='pagenum'><a name="Page_261" id="Page_261">[261]</a></span>“It’s humbug still!” said Scrooge. “I won’t believe it.”</p> + +<p>His colour changed though, when, without a pause, it came on through the +heavy door, and passed into the room before his eyes. Upon its coming +in, the flame leaped up, as though it cried “I know him! Marley’s +Ghost!” and fell again.</p> + +<p>The same face: the very same. Marley in his pigtail, usual waistcoat, +tights and boots; the tassels on the latter bristling, like his pigtail, +and his coat-skirts, and the hair upon his head. The chain he drew was +clasped about his middle. It was long, and wound about him like a tail; +and it was made (for Scrooge observed it closely) of cash-boxes, keys, +padlocks, ledgers, deeds, and heavy purses wrought in steel. His body +was transparent; so that Scrooge, observing him, and looking through his +waistcoat, could see the two buttons on his coat behind.</p> + +<p>Scrooge had often heard it said that Marley had no <span class="nowrap">bowels<a name="Anchor_261-9" id="Anchor_261-9"></a><a title="Go to footnote 261-9" href="#Footnote_261-9" class="fnanchor">261-9</a></span>, but he +had never believed it until now.</p> + +<p>No, nor did he believe it even now. Though he looked the phantom through +and through, and saw it standing before him; though he felt the chilling +influence of its death-cold eyes; and marked the very texture of the +folded kerchief bound about its head and chin, which wrapper he had not +observed before: he was still incredulous, and fought against his +senses.</p> + +<p>“How now!” said Scrooge, caustic and cold as ever. “What do you want +with me?”</p> + +<p><span class='pagenum'><a name="Page_262" id="Page_262">[262]</a></span>“Much!”—Marley’s voice, no doubt about it.</p> + +<p>“Who are you?”</p> + +<p>“Ask me who I <em>was</em>.”</p> + +<p>“Who <em>were</em> you then?” said Scrooge, raising his voice. “You’re +particular—for a shade.” He was going to say “<em>to</em> a shade,” but +substituted this, as more appropriate.</p> + +<p>“In life I was your partner, Jacob Marley.”</p> + +<p>“Can you—can you sit down?” asked Scrooge, looking doubtfully at him.</p> + +<p>“I can.”</p> + +<p>“Do it then.”</p> + +<p>Scrooge asked the question, because he didn’t know whether a ghost so +transparent might find himself in a condition to take a chair; and felt +that in the event of its being impossible, it might involve the +necessity of an embarrassing explanation. But the Ghost sat down on the +opposite side of the fireplace, as if he were quite used to it.</p> + +<p>“You don’t believe in me,” observed the Ghost.</p> + +<p>“I don’t,” said Scrooge.</p> + +<p>“What evidence would you have of my reality beyond that of your senses?”</p> + +<p>“I don’t know,” said Scrooge.</p> + +<p>“Why do you doubt your senses?”</p> + +<p>“Because,” said Scrooge, “a little thing affects them. A slight disorder +of the stomach makes them cheats. You may be an undigested bit of beef, +a blot of mustard, a crumb of cheese, a fragment of an underdone potato. +There’s more of gravy than of grave about you, whatever you are!”</p> + +<p>Scrooge was not much in the habit of cracking jokes, nor did he feel, in +his heart, by any means waggish then. The truth is, that he tried to be<span class='pagenum'><a name="Page_263" id="Page_263">[263]</a></span> +smart, as a means of distracting his own attention, and keeping down his +terror; for the spectre’s voice disturbed the very marrow in his bones.</p> + +<div class="figcenter" style="width: 249px;"> +<a name="image38" id="image38"></a><a href="images/image38-full.png"><img src="images/image38.png" width="249" height="278" alt="Scrooge, seated in an armchair, confronts Marley’s ghost." title="“IN LIFE I WAS YOUR PARTNER, JACOB MARLEY”" /></a> +<span class="caption">“IN LIFE I WAS YOUR PARTNER, JACOB MARLEY”</span> +</div> + +<p>To sit staring at those fixed, glazed eyes in silence for a moment, +would play, Scrooge felt, the very deuce with him. There was something +very awful, too, in the spectre’s being provided with an infernal +atmosphere of its own. Scrooge could not feel it himself, but this was +clearly the case; for though the Ghost sat perfectly motionless, its +hair, and<span class='pagenum'><a name="Page_264" id="Page_264">[264]</a></span> skirts, and tassels, were still agitated as by the hot vapour +from an oven.</p> + +<p>“You see this toothpick?” said Scrooge, returning quickly to the charge, +for the reason just assigned; and wishing, though it were only for a +second, to divert the vision’s stony gaze from himself.</p> + +<p>“I do,” replied the Ghost.</p> + +<p>“You are not looking at it,” said Scrooge.</p> + +<p>“But I see it,” said the Ghost, “notwithstanding.”</p> + +<p>“Well!” returned Scrooge. “I have but to swallow this, and be for the +rest of my days persecuted by a legion of goblins, all of my own +creation. Humbug, I tell you—humbug!”</p> + +<p>At this the spirit raised a frightful cry, and shook its chain with such +a dismal and appalling noise, that Scrooge held on tight to his chair, +to save himself from falling in a swoon. But how much greater was his +horror, when, the phantom taking off the bandage round its head, as if +it were too warm to wear indoors, its lower jaw dropped down upon its +<a name="corr16" id="corr16"></a>breast!</p> + +<p>Scrooge fell upon his knees, and clasped his hands before his face.</p> + +<p>“Mercy!” he said. “Dreadful apparition, why do you trouble me?”</p> + +<p>“Man of the worldly mind!” replied the Ghost, “do you believe in me or +not?”</p> + +<p>“I do,” said Scrooge. “I must. But why do spirits walk the earth, and +why do they come to me?”</p> + +<p>“It is required of every man,” the Ghost returned, “that the spirit +within him should walk abroad among his fellow-men, and travel far and +wide; and if that spirit goes not forth in life, it is condemned to do +so after death. It is doomed to wan<span class='pagenum'><a name="Page_265" id="Page_265">[265]</a></span>der through the world—oh, woe is +me!—and witness what it cannot share, but might have shared on earth, +and turned to happiness!”</p> + +<p>Again the spectre raised a cry, and shook its chain, and wrung its +shadowy hands.</p> + +<p>“You are fettered,” said Scrooge, trembling. “Tell me why?”</p> + +<p>“I wear the chain I forged in life,” replied the Ghost. “I made it link +by link, and yard by yard; I girded it on of my own free will, and of my +own free will I bore it. Is its pattern strange to <em>you</em>?”</p> + +<p>Scrooge trembled more and more.</p> + +<p>“Or would you know,” pursued the Ghost, “the weight and length of the +strong coil you bear yourself? It was full as heavy and as long as this, +seven Christmas Eves ago. You have laboured on it, since. It is a +ponderous chain!”</p> + +<p>Scrooge glanced about him on the floor, in the expectation of finding +himself surrounded by some fifty or sixty fathoms of iron cable: but he +could see nothing.</p> + +<p>“Jacob,” he said, imploringly. “Old Jacob Marley, tell me more. Speak +comfort to me, Jacob.”</p> + +<p>“I have none to give,” the Ghost replied. “It comes from other regions, +Ebenezer Scrooge, and is conveyed by other ministers, to other kinds of +men. Nor can I tell you what I would. A very little more, is all +permitted to me. I cannot rest, I cannot stay, I cannot linger anywhere. +My spirit never walked beyond our counting-house—mark me!—in life my +spirit never roved beyond the narrow limits of our money-changing hole +and weary journeys lie before me!”</p> + +<p><span class='pagenum'><a name="Page_266" id="Page_266">[266]</a></span>It was a habit with Scrooge, whenever he became thoughtful, to put his +hands in his breeches pockets. Pondering on what the Ghost had said, he +did so now, but without lifting his eyes, or getting off his knees. “You +must have been very slow about it, Jacob,” Scrooge observed, in a +business-like manner, though with humility and deference.</p> + +<p>“Slow!” the Ghost repeated.</p> + +<p>“Seven years dead,” mused Scrooge. “And travelling all the time!”</p> + +<p>“The whole time,” said the Ghost. “No rest, no peace. Incessant torture +of remorse.”</p> + +<p>“You travel fast?” said Scrooge.</p> + +<p>“On the wings of the wind,” replied the Ghost.</p> + +<p>“You might have got over a great quantity of ground in seven years,” +said Scrooge.</p> + +<p>The Ghost, on hearing this, set up another cry, and clanked its chain so +hideously in the dead silence of the night, that the Ward would have +been justified in indicting it for a nuisance.</p> + +<p>“Oh! captive, bound, and double-ironed,” cried the phantom, “not to +know, that ages of incessant labour, by immortal creatures, for this +earth must pass into eternity before the good of which it is susceptible +is all developed. Not to know that any Christian spirit working kindly +in its little sphere, whatever it may be, will find its mortal life too +short for its vast means of usefulness. Not to know that no space of +regret can make amends for one life’s opportunity misused! Yet such was +I! Oh! such was I!”</p> + +<p>“But you were always a good man of business, Jacob,” faltered Scrooge, +who now began to apply this to himself.</p> + +<p><span class='pagenum'><a name="Page_267" id="Page_267">[267]</a></span>“Business!” cried the Ghost, wringing its hands again. “Mankind was my +business. The common welfare was my business; charity, mercy, +forbearance, and benevolence, were, all, my business. The dealings of my +trade were but a drop of water in the comprehensive ocean of my +business!”</p> + +<p>It held up its chain at arm’s length, as if that were the cause of all +its unavailing grief, and flung it heavily upon the ground again.</p> + +<p>“At this time of the rolling year,” the spectre said, “I suffer most. +Why did I walk through crowds of fellow-beings with my eyes turned down, +and never raise them to that blessed Star which led the Wise Men to a +poor abode! Were there no poor homes to which its light would have +conducted <em>me</em>?”</p> + +<p>Scrooge was very much dismayed to hear the spectre going on at this +rate, and began to quake exceedingly.</p> + +<p>“Hear me!” cried the Ghost. “My time is nearly gone.”</p> + +<p>“I will,” said Scrooge. “But don’t be hard upon me! Don’t be flowery, +Jacob! Pray!”</p> + +<p>“How it is that I appear before you in a shape that you can see, I may +not tell. I have sat invisible beside you many and many a day.”</p> + +<p>It was not an agreeable idea. Scrooge shivered, and wiped the +perspiration from his brow.</p> + +<p>“That is no light part of my penance,” pursued the Ghost. “I am here +to-night to warn you, that you have yet a chance and hope of escaping my +fate. A chance and hope of my procuring, Ebenezer.”</p> + +<p>“You were always a good friend to me,” said Scrooge. “Thank’ee!”</p> + +<p><span class='pagenum'><a name="Page_268" id="Page_268">[268]</a></span>“You will be haunted,” resumed the Ghost, “by Three Spirits.”</p> + +<p>Scrooge’s countenance fell almost as low as the Ghost’s had done.</p> + +<p>“Is that the chance and hope you mentioned, Jacob,” he demanded, in a +faltering voice.</p> + +<p>“It is.”</p> + +<p>“I—I think I’d rather not,” said Scrooge.</p> + +<p>“Without their visits,” said the Ghost, “you cannot hope to shun the +path I tread. Expect the first to-morrow, when the bell tolls one.”</p> + +<p>“Couldn’t I take ’em all at once, and have it over, Jacob?” hinted +Scrooge.</p> + +<p>“Expect the second on the next night at the same hour. The third upon +the next night when the last stroke of twelve has ceased to vibrate. +Look to see me no more; and look that, for your own sake, you remember +what has passed between us!”</p> + +<p>When it had said these words, the spectre took its wrapper from the +table, and bound it round its head, as before. Scrooge knew this, by the +smart sound its teeth made, when the jaws were brought together by the +bandage. He ventured to raise his eyes again, and found his supernatural +visitor confronting him in an erect attitude, with its chain wound over +and about its arm.</p> + +<p>The apparition walked backward from him; and at every step it took, the +window raised itself a little, so that when the spectre reached it, it +was wide open. It beckoned Scrooge to approach, which he did. When they +were within two paces of each other, Marley’s Ghost held up its hand, +warning him to come no nearer. Scrooge stopped.</p> + +<p><span class='pagenum'><a name="Page_269" id="Page_269">[269]</a></span>Not so much in obedience, as in surprise and fear: for on the raising of +the hand, he became sensible of confused noises in the air; incoherent +sounds of lamentation and regret; wailings inexpressibly sorrowful and +self-accusatory. The spectre, after listening for a moment, joined in +the mournful dirge; and floated out upon the bleak, dark night.</p> + +<p>Scrooge followed to the window: desperate in his curiosity. He looked +out.</p> + +<p>The air was filled with phantoms, wandering hither and thither in +restless haste, and moaning as they went. Every one of them wore chains +like Marley’s Ghost; some few (they might be guilty governments) were +linked together; none were free. Many had been personally known to +Scrooge in their lives. He had been quite familiar with one old ghost, +in a white waistcoat, with a monstrous iron safe attached to his ankle, +who cried piteously at being unable to assist a wretched woman with an +infant, whom it saw below upon a door-step. The misery with them all +was, clearly, that they sought to interfere, for good, in human matters, +and had lost the power for ever.</p> + +<p>Whether these creatures faded into mist, or mist enshrouded them, he +could not tell. But they and their spirit voices faded together; and the +night became as it had been when he walked home.</p> + +<p>Scrooge closed the window, and examined the door by which the Ghost had +entered. It was double-locked, as he had locked it with his own hands, +and the bolts were undisturbed. He tried to say “Humbug!” but stopped at +the first syllable. And being, from the emotion he had undergone, or the +fatigues of the day, or his glimpse of the Invisible World,<span class='pagenum'><a name="Page_270" id="Page_270">[270]</a></span> or the dull +conversation of the Ghost, or the lateness of the hour, much in need of +repose; went straight to bed, without undressing, and fell asleep upon +the instant.</p> + + +<h3 class="section">STAVE TWO</h3> + +<p class="titlepage"><em>The First of the Three Spirits</em></p> + +<p class="noindent"><span class="dropcapw"><span class="hide">W</span></span><span class="upper">hen</span> Scrooge awoke, it was so dark, that looking out of bed, he could +scarcely distinguish the transparent window from the opaque walls of his +chamber. He was endeavoring to pierce the darkness with his ferret eyes, +when the chimes of a neighboring church struck the four quarters. So he +listened for the hour.</p> + +<p>To his great astonishment the heavy bell went on from six to seven, and +from seven to eight, and regularly up to twelve; then stopped. Twelve! +It was past two when he went to bed. The clock was wrong. An icicle must +have got into the works. Twelve!</p> + +<p>He touched the spring of his repeater, to correct this most preposterous +clock. Its rapid little pulse beat twelve; and stopped.</p> + +<p>“Why, it isn’t possible,” said Scrooge, “that I can have slept through a +whole day and far into another night. It isn’t possible that anything +has happened to the sun, and this is twelve at noon!”</p> + +<p>The big idea being an alarming one, he scrambled out of bed, and groped +his way to the window. He was obliged to rub the frost off with the +sleeve of his dressing-gown before he could see anything; and could see +very little then. All he could make<span class='pagenum'><a name="Page_271" id="Page_271">[271]</a></span> out was, that it was still very +foggy and extremely cold, and that there was no noise of people running +to and fro, and making a great stir, as there unquestionably would have +been if night had beaten off bright day, and taken possession of the +world. This was a great relief, because “three days after sight of this +First of Exchange pay to Mr. Ebenezer Scrooge or his order,” and so +forth, would have become a mere United States’ security if there were no +days to count by.</p> + +<p>Scrooge went to bed again, and thought, and thought, and thought it over +and over and over, and could make nothing of it. The more he thought, +the more perplexed he was; and the more he endeavoured not to think, the +more he thought. Marley’s Ghost bothered him exceedingly. Every time he +resolved within himself, after mature inquiry, that it was all a dream, +his mind flew back again, like a strong spring released, to its first +position, and presented the same problem to be worked all through, “Was +it a dream or not?”</p> + +<p>Scrooge lay in this state until the chimes had gone three quarters more, +when he remembered, on a sudden, that the Ghost had warned him of a +visitation when the bell tolled one. He resolved to lie awake until the +hour was passed; and, considering that he could no more go to sleep than +go to Heaven, this was perhaps the wisest resolution in his power.</p> + +<p>The quarter was so long, that he was more than once convinced he must +have sunk into a doze unconsciously, and missed the clock. At length it +broke upon his listening ear.</p> + +<p>“Ding, dong!”</p> + +<p>“A quarter past,” said Scrooge, counting.</p> + +<p><span class='pagenum'><a name="Page_272" id="Page_272">[272]</a></span>“Ding, dong!”</p> + +<p>“Half-past!” said Scrooge.</p> + +<p>“Ding, dong!”</p> + +<p>“A quarter to it,” said Scrooge.</p> + +<p>“Ding, dong!”</p> + +<p>“The hour itself,” said Scrooge, triumphantly, “and nothing else!”</p> + +<p>He spoke before the hour bell sounded, which it now did with a deep, +dull, hollow, melancholy One. Light flashed up in the room upon the +instant, and the curtains of his bed were drawn.</p> + +<p>The curtains of his bed were drawn aside, I tell you, by a hand. Not the +curtains at his feet, nor the curtains at his back, but those to which +his face was addressed. The curtains of his bed were drawn aside; and +Scrooge, starting up into a half-recumbent attitude, found himself face +to face with the unearthly visitor who drew them: as close to it as I am +now to you, and I am standing in the spirit at your elbow.</p> + +<p>It was a strange figure—like a child: yet not so like a child as like +an old man, viewed through some supernatural medium, which gave him the +appearance of having receded from the view, and being diminished to a +child’s proportions. Its hair, which hung about its neck and down its +back, was white as if with age; and yet the face had not a wrinkle in +it, and the tenderest bloom was on the skin. The arms were very long and +muscular; the hands the same, as if its hold were of uncommon strength. +Its legs and feet, most delicately formed, were, like those upper +members, bare. It wore a tunic of the purest white; and round its waist +was bound a lustrous belt, the sheen of which was beautiful. It held a +branch of<span class='pagenum'><a name="Page_273" id="Page_273">[273]</a></span> fresh green holly in its hand; and, in singular contradiction +of that wintry emblem, had its dress trimmed with summer flowers. But +the strangest thing about it was, that from the crown of its head there +sprang a bright clear jet of light, by which all this was visible; and +which was doubtless the occasion of its using, in its duller moments, a +great extinguisher for a cap, which it now held under its arm.</p> + +<p>Even this, though, when Scrooge looked at it with increasing steadiness, +was <em>not</em> its strangest quality. For as its belt sparkled and glittered +now in one part and now in another, and what was light one instant, at +another time was dark, so the figure itself fluctuated in its +distinctness: being now a thing with one arm, now with one leg, now with +twenty legs, now a pair of legs without a head, now a head without a +body: of which dissolving parts, no outline would be visible in the +dense gloom wherein they melted away. And in the very wonder of this, it +would be itself again; distinct and clear as ever.</p> + +<p>“Are you the Spirit, Sir, whose coming was foretold to me?” asked +Scrooge.</p> + +<p>“I am!”</p> + +<p>The voice was soft and gentle. Singularly low, as if instead of being so +close beside him, it were at a distance.</p> + +<p>“Who, and what are you?” Scrooge demanded.</p> + +<p>“I am the Ghost of Christmas Past.”</p> + +<p>“Long past?” inquired Scrooge, observant of its dwarfish stature.</p> + +<p>“No. Your past.”</p> + +<p>Perhaps, Scrooge could not have told anybody why, if anybody could have +asked him; but he had<span class='pagenum'><a name="Page_274" id="Page_274">[274]</a></span> a special desire to see the Spirit in his cap; +and begged him to be covered.</p> + +<p>“What!” exclaimed the Ghost, “would you so soon put out, with worldly +hands, the light I give? Is it not enough that you are one of those +whose passions made this cap, and force me through whole trains of years +to wear it low upon my brow!”</p> + +<p>Scrooge reverently disclaimed all intention to offend, and then made +bold to inquire what business brought him there.</p> + +<p>“Your welfare!” said the Ghost.</p> + +<p>Scrooge expressed himself much obliged, but could not help thinking that +a night of unbroken rest would have been more conducive to that end. The +spirit must have heard him thinking, for it said immediately: “Your +reclamation, then. Take heed!”</p> + +<p>It put out its strong hand as it spoke, and clasped him gently by the +arm.</p> + +<p>“Rise! and walk with me!”</p> + +<p>It would have been in vain for Scrooge to plead that the weather and the +hour were not adapted to pedestrian purposes; that bed was warm, and the +thermometer a long way below freezing; that he was clad but lightly in +his slippers, dressing-gown, and nightcap; and that he had a cold upon +him at that time. The grasp, though gentle as a woman’s hand, was not to +be resisted. He rose: but finding that the Spirit made towards the +window, clasped its robe in supplication.</p> + +<p>“I am a mortal,” Scrooge remonstrated, “and liable to fall.”</p> + +<p>“Bear but a touch of my hand <em>there</em>,” said the Spirit, laying it upon +his heart, “and you shall be upheld in more than this!”</p> + +<p><span class='pagenum'><a name="Page_275" id="Page_275">[275]</a></span>As the words were spoken, they passed through the wall, and stood upon +an open country road, with fields on either hand. The city had entirely +vanished. Not a vestige of it was to be seen. The darkness and the mist +had vanished with it, for it was a clear, cold, winter day, with snow +upon the ground.</p> + +<p>“Good Heaven!” said Scrooge, clasping his hands together, as he looked +about him. “I was bred in this place. I was a boy here!”</p> + +<p>The Spirit gazed upon him mildly. Its gentle touch, though it had been +light and instantaneous, appeared still present to the old man’s sense +of feeling. He was conscious of a thousand odors floating in the air, +each one connected with a thousand thoughts, and hopes, and joys, and +cares long, long forgotten!</p> + +<p>“Your lip is trembling,” said the Ghost. “And what is that upon your +cheek?”</p> + +<p>Scrooge muttered, with an unusual catching in his voice, that it was a +pimple; and begged the Ghost to lead him where he would.</p> + +<p>“You recollect the way?” inquired the Spirit.</p> + +<p>“Remember it!” cried Scrooge with fervor—“I could walk it blindfold.”</p> + +<p>“Strange to have forgotten it for so many years!” observed the Ghost. +“Let us go on.”</p> + +<p>They walked along the road; Scrooge recognizing every gate, and post, +and tree; until a little market-town appeared in the distance, with its +bridge, its church, and winding river. Some shaggy ponies now were seen +trotting towards them with boys upon their backs, who called to other +boys in country gigs and carts, driven by farmers. All<span class='pagenum'><a name="Page_276" id="Page_276">[276]</a></span> these boys were +in great spirits, and shouted to each other, until the broad fields were +so full of merry music, that the crisp air laughed to hear it.</p> + +<p>“These are but shadows of the things that have been,” said the Ghost. +“They have no consciousness of us.”</p> + +<p>The jocund travellers came on; and as they came, Scrooge knew and named +them every one. Why was he rejoiced beyond all bounds to see them! Why +did his cold eye glisten, and his heart leap up as they went past! Why +was he filled with gladness when he heard them give each other Merry +Christmas, as they parted at cross-roads and bye-ways, for their several +homes! What was merry Christmas to Scrooge? Out upon merry Christmas! +What good had it ever done to him?</p> + +<p>“The school is not quite deserted,” said the Ghost. “A solitary child, +neglected by his friends, is left there still.”</p> + +<p>Scrooge said he knew it. And he sobbed.</p> + +<p>They left the high-road, by a well-remembered lane, and soon approached +a mansion of dull red brick, with a little weathercock-surmounted +cupola, on the roof, and a bell hanging in it. It was a large house, but +one of broken fortunes; for the spacious offices were little used, their +walls were damp and mossy, their windows broken, and their gates +decayed. Fowls clucked and strutted in the stables; and the coach-houses +and sheds were overrun with grass. Nor was it more retentive of its +ancient state, within; for entering the dreary hall, and glancing +through the open doors of many rooms, they found them poorly furnished, +cold, and vast. There was an earthy savour in the air, a chilly bareness +in<span class='pagenum'><a name="Page_277" id="Page_277">[277]</a></span> the place, which associated itself somehow with too much getting up +by candle-light, and not too much to eat.</p> + +<p>They went, the Ghost and Scrooge, across the hall, to a door at the back +of the house. It opened before them, and disclosed a long, bare, +melancholy room, made barer still by lines of plain deal forms and +desks. At one of these a lonely boy was reading near a feeble fire; and +Scrooge sat down upon a form, and wept to see his poor forgotten self as +he had used to be.</p> + +<p>Not a latent echo in the house, not a squeak and scuffle from the mice +behind the panelling, not a drip from the half-thawed water-spout in the +dull yard behind, not a sigh among the leafless boughs of one despondent +poplar, not the idle swinging of an empty store-house door, no, not a +clicking in the fire, but fell upon the heart of Scrooge with softening +influence, and gave a freer passage to his tears.</p> + +<p>The spirit touched him on the arm, and pointed to his younger self, +intent upon his reading. Suddenly a man in foreign garments: wonderfully +real and distinct to look at: stood outside the window, with an axe +stuck in his belt, and leading an ass laden with wood by the bridle.</p> + +<p>“Why, it’s Ali <span class="nowrap">Baba!”<a name="Anchor_277-10" id="Anchor_277-10"></a><a title="Go to footnote 277-10" href="#Footnote_277-10" class="fnanchor">277-10</a></span> Scrooge exclaimed in ecstasy. “It’s dear +old honest Ali Baba! Yes, yes, I know! One Christmas time, when yonder +solitary child was left here all alone, he <em>did</em> come, for the first +time, just like that. Poor boy! And Valentine,” said Scrooge, “and his +wild brother, Orson; there they go! And what’s his name, who was put<span class='pagenum'><a name="Page_278" id="Page_278">[278]</a></span> +down in his drawers, asleep, at the Gate of Damascus; don’t you see him! +And the Sultan’s Groom turned upside down by the Genii; there he is upon +his head! Serve him right. I’m glad of it. What business had <em>he</em> to be +married to the Princess!”</p> + +<p>To hear Scrooge expending all the earnestness of his nature on such +subjects, in a most extraordinary voice between laughing and crying; and +to see his heightened and excited face; would have been a surprise to +his business friends in the City, indeed.</p> + +<p>“There’s the Parrot!” cried Scrooge. “Green body and yellow tail, with a +thing like a lettuce growing out of the top of his head; there he is! +Poor Robin Crusoe, he called him, when he came home again after sailing +round the island. ‘Poor Robin Crusoe, where have you been, Robin +Crusoe?’ The man thought he was dreaming, but he wasn’t. It was the +Parrot, you know. There goes Friday, running for his life to the little +creek! Halloa! Hoop! Halloo!”</p> + +<p>Then, with a rapidity of transition very foreign to his usual character, +he said, in pity for his former self, “Poor boy!” and cried again.</p> + +<p>“I wish,” Scrooge muttered, putting his hand in his pocket, and looking +about him, after drying his eyes with his cuff: “but it’s too late now.”</p> + +<p>“What is the matter?” asked the Spirit.</p> + +<p>“Nothing,” said Scrooge. “Nothing. There was a boy singing a Christmas +Carol at my door last night. I should like to have given him something: +that’s all.”</p> + +<p>The Ghost smiled thoughtfully, and waved its hand: saying as it did so, +“Let us see another Christmas!”</p> + +<p><span class='pagenum'><a name="Page_279" id="Page_279">[279]</a></span>Scrooge’s former self grew larger at the words, and the room became a +little darker and more dirty. The panels shrank, the windows cracked; +fragments of plaster fell out of the ceiling, and the naked laths were +shown instead; but how all this was brought about, Scrooge knew no more +than you do. He only knew that it was quite correct; that everything had +happened so; that there he was, alone again, when all the other boys had +gone home for the jolly holidays.</p> + +<p>He was not reading now, but walking up and down despairingly. Scrooge +looked at the Ghost, and with a mournful shaking of his head, glanced +anxiously towards the door.</p> + +<p>It opened; and a little girl, much younger than the boy, came darting +in, and putting her arms about his neck, and often kissing him, +addressed him as her “Dear, dear brother.”</p> + +<p>“I have come to bring you home, dear brother!” said the child, clapping +her tiny hands, and bending down to laugh. “To bring you home, home, +home!”</p> + +<p>“Home, little Fan?” returned the boy.</p> + +<p>“Yes!” said the child, brimful of glee. “Home, for good and all. Home, +for ever and ever. Father is so much kinder than he used to be, that +home’s like Heaven! He spoke so gently to me one dear night when I was +going to bed, that I was not afraid to ask him once more if you might +come home; and he said Yes, you should; and sent me in a coach to bring +you. And you’re to be a man!” said the child, opening her eyes, “and are +never to come back here; but first, we’re to be together all the +Christmas long, and have the merriest time in all the world.”</p> + +<p><span class='pagenum'><a name="Page_280" id="Page_280">[280]</a></span>“You are quite a woman, little Fan!” exclaimed the boy.</p> + +<p>She clapped her hands and laughed, and tried to touch his head; but +being too little, laughed again, and stood on tiptoe to embrace him. +Then she began to drag him, in her childish eagerness, towards the door; +and he, nothing loth to go, accompanied her.</p> + +<p>A terrible voice in the hall cried, “Bring down Master Scrooge’s box, +there!” and in the hall appeared the schoolmaster himself, who glared on +Master Scrooge with a ferocious condescension, and threw him into a +dreadful state of mind by shaking hands with him. He then conveyed him +and his sister into the veriest old well of a shivering best-parlor that +ever was seen, where the maps upon the wall, and the celestial and +terrestrial globes in the windows, were waxy with cold. Here he produced +a decanter of curiously light wine, and a block of curiously heavy cake, +and administered instalments of those dainties to the young people: at +the same time, sending out a meagre servant to offer a glass of +“something” to the postboy, who answered that he thanked the gentleman, +but if it was the same tap as he had tasted before, he had rather not. +Master Scrooge’s trunk being by this time tied on to the top of the +chaise, the children bade the schoolmaster good-bye right willingly; and +getting into it, drove gaily down the garden-sweep: the quick wheels +dashing the hoar-frost and snow from off the dark leaves of the +evergreens like spray.</p> + +<p>“Always a delicate creature, whom a breath might have withered,” said +the Ghost. “But she had a large heart!”</p> + +<p><span class='pagenum'><a name="Page_281" id="Page_281">[281]</a></span>“So she had,” cried Scrooge. “You’re right. I’ll not gainsay it, Spirit. +God forbid!”</p> + +<p>“She died a woman,” said the Ghost, “and had, as I think, children.”</p> + +<div class="figcenter" style="width: 248px;"> +<a name="image39" id="image39"></a><a href="images/image39-full.png"><img src="images/image39.png" width="248" height="269" alt="Young Scrooge and his sister receiving sweets from the schoolmaster." title="IN THE BEST PARLOR" /></a> +<span class="caption">IN THE BEST PARLOR</span> +</div> + +<p>“One child,” Scrooge returned.</p> + +<p>“True,” said the Ghost. “Your nephew!”</p> + +<p>Scrooge seemed uneasy in his mind; and answered briefly, “Yes.”</p> + +<p>Although they had but that moment left the school behind them, they were +now in the busy thorough<span class='pagenum'><a name="Page_282" id="Page_282">[282]</a></span>fares of a city, where shadowy passengers +passed and repassed; where shadowy carts and coaches battled for the +way, and all the strife and tumult of a real city were. It was made +plain enough, by the dressing of the shops, that here, too, it was +Christmas time again; but it was evening, and the streets were lighted +up.</p> + +<p>The Ghost stopped at a certain warehouse door, and asked Scrooge if he +knew it.</p> + +<p>“Know it!” said Scrooge. “Was I apprenticed here?”</p> + +<p>They went in. At sight of an old gentleman in a Welsh wig, sitting +behind such a high desk, that if he had been two inches taller he must +have knocked his head against the ceiling, Scrooge cried in great +excitement:</p> + +<p>“Why, it’s old Fezziwig! Bless his heart; it’s Fezziwig alive again!”</p> + +<p>Old Fezziwig laid down his pen, and looked up at the clock, which +pointed to the hour of seven. He rubbed his hands; adjusted his +capacious waistcoat; laughed all over himself, from his shoes to his +organ of benevolence; and called out in a comfortable, oily, rich, fat, +jovial voice:</p> + +<p>“Yo ho, there! Ebenezer! Dick!”</p> + +<p>Scrooge’s former self, now grown a young man, came briskly in, +accompanied by his fellow-’prentice.</p> + +<p>“Dick Wilkins, to be sure!” said Scrooge to the Ghost. “Bless me, yes. +There he is. He was very much attached to me, was Dick. Poor Dick! Dear, +dear!”</p> + +<p>“You ho, my boys!” said Fezziwig. “No more work to-night. Christmas Eve, +Dick. Christmas, Ebenezer! Let’s have the shutters up,” cried old<span class='pagenum'><a name="Page_283" id="Page_283">[283]</a></span> +Fezziwig, with a sharp clap of his hands, “before a man can say Jack +Robinson!”</p> + +<p>You wouldn’t believe how those two fellows went at it! They charged into +the street with the shutters—one, two, three—had ’em up in their +places—four, five, six—barred ’em and pinned ’em—seven, eight, +nine—and came back before you could have got to twelve, panting like +race horses.</p> + +<p>“Hilli-ho!” cried old Fezziwig, skipping down from the high desk, with +wonderful agility. “Clear away, my lads, and let’s have lots of room +here! Hilli-ho, Dick; Chirrup, Ebenezer!”</p> + +<p>Clear away! There was nothing they wouldn’t have cleared away, or +couldn’t have cleared away, with old Fezziwig looking on. It was done in +a minute. Every movable was packed off, as if it were dismissed from +public life for ever more; the floor was swept and watered, the lamps +were trimmed, fuel was heaped upon the fire, and the warehouse was as +snug, and warm, and dry, and bright a ball-room, as you would desire to +see upon a winter’s night.</p> + +<p>In came a fiddler with a music-book, and went up to the lofty desk, and +made an orchestra of it, and tuned like fifty stomach-aches. In came +Mrs. Fezziwig, one vast substantial smile. In came the three Miss +Fezziwigs, beaming and lovable. In came the six young followers whose +hearts they broke. In came all the young men and women employed in the +business. In came the housemaid, with her cousin, the baker. In came the +cook, with her brother’s particular friend, the milkman. In came the boy +from over the way, who was suspected of not having board enough from his +master; trying<span class='pagenum'><a name="Page_284" id="Page_284">[284]</a></span> to hide himself behind the girl from next door but one, +who was proved to have had her ears pulled by her mistress. In they all +came, one after another; some shyly, some boldly, some gracefully, some +awkwardly, some pushing, some pulling; in they all came, anyhow and +everyhow. Away they all went, twenty couple at once, hands half round +and back again the other way; down the middle and up again, round and +round in various stages of affectionate grouping; old top couple always +turning up in the wrong place; new top couple starting off again as soon +as they got there; all top couples at last, and not a bottom one to help +them. When this result was brought about, old Fezziwig, clapping his +hands to stop the dance, cried out, “Well done!” and the fiddler plunged +his hot face into a pot of porter, especially provided for that purpose. +But scorning rest upon his reappearance, he instantly began again, +though there were no dancers yet, as if the other fiddler had been +carried home, exhausted, on a shutter; and he were a bran-new man +resolved to beat him out of sight, or perish.</p> + +<p>There were more dances, and there were forfeits, and more dances, and +there was cake, and there was negus, and there was a great piece of Cold +Roast, and there was a great piece of Cold Boiled, and there were +mince-pies, and plenty of beer. But the great effect of the evening came +after the Roast and Boiled, when the fiddler (an artful, dog, mind! The +sort of man who knew his business better than you or I could have told +it him!) struck up “Sir Roger de <span class="nowrap">Coverley.”<a name="Anchor_284-11" id="Anchor_284-11"></a><a title="Go to footnote 284-11" href="#Footnote_284-11" class="fnanchor">284-11</a></span> Then old Fezziwig +stood<span class='pagenum'><a name="Page_285" id="Page_285">[285]</a></span> out to dance with Mrs. Fezziwig. Top couple, too; with a good +stiff piece of work cut out for them; three or four and twenty pair of +partners; people who were not to be trifled with; people who <em>would</em> +dance, and had no notion of walking.</p> + +<div class="figcenter" style="width: 250px;"> +<a name="image40" id="image40"></a><a href="images/image40-full.png"><img src="images/image40.png" width="250" height="271" alt="A fiddler seated on a table, playing, with people dancing in the background." title="THE FIDDLER STRUCK UP “SIR ROGER DE COVERLEY”" /></a> +<span class="caption">THE FIDDLER STRUCK UP “SIR ROGER DE COVERLEY”</span> +</div> + +<p>But if they had been twice as many: ah, four times: old Fezziwig would +have been a match for them, and so would Mrs. Fezziwig. As to <em>her</em>, she +was worthy to be his partner in every sense of the term. If that’s not +high praise, tell me higher, and<span class='pagenum'><a name="Page_286" id="Page_286">[286]</a></span> I’ll use it. A positive light appeared +to issue from Fezziwig’s calves. They shone in every part of the dance +like moons. You couldn’t have predicted, at any given time, what would +become of ’em next. And when old Fezziwig and Mrs. Fezziwig had gone all +through the dance; advance and retire, hold hands with your partner; bow +and curtsey; corkscrew; thread-the-needle, and back again to your place; +Fezziwig “cut”—cut so deftly, that he appeared to wink with his legs, +and came upon his feet again without a stagger.</p> + +<p>When the clock struck eleven, this domestic ball broke up. Mr. and Mrs. +Fezziwig took their stations, one on either side the door, and shaking +hands with every person individually as he or she went out, wished him +or her a Merry Christmas.</p> + +<p>When everybody had retired but the two ’prentices, they did the same to +them; and thus the cheerful voices died away, and the lads were left to +their beds; which were under a counter in the back-shop.</p> + +<p>During the whole of this time, Scrooge had acted like a man out of his +wits. His heart and soul were in the scene, and with his former self. He +corroborated everything, remembered everything, enjoyed everything, and +underwent the strangest agitation. It was not until now, when the bright +faces of his former self and Dick were turned from them, that he +remembered the Ghost, and became conscious that it was looking full upon +him, while the light upon its head burnt very clear.</p> + +<p>“A small matter,” said the Ghost, “to make these silly folks so full of +gratitude.”</p> + +<p>“Small!” echoed Scrooge.</p> + +<p><span class='pagenum'><a name="Page_287" id="Page_287">[287]</a></span>The spirit signed to him to listen to the two apprentices, who were +pouring out their hearts in praise of Fezziwig: and when he had done so, +said,</p> + +<p>“Why! Is it not? He has spent but a few pounds of your mortal money: +three or four, perhaps. Is that so much that he deserves this praise?”</p> + +<p>“It isn’t that,” said Scrooge, heated by the remark, and speaking +unconsciously like his former, not his latter, self. “It isn’t that, +Spirit. He has the power to render us happy or unhappy; to make our +service light or burdensome; a pleasure or a toil. Say that his power +lies in words and looks; in things so slight and insignificant that it +is impossible to add and count ’em up: what then? The happiness he +gives, is quite as great as if it cost a fortune.”</p> + +<p>He felt the Spirit’s glance, and stopped.</p> + +<p>“What is the matter?” asked the Ghost.</p> + +<p>“Nothing particular,” said Scrooge.</p> + +<p>“Something, I think?” the Ghost insisted.</p> + +<p>“No,” said Scrooge. “No. I should like to be able to say a word or two +to my clerk just now! That’s all.”</p> + +<p>His former self turned down the lamps as he gave utterance to the wish; +and Scrooge and the Ghost again stood side by side in the open air.</p> + +<p>“My time grows short,” observed the Spirit. “Quick!”</p> + +<p>This was not addressed to Scrooge, or to any one whom he could see, but +it produced an immediate effect. For again Scrooge saw himself. He was +older now; a man in the prime of life. His face had not the harsh and +rigid lines of later years; but it had begun to wear the signs of care +and avarice.<span class='pagenum'><a name="Page_288" id="Page_288">[288]</a></span> There was an eager, greedy, restless motion in the eye, +which showed the passion that had taken root, and where the shadow of +the growing tree would fall. He was not alone, but sat by the side of a +fair young girl in a mourning dress; in whose eyes there were tears, +which sparkled in the light that shone out of the Ghost of Christmas +Past.</p> + +<p>“It matters little,” she said, softly. “To you, very little. Another +idol has displaced me; and if it can cheer and comfort you in time to +come, as I would have tried to do, I have no just cause to grieve.”</p> + +<p>“What idol has displaced you?” he rejoined.</p> + +<p>“A golden one.”</p> + +<p>“This is the even-handed dealing of the world!” he said. “There is +nothing on which it is so hard as poverty; and there is nothing it +professes to condemn with such severity as the pursuit of wealth!”</p> + +<p>“You fear the world too much,” she answered, gently. “All your other +hopes have merged into the hope of being beyond the chance of its sordid +reproach. I have seen your nobler aspirations fall off one by one, until +the master-passion, Gain, engrosses you. Have I not?”</p> + +<p>“What then?” he retorted. “Even if I have grown so much wiser, what +then? I am not changed towards you.”</p> + +<p>She shook her head.</p> + +<p>“Am I?”</p> + +<p>“Our contract is an old one. It was made when we were both poor and +content to be so, until, in good season, we could improve our worldly +fortune by our patient industry. You <em>are</em> changed. When it was made, +you were another man.”</p> + +<p><span class='pagenum'><a name="Page_289" id="Page_289">[289]</a></span>“I was a boy,” he said impatiently.</p> + +<p>“Your own feeling tells you that you were not what you are,” she +returned. “I am. That which promised happiness when we were one in +heart, is fraught with misery now that we are two. How often and how +keenly I have thought of this, I will not say. It is enough that I +<em>have</em> thought of it, and can release you.”</p> + +<p>“Have I ever sought release?”</p> + +<p>“In words, no. Never.”</p> + +<p>“In what, then?”</p> + +<p>“In a changed nature; in an altered spirit; in another atmosphere of +life; another Hope as its great end. In everything that made my love of +any worth or value in your sight. If this had never been between us,” +said the girl, looking mildly, but with steadiness, upon him; “tell me, +would you seek me out and try to win me now? Ah, no!”</p> + +<p>He seemed to yield to the justice of this supposition, in spite of +himself. But he said with a struggle, “You think not.”</p> + +<p>“I would gladly think otherwise if I could,” she answered, “Heaven +knows! When <em>I</em> have learned a Truth like this, I know how strong and +irresistible it must be.</p> + +<p>“But if you were free to-day, to-morrow, yesterday, can even I believe +that you would choose a dowerless girl—you who, in your very confidence +with her, weigh everything by Gain: or, choosing her, if for a moment +you were false enough to your one guiding principle to do so, do I not +know that your repentance and regret would surely follow? I do; and I +release you. With a full heart, for the love of him you once were.”</p> + +<p><span class='pagenum'><a name="Page_290" id="Page_290">[290]</a></span>He was about to speak; but with her head turned from him, she resumed.</p> + +<p>“You may—the memory of what is past half makes me hope you will—have +pain in this. A very, very brief time, and you will dismiss the +recollection of it, gladly, as an unprofitable dream, from which it +happened well that you awoke. May you be happy in the life you have +chosen!”</p> + +<p>She left him, and they parted.</p> + +<p>“Spirit!” said Scrooge, “show me no more! Conduct me home. Why do you +delight to torture me?”</p> + +<p>“One shadow more!” exclaimed the Ghost.</p> + +<p>“No more!” cried Scrooge. “No more. I don’t wish to see it. Show me no +more!”</p> + +<p>But the relentless Ghost pinioned him in both his arms, and forced him +to observe what happened next.</p> + +<p>They were in another scene and place; a room, not very large or +handsome, but full of comfort. Near to the winter fire sat a beautiful +young girl, so like the last that Scrooge believed it was the same, +until he saw <em>her</em>, now a comely matron, sitting opposite her daughter. +The noise in this room was perfectly tumultuous, for there were more +children there than Scrooge in his agitated state of mind could count; +and, unlike the celebrated herd in the poem, they were not forty +children conducting themselves like one, but every child was conducting +itself like forty. The consequences were uproarious beyond belief; but +no one seemed to care; on the contrary, the mother and daughter laughed +heartily, and enjoyed it very much; and the latter, soon beginning to +mingle in the sports, got pillaged by the young brigands most +ruthlessly. What would I not have given to be one of them! Though I +never<span class='pagenum'><a name="Page_291" id="Page_291">[291]</a></span> could have been so rude, no, no! I wouldn’t for the wealth of all +the world have crushed that braided hair, and torn it down; and for the +precious little shoe, I wouldn’t have plucked it off, God bless my soul! +to save my life. As to measuring her waist in sport, as they did, bold +young brood; I couldn’t have done it; I should have expected my arm to +have grown round it for a punishment, and never come straight again. And +yet I should have dearly liked, I own, to have touched her lips; to have +questioned her, that she might have opened them; to have looked upon the +lashes of her downcast eyes, and never raised a blush; to have let loose +waves of hair, an inch of which would be a keepsake beyond price: in +short, I should have liked, I do confess, to have had the lightest +license of a child, and yet been man enough to know its value.</p> + +<p>But now a knocking at the door was heard, and such a rush immediately +ensued that she with laughing face and plundered dress was borne towards +it the centre of a flushed and boisterous group, just in time to greet +the father, who came home attended by a man laden with Christmas toys +and presents. Then the shouting and the struggling, and the onslaught +that was made on the defenceless porter! The scaling him with chairs for +ladders to dive into his pockets, despoil him of brown-paper parcels, +hold on tight by his cravat, hug him around the neck, pommel his back, +and kick his legs in irrepressible affection! The shouts of wonder and +delight with which the development of every package was received! The +terrible announcement that the baby had been taken in the act of putting +a doll’s frying-pan into his mouth, and was more than suspected<span class='pagenum'><a name="Page_292" id="Page_292">[292]</a></span> of +having swallowed a fictitious turkey, glued on a wooden platter! The +immense relief of finding this a false alarm! The joy, and gratitude, +and ecstasy! They are all indescribable alike. It is enough that by +degrees the children and their emotions got out of the parlour, and by +one stair at a time, up to the top of the house; where they went to bed, +and so subsided.</p> + +<p>And now Scrooge looked on more attentively than ever, when the master of +the house, having his daughter leaning fondly on him, sat down, with her +and her mother at his own fireside; and when he thought that such +another creature, quite as graceful and as full of promise, might have +called him father, and been a spring-time in the haggard winter of his +life, his sight grew very dim indeed.</p> + +<p>“Belle,” said the husband, turning to his wife with a smile, “I saw an +old friend of yours this afternoon.”</p> + +<p>“Who was it?”</p> + +<p>“Guess!”</p> + +<p>“How can I? Tut, don’t I know?” she added in the same breath, laughing +as he laughed. “Mr. Scrooge.”</p> + +<p>“Mr. Scrooge it was. I passed his office window; and as it was not shut +up, and he had a candle inside, I could scarcely help seeing him. His +partner lies upon the point of death, I hear; and there he sat alone. +Quite alone in the world, I do believe.”</p> + +<p>“Spirit!” said Scrooge in a broken voice, “remove me from this place.”</p> + +<p>“I told you these were shadows of the things that have been,” said the +Ghost. “That they are what they are, do not blame me!”</p> + +<p><span class='pagenum'><a name="Page_293" id="Page_293">[293]</a></span>“Remove me!” Scrooge exclaimed, “I cannot bear it!”</p> + +<p>He turned upon the Ghost, and seeing that it looked upon him with a face +in which in some strange way there were fragments of all the faces it +had shown him, wrestled with it.</p> + +<p>“Leave me! Take me back. Haunt me no longer!”</p> + +<p>In the struggle, if that can be called a struggle in which the Ghost +with no visible resistance on its own part was undisturbed by any effort +of its adversary, Scrooge observed that its light was burning high and +bright; and dimly connecting that with its influence over him, he seized +the extinguisher-cap, and by a sudden action pressed it down upon its +head.</p> + +<p>The Spirit dropped beneath it, so that the extinguisher covered its +whole form; but though Scrooge pressed it down with all his force, he +could not hide the light, which streamed from under it, in an unbroken +flood upon the ground.</p> + +<p>He was conscious of being exhausted, and overcome by an irresistible +drowsiness; and further, of being in his own bedroom. He gave the cap a +parting squeeze, in which his hand relaxed; and had barely time to reel +to bed, before he sank into a heavy sleep.</p> + +<p><span class='pagenum'><a name="Page_294" id="Page_294">[294]</a></span></p> +<h3 class="section">STAVE THREE</h3> + +<p class="titlepage"><em>The Second of the Three Spirits</em></p> + +<p class="noindent"><span class="dropcapa"><span class="hide">A</span></span><span class="upper">Awaking</span> in the middle of a prodigiously tough snore, and sitting up in +bed to get his thoughts together, Scrooge had no occasion to be told +that the bell was again upon the stroke of One. He felt that he was +restored to consciousness in the right nick of time, for the especial +purpose of holding a conference with the second messenger despatched to +him through Jacob Marley’s intervention. But, finding that he turned +uncomfortably cold when he began to wonder which of his curtains this +new spectre would draw back, he put them every one aside with his own +hands, and lying down again, established a sharp lookout all round the +bed. For he wished to challenge the Spirit on the moment of its +appearance, and did not wish to be taken by surprise and made nervous.</p> + +<p>Gentlemen of the free-and-easy sort, who plume themselves on being +acquainted with a move or two, and being usually equal to the +time-of-day, express the wide range of their capacity for adventure by +observing that they are good for anything from pitch-and-toss to +manslaughter; between which opposite extremes, no doubt, there lies a +tolerably wide and comprehensive range of subjects. Without venturing +for Scrooge quite as hardily as this, I don’t mind calling on you to +believe that he was ready for a good broad field of strange appearances, +and that nothing between a baby and rhinoceros would have astonished him +very much.</p> + +<p><span class='pagenum'><a name="Page_295" id="Page_295">[295]</a></span>Now, being prepared for almost anything, he was not by any means +prepared for nothing; and, consequently, when the bell struck One, and +no shape appeared, he was taken with a violent fit of trembling. Five +minutes, ten minutes, a quarter of an hour went by, yet nothing came. +All this time, he lay upon his bed, the very core and centre of a blaze +of ruddy light, which streamed upon it when the clock proclaimed the +hour; and which, being only light, was more alarming than a dozen +ghosts, as he was powerless to make out what it meant, or would be at; +and was sometimes apprehensive that he might be at that very moment an +interesting case of spontaneous combustion, without having the +consolation of knowing it. At last, however, he began to think—as you +or I would have thought at first; for it is always the person not in the +predicament who knows what ought to have been done in it, and would +unquestionably have done it too—at last, I say, he began to think that +the source and secret of this ghostly light might be in the adjoining +room, from whence, on further tracing it, it seemed to shine. This idea +taking full possession of his mind, he got up softly and shuffled in his +slippers to the door.</p> + +<p>The moment Scrooge’s hand was on the lock, a strange voice called him by +his name, and bade him enter. He obeyed.</p> + +<p>It was his own room. There was no doubt about that. But it had undergone +a surprising transformation. The walls and ceiling were so hung with +living green, that it looked a perfect grove, from every part of which, +bright gleaming berries glistened. The crisp leaves of holly, mistletoe, +and ivy reflected back the light, as if so many little<span class='pagenum'><a name="Page_296" id="Page_296">[296]</a></span> mirrors had been +scattered there; and such a mighty blaze went roaring up the chimney, as +that dull petrifaction of a hearth had never known in Scrooge’s time, or +Marley’s, or for many and many a winter season gone. Heaped up on the +floor, to form a kind of throne, were turkeys, geese, game, poultry, +brawn, great joints of meat, sucking-pigs, long wreaths of sausages, +mince-pies, plum-puddings, barrels of oysters, red hot chestnuts, +cherry-cheeked apples, juicy oranges, luscious pears, immense +twelfth-cakes, and seething bowls of punch, that made the chamber dim +with their delicious steam. In easy state upon this couch there sat a +jolly Giant, glorious to see; who bore a glowing torch, in shape not +unlike Plenty’s horn, and held it up, high up, to shed its light on +Scrooge, as he came peeping round the door.</p> + +<p>“Come in!” exclaimed the Ghost. “Come in! and know me better, man!”</p> + +<p>Scrooge entered timidly, and hung his head before this Spirit. He was +not the dogged Scrooge he had been; and though the Spirit’s eyes were +clear and kind, he did not like to meet them.</p> + +<p>“I am the Ghost of Christmas Present,” said the Spirit. “Look upon me!”</p> + +<p>Scrooge reverently did so. It was clothed in one simple deep green robe, +or mantle, bordered with white fur. This garment hung so loosely on the +figure, that its capacious breast was bare, as if disdaining to be +warded or concealed by any artifice. Its feet, observable beneath the +ample folds of the garment, were also bare; and on its head it wore no +other covering than a holly wreath set here and there with shining +icicles. Its dark brown curls were long<span class='pagenum'><a name="Page_297" id="Page_297">[297]</a></span> and free; free as its genial +face, its sparkling eye, its open hand, its cheery voice, its +unconstrained demeanour, and its joyful air. Girded round its middle was +an antique scabbard; but no sword was in it, and the ancient sheath was +eaten up with rust.</p> + +<div class="figcenter" style="width: 249px;"> +<a name="image41" id="image41"></a><a href="images/image41-full.png"><img src="images/image41.png" width="249" height="268" alt="A giant, holding a cornucopia and seated on a pile of fruits and vegetables." title="UPON THIS COUCH THERE SAT A JOLLY GIANT" /></a> +<span class="caption">UPON THIS COUCH THERE SAT A JOLLY GIANT</span> +</div> + +<p>“You have never seen the like of me before!” exclaimed the Spirit.</p> + +<p>“Never,” Scrooge made answer to it.</p> + +<p>“Have never walked forth with the younger members of my family; meaning +(for I am very young)<span class='pagenum'><a name="Page_298" id="Page_298">[298]</a></span> my elder brothers born in these later years?” +pursued the Phantom.</p> + +<p>“I don’t think I have,” said Scrooge. “I am afraid I have not. Have you +had many brothers, Spirit?”</p> + +<p>“More than eighteen hundred,” said the Ghost.</p> + +<p>“A tremendous family to provide for!” muttered Scrooge.</p> + +<p>The Ghost of Christmas Present rose.</p> + +<p>“Spirit,” said Scrooge submissively, “conduct me where you will. I went +forth last night on compulsion, and I learnt a lesson which is working +now. To-night, if you have aught to teach me, let me profit by it.”</p> + +<p>“Touch my robe!”</p> + +<p>Scrooge did as he was told, and held it fast.</p> + +<p>Holly, mistletoe, red berries, ivy, turkeys, geese, game, poultry, +brawn, meat, pigs, sausages, oysters, pies, puddings, fruit, and punch, +all vanished instantly. So did the room, the fire, the ruddy glow, the +hour of night, and they stood in the city streets on Christmas morning, +where (for the weather was severe) the people made a rough, but brisk +and not unpleasant kind of music, in scraping the snow from the pavement +in front of their dwellings, and from the tops of their houses: whence +it was mad delight to the boys to see it come plumping down into the +road below, and splitting into artificial little snowstorms.</p> + +<p>The house fronts looked black enough, and the windows blacker, +contrasting with the smooth white sheet of snow upon the roofs, and with +the dirtier snow upon the ground; which last deposit had been ploughed +up in deep furrows by the heavy wheels<span class='pagenum'><a name="Page_299" id="Page_299">[299]</a></span> of carts and waggons; furrows +that crossed and recrossed each other hundreds of times where the great +streets branched off, and made intricate channels, hard to trace, in the +thick yellow mud and icy water. The sky was gloomy, and the shortest +streets were choked up with a dingy mist, half thawed, half frozen, +whose heavier particles descended in a shower of sooty atoms, as if all +the chimneys in Great Britain had, by one consent, caught fire, and were +blazing away to their dear hearts’ content. There was nothing very +cheerful in the climate or the town, and yet there was an air of +cheerfulness abroad that the clearest summer air and brightest summer +sun might have endeavoured to diffuse in vain.</p> + +<p>For, the people who were shovelling away on the housetops were jovial +and full of glee; calling out to one another from the parapets, and now +and then exchanging a facetious snowball—better-natured missile far +than many a wordy jest—laughing heartily if it went right and not less +heartily if it went wrong. The poulterers’ shops were still half open, +and the fruiterers’ were radiant in their glory. There were great, round +pot-bellied baskets of chestnuts, shaped like the waistcoats of jolly +old gentlemen, lolling at the doors, and tumbling out into the street in +their apoplectic opulence. There were ruddy, brown-faced broad-girthed +Spanish onions, shining in the fatness of their growth like Spanish +Friars; and winking from their shelves in wanton slyness at the girls as +they went by, and glanced demurely at the hung-up mistletoe. There were +pears and apples, clustered high in blooming pyramids; there were +bunches of grapes, made, in the<span class='pagenum'><a name="Page_300" id="Page_300">[300]</a></span> shopkeepers’ benevolence, to dangle +from conspicuous hooks, that people’s mouths might water gratis as they +passed; there were piles of filberts, mossy and brown, recalling, in +their fragrance, ancient walks among the woods, and pleasant shufflings +ankle deep through withered leaves; there were Norfolk <span class="nowrap">Biffins,<a name="Anchor_300-12" id="Anchor_300-12"></a><a title="Go to footnote 300-12" href="#Footnote_300-12" class="fnanchor">300-12</a></span> +squab and swarthy, setting off the yellow of the oranges and lemons, +and, in the great compactness of their juicy persons, urgently +entreating and beseeching to be carried home in paper bags and eaten +after dinner. The very gold and silver fish, set forth among these +choice fruits in a bowl, though members of a dull and stagnant-blooded +race, appeared to know that there was something going on; and, to a +fish, went gasping round and round their little world in slow and +passionless excitement.</p> + +<p>The Grocers’! oh the Grocers’! nearly closed, with perhaps two shutters +down, or one; but through those gaps such glimpses! It was not alone +that the scales descending on the counter made a merry sound, or that +the twine and roller parted company so briskly, or that the canisters +were rattled up and down like juggling tricks, or even that the blended +scents of tea, and coffee were so grateful to the nose, or even that the +raisins were so plentiful and rare, the almonds so extremely white, the +sticks of cinnamon so long and straight, the other spices so delicious, +the candied fruits so caked and spotted with molten sugar as to make the +coldest lookers-on feel faint and subsequently bilious. Nor was it that +the figs were moist and pulpy, or that the French plums blushed in +modest tartness from their highly-decor<span class='pagenum'><a name="Page_301" id="Page_301">[301]</a></span>ated boxes, or that everything +was good to eat and in its Christmas dress: but the customers were all +so hurried and so eager in the hopeful promise of the day, that they +tumbled up against each other at the door, clashing their wicker baskets +wildly, and left their purchases upon the counter, and came running back +to fetch them, and committed hundreds of the like mistakes in the best +humour possible; while the Grocer and his people were so frank and fresh +that the polished hearts with which they fastened their aprons behind +might have been their own, worn outside for general inspection, and for +Christmas daws to peck at if they chose.</p> + +<p>But soon the steeples called good people all, to church and chapel, and +away they came, flocking through the streets in their best clothes, and +with their gayest faces. And at the same time there emerged from scores +of by-streets, lanes, and nameless turnings, innumerable people carrying +their dinner to the bakers’ shops. The sight of these poor revellers +appeared to interest the Spirit very much, for he stood with Scrooge +beside him in a <span class="nowrap">baker’s<a name="Anchor_301-13" id="Anchor_301-13"></a><a title="Go to footnote 301-13" href="#Footnote_301-13" class="fnanchor">301-13</a></span> doorway, and taking off the covers as +their bearers passed, sprinkled incense on their dinners from his torch. +And it was a very uncommon kind of torch, for once or twice when there +were angry words between some dinner-carriers who had jostled with each +other, he shed a few drops of water on them from it, and their good +humour was restored directly. For they said, it was a shame to quarrel +upon Christmas Day. And so it was! God love it, so it was!</p> + +<p><span class='pagenum'><a name="Page_302" id="Page_302">[302]</a></span>In time the bells ceased, and the bakers were shut up; and yet there was +a genial shadowing forth of all these dinners and the progress of their +cooking, in the thawed blotch of wet above each baker’s oven; where the +pavement smoked as if its stones were cooking too.</p> + +<p>“Is there a peculiar flavour in what you sprinkle from your torch?” +asked Scrooge.</p> + +<p>“There is. My own.”</p> + +<p>“Would it apply to any kind of dinner on this day?” asked Scrooge.</p> + +<p>“To any kindly given. To a poor one most.”</p> + +<p>“Why to a poor one most?” asked Scrooge.</p> + +<p>“Because it needs it most.”</p> + +<p>“Spirit,” said Scrooge, after a moment’s thought, “I wonder you, of all +the beings in the many worlds about us, should desire to cramp these +people’s opportunities of innocent enjoyment.”</p> + +<p>“I!” cried the Spirit.</p> + +<p>“You would deprive them of their means of dining every seventh day, +often the only day on which they can be said to dine at all,” said +Scrooge. “Wouldn’t you?”</p> + +<p>“I!” cried the Spirit.</p> + +<p>“You seek to close these places on the seventh day?” said Scrooge. “And +it comes to the same thing.”</p> + +<p>“I seek!” exclaimed the Spirit.</p> + +<p>“Forgive me if I am wrong. It has been done in your name, or at least in +that of your family,” said Scrooge.</p> + +<p>“There are some upon this earth of yours,” returned the Spirit, “who lay +claim to know us, and who do their deeds of passion, pride, ill-will, +hatred,<span class='pagenum'><a name="Page_303" id="Page_303">[303]</a></span> envy, bigotry, and selfishness in our name, who are as strange +to us and all our kith and kin, as if they had never lived. Remember +that, and charge their doings on themselves, not us.”</p> + +<p>Scrooge promised that he would; and they went on, invisible, as they had +been before, into the suburbs of the town. It was a remarkable quality +of the Ghost (which Scrooge had observed at the baker’s), that +notwithstanding his gigantic size, he could accommodate himself to any +place with ease; and that he stood beneath a low roof quite as +gracefully and like a supernatural creature, as it was possible he could +have done in any lofty hall.</p> + +<p>And perhaps it was the pleasure the good Spirit had in showing off this +power of his, or else it was his own kind, generous, hearty nature, and +his sympathy with all poor men, that led him straight to Scrooge’s +clerk’s; for there he went, and took Scrooge with him, holding to his +robe; and on the threshold of the door the Spirit smiled, and stopped to +bless Bob Cratchit’s dwelling with the sprinklings of his torch. Think +of that! Bob had but fifteen <span class="nowrap">“bob”<a name="Anchor_303-14" id="Anchor_303-14"></a><a title="Go to footnote 303-14" href="#Footnote_303-14" class="fnanchor">303-14</a></span> a week himself; he pocketed +on Saturdays but fifteen copies of his Christian name; and yet the Ghost +of Christmas Present blessed his four-roomed house!</p> + +<p>Then up rose Mrs. Cratchit, Cratchit’s wife, dressed out but poorly in a +twice-turned gown, but brave in ribbons, which are cheap and make a +goodly show for sixpence; and she laid the cloth, assisted by Belinda +Cratchit, second of her daughters, also brave in ribbons; while Master +Peter Cratchit plunged a fork into the saucepan of potatoes, and<span class='pagenum'><a name="Page_304" id="Page_304">[304]</a></span> +getting the corners of his monstrous shirt collar (Bob’s private +property, conferred upon his son and heir in honour of the day) into his +mouth, rejoiced to find himself so gallantly attired, and yearned to +show his linen in the fashionable Parks. And now two smaller Cratchits, +boy and girl, came tearing in, screaming that outside the baker’s they +had smelt the goose, and known it for their own; and basking in +luxurious thoughts of sage-and-onion, these young Cratchits danced about +the table, and exalted Master Peter Cratchit to the skies, while he (not +proud, although his collars nearly choked him) blew the fire, until the +slow potatoes bubbling up, knocked loudly at the saucepan-lid to be let +out and peeled.</p> + +<p>“What has ever got your precious father then?” said Mrs. Cratchit. “And +your brother, Tiny Tim! And Martha warn’t as late last Christmas Day by +half-an-hour!”</p> + +<p>“Here’s Martha, mother!” said a girl, appearing as she spoke.</p> + +<p>“Here’s Martha, mother!” cried the two young Cratchits. “Hurrah! There’s +<em>such</em> a goose, Martha!”</p> + +<p>“Why, bless your heart alive, my dear, how late you are!” said Mrs. +Cratchit, kissing her a dozen times, and taking off her shawl and bonnet +for her with officious zeal.</p> + +<p>“We’d a deal of work to finish up last night,” replied the girl, “and +had to clear away this morning, mother!”</p> + +<div class="figcenter" style="width: 298px;"> +<a name="image42" id="image42"></a><a href="images/image42-full.jpg"><img src="images/image42.jpg" width="298" height="400" alt="Bob and Tiny Tim" title="Bob, carrying Tiny Tim on his shoulder, entering the house." /></a> +<span class="caption smcap">Bob and Tiny Tim</span> +</div> + +<p>“Well! Never mind so long as you are come,” said Mrs. Cratchit. “Sit ye +down before the fire, my dear, and have a warm, Lord bless ye!”</p> + +<p><span class='pagenum'><a name="Page_305" id="Page_305">[305]</a></span>“No, no! There’s father coming,” cried the two young Cratchits, who were +everywhere at once. “Hide, Martha, hide!”</p> + +<p>So Martha hid herself, and in came little Bob, the father, with at least +three feet of comforter exclusive of the fringe, hanging down before +him; and his threadbare clothes darned up and brushed, to look +seasonable; and Tiny Tim upon his shoulder. Alas for Tiny Tim, he bore a +little crutch, and had his limbs supported by an iron frame!</p> + +<p>“Why, where’s our Martha?” cried Bob Cratchit, looking round.</p> + +<p>“Not coming,” said Mrs. Cratchit.</p> + +<p>“Not coming!” said Bob, with a sudden declension in his high spirits; +for he had been Tim’s blood horse all the way from church, and had come +home rampant. “Not coming upon Christmas Day!”</p> + +<p>Martha didn’t like to see him disappointed, if it were only in joke; so +she came out prematurely from behind the closet door, and ran into his +arms, while the two young Cratchits hustled Tiny Tim, and bore him off +into the wash-house, that he might hear the pudding singing in the +copper.</p> + +<p>“And how did little Tim behave?” asked Mrs. Cratchit, when she had +rallied Bob on his credulity, and Bob had hugged his daughter to his +heart’s content.</p> + +<p>“As good as gold,” said Bob, “and better. Somehow he gets thoughtful, +sitting by himself so much, and thinks the strangest things you ever +heard. He told me, coming home, that he hoped the people saw him, +because he was a cripple, and it might be pleasant to them to remember +upon Christmas Day, who made lame beggars walk and blind men see.”</p> + +<p><span class='pagenum'><a name="Page_306" id="Page_306">[306]</a></span>Bob’s voice was tremulous when he told them this, and trembled more when +he said that Tiny Tim was growing strong and hearty.</p> + +<p>His active little crutch was heard upon the floor, and back came Tiny +Tim before another word was spoken, escorted by his brother and sister +to his stool before the fire; and while Bob, turning up his cuffs—as +if, poor fellow, they were capable of being made more shabby—compounded +some hot mixture in a jug with gin and lemons, and stirred it round and +round and put it on the hob to simmer; Master Peter, and the two +ubiquitous young Cratchits went to fetch the goose, with which they soon +returned in high procession.</p> + +<p>Such a bustle ensued that you might have thought a goose the rarest of +all birds; a feathered phenomenon, to which a black swan was a matter of +course—and in truth it was something very like it in that house. Mrs. +Cratchit made the gravy (ready beforehand in a little saucepan) hissing +hot; Master Peter mashed the potatoes with incredible vigour; Miss +Belinda sweetened up the apple-sauce; Martha dusted the hot plates; Bob +took Tiny Tim beside him in a tiny corner at the table; the two young +Cratchits set chairs for everybody, not forgetting themselves, and +mounting guard upon their posts, crammed spoons into their mouths, lest +they should shriek for goose before their turn came to be helped. At +last the dishes were set on, and grace was said. It was succeeded by a +breathless pause, as Mrs. Cratchit, looking slowly all along the +carving-knife, prepared to plunge it in the breast; but when she did, +and when the long expected gush of stuffing issued forth, one murmur of +delight arose all round the<span class='pagenum'><a name="Page_307" id="Page_307">[307]</a></span> board, and even Tiny Tim, excited by the +two young Cratchits, beat on the table with the handle of his knife, and +feebly cried “Hurrah!”</p> + +<div class="figcenter" style="width: 247px;"> +<a name="image43" id="image43"></a><a href="images/image43-full.png"><img src="images/image43.png" width="247" height="268" alt="A woman carving a goose, with two children watching." title="THERE NEVER WAS SUCH A GOOSE" /></a> +<span class="caption">THERE NEVER WAS SUCH A GOOSE</span> +</div> + +<p>There never was such a goose. Bob said he didn’t believe there ever was +such a goose cooked. Its tenderness and flavour, size and cheapness, +were the themes of universal admiration. Eked out by the apple-sauce and +mashed potatoes, it was a sufficient dinner for the whole family; +indeed, as Mrs. Cratchit said with great delight (surveying one small +atom<span class='pagenum'><a name="Page_308" id="Page_308">[308]</a></span> of a bone upon the dish) they hadn’t ate it all at last! Yet +everyone had had enough, and the youngest Cratchits in particular, were +steeped in sage and onion to the eyebrows! But now, the plates being +changed by Miss Belinda, Mrs. Cratchit left the room alone—too nervous +to bear witnesses—to take the pudding up and bring it in.</p> + +<p>Suppose it should not be done enough! Suppose it should break in turning +out! Suppose somebody should have got over the wall of the back-yard, +and stolen it, while they were merry with the goose—a supposition at +which the two young Cratchits became livid! All sorts of horrors were +supposed.</p> + +<p>Hallo! A great deal of steam! The pudding was out of the copper. A smell +like a washing-day! That was the cloth. A smell like an eating-house and +a pastrycook’s next door to each other, with a laundress’s next door to +that! That was the pudding! In half a minute Mrs. Cratchit +entered—flushed, but smiling proudly—with the pudding like a speckled +cannon-ball so hard and firm blazing in half of half-a-quartern of +ignited brandy, and bedight with <a name="corr17" id="corr17"></a>Christmas holly stuck into the top.</p> + +<p>Oh, a wonderful pudding! Bob Cratchit said, and calmly too, that he +regarded it as the greatest success achieved by Mrs. Cratchit since +their marriage. Mrs. Cratchit said that now the weight was off her mind, +she would confess she had had her doubts about the quantity of flour. +Everybody had something to say about it, but nobody said or thought it +was at all a small pudding for a large family. It would have been flat +heresy to do so. Any Cratchit would have blushed to hint at such a +thing.</p> + +<p><span class='pagenum'><a name="Page_309" id="Page_309">[309]</a></span>At last the dinner was all done, the cloth was cleared, the hearth +swept, and the fire made up. The compound in the jug being tasted, and +considered perfect, apples and oranges were put upon the table, and a +shovel-full of chestnuts on the fire. Then all the Cratchit family drew +round the hearth, in what Bob Cratchit called a circle, meaning half a +one; and at Bob Cratchit’s elbow stood the family display of glass. Two +tumblers, and a custard-cup without a handle.</p> + +<p>These held the hot stuff from the jug, however, as well as golden +goblets would have done; and Bob served it out with beaming looks, while +the chestnuts on the fire sputtered and cracked noisily. Then Bob +proposed:</p> + +<p>“A Merry Christmas to us all, my dears. God bless us!” Which all the +family re-echoed.</p> + +<p>“God bless us every one!” said Tiny Tim, the last of all.</p> + +<p>He sat very close to his father’s side upon his little stool. Bob held +his withered little hand in his, as if he loved the child, and wished to +keep him by his side, and dreaded that he might be taken from him.</p> + +<p>“Spirit!” said Scrooge, with an interest he had never felt before, “tell +me if Tiny Tim will live.”</p> + +<p>“I see a vacant seat,” replied the Ghost, “in the poor chimney-corner, +and a crutch without an owner, carefully preserved. If these shadows +remain unaltered by the Future, the child will die.”</p> + +<p>“No, no,” said Scrooge. “Oh, no, kind Spirit! say he will be spared.”</p> + +<p>“If these shadows remain unaltered by the Future, none other of my +race,” returned the Ghost, “will<span class='pagenum'><a name="Page_310" id="Page_310">[310]</a></span> find him here. What then? If he be +like to die, he had better do it, and decrease the surplus population.”</p> + +<p>Scrooge hung his head to hear his own words quoted by the Spirit, and +was overcome with penitence and grief.</p> + +<p>“Man,” said the Ghost, “if man you be in heart, not adamant, forbear +that wicked cant until you have discovered What the surplus is, and +Where it is. Will you decide what men shall live, what men shall die? It +may be, that in the sight of Heaven, you are more worthless and less fit +to live than millions like this poor man’s child. Oh God! to hear the +insect on the leaf pronouncing on the too much life among his hungry +brothers in the dust!”</p> + +<p>Scrooge bent before the Ghost’s rebuke, and trembling cast his eyes upon +the ground. But he raised them speedily, on hearing his own name.</p> + +<p>“Mr. Scrooge!” said Bob; “I’ll give you Mr. Scrooge, the Founder of the +Feast!”</p> + +<p>“The Founder of the Feast indeed!” cried Mrs. Cratchit, reddening. “I +wish I had him here. I’d give him a piece of my mind to feast upon, and +I hope he’d have a good appetite for it.”</p> + +<p>“My dear,” said Bob, “the children! Christmas Day.”</p> + +<p>“It should be Christmas Day, I am sure,” said she, “on which one drinks +the health of such an odious, stingy, hard, unfeeling man as Mr. +Scrooge. You know he is, Robert! Nobody knows it better than you do, +poor fellow!”</p> + +<p>“My dear,” was Bob’s mild answer, “Christmas Day.”</p> + +<p><span class='pagenum'><a name="Page_311" id="Page_311">[311]</a></span>“I’ll drink his health for your sake and the day’s,” said Mrs. Cratchit, +“not for his. Long life to him! A Merry Christmas and a Happy New Year! +He’ll be very merry and very happy, I have no doubt!”</p> + +<p>The children drank the toast after her. It was the first of their +proceedings which had no heartiness in it. Tiny Tim drank it last of +all, but he didn’t care twopence for it. Scrooge was the Ogre of the +family. The mention of his name cast a dark shadow on the party, which +was not dispelled for full five minutes.</p> + +<p>After it had passed away, they were ten times merrier than before, from +the mere relief of Scrooge the Baleful being done with. Bob Cratchit +told them how he had a situation in his eye for Master Peter, which +would bring in, if obtained, full <span class="nowrap">five-and-six-pence<a name="Anchor_311-15" id="Anchor_311-15"></a><a title="Go to footnote 311-15" href="#Footnote_311-15" class="fnanchor">311-15</a></span> weekly. The +two young Cratchits laughed tremendously at the idea of Peter’s being a +man of business; and Peter himself looked thoughtfully at the fire from +between his collars, as if he were deliberating what particular +investments he should favour when he came into the receipt of that +bewildering income. Martha, who was a poor apprentice at a milliner’s, +then told them what kind of work she had to do, and how many hours she +worked at a stretch, and how she meant to lie abed to-morrow morning for +a good long rest; to-morrow being a holiday she passed at home. Also how +she had seen a countess and a lord some days before, and how the lord +“was much about as tall as Peter;” at which Peter pulled up his collars +so high that you couldn’t have seen his head if you had been there.<span class='pagenum'><a name="Page_312" id="Page_312">[312]</a></span> All +this time the chestnuts and the jug went round and round; and +bye-and-bye they had a song, about a lost child travelling in the snow, +from Tiny Tim, who had a plaintive little voice, and sang it very well +indeed.</p> + +<p>There was nothing of high mark in this. They were not a handsome family; +they were not well dressed; their shoes were far from being waterproof; +their clothes were scanty; and Peter might have known, and very likely +did, the inside of a pawnbroker’s. But, they were happy, grateful, +pleased with one another, and contented with the time; and when they +faded, and looked happier yet in the bright sprinklings of the Spirit’s +torch at parting, Scrooge had his eye upon them, and especially on Tiny +Tim, until the last.</p> + +<p>By this time it was getting dark, and snowing pretty heavily; and as +Scrooge and the Spirit went along the streets, the brightness of the +roaring fires in kitchens, parlours, and all sorts of rooms, was +wonderful. Here, the flickering of the blaze showed preparations for a +cozy dinner, with hot plates baking through and through before the fire, +and deep red curtains, ready to be drawn to shut out cold and darkness. +There, all the children of the house were running out into the snow to +meet their married sisters, brothers, cousins, uncles, aunts, and be the +first to greet them. Here, again, were shadows on the window-blind of +guests assembling; and there a group of handsome girls, all hooded and +fur-booted, and all chattering at once, tripped lightly off to some near +neighbor’s house; where, woe upon the single man who saw them +enter—artful witches; well they knew it—in a glow!</p> + +<p><span class='pagenum'><a name="Page_313" id="Page_313">[313]</a></span>But if you had judged from the numbers of people on their way to +friendly gatherings, you might have thought that no one was at home to +give them welcome when they got there, instead of every house expecting +company, and piling up its fires half-chimney high. Blessings on it, how +the Ghost exulted! How it bared its breadth of breast, and opened its +capacious palm, and floated on, outpouring, with a generous hand, its +bright and harmless mirth on everything within its reach! The very +lamp-lighter, who ran on before dotting the dusky street with specks of +light, and who was dressed to spend the evening somewhere, laughed out +loudly as the Spirit passed: though little kenned the lamp-lighter that +he had any company but Christmas!</p> + +<p>And now, without a word of warning from the Ghost, they stood upon a +bleak and desert moor, where monstrous masses of rude stone were cast +about, as though it were the burial-place of giants; and water spread +itself wheresoever it listed, or would have done so, but for the frost +that held it prisoner; and nothing grew but moss and furze, and coarse, +rank grass. Down in the west the setting sun had left a streak of fiery +red, which glared upon the desolation for an instant, like a sullen eye, +and frowning lower, lower, lower yet, was lost in the thick gloom of +darkest night.</p> + +<p>“What place is this?” asked Scrooge.</p> + +<p>“A place where miners live, who labour in the bowels of the earth,” +returned the Spirit. “But they know me. See!”</p> + +<p>A light shone from the window of a hut, and swiftly they advanced +towards it. Passing through the wall of mud and stone, they found a +cheerful<span class='pagenum'><a name="Page_314" id="Page_314">[314]</a></span> company assembled round a glowing fire. An old, old man and +woman, with their children and their children’s children, and another +generation beyond that, all decked out gaily in their holiday attire. +The old man, in a voice that seldom rose above the howling of the wind +upon the barren waste, was singing them a Christmas song; it had been a +very old song when he was a boy; and from time to time they all joined +in the chorus. So surely as they raised their voices, the old man got +quite blithe and loud; and so surely as they stopped, his vigour sank +again.</p> + +<p>The Spirit did not tarry here, but bade Scrooge hold his robe, and +passing on above the moor, sped whither? Not to sea? To sea. To +Scrooge’s horror, looking back, he saw the last of the land, a frightful +range of rocks, behind them; and his ears were deafened by the +thundering of water, as it rolled, and roared, and raged among the +dreadful caverns it had worn, and fiercely tried to undermine the earth.</p> + +<p>Built upon a dismal reef of sunken rocks, some leagues or so from shore, +on which the waters chafed and dashed, the wild year through, there +stood a solitary lighthouse. Great heaps of seaweed clung to its base, +and storm-birds—born of the wind one might suppose, as sea-weed of the +water—rose and fell about it, like the waves they skimmed.</p> + +<p>But even here, two men who watched the light had made a fire, that +through the loophole in the thick stone wall shed out a ray of +brightness on the awful sea. Joining their horny hands over the rough +table at which they sat, they wished each other Merry Christmas in their +can of grog; and one of them, the elder, too, with his face all damaged +and<span class='pagenum'><a name="Page_315" id="Page_315">[315]</a></span> scarred with hard weather, as the figure-head of an old ship might +be, struck up a sturdy song that was like a Gale in itself.</p> + +<p>Again the Ghost sped on, above the black and heavy sea—on, on—until, +being far away, as he told Scrooge, from any shore, they lighted on a +ship. They stood beside the helmsman at the wheel, the lookout in the +bow, the officers who had the watch; dark, ghostly figures in their +several stations; but every man among them hummed a Christmas tune, or +had a Christmas thought, or spoke below his breath to his companion of +some bygone Christmas Day, with homeward hopes belonging to it. And +every man on board, waking or sleeping, good or bad, had had a kinder +word for another on that day than on any day in the year; and had shared +to some extent in its festivities; and had remembered those he cared for +at a distance, and had known that they delighted to remember him.</p> + +<p>It was a great surprise to Scrooge, while listening to the moaning of +the wind, and thinking what a solemn thing it was to move on through the +lonely darkness over an unknown abyss, whose depths were secrets as +profound as Death: it was a great surprise to Scrooge, while thus +engaged to hear a hearty laugh. It was a much greater surprise to +Scrooge to recognize it as his own nephew’s, and to find himself in a +bright, dry, gleaming room, with the Spirit standing smiling by his +side, and looking at that same nephew with approving affability.</p> + +<p>“Ha, ha!” laughed Scrooge’s nephew. “Ha, ha, ha!”</p> + +<p>If you should happen, by any unlikely chance, to know a man more blest +in a laugh than Scrooge’s<span class='pagenum'><a name="Page_316" id="Page_316">[316]</a></span> nephew, all I can say is, I should like to +know him too. Introduce him to me, and I’ll cultivate his acquaintance.</p> + +<p>It is a fair, even-handed, noble adjustment of things, that while there +is infection in disease and sorrow, there is nothing in the world so +irresistibly contagious as laughter and good-humour. When Scrooge’s +nephew laughed in this way: holding his sides, rolling his head, and +twisting his face into the most extravagant contortions: Scrooge’s +niece, by marriage, laughed as heartily as he. And their assembled +friends being not a bit behindhand, roared out, lustily.</p> + +<p>“Ha, ha! Ha, ha, ha, ha!”</p> + +<p>“He said that Christmas was a humbug, as I live!” cried Scrooge’s +nephew. “He believed it too!”</p> + +<p>“More shame for him, Fred!” said Scrooge’s niece, indignantly. Bless +those women; they never do anything by halves. They are always in +earnest.</p> + +<p>She was very pretty: exceedingly pretty. With a dimpled, +surprised-looking, capital face; a ripe little mouth, that seemed made +to be kissed—and no doubt it was; all kinds of good little dots about +her chin, that melted into one another when she laughed; and the +sunniest pair of eyes you ever saw in any little creature’s head. +Altogether she was what you would have called provoking, you know; but +satisfactory, too. Oh, perfectly satisfactory!</p> + +<p>“He’s a comical old fellow,” said Scrooge’s nephew, “that’s the truth; +and not so pleasant as he might be. However, his offences carry their +own punishment, and I have nothing to say against him.”</p> + +<p>“I’m sure he is very rich, Fred,” hinted Scrooge’s niece. “At least you +always tell <em>me</em> so.”</p> + +<p><span class='pagenum'><a name="Page_317" id="Page_317">[317]</a></span>“What of that, my dear!” said Scrooge’s nephew. “His wealth is of no use +to him. He don’t do any good with it. He don’t make himself comfortable +with it. He hasn’t the satisfaction of thinking—ha, ha, ha!—that he is +ever going to benefit Us with it.”</p> + +<p>“I have no patience with him,” observed Scrooge’s niece.</p> + +<p>Scrooge’s niece’s sister, and all the other ladies, expressed the same +opinion.</p> + +<p>“Oh, I have!” said Scrooge’s nephew. “I am sorry for him; I couldn’t be +angry with him if I tried. Who suffers by his ill whims? Himself, +always. Here, he takes it into his head to dislike us, and he won’t come +and dine with us. What’s the consequence! He don’t lose much of a +dinner——”</p> + +<p>“Indeed, I think he loses a very good dinner,” interrupted Scrooge’s +niece. Everybody else said the same, and they must be allowed to have +been competent judges, because they had just had dinner; and, with the +dessert upon the table, were clustered round the fire, by lamplight.</p> + +<p>“Well! I’m very glad to hear it,” said Scrooge’s nephew, “because I +haven’t any great faith in these young housekeepers. What do <em>you</em> say, +Topper?”</p> + +<p>Topper had clearly got his eye upon one of Scrooge’s niece’s sisters, +for he answered that a bachelor was a wretched outcast, who had no right +to express an opinion on the subject. Whereat Scrooge’s niece’s +sister—the plump one with the lace tucker: not the one with the +roses—blushed.</p> + +<p>“Do go on, Fred,” said Scrooge’s niece, clapping her hands. “He never +finishes what he begins to say! He is such a ridiculous fellow!”</p> + +<p><span class='pagenum'><a name="Page_318" id="Page_318">[318]</a></span>Scrooge’s nephew revelled in another laugh, and as it was impossible to +keep the infection off, though the plump sister tried hard to do it with +aromatic vinegar, his example was unanimously followed.</p> + +<p>“I was only going to say,” said Scrooge’s nephew, “that the consequence +of his taking a dislike to us, and not making merry with us, is, as I +think, that he loses some pleasant moments, which could do him no harm. +I am sure he loses pleasanter companions than he can find in his own +thoughts, either in his mouldy old office, or his dusty chambers. I mean +to give him the same chance every year, whether he likes it or not, for +I pity him. He may rail at Christmas till he dies, but he can’t help +thinking better of it—I defy him—if he finds me going there, in good +temper, year after year, and saying, ‘Uncle Scrooge, how are you?’ If it +only puts him in the vein to leave his poor clerk fifty pounds, <em>that’s</em> +something; and I think I shook him yesterday.”</p> + +<p>It was their turn to laugh now at the notion of his shaking Scrooge. But +being thoroughly good-natured, and not much caring what they laughed at, +so that they laughed at any rate, he encouraged them in their merriment, +and passed the bottle joyously.</p> + +<p>After tea, they had some music. For they were a musical family, and knew +what they were about, when they sang a Glee or Catch, I can assure you; +especially Topper, who could growl away in the bass like a good one, and +never swell the large veins in his forehead, or get red in the face over +it. Scrooge’s niece played well upon the harp; and played among other +tunes a simple little air (a mere nothing: you might learn to whistle it +in two minutes), which had been familiar to the child who<span class='pagenum'><a name="Page_319" id="Page_319">[319]</a></span> fetched +Scrooge from the boarding-school, as he had been reminded by the Ghost +of Christmas Past. When this strain of music sounded, all the things +that Ghost had shown him, came upon his mind; he softened more and more; +and thought that if he could have listened to it often, years ago, he +might have cultivated the kindnesses of life for his own happiness with +his own hands, without resorting to the sexton’s spade that buried Jacob +<span class="nowrap">Marley.<a name="Anchor_319-16" id="Anchor_319-16"></a><a title="Go to footnote 319-16" href="#Footnote_319-16" class="fnanchor">319-16</a></span></p> + +<p>But they didn’t devote the whole evening to music. After a while they +played at forfeits; for it is good to be children sometimes, and never +better than at Christmas, when its mighty Founder was a child himself. +Stop! There was first a game at blind-man’s buff. Of course there was. +And I no more believe Topper was really blind than I believe he had eyes +in his boots. My opinion is, that it was a done thing between him and +Scrooge’s nephew: and that the Ghost of Christmas Present knew it. The +way he went after that plump sister in the lace tucker, was an outrage +on the credulity of human nature. Knocking down the fire-irons, tumbling +over the chairs, bumping up against the piano, smothering himself among +the curtains, wherever she went, there went he. He always knew where the +plump sister was. He wouldn’t catch anybody else. If you had fallen up +against him, as some of them did, and stood there; he would have made a +feint of endeavoring to seize you, which would have been an affront to +your understanding; and would instantly have sidled off in the direction +of the plump sister. She often cried out that it wasn’t<span class='pagenum'><a name="Page_320" id="Page_320">[320]</a></span> fair; and it +really was not. But when at last he caught her; when, in spite of all +her silken rustlings, and her rapid flutterings past him, he got her +into a corner whence there was no escape; then his conduct was most +execrable. For his pretending not to know her; his pretending that it +was necessary to touch her head-dress, and further to assure himself of +her identity by pressing a certain ring upon her finger, and a certain +chain about her neck; was vile, monstrous! No doubt she told him her +opinion of it, when, another blind man being in office, they were so +very confidential together, behind the curtains.</p> + +<p>Scrooge’s niece was not one of the blind-man’s buff party, but was made +comfortable with a large chair and a footstool, in a snug corner, where +the Ghost and Scrooge were close behind her. But she joined in the +forfeits, and loved her love to admiration with all the letters of the +<span class="nowrap">alphabet.<a name="Anchor_320-17" id="Anchor_320-17"></a><a title="Go to footnote 320-17" href="#Footnote_320-17" class="fnanchor">320-17</a></span> Likewise at the game of How, When, and Where, she was +very great, and to the secret joy of Scrooge’s nephew, beat her sisters +hollow: though they were sharp girls too, as Topper could have told you. +There might have been twenty people there, young and old, but they all +played, and so did Scrooge, for, wholly forgetting in the interest he +had in what was going on, that his voice made no sound in their ears, he +sometimes came out with his guess quite loud, and very often guessed +quite right, too; for<span class='pagenum'><a name="Page_321" id="Page_321">[321]</a></span> the sharpest needle, best Whitechapel, warranted +not to cut in the eye, was not sharper than Scrooge: blunt as he took it +in his head to be.</p> + +<p>The Ghost was greatly pleased to find him in this mood, and looked upon +him with such favor, that he begged like a boy to be allowed to stay +until the guests departed. But this the Spirit said could not be done.</p> + +<p>“Here is a new game,” said Scrooge. “One half-hour, Spirit, only one!”</p> + +<p>It is a game called Yes and No, where Scrooge’s nephew had to think of +something, and the rest must find out what; he only answering to their +questions yes or no, as the case was. The brisk fire of questioning to +which he was exposed, elicited from him that he was thinking of an +animal, a live animal, rather a disagreeable animal, a savage animal, an +animal that growled and grunted sometimes, and talked sometimes, and +lived in London, and walked about the streets, and wasn’t made a show +of, and wasn’t led by anybody, and didn’t live in a menagerie, and was +never killed in a market, and was not a horse, or an ass, or a cow, or a +bull, or a tiger, or a dog, or a pig, or a cat, or a bear. At every +fresh question that was put to him, this nephew burst into a fresh roar +of laughter; and was so inexpressibly tickled, that he was obliged to +get up off the sofa and stamp.</p> + +<p>At last the plump sister, falling into a similar state, cried out:</p> + +<p>“I have found it out. I know what it is, Fred! I know what it is!”</p> + +<p>“What is it?” cried Fred.</p> + +<p>“It’s your Uncle Scro-o-o-o-oge!”</p> + +<p><span class='pagenum'><a name="Page_322" id="Page_322">[322]</a></span>Which it certainly was. Admiration was the universal sentiment, though +some objected that the reply to “Is it a bear?” ought to have been +“Yes;” inasmuch as an answer in the negative was sufficient to have +diverted their thoughts from Mr. Scrooge, supposing they had ever had +any tendency that way.</p> + +<p>“He has given us plenty of merriment, I am sure,” said Fred, “and it +would be ungrateful not to drink his health. Here is a glass of mulled +wine ready to our hand at the moment; and I say, ‘Uncle Scrooge!’”</p> + +<p>“Well! Uncle Scrooge!” they cried.</p> + +<p>“A Merry Christmas and a Happy New Year to the old man, whatever he is!” +said Scrooge’s nephew. “He wouldn’t take it from me, but may he have it, +nevertheless. Uncle Scrooge!”</p> + +<p>Uncle Scrooge had imperceptibly become so gay and light of heart, that +he would have pledged the unconscious company in return, and thanked +them in an inaudible speech, if the Ghost had given him time. But the +whole scene passed off in the breath of the last word spoken by his +nephew; and he and the Spirit were again upon their travels.</p> + +<p>Much they saw, and far they went, and many homes they visited, but +always with a happy end. The Spirit stood beside sick-beds, and they +were cheerful; on foreign lands, and they were close at home; by +struggling men, and they were patient in their greater hope; by poverty, +and it was rich. In almshouse, hospital, and jail, in misery’s every +refuge, where vain man in his little brief authority had not made fast +the door, and barred the Spirit out, he left his blessing, and taught +Scrooge his precepts.</p> + +<p><span class='pagenum'><a name="Page_323" id="Page_323">[323]</a></span>It was a long night, if it were only a night; but Scrooge had his doubts +of this, because the Christmas Holidays appeared to be condensed into +the space of time they passed together. It was strange, too, that while +Scrooge remained unaltered in his outward form, the Ghost grew older, +clearly older. Scrooge had observed this change, but never spoke of it, +until they left a children’s Twelfth Night party, when, looking at the +Spirit as they stood together in an open place, he noticed that his hair +was gray.</p> + +<p>“Are spirits’ lives so short?” asked Scrooge.</p> + +<p>“My life upon this globe is very brief,” replied the Ghost. “It ends +to-night.”</p> + +<p>“To-night!” cried Scrooge.</p> + +<p>“To-night at midnight. Hark! The time is drawing near.”</p> + +<p>The chimes were ringing the three quarters past eleven at that moment.</p> + +<p>“Forgive me if I am not justified in what I ask,” said Scrooge, looking +intently at the Spirit’s robe, “but I see something strange, and not +belonging to yourself, protruding from your skirts! Is it a foot or a +claw!”</p> + +<p>“It might be a claw, for the flesh there is upon it,” was the Spirit’s +sorrowful reply. “Look here.”</p> + +<p>From the foldings of its robe, it brought two children; wretched, +abject, frightful, hideous, miserable. They knelt down at its feet, and +clung upon the outside of its garment.</p> + +<p>“Oh, Man! look here. Look, look, down here!” exclaimed the Ghost.</p> + +<p>They were a boy and girl. Yellow, meagre, ragged, scowling, wolfish; but +prostrate, too, in their<span class='pagenum'><a name="Page_324" id="Page_324">[324]</a></span> humility. Where graceful youth should have +filled their features out, and touched them with its freshest tints, a +stale and shrivelled hand, like that of age, had pinched, and twisted +them, and pulled them into shreds. Where angels might have sat +enthroned, devils lurked, and glared out menacing. No change, no +degradation, no perversion of humanity, in any grade, through all the +mysteries of wonderful creation, has monsters half so horrible and +dread.</p> + +<p>Scrooge started back, appalled. Having them shown to him in this way, he +tried to say they were fine children, but the words choked themselves, +rather than be parties to a lie of such enormous magnitude.</p> + +<p>“Spirit! are they yours?” Scrooge could say no more.</p> + +<p>“They are Man’s,” said the Spirit, looking down upon them. “And they +cling to me, appealing from their fathers. This boy is Ignorance. This +girl is Want. Beware them both, and all of their degree, but most of all +beware this boy, for on his brow I see that written which is Doom, +unless the writing be erased. Deny it!” cried the Spirit, stretching out +its hand towards the city. “Slander those who tell it ye! Admit it for +your factious purposes, and make it worse! And bide the end!”</p> + +<p>“Have they no refuge or resource?” cried Scrooge.</p> + +<p>“Are there no prisons?” said the Spirit, turning on him for the last +time with his own words. “Are there no workhouses?”</p> + +<p>The bell struck twelve.</p> + +<p>Scrooge looked about him for the Ghost, and saw it not. As the last +stroke ceased to vibrate, he<span class='pagenum'><a name="Page_325" id="Page_325">[325]</a></span> remembered the prediction of old Jacob +Marley, and lifting up his eyes, beheld a solemn Phantom, draped and +hooded, coming, like a mist along the ground, towards him.</p> + + +<h3 class="section">STAVE FOUR</h3> + +<p class="titlepage"><em>The Last of the Spirits</em></p> + +<p class="noindent"><span class="dropcapt"><span class="hide">T</span></span><span class="upper">he</span> Phantom slowly, gravely approached. When it came near him, Scrooge +bent down upon his knee; for in the very air through which this Spirit +moved it seemed to scatter gloom and mystery.</p> + +<p>It was shrouded in a deep black garment, which concealed its head, its +face, its form, and left nothing of it visible save one outstretched +hand. But for this it would have been difficult to detach its figure +from the night, and separate it from the darkness by which it was +surrounded.</p> + +<p>He felt that it was tall and stately when it came beside him, and that +its mysterious presence filled him with a solemn dread. He knew no more, +for the Spirit neither spoke nor moved.</p> + +<p>“I am in the presence of the Ghost of Christmas Yet to Come?” said +Scrooge.</p> + +<p>The Spirit answered not, but pointed downward with its hand.</p> + +<p>“You are about to show me shadows of the things that have not happened, +but will happen in the time before us,” Scrooge pursued. “Is that so, +Spirit?”</p> + +<p>The upper portion of the garment was contracted for an instant in its +folds, as if the Spirit had inclined its head. That was the only answer +he received.</p> + +<p><span class='pagenum'><a name="Page_326" id="Page_326">[326]</a></span>Although well used to ghostly company by this time, Scrooge feared the +silent shape so much that his legs trembled beneath him, and he found +that he could hardly stand when he prepared to follow it. The Spirit +paused a moment, as observing his condition, and giving him time to +recover.</p> + +<p>But Scrooge was all the worse for this. It thrilled him with a vague +uncertain horror, to know that behind the dusky shroud there were +ghostly eyes intently fixed upon him, while he, though he stretched his +own to the utmost, could see nothing but a spectral hand and one great +heap of black.</p> + +<p>“Ghost of the Future!” he exclaimed, “I fear you more than any Spectre I +have seen. But, as I know your purpose is to do me good, and as I hope +to live to be another man from what I was, I am prepared to bear you +company, and do it with a thankful heart. Will you not speak to me?”</p> + +<p>It gave him no reply. The hand was pointed straight before them.</p> + +<p>“Lead on!” said Scrooge. “Lead on! The night is waning fast, and it is +precious time to me, I know. Lead on, Spirit!”</p> + +<p>The Phantom moved away as it had come towards him. Scrooge followed in +the shadow of its dress, which bore him up, he thought, and carried him +along.</p> + +<p>They scarcely seemed to enter the city; for the city rather seemed to +spring up about them, and encompass them of its own act. But there they +were, in the heart of it; on ‘Change, amongst the merchants; who hurried +up and down, and chinked the money in their pockets, and conversed in +groups, and looked at their watches, and trifled thoughtfully<span class='pagenum'><a name="Page_327" id="Page_327">[327]</a></span> with +their great gold seals; and so forth, as Scrooge had seen them often.</p> + +<p>The Spirit stopped beside one little knot of business men. Observing +that the hand was pointed to them, Scrooge advanced to listen to their +talk.</p> + +<p>“No,” said a great fat man with a monstrous chin, “I don’t know much +about it, either way. I only know he’s dead.”</p> + +<p>“When did he die?” inquired another.</p> + +<p>“Last night, I believe.”</p> + +<p>“Why, what was the matter with him?” asked a third, taking a vast +quantity of snuff out of a very large snuffbox. “I thought he’d never +die.”</p> + +<p>“God knows,” said the first, with a yawn.</p> + +<p>“What has he done with his money?” asked a red-faced gentleman with a +pendulous excrescence on the end of his nose, that shook like the gills +of a turkey-cock.</p> + +<p>“I haven’t heard,” said the man with the large chin, yawning again. +“Left it to his Company, perhaps. He hasn’t left it to <em>me</em>. That’s all +I know.”</p> + +<p>This pleasantry was received with a general laugh.</p> + +<p>“It’s likely to be a very cheap funeral,” said the same speaker; “for +upon my life I don’t know of anybody to go to it. Suppose we make up a +party and volunteer?”</p> + +<p>“I don’t mind going if a lunch is provided,” observed the gentleman with +the excrescence on his nose. “But I must be fed, if I make one.”</p> + +<p>Another laugh.</p> + +<p>“Well, I am the most disinterested among you, after all,” said the first +speaker, “for I never wear black gloves, and I never eat lunch. But I’ll +offer<span class='pagenum'><a name="Page_328" id="Page_328">[328]</a></span> to go, if anybody else will. When I come to think of it, I’m not +at all sure that I wasn’t his most particular friend; for we used to +stop and speak whenever we met. Bye, bye!”</p> + +<p>Speakers and listeners strolled away, and mixed with other groups. +Scrooge knew the men, and looked towards the Spirit for an explanation.</p> + +<p>The Phantom glided on into a street. Its finger pointed to two persons +meeting. Scrooge listened again, thinking that the explanation might lie +here.</p> + +<p>He knew these men, also, perfectly. They were men of business: very +wealthy, and of great importance. He had made a point always of standing +well in their esteem—in a business point of view, that is; strictly in +a business point of view.</p> + +<p>“How are you?” said one.</p> + +<p>“How are you?” returned the other.</p> + +<p>“Well!” said the first. “Old Scratch has got his own at last, hey?”</p> + +<p>“So I am told,” returned the second. “Cold, isn’t it?”</p> + +<p>“Seasonable for Christmas time. You’re not a skater, I suppose?”</p> + +<p>“No. No. Something else to think of. Good morning!” Not another word. +That was their meeting, their conversation, and their parting.</p> + +<p>Scrooge was at first inclined to be surprised that the Spirit should +attach importance to conversations apparently so trivial; but feeling +assured that they must have some hidden purpose, he set himself to +consider what it was likely to be. They could scarcely be supposed to +have any bearing on the death of Jacob, his old partner, for that was +Past, and this Ghost’s province was the Future. Nor<span class='pagenum'><a name="Page_329" id="Page_329">[329]</a></span> could he think of +any one immediately connected with himself, to whom he could apply them. +But nothing doubting that to whomsoever they applied they had some +latent moral for his own improvement, he resolved to treasure up every +word he heard, and everything he saw; and especially to observe the +shadow of himself when it appeared. For he had an expectation that the +conduct of his future self would give him the clue he missed, and would +render the solution of these riddles easy.</p> + +<div class="figcenter" style="width: 248px;"> +<a name="image44" id="image44"></a><a href="images/image44-full.png"><img src="images/image44.png" width="248" height="268" alt="Two gentlement passing on the street." title="“SO I AM TOLD,” RETURNED THE SECOND" /></a> +<span class="caption">“SO I AM TOLD,” RETURNED THE SECOND</span> +</div> + +<p><span class='pagenum'><a name="Page_330" id="Page_330">[330]</a></span>He looked about in that very place for his own image; but another man +stood in his accustomed corner, and though the clock pointed to his +usual time of day for being there, he saw no likeness of himself among +the multitudes that poured in through the Porch. It gave him little +surprise, however; for he had been revolving in his mind a change of +life, and thought and hoped he saw his new-born resolutions carried out +in this.</p> + +<p>Quiet and dark, beside him stood the Phantom, with its outstretched +hand. When he roused himself from his thoughtful quest, he fancied from +the turn of the hand, and its situation in reference to himself, that +the Unseen Eyes were looking at him keenly. It made him shudder and feel +very cold.</p> + +<p>They left the busy scene, and went into an obscure part of the town, +where Scrooge had never penetrated before, although he recognized its +situation, and its bad repute. The ways were foul and narrow; the shops +and houses wretched; the people half-naked, drunken, slipshod, ugly. +Alleys and archways, like so many cesspools, disgorged their offences of +smell, and dirt, and life, upon the straggling streets; and the whole +quarter reeked with crime, with filth, and misery.</p> + +<p>Far in this den of infamous resort, there was a low-browed, beetling +shop, below a pent-house roof, where iron, old rags, bottles, bones, and +greasy offal, were bought. Upon the floor within, were piled up heaps of +rusty keys, nails, chains, hinges, files, scales, weights, and refuse +iron of all kinds. Secrets that few would like to scrutinise were bred +and hidden in mountains of unseemly rags, masses of corrupted fat, and +sepulchres of bones. Sitting in among the<span class='pagenum'><a name="Page_331" id="Page_331">[331]</a></span> wares he dealt in, by a +charcoal-stove, made of old bricks, was a grey-haired rascal, nearly +seventy years of age; who had screened himself from the cold air +without, by a frowsy curtaining of miscellaneous tatters, hung upon a +line; and smoked his pipe in all the luxury of calm retirement.</p> + +<p>Scrooge and the Phantom came into the presence of this man, just as a +woman with a heavy bundle slunk into the shop. But she had scarcely +entered, when another woman, similarly laden, came in too; and she was +closely followed by a man in faded black, who was no less startled by +the sight of them, than they had been upon the recognition of each +other. After a short period of blank astonishment, in which the old man +with the pipe had joined them, they all three burst into a laugh.</p> + +<p>“Let the charwoman alone to be the first!” cried she who had entered +first. “Let the laundress alone to be the second; and let the +undertaker’s man alone to be the third. Look here, old Joe, here’s a +chance! If we haven’t all three met here without meaning it!”</p> + +<p>“You couldn’t have met in a better place,” said old Joe, removing his +pipe from his mouth. “Come into the parlour. You were made free of it +long ago, you know; and the other two ain’t strangers. Stop till I shut +the door of the shop. Ah! How it skreeks! There an’t such a rusty bit of +metal in the place as its own hinges, I believe; and I’m sure there’s no +such old bones here, as mine. Ha, ha! We’re all suitable to our calling, +we’re well matched. Come into the parlour. Come into the parlour.”</p> + +<p>The parlour was the space behind the screen of rags. The old man raked +the fire together with an old stair-rod, and having trimmed his smoky +lamp<span class='pagenum'><a name="Page_332" id="Page_332">[332]</a></span> (for it was night), with the stem of his pipe, put it in his mouth +again.</p> + +<p>While he did this, the woman who had already spoken, threw her bundle on +the floor, and sat down in a flaunting manner on a stool; crossing her +elbows on her knees, and looking with a bold defiance at the other two.</p> + +<p>“What odds then! What odds, Mrs. Dilber?” said the woman. “Every person +has a right to take care of themselves. <em>He</em> always did!”</p> + +<p>“That’s true, indeed!” said the laundress. “No man more so.”</p> + +<p>“Why, then, don’t stand staring as if you was afraid, woman; who’s the +wiser? We’re not going to pick holes in each other’s coats, I suppose?”</p> + +<p>“No, indeed!” said Mrs. Dilber and the man together. “We should hope +not.”</p> + +<p>“Very well, then!” cried the woman. “That’s enough. Who’s the worse for +the loss of a few things like these? Not a dead man, I suppose.”</p> + +<p>“No, indeed,” said Mrs. Dilber, laughing.</p> + +<p>“If he wanted to keep ’em after he was dead, a wicked old screw,” +pursued the woman, “why wasn’t he natural in his lifetime? If he had +been, he’d have had somebody to look after him when he was struck with +Death, instead of lying gasping out his last there, alone by himself.”</p> + +<p>“It’s the truest word that ever was spoke,” said Mrs. Dilber. “It’s a +judgment on him.”</p> + +<p>“I wish it was a little heavier one,” replied the woman; “and it should +have been, you may depend upon it, if I could have laid my hands on +anything else. Open that bundle, old Joe, and let me know the value of +it. Speak out plain. I’m not afraid<span class='pagenum'><a name="Page_333" id="Page_333">[333]</a></span> to be the first, nor afraid for +them to see it. We knew pretty well that we were helping ourselves, +before we met here, I believe. It’s no sin. Open the bundle, Joe.”</p> + +<p>But the gallantry of her friends would not allow of this; and the man in +faded black, mounting the breach first, produced <em>his</em> plunder. It was +not extensive. A seal or two, a pencil-case, a pair of sleeve-buttons, +and a brooch of no great value, were all. They were severally examined +and appraised by old Joe, who chalked the sums he was disposed to give +for each, upon the wall, and added them up into a total when he found +there was nothing more to come.</p> + +<p>“That’s your account,” said Joe, “and I wouldn’t give another sixpence, +if I was to be boiled for not doing it. Who’s next?”</p> + +<p>Mrs. Dilber was next. Sheets and towels, a little wearing apparel, two +old-fashioned silver teaspoons, a pair of sugar-tongs, and a few boots. +Her account was stated on the wall in the same manner.</p> + +<p>“I always give too much to ladies. It’s a weakness of mine, and that’s +the way I ruin myself,” said old Joe. “That’s your account. If you asked +me for another penny, and made it an open question, I’d repent of being +so liberal and knock off half-a-crown.”</p> + +<p>“And now undo <em>my</em> bundle, Joe,” said the first woman.</p> + +<p>Joe went down on his knees for the greater convenience of opening it, +and having unfastened a great many knots, dragged out a large and heavy +roll of some dark stuff.</p> + +<p>“What do you call this?” said Joe. “Bed-curtains!”</p> + +<p><span class='pagenum'><a name="Page_334" id="Page_334">[334]</a></span>“Ah!” returned the woman, laughing and leaning forward on her crossed +arms. “Bed-curtains!”</p> + +<p>“You don’t mean to say you took ’em down, rings and all, with him lying +there?” said Joe.</p> + +<p>“Yes I do,” replied the woman. “Why not?”</p> + +<p>“You were born to make your fortune,” said Joe, “and you’ll certainly do +it.”</p> + +<p>“I certainly shan’t hold my hand, when I can get anything in it by +reaching it out, for the sake of such a man as He was, I promise you, +Joe,” returned the woman coolly. “Don’t drop that oil upon the blankets, +now.”</p> + +<p>“His blankets?” asked Joe.</p> + +<p>“Whose else’s do you think?” replied the woman. “He isn’t likely to take +cold without ’em, I dare say.”</p> + +<p>“I hope he didn’t die of anything catching? Eh?” said old Joe, stopping +in his work, and looking up.</p> + +<p>“Don’t you be afraid of that,” returned the woman. “I an’t so fond of +his company that I’d loiter about him for such things, if he did. Ah! +you may look through that shirt till your eyes ache; but you won’t find +a hole in it, nor a threadbare place. It’s the best he had, and a fine +one too. They’d have wasted it, if it hadn’t been for me.”</p> + +<p>“What do you call wasting of it?” asked old Joe.</p> + +<p>“Putting it on him to be buried in, to be sure,” replied the woman with +a laugh. “Somebody was fool enough to do it, but I took it off again. If +calico an’t good enough for such a purpose, it isn’t good enough for +anything. He can’t look uglier than he did in that one.”</p> + +<p>Scrooge listened to this dialogue in horror. As they sat grouped about +their spoil, in the scanty light afforded by the old man’s lamp, he +viewed them<span class='pagenum'><a name="Page_335" id="Page_335">[335]</a></span> with a detestation and disgust, which could hardly have +been greater, though they had been obscene demons, marketing the corpse +itself.</p> + +<p>“Ha, ha!” laughed the same woman, when old Joe, producing a flannel bag +with money in it, told out their several gains upon the ground. “This is +the end of it, you see! He frightened every one away from him when he +was alive, to profit us when he was dead! Ha, ha, ha!”</p> + +<p>“Spirit!” said Scrooge, shuddering from head to foot. “I see, I see. The +case of this unhappy man might be my own. My life tends that way, now. +Merciful Heaven, what is this!”</p> + +<p>He recoiled in terror, for the scene had changed, and now he almost +touched a bed: a bare, uncurtained bed: on which, beneath a ragged +sheet, there lay a something covered up, which, though it was dumb, +announced itself in awful language.</p> + +<p>The room was very dark, too dark to be observed with any accuracy, +though Scrooge glanced round it in obedience to a secret impulse, +anxious to know what kind of room it was.</p> + +<p>A pale light, rising in the outer air, fell straight upon the bed; and +on it, plundered and bereft, unwatched, unwept, uncared for, was the +body of this man.</p> + +<p>Scrooge glanced towards the Phantom. Its steady hand was pointed to the +head. The cover was so carelessly adjusted that the slightest raising of +it, the motion of a finger upon Scrooge’s part, would have disclosed the +face. He thought of it, felt how easy it would be to do, and longed to +do it; but had no more power to withdraw the veil than to dismiss the +spectre at his side.</p> + +<p><span class='pagenum'><a name="Page_336" id="Page_336">[336]</a></span>Oh cold, cold, rigid, dreadful Death, set up thine altar here, and dress +it with such terrors as thou hast at thy command: for this is thy +dominion! But of the loved, revered, and honoured head, thou canst not +turn one hair to thy dread purposes, or make one feature odious. It is +not that the hand is heavy and will fall down when released; it is not +that the heart and pulse are still; but that the hand was open, +generous, and true; the heart brave, warm, and tender; and the pulse a +man’s. Strike, Shadow, strike! And see his good deeds springing from the +wound, to sow the world with life immortal!</p> + +<p>No voice pronounced these words in Scrooge’s ears, and yet he heard them +when he looked upon the bed. He thought, if this man could be raised up +now, what would be his foremost thoughts? Avarice, hard dealing, griping +cares? They have brought him to a rich end, truly!</p> + +<p>He lay, in the dark empty house, with not a man, a woman, or a child, to +say that he was kind to me in this or that, and for the memory of one +kind word I will be kind to him. A cat was tearing at the door, and +there was a sound of gnawing rats beneath the hearth-stone. What <em>they</em> +wanted in the room of death, and why they were so restless and +disturbed, Scrooge did not dare to think.</p> + +<p>“Spirit!” he said, “this is a fearful place. In leaving it, I shall not +leave its lesson, trust me. Let us go!”</p> + +<p>Still the Ghost pointed with an unmoved finger to the head.</p> + +<p>“I understand you,” Scrooge returned, “and I would do it, if I could. +But I have not the power, Spirit. I have not the power.”</p> + +<p><span class='pagenum'><a name="Page_337" id="Page_337">[337]</a></span>Again it seemed to look upon him.</p> + +<p>“If there is any person in the town, who feels emotion caused by this +man’s death,” said Scrooge, quite agonized, “show that person to me, +Spirit, I beseech you!”</p> + +<p>The Phantom spread its dark robe before him for a moment, like a wing; +and withdrawing it, revealed a room by daylight, where a mother and her +children were.</p> + +<p>She was expecting some one, and with anxious eagerness; for she walked +up and down the room; started at every sound; looked out from the +window; glanced at the clock; tried, but in vain, to work with her +needle; and could hardly bear the voices of the children in their play.</p> + +<p>At length the long-expected knock was heard. She hurried to the door, +and met her husband; a man whose face was careworn and depressed, though +he was young. There was a remarkable expression in it now; a kind of +serious delight of which he felt ashamed, and which he struggled to +repress.</p> + +<p>He sat down to the dinner that had been hoarding for him by the fire; +and when she asked him faintly what news (which was not until after a +long silence) he appeared embarrassed how to answer.</p> + +<p>“Is it good,” she said, “or bad?”—to help him.</p> + +<p>“Bad,” he answered.</p> + +<p>“We are quite ruined?”</p> + +<p>“No. There is hope yet, Caroline.”</p> + +<p>“If <em>he</em> relents,” she said, amazed, “there is! Nothing is past hope, if +such a miracle has happened.”</p> + +<p>“He is past relenting,” said her husband. “He is dead.”</p> + +<p><span class='pagenum'><a name="Page_338" id="Page_338">[338]</a></span>She was a mild and patient creature if her face spoke truth; but she was +thankful in her soul to hear it, and she said so, with clasped hands. +She prayed forgiveness the next moment, and was sorry; but the first was +the emotion of her heart.</p> + +<p>“What the half-drunken woman whom I told you of last night, said to me, +when I tried to see him and obtain a week’s delay; and what I thought +was a mere excuse to avoid me; turns out to have been quite true. He was +not only very ill, but dying, then.”</p> + +<p>“To whom will our debt be transferred?”</p> + +<p>“I don’t know. But before that time we shall be ready with the money; +and even though we were not, it would be bad fortune indeed to find so +merciless a creditor in his successor. We may sleep to-night with light +hearts, Caroline!”</p> + +<p>Yes. Soften it as they would, their hearts were lighter. The children’s +faces, hushed, and clustered round to hear what they so little +understood, were brighter; and it was a happier house for this man’s +death; The only emotion that the Ghost could show him, caused by the +event, was one of pleasure.</p> + +<p>“Let me see some tenderness connected with a death,” said Scrooge; “or +that dark chamber, Spirit, which we left just now, will be for ever +present to me.”</p> + +<p>The Ghost conducted him through several streets familiar to his feet; +and as they went along, Scrooge looked here and there to find himself, +but nowhere was he to be seen. They entered poor Bob Cratchit’s house; +the dwelling he had visited before; and found the mother and the +children seated round the fire.</p> + +<p><span class='pagenum'><a name="Page_339" id="Page_339">[339]</a></span>Quiet. Very quiet. The noisy little Cratchits were as still as statues +in one corner, and sat looking up at Peter, who had a book before him. +The mother and her daughter were engaged in sewing. But surely they were +very quiet!</p> + +<p>“‘And He took a child, and set him in the midst of them.’”</p> + +<p>Where had Scrooge heard those words? He had not, dreamed them. The boy +must have read them out, as he and the Spirit crossed the threshold. Why +did he not go on?</p> + +<p>The mother laid her work upon the table, and put her hand up to her +face.</p> + +<p>“The colour hurts my eyes,” she said.</p> + +<p>The colour? Ah, poor Tiny Tim!</p> + +<p>“They’re better now again,” said Cratchit’s wife. “It makes them weak by +candlelight; and I wouldn’t show weak eyes to your father when he comes +home, for the world. It must be near his time.”</p> + +<p>“Past it rather,” Peter answered, shutting up his book. “But I think +he’s walked a little slower than he used, these few last evenings, +mother.”</p> + +<p>They were very quiet again. At last she said, and in a steady cheerful +voice, that only faltered once:</p> + +<p>“I have known him walk with—I have known him walk with Tiny Tim upon +his shoulder, very fast indeed.”</p> + +<p>“And so have I,” cried Peter. “Often.”</p> + +<p>“And so have I,” exclaimed another. So had all.</p> + +<p>“But he was very light to carry,” she resumed, intent upon her work, +“and his father loved him so, that it was no trouble—no trouble. And +there is your father at the door!”</p> + +<p><span class='pagenum'><a name="Page_340" id="Page_340">[340]</a></span>She hurried out to meet him; and little Bob in his comforter—he had +need of it, poor fellow—came in. His tea was ready for him on the hob, +and they all tried who should help him to it most. Then the two young +Cratchits got upon his knees and laid, each child, a little cheek +against his face, as if they said, “Don’t mind it, father. Don’t be +grieved!”</p> + +<p>Bob was very cheerful with them, and spoke pleasantly to all the family. +He looked at the work upon the table, and praised the industry and speed +of Mrs. Cratchit and the girls. They would be done long before Sunday he +said.</p> + +<p>“Sunday! You went to-day then, Robert?” said his wife.</p> + +<p>“Yes, my dear,” returned Bob. “I wish you could have gone. It would have +done you good to see how green a place it is. But you’ll see it often. I +promised him that I would walk there on a Sunday. My little, little +child!” cried Bob. “My little child!”</p> + +<p>He broke down all at once. He couldn’t help it. If he could have helped +it, he and his child would have been farther apart perhaps than they +were.</p> + +<p>He left the room, and went upstairs into the room above, which was +lighted cheerfully, and hung with Christmas. There was a chair set close +beside the child, and there were signs of some one having been there, +lately. Poor Bob sat down in it, and when he had thought a little and +composed himself, he kissed the little face. He was reconciled to what +had happened, and went down again quite happy.</p> + +<p>They drew about the fire, and talked; the girls and mother working +still. Bob told them of the extraordinary kindness of Mr. Scrooge’s +nephew,<span class='pagenum'><a name="Page_341" id="Page_341">[341]</a></span> whom he had scarcely seen but once, and who, meeting him in the +street that day, and seeing that he looked a little—“just a little down +you know,” said Bob, inquired what had happened to distress him. “On +which,” said Bob, “for he is the pleasantest-spoken gentleman you ever +heard, I told him. ‘I am heartily sorry for it, Mr. Cratchit,’ he said, +‘and heartily sorry for your good wife.’ By the bye, how he ever knew +<em>that</em>, I don’t know.”</p> + +<p>“Knew what, my dear?”</p> + +<p>“Why, that you were a good wife,” replied Bob.</p> + +<p>“Everybody knows that!” said Peter.</p> + +<p>“Very well observed, my boy!” cried Bob. “I hope they do. ‘Heartily +sorry,’ he said, ‘for your good wife. If I can be of service to you in +any way,’ he said, giving me his card, ‘that’s where I live. Pray come +to me.’ Now, it wasn’t,” cried Bob, “for the sake of anything he might +be able to do for us, so much as for his kind way, that this was quite +delightful. It really seemed as if he had known our Tiny Tim, and felt +with us.”</p> + +<p>“I’m sure he’s a good soul!” said Mrs. Cratchit.</p> + +<p>“You would be surer of it, my dear,” returned Bob, “if you saw and spoke +to him. I shouldn’t be at all surprised, mark what I say, if he got +Peter a better situation.”</p> + +<p>“Only hear that, Peter,” said Mrs. Cratchit.</p> + +<p>“And then,” cried one of the girls, “Peter will be keeping company with +some one, and setting up for himself.”</p> + +<p>“Get along with you!” retorted Peter, grinning.</p> + +<p>“It’s just as likely as not,” said Bob, “one of these days; though +there’s plenty of time for that, my dear. But however and whenever we +part from<span class='pagenum'><a name="Page_342" id="Page_342">[342]</a></span> one another, I am sure we shall none of us forget poor Tiny +Tim—shall we—or this first parting that there was among us?”</p> + +<p>“Never, father!” cried they all.</p> + +<p>“And I know,” said Bob, “I know, my dears, that when we recollect how +patient and how mild he was; although he was a little, little child; we +shall not quarrel easily among ourselves, and forget poor Tiny Tim in +doing it.”</p> + +<p>“No, never, father!” they all cried again.</p> + +<p>“I am very happy,” said little Bob, “I am very happy!”</p> + +<p>Mrs. Cratchit kissed him, his daughters kissed him, the two young +Cratchits kissed him, and Peter and himself shook hands. Spirit of Tiny +Tim, thy childish essence was from God!</p> + +<p>“Spectre,” said Scrooge, “something informs me that our parting moment +is at hand. I know it, but I know not how. Tell me what man that was +whom we saw lying dead?”</p> + +<p>The Ghost of Christmas Yet To Come conveyed him, as before—though at a +different time, he thought: indeed, there seemed no order in these +latter visions, save that they were in the Future—into the resorts of +business men, but showed him not himself. Indeed, the Spirit did not +pause, but went straight on, as to the end just now desired, until +besought by Scrooge to tarry for a moment.</p> + +<p>“This court,” said Scrooge, “through which we hurry now, is where my +place of occupation is, and has been for a length of time. I see the +house. Let me behold what I shall be, in days to come!”</p> + +<p>The Spirit stopped; the hand was pointed elsewhere.</p> + +<p><span class='pagenum'><a name="Page_343" id="Page_343">[343]</a></span>“The house is yonder,” Scrooge exclaimed, “Why do you point away?”</p> + +<p>The inexorable finger underwent no change.</p> + +<p>Scrooge hastened to the window of his office, and looked in. It was an +office still, but not his. The furniture was not the same, and the +figure in the chair was not himself. The Phantom pointed as before. He +joined it once again, and wondering why and whither he had gone, +accompanied it until they reached an iron gate. He paused to look round +before entering.</p> + +<p>A churchyard. Here, then, the wretched man whose name he had now to +learn, lay underneath the ground. It was a worthy place. Walled in by +houses; overrun by grass and weeds, the growth of vegetation’s death, +not life; choked up with too much burying; fat with repleted appetite. A +worthy place!</p> + +<p>The Spirit stood among the graves, and pointed down to One. He advanced +towards it trembling. The Phantom was exactly as it had been, but he +dreaded that he saw new meaning in its solemn shape.</p> + +<p>“Before I draw nearer to that stone to which you point,” said Scrooge, +“answer me one question. Are these shadows of the things that Will be, +or are they shadows of things that May be, only?”</p> + +<p>Still the Ghost pointed downward to the grave by which it stood.</p> + +<p>“Men’s courses will foreshadow certain ends, to which, if persevered in, +they must lead,” said Scrooge. “But if the courses be departed from, the +ends will change. Say it is thus with what you show me!”</p> + +<p><span class='pagenum'><a name="Page_344" id="Page_344">[344]</a></span>The Spirit was immovable as ever.</p> + +<p>Scrooge crept towards it, trembling as he went; and following the +finger, read upon the stone of the neglected grave his own name, +<span class="smcap">Ebenezer Scrooge</span>.</p> + +<div class="figcenter" style="width: 248px;"> +<a name="image45" id="image45"></a><a href="images/image45-full.png"><img src="images/image45.png" width="248" height="267" alt="Scrooge viewing his own grave." title="HE READ HIS OWN NAME" /></a> +<span class="caption">HE READ HIS OWN NAME</span> +</div> + +<p>“Am <em>I</em> that man who lay upon the bed?” he cried, upon his knees.</p> + +<p>The finger pointed from the grave to him, and back again.</p> + +<p>“No, Spirit! Oh no, no!”</p> + +<p><span class='pagenum'><a name="Page_345" id="Page_345">[345]</a></span>The finger still was there.</p> + +<p>“Spirit!” he cried, tight clutching at its robe, <a name="corr18" id="corr18"></a>“hear me! I am not the +man I was. I will not be the man I must have been but for this +intercourse. Why show me this, if I am past all hope!”</p> + +<p>For the first time the hand appeared to shake.</p> + +<p>“Good Spirit,” he pursued, as down upon the ground he fell before it: +“Your nature intercedes for me, and pities me. Assure me that I yet may +change these shadows you have shown me, by an altered life!”</p> + +<p>The kind hand trembled.</p> + +<p>“I will honour Christmas in my heart, and try to keep it all the year. I +will live in the Past, the Present, and the Future. The Spirits of all +Three shall strive within me. I will not shut out the lessons that they +teach. Oh, tell me I may sponge away the writing on this stone!”</p> + +<p>In his agony, he caught the spectral hand. It sought to free itself, but +he was strong in his entreaty, and detained it. The Spirit, stronger +yet, repulsed him.</p> + +<p>Holding up his hands in one last prayer to have his fate reversed, he +saw an alteration in the Phantom’s hood and dress. It shrank, collapsed, +and dwindled down into a bedpost.</p> + +<p><span class='pagenum'><a name="Page_346" id="Page_346">[346]</a></span></p> + +<h3 class="section">STAVE FIVE</h3> + +<p class="titlepage"><em>The End of It</em></p> + +<p class="noindent"><span class="dropcapy"><span class="hide">Y</span></span><span class="upper">es!</span> and the bedpost was his own. The bed was his own, the room was his +own. Best and happiest of all, the Time before him was his own, to make +amends in!</p> + +<p>“I will live in the Past, the Present, and the Future!” Scrooge +repeated, as he scrambled out of bed. “The Spirits of all Three shall +strive within me. Oh Jacob Marley! Heaven and the Christmas Time be +praised for this! I say it on my knees, old Jacob, on my knees!”</p> + +<p>He was so fluttered and so glowing with his good intentions, that his +broken voice would scarcely answer to his call. He had been sobbing +violently in his conflict with the Spirit, and his face was wet with +tears.</p> + +<p>“They are not torn down,” cried Scrooge, folding one of his bed-curtains +in his arms, “they are not torn down, rings and all. They are here: I am +here: the shadows of the things that would have been, may be dispelled. +They will be. I know they will!”</p> + +<p>His hands were busy with his garments all this time: turning them inside +out, putting them on upside down, tearing them, mislaying them, making +them parties to every kind of extravagance.</p> + +<p>“I don’t know what to do!” cried Scrooge, laughing and crying in the +same breath; and making a perfect <span class="nowrap">Laocoön<a name="Anchor_346-18" id="Anchor_346-18"></a><a title="Go to footnote 346-18" href="#Footnote_346-18" class="fnanchor">346-18</a></span> of himself with his +stockings. “I am as light as a feather, I am as happy as an angel,<span class='pagenum'><a name="Page_347" id="Page_347">[347]</a></span> I am +as merry as a schoolboy. I am as giddy as a drunken man. A Merry +Christmas to everybody! A Happy New Year to all the world. Hallo here! +Whoop! Hallo!”</p> + +<p>He had frisked into the sitting-room, and was now standing there: +perfectly winded.</p> + +<p>“There’s the saucepan that the gruel was in!” cried Scrooge, starting +off again, and frisking round the fireplace. “There’s the door, by which +the Ghost of Jacob Marley entered! There’s the corner where the Ghost of +Christmas Present sat! There’s the window where I saw the wandering +Spirits! It’s all right, it’s all true, it all happened. Ha, ha, ha!”</p> + +<p>Really, for a man who had been out of practice for so many years, it was +a splendid laugh, a most illustrious laugh. The father of a long, long +line of brilliant laughs!</p> + +<p>“I don’t know what day of the month it is!” said Scrooge. “I don’t know +how long I’ve been among the Spirits. I don’t know anything. I’m quite a +baby. Never mind. I don’t care. I’d rather be a baby. Hallo! Whoop! +Hallo here!”</p> + +<p>He was checked in his transports by the churches ringing out the +lustiest peals he had ever heard. Clash, clang, hammer, ding, dong, +bell. Bell, dong, ding, hammer, clang, clash! Oh, glorious, glorious!</p> + +<p>Running to the window, he opened it, and put out his head. No fog, no +mist; clear, bright, jovial, stirring, cold; cold, piping for the blood +to dance to; golden sunlight; heavenly sky; sweet fresh air; merry +bells. Oh, glorious! Glorious!</p> + +<p><span class='pagenum'><a name="Page_348" id="Page_348">[348]</a></span>“What’s to-day?” cried Scrooge, calling downward to a boy in Sunday +clothes, who perhaps had loitered in to look about him.</p> + +<p>“<span class="smcap">Eh</span>?” returned the boy, with all his might of wonder.</p> + +<div class="figcenter" style="width: 245px;"> +<a name="image46" id="image46"></a><a href="images/image46-full.png"><img src="images/image46.png" width="245" height="264" alt="Scrooge looking out the window." title="HE STOOD BY THE WINDOW—GLORIOUS!" /></a> +<span class="caption">HE STOOD BY THE WINDOW—GLORIOUS!</span> +</div> + +<p>“What’s to-day, my fine fellow?” said Scrooge.</p> + +<p>“To-day!” replied the boy. “Why, <span class="smcap">Christmas Day</span>.”</p> + +<p>“It’s Christmas Day!” said Scrooge to himself. “I haven’t missed it. The +Spirits have done it all in one night. They can do anything they like. +Of<span class='pagenum'><a name="Page_349" id="Page_349">[349]</a></span> course they can. Of course they can. Hallo, my fine fellow!” +“Hallo!” returned the boy.</p> + +<p>“Do you know the poulterer’s, in the next street but one, at the +corner?” Scrooge inquired.</p> + +<p>“I should hope I did,” replied the lad.</p> + +<p>“An intelligent boy!” said Scrooge. “A remarkable boy! Do you know +whether they’ve sold the prize turkey that was hanging up there? Not the +little prize turkey: the big one?”</p> + +<p>“What, the one as big as me?” returned the boy.</p> + +<p>“What a delightful boy!” said Scrooge. “It’s a pleasure to talk to him. +Yes, my buck!”</p> + +<p>“It’s hanging there now,” replied the boy.</p> + +<p>“Is it?” said Scrooge. “Go and buy it.”</p> + +<p><span class="nowrap">“Walk-<span class="smcap">er</span>!”<a name="Anchor_349-19" id="Anchor_349-19"></a><a title="Go to footnote 349-19" href="#Footnote_349-19" class="fnanchor">349-19</a></span> exclaimed the boy.</p> + +<p>“No, no,” said Scrooge, “I am in earnest. Go and buy it, and tell ’em to +bring it here, that I may give them the direction where to take it. Come +back with the man, and I’ll give you a shilling. Come back with him in +less than five minutes, and I’ll give you half-a-crown!”</p> + +<p>The boy was off like a shot. He must have had a steady hand at a trigger +who could have got a shot off half so fast.</p> + +<p>“I’ll send it to Bob Cratchit’s!” whispered Scrooge, rubbing his hands, +and splitting with a laugh. “He shan’t know who sends it. It’s twice the +size of Tiny Tim. Joe <span class="nowrap">Miller<a name="Anchor_349-20" id="Anchor_349-20"></a><a title="Go to footnote 349-20" href="#Footnote_349-20" class="fnanchor">349-20</a></span> never made such a joke as sending +it to Bob’s will be!”</p> + +<p><span class='pagenum'><a name="Page_350" id="Page_350">[350]</a></span>The hand in which he wrote the address was not a steady one, but write +it he did, somehow, and went downstairs to open the street door, ready +for the coming of the poulterer’s man. As he stood there, waiting his +arrival, the knocker caught his eye.</p> + +<p>“I shall love it, as long as I live!” cried Scrooge, patting it with his +hand. “I scarcely ever looked at it before. What an honest expression it +has in its face! It’s a wonderful knocker!—Here’s the turkey. Hallo! +Whoop! How are you! Merry Christmas!”</p> + +<p>It <em>was</em> a turkey! He could never have stood upon his legs, that bird. +He would have snapped ’em short off in a minute, like sticks of +sealing-wax.</p> + +<p>“Why, it’s impossible to carry that to Camden Town,” said Scrooge. “You +must have a cab.”</p> + +<p>The chuckle with which he said this, and the chuckle with which he paid +for the turkey, and the chuckle with which he paid for the cab, and the +chuckle with which he recompensed the boy, were only to be exceeded by +the chuckle with which he sat down breathless in his chair again, and +chuckled till he cried.</p> + +<p>Shaving was not an easy task, for his hand continued to shake very much; +and shaving requires attention, even when you don’t dance while you are +at it. But if he had cut the end of his nose off, he would have put a +piece of sticking-plaster over it, and been quite satisfied.</p> + +<p>He dressed himself “all in his best,” and at last got out into the +streets. The people were by this time pouring forth, as he had seen them +with the Ghost of Christmas Present; and walking with his hands behind +him, Scrooge regarded every one with<span class='pagenum'><a name="Page_351" id="Page_351">[351]</a></span> a delighted smile. He looked so +irresistibly pleasant, in a word, that three or four good-humoured +fellows said, “Good morning, Sir! A Merry Christmas to you!” And Scrooge +said often afterwards, that of all the blithe sounds he had ever heard, +those were the blithest in his ears.</p> + +<p>He had not gone far, when coming on towards him he beheld the portly +gentleman, who had walked into his counting-house the day before and +said, “Scrooge and Marley’s, I believe?” It sent a pang across his heart +to think how this old gentleman would look upon him when they met; but +he knew what path lay straight before him, and he took it.</p> + +<p>“My dear Sir,” said Scrooge, quickening his pace, and taking the old +gentleman by both his hands. “How do you do? I hope you succeeded +yesterday. It was very kind of you. A Merry Christmas to you, Sir!”</p> + +<p>“Mr. Scrooge?”</p> + +<p>“Yes,” said Scrooge. “That is my name, and I fear it may not be pleasant +to you. Allow me to ask your pardon. And will you have the +goodness”—here Scrooge whispered in his ear.</p> + +<p>“Lord bless me,” cried the gentleman, as if his breath were gone. “My +dear Mr. Scrooge, are you serious?”</p> + +<p>“If you please,” said Scrooge. “Not a farthing less. A great many +back-payments are included in it, I assure you. Will you do me that +favour?”</p> + +<p>“My dear Sir,” said the other, shaking hands with him. “I don’t know +what to say to such munifi——”</p> + +<p>“Don’t say anything, please,” retorted Scrooge. “Come and see me. Will +you come and see me?”</p> + +<p><span class='pagenum'><a name="Page_352" id="Page_352">[352]</a></span>“I will!” cried the old gentleman. And it was clear he meant to do it.</p> + +<p>“Thank’ee,” said Scrooge. “I am much obliged to you. I thank you fifty +times. Bless you!”</p> + +<p>He went to church, and walked about the streets, and watched the people +hurrying to and fro, and patted children on the head, and questioned +beggars, and looked down into the kitchens of houses, and up to the +windows; and found that everything could yield him pleasure. He had +never dreamed that any walk—that anything—could give him so much +happiness. In the afternoon, he turned his steps towards his nephew’s +house. He passed the door a dozen times, before he had the courage to go +up and knock. But he made a dash, and did it.</p> + +<p>“Is your master at home, my dear?” said Scrooge to the girl. Nice girl! +Very.</p> + +<p>“Yes, Sir.”</p> + +<p>“Where is he, my love?” said Scrooge.</p> + +<p>“He’s in the dining-room, Sir, along with mistress. I’ll show you +upstairs, if you please.”</p> + +<p>“Thank’ee. He knows me,” said Scrooge, with his hand already on the +dining-room lock. “I’ll go in here, my dear.”</p> + +<p>He turned it gently, and sidled his face in, round the door. They were +looking at the table (which was spread out in great array); for these +young housekeepers are always nervous on such points, and like to see +that everything is right.</p> + +<p>“Fred!” said Scrooge.</p> + +<p>Dear heart alive, how his niece by marriage started! Scrooge had +forgotten, for the moment, about her sitting in the corner with the +<a name="corr19" id="corr19"></a>footstool, or he wouldn’t have done it, on any account.</p> + +<p><span class='pagenum'><a name="Page_353" id="Page_353">[353]</a></span>“Why bless my soul!” cried Fred, “who’s that?”</p> + +<p>“It’s I. Your uncle Scrooge. I have come to dinner. Will you let me in, +Fred?”</p> + +<p>Let him in! It is a mercy he didn’t shake his arm off. He was at home in +five minutes. Nothing could be heartier. His niece looked just the same. +So did Topper when <em>he</em> came. So did the plump sister, when <em>she</em> came. +So did every one when <em>they</em> came. Wonderful party, wonderful games, +wonderful unanimity, won-der-ful happiness!</p> + +<p>But he was early at the office next morning. Oh he was early there. If +he could only be there first, and catch Bob Cratchit coming late! That +was the thing he had set his heart upon.</p> + +<p>And he did it; yes he did! The clock struck nine. No Bob. A quarter +past. No Bob. He was full eighteen minutes and a half behind his time. +Scrooge sat with his door wide open, that he might see him come into the +Tank. His hat was off, before he opened the door; his comforter too. He +was on his stool in a jiffy; driving away with his pen, as if he were +trying to overtake nine o’clock.</p> + +<p>“Hallo!” growled Scrooge in his accustomed voice as near as he could +feign it. “What do you mean by coming here at this time of day?”</p> + +<p>“I am very sorry, Sir,” said Bob. “I <em>am</em> behind my time.”</p> + +<p>“You are?” repeated Scrooge. “Yes. I think you are. Step this way, Sir, +if you please.”</p> + +<p>“It’s only once a year, Sir,” pleaded Bob, appearing from the Tank. “It +shall not be repeated. I was making rather merry yesterday, Sir.”</p> + +<p>“Now, I’ll tell you what, my friend,” said Scrooge. “I am not going to +stand this sort of<span class='pagenum'><a name="Page_354" id="Page_354">[354]</a></span> thing any longer. And therefore,” he continued, +leaping from his stool, and giving Bob such a dig in the waistcoat that +he staggered back into the Tank again: “and therefore I am about to +raise your salary!”</p> + +<p>Bob trembled, and got a little nearer to the ruler. He had a momentary +idea of knocking Scrooge down with it; holding him; and calling to the +people in the court for help and a strait-waist-coat.</p> + +<p>“A Merry Christmas, Bob!” said Scrooge, with an earnestness that could +not be mistaken, as he clapped him on the back. “A merrier Christmas, +Bob, my good fellow, than I have given you for many a year! I’ll raise +your salary, and endeavor to assist your struggling family, and we will +discuss your affairs this very afternoon, over a Christmas bowl of +smoking bishop, Bob! Make up the fires, and buy another coal-scuttle +before you dot another i, Bob Cratchit!”</p> + + +<p style="margin-top: 2em;">Scrooge was better than his word. He did it all, and infinitely more; +and to Tiny Tim, who did NOT die, he was a second father. He became as +good a friend, as good a master, and as good a man, as the good old city +knew, or any other good old city, town, or borough, in the good old +world. Some people laughed to see the alteration in him, but he let them +laugh, and little heeded them; for he was wise enough to know that +nothing ever happened on this globe, for good, at which some people did +not have their fill of laughter in the outset; and knowing that such as +these would be blind anyway, he thought it quite as well that they +should wrinkle up their eyes in grins, as have the malady in less +attractive forms.<span class='pagenum'><a name="Page_355" id="Page_355">[355]</a></span> His own heart laughed: and that was quite enough for +him.</p> + +<div class="figcenter" style="width: 245px;"> +<a name="image47" id="image47"></a><a href="images/image47-full.png"><img src="images/image47.png" width="245" height="264" alt="Scrooge shaking hands with Bob by his desk in the office." title="“A MERRY CHRISTMAS, BOB!”" /></a> +<span class="caption">“A MERRY CHRISTMAS, BOB!”</span> +</div> + +<p>He had no further intercourse with Spirits, but lived upon the Total +Abstinence Principle, ever afterwards; and it was always said of him, +that he knew how to keep Christmas well, if any man alive possessed the +knowledge. May that be truly said of us, and all of us! And so, as Tiny +Tim observed, God Bless Us, Every One!</p> + + +<div class="footnotes"> + +<p><a name="Footnote_247-1" id="Footnote_247-1"></a><a title="Return to text." href="#Anchor_247-1" class="label">247-1</a> The fogs of London are famous. A genuine London fog +seems not like the heavy gray mist which we know as a fog, but, as +Dickens says, like “palpable brown air.” So dense is this brown air at +times that all traffic is obliged to cease, for not even those best +acquainted with the geography of the city can find their way about.</p> + +<p><a name="Footnote_251-2" id="Footnote_251-2"></a><a title="Return to text." href="#Anchor_251-2" class="label">251-2</a> <em>Bedlam</em> is the name of a famous asylum for lunatics, +in London. In former times the treatment of the inmates was far from +humane, but at the present time the management is excellent, and a large +proportion of the inmates are cured.</p> + +<p><a name="Footnote_252-3" id="Footnote_252-3"></a><a title="Return to text." href="#Anchor_252-3" class="label">252-3</a> Workhouses are establishments where paupers are cared +for, a certain amount of labor being expected from those who are able.</p> + +<p><a name="Footnote_252-4" id="Footnote_252-4"></a><a title="Return to text." href="#Anchor_252-4" class="label">252-4</a> In England formerly there existed a device for the +punishment of prisoners which was known as the <em>treadmill</em>. A huge +wheel, usually in the form of a long hollow cylinder, was provided with +steps about its circumference, and made to revolve by the weight of the +prisoner as he moved from step to step.</p> + +<p><a name="Footnote_253-5" id="Footnote_253-5"></a><a title="Return to text." href="#Anchor_253-5" class="label">253-5</a> Links are torches made of tow and pitch. In the days +before the invention of street lights, they were in common use in +England, and they are still seen during the dense London fogs.</p> + +<p><a name="Footnote_254-6" id="Footnote_254-6"></a><a title="Return to text." href="#Anchor_254-6" class="label">254-6</a> Saint Dunstan was an English archbishop and statesman +who lived in the tenth century.</p> + +<p><a name="Footnote_254-7" id="Footnote_254-7"></a><a title="Return to text." href="#Anchor_254-7" class="label">254-7</a> This is one of the best-known and oftenest-sung of +Christmas carols. In many parts of England, parties of men and boys go +about for several nights before Christmas singing carols before people’s +houses. These troops of singers are known as “waits.”</p> + +<p><a name="Footnote_258-8" id="Footnote_258-8"></a><a title="Return to text." href="#Anchor_258-8" class="label">258-8</a> The splinter-bar is the cross-bar of a vehicle, to +which the traces of the horses are fastened.</p> + +<p><a name="Footnote_261-9" id="Footnote_261-9"></a><a title="Return to text." href="#Anchor_261-9" class="label">261-9</a> There is a play on the word <em>bowels</em> here. What Scrooge +had heard said of Marley was that he had no bowels of compassion—that +is, no pity.</p> + +<p><a name="Footnote_277-10" id="Footnote_277-10"></a><a title="Return to text." href="#Anchor_277-10" class="label">277-10</a> Scrooge sees and recognizes the heroes of the books +which had been almost his only comforters in his neglected childhood.</p> + +<p><a name="Footnote_284-11" id="Footnote_284-11"></a><a title="Return to text." href="#Anchor_284-11" class="label">284-11</a> “Sir Roger de Coverley” is the English name for the +old-fashioned country-dance which is called in the United States the +“Virginia Reel.”</p> + +<p><a name="Footnote_300-12" id="Footnote_300-12"></a><a title="Return to text." href="#Anchor_300-12" class="label">300-12</a> Biffins are an excellent variety of apples raised in +England.</p> + +<p><a name="Footnote_301-13" id="Footnote_301-13"></a><a title="Return to text." href="#Anchor_301-13" class="label">301-13</a> <em>Baker’s</em> here does not mean exactly what it means +with us. In England the poorer people often take their dinners to a +baker’s to be cooked.</p> + +<p><a name="Footnote_303-14" id="Footnote_303-14"></a><a title="Return to text." href="#Anchor_303-14" class="label">303-14</a> A <em>bob</em>, in English slang, is a shilling.</p> + +<p><a name="Footnote_311-15" id="Footnote_311-15"></a><a title="Return to text." href="#Anchor_311-15" class="label">311-15</a> <em>Five-and-sixpence</em> means five shillings and sixpence, +or about $1.32.</p> + +<p><a name="Footnote_319-16" id="Footnote_319-16"></a><a title="Return to text." href="#Anchor_319-16" class="label">319-16</a> In what sense has Scrooge “resorted to the sexton’s +spade that buried Jacob Marley” to cultivate the kindnesses of life?</p> + +<p><a name="Footnote_320-17" id="Footnote_320-17"></a><a title="Return to text." href="#Anchor_320-17" class="label">320-17</a> “I love my love” is an old game of which there are +several slightly different forms. The player says “I love my love with +an <em>A</em> because he’s—,” giving some adjective beginning with <em>A</em>; “I +hate him with an <em>A</em> because he’s—; I took him to—and fed him on—,” +all the blanks being filled with words beginning with <em>A</em>. This is +carried out through the whole alphabet.</p> + +<p><a name="Footnote_346-18" id="Footnote_346-18"></a><a title="Return to text." href="#Anchor_346-18" class="label">346-18</a> The Laocoön is a famous ancient statue of a Trojan +priest, Laocoön, and his two sons, struggling in the grip of two +monstrous serpents. You have doubtless seen pictures of the group. +Dickens’s figure gives us a humorously exaggerated picture of Scrooge +and his stockings.</p> + +<p><a name="Footnote_349-19" id="Footnote_349-19"></a><a title="Return to text." href="#Anchor_349-19" class="label">349-19</a> This is a slang expression, used to express +incredulity. It has somewhat the same meaning as the slang phrase heard +in the United States—“Over the left.”</p> + +<p><a name="Footnote_349-20" id="Footnote_349-20"></a><a title="Return to text." href="#Anchor_349-20" class="label">349-20</a> Joe Miller was an English comedian who lived from 1684 +to 1738. The year after his death there appeared a little book called +<cite>Joe Miller’s Jests</cite>. These stories and jokes, however, were not written +by Miller.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_356" id="Page_356">[356]</a></span></p> + +<h2 class="story"><a name="CHRISTMAS_IN_OLD_TIME" id="CHRISTMAS_IN_OLD_TIME"></a>CHRISTMAS IN OLD TIME</h2> + +<p class="titlepage"><em>By</em> Sir Walter Scott</p> + + +<p class="poemopening"><span class="dropcaph"><span class="hide">H</span></span><span class="upper">eap</span> on more <span class="nowrap">wood!<a name="Anchor_356-1" id="Anchor_356-1"></a><a title="Go to footnote 356-1" href="#Footnote_356-1" class="fnanchor">356-1</a></span>—the wind is chill;<br /> +But let it whistle as it will,<br /> +We’ll keep our Christmas merry still.<br /> +Each age has deem’d the new-born year<br /> +The fittest time for festal <span class="nowrap">cheer:<a name="Anchor_356-2" id="Anchor_356-2"></a><a title="Go to footnote 356-2" href="#Footnote_356-2" class="fnanchor">356-2</a></span><br /> +And well our Christian sires of old<br /> +Loved when the year its course had roll’d,<br /> +And brought blithe Christmas back again,<br /> +With all his hospitable <span class="nowrap">train.<a name="Anchor_356-3" id="Anchor_356-3"></a><a title="Go to footnote 356-3" href="#Footnote_356-3" class="fnanchor">356-3</a></span><br /> +Domestic and religious <span class="nowrap">rite<a name="Anchor_356-4" id="Anchor_356-4"></a><a title="Go to footnote 356-4" href="#Footnote_356-4" class="fnanchor">356-4</a></span><br /> +Gave honor to the holy night;<br /> +On Christmas Eve the bells were <span class="nowrap">rung;<a name="Anchor_356-5" id="Anchor_356-5"></a><a title="Go to footnote 356-5" href="#Footnote_356-5" class="fnanchor">356-5</a></span><br /> +On <a name="corr20" id="corr20"></a>Christmas Eve the <span class="nowrap">mass<a name="Anchor_356-6" id="Anchor_356-6"></a><a title="Go to footnote 356-6" href="#Footnote_356-6" class="fnanchor">356-6</a></span> was sung:<br /> +That only night in all the year,<br /> +Saw the stoled priest the chalice <span class="nowrap">rear.<a name="Anchor_356-7" id="Anchor_356-7"></a><a title="Go to footnote 356-7" href="#Footnote_356-7" class="fnanchor">356-7</a></span><br /> +The damsel donn’d her kirtle <span class="nowrap">sheen;<a name="Anchor_356-8" id="Anchor_356-8"></a><a title="Go to footnote 356-8" href="#Footnote_356-8" class="fnanchor">356-8</a></span></p> + +<p class="poem"><span class='pagenum'><a name="Page_357" id="Page_357">[357]</a></span>The hall was dress’d with holly green;<br /> +Forth to the wood did merry-men go,<br /> +To gather in the <span class="nowrap">mistletoe.<a name="Anchor_357-9" id="Anchor_357-9"></a><a title="Go to footnote 357-9" href="#Footnote_357-9" class="fnanchor">357-9</a></span><br /> +Then open’d wide the baron’s hall<br /> +To <span class="nowrap">vassal,<a name="Anchor_357-10" id="Anchor_357-10"></a><a title="Go to footnote 357-10" href="#Footnote_357-10" class="fnanchor">357-10</a></span> <span class="nowrap">tenant,<a name="Anchor_357-11" id="Anchor_357-11"></a><a title="Go to footnote 357-11" href="#Footnote_357-11" class="fnanchor">357-11</a></span> <span class="nowrap">serf,<a name="Anchor_357-12" id="Anchor_357-12"></a><a title="Go to footnote 357-12" href="#Footnote_357-12" class="fnanchor">357-12</a></span> and all;<br /> +Power laid his rod of rule <span class="nowrap">aside,<a name="Anchor_357-13" id="Anchor_357-13"></a><a title="Go to footnote 357-13" href="#Footnote_357-13" class="fnanchor">357-13</a></span><br /> +And ceremony doff’d his <span class="nowrap">pride.<a name="Anchor_357-14" id="Anchor_357-14"></a><a title="Go to footnote 357-14" href="#Footnote_357-14" class="fnanchor">357-14</a></span><br /> +The heir, with roses in his <span class="nowrap">shoes,<a name="Anchor_357-15" id="Anchor_357-15"></a><a title="Go to footnote 357-15" href="#Footnote_357-15" class="fnanchor">357-15</a></span><br /> +That night might village partner <span class="nowrap">choose;<a name="Anchor_357-16" id="Anchor_357-16"></a><a title="Go to footnote 357-16" href="#Footnote_357-16" class="fnanchor">357-16</a></span><br /> +The lord, <span class="nowrap">underogating,<a name="Anchor_357-17" id="Anchor_357-17"></a><a title="Go to footnote 357-17" href="#Footnote_357-17" class="fnanchor">357-17</a></span> share<br /> +The vulgar game of “post and <span class="nowrap">pair.”<a name="Anchor_357-18" id="Anchor_357-18"></a><a title="Go to footnote 357-18" href="#Footnote_357-18" class="fnanchor">357-18</a></span><br /> +All hail’d, with uncontroll’d delight<br /> +And general voice, the happy night,<br /> +That to the cottage, as the crown,<br /> +Brought tidings of Salvation <span class="nowrap">down.<a name="Anchor_357-19" id="Anchor_357-19"></a><a title="Go to footnote 357-19" href="#Footnote_357-19" class="fnanchor">357-19</a></span></p> + +<p class="poem">The fire, with well-dried logs supplied,<br /> +Went roaring up the chimney wide;<br /> +<span class='pagenum'><a name="Page_358" id="Page_358">[358]</a></span>The huge hall-table’s oaken face,<br /> +Scrubb’d till it shone, the day to grace,<br /> +Bore then upon its massive board<br /> +No mark to part the squire and <span class="nowrap">lord.<a name="Anchor_358-20" id="Anchor_358-20"></a><a title="Go to footnote 358-20" href="#Footnote_358-20" class="fnanchor">358-20</a></span><br /> +Then was brought in the lusty <span class="nowrap">brawn,<a name="Anchor_358-21" id="Anchor_358-21"></a><a title="Go to footnote 358-21" href="#Footnote_358-21" class="fnanchor">358-21</a></span><br /> +By old blue-coated serving-man;<br /> +Then the grim boar’s head frown’d on high,<br /> +Crested with bays and <span class="nowrap">rosemary.<a name="Anchor_358-22" id="Anchor_358-22"></a><a title="Go to footnote 358-22" href="#Footnote_358-22" class="fnanchor">358-22</a></span><br /> +Well can the green-garb’d <span class="nowrap">ranger<a name="Anchor_358-23" id="Anchor_358-23"></a><a title="Go to footnote 358-23" href="#Footnote_358-23" class="fnanchor">358-23</a></span> tell,<br /> +How, when, and where, the monster fell;<br /> +What dogs before his death he tore,<br /> +And all the baiting of the <span class="nowrap">boar.<a name="Anchor_358-24" id="Anchor_358-24"></a><a title="Go to footnote 358-24" href="#Footnote_358-24" class="fnanchor">358-24</a></span><br /> +The <span class="nowrap">wassail<a name="Anchor_358-25" id="Anchor_358-25"></a><a title="Go to footnote 358-25" href="#Footnote_358-25" class="fnanchor">358-25</a></span> round, in good brown bowls,<br /> +Garnish’d with ribbons, blithely <span class="nowrap">trowls.<a name="Anchor_358-26" id="Anchor_358-26"></a><a title="Go to footnote 358-26" href="#Footnote_358-26" class="fnanchor">358-26</a></span></p> + +<p class="poem">There the huge sirloin reek’d; hard by<br /> +Plum-porridge stood, and Christmas <span class="nowrap">pie;<a name="Anchor_358-27" id="Anchor_358-27"></a><a title="Go to footnote 358-27" href="#Footnote_358-27" class="fnanchor">358-27</a></span><br /> +Nor fail’d old Scotland to produce,<br /> +At such high tide, her savory goose.<br /> +Then came the merry maskers in,<br /> +<span class='pagenum'><a name="Page_359" id="Page_359">[359]</a></span>And carols roar’d with blithesome din:<br /> +If unmelodious was the song,<br /> +It was a hearty note, and strong.<br /> +Who lists may in their mumming see<br /> +Traces of ancient <span class="nowrap">mystery;<a name="Anchor_359-28" id="Anchor_359-28"></a><a title="Go to footnote 359-28" href="#Footnote_359-28" class="fnanchor">359-28</a></span><br /> +White shirts supplied the masquerade,<br /> +And smutted cheeks the visors <span class="nowrap">made;—<a name="Anchor_359-29" id="Anchor_359-29"></a><a title="Go to footnote 359-29" href="#Footnote_359-29" class="fnanchor">359-29</a></span><br /> +But, O! what maskers, richly dight,<br /> +Can boast of bosoms, half so <span class="nowrap">light!<a name="Anchor_359-30" id="Anchor_359-30"></a><a title="Go to footnote 359-30" href="#Footnote_359-30" class="fnanchor">359-30</a></span><br /> +England was merry England, when<br /> +Old Christmas brought his sports again.<br /> +’Twas Christmas broach’d the mightiest ale;<br /> +’Twas Christmas told the merriest tale;<br /> +A Christmas gambol oft could cheer<br /> +The poor man’s heart through half the year.</p> + +<div class="figcenter" style="width: 180px;"> +<a name="image48" id="image48"></a><a href="images/image48-full.png"><img src="images/image48.png" width="180" height="95" alt="Christmas pudding" title="Christmas pudding" /></a> +</div> + + +<div class="footnotes"> + +<p><a name="Footnote_356-1" id="Footnote_356-1"></a><a title="Return to text." href="#Anchor_356-1" class="label">356-1</a> Is there a stove or a fireplace in the room where the +poet sees Christmas kept?</p> + +<p><a name="Footnote_356-2" id="Footnote_356-2"></a><a title="Return to text." href="#Anchor_356-2" class="label">356-2</a> What is cheer? What is festal cheer?</p> + +<p><a name="Footnote_356-3" id="Footnote_356-3"></a><a title="Return to text." href="#Anchor_356-3" class="label">356-3</a> What is a “train”? How could it be called a hospitable +train? Whose train was it?</p> + +<p><a name="Footnote_356-4" id="Footnote_356-4"></a><a title="Return to text." href="#Anchor_356-4" class="label">356-4</a> What is a rite?</p> + +<p><a name="Footnote_356-5" id="Footnote_356-5"></a><a title="Return to text." href="#Anchor_356-5" class="label">356-5</a> What bells were rung?</p> + +<p><a name="Footnote_356-6" id="Footnote_356-6"></a><a title="Return to text." href="#Anchor_356-6" class="label">356-6</a> What is a mass?</p> + +<p><a name="Footnote_356-7" id="Footnote_356-7"></a><a title="Return to text." href="#Anchor_356-7" class="label">356-7</a> What is a <em>stoled</em> priest? What is a chalice? What did +the priest do when he reared the chalice?</p> + +<p><a name="Footnote_356-8" id="Footnote_356-8"></a><a title="Return to text." href="#Anchor_356-8" class="label">356-8</a> The kirtle was a dress-skirt or outer petticoat. +<em>Sheen</em> means <em>gay</em> or <em>bright</em>.</p> + +<p><a name="Footnote_357-9" id="Footnote_357-9"></a><a title="Return to text." href="#Anchor_357-9" class="label">357-9</a> What is mistletoe? Is there anything peculiar in its +habits of growth? What did they want of it? What custom is still said to +follow the use of mistletoe at Christmastime?</p> + +<p><a name="Footnote_357-10" id="Footnote_357-10"></a><a title="Return to text." href="#Anchor_357-10" class="label">357-10</a> A vassal was one of the followers of the baron and +paid for protection or for lands he held by fighting in the baron’s +troops or rendering some other service.</p> + +<p><a name="Footnote_357-11" id="Footnote_357-11"></a><a title="Return to text." href="#Anchor_357-11" class="label">357-11</a> A tenant held lands or houses, for which he paid some +form of rent.</p> + +<p><a name="Footnote_357-12" id="Footnote_357-12"></a><a title="Return to text." href="#Anchor_357-12" class="label">357-12</a> A serf was a slave.</p> + +<p><a name="Footnote_357-13" id="Footnote_357-13"></a><a title="Return to text." href="#Anchor_357-13" class="label">357-13</a> At Christmastime even the powerful were willing to +cease from ruling and join with the common people.</p> + +<p><a name="Footnote_357-14" id="Footnote_357-14"></a><a title="Return to text." href="#Anchor_357-14" class="label">357-14</a> Instead of grand ceremonies, everybody joined in +simple amusements, without pride or prejudice.</p> + +<p><a name="Footnote_357-15" id="Footnote_357-15"></a><a title="Return to text." href="#Anchor_357-15" class="label">357-15</a> Who was the heir? What was he heir to? Why did he have +roses in his shoes?</p> + +<p><a name="Footnote_357-16" id="Footnote_357-16"></a><a title="Return to text." href="#Anchor_357-16" class="label">357-16</a> Was he permitted to dance with village maidens at any +other time?</p> + +<p><a name="Footnote_357-17" id="Footnote_357-17"></a><a title="Return to text." href="#Anchor_357-17" class="label">357-17</a> Without losing any of his dignity.</p> + +<p><a name="Footnote_357-18" id="Footnote_357-18"></a><a title="Return to text." href="#Anchor_357-18" class="label">357-18</a> An old-fashioned game of cards.</p> + +<p><a name="Footnote_357-19" id="Footnote_357-19"></a><a title="Return to text." href="#Anchor_357-19" class="label">357-19</a> Who brought the tidings of Salvation? To whom was it +brought? Who was “the crown”?</p> + +<p><a name="Footnote_358-20" id="Footnote_358-20"></a><a title="Return to text." href="#Anchor_358-20" class="label">358-20</a> A lord was one who had power and authority, while a +squire was merely an attendant upon a lord.</p> + +<p><a name="Footnote_358-21" id="Footnote_358-21"></a><a title="Return to text." href="#Anchor_358-21" class="label">358-21</a> Brawn, in England, is a preparation of meat, generally +sheep’s head, pig’s head, hock of beef, or boar’s meat, boiled and +seasoned, and run into jelly moulds.</p> + +<p><a name="Footnote_358-22" id="Footnote_358-22"></a><a title="Return to text." href="#Anchor_358-22" class="label">358-22</a> What are bays? What is rosemary? Why should the boar’s +head be called <em>crested</em>? Where was it? Why was it there? Why does the +poet say it <em>frowned</em> on high?</p> + +<p><a name="Footnote_358-23" id="Footnote_358-23"></a><a title="Return to text." href="#Anchor_358-23" class="label">358-23</a> Who was a ranger? What did he do? Do you see any +reason for his being green-garbed?</p> + +<p><a name="Footnote_358-24" id="Footnote_358-24"></a><a title="Return to text." href="#Anchor_358-24" class="label">358-24</a> What is meant by <em>baiting</em>? Who tore the dogs? Why did +he tear them? What made the monster fall?</p> + +<p><a name="Footnote_358-25" id="Footnote_358-25"></a><a title="Return to text." href="#Anchor_358-25" class="label">358-25</a> Wassail (<em>wossil</em>): the liquor in which they drank +their toasts, and which signified the good cheer of Christmastime.</p> + +<p><a name="Footnote_358-26" id="Footnote_358-26"></a><a title="Return to text." href="#Anchor_358-26" class="label">358-26</a> Moves about; that is, the liquor in good brown bowls +was merrily passed along the table from hand to hand.</p> + +<p><a name="Footnote_358-27" id="Footnote_358-27"></a><a title="Return to text." href="#Anchor_358-27" class="label">358-27</a> What was near the sirloin? How many kinds of meat were +there on the table? Is anything mentioned besides meat? Do you suppose +they had other things to eat? Did they have bread and vegetables?</p> + +<p><a name="Footnote_359-28" id="Footnote_359-28"></a><a title="Return to text." href="#Anchor_359-28" class="label">359-28</a> In the <em>mumming</em> or acting of these maskers could be +seen traces of the ancient mystic plays in which religious lessons were +given in plays that were acted with the approval of the church.</p> + +<p><a name="Footnote_359-29" id="Footnote_359-29"></a><a title="Return to text." href="#Anchor_359-29" class="label">359-29</a> Did the maskers have rich costumes? What did they wear +over their faces? How did they conceal their clothing?</p> + +<p><a name="Footnote_359-30" id="Footnote_359-30"></a><a title="Return to text." href="#Anchor_359-30" class="label">359-30</a> Does the poet think that rich maskers would enjoy +their pleasure as much as the old-fashioned Christmas merrymakers?</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_360" id="Page_360">[360]</a></span></p> + +<h2 class="story"><a name="ELEGY" id="ELEGY"></a>ELEGY</h2> + +<p class="titlepage">WRITTEN IN A COUNTRY CHURCHYARD</p> + +<p class="titlepage"><em>By</em> <span class="smcap">Thomas Gray</span></p> + + +<div class="blockquot"><p><span class="smcap">Note.</span>—A mournful song written to express grief at the loss of some +friend or relative, and at the same time to praise the dead person, +is known as an elegy. Sometimes the word has a wider meaning, and +includes a poem which expresses the same ideas but applies them to +a class of people rather than to an individual. Such a poem is not +so personal, and for that very reason it will be appreciated by a +larger number of readers. Gray’s <cite>Elegy</cite> is of the latter class—is +perhaps the one great poem of that class; for in all probability +more people have loved it and found in its gentle sadness, its +exquisite phraseology and its musical lines more genuine charm than +in any similar poem in the language.</p> + +<p>To one who already loves it, any comments on the poem may at first +thought seem like desecration, but, on the other hand, there is so +much more in the <cite>Elegy</cite> than appears at first glance that it is +worth while to read it in the light of another’s eyes. Not a few +persons find some enjoyment in reading, but fall far short of the +highest pleasure because of their failure really to comprehend the +meaning of certain words and forms of expression. For that reason, +notes are appended where they may be needed. A good reader is never +troubled by notes at the bottom of the page. If they are of no +interest or benefit to him, he knows it with a glance and passes on +with his reading. If the note is helpful, he gathers the +information and returns to his reading, beginning not at the word +from which the reference was made, but at the beginning of the +sentence or stanza; then he loses nothing by going to the footnote.</p></div> + +<p><span class='pagenum'><a name="Page_361" id="Page_361">[361]</a></span></p> + +<p class="poem" style="margin-top: 2em;"><span class="dropcapt"><span class="hide">T</span></span><span class="upper">The</span> <span class="nowrap">curfew<a name="Anchor_361-1" id="Anchor_361-1"></a><a title="Go to footnote 361-1" href="#Footnote_361-1" class="fnanchor">361-1</a></span> tolls the <span class="nowrap">knell<a name="Anchor_361-2" id="Anchor_361-2"></a><a title="Go to footnote 361-2" href="#Footnote_361-2" class="fnanchor">361-2</a></span> of parting day,<br /> +<span class="i1">The lowing herd winds slowly o’er the lea,</span><br /> +The plowman homeward plods his weary way<br /> +<span class="i1">And leaves the world to darkness and to me.</span></p> + +<div class="figcenter" style="width: 250px;"> +<a name="image49" id="image49"></a><a href="images/image49-full.png"><img src="images/image49.png" width="250" height="203" alt="A man walking down a road behind two harnessed horses." title="HOMEWARD PLODS HIS WEARY WAY" /></a> +<span class="caption">HOMEWARD PLODS HIS WEARY WAY</span> +</div> + +<p class="poem">Now fades the glimmering landscape on the sight,<br /> +<span class="i1">And all the air a solemn stillness holds,</span><br /> +Save where the beetle wheels his droning flight,<br /> +<span class="i1">And drowsy tinklings lull the distant <span class="nowrap">folds;<a name="Anchor_361-3" id="Anchor_361-3"></a><a title="Go to footnote 361-3" href="#Footnote_361-3" class="fnanchor">361-3</a></span></span></p> + +<p class="poem"><span class='pagenum'><a name="Page_362" id="Page_362">[362]</a></span>Save that from yonder ivy-mantled <span class="nowrap">tower<a name="Anchor_362-4" id="Anchor_362-4"></a><a title="Go to footnote 362-4" href="#Footnote_362-4" class="fnanchor">362-4</a></span><br /> +<span class="i1">The moping owl does to the moon complain</span><br /> +Of such as, wandering near her secret bower,<br /> +<span class="i1">Molest her ancient solitary <span class="nowrap">reign.<a name="Anchor_362-5" id="Anchor_362-5"></a><a title="Go to footnote 362-5" href="#Footnote_362-5" class="fnanchor">362-5</a></span></span></p> + +<p class="poem">Beneath those rugged elms, that yew-tree’s shade,<br /> +<span class="i1">Where heaves the turf in many a mold’ring heap,</span><br /> +Each in his narrow cell forever laid,<br /> +<span class="i1">The <span class="nowrap">rude<a name="Anchor_362-6" id="Anchor_362-6"></a><a title="Go to footnote 362-6" href="#Footnote_362-6" class="fnanchor">362-6</a></span> forefathers of the hamlet sleep.</span></p> + +<p class="poem">The breezy call of incense-breathing morn,<br /> +<span class="i1">The swallow twittering from the straw-built shed,</span><br /> +The cock’s shrill <span class="nowrap">clarion,<a name="Anchor_362-7" id="Anchor_362-7"></a><a title="Go to footnote 362-7" href="#Footnote_362-7" class="fnanchor">362-7</a></span> or the echoing horn,<br /> +<span class="i1">No more shall rouse them from their lowly <span class="nowrap">bed.<a name="Anchor_362-8" id="Anchor_362-8"></a><a title="Go to footnote 362-8" href="#Footnote_362-8" class="fnanchor">362-8</a></span></span></p> + +<p class="poem">For them no more the blazing hearth shall burn,<br /> +<span class="i1">Or busy housewife ply her evening <span class="nowrap">care;<a name="Anchor_362-9" id="Anchor_362-9"></a><a title="Go to footnote 362-9" href="#Footnote_362-9" class="fnanchor">362-9</a></span></span><br /> +<span class='pagenum'><a name="Page_363" id="Page_363">[363]</a></span>No children run to lisp their sire’s <span class="nowrap">return,<a name="Anchor_363-10" id="Anchor_363-10"></a><a title="Go to footnote 363-10" href="#Footnote_363-10" class="fnanchor">363-10</a></span><br /> +<span class="i1">Or climb his knees the envied kiss to share.</span></p> + +<p class="poem">Oft did the harvest to their sickle yield,<br /> +<span class="i1">Their furrow oft the stubborn <span class="nowrap">glebe<a name="Anchor_363-11" id="Anchor_363-11"></a><a title="Go to footnote 363-11" href="#Footnote_363-11" class="fnanchor">363-11</a></span> has broke;</span><br /> +How <span class="nowrap">jocund<a name="Anchor_363-12" id="Anchor_363-12"></a><a title="Go to footnote 363-12" href="#Footnote_363-12" class="fnanchor">363-12</a></span> did they drive their team a-field!<br /> +<span class="i1">How bowed the woods beneath their sturdy stroke!</span></p> + +<p class="poem">Let not <span class="nowrap">Ambition<a name="Anchor_363-13" id="Anchor_363-13"></a><a title="Go to footnote 363-13" href="#Footnote_363-13" class="fnanchor">363-13</a></span> mock their useful toil,<br /> +<span class="i1">Their homely joys and destiny obscure;</span><br /> +Nor Grandeur hear, with a disdainful smile,<br /> +<span class="i1">The short and simple annals of the poor.</span></p> + +<p class="poem">The boast of heraldry, the pomp of power,<br /> +<span class="i1">And all that beauty, all that wealth e’er gave,</span><br /> +<span class="nowrap">Await<a name="Anchor_363-14" id="Anchor_363-14"></a><a title="Go to footnote 363-14" href="#Footnote_363-14" class="fnanchor">363-14</a></span> alike th’ inevitable hour:<br /> +<span class="i1">The paths of glory lead but to the <span class="nowrap">grave.<a name="Anchor_363-15" id="Anchor_363-15"></a><a title="Go to footnote 363-15" href="#Footnote_363-15" class="fnanchor">363-15</a></span></span></p> + +<p class="poem"><span class='pagenum'><a name="Page_364" id="Page_364">[364]</a></span>Nor you, ye proud, impute to these the fault,<br /> +<span class="i1">If Memory o’er their tomb no trophies raise,</span><br /> +Where, through the long-drawn <span class="nowrap">aisle<a name="Anchor_364-16" id="Anchor_364-16"></a><a title="Go to footnote 364-16" href="#Footnote_364-16" class="fnanchor">364-16</a></span> and fretted vault,<br /> +<span class="i1">The pealing anthem swells the note of praise.</span></p> + +<p class="poem">Can storied urn or animated <span class="nowrap">bust<a name="Anchor_364-17" id="Anchor_364-17"></a><a title="Go to footnote 364-17" href="#Footnote_364-17" class="fnanchor">364-17</a></span><br /> +<span class="i1">Back to its mansion call the fleeting breath?</span><br /> +Can Honour’s voice <span class="nowrap">provoke<a name="Anchor_364-18" id="Anchor_364-18"></a><a title="Go to footnote 364-18" href="#Footnote_364-18" class="fnanchor">364-18</a></span> the silent dust,<br /> +<span class="i1">Or Flattery soothe the dull cold ear of Death?</span></p> + +<p class="poem">Perhaps in this neglected spot is laid<br /> +<span class="i1">Some heart once pregnant with celestial <span class="nowrap">fire;<a name="Anchor_364-19" id="Anchor_364-19"></a><a title="Go to footnote 364-19" href="#Footnote_364-19" class="fnanchor">364-19</a></span></span><br /> +Hands that the rod of empire might have swayed,<br /> +<span class="i1">Or waked to ecstasy the living <span class="nowrap">lyre.<a name="Anchor_364-20" id="Anchor_364-20"></a><a title="Go to footnote 364-20" href="#Footnote_364-20" class="fnanchor">364-20</a></span></span></p> + +<p class="poem">But Knowledge to their eyes her ample page,<br /> +<span class="i1">Rich with the spoils of time, did ne’er <span class="nowrap">unroll;<a name="Anchor_364-21" id="Anchor_364-21"></a><a title="Go to footnote 364-21" href="#Footnote_364-21" class="fnanchor">364-21</a></span></span><br /> +Chill Penury repressed their noble rage,<br /> +<span class="i1">And froze the genial current of the soul.</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_365" id="Page_365">[365]</a></span>Full many a gem of purest ray serene<br /> +<span class="i1">The dark, unfathomed caves of ocean bear;</span><br /> +Full many a flower is born to blush unseen,<br /> +<span class="i1">And waste its sweetness on the desert air.</span></p> + +<p class="poem">Some village Hampden, that with dauntless breast<br /> +<span class="i1">The little tyrant of his fields withstood,</span><br /> +Some mute inglorious Milton here may rest—<br /> +<span class="i1">Some Cromwell, guiltless of his country’s <span class="nowrap">blood.<a name="Anchor_365-22" id="Anchor_365-22"></a><a title="Go to footnote 365-22" href="#Footnote_365-22" class="fnanchor">365-22</a></span></span></p> + +<p class="poem">Th’ <span class="nowrap">applause<a name="Anchor_365-23" id="Anchor_365-23"></a><a title="Go to footnote 365-23" href="#Footnote_365-23" class="fnanchor">365-23</a></span> of listening senates to command<br /> +<span class="i1">The threats of pain and ruin to despise,</span><br /> +To scatter plenty o’er a smiling land,<br /> +<span class="i1">And read their history in a nation’s eyes,</span></p> + +<p class="poem">Their lot forbade: nor circumscribed alone<br /> +<span class="i1">Their growing virtues, but their crimes confined;</span><br /> +Forbade to wade through slaughter to a <span class="nowrap">throne,<a name="Anchor_365-24" id="Anchor_365-24"></a><a title="Go to footnote 365-24" href="#Footnote_365-24" class="fnanchor">365-24</a></span><br /> +<span class="i1">And shut the gates of mercy on mankind;</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_366" id="Page_366">[366]</a></span>The struggling pangs of conscious truth to hide<br /> +<span class="i1">To quench the blushes of ingenuous shame,</span><br /> +Or heap the shrine of Luxury and Pride<br /> +<span class="i1">With incense kindled at the Muse’s <span class="nowrap">flame.<a name="Anchor_366-25" id="Anchor_366-25"></a><a title="Go to footnote 366-25" href="#Footnote_366-25" class="fnanchor">366-25</a></span></span></p> + +<p class="poem">Far from the <span class="nowrap">madding<a name="Anchor_366-26" id="Anchor_366-26"></a><a title="Go to footnote 366-26" href="#Footnote_366-26" class="fnanchor">366-26</a></span> crowd’s ignoble strife,<br /> +<span class="i1">Their sober wishes never learned to stray;</span><br /> +Along the cool, sequestered vale of life<br /> +<span class="i1">They kept the noiseless tenor of their way.</span></p> + +<p class="poem">Yet ev’n these bones from insult to protect<br /> +<span class="i1">Some frail <span class="nowrap">memorial<a name="Anchor_366-27" id="Anchor_366-27"></a><a title="Go to footnote 366-27" href="#Footnote_366-27" class="fnanchor">366-27</a></span> still erected nigh,</span><br /> +With <span class="nowrap">uncouth<a name="Anchor_366-28" id="Anchor_366-28"></a><a title="Go to footnote 366-28" href="#Footnote_366-28" class="fnanchor">366-28</a></span> rhymes and shapeless sculpture decked,<br /> +<span class="i1">Implores the passing tribute of a sigh.</span></p> + +<p class="poem">Their name, their years, spelt by th’ unlettered Muse,<br /> +<span class="i1">The place of fame and elegy supply;</span><br /> +And many a holy text around she strews,<br /> +<span class="i1">That teach the rustic moralist to <span class="nowrap">die.<a name="Anchor_366-29" id="Anchor_366-29"></a><a title="Go to footnote 366-29" href="#Footnote_366-29" class="fnanchor">366-29</a></span></span></p> + +<p class="poem"><span class='pagenum'><a name="Page_367" id="Page_367">[367]</a></span>For who, to dumb Forgetfulness a prey,<br /> +<span class="i1">This pleasing, anxious being e’er resigned,</span><br /> +Left the warm precincts of the cheerful day,<br /> +<span class="i1">Nor cast one longing, ling’ring look <span class="nowrap">behind?<a name="Anchor_367-30" id="Anchor_367-30"></a><a title="Go to footnote 367-30" href="#Footnote_367-30" class="fnanchor">367-30</a></span></span></p> + +<p class="poem">On some fond breast the parting soul relies,<br /> +<span class="i1">Some pious drops the closing eye requires;</span><br /> +E’en from the tomb the voice of Nature cries,<br /> +<span class="i1">E’en in our ashes live their wonted fires.</span></p> + +<p class="poem">For <span class="nowrap">thee,<a name="Anchor_367-31" id="Anchor_367-31"></a><a title="Go to footnote 367-31" href="#Footnote_367-31" class="fnanchor">367-31</a></span> who, mindful of th’ unhonored dead,<br /> +<span class="i1">Dost in these lines their artless tale relate;</span><br /> +If chance, by lonely Contemplation led,<br /> +<span class="i1">Some kindred spirit shall inquire thy fate,</span></p> + +<p class="poem">Haply some hoary-headed swain may say,<br /> +<span class="i1">“Oft have we seen him at the peep of dawn,</span><br /> +Brushing with hasty steps the dews away,<br /> +<span class="i1">To meet the sun upon the upland lawn.</span></p> + +<p class="poem">“There at the foot of yonder nodding beech,<br /> +<span class="i1">That wreathes its old fantastic roots so high,</span><br /> +His listless length at noontide would he stretch,<br /> +<span class="i1">And pore upon the brook that babbles by.</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_368" id="Page_368">[368]</a></span>“Hard by yon wood, now smiling as in scorn,<br /> +<span class="i1">Mutt’ring his wayward fancies, he would rove;</span><br /> +Now drooping, <a name="corr24" id="corr24"></a>woeful-wan, like one forlorn,<br /> +<span class="i1">Or crazed with care, or crossed in hopeless love.</span></p> + +<p class="poem">“One morn I missed him from the customed hill,<br /> +<span class="i1">Along the heath, and near his fav’rite tree.</span><br /> +Another came; nor yet beside the rill,<br /> +<span class="i1">Nor up the lawn, nor at the wood was he.</span></p> + +<p class="poem">“The next, with dirges <span class="nowrap">due,<a name="Anchor_368-32" id="Anchor_368-32"></a><a title="Go to footnote 368-32" href="#Footnote_368-32" class="fnanchor">368-32</a></span> in sad array,<br /> +<span class="i1">Slow through the church way path we saw him borne.—</span><br /> +Approach and read, for thou canst read, the lay<br /> +<span class="i1">Graved on the stone beneath yon aged thorn.”<a name="Anchor_368-33" id="Anchor_368-33"></a><a title="Go to footnote 368-33" href="#Footnote_368-33" class="fnanchor">368-33</a></span></p> + + +<p class="poem" style="margin-top: 2em;"><span class="i6">THE EPITAPH</span></p> + +<p class="poem">Here rests his head upon the lap of Earth,<br /> +<span class="i1">A youth, to Fortune and to Fame unknown:</span><br /> +Fair Science frowned not on his humble birth,<br /> +<span class="i1">And Melancholy marked him for her own.</span></p> + +<p class="poem">Large was his bounty, and his soul sincere;<br /> +<span class="i1">Heaven did a recompense as largely send:</span><br /> +He gave to Misery, all he had, a tear,<br /> +<span class="i1">He gained from Heaven (’twas all he wished) a friend.</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_369" id="Page_369">[369]</a></span>No farther seek his merits to disclose,<br /> +<span class="i1">Or draw his frailties from their dread abode,</span><br /> +(There they alike in trembling hope repose,)<br /> +<span class="i1">The bosom of his Father and his God.</span></p> + +<div class="figcenter" style="width: 250px;"> +<a name="image50" id="image50"></a><a href="images/image50-full.png"><img src="images/image50.png" width="250" height="301" alt="A man sitting on a bench beside a grave in a churchyard." title="THE COUNTRY CHURCHYARD" /></a> +<span class="caption">THE COUNTRY CHURCHYARD</span> +</div> + +<div class="blockquot"><p class="opening"><span class="dropcap">T</span><span class="upper">homas Gray</span> was born in London on the twenty-sixth of December, +1716, and received his education at Cambridge, where he lived most +of his quiet life and where <span class='pagenum' style="font-size: 89%"><a name="Page_370" id="Page_370">[370]</a></span>he died in 1771. He was a small and +graceful man with handsome features and rather an effeminate +appearance, always dressed with extreme care. The greater part of +his life was spent in neatly furnished rooms among his books, for +he was a hard student, and became noted as one of the first +scholars of his time. Among his friends he was witty and +entertaining, but among strangers, quiet and reserved, almost +timid. He loved his mother devotedly, and after her death he kept +her dress neatly folded in his trunk, always by him. Innocent, +well-meaning, gentle and retiring, he drew many warm friends to +him, though his great learning and his fondness for giving +information made many people think him something of a prig.</p> + +<p>It might be considered a weakness in the <cite>Elegy</cite> that it drifts +into an elegy on the writer, who becomes lost in the pathos of his +own sad end. Yet, knowing the man as we do, we can understand his +motives and forgive the seeming selfishness. He is not the only +poet whose own sorrows, real or imaginary, were his greatest +inspiration.</p> + +<p>The metre of the <cite>Elegy</cite> had been used, before Gray’s time, by Sir +John Davies for his <cite>Immortality of the Soul</cite>, Sir William Davenant +in his <cite>Gondibert</cite>, and Dryden in his <cite>Annus Mirabilis</cite>, and +others; but in no instance so happily as here by Gray. In the +<cite>Elegy</cite> the quatrain has not the somewhat disjunctive and isolating +effect that it has in some other works where there is continuous +argument or narrative that should run on with as few metrical +hindrances as possible. It is well adapted to convey a series of +solemn reflections, and that is its work in the <cite>Elegy</cite>.</p></div> + + +<div class="footnotes"> + +<p><a name="Footnote_361-1" id="Footnote_361-1"></a><a title="Return to text." href="#Anchor_361-1" class="label">361-1</a> In some of our American towns and cities a curfew bell +is rung as a signal that the children must leave the streets and go to +their homes. Many years ago it was the custom in English villages to +ring a bell at nightfall as a signal for people to cover their fires +with ashes to preserve till morning, and as a signal for bed. The word +<em>curfew</em>, in fact, is from the French, and means <em>cover fire</em>.</p> + +<p><a name="Footnote_361-2" id="Footnote_361-2"></a><a title="Return to text." href="#Anchor_361-2" class="label">361-2</a> The word <em>knell</em> suggests death, and gives the first +mournful note to the poem.</p> + +<p><a name="Footnote_361-3" id="Footnote_361-3"></a><a title="Return to text." href="#Anchor_361-3" class="label">361-3</a> The sheep are shut up for the night in the <em>folds</em> or +pens. What are the <em>tinklings</em>? Why should they be called <em>drowsy</em>?</p> + +<p><a name="Footnote_362-4" id="Footnote_362-4"></a><a title="Return to text." href="#Anchor_362-4" class="label">362-4</a> The poem is supposed to have been written in the yard +of Stoke-Pogis church, a little building with a square tower, the whole +covered with a riotous growth of ivy vines. The church is in the +country, not many miles from Windsor Castle; and even to this day the +beautiful landscape preserves the rural charms it had in Gray’s time. We +must not suppose that Gray actually sat in the churchyard and wrote his +lines. As a matter of fact, he was a very careful and painstaking +writer, and for eight years was at work on this poem, selecting each +word so that it should express just the shade of meaning he wanted and +give the perfect melody he sought. However, he did begin the poem at +Stoke in October or November of 1742 and continued it there in November, +1749; but it was finished in Cambridge in June, 1750.</p> + +<p><a name="Footnote_362-5" id="Footnote_362-5"></a><a title="Return to text." href="#Anchor_362-5" class="label">362-5</a> <em>Reign</em> here means <em>dominion</em> or <em>possessions</em>. Why is +the bird called a <em>moping</em> owl? Why is her reign <em>solitary</em>? What word +is understood after <em>such</em> in the third line of this stanza?</p> + +<p><a name="Footnote_362-6" id="Footnote_362-6"></a><a title="Return to text." href="#Anchor_362-6" class="label">362-6</a> <em>Rude</em> means <em>uneducated</em>, <em>uncultured</em>, not +<em>ill-mannered</em>.</p> + +<p><a name="Footnote_362-7" id="Footnote_362-7"></a><a title="Return to text." href="#Anchor_362-7" class="label">362-7</a> A clarion is a loud, clear-sounding trumpet.</p> + +<p><a name="Footnote_362-8" id="Footnote_362-8"></a><a title="Return to text." href="#Anchor_362-8" class="label">362-8</a> In the church are the tombs of the wealthy and titled +of the neighborhood, and in the building and on the walls are monuments +that tell the virtues of the lordly dead. It is outside, however, under +the sod, in their narrow cells, that the virtuous poor, the real +subjects of the poet’s thoughts, lie in quiet slumbers.</p> + +<p><a name="Footnote_362-9" id="Footnote_362-9"></a><a title="Return to text." href="#Anchor_362-9" class="label">362-9</a> What evening cares has the busy housewife? Was she +making the clothes of her children, knitting, mending, darning, after +the supper dishes were put away?</p> + +<p><a name="Footnote_363-10" id="Footnote_363-10"></a><a title="Return to text." href="#Anchor_363-10" class="label">363-10</a> Where were the children? Were they waiting for their +father’s return? To whom would they run to tell of his coming?</p> + +<p><a name="Footnote_363-11" id="Footnote_363-11"></a><a title="Return to text." href="#Anchor_363-11" class="label">363-11</a> The <em>glebe</em> is the turf. Why should it be called +<em>stubborn</em>?</p> + +<p><a name="Footnote_363-12" id="Footnote_363-12"></a><a title="Return to text." href="#Anchor_363-12" class="label">363-12</a> <em>Jocund</em> means <em>joyful</em>.</p> + +<p><a name="Footnote_363-13" id="Footnote_363-13"></a><a title="Return to text." href="#Anchor_363-13" class="label">363-13</a> The word <em>Ambition</em> begins with a capital letter +because Gray speaks of ambition as though it were a person. The line +means, “Let not ambitious persons speak lightly of the work the rude +forefathers did.”</p> + +<p><a name="Footnote_363-14" id="Footnote_363-14"></a><a title="Return to text." href="#Anchor_363-14" class="label">363-14</a> The inevitable hour (death) alike awaits the boast of +heraldry, the pomp of power, and all that beauty, all that wealth e’er +gave.</p> + +<p><a name="Footnote_363-15" id="Footnote_363-15"></a><a title="Return to text." href="#Anchor_363-15" class="label">363-15</a> This is perhaps the most famous stanza in the poem. +The following story is told of General Wolfe as he was leading his +troops to the daring assault on Quebec in 1759: “At past midnight, when +the heavens were hung black with clouds, and the boats were floating +silently back with the tide to the intended landing-place at the chosen +ascent <a name="corr22" id="corr22"></a>to the Plains of Abraham, he repeated in low tones to the +officers around him this touching stanza of Gray’s <cite>Elegy</cite>. <a name="corr23" id="corr23"></a>‘Now, +gentlemen,’ said Wolfe, ‘I would rather be the author of that poem than +the possessor of the glory of beating the French to-morrow!’ He fell the +next day, and expired just as the shouts of the victory of the English +fell upon his almost unconscious ears.”</p> + +<p><a name="Footnote_364-16" id="Footnote_364-16"></a><a title="Return to text." href="#Anchor_364-16" class="label">364-16</a> Now, an aisle is the passageway between the pews or +the seats in a church or other public hall: in the poem it means the +passageways running to the sides of the main body of the church.</p> + +<p><a name="Footnote_364-17" id="Footnote_364-17"></a><a title="Return to text." href="#Anchor_364-17" class="label">364-17</a> A storied urn is an urn-shaped monument on which are +inscribed the virtues of the dead. Why should a <em>bust</em> be called +<em>animated</em>? What is the <em>mansion</em> of <em>the fleeting breath</em>?</p> + +<p><a name="Footnote_364-18" id="Footnote_364-18"></a><a title="Return to text." href="#Anchor_364-18" class="label">364-18</a> In this instance <em>provoke</em> means what it originally +meant in the Latin language; namely, <em>call forth</em>.</p> + +<p><a name="Footnote_364-19" id="Footnote_364-19"></a><a title="Return to text." href="#Anchor_364-19" class="label">364-19</a> The line <a name="corr21" id="corr21"></a>means, “Some heart once filled with the +heavenly inspiration.”</p> + +<p><a name="Footnote_364-20" id="Footnote_364-20"></a><a title="Return to text." href="#Anchor_364-20" class="label">364-20</a> A poet or musician is said to sing, and the lyre is +the instrument with which the ancients accompanied their songs. <em>To wake +to ecstasy the living lyre</em> is to write the noblest poetry, to sing the +most inspired songs.</p> + +<p><a name="Footnote_364-21" id="Footnote_364-21"></a><a title="Return to text." href="#Anchor_364-21" class="label">364-21</a> The books of the ancients were rolls of manuscripts. +Did any of those persons resting in this neglected spot ever write great +poetry, rule empires or sing inspiring songs? If not, what prevented +them from doing such things if they had the ability?</p> + +<p><a name="Footnote_365-22" id="Footnote_365-22"></a><a title="Return to text." href="#Anchor_365-22" class="label">365-22</a> At first this stanza was written thus:</p> + +<p class="footnote poem">“Some village Cato, who with dauntless breast<br /> +The little tyrant of his fields withstood;<br /> +Some mute, inglorious Tully here may rest;<br /> +Some Caesar guiltless of his country’s blood.”</p> + +<p class="footnote noindent">It is interesting to notice that at his first writing Gray selected +three of the famous men of antiquity, but in his revision he substituted +the names of three of his own countrymen. Who were Hampden, Milton and +Cromwell?</p> + +<p><a name="Footnote_365-23" id="Footnote_365-23"></a><a title="Return to text." href="#Anchor_365-23" class="label">365-23</a> The three stanzas beginning at this point make but one +sentence. Turned into prose the sentence would read: “Their lot forbade +them to command the applause of listening senates, to despise the +threats of pain and ruin, to scatter plenty o’er a smiling land, and +read their history in a nation’s eyes: their lot not only circumscribed +their growing virtues but confined their crimes as well; it forbade them +to wade through slaughter to a throne and shut the gates of mercy on +mankind, to hide the struggling pangs of conscious truth, to quench the +blushes of ingenuous shame, and to heap the shrine of Luxury and Pride +with incense kindled at the Muse’s flame.”</p> + +<p><a name="Footnote_365-24" id="Footnote_365-24"></a><a title="Return to text." href="#Anchor_365-24" class="label">365-24</a> This line means that they could not become rulers by +fighting and killing their fellowmen as Napoleon did not long +afterward.</p> + +<p><a name="Footnote_366-25" id="Footnote_366-25"></a><a title="Return to text." href="#Anchor_366-25" class="label">366-25</a> Many of the English poets wrote in praise of the +wealthy and titled in order to be paid or favored by the men they +flattered. Gray thinks that such conduct is disgraceful, and rejoices +that the rude forefathers of the hamlet were prevented from writing +poetry for such an end. The Greeks thought poetry was inspired by one of +the Muses, and genius is often spoken as a flame.</p> + +<p><a name="Footnote_366-26" id="Footnote_366-26"></a><a title="Return to text." href="#Anchor_366-26" class="label">366-26</a> <em>Madding</em> means <em>excited</em> or <em>raging</em>.</p> + +<p><a name="Footnote_366-27" id="Footnote_366-27"></a><a title="Return to text." href="#Anchor_366-27" class="label">366-27</a> The <em>frail memorials</em> were simple headstones, similar +to those one may see in any country graveyard in America. On such +headstones may often be seen <em>shapeless sculpture</em> that would almost +provoke a smile, were it not for its pathetic meaning. A picture of +Stoke-Pogis churchyard shows many stories of the ordinary type.</p> + +<p><a name="Footnote_366-28" id="Footnote_366-28"></a><a title="Return to text." href="#Anchor_366-28" class="label">366-28</a> The rhymes were <em>uncouth</em> in the sense that they were +unlearned and unpolished.</p> + +<p><a name="Footnote_366-29" id="Footnote_366-29"></a><a title="Return to text." href="#Anchor_366-29" class="label">366-29</a> What facts were inscribed on the headstones? <em>Elegy</em> +here means <em>praise</em>. Where were the texts strewn? Why were the texts +called <em>holy?</em> What was the nature of the texts? Can you think of one +that might have been used?</p> + +<p><a name="Footnote_367-30" id="Footnote_367-30"></a><a title="Return to text." href="#Anchor_367-30" class="label">367-30</a> This is one of the difficult stanzas, and there is +some dispute as to its exact meaning, owing to the phrase, <em>to dumb +forgetfulness a prey</em>. Perhaps the correct meaning is shown in the +following prose version: “For who has ever died (resigned this pleasing, +anxious being, left the warm precincts of this cheerful day), a prey to +dumb forgetfulness, and cast not one longing, lingering look behind?”</p> + +<p><a name="Footnote_367-31" id="Footnote_367-31"></a><a title="Return to text." href="#Anchor_367-31" class="label">367-31</a> <em>Thee</em> refers to the poet, Gray himself. The remainder +of the poem is personal. Summed up briefly it means that perhaps a +sympathetic soul may some day come to inquire as to the poet’s fate, and +will be told by some hoary-headed swain a few of the poet’s habits, and +then will have pointed out to him the poet’s own grave, on which may be +read his epitaph.</p> + +<p><a name="Footnote_368-32" id="Footnote_368-32"></a><a title="Return to text." href="#Anchor_368-32" class="label">368-32</a> <em>Due</em> means <em>appropriate</em> or <em>proper</em>.</p> + +<p><a name="Footnote_368-33" id="Footnote_368-33"></a><a title="Return to text." href="#Anchor_368-33" class="label">368-33</a> As first written, the poem contained the following +stanza, placed before the epitaph; but in the final revision Gray +rejected it as unworthy. It seems a very critical taste that would +reject such lines as these:</p> + +<p class="footnote poem">“There scatter’d oft, the earliest of the year,<br /> +<span class="i1">By hands unseen are show’rs of violets found:</span><br /> +The redbreast loves to build and warble there,<br /> +<span class="i1">And little footsteps lightly print the ground.”</span></p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_371" id="Page_371">[371]</a></span></p> + +<h2 class="story"><a name="THE_SHIPWRECK" id="THE_SHIPWRECK"></a>THE <span class="nowrap">SHIPWRECK<a name="Anchor_371-1" id="Anchor_371-1"></a><a title="Go to footnote 371-1" href="#Footnote_371-1" class="fnanchor" style="font-size: smaller;">371-1</a></span></h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Robert Louis Stevenson</span></p> + + +<p class="opening"><span class="dropcapi"><span class="hide">I</span></span><span class="upper"> went</span> down, and drank my fill; and then came up, and got a blink at the +moon; and then down again. They say a man sinks the third time for good. +I cannot be made like other folk, then, for I would not like to write +how often I went down or how often I came up again. All the while, I was +being hurled along, and beaten upon and choked, and then swallowed +whole; and the thing was so distracting to my wits, that I was neither +sorry nor afraid.</p> + +<p>Presently, I found I was holding to a spar, which helped me somewhat. +And then all of a sudden I was in quiet water, and began to come to +myself.</p> + +<p>It was the spare yard I had got hold of, and I was amazed to see how far +I had traveled from the brig. I hailed her, indeed; but it was plain she +was already out of cry. She was still holding together; but whether or +not they had yet launched the boat, I was too far off and too low down +to see.</p> + +<p><span class='pagenum'><a name="Page_372" id="Page_372">[372]</a></span></p> + +<div class="figcenter" style="width: 249px;"> +<a name="image51" id="image51"></a><a href="images/image51-full.png"><img src="images/image51.png" width="249" height="391" alt="A man holding a spar in high seas with the ship sinking in the background." title="I FOUND I WAS HOLDING TO A SPAR" /></a> +<span class="caption">I FOUND I WAS HOLDING TO A SPAR</span> +</div> + +<p><span class='pagenum'><a name="Page_373" id="Page_373">[373]</a></span>While I was hailing the brig, I spied a tract of water lying between us, +where no great waves came, but which yet boiled white all over and +bristled in the moon with rings and bubbles. Sometimes the whole tract +swung to one side, like the tail of a live serpent; sometimes, for a +glimpse, it would all disappear and then boil up again. What it was I +had no guess, which for the time increased my fear of it; but I now know +it must have been the roost or tide-race, which had carried me away so +fast and tumbled me about so cruelly, and at last, as if tired of that +play, had flung out me and the spare yard upon its landward margin.</p> + +<p>I now lay quite becalmed, and began to feel that a man can die of cold +as well as of drowning. The shores of Earraid were close in; I could see +in the moonlight the dots of heather and the sparkling of the mica in +the rocks.</p> + +<p>“Well,” thought I to myself, “if I cannot get as far as that, it’s +strange.”</p> + +<p>I had no skill of swimming; but when I laid hold upon the yard with both +arms, and kicked out with both feet, I soon began to find that I was +moving. Hard work it was, and mortally slow; but in about an hour of +kicking and splashing, I had got well in between the points of a sandy +bay surrounded by low hills.</p> + +<p>The sea was here quite quiet; there was no sound of any surf; the moon +shone clear, and I thought in my heart I had never seen a place so +desert and desolate. But it was dry land; and when at last it grew so +shallow that I could leave the yard and wade ashore upon my feet, I +cannot tell if I was more tired or more grateful. Both at least, I was; +tired<span class='pagenum'><a name="Page_374" id="Page_374">[374]</a></span> as I never was before that night; and grateful to God, as I trust +I have been often, though never with more cause.</p> + +<p>With my stepping ashore, I began the most unhappy part of my adventures. +It was half-past twelve in the morning, and though the wind was broken +by the land, it was a cold night. I dared not sit down (for I thought I +should have frozen), but took off my shoes and walked to and fro upon +the sand, barefoot and beating my breast with infinite weariness. There +was no sound of man or cattle; not a cock crew, though it was about the +hour of their first waking; only the surf broke outside in the distance, +which put me in mind of my perils. To walk by the sea at that hour of +the morning, and in a place so desert-like and lonesome, struck me with +a kind of fear.</p> + +<p>As soon as the day began to break, I put on my shoes and climbed a +hill—the ruggedest scramble I ever undertook—falling, the whole way +between big blocks of granite or leaping from one to another. When I got +to the top the dawn was come. There was no sign of the brig, which must +have been lifted from the reef and sunk. The boat, too, was nowhere to +be seen. There was never a sail upon the ocean; and in what I could see +of the land, was neither house nor man.</p> + +<p>I was afraid to think what had befallen my ship-mates, and afraid to +look longer at so empty a scene. What with my wet clothes and weariness, +and my belly that now began to ache with hunger, I had enough to trouble +me without that. So I set off eastward along the south coast, hoping to +find a house where I might warm myself, and perhaps get news<span class='pagenum'><a name="Page_375" id="Page_375">[375]</a></span> of those I +had lost. And at the worst, I considered the sun would soon rise and dry +my clothes.</p> + +<p>After a little, my way was stopped by a creek or inlet of the sea, which +seemed to run pretty deep into the land; and as I had no means to get +across, I must needs change my direction to go about the end of it. It +was still the roughest kind of walking; indeed the whole, not only of +Earraid, but of the neighboring part of Mull (which they call the Ross) +is nothing but a jumble of granite rocks with heather in among. At first +the creek kept narrowing as I had looked to see; but presently to my +surprise it began to widen out again. At this I scratched my head, but +had still no notion of the truth; until at last I came to a rising +ground, and it burst upon me all in a moment that I was cast upon a +little, barren isle, and cut off on every side by the salt seas.</p> + +<p>Instead of the sun rising to dry me, it came on to rain, with a thick +mist; so that my case was lamentable.</p> + +<p>I stood in the rain, and shivered, and wondered what to do, till it +occurred to me that perhaps the creek was fordable. Back I went to the +narrowest point, and waded in. But not three yards from shore, I plunged +in head over ears; and if ever I was heard of more it was rather by +God’s grace than my own prudence. I was no wetter (for that could hardly +be), but I was all the colder for this mishap; and having lost another +hope, was the more unhappy.</p> + +<p>And now, all at once, the yard came in my head. What had carried me +through the roost, would surely serve to cross this little quiet creek +in safety. With that I set off, undaunted, across the top of the isle, +to fetch and carry it back. It was a weary tramp in<span class='pagenum'><a name="Page_376" id="Page_376">[376]</a></span> all ways, and if +hope had not buoyed me up, I must have cast myself down and given up. +Whether with the sea salt, or because I was growing fevered, I was +distressed with thirst, and had to stop, as I went, and drink the peaty +water out of the hags.</p> + +<p>I came to the bay at last, more dead than alive; and at the first +glance, I thought the yard was something further out than when I left +it. In I went, for the third time, into the sea. The sand was smooth and +firm and shelved gradually down; so that I could wade out till the water +was almost to my neck and the little waves splashed into my face. But at +that depth my feet began to leave me and I durst venture no farther. As +for the yard, I saw it bobbing very quietly some twenty feet in front of +me.</p> + +<p>I had borne up well until this last disappointment; but at that I came +ashore, and flung myself down upon the sands and wept.</p> + +<p>The time I spent upon the island is still so horrible a thought to me, +that I must pass it lightly over. In all the books I have read of people +cast away, they had either their pockets full of tools, or a chest of +things would be thrown upon the beach along with them, as if on purpose. +My case was very different. I had nothing in my pockets but money; and +being inland bred, I was as much short of knowledge as of means.</p> + +<p>I knew indeed that shell-fish were counted good to eat; and among the +rocks of the isle I found a great plenty of limpets, which at first I +could scarcely strike from their places, not knowing quickness to be +needful. There were, besides, some of the little shells that we call +buckies; I think periwinkle is the English name. Of these two I made my +whole diet,<span class='pagenum'><a name="Page_377" id="Page_377">[377]</a></span> devouring them cold and raw as I found them; and so hungry +was I, that at first they seemed to me delicious.</p> + +<p>Perhaps they were out of season, or perhaps there was something wrong in +the sea about my island. But at least I had no sooner eaten my first +meal than I was seized with giddiness and retching, and lay for a long +time no better than dead. A second trial of the same food (indeed I had +no other) did better with me and revived my strength. But as long as I +was on the island, I never knew what to expect when I had eaten; +sometimes all was well, and sometimes I was thrown into a miserable +sickness; nor could I ever distinguish what particular fish it was that +hurt me.</p> + +<p>All day it streamed rain; the island ran like a sop, there was no dry +spot to be found; and when I lay down that night, between two boulders +that made a kind of roof, my feet were in a bog.</p> + +<p>The second day, I crossed the island to all sides. There was no one part +of it better than another; it was all desolate and rocky; nothing living +on it but game birds which I lacked the means to kill, and the gulls +which haunted the outlying rocks in a prodigious number. But the creek, +or straits, that cut off the isle from the main land of the Ross, opened +out on the north into a bay, and the bay again opened into the Sound of +Iona; and it was the neighborhood of this place that I chose to be my +home; though if I had thought upon the very name of home in such a spot, +I must have burst out crying.</p> + +<p>I had good reasons for my choice. There was in this part of the isle a +little hut of a house like a pig’s hut, where fishers used to sleep when +they came there<span class='pagenum'><a name="Page_378" id="Page_378">[378]</a></span> upon their business; but the turf roof of it had fallen +entirely in; so that the hut was of no use to me, and gave me less +shelter than my rocks. What was more important, the shell-fish on which +I lived grew there in great plenty; when the tide was out I could gather +a peck at a time: and this was doubtless a convenience. But the other +reason went deeper. I had become in no way used to the horrid solitude +of the isle, but still looked round me on all sides (like a man that was +hunted) between fear and hope that I might see some human creature +coming. Now, from a little up the hillside over the bay, I could catch a +sight of the great, ancient church and the roofs of the people’s houses +in Iona. And on the other hand, over the low country of the Ross, I saw +smoke go up, morning and evening, as if from a homestead in a hollow of +the land.</p> + +<p>I used to watch this smoke, when I was wet and cold, and had my head +half turned with loneliness; and think of the fireside and the company, +till my heart burned. It was the same with the roofs of Iona. +Altogether, this sight I had of men’s homes and comfortable lives, +although it put a point on my own sufferings, yet it kept hope alive, +and helped me to eat my raw shell-fish (which had soon grown to be a +disgust) and saved me from the sense of horror I had whenever I was +quite alone with dead rocks, and fowls, and the rain, and the cold sea.</p> + +<p>I say it kept hope alive; and indeed it seemed impossible that I should +be left to die on the shores of my own country, and within view of a +church tower and the smoke of men’s houses. But the second day passed; +and though as long as the light lasted I kept a bright lookout for boats +on the sound<span class='pagenum'><a name="Page_379" id="Page_379">[379]</a></span> or men passing on the Ross, no help came near me. It still +rained; and I turned in to sleep, as wet as ever and with a cruel sore +throat, but a little comforted, perhaps, by having said good-night to my +next neighbors, the people of Iona.</p> + +<p>Charles the Second declared a man could stay out doors more days in the +year in the climate of England than in any other. This was very like a +king with a palace at his back and changes of dry clothes. But he must +have had better luck than I had on that miserable isle. It was the +height of the summer; yet it rained for more than twenty-four hours, and +did not clear until the afternoon of the third day.</p> + +<p>This was the day of incidents. In the morning I saw a red deer, a buck +with a fine spread of antlers, standing in the rain on the top of the +island; but he had scarce seen me rise from under my rock, before he +trotted off upon the other side. I supposed he must have swum the +straits; though what should bring any creature to Earraid, was more than +I could fancy.</p> + +<p>A little later, as I was jumping about after my limpets, I was startled +by a guinea piece, which fell upon a rock in front of me and glanced off +into the sea. When the sailors gave me my money again, they kept back +not only about a third of the whole sum, but my father’s leather purse; +so that from that day out, I carried my gold loose in a pocket with a +button. I now saw there must be a hole, and clapped my hand to the place +in a great hurry. But this was to lock the stable door after the steed +was stolen. I had left the shore at Queensferry with near on fifty +pounds; now I found no more than two guinea pieces and a silver +shilling.</p> + +<p><span class='pagenum'><a name="Page_380" id="Page_380">[380]</a></span>It is true I picked up a third guinea a little after, where it lay +shining on a piece of turf. That made a fortune of three pounds and four +shillings, English money, for a lad, the rightful heir of an estate, and +now starving on an isle at the extreme end of the wild Highlands.</p> + +<p>This state of my affairs dashed me still further; and indeed my plight +on that third morning was truly pitiful. My clothes were beginning to +rot; my stockings in particular were quite worn through, so that my +shanks went naked; my hands had grown quite soft with the continual +soaking; my throat was very sore, my strength had much abated, and my +heart so turned against the horrid stuff I was condemned to eat, that +the very sight of it came near to sicken me.</p> + +<p>And yet the worst was not yet come.</p> + +<p>There is a pretty high rock on the northwest of Earraid, which (because +it had a flat top and overlooked the sound) I was much in the habit of +frequenting; not that ever I stayed in one place, save when asleep, my +misery giving me no rest. Indeed, I wore myself down with continual and +aimless goings and comings in the rain.</p> + +<p>As soon, however, as the sun came out, I lay down on the top of that +rock to dry myself. The comfort of the sunshine is a thing I cannot +tell. It set me thinking hopefully of my deliverance, of which I had +begun to despair; and I scanned the sea and the Ross with a fresh +interest.</p> + +<p>On the south of my rock, a part of the island jutted out and hid the +open ocean, so that a boat could thus come quite near me upon that side, +and I be none the wiser.</p> + +<p><span class='pagenum'><a name="Page_381" id="Page_381">[381]</a></span>Well, all of a sudden, a <span class="nowrap">coble<a name="Anchor_381-2" id="Anchor_381-2"></a><a title="Go to footnote 381-2" href="#Footnote_381-2" class="fnanchor">381-2</a></span> with a brown sail and a pair of +fishers aboard of it, came flying round that corner of the isle, bound +for Iona. I shouted out, and then fell on my knees on the rock and +reached up my hands and prayed to them. They were near enough to hear—I +could even see the color of their hair; and there was no doubt but they +observed me, for they cried out in the Gaelic tongue and laughed. But +the boat never turned aside, and flew on, right before my eyes, for +Iona.</p> + +<p>I could not believe such wickedness, and ran along the shore from rock +to rock, crying on them piteously; even after they were out of reach of +my voice, I still cried and waved to them; and when they were quite +gone, I thought my heart would have burst. All the time of my troubles, +I wept only twice. Once, when I could not reach the oar; and now, the +second time, when these fishers turned a deaf ear to my cries. But this +time I wept and roared like a wicked child, tearing up the turf with my +nails and grinding my face in the earth. If a wish would kill men, those +two fishers would never have seen morning; and I should likely have died +upon my island.</p> + +<p>When I was a little over my anger, I must eat again, but with such +loathing of the mess as I could now scarcely control. Sure enough, I +should have done as well to fast, for my fishes poisoned me again. I had +all my first pains; my throat was so sore I could scarce swallow; I had +a fit of strong shuddering, which clucked my teeth together; and there +came on me that dreadful sense of illness, which we have no name for +either in Scotch or English. I<span class='pagenum'><a name="Page_382" id="Page_382">[382]</a></span> thought I should have died, and made my +peace with God, forgiving all men, even my uncle and the fishers; and as +soon as I had thus made up my mind to the worst, clearness came upon me: +I observed the night was falling dry; my clothes were dried a good deal; +truly, I was in a better case than ever before since I had landed on the +isle; and so I got to sleep at last, with a thought of gratitude.</p> + +<p>The next day (which was the fourth of this horrible life of mine) I +found my bodily strength run very low. But the sun shone, the air was +sweet, and what I managed to eat of the shell-fish agreed well with me +and revived my courage.</p> + +<p>I was scarce back on my rock (where I went always the first thing after +I had eaten) before I observed a boat coming down the sound and with her +head, as I thought, in my direction.</p> + +<p>I began at once to hope and fear exceedingly; for I thought these men +might have thought better of their cruelty and be coming back to my +assistance. But another disappointment such as yesterday’s was more than +I could bear. I turned my back, accordingly, upon the sea, and did not +look again till I had counted many hundreds. The boat was still heading +for the island. The next time I counted the full thousand, as slowly as +I could, my heart beating so as to hurt me. And then it was out of all +question. She was coming straight to Earraid!</p> + +<p>I could no longer hold myself back, but ran to the seaside and out, from +one rock to another, as far as I could go. It is a marvel I was not +drowned; for when I was brought to a stand at last, my legs shook under +me, and my mouth was so dry, I must wet it with the sea water before I +was able to shout.</p> + +<p><span class='pagenum'><a name="Page_383" id="Page_383">[383]</a></span>All this time the boat was coming on; and now I was able to perceive it +was the same boat and the same two men as yesterday. This I knew by +their hair, which the one had of a bright yellow and the other black. +But now there was a third man along with them, who looked to be of a +better class.</p> + +<p>As soon as they were come within easy speech, they let down their sail +and lay quiet. In spite of my supplications, they drew no nearer in, and +what frightened me most of all, the new man tee-hee’d with laughter as +he talked and looked at me.</p> + +<p>Then he stood up in the boat and addressed me a long while, speaking +fast and with many wavings of his hand. I told him I had no Gaelic; and +at this he became very angry, and I began to suspect he thought he was +talking English. Listening very close, I caught the word, “whateffer,” +several times; but all the rest was Gaelic, and might have been Greek +and Hebrew for me.</p> + +<p>“Whateffer,” said I, to show him I had caught a word.</p> + +<p>“Yes, yes—yes, yes,” says he, and then he looked at the other men, as +much as to say, “I told you I spoke English,” and began again as hard as +ever in the Gaelic.</p> + +<p>This time I picked out another word, “tide.” Then I had a flash of hope. +I remembered he was always waving his hand toward the mainland of the +Ross.</p> + +<p>“Do you mean when the tide is out——?” I cried, and could not finish.</p> + +<p>“Yes, yes,” said he. “Tide.”</p> + +<p>At that I turned tail upon their boat (where my adviser had once more +begun to tee-hee with laugh<span class='pagenum'><a name="Page_384" id="Page_384">[384]</a></span>ter), leaped back the way I had come, from +one stone to another, and set off running across the isle as I had never +run before. In about half an hour I came out upon the shores of the +creek; and, sure enough, it was shrunk into a little trickle of water, +through which I dashed, not above my knees, and landed with a shout on +the main island.</p> + +<p>A sea-bred boy would not have stayed a day on Earraid; which is only +what they call a tidal islet; and except in the bottom of the neaps, can +be entered and left twice in every twenty-four hours, either dry-shod, +or at the most by wading. Even I, who had the tide going out and in +before me in the bay, and even watched for the ebbs, the better to get +my shell-fish—even I (I say), if I had sat down to think, instead of +raging at my fate, must have soon guessed the secret and got free. It +was no wonder the fishers had not understood me. The wonder was rather +that they had ever guessed my pitiful illusion, and taken the trouble to +come back. I had starved with cold and hunger on that island for close +upon one hundred hours. But for the fishers, I might have left my bones +there, in pure folly.</p> + +<p>And even as it was, I had paid for it pretty dear, not only in past +sufferings, but in my present case; being clothed like a beggar-man, +scarce able to walk, and in great pain of my sore throat.</p> + +<p>I have seen wicked men and fools, a great many of both; and I believe +they both get paid in the end; but the fools first.</p> + + +<div class="footnotes"> + +<p><a name="Footnote_371-1" id="Footnote_371-1"></a><a title="Return to text." href="#Anchor_371-1" class="label">371-1</a> This selection is from <em>Kidnapped</em>, the story of a +young man, David Balfour by name, who, by the treachery of an uncle who +has usurped David’s right to the family estate and fortune, is taken by +force on board a brig bound for the Carolinas in North America. In the +Carolinas, according to the compact made between David’s uncle and the +captain of the brig, David is to be sold. He is saved from this fate by +the sinking of the brig. The selection as here given begins at the point +where David is washed from the deck into the sea. The Island of Earraid +is a small, unimportant island off the coast of Scotland.</p> + +<p><a name="Footnote_381-2" id="Footnote_381-2"></a><a title="Return to text." href="#Anchor_381-2" class="label">381-2</a> A coble is a small boat used in fishing.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_385" id="Page_385">[385]</a></span></p> + +<h2 class="story"><a name="ELEPHANT_HUNTING" id="ELEPHANT_HUNTING"></a>ELEPHANT HUNTING</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Roualeyn Gordon Cumming</span></p> + + +<div class="blockquot"><p><span class="smcap">Note.</span>—Mr. Cumming, a native of Scotland, was always passionately +fond of hunting. Even in boyhood he devoted most of his time to +sports of the field, and showed a great fondness for all forms of +natural history.</p> + +<p>For a time he served in the English army in India, and hunted the +big game of those regions. However, he was not satisfied with this, +and after a visit to Newfoundland, which was more disappointing to +him, he went to Africa and there spent five adventurous years +hunting and exploring.</p> + +<p>Throughout this time he kept a journal of his exploits and +adventures, and it is from this journal that he wrote his <cite>A +Hunter’s Life Among Lions, Elephants and Other Wild Animals of +South Africa</cite>, from which the following selection is taken. We may +judge from his account that he did not find Africa as disappointing +as India and Newfoundland had proved.</p> + +<p>His style is not that of a literary man, but he has the happy +faculty of presenting things in a very vivid manner, so that we are +willing to make some allowance for faults in style. He was +conscious of his weakness in this matter, and partially explained +it by saying, “The hand, wearied all day with the grasping of a +rifle, is not the best suited for wielding the pen.”</p></div> + +<p class="opening"><span class="dropcapo"><span class="hide">O</span></span><span class="upper">n</span> the 25th, at dawn of day, we inspanned, and trekked about five hours +in a northeasterly course, through a boundless open country sparingly +adorned with dwarfish old trees. In the distance the long-sought +mountains of Bamangwato at length loomed blue before me. We halted +beside a glorious fountain,<span class='pagenum'><a name="Page_386" id="Page_386">[386]</a></span> which at once made me forget all the cares +and difficulties I had encountered in reaching it. The name of this +fountain was Massouey, but I at once christened it “the Elephant’s own +Fountain.” This was a very remarkable spot on the southern borders of +endless elephant forests, at which I had at length arrived. The fountain +was deep and strong, situated in a hollow at the eastern extremity of an +extensive <span class="nowrap">vley,<a name="Anchor_386-1" id="Anchor_386-1"></a><a title="Go to footnote 386-1" href="#Footnote_386-1" class="fnanchor">386-1</a></span> and its margin was surrounded by a level stratum +of solid old red sandstone. Here and there lay a thick layer of soil +upon the rock, and this was packed flat with the fresh spoor of +elephants. Around the water’s edge the very rock was worn down by the +gigantic feet which for ages had trodden there.</p> + +<p>The soil of the surrounding country was white and yellow sand, but +grass, trees, and bushes were abundant. From the borders of the fountain +a hundred well-trodden elephant foot-paths led away in every direction, +like the radii of a circle. The breadth of these paths was about three +feet; those leading to the northward and east were the most frequented, +the country in those directions being well wooded. We drew up the wagons +on a hillock on the eastern side of the water. This position commanded a +good view of any game that might approach to drink. I had just cooked my +breakfast, and commenced to feed, when I heard my men exclaim, “Almagtig +keek de ghroote clomp cameel;” and, raising my eyes from the +<span class="nowrap">sassaby<a name="Anchor_386-2" id="Anchor_386-2"></a><a title="Go to footnote 386-2" href="#Footnote_386-2" class="fnanchor">386-2</a></span> stew, I beheld a truly beautiful and very unusual scene.</p> + +<p><span class='pagenum'><a name="Page_387" id="Page_387">[387]</a></span>From the margin of the fountain there extended an open level vley, +without a tree or bush, that stretched away about a mile to the +northward, where it was bounded by extensive groves of wide-spreading +mimosas. Up the middle of the vley stalked a troop of ten colossal +giraffes, flanked by two large herds of blue wildebeests and zebras, +with an advanced guard of pallahs. They were all coming to the fountain +to drink, and would be within rifle-shot of the wagons before I could +finish my breakfast. I, however, continued to swallow my food with the +utmost expedition, having directed my men to catch and saddle Colesberg. +In a few minutes the giraffes were slowly advancing within two hundred +yards, stretching their graceful necks, and gazing in wonder at the +unwonted wagons.</p> + +<p>Grasping my rifle, I now mounted Colesberg, and rode slowly toward them. +They continued gazing at the wagons until I was within one hundred yards +of them, when, whisking their long tails over their rumps, they made off +at an easy canter. As I pressed upon them they increased their pace; but +Colesberg had much the speed of them, and before we proceeded half a +mile I was riding by the shoulder of the dark-chestnut old bull, whose +head towered high above the rest. Letting fly at the gallop, I wounded +him behind the shoulder; soon after which I broke him from the herd, and +presently, going ahead of him, he came to a stand. I then gave him a +second bullet, somewhere near the first. These two shots had taken +effect, and he was now in my power, but I would not lay him low so far +from camp; so, having waited until he had regained his breath, I drove +him half way back toward the wagons. Here<span class='pagenum'><a name="Page_388" id="Page_388">[388]</a></span> he became obstreperous; so, +loading one barrel, and pointing my rifle toward the clouds, I shot him +in the throat, when, rearing high, he fell backward and expired.</p> + +<p>This was a magnificent specimen of the giraffe, measuring upward of +eighteen feet in height. I stood for nearly half an hour engrossed in +the contemplation of his extreme beauty and gigantic proportions; and, +if there had been no elephants, I could have exclaimed, like Duke +Alexander of Gordon when he killed the famous old stag with seventeen +tine, “Now I can die happy.” But I longed for an encounter with the +noble elephants, and I thought little more of the giraffe than if I had +killed a gemsbok or an eland.</p> + +<p>In the afternoon I removed my wagons to a correct distance from the +fountain, and drew them up among some bushes about four hundred yards to +leeward of the water. In the evening I was employed in manufacturing +hardened bullets for the elephants, using a composition of one of pewter +to four of lead; and I had just completed my work, when we heard a troop +of elephants splashing and trumpeting in the water. This was to me a +joyful sound; I slept little that night.</p> + +<p>On the 26th I arose at earliest dawn, and, having fed four of my horses, +proceeded with Isaac to the fountain to examine the spoor of the +elephants which had drunk there during the night. A number of the paths +contained fresh spoor of elephants of all sizes, which had gone from the +fountain in different directions. We reckoned that at least thirty of +these gigantic quadrupeds had visited the water during the night.</p> + +<p><span class='pagenum'><a name="Page_389" id="Page_389">[389]</a></span>We hastily returned to camp, where, having breakfasted, I saddled up, +and proceeded to take up the spoor of the largest bull elephant, +accompanied by after-riders and three of the guides to assist in +spooring. I was also accompanied by my dogs. Having selected the spoor +of a mighty bull, the Bechuanas went ahead and I followed them. It was +extremely interesting and exciting work. The footprint of this elephant +was about two feet in diameter, and was beautifully visible in the soft +sand. The spoor at first led us for about three miles in an easterly +direction, along one of the sandy foot-paths, without a check. We then +entered a very thick forest, and the elephant had gone a little out of +the path to smash some trees, and to plow up the earth with his tusks. +He soon, however, again took the path, and held along it for several +miles.</p> + +<p>We were on rather elevated ground, with a fine view of a part of the +Bamangwato chain of mountains before us. Here the trees were large and +handsome, but not strong enough to resist the inconceivable strength of +the mighty monarchs of these forests. Almost every tree had half its +branches broken short by them, and at every hundred yards I came upon +entire trees, and these the largest in the forest, uprooted clean out of +the ground, or broken short across their stems. I observed several large +trees placed in an inverted position, having their roots uppermost in +the air. Our friend had here halted, and fed for a long time upon a +large, wide-spreading tree, which he had broken short across within a +few feet of the ground. After following the spoor some distance further +through the dense mazes of the forest, we got into ground so<span class='pagenum'><a name="Page_390" id="Page_390">[390]</a></span> thickly +trodden by elephants that we were baffled in our endeavors to trace the +spoor any further; and after wasting several hours in attempting by +casts to take up the proper spoor, we gave it up, and with a sorrowful +heart I turned my horse’s head toward camp.</p> + +<p>Having reached the wagons, while drinking my coffee I reviewed the whole +day’s work, and felt much regret at my want of luck in my first day’s +elephant hunting, and I resolved that night to watch the water, and try +what could be done with elephants by night shooting. I accordingly +ordered the usual watching-hole to be constructed, and, having placed my +bedding in it, repaired thither shortly after sundown. I had lain about +two hours in the hole, when I heard a low rumbling noise like distant +thunder, caused (as the Bechuanas affirmed) by the bowels of the +elephants which were approaching the fountain. I lay on my back, with my +mouth open, attentively listening, and could hear them plowing up the +earth with their tusks. Presently they walked up to the water, and +commenced drinking within fifty yards of me.</p> + +<p>They approached with so quiet a step that I fancied it was the footsteps +of jackals which I had heard, and I was not aware of their presence +until I heard the water, which they had drawn up in their trunks and +were pouring into their mouths, dropping into the fountain. I then +peeped from my sconce with a beating heart, and beheld two enormous bull +elephants, which looked like two great castles, standing before me. I +could not see very distinctly, for there was only starlight. Having lain +on my breast some time taking my aim, I let<span class='pagenum'><a name="Page_391" id="Page_391">[391]</a></span> fly at one of the +elephants, using the Dutch rifle carrying six to the pound. The ball +told loudly on his shoulder, and, uttering a loud cry, he stumbled +through the fountain, when both made off in different directions.</p> + +<p>All night large herds of zebras and blue wildebeests capered around me, +coming sometimes within a few yards. Several parties of rhinoceroses +also made their appearance. I felt a little apprehensive that lions +might visit the fountain, and every time that hyaenas or jackals lapped +the water I looked forth, but no lions appeared. At length I fell into a +sound sleep, nor did I awake until the bright star of morn had shot far +above the eastern horizon.</p> + +<p>Before proceeding further with my narrative, it may here be interesting +to make a few remarks on the African elephant and his habits. The +elephant is widely diffused through the vast forests, and is met with in +herds of various numbers. The male is very much larger than the female, +consequently much more difficult to kill. He is provided with two +enormous tusks. These are long, tapering, and beautifully arched; their +length averages from six to eight feet, and they weigh from sixty to a +hundred pounds each. In the vicinity of the equator the elephants attain +to a greater size than to the southward; and I am in the possession of a +pair of tusks of the African bull elephant, the larger of which measures +ten feet nine inches in length, and weighs one hundred and seventy-three +pounds. The females, unlike Asiatic elephants in this respect, are +likewise provided with tusks. Old bull elephants are found singly or in +pairs, or consorting together in small herds, varying from six to twenty +individ<span class='pagenum'><a name="Page_392" id="Page_392">[392]</a></span>uals. The younger bulls remain for many years in the company of +their mothers, and these are met together in large herds of from twenty +to a hundred individuals. The food of the elephant consists of the +branches, leaves, and roots of trees, and also of a variety of bulbs, of +the situation of which he is advised by his exquisite sense of smell. To +obtain these he turns up the ground with his tusks, and whole acres may +be seen thus plowed up. Elephants consume an immense quantity of food, +and pass the greater part of the day and night in feeding. Like the +whale in the ocean, the elephant on land is acquainted with, and roams +over, wide and extensive tracts. He is extremely particular in always +frequenting the freshest and most verdant districts of the forest; and +when one district is parched and barren, he will forsake it for years, +and wander to great distances in quest of better pasture.</p> + +<p>The elephant entertains an extraordinary horror of man, and a child can +put a hundred of them to flight by passing at a quarter of a mile to +windward; and when thus disturbed, they go a long way before they halt. +It is surprising how soon these sagacious animals are aware of the +presence of a hunter in their domains. When one troop has been attacked, +all the other elephants frequenting the district are aware of the fact +within two or three days, when they all forsake it, and migrate to +distant parts, leaving the hunter no alternative but to inspan his +wagons, and remove to fresh ground. This constitutes one of the greatest +difficulties which a skilful elephant-hunter encounters. Even in the +most remote parts, which may be reckoned the headquarters of the +elephant, it is only occasionally, and with<span class='pagenum'><a name="Page_393" id="Page_393">[393]</a></span> inconceivable toil and +hardship, that the eye of the hunter is cheered by the sight of one. +Owing to habits peculiar to himself, the elephant is more inaccessible, +and much more rarely seen, than any other game quadruped, excepting +certain rare antelopes. They choose for their resort the most lonely and +secluded depths of the forest, generally at a very great distance from +the rivers and fountains at which they drink. In dry and warm weather +they visit these waters nightly, but in cool and cloudy weather they +drink only once every third or fourth day. About sundown the elephant +leaves his distant midday haunt, and commences his march toward the +fountain, which is probably from twelve to twenty miles distant. This he +generally reaches between the hours of nine and midnight, when, having +slaked his thirst and cooled his body by spouting large volumes of water +over his back with his trunk, he resumes the path to his forest +solitudes. Having reached a secluded spot, I have remarked that +full-grown bulls lie down on their broad-sides, about the hour of +midnight, and sleep for a few hours. The spot which they usually select +is an ant-hill, and they lie around it with their backs resting against +it; these hills, formed by the white ants, are from thirty to forty feet +in diameter at their base. The mark of the under tusk is always deeply +imprinted in the ground, proving that they lie upon their sides. I never +remarked that females had thus lain down, and it is only in the more +secluded districts that the bulls adopt this practice; for I observed +that, in districts where the elephants were liable to frequent +disturbance, they took repose standing on their legs beneath some shady +tree.</p> + +<p><span class='pagenum'><a name="Page_394" id="Page_394">[394]</a></span>Having slept, they then proceed to feed extensively. Spreading out from +one another, and proceeding in a zigzag course, they smash and destroy +all the finest trees in the forest which happen to lie in their course. +The number of goodly trees which a herd of bull elephants will thus +destroy is utterly incredible. They are extremely capricious, and on +coming to a group of five or six trees, they break down not unfrequently +the whole of them, when, having perhaps only tasted one or two small +branches, they pass on and continue their wanton work of destruction. I +have repeatedly ridden through forests where the trees thus broken lay +so thick across one another that it was almost impossible to ride +through the district, and it is in situations such as these that +attacking the elephant is attended with most danger. During the night +they will feed in open plains and thinly-wooded districts, but as day +dawns they retire to the densest covers within reach, which nine times +in ten are composed of the impracticable wait-a-bit thorns, and here +they remain drawn up in a compact herd during the heat of the day. In +remote districts, however, and in cool weather, I have known herds to +continue pasturing throughout the whole day.</p> + +<p>The appearance of the wild elephant is inconceivably majestic and +imposing. His gigantic height and colossal bulk, so greatly surpassing +all other quadrupeds, combined with his sagacious disposition and +peculiar habits, impart to him an interest in the eyes of the hunter +which no other animal can call forth. The pace of the elephant, when +undisturbed, is a bold, free, sweeping step; and from the peculiar +spongy formation of his foot, his tread is<span class='pagenum'><a name="Page_395" id="Page_395">[395]</a></span> extremely light and +inaudible, and all his movements are attended with a peculiar gentleness +and grace. This, however, only applies to the elephant when roaming +undisturbed in his jungle; for, when roused by the hunter, he proves the +most dangerous enemy, and far more difficult to conquer than any other +beast of the chase.</p> + +<p>On the 27th, as day dawned, I left my shooting-hole, and proceeded to +inspect the spoor of my wounded elephant. After following it for some +distance I came to an abrupt hillock, and fancying that from the summit +a good view might be obtained of the surrounding country, I left my +followers to seek the spoor while I ascended. I did not raise my eyes +from the ground until I had reached the highest pinnacle of rock. I then +looked east, and, to my inexpressible gratification, beheld a troop of +nine or ten elephants quietly browsing within a quarter of a mile of me. +I allowed myself only one glance at them, and then rushed down to warn +my followers to be silent. A council of war was hastily held, the result +of which was my ordering Isaac to ride hard to camp, with instructions +to return as quickly as possible, accompanied by Kleinboy, and to bring +me my dogs, the large Dutch rifle, and a fresh horse. I once more +ascended the hillock to feast my eyes upon the enchanting sight before +me, and, drawing out my spy-glass, narrowly watched the motions of the +elephants. The herd consisted entirely of females, several of which were +followed by small calves.</p> + +<p>Presently on reconnoitering the surrounding country, I discovered a +second herd, consisting of five bull elephants, which were quietly +feeding about<span class='pagenum'><a name="Page_396" id="Page_396">[396]</a></span> a mile to the northward. The cows were feeding toward a +rocky ridge that stretched away from the base of the hillock on which I +stood. Burning with impatience to commence the attack, I resolved to try +the stalking system with these, and to hunt the troop of bulls with dogs +and horses. Having thus decided, I directed the guides to watch the +elephants from the summit of the hillock, and with a beating heart I +approached them. The ground and wind favoring me, I soon gained the +rocky ridge toward which they were feeding. They were now within one +hundred yards, and I resolved to enjoy the pleasure of watching their +movements for a little before I fired. They continued to feed slowly +toward me, breaking the branches from the trees with their trunks, and +eating the leaves and tender shoots. I soon selected the finest in the +herd, and kept my eye on her in particular. At length two of the troop +had walked slowly past at about sixty yards, and the one which I had +selected was feeding with two others, on a thorny tree before me.</p> + +<p>My hand was now as steady as the rock on which it rested; so, taking a +deliberate aim, I let fly at her head a little behind the eye. She got +it hard and sharp, just where I aimed, but it did not seem to affect her +much. Uttering a loud cry, she wheeled about, when I gave her the second +ball close behind the shoulder. All the elephants uttered a strange +rumbling noise, and made off in a line to the northward at a brisk, +ambling pace, their huge, fan-like ears flapping in the ratio of their +speed. I did not wait to load, but ran back to the hillock to obtain a +view. On gaining its summit the guides pointed out the elephants; they +were standing in a grove<span class='pagenum'><a name="Page_397" id="Page_397">[397]</a></span> of shady trees, but the wounded one was some +distance behind with another elephant, doubtless its particular friend, +who was endeavoring to assist it. These elephants had probably never +before heard the report of a gun, and, having neither seen nor smelt me, +they were unaware of the presence of man, and did not seem inclined to +go any further.<span class='pagenum'><a name="Page_398" id="Page_398">[398]</a></span> Presently my men hove in sight, bringing the dogs and +when these came up, I waited some time before commencing the attack, +that the dogs and horses might recover their wind. We then rode slowly +toward the elephants, and had advanced within two hundred yards of them, +when, the ground being open, they observed us, and made off in an +easterly direction; but the wounded one immediately dropped astern, and +the next moment was surrounded by the dogs, which, barking angrily, +seemed to engross her attention.</p> + +<div class="figcenter" style="width: 249px;"> +<a name="image52" id="image52"></a><a href="images/image52-full.png"><img src="images/image52.png" width="249" height="303" alt="A man descending a hill, approaching a herd of elephants." title="WITH BEATING HEART I APPROACHED A VIEW" /></a> +<span class="caption">WITH BEATING HEART I APPROACHED A VIEW</span> +</div> + +<p>Having placed myself between her and the retreating troop, I dismounted +to fire within forty yards of her, in open ground. Colesberg was +extremely afraid of the elephants, and gave me much trouble, jerking my +arm when I tried to fire. At length I let fly; but, on endeavoring to +regain my saddle, Colesberg declined to allow me to mount; and when I +tried to lead him, and run for it, he only backed toward the wounded +elephant. At this moment I heard another elephant close behind; and on +looking about, I beheld the “friend,” with uplifted trunk, charging down +upon me at top speed, shrilly trumpeting, and following an old black +pointer name Schwart, that was perfectly deaf, and trotted along before +the enraged elephant quite unaware of what was behind him. I felt +certain that she would have either me or my horse. I, however, +determined not to relinquish my steed, but to hold on by the bridle. My +men, who of course kept at a safe distance, stood aghast with their +mouths open, and for a few seconds my position was certainly not an +enviable one. Fortunately, however, the dogs took off the attention of +the elephants; and<span class='pagenum'><a name="Page_399" id="Page_399">[399]</a></span> just as they were upon me, I managed to spring into +the saddle, where I was safe. As I turned my back to mount, the +elephants were so very near that I really expected to feel one of their +trunks lay hold of me. I rode up to Kleinboy for my double-barreled +two-grooved rifle; he and Isaac were pale and almost speechless with +fright. Returning to the charge, I was soon once more alongside, and, +firing from the saddle, I sent another brace of bullets into the wounded +elephant. Colesberg was extremely unsteady, and destroyed the +correctness of my aim.</p> + +<p>The friend now seemed resolved to do some mischief, and charged me +furiously, pursuing me to a distance of several hundred yards. I +therefore deemed it proper to give her a gentle hint to act less +officiously, and, accordingly, having loaded, I approached within thirty +yards, and gave it her sharp, right and left, behind the shoulder, upon +which she at once made off with drooping trunk, evidently with a mortal +wound. I never recur to this my first day’s elephant shooting without +regretting my folly in contenting myself with securing only one +elephant. The first was now dying, and could not leave the ground, and +the second was also mortally wounded, and I had only to follow and +finish her; but I foolishly allowed her to escape, while I amused myself +with the first, which kept walking backward, and standing by every tree +she passed. Two more shots finished her: on receiving them, she tossed +her trunk up and down two or three times, and, falling on her broadside +against a thorny tree, which yielded like grass, before her enormous +weight, she uttered a deep, hoarse cry<span class='pagenum'><a name="Page_400" id="Page_400">[400]</a></span> and expired. This was a very +handsome old cow elephant, and was decidedly the best in the troop. She +was in excellent condition, and carried a pair of long and perfect +tusks.</p> + +<p>I was in high spirits at my success, and felt so perfectly satisfied +with having killed one, that, although it was still early in the day, +and my horses were fresh, I allowed the troop of five bulls to remain +unmolested, foolishly trusting to fall in with them next day. How little +did I then know of the habits of elephants, or the rules to be adopted +in hunting them, or deem it probable I should never see them more!</p> + +<p>Having knee-haltered our horses, we set to work with our knives and +assagais to prepare the skull for the hatchet, in order to cut out the +tusks, nearly half the length of which, I may mention, is imbedded in +bone sockets in the fore part of the skull. To cut out the tusks of a +cow elephant requires barely one-fifth of the labor requisite to cut out +those of a bull; and when the sun went down, we had managed by our +combined efforts to cut out one of the tusks of my first elephant, with +which we triumphantly returned to camp, having left the guides in charge +of the carcass, where they volunteered to take up their quarters for the +night. On reaching my wagons I found Johannus and Carollus in a happy +state of indifference to all passing events: they were both very drunk, +having broken into my wine-cask and spirit-case.</p> + +<p>On the 28th I arose at an early hour, and, burning with anxiety to look +forth once more from the summit of the hillock which the day before +brought me such luck, I made a hasty breakfast, and rode<span class='pagenum'><a name="Page_401" id="Page_401">[401]</a></span> thither with +after-riders and my dogs. But, alas! I had allowed the golden +opportunity to slip. This day I sought in vain; and although I often +again ascended to the summit of my favorite hillock in that and in the +succeeding year, my eyes were destined never again to hail from it a +troop of elephants.</p> + +<div class="figcenter" style="width: 134px;"> +<a name="image53" id="image53"></a><a href="images/image53-full.png"><img src="images/image53.png" width="134" height="128" alt="Elephant head" title="Elephant head" /></a> +</div> + + +<div class="footnotes"> + +<p><a name="Footnote_386-1" id="Footnote_386-1"></a><a title="Return to text." href="#Anchor_386-1" class="label">386-1</a> A vley is a swamp or morass.</p> + +<p><a name="Footnote_386-2" id="Footnote_386-2"></a><a title="Return to text." href="#Anchor_386-2" class="label">386-2</a> The sassaby is a large African antelope, resembling the +hartbeest, but having regularly curved horns.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_402" id="Page_402">[402]</a></span></p> + +<h2 class="story"><a name="SOME_CLEVER_MONKEYS" id="SOME_CLEVER_MONKEYS"></a>SOME CLEVER <span class="nowrap">MONKEYS<a name="FNanchor_402-A_220" id="FNanchor_402-A_220"></a><a title="Go to footnote 402-" href="#Footnote_402-A_220" class="fnanchor">402-*</a></span></h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Thomas Belt</span></p> + + +<p class="opening"><span class="dropcapo"><span class="hide">O</span></span><span class="upper">n</span> the dryer ridges near the Artigua River, a valuable timber tree, the +“nispera,” as it is called by the native, is common. It grows to a great +size, and its timber is almost indestructible; so that we used it in the +construction of all our permanent works. White ants do not eat it, nor, +excepting when first cut, and before it is barked, do any of the +wood-boring beetles. It bears a round fruit about the size of an apple, +hard and heavy when green, and at this time is much frequented by the +large yellowish-brown spider-monkey, which roams over the tops of the +trees in bands of from ten to twenty. Sometimes they lay quiet until I +was passing underneath, when, shaking a branch of the nispera tree, they +would send down a shower of the hard round fruit; but fortunately I was +never struck by them. As soon as I looked up, they would commence +yelping and barking, and putting on the most threatening gestures, +breaking off pieces of branches and letting them fall, and shaking off +more fruit, but never throwing anything, simply letting it fall. Often, +when on lower trees, they would hang from the branches two or three +together, holding on to each other and to the branch with their fore +feet and long<span class='pagenum'><a name="Page_403" id="Page_403">[403]</a></span> tail, whilst their hind feet hung down, all the time +making threatening gestures and cries.</p> + +<p>Sometimes a female would be seen carrying a young one on its back, to +which it clung with legs and tail, the mother making its way along the +branches, and leaping from tree to tree, apparently but little +encumbered with its baby. A large black and white eagle is said to prey +upon them, but I never saw one, although I was constantly falling in +with troops of the monkeys. Don Francisco Velasquez, one of our +officers, told me that one day he heard a monkey crying out in the +forest for more than two hours, and at last, going out to see what was +the matter, he saw a monkey on a branch and an eagle beside it trying to +frighten it to turn its back, when it would have seized it. The monkey, +however, kept its face to its foe, and the eagle did not care to engage +with it in this position, but probably would have tired it out. +Velasquez fired at the eagle, and frightened it away. I think it likely, +from what I have seen of the habits of this monkey, that they defend +themselves from its attack by keeping two or three together, thus +assisting each other, and that it is only when the eagle finds one +separated from its companions that it dares to attack it.</p> + +<p>Sometimes, but more rarely, a troop of the white-faced cebus monkey +would be fallen in with, rapidly running away, throwing themselves from +tree to tree. This monkey feeds also partly on fruit, but is incessantly +on the look-out for insects, examining the crevices in trees and +withered leaves, seizing the largest beetles and munching them up with +the greatest relish. It is also very fond of eggs and<span class='pagenum'><a name="Page_404" id="Page_404">[404]</a></span> young birds, and +must play havoc among the nestlings. Probably owing to its carnivorous +habits, its flesh is not considered so good by monkey eaters as that of +the fruit-feeding spider-monkey.</p> + +<p>It is a very intelligent and mischievous animal. I kept one for a long +time as a pet, and was much amused with its antics. At first, I had it +fastened with a light chain; but it managed to open the links and escape +several times, and then made straight for the fowls’ nests, breaking +every egg it could get hold of. Generally, after being a day or two +loose, it would allow itself to be caught again. I tried tying it up +with a cord, and afterwards with a rawhide thong, but had to nail the +end, as it could loosen any knot in a few minutes. It would sometimes +entangle itself around a pole to which it was fastened, and then unwind +the coils again with the greatest discernment. Its chain allowed it to +swing down below the verandah, but it could not reach to the ground.</p> + +<p>Sometimes, when there was a brood of young ducks about, it would hold +out a piece of bread in one hand and, when it had tempted a duckling +within reach, seize it by the other, and kill it with a bite in the +breast. There was such an uproar amongst the fowls on these occasions, +that we soon knew what was the matter, and would rush out and punish +Mickey (as we called him) with a switch; so that he was ultimately cured +of his poultry-killing propensities. One day, when whipping him, I held +up the dead duckling in front of him, and at each blow of the light +switch told him to take hold of it, and at last, much to my surprise, he +did so, taking it and holding it tremblingly in one hand.</p> + +<p><span class='pagenum'><a name="Page_405" id="Page_405">[405]</a></span></p> + +<div class="figcenter" style="width: 247px;"> +<a name="image54" id="image54"></a><a href="images/image54-full.png"><img src="images/image54.png" width="247" height="291" alt="A monkey draped over a branch in a tree." title="A CEBUS MONKEY" /></a> +<span class="caption">A CEBUS MONKEY</span> +</div> + +<p>He would draw things towards him with a stick, and even use a swing for +the same purpose. It had been put up for the children, and could be +reached by Mickey, who now and then indulged himself with a swing on it. +One day, I had put down some bird skins on a chair to dry, far beyond, +as I thought, Mickey’s reach; but, fertile in expedients, he took the +swing and launched it towards the chair, and<span class='pagenum'><a name="Page_406" id="Page_406">[406]</a></span> actually managed to knock +the skins off in the return of the swing, so as to bring them within his +reach. He also procured some jelly that was set out to cool in the same +way. Mickey’s actions were very human like. When any one came near to +fondle him, he never neglected the opportunity of pocket-picking. He +would pull out letters, and quickly take them from their envelopes. +Anything eatable disappeared into his mouth immediately. Once he +abstracted a small bottle of turpentine from the pocket of our medical +officer. He drew the cork, held it first to one nostril, then to the +other, made a wry face, recorked it, and returned it to the doctor.</p> + +<p>One day, when he got loose, he was detected carrying off the cream-jug +from the table, holding it upright with both hands, and trying to move +off on his hind limbs. He gave the jug up without spilling a drop, all +the time making an apologetic chuckle he often used when found out in +any mischief, and which always meant, “I know I have done wrong, but +don’t punish me; in fact, I did not mean to do it—it was accidental.” +Whenever, however, he saw he was going to be punished, he would change +his tone to a shrill, threatening note, showing his teeth, and trying to +intimidate. He had quite an extensive vocabulary of sounds, varying from +a gruff bark to a shrill whistle; and we could tell by them, without +seeing him, when it was he was hungry, eating, frightened, or menacing; +doubtless, one of his own species would have understood various minor +shades of intonation and expression that we, not entering into his +feelings and wants, passed over as unintelligible.</p> + + +<div class="footnotes"> + +<p><a name="Footnote_402-A_220" id="Footnote_402-A_220"></a><a href="#FNanchor_402-A_220"><span class="label">402-*</span></a> This selection is taken from <cite>The Naturalist in +Nicaragua</cite>.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_407" id="Page_407">[407]</a></span></p> + +<h2 class="story"><a name="POOR_RICHARDS_ALMANAC" id="POOR_RICHARDS_ALMANAC"></a>POOR RICHARD’S ALMANAC</h2> + + +<div class="blockquot"><p><span class="smcap">Note</span>.—In the time of Benjamin Franklin, almanacs were a very +popular form of literature. Few of the poorer people could afford +newspapers, but almost every one could afford an almanac once a +year; and the anecdotes and scraps of information which these +contained in addition to their regular contents, were read and +re-read everywhere.</p> + +<p>In 1732, Franklin began the publication of an almanac. For +twenty-five years, under the assumed name of Richard Saunders, he +issued it annually. He himself says of it:</p> + +<p>“I endeavored to make it both entertaining and useful; and it +accordingly came to be in such demand that I reaped considerable +profit from it, vending annually nearly ten thousand. And observing +that it was generally read, scarce any neighborhood in the province +being without it, I considered it as a proper vehicle for conveying +instruction among the common people, who bought scarcely any other +books; I therefore filled all the little spaces that occurred +between the remarkable days in the calendar with proverbial +sentences, chiefly such as inculcated industry and frugality as a +means of procuring wealth, and thereby securing virtue; it being +more difficult for a man in want to act always honestly as, to use +here one of the proverbs, it is hard for an empty sack to stand +upright.</p> + +<p>“These proverbs, which contain the wisdom of many ages and nations, +I assembled and formed into a connected discourse, prefixed to the +almanac of 1757, as the harangue of a wise old man to the people +attending an auction. The bringing all these scattered counsels +thus into a focus enabled them to make greater impression. The +piece, being universally approved, was copied in all the newspapers +of the continent and reprinted in Britain on a broadside, to be +stuck up in houses; two translations were made of <span class='pagenum' style="font-size: 89%"><a name="Page_408" id="Page_408">[408]</a></span>it in French and +great numbers bought by the clergy and gentry, to distribute gratis +among their poor parishioners and tenants. In Pennsylvania, as it +discouraged useless expense in foreign superfluities, some thought +it had its share of influence in producing that growing plenty of +money which was observable for several years after its +publication.”</p></div> + +<h3 class="section"><span class="smcap">The Preface for the Year</span> 1757</h3> + +<p class="noindent"><span class="dropcapc"><span class="hide">C</span></span><span class="upper">ourteous</span> Reader: I have heard that nothing gives an author so great +pleasure as to find his works respectfully quoted by other learned +authors. This pleasure I have seldom enjoyed. For though I have been, if +I may say it without vanity, an eminent author of almanacs annually now +for a full quarter of a century, my brother authors in the same way, for +what reason I know not, have ever been very sparing in their applauses, +and no other author has taken the least notice of me; so that did not my +writings produce me some solid pudding, the great deficiency of praise +would have quite discouraged me.</p> + +<p>I concluded at length that the people were the best judges of my merit, +for they buy my works; and besides, in my rambles, where I am not +personally known I have frequently heard one or other of my adages +repeated, with <em>as Poor Richard says</em> at the end of it. This gave me +some satisfaction, as it showed not only that my instructions were +regarded, but discovered likewise some respect for my authority; and I +own that to encourage the practice of remembering and repeating those +sentences, I have sometimes quoted myself with great gravity.</p> + +<p><span class='pagenum'><a name="Page_409" id="Page_409">[409]</a></span>Judge, then, how much I must have been gratified by an incident I am +going to relate to you. I stopped my horse lately where a great number +of people were collected at a <span class="nowrap">vendue<a name="Anchor_409-1" id="Anchor_409-1"></a><a title="Go to footnote 409-1" href="#Footnote_409-1" class="fnanchor">409-1</a></span> of merchants’ goods. The +hour of sale not being come, they were conversing on the badness of the +times; and one of the company called to a plain, clean old man with +white locks, “Pray, Father Abraham, what think you of the times? Won’t +these heavy taxes quite ruin the country? How shall we ever be able to +pay them? What would you advise us to do?” Father Abraham stood up and +replied: “If you would have my advice, I will give it you in short; for, +‘a word to the wise is <span class="nowrap">enough,’<a name="Anchor_409-2" id="Anchor_409-2"></a><a title="Go to footnote 409-2" href="#Footnote_409-2" class="fnanchor">409-2</a></span> and ‘many words won’t fill a +<span class="nowrap">bushel,’<a name="Anchor_409-3" id="Anchor_409-3"></a><a title="Go to footnote 409-3" href="#Footnote_409-3" class="fnanchor">409-3</a></span> as Poor Richard says.” They all joined, desiring him to +speak his mind, and gathering round him he proceeded as follows:</p> + +<p>Friends and neighbors, the taxes are indeed very heavy, and if those +laid on by the government were the only ones we had to pay, we might +more easily discharge them; but we have many others, and much more +grievous to some of us. We are taxed twice as much by our <span class="smcap">IDLENESS</span>, +three times as much by our <span class="smcap">PRIDE</span>, and four times as much by our <span class="smcap">FOLLY</span>; +and from these taxes the commissioners cannot ease or deliver us by +allowing an abatement. However, let us hearken to good advice, and +something may be done for us. “God helps them that help themselves,” as +Poor Richard says in his almanac of 1733.</p> + +<p><span class='pagenum'><a name="Page_410" id="Page_410">[410]</a></span>It would be thought a hard government that should tax its people +one-tenth part of their <span class="smcap">TIME</span>, to be employed in its service, but +idleness taxes many of us much more, if we reckon all that is spent in +absolute sloth or doing of nothing, with that which is spent in idle +employments or amusements that amount to nothing. Sloth, by bringing on +diseases, absolutely shortens life. “Sloth, like rust, consumes faster +than labor wears; while the used key is always bright,” as Poor Richard +says. “But dost thou love life? then do not squander time, for that’s +the stuff life is made of,” as Poor Richard says.</p> + +<p>How much more than is necessary do we spend in sleep? forgetting that +“the sleeping fox catches no poultry,” and that “there will be sleeping +enough in the grave,” as Poor Richard says. If time be of all things the +most precious, “wasting of time must be,” as Poor Richard says, “the +greatest prodigality;” since, as he elsewhere tells us, “lost time is +never found again,” and what we call “time enough! always proves little +enough.” Let us, then, up and be doing, and doing to the purpose; so by +diligence shall we do more with less perplexity. “Sloth makes all things +difficult, but industry all things easy,” as Poor Richard says; and “he +that riseth late must trot all day, and shall scarce overtake his +business at night; while laziness travels so slowly that poverty soon +overtakes him,” as we read in Poor Richard; who adds, “drive thy +business! let not that drive thee!” and</p> + +<p class="poem">“Early to bed and early to rise<br /> +Makes a man healthy, wealthy and wise.”</p> + +<p><span class='pagenum'><a name="Page_411" id="Page_411">[411]</a></span></p> + +<div class="figcenter" style="width: 251px;"> +<a name="image55" id="image55"></a><a href="images/image55-full.png"><img src="images/image55.png" width="251" height="290" alt="A fox carrying a chicken passing behind a fox sleeping under a tree." title="“THE SLEEPING FOX CATCHES NO POULTRY”" /></a> +<span class="caption">“THE SLEEPING FOX CATCHES NO POULTRY”</span> +</div> + +<p>So what signifies wishing and hoping for better times? We may make these +times better if we bestir ourselves. “Industry need not wish,” as Poor +Richard says, and “he that lives on hope will die fasting.” “There are +no gains without pains; then help, hands! for I have no lands;” or, if I +have, they are smartly taxed. And as Poor Richard likewise observes, “he +that hath a trade hath an estate, and<span class='pagenum'><a name="Page_412" id="Page_412">[412]</a></span> he that hath a calling hath an +office of profit and honor;” but then the trade must be worked at and +the calling well followed, or neither the estate nor the office will +enable us to pay our taxes. If we are industrious we shall never starve; +for, as Poor Richard says, “at the working-man’s house hunger looks in, +but dares not enter.” Nor will the bailiff or the constable enter, for +“industry pays debt, while despair increaseth them.”</p> + +<p>What though you have found no treasure, nor has any rich relation left +you a legacy, “diligence is the mother of good luck,” as Poor Richard +says, and “God gives all things to industry.”</p> + +<p class="poem">“Then plow deep while sluggards sleep,<br /> +And you shall have corn to sell and to keep,”</p> + +<p class="noindent">says Poor Dick. Work while it is called to-day, for you know not how +much you may be hindered to-morrow; which makes Poor Richard say, “one +to-day is worth two to-morrows;” and further, “have you somewhat to do +to-morrow? Do it to-day!”</p> + +<p>If you were a servant would you not be ashamed that a good master should +catch you idle? Are you, then, your own master? “Be ashamed to catch +yourself idle,” as Poor Dick says. When there is so much to be done for +yourself, your family, your country, and your gracious king, be up by +peep of day! “Let not the sun look down and say, ‘Inglorious here he +lies!’” Handle your tools without mittens! remember that “the cat in +gloves catches no mice!” as Poor Richard says.</p> + +<p>’Tis true there is much to be done, and perhaps you are weak-handed; but +stick to it steadily and you will see great effects; for “constant +dropping<span class='pagenum'><a name="Page_413" id="Page_413">[413]</a></span> wears away stones;” and “by diligence and patience the mouse +ate in two the cable;” and “little strokes fell great oaks,” as Poor +Richard says in his almanac, the year I cannot just now remember.</p> + +<p>Methinks I hear some of you say, “Must a man afford himself no leisure?” +I will tell thee, my friend, what Poor Richard says, “employ thy time +well if thou meanest to gain leisure;” and “since thou art not sure of a +minute, throw not away an hour!” Leisure is time for doing something +useful; this leisure the diligent man will obtain, but the lazy man +never; so that, as Poor Richard says, “a life of leisure and a life of +laziness are two things.” Do you imagine that sloth will afford you more +comfort than labor? No! for, as Poor Richard says, “trouble springs from +idleness and grievous toil from needless ease.” “Many, without labor, +would live by their wits only, but they’ll break for want of stock;” +whereas industry gives comfort, and plenty, and respect. “Fly pleasure +and they’ll follow you;” “the diligent spinner has a large shift;” and</p> + +<p class="poem">“Now I have a sheep and a cow,<br /> +Everybody bids me good-morrow.”</p> + +<p>All which is well said by Poor Richard. But with our industry we must +likewise be steady, settled, and careful, and oversee our own affairs +with our own eyes and not trust too much to others; for, as Poor Richard +says,</p> + +<p class="poem">“I never saw an oft-removed tree<br /> +Nor yet an oft-removed family<br /> +That throve so well as those that settled be.”</p> + +<p>And again, “three removes are as bad as a fire”;<span class='pagenum'><a name="Page_414" id="Page_414">[414]</a></span> and again, “keep thy +shop and thy shop will keep thee”; and again, “if you would have your +business done, go; if not, send.” And again</p> + +<p class="poem">“He that by the plow would thrive,<br /> +Himself must either hold or drive.”</p> + +<p>And again, “the eye of the master will do more work than both his +hands;” and again, “want of care does us more damage than want of +knowledge;” and again, “not to oversee workmen is to leave them your +purse open.”</p> + +<p>Trusting too much to others’ care is the ruin of many; for, as the +almanac says, “in the affairs of this world men are saved, not by faith, +but by the want of it;” but a man’s own care is profitable; for, saith +Poor Dick, “learning is to the studious and riches to the careful;” as +well as “power to the bold” and “heaven to the virtuous.” And further, +“if you would have a faithful servant and one that you like, serve +yourself.”</p> + +<p>And again, he adviseth to circumspection and care, even in the smallest +matters; because sometimes “a little neglect may breed great mischief;” +adding, “for want of a nail the shoe was lost; for want of a shoe the +horse was lost; and for want of a horse the rider was lost;” being +overtaken and slain by the enemy; all for the want of a little care +about a horseshoe nail!</p> + +<p>So much for industry, my friends, and attention to one’s own business; +but to these we must add frugality if we would make our industry more +certainly successful. “A man may,” if he knows not how to save as he +goes “keep his nose all his life to the grindstone and die not worth a +groat at last.”<span class='pagenum'><a name="Page_415" id="Page_415">[415]</a></span> “A fat kitchen makes a lean will,” as Poor Richard +says; and</p> + +<p class="poem">“Many estates are spent in the getting,<br /> +Since women for <span class="nowrap">tea<a name="Anchor_415-4" id="Anchor_415-4"></a><a title="Go to footnote 415-4" href="#Footnote_415-4" class="fnanchor">415-4</a></span> forsook spinning and knitting,<br /> +And men for punch forsook hewing and splitting.”</p> + +<p class="noindent">If you would be wealthy, says he in another almanac, “think of saving as +well as of getting. The Indies have not made Spain rich, because her +outgoes are greater than her incomes.”</p> + +<p>Away, then, with your expensive follies, and you will not have so much +cause to complain of hard times, heavy taxes, and chargeable families; +for, as Poor Dick says,</p> + +<p class="poem">“Women and wine, game and deceit,<br /> +Make the wealth small and the wants great.”</p> + +<p class="noindent">And further, “what maintains one vice would bring up two children.” You +may think, perhaps, that a little tea or a little punch now and then, a +diet a little more costly, clothes a little finer, and a little more +entertainment now and then, can be no great matter; but remember what +Poor Richard says, “many a little makes a mickle”; and further, “beware +of little expenses; a small leak will sink a great ship”; and again,</p> + +<p class="poem">“Who dainties love shall beggars prove”;</p> + +<p class="noindent">and moreover, “fools make feasts and wise men eat them.”</p> + +<p>Here are you all got together at this vendue of fineries and +knick-knacks. You call them goods;<span class='pagenum'><a name="Page_416" id="Page_416">[416]</a></span> but if you do not take care they +will prove evils to some of you. You expect they will be sold cheap, and +perhaps they may for less than they cost; but if you have no occasion +for them they must be dear to you. Remember what Poor Richard says: “Buy +what thou hast no need of, and ere long thou shalt sell thy +necessaries.” And again, “at a great pennyworth pause awhile.” He means +that perhaps the cheapness is apparent only and not real; or the bargain +by straitening thee in thy business may do thee more harm than good. For +in another place he says, “many have been ruined by buying good +pennyworths.”</p> + +<p>Again, Poor Richard says, “’tis foolish to lay out money in a purchase +of repentance;” and yet this folly is practiced every day at vendues for +want of minding the almanac.</p> + +<p>“Wise men,” as Poor Richard says, “learn by others’ harm; fools scarcely +by their own;” but <em lang="la" xml:lang="la">Felix quem faciunt aliena pericula </em><span class="nowrap"><em lang="la" xml:lang="la">cautum</em>.<a name="Anchor_416-5" id="Anchor_416-5"></a><a title="Go to footnote 416-5" href="#Footnote_416-5" class="fnanchor">416-5</a></span> +Many a one, for the sake of finery on the back, has gone with a hungry +belly and half-starved his family. “Silks and satins, scarlets and +velvets,” as Poor Richard says, “put out the kitchen fire.” These are +not the necessaries of life; they can scarcely be called the +conveniences; and yet, only because they look pretty, how many want to +have them! The artificial wants of mankind thus become more numerous +than the natural; and as Poor Dick says, “for one poor person there are +a hundred indigent.”</p> + +<p>By these and other extravagances the genteel are reduced to poverty and +forced to borrow of those whom they formerly despised, but who, through<span class='pagenum'><a name="Page_417" id="Page_417">[417]</a></span> +industry and frugality, have maintained their standing; in which case it +appears plainly that “a plowman on his legs is higher than a gentleman +on his knees,” as Poor Richard says. Perhaps they have had a small +estate left them, which they knew not the getting of; they think, “’tis +day and will never be night;” that “a little to be spent out of so much +is not worth minding” (a child and a fool, as Poor Richard says, imagine +twenty shillings and twenty years can never be spent); but “always +taking out of the meal-tub, and never putting in, soon comes to the +bottom.” Then, as Poor Dick says, “when the well’s dry they know the +worth of water.” But this they might have known before if they had taken +his advice. “If you would know the value of money, go and try to borrow +some;” for “he that goes a-borrowing goes a sorrowing,” and indeed so +does he that lends to such people, when he goes to get it in again.</p> + +<p>Poor Dick further advises and says:</p> + +<p class="poem">“Fond pride of dress is, sure, a very curse;<br /> +Ere fancy you consult, consult your purse.”</p> + +<p class="noindent">And again, “pride is as loud a beggar as want and a great deal more +saucy.” When you have bought one fine thing you must buy ten more, that +your appearance may be all of a piece; but Poor Dick says, “’tis easier +to suppress the first desire than to satisfy all that follow it.” And +’tis as true folly for the poor to ape the rich as for the frog to swell +in order to equal the ox.</p> + +<p class="poem">“Great estates may venture more,<br /> +But little boats should keep near shore.”</p> + +<p><span class='pagenum'><a name="Page_418" id="Page_418">[418]</a></span>’Tis, however, a folly soon punished; for “pride that dines on vanity +sups on contempt,” as Poor Richard says. And in another place, “pride +breakfasted with plenty, dined with poverty, and supped with infamy.”</p> + +<p>And after all, of what use is this pride of appearance, for which so +much is risked, so much is suffered? It cannot promote health or ease +pain; it makes no increase of merit in the person; it creates envy; it +hastens misfortune.</p> + +<p class="poem">“What is a butterfly? At best<br /> +He’s but a caterpillar drest,<br /> +The gaudy fop’s his picture just,”</p> + +<p class="noindent">as Poor Richard says.</p> + +<p>But what madness must it be to run into debt for these superfluities! We +are offered by the terms of this vendue six months’ credit; and that, +perhaps, has induced some of us to attend it, because we cannot spare +the ready money and hope now to be fine without it. But ah! think what +you do when you run in debt: you give to another power over your +liberty. If you cannot pay at the time you will be ashamed to see your +creditor; you will be in fear when you speak to him; you will make poor, +pitiful, sneaking excuses, and by degrees come to lose your veracity and +sink into base, downright lying; for, as Poor Richard says, “the second +vice is lying, the first is running into debt;” and again, to the same +purpose, “lying rides upon debt’s back;” whereas a free-born Englishman +ought not to be ashamed or afraid to see or speak to any man living. But +poverty often deprives a man of all spirit and virtue. “’Tis hard for an +empty bag to stand up<span class='pagenum'><a name="Page_419" id="Page_419">[419]</a></span>right!” as Poor Richard truly says. What would you +think of that prince or the government who should issue an edict +forbidding you to dress like a gentleman or gentlewoman, on pain of +imprisonment or servitude? Would you not say that you are free, have a +right to dress as you please, and that such an edict would be a breach +of your privileges and such a government tyrannical? And yet you are +about to put yourself under such tyranny when you run in debt for such +dress! Your creditor has authority, at his pleasure, to deprive you of +your liberty by confining you in jail for life or to sell you for a +servant if you should not be able to pay him. When you have got your +bargain you may, perhaps, think little of payment; but “creditors,” Poor +Richard tells us, “have better memories than debtors;” and in another +place says, “creditors are a superstitious set, great observers of set +days and times.”</p> + +<p>The day comes round before you are aware, and the demand is made before +you are prepared to satisfy it; or, if you bear your debt in mind, the +term which at first seemed so long will, as it lessens, appear extremely +short. Time will seem to have added wings to his heels as well as his +shoulders. “Those have a short Lent,” saith Poor Richard, “who owe money +to be paid at Easter.” Then since, as he says, “the borrower is a slave +to the lender and the debtor to the creditor,” disdain the chain, +preserve your freedom, and maintain your independence. Be industrious +and free; be frugal and free. At present, perhaps, you may think +yourself in thriving circumstances, and that you can bear a little +extravagance without injury; but</p> + +<p><span class='pagenum'><a name="Page_420" id="Page_420">[420]</a></span></p> + +<p class="poem">“For age and want, save while you may;<br /> +No morning sun lasts a whole day.”</p> + +<p>As Poor Richard says, gain may be temporary and uncertain; but ever +while you live expense is constant and certain; and “’tis easier to +build two chimneys than to keep one in fuel,” as Poor Richard says; so, +“rather go to bed supperless than rise in debt.”</p> + +<p class="poem">“Get what you can, and what you get hold;<br /> +’Tis the stone that will turn all your lead into <span class="nowrap">gold,”<a name="Anchor_420-6" id="Anchor_420-6"></a><a title="Go to footnote 420-6" href="#Footnote_420-6" class="fnanchor">420-6</a></span></p> + +<p class="noindent">as Poor Richard says: and when you have got the philosopher’s stone, +sure, you will no longer complain of bad times or the difficulty of +paying taxes.</p> + +<p>This doctrine, my friends, is reason and wisdom; but, after all, do not +depend too much upon your own industry and frugality and prudence, +though excellent things, for they may all be blasted without the +blessing of Heaven; and therefore ask that blessing humbly, and be not +uncharitable to those that at present seem to want it, but comfort and +help them. Remember Job suffered and was afterward prosperous.</p> + +<p>And now, to conclude, “experience keeps a dear school, but fools will +learn in no other, and scarce in that;” for it is true, “we may give +advice, but we cannot give conduct,” as Poor Richard says. However, +remember this: “they that won’t be counseled can’t be helped,” as Poor +Richard says; and further, that “if you will not hear reason she’ll +surely rap your knuckles.”</p> + +<p><span class='pagenum'><a name="Page_421" id="Page_421">[421]</a></span>Thus the old gentleman ended his harangue. The people heard it and +approved the doctrine, and immediately practiced the contrary, just as +if it had been a common sermon. For the vendue opened and they began to +buy extravagantly, notwithstanding all his cautions and their own fear +of taxes. I found the good man had thoroughly studied my almanacs and +digested all I had dropped on those topics during the course of +twenty-five years. The frequent mention he made of me must have tired +any one else; but my vanity was wonderfully delighted with it, though I +was conscious that not a tenth part of the wisdom was my own which he +ascribed to me, but rather the gleanings that I had made of the sense of +all ages and nations. However, I resolved to be the better for the echo +of it, and though I had at first determined to buy stuff for a new coat, +I went away resolved to wear my old one a little longer. Reader, if thou +wilt do the same, thy profit will be as great as mine. I am, as ever, +thine to serve thee.</p> + +<p class="right"><span class="smcap">Richard Saunders</span>.</p> + +<p><em>July 7th, 1757.</em></p> + + +<div class="footnotes"> + +<p><a name="Footnote_409-1" id="Footnote_409-1"></a><a title="Return to text." href="#Anchor_409-1" class="label">409-1</a> A vendue is an auction.</p> + +<p><a name="Footnote_409-2" id="Footnote_409-2"></a><a title="Return to text." href="#Anchor_409-2" class="label">409-2</a> Very few of the proverbs which Franklin made use of in +his almanacs were original with him. As he said in his comment, they +represented “the wisdom of many ages and nations.”</p> + +<p><a name="Footnote_409-3" id="Footnote_409-3"></a><a title="Return to text." href="#Anchor_409-3" class="label">409-3</a> This is similar to that other proverbial +expression—“Fine words butter no parsnips.”</p> + +<p><a name="Footnote_415-4" id="Footnote_415-4"></a><a title="Return to text." href="#Anchor_415-4" class="label">415-4</a> Tea at this time was expensive and regarded as a +luxury.</p> + +<p><a name="Footnote_416-5" id="Footnote_416-5"></a><a title="Return to text." href="#Anchor_416-5" class="label">416-5</a> He’s a lucky fellow who is made prudent by other men’s +perils.</p> + +<p><a name="Footnote_420-6" id="Footnote_420-6"></a><a title="Return to text." href="#Anchor_420-6" class="label">420-6</a> The philosopher’s stone, so called; a mineral having +the power of turning base metals into gold.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_422" id="Page_422">[422]</a></span></p> + +<h2 class="story"><a name="GEORGE_ROGERS_CLARK" id="GEORGE_ROGERS_CLARK"></a>GEORGE ROGERS CLARK</h2> + + +<p class="opening"><span class="dropcapo"><span class="hide">O</span></span><span class="upper">ne</span> of the most remarkable men of Revolutionary times was George Rogers +Clark, and his exploits read more like those of the hero of some novel +than like the deeds of a simple soldier and patriot.</p> + +<p>In early boyhood and youth he acquired the rather scanty education which +was then considered necessary for a child of fairly well-to-do parents, +but he never applied himself so closely to his books as to lose his love +for the woods and streams of the wild country that surrounded him. He +became a surveyor, and among the wonders and trials of the wilderness +lost much of the little polish he had acquired. But he learned the +woods, the mountain passes and the river courses, and became fully +acquainted with the wild human denizens of the forests. His six feet of +muscular body, his courage and his fierce passions fitted him to lead +men and to overawe his enemies, red or white. He had “red hair and a +black penetrating eye,” two gifts that marked him among the adventurous +men who were finding their way across the Alleghanies. He tried farming, +but succeeded better as a fighter in those fierce conflicts with Indians +and border desperadoes which gave to Kentucky the name of “Dark and +Bloody Ground.”</p> + +<p>In 1777, after the breaking out of the Revolution, there were several +French settlements lying to the<span class='pagenum'><a name="Page_423" id="Page_423">[423]</a></span> north of the Ohio and scattered from +Detroit to the Mississippi. Among these were Mackinac, Green Bay, +Prairie du Chien, Vincennes, Kaskaskia and Cahokia. The English were in +possession of all these and held them usually by a single commanding +officer and a very small garrison. The French inhabitants had made +friends with the Indians, and in many instances had intermarried with +them. Moreover, while they were submissive to the British they were by +no means attached to them and were apparently quite likely to submit +with equal willingness to the Americans should they succeed in the +struggle. This was what Clark understood so thoroughly that he early +became possessed of the idea that it would be a comparatively simple +matter to secure to the United States all that promising land lying +between the Alleghanies, the Ohio and the Mississippi.</p> + +<p>The jealousy that existed between Pennsylvania and Virginia over an +extension westward made it extremely difficult for Clark to get aid from +the Colonies or even from Virginia, his native state. However, he +succeeded in interesting Patrick Henry, then governor of Virginia, and +preserving the greatest secrecy, he set about recruiting his forces.</p> + +<p>It was a desperate undertaking, and the obstacles, naturally great, were +made infinitely more trying by the fact that he could tell none of his +men the real purpose for which they were enlisting. By May, 1778, +however, he had secured one hundred and fifty backwoodsmen from the +western reaches of Virginia. With these he started on his venturous +undertaking.</p> + +<p><span class='pagenum'><a name="Page_424" id="Page_424">[424]</a></span>Reuben Gold Thwaites, in his <cite>How George Rogers Clark Won the +Northwest</cite>, describes the volunteers as follows:</p> + +<p>“There was of course no attempt among them at military uniform, officers +in no wise being distinguished from men. The conventional dress of +eighteenth-century borderers was an adaptation to local conditions, +being in part borrowed from the Indians. Their feet were encased in +moccasins. Perhaps the majority of the corps had loose, thin trousers of +homespun or buckskin, with a fringe of leather thongs down each outer +seam of the legs; but many wore only leggings of leather, and were as +bare of knee and thigh as a Highland clansman; indeed, many of the +pioneers were Scotch-Irish, some of whom had been accustomed to this +airy costume in the mother-land. Common to all were fringed hunting +shirts or smocks, generally of buckskin—a picturesque, flowing garment +reaching from neck to knees, and girded about the waist by a leathern +belt, from which dangled the tomahawk and scalping-knife. On one hip +hung the carefully scraped powder horn; on the other, a leather sack, +serving both as game-bag and provision-pouch, although often the folds +of the shirt, full and ample above the belt, were the depository for +food and ammunition. A broad-brimmed felt hat, or a cap of fox-skin or +squirrel-skin, with the tail dangling behind, crowned the often tall and +always sinewy frontiersman. His constant companion was his home-made +flint-lock rifle—a clumsy, heavy weapon, so long that it reached to the +chin of the tallest man, but unerring in the hands of an expert +marksman, such as was each of these backwoodsmen.</p> + +<p><span class='pagenum'><a name="Page_425" id="Page_425">[425]</a></span>“They were rough in manners and in speech. Among them, we must confess, +were men who had fled from the coast settlements because no longer to be +tolerated in a law-abiding community. There were not lacking mean, +brutal fellows, whose innate badness had on the untrammelled frontier +developed into wickedness. Many joined Clark for mere adventure, for +plunder and deviltry. The majority, however, were men of good parts, who +sought to protect their homes at whatever peril—sincere men, as large +of heart as they were of frame, many of them in later years developing +into citizens of a high type of effectiveness in a frontier +commonwealth. As a matter of history, most of them proved upon this +expedition to be heroes worthy of the fame they won and the leader whom +they followed.”</p> + +<p>Early in June Clark had reached the falls in the Ohio at the present +city of Louisville, and here on an island commanding the falls he built +a block house and planted some corn. Here he left the weak and +dissatisfied members of his company, and having been joined by a few +Kentucky volunteers, he resumed his journey down the river. His first +goal was Kaskaskia on the Mississippi, and after a long and perilous +journey, the latter part across the country, he captured the post by +surprise, seizing the French commandant of the English garrison in an +upper room of his own house. He had little difficulty in winning the +confidence of the French settlers, who then willingly transferred their +loyalty to the new Republic that claimed to be their friend.</p> + +<p>A different situation developed with the Indians, but after skilful +treatment and a long interview with representatives of the many tribes +he succeeded<span class='pagenum'><a name="Page_426" id="Page_426">[426]</a></span> in winning their friendship, or at least a quiet +neutrality. In the meantime, Father Gibault, an active, friendly French +priest, had crossed the country and induced the inhabitants of Vincennes +to raise the American flag. Clark sent Captain Helm to take charge of +the fort and to lead the French militia.</p> + +<p>Clark’s ambition was to capture Detroit, but so great were the +difficulties besetting him that he was compelled to winter at Kaskaskia +with insufficient forces, struggling to keep peace and to hold the +country he had so successfully seized. In January, a month after the +event happened, Clark heard that Hamilton had recaptured Vincennes for +the British and was preparing to advance on Kaskaskia. Had Hamilton been +prompt in his actions and proceeded at once against Clark he might +easily have driven the latter from Kaskaskia and secured to the British +the wonderful Northwest territory. His delays, however, gave Clark time +to gather a larger force and to show his wonderful power as a leader and +his skill as a military campaigner.</p> + +<p>Few men could have accomplished what Clark did, for few have either the +ability or the devotion. “I would have bound myself seven years a +Slave,” he says, “to have had five hundred troops.” Nothing, however, +deterred him. He built a large barge or galley, mounted small cannon +upon it and manned it with a crew of forty men. This was dispatched to +patrol the Ohio, and if possible to get within ten leagues of Vincennes +on the Wabash. It was Clark’s determination not to wait for attack from +the British but to surprise Hamilton in his own fort. It required almost +superhuman power to gather the men necessary from the motley crowds<span class='pagenum'><a name="Page_427" id="Page_427">[427]</a></span> at +Kaskaskia and from other posts on the river, but the day after the +“Willing” (for so he named his barge) sailed, he moved out of Kaskaskia, +with a hundred and seventy men following him, to march the two hundred +and thirty miles across the wintry wilderness to Vincennes. How he fared +and how he accomplished his desire you may read in the selection from +his journal.</p> + +<p>Clark’s activity did not end with the capture of Vincennes, but that was +the most remarkable of his long series of military achievements. No more +heroic man ever lived, and few Americans have left such a memory for +high patriotism, self-sacrifice and wonderful achievement. His +accomplishments are unparalleled in the history of the Mississippi +valley, and the youth of the region may well be proud that to such a man +they are indebted for their right to live in the United States.</p> + +<p>Unfortunately, Clark’s later years were not in keeping with his early +character. He felt that his country was ungrateful to him, the liquor +habit mastered him, he was mixed up in unfortunate political deals with +France, and at last sank into poverty and was almost forgotten. It is +said that once when in his latter years the State of Virginia sent him a +sword in token of their appreciation of his services, he angrily thrust +the sword into the ground and broke the blade with his crutch, while he +cried out: “When Virginia needed a sword I gave her one. She sends me +now a toy. I want bread!”</p> + +<p>He lived until 1818, and then died at his sister’s house near +Louisville, and was buried at Cave Hill Cemetery in that city.</p> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_428" id="Page_428">[428]</a></span></p> + +<h2 class="story"><a name="THE_CAPTURE_OF_VINCENNES" id="THE_CAPTURE_OF_VINCENNES"></a>THE CAPTURE OF <span class="nowrap">VINCENNES<a name="Anchor_428-1" id="Anchor_428-1"></a><a title="Go to footnote 428-1" href="#Footnote_428-1" class="fnanchor">428-1</a></span></h2> + +<p class="titlepage"><em>By</em> <span class="smcap">George Rogers </span><span class="nowrap smcap">Clark<a name="Anchor_428-2" id="Anchor_428-2"></a><a title="Go to footnote 428-2" href="#Footnote_428-2" class="fnanchor">428-2</a></span></p> + + +<p class="opening"><span class="dropcape"><span class="hide">E</span></span><span class="upper">verything</span> being ready, on the 5th of February, after receiving a +lecture and absolution from the priest, we crossed the Kaskaskia River +with one hundred and seventy men, marched about three miles and +encamped, where we lay until the 7th, and set out. The weather wet (but +fortunately not cold for the season) and a great part of the plains +under water several inches deep. It was very difficult and fatiguing +marching. My object was now to keep the men in spirits. I suffered them +to shoot game on all occasions, and feast on it like Indian war-dancers, +each company by turns inviting the others to their feasts, which was the +case every night, as the company that<span class='pagenum'><a name="Page_429" id="Page_429">[429]</a></span> was to give the feast was always +supplied with horses to lay up a sufficient store of wild meat in the +course of the day, myself and principal officers putting on the +woodsmen, shouting now and then, and running as much through the mud and +water as any of them.</p> + +<p>Thus, insensibly, without a murmur, were those men led on to the banks +of the Little Wabash, which we reached on the 13th, through incredible +difficulties, far surpassing anything that any of us had ever +experienced. Frequently the diversions of the night wore off the +thoughts of the preceding day. We formed a camp on a height which we +found on the bank of the river, and suffered our troops to amuse +themselves.</p> + +<p>I viewed this sheet of water for some time with distrust; but, accusing +myself of doubting, I immediately set to work, without holding any +consultation about it, or suffering anybody else to do so in my +presence; ordered a pirogue to be built immediately, and acted as though +crossing the water would be only a piece of diversion. As but few could +work at the pirogue at a time, pains were taken to find diversion for +the rest to keep them in high spirits. In the evening of the 14th, our +vessel was finished, manned, and sent to explore the drowned lands, on +the opposite side of the Little Wabash, with private instructions what +report to make, and, if possible, to find some spot of dry land. They +found about half an acre, and marked the trees from thence back to the +camp, and made a very favorable report.</p> + +<p>Fortunately, the 15th happened to be a warm, moist day for the season. +The channel of the river where we lay was about thirty yards wide. A +scaf<span class='pagenum'><a name="Page_430" id="Page_430">[430]</a></span>fold was built on the opposite shore (which was about three feet +under water), and our baggage ferried across, and put on it. Our horses +swam across, and received their loads at the scaffold, by which time the +troops were also brought across, and we began our march through the +water.</p> + +<p>By evening we found ourselves encamped on a pretty height, in high +spirits, each party laughing at the other, in consequence of something +that had happened in the course of this ferrying business, as they +called it. A little antic drummer afforded them great diversion by +floating on his drum, etc. All this was greatly encouraged; and they +really began to think themselves superior to other men, and that neither +the rivers nor the seasons could stop their progress. Their whole +conversation now was concerning what they would do when they got about +the enemy. They now began to view the main Wabash as a creek, and made +no doubt but such men as they were could find a way to cross it. They +wound themselves up to such a pitch that they soon took Post Vincennes, +divided the spoil, and before bedtime were far advanced on their route +to Detroit. All this was, no doubt, pleasing to those of us who had more +serious thoughts.</p> + +<p>We were now convinced that the whole of the low country on the Wabash +was drowned, and that the enemy could easily get to us, if they +discovered us, and wished to risk an action; if they did not, we made no +doubt of crossing the river by some means or other. Even if Captain +Rogers, with our galley, did not get to his station agreeable to his +appointment, we flattered ourselves that all would be well, and marched +on in high spirits.</p> + +<p><span class='pagenum'><a name="Page_431" id="Page_431">[431]</a></span>The last day’s march through the water was far superior to anything the +<span class="nowrap">Frenchmen<a name="Anchor_431-3" id="Anchor_431-3"></a><a title="Go to footnote 431-3" href="#Footnote_431-3" class="fnanchor">431-3</a></span> had an idea of. They were backward in speaking; said +that the nearest land to us was a small league called the Sugar Camp, on +the bank of the [river?]. A canoe was sent off, and returned without +finding that we could pass. I went in her myself, and sounded the water; +found it deep as to my neck. I returned with a design to have the men +transported on board the canoes to the Sugar Camp, which I knew would +spend the whole day and ensuing night, as the vessels would pass slowly +through the bushes. The loss of so much time, to men half-starved, was a +matter of consequence. I would have given now a great deal for a day’s +provision or for one of our horses. I returned but slowly to the troops, +giving myself time to think.</p> + +<p>On our arrival, all ran to hear what was the report. Every eye was fixed +on me. I unfortunately spoke in a serious manner to one of the officers. +The whole were alarmed without knowing what I said. I viewed their +confusion for about one minute, whispered to those near me to do as I +did: immediately put some water in my hand, poured on powder, blackened +my face, gave the war-whoop, and marched into the water without saying a +word. The party gazed, and fell in, one after another, without saying a +word, like a flock of sheep. I ordered those near me to begin a favorite +song of theirs. It soon passed through the line, and the whole went on +cheerfully. I now intended to have<span class='pagenum'><a name="Page_432" id="Page_432">[432]</a></span> them transported across the deepest +part of the water; but, when about waist deep, one of the men informed +me that he thought he felt a path. We examined, and found it so, and +concluded that it kept on the highest ground, which it did; and, by +taking pains to follow it we got to the Sugar Camp without the least +difficulty, where there was about half an acre of dry ground, at least +not under water, where we took up our lodging.</p> + +<p>The Frenchmen that we had taken on the river appeared to be uneasy at +our situation. They begged that they might be permitted to go in the two +canoes to town in the night. They said that they would bring from their +own houses provisions, without a possibility of any persons knowing it; +that some of our men should go with them as a surety of their good +conduct; that it was impossible we could march from that place till the +water fell, for the plain was too deep to march. Some of the [officers?] +believed that it might be done. I would not suffer it. I never could +well <a name="corr25" id="corr25"></a>account for this piece of obstinacy, and give satisfactory reasons +to myself or anybody else why I denied a proposition apparently so easy +to execute and of so much advantage; but something seemed to tell me +that it should not be done, and it was not done.</p> + +<p>The most of the weather that we had on this march was moist and warm for +the season. This was the coldest night we had. The ice, in the morning, +was from one-half to three-quarters of an inch thick near the shores and +in still water. The morning was the finest we had on our march. A little +after sunrise I lectured the whole. What I said to them I forgot, but it +may be easily imagined by a person that could<span class='pagenum'><a name="Page_433" id="Page_433">[433]</a></span> possess my affections for +them at that time. I concluded by informing them that passing the plain +that was then in full view and reaching the opposite woods would put an +end to their fatigue, that in a few hours they would have a sight of +their long-wished-for object, and immediately stepped into the water +without waiting for any reply. A huzza took place.</p> + +<div class="figcenter" style="width: 248px;"> +<a name="image56" id="image56"></a><a href="images/image56-full.png"><img src="images/image56.png" width="248" height="301" alt="A line of men crossing a waist-deep river, carrying their rifles high and their belongings on their heads." title="CLARK TOOK THE LEAD" /></a> +<span class="caption">CLARK TOOK THE LEAD</span> +</div> + +<p><span class='pagenum'><a name="Page_434" id="Page_434">[434]</a></span>As we generally marched through the water in a line, before the third +entered I halted, and called to Major Bowman, ordering him to fall in +the rear with twenty-five men, and put to death any man who refused to +march, as we wished to have no such person among us. The whole gave a +cry of approbation, and on we went. This was the most trying of all the +difficulties we had experienced. I generally kept fifteen or twenty of +the strongest men next myself, and judged from my own feelings what must +be that of others. Getting about the middle of the plain, the water +about mid-deep, I found myself sensibly failing; and, as there were no +trees nor bushes for the men to support themselves by, I feared that +many of the most weak would be drowned.</p> + +<p>I ordered the canoes to make the land, discharge their loading, and play +backward and forward with all diligence, and pick up the men; and, to +encourage the party, sent some of the strongest men forward, with +orders, when they got to a certain distance, to pass the word back that +the water was getting shallow, and when getting near the woods to cry +out, ‘Land!’ This stratagem had its desired effect. The men, encouraged +by it, exerted themselves almost beyond their abilities; the weak +holding by the stronger.</p> + +<p>The water never got shallower, but continued deepening. Getting to the +woods, where the men expected land, the water was up to my shoulders; +but gaining the woods was of great consequence. All the low men and the +weakly hung to the trees, and floated on the old logs until they were +taken off by the canoes. The strong and tall got ashore<span class='pagenum'><a name="Page_435" id="Page_435">[435]</a></span> and built +fires. Many would reach the shore, and fall with their bodies half in +the water, not being able to support themselves without it.</p> + +<p>This was a delightful dry spot of ground of about ten acres. We soon +found that the fires answered no purpose, but that two strong men taking +a weaker one by the arms was the only way to recover him; and, being a +delightful day, it soon did. But, fortunately, as if designed by +Providence, a canoe of Indian squaws and children was coming up to town, +and took through part of this plain as a nigh way. It was discovered by +our canoes as they were out after the men. They gave chase, and took the +Indian canoe, on board of which was near half a quarter of a buffalo, +some corn, tallow, kettles, and other provisions. This was a grand +prize, and was invaluable. Broth was immediately made, and served out to +the most weakly with great care. Most of the whole got a little; but a +great many gave their part to the weakly, jocosely saying something +cheering to their comrades. This little refreshment and fine weather by +the afternoon gave new life to the whole.</p> + +<p>Crossing a narrow deep lake in the canoes, and marching some distance, +we came to a copse of timber called the Warrior’s Island. We were now in +full view of the fort and town, not a shrub between us, at about two +miles distance. Every man now feasted his eyes, and forgot that he had +suffered anything, saying that all that had passed was owing to good +policy and nothing but what a man could bear; and that a soldier had no +right to think, etc.,—passing from one extreme to another, which is +common in such cases.</p> + +<p><span class='pagenum'><a name="Page_436" id="Page_436">[436]</a></span>It was now we had to display our abilities. The plain between us and the +town was not a perfect level. The sunken grounds were covered with water +full of ducks. We observed several men out on horseback, shooting them, +within a half mile of us, and sent out as many of our active young +Frenchmen to decoy and take one of these men prisoner in such a manner +as not to alarm the others, which they did. The information we got from +this person was similar to that which we got from those we took on the +river, except that of the British having that evening completed the wall +of the fort, and that there were a good many Indians in town.</p> + +<p>Our situation was now truly critical,—no possibility of retreating in +case of defeat, and in full view of a town that had, at this time, +upward of six hundred men in it,—troops, inhabitants, and Indians. The +crew of the galley, though not fifty men, would have been now a +reënforcement of immense magnitude to our little army (if I may so call +it), but we would not think of them. We were now in the situation that I +had labored to get ourselves in. The idea of being made prisoner was +foreign to almost every man, as they expected nothing but torture from +the savages, if they fell into their hands. Our fate was now to be +determined, probably in a few hours. We knew that nothing but the most +daring conduct would insure success.</p> + +<p>I knew that a number of the inhabitants wished us well, that many were +lukewarm to the interest of either, and I also learned that the grand +chief, the Tobacco’s son, had but a few days before openly declared, in +council with the British, that he was a brother and friend to the Big +Knives. These were<span class='pagenum'><a name="Page_437" id="Page_437">[437]</a></span> favorable circumstances; and, as there was but +little probability of our remaining until dark undiscovered, I +determined to begin the career immediately, and wrote the following +placard to the inhabitants:—</p> + +<p style="margin-top: 2em;">“<span class="smcap">To the Inhabitants of Post Vincennes</span>:</p> + +<p>“<em>Gentlemen:</em>—Being now within two miles of your village, with my +army, determined to take your fort this night, and not being +willing to surprise you, I take this method to request such of you +as are true citizens and willing to enjoy the liberty I bring you +to remain still in your houses; and those, if any there be, that +are friends to the king will instantly repair to the fort, and join +the <span class="nowrap">hair-buyer<a name="Anchor_437-4" id="Anchor_437-4"></a><a title="Go to footnote 437-4" href="#Footnote_437-4" class="fnanchor">437-4</a></span> general, and fight like men. And, if any such +as do not go to the fort shall be discovered afterward, they may +depend on severe punishment. On the contrary, those who are true +friends to liberty may depend on being well treated; and I once +more request them to keep out of the streets. For every one I find +in arms on my arrival I shall treat him as an enemy.</p> + +<p class="right" style="margin-bottom: 2em;">“(Signed) <span style="padding-left: 4em;">G. R. CLARK.”</span></p> + + +<p>I had various ideas on the supposed results of this letter. I knew that +it could do us no damage, but that it would cause the lukewarm to be +decided, encourage our friends, and astonish our enemies.</p> + +<p>We anxiously viewed this messenger until he entered the town, and in a +few minutes could discover by our glasses some stir in every street that +we could<span class='pagenum'><a name="Page_438" id="Page_438">[438]</a></span> penetrate into, and great numbers running or riding out into +the commons, we supposed, to view us, which was the case. But what +surprised us was that nothing had yet happened that had the appearance +of the garrison being alarmed,—no drum nor gun. We began to suppose +that the information we got from our prisoners was false, and that the +enemy already knew of us, and were prepared.</p> + +<p>A little before sunset we moved, and displayed ourselves in full view of +the town, crowds gazing at us. We were plunging ourselves into certain +destruction or success. There was no midway thought of. We had but +little to say to our men, except inculcating an idea of the necessity of +obedience, etc. We knew they did not want encouraging, and that anything +might be attempted with them that was possible for such a +number,—perfectly cool, under proper subordination, pleased with the +prospect before them, and much attached to their officers. They all +declared that they were convinced that an implicit obedience to orders +was the only thing that would insure success, and hoped that no mercy +would be shown the person that should violate them. Such language as +this from soldiers to persons in our station must have been exceedingly +agreeable.</p> + +<p>We moved on slowly in full view of the town; but, as it was a point of +some consequence to us to make ourselves appear as formidable, we, in +leaving the covert that we were in, marched and counter-marched in such +a manner that we appeared numerous. In raising volunteers in the +Illinois, every person that set about the business had a set of colors +given him, which they brought with them to the amount of ten or twelve +pairs. These were displayed<span class='pagenum'><a name="Page_439" id="Page_439">[439]</a></span> to the best advantage; and, as the low +plain we marched through was not a perfect level, but had frequent +risings in it seven or eight feet higher than the common level (which +was covered with water), and as these risings generally run in an +oblique direction to the town, we took the advantage of one of them, +marching through the water under it, which completely prevented our +being numbered. But our colors showed considerably above the heights, as +they were fixed on long poles procured for the purpose, and at a +distance made no despicable appearance; and, as our young Frenchmen had, +while we lay on the Warrior’s Island, decoyed and taken several fowlers +with their horses, officers were mounted on these horses, and rode +about, more completely to deceive the enemy.</p> + +<p>In this manner we moved, and directed our march in such a way as to +suffer it to be dark before we had advanced more than half-way to the +town. We then suddenly altered our direction, and crossed ponds where +they could not have suspected us, and about eight o’clock gained the +heights back of the town. As there was yet no hostile appearance, we +were impatient to have the cause unriddled. Lieutenant Bayley was +ordered, with fourteen men, to march and fire on the fort. The main body +moved in a different direction, and took possession of the strongest +part of the town.</p> + +<p>The firing now commenced on the fort, but they did not believe it was an +enemy until one of their men was shot down through a port, as drunken +Indians frequently saluted the fort after night. The drums now sounded, +and the business fairly commenced on both sides. Re-enforcements were +sent<span class='pagenum'><a name="Page_440" id="Page_440">[440]</a></span> to the attack of the garrison, while other arrangements were +making in town.</p> + +<p>We now found that the garrison had known nothing of us; that, having +finished the fort that evening, they had amused themselves at different +games, and had just retired before my letter arrived, as it was near +roll-call. The placard being made public, many of the inhabitants were +afraid to show themselves out of the houses for fear of giving offence, +and not one dare give information. Our friends flew to the commons and +other convenient places to view the pleasing sight. This was observed +from the garrison, and the reason asked, but a satisfactory excuse was +given; and, as a part of the town lay between our line of march and the +garrison, we could not be seen by the sentinels on the walls.</p> + +<p>Captain W. Shannon and another being some time before taken prisoners by +one of their [scouting parties], and that evening brought in, the party +had discovered at the Sugar Camp some signs of us. They supposed it to +be a party of observation that intended to land on the height some +distance below the town. Captain Lamotte was sent to intercept them. It +was at him the people said they were looking, when they were asked the +reason of their unusual stir.</p> + +<p>Several suspected persons had been taken to the garrison; among them was +Mr. Moses Henry. Mrs. Henry went, under the pretense of carrying him +provisions, and whispered him the news and what she had seen. Mr. Henry +conveyed it to the rest of his fellow-prisoners, which gave them much +pleasure, particularly Captain Helm, who amused himself<span class='pagenum'><a name="Page_441" id="Page_441">[441]</a></span> very much +during the siege, and, I believe, did much damage.</p> + +<p>Ammunition was scarce with us, as the most of our stores had been put on +board of the galley. Though her crew was but few, such a reënforcement +to us at this time would have been invaluable in many instances. But, +fortunately, at the time of its being reported that the whole of the +goods in the town were to be taken for the king’s use (for which the +owners were to receive bills), Colonel Legras, Major Bosseron, and +others had buried the greatest part of their powder and ball. This was +immediately produced, and we found ourselves well supplied by those +gentlemen.</p> + +<p>The Tobacco’s son, being in town with a number of warriors, immediately +mustered them, and let us know that he wished to join us, saying that by +morning he would have a hundred men. He received for answer that we +thanked for his friendly disposition; and, as we were sufficiently +strong ourselves, we wished him to desist, and that we would counsel on +the subject in the morning; and, as we knew that there were a number of +Indians in and near the town that were our enemies, some confusion might +happen if our men should mix in the dark, but hoped that we might be +favored with his counsel and company during the night, which was +agreeable to him.</p> + +<p>The garrison was soon completely surrounded, and the firing continued +without intermission (except about fifteen minutes a little before day) +until about nine o’clock the following morning. It was kept up by the +whole of the troops, joined by a few of the young men of the town, who +got permission, except fifty men kept as a reserve.</p> + +<p><span class='pagenum'><a name="Page_442" id="Page_442">[442]</a></span>I had made myself fully acquainted with the situation of the fort and +town and the parts relative to each. The cannon of the garrison was on +the upper floors of strong blockhouses at each angle of the fort, eleven +feet above the surface, and the ports so badly cut that many of our +troops lay under the fire of them within twenty or thirty yards of the +walls. They did no damage, except to the buildings of the town, some of +which they much shattered; and their musketry, in the dark, employed +against woodsmen covered by houses, palings, ditches, the banks of the +river, etc., was but of little avail, and did no injury to us except +wounding a man or two.</p> + +<p>As we could not afford to lose men, great care was taken to preserve +them, sufficiently covered, and to keep up a hot fire in order to +intimidate the enemy as well as to destroy them. The embrasures of their +cannon were frequently shut, for our riflemen, finding the true +direction of them, would pour in such volleys when they were opened that +the men could not stand to the guns. Seven or eight of them in a short +time got cut down. Our troops would frequently abuse the enemy, in order +to aggravate them to open their ports and fire their cannon, that they +might have the pleasure of cutting them down with their rifles, fifty of +which, perhaps, would be levelled the moment the port flew open; and I +believe that, if they had stood at their artillery, the greater part of +them would have been destroyed in the course of the night, as the +greater part of our men lay within thirty yards of the walls, and in a +few hours were covered equally to those within the walls, and much more +experienced in that mode of fighting.</p> + +<p><span class='pagenum'><a name="Page_443" id="Page_443">[443]</a></span>Sometimes an irregular fire, as hot as possible, was kept up from +different directions for a few minutes, and then only a continual +scattering fire at the ports as usual; and a great noise and laughter +immediately commenced in different parts of the town, by the reserved +parties, as if they had only fired on the fort a few minutes for +amusement, and as if those continually firing at the fort were only +regularly relieved. Conduct similar to this kept the garrison constantly +alarmed. They did not know what moment they might be stormed or [blown +up?], as they could plainly discover that we had flung up some +entrenchments across the streets, and appeared to be frequently very +busy under the bank of the river, which was within thirty feet of the +walls.</p> + +<p>The situation of the magazine we knew well. Captain Bowman began some +works in order to blow it up, in the case our artillery should arrive; +but, as we knew that we were daily liable to be overpowered by the +numerous bands of Indians on the river, in case they had again joined +the enemy (the certainty of which we were unacquainted with), we +resolved to lose no time, but to get the fort in our possession as soon +as possible. If the vessel did not arrive before the ensuing night, we +resolved to undermine the fort, and fixed on the spot and plan of +executing this work, which we intended to commence the next day.</p> + +<p>The Indians of different tribes that were inimical had left the town and +neighborhood. Captain Lamotte continued to hover about it in order, if +possible, to make his way good into the fort. Parties attempted in vain +to surprise him. A few of<span class='pagenum'><a name="Page_444" id="Page_444">[444]</a></span> his party were taken, one of which was +Maisonville, a famous Indian partisan. Two lads had captured him, tied +him to a post in the street, and fought from behind him as a breastwork, +supposing that the enemy would not fire at them for fear of killing him, +as he would alarm them by his voice. The lads were ordered, by an +officer who discovered them at their amusement, to untie their prisoner, +and take him off to the guard, which they did, but were so inhuman as to +take part of his scalp on the way. There happened to him no other +damage.</p> + +<p>As almost the whole of the persons who were most active in the +department of Detroit were either in the fort or with Captain Lamotte, I +got extremely uneasy for fear that he would not fall into our power, +knowing that he would go off, if he could not get into the fort in the +course of the night. Finding that, without some unforeseen accident, the +fort must inevitably be ours, and that a reënforcement of twenty men, +although considerable to them, would not be of great moment to us in the +present situation of affairs, and knowing that we had weakened them by +killing or wounding many of their gunners, after some deliberation, we +concluded to risk the reënforcement in preference of his going again +among the Indians. The garrison had at least a month’s provisions; and, +if they could hold out, in the course of that time he might do us much +damage.</p> + +<p>A little before day the troops were withdrawn from their positions about +the fort, except a few parties of observation, and the firing totally +ceased. Orders were given, in case of Lamotte’s approach, not to alarm +or fire on him without a certainty of killing or taking the whole. In +less than a quarter<span class='pagenum'><a name="Page_445" id="Page_445">[445]</a></span> of an hour, he passed within ten feet of an officer +and a party that lay concealed. Ladders were flung over to them; and, as +they mounted them, our party shouted. Many of them fell from the top of +the walls,—some within, and others back; but, as they were not fired +on, they all got over, much to the joy of their friends. But, on +considering the matter, they must have been convinced that it was a +scheme of ours to let them in, and that we were so strong as to care but +little about them or the manner of their getting into the garrison.</p> + +<p>The firing immediately commenced on both sides with double vigor; and I +believe that more noise could not have been made by the same number of +men. Their shouts could not be heard for the fire-arms; but a continual +blaze was kept around the garrison, without much being done, until about +daybreak, when our troops were drawn off to posts prepared for them, +about sixty or seventy yards from the fort. A loophole then could +scarcely be darkened but a rifle-ball would pass through it. To have +stood to their cannon would have destroyed their men, without a +probability of doing much service. Our situation was nearly similar. It +would have been imprudent in either party to have wasted their men, +without some decisive stroke required it.</p> + +<p>Thus the attack continued until about nine o’clock on the morning of the +24th. Learning that the two prisoners they had brought in the day before +had a considerable number of letters with them, I supposed it an express +that we expected about this time, which I knew to be of the greatest +moment to us, as we had not received one since our arrival in the +country; and, not being fully acquainted with the<span class='pagenum'><a name="Page_446" id="Page_446">[446]</a></span> character of our +enemy, we were doubtful that those papers might be destroyed, to prevent +which I sent a flag [with a letter] demanding the <span class="nowrap">garrison.<a name="Anchor_446-5" id="Anchor_446-5"></a><a title="Go to footnote 446-5" href="#Footnote_446-5" class="fnanchor">446-5</a></span></p> + +<p class="titlepage" style="letter-spacing: 1em;">* * *</p> + +<p>The firing then commenced warmly for a considerable time; and we were +obliged to be careful in preventing our men from exposing themselves too +much, as they were now much animated, having been refreshed during the +flag. They frequently mentioned their wishes to storm the place, and put +an end to the business at once. The firing was heavy through every crack +that could be discovered in any part of the fort. Several of the +garrison got wounded, and no possibility of standing near the +embrasures. Toward the evening a flag appeared with the following +proposals:—</p> + +<p style="margin-top: 2em;">“Lieutenant-governor Hamilton proposes to Colonel Clark a truce for +three days, during which time he promises there shall be no defensive +works carried on in the garrison, on condition that Colonel Clark shall +observe, on his part, a like cessation of any defensive work,—that is, +he wishes to confer with Colonel Clark as soon as can be, and promises<span class='pagenum'><a name="Page_447" id="Page_447">[447]</a></span> +that whatever may pass between them two and another person mutually +agreed upon to be present shall remain secret till matters be finished, +as he wishes that, whatever the result of the conference may be, it may +tend to the honor and credit of each party. If Colonel Clark makes a +difficulty of coming into the fort, Lieutenant-governor Hamilton will +speak to him by the gate.</p> + +<p class="right" style="margin-bottom: 0em;">“(Signed) HENRY HAMILTON.</p> +<p style="margin-top: 0em; margin-bottom: 2em;"><span style="margin-left: 1em;">“24th February, 1779.”</span></p> + +<p>I was at a great loss to conceive what reason Lieutenant-governor +Hamilton could have for wishing a truce of three days on such terms as +he proposed. Numbers said it was a scheme to get me into their +possession. I had a different opinion and no idea of his possessing such +sentiments, as an act of that kind would infallibly ruin him. Although +we had the greatest reason to expect a reënforcement in less than three +days, that would at once put an end to the siege, I yet did not think it +prudent to agree to the proposals, and sent the following answer:—</p> + +<p style="margin-top: 2em;">“Colonel Clark’s compliments to Lieutenant-governor Hamilton, and begs +leave to inform him that he will not agree to any terms other than Mr. +Hamilton’s surrendering himself and garrison prisoners at discretion. If +Mr. Hamilton is desirous of a conference with Colonel Clark, he will +meet him at the church with Captain Helm.</p> + +<p class="right" style="margin-bottom: 0em;">“(Signed) G. R. C.</p> +<p style="margin-top: 0em; margin-bottom: 2em;"><span style="margin-left: 1em;">“February 24th, 1779.”</span></p> + +<p>We met at the church, about eighty yards from the fort, +Lieutenant-governor Hamilton, Major<span class='pagenum'><a name="Page_448" id="Page_448">[448]</a></span> Hay, superintendent of Indian +affairs, Captain Helm, their prisoner, Major Bowman, and myself. The +conference began. Hamilton produced terms of capitulation, signed, that +contained various articles, one of which was that the garrison should be +surrendered on their being permitted to go to Pensacola on parole. After +deliberating on every article, I rejected the whole.</p> + +<p>He then wished that I would make some proposition. I told him that I had +no other to make than what I had already made,—that of his surrendering +as prisoners at discretion. I said that his troops had behaved with +spirit; that they could not suppose that they would be worse treated in +consequence of it; that, if he chose to comply with the demand, though +hard, perhaps the sooner the better; that it was in vain to make any +proposition to me; that he, by this time, must be sensible that the +garrison would fall; that both of us must [view?] all blood spilt for +the future by the garrison as murder; that my troops were already +impatient, and called aloud for permission to tear down and storm the +fort. If such a step was taken, many, of course, would be cut down; and +the result of an enraged body of woodsmen breaking in must be obvious to +him. It would be out of the power of an American officer to save a +single man.</p> + +<p>Various altercation took place for a considerable time. Captain Helm +attempted to moderate our fixed determination. I told him he was a +British prisoner; and it was doubtful whether or not he could, with +propriety, speak on the subject. Hamilton then said that Captain Helm +was from that moment liberated, and might use his pleasure. I<span class='pagenum'><a name="Page_449" id="Page_449">[449]</a></span> informed +the Captain that I would not receive him on such terms; that he must +return to the garrison, and await his fate. I then told +Lieutenant-governor Hamilton that hostilities should not commence until +five minutes after the drums gave the alarm.</p> + +<div class="figcenter" style="width: 250px;"> +<a name="image57" id="image57"></a><a href="images/image57-full.png"><img src="images/image57.png" width="250" height="302" alt="Three men in uniform approaching a man in buckskins and a man in uniform in front of a church. " title="WE MET AT THE CHURCH" /></a> +<span class="caption">WE MET AT THE CHURCH</span> +</div> + +<p>We took our leave, and parted but a few steps, when Hamilton stopped, +and politely asked me if<span class='pagenum'><a name="Page_450" id="Page_450">[450]</a></span> I would be so kind as to give him my reasons +for refusing the garrison any other terms than those I had offered. I +told him I had no objections in giving him my real reasons, which were +simply these: that I knew the greater part of the principal Indian +partisans of Detroit were with him; that I wanted an excuse to put them +to death or otherwise treat them as I thought proper; that the cries of +the widows and the fatherless on the frontiers, which they had +occasioned, now required their blood from my hand; and that I did not +choose to be so timorous as to disobey the absolute commands of their +authority, which I looked upon to be next to divine; that I would rather +lose fifty men than not to empower myself to execute this piece of +business with propriety; that, if he chose to risk the massacre of his +garrison for their sakes, it was his own pleasure; and that I might, +perhaps, take it into my head to send for some of those widows to see it +executed.</p> + +<p>Major Hay paying great attention, I had observed a kind of distrust in +his countenance, which in a great measure influenced my conversation +during this time. On my concluding, “Pray, sir,” said he, “who is it +that you call Indian partisans?” “Sir,” I replied, “I take Major Hay to +be one of the principal.” I never saw a man in the moment of execution +so struck as he appeared to be,—pale and trembling, scarcely able to +stand. Hamilton blushed, and, I observed, was much affected at his +behavior. Major Bowman’s countenance sufficiently explained his disdain +for the one and his sorrow for the other.</p> + +<p>Some moments elapsed without a word passing on either side. From that +moment my resolutions changed respecting Hamilton’s situation. I told<span class='pagenum'><a name="Page_451" id="Page_451">[451]</a></span> +him that we would return to our respective posts; that I would +reconsider the matter, and let him know the result. No offensive +measures should be taken in the meantime. Agreed to; and we parted. What +had passed being made known to our officers, it was agreed that we +should moderate our resolutions.</p> + +<p>That afternoon the following articles were signed and the garrison +surrendered:</p> + +<p><abbr title="One">I.</abbr> Lieutenant-governor Hamilton engages to deliver up to Colonel Clark, +Fort Sackville, as it is at present, with all the stores, etc.</p> + +<p><abbr title="Two">II.</abbr> The garrison are to deliver themselves as prisoners of war, and +march out with their arms and accoutrements, etc.</p> + +<p><abbr title="Three">III.</abbr> The garrison to be delivered up at ten o’clock tomorrow.</p> + +<p><abbr title="Four">IV.</abbr> Three days time to be allowed the garrison to settle their accounts +with the inhabitants and traders of this place.</p> + +<p><abbr title="Five">V.</abbr> The officers of the garrison to be allowed their necessary baggage, +etc.</p> + +<p>Signed at Post <abbr title="Saint">St.</abbr> Vincent (Vincennes), 24th of February, 1779.</p> + +<p>Agreed for the following reasons: the remoteness from succor; the state +and quantity of provisions, etc.; unanimity of officers and men in its +expediency; the honorable terms allowed; and, lastly, the confidence in +a generous enemy.</p> + +<p class="right"> +<span style="margin-right: 2em;">(Signed) HENRY HAMILTON,</span><br /> +<em>Lieut.-Gov. and Superintendent.</em></p> + +<p class="titlepage" style="letter-spacing: 1em;">* * *</p> + +<p>The business being now nearly at an end, troops were posted in several +strong houses around the garrison and <a name="corr26" id="corr26"></a>patrolled during the night to +prevent any<span class='pagenum'><a name="Page_452" id="Page_452">[452]</a></span> deception that might be attempted. The remainder on duty +lay on their arms, and for the first time for many days past got some +rest.</p> + +<p>During the siege, I got only one man wounded. Not being able to lose +many, I made them secure themselves well. Seven were <a name="corr27" id="corr27"></a>badly wounded in +the fort through ports.</p> + +<p>Almost every man had conceived a favorable opinion of +Lieutenant-governor Hamilton,—I believe what affected myself made some +impression on the whole; and I was happy to find that he never deviated, +while he stayed with us, from that dignity of conduct that became an +officer in his situation. The morning of the 25th approaching, +arrangements were made for receiving the garrison [which consisted of +seventy-nine men], and about ten o’clock it was delivered in form; and +everything was immediately arranged to the best <span class="nowrap">advantage.<a name="Anchor_452-7" id="Anchor_452-7"></a><a title="Go to footnote 452-7" href="#Footnote_452-7" class="fnanchor">452-7</a></span></p> + + +<div class="footnotes"> + +<p><a name="Footnote_428-1" id="Footnote_428-1"></a><a title="Return to text." href="#Anchor_428-1" class="label">428-1</a> The first permanent settlement in Indiana was made on +the Wabash River 117 miles southwest of the present city of +Indianapolis. On what was originally the location of a prominent Indian +village, the French established a fort in 1702, and it was generally +known as <em>The Post</em>. In 1736 the name of Vinsenne, an early commandant +of the post, was applied to the little settlement, and this name later +came to be written <em>Vincennes</em>, in its present form.</p> + +<p>The English took the place in 1763; in 1778 the weak English garrison +was driven out by the forerunners of George Rogers Clark, who from +Kaskaskia sent Captain Helm to take charge. The same winter Captain Helm +and the one soldier who constituted his garrison were compelled to +surrender to the British General, Hamilton, who had come from Detroit to +recapture the fort. It was in the following February that Clark made the +final capture as told in these memoirs. Thereafter Vincennes belonged to +Virginia, who ceded it to the United States in 1783. Vincennes was the +capital of Indiana territory from 1801 to 1816.</p> + +<p><a name="Footnote_428-2" id="Footnote_428-2"></a><a title="Return to text." href="#Anchor_428-2" class="label">428-2</a> The selection is taken from General Clark’s Memoirs.</p> + +<p><a name="Footnote_431-3" id="Footnote_431-3"></a><a title="Return to text." href="#Anchor_431-3" class="label">431-3</a> These were men from Vincennes whom Clark had taken from +canoes and from whom he obtained much information, although it was not +given with perfect willingness.</p> + +<p><a name="Footnote_437-4" id="Footnote_437-4"></a><a title="Return to text." href="#Anchor_437-4" class="label">437-4</a> It was said with some show of justice that General +Hamilton had paid the Indians a bounty on the scalps of American +settlers. His course in many ways had aroused the bitterest hatred among +the colonists, and especially among the “Big Knives.”</p> + +<p><a name="Footnote_446-5" id="Footnote_446-5"></a><a title="Return to text." href="#Anchor_446-5" class="label">446-5</a> The letter addressed to Lieutenant-governor Hamilton +read as follows:</p> + +<p>“<span class="smcap">Sir</span>:—In order to save yourself from the impending storm that now +threatens you, I order you immediately to surrender yourself, with all +your garrison, stores, etc. For, if I am obliged to storm, you may +depend on such treatment as is justly due to a murderer. Beware of +destroying stores of any kind or any papers or letters that are in your +possession, or hurting one house in town: for, by heavens! if you do, +there shall be no mercy shown you.</p> + +<p class="footnote" style="text-align: right;">(Signed) G. R. CLARK.”</p> + +<p>In reply the British officer sent the following:</p> + +<p>“Lieutenant-governor Hamilton begs leave to acquaint Colonel Clark that +he and his garrison are not disposed to be awed into any action unworthy +British subjects.”</p> + +<p><a name="Footnote_452-7" id="Footnote_452-7"></a><a title="Return to text." href="#Anchor_452-7" class="label">452-7</a> Clark was a man of action, not a scholar; and the +errors of which his writings are full may well be overlooked, so full of +interest is what he says. The selections above have been slightly +changed, principally, however, in spelling and the use of capital +letters.</p> + +<p>Hamilton was sent in irons to Virginia and was kept in close +confinement, at Williamsburg, till nearly the end of the Revolution. +Washington wrote, as a reason for not exchanging the British prisoner, +that he “had issued proclamations and approved of practices, which were +marked with cruelty towards the people that fell into his hands, such as +inciting the Indians to bring in scalps, putting prisoners in irons, and +giving men up to be the victims of savage barbarity.”</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_453" id="Page_453">[453]</a></span></p> + +<h2 class="story"><a name="THREE_SUNDAYS_IN_A_WEEK" id="THREE_SUNDAYS_IN_A_WEEK"></a>THREE SUNDAYS IN A WEEK</h2> + +<p class="titlepage"><em>Adapted from</em> <span class="smcap">Edgar A. Poe</span></p> + + +<div class="blockquot"><p><span class="smcap">Note</span>.—The ingeniousness of the idea in this story marks it as +Poe’s, though it lacks some of the characteristics which we expect +to find in everything that came from the brain of that most unusual +writer. Many of his poems and many of his most famous stories, such +as <cite>Ligeia</cite>, <cite>The Fall of the House of Usher</cite>, <cite>Eleanora</cite> and <cite>The +Masque of the Red Death</cite>, have a fantastic horror about them which +is scarcely to be found in the writings of any other man. <cite>The Gold +Bug</cite>, which is included in Volume IX of this series is a +characteristic example of another type of Poe’s stories; it shows +at its best his marvelous inventive power.</p> + +<p><cite>Three Sundays in a Week</cite>, as given here, has been abridged +somewhat, though nothing that is essential to the story has been +omitted.</p></div> + +<p class="opening"><span class="dropcapy"><span class="hide">“Y</span></span><span class="upper">ou</span> hard-hearted, dunder-headed, obstinate, rusty, crusty, musty, +fusty, old savage!” said I, in fancy, one afternoon, to my granduncle, +Rumgudgeon, shaking my fist at him in imagination. Only in imagination. +The fact is, some trivial difference did exist, just then, between what +I said and what I had not the courage to say—between what I did and +what I had half a mind to do.</p> + +<p>The old porpoise, as I opened the drawing-room door, was sitting with +his feet upon the mantelpiece, making strenuous efforts to accomplish a +ditty.</p> + +<p>“My <em>dear</em> uncle,” said I, closing the door gently and approaching him +with the blandest of smiles,<span class='pagenum'><a name="Page_454" id="Page_454">[454]</a></span> “you are always so very kind and +considerate, and have evinced your benevolence in so many—so very many +ways—that—that I feel I have only to suggest this little point to you +once more to make sure of your full acquiescence.”</p> + +<p>“Hem!” said he, “good boy! go on!”</p> + +<p>“I am sure, my dearest uncle (you confounded old rascal!) that you have +no design really and seriously to oppose my union with Kate. This is +merely a joke of yours, I know—ha! ha! ha!—how very pleasant you are +at times.”</p> + +<p>“Ha! ha! ha!” said he, “curse you! yes!”</p> + +<p>“To be sure—of course! I knew you were jesting. Now, uncle, all that +Kate and myself wish at present, is that you would oblige us—as regards +the <em>time</em>—you know, uncle—in short, when will it be most convenient +for yourself that the wedding shall—shall come off, you know?”</p> + +<p>“Come off, you scoundrel! what do you mean by that?—Better wait till it +goes on.”</p> + +<p>“Ha! ha! ha!—he! he! he!—oh, that’s good—oh, that’s capital—such a +wit! But all we want, just now, you know, uncle, is that you should +indicate the time precisely.”</p> + +<p>“Ah!—precisely?”</p> + +<p>“Yes, uncle—that is, if it would be quite agreeable to yourself.”</p> + +<p>“Wouldn’t it answer, Bobby, if I were to leave it at random—sometime +within a year or so, for example?—<em>must</em> I say precisely?”</p> + +<p>“<em>If</em> you please, uncle—precisely.”</p> + +<p>“Well, then, Bobby, my boy—you’re a fine fellow, aren’t you?—since you +<em>will</em> have the exact time, I’ll—why, I’ll oblige you for once.”</p> + +<p><span class='pagenum'><a name="Page_455" id="Page_455">[455]</a></span>“Dear uncle!”</p> + +<div class="figcenter" style="width: 249px;"> +<a name="image58" id="image58"></a><a href="images/image58-full.png"><img src="images/image58.png" width="249" height="196" alt="A younger man standing by a seated older man in an elegant parlor." title="“WELL, THEN, BOBBY, MY BOY”" /></a> +<span class="caption">“WELL, THEN, BOBBY, MY BOY”</span> +</div> + +<p>“Hush, sir!” (drowning my voice)—“I’ll oblige you for once. You shall +have my consent—and the <em>plum</em>, we mustn’t forget the plum—let me see! +When shall it be? To-day’s Sunday—isn’t it! Well, then, you shall be +married precisely—<em>precisely</em>, now mind!—<em>when three Sundays come +together in a week!</em> Do you hear me, sir! What are you gaping at? I say, +you shall have Kate and her plum when three Sundays come together in a +week—but not <em>till</em> then—you young scapegrace—not <em>till</em> then, if I +die for it. You know me—<em>I’m a man of my word</em>—<em>now be off!</em>” Here he +grinned at me viciously, and I rushed from the room in despair.</p> + +<p>A very “fine old English gentleman” was my granduncle, Rumgudgeon, but, +unlike him of the<span class='pagenum'><a name="Page_456" id="Page_456">[456]</a></span> song, he had his weak points. He was a little, pursy, +pompous, passionate, semi-circular somebody, with a red nose, a thick +skull, a long purse, and a strong sense of his own consequence. With the +best heart in the world, he contrived, through a predominate whim of +contradiction, to earn for himself, among those who only knew him +superficially, the character of a curmudgeon. Like many excellent +people, he seemed possessed with a spirit of tantalization, which might +easily, at a casual glance, be mistaken for malevolence. To every +request, a positive “No!” was his immediate answer; but in the end—in +the long, long end—there were exceedingly few requests which he +refused. Against all attacks upon his purse he made the most sturdy +defence; but the amount extorted from him at last, was generally in +direct ratio with the length of the siege and the stubbornness of the +resistance. In charity, no one gave more liberally, or with a worse +grace.</p> + +<p>For the fine arts, especially for the belles-lettres, he entertained a +profound contempt. Thus my own inkling for the Muses had excited his +entire displeasure. He assured me one day, when I asked him for a new +copy of Horace, that the translation of “<em lang="la" xml:lang="la">Poeta nascitur, non</em> +<span class="nowrap"><em lang="la" xml:lang="la">fit</em>”<a name="Anchor_456-1" id="Anchor_456-1"></a><a title="Go to footnote 456-1" href="#Footnote_456-1" class="fnanchor">456-1</a></span> was “a nasty poet for nothing fit”—a remark which I took +in high dudgeon. His repugnance to the “humanities” had, also, much +increased of late, by an accidental bias in favor of what he supposed to +be natural science. Somebody had accosted him in the street, mistaking +him for a no less personage than Doctor Dubble L. Dee, the lecturer upon +quack physics. This set him off at a tangent; and just at the epoch of +this story,<span class='pagenum'><a name="Page_457" id="Page_457">[457]</a></span> my granduncle, Rumgudgeon, was accessible and pacific only +upon the points which happened to chime in with the hobby he was riding.</p> + +<p>I had lived with the old gentleman all my life. My parents in dying had +bequeathed me to him as a rich legacy. I believe the old villain loved +me as his own child—nearly if not quite as well as he loved Kate—but +it was a dog’s existence that he led me after all. From my first year +until my fifth, he obliged me with very regular floggings. From five to +fifteen, he threatened me, hourly, with the House of Correction. From +fifteen to twenty not a day passed in which he did not promise to cut me +off with a shilling. I was a sad dog it is true, but then it was a part +of my nature—a point of my faith.</p> + +<p>In Kate, however, I had a firm friend, and I knew it. She was a good +girl, and told me very sweetly that I might have her (plum and all) +whenever I could badger my granduncle, Rumgudgeon, into the necessary +consent. Poor girl! she was barely fifteen, and without this consent her +little amount in the funds was not come-at-able until five immeasurable +summers had “dragged their slow length along.” What then to do? In vain +we besieged the old gentleman with importunities. It would have stirred +the indignation of Job himself to see how much like an old mouser he +behaved to us two little mice. In his heart he wished for nothing more +ardently than our union. He had made up his mind to this all along. In +fact he would have given ten thousand pounds from his own pocket (Kate’s +plum was <em>her own</em>) if he could have invented anything like an excuse +for complying with our very natural wishes. But then we had been so +imprudent<span class='pagenum'><a name="Page_458" id="Page_458">[458]</a></span><span class='pagenum'><a name="Page_459" id="Page_459"><br />[459]</a></span> as to broach the matter ourselves. Not to oppose it under +the circumstances, I sincerely believe, was not in his power.</p> + +<div class="figcenter" style="width: 250px;"> +<a name="image59" id="image59"></a><a href="images/image59-full.png"><img src="images/image59.png" width="250" height="389" alt="A young woman seated on a low branch of a tree, with a young man leaning in to talk to her." title="“IN KATE, HOWEVER, I HAD A FIRM FRIEND”" /></a> +<span class="caption">“IN KATE, HOWEVER, I HAD A FIRM FRIEND”</span> +</div> + +<p>My granduncle was, after his own fashion, a man of his word, no doubt. +The spirit of his vows he made no scruple of setting at naught, but the +letter was a bond inviolable. Now it was this peculiarity in his +disposition of which Kate’s ingenuity enabled us one fine day, not long +after our interview in the drawing-room, to take a very unexpected +advantage.</p> + +<p>It happened then—so the Fates ordered it—that among the naval +acquaintances of my betrothed were two gentlemen who had just set foot +upon the shores of England, after a year’s absence, each, in foreign +travel. In company with these gentlemen, Kate and I, preconcertedly, +paid uncle Rumgudgeon a visit on the afternoon of Sunday, October the +tenth—just three weeks after the memorable decision which had so +cruelly defeated our hopes. For about half an hour the conversation ran +upon ordinary topics; but at last we contrived, quite naturally, to give +it the following turn:</p> + +<p><em>Capt. Pratt.</em> “Well, I have been absent just one year. Just one year +to-day, as I live—let me see! yes!—this is October the tenth. You +remember, Mr. Rumgudgeon, I called this day year, to bid you good-bye. +And by the way, it does seem something like a coincidence, does it +not—that our friend, Captain Smitherton, has been absent exactly a year +also, a year to-day?”</p> + +<p><em>Smitherton.</em> “Yes! just one year to a fraction. You will remember, Mr. +Rumgudgeon, that I called with Captain Pratt on this very day last year, +to pay my parting respects.”</p> + +<p><span class='pagenum'><a name="Page_460" id="Page_460">[460]</a></span><em>Uncle.</em> “Yes, yes, yes—I remember it very well—very queer indeed! +Both of you gone just one year. A very strange coincidence indeed! Just +what Doctor Dubble L. Dee would denominate an extraordinary concurrence +of events. Doctor Dub—”</p> + +<p><em>Kate</em> (<em>interrupting</em>). “To be sure papa, it <em>is</em> something strange; +but then Captain Pratt and Captain Smitherton didn’t go altogether the +same route, and that makes a difference you know.”</p> + +<p><em>Uncle.</em> “I don’t know any such thing, you hussy! How should I? I think +it only makes the matter more remarkable. Doctor Dubble L. Dee—”</p> + +<p><em>Kate.</em> <a name="corr28" id="corr28"></a>“Why, papa, Captain Pratt went round Cape Horn, and Captain +Smitherton doubled the Cape of Good Hope.”</p> + +<p><em>Uncle.</em> “Precisely! the one went east and the other went west, you +jade, and they have both gone quite round the world. By the bye, Doctor +Dub—”</p> + +<p><em>Myself</em> (<em>hurriedly</em>). “Captain Pratt, you must come and spend the +evening with us to-morrow—you and Smitherton—you can tell us all about +your voyage, and we’ll have a game of whist, and—”</p> + +<p><em>Pratt.</em> “Whist, my dear fellow—you forget. To-morrow will be Sunday. +Some other evening—”</p> + +<p><em>Kate.</em> “Oh, no, fie!—Robert’s not <em>quite</em> so bad as that. <em>To-day’s</em> +Sunday.”</p> + +<p><em>Uncle.</em> “To be sure—to be sure.”</p> + +<p><em>Pratt.</em> “I beg both your pardons—but I can’t be so much mistaken. I +know to-morrow’s Sunday, because—”</p> + +<p><em>Smitherton</em> (<em>much surprised</em>). “What <em>are</em> you all thinking about? +Wasn’t <em>yesterday</em> Sunday, I should like to know?”</p> + +<p><span class='pagenum'><a name="Page_461" id="Page_461">[461]</a></span><em>All.</em> “Yesterday, indeed! you <em>are</em> out!”</p> + +<p><em>Uncle.</em> “To-day’s Sunday, I say—don’t I know?”</p> + +<p><em>Pratt.</em> “Oh, no!—to-morrow’s Sunday.”</p> + +<p><em>Smitherton.</em> “You are <em>all</em> mad—every one of you. I am as positive +that yesterday was Sunday as I am that I sit upon this chair.”</p> + +<p><em>Kate</em> (<em>jumping up eagerly</em>). “I see it—I see it all. Papa, this is a +judgment upon you, about—about you know what. Let me alone, and I’ll +explain it all in a minute. It’s a very simple thing, indeed. Captain +Smitherton says that yesterday was Sunday: so it was; he is right. +Cousin Bobby, and papa and I, say that to-day is Sunday: so it is, we +are right. Captain Pratt maintains that to-morrow will be Sunday: so it +will, he is right, too. The fact is, we are all right, and thus <em>three +Sundays have come together in a week</em>.”</p> + +<p><em>Smitherton</em> (<em>after a pause</em>). “By the bye, Pratt, Kate has us +completely. What fools we two are! Mr. Rumgudgeon, the matter stands +thus: the earth, you know, is twenty-four thousand miles in +circumference. Now this globe turns upon its own axis—revolves—spins +around—these twenty-four thousand miles of extent, going from west to +east, in precisely twenty-four hours. Do you understand, Mr. +Rumgudgeon?”</p> + +<p><em>Uncle.</em> “To be sure—to be sure. Doctor Dub—”</p> + +<p><em>Smitherton</em> (<em>drowning his voice</em>). “Well sir, that is at the rate of +one thousand miles per hour. Now, suppose that I sail from this position +a thousand miles east. Of course I anticipate the rising of the sun here +at London by just one hour. I see the sun rise one hour before you do. +Proceeding,<span class='pagenum'><a name="Page_462" id="Page_462">[462]</a></span> in the same direction, yet another thousand miles, I +anticipate the rising by two hours—another thousand, and I anticipate +it by three hours, and so on, until I go entirely round the globe, and +back to this spot, when having gone twenty-four thousand miles east, I +anticipate the rising of the London sun by no less than twenty-four +hours; that is to say, I am a day <em>in advance</em> of your time. Understand, +eh?”</p> + +<p><em>Uncle.</em> “But Dubble L. Dee—”</p> + +<p><em>Smitherton</em> (<em>speaking very loud</em>). “Captain Pratt, on the contrary, +when he had sailed a thousand miles west of this position, was an hour, +and when he had sailed twenty-four thousand miles west was twenty-four +hours, or one day, <em>behind</em> the time at London. Thus, with me, yesterday +was Sunday—thus with you, to-day is Sunday—and thus with Pratt, +to-morrow will be Sunday. And what is more, Mr. Rumgudgeon, it is +positively clear that that we are <em>all right</em>; for there can be no +philosophical reason assigned why the idea of one of us should have +preference over that of the other.”</p> + +<p><em>Uncle.</em> “My eyes!—well, Kate—well Bobby!—this <em>is</em> a judgment upon +me as you say. But I am a man of my word—<em>mark that!</em> You shall have +her, my boy (plum and all), when you please. Done up, by Jove! Three +Sundays in a row! I’ll go and take Dubble L. Dee’s opinion upon <em>that</em>.”</p> + + +<div class="footnotes"> + +<p><a name="Footnote_456-1" id="Footnote_456-1"></a><a title="Return to text." href="#Anchor_456-1" class="label">456-1</a> A poet is born, not made.</p> +</div> + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_463" id="Page_463">[463]</a></span></p> + +<h2 class="story"><a name="THE_MODERN_BELLE" id="THE_MODERN_BELLE"></a>THE MODERN BELLE</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Stark</span></p> + + +<p class="poemopening"><span class="dropcap">S</span><span class="upper">he</span> sits in a fashionable parlor,<br /> +<span class="i1">And rocks in her easy chair;</span><br /> +She is clad in silks and satins,<br /> +<span class="i1">And jewels are in her hair;</span><br /> +She winks and giggles and simpers,<br /> +<span class="i1">And simpers and giggles and winks;</span><br /> +And though she talks but little,<br /> +<span class="i1">’Tis a good deal more than she thinks.</span></p> + +<p class="poem">She lies abed in the morning<br /> +<span class="i1">Till nearly the hour of noon,</span><br /> +Then comes down snapping and snarling<br /> +<span class="i1">Because she was called so soon;</span><br /> +Her hair is still in papers,<br /> +<span class="i1">Her cheeks still fresh with paint,—</span><br /> +Remains of her last night’s blushes,<br /> +<span class="i1">Before she intended to faint.</span></p> + +<p class="poem">She dotes upon men unshaven,<br /> +<span class="i1">And men with “flowing hair;”</span><br /> +She’s eloquent over mustaches,<br /> +<span class="i1">They give such a foreign air.</span><br /> +She talks of Italian music,<br /> +<span class="i1">And falls in love with the moon;</span><br /> +And, if a mouse were to meet her,<br /> +<span class="i1">She would sink away in a swoon.</span></p> + +<p class="poem">Her feet are so very little,<br /> +<span class="i1">Her hands are so very white,</span><br /> +<span class='pagenum'><a name="Page_464" id="Page_464">[464]</a></span>Her jewels so very heavy,<br /> +<span class="i1">And her head so very light;</span><br /> +Her color is made of cosmetics<br /> +<span class="i1">(Though this she will never own),</span><br /> +Her body is made mostly of cotton,<br /> +<span class="i1">Her heart is made wholly of stone.</span></p> + +<p class="poem">She falls in love with a fellow<br /> +<span class="i1">Who swells with a foreign air;</span><br /> +He marries her for her money,<br /> +<span class="i1">She marries him for his hair!</span><br /> +One of the very best matches,—<br /> +<span class="i1">Both are well mated in life;</span><br /> +<em>She’s got a fool for a husband,</em><br /> +<span class="i1"><em>He’s got a fool for a wife!</em></span></p> + + + +<hr class="storybreak" /> +<h2 class="story"><a name="WIDOW_MACHREE" id="WIDOW_MACHREE"></a>WIDOW MACHREE</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Samuel Lover</span></p> + + +<p class="poemopening"><span class="dropcap">W</span><span class="upper">idow</span> machree, it’s no wonder you frown,—<br /> +<span class="i2">Och hone! widow machree;</span><br /> +Faith, it ruins your looks, that same dirty black gown,—<br /> +<span class="i2">Och hone! widow machree.</span><br /> +<span class="i1">How altered your air,</span><br /> +<span class="i1">With that close cap you wear,—</span><br /> +<span class="i1">’Tis destroying your hair,</span><br /> +<span class="i2">Which should be flowing free;</span><br /> +<span class="i1">Be no longer a churl</span><br /> +<span class="i1">Of its black silken curl,—</span><br /> +<span class="i2">Och hone! widow machree!</span></p> + +<p class="poem">Widow machree, now the summer is come,—<br /> +<span class="i2">Och hone! widow machree,</span><br /> +<span class='pagenum'><a name="Page_465" id="Page_465">[465]</a></span>When everything smiles, should a beauty look glum?<br /> +<span class="i2">Och hone! widow machree!</span><br /> +<span class="i1">See the birds go in pairs,</span><br /> +<span class="i1">And the rabbits and hares;</span><br /> +<span class="i1">Why, even the bears</span><br /> +<span class="i2">Now in couples agree;</span><br /> +<span class="i1">And the mute little fish,</span><br /> +<span class="i1">Though they can’t spake, they wish,—</span><br /> +<span class="i2">Och hone! widow machree.</span></p> + +<div class="figcenter" style="width: 252px;"> +<a name="image60" id="image60"></a><a href="images/image60-full.png"><img src="images/image60.png" width="252" height="199" alt="A man and a woman seated in a kitchen with open hearth." title="FAITH, I WISH YOU’D TAKE ME!" /></a> +<span class="caption">FAITH, I WISH YOU’D TAKE ME!</span> +</div> + +<p class="poem">Widow machree, and when winter comes in,—<br /> +<span class="i2">Och hone! widow machree,—</span><br /> +To be poking the fire all alone is a sin,<br /> +<span class="i2">Och hone! widow machree.</span><br /> +<span class="i1">Sure the shovel and tongs</span><br /> +<span class="i1">To each other belongs,</span><br /> +<span class="i1">And the kettle sings songs</span><br /> +<span class='pagenum'><a name="Page_466" id="Page_466">[466]</a></span><span class="i2">Full of family glee;</span><br /> +<span class="i1">While alone with your cup</span><br /> +<span class="i1">Like a hermit you sup,</span><br /> +<span class="i1">Och hone! widow machree.</span></p> + +<p class="poem">And how do you know, with the comforts I’ve towld,—<br /> +<span class="i2">Och hone! widow machree,—</span><br /> +But you’re keeping some poor fellow out in the cowld,<br /> +<span class="i2">Och hone! widow machree!</span><br /> +<span class="i1">With such sins on your head,</span><br /> +<span class="i1">Sure your peace would be fled;</span><br /> +<span class="i1">Could you sleep in your bed</span><br /> +<span class="i2">Without thinking to see</span><br /> +<span class="i1">Some ghost or some sprite,</span><br /> +<span class="i1">That would wake you each night,</span><br /> +<span class="i2">Crying “Och hone! widow machree!”</span></p> + +<p class="poem">Then take my advice, darling widow machree,—<br /> +<span class="i2">Och hone! widow machree,—</span><br /> +And with my advice, Faith, I wish you’d take me,<br /> +<span class="i2">Och hone! widow machree!</span><br /> +<span class="i1">You’d have me to desire</span><br /> +<span class="i1">Then to stir up the fire;</span><br /> +<span class="i1">And sure hope is no liar</span><br /> +<span class="i2">In whispering to me,</span><br /> +<span class="i1">That the ghosts would depart</span><br /> +<span class="i1">When you’d me near your heart,—</span><br /> +<span class="i2">Och hone! widow machree!</span></p> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_467" id="Page_467">[467]</a></span></p> + +<h2 class="story"><a name="LIMESTONE_BROTH" id="LIMESTONE_BROTH"></a>LIMESTONE BROTH</h2> + +<p class="titlepage"><em>By</em> <span class="smcap">Gerald Griffin</span></p> + + +<p class="opening"><span class="dropcapm"><span class="hide">"M</span></span><span class="upper">y</span> father went once upon a time about the country, in the idle season, +seeing if he could make a penny at all by cutting hair or setting +rashurs or pen-knives, or any other job that would fall in his way.</p> + +<p>Weel an’ good—he was one day walking alone in the mountains of Kerry, +without a ha’p’ny in his pocket (for though he traveled afoot, it cost +him more than he earned), an’ knowing there was but little love for a +County Limerick man in the place where he was, an’ being half perished +with the hunger, an’ evening drawing nigh, he didn’t know well what to +do with himself till morning.</p> + +<p>Very good—he went along the wild road; an’ if he did, he soon sees a +farmhouse at a little distance o’ one side—a snug-looking place, with +the smoke curling up out of the chimney, an’ all tokens of good living +inside. Well, some people would live where a fox would starve.</p> + +<p>What do you think did my father do? He wouldn’t beg (a thing one of our +people never done yet, thank heaven!) an’ he hadn’t the money to buy a +thing, so what does he do? He takes up a couple o’ the big limestones +that were lying in the road, in his two hands, an’ away with him to the +house.</p> + +<p><span class='pagenum'><a name="Page_468" id="Page_468">[468]</a></span></p> + +<div class="figcenter" style="width: 252px;"> +<a name="image61" id="image61"></a><a href="images/image61-full.png"><img src="images/image61.png" width="252" height="395" alt="A man with a staff approaching a small farmhouse." title="HE SOON SEES A FARMHOUSE AT A LITTLE DISTANCE" /></a> +<span class="caption">HE SOON SEES A FARMHOUSE AT A LITTLE DISTANCE</span> +</div> + +<p><span class='pagenum'><a name="Page_469" id="Page_469">[469]</a></span>‘Lord save all here!’ says he, walking in the door.</p> + +<p>‘And you kindly,’ says they.</p> + +<p>‘I’m come to you,’ says he, this way, looking at the two limestones, ‘to +know would ye let me make a little limestone broth over your fire, until +I’ll make my dinner?’</p> + +<p>‘Limestone broth!’ says they to him again: ‘what’s that, <em>aroo</em>?’</p> + +<p>‘Broth made of limestone,’ says he; ‘what else?’</p> + +<p>‘We never heard of such a thing,’ says they.</p> + +<p>‘Why, then, you may hear it now,’ says he, ‘an’ see it also, if you’ll +gi’ me a pot an’ a couple o’ quarts o’ soft water.’</p> + +<p>‘You can have it an’ welcome,’ says they.</p> + +<p>So they put down the pot an’ the water, an’ my father went over an’ tuk +a chair hard by the pleasant fire for himself, an’ put down his two +limestones to boil, an’ kept stirrin’ them round like stir-about.</p> + +<p>Very good—well, by-an’-by, when the wather began to boil—‘’Tis +thickening finely,’ says my father; ‘now if it had a grain o’ salt at +all, ’twould be a great improvement to it.’</p> + +<p>‘Raich down the salt-box, Nell,’ says the man o’ the house to his wife. +So she did.</p> + +<p>‘Oh, that’s the very thing, just,’ says my father, shaking some of it +into the pot. So he stirred it again a while, looking as sober as a +minister. By-an’-by he takes the spoon he had stirring it an’ tastes it.</p> + +<p>‘It is very good now,’ says he, ‘altho’ it wants something yet.’</p> + +<p>‘What is it?’ says they.</p> + +<p>‘Oyeh, wisha nothin’,’ says he; ‘maybe ’t is only fancy o’ me.’</p> + +<p><span class='pagenum'><a name="Page_470" id="Page_470">[470]</a></span>‘If it’s anything we can give you,’ says they, ‘you’re welcome to it.’</p> + +<p>‘’Tis very good as it is,’ says he; ‘but when I’m at home, I find it +gives it a fine flavor just to boil a little knuckle o’ bacon, or mutton +trotters, or anything that way along with it.’</p> + +<p>‘Raich hether that bone o’ sheep’s head we had at dinner yesterday, +Nell,’ says the man o’ the house.</p> + +<p>‘Oyeh, don’t mind it,’ says my father; ‘let it be as it is.’</p> + +<p>‘Sure if it improves it, you may as well,’ says they.</p> + +<p>‘Baithershin!’ says my father, putting it down.</p> + +<p>So after boiling it a good piece longer, ‘’Tis fine limestone broth,’ +says he, ‘as ever was tasted, and if a man had a few piatez,’ says he, +looking at a pot o’ them that was smoking in the chimney corner, ‘he +couldn’t desire a better dinner.’</p> + +<p>They gave him the piatez, and he made a good dinner of themselves and +the broth, not forgetting the bone, which he polished equal to chaney +before he let it go. The people themselves tasted it, an’ tho’t it as +good as any mutton broth in the world.”</p> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_471" id="Page_471">[471]</a></span></p> + +<h2 class="story"><a name="THE_KNOCKOUT" id="THE_KNOCKOUT"></a>THE KNOCKOUT</h2> + +<p class="titlepage"><em>Adapted From The Autobiography of</em> <span class="smcap">Davy Crockett</span></p> + + +<p class="opening"><span class="dropcapo"><span class="hide">O</span></span><span class="upper">ne</span> day as I was walking through the woods, I came to a clearing on a +hillside, and as I climbed the slope I was startled by loud, profane and +boisterous voices which seemed to proceed from a thick cover of +undergrowth about two hundred yards in advance of me.</p> + +<p>“You kin, kin you?”</p> + +<p>“Yes I kin and I’m able to do it! Boo-oo-oo!—O wake snakes, brimstone +and fire! Don’t hold me, Nick Stoval; the fight’s made up and I’ll jump +down your throat before you kin say ‘quit.’”</p> + +<p>“Now Nick, don’t hold him! Just let the wildcat come, and I’ll tame him. +Ned’ll see me a fair fight, won’t you Ned?”</p> + +<p>“O yes, I’ll see you a fair fight; blast my old shoes if I don’t.”</p> + +<p>“That’s sufficient, as Tom Haines said when he saw the elephant; now let +him come.”</p> + +<p>Thus they went on with countless oaths and with much that I could not +distinctly hear. In mercy’s name, I thought, what a band of ruffians is +at work here. I quickened my gait and had come nearly opposite the thick +grove, whence the noises proceeded, when my eye caught, indistinctly +through the foliage of the scrub oaks and hickories that inter<span class='pagenum'><a name="Page_472" id="Page_472">[472]</a></span>vened, +glimpses of a man or men who seemed to be in a violent struggle. +Occasionally, too, I could catch those deep-drawn, emphatic oaths which +men utter when they deal heavy blows in conflict. As I was hurrying to +the spot, I saw the combatants fall to the ground, and after a short +struggle I saw the uppermost one (for I could not see the others) make a +heavy plunge with both his thumbs. At the same instant I heard a cry in +the accent of keenest torture—“Enough, my eye is out.”</p> + +<p>For a moment I stood completely horror-struck. The accomplices in this +brutal deed had apparently all fled at my approach, for not a one was to +be seen.</p> + +<p>“Now blast your corn-shucking soul,” said the victor, a lad of about +eighteen, as he arose from the ground, “come cuttin’ your shines ’bout +me agin next time I come to the court-house will you? Get your owl-eye +in agin if you kin.”</p> + +<p>At this moment he saw me for the first time. He looked frightened and +was about to run away when I called out—“Come back, you brute, and help +me relieve the poor critter you have ruined forever.”</p> + +<p>Upon this rough salutation he stopped, and with a taunting curl of the +nose, replied. “You needn’t kick before you’re spurred. There an’t +nobody here nor han’t been, nuther. I was just seeing how I could have +fout.” So saying, he pointed to his plow, which stood in the corner of +the fence about fifty yards from the battle ground. Would any man in his +senses believe that a rational being could make such a fool of himself? +All that I had heard and seen was nothing more nor less than a rehearsal +of a knock-down and drag-out fight in which the young man had played all +the parts for his own amuse<span class='pagenum'><a name="Page_473" id="Page_473">[473]</a></span>ment. I went to the ground from which he had +risen, and there were the prints of his two thumbs plunged up to the +balls in the mellow earth, and the ground around was broken up as if two +stags had been fighting on it.</p> + +<p>As I resumed my journey, I laughed outright at this adventure, for it +reminded me of Andrew Jackson’s attack on the United States bank. He had +magnified it into a monster and then began to swear and gouge until he +thought he had the monster on his back, and when the fight was over and +he got up to look for his enemy, he could find none anywhere.</p> + +<div class="figcenter" style="width: 107px;"> +<a name="image62" id="image62"></a><a href="images/image62-full.png"><img src="images/image62.png" width="107" height="108" alt="Man with plow" title="Man with plow" /></a> +</div> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_474" id="Page_474">[474]</a></span></p> + +<h2 class="story"><a name="THE_COUNTRY_SQUIRE" id="THE_COUNTRY_SQUIRE"></a>THE COUNTRY SQUIRE</h2> + +<p class="titlepage"><em>Translated From The Spanish of</em> <span class="smcap">Thomas Yriarte</span></p> + + +<p class="poemopening"><span class="dropcapa"><span class="hide">A</span></span> <span class="upper">country</span> squire of greater wealth than wit<br /> +<span class="i1">(For fools are often blessed with fortune’s smile),</span><br /> +Had built a splendid house and furnished it<br /> +<span class="i6">In splendid style.</span></p> + +<p class="poem">“One thing is wanting,” said a friend; “for though<br /> +<span class="i1">The rooms are fine, the furniture profuse,</span><br /> +You lack a library, dear sir, for show,<br /> +<span class="i6">If not for use.”</span></p> + +<p class="poem">“’Tis true, but zounds!” replied the squire with glee,<br /> +<span class="i1">“The lumber-room in yonder northern wing</span><br /> +(I wonder I ne’er thought of it) will be<br /> +<span class="i6">The very thing.</span></p> + +<p class="poem">“I’ll have it fitted up without delay<br /> +<span class="i1">With shelves and presses of the newest mode,</span><br /> +And rarest wood, befitting every way<br /> +<span class="i6">A squire’s abode.</span></p> + +<p class="poem">“And when the whole is ready, I’ll dispatch<br /> +<span class="i1">My coachman—a most knowing fellow—down</span><br /> +To buy me, by admeasurement, a batch<br /> +<span class="i6">Of books in town.”</span></p> + +<p class="poem"><span class='pagenum'><a name="Page_475" id="Page_475">[475]</a></span>But ere the library was half supplied<br /> +<span class="i1">With all its pomps of cabinet and shelf,</span><br /> +The booby squire repented him, and cried<br /> +<span class="i6">Unto himself:</span></p> + +<p class="poem">“This room is much more roomy than I thought;<br /> +<span class="i1">Ten thousand volumes hardly would suffice</span><br /> +To fill it, and would cost, however bought,<br /> +<span class="i6">A plaguey price.</span></p> + +<div class="figcenter" style="width: 248px;"> +<a name="image63" id="image63"></a><a href="images/image63-full.png"><img src="images/image63.png" width="248" height="204" alt="A man standing in front of a table in his library." title="THE SQUIRE’S LIBRARY" /></a> +<span class="caption">THE SQUIRE’S LIBRARY</span> +</div> + +<p class="poem">“Now, as I only want them for their looks,<br /> +<span class="i1">It might, on second thoughts, be just as good,</span><br /> +And cost me next to nothing, if the books<br /> +<span class="i6">Were made of wood.</span></p> + +<p class="poem">“It shall be so, I’ll give the shaven deal<br /> +<span class="i1">A coat of paint—a colorable dress,</span><br /> +<span class='pagenum'><a name="Page_476" id="Page_476">[476]</a></span>To look like calf or vellum and conceal<br /> +<span class="i6">Its nakedness.</span></p> + +<p class="poem">“And, gilt and lettered with the author’s name,<br /> +<span class="i1">Whatever is most excellent and rare</span><br /> +Shall be, or seem to be (’tis all the same),<br /> +<span class="i6">Assembled there.”</span></p> + +<p class="poem">The work was done, the simulated hoards<br /> +<span class="i1">Of wit and wisdom round the chamber stood,</span><br /> +In binding some; and some, of course, in <em>boards</em><br /> +<span class="i6">Where all were wood.</span></p> + +<p class="poem">From bulky folios down to slender twelves<br /> +<span class="i1">The choicest tomes, in many an even row</span><br /> +Displayed their lettered backs upon the shelves,<br /> +<span class="i6">A goodly show.</span></p> + +<p class="poem">With such a stock as seemingly surpassed<br /> +<span class="i1">The best collections ever formed in Spain,</span><br /> +What wonder if the owner grew at last<br /> +<span class="i6">Supremely vain?</span></p> + +<p class="poem">What wonder, as he paced from shelf to shelf<br /> +<span class="i1">And conned their titles, that the squire began,</span><br /> +Despite his ignorance, to think himself<br /> +<span class="i6">A learned man?</span></p> + +<p class="poem">Let every amateur, who merely looks<br /> +<span class="i1">To backs and binding, take the hint, and sell</span><br /> +His costly library—<em>for painted books</em><br /> +<span class="i6"><em>Would serve as well</em>.</span></p> + +<div class="blockquot" style="margin-top: 2em;"><p>Poetry means more to us and we get more enjoyment from reading it +when we understand some of the difficulties that the poet has in +writing it and can recognize those things which make it poetry in +form.</p> + +<p><span class='pagenum' style="font-size: 89%"><a name="Page_477" id="Page_477">[477]</a></span>For instance, you will notice in the poem which we have just read +that every stanza has four lines; that, in printing, the first and +third lines begin close to the margin, while the second and fourth +lines begin a little farther in on the page—that is, they are +<em>indented</em>. Now if you will look at the ends of the lines you will +see that the words with which the first and third lines terminate +are in rhyme, and that the words with which the second and fourth +lines terminate are in rhyme. In other words, the indentation at +beginning of lines in poetry calls attention to the rhymes.</p> + +<p>It is true throughout <cite>The Country Squire</cite> that every pair of lines +taken alternately ends in rhymes which are perfect or nearly so. +Now a perfect rhyme is one in which the two rhyming syllables are +both accented, the vowel sound and the consonants which follow the +vowels are identical, and the sounds preceding the vowel are +different. For instance, the words <em>smile</em> and <em>style</em> rhyme. Both +of these are monosyllables and hence accented. The vowel sound is +the long sound of <em>i</em>; the consonant sound of <em>l</em> follows. The +sounds preceding the <em>i</em> are similar but not identical, represented +by <em>sm</em> in the first case and <em>st</em> in the second. In the fifth +stanza the first line ends with the word <em>dispatch</em>, the third with +the word <em>batch</em>. This rhyme is perfect, because the accent on the +word <em>dispatch</em> is naturally on the second syllable. In the ninth +stanza the word <em>dress</em> is made to rhyme with <em>nakedness</em>. This is +not strictly perfect, for the natural accent of <em>nakedness</em> is on +the first syllable.</p> + +<p>It may be interesting for beginners to work out the rhyme scheme of +a poem and write it down. This is very easily done. Take the first +stanza in <cite>The Country Squire</cite>. Represent the rhyming syllable of +the first line by <em>a</em>, the rhyming syllable of the second line by +<em>b</em>. It follows then that the rhyming syllable of the third line +must be represented by <em>a</em>, and the rhyming syllable of the fourth +line by <em>b</em>. Writing these letters in succession we have the +nonsense word <em>abab</em>, which will always stand for stanzas of this +kind. If you are interested in this turn to the studies at the end +of the next poem, <cite>To My Infant Son</cite>.</p></div> + + + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_478" id="Page_478">[478]</a></span></p> + +<h2 class="story"><a name="TO_MY_INFANT_SON" id="TO_MY_INFANT_SON"></a>TO MY INFANT SON</h2> + +<p class="titlepage"><em>By</em> Thomas Hood</p> + + +<p class="poemopening"><span class="dropcap">T</span><span class="upper">hou</span> happy, happy elf!<br /> +(But stop, first let me kiss away that tear,)<br /> +Thou tiny image of myself!<br /> +(My love, he’s poking peas into his ear,)<br /> +Thou merry, laughing sprite,<br /> +With spirits, feather light,<br /> +Untouched by sorrow, and unsoiled by sin;<br /> +(My dear, the child is swallowing a pin!)</p> + +<p class="poem">Thou little tricksy Puck!<br /> +With antic toys so funnily bestuck,<br /> +Light as the singing bird that rings the air,—<br /> +(The door! the door! he’ll tumble down the stair!)<br /> +Thou darling of thy sire!<br /> +(Why, Jane, he’ll set his pinafore afire!)<br /> +<span class="i1">Thou imp of mirth and joy!</span><br /> +In love’s dear chain so bright a link,<br /> +<span class="i1">Thou idol of thy parents;—(Drat the boy!</span><br /> +There goes my ink.)</p> + +<p class="poem"><span class="i1">Thou cherub, but of earth;</span><br /> +Fit playfellow for fairies, by moonlight pale,<br /> +<span class="i1">In harmless sport and mirth,</span><br /> +(That dog will bite him, if he pulls his tail!)<br /> +<span class="i1">Thou human humming-bee, extracting honey</span><br /> +From every blossom in the world that blows,<br /> +<span class="i1">Singing in youth’s Elysium ever sunny,—</span><br /> +(Another tumble! That’s his precious nose!)</p> + +<p class="poem"><span class='pagenum'><a name="Page_479" id="Page_479">[479]</a></span>Thy father’s pride and hope!<br /> +(He’ll break that mirror with that skipping rope!)<br /> +With pure heart newly stamped from nature’s mint,<br /> +(Where did he learn that squint?)<br /> +Thou young domestic dove!<br /> +(He’ll have that ring off with another shove,)</p> + +<div class="figcenter" style="width: 248px;"> +<a name="image64" id="image64"></a><a href="images/image64-full.png"><img src="images/image64.png" width="248" height="199" alt="A small child tipping over an inkwell onto his father's paper." title="“THERE GOES MY INK!”" /></a> +<span class="caption">“THERE GOES MY INK!”</span> +</div> + +<p class="poem">Dear nursling of the hymeneal nest!<br /> +(Are these torn clothes his best?)<br /> +Little epitome of man!<br /> +(He’ll climb upon the table, that’s his plan,)<br /> +Touched with the beauteous tints of dawning life,<br /> +(He’s got a knife!)</p> + +<p class="poem">Thou enviable being!<br /> +No storms, no clouds, in thy blue sky foreseeing,<br /> +<span class='pagenum'><a name="Page_480" id="Page_480">[480]</a></span><span class="i1">Play on, play on,</span><br /> +<span class="i1">My elfin John!</span><br /> +Toss the light ball, bestride the stick,—<br /> +(I knew so many cakes would make him sick!)<br /> +<span class="i1">With fancies buoyant as the thistle-down,</span><br /> +Prompting the face grotesque, and antic brisk,<br /> +With many a lamb-like frisk!<br /> +<span class="i1">(He’s got the scissors snipping at your gown!)</span><br /> +Thou pretty opening rose!<br /> +(Go to your mother, child, and wipe your nose!)<br /> +Balmy and breathing music like the south<br /> +(He really brings my heart into my mouth!)<br /> +Bold as a hawk, yet gentle as the dove;<br /> +(I’ll tell you what, my love,<br /> +I cannot write unless he’s sent above.)</p> + +<div class="blockquot" style="margin-top: 2em;"><p>The stanzas of this poem vary considerably in length, but it will +be interesting to examine them according to the plans suggested at +the end of the preceding poem, <cite>The Country Squire</cite>. The first +stanza here has eight lines, the first four of them rhyming +alternately in pairs, the next four in couplets. If now we apply +the plan that is suggested for writing out the rhyme scheme, the +word for the first stanza is <em>ababccdd</em>.</p> + +<p>The second stanza has ten lines. Its rhyme scheme is evidently +quite different, for here the first six lines rhyme in couplets and +the last four alternately in pairs. The word to represent such a +scheme is <em>aabbccdede</em>.</p> + +<p>Can you write out the words which will represent the rhyme scheme +in the other stanzas in this poem?</p> + +<p>Find the other poems in this book and write out the rhyme scheme +for them. Notice that in most poems the stanzas have the same +number of lines, and that the rhyme scheme of one stanza is just +like that of another. Take the other books in this series and turn +to the poems, find what an endless variety of rhymes there is and +how the scheme differs in different poems.</p></div> + + + +<hr class="storybreak" /> +<p><span class='pagenum'><a name="Page_481" id="Page_481">[481]</a></span></p> + +<h2 class="chapterhead"><a name="PRONUNCIATION_OF_PROPER_NAMES" id="PRONUNCIATION_OF_PROPER_NAMES"></a>PRONUNCIATION OF PROPER NAMES</h2> + + +<p class="opening"><span class="smcap">Note.</span>—The pronunciation of difficult words is indicated by respelling +them phonetically. <em>N</em> is used to indicate the French nasal sound; <em>K</em> +the sound of <em lang="de" xml:lang="de">ch</em> in German; <em lang="de" xml:lang="de">ü</em> the sound of the German <em lang="de" xml:lang="de">ü</em>, and French +<em lang="fr" xml:lang="fr">u</em>; <em>ö</em> the sound of <em>ö</em> in foreign languages.</p> + +<ul class="vocab"> + <li><span class="smcap">Algidus</span>, <em>al´ ji dus</em></li> + <li><span class="smcap">Anjou</span>, <em>oN´´ zhoo´</em></li> + <li><span class="smcap">Athelstane</span>, <em>ath´ el stane</em></li> + <li><span class="smcap">Bangweolo</span>, <em>bang´´ we o´ lo</em></li> + <li><span class="smcap">Bechuanaland</span>, <em>beck´´ oo ah´ na land</em></li> + <li><span class="smcap">Bois-Guilbert, Brian de</span>, <em>bwah geel bayr´</em>, <em>bre oN´ deh</em></li> + <li><span class="smcap">Cedric</span>, <em>ked´ rick</em>, or <em>sed´ rick</em></li> + <li><span class="smcap">Chaldea</span>, <em>kal de´ ah</em></li> + <li><span class="smcap">Chargé D’Affaires</span>, <em>shahr´´ zhay´ daf fayr´</em></li> + <li><span class="smcap">Chiaja</span>, <em>kyah´ ya</em></li> + <li><span class="smcap">Falerii</span>, <em>fah le´ ry i</em></li> + <li><span class="smcap">Front-de-Boeuf</span>, <em>froN deh beuf´</em></li> + <li><span class="smcap">Gibault</span>, <em>zhee bo´</em></li> + <li><span class="smcap">Khiva</span>, <em>ke´ vah</em></li> + <li><span class="smcap">Ligeia</span>, <em>li je´ yah</em></li> + <li><span class="smcap">Maisonville</span>, <em>may´´ zoN veel´</em></li> + <li><span class="smcap">Malvoisin</span>, <em>mal vwah saN´</em></li> + <li><span class="smcap">Mareschal</span>, <em>mahr´ shal</em></li> + <li><span class="smcap">Massouey</span>, <em>mas su´ y</em></li> + <li><span class="smcap">Naomi</span>, <em>nay o´ mi</em></li> + <li><span class="smcap">Ngami</span>, <em>ngah´ me</em></li> + <li><span class='pagenum'><a name="Page_482" id="Page_482">[482]</a></span><span class="smcap">Nicaragua</span>, <em>nee´´ kar ah´ gwah</em></li> + <li><span class="smcap">Oneida</span>, <em>o ni´ dah</em></li> + <li><span class="smcap">Psalms</span>, <em>sahms</em></li> + <li><span class="smcap">Raksh</span>, <em>rahksh</em></li> + <li><span class="smcap">Rowena</span>, <em>ro e´ na</em></li> + <li><span class="smcap">Rustum</span>, <em>roos´ tum</em></li> + <li><span class="smcap">Saga</span>, <em>say´ gah</em></li> + <li><span class="smcap">Seius</span>, <em>se´ yus</em></li> + <li><span class="smcap">Seistan</span>, <em>says´ tahn</em></li> + <li><span class="smcap">Sennacherib</span>, <em>sen nak´ e rib</em></li> + <li><span class="smcap">Sohrab</span>, <em>so´ rahb</em></li> + <li><span class="smcap">Tarpeian</span>, <em>tahr pe´ yan</em></li> + <li><span class="smcap">Tongres</span>, <em>toN´ gr´</em></li> + <li><span class="smcap">Velasquez</span>, <em>vay lahs´ kayth</em></li> + <li><span class="smcap">Venezuela</span>, <em>ven e zwe´ lah</em></li> + <li><span class="smcap">Vincennes</span>, <em>vin senz´</em></li> + <li><span class="smcap">Yriarte</span>, <em>e re ahr´ tay</em></li> + <li><span class="smcap">Zouche</span>, <em>zooch</em></li> +</ul> + + +<hr class="storybreak" /> + + +<div style="background-color: #EEE; padding: 0.5em 1em 0.5em 1em;"> +<p class="center noindent"><a name="trans_note" id="trans_note"></a><b>Transcriber’s Note</b></p> + +<p class="noindent">The following typographical errors have been corrected.</p> + +<table style="margin-left: 0%;" cellpadding="0" cellspacing="0" summary="typos"> +<tr> + <td>Page</td> + <td>Error</td> +</tr> +<tr> + <td> <a href="#corr1">ix</a></td> + <td>Babocck changed to Babcock</td> +</tr> +<tr> + <td><a href="#corr2">Plate facing p. 30</a></td> + <td>Abbottsford changed to Abbotsford</td> +</tr> +<tr> + <td> <a href="#corr3">37</a></td> + <td>glady changed to gladly</td> +</tr> +<tr> + <td> <a href="#corr4">45</a></td> + <td>Saxon, Rowena. changed to Saxon, Rowena.”</td> +</tr> +<tr> + <td> <a href="#corr5">60</a></td> + <td>avow-himself changed to avow himself</td> +</tr> +<tr> + <td> <a href="#corr6">76</a></td> + <td>occupy. “Ladies,” changed to occupy. Ladies,”</td> +</tr> +<tr> + <td> <a href="#corr7">86</a></td> + <td>puting changed to putting</td> +</tr> +<tr> + <td><a href="#corr8">106</a></td> + <td>burden?” changed to burden?</td> +</tr> +<tr> + <td><a href="#corr9">108</a></td> + <td>landingplace changed to landing-place</td> +</tr> +<tr> + <td><a href="#corr10">161</a></td> + <td>carelessnesss changed to carelessness</td> +</tr> +<tr> + <td><a href="#corr11">172</a></td> + <td>“It is yours changed to ‘It is yours</td> +</tr> +<tr> + <td><a href="#corr12">174</a></td> + <td>Aber-baijan changed to Ader-baijan</td> +</tr> +<tr> + <td><a href="#corr13">182</a></td> + <td>Gudruz changed to Gudurz</td> +</tr> +<tr> + <td><a href="#corr14">196, fn. 23</a></td> + <td>indentification changed to identification</td> +</tr> +<tr> + <td><a href="#corr15">221</a></td> + <td>Engand changed to England</td> +</tr> +<tr> + <td><a href="#corr16">264</a></td> + <td>its breast!” changed to its breast!</td> +</tr> +<tr> + <td><a href="#corr17">308</a></td> + <td>with Chrismas holly changed to with Christmas holly</td> +</tr> +<tr> + <td><a href="#corr18">345</a></td> + <td>hear me! changed to “hear me!</td> +</tr> +<tr> + <td><a href="#corr19">352</a></td> + <td>footsool changed to footstool</td> +</tr> +<tr> + <td><a href="#corr20">356</a></td> + <td>Chrismas Eve the mass changed to Christmas Eve the mass</td> +</tr> +<tr> + <td><a href="#corr21">363, fn. 13</a></td> + <td>line means. changed to line means,</td> +</tr> +<tr> + <td><a href="#corr22">363, fn. 15</a></td> + <td>ascent to to changed to ascent to</td> +</tr> +<tr> + <td><a href="#corr23">363, fn. 15</a></td> + <td>Now. gentlemen changed to Now, gentlemen</td> +</tr> +<tr> + <td><a href="#corr24">368</a></td> + <td>woful-wan changed to woeful-wan</td> +</tr> +<tr> + <td><a href="#corr25">432</a></td> + <td>well acount for changed to well account for</td> +</tr> +<tr> + <td><a href="#corr26">451</a></td> + <td>and patroled during changed to and patrolled during</td> +</tr> +<tr> + <td><a href="#corr27">452</a></td> + <td>bady changed to badly</td> +</tr> +<tr> + <td><a href="#corr28">460</a></td> + <td>Why, papa changed to “Why, papa</td> +</tr> +</table> + +<p class="noindent">The following words had inconsistent spelling and hyphenation:</p> + +<p class="noindent">blindman’s-buff / blind-man’s buff<br /> +candle-light / candlelight<br /> +eye-brows / eyebrows<br /> +farm-house / farmhouse<br /> +fellow-men / fellowmen<br /> +fore-feet / forefeet<br /> +Front-de-Boeuf / Front-de-Bœuf<br /> +home-made / homemade<br /> +house-tops / housetops<br /> +look-out / lookout<br /> +on-looking / onlooking<br /> +plow-man / plowman<br /> +sea-weed / seaweed<br /> +snuff-box / snuffbox<br /> +to-morrow / tomorrow<br /> +wild-cat / wildcat</p> +</div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Journeys Through Bookland, Vol. 6, by +Charles H. Sylvester + +*** END OF THIS PROJECT GUTENBERG EBOOK JOURNEYS THROUGH BOOKLAND, VOL. 6 *** + +***** This file should be named 21864-h.htm or 21864-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/1/8/6/21864/ + +Produced by Juliet Sutherland, Julia Miller, and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/21864-h/images/cap-a.png b/21864-h/images/cap-a.png Binary files differnew file mode 100644 index 0000000..576b898 --- /dev/null +++ b/21864-h/images/cap-a.png diff --git a/21864-h/images/cap-c.png b/21864-h/images/cap-c.png Binary files differnew file mode 100644 index 0000000..809d2bf --- /dev/null +++ b/21864-h/images/cap-c.png diff --git a/21864-h/images/cap-e.png b/21864-h/images/cap-e.png Binary files differnew file mode 100644 index 0000000..03403b6 --- /dev/null +++ b/21864-h/images/cap-e.png diff --git a/21864-h/images/cap-f.png b/21864-h/images/cap-f.png Binary files differnew file mode 100644 index 0000000..de5a133 --- /dev/null +++ b/21864-h/images/cap-f.png diff --git a/21864-h/images/cap-h.png b/21864-h/images/cap-h.png Binary files differnew file mode 100644 index 0000000..970098d --- /dev/null +++ b/21864-h/images/cap-h.png diff --git a/21864-h/images/cap-i.png b/21864-h/images/cap-i.png Binary files differnew file mode 100644 index 0000000..76fa5bc --- /dev/null +++ b/21864-h/images/cap-i.png diff --git a/21864-h/images/cap-l.png b/21864-h/images/cap-l.png Binary files differnew file mode 100644 index 0000000..21dead4 --- /dev/null +++ b/21864-h/images/cap-l.png diff --git a/21864-h/images/cap-m.png b/21864-h/images/cap-m.png Binary files differnew file mode 100644 index 0000000..8f7ff22 --- /dev/null +++ b/21864-h/images/cap-m.png diff --git a/21864-h/images/cap-n.png b/21864-h/images/cap-n.png Binary files differnew file mode 100644 index 0000000..a2efbc8 --- /dev/null +++ b/21864-h/images/cap-n.png diff --git a/21864-h/images/cap-o.png b/21864-h/images/cap-o.png Binary files differnew file mode 100644 index 0000000..b8494d9 --- /dev/null +++ b/21864-h/images/cap-o.png diff --git a/21864-h/images/cap-r.png b/21864-h/images/cap-r.png Binary files differnew file mode 100644 index 0000000..6a59c04 --- /dev/null +++ b/21864-h/images/cap-r.png diff --git a/21864-h/images/cap-t.png b/21864-h/images/cap-t.png Binary files differnew file mode 100644 index 0000000..728b93c --- /dev/null +++ b/21864-h/images/cap-t.png diff --git a/21864-h/images/cap-w.png b/21864-h/images/cap-w.png Binary files differnew file mode 100644 index 0000000..0a311b7 --- /dev/null +++ b/21864-h/images/cap-w.png diff --git a/21864-h/images/cap-y.png b/21864-h/images/cap-y.png Binary files differnew file mode 100644 index 0000000..224f2b9 --- /dev/null +++ b/21864-h/images/cap-y.png diff --git a/21864-h/images/image01-full.jpg b/21864-h/images/image01-full.jpg Binary files differnew file mode 100644 index 0000000..f287798 --- /dev/null +++ b/21864-h/images/image01-full.jpg diff --git a/21864-h/images/image01.jpg b/21864-h/images/image01.jpg Binary files differnew file mode 100644 index 0000000..4bb2970 --- /dev/null +++ b/21864-h/images/image01.jpg diff --git a/21864-h/images/image02-full.jpg b/21864-h/images/image02-full.jpg Binary files differnew file mode 100644 index 0000000..6d034a5 --- /dev/null +++ b/21864-h/images/image02-full.jpg diff --git a/21864-h/images/image02.jpg b/21864-h/images/image02.jpg Binary files differnew file mode 100644 index 0000000..b30e6f4 --- /dev/null +++ b/21864-h/images/image02.jpg diff --git a/21864-h/images/image03.png b/21864-h/images/image03.png Binary files differnew file mode 100644 index 0000000..6b3e64c --- /dev/null +++ b/21864-h/images/image03.png diff --git a/21864-h/images/image04.png b/21864-h/images/image04.png Binary files differnew file mode 100644 index 0000000..a5f7da6 --- /dev/null +++ b/21864-h/images/image04.png diff --git a/21864-h/images/image05-full.png b/21864-h/images/image05-full.png Binary files differnew file mode 100644 index 0000000..3343957 --- /dev/null +++ b/21864-h/images/image05-full.png diff --git a/21864-h/images/image05.png b/21864-h/images/image05.png Binary files differnew file mode 100644 index 0000000..7dbf409 --- /dev/null +++ b/21864-h/images/image05.png diff --git a/21864-h/images/image06-full.png b/21864-h/images/image06-full.png Binary files differnew file mode 100644 index 0000000..5a9bfd8 --- /dev/null +++ b/21864-h/images/image06-full.png diff --git a/21864-h/images/image06.png b/21864-h/images/image06.png Binary files differnew file mode 100644 index 0000000..7626d14 --- /dev/null +++ b/21864-h/images/image06.png diff --git a/21864-h/images/image07-full.png b/21864-h/images/image07-full.png Binary files differnew file mode 100644 index 0000000..db7bdb0 --- /dev/null +++ b/21864-h/images/image07-full.png diff --git a/21864-h/images/image07.png b/21864-h/images/image07.png Binary files differnew file mode 100644 index 0000000..a585949 --- /dev/null +++ b/21864-h/images/image07.png diff --git a/21864-h/images/image08.png b/21864-h/images/image08.png Binary files differnew file mode 100644 index 0000000..a99b9ba --- /dev/null +++ b/21864-h/images/image08.png diff --git a/21864-h/images/image09-full.png b/21864-h/images/image09-full.png Binary files differnew file mode 100644 index 0000000..64179c4 --- /dev/null +++ b/21864-h/images/image09-full.png diff --git a/21864-h/images/image09.png b/21864-h/images/image09.png Binary files differnew file mode 100644 index 0000000..8307b40 --- /dev/null +++ b/21864-h/images/image09.png diff --git a/21864-h/images/image10-full.jpg b/21864-h/images/image10-full.jpg Binary files differnew file mode 100644 index 0000000..8e0b184 --- /dev/null +++ b/21864-h/images/image10-full.jpg diff --git a/21864-h/images/image10.jpg b/21864-h/images/image10.jpg Binary files differnew file mode 100644 index 0000000..654ed21 --- /dev/null +++ b/21864-h/images/image10.jpg diff --git a/21864-h/images/image11-full.jpg b/21864-h/images/image11-full.jpg Binary files differnew file mode 100644 index 0000000..ca09dda --- /dev/null +++ b/21864-h/images/image11-full.jpg diff --git a/21864-h/images/image11.jpg b/21864-h/images/image11.jpg Binary files differnew file mode 100644 index 0000000..f12f34a --- /dev/null +++ b/21864-h/images/image11.jpg diff --git a/21864-h/images/image12-full.png b/21864-h/images/image12-full.png Binary files differnew file mode 100644 index 0000000..e777857 --- /dev/null +++ b/21864-h/images/image12-full.png diff --git a/21864-h/images/image12.png b/21864-h/images/image12.png Binary files differnew file mode 100644 index 0000000..00a4019 --- /dev/null +++ b/21864-h/images/image12.png diff --git a/21864-h/images/image13-full.png b/21864-h/images/image13-full.png Binary files differnew file mode 100644 index 0000000..0aa0a6c --- /dev/null +++ b/21864-h/images/image13-full.png diff --git a/21864-h/images/image13.png b/21864-h/images/image13.png Binary files differnew file mode 100644 index 0000000..6a9f1be --- /dev/null +++ b/21864-h/images/image13.png diff --git a/21864-h/images/image14-full.png b/21864-h/images/image14-full.png Binary files differnew file mode 100644 index 0000000..e18b16e --- /dev/null +++ b/21864-h/images/image14-full.png diff --git a/21864-h/images/image14.png b/21864-h/images/image14.png Binary files differnew file mode 100644 index 0000000..ffcedcc --- /dev/null +++ b/21864-h/images/image14.png diff --git a/21864-h/images/image15-full.png b/21864-h/images/image15-full.png Binary files differnew file mode 100644 index 0000000..374b9b7 --- /dev/null +++ b/21864-h/images/image15-full.png diff --git a/21864-h/images/image15.png b/21864-h/images/image15.png Binary files differnew file mode 100644 index 0000000..61f0842 --- /dev/null +++ b/21864-h/images/image15.png diff --git a/21864-h/images/image16-full.png b/21864-h/images/image16-full.png Binary files differnew file mode 100644 index 0000000..34c3089 --- /dev/null +++ b/21864-h/images/image16-full.png diff --git a/21864-h/images/image16.png b/21864-h/images/image16.png Binary files differnew file mode 100644 index 0000000..6710836 --- /dev/null +++ b/21864-h/images/image16.png diff --git a/21864-h/images/image17-full.png b/21864-h/images/image17-full.png Binary files differnew file mode 100644 index 0000000..2a04dc5 --- /dev/null +++ b/21864-h/images/image17-full.png diff --git a/21864-h/images/image17.png b/21864-h/images/image17.png Binary files differnew file mode 100644 index 0000000..eee8054 --- /dev/null +++ b/21864-h/images/image17.png diff --git a/21864-h/images/image18-full.png b/21864-h/images/image18-full.png Binary files differnew file mode 100644 index 0000000..63fd695 --- /dev/null +++ b/21864-h/images/image18-full.png diff --git a/21864-h/images/image18.png b/21864-h/images/image18.png Binary files differnew file mode 100644 index 0000000..e4e4d48 --- /dev/null +++ b/21864-h/images/image18.png diff --git a/21864-h/images/image19-full.png b/21864-h/images/image19-full.png Binary files differnew file mode 100644 index 0000000..b2dc02c --- /dev/null +++ b/21864-h/images/image19-full.png diff --git a/21864-h/images/image19.png b/21864-h/images/image19.png Binary files differnew file mode 100644 index 0000000..0cef41e --- /dev/null +++ b/21864-h/images/image19.png diff --git a/21864-h/images/image20-full.png b/21864-h/images/image20-full.png Binary files differnew file mode 100644 index 0000000..95b40b9 --- /dev/null +++ b/21864-h/images/image20-full.png diff --git a/21864-h/images/image20.png b/21864-h/images/image20.png Binary files differnew file mode 100644 index 0000000..21f3829 --- /dev/null +++ b/21864-h/images/image20.png diff --git a/21864-h/images/image21-full.png b/21864-h/images/image21-full.png Binary files differnew file mode 100644 index 0000000..9925211 --- /dev/null +++ b/21864-h/images/image21-full.png diff --git a/21864-h/images/image21.png b/21864-h/images/image21.png Binary files differnew file mode 100644 index 0000000..ff5fadf --- /dev/null +++ b/21864-h/images/image21.png diff --git a/21864-h/images/image22-full.png b/21864-h/images/image22-full.png Binary files differnew file mode 100644 index 0000000..8aadfd1 --- /dev/null +++ b/21864-h/images/image22-full.png diff --git a/21864-h/images/image22.png b/21864-h/images/image22.png Binary files differnew file mode 100644 index 0000000..5dcefeb --- /dev/null +++ b/21864-h/images/image22.png diff --git a/21864-h/images/image23-full.png b/21864-h/images/image23-full.png Binary files differnew file mode 100644 index 0000000..fe9fc6a --- /dev/null +++ b/21864-h/images/image23-full.png diff --git a/21864-h/images/image23.png b/21864-h/images/image23.png Binary files differnew file mode 100644 index 0000000..942ab74 --- /dev/null +++ b/21864-h/images/image23.png diff --git a/21864-h/images/image24-full.png b/21864-h/images/image24-full.png Binary files differnew file mode 100644 index 0000000..a2862fb --- /dev/null +++ b/21864-h/images/image24-full.png diff --git a/21864-h/images/image24.png b/21864-h/images/image24.png Binary files differnew file mode 100644 index 0000000..da085d3 --- /dev/null +++ b/21864-h/images/image24.png diff --git a/21864-h/images/image25-full.png b/21864-h/images/image25-full.png Binary files differnew file mode 100644 index 0000000..c1327c0 --- /dev/null +++ b/21864-h/images/image25-full.png diff --git a/21864-h/images/image25.png b/21864-h/images/image25.png Binary files differnew file mode 100644 index 0000000..cf6357d --- /dev/null +++ b/21864-h/images/image25.png diff --git a/21864-h/images/image26-full.png b/21864-h/images/image26-full.png Binary files differnew file mode 100644 index 0000000..e37a90b --- /dev/null +++ b/21864-h/images/image26-full.png diff --git a/21864-h/images/image26.png b/21864-h/images/image26.png Binary files differnew file mode 100644 index 0000000..3895695 --- /dev/null +++ b/21864-h/images/image26.png diff --git a/21864-h/images/image27-full.jpg b/21864-h/images/image27-full.jpg Binary files differnew file mode 100644 index 0000000..4273176 --- /dev/null +++ b/21864-h/images/image27-full.jpg diff --git a/21864-h/images/image27.jpg b/21864-h/images/image27.jpg Binary files differnew file mode 100644 index 0000000..373e268 --- /dev/null +++ b/21864-h/images/image27.jpg diff --git a/21864-h/images/image28-full.png b/21864-h/images/image28-full.png Binary files differnew file mode 100644 index 0000000..b5f658e --- /dev/null +++ b/21864-h/images/image28-full.png diff --git a/21864-h/images/image28.png b/21864-h/images/image28.png Binary files differnew file mode 100644 index 0000000..61c8b02 --- /dev/null +++ b/21864-h/images/image28.png diff --git a/21864-h/images/image29-full.png b/21864-h/images/image29-full.png Binary files differnew file mode 100644 index 0000000..cb7d1a0 --- /dev/null +++ b/21864-h/images/image29-full.png diff --git a/21864-h/images/image29.png b/21864-h/images/image29.png Binary files differnew file mode 100644 index 0000000..94edc9d --- /dev/null +++ b/21864-h/images/image29.png diff --git a/21864-h/images/image30-full.png b/21864-h/images/image30-full.png Binary files differnew file mode 100644 index 0000000..b50ed79 --- /dev/null +++ b/21864-h/images/image30-full.png diff --git a/21864-h/images/image30.png b/21864-h/images/image30.png Binary files differnew file mode 100644 index 0000000..009714c --- /dev/null +++ b/21864-h/images/image30.png diff --git a/21864-h/images/image31-full.jpg b/21864-h/images/image31-full.jpg Binary files differnew file mode 100644 index 0000000..37aa123 --- /dev/null +++ b/21864-h/images/image31-full.jpg diff --git a/21864-h/images/image31.jpg b/21864-h/images/image31.jpg Binary files differnew file mode 100644 index 0000000..49ac2ab --- /dev/null +++ b/21864-h/images/image31.jpg diff --git a/21864-h/images/image32-full.jpg b/21864-h/images/image32-full.jpg Binary files differnew file mode 100644 index 0000000..e654061 --- /dev/null +++ b/21864-h/images/image32-full.jpg diff --git a/21864-h/images/image32.jpg b/21864-h/images/image32.jpg Binary files differnew file mode 100644 index 0000000..09c8e13 --- /dev/null +++ b/21864-h/images/image32.jpg diff --git a/21864-h/images/image33-full.png b/21864-h/images/image33-full.png Binary files differnew file mode 100644 index 0000000..2a3a0df --- /dev/null +++ b/21864-h/images/image33-full.png diff --git a/21864-h/images/image33.png b/21864-h/images/image33.png Binary files differnew file mode 100644 index 0000000..3712155 --- /dev/null +++ b/21864-h/images/image33.png diff --git a/21864-h/images/image34-full.png b/21864-h/images/image34-full.png Binary files differnew file mode 100644 index 0000000..2cc587a --- /dev/null +++ b/21864-h/images/image34-full.png diff --git a/21864-h/images/image34.png b/21864-h/images/image34.png Binary files differnew file mode 100644 index 0000000..38d8050 --- /dev/null +++ b/21864-h/images/image34.png diff --git a/21864-h/images/image35.png b/21864-h/images/image35.png Binary files differnew file mode 100644 index 0000000..fa788e2 --- /dev/null +++ b/21864-h/images/image35.png diff --git a/21864-h/images/image36-full.jpg b/21864-h/images/image36-full.jpg Binary files differnew file mode 100644 index 0000000..ad912a6 --- /dev/null +++ b/21864-h/images/image36-full.jpg diff --git a/21864-h/images/image36.jpg b/21864-h/images/image36.jpg Binary files differnew file mode 100644 index 0000000..7073856 --- /dev/null +++ b/21864-h/images/image36.jpg diff --git a/21864-h/images/image37-full.png b/21864-h/images/image37-full.png Binary files differnew file mode 100644 index 0000000..51860d1 --- /dev/null +++ b/21864-h/images/image37-full.png diff --git a/21864-h/images/image37.png b/21864-h/images/image37.png Binary files differnew file mode 100644 index 0000000..fc4984e --- /dev/null +++ b/21864-h/images/image37.png diff --git a/21864-h/images/image38-full.png b/21864-h/images/image38-full.png Binary files differnew file mode 100644 index 0000000..fbab004 --- /dev/null +++ b/21864-h/images/image38-full.png diff --git a/21864-h/images/image38.png b/21864-h/images/image38.png Binary files differnew file mode 100644 index 0000000..e85eb1f --- /dev/null +++ b/21864-h/images/image38.png diff --git a/21864-h/images/image39-full.png b/21864-h/images/image39-full.png Binary files differnew file mode 100644 index 0000000..f5c794d --- /dev/null +++ b/21864-h/images/image39-full.png diff --git a/21864-h/images/image39.png b/21864-h/images/image39.png Binary files differnew file mode 100644 index 0000000..82c18b8 --- /dev/null +++ b/21864-h/images/image39.png diff --git a/21864-h/images/image40-full.png b/21864-h/images/image40-full.png Binary files differnew file mode 100644 index 0000000..0b456f9 --- /dev/null +++ b/21864-h/images/image40-full.png diff --git a/21864-h/images/image40.png b/21864-h/images/image40.png Binary files differnew file mode 100644 index 0000000..2f23fb6 --- /dev/null +++ b/21864-h/images/image40.png diff --git a/21864-h/images/image41-full.png b/21864-h/images/image41-full.png Binary files differnew file mode 100644 index 0000000..daab20a --- /dev/null +++ b/21864-h/images/image41-full.png diff --git a/21864-h/images/image41.png b/21864-h/images/image41.png Binary files differnew file mode 100644 index 0000000..b778e7d --- /dev/null +++ b/21864-h/images/image41.png diff --git a/21864-h/images/image42-full.jpg b/21864-h/images/image42-full.jpg Binary files differnew file mode 100644 index 0000000..2401ef0 --- /dev/null +++ b/21864-h/images/image42-full.jpg diff --git a/21864-h/images/image42.jpg b/21864-h/images/image42.jpg Binary files differnew file mode 100644 index 0000000..f765da9 --- /dev/null +++ b/21864-h/images/image42.jpg diff --git a/21864-h/images/image43-full.png b/21864-h/images/image43-full.png Binary files differnew file mode 100644 index 0000000..b7e643b --- /dev/null +++ b/21864-h/images/image43-full.png diff --git a/21864-h/images/image43.png b/21864-h/images/image43.png Binary files differnew file mode 100644 index 0000000..8293ecc --- /dev/null +++ b/21864-h/images/image43.png diff --git a/21864-h/images/image44-full.png b/21864-h/images/image44-full.png Binary files differnew file mode 100644 index 0000000..3aa681a --- /dev/null +++ b/21864-h/images/image44-full.png diff --git a/21864-h/images/image44.png b/21864-h/images/image44.png Binary files differnew file mode 100644 index 0000000..8aa62f6 --- /dev/null +++ b/21864-h/images/image44.png diff --git a/21864-h/images/image45-full.png b/21864-h/images/image45-full.png Binary files differnew file mode 100644 index 0000000..3d1c8ac --- /dev/null +++ b/21864-h/images/image45-full.png diff --git a/21864-h/images/image45.png b/21864-h/images/image45.png Binary files differnew file mode 100644 index 0000000..e4d6369 --- /dev/null +++ b/21864-h/images/image45.png diff --git a/21864-h/images/image46-full.png b/21864-h/images/image46-full.png Binary files differnew file mode 100644 index 0000000..b63cefd --- /dev/null +++ b/21864-h/images/image46-full.png diff --git a/21864-h/images/image46.png b/21864-h/images/image46.png Binary files differnew file mode 100644 index 0000000..d802d6e --- /dev/null +++ b/21864-h/images/image46.png diff --git a/21864-h/images/image47-full.png b/21864-h/images/image47-full.png Binary files differnew file mode 100644 index 0000000..3781fff --- /dev/null +++ b/21864-h/images/image47-full.png diff --git a/21864-h/images/image47.png b/21864-h/images/image47.png Binary files differnew file mode 100644 index 0000000..19cbc8e --- /dev/null +++ b/21864-h/images/image47.png diff --git a/21864-h/images/image48-full.png b/21864-h/images/image48-full.png Binary files differnew file mode 100644 index 0000000..ecc46fb --- /dev/null +++ b/21864-h/images/image48-full.png diff --git a/21864-h/images/image48.png b/21864-h/images/image48.png Binary files differnew file mode 100644 index 0000000..6f0c360 --- /dev/null +++ b/21864-h/images/image48.png diff --git a/21864-h/images/image49-full.png b/21864-h/images/image49-full.png Binary files differnew file mode 100644 index 0000000..ad49164 --- /dev/null +++ b/21864-h/images/image49-full.png diff --git a/21864-h/images/image49.png b/21864-h/images/image49.png Binary files differnew file mode 100644 index 0000000..03decf6 --- /dev/null +++ b/21864-h/images/image49.png diff --git a/21864-h/images/image50-full.png b/21864-h/images/image50-full.png Binary files differnew file mode 100644 index 0000000..9ce5564 --- /dev/null +++ b/21864-h/images/image50-full.png diff --git a/21864-h/images/image50.png b/21864-h/images/image50.png Binary files differnew file mode 100644 index 0000000..0146934 --- /dev/null +++ b/21864-h/images/image50.png diff --git a/21864-h/images/image51-full.png b/21864-h/images/image51-full.png Binary files differnew file mode 100644 index 0000000..b1a7fd3 --- /dev/null +++ b/21864-h/images/image51-full.png diff --git a/21864-h/images/image51.png b/21864-h/images/image51.png Binary files differnew file mode 100644 index 0000000..21ed9fb --- /dev/null +++ b/21864-h/images/image51.png diff --git a/21864-h/images/image52-full.png b/21864-h/images/image52-full.png Binary files differnew file mode 100644 index 0000000..9ceeb28 --- /dev/null +++ b/21864-h/images/image52-full.png diff --git a/21864-h/images/image52.png b/21864-h/images/image52.png Binary files differnew file mode 100644 index 0000000..cf170d4 --- /dev/null +++ b/21864-h/images/image52.png diff --git a/21864-h/images/image53-full.png b/21864-h/images/image53-full.png Binary files differnew file mode 100644 index 0000000..44cedfd --- /dev/null +++ b/21864-h/images/image53-full.png diff --git a/21864-h/images/image53.png b/21864-h/images/image53.png Binary files differnew file mode 100644 index 0000000..e216737 --- /dev/null +++ b/21864-h/images/image53.png diff --git a/21864-h/images/image54-full.png b/21864-h/images/image54-full.png Binary files differnew file mode 100644 index 0000000..9df3cc3 --- /dev/null +++ b/21864-h/images/image54-full.png diff --git a/21864-h/images/image54.png b/21864-h/images/image54.png Binary files differnew file mode 100644 index 0000000..9e69418 --- /dev/null +++ b/21864-h/images/image54.png diff --git a/21864-h/images/image55-full.png b/21864-h/images/image55-full.png Binary files differnew file mode 100644 index 0000000..0fec003 --- /dev/null +++ b/21864-h/images/image55-full.png diff --git a/21864-h/images/image55.png b/21864-h/images/image55.png Binary files differnew file mode 100644 index 0000000..da5727d --- /dev/null +++ b/21864-h/images/image55.png diff --git a/21864-h/images/image56-full.png b/21864-h/images/image56-full.png Binary files differnew file mode 100644 index 0000000..a3349e5 --- /dev/null +++ b/21864-h/images/image56-full.png diff --git a/21864-h/images/image56.png b/21864-h/images/image56.png Binary files differnew file mode 100644 index 0000000..77f2db2 --- /dev/null +++ b/21864-h/images/image56.png diff --git a/21864-h/images/image57-full.png b/21864-h/images/image57-full.png Binary files differnew file mode 100644 index 0000000..4f6a964 --- /dev/null +++ b/21864-h/images/image57-full.png diff --git a/21864-h/images/image57.png b/21864-h/images/image57.png Binary files differnew file mode 100644 index 0000000..7d06772 --- /dev/null +++ b/21864-h/images/image57.png diff --git a/21864-h/images/image58-full.png b/21864-h/images/image58-full.png Binary files differnew file mode 100644 index 0000000..4de49a7 --- /dev/null +++ b/21864-h/images/image58-full.png diff --git a/21864-h/images/image58.png b/21864-h/images/image58.png Binary files differnew file mode 100644 index 0000000..a2c6224 --- /dev/null +++ b/21864-h/images/image58.png diff --git a/21864-h/images/image59-full.png b/21864-h/images/image59-full.png Binary files differnew file mode 100644 index 0000000..981d991 --- /dev/null +++ b/21864-h/images/image59-full.png diff --git a/21864-h/images/image59.png b/21864-h/images/image59.png Binary files differnew file mode 100644 index 0000000..9691524 --- /dev/null +++ b/21864-h/images/image59.png diff --git a/21864-h/images/image60-full.png b/21864-h/images/image60-full.png Binary files differnew file mode 100644 index 0000000..3858a8d --- /dev/null +++ b/21864-h/images/image60-full.png diff --git a/21864-h/images/image60.png b/21864-h/images/image60.png Binary files differnew file mode 100644 index 0000000..6de4b52 --- /dev/null +++ b/21864-h/images/image60.png diff --git a/21864-h/images/image61-full.png b/21864-h/images/image61-full.png Binary files differnew file mode 100644 index 0000000..9fd213d --- /dev/null +++ b/21864-h/images/image61-full.png diff --git a/21864-h/images/image61.png b/21864-h/images/image61.png Binary files differnew file mode 100644 index 0000000..aef87a8 --- /dev/null +++ b/21864-h/images/image61.png diff --git a/21864-h/images/image62-full.png b/21864-h/images/image62-full.png Binary files differnew file mode 100644 index 0000000..ae8e8a7 --- /dev/null +++ b/21864-h/images/image62-full.png diff --git a/21864-h/images/image62.png b/21864-h/images/image62.png Binary files differnew file mode 100644 index 0000000..f21cc98 --- /dev/null +++ b/21864-h/images/image62.png diff --git a/21864-h/images/image63-full.png b/21864-h/images/image63-full.png Binary files differnew file mode 100644 index 0000000..63a8190 --- /dev/null +++ b/21864-h/images/image63-full.png diff --git a/21864-h/images/image63.png b/21864-h/images/image63.png Binary files differnew file mode 100644 index 0000000..d87dfb3 --- /dev/null +++ b/21864-h/images/image63.png diff --git a/21864-h/images/image64-full.png b/21864-h/images/image64-full.png Binary files differnew file mode 100644 index 0000000..f1cfeef --- /dev/null +++ b/21864-h/images/image64-full.png diff --git a/21864-h/images/image64.png b/21864-h/images/image64.png Binary files differnew file mode 100644 index 0000000..fd6893d --- /dev/null +++ b/21864-h/images/image64.png diff --git a/21864.txt b/21864.txt new file mode 100644 index 0000000..16ba573 --- /dev/null +++ b/21864.txt @@ -0,0 +1,15008 @@ +The Project Gutenberg EBook of Journeys Through Bookland, Vol. 6, by +Charles H. Sylvester + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Journeys Through Bookland, Vol. 6 + +Author: Charles H. Sylvester + +Release Date: June 19, 2007 [EBook #21864] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK JOURNEYS THROUGH BOOKLAND, VOL. 6 *** + + + + +Produced by Juliet Sutherland, Julia Miller, and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + +Transcriber's Note + +Obvious typographical errors have been corrected. A list of changes is +found at the end of the book. Inconsistent spelling and hyphenation +have been maintained. A list of those words is found at the end of the +book. Oe ligatures have been expanded. The original book used both +numerical and symbolic footnote markers. This version follows the +original usage. + + + + +[Illustration: THE TOURNAMENT] + + + + + Journeys + Through Bookland + + A NEW AND ORIGINAL + PLAN FOR READING APPLIED TO THE + WORLD'S BEST LITERATURE + FOR CHILDREN + + _BY_ + CHARLES H. SYLVESTER + _Author of English and American Literature_ + + VOLUME SIX + _New Edition_ + + [Illustration] + + Chicago + BELLOWS-REEVE COMPANY + PUBLISHERS + + + + + Copyright, 1922 + BELLOWS-REEVE COMPANY + + + + +CONTENTS + + PAGE + HORATIUS _Lord Macaulay_ 1 + LORD ULLIN'S DAUGHTER _Thomas Campbell_ 23 + SIR WALTER SCOTT _Grace E. Sellon_ 26 + THE TOURNAMENT _Sir Walter Scott_ 38 + THE RAINBOW _Thomas Campbell_ 91 + THE LION AND THE MISSIONARY _David Livingstone_ 93 + THE MOSS ROSE _Translated from Krummacher_ 98 + FOUR DUCKS ON A POND _William Allingham_ 98 + RAB AND HIS FRIENDS _John Brown, M.D._ 99 + ANNIE LAURIE _William Douglas_ 119 + THE BLIND LASSIE _T. C. Latto_ 120 + BOYHOOD _Washington Allston_ 122 + SWEET AND LOW _Alfred Tennyson_ 122 + CHILDHOOD _Donald G. Mitchell_ 124 + THE BUGLE SONG _Alfred Tennyson_ 133 + THE IMITATION OF CHRIST _Thomas a Kempis_ 134 + THE DESTRUCTION OF SENNACHERIB _Lord Byron_ 141 + RUTH 143 + THE VISION OF BELSHAZZAR _Lord Byron_ 153 + SOHRAB AND RUSTEM 157 + SOHRAB AND RUSTUM _Matthew Arnold_ 173 + THE POET AND THE PEASANT _Emile Souvestre_ 206 + JOHN HOWARD PAYNE AND _Home, Sweet Home_ 221 + AULD LANG SYNE _Robert Burns_ 228 + HOME THEY BROUGHT HER WARRIOR DEAD _Alfred Tennyson_ 231 + CHARLES DICKENS 232 + A CHRISTMAS CAROL _Charles Dickens_ 244 + CHRISTMAS IN OLD TIME _Sir Walter Scott_ 356 + ELEGY WRITTEN IN A COUNTRY CHURCHYARD _Thomas Gray_ 360 + THE SHIPWRECK _Robert Louis Stevenson_ 371 + ELEPHANT HUNTING _Roualeyn Gordon Cumming_ 385 + SOME CLEVER MONKEYS _Thomas Belt_ 402 + POOR RICHARD'S ALMANAC _Benjamin Franklin_ 407 + GEORGE ROGERS CLARK 422 + THE CAPTURE OF VINCENNES _George Rogers Clark_ 428 + THREE SUNDAYS IN A WEEK _Edgar Allan Poe_ 453 + THE MODERN BELLE _Stark_ 463 + WIDOW MACHREE _Samuel Lover_ 464 + LIMESTONE BROTH _Gerald Griffin_ 467 + THE KNOCK-OUT _Davy Crockett_ 471 + THE COUNTRY SQUIRE _Thomas Yriarte_ 474 + TO MY INFANT SON _Thomas Hood_ 478 + + PRONUNCIATION OF PROPER NAMES 481 + +For Classification of Selections, see General Index, at end of Volume X + + + + +ILLUSTRATIONS + + + PAGE + THE TOURNAMENT (Color Plate) _Donn P. Crane_ FRONTISPIECE + THE LONG ARRAY OF HELMETS BRIGHT _Herbert N. Rudeen_ 5 + "LIE THERE," HE CRIED, "FELL PIRATE" _Herbert N. Rudeen_ 13 + HORATIO IN HIS HARNESS, HALTING UPON ONE KNEE _Herbert N. Rudeen_ 21 + "BOATMAN, DO NOT TARRY" _Herbert N. Rudeen_ 24 + SIR WALTER SCOTT (Halftone) 26 + ABBOTSFORD (Color Plate) 30 + THRONG GOING TO THE LISTS _R. F. Babcock_ 41 + THE DISINHERITED KNIGHT UNHORSES BRYAN _R. F. Babcock_ 59 + THE ARMOUR MAKERS _R. F. Babcock_ 69 + PRINCE JOHN THROWS DOWN THE TRUNCHEON _R. F. Babcock_ 85 + ROWENA CROWNING DISINHERITED KNIGHT _R. F. Babcock_ 89 + "RAB, YE THIEF!" _Herbert N. Rudeen_ 103 + JAMES BURIED HIS WIFE _Herbert N. Rudeen_ 117 + SHE REACHES DOWN TO DIP HER TOE _Herbert N. Rudeen_ 125 + POOR TRAY IS DEAD _Herbert N. Rudeen_ 132 + "WHITHER THOU GOEST, I WILL GO" _R. F. Babcock_ 145 + RUTH GLEANING _R. F. Babcock_ 147 + THE WRITING ON THE WALL _Louis Grell_ 155 + SOHRAB AND PERAN-WISA (Color Plate) _Louis Grell_ 174 + PERAN-WISA GIVES SOHRAB'S CHALLENGE _R. F. Babcock_ 179 + THE SPEAR RENT THE TOUGH PLATES _R. F. Babcock_ 191 + RUSTUM SORROWS OVER SOHRAB _R. F. Babcock_ 203 + MATTHEW ARNOLD (Halftone) 204 + JOHN HOWARD PAYNE (Halftone) 222 + THERE IS NO PLACE LIKE HOME _Iris Weddell White_ 225 + FOR AULD LANG SYNE _Herbert N. Rudeen_ 230 + CHARLES DICKENS (Halftone) 232 + THE CLERK SMILED FAINTLY _Iris Weddell White_ 255 + "IN LIFE I WAS YOUR PARTNER, JACOB MARLEY" _Iris Weddell White_ 263 + IN THE BEST PARLOR _Iris Weddell White_ 281 + THE FIDDLER STRUCK UP "SIR ROGER DE COVERLEY" _Iris Weddell White_ 285 + UPON THE COUCH THERE SAT A JOLLY GIANT _Iris Weddell White_ 297 + BOB AND TINY TIM (Color Plate) _Hazel Frazee_ 304 + THERE NEVER WAS SUCH A GOOSE _Iris Weddell White_ 307 + "SO I AM TOLD," RETURNED THE SECOND _Iris Weddell White_ 329 + HE READ HIS OWN NAME _Iris Weddell White_ 344 + HE STOOD BY THE WINDOW--GLORIOUS! _Iris Weddell White_ 348 + "A MERRY CHRISTMAS, BOB!" _Iris Weddell White_ 355 + HOMEWARD PLODS HIS WEARY WAY _R. F. Babcock_ 361 + THE COUNTRY CHURCHYARD _R. F. Babcock_ 369 + I FOUND I WAS HOLDING TO A SPAR _Herbert N. Rudeen_ 372 + WITH BEATING HEART I APPROACHED A VIEW _R. F. Babcock_ 397 + A CEBUS MONKEY _Herbert N. Rudeen_ 405 + THE SLEEPING FOX CATCHES NO POULTRY _Herbert N. Rudeen_ 411 + CLARK TOOK THE LEAD _R. F. Babcock_ 433 + WE MET AT THE CHURCH _R. F. Babcock_ 449 + "WELL, THEN, BOBBY, MY BOY" _Herbert N. Rudeen_ 455 + IN KATE, HOWEVER, I HAD A FIRM FRIEND _Herbert N. Rudeen_ 458 + "FAITH, I WISH YOU'D TAKE ME!" _Herbert N. Rudeen_ 465 + HE SOON SEES A FARMHOUSE AT A LITTLE DISTANCE _Herbert N. Rudeen_ 468 + THE SQUIRE'S LIBRARY _Iris Weddell White_ 475 + "THERE GOES MY INK!" _Lucille Enders_ 479 + + + +HORATIUS + +_By_ LORD MACAULAY + + + NOTE.--This spirited poem by Lord Macaulay is founded on one of the + most popular Roman legends. While the story is based on facts, we + can by no means be certain that all of the details are historical. + + According to Roman legendary history, the Tarquins, Lucius + Tarquinius Priscus and Lucius Tarquinius Superbus, were among the + early kings of Rome. The reign of the former was glorious, but that + of the latter was most unjust and tyrannical. Finally the + unscrupulousness of the king and his son reached such a point that + it became unendurable to the people, who in 509 B. C. rose in + rebellion and drove the entire family from Rome. Tarquinius + Superbus appealed to Lars Porsena, the powerful king of Clusium for + aid and the story of the expedition against Rome is told in this + poem. + + Lars Porsena of Clusium[1-1] + By the Nine Gods[1-2] he swore + That the great house of Tarquin + Should suffer wrong no more. + By the Nine Gods he swore it, + And named a trysting day, + And bade his messengers ride forth + East and west and south and north, + To summon his array. + + East and west and south and north + The messengers ride fast, + And tower and town and cottage + Have heard the trumpet's blast. + Shame on the false Etruscan + Who lingers in his home, + When Porsena of Clusium + Is on the march for Rome. + + The horsemen and the footmen + Are pouring in amain + From many a stately market-place; + From many a fruitful plain. + From many a lonely hamlet, + Which, hid by beech and pine, + Like an eagle's nest, hangs on the crest + Of purple Apennine; + + * * * * * + + There be thirty chosen prophets, + The wisest of the land, + Who alway by Lars Porsena + Both morn and evening stand: + Evening and morn the Thirty + Have turned the verses o'er, + Traced from the right on linen white[2-3] + By mighty seers of yore. + + And with one voice the Thirty + Have their glad answer given: + "Go forth, go forth, Lars Porsena; + Go forth, beloved of Heaven: + Go, and return in glory + To Clusium's royal dome; + And hang round Nurscia's[3-4] altars + The golden shields of Rome." + + And now hath every city + Sent up her tale[3-5] of men: + The foot are fourscore thousand, + The horse are thousand ten. + Before the gates of Sutrium[3-6] + Is met the great array. + A proud man was Lars Porsena + Upon the trysting day. + + For all the Etruscan armies + Were ranged beneath his eye, + And many a banished Roman, + And many a stout ally; + And with a mighty following + To join the muster came + The Tusculan Mamilius, + Prince of the Latian[3-7] name. + + But by the yellow Tiber + Was tumult and affright: + From all the spacious champaign[3-8] + To Rome men took their flight. + A mile around the city, + The throng stopped up the ways; + A fearful sight it was to see + Through two long nights and days. + + For aged folks on crutches, + And women great with child, + And mothers sobbing over babes + That clung to them and smiled, + And sick men borne in litters + High on the necks of slaves, + And troops of sunburnt husbandmen + With reaping-hooks and staves, + + And droves of mules and asses + Laden with skins of wine, + And endless flocks of goats and sheep, + And endless herds of kine, + And endless trains of wagons + That creaked beneath the weight + Of corn-sacks and of household goods, + Choked every roaring gate. + + Now, from the rock Tarpeian[4-9] + Could the wan burghers spy + The line of blazing villages + Red in the midnight sky. + The Fathers of the City,[5-10] + They sat all night and day, + For every hour some horseman came + With tidings of dismay. + + To eastward and to westward + Have spread the Tuscan bands; + Nor house nor fence nor dovecote + In Crustumerium stands. + Verbenna down to Ostia[5-11] + Hath wasted all the plain; + Astur hath stormed Janiculum,[5-12] + And the stout guards are slain. + + Iwis,[5-13] in all the Senate, + There was no heart so bold, + But sore it ached, and fast it beat, + When that ill news was told. + Forthwith up rose the Consul,[5-14] + Uprose the Fathers all; + In haste they girded up their gowns, + And hied them to the wall. + + They held a council standing + Before the River-Gate; + Short time was there, ye well may guess, + For musing or debate. + Out spake the Consul roundly: + "The bridge must straight go down; + For since Janiculum is lost, + Naught else can save the town." + + Just then a scout came flying, + All wild with haste and fear; + "To arms! to arms! Sir Consul: + Lars Porsena is here." + On the low hills to westward + The Consul fixed his eye, + And saw the swarthy storm of dust + Rise fast along the sky. + + And nearer fast and nearer + Doth the red whirlwind come; + And louder still and still more loud, + From underneath that rolling cloud, + Is heard the trumpet's war-note proud, + The trampling, and the hum. + And plainly and more plainly + Now through the gloom appears, + Far to left and far to right, + In broken gleams of dark-blue light, + The long array of helmets bright, + The long array of spears. + + And plainly, and more plainly + Above that glimmering line, + Now might ye see the banners + Of twelve fair cities shine; + But the banner of proud Clusium + Was highest of them all, + The terror of the Umbrian, + The terror of the Gaul. + + Fast by the royal standard, + O'erlooking all the war, + Lars Porsena of Clusium + Sat in his ivory car. + By the right wheel rode Mamilius, + Prince of the Latian name, + And by the left false Sextus,[7-15] + That wrought the deed of shame. + +[Illustration: THE LONG ARRAY OF HELMETS BRIGHT] + + But when the face of Sextus + Was seen among the foes, + A yell that bent the firmament + From all the town arose. + On the house-tops was no woman + But spat toward him and hissed, + No child but screamed out curses, + And shook its little fist. + + But the Consul's brow was sad, + And the Consul's speech was low, + And darkly looked he at the wall, + And darkly at the foe. + "Their van will be upon us + Before the bridge goes down; + And if they once may win the bridge, + What hope to save the town?" + + Then out spake brave Horatius, + The Captain of the Gate: + "To every man upon this earth + Death cometh soon or late. + And how can man die better + Than facing fearful odds, + For the ashes of his fathers, + And the temples of his gods, + + "And for the tender mother + Who dandled him to rest, + And for the wife who nurses + His baby at her breast, + And for the holy maidens + Who feed the eternal flame,[8-16] + To save them from false Sextus + That wrought the deed of shame? + + "Hew down the bridge, Sir Consul, + With all the speed ye may; + I, with two more to help me, + Will hold the foe in play. + In yon strait path a thousand + May well be stopped by three. + Now who will stand on either hand, + And keep the bridge with me?" + + Then out spake Spurius Lartius; + A Ramnian proud was he: + "Lo, I will stand at thy right hand, + And keep the bridge with thee." + And out spake strong Herminius; + Of Titian blood was he: + "I will abide on thy left side, + And keep the bridge with thee." + + "Horatius," quoth the Consul, + "As thou sayest, so let it be." + And straight against that great array + Forth went the dauntless Three. + For Romans in Rome's quarrel + Spared neither land nor gold, + Nor son nor wife, nor limb nor life, + In the brave days of old. + + Then none was for a party; + Then all were for the state; + Then the great man helped the poor, + And the poor man loved the great: + Then lands were fairly portioned; + Then spoils were fairly sold: + The Romans were like brothers + In the brave days of old. + + Now while the Three were tightening + Their harness on their backs, + The Consul was the foremost man + To take in hand an axe: + And Fathers mixed with Commons[10-17] + Seized hatchet, bar, and crow, + And smote upon the planks above, + And loosed the props below. + + Meanwhile the Tuscan army, + Right glorious to behold, + Came flashing back the noonday light, + Rank behind rank, like surges bright + Of a broad sea of gold. + Four hundred trumpets sounded + A peal of warlike glee, + As that great host, with measured tread, + And spears advanced, and ensigns spread, + Rolled slowly towards the bridge's head, + Where stood the dauntless Three. + + The Three stood calm and silent, + And looked upon the foes, + And a great shout of laughter + From all the vanguard rose; + And forth three chiefs came spurring + Before that deep array; + To earth they sprang, their swords they drew, + And lifted high their shields, and flew + To win the narrow way; + + Aunus from green Tifernum,[11-18] + Lord of the Hill of Vines; + And Seius, whose eight hundred slaves + Sicken in Ilva's mines; + And Picus, long to Clusium + Vassal in peace and war, + Who led to fight his Umbrian powers + From that gray crag where, girt with towers, + The fortress of Nequinum lowers + O'er the pale waves of Nar. + + Stout Lartius hurled down Aunus + Into the stream beneath: + Herminius struck at Seius, + And clove him to the teeth: + At Picus brave Horatius + Darted one fiery thrust; + And the proud Umbrian's gilded arms + Clashed in the bloody dust. + + Then Ocnus of Falerii + Rushed on the Roman Three: + And Lausulus of Urgo, + The rover of the sea; + And Aruns of Volsinium, + Who slew the great wild boar, + The great wild boar that had his den + Amidst the reeds of Cosa's fen, + And wasted fields, and slaughtered men, + Along Albinia's shore. + + Herminius smote down Aruns: + Lartius laid Ocnus low: + Right to the heart of Lausulus + Horatius sent a blow. + "Lie there," he cried, "fell pirate! + No more, aghast and pale, + From Ostia's walls the crowd shall mark + The track of thy destroying bark. + No more Campania's[12-19] hinds[12-20] shall fly + To woods and caverns when they spy + Thy thrice accursed sail." + + But now no sound of laughter + Was heard among the foes. + A wild and wrathful clamor + From all the vanguard rose. + Six spears' lengths from the entrance + Halted that deep array, + And for a space no man came forth + To win the narrow way. + + But hark! the cry is Astur: + And lo! the ranks divide; + And the great Lord of Luna + Comes with his stately stride. + Upon his ample shoulders + Clangs loud the fourfold shield, + And in his hand he shakes the brand + Which none but he can wield. + +[Illustration: "LIE THERE," HE CRIED, "FELL PIRATE!"] + + He smiled on those bold Romans + A smile serene and high; + He eyed the flinching Tuscans, + And scorn was in his eye. + Quoth he, "The she-wolf's litter[14-21] + Stand savagely at bay: + But will ye dare to follow, + If Astur clears the way?" + + Then, whirling up his broadsword + With both hands to the height, + He rushed against Horatius, + And smote with all his might. + With shield and blade Horatius + Right deftly turned the blow. + The blow, though turned, came yet too nigh; + It missed his helm, but gashed his thigh: + The Tuscans raised a joyful cry + To see the red blood flow. + + He reeled, and on Herminius + He leaned one breathing-space; + Then, like a wild-cat mad with wounds, + Sprang right at Astur's face. + Through teeth, and skull, and helmet, + So fierce a thrust he sped, + The good sword stood a handbreadth out + Behind the Tuscan's head. + + And the great Lord of Luna + Fell at that deadly stroke, + As falls on Mount Alvernus + A thunder-smitten oak. + Far o'er the crashing forest + The giant arms lie spread; + And the pale augurs, muttering low, + Gaze on the blasted head. + + On Astur's throat Horatius + Right firmly pressed his heel, + And thrice and four times tugged amain, + Ere he wrenched out the steel. + "And see," he cried, "the welcome, + Fair guests, that waits you here! + What noble Lucumo comes next + To taste our Roman cheer?" + + But at his haughty challenge + A sullen murmur ran, + Mingled of wrath and shame and dread, + Along that glittering van. + There lacked not men of prowess, + Nor men of lordly race; + For all Etruria's noblest + Were round the fatal place. + + But all Etruria's noblest + Felt their hearts sink to see + On the earth the bloody corpses, + In the path the dauntless Three: + And, from the ghastly entrance + Where those bold Romans stood, + All shrank, like boys who unaware, + Ranging the woods to start a hare, + Come to the mouth of the dark lair + Where, growling low, a fierce old bear + Lies amidst bones and blood. + + Was none who would be foremost + To lead such dire attack: + But those behind cried "Forward!" + And those before cried "Back!" + And backward now and forward + Wavers the deep array; + And on the tossing sea of steel, + To and fro the standards reel; + And the victorious trumpet-peal + Dies fitfully away. + + Yet one man for one moment + Stood out before the crowd; + Well known was he to all the Three, + And they gave him greeting loud. + "Now welcome, welcome, Sextus! + Now welcome to thy home! + Why dost thou stay, and turn away? + Here lies the road to Rome." + + Thrice looked he at the city; + Thrice looked he at the dead; + And thrice came on in fury, + And thrice turned back in dread; + And, white with fear and hatred, + Scowled at the narrow way + Where, wallowing in a pool of blood, + The bravest Tuscans lay. + + But meanwhile axe and lever + Have manfully been plied; + And now the bridge hangs tottering + Above the boiling tide. + "Come back, come back, Horatius!" + Loud cried the Fathers all. + "Back, Lartius! back, Herminius! + Back, ere the ruin fall!" + + Back darted Spurius Lartius; + Herminius darted back: + And, as they passed, beneath their feet + They felt the timbers crack. + But when they turned their faces, + And on the farther shore + Saw brave Horatius stand alone, + They would have crossed once more. + + But with a crash like thunder + Fell every loosened beam, + And, like a dam, the mighty wreck + Lay right athwart the stream; + And a long shout of triumph + Rose from the walls of Rome, + As to the highest turret-tops + Was splashed the yellow foam. + + And, like a horse unbroken + When first he feels the rein, + The furious river struggled hard, + And tossed his tawny mane, + And burst the curb, and bounded, + Rejoicing to be free, + And whirling down, in fierce career, + Battlement, and plank, and pier, + Rushed headlong to the sea. + + Alone stood brave Horatius, + But constant still in mind; + Thrice thirty thousand foes before, + And the broad flood behind. + "Down with him!" cried false Sextus, + With a smile on his pale face. + "Now yield thee," cried Lars Porsena, + "Now yield thee to our grace." + + Round turned he, as not deigning + Those craven ranks to see; + Naught spake he to Lars Porsena, + To Sextus naught spake he; + But he saw on Palatinus[18-22] + The white porch of his home; + And he spake to the noble river + That rolls by the towers of Rome. + + "O Tiber! father Tiber![18-23] + To whom the Romans pray, + A Roman's life, a Roman's arms, + Take thou in charge this day!" + So he spake, and speaking sheathed + The good sword by his side, + And with his harness on his back + Plunged headlong in the tide. + + No sound of joy or sorrow + Was heard from either bank; + But friends and foes in dumb surprise, + With parted lips and straining eyes, + Stood gazing where he sank; + And when above the surges + They saw his crest appear, + All Rome sent forth a rapturous cry, + And even the ranks of Tuscany + Could scarce forbear to cheer. + + But fiercely ran the current, + Swollen high by months of rain: + And fast his blood was flowing, + And he was sore in pain, + And heavy with his armor, + And spent with changing blows: + And oft they thought him sinking, + But still again he rose. + + Never, I ween, did swimmer, + In such an evil case, + Struggle through such a raging flood + Safe to the landing-place: + But his limbs were borne up bravely + By the brave heart within, + And our good father Tiber + Bore bravely up his chin. + + "Curse on him!" quoth false Sextus; + "Will not the villain drown? + But for this stay, ere close of day + We should have sacked the town!" + "Heaven help him!" quoth Lars Porsena, + "And bring him safe to shore; + For such a gallant feat of arms + Was never seen before." + + And now he feels the bottom; + Now on dry earth he stands; + Now round him throng the Fathers + To press his gory hands; + And now, with shouts and clapping, + And noise of weeping loud, + He enters through the River-Gate, + Borne by the joyous crowd. + + They gave him of the corn-land, + That was of public right, + As much as two strong oxen + Could plow from morn till night; + And they made a molten image, + And set it up on high, + And there it stands unto this day + To witness if I lie. + + It stands in the Comitium,[20-24] + Plain for all folk to see; + Horatius in his harness, + Halting upon one knee: + And underneath is written, + In letters all of gold, + How valiantly he kept the bridge + In the brave days of old. + + And still his name sounds stirring + Unto the men of Rome, + As the trumpet-blast that cries to them + To charge the Volscian[20-25] home; + And wives still pray to Juno[20-26] + For boys with hearts as bold + As his who kept the bridge so well + In the brave days of old. + + And in the nights of winter, + When the cold north-winds blow, + And the long howling of the wolves + Is heard amidst the snow; + When round the lonely cottage + Roars loud the tempest's din, + And the good logs of Algidus + Roar louder yet within: + +[Illustration: HORATIUS IN HIS HARNESS, HALTING UPON ONE KNEE] + + When the oldest cask is opened, + And the largest lamp is lit; + When the chestnuts glow in the embers, + And the kid turns on the spit; + When young and old in circle + Around the firebrands close; + And the girls are weaving baskets, + And the lads are shaping bows; + + When the goodman mends his armor, + And trims his helmet's plume; + When the goodwife's shuttle merrily + Goes flashing through the loom,-- + With weeping and with laughter + Still is the story told, + How well Horatius kept the bridge + In the brave days of old.[22-27] + +[Illustration] + + + +FOOTNOTES: + +[1-1] Clusium was a powerful town in Etruria. + +[1-2] According to the religion of the Etruscans there were nine great +gods. An oath by them was considered the most binding oath that a man +could take. + +[2-3] This line shows us that the writing of the Etruscans was done +backwards, as we should consider it; that is, they wrote from right to +left instead of from left to right. + +[3-4] Nurscia was a city of the Sabines. + +[3-5] _Tale_ here means _number_. + +[3-6] Sutrium was an Etruscan town twenty-nine miles from Rome. + +[3-7] The Latins were an Italian race who, even before the dawn of +history, dwelt on the plains south of the Tiber. Rome was supposed to be +a colony of Alba Longa, the chief Latin city, but the Latin peoples were +in the fourth century brought into complete subjection to Rome. + +[3-8] _Champaign_, or _campagna_, means any open, level tract of +country. The name is specifically applied to the extensive plains about +Rome. + +[4-9] A part of the Capitoline, one of the seven hills on which Rome is +built, was called the Tarpeian Rock, after Tarpeia, daughter of an early +governor of the citadel on the Capitoline. According to the popular +legend, when the Sabines came against Rome, Tarpeia promised to open the +gate of the fortress to them if they would give her what they wore on +their left arms. It was their jewelry which she coveted, but she was +punished for her greed and treachery, for when the soldiers had entered +the fortress they hurled their shields upon her, crushing her to death. + +[5-10] _Fathers of the City_ was the name given to the members of the +Roman Senate. + +[5-11] Ostia was the port of Rome, situated at the mouth of the Tiber. + +[5-12] Janiculum is a hill on the west bank of the Tiber at Rome. It was +strongly fortified, and commanded the approach to Rome. + +[5-13] _Iwis_ is an obsolete word meaning _truly_. + +[5-14] When the kings were banished from Rome the people vowed that +never again should one man hold the supreme power. Two chief rulers were +therefore chosen, and were given the name of _consuls_. + +[7-15] Sextus was the son of the last king of Rome. It was a shameful +deed of his which finally roused the people against the Tarquin family. + +[8-16] In the temple of the goddess Vesta a sacred flame was kept +burning constantly, and it was thought that the consequences to the city +would be most dire if the fire were allowed to go out. The Vestal +virgins, priestesses who tended the flame, were held in the highest +honor. + +[10-17] The Roman people were divided into two classes, the patricians, +to whom belonged all the privileges of citizenship, and the plebeians, +who were not allowed to hold office or even to own property. Macaulay +gives the English name _Commons_ to the plebeians. + +[11-18] A discussion as to who these chiefs were, or as to where the +places mentioned were located, would be profitless. The notes attempt to +give only such information as will aid in understanding the story. + +[12-19] _Campania_ is another name for the campagna. + +[12-20] _Hinds_ here means _peasants_. + +[14-21] Romulus, the founder of Rome, and Remus, his brother, were, +according to the legend, rescued and brought up by a she-wolf, after +they had been cast into the Tiber to die. + +[18-22] The Palatine is one of the seven hills of Rome. + +[18-23] The Romans personified the Tiber River, and even offered prayers +to it. + +[20-24] The Comitium was the old Roman polling-place, a square situated +between the Forum and the Senate House. + +[20-25] The Volscians were among the most determined of the Italian +enemies of Rome. + +[20-26] Juno was the goddess who was thought of as presiding over +marriage and the birth of children. + +[22-27] You can tell from these last three stanzas, that Macaulay is +writing his poem, not as an Englishman of the nineteenth century, but as +if he were a Roman in the days when Rome, though powerful, had not yet +become the luxurious city which it afterward was. That is, he thought of +himself as writing in the days of the Republic, not in the days of the +Empire. + + + + +LORD ULLIN'S DAUGHTER + +_By_ THOMAS CAMPBELL + + + A chieftain, to the Highlands bound, + Cries, "Boatman, do not tarry! + And I'll give thee a silver pound, + To row us o'er the ferry." + + "Now who be ye, would cross Lochgyle, + This dark and stormy water?" + "O, I'm the chief of Ulva's isle, + And this Lord Ullin's daughter. + + "And fast before her father's men + Three days we've fled together, + For should he find us in the glen, + My blood would stain the heather. + + "His horsemen hard behind us ride; + Should they our steps discover, + Then who will cheer my bonny bride + When they have slain her lover?" + + Out spoke the hardy Highland wight, + "I'll go, my chief--I'm ready; + It is not for your silver bright, + But for your winsome lady: + + "And by my word! the bonny bird + In danger shall not tarry; + So though the waves are raging white, + I'll row you o'er the ferry." + +[Illustration: "BOATMAN, DO NOT TARRY!"] + + By this the storm grew loud apace, + The water-wraith was shrieking; + And in the scowl of heaven each face + Grew dark as they were speaking. + + But still as wilder blew the wind, + And as the night grew drearer, + Adown the glen rode armed men, + Their trampling sounded nearer. + + "O haste thee, haste!" the lady cries, + "Though tempests round us gather; + I'll meet the raging of the skies, + But not an angry father." + + The boat had left a stormy land, + A stormy sea before her,-- + When, oh! too strong for human hand, + The tempest gather'd o'er her. + + And still they row'd amidst the roar + Of waters fast prevailing: + Lord Ullin reach'd that fatal shore, + His wrath was changed to wailing. + + For sore dismay'd, through storm and shade, + His child he did discover:-- + One lovely hand she stretch'd for aid, + And one was round her lover. + + "Come back! come back!" he cried in grief, + "Across this stormy water: + And I'll forgive your Highland chief, + My daughter!--oh my daughter!" + + 'Twas vain: the loud waves lashed the shore, + Return or aid preventing; + The waters wild went o'er his child, + And he was left lamenting. + + + + +SIR WALTER SCOTT + +_By_ GRACE E. SELLON + + +Of the old and honorable families of Scotland there are perhaps none +more worthy than those from which were descended the parents of Sir +Walter Scott. In the long line of ancestors on either side were fearless +knights and bold chiefs of the Scottish Border whose adventures became a +delightful heritage to the little boy born into the Edinburgh family of +Scott in 1771. Perhaps his natural liking for strange and exciting +events would have made him even more eager than other children to be +told fairy stories and tales of real heroes of his own land. But even +had this not been so, the way in which he was forced to spend his early +childhood was such that entertainment of this kind was about all that he +could enjoy. He was not two years old when, after a brief illness, he +lost the use of one of his legs and thus became unable to run about as +before, or even to stand. Soon afterward he was sent to his +grandfather's farm at Sandy-Knowe, where it was thought that the country +life would help him. There he spent his days in listening to lively +stories of Scotsmen who had lived in the brave and rollicking fashion of +Robin Hood, in being read to by his aunt or in lying out among the +rocks, cared for by his grandfather's old shepherd. When thus out of +doors he found so much of interest about him that he could not lie +still and would try so hard to move himself about that at length he +became able to rise to his feet and even to walk and run. + +[Illustration: SIR WALTER SCOTT 1771-1832] + +Except for his lameness, he grew so well and strong that when he was +about eight years old he was placed with his brothers in the upper class +of the Edinburgh grammar school, known as the High School. Though he had +had some lessons in Latin with a private tutor, he was behind his class +in this subject, and being a high-spirited and sensitive boy, he felt +rather keenly this disadvantage. Perhaps the fact that he could not be +one of the leaders of his class made him careless; at any rate, he could +never be depended upon to prepare his lesson, and at no time did he make +a consistently good record. However, he found not a little comfort for +his failure as a student in his popularity as a storyteller and +kind-hearted comrade. Among the boys of his own rank in the school he +won great admiration for his never-ending supply of exciting narratives +and his willingness to give help upon lessons that he would otherwise +have left undone. + +At the end of three years his class was promoted, and he found the new +teacher much more to his liking. Indeed, his ability to appreciate the +meaning and beauty of the Latin works studied became recognized: he +began to make translations in verse that won praise, and, with a new +feeling of distinction, he was thus urged on to earnest efforts. After +leaving this school, he continued his excellent progress in the study of +Latin for a short time under a teacher in the village of Kelso, where he +had gone to visit an aunt. + +Meanwhile his hours out of school were spent in ways most pleasing to +his lively imagination. His lameness did not debar him from the most +active sports, nor even from the vigorous encounters in which, either +with a single opponent or with company set against company, the Scotch +schoolboys defended their reputation as hard fighters. One of these +skirmishes that made a lasting impression upon Walter Scott he himself +tells us of, and his biographer, Lockhart, has quoted it in describing +the hardy boyhood days of the great writer. It frequently happened that +bands of children from different parts of Edinburgh would wage war with +each other, fighting with stones and clubs and other like weapons. +Perhaps the city authorities thought that these miniature battles +afforded good training: at least the police seem not to have interfered. +The boys in the neighborhood where Walter lived had formed a company +that had been given a beautiful standard by a young noblewoman. This +company fought every week with a band composed of boys of the poorer +classes. The leader of the latter was a fine-looking young fellow who +bore himself as bravely as any chieftain. In the midst of a hotly fought +contest, this boy had all but captured the enemy's proudly erected +standard when he was struck severely to the ground with a cruelly heavy +weapon. The dismayed companies fled in all directions, and the lad was +taken to the hospital. In a few days, however, he recovered; and then it +was that through a friendly baker Walter Scott and his brothers were +able to get word to their mistreated opponent and to offer a sum of +money in token of their regret. But Green-breeks, as the young leader +had been dubbed, refused to accept this, and said besides that they +might be sure of his not telling what he knew of the affair in which he +had been hurt, for he felt it a disgrace to be a talebearer. This +generous conduct so impressed young Scott and his companions that always +afterward the fighting was fair. + +It must have been with not a little difficulty that this warlike spirit +was subdued and made obedient to the strict rules observed in the +Presbyterian home on Sunday. To a boy whose mind was filled with +stirring deeds of adventure and all sorts of vivid legends and romances, +the long, gloomy services seemed a tiresome burden. Monday, however, +brought new opportunities for reading favorite poets and works of +history and travel, and many were the spare moments through the week +that were spent thus. The marvelous characters and incidents in +Spenser's _Faerie Queene_ were a never-ending source of enjoyment, and +later Percy's _Reliques of Ancient English Poetry_ was discovered by the +young reader with a gladness that made him forget everything else in the +world. "I remember well," he has written, "the spot where I read these +volumes for the first time. It was beneath a huge platanus tree, in the +ruins of what had been intended for an old-fashioned arbor in the garden +I have mentioned. The summer day sped onward so fast that, +notwithstanding the sharp appetite of thirteen, I forgot the hour of +dinner, was sought for with anxiety, and was found still entranced in my +intellectual banquet. To read and to remember was in this instance the +same thing, and henceforth I overwhelmed my schoolfellows, and all who +would hearken to me, with tragical recitations from the ballads of +Bishop Percy. The first time, too, I could scrape a few shillings +together, which were not common occurrences with me, I bought unto +myself a copy of these beloved volumes; nor do I believe I ever read a +book half so frequently, or with half the enthusiasm." + +After his return from Kelso, Walter was sent to college, but with no +better results than in the early years at the High School. The Latin +teacher was so mild in his requirements that it was easy to neglect the +lessons, and in beginning the study of Greek the boy was again at a +disadvantage, for nearly all his classmates, unlike himself, knew a +little of the language. He was scarcely more successful in a private +course in mathematics, but did well in his classes in moral philosophy. +History and civil and municipal law completed his list of studies. So +meager did this education seem that in later years Scott wrote in a +brief autobiography, "If, however, it should ever fall to the lot of +youth to peruse these pages--let such a reader remember that it is with +the deepest regret that I recollect in my manhood the opportunities of +learning which I neglected in my youth: that through every part of my +literary career I have felt pinched and hampered by my own ignorance: +and that I would at this moment give half the reputation I have had the +good fortune to acquire, if by doing so I could rest the remaining part +upon a sound foundation of learning and science." + +[Illustration: ABBOTSFORD] + +It had been decided that Walter should follow his father's profession, +that of the law, and accordingly he entered his father's office, to +serve a five years' apprenticeship. Though it may seem surprising, in +view of his former indolence, it is true that he gave himself to his +work with great industry. At the same time, however, he continued to +read stories of adventure and history and other similar works with as +much zest as ever, and entered into an agreement with a friend whereby +each was to entertain the other with original romances. The monotony of +office duties was also relieved by many trips about the country, in +which the keenest delight was felt in natural beauties and in the +historical associations of old ruins and battlefields and other places +of like interest. Then, too, there were literary societies that advanced +the young law-apprentice both intellectually and socially. Thus the +years with his father passed. Then, as he was to prepare himself for +admission to the bar, he entered law classes in the University of +Edinburgh, with the result that in 1792 he was admitted into the Faculty +of Advocates. + +The first years of his practice, though not without profit, might have +seemed dull and irksome to the young lawyer, had not his summers been +spent in journeys about Scotland in which he came into possession of a +wealth of popular legends and ballads. It was during one of these +excursions, made in 1797, that he met the attractive young French woman, +Charlotte Carpenter, who a few months later became his wife. A previous +and unfortunate love affair had considerably sobered Scott's ardent +nature, but his friendship and marriage with Miss Carpenter brought him +much of the happiness of which he had believed himself to have been +deprived. + +The young couple spent their winters in Edinburgh and their summers at +the suburb Lasswade. During the resting time passed in the country +cottage, Scott found enjoyment in composing poems based upon some of the +legends and superstitions with which he had become familiar in his +jaunts among ruined castles and scenes in the Highlands. Some of these +verses, shown in an offhand manner to James Ballantyne, who was the head +of a printing establishment in Kelso, met with such favorable +recognition that Scott was encouraged to lay bare to his friend a plan +that had been forming in his mind for publishing a great collection of +Scotch ballads. As a result Scott entered upon the work of editing them +and by 1803 had published the three volumes of his _Minstrelsy of the +Scottish Border_. So successful was this venture that shortly afterward +he began the _Lay of the Last Minstrel_, a lengthy poem in which his +keen interest in the thrilling history of the Scottish Border found full +expression. This poem, published in 1805, was heartily welcomed, and +opened to its author the career for which he was best fitted. + +The popularity of the _Lay_, together with the fact that the young poet +had won no honors as an advocate, doubtless accounts for his retiring +from the bar in 1806. He had been made sheriff of Selkirkshire in 1799, +and to the income thus received was added that of a clerk of the Court +of Sessions, an office to which he was appointed in 1806. More than +this, he had in the preceding year become a partner in the Ballantyne +printing establishment, which had moved to Edinburgh, and his growing +fame as a writer seemed to promise that his association with this firm +would bring considerable profit. + +With a good income thus assured, Scott was able within the following +four years to produce besides minor works, two other great poems, +_Marmion, a Tale of Flodden Field_, and _The Lady of the Lake_. These +rank with the most stirring and richly colored narrative poems in our +language. So vivid, indeed, are the pictures of Scottish scenery found +in _The Lady of the Lake_, that, according to a writer who was living +when it was published, "The whole country rang with the praises of the +poet--crowds set off to view the scenery of Loch Katrine, till then +comparatively unknown; and as the book came out just before the season +for excursions, every house and inn in that neighborhood was crammed +with a constant succession of visitors." + +This lively and pleasing story, with its graceful verse form, has become +such a favorite for children's reading, that it seems very amusing to be +told of the answer given by one of Scott's little daughters to a family +friend who had asked her how she liked the poem: "Oh, I have not read +it; papa says there's nothing so bad for young people as reading bad +poetry." The biographer Lockhart recounts also a little incident in +which young Walter Scott, returning from school with the marks of battle +showing plainly on his face, was asked why he had been fighting, and +replied, looking down in shame, that he had been called a _lassie_. +Never having heard of even the title of his father's poem, the boy had +fiercely resented being named, by some of his playmates, _The Lady of +the Lake_. + +In order to fulfil his duties as sheriff, Scott had in 1804 leased the +estate of Ashestiel, and in this wild and beautiful stretch of country +on the Tweed River had spent his summers. When his lease expired in +1811, he bought a farm of one hundred acres extending along the same +river, and in the following year removed with his family to the cottage +on this new property. This was the simple beginning of the magnificent +Abbotsford home. Year after year changes were made, and land was added +to the estate until by the close of 1824 a great castle had been +erected. The building and furnishing of this mansion were of the keenest +interest to its owner, an interest that was expressed probably with most +delight in the two wonderful armories containing weapons borne by many +heroes of history, and in the library with its carved oak ceiling, its +bookcases filled with from fifteen to twenty thousand volumes, among +which are some of unusual value, and its handsome portrait of the eldest +of Scott's sons. + +The building of this splendid dwelling place shows Scott to have been +exceptionally prosperous as a writer. Yet his way was by no means always +smooth. In 1808 he had formed with the Ballantynes a publishing house +that, as a result of poor management, failed completely in 1813. Scott +bore the trouble with admirable coolness, and by means of good +management averted further disaster and made arrangements for the +continued publication of his works. + +By this time he had found through the marked success of his novel +_Waverley_, published in 1814, that a new and promising field lay before +him. He decided then to give up poetry and devote himself especially to +writing romances, in which his love of the picturesque and thrilling in +history and of the noble and chivalrous in human character could find +the widest range of expression. With marvelous industry he added one +after another to the long series of his famous Waverley Novels. Perhaps +the height of his power was reached in 1819 in the production of +_Ivanhoe_, though _Waverley_, _Guy Mannering_ and _The Heart of +Midlothian_, previously written, as well as _Kenilworth_ and _Quentin +Durward_, published later, must also be given first rank. In the +intervals of his work on these novels, Scott also wrote reviews and +essays and miscellaneous articles. He became recognized as the most +gifted prose writer of his age, and his works, it is said, became "the +daily food, not only of his countrymen, but of all educated Europe." He +was sought after with eager homage by the wealthy and notable, and was +given the title of baronet, yet remained as simple and sincere at heart +as in the early days of his career. + +With the sales of his books amounting to $50,000 or more a year, it is +not strange that he should have felt his fortune assured. But again, and +this time with the most serious results, he was deceived by the +mismanagement of others. The printing firm of James Ballantyne and +Company, in which he had remained a partner, became bankrupt in 1826. +Had it not been for a high sense of honor, he would have withdrawn with +the others of the firm; but the sense of his great debt pressed upon him +so sorely that he agreed to pay all that he owed, at whatever cost to +himself. For the remaining six years of his life he worked as hard as +failing health would allow, and the strain of his labor told on him +severely. + +At length he consented to a trip to southern Europe, but the change did +not bring back his health. Not long after his return to Abbotsford, in +1832, he called his son-in-law to his bedside early one morning, and +speaking in calm tones, said: "Lockhart, I may have but a minute to +speak to you. My dear, be a good man--be virtuous--be religious--be a +good man. Nothing else will give you any comfort when you come to lie +here." After a few words more he asked God's blessing on all in the +household and then fell into a quiet sleep from which he did not awake +on earth. + +Had Scott lived but a few years longer he would undoubtedly have paid +off all his voluntarily assumed obligations. As it was, all his debts +were liquidated in 1847 by the sale of copyrights. + +Many years have passed since the death of Sir Walter Scott, and to the +young readers of to-day the time in which he lived may seem far away and +indistinct. But every boy and girl can share with him the pleasure that +he felt, all his life, in stories of battle on sea and land, in love +tales of knights and ladies, in mysterious superstitions and in +everything else that spurs one on at the liveliest speed through the +pages of a book. These interests and delights of his boyhood he never +outgrew. They kept him always young at heart and gave to his works a +freshness and brightness that few writers have been able to retain +throughout their lives. + +When he became _laird_ of Abbotsford, the same sunny nature and kindly +feeling for others that had drawn about him many comrades in his +schoolboy days, attracted to him crowds of visitors who, though they +intruded on his time, were received with generous courtesy. His tall, +strongly built figure was often the center of admiring groups of guests +who explored with him the wonders and beauties of Abbotsford, listening +meanwhile to his humorous stories. At such times, with his clear, +wide-open blue eyes, and his pleasant smile lighting his somewhat heavy +features, he would have been called a handsome man. Of all who came to +the home at Abbotsford, none were more gladly received than the children +of the tenants who lived in the little homes on the estate. Each year, +on the last morning in December, it was customary for them to pay a +visit of respect to the _laird_, and though they may not have known it, +he found more pleasure in this simple ceremony than in all the others of +the Christmas season. + +To these gentler qualities of his nature was joined not a little of the +hardihood of the Scotch heroes whose lives he has celebrated. The same +"high spirit with which, in younger days," he has written, "I used to +enjoy a Tam-o'-Shanter ride through darkness, wind and rain, the boughs +groaning and cracking over my head, the good horse free to the road and +impatient for home, and feeling the weather as little as I did," was +that which bore him bravely through misfortune and gave him the splendid +courage with which in his last years he faced the ruin of his fortune. +With an influence as strong and wholesome as that of his works as a +writer, remains the example of his loyal, industrious life. + + + + +THE TOURNAMENT + +_By_ SIR WALTER SCOTT + + + NOTE.--Scott's _Ivanhoe_, from which this account of _The + Tournament_ is taken, belongs to the class of books known as + historical novels. Such a book does not necessarily have as the + center of its plot an historical incident, nor does it necessarily + have an historical character as hero or heroine; it does, however, + introduce historic scenes or historic people, or both. In + _Ivanhoe_, the events of which take place in England in the twelfth + century, during the reign of Richard I, both the king and his + brother John appear, though they are by no means the chief + characters. The great movements known as the Crusades, while they + are frequently mentioned and give a sort of an atmosphere to the + book, do not influence the plot directly. + + _Ivanhoe_ does much more, however, than introduce us casually to + Richard and John; it gives us a striking picture of customs and + manners in the twelfth century. The story is not made to halt for + long descriptions, but the events themselves and their settings are + so brought before us that we have much clearer pictures of them + than hours of reading in histories and encyclopedias could give us. + This account of a tournament, for instance, while it lets us see + all the gorgeousness that was a part of such pageants, does not + fail to give us also the cruel, brutal side. + +The poor as well as the rich, the vulgar as well as the noble, in the +event of a tournament, which was the grand spectacle of that age, felt +as much interested as the half-starved citizen of Madrid, who has not a +real left to buy provisions for his family, feels in the issue of a +bull-fight. Neither duty nor infirmity could keep youth or age from such +exhibitions. The passage of arms, as it was called, which was to take +place at Ashby, in the county of Leicester, as champions of the first +renown were to take the field in the presence of Prince John himself, +who was expected to grace the lists, had attracted universal attention, +and an immense confluence of persons of all ranks hastened upon the +appointed morning to the place of combat. + +The scene was singularly romantic. On the verge of a wood near Ashby, +was an extensive meadow of the finest and most beautiful green turf, +surrounded on one side by the forest, and fringed on the other by +straggling oak trees, some of which had grown to an immense size. The +ground, as if fashioned on purpose for the martial display which was +intended, sloped gradually down on all sides to a level bottom, which +was enclosed for the lists with strong palisades, forming a space of a +quarter of a mile in length, and about half as broad. The form of the +enclosure was an oblong square, save that the corners were considerably +rounded off, in order to afford more convenience for the spectators. The +openings for the entry of the combatants were at the northern and +southern extremities of the lists, accessible by strong wooden gates, +each wide enough to admit two horsemen riding abreast. At each of these +portals were stationed two heralds, attended by six trumpets, as many +pursuivants,[39-1] and a strong body of men-at-arms, for maintaining +order, and ascertaining the quality of the knights who proposed to +engage in this martial game. + +On a platform beyond the southern entrance, formed by a natural +elevation of the ground, were pitched five magnificent pavilions, +adorned with pennons of russet and black, the chosen colors of the five +knights challengers. The cords of the tents were of the same color. +Before each pavilion was suspended the shield of the knight by whom it +was occupied, and beside it stood his squire, quaintly disguised as a +salvage[40-2] or silvan man, or in some other fantastic dress, according +to the taste of his master and the character he was pleased to assume +during the game. The central pavilion, as the place of honor, had been +assigned to Brian de Bois-Guilbert, whose renown in all games of +chivalry, no less than his connection with the knights who had +undertaken this passage of arms, had occasioned him to be eagerly +received into the company of challengers, and even adopted as their +chief and leader, though he had so recently joined them. On one side of +his tent were pitched those of Reginald Front-de-Boeuf and Richard +(Philip) de Malvoisin, and on the other was the pavilion of Hugh de +Grantmesnil, a noble baron in the vicinity, whose ancestor had been Lord +High Steward of England in the time of the Conqueror and his son William +Rufus. Ralph de Vipont, a knight of Saint John of Jerusalem, who had +some ancient possessions at a place called Heather, near +Ashby-de-la-Zouche, occupied the fifth pavilion. + +From the entrance into the lists a gently sloping passage, ten yards in +breadth, led up to the platform on which the tents were pitched. It was +strongly secured by a palisade on each side, as was the esplanade in +front of the pavilions, and the whole was guarded by men-at-arms. + +The northern access to the lists terminated in a similar entrance of +thirty feet in breadth, at the extremity of which was a large enclosed +space for such knights as might be disposed to enter the lists with the +challengers, behind which were placed tents containing refreshments of +every kind for their accommodation, with armorers, farriers, and other +attendants, in readiness to give their services wherever they might be +necessary. + +[Illustration: THRONG GOING TO THE LISTS] + +The exterior of the lists was in part occupied by temporary galleries, +spread with tapestries and carpets, and accommodated with cushions for +the convenience of those ladies and nobles who were expected to attend +the tournament. A narrow space between these galleries and the lists +gave accommodation for yeomanry and spectators of a better degree than +the mere vulgar, and might be compared to the pit of a theatre. The +promiscuous multitude arranged themselves upon large banks of turf +prepared for the purpose, which, aided by the natural elevation of the +ground, enabled them to overlook the galleries, and obtain a fair view +into the lists. Besides the accommodation which these stations afforded, +many hundred had perched themselves on the branches of the trees which +surrounded the meadow; and even the steeple of a country church, at some +distance, was crowded with spectators. + +It only remains to notice respecting the general arrangement, that one +gallery in the very centre of the eastern side of the lists, and +consequently exactly opposite to the spot where the shock of the combat +was to take place, was raised higher than the others, more richly +decorated, and graced by a sort of throne and canopy, on which the royal +arms were emblazoned. Squires, pages, and yeomen in rich liveries waited +around this place of honor, which was designed for Prince John and his +attendants. Opposite to this royal gallery was another, elevated to the +same height, on the western side of the lists; and more gayly, if less +sumptuously, decorated than that destined for the Prince himself. A +train of pages and of young maidens, the most beautiful who could be +selected, gayly dressed in fancy habits of green and pink, surrounded a +throne decorated in the same colors; Among pennons and flags, bearing +wounded hearts, burning hearts, bleeding hearts, bows and quivers, and +all the commonplace emblems of the triumphs of Cupid, a blazoned +inscription informed the spectators that this seat of honor was designed +for _La Royne de la Beaute et des Amours_. But who was to represent the +Queen of Beauty and of Love on the present occasion no one was prepared +to guess. + +Meanwhile, spectators of every description thronged forward to occupy +their respective stations, and not without many quarrels concerning +those which they were entitled to hold. Some of these were settled by +the men-at-arms with brief ceremony; the shafts of their battle-axes and +pummels of their swords being readily employed as arguments to convince +the more refractory. Others, which involved the rival claims of more +elevated persons, were determined by the heralds, or by the two marshals +of the field, William de Wyvil and Stephen de Martival, who, armed at +all points, rode up and down the lists to enforce and preserve good +order among the spectators. + +Gradually the galleries became filled with knights and nobles, in their +robes of peace, whose long and rich-tinted mantles were contrasted with +the gayer and more splendid habits of the ladies, who, in a greater +proportion than even the men themselves, thronged to witness a sport +which one would have thought too bloody and dangerous to afford their +sex much pleasure. The lower and interior space was soon filled by +substantial yeomen and burghers, and such of the lesser gentry as, from +modesty, poverty, or dubious title, durst not assume any higher place. +It was of course amongst these that the most frequent disputes for +precedence occurred. + +Suddenly the attention of every one was called to the entrance of Prince +John, who at that moment entered the lists, attended by a numerous and +gay train, consisting partly of laymen, partly of church-men, as light +in their dress, and as gay in their demeanor, as their companions. Among +the latter was the Prior of Jorvaulx, in the most gallant trim which a +dignitary of the church could venture to exhibit. Fur and gold were not +spared in his garments; and the points of his boots turned up so very +far as to be attached not to his knees merely, but to his very girdle, +and effectually prevented him from putting his foot into the stirrup. +This, however, was a slight inconvenience to the gallant Abbot, who, +perhaps even rejoicing in the opportunity to display his accomplished +horsemanship before so many spectators, especially of the fair sex, +dispensed with the use of these supports to a timid rider. The rest of +Prince John's retinue consisted of the favorite leaders of his mercenary +troops, some marauding barons and profligate attendants upon the court, +with several Knights Templars and Knights of Saint John. + +Attended by this gallant equipage, himself well mounted, and splendidly +dressed in crimson and in gold, bearing upon his hand a falcon, and +having his head covered by a rich fur bonnet, adorned with a circle of +precious stones, from which his long curled hair escaped and overspread +his shoulders, Prince John, upon a gray and high-mettled palfrey, +caracoled within the lists at the head of his jovial party, laughing +loud with his train, and eyeing with all the boldness of royal criticism +the beauties who adorned the lofty galleries. + +In the midst of Prince John's cavalcade, he suddenly stopped, and, +appealing to the Prior of Jorvaulx, declared the principal business of +the day had been forgotten. + +"By my halidom," said he, "we have neglected, Sir Prior, to name the +fair Sovereign of Love and of Beauty, by whose white hand the palm is to +be distributed. For my part, I am liberal in my ideas, and I care not if +I give my vote for the black-eyed Rebecca." + +"Holy Virgin," answered the Prior, turning up his eyes in horror, "a +Jewess! We should deserve to be stoned out of the lists; and I am not +yet old enough to be a martyr. Besides, I swear by my patron saint that +she is far inferior to the lovely Saxon, Rowena." + +From the tone in which this was spoken, John saw the necessity of +acquiescence. "I did but jest," he said; "and you turn upon me like an +adder! Name whom you will, in the fiend's name, and please yourselves." + +"Nay, nay," said De Bracy, "let the fair sovereign's throne remain +unoccupied until the conqueror shall be named, and then let him choose +the lady by whom it shall be filled. It will add another grace to his +triumph, and teach fair ladies to prize the love of valiant knights, who +can exalt them to such distinction." + +"If Brian de Bois-Guilbert gain the prize," said the Prior, "I will gage +my rosary that I name the Sovereign of Love and Beauty." + +"Bois-Guilbert," answered De Bracy, "is a good lance; but there are +others around these lists, Sir Prior, who will not fear to encounter +him." + +"Silence, sirs," said Waldemar, "and let the Prince assume his seat. The +knights and spectators are alike impatient, the time advances, and +highly fit it is that the sports should commence." + +Prince John, though not yet a monarch, had in Waldemar Fitzurse all the +inconveniences of a favorite minister, who, in serving his sovereign, +must always do so in his own way. The Prince acquiesced, however, +although his disposition was precisely of that kind which is apt to be +obstinate upon trifles, and, assuming his throne, and being surrounded +by his followers, gave signal to the heralds to proclaim the laws of the +tournament, which were briefly as follows: + +First, the five challengers were to undertake all comers. + +Secondly, any knight proposing to combat might, if he pleased, select a +special antagonist from among the challengers, by touching his shield. +If he did so with the reverse of his lance, the trial of skill was made +with what were called the arms of courtesy, that is, with lances at +whose extremity a piece of round flat board was fixed, so that no danger +was encountered, save from the shock of the horses and riders. But if +the shield was touched with the sharp end of the lance, the combat was +understood to be at _outrance_,[46-3] that is, the knights were to fight +with sharp weapons, as in actual battle. + +Thirdly, when the knights present had accomplished their vow, by each of +them breaking five lances, the Prince was to declare the victor in the +first day's tourney, who should receive as prize a war-horse of +exquisite beauty and matchless strength; and in addition to this reward +of valor, it was now declared, he should have the peculiar honor of +naming the Queen of Love and Beauty, by whom the prize should be given +on the ensuing day. + +Fourthly, it was announced that, on the second day, there should be a +general tournament, in which all the knights present, who were desirous +to win praise, might take part; and being divided into two bands, of +equal numbers, might fight it out manfully until the signal was given by +Prince John to cease the combat. The elected Queen of Love and Beauty +was then to crown the knight, whom the Prince should adjudge to have +borne himself best in this second day, with a coronet composed of thin +gold plate, cut into the shape of a laurel crown. On this second day the +knightly games ceased. But on that which was to follow, feats of +archery, of bull-baiting, and other popular amusements were to be +practiced, for the more immediate amusement of the populace. In this +manner did Prince John endeavor to lay the foundation of a popularity +which he was perpetually throwing down by some inconsiderate act of +wanton aggression upon the feelings and prejudices of the people. + +The lists now presented a most splendid spectacle. The sloping galleries +were crowded with all that was noble, great, wealthy, and beautiful in +the northern and midland parts of England; and the contrast of the +various dresses of these dignified spectators rendered the view as gay +as it was rich, while the interior and lower space, filled with the +substantial burgesses and yeomen of merry England, formed, in their more +plain attire, a dark fringe, or border, around this circle of brilliant +embroidery, relieving, and at the same time setting off, its splendor. + +The heralds finished their proclamation with their usual cry of +"Largesse,[48-4] largesse, gallant knights!" and gold and silver pieces +were showered on them from the galleries, it being a high point of +chivalry to exhibit liberality toward those whom the age accounted at +once the secretaries and historians of honor. The bounty of the +spectators was acknowledged by the customary shouts of "Love of +ladies--Death of champions--Honor to the generous--Glory to the brave!" +To which the more humble spectators added their acclamations, and a +numerous band of trumpeters the flourish of their martial instruments. +When these sounds had ceased, the heralds withdrew from the lists in gay +and glittering procession, and none remained within them save the +marshals of the field, who, armed cap-a-pie, sat on horseback, +motionless as statues, at the opposite ends of the lists. Meantime, the +inclosed space at the northern extremity of the lists, large as it was, +was now completely crowded with knights desirous to prove their skill +against the challengers, and, when viewed from the galleries, presented +the appearance of a sea of waving plumage, intermixed with glistening +helmets and tall lances, to the extremities of which were, in many +cases, attached small pennons of about a span's breadth, which, +fluttering in the air as the breeze caught them, joined with the +restless motion of the feathers to add liveliness to the scene. + +At length the barriers were opened, and five knights, chosen by lot, +advanced slowly into the area; a single champion riding in front, and +the other four following in pairs. All were splendidly armed, and my +Saxon authority (in the Wardour Manuscript) records at great length +their devices, their colors, and the embroidery of their horse +trappings. It is unnecessary to be particular on these subjects. + +Their escutcheons have long mouldered from the walls of their castles. +Their castles themselves are but green mounds and shattered ruins: the +place that once knew them, knows them no more--nay, many a race since +theirs has died out and been forgotten in the very land which they +occupied with all the authority of feudal proprietors and feudal lords. +What, then, would it avail the reader to know their names, or the +evanescent symbols of their martial rank? + +Now, however, no whit anticipating the oblivion which awaited their +names and feats, the champions advanced through the lists, restraining +their fiery steeds, and compelling them to move slowly, while, at the +same time, they exhibited their paces, together with the grace and +dexterity of the riders. As the procession entered the lists, the sound +of a wild barbaric music was heard from behind the tents of the +challengers, where the performers were concealed. It was of Eastern +origin, having been brought from the Holy Land; and the mixture of the +cymbals and bells seemed to bid welcome at once, and defiance, to the +knights as they advanced. With the eyes of an immense concourse of +spectators fixed upon them, the five Knights advanced up the platform +upon which the tents of the challengers stood, and there separating +themselves, each touched slightly, and with the reverse of his lance, +the shield of the antagonist to whom he wished to oppose himself. The +lower order of spectators in general--nay, many of the higher class, and +it is even said several of the ladies--were rather disappointed at the +champions choosing the arms of courtesy. For the same sort of persons +who, in the present day, applaud most highly the deepest tragedies were +then interested in a tournament exactly in proportion to the danger +incurred by the champions engaged. + +Having intimated their more pacific purpose, the champions retreated to +the extremity of the lists, where they remained drawn up in a line; +while the challengers, sallying each from his pavilion, mounted their +horses, and, headed by Brian de Bois-Guilbert, descended from the +platform and opposed themselves individually to the knights who had +touched their respective shields. + +At the flourish of clarions and trumpets, they started out against each +other at full gallop; and such was the superior dexterity or good +fortune of the challengers, that those opposed to Bois-Guilbert, +Malvoisin, and Front-de-Boeuf rolled on the ground. The antagonist of +Grantmesnil, instead of bearing his lance-point fair against the crest +or the shield of his enemy, swerved so much from the direct line as to +break the weapon athwart the person of his opponent--a circumstance +which was accounted more disgraceful than that of being actually +unhorsed, because the latter might happen from accident, whereas the +former evinced awkwardness and want of management of the weapon and of +the horse. The fifth knight alone maintained the honor of his party, and +parted fairly with the Knight of Saint John, both splintering their +lances without advantage on either side. + +The shouts of the multitude, together with the acclamations of the +heralds and the clangor of the trumpets, announced the triumph of the +victors and the defeat of the vanquished. The former retreated to their +pavilions, and the latter, gathering themselves up as they could, +withdrew from the lists in disgrace and dejection, to agree with their +victors concerning the redemption of their arms and their horses, which, +according to the laws of the tournament, they had forfeited. The fifth +of their number alone tarried in the lists long enough to be greeted by +the applauses of the spectators, among whom he retreated, to the +aggravation, doubtless, of his companions' mortification. + +A second and a third party of knights took the field; and although they +had various success, yet, upon the whole, the advantage decidedly +remained with the challengers, not one of them whom lost his seat or +swerved from his charge--misfortunes which befell one or two of their +antagonists in each encounter. The spirits, therefore, of those opposed +to them seemed to be considerably damped by their continued success. +Three knights only appeared on the fourth entry, who, avoiding the +shields of Bois-Guilbert and Front-de-Boeuf, contented themselves with +touching those of the three other knights who had not altogether +manifested the same strength and dexterity. This politic selection did +not alter the fortune of the field: the challengers were still +successful. One of their antagonists was overthrown; and both the others +failed in the _attaint_, that is, in striking the helmet and shield of +their antagonist firmly and strongly, with the lance held in a direct +line, so that the weapon might break unless the champion was overthrown. + +After this fourth encounter, there was a considerable pause; nor did it +appear that any one was very desirous of renewing the contest. The +spectators murmured among themselves; for, among the challengers, +Malvoisin and Front-de-Boeuf were unpopular from their characters, and +the others, except Grantmesnil, were disliked as strangers and +foreigners. + +But none shared the general feeling of dissatisfaction so keenly as +Cedric the Saxon, who saw, in each advantage gained by the Norman +challengers, a repeated triumph over the honor of England. His own +education had taught him no skill in the games of chivalry, although, +with the arms of his Saxon ancestors, he had manifested himself, on many +occasions, a brave and determined soldier. + +He looked anxiously to Athelstane, who had learned the accomplishments +of the age, as if desiring that he should make some personal effort to +recover the victory which was passing into the hands of the Templar and +his associates. But, though both stout of heart and strong of person, +Athelstane had a disposition too inert and unambitious to make the +exertions which Cedric seemed to expect from him. + +"The day is against England, my lord," said Cedric, in a marked tone; +"are you not tempted to take the lance?" + +"I shall tilt to-morrow," answered Athelstane, "in the _melee_; it is +not worth while for me to arm myself to-day." + +Two things displeased Cedric in this speech. It contained the Norman +word _melee_ (to express the general conflict), and it evinced some +indifference to the honor of the country; but it was spoken by +Athelstane, whom he held in such profound respect that he would not +trust himself to canvass his motives or his foibles. Moreover, he had no +time to make any remark, for Wamba thrust in his word, observing, "It +was better, though scarce easier, to be the best man among a hundred +than the best man of two." + +Athelstane took the observation as a serious compliment; but Cedric, who +better understood the Jester's meaning, darted at him a severe and +menacing look; and lucky it was for Wamba, perhaps, that the time and +place prevented his receiving, notwithstanding his place and service, +more sensible marks of his master's resentment. + +The pause in the tournament was still uninterrupted, excepting by the +voices of the heralds exclaiming--"Love of ladies, splintering of +lances! stand forth, gallant knights, fair eyes look upon your deeds!" + +The music also of the challengers breathed from time to time wild bursts +expressive of triumph or defiance, while the clowns[53-5] grudged a +holiday which seemed to pass away in inactivity; and old knights and +nobles lamented in whispers the decay of martial spirit, spoke of the +triumphs of their younger days, but agreed that the land did not now +supply dames of such transcendent beauty as had animated the jousts of +former times. Prince John began to talk to his attendants about making +ready the banquet, and the necessity of adjudging the prize to Brian de +Bois-Guilbert, who had, with a single spear, overthrown two knights and +foiled a third. + +At length, as the Saracenic music of the challengers concluded one of +those long and high flourishes with which they had broken the silence of +the lists, it was answered by a solitary trumpet, which breathed a note +of defiance from the northern extremity. All eyes were turned to see the +new champion which these sounds announced, and no sooner were the +barriers opened than he paced into the lists. As far as could be judged +of a man sheathed in armor, the new adventurer did not greatly exceed +the middle size, and seemed to be rather slender than strongly made. His +suit of armor was formed of steel, richly inlaid with gold, and the +device on his shield was a young oak-tree pulled up by the roots, with +the Spanish word _Desdichado_, signifying Disinherited. He was mounted +on a gallant black horse, and as he passed through the lists he +gracefully saluted the Prince and the ladies by lowering his lance. The +dexterity with which he managed his steed, and something of youthful +grace which he displayed in his manner, won him the favor of the +multitude, which some of the lower classes observed by calling out, +"Touch Ralph de Vipont's shield--touch the Hospitaller's shield; he has +the least sure seat, he is your cheapest bargain." + +The champion, moving onward amid these well-meant hints, ascended the +platform by the sloping alley which led to it from the lists, and, to +the astonishment of all present, riding straight up to the central +pavilion, struck with the sharp end of his spear the shield of Brian de +Bois-Guilbert until it rang again. All stood astonished at his +presumption, but none more than the redoubted Knight whom he had thus +defied to mortal combat, and who, little expecting so rude a challenge, +was standing carelessly at the door of the pavilion. + +"Have you confessed yourself, brother," said the Templar, "and have you +heard mass this morning, that you peril your life so frankly?" + +"I am fitter to meet death than thou art," answered the Disinherited +Knight; for by this name the stranger had recorded himself in the books +of the tourney. + +"Then take your place in the lists," said Bois-Guilbert, "and look your +last upon the sun; for this night thou shalt sleep in paradise." + +"Gramercy for thy courtesy," replied the Disinherited Knight, "and to +requite it, I advise thee to take a fresh horse and a new lance, for by +my honor you will need both." + +Having expressed himself thus confidently, he reined his horse backward +down the slope which he had ascended, and compelled him in the same +manner to move backward through the lists, till he reached the northern +extremity, where he remained stationary, in expectation of his +antagonist. This feat of horsemanship again attracted the applause of +the multitude. + +However incensed at his adversary for the precautions he recommended, +Brian de Bois-Guilbert did not neglect his advice; for his honor was too +nearly concerned to permit his neglecting any means which might insure +victory over his presumptuous opponent. He changed his horse for a +proved and fresh one of great strength and spirit. He chose a new and +tough spear, lest the wood of the former might have been strained in the +previous encounters he had sustained. Lastly he laid aside his shield, +which had received some little damage, and received another from his +squires. His first had only borne the general device of his order, +representing two knights riding upon one horse, an emblem expressive of +the original humility and poverty of the Templars, qualities which they +had since exchanged for the arrogance and wealth that finally occasioned +their suppression. Bois-Guilbert's new shield bore a raven in full +flight, holding in its claws a skull, and bearing the motto, _Gare le +Corbeau_.[56-6] + +When the two champions stood opposed to each other at the two +extremities of the lists, the public expectation was strained to the +highest pitch. Few augured the possibility that the encounter could +terminate well for the Disinherited Knight; yet his courage and +gallantry secured the general good wishes of the spectators. + +The trumpets had no sooner given the signal, than the champions vanished +from their posts with the speed of lightning, and closed in the centre +of the lists with the shock of a thunderbolt. The lances burst into +shivers up to the very grasp, and it seemed at the moment that both +knights had fallen, for the shock had made each horse recoil backward +upon its haunches. The address of the riders recovered their steeds by +use of the bridle and spur; and having glared on each other for an +instant with eyes which seemed to flash fire through the bars of their +visors, each made a demi-volte,[57-7] and, retiring to the extremity of +the lists, received a fresh lance from the attendants. + +A loud shout from the spectators, waving of scarfs and handkerchiefs, +and general acclamations, attested the interest taken by the spectators +in this encounter--the most equal, as well as the best performed, which +had graced the day. But no sooner had the knights resumed their station +than the clamor of applause was hushed into a silence so deep and so +dead that it seemed the multitude were afraid even to breathe. + +A few minutes' pause having been allowed, that the combatants and their +horses might recover breath, Prince John with his truncheon signed to +the trumpets to sound the onset. The champions a second time sprung from +their stations, and closed in the centre of the lists, with the same +speed, the same dexterity, the same violence, but not the same equal +fortune as before. + +In this second encounter, the Templar aimed at the centre of his +antagonist's shield, and struck it so fair and forcibly that his spear +went to shivers, and the Disinherited Knight reeled in his saddle. On +the other hand, that champion had, at the beginning of his career, +directed the point of his lance toward Bois-Guilbert's shield, but, +changing his aim almost in the moment of encounter, he addressed it to +the helmet, a mark more difficult to hit, but which, if attained, +rendered the shock more irresistible. Fair and true he hit the Norman on +the visor, where his lance's point kept hold of the bars. Yet, even at +this disadvantage, the Templar sustained his high reputation; and had +not the girths of his saddle burst, he might not have been unhorsed. As +it chanced, however, saddle, horse, and man rolled on the ground under a +cloud of dust. + +To extricate himself from the stirrups and fallen steed was to the +Templar scarce the work of a moment; and, stung with madness, both at +his disgrace and at the acclamations with which it was hailed by the +spectators, he drew his sword and waved it in defiance of his conqueror. +The Disinherited Knight sprung from his steed, and also unsheathed his +sword. The marshals of the field, however, spurred their horses between +them, and reminded them that the laws of the tournament did not, on the +present occasion, permit this species of encounter. + +"We shall meet again, I trust," said the Templar, casting a resentful +glance at his antagonist; "and where there are none to separate us." + +"If we do not," said the Disinherited Knight, "the fault shall not be +mine. On foot or horseback, with spear, with axe, or with sword, I am +alike ready to encounter thee." + +More and angrier words would have been exchanged, but the marshals, +crossing their lances between them, compelled them to separate. The +Disinherited Knight returned to his first station, and Bois-Guilbert to +his tent, where he remained for the rest of the day in an agony of +despair. + +Without alighting from his horse, the conqueror called for a bowl of +wine, and opening the beaver, or lower part of his helmet, announced +that he quaffed it, "To all true English hearts, and to the confusion +of foreign tyrants." He then commanded his trumpet to sound a defiance +to the challengers, and desired a herald to announce to them that he +should make no election, but was willing to encounter them in the order +in which they pleased to advance against him. + +[Illustration: DISINHERITED KNIGHT UNHORSES BRIAN] + +The gigantic Front-de-Boeuf, armed in sable armor, was the first who +took the field. He bore on a white shield a black bull's head,[59-8] +half defaced by the numerous encounters which he had undergone, and +bearing the arrogant motto, _Cave, Adsum_.[59-9] Over this champion the +Disinherited Knight obtained a slight but decisive advantage. Both +knights broke their lances fairly, but Front-de-Boeuf, who lost a +stirrup in the encounter, was adjudged to have the disadvantage. + +In the stranger's third encounter, with Sir Philip Malvoisin, he was +equally successful; striking that baron so forcibly on the casque that +the laces of the helmet broke, and Malvoisin, only saved from falling by +being unhelmeted, was declared vanquished like his companions. + +In his fourth combat, with De Grantmesnil, the Disinherited Knight +showed as much courtesy as he had hitherto evinced courage and +dexterity. De Grantmesnil's horse, which was young and violent, reared +and plunged in the course of the career so as to disturb the rider's +aim, and the stranger, declining to take the advantage which this +accident afforded him, raised his lance, and passing his antagonist +without touching him, wheeled his horse and rode back again to his own +end of the lists, offering his antagonist, by a herald, the chance of a +second encounter. This De Grantmesnil declined, avow himself vanquished +as much by the courtesy as by the address of his opponent. + +Ralph de Vipont summed up the list of the stranger's triumphs, being +hurled to the ground with such force that the blood gushed from his nose +and his mouth, and he was borne senseless from the lists. + +The acclamations of thousands applauded the unanimous award of the +Prince and marshals, announcing that day's honors to the Disinherited +Knight. + +William de Wyvil and Stephen de Martival, the marshals of the field, +were the first to offer their congratulations to the victor, praying +him, at the same time, to suffer his helmet to be unlaced, or, at least, +that he would raise his visor ere they conducted him to receive the +prize of the day's tourney from the hands of Prince John. The +Disinherited Knight, with all knightly courtesy, declined their request, +alleging, that he could not at this time suffer his face to be seen, for +reasons which he had assigned to the heralds when he entered the lists. +The marshals were perfectly satisfied by this reply; for amid the +frequent and capricious vows by which knights were accustomed to bind +themselves in the days of chivalry, there were none more common than +those by which they engaged to remain incognito for a certain space, or +until some particular adventure was achieved. The marshals, therefore, +pressed no further into the mystery of the Disinherited Knight, but, +announcing to Prince John the conqueror's desire to remain unknown, they +requested permission to bring him before his Grace, in order that he +might receive the reward of his valor. + +John's curiosity was excited by the mystery observed by the stranger; +and, being already displeased with the issue of the tournament, in which +the challengers whom he favored had been successively defeated by one +knight, he answered haughtily to the marshals, "By the light of Our +Lady's brow, this same knight hath been disinherited as well of his +courtesy as of his lands, since he desires to appear before us without +uncovering his face. Wot ye, my lords," he said, turning round to his +train, "who this gallant can be that bears himself thus proudly?" + +"I cannot guess," answered De Bracy, "nor did I think there had been +within the four seas that girth Britain a champion that could bear down +these five knights in one day's jousting. By my faith, I shall never +forget the force with which he shocked De Vipont. The poor +Hospitaller[62-10] was hurled from his saddle like a stone from a +sling." + +"Boast not of that," said a Knight of Saint John, who was present; "your +Temple champion had no better luck. I saw your brave lance, +Bois-Guilbert, roll thrice over, grasping his hands full of sand at +every turn." + +De Bracy, being attached to the Templars, would have replied, but was +prevented by Prince John. "Silence, sirs!" he said; "what unprofitable +debate have we here?" + +"The victor," said De Wyvil, "still waits the pleasure of your +Highness." + +"It is our pleasure," answered John, "that he do so wait until we learn +whether there is not some one who can at least guess at his name and +quality. Should he remain there till nightfall, he has had work enough +to keep him warm." + +"Your Grace," said Waldemar Fitzurse, "will do less than due honor to +the victor if you compel him to wait till we tell your Highness that +which we cannot know; at least I can form no guess--unless he be one of +the good lances who accompanied King Richard to Palestine, and who are +now straggling homeward from the Holy Land." + +While he was yet speaking, the marshals brought forward the Disinherited +Knight to the foot of a wooden flight of steps, which formed the ascent +from the lists to Prince John's throne. With a short and embarrassed +eulogy upon his valor, the Prince caused to be delivered to him the +war-horse assigned as the prize. + +But the Disinherited Knight spoke not a word in reply to the compliment +of the Prince, which he only acknowledged with a profound obeisance. + +The horse was led into the lists by two grooms richly dressed, the +animal itself being fully accoutred with the richest war-furniture; +which, however, scarcely added to the value of the noble creature in the +eyes of those who were judges. Laying one hand upon the pommel of the +saddle, the Disinherited Knight vaulted at once upon the back of the +steed without making use of the stirrup, and, brandishing aloft his +lance, rode twice around the lists, exhibiting the points and paces of +the horse with the skill of a perfect horseman. + +The appearance of vanity which might otherwise have been attributed to +this display was removed by the propriety shown in exhibiting to the +best advantage the princely reward with which he had been just honored, +and the Knight was again greeted by the acclamation of all present. + +In the meanwhile, the bustling Prior of Jorvaulx had reminded Prince +John, in a whisper, that the victor must now display his good judgment, +instead of his valor, by selecting from among the beauties who graced +the galleries a lady who should fill the throne of the Queen of Beauty +and of Love, and deliver the prize of the tourney, upon the ensuing day. +The Prince accordingly made a sign with his truncheon as the Knight +passed him in his second career around the lists. The Knight turned +toward the throne, and, sinking his lance until the point was within a +foot of the ground, remained motionless, as if expecting John's +commands; while all admired the sudden dexterity with which he instantly +reduced his fiery steed from a state of violent emotion and high +excitation to the stillness of an equestrian statue. + +"Sir Disinherited Knight," said Prince John, "since that is the only +title by which we can address you, it is now your duty, as well as +privilege, to name the fair lady who, as Queen of Honor and of Love, is +to preside over next day's festival. If, as a stranger in our land, you +should require the aid of other judgment to guide your own we can only +say that Alicia, the daughter of our gallant knight Waldemar Fitzurse, +has at our court been long held the first in beauty as in place. +Nevertheless, it is your undoubted prerogative to confer on whom you +please this crown, by the delivery of which to the lady of your choice +the election of to-morrow's Queen will be formal and complete. Raise +your lance." + +The Knight obeyed; and Prince John placed upon its point a coronet of +green satin, having around its edge a circlet of gold, the upper edge of +which was relieved by arrow-points and hearts placed interchangeably, +like the strawberry leaves and balls upon a ducal crown. + +In the broad hint which he dropped respecting the daughter of Waldemar +Fitzurse, John had more than one motive, each the offspring of a mind +which was a strange mixture of carelessness and presumption with low +artifice and cunning. He was desirous of conciliating Alicia's father, +Waldemar, of whom he stood in awe, and who had more than once shown +himself dissatisfied during the course of the day's proceedings; he had +also a wish to establish himself in the good graces of the lady. But +besides all these reasons, he was desirous to raise up against the +Disinherited Knight, toward whom he already entertained a strong +dislike, a powerful enemy in the person of Waldemar Fitzurse, who was +likely, he thought, highly to resent the injury done to his daughter in +case, as was not unlikely, the victor should make another choice. + +And so indeed it proved. For the Disinherited Knight passed the gallery, +close to that of the Prince, in which the Lady Alicia was seated in the +full pride of triumphant beauty, and pacing forward as slowly as he had +hitherto rode swiftly around the lists, he seemed to exercise his right +of examining the numerous fair faces which adorned that splendid circle. + +It was worth while to see the different conduct of the beauties who +underwent this examination, during the time it was proceeding. Some +blushed; some assumed an air of pride and dignity; some looked straight +forward, and essayed to seem utterly unconscious of what was going on; +some drew back in alarm, which was perhaps affected; some endeavored to +forbear smiling; and there were two or three who laughed outright. There +were also some who dropped their veils over their charms; but as the +Wardour Manuscript says these were fair ones of ten years' standing, it +may be supposed that, having had their full share of such vanities, they +were willing to withdraw their claim in order to give a fair chance to +the rising beauties of the age. + +At length the champion paused beneath the balcony in which the Lady +Rowena was placed, and the expectation of the spectators was excited to +the utmost. + +It must be owned that, if an interest displayed in his success could +have bribed the Disinherited Knight, the part of the lists before which +he paused had merited his predilection. Cedric the Saxon, overjoyed at +the discomfiture of the Templar, and still more so at the miscarriage of +his two malevolent neighbors, Front-de-Boeuf and Malvoisin, had +accompanied the victor in each course not with his eyes only, but with +his whole heart and soul. The Lady Rowena had watched the progress of +the day with equal attention, though without openly betraying the same +intense interest. Even the unmoved Athelstane had shown symptoms of +shaking off his apathy, when, calling for a huge goblet of muscadine, he +quaffed it to the health of the Disinherited Knight. + +Whether from indecision or some other motive of hesitation, the champion +of the day remained stationary for more than a minute, while the eyes of +the silent audience were riveted upon his motions; and then, gradually +and gracefully sinking the point of his lance, he deposited the coronet +which it supported at the feet of the fair Rowena. The trumpets +instantly sounded, while the heralds proclaimed the Lady Rowena the +Queen of Beauty and of Love for the ensuing day, menacing with suitable +penalties those who should be disobedient to her authority. They then +repeated their cry of "Largesse," to which Cedric, in the height of his +joy, replied by an ample donative, and to which Athelstane, though less +promptly, added one equally large. + +There was some murmuring among the damsels of Norman descent, who were +as much unused to see the preference given to a Saxon beauty as the +Norman nobles were to sustain defeat in the games of chivalry which they +themselves had introduced. But these sounds of disaffection were drowned +by the popular shout of "Long live the Lady Rowena, the chosen and +lawful Queen of Love and of Beauty!" To which many in the lower area +added, "Long live the Saxon Princess! long live the race of the immortal +Alfred!" + +However unacceptable these sounds might be to Prince John and to those +around him, he saw himself nevertheless obliged to confirm the +nomination of the victor, and accordingly calling to horse, he left his +throne, and mounting his jennet, accompanied by his train, he again +entered the lists. + +Spurring his horse, as if to give vent to his vexation, he made the +animal bound forward to the gallery where Rowena was seated, with the +crown still at her feet. + +"Assume," he said, "fair lady, the mark of your sovereignty, to which +none vows homage more sincerely than ourself, John of Anjou; and if it +please you to-day, with your noble sire and friends, to grace our +banquet in the Castle of Ashby, we shall learn to know the empress to +whose service we devote to-morrow." + +Rowena remained silent, and Cedric answered for her in his native Saxon. + +"The Lady Rowena," he said, "possesses not the language in which to +reply to your courtesy, or to sustain her part in your festival. I also, +and the noble Athelstane of Coningsburgh, speak only the language and +practice only the manners, of our fathers. We therefore decline with +thanks your Highness's courteous invitation to the banquet. To-morrow, +the Lady Rowena will take upon her the state to which she has been +called by the free election of the victor Knight, confirmed by the +acclamations of the people." + +So saying, he lifted the coronet and placed it upon Rowena's head, in +token of her acceptance of the temporary authority assigned to her. + +In various routes, according to the different quarters from which they +came, and in groups of various numbers, the spectators were seen +retiring over the plain. By far the most numerous part streamed toward +the town of Ashby, where many of the distinguished persons were lodged +in the castle, and where others found accommodation in the town itself. +Among these were most of the knights who had already appeared in the +tournament, or who proposed to fight there the ensuing day, and who, as +they rode slowly along, talking over the events of the day, were greeted +with loud shouts by the populace. The same acclamations were bestowed +upon Prince John, although he was indebted for them rather to the +splendor of his appearance and train than to the popularity of his +character. + +A more sincere and more general, as well as a better merited +acclamation, attended the victor of the day, until, anxious to withdraw +himself from popular notice, he accepted the accommodation of one of +those pavilions pitched at the extremities of the lists, the use of +which was courteously tendered him by the marshals of the field. On his +retiring to his tent, many who had lingered in the lists, to look upon +and form conjectures concerning him, also dispersed. + +The signs and sounds of a tumultuous concourse of men lately crowded +together in one place, and agitated by the same passing events, were now +exchanged for the distant hum of voices of different groups retreating +in all directions, and these speedily died away in silence. No other +sounds were heard save the voices of the menials who stripped the +galleries of their cushions and tapestry, in order to put them in safety +for the night, and wrangled among themselves for half-used bottles of +wine and relics of the refreshments which had been served round to the +spectators. + +[Illustration: THE ARMOUR MAKERS] + +Beyond the precincts of the lists more than one forge was erected; and +these now began to glimmer through the twilight, announcing the toil of +the armorers, which was to continue through the whole night, in order to +repair or alter the suits of armor to be used again on the morrow. + +A strong guard of men-at-arms, renewed at intervals, from two hours to +two hours, surrounded the lists, and kept watch during the night. + +The Disinherited Knight had no sooner reached his pavilion than squires +and pages in abundance tendered their services to disarm him, to bring +fresh attire, and to offer him the refreshment of the bath. Their zeal +on this occasion was perhaps sharpened by curiosity, since every one +desired to know who the knight was that had gained so many laurels, yet +had refused, even at the command of Prince John, to lift his visor or to +name his name. But their officious inquisitiveness was not gratified. +The Disinherited Knight refused all other assistance save that of his +own squire, or rather yeoman--a clownish-looking man, who, wrapped in a +cloak of dark-colored felt, and having his head and face half buried in +a Norman bonnet made of black fur, seemed to affect the incognito as +much as his master. All others being excluded from the tent, this +attendant relieved his master from the more burdensome parts of his +armor, and placed food and wine before him, which the exertions of the +body rendered very acceptable. + +The Knight had scarcely finished a hasty meal ere his menial announced +to him that five men, each leading a barbed steed,[70-11] desired to +speak with him. The Disinherited Knight had exchanged his armor for the +long robe usually worn by those of his condition, which, being furnished +with a hood, concealed the features, when such was the pleasure of the +wearer, almost as completely as the visor of the helmet itself; but the +twilight, which was now fast darkening, would of itself have rendered a +disguise unnecessary, unless to persons to whom the face of an +individual chanced to be particularly well known. + +The Disinherited Knight, therefore, stepped boldly forth to the front of +his tent, and found in attendance the squires of the challengers, whom +he easily knew by their russet and black dresses, each of whom led his +master's charger, loaded with the armor in which he had that day fought. + +"According to the laws of chivalry," said the foremost of these men, "I, +Baldwin de Oyley, squire to the redoubted Knight Brian de Bois-Guilbert, +make offer to you, styling yourself for the present the Disinherited +Knight, of the horse and armor used by the said Brian de Bois-Guilbert +in this day's passage of arms, leaving it with your nobleness to retain +or to ransom the same, according to your pleasure; for such is the law +of arms." + +The other squires repeated nearly the same formula, and then stood to +await the decision of the Disinherited Knight. + +"To you four, sirs," replied the Knight, addressing those who had last +spoken, "and to your honorable and valiant masters, I have one common +reply. Commend me to the noble knights, your masters, and say, I should +do ill to deprive them of steeds and arms which can never be used by +braver cavaliers. I would I could here end my message to these gallant +knights; but being, as I term myself, in truth and earnest, the +Disinherited, I must be thus far bound to your masters, that they will, +of their courtesy, be pleased to ransom their steeds and armor, since +that which I wear I can hardly term mine own." + +"We stand commissioned, each of us," answered the squire of Reginald +Front-de-Boeuf, "to offer a hundred zecchins[72-12] in ransom of +these horses and suits of armor." + +"It is sufficient," said the Disinherited Knight. "Half the sum my +present necessities compel me to accept; of the remaining half, +distribute one moiety among yourselves, sir squires, and divide the +other half between the heralds and the pursuivants, and minstrels, and +attendants." + +The squires, with cap in hand, and low reverences, expressed their deep +sense of a courtesy and generosity not often practiced, at least upon a +scale so extensive. + +The Disinherited Knight then addressed his discourse to Baldwin, the +squire of Brian de Bois-Guilbert. "From your master," said he, "I will +accept neither arms nor ransom. Say to him in my name, that our strife +is not ended--no, not till we have fought as well with swords as with +lances, as well on foot as on horseback. To this mortal quarrel he has +himself defied me, and I shall not forget the challenge. Meantime, let +him be assured that I hold him not as one of his companions, with whom I +can with pleasure exchange courtesies; but rather as one with whom I +stand upon terms of mortal defiance." + +"My master," answered Baldwin, "knows how to requite scorn with scorn, +and blows with blows, as well as courtesy with courtesy. Since you +disdain to accept from him any share of the ransom at which you have +rated the arms of the other knights, I must leave his armor and his +horse here, being well assured that he will never deign to mount the one +nor wear the other." + +"You have spoken well, good squire," said the Disinherited Knight--"well +and boldly, as it beseemeth him to speak who answers for an absent +master. Leave not, however, the horse and armor here. Restore them to +thy master; or, if he scorns to accept them, retain them, good friend, +for thine own use. So far as they are mine, I bestow them upon you +freely." + +Baldwin made a deep obeisance, and retired with his companions; and the +Disinherited Knight entered the pavilion. + +Morning arose in unclouded splendor, and ere the sun was much above the +horizon the idlest or the most eager of the spectators appeared on the +common, moving to the lists as to a general centre, in order to secure a +favorable situation for viewing the continuation of the expected games. + +The marshals and their attendants appeared next on the field, together +with the heralds, for the purpose of receiving the names of the knights +who intended to joust, with the side which each chose to espouse. This +was a necessary precaution in order to secure equality between the two +bodies who should be opposed to each other. + +According to due formality, the Disinherited Knight was to be considered +as leader of the one body, while Brian de Bois-Guilbert, who had been +rated as having done second-best in the preceding day, was named first +champion of the other band. Those who had concurred in the challenge +adhered to his party, of course, excepting only Ralph de Vipont, whom +his fall had rendered unfit so soon to put on his armor. There was no +want of distinguished candidates to fill up the ranks on either side. + +In fact, although the general tournament, in which all knights fought at +once, was more dangerous than single encounters, they were, +nevertheless, more frequented and practiced by the chivalry of the age. +Many knights, who had not sufficient confidence in their own skill to +defy a single adversary of high reputation, were, nevertheless, desirous +of displaying their valor in the general combat, where they might meet +others with whom they were more upon an equality. + +On the present occasion, about fifty knights were inscribed as desirous +of combating upon each side, when the marshals declared that no more +could be admitted, to the disappointment of several who were too late in +preferring their claim to be included. + +About the hour of ten o'clock the whole plain was crowded with horsemen, +horsewomen, and foot-passengers, hastening to the tournament; and +shortly after, a grand flourish of trumpets announced Prince John and +his retinue, attended by many of those knights who meant to take share +in the game, as well as others who had no such intention. + +About the same time arrived Cedric the Saxon, with the Lady Rowena, +unattended, however, by Athelstane. This Saxon lord had arrayed his tall +and strong person in armor, in order to take his place among the +combatants; and, considerably to the surprise of Cedric, had chosen to +enlist himself on the part of the Knight Templar. The Saxon, indeed, had +remonstrated strongly with his friend upon the injudicious choice he had +made of his party; but he had only received that sort of answer usually +given by those who are more obstinate in following their own course than +strong in justifying it. + +His best, if not his only, reason for adhering to the party of Brian de +Bois-Guilbert, Athelstane had the prudence to keep to himself. Though +his apathy of disposition prevented his taking any means to recommend +himself to the Lady Rowena, he was, nevertheless, by no means insensible +to her charms, and considered his union with her as a matter already +fixed beyond doubt by the assent of Cedric and her other friends. It +had, therefore, been with smothered displeasure that the proud though +indolent Lord of Coningsburgh beheld the victor of the preceding day +select Rowena as the object of that honor which it became his privilege +to confer. In order to punish him for a preference which seemed to +interfere with his own suit, Athelstane, confident of his strength, and +to whom his flatterers, at least, ascribed great skill in arms, had +determined not only to deprive the Disinherited Knight of his powerful +succor, but, if an opportunity should occur, to make him feel the weight +of his battle-axe. + +De Bracy, and other knights attached to Prince John, in obedience to a +hint from him, had joined the party of the challengers, John being +desirous to secure, if possible, the victory to that side. On the other +hand, many other knights, both English and Norman, natives and +strangers, took part against the challengers, the more readily that the +opposite band was to be led by so distinguished a champion as the +Disinherited Knight had approved himself. + +As soon as Prince John observed that the destined Queen of the day +arrived upon the field, assuming that air of courtesy which sat well +upon him when he was pleased to exhibit it, he rode forward to meet her, +doffed his bonnet, and, alighting from his horse, assisted the Lady +Rowena from her saddle, while his followers uncovered at the same time, +and one of the most distinguished dismounted to hold her palfrey. + +"It is thus," said Prince John, "that we set the dutiful example of +loyalty to the Queen of Love and Beauty, and are ourselves her guide to +the throne which she must this day occupy. Ladies," he said, "attend +your Queen, as you wish in your turn to be distinguished by like +honors." + +So saying, the Prince marshalled Rowena to the seat of honor opposite +his own, while the fairest and most distinguished ladies present crowded +after her to obtain places as near as possible to their temporary +sovereign. + +No sooner was Rowena seated than a burst of music, half-drowned by the +shouts of the multitude, greeted her new dignity. Meantime, the sun +shone fierce and bright upon the polished arms of the knights of either +side, who crowded the opposite extremities of the lists, and held eager +conference together concerning the best mode of arranging their line of +battle and supporting the conflict. + +The heralds then proclaimed silence until the laws of the tourney should +be rehearsed. These were calculated in some degree to abate the dangers +of the day--a precaution the more necessary as the conflict was to be +maintained with sharp swords and pointed lances. + +The champions were therefore prohibited to thrust with the sword, and +were confined to striking. A knight, it was announced, might use a mace +or battle-axe at pleasure; but the dagger was a prohibited weapon. A +knight unhorsed might renew the fight on foot with any other on the +opposite side in the same predicament; but mounted horsemen were in that +case forbidden to assail him. When any knight could force his antagonist +to the extremity of the lists, so as to touch the palisade with his +person or arms, such opponent was obliged to yield himself vanquished, +and his armor and horse were placed at the disposal of the conqueror. A +knight thus overcome was not permitted to take further share in the +combat. If any combatant was struck down, and unable to recover his feet, +his squire or page might enter the lists and drag his master out of the +press; but in that case the knight was adjudged vanquished, and his arms +and horse declared forfeited. The combat was to cease as soon as Prince +John should throw down his leading staff, or truncheon--another +precaution usually taken to prevent the unnecessary effusion of blood by +the too long endurance of a sport so desperate. Any knight breaking the +rules of the tournament, or otherwise transgressing the rules of +honorable chivalry, was liable to be stripped of his arms, and, having +his shield reversed, to be placed in that posture astride upon the bars +of the palisade, and exposed to public derision, in punishment of his +unknightly conduct. Having announced these precautions, the heralds +concluded with an exhortation to each good knight to do his duty, and to +merit favor from the Queen of Beauty and Love. + +This proclamation having been made, the heralds withdrew to their +stations. The knights, entering at either end of the lists in long +procession, arranged themselves in a double file, precisely opposite to +each other, the leader of each party being in the center of the foremost +rank, a post which he did not occupy until each had carefully arranged +the ranks of his party, and stationed every one in his place. + +It was a goodly, and at the same time an anxious, sight to behold so +many gallant champions, mounted bravely and armed richly, stand ready +prepared for an encounter so formidable, seated on their war-saddles +like so many pillars of iron, and awaiting the signal of encounter with +the same ardor as their generous steeds, which, by neighing and pawing +the ground, gave signal of their impatience. + +As yet the knights held their long lances upright, their bright points +glancing to the sun, and the streamers with which they were decorated +fluttering over the plumage of the helmets. Thus they remained while the +marshals of the field surveyed their ranks with the utmost exactness, +lest either party had more or fewer than the appointed number. The tale +was found exactly complete. The marshals then withdrew from the lists, +and William de Wyvil, with a voice of thunder, pronounced the signal +words--"_Laissez aller!_"[78-13] The trumpets sounded as he spoke; the +spears of the champions were at once lowered and placed in the rests; +the spurs were dashed into the flanks of the horses; and the two +foremost ranks of either party rushed upon each other in full gallop, +and met in the middle of the lists with a shock the sound of which was +heard at a mile's distance. The rear rank of each party advanced at a +slower pace to sustain the defeated, and follow up the success of the +victors, of their party. + +The consequences of the encounter were not instantly seen, for the dust +raised by the trampling of so many steeds darkened the air, and it was a +minute ere the anxious spectators could see the fate of the encounter. +When the fight became visible, half the knights on each side were +dismounted--some by the dexterity of their adversary's lance; some by +the superior weight and strength of opponents, which had borne down both +horse and man; some lay stretched on earth as if never more to rise; +some had already gained their feet, and were closing hand to hand with +those of their antagonists who were in the same predicament; and several +on both sides, who had received wounds by which they were disabled, were +stopping their blood by their scarfs, and endeavoring to extricate +themselves from the tumult. The mounted knights, whose lances had been +almost all broken by the fury of the encounter, were now closely engaged +with their swords, shouting their war-cries, and exchanging buffets, as +if honor and life depended on the issue of the combat. + +The tumult was presently increased by the advance of the second rank on +either side, which, acting as a reserve, now rushed on to aid their +companions. The followers of Brian de Bois-Guilbert shouted--"_Ha! +Beau-seant! Beau-seant!_[79-14] For the Temple! For the Temple!" The +opposite shouted in answer--"_Desdichado! Desdichado!_" which watchword +they took from the motto upon their leaders' shield. + +The champions thus encountering each other with the utmost fury, and +with alternate success, the tide of battle seemed to flow now toward the +southern, now toward the northern, extremity of the lists, as the one or +the other party prevailed. Meantime the clang of the blows and the +shouts of the combatants mixed fearfully with the sound of the trumpets, +and drowned the groans of those who fell, and lay rolling defenceless +beneath the feet of the horses. The splendid armor of the combatants was +now defaced with dust and blood, and gave way at every stroke of the +sword and battle-axe. The gay plumage, shorn from the crests, drifted +upon the breeze like snowflakes. All that was beautiful and graceful in +the martial array had disappeared, and what was now visible was only +calculated to awake terror or compassion. + +Yet such is the force of habit, that not only the vulgar spectators, who +are naturally attracted by sights of horror, but even the ladies of +distinction, who crowded the galleries, saw the conflict with a +thrilling interest certainly, but without a wish to withdraw their eyes, +from a sight so terrible. Here and there, indeed, a fair cheek might +turn pale, or a faint scream might be heard, as a lover, a brother, or a +husband was struck from his horse. But, in general, the ladies around +encouraged the combatants, not only by clapping their hands and waving +their veils and kerchiefs, but even by exclaiming, "Brave lance! Good +sword!" when any successful thrust or blow took place under their +observation. + +Such being the interest taken by the fair sex in this bloody game, that +of men is the more easily understood. It showed itself in loud +acclamations upon every change of fortune, while all eyes were so +riveted on the lists that the spectators seemed as if they themselves +had dealt and received the blows which were there so freely bestowed. +And between every pause was heard the voice of the heralds, exclaiming, +"Fight on, brave knights! Man dies, but glory lives! Fight on; death is +better than defeat! Fight on, brave knights! for bright eyes behold your +deeds!" + +Amid the varied fortunes of the combat, the eyes of all endeavored to +discover the leaders of each band, who, mingling in the thick of the +fight, encouraged their companions both by voice and example. Both +displayed great feats of gallantry nor did either Bois-Guilbert or the +Disinherited Knight find in the ranks opposed to them a champion who +could be termed their unquestioned match. They repeatedly endeavored to +single out each other, spurred by mutual animosity, and aware that the +fall of either leader might be considered as decisive of victory. Such, +however, was the crowd and confusion that, during the earlier part of +the conflict, their efforts to meet were unavailing, and they were +repeatedly separated by the eagerness of their followers, each of whom +was anxious to win honor by measuring his strength against the leader of +the opposite party. + +But when the field became thin by the numbers on either side who had +yielded themselves vanquished, had been compelled to the extremity of +the lists, or been otherwise rendered incapable of continuing the +strife, the Templar and the Disinherited Knight at length encountered +hand to hand, with all the fury that mortal animosity, joined to rivalry +of honor, could inspire. Such was the address of each in parrying and +striking, that the spectators broke forth into a unanimous and +involuntary shout, expressive of their delight and admiration. + +But at this moment the party of the Disinherited Knight had the worst; +the gigantic arm of Front-de-Boeuf on the one flank, and the ponderous +strength of Athelstane on the other, bearing down and dispersing those +immediately opposed to them. Finding themselves freed from their +immediate antagonists, it seems to have occurred to both these knights +at the same instant that they would render the most decisive advantage +to their party by aiding the Templar in his contest with his rival. +Turning their horses, therefore, at the same moment, the Norman spurred +against the Disinherited Knight on the one side and the Saxon on the +other. It was utterly impossible that the object of this unequal and +unexpected assault could have sustained it, had he not been warned by a +general cry from the spectators, who could not but take interest in one +exposed to such disadvantage. + +"Beware! beware! Sir Disinherited!" was shouted so universally that the +knight became aware of his danger; and striking a full blow at the +Templar, he reined back his steed in the same moment, so as to escape +the charge of Athelstane and Front-de-Boeuf. These knights, therefore, +their aim being thus eluded, rushed from opposite sides between the +object of their attack and the Templar, almost running their horses +against each other ere they could stop their career. Recovering their +horses, however, and wheeling them round, the whole three pursued their +united purpose of bearing to the earth the Disinherited Knight. + +Nothing could have saved him except the remarkable strength and activity +of the noble horse which he had won on the preceding day. + +This stood him in the more stead, as the horse of Bois-Guilbert was +wounded and those of Front-de-Boe and Athelstane were both tired +with the weight of their gigantic masters, clad in complete armor, and +with the preceding exertions of the day. The masterly horsemanship of +the Disinherited Knight, and the activity of the noble animal which he +mounted, enabled him for a few minutes to keep at sword's point his +three antagonists, turning and wheeling with the agility of a hawk upon +the wing, keeping his enemies as far separate as he could, and rushing +now against the one, now against the other, dealing sweeping blows with +his sword, without waiting to receive those which were aimed at him in +return. + +But although the lists rang with the applauses of his dexterity, it was +evident that he must at last be overpowered; and the nobles around +Prince John implored him with one voice to throw down his warder, and to +save so brave a knight from the disgrace of being overcome by odds. + +"Not I, by the light of Heaven!" answered Prince John: "this same +springal,[83-15] who conceals his name and despises our proffered +hospitality, hath already gained one prize, and may now afford to let +others have their turn." As he spoke thus, an unexpected incident +changed the fortune of the day. + +There was among the ranks of the Disinherited Knight a champion in black +armor, mounted on a black horse, large of size, tall, and to all +appearance powerful and strong, like the rider by whom he was mounted. +This knight, who bore on his shield no device of any kind, had hitherto +evinced very little interest in the event of the fight, beating off with +seeming ease those combatants who attacked him, but neither pursuing his +advantages nor himself assailing any one. In short, he had hitherto +acted the part rather of a spectator than of a party in the tournament, +a circumstance which procured him among the spectators the name of _Le +Noir Faineant_, or the Black Sluggard. + +At once this knight seemed to throw aside his apathy, when he discovered +the leader of his party so hard bested; for, setting spurs to his horse, +which was quite fresh, he came to his assistance like a thunderbolt, +exclaiming, in a voice like a trumpet-call, "_Desdichado_, to the +rescue!" It was high time; for, while the Disinherited Knight was +pressing upon the Templar, Front-de-Boeuf had got nigh to him with his +uplifted sword; but ere the blow could descend, the Sable Knight dealt a +stroke on his head, which, glancing from the polished helmet, lighted +with violence scarcely abated on the chamfron[84-16] of the steed, and +Front-de-Boeuf rolled on the ground, both horse and man equally +stunned by the fury of the blow. _Le Noir Faineant_ then turned his +horse upon Athelstane of Coningsburgh; and his own sword having been +broken in his encounter with Front-de-Boeuf, he wrenched from the hand +of the bulky Saxon the battle-axe which he wielded, and, like one +familiar with the use of the weapon, bestowed him such a blow upon the +crest that Athelstane also lay senseless on the field. Having achieved +this double feat, for which he was the more highly applauded that it was +totally unexpected from him, the knight seemed to resume the +sluggishness of his character, returning calmly to the northern +extremity of the lists, leaving his leader to cope as he best could with +Brian de Bois-Guilbert. This was no longer matter of so much difficulty +as formerly. The Templar's horse had bled much, and gave way under the +shock of the Disinherited Knight's charge. Brian de Bois-Guilbert +rolled on the field, encumbered with the stirrup, from which he was +unable to draw his foot. His antagonist sprung from horseback, waved his +fatal sword over the head of his adversary, and commanded him to yield +himself; when Prince John, more moved by the Templar's dangerous +situation than he had been by that of his rival, saved him the +mortification of confessing himself vanquished, by casting down his +warder and putting an end to the conflict. + +[Illustration: PRINCE JOHN THROWS DOWN THE TRUNCHEON] + +It was, indeed, only the relics and embers of the fight which continued +to burn; for of the few knights who still continued in the lists, the +greater part had, by tacit consent, forborne the conflict for some time, +leaving it to be determined by the strife of the leaders. + +The squires, who had found it a matter of danger and difficulty to +attend their masters during the engagement, now thronged into the lists +to pay their dutiful attendance to the wounded, who were removed with +the utmost care and attention to the neighboring pavilions, or to the +quarters prepared for them in the adjoining village. + +Thus ended the memorable field of Ashby-de-la-Zouche, one of the most +gallantly contested tournaments of that age; for although only four +knights, including one who was smothered by the heat of his armor, had +died upon the field, yet upward of thirty were desperately wounded, four +or five of whom never recovered. Several more were disabled for life; +and those who escaped best carried the marks of the conflict to the +grave with them. Hence it is always mentioned in the old records as the +"gentle and joyous passage of arms of Ashby." + +It being now the duty of Prince John to name the knight who had done +best, he determined that the honor of the day remained with the knight +whom the popular voice had termed _Le Noir Faineant_. It was pointed out +to the Prince, in impeachment of this decree, that the victory had been +in fact won by the Disinherited Knight, who, in the course of the day, +had overcome six champions with his own hand, and who had finally +unhorsed and struck down the leader of the opposite party. But Prince +John adhered to his own opinion, on the ground that the Disinherited +Knight and his party had lost the day but for the powerful assistance of +the Knight of the Black Armor, to whom, therefore, he persisted in +awarding the prize. + +To the surprise of all present, however, the knight thus preferred was +nowhere to be found. He had left the lists immediately when the conflict +ceased, and had been observed by some spectators to move down one of the +forest glades with the same slow pace and listless and indifferent +manner which had procured him the epithet of the Black Sluggard.[87-17] +After he had been summoned twice by sound of trumpet and proclamation of +the heralds, it became necessary to name another to receive the honors +which had been assigned to him. Prince John had now no further excuse +for resisting the claim of the Disinherited Knight, whom, therefore, he +named the champion of the day. + +Through a field slippery with blood and encumbered with broken armor and +the bodies of slain and wounded horses, the marshals again conducted +the victor to the foot of Prince John's throne. + +"Disinherited Knight," said Prince John, "since by that title only you +will consent to be known to us, we a second time award to you the honors +of this tournament, and announce to you your right to claim and receive +from the hands of the Queen of Love and Beauty the chaplet of honor +which your valor has justly deserved." + +The Knight bowed low and gracefully, but returned no answer. + +While the trumpets sounded, while the heralds strained their voices in +proclaiming honor to the brave and glory to the victor, while ladies +waved their silken kerchiefs and embroidered veils, and while all ranks +joined in a clamorous shout of exultation, the marshals conducted the +Disinherited Knight across the lists to the foot of that throne of honor +which was occupied by the Lady Rowena. + +On the lower step of this throne the champion was made to kneel down. +Indeed, his whole action since that the fight had ended seemed rather to +have been upon the impulse of those around him than from his own free +will; and it was observed that he tottered as they guided him the second +time across the lists. Rowena, descending from her station with a +graceful and dignified step, was about to place the chaplet which she +held in her hand upon the helmet of the champion, when the marshals +exclaimed with one voice, "It must not be thus; his head must be bare." +The knight muttered faintly a few words, which were lost in the hollow +of his helmet; but their purport seemed to be a desire that his casque +might not be removed. + +[Illustration: ROWENA CROWNING DISINHERITED KNIGHT] + +Whether from love of form or from curiosity, the marshals paid no +attention to his expressions of reluctance, but unhelmed him by cutting +the laces of his casque, and undoing the fastening of his gorget. When +the helmet was removed the well-formed yet sun-burned features of a +young man of twenty-five were seen, amid a profusion of short fair +hair. His countenance was as pale as death, and marked in one or two +places with streaks of blood. + +Rowena had no sooner beheld him that she uttered a faint shriek; but at +once summoning up the energy of her disposition, and compelling herself, +as it were, to proceed, while her frame yet trembled with the violence +of sudden emotion, she placed upon the drooping head of the victor the +splendid chaplet which was the destined reward of the day, and +pronounced in a clear and distinct tone these words: "I bestow on thee +this chaplet, Sir Knight, as the meed of valor assigned to this day's +victor." Here she paused a moment, and then firmly added, "And upon brow +more worthy could a wreath of chivalry never be placed!" + +The knight stooped his head and kissed the hand of the lovely Sovereign +by whom his valor had been rewarded; and then, sinking yet further +forward, lay prostrate at her feet. + +There was a general consternation. Cedric, who had been struck mute by +the sudden appearance of his banished son, now rushed forward as if to +separate him from Rowena. But this had been already accomplished by the +marshals of the field, who, guessing the cause of Ivanhoe's swoon, had +hastened to undo his armor, and found that the head of a lance had +penetrated his breastplate and inflicted a wound in his side. + + + +FOOTNOTES: + +[39-1] A pursuivant was an attendant on a herald. + +[40-2] _Salvage_ is an old form of the word _savage_. + +[46-3] _Outrance_ is an old word meaning _the last extremity_. + +[48-4] A largesse is a gift or donation. + +[53-5] _Clowns_ here means _peasants_. + +[56-6] _Gare le Corbeau_ means _Beware of the raven_. + +[57-7] A demi-volte is a certain movement of a horse, by which he makes +a half turn with the fore-feet off the ground. + +[59-8] _Front-de-Boeuf_ means bull's head. + +[59-9] _Cave, Adsum_ is a Latin expression meaning _Beware, I am here_. + +[62-10] _Hospitallers_ was another name for the Knights of Saint John. + +[70-11] _Barbed_, or _barded_, is a term used of a war-horse, and means +_furnished with armor_. + +[72-12] A zecchin, or sequin, is worth about $2.25. + +[78-13] _Laissez aller_ means literally _Let go_. + +[79-14] _Beau-seant_ was the name given to the black and white banner of +the Templars. + +[83-15] _Springal_ is an old word meaning _youth_ or _young man_. + +[84-16] The _chamfron_ is the defensive armor of the front part of the +head of a war-horse. + +[87-17] The Black Sluggard was the king of England, Richard the +Lion-Hearted, who had been absent from England on a Crusade and had come +back without allowing his brother John to know of his return. + + + + +THE RAINBOW + +_By_ THOMAS CAMPBELL + + + Triumphal arch, that fill'st the sky + When storms prepare to part, + I ask not proud Philosophy + To teach me what thou art. + + Still seem, as to my childhoods' sight, + A midway station given, + For happy spirits to alight, + Betwixt the earth and heaven. + + Can all that optics teach, unfold + Thy form to please me so, + As when I dreamt of gems and gold + Hid in thy radiant bow?[91-1] + + When science from creation's face + Enchantment's veil withdraws, + What lovely visions yield their place + To cold material laws! + + And yet, fair bow, no fabling dreams, + But words of the Most High, + Have told why first thy robe of beams + Was woven in the sky.[91-2] + + When o'er the green undeluged earth + Heaven's covenant thou didst shine, + How came the world's gray fathers forth + To watch thy sacred sign! + + And when its yellow lustre smiled + O'er mountains yet untrod, + Each mother held aloft her child + To bless the bow of God. + + The earth to thee her incense yields, + The lark thy welcome sings, + When, glittering in the freshen'd fields, + The snowy mushroom springs. + + How glorious is thy girdle, cast + O'er mountain, tower, and town, + Or mirror'd in the ocean vast + A thousand fathoms down! + + As fresh in yon horizon dark, + As young thy beauties seem, + As when the eagle from the ark + First sported in thy beam. + + For, faithful to its sacred page, + Heaven still rebuilds thy span; + Nor lets the type grow pale with age + That first spoke peace to man. + + +FOOTNOTES: + +[91-1] There was an old, old belief that a pot of god was hidden at the +end of the rainbow, and that whoever found his way to the spot might +claim the gold. This superstition has existed in almost all lands, and +references to it are constantly to be found in literature. + +[91-2] According to the account given in _Genesis IX_, God said to Noah +after the flood: + +"And I will establish my covenant with you; neither shall all flesh be +cut off any more by the waters of a flood; neither shall there any more +be a flood to destroy the earth. + +"This is the token of the covenant which I make between me and you, and +every living creature that is with you for perpetual generations: + +"I do set my bow in the cloud, and it shall be for a token of a covenant +between me and the earth. + +"And it shall come to pass, when I bring a cloud over the earth, that +the bow shall be seen in the cloud: + +"And I will remember my covenant, which is between me and you, and every +living creature of all flesh; and the waters shall no more become a +flood to destroy all flesh." + + + + +THE LION AND THE MISSIONARY + +_By_ DAVID LIVINGSTONE + + + NOTE.--Few men have endured more hardships, dangers and excitement + that did David Livingstone, missionary and African traveler, from + whose writings this account of an adventure with a lion is taken. + He penetrated to parts of Africa where no white man had ever been + before, he suffered repeated attacks of African fever, he exposed + himself to constant danger from wild beasts and wilder men; and he + did none of this in his own interests. He was no merchant seeking + for gold and diamonds, he was no discoverer seeking for fame; his + only aim was to open up the continent of Africa so that + civilization and Christianity might enter. + + In 1840 Livingstone was sent as medical missionary to South Africa. + Here he joined Robert Moffat, in Bechuanaland, where he worked for + nine years. Learning from the natives that there was a large lake + to the northward, he set out on his first exploring trip, and at + length discovered Lake Ngami. Later, he undertook other journeys of + exploration, on one of which he reached the Atlantic coast and then + returned, crossing the entire continent. His greatest achievement + was the exploration of the lake region of South Africa. So cut off + was he, in the African jungles, from all the outer world that no + communication was received from him for three years, and fears as + to his safety were relieved only when Stanley, sent out by the _New + York Herald_ to search for Livingstone, reported that he had seen + and assisted him. + + In May, 1873, Livingstone died, at a village near Lake Bangweolo. + His body was taken to England and laid in Westminster Abbey, but + his heart was buried at the foot of the tree under whose branches + he died. + +Returning toward Kuruman, I selected the beautiful valley of Mabotsa +(latitude 25 deg. 14' south, longitude 26 deg. 30') as the site of a missionary +station, and thither I removed in 1843. Here an occurrence took place +concerning which I have frequently been questioned in England, and +which, but for the importunities of friends, I meant to have kept in +store to tell my children when in my dotage. The Bakatla of the village +Mabotsa were much troubled by lions, which leaped into the cattle pens +by night and destroyed their cows. They even attacked the herds in open +day. This was so unusual an occurrence that the people believed that +they were bewitched,--"given," as they said, "into the power of the +lions by a neighboring tribe." They went once to attack the animals, +but, being rather a cowardly people compared to Bechuanas in general on +such occasions, they returned without killing any. + +It is well known that if one of a troop of lions is killed, the others +take the hint and leave that part of the country. So, the next time the +herds were attacked, I went with the people, in order to encourage them +to rid themselves of the annoyance by destroying one of the marauders. +We found the lions on a small hill about a quarter of a mile in length, +and covered with trees. A circle of men was formed round it, and they +gradually closed up, ascending pretty near to each other. Being down +below on the plain with a native schoolmaster, named Mebalwe, a most +excellent man, I saw one of the lions sitting on a piece of rock within +the now closed circle of men. Mebalwe fired at him before I could, and +the ball struck the rock on which the animal was sitting. He bit at the +spot struck, as a dog does at a stick or stone thrown at him; then +leaping away, broke through the opening circle and escaped unhurt. The +men were afraid to attack him, perhaps on account of their belief in +witchcraft. When the circle was reformed, we saw two other lions in it; +but we were afraid to fire lest we should strike the men, and they +allowed the beasts to burst through also. + +If the Bakatla had acted according to the custom of the country, they +would have speared the lions in their attempt to get out. Seeing we +could not get them to kill one of the lions, we bent our footsteps +toward the village; in going round the end of the hill, however, I saw +one of the beasts sitting on a piece of rock as before, but this time he +had a little bush in front. Being about thirty yards off, I took a good +aim at his body through the bush, and fired both barrels into it. The +men then called out, "He is shot, he is shot!" Others cried, "He has +been shot by another man too; let us go to him!" I did not see any one +else shoot at him, but I saw the lion's tail erected in anger behind the +bush, and turning to the people, said, "Stop a little, till I load +again." When in the act of ramming down the bullets, I heard a shout. +Starting, and looking half round, I saw the lion just in the act of +springing upon me. + +I was upon a little height; he caught my shoulder as he sprang, and we +both came to the ground below together. Growling horribly close to my +ear, he shook me as a terrier dog does a rat. The shock produced a +stupor similar to that which seems to be felt by a mouse after the first +shake of the cat. It caused a sort of dreaminess, in which there was no +sense of pain nor feeling of terror, though I was quite conscious of all +that was happening. It was like what patients partially under the +influence of chloroform describe, who see all the operation, but feel +not the knife. This singular condition was not the result of any mental +process. The shake annihilated fear, and allowed no sense of horror in +looking round at the beast. This peculiar state is probably produced in +all animals killed by the carnivora; and if so, is a merciful provision +by our benevolent Creator for lessening the pain of death. Turning round +to relieve myself of the weight, as he had one paw on the back of my +head, I saw his eyes directed to Mebalwe, who was trying to shoot him at +a distance of ten or fifteen yards. His gun, a flint one, missed fire in +both barrels; the lion immediately left me, and, attacking Mebalwe, bit +his thigh. Another man, whose life I had saved before, after he had been +tossed by a buffalo, attempted to spear the lion while he was biting +Mebalwe. He left Mebalwe and caught this man by the shoulder, but at +that moment the bullets he had received took effect, and he fell down +dead. The whole was the work of a few moments, and must have been his +paroxysms of dying rage. In order to take out the charm from him, the +Bakatla on the following day made a huge bonfire over the carcass, which +was declared to be that of the largest lion they had ever seen. Besides +crunching the bone into splinters, he left eleven teeth wounds on the +upper part of my arm. + +A wound from this animal's tooth resembles a gunshot wound; it is +generally followed by a great deal of sloughing and discharge, and +pains are felt in the part, periodically ever afterward. I had on a +tartan jacket on the occasion, and I believe that it wiped off all the +virus from the teeth that pierced the flesh, for my two companions in +this affray have both suffered from the peculiar pains, while I have +escaped with only the inconvenience of a false joint in my limb. The man +whose shoulder was wounded, showed me his wound actually burst forth +afresh on the same month of the following year. This curious point +certainly deserves the attention of inquirers. + +[Illustration] + + + + +THE MOSS ROSE + +TRANSLATED FROM KRUMMACHER + + + The angel of the flowers, one day, + Beneath a rose-tree sleeping lay,-- + That spirit to whose charge 'tis given + To bathe young buds in dews of heaven. + Awaking from his light repose, + The angel whispered to the rose: + "O fondest object of my care, + Still fairest found, where all are fair; + For the sweet shade thou giv'st to me + Ask what thou wilt, 'tis granted thee." + "Then," said the rose, with deepened glow, + "On me another grace bestow." + The spirit paused, in silent thought,-- + What grace was there that flower had not? + 'Twas but a moment,--o'er the rose + A veil of moss the angel throws, + And, robed in nature's simplest weed, + Could there a flower that rose exceed? + + + + +FOUR DUCKS ON A POND + +_By_ WILLIAM ALLINGHAM + + + Four ducks on a pond, + A grass bank beyond, + A blue sky of spring, + White clouds on the wing; + What a little thing + To remember for years, + To remember with tears. + + + + +RAB AND HIS FRIENDS + +_By_ JOHN BROWN, M. D. + + +Four and thirty years ago, Bob Ainslie and I were coming up Infirmary +street from the high school, our heads together, and our arms +intertwisted, as only lovers and boys know how or why. + +When we got to the top of the street, and turned north, we espied a +crowd at the Tron-church. "A dog fight!" shouted Bob, and was off; and +so was I, both of us all but praying that it might not be over before we +got up! And is not this boy nature! and human nature too? and don't we +all wish a house on fire not to be out before we see it? Dogs like +fighting; old Isaac says they "delight" in it, and for the best of all +reasons; and boys are not cruel because they like to see the fight. They +see three of the great cardinal virtues of dog or man--courage, +endurance, and skill--in intense action. This is very different from a +love of making dogs fight, and enjoying, and aggravating, and making +gain by their pluck. A boy--be he ever so fond himself of fighting, if +he be a good boy, hates and despises all this, but he would have run off +with Bob and me fast enough; it is a natural, and a not wicked, interest +that all boys and men have in witnessing intense energy in action. + +Does any curious and finely-ignorant woman wish to know how Bob's eye at +a glance announced a dog fight to his brain? He did not, he could not +see the dogs fighting; it was a flash of an inference, a rapid +induction. The crowd round a couple of dogs fighting, is a crowd +masculine mainly, with an occasional active, compassionate woman, +fluttering wildly round the outside, and using her tongue and her hands +freely upon the men, as so many "brutes"; it is a crowd annular, compact +and mobile; a crowd centripetal, having its eyes and its heads all bent +downward and inward, to one common focus. + +Well, Bob and I are up, and find it is not over; a small thoroughbred, +white bull-terrier, is busy throttling a large shepherd's dog, +unaccustomed to war, but not to be trifled with. They are hard at it; +the scientific little fellow doing his work in great style, his pastoral +enemy fighting wildly, but with the sharpest of teeth and a great +courage. Science and breeding, however, soon had their own; the Game +Chicken, as the premature Bob called him, working his way up, took his +final grip of poor Yarrow's throat--and he lay gasping and done for. His +master, a brown, handsome, big young shepherd from Tweedsmuir, would +have liked to have knocked down any man, would "drink up Esil, or eat a +crocodile," for that part, if he had a chance; it was no use kicking the +little dog; that would only make him hold the closer. Many were the +means shouted out in mouthfuls, of the best possible ways of ending it. + +"Water!" but there was none near, and many cried for it who might have +got it from the well at Blackfriars Wynd. + +"Bite the tail!" and a large, vague, benevolent, middle-aged man, more +desirous than wise, with some struggle got the bushy end of Yarrow's +tail into his ample mouth, and bit it with all his might. This was more +than enough for the much-enduring, much-perspiring shepherd, who, with a +gleam of joy over his broad visage, delivered a terrific facer upon our +large, vague, benevolent, middle-aged friend--who went down like a shot. + +Still the Chicken holds; death not far off. + +"Snuff! a pinch of snuff!" observed a calm, highly-dressed young buck, +with an eye-glass in his eye. "Snuff, indeed!" growled the angry crowd, +affronted and glaring. + +"Snuff! a pinch of snuff!" again observes the buck, but with more +urgency; whereupon were produced several open boxes, and from a mull +which may have been at Culloden, he took a pinch, knelt down, and +presented it to the nose of the Chicken. The laws of physiology and of +snuff take their course; the Chicken sneezes, and Yarrow is free. + +The young pastoral giant stalks off with Yarrow in his arms--comforting +him. + +But the bull-terrier's blood is up, and his soul unsatisfied; he grips +the first dog he meets, and discovering she is not a dog, in Homeric +phrase, he makes a brief sort of _amende_,[101-1] and is off. The boys, +with Bob and me at their head, are after him; down Niddry street he +goes, bent on mischief; up the Cowgate like an arrow--Bob and I, and our +small men, panting behind. + +There, under the single arch of the South bridge is a huge mastiff, +sauntering down the middle of the causeway, as if with his hands in his +pockets; he is old, gray, brindled, as big as a little Highland bull, +and has the Shakespearian dewlaps shaking as he goes. + +The Chicken makes straight at him, and fastens on his throat. To our +astonishment, the great creature does nothing but stand still, holds +himself up, and roar--yes, roar; a long, serious, remonstrative roar. +How is this? Bob and I are up to them. _He is muzzled!_ The bailies had +proclaimed a general muzzling, and his master, studying strength and +economy mainly, had encompassed his huge jaws in a homemade apparatus, +constructed out of the leather of some ancient breechin. His mouth was +open as far as it could; his lips curled up in rage--a sort of terrible +grin; his teeth gleaming, ready, from out of the darkness; the strap +across his mouth tense as a bow string; his whole frame stiff with +indignation and surprise; his roar asking us all round, "Did you ever +see the like of this?" + +He looked a statue of anger and astonishment, done in Aberdeen granite. + +We soon had a crowd; the Chicken held on. "A knife!" cried Bob; and a +cobbler gave him his knife; you know the kind of knife, worn away +obliquely to a point, and always keen. I put its edge to the tense +leather; it ran before it; and then!--one sudden jerk of that enormous +head, a sort of dirty mist about his mouth, no noise, and the bright and +fierce little fellow is dropped, limp, and dead. A solemn pause; this +was more than any of us had bargained for. I turned the little fellow +over, and saw he was quite dead; the mastiff had taken him by the small +of the back, like a rat, and broken it. + +He looked down at his victim appeased, ashamed and amazed; snuffed him +all over, stared at him, and taking a sudden thought, turned round and +trotted off. + +Bob took the dead dog up, and said, "John, we'll bury him after tea." + +[Illustration: "RAB, YE THIEF!"] + +"Yes," said I, and was off after the mastiff. He made up the Cowgate at +a rapid swing; he had forgotten some engagement. He turned up the +Candlemaker Row, and stopped at the Harrow Inn. + +There was a carrier's cart ready to start, and a keen, thin, impatient, +black-a-vised little man, his hand at his gray horse's head looking +about angrily for something. + +"Rab, ye thief!" said he, aiming a kick at my great friend, who drew +cringing up, and avoiding the heavy shoe with more agility than dignity, +and watching his master's eye, slunk dismayed under the cart--his ears +down, and as much as he had of tail down too. + +What a man this must be--thought I--to whom my tremendous hero turns +tail! The carrier saw the muzzle hanging, cut and useless, from his +neck, and I eagerly told him the story which Bob and I always thought, +and still think, Homer, or King David, or Sir Walter, alone were worthy +to rehearse. The severe little man was mitigated, and condescended to +say, "Rab, ma man, puir Rabbie"--whereupon the stump of a tail rose up, +the ears were cocked, the eyes filled, and were comforted; the two +friends were reconciled. "Hupp!" and a stroke of the whip were given to +Jess; and off went the three. + +Bob and I buried the Game Chicken that night (we had not much of a tea) +in the back-green of his house in Melville street, No. 17, with +considerable gravity and silence; and being at the time in the Iliad, +and, like all boys, Trojans, we called him Hector of course. + + * * * * * + +Six years have passed--a long time for a boy and a dog: Bob Ainslie is +off to the wars; I am a medical student, and clerk at Minto House +Hospital. + +Rab I saw almost every week, on the Wednesday; and we had much pleasant +intimacy. I found the way to his heart by frequent scratching of his +huge head, and an occasional bone. When I did not notice him he would +plant himself straight before me, and stand wagging that bud of a tail, +and looking up, with his head a little to the one side. His master I +occasionally saw; he used to call me "Maister John," but was laconic as +any Spartan. + +One fine October afternoon, I was leaving the hospital when I saw the +large gate open, and in walked Rab with that great and easy saunter of +his. He looked as if taking general possession of the place; like the +Duke of Wellington entering a subdued city, satiated with victory and +peace. + +After him came Jess, now white from age, with her cart; and in it a +woman, carefully wrapped up--the carrier leading the horse anxiously, +and looking back. + +When he saw me, James (for his name was James Noble) made a curt and +grotesque "boo," and said, "Maister John, this is the mistress; she's +got a trouble in her breest--some kind of an income we'er thinkin'." + +By this time I saw the woman's face; she was sitting on a sack filled +with straw, her husband's plaid round her, and his big-coat, with its +large white metal buttons, over her feet. + +I never saw a more unforgettable face--pale, serious, _lonely_, +delicate, sweet, without being at all what we call fine. She looked +sixty, and had on a mutch, white as snow, with its black ribbon; her +silvery, smooth hair setting off her dark-gray eyes--eyes such as one +sees only twice or thrice in a lifetime, full of suffering, full also of +the overcoming of it; her eyebrows black and delicate, and her mouth +firm, patient, and contented, which few mouths ever are. + +As I have said, I never saw a more beautiful countenance, or a more +subdued or settled quiet. "Ailie," said James, "this is Maister John, +the young doctor; Rab's freend, ye ken. We often speak aboot you, +doctor." + +She smiled, and made a movement, but said nothing; and prepared to come +down, putting her plaid aside and rising. Had Solomon, in all his glory, +been handing down the Queen of Sheba, at his palace gate, he could not +have done it more daintily, more tenderly, more like a gentleman, than +did James, the Howgate carrier, when he lifted down Ailie, his wife. + +The contrast of his small, swarthy, weatherbeaten, keen, worldly face to +hers--pale, subdued, and beautiful--was something wonderful. Rab looked +on concerned and puzzled, but ready for anything that might turn +up--were it to strangle the nurse, the porter, or even me. Ailie and he +seemed great friends. + +"As I was sayin', she's got a kind o' trouble in her breest, doctor; +wull ye tak' a look at it?" We walked into the consulting-room, all +four; Rab grim and comic, willing to be happy and confidential if cause +could be shown, willing also to be the reverse on the same terms. Ailie +sat down, undid her open gown and her lawn handkerchief round her neck, +and, without a word, showed me her right breast. I looked at and +examined it carefully, she and James watching me, and Rab eying all +three. What could I say? There it was that had once been so soft, so +shapely, so white, so gracious and bountiful, so "full of all blessed +conditions"--hard as a stone, a center of horrid pain, making that pale +face, with its gray, lucid, reasonable eyes, and its sweet resolved +mouth, express the full measure of suffering overcome. Why was that +gentle, modest, sweet woman, clean and lovable, condemned by God to bear +such a burden? + +I got her away to bed. + +"May Rab and me bide?" said James. + +"_You_ may; and Rab, if he will behave himself." + +"I'se warrant he's do that, doctor;" and in slunk the faithful beast. + +I wish you could have seen him. There are no such dogs now. He belonged +to a lost tribe. As I have said, he was brindled, and gray like Rubislaw +granite; his hair short, hard, and close, like a lion's; his body +thickset, like a little bull--a sort of compressed Hercules of a dog. He +must have been ninety pounds' weight, at the least; he had a large blunt +head; his muzzle black as night, his mouth blacker than any night, a +tooth or two--being all he had--gleaming out of his jaws of darkness. +His head was scarred with the records of old wounds, a sort of series of +fields of battle all over it; one eye out, one ear cropped as close as +was Archbishop Leighton's father's; the remaining eye had the power of +two; and above it, and in constant communication with it, was a tattered +rag of an ear, which was forever unfurling itself, like an old flag; and +then that bud of a tail, about one inch long, if it could in any sense +be said to be long, being as broad as long--the mobility, the +instantaneousness of that bud were very funny and surprising, and its +expressive twinklings and winkings, the intercommunications between the +eye, the ear, and it, were of the oddest and swiftest. + +Rab had the dignity and simplicity of great size; and having fought his +way all along the road to absolute supremacy, he was as mighty in his +own line as Julius Caesar or the Duke of Wellington, and had the gravity +of all great fighters. + +You must have often observed the likeness of certain men to certain +animals, and of certain dogs to men. Now, I never looked at Rab without +thinking of the great Baptist preacher, Andrew Fuller. The same large, +heavy, menacing, combative, sombre, honest countenance, the same deep +inevitable eye, the same look--as of thunder asleep, but ready--neither +a dog nor a man to be trifled with. + +Next day, my master, the surgeon, examined Ailie. There was no doubt it +must kill her, and soon. It could be removed--it might never return--it +would give her speedy relief--she should have it done. + +She curtsied, looked at James, and said, "When?" + +"To-morrow," said the kind surgeon--a man of few words. + +She and James and Rab and I retired. I noticed that he and she spoke a +little, but seemed to anticipate everything in each other. The following +day at noon, the students came in, hurrying up the great stair. At the +first landing-place, on a small well-known blackboard, was a bit of +paper fastened by wafers and many remains of old wafers beside it. On +the paper were the words--"An operation to-day. J. B., _Clerk_." + +Up ran the youths, eager to secure good places; in they crowded, full of +interest and talk. + +"What's the case? Which side is it?" + +Don't think them heartless; they are neither better nor worse than you +or I; they get over their professional horrors, and into their proper +work; and in them pity--as an _emotion_, ending in itself or at best in +tears and a long-drawn breath, lessens, while pity as a _motive_ is +quickened, and gains power and purpose. It is well for poor human +nature that it is so. + +The operating theatre is crowded; much talk and fun, and all the +cordiality and stir of youth. The surgeon with his staff of assistants +is there. In comes Ailie; one look at her quiets and abates the eager +students. The beautiful old woman is too much for them. They sit down, +and are dumb, and gaze at her. These rough boys feel the power of her +presence. + +She walks in quickly, but without haste; dressed in her mutch, her +neckerchief, her white dimity short-gown, her black bombazine petticoat, +showing her white worsted stockings and her carpet-shoes. Behind her was +James with Rab. James sat down in the distance, and took that huge and +noble head between his knees. Rab looked perplexed and dangerous; +forever cocking his ear and dropping it as fast. + +Ailie stepped up on a seat, and laid herself on the table, as her friend +the surgeon told her; arranged herself, gave a rapid look at James, shut +her eyes, rested herself on me, and took my hand. The operation was at +once begun; it was necessarily slow; and chloroform--one of God's best +gifts to his suffering children--was then unknown. The surgeon did his +work. Rab's soul was working within him; he saw that something strange +was going on--blood flowing from his mistress, and she suffering; his +ragged ear was up, and importunate; he growled and gave now and then a +sharp impatient yelp; he would have liked to have done something to that +man. But James had him firm, and gave him a _glower_[109-2] from time to +time, and an intimation of a possible kick;--all the better for James, +it kept his eye and his mind off Ailie. + +It is over; she is dressed, steps gently and decently down from the +table, looks for James; then, turning to the surgeon and the students, +she curtsies--and in a low, clear voice, begs their pardon if she has +behaved ill. The students--all of us--wept like children; the surgeon +happed her up carefully--and, resting on James and me, Ailie went to her +room, Rab following. We put her to bed. James took off his heavy shoes, +crammed with tackets, heel-capt and toe-capt, and put them carefully +under the table, saying, "Maister John, I'm for nane o' yer strynge +nurse bodies for Ailie. I'll be her nurse, and I'll gang about on my +stockin' soles as canny as pussy." + +And so he did; handy and clever, and swift and tender as any woman, was +that horny-handed, snell, peremptory little man. Everything she got he +gave her; he seldom slept; and often I saw his small, shrewd eyes out of +the darkness, fixed on her. As before, they spoke little. + +Rab behaved well, never moving, showing us how meek and gentle he could +be, and occasionally, in his sleep, letting us know that he was +demolishing some adversary. He took a walk with me every day, generally +to the Candlemaker Row; but he was sombre and mild; declined doing +battle, though some fit cases offered, and indeed submitted to sundry +indignities; and was always very ready to turn and came faster back, and +trotted up the stair with much lightness, and went straight to that +door. + +Jess, the mare, had been sent, with her weather-worn cart, to Howgate, +and had doubtless her own dim and placid meditations and confusions, on +the absence of her master and Rab, and her unnatural freedom from the +road and her cart. + +For some days Ailie did well. The wound healed "by the first intention;" +for as James said, "Our Ailie's skin's ower clean to beil." The students +came in quiet and anxious, and surrounded her bed. She said she liked to +see their young, honest faces. The surgeon dressed her, and spoke to her +in his own short, kind way, pitying her through his eyes, Rab and James +outside the circle--Rab being now reconciled, and even cordial, and +having made up his mind that as yet nobody required worrying, but as you +may suppose _semper paratus_.[111-3] + +So far well; but four days after the operation my patient had a sudden +and long shivering, a "groosin'," as she called it. I saw her soon +after; her eyes were too bright, her cheek colored; she was restless, +and ashamed of being so; the balance was lost; mischief had begun. + +On looking at the wound, a blush of red told the secret; her pulse was +rapid, her breathing anxious and quick, she wasn't herself, as she said, +and was vexed at her restlessness. We tried what we could, James did +everything, was everywhere; never in the way, never out of it. Rab +subsided under the table into a dark place, and was motionless, all but +his eye, which followed every one. Ailie got worse; began to wander in +her mind, gently; was more demonstrative in her ways to James, rapid in +her questions, and sharp at times. He was vexed, and said, "She was +never that way afore; no, never." + +For a time she knew her head was wrong, and was always asking our +pardon--the dear, gentle old woman; then delirium set in strong, without +pause. Her brain gave way, and then came that terrible spectacle, + + "The intellectual power, through words and things, + Went sounding on its dim and perilous way;" + +she sang bits of old songs and psalms, stopping suddenly, mingling the +Psalms of David, and the diviner words of his Son and Lord, with homely +odds and ends and scraps of ballads. + +Nothing more touching, or in a sense more strangely beautiful, did I +ever witness. Her tremulous, rapid, affectionate, eager, Scotch +voice--the swift, aimless, bewildered mind, the baffled utterance, the +bright and perilous eye; some wild words, some household cares, +something for James, the names of the dead, Rab called rapidly and in a +"fremyt"[112-4] voice, and he starting up, surprised, and slinking off +as if he were to blame somehow, or had been dreaming he heard. Many +eager questions and beseechings which James and I could make nothing of, +and on which she seemed to set her all, and then sink back ununderstood. +It was very sad, but better than many things that are not called sad. +James hovered about, put out and miserable, but active and exact as +ever; read to her, when there was a lull, short bits from the Psalms, +prose and metre, chanting the latter in his own rude and serious way, +showing great knowledge of the fit words, bearing up like a man, and +doating over her as his "ain Ailie," "Ailie, ma woman!" "Ma ain bonnie +wee dawtie!" + +The end was drawing on: the golden bowl was breaking; the silver cord +was fast being loosed--that _animula blandula, vagula, hospes, +comesque_[113-5] was about to flee. The body and the soul--companions +for sixty years--were being sundered, and taking leave. She was walking, +alone, through the valley of that shadow, into which one day we must all +enter--and yet she was not alone, for we knew whose rod and staff were +comforting her. + +One night she had fallen quiet, and as we hoped, asleep; her eyes were +shut. We put down the gas and sat watching her. Suddenly she sat up in +bed, and taking a bedgown which was lying on it rolled up, she held it +eagerly to her breast--to the right side. We could see her eyes bright +with surpassing tenderness and joy, bending over this bundle of clothes. +She held it as a woman holds her sucking child; opening out her +nightgown impatiently, and holding it close, and brooding over it, and +murmuring foolish little words, as one whom his mother comforteth, and +who sucks and is satisfied. It was pitiful and strange to see her +wasting dying look, keen and yet vague--her immense love. + +"Preserve me!" groaned James, giving away. And then she rocked back and +forward, as if to make it sleep, hushing it, and wasting on it her +infinite fondness. + +"Wae's me, doctor; I declare she's thinkin' it's that bairn." + +"What bairn?" + +"The only bairn we ever had; our wee Mysie, and she's in the Kingdom, +forty years and mair." + +It was plainly true: the pain in the breast telling its urgent story to +a bewildered, ruined brain, was misread, and mistaken; it suggested to +her the uneasiness of a breast full of milk, and then the child; and so +again once more they were together, and she had her ain wee Mysie in her +bosom. + +This was the close. She sank rapidly: the delirium left her; but, as she +whispered, she was "clean silly"; it was the lightening before the final +darkness. After having for some time lain still--her eyes shut, she +said, "James!" + +He came close to her, and lifting up her calm, clear, beautiful eyes, +she gave him a long look, turned to me kindly but shortly, looked for +Rab but could not see him, then turned to her husband again, as if she +would never leave off looking, shut her eyes and composed herself. She +lay for some time breathing quick, and passed away so gently, that when +we thought she was gone, James, in his old-fashioned way, held the +mirror to her face. After a long pause, one small spot of dimness was +breathed out; it vanished away, and never returned, leaving the blank +clear darkness of the mirror without a stain. "What is your life? it is +even a vapor, which appeareth for a little time, and then vanisheth +away." + +Rab all this time had been full awake and motionless; he came forward +beside us; Ailie's hand, which James had held, was hanging down; it was +soaked with his tears; Rab licked it all over carefully, looked at her, +and returned to his place under the table. + +James and I sat, I don't know how long, but for some time--saying +nothing: he started up, abruptly, and with some noise went to the table, +and putting his right fore and middle fingers each into a shoe, pulled +them out, and put them on, breaking one of the leather latchets, and +muttering in anger, "I never did the like o' that afore." + +I believe he never did; nor after either. "Rab!" he said roughly, and +pointing with his thumb to the bottom of the bed. Rab leaped up, and +settled himself; his head and eye to the dead face. "Maister John, ye'll +wait for me," said the carrier, and disappeared in the darkness, +thundering downstairs in his heavy shoes. I ran to a front window: there +he was, already round the house, and out at the gate fleeing like a +shadow. + +I was afraid about him, and yet not afraid; so I sat down beside Rab, +and being wearied, fell asleep. I awoke from a sudden noise outside. It +was November, and there had been a heavy fall of snow. Rab was _in statu +quo_;[115-6] he heard the noise too, and plainly knew it, but never +moved. I looked out, and there, at the gate, in the dim morning--for the +sun was not up--was Jess and the cart--a cloud of steam rising from the +old mare. I did not see James; he was already at the door, and came up +to the stairs, and met me. It was less than three hours since he left, +and he must have posted out--who knows how--to Howgate, full nine miles +off; yoked Jess, and driven her astonished into town. He had an armful +of blankets, and was streaming with perspiration. He nodded to me, +spread out on the floor two pairs of clean old blankets, having at their +corners "A. G., 1794," in large letters in red worsted. These were the +initials of Alison Graeme, and James may have looked in at her from +without--himself unseen but not unthought of--when he was "wat, wat and +weary," and after having walked many a mile over the hills, may have +seen her sitting, while "a' the lave were sleepin';" and by the +firelight working her name on the blankets, for her ain James' bed. + +He motioned Rab down, and taking his wife in his arms, laid her in the +blankets, and happed her carefully and firmly up, leaving the face +uncovered; and then lifting her, he nodded again sharply to me, and with +a resolved but utterly miserable face, strode along the passage, and +downstairs, followed by Rab. I followed with a light; but he didn't need +it. I went out, holding stupidly the candle in my hand in the calm +frosty air; we were soon at the gate. I could have helped him, but I saw +he was not to be meddled with, and he was strong, and did not need it. +He laid her down as tenderly, as safely, as he had lifted her out ten +days before--as tenderly as when he had her first in his arms when she +was only "A. G."--sorted her, leaving that beautiful sealed face open to +the heavens; and then taking Jess by the head, he moved away. He did not +notice me, neither did Rab, who presided behind the cart. + +I stood till they passed through the long shadow of the College, and +turned up Nicholson Street. I heard the solitary cart sound through the +streets, and die away and come again; and I returned, thinking of that +company going up Libberton Brae, then along Roslin Muir, the morning +light touching the Pentlands and making them on-looking ghosts; then +down the hill through Auchindinny woods, past "haunted Woodhouselee"; +and as daybreak came sweeping up the bleak Lammermuirs, and fell on his +own door, the company would stop, and James would take the key, and +lift Ailie up again, laying her on her own bed, and, having put Jess up, +would return with Rab and shut the door. + +[Illustration: JAMES BURIED HIS WIFE] + +James buried his wife, with his neighbors mourning, Rab inspecting the +solemnity from a distance. It was snow, and that black ragged hole would +look strange in the midst of the swelling spotless cushion of white. +James looked after everything; then rather suddenly fell ill, and took +to bed; was insensible when the doctor came, and soon died. A sort of +low fever was prevailing in the village, and his want of sleep, his +exhaustion, and his misery, made him apt to take it. The grave was not +difficult to reopen. A fresh fall of snow had again made all things +white and smooth; Rab once more looked on, and slunk home to the +stable. + +And what of Rab? I asked for him next week of the new carrier who got +the goodwill of James's business, and was now master of Jess and her +cart. + +"How's Rab?" + +He put me off, and said rather rudely, "What's _your_ business wi' the +dowg?" + +I was not to be so put off. + +"Where's Rab?" + +He, getting confused and red, and intermeddling with his hair, said, +"'Deed sir, Rab's died." + +"Dead! what did he die of?" + +"Well, sir," said he, getting redder, "he didna exactly dee; he was +killed. I had to brain him wi' a rack-pin; there was nae doing wi' him. +He lay in the treviss wi' the mear, and wadna come oot. I tempit him wi' +the kail and meat, but he wad tak naething, and keepit me frae feedin' +the beast, and he was aye gur gurrin', and grup gruppin' me by the legs. +I was laith to make awa wi' the old dowg, his like wasne atween this and +Thornhill--but, 'deed, sir, I could do naething else." + +I believed him. Fit end for Rab, quick and complete. His teeth and his +friends gone, why should he keep the peace and be civil? + + +FOOTNOTES: + +[101-1] _Amende_ means _apology_. + +[109-2] _Glower_, a Scotch word meaning a savage stare. + +[111-3] _Semper paratus_ means _always ready_. + +[112-4] _Fremyt_ means _trembling, querulous_. + +[113-5] _Animula blandula, vagula, hospes, comesque_, means _sweet +fleeting life, companion and sojourner_. + +[115-6] _In statu quo_ means _in the same position_. + + + + +ANNIE LAURIE + + + NOTE.--Concerning the history of this song it is stated on good + authority that there did really live, in the seventeenth century, + an Annie Laurie. She was a daughter of Sir Robert Laurie, first + baronet of the Maxwelton family, and was celebrated for her beauty. + We should be glad to hear that Annie Laurie married the Mr. Douglas + whose love for her inspired the writing of this poem, but records + show that she became the wife of another man. + + Only the first two verses were composed by Douglas; the last was + added by an unknown author. + + Maxwelton braes are bonnie + Where early fa's the dew, + And it's there that Annie Laurie + Gie'd me her promise true,-- + Gie'd me her promise true, + Which ne'er forgot will be; + And for bonnie Annie Laurie + I'd lay me doune and dee. + + Her brow is like the snaw drift; + Her throat is like the swan; + Her face it is the fairest + That e'er the sun shone on,-- + That e'er the sun shone on; + And dark blue is her ee; + And for bonnie Annie Laurie + I'd lay me doune and dee. + + Like dew on the gowan lying + Is the fa' o' her fairy feet; + And like winds in summer sighing, + Her voice is low and sweet,-- + Her voice is low and sweet; + And she's a' the world to me; + And for bonnie Annie Laurie + I'd lay me doune and dee. + + + + +THE BLIND LASSIE + +_By_ T. C. LATTO + + + O hark to the strain that sae[120-1] sweetly is ringin', + And echoing clearly o'er lake and o'er lea,[120-2] + Like some fairy bird in the wilderness singin'; + It thrills to my heart, yet nae[120-3] minstrel I see. + Round yonder rock knittin', a dear child is sittin', + Sae toilin' her pitifu' pittance[120-4] is won, + Hersel' tho' we see nae,[120-5] 'tis mitherless[120-6] Jeanie-- + The bonnie[120-7] blind lassie that sits i' the sun. + + Five years syne come autumn[120-8] she cam'[120-9] wi' her mither, + A sodger's[120-10] puir[120-11] widow, sair[120-12] wasted an' + gane;[120-13] + As brown fell the leaves, sae wi' them did she wither, + And left the sweet child on the wide world her lane.[121-14] + She left Jeanie weepin', in His holy keepin' + Wha[121-15] shelters the lamb frae[121-16] the cauld[121-17] wintry + win'; + We had little siller,[121-18] yet a' were good till her, + The bonnie blind lassie that sits i' the sun. + + An' blythe now an' cheerfu', frae mornin' to e'enin + She sits thro' the simmer, an' gladdens ilk[121-19] ear, + Baith[121-20] auld and young daut[121-21] her, sae gentle and winnin'; + To a' the folks round the wee lassie is dear. + Braw[121-22] leddies[121-23] caress her, wi' bounties would press her; + The modest bit[121-24] darlin' their notice would shun; + For though she has naething, proud-hearted this wee thing, + The bonnie blind lassie that sits i' the sun. + + +FOOTNOTES: + +[120-1] _Sae_ is the Scotch word for _so_. + +[120-2] A lea is a grassy field or meadow. + +[120-3] _Nae_ means _no_. + +[120-4] _Pittance_ means _small earnings_. + +[120-5] _Nae_ is _not_. + +[120-6] _Mither_ is the Scotch form of _mother_. + +[120-7] _Bonnie_ means _pretty_. + +[120-8] _Since come autumn_; that is, it will be nine years next autumn. + +[120-9] _Cam'_ is a contraction of _came_. + +[120-10] _Sodger's_ is _soldier's_. + +[120-11] _Puir_ is the Scotch spelling of _poor_. + +[120-12] _Sair_ is _sore_, that is, _sadly_. + +[120-13] _Gane_ means _gone_. + +[121-14] _Her lane_ means _by herself_. + +[121-15] _Wha_ is Scotch for _who_. + +[121-16] _Frae_ means _from_. + +[121-17] _Cauld_ is the Scotch form of _cold_. + +[121-18] _Siller_ means _silver money_, or simply _money_. + +[121-19] _Ilk_ means _every_. + +[121-20] _Baith_ is Scotch for _both_. + +[121-21] _Daut_ means _pet_. + +[121-22] _Braw_ means _fine_, or _gay_. + +[121-23] _Leddies_ is the Scotch form of _ladies_. + +[121-24] _Bit_ means _little_. + + + + +BOYHOOD + +_By_ WASHINGTON ALLSTON + + + Ah, then how sweetly closed those crowded days! + The minutes parting one by one like rays, + That fade upon a summer's eve. + But O, what charm or magic numbers + Can give me back the gentle slumbers + Those weary, happy days did leave? + When by my bed I saw my mother kneel, + And with her blessing took her nightly kiss; + Whatever Time destroys, he cannot this;-- + E'en now that nameless kiss I feel. + + + + +SWEET AND LOW + + + NOTE.--In Tennyson's long poem _The Princess_ is a little lullaby + so wonderfully sweet that all who have read it wish to read it + again. It is one that we all love, no matter whether we are little + children and hear it sung to us or are older children and look back + to the evenings when we listened to mother's loving voice as she + led us gently into the land of dreams while she watched patiently + for father's return. + + Here are the stanzas which are usually known by the name _Sweet and + Low_: + + Sweet and low, sweet and low, + Wind of the western sea, + Low, low, breathe and blow, + Wind of the western sea! + Over the rolling waters go, + Come from the dying moon, and blow, + Blow him again to me; + While my little one, while my pretty one sleeps. + + Sleep and rest, sleep and rest, + Father will come to thee soon; + Rest, rest, on mother's breast, + Father will come to thee soon; + Father will come to his babe in the nest, + Silver sails all out of the west + Under the silver moon: + Sleep, my little one, sleep, my pretty one, sleep. + + It is interesting to try to determine just how a great poet makes + us feel so strongly the thing that he tells us. In this case + Tennyson thinks of a mother in England and a father who is + somewhere in the West, out on the broad Atlantic, but is coming + home to his little one. The mother dreams only of the home-coming + of her husband, and she wishes the baby to learn to love its father + as much as she does, so as she sings the little one to sleep, she + pours out her love for both in beautiful melody. + + To express this mother-love and anxious care the poet has chosen + simple words that have rich, musical sounds, that can be spoken + easily and smoothly and that linger on the tongue. He speaks of the + sea, the gentle wind, the rolling waters, the dying moon and the + silver sails, all of which call up ideas that rest us and make us + happy, and then with rare skill he arranges the words so that when + we read the lines we can feel the gentle rocking movement that + lulls the little one, the pretty one into its gentle slumbers. + + + + +CHILDHOOD[124-1] + +_By_ DONALD G. MITCHELL + + +Isabel and I--she is my cousin, and is seven years old, and I am +ten--are sitting together on the bank of a stream, under an oak tree +that leans half way over to the water. I am much stronger than she, and +taller by a head. I hold in my hands a little alder rod, with which I am +fishing for the roach and minnows, that play in the pool below us. + +She is watching the cork tossing on the water, or playing with the +captured fish that lie upon the bank. She has auburn ringlets that fall +down upon her shoulders; and her straw hat lies back upon them, held +only by the strip of ribbon, that passes under her chin. But the sun +does not shine upon her head; for the oak tree above us is full of +leaves; and only here and there, a dimple of the sunlight plays upon the +pool, where I am fishing. + +Her eye is hazel, and bright; and now and then she turns it on me with a +look of girlish curiosity, as I lift up my rod--and again in playful +menace, as she grasps in her little fingers one of the dead fish, and +threatens to throw it back upon the stream. Her little feet hang over +the edge of the bank; and from time to time, she reaches down to dip her +toe in the water; and laughs a girlish laugh of defiance, as I scold +her for frightening away the fishes. + +"Bella," I say, "what if you should tumble in the river?" + +"But I won't." + +"Yes, but if you should?" + +[Illustration: SHE REACHES DOWN TO DIP HER TOE] + +"Why then you would pull me out." + +"But if I wouldn't pull you out?" + +"But I know you would; wouldn't you, Paul?" + +"What makes you think so, Bella?" + +"Because you love Bella." + +"How do you know I love Bella?" + +"Because once you told me so; and because you pick flowers for me that I +cannot reach; and because you let me take your rod, when you have a fish +upon it." + +"But that's no reason, Bella." + +"Then what is, Paul?" + +"I'm sure I don't know, Bella." + +A little fish has been nibbling for a long time at the bait; the cork +has been bobbing up and down--and now he is fairly hooked, and pulls +away toward the bank, and you cannot see the cork. + +"Here, Bella, quick!"--and she springs eagerly to clasp her little hands +around the rod. But the fish has dragged it away on the other side of +me; and as she reaches farther, and farther, she slips, cries--"Oh, +Paul!" and falls into the water. + +The stream, they told us when we came, was over a man's head--it is +surely over little Isabel's. I fling down the rod, and thrusting one +hand into the roots that support the overhanging bank, I grasp at her +hat, as she comes up; but the ribbons give way, and I see the terribly +earnest look upon her face as she goes down again. Oh, my +mother--thought I--if you were only here! + +But she rises again; this time, I thrust my hand into her dress, and +struggling hard, keep her at the top, until I can place my foot down +upon a projecting root; and so bracing myself, I drag her to the bank, +and having climbed up, take hold of her belt firmly with both hands, and +drag her out; and poor Isabel, choked, chilled, and wet, is lying upon +the grass. + +I commence crying aloud. The workmen in the fields hear me, and come +down. One takes Isabel in his arms, and I follow on foot to our uncle's +home upon the hill. + +--"Oh, my dear children!" says my mother; and she takes Isabel in her +arms; and presently with dry clothes, and blazing wood-fire, little +Bella smiles again. I am at my mother's knee. + +"I told you so, Paul," says Isabel--"aunty, doesn't Paul love me?" + +"I hope so, Bella," said my mother. + +"I know so," said I; and kissed her cheek. + +And how did I know it? The boy does not ask; the man does. Oh, the +freshness, the honesty, the vigor of a boy's heart! how the memory of it +refreshes like the first gush of spring, or the break of an April +shower! + +But boyhood has its PRIDE, as well as its LOVES. + +My uncle is a tall, hard-faced man; I fear him when he calls +me--"child;" I love him when he calls me--"Paul." He is almost always +busy with his books; and when I steal into the library door, as I +sometimes do, with a string of fish, or a heaping basket of nuts to show +to him--he looks for a moment curiously at them, sometimes takes them in +his fingers--gives them back to me, and turns over the leaves of his +book. You are afraid to ask him if you have not worked bravely; yet you +want to do so. + +You sidle out softly, and go to your mother; she scarce looks at your +little stores; but she draws you to her with her arm, and prints a kiss +upon your forehead. Now your tongue is unloosed; that kiss and that +action have done it; you will tell what capital luck you have had; and +you hold up your tempting trophies; "are they not great, mother?" But +she is looking in your face, and not at your prize. + +"Take them, mother," and you lay the basket upon her lap. + +"Thank you, Paul, I do not wish them: but you must give some to Bella." + +And away you go to find laughing, playful, cousin Isabel. And we sit +down together on the grass, and I pour out my stores between us. "You +shall take, Bella, what you wish in your apron, and then when study +hours are over, we will have such a time down by the big rock in the +meadow!" + +"But I do not know if papa will let me," says Isabel. + +"Bella," I say, "do you love your papa?" + +"Yes," says Bella, "why not?" + +"Because he is so cold; he does not kiss you, Bella, so often as my +mother does; and besides, when he forbids your going away, he does not +say, as mother does--my little girl will be tired, she had better not +go--but he says only--Isabel must not go. I wonder what makes him talk +so?" + +"Why Paul, he is a man, and doesn't--at any rate, I love him, Paul. +Besides, my mother is sick, you know." + +"But Isabel, my mother will be your mother, too. Come, Bella, we will go +ask her if we may go." + +And there I am, the happiest of boys, pleading with the kindest of +mothers. And the young heart leans into that mother's heart--none of the +void now that will overtake it in the years that are to come. It is +joyous, full, and running over! + +"You may go," she says, "if your uncle is willing." + +"But mamma, I am afraid to ask him; I do not believe he loves me." + +"Don't say so, Paul," and she draws you to her side; as if she would +supply by her own love the lacking love of a universe. + +"Go, with your cousin Isabel, and ask him kindly; and if he says +no--make no reply." + +And with courage, we go hand in hand, and steal in at the library door. +There he sits--I seem to see him now--in the old wainscoted room, +covered over with books and pictures; and he wears his heavy-rimmed +spectacles, and is poring over some big volume, full of hard words, that +are not in any spelling-book. + +We step up softly; and Isabel lays her little hand upon his arm; and he +turns, and says--"Well, my little daughter?" + +I ask if we may go down to the big rock in the meadow? + +He looks at Isabel, and says he is afraid--"we cannot go." + +"But why, uncle? It is only a little way, and we will be very careful." + +"I am afraid, my children; do not say any more: you can have the pony, +and Tray, and play at home." + +"But, uncle----" + +"You need say no more, my child." + +I pinch the hand of little Isabel, and look in her eye--my own half +filling with tears. I feel that my forehead is flushed, and I hide it +behind Bella's tresses--whispering to her at the same time--"Let us go." + +"What, sir," says my uncle, mistaking my meaning--"do you persuade her +to disobey?" + +Now I am angry, and say blindly--"No, sir, I didn't!" And then my rising +pride will not let me say, that I wished only Isabel should go out with +me. + +Bella cries; and I shrink out; and am not easy until I have run to bury +my head in my mother's bosom. Alas! pride cannot always find such +covert! There will be times when it will harass you strangely; when it +will peril friendships--will sever old, standing intimacy; and then--no +resource but to feed on its own bitterness. Hateful pride!--to be +conquered, as a man would conquer an enemy, or it will make whirlpools +in the current of your affections--nay, turn the whole tide of the heart +into rough and unaccustomed channels. + +But boyhood has its GRIEF too, apart from PRIDE. + +You love the old dog, Tray; and Bella loves him as well as you. He is a +noble old fellow, with shaggy hair, and long ears, and big paws, that he +will put up into your hands, if you ask him. And he never gets angry +when you play with him, and tumble him over in the long grass, and pull +his silken ears. Sometimes, to be sure, he will open his mouth, as if he +would bite, but when he gets your hand fairly in his jaws, he will +scarce leave the print of his teeth upon it. He will swim, too, bravely, +and bring ashore all the sticks you throw upon the water; and when you +fling a stone to tease him, he swims round and round, and whines, and +looks sorry, that he cannot find it. + +He will carry a heaping basket full of nuts, too, in his mouth, and +never spill one of them; and when you come out to your uncle's home in +the spring, after staying a whole winter in the town, he knows you--old +Tray does! And he leaps upon you, and lays his paws on your shoulder, +and licks your face; and is almost as glad to see you, as cousin Bella +herself. And when you put Bella on his back for a ride, he only +pretends to bite her little feet--but he wouldn't do it for the world. +Ay, Tray is a noble old dog! + +But one summer, the farmers say that some of their sheep are killed, and +that the dogs have worried them; and one of them comes to talk with my +uncle about it. + +But Tray never worried sheep; you know he never did; and so does nurse; +and so does Bella; for in the spring, she had a pet lamb, and Tray never +worried little Fidele. + +And one or two of the dogs that belong to the neighbors are shot; though +nobody knows who shot them; and you have great fears about poor Tray; +and try to keep him at home, and fondle him more than ever. But Tray +will sometimes wander off; till finally, one afternoon, he comes back +whining piteously, and with his shoulder all bloody. + +Little Bella cries loud; and you almost cry, as nurse dresses the wound; +and poor old Tray whines very sadly. You pat his head, and Bella pats +him; and you sit down together by him on the floor of the porch, and +bring a rug for him to lie upon; and try and tempt him with a little +milk, and Bella brings a piece of cake for him--but he will eat nothing. +You sit up till very late, long after Bella has gone to bed, patting his +head, and wishing you could do something for poor Tray; but he only +licks your hand, and whines more piteously than ever. + +In the morning, you dress early, and hurry downstairs; but Tray is not +lying on the rug; and you run through the house to find him, and +whistle, and call--Tray--Tray! At length you see him lying in his old +place, out by the cherry tree, and you run to him; but he does not +start; and you lean down to pat him--but he is cold, and the dew is wet +upon him--poor Tray is dead! + +[Illustration: POOR TRAY IS DEAD] + +You take his head upon your knees, and pat again those glossy ears, and +cry; but you cannot bring him to life. And Bella comes, and cries with +you. You can hardly bear to have him put in the ground; but uncle says +he must be buried. So one of the workmen digs a grave under the cherry +tree, where he died--a deep grave, and they round it over with earth, +and smooth the sods upon it--even now I can trace Tray's grave. + +You and Bella together put up a little slab for a tombstone; and she +hangs flowers upon it, and ties them there with a bit of ribbon. You +can scarce play all that day; and afterward, many weeks later, when you +are rambling over the fields, or lingering by the brook, throwing off +sticks into the eddies, you think of old Tray's shaggy coat, and of his +big paw, and of his honest eye; and the memory of your boyish grief +comes upon you; and you say with tears, "Poor Tray!" And Bella too, in +her sad sweet tones, says--"Poor old Tray--he is dead!" + + +FOOTNOTES: + +[124-1] From _Reveries of a Bachelor_, by Donald G. Mitchell (Ik +Marvel). + + + + +THE BUGLE SONG + +_By_ ALFRED TENNYSON + + + The splendor falls on castle walls + And snowy summits old in story: + The long light shakes across the lakes, + And the wild cataract leaps in glory. + Blow, bugle, blow, set the wild echoes flying, + Blow, bugle; answer, echoes, dying, dying, dying. + + O hark, O hear! how thin and clear, + And thinner, clearer, farther going! + O sweet and far from cliff and scar + The horns of Elfland faintly blowing! + Blow, let us hear the purple glens replying: + Blow, bugle; answer, echoes, dying, dying, dying. + + O love, they die in yon rich sky, + They faint on hill or field or river: + Or echoes roll from soul to soul, + And grow for ever and for ever. + Blow, bugle, blow, set the wild echoes flying, + And answer, echoes, answer, dying, dying, dying. + + + + +FROM THE IMITATION OF CHRIST + +_By_ THOMAS a KEMPIS + +OF FOLLOWING CHRIST AND DESPISING ALL WORLDLY VANITIES + + +Our Lord saith: he that followeth me walketh not in darkness. + +These are the words of Christ in the which we are admonished to follow +his life and his manners if we would be truly enlightened and be +delivered from all manner of blindness of heart. + +Wherefore let our chief study be upon the life of Jesus Christ. + +Sublime words make not a man holy and righteous, but it is a virtuous +life that maketh him dear to God. + +I desire rather to know compunction than its definition. If thou knewest +all the sayings of all the philosophers, what should that avail thee +without charity and grace? + +All other things in the world, save only to love God and serve him, are +vanity of vanities and all vanity. + +And it is vanity also to desire honour and for a man to lift himself on +high. + +And it is vanity to follow the desires of the flesh and to desire the +thing for which man must afterward grievously be punished. + +And it is vanity to desire a long life and to take no care to live a +good life. + +And it is vanity for a man to take heed only to this present life and +not to see before those things that are to come. + +Study therefore to withdraw thy heart from love of things visible and +turn thee to things invisible. + +For they that follow their senses stain their consciences and lose the +grace of God. + + +OF A HUMBLE OPINION OF OURSELVES + +Every man naturally desireth knowledge; but knowledge without love and +fear of God, what availeth it? + +Certainly the meek plow-man that serveth God is much better than the +proud philosopher that, taking no heed of his own living, studies the +course of the stars. + +He that knoweth himself well is lowly in his own sight and hath no +delight in man's praises. + +If I knew all things that are in the world and had not charity, what +should that help me before God who shall judge me according to my deeds? + +Unwise is he that more attendeth to other things than to the health of +his soul. + +Many words fill not the soul; but a good life refresheth the mind and a +pure conscience giveth a great confidence in God. + +The more thou canst do and the better that thou canst do, the more +grievously thou shalt be judged unless thou live holily. + +Think not highly of thyself but rather acknowledge thine ignorance. + +If thou wilt learn and know anything profitably, love to be unknown and +to be accounted as of little worth. + + +OF THE TEACHING OF TRUTH + +Blissful is he whom truth itself teacheth, not by figures or voices, but +as it is. + +What availeth great searching of dark and hidden things for the which we +shall not be blamed in the judgment though we know them not? + +He to whom the Word Everlasting speaketh is delivered from a multitude +of opinions. Of one Word came all things, and all things speak one word; +that is the Beginning that speaketh to us. No man without the Word +understandeth or judgeth righteously. + +He to whom all things are one and who draweth all things to one and +seeth all things in one may be quiet in heart and peaceably abide in +God. + +O God of truth, make me one with thee in everlasting love! + +Ofttimes it wearieth me to hear and read many things; in thee Lord is +all that I wish and can desire. + +Let all teachers hold their peace and all manner of creatures keep their +silence in thy sight: Speak thou alone to me! + +Who hath a stronger battle than he that useth force to overcome himself? +This should be our occupation, to overcome ourselves and every day to be +stronger and somewhat holier. + +Meek knowing of thyself is more acceptable to God than deep inquiry +after knowledge. + +Knowledge or bare and simple knowing of things is not to be blamed, the +which, in itself considered, is good and ordained of God: but a good +conscience and a virtuous life is ever to be preferred. + +And forasmuch as many people study more to have knowledge than to live +well, therefore ofttimes they err and bring forth little fruit or none. + +Certainly at the day of doom it shall not be asked of us what we have +read but what we have done; nor what good we have spoken but how +religiously we have lived. + +Verily he is great that in himself is little and meek and setteth at +naught all height of honour. Verily he is great that hath great love. +Verily he is prudent that deemeth all earthly things foul so that he may +win Christ. And he is verily well learned that doth the will of God and +forsaketh his own will. + + +OF WISDOM IN MAN'S ACTIONS + +It is not fit to give credence to every word nor to every suggestion, +but every thing is to be weighed according to God, warily and in +leisure. + +Alas, rather is evil believed of another man than good; we are so weak. + +But the perfect believe not easily all things that men tell, for they +know man's infirmity, ready to speak evil and careless enough in words. + +Hereto it belongeth also not to believe every man's words, nor to tell +other men what we hear or carelessly believe. + +Have thy counsel with a wise man and a man of conscience and seek rather +to be taught by thy betters than to follow thine own inventions. + +Good life maketh a man wise in God's sight and expert in many things. + +The more meek that a man is and the more subject to God the more wise +shall he be in all things--and the more patient. + + +OF READING THE SCRIPTURES + +Truth is to be sought in holy writings, not in eloquence. Every holy +writing ought to be read with the same spirit wherewith it was made. + +We ought in Scriptures rather to seek profitableness than subtle +language. + +We ought as gladly to read simple and devout books as high and profound +ones. + +Let not the authority of him that writeth, whether he be of great name +or little, change thy thought, but let the love of pure truth draw thee +to read. + +Ask not who said this, but take heed what is said. Man passeth, but the +truth of the Lord abideth everlastingly. + +God speaketh to us in diverse ways without respect to persons. + +If thou wilt draw profit in reading, read meekly, simply and truly, not +desiring to have a reputation for knowledge. + + +OF INORDINATE AFFECTIONS + +Whenever a man coveteth anything inordinately, anon is he disquieted in +himself. + +The proud man and covetous hath never rest: the poor and the meek in +spirit dwell in peace. + +The man that is not perfectly dead to himself is soon tempted and soon +overcome by small things and things of little price. + +In withstanding passions and not in serving them, standeth peace of +heart. + +There is no peace in the heart of the carnal man nor in him that is all +given to outward things; but in the fervent, spiritual man is peace. + + +OF SHUNNING TOO GREAT FAMILIARITY + +Show not thy heart to every man but bring thy cause to him that is wise +and feareth God. + +Converse rarely with young people and strangers. + +Flatter not rich men and seek not great men; but keep company thyself +with meek and simple men and talk of such things as will edify. + +Be not familiar to any woman; but generally commend all good women to +God. + +Desire to be familiar with God and with his angels and avoid knowledge +of men. Love is to be given to all men, but familiarity is not +expedient. + +It happeneth some times that a person unknown shineth by his bright +fame, whose presence offendeth and maketh dark the eyes of the +beholders. We often hope to please others by our being and living with +them, but often we displease them through the bad manners they find in +us. + + +OF SHUNNING MANY WORDS + +Avoid noise and the press of men as much as thou mayest: for talking of +worldly deeds, though they be brought forth with true and simple +intention, hindereth much: for we be soon defiled and led into vanity. + +I have wished myself ofttimes to have held my peace and not to have been +among men. Why speak we and talk we together so gladly, since seldom we +come home without hurting of conscience? + +We talk so oft together because by such speaking we seek comfort each +from the other and to relieve the heart that is made weary with many +thoughts; and we speak much of such things as we love or desire or such +things as we dislike. But, alas, it is ofttimes vainly and fruitlessly, +for such outward comfort is a great hindering to inward and heavenly +consolation. Therefore we ought to watch and pray that our time pass not +idly by. + + +OF FLEEING FROM VAIN HOPE AND ELATION + +He is vain that putteth his hope in men or in other created things. + +Be not ashamed to serve other men for the love of Jesus Christ and to be +considered poor in this world. Stand not upon thyself but set thy trust +in God. Do what in thee is and God shall be nigh to thy good will. + +Trust not in thine own knowledge nor in the skill of any man living; but +rather in the grace of God that helpeth meek folk and maketh low them +that are proud. + +Rejoice thee not in riches if thou have any, nor in friends if they be +mighty; but in God that giveth all things and above all things desireth +to give Himself. + +Rejoice not for thy greatness nor for the beauty of that body which is +corrupted and disfigured with a little sickness. + +Please not thyself for thy ability or for thy wit lest thou displease +God of whom cometh all the good that thou hast naturally. + +Account not thyself better than others, lest peradventure thou be held +worse in the sight of God that knoweth what is in man. + +Be not proud of good works; for God's judgments are otherwise than +thine. Ofttimes what pleaseth man displeaseth God. + +If thou hast any good things in thee believe better things of others +that thou mayest keep thy humility. + +It hurteth thee not to be set under all men: it might hinder thee if +thou settest thyself afore others. + +Continual peace is with the meek man, but in the heart of the proud man +are often envy and indignation. + + Thomas a Kempis was born in the latter part of the fourteenth + century and lived to a good old age. His name in full was Thomas + Haemercken, but as he was born in the town of Kempen he has been + generally known by the title above given. The _Imitation_ was + written slowly, a little at a time, and as the result of reading, + reflection and prayer. + + The very brief selections given above are condensed from the first + ten chapters of the first book. While in the main following the + best translation of the original, the language has been simplified + in a few places. + + + + +THE DESTRUCTION OF SENNACHERIB + +_By_ LORD BYRON + + + NOTE.--Byron takes for granted his readers' knowledge of the events + with which this poem deals; that is, he does not tell the whole + story. Indeed, he gives us very few facts. Is there, for instance, + in the poem any hint as to who Sennacherib was, or as to who the + enemy was that the Assyrians came against? But if we turn to the + eighteenth and nineteenth chapters of _Second Kings_, we shall find + the whole account of Sennacherib, king of Assyria, and his + expedition against the Hebrew people. The climax of the story, with + which this poem deals, is to be found in _Second Kings_, xix, 35. + + The Assyrian came down like the wolf on the fold, + And his cohorts were gleaming in purple and gold, + And the sheen of their spears was like stars on the sea, + When the blue wave rolls nightly on deep Galilee. + + Like the leaves of the forest when summer is green, + That host with their banners at sunset were seen; + Like the leaves of the forest when autumn hath blown, + That host on the morrow lay wither'd and strown. + + For the Angel of Death spread his wings on the blast, + And breathed in the face of the foe as he pass'd; + And the eyes of the sleepers wax'd deadly and chill, + And their hearts but once heaved, and forever grew still. + + And there lay the steed with his nostril all wide, + But through it there roll'd not the breath of his pride: + And the foam of his gasping lay white on the turf, + And cold as the spray of the rock-beating surf. + + And there lay the rider, distorted and pale, + With the dew on his brow, and the rust on his mail; + And the tents were all silent, the banners alone, + The lances unlifted, the trumpet unblown. + + And the widows of Ashur[142-1] are loud in their wail, + And the idols are broke in the temple of Baal,[142-2] + And the might of the Gentile, unsmote by the sword, + Hath melted like snow in the glance of the Lord! + + +FOOTNOTES: + +[142-1] _Ashur_ is the Assyrian form of our word _Assyria_. + +[142-2] Baal was the chief god of the Assyrians. + + + + +RUTH + + + NOTE.--This charming story may be found complete in the book of + _Ruth_ in the Old Testament by those who wish the literal Bible + narrative as it is there given. + + Little is known as to the date of the writing of the book of + _Ruth_. Some authorities believe that it was written earlier than + 500 B.C., while others contend that it was not written until much + later. As to the purpose, also, there are differences of opinion; + is the book merely a religious romance, told to point a moral, or + is it an historical narrative meant to give information as to the + ancestry of David? Whichever is true, the story is a delightful + one, and we enjoy reading it just as we do any other story, apart + from its Biblical interest. + +I + +Now it came to pass in the days when the judges ruled in Judah that +there was a famine in the land, and a certain man of Bethlehem-Judah +went to sojourn in the country of Moab, he, and his wife and his two +sons. Together they came into the land and continued there; but the man +died, and the wife was left, and her two sons. + +And they took them wives of the women of Moab; the name of the one was +Orpah, and the name of the other was Ruth; and they dwelled there about +ten years. Then the two sons died also both of them; and the woman, +Naomi, their mother, alone was left of the family that came into Moab. + +Then she arose with her daughters-in-law, that she might return from the +country of Moab; for she had heard in the country of Moab how that the +Lord had visited his people in giving them bread. + +Wherefore she went forth out of the place where she was, and her two +daughters-in-law with her; and they went on the way to return unto the +land of Judah. + +But Naomi said unto her two daughters-in-law, "Go, return each to her +mother's house. The Lord deal kindly with you, as ye have dealt with the +dead, and with me. The Lord grant you that ye may find rest again, each +in the house of her husband." + +Then she kissed them; and they lifted up their voices and wept, and said +unto her, "Surely we will return with thee unto thy people." + +Naomi said, "Turn again, my daughters, why will you go with me? Have I +yet any more sons that may be your husbands? Nay, it grieveth me much +for your sakes that the hand of the Lord is gone out against me. Turn +again my daughters; go your way." + +Again they lifted up their voice and wept, and Orpah kissed her +mother-in-law, but Ruth clave unto her. + +Naomi said, "Behold, thy sister-in-law is gone back unto her people, and +unto her gods; return thou after thy sister-in-law." + +And Ruth said, "Entreat me not to leave thee, or to return from +following after thee: for whither thou goest, I will go; and where thou +lodgest, I will lodge: thy people shall be my people, and thy God my +God: where thou diest, will I die, and there will I be buried: the Lord +do so to me, and more also, if ought but death part thee and me." + +When Naomi saw that Ruth was steadfastly minded to go with her, then she +left speaking unto her. So they two went until they came to Bethlehem. + +[Illustration: "WHITHER THOU GOEST, I WILL GO"] + +There it came to pass that all the city was moved about them, and the +people said, "Is this Naomi?" + +"Call me not Naomi," she said unto them. "Call me Mara: for the Almighty +hath dealt very bitterly with me.[146-1] I went out full and the Lord +hath brought me home again empty: why then call me Naomi, seeing the +Lord hath testified against me, and the Almighty hath afflicted me?" + +So Naomi returned, and Ruth the Moabitess, her daughter-in-law, with +her, which returned out of the country of Moab: and they came to +Bethlehem in the beginning of barley harvest. + + +II + +Naomi had a kinsman of her husband's, a mighty man of wealth; and his +name was Boaz. + +And Ruth said unto Naomi, "Let me now go to the field, and glean ears of +corn after him in whose sight I shall find grace." And Naomi answered, +"Go, my daughter." + +And she went, and came, and gleaned in the field after the reapers: and +her hap was to light on a part of the field belonging unto Boaz. + +And, behold, Boaz came from Bethlehem and said unto the reapers, "The +Lord be with you." + +And the reapers answered him, "The Lord bless thee." Then said Boaz unto +his servant that was set over the reapers, "Whose damsel is this?" + +And the servant answered and said, "It is the Moabitish damsel that came +back with Naomi out of the country of Moab. And she said, 'I pray you, +let me glean and gather after the reapers among the sheaves': so she +came, and hath continued even from the morning until now, that she +tarried a little in the house." + +Boaz said unto Ruth, "Hearest thou not, my daughter? Go not to glean in +another field, neither go from hence, but abide here fast by my maidens. +Let thine eyes be on the field that they do reap, and go thou after +them: have I not charged the young men that they shall not touch thee? +and when thou art athirst, go unto the vessels, and drink of that which +the young men have drawn." + +[Illustration: RUTH GLEANING] + +Then she fell on her face and bowed herself to the ground, and said unto +him, "Why have I found grace in thine eyes, that thou shouldest take +knowledge of me, seeing I am a stranger?" + +And Boaz answered and said unto her, "It hath fully been shewed me, all +that thou hast done unto thy mother-in-law since the death of thine +husband: and how thou hast left thy father and thy mother, and the land +of thy nativity, and art come unto a people which thou knewest not +heretofore. The Lord recompense thy work, and a full reward be given +thee of the Lord God of Israel, under whose wings thou art come to +trust." + +Then she said, "Let me find favour in thy sight, my lord; for that thou +hast comforted me, and for that thou hast spoken friendly unto thine +handmaid, though I be not like unto one of thine handmaidens." + +And Boaz said unto her, "At mealtime come thou hither, and eat of the +bread and dip thy morsel in the vinegar." + +And she sat beside the reapers; and he reached her parched corn, and she +did eat, and was sufficed and left. + +And when she was risen up to glean again, Boaz commanded his young men, +saying, "Let her glean even among the sheaves and reproach her not; and +let fall also some handfuls of purpose for her, and leave them that she +may glean them, and rebuke her not." + +So she gleaned in the field until even, and beat out that she had +gleaned: and it was about an ephah[148-2] of barley. And she took it up, +and went into the city: and her mother-in-law saw what she had gleaned. + +And her mother-in-law said unto her, "Where hast thou gleaned to-day? +and where wroughtest thou? blessed be he that did take knowledge of +thee." + +And she showed her mother-in-law with whom she had wrought, and said, +"The man's name with whom I wrought to-day is Boaz." + +And Naomi said unto her daughter-in-law, "Blessed be he of the Lord, who +hath not left off his kindness to the living and to the dead." And Naomi +said unto her, "The man is near of kin unto us, one of our next +kinsmen." + +And Ruth the Moabitess said, "He said unto me also, 'Thou shalt keep +fast by my young men, until they have ended all my harvest.'" + +And Naomi said unto Ruth, her daughter-in-law, "It is good, my daughter, +that thou go out with his maidens, that they meet thee not in any other +field." + +So she kept fast by the maidens of Boaz to glean unto the end of barley +harvest and of wheat harvest; and dwelt with her mother-in-law. + + +III + +Then Naomi, her mother-in-law, said unto Ruth, "My daughter, shall I not +seek rest for thee, that it may be well with thee? And now is not Boaz +of our kindred, with whose maidens thou wast? Behold he winnoweth barley +to-night in the threshing floor. Wash thyself, therefore, and anoint +thee, and put thy raiment upon thee and get thee down to the floor, and +he will tell thee what to do." + +And Ruth said, "All that thou sayest unto me, that will I do." + +Therefore went she down unto the threshing floor and did according to +all that her mother-in-law bade her. And Boaz saw her and loved her and +asked her, "Who art thou?" + +She answered, "I am Ruth, thy handmaid." + +And Boaz said, "Blessed be thou of the Lord, my daughter, and fear not, +for all the city of my people doth know thou art a virtuous woman. And +now it is true that I am thy near kinsman: howbeit, there is a kinsman +nearer than I. Tarry this night, and it shall be in the morning that if +he will perform unto thee the part of a kinsman, well; let him do the +kinsman's part. But if he will not do the part of a kinsman to thee, +then will I do the part of the kinsman to thee, as the Lord liveth. +Bring now the vail that thou hast upon thee and hold it." + +And when she held it, he measured six measures of barley, and laid it on +her, and she returned into the city. + +When now she came to her mother, Naomi asked, "Who art thou?" And Ruth +told her all that the man had said and done, and said, "These six +measures of barley gave he me, for he said to me, 'Go not empty unto thy +mother-in-law.'" + +Then said Naomi, "Sit still, my daughter, until thou know how the matter +will fall; for the man will not be in rest until he have finished the +thing this day." + + +IV + +Then went Boaz up to the gate and sat him down there; and, behold, the +kinsman of whom Boaz spoke, came by; unto whom Boaz said, "Ho, such a +one! turn aside, sit down here." And he turned aside and sat down. + +And Boaz took also ten men of the elders of the city and said, "Sit ye +down here." And they sat down. + +Then said Boaz unto the kinsman, "Naomi, that is come again out of the +land of Moab, selleth a parcel of land, which was our brother's. And I +thought to ask thee to buy it before the inhabitants and before the +elders of my people. If thou wilt redeem it, redeem it; but if thou wilt +not redeem it, then tell me, that I may know: for there is none to +redeem it beside thee, and I am after thee. And what day thou buyest it +of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the +wife of the dead." + +And the kinsman said, "I cannot redeem it for myself, lest I mar mine +own inheritance; redeem thou my right to thyself: for I cannot redeem +it." + +Now this was the manner in former time in Israel, concerning redeeming +and concerning changing, for to confirm all things: a man plucked off +his shoe and gave it to his neighbor; and this was a testimony in +Israel. Therefore the kinsman said unto Boaz, "Buy it for thee." So he +drew off his shoe. + +And Boaz said unto the elders and all the people, "Ye are witnesses this +day that I have bought all that was Naomi's husband's and all that was +her son's of the hand of Naomi. Moreover, Ruth the Moabitess, the wife +of my kinsman that is dead, have I purchased to be my wife, that the +name of the dead be not cut off from among his brethren, and from the +gate of his place: ye are witnesses this day." + +And all the people that were there in the gate, and the elders, said, +"We are witnesses. The Lord make the woman that is come into thine house +like Rachel and like Leah, which two did build the house of Israel: and +do thou worthily and be famous in Bethlehem." + +So Boaz took Ruth, and she was his wife, and she bare him a son. And the +women said unto Naomi, "Blessed be the Lord that hath not left thee this +day without a kinsman, that his name may be famous in Israel. And he +shall be unto thee a restorer of thy life, and a nourisher of thine old +age; for thy daughter-in-law which loveth thee, which is better to thee +than seven sons, hath borne him." + +And Naomi took the child and laid it in her bosom, and became nurse unto +it. And the women, her neighbors, gave it a name, saying, "There is a +son born to Naomi, and his name is Obed." + +This same Obed is the father of Jesse, who is the father of David. + +[Illustration] + + +FOOTNOTES: + +[146-1] _Naomi_ means _pleasant_, while _Mara_ means _bitter_. + +[148-2] The _ephah_ was equal to about two pecks and five quarts. + + + + +THE VISION OF BELSHAZZAR + +_By_ LORD BYRON + + + NOTE.--According to the account given in the fifth chapter of + _Daniel_, Belshazzar was the last king of Babylon, and the son of + the great king Nebuchadnezzar, who had destroyed Jerusalem and + taken the Jewish people captive to Babylon. The dramatic incident + with which the second stanza of Byron's poem deals is thus + described: + + "In the same hour came forth fingers of a man's hand, and wrote + over against the candlestick upon the plaister of the wall of the + king's palace; and the king saw the part of the hand that wrote." + + After all the Babylonian wise men had tried in vain to read the + writing, the "captive in the land," Daniel, was sent for, and he + interpreted the mystery. + + "And this is the writing that was written, MENE, MENE, TEKEL, + UPHARSIN. + + "This is the interpretation of the thing: MENE; God hath numbered + thy kingdom, and finished it. + + "TEKEL; Thou art weighed in the balances, and art found wanting. + + "PERES; Thy kingdom is divided, and given to the Medes and + Persians." + + The fulfillment of the prophecy thus declared by Daniel is + described thus briefly: "In that night was Belshazzar the king of + the Chaldeans slain. And Darius the Median took the kingdom." + + The King was on his throne, + The Satraps[153-1] throng'd the hall; + A thousand bright lamps shone + O'er that high festival. + A thousand cups of gold, + In Judah deem'd divine-- + Jehovah's vessels hold[154-2] + The godless Heathen's wine. + + In that same hour and hall + The fingers of a Hand + Came forth against the wall, + And wrote as if on sand: + The fingers of a man;-- + A solitary hand + Along the letters ran, + And traced them like a wand. + + The monarch saw, and shook, + And bade no more rejoice; + All bloodless wax'd his look, + And tremulous his voice:-- + "Let the men of lore appear, + The wisest of the earth, + And expound the words of fear, + Which mar our royal mirth." + + Chaldea's[154-3] seers are good, + But here they have no skill; + And the unknown letters stood + Untold and awful still. + And Babel's[154-4] men of age + Are wise and deep in lore; + But now they were not sage, + They saw--but knew no more. + +[Illustration: THE WRITING ON THE WALL] + + A Captive in the land, + A stranger and a youth, + He heard the king's command, + He saw that writing's truth; + The lamps around were bright, + The prophecy in view; + He read it on that night,-- + The morrow proved it true! + + "Belshazzar's grave is made, + His kingdom pass'd away, + He, in the balance weigh'd, + Is light and worthless clay; + The shroud, his robe of state; + His canopy, the stone: + The Mede is at his gate! + The Persian on his throne!" + +[Illustration] + + +FOOTNOTES: + +[153-1] The satraps were the governors of the provinces, who ruled under +the king and were accountable to him. + +[154-2] These were the sacred "vessels that were taken out of the temple +of the house of God which was at Jerusalem." + +[154-3] The terms _Chaldea_ and _Babylonia_ were used practically +synonymously. + +[154-4] _Babel_ is a shortened form of _Babylon_. + + + + +SOHRAB AND RUSTEM + +RUSTEM + + +The Persians have a great epic which is to them about what the _Iliad_ +and the _Odyssey_ were to the Greeks and the _AEneid_ was to the Romans. +In character, however, the Persian epic is more like the English +narrative _Morte d' Arthur_, from which readings will be found elsewhere +in these volumes. This wonderful poem, the _Shah Nameh_, relates +exploits of the Shahs of Persia for a period that is supposed to extend +over more than three thousand years. It was written by Firdusi, a famous +Persian poet, toward the close of the tenth century, and is filled with +tales of the marvelous adventures and stirring achievements of national +heroes. Fierce monsters like those that appear in the legendary tales of +all nations stalk through its pages, and magicians, good and bad, work +their enchantments for and against the devoted Persians. The imagination +of Eastern writers is more vivid than that of the Europeans, and for +that reason the stories are more full of thrilling episodes and +supernatural occurrences. + +Chief among the heroes is Rustem, who seems to have lived through many +centuries, and to have been the one great defender of the Persian +throne. From the cradle he was marked for renown, for he was larger, +stronger and healthier than any other babe that was ever born. His +mother alone could not feed him, and ten nurses were required to +satisfy the infant's hunger. His father, Zal, the white-haired, looked +with pride upon his growing son, who as soon as he was weaned fell upon +bread and meat as his only diet and required as much of them as would +feed five ordinary men. Such a child ought to make a wonderful man, and +this one fulfilled the highest hopes of his parents, for he became +taller in stature, broader in shoulders, deeper in the chest and +stronger in all his muscles than any other man the Persian race had ever +known. + +His childish exploits were quite as wonderful as those of his later +years. One night he was awakened from his slumbers by hearing the +servants say that the great white elephant on which his father rode on +state occasions had broken loose and was running about the royal +gardens, mad with rage, pulling up the trees, tearing down buildings and +killing every one that came in his way. Not a man dared stand against +the fierce beast, and though the archers had tried again and again their +weapons had no effect upon him. + +Rustem rose from his couch, put on his clothes, caught from the wall the +huge club his grandfather had owned, and made for the door of his +chamber. + +"Where are you going? What will you do?" cried the frightened servants. + +"Open the door. I must stop that elephant before he does greater +damage," answered the boy. + +One of his serving men, braver than the rest, opposed the boy. "I dare +not obey you," said the man; "your father would never forgive me if I +let you go forth to be slain by that ferocious beast whose broken chains +clank about his legs and whose huge trunk brings destruction to +everything it strikes. You will be knocked down and trampled to death. +This is pure folly!" + +"Out of my way," cried the enraged Rustem. "You rush upon your own +doom." + +Almost blind with anger, the furious youth swung his club about him and +struck the faithful servant so fearful a blow that his head was knocked +from his body and rolled along the floor like a huge ball. The other +servants fled to the corners of the room and gave Rustem a clear path. +One blow from his great club broke the iron balls from the door and sent +it flying from its hinges. Shouldering his club Rustem hurried into the +garden, where he soon found the maddened elephant in the midst of the +ruin he was making. When the unwieldy animal saw the boy approaching it +rushed at him with savage bellowings, swinging its long, powerful trunk +from side to side in great circles. The terrible spectacle frightened +Rustem not in the least, and the dauntless youth rushed forward and +struck the elephant a single blow full in its forehead. The great legs +trembled and bent, the huge body tottered and fell, making a mountain of +quivering flesh. Rustem calmly shouldered his club, returned to his +chamber, and finished his sleep. + +As Rustem grew to manhood he became the owner of a great horse little +less wonderful than his master. Raksh, for that was the animal's name, +not only carried Rustem in war and in the chase, but he fought for his +master in every conflict, watched over him in his sleep, and defended +him with human intelligence. On one of his expeditions Rustem lay down +to sleep near the den of a lion, that as he came forth to hunt at night +saw the horse and rider asleep before him. The lion, knowing that if he +could kill the horse the man would not get away, made ready to spring +upon Raksh, but that wary animal was sleeping with one eye open and met +the leaping lion more than half way with two great hoofs planted +squarely in his face. Before the astonished animal could recover his +senses Raksh seized him by the back and beat his life out upon the +ground. + +Of Rustem's countless struggles with dragons, witches, genii and other +strange beings, and of the wonderful battles by which he defended the +throne of Persia, we cannot stop to read. They were all very similar in +one respect at least, for always he escaped from deadly peril by his own +wisdom and strength, aided often, as we have said, by Raksh. But there +is one part of his life, one series of more than human adventures that +we ought to know. + +One day Rustem was hunting over a plain on the borders of Tartary when +he discovered a large herd of wild asses. No animal could outstrip +Raksh, and so his master was soon among the herd, killing the animals to +right and left. Some he slew with the arrows of his strong bow, others +he lassoed and killed with his trusty club. When his love for hunting +was satisfied he built a fire, roasted one of the asses and prepared for +a great feast. In time even his sharp appetite was quenched, and lying +down upon his blanket he was soon buried in a sound slumber. + +As he slept Raksh wandered about the plains quietly feeding. Without +noticing it he strayed far away from his master, and in fact quite out +of sight. + +Then it happened that seven Tartars who had been following Raksh made a +dash at him and tried to capture him with their lassoes. The noble horse +fought them manfully, killing two of them with the blows of his forefeet +and biting the head from the shoulders of another. But the ropes from +the lassoes became tangled with his legs, and even the marvelous Raksh +was at last thrown, overpowered and led struggling away. + +When Rustem awoke his first thought was for his horse, but though he +looked everywhere the faithful animal was not in sight. Such a thing had +never happened before, and Rustem grew pale with sorrow and dread. + +"What can I do without my noble charger?" he said. "How can I carry my +arrows, club and other weapons? How can I defend myself? Moreover, I +shall be the laughingstock of friends and enemies alike, for all will +say that in my carelessness I slept and allowed my horse to be stolen." + +At last he discovered the tracks of Raksh in the dust of the plain, and +following them with difficulty he found himself at the town of Samengan. +The king and nobles of the town knew Rustem, but seemed surprised to see +him come walking. The wanderer explained what had happened, and the wily +monarch answered, "Have no fear, noble Rustem. Every one knows your +wonderful horse Raksh, and soon some one will come and bring him to you. +I will even send many men to search for him. In the meantime, rest with +us and be happy. We will entertain you with the best, and in pleasure +you will forget your loss till Raksh is returned to you." + +This plan pleased Rustem, and the king kept his word in royal +entertainments in which he served his guest with grave humility. +Moreover, the princess Tehmina likewise served Rustem with becoming +grace and dignity. No maiden was ever more beautiful. She was tall as +the cypress and as graceful as a gazelle. Her neck and shoulders were +like ivory; her hair, black and shiny as a raven's wings, hung in two +long braids down her back, as the Persian horseman loops his lasso to +his saddle bow; her lips were like twin rubies, and her black brilliant +eyes glanced from highly-arched eye-brows. + +Rustem fell deeply in love with the fair maiden as soon as he saw her, +and at the first opportunity told her of his affection. Tehmina then +confessed that she had long loved Rustem from the reports she had heard +of his noble character and deeds of great prowess. The capture of Raksh +was a part of her plan for meeting the owner, for she felt sure he would +follow the animal's track to her father's capital. All this served to +make more strong the love of Rustem, who immediately demanded of the +king his daughter's hand in marriage. The king, glad enough to have so +powerful a man for his son, consented willingly to the match, and after +they were married amid great rejoicings, Rustem settled down at the +court in quiet enjoyment of his new-found home. + +A powerful man like Rustem cannot always remain in idleness, however, +and when news came to him that the Persian king was in need of his +greatest warrior, Rustem took his lasso, his bow and arrows and his +club, mounted Raksh and rode away. Before going, however, he took from +his arm an onyx bracelet that had been his father's, and calling +Tehmina to him handed it to her, saying: + +"Take this bracelet, my dear one, and keep it. If we have a child and it +be a girl, weave the bracelet in her hair and she will grow tall, +beautiful and good; if our child be a boy, fasten the bracelet on his +arm, and he will become strong and courageous, a mighty warrior and a +wise counsellor." + + +SOHRAB + +When Rustem had gone Tehmina wept bitterly, but consoled herself with +the thought that her husband would soon return. After her child was +born, she devoted herself to the wonderful boy and waited patiently for +the father that never returned. She remembered the parting words of +Rustem, and fastened upon the arm of her infant son the magic bracelet +of his race. + +He was a marvelous boy, this son of Rustem and Tehmina. Beautiful in +face as the moon when it rides the heavens in its fullness, he was +large, well-formed, with limbs as straight as the arrows of his father. +He grew at an astonishing rate. When he was but a month old he was as +tall as any year-old baby; at three years of age he could use the bow, +the lasso and the club with the skill of a man; at five he was as brave +as a lion, and at ten not a man in the kingdom was his match in strength +and agility. + +Tehmina, rejoicing in the intelligent, shining face of her boy, had +named him Sohrab, but as she feared that Rustem might send for his son +if he knew that he had so promising a one, she sent word to her husband +that her child was a girl. Disappointed in this, Rustem paid no +attention to his offspring, who grew up unknown to his parent, and +himself ignorant of the name of his father. + +When Sohrab was about ten years old he began to notice that, unlike the +other young men, he seemed to have no father. Accordingly he went to his +mother and questioned her. + +"What shall I say," he inquired, "when the young men ask me who is my +father? Must I always tell them that I do not know? Whose son am I?" + +"My son, you ask and you have a right to know. You need feel no shame +because of your father. He is the mighty Rustem, the greatest of Persian +warriors, the noblest man that ever lived. But I beg you to tell no one +lest word should come to Rustem, for I know he would take you from me +and I should never see you again." + +Sohrab was overjoyed to hear of his noble parentage and felt his heart +swell with pride, for he had heard all his life of the heroic deeds of +his father. + +"Such a thing as this cannot be kept secret," he cried. "Sooner or later +every one in the world will know that I am Rustem's son. But not now +will we tell the tale. I will gather a great army of Tartars and make +war upon Kaoos, the Persian king. When I have defeated him I will set my +father Rustem upon the throne, and then I will overthrow Afrasiab, King +of the Turanians, and take his throne myself. There is room in the world +for but two kings, my father Rustem and myself." + +The youthful warrior began his preparations immediately. First he sought +far and wide for a horse worthy to carry him, and at last succeeded in +finding a noble animal of the same breed as the famous Raksh. Mounted on +this splendid steed he rode about and rapidly collected an army of +devoted followers. + +The noise of these preparations spread abroad and soon came to the ears +of Afrasiab, who saw in this war an opportunity for profit to himself +and humiliation for Kaoos. Accordingly, he sent offers of assistance to +Sohrab, who accepted them willingly and received among his followers the +hosts of the Turanian king. + +But Afrasiab was a wily monarch, and sent to Sohrab two astute +counsellors, Haman and Barman with instructions to watch the young +leader carefully and to keep from him all knowledge of his father. + +"If possible," said the treacherous monarch, "bring the two together and +let them fight, neither knowing who the other is. Then may Sohrab slay +his mighty father and we be left to rule the youthful and inexperienced +son by our superior cunning and wisdom. If on the other hand Rustem +shall slay his son, his heart will fail him, and he will die in +despair." + +When the army was fully in readiness Sohrab set forth against Persia. In +his way lay the great White Fort whose chief defender was the mighty +Hujir. The Persians felt only contempt for the boyish leader and had no +fear of his great army. As they approached, Hujir rode forth to meet +them and called aloud in derision. + +"Let the mighty Sohrab come forth to meet me alone. I will slay him with +ease and give his body to the vultures for food." + +Undismayed by these threats Sohrab met the doughty Persian and unhorsed +him in the first encounter. Springing from his horse Sohrab raised his +sword to strike, but the Persian begged so lustily for quarter that he +was granted his life, though sent a prisoner to the king. + +Among those who watched the defeat of Hujir was Gurdafrid, the daughter +of the old governor of the White Fort. She was stronger than any warrior +in the land and fully accustomed to the use of arms. When she became +aware that Hujir was indeed vanquished she hastily clothed herself in +full armor, thrust her long hair under her helmet and rode gallantly out +to meet Sohrab. The girl shot a perfect shower of arrows at Sohrab, but +all glanced harmlessly from his armor. Seeing that she could not find a +weak spot in his mail she put her shield in rest and charged valiantly +at her foe. However, she was no match for her antagonist and was borne +from her saddle by the fierce lance of her enemy. As she fell, however, +she drew her sword and severed the spear of Sohrab. Before he could +change weapons she had mounted her horse and was galloping wildly toward +the fort with her late antagonist in full pursuit. Long ere the castle +walls were reached Sohrab overtook her and seized her by the helmet, +when its fastenings gave way and her long hair fell about her shoulders, +disclosing the fact that he had been fighting with a woman. + +Struck by the beauty of the girl and ashamed that he had been fighting +with her, Sohrab released her after she had promised that she would make +no further resistance and that the castle would surrender at his +approach. The fierce Gurdafrid, however, had no idea of giving up the +fort, but as soon as she was within, the gates were closed, and she, +mounting upon the walls, jeered at the waiting Sohrab. + +"It is now too late to fight, but when morning comes I will level your +fort to the earth and leave not one stone upon the other." With these +words the incensed warrior galloped back to his camp. When in the +morning he marched his army against the fort he found that his prey had +escaped, for during the night Gurdafrid had led the whole garrison out +through a secret passage and had gone to warn King Kaoos of the approach +of the mighty Sohrab and his powerful army. The allied Tartars and +Turanians followed as rapidly as they might, but it was some time before +they could come anywhere near the Persian capital. + +What was happening in Persia has been very well told by Alfred J. Church +in his story of Sohrab and Rustem: + +"When King Kaoos heard that there had appeared among the Tartars a +mighty champion, against whom, such was the strength of his arms, no one +could stand; how he had overthrown and taken their champion and now +threatened to overrun and conquer the whole land of Persia, he was +greatly troubled, and calling a scribe, said to him, 'Sit down and write +a letter to Rustem.' + +"So the scribe sat down and wrote. The letter was this: 'There has +appeared among the Tartars a great champion, strong as an elephant and +as fierce as a lion. No one can stand against him. We look to you for +help. It is of your doing that our warriors hold their heads so high. +Come, then, with all the speed that you can use, so soon as you shall +have read this letter. Be it night or day, come at once; do not open +your mouth to speak; if you have a bunch of roses in your hand do not +stop to smell it, but come; for the warrior of whom I write is such that +you only can meet him.' + +"King Kaoos sealed the letter and gave it to a warrior named Giv. At the +same time he said, 'Haste to Rustem. Tarry not on the way; and when you +are come, do not rest there for an hour. If you arrive in the night, +depart again the next morning.' + +"So Giv departed, and traveled with all his speed, allowing himself +neither sleep nor food. When he approached Zabulistan, the watchman +said, 'A warrior comes from Persia riding like the wind.' So Rustem, +with his chiefs, went out to meet him. When they had greeted each other, +they returned together to Rustem's palace. + +"Giv delivered his message, and handed the king's letter, telling +himself much more that he had heard about the strength and courage of +this Tartar warrior. Rustem heard him with astonishment, and said, 'This +champion is like, you say, to the great San, my grandfather. That such a +man should come from the free Persians is possible; but that he should +be among those slaves the Tartars, is past belief. I have myself a +child, whom the daughter of a Tartar king bore to me; but the child is a +girl. This, then, that you tell me is passing strange; but for the +present let us make merry.' + +"So they made merry with the chiefs that were assembled in Rustem's +palace. But after a while Giv said again: 'King Kaoos commanded me, +saying, "You must not sleep in Zabulistan; if you arrive in the night, +set out again the next morning. It will go ill with us if we have to +fight before Rustem comes." It is necessary, then, great hero, that we +set out in all haste for Persia.' + +"Rustem said, 'Do not trouble yourself about this matter. We must all +die some day. Let us, therefore, enjoy the present. Our lips are dry, +let us wet them with wine. As to this Tartar, fortune will not always be +with him. When he sees my standard, his heart will fail him.' + +"So they sat, drinking the red wine and singing merry songs, instead of +thinking of the king and his commands. The next day Rustem passed in the +same fashion, and the third also. But on the fourth Giv made +preparations to depart, saying to Rustem, 'If we do not make haste to +set out, the king will be wroth, and his anger is terrible.' + +"Rustem said, 'Do not trouble yourself; no man dares to be wroth with +me.' Nevertheless, he bade them saddle Raksh and set out with his +companions. + +"When they came near the king's palace, a great company of nobles rode +out to meet them, and conducted them to the king, and they paid their +homage to him. But the king turned away from them in a rage. 'Who is +Rustem,' he cried, 'that he forgets his duty to me, and disobeys my +commands? If I had a sword in my hand this moment, I would cut off his +head, as a man cuts an orange in half. Take him, hang him up alive on +gallows, and never mention his name again in my presence.' + +"Giv answered, 'Sir, will you lay hands upon Rustem?' The king burst out +again in rage against Giv and Rustem, crying to one of his nobles, 'Take +these two villains and hang them alive on gallows.' And he rose up from +his throne in fury. + +"The noble to whom he had spoken laid his hand upon Rustem, wishing to +lead him out of the king's presence, lest Kaoos in his rage should do +him an injury. But Rustem cried out, 'What a king are you! Hang this +Tartar, if you can, on your gallows. Keep such things for your enemies. +All the world has bowed itself before me and Raksh, my horse. And +you--you are king by my grace.' + +"Thus speaking, he struck away the hand that the noble had laid upon him +so fiercely that the man fell headlong to the ground, and he passed over +his body to go from the presence of the king. And as he mounted on +Raksh, he cried: 'What is Kaoos that he should deal with me in this +fashion? It is God who has given me strength and victory, and not he or +his army. The nobles would have given me the throne of Persia long +since, but I would not receive it; I kept the right before my eyes. +Verily, had I not done so, you, Kaoos, would not be sitting upon the +throne.' Then he turned to the Persians that stood by, and said, 'This +brave Tartar will come. Look out for yourselves how you may save your +lives. Me you shall see no more in the land of Persia.' + +"The Persians were greatly troubled to hear such words; for they were +sheep, and Rustem was their shepherd. So the nobles assembled, and said +to each other: 'The king has forgotten all gratitude and decency. Does +he not remember that he owes to Rustem his throne--nay, his very life? +If the gallows be Rustem's reward, what shall become of us?' + +"So the oldest among them came and stood before the king, and said: 'O +king, have you forgotten what Rustem has done for you and this land--how +he conquered Mazanieran and its king and the White Genius; how he gave +you back the sight of your eyes? And now you have commanded that he +shall be hanged alive upon a gallows. Are these fitting words for a +king?' + +"The king listened to the old man, and said: 'You speak well. The words +of a king should be words of wisdom. Go now to Rustem, and speak good +words to him, and make him forget my anger.' + +"So the old man rode after Rustem, and many of the nobles went with him. +When they had overtaken him, the old man said, 'You know that the king +is a wrathful man, and that in his rage he speaks hard words. But you +know also that he soon repents. But now he is ashamed of what he said. +And if he has offended, yet the Persians have done no wrong that you +should thus desert them.' + +"Rustem answered, 'Who is the king that I should care for him? My saddle +is my throne and my helmet is my crown, my corselet is my robe of state. +What is the king to me but a grain of dust? Why should I fear his anger? +I delivered him from prison; I gave him back his crown. And now my +patience is at an end.' + +"The old man said, 'This is well. But the king and his nobles will +think, "Rustem fears this Tartar," and they will say, "If Rustem is +afraid, what can we do but leave our country?" I pray you therefore not +to turn your back upon the king, when things are in such a plight. Is it +well that the Persians should become the slaves of the infidel Tartars?' + +"Rustem stood confounded to hear such words. 'If there were fear in my +heart, then I would tear my soul from my body. But you know that it is +not; only the king has treated me with scorn.' + +"But he perceived that he must yield to the old man's advice. So he went +back with the nobles. + +"As soon as the king saw him, he leaped upon his feet, and said, 'I am +hard of soul, but a man must grow as God has made him. My heart was +troubled by the fear of this new enemy. I looked to you for safety, and +you delayed your coming. Then I spoke in my wrath; but I have repented, +and my mouth is full of dust.' + +"Rustem said, 'It is yours to command, O king, and ours to obey. You are +the master, and we are the slaves. I am but as one of those who open the +door for you, if indeed I am worthy to be reckoned among them. And now I +come to execute your commands.' + +"Kaoos said, 'It is well. Now let us feast. To-morrow we will prepare +for war.' + +"So Kaoos, and Rustem, and the nobles feasted till the night had passed +and the morning came. The next day King Kaoos and Rustem, with a great +army, began their march." + +Matthew Arnold, the great English critic, scholar and poet, has used the +incidents that follow as the subject of one of his most interesting +poems. To that poem we will look for a continuation of the story. Arnold +alters the story at times to suit the needs of his poem, and he often +employs a slightly different spelling of proper names from that used in +the above account. + + + + +SOHRAB AND RUSTUM + +AN EPISODE + +_By_ MATTHEW ARNOLD + + + And the first gray of morning fill'd the east, + And the fog rose out of the Oxus[173-1] stream. + But all the Tartar camp along the stream + Was hush'd, and still the men were plunged in sleep; + Sohrab alone, he slept not; all night long + He had lain wakeful, tossing on his bed; + But when the gray dawn stole into his tent, + He rose, and clad himself, and girt his sword, + And took his horseman's cloak, and left his tent, + And went abroad into the cold wet fog, + Through the dim camp to Peran-Wisa's[173-2] tent. + Through the black Tartar tents he pass'd, which stood + Clustering like beehives on the low flat strand + Of Oxus, where the summer floods o'erflow + When the sun melts the snow in high Pamere;[173-3] + Through the black tents he pass'd, o'er that low strand, + And to a hillock came, a little back + From the stream's brink--the spot where first a boat, + Crossing the stream in summer, scrapes the land. + The men of former times had crown'd the top + With a clay fort; but that was fall'n, and now + The Tartars built there Peran-Wisa's tent, + A dome of laths, and over it felts were spread. + And Sohrab came there, and went in, and stood + Upon the thick piled carpets in the tent, + And found the old man sleeping on his bed + Of rugs and felts, and near him lay his arms. + And Peran-Wisa heard him, though the step + Was dull'd; for he slept light, an old man's sleep; + And he rose quickly on one arm, and said:-- + "Who art thou? for it is not yet clear dawn. + Speak! is there news, or any night alarm?" + But Sohrab came to the bedside, and said:-- + "Thou know'st me, Peran-Wisa! it is I. + The sun is not yet risen, and the foe + Sleep; but I sleep not; all night long I lie + Tossing and wakeful, and I come to thee. + For so did King Afrasiab bid me seek + Thy counsel and to heed thee as thy son, + In Samarcand,[174-4] before the army march'd; + And I will tell thee what my heart desires. + Thou know'st if, since from Ader-baijan first + I came among the Tartars and bore arms, + I have still served Afrasiab well, and shown, + At my boy's years, the courage of a man. + +[Illustration: SOHRAB AND PERAN-WISA] + + This too thou know'st, that while I still bear on + The conquering Tartar ensigns through the world, + And beat the Persians back on every field, + I seek one man, one man, and one alone-- + Rustum, my father; who I hoped should greet, + Should one day greet, upon some well-fought field, + His not unworthy, not inglorious son. + So I long hoped, but him I never find. + Come then, hear now, and grant me what I ask. + Let the two armies rest to-day; but I + Will challenge forth the bravest Persian lords + To meet me man to man; if I prevail, + Rustum will surely hear it; if I fall-- + Old man, the dead need no one, claim no kin. + Dim is the rumor of a common[175-5] fight, + Where host meets host, and many names are sunk; + But of a single combat fame speaks clear." + He spoke; and Peran-Wisa took the hand + Of the young man in his, and sigh'd, and said:-- + "O Sohrab, an unquiet heart is thine! + Canst thou not rest among the Tartar chiefs, + And share the battle's common chance with us + Who love thee, but must press forever first, + In single fight incurring single risk, + To find a father thou hast never seen? + That were far best, my son, to stay with us + Unmurmuring; in our tents, while it is war, + And when 'tis truce, then in Afrasiab's towns. + But, if this one desire indeed rules all, + To seek out Rustum--seek him not through fight! + Seek him in peace and carry to his arms, + O Sohrab, carry an unwounded son! + But far hence seek him, for he is not here. + For now it is not as when I was young, + When Rustum was in front of every fray; + But now he keeps apart, and sits at home, + In Seistan,[176-6] with Zal, his father old. + Whether that[176-7] his own mighty strength at last + Feels the abhorr'd approaches of old age, + Or in some quarrel with the Persian King. + There go!--Thou wilt not? Yet my heart forbodes + Danger or death awaits thee on this field. + Fain would I know thee safe and well, though lost + To us; fain therefore send thee hence, in peace + To seek thy father, not seek single fights + In vain;--but who can keep the lion's cub + From ravening, and who govern Rustum's son? + Go, I will grant thee what thy heart desires." + So said he, and dropped Sohrab's hand and left + His bed, and the warm rugs whereon he lay; + And o'er his chilly limbs his woolen coat + He passed, and tied his sandals on his feet, + And threw a white cloak round him, and he took + In his right hand a ruler's staff, no sword; + And on his head he set his sheepskin cap, + Black, glossy, curl'd, the fleece of Kara-Kul; + And raised the curtain of his tent, and call'd + His herald to his side and went abroad. + The sun by this had risen, and cleared the fog + From the broad Oxus and the glittering sands. + And from their tents the Tartar horsemen filed + Into the open plain; so Haman bade-- + Haman, who next to Peran-Wisa ruled + The host, and still was in his lusty prime. + From their black tents, long files of horse, they stream'd; + As when some gray November morn the files, + In marching order spread, of long-neck'd cranes + Stream over Casbin and the southern slopes + Of Elburz, from the Aralian estuaries, + Or some frore[177-8] Caspian reed bed, southward bound + For the warm Persian seaboard--so they streamed. + The Tartars of the Oxus, the King's guard, + First, with black sheepskin caps and with long spears; + Large men, large steeds; who from Bokhara come + And Khiva, and ferment the milk of mares.[177-9] + Next, the more temperate Toorkmuns of the south, + The Tukas, and the lances of Salore, + And those from Attruck and the Caspian sands; + Light men and on light steeds, who only drink + The acrid milk of camels, and their wells. + And then a swarm of wandering horse, who came + From far, and a more doubtful service own'd; + The Tartars of Ferghana, from the banks + Of the Jaxartes, men with scanty beards + And close-set skullcaps; and those wilder hordes + Who roam o'er Kipchak and the northern waste, + Kalmucks and unkempt Kuzzacks, tribes who stray + Nearest the Pole, and wandering Kirghizzes, + Who come on shaggy ponies from Pamere; + These all filed out from camp into the plain. + And on the other side the Persians form'd;-- + First a light cloud of horse, Tartars they seem'd, + The Ilyats of Khorassan; and behind, + The royal troops of Persia, horse and foot, + Marshal'd battalions bright in burnish'd steel. + But Peran-Wisa with his herald came, + Threading the Tartar squadrons to the front, + And with his staff kept back the foremost ranks. + And when Ferood, who led the Persians, saw + That Peran-Wisa kept the Tartars back, + He took his spear, and to the front he came, + And check'd his ranks, and fix'd[178-10] them where they stood. + And the old Tartar came upon the sand + Betwixt the silent hosts, and spake, and said:-- + "Ferood, and ye, Persians and Tartars, hear! + Let there be truce between the hosts to-day, + But choose a champion from the Persian lords + To fight our champion Sohrab, man to man." + As, in the country, on a morn in June, + When the dew glistens on the pearled ears, + A shiver runs through the deep corn[178-11] for joy-- + So, when they heard what Peran-Wisa said, + A thrill through all the Tartar squadrons ran + Of pride and hope for Sohrab, whom they loved. + But as a troop of peddlers, from Cabool, + Cross underneath the Indian Caucasus, + That vast sky-neighboring mountain of milk snow; + Crossing so high, that, as they mount, they pass + Long flocks of traveling birds dead on the snow, + Choked by the air, and scarce can they themselves + Slake their parch'd throats with sugar'd mulberries-- + In single file they move, and stop their breath, + For fear they should dislodge the o'erhanging snows-- + +[Illustration: PERAN-WISA GIVES SOHRAB'S CHALLENGE] + + So the pale Persians held their breath with fear. + And to Ferood his brother chiefs came up + To counsel; Gudurz and Zoarrah came, + And Feraburz, who ruled the Persian host + Second, and was the uncle of the King; + These came and counsel'd, and then Gudurz said:-- + "Ferood, shame bids us take their challenge up, + Yet champion have we none to match this youth. + He has the wild stag's foot, the lion's heart. + But Rustum came last night; aloof he sits + And sullen, and has pitch'd his tents apart. + Him will I seek, and carry to his ear + The Tartar challenge, and this young man's name. + Haply he will forget his wrath, and fight. + Stand forth the while, and take their challenge up." + So spake he; and Ferood stood forth and cried:-- + "Old man, be it agreed as thou hast said! + Let Sohrab arm, and we will find a man." + He spake: and Peran-Wisa turn'd, and strode + Back through the opening squadrons to his tent. + But through the anxious Persians Gudurz ran, + And cross'd the camp which lay behind, and reach'd + Out on the sand beyond it, Rustum's tents. + Of scarlet cloth they were, and glittering gay, + Just pitch'd; the high pavilion in the midst + Was Rustum's and his men lay camp'd around. + And Gudurz enter'd Rustum's tent, and found + Rustum; his morning meal was done, but still + The table stood before him, charged with food-- + A side of roasted sheep, and cakes of bread, + And dark-green melons, and there Rustum sate + Listless, and held a falcon on his wrist, + And play'd with it; but Gudurz came and stood + Before him; and he look'd, and saw him stand, + And with a cry sprang up and dropped the bird, + And greeted Gudurz with both hands, and said:-- + "Welcome! these eyes could see no better sight. + What news? but sit down first, and eat and drink." + But Gudurz stood in the tent door, and said:-- + "Not now! a time will come to eat and drink, + But not to-day; to-day has other needs. + The armies are drawn out, and stand at gaze; + For from the Tartars is a challenge brought + To pick a champion from the Persian lords + To fight their champion and thou know'st his name-- + Sohrab men call him, but his birth is hid. + O Rustum, like thy might is this young man's! + He has the wild stag's foot, the lion's heart; + And he is young, and Iran's chiefs are old, + Or else too weak; and all eyes turn to thee. + Come down and help us, Rustum, or we lose!" + He spoke; but Rustum answer'd with a smile:-- + "Go to! if Iran's chiefs are old, then I + Am older; if the young are weak, the King + Errs strangely; for the King, for Kai Khosroo,[181-12] + Himself is young, and honors younger men, + And lets the aged molder to their graves. + Rustum he loves no more, but loves the young-- + The young may rise at Sohrab's vaunts, not I. + For what care I, though all speak Sohrab's fame? + For would that I myself had such a son, + And not that one slight helpless girl I have-- + A son so famed, so brave, to send to war, + And I to tarry with the snow-hair'd Zal,[181-13] + My father, whom the robber Afghans vex, + And clip his borders short, and drive his herds, + And he has none to guard his weak old age. + There would I go, and hang my armor up, + And with my great name fence that weak old man, + And spend the goodly treasures I have got, + And rest my age, and hear of Sohrab's fame, + And leave to death the hosts of thankless kings, + And with these slaughterous hands draw sword no more." + He spoke, and smiled; and Gudurz made reply:-- + "What then, O Rustum, will men say to this, + When Sohrab dares our bravest forth, and seeks + Thee most of all, and thou, whom most he seeks, + Hidest thy face? Take heed lest men should say: + 'Like some old miser, Rustum hoards his fame, + And shuns to peril it with younger men,'" + And, greatly moved, then Rustum made reply:-- + "Oh, Gudurz, wherefore dost thou say such words? + Thou knowest better words than this to say. + What is one more, one less, obscure or famed, + Valiant or craven, young or old, to me? + Are not they mortal, am not I myself? + But who for men of naught would do great deeds? + Come, thou shalt see how Rustum hoards his fame! + But I will fight unknown, and in plain arms; + Let not men say of Rustum, he was match'd + In single fight with any mortal man." + He spoke, and frown'd; and Gudurz turn'd and ran + Back quickly through the camp in fear and joy-- + Fear at his wrath, but joy that Rustum came. + But Rustum strode to his tent door, and call'd + His followers in, and bade them bring his arms, + And clad himself in steel; the arms he chose + Were plain, and on his shield was no device, + Only his helm was rich, inlaid with gold, + And, from the fluted spine atop, a plume + Of horsehair waved, a scarlet horsehair plume. + So arm'd, he issued forth; and Ruksh,[183-14] his horse, + Follow'd him like a faithful hound at heel-- + Ruksh, whose renown was noised through all the earth, + The horse, whom Rustum on a foray once + Did in Bokhara by the river find + A colt beneath its dam, and drove him home, + And rear'd him; a bright bay, with lofty crest, + Dight with a saddlecloth of broider'd green + Crusted with gold, and on the ground were work'd + All beasts of chase, all beasts which hunters know. + So follow'd, Rustum left his tents, and cross'd + The camp, and to the Persian host appear'd. + And all the Persians knew him, and with shouts + Hail'd; but the Tartars knew not who he was. + And dear as the wet diver to the eyes + Of his pale wife who waits and weeps on shore, + By sandy Bahrein, in the Persian Gulf, + Plunging all day in the blue waves, at night, + Having made up his tale[183-15] of precious pearls, + Rejoins her in their hut upon the sands-- + So dear to the pale Persians Rustum came. + And Rustum to the Persian front advanced, + And Sohrab arm'd in Haman's tent, and came. + And as afield the reapers cut a swath + Down through the middle of a rich man's corn, + And on each side are squares of standing corn, + And in the midst a stubble, short and bare-- + So on each side were squares of men, with spears + Bristling, and in the midst, the open sand. + And Rustum came upon the sand, and cast + His eyes toward the Tartar tents, and saw + Sohrab come forth, and eyed him as he came. + As some rich woman, on a winter's morn, + Eyes through her silken curtains the poor drudge + Who with numb blacken'd fingers makes her fire-- + At cock-crow, on a starlit winter's morn, + When the frost flowers the whiten'd window-panes-- + And wonders how she lives, and what the thoughts + Of that poor drudge may be; so Rustum eyed + The unknown adventurous youth, who from afar + Came seeking Rustum, and defying forth + All the most valiant chiefs; long he perused + His spirited air, and wonder'd who he was. + For very young he seem'd, tenderly rear'd; + Like some young cypress, tall, and dark, and straight, + Which in a queen's secluded garden throws + Its slight dark shadow on the moonlit turf, + By midnight, to a bubbling fountain's sound-- + So slender Sohrab seem'd, so softly rear'd.[184-16] + And a deep pity enter'd Rustum's soul + As he beheld him coming; and he stood, + And beckon'd to him with his hand, and said:-- + "O thou young man, the air of heaven is soft, + And warm, and pleasant; but the grave is cold! + Heaven's air is better than the cold dead grave. + Behold me! I am vast, and clad in iron, + And tried; and I have stood on many a field + Of blood, and I have fought with many a foe-- + Never was that field lost, or that foe saved. + O Sohrab, wherefore wilt thou rush on death? + Be govern'd![185-17] quit the Tartar host, and come + To Iran, and be as my son to me, + And fight beneath my banner till I die! + There are no youths in Iran brave as thou." + So he spake, mildly; Sohrab heard his voice, + The mighty voice of Rustum, and he saw + His giant figure planted on the sand, + Sole, like some single tower, which a chief + Hath builded on the waste in former years + Against the robbers; and he saw that head, + Streak'd with its first gray hairs;--hope fill'd his soul, + And he ran forward and embraced his knees, + And clasp'd his hand within his own, and said:-- + "Oh, by thy father's head! by thine own soul! + Art thou not Rustum? speak! art thou not he?" + But Rustum eyed askance the kneeling youth, + And turn'd away, and spake to his own soul:-- + "Ah me, I muse what this young fox may mean! + False, wily, boastful, are these Tartar boys. + For if I now confess this thing he asks, + And hide it not, but say: 'Rustum is here!' + He will not yield indeed, nor quit our foes, + But he will find some pretext not to fight, + And praise my fame, and proffer courteous gifts, + A belt or sword perhaps, and go his way. + And on a feast tide, in Afrasiab's hall, + In Samarcand, he will arise and cry: + 'I challenged once, when the two armies camp'd + Beside the Oxus, all the Persian lords + To cope with me in single fight; but they + Shrank, only Rustum dared; then he and I + Changed gifts, and went on equal terms away. + So will he speak, perhaps, while men applaud; + Then were the chiefs of Iran shamed through me." + And then he turn'd, and sternly spake aloud:-- + "Rise! wherefore dost thou vainly question thus + Of Rustum? I am here, whom thou hast call'd + By challenge forth; make good thy vaunt, or yield! + Is it with Rustum only thou wouldst fight? + Rash boy, men look on Rustum's face and flee! + For well I know, that did great Rustum stand + Before thy face this day, and were reveal'd, + There would be then no talk of fighting more. + But being what I am, I tell thee this-- + Do thou record it in thine inmost soul: + Either thou shalt renounce thy vaunt and yield, + Or else thy bones shall strew this sand, till winds + Bleach them, or Oxus with his summer floods, + Oxus in summer wash them all away." + He spoke; and Sohrab answer'd, on his feet:-- + "Art thou so fierce? Thou wilt not fright me so! + I am no girl, to be made pale by words. + Yet this thou hast said well, did Rustum stand + Here on this field, there were no fighting then. + But Rustum is far hence, and we stand here. + Begin! thou art more vast, more dread than I, + And thou art proved, I know, and I am young-- + But yet success sways with the breath of heaven. + And though thou thinkest that thou knowest sure + Thy victory, yet thou canst not surely know. + For we are all, like swimmers in the sea, + Poised on the top of a huge wave of fate, + Which hangs uncertain to which side to fall. + And whether it will heave us up to land, + Or whether it will roll us out to sea, + Back out to sea, to the deep waves of death, + We know not, and no search will make us know; + Only the event will teach us in its hour." + He spoke, and Rustum answer'd not, but hurl'd + His spear; down from the shoulder, down it came, + As on some partridge in the corn a hawk, + That long has tower'd in the airy clouds, + Drops like a plummet; Sohrab saw it come, + And sprang aside, quick as a flash; the spear + Hiss'd and went quivering down into the sand, + Which it sent flying wide;--then Sohrab threw + In turn, and full struck Rustum's shield; sharp rang, + The iron plates rang sharp, but turn'd the spear. + And Rustum seized his club, which none but he + Could wield; an unlopp'd trunk it was, and huge, + Still rough--like those which men in treeless plains + To build them boats fish from the flooded rivers, + Hyphasis or Hydaspes, when, high up + By their dark spring, the wind in winter time + Hath made in Himalayan forests wrack, + And strewn the channels with torn boughs--so huge + The club which Rustum lifted now, and struck + One stroke; but again Sohrab sprang aside, + Lithe as the glancing snake, and the club came + Thundering to earth, and leapt from Rustum's hand. + And Rustum follow'd his own blow, and fell + To his knees, and with his fingers clutch'd the sand; + And now might Sohrab have unsheathed his sword, + And pierced the mighty Rustum while he lay + Dizzy, and on his knees, and choked with sand; + But he look'd on, and smiled, nor bared his sword, + But courteously drew back, and spoke, and said:-- + "Thou strik'st too hard! that club of thine will float + Upon the summer floods, and not my bones. + But rise, and be not wroth! not wroth am I; + No, when I see thee, wrath forsakes my soul. + Thou say'st, thou art not Rustum; be it so! + Who art thou then, that canst so touch my soul? + Boy as I am, I have seen battles too-- + Have waded foremost in their bloody waves, + And heard their hollow roar of dying men; + But never was my heart thus touch'd before. + Are they from Heaven, these softenings of the heart? + O thou old warrior, let us yield to Heaven! + Come, plant we here in earth our angry spears, + And make a truce, and sit upon this sand, + And pledge each other in red wine, like friends, + And thou shalt talk to me of Rustum's deeds. + There are enough foes in the Persian host, + Whom I may meet, and strike, and feel no pang; + Champions enough Afrasiab has, whom thou + Mayst fight; fight _them_, when they confront thy spear! + But oh, let there be peace 'twixt thee and me!" + He ceased, but while he spake, Rustum had risen, + And stood erect, trembling with rage; his club + He left to lie, but had regained his spear, + Whose fiery point now in his mail'd right hand + Blazed bright and baleful, like that autumn star, + The baleful sign of fevers; dust had soil'd + His stately crest, and dimm'd his glittering arms. + His breast heaved, his lips foam'd, and twice his voice + Was choked with rage; at last these words broke way:-- + "Girl! nimble with thy feet, not with thy hands! + Curl'd minion, dancer, coiner of sweet words! + Fight, let me hear thy hateful voice no more! + Thou are not in Afrasiab's gardens now + With Tartar girls, with whom thou art wont to dance; + But on the Oxus sands, and in the dance + Of battle, and with me, who make no play + Of war; I fight it out, and hand to hand. + Speak not to me of truce, and pledge, and wine! + Remember all thy valor; try thy feints + And cunning! all the pity I had is gone; + Because thou hast shamed me before both the hosts + With thy light skipping tricks, and thy girl's wiles." + + He spoke, and Sohrab kindled at his taunts, + And he too drew his sword; at once they rush'd + Together, as two eagles on one prey + Come rushing down together from the clouds, + One from the east, one from the west; their shields + Dash'd with a clang together, and a din + Rose, such as that the sinewy woodcutters + Make often in the forest's heart at morn, + Of hewing axes, crashing trees--such blows + Rustum and Sohrab on each other hail'd. + And you would say that sun and stars took part + In that unnatural[189-18] conflict; for a cloud + Grew suddenly in heaven, and dark'd the sun + Over the fighters' heads; and a wind rose + Under their feet, and moaning swept the plain, + And in a sandy whirlwind wrapp'd the pair. + In gloom they twain were wrapp'd, and they alone; + For both the onlooking hosts on either hand + Stood in broad daylight, and the sky was pure, + And the sun sparkled on the Oxus stream. + But in the gloom they fought, with bloodshot eyes + And laboring breath; first Rustum struck the shield + Which Sohrab held stiff out; the steel-spiked spear + Rent the tough plates, but fail'd to reach the skin, + And Rustum pluck'd it back with angry groan. + Then Sohrab with his sword smote Rustum's helm, + Nor clove its steel quite through; but all the crest + He shore away, and that proud horsehair plume, + Never till now defiled, sank to the dust; + And Rustum bow'd his head; and then the gloom + Grew blacker, thunder rumbled in the air, + And lightnings rent the cloud; and Ruksh, the horse, + Who stood at hand, utter'd a dreadful cry;-- + No horse's cry was that, most like the roar + Of some pain'd desert lion, who all day + Hath trail'd the hunter's javelin in his side, + And comes at night to die upon the sand. + The two hosts heard that cry, and quaked for fear, + And Oxus curdled as it cross'd his stream. + But Sohrab heard, and quail'd not, but rush'd on, + And struck again; and again Rustum bow'd + His head; but this time all the blade, like glass, + Sprang in a thousand shivers on the helm, + And in the hand the hilt remain'd alone. + Then Rustum raised his head; his dreadful eyes + Glared, and he shook on high his menacing spear, + And shouted: "Rustum!"--Sohrab heard that shout, + And shrank amazed: back he recoil'd one step, + And scann'd with blinking eyes the advancing form; + And then he stood bewilder'd, and he dropp'd + His covering shield, and the spear pierced his side.[191-19] + He reel'd, and, staggering back, sank to the ground; + And then the gloom dispersed, and the wind fell, + +[Illustration: THE SPEAR RENT THE TOUGH PLATES] + + And the bright sun broke forth, and melted all + The cloud; and the two armies saw the pair-- + Saw Rustum standing, safe upon his feet, + And Sohrab, wounded, on the bloody sand. + Then, with a bitter smile, Rustum began:-- + "Sohrab, thou thoughtest in thy mind to kill + A Persian lord this day, and strip his corpse, + And bear thy trophies to Afrasiab's tent; + Or else that the great Rustum would come down + Himself to fight, and that thy wiles would move + His heart to take a gift, and let thee go; + And then that all the Tartar host would praise + Thy courage or thy craft, and spread thy fame, + To glad thy father in his weak old age. + Fool, thou art slain, and by an unknown man! + Dearer to the red jackals shalt thou be + Than to thy friends, and to thy father old." + And, with a fearless mien, Sohrab replied:-- + "Unknown thou art; yet thy fierce vaunt is vain. + Thou dost not slay me, proud and boastful man! + No! Rustum slays me, and this filial heart. + For were I match'd with ten such men as thee, + And I were that which till to-day I was, + They should be lying here, I standing there. + But that beloved name unnerved my arm-- + That name, and something, I confess, in thee, + Which troubles all my heart, and made my shield + Fall; and thy spear transfix'd an unarm'd foe. + And now thou boastest, and insult'st my fate. + But hear thou this, fierce man, tremble to hear: + The mighty Rustum shall avenge my death! + My father, whom I seek through all the world, + He shall avenge my death, and punish thee!" + As when some hunter in the spring hath found + A breeding eagle sitting on her nest, + Upon the craggy isle of a hill lake, + And pierced her with an arrow as she rose, + And follow'd her to find her where she fell + Far off;--anon her mate comes winging back + From hunting, and a great way off descries + His huddling young left sole;[193-20] at that, he checks + His pinion, and with short uneasy sweeps + Circles above his eyry, with loud screams + Chiding his mate back to her nest; but she + Lies dying, with the arrow in her side, + In some far stony gorge out of his ken, + A heap of fluttering feathers--never more + Shall the lake glass[193-21] her, flying over it; + Never the black and dripping precipices + Echo her stormy scream as she sails by-- + As that poor bird flies home, nor knows his loss, + So Rustum knew not his own loss, but stood + Over his dying son, and knew him not. + But, with a cold incredulous voice, he said:-- + "What prate is this of fathers and revenge? + The mighty Rustum never had a son." + And, with a failing voice, Sohrab replied:-- + "Ah yes, he had! and that lost son am I. + Surely the news will one day reach his ear, + Reach Rustum, where he sits, and tarries long, + Somewhere, I know not where, but far from here; + And pierce him like a stab, and make him leap + To arms, and cry for vengeance upon thee. + Fierce man, bethink thee, for an only son! + What will that grief, what will that vengeance be? + Oh, could I live till I that grief had seen! + Yet him I pity not so much, but her, + My mother, who in Ader-baijan dwells + With that old king, her father, who grows gray + With age, and rules over the valiant Koords. + Her most I pity, who no more will see + Sohrab returning from the Tartar camp, + With spoils and honor, when the war is done. + But a dark rumor will be bruited up, + From tribe to tribe, until it reach her ear; + And then will that defenseless woman learn + That Sohrab will rejoice her sight no more, + But that in battle with a nameless foe, + By the far-distant Oxus, he is slain." + He spoke; and as he ceased, he wept aloud, + Thinking of her he left, and his own death. + He spoke; but Rustum listen'd, plunged in thought. + Nor did he yet believe it was his son + Who spoke, although he call'd back names he knew; + For he had had sure tidings that the babe, + Which was in Ader-baijan born to him, + Had been a puny girl, no boy at all-- + So that sad mother sent him word, for fear + Rustum should seek the boy, to train in arms. + And so he deem'd that either Sohrab took, + By a false boast, the style of Rustum's son; + Or that men gave it him, to swell his fame. + So deem'd he: yet he listen'd, plunged in thought; + And his soul set to grief, as the vast tide + Of the bright rocking Ocean sets to shore + At the full moon; tears gather'd in his eyes; + For he remember'd his own early youth, + And all its bounding rapture; as, at dawn, + The shepherd from his mountain lodge descries + A far, bright city, smitten by the sun, + Through many rolling clouds--so Rustum saw + His youth; saw Sohrab's mother, in her bloom; + And that old king, her father, who loved well + His wandering guest, and gave him his fair child + With joy; and all the pleasant life they led, + They three, in that long-distant summer time-- + The castle, and the dewy woods, and hunt + And hound, and morn on those delightful hills + In Ader-baijan. And he saw that youth, + Of age and looks to be his own dear son,[195-22] + Piteous and lovely, lying on the sand, + Like some rich hyacinth which by the scythe + Of an unskillful gardener has been cut, + Mowing the garden grassplots near its bed, + And lies, a fragrant tower of purple bloom, + On the mown, dying grass--so Sohrab lay, + Lovely in death, upon the common sand. + And Rustum gazed on him with grief, and said:-- + "O Sohrab, thou indeed art such a son + Whom Rustum, wert thou his, might well have loved! + Yet here thou errest, Sohrab, or else men + Have told thee false--thou art not Rustum's son. + For Rustum had no son; one child he had-- + But one--a girl; who with her mother now + Plies some light female task, nor dreams of us-- + Of us she dreams not, nor of wounds, nor war." + But Sohrab answer'd him in wrath; for now + The anguish of the deep-fix'd spear grew fierce, + And he desired to draw forth the steel, + And let the blood flow free, and so to die-- + But first he would convince his stubborn foe; + And, rising sternly on one arm, he said:-- + "Man, who art thou who dost deny my words? + Truth sits upon the lips of dying men, + And falsehood, while I lived, was far from mine. + I tell thee, prick'd upon this arm I bear + That seal which Rustum to my mother gave, + That she might prick it on the babe she bore."[196-23] + He spoke: and all the blood left Rustum's cheeks, + And his knees totter'd, and he smote his hand + Against his breast, his heavy mailed hand, + That the hard iron corselet clank'd aloud; + And to his heart he press'd the other hand, + And in a hollow voice he spake, and said:-- + "Sohrab, that were a proof which could not lie! + If thou show this, then art thou Rustum's son." + Then, with weak hasty fingers, Sohrab loosed + His belt, and near the shoulder bared his arm, + And show'd a sign in faint vermilion points + Prick'd; as a cunning workman, in Pekin, + Pricks with vermilion some clear porcelain vase, + An emperor's gift--at early morn he paints, + And all day long, and, when night comes, the lamp + Lights up his studious forehead and thin hands-- + So delicately prick'd the sign appear'd + On Sohrab's arm, the sign of Rustum's seal. + It was that griffin,[196-24] which of old rear'd Zal, + Rustum's great father, whom they left to die, + A helpless babe, among the mountain rocks; + Him that kind creature found, and rear'd and loved-- + Then Rustum took it for his glorious sign. + And Sohrab bared that image on his arm, + And himself scann'd it long with mournful eyes, + And then he touch'd it with his hand, and said:-- + "How say'st thou? Is that sign the proper sign + Of Rustum's son, or of some other man's?" + He spoke; but Rustum gazed, and gazed, and stood + Speechless; and then he utter'd one sharp cry: + "O boy--thy father!" and his voice choked there. + And then a dark cloud pass'd before his eyes, + And his head swam, and he sank down to earth. + But Sohrab crawl'd to where he lay, and cast + His arms about his neck, and kiss'd his lips, + And with fond faltering fingers stroked his cheeks, + Trying to call him back to life; and life + Came back to Rustum, and he oped his eyes, + And they stood wide with horror; and he seized + In both his hands the dust which lay around, + And threw it on his head, and smirch'd his hair,-- + His hair, and face, and beard, and glittering arms; + And strong convulsive groanings shook his breast, + And his sobs choked him; and he clutch'd his sword, + To draw it, and forever let life out. + But Sohrab saw his thought, and held his hands, + And with a soothing voice he spake, and said:-- + "Father, forbear! for I but meet to-day + The doom which at my birth was written down + In heaven, and thou art heaven's unconscious hand. + Surely my heart cried out that it was thou, + When first I saw thee; and thy heart spoke too, + I know it! but fate trod those promptings down + Under its iron heel; fate, fate engaged + The strife, and hurl'd me on my father's spear. + But let us speak no more of this! I find + My father; let me feel that I have found! + Come, sit beside me on the sand, and take + My head betwixt thy hands, and kiss my cheeks, + And wash them with thy tears, and say: 'My son!' + Quick! quick! for number'd are my sands of life, + And swift; for like the lightning to this field + I came, and like the wind I go away-- + Sudden, and swift, and like a passing wind + But it was writ in heaven that this should be." + So said he, and his voice released the heart + Of Rustum, and his tears broke forth; he cast + His arms round his son's neck, and wept aloud, + And kiss'd him. And awe fell on both the hosts, + When they saw Rustum's grief; and Ruksh, the horse, + With his head bowing to the ground and mane + Sweeping the dust, came near, and in mute woe + First to the one then to the other moved + His head, as if inquiring what their grief + Might mean; and from his dark, compassionate eyes, + The big warm tears roll'd down, and caked the sand, + But Rustum chid him with stern voice, and said:-- + "Ruksh, now thou grievest; but, O Ruksh, thy feet + Should first have rotted on their nimble joints, + Or ere they brought thy master to this field!" + But Sohrab look'd upon the horse, and said:-- + "Is this, then, Ruksh? How often, in past days, + My mother told me of thee, thou brave steed, + My terrible father's terrible horse! and said, + That I should one day find thy lord and thee. + Come, let me lay my hand upon thy mane! + O Ruksh, thou art more fortunate than I; + For thou hast gone where I shall never go, + And snuff'd the breezes of my father's home. + And thou hast trod the sands of Seistan. + And seen the River of Helmund, and the Lake + Of Zirrah; and the aged Zal himself + Has often stroked thy neck, and given thee food, + Corn in a golden platter soak'd with wine, + And said: 'O Ruksh! bear Rustum well,'--but I + Have never known my grandsire's furrow'd face, + Nor seen his lofty house in Seistan, + Nor slaked my thirst at the clear Helmund stream; + But lodged among my father's foes, and seen + Afrasiab's cities only, Samarcand, + Bokhara, and lone Khiva in the waste, + And the black Toorkmun tents; and only drunk + The desert rivers, Moorghab and Tejend, + Kohik, and where the Kalmuks feed their sheep, + The northern Sir; and this great Oxus stream, + The yellow Oxus, by whose brink I die." + Then, with a heavy groan, Rustum bewail'd:-- + "Oh, that its waves were flowing over me! + Oh, that I saw its grains of yellow silt + Roll tumbling in the current o'er my head!" + But, with a grave mild voice, Sohrab replied:-- + "Desire not that, my father! thou must live. + For some are born to do great deeds, and live, + As some are born to be obscured, and die. + Do thou the deeds I die too young to do, + And reap a second glory in thine age; + Thou art my father, and thy gain is mine. + But come! thou seest this great host of men + Which follow me; I pray thee, slay not these! + Let me entreat for them; what have they done? + They follow'd me, my hope, my fame, my star. + Let them all cross the Oxus back in peace. + But me thou must bear hence, not send with them, + But carry me with thee to Seistan, + And place me on a bed, and mourn for me, + Thou, and the snow-hair'd Zal, and all thy friends. + And thou must lay me in that lovely earth, + And heap a stately mound above my bones,[200-25] + And plant a far-seen pillar over all. + That so the passing horseman on the waste + May see my tomb a great way off, and cry: + 'Sohrab, the mighty Rustum's son, lies there, + Whom his great father did in ignorance kill!' + And I be not forgotten in my grave." + And, with a mournful voice, Rustum replied:-- + "Fear not! as thou hast said, Sohrab, my son, + So shall it be; for I will burn my tents, + And quit the host, and bear thee hence with me, + And carry thee away to Seistan, + And place thee on a bed, and mourn for thee, + With the snow-headed Zal, and all my friends. + And I will lay thee in that lovely earth, + And heap a stately mound above thy bones, + And plant a far-seen pillar over all, + And men shall not forget thee in thy grave. + And I will spare thy host; yea, let them go! + Let them all cross the Oxus back in peace! + What should I do with slaying any more? + For would that all that I have ever slain + Might be once more alive; my bitterest foes, + And they who were call'd champions in their time, + And through whose death I won that fame I have-- + And I were nothing but a common man, + A poor, mean soldier, and without renown, + So thou mightest live too, my son, my son! + Or rather would that I, even I myself, + Might now be lying on this bloody sand, + Near death, and by an ignorant stroke of thine, + Not thou of mine! and I might die, not thou; + And I, not thou, be borne to Seistan; + And Zal might weep above my grave, not thine; + And say: 'O son, I weep thee not too sore, + For willingly, I know, thou met'st thine end!' + But now in blood and battles was my youth, + And full of blood and battles is my age, + And I shall never end this life of blood." + Then, at the point of death, Sohrab replied:-- + "A life of blood indeed, though dreadful man! + But thou shalt yet have peace; only not now, + Not yet! but thou shalt have it on that day[201-26] + When thou shalt sail in a high-masted ship, + Thou and the other peers of a Kai Khosroo, + Returning home over the salt blue sea, + From laying thy dear master in his grave." + And Rustum gazed in Sohrab's face, and said:-- + "Soon be that day, my son, and deep that sea! + Till then, if fate so wills, let me endure." + He spoke; and Sohrab smiled on him, and took + The spear, and drew it from his side, and eased + His wound's imperious anguish; but the blood + Came welling from the open gash, and life + Flow'd with the stream;--all down his cold white side + The crimson torrent ran, dim now and soil'd, + Like the soil'd tissue of white violets + Left, freshly gather'd, on their native bank, + By children whom their nurses call with haste + Indoors from the sun's eye; his head droop'd low, + His limbs grew slack; motionless, white, he lay-- + White, with eyes closed; only when heavy gasps, + Deep heavy gasps quivering through all his frame, + Convulsed him back to life, he open'd them, + And fix'd them feebly on his father's face; + Till now all strength was ebb'd, and from his limbs + Unwillingly the spirit fled away, + Regretting the warm mansion which it left, + And youth, and bloom, and this delightful world. + So, on the bloody sand, Sohrab lay dead; + And the great Rustum drew his horseman's cloak + Down o'er his face, and sate by his dead son. + As those black granite pillars, once high-rear'd + By Jemshid in Persepolis, to bear + His house, now 'mid their broken flights of steps + Lie prone, enormous, down the mountain side-- + So in the sand lay Rustum by his son. + And night came down over the solemn waste, + And the two gazing hosts, and that sole pair, + And darken'd all; and a cold fog, with night, + Crept from the Oxus. Soon a hum arose, + As of a great assembly loosed, and fires + Began to twinkle through the fog; for now + Both armies moved to camp, and took their meal; + The Persians took it on the open sands + Southward, the Tartars by the river marge; + And Rustum and his son were left alone. + + But the majestic river floated on, + Out of the mist and hum of that low land, + Into the frosty starlight, and there moved, + Rejoicing, through the hush'd Chorasmian waste, + Under the solitary moon;--he flow'd + Right for the polar star, past Orgunje, + Brimming, and bright, and large; then sands begin + +[Illustration: RUSTUM SORROWS OVER SOHRAB] + + To hem his watery march, and dam his streams, + And split his currents; that for many a league + The shorn and parcel'd Oxus strains along + Through beds of sand and matted rushy isles-- + Oxus, forgetting the bright speed he had + In his high mountain cradle in Pamere, + A foil'd circuitous wanderer--till at last + The long'd-for dash of waves is heard, and wide + His luminous home of waters opens, bright + And tranquil, from whose floor the new-bathed stars + Emerge, and shine upon the Aral Sea.[204-27] + + Matthew Arnold was one of England's purest and greatest men. As + scholar, teacher, poet and critic he labored zealously for the + betterment of his race and sought to bring them back to a clearer, + lovelier spiritual life and to win them from the base and sordid + schemes that make only for material success. + + He was born in 1822 and was the son of Doctor Thomas Arnold, the + great teacher who was so long headmaster of the famous Rugby + school, and whose scholarly and Christian influence is so + faithfully brought out in Hughes's ever popular story _Tom Brown's + School Days_. + + Matthew Arnold received his preparatory education in his father's + school at Rugby, and his college training at Oxford. He was always + a student and always active in educational work, as an inspector of + schools, and for ten years as professor of poetry at Oxford. He + twice visited the United States and both times lectured here. His + criticisms of America and Americans were severe, for he saw + predominant the spirit of money-getting, the thirst for material + prosperity and the absence of spiritual interests. In 1888, while + at the house of a friend in Liverpool, he died suddenly and + peacefully from an attack of heart disease. + + Arnold was one of the most exacting and critical of English + writers, a man who applied to his own works the same severe + standards that he set up for others. As a result his writings have + become one of the standards of purity and taste in style. + +[Illustration: MATTHEW ARNOLD + +1822-1888] + + The story of _Sohrab and Rustum_ pleased him, and he enjoyed + writing the poem, as may be seen from a letter to his mother, + written in 1853. He says: + + "All my spare time has been spent on a poem which I have just + finished, and which I think by far the best thing I have yet done, + and I think it will be generally liked; though one can never be + sure of this. I have had the greatest pleasure in composing it, a + rare thing with me, and, as I think, a good test of the pleasure + what you write is likely to afford to others. But the story is a + very noble and excellent one." + + Two men, both competent to judge, have given at length their + opinion of Matthew Arnold's character. So admirable a man deserves + to be known by the young, although most of his writings will be + understood and appreciated only by persons of some maturity in + years. Mr. John Morley says: + + "He was incapable of sacrificing the smallest interest of anybody + to his own; he had not a spark of envy or jealousy; he stood well + aloof from all the hustlings and jostlings by which selfish men + push on; he bore life's disappointments--and he was disappointed in + some reasonable hopes--with good nature and fortitude; he cast no + burden upon others, and never shrank from bearing his own share of + the daily load to the last ounce of it; he took the deepest, + sincerest, and most active interest in the well-being of his + country and his countrymen." + + Mr. George E. Woodbury in an essay on Arnold remarks concerning the + man as shown in his private letters: + + "A nature warm to its own, kindly to all, cheerful, fond of sport + and fun, and always fed from pure fountains, and with it a + character so founded upon the rock, so humbly serviceable, so + continuing in power and grace, must wake in all the responses of + happy appreciation and leave the charm of memory." + + +FOOTNOTES: + +[173-1] The Oxus, 1300 miles long, is the chief river of Central Asia, +and one of the boundaries of Persia. + +[173-2] Peran-Wisa was the commander of King Afrasiab's troops, a +Turanian chief who ruled over the many wild Tartar tribes whose men +composed his army. + +[173-3] Pamir or Pamere is a high tableland called by the natives "the +roof of the world." In it lies the source of the Oxus. Arnold has named +many places for the purpose of giving an air of reality to the poem. It +is not necessary to locate them accurately in order to understand the +poem, and so the notes will refer to them only as the story is made +clearer by the explanation. + +[174-4] Samarcand is a city of Turkistan, now a center of learning and +of commerce. + +[175-5] _Common_ here means _general_. The idea is that little fame +comes to him who fights in a general combat in which numbers take part. +What is the real reason for Sohrab's desire to fight in single combat? +Arnold gives a different reason from that in the _Shah Nameh_. In the +latter case it is that by defeating their champion Sohrab may frighten +the Persians into submission. + +[176-6] Seistan was the province in which Rustum and his father Zal had +ruled for many years, subjects of the King of Persia. + +[176-7] _Whether that_ and _Or in_ beginning the second line below may +be understood to read _Either because_ and _Or because of_. + +[177-8] _Frore_ means _frozen_. + +[177-9] From mares' milk is made koumiss, a favorite fermented drink of +Tartar tribes. + +[178-10] _Fix'd_ means _halted_. He caused his army to remain stationary +while he rode forward. + +[178-11] The _corn_ is grain of some kind, not our maize or Indian corn. + +[181-12] Kai Khosroo was one of the Persian kings who lived in the sixth +century B. C., and is now understood to be Cyrus. He was the grandson of +Kai Kaoos, in whose reign the _Shah Nameh_ places the episode of Sohrab +and Rustum. Here as elsewhere Arnold alters the legend to suit his +convenience and to make the poem more effective. For instance, he +compresses the combat into a single day, while in the Persian epic, the +battle lasts three days. This change gives greater vitality and more +rapid action to the poem. + +[181-13] Zal was born with snowy hair, a most unusual thing among the +black-haired Persians. His father was so angered by the appearance of +his son that he abandoned the innocent babe in the Elburz mountains, +where, however, a great bird or griffin miraculously preserved the +infant and in time returned it to its father, who had repented of his +hasty action. + +[183-14] _Ruksh_, also spelled _Raksh_. + +[183-15] _Tale_ means _count_ or _reckoning_. The diver had gathered all +the pearls required from him for the day. + +[184-16] This description by Arnold scarcely tallies with the idea we +have obtained of the powerful Sohrab from reading the accounts taken +from the _Shah Nameh_. Arnold's is the more poetic idea, and increases +the reader's sympathy for Sohrab. + +[185-17] _Be governed_, that is, _take my advice_. + +[189-18] It is not natural for father and son to fight thus. + +[191-19] In the _Shah Nameh_ Rustum overpowers Sohrab and slays him by +his superior power and skill. Arnold takes the more poetic view that +Sohrab's arm is powerless when he hears his father's name. + +[193-20] _Sole_ means _solitary, alone_. + +[193-21] _Glass her_ means _reflect her_ as in a mirror. + +[195-22] He sees that this young men, as far as age and appearance are +concerned, might be a son of his. + +[196-23] Again Arnold departs from the Persian tale, in which Sohrab +wears a bracelet or amulet on his arm. Arnold's work gives a more +certain identification. + +[196-24] The griffin spoken of in note 13. + +[200-25] The Persian tradition is that over the spot where Sohrab was +buried a huge mound, shaped like the hoof of a horse, was erected. + +[201-26] It is said that shortly after the death of Sohrab the king +himself died while on a visit to a famous spring far in the north, and +as the nobles were returning with his corpse all were lost in a great +tempest. Unfortunately for Sohrab's prophecy, Persian traditions do not +include Rustum among the lost. + +[204-27] This beautiful stanza makes a peculiarly artistic termination +to the poem. After the storm and stress of the combat and the +heart-breaking pathos of Sohrab's death, the reader willingly rests his +thought on the majestic Oxus that still flows on, unchangeable, but ever +changing. The suggestion is that after all nature is triumphant, that +our pains and losses, our most grievous disappointments and greatest +griefs are but incidents in the great drama of life, and that, though +like the river Oxus, we for a time become "foiled, circuitous +wanderers," we at last see before us the luminous home, bright and +tranquil under the shining stars. + + + + +THE POET AND THE PEASANT + +FROM THE FRENCH OF EMILE SOUVESTRE + + +A young man was walking through a forest, and in spite of the approach +of night, in spite of the mist that grew denser every moment, he was +walking slowly, paying no heed either to the weather or to the hour. + +His dress of green cloth, his buckskin gaiters, and the gun slung across +his shoulder might have caused him to be taken for a sportsman, had not +the book that half protruded from his game-bag betrayed the dreamer, and +proved that Arnold de Munster was less occupied with observing the track +of wild game than in communing with himself. + +For some moments his mind had been filled with thoughts of his family +and of the friends he had left in Paris. He remembered the studio that +he had adorned with fantastic engravings, strange paintings, curious +statuettes; the German songs that his sister had sung, the melancholy +verses that he had repeated in the subdued light of the evening lamps, +and the long talks in which every one confessed his inmost feelings, in +which all the mysteries of thought were discussed and translated into +impassioned or graceful words! Why had he abandoned these choice +pleasures to bury himself in the country? + +He was aroused at last from his meditations by the consciousness that +the mist had changed into rain and was beginning to penetrate his +shooting-coat. He was about to quicken his steps, but in looking around +him he saw that he had lost his way, and he tried vainly to determine +the direction he must take. A first attempt only succeeded in +bewildering him still more. The daylight faded, the rain fell more +heavily, and he continued to plunge at random into unknown paths. + +He had begun to be discouraged, when the sound of bells reached him +through the leafless trees. A cart driven by a big man in a blouse had +appeared at an intersecting road and was coming toward the one that +Arnold had just reached. + +Arnold stopped to wait for the man and asked him if he were far from +Sersberg. + +"Sersberg!" repeated the carter; "you don't expect to sleep there +to-night?" + +"Pardon me, but I do," answered the young man. + +"At Sersberg?" went on his interlocutor; "you'll have to go by train, +then! It is six good leagues from here to the gate; and considering the +weather and the roads, they are equal to twelve." + +The young man uttered an exclamation. He had left the chateau that +morning and did not think that he had wandered so far; but he had been +on the wrong path for hours, and in thinking to take the road to +Sersberg he had continued to turn his back upon it. It was too late to +make good such an error; so he was forced to accept the shelter offered +by his new companion, whose farm was fortunately within gunshot. + +He accordingly regulated his pace to the carter's and attempted to enter +into conversation with him; but Moser was not a talkative man and was +apparently a complete stranger to the young man's usual sensations. +When, on issuing from the forest, Arnold pointed to the magnificent +horizon purpled by the last rays of the setting sun, the farmer +contented himself with a grimace. + +"Bad weather for to-morrow," he muttered, drawing his cloak about his +shoulders. + +"One ought to be able to see the entire valley from here," went on +Arnold, striving to pierce the gloom that already clothed the foot of +the mountain. + +"Yes, yes," said Moser, shaking his head; "the ridge is high enough for +that. There's an invention for you that isn't good for much." + +"What invention?" + +"The mountains." + +"You would rather have everything level?" + +"What a question!" cried the farmer, laughing. "You might as well ask me +if I would not rather ruin my horses." + +"True," said Arnold in a tone of somewhat contemptuous irony. "I had +forgotten the horses! It is clear that God should have thought +principally of them when he created the world." + +"I don't know as to God," answered Moser quietly, "but the engineers +certainly made a mistake in forgetting them when they made the roads. +The horse is the laborer's best friend, monsieur--without disrespect to +the oxen, which have their value too." + +Arnold looked at the peasant. "So you see in your surroundings only the +advantages you can derive from them?" he asked gravely. "The forest, the +mountains, the clouds, all say nothing to you? You have never paused +before the setting sun or at the sight of the woods lighted by the +stars?" + +"I?" cried the farmer. "Do you take me for a maker of almanacs? What +should I get out of your starlight and the setting sun? The main thing +is to earn enough for three meals a day and to keep one's stomach warm. +Would monsieur like a drink of cognac? It comes from the other side of +the Rhine." + +He held out a little wicker-covered bottle to Arnold, who refused by a +gesture. The positive coarseness of the peasant had rekindled his regret +and his contempt. Were they really men such as he was, these +unfortunates, doomed to unceasing labor, who lived in the bosom of +nature without heeding it and whose souls never rose above the most +material sensations? Was there one point of resemblance which could +attest their original brotherhood to such as he? Arnold doubted this +more and more each moment. + +These thoughts had the effect of communicating to his manner a sort of +contemptuous indifference toward his conductor, to whom he ceased to +talk. Moser showed neither surprise nor pain and set to whistling an +air, interrupted from time to time by some brief word of encouragement +to his horses. + +Thus they arrived at the farm, where the noise of the bells announced +their coming. A young boy and a woman of middle age appeared on the +threshold. + +"Ah, it is the father!" cried the woman, looking back into the house, +where could be heard the voices of several children, who came running to +the door with shouts of joy and pressed around the peasant. + +"Wait a moment, youngsters," interrupted the father in his big voice as +he rummaged in the cart and brought forth a covered basket. "Let Fritz +unharness." + +But the children continued to besiege the farmer, all talking at once. +He bent to kiss them, one after another; then rising suddenly: + +"Where is Jean?" he asked with a quickness that had something of +uneasiness in it. + +"Here, father, here," answered a shrill little voice from the farm-house +door; "mother doesn't want me to go out in the rain." + +"Stay where you are," said Moser, throwing the traces on the backs of +the horses; "I will go to you, little son. Go in, the rest of you, so as +not to tempt him to come out." + +The three children went back to the doorway, where little Jean was +standing beside his mother, who was protecting him from the weather. + +He was a poor little creature, so cruelly deformed that at the first +glance one could not have told his age or the nature of his infirmity. +His whole body, distorted by sickness, formed a curved, not to say a +broken line. His disproportionately large head was sunken between two +unequally rounded shoulders, while his body was sustained by two little +crutches; these took the place of the shrunken legs, which could not +support him. + +At the farmer's approach he held out his thin arms with an expression of +love that made Moser's furrowed face brighten. The father lifted him in +his strong arms with an exclamation of tender delight. + +"Come!" he cried, "hug your father--with both arms--hard! How has he +been since yesterday?" + +The mother shook her head. + +"Always the cough," she answered in a low tone. + +"It's nothing, father," the child answered in his shrill voice. "Louis +had drawn me too fast in my wheeled chair; but I am well, very well; I +feel as strong as a man." + +The peasant placed him carefully on the ground, set him upon his little +crutches, which had fallen, and looked at him with an air of +satisfaction. + +"Don't you think he's growing, wife?" he asked in the tone of a man who +wishes to be encouraged. "Walk a bit, Jean; walk, boy! He walks more +quickly and more strongly. It'll all come right, wife; we must only be +patient." + +The farmer's wife made no reply, but her eyes turned toward the feeble +child with a look of despair so deep that Arnold trembled; fortunately +Moser paid no heed. + +"Come, the whole brood of you," he went on, opening the basket he had +taken from the cart; "here is something for every one! In line and hold +out your hands." + +The peasant had displayed three small white rolls glazed in the baking; +three cries of joy burst forth simultaneously and six hands advanced to +seize the rolls, but they all paused at the word of command. + +"And Jean?" asked the childish voices. + +"To the devil with Jean," answered Moser gayly; "there is nothing for +him to-night. Jean shall have his share another time." + +But the child smiled and tried to get up to look into the basket. The +farmer stepped back a pace, took off the cover carefully, and lifting +his arm with an air of solemnity, displayed before the eyes of all a +cake of gingerbread garnished with almonds and pink and white +sugar-plums. + +There was a general shout of admiration. Jean himself could not restrain +a cry of delight; a slight flush rose to his pale face and he held out +his hands with an air of joyful expectancy. + +"Ah, you like it, little mole!" cried the peasant, whose face was +radiant at the sight of the child's pleasure; "take it, old man, take +it; it is nothing but sugar and honey." + +He placed the gingerbread in the hands of the little hunchback, who +trembled with happiness, watched him hobble off, and turning to Arnold +when the sound of the crutches was lost in the house, said with a slight +break in his voice: + +"He is my eldest. Sickness has deformed him a little, but he's a shrewd +fellow and it only depends upon us to make a gentleman of him." + +While speaking he had crossed the first room on the ground-floor and led +his guest into a species of dining-room, the whitewashed walls of which +were decorated only with a few rudely colored prints. As he entered, +Arnold saw Jean seated on the floor and surrounded by his brothers, +among whom he was dividing the cake given him by his father. But each +one objected to the size of his portion and wished to lessen it; it +required all the little hunchback's eloquence to make them accept what +he had given them. For some time the young sportsman watched this +dispute with singular interest, and when the children had gone out again +he expressed his admiration to the farmer's wife. + +"It is quite true," she said with a smile and a sigh, "that there are +times when it seems as though it were a good thing for them to see +Jean's infirmity. It is hard for them to give up to each other, but not +one of them can refuse Jean anything; it is a constant exercise in +kindness and devotion." + +"Great virtue, that!" interrupted Moser. "Who could refuse anything to +such a poor, afflicted little innocent? It's a silly thing for a man to +say; but, look you, monsieur, that child there always makes me want to +cry. Often when I am at work in the fields, I begin all at once to think +about him. I say to myself Jean is ill! or Jean is dead! and then I have +to find some excuse for coming home to see how it is. Then he is so weak +and so ailing! If we did not love him more than the others, he would be +too unhappy." + +"Yes," said the mother gently, "the poor child is our cross and our joy +at the same time. I love all my children, monsieur, but whenever I hear +the sound of Jean's crutches on the floor, I always feel a rush of +happiness. It is a sign that the good God has not yet taken our darling +away from us. It seems to me as though Jean brought happiness to the +house just like swallows' nests fastened to the windows. If I hadn't him +to take care of, I should think there was nothing for me to do." + +Arnold listened to these naive expressions of tenderness with an +interest that was mingled with astonishment. The farmer's wife called a +servant to help set the table; and at Moser's invitation, the young man +approached the brushwood fire which had been rekindled. + +As he was leaning against the smoky mantelpiece, his eye fell upon a +small black frame that inclosed a withered leaf. Moser noticed it. + +"Ah! you are looking at my relic. It's a leaf of the weeping-willow that +grows down there on the tomb of Napoleon! I got it from a Strasbourg +merchant who had served in the Old Guard. I wouldn't part with it for a +hundred crowns." + +"Then there is some particular sentiment attached to it?" + +"Sentiment, no," answered the peasant; "but I too was discharged from +the Fourth Regiment of Hussars, a brave regiment, monsieur. There were +only eight men left of our squadron, so when the Little Corporal passed +in front of the line he saluted us--yes, monsieur, raised his hat to us! +That was something to make us ready to die to the last man, look you. +Ah! he was the father of the soldier!" + +Here the peasant began to fill his pipe, looking the while at the black +frame and the withered leaf. In this reminder of a marvelous destiny +there was evidently for him a whole romance of youth, emotion, and +regret. He recalled the last struggles of the Empire, in which he had +taken part, the reviews held by the emperor, when his mere presence +aroused confidence in victory; the passing successes of France's famous +campaign, so soon expiated by the disaster at Waterloo; the departure of +the vanquished general and his long agony on the rock of Saint Helena. + +Arnold respected the old soldier's silent preoccupation and waited until +he should resume the conversation. + +The arrival of supper roused him from his reverie; he drew up a chair +for his guest and took his place at the opposite side of the table. + +"Come! fall to on the soup," he cried brusquely. "I have had nothing +since morning but two swallows of cognac. I should eat an ox whole +to-night." + +To prove his words, he began to empty the huge porringer of soup before +him. + +For several moments nothing was heard but the clatter of spoons followed +by that of the knives cutting up the side of bacon served by the +farmer's wife. His walk and the fresh air had given Arnold himself an +appetite that made him forget his Parisian daintiness. The supper grew +gayer and gayer, when all at once the peasant raised his head. + +"And Farraut?" he asked. "I have not seen him since my return." + +His wife and the children looked at each other without answering. + +"Well, what is it?" went on Moser, who saw their embarrassment. "Where +is the dog? What has happened to him? Why don't you answer, Dorothee?" + +"Don't be angry, father," interrupted Jean; "we didn't dare tell you, +but Farraut went away and has not come back." + +"A thousand devils! You should have told me!" cried the peasant, +striking the table with his fist. "What road did he take?" + +"The road to Garennes." + +"When was it?" + +"After dinner: we saw him go up the little path." + +"Something must have happened to him," said Moser, getting up. "The poor +animal is almost blind and there are sand pits all along the road! Go +fetch my sheepskin and the lantern, wife. I must find Farraut, dead or +alive." + +Dorothee went out without making any remark either about the hour or the +weather, and soon reappeared with what her husband had asked for. + +"You must think a great deal of this dog," said Arnold, surprised at +such zeal. + +"It is not I," answered Moser, lighting his pipe; "but he did good +service to Dorothee's father. One day when the old man was on his way +home from market with the price of his oxen in his pocket, four men +tried to murder him for his money, and they would have done it if it had +not been for Farraut; so when the good man died two years ago, he called +me to his bedside and asked me to care for the dog as for one of his +children--those were his words. I promised, and it would be a crime not +to keep one's promise to the dead. Fritz, give me my iron-shod stick. I +wouldn't have anything happen to Farraut for a pint of my blood. The +animal has been in the family for twenty years--he knows us all by our +voices--and he recalls the grandfather. I shall see you again, monsieur, +and good-night until to-morrow." + +Moser wrapped himself in his sheepskin and went out. They could hear the +sound of his iron-shod stick die away in the soughing of the wind and +the falling of the rain. + +After awhile the farmer's wife offered to conduct Arnold to his quarters +for the night, but Arnold asked permission to await the return of the +master of the house, if his return were not delayed too long. His +interest in the man who had at first seemed to him so vulgar, and in the +humble family whose existence he had thought to be so valueless, +continued to increase. + +The vigil was prolonged, however, and Moser did not return. The children +had fallen asleep one after another, and even Jean, who had held out the +longest, had to seek his bed at last. Dorothee, uneasy, went +incessantly from the fireside to the door and from the door to the +fireside. Arnold strove to reassure her, but her mind was excited by +suspense. She accused Moser of never thinking of his health or of his +safety; of always being ready to sacrifice himself for others; of being +unable to see a human being or an animal suffer without risking all to +relieve it. As she went on with her complaint, which sounded strangely +like a glorification, her fears grew more vivid; she had a thousand +gloomy forebodings. The dog had howled all through the previous night; +an owl had perched upon the roof of the house; it was a Wednesday, +always an unfortunate day in the family. Her fears reached such a pitch +at last that the young man volunteered to go in search of her husband, +and she was about to awaken Fritz to accompany him, when the sound of +footsteps was heard outside. + +"It is Moser!" said the woman, stopping short. + +"Oho, there, open quickly, wife," cried the farmer from without. + +She ran to draw the bolt, and Moser appeared, carrying in his arms the +old blind dog. + +"Here he is," he said gayly. "God help me! I thought I should never find +him: the poor brute had rolled to the bottom of the big stone quarry." + +"And you went there to get him?" asked Dorothee, horror-stricken. + +"Should I have left him at the bottom to find him drowned to-morrow?" +asked the old soldier. "I slid down the length of the big mountain and I +carried him up in my arms like a child: the lantern was left behind, +though." + +"But you risked your life, you foolhardy man!" cried Dorothee, who was +shuddering at her husband's explanation. + +The latter shrugged his shoulders. + +"Ah, bah!" he said with careless gayety; "who risks nothing has nothing; +I have found Farraut--that's the principal thing. If the grandfather +sees us from up there, he ought to be satisfied." + +This reflection, made in an almost indifferent tone, touched Arnold, who +held out his hand impetuously to the peasant. + +"What you have done was prompted by a good heart," he said with feeling. + +"What? Because I have kept a dog from drowning?" answered Moser. "Dogs +and men--thank God I have helped more than one out of a hole since I was +born; but I have sometimes had better weather than to-night to do it in. +Say, wife, there must be a glass of cognac left; bring the bottle here; +there is nothing that dries you better when you're wet." + +Dorothee brought the bottle to the farmer, who drank to his guest's +health, and then each sought his bed. + +The next morning the weather was fine again; the sky was clear, and the +birds, shaking their feathers, sang on the still dripping trees. + +When he descended from the garret, where a bed had been prepared for +him, Arnold found near the door Farraut, who was warming himself in the +sun, while little Jean, seated on his crutches, was making him a collar +of eglantine berries. A little further on, in the first room, the farmer +was clinking glasses with a beggar who had come to collect his weekly +tithe; Dorothee was holding his wallet, which she was filling. + +"Come, old Henri, one more draught," said the peasant, refilling the +beggar's glass; "if you mean to finish your round you must take +courage." + +"That one always finds here," said the beggar with a smile; "there are +not many houses in the parish where they give more, but there is not one +where they give with such good will." + +"Be quiet, will you, Pere Henri?" interrupted Moser; "do people talk of +such things? Drink and let the good God judge each man's actions. You, +too, have served; we are old comrades." + +The old man contented himself with a shake of the head and touched his +glass to the farmer's; but one could see that he was more moved by the +heartiness that accompanied the alms than the alms itself. + +When he had taken up his wallet again and bade them good-by, Moser +watched him go until he had disappeared around a bend in the road. Then +drawing a breath, he said, turning to his guest: + +"One more poor old man without a home. You may believe me or not, +monsieur, but when I see men with shaking heads going about like that, +begging their bread from door to door, it turns my blood. I should like +to set the table for them all and touch glasses with them all as I did +just now with Pere Henri. To keep your heart from breaking at such a +sight, you must believe that there is a world up there where those who +have not been summoned to the ordinary here will receive double rations +and double pay." + +"You must hold to that belief," said Arnold; "it will support and +console you. It will be long before I shall forget the hours I have +passed in your house, and I trust they will not be the last." + +"Whenever you choose," said the old soldier; "if you don't find the bed +up there too hard and if you can digest our bacon, come at your +pleasure, and we shall always be under obligations to you." + +He shook the hand that the young man had extended, pointed out the way +that he must take, and did not leave the threshold until he had seen his +guest disappear in the turn of the road. + +For some time Arnold walked with lowered head, but upon reaching the +summit of the hill he turned to take a last backward look, and seeing +the farm-house chimney, above which curled a light wreath of smoke, he +felt a tear of tenderness rise to his eye. + +"May God always protect those who live under that roof!" he murmured; +"for where pride made me see creatures incapable of understanding the +finer qualities of the soul, I have found models for myself. I judged +the depths by the surface and thought poetry absent because, instead of +showing itself without, it hid itself in the heart of the things +themselves; ignorant observer that I was, I pushed aside with my foot +what I thought were pebbles, not guessing that in these rude stones were +hidden diamonds." + + + + +JOHN HOWARD PAYNE AND "HOME, SWEET HOME" + + +About a hundred years ago, a young man, little more than a boy, was +drawing large audiences to the theaters of our eastern cities. New York +received him with enthusiasm, cultured Boston was charmed by his person +and his graceful bearing, while warm-hearted Baltimore fairly outdid +herself in hospitality. Until this time five hundred dollars was a large +sum for a theater to yield in a single night in Baltimore, but people +paid high premiums to hear the boy actor, and a one-evening audience +brought in more than a thousand dollars. + +About the same time in England another boy actor, Master Betty, was +creating great excitement, and him they called the Young Roscius, a name +that was quickly caught up by the admirers of the Yankee youth, who then +became known as the Young American Roscius. + +He was a wonderful boy in every way, was John Howard Payne. One of a +large family of children, several of whom were remarkably bright, he had +from his parents the most careful training, though they were not able +always to give him the advantages they wished. John was born in New York +City, but early moved with his parents to East Hampton, the most eastern +town on the jutting southern point of Long Island. Here in the charming +little village he passed his childhood, a leader among his playmates, +and a favorite among his elders. His slight form, rounded face, +beautiful features and graceful bearing combined to attract also the +marked attention of every stranger who met him. + +At thirteen years of age he was at work in New York, and soon was +discovered to be the editor in secret of a paper called _The Thespian +Mirror_. The merit of this juvenile sheet attracted the attention of +many people, and among them of Mr. Seaman, a wealthy New Yorker who +offered the talented boy an opportunity to go to college free of +expense. Young Payne gladly accepted the invitation, and proceeded to +Union College, where he soon became one of the most popular boys in the +school. His handsome face, graceful manners and elegant delivery were +met with applause whenever he spoke in public, and a natural taste led +him to seek every chance for declamation and acting. Even as a child he +had showed his dramatic ability, and more than once he was urged to go +upon the stage. But his father refused all offers and kept the boy +steadily at his work. + +When he was seventeen, however, two events occurred which changed all +his plans. First his mother died, and then his father failed in +business, and the young man saw that he must himself take up the burdens +of the family. Accordingly he left college before graduation and began +his career as an actor. + +[Illustration: JOHN HOWARD PAYNE + +1791-1852] + +His success was immediate and unusual, if we may judge from the words of +contemporary critics. His first appearance in Boston was on February +24, 1809, as Douglas in _Young Norval_. In this play occurs the +speech that countless American boys have declaimed, "On the Grampian +Hills my father feeds his flocks." Of Payne's rendition a critic says, +"He had all the skill of a finished artist combined with the freshness +and simplicity of youth. Great praise, but there are few actors who can +claim any competition with him." Six weeks later he was playing Hamlet +there, and his elocution is spoken of as remarkable for its purity, his +action as suited to the passion he represented, and his performance as +an exquisite one that delighted his brilliant audience. + + "Upon the stage, a glowing boy appeared + Whom heavenly smiles and grateful thunders cheered; + Then through the throng delighted murmurs ran. + The boy enacts more wonders than a man." + +Another, writing about this time, says, "Young Payne was a perfect Cupid +in his beauty, and his sweet voice, self-possessed yet modest manners, +wit, vivacity and premature wisdom, made him a most engaging prodigy." + +And again, "A more engaging youth could not be imagined; he won all +hearts by the beauty of his person and his captivating address, the +premature richness of his mind and his chaste and flowing utterance." + +His great successes here led him to go to England, where his popularity +was not nearly so great, and where the critics pounced upon him +unmercifully, hurting his feelings beyond repair. Still he succeeded +moderately both in England and on the Continent, until he turned his +attention to writing rather than to acting. _Brutus_, a tragedy, is the +only one of the sixty works which he wrote, translated or adapted, that +ever is played nowadays. In _Clari, the Maid of Milan_, one of his +operas, however, appeared a little song that has made the name of John +Howard Payne eternally famous throughout the world. + +_Home, Sweet Home_ had originally four stanzas, but by common consent +the third and fourth have been dropped because of their inferiority. The +two remaining ones are sung everywhere with heartfelt appreciation, and +the air, whatever its origin, has now association only with the words of +the old home song. Miss Ellen Tree, who sang it in the opera, charmed +her audience instantly, and in the end won her husband through its +melody. + +In 1823, 100,000 copies were sold, and the publishers made 2,000 guineas +from it in two years. In fact, it enriched everybody who had anything to +do with it, except Payne, who sold it originally for L30. + +Perhaps the most noteworthy incident connected with the public rendition +of _Home, Sweet Home_ occurred in Washington at one of the theaters +where Jenny Lind was singing before an audience composed of the first +people of our land. In one of the boxes sat the author, then on a visit +to this country, and a favorite everywhere. The prima donna sang her +greatest classical music and moved her audience to the wildest applause. +Then in response to the renewed calls she stepped to the front of the +stage, turned her face to the box where the poet sat, and in a voice of +marvelous pathos and power sang: + + "Mid pleasures and palaces though we may roam, + Be it ever so humble, there's no place like home! + A charm from the skies seems to hallow us there, + Which, seek through the world, is ne'er met with elsewhere. + Home, Home! Sweet, sweet Home! + There's no place like Home! + There's no place like Home! + +[Illustration: THERE'S NO PLACE LIKE HOME] + + "An exile from home, splendor dazzles in vain! + O, give me my lowly thatched cottage again! + The birds singing gaily that came at my call;-- + Give me them! and the peace of mind dearer than all! + Home, Home! Sweet, sweet Home! + There's no place like Home! + There's no place like Home!"[226-1] + +The audience were moved to tears. Even Daniel Webster, stern man of law, +lost control of himself and wept like a child. + +Payne's later life was not altogether a happy one, and he felt some +resentment against the world, although it may not have been justified. +He was unmarried, but was no more homeless than most bachelors. He +exiled himself voluntarily from his own country, and so lost much of the +delightful result of his own early popularity. He may have been reduced +to privation and suffering, but it was not for long at a time. Some +writers have sought to heighten effect by making the author of the +greatest song of home a homeless wanderer. The truth is that Payne's +unhappiness was largely the result of his own peculiarities. He was +given to poetic exaggeration, for there is now known to be little stern +fact in the following oft-quoted writing of himself: + +"How often have I been in the heart of Paris, Berlin, London or some +other city, and have heard persons singing or hand organs playing _Sweet +Home_ without having a shilling to buy myself the next meal or a place +to lay my head! The world has literally sung my song until every heart +is familiar with its melody, yet I have been a wanderer from my +boyhood. My country has turned me ruthlessly from office and in my old +age I have to submit to humiliation for my bread." + +Upon his own request he was appointed United States consul at Tunis, and +after being removed from that office continued to reside there until his +death. He was buried in Saint George's Cemetery in Tunis, and there his +body rested for more than thirty years, until W. W. Corcoran, a wealthy +resident of Washington, had it disinterred, brought to this country and +buried in the beautiful Oak Hill Cemetery near Washington. There a white +marble shaft surmounted by a bust of the poet marks his last home. On +one side of the shaft is the inscription: + + John Howard Payne, + Author of "Home, Sweet Home." + Born June 9, 1792. Died April 9, 1852. + +On the other side is chiseled this stanza: + + "Sure when thy gentle spirit fled + To realms above the azure dome, + With outstretched arms God's angels said + Welcome to Heaven's Home, Sweet Home." + +Much sentiment has been wasted over Payne, who was really not a great +poet and whose lack of stamina prevented him from grasping the power +already in his hand. We should remember, too, that the astonishing +popularity of _Home, Sweet Home_ is doubtless due more to the glorious +melody of the air, probably composed by some unknown Sicilian, than to +the wording of the two stanzas. + +When we study the verses themselves we see that the first three lines +are rather fine, but the fourth line is clumsy and matter-of-fact +compared with the others. In the second stanza "lowly thatched cottage" +may be a poetic description, but the home longing is not confined to +people who have lived in thatched cottages. Tame singing birds are +interesting, but home stands for higher and holier things. All he asks +for are a thatched cottage, singing birds and peace of mind: a curious +group of things. The fourth line of that stanza is unmusical and +inharmonious. + +These facts make us see that what really has made the song so dear to us +is its sweet music and the powerful emotion that seizes us all when we +think of the home of our childhood. + + +FOOTNOTES: + +[226-1] Capitals and punctuation as written by Payne. + + + + +AULD LANG SYNE[228-1] + +_By_ ROBERT BURNS + + + NOTE.--The song as we know it is not the first song to bear that + title, nor is it entirely original with Robert Burns. It is said + that the second and third stanzas were written by him, but that the + others were merely revised. In a letter to a friend, written in + 1793, Burns says, "The air (of _Auld Lang Syne_) is but mediocre; + but the following song, the old song of the olden time, which has + never been in print, nor even in manuscript, until I took it down + from an old man's singing, is enough to recommend any air." This + refers to the song as we know it, but the friend, a Mr. Thompson, + set the words to an old Lowland air which is the one every one now + uses. + + At an earlier date Burns wrote to another friend: "Is not the + Scottish phrase, _auld lang syne_, exceedingly expressive? There is + an old song and tune that has often thrilled through my soul. + Light be the turf on the breast of the heaven-inspired poet who + composed this glorious fragment." + + We cannot be certain that this refers to the exact wording he + subsequently set down, for there were at least three versions known + at that time. + + Should auld acquaintance be forgot, + And never brought to min'? + Should auld acquaintance be forgot, + And days o' lang syne? + + _For auld lang syne, my dear, + For auld lang syne, + We'll tak a cup o' kindness yet,[229-2] + For auld lang syne._ + + We twa[229-3] hae[229-4] run about the braes,[229-5] + And pou'd[229-6] the gowans[229-7] fine; + But we've wandered mony[229-8] a weary foot + Sin'[229-9] auld lang syne. + _For auld_, etc. + + We twa hae paidl't[229-10] i' the burn,[229-11] + Frae[229-12] mornin' sun till dine;[229-13] + But seas between us braid[229-14] hae roared + Sin' auld lang syne. + _For auld_, etc. + + And here's a hand, my trusty frere,[230-15] + And gie's[230-16] a hand o' thine; + And we'll tak a right guid[230-17] willie-waught[230-18] + For auld lang syne. + _For auld_, etc. + +[Illustration: FOR AULD LANG SYNE] + + And surely ye'll be your pint-stoup,[230-19] + And surely I'll be mine; + And we'll tak a cup o' kindness yet + For auld lang syne. + _For auld_, etc. + + +FOOTNOTES: + +[228-1] Literally, _Auld Lang Syne_ means _Old Long-Since_. It is +difficult to bring out the meaning of the Scotch phrase by a single +English word. Perhaps _The Good Old Times_ comes as near to it as +anything. The song gives so much meaning to the Scotch phrase that now +every man and woman knows what _Auld Lang Syne_ really stands for. + +[229-2] That is, _we will drink for the sake of old times_. + +[229-3] _Twa_ means _two_. + +[229-4] _Hae_ is the Scotch for _have_. + +[229-5] A brae is a sloping hillside. + +[229-6] _Pou'd_ is a contracted form of _pulled_. + +[229-7] Dandelions, daisies and other yellow flowers are called _gowans_ +by the Scotch. + +[229-8] _Mony_ is _many_. + +[229-9] _Sin'_ is a contraction of _since_. + +[229-10] _Paidl't_ means _paddled_. + +[229-11] A burn is a brook. + +[229-12] _Frae_ is the Scotch word for _from_. + +[229-13] _Dine_ means _dinner-time_, _midday_. + +[229-14] _Braid_ is the Scotch form of _broad_. + +[230-15] _Frere_ means _friend_. + +[230-16] _Gie's_ is a contracted form of _give us_. + +[230-17] _Guid_ is the Scottish spelling of _good_. + +[230-18] A willie-waught is a hearty draught. + +[230-19] A pint-stoup is a pint-cup or flagon. + + + + +HOME THEY BROUGHT HER WARRIOR DEAD + +_By_ ALFRED TENNYSON + + + Home they brought her warrior dead: + She nor swoon'd nor utter'd cry: + All her maidens, watching, said, + "She must weep or she will die." + + Then they praised him, soft and low, + Call'd him worthy to be loved, + Truest friend and noblest foe; + Yet she never spoke nor moved. + + Stole a maiden from her place, + Lightly to the warrior stept, + Took a face-cloth from the face; + Yet she neither moved nor wept. + + Rose a nurse of ninety years, + Set his child upon her knee-- + Like summer tempest came her tears-- + "Sweet my child, I live for thee." + +[Illustration] + + + + +CHARLES DICKENS + + +"To begin my life with the beginning of my life," Dickens makes one of +his heroes say, "I record that I was born (as I have been informed and +believe) on a Friday, at twelve o'clock at night." Dickens was born on a +Friday, the date the 7th of February, 1812, the place Landport in +Portsea, England. The house was a comfortable one, and during Charles's +early childhood his surroundings were prosperous; for his father, John +Dickens, a clerk in the navy pay-office, was temporarily in easy +circumstances. When Charles was but two, the family moved to London, +taking lodgings for a time in Norfolk Street, Bloomsbury, and finally +settling in Chatham. Here they lived in comfort, and here Charles gained +more than the rudiments of an education, his earliest teacher being his +mother, who instructed him not only in English, but in Latin also. Later +he became the pupil of Mr. Giles, who seems to have taken in him an +extraordinary interest. + +[Illustration: CHARLES DICKENS + +1812-1870] + +Indeed, he was a child in whom it was difficult not to take an +extraordinary interest. Small for his years, and attacked occasionally +by a sort of spasm which was exceedingly painful, he was not fitted for +much active exercise; but the _aliveness_ which was apparent in him all +his life distinguished him now. He was very fond of reading, and in +_David Copperfield_ he put into the mouth of his hero a description +of his own delight in certain books. "My father had left a small +collection of books in a little room upstairs, to which I had access +(for it adjoined my own), and which nobody else in our house ever +troubled. From that blessed little room, _Roderick Random_, _Peregrine +Pickle_, _Humphrey Clinker_, _Tom Jones_, _The Vicar of Wakefield_, _Don +Quixote_, _Gil Blas_ and _Robinson Crusoe_ came out, a glorious host, to +keep me company. They kept alive my fancy, ... they, and the _Arabian +Nights_ and the _Tales of the Genii_--and did me no harm; for whatever +harm was in some of them was not there for me; I knew nothing of it.... +I have been Tom Jones (a child's Tom Jones, a harmless creature) for a +week together. I have sustained my own idea of Roderick Random for a +month at a stretch, I verily believe. I had a greedy relish for a few +volumes of Voyages and Travels--I forget what, now--that were on those +shelves; and for days and days I can remember to have gone about my +region of our house, armed with the center piece out of an old set of +boot-trees--the perfect realization of Captain Somebody, of the Royal +British Navy, in danger of being beset by savages, and resolved to sell +his life at a great price." + +Not only did the little Charles read all he could lay hands upon; he +made up stories, too, which he told to his small playmates, winning +thereby their wondering admiration. Some of these tales he wrote down, +and thus he became an author in a small way while he was yet a very +small boy. His making believe to be the characters out of books shows +another trait which clung to him all his life--his fondness for +"play-acting." It was, in fact, often said of the mature Dickens that +he would have made as good an actor as he was a novelist, and Dickens's +father seems to have recognized in his little son decided traces of +ability; for often, when there was company at the house, little Charles, +with his face flushed and his eyes shining, would be placed on a table +to sing a comic song, amid the applause of all present. + +His early days were thus very happy; but when he was about eleven years +old, money difficulties beset the family, and they were obliged to move +to a poor part of London. Mrs. Dickens made persistent efforts to open a +school for young ladies, but no one ever showed the slightest intention +of coming. Matters went from bad to worse, and finally Mr. Dickens was +arrested for debt and taken to the Marshalsea prison. The time that +followed was a most painful one to the sensitive boy--far more painful, +it would seem, than to the "Prodigal Father," as Dickens later called +him. This father, whom Dickens long afterward described, in _David +Copperfield_, as Mr. Micawber, was, as his son was always most willing +to testify, a kind, generous man; but he was improvident to the last +degree; and when in difficulties which would have made melancholy any +other man, he was able, by the mere force of his rhetoric, to lift +himself above circumstances or to make himself happy in them. + +At length all the family except the oldest sister, who was at school, +and Charles, went to live in the prison; and Charles was given work in a +blacking-warehouse of which a relative of his mother's was manager. The +sufferings which the boy endured at this time were intense. It was not +only that the work was sordid, monotonous, uncongenial; it was not only +that his pride was outraged; what hurt him most of all was that he +should have been "so easily cast away at such an age," and that "no one +made any sign." He had always yearned for an education; he had always +felt that he must grow up to be worth something. And to see himself +condemned, as he felt with the hopelessness of childhood, for life, to +the society of such boys as he found in the blacking-warehouse, was +almost more than he could endure. During his later life, prosperous and +happy, he could scarcely bear to speak, even to his dearest friends, of +this period of his life. + +Though this period of his life seemed to him long, it was not really so, +for he was not yet thirteen when he was taken from the warehouse and +sent to school. Once given a chance, he learned rapidly and easily, +although in all probability the schools to which he went were not of the +best. After a year or two at school he again began work, but this time +under more hopeful circumstances. He was, to be sure, but an +under-clerk--little more than an office-boy in a solicitor's office; but +at least the surroundings were less sordid and the companions more +congenial. However, he had no intention of remaining an under-clerk, and +he set to work to make himself a reporter. + +Of his difficulties in mastering shorthand he has written feelingly in +that novel which contains so much autobiographical material--_David +Copperfield_. "I bought an approved scheme of the noble art and mystery +of stenography ... and plunged into a sea of perplexity that brought me, +in a few weeks, to the confines of distraction. The changes that were +rung upon dots, which in such a position meant such a thing, and in such +another position something else, entirely different; the wonderful +vagaries that were played by circles; the unaccountable consequences +that resulted from marks like flies' legs, the tremendous effect of a +curve in the wrong place; not only troubled my waking hours, but +reappeared before me in my sleep." + +When Dickens once made up his mind to do a thing, however, he always +went through with it, and before so very long he had perfected himself +in his "art and mystery," and was one of the most rapid and accurate +reporters in London. + +At nineteen he became a reporter of the speeches in Parliament. Before +taking up his newspaper work, he made an attempt to go upon the stage; +but it was not long before he found his true vocation, and abandoned all +thought of the stage as a means of livelihood. In 1833 he published a +sketch in the _Old Monthly Magazine_, and this was the first of those +_Sketches by Boz_ which were published at intervals for the next two +years. + +The year 1836 was a noteworthy one for Dickens, for in that year he +married Catherine Hogarth, the daughter of an associate on the +_Chronicle_; and in that year began the publication of _The Posthumous +Papers of the Pickwick Club_. The publication of the first few numbers +wakened no great enthusiasm, but with the appearance of the fifth +number, in which Sam Weller is introduced, began that popularity which +did not decline until Dickens's death. In fact, as one writer has said, +"In dealing with Dickens, we are dealing with a man whose public success +was a marvel and almost a monstrosity." Every one, old and young, +serious and flippant, talked of _Pickwick_, and it was actually +reported, by no less an authority than Thomas Carlyle, that a solemn +clergyman, being told that he had not long to live, exclaimed, "Well, +thank God, _Pickwick_ will be out in ten days anyway!" + +_Oliver Twist_ followed, and then _Nicholas Nickleby_; and by this time +Dickens began to get, what he did not receive from his first work, +something like his fair share of the enormous profits, so that his +growing family lived in comfort, if not in luxury. When the _Old +Curiosity Shop_, and, later, _Barnaby Rudge_, appeared, the number of +purchasers of the serials rose as high as seventy thousand. + +Early in 1842 Dickens and his wife made a journey to America, leaving +their children in the care of a friend. Shortly after arriving in the +United States he wrote to a friend, "I can give you no conception of my +welcome here. There was never a king or emperor upon the earth so +cheered and followed by crowds, and entertained in public at splendid +balls and dinners, and waited on by public bodies and deputations of all +kinds;" and again, "In every town where we stay, though it be only for a +day, we hold a regular levee or drawing-room, where I shake hands on an +average with five or six hundred people." + +Dickens had come prepared to like America and Americans--and in many +ways he did like them. But in other ways he was disappointed. He +ventured to object, in various speeches, to the pirating, in America, of +English literature, and fierce were the denunciations which this course +drew upon him. Having fancied that in the republic of America he might +have at least free speech on a matter which so closely concerned him, +Dickens resented this treatment, and the Americans resented his +resentment. However, it was with the kindliest feelings toward the many +friends he had made in the United States, and with the most out-spoken +admiration for many American institutions that he left for England. The +publication of his _American Notes_ and of _Martin Chuzzlewit_ did not +tend to reconcile Americans to Dickens; but there seems to have been no +falling off in the sale of his books in this country. + +Dickens's life, like the lives of most literary men, was not +particularly eventful. It was, however, a constantly busy life. Book +followed book in rapid succession, and still their popularity grew. +Sometimes in London, sometimes in Italy or Rome or Switzerland, he +created those wonderful characters of his which will live as long as the +English language. The first of the Christmas books, _A Christmas Carol_, +appeared in 1843, and henceforward one of the things to which people +looked forward at Yuletide was the publication of a new Dickens +Christmas story. + +One diversion--if diversion it can be called--Dickens allowed himself +not infrequently, and enjoyed most thoroughly. This was the production, +sometimes before a selected audience, sometimes in public, of plays, in +which Dickens himself usually took the chief part. Often these plays +were given not only in London, but in various parts of the country, as +benefits for poor authors or actors, or for the widows and families of +such; and always they were astonishingly successful. It is reported that +an old stage prompter or property man said one time to Dickens "Lor, +Mr. Dickens! If it hadn't been for them books, what an actor you would +have made." + +Naturally, a man of Dickens's eminence had as his friends and +acquaintances many of the foremost men of his time, and a most +affectionate and delightful friend he was. His letters fall no whit +below the best of his writing in his novels in their power of +observation, their brightness, their humorous manner of expression. + +In 1849 was begun the publication of _David Copperfield_, Dickens's own +favorite among his novels. It contains, as has already been said, much +that is autobiographical, and one of the most interesting facts in +connection with this phase of it is that there really was, in Dickens's +young days, a "Dora" whom he worshiped. Years later he met her again, +and what his feelings on that occasion must have been may be imagined +when we know that this Dora-grown-older was the original of "Flora" in +_Little Dorrit_. + +The things that Dickens, writing constantly and copiously, found time to +do are wonderful. One of the matters in which he took great interest and +an active part was the children's theatricals. These were held each year +during the Christmas holiday season at Dickens's home, and while his +children and their friends were the principal actors, Dickens +superintended the whole, introduced three-quarters of the fun, and +played grown-up parts, adopting as his stage title the "Modern Garrick." + +Though the story of these crowded years is quickly told, the years were +far from being uneventful in their passing. Occasional sojourns, either +with his family or with friends, in France and in Italy always made +Dickens but the more glad to be in his beloved London, where he seemed +most in his element and where his genius had freest play. This does not +mean that he did not enjoy France and Italy, or appreciate their +beauties, but simply that he was always an Englishman--a city +Englishman. His observations, however, on what he saw in traveling were +always most acute and entertaining. + +His account of his well-nigh unsuccessful attempt to find the house of +Mr. Lowther, English charge d'affaires at Naples, with whom he had been +invited to dine, may be quoted here to show his power of humorous +description: + +"We had an exceedingly pleasant dinner of eight, preparatory to which I +was near having the ridiculous adventure of not being able to find the +house and coming back dinnerless. I went in an open carriage from the +hotel in all state, and the coachman, to my surprise, pulled up at the +end of the Chiaja. + +"'Behold the house' says he, 'of Signor Larthoor!'--at the same time +pointing with his whip into the seventh heaven, where the early stars +were shining. + +"'But the Signor Larthoor,' returns the Inimitable darling, 'lives at +Pausilippo.' + +"'It is true,' says the coachman (still pointing to the evening star), +'but he lives high up the Salita Sant' Antonio, where no carriage ever +yet ascended, and that is the house' (evening star as aforesaid), 'and +one must go on foot. Behold the Salita Sant' Antonio!' + +"I went up it, a mile and a half I should think. I got into the +strangest places, among the wildest Neapolitans--kitchens, +washing-places, archways, stables, vineyards--was baited by dogs, +answered in profoundly unintelligible Neapolitan, from behind lonely +locked doors, in cracked female voices, quaking with fear; could hear of +no such Englishman or any Englishman. By-and-by I came upon a +Polenta-shop in the clouds, where an old Frenchman, with an umbrella +like a faded tropical leaf (it had not rained for six weeks) was staring +at nothing at all, with a snuff-box in his hand. To him I appealed +concerning the Signor Larthoor. + +"'Sir,' said he, with the sweetest politeness, 'can you speak French?' + +"'Sir,' said I, 'a little.' + +"'Sir,' said he, 'I presume the Signor Lootheere'--you will observe that +he changed the name according to the custom of his country--'is an +Englishman.' + +"I admitted that he was the victim of circumstances and had that +misfortune. + +"'Sir,' said he, 'one word more. _Has_ he a servant with a wooden leg?' + +"'Great Heaven, sir,' said I, 'how do I know? I should think not, but it +is possible.' + +"'It is always,' said the Frenchman, 'possible. Almost all the things of +the world are always possible.' + +"'Sir,' said I--you may imagine my condition and dismal sense of my own +absurdity by this time--'that is true.' + +"He then took an immense pinch of snuff, wiped the dust off his +umbrella, led me to an arch commanding a wonderful view of the Bay of +Naples, and pointed deep into the earth from which I had mounted. + +"'Below there, near the lamp, one finds an Englishman, with a servant +with a wooden leg. It is always possible that he is the Signor +Lootheere.' + +"I had been asked at six, and it was now getting on for seven. I went +down again in a state of perspiration and misery not to be described, +and without the faintest hope of finding the place. But as I was going +down to the lamp, I saw the strangest staircase up a dark corner, with a +man in a white waistcoat (evidently hired) standing on the top of it +fuming. I dashed in at a venture, found it was the place, made the most +of the whole story, and was indescribably popular." + +"Indescribably popular" Dickens was almost every place he went. And in +1858 there came to him increased popularity by reason of a new venture. +In this year he began his public readings from his own works, which +brought him in immense sums of money. Through England, Scotland, Ireland +and the United States he journeyed, reading, as only he could read, +scenes humorous and pathetic from his great novels, and everywhere the +effect was the same. + +Descriptive of an evening at Edinburgh, he wrote: "Such a pouring of +hundreds into a place already full to the throat, such indescribable +confusion, such a rending and tearing of dresses, and yet such a scene +of good humor on the whole!... I read with the platform crammed with +people. I got them to lie down upon it, and it was like some impossible +tableau or gigantic picnic; one pretty girl in full dress hang on her +side all night, holding on to one of the legs of my table. And yet from +the moment I began to the moment of my leaving off, they never missed a +point, and they ended with a burst of cheers." + +Meanwhile Dickens's domestic life had not been happy. He and his wife +were not entirely congenial in temper, and the incompatibility increased +with the years, until in 1858 they agreed to live apart. Most of the +children remained with their father, although they were given perfect +freedom to visit their mother. + +Among Dickens's later novels are the _Tale of Two Cities_, _Great +Expectations_, which is one of his very best books, and _Our Mutual +Friend_, which, while as a story it has many faults, yet abounds with +the humor and fancy which are characteristic of Dickens. In October, +1869, was begun _Edwin Drood_, which was published like most of its +predecessors, as a serial. Six numbers appeared, and there the story +closed; for on June 9, 1870, Charles Dickens died, after an illness of +but one day, during all of which he was unconscious. + +His family desired to have him buried near his home, the Gad's Hill +which he had admired from his childhood and had purchased in his +manhood; but the general wish was that he should be laid in Westminster +Abbey, and to this wish his family felt that it would be wrong to +object. For days there were crowds of mourners about the grave, shedding +tears, scattering flowers, testifying to the depth of affection they had +felt for the man who had given them so many happy hours. + + + + +A CHRISTMAS CAROL + +_By_ CHARLES DICKENS + + +STAVE ONE + +_Marley's Ghost_ + +Marley was dead: to begin with. There is no doubt whatever about that. +The register of his burial was signed by the clergyman, the clerk, the +undertaker, and the chief mourner. Scrooge signed it: and Scrooge's name +was good upon 'Change, for anything he chose to put his hand to. Old +Marley was as dead as a door-nail. + +Mind! I don't mean to say that I know, of my own knowledge, what there +is particularly dead about a door-nail. I might have been inclined, +myself, to regard a coffin-nail as the deadest piece of ironmongery in +the trade. But the wisdom of our ancestors is in the simile; and my +unhallowed hands shall not disturb it, or the Country's done for. You +will therefore permit me to repeat, emphatically, that Marley was as +dead as a door-nail. + +Scrooge knew he was dead? Of course he did. How could it be otherwise? +Scrooge and he were partners for I don't know how many years. Scrooge +was his sole executor, his sole administrator, his sole assign, his sole +residuary legatee, his sole friend and sole mourner. And even Scrooge +was not so dreadfully cut up by the sad event, but that he was an +excellent man of business on the very day of the funeral, and solemnized +it with an undoubted bargain. + +The mention of Marley's funeral brings me back to the point I started +from. There is no doubt that Marley was dead. This must be distinctly +understood, or nothing wonderful can come of the story I am going to +relate. If we were not perfectly convinced that Hamlet's Father died +before the play began, there would be nothing more remarkable in his +taking a stroll at night, in an easterly wind, upon his own ramparts, +than there would be in any other middle-aged gentleman rashly turning +out after dark in a breezy spot--say Saint Paul's Churchyard for +instance--literally to astonish his son's weak mind. + +Scrooge never painted out Old Marley's name. There it stood, years +afterwards, above the warehouse door: Scrooge and Marley. The firm was +known as Scrooge and Marley. Sometimes people new to the business called +Scrooge Scrooge and sometimes Marley, but he answered to both names: it +was all the same to him. + +Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a +squeezing, wrenching, grasping, scraping, clutching, covetous, old +sinner! Hard and sharp as flint, from which no steel had even struck out +generous fire; secret, and self-contained, and solitary as an oyster. +The cold within him froze his old features, nipped his pointed nose, +shrivelled his cheek, stiffened his gait; made his eyes red, his thin +lips blue; and spoke out shrewdly in his grating voice. A frosty rime +was on his head, and on his eyebrows, and his wiry chin. He carried his +own low temperature always about with him; he iced his office in the +dog-days; and didn't thaw it one degree at Christmas. + +External heat and cold had little influence on Scrooge. No warmth could +warm, nor wintry weather chill him. No wind that blew was bitterer than +he, no falling snow was more intent upon its purpose, no pelting rain +less open to entreaty. Foul weather didn't know where to have him. The +heaviest rain, and snow, and hail, and sleet, could boast of the +advantage over him in only one respect. They often "came down" +handsomely, and Scrooge never did. + +Nobody ever stopped him in the street to say, with gladsome looks, "My +dear Scrooge, how are you? When will you come to see me?" No beggars +implored him to bestow a trifle, no children asked him what it was +o'clock, no man or woman ever once in all his life inquired the way to +such and such a place, of Scrooge. Even the blind men's dogs appeared to +know him; and when they saw him coming on, would tug their owners into +doorways and up courts; and then would wag their tails as though they +said, "No eye at all is better than an evil eye, dark master!" + +But what did Scrooge care? It was the very thing he liked. To edge his +way along the crowded paths of life, warning all human sympathy to keep +its distance, was what the knowing ones call "nuts" to Scrooge. + +Once upon a time--of all the good days in the year, on Christmas +Eve--old Scrooge sat busy in his counting-house. It was cold, bleak, +biting weather: foggy withal: and he could hear the people in the court +outside go wheezing up and down, beating their hands upon their breasts, +and stamping their feet upon the pavement stones to warm them. The City +clocks had only just gone three, but it was quite dark already: it had +not been light all day: and candles were flaring in the windows of the +neighboring offices, like ruddy smears upon the palpable brown air. The +fog came pouring in at every chink and keyhole, and was so dense +without, that although the court was of the narrowest, the houses +opposite were mere phantoms. To see the dingy cloud come drooping down, +obscuring everything, one might have thought that Nature lived hard by, +and was brewing on a large scale.[247-1] + +The door of Scrooge's counting-house was open that he might keep his eye +upon his clerk, who in a dismal little cell beyond, a sort of tank, was +copying letters. Scrooge had a very small fire, but the clerk's fire was +so very much smaller that it looked like one coal. But he couldn't +replenish it, for Scrooge kept the coal-box in his own room; and so +surely as the clerk came in with the shovel, the master predicted that +it would be necessary for them to part. Wherefore the clerk put on his +white comforter, and tried to warm himself at the candle; in which +effort, not being a man of strong imagination, he failed. + +"A merry Christmas, uncle! God save you!" cried a cheerful voice. It was +the voice of Scrooge's nephew, who came upon him so quickly that this +was the first intimation he had of his approach. + +"Bah!" said Scrooge. "Humbug!" + +He had so heated himself with rapid walking in the fog and frost, this +nephew of Scrooge's, that he was all in a glow; his face was ruddy and +handsome; his eyes sparkled, and his breath smoked again. + +"Christmas a humbug, uncle!" said Scrooge's nephew. "You don't mean +that, I am sure." + +"I do," said Scrooge. "Merry Christmas! What right have you to be merry? +What reason have you to be merry? You're poor enough." + +"Come, then," returned the nephew gaily. "What right have you to be +dismal? What reason have you to be morose? You're rich enough." + +Scrooge having no better answer ready on the spur of the moment, said, +"Bah!" again; and followed it up with "Humbug." + +"Don't be cross, uncle," said the nephew. + +"What else can I be," returned the uncle, "when I live in such a world +of fools as this? Merry Christmas! Out upon merry Christmas! What's +Christmas time to you but a time for paying bills without money; a time +for finding yourself a year older, but not an hour richer; a time for +balancing your books and having every item in 'em through a round dozen +months presented dead against you? If I could work my will," said +Scrooge, indignantly, "every idiot who goes about with 'Merry Christmas' +on his lips, should be boiled with his own pudding, and buried with a +stake of holly through his heart. He should!" + +"Uncle!" pleaded the nephew. + +"Nephew!" returned the uncle, sternly, "keep Christmas in your own way, +and let me keep it in mine." + +"Keep it!" repeated Scrooge's nephew. "But you don't keep it." + +"Let me leave it alone, then," said Scrooge. "Much good may it do you! +Much good it has ever done you!" + +"There are many things from which I might have derived good, by which I +have not profited, I dare say," returned the nephew: "Christmas among +the rest. But I am sure I have always thought of Christmas time, when it +has come round--apart from the veneration due to its sacred name and +origin, if anything belonging to it can be apart from that--as a good +time: a kind, forgiving, charitable, pleasant time: the only time I know +of, in the long calendar of the year, when men and women seem by one +consent to open their shut-up hearts freely, and to think of people +below them as if they really were fellow-passengers to the grave, and +not another race of creatures bound on other journeys. And therefore, +uncle, though it has never put a scrap of gold or silver in my pocket, I +believe that it _has_ done me good, and _will_ do me good; and I say, +God bless it!" + +The clerk in the Tank involuntarily applauded: becoming immediately +sensible of the impropriety, he poked the fire, and extinguished the +last frail spark for ever. + +"Let me hear another sound from _you_," said Scrooge, "and you'll keep +your Christmas by losing your situation. You're quite a powerful +speaker, Sir," he added, turning to his nephew. "I wonder you don't go +into Parliament." + +"Don't be angry, uncle. Come! Dine with us to-morrow." + +Scrooge said that he would see him--yes, indeed he did. He went the +whole length of the expression, and said that he would see him in that +extremity first. + +"But why?" cried Scrooge's nephew. "Why?" + +"Why did you get married?" said Scrooge. + +"Because I fell in love." + +"Because you fell in love!" growled Scrooge, as if that were the only +one thing in the world more ridiculous than a merry Christmas. "Good +afternoon!" + +"Nay, uncle, but you never came to see me before that happened. Why give +it as a reason for not coming now?" + +"Good afternoon," said Scrooge. + +"I want nothing from you; I ask nothing of you; why cannot we be +friends?" + +"Good afternoon," said Scrooge. + +"I am sorry, with all my heart, to find you so resolute. We have never +had any quarrel to which I have been a party. But I have made the trial +in homage to Christmas, and I'll keep my Christmas humour to the last. +So A Merry Christmas, uncle!" + +"Good afternoon!" said Scrooge. + +"And A Happy New Year!" + +"Good afternoon!" said Scrooge. + +His nephew left the room without an angry word, notwithstanding. He +stopped at the outer door to bestow the greetings of the season on the +clerk, who, cold as he was, was warmer than Scrooge; for he returned +them cordially. + +"There's another fellow," muttered Scrooge; who overheard him: "my +clerk, with fifteen shillings a week, and a wife and family, talking +about a merry Christmas. I'll retire to Bedlam."[251-2] + +This lunatic, in letting Scrooge's nephew out, had let two other people +in. They were portly gentlemen, pleasant to behold, and now stood, with +their hats off, in Scrooge's office. They had books and papers in their +hands, and bowed to him. + +"Scrooge and Marley's, I believe," said one of the gentlemen, referring +to his list. "Have I the pleasure of addressing Mr. Scrooge, or Mr. +Marley?" + +"Mr. Marley has been dead these seven years," Scrooge replied. "He died +seven years ago, this very night." + +"We have no doubt his liberality is well represented by his surviving +partner," said the gentleman, presenting his credentials. + +It certainly was; for they had been two kindred spirits. At the ominous +word "liberality," Scrooge frowned, and shook his head, and handed the +credentials back. + +"At this festive season of the year, Mr. Scrooge," said the gentleman, +taking up a pen, "it is more than usually desirable that we should make +some slight provision for the poor and destitute, who suffer greatly at +the present time. Many thousands are in want of common necessaries; +hundreds of thousands are in want of common comforts, Sir." + +"Are there no prisons?" asked Scrooge. + +"Plenty of prisons," said the gentleman, laying down the pen again. + +"And the Union workhouses?"[252-3] demanded Scrooge. "Are they still in +operation?" + +"They are. Still," returned the gentleman, "I wish I could say they were +not." + +"The Treadmill[252-4] and the Poor Law are in full vigour, then?" said +Scrooge. + +"Both very busy, Sir." + +"Oh! I was afraid, from what you said at first, that something had +occurred to stop them in their useful course," said Scrooge. "I'm very +glad to hear it." + +"Under the impression that they scarcely furnish Christian cheer of mind +or body to the multitude," returned the gentleman, "a few of us are +endeavoring to raise a fund to buy the poor some meat and drink, and +means of warmth. We choose this time, because it is a time, of all +others, when want is keenly felt, and abundance rejoices. What shall I +put you down for?" + +"Nothing!" Scrooge replied. + +"You wish to be anonymous?" + +"I wish to be left alone," said Scrooge. "Since you ask me what I wish, +gentlemen, that is my answer. I don't make merry myself at Christmas, +and I can't afford to make idle people merry. I help to support the +establishments I have mentioned: they cost enough: and those who are +badly off must go there." + +"Many can't go there; and many would rather die." + +"If they would rather die," said Scrooge, "they had better do it, and +decrease the surplus population. Besides--excuse me--I don't know that." + +"But you might know it," observed the gentleman. + +"It's not my business," Scrooge returned. "It's enough for a man to +understand his own business, and not to interfere with other people's. +Mine occupies me constantly. Good afternoon, gentlemen!" + +Seeing clearly that it would be useless to pursue their point, the +gentlemen withdrew. Scrooge resumed his labours with an improved opinion +of himself, and in more facetious temper than was usual with him. + +Meanwhile the fog and darkness thickened so, that the people ran about +with flaring links,[253-5] proffering their services to go before horses +in carriages, and conduct them on their way. The ancient tower of a +church, whose gruff old bell was always peeping slily down at Scrooge +out of a gothic window in the wall, became invisible, and struck the +hours and quarters in the clouds, with tremulous vibrations afterwards +as if its teeth were chattering in its frozen head up there. The cold +became intense. In the main street at the corner of the court, some +labourers were repairing the gas-pipes, and had lighted a great fire in +a brazier, round which a party of ragged men and boys were gathered: +warming their hands and winking their eyes before the blaze in rapture. +The water-plug being left in solitude, its overflowings sullenly +congealed, and turned to misanthropic ice. The brightness of the shop +where holly sprigs and berries crackled in the lamp heat of the windows, +made pale faces ruddy as they passed. Poulterers' and grocers' trades +became a splendid joke: a glorious pageant, with which it was next to +impossible to believe that such dull principles as bargain and sale had +anything to do. The Lord Mayor, in the stronghold of the mighty Mansion +House, gave orders to his fifty cooks and butlers to keep Christmas as a +Lord Mayor's household should; and even the little tailor, whom he had +fined five shillings on the previous Monday for being drunk and +bloodthirsty in the streets, stirred up to-morrow's pudding in his +garret, while his lean wife and the baby sallied out to buy the beef. + +Foggier yet, and colder! Piercing, searching, biting cold. If the good +Saint Dunstan[254-6] had but nipped the Evil Spirit's nose with a touch +of such weather as that, instead of using his familiar weapons, then +indeed he would have roared to lusty purpose. The owner of one scant +young nose, gnawed and mumbled by the hungry cold as bones are gnawed by +dogs, stooped down at Scrooge's keyhole to regale him with a Christmas +carol: but at the first sound of + + "God bless you, merry gentlemen! + May nothing you dismay!"[254-7] + +Scrooge seized the ruler with such energy of action, that the singer +fled in terror, leaving the keyhole to the fog and even more congenial +frost. + +At length the hour of shutting up the counting-house arrived. With an +ill-will Scrooge dismounted from his stool, and tacitly admitted the +fact to the expectant clerk in the Tank, who instantly snuffed his +candle out, and put on his hat. + +[Illustration: THE CLERK SMILED FAINTLY] + +"You'll want all day to-morrow, I suppose?" said Scrooge. + +"If quite convenient, Sir." + +"It's not convenient," said Scrooge, "and it's not fair. If I was to +stop half-a-crown for it, you'd think yourself ill-used, I'll be bound?" + +The clerk smiled faintly. + +"And yet," said Scrooge, "you don't think _me_ ill-used, when I pay a +day's wages for no work." + +The clerk observed that it was only once a year. + +"A poor excuse for picking a man's pocket every twenty-fifth of +December!" said Scrooge, buttoning his great-coat to the chin. "But I +suppose you must have the whole day. Be here all the earlier next +morning!" + +The clerk promised that he would; and Scrooge walked out with a growl. +The office was closed in a twinkling, and the clerk, with the long ends +of his white comforter dangling below his waist (for he boasted no +great-coat), went down a slide on Cornhill, at the end of a lane of +boys, twenty times, in honour of its being Christmas Eve, and then ran +home to Camden Town as hard as he could pelt, to play at +blindman's-buff. + +Scrooge took his melancholy dinner in his usual melancholy tavern; and +having read all the newspapers, and beguiled the rest of the evening +with his banker's-book, went home to bed. He lived in chambers which had +once belonged to his deceased partner. They were a gloomy suite of +rooms, in a lowering pile of building up a yard, where it had so little +business to be, that one could scarcely help fancying it must have run +there when it was a young house, playing at hide-and-seek with other +houses, and have forgotten the way out again. It was old enough now, and +dreary enough, for nobody lived in it but Scrooge, the other rooms +being all let out as offices. The yard was so dark that even Scrooge, +who knew its every stone, was fain to grope with his hands. The fog and +frost so hung about the black old gateway of the house, that it seemed +as if the Genius of the Weather sat in mournful meditation on the +threshold. Now, it is a fact, that there was nothing at all particular +about the knocker on the door, except that it was very large. It is also +a fact, that Scrooge had seen it, night and morning, during his whole +residence in that place; also that Scrooge had as little of what is +called fancy about him as any man in the City of London, even +including--which is a bold word--the corporation, aldermen, and livery. +Let it also be borne in mind that Scrooge had not bestowed one thought +on Marley, since his last mention of his seven-years' dead partner that +afternoon. And then let any man explain to me, if he can, how it +happened that Scrooge, having his key in the lock of the door, saw in +the knocker, without its undergoing any intermediate process of change, +not a knocker, but Marley's face. + +Marley's face. It was not in impenetrable shadow as the other objects in +the yard were, but had a dismal light about it, like a bad lobster in a +dark cellar. It was not angry or ferocious, but looked at Scrooge as +Marley used to look: with ghostly spectacles turned up on its ghostly +forehead. The hair was curiously stirred, as if by breath or hot air; +and, though the eyes were wide open, they were perfectly motionless. +That, and its livid colour, made it horrible; but its horror seemed to +be in spite of the face and beyond its control, rather than a part of +its own expression. + +As Scrooge looked fixedly at this phenomenon, it was a knocker again. + +To say that he was not startled, or that his blood was not conscious of +a terrible sensation to which it had been a stranger from infancy, would +be untrue. But he put his hand upon the key he had relinquished, turned +it sturdily, walked in, and lighted his candle. + +He _did_ pause, with a moment's irresolution, before he shut the door; +and he _did_ look cautiously behind it first, as if he half expected to +be terrified with the sight of Marley's pigtail sticking out into the +hall. But there was nothing on the back of the door, except the screws +and nuts that held the knocker on; so he said "Pooh, pooh!" and closed +it with a bang. + +The sound resounded through the house like thunder. Every room above, +and every cask in the wine-merchant's cellars below, appeared to have a +separate peal of echoes of its own. Scrooge was not a man to be +frightened by echoes. He fastened the door, and walked across the hall, +and up the stairs, slowly too, trimming his candle as he went. + +You may talk vaguely about driving a coach-and-six up a good old flight +of stairs, or through a bad young Act of Parliament; but I mean to say +you might have got a hearse up that staircase, and taken it broadwise, +with the splinter-bar[258-8] towards the wall, and the door towards the +balustrades: and done it easy. There was plenty of width for that, and +room to spare; which is perhaps the reason why Scrooge thought he saw a +locomotive hearse going on before him in the gloom. Half-a-dozen +gas-lamps out of the street wouldn't have lighted the entry too well, so +you may suppose that it was pretty dark with Scrooge's dip. + +Up Scrooge went, not caring a button for that: darkness is cheap, and +Scrooge liked it. But before he shut his heavy door, he walked through +his rooms to see that all was right. He had just enough recollection of +the face to desire to do that. + +Sitting-room, bedroom, lumber-room. All as they should be. Nobody under +the table, nobody under the sofa; a small fire in the grate; spoon and +basin ready; and the little saucepan of gruel (Scrooge had a cold in his +head) upon the hob. Nobody under the bed; nobody in the closet; nobody +in his dressing-gown, which was hanging up in a suspicious attitude +against the wall. Lumber-room as usual. Old fire-guard, old shoes, two +fish-baskets, washing-stand on three legs, and a poker. + +Quite satisfied, he closed his door, and locked himself in; +double-locked himself in, which was not his custom. Thus secured against +surprise, he took off his cravat; put on his dressing-gown and slippers, +and his nightcap; and sat down before the fire to take his gruel. + +It was a very low fire indeed; nothing on such a bitter night. He was +obliged to sit close to it, and brood over it, before he could extract +the least sensation of warmth from such a handful of fuel. The fireplace +was an old one, built by some Dutch merchant long ago, and paved all +round with quaint Dutch tiles, designed to illustrate the Scriptures. +There were Cains and Abels, Pharaoh's daughters, Queens of Sheba, +angelic messengers descending through the air on clouds like +feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in +butter-boats, hundreds of figures, to attract his thoughts; and yet that +face of Marley, seven years dead, came like the ancient Prophet's rod, +and swallowed up the whole. If each smooth tile had been a blank at +first, with power to shape some picture on its surface, from the +disjointed fragments of his thoughts, there would have been a copy of +old Marley's head on every one. + +"Humbug!" said Scrooge; and walked across the room. + +After several turns, he sat down again. As he threw his head back in the +chair, his glance happened to rest upon a bell, a disused bell, that +hung in the room, and communicated for some purpose now forgotten with a +chamber in the highest story of the building. It was with great +astonishment, and with a strange, inexplicable dread, that as he looked, +he saw this bell begin to swing. It swung so softly in the outset that +it scarcely made a sound; but soon it rang out loudly, and so did every +bell in the house. This might have lasted half a minute, or a minute, +but it seemed an hour. The bells ceased as they had begun, together. +They were succeeded by a clanking noise, deep down below; as if some +person were dragging a heavy chain over the casks in the wine-merchant's +cellar. Scrooge then remembered to have heard that ghosts in haunted +houses were described as dragging chains. + +The cellar-door flew open with a booming sound, and then he heard the +noise much louder, on the floors below; then coming up the stairs; then +coming straight towards his door. + +"It's humbug still!" said Scrooge. "I won't believe it." + +His colour changed though, when, without a pause, it came on through the +heavy door, and passed into the room before his eyes. Upon its coming +in, the flame leaped up, as though it cried "I know him! Marley's +Ghost!" and fell again. + +The same face: the very same. Marley in his pigtail, usual waistcoat, +tights and boots; the tassels on the latter bristling, like his pigtail, +and his coat-skirts, and the hair upon his head. The chain he drew was +clasped about his middle. It was long, and wound about him like a tail; +and it was made (for Scrooge observed it closely) of cash-boxes, keys, +padlocks, ledgers, deeds, and heavy purses wrought in steel. His body +was transparent; so that Scrooge, observing him, and looking through his +waistcoat, could see the two buttons on his coat behind. + +Scrooge had often heard it said that Marley had no bowels[261-9], but he +had never believed it until now. + +No, nor did he believe it even now. Though he looked the phantom through +and through, and saw it standing before him; though he felt the chilling +influence of its death-cold eyes; and marked the very texture of the +folded kerchief bound about its head and chin, which wrapper he had not +observed before: he was still incredulous, and fought against his +senses. + +"How now!" said Scrooge, caustic and cold as ever. "What do you want +with me?" + +"Much!"--Marley's voice, no doubt about it. + +"Who are you?" + +"Ask me who I _was_." + +"Who _were_ you then?" said Scrooge, raising his voice. "You're +particular--for a shade." He was going to say "_to_ a shade," but +substituted this, as more appropriate. + +"In life I was your partner, Jacob Marley." + +"Can you--can you sit down?" asked Scrooge, looking doubtfully at him. + +"I can." + +"Do it then." + +Scrooge asked the question, because he didn't know whether a ghost so +transparent might find himself in a condition to take a chair; and felt +that in the event of its being impossible, it might involve the +necessity of an embarrassing explanation. But the Ghost sat down on the +opposite side of the fireplace, as if he were quite used to it. + +"You don't believe in me," observed the Ghost. + +"I don't," said Scrooge. + +"What evidence would you have of my reality beyond that of your senses?" + +"I don't know," said Scrooge. + +"Why do you doubt your senses?" + +"Because," said Scrooge, "a little thing affects them. A slight disorder +of the stomach makes them cheats. You may be an undigested bit of beef, +a blot of mustard, a crumb of cheese, a fragment of an underdone potato. +There's more of gravy than of grave about you, whatever you are!" + +Scrooge was not much in the habit of cracking jokes, nor did he feel, in +his heart, by any means waggish then. The truth is, that he tried to be +smart, as a means of distracting his own attention, and keeping down his +terror; for the spectre's voice disturbed the very marrow in his bones. + +[Illustration: "IN LIFE I WAS YOUR PARTNER, JACOB MARLEY"] + +To sit staring at those fixed, glazed eyes in silence for a moment, +would play, Scrooge felt, the very deuce with him. There was something +very awful, too, in the spectre's being provided with an infernal +atmosphere of its own. Scrooge could not feel it himself, but this was +clearly the case; for though the Ghost sat perfectly motionless, its +hair, and skirts, and tassels, were still agitated as by the hot vapour +from an oven. + +"You see this toothpick?" said Scrooge, returning quickly to the charge, +for the reason just assigned; and wishing, though it were only for a +second, to divert the vision's stony gaze from himself. + +"I do," replied the Ghost. + +"You are not looking at it," said Scrooge. + +"But I see it," said the Ghost, "notwithstanding." + +"Well!" returned Scrooge. "I have but to swallow this, and be for the +rest of my days persecuted by a legion of goblins, all of my own +creation. Humbug, I tell you--humbug!" + +At this the spirit raised a frightful cry, and shook its chain with such +a dismal and appalling noise, that Scrooge held on tight to his chair, +to save himself from falling in a swoon. But how much greater was his +horror, when, the phantom taking off the bandage round its head, as if +it were too warm to wear indoors, its lower jaw dropped down upon its +breast! + +Scrooge fell upon his knees, and clasped his hands before his face. + +"Mercy!" he said. "Dreadful apparition, why do you trouble me?" + +"Man of the worldly mind!" replied the Ghost, "do you believe in me or +not?" + +"I do," said Scrooge. "I must. But why do spirits walk the earth, and +why do they come to me?" + +"It is required of every man," the Ghost returned, "that the spirit +within him should walk abroad among his fellow-men, and travel far and +wide; and if that spirit goes not forth in life, it is condemned to do +so after death. It is doomed to wander through the world--oh, woe is +me!--and witness what it cannot share, but might have shared on earth, +and turned to happiness!" + +Again the spectre raised a cry, and shook its chain, and wrung its +shadowy hands. + +"You are fettered," said Scrooge, trembling. "Tell me why?" + +"I wear the chain I forged in life," replied the Ghost. "I made it link +by link, and yard by yard; I girded it on of my own free will, and of my +own free will I bore it. Is its pattern strange to _you_?" + +Scrooge trembled more and more. + +"Or would you know," pursued the Ghost, "the weight and length of the +strong coil you bear yourself? It was full as heavy and as long as this, +seven Christmas Eves ago. You have laboured on it, since. It is a +ponderous chain!" + +Scrooge glanced about him on the floor, in the expectation of finding +himself surrounded by some fifty or sixty fathoms of iron cable: but he +could see nothing. + +"Jacob," he said, imploringly. "Old Jacob Marley, tell me more. Speak +comfort to me, Jacob." + +"I have none to give," the Ghost replied. "It comes from other regions, +Ebenezer Scrooge, and is conveyed by other ministers, to other kinds of +men. Nor can I tell you what I would. A very little more, is all +permitted to me. I cannot rest, I cannot stay, I cannot linger anywhere. +My spirit never walked beyond our counting-house--mark me!--in life my +spirit never roved beyond the narrow limits of our money-changing hole +and weary journeys lie before me!" + +It was a habit with Scrooge, whenever he became thoughtful, to put his +hands in his breeches pockets. Pondering on what the Ghost had said, he +did so now, but without lifting his eyes, or getting off his knees. "You +must have been very slow about it, Jacob," Scrooge observed, in a +business-like manner, though with humility and deference. + +"Slow!" the Ghost repeated. + +"Seven years dead," mused Scrooge. "And travelling all the time!" + +"The whole time," said the Ghost. "No rest, no peace. Incessant torture +of remorse." + +"You travel fast?" said Scrooge. + +"On the wings of the wind," replied the Ghost. + +"You might have got over a great quantity of ground in seven years," +said Scrooge. + +The Ghost, on hearing this, set up another cry, and clanked its chain so +hideously in the dead silence of the night, that the Ward would have +been justified in indicting it for a nuisance. + +"Oh! captive, bound, and double-ironed," cried the phantom, "not to +know, that ages of incessant labour, by immortal creatures, for this +earth must pass into eternity before the good of which it is susceptible +is all developed. Not to know that any Christian spirit working kindly +in its little sphere, whatever it may be, will find its mortal life too +short for its vast means of usefulness. Not to know that no space of +regret can make amends for one life's opportunity misused! Yet such was +I! Oh! such was I!" + +"But you were always a good man of business, Jacob," faltered Scrooge, +who now began to apply this to himself. + +"Business!" cried the Ghost, wringing its hands again. "Mankind was my +business. The common welfare was my business; charity, mercy, +forbearance, and benevolence, were, all, my business. The dealings of my +trade were but a drop of water in the comprehensive ocean of my +business!" + +It held up its chain at arm's length, as if that were the cause of all +its unavailing grief, and flung it heavily upon the ground again. + +"At this time of the rolling year," the spectre said, "I suffer most. +Why did I walk through crowds of fellow-beings with my eyes turned down, +and never raise them to that blessed Star which led the Wise Men to a +poor abode! Were there no poor homes to which its light would have +conducted _me_?" + +Scrooge was very much dismayed to hear the spectre going on at this +rate, and began to quake exceedingly. + +"Hear me!" cried the Ghost. "My time is nearly gone." + +"I will," said Scrooge. "But don't be hard upon me! Don't be flowery, +Jacob! Pray!" + +"How it is that I appear before you in a shape that you can see, I may +not tell. I have sat invisible beside you many and many a day." + +It was not an agreeable idea. Scrooge shivered, and wiped the +perspiration from his brow. + +"That is no light part of my penance," pursued the Ghost. "I am here +to-night to warn you, that you have yet a chance and hope of escaping my +fate. A chance and hope of my procuring, Ebenezer." + +"You were always a good friend to me," said Scrooge. "Thank'ee!" + +"You will be haunted," resumed the Ghost, "by Three Spirits." + +Scrooge's countenance fell almost as low as the Ghost's had done. + +"Is that the chance and hope you mentioned, Jacob," he demanded, in a +faltering voice. + +"It is." + +"I--I think I'd rather not," said Scrooge. + +"Without their visits," said the Ghost, "you cannot hope to shun the +path I tread. Expect the first to-morrow, when the bell tolls one." + +"Couldn't I take 'em all at once, and have it over, Jacob?" hinted +Scrooge. + +"Expect the second on the next night at the same hour. The third upon +the next night when the last stroke of twelve has ceased to vibrate. +Look to see me no more; and look that, for your own sake, you remember +what has passed between us!" + +When it had said these words, the spectre took its wrapper from the +table, and bound it round its head, as before. Scrooge knew this, by the +smart sound its teeth made, when the jaws were brought together by the +bandage. He ventured to raise his eyes again, and found his supernatural +visitor confronting him in an erect attitude, with its chain wound over +and about its arm. + +The apparition walked backward from him; and at every step it took, the +window raised itself a little, so that when the spectre reached it, it +was wide open. It beckoned Scrooge to approach, which he did. When they +were within two paces of each other, Marley's Ghost held up its hand, +warning him to come no nearer. Scrooge stopped. + +Not so much in obedience, as in surprise and fear: for on the raising of +the hand, he became sensible of confused noises in the air; incoherent +sounds of lamentation and regret; wailings inexpressibly sorrowful and +self-accusatory. The spectre, after listening for a moment, joined in +the mournful dirge; and floated out upon the bleak, dark night. + +Scrooge followed to the window: desperate in his curiosity. He looked +out. + +The air was filled with phantoms, wandering hither and thither in +restless haste, and moaning as they went. Every one of them wore chains +like Marley's Ghost; some few (they might be guilty governments) were +linked together; none were free. Many had been personally known to +Scrooge in their lives. He had been quite familiar with one old ghost, +in a white waistcoat, with a monstrous iron safe attached to his ankle, +who cried piteously at being unable to assist a wretched woman with an +infant, whom it saw below upon a door-step. The misery with them all +was, clearly, that they sought to interfere, for good, in human matters, +and had lost the power for ever. + +Whether these creatures faded into mist, or mist enshrouded them, he +could not tell. But they and their spirit voices faded together; and the +night became as it had been when he walked home. + +Scrooge closed the window, and examined the door by which the Ghost had +entered. It was double-locked, as he had locked it with his own hands, +and the bolts were undisturbed. He tried to say "Humbug!" but stopped at +the first syllable. And being, from the emotion he had undergone, or the +fatigues of the day, or his glimpse of the Invisible World, or the dull +conversation of the Ghost, or the lateness of the hour, much in need of +repose; went straight to bed, without undressing, and fell asleep upon +the instant. + + +STAVE TWO + +_The First of the Three Spirits_ + +When Scrooge awoke, it was so dark, that looking out of bed, he could +scarcely distinguish the transparent window from the opaque walls of his +chamber. He was endeavoring to pierce the darkness with his ferret eyes, +when the chimes of a neighboring church struck the four quarters. So he +listened for the hour. + +To his great astonishment the heavy bell went on from six to seven, and +from seven to eight, and regularly up to twelve; then stopped. Twelve! +It was past two when he went to bed. The clock was wrong. An icicle must +have got into the works. Twelve! + +He touched the spring of his repeater, to correct this most preposterous +clock. Its rapid little pulse beat twelve; and stopped. + +"Why, it isn't possible," said Scrooge, "that I can have slept through a +whole day and far into another night. It isn't possible that anything +has happened to the sun, and this is twelve at noon!" + +The big idea being an alarming one, he scrambled out of bed, and groped +his way to the window. He was obliged to rub the frost off with the +sleeve of his dressing-gown before he could see anything; and could see +very little then. All he could make out was, that it was still very +foggy and extremely cold, and that there was no noise of people running +to and fro, and making a great stir, as there unquestionably would have +been if night had beaten off bright day, and taken possession of the +world. This was a great relief, because "three days after sight of this +First of Exchange pay to Mr. Ebenezer Scrooge or his order," and so +forth, would have become a mere United States' security if there were no +days to count by. + +Scrooge went to bed again, and thought, and thought, and thought it over +and over and over, and could make nothing of it. The more he thought, +the more perplexed he was; and the more he endeavoured not to think, the +more he thought. Marley's Ghost bothered him exceedingly. Every time he +resolved within himself, after mature inquiry, that it was all a dream, +his mind flew back again, like a strong spring released, to its first +position, and presented the same problem to be worked all through, "Was +it a dream or not?" + +Scrooge lay in this state until the chimes had gone three quarters more, +when he remembered, on a sudden, that the Ghost had warned him of a +visitation when the bell tolled one. He resolved to lie awake until the +hour was passed; and, considering that he could no more go to sleep than +go to Heaven, this was perhaps the wisest resolution in his power. + +The quarter was so long, that he was more than once convinced he must +have sunk into a doze unconsciously, and missed the clock. At length it +broke upon his listening ear. + +"Ding, dong!" + +"A quarter past," said Scrooge, counting. + +"Ding, dong!" + +"Half-past!" said Scrooge. + +"Ding, dong!" + +"A quarter to it," said Scrooge. + +"Ding, dong!" + +"The hour itself," said Scrooge, triumphantly, "and nothing else!" + +He spoke before the hour bell sounded, which it now did with a deep, +dull, hollow, melancholy One. Light flashed up in the room upon the +instant, and the curtains of his bed were drawn. + +The curtains of his bed were drawn aside, I tell you, by a hand. Not the +curtains at his feet, nor the curtains at his back, but those to which +his face was addressed. The curtains of his bed were drawn aside; and +Scrooge, starting up into a half-recumbent attitude, found himself face +to face with the unearthly visitor who drew them: as close to it as I am +now to you, and I am standing in the spirit at your elbow. + +It was a strange figure--like a child: yet not so like a child as like +an old man, viewed through some supernatural medium, which gave him the +appearance of having receded from the view, and being diminished to a +child's proportions. Its hair, which hung about its neck and down its +back, was white as if with age; and yet the face had not a wrinkle in +it, and the tenderest bloom was on the skin. The arms were very long and +muscular; the hands the same, as if its hold were of uncommon strength. +Its legs and feet, most delicately formed, were, like those upper +members, bare. It wore a tunic of the purest white; and round its waist +was bound a lustrous belt, the sheen of which was beautiful. It held a +branch of fresh green holly in its hand; and, in singular contradiction +of that wintry emblem, had its dress trimmed with summer flowers. But +the strangest thing about it was, that from the crown of its head there +sprang a bright clear jet of light, by which all this was visible; and +which was doubtless the occasion of its using, in its duller moments, a +great extinguisher for a cap, which it now held under its arm. + +Even this, though, when Scrooge looked at it with increasing steadiness, +was _not_ its strangest quality. For as its belt sparkled and glittered +now in one part and now in another, and what was light one instant, at +another time was dark, so the figure itself fluctuated in its +distinctness: being now a thing with one arm, now with one leg, now with +twenty legs, now a pair of legs without a head, now a head without a +body: of which dissolving parts, no outline would be visible in the +dense gloom wherein they melted away. And in the very wonder of this, it +would be itself again; distinct and clear as ever. + +"Are you the Spirit, Sir, whose coming was foretold to me?" asked +Scrooge. + +"I am!" + +The voice was soft and gentle. Singularly low, as if instead of being so +close beside him, it were at a distance. + +"Who, and what are you?" Scrooge demanded. + +"I am the Ghost of Christmas Past." + +"Long past?" inquired Scrooge, observant of its dwarfish stature. + +"No. Your past." + +Perhaps, Scrooge could not have told anybody why, if anybody could have +asked him; but he had a special desire to see the Spirit in his cap; +and begged him to be covered. + +"What!" exclaimed the Ghost, "would you so soon put out, with worldly +hands, the light I give? Is it not enough that you are one of those +whose passions made this cap, and force me through whole trains of years +to wear it low upon my brow!" + +Scrooge reverently disclaimed all intention to offend, and then made +bold to inquire what business brought him there. + +"Your welfare!" said the Ghost. + +Scrooge expressed himself much obliged, but could not help thinking that +a night of unbroken rest would have been more conducive to that end. The +spirit must have heard him thinking, for it said immediately: "Your +reclamation, then. Take heed!" + +It put out its strong hand as it spoke, and clasped him gently by the +arm. + +"Rise! and walk with me!" + +It would have been in vain for Scrooge to plead that the weather and the +hour were not adapted to pedestrian purposes; that bed was warm, and the +thermometer a long way below freezing; that he was clad but lightly in +his slippers, dressing-gown, and nightcap; and that he had a cold upon +him at that time. The grasp, though gentle as a woman's hand, was not to +be resisted. He rose: but finding that the Spirit made towards the +window, clasped its robe in supplication. + +"I am a mortal," Scrooge remonstrated, "and liable to fall." + +"Bear but a touch of my hand _there_," said the Spirit, laying it upon +his heart, "and you shall be upheld in more than this!" + +As the words were spoken, they passed through the wall, and stood upon +an open country road, with fields on either hand. The city had entirely +vanished. Not a vestige of it was to be seen. The darkness and the mist +had vanished with it, for it was a clear, cold, winter day, with snow +upon the ground. + +"Good Heaven!" said Scrooge, clasping his hands together, as he looked +about him. "I was bred in this place. I was a boy here!" + +The Spirit gazed upon him mildly. Its gentle touch, though it had been +light and instantaneous, appeared still present to the old man's sense +of feeling. He was conscious of a thousand odors floating in the air, +each one connected with a thousand thoughts, and hopes, and joys, and +cares long, long forgotten! + +"Your lip is trembling," said the Ghost. "And what is that upon your +cheek?" + +Scrooge muttered, with an unusual catching in his voice, that it was a +pimple; and begged the Ghost to lead him where he would. + +"You recollect the way?" inquired the Spirit. + +"Remember it!" cried Scrooge with fervor--"I could walk it blindfold." + +"Strange to have forgotten it for so many years!" observed the Ghost. +"Let us go on." + +They walked along the road; Scrooge recognizing every gate, and post, +and tree; until a little market-town appeared in the distance, with its +bridge, its church, and winding river. Some shaggy ponies now were seen +trotting towards them with boys upon their backs, who called to other +boys in country gigs and carts, driven by farmers. All these boys were +in great spirits, and shouted to each other, until the broad fields were +so full of merry music, that the crisp air laughed to hear it. + +"These are but shadows of the things that have been," said the Ghost. +"They have no consciousness of us." + +The jocund travellers came on; and as they came, Scrooge knew and named +them every one. Why was he rejoiced beyond all bounds to see them! Why +did his cold eye glisten, and his heart leap up as they went past! Why +was he filled with gladness when he heard them give each other Merry +Christmas, as they parted at cross-roads and bye-ways, for their several +homes! What was merry Christmas to Scrooge? Out upon merry Christmas! +What good had it ever done to him? + +"The school is not quite deserted," said the Ghost. "A solitary child, +neglected by his friends, is left there still." + +Scrooge said he knew it. And he sobbed. + +They left the high-road, by a well-remembered lane, and soon approached +a mansion of dull red brick, with a little weathercock-surmounted +cupola, on the roof, and a bell hanging in it. It was a large house, but +one of broken fortunes; for the spacious offices were little used, their +walls were damp and mossy, their windows broken, and their gates +decayed. Fowls clucked and strutted in the stables; and the coach-houses +and sheds were overrun with grass. Nor was it more retentive of its +ancient state, within; for entering the dreary hall, and glancing +through the open doors of many rooms, they found them poorly furnished, +cold, and vast. There was an earthy savour in the air, a chilly bareness +in the place, which associated itself somehow with too much getting up +by candle-light, and not too much to eat. + +They went, the Ghost and Scrooge, across the hall, to a door at the back +of the house. It opened before them, and disclosed a long, bare, +melancholy room, made barer still by lines of plain deal forms and +desks. At one of these a lonely boy was reading near a feeble fire; and +Scrooge sat down upon a form, and wept to see his poor forgotten self as +he had used to be. + +Not a latent echo in the house, not a squeak and scuffle from the mice +behind the panelling, not a drip from the half-thawed water-spout in the +dull yard behind, not a sigh among the leafless boughs of one despondent +poplar, not the idle swinging of an empty store-house door, no, not a +clicking in the fire, but fell upon the heart of Scrooge with softening +influence, and gave a freer passage to his tears. + +The spirit touched him on the arm, and pointed to his younger self, +intent upon his reading. Suddenly a man in foreign garments: wonderfully +real and distinct to look at: stood outside the window, with an axe +stuck in his belt, and leading an ass laden with wood by the bridle. + +"Why, it's Ali Baba!"[277-10] Scrooge exclaimed in ecstasy. "It's dear +old honest Ali Baba! Yes, yes, I know! One Christmas time, when yonder +solitary child was left here all alone, he _did_ come, for the first +time, just like that. Poor boy! And Valentine," said Scrooge, "and his +wild brother, Orson; there they go! And what's his name, who was put +down in his drawers, asleep, at the Gate of Damascus; don't you see him! +And the Sultan's Groom turned upside down by the Genii; there he is upon +his head! Serve him right. I'm glad of it. What business had _he_ to be +married to the Princess!" + +To hear Scrooge expending all the earnestness of his nature on such +subjects, in a most extraordinary voice between laughing and crying; and +to see his heightened and excited face; would have been a surprise to +his business friends in the City, indeed. + +"There's the Parrot!" cried Scrooge. "Green body and yellow tail, with a +thing like a lettuce growing out of the top of his head; there he is! +Poor Robin Crusoe, he called him, when he came home again after sailing +round the island. 'Poor Robin Crusoe, where have you been, Robin +Crusoe?' The man thought he was dreaming, but he wasn't. It was the +Parrot, you know. There goes Friday, running for his life to the little +creek! Halloa! Hoop! Halloo!" + +Then, with a rapidity of transition very foreign to his usual character, +he said, in pity for his former self, "Poor boy!" and cried again. + +"I wish," Scrooge muttered, putting his hand in his pocket, and looking +about him, after drying his eyes with his cuff: "but it's too late now." + +"What is the matter?" asked the Spirit. + +"Nothing," said Scrooge. "Nothing. There was a boy singing a Christmas +Carol at my door last night. I should like to have given him something: +that's all." + +The Ghost smiled thoughtfully, and waved its hand: saying as it did so, +"Let us see another Christmas!" + +Scrooge's former self grew larger at the words, and the room became a +little darker and more dirty. The panels shrank, the windows cracked; +fragments of plaster fell out of the ceiling, and the naked laths were +shown instead; but how all this was brought about, Scrooge knew no more +than you do. He only knew that it was quite correct; that everything had +happened so; that there he was, alone again, when all the other boys had +gone home for the jolly holidays. + +He was not reading now, but walking up and down despairingly. Scrooge +looked at the Ghost, and with a mournful shaking of his head, glanced +anxiously towards the door. + +It opened; and a little girl, much younger than the boy, came darting +in, and putting her arms about his neck, and often kissing him, +addressed him as her "Dear, dear brother." + +"I have come to bring you home, dear brother!" said the child, clapping +her tiny hands, and bending down to laugh. "To bring you home, home, +home!" + +"Home, little Fan?" returned the boy. + +"Yes!" said the child, brimful of glee. "Home, for good and all. Home, +for ever and ever. Father is so much kinder than he used to be, that +home's like Heaven! He spoke so gently to me one dear night when I was +going to bed, that I was not afraid to ask him once more if you might +come home; and he said Yes, you should; and sent me in a coach to bring +you. And you're to be a man!" said the child, opening her eyes, "and are +never to come back here; but first, we're to be together all the +Christmas long, and have the merriest time in all the world." + +"You are quite a woman, little Fan!" exclaimed the boy. + +She clapped her hands and laughed, and tried to touch his head; but +being too little, laughed again, and stood on tiptoe to embrace him. +Then she began to drag him, in her childish eagerness, towards the door; +and he, nothing loth to go, accompanied her. + +A terrible voice in the hall cried, "Bring down Master Scrooge's box, +there!" and in the hall appeared the schoolmaster himself, who glared on +Master Scrooge with a ferocious condescension, and threw him into a +dreadful state of mind by shaking hands with him. He then conveyed him +and his sister into the veriest old well of a shivering best-parlor that +ever was seen, where the maps upon the wall, and the celestial and +terrestrial globes in the windows, were waxy with cold. Here he produced +a decanter of curiously light wine, and a block of curiously heavy cake, +and administered instalments of those dainties to the young people: at +the same time, sending out a meagre servant to offer a glass of +"something" to the postboy, who answered that he thanked the gentleman, +but if it was the same tap as he had tasted before, he had rather not. +Master Scrooge's trunk being by this time tied on to the top of the +chaise, the children bade the schoolmaster good-bye right willingly; and +getting into it, drove gaily down the garden-sweep: the quick wheels +dashing the hoar-frost and snow from off the dark leaves of the +evergreens like spray. + +"Always a delicate creature, whom a breath might have withered," said +the Ghost. "But she had a large heart!" + +"So she had," cried Scrooge. "You're right. I'll not gainsay it, Spirit. +God forbid!" + +"She died a woman," said the Ghost, "and had, as I think, children." + +[Illustration: IN THE BEST PARLOR] + +"One child," Scrooge returned. + +"True," said the Ghost. "Your nephew!" + +Scrooge seemed uneasy in his mind; and answered briefly, "Yes." + +Although they had but that moment left the school behind them, they were +now in the busy thoroughfares of a city, where shadowy passengers +passed and repassed; where shadowy carts and coaches battled for the +way, and all the strife and tumult of a real city were. It was made +plain enough, by the dressing of the shops, that here, too, it was +Christmas time again; but it was evening, and the streets were lighted +up. + +The Ghost stopped at a certain warehouse door, and asked Scrooge if he +knew it. + +"Know it!" said Scrooge. "Was I apprenticed here?" + +They went in. At sight of an old gentleman in a Welsh wig, sitting +behind such a high desk, that if he had been two inches taller he must +have knocked his head against the ceiling, Scrooge cried in great +excitement: + +"Why, it's old Fezziwig! Bless his heart; it's Fezziwig alive again!" + +Old Fezziwig laid down his pen, and looked up at the clock, which +pointed to the hour of seven. He rubbed his hands; adjusted his +capacious waistcoat; laughed all over himself, from his shoes to his +organ of benevolence; and called out in a comfortable, oily, rich, fat, +jovial voice: + +"Yo ho, there! Ebenezer! Dick!" + +Scrooge's former self, now grown a young man, came briskly in, +accompanied by his fellow-'prentice. + +"Dick Wilkins, to be sure!" said Scrooge to the Ghost. "Bless me, yes. +There he is. He was very much attached to me, was Dick. Poor Dick! Dear, +dear!" + +"You ho, my boys!" said Fezziwig. "No more work to-night. Christmas Eve, +Dick. Christmas, Ebenezer! Let's have the shutters up," cried old +Fezziwig, with a sharp clap of his hands, "before a man can say Jack +Robinson!" + +You wouldn't believe how those two fellows went at it! They charged into +the street with the shutters--one, two, three--had 'em up in their +places--four, five, six--barred 'em and pinned 'em--seven, eight, +nine--and came back before you could have got to twelve, panting like +race horses. + +"Hilli-ho!" cried old Fezziwig, skipping down from the high desk, with +wonderful agility. "Clear away, my lads, and let's have lots of room +here! Hilli-ho, Dick; Chirrup, Ebenezer!" + +Clear away! There was nothing they wouldn't have cleared away, or +couldn't have cleared away, with old Fezziwig looking on. It was done in +a minute. Every movable was packed off, as if it were dismissed from +public life for ever more; the floor was swept and watered, the lamps +were trimmed, fuel was heaped upon the fire, and the warehouse was as +snug, and warm, and dry, and bright a ball-room, as you would desire to +see upon a winter's night. + +In came a fiddler with a music-book, and went up to the lofty desk, and +made an orchestra of it, and tuned like fifty stomach-aches. In came +Mrs. Fezziwig, one vast substantial smile. In came the three Miss +Fezziwigs, beaming and lovable. In came the six young followers whose +hearts they broke. In came all the young men and women employed in the +business. In came the housemaid, with her cousin, the baker. In came the +cook, with her brother's particular friend, the milkman. In came the boy +from over the way, who was suspected of not having board enough from his +master; trying to hide himself behind the girl from next door but one, +who was proved to have had her ears pulled by her mistress. In they all +came, one after another; some shyly, some boldly, some gracefully, some +awkwardly, some pushing, some pulling; in they all came, anyhow and +everyhow. Away they all went, twenty couple at once, hands half round +and back again the other way; down the middle and up again, round and +round in various stages of affectionate grouping; old top couple always +turning up in the wrong place; new top couple starting off again as soon +as they got there; all top couples at last, and not a bottom one to help +them. When this result was brought about, old Fezziwig, clapping his +hands to stop the dance, cried out, "Well done!" and the fiddler plunged +his hot face into a pot of porter, especially provided for that purpose. +But scorning rest upon his reappearance, he instantly began again, +though there were no dancers yet, as if the other fiddler had been +carried home, exhausted, on a shutter; and he were a bran-new man +resolved to beat him out of sight, or perish. + +There were more dances, and there were forfeits, and more dances, and +there was cake, and there was negus, and there was a great piece of Cold +Roast, and there was a great piece of Cold Boiled, and there were +mince-pies, and plenty of beer. But the great effect of the evening came +after the Roast and Boiled, when the fiddler (an artful, dog, mind! The +sort of man who knew his business better than you or I could have told +it him!) struck up "Sir Roger de Coverley."[284-11] Then old Fezziwig +stood out to dance with Mrs. Fezziwig. Top couple, too; with a good +stiff piece of work cut out for them; three or four and twenty pair of +partners; people who were not to be trifled with; people who _would_ +dance, and had no notion of walking. + +[Illustration: THE FIDDLER STRUCK UP "SIR ROGER DE COVERLEY"] + +But if they had been twice as many: ah, four times: old Fezziwig would +have been a match for them, and so would Mrs. Fezziwig. As to _her_, she +was worthy to be his partner in every sense of the term. If that's not +high praise, tell me higher, and I'll use it. A positive light appeared +to issue from Fezziwig's calves. They shone in every part of the dance +like moons. You couldn't have predicted, at any given time, what would +become of 'em next. And when old Fezziwig and Mrs. Fezziwig had gone all +through the dance; advance and retire, hold hands with your partner; bow +and curtsey; corkscrew; thread-the-needle, and back again to your place; +Fezziwig "cut"--cut so deftly, that he appeared to wink with his legs, +and came upon his feet again without a stagger. + +When the clock struck eleven, this domestic ball broke up. Mr. and Mrs. +Fezziwig took their stations, one on either side the door, and shaking +hands with every person individually as he or she went out, wished him +or her a Merry Christmas. + +When everybody had retired but the two 'prentices, they did the same to +them; and thus the cheerful voices died away, and the lads were left to +their beds; which were under a counter in the back-shop. + +During the whole of this time, Scrooge had acted like a man out of his +wits. His heart and soul were in the scene, and with his former self. He +corroborated everything, remembered everything, enjoyed everything, and +underwent the strangest agitation. It was not until now, when the bright +faces of his former self and Dick were turned from them, that he +remembered the Ghost, and became conscious that it was looking full upon +him, while the light upon its head burnt very clear. + +"A small matter," said the Ghost, "to make these silly folks so full of +gratitude." + +"Small!" echoed Scrooge. + +The spirit signed to him to listen to the two apprentices, who were +pouring out their hearts in praise of Fezziwig: and when he had done so, +said, + +"Why! Is it not? He has spent but a few pounds of your mortal money: +three or four, perhaps. Is that so much that he deserves this praise?" + +"It isn't that," said Scrooge, heated by the remark, and speaking +unconsciously like his former, not his latter, self. "It isn't that, +Spirit. He has the power to render us happy or unhappy; to make our +service light or burdensome; a pleasure or a toil. Say that his power +lies in words and looks; in things so slight and insignificant that it +is impossible to add and count 'em up: what then? The happiness he +gives, is quite as great as if it cost a fortune." + +He felt the Spirit's glance, and stopped. + +"What is the matter?" asked the Ghost. + +"Nothing particular," said Scrooge. + +"Something, I think?" the Ghost insisted. + +"No," said Scrooge. "No. I should like to be able to say a word or two +to my clerk just now! That's all." + +His former self turned down the lamps as he gave utterance to the wish; +and Scrooge and the Ghost again stood side by side in the open air. + +"My time grows short," observed the Spirit. "Quick!" + +This was not addressed to Scrooge, or to any one whom he could see, but +it produced an immediate effect. For again Scrooge saw himself. He was +older now; a man in the prime of life. His face had not the harsh and +rigid lines of later years; but it had begun to wear the signs of care +and avarice. There was an eager, greedy, restless motion in the eye, +which showed the passion that had taken root, and where the shadow of +the growing tree would fall. He was not alone, but sat by the side of a +fair young girl in a mourning dress; in whose eyes there were tears, +which sparkled in the light that shone out of the Ghost of Christmas +Past. + +"It matters little," she said, softly. "To you, very little. Another +idol has displaced me; and if it can cheer and comfort you in time to +come, as I would have tried to do, I have no just cause to grieve." + +"What idol has displaced you?" he rejoined. + +"A golden one." + +"This is the even-handed dealing of the world!" he said. "There is +nothing on which it is so hard as poverty; and there is nothing it +professes to condemn with such severity as the pursuit of wealth!" + +"You fear the world too much," she answered, gently. "All your other +hopes have merged into the hope of being beyond the chance of its sordid +reproach. I have seen your nobler aspirations fall off one by one, until +the master-passion, Gain, engrosses you. Have I not?" + +"What then?" he retorted. "Even if I have grown so much wiser, what +then? I am not changed towards you." + +She shook her head. + +"Am I?" + +"Our contract is an old one. It was made when we were both poor and +content to be so, until, in good season, we could improve our worldly +fortune by our patient industry. You _are_ changed. When it was made, +you were another man." + +"I was a boy," he said impatiently. + +"Your own feeling tells you that you were not what you are," she +returned. "I am. That which promised happiness when we were one in +heart, is fraught with misery now that we are two. How often and how +keenly I have thought of this, I will not say. It is enough that I +_have_ thought of it, and can release you." + +"Have I ever sought release?" + +"In words, no. Never." + +"In what, then?" + +"In a changed nature; in an altered spirit; in another atmosphere of +life; another Hope as its great end. In everything that made my love of +any worth or value in your sight. If this had never been between us," +said the girl, looking mildly, but with steadiness, upon him; "tell me, +would you seek me out and try to win me now? Ah, no!" + +He seemed to yield to the justice of this supposition, in spite of +himself. But he said with a struggle, "You think not." + +"I would gladly think otherwise if I could," she answered, "Heaven +knows! When _I_ have learned a Truth like this, I know how strong and +irresistible it must be. + +"But if you were free to-day, to-morrow, yesterday, can even I believe +that you would choose a dowerless girl--you who, in your very confidence +with her, weigh everything by Gain: or, choosing her, if for a moment +you were false enough to your one guiding principle to do so, do I not +know that your repentance and regret would surely follow? I do; and I +release you. With a full heart, for the love of him you once were." + +He was about to speak; but with her head turned from him, she resumed. + +"You may--the memory of what is past half makes me hope you will--have +pain in this. A very, very brief time, and you will dismiss the +recollection of it, gladly, as an unprofitable dream, from which it +happened well that you awoke. May you be happy in the life you have +chosen!" + +She left him, and they parted. + +"Spirit!" said Scrooge, "show me no more! Conduct me home. Why do you +delight to torture me?" + +"One shadow more!" exclaimed the Ghost. + +"No more!" cried Scrooge. "No more. I don't wish to see it. Show me no +more!" + +But the relentless Ghost pinioned him in both his arms, and forced him +to observe what happened next. + +They were in another scene and place; a room, not very large or +handsome, but full of comfort. Near to the winter fire sat a beautiful +young girl, so like the last that Scrooge believed it was the same, +until he saw _her_, now a comely matron, sitting opposite her daughter. +The noise in this room was perfectly tumultuous, for there were more +children there than Scrooge in his agitated state of mind could count; +and, unlike the celebrated herd in the poem, they were not forty +children conducting themselves like one, but every child was conducting +itself like forty. The consequences were uproarious beyond belief; but +no one seemed to care; on the contrary, the mother and daughter laughed +heartily, and enjoyed it very much; and the latter, soon beginning to +mingle in the sports, got pillaged by the young brigands most +ruthlessly. What would I not have given to be one of them! Though I +never could have been so rude, no, no! I wouldn't for the wealth of all +the world have crushed that braided hair, and torn it down; and for the +precious little shoe, I wouldn't have plucked it off, God bless my soul! +to save my life. As to measuring her waist in sport, as they did, bold +young brood; I couldn't have done it; I should have expected my arm to +have grown round it for a punishment, and never come straight again. And +yet I should have dearly liked, I own, to have touched her lips; to have +questioned her, that she might have opened them; to have looked upon the +lashes of her downcast eyes, and never raised a blush; to have let loose +waves of hair, an inch of which would be a keepsake beyond price: in +short, I should have liked, I do confess, to have had the lightest +license of a child, and yet been man enough to know its value. + +But now a knocking at the door was heard, and such a rush immediately +ensued that she with laughing face and plundered dress was borne towards +it the centre of a flushed and boisterous group, just in time to greet +the father, who came home attended by a man laden with Christmas toys +and presents. Then the shouting and the struggling, and the onslaught +that was made on the defenceless porter! The scaling him with chairs for +ladders to dive into his pockets, despoil him of brown-paper parcels, +hold on tight by his cravat, hug him around the neck, pommel his back, +and kick his legs in irrepressible affection! The shouts of wonder and +delight with which the development of every package was received! The +terrible announcement that the baby had been taken in the act of putting +a doll's frying-pan into his mouth, and was more than suspected of +having swallowed a fictitious turkey, glued on a wooden platter! The +immense relief of finding this a false alarm! The joy, and gratitude, +and ecstasy! They are all indescribable alike. It is enough that by +degrees the children and their emotions got out of the parlour, and by +one stair at a time, up to the top of the house; where they went to bed, +and so subsided. + +And now Scrooge looked on more attentively than ever, when the master of +the house, having his daughter leaning fondly on him, sat down, with her +and her mother at his own fireside; and when he thought that such +another creature, quite as graceful and as full of promise, might have +called him father, and been a spring-time in the haggard winter of his +life, his sight grew very dim indeed. + +"Belle," said the husband, turning to his wife with a smile, "I saw an +old friend of yours this afternoon." + +"Who was it?" + +"Guess!" + +"How can I? Tut, don't I know?" she added in the same breath, laughing +as he laughed. "Mr. Scrooge." + +"Mr. Scrooge it was. I passed his office window; and as it was not shut +up, and he had a candle inside, I could scarcely help seeing him. His +partner lies upon the point of death, I hear; and there he sat alone. +Quite alone in the world, I do believe." + +"Spirit!" said Scrooge in a broken voice, "remove me from this place." + +"I told you these were shadows of the things that have been," said the +Ghost. "That they are what they are, do not blame me!" + +"Remove me!" Scrooge exclaimed, "I cannot bear it!" + +He turned upon the Ghost, and seeing that it looked upon him with a face +in which in some strange way there were fragments of all the faces it +had shown him, wrestled with it. + +"Leave me! Take me back. Haunt me no longer!" + +In the struggle, if that can be called a struggle in which the Ghost +with no visible resistance on its own part was undisturbed by any effort +of its adversary, Scrooge observed that its light was burning high and +bright; and dimly connecting that with its influence over him, he seized +the extinguisher-cap, and by a sudden action pressed it down upon its +head. + +The Spirit dropped beneath it, so that the extinguisher covered its +whole form; but though Scrooge pressed it down with all his force, he +could not hide the light, which streamed from under it, in an unbroken +flood upon the ground. + +He was conscious of being exhausted, and overcome by an irresistible +drowsiness; and further, of being in his own bedroom. He gave the cap a +parting squeeze, in which his hand relaxed; and had barely time to reel +to bed, before he sank into a heavy sleep. + + +STAVE THREE + +_The Second of the Three Spirits_ + +Awaking in the middle of a prodigiously tough snore, and sitting up in +bed to get his thoughts together, Scrooge had no occasion to be told +that the bell was again upon the stroke of One. He felt that he was +restored to consciousness in the right nick of time, for the especial +purpose of holding a conference with the second messenger despatched to +him through Jacob Marley's intervention. But, finding that he turned +uncomfortably cold when he began to wonder which of his curtains this +new spectre would draw back, he put them every one aside with his own +hands, and lying down again, established a sharp lookout all round the +bed. For he wished to challenge the Spirit on the moment of its +appearance, and did not wish to be taken by surprise and made nervous. + +Gentlemen of the free-and-easy sort, who plume themselves on being +acquainted with a move or two, and being usually equal to the +time-of-day, express the wide range of their capacity for adventure by +observing that they are good for anything from pitch-and-toss to +manslaughter; between which opposite extremes, no doubt, there lies a +tolerably wide and comprehensive range of subjects. Without venturing +for Scrooge quite as hardily as this, I don't mind calling on you to +believe that he was ready for a good broad field of strange appearances, +and that nothing between a baby and rhinoceros would have astonished him +very much. + +Now, being prepared for almost anything, he was not by any means +prepared for nothing; and, consequently, when the bell struck One, and +no shape appeared, he was taken with a violent fit of trembling. Five +minutes, ten minutes, a quarter of an hour went by, yet nothing came. +All this time, he lay upon his bed, the very core and centre of a blaze +of ruddy light, which streamed upon it when the clock proclaimed the +hour; and which, being only light, was more alarming than a dozen +ghosts, as he was powerless to make out what it meant, or would be at; +and was sometimes apprehensive that he might be at that very moment an +interesting case of spontaneous combustion, without having the +consolation of knowing it. At last, however, he began to think--as you +or I would have thought at first; for it is always the person not in the +predicament who knows what ought to have been done in it, and would +unquestionably have done it too--at last, I say, he began to think that +the source and secret of this ghostly light might be in the adjoining +room, from whence, on further tracing it, it seemed to shine. This idea +taking full possession of his mind, he got up softly and shuffled in his +slippers to the door. + +The moment Scrooge's hand was on the lock, a strange voice called him by +his name, and bade him enter. He obeyed. + +It was his own room. There was no doubt about that. But it had undergone +a surprising transformation. The walls and ceiling were so hung with +living green, that it looked a perfect grove, from every part of which, +bright gleaming berries glistened. The crisp leaves of holly, mistletoe, +and ivy reflected back the light, as if so many little mirrors had been +scattered there; and such a mighty blaze went roaring up the chimney, as +that dull petrifaction of a hearth had never known in Scrooge's time, or +Marley's, or for many and many a winter season gone. Heaped up on the +floor, to form a kind of throne, were turkeys, geese, game, poultry, +brawn, great joints of meat, sucking-pigs, long wreaths of sausages, +mince-pies, plum-puddings, barrels of oysters, red hot chestnuts, +cherry-cheeked apples, juicy oranges, luscious pears, immense +twelfth-cakes, and seething bowls of punch, that made the chamber dim +with their delicious steam. In easy state upon this couch there sat a +jolly Giant, glorious to see; who bore a glowing torch, in shape not +unlike Plenty's horn, and held it up, high up, to shed its light on +Scrooge, as he came peeping round the door. + +"Come in!" exclaimed the Ghost. "Come in! and know me better, man!" + +Scrooge entered timidly, and hung his head before this Spirit. He was +not the dogged Scrooge he had been; and though the Spirit's eyes were +clear and kind, he did not like to meet them. + +"I am the Ghost of Christmas Present," said the Spirit. "Look upon me!" + +Scrooge reverently did so. It was clothed in one simple deep green robe, +or mantle, bordered with white fur. This garment hung so loosely on the +figure, that its capacious breast was bare, as if disdaining to be +warded or concealed by any artifice. Its feet, observable beneath the +ample folds of the garment, were also bare; and on its head it wore no +other covering than a holly wreath set here and there with shining +icicles. Its dark brown curls were long and free; free as its genial +face, its sparkling eye, its open hand, its cheery voice, its +unconstrained demeanour, and its joyful air. Girded round its middle was +an antique scabbard; but no sword was in it, and the ancient sheath was +eaten up with rust. + +[Illustration: UPON THIS COUCH THERE SAT A JOLLY GIANT] + +"You have never seen the like of me before!" exclaimed the Spirit. + +"Never," Scrooge made answer to it. + +"Have never walked forth with the younger members of my family; meaning +(for I am very young) my elder brothers born in these later years?" +pursued the Phantom. + +"I don't think I have," said Scrooge. "I am afraid I have not. Have you +had many brothers, Spirit?" + +"More than eighteen hundred," said the Ghost. + +"A tremendous family to provide for!" muttered Scrooge. + +The Ghost of Christmas Present rose. + +"Spirit," said Scrooge submissively, "conduct me where you will. I went +forth last night on compulsion, and I learnt a lesson which is working +now. To-night, if you have aught to teach me, let me profit by it." + +"Touch my robe!" + +Scrooge did as he was told, and held it fast. + +Holly, mistletoe, red berries, ivy, turkeys, geese, game, poultry, +brawn, meat, pigs, sausages, oysters, pies, puddings, fruit, and punch, +all vanished instantly. So did the room, the fire, the ruddy glow, the +hour of night, and they stood in the city streets on Christmas morning, +where (for the weather was severe) the people made a rough, but brisk +and not unpleasant kind of music, in scraping the snow from the pavement +in front of their dwellings, and from the tops of their houses: whence +it was mad delight to the boys to see it come plumping down into the +road below, and splitting into artificial little snowstorms. + +The house fronts looked black enough, and the windows blacker, +contrasting with the smooth white sheet of snow upon the roofs, and with +the dirtier snow upon the ground; which last deposit had been ploughed +up in deep furrows by the heavy wheels of carts and waggons; furrows +that crossed and recrossed each other hundreds of times where the great +streets branched off, and made intricate channels, hard to trace, in the +thick yellow mud and icy water. The sky was gloomy, and the shortest +streets were choked up with a dingy mist, half thawed, half frozen, +whose heavier particles descended in a shower of sooty atoms, as if all +the chimneys in Great Britain had, by one consent, caught fire, and were +blazing away to their dear hearts' content. There was nothing very +cheerful in the climate or the town, and yet there was an air of +cheerfulness abroad that the clearest summer air and brightest summer +sun might have endeavoured to diffuse in vain. + +For, the people who were shovelling away on the housetops were jovial +and full of glee; calling out to one another from the parapets, and now +and then exchanging a facetious snowball--better-natured missile far +than many a wordy jest--laughing heartily if it went right and not less +heartily if it went wrong. The poulterers' shops were still half open, +and the fruiterers' were radiant in their glory. There were great, round +pot-bellied baskets of chestnuts, shaped like the waistcoats of jolly +old gentlemen, lolling at the doors, and tumbling out into the street in +their apoplectic opulence. There were ruddy, brown-faced broad-girthed +Spanish onions, shining in the fatness of their growth like Spanish +Friars; and winking from their shelves in wanton slyness at the girls as +they went by, and glanced demurely at the hung-up mistletoe. There were +pears and apples, clustered high in blooming pyramids; there were +bunches of grapes, made, in the shopkeepers' benevolence, to dangle +from conspicuous hooks, that people's mouths might water gratis as they +passed; there were piles of filberts, mossy and brown, recalling, in +their fragrance, ancient walks among the woods, and pleasant shufflings +ankle deep through withered leaves; there were Norfolk Biffins,[300-12] +squab and swarthy, setting off the yellow of the oranges and lemons, +and, in the great compactness of their juicy persons, urgently +entreating and beseeching to be carried home in paper bags and eaten +after dinner. The very gold and silver fish, set forth among these +choice fruits in a bowl, though members of a dull and stagnant-blooded +race, appeared to know that there was something going on; and, to a +fish, went gasping round and round their little world in slow and +passionless excitement. + +The Grocers'! oh the Grocers'! nearly closed, with perhaps two shutters +down, or one; but through those gaps such glimpses! It was not alone +that the scales descending on the counter made a merry sound, or that +the twine and roller parted company so briskly, or that the canisters +were rattled up and down like juggling tricks, or even that the blended +scents of tea, and coffee were so grateful to the nose, or even that the +raisins were so plentiful and rare, the almonds so extremely white, the +sticks of cinnamon so long and straight, the other spices so delicious, +the candied fruits so caked and spotted with molten sugar as to make the +coldest lookers-on feel faint and subsequently bilious. Nor was it that +the figs were moist and pulpy, or that the French plums blushed in +modest tartness from their highly-decorated boxes, or that everything +was good to eat and in its Christmas dress: but the customers were all +so hurried and so eager in the hopeful promise of the day, that they +tumbled up against each other at the door, clashing their wicker baskets +wildly, and left their purchases upon the counter, and came running back +to fetch them, and committed hundreds of the like mistakes in the best +humour possible; while the Grocer and his people were so frank and fresh +that the polished hearts with which they fastened their aprons behind +might have been their own, worn outside for general inspection, and for +Christmas daws to peck at if they chose. + +But soon the steeples called good people all, to church and chapel, and +away they came, flocking through the streets in their best clothes, and +with their gayest faces. And at the same time there emerged from scores +of by-streets, lanes, and nameless turnings, innumerable people carrying +their dinner to the bakers' shops. The sight of these poor revellers +appeared to interest the Spirit very much, for he stood with Scrooge +beside him in a baker's[301-13] doorway, and taking off the covers as +their bearers passed, sprinkled incense on their dinners from his torch. +And it was a very uncommon kind of torch, for once or twice when there +were angry words between some dinner-carriers who had jostled with each +other, he shed a few drops of water on them from it, and their good +humour was restored directly. For they said, it was a shame to quarrel +upon Christmas Day. And so it was! God love it, so it was! + +In time the bells ceased, and the bakers were shut up; and yet there was +a genial shadowing forth of all these dinners and the progress of their +cooking, in the thawed blotch of wet above each baker's oven; where the +pavement smoked as if its stones were cooking too. + +"Is there a peculiar flavour in what you sprinkle from your torch?" +asked Scrooge. + +"There is. My own." + +"Would it apply to any kind of dinner on this day?" asked Scrooge. + +"To any kindly given. To a poor one most." + +"Why to a poor one most?" asked Scrooge. + +"Because it needs it most." + +"Spirit," said Scrooge, after a moment's thought, "I wonder you, of all +the beings in the many worlds about us, should desire to cramp these +people's opportunities of innocent enjoyment." + +"I!" cried the Spirit. + +"You would deprive them of their means of dining every seventh day, +often the only day on which they can be said to dine at all," said +Scrooge. "Wouldn't you?" + +"I!" cried the Spirit. + +"You seek to close these places on the seventh day?" said Scrooge. "And +it comes to the same thing." + +"I seek!" exclaimed the Spirit. + +"Forgive me if I am wrong. It has been done in your name, or at least in +that of your family," said Scrooge. + +"There are some upon this earth of yours," returned the Spirit, "who lay +claim to know us, and who do their deeds of passion, pride, ill-will, +hatred, envy, bigotry, and selfishness in our name, who are as strange +to us and all our kith and kin, as if they had never lived. Remember +that, and charge their doings on themselves, not us." + +Scrooge promised that he would; and they went on, invisible, as they had +been before, into the suburbs of the town. It was a remarkable quality +of the Ghost (which Scrooge had observed at the baker's), that +notwithstanding his gigantic size, he could accommodate himself to any +place with ease; and that he stood beneath a low roof quite as +gracefully and like a supernatural creature, as it was possible he could +have done in any lofty hall. + +And perhaps it was the pleasure the good Spirit had in showing off this +power of his, or else it was his own kind, generous, hearty nature, and +his sympathy with all poor men, that led him straight to Scrooge's +clerk's; for there he went, and took Scrooge with him, holding to his +robe; and on the threshold of the door the Spirit smiled, and stopped to +bless Bob Cratchit's dwelling with the sprinklings of his torch. Think +of that! Bob had but fifteen "bob"[303-14] a week himself; he pocketed +on Saturdays but fifteen copies of his Christian name; and yet the Ghost +of Christmas Present blessed his four-roomed house! + +Then up rose Mrs. Cratchit, Cratchit's wife, dressed out but poorly in a +twice-turned gown, but brave in ribbons, which are cheap and make a +goodly show for sixpence; and she laid the cloth, assisted by Belinda +Cratchit, second of her daughters, also brave in ribbons; while Master +Peter Cratchit plunged a fork into the saucepan of potatoes, and +getting the corners of his monstrous shirt collar (Bob's private +property, conferred upon his son and heir in honour of the day) into his +mouth, rejoiced to find himself so gallantly attired, and yearned to +show his linen in the fashionable Parks. And now two smaller Cratchits, +boy and girl, came tearing in, screaming that outside the baker's they +had smelt the goose, and known it for their own; and basking in +luxurious thoughts of sage-and-onion, these young Cratchits danced about +the table, and exalted Master Peter Cratchit to the skies, while he (not +proud, although his collars nearly choked him) blew the fire, until the +slow potatoes bubbling up, knocked loudly at the saucepan-lid to be let +out and peeled. + +"What has ever got your precious father then?" said Mrs. Cratchit. "And +your brother, Tiny Tim! And Martha warn't as late last Christmas Day by +half-an-hour!" + +"Here's Martha, mother!" said a girl, appearing as she spoke. + +"Here's Martha, mother!" cried the two young Cratchits. "Hurrah! There's +_such_ a goose, Martha!" + +"Why, bless your heart alive, my dear, how late you are!" said Mrs. +Cratchit, kissing her a dozen times, and taking off her shawl and bonnet +for her with officious zeal. + +"We'd a deal of work to finish up last night," replied the girl, "and +had to clear away this morning, mother!" + +[Illustration: BOB AND TINY TIM] + +"Well! Never mind so long as you are come," said Mrs. Cratchit. "Sit ye +down before the fire, my dear, and have a warm, Lord bless ye!" + +"No, no! There's father coming," cried the two young Cratchits, who were +everywhere at once. "Hide, Martha, hide!" + +So Martha hid herself, and in came little Bob, the father, with at least +three feet of comforter exclusive of the fringe, hanging down before +him; and his threadbare clothes darned up and brushed, to look +seasonable; and Tiny Tim upon his shoulder. Alas for Tiny Tim, he bore a +little crutch, and had his limbs supported by an iron frame! + +"Why, where's our Martha?" cried Bob Cratchit, looking round. + +"Not coming," said Mrs. Cratchit. + +"Not coming!" said Bob, with a sudden declension in his high spirits; +for he had been Tim's blood horse all the way from church, and had come +home rampant. "Not coming upon Christmas Day!" + +Martha didn't like to see him disappointed, if it were only in joke; so +she came out prematurely from behind the closet door, and ran into his +arms, while the two young Cratchits hustled Tiny Tim, and bore him off +into the wash-house, that he might hear the pudding singing in the +copper. + +"And how did little Tim behave?" asked Mrs. Cratchit, when she had +rallied Bob on his credulity, and Bob had hugged his daughter to his +heart's content. + +"As good as gold," said Bob, "and better. Somehow he gets thoughtful, +sitting by himself so much, and thinks the strangest things you ever +heard. He told me, coming home, that he hoped the people saw him, +because he was a cripple, and it might be pleasant to them to remember +upon Christmas Day, who made lame beggars walk and blind men see." + +Bob's voice was tremulous when he told them this, and trembled more when +he said that Tiny Tim was growing strong and hearty. + +His active little crutch was heard upon the floor, and back came Tiny +Tim before another word was spoken, escorted by his brother and sister +to his stool before the fire; and while Bob, turning up his cuffs--as +if, poor fellow, they were capable of being made more shabby--compounded +some hot mixture in a jug with gin and lemons, and stirred it round and +round and put it on the hob to simmer; Master Peter, and the two +ubiquitous young Cratchits went to fetch the goose, with which they soon +returned in high procession. + +Such a bustle ensued that you might have thought a goose the rarest of +all birds; a feathered phenomenon, to which a black swan was a matter of +course--and in truth it was something very like it in that house. Mrs. +Cratchit made the gravy (ready beforehand in a little saucepan) hissing +hot; Master Peter mashed the potatoes with incredible vigour; Miss +Belinda sweetened up the apple-sauce; Martha dusted the hot plates; Bob +took Tiny Tim beside him in a tiny corner at the table; the two young +Cratchits set chairs for everybody, not forgetting themselves, and +mounting guard upon their posts, crammed spoons into their mouths, lest +they should shriek for goose before their turn came to be helped. At +last the dishes were set on, and grace was said. It was succeeded by a +breathless pause, as Mrs. Cratchit, looking slowly all along the +carving-knife, prepared to plunge it in the breast; but when she did, +and when the long expected gush of stuffing issued forth, one murmur of +delight arose all round the board, and even Tiny Tim, excited by the +two young Cratchits, beat on the table with the handle of his knife, and +feebly cried "Hurrah!" + +[Illustration: THERE NEVER WAS SUCH A GOOSE] + +There never was such a goose. Bob said he didn't believe there ever was +such a goose cooked. Its tenderness and flavour, size and cheapness, +were the themes of universal admiration. Eked out by the apple-sauce and +mashed potatoes, it was a sufficient dinner for the whole family; +indeed, as Mrs. Cratchit said with great delight (surveying one small +atom of a bone upon the dish) they hadn't ate it all at last! Yet +everyone had had enough, and the youngest Cratchits in particular, were +steeped in sage and onion to the eyebrows! But now, the plates being +changed by Miss Belinda, Mrs. Cratchit left the room alone--too nervous +to bear witnesses--to take the pudding up and bring it in. + +Suppose it should not be done enough! Suppose it should break in turning +out! Suppose somebody should have got over the wall of the back-yard, +and stolen it, while they were merry with the goose--a supposition at +which the two young Cratchits became livid! All sorts of horrors were +supposed. + +Hallo! A great deal of steam! The pudding was out of the copper. A smell +like a washing-day! That was the cloth. A smell like an eating-house and +a pastrycook's next door to each other, with a laundress's next door to +that! That was the pudding! In half a minute Mrs. Cratchit +entered--flushed, but smiling proudly--with the pudding like a speckled +cannon-ball so hard and firm blazing in half of half-a-quartern of +ignited brandy, and bedight with Christmas holly stuck into the top. + +Oh, a wonderful pudding! Bob Cratchit said, and calmly too, that he +regarded it as the greatest success achieved by Mrs. Cratchit since +their marriage. Mrs. Cratchit said that now the weight was off her mind, +she would confess she had had her doubts about the quantity of flour. +Everybody had something to say about it, but nobody said or thought it +was at all a small pudding for a large family. It would have been flat +heresy to do so. Any Cratchit would have blushed to hint at such a +thing. + +At last the dinner was all done, the cloth was cleared, the hearth +swept, and the fire made up. The compound in the jug being tasted, and +considered perfect, apples and oranges were put upon the table, and a +shovel-full of chestnuts on the fire. Then all the Cratchit family drew +round the hearth, in what Bob Cratchit called a circle, meaning half a +one; and at Bob Cratchit's elbow stood the family display of glass. Two +tumblers, and a custard-cup without a handle. + +These held the hot stuff from the jug, however, as well as golden +goblets would have done; and Bob served it out with beaming looks, while +the chestnuts on the fire sputtered and cracked noisily. Then Bob +proposed: + +"A Merry Christmas to us all, my dears. God bless us!" Which all the +family re-echoed. + +"God bless us every one!" said Tiny Tim, the last of all. + +He sat very close to his father's side upon his little stool. Bob held +his withered little hand in his, as if he loved the child, and wished to +keep him by his side, and dreaded that he might be taken from him. + +"Spirit!" said Scrooge, with an interest he had never felt before, "tell +me if Tiny Tim will live." + +"I see a vacant seat," replied the Ghost, "in the poor chimney-corner, +and a crutch without an owner, carefully preserved. If these shadows +remain unaltered by the Future, the child will die." + +"No, no," said Scrooge. "Oh, no, kind Spirit! say he will be spared." + +"If these shadows remain unaltered by the Future, none other of my +race," returned the Ghost, "will find him here. What then? If he be +like to die, he had better do it, and decrease the surplus population." + +Scrooge hung his head to hear his own words quoted by the Spirit, and +was overcome with penitence and grief. + +"Man," said the Ghost, "if man you be in heart, not adamant, forbear +that wicked cant until you have discovered What the surplus is, and +Where it is. Will you decide what men shall live, what men shall die? It +may be, that in the sight of Heaven, you are more worthless and less fit +to live than millions like this poor man's child. Oh God! to hear the +insect on the leaf pronouncing on the too much life among his hungry +brothers in the dust!" + +Scrooge bent before the Ghost's rebuke, and trembling cast his eyes upon +the ground. But he raised them speedily, on hearing his own name. + +"Mr. Scrooge!" said Bob; "I'll give you Mr. Scrooge, the Founder of the +Feast!" + +"The Founder of the Feast indeed!" cried Mrs. Cratchit, reddening. "I +wish I had him here. I'd give him a piece of my mind to feast upon, and +I hope he'd have a good appetite for it." + +"My dear," said Bob, "the children! Christmas Day." + +"It should be Christmas Day, I am sure," said she, "on which one drinks +the health of such an odious, stingy, hard, unfeeling man as Mr. +Scrooge. You know he is, Robert! Nobody knows it better than you do, +poor fellow!" + +"My dear," was Bob's mild answer, "Christmas Day." + +"I'll drink his health for your sake and the day's," said Mrs. Cratchit, +"not for his. Long life to him! A Merry Christmas and a Happy New Year! +He'll be very merry and very happy, I have no doubt!" + +The children drank the toast after her. It was the first of their +proceedings which had no heartiness in it. Tiny Tim drank it last of +all, but he didn't care twopence for it. Scrooge was the Ogre of the +family. The mention of his name cast a dark shadow on the party, which +was not dispelled for full five minutes. + +After it had passed away, they were ten times merrier than before, from +the mere relief of Scrooge the Baleful being done with. Bob Cratchit +told them how he had a situation in his eye for Master Peter, which +would bring in, if obtained, full five-and-six-pence[311-15] weekly. The +two young Cratchits laughed tremendously at the idea of Peter's being a +man of business; and Peter himself looked thoughtfully at the fire from +between his collars, as if he were deliberating what particular +investments he should favour when he came into the receipt of that +bewildering income. Martha, who was a poor apprentice at a milliner's, +then told them what kind of work she had to do, and how many hours she +worked at a stretch, and how she meant to lie abed to-morrow morning for +a good long rest; to-morrow being a holiday she passed at home. Also how +she had seen a countess and a lord some days before, and how the lord +"was much about as tall as Peter;" at which Peter pulled up his collars +so high that you couldn't have seen his head if you had been there. All +this time the chestnuts and the jug went round and round; and +bye-and-bye they had a song, about a lost child travelling in the snow, +from Tiny Tim, who had a plaintive little voice, and sang it very well +indeed. + +There was nothing of high mark in this. They were not a handsome family; +they were not well dressed; their shoes were far from being waterproof; +their clothes were scanty; and Peter might have known, and very likely +did, the inside of a pawnbroker's. But, they were happy, grateful, +pleased with one another, and contented with the time; and when they +faded, and looked happier yet in the bright sprinklings of the Spirit's +torch at parting, Scrooge had his eye upon them, and especially on Tiny +Tim, until the last. + +By this time it was getting dark, and snowing pretty heavily; and as +Scrooge and the Spirit went along the streets, the brightness of the +roaring fires in kitchens, parlours, and all sorts of rooms, was +wonderful. Here, the flickering of the blaze showed preparations for a +cozy dinner, with hot plates baking through and through before the fire, +and deep red curtains, ready to be drawn to shut out cold and darkness. +There, all the children of the house were running out into the snow to +meet their married sisters, brothers, cousins, uncles, aunts, and be the +first to greet them. Here, again, were shadows on the window-blind of +guests assembling; and there a group of handsome girls, all hooded and +fur-booted, and all chattering at once, tripped lightly off to some near +neighbor's house; where, woe upon the single man who saw them +enter--artful witches; well they knew it--in a glow! + +But if you had judged from the numbers of people on their way to +friendly gatherings, you might have thought that no one was at home to +give them welcome when they got there, instead of every house expecting +company, and piling up its fires half-chimney high. Blessings on it, how +the Ghost exulted! How it bared its breadth of breast, and opened its +capacious palm, and floated on, outpouring, with a generous hand, its +bright and harmless mirth on everything within its reach! The very +lamp-lighter, who ran on before dotting the dusky street with specks of +light, and who was dressed to spend the evening somewhere, laughed out +loudly as the Spirit passed: though little kenned the lamp-lighter that +he had any company but Christmas! + +And now, without a word of warning from the Ghost, they stood upon a +bleak and desert moor, where monstrous masses of rude stone were cast +about, as though it were the burial-place of giants; and water spread +itself wheresoever it listed, or would have done so, but for the frost +that held it prisoner; and nothing grew but moss and furze, and coarse, +rank grass. Down in the west the setting sun had left a streak of fiery +red, which glared upon the desolation for an instant, like a sullen eye, +and frowning lower, lower, lower yet, was lost in the thick gloom of +darkest night. + +"What place is this?" asked Scrooge. + +"A place where miners live, who labour in the bowels of the earth," +returned the Spirit. "But they know me. See!" + +A light shone from the window of a hut, and swiftly they advanced +towards it. Passing through the wall of mud and stone, they found a +cheerful company assembled round a glowing fire. An old, old man and +woman, with their children and their children's children, and another +generation beyond that, all decked out gaily in their holiday attire. +The old man, in a voice that seldom rose above the howling of the wind +upon the barren waste, was singing them a Christmas song; it had been a +very old song when he was a boy; and from time to time they all joined +in the chorus. So surely as they raised their voices, the old man got +quite blithe and loud; and so surely as they stopped, his vigour sank +again. + +The Spirit did not tarry here, but bade Scrooge hold his robe, and +passing on above the moor, sped whither? Not to sea? To sea. To +Scrooge's horror, looking back, he saw the last of the land, a frightful +range of rocks, behind them; and his ears were deafened by the +thundering of water, as it rolled, and roared, and raged among the +dreadful caverns it had worn, and fiercely tried to undermine the earth. + +Built upon a dismal reef of sunken rocks, some leagues or so from shore, +on which the waters chafed and dashed, the wild year through, there +stood a solitary lighthouse. Great heaps of seaweed clung to its base, +and storm-birds--born of the wind one might suppose, as sea-weed of the +water--rose and fell about it, like the waves they skimmed. + +But even here, two men who watched the light had made a fire, that +through the loophole in the thick stone wall shed out a ray of +brightness on the awful sea. Joining their horny hands over the rough +table at which they sat, they wished each other Merry Christmas in their +can of grog; and one of them, the elder, too, with his face all damaged +and scarred with hard weather, as the figure-head of an old ship might +be, struck up a sturdy song that was like a Gale in itself. + +Again the Ghost sped on, above the black and heavy sea--on, on--until, +being far away, as he told Scrooge, from any shore, they lighted on a +ship. They stood beside the helmsman at the wheel, the lookout in the +bow, the officers who had the watch; dark, ghostly figures in their +several stations; but every man among them hummed a Christmas tune, or +had a Christmas thought, or spoke below his breath to his companion of +some bygone Christmas Day, with homeward hopes belonging to it. And +every man on board, waking or sleeping, good or bad, had had a kinder +word for another on that day than on any day in the year; and had shared +to some extent in its festivities; and had remembered those he cared for +at a distance, and had known that they delighted to remember him. + +It was a great surprise to Scrooge, while listening to the moaning of +the wind, and thinking what a solemn thing it was to move on through the +lonely darkness over an unknown abyss, whose depths were secrets as +profound as Death: it was a great surprise to Scrooge, while thus +engaged to hear a hearty laugh. It was a much greater surprise to +Scrooge to recognize it as his own nephew's, and to find himself in a +bright, dry, gleaming room, with the Spirit standing smiling by his +side, and looking at that same nephew with approving affability. + +"Ha, ha!" laughed Scrooge's nephew. "Ha, ha, ha!" + +If you should happen, by any unlikely chance, to know a man more blest +in a laugh than Scrooge's nephew, all I can say is, I should like to +know him too. Introduce him to me, and I'll cultivate his acquaintance. + +It is a fair, even-handed, noble adjustment of things, that while there +is infection in disease and sorrow, there is nothing in the world so +irresistibly contagious as laughter and good-humour. When Scrooge's +nephew laughed in this way: holding his sides, rolling his head, and +twisting his face into the most extravagant contortions: Scrooge's +niece, by marriage, laughed as heartily as he. And their assembled +friends being not a bit behindhand, roared out, lustily. + +"Ha, ha! Ha, ha, ha, ha!" + +"He said that Christmas was a humbug, as I live!" cried Scrooge's +nephew. "He believed it too!" + +"More shame for him, Fred!" said Scrooge's niece, indignantly. Bless +those women; they never do anything by halves. They are always in +earnest. + +She was very pretty: exceedingly pretty. With a dimpled, +surprised-looking, capital face; a ripe little mouth, that seemed made +to be kissed--and no doubt it was; all kinds of good little dots about +her chin, that melted into one another when she laughed; and the +sunniest pair of eyes you ever saw in any little creature's head. +Altogether she was what you would have called provoking, you know; but +satisfactory, too. Oh, perfectly satisfactory! + +"He's a comical old fellow," said Scrooge's nephew, "that's the truth; +and not so pleasant as he might be. However, his offences carry their +own punishment, and I have nothing to say against him." + +"I'm sure he is very rich, Fred," hinted Scrooge's niece. "At least you +always tell _me_ so." + +"What of that, my dear!" said Scrooge's nephew. "His wealth is of no use +to him. He don't do any good with it. He don't make himself comfortable +with it. He hasn't the satisfaction of thinking--ha, ha, ha!--that he is +ever going to benefit Us with it." + +"I have no patience with him," observed Scrooge's niece. + +Scrooge's niece's sister, and all the other ladies, expressed the same +opinion. + +"Oh, I have!" said Scrooge's nephew. "I am sorry for him; I couldn't be +angry with him if I tried. Who suffers by his ill whims? Himself, +always. Here, he takes it into his head to dislike us, and he won't come +and dine with us. What's the consequence! He don't lose much of a +dinner----" + +"Indeed, I think he loses a very good dinner," interrupted Scrooge's +niece. Everybody else said the same, and they must be allowed to have +been competent judges, because they had just had dinner; and, with the +dessert upon the table, were clustered round the fire, by lamplight. + +"Well! I'm very glad to hear it," said Scrooge's nephew, "because I +haven't any great faith in these young housekeepers. What do _you_ say, +Topper?" + +Topper had clearly got his eye upon one of Scrooge's niece's sisters, +for he answered that a bachelor was a wretched outcast, who had no right +to express an opinion on the subject. Whereat Scrooge's niece's +sister--the plump one with the lace tucker: not the one with the +roses--blushed. + +"Do go on, Fred," said Scrooge's niece, clapping her hands. "He never +finishes what he begins to say! He is such a ridiculous fellow!" + +Scrooge's nephew revelled in another laugh, and as it was impossible to +keep the infection off, though the plump sister tried hard to do it with +aromatic vinegar, his example was unanimously followed. + +"I was only going to say," said Scrooge's nephew, "that the consequence +of his taking a dislike to us, and not making merry with us, is, as I +think, that he loses some pleasant moments, which could do him no harm. +I am sure he loses pleasanter companions than he can find in his own +thoughts, either in his mouldy old office, or his dusty chambers. I mean +to give him the same chance every year, whether he likes it or not, for +I pity him. He may rail at Christmas till he dies, but he can't help +thinking better of it--I defy him--if he finds me going there, in good +temper, year after year, and saying, 'Uncle Scrooge, how are you?' If it +only puts him in the vein to leave his poor clerk fifty pounds, _that's_ +something; and I think I shook him yesterday." + +It was their turn to laugh now at the notion of his shaking Scrooge. But +being thoroughly good-natured, and not much caring what they laughed at, +so that they laughed at any rate, he encouraged them in their merriment, +and passed the bottle joyously. + +After tea, they had some music. For they were a musical family, and knew +what they were about, when they sang a Glee or Catch, I can assure you; +especially Topper, who could growl away in the bass like a good one, and +never swell the large veins in his forehead, or get red in the face over +it. Scrooge's niece played well upon the harp; and played among other +tunes a simple little air (a mere nothing: you might learn to whistle it +in two minutes), which had been familiar to the child who fetched +Scrooge from the boarding-school, as he had been reminded by the Ghost +of Christmas Past. When this strain of music sounded, all the things +that Ghost had shown him, came upon his mind; he softened more and more; +and thought that if he could have listened to it often, years ago, he +might have cultivated the kindnesses of life for his own happiness with +his own hands, without resorting to the sexton's spade that buried Jacob +Marley.[319-16] + +But they didn't devote the whole evening to music. After a while they +played at forfeits; for it is good to be children sometimes, and never +better than at Christmas, when its mighty Founder was a child himself. +Stop! There was first a game at blind-man's buff. Of course there was. +And I no more believe Topper was really blind than I believe he had eyes +in his boots. My opinion is, that it was a done thing between him and +Scrooge's nephew: and that the Ghost of Christmas Present knew it. The +way he went after that plump sister in the lace tucker, was an outrage +on the credulity of human nature. Knocking down the fire-irons, tumbling +over the chairs, bumping up against the piano, smothering himself among +the curtains, wherever she went, there went he. He always knew where the +plump sister was. He wouldn't catch anybody else. If you had fallen up +against him, as some of them did, and stood there; he would have made a +feint of endeavoring to seize you, which would have been an affront to +your understanding; and would instantly have sidled off in the direction +of the plump sister. She often cried out that it wasn't fair; and it +really was not. But when at last he caught her; when, in spite of all +her silken rustlings, and her rapid flutterings past him, he got her +into a corner whence there was no escape; then his conduct was most +execrable. For his pretending not to know her; his pretending that it +was necessary to touch her head-dress, and further to assure himself of +her identity by pressing a certain ring upon her finger, and a certain +chain about her neck; was vile, monstrous! No doubt she told him her +opinion of it, when, another blind man being in office, they were so +very confidential together, behind the curtains. + +Scrooge's niece was not one of the blind-man's buff party, but was made +comfortable with a large chair and a footstool, in a snug corner, where +the Ghost and Scrooge were close behind her. But she joined in the +forfeits, and loved her love to admiration with all the letters of the +alphabet.[320-17] Likewise at the game of How, When, and Where, she was +very great, and to the secret joy of Scrooge's nephew, beat her sisters +hollow: though they were sharp girls too, as Topper could have told you. +There might have been twenty people there, young and old, but they all +played, and so did Scrooge, for, wholly forgetting in the interest he +had in what was going on, that his voice made no sound in their ears, he +sometimes came out with his guess quite loud, and very often guessed +quite right, too; for the sharpest needle, best Whitechapel, warranted +not to cut in the eye, was not sharper than Scrooge: blunt as he took it +in his head to be. + +The Ghost was greatly pleased to find him in this mood, and looked upon +him with such favor, that he begged like a boy to be allowed to stay +until the guests departed. But this the Spirit said could not be done. + +"Here is a new game," said Scrooge. "One half-hour, Spirit, only one!" + +It is a game called Yes and No, where Scrooge's nephew had to think of +something, and the rest must find out what; he only answering to their +questions yes or no, as the case was. The brisk fire of questioning to +which he was exposed, elicited from him that he was thinking of an +animal, a live animal, rather a disagreeable animal, a savage animal, an +animal that growled and grunted sometimes, and talked sometimes, and +lived in London, and walked about the streets, and wasn't made a show +of, and wasn't led by anybody, and didn't live in a menagerie, and was +never killed in a market, and was not a horse, or an ass, or a cow, or a +bull, or a tiger, or a dog, or a pig, or a cat, or a bear. At every +fresh question that was put to him, this nephew burst into a fresh roar +of laughter; and was so inexpressibly tickled, that he was obliged to +get up off the sofa and stamp. + +At last the plump sister, falling into a similar state, cried out: + +"I have found it out. I know what it is, Fred! I know what it is!" + +"What is it?" cried Fred. + +"It's your Uncle Scro-o-o-o-oge!" + +Which it certainly was. Admiration was the universal sentiment, though +some objected that the reply to "Is it a bear?" ought to have been +"Yes;" inasmuch as an answer in the negative was sufficient to have +diverted their thoughts from Mr. Scrooge, supposing they had ever had +any tendency that way. + +"He has given us plenty of merriment, I am sure," said Fred, "and it +would be ungrateful not to drink his health. Here is a glass of mulled +wine ready to our hand at the moment; and I say, 'Uncle Scrooge!'" + +"Well! Uncle Scrooge!" they cried. + +"A Merry Christmas and a Happy New Year to the old man, whatever he is!" +said Scrooge's nephew. "He wouldn't take it from me, but may he have it, +nevertheless. Uncle Scrooge!" + +Uncle Scrooge had imperceptibly become so gay and light of heart, that +he would have pledged the unconscious company in return, and thanked +them in an inaudible speech, if the Ghost had given him time. But the +whole scene passed off in the breath of the last word spoken by his +nephew; and he and the Spirit were again upon their travels. + +Much they saw, and far they went, and many homes they visited, but +always with a happy end. The Spirit stood beside sick-beds, and they +were cheerful; on foreign lands, and they were close at home; by +struggling men, and they were patient in their greater hope; by poverty, +and it was rich. In almshouse, hospital, and jail, in misery's every +refuge, where vain man in his little brief authority had not made fast +the door, and barred the Spirit out, he left his blessing, and taught +Scrooge his precepts. + +It was a long night, if it were only a night; but Scrooge had his doubts +of this, because the Christmas Holidays appeared to be condensed into +the space of time they passed together. It was strange, too, that while +Scrooge remained unaltered in his outward form, the Ghost grew older, +clearly older. Scrooge had observed this change, but never spoke of it, +until they left a children's Twelfth Night party, when, looking at the +Spirit as they stood together in an open place, he noticed that his hair +was gray. + +"Are spirits' lives so short?" asked Scrooge. + +"My life upon this globe is very brief," replied the Ghost. "It ends +to-night." + +"To-night!" cried Scrooge. + +"To-night at midnight. Hark! The time is drawing near." + +The chimes were ringing the three quarters past eleven at that moment. + +"Forgive me if I am not justified in what I ask," said Scrooge, looking +intently at the Spirit's robe, "but I see something strange, and not +belonging to yourself, protruding from your skirts! Is it a foot or a +claw!" + +"It might be a claw, for the flesh there is upon it," was the Spirit's +sorrowful reply. "Look here." + +From the foldings of its robe, it brought two children; wretched, +abject, frightful, hideous, miserable. They knelt down at its feet, and +clung upon the outside of its garment. + +"Oh, Man! look here. Look, look, down here!" exclaimed the Ghost. + +They were a boy and girl. Yellow, meagre, ragged, scowling, wolfish; but +prostrate, too, in their humility. Where graceful youth should have +filled their features out, and touched them with its freshest tints, a +stale and shrivelled hand, like that of age, had pinched, and twisted +them, and pulled them into shreds. Where angels might have sat +enthroned, devils lurked, and glared out menacing. No change, no +degradation, no perversion of humanity, in any grade, through all the +mysteries of wonderful creation, has monsters half so horrible and +dread. + +Scrooge started back, appalled. Having them shown to him in this way, he +tried to say they were fine children, but the words choked themselves, +rather than be parties to a lie of such enormous magnitude. + +"Spirit! are they yours?" Scrooge could say no more. + +"They are Man's," said the Spirit, looking down upon them. "And they +cling to me, appealing from their fathers. This boy is Ignorance. This +girl is Want. Beware them both, and all of their degree, but most of all +beware this boy, for on his brow I see that written which is Doom, +unless the writing be erased. Deny it!" cried the Spirit, stretching out +its hand towards the city. "Slander those who tell it ye! Admit it for +your factious purposes, and make it worse! And bide the end!" + +"Have they no refuge or resource?" cried Scrooge. + +"Are there no prisons?" said the Spirit, turning on him for the last +time with his own words. "Are there no workhouses?" + +The bell struck twelve. + +Scrooge looked about him for the Ghost, and saw it not. As the last +stroke ceased to vibrate, he remembered the prediction of old Jacob +Marley, and lifting up his eyes, beheld a solemn Phantom, draped and +hooded, coming, like a mist along the ground, towards him. + + +STAVE FOUR + +_The Last of the Spirits_ + +The Phantom slowly, gravely approached. When it came near him, Scrooge +bent down upon his knee; for in the very air through which this Spirit +moved it seemed to scatter gloom and mystery. + +It was shrouded in a deep black garment, which concealed its head, its +face, its form, and left nothing of it visible save one outstretched +hand. But for this it would have been difficult to detach its figure +from the night, and separate it from the darkness by which it was +surrounded. + +He felt that it was tall and stately when it came beside him, and that +its mysterious presence filled him with a solemn dread. He knew no more, +for the Spirit neither spoke nor moved. + +"I am in the presence of the Ghost of Christmas Yet to Come?" said +Scrooge. + +The Spirit answered not, but pointed downward with its hand. + +"You are about to show me shadows of the things that have not happened, +but will happen in the time before us," Scrooge pursued. "Is that so, +Spirit?" + +The upper portion of the garment was contracted for an instant in its +folds, as if the Spirit had inclined its head. That was the only answer +he received. + +Although well used to ghostly company by this time, Scrooge feared the +silent shape so much that his legs trembled beneath him, and he found +that he could hardly stand when he prepared to follow it. The Spirit +paused a moment, as observing his condition, and giving him time to +recover. + +But Scrooge was all the worse for this. It thrilled him with a vague +uncertain horror, to know that behind the dusky shroud there were +ghostly eyes intently fixed upon him, while he, though he stretched his +own to the utmost, could see nothing but a spectral hand and one great +heap of black. + +"Ghost of the Future!" he exclaimed, "I fear you more than any Spectre I +have seen. But, as I know your purpose is to do me good, and as I hope +to live to be another man from what I was, I am prepared to bear you +company, and do it with a thankful heart. Will you not speak to me?" + +It gave him no reply. The hand was pointed straight before them. + +"Lead on!" said Scrooge. "Lead on! The night is waning fast, and it is +precious time to me, I know. Lead on, Spirit!" + +The Phantom moved away as it had come towards him. Scrooge followed in +the shadow of its dress, which bore him up, he thought, and carried him +along. + +They scarcely seemed to enter the city; for the city rather seemed to +spring up about them, and encompass them of its own act. But there they +were, in the heart of it; on 'Change, amongst the merchants; who hurried +up and down, and chinked the money in their pockets, and conversed in +groups, and looked at their watches, and trifled thoughtfully with +their great gold seals; and so forth, as Scrooge had seen them often. + +The Spirit stopped beside one little knot of business men. Observing +that the hand was pointed to them, Scrooge advanced to listen to their +talk. + +"No," said a great fat man with a monstrous chin, "I don't know much +about it, either way. I only know he's dead." + +"When did he die?" inquired another. + +"Last night, I believe." + +"Why, what was the matter with him?" asked a third, taking a vast +quantity of snuff out of a very large snuffbox. "I thought he'd never +die." + +"God knows," said the first, with a yawn. + +"What has he done with his money?" asked a red-faced gentleman with a +pendulous excrescence on the end of his nose, that shook like the gills +of a turkey-cock. + +"I haven't heard," said the man with the large chin, yawning again. +"Left it to his Company, perhaps. He hasn't left it to _me_. That's all +I know." + +This pleasantry was received with a general laugh. + +"It's likely to be a very cheap funeral," said the same speaker; "for +upon my life I don't know of anybody to go to it. Suppose we make up a +party and volunteer?" + +"I don't mind going if a lunch is provided," observed the gentleman with +the excrescence on his nose. "But I must be fed, if I make one." + +Another laugh. + +"Well, I am the most disinterested among you, after all," said the first +speaker, "for I never wear black gloves, and I never eat lunch. But I'll +offer to go, if anybody else will. When I come to think of it, I'm not +at all sure that I wasn't his most particular friend; for we used to +stop and speak whenever we met. Bye, bye!" + +Speakers and listeners strolled away, and mixed with other groups. +Scrooge knew the men, and looked towards the Spirit for an explanation. + +The Phantom glided on into a street. Its finger pointed to two persons +meeting. Scrooge listened again, thinking that the explanation might lie +here. + +He knew these men, also, perfectly. They were men of business: very +wealthy, and of great importance. He had made a point always of standing +well in their esteem--in a business point of view, that is; strictly in +a business point of view. + +"How are you?" said one. + +"How are you?" returned the other. + +"Well!" said the first. "Old Scratch has got his own at last, hey?" + +"So I am told," returned the second. "Cold, isn't it?" + +"Seasonable for Christmas time. You're not a skater, I suppose?" + +"No. No. Something else to think of. Good morning!" Not another word. +That was their meeting, their conversation, and their parting. + +Scrooge was at first inclined to be surprised that the Spirit should +attach importance to conversations apparently so trivial; but feeling +assured that they must have some hidden purpose, he set himself to +consider what it was likely to be. They could scarcely be supposed to +have any bearing on the death of Jacob, his old partner, for that was +Past, and this Ghost's province was the Future. Nor could he think of +any one immediately connected with himself, to whom he could apply them. +But nothing doubting that to whomsoever they applied they had some +latent moral for his own improvement, he resolved to treasure up every +word he heard, and everything he saw; and especially to observe the +shadow of himself when it appeared. For he had an expectation that the +conduct of his future self would give him the clue he missed, and would +render the solution of these riddles easy. + +[Illustration: "SO I AM TOLD," RETURNED THE SECOND] + +He looked about in that very place for his own image; but another man +stood in his accustomed corner, and though the clock pointed to his +usual time of day for being there, he saw no likeness of himself among +the multitudes that poured in through the Porch. It gave him little +surprise, however; for he had been revolving in his mind a change of +life, and thought and hoped he saw his new-born resolutions carried out +in this. + +Quiet and dark, beside him stood the Phantom, with its outstretched +hand. When he roused himself from his thoughtful quest, he fancied from +the turn of the hand, and its situation in reference to himself, that +the Unseen Eyes were looking at him keenly. It made him shudder and feel +very cold. + +They left the busy scene, and went into an obscure part of the town, +where Scrooge had never penetrated before, although he recognized its +situation, and its bad repute. The ways were foul and narrow; the shops +and houses wretched; the people half-naked, drunken, slipshod, ugly. +Alleys and archways, like so many cesspools, disgorged their offences of +smell, and dirt, and life, upon the straggling streets; and the whole +quarter reeked with crime, with filth, and misery. + +Far in this den of infamous resort, there was a low-browed, beetling +shop, below a pent-house roof, where iron, old rags, bottles, bones, and +greasy offal, were bought. Upon the floor within, were piled up heaps of +rusty keys, nails, chains, hinges, files, scales, weights, and refuse +iron of all kinds. Secrets that few would like to scrutinise were bred +and hidden in mountains of unseemly rags, masses of corrupted fat, and +sepulchres of bones. Sitting in among the wares he dealt in, by a +charcoal-stove, made of old bricks, was a grey-haired rascal, nearly +seventy years of age; who had screened himself from the cold air +without, by a frowsy curtaining of miscellaneous tatters, hung upon a +line; and smoked his pipe in all the luxury of calm retirement. + +Scrooge and the Phantom came into the presence of this man, just as a +woman with a heavy bundle slunk into the shop. But she had scarcely +entered, when another woman, similarly laden, came in too; and she was +closely followed by a man in faded black, who was no less startled by +the sight of them, than they had been upon the recognition of each +other. After a short period of blank astonishment, in which the old man +with the pipe had joined them, they all three burst into a laugh. + +"Let the charwoman alone to be the first!" cried she who had entered +first. "Let the laundress alone to be the second; and let the +undertaker's man alone to be the third. Look here, old Joe, here's a +chance! If we haven't all three met here without meaning it!" + +"You couldn't have met in a better place," said old Joe, removing his +pipe from his mouth. "Come into the parlour. You were made free of it +long ago, you know; and the other two ain't strangers. Stop till I shut +the door of the shop. Ah! How it skreeks! There an't such a rusty bit of +metal in the place as its own hinges, I believe; and I'm sure there's no +such old bones here, as mine. Ha, ha! We're all suitable to our calling, +we're well matched. Come into the parlour. Come into the parlour." + +The parlour was the space behind the screen of rags. The old man raked +the fire together with an old stair-rod, and having trimmed his smoky +lamp (for it was night), with the stem of his pipe, put it in his mouth +again. + +While he did this, the woman who had already spoken, threw her bundle on +the floor, and sat down in a flaunting manner on a stool; crossing her +elbows on her knees, and looking with a bold defiance at the other two. + +"What odds then! What odds, Mrs. Dilber?" said the woman. "Every person +has a right to take care of themselves. _He_ always did!" + +"That's true, indeed!" said the laundress. "No man more so." + +"Why, then, don't stand staring as if you was afraid, woman; who's the +wiser? We're not going to pick holes in each other's coats, I suppose?" + +"No, indeed!" said Mrs. Dilber and the man together. "We should hope +not." + +"Very well, then!" cried the woman. "That's enough. Who's the worse for +the loss of a few things like these? Not a dead man, I suppose." + +"No, indeed," said Mrs. Dilber, laughing. + +"If he wanted to keep 'em after he was dead, a wicked old screw," +pursued the woman, "why wasn't he natural in his lifetime? If he had +been, he'd have had somebody to look after him when he was struck with +Death, instead of lying gasping out his last there, alone by himself." + +"It's the truest word that ever was spoke," said Mrs. Dilber. "It's a +judgment on him." + +"I wish it was a little heavier one," replied the woman; "and it should +have been, you may depend upon it, if I could have laid my hands on +anything else. Open that bundle, old Joe, and let me know the value of +it. Speak out plain. I'm not afraid to be the first, nor afraid for +them to see it. We knew pretty well that we were helping ourselves, +before we met here, I believe. It's no sin. Open the bundle, Joe." + +But the gallantry of her friends would not allow of this; and the man in +faded black, mounting the breach first, produced _his_ plunder. It was +not extensive. A seal or two, a pencil-case, a pair of sleeve-buttons, +and a brooch of no great value, were all. They were severally examined +and appraised by old Joe, who chalked the sums he was disposed to give +for each, upon the wall, and added them up into a total when he found +there was nothing more to come. + +"That's your account," said Joe, "and I wouldn't give another sixpence, +if I was to be boiled for not doing it. Who's next?" + +Mrs. Dilber was next. Sheets and towels, a little wearing apparel, two +old-fashioned silver teaspoons, a pair of sugar-tongs, and a few boots. +Her account was stated on the wall in the same manner. + +"I always give too much to ladies. It's a weakness of mine, and that's +the way I ruin myself," said old Joe. "That's your account. If you asked +me for another penny, and made it an open question, I'd repent of being +so liberal and knock off half-a-crown." + +"And now undo _my_ bundle, Joe," said the first woman. + +Joe went down on his knees for the greater convenience of opening it, +and having unfastened a great many knots, dragged out a large and heavy +roll of some dark stuff. + +"What do you call this?" said Joe. "Bed-curtains!" + +"Ah!" returned the woman, laughing and leaning forward on her crossed +arms. "Bed-curtains!" + +"You don't mean to say you took 'em down, rings and all, with him lying +there?" said Joe. + +"Yes I do," replied the woman. "Why not?" + +"You were born to make your fortune," said Joe, "and you'll certainly do +it." + +"I certainly shan't hold my hand, when I can get anything in it by +reaching it out, for the sake of such a man as He was, I promise you, +Joe," returned the woman coolly. "Don't drop that oil upon the blankets, +now." + +"His blankets?" asked Joe. + +"Whose else's do you think?" replied the woman. "He isn't likely to take +cold without 'em, I dare say." + +"I hope he didn't die of anything catching? Eh?" said old Joe, stopping +in his work, and looking up. + +"Don't you be afraid of that," returned the woman. "I an't so fond of +his company that I'd loiter about him for such things, if he did. Ah! +you may look through that shirt till your eyes ache; but you won't find +a hole in it, nor a threadbare place. It's the best he had, and a fine +one too. They'd have wasted it, if it hadn't been for me." + +"What do you call wasting of it?" asked old Joe. + +"Putting it on him to be buried in, to be sure," replied the woman with +a laugh. "Somebody was fool enough to do it, but I took it off again. If +calico an't good enough for such a purpose, it isn't good enough for +anything. He can't look uglier than he did in that one." + +Scrooge listened to this dialogue in horror. As they sat grouped about +their spoil, in the scanty light afforded by the old man's lamp, he +viewed them with a detestation and disgust, which could hardly have +been greater, though they had been obscene demons, marketing the corpse +itself. + +"Ha, ha!" laughed the same woman, when old Joe, producing a flannel bag +with money in it, told out their several gains upon the ground. "This is +the end of it, you see! He frightened every one away from him when he +was alive, to profit us when he was dead! Ha, ha, ha!" + +"Spirit!" said Scrooge, shuddering from head to foot. "I see, I see. The +case of this unhappy man might be my own. My life tends that way, now. +Merciful Heaven, what is this!" + +He recoiled in terror, for the scene had changed, and now he almost +touched a bed: a bare, uncurtained bed: on which, beneath a ragged +sheet, there lay a something covered up, which, though it was dumb, +announced itself in awful language. + +The room was very dark, too dark to be observed with any accuracy, +though Scrooge glanced round it in obedience to a secret impulse, +anxious to know what kind of room it was. + +A pale light, rising in the outer air, fell straight upon the bed; and +on it, plundered and bereft, unwatched, unwept, uncared for, was the +body of this man. + +Scrooge glanced towards the Phantom. Its steady hand was pointed to the +head. The cover was so carelessly adjusted that the slightest raising of +it, the motion of a finger upon Scrooge's part, would have disclosed the +face. He thought of it, felt how easy it would be to do, and longed to +do it; but had no more power to withdraw the veil than to dismiss the +spectre at his side. + +Oh cold, cold, rigid, dreadful Death, set up thine altar here, and dress +it with such terrors as thou hast at thy command: for this is thy +dominion! But of the loved, revered, and honoured head, thou canst not +turn one hair to thy dread purposes, or make one feature odious. It is +not that the hand is heavy and will fall down when released; it is not +that the heart and pulse are still; but that the hand was open, +generous, and true; the heart brave, warm, and tender; and the pulse a +man's. Strike, Shadow, strike! And see his good deeds springing from the +wound, to sow the world with life immortal! + +No voice pronounced these words in Scrooge's ears, and yet he heard them +when he looked upon the bed. He thought, if this man could be raised up +now, what would be his foremost thoughts? Avarice, hard dealing, griping +cares? They have brought him to a rich end, truly! + +He lay, in the dark empty house, with not a man, a woman, or a child, to +say that he was kind to me in this or that, and for the memory of one +kind word I will be kind to him. A cat was tearing at the door, and +there was a sound of gnawing rats beneath the hearth-stone. What _they_ +wanted in the room of death, and why they were so restless and +disturbed, Scrooge did not dare to think. + +"Spirit!" he said, "this is a fearful place. In leaving it, I shall not +leave its lesson, trust me. Let us go!" + +Still the Ghost pointed with an unmoved finger to the head. + +"I understand you," Scrooge returned, "and I would do it, if I could. +But I have not the power, Spirit. I have not the power." + +Again it seemed to look upon him. + +"If there is any person in the town, who feels emotion caused by this +man's death," said Scrooge, quite agonized, "show that person to me, +Spirit, I beseech you!" + +The Phantom spread its dark robe before him for a moment, like a wing; +and withdrawing it, revealed a room by daylight, where a mother and her +children were. + +She was expecting some one, and with anxious eagerness; for she walked +up and down the room; started at every sound; looked out from the +window; glanced at the clock; tried, but in vain, to work with her +needle; and could hardly bear the voices of the children in their play. + +At length the long-expected knock was heard. She hurried to the door, +and met her husband; a man whose face was careworn and depressed, though +he was young. There was a remarkable expression in it now; a kind of +serious delight of which he felt ashamed, and which he struggled to +repress. + +He sat down to the dinner that had been hoarding for him by the fire; +and when she asked him faintly what news (which was not until after a +long silence) he appeared embarrassed how to answer. + +"Is it good," she said, "or bad?"--to help him. + +"Bad," he answered. + +"We are quite ruined?" + +"No. There is hope yet, Caroline." + +"If _he_ relents," she said, amazed, "there is! Nothing is past hope, if +such a miracle has happened." + +"He is past relenting," said her husband. "He is dead." + +She was a mild and patient creature if her face spoke truth; but she was +thankful in her soul to hear it, and she said so, with clasped hands. +She prayed forgiveness the next moment, and was sorry; but the first was +the emotion of her heart. + +"What the half-drunken woman whom I told you of last night, said to me, +when I tried to see him and obtain a week's delay; and what I thought +was a mere excuse to avoid me; turns out to have been quite true. He was +not only very ill, but dying, then." + +"To whom will our debt be transferred?" + +"I don't know. But before that time we shall be ready with the money; +and even though we were not, it would be bad fortune indeed to find so +merciless a creditor in his successor. We may sleep to-night with light +hearts, Caroline!" + +Yes. Soften it as they would, their hearts were lighter. The children's +faces, hushed, and clustered round to hear what they so little +understood, were brighter; and it was a happier house for this man's +death; The only emotion that the Ghost could show him, caused by the +event, was one of pleasure. + +"Let me see some tenderness connected with a death," said Scrooge; "or +that dark chamber, Spirit, which we left just now, will be for ever +present to me." + +The Ghost conducted him through several streets familiar to his feet; +and as they went along, Scrooge looked here and there to find himself, +but nowhere was he to be seen. They entered poor Bob Cratchit's house; +the dwelling he had visited before; and found the mother and the +children seated round the fire. + +Quiet. Very quiet. The noisy little Cratchits were as still as statues +in one corner, and sat looking up at Peter, who had a book before him. +The mother and her daughter were engaged in sewing. But surely they were +very quiet! + +"'And He took a child, and set him in the midst of them.'" + +Where had Scrooge heard those words? He had not, dreamed them. The boy +must have read them out, as he and the Spirit crossed the threshold. Why +did he not go on? + +The mother laid her work upon the table, and put her hand up to her +face. + +"The colour hurts my eyes," she said. + +The colour? Ah, poor Tiny Tim! + +"They're better now again," said Cratchit's wife. "It makes them weak by +candlelight; and I wouldn't show weak eyes to your father when he comes +home, for the world. It must be near his time." + +"Past it rather," Peter answered, shutting up his book. "But I think +he's walked a little slower than he used, these few last evenings, +mother." + +They were very quiet again. At last she said, and in a steady cheerful +voice, that only faltered once: + +"I have known him walk with--I have known him walk with Tiny Tim upon +his shoulder, very fast indeed." + +"And so have I," cried Peter. "Often." + +"And so have I," exclaimed another. So had all. + +"But he was very light to carry," she resumed, intent upon her work, +"and his father loved him so, that it was no trouble--no trouble. And +there is your father at the door!" + +She hurried out to meet him; and little Bob in his comforter--he had +need of it, poor fellow--came in. His tea was ready for him on the hob, +and they all tried who should help him to it most. Then the two young +Cratchits got upon his knees and laid, each child, a little cheek +against his face, as if they said, "Don't mind it, father. Don't be +grieved!" + +Bob was very cheerful with them, and spoke pleasantly to all the family. +He looked at the work upon the table, and praised the industry and speed +of Mrs. Cratchit and the girls. They would be done long before Sunday he +said. + +"Sunday! You went to-day then, Robert?" said his wife. + +"Yes, my dear," returned Bob. "I wish you could have gone. It would have +done you good to see how green a place it is. But you'll see it often. I +promised him that I would walk there on a Sunday. My little, little +child!" cried Bob. "My little child!" + +He broke down all at once. He couldn't help it. If he could have helped +it, he and his child would have been farther apart perhaps than they +were. + +He left the room, and went upstairs into the room above, which was +lighted cheerfully, and hung with Christmas. There was a chair set close +beside the child, and there were signs of some one having been there, +lately. Poor Bob sat down in it, and when he had thought a little and +composed himself, he kissed the little face. He was reconciled to what +had happened, and went down again quite happy. + +They drew about the fire, and talked; the girls and mother working +still. Bob told them of the extraordinary kindness of Mr. Scrooge's +nephew, whom he had scarcely seen but once, and who, meeting him in the +street that day, and seeing that he looked a little--"just a little down +you know," said Bob, inquired what had happened to distress him. "On +which," said Bob, "for he is the pleasantest-spoken gentleman you ever +heard, I told him. 'I am heartily sorry for it, Mr. Cratchit,' he said, +'and heartily sorry for your good wife.' By the bye, how he ever knew +_that_, I don't know." + +"Knew what, my dear?" + +"Why, that you were a good wife," replied Bob. + +"Everybody knows that!" said Peter. + +"Very well observed, my boy!" cried Bob. "I hope they do. 'Heartily +sorry,' he said, 'for your good wife. If I can be of service to you in +any way,' he said, giving me his card, 'that's where I live. Pray come +to me.' Now, it wasn't," cried Bob, "for the sake of anything he might +be able to do for us, so much as for his kind way, that this was quite +delightful. It really seemed as if he had known our Tiny Tim, and felt +with us." + +"I'm sure he's a good soul!" said Mrs. Cratchit. + +"You would be surer of it, my dear," returned Bob, "if you saw and spoke +to him. I shouldn't be at all surprised, mark what I say, if he got +Peter a better situation." + +"Only hear that, Peter," said Mrs. Cratchit. + +"And then," cried one of the girls, "Peter will be keeping company with +some one, and setting up for himself." + +"Get along with you!" retorted Peter, grinning. + +"It's just as likely as not," said Bob, "one of these days; though +there's plenty of time for that, my dear. But however and whenever we +part from one another, I am sure we shall none of us forget poor Tiny +Tim--shall we--or this first parting that there was among us?" + +"Never, father!" cried they all. + +"And I know," said Bob, "I know, my dears, that when we recollect how +patient and how mild he was; although he was a little, little child; we +shall not quarrel easily among ourselves, and forget poor Tiny Tim in +doing it." + +"No, never, father!" they all cried again. + +"I am very happy," said little Bob, "I am very happy!" + +Mrs. Cratchit kissed him, his daughters kissed him, the two young +Cratchits kissed him, and Peter and himself shook hands. Spirit of Tiny +Tim, thy childish essence was from God! + +"Spectre," said Scrooge, "something informs me that our parting moment +is at hand. I know it, but I know not how. Tell me what man that was +whom we saw lying dead?" + +The Ghost of Christmas Yet To Come conveyed him, as before--though at a +different time, he thought: indeed, there seemed no order in these +latter visions, save that they were in the Future--into the resorts of +business men, but showed him not himself. Indeed, the Spirit did not +pause, but went straight on, as to the end just now desired, until +besought by Scrooge to tarry for a moment. + +"This court," said Scrooge, "through which we hurry now, is where my +place of occupation is, and has been for a length of time. I see the +house. Let me behold what I shall be, in days to come!" + +The Spirit stopped; the hand was pointed elsewhere. + +"The house is yonder," Scrooge exclaimed, "Why do you point away?" + +The inexorable finger underwent no change. + +Scrooge hastened to the window of his office, and looked in. It was an +office still, but not his. The furniture was not the same, and the +figure in the chair was not himself. The Phantom pointed as before. He +joined it once again, and wondering why and whither he had gone, +accompanied it until they reached an iron gate. He paused to look round +before entering. + +A churchyard. Here, then, the wretched man whose name he had now to +learn, lay underneath the ground. It was a worthy place. Walled in by +houses; overrun by grass and weeds, the growth of vegetation's death, +not life; choked up with too much burying; fat with repleted appetite. A +worthy place! + +The Spirit stood among the graves, and pointed down to One. He advanced +towards it trembling. The Phantom was exactly as it had been, but he +dreaded that he saw new meaning in its solemn shape. + +"Before I draw nearer to that stone to which you point," said Scrooge, +"answer me one question. Are these shadows of the things that Will be, +or are they shadows of things that May be, only?" + +Still the Ghost pointed downward to the grave by which it stood. + +"Men's courses will foreshadow certain ends, to which, if persevered in, +they must lead," said Scrooge. "But if the courses be departed from, the +ends will change. Say it is thus with what you show me!" + +The Spirit was immovable as ever. + +Scrooge crept towards it, trembling as he went; and following the +finger, read upon the stone of the neglected grave his own name, +EBENEZER SCROOGE. + +[Illustration: HE READ HIS OWN NAME] + +"Am _I_ that man who lay upon the bed?" he cried, upon his knees. + +The finger pointed from the grave to him, and back again. + +"No, Spirit! Oh no, no!" + +The finger still was there. + +"Spirit!" he cried, tight clutching at its robe, "hear me! I am not the +man I was. I will not be the man I must have been but for this +intercourse. Why show me this, if I am past all hope!" + +For the first time the hand appeared to shake. + +"Good Spirit," he pursued, as down upon the ground he fell before it: +"Your nature intercedes for me, and pities me. Assure me that I yet may +change these shadows you have shown me, by an altered life!" + +The kind hand trembled. + +"I will honour Christmas in my heart, and try to keep it all the year. I +will live in the Past, the Present, and the Future. The Spirits of all +Three shall strive within me. I will not shut out the lessons that they +teach. Oh, tell me I may sponge away the writing on this stone!" + +In his agony, he caught the spectral hand. It sought to free itself, but +he was strong in his entreaty, and detained it. The Spirit, stronger +yet, repulsed him. + +Holding up his hands in one last prayer to have his fate reversed, he +saw an alteration in the Phantom's hood and dress. It shrank, collapsed, +and dwindled down into a bedpost. + + +STAVE FIVE + +_The End of It_ + +Yes! and the bedpost was his own. The bed was his own, the room was his +own. Best and happiest of all, the Time before him was his own, to make +amends in! + +"I will live in the Past, the Present, and the Future!" Scrooge +repeated, as he scrambled out of bed. "The Spirits of all Three shall +strive within me. Oh Jacob Marley! Heaven and the Christmas Time be +praised for this! I say it on my knees, old Jacob, on my knees!" + +He was so fluttered and so glowing with his good intentions, that his +broken voice would scarcely answer to his call. He had been sobbing +violently in his conflict with the Spirit, and his face was wet with +tears. + +"They are not torn down," cried Scrooge, folding one of his bed-curtains +in his arms, "they are not torn down, rings and all. They are here: I am +here: the shadows of the things that would have been, may be dispelled. +They will be. I know they will!" + +His hands were busy with his garments all this time: turning them inside +out, putting them on upside down, tearing them, mislaying them, making +them parties to every kind of extravagance. + +"I don't know what to do!" cried Scrooge, laughing and crying in the +same breath; and making a perfect Laocooen[346-18] of himself with his +stockings. "I am as light as a feather, I am as happy as an angel, I am +as merry as a schoolboy. I am as giddy as a drunken man. A Merry +Christmas to everybody! A Happy New Year to all the world. Hallo here! +Whoop! Hallo!" + +He had frisked into the sitting-room, and was now standing there: +perfectly winded. + +"There's the saucepan that the gruel was in!" cried Scrooge, starting +off again, and frisking round the fireplace. "There's the door, by which +the Ghost of Jacob Marley entered! There's the corner where the Ghost of +Christmas Present sat! There's the window where I saw the wandering +Spirits! It's all right, it's all true, it all happened. Ha, ha, ha!" + +Really, for a man who had been out of practice for so many years, it was +a splendid laugh, a most illustrious laugh. The father of a long, long +line of brilliant laughs! + +"I don't know what day of the month it is!" said Scrooge. "I don't know +how long I've been among the Spirits. I don't know anything. I'm quite a +baby. Never mind. I don't care. I'd rather be a baby. Hallo! Whoop! +Hallo here!" + +He was checked in his transports by the churches ringing out the +lustiest peals he had ever heard. Clash, clang, hammer, ding, dong, +bell. Bell, dong, ding, hammer, clang, clash! Oh, glorious, glorious! + +Running to the window, he opened it, and put out his head. No fog, no +mist; clear, bright, jovial, stirring, cold; cold, piping for the blood +to dance to; golden sunlight; heavenly sky; sweet fresh air; merry +bells. Oh, glorious! Glorious! + +"What's to-day?" cried Scrooge, calling downward to a boy in Sunday +clothes, who perhaps had loitered in to look about him. + +"EH?" returned the boy, with all his might of wonder. + +[Illustration: HE STOOD BY THE WINDOW--GLORIOUS!] + +"What's to-day, my fine fellow?" said Scrooge. + +"To-day!" replied the boy. "Why, CHRISTMAS DAY." + +"It's Christmas Day!" said Scrooge to himself. "I haven't missed it. The +Spirits have done it all in one night. They can do anything they like. +Of course they can. Of course they can. Hallo, my fine fellow!" +"Hallo!" returned the boy. + +"Do you know the poulterer's, in the next street but one, at the +corner?" Scrooge inquired. + +"I should hope I did," replied the lad. + +"An intelligent boy!" said Scrooge. "A remarkable boy! Do you know +whether they've sold the prize turkey that was hanging up there? Not the +little prize turkey: the big one?" + +"What, the one as big as me?" returned the boy. + +"What a delightful boy!" said Scrooge. "It's a pleasure to talk to him. +Yes, my buck!" + +"It's hanging there now," replied the boy. + +"Is it?" said Scrooge. "Go and buy it." + +"Walk-ER!"[349-19] exclaimed the boy. + +"No, no," said Scrooge, "I am in earnest. Go and buy it, and tell 'em to +bring it here, that I may give them the direction where to take it. Come +back with the man, and I'll give you a shilling. Come back with him in +less than five minutes, and I'll give you half-a-crown!" + +The boy was off like a shot. He must have had a steady hand at a trigger +who could have got a shot off half so fast. + +"I'll send it to Bob Cratchit's!" whispered Scrooge, rubbing his hands, +and splitting with a laugh. "He shan't know who sends it. It's twice the +size of Tiny Tim. Joe Miller[349-20] never made such a joke as sending +it to Bob's will be!" + +The hand in which he wrote the address was not a steady one, but write +it he did, somehow, and went downstairs to open the street door, ready +for the coming of the poulterer's man. As he stood there, waiting his +arrival, the knocker caught his eye. + +"I shall love it, as long as I live!" cried Scrooge, patting it with his +hand. "I scarcely ever looked at it before. What an honest expression it +has in its face! It's a wonderful knocker!--Here's the turkey. Hallo! +Whoop! How are you! Merry Christmas!" + +It _was_ a turkey! He could never have stood upon his legs, that bird. +He would have snapped 'em short off in a minute, like sticks of +sealing-wax. + +"Why, it's impossible to carry that to Camden Town," said Scrooge. "You +must have a cab." + +The chuckle with which he said this, and the chuckle with which he paid +for the turkey, and the chuckle with which he paid for the cab, and the +chuckle with which he recompensed the boy, were only to be exceeded by +the chuckle with which he sat down breathless in his chair again, and +chuckled till he cried. + +Shaving was not an easy task, for his hand continued to shake very much; +and shaving requires attention, even when you don't dance while you are +at it. But if he had cut the end of his nose off, he would have put a +piece of sticking-plaster over it, and been quite satisfied. + +He dressed himself "all in his best," and at last got out into the +streets. The people were by this time pouring forth, as he had seen them +with the Ghost of Christmas Present; and walking with his hands behind +him, Scrooge regarded every one with a delighted smile. He looked so +irresistibly pleasant, in a word, that three or four good-humoured +fellows said, "Good morning, Sir! A Merry Christmas to you!" And Scrooge +said often afterwards, that of all the blithe sounds he had ever heard, +those were the blithest in his ears. + +He had not gone far, when coming on towards him he beheld the portly +gentleman, who had walked into his counting-house the day before and +said, "Scrooge and Marley's, I believe?" It sent a pang across his heart +to think how this old gentleman would look upon him when they met; but +he knew what path lay straight before him, and he took it. + +"My dear Sir," said Scrooge, quickening his pace, and taking the old +gentleman by both his hands. "How do you do? I hope you succeeded +yesterday. It was very kind of you. A Merry Christmas to you, Sir!" + +"Mr. Scrooge?" + +"Yes," said Scrooge. "That is my name, and I fear it may not be pleasant +to you. Allow me to ask your pardon. And will you have the +goodness"--here Scrooge whispered in his ear. + +"Lord bless me," cried the gentleman, as if his breath were gone. "My +dear Mr. Scrooge, are you serious?" + +"If you please," said Scrooge. "Not a farthing less. A great many +back-payments are included in it, I assure you. Will you do me that +favour?" + +"My dear Sir," said the other, shaking hands with him. "I don't know +what to say to such munifi----" + +"Don't say anything, please," retorted Scrooge. "Come and see me. Will +you come and see me?" + +"I will!" cried the old gentleman. And it was clear he meant to do it. + +"Thank'ee," said Scrooge. "I am much obliged to you. I thank you fifty +times. Bless you!" + +He went to church, and walked about the streets, and watched the people +hurrying to and fro, and patted children on the head, and questioned +beggars, and looked down into the kitchens of houses, and up to the +windows; and found that everything could yield him pleasure. He had +never dreamed that any walk--that anything--could give him so much +happiness. In the afternoon, he turned his steps towards his nephew's +house. He passed the door a dozen times, before he had the courage to go +up and knock. But he made a dash, and did it. + +"Is your master at home, my dear?" said Scrooge to the girl. Nice girl! +Very. + +"Yes, Sir." + +"Where is he, my love?" said Scrooge. + +"He's in the dining-room, Sir, along with mistress. I'll show you +upstairs, if you please." + +"Thank'ee. He knows me," said Scrooge, with his hand already on the +dining-room lock. "I'll go in here, my dear." + +He turned it gently, and sidled his face in, round the door. They were +looking at the table (which was spread out in great array); for these +young housekeepers are always nervous on such points, and like to see +that everything is right. + +"Fred!" said Scrooge. + +Dear heart alive, how his niece by marriage started! Scrooge had +forgotten, for the moment, about her sitting in the corner with the +footstool, or he wouldn't have done it, on any account. + +"Why bless my soul!" cried Fred, "who's that?" + +"It's I. Your uncle Scrooge. I have come to dinner. Will you let me in, +Fred?" + +Let him in! It is a mercy he didn't shake his arm off. He was at home in +five minutes. Nothing could be heartier. His niece looked just the same. +So did Topper when _he_ came. So did the plump sister, when _she_ came. +So did every one when _they_ came. Wonderful party, wonderful games, +wonderful unanimity, won-der-ful happiness! + +But he was early at the office next morning. Oh he was early there. If +he could only be there first, and catch Bob Cratchit coming late! That +was the thing he had set his heart upon. + +And he did it; yes he did! The clock struck nine. No Bob. A quarter +past. No Bob. He was full eighteen minutes and a half behind his time. +Scrooge sat with his door wide open, that he might see him come into the +Tank. His hat was off, before he opened the door; his comforter too. He +was on his stool in a jiffy; driving away with his pen, as if he were +trying to overtake nine o'clock. + +"Hallo!" growled Scrooge in his accustomed voice as near as he could +feign it. "What do you mean by coming here at this time of day?" + +"I am very sorry, Sir," said Bob. "I _am_ behind my time." + +"You are?" repeated Scrooge. "Yes. I think you are. Step this way, Sir, +if you please." + +"It's only once a year, Sir," pleaded Bob, appearing from the Tank. "It +shall not be repeated. I was making rather merry yesterday, Sir." + +"Now, I'll tell you what, my friend," said Scrooge. "I am not going to +stand this sort of thing any longer. And therefore," he continued, +leaping from his stool, and giving Bob such a dig in the waistcoat that +he staggered back into the Tank again: "and therefore I am about to +raise your salary!" + +Bob trembled, and got a little nearer to the ruler. He had a momentary +idea of knocking Scrooge down with it; holding him; and calling to the +people in the court for help and a strait-waist-coat. + +"A Merry Christmas, Bob!" said Scrooge, with an earnestness that could +not be mistaken, as he clapped him on the back. "A merrier Christmas, +Bob, my good fellow, than I have given you for many a year! I'll raise +your salary, and endeavor to assist your struggling family, and we will +discuss your affairs this very afternoon, over a Christmas bowl of +smoking bishop, Bob! Make up the fires, and buy another coal-scuttle +before you dot another i, Bob Cratchit!" + + * * * * * + +Scrooge was better than his word. He did it all, and infinitely more; +and to Tiny Tim, who did NOT die, he was a second father. He became as +good a friend, as good a master, and as good a man, as the good old city +knew, or any other good old city, town, or borough, in the good old +world. Some people laughed to see the alteration in him, but he let them +laugh, and little heeded them; for he was wise enough to know that +nothing ever happened on this globe, for good, at which some people did +not have their fill of laughter in the outset; and knowing that such as +these would be blind anyway, he thought it quite as well that they +should wrinkle up their eyes in grins, as have the malady in less +attractive forms. His own heart laughed: and that was quite enough for +him. + +[Illustration: "A MERRY CHRISTMAS, BOB!"] + +He had no further intercourse with Spirits, but lived upon the Total +Abstinence Principle, ever afterwards; and it was always said of him, +that he knew how to keep Christmas well, if any man alive possessed the +knowledge. May that be truly said of us, and all of us! And so, as Tiny +Tim observed, God Bless Us, Every One! + + +FOOTNOTES: + +[247-1] The fogs of London are famous. A genuine London fog seems not +like the heavy gray mist which we know as a fog, but, as Dickens says, +like "palpable brown air." So dense is this brown air at times that all +traffic is obliged to cease, for not even those best acquainted with the +geography of the city can find their way about. + +[251-2] _Bedlam_ is the name of a famous asylum for lunatics, in London. +In former times the treatment of the inmates was far from humane, but at +the present time the management is excellent, and a large proportion of +the inmates are cured. + +[252-3] Workhouses are establishments where paupers are cared for, a +certain amount of labor being expected from those who are able. + +[252-4] In England formerly there existed a device for the punishment of +prisoners which was known as the _treadmill_. A huge wheel, usually in +the form of a long hollow cylinder, was provided with steps about its +circumference, and made to revolve by the weight of the prisoner as he +moved from step to step. + +[253-5] Links are torches made of tow and pitch. In the days before the +invention of street lights, they were in common use in England, and they +are still seen during the dense London fogs. + +[254-6] Saint Dunstan was an English archbishop and statesman who lived +in the tenth century. + +[254-7] This is one of the best-known and oftenest-sung of Christmas +carols. In many parts of England, parties of men and boys go about for +several nights before Christmas singing carols before people's houses. +These troops of singers are known as "waits." + +[258-8] The splinter-bar is the cross-bar of a vehicle, to which the +traces of the horses are fastened. + +[261-9] There is a play on the word _bowels_ here. What Scrooge had +heard said of Marley was that he had no bowels of compassion--that is, +no pity. + +[277-10] Scrooge sees and recognizes the heroes of the books which had +been almost his only comforters in his neglected childhood. + +[284-11] "Sir Roger de Coverley" is the English name for the +old-fashioned country-dance which is called in the United States the +"Virginia Reel." + +[300-12] Biffins are an excellent variety of apples raised in England. + +[301-13] _Baker's_ here does not mean exactly what it means with us. In +England the poorer people often take their dinners to a baker's to be +cooked. + +[303-14] A _bob_, in English slang, is a shilling. + +[311-15] _Five-and-sixpence_ means five shillings and sixpence, or about +$1.32. + +[319-16] In what sense has Scrooge "resorted to the sexton's spade that +buried Jacob Marley" to cultivate the kindnesses of life? + +[320-17] "I love my love" is an old game of which there are several +slightly different forms. The player says "I love my love with an _A_ +because he's--," giving some adjective beginning with _A_; "I hate him +with an _A_ because he's--; I took him to--and fed him on--," all the +blanks being filled with words beginning with _A_. This is carried out +through the whole alphabet. + +[346-18] The Laocooen is a famous ancient statue of a Trojan priest, +Laocooen, and his two sons, struggling in the grip of two monstrous +serpents. You have doubtless seen pictures of the group. Dickens's +figure gives us a humorously exaggerated picture of Scrooge and his +stockings. + +[349-19] This is a slang expression, used to express incredulity. It has +somewhat the same meaning as the slang phrase heard in the United +States--"Over the left." + +[349-20] Joe Miller was an English comedian who lived from 1684 to 1738. +The year after his death there appeared a little book called _Joe +Miller's Jests_. These stories and jokes, however, were not written by +Miller. + + + + +CHRISTMAS IN OLD TIME + +_By_ Sir Walter Scott + + + Heap on more wood![356-1]--the wind is chill; + But let it whistle as it will, + We'll keep our Christmas merry still. + Each age has deem'd the new-born year + The fittest time for festal cheer:[356-2] + And well our Christian sires of old + Loved when the year its course had roll'd, + And brought blithe Christmas back again, + With all his hospitable train.[356-3] + Domestic and religious rite[356-4] + Gave honor to the holy night; + On Christmas Eve the bells were rung;[356-5] + On Christmas Eve the mass[356-6] was sung: + That only night in all the year, + Saw the stoled priest the chalice rear.[356-7] + The damsel donn'd her kirtle sheen;[356-8] + + The hall was dress'd with holly green; + Forth to the wood did merry-men go, + To gather in the mistletoe.[357-9] + Then open'd wide the baron's hall + To vassal,[357-10] tenant,[357-11] serf,[357-12] and all; + Power laid his rod of rule aside,[357-13] + And ceremony doff'd his pride.[357-14] + The heir, with roses in his shoes,[357-15] + That night might village partner choose;[357-16] + The lord, underogating,[357-17] share + The vulgar game of "post and pair."[357-18] + All hail'd, with uncontroll'd delight + And general voice, the happy night, + That to the cottage, as the crown, + Brought tidings of Salvation down.[357-19] + + The fire, with well-dried logs supplied, + Went roaring up the chimney wide; + The huge hall-table's oaken face, + Scrubb'd till it shone, the day to grace, + Bore then upon its massive board + No mark to part the squire and lord.[358-20] + Then was brought in the lusty brawn,[358-21] + By old blue-coated serving-man; + Then the grim boar's head frown'd on high, + Crested with bays and rosemary.[358-22] + Well can the green-garb'd ranger[358-23] tell, + How, when, and where, the monster fell; + What dogs before his death he tore, + And all the baiting of the boar.[358-24] + The wassail[358-25] round, in good brown bowls, + Garnish'd with ribbons, blithely trowls.[358-26] + + There the huge sirloin reek'd; hard by + Plum-porridge stood, and Christmas pie;[358-27] + Nor fail'd old Scotland to produce, + At such high tide, her savory goose. + Then came the merry maskers in, + And carols roar'd with blithesome din: + If unmelodious was the song, + It was a hearty note, and strong. + Who lists may in their mumming see + Traces of ancient mystery;[359-28] + White shirts supplied the masquerade, + And smutted cheeks the visors made;--[359-29] + But, O! what maskers, richly dight, + Can boast of bosoms, half so light![359-30] + England was merry England, when + Old Christmas brought his sports again. + 'Twas Christmas broach'd the mightiest ale; + 'Twas Christmas told the merriest tale; + A Christmas gambol oft could cheer + The poor man's heart through half the year. + +[Illustration] + + +FOOTNOTES: + +[356-1] Is there a stove or a fireplace in the room where the poet sees +Christmas kept? + +[356-2] What is cheer? What is festal cheer? + +[356-3] What is a "train"? How could it be called a hospitable train? +Whose train was it? + +[356-4] What is a rite? + +[356-5] What bells were rung? + +[356-6] What is a mass? + +[356-7] What is a _stoled_ priest? What is a chalice? What did the +priest do when he reared the chalice? + +[356-8] The kirtle was a dress-skirt or outer petticoat. _Sheen_ means +_gay_ or _bright_. + +[357-9] What is mistletoe? Is there anything peculiar in its habits of +growth? What did they want of it? What custom is still said to follow +the use of mistletoe at Christmastime? + +[357-10] A vassal was one of the followers of the baron and paid for +protection or for lands he held by fighting in the baron's troops or +rendering some other service. + +[357-11] A tenant held lands or houses, for which he paid some form of +rent. + +[357-12] A serf was a slave. + +[357-13] At Christmastime even the powerful were willing to cease from +ruling and join with the common people. + +[357-14] Instead of grand ceremonies, everybody joined in simple +amusements, without pride or prejudice. + +[357-15] Who was the heir? What was he heir to? Why did he have roses in +his shoes? + +[357-16] Was he permitted to dance with village maidens at any other +time? + +[357-17] Without losing any of his dignity. + +[357-18] An old-fashioned game of cards. + +[357-19] Who brought the tidings of Salvation? To whom was it brought? +Who was "the crown"? + +[358-20] A lord was one who had power and authority, while a squire was +merely an attendant upon a lord. + +[358-21] Brawn, in England, is a preparation of meat, generally sheep's +head, pig's head, hock of beef, or boar's meat, boiled and seasoned, and +run into jelly moulds. + +[358-22] What are bays? What is rosemary? Why should the boar's head be +called _crested_? Where was it? Why was it there? Why does the poet say +it _frowned_ on high? + +[358-23] Who was a ranger? What did he do? Do you see any reason for his +being green-garbed? + +[358-24] What is meant by _baiting_? Who tore the dogs? Why did he tear +them? What made the monster fall? + +[358-25] Wassail (_wossil_): the liquor in which they drank their +toasts, and which signified the good cheer of Christmastime. + +[358-26] Moves about; that is, the liquor in good brown bowls was +merrily passed along the table from hand to hand. + +[358-27] What was near the sirloin? How many kinds of meat were there on +the table? Is anything mentioned besides meat? Do you suppose they had +other things to eat? Did they have bread and vegetables? + +[359-28] In the _mumming_ or acting of these maskers could be seen +traces of the ancient mystic plays in which religious lessons were given +in plays that were acted with the approval of the church. + +[359-29] Did the maskers have rich costumes? What did they wear over +their faces? How did they conceal their clothing? + +[359-30] Does the poet think that rich maskers would enjoy their +pleasure as much as the old-fashioned Christmas merrymakers? + + + + +ELEGY + +WRITTEN IN A COUNTRY CHURCHYARD + +_By_ THOMAS GRAY + + + NOTE.--A mournful song written to express grief at the loss of some + friend or relative, and at the same time to praise the dead person, + is known as an elegy. Sometimes the word has a wider meaning, and + includes a poem which expresses the same ideas but applies them to + a class of people rather than to an individual. Such a poem is not + so personal, and for that very reason it will be appreciated by a + larger number of readers. Gray's _Elegy_ is of the latter class--is + perhaps the one great poem of that class; for in all probability + more people have loved it and found in its gentle sadness, its + exquisite phraseology and its musical lines more genuine charm than + in any similar poem in the language. + + To one who already loves it, any comments on the poem may at first + thought seem like desecration, but, on the other hand, there is so + much more in the _Elegy_ than appears at first glance that it is + worth while to read it in the light of another's eyes. Not a few + persons find some enjoyment in reading, but fall far short of the + highest pleasure because of their failure really to comprehend the + meaning of certain words and forms of expression. For that reason, + notes are appended where they may be needed. A good reader is never + troubled by notes at the bottom of the page. If they are of no + interest or benefit to him, he knows it with a glance and passes on + with his reading. If the note is helpful, he gathers the + information and returns to his reading, beginning not at the word + from which the reference was made, but at the beginning of the + sentence or stanza; then he loses nothing by going to the footnote. + + The curfew[361-1] tolls the knell[361-2] of parting day, + The lowing herd winds slowly o'er the lea, + The plowman homeward plods his weary way + And leaves the world to darkness and to me. + +[Illustration: HOMEWARD PLODS HIS WEARY WAY] + + Now fades the glimmering landscape on the sight, + And all the air a solemn stillness holds, + Save where the beetle wheels his droning flight, + And drowsy tinklings lull the distant folds;[361-3] + + Save that from yonder ivy-mantled tower[362-4] + The moping owl does to the moon complain + Of such as, wandering near her secret bower, + Molest her ancient solitary reign.[362-5] + + Beneath those rugged elms, that yew-tree's shade, + Where heaves the turf in many a mold'ring heap, + Each in his narrow cell forever laid, + The rude[362-6] forefathers of the hamlet sleep. + + The breezy call of incense-breathing morn, + The swallow twittering from the straw-built shed, + The cock's shrill clarion,[362-7] or the echoing horn, + No more shall rouse them from their lowly bed.[362-8] + + For them no more the blazing hearth shall burn, + Or busy housewife ply her evening care;[362-9] + No children run to lisp their sire's return,[363-10] + Or climb his knees the envied kiss to share. + + Oft did the harvest to their sickle yield, + Their furrow oft the stubborn glebe[363-11] has broke; + How jocund[363-12] did they drive their team a-field! + How bowed the woods beneath their sturdy stroke! + + Let not Ambition[363-13] mock their useful toil, + Their homely joys and destiny obscure; + Nor Grandeur hear, with a disdainful smile, + The short and simple annals of the poor. + + The boast of heraldry, the pomp of power, + And all that beauty, all that wealth e'er gave, + Await[363-14] alike th' inevitable hour: + The paths of glory lead but to the grave.[363-15] + + Nor you, ye proud, impute to these the fault, + If Memory o'er their tomb no trophies raise, + Where, through the long-drawn aisle[364-16] and fretted vault, + The pealing anthem swells the note of praise. + + Can storied urn or animated bust[364-17] + Back to its mansion call the fleeting breath? + Can Honour's voice provoke[364-18] the silent dust, + Or Flattery soothe the dull cold ear of Death? + + Perhaps in this neglected spot is laid + Some heart once pregnant with celestial fire;[364-19] + Hands that the rod of empire might have swayed, + Or waked to ecstasy the living lyre.[364-20] + + But Knowledge to their eyes her ample page, + Rich with the spoils of time, did ne'er unroll;[364-21] + Chill Penury repressed their noble rage, + And froze the genial current of the soul. + + Full many a gem of purest ray serene + The dark, unfathomed caves of ocean bear; + Full many a flower is born to blush unseen, + And waste its sweetness on the desert air. + + Some village Hampden, that with dauntless breast + The little tyrant of his fields withstood, + Some mute inglorious Milton here may rest-- + Some Cromwell, guiltless of his country's blood.[365-22] + + Th' applause[365-23] of listening senates to command + The threats of pain and ruin to despise, + To scatter plenty o'er a smiling land, + And read their history in a nation's eyes, + + Their lot forbade: nor circumscribed alone + Their growing virtues, but their crimes confined; + Forbade to wade through slaughter to a throne,[365-24] + And shut the gates of mercy on mankind; + + The struggling pangs of conscious truth to hide + To quench the blushes of ingenuous shame, + Or heap the shrine of Luxury and Pride + With incense kindled at the Muse's flame.[366-25] + + Far from the madding[366-26] crowd's ignoble strife, + Their sober wishes never learned to stray; + Along the cool, sequestered vale of life + They kept the noiseless tenor of their way. + + Yet ev'n these bones from insult to protect + Some frail memorial[366-27] still erected nigh, + With uncouth[366-28] rhymes and shapeless sculpture decked, + Implores the passing tribute of a sigh. + + Their name, their years, spelt by th' unlettered Muse, + The place of fame and elegy supply; + And many a holy text around she strews, + That teach the rustic moralist to die.[366-29] + + For who, to dumb Forgetfulness a prey, + This pleasing, anxious being e'er resigned, + Left the warm precincts of the cheerful day, + Nor cast one longing, ling'ring look behind?[367-30] + + On some fond breast the parting soul relies, + Some pious drops the closing eye requires; + E'en from the tomb the voice of Nature cries, + E'en in our ashes live their wonted fires. + + For thee,[367-31] who, mindful of th' unhonored dead, + Dost in these lines their artless tale relate; + If chance, by lonely Contemplation led, + Some kindred spirit shall inquire thy fate, + + Haply some hoary-headed swain may say, + "Oft have we seen him at the peep of dawn, + Brushing with hasty steps the dews away, + To meet the sun upon the upland lawn. + + "There at the foot of yonder nodding beech, + That wreathes its old fantastic roots so high, + His listless length at noontide would he stretch, + And pore upon the brook that babbles by. + + "Hard by yon wood, now smiling as in scorn, + Mutt'ring his wayward fancies, he would rove; + Now drooping, woeful-wan, like one forlorn, + Or crazed with care, or crossed in hopeless love. + + "One morn I missed him from the customed hill, + Along the heath, and near his fav'rite tree. + Another came; nor yet beside the rill, + Nor up the lawn, nor at the wood was he. + + "The next, with dirges due,[368-32] in sad array, + Slow through the church way path we saw him borne.-- + Approach and read, for thou canst read, the lay + Graved on the stone beneath yon aged thorn."[368-33] + + +THE EPITAPH + + Here rests his head upon the lap of Earth, + A youth, to Fortune and to Fame unknown: + Fair Science frowned not on his humble birth, + And Melancholy marked him for her own. + + Large was his bounty, and his soul sincere; + Heaven did a recompense as largely send: + He gave to Misery, all he had, a tear, + He gained from Heaven ('twas all he wished) a friend. + + No farther seek his merits to disclose, + Or draw his frailties from their dread abode, + (There they alike in trembling hope repose,) + The bosom of his Father and his God. + +[Illustration: THE COUNTRY CHURCHYARD] + + Thomas Gray was born in London on the twenty-sixth of December, + 1716, and received his education at Cambridge, where he lived most + of his quiet life and where he died in 1771. He was a small and + graceful man with handsome features and rather an effeminate + appearance, always dressed with extreme care. The greater part of + his life was spent in neatly furnished rooms among his books, for + he was a hard student, and became noted as one of the first + scholars of his time. Among his friends he was witty and + entertaining, but among strangers, quiet and reserved, almost + timid. He loved his mother devotedly, and after her death he kept + her dress neatly folded in his trunk, always by him. Innocent, + well-meaning, gentle and retiring, he drew many warm friends to + him, though his great learning and his fondness for giving + information made many people think him something of a prig. + + It might be considered a weakness in the _Elegy_ that it drifts + into an elegy on the writer, who becomes lost in the pathos of his + own sad end. Yet, knowing the man as we do, we can understand his + motives and forgive the seeming selfishness. He is not the only + poet whose own sorrows, real or imaginary, were his greatest + inspiration. + + The metre of the _Elegy_ had been used, before Gray's time, by Sir + John Davies for his _Immortality of the Soul_, Sir William Davenant + in his _Gondibert_, and Dryden in his _Annus Mirabilis_, and + others; but in no instance so happily as here by Gray. In the + _Elegy_ the quatrain has not the somewhat disjunctive and isolating + effect that it has in some other works where there is continuous + argument or narrative that should run on with as few metrical + hindrances as possible. It is well adapted to convey a series of + solemn reflections, and that is its work in the _Elegy_. + + +FOOTNOTES: + +[361-1] In some of our American towns and cities a curfew bell is rung +as a signal that the children must leave the streets and go to their +homes. Many years ago it was the custom in English villages to ring a +bell at nightfall as a signal for people to cover their fires with ashes +to preserve till morning, and as a signal for bed. The word _curfew_, in +fact, is from the French, and means _cover fire_. + +[361-2] The word _knell_ suggests death, and gives the first mournful +note to the poem. + +[361-3] The sheep are shut up for the night in the _folds_ or pens. What +are the _tinklings_? Why should they be called _drowsy_? + +[362-4] The poem is supposed to have been written in the yard of +Stoke-Pogis church, a little building with a square tower, the whole +covered with a riotous growth of ivy vines. The church is in the +country, not many miles from Windsor Castle; and even to this day the +beautiful landscape preserves the rural charms it had in Gray's time. We +must not suppose that Gray actually sat in the churchyard and wrote his +lines. As a matter of fact, he was a very careful and painstaking +writer, and for eight years was at work on this poem, selecting each +word so that it should express just the shade of meaning he wanted and +give the perfect melody he sought. However, he did begin the poem at +Stoke in October or November of 1742 and continued it there in November, +1749; but it was finished in Cambridge in June, 1750. + +[362-5] _Reign_ here means _dominion_ or _possessions_. Why is the bird +called a _moping_ owl? Why is her reign _solitary_? What word is +understood after _such_ in the third line of this stanza? + +[362-6] _Rude_ means _uneducated_, _uncultured_, not _ill-mannered_. + +[362-7] A clarion is a loud, clear-sounding trumpet. + +[362-8] In the church are the tombs of the wealthy and titled of the +neighborhood, and in the building and on the walls are monuments that +tell the virtues of the lordly dead. It is outside, however, under the +sod, in their narrow cells, that the virtuous poor, the real subjects of +the poet's thoughts, lie in quiet slumbers. + +[362-9] What evening cares has the busy housewife? Was she making the +clothes of her children, knitting, mending, darning, after the supper +dishes were put away? + +[363-10] Where were the children? Were they waiting for their father's +return? To whom would they run to tell of his coming? + +[363-11] The _glebe_ is the turf. Why should it be called _stubborn_? + +[363-12] _Jocund_ means _joyful_. + +[363-13] The word _Ambition_ begins with a capital letter because Gray +speaks of ambition as though it were a person. The line means, "Let not +ambitious persons speak lightly of the work the rude forefathers did." + +[363-14] The inevitable hour (death) alike awaits the boast of heraldry, +the pomp of power, and all that beauty, all that wealth e'er gave. + +[363-15] This is perhaps the most famous stanza in the poem. The +following story is told of General Wolfe as he was leading his troops to +the daring assault on Quebec in 1759: "At past midnight, when the +heavens were hung black with clouds, and the boats were floating +silently back with the tide to the intended landing-place at the chosen +ascent to the Plains of Abraham, he repeated in low tones to the +officers around him this touching stanza of Gray's _Elegy_. 'Now, +gentlemen,' said Wolfe, 'I would rather be the author of that poem than +the possessor of the glory of beating the French to-morrow!' He fell the +next day, and expired just as the shouts of the victory of the English +fell upon his almost unconscious ears." + +[364-16] Now, an aisle is the passageway between the pews or the seats +in a church or other public hall: in the poem it means the passageways +running to the sides of the main body of the church. + +[364-17] A storied urn is an urn-shaped monument on which are inscribed +the virtues of the dead. Why should a _bust_ be called _animated_? What +is the _mansion_ of _the fleeting breath_? + +[364-18] In this instance _provoke_ means what it originally meant in +the Latin language; namely, _call forth_. + +[364-19] The line means, "Some heart once filled with the heavenly +inspiration." + +[364-20] A poet or musician is said to sing, and the lyre is the +instrument with which the ancients accompanied their songs. _To wake to +ecstasy the living lyre_ is to write the noblest poetry, to sing the +most inspired songs. + +[364-21] The books of the ancients were rolls of manuscripts. Did any of +those persons resting in this neglected spot ever write great poetry, +rule empires or sing inspiring songs? If not, what prevented them from +doing such things if they had the ability? + +[365-22] At first this stanza was written thus: + + "Some village Cato, who with dauntless breast + The little tyrant of his fields withstood; + Some mute, inglorious Tully here may rest; + Some Caesar guiltless of his country's blood." + +It is interesting to notice that at his first writing Gray selected +three of the famous men of antiquity, but in his revision he substituted +the names of three of his own countrymen. Who were Hampden, Milton and +Cromwell? + +[365-23] The three stanzas beginning at this point make but one +sentence. Turned into prose the sentence would read: "Their lot forbade +them to command the applause of listening senates, to despise the +threats of pain and ruin, to scatter plenty o'er a smiling land, and +read their history in a nation's eyes: their lot not only circumscribed +their growing virtues but confined their crimes as well; it forbade them +to wade through slaughter to a throne and shut the gates of mercy on +mankind, to hide the struggling pangs of conscious truth, to quench the +blushes of ingenuous shame, and to heap the shrine of Luxury and Pride +with incense kindled at the Muse's flame." + +[365-24] This line means that they could not become rulers by fighting +and killing their fellowmen as Napoleon did not long afterward. + +[366-25] Many of the English poets wrote in praise of the wealthy and +titled in order to be paid or favored by the men they flattered. Gray +thinks that such conduct is disgraceful, and rejoices that the rude +forefathers of the hamlet were prevented from writing poetry for such an +end. The Greeks thought poetry was inspired by one of the Muses, and +genius is often spoken as a flame. + +[366-26] _Madding_ means _excited_ or _raging_. + +[366-27] The _frail memorials_ were simple headstones, similar to those +one may see in any country graveyard in America. On such headstones may +often be seen _shapeless sculpture_ that would almost provoke a smile, +were it not for its pathetic meaning. A picture of Stoke-Pogis +churchyard shows many stories of the ordinary type. + +[366-28] The rhymes were _uncouth_ in the sense that they were unlearned +and unpolished. + +[366-29] What facts were inscribed on the headstones? _Elegy_ here means +_praise_. Where were the texts strewn? Why were the texts called _holy?_ +What was the nature of the texts? Can you think of one that might have +been used? + +[367-30] This is one of the difficult stanzas, and there is some dispute +as to its exact meaning, owing to the phrase, _to dumb forgetfulness a +prey_. Perhaps the correct meaning is shown in the following prose +version: "For who has ever died (resigned this pleasing, anxious being, +left the warm precincts of this cheerful day), a prey to dumb +forgetfulness, and cast not one longing, lingering look behind?" + +[367-31] _Thee_ refers to the poet, Gray himself. The remainder of the +poem is personal. Summed up briefly it means that perhaps a sympathetic +soul may some day come to inquire as to the poet's fate, and will be +told by some hoary-headed swain a few of the poet's habits, and then +will have pointed out to him the poet's own grave, on which may be read +his epitaph. + +[368-32] _Due_ means _appropriate_ or _proper_. + +[368-33] As first written, the poem contained the following stanza, +placed before the epitaph; but in the final revision Gray rejected it as +unworthy. It seems a very critical taste that would reject such lines as +these: + + "There scatter'd oft, the earliest of the year, + By hands unseen are show'rs of violets found: + The redbreast loves to build and warble there, + And little footsteps lightly print the ground." + + + + + + +THE SHIPWRECK[371-1] + +_By_ ROBERT LOUIS STEVENSON + + +I went down, and drank my fill; and then came up, and got a blink at the +moon; and then down again. They say a man sinks the third time for good. +I cannot be made like other folk, then, for I would not like to write +how often I went down or how often I came up again. All the while, I was +being hurled along, and beaten upon and choked, and then swallowed +whole; and the thing was so distracting to my wits, that I was neither +sorry nor afraid. + +Presently, I found I was holding to a spar, which helped me somewhat. +And then all of a sudden I was in quiet water, and began to come to +myself. + +It was the spare yard I had got hold of, and I was amazed to see how far +I had traveled from the brig. I hailed her, indeed; but it was plain she +was already out of cry. She was still holding together; but whether or +not they had yet launched the boat, I was too far off and too low down +to see. + +[Illustration: I FOUND I WAS HOLDING TO A SPAR] + +While I was hailing the brig, I spied a tract of water lying between us, +where no great waves came, but which yet boiled white all over and +bristled in the moon with rings and bubbles. Sometimes the whole tract +swung to one side, like the tail of a live serpent; sometimes, for a +glimpse, it would all disappear and then boil up again. What it was I +had no guess, which for the time increased my fear of it; but I now know +it must have been the roost or tide-race, which had carried me away so +fast and tumbled me about so cruelly, and at last, as if tired of that +play, had flung out me and the spare yard upon its landward margin. + +I now lay quite becalmed, and began to feel that a man can die of cold +as well as of drowning. The shores of Earraid were close in; I could see +in the moonlight the dots of heather and the sparkling of the mica in +the rocks. + +"Well," thought I to myself, "if I cannot get as far as that, it's +strange." + +I had no skill of swimming; but when I laid hold upon the yard with both +arms, and kicked out with both feet, I soon began to find that I was +moving. Hard work it was, and mortally slow; but in about an hour of +kicking and splashing, I had got well in between the points of a sandy +bay surrounded by low hills. + +The sea was here quite quiet; there was no sound of any surf; the moon +shone clear, and I thought in my heart I had never seen a place so +desert and desolate. But it was dry land; and when at last it grew so +shallow that I could leave the yard and wade ashore upon my feet, I +cannot tell if I was more tired or more grateful. Both at least, I was; +tired as I never was before that night; and grateful to God, as I trust +I have been often, though never with more cause. + +With my stepping ashore, I began the most unhappy part of my adventures. +It was half-past twelve in the morning, and though the wind was broken +by the land, it was a cold night. I dared not sit down (for I thought I +should have frozen), but took off my shoes and walked to and fro upon +the sand, barefoot and beating my breast with infinite weariness. There +was no sound of man or cattle; not a cock crew, though it was about the +hour of their first waking; only the surf broke outside in the distance, +which put me in mind of my perils. To walk by the sea at that hour of +the morning, and in a place so desert-like and lonesome, struck me with +a kind of fear. + +As soon as the day began to break, I put on my shoes and climbed a +hill--the ruggedest scramble I ever undertook--falling, the whole way +between big blocks of granite or leaping from one to another. When I got +to the top the dawn was come. There was no sign of the brig, which must +have been lifted from the reef and sunk. The boat, too, was nowhere to +be seen. There was never a sail upon the ocean; and in what I could see +of the land, was neither house nor man. + +I was afraid to think what had befallen my ship-mates, and afraid to +look longer at so empty a scene. What with my wet clothes and weariness, +and my belly that now began to ache with hunger, I had enough to trouble +me without that. So I set off eastward along the south coast, hoping to +find a house where I might warm myself, and perhaps get news of those I +had lost. And at the worst, I considered the sun would soon rise and dry +my clothes. + +After a little, my way was stopped by a creek or inlet of the sea, which +seemed to run pretty deep into the land; and as I had no means to get +across, I must needs change my direction to go about the end of it. It +was still the roughest kind of walking; indeed the whole, not only of +Earraid, but of the neighboring part of Mull (which they call the Ross) +is nothing but a jumble of granite rocks with heather in among. At first +the creek kept narrowing as I had looked to see; but presently to my +surprise it began to widen out again. At this I scratched my head, but +had still no notion of the truth; until at last I came to a rising +ground, and it burst upon me all in a moment that I was cast upon a +little, barren isle, and cut off on every side by the salt seas. + +Instead of the sun rising to dry me, it came on to rain, with a thick +mist; so that my case was lamentable. + +I stood in the rain, and shivered, and wondered what to do, till it +occurred to me that perhaps the creek was fordable. Back I went to the +narrowest point, and waded in. But not three yards from shore, I plunged +in head over ears; and if ever I was heard of more it was rather by +God's grace than my own prudence. I was no wetter (for that could hardly +be), but I was all the colder for this mishap; and having lost another +hope, was the more unhappy. + +And now, all at once, the yard came in my head. What had carried me +through the roost, would surely serve to cross this little quiet creek +in safety. With that I set off, undaunted, across the top of the isle, +to fetch and carry it back. It was a weary tramp in all ways, and if +hope had not buoyed me up, I must have cast myself down and given up. +Whether with the sea salt, or because I was growing fevered, I was +distressed with thirst, and had to stop, as I went, and drink the peaty +water out of the hags. + +I came to the bay at last, more dead than alive; and at the first +glance, I thought the yard was something further out than when I left +it. In I went, for the third time, into the sea. The sand was smooth and +firm and shelved gradually down; so that I could wade out till the water +was almost to my neck and the little waves splashed into my face. But at +that depth my feet began to leave me and I durst venture no farther. As +for the yard, I saw it bobbing very quietly some twenty feet in front of +me. + +I had borne up well until this last disappointment; but at that I came +ashore, and flung myself down upon the sands and wept. + +The time I spent upon the island is still so horrible a thought to me, +that I must pass it lightly over. In all the books I have read of people +cast away, they had either their pockets full of tools, or a chest of +things would be thrown upon the beach along with them, as if on purpose. +My case was very different. I had nothing in my pockets but money; and +being inland bred, I was as much short of knowledge as of means. + +I knew indeed that shell-fish were counted good to eat; and among the +rocks of the isle I found a great plenty of limpets, which at first I +could scarcely strike from their places, not knowing quickness to be +needful. There were, besides, some of the little shells that we call +buckies; I think periwinkle is the English name. Of these two I made my +whole diet, devouring them cold and raw as I found them; and so hungry +was I, that at first they seemed to me delicious. + +Perhaps they were out of season, or perhaps there was something wrong in +the sea about my island. But at least I had no sooner eaten my first +meal than I was seized with giddiness and retching, and lay for a long +time no better than dead. A second trial of the same food (indeed I had +no other) did better with me and revived my strength. But as long as I +was on the island, I never knew what to expect when I had eaten; +sometimes all was well, and sometimes I was thrown into a miserable +sickness; nor could I ever distinguish what particular fish it was that +hurt me. + +All day it streamed rain; the island ran like a sop, there was no dry +spot to be found; and when I lay down that night, between two boulders +that made a kind of roof, my feet were in a bog. + +The second day, I crossed the island to all sides. There was no one part +of it better than another; it was all desolate and rocky; nothing living +on it but game birds which I lacked the means to kill, and the gulls +which haunted the outlying rocks in a prodigious number. But the creek, +or straits, that cut off the isle from the main land of the Ross, opened +out on the north into a bay, and the bay again opened into the Sound of +Iona; and it was the neighborhood of this place that I chose to be my +home; though if I had thought upon the very name of home in such a spot, +I must have burst out crying. + +I had good reasons for my choice. There was in this part of the isle a +little hut of a house like a pig's hut, where fishers used to sleep when +they came there upon their business; but the turf roof of it had fallen +entirely in; so that the hut was of no use to me, and gave me less +shelter than my rocks. What was more important, the shell-fish on which +I lived grew there in great plenty; when the tide was out I could gather +a peck at a time: and this was doubtless a convenience. But the other +reason went deeper. I had become in no way used to the horrid solitude +of the isle, but still looked round me on all sides (like a man that was +hunted) between fear and hope that I might see some human creature +coming. Now, from a little up the hillside over the bay, I could catch a +sight of the great, ancient church and the roofs of the people's houses +in Iona. And on the other hand, over the low country of the Ross, I saw +smoke go up, morning and evening, as if from a homestead in a hollow of +the land. + +I used to watch this smoke, when I was wet and cold, and had my head +half turned with loneliness; and think of the fireside and the company, +till my heart burned. It was the same with the roofs of Iona. +Altogether, this sight I had of men's homes and comfortable lives, +although it put a point on my own sufferings, yet it kept hope alive, +and helped me to eat my raw shell-fish (which had soon grown to be a +disgust) and saved me from the sense of horror I had whenever I was +quite alone with dead rocks, and fowls, and the rain, and the cold sea. + +I say it kept hope alive; and indeed it seemed impossible that I should +be left to die on the shores of my own country, and within view of a +church tower and the smoke of men's houses. But the second day passed; +and though as long as the light lasted I kept a bright lookout for boats +on the sound or men passing on the Ross, no help came near me. It still +rained; and I turned in to sleep, as wet as ever and with a cruel sore +throat, but a little comforted, perhaps, by having said good-night to my +next neighbors, the people of Iona. + +Charles the Second declared a man could stay out doors more days in the +year in the climate of England than in any other. This was very like a +king with a palace at his back and changes of dry clothes. But he must +have had better luck than I had on that miserable isle. It was the +height of the summer; yet it rained for more than twenty-four hours, and +did not clear until the afternoon of the third day. + +This was the day of incidents. In the morning I saw a red deer, a buck +with a fine spread of antlers, standing in the rain on the top of the +island; but he had scarce seen me rise from under my rock, before he +trotted off upon the other side. I supposed he must have swum the +straits; though what should bring any creature to Earraid, was more than +I could fancy. + +A little later, as I was jumping about after my limpets, I was startled +by a guinea piece, which fell upon a rock in front of me and glanced off +into the sea. When the sailors gave me my money again, they kept back +not only about a third of the whole sum, but my father's leather purse; +so that from that day out, I carried my gold loose in a pocket with a +button. I now saw there must be a hole, and clapped my hand to the place +in a great hurry. But this was to lock the stable door after the steed +was stolen. I had left the shore at Queensferry with near on fifty +pounds; now I found no more than two guinea pieces and a silver +shilling. + +It is true I picked up a third guinea a little after, where it lay +shining on a piece of turf. That made a fortune of three pounds and four +shillings, English money, for a lad, the rightful heir of an estate, and +now starving on an isle at the extreme end of the wild Highlands. + +This state of my affairs dashed me still further; and indeed my plight +on that third morning was truly pitiful. My clothes were beginning to +rot; my stockings in particular were quite worn through, so that my +shanks went naked; my hands had grown quite soft with the continual +soaking; my throat was very sore, my strength had much abated, and my +heart so turned against the horrid stuff I was condemned to eat, that +the very sight of it came near to sicken me. + +And yet the worst was not yet come. + +There is a pretty high rock on the northwest of Earraid, which (because +it had a flat top and overlooked the sound) I was much in the habit of +frequenting; not that ever I stayed in one place, save when asleep, my +misery giving me no rest. Indeed, I wore myself down with continual and +aimless goings and comings in the rain. + +As soon, however, as the sun came out, I lay down on the top of that +rock to dry myself. The comfort of the sunshine is a thing I cannot +tell. It set me thinking hopefully of my deliverance, of which I had +begun to despair; and I scanned the sea and the Ross with a fresh +interest. + +On the south of my rock, a part of the island jutted out and hid the +open ocean, so that a boat could thus come quite near me upon that side, +and I be none the wiser. + +Well, all of a sudden, a coble[381-2] with a brown sail and a pair of +fishers aboard of it, came flying round that corner of the isle, bound +for Iona. I shouted out, and then fell on my knees on the rock and +reached up my hands and prayed to them. They were near enough to hear--I +could even see the color of their hair; and there was no doubt but they +observed me, for they cried out in the Gaelic tongue and laughed. But +the boat never turned aside, and flew on, right before my eyes, for +Iona. + +I could not believe such wickedness, and ran along the shore from rock +to rock, crying on them piteously; even after they were out of reach of +my voice, I still cried and waved to them; and when they were quite +gone, I thought my heart would have burst. All the time of my troubles, +I wept only twice. Once, when I could not reach the oar; and now, the +second time, when these fishers turned a deaf ear to my cries. But this +time I wept and roared like a wicked child, tearing up the turf with my +nails and grinding my face in the earth. If a wish would kill men, those +two fishers would never have seen morning; and I should likely have died +upon my island. + +When I was a little over my anger, I must eat again, but with such +loathing of the mess as I could now scarcely control. Sure enough, I +should have done as well to fast, for my fishes poisoned me again. I had +all my first pains; my throat was so sore I could scarce swallow; I had +a fit of strong shuddering, which clucked my teeth together; and there +came on me that dreadful sense of illness, which we have no name for +either in Scotch or English. I thought I should have died, and made my +peace with God, forgiving all men, even my uncle and the fishers; and as +soon as I had thus made up my mind to the worst, clearness came upon me: +I observed the night was falling dry; my clothes were dried a good deal; +truly, I was in a better case than ever before since I had landed on the +isle; and so I got to sleep at last, with a thought of gratitude. + +The next day (which was the fourth of this horrible life of mine) I +found my bodily strength run very low. But the sun shone, the air was +sweet, and what I managed to eat of the shell-fish agreed well with me +and revived my courage. + +I was scarce back on my rock (where I went always the first thing after +I had eaten) before I observed a boat coming down the sound and with her +head, as I thought, in my direction. + +I began at once to hope and fear exceedingly; for I thought these men +might have thought better of their cruelty and be coming back to my +assistance. But another disappointment such as yesterday's was more than +I could bear. I turned my back, accordingly, upon the sea, and did not +look again till I had counted many hundreds. The boat was still heading +for the island. The next time I counted the full thousand, as slowly as +I could, my heart beating so as to hurt me. And then it was out of all +question. She was coming straight to Earraid! + +I could no longer hold myself back, but ran to the seaside and out, from +one rock to another, as far as I could go. It is a marvel I was not +drowned; for when I was brought to a stand at last, my legs shook under +me, and my mouth was so dry, I must wet it with the sea water before I +was able to shout. + +All this time the boat was coming on; and now I was able to perceive it +was the same boat and the same two men as yesterday. This I knew by +their hair, which the one had of a bright yellow and the other black. +But now there was a third man along with them, who looked to be of a +better class. + +As soon as they were come within easy speech, they let down their sail +and lay quiet. In spite of my supplications, they drew no nearer in, and +what frightened me most of all, the new man tee-hee'd with laughter as +he talked and looked at me. + +Then he stood up in the boat and addressed me a long while, speaking +fast and with many wavings of his hand. I told him I had no Gaelic; and +at this he became very angry, and I began to suspect he thought he was +talking English. Listening very close, I caught the word, "whateffer," +several times; but all the rest was Gaelic, and might have been Greek +and Hebrew for me. + +"Whateffer," said I, to show him I had caught a word. + +"Yes, yes--yes, yes," says he, and then he looked at the other men, as +much as to say, "I told you I spoke English," and began again as hard as +ever in the Gaelic. + +This time I picked out another word, "tide." Then I had a flash of hope. +I remembered he was always waving his hand toward the mainland of the +Ross. + +"Do you mean when the tide is out----?" I cried, and could not finish. + +"Yes, yes," said he. "Tide." + +At that I turned tail upon their boat (where my adviser had once more +begun to tee-hee with laughter), leaped back the way I had come, from +one stone to another, and set off running across the isle as I had never +run before. In about half an hour I came out upon the shores of the +creek; and, sure enough, it was shrunk into a little trickle of water, +through which I dashed, not above my knees, and landed with a shout on +the main island. + +A sea-bred boy would not have stayed a day on Earraid; which is only +what they call a tidal islet; and except in the bottom of the neaps, can +be entered and left twice in every twenty-four hours, either dry-shod, +or at the most by wading. Even I, who had the tide going out and in +before me in the bay, and even watched for the ebbs, the better to get +my shell-fish--even I (I say), if I had sat down to think, instead of +raging at my fate, must have soon guessed the secret and got free. It +was no wonder the fishers had not understood me. The wonder was rather +that they had ever guessed my pitiful illusion, and taken the trouble to +come back. I had starved with cold and hunger on that island for close +upon one hundred hours. But for the fishers, I might have left my bones +there, in pure folly. + +And even as it was, I had paid for it pretty dear, not only in past +sufferings, but in my present case; being clothed like a beggar-man, +scarce able to walk, and in great pain of my sore throat. + +I have seen wicked men and fools, a great many of both; and I believe +they both get paid in the end; but the fools first. + + +FOOTNOTES: + +[371-1] This selection is from _Kidnapped_, the story of a young man, +David Balfour by name, who, by the treachery of an uncle who has usurped +David's right to the family estate and fortune, is taken by force on +board a brig bound for the Carolinas in North America. In the Carolinas, +according to the compact made between David's uncle and the captain of +the brig, David is to be sold. He is saved from this fate by the sinking +of the brig. The selection as here given begins at the point where David +is washed from the deck into the sea. The Island of Earraid is a small, +unimportant island off the coast of Scotland. + +[381-2] A coble is a small boat used in fishing. + + + + +ELEPHANT HUNTING + +_By_ ROUALEYN GORDON CUMMING + + + NOTE.--Mr. Cumming, a native of Scotland, was always passionately + fond of hunting. Even in boyhood he devoted most of his time to + sports of the field, and showed a great fondness for all forms of + natural history. + + For a time he served in the English army in India, and hunted the + big game of those regions. However, he was not satisfied with this, + and after a visit to Newfoundland, which was more disappointing to + him, he went to Africa and there spent five adventurous years + hunting and exploring. + + Throughout this time he kept a journal of his exploits and + adventures, and it is from this journal that he wrote his _A + Hunter's Life Among Lions, Elephants and Other Wild Animals of + South Africa_, from which the following selection is taken. We may + judge from his account that he did not find Africa as disappointing + as India and Newfoundland had proved. + + His style is not that of a literary man, but he has the happy + faculty of presenting things in a very vivid manner, so that we are + willing to make some allowance for faults in style. He was + conscious of his weakness in this matter, and partially explained + it by saying, "The hand, wearied all day with the grasping of a + rifle, is not the best suited for wielding the pen." + +On the 25th, at dawn of day, we inspanned, and trekked about five hours +in a northeasterly course, through a boundless open country sparingly +adorned with dwarfish old trees. In the distance the long-sought +mountains of Bamangwato at length loomed blue before me. We halted +beside a glorious fountain, which at once made me forget all the cares +and difficulties I had encountered in reaching it. The name of this +fountain was Massouey, but I at once christened it "the Elephant's own +Fountain." This was a very remarkable spot on the southern borders of +endless elephant forests, at which I had at length arrived. The fountain +was deep and strong, situated in a hollow at the eastern extremity of an +extensive vley,[386-1] and its margin was surrounded by a level stratum +of solid old red sandstone. Here and there lay a thick layer of soil +upon the rock, and this was packed flat with the fresh spoor of +elephants. Around the water's edge the very rock was worn down by the +gigantic feet which for ages had trodden there. + +The soil of the surrounding country was white and yellow sand, but +grass, trees, and bushes were abundant. From the borders of the fountain +a hundred well-trodden elephant foot-paths led away in every direction, +like the radii of a circle. The breadth of these paths was about three +feet; those leading to the northward and east were the most frequented, +the country in those directions being well wooded. We drew up the wagons +on a hillock on the eastern side of the water. This position commanded a +good view of any game that might approach to drink. I had just cooked my +breakfast, and commenced to feed, when I heard my men exclaim, "Almagtig +keek de ghroote clomp cameel;" and, raising my eyes from the +sassaby[386-2] stew, I beheld a truly beautiful and very unusual scene. + +From the margin of the fountain there extended an open level vley, +without a tree or bush, that stretched away about a mile to the +northward, where it was bounded by extensive groves of wide-spreading +mimosas. Up the middle of the vley stalked a troop of ten colossal +giraffes, flanked by two large herds of blue wildebeests and zebras, +with an advanced guard of pallahs. They were all coming to the fountain +to drink, and would be within rifle-shot of the wagons before I could +finish my breakfast. I, however, continued to swallow my food with the +utmost expedition, having directed my men to catch and saddle Colesberg. +In a few minutes the giraffes were slowly advancing within two hundred +yards, stretching their graceful necks, and gazing in wonder at the +unwonted wagons. + +Grasping my rifle, I now mounted Colesberg, and rode slowly toward them. +They continued gazing at the wagons until I was within one hundred yards +of them, when, whisking their long tails over their rumps, they made off +at an easy canter. As I pressed upon them they increased their pace; but +Colesberg had much the speed of them, and before we proceeded half a +mile I was riding by the shoulder of the dark-chestnut old bull, whose +head towered high above the rest. Letting fly at the gallop, I wounded +him behind the shoulder; soon after which I broke him from the herd, and +presently, going ahead of him, he came to a stand. I then gave him a +second bullet, somewhere near the first. These two shots had taken +effect, and he was now in my power, but I would not lay him low so far +from camp; so, having waited until he had regained his breath, I drove +him half way back toward the wagons. Here he became obstreperous; so, +loading one barrel, and pointing my rifle toward the clouds, I shot him +in the throat, when, rearing high, he fell backward and expired. + +This was a magnificent specimen of the giraffe, measuring upward of +eighteen feet in height. I stood for nearly half an hour engrossed in +the contemplation of his extreme beauty and gigantic proportions; and, +if there had been no elephants, I could have exclaimed, like Duke +Alexander of Gordon when he killed the famous old stag with seventeen +tine, "Now I can die happy." But I longed for an encounter with the +noble elephants, and I thought little more of the giraffe than if I had +killed a gemsbok or an eland. + +In the afternoon I removed my wagons to a correct distance from the +fountain, and drew them up among some bushes about four hundred yards to +leeward of the water. In the evening I was employed in manufacturing +hardened bullets for the elephants, using a composition of one of pewter +to four of lead; and I had just completed my work, when we heard a troop +of elephants splashing and trumpeting in the water. This was to me a +joyful sound; I slept little that night. + +On the 26th I arose at earliest dawn, and, having fed four of my horses, +proceeded with Isaac to the fountain to examine the spoor of the +elephants which had drunk there during the night. A number of the paths +contained fresh spoor of elephants of all sizes, which had gone from the +fountain in different directions. We reckoned that at least thirty of +these gigantic quadrupeds had visited the water during the night. + +We hastily returned to camp, where, having breakfasted, I saddled up, +and proceeded to take up the spoor of the largest bull elephant, +accompanied by after-riders and three of the guides to assist in +spooring. I was also accompanied by my dogs. Having selected the spoor +of a mighty bull, the Bechuanas went ahead and I followed them. It was +extremely interesting and exciting work. The footprint of this elephant +was about two feet in diameter, and was beautifully visible in the soft +sand. The spoor at first led us for about three miles in an easterly +direction, along one of the sandy foot-paths, without a check. We then +entered a very thick forest, and the elephant had gone a little out of +the path to smash some trees, and to plow up the earth with his tusks. +He soon, however, again took the path, and held along it for several +miles. + +We were on rather elevated ground, with a fine view of a part of the +Bamangwato chain of mountains before us. Here the trees were large and +handsome, but not strong enough to resist the inconceivable strength of +the mighty monarchs of these forests. Almost every tree had half its +branches broken short by them, and at every hundred yards I came upon +entire trees, and these the largest in the forest, uprooted clean out of +the ground, or broken short across their stems. I observed several large +trees placed in an inverted position, having their roots uppermost in +the air. Our friend had here halted, and fed for a long time upon a +large, wide-spreading tree, which he had broken short across within a +few feet of the ground. After following the spoor some distance further +through the dense mazes of the forest, we got into ground so thickly +trodden by elephants that we were baffled in our endeavors to trace the +spoor any further; and after wasting several hours in attempting by +casts to take up the proper spoor, we gave it up, and with a sorrowful +heart I turned my horse's head toward camp. + +Having reached the wagons, while drinking my coffee I reviewed the whole +day's work, and felt much regret at my want of luck in my first day's +elephant hunting, and I resolved that night to watch the water, and try +what could be done with elephants by night shooting. I accordingly +ordered the usual watching-hole to be constructed, and, having placed my +bedding in it, repaired thither shortly after sundown. I had lain about +two hours in the hole, when I heard a low rumbling noise like distant +thunder, caused (as the Bechuanas affirmed) by the bowels of the +elephants which were approaching the fountain. I lay on my back, with my +mouth open, attentively listening, and could hear them plowing up the +earth with their tusks. Presently they walked up to the water, and +commenced drinking within fifty yards of me. + +They approached with so quiet a step that I fancied it was the footsteps +of jackals which I had heard, and I was not aware of their presence +until I heard the water, which they had drawn up in their trunks and +were pouring into their mouths, dropping into the fountain. I then +peeped from my sconce with a beating heart, and beheld two enormous bull +elephants, which looked like two great castles, standing before me. I +could not see very distinctly, for there was only starlight. Having lain +on my breast some time taking my aim, I let fly at one of the +elephants, using the Dutch rifle carrying six to the pound. The ball +told loudly on his shoulder, and, uttering a loud cry, he stumbled +through the fountain, when both made off in different directions. + +All night large herds of zebras and blue wildebeests capered around me, +coming sometimes within a few yards. Several parties of rhinoceroses +also made their appearance. I felt a little apprehensive that lions +might visit the fountain, and every time that hyaenas or jackals lapped +the water I looked forth, but no lions appeared. At length I fell into a +sound sleep, nor did I awake until the bright star of morn had shot far +above the eastern horizon. + +Before proceeding further with my narrative, it may here be interesting +to make a few remarks on the African elephant and his habits. The +elephant is widely diffused through the vast forests, and is met with in +herds of various numbers. The male is very much larger than the female, +consequently much more difficult to kill. He is provided with two +enormous tusks. These are long, tapering, and beautifully arched; their +length averages from six to eight feet, and they weigh from sixty to a +hundred pounds each. In the vicinity of the equator the elephants attain +to a greater size than to the southward; and I am in the possession of a +pair of tusks of the African bull elephant, the larger of which measures +ten feet nine inches in length, and weighs one hundred and seventy-three +pounds. The females, unlike Asiatic elephants in this respect, are +likewise provided with tusks. Old bull elephants are found singly or in +pairs, or consorting together in small herds, varying from six to twenty +individuals. The younger bulls remain for many years in the company of +their mothers, and these are met together in large herds of from twenty +to a hundred individuals. The food of the elephant consists of the +branches, leaves, and roots of trees, and also of a variety of bulbs, of +the situation of which he is advised by his exquisite sense of smell. To +obtain these he turns up the ground with his tusks, and whole acres may +be seen thus plowed up. Elephants consume an immense quantity of food, +and pass the greater part of the day and night in feeding. Like the +whale in the ocean, the elephant on land is acquainted with, and roams +over, wide and extensive tracts. He is extremely particular in always +frequenting the freshest and most verdant districts of the forest; and +when one district is parched and barren, he will forsake it for years, +and wander to great distances in quest of better pasture. + +The elephant entertains an extraordinary horror of man, and a child can +put a hundred of them to flight by passing at a quarter of a mile to +windward; and when thus disturbed, they go a long way before they halt. +It is surprising how soon these sagacious animals are aware of the +presence of a hunter in their domains. When one troop has been attacked, +all the other elephants frequenting the district are aware of the fact +within two or three days, when they all forsake it, and migrate to +distant parts, leaving the hunter no alternative but to inspan his +wagons, and remove to fresh ground. This constitutes one of the greatest +difficulties which a skilful elephant-hunter encounters. Even in the +most remote parts, which may be reckoned the headquarters of the +elephant, it is only occasionally, and with inconceivable toil and +hardship, that the eye of the hunter is cheered by the sight of one. +Owing to habits peculiar to himself, the elephant is more inaccessible, +and much more rarely seen, than any other game quadruped, excepting +certain rare antelopes. They choose for their resort the most lonely and +secluded depths of the forest, generally at a very great distance from +the rivers and fountains at which they drink. In dry and warm weather +they visit these waters nightly, but in cool and cloudy weather they +drink only once every third or fourth day. About sundown the elephant +leaves his distant midday haunt, and commences his march toward the +fountain, which is probably from twelve to twenty miles distant. This he +generally reaches between the hours of nine and midnight, when, having +slaked his thirst and cooled his body by spouting large volumes of water +over his back with his trunk, he resumes the path to his forest +solitudes. Having reached a secluded spot, I have remarked that +full-grown bulls lie down on their broad-sides, about the hour of +midnight, and sleep for a few hours. The spot which they usually select +is an ant-hill, and they lie around it with their backs resting against +it; these hills, formed by the white ants, are from thirty to forty feet +in diameter at their base. The mark of the under tusk is always deeply +imprinted in the ground, proving that they lie upon their sides. I never +remarked that females had thus lain down, and it is only in the more +secluded districts that the bulls adopt this practice; for I observed +that, in districts where the elephants were liable to frequent +disturbance, they took repose standing on their legs beneath some shady +tree. + +Having slept, they then proceed to feed extensively. Spreading out from +one another, and proceeding in a zigzag course, they smash and destroy +all the finest trees in the forest which happen to lie in their course. +The number of goodly trees which a herd of bull elephants will thus +destroy is utterly incredible. They are extremely capricious, and on +coming to a group of five or six trees, they break down not unfrequently +the whole of them, when, having perhaps only tasted one or two small +branches, they pass on and continue their wanton work of destruction. I +have repeatedly ridden through forests where the trees thus broken lay +so thick across one another that it was almost impossible to ride +through the district, and it is in situations such as these that +attacking the elephant is attended with most danger. During the night +they will feed in open plains and thinly-wooded districts, but as day +dawns they retire to the densest covers within reach, which nine times +in ten are composed of the impracticable wait-a-bit thorns, and here +they remain drawn up in a compact herd during the heat of the day. In +remote districts, however, and in cool weather, I have known herds to +continue pasturing throughout the whole day. + +The appearance of the wild elephant is inconceivably majestic and +imposing. His gigantic height and colossal bulk, so greatly surpassing +all other quadrupeds, combined with his sagacious disposition and +peculiar habits, impart to him an interest in the eyes of the hunter +which no other animal can call forth. The pace of the elephant, when +undisturbed, is a bold, free, sweeping step; and from the peculiar +spongy formation of his foot, his tread is extremely light and +inaudible, and all his movements are attended with a peculiar gentleness +and grace. This, however, only applies to the elephant when roaming +undisturbed in his jungle; for, when roused by the hunter, he proves the +most dangerous enemy, and far more difficult to conquer than any other +beast of the chase. + +On the 27th, as day dawned, I left my shooting-hole, and proceeded to +inspect the spoor of my wounded elephant. After following it for some +distance I came to an abrupt hillock, and fancying that from the summit +a good view might be obtained of the surrounding country, I left my +followers to seek the spoor while I ascended. I did not raise my eyes +from the ground until I had reached the highest pinnacle of rock. I then +looked east, and, to my inexpressible gratification, beheld a troop of +nine or ten elephants quietly browsing within a quarter of a mile of me. +I allowed myself only one glance at them, and then rushed down to warn +my followers to be silent. A council of war was hastily held, the result +of which was my ordering Isaac to ride hard to camp, with instructions +to return as quickly as possible, accompanied by Kleinboy, and to bring +me my dogs, the large Dutch rifle, and a fresh horse. I once more +ascended the hillock to feast my eyes upon the enchanting sight before +me, and, drawing out my spy-glass, narrowly watched the motions of the +elephants. The herd consisted entirely of females, several of which were +followed by small calves. + +Presently on reconnoitering the surrounding country, I discovered a +second herd, consisting of five bull elephants, which were quietly +feeding about a mile to the northward. The cows were feeding toward a +rocky ridge that stretched away from the base of the hillock on which I +stood. Burning with impatience to commence the attack, I resolved to try +the stalking system with these, and to hunt the troop of bulls with dogs +and horses. Having thus decided, I directed the guides to watch the +elephants from the summit of the hillock, and with a beating heart I +approached them. The ground and wind favoring me, I soon gained the +rocky ridge toward which they were feeding. They were now within one +hundred yards, and I resolved to enjoy the pleasure of watching their +movements for a little before I fired. They continued to feed slowly +toward me, breaking the branches from the trees with their trunks, and +eating the leaves and tender shoots. I soon selected the finest in the +herd, and kept my eye on her in particular. At length two of the troop +had walked slowly past at about sixty yards, and the one which I had +selected was feeding with two others, on a thorny tree before me. + +My hand was now as steady as the rock on which it rested; so, taking a +deliberate aim, I let fly at her head a little behind the eye. She got +it hard and sharp, just where I aimed, but it did not seem to affect her +much. Uttering a loud cry, she wheeled about, when I gave her the second +ball close behind the shoulder. All the elephants uttered a strange +rumbling noise, and made off in a line to the northward at a brisk, +ambling pace, their huge, fan-like ears flapping in the ratio of their +speed. I did not wait to load, but ran back to the hillock to obtain a +view. On gaining its summit the guides pointed out the elephants; they +were standing in a grove of shady trees, but the wounded one was some +distance behind with another elephant, doubtless its particular friend, +who was endeavoring to assist it. These elephants had probably never +before heard the report of a gun, and, having neither seen nor smelt me, +they were unaware of the presence of man, and did not seem inclined to +go any further. Presently my men hove in sight, bringing the dogs and +when these came up, I waited some time before commencing the attack, +that the dogs and horses might recover their wind. We then rode slowly +toward the elephants, and had advanced within two hundred yards of them, +when, the ground being open, they observed us, and made off in an +easterly direction; but the wounded one immediately dropped astern, and +the next moment was surrounded by the dogs, which, barking angrily, +seemed to engross her attention. + +[Illustration: WITH BEATING HEART I APPROACHED A VIEW] + +Having placed myself between her and the retreating troop, I dismounted +to fire within forty yards of her, in open ground. Colesberg was +extremely afraid of the elephants, and gave me much trouble, jerking my +arm when I tried to fire. At length I let fly; but, on endeavoring to +regain my saddle, Colesberg declined to allow me to mount; and when I +tried to lead him, and run for it, he only backed toward the wounded +elephant. At this moment I heard another elephant close behind; and on +looking about, I beheld the "friend," with uplifted trunk, charging down +upon me at top speed, shrilly trumpeting, and following an old black +pointer name Schwart, that was perfectly deaf, and trotted along before +the enraged elephant quite unaware of what was behind him. I felt +certain that she would have either me or my horse. I, however, +determined not to relinquish my steed, but to hold on by the bridle. My +men, who of course kept at a safe distance, stood aghast with their +mouths open, and for a few seconds my position was certainly not an +enviable one. Fortunately, however, the dogs took off the attention of +the elephants; and just as they were upon me, I managed to spring into +the saddle, where I was safe. As I turned my back to mount, the +elephants were so very near that I really expected to feel one of their +trunks lay hold of me. I rode up to Kleinboy for my double-barreled +two-grooved rifle; he and Isaac were pale and almost speechless with +fright. Returning to the charge, I was soon once more alongside, and, +firing from the saddle, I sent another brace of bullets into the wounded +elephant. Colesberg was extremely unsteady, and destroyed the +correctness of my aim. + +The friend now seemed resolved to do some mischief, and charged me +furiously, pursuing me to a distance of several hundred yards. I +therefore deemed it proper to give her a gentle hint to act less +officiously, and, accordingly, having loaded, I approached within thirty +yards, and gave it her sharp, right and left, behind the shoulder, upon +which she at once made off with drooping trunk, evidently with a mortal +wound. I never recur to this my first day's elephant shooting without +regretting my folly in contenting myself with securing only one +elephant. The first was now dying, and could not leave the ground, and +the second was also mortally wounded, and I had only to follow and +finish her; but I foolishly allowed her to escape, while I amused myself +with the first, which kept walking backward, and standing by every tree +she passed. Two more shots finished her: on receiving them, she tossed +her trunk up and down two or three times, and, falling on her broadside +against a thorny tree, which yielded like grass, before her enormous +weight, she uttered a deep, hoarse cry and expired. This was a very +handsome old cow elephant, and was decidedly the best in the troop. She +was in excellent condition, and carried a pair of long and perfect +tusks. + +I was in high spirits at my success, and felt so perfectly satisfied +with having killed one, that, although it was still early in the day, +and my horses were fresh, I allowed the troop of five bulls to remain +unmolested, foolishly trusting to fall in with them next day. How little +did I then know of the habits of elephants, or the rules to be adopted +in hunting them, or deem it probable I should never see them more! + +Having knee-haltered our horses, we set to work with our knives and +assagais to prepare the skull for the hatchet, in order to cut out the +tusks, nearly half the length of which, I may mention, is imbedded in +bone sockets in the fore part of the skull. To cut out the tusks of a +cow elephant requires barely one-fifth of the labor requisite to cut out +those of a bull; and when the sun went down, we had managed by our +combined efforts to cut out one of the tusks of my first elephant, with +which we triumphantly returned to camp, having left the guides in charge +of the carcass, where they volunteered to take up their quarters for the +night. On reaching my wagons I found Johannus and Carollus in a happy +state of indifference to all passing events: they were both very drunk, +having broken into my wine-cask and spirit-case. + +On the 28th I arose at an early hour, and, burning with anxiety to look +forth once more from the summit of the hillock which the day before +brought me such luck, I made a hasty breakfast, and rode thither with +after-riders and my dogs. But, alas! I had allowed the golden +opportunity to slip. This day I sought in vain; and although I often +again ascended to the summit of my favorite hillock in that and in the +succeeding year, my eyes were destined never again to hail from it a +troop of elephants. + +[Illustration] + + +FOOTNOTES: + +[386-1] A vley is a swamp or morass. + +[386-2] The sassaby is a large African antelope, resembling the +hartbeest, but having regularly curved horns. + + + + +SOME CLEVER MONKEYS[402-*] + +_By_ THOMAS BELT + + +On the dryer ridges near the Artigua River, a valuable timber tree, the +"nispera," as it is called by the native, is common. It grows to a great +size, and its timber is almost indestructible; so that we used it in the +construction of all our permanent works. White ants do not eat it, nor, +excepting when first cut, and before it is barked, do any of the +wood-boring beetles. It bears a round fruit about the size of an apple, +hard and heavy when green, and at this time is much frequented by the +large yellowish-brown spider-monkey, which roams over the tops of the +trees in bands of from ten to twenty. Sometimes they lay quiet until I +was passing underneath, when, shaking a branch of the nispera tree, they +would send down a shower of the hard round fruit; but fortunately I was +never struck by them. As soon as I looked up, they would commence +yelping and barking, and putting on the most threatening gestures, +breaking off pieces of branches and letting them fall, and shaking off +more fruit, but never throwing anything, simply letting it fall. Often, +when on lower trees, they would hang from the branches two or three +together, holding on to each other and to the branch with their fore +feet and long tail, whilst their hind feet hung down, all the time +making threatening gestures and cries. + +Sometimes a female would be seen carrying a young one on its back, to +which it clung with legs and tail, the mother making its way along the +branches, and leaping from tree to tree, apparently but little +encumbered with its baby. A large black and white eagle is said to prey +upon them, but I never saw one, although I was constantly falling in +with troops of the monkeys. Don Francisco Velasquez, one of our +officers, told me that one day he heard a monkey crying out in the +forest for more than two hours, and at last, going out to see what was +the matter, he saw a monkey on a branch and an eagle beside it trying to +frighten it to turn its back, when it would have seized it. The monkey, +however, kept its face to its foe, and the eagle did not care to engage +with it in this position, but probably would have tired it out. +Velasquez fired at the eagle, and frightened it away. I think it likely, +from what I have seen of the habits of this monkey, that they defend +themselves from its attack by keeping two or three together, thus +assisting each other, and that it is only when the eagle finds one +separated from its companions that it dares to attack it. + +Sometimes, but more rarely, a troop of the white-faced cebus monkey +would be fallen in with, rapidly running away, throwing themselves from +tree to tree. This monkey feeds also partly on fruit, but is incessantly +on the look-out for insects, examining the crevices in trees and +withered leaves, seizing the largest beetles and munching them up with +the greatest relish. It is also very fond of eggs and young birds, and +must play havoc among the nestlings. Probably owing to its carnivorous +habits, its flesh is not considered so good by monkey eaters as that of +the fruit-feeding spider-monkey. + +It is a very intelligent and mischievous animal. I kept one for a long +time as a pet, and was much amused with its antics. At first, I had it +fastened with a light chain; but it managed to open the links and escape +several times, and then made straight for the fowls' nests, breaking +every egg it could get hold of. Generally, after being a day or two +loose, it would allow itself to be caught again. I tried tying it up +with a cord, and afterwards with a rawhide thong, but had to nail the +end, as it could loosen any knot in a few minutes. It would sometimes +entangle itself around a pole to which it was fastened, and then unwind +the coils again with the greatest discernment. Its chain allowed it to +swing down below the verandah, but it could not reach to the ground. + +Sometimes, when there was a brood of young ducks about, it would hold +out a piece of bread in one hand and, when it had tempted a duckling +within reach, seize it by the other, and kill it with a bite in the +breast. There was such an uproar amongst the fowls on these occasions, +that we soon knew what was the matter, and would rush out and punish +Mickey (as we called him) with a switch; so that he was ultimately cured +of his poultry-killing propensities. One day, when whipping him, I held +up the dead duckling in front of him, and at each blow of the light +switch told him to take hold of it, and at last, much to my surprise, he +did so, taking it and holding it tremblingly in one hand. + +[Illustration: A CEBUS MONKEY] + +He would draw things towards him with a stick, and even use a swing for +the same purpose. It had been put up for the children, and could be +reached by Mickey, who now and then indulged himself with a swing on it. +One day, I had put down some bird skins on a chair to dry, far beyond, +as I thought, Mickey's reach; but, fertile in expedients, he took the +swing and launched it towards the chair, and actually managed to knock +the skins off in the return of the swing, so as to bring them within his +reach. He also procured some jelly that was set out to cool in the same +way. Mickey's actions were very human like. When any one came near to +fondle him, he never neglected the opportunity of pocket-picking. He +would pull out letters, and quickly take them from their envelopes. +Anything eatable disappeared into his mouth immediately. Once he +abstracted a small bottle of turpentine from the pocket of our medical +officer. He drew the cork, held it first to one nostril, then to the +other, made a wry face, recorked it, and returned it to the doctor. + +One day, when he got loose, he was detected carrying off the cream-jug +from the table, holding it upright with both hands, and trying to move +off on his hind limbs. He gave the jug up without spilling a drop, all +the time making an apologetic chuckle he often used when found out in +any mischief, and which always meant, "I know I have done wrong, but +don't punish me; in fact, I did not mean to do it--it was accidental." +Whenever, however, he saw he was going to be punished, he would change +his tone to a shrill, threatening note, showing his teeth, and trying to +intimidate. He had quite an extensive vocabulary of sounds, varying from +a gruff bark to a shrill whistle; and we could tell by them, without +seeing him, when it was he was hungry, eating, frightened, or menacing; +doubtless, one of his own species would have understood various minor +shades of intonation and expression that we, not entering into his +feelings and wants, passed over as unintelligible. + + +FOOTNOTES: + +[402-*] This selection is taken from _The Naturalist in Nicaragua_. + + + + +POOR RICHARD'S ALMANAC + + + NOTE.--In the time of Benjamin Franklin, almanacs were a very + popular form of literature. Few of the poorer people could afford + newspapers, but almost every one could afford an almanac once a + year; and the anecdotes and scraps of information which these + contained in addition to their regular contents, were read and + re-read everywhere. + + In 1732, Franklin began the publication of an almanac. For + twenty-five years, under the assumed name of Richard Saunders, he + issued it annually. He himself says of it: + + "I endeavored to make it both entertaining and useful; and it + accordingly came to be in such demand that I reaped considerable + profit from it, vending annually nearly ten thousand. And observing + that it was generally read, scarce any neighborhood in the province + being without it, I considered it as a proper vehicle for conveying + instruction among the common people, who bought scarcely any other + books; I therefore filled all the little spaces that occurred + between the remarkable days in the calendar with proverbial + sentences, chiefly such as inculcated industry and frugality as a + means of procuring wealth, and thereby securing virtue; it being + more difficult for a man in want to act always honestly as, to use + here one of the proverbs, it is hard for an empty sack to stand + upright. + + "These proverbs, which contain the wisdom of many ages and nations, + I assembled and formed into a connected discourse, prefixed to the + almanac of 1757, as the harangue of a wise old man to the people + attending an auction. The bringing all these scattered counsels + thus into a focus enabled them to make greater impression. The + piece, being universally approved, was copied in all the newspapers + of the continent and reprinted in Britain on a broadside, to be + stuck up in houses; two translations were made of it in French and + great numbers bought by the clergy and gentry, to distribute gratis + among their poor parishioners and tenants. In Pennsylvania, as it + discouraged useless expense in foreign superfluities, some thought + it had its share of influence in producing that growing plenty of + money which was observable for several years after its + publication." + +THE PREFACE FOR THE YEAR 1757 + +Courteous Reader: I have heard that nothing gives an author so great +pleasure as to find his works respectfully quoted by other learned +authors. This pleasure I have seldom enjoyed. For though I have been, if +I may say it without vanity, an eminent author of almanacs annually now +for a full quarter of a century, my brother authors in the same way, for +what reason I know not, have ever been very sparing in their applauses, +and no other author has taken the least notice of me; so that did not my +writings produce me some solid pudding, the great deficiency of praise +would have quite discouraged me. + +I concluded at length that the people were the best judges of my merit, +for they buy my works; and besides, in my rambles, where I am not +personally known I have frequently heard one or other of my adages +repeated, with _as Poor Richard says_ at the end of it. This gave me +some satisfaction, as it showed not only that my instructions were +regarded, but discovered likewise some respect for my authority; and I +own that to encourage the practice of remembering and repeating those +sentences, I have sometimes quoted myself with great gravity. + +Judge, then, how much I must have been gratified by an incident I am +going to relate to you. I stopped my horse lately where a great number +of people were collected at a vendue[409-1] of merchants' goods. The +hour of sale not being come, they were conversing on the badness of the +times; and one of the company called to a plain, clean old man with +white locks, "Pray, Father Abraham, what think you of the times? Won't +these heavy taxes quite ruin the country? How shall we ever be able to +pay them? What would you advise us to do?" Father Abraham stood up and +replied: "If you would have my advice, I will give it you in short; for, +'a word to the wise is enough,'[409-2] and 'many words won't fill a +bushel,'[409-3] as Poor Richard says." They all joined, desiring him to +speak his mind, and gathering round him he proceeded as follows: + +Friends and neighbors, the taxes are indeed very heavy, and if those +laid on by the government were the only ones we had to pay, we might +more easily discharge them; but we have many others, and much more +grievous to some of us. We are taxed twice as much by our IDLENESS, +three times as much by our PRIDE, and four times as much by our FOLLY; +and from these taxes the commissioners cannot ease or deliver us by +allowing an abatement. However, let us hearken to good advice, and +something may be done for us. "God helps them that help themselves," as +Poor Richard says in his almanac of 1733. + +It would be thought a hard government that should tax its people +one-tenth part of their TIME, to be employed in its service, but +idleness taxes many of us much more, if we reckon all that is spent in +absolute sloth or doing of nothing, with that which is spent in idle +employments or amusements that amount to nothing. Sloth, by bringing on +diseases, absolutely shortens life. "Sloth, like rust, consumes faster +than labor wears; while the used key is always bright," as Poor Richard +says. "But dost thou love life? then do not squander time, for that's +the stuff life is made of," as Poor Richard says. + +How much more than is necessary do we spend in sleep? forgetting that +"the sleeping fox catches no poultry," and that "there will be sleeping +enough in the grave," as Poor Richard says. If time be of all things the +most precious, "wasting of time must be," as Poor Richard says, "the +greatest prodigality;" since, as he elsewhere tells us, "lost time is +never found again," and what we call "time enough! always proves little +enough." Let us, then, up and be doing, and doing to the purpose; so by +diligence shall we do more with less perplexity. "Sloth makes all things +difficult, but industry all things easy," as Poor Richard says; and "he +that riseth late must trot all day, and shall scarce overtake his +business at night; while laziness travels so slowly that poverty soon +overtakes him," as we read in Poor Richard; who adds, "drive thy +business! let not that drive thee!" and + + "Early to bed and early to rise + Makes a man healthy, wealthy and wise." + +[Illustration: "THE SLEEPING FOX CATCHES NO POULTRY"] + +So what signifies wishing and hoping for better times? We may make these +times better if we bestir ourselves. "Industry need not wish," as Poor +Richard says, and "he that lives on hope will die fasting." "There are +no gains without pains; then help, hands! for I have no lands;" or, if I +have, they are smartly taxed. And as Poor Richard likewise observes, "he +that hath a trade hath an estate, and he that hath a calling hath an +office of profit and honor;" but then the trade must be worked at and +the calling well followed, or neither the estate nor the office will +enable us to pay our taxes. If we are industrious we shall never starve; +for, as Poor Richard says, "at the working-man's house hunger looks in, +but dares not enter." Nor will the bailiff or the constable enter, for +"industry pays debt, while despair increaseth them." + +What though you have found no treasure, nor has any rich relation left +you a legacy, "diligence is the mother of good luck," as Poor Richard +says, and "God gives all things to industry." + + "Then plow deep while sluggards sleep, + And you shall have corn to sell and to keep," + +says Poor Dick. Work while it is called to-day, for you know not how +much you may be hindered to-morrow; which makes Poor Richard say, "one +to-day is worth two to-morrows;" and further, "have you somewhat to do +to-morrow? Do it to-day!" + +If you were a servant would you not be ashamed that a good master should +catch you idle? Are you, then, your own master? "Be ashamed to catch +yourself idle," as Poor Dick says. When there is so much to be done for +yourself, your family, your country, and your gracious king, be up by +peep of day! "Let not the sun look down and say, 'Inglorious here he +lies!'" Handle your tools without mittens! remember that "the cat in +gloves catches no mice!" as Poor Richard says. + +'Tis true there is much to be done, and perhaps you are weak-handed; but +stick to it steadily and you will see great effects; for "constant +dropping wears away stones;" and "by diligence and patience the mouse +ate in two the cable;" and "little strokes fell great oaks," as Poor +Richard says in his almanac, the year I cannot just now remember. + +Methinks I hear some of you say, "Must a man afford himself no leisure?" +I will tell thee, my friend, what Poor Richard says, "employ thy time +well if thou meanest to gain leisure;" and "since thou art not sure of a +minute, throw not away an hour!" Leisure is time for doing something +useful; this leisure the diligent man will obtain, but the lazy man +never; so that, as Poor Richard says, "a life of leisure and a life of +laziness are two things." Do you imagine that sloth will afford you more +comfort than labor? No! for, as Poor Richard says, "trouble springs from +idleness and grievous toil from needless ease." "Many, without labor, +would live by their wits only, but they'll break for want of stock;" +whereas industry gives comfort, and plenty, and respect. "Fly pleasure +and they'll follow you;" "the diligent spinner has a large shift;" and + + "Now I have a sheep and a cow, + Everybody bids me good-morrow." + +All which is well said by Poor Richard. But with our industry we must +likewise be steady, settled, and careful, and oversee our own affairs +with our own eyes and not trust too much to others; for, as Poor Richard +says, + + "I never saw an oft-removed tree + Nor yet an oft-removed family + That throve so well as those that settled be." + +And again, "three removes are as bad as a fire"; and again, "keep thy +shop and thy shop will keep thee"; and again, "if you would have your +business done, go; if not, send." And again + + "He that by the plow would thrive, + Himself must either hold or drive." + +And again, "the eye of the master will do more work than both his +hands;" and again, "want of care does us more damage than want of +knowledge;" and again, "not to oversee workmen is to leave them your +purse open." + +Trusting too much to others' care is the ruin of many; for, as the +almanac says, "in the affairs of this world men are saved, not by faith, +but by the want of it;" but a man's own care is profitable; for, saith +Poor Dick, "learning is to the studious and riches to the careful;" as +well as "power to the bold" and "heaven to the virtuous." And further, +"if you would have a faithful servant and one that you like, serve +yourself." + +And again, he adviseth to circumspection and care, even in the smallest +matters; because sometimes "a little neglect may breed great mischief;" +adding, "for want of a nail the shoe was lost; for want of a shoe the +horse was lost; and for want of a horse the rider was lost;" being +overtaken and slain by the enemy; all for the want of a little care +about a horseshoe nail! + +So much for industry, my friends, and attention to one's own business; +but to these we must add frugality if we would make our industry more +certainly successful. "A man may," if he knows not how to save as he +goes "keep his nose all his life to the grindstone and die not worth a +groat at last." "A fat kitchen makes a lean will," as Poor Richard +says; and + + "Many estates are spent in the getting, + Since women for tea[415-4] forsook spinning and knitting, + And men for punch forsook hewing and splitting." + +If you would be wealthy, says he in another almanac, "think of saving as +well as of getting. The Indies have not made Spain rich, because her +outgoes are greater than her incomes." + +Away, then, with your expensive follies, and you will not have so much +cause to complain of hard times, heavy taxes, and chargeable families; +for, as Poor Dick says, + + "Women and wine, game and deceit, + Make the wealth small and the wants great." + +And further, "what maintains one vice would bring up two children." You +may think, perhaps, that a little tea or a little punch now and then, a +diet a little more costly, clothes a little finer, and a little more +entertainment now and then, can be no great matter; but remember what +Poor Richard says, "many a little makes a mickle"; and further, "beware +of little expenses; a small leak will sink a great ship"; and again, + + "Who dainties love shall beggars prove"; + +and moreover, "fools make feasts and wise men eat them." + +Here are you all got together at this vendue of fineries and +knick-knacks. You call them goods; but if you do not take care they +will prove evils to some of you. You expect they will be sold cheap, and +perhaps they may for less than they cost; but if you have no occasion +for them they must be dear to you. Remember what Poor Richard says: "Buy +what thou hast no need of, and ere long thou shalt sell thy +necessaries." And again, "at a great pennyworth pause awhile." He means +that perhaps the cheapness is apparent only and not real; or the bargain +by straitening thee in thy business may do thee more harm than good. For +in another place he says, "many have been ruined by buying good +pennyworths." + +Again, Poor Richard says, "'tis foolish to lay out money in a purchase +of repentance;" and yet this folly is practiced every day at vendues for +want of minding the almanac. + +"Wise men," as Poor Richard says, "learn by others' harm; fools scarcely +by their own;" but _Felix quem faciunt aliena pericula cautum_.[416-5] +Many a one, for the sake of finery on the back, has gone with a hungry +belly and half-starved his family. "Silks and satins, scarlets and +velvets," as Poor Richard says, "put out the kitchen fire." These are +not the necessaries of life; they can scarcely be called the +conveniences; and yet, only because they look pretty, how many want to +have them! The artificial wants of mankind thus become more numerous +than the natural; and as Poor Dick says, "for one poor person there are +a hundred indigent." + +By these and other extravagances the genteel are reduced to poverty and +forced to borrow of those whom they formerly despised, but who, through +industry and frugality, have maintained their standing; in which case it +appears plainly that "a plowman on his legs is higher than a gentleman +on his knees," as Poor Richard says. Perhaps they have had a small +estate left them, which they knew not the getting of; they think, "'tis +day and will never be night;" that "a little to be spent out of so much +is not worth minding" (a child and a fool, as Poor Richard says, imagine +twenty shillings and twenty years can never be spent); but "always +taking out of the meal-tub, and never putting in, soon comes to the +bottom." Then, as Poor Dick says, "when the well's dry they know the +worth of water." But this they might have known before if they had taken +his advice. "If you would know the value of money, go and try to borrow +some;" for "he that goes a-borrowing goes a sorrowing," and indeed so +does he that lends to such people, when he goes to get it in again. + +Poor Dick further advises and says: + + "Fond pride of dress is, sure, a very curse; + Ere fancy you consult, consult your purse." + +And again, "pride is as loud a beggar as want and a great deal more +saucy." When you have bought one fine thing you must buy ten more, that +your appearance may be all of a piece; but Poor Dick says, "'tis easier +to suppress the first desire than to satisfy all that follow it." And +'tis as true folly for the poor to ape the rich as for the frog to swell +in order to equal the ox. + + "Great estates may venture more, + But little boats should keep near shore." + +'Tis, however, a folly soon punished; for "pride that dines on vanity +sups on contempt," as Poor Richard says. And in another place, "pride +breakfasted with plenty, dined with poverty, and supped with infamy." + +And after all, of what use is this pride of appearance, for which so +much is risked, so much is suffered? It cannot promote health or ease +pain; it makes no increase of merit in the person; it creates envy; it +hastens misfortune. + + "What is a butterfly? At best + He's but a caterpillar drest, + The gaudy fop's his picture just," + +as Poor Richard says. + +But what madness must it be to run into debt for these superfluities! We +are offered by the terms of this vendue six months' credit; and that, +perhaps, has induced some of us to attend it, because we cannot spare +the ready money and hope now to be fine without it. But ah! think what +you do when you run in debt: you give to another power over your +liberty. If you cannot pay at the time you will be ashamed to see your +creditor; you will be in fear when you speak to him; you will make poor, +pitiful, sneaking excuses, and by degrees come to lose your veracity and +sink into base, downright lying; for, as Poor Richard says, "the second +vice is lying, the first is running into debt;" and again, to the same +purpose, "lying rides upon debt's back;" whereas a free-born Englishman +ought not to be ashamed or afraid to see or speak to any man living. But +poverty often deprives a man of all spirit and virtue. "'Tis hard for an +empty bag to stand upright!" as Poor Richard truly says. What would you +think of that prince or the government who should issue an edict +forbidding you to dress like a gentleman or gentlewoman, on pain of +imprisonment or servitude? Would you not say that you are free, have a +right to dress as you please, and that such an edict would be a breach +of your privileges and such a government tyrannical? And yet you are +about to put yourself under such tyranny when you run in debt for such +dress! Your creditor has authority, at his pleasure, to deprive you of +your liberty by confining you in jail for life or to sell you for a +servant if you should not be able to pay him. When you have got your +bargain you may, perhaps, think little of payment; but "creditors," Poor +Richard tells us, "have better memories than debtors;" and in another +place says, "creditors are a superstitious set, great observers of set +days and times." + +The day comes round before you are aware, and the demand is made before +you are prepared to satisfy it; or, if you bear your debt in mind, the +term which at first seemed so long will, as it lessens, appear extremely +short. Time will seem to have added wings to his heels as well as his +shoulders. "Those have a short Lent," saith Poor Richard, "who owe money +to be paid at Easter." Then since, as he says, "the borrower is a slave +to the lender and the debtor to the creditor," disdain the chain, +preserve your freedom, and maintain your independence. Be industrious +and free; be frugal and free. At present, perhaps, you may think +yourself in thriving circumstances, and that you can bear a little +extravagance without injury; but + + "For age and want, save while you may; + No morning sun lasts a whole day." + +As Poor Richard says, gain may be temporary and uncertain; but ever +while you live expense is constant and certain; and "'tis easier to +build two chimneys than to keep one in fuel," as Poor Richard says; so, +"rather go to bed supperless than rise in debt." + + "Get what you can, and what you get hold; + 'Tis the stone that will turn all your lead into gold,"[420-6] + +as Poor Richard says: and when you have got the philosopher's stone, +sure, you will no longer complain of bad times or the difficulty of +paying taxes. + +This doctrine, my friends, is reason and wisdom; but, after all, do not +depend too much upon your own industry and frugality and prudence, +though excellent things, for they may all be blasted without the +blessing of Heaven; and therefore ask that blessing humbly, and be not +uncharitable to those that at present seem to want it, but comfort and +help them. Remember Job suffered and was afterward prosperous. + +And now, to conclude, "experience keeps a dear school, but fools will +learn in no other, and scarce in that;" for it is true, "we may give +advice, but we cannot give conduct," as Poor Richard says. However, +remember this: "they that won't be counseled can't be helped," as Poor +Richard says; and further, that "if you will not hear reason she'll +surely rap your knuckles." + +Thus the old gentleman ended his harangue. The people heard it and +approved the doctrine, and immediately practiced the contrary, just as +if it had been a common sermon. For the vendue opened and they began to +buy extravagantly, notwithstanding all his cautions and their own fear +of taxes. I found the good man had thoroughly studied my almanacs and +digested all I had dropped on those topics during the course of +twenty-five years. The frequent mention he made of me must have tired +any one else; but my vanity was wonderfully delighted with it, though I +was conscious that not a tenth part of the wisdom was my own which he +ascribed to me, but rather the gleanings that I had made of the sense of +all ages and nations. However, I resolved to be the better for the echo +of it, and though I had at first determined to buy stuff for a new coat, +I went away resolved to wear my old one a little longer. Reader, if thou +wilt do the same, thy profit will be as great as mine. I am, as ever, +thine to serve thee. + + RICHARD SAUNDERS. + + _July 7th, 1757._ + + +FOOTNOTES: + +[409-1] A vendue is an auction. + +[409-2] Very few of the proverbs which Franklin made use of in his +almanacs were original with him. As he said in his comment, they +represented "the wisdom of many ages and nations." + +[409-3] This is similar to that other proverbial expression--"Fine words +butter no parsnips." + +[415-4] Tea at this time was expensive and regarded as a luxury. + +[416-5] He's a lucky fellow who is made prudent by other men's perils. + +[420-6] The philosopher's stone, so called; a mineral having the power +of turning base metals into gold. + + + + +GEORGE ROGERS CLARK + + +One of the most remarkable men of Revolutionary times was George Rogers +Clark, and his exploits read more like those of the hero of some novel +than like the deeds of a simple soldier and patriot. + +In early boyhood and youth he acquired the rather scanty education which +was then considered necessary for a child of fairly well-to-do parents, +but he never applied himself so closely to his books as to lose his love +for the woods and streams of the wild country that surrounded him. He +became a surveyor, and among the wonders and trials of the wilderness +lost much of the little polish he had acquired. But he learned the +woods, the mountain passes and the river courses, and became fully +acquainted with the wild human denizens of the forests. His six feet of +muscular body, his courage and his fierce passions fitted him to lead +men and to overawe his enemies, red or white. He had "red hair and a +black penetrating eye," two gifts that marked him among the adventurous +men who were finding their way across the Alleghanies. He tried farming, +but succeeded better as a fighter in those fierce conflicts with Indians +and border desperadoes which gave to Kentucky the name of "Dark and +Bloody Ground." + +In 1777, after the breaking out of the Revolution, there were several +French settlements lying to the north of the Ohio and scattered from +Detroit to the Mississippi. Among these were Mackinac, Green Bay, +Prairie du Chien, Vincennes, Kaskaskia and Cahokia. The English were in +possession of all these and held them usually by a single commanding +officer and a very small garrison. The French inhabitants had made +friends with the Indians, and in many instances had intermarried with +them. Moreover, while they were submissive to the British they were by +no means attached to them and were apparently quite likely to submit +with equal willingness to the Americans should they succeed in the +struggle. This was what Clark understood so thoroughly that he early +became possessed of the idea that it would be a comparatively simple +matter to secure to the United States all that promising land lying +between the Alleghanies, the Ohio and the Mississippi. + +The jealousy that existed between Pennsylvania and Virginia over an +extension westward made it extremely difficult for Clark to get aid from +the Colonies or even from Virginia, his native state. However, he +succeeded in interesting Patrick Henry, then governor of Virginia, and +preserving the greatest secrecy, he set about recruiting his forces. + +It was a desperate undertaking, and the obstacles, naturally great, were +made infinitely more trying by the fact that he could tell none of his +men the real purpose for which they were enlisting. By May, 1778, +however, he had secured one hundred and fifty backwoodsmen from the +western reaches of Virginia. With these he started on his venturous +undertaking. + +Reuben Gold Thwaites, in his _How George Rogers Clark Won the +Northwest_, describes the volunteers as follows: + +"There was of course no attempt among them at military uniform, officers +in no wise being distinguished from men. The conventional dress of +eighteenth-century borderers was an adaptation to local conditions, +being in part borrowed from the Indians. Their feet were encased in +moccasins. Perhaps the majority of the corps had loose, thin trousers of +homespun or buckskin, with a fringe of leather thongs down each outer +seam of the legs; but many wore only leggings of leather, and were as +bare of knee and thigh as a Highland clansman; indeed, many of the +pioneers were Scotch-Irish, some of whom had been accustomed to this +airy costume in the mother-land. Common to all were fringed hunting +shirts or smocks, generally of buckskin--a picturesque, flowing garment +reaching from neck to knees, and girded about the waist by a leathern +belt, from which dangled the tomahawk and scalping-knife. On one hip +hung the carefully scraped powder horn; on the other, a leather sack, +serving both as game-bag and provision-pouch, although often the folds +of the shirt, full and ample above the belt, were the depository for +food and ammunition. A broad-brimmed felt hat, or a cap of fox-skin or +squirrel-skin, with the tail dangling behind, crowned the often tall and +always sinewy frontiersman. His constant companion was his home-made +flint-lock rifle--a clumsy, heavy weapon, so long that it reached to the +chin of the tallest man, but unerring in the hands of an expert +marksman, such as was each of these backwoodsmen. + +"They were rough in manners and in speech. Among them, we must confess, +were men who had fled from the coast settlements because no longer to be +tolerated in a law-abiding community. There were not lacking mean, +brutal fellows, whose innate badness had on the untrammelled frontier +developed into wickedness. Many joined Clark for mere adventure, for +plunder and deviltry. The majority, however, were men of good parts, who +sought to protect their homes at whatever peril--sincere men, as large +of heart as they were of frame, many of them in later years developing +into citizens of a high type of effectiveness in a frontier +commonwealth. As a matter of history, most of them proved upon this +expedition to be heroes worthy of the fame they won and the leader whom +they followed." + +Early in June Clark had reached the falls in the Ohio at the present +city of Louisville, and here on an island commanding the falls he built +a block house and planted some corn. Here he left the weak and +dissatisfied members of his company, and having been joined by a few +Kentucky volunteers, he resumed his journey down the river. His first +goal was Kaskaskia on the Mississippi, and after a long and perilous +journey, the latter part across the country, he captured the post by +surprise, seizing the French commandant of the English garrison in an +upper room of his own house. He had little difficulty in winning the +confidence of the French settlers, who then willingly transferred their +loyalty to the new Republic that claimed to be their friend. + +A different situation developed with the Indians, but after skilful +treatment and a long interview with representatives of the many tribes +he succeeded in winning their friendship, or at least a quiet +neutrality. In the meantime, Father Gibault, an active, friendly French +priest, had crossed the country and induced the inhabitants of Vincennes +to raise the American flag. Clark sent Captain Helm to take charge of +the fort and to lead the French militia. + +Clark's ambition was to capture Detroit, but so great were the +difficulties besetting him that he was compelled to winter at Kaskaskia +with insufficient forces, struggling to keep peace and to hold the +country he had so successfully seized. In January, a month after the +event happened, Clark heard that Hamilton had recaptured Vincennes for +the British and was preparing to advance on Kaskaskia. Had Hamilton been +prompt in his actions and proceeded at once against Clark he might +easily have driven the latter from Kaskaskia and secured to the British +the wonderful Northwest territory. His delays, however, gave Clark time +to gather a larger force and to show his wonderful power as a leader and +his skill as a military campaigner. + +Few men could have accomplished what Clark did, for few have either the +ability or the devotion. "I would have bound myself seven years a +Slave," he says, "to have had five hundred troops." Nothing, however, +deterred him. He built a large barge or galley, mounted small cannon +upon it and manned it with a crew of forty men. This was dispatched to +patrol the Ohio, and if possible to get within ten leagues of Vincennes +on the Wabash. It was Clark's determination not to wait for attack from +the British but to surprise Hamilton in his own fort. It required almost +superhuman power to gather the men necessary from the motley crowds at +Kaskaskia and from other posts on the river, but the day after the +"Willing" (for so he named his barge) sailed, he moved out of Kaskaskia, +with a hundred and seventy men following him, to march the two hundred +and thirty miles across the wintry wilderness to Vincennes. How he fared +and how he accomplished his desire you may read in the selection from +his journal. + +Clark's activity did not end with the capture of Vincennes, but that was +the most remarkable of his long series of military achievements. No more +heroic man ever lived, and few Americans have left such a memory for +high patriotism, self-sacrifice and wonderful achievement. His +accomplishments are unparalleled in the history of the Mississippi +valley, and the youth of the region may well be proud that to such a man +they are indebted for their right to live in the United States. + +Unfortunately, Clark's later years were not in keeping with his early +character. He felt that his country was ungrateful to him, the liquor +habit mastered him, he was mixed up in unfortunate political deals with +France, and at last sank into poverty and was almost forgotten. It is +said that once when in his latter years the State of Virginia sent him a +sword in token of their appreciation of his services, he angrily thrust +the sword into the ground and broke the blade with his crutch, while he +cried out: "When Virginia needed a sword I gave her one. She sends me +now a toy. I want bread!" + +He lived until 1818, and then died at his sister's house near +Louisville, and was buried at Cave Hill Cemetery in that city. + + + + +THE CAPTURE OF VINCENNES[428-1] + +_By_ GEORGE ROGERS CLARK[428-2] + + +Everything being ready, on the 5th of February, after receiving a +lecture and absolution from the priest, we crossed the Kaskaskia River +with one hundred and seventy men, marched about three miles and +encamped, where we lay until the 7th, and set out. The weather wet (but +fortunately not cold for the season) and a great part of the plains +under water several inches deep. It was very difficult and fatiguing +marching. My object was now to keep the men in spirits. I suffered them +to shoot game on all occasions, and feast on it like Indian war-dancers, +each company by turns inviting the others to their feasts, which was the +case every night, as the company that was to give the feast was always +supplied with horses to lay up a sufficient store of wild meat in the +course of the day, myself and principal officers putting on the +woodsmen, shouting now and then, and running as much through the mud and +water as any of them. + +Thus, insensibly, without a murmur, were those men led on to the banks +of the Little Wabash, which we reached on the 13th, through incredible +difficulties, far surpassing anything that any of us had ever +experienced. Frequently the diversions of the night wore off the +thoughts of the preceding day. We formed a camp on a height which we +found on the bank of the river, and suffered our troops to amuse +themselves. + +I viewed this sheet of water for some time with distrust; but, accusing +myself of doubting, I immediately set to work, without holding any +consultation about it, or suffering anybody else to do so in my +presence; ordered a pirogue to be built immediately, and acted as though +crossing the water would be only a piece of diversion. As but few could +work at the pirogue at a time, pains were taken to find diversion for +the rest to keep them in high spirits. In the evening of the 14th, our +vessel was finished, manned, and sent to explore the drowned lands, on +the opposite side of the Little Wabash, with private instructions what +report to make, and, if possible, to find some spot of dry land. They +found about half an acre, and marked the trees from thence back to the +camp, and made a very favorable report. + +Fortunately, the 15th happened to be a warm, moist day for the season. +The channel of the river where we lay was about thirty yards wide. A +scaffold was built on the opposite shore (which was about three feet +under water), and our baggage ferried across, and put on it. Our horses +swam across, and received their loads at the scaffold, by which time the +troops were also brought across, and we began our march through the +water. + +By evening we found ourselves encamped on a pretty height, in high +spirits, each party laughing at the other, in consequence of something +that had happened in the course of this ferrying business, as they +called it. A little antic drummer afforded them great diversion by +floating on his drum, etc. All this was greatly encouraged; and they +really began to think themselves superior to other men, and that neither +the rivers nor the seasons could stop their progress. Their whole +conversation now was concerning what they would do when they got about +the enemy. They now began to view the main Wabash as a creek, and made +no doubt but such men as they were could find a way to cross it. They +wound themselves up to such a pitch that they soon took Post Vincennes, +divided the spoil, and before bedtime were far advanced on their route +to Detroit. All this was, no doubt, pleasing to those of us who had more +serious thoughts. + +We were now convinced that the whole of the low country on the Wabash +was drowned, and that the enemy could easily get to us, if they +discovered us, and wished to risk an action; if they did not, we made no +doubt of crossing the river by some means or other. Even if Captain +Rogers, with our galley, did not get to his station agreeable to his +appointment, we flattered ourselves that all would be well, and marched +on in high spirits. + +The last day's march through the water was far superior to anything the +Frenchmen[431-3] had an idea of. They were backward in speaking; said +that the nearest land to us was a small league called the Sugar Camp, on +the bank of the [river?]. A canoe was sent off, and returned without +finding that we could pass. I went in her myself, and sounded the water; +found it deep as to my neck. I returned with a design to have the men +transported on board the canoes to the Sugar Camp, which I knew would +spend the whole day and ensuing night, as the vessels would pass slowly +through the bushes. The loss of so much time, to men half-starved, was a +matter of consequence. I would have given now a great deal for a day's +provision or for one of our horses. I returned but slowly to the troops, +giving myself time to think. + +On our arrival, all ran to hear what was the report. Every eye was fixed +on me. I unfortunately spoke in a serious manner to one of the officers. +The whole were alarmed without knowing what I said. I viewed their +confusion for about one minute, whispered to those near me to do as I +did: immediately put some water in my hand, poured on powder, blackened +my face, gave the war-whoop, and marched into the water without saying a +word. The party gazed, and fell in, one after another, without saying a +word, like a flock of sheep. I ordered those near me to begin a favorite +song of theirs. It soon passed through the line, and the whole went on +cheerfully. I now intended to have them transported across the deepest +part of the water; but, when about waist deep, one of the men informed +me that he thought he felt a path. We examined, and found it so, and +concluded that it kept on the highest ground, which it did; and, by +taking pains to follow it we got to the Sugar Camp without the least +difficulty, where there was about half an acre of dry ground, at least +not under water, where we took up our lodging. + +The Frenchmen that we had taken on the river appeared to be uneasy at +our situation. They begged that they might be permitted to go in the two +canoes to town in the night. They said that they would bring from their +own houses provisions, without a possibility of any persons knowing it; +that some of our men should go with them as a surety of their good +conduct; that it was impossible we could march from that place till the +water fell, for the plain was too deep to march. Some of the [officers?] +believed that it might be done. I would not suffer it. I never could +well account for this piece of obstinacy, and give satisfactory reasons +to myself or anybody else why I denied a proposition apparently so easy +to execute and of so much advantage; but something seemed to tell me +that it should not be done, and it was not done. + +The most of the weather that we had on this march was moist and warm for +the season. This was the coldest night we had. The ice, in the morning, +was from one-half to three-quarters of an inch thick near the shores and +in still water. The morning was the finest we had on our march. A little +after sunrise I lectured the whole. What I said to them I forgot, but it +may be easily imagined by a person that could possess my affections for +them at that time. I concluded by informing them that passing the plain +that was then in full view and reaching the opposite woods would put an +end to their fatigue, that in a few hours they would have a sight of +their long-wished-for object, and immediately stepped into the water +without waiting for any reply. A huzza took place. + +[Illustration: CLARK TOOK THE LEAD] + +As we generally marched through the water in a line, before the third +entered I halted, and called to Major Bowman, ordering him to fall in +the rear with twenty-five men, and put to death any man who refused to +march, as we wished to have no such person among us. The whole gave a +cry of approbation, and on we went. This was the most trying of all the +difficulties we had experienced. I generally kept fifteen or twenty of +the strongest men next myself, and judged from my own feelings what must +be that of others. Getting about the middle of the plain, the water +about mid-deep, I found myself sensibly failing; and, as there were no +trees nor bushes for the men to support themselves by, I feared that +many of the most weak would be drowned. + +I ordered the canoes to make the land, discharge their loading, and play +backward and forward with all diligence, and pick up the men; and, to +encourage the party, sent some of the strongest men forward, with +orders, when they got to a certain distance, to pass the word back that +the water was getting shallow, and when getting near the woods to cry +out, 'Land!' This stratagem had its desired effect. The men, encouraged +by it, exerted themselves almost beyond their abilities; the weak +holding by the stronger. + +The water never got shallower, but continued deepening. Getting to the +woods, where the men expected land, the water was up to my shoulders; +but gaining the woods was of great consequence. All the low men and the +weakly hung to the trees, and floated on the old logs until they were +taken off by the canoes. The strong and tall got ashore and built +fires. Many would reach the shore, and fall with their bodies half in +the water, not being able to support themselves without it. + +This was a delightful dry spot of ground of about ten acres. We soon +found that the fires answered no purpose, but that two strong men taking +a weaker one by the arms was the only way to recover him; and, being a +delightful day, it soon did. But, fortunately, as if designed by +Providence, a canoe of Indian squaws and children was coming up to town, +and took through part of this plain as a nigh way. It was discovered by +our canoes as they were out after the men. They gave chase, and took the +Indian canoe, on board of which was near half a quarter of a buffalo, +some corn, tallow, kettles, and other provisions. This was a grand +prize, and was invaluable. Broth was immediately made, and served out to +the most weakly with great care. Most of the whole got a little; but a +great many gave their part to the weakly, jocosely saying something +cheering to their comrades. This little refreshment and fine weather by +the afternoon gave new life to the whole. + +Crossing a narrow deep lake in the canoes, and marching some distance, +we came to a copse of timber called the Warrior's Island. We were now in +full view of the fort and town, not a shrub between us, at about two +miles distance. Every man now feasted his eyes, and forgot that he had +suffered anything, saying that all that had passed was owing to good +policy and nothing but what a man could bear; and that a soldier had no +right to think, etc.,--passing from one extreme to another, which is +common in such cases. + +It was now we had to display our abilities. The plain between us and the +town was not a perfect level. The sunken grounds were covered with water +full of ducks. We observed several men out on horseback, shooting them, +within a half mile of us, and sent out as many of our active young +Frenchmen to decoy and take one of these men prisoner in such a manner +as not to alarm the others, which they did. The information we got from +this person was similar to that which we got from those we took on the +river, except that of the British having that evening completed the wall +of the fort, and that there were a good many Indians in town. + +Our situation was now truly critical,--no possibility of retreating in +case of defeat, and in full view of a town that had, at this time, +upward of six hundred men in it,--troops, inhabitants, and Indians. The +crew of the galley, though not fifty men, would have been now a +reenforcement of immense magnitude to our little army (if I may so call +it), but we would not think of them. We were now in the situation that I +had labored to get ourselves in. The idea of being made prisoner was +foreign to almost every man, as they expected nothing but torture from +the savages, if they fell into their hands. Our fate was now to be +determined, probably in a few hours. We knew that nothing but the most +daring conduct would insure success. + +I knew that a number of the inhabitants wished us well, that many were +lukewarm to the interest of either, and I also learned that the grand +chief, the Tobacco's son, had but a few days before openly declared, in +council with the British, that he was a brother and friend to the Big +Knives. These were favorable circumstances; and, as there was but +little probability of our remaining until dark undiscovered, I +determined to begin the career immediately, and wrote the following +placard to the inhabitants:-- + + "TO THE INHABITANTS OF POST VINCENNES: + + "_Gentlemen:_--Being now within two miles of your village, with my + army, determined to take your fort this night, and not being + willing to surprise you, I take this method to request such of you + as are true citizens and willing to enjoy the liberty I bring you + to remain still in your houses; and those, if any there be, that + are friends to the king will instantly repair to the fort, and join + the hair-buyer[437-4] general, and fight like men. And, if any such + as do not go to the fort shall be discovered afterward, they may + depend on severe punishment. On the contrary, those who are true + friends to liberty may depend on being well treated; and I once + more request them to keep out of the streets. For every one I find + in arms on my arrival I shall treat him as an enemy. + + "(Signed) G. R. CLARK." + +I had various ideas on the supposed results of this letter. I knew that +it could do us no damage, but that it would cause the lukewarm to be +decided, encourage our friends, and astonish our enemies. + +We anxiously viewed this messenger until he entered the town, and in a +few minutes could discover by our glasses some stir in every street that +we could penetrate into, and great numbers running or riding out into +the commons, we supposed, to view us, which was the case. But what +surprised us was that nothing had yet happened that had the appearance +of the garrison being alarmed,--no drum nor gun. We began to suppose +that the information we got from our prisoners was false, and that the +enemy already knew of us, and were prepared. + +A little before sunset we moved, and displayed ourselves in full view of +the town, crowds gazing at us. We were plunging ourselves into certain +destruction or success. There was no midway thought of. We had but +little to say to our men, except inculcating an idea of the necessity of +obedience, etc. We knew they did not want encouraging, and that anything +might be attempted with them that was possible for such a +number,--perfectly cool, under proper subordination, pleased with the +prospect before them, and much attached to their officers. They all +declared that they were convinced that an implicit obedience to orders +was the only thing that would insure success, and hoped that no mercy +would be shown the person that should violate them. Such language as +this from soldiers to persons in our station must have been exceedingly +agreeable. + +We moved on slowly in full view of the town; but, as it was a point of +some consequence to us to make ourselves appear as formidable, we, in +leaving the covert that we were in, marched and counter-marched in such +a manner that we appeared numerous. In raising volunteers in the +Illinois, every person that set about the business had a set of colors +given him, which they brought with them to the amount of ten or twelve +pairs. These were displayed to the best advantage; and, as the low +plain we marched through was not a perfect level, but had frequent +risings in it seven or eight feet higher than the common level (which +was covered with water), and as these risings generally run in an +oblique direction to the town, we took the advantage of one of them, +marching through the water under it, which completely prevented our +being numbered. But our colors showed considerably above the heights, as +they were fixed on long poles procured for the purpose, and at a +distance made no despicable appearance; and, as our young Frenchmen had, +while we lay on the Warrior's Island, decoyed and taken several fowlers +with their horses, officers were mounted on these horses, and rode +about, more completely to deceive the enemy. + +In this manner we moved, and directed our march in such a way as to +suffer it to be dark before we had advanced more than half-way to the +town. We then suddenly altered our direction, and crossed ponds where +they could not have suspected us, and about eight o'clock gained the +heights back of the town. As there was yet no hostile appearance, we +were impatient to have the cause unriddled. Lieutenant Bayley was +ordered, with fourteen men, to march and fire on the fort. The main body +moved in a different direction, and took possession of the strongest +part of the town. + +The firing now commenced on the fort, but they did not believe it was an +enemy until one of their men was shot down through a port, as drunken +Indians frequently saluted the fort after night. The drums now sounded, +and the business fairly commenced on both sides. Re-enforcements were +sent to the attack of the garrison, while other arrangements were +making in town. + +We now found that the garrison had known nothing of us; that, having +finished the fort that evening, they had amused themselves at different +games, and had just retired before my letter arrived, as it was near +roll-call. The placard being made public, many of the inhabitants were +afraid to show themselves out of the houses for fear of giving offence, +and not one dare give information. Our friends flew to the commons and +other convenient places to view the pleasing sight. This was observed +from the garrison, and the reason asked, but a satisfactory excuse was +given; and, as a part of the town lay between our line of march and the +garrison, we could not be seen by the sentinels on the walls. + +Captain W. Shannon and another being some time before taken prisoners by +one of their [scouting parties], and that evening brought in, the party +had discovered at the Sugar Camp some signs of us. They supposed it to +be a party of observation that intended to land on the height some +distance below the town. Captain Lamotte was sent to intercept them. It +was at him the people said they were looking, when they were asked the +reason of their unusual stir. + +Several suspected persons had been taken to the garrison; among them was +Mr. Moses Henry. Mrs. Henry went, under the pretense of carrying him +provisions, and whispered him the news and what she had seen. Mr. Henry +conveyed it to the rest of his fellow-prisoners, which gave them much +pleasure, particularly Captain Helm, who amused himself very much +during the siege, and, I believe, did much damage. + +Ammunition was scarce with us, as the most of our stores had been put on +board of the galley. Though her crew was but few, such a reenforcement +to us at this time would have been invaluable in many instances. But, +fortunately, at the time of its being reported that the whole of the +goods in the town were to be taken for the king's use (for which the +owners were to receive bills), Colonel Legras, Major Bosseron, and +others had buried the greatest part of their powder and ball. This was +immediately produced, and we found ourselves well supplied by those +gentlemen. + +The Tobacco's son, being in town with a number of warriors, immediately +mustered them, and let us know that he wished to join us, saying that by +morning he would have a hundred men. He received for answer that we +thanked for his friendly disposition; and, as we were sufficiently +strong ourselves, we wished him to desist, and that we would counsel on +the subject in the morning; and, as we knew that there were a number of +Indians in and near the town that were our enemies, some confusion might +happen if our men should mix in the dark, but hoped that we might be +favored with his counsel and company during the night, which was +agreeable to him. + +The garrison was soon completely surrounded, and the firing continued +without intermission (except about fifteen minutes a little before day) +until about nine o'clock the following morning. It was kept up by the +whole of the troops, joined by a few of the young men of the town, who +got permission, except fifty men kept as a reserve. + +I had made myself fully acquainted with the situation of the fort and +town and the parts relative to each. The cannon of the garrison was on +the upper floors of strong blockhouses at each angle of the fort, eleven +feet above the surface, and the ports so badly cut that many of our +troops lay under the fire of them within twenty or thirty yards of the +walls. They did no damage, except to the buildings of the town, some of +which they much shattered; and their musketry, in the dark, employed +against woodsmen covered by houses, palings, ditches, the banks of the +river, etc., was but of little avail, and did no injury to us except +wounding a man or two. + +As we could not afford to lose men, great care was taken to preserve +them, sufficiently covered, and to keep up a hot fire in order to +intimidate the enemy as well as to destroy them. The embrasures of their +cannon were frequently shut, for our riflemen, finding the true +direction of them, would pour in such volleys when they were opened that +the men could not stand to the guns. Seven or eight of them in a short +time got cut down. Our troops would frequently abuse the enemy, in order +to aggravate them to open their ports and fire their cannon, that they +might have the pleasure of cutting them down with their rifles, fifty of +which, perhaps, would be levelled the moment the port flew open; and I +believe that, if they had stood at their artillery, the greater part of +them would have been destroyed in the course of the night, as the +greater part of our men lay within thirty yards of the walls, and in a +few hours were covered equally to those within the walls, and much more +experienced in that mode of fighting. + +Sometimes an irregular fire, as hot as possible, was kept up from +different directions for a few minutes, and then only a continual +scattering fire at the ports as usual; and a great noise and laughter +immediately commenced in different parts of the town, by the reserved +parties, as if they had only fired on the fort a few minutes for +amusement, and as if those continually firing at the fort were only +regularly relieved. Conduct similar to this kept the garrison constantly +alarmed. They did not know what moment they might be stormed or [blown +up?], as they could plainly discover that we had flung up some +entrenchments across the streets, and appeared to be frequently very +busy under the bank of the river, which was within thirty feet of the +walls. + +The situation of the magazine we knew well. Captain Bowman began some +works in order to blow it up, in the case our artillery should arrive; +but, as we knew that we were daily liable to be overpowered by the +numerous bands of Indians on the river, in case they had again joined +the enemy (the certainty of which we were unacquainted with), we +resolved to lose no time, but to get the fort in our possession as soon +as possible. If the vessel did not arrive before the ensuing night, we +resolved to undermine the fort, and fixed on the spot and plan of +executing this work, which we intended to commence the next day. + +The Indians of different tribes that were inimical had left the town and +neighborhood. Captain Lamotte continued to hover about it in order, if +possible, to make his way good into the fort. Parties attempted in vain +to surprise him. A few of his party were taken, one of which was +Maisonville, a famous Indian partisan. Two lads had captured him, tied +him to a post in the street, and fought from behind him as a breastwork, +supposing that the enemy would not fire at them for fear of killing him, +as he would alarm them by his voice. The lads were ordered, by an +officer who discovered them at their amusement, to untie their prisoner, +and take him off to the guard, which they did, but were so inhuman as to +take part of his scalp on the way. There happened to him no other +damage. + +As almost the whole of the persons who were most active in the +department of Detroit were either in the fort or with Captain Lamotte, I +got extremely uneasy for fear that he would not fall into our power, +knowing that he would go off, if he could not get into the fort in the +course of the night. Finding that, without some unforeseen accident, the +fort must inevitably be ours, and that a reenforcement of twenty men, +although considerable to them, would not be of great moment to us in the +present situation of affairs, and knowing that we had weakened them by +killing or wounding many of their gunners, after some deliberation, we +concluded to risk the reenforcement in preference of his going again +among the Indians. The garrison had at least a month's provisions; and, +if they could hold out, in the course of that time he might do us much +damage. + +A little before day the troops were withdrawn from their positions about +the fort, except a few parties of observation, and the firing totally +ceased. Orders were given, in case of Lamotte's approach, not to alarm +or fire on him without a certainty of killing or taking the whole. In +less than a quarter of an hour, he passed within ten feet of an officer +and a party that lay concealed. Ladders were flung over to them; and, as +they mounted them, our party shouted. Many of them fell from the top of +the walls,--some within, and others back; but, as they were not fired +on, they all got over, much to the joy of their friends. But, on +considering the matter, they must have been convinced that it was a +scheme of ours to let them in, and that we were so strong as to care but +little about them or the manner of their getting into the garrison. + +The firing immediately commenced on both sides with double vigor; and I +believe that more noise could not have been made by the same number of +men. Their shouts could not be heard for the fire-arms; but a continual +blaze was kept around the garrison, without much being done, until about +daybreak, when our troops were drawn off to posts prepared for them, +about sixty or seventy yards from the fort. A loophole then could +scarcely be darkened but a rifle-ball would pass through it. To have +stood to their cannon would have destroyed their men, without a +probability of doing much service. Our situation was nearly similar. It +would have been imprudent in either party to have wasted their men, +without some decisive stroke required it. + +Thus the attack continued until about nine o'clock on the morning of the +24th. Learning that the two prisoners they had brought in the day before +had a considerable number of letters with them, I supposed it an express +that we expected about this time, which I knew to be of the greatest +moment to us, as we had not received one since our arrival in the +country; and, not being fully acquainted with the character of our +enemy, we were doubtful that those papers might be destroyed, to prevent +which I sent a flag [with a letter] demanding the garrison.[446-5] + + * * * * * + +The firing then commenced warmly for a considerable time; and we were +obliged to be careful in preventing our men from exposing themselves too +much, as they were now much animated, having been refreshed during the +flag. They frequently mentioned their wishes to storm the place, and put +an end to the business at once. The firing was heavy through every crack +that could be discovered in any part of the fort. Several of the +garrison got wounded, and no possibility of standing near the +embrasures. Toward the evening a flag appeared with the following +proposals:-- + + "Lieutenant-governor Hamilton proposes to Colonel Clark a truce for + three days, during which time he promises there shall be no + defensive works carried on in the garrison, on condition that + Colonel Clark shall observe, on his part, a like cessation of any + defensive work,--that is, he wishes to confer with Colonel Clark as + soon as can be, and promises that whatever may pass between them + two and another person mutually agreed upon to be present shall + remain secret till matters be finished, as he wishes that, whatever + the result of the conference may be, it may tend to the honor and + credit of each party. If Colonel Clark makes a difficulty of coming + into the fort, Lieutenant-governor Hamilton will speak to him by + the gate. + + "(Signed) HENRY HAMILTON. + "24th February, 1779." + +I was at a great loss to conceive what reason Lieutenant-governor +Hamilton could have for wishing a truce of three days on such terms as +he proposed. Numbers said it was a scheme to get me into their +possession. I had a different opinion and no idea of his possessing such +sentiments, as an act of that kind would infallibly ruin him. Although +we had the greatest reason to expect a reenforcement in less than three +days, that would at once put an end to the siege, I yet did not think it +prudent to agree to the proposals, and sent the following answer:-- + + "Colonel Clark's compliments to Lieutenant-governor Hamilton, and + begs leave to inform him that he will not agree to any terms other + than Mr. Hamilton's surrendering himself and garrison prisoners at + discretion. If Mr. Hamilton is desirous of a conference with + Colonel Clark, he will meet him at the church with Captain Helm. + + "(Signed) G. R. C. + "February 24th, 1779." + +We met at the church, about eighty yards from the fort, +Lieutenant-governor Hamilton, Major Hay, superintendent of Indian +affairs, Captain Helm, their prisoner, Major Bowman, and myself. The +conference began. Hamilton produced terms of capitulation, signed, that +contained various articles, one of which was that the garrison should be +surrendered on their being permitted to go to Pensacola on parole. After +deliberating on every article, I rejected the whole. + +He then wished that I would make some proposition. I told him that I had +no other to make than what I had already made,--that of his surrendering +as prisoners at discretion. I said that his troops had behaved with +spirit; that they could not suppose that they would be worse treated in +consequence of it; that, if he chose to comply with the demand, though +hard, perhaps the sooner the better; that it was in vain to make any +proposition to me; that he, by this time, must be sensible that the +garrison would fall; that both of us must [view?] all blood spilt for +the future by the garrison as murder; that my troops were already +impatient, and called aloud for permission to tear down and storm the +fort. If such a step was taken, many, of course, would be cut down; and +the result of an enraged body of woodsmen breaking in must be obvious to +him. It would be out of the power of an American officer to save a +single man. + +Various altercation took place for a considerable time. Captain Helm +attempted to moderate our fixed determination. I told him he was a +British prisoner; and it was doubtful whether or not he could, with +propriety, speak on the subject. Hamilton then said that Captain Helm +was from that moment liberated, and might use his pleasure. I informed +the Captain that I would not receive him on such terms; that he must +return to the garrison, and await his fate. I then told +Lieutenant-governor Hamilton that hostilities should not commence until +five minutes after the drums gave the alarm. + +[Illustration: WE MET AT THE CHURCH] + +We took our leave, and parted but a few steps, when Hamilton stopped, +and politely asked me if I would be so kind as to give him my reasons +for refusing the garrison any other terms than those I had offered. I +told him I had no objections in giving him my real reasons, which were +simply these: that I knew the greater part of the principal Indian +partisans of Detroit were with him; that I wanted an excuse to put them +to death or otherwise treat them as I thought proper; that the cries of +the widows and the fatherless on the frontiers, which they had +occasioned, now required their blood from my hand; and that I did not +choose to be so timorous as to disobey the absolute commands of their +authority, which I looked upon to be next to divine; that I would rather +lose fifty men than not to empower myself to execute this piece of +business with propriety; that, if he chose to risk the massacre of his +garrison for their sakes, it was his own pleasure; and that I might, +perhaps, take it into my head to send for some of those widows to see it +executed. + +Major Hay paying great attention, I had observed a kind of distrust in +his countenance, which in a great measure influenced my conversation +during this time. On my concluding, "Pray, sir," said he, "who is it +that you call Indian partisans?" "Sir," I replied, "I take Major Hay to +be one of the principal." I never saw a man in the moment of execution +so struck as he appeared to be,--pale and trembling, scarcely able to +stand. Hamilton blushed, and, I observed, was much affected at his +behavior. Major Bowman's countenance sufficiently explained his disdain +for the one and his sorrow for the other. + +Some moments elapsed without a word passing on either side. From that +moment my resolutions changed respecting Hamilton's situation. I told +him that we would return to our respective posts; that I would +reconsider the matter, and let him know the result. No offensive +measures should be taken in the meantime. Agreed to; and we parted. What +had passed being made known to our officers, it was agreed that we +should moderate our resolutions. + +That afternoon the following articles were signed and the garrison +surrendered: + +I. Lieutenant-governor Hamilton engages to deliver up to Colonel Clark, +Fort Sackville, as it is at present, with all the stores, etc. + +II. The garrison are to deliver themselves as prisoners of war, and +march out with their arms and accoutrements, etc. + +III. The garrison to be delivered up at ten o'clock tomorrow. + +IV. Three days time to be allowed the garrison to settle their accounts +with the inhabitants and traders of this place. + +V. The officers of the garrison to be allowed their necessary baggage, +etc. + +Signed at Post St. Vincent (Vincennes), 24th of February, 1779. + +Agreed for the following reasons: the remoteness from succor; the state +and quantity of provisions, etc.; unanimity of officers and men in its +expediency; the honorable terms allowed; and, lastly, the confidence in +a generous enemy. + + (Signed) HENRY HAMILTON, + _Lieut.-Gov. and Superintendent._ + + * * * * * + +The business being now nearly at an end, troops were posted in several +strong houses around the garrison and patrolled during the night to +prevent any deception that might be attempted. The remainder on duty +lay on their arms, and for the first time for many days past got some +rest. + +During the siege, I got only one man wounded. Not being able to lose +many, I made them secure themselves well. Seven were badly wounded in +the fort through ports. + +Almost every man had conceived a favorable opinion of +Lieutenant-governor Hamilton,--I believe what affected myself made some +impression on the whole; and I was happy to find that he never deviated, +while he stayed with us, from that dignity of conduct that became an +officer in his situation. The morning of the 25th approaching, +arrangements were made for receiving the garrison [which consisted of +seventy-nine men], and about ten o'clock it was delivered in form; and +everything was immediately arranged to the best advantage.[452-7] + + +FOOTNOTES: + +[428-1] The first permanent settlement in Indiana was made on the Wabash +River 117 miles southwest of the present city of Indianapolis. On what +was originally the location of a prominent Indian village, the French +established a fort in 1702, and it was generally known as _The Post_. In +1736 the name of Vinsenne, an early commandant of the post, was applied +to the little settlement, and this name later came to be written +_Vincennes_, in its present form. + +The English took the place in 1763; in 1778 the weak English garrison +was driven out by the forerunners of George Rogers Clark, who from +Kaskaskia sent Captain Helm to take charge. The same winter Captain Helm +and the one soldier who constituted his garrison were compelled to +surrender to the British General, Hamilton, who had come from Detroit to +recapture the fort. It was in the following February that Clark made the +final capture as told in these memoirs. Thereafter Vincennes belonged to +Virginia, who ceded it to the United States in 1783. Vincennes was the +capital of Indiana territory from 1801 to 1816. + +[428-2] The selection is taken from General Clark's Memoirs. + +[431-3] These were men from Vincennes whom Clark had taken from canoes +and from whom he obtained much information, although it was not given +with perfect willingness. + +[437-4] It was said with some show of justice that General Hamilton had +paid the Indians a bounty on the scalps of American settlers. His course +in many ways had aroused the bitterest hatred among the colonists, and +especially among the "Big Knives." + +[446-5] The letter addressed to Lieutenant-governor Hamilton read as +follows: + +"SIR:--In order to save yourself from the impending storm that now +threatens you, I order you immediately to surrender yourself, with all +your garrison, stores, etc. For, if I am obliged to storm, you may +depend on such treatment as is justly due to a murderer. Beware of +destroying stores of any kind or any papers or letters that are in your +possession, or hurting one house in town: for, by heavens! if you do, +there shall be no mercy shown you. + + (Signed) G. R. CLARK." + +In reply the British officer sent the following: + +"Lieutenant-governor Hamilton begs leave to acquaint Colonel Clark that +he and his garrison are not disposed to be awed into any action unworthy +British subjects." + +[452-7] Clark was a man of action, not a scholar; and the errors of +which his writings are full may well be overlooked, so full of interest +is what he says. The selections above have been slightly changed, +principally, however, in spelling and the use of capital letters. + +Hamilton was sent in irons to Virginia and was kept in close +confinement, at Williamsburg, till nearly the end of the Revolution. +Washington wrote, as a reason for not exchanging the British prisoner, +that he "had issued proclamations and approved of practices, which were +marked with cruelty towards the people that fell into his hands, such as +inciting the Indians to bring in scalps, putting prisoners in irons, and +giving men up to be the victims of savage barbarity." + + + + +THREE SUNDAYS IN A WEEK + +_Adapted from_ EDGAR A. POE + + + NOTE.--The ingeniousness of the idea in this story marks it as + Poe's, though it lacks some of the characteristics which we expect + to find in everything that came from the brain of that most unusual + writer. Many of his poems and many of his most famous stories, such + as _Ligeia_, _The Fall of the House of Usher_, _Eleanora_ and _The + Masque of the Red Death_, have a fantastic horror about them which + is scarcely to be found in the writings of any other man. _The Gold + Bug_, which is included in Volume IX of this series is a + characteristic example of another type of Poe's stories; it shows + at its best his marvelous inventive power. + + _Three Sundays in a Week_, as given here, has been abridged + somewhat, though nothing that is essential to the story has been + omitted. + +"You hard-hearted, dunder-headed, obstinate, rusty, crusty, musty, +fusty, old savage!" said I, in fancy, one afternoon, to my granduncle, +Rumgudgeon, shaking my fist at him in imagination. Only in imagination. +The fact is, some trivial difference did exist, just then, between what +I said and what I had not the courage to say--between what I did and +what I had half a mind to do. + +The old porpoise, as I opened the drawing-room door, was sitting with +his feet upon the mantelpiece, making strenuous efforts to accomplish a +ditty. + +"My _dear_ uncle," said I, closing the door gently and approaching him +with the blandest of smiles, "you are always so very kind and +considerate, and have evinced your benevolence in so many--so very many +ways--that--that I feel I have only to suggest this little point to you +once more to make sure of your full acquiescence." + +"Hem!" said he, "good boy! go on!" + +"I am sure, my dearest uncle (you confounded old rascal!) that you have +no design really and seriously to oppose my union with Kate. This is +merely a joke of yours, I know--ha! ha! ha!--how very pleasant you are +at times." + +"Ha! ha! ha!" said he, "curse you! yes!" + +"To be sure--of course! I knew you were jesting. Now, uncle, all that +Kate and myself wish at present, is that you would oblige us--as regards +the _time_--you know, uncle--in short, when will it be most convenient +for yourself that the wedding shall--shall come off, you know?" + +"Come off, you scoundrel! what do you mean by that?--Better wait till it +goes on." + +"Ha! ha! ha!--he! he! he!--oh, that's good--oh, that's capital--such a +wit! But all we want, just now, you know, uncle, is that you should +indicate the time precisely." + +"Ah!--precisely?" + +"Yes, uncle--that is, if it would be quite agreeable to yourself." + +"Wouldn't it answer, Bobby, if I were to leave it at random--sometime +within a year or so, for example?--_must_ I say precisely?" + +"_If_ you please, uncle--precisely." + +"Well, then, Bobby, my boy--you're a fine fellow, aren't you?--since you +_will_ have the exact time, I'll--why, I'll oblige you for once." + +"Dear uncle!" + +[Illustration: "WELL, THEN, BOBBY, MY BOY"] + +"Hush, sir!" (drowning my voice)--"I'll oblige you for once. You shall +have my consent--and the _plum_, we mustn't forget the plum--let me see! +When shall it be? To-day's Sunday--isn't it! Well, then, you shall be +married precisely--_precisely_, now mind!--_when three Sundays come +together in a week_! Do you hear me, sir! What are you gaping at? I say, +you shall have Kate and her plum when three Sundays come together in a +week--but not _till_ then--you young scapegrace--not _till_ then, if I +die for it. You know me--_I'm a man of my word_--_now be off_!" Here he +grinned at me viciously, and I rushed from the room in despair. + +A very "fine old English gentleman" was my granduncle, Rumgudgeon, but, +unlike him of the song, he had his weak points. He was a little, pursy, +pompous, passionate, semi-circular somebody, with a red nose, a thick +skull, a long purse, and a strong sense of his own consequence. With the +best heart in the world, he contrived, through a predominate whim of +contradiction, to earn for himself, among those who only knew him +superficially, the character of a curmudgeon. Like many excellent +people, he seemed possessed with a spirit of tantalization, which might +easily, at a casual glance, be mistaken for malevolence. To every +request, a positive "No!" was his immediate answer; but in the end--in +the long, long end--there were exceedingly few requests which he +refused. Against all attacks upon his purse he made the most sturdy +defence; but the amount extorted from him at last, was generally in +direct ratio with the length of the siege and the stubbornness of the +resistance. In charity, no one gave more liberally, or with a worse +grace. + +For the fine arts, especially for the belles-lettres, he entertained a +profound contempt. Thus my own inkling for the Muses had excited his +entire displeasure. He assured me one day, when I asked him for a new +copy of Horace, that the translation of "_Poeta nascitur, non +fit_"[456-1] was "a nasty poet for nothing fit"--a remark which I took +in high dudgeon. His repugnance to the "humanities" had, also, much +increased of late, by an accidental bias in favor of what he supposed to +be natural science. Somebody had accosted him in the street, mistaking +him for a no less personage than Doctor Dubble L. Dee, the lecturer upon +quack physics. This set him off at a tangent; and just at the epoch of +this story, my granduncle, Rumgudgeon, was accessible and pacific only +upon the points which happened to chime in with the hobby he was riding. + +I had lived with the old gentleman all my life. My parents in dying had +bequeathed me to him as a rich legacy. I believe the old villain loved +me as his own child--nearly if not quite as well as he loved Kate--but +it was a dog's existence that he led me after all. From my first year +until my fifth, he obliged me with very regular floggings. From five to +fifteen, he threatened me, hourly, with the House of Correction. From +fifteen to twenty not a day passed in which he did not promise to cut me +off with a shilling. I was a sad dog it is true, but then it was a part +of my nature--a point of my faith. + +In Kate, however, I had a firm friend, and I knew it. She was a good +girl, and told me very sweetly that I might have her (plum and all) +whenever I could badger my granduncle, Rumgudgeon, into the necessary +consent. Poor girl! she was barely fifteen, and without this consent her +little amount in the funds was not come-at-able until five immeasurable +summers had "dragged their slow length along." What then to do? In vain +we besieged the old gentleman with importunities. It would have stirred +the indignation of Job himself to see how much like an old mouser he +behaved to us two little mice. In his heart he wished for nothing more +ardently than our union. He had made up his mind to this all along. In +fact he would have given ten thousand pounds from his own pocket (Kate's +plum was _her own_) if he could have invented anything like an excuse +for complying with our very natural wishes. But then we had been so +imprudent as to broach the matter ourselves. Not to oppose it under +the circumstances, I sincerely believe, was not in his power. + +[Illustration: "IN KATE, HOWEVER, I HAD A FIRM FRIEND"] + +My granduncle was, after his own fashion, a man of his word, no doubt. +The spirit of his vows he made no scruple of setting at naught, but the +letter was a bond inviolable. Now it was this peculiarity in his +disposition of which Kate's ingenuity enabled us one fine day, not long +after our interview in the drawing-room, to take a very unexpected +advantage. + +It happened then--so the Fates ordered it--that among the naval +acquaintances of my betrothed were two gentlemen who had just set foot +upon the shores of England, after a year's absence, each, in foreign +travel. In company with these gentlemen, Kate and I, preconcertedly, +paid uncle Rumgudgeon a visit on the afternoon of Sunday, October the +tenth--just three weeks after the memorable decision which had so +cruelly defeated our hopes. For about half an hour the conversation ran +upon ordinary topics; but at last we contrived, quite naturally, to give +it the following turn: + +_Capt. Pratt._ "Well, I have been absent just one year. Just one year +to-day, as I live--let me see! yes!--this is October the tenth. You +remember, Mr. Rumgudgeon, I called this day year, to bid you good-bye. +And by the way, it does seem something like a coincidence, does it +not--that our friend, Captain Smitherton, has been absent exactly a year +also, a year to-day?" + +_Smitherton._ "Yes! just one year to a fraction. You will remember, Mr. +Rumgudgeon, that I called with Captain Pratt on this very day last year, +to pay my parting respects." + +_Uncle._ "Yes, yes, yes--I remember it very well--very queer indeed! +Both of you gone just one year. A very strange coincidence indeed! Just +what Doctor Dubble L. Dee would denominate an extraordinary concurrence +of events. Doctor Dub--" + +_Kate_ (_interrupting_). "To be sure papa, it _is_ something strange; +but then Captain Pratt and Captain Smitherton didn't go altogether the +same route, and that makes a difference you know." + +_Uncle._ "I don't know any such thing, you hussy! How should I? I think +it only makes the matter more remarkable. Doctor Dubble L. Dee--" + +_Kate._ "Why, papa, Captain Pratt went round Cape Horn, and Captain +Smitherton doubled the Cape of Good Hope." + +_Uncle._ "Precisely! the one went east and the other went west, you +jade, and they have both gone quite round the world. By the bye, Doctor +Dub--" + +_Myself_ (_hurriedly_). "Captain Pratt, you must come and spend the +evening with us to-morrow--you and Smitherton--you can tell us all about +your voyage, and we'll have a game of whist, and--" + +_Pratt._ "Whist, my dear fellow--you forget. To-morrow will be Sunday. +Some other evening--" + +_Kate._ "Oh, no, fie!--Robert's not _quite_ so bad as that. _To-day's_ +Sunday." + +_Uncle._ "To be sure--to be sure." + +_Pratt._ "I beg both your pardons--but I can't be so much mistaken. I +know to-morrow's Sunday, because--" + +_Smitherton_ (_much surprised_). "What _are_ you all thinking about? +Wasn't _yesterday_ Sunday, I should like to know?" + +_All._ "Yesterday, indeed! you _are_ out!" + +_Uncle._ "To-day's Sunday, I say--don't I know?" + +_Pratt._ "Oh, no!--to-morrow's Sunday." + +_Smitherton._ "You are _all_ mad--every one of you. I am as positive +that yesterday was Sunday as I am that I sit upon this chair." + +_Kate_ (_jumping up eagerly_). "I see it--I see it all. Papa, this is a +judgment upon you, about--about you know what. Let me alone, and I'll +explain it all in a minute. It's a very simple thing, indeed. Captain +Smitherton says that yesterday was Sunday: so it was; he is right. +Cousin Bobby, and papa and I, say that to-day is Sunday: so it is, we +are right. Captain Pratt maintains that to-morrow will be Sunday: so it +will, he is right, too. The fact is, we are all right, and thus _three +Sundays have come together in a week_." + +_Smitherton_ (_after a pause_). "By the bye, Pratt, Kate has us +completely. What fools we two are! Mr. Rumgudgeon, the matter stands +thus: the earth, you know, is twenty-four thousand miles in +circumference. Now this globe turns upon its own axis--revolves--spins +around--these twenty-four thousand miles of extent, going from west to +east, in precisely twenty-four hours. Do you understand, Mr. +Rumgudgeon?" + +_Uncle._ "To be sure--to be sure. Doctor Dub--" + +_Smitherton_ (_drowning his voice_). "Well sir, that is at the rate of +one thousand miles per hour. Now, suppose that I sail from this position +a thousand miles east. Of course I anticipate the rising of the sun here +at London by just one hour. I see the sun rise one hour before you do. +Proceeding, in the same direction, yet another thousand miles, I +anticipate the rising by two hours--another thousand, and I anticipate +it by three hours, and so on, until I go entirely round the globe, and +back to this spot, when having gone twenty-four thousand miles east, I +anticipate the rising of the London sun by no less than twenty-four +hours; that is to say, I am a day _in advance_ of your time. Understand, +eh?" + +_Uncle._ "But Dubble L. Dee--" + +_Smitherton_ (_speaking very loud_). "Captain Pratt, on the contrary, +when he had sailed a thousand miles west of this position, was an hour, +and when he had sailed twenty-four thousand miles west was twenty-four +hours, or one day, _behind_ the time at London. Thus, with me, yesterday +was Sunday--thus with you, to-day is Sunday--and thus with Pratt, +to-morrow will be Sunday. And what is more, Mr. Rumgudgeon, it is +positively clear that that we are _all right_; for there can be no +philosophical reason assigned why the idea of one of us should have +preference over that of the other." + +_Uncle._ "My eyes!--well, Kate--well Bobby!--this _is_ a judgment upon +me as you say. But I am a man of my word--_mark that_! You shall have +her, my boy (plum and all), when you please. Done up, by Jove! Three +Sundays in a row! I'll go and take Dubble L. Dee's opinion upon _that_." + + +FOOTNOTES: + +[456-1] A poet is born, not made. + + + + +THE MODERN BELLE + +_By_ STARK + + + She sits in a fashionable parlor, + And rocks in her easy chair; + She is clad in silks and satins, + And jewels are in her hair; + She winks and giggles and simpers, + And simpers and giggles and winks; + And though she talks but little, + 'Tis a good deal more than she thinks. + + She lies abed in the morning + Till nearly the hour of noon, + Then comes down snapping and snarling + Because she was called so soon; + Her hair is still in papers, + Her cheeks still fresh with paint,-- + Remains of her last night's blushes, + Before she intended to faint. + + She dotes upon men unshaven, + And men with "flowing hair;" + She's eloquent over mustaches, + They give such a foreign air. + She talks of Italian music, + And falls in love with the moon; + And, if a mouse were to meet her, + She would sink away in a swoon. + + Her feet are so very little, + Her hands are so very white, + Her jewels so very heavy, + And her head so very light; + Her color is made of cosmetics + (Though this she will never own), + Her body is made mostly of cotton, + Her heart is made wholly of stone. + + She falls in love with a fellow + Who swells with a foreign air; + He marries her for her money, + She marries him for his hair! + One of the very best matches,-- + Both are well mated in life; + _She's got a fool for a husband, + He's got a fool for a wife_! + + + + +WIDOW MACHREE + +_By_ SAMUEL LOVER + + + Widow machree, it's no wonder you frown,-- + Och hone! widow machree; + Faith, it ruins your looks, that same dirty black gown,-- + Och hone! widow machree. + How altered your air, + With that close cap you wear,-- + 'Tis destroying your hair, + Which should be flowing free; + Be no longer a churl + Of its black silken curl,-- + Och hone! widow machree! + + Widow machree, now the summer is come,-- + Och hone! widow machree, + When everything smiles, should a beauty look glum? + Och hone! widow machree! + See the birds go in pairs, + And the rabbits and hares; + Why, even the bears + Now in couples agree; + And the mute little fish, + Though they can't spake, they wish,-- + Och hone! widow machree. + +[Illustration: FAITH, I WISH YOU'D TAKE ME!] + + Widow machree, and when winter comes in,-- + Och hone! widow machree,-- + To be poking the fire all alone is a sin, + Och hone! widow machree. + Sure the shovel and tongs + To each other belongs, + And the kettle sings songs + Full of family glee; + While alone with your cup + Like a hermit you sup, + Och hone! widow machree. + + And how do you know, with the comforts I've towld,-- + Och hone! widow machree,-- + But you're keeping some poor fellow out in the cowld, + Och hone! widow machree! + With such sins on your head, + Sure your peace would be fled; + Could you sleep in your bed + Without thinking to see + Some ghost or some sprite, + That would wake you each night, + Crying "Och hone! widow machree!" + + Then take my advice, darling widow machree,-- + Och hone! widow machree,-- + And with my advice, Faith, I wish you'd take me, + Och hone! widow machree! + You'd have me to desire + Then to stir up the fire; + And sure hope is no liar + In whispering to me, + That the ghosts would depart + When you'd me near your heart,-- + Och hone! widow machree! + + + + +LIMESTONE BROTH + +_By_ GERALD GRIFFIN + + +"My father went once upon a time about the country, in the idle season, +seeing if he could make a penny at all by cutting hair or setting +rashurs or pen-knives, or any other job that would fall in his way. + +Weel an' good--he was one day walking alone in the mountains of Kerry, +without a ha'p'ny in his pocket (for though he traveled afoot, it cost +him more than he earned), an' knowing there was but little love for a +County Limerick man in the place where he was, an' being half perished +with the hunger, an' evening drawing nigh, he didn't know well what to +do with himself till morning. + +Very good--he went along the wild road; an' if he did, he soon sees a +farmhouse at a little distance o' one side--a snug-looking place, with +the smoke curling up out of the chimney, an' all tokens of good living +inside. Well, some people would live where a fox would starve. + +What do you think did my father do? He wouldn't beg (a thing one of our +people never done yet, thank heaven!) an' he hadn't the money to buy a +thing, so what does he do? He takes up a couple o' the big limestones +that were lying in the road, in his two hands, an' away with him to the +house. + +[Illustration: HE SOON SEES A FARMHOUSE AT A LITTLE DISTANCE] + +'Lord save all here!' says he, walking in the door. + +'And you kindly,' says they. + +'I'm come to you,' says he, this way, looking at the two limestones, 'to +know would ye let me make a little limestone broth over your fire, until +I'll make my dinner?' + +'Limestone broth!' says they to him again: 'what's that, _aroo_?' + +'Broth made of limestone,' says he; 'what else?' + +'We never heard of such a thing,' says they. + +'Why, then, you may hear it now,' says he, 'an' see it also, if you'll +gi' me a pot an' a couple o' quarts o' soft water.' + +'You can have it an' welcome,' says they. + +So they put down the pot an' the water, an' my father went over an' tuk +a chair hard by the pleasant fire for himself, an' put down his two +limestones to boil, an' kept stirrin' them round like stir-about. + +Very good--well, by-an'-by, when the wather began to boil--''Tis +thickening finely,' says my father; 'now if it had a grain o' salt at +all, 'twould be a great improvement to it.' + +'Raich down the salt-box, Nell,' says the man o' the house to his wife. +So she did. + +'Oh, that's the very thing, just,' says my father, shaking some of it +into the pot. So he stirred it again a while, looking as sober as a +minister. By-an'-by he takes the spoon he had stirring it an' tastes it. + +'It is very good now,' says he, 'altho' it wants something yet.' + +'What is it?' says they. + +'Oyeh, wisha nothin',' says he; 'maybe 't is only fancy o' me.' + +'If it's anything we can give you,' says they, 'you're welcome to it.' + +''Tis very good as it is,' says he; 'but when I'm at home, I find it +gives it a fine flavor just to boil a little knuckle o' bacon, or mutton +trotters, or anything that way along with it.' + +'Raich hether that bone o' sheep's head we had at dinner yesterday, +Nell,' says the man o' the house. + +'Oyeh, don't mind it,' says my father; 'let it be as it is.' + +'Sure if it improves it, you may as well,' says they. + +'Baithershin!' says my father, putting it down. + +So after boiling it a good piece longer, ''Tis fine limestone broth,' +says he, 'as ever was tasted, and if a man had a few piatez,' says he, +looking at a pot o' them that was smoking in the chimney corner, 'he +couldn't desire a better dinner.' + +They gave him the piatez, and he made a good dinner of themselves and +the broth, not forgetting the bone, which he polished equal to chaney +before he let it go. The people themselves tasted it, an' tho't it as +good as any mutton broth in the world." + + + + +THE KNOCKOUT + +_Adapted From The Autobiography of_ DAVY CROCKETT + + +One day as I was walking through the woods, I came to a clearing on a +hillside, and as I climbed the slope I was startled by loud, profane and +boisterous voices which seemed to proceed from a thick cover of +undergrowth about two hundred yards in advance of me. + +"You kin, kin you?" + +"Yes I kin and I'm able to do it! Boo-oo-oo!--O wake snakes, brimstone +and fire! Don't hold me, Nick Stoval; the fight's made up and I'll jump +down your throat before you kin say 'quit.'" + +"Now Nick, don't hold him! Just let the wildcat come, and I'll tame him. +Ned'll see me a fair fight, won't you Ned?" + +"O yes, I'll see you a fair fight; blast my old shoes if I don't." + +"That's sufficient, as Tom Haines said when he saw the elephant; now let +him come." + +Thus they went on with countless oaths and with much that I could not +distinctly hear. In mercy's name, I thought, what a band of ruffians is +at work here. I quickened my gait and had come nearly opposite the thick +grove, whence the noises proceeded, when my eye caught, indistinctly +through the foliage of the scrub oaks and hickories that intervened, +glimpses of a man or men who seemed to be in a violent struggle. +Occasionally, too, I could catch those deep-drawn, emphatic oaths which +men utter when they deal heavy blows in conflict. As I was hurrying to +the spot, I saw the combatants fall to the ground, and after a short +struggle I saw the uppermost one (for I could not see the others) make a +heavy plunge with both his thumbs. At the same instant I heard a cry in +the accent of keenest torture--"Enough, my eye is out." + +For a moment I stood completely horror-struck. The accomplices in this +brutal deed had apparently all fled at my approach, for not a one was to +be seen. + +"Now blast your corn-shucking soul," said the victor, a lad of about +eighteen, as he arose from the ground, "come cuttin' your shines 'bout +me agin next time I come to the court-house will you? Get your owl-eye +in agin if you kin." + +At this moment he saw me for the first time. He looked frightened and +was about to run away when I called out--"Come back, you brute, and help +me relieve the poor critter you have ruined forever." + +Upon this rough salutation he stopped, and with a taunting curl of the +nose, replied. "You needn't kick before you're spurred. There an't +nobody here nor han't been, nuther. I was just seeing how I could have +fout." So saying, he pointed to his plow, which stood in the corner of +the fence about fifty yards from the battle ground. Would any man in his +senses believe that a rational being could make such a fool of himself? +All that I had heard and seen was nothing more nor less than a rehearsal +of a knock-down and drag-out fight in which the young man had played all +the parts for his own amusement. I went to the ground from which he had +risen, and there were the prints of his two thumbs plunged up to the +balls in the mellow earth, and the ground around was broken up as if two +stags had been fighting on it. + +As I resumed my journey, I laughed outright at this adventure, for it +reminded me of Andrew Jackson's attack on the United States bank. He had +magnified it into a monster and then began to swear and gouge until he +thought he had the monster on his back, and when the fight was over and +he got up to look for his enemy, he could find none anywhere. + +[Illustration] + + + + +THE COUNTRY SQUIRE + +_Translated From The Spanish of_ THOMAS YRIARTE + + + A country squire of greater wealth than wit + (For fools are often blessed with fortune's smile), + Had built a splendid house and furnished it + In splendid style. + + "One thing is wanting," said a friend; "for though + The rooms are fine, the furniture profuse, + You lack a library, dear sir, for show, + If not for use." + + "'Tis true, but zounds!" replied the squire with glee, + "The lumber-room in yonder northern wing + (I wonder I ne'er thought of it) will be + The very thing. + + "I'll have it fitted up without delay + With shelves and presses of the newest mode, + And rarest wood, befitting every way + A squire's abode. + + "And when the whole is ready, I'll dispatch + My coachman--a most knowing fellow--down + To buy me, by admeasurement, a batch + Of books in town." + + But ere the library was half supplied + With all its pomps of cabinet and shelf, + The booby squire repented him, and cried + Unto himself: + + "This room is much more roomy than I thought; + Ten thousand volumes hardly would suffice + To fill it, and would cost, however bought, + A plaguey price. + +[Illustration: THE SQUIRE'S LIBRARY] + + "Now, as I only want them for their looks, + It might, on second thoughts, be just as good, + And cost me next to nothing, if the books + Were made of wood. + + "It shall be so, I'll give the shaven deal + A coat of paint--a colorable dress, + To look like calf or vellum and conceal + Its nakedness. + + "And, gilt and lettered with the author's name, + Whatever is most excellent and rare + Shall be, or seem to be ('tis all the same), + Assembled there." + + The work was done, the simulated hoards + Of wit and wisdom round the chamber stood, + In binding some; and some, of course, in _boards_ + Where all were wood. + + From bulky folios down to slender twelves + The choicest tomes, in many an even row + Displayed their lettered backs upon the shelves, + A goodly show. + + With such a stock as seemingly surpassed + The best collections ever formed in Spain, + What wonder if the owner grew at last + Supremely vain? + + What wonder, as he paced from shelf to shelf + And conned their titles, that the squire began, + Despite his ignorance, to think himself + A learned man? + + Let every amateur, who merely looks + To backs and binding, take the hint, and sell + His costly library--_for painted books + Would serve as well_. + + Poetry means more to us and we get more enjoyment from reading it + when we understand some of the difficulties that the poet has in + writing it and can recognize those things which make it poetry in + form. + + For instance, you will notice in the poem which we have just read + that every stanza has four lines; that, in printing, the first and + third lines begin close to the margin, while the second and fourth + lines begin a little farther in on the page--that is, they are + _indented_. Now if you will look at the ends of the lines you will + see that the words with which the first and third lines terminate + are in rhyme, and that the words with which the second and fourth + lines terminate are in rhyme. In other words, the indentation at + beginning of lines in poetry calls attention to the rhymes. + + It is true throughout _The Country Squire_ that every pair of lines + taken alternately ends in rhymes which are perfect or nearly so. + Now a perfect rhyme is one in which the two rhyming syllables are + both accented, the vowel sound and the consonants which follow the + vowels are identical, and the sounds preceding the vowel are + different. For instance, the words _smile_ and _style_ rhyme. Both + of these are monosyllables and hence accented. The vowel sound is + the long sound of _i_; the consonant sound of _l_ follows. The + sounds preceding the _i_ are similar but not identical, represented + by _sm_ in the first case and _st_ in the second. In the fifth + stanza the first line ends with the word _dispatch_, the third with + the word _batch_. This rhyme is perfect, because the accent on the + word _dispatch_ is naturally on the second syllable. In the ninth + stanza the word _dress_ is made to rhyme with _nakedness_. This is + not strictly perfect, for the natural accent of _nakedness_ is on + the first syllable. + + It may be interesting for beginners to work out the rhyme scheme of + a poem and write it down. This is very easily done. Take the first + stanza in _The Country Squire_. Represent the rhyming syllable of + the first line by _a_, the rhyming syllable of the second line by + _b_. It follows then that the rhyming syllable of the third line + must be represented by _a_, and the rhyming syllable of the fourth + line by _b_. Writing these letters in succession we have the + nonsense word _abab_, which will always stand for stanzas of this + kind. If you are interested in this turn to the studies at the end + of the next poem, _To My Infant Son_. + + + + +TO MY INFANT SON + +_By_ Thomas Hood + + + Thou happy, happy elf! + (But stop, first let me kiss away that tear,) + Thou tiny image of myself! + (My love, he's poking peas into his ear,) + Thou merry, laughing sprite, + With spirits, feather light, + Untouched by sorrow, and unsoiled by sin; + (My dear, the child is swallowing a pin!) + + Thou little tricksy Puck! + With antic toys so funnily bestuck, + Light as the singing bird that rings the air,-- + (The door! the door! he'll tumble down the stair!) + Thou darling of thy sire! + (Why, Jane, he'll set his pinafore afire!) + Thou imp of mirth and joy! + In love's dear chain so bright a link, + Thou idol of thy parents;--(Drat the boy! + There goes my ink.) + + Thou cherub, but of earth; + Fit playfellow for fairies, by moonlight pale, + In harmless sport and mirth, + (That dog will bite him, if he pulls his tail!) + Thou human humming-bee, extracting honey + From every blossom in the world that blows, + Singing in youth's Elysium ever sunny,-- + (Another tumble! That's his precious nose!) + + Thy father's pride and hope! + (He'll break that mirror with that skipping rope!) + With pure heart newly stamped from nature's mint, + (Where did he learn that squint?) + Thou young domestic dove! + (He'll have that ring off with another shove,) + +[Illustration: "THERE GOES MY INK!"] + + Dear nursling of the hymeneal nest! + (Are these torn clothes his best?) + Little epitome of man! + (He'll climb upon the table, that's his plan,) + Touched with the beauteous tints of dawning life, + (He's got a knife!) + + Thou enviable being! + No storms, no clouds, in thy blue sky foreseeing, + Play on, play on, + My elfin John! + Toss the light ball, bestride the stick,-- + (I knew so many cakes would make him sick!) + With fancies buoyant as the thistle-down, + Prompting the face grotesque, and antic brisk, + With many a lamb-like frisk! + (He's got the scissors snipping at your gown!) + Thou pretty opening rose! + (Go to your mother, child, and wipe your nose!) + Balmy and breathing music like the south + (He really brings my heart into my mouth!) + Bold as a hawk, yet gentle as the dove; + (I'll tell you what, my love, + I cannot write unless he's sent above.) + + The stanzas of this poem vary considerably in length, but it will + be interesting to examine them according to the plans suggested at + the end of the preceding poem, _The Country Squire_. The first + stanza here has eight lines, the first four of them rhyming + alternately in pairs, the next four in couplets. If now we apply + the plan that is suggested for writing out the rhyme scheme, the + word for the first stanza is _ababccdd_. + + The second stanza has ten lines. Its rhyme scheme is evidently + quite different, for here the first six lines rhyme in couplets and + the last four alternately in pairs. The word to represent such a + scheme is _aabbccdede_. + + Can you write out the words which will represent the rhyme scheme + in the other stanzas in this poem? + + Find the other poems in this book and write out the rhyme scheme + for them. Notice that in most poems the stanzas have the same + number of lines, and that the rhyme scheme of one stanza is just + like that of another. Take the other books in this series and turn + to the poems, find what an endless variety of rhymes there is and + how the scheme differs in different poems. + + + + +PRONUNCIATION OF PROPER NAMES + + +NOTE.--The pronunciation of difficult words is indicated by respelling +them phonetically. _N_ is used to indicate the French nasal sound; _K_ +the sound of _ch_ in German; _ue_ the sound of the German _ue_, and French +_u_; _oe_ the sound of _oe_ in foreign languages. + + ALGIDUS, _al' ji dus_ + + ANJOU, _oN'' zhoo'_ + + ATHELSTANE, _ath' el stane_ + + BANGWEOLO, _bang'' we o' lo_ + + BECHUANALAND, _beck'' oo ah' na land_ + + BOIS-GUILBERT, BRIAN DE, _bwah geel bayr'_, _bre oN' deh_ + + CEDRIC, _ked' rick_, or _sed' rick_ + + CHALDEA, _kal de' ah_ + + CHARGE D'AFFAIRES, _shahr'' zhay' daf fayr'_ + + CHIAJA, _kyah' ya_ + + FALERII, _fah le' ry i_ + + FRONT-DE-BOEUF, _froN deh beuf'_ + + GIBAULT, _zhee bo'_ + + KHIVA, _ke' vah_ + + LIGEIA, _li je' yah_ + + MAISONVILLE, _may'' zoN veel'_ + + MALVOISIN, _mal vwah saN'_ + + MARESCHAL, _mahr' shal_ + + MASSOUEY, _mas su' y_ + + NAOMI, _nay o' mi_ + + NGAMI, _ngah' me_ + + NICARAGUA, _nee'' kar ah' gwah_ + + ONEIDA, _o ni' dah_ + + PSALMS, _sahms_ + + RAKSH, _rahksh_ + + ROWENA, _ro e' na_ + + RUSTUM, _roos' tum_ + + SAGA, _say' gah_ + + SEIUS, _se' yus_ + + SEISTAN, _says' tahn_ + + SENNACHERIB, _sen nak' e rib_ + + SOHRAB, _so' rahb_ + + TARPEIAN, _tahr pe' yan_ + + TONGRES, _toN' gr'_ + + VELASQUEZ, _vay lahs' kayth_ + + VENEZUELA, _ven e zwe' lah_ + + VINCENNES, _vin senz'_ + + YRIARTE, _e re ahr' tay_ + + ZOUCHE, _zooch_ + + + + + ix Babocck changed to Babcock + Plate facing p. 30 Abbottsford changed to Abbotsford + 37 glady changed to gladly + 45 Saxon, Rowena. changed to Saxon, Rowena." + 60 avow-himself changed to avow himself + 76 occupy. "Ladies," changed to occupy. Ladies," + 86 puting changed to putting + 106 burden?" changed to burden? + 108 landingplace changed to landing-place + 161 carelessnesss changed to carelessness + 172 "It is yours changed to 'It is yours + 174 Aber-baijan changed to Ader-baijan + 182 Gudruz changed to Gudurz + 196, fn. 23 indentification changed to identification + 221 Engand changed to England + 264 its breast!" changed to its breast! + 308 with Chrismas holly changed to with Christmas holly + 345 hear me! changed to "hear me! + 352 footsool changed to footstool + 356 Chrismas Eve the mass changed to Christmas Eve the mass + 363, fn. 13 line means. changed to line means, + 363, fn. 15 ascent to to changed to ascent to + 363, fn. 15 Now. gentlemen changed to Now, gentlemen + 368 woful-wan changed to woeful-wan + 432 well acount for changed to well account for + 451 and patroled during changed to and patrolled during + 452 bady changed to badly + 460 Why, papa changed to "Why, papa + + Inconsistent hyphenation and spelling + + blindman's-buff / blind-man's buff + candle-light / candlelight + eye-brows / eyebrows + farm-house / farmhouse + fellow-men / fellowmen + fore-feet / forefeet + home-made / homemade + house-tops / housetops + look-out / lookout + on-looking / onlooking + plow-man / plowman + sea-weed / seaweed + snuff-box / snuffbox + to-morrow / tomorrow + wild-cat / wildcat + + + + + +End of the Project Gutenberg EBook of Journeys Through Bookland, Vol. 6, by +Charles H. Sylvester + +*** END OF THIS PROJECT GUTENBERG EBOOK JOURNEYS THROUGH BOOKLAND, VOL. 6 *** + +***** This file should be named 21864.txt or 21864.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/1/8/6/21864/ + +Produced by Juliet Sutherland, Julia Miller, and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/21864.zip b/21864.zip Binary files differnew file mode 100644 index 0000000..b898dbc --- /dev/null +++ b/21864.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..99f3b63 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #21864 (https://www.gutenberg.org/ebooks/21864) |
