1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087
2088
2089
2090
2091
2092
2093
2094
2095
2096
2097
2098
2099
2100
2101
2102
2103
2104
2105
2106
2107
2108
2109
2110
2111
2112
2113
2114
2115
2116
2117
2118
2119
2120
2121
2122
2123
2124
2125
2126
2127
2128
2129
2130
2131
2132
2133
2134
2135
2136
2137
2138
2139
2140
2141
2142
2143
2144
2145
2146
2147
2148
2149
2150
2151
2152
2153
2154
2155
2156
2157
2158
2159
2160
2161
2162
2163
2164
2165
2166
2167
2168
2169
2170
2171
2172
2173
2174
2175
2176
2177
2178
2179
2180
2181
2182
2183
2184
2185
2186
2187
2188
2189
2190
2191
2192
2193
2194
2195
2196
2197
2198
2199
2200
2201
2202
2203
2204
2205
2206
2207
2208
2209
2210
2211
2212
2213
2214
2215
2216
2217
2218
2219
2220
2221
2222
2223
2224
2225
2226
2227
2228
2229
2230
2231
2232
2233
2234
2235
2236
2237
2238
2239
2240
2241
2242
2243
2244
2245
2246
2247
2248
2249
2250
2251
2252
2253
2254
2255
2256
2257
2258
2259
2260
2261
2262
2263
2264
2265
2266
2267
2268
2269
2270
2271
2272
2273
2274
2275
2276
2277
2278
2279
2280
2281
2282
2283
2284
2285
2286
2287
2288
2289
2290
2291
2292
2293
2294
2295
2296
2297
2298
2299
2300
2301
2302
2303
2304
2305
2306
2307
2308
2309
2310
2311
2312
2313
2314
2315
2316
2317
2318
2319
2320
2321
2322
2323
2324
2325
2326
2327
2328
2329
2330
2331
2332
2333
2334
2335
2336
2337
2338
2339
2340
2341
2342
2343
2344
2345
2346
2347
2348
2349
2350
2351
2352
2353
2354
2355
2356
2357
2358
2359
2360
2361
2362
2363
2364
2365
2366
2367
2368
2369
2370
2371
2372
2373
2374
2375
2376
2377
2378
2379
2380
2381
2382
2383
2384
2385
2386
2387
2388
2389
2390
2391
2392
2393
2394
2395
2396
2397
2398
2399
2400
2401
2402
2403
2404
2405
2406
2407
2408
2409
2410
2411
2412
2413
2414
2415
2416
2417
2418
2419
2420
2421
2422
2423
2424
2425
2426
2427
2428
2429
2430
2431
2432
2433
2434
2435
2436
2437
2438
2439
2440
2441
2442
2443
2444
2445
2446
2447
2448
2449
2450
2451
2452
2453
2454
2455
2456
2457
2458
2459
2460
2461
2462
2463
2464
2465
2466
2467
2468
2469
2470
2471
2472
2473
2474
2475
2476
2477
2478
2479
2480
2481
2482
2483
2484
2485
2486
2487
2488
2489
2490
2491
2492
2493
2494
2495
2496
2497
2498
2499
2500
2501
2502
2503
2504
2505
2506
2507
2508
2509
2510
2511
2512
2513
2514
2515
2516
2517
2518
2519
2520
2521
2522
2523
2524
2525
2526
2527
2528
2529
2530
2531
2532
2533
2534
2535
2536
2537
2538
2539
2540
2541
2542
2543
2544
2545
2546
2547
2548
2549
2550
2551
2552
2553
2554
2555
2556
2557
2558
2559
2560
2561
2562
2563
2564
2565
2566
2567
2568
2569
2570
2571
2572
2573
2574
2575
2576
2577
2578
2579
2580
2581
2582
2583
2584
2585
2586
2587
2588
2589
2590
2591
2592
2593
2594
2595
2596
2597
2598
2599
2600
2601
2602
2603
2604
2605
2606
2607
2608
2609
2610
2611
2612
2613
2614
2615
2616
2617
2618
2619
2620
2621
2622
2623
2624
2625
2626
2627
2628
2629
2630
2631
2632
2633
2634
2635
2636
2637
2638
2639
2640
2641
2642
2643
2644
2645
2646
2647
2648
2649
2650
2651
2652
2653
2654
2655
2656
2657
2658
2659
2660
2661
2662
2663
2664
2665
2666
2667
2668
2669
2670
2671
2672
2673
2674
2675
2676
2677
2678
2679
2680
2681
2682
2683
2684
2685
2686
2687
2688
2689
2690
2691
2692
2693
2694
2695
2696
2697
2698
2699
2700
2701
2702
2703
2704
2705
2706
2707
2708
2709
2710
2711
2712
2713
2714
2715
2716
2717
2718
2719
2720
2721
2722
2723
2724
2725
2726
2727
2728
2729
2730
2731
2732
2733
2734
2735
2736
2737
2738
2739
2740
2741
2742
2743
2744
2745
2746
2747
2748
2749
2750
2751
2752
2753
2754
2755
2756
2757
2758
2759
2760
2761
2762
2763
2764
2765
2766
2767
2768
2769
2770
2771
2772
2773
2774
2775
2776
2777
2778
2779
2780
2781
2782
2783
2784
2785
2786
2787
2788
2789
2790
2791
2792
2793
2794
2795
2796
2797
2798
2799
2800
2801
2802
2803
2804
2805
2806
2807
2808
2809
2810
2811
2812
2813
2814
2815
2816
2817
2818
2819
2820
2821
2822
2823
2824
2825
2826
2827
2828
2829
2830
2831
2832
2833
2834
2835
2836
2837
2838
2839
2840
2841
2842
2843
2844
2845
2846
2847
2848
2849
2850
2851
2852
2853
2854
2855
2856
2857
2858
2859
2860
2861
2862
2863
2864
2865
2866
2867
2868
2869
2870
2871
2872
2873
2874
2875
2876
2877
2878
2879
2880
2881
2882
2883
2884
2885
2886
2887
2888
2889
2890
2891
2892
2893
2894
2895
2896
2897
2898
2899
2900
2901
2902
2903
2904
2905
2906
2907
2908
2909
2910
2911
2912
2913
2914
2915
2916
2917
2918
2919
2920
2921
2922
2923
2924
2925
2926
2927
2928
2929
2930
2931
2932
2933
2934
2935
2936
2937
2938
2939
2940
2941
2942
2943
2944
2945
2946
2947
2948
2949
2950
2951
2952
2953
2954
2955
2956
2957
2958
2959
2960
2961
2962
2963
2964
2965
2966
2967
2968
2969
2970
2971
2972
2973
2974
2975
2976
2977
2978
2979
2980
2981
2982
2983
2984
2985
2986
2987
2988
2989
2990
2991
2992
2993
2994
2995
2996
2997
2998
2999
3000
3001
3002
3003
3004
3005
3006
3007
3008
3009
3010
3011
3012
3013
3014
3015
3016
3017
3018
3019
3020
3021
3022
3023
3024
3025
3026
3027
3028
3029
3030
3031
3032
3033
3034
3035
3036
3037
3038
3039
3040
3041
3042
3043
3044
3045
3046
3047
3048
3049
3050
3051
3052
3053
3054
3055
3056
3057
3058
3059
3060
3061
3062
3063
3064
3065
3066
3067
3068
3069
3070
3071
3072
3073
3074
3075
3076
3077
3078
3079
3080
3081
3082
3083
3084
3085
3086
3087
3088
3089
3090
3091
3092
3093
3094
3095
3096
3097
3098
3099
3100
3101
3102
3103
3104
3105
3106
3107
3108
3109
3110
3111
3112
3113
3114
3115
3116
3117
3118
3119
3120
3121
3122
3123
3124
3125
3126
3127
3128
3129
3130
3131
3132
3133
3134
3135
3136
3137
3138
3139
3140
3141
3142
3143
3144
3145
3146
3147
3148
3149
3150
3151
3152
3153
3154
3155
3156
3157
3158
3159
3160
3161
3162
3163
3164
3165
3166
3167
3168
3169
3170
3171
3172
3173
3174
3175
3176
3177
3178
3179
3180
3181
3182
3183
3184
3185
3186
3187
3188
3189
3190
3191
3192
3193
3194
3195
3196
3197
3198
3199
3200
3201
3202
3203
3204
3205
3206
3207
3208
3209
3210
3211
3212
3213
3214
3215
3216
3217
3218
3219
3220
3221
3222
3223
3224
3225
3226
3227
3228
3229
3230
3231
3232
3233
3234
3235
3236
3237
3238
3239
3240
3241
3242
3243
3244
3245
3246
3247
3248
3249
3250
3251
3252
3253
3254
3255
3256
3257
3258
3259
3260
3261
3262
3263
3264
3265
3266
3267
3268
3269
3270
3271
3272
3273
3274
3275
3276
3277
3278
3279
3280
3281
3282
3283
3284
3285
3286
3287
3288
3289
3290
3291
3292
3293
3294
3295
3296
3297
3298
3299
3300
3301
3302
3303
3304
3305
3306
3307
3308
3309
3310
3311
3312
3313
3314
3315
3316
3317
3318
3319
3320
3321
3322
3323
3324
3325
3326
3327
3328
3329
3330
3331
3332
3333
3334
3335
3336
3337
3338
3339
3340
3341
3342
3343
3344
3345
3346
3347
3348
3349
3350
3351
3352
3353
3354
3355
3356
3357
3358
3359
3360
3361
3362
3363
3364
3365
3366
3367
3368
3369
3370
3371
3372
3373
3374
3375
3376
3377
3378
3379
3380
3381
3382
3383
3384
3385
3386
3387
3388
3389
3390
3391
3392
3393
3394
3395
3396
3397
3398
3399
3400
3401
3402
3403
3404
3405
3406
3407
3408
3409
3410
3411
3412
3413
3414
3415
3416
3417
3418
3419
3420
3421
3422
3423
3424
3425
3426
3427
3428
3429
3430
3431
3432
3433
3434
3435
3436
3437
3438
3439
3440
3441
3442
3443
3444
3445
3446
3447
3448
3449
3450
3451
3452
3453
3454
3455
3456
3457
3458
3459
3460
3461
3462
3463
3464
3465
3466
3467
3468
3469
3470
3471
3472
3473
3474
3475
3476
3477
3478
3479
3480
3481
3482
3483
3484
3485
3486
3487
3488
3489
3490
3491
3492
3493
3494
3495
3496
3497
3498
3499
3500
3501
3502
3503
3504
3505
3506
3507
3508
3509
3510
3511
3512
3513
3514
3515
3516
3517
3518
3519
3520
3521
3522
3523
3524
3525
3526
3527
3528
3529
3530
3531
3532
3533
3534
3535
3536
3537
3538
3539
3540
3541
3542
3543
3544
3545
3546
3547
3548
3549
3550
3551
3552
3553
3554
3555
3556
3557
3558
3559
3560
3561
3562
3563
3564
3565
3566
3567
3568
3569
3570
3571
3572
3573
3574
3575
3576
3577
3578
3579
3580
3581
3582
3583
3584
3585
3586
3587
3588
3589
3590
3591
3592
3593
3594
3595
3596
3597
3598
3599
3600
3601
3602
3603
3604
3605
3606
3607
3608
3609
3610
3611
3612
3613
3614
3615
3616
3617
3618
3619
3620
3621
3622
3623
3624
3625
3626
3627
3628
3629
3630
3631
3632
3633
3634
3635
3636
3637
3638
3639
3640
3641
3642
3643
3644
3645
3646
3647
3648
3649
3650
3651
3652
3653
3654
3655
3656
3657
3658
3659
3660
3661
3662
3663
3664
3665
3666
3667
3668
3669
3670
3671
3672
3673
3674
3675
3676
3677
3678
3679
3680
3681
3682
3683
3684
3685
3686
3687
3688
3689
3690
3691
3692
3693
3694
3695
3696
3697
3698
3699
3700
3701
3702
3703
3704
3705
3706
3707
3708
3709
3710
3711
3712
3713
3714
3715
3716
3717
3718
3719
3720
3721
3722
3723
3724
3725
3726
3727
3728
3729
3730
3731
3732
3733
3734
3735
3736
3737
3738
3739
3740
3741
3742
3743
3744
3745
3746
3747
3748
3749
3750
3751
3752
3753
3754
3755
3756
3757
3758
3759
3760
3761
3762
3763
3764
3765
3766
3767
3768
3769
3770
3771
3772
3773
3774
3775
3776
3777
3778
3779
3780
3781
3782
3783
3784
3785
3786
3787
3788
3789
3790
3791
3792
3793
3794
3795
3796
3797
3798
3799
3800
3801
3802
3803
3804
3805
3806
3807
3808
3809
3810
3811
3812
3813
3814
3815
3816
3817
3818
3819
3820
3821
3822
3823
3824
3825
3826
3827
3828
3829
3830
3831
3832
3833
3834
3835
3836
3837
3838
3839
3840
3841
3842
3843
3844
3845
3846
3847
3848
3849
3850
3851
3852
3853
3854
3855
3856
3857
3858
3859
3860
3861
3862
3863
3864
3865
3866
3867
3868
3869
3870
3871
3872
3873
3874
3875
3876
3877
3878
3879
3880
3881
3882
3883
3884
3885
3886
3887
3888
3889
3890
3891
3892
3893
3894
3895
3896
3897
3898
3899
3900
3901
3902
3903
3904
3905
3906
3907
3908
3909
3910
3911
3912
3913
3914
3915
3916
3917
3918
3919
3920
3921
3922
3923
3924
3925
3926
3927
3928
3929
3930
3931
3932
3933
3934
3935
3936
3937
3938
3939
3940
3941
3942
3943
3944
3945
3946
3947
3948
3949
3950
3951
3952
3953
3954
3955
3956
3957
3958
3959
3960
3961
3962
3963
3964
3965
3966
3967
3968
3969
3970
3971
3972
3973
3974
3975
3976
3977
3978
3979
3980
3981
3982
3983
3984
3985
3986
3987
3988
3989
3990
3991
3992
3993
3994
3995
3996
3997
3998
3999
4000
4001
4002
4003
4004
4005
4006
4007
4008
4009
4010
4011
4012
4013
4014
4015
4016
4017
4018
4019
4020
4021
4022
4023
4024
4025
4026
4027
4028
4029
4030
4031
4032
4033
4034
4035
4036
4037
4038
4039
4040
4041
4042
4043
4044
4045
4046
4047
4048
4049
4050
4051
4052
4053
4054
4055
4056
4057
4058
4059
4060
4061
4062
4063
4064
4065
4066
4067
4068
4069
4070
4071
4072
4073
4074
4075
4076
4077
4078
4079
4080
4081
4082
4083
4084
4085
4086
4087
4088
4089
4090
4091
4092
4093
4094
4095
4096
4097
4098
4099
4100
4101
4102
4103
4104
4105
4106
4107
4108
4109
4110
4111
4112
4113
4114
4115
4116
4117
4118
4119
4120
4121
4122
4123
4124
4125
4126
4127
4128
4129
4130
4131
4132
4133
4134
4135
4136
4137
4138
4139
4140
4141
4142
4143
4144
4145
4146
4147
4148
4149
4150
4151
4152
4153
4154
4155
4156
4157
4158
4159
4160
4161
4162
4163
4164
4165
4166
4167
4168
4169
4170
4171
4172
4173
4174
4175
4176
4177
4178
4179
4180
4181
4182
4183
4184
4185
4186
4187
4188
4189
4190
4191
4192
4193
4194
4195
4196
4197
4198
4199
4200
4201
4202
4203
4204
4205
4206
4207
4208
4209
4210
4211
4212
4213
4214
4215
4216
4217
4218
4219
4220
4221
4222
4223
4224
4225
4226
4227
4228
4229
4230
4231
4232
4233
4234
4235
4236
4237
4238
4239
4240
4241
4242
4243
4244
4245
4246
4247
4248
4249
4250
4251
4252
4253
4254
4255
4256
4257
4258
4259
4260
4261
4262
4263
4264
4265
4266
4267
4268
4269
4270
4271
4272
4273
4274
4275
4276
4277
4278
4279
4280
4281
4282
4283
4284
4285
4286
4287
4288
4289
4290
4291
4292
4293
4294
4295
4296
4297
4298
4299
4300
4301
4302
4303
4304
4305
4306
4307
4308
4309
4310
4311
4312
4313
4314
4315
4316
4317
4318
4319
4320
4321
4322
4323
4324
4325
4326
4327
4328
4329
4330
4331
4332
4333
4334
4335
4336
4337
4338
4339
4340
4341
4342
4343
4344
4345
4346
4347
4348
4349
4350
4351
4352
4353
4354
4355
4356
4357
4358
4359
4360
4361
4362
4363
4364
4365
4366
4367
4368
4369
4370
4371
4372
4373
4374
4375
4376
4377
4378
4379
4380
4381
4382
4383
4384
4385
4386
4387
4388
4389
4390
4391
4392
4393
4394
4395
4396
4397
4398
4399
4400
4401
4402
4403
4404
4405
4406
4407
4408
4409
4410
4411
4412
4413
4414
4415
4416
4417
4418
4419
4420
4421
4422
4423
4424
4425
4426
4427
4428
4429
4430
4431
4432
4433
4434
4435
4436
4437
4438
4439
4440
4441
4442
4443
4444
4445
4446
4447
4448
4449
4450
4451
4452
4453
4454
4455
4456
4457
4458
4459
4460
4461
4462
4463
4464
4465
4466
4467
4468
4469
4470
4471
4472
4473
4474
4475
4476
4477
4478
4479
4480
4481
4482
4483
4484
4485
4486
4487
4488
4489
4490
4491
4492
4493
4494
4495
4496
4497
4498
4499
4500
4501
4502
4503
4504
4505
4506
4507
4508
4509
4510
4511
4512
4513
4514
4515
4516
4517
4518
4519
4520
4521
4522
4523
4524
4525
4526
4527
4528
4529
4530
4531
4532
4533
4534
4535
4536
4537
4538
4539
4540
4541
4542
4543
4544
4545
4546
4547
4548
4549
4550
4551
4552
4553
4554
4555
4556
4557
4558
4559
4560
4561
4562
4563
4564
4565
4566
4567
4568
4569
4570
4571
4572
4573
4574
4575
4576
4577
4578
4579
4580
4581
4582
4583
4584
4585
4586
4587
4588
4589
4590
4591
4592
4593
4594
4595
4596
4597
4598
4599
4600
4601
4602
4603
4604
4605
4606
4607
4608
4609
4610
4611
4612
4613
4614
4615
4616
4617
4618
4619
4620
4621
4622
4623
4624
4625
4626
4627
4628
4629
4630
4631
4632
4633
4634
4635
4636
4637
4638
4639
4640
4641
4642
4643
4644
4645
4646
4647
4648
4649
4650
4651
4652
4653
4654
4655
4656
4657
4658
4659
4660
4661
4662
4663
4664
4665
4666
4667
4668
4669
4670
4671
4672
4673
4674
4675
4676
4677
4678
4679
4680
4681
4682
4683
4684
4685
4686
4687
4688
4689
4690
4691
4692
4693
4694
4695
4696
4697
4698
4699
4700
4701
4702
4703
4704
4705
4706
4707
4708
4709
4710
4711
4712
4713
4714
4715
4716
4717
4718
4719
4720
4721
4722
4723
4724
4725
4726
4727
4728
4729
4730
4731
4732
4733
4734
4735
4736
4737
4738
4739
4740
4741
4742
4743
4744
4745
4746
4747
4748
4749
4750
4751
4752
4753
4754
4755
4756
4757
4758
4759
4760
4761
4762
4763
4764
4765
4766
4767
4768
4769
4770
4771
4772
4773
4774
4775
4776
4777
4778
4779
4780
4781
4782
4783
4784
4785
4786
4787
4788
4789
4790
4791
4792
4793
4794
4795
4796
4797
4798
4799
4800
4801
4802
4803
4804
4805
4806
4807
4808
4809
4810
4811
4812
4813
4814
4815
4816
4817
4818
4819
4820
4821
4822
4823
4824
4825
4826
4827
4828
4829
4830
4831
4832
4833
4834
4835
4836
4837
4838
4839
4840
4841
4842
4843
4844
4845
4846
4847
4848
4849
4850
4851
4852
4853
4854
4855
4856
4857
4858
4859
4860
4861
4862
4863
4864
4865
4866
4867
4868
4869
4870
4871
4872
4873
4874
4875
4876
4877
4878
4879
4880
4881
4882
4883
4884
4885
4886
4887
4888
4889
4890
4891
4892
4893
4894
4895
4896
4897
4898
4899
4900
4901
4902
4903
4904
4905
4906
4907
4908
4909
4910
4911
4912
4913
4914
4915
4916
4917
4918
4919
4920
4921
4922
4923
4924
4925
4926
4927
4928
4929
4930
4931
4932
4933
4934
4935
4936
4937
4938
4939
4940
4941
4942
4943
4944
4945
4946
4947
4948
4949
4950
4951
4952
4953
4954
4955
4956
4957
4958
4959
4960
4961
4962
4963
4964
4965
4966
4967
4968
4969
4970
4971
4972
4973
4974
4975
4976
4977
4978
4979
4980
4981
4982
4983
4984
4985
4986
4987
4988
4989
4990
4991
4992
4993
4994
4995
4996
4997
4998
4999
5000
5001
5002
5003
5004
5005
5006
5007
5008
5009
5010
5011
5012
5013
5014
5015
5016
5017
5018
5019
5020
5021
5022
5023
5024
5025
5026
5027
5028
5029
5030
5031
5032
5033
5034
5035
5036
5037
5038
5039
5040
5041
5042
5043
5044
5045
5046
5047
5048
5049
5050
5051
5052
5053
5054
5055
5056
5057
5058
5059
5060
5061
5062
5063
5064
5065
5066
5067
5068
5069
5070
5071
5072
5073
5074
5075
5076
5077
5078
5079
5080
5081
5082
5083
5084
5085
5086
5087
5088
5089
5090
5091
5092
5093
5094
5095
5096
5097
5098
5099
5100
5101
5102
5103
5104
5105
5106
5107
5108
5109
5110
5111
5112
5113
5114
5115
5116
5117
5118
5119
5120
5121
5122
5123
5124
5125
5126
5127
5128
5129
5130
5131
5132
5133
5134
5135
5136
5137
5138
5139
5140
5141
5142
5143
5144
5145
5146
5147
5148
5149
5150
5151
5152
5153
5154
5155
5156
5157
5158
5159
5160
5161
5162
5163
5164
5165
5166
5167
5168
5169
5170
5171
5172
5173
5174
5175
5176
5177
5178
5179
5180
5181
5182
5183
5184
5185
5186
5187
5188
5189
5190
5191
5192
5193
5194
5195
5196
5197
5198
5199
5200
5201
5202
5203
5204
5205
5206
5207
5208
5209
5210
5211
5212
5213
5214
5215
5216
5217
5218
5219
5220
5221
5222
5223
5224
5225
5226
5227
5228
5229
5230
5231
5232
5233
5234
5235
5236
5237
5238
5239
5240
5241
5242
5243
5244
5245
5246
5247
5248
5249
5250
5251
5252
5253
5254
5255
5256
5257
5258
5259
5260
5261
5262
5263
5264
5265
5266
5267
5268
5269
5270
5271
5272
5273
5274
5275
5276
5277
5278
5279
5280
5281
5282
5283
5284
5285
5286
5287
5288
5289
5290
5291
5292
5293
5294
5295
5296
5297
5298
5299
5300
5301
5302
5303
5304
5305
5306
5307
5308
5309
5310
5311
5312
5313
5314
5315
5316
5317
5318
5319
5320
5321
5322
5323
5324
5325
5326
5327
5328
5329
5330
5331
5332
5333
5334
5335
5336
5337
5338
5339
5340
5341
5342
5343
5344
5345
5346
5347
5348
5349
5350
5351
5352
5353
5354
5355
5356
5357
5358
5359
5360
5361
5362
5363
5364
5365
5366
5367
5368
5369
5370
5371
5372
5373
5374
5375
5376
5377
5378
5379
5380
5381
5382
5383
5384
5385
5386
5387
5388
5389
5390
5391
5392
5393
5394
5395
5396
5397
5398
5399
5400
5401
5402
5403
5404
5405
5406
5407
5408
5409
5410
5411
5412
5413
5414
5415
5416
5417
5418
5419
5420
5421
5422
5423
5424
5425
5426
5427
5428
5429
5430
5431
5432
5433
5434
5435
5436
5437
5438
5439
5440
5441
5442
5443
5444
5445
5446
5447
5448
5449
5450
5451
5452
5453
5454
5455
5456
5457
5458
5459
5460
5461
5462
5463
5464
5465
5466
5467
5468
5469
5470
5471
5472
5473
5474
5475
5476
5477
5478
5479
5480
5481
5482
5483
5484
5485
5486
5487
5488
5489
5490
5491
5492
5493
5494
5495
5496
5497
5498
5499
5500
5501
5502
5503
5504
5505
5506
5507
5508
5509
5510
5511
5512
5513
5514
5515
5516
5517
5518
5519
5520
5521
5522
5523
5524
5525
5526
5527
5528
5529
5530
5531
5532
5533
5534
5535
5536
5537
5538
5539
5540
5541
5542
5543
5544
5545
5546
5547
5548
5549
5550
5551
5552
5553
5554
5555
5556
5557
5558
5559
5560
5561
5562
5563
5564
5565
5566
5567
5568
5569
5570
5571
5572
5573
5574
5575
5576
5577
5578
5579
5580
5581
5582
5583
5584
5585
5586
5587
5588
5589
5590
5591
5592
5593
5594
5595
5596
5597
5598
5599
5600
5601
5602
5603
5604
5605
5606
5607
5608
5609
5610
5611
5612
5613
5614
5615
5616
5617
5618
5619
5620
5621
5622
5623
5624
5625
5626
5627
5628
5629
5630
5631
5632
5633
5634
5635
5636
5637
5638
5639
5640
5641
5642
5643
5644
5645
5646
5647
5648
5649
5650
5651
5652
5653
5654
5655
5656
5657
5658
5659
5660
5661
5662
5663
5664
5665
5666
5667
5668
5669
5670
5671
5672
5673
5674
5675
5676
5677
5678
5679
5680
5681
5682
5683
5684
5685
5686
5687
5688
5689
5690
5691
5692
5693
5694
5695
5696
5697
5698
5699
5700
5701
5702
5703
5704
5705
5706
5707
5708
5709
5710
5711
5712
5713
5714
5715
5716
5717
5718
5719
5720
5721
5722
5723
5724
5725
5726
5727
5728
5729
5730
5731
5732
5733
5734
5735
5736
5737
5738
5739
5740
5741
5742
5743
5744
5745
5746
5747
5748
5749
5750
5751
5752
5753
5754
5755
5756
5757
5758
5759
5760
5761
5762
5763
5764
5765
5766
5767
5768
5769
5770
5771
5772
5773
5774
5775
5776
5777
5778
5779
5780
5781
5782
5783
5784
5785
5786
5787
5788
5789
5790
5791
5792
5793
5794
5795
5796
5797
5798
5799
5800
5801
5802
5803
5804
5805
5806
5807
5808
5809
5810
5811
5812
5813
5814
5815
5816
5817
5818
5819
5820
5821
5822
5823
5824
5825
5826
5827
5828
5829
5830
5831
5832
5833
5834
5835
5836
5837
5838
5839
5840
5841
5842
5843
5844
5845
5846
5847
5848
5849
5850
5851
5852
5853
5854
5855
5856
5857
5858
5859
5860
5861
5862
5863
5864
5865
5866
5867
5868
5869
5870
5871
5872
5873
5874
5875
5876
5877
5878
5879
5880
5881
5882
5883
5884
5885
5886
5887
5888
5889
5890
5891
5892
5893
5894
5895
5896
5897
5898
5899
5900
5901
5902
5903
5904
5905
5906
5907
5908
5909
5910
5911
5912
5913
5914
5915
5916
5917
5918
5919
5920
5921
5922
5923
5924
5925
5926
5927
5928
5929
5930
5931
5932
5933
5934
5935
5936
5937
5938
5939
5940
5941
5942
5943
5944
5945
5946
5947
5948
5949
5950
5951
5952
5953
5954
5955
5956
5957
5958
5959
5960
5961
5962
5963
5964
5965
5966
5967
5968
5969
5970
5971
5972
5973
5974
5975
5976
5977
5978
5979
5980
5981
5982
5983
5984
5985
5986
5987
5988
5989
5990
5991
5992
5993
5994
5995
5996
5997
5998
5999
6000
6001
6002
6003
6004
6005
6006
6007
6008
6009
6010
6011
6012
6013
6014
6015
6016
6017
6018
6019
6020
6021
6022
6023
6024
6025
6026
6027
6028
6029
6030
6031
6032
6033
6034
6035
6036
6037
6038
6039
6040
6041
6042
6043
6044
6045
6046
6047
6048
6049
6050
6051
6052
6053
6054
6055
6056
6057
6058
6059
6060
6061
6062
6063
6064
6065
6066
6067
6068
6069
6070
6071
6072
6073
6074
6075
6076
6077
6078
6079
6080
6081
6082
6083
6084
6085
6086
6087
6088
6089
6090
6091
6092
6093
6094
6095
6096
6097
6098
6099
6100
6101
6102
6103
6104
6105
6106
6107
6108
6109
6110
6111
6112
6113
6114
6115
6116
6117
6118
6119
6120
6121
6122
6123
6124
6125
6126
6127
6128
6129
6130
6131
6132
6133
6134
6135
6136
6137
6138
6139
6140
6141
6142
6143
6144
6145
6146
6147
6148
6149
6150
6151
6152
6153
6154
6155
6156
6157
6158
6159
6160
6161
6162
6163
6164
6165
6166
6167
6168
6169
6170
6171
6172
6173
6174
6175
6176
6177
6178
6179
6180
6181
6182
6183
6184
6185
6186
6187
6188
6189
6190
6191
6192
6193
6194
6195
6196
6197
6198
6199
6200
6201
6202
6203
6204
6205
6206
6207
6208
6209
6210
6211
6212
6213
6214
6215
6216
6217
6218
6219
6220
6221
6222
6223
6224
6225
6226
6227
6228
6229
6230
6231
6232
6233
6234
6235
6236
6237
6238
6239
6240
6241
6242
6243
6244
6245
6246
6247
6248
6249
6250
6251
6252
6253
6254
6255
6256
6257
6258
6259
6260
6261
6262
6263
6264
6265
6266
6267
6268
6269
6270
6271
6272
6273
6274
6275
6276
6277
6278
6279
6280
6281
6282
6283
6284
6285
6286
6287
6288
6289
6290
6291
6292
6293
6294
6295
6296
6297
6298
6299
6300
6301
6302
6303
6304
6305
6306
6307
6308
6309
6310
6311
6312
6313
6314
6315
6316
6317
6318
6319
6320
6321
6322
6323
6324
6325
6326
6327
6328
6329
6330
6331
6332
6333
6334
6335
6336
6337
6338
6339
6340
6341
6342
6343
6344
6345
6346
6347
6348
6349
6350
6351
6352
6353
6354
6355
6356
6357
6358
6359
6360
6361
6362
6363
6364
6365
6366
6367
6368
6369
6370
6371
6372
6373
6374
6375
6376
6377
6378
6379
6380
6381
6382
6383
6384
6385
6386
6387
6388
6389
6390
6391
6392
6393
6394
6395
6396
6397
6398
6399
6400
6401
6402
6403
6404
6405
6406
6407
6408
6409
6410
6411
6412
6413
6414
6415
6416
6417
6418
6419
6420
6421
6422
6423
6424
6425
6426
6427
6428
6429
6430
6431
6432
6433
6434
6435
6436
6437
6438
6439
6440
6441
6442
6443
6444
6445
6446
6447
6448
6449
6450
6451
6452
6453
6454
6455
6456
6457
6458
6459
6460
6461
6462
6463
6464
6465
6466
6467
6468
6469
6470
6471
6472
6473
6474
6475
6476
6477
6478
6479
6480
6481
6482
6483
6484
6485
6486
6487
6488
6489
6490
6491
6492
6493
6494
6495
6496
6497
6498
6499
6500
6501
6502
6503
6504
6505
6506
6507
6508
6509
6510
6511
6512
6513
6514
6515
6516
6517
6518
6519
6520
6521
6522
6523
6524
6525
6526
6527
6528
6529
6530
6531
6532
6533
6534
6535
6536
6537
6538
6539
6540
6541
6542
6543
6544
6545
6546
6547
6548
6549
6550
6551
6552
6553
6554
6555
6556
6557
6558
6559
6560
6561
6562
6563
6564
6565
6566
6567
6568
6569
6570
6571
6572
6573
6574
6575
6576
6577
6578
6579
6580
6581
6582
6583
6584
6585
6586
6587
6588
6589
6590
6591
6592
6593
6594
6595
6596
6597
6598
6599
6600
6601
6602
6603
6604
6605
6606
6607
6608
6609
6610
6611
6612
6613
6614
6615
6616
6617
6618
6619
6620
6621
6622
6623
6624
6625
6626
6627
6628
6629
6630
6631
6632
6633
6634
6635
6636
6637
6638
6639
6640
6641
6642
6643
6644
6645
6646
6647
6648
6649
6650
6651
6652
6653
6654
6655
6656
6657
6658
6659
6660
6661
6662
6663
6664
6665
6666
6667
6668
6669
6670
6671
6672
6673
6674
6675
6676
6677
6678
6679
6680
6681
6682
6683
6684
6685
6686
6687
6688
6689
6690
6691
6692
6693
6694
6695
6696
6697
6698
6699
6700
6701
6702
6703
6704
6705
6706
6707
6708
6709
6710
6711
6712
6713
6714
6715
6716
6717
6718
6719
6720
6721
6722
6723
6724
6725
6726
6727
6728
6729
6730
6731
6732
6733
6734
6735
6736
6737
6738
6739
6740
6741
6742
6743
6744
6745
6746
6747
6748
6749
6750
6751
6752
6753
6754
6755
6756
6757
6758
6759
6760
6761
6762
6763
6764
6765
6766
6767
6768
6769
6770
6771
6772
6773
6774
6775
6776
6777
6778
6779
6780
6781
6782
6783
6784
6785
6786
6787
6788
6789
6790
6791
6792
6793
6794
6795
6796
6797
6798
6799
6800
6801
6802
6803
6804
6805
6806
6807
6808
6809
6810
6811
6812
6813
6814
6815
6816
6817
6818
6819
6820
6821
6822
6823
6824
6825
6826
6827
6828
6829
6830
6831
6832
6833
6834
6835
6836
6837
6838
6839
6840
6841
6842
6843
6844
6845
6846
6847
6848
6849
6850
6851
6852
6853
6854
6855
6856
6857
6858
6859
6860
6861
6862
6863
6864
6865
6866
6867
6868
6869
6870
6871
6872
6873
6874
6875
6876
6877
6878
6879
6880
6881
6882
6883
6884
6885
6886
6887
6888
6889
6890
6891
6892
6893
6894
6895
6896
6897
6898
6899
6900
6901
6902
6903
6904
6905
6906
6907
6908
6909
6910
6911
6912
6913
6914
6915
6916
6917
6918
6919
6920
6921
6922
6923
6924
6925
6926
6927
6928
6929
6930
6931
6932
6933
6934
6935
6936
6937
6938
6939
6940
6941
6942
6943
6944
6945
6946
6947
6948
6949
6950
6951
6952
6953
6954
6955
6956
6957
6958
6959
6960
6961
6962
6963
6964
6965
6966
6967
6968
6969
6970
6971
6972
6973
6974
6975
6976
6977
6978
6979
6980
6981
6982
6983
6984
6985
6986
6987
6988
6989
6990
6991
6992
6993
6994
6995
6996
6997
6998
6999
7000
7001
7002
7003
7004
7005
7006
7007
7008
7009
7010
7011
7012
7013
7014
7015
7016
7017
7018
7019
7020
7021
7022
7023
7024
7025
7026
7027
7028
7029
7030
7031
7032
7033
7034
7035
7036
7037
7038
7039
7040
7041
7042
7043
7044
7045
7046
7047
7048
7049
7050
7051
7052
7053
7054
7055
7056
7057
7058
7059
7060
7061
7062
7063
7064
7065
7066
7067
7068
7069
7070
7071
7072
7073
7074
7075
7076
7077
7078
7079
7080
7081
7082
7083
7084
7085
7086
7087
7088
7089
7090
7091
7092
7093
7094
7095
7096
7097
7098
7099
7100
7101
7102
7103
7104
7105
7106
7107
7108
7109
7110
7111
7112
7113
7114
7115
7116
7117
7118
7119
7120
7121
7122
7123
7124
7125
7126
7127
7128
7129
7130
7131
7132
7133
7134
7135
7136
7137
7138
7139
7140
7141
7142
7143
7144
7145
7146
7147
7148
7149
7150
7151
7152
7153
7154
7155
7156
7157
7158
7159
7160
7161
7162
7163
7164
7165
7166
7167
7168
7169
7170
7171
7172
7173
7174
7175
7176
7177
7178
7179
7180
7181
7182
7183
7184
7185
7186
7187
7188
7189
7190
7191
7192
7193
7194
7195
7196
7197
7198
7199
7200
7201
7202
7203
7204
7205
7206
7207
7208
7209
7210
7211
7212
7213
7214
7215
7216
7217
7218
7219
7220
7221
7222
7223
7224
7225
7226
7227
7228
7229
7230
7231
7232
7233
7234
7235
7236
7237
7238
7239
7240
7241
7242
7243
7244
7245
7246
7247
7248
7249
7250
7251
7252
7253
7254
7255
7256
7257
7258
7259
7260
7261
7262
7263
7264
7265
7266
7267
7268
7269
7270
7271
7272
7273
7274
7275
7276
7277
7278
7279
7280
7281
7282
7283
7284
7285
7286
7287
7288
7289
7290
7291
7292
7293
7294
7295
7296
7297
7298
7299
7300
7301
7302
7303
7304
7305
7306
7307
7308
7309
7310
7311
7312
7313
7314
7315
7316
7317
7318
7319
7320
7321
7322
7323
7324
7325
7326
7327
7328
7329
7330
7331
7332
7333
7334
7335
7336
7337
7338
7339
7340
7341
7342
7343
7344
7345
7346
7347
7348
7349
7350
7351
7352
7353
7354
7355
7356
7357
7358
7359
7360
7361
7362
7363
7364
7365
7366
7367
7368
7369
7370
7371
7372
7373
7374
7375
7376
7377
7378
7379
7380
7381
7382
7383
7384
7385
7386
7387
7388
7389
7390
7391
7392
7393
7394
7395
7396
7397
7398
7399
7400
7401
7402
7403
7404
7405
7406
7407
7408
7409
7410
7411
7412
7413
7414
7415
7416
7417
7418
7419
7420
7421
7422
7423
7424
7425
7426
7427
7428
7429
7430
7431
7432
7433
7434
7435
7436
7437
7438
7439
7440
7441
7442
7443
7444
7445
7446
7447
7448
7449
7450
7451
7452
7453
7454
7455
7456
7457
7458
7459
7460
7461
7462
7463
7464
7465
7466
7467
7468
7469
7470
7471
7472
7473
7474
7475
7476
7477
7478
7479
7480
7481
7482
7483
7484
7485
7486
7487
7488
7489
7490
7491
7492
7493
7494
7495
7496
7497
7498
7499
7500
7501
7502
7503
7504
7505
7506
7507
7508
7509
7510
7511
7512
7513
7514
7515
7516
7517
7518
7519
7520
7521
7522
7523
7524
7525
7526
7527
7528
7529
7530
7531
7532
7533
7534
7535
7536
7537
7538
7539
7540
7541
7542
7543
7544
7545
7546
7547
7548
7549
7550
7551
7552
7553
7554
7555
7556
7557
7558
7559
7560
7561
7562
7563
7564
7565
7566
7567
7568
7569
7570
7571
7572
7573
7574
7575
7576
7577
7578
7579
7580
7581
7582
7583
7584
7585
7586
7587
7588
7589
7590
7591
7592
7593
7594
7595
7596
7597
7598
7599
7600
7601
7602
7603
7604
7605
7606
7607
7608
7609
7610
7611
7612
7613
7614
7615
7616
7617
7618
7619
7620
7621
7622
7623
7624
7625
7626
7627
7628
7629
7630
7631
7632
7633
7634
7635
7636
7637
7638
7639
7640
7641
7642
7643
7644
7645
7646
7647
7648
7649
7650
7651
7652
7653
7654
7655
7656
7657
7658
7659
7660
7661
7662
7663
7664
7665
7666
7667
7668
7669
7670
7671
7672
7673
7674
7675
7676
7677
7678
7679
7680
7681
7682
7683
7684
7685
7686
7687
7688
7689
7690
7691
7692
7693
7694
7695
7696
7697
7698
7699
7700
7701
7702
7703
7704
7705
7706
7707
7708
7709
7710
7711
7712
7713
7714
7715
7716
7717
7718
7719
7720
7721
7722
7723
7724
7725
7726
7727
7728
7729
7730
7731
7732
7733
7734
7735
7736
7737
7738
7739
7740
7741
7742
7743
7744
7745
7746
7747
7748
7749
7750
7751
7752
7753
7754
7755
7756
7757
7758
7759
7760
7761
7762
7763
7764
7765
7766
7767
7768
7769
7770
7771
7772
7773
7774
7775
7776
7777
7778
7779
7780
7781
7782
7783
7784
7785
7786
7787
7788
7789
7790
7791
7792
7793
7794
7795
7796
7797
7798
7799
7800
7801
7802
7803
7804
7805
7806
7807
7808
7809
7810
7811
7812
7813
7814
7815
7816
7817
7818
7819
7820
7821
7822
7823
7824
7825
7826
7827
7828
7829
7830
7831
7832
7833
7834
7835
7836
7837
7838
7839
7840
7841
7842
7843
7844
7845
7846
7847
7848
7849
7850
7851
7852
7853
7854
7855
7856
7857
7858
7859
7860
7861
7862
7863
7864
7865
7866
7867
7868
7869
7870
7871
7872
7873
7874
7875
7876
7877
7878
7879
7880
7881
7882
7883
7884
7885
7886
7887
7888
7889
7890
7891
7892
7893
7894
7895
7896
7897
7898
7899
7900
7901
7902
7903
7904
7905
7906
7907
7908
7909
7910
7911
7912
7913
7914
7915
7916
7917
7918
7919
7920
7921
7922
7923
7924
7925
7926
7927
7928
7929
7930
7931
7932
7933
7934
7935
7936
7937
7938
7939
7940
7941
7942
7943
7944
7945
7946
7947
7948
7949
7950
7951
7952
7953
7954
7955
7956
7957
7958
7959
7960
7961
7962
7963
7964
7965
7966
7967
7968
7969
7970
7971
7972
7973
7974
7975
7976
7977
7978
7979
7980
7981
7982
7983
7984
7985
7986
7987
7988
7989
7990
7991
7992
7993
7994
7995
7996
7997
7998
7999
8000
8001
8002
8003
8004
8005
8006
8007
8008
8009
8010
8011
8012
8013
8014
8015
8016
8017
8018
8019
8020
8021
8022
8023
8024
8025
8026
8027
8028
8029
8030
8031
8032
8033
8034
8035
8036
8037
8038
8039
8040
8041
8042
8043
8044
8045
8046
8047
8048
8049
8050
8051
8052
8053
8054
8055
8056
8057
8058
8059
8060
8061
8062
8063
8064
8065
8066
8067
8068
8069
8070
8071
8072
8073
8074
8075
8076
8077
8078
8079
8080
8081
8082
8083
8084
8085
8086
8087
8088
8089
8090
8091
8092
8093
8094
8095
8096
8097
8098
8099
8100
8101
8102
8103
8104
8105
8106
8107
8108
8109
8110
8111
8112
8113
8114
8115
8116
8117
8118
8119
8120
8121
8122
8123
8124
8125
8126
8127
8128
8129
8130
8131
8132
8133
8134
8135
8136
8137
8138
8139
8140
8141
8142
8143
8144
8145
8146
8147
8148
8149
8150
8151
8152
8153
8154
8155
8156
8157
8158
8159
8160
8161
8162
8163
8164
8165
8166
8167
8168
8169
8170
8171
8172
8173
8174
8175
8176
8177
8178
8179
8180
8181
8182
8183
8184
8185
8186
8187
8188
8189
8190
8191
8192
8193
8194
8195
8196
8197
8198
8199
8200
8201
8202
8203
8204
8205
8206
8207
8208
8209
8210
8211
8212
8213
8214
8215
8216
8217
8218
8219
8220
8221
8222
8223
8224
8225
8226
8227
8228
8229
8230
8231
8232
8233
8234
8235
8236
8237
8238
8239
8240
8241
8242
8243
8244
8245
8246
8247
8248
8249
8250
8251
8252
8253
8254
8255
8256
8257
8258
8259
8260
8261
8262
8263
8264
8265
8266
8267
8268
8269
8270
8271
8272
8273
8274
8275
8276
8277
8278
8279
8280
8281
8282
8283
8284
8285
8286
8287
8288
8289
8290
8291
8292
8293
8294
8295
8296
8297
8298
8299
8300
8301
8302
8303
8304
8305
8306
8307
8308
8309
8310
8311
8312
8313
8314
8315
8316
8317
8318
8319
8320
8321
8322
8323
8324
8325
8326
8327
8328
8329
8330
8331
8332
8333
8334
8335
8336
8337
8338
8339
8340
8341
8342
8343
8344
8345
8346
8347
8348
8349
8350
8351
8352
8353
8354
8355
8356
8357
8358
8359
8360
8361
8362
8363
8364
8365
8366
8367
8368
8369
8370
8371
8372
8373
8374
8375
8376
8377
8378
8379
8380
8381
8382
8383
8384
8385
8386
8387
8388
8389
8390
8391
8392
8393
8394
8395
8396
8397
8398
8399
8400
8401
8402
8403
8404
8405
8406
8407
8408
8409
8410
8411
8412
8413
8414
8415
8416
8417
8418
8419
8420
8421
8422
8423
8424
8425
8426
8427
8428
8429
8430
8431
8432
8433
8434
8435
8436
8437
8438
8439
8440
8441
8442
8443
8444
8445
8446
8447
8448
8449
8450
8451
8452
8453
8454
8455
8456
8457
8458
8459
8460
8461
8462
8463
8464
8465
8466
8467
8468
8469
8470
8471
8472
8473
8474
8475
8476
8477
8478
8479
8480
8481
8482
8483
8484
8485
8486
8487
8488
8489
8490
8491
8492
8493
8494
8495
8496
8497
8498
8499
8500
8501
8502
8503
8504
8505
8506
8507
8508
8509
8510
8511
8512
8513
8514
8515
8516
8517
8518
8519
8520
8521
8522
8523
8524
8525
8526
8527
8528
8529
8530
8531
8532
8533
8534
8535
8536
8537
8538
8539
8540
8541
8542
8543
8544
8545
8546
8547
8548
8549
8550
8551
8552
8553
8554
8555
8556
8557
8558
8559
8560
8561
8562
8563
8564
8565
8566
8567
8568
8569
8570
8571
8572
8573
8574
8575
8576
8577
8578
8579
8580
8581
8582
8583
8584
8585
8586
8587
8588
8589
8590
8591
8592
8593
8594
8595
8596
8597
8598
8599
8600
8601
8602
8603
8604
8605
8606
8607
8608
8609
8610
8611
8612
8613
8614
8615
8616
8617
8618
8619
8620
8621
8622
8623
8624
8625
8626
8627
8628
8629
8630
8631
8632
8633
8634
8635
8636
8637
8638
8639
8640
8641
8642
8643
8644
8645
8646
8647
8648
8649
8650
8651
8652
8653
8654
8655
8656
8657
8658
8659
8660
8661
8662
8663
8664
8665
8666
8667
8668
8669
8670
8671
8672
8673
8674
8675
8676
8677
8678
8679
8680
8681
8682
8683
8684
8685
8686
8687
8688
8689
8690
8691
8692
8693
8694
8695
8696
8697
8698
8699
8700
8701
8702
8703
8704
8705
8706
8707
8708
8709
8710
8711
8712
8713
8714
8715
8716
8717
8718
8719
8720
8721
8722
8723
8724
8725
8726
8727
8728
8729
8730
8731
8732
8733
8734
8735
8736
8737
8738
8739
8740
8741
8742
8743
8744
8745
8746
8747
8748
8749
8750
8751
8752
|
The Project Gutenberg eBook, Letters of Edward FitzGerald to Fanny Kemble
(1871-1883), by Edward FitzGerald, Edited by William Aldis Wright
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Letters of Edward FitzGerald to Fanny Kemble (1871-1883)
Author: Edward FitzGerald
Editor: William Aldis Wright
Release Date: May 14, 2007 [eBook #21434]
Language: English
Character set encoding: ISO-646-US (US-ASCII)
***START OF THE PROJECT GUTENBERG EBOOK LETTERS OF EDWARD FITZGERALD TO
FANNY KEMBLE (1871-1883)***
Transcribed from the 1902 Macmillan and Co. edition by David Price, email
ccx074@pglaf.org
LETTERS
OF
EDWARD FITZGERALD
TO
FANNY KEMBLE
1871-1883
EDITED BY
WILLIAM ALDIS WRIGHT
London
MACMILLAN AND CO., LIMITED
NEW YORK: THE MACMILLAN COMPANY
1902
_All rights reserved_
_First Edition_ 1895
_Second Edition_ 1902
{Edward FitzGerald. From a photograph by Mess. Cade & Wight, Ipswich:
pi.jpg}
Of the letters which are contained in the present volume, the first
eighty-five were in the possession of the late Mr. George Bentley, who
took great interest in their publication in _The Temple Bar Magazine_,
and was in correspondence with the Editor until within a short time of
his death. The remainder were placed in the Editor's hands by Mrs.
Kemble in 1883, and of these some were printed in whole or in part in
FitzGerald's Letters and Literary Remains, which first appeared in 1889.
TRINITY COLLEGE, CAMBRIDGE,
20_th_ _June_ 1895.
{Frances Anne Kemble. Engraved by J. G. Stodart from the original
painting by Sully in the possession of the Hon. Mrs. Leigh: pii.jpg}
LETTERS OF EDWARD FITZGERALD TO FANNY KEMBLE
1871-1883
'Letters . . . such as are written from wise men, are, of all the words
of man, in my judgment the best.'--BACON.
The following letters, addressed by Edward FitzGerald to his life-long
friend Fanny Kemble, form an almost continuous series, from the middle of
1871 to within three weeks of his death in 1883. They are printed as
nearly as possible as he wrote them, preserving his peculiarities of
punctuation and his use of capital letters, although in this he is not
always consistent. In writing to me in 1873 he said, 'I love the old
Capitals for Nouns.' It has been a task of some difficulty to arrange
the letters in their proper order, in consequence of many of them being
either not dated at all or only imperfectly dated; but I hope I have
succeeded in giving them, approximately at least, in their true sequence.
The notes which are added are mainly for the purpose of explaining
allusions, and among them will be found extracts from other letters in my
possession which have not been published. The references to the printed
'Letters' are to the separate edition in the Eversley Series, 2 vols.
(Macmillans, 1894).
In a letter to Mr. Arthur Malkin, October 15, 1854 ('Further Records,'
ii. 193), Mrs. Kemble enunciates her laws of correspondence, to which
frequent reference is made in the present series as the laws of the Medes
and Persians: 'You bid me not answer your letter, but I have certain
_organic laws_ of correspondence from which nothing short of a miracle
causes me to depart; as, for instance, I never write till I am written
to, I always write when I am written to, and I make a point of always
returning the same amount of paper I receive, as you may convince
yourself by observing that I send you two sheets of note-paper and Mary
Anne only half one, though I have nothing more to say to you, and I have
to her.'
WILLIAM ALDIS WRIGHT.
_January_ 1895.
I.
WOODBRIDGE, _July_ 4, [1871.]
DEAR MRS. KEMBLE,
I asked Donne to tell you, if he found opportunity, that some two months
ago I wrote you a letter, but found it so empty and dull that I would not
send it to extort the Reply which you feel bound to give. I should have
written to tell you so myself; but I heard from Donne of the Wedding soon
about to be, and I would not intrude then. Now that is over {3a}--I hope
to the satisfaction of you all--and I will say my little say, and you
will have to Reply, according to your own Law of Mede and Persian.
It is a shame that one should only have oneself to talk about; and yet
that is all I have; so it shall be short. If you will but tell me of
yourself, who have read, and seen, and done, so much more, you will find
much more matter for your pen, and also for my entertainment.
Well, I have sold my dear little Ship, {3b} because I could not employ my
Eyes with reading in her Cabin, where I had nothing else to do. I think
those Eyes began to get better directly I had written to agree to the
Man's proposal. Anyhow, the thing is done; and so now I betake myself to
a Boat, whether on this River here, or on the Sea at the Mouth of it.
Books you see I have nothing to say about. The Boy who came to read to
me made such blundering Work that I was forced to confine him to a
Newspaper, where his Blunders were often as entertaining as the Text
which he mistook. We had 'hangarues' in the French Assembly, and, on one
occasion, 'ironclad Laughter from the Extreme Left.' Once again, at the
conclusion of the London news, 'Consolations closed at 91, ex Div.'--And
so on. You know how illiterate People will jump at a Word they don't
know, and twist it in[to] some word they are familiar with. I was
telling some of these Blunders to a very quiet Clergyman here some while
ago, and he assured me that a poor Woman, reading the Bible to his
Mother, read off glibly, 'Stand at a Gate and swallow a Candle.' I
believe this was no Joke of his: whether it were or not, here you have it
for what you may think it worth.
I should be glad to hear that you think Donne looking and seeming well.
Archdeacon Groome, who saw him lately, thought he looked very jaded:
which I could not wonder at. Donne, however, writes as if in good
Spirits--brave Man as he is--and I hope you will be able to tell me that
he is not so much amiss. He said that he was to be at the Wedding.
You will tell me too how long you remain in England; I fancy, till
Winter: and then you will go to Rome again, with its new Dynasty
installed in it. I fancy I should not like that so well as the old; but
I suppose it's better for the Country.
I see my Namesake (Percy) Fitzgerald advertizes a Book about the Kembles.
That I shall manage to get sight of. He made far too long work of
Garrick. I should have thought the Booksellers did not find that pay,
judging by the price to which Garrick soon came down. Half of it would
have been enough.
Now I am going for a Sail on the famous River Deben, to pass by the same
fields of green Wheat, Barley, Rye, and Beet-root, and come back to the
same Dinner. Positively the only new thing we have in Woodbridge is a
Waxen Bust (Lady, of course) at the little Hairdresser's opposite. She
turns slowly round, to our wonder and delight; and I caught the little
Barber the other day in the very Act of winding her up to run her daily
Stage of Duty. Well; she has not got to answer Letters, as poor Mrs.
Kemble must do to hers always sincerely
E. F.G.
II.
WOODBRIDGE. NOVr. 2/71.
DEAR MRS. KEMBLE,
Is it better not to write at all than only write to plead that one has
nothing to say? Yet I don't like to let the year get so close to an end
without reminding you of me, to whom you have been always so good in the
matter of replying to my letters, as in other ways.
If I can tell you nothing of myself: no Books read because of no Eyes to
read them: no travel from home because of my little Ship being vanished:
no friends seen, except Donne, who came here with Valentia for two
days--_you_ can fill a sheet like this, I know, with some account of
yourself and your Doings: and I shall be very glad to hear that all is
well with you. Donne said he believed you were in Ireland when he was
here; and he spoke of your being very well when he had last seen you;
also telling me he thought you were to stay in England this winter. By
the by, I also heard of Mrs. Wister being at Cambridge; not Donne told me
this, but Mr. Wright, the Bursar of Trinity: and every one who speaks of
her says she is a very delightful Lady. Donne himself seemed very well,
and in very good Spirits, in spite of all his domestic troubles. What
Courage, and Good Temper, and Self-sacrifice! Valentia (whom I had not
seen these dozen years) seemed a very sensible, unaffected Woman.
I would almost bet that you have not read my Namesake's Life of your
Namesakes, which I must borrow another pair of Eyes for one day. My Boy-
reader gave me a little taste of it from the Athenaeum; as also of Mr.
Harness' Memoirs, {6} which I must get at.
This is a sorry sight {7} of a Letter:--do not trouble yourself to write
a better--that you must, in spite of yourself--but write to me a little
about yourself; which is a matter of great Interest to yours always
E. F.G.
III.
[_Nov._ 1871.]
DEAR MRS. KEMBLE,
I ought to be much obliged to you for answering my last letter with an
uneasy hand, as you did. So I do thank you: and really wish that you
would not reply to this under any such pain: but how do I know but that
very pain will make you more determined to reply? I must only beg you
not to do so: and thus wash _my_ hands of any responsibilities in the
matter.
And what will you say when I tell you that I can hardly pity one who
suffers from Gout; though I would undoubtedly prefer that you should be
free from that, or any other ailment. But I have always heard that Gout
exempts one from many other miseries which Flesh is heir to: at any rate,
it almost always leaves the Head clear: and that is so much! My Mother,
who suffered a good deal, used often to say how she was kept awake of
nights by the Pain in her feet, or hands, but felt so clear aloft that
she made Night pass even agreeably away with her reflections and
recollections.
And you have your recollections and Reflections which you are gathering
into Shape, you say, in a Memoir of your own Life. And you are good
enough to say that you would read it to me if I--were good enough to
invite you to my House here some Summer Day! I doubt that Donne has
given you too flattering an account of my house, and me: you know he is
pleased with every one and everything: I know it also, and therefore no
longer dissuade him from spending his time and money in a flying Visit
here in the course of his Visits to other East Anglian friends and
Kinsmen. But I feel a little all the while as if I were taking all, and
giving nothing in return: I mean, about Books, People, etc., with which a
dozen years discontinuance of Society, and, latterly, incompetent Eyes,
have left me in the lurch. If you indeed will come and read your Memoir
to me, I shall be entitled to be a Listener only: and you shall have my
Chateau all to yourself for as long as you please: only do not expect me
to be quite what Donne may represent.
It is disgusting to talk so much about oneself: but I really think it is
better to say so much on this occasion. If you consider my
circumstances, you will perhaps see that I am not talking unreasonably: I
am sure, not with sham humility: and that I am yours always and sincerely
E. F.G.
P.S. I should not myself have written so soon again, but to apprise you
of a brace of Pheasants I have sent you. Pray do not write expressly to
acknowledge them:--only tell me if they don't come. I know you thank me.
{9}
IV.
[27 _Feb._, 1872.]
DEAR MRS. KEMBLE,
Had I anything pleasant to write to you, or better Eyes to write it with,
you would have heard from me before this. An old Story, by way of
Apology--to one who wants no such Apology, too. Therefore, true though
it be there is enough of it.
I hear from Mowbray Donne that you were at his Father's Lectures, {10a}
and looking yourself. So that is all right. Are your Daughters--or one
of them--still with you? I do not think you have been to see the
Thanksgiving Procession, {10b} for which our Bells are even now
ringing--the old Peal which I have known these--sixty years almost--though
at that time it reached my Eyes (_sic_) through a Nursery window about
two miles off. From that window I remember seeing my Father with another
Squire {10c} passing over the Lawn with their little pack of Harriers--an
almost obliterated Slide of the old Magic Lantern. My Mother used to
come up sometimes, and we Children were not much comforted. She was a
remarkable woman, as you said in a former letter: and as I constantly
believe in outward Beauty as an Index of a Beautiful Soul within, I used
sometimes to wonder what feature in her fine face betrayed what was not
so good in her Character. I think (as usual) the Lips: there was a twist
of Mischief about them now and then, like that in--the Tail of a
Cat!--otherwise so smooth and amiable. I think she admired your Mother
as much as any one she knew, or had known.
And (I see by the Athenaeum) Mr. Chorley is dead, {11} whom I used to see
at your Father's and Sister's houses. Born in 1808 they say: so, one
year older than yours truly E. F.G.--who, however, is going to live
through another page of Letter-paper. I think he was a capital Musical
Critic, though he condemned Piccolomini, who was the last Singer I heard
of Genius, Passion, and a Voice that told both. I am told she was no
Singer: but that went some way to make amends. Chorley, too, though an
irritable, nervous creature, as his outside expressed, was kind and
affectionate to Family and Friend, I always heard. But I think the
Angels must take care to keep in tune when he gets among them.
This is a wretched piece of Letter to extort the Answer which you feel
bound to give. But I somehow wished to write: and not to write about
myself; and so have only left room to say--to repeat--that I am yours
ever sincerely
E. F.G.
V.
[1872.]
DEAR MRS. KEMBLE,
I set off with a Letter to you, though I do not very well know how I am
to go on with it. But my Reader has been so disturbed by a Mouse in the
room that I have dismissed him--9.30 p.m.--and he has been reading (so
far as he could get on) Hawthorne's Notes of Italian Travel: which
interest me very much indeed, as being the Notes of a Man of Genius who
will think for himself independently of Murray &c. And then his Account
of Rome has made me think of you more than once. We have indeed left off
to-night at Radicofani: but, as my Boy is frightened away by the Mouse, I
fancy I will write to you before I take my one Pipe--which were better
left alone, considering that it gives but half an hour's rather pleasant
musing at the expense of a troubled night. Is it not more foolish then
to persist in doing this than being frightened at a Mouse? This is not a
mere fancy of the Boy--who is not a Fool, nor a 'Betty,' and is seventeen
years old: he inherits his terror from his Mother, he says: positively he
has been in a cold Sweat because of this poor little thing in the room:
and yet he is the son of a Butcher here. So I sent him home, and write
to you instead of hearing him read Hawthorne. He is to bring some
poisoned Wheat for the Mouse to-morrow.
Another Book he read me also made me think of you: Harness: whom I
remember to have seen once or twice at your Father's years ago. The
Memoir of him (which is a poor thing) still makes one like--nay,
love--him--as a kindly, intelligent, man. I think his latter letters
very pleasant indeed.
I do not know if you are in London or in your 'Villeggiatura' {13a} in
Kent. Donne must decide that for me. Even my Garden and Fields and
Shrubs are more flourishing than I have yet seen them at this time of
Year: and with you all is in fuller bloom, whether you be in Kent or
Middlesex. Are you going on with your Memoir? Pray read Hawthorne. I
dare say you do not quite forget Shakespeare now and then: dear old
Harness, reading him to the last!
Pray do you read Annie Thackeray's new Story {13b} in Cornhill? She
wrote me that she had taken great pains with it, and so thought it might
not be so good as what she took less pains with. I doated on her Village
on the Cliff, but did not care for what I had read of hers since: and
this new Story I have not seen! And pray do you doat on George Eliot?
Here are a few questions suggested for you to answer--as answer I know
you will. It is almost a Shame to put you to it by such a piece of
inanity as this letter. But it is written: it is 10 p.m. A Pipe--and
then to Bed--with what Appetite for Sleep one may.
And I am yours sincerely always
E. F.G.
VI.
WOODBRIDGE: _June_ 6, [1872].
DEAR MRS. KEMBLE,
Some little while ago I saw in a London Book Catalogue 'Smiles and
Tears--a Comedy by Mrs. C. Kemble'--I had a curiosity to see this: and so
bought it. Do you know it?--Would you like to have it? It seems to be
ingeniously contrived, and of easy and natural Dialogue: of the half
sentimental kind of Comedy, as Comedies then were (1815) with a
serious--very serious--element in it--taken from your Mother's Friend's,
Mrs. Opie's (what a sentence!) story of 'Father and Daughter'--the
seduced Daughter, who finds her distracted Father writing her name on a
Coffin he has drawn on the Wall of his Cell--All ends happily in the
Play, however, whatever may be the upshot of the Novel. But an odd thing
is, that this poor Girl's name is 'Fitz Harding'--and the Character was
played by Miss Foote: whether before, or after, her seduction by Colonel
Berkeley I know not. The Father was played by Young.
Sir Frederick Pollock has been to see me here for two days, {15} and put
me up to much that was going on in the civilized World. He was very
agreeable indeed: and I believe his Visit did him good. What are you
going to do with your Summer? Surely never came Summer with more
Verdure: and I somehow think we shall have more rain to keep the Verdure
up, than for the last few years we have had.
I am quite sure of the merit of George Eliot, and (I should have thought)
of a kind that would suit me. But I have not as yet found an Appetite
for her. I have begun taking the Cornhill that I may read Annie
Thackeray--but I have not found Appetite for her as yet. Is it that one
recoils from making so many new Acquaintances in Novels, and retreats
upon one's Old Friends, in Shakespeare, Cervantes, and Sir Walter? Oh, I
read the last as you have lately been reading--the Scotch Novels, I mean:
I believe I should not care for the Ivanhoes, Kenilworths, etc., any
more. But Jeanie Deans, the Antiquary, etc., I shall be theirs as long
as I am yours sincerely
E. F.G.
VII.
WOODBRIDGE: _August_ 9, [1872].
DEAR MRS. KEMBLE,
I think I shall hear from you once again before you go abroad. To Rome!
My Brother Peter also is going to winter there: but you would not have
much in common with him, I think, so I say nothing of an Acquaintance
between you.
I have been having Frederick Tennyson with me down here. {16a} He has
come to England (from Jersey where his home now is) partly on Business,
and partly to bring over a deaf old Gentleman who has discovered the
Original Mystery of Free-masonry, by means of Spiritualism. The
Freemasons have for Ages been ignorant, it seems, of the very Secret
which all their Emblems and Signs refer to: and the question is, if they
care enough for their own Mystery to buy it of this ancient Gentleman. If
they do not, he will shame them by Publishing it to all the world.
Frederick Tennyson, who has long been a Swedenborgian, a Spiritualist,
and is now even himself a Medium, is quite grand and sincere in this as
in all else: with the Faith of a Gigantic Child--pathetic and yet
humorous to consider and consort with.
I went to Sydenham for two days to visit the Brother I began telling you
of: and, at a hasty visit to the Royal Academy, caught a glimpse of Annie
Thackeray: {16b} who had first caught a glimpse of me, and ran away from
her Party to seize the hands of her Father's old friend. I did not know
her at first: was half overset by her cordial welcome when she told me
who she was; and made a blundering business of it altogether. So much
so, that I could not but write afterwards to apologize to her: and she
returned as kind an Answer as she had given a Greeting: telling me that
my chance Apparition had been to her as 'A message from Papa.' It was
really something to have been of so much importance.
I keep intending to go out somewhere--if for no other reason than that my
rooms here may be cleaned! which they will have it should be done once a
year. Perhaps I may have to go to my old Field of Naseby, where Carlyle
wants me to erect a Stone over the spot where I dug up some remains of
those who were slain there over two hundred years ago, for the purpose of
satisfying him in his Cromwell History. This has been a fixed purpose of
his these twenty years: I thought it had dropped from his head: but it
cropped up again this Spring, and I do not like to neglect such wishes.
Ever yours
E. F.G.
VIII.
_April_ 22, [1873.]
DEAR MRS. KEMBLE,
One last word about what you call my 'Half-invitation' to Woodbridge. In
one sense it is so; but not in the sense you imagine.
I never do invite any of my oldest Friends to come and see me, am almost
distressed at their proposing to do so. If they take me in their way to,
or from, elsewhere (as Donne in his Norfolk Circuit) it is another
matter.
But I have built a pleasant house just outside the Town, where I never
live myself, but keep it mainly for some Nieces who come there for two or
three months in the Summer: and, when they are not there, for any Friends
who like to come, for the Benefit of fresh Air and Verdure, _plus_ the
company of their Host. An Artist and his Wife have stayed there for some
weeks for the last two years; and Donne and Valentia were to have come,
but that they went abroad instead.
And so, while I should even deprecate a Lady like you coming thus far
only for my sake, who ought rather to go and ask Admission at your Door,
I should be glad if you liked to come to my house for the double purpose
aforesaid.
My Nieces have hitherto come to me from July to September or October.
Since I wrote to you, they have proposed to come on May 21; though it may
be somewhat later, as suits the health of the Invalid--who lives on small
means with her elder Sister, who is her Guardian Angel. I am sure that
no friend of mine--and least of all you--would dissent from my making
them my first consideration. I never ask them in Winter, when I think
they are better in a Town: which Town has, since their Father's Death,
been Lowestoft, where I see them from time to time. Their other six
sisters (one only married) live elsewhere: all loving one another,
notwithstanding.
Well: I have told you all I meant by my 'Half-Invitation.' These N.E.
winds are less inviting than I to these parts; but I and my House would
be very glad to entertain you to our best up to the End of May, if you
really liked to see Woodbridge as well as yours always truly
E. F.G.
P.S.--You tell me that, once returned to America, you think you will not
return ever again to England. But you will--if only to revisit those at
Kenilworth--yes, and the blind Lady you are soon going to see in Ireland
{19a}--and two or three more in England beside--yes, and old England
itself, 'with all her faults.'
By the by:--Some while ago {19b} Carlyle sent me a Letter from an
American gentleman named Norton (once of the N. American Review, C. says,
and a most amiable, intelligent Gentleman)--whose Letter enclosed one
from Ruskin, which had been entrusted to another American Gentleman named
Burne Jones--who kept it in a Desk ten years, and at last forwarded it as
aforesaid--to me! The Note (of Ruskin's) is about one of the Persian
Translations: almost childish, as that Man of Genius is apt to be in his
Likes as well as Dislikes. I dare say he has forgotten all about
Translator and Original long before this. I wrote to thank Mr. Norton
for
(_Letter unfinished_.)
IX.
[1873.]
DEAR MRS. KEMBLE,
It is scarce fair to assail you on your return to England with another
Letter so close on that to which you have only just answered--you who
_will_ answer! I wish you would consider this Letter of mine an Answer
(as it really is) to that last of yours; and before long I will write
again and call on you then for a Reply.
What inspires me now is, that, about the time you were writing to me
about Burns and Beranger, I was thinking of them 'which was the Greater
Genius?'--I can't say; but, with all my Admiration for about a Score of
the Frenchman's almost perfect Songs, I would give all of them up for a
Score of Burns' Couplets, Stanzas, or single Lines scattered among those
quite _im_perfect Lyrics of his. Beranger, no doubt, was The _Artist_;
which still is not the highest Genius--witness Shakespeare, Dante,
AEschylus, Calderon, to the contrary. Burns assuredly had more _Passion_
than the Frenchman; which is not Genius either, but a great Part of the
Lyric Poet still. What Beranger might have been, if born and bred among
Banks, Braes, and Mountains, I cannot tell: Burns had that advantage over
him. And then the Highland Mary to love, amid the heather, as compared
to Lise the Grisette in a Parisian Suburb! Some of the old French
Virelays and _Vaux-de-vire_ come much nearer the Wild Notes of Burns, and
go to one's heart like his; Beranger never gets so far as that, I think.
One knows he will come round to his pretty _refrain_ with perfect grace;
if he were more Inspired he couldn't.
'My Love is like the red, red, Rose
That's newly sprung in June,
My Love is like the Melody
That's sweetly play'd in tune.'
and he will love his Love,
'Till a' the Seas gang Dry'
Yes--Till a' the Seas gang dry, my Dear. And then comes some weaker
stuff about Rocks melting in the Sun. All Imperfect; but that red, red
Rose has burned itself into one's silly Soul in spite of all. Do you
know that one of Burns' few almost perfect stanzas was perfect till he
added two Syllables to each alternate Line to fit it to the lovely Music
which almost excuses such a dilution of the Verse?
'Ye Banks and Braes o' bonnie Doon,
How can ye bloom (so fresh) so fair?
Ye little Birds how can ye sing,
And I so (weary) full of care!
Thou'lt break my heart, thou little Bird,
That sings (singest so) upon the Thorn:
Thou minds me of departed days
That never shall return
(Departed never to) return.'
Now I shall tell you two things which my last Quotation has recalled to
me.
Some thirty years ago A. Tennyson went over Burns' Ground in Dumfries.
When he was one day by Doon-side--'I can't tell how it was, Fitz, but I
fell into a Passion of Tears'--And A. T. not given to the melting mood at
all.
No. 2. My friend old Childs of the romantic town of Bungay (if you can
believe in it!) told me that one day he started outside the Coach in
company with a poor Woman who had just lost Husband or Child. She talked
of her Loss and Sorrow with some Resignation; till the Coach happened to
pull up by a roadside Inn. A 'little Bird' was singing somewhere; the
poor Woman then broke into Tears, and said--'I could bear anything but
that.' I dare say she had never even heard of Burns: but he had heard
the little Bird that he knew would go to all Hearts in Sorrow.
Beranger's Morals are Virtue as compared to what have followed him in
France. Yet I am afraid he partly led the way. Burns' very _Passion_
half excused him; so far from its being Refinement which Burke thought
deprived Vice of half its Mischief!
Here is a Sermon for you, you see, which you did not compound for: nor I
neither when I began my Letter. But I think I have told you the two
Stories aforesaid which will almost deprive my sermon of half its
Dulness. And I am now going to transcribe you a _Vau-de-vire_ of old
Olivier de Basselin, {23a} which will show you something of that which I
miss in Beranger. But I think I had better write it on a separate Paper.
Till which, what think you of these lines of Clement Marot on the Death
of some French Princess who desired to be buried among the Poor? {23b}
[P.S.--These also must go on the Fly-leaf: being too long, Alexandrine,
for these Pages.]
What a Letter! But if you are still at your Vicarage, you can read it in
the Intervals of Church. I was surprised at your coming so early from
Italy: the famous Holy Week there is now, I suppose, somewhat shorn of
its Glory.--If you were not so sincere I should think you were
persiflaging me about the Photo, as applied to myself, and yourself. Some
years ago I said--and now say--I wanted one of you; and if this letter
were not so long, would tell you a little how to sit. Which you would
not attend to; but I should be all the same, your long-winded
Friend
E. F.G.
X.
WOODBRIDGE, _May_ 1, [1873.]
DEAR MRS. KEMBLE,
I am very glad that you will be Photographed: though not by the Ipswich
Man who did me, there are no doubt many much better in London.
Of course the whole Figure is best, if it can be artistically arranged.
But certainly the safe plan is to venture as little as possible when an
Artist's hand cannot harmonize the Lines and the Lights, as in a Picture.
And as the Face is the Chief Object, I say the safest thing is to sit for
the Face, neck, and Shoulders only. By this, one not only avoids any
conflict about Arms and Hands (which generally disturb the Photo), but
also the Lines and Lights of Chair, Table, etc.
For the same reason, I vote for nothing but a plain Background, like a
Curtain, or sober-coloured Wall.
I think also that there should be no White in the Dress, which is apt to
be too positive for the Face. Nothing nearer White than such material as
(I think) Brussels Lace (?) of a yellowish or even dirty hue; of which
there may be a Fringe between Dress and Skin. I have advised Men Friends
to sit in a--dirty Shirt!
I think a three-quarter face is better that a Full; for one reason, that
I think the Sitter feels more at ease looking somewhat away, rather than
direct at the luminous Machine. This will suit you, who have a finely
turned Head, which is finely placed on Neck and Shoulders. But, as your
Eyes are fine also, don't let them be turned too much aside, nor at all
downcast: but simply looking as to a Door or Window a little on one side.
Lastly (!) I advise sitting in a lightly clouded Day; not in a bright
Sunlight at all.
You will think that I am preaching my own Photo to you. And it is true
that, though I did not sit with any one of these rules in my head; but
just as I got out of a Cab, etc., yet the success of the Thing made me
consider afterward why it succeeded; and I have now read you my Lecture
on the Subject. Pray do not forgo your Intention--nay, your Promise, as
I regard it--to sit, and send me the result. {25}
Here has been a bevy of Letters, and long ones, from me, you see. I
don't know if it is reasonable that one should feel it so much easier to
write to a Friend in England than to the same Friend abroad; but so it
is, with me at least. I suppose that a Letter directed to Stoneleigh
will find you before you leave--for America!--and even after that. But I
shall not feel the same confidence and ease in transcribing for you
pretty Norman Songs, or gossiping about them as I have done when my
Letters were only to travel to Kenilworth: which very place--which very
name of a Place--makes the English world akin. I suppose you have been
at Stratford before this--an event in one's Life. It was not the Town
itself--or even the Church--that touched me most: but the old Footpaths
over the Fields which He must have crossed three Centuries ago.
Spedding tells me he is nearing Land with his Bacon. And one begins to
think Macready a Great Man amid the Dwarfs that now occupy his Place.
Ever yours sincerely
E. F.G.
XI.
_September_ 18/73.
DEAR MRS. KEMBLE,
I have not forgotten you at all, all these months--What a Consolation to
you! But I felt I had nothing to send among the Alps after you: I have
been nowhere but for two Days to the Field of Naseby in Northamptonshire,
where I went to identify the spot where I dug up the Dead for Carlyle
thirty years ago. I went; saw; made sure; and now--the Trustees of the
Estate won't let us put up the Memorial stone we proposed to put up; they
approve (we hear) neither of the Stone, nor the Inscription; both as
plain and innocent as a Milestone, says Carlyle, and indeed much of the
same Nature. This Decision of the foolish Trustees I only had some ten
days ago: posted it to Carlyle who answered from Dumfries; and his Answer
shows that he is in full vigour, though (as ever since I have known him)
he protests that Travelling has utterly discomfited him, and he will move
no more. But it is very silly of these Trustees. {28a}
And, as I have been nowhere, I have seen no one; nor read anything but
the Tichborne Trial, and some of my old Books--among them Walpole,
Wesley, and Johnson (Boswell, I mean), three very different men whose
Lives extend over the same times, and whose diverse ways of looking at
the world they lived in make a curious study. I wish some one would
write a good Paper on this subject; I don't mean to hint that I am the
man; on the contrary, I couldn't at all; but I could supply some [one]
else with some material that he would not care to hunt up in the Books
perhaps.
Well: all this being all, I had no heart to write--to the Alps! And now
I remember well you told me you [were] coming back to England--for a
little while--a little while--and then to the New World for ever--which I
don't believe! {28b} Oh no! you will come back in spite of yourself,
depend upon it--and yet I doubt that my saying so will be one little
reason why you will not! But do let me hear of you first: and believe me
ever yours
E. F.G.
XII.
[WOODBRIDGE, 1873.]
DEAR MRS. KEMBLE,
You must attribute this third Letter to an '_Idee_' that has come into my
head relating to those Memoirs of yourself which you say you are at some
loss to dispose of. I can easily understand that your Children, born and
bred (I think) in another World, would not take so much interest in them
as some of your old Friends who make part of your Recollections: as you
yourself occupy much of theirs. But then they are _old_ Friends; and are
not their Children, Executors and Assigns, as little to be depended on as
your own Kith and Kin? Well; I bethink me of one of your old Friends'
Children whom I could reckon upon for you, as I would for myself: Mowbray
Donne: the Son of one who you know loves you of old, and inheriting all
his Father's Loyalty to his Father's Friends. I am quite convinced that
he is to be perfectly depended upon in all respects for this purpose; for
his Love, his Honour, and his Intelligence. I should then make him one
day read the Memoirs to me--for I can't be assured of my own Eyes
interpreting your MS. without so much difficulty as would disturb one's
Enjoyment, or Appreciation, of such a Memoir. Unless indeed you should
one day come down yourself to my Chateau in dull Woodbridge, and there
read it over, and talk it over.
Well; this is what I seriously advise, always supposing that you have
decided not to print and publish the Memoir during your Life. No doubt
you could make money of it, beside 'bolting up' {30} such Accident as the
Future comprehends. The latter would, I know, be the only recommendation
to you.
I don't think you will do at all as I advise you. But I nevertheless
advise you as I should myself in case I had such a Record as you have to
leave behind me.--
Now once more for French Songs. When I was in Paris in 1830, just before
that Revolution, I stopped one Evening on the Boulevards by the Madeleine
to listen to a Man who was singing to his Barrel-organ. Several passing
'Blouses' had stopped also: not only to listen, but to join in the Songs,
having bought little '_Libretti_' of the words from the Musician. I
bought one too; for, I suppose, the smallest French Coin; and assisted in
the Song which the Man called out beforehand (as they do Hymns at
Church), and of which I enclose you the poor little Copy. '_Le Bon
Pasteur_, s'il vous plait'--I suppose the Circumstances: the 'beau
temps,' the pleasant Boulevards, the then so amiable People, all
contributed to the effect this Song had upon me; anyhow, it has
constantly revisited my memory for these forty-three years; and I was
thinking, the other day, touched me more than any of Beranger's most
beautiful Things. This, however, may be only one of 'Old Fitz's'
Crotchets, as Tennyson and others would call them. {31}
I have been trying again at another Great _Artist's_ work which I never
could care for at all, Goethe's _Faust_, in Hayward's Prose Translation;
Eighth Edition. Hayward quotes from Goethe himself, that, though of
course much of a Poem must evaporate in a Prose Translation, yet the
Essence must remain. Well; I distinguish as little of that Essential
Poetry in the Faust now as when I first read it--longer ago than '_Le Bon
Pasteur_,' and in other subsequent Attempts. I was tempted to think this
was some Defect--great Defect--in myself: but a Note at the end of the
Volume informs me that a much greater Wit than I was in the same
plight--even Coleridge; who admires the perfect German Diction, the
Songs, Choruses, etc. (which are such parts as cannot be translated into
Prose); he also praises Margaret and Mephistopheles; but thinks Faust
himself dull, and great part of the Drama flat and tiresome; and the
whole Thing not a self-evolving Whole, but an unconnected Series of
Scenes: all which are parts that can be judged of from Translation, by
Goethe's own Authority. I find a great want of Invention and Imagination
both in the Events and Characters.
Gervinus' Theory of Hamlet is very staking. Perhaps Shakespeare himself
would have admitted, without ever having expressly designed, it. I
always said with regard to the Explanation of Hamlet's Madness or Sanity,
that Shakespeare himself might not have known the Truth any more than we
understand the seeming Discords we see in People we know best.
Shakespeare intuitively imagined, and portrayed, the Man without being
able to give a reason--_perhaps_--I believe in Genius doing this: and
remain your Inexhaustible Correspondent
E. F.G.
Excuse this very bad writing, which I have gone over 'with the pen of
Correction,' and would have wholly re-written if my Eyes were not
be-glared with the Sun on the River. You need only read the first part
about Donne.
XIII.
[1873.]
DEAR MRS. KEMBLE,
Had you but written your Dublin Address in full, I should have caught you
before you left. As you did not, I follow your Directions, and enclose
to Coutts.
You see which of the three Photos I prefer--and very much prefer--by the
two which I return: I am very much obliged to you indeed for taking all
the Trouble; and the Photo I have retained is very satisfactory to me in
every respect: as I believe you will find it to be to such other Friends
as you would give a Copy to. I can fancy that this Photo is a fair one;
I mean, a fair Likeness: one of the full Faces was nearly as good to me,
but for the darkness of the Lips--that common default in these things--but
the other dark Fullface is very unfair indeed. You must give Copies to
dear old Donne, and to one or two others, and I should like to hear from
you [before you] leave England which they prefer.
It was indeed so unlike your obstinate habit of Reply--this last
exception--that I thought you must be ill; and I was really thinking of
writing to Mr. Leigh to ask about you--I have been ailing myself with
some form of Rheumatism--whether Lumbago, Sciatica, or what not--which
has made my rising up and sitting down especially uncomfortable; Country
Doctor quite incompetent, etc. But the Heavenly Doctor, Phoebus, seems
more efficient--especially now he has brought the Wind out of N.E.
I had meant to send you the Air of the Bon Pasteur when I sent the words:
I never heard it but that once, but I find that the version you send me
is almost identical with my Recollection of it. There is little merit in
the Tune, except the pleasant resort to the Major at the two last Verses.
I can now hear the Organist's _burr_ at the closing 'Benira.'
I happened the other day on some poor little Verses {34a} which poor
Haydon found of his poor Wife's writing in the midst of the Distress from
which he extricated himself so suddenly. And I felt how these poor
Verses touched me far more than any of Beranger's--though scarcely more
than many of Burns'. I know that the Story which they involve appeals
more to one's heart than the Frenchman does; but I am also sure that his
perfect _Art_ injures, and not assists, the utterance of Nature. I
transcribe these poor Verses for you, as you may not have the Book at
hand, and yet I think you will thank me for recalling them to you. I
find them in a MS. Book I have which I call 'Half Hours with the Worst
Authors,' {34b} and if People would believe that I know what is good for
them in these matters, the Book would make a very good one for the
Public. But if People don't see as I do by themselves, they wouldn't any
the more for my telling them, not having any Name to bid their Attention.
So my Bad Authors must be left to my Heirs and Assigns; as your Good
Memoirs!
On second Thoughts, I shall (in spite of your Directions) keep two of the
Photos: returning you only the hateful dark one. That is, I shall keep
the twain, unless you desire me to return you one of them. Anyhow, do
write to me before you go quite away, and believe me always yours
E. F.G.
XIV.
WOODBRIDGE: _Novr._ 18/73.
DEAR MRS. KEMBLE,
I should have written to you before, but that I was waiting for some
account, for better or worse, of our friend Donne; who has been seriously
ill this Fortnight and more. I don't know what his original Ailment was,
unless a Cold; but the Effect has been to leave him so weak, that even
now the Doctor fears for any Relapse which he might not be strong enough
to bear. He had been for a Visit to friends in the West of England: and
became ill directly he returned to London. You may think it odd I don't
know what was his Illness; but Mowbray, who has told me all I know, did
not tell me that: and so I did not ask, as I could do no good by knowing.
Perhaps it is simply a Decay, or Collapse, of Body, or Nerves--or even
Mind:--a Catastrophe which I never thought unlikely with Donne, who has
toiled and suffered so much, for others rather than for himself; and
keeping all his Suffering to himself. He wrote me a letter about himself
a week ago; cheerful, and telling me of Books he read: so as no one would
guess he was so ill; but a Letter from Mowbray by the same Post told me
he was still in a precarious Condition. I had wished to tell you that he
was better, if not well: but I may wait some time for that: and so I will
write now:--with the Promise that I will write again directly there is
anything else to tell.
Here my Reader comes to give me an Instalment of Tichborne: so I shall
shut up, perhaps till To-morrow.
The Lord Chief Justice and Co. have just decided to adjourn the Trial for
ten Days, till Witnesses arrive from your side of the Atlantic. My
Reader has just adjourned to some Cake and Porter--I tell him not to
hurry--while I go on with this Letter. To tell you that, I might almost
have well adjourned writing 'sine die' (can you construe?), for I don't
think I have more to tell you now. Only that I am reading--Crabbe! And
I want you to tell me if he is read on that side of the Atlantic from
which we are expecting Tichborne Witnesses.
(Reader finishes Cake and Porter: and we now adjourn to 'All the Year
Round.')
10 p.m. 'All the Year Round' read--part of it--and Reader departed.
Pray do tell me if any one reads Crabbe in America; nobody does here, you
know, but myself; who bore about it. Does Mrs. Wister, who reads many
things? Does Mrs. Kemble, now she has the Atlantic between her and the
old Country?
'Over the Forth I look to the North,
But what is the North and its Hielands to me?
The North and the East gie small ease to my breast,
The far foreign land and the wide rolling Sea.' {37}
I think that last line will bring the Tears into Mrs. Kemble's Eyes--which
I can't find in the Photograph she sent me. Yet they are not
extinguisht, surely?
I read in some Athenaeum that A. Tennyson was changing his Publisher
again: and some one told me that it was in consequence of the resigning
Publisher having lost money by his contract with the Poet; which was, to
pay him 1000 pounds per Quarter for the exclusive sale of his Poems. It
was a Woodbridge _Literati_ who told me this, having read it in a Paper
called 'The Publisher.' More I know not.
A little more such stuff I might write: but I think here is enough of it.
For this Night, anyhow: so I shall lick the Ink from my Pen; and smoke
one Pipe, not forgetting you while I do so; and if nothing turns up To-
morrow, here is my Letter done, and I remaining yours always sincerely
E. F.G.
XV.
WOODBRIDGE: _Nov._ 24, [1873].
DEAR MRS. KEMBLE,
A note from Mowbray to-day says 'I think I can report the Father really
on the road to recovery.'
So, as I think you will be as glad to know this as I am, I write again
over the Atlantic. And, after all, you mayn't be over the Atlantic, but
in London itself! Donne would have told me: but I don't like to trouble
him with Questions, or writing of any sort. If you be in London, you
will hear somehow of all this matter: if in America, my Letter won't go
in vain.
Mowbray wrote me some while ago of the Death of your Sister's Son in the
Hunting-field. {38} Mowbray said, aged thirty, I think: I had no idea,
so old: born when I was with Thackeray in Coram Street--(_Jorum_ Street,
he called it) where I remember Mrs. Sartoris coming in her Brougham to
bid him to Dinner, 1843.
I wrote to Annie Thackeray yesterday: politely telling her I couldn't
relish her Old Kensington a quarter as much as her Village on the Cliff:
which, however, I doat on. I still purpose to read Miss Evans: but my
Instincts are against her--I mean, her Books.
What have you done with your Memoirs? Pollock is about to edit
Macready's. And Chorley--have you read him? I shall devour him in
time--that is, when Mudie will let me.
I wonder if there are Water-cresses in America, as there are on my tea-
table while I write?
What do you think of these two lines which Crabbe didn't print?
'The shapeless purpose of a Soul that feels,
And half suppresses Wrath, {39} and half reveals.'
My little bit of Good News about our Friend is the only reason and
Apology for this Letter from
Yours ever and always
E. F.G.
XVI.
LOWESTOFT: _Febr._ 10/74.
DEAR MRS. KEMBLE,
A Letter to be written to you from the room I have written to you before
in: but my Letter must wait till I return to Woodbridge, where your
Address is on record. I have thought several times of writing to you
since this Year began; but I have been in a muddle--leaving my old
Markethill Lodgings, and vacillating between my own rather lonely
Chateau, and this Place, where some Nieces are. I had wished to tell you
what I know of our dear Donne: who Mowbray says gets on still. I suppose
he will never be so strong again. Laurence wrote me that he had met him
in the Streets, looking thinner (!) with (as it were) keener Eyes. That
is a Portrait Painter's observation: probably a just one. Laurence has
been painting for me a Copy of Pickersgill's Portrait of Crabbe--but I am
afraid has made some muddle of it, according to his wont. I asked for a
Sketch: he _will_ elaborate--and spoil. Instead of copying the Colours
he sees and could simply match on his Palette, he _will_ puzzle himself
as to whether the Eyebrows were once sandy, though now gray; and wants to
compare Pickersgill's Portrait with Phillips'--which I particularly
wished to be left out of account. Laurence is a dear little fellow--a
Gentleman--Spedding said, 'made of Nature's very finest Clay.' {40} So
he is: but the most obstinate little man--'incorrigible,' Richmond called
him; and so he wearies out those who wish most to serve and employ him;
and so has spoiled his own Fortune.
Do you read in America of Holman Hunt's famous new Picture of 'The Shadow
of Death,' which he has been some seven Years painting--in Jerusalem, and
now exhibits under theatrical Lights and accompaniments? This does not
induce me to believe in H. Hunt more than heretofore: which is--not at
all. Raffaelle, Mozart, Shakespeare, did not take all that time about a
work, nor brought it forth to the world with so much Pomp and
Circumstance.
Do you know Sainte Beuve's Causeries? I think one of the most delightful
Books--a Volume of which I brought here, and makes me now write of it to
you. It is a Book worth having--worth buying--for you can read it more
than once, and twice. And I have taken up Don Quixote again: more
Evergreen still; in Spanish, as it must be read, I doubt.
Here is a Sheet of Paper already filled, with matters very little worthy
of sending over the Atlantic. But you will be glad of the Donne news, at
any rate. Do tell me ever so little of yourself in return.
Now my Eyes have had enough of this vile steel pen; and so have yours, I
should think: and I will mix a Glass of poor Sherry and Water, and fill a
Pipe, and think of you while I smoke it. Think of me sometimes as
Yours always sincerely,
E. F.G.
P.S. I shall venture this Letter with no further Address than I remember
now.
XVII.
LITTLE GRANGE: WOODBRIDGE, _May_ 2/74.
DEAR MRS. KEMBLE,
My Castle Clock has gone 9 p.m., and I myself am but half an hour home
from a Day to Lowestoft. Why I should begin a Letter to you under these
circumstances I scarce know. However, I have long been intending to
write: nay, actually did write half a Letter which I mislaid. What I
wanted to tell you was--and is--that Donne is going on very well: Mowbray
thinks he may be pronounced 'recovered.' You may have heard about him
from some other hand before this: I know you will be glad to hear it at
any time, from any quarter.
This my Castle had been named by me 'Grange Farm,' being formerly a
dependency of a more considerable Chateau on the hill above. But a fine
tall Woman, who has been staying two days, ordered me to call it 'Little
Grange.' So it must be. She came to meet a little Niece of mine: both
Annies: one tall as the other is short: both capital in Head and Heart: I
knew they would _fadge_ well: so they did: so we all did, waiting on
ourselves and on one another. Odd that I have another tip-top Annie on
my small list of Acquaintances--Annie Thackeray.
I wonder what Spring is like in America. We have had an April of really
'magnifique' Weather: but here is that vixen May with its N.E. airs. A
Nightingale however sings so close to my Bedroom that (the window being
open) the Song is almost too loud.
I thought you would come back to Nightingale-land!
Donne is better: and Spedding has at last (I hear) got his load of Bacon
off his Shoulders, after carrying it for near Forty years! Forty years
long! A fortnight ago there was such a delicious bit of his in Notes and
Queries, {42} a Comment on some American Comment on a passage in Antony
and Cleopatra, that I recalled my old Sorrow that he had not edited
Shakespeare long ago instead of wasting Life in washing his Blackamoor.
Perhaps there is time for this yet: but is there the Will?
Pray, Madam, how do you emphasize the line--
'After Life's fitful Fever he sleeps well,'
which, by the by, one wonders never to have seen in some Churchyard? What
do you think of this for an Epitaph--from Crabbe?--
'Friend of the Poor--the Wretched--the Betray'd,
They cannot pay thee--but thou shalt be paid.' {43}
This is a poor Letter indeed to make you answer--as answer you will--I
really only intended to tell you of Donne; and remain ever yours
E. F.G.
Pollock is busy editing Macready's Papers.
XVIII.
LOWESTOFT: _June_ 2/74.
DEAR MRS. KEMBLE,
Many a time have I written to you from this place: which may be the
reason why I write again now--the very day your Letter reaches me--for I
don't know that I have much to say, nor anything worth forcing from you
the Answer that you will write. Let me look at your Letter again. Yes:
so I thought of '_he_ sleeps well,' and yet I do not remember to have
heard it so read. (I never heard you read the Play) I don't think
Macready read it so. I liked his Macbeth, I must say: only he would say
'Amen st-u-u-u-ck in his throat,' which was not only a blunder, but a
vulgar blunder, I think.
Spedding--I should think indeed it was too late for him to edit
Shakespeare, if he had not gone on doing so, as it were, all his Life.
Perhaps it is too late for him to remember half, or a quarter, of his own
Observations. Well then: I wish he would record what he does remember:
if not an Edition of Shakespeare yet so many Notes toward an Edition. I
am persuaded that no one is more competent. {45a}
You see your Americans will go too far. It was some American Professor's
Note {45b} on 'the Autumn of his Bounty' which occasioned Spedding's
delightful Comment some while ago, and made me remember my old wish that
he should do the thing. But he will not: especially if one asks him.
Donne--Archdeacon Groome told me a Fortnight ago that he had been at
Weymouth Street. Donne better, but still not his former Self.
By the by, I have got a Skeleton of my own at last: Bronchitis--which
came on me a month ago--which I let go on for near three weeks--then was
forced to call in a Doctor to subdue, who kept me a week indoors. And
now I am told that, every Cold I catch, my Skeleton is to come out, etc.
Every N.E. wind that blows, etc. I had not been shut up indoors for some
fifty-five years--since Measles at school--but I had green before my
Windows, and Don Quixote for Company within. _Que voulez-vous_?
Shakespeare again. A Doctor Whalley, who wrote a Tragedy for Mrs.
Siddons (which she declined), proposed to her that she should read--'But
screw your Courage to the _sticking place_,' with the appropriate action
of using the Dagger. I think Mrs. Siddons good-naturedly admits there
may be something in the suggestion. One reads this in the last memoir of
Madame Piozzi, edited by Mr. Hayward.
_Blackbird_ v. _Nightingale_. I have always loved the first best: as
being so jolly, and the Note so proper from that golden Bill of his. But
one does not like to go against received opinion. Your _Oriole_ has been
seen in these parts by old--very old--people: at least, a gay bird so
named. But no one ever pretends to see him now.
Now have you perversely crossed the Address which you desire me to abide
by: and I can't be sure of your 'Branchtown'? But I suppose that enough
is clear to make my Letter reach you if it once gets across the Atlantic.
And now this uncertainty about your writing recalls to me--very
absurdly--an absurd Story told me by a pious, but humorous, man, which
will please you if you don't know it already.
_Scene_.--Country Church on Winter's Evening. Congregation, with the Old
Hundredth ready for the Parson to give out some Dismissal Words.
_Good old Parson_, not at all meaning rhyme, 'The Light has grown so very
dim, I scarce can see to read the Hymn.'
_Congregation_, taking it up: to the first half of the Old Hundredth--
'The Light has grown so very dim,
I scarce can see to read the Hymn.'
(Pause, as usual: _Parson_, mildly impatient) 'I did not mean to read a
Hymn; I only meant my Eyes were dim.'
_Congregation_, to second part of Old Hundredth:--
'I did not mean to read a Hymn;
I only meant my Eyes were dim.'
_Parson_, out of Patience, etc.:--
'I didn't mean a Hymn at all,--
I think the Devil's in you all.'
I say, if you don't know this, it is worth your knowing, and making known
over the whole Continent of America, North and South. And I am your
trusty and affectionate old Beadsman (left rather deaf with that blessed
Bronchitis)
E. F.G.
XIX.
LITTLE GRANGE: WOODBRIDGE, _July_ 21, [1874.]
DEAR MRS. KEMBLE,
I must write to you--for I have seen Donne, and can tell you that he
looks and seems much better than I had expected, though I had been told
to expect well: he was upright, well coloured, animated; I should say
(_sotto voce_) better than he seemed to me two years ago. And this in
spite of the new Lord Chamberlain {48a} having ousted him from his
Theatrical post, wanting a younger and more active man to go and see the
Plays, as well as read them. I do not think this unjust; I was told by
Pollock that the dismissal was rather abrupt: but Donne did not complain
of it. When does he complain? He will now, however, leave Weymouth
Street, and inhabit some less costly house--not wanting indeed so large
[a] one for his present household. He is shortly going with his
Daughters to join the Blakesleys at Whitby. Mowbray was going off for
his Holiday to Cornwall: I just heard him speaking of Freddy's present
Address to his father: Blanche was much stronger, from the treatment of a
Dr. Beard {48b} (I think). I was quite moved by her warm salutation when
I met her, after some fifteen years' absence. All this I report from a
Visit I made to Donne's own house in London. A thing I scarce ever
thought to do again, you may know: but I could not bear to be close to
him in London for two days without assuring myself with my own Eyes how
he looked. I think I observed a slight hesitation of memory: but
certainly not so much as I find in myself, nor, I suppose, unusual in
one's Contemporaries. My visit to London followed a visit to Edinburgh:
which I have intended these thirty years, only for the purpose of seeing
my dear Sir Walter's House and Home: and which I am glad to have seen, as
that of Shakespeare. I had expected to find a rather Cockney Castle: but
no such thing: all substantially and proportionably built, according to
the Style of the Country: the Grounds well and simply laid out: the woods
he planted well-grown, and that dear Tweed running and murmuring still--as
on the day of his Death. {49a} I did not so much care for Melrose, and
Jedburgh, {49b} though his Tomb is there--in one of the half-ruined
corners. Another day I went to Trossachs, Katrine, Lomond, etc., which
(as I expected) seemed much better to me in Pictures and Drop-scenes. I
was but three days in Scotland, and was glad to get back to my own dull
flat country, though I did worship the Pentland, Cheviot, and Eildon,
Hills, more for their Associations than themselves. They are not big
enough for that.
I saw little in London: the Academy Pictures even below the average, I
thought: only a Picture by Millais of an old Sea Captain {49c} being read
to by his Daughter which moistened my Eyes. I thought she was reading
him the Bible, which he seemed half listening to, half rambling over his
past Life: but I am told (I had no Catalogue) that she was reading about
the North West Passage. There were three deep of Bonnets before Miss
Thompson's famous Roll Call of the Guards in the Crimea; so I did not
wait till they fell away. {50a}
Yours always
E. F.G.
XX.
LOWESTOFT: _Aug._ 24, [1874.]
DEAR MRS. KEMBLE,
Your letter reached me this morning: and you see I lose no time in
telling you that, as I hear from Pollock, Donne is allowed 350 pounds a
year retiring Pension. So I think neither he nor his friends have any
reason to complain. His successor in the office is named (I think)
'Piggott' {50b}--Pollock thinks a good choice. Lord Hertford brought the
old and the new Examiners together to Dinner: and all went off well.
Perhaps Donne himself may have told you all this before now. He was to
be, about this time, with the Blakesleys at Whitby or Filey. I have not
heard any of these particulars from himself: nothing indeed since I saw
him in London.
Pollock was puzzled by an entry in Macready's Journal--1831 or
1832--'Received Thackeray's Tragedy' with some such name as
'Retribution.' I told Pollock I was sure it was not W. M. T., who
(especially at that time) had more turn to burlesque than real Tragedy:
and sure that he would have told me of it then, whether accepted or
rejected--as rejected it was. Pollock thought for some while that, in
spite of the comic Appearance we keep up, we should each of us rise up
from the Grave with a MS. Tragedy in our hands, etc. However, he has
become assured it was some other Thackeray: I suppose one mentioned by
Planche as a Dramatic _Dilettante_--of the same Family, I think, as W. M.
T.
Spedding has sent me the concluding Volume of his Bacon: the final
summing up simple, noble, deeply pathetic--rather on Spedding's own
Account than his Hero's, for whose Vindication so little has been done by
the sacrifice of forty years of such a Life as Spedding's. Positively,
nearly all the new matter which S. has produced makes against, rather
than for, Bacon: and I do think the case would have stood better if
Spedding had only argued from the old materials, and summed up his
Vindication in one small Volume some thirty-five years ago.
I have been sunning myself in Dickens--even in his later and very
inferior 'Mutual Friend,' and 'Great Expectations'--Very inferior to his
best: but with things better than any one else's best, caricature as they
may be. I really must go and worship at Gadshill, as I have worshipped
at Abbotsford, though with less Reverence, to be sure. But I must look
on Dickens as a mighty Benefactor to Mankind. {52}
This is shamefully bad writing of mine--very bad manners, to put any
one--especially a Lady--to the trouble and pain of deciphering. I hope
all about Donne is legible, for you will be glad of it. It is Lodging-
house Pens and Ink that is partly to blame for this scrawl. Now, don't
answer till I write you something better: but believe me ever and always
yours
E. F.G.
XXI.
LOWESTOFT: _October_ 4/74.
DEAR MRS. KEMBLE,
Do, pray, write your Macready (Thackeray used to say 'Megreedy') Story to
Pollock: Sir F. 59 Montagu Square. I rather think he was to be going to
Press with his Megreedy about this time: but you may be sure he will deal
with whatever you may confide to him discreetly and reverently. It is
'Miladi' P. who worshipped Macready: and I think I never recovered what
Esteem I had with her when I told her I could not look on him as a
'Great' Actor at all. I see in Planche's Memoirs that when your Father
prophesied great things of him to your Uncle J. P. K., the latter said,
'_Con quello viso_?' which '_viso_' did very well however in parts not
positively heroic. But one can't think of him along with Kean, who was
heroic in spite of undersize. How he swelled up in Othello! I remember
thinking he looked almost as tall as your Father when he came to Silence
that dreadful Bell.
I think you agree with me about Kean: remembering your really capital
Paper--in _Macmillan_ {53a}--about Dramatic and Theatric. I often look
to that Paper, which is bound up with some Essays by other
Friends--Spedding among them--no bad Company. I was thinking of your
Pasta story of 'feeling' the Antique, etc., {53b} when reading in my dear
Ste. Beuve {53c} of my dear Madame du Deffand asking Madame de Choiseul:
'You _know_ you love me, but do you _feel_ you love me?' '_Quoi_? _vous
m'aimez donc_?' she said to her secretary Wiart, when she heard him
sobbing as she dictated her last letter to Walpole. {53d}
All which reminds me of one of your friends departed--Chorley--whose
Memoirs one now buys from Mudie for 2_s._ 6_d._ or so. And
well--_well_--worth to those who recollect him. I only knew him by
Face--and Voice--at your Father's, and your Sister's: and used to think
what a little waspish _Dilettante_ it was: and now I see he was something
very much better indeed: and I only hope I may have Courage to face my
Death as he had. Dickens loved him, who did not love Humbugs: and
Chorley would have two strips of Gadshill Yew {54} put with him in his
Coffin. Which again reminds me that--_a propos_ of your comments on
Dickens' crimson waistcoat, etc., Thackeray told me thirty years ago,
that Dickens did it, not from any idea of Cockney fashion: but from a
veritable passion for Colours--which I can well sympathize with, though I
should not exhibit them on my own Person--for very good reasons. Which
again reminds me of what you write about my abiding the sight of you in
case you return to England next year. Oh, my dear Mrs. Kemble, you must
know how wrong all that is--_tout au contraire_, in fact. Tell me a word
about Chorley when next you write: you said once that Mendelssohn laughed
at him: then, he ought not. How well I remember his strumming away at
some Waltz in Harley or Wimpole's endless Street, while your Sister and a
few other Guests went round. I thought then he looked at one as if
thinking 'Do you think me then--a poor, red-headed Amateur, as Rogers
does?' That old Beast! I don't scruple to say so.
I am positively looking over my everlasting Crabbe again: he naturally
comes in about the Fall of the Year. Do you remember his wonderful
'October Day'? {55}
'Before the Autumn closed,
When Nature, ere her Winter Wars, reposed
When from our Garden, as we looked above,
No Cloud was seen; and nothing seem'd to move;
When the wide River was a Silver Sheet,
And upon Ocean slept the unanchor'd fleet:
When the wing'd Insect settled in our Sight,
And waited Wind to recommence her flight.'
And then, the Lady who believes her young Lover dead, and has vowed
eternal Celibacy, sees him advancing, a portly, well to do, middle aged
man: and swears she won't have him: and does have him, etc.
Which reminds me that I want you to tell me if people in America read
Crabbe.
Farewell, dear Mrs. Kemble, for the present: always yours
E. F.G.
Have you the Robin in America? One is singing in the little bit Garden
before me now.
XXII.
59 MONTAGU SQUARE, LONDON, W.
5 _Oct._/74.
MY DEAR FITZ,
It is very good of Mrs. Kemble to wish to tell me a story about Macready,
and I shall be glad to know it.
Only--she should know that I am not writing his life--but editing his
autobiographical reminiscences and diaries--and unless the anecdote could
be introduced to explain or illustrate these, it would not be serviceable
for my present purpose.
But for its own sake and for Macready's I should like to be made
acquainted with it.
I am making rapid way with the printing--in fact have got to the end of
what will be Vol. I. in slip--so that I hope the work may be out by or
soon after Christmas, if the engravings are also ready by that time.
It will be, I am sure, most interesting--and will surprise a great many
people who did not at all know what Macready really was.
You last heard of me at Clovelly--where we spent a delightful month--more
rain than was pleasant--but on the whole charming. I think I told you
that Annie Thackeray was there for a night--and that we bound her over
not to make the reading public too well acquainted with the place, which
would not be good for it.
Since then--a fortnight at St. Julians--and the same time at Tunbridge
Wells--I coming up to town three times a week--
Noctes atque dies patet atri janua Ditis, {56}
and as there are other points of resemblance--so it is natural that the
Gates of Justice should be open even during the Vacation--just a little
ajar--with somebody to look after it, which somebody it has been my lot
to be this year.
T. Wells was very pleasant--I like the old-fashioned place--and can
always people the Pantiles (they call it the Parade now) with Dr. Johnson
and the Duchess of Kingston, and the Bishop of Salisbury and the foreign
baron, and the rest. {57a}
Miladi and Walter are at Paris for a few days. I am keeping house with
Maurice--Yours, W. F. Pk.
We have J. S.'s {57b} seventh volume--and I am going to read it--but do
not know where he is himself. I have not seen the 'white, round
object--which is the head of him' for some time past--not since--July.--
XXIII.
WOODBRIDGE: _Novr._ 17/74.
DEAR MRS. KEMBLE,
Your Letter about Megreedy, as Thackeray used to call him, is very
interesting: I mean as connected with your Father also. Megreedy, with
all his flat face, managed to look well as Virginius, didn't he? And, as
I thought, well enough in Macbeth, except where he _would_ stand with his
mouth open (after the Witches had hailed him), till I longed to pitch
something into it out of the Pit, the dear old Pit. How came _he_ to
play Henry IV. instead of your Father, in some Play I remember at C. G.,
though I did not see it? How well I remember your Father in Falconbridge
(Young, K. John) as he looked sideway and upward before the Curtain fell
on his Speech.
Then his Petruchio: I remember his looking up, as the curtain fell at the
end, to where he knew that Henry had taken me--some very upper Box. And
I remember too his standing with his Hunting spear, looking with pleasure
at pretty Miss Foote as Rosalind. He played well what was natural to
him: the gallant easy Gentleman--I thought his Charles Surface rather
cumbrous: but he was no longer young.
Mrs. Wister quite mistook the aim of my Query about Crabbe: I asked if he
were read in America for the very reason that he is not read in England.
And in the October _Cornhill_ is an Article upon him (I hope not by
Leslie Stephen), so ignorant and self-sufficient that I am more wroth
than ever. The old Story of 'Pope in worsted stockings'--why I could
cite whole Paragraphs of as fine texture as Moliere--incapable of
Epigram, the Jackanapes says of 'our excellent Crabbe'--why I could find
fifty of the very best Epigrams in five minutes. But now do you care for
him? 'Honour bright?' as Sheridan used to say. I don't think I ever
knew a Woman who did like C., except my Mother. What makes People (this
stupid Reviewer among them) talk of worsted Stockings is because of
having read only his earlier works: when he himself talked of his Muse as
'Muse of the Mad, the Foolish, and the Poor,' {59a}
the Borough: Parish Register, etc. But it is his Tales of the Hall which
discover him in silk Stockings; the subjects, the Scenery, the Actors, of
a more Comedy kind: with, I say, Paragraphs, and Pages, of fine Moliere
style--only too often defaced by carelessness, disproportion, and
'longueurs' intolerable. I shall leave my Edition of Tales of the Hall,
made legible by the help of Scissors and Gum, with a word or two of Prose
to bridge over pages of stupid Verse. I don't wish to try and supersede
the Original, but, by the Abstract, to get People to read the whole, and
so learn (as in Clarissa) how to get it all under command. I even wish
that some one in America would undertake to publish--in whole, or part by
part--my 'Readings in Crabbe,' viz., Tales of the Hall: but no one would
let me do the one thing I can do.
I think you must repent having encouraged such a terrible Correspondent
as myself: you have the remedy in your own hands, you know. I find that
the Bronchitis I had in Spring returns upon me now: so I have to give up
my Night walks, and stalk up and down my own half-lighted Hall (like
Chateaubriand's Father) {59b} till my Reader comes. Ever yours truly
E. F.G.
_Novr._ 21.
I detained this letter till I heard from Donne, who has been at Worthing,
and writes cheerfully.
XXIV.
LOWESTOFT, _Febr._ 11/75.
DEAR MRS. KEMBLE,
Will you please to thank Mr. Furness for the trouble he has taken about
Crabbe. The American Publisher is like the English, it appears, and both
may be quite right. They certainly are right in not accepting anything
except on very good recommendation; and a Man's Fame is the best they can
have for that purpose. I should not in the least be vext or even
disappointed at any rejection of my Crabbe, but it is not worth further
trouble to any party to send across the Atlantic what may, most probably,
be returned with thanks and Compliments. And then Mr. Furness would feel
bound to ask some other Publisher, and you to write to me about it. No,
no! Thank him, if you please: you know I thank you: and then I will let
the matter drop.
The Athenaeum told me there was a Paper by Carlyle in the January
Fraser--on the old Norway Kings. Then People said it was not his: but
his it is, surely enough (though I have no Authority but my own Judgment
for saying so), and quite delightful. If missing something of his Prime,
missing also all his former 'Sound and Fury,' etc., and as alive as ever.
I had thoughts of writing to him on the subject, but have not yet done
so. But pray do you read the Papers: there is a continuation in the
February Fraser: and 'to be continued' till ended, I suppose.
Your Photograph--Yes--I saw your Mother in it, as I saw her in you when
you came to us in Woodbridge in 1852. That is, I saw her such as I had
seen her in a little sixpenny Engraving in a 'Cottage Bonnet,' something
such as you wore when you stept out of your Chaise at the Crown Inn.
My Mother always said that your Mother was by far the most witty,
sensible, and agreeable Woman she knew. I remember one of the very few
delightful Dinner parties I ever was at--in St. James' Place--(was it?) a
Party of seven or eight, at a round Table, your Mother at the head of the
Table, and Mrs. F. Kemble my next Neighbour. And really the (almost)
only other pleasant Dinner was one you gave me and the Donnes in Savile
Row, before going to see Wigan in 'Still Waters,' which you said was
_your_ Play, in so far as you had suggested the Story from some French
Novel.
I used to think what a deep current of melancholy was under your Mother's
Humour. Not 'under,' neither: for it came up as naturally to the surface
as her Humour. My mother always said that one great charm in her was,
her Naturalness.
If you read to your Company, pray do you ever read _the_ Scene in the
'Spanish Tragedy' quoted in C. Lamb's Specimens--such a Scene as (not
being in Verse, and quite familiar talk) I cannot help reading to my
Guests--very few and far between--I mean by 'I,' one who has no gift at
all for reading except the feeling of a few things: and I can't help
stumbling upon Tears in this. Nobody knows who wrote this one scene: it
was thought Ben Jonson, who could no more have written it than I who read
it: for what else of his is it like? Whereas, Webster one fancies might
have done it. It is not likely that you do not know this wonderful bit:
but, if you have it not by heart almost, look for it again at once, and
make others do so by reading to them.
The enclosed Note from Mowbray D[onne] was the occasion of my writing
thus directly to you. And yet I have spoken 'de omnibus other rebus'
first. But I venture to think that your feeling on the subject will be
pretty much like my own, and so, no use in talking.
Now, if I could send you part of what I am now packing up for some
Woodbridge People--some--some--Saffron Buns!--for which this Place is
notable from the first day of Lent till Easter--A little Hamper of these!
Now, my dear Mrs. Kemble, do consider this letter of mine as an Answer to
yours--your two--else I shall be really frightened at making you write so
often to yours always and sincerely
E. F.G.
XXV.
LOWESTOFT, _March_ 11/75.
DEAR MRS. KEMBLE,
I am really ashamed that you should apologize for asking me a Copy of
Calderon, etc. {64a} I had about a hundred Copies of all those things
printed _when_ printed: and have not had a hundred friends to give them
to--poor Souls!--and am very well pleased to give to any one who
likes--especially any Friend of yours. I think however that your reading
of them has gone most way to make your Lady ask. But, be that as it may,
I will send you a Copy directly I return to my own Chateau, which I mean
to do when the Daffodils have taken the winds of March. {64b}
We have had severe weather here: it has killed my Brother Peter (not
John, my eldest) who tried to winter at Bournemouth, after having
wintered for the last ten years at Cannes. Bronchitis:--which (_sotto
voce_) I have as yet kept Cold from coming to. But one knows one is not
'out of the Wood' yet; May, if not March, being, you know, one of our
worst Seasons.
I heard from our dear Donne a week ago; speaking with all his own blind
and beautiful Love for his lately lost son; and telling me that he
himself keeps his heart going by Brandy. But he speaks of this with no
Fear at all. He is going to leave Weymouth Street, but when, or for
where, he does not say. He spoke of a Letter he had received from you
some while ago.
Now about Crabbe, which also I am vext you should have trouble about. I
wrote to you the day after I had your two Letters, with Mr. Furness'
enclosed, and said that, seeing the uncertainty of any success in the
matter, I really would not bother you or him any more. You know it is
but a little thing; which, even if a Publisher tried piece-meal, would
very likely be scouted: I only meant 'piece-meal,' by instalments: so as
they could be discontinued if not liked. But I suppose I must keep my
Work--of paste, and scissors--for the benefit of the poor Friends who
have had the benefit of my other Works.
Well: as I say, I wrote and posted my Letter at once, asking you to thank
Mr. Furness for me. I think this must be a month ago--perhaps you had my
Letter the day after you posted this last of yours, dated February 21. Do
not trouble any more about it, pray: read Carlyle's 'Kings of Norway' in
Fraser and believe me ever yours
E. F.G.
I will send a little bound Copy of the Plays for yourself, dear Mrs.
Kemble, if you will take them; so you can give the Lady those you
have:--but, whichever way you like.
XXVI.
LOWESTOFT, _March_ 17/75.
DEAR MRS. KEMBLE,
This bit of Letter is written to apprise you that, having to go to
Woodbridge three days ago, I sent you by Post a little Volume of the
Plays, and (what I had forgotten) a certain little Prose Dialogue {65}
done up with them. This is more than you wanted, but so it is. The
Dialogue is a pretty thing in some respects: but disfigured by some
confounded _smart_ writing in parts: And this is all that needs saying
about the whole concern. You must not think necessary to say anything
more about it yourself, only that you receive the Book. If you do not,
in a month's time, I shall suppose it has somehow lost its way over the
Atlantic: and then I will send you the Plays you asked for, stitched
together--and those only.
I hope you got my Letter (which you had not got when your last was
written) about Crabbe: for I explained in it why I did not wish to
trouble you or Mr. Furness any more with such an uncertain business.
Anyhow, I must ask you to thank him for the trouble he had already taken,
as I hope you know that I thank you also for your share in it.
I scarce found a Crocus out in my Garden at home, and so have come back
here till some green leaf shows itself. We are still under the dominion
of North East winds, which keep people coughing as well as the Crocus
under ground. Well, we hope to earn all the better Spring by all this
Cold at its outset.
I have so often spoken of my fear of troubling you by all my Letters,
that I won't say more on that score. I have heard no news of Donne since
I wrote. I have been trying to read Gil Blas and La Fontaine again; but,
as before, do not relish either. {67} I must get back to my Don Quixote
by and by.
Yours as ever
E. F.G.
I wonder if this letter will smell of Tobacco: for it is written just
after a Pipe, and just before going to bed.
XXVII.
LOWESTOFT: _April_ 9/75.
DEAR MRS. KEMBLE,
I wrote you a letter more than a fortnight ago--mislaid it--and now am
rather ashamed to receive one from you thanking me beforehand for the
mighty Book which I posted you a month ago. I only hope you will not
feel bound to acknowledge [it] when it does reach you, I think I said so
in the Letter I wrote to go along with it. And I must say no more in the
way of deprecating your Letters, after what you write me. Be assured
that all my deprecations were for your sake, not mine; but there's an end
of them now.
I had a longish letter from Donne himself some while ago; indicating, I
thought, _some_ debility of Mind and Body. He said, however, he was
going on very well. And a Letter from Mowbray (three or four days old)
speaks of his Father as 'remarkably well.' But these Donnes won't
acknowledge Bodily any more than Mental fault in those they love. Blanche
had been ill, of neuralgic Cold: Valentia not well: but both on the
mending hand now.
It has been indeed the Devil of a Winter: and even now--To-day as I
write--no better than it was three months ago. The Daffodils scarce dare
take April, let alone March; and I wait here till a Green Leaf shows
itself about Woodbridge.
I have been looking over four of Shakespeare's Plays, edited by Clark and
Wright: editors of the 'Cambridge Shakespeare.' These 'Select Plays' are
very well done, I think: Text, and Notes; although with somewhat too much
of the latter. Hamlet, Macbeth, Tempest, and Shylock--I heard them
talking in my room--all alive about me.
By the by--How did _you_ read 'To-morrow and To-morrow, etc.' All the
Macbeths I have heard took the opportunity to become melancholy when they
came to this: and, no doubt, some such change from Fury and Desperation
was a relief to the Actor, and perhaps to the Spectator. But I think it
_should_ all go in the same Whirlwind of Passion as the rest:
Folly!--Stage Play!--Farthing Candle; Idiot, etc. Macready used to drop
his Truncheon when he heard of the Queen's Death, and stand with his
Mouth open for some while--which didn't become him.
I have not seen his Memoir: only an extract or two in the Papers. He
always seemed to me an Actor by Art and Study, with some native Passion
to inspire him. But as to Genius--we who have seen Kean!
I don't know if you were acquainted with Sir A. Helps, {68} whose Death
(one of this Year's Doing) is much regretted by many. I scarcely knew
him except at Cambridge forty years ago: and could never relish his
Writings, amiable and sensible as they are. I suppose they will help to
swell that substratum of Intellectual _Peat_ (Carlyle somewhere calls it)
{69} from [which] one or two living Trees stand out in a Century. So
Shakespeare above all that Old Drama which he grew amidst, and which (all
represented by him alone) might henceforth be left unexplored, with the
exception of a few twigs of Leaves gathered here and there--as in Lamb's
Specimens. Is Carlyle himself--with all his Genius--to subside into the
Level? Dickens, with all his Genius, but whose Men and Women act and
talk already after a more obsolete fashion than Shakespeare's? I think
some of Tennyson will survive, and drag the deader part along with it, I
suppose. And (I doubt) Thackeray's terrible Humanity.
And I remain yours ever sincerely,
A very small Peat-contributor,
E. F.G.
I am glad to say that Clark and Wright Bowdlerize Shakespeare, though
much less extensively than Bowdler. But in one case, I think, they have
gone further--altering, instead of omitting: which is quite wrong!
XXVIII.
LOWESTOFT: _April_ 19/75.
DEAR MRS. KEMBLE,
Yesterday I wrote you a letter: enveloped it: then thought there was
something in it you might misunderstand--Yes!--the written word across
the Atlantic looking perhaps so different from what intended; so kept my
Letter in my pocket, and went my ways. This morning your Letter of April
3 is forwarded to me; and I shall re-write the one thing that I yesterday
wrote about--as I had intended to do before your Letter came. Only, let
me say that I am really ashamed that you should have taken the trouble to
write again about my little, little, Book.
Well--what I wrote about yesterday, and am to-day about to re-write,
is--Macready's Memoirs. You asked me in your previous Letter whether I
had read them. No--I had not: and had meant to wait till they came down
to Half-price on the Railway Stall before I bought them. But I wanted to
order something of my civil Woodbridge Bookseller: so took the course of
ordering this Book, which I am now reading at Leisure: for it does not
interest me enough to devour at once. It is however a very unaffected
record of a very conscientious Man, and Artist; conscious (I think) that
he was not a great Genius in his Profession, and conscious of his defect
of Self-control in his Morals. The Book is almost entirely about
_himself_, _his_ Studies, _his_ Troubles, _his_ Consolations, etc.; not
from Egotism, I do think, but as the one thing he had to consider in
writing a Memoir and Diary. Of course one expects, and wishes, that the
Man's self should be the main subject; but one also wants something of
the remarkable people he lived with, and of whom one finds little here
but that 'So-and-so came and went'--scarce anything of what they said or
did, except on mere business; Macready seeming to have no Humour; no
intuition into Character, no Observation of those about him (how could he
be a great Actor then?)--Almost the only exception I have yet reached is
his Account of Mrs. Siddons, whom he worshipped: whom he acted with in
her later years at Country Theatres: and who was as kind to him as she
was even then heart-rending on the Stage. He was her Mr. Beverley: {71}
'a very young husband,' she told him: but 'in the right way if he would
study, study, study--and not marry till thirty.' At another time, when
he was on the stage, she stood at the side scene, called out 'Bravo, Sir,
Bravo!' and clapped her hands--all in sight of the Audience, who joined
in her Applause. Macready also tells of her falling into such a
Convulsion, as it were, in Aspasia {72a} (what a subject for such a
sacrifice!) that the Curtain had to be dropped, and Macready's Father,
and Holman, who were among the Audience, looked at each other to see
which was whitest! This was the Woman whom people somehow came to look
on as only majestic and terrible--I suppose, after Miss O'Neill rose upon
her Setting.
Well, but what I wrote about yesterday--a passage about you yourself. I
fancy that he and you were very unsympathetic: nay, you have told me of
some of his Egotisms toward you, 'who had scarce learned the rudiments of
your Profession' (as also he admits that he scarce had). But, however
that may have been, his Diary records, 'Decr. 20 (1838) Went to Covent
Garden Theatre: on my way continued the perusal of Mrs. Butler's Play,
which is a work of uncommon power. Finished the reading of Mrs. Butler's
Play, which is one of the most powerful of the modern Plays I have
seen--most painful--almost shocking--but full of Power, Poetry and
Pathos. She is one of the most remarkable women of the present Day.'
So you see that if he thought you deficient in the Art which you (like
himself) had unwillingly to resort to, you were efficient in the far
greater Art of supplying that material on which the Histrionic must
depend. (N.B.--Which play of yours? Not surely the 'English Tragedy'
unless shown to him in MS.? {72b} Come: I have sent you my Translations:
you should give me your Original Plays. When I get home, I will send you
an old Scratch by Thackeray of yourself in Louisa of Savoy--shall I?)
On the whole, I find Macready (so far as I have gone) a just, generous,
religious, and affectionate Man; on the whole, humble too! One is well
content to assure oneself of this; but it is not worth spending 28_s._
upon.
Macready would have made a better Scholar--or Divine--than Actor, I
think: a Gentleman he would have been in any calling, I believe, in spite
of his Temper--which he acknowledges, laments, and apologizes for, on
reflection.
Now, here is enough of my small writing for your reading. I have been
able to read, and admire, some Corneille lately: as to Racine--'_Ce n'est
pas mon homme_,' as Catharine of Russia said of him. Now I am at Madame
de Sevigne's delightful Letters; I should like to send you a Bouquet of
Extracts: but must have done now, being always yours
E. F.G.
XXIX.
LOWESTOFT: _May_ 16/75
DEAR MRS. KEMBLE,
I have been wishing to send you Carlyle's Norway Kings, and oh! such a
delightful Paper of Spedding's on the Text of Richard III. {74} But I
have waited till I should hear from you, knowing that you _will_ reply!
And not feeling sure, till I hear, whether you are not on your way to
England Eastward ho!--even as I am now writing!--Or, I fancy--should you
not be well? Anyhow, I shall wait till some authentic news of yourself
comes to me. I should not mind sending you Carlyle--why, yes! I _will_
send him! But old Spedding--which is only a Proof--I won't send till I
know that you are still where you were to receive it--Oh! such a piece of
musical criticism! without the least pretence to being Musick: as dry as
he can make it, in fact. But he does, with utmost politeness, smash the
Cambridge Editors' Theory about the Quarto and Folio Text of R. III.--in
a way that perhaps Mr. Furness might like to see.
Spedding says that Irving's Hamlet is simply--_hideous_--a strong
expression for Spedding to use. But--(lest I should think his
condemnation was only the Old Man's fault of depreciating all that is
new), he extols Miss Ellen Terry's Portia as simply _a perfect
Performance_: remembering (he says) all the while how fine was Fanny
Kemble's. Now, all this you shall read for yourself, when I have token
of your Whereabout, and Howabout: for I will send you Spedding's Letter,
as well as his Paper.
Spedding won't go and see Salvini's Othello, because he does not know
Italian, and also because he hears that Salvini's is a different
Conception of Othello from Shakespeare's. I can't understand either
reason; but Spedding is (as Carlyle {75a} wrote me of his Bacon) the
'invincible, and victorious.' At any rate, I can't beat him. Irving I
never could believe in as Hamlet, after seeing part of his famous
Performance of a Melodrama called 'The Bells' three or four years ago.
But the Pollocks, and a large World beside, think him a Prodigy--whom
Spedding thinks--a Monster! To this Complexion is the English Drama
come.
I wonder if your American Winter has transformed itself to such a sudden
Summer as here in Old England. I returned to my Woodbridge three weeks
ago: not a leaf on the Trees: in ten days they were all green, and
people--perspiring, I suppose one must say. Now again, while the Sun is
quite as Hot, the Wind has swerved round to the East--so as one broils on
one side and freezes on t'other--and I--the Great Twalmley {75b}--am
keeping indoors from an Intimation of Bronchitis. I think it is time for
one to leave the Stage oneself.
I heard from Mowbray Donne some little while ago; as he said nothing (I
think) of his Father, I conclude that there is nothing worse of him to be
said. He (the Father) has a Review of Macready--laudatory, I suppose--in
the Edinburgh, and _Mr._ Helen Faucit (Martin) as injurious a one in the
Quarterly: the reason of the latter being (it is supposed) because _Mrs._
H. F. is not noticed except just by name. To this Complexion also!
Ever yours,
E. F.G.
Since writing as above, your Letter comes; as you do not speak of moving,
I shall send Spedding and Carlyle by Post to you, in spite of the Loss of
Income you tell me of which would (I doubt) close up _my_ thoughts some
while from such speculations. I do not think _you_ will take trouble so
to heart. Keep Spedding for me: Carlyle I don't want again. Tired as
you--and I--are of Shakespeare Commentaries, you will like this.
XXX.
LOWESTOFT: _July_ 22/75.
DEAR MRS. KEMBLE,
I have abstained from writing since you wrote me how busily your Pen was
employed for the Press: I wished more than ever to spare you the trouble
of answering me--which I knew you would not forgo. And now you will feel
called upon, I suppose, though I would fain spare you.
Though I date from this place still, I have been away from it at my own
Woodbridge house for two months and more; only returning here indeed to
help make a better Holiday for a poor Lad who is shut up in a London
Office while his Heart is all for Out-of-Door, Country, Sea, etc. We
have been having wretched Holyday weather, to be sure: rain, mist, and
wind; St. Swithin at his worst: but all better than the hateful London
Office--to which he must return the day after To-morrow, poor Fellow!
I suppose you will see--if you have not yet seen--Tennyson's Q. Mary. I
don't know what to say about it; but the Times says it is the finest Play
since Shakespeare; and the Spectator that it is superior to Henry VIII.
Pray do you say something of it, when you write:--for I think you must
have read it before that time comes.
Then Spedding has written a delicious Paper in Fraser about the late
Representation of The Merchant of Venice, and his E. Terry's perfect
personation of his perfect Portia. I cannot agree with him in all he
says--for one thing, I must think that Portia made 'a hole in her
manners' when she left Antonio trembling for his Life while she all the
while [knew] how to defeat the Jew by that knowledge of the Venetian Law
which (oddly enough) the Doge knew nothing about. Then Spedding thinks
that Shylock has been so pushed forward ever since Macklin's time as to
preponderate over all the rest in a way that Shakespeare never intended.
{77} But, if Shakespeare did not intend this, he certainly erred in
devoting so much of his most careful and most powerful writing to a
Character which he meant to be subsidiary, and not principal. But
Spedding is more likely to be right than I: right or wrong he pleads his
cause as no one else can. His Paper is in this July number of Fraser: I
would send it you if you had more time for reading than your last Letter
speaks of; I _will_ send if you wish.
I have not heard of Donne lately: he had been staying at Lincoln with
Blakesley, the Dean: and is now, I suppose, at Chislehurst, where he took
a house for a month.
And I am yours ever and sincerely
E. F.G.
XXXI.
WOODBRIDGE, _Aug._ 24, [1875.]
Now, my dear Mrs. Kemble, you will have to call me 'a Good Creature,' as
I have found out a Copy of your capital Paper, {78} and herewith post it
to you. Had I not found this Copy (which Smith & Elder politely found
for me) I should have sent you one of my own, cut out from a Volume of
Essays by other friends, Spedding, etc., on condition that you should
send me a Copy of such Reprint as you may make of it in America. It is
extremely interesting; and I always think that your Theory of the
Intuitive _versus_ the Analytical and Philosophical applies to the other
Arts as well as that of the Drama. Mozart couldn't tell how he made a
Tune; even a whole Symphony, he said, unrolled itself out of a leading
idea by no logical process. Keats said that no Poetry was worth
[anything] unless it came spontaneously as Leaves to a Tree, etc. {79} I
have no faith in your Works of Art done on Theory and Principle, like
Wordsworth, Wagner, Holman Hunt, etc.
But, one thing you can do on Theory, and carry it well into Practice:
which is--to write your Letter on Paper which does not let the Ink
through, so that (according to your mode of paging) your last Letter was
crossed: I really thought it so at first, and really had very hard work
to make it out--some parts indeed still defying my Eyes. What I read of
your remarks on Portia, etc., is so good that I wish to keep it: but
still I think I shall enclose you a scrap to justify my complaint. It
was almost by Intuition, not on Theory, that I deciphered what I did.
Pray you amend this. My MS. is bad enough, and on that very account I
would avoid diaphanous Paper. Are you not ashamed?
I shall send you Spedding's beautiful Paper on the Merchant of Venice
{80} if I can lay hands on it: but at present my own room is given up to
a fourth Niece (Angel that I am!) You would see that S[pedding] agrees
with you about Portia, and in a way that I am sure must please you. But
(so far as I can decipher that fatal Letter) you say nothing at all to me
of the other Spedding Paper I sent to you (about the Cambridge Editors,
etc.), which I must have back again indeed, unless you wish to keep it,
and leave me to beg another Copy. Which to be sure I can do, and will,
if your heart is set upon it--which I suppose it is not at all.
I have not heard of Donne for so long a time, that I am uneasy, and have
written to Mowbray to hear. M[owbray] perhaps is out on his Holyday,
else I think he would have replied at once. And 'no news may be the Good
News.'
I have no news to tell of myself; I am much as I have been for the last
four months: which is, a little ricketty. But I get out in my Boat on
the River three or four hours a Day when possible, and am now as ever
yours sincerely
E. F.G.
XXXII.
[_Oct._ 4, 1875]
DEAR MRS. KEMBLE,
I duly received your last legible Letter, and Spedding's Paper: for both
of which all Thanks. But you must do something more for me. I see by
Notes and Queries that you are contributing Recollections to some
American Magazine; I want you to tell me where I can get this, with all
the back Numbers in which you have written.
I return the expected favour (Hibernice) with the enclosed Prints, one of
which is rather a Curiosity: that of Mrs. Siddons by Lawrence when he was
_aetat._ 13. The other, done from a Cast of herself by herself, is only
remarkable as being almost a Copy of this early Lawrence--at least, in
Attitude, if not in Expression. I dare say you have seen the Cast
itself. And now for a Story better than either Print: a story to which
Mrs. Siddons' glorious name leads me, burlesque as it is.
You may know there is a French Opera of Macbeth--by Chelard. This was
being played at the Dublin Theatre--Viardot, I think, the Heroine.
However that may be, the Curtain drew up for the Sleep-walking Scene;
Doctor and Nurse were there, while a long mysterious Symphony went
on--till a Voice from the Gallery called out to the Leader of the Band,
Levey--'Whisht! Lavy, my dear--tell us now--is it a Boy or a Girl?' This
Story is in a Book which I gave 2_s._ for at a Railway Stall; called
Recollections of an Impresario, or some such name; {82a} a Book you would
not have deigned to read, and so would have missed what I have read and
remembered and written out for you.
It will form the main part of my Letter: and surely you will not expect
anything better from me.
Your hot Colorado Summer is over; and you are now coming to the season
which you--and others beside you--think so peculiarly beautiful in
America. We have no such Colours to show here, you know: none of that
Violet which I think you have told me of as mixing with the Gold in the
Foliage. Now it is that I hear that Spirit that Tennyson once told of
talking to himself among the faded flowers in the Garden-plots. I think
he has dropt that little Poem {82b} out of his acknowledged works; there
was indeed nothing in it, I think, but that one Image: and that sticks by
me as _Queen Mary_ does not.
I have just been telling some Man enquiring in Notes and Queries where he
may find the beautiful foolish old Pastoral beginning--
'My Sheep I neglected, I broke my Sheep-hook, &c.' {82c}
which, if you don't know it, I will write out for you, ready as it offers
itself to my Memory. Mrs. Frere of Cambridge used to sing it as she
could sing the Classical Ballad--to a fairly expressive tune: but there
is a movement (Trio, I think) in one of dear old Haydn's Symphonies
almost made for it. Who else but Haydn for the Pastoral! Do you
remember his blessed Chorus of 'Come, gentle Spring,' that open the
Seasons? Oh, it is something to remember the old Ladies who sang that
Chorus at the old Ancient Concerts rising with Music in hand to sing that
lovely piece under old Greatorex's Direction. I have never heard Haydn
and Handel so well as in those old Rooms with those old Performers, who
still retained the Tradition of those old Masters. Now it is getting
Midnight; but so mild--this October 4--that I am going to smoke one Pipe
outdoors--with a little Brandy and water to keep the Dews off. I told
you I had not been well all the Summer; I say I begin to 'smell the
Ground,' {83} which you will think all Fancy. But I remain while above
Ground
Yours sincerely
E. F.G.
XXXIII.
[_October_, 1875.]
DEAR MRS. KEMBLE,
My last Letter asked you how and where I could get at your Papers; this
is to say, I have got them, thanks to the perseverance of our Woodbridge
Bookseller, who would not be put off by his London Agent, and has finally
procured me the three Numbers {84} which contain your 'Gossip.' Now
believe me; I am delighted with it; and only wish it might run on as long
as I live: which perhaps it may. Of course somewhat of my Interest
results from the Times, Persons, and Places you write of; almost all more
or less familiar to me; but I am quite sure that very few could have
brought all before me as you have done--with what the Painters call, so
free, full, and flowing a touch. I suppose this 'Gossip' is the Memoir
you told me you were about; three or four years ago, I think: or perhaps
Selections from it; though I hardly see how your Recollections could be
fuller. No doubt your Papers will all be collected into a Book; perhaps
it would have been financially better for you to have so published it
now. But, on the other hand, you will have the advantage of writing with
more freedom and ease in the Magazine, knowing that you can alter,
contract, or amplify, in any future Re-publication. It gives me such
pleasure to like, and honestly say I like, this work--and--I know I'm
right in such matters, though I can't always give the reason why I like,
or don't like, Dr. Fell: as much wiser People can--who reason themselves
quite wrong.
I suppose you were at School in the Rue d'Angouleme near about the time
(you don't give dates enough, I think--there's one fault for you!)--about
the time when we lived there: I suppose you were somewhat later, however:
for assuredly my Mother and yours would have been together often--Oh, but
your Mother was not there, only you--at School. We were there in 1817-
18--signalised by The Great Murder--that of Fualdes--one of the most
interesting events in all History to me, I am sorry to say. For in that
point I do not say I am right. But that Rue d'Angouleme--do you not
remember the house cornering on the Champs Elysees with some ornaments in
stone of Flowers and Garlands--belonging to a Lord Courtenay, I believe?
And do you remember a Pepiniere over the way; and, over that, seeing that
Temple in the Beaujon Gardens with the Parisians descending and ascending
in Cars? And (I think) at the end of the street, the Church of St.
Philippe du Roule? Perhaps I shall see in your next Number that you do
remember all these things.
Well: I was pleased with some other Papers in your Magazine: as those on
V. Hugo, {85a} and Tennyson's Queen Mary: {85b} I doubt not that
Criticism on English Writers is likely to be more impartial over the
Atlantic, and not biassed by Clubs, Coteries, etc. I always say that we
in the Country are safer Judges than those of even better Wits in London:
not being prejudiced so much, whether by personal acquaintance, or party,
or Fashion. I see that Professor Wilson said much the same thing to
Willis forty years ago.
I have written to Donne to tell him of your Papers, and that I will send
him my Copies if he cannot get them. Mowbray wrote me word that his
Father, who has bought the house in Weymouth Street, was now about
returning to it, after some Alterations made. Mowbray talks of paying me
a little Visit here--he and his Wife--at the End of this month:--when
what Good Looks we have will all be gone.
Farewell for the present; I count on your Gossip: and believe me (what it
serves to make me feel more vividly)
Your sincere old Friend
E. F.G.
XXXIV.
[Nov. 1875.]
DEAR MRS. KEMBLE,
The Mowbray Donnes have been staying some days {86} with me--very
pleasantly. Of course I got them to tell me of the fine things in
London: among the rest, the Artists whose Photos they sent me, and I here
enclose. The Lady, they tell me--(Spedding's present Idol)--is better
than her Portrait--which would not have so enamoured Bassanio. Irving's,
they say, is flattered. But 'tis a handsome face, surely; and one that
should do for Hamlet--if it were not for that large Ear--do you notice? I
was tempted to send it to you, because it reminds me of some of your
Family: your Father, most of all, as Harlowe has painted him in that
famous Picture of the Trial Scene. {87a} It is odd to me that the fine
Engraving from that Picture--once so frequent--is scarce seen now: it has
seemed strange to me to meet People who never even heard of it.
I don't know why you have a little Grudge against Mrs. Siddons--perhaps
you will say you have not--all my fancy. I think it was noticed at
Cambridge that your Brother John scarce went to visit her when she was
staying with that Mrs. Frere, whom you don't remember with pleasure. She
did talk much and loud: but she had a fine Woman's heart underneath, and
she could sing a classical Song: as also some of Handel, whom she had
studied with Bartleman. But she never could have sung the Ballad with
the fulness which you describe in Mrs. Arkwright. {87b}
Which, together with your mention of your American isolation, reminds me
of some Verses of Hood, with which I will break your Heart a little. They
are not so very good, neither: but I, in England as I am, and like to be,
cannot forget them.
'The Swallow with Summer
Shall wing o'er the Seas;
The Wind that I sigh to
Shall sing in your Trees;
The Ship that it hastens
Your Ports will contain--
But for me--I shall never
See England again.' {88a}
It always runs in my head to a little German Air, common enough in our
younger days--which I will make a note of, and you will, I dare say,
remember at once.
I doubt that what I have written is almost as illegible as that famous
one of yours: in which however only [paper] was in fault: {88b} and now I
shall scarce mend the matter by taking a steel pen instead of that old
quill, which certainly did fight upon its Stumps.
Well now--Professor Masson of Edinburgh has asked me to join him and
seventy-nine others in celebrating Carlyle's eightieth Birthday on
December 4--with the Presentation of a Gold Medal with Carlyle's own
Effigy upon it, and a congratulatory Address. I should have thought such
a Measure would be ridiculous to Carlyle; but I suppose Masson must have
ascertained his Pleasure from some intimate Friend of C.'s: otherwise he
would not have known of my Existence for one. However Spedding and
Pollock tell me that, after some hesitation like my own, they judged best
to consent. Our Names are even to be attached somehow to a--White Silk,
or Satin, Scroll! Surely Carlyle cannot be aware of that? I hope
devoutly that my Name come too late for its Satin Apotheosis; but, if it
do not, I shall apologise to Carlyle for joining such Mummery. I only
followed the Example of my Betters.
Now I must shut up, for Photos and a Line of Music is to come in. I was
so comforted to find that your Mother had some hand in Dr. Kitchener's
Cookery Book, {89} which has always been Guide, Philosopher, and Friend
in such matters. I can't help liking a Cookery Book.
Ever yours
E. F.G.
No: I never turned my tragic hand on Fualdes; but I remember well being
taken in 1818 to the Ambigu Comique to see the 'Chateau de Paluzzi,'
which was said to be founded on that great Murder. I still distinctly
remember a Closet, from which came some guilty Personage. It is not only
the Murder itself that impressed me, but the Scene it was enacted in; the
ancient half-Spanish City of Rodez, with its River Aveyron, its lonely
Boulevards, its great Cathedral, under which the Deed was done in the
'Rue des Hebdomadiers.' I suppose you don't see, or read, our present
Whitechapel Murder--a nasty thing, not at all to my liking. The Name of
the Murderer--as no one doubts he is, whatever the Lawyers may
disprove--is the same as that famous Man of Taste who wrote on the Fine
Arts in the London Magazine under the name of Janus Weathercock, {90a}
and poisoned Wife, Wife's Mother and Sister after insuring their Lives.
De Quincey (who was one of the Magazine) has one of his Essays about this
wretch.
Here is another half-sheet filled, after all: I am afraid rather
troublesome to read. In three or four days we shall have another
Atlantic, and I am ever yours
E. F.G.
XXXV.
WOODBRIDGE: _Decr._ 29/75.
DEAR MRS. KEMBLE,
You will say I am a very good Creature indeed, for beginning to answer
your Letter the very day it reaches me. But so it happens that this same
day also comes a Letter from Laurence the Painter, who tells me something
of poor Minnie's Death, {90b} which answers to the Query in your Letter.
Laurence sends me Mrs. Brookfield's Note to him: from which I quote to
you--no!--I will make bold to send you her Letter itself! Laurence says
he is generally averse to showing others a Letter meant for himself (the
little Gentleman that he is!), but he ventures in this case, knowing me
to be an old friend of the Family. And so I venture to post it over the
Atlantic to you who take a sincere Interest in them also. I wonder if I
am doing wrong?
In the midst of all this mourning comes out a new Volume of Thackeray's
Drawings--or Sketches--as I foresaw it would be, too much Caricature, not
so good as much [of] his old Punch; and with none of the better things I
wanted them to put in--for his sake, as well as the Community's. I do
not wonder at the Publisher's obstinacy, but I wonder that Annie T. did
not direct otherwise. I am convinced I can hear Thackeray saying, when
such a Book as this was proposed to him--'Oh, come--there has been enough
of all this'--and crumpling up the Proof in that little hand of his. For
a curiously little hand he had, uncharacteristic of the grasp of his
mind: I used to consider it half inherited from the Hindoo people among
whom he was born. {91}
I dare say I told you of the Proposal to congratulate Carlyle on his
eightieth Birthday; and probably some Newspaper has told you of the
Address, and the Medal, and the White Satin Roll to which our eighty
names were to be attached. I thought the whole Concern, Medal, Address,
and Satin Roll, a very Cockney thing; and devoutly hoped my own
illustrious name would arrive too late. I could not believe that Carlyle
would like the Thing: but it appears by his published Answer that he did.
He would not, ten years ago, I think. Now--talking of illustrious names,
etc., oh, my dear Mrs. Kemble, your sincere old Regard for my Family and
myself has made you say more--of one of us, at least--than the World will
care to be told: even if your old Regard had not magnified our lawful
Deserts. But indeed it has done so: in Quality, as well as in Quantity.
I know I am not either squeamishly, or hypocritically, saying all this: I
am sure I know myself better than you do, and take a juster view of my
pretensions. I think you Kembles are almost Donnes in your determined
regard, and (one may say) Devotion to old Friends, etc. A rare--a
noble--Failing! Oh, dear!--Well, I shall not say any more: you will know
that I do not the less thank you for publickly speaking of [me] as I
never was spoken of before--only _too_ well. Indeed, this is so; and
when you come to make a Book of your Papers, I shall make you cut out
something. Don't be angry with me now--no, I know you will not. {92}
The Day after To-morrow I shall have your new Number; which is a
Consolation (if needed) for the Month's going. And I am ever yours
E. F.G.
Oh, I must add--The Printing is no doubt the more legible; but I get on
very well with your MS. when not crossed. {94}
Donne, I hear, is fairly well. Mowbray has had a Lift in his Inland
Revenue Office, and now is secure, I believe, of Competence for Life.
Charles wrote me a kindly Letter at Christmas: he sent me his own Photo;
and then (at my Desire) one of his wife:--Both of which I would enclose,
but that my Packet is already bulky enough. It won't go off to-night
when it is written--for here (absolutely!) comes my Reader (8 p.m.) to
read me a Story (very clever) in All the Year Round, and no one to go to
Post just now.
Were they not pretty Verses by Hood? I thought to make you a little
miserable by them:--but you take no more notice than--what you will.
Good Night! Good Bye!--Now for Mrs. Trollope's Story, entitled 'A
Charming Fellow'--(very clever).
XXXVI.
WOODBRIDGE: _Febr_: 2/76.
Now, my dear Mrs. Kemble, I have done you a little good turn. Some days
ago I was talking to my Brother John (I dared not show him!) of what you
had said of my Family in your Gossip. He was extremely interested: and
wished much that I [would] convey you his old hereditary remembrances.
But, beside that, he wished you to have a Miniature of your Mother which
my Mother had till she died. It is a full length; in a white Dress, with
blue Scarf, looking and tending with extended Arms upward in a Blaze of
Light. My Brother had heard my Mother's History of the Picture, but
could not recall it. I fancy it was before your Mother's Marriage. The
Figure is very beautiful, and the Face also: like your Sister Adelaide,
and your Brother Henry both. I think you will be pleased with this: and
my Brother is very pleased that you should have it. Now, how to get it
over to you is the Question; I believe I must get my little Quaritch, the
Bookseller, who has a great American connection, to get it safely over to
you. But if you know of any surer means, let me know. It is framed: and
would look much better if some black edging were streaked into the Gold
Frame; a thing I sometimes do only with a strip of Black Paper. The old
Plan of Black and Gold Frames is much wanted where Yellow predominates in
the Picture. Do you know I have a sort of Genius for Picture-framing,
which is an Art People may despise, as they do the Milliner's: but you
know how the prettiest Face may be hurt, and the plainest improved, by
the Bonnet; and I find that (like the Bonnet, I suppose) you can only
judge of the Frame, by trying it on. I used to tell some Picture Dealers
they had better hire me for such Millinery: but I have not had much Scope
for my Art down here. So now you have a little Lecture along with the
Picture.
Now, as you are to thank me for this good turn done to you, so have I to
thank you for Ditto to me. The mention of my little Quaritch reminds me.
He asked me for copies of Agamemnon, to give to some of his American
Customers who asked for them; and I know from whom they must have somehow
heard of it. And now, what Copies I had being gone, he is going, at his
own risk, to publish a little Edition. The worst is, he _will_ print it
pretentiously, I fear, as if one thought it very precious: but the Truth
is, I suppose he calculates on a few Buyers who will give what will repay
him. One of my Patrons, Professor Norton, of Cambridge Mass., has sent
me a second Series of Lowell's 'Among my Books,' which I shall be able to
acknowledge with sincere praise. I had myself bought the first Series.
Lowell may do for English Writers something as Ste. Beuve has done for
French: and one cannot give higher Praise. {97a}
There has been an absurd Bout in the Athenaeum {97b} between Miss Glyn
and some Drury Lane Authorities. She wrote a Letter to say that she
would not have played Cleopatra in a revival of Antony and Cleopatra for
1000 pounds a line, I believe, so curtailed and mangled was it. Then
comes a Miss Wallis, who played the Part, to declare that 'the Veteran'
(Miss G.) had wished to play the Part as it was acted: and furthermore
comes Mr. Halliday, who somehow manages and adapts at D. L., to assert
that the Veteran not only wished to enact the Desecration, but did enact
it for many nights when Miss Wallis was indisposed. Then comes Isabel
forward again--but I really forget what she said. I never saw her but
once--in the Duchess of Malfi--very well: better, I dare say, than
anybody now; but one could not remember a Word, a Look, or an Action. She
speaks in her Letter of being brought up in the grand School and
Tradition of the Kembles.
I am glad, somehow, that you liked Macready's Reminiscences: so honest,
so gentlemanly in the main, so pathetic even in his struggles to be a
better Man and Actor. You, I think, feel with him in your Distaste for
the Profession.
I write you tremendous long Letters, which you can please yourself about
reading through. I shall write Laurence your message of Remembrance to
him. I had a longish Letter from Donne, who spoke of himself as well
enough, only living by strict Rule in Diet, Exercise, etc.
We have had some remarkable Alternations of Cold and Hot here too: but
nothing like the extremes you tell me of on the other side of the Page.
Lionel Tennyson (second Son), who answered my half-yearly Letter to his
father, tells me they had heard that Annie Thackeray was well in health,
but--as you may imagine in Spirits.
And I remain yours always
E. F.G.
How is it my Atlantic Monthly is not yet come?
XXXVII.
WOODBRIDGE: _Febr_: 17/76.
DEAR MRS. KEMBLE,
I ought to have written before to apprise you of your Mother's Miniature
being sent off--by Post. On consideration, we judged that to be the
safest and speediest way: the Post Office here telling us that it was not
too large or heavy so to travel: without the Frame. As, however, our
Woodbridge Post Office is not very well-informed, I shall be very glad to
hear it has reached you, in its double case: wood within, and tin without
(quite unordered and unnecessary), which must make you think you receive
a present of Sardines. You lose, you see, the Benefit of my exalted
Taste in respect of Framing, which I had settled to perfection. Pray get
a small Frame, concaving inwardly (Ogee pattern, I believe), which leads
the Eyes into the Picture: whereas a Frame convexing outwardly leads the
Eye away from the Picture; a very good thing in many cases, but not
needed in this. I dare say the Picture (faded as it is) will look poor
to you till enclosed and set off by a proper Frame. And the way is, as
with a Bonnet (on which you know much depends even with the fairest
face), to try one on before ordering it home. That is, if you choose to
indulge in some more ornamental Frame than the quite simple one I have
before named. Indeed, I am not sure if the Picture would not look best
in a plain gold Flat (as it is called) without Ogee, or any ornament
whatsoever. But try it on first: and then you can at least please
yourself, if not the Terrible Modiste who now writes to you. My Brother
is very anxious you should have the Picture, and wrote to me again to
send you his hereditary kind Regards. I ought to be sending you his
Note--which I have lost. Instead of that, I enclose one from poor
Laurence to whom I wrote your kind message; and am as ever
Yours
E. F.G.
You will let me know if the Picture has not arrived before this Note
reaches you?
XXXVIII.
LOWESTOFT: _March_ 16/76.
DEAR MRS. KEMBLE,
Directly that you mentioned 'Urania,' I began to fancy I remembered her
too. {100} And we are both right; I wrote to a London friend to look out
for the Engraving: and I post it to you along with this Letter. If it do
not reach you in some three weeks, let me know, and I will send another.
The Engraving stops short before the Feet: the Features are coarser than
the Painting: which makes me suppose that it (Engraving) is from the
Painting: or from some Painting of which yours is a Copy--(I am called
off here to see the Procession of Batty's Circus parade up the street)--
The Procession is past: the Clowns, the Fine Ladies (who should wear a
little Rouge even by Daylight), the 'performing' Elephants, the helmeted
Cavaliers, and last, the Owner (I suppose) as 'the modern Gentleman'
driving four-in-hand.
This intoxication over, I return to my Duties--to say that the Engraving
is from a Painting by 'P. Jean,' engraved by Vendramini: published by
John Thompson in 1802, and dedicated to the 'Hon. W. R. Spencer'--(who, I
suppose, was the 'Vers-de Societe' Man of the Day; and perhaps the owner
of the original: whether now yours, or not. All this I tell you in case
the Print should not arrive in fair time: and you have but to let me
know, and another shall post after it.
I have duly written my Brother your thanks for his Present, and your
sincere Gratification in possessing it. He is very glad it has so much
pleased you. But he can only surmise thus much more of its history--that
it belonged to my Grandfather before my Mother: he being a great lover of
the Theatre, and going every night I believe to old Covent Garden or old
Drury Lane--names really musical to me--old Melodies.
I think I wrote to you about the Framing. I always say of that, as of
other Millinery (on which so much depends), the best way is--to try on
the Bonnet before ordering it; which you can do by the materials which
all Carvers and Gilders in this Country keep by them. I have found even
my Judgment--the Great Twalmley's Judgment--sometimes thrown out by not
condescending to this; in this, as in so many other things, so very
little making all the Difference. I should not think that Black next the
Picture would do so well: but try, try: try on the Bonnet: and if you
please yourself--inferior Modiste as you are--why, so far so good.
Donne, who reports himself as very well (always living by Discipline and
Rule), tells me that he has begged you to return to England if you would
make sure of seeing him again. I told Pollock of your great Interest in
Macready: I too find that I am content to have bought the Book, and feel
more interest in the Man than in the Actor. My Mother used to know him
once: but I never saw him in private till once at Pollock's after his
retirement: when he sat quite quiet, and (as you say) I was sorry not to
have made a little Advance to him, as I heard he had a little wished to
see me because of that old Acquaintance with my Mother. I should like to
have told him how much I liked much of his Performance; asked him why he
would say 'Amen stu-u-u-u-ck in my Throat' (which was a bit of wrong, as
well as vulgar, Judgment, I think). But I looked on him as the great Man
of the Evening, unpresuming as he was: and so kept aloof, as I have ever
done from all Celebrities--yourself among them--who I thought must be
wearied enough of Followers and Devotees--unless those of Note.
I am now writing in the place--in the room--from which I wrote ten years
ago--it all recurs to me--with Montaigne for my Company, and my Lugger
about to be built. Now I have brought Madame de Sevigne (who loved
Montaigne too--the capital Woman!) and the Lugger--Ah, there is a long
sad Story about that!--which I won't go into--
Little Quaritch seems to have dropt Agamemnon, Lord of Hosts, for the
present: and I certainly am not sorry, for I think it would only have
been abused by English Critics: with some, but not all, Justice. You are
very good in naming your American Publisher, but I suppose it must be
left at present with Quaritch, to whom I wrote a 'Permit,' so long as I
had nothing to do with it.
Ever yours
E. F.G.
XXXIX.
[LOWESTOFT, _April_, 1876.]
MY DEAR MRS. KEMBLE,
From Lowestoft still I date: as just ten years ago when I was about
building a Lugger, and reading Montaigne. The latter holds his own with
me after three hundred years: and the Lugger does not seem much the worse
for her ten years' wear, so well did she come bouncing between the Piers
here yesterday, under a strong Sou'-Wester. My Great Captain has her no
more; he has what they call a 'Scotch Keel' which is come into fashion:
her too I see: and him too steering her, broader and taller than all the
rest: fit to be a Leader of Men, Body and Soul; looking now Ulysses-like.
Two or three years ago he had a run of constant bad luck; and, being
always of a grand convivial turn, treating Everybody, he got deep in
Drink, against all his Promises to me, and altogether so lawless, that I
brought things to a pass between us. 'He should go on with me if he
would take the Tee-total Pledge for one year'--'No--he had broken his
word,' he said, 'and he would not pledge it again,' much as he wished to
go on with me. That, you see, was very fine in him; he is altogether
fine--A Great Man, I maintain it: like one of Carlyle's old Norway Kings,
with a wider morality than we use; which is very good and fine (as this
Captain said to me) 'for you who are born with a silver spoon in your
mouths.' I did not forget what Carlyle too says about Great Faults in
Great Men: even in David, the Lord's Anointed. But I thought best to
share the Property with him and let him go his way. He had always
resented being under any Control, and was very glad to be his own sole
Master again: and yet clung to me in a wild and pathetic way. He has not
been doing better since: and I fear is sinking into disorder.
This is a long story about one you know nothing about except what little
I have told you. But the Man is a very remarkable Man indeed, and you
may be interested--you must be--in him.
'Ho! parlons d'autres choses, ma Fille,' as my dear Sevigne says. She
now occupies Montaigne's place in my room: well--worthily: she herself a
Lover of Montaigne, and with a spice of his free thought and speech in
her. I am sometimes vext I never made her acquaintance till last year:
but perhaps it was as well to have such an acquaintance reserved for
one's latter years. The fine Creature! much more alive to me than most
Friends--I _should_ like to see her 'Rochers' in Brittany. {105}
'Parlons d'autres choses'--your Mother's Miniature. You seemed at first
to think it was taken from the Engraving: but the reverse was always
clear to me. The whole figure, down to the Feet, is wanted to account
for the position of the Legs; and the superior delicacy of Feature would
not be gained _from_ the Engraving, but the contrary. The Stars were
stuck in to make an 'Urania' of it perhaps. I do not assert that your
Miniature is the original: but that such a Miniature is. I did not
expect that Black next the Picture would do: had you 'tried on the
Bonnet' first, as I advised? I now wish I had sent the Picture over in
its original Frame, which I had doctored quite well with a strip of Black
Paper pasted over the Gold. It might really have gone through Quaritch's
Agency: but I got into my head that the Post was safer. (How badly I am
writing!) I had a little common Engraving of the Cottage bonnet
Portrait: so like Henry. If I did not send it to you, I know not what is
become of it.
Along with your Letter came one from Donne telling me of your Niece's
Death. {106} He said he had written to tell you. In reply, I gave him
your message; that he must 'hold on' till next year when peradventure you
may see England again, and hope to see him too.
Sooner or later you will see an Account of 'Mary Tudor' at the Lyceum.
{107} It is just what I expected: a 'succes d'estime,' and not a very
enthusiastic one. Surely, no one could have expected more. And now
comes out a new Italian Hamlet--Rossi--whose first appearance is recorded
in the enclosed scrap of _Standard_. And (to finish Theatrical or
Dramatic Business) Quaritch has begun to print Agamemnon--so leisurely
that I fancy he wishes to wait till the old Persian is exhausted, and so
join the two. I certainly am in no hurry; for I fully believe we shall
only get abused for the Greek in proportion as we were praised for the
Persian--in England. I mean: for you have made America more favourable.
'Parlons d'autres choses.' 'Eh? mais de quoi parler,' etc. Well: a
Blackbird is singing in the little Garden outside my Lodging Window,
which is frankly opened to what Sun there is. It has been a singular
half year; only yesterday Thunder in rather cold weather; and last week
the Road and Rail in Cambridge and Huntingdon was blocked up with Snow;
and Thunder then also. I suppose I shall get home in ten days: before
this Letter will reach you, I suppose: so your next may be addressed to
Woodbridge. I really don't know if these long Letters are more of
Trouble or Pleasure to you: however, there is an end to all: and that End
is that I am yours as truly as ever I was
E. F.G.
XL.
WOODBRIDGE, _July_ 4, [1876.]
DEAR MRS. KEMBLE,
Here I am back into the Country, as I may call my suburb here as compared
to Lowestoft; all my house, except the one room--which 'serves me for
Parlour and Bedroom and all' {108a}--occupied by Nieces. Our weather is
temperate, our Trees green, Roses about to bloom, Birds about to leave
off singing--all sufficiently pleasant. I must not forget a Box from
Mudie with some Memoirs in it--of Godwin, Haydon, etc., which help to
amuse one. And I am just beginning Don Quixote once more for my 'piece
de Resistance,' not being so familiar with the First Part as the Second.
Lamb and Coleridge (I think) thought that Second Part should not have
been written; why then did I--not for contradiction's sake, I am sure--so
much prefer it? Old Hallam, in his History of Literature, resolved me, I
believe, by saying that Cervantes, who began by making his Hero
ludicrously crazy, fell in love with him, and in the second part tamed
and tempered him down to the grand Gentleman he is: scarce ever
originating a Delusion, though acting his part in it as a true Knight
when led into it by others. {108b} A good deal however might well be
left out. If you have Jarvis' Translation by, or near, you, pray
read--oh, read all of the second part, except the stupid stuff of the old
Duenna in the Duke's Palace.
I fear I get more and more interested in your 'Gossip,' as you approach
the Theatre. I suppose indeed that it is better to look on than to be
engaged in. I love it, and reading of it, now as much as ever I cared to
see it: and that was, very much indeed. I never heard till from your
last Paper {109a} that Henry was ever thought of for Romeo: I wonder he
did not tell me this when he and I were in Paris in 1830, and used to go
and see 'La Muette!' (I can hear them calling it now:) at the Grand
Opera. I see that 'Queen Mary' has some while since been deposed from
the Lyceum; and poor Mr. Irving descended from Shakespeare to his old
Melodrama again. All this is still interesting to me down here: much
more than to you--over there!--
'Over there' you are in the thick of your Philadelphian Exhibition,
{109b} I suppose: but I dare say you do not meddle with it very much, and
will probably be glad when it is all over. I wish now I had sent you the
Miniature in its Frame, which I had instructed to become it. What you
tell us your Mother said concerning Dress, I certainly always felt: only
secure the Beautiful, and the Grand, in all the Arts, whatever Chronology
may say. Rousseau somewhere says that what you want of Decoration in the
Theatre is, what will bewilder the Imagination--'ebranler l'Imagination,'
I think: {110} only let it be Beautiful!
_June_ 5.
I kept this letter open in case I should see Arthur Malkin, who was
coming to stay at a Neighbour's house. He very kindly did call on me: he
and his second wife (who, my Neighbour says, is a very proper Wife), but
I was abroad--though no further off than my own little Estate; and he
knows I do not visit elsewhere. But I do not the less thank him, and am
always yours
E. F.G.
Pollock writes me he had just visited Carlyle--quite well for his Age:
and vehement against Darwin, and the Turk.
XLI.
WOODBRIDGE, _July_ 31/76.
DEAR MRS. KEMBLE,
A better pen than usual tempts me to write the little I have to tell you;
so that [at] any rate your Eyes shall not be afflicted as sometimes I
doubt they are by my MS.
Which MS. puts me at once in mind of Print: and to tell you that I shall
send you Quaritch's Reprint of Agamemnon: which is just done after many
blunders. The revises were not sent me, as I desired: so several things
are left as I meant not: but 'enfin' here it is at last so fine that I am
ashamed of it. For, whatever the merit of it may be, it can't come near
all this fine Paper, Margin, etc., which Quaritch _will_ have as counting
on only a few buyers, who will buy--in America almost wholly, I think.
And, as this is wholly due to you, I send you the Reprint, however little
different to what you had before.
'Tragedy wonders at being so fine,' which leads me to that which ought
more properly to have led to _it_: your last two Papers of 'Gossip,'
which are capital, both for the Story told, and the remarks that arise
from it. To-morrow, or next day, I shall have a new Number; and I really
do count rather childishly on their arrival. Spedding also is going over
some of his old Bacon ground in the Contemporary, {111} and his writing
is always delightful to me though I cannot agree with him at last. I am
told he is in full Vigour: as indeed I might guess from his writing. I
heard from Donne some three weeks ago: proposing a Summer Holyday at
Whitby, in Yorkshire: Valentia, I think, not very well again: Blanche
then with her Brother Charles. They all speak very highly of Mrs.
Santley's kindness and care. Mowbray talks of coming down this way
toward the end of August: but had not, when he last wrote, fixed on his
Holyday place.
Beside my two yearly elder Nieces, I have now a younger who has spent the
last five Winters in Florence with your once rather intimate (I think)
Jane FitzGerald my Sister. She married, (you may know) a Clergyman
considerably older than herself. I wrote to Annie Thackeray lately, and
had an answer (from the Lakes) to say she was pretty well--as also Mr.
Stephen.
And I am ever yours
E. F.G.
P.S. On second thoughts I venture to send you A. T.'s letter, which may
interest you and cannot shame her. I do not want it again.
XLII.
WOODBRIDGE: _Septr._ 21/76.
DEAR MRS. KEMBLE,
Have your American Woods begun to hang out their Purple and Gold yet? on
this Day of Equinox. Some of ours begin to look rusty, after the Summer
Drought; but have not turned Yellow yet. I was talking of this to a
Heroine of mine who lives near here, but visits the Highlands of
Scotland, which she loves better than Suffolk--and she said of those
Highland Trees--'O, they give themselves no dying Airs, but turn Orange
in a Day, and are swept off in a Whirlwind, and Winter is come.'
Now too one's Garden begins to be haunted by that Spirit which Tennyson
says is heard talking to himself among the flower-borders. Do you
remember him? {113a}
And now--Who should send in his card to me last week--but the old Poet
himself--he and his elder Son Hallam passing through Woodbridge from a
Tour in Norfolk. {113b} 'Dear old Fitz,' ran the Card in pencil, 'We are
passing thro'.' {113c} I had not seen him for twenty years--he looked
much the same, except for his fallen Locks; and what really surprised me
was, that we fell at once into the old Humour, as if we had only been
parted twenty Days instead of so many Years. I suppose this is a Sign of
Age--not altogether desirable. But so it was. He stayed two Days, and
we went over the same old grounds of Debate, told some of the old
Stories, and all was well. I suppose I may never see him again: and so I
suppose we both thought as the Rail carried him off: and each returned to
his ways as if scarcely diverted from them. Age again!--I liked Hallam
much; unaffected, unpretending--no Slang--none of Young England's
nonchalance--speaking of his Father as 'Papa' and tending him with great
Care, Love, and Discretion. Mrs. A. T. is much out of health, and scarce
leaves Home, I think. {114a}
I have lately finished Don Quixote again, and I think have inflamed A. T.
to read him too--I mean in his native Language. For this _must_ be, good
as Jarvis' Translation is, and the matter of the Book so good that one
would think it would lose less than any Book by Translation. But somehow
that is not so. I was astonished lately to see how Shakespeare's Henry
IV. came out in young V. Hugo's Prose Translation {114b}: Hotspur,
Falstaff and all. It really seemed to show me more than I had yet seen
in the original.
Ever yours,
E. F.G.
XLIII.
LOWESTOFT: _October_ 24/76.
DEAR MRS. KEMBLE,
Little--Nothing--as I have to write, I am nevertheless beginning to write
to you, from this old Lodging of mine, from which I think our
Correspondence chiefly began--ten years ago. I am in the same Room: the
same dull Sea moaning before me: the same Wind screaming through the
Windows: so I take up the same old Story. My Lugger was then about
building: {115} she has passed into other hands now: I see her from time
to time bouncing into Harbour, with her '244' on her Bows. Her Captain
and I have parted: I thought he did very wrongly--Drink, among other
things: but he did not think he did wrong: a different Morality from
ours--that, indeed, of Carlyle's ancient Sea Kings. I saw him a few days
ago in his house, with Wife and Children; looking, as always, too big for
his house: but always grand, polite, and unlike anybody else. I was
noticing the many Flies in the room--'Poor things,' he said, 'it is the
warmth of our Stove makes them alive.' When Tennyson was with me, whose
Portrait hangs in my house in company with those of Thackeray and this
Man (the three greatest men I have known), I thought that both Tennyson
and Thackeray were inferior to him in respect of Thinking of Themselves.
When Tennyson was telling me of how The Quarterly abused him (humorously
too), and desirous of knowing why one did not care for his later works,
etc., I thought that if he had lived an active Life, as Scott and
Shakespeare; or even ridden, shot, drunk, and played the Devil, as Byron,
he would have done much more, and talked about it much less. 'You know,'
said Scott to Lockhart, 'that I don't care a Curse about what I write,'
{116} and one sees he did not. I don't believe it was far otherwise with
Shakespeare. Even old Wordsworth, wrapt up in his Mountain mists, and
proud as he was, was above all this vain Disquietude: proud, not vain,
was he: and that a Great Man (as Dante) has some right to be--but not to
care what the Coteries say. What a Rigmarole!
Donne scarce ever writes to me (Twalmley the Great), and if he do not
write to you, depend upon it he thinks he has nothing worth sending over
the Atlantic. I heard from Mowbray quite lately that his Father was very
well.
Yes: you told me in a previous Letter that you were coming to England
after Christmas. I shall not be up to going to London to see you, with
all your Company about you; perhaps (don't think me very impudent!) you
may come down, if we live till Summer, to my Woodbridge Chateau, and
there talk over some old things.
I make a kind of Summer in my Room here with Boccaccio. What a Mercy
that one can return with a Relish to these Books! As Don Quixote can
only be read in his Spanish, so I do fancy Boccaccio only in his Italian:
and yet one is used to fancy that Poetry is the mainly untranslateable
thing. How prettily innocent are the Ladies, who, after telling very
loose Stories, finish with 'E cosi Iddio faccia [noi] godere del nostro
Amore, etc.,' sometimes, _Domeneddio_, more affectionately. {117a}
Anyhow, these Ladies are better than the accursed Eastern Question;
{117b} of which I have determined to read, and, if possible, hear, no
more till the one question be settled of Peace or War. If war, I am told
I may lose some 5000 pounds in Russian Bankruptcy: but I can truly say I
would give that, and more, to ensure Peace and Good Will among Men at
this time. Oh, the Apes we are! I must retire to my Montaigne--whom, by
the way, I remember reading here, when the Lugger was building! Oh, the
Apes, etc. But there was A Man in all that Business still, who is so
now, somewhat tarnished.--And I am yours as then sincerely
E. F.G.
XLIV.
LOWESTOFT: _December_ 12/76.
DEAR MRS. KEMBLE,
If you hold to your Intention of coming to Europe in January, this will
be my last Letter over the Atlantic--till further Notice! I dare say you
will send me a last Rejoinder under the same conditions.
I write, you see, from the Date of my last letter: but have been at home
in the meanwhile. And am going home to-morrow--to arrange about
Christmas Turkeys (God send we haven't all our fill of that, this Year!)
and other such little matters pertaining to the Season--which, to myself,
is always a very dull one. Why it happens that I so often write to you
from here, I scarce know; only that one comes with few Books, perhaps,
and the Sea somehow talks to one of old Things. I have ever my Edition
of Crabbe's Tales of the Hall with me. How pretty is this--
'In a small Cottage on the rising Ground
West of the Waves, and just beyond their Sound.' {118}
Which reminds me also that one of the Books I have here is Leslie
Stephen's 'Hours in a Library,' really delightful reading, and, I think,
really settling some Questions of Criticism, as one wants to be finally
done in all Cases, so as to have no more about and about it. I think I
could have suggested a little Alteration in the matter of this Crabbe,
whom I probably am better up in than L. S., though I certainly could not
write about it as he does. Also, one word about _Clarissa_. Almost all
the rest of the two Volumes I accept as a Disciple. {119a}
Another Book of the kind--Lowell's 'Among my Books,' is excellent also:
perhaps with more _Genius_ than Stephen: but on the other hand not so
temperate, judicious, or scholarly in _taste_. It was Professor Norton
who sent me Lowell's Second Series; and, if you should--(as you
inevitably will, though in danger of losing the Ship) answer this Letter,
pray tell me if you know how Professor Norton is--in health, I mean. You
told me he was very delicate: and I am tempted to think he may be less
well than usual, as he has not acknowledged the receipt of a Volume
{119b} I sent him with some of Wordsworth's Letters in it, which he had
wished to see. The Volume did not need Acknowledgment absolutely: but
probably would not have been received without by so amiable and polite a
Man, if he [were] not out of sorts. I should really be glad to hear that
he has only forgotten, or neglected, to write.
Mr. Lowell's Ode {120a} in your last Magazine seemed to me full of fine
Thought; but it wanted Wings. I mean it kept too much to one Level,
though a high Level, for Lyric Poetry, as Ode is supposed to be: both in
respect to Thought, and Metre. Even Wordsworth (least musical of men)
changed his Flight to better purpose in his Ode to Immortality. Perhaps,
however, Mr. Lowell's subject did not require, or admit, such
Alternations.
Your last Gossip brought me back to London--but what Street I cannot make
sure of--but one Room in whatever Street it were, where I remember your
Mr. Wade, who took his Defeat at the Theatre so bravely. {120b} And your
John, in Spain with the Archbishop of Dublin: and coming home full of
Torrijos: and singing to me and Thackeray one day in Russell Street:
{120c}
{Music score for Si un Elio conspiro alevo. . .: p120.jpg}
All which comes to me west of the waves and just within the sound: and is
to travel so much farther Westward over an Expanse of Rollers such as we
see not in this Herring-pond. Still, it is--The Sea.
Now then Farewell, dear Mrs. Kemble. You will let me know when you get
to Dublin? I will add that, after very many weeks, I did hear from
Donne, who told me of you, and that he himself had been out to dine: and
was none the worse.
And I still remain, you see, your long-winded Correspondent
E. F.G.
XLV.
12 MARINE TERRACE, LOWESTOFT,
_February_ 19/77.
DEAR MRS. KEMBLE,
Donne has sent me the Address on the cover of this Letter. I know you
will write directly you hear from me; that is 'de rigueur' with you; and,
at any rate, you have your Voyage home to England to tell me of: and how
you find yourself and all in the Old Country. I suppose you include my
Old Ireland in it. Donne wrote that you were to be there till this
Month's end; that is drawing near; and, if that you do not protract your
Visit, you will [be] very soon within sight of dear Donne himself, who, I
hear from Mowbray, is very well.
Your last Gossip was very interesting to me. I see in it (but not in the
most interesting part) {122a} that you write of a 'J. F.,' who tells you
of a Sister of hers having a fourth Child, etc. I fancy this must be a
Jane FitzGerald telling you of her Sister Kerrich, who would have
numbered about so many Children about that time--1831. Was it that Jane?
I think you and she were rather together just then. After which she
married herself to a Mr. Wilkinson--made him very Evangelical--and
tiresome--and so they fed their Flock in a Suffolk village. {122b} And
about fourteen or fifteen years ago he died: and she went off to live in
Florence--rather a change from the Suffolk Village--and there, I suppose,
she will die when her Time comes.
Now you have read Harold, I suppose; and you shall tell me what you think
of it. Pollock and Miladi think it has plenty of Action and Life: one of
which Qualities I rather missed in it.
Mr. Lowell sent me his Three Odes about Liberty, Washington, etc. They
seemed to me full of fine Thought, and in a lofty Strain: but wanting
Variety both of Mood and Diction for Odes--which are supposed to mean
things to be chanted. So I ventured to hint to him--Is he an angry man?
But he wouldn't care, knowing of me only through amiable Mr. Norton, who
knows me through you. I think _he_ must be a very amiable, modest, man.
And I am still yours always
E. F.G.
XLVI.
12 MARINE TERRACE, LOWESTOFT,
_March_ 15, [1877.
DEAR MRS. KEMBLE,
By this time you are, I suppose, at the Address you gave me, and which
will now cover this Letter. You have seen Donne, and many Friends,
perhaps--and perhaps you have not yet got to London at all. But you will
in time. When you do, you will, I think, have your time more taken up
than in America--with so many old Friends about you: so that I wish more
and more you would not feel bound to answer my Letters, one by one; but I
suppose you will.
What I liked so much in your February Atlantic {123} was all about Goethe
and Portia: I think, _fine_ writing, in the plain sense of the word, and
partly so because not 'fine' in the other Sense. You can indeed spin out
a long Sentence of complicated Thought very easily, and very clearly; a
rare thing. As to Goethe, I made another Trial at Hayward's Prose
Translation this winter, but failed, as before, to get on with it. I
suppose there is a Screw loose in me on that point, seeing what all
thinking People think of it. I am sure I have honestly tried. As to
Portia, I still think she ought not to have proved her 'Superiority' by
withholding that simple Secret on which her Husband's Peace and his
Friend's Life depended. Your final phrase about her 'sinking into
perfection' is capital. Epigram--without Effort.
You wrote me that Portia was your _beau-ideal_ of Womanhood {124a}--Query,
of _Lady-hood_. For she had more than 500 pounds a year, which Becky
Sharp thinks enough to be very virtuous on, and had not been tried. Would
she have done Jeanie Deans' work? She might, I believe: but was not
tried.
I doubt all this will be rather a Bore to you: coming back to England to
find all the old topics of Shakespeare, etc., much as you left them. You
will hear wonderful things about Browning and Co.--Wagner--and H. Irving.
In a late TEMPLE BAR magazine {124b} Lady Pollock says that her Idol
Irving's Reading of Hood's Eugene Aram is such that any one among his
Audience who had a guilty secret in his Bosom 'must either tell it, or
die.' These are her words.
You see I still linger in this ugly place: having a very dear little
Niece a little way off: a complete little 'Pocket-Muse' I call her. One
of the first Things she remembers is--_you_, in white Satin, and very
handsome, she says, reading Twelfth Night at this very place. And I am
Yours ever
E. F.G.
(I am now going to make out a Dictionary-list of the People in my dear
Sevigne, for my own use.) {125a}
XLVII.
LITTLE GRANGE: WOODBRIDGE.
_May_ 5/77.
DEAR MRS. KEMBLE,
I am disappointed at not finding any Gossip in the last Atlantic; {125b}
the Editor told us at the end of last Year that it was to be carried on
through this: perhaps you are not bound down to every month: but I hope
the links are not to discontinue for long.
I did not mean in my last letter to allude again to myself and Co. in
recommending some omissions when you republish. {126} That--_viz._,
about myself--I was satisfied you would cut out, as we had agreed before.
(N.B. No occasion to omit your kindly Notices about my Family--nor my
own Name among them, if you like: only not all about myself.) What I
meant in my last Letter was, some of your earlier Letters--or parts of
Letters--to H.--as some from Canterbury, I think--I fancy some part of
your early Life might be condensed. But I will tell you, if you will
allow me, when the time comes: and then you can but keep to your own
plan, which you have good reason to think better than mine--though I am
very strong in Scissors and Paste: my 'Harp and Lute.' Crabbe is under
them now--as usual, once a Year. If one lived in London, or in any busy
place, all this would not be perhaps: but it hurts nobody--unless you,
who do hear too much about it.
Last night I made my Reader begin Dickens' wonderful 'Great
Expectations': not considered one of his best, you know, but full of
wonderful things, and even with a Plot which, I think, only needed less
intricacy to be admirable. I had only just read the Book myself: but I
wanted to see what my Reader would make of it: and he was so interested
that he re-interested me too. Here is another piece of Woodbridge Life.
Now, if when London is hot you should like to run down to this
Woodbridge, here will be my house at your Service after July. It may be
so all this month: but a Nephew, Wife, and Babe did talk of a Fortnight's
Visit: but have not talked of it since I returned a fortnight ago. June
and July my Invalid Niece and her Sister occupy the House--not longer.
Donne, and all who know me, know that I do not like anyone to come out of
their way to visit me: but, if they be coming this way, I am very glad to
do my best for them. And if any of them likes to occupy my house at any
time, here it is at their Service--at yours, for as long as you will,
except the times I have mentioned. I give up the house entirely except
my one room, which serves for Parlour and Bed: and which I really prefer,
as it reminds me of the Cabin of my dear little Ship--mine no more.
Here is a long Story about very little. Woodbridge again.
A Letter from Mowbray Donne told me that you had removed to some house
in--Connaught Place? {127a}--but he did not name the number.
Valentia's wedding comes on: perhaps you will be of the Party. {127b} I
think it would be one more of Sorrow than of Gladness to me: but perhaps
that may be the case with most Bridals.
It is very cold here: ice of nights: but my Tulips and Anemones hold up
still: and Nightingales sing. Somehow, I don't care for those latter at
Night. They ought to be in Bed like the rest of us. This seems talking
for the sake of being singular: but I have always felt it, singular or
not.
And I am yours always
E. F.G.
XLVIII.
[_June_, 1877.]
MY DEAR MRS. KEMBLE,
I only write now on the express condition (which I understand you to
accept) that you will not reply till you are in Switzerland. I mean, of
course, within any reasonable time. Your last Letter is not a happy one
*: but the record of your first Memoir cannot fail to interest and touch
me.
I surmise--for you do not say so--that you are alone in London now: then,
you must get away as soon as you can; and I shall be very glad to hear
from yourself that you are in some green Swiss Valley, with a blue Lake
before you, and snowy mountain above.
I must tell you that, my Nieces being here--good, pious, and tender, they
are too--(but one of them an Invalid, and the other devoted to attend
her) they make but little change in my own way of Life. They live by
themselves, and I only see them now and then in the Garden--sometimes not
five minutes in the Day. But then I am so long used to Solitude. And
there is an end of that Chapter.
I have your Gossip bound up: the binder backed it with Black, which I
don't like (it was his doing, not mine), but you say that your own only
Suit is Sables now. I am going to lend it to a very admirable Lady who
is going to our ugly Sea-side, with a sick Brother: only I have pasted
over one column--_which_, I leave you to guess at.
I think I never told you--what is the fact, however--that I had wished to
dedicate Agamemnon to you, but thought I could not do so without my own
name appended. Whereas, I could, very simply, as I saw afterwards when
too late. If ever he is reprinted I shall (unless you forbid) do as I
desired to do: for, if for no other reason, he would probably never have
been published but for you. Perhaps he had better [have] remained in
private Life so far as England is concerned. And so much for that grand
Chapter.
I think it is an ill-omened Year: beside War (which I _won't_ read about)
so much Illness and Death--hereabout, at any rate. A Nephew of mine--a
capital fellow--was pitched upon his head from a Gig a week ago, and we
know not yet how far that head of his may recover itself. But, beside
one's own immediate Friends, I hear of Sickness and Death from further
Quarters; and our Church Bell has been everlastingly importunate with its
"Toll-toll." But Farewell for the present: pray do as I ask you about
writing: and believe me ever yours,
E. F.G.
* You were thinking of something else when you misdirected your letter,
which sent it a round before reaching Woodbridge.
XLIX.
WOODBRIDGE, _June_ 23/77.
DEAR MRS. KEMBLE,
I knew the best thing I could do concerning the Book you wanted was to
send your Enquiry to the Oracle itself:--whose Reply I herewith enclose.
Last Evening I heard read Jeanie Deans' Audience with Argyle, and then
with the Queen. There I stop with the Book. Oh, how refreshing is the
leisurely, easy, movement of the Story, with its true, and
well-harmonized Variety of Scene and Character! There is of course a
Bore--Saddletree--as in Shakespeare. I presume to think--as in
Cervantes--as in Life itself: somewhat too much of him in Scott, perhaps.
But when the fuliginous and Spasmodic Carlyle and Co. talk of Scott's
delineating his Characters from without to within {131a}--why, he seems
to have had a pretty good Staple of the inner Man of David, and Jeanie
Deans, on beginning his Story; as of the Antiquary, Dalgetty, the
Ashtons, and a lot more. I leave all but the Scotch Novels. Madge has a
little--a wee bit--theatrical about her: but I think her to be paired off
with Ophelia, and worth all Miss Austen's Drawing-room Respectabilities
put together. It is pretty what Barry Cornwall says on meeting Scott
among other Authors at Rogers': 'I do not think any one envied him any
more than one envies Kings.' {131b} You have done him honour in your
Gossip: as one ought to do in these latter Days.
So this will be my last letter to you till you write me from Switzerland:
where I wish you to be as soon as possible. And am yours always and
sincerely
E. F.G.
A Letter from Donne speaks cheerfully. And Charles to be married again!
It may be best for him.
L.
31, GREAT GEORGE STREET, S.W.
_Feb._ 20, 1878.
DEAR EDWARD FITZGERALD,
I have sent your book ('Mrs. Kemble's Autobiography') as far as Bealings
by a safe convoy, and my cousin, Elizabeth Phillips, who is staying
there, will ultimately convey it to its destination at your house.
It afforded Charlotte [wife] and myself several evenings of very
agreeable reading, and we certainly were impressed most favourably with
new views as to the qualities of heart and head of the writer. Some
observations were far beyond what her years would have led one to expect.
I think some letters to her friend 'S.' on the strange fancy which
hurried off her brother from taking orders, to fighting Spanish quarrels,
are very remarkable for their good sense, as well as warm feeling. Her
energy too in accepting her profession at the age of twenty as a means of
assisting her father to overcome his difficulties is indicative of the
best form of genius--steady determination to an end.
Curiously enough, whilst reading the book, we met Mrs. Gordon (a daughter
of Mrs. Sartoris) and her husband at Malkin's at dinner, and I had the
pleasure of sitting next to her. The durability of type in the Kemble
face might be a matter for observation with physiologists, and from the
little I saw of her I should think the lady worthy of the family.
If the book be issued in a reprint a few omissions might be well. I fear
we lost however by some lacunae which you had caused by covering up a
page or two.
Charlotte unites with me in kindest regards to yourself
Yours very sincerely,
HATHERLEY.
E. FITZGERALD, ESQ.
I send this to you, dear Mrs. Kemble, not because the writer is a Lord--Ex-
Chancellor--but a very good, amiable, and judicious man. I should have
sent you any other such testimony, had not all but this been oral, only
this one took away the Book, and thus returns it. I had forgot to ask
about the Book; oh, make Bentley do it; if any other English Publisher
should meditate doing so, he surely will apprise you; and you can have
some Voice in it.
Ever yours
E. F.G.
No need to return, or acknowledge, the Letter.
LI.
LITTLE GRANGE: WOODBRIDGE.
_February_ 22, [1878.]
MY DEAR LADY,
I am calling on you earlier than usual, I think. In my 'Academy' {134a}
I saw mention of some Notes on Mrs. Siddons in some article of this
month's 'Fortnightly' {134b}--as I thought. So I bought the Number, but
can find no Siddons there. You probably know about it; and will tell me?
If you have not already read--_buy_ Keats' Love-Letters to Fanny Brawne.
One wishes she had another name; and had left some other Likeness of
herself than the Silhouette (cut out by Scissors, I fancy) which dashes
one's notion of such a Poet's worship. But one knows what
misrepresentations such Scissors make. I had--perhaps have--one of
Alfred Tennyson, done by an Artist on a Steamboat--some thirty years ago;
which, though not inaccurate of outline, gave one the idea of a
respectable Apprentice. {134c} But Keats' Letters--It happened that,
just before they reached me, I had been hammering out some admirable
Notes on Catullus {135a}--another such fiery Soul who perished about
thirty years of age two thousand years ago; and I scarce felt a change
from one to other. {135b} From Catullus' better parts, I mean; for there
is too much of filthy and odious--both of Love and Hate. Oh, my dear
Virgil never fell into that: he was fit to be Dante's companion beyond
even Purgatory.
I have just had a nice letter from Mr. Norton in America: an amiable,
modest man surely he must be. His aged Mother has been ill: fallen
indeed into some half-paralysis: affecting her Speech principally. He
says nothing of Mr. Lowell; to whom I would write if I did not suppose he
was very busy with his Diplomacy, and his Books, in Spain. I hope he
will give us a Cervantes, in addition to the Studies in his 'Among my
Books,' which seem to me, on the whole, the most conclusive Criticisms we
have on their several subjects.
Do you ever see Mrs. Ritchie? Fred. Tennyson wrote me that Alfred's son
(Lionel, the younger, I suppose) was to be married in Westminster Abbey:
which Fred, thinks an ambitious flight of Mrs. A. T.
I may as well stop in such Gossip. Snowdrops and Crocuses out: I have
not many, for what I had have been buried under an overcoat of Clay, poor
little Souls. Thrushes tuning up; and I hope my old Blackbirds have not
forsaken me, or fallen a prey to Cats.
And I am ever yours
E. F.G.
LII.
THE OLD (CURIOSITY) SHOP. WOODBRIDGE,
_April_ 16, [1878.]
[Where, by the by, I heard the Nightingale for the first time yesterday
Morning. That is, I believe, almost its exact date of return, wind and
weather permitting. Which being premised--]
DEAR MRS. KEMBLE,
I think it is about the time for you to have a letter from me; for I
think I am nearly as punctual as the Nightingale, though at quicker
Intervals; and perhaps there may be other points of Unlikeness. After
hearing that first Nightingale in my Garden, I found a long, kind, and
pleasant, Letter from Mr. Lowell in Madrid: the first of him too that I
have heard since he flew thither. Just before he wrote, he says, he had
been assigning Damages to some American who complained of having been fed
too long on Turtle's Eggs {136}:--and all that sort of Business, says the
Minister, does not inspire a man to Letter-writing. He is acclimatizing
himself to Cervantes, about whom he must write one of his fine, and (as I
think) final Essays: I mean such as (in the case of others he has done)
ought to leave no room for a reversal of Judgment. Amid the multitude of
Essays, Reviews, etc., one still wants _that_: and I think Lowell does it
more than any other Englishman. He says he meets Velasquez at every turn
of the street; and Murillo's Santa Anna opens his door for him. Things
are different here: but when my Oracle last night was reading to me of
Dandie Dinmont's blessed visit to Bertram in Portanferry Gaol, I said--'I
know it's Dandie, and I shouldn't be at all surprized to see him come
into this room.' No--no more than--Madame de Sevigne! I suppose it is
scarce right to live so among Shadows; but--after near seventy years so
passed--'Que voulez-vous?'
Still, if any Reality would--of its own Volition--draw near to my still
quite substantial Self; I say that my House (if the Spring do not prove
unkindly) will be ready to receive--and the owner also--any time before
June, and after July; that is, before Mrs. Kemble goes to the Mountains,
and after she returns from them. I dare say no more, after so much so
often said, and all about oneself.
Yesterday the Nightingale; and To-day a small, still, Rain which we had
hoped for, to make 'poindre' the Flower-seeds we put in Earth last
Saturday. All Sunday my white Pigeons were employed in confiscating the
Sweet Peas we had laid there; so that To-day we have to sow the same
anew.
I think a Memoir of Alfred de Musset, by his Brother, well worth reading.
{138a} I don't say the best, but only to myself the most acceptable of
modern French Poets; and, as I judge, a fine fellow--of the moral French
type (I suppose some of the Shadow is left out of the Sketch), but of a
Soul quite abhorrent from modern French Literature--from V. Hugo (I
think) to E. Sue (I am sure). He loves to read--Clarissa! which reminded
me of Tennyson, some forty years ago, saying to me _a propos_ of that
very book, 'I love those large, _still_, Books.' During a long Illness
of A. de M. a Sister of the Bon Secours attended him: and, when she left,
gave him a Pen worked in coloured Silks, 'Pensez a vos promesses,' as
also a little 'amphore' she had knitted. Seventeen years (I think)
after, when his last Illness came on him, he desired these two things to
be enclosed in his Coffin. {138b}
And I am ever yours
E. F.G.
LIII.
DUNWICH: _August_ 24, [1878.]
DEAR MRS. KEMBLE,
I forget if I wrote to you from this solitary Seaside, last year: telling
you of its old Priory walls, etc. I think you must have been in
Switzerland when I was here; however, I'll not tell you the little there
is to tell about it now; for, beside that I may have told it all before,
this little lodging furnishes only a steel pen, and very diluted ink (as
you see), and so, for your own sake, I will be brief. Indeed, my chief
object in writing at all, is, to ask when you go abroad, and how you have
done at Malvern since last I heard from you--now a month ago, I think.
About the beginning of next week I shall be leaving this place--for good,
I suppose--for the two friends--Man and Wife--who form my Company here,
living a long musket shot off, go away--he in broken health--and would
leave the place too solitary without them. So I suppose I shall decamp
along with them; and, after some time spent at Lowestoft, find my way
back to Woodbridge--in time to see the End of the Flowers, and to prepare
what is to be done in that way for another Year.
And to Woodbridge your Answer may be directed, if this poor Letter of
mine reaches you, and you should care to answer it--as you will--oh yes,
you will--were it much less significant.
I have been rather at a loss for Books while here, Mudie having sent me a
lot I did not care for--not even for Lady Chatterton. Aldis Wright gave
me his Edition of Coriolanus to read; and I did not think '_pow wow_' of
it, as Volumnia says. All the people were talking about me.
And I am ever yours truly
E. F.G.
LIV.
WOODBRIDGE: _April_ 3/79.
MY DEAR MRS. KEMBLE:--
I know well how exact you are in answering Letters; and I was afraid that
you must be in some trouble, for yourself, or others, when I got no reply
to a second Letter I wrote you addressed to Baltimore Hotel,
Leamington--oh, two months ago. When you last wrote to me, you were
there, with a Cough, which you were just going to take with you to Guy's
Cliff. That I thought not very prudent, in the weather we then had. Then
I was told by some one, in a letter (not from any Donne, I think--no,
Annie Ritchie, I believe) that Mrs. Sartoris was very ill; and so between
two probable troubles, I would not trouble you as yet again. I had to go
to London for a day three weeks ago (to see a poor fellow dying, sooner
or later, of Brain disease), and I ferreted out Mowbray Donne from
Somerset House and he told me you were in London, still ill of a Cough;
but not your Address. So I wrote to his Wife a few days ago to learn it;
and I shall address this Letter accordingly. Mrs. Mowbray writes that
you are better, but obliged to take care of yourself. I can only say 'do
not trouble yourself to write'--but I suppose you will--perhaps the more
if it be a trouble. See what an Opinion I have of you!--If you write,
pray tell me of Mrs. Sartoris--and do not forget yourself.
It has been such a mortal Winter among those I know, or know of, as I
never remember. I have not suffered myself, further than, I think,
feeling a few stronger hints of a constitutional sort, which are, I
suppose, to assert themselves ever more till they do for me. And that, I
suppose, cannot be long adoing. I entered on my 71st year last Monday,
March 31.
My elder--and now only--Brother, John, has been shut up with Doctor and
Nurse these two months--AEt. 76; his Wife AEt. 80 all but dead awhile
ago, now sufficiently recovered to keep her room in tolerable ease: I do
not know if my Brother will ever leave his house.
Oh dear! Here is enough of Mortality.
I see your capital Book is in its third Edition, as well it deserves to
be. I _see_ no one with whom to talk about it, except one brave Woman
who comes over here at rare intervals--she had read my Atlantic Copy, but
must get Bentley's directly it appeared, and she (a woman of remarkably
strong and independent Judgment) loves it all--not (as some you know)
wishing some of it away. No; she says she wants all to complete her
notion of the writer. Nor have I _heard_ of any one who thinks
otherwise: so 'some people' may be wrong. I know you do not care about
all this.
I am getting my 'Tales of the Hall' printed, and shall one day ask you,
and three or four beside, whether it had better be published. I think
you, and those three or four others, will like it; but they may also
judge that indifferent readers might not. And that you will all of you
have to tell me when the thing is done. I shall not be in the least
disappointed if you tell me to keep it among 'ourselves,' so long as
'ourselves' are pleased; for I know well that Publication would not carry
it much further abroad; and I am very well content to pay my money for
the little work which I have long meditated doing. I shall have done 'my
little owl.' Do you know what that means?--No. Well then; my
Grandfather had several Parrots of different sorts and Talents: one of
them ('Billy,' I think) could only huff up his feathers in what my
Grandfather called an owl fashion; so when Company were praising the more
gifted Parrots, he would say--'You will hurt poor Billy's feelings--Come!
Do your little owl, my dear!'--You are to imagine a handsome,
hair-powdered, Gentleman doing this--and his Daughter--my Mother--telling
of it.
And so it is I do my little owl.
This little folly takes a long bit of my Letter paper--and I do not know
that you will see any fun in it. Like my Book, it would not tell in
Public.
Spedding reads my proofs--for, though I have confidence in my Selection
of the Verse (owl), I have but little in my interpolated Prose, which I
make obscure in trying to make short. Spedding occasionally marks a
blunder; but (confound him!) generally leaves me to correct it.
Come--here is more than enough of my little owl. At night we read Sir
Walter for an Hour (Montrose just now) by way of 'Play'--then 'ten
minutes' refreshment allowed'--and the Curtain rises on Dickens
(Copperfield now) which sends me gaily to bed--after one Pipe of solitary
Meditation--in which the--'little owl,' etc.
By the way, in talking of Plays--after sitting with my poor friend and
his brave little Wife till it was time for him to turn bedward--I looked
in at the famous Lyceum Hamlet; and soon had looked, and heard enough. It
was incomparably the worst I had ever witnessed, from Covent Garden down
to a Country Barn. I should scarce say this to you if I thought you had
seen it; for you told me you thought Irving might have been even a great
Actor, from what you saw of his Louis XI. I think. When he got to
'Something too much of this,' I called out from the Pit door where I
stood, 'A good deal too much,' and not long after returned to my solitary
inn. Here is a very long--and, I believe (as owls go) a rather pleasant
Letter. You know you are not bound to repay it in length, even if you
answer it at all; which I again vainly ask you not to do if a bore.
I hear from Mrs. Mowbray that our dear Donne is but 'pretty well'; and I
am still yours
E. F.G.
LV.
WOODBRIDGE: _April_ 25, [1879.]
DEAR MRS. KEMBLE,
I think I have let sufficient time elapse before asking you for another
Letter. I want to know how you are: and, if you can tell me that you are
as well as you and I now expect to be--anyhow, well rid of that Whooping
Cough--that will be news enough for one Letter. What else, you shall add
of your own free will:--not feeling bound.
When you last wrote me from Leamington, you crossed over your Address:
and I (thinking perhaps of America) deciphered it 'Baltimore.' I wonder
the P. O. did not return me my Letter: but there was no Treason in it, I
dare say.
My Brother keeps waiting--and hoping--for--Death: which will not come:
perhaps Providence would have let it come sooner, were he not rich enough
to keep a Doctor in the house, to keep him in Misery. I don't know if I
told you in my last that he was ill; seized on by a Disease not uncommon
to old Men--an 'internal Disorder' it is polite to say; but I shall say
to you, disease of the Bladder. I had always supposed he would be found
dead one good morning, as my Mother was--as I hoped to be--quietly dead
of the Heart which he had felt for several Years. But no; it is seen
good that he shall be laid on the Rack--which he may feel the more keenly
as he never suffered Pain before, and is not of a strong Nerve. I will
say no more of this. The funeral Bell, which has been at work, as I
never remember before, all this winter, is even now, as I write, tolling
from St. Mary's Steeple.
'Parlons d'autres choses,' as my dear Sevigne says.
I--We--have finished all Sir Walter's Scotch Novels; and I thought I
would try an English one: Kenilworth--a wonderful Drama, which Theatre,
Opera, and Ballet (as I once saw it represented) may well reproduce. The
Scene at Greenwich, where Elizabeth 'interviews' Sussex and Leicester,
seemed to me as fine as what is called (I am told, wrongly) Shakespeare's
Henry VIII. {145} Of course, plenty of melodrama in most other
parts:--but the Plot wonderful.
Then--after Sir Walter--Dickens' Copperfield, which came to an end last
night because I would not let my Reader read the last Chapter. What a
touch when Peggotty--the man--at last finds the lost Girl, and--throws a
handkerchief over her face when he takes her to his arms--never to leave
her! I maintain it--a little Shakespeare--a Cockney Shakespeare, if you
will: but as distinct, if not so great, a piece of pure Genius as was
born in Stratford. Oh, I am quite sure of that, had I to choose but one
of them, I would choose Dickens' hundred delightful Caricatures rather
than Thackeray's half-dozen terrible Photographs.
In Michael Kelly's Reminiscences {146} (quite worth reading about
Sheridan) I found that, on January 22, 1802, was produced at Drury Lane
an Afterpiece called _Urania_, by the Honourable W. Spencer, in which
'the scene of Urania's descent was entirely new to the stage, and
produced an extraordinary effect.' Hence then the Picture which my poor
Brother sent you to America.
'D'autres choses encore.' You may judge, I suppose, by the N.E. wind in
London what it has been hereabout. Scarce a tinge of Green on the
hedgerows; scarce a Bird singing (only once the Nightingale, with broken
Voice), and no flowers in the Garden but the brave old Daffydowndilly,
and Hyacinth--which I scarce knew was so hardy. I am quite pleased to
find how comfortably they do in my Garden, and look so Chinese gay. Two
of my dear Blackbirds have I found dead--of Cold and Hunger, I suppose;
but one is even now singing--across that Funeral Bell. This is so, as I
write, and tell you--Well: we have Sunshine at last--for a day--'thankful
for small Blessings,' etc.
I think I have felt a little sadder since March 31 that shut my
seventieth Year behind me, while my Brother was--in some such way as I
shall be if I live two or three years longer--'Parlons d'autres'--that I
am still able to be sincerely yours
E. F.G.
LVI.
WOODBRIDGE: _May_ 18, [1879.]
MY DEAR MRS. KEMBLE,
By this Post you ought to receive my Crabbe Book, about which I want your
Opinion--not as to your own liking, which I doubt not will be more than
it deserves: but about whether it is best confined to Friends, who will
like it, as you do, more or less out of private prejudice--Two points in
particular I want you to tell me;
(1) Whether the Stories generally seem to you to be curtailed so much
that they do not leave any such impression as in the Original. That is
too long and tiresome; but (as in Richardson) its very length serves to
impress it on the mind:--My Abstract is, I doubt not, more readable: but,
on that account partly, leaving but a wrack behind. What I have done
indeed is little else than one of the old Review Articles, which gave a
sketch of the work, and let the author fill in with his better work.
Well then I want to know--(2) if you find the present tense of my Prose
Narrative discordant with the past tense of the text. I adopted it
partly by way of further discriminating the two: but I may have
misjudged: Tell me: as well as any other points that strike you. You can
tell me if you will--and I wish you would--whether I had better keep the
little _Opus_ to ourselves or let it take its chance of getting a few
readers in public. You may tell me this very plainly, I am sure; and I
shall be quite as well pleased to keep it unpublished. It is only a
very, very, little Job, you see: requiring only a little Taste, and Tact:
and if they have failed me--_Voila_! I had some pleasure in doing my
little work very dexterously, I thought; and I did wish to draw a few
readers to one of my favourite Books which nobody reads. And, now that I
look over it, I fancy that I may have missed my aim--only that my Friends
will like, etc. Then, I should have to put some Preface to the Public:
and explain how many omissions, and some transpositions, have occasioned
the change here and there of some initial particle where two originally
separated paragraphs are united; some use made of Crabbe's original MS.
(quoted in the Son's Edition;) and all such confession to no good, either
for my Author or me. I wish you could have just picked up the Book at a
Railway Stall, knowing nothing of your old Friend's hand in it. But that
cannot be; tell me then, divesting yourself of all personal Regard: and
you may depend upon it you will--save me some further bother, if you bid
me let publishing alone. I don't even know of a Publisher: and won't
have a favour done me by 'ere a one of them,' as Paddies say. This is a
terrible Much Ado about next to Nothing. 'Parlons,' etc.
Blanche Donne wrote me you had been calling in Weymouth Street: that you
had been into Hampshire, and found Mrs. Sartoris better--Dear Donne seems
to have been pleased and mended by his Children coming about him. I say
but little of my Brother's Death. {149} We were very good friends, of
very different ways of thinking; I had not been within side his lawn
gates (three miles off) these dozen years (no fault of his), and I did
not enter them at his Funeral--which you will very likely--and
properly--think wrong. He had suffered considerably for some weeks: but,
as he became weaker, and (I suppose) some narcotic Medicine--O blessed
Narcotic!--soothed his pains, he became dozily happy. The Day before he
died, he opened his Bed-Clothes, as if it might be his Carriage Door, and
said to his Servant 'Come--Come inside--I am going to meet them.'
Voila une petite Histoire. Et voila bien assez de mes Egoismes. Adieu,
Madame; dites-moi tout franchement votre opinion sur ce petit Livre; ah!
vous n'en pouvez parler autrement qu'avec toute franchise--et croyez moi,
tout aussi franchement aussi,
Votre ami devoue
E. F.G.
LVII.
WOODBRIDGE: _May_ 22, [1879.]
MY DEAR MRS. KEMBLE,
I must thank you for your letter; I was, beforehand, much of your
Opinion; and, unless I hear very different advice from the two others
whom I have consulted--Spedding, the All-wise--(I mean that), and Aldis
Wright, experienced in the Booksellers' world, I shall very gladly abide
by your counsel--and my own. You (I do believe) and a few friends who
already know Crabbe, will not be the worse for this 'Handybook' of one of
his most diffuse, but (to me) most agreeable, Books. That name
(Handybook), indeed, I had rather thought of calling the Book, rather
than 'Readings'--which suggests readings aloud, whether private or
public--neither of which I intended--simply, Readings to oneself. I, who
am a poor reader in any way, have found it all but impossible to read
Crabbe to anybody. So much for that--except that, the Portrait I had
prepared by way of frontispiece turns out to be an utter failure, and
that is another satisfactory reason for not publishing. For I
particularly wanted this Portrait, copied from a Picture by Pickersgill
which was painted in 1817, when these Tales were a-writing, to correct
the Phillips Portrait done in the same year, and showing Crabbe with his
company Look--not insincere at all--but not at all representing the
_writer_. When Tennyson saw Laurence's Copy of this Pickersgill--here,
at my house here--he said--'There I recognise the Man.'
If you were not the truly sincere woman you are, I should have thought
that you threw in those good words about my other little Works by way of
salve for your _dictum_ on this Crabbe. But I know it is not so. I
cannot think what 'rebuke' I gave you to 'smart under' as you say. {151a}
If you have never read Charles Tennyson (Turner's) Sonnets, I should like
to send them to you to read. They are not to be got now: and I have
entreated Spedding to republish them with Macmillan, with such a preface
of his own--congenial Critic and Poet--as would discover these Violets
now modestly hidden under the rank Vegetation of Browning, Swinburne, and
Co. Some of these Sonnets have a Shakespeare fancy in them:--some rather
puerile--but the greater part of them, pure, delicate, beautiful, and
quite original. {151b} I told Mr. Norton (America) to get them published
over the water if no one will do so here.
Little did I think that I should ever come to relish--old Sam Rogers! But
on taking him up the other day (with Stothard's Designs, to be sure!) I
found a sort of Repose from the hatchet-work School, of which I read in
the Athenaeum.
I like, you know, a good Murder; but in its place--
'The charge is prepared; the Lawyers are met--
The Judges all ranged, a terrible Show' {152}--
only the other night I could not help reverting to that sublime--yes!--of
Thurtell, sending for his accomplice Hunt, who had saved himself by
denouncing Thurtell--sending for him to pass the night before Execution
with perfect Forgiveness--Handshaking--and 'God bless you--God bless
you--you couldn't help it--I hope you'll live to be a good man.'
You accept--and answer--my Letters very kindly: but this--pray do
think--is an answer--verily by return of Post--to yours.
Here is Summer! The leaves suddenly shaken out like flags. I am
preparing for Nieces, and perhaps for my Sister Andalusia--who used to
visit my Brother yearly.
Your sincere Ancient
E. F.G.
LVIII.
WOODBRIDGE: _August_ 4, [1879].
MY DEAR MRS. KEMBLE:
Two or three days, I think, after receiving your last letter, I posted an
answer addrest to the Poste Restante of--Lucerne, was it?--anyhow, the
town whose name you gave me, and no more. Now, I will venture through
Coutts, unwilling as I am to trouble their Highnesses--with whom my
Family have banked for three--if not four--Generations. Otherwise, I do
not think they would be troubled with my Accounts, which they attend to
as punctually as if I were 'my Lord;' and I am now their last Customer of
my family, I believe, though I doubt not they have several Dozens of my
Name in their Books--for Better or Worse.
What now spurs me to write is--an Article {153} I have seen in a Number
of Macmillan for February, with very honourable mention of your Brother
John in an Introductory Lecture on Anglo Saxon, by Professor Skeat. If
you have not seen this 'Hurticle' (as Thackeray used to say) I should
like to send it to you; and will so do, if you will but let me know where
it may find you.
I have not been away from this place save for a Day or two since last you
heard from me. In a fortnight I may be going to Lowestoft along with my
friends the Cowells.
I take great Pleasure in Hawthorne's Journals--English, French, and
Italian--though I cannot read his Novels. They are too thickly detailed
for me: and of unpleasant matter too. We of the Old World beat the New,
I think, in a more easy manner; though Browning & Co. do not bear me out
there. And I am sincerely yours
E. F.G.
LIX.
LOWESTOFT, _Septr._ l8, [1879.]
MY DEAR MRS. KEMBLE,
Your last letter told me that you were to be back in England by the
middle of this month. So I write some lines to ask if you _are_ back,
and where to be found. To be sure, I can learn that much from some
Donne: to the Father of whom I must commit this letter for any further
Direction. But I will also say a little--very little having to
say--beyond asking you how you are, and in what Spirits after the great
Loss you have endured. {154}
Of that Loss I heard from Blanche Donne--some while, it appears, before
you heard of it yourself. I cannot say that it was surprising, however
sad, considering the terrible Illness she had some fifteen years ago. I
will say no more of it, nor of her, of whom I could say so much; but
nothing that would not be more than superfluous to you.
It did so happen, that, the day before I heard of her Death, I had
thought to myself that I would send her my Crabbe, as to my other
friends, and wondered that I had not done so before. I should have sent
off the Volume for Donne to transmit when--Blanche's Note came.
After writing of this, I do not think I should add much more, had I much
else to write about. I will just say that I came to this place five
weeks ago to keep company with my friend Edward Cowell, the Professor; we
read Don Quixote together in a morning and chatted for two or three hours
of an evening; and now he is gone away to Cambridge and [has] left me to
my Nephews and Nieces here. By the month's end I shall be home at
Woodbridge, whither any Letter you may please to write me may be
addressed.
I try what I am told are the best Novels of some years back, but find I
cannot read any but Trollope's. So now have recourse to Forster's Life
of Dickens--a very good Book, I still think. Also, Eckermann's
Goethe--almost as repeatedly to be read as Boswell's Johnson--a German
Johnson--and (as with Boswell) more interesting to me in Eckermann's
Diary than in all his own famous works.
Adieu: Ever yours sincerely
E. F.G.
I am daily--hourly--expecting to hear of the Death of another Friend
{155}--not so old a Friend, but yet a great loss to me.
LX.
11 MARINE TERRACE, LOWESTOFT,
_Septr._ 24, [1879 ]
MY DEAR MRS. KEMBLE,
I was to have been at Woodbridge before this: and your Letter only
reached me here yesterday. I have thought upon your desire to see me as
an old Friend of yourself and yours; and you shall not have the trouble
of saying so in vain. I should indeed be perplext at the idea of your
coming all this way for such a purpose, to be shut up at an Hotel with no
one to look in on you but myself (for you would not care for my Kindred
here)--and my own Woodbridge House would require a little time to set in
order, as I have for the present lost the services of one of my 'helps'
there. What do you say to my going to London to see you instead of your
coming down to see me? I should anyhow have to go to London soon; and I
could make my going sooner, or as soon as you please. Not but, if you
want to get out of London, as well as to see me, I can surely get my
house right in a little time, and will gladly do so, should you prefer
it. I hope, indeed, that you will not stay in London at this time of
year, when so many friends are out of it; and it has been my thought--and
hope, I may say--that you have already betaken yourself to some pleasant
place, with a pleasant Friend or two, which now keeps me from going at
once to look for you in London, after a few Adieus here. Pray let me
know your wishes by return of Post: and I will do my best to meet them
immediately: being
Ever sincerely yours
E. F.G.
LXI.
WOODBRIDGE: _Sept._ 28, [1879.]
DEAR MRS. KEMBLE:--
I cannot be sure of your Address: but I venture a note--to say that--If
you return to London on Wednesday, I shall certainly run up (the same
day, if I can) to see you before you again depart on Saturday, as your
letter proposes. {157}
But I also write to beg you not to leave your Daughter for ever so short
a while, simply because you had so arranged, and told me of your
Arrangement.
If this Note of mine reach you somehow to morrow, there will be plenty of
time for you to let me know whether you go or not: and, even if there be
not time before Wednesday, why, I shall take no harm in so far as I
really have a very little to do, and moreover shall see a poor Lady who
has just lost her husband, after nearly three years anxious and uncertain
watching, and now finds herself (brave and strong little Woman) somewhat
floored now the long conflict is over. These are the people I may have
told you of whom I have for some years met here and there in
Suffolk--chiefly by the Sea; and we somehow suited one another. {158} He
was a brave, generous, Boy (of sixty) with a fine Understanding, and
great Knowledge and Relish of Books: but he had applied too late in Life
to Painting which he could not master, though he made it his Profession.
A remarkable mistake, I always thought, in so sensible a man.
Whether I find you next week, or afterward (for I promise to find you any
time you appoint) I hope to find you alone--for twenty years' Solitude
make me very shy: but always your sincere
E. F.G.
LXII.
LITTLE GRANGE: WOODBRIDGE. _October_ 7, [1879]
DEAR MRS. KEMBLE,
When I got home yesterday, and emptied my Pockets, I found the precious
Enclosure which I had meant to show, and (if you pleased) to give you. A
wretched Sketch (whether by me or another, I know not) of your Brother
John in some Cambridge Room, about the year 1832-3, when he and I were
staying there, long after Degree time--he, studying Anglo-Saxon, I
suppose--reading something, you see, with a glass of Ale on the table--or
old Piano-forte was it?--to which he would sing very well his German
Songs. Among them,
{Music Score: p159.jpg}
Do you remember? I afterwards associated it with some stray verses
applicable to one I loved.
'Heav'n would answer all your wishes,
Were it much as Earth is here;
Flowing Rivers full of Fishes,
And good Hunting half the Year.'
Well:--here is the cause of this Letter, so soon after our conversing
together, face to face, in Queen Anne's Mansions. A strange little After-
piece to twenty years' Separation.
And now, here are the Sweet Peas, and Marigolds, sown in the Spring,
still in a faded Blossom, and the Spirit that Tennyson told us of fifty
years ago haunting the Flower-beds, {160} and a Robin singing--nobody
else.
And I am to lose my capital Reader, he tells me, in a Fortnight, no Book-
binding surviving under the pressure of Bad Times in little Woodbridge.
'My dear Fitz, there is no Future for little Country towns,' said Pollock
to me when he came here some years ago.
But my Banker here found the Bond which he had considered unnecessary,
safe in his Strong Box:--and I am your sincere Ancient
E. F.G.
Burn the poor Caricature if offensive to you. The 'Alexander' profile
was become somewhat tarnished then.
LXIII.
WOODBRIDGE: _Oct._ 27, [1879.]
MY DEAR MRS. KEMBLE,
I am glad to think that my Regard for you and yours, which I know to be
sincere, is of some pleasure to you. Till I met you last in London, I
thought you had troops of Friends at call; I had not reflected that by
far the greater number of them could not be Old Friends; and those you
cling to, I feel, with constancy.
I and my company (viz. Crabbe, etc.) could divert you but little until
your mind is at rest about Mrs. Leigh. I shall not even now write more
than to say that a Letter from Mowbray, which tells of the kind way you
received him and his Brother, says also that his Father is well, and
expects Valentia and Spouse in November.
This is all I will write. You will let me know by a line, I think, when
that which you wait for has come to pass. A Post Card with a few words
on it will suffice.
You cross over your Address (as usual) but I do my best to find you.
Ever yours
E. F.G.
LXIV.
WOODBRIDGE: _Octr._ [? _Nov._] 4/79.
MY DEAR LADY:--
I need not tell you that I am very glad of the news your note of Sunday
tells me: and I take it as a pledge of old Regard that you told it me so
soon: even but an hour after that other Kemble was born. {161}
I know not if the short letter which I addressed to 4 Everton Place,
Leamington (as I read it in your former Letter), reached you. Whatever
the place be called, I expect you are still there; and there will be for
some time longer. As there may be some anxiety for some little time, I
shall not enlarge as usual on other matters; if I do not hear from you, I
shall conclude that all is going on well, and shall write again.
Meanwhile, I address this Letter to London, you see, to make sure of you
this time: and am ever yours sincerely
E. F.G.
By the by, I think the time is come when, if you like me well enough, you
may drop my long Surname, except for the external Address of your letter.
It may seem, but is not, affectation to say that it is a name I dislike;
{162} for one reason, it has really caused me some confusion and trouble
with other more or less Irish bodies, being as common in Ireland as
'Smith,' etc., here--and particularly with 'Edward'--I suppose because of
the patriot Lord who bore [it]. I should not, even if I made bold to
wish so to do, propose to treat you in the same fashion; inasmuch as I
like your Kemble name, which has become as it were classical in England.
LXV.
WOODBRIDGE: _Nov._ 13/79.
MY DEAR LADY,
Now that your anxieties are, as I hope, over, and that you are returned,
as I suppose, to London, I send you a budget. First: the famous
_Belvidere Hat_; which I think you ought to stick into your Records.
{163a} Were I a dozen years younger, I should illustrate all the Book in
such a way; but, as my French song says, 'Le Temps est trop court pour de
si longs projets.'
Next, you behold a Photo of Carlyle's Niece, which he bid her send me two
or three years ago in one of her half-yearly replies to my Enquiries.
What a shrewd, tidy, little Scotch Body! Then you have her last letter,
telling of her Uncle, and her married Self, and thanking me for a little
Wedding gift which I told her was bought from an Ipswich Pawnbroker
{163b}--a very good, clever fellow, who reads Carlyle, and comes over
here now and then for a talk with me. Mind, when you return me the
Photo, that you secure it around with your Letter paper, that the Postman
may not stamp into it. Perhaps this trouble is scarce worth giving you.
'Clerke Sanders' has been familiar to me these fifty years almost; since
Tennyson used to repeat it, and 'Helen of Kirkconnel,' at some Cambridge
gathering. At that time he looked something like the Hyperion shorn of
his Beams in Keats' Poem: with a Pipe in his mouth. Afterwards he got a
touch, I used to say, of Haydon's Lazarus. Talking of Keats, do not
forget to read Lord Houghton's Life and Letters of him: in which you will
find what you may not have guessed from his Poetry (though almost
unfathomably deep in that also) the strong, masculine, Sense and Humour,
etc., of the man more akin to Shakespeare, I am tempted to think, in a
perfect circle of Poetic Faculties, than any Poet since.
Well: the Leaves which hung on more bravely than ever I remember are at
last whirling away in a Cromwell Hurricane--(not quite that, neither)--and
my old Man says he thinks Winter has set in at last. We cannot complain
hitherto. Many summer flowers held out in my Garden till a week ago,
when we dug up the Beds in order for next year. So now little but the
orange Marigold, which I love for its colour (Irish and Spanish) and
Courage, in living all Winter through. Within doors, I am again at my
everlasting Crabbe! doctoring his Posthumous Tales _a la mode_ of those
of 'The Hall,' to finish a Volume of simple 'Selections' from his other
works: all which I will leave to be used, or not, whenever old Crabbe
rises up again: which will not be in the Lifetime of yours ever
E. F.G.
I dared not decypher all that Mrs. Wister wrote in my behalf--because I
knew it must be sincere! Would she care for my Eternal Crabbe?
LXVI.
[_Nov._ 1879.]
MY DEAR LADY,
I must say a word upon a word in your last which really pains me--about
yours and Mrs. Wister's sincerity, etc. Why, I do most thoroughly
believe in both; all I meant was that, partly from your own old personal
regard for me, and hers, perhaps inherited from you, you may both very
sincerely over-rate my little dealings with other great men's thoughts.
For you know full well that the best Head may be warped by as good a
Heart beating under it; and one loves the Head and Heart all the more for
it. Now all this is all so known to you that I am vexed you will not at
once apply it to what I may have said. I do think that I have had to say
something of the same sort before now; and I do declare I will not say it
again, for it is simply odious, all this talking of oneself.
Yet one thing more. I did go to London on this last occasion purposely
to see you at that particular time: for I had not expected Mrs. Edwards
to be in London till a Fortnight afterward, until two or three days after
I had arranged to go and meet you the very day you arrived, inasmuch as
you had told me you were to be but a few days in Town.
There--there! Only believe me; my sincerity, Madam; and--_Voila ce qui
est fait_. _Parlons_, etc.
Well: Mrs. Edwards has opened an Exhibition of her husband's works in
Bond Street--contrary to my advice--and, it appears, rightly contrary:
for over 300 pounds of them were sold on the first private View day,
{166} and Tom Taylor, the great Art Critic (who neither by Nature nor
Education can be such, 'cleverest man in London,' as Tennyson once said
he was), has promised a laudatory notice in the omnipotent Times, and
then People will flock in like Sheep. And I am very glad to be proved a
Fool in the matter, though I hold my own opinion still of the merit of
the Picture part of the Show. Enough! as we Tragic Writers say: it is
such a morning as I would not have sacrificed indoors or in
letter-writing to any one but yourself, and on the subject named.
BELIEVE ME YOURS SINCERELY.
LXVII.
WOODBRIDGE: _Decr._ 10, [1879.]
MY DEAR LADY,
Pray let me know how you have fared thus far through Winter--which began
so early, and promises to continue so long. Even in Jersey Fred.
Tennyson writes me it is all Snow and N.E. wind: and he says the North of
Italy is blocked up with Snow. You may imagine that we are no better off
in the East of England. How is it in London, and with yourself in Queen
Anne's Mansions? I fancy that you walk up and down that ante-room of
yours for a regular time, as I force myself to do on a Landing-place in
this house when I cannot get out upon what I call my Quarter-deck: a walk
along a hedge by the upper part of a field which 'dominates' (as the
phrase now goes) over my House and Garden. But I have for the last
Fortnight had Lumbago, which makes it much easier to sit down than to get
up again. However, the time goes, and I am surprised to find Sunday come
round again. (Here is my funny little Reader come--to give me 'All the
Year Round' and Sam Slick.)
_Friday_.
I suppose I should have finished this Letter in the way it begins, but by
this noon's post comes a note from my Brother-in-law, De Soyres, telling
me that his wife Andalusia died yesterday. {168} She had somewhile
suffered with a weak Heart, and this sudden and extreme cold paralysed
what vitality it had. But yesterday I had posted her a Letter
re-enclosing two Photographs of her Grand Children whom she was very fond
and proud of; and that Letter is too late, you see. Now, none but Jane
Wilkinson and E. F.G. remain of the many more that you remember, and
always looked on with kindly regard. This news cuts my Letter shorter
than it would have been; nevertheless pray let me know how you yourself
are: and believe me yours
Ever and truly,
E. F.G.
I have had no thought of going to London yet: but I shall never go in
future without paying a Visit to you, if you like it. I know not how
Mrs. Edwards' Exhibition of her Husband's Pictures succeeds: I begged her
to leave such a scheme alone; I cannot admire his Pictures now he is gone
more than I did when he was here; but I hope that others will prove me to
be a bad adviser.
LXVIII.
WOODBRIDGE: _Jan._ 8/80.
MY DEAR MRS. KEMBLE,
I think sufficient time has elapsed since my last letter to justify my
writing you another, which, you know, means calling on you to reply. When
last you wrote, you were all in Flannel; pray let me hear you now are.
Certainly, we are better off in weather than a month ago: but I fancy
these Fogs must have been dismal enough in London. A Letter which I have
this morning from a Niece in Florence tells me they have had 'London Fog'
(she says) for a Fortnight there. She says, that my sister Jane (your
old Friend) is fairly well in health, but very low in Spirits after that
other Sister's Death. I will [not] say of myself that I have weathered
away what Rheumatism and Lumbago I had; nearly so, however; and tramp
about my Garden and Hedgerow as usual. And so I clear off Family scores
on my side. Pray let me know, when you tell of yourself, how Mrs. Leigh
and those on the other side of the Atlantic fare.
Poor Mrs. Edwards, I doubt, is disappointed with her Husband's Gallery:
not because of its only just repaying its expenses, except in so far as
that implies that but few have been to see it. She says she feels as if
she had nothing to live for, now that 'her poor Old Dear' is gone. One
fine day she went down to Woking where he lies, and--she did not wish to
come back. It was all solitary, and the grass beginning to spring, and a
Blackbird or two singing. She ought, I think, to have left London, as
her Doctor told her, for a total change of Scene; but she may know best,
being a very clever, as well as devoted little Woman.
Well--you saw 'The Falcon'? {169} Athenaeum and Academy reported of it
much as I expected. One of them said the Story had been dramatised
before: I wonder why. What reads lightly and gracefully in Boccaccio's
Prose, would surely not do well when drawn out into dramatic Detail: two
People reconciled to Love over a roasted Hawk; about as unsavoury a Bird
to eat as an Owl, I believe. No doubt there was a Chicken substitute at
St. James', but one had to believe it to be Hawk; and, anyhow, I have
always heard that it is very difficult to eat, and talk, on the
Stage--though people seem to manage it easily enough in real Life.
By way of a Christmas Card I sent Carlyle's Niece a Postage one, directed
to myself, on the back of which she might [write] a few words as to how
he and herself had weathered the late Cold. She replied that he was
well: had not relinquished his daily Drives: and was (when she wrote)
reading Shakespeare and Boswell's Hebrides. The mention of him reminds
me of your saying--or writing--that you felt shy of 'intruding' yourself
upon him by a Visit. My dear Mrs. Kemble, this is certainly a mistake
(wilful?) of yours; he may have too many ordinary Visitors; but I am
quite sure that he would be gratified at your taking the trouble to go
and see him. Pray try, weather and flannel permitting.
I find some good Stuff in Bagehot's Essays, in spite of his name, which
is simply 'Bagot,' as men call it. Also, I find Hayward's Select Essays
so agreeable that I suppose they are very superficial.
At night comes my quaint little Reader with Chambers' Journal, and All
[the] Year Round--the latter with one of Trollope's Stories {171}--always
delightful to me, and (I am told) very superficial indeed, as compared to
George Eliot, whom I cannot relish at all.
Thus much has come easily to my pen this day, and run on, you see, to the
end of a second Sheet. So I will 'shut up,' as young Ladies now say; but
am always and sincerely yours
E. F.G.
LXIX.
WOODBRIDGE: _Febr_: 3/80.
MY DEAR LADY,
I do not think it is a full month since I last taxed you for some account
of yourself: but we have had hard weather, you know, ever since: your
days have been very dark in London, I am told, and as we have all been
wheezing under them, down here, I want to know how you stand it all. I
only hope my MS. is not very bad; for I am writing by Candle, before my
Reader comes. He eat such a Quantity of Cheese and Cake between the Acts
that he could scarce even see to read at all after; so I had to remind
him that, though he was not quite sixteen, he had much exceeded the years
of a Pig. Since which we get on better. I did not at all like to have
my Dombey spoiled; especially Captain Cuttle, God bless him, and his
Creator, now lying in Westminster Abbey. The intended Pathos is, as
usual, missed: but just turn to little Dombey's Funeral, where the
Acrobat in the Street suspends his performance till the Funeral has
passed, and his Wife wonders if the little Acrobat in her Arms will so
far outlive the little Boy in the Hearse as to wear a Ribbon through his
hair, following his Father's Calling. It is in such Side-touches, you
know, that Dickens is inspired to Create like a little God Almighty. I
have read half his lately published letters, which, I think, add little
to Forster's Account, unless in the way of showing what a good Fellow
Dickens was. Surely it does not seem that his Family were not fond of
him, as you supposed?
I have been to Lowestoft for a week to see my capital Nephew, Edmund
Kerrich, before he goes to join his Regiment in Ireland. I wish you
could see him make his little (six years old) put him through his Drill.
That is worthy of Dickens: and I am always yours sincerely--and I do hope
not just now very illegibly--
LITTLEGRANGE.
LXX.
WOODBRIDGE: _Febr_: 12/80.
MY DEAR MRS. KEMBLE:
A week ago I had a somewhat poor account of Donne from Edith D.--that he
had less than his usually little Appetite, and could not sleep without
Chloral. This Account I at first thought of sending to you: but then I
thought you would soon be back in London to hear [of] him yourself; so I
sent it to his great friend Merivale, who, I thought, must have less
means of hearing about him at Ely. I enclose you this Dean's letter:
which you will find worth the trouble of decyphering, as all this Dean's
are. And you will see there is a word for you which you will have to
interpret for me. What is the promised work he is looking for so
eagerly? {173} Your Records he 'devoured' a Year ago, as a letter of his
then told me; and I suppose that his other word about the number of your
Father's house refers to something in those Records. I am not surprised
at such an Historian reading your Records: but I was surprised to find
him reading Charles Mathews' Memoir, as you will see he has been doing. I
told him I had been reading it: but then that is all in my line. Have
you? No, I think: nor I, by the way, quite half, and that in Vol.
ii.--where is really a remarkable account of his getting into Managerial
Debt, and its very grave consequences.
I hear that Mr. Lowell is coming Ambassador to England, after a very
terrible trial in nursing (as he did) his Wife: who is only very slowly
recovering Mind as well as Body. I believe I wrote all this to you
before, as also that I am ever yours
E. F.G.
I cannot remember Pangloss in Candide: only a Pedant Optimist, I think,
which became the _soubriquet_ of Maupertuis' _Akakia_ Optimism; but I
have not the book, and do not want to have it.
LXXI.
WOODBRIDGE, _March_ 1, [1880.]
MY DEAR LADY,
I am something like my good old friend Bernard Barton, who would
begin--and end--a letter to some one who had just gone away from his
house. I should not mind that, only you will persist in answering what
calls for no answer. But the enclosed came here To-day, and as I might
mislay it if I waited for my average time of writing to you, I enclose it
to you now. It shows, at any rate, that I do not neglect your Queries;
nor does he to whom I refer what I cannot answer myself. {174}
This Wright edits certain Shakespeare Plays for Macmillan: very well, I
fancy, so far as Notes go; simply explaining what needs explanation for
young Readers, and eschewing all _aesthetic_ (now, don't say you don't
know what 'aesthetic' means, etc.) aesthetic (detestable word)
observation. With this the Swinburnes, Furnivalls, Athenaeums, etc.,
find fault: and a pretty hand they make of it when they try that tack. It
is safest surely to give people all the _Data_ you can for forming a
Judgment, and then leave them to form it by themselves.
You see that I enclose you the fine lines {175} which I believe I
repeated to you, and which I wish you to paste on the last page of my
Crabbe, so as to be a pendant to Richard's last look at the Children and
their play. I know not how I came to leave it out when first printing:
for certainly the two passages had for many years run together in my
Memory.
Adieu, Madame: non pas pour toujours, j'espere; pas meme pour long temps.
Cependant, ne vous genez pas, je vous prie, en repondant a une lettre qui
ne vaut--qui ne reclame pas meme--aucune reponse: tandis que vous me
croyez votre tres devoue
EDOUARD DE PETITGRANGE.
LXXII.
WOODBRIDGE: _March_ 26, [1880.]
MY DEAR LADY:
The Moon has reminded me that it is a month since I last went up to
London. I said to the Cabman who took me to Queen Anne's, 'I think it
must be close on Full Moon,' and he said, 'I shouldn't wonder,' not
troubling himself to look back to the Abbey over which she was riding.
Well; I am sure I have little enough to tell you; but I shall be glad to
hear from you that you are well and comfortable, if nothing else. And
you see that I am putting my steel pen into its very best paces all for
you. By far the chief incident in my life for the last month has been
the reading of dear old Spedding's Paper on the Merchant of Venice: {176}
there, at any rate, is one Question settled, and in such a beautiful way
as only he commands. I could not help writing a few lines to tell him
what I thought; but even very sincere praise is not the way to conciliate
him. About Christmas I wrote him, relying on it that I should be most
likely to secure an answer if I expressed dissent from some other work of
his; and my expectation was justified by one of the fullest answers he
had written to me for many a day and year.
I read in one of my Papers that Tennyson had another Play accepted at the
Lyceum. I think he is obstinate in such a purpose, but, as he is a Man
of Genius, he may surprise us still by a vindication of what seem to me
several Latter-day failures. I suppose it is as hard for him to
relinquish his Vocation as other men find it to be in other callings to
which they have been devoted; but I think he had better not encumber the
produce of his best days by publishing so much of inferior quality.
Under the cold Winds and Frosts which have lately visited us--and their
visit promises to be a long one--my garden Flowers can scarce get out of
the bud, even Daffodils have hitherto failed to 'take the winds,' etc.
Crocuses early nipt and shattered (in which my Pigeons help the winds)
and Hyacinths all ready, if but they might!
My Sister Lusia's Widower has sent me a Drawing by Sir T. Lawrence of my
Mother: bearing a surprising resemblance to--The Duke of Wellington. This
was done in her earlier days--I suppose, not long after I was born--for
her, and his (Lawrence's) friend Mrs. Wolff: and though, I think, too
Wellingtonian, the only true likeness of her. Engravings were made of
it--so good as to be facsimiles, I think--to be given away to Friends. I
should think your mother had one. If you do not know it, I will bring
the Drawing up with me to London when next I go there: or will send it up
for your inspection, if you like. But I do not suppose you will care for
me to do that.
Here is a much longer letter than I thought for; I hope not troublesome
to your Eyes--from yours always and sincerely
LITTLEGRANGE.
I have been reading Comus and Lycidas with wonder, and a sort of awe.
Tennyson once said that Lycidas was a touchstone of poetic Taste.
LXXIII.
WOODBRIDGE: _March_ 28, [1880.]
MY DEAR MRS. KEMBLE,
No--the Flowers were not from me--I have nothing full-blown to show
except a few Polyanthuses, and a few Pansies. These Pansies never throve
with me till last year: after a Cartload or two of Clay laid on my dry
soil, I suppose, the year before. Insomuch that one dear little Soul has
positively held on blowing, more or less confidently, all winter through;
when even the Marigold failed.
Now, I meant to have intimated about those Flowers in a few French words
on a Postcard--purposely to prevent your answering--unless your rigorous
Justice could only be satisfied by a Post Card in return. But I was not
sure how you might like my Card; so here is a Letter instead; which I
really do beg you, as a favour, not to feel bound to answer. A time will
come for such a word.
By the by, you can make me one very acceptable return, I hope with no
further trouble than addressing it to me. That 'Nineteenth Century' for
February, with a Paper on 'King John' (your Uncle) in it. {179} Our
Country Bookseller has been for three weeks getting it for me--and now
says he cannot get it--'out of print.' I rather doubt that the Copy I
saw on your Table was only lent to you; if so, take no more trouble about
it; some one will find me a Copy.
I shall revolve in my own noble mind what you say about Jessica and her
Jewels: as yet, I am divided between you, and that old Serpent, Spedding.
Perhaps 'That is only his Fancy,' as he says of Shylock. What a light,
graceful, way of saying well-considered Truth!
I doubt you are serious in reminding me of my Tumbler on the Floor; and,
I doubt not, quite right in being so. This comes of one's living so long
either with no Company, or with only free and easy. But I am always the
same toward you, whether my Tumbler in the right place or not,
THE LAIRD OF LITTLEGRANGE.
LXXIV.
WOODBRIDGE, _April_ 6, [1880.] {180a}
MY DEAR LADY,
I hope my letter, and the Magazine which accompanies it, will not reach
you at a time when you have family troubles to think about. You can,
however, put letter and Magazine aside at once, without reading either;
and, anyhow, I wish once more--in vain, I suppose--that you would not
feel bound to acknowledge them.
I think this Atlantic, {180b} which I took in so long as you were
embarked on it, was sent me by Mr. Norton, to whom I had sent my Crabbe;
and he had, I suppose, shown it to Mr. Woodberry, the Critic. And the
Critic has done his work well, on the whole, I think: though not quite up
to my mark of praise, nor enough to create any revival of Interest in the
Poems. You will see that I have made two or three notes by the way: but
you are still less bound to read them than the text.
If you be not bothered, I shall ask you to return me the Magazine. I
have some thought of taking it in again, as I like to see what goes on in
the literary way in America, and I found their critics often more
impartial in their estimation of English Authors than our own Papers are,
as one might guess would be the case.
I was, and am, reading your Records again, before this Atlantic came to
remind me of you. I have Bentley's second Edition. I feel the Dullness
of that Dinner Party in Portland Place {181a} (I know it was) when Mrs.
Frere sang. She was somewhile past her prime then (1831), but could sing
the Classical Song, or Ballad, till much later in Life. Pasta too, whom
you then saw and heard! I still love the pillars of the old Haymarket
Opera House, where I used to see placarded MEDEA IN CORINTO. {181b}
And I am still yours sincerely
LITTLEGRANGE.
You are better off in London this black weather.
P.S. Since my letter was written, I receive the promised one from
Mowbray: his Father well: indeed, in better health and Spirits than
usual: and going with Blanche to Southwell on Wednesday (to-morrow)
fortnight.
His London house almost, if not quite, out of Quarantine. But--do not
go! say I.
LXXV.
WOODBRIDGE: _April_ 23, [1880.]
MY DEAR MRS. KEMBLE,
I was really sorry to hear from you that you were about to move again. I
suppose the move has been made by this time: as I do not know whither, I
must trouble Coutts, I suppose, to forward my Letter to you; and then you
will surely tell me your new Address, and also how you find yourself in
it.
I have nothing to report of myself, except that I was for ten days at
Lowestoft in company (though not in the house) with Edward Cowell the
Professor: with whom, as in last Autumn, I read, and all but finished,
the second part of Don Quixote. There came Aldis Wright to join us; and
he quite agrees with what you say concerning the Jewel-robbery in the
Merchant of Venice. He read me the Play; and very well; thoroughly
understanding the text: with clear articulation, and the moderate
emphasis proper to room-reading; with the advantage also of never having
known the Theatre in his youth, so that he has not picked up the twang of
any Actor of the Day. Then he read me King John, which he has some
thoughts of editing next after Richard III. And I was reminded of you at
Ipswich twenty-eight years ago; and of your Father--his look up at
Angiers' Walls as he went out in Act ii. I wonder that Mrs. Siddons
should have told Johnson that she preferred Constance to any of
Shakespeare's Characters: perhaps I misremember; she may have said Queen
Catharine. {183a} I must not forget to thank you for the Nineteenth
Century from Hatchard's; Tieck's Article very interesting to me, and I
should suppose just in its criticism as to what John Kemble then was. I
have a little print of him about the time: in OEdipus--(whose Play, I
wonder, on such a dangerous subject?) from a Drawing by that very clever
Artist De Wilde: who never missed Likeness, Character, and Life, even
when reduced to 16mo Engraving. {183b}
What you say of Tennyson's Eyes reminded me that he complained of the
Dots in Persian type flickering before them: insomuch that he gave up
studying it. This was some thirty years ago. Talking on the subject one
day to his Brother Frederick, he--(Frederick)--said he thought possible
that a sense of the Sublime was connected with Blindness: as in Homer,
Milton, and Handel: and somewhat with old Wordsworth perhaps; though his
Eyes were, I think, rather weak than consuming with any inward Fire.
I heard from Mr. Norton that Lowell had returned to Madrid in order to
bring his Wife to London--if possible. She seems very far from being
recovered; and (Norton thinks) would not have recovered in Spain: so
Lowell will have one consolation for leaving the land of Cervantes and
Calderon to come among the English, whom I believe he likes little better
than Hawthorne liked them.
I believe that yesterday was the first of my hearing the Nightingale;
certainly of hearing _my_ Nightingale in the trees which I planted,
'hauts comme ca,' as Madame de Sevigne says. I am positively about to
read her again, 'tout Madame de Sevigne,' as Ste. Beuve said. {184a} What
better now Spring is come? {184b} She would be enjoying her Rochers just
now. And I think this is a dull letter of mine; but I am always
sincerely yours
E. DE PETITGRANGE.
LXXVI.
WOODBRIDGE: _May_ 25/80.
MY DEAR LADY,
Another full Moon reminds [me] of my monthly call upon you by Letter--a
call to be regularly returned, I know, according to your Etiquette. As
so it must be, I shall be very glad to hear that you are better than when
you last wrote, and that some, if not all, of the 'trouble' you spoke of
has passed away. I have not heard of Donne since that last letter of
yours: but a Post Card from Mowbray, who was out holyday-making in
Norfolk, tells me that he will write as soon as he has returned to
London, which, I think, must be about this very time.
I shall be sorry if you do not get your annual dose of Mountain Air; why
can you not? postponing your visit to Hampshire till Autumn--a season
when I think those who want company and comfort are most glad of it. But
you are determined, I think, to do as you are asked: yes, even the more
so if you do not wish it. And, moreover, you know much more of what is
fittest to do than I.
A list of Trench's works in the Academy made me think of sending him my
Crabbe; which I did: and had a very kind answer from him, together with a
Copy of a second Edition of his Calderon Essay and Translation. He had
not read any Crabbe since he was a Lad: what he may think of him now I
know not: for I bid him simply acknowledge the receipt of my Volume, as I
did of his. I think much the best way, unless advice is wanted on either
side before publication.
If you write--which you will, unless--nay, whether troubled or not, I
think--I should like to hear if you have heard anything of Mr. Lowell in
London. I do not write to him for fear of bothering him: but I wish to
know that his Wife is recovered. I have been thinking for some days of
writing a Note to Carlyle's Niece, enclosing her a Post Card to be
returned to me with just a word about him and herself. A Card only: for
I do not know how occupied she may be with her own family cares by this
time.
I have re-read your Records, in which I do not know that I find any too
much, as I had thought there was of some early Letters. Which I believe
I told you while the Book was in progress. {186} It is, I sincerely say,
a capital Book, and, as I have now read it twice over with pleasure, and
I will say, with Admiration--if but for its Sincerity (I think you will
not mind my saying that much)--I shall probably read it over again, if I
live two years more. I am now embarked on my blessed Sevigne, who, with
Crabbe, and John Wesley, seem to be my great hobbies; or such as I do not
tire of riding, though my friends may weary of hearing me talk about
them.
By the by, to-morrow is, I think, Derby Day; which I remember chiefly for
its marking the time when Hampton Court Chestnuts were usually in full
flower. You may guess that we in the Country here have been gaping for
rain to bring on our Crops, and Flowers; very tantalising have been many
promising Clouds, which just dropped a few drops by way of Compliment,
and then passed on. But last night, when Dombey was being read to me we
heard a good splash of rain, and Dombey was shut up that we might hear,
and see, and feel it. {187} I never could make out who wrote two lines
which I never could forget, wherever I found them:--
'Abroad, the rushing Tempest overwhelms
Nature pitch dark, and rides the thundering elms.'
Very like Glorious John Dryden; but many others of his time wrote such
lines, as no one does now--not even Messrs. Swinburne and Browning.
And I am always your old Friend, with the new name of
LITTLEGRANGE.
LXXVII.
WOODBRIDGE: _June_ 23, [1880.]
MY DEAR MRS. KEMBLE,
You smile at my 'Lunacies' as you call my writing periods; I take the
Moon as a signal not to tax you too often for your inevitable answer. I
have now let her pass her Full: and June is drawing short: and you were
to be but for June at Leamington: so--I must have your answer, to tell me
about your own health (which was not so good when last you wrote) and
that of your Family; and when, and where, you go from Leamington. I
shall be sorry if you cannot go to Switzerland.
I have been as far as--Norfolk--on a week's visit (the only visit of the
sort I now make) to George Crabbe, my Poet's Grandson, and his two
Granddaughters. It was a very pleasant visit indeed; the people all so
sensible, and friendly, talking of old days; the Country flat indeed, but
green, well-wooded, and well-cultivated: the weather well enough. {188a}
I carried there two volumes of my Sevigne: and even talked of going over
to Brittany, only to see her Rochers, as once I went to Edinburgh only to
see Abbotsford. But (beside that I probably should not have gone further
than talking in any case) a French Guide Book informed me that the
present Proprietor of the place will not let it be shown to Strangers who
pester him for a view of it, on the strength of those 'paperasses,' as he
calls her Letters. {188b} So this is rather a comfort to me. Had I
gone, I should also have visited my dear old Frederick Tennyson at
Jersey. But now I think we shall never see one another again.
Spedding keeps on writing Shakespeare Notes in answer to sundry Theories
broached by others: he takes off copies of his MS. by some process he has
learned; and, as I always insist on some Copy of all he writes, he has
sent me these, which I read by instalments, as Eyesight permits. I
believe I am not a fair Judge between him and his adversaries; first,
because I have but little, if any, faculty of critical Analysis; and
secondly, because I am prejudiced with the notion that old Jem is
Shakespeare's Prophet, and must be right. But, whether right or wrong,
the way in which he conducts, and pleads, his Case is always Music to me.
So it was even with Bacon, with whom I could not be reconciled: I could
not like Dr. Fell: much more so with 'the Divine Williams,' who is a
Doctor that I do like.
It has turned so dark here in the last two days that I scarce see to
write at my desk by a window which has a hood over it, meant to
exclude--the Sun! I have increased my Family by two broods of Ducks, who
compete for the possession of a Pond about four feet in diameter: and but
an hour ago I saw my old Seneschal escorting home a stray lot of
Chickens. My two elder Nieces are with me at present, but I do not think
will be long here, if a Sister comes to them from Italy.
Pray let me hear how you are. I am pretty well myself:--though not quite
up to the mark of my dear Sevigne, who writes from her Rochers when close
on sixty--'Pour moi, je suis d'une si parfaite sante, que je ne comprends
point ce que Dieu veut faire de moi.' {190}
But yours always and a Day,
LITTLEGRANGE.
LXXVIII.
[WOODBRIDGE, _July_ 24, 1880.]
'Il sera le mois de Juillet tant qu'il plaira a Dieu' writes my friend
Sevigne--only a week more of it now, however. I should have written to
my friend Mrs. Kemble before this--in defiance of the Moon--had I not
been waiting for her Address from Mowbray Donne, to whom I wrote more
than a fortnight ago. I hope no ill-health in himself, or his Family,
keeps him from answering my Letter, if it ever reached him. But I will
wait no longer for his reply: for I want to know concerning you and your
health: and so I must trouble Coutts to fill up the Address which you
will not instruct me in.
Here (Woodbridge) have I been since last I wrote--some Irish Cousins
coming down as soon as English Nieces had left. Only that in the week's
interval I went to our neighbouring Aldeburgh on the Sea--where I first
saw, and felt, the Sea some sixty-five years ago; a dreary place enough
in spite of some Cockney improvements: my old Crabbe's Borough, as you
may remember. I think one goes back to the old haunts as one grows old:
as the Chancellor l'Hopital said when he returned to his native
Bourdeaux, I think: 'Me voici, Messieurs,' returned to die, as the Hare
does, in her ancient 'gite.' {191} I shall soon be going to Lowestoft,
where one of my Nieces, who is married to an Italian, and whom I have not
seen for many years, is come, with her Boy, to stay with her Sisters.
Whither are you going after you leave Hampshire? You spoke in your last
letter of Scarboro': but I still think you will get over to Switzerland.
One of my old Friends--and Flames--Mary Lynn (pretty name) who is of our
age, and played with me when we both were Children--at that very same
Aldeburgh--is gone over to those Mountains which you are so fond of:
having the same passion for them as you have. I had asked her to meet me
at that Aldeburgh--'Aldbro''--that we might ramble together along that
beach where once we played; but she was gone.
If you should come to Lowestoft instead of Scarbro', we, if you please,
will ramble together too. But I do not recommend the place--very ugly--on
a dirty Dutch Sea--and I do not suppose you would care for any of my
People; unless it were my little Niece Annie, who is a delightful
Creature.
I see by the Athenaeum that Tom Taylor is dead {192a}--the 'cleverest Man
in London' Tennyson called him forty years ago. Professor Goodwin, of
the Boston Cambridge, is in England, and made a very kind proposal to
give me a look on his travels. But I could not let him come out of his
way (as it would have been) for any such a purpose. {192b} He wrote that
Mrs. Lowell was in better health: residing at Southampton, which you knew
well near fifty years ago, as your Book tells. Mr. Lowell does not write
to me now; nor is there reason that he should.
Please to make my remembrances to Mr. Sartoris, who scarcely remembers
me, but whose London House was very politely opened to me so many years
ago. Anyhow, pray let me hear of yourself: and believe me always yours
sincerely
THE LAIRD OF LITTLEGRANGE.
LXXIX.
WOODBRIDGE: _Friday_, [30 _July_, 1880.]
MY DEAR LADY,
I send you Mowbray's reply to my letter of nearly three weeks ago. No
good news of his Father--still less of our Army (news to me told to-day)
altogether a sorry budget to greet you on your return to London. But the
public news you knew already, I doubt not: and I thought as well to tell
you of our Donne at once.
I suppose one should hardly talk of anything except this Indian Calamity:
{193} but I am selfish enough to ignore, as much as I can, such Evils as
I cannot help.
I think that Tennyson in calling Tom Taylor the 'cleverest man,' etc.,
meant pretty much as you do. I believe he said it in reply to something
I may have said that was less laudatory. At one time Tennyson almost
lived with him and the Wigans whom I did not know. Taylor always seemed
to me as 'clever' as any one: was always very civil to me: but one of
those toward whom I felt no attraction. He was too clever, I think. As
to Art, he knew nothing of it then, nor (as he admits) up to 1852 or
thereabout, when he published his very good Memoir of Haydon. I think he
was too 'clever' for Art also.
Why will you write of 'If you _bid_ me come to Lowestoft in October,'
etc., which, you must know, is just what I should not ask you to do:
knowing that, after what you say, you would come, if asked, were--(a Bull
begins here)--were it ever so unlikely for you. I am going thither next
week, to hear much (I dare say) of a Brother in Ireland who may be called
to India; and am
Ever yours sincerely,
LITTLEGRANGE.
Why won't you write to me from Switzerland to say where a Letter may find
you? If not, the Harvest Moon will pass!
LXXX.
IVY HOUSE, LOWESTOFT:
_Septr._ 20, {194} [1880.]
MY DEAR MRS. KEMBLE,
Here is a second Full Moon since last I wrote--(Harvest Moon, I think). I
knew not where to direct to you before, and, as you remain determined not
to apprize me yourself, so I have refused to send through Coutts. You do
not lose much.
Here have been for nearly two months Five English Nieces clustered round
a Sister who married an Italian, and has not been in England these dozen
years. She has brought her Boy of six, who seems to us wonderfully
clever as compared to English Children of his Age, but who, she tells us,
is counted rather behind his Fellows in Italy. Our meeting has been what
is called a 'Success'--which will not be repeated, I think. She will go
back to her adopted Country in about a month, I suppose. Do you know of
any one likely to be going that way about that time?
Some days ago, when I was sitting on the Pier, rather sad at the
Departure [of] a little Niece--an abridgment of all that is pleasant--and
good--in Woman--Charles Merivale accosted me--he and his good,
unaffected, sensible, wife, and Daughter to match. He was looking well,
and we have since had a daily stroll together. We talked of you, for he
said (among the first things he did say) that he had been reading your
Records again: so I need not tell you his opinion of them. He saw your
Uncle in Cato when he was about four years old; and believes that he (J.
P. K.) had a bit of red waistcoat looking out of his toga, by way of
Blood. I tell him he should call on you and clear up that, and talk on
many other points.
Mowbray Donne wrote me from Wales a month ago that his Father was going
on pretty well. I asked for further from Mowbray when he should have
returned from Wales: but he has not yet written. Merivale, who is one of
Donne's greatest Friends, has not heard of him more lately than I.
Now, my dear Mrs. Kemble, I want to hear of you from yourself: and I have
told you why it is that I have not asked you before. I fancy that you
will not be back in England when this Letter reaches Westminster: but I
fancy that it will not be long before you find it waiting on your table
for you.
And now I am going to look for the Dean, who, I hope, has been at Church
this morning: and though I have not done that, I am not the less
sincerely yours
E. F.G.
LXXXI.
WOODBRIDGE: _Octr._ 20, 1880.
MY DEAR MRS. KEMBLE,
I was to have gone to London on Monday with my Italian Niece on her way
homeward. But she feared saying 'Farewell' and desired me to let her set
off alone, to avoid doing so.
Thus I delay my visit to you till November--perhaps toward the middle of
it: when I hope to find you, with your blue and crimson Cushions {197} in
Queen Anne's Mansions, as a year ago. Mrs. Edwards is always in town:
not at all forgetful of her husband; and there will be our Donne also of
whom I hear nothing, and so conclude there is nothing to be told, and
with him my Visits will be summed up.
Now, lose not a Day in providing yourself with Charles Tennyson Turner's
Sonnets, published by Kegan Paul. There is a Book for you to keep on
your table, at your elbow. Very many of the Sonnets I do not care for:
mostly because of the Subject: but there is pretty sure to be some
beautiful line or expression in all; and all pure, tender, noble,
and--original. Old Spedding supplies a beautiful Prose Overture to this
delightful Volume: never was Critic more one with his Subject--or,
Object, is it? Frederick Tennyson, my old friend, ought to have done
something to live along with his Brothers: all who _will_ live, I
believe, of their Generation: and he perhaps would, if he could, have
confined himself to limits not quite so narrow as the Sonnet. But he is
a Poet, and cannot be harnessed.
I have still a few flowers surviving in my Garden; and I certainly never
remember the foliage of trees so little changed in October's third week.
A little flight of Snow however: whose first flight used to quicken my
old Crabbe's fancy: Sir Eustace Grey written under such circumstances.
{198}
And I am always yours
LITTLEGRANGE
(not 'Markethill' as you persist in addressing me.)
LXXXII.
WOODBRIDGE, _Novr._ 17/80.
MY DEAR LADY,
Here is the Moon very near her Full: so I send you a Letter. I have it
in my head you are not in London: and may not be when I go up there for a
few days next week--for this reason I think so: viz., that you have not
acknowledged a Copy of Charles Tennyson's Sonnets, which I desired Kegan
Paul to send you, as from me--with my illustrious Initials on the Fly
Leaf: and, he or one of his men, wrote that so it should be, or had been
done. It may nevertheless not have been: or, if in part done, the
illustrious Initials forgotten. But I rather think the Book was sent:
and that you would have guessed at the Sender, Initials or not. And as I
know you are even over-scrupulous in acknowledging any such things, I
gather that the Book came when you had left London--for Leamington, very
likely: and that there you are now. The Book, and your Acknowledgment of
it, will very well wait: but I wish to hear about yourself--as also about
yours--if you should be among them. I talk of 'next week,' because one
of my few Visitors, Archdeacon Groome, is coming the week after that, I
believe, for a day or two to my house: and, as he has not been here for
two years, I do not wish to be out of the way.
A Letter about a fortnight ago from Mowbray Donne told me that his Father
was fairly well: and a Post Card from Mowbray two days ago informed [me]
that Valentia was to be in London this present week. But I have wanted
to be here at home all this time: I would rather see Donne when he is
alone: and I would rather go to London when there is more likelihood of
seeing you there than now seems to me. Of course you will not in the
slightest way hasten your return to London (if now away from it) for my
poor little Visits: but pray let me hear from you, and believe me always
the same
E. F.G.
LXXXIII.
WOODBRIDGE: _Decr._ 6, [1880.]
MY DEAR LADY,
I was surprised to see a Letter in your MS. which could not be in answer
to any of mine. But the Photos account for it. Thank you: I keep that
which I like best, and herewith return the other.
Why will you take into your head that I could suppose you wanting in
Hospitality, or any other sort of Generosity! That, at least, is not a
Kemble failing. Why, I believe you would give me--and a dozen
others--1000 pounds if you fancied one wanted it--even without being
asked. The Law of Mede and Persian is that you _will_ take up--a
perverse notion--now and then. There! It's out.
As to the Tea--'pure and simple'--with Bread and Butter--it is the only
meal I do care to join in:--and this is why I did not see Mowbray Donne,
who has not his Dinner till an hour and a half after my last meal is
done.
I should very gladly have 'crushed a Cup of Tea' with you that last
Evening, coming prepared so to do. But you had Friends coming; and so
(as Mrs. Edwards was in the same plight) I went to the Pit of my dear old
Haymarket Opera: {200} remembering the very corner of the Stage where
Pasta stood when Jason's People came to tell her of his new Marriage; and
(with one hand in her Girdle--a movement (Mrs. Frere said) borrowed from
Grassini) she interrupted them with her "Cessate--intesi!"--also when
Rubini, feathered hat in hand, began that "Ah te, oh Cara"--and Taglioni
hovered over the Stage. There was the old Omnibus Box too where D'Orsay
flourished in ample white Waistcoat and Wristbands: and Lady
Blessington's: and Lady Jersey's on the Pit tier: and my own Mother's,
among the lesser Stars, on the third. In place of all which I dimly saw
a small Company of less distinction in all respects; and heard an Opera
(_Carmen_) on the Wagner model: very beautiful Accompaniments to no
Melody: and all very badly sung except by Trebelli, who, excellent. I
ran out in the middle to the dear Little Haymarket opposite--where
Vestris and Liston once were: and found the Theatre itself spoilt by
being cut up into compartments which marred the beautiful Horse-shoe
shape, once set off by the flowing pattern of Gold which used to run
round the house.
Enough of these Old Man's fancies--But--Right for all that!
I would not send you Spedding's fine Article {201a} till you had returned
from your Visit, and also had received Mrs. Leigh at Queen Anne's. You
can send it back to me quite at your leisure, without thinking it
necessary to write about it.
It is so mild here that the Thrush sings a little, and my Anemones seem
preparing to put forth a blossom as well as a leaf. Yesterday I was
sitting on a stile by our River side.
You will doubtless see Tennyson's new Volume, {201b} which is to my
thinking far preferable to his later things, though far inferior to those
of near forty years ago: and so, I think, scarce wanted. There is a bit
of Translation from an old War Song which shows what a Poet can do when
he condescends to such work: and I have always said that 'tis for the old
Poets to do some such service for their Predecessors. I hope this long
letter is tolerably legible: and I am in very truth
Sincerely yours
THE LAIRD OF LITTLEGRANGE.
LXXXIV.
WOODBRIDGE, _Christmas Day_, [1880.]
MY DEAR LADY:
You are at Leamington for this day, I expect: but, as I am not sure of
your address there, I direct to Queen Anne as usual. This very morning I
had a letter from my dear George Crabbe, telling me that he has met your
friend Mr. H. Aide at Lord Walsingham's, the Lord of G. C.'s parish: and
that Mr. Aide had asked him (G. C.) for his copy of my Crabbe. I should
have been very glad to give him one had he, or you, mentioned to me that
he had any wish for the book: I am only somewhat disappointed that so few
do care to ask for it.
I am here all alone for my Christmas: which is not quite my own fault. A
Nephew, and a young London clerk, were to have come, but prevented; even
my little Reader is gone to London for his Holyday, and left me with Eyes
more out of _Kelter_ {202} than usual to entertain myself with. 'These
are my troubles, Mr. Wesley,' as a rich man complained to him when his
Servant put too many Coals on the fire. {203a} On Friday, Aldis Wright
comes for two days, on his road to his old home Beccles: and I shall
leave him to himself with Books and a Cigar most part of the Day, and
make him read Shakespeare of a night. He is now editing Henry V. for
what they call the Clarendon Press. He still knows nothing of Mr.
Furness, who, he thinks, must be home in America long ago.
Spedding writes me that Carlyle is now so feeble as to be carried up and
down stairs. But very 'quiet,' which is considered a bad sign; but, as
Spedding says, surely much better than the other alternative, into which
one of Carlyle's temperament might so probably have fallen. Nay, were it
not better for all of us? Mr. Froude is most constantly with him.
If this Letter is forwarded you, I know that it will not be long before I
hear from you. And you know that I wish to hear that all is well with
you, and that I am always yours
E. F.G.
How is Mr. Sartoris? And I see a Book of _hers_ advertised. {203b}
LXXXV.
WOODBRIDGE: _Jan._ 17, [1881.]
DEAR MRS. KEMBLE,
The Moon has passed her Full: but my Eyes have become so troubled since
Christmas that I have not written before. All Christmas I was alone:
Aldis Wright came to me on New Year's Day, and read to me, among many
other things, 'Winter's Tale' which we could not take much delight in. No
Play more undoubtedly, nor altogether, Shakespeare's, but seeming to me
written off for some 'occasion' theatrical, and then, I suppose that Mrs.
Siddons made much of the Statue Scene.
I cannot write much, and I fancy that you will not care to read much, if
you are indeed about to leave Queen Anne. That is a very vexatious
business. You will probably be less inclined to write an answer to my
letter, than to read it: but answer it you will: and you need trouble
yourself to say no more than how you are, and where, and when, you are
going, if indeed you leave where you are. And do not cross your letter,
pray: and believe me always your sincere old friend
E. F.G.
LXXXVI.
[_Feb._, 1881.]
MY DEAR LADY:
I expected to send you a piece of Print as well as a Letter this Full
Moon. {205} But the Print is not come from the Printer's: and perhaps
that is as well: for now you can thank me for it beforehand when you
reply (as I know you will) to this Letter--and no more needs to be said.
For I do [not] need your Advice as to Publication in this case; no such
Design is in my head: on the contrary, not even a Friend will know of it
except yourself, Mr. Norton, and Aldis Wright: the latter of whom would
not be of the party but that he happened to be here when I was too
purblind to correct the few Proofs, and very kindly did so for me. As
for Mr. Norton (America), he it was for whom it was printed at all--at
his wish, he knowing the MS. had been lying by me unfinisht for years. It
is a Version of the two OEdipus Plays of Sophocles united as two Parts of
one Drama. I should not send it to you but that I feel sure that, if you
are in fair health and spirits, you will be considerably interested in
it, and probably give me more credit for my share in it than I deserve.
As I make sure of this you see there will be no need to say anything more
about it. The Chorus part is not mine, as you will see; but probably
quite as good. Quite enough on that score.
I really want to know how you like your new Quarters in dear _old_
London: how you are; and whether relieved from Anxiety concerning Mr.
Leigh. It was a Gale indeed, such as the oldest hereabout say they do
not remember: but it was all from the East: and I do not see why it
should have travelled over the Atlantic.
If you are easy on that account, and otherwise pretty well in mind and
Body, tell me if you have been to see the Lyceum 'Cup' {206a} and what
you make of it. Somebody sent me a Macmillan {206b} with an Article
about it by Lady Pollock; the extracts she gave seemed to me a somewhat
lame imitation of Shakespeare.
I venture to think--and what is more daring--to write, that my Eyes are
better, after six weeks' rest and Blue Glasses. But I say so with due
regard to my old Friend Nemesis.
I have heard nothing about my dear Donne since you wrote: and you only
said that you had not _heard_ a good account of him. Since then you
have, I doubt not, seen as well as heard. But, now that I see better
(Absit Invidia!) I will ask Mowbray.
It is well, I think, that Carlyle desired to rest (as I am told he did)
where he was born--at Ecclefechan, from which I have, or had, several
Letters dated by him. His Niece, who had not replied to my note of
Enquiry, of two months ago, wrote to me after his Death.
Now I have written enough for you as well as for myself: and am yours
always the same
LITTLEGRANGE. *
* 'What foppery is this, sir?'--_Dr. Johnson_.
LXXXVII.
[_Feb._, 1881.]
MY DEAR MRS. KEMBLE:--
As you generally return a Salute so directly, I began to be alarmed at
not hearing from you sooner--either that you were ill, or your Daughter,
or some ill news about Mr. Leigh. I had asked one who reads the
Newspapers, and was told there had been much anxiety as to the Cunard
Ship, which indeed was only just saved from total Wreck. But all is well
so far as you and yours are concerned; and I will sing 'Gratias' along
with you.
Mowbray Donne wrote to tell me that he and his had provided for some man
to accompany our dear old Friend in his walks; and, as he seems himself
to like it, all is so far well in that quarter also.
I was touched with the account of Carlyle's simple Obsequies among his
own Kinsfolk, in the place of his Birth--it was fine of him to settle
that so it should be. I am glad also that Mr. Froude is charged with his
Biography: a Gentleman, as well as a Scholar and 'Writer of Books,' who
will know what to leave unsaid as well as what to say.
Your account of 'The Cup' is what I should have expected from you: and,
if I may say so, from myself had I seen it.
And with this Letter comes my Sophocles, of which I have told you what I
expect you will think also, and therefore need not say--unless of a
different opinion. It came here I think the same Day on which I wrote to
tell you it had not come: but I would not send it until assured that all
was well with you. Such corrections as you will find are not meant as
Poetical--or rather Versifying--improvements, but either to clear up
obscurity, or to provide for some modifications of the two Plays when
made, as it were, into one. Especially concerning the Age of OEdipus:
whom I do not intend to be the _old_ man in Part II. as he appears in the
original. For which, and some other things, I will, if Eyes hold, send
you some printed reasons in an introductory Letter to Mr. Norton, at
whose desire I finished what had been lying in my desk these dozen years.
As I said of my own AEschylus Choruses, I say of old Potter's now: better
just to take a hint from them of what they are about--or imagine it for
yourself--and then imagine, or remember, some grand Organ piece--as of
Bach's Preludes--which will be far better Interlude than Potter--or I--or
even (as I dare think) than Sophocles' self!
And so I remain your ancient Heretic,
LITTLE G.
The newly printed Part II. would not bear Ink.
LXXXVIII.
[_Feb._, 1881.]
MY DEAR LADY,
Pray keep the Book: I always intended that you should do so if you liked
it: and, as I believe I said, I was sure that like it you would. I did
not anticipate how much: but am all the more glad: and (were I twenty
years younger) should be all the more proud; even making, as I do, a
little allowance for your old and constant regard to the Englisher. The
Drama is, however, very skilfully put together, and very well versified,
although that not as an original man--such as Dryden--would have
versified it: I will, by and by, send you a little introductory letter to
Mr. Norton, explaining to him, a Greek Scholar, why I have departed from
so much of the original: 'little' I call the Letter, but yet so long that
I did not wish him, or you, to have as much trouble in reading, as I,
with my bad Eyes, had in writing it: so, as I tell him--and you--it must
go to the Printers along with the Play which it prates about.
I think I once knew why the two Cities in Egypt and Boeotia were alike
named Thebes; and perhaps could now find out from some Books now stowed
away in a dark Closet which affrights my Eyes to think of. But any of
your learned friends in London will tell you, and probably more
accurately than Paddy. I cannot doubt but that Sphinx and heaps more of
the childish and dirty mythology of Greece came from Egypt, and who knows
how far beyond, whether in Time or Space!
Your Uncle, the great John, did enact OEdipus in some Tragedy, by whom I
know not: I have a small Engraving of him in the Character, from a
Drawing of that very clever artist De Wilde; {210} but this is a heavy
Likeness, though it may have been a true one of J. K. in his latter
years, or in one of his less inspired--or more asthmatic--moods. This
portrait is one of a great many (several of Mrs. Siddons) in a Book I
have--and which I will send you if you would care to see it: plenty of
them are rubbish such as you would wonder at a sensible man having ever
taken the trouble to put together. But I inherit a long-rooted Affection
for the Stage: almost as real a World to me as Jaques called it. Of
yourself there is but a Newspaper Scrap or two: I think I must have cut
out and given you what was better: but I never thought any one worth
having except Sir Thomas', which I had from its very first Appearance,
and keep in a large Book along with some others of a like size: Kean,
Mars, Talma, Duchesnois, etc., which latter I love, though I heard more
of them than I saw.
Yesterday probably lighted you up once again in London, as it did us down
here. 'Richard' thought he began to feel himself up to his Eyes again:
but To-day all Winter again, though I think I see the Sun resolved on
breaking through the Snow clouds. My little Aconites--which are
sometimes called 'New Year Gifts,' {211a} have almost lived their little
Lives: my Snowdrops look only too much in Season; but we will hope that
all this Cold only retards a more active Spring.
I should not have sent you the Play till Night had I thought you would
sit up that same night to read it. Indeed, I had put it away for the
Night Post: but my old Hermes came in to say he was going into Town to
market, and so he took it with him to Post.
Farewell for the present--till next Full Moon? I am really glad that all
that Atlantic worry has blown over, and all ended well so far as you and
yours are concerned. And I am always your ancient
LITTLE G.
LXXXIX. {211b}
[_March_, 1881.]
MY DEAR LADY,
It was very, very good and kind of you to write to me about Spedding.
Yes: Aldis Wright had apprised me of the matter just after it happened--he
happening to be in London at the time; and but two days after the
accident heard that Spedding was quite calm, and even cheerful; only
anxious that Wright himself should not be kept waiting for some
communication which S. had promised him! Whether to live, or to die, he
will be Socrates still.
Directly that I heard from Wright, I wrote to Mowbray Donne to send me
just a Post Card--daily if he or his wife could--with but one or two
words on it--'Better,' 'Less well,' or whatever it might be. This
morning I hear that all is going on even better than could be expected,
according to Miss Spedding. But I suppose the Crisis, which you tell me
of, is not yet come; and I have always a terror of that French
Adage--'_Monsieur se porte mal_--_Monsieur se porte mieux_--_Monsieur
est_'--Ah, you know--or you guess, the rest.
My dear old Spedding, though I have not seen him these twenty years and
more--and probably should never see him again--but he lives--his old
Self--in my heart of hearts; and all I hear of him does but embellish the
recollection of him--if it could be embellished--for he is but the same
that he was from a Boy--all that is best in Heart and Head--a man that
would be incredible had one not known him.
I certainly should have gone up to London--even with Eyes that will
scarce face the lamps of Woodbridge--not to see him, but to hear the
first intelligence I could about him. But I rely on the Postcard for but
a Night's delay. Laurence, Mowbray tells me, had been to see him, and
found him as calm as had been reported by Wright. But the Doctors had
said that he should be kept as quiet as possible.
I think, from what Mowbray also says, that you may have seen our other
old Friend Donne in somewhat worse plight than usual because of his being
much shocked at this Accident. He would feel it indeed!--as you do.
I had even thought of writing to tell you of all this, but could not but
suppose that you were more likely to know of it than myself; though
sometimes one is greatly mistaken with those 'of course you knows,
etc.'--But you have known it all: and have very kindly written of it to
me, whom you might also have supposed already informed of it: but you
took the trouble to write, not relying on 'of course you know, etc.'
I have thought lately that I ought to make some enquiry about Arthur
Malkin, who was always very kind to me. I had meant to send him my
Crabbe, who was a great favourite of his Father's, 'an excellent
companion for Old Age' he told--Donne, I think. But I do not know if I
ever did send him the Book, and now, judging by what you tell me, it is
too late to do so, unless for Compliment.
The Sun, I see, has put my Fire out--for which I only thank him, and will
go to look for him himself in my Garden--only with a Green Shade over my
Eyes. I must get to London to see you before you move away to
Leamington; when I can bear Sun or Lamp without odious blue Glasses, etc.
I dare to think those Eyes are better, though not Sun-proof: and I am
ever yours
LITTLE G.
XC. {214}
20 _March_, [1881.]
MY DEAR LADY,
I have let the Full Moon pass because I thought you had written to me so
lately, and so kindly, about our lost Spedding, that I would not call on
you too soon again. Of him I will say nothing except that his Death has
made me recall very many passages in his Life in which I was partly
concerned. In particular, staying at his Cumberland Home along with
Tennyson in the May of 1835. 'Voila bien long temps de ca!' His Father
and Mother were both alive--he, a wise man, who mounted his Cob after
Breakfast, and was at his Farm till Dinner at two--then away again till
Tea: after which he sat reading by a shaded lamp: saying very little, but
always courteous, and quite content with any company his Son might bring
to the house so long as they let him go his way: which indeed he would
have gone whether they let him or no. But he had seen enough of Poets
not to like them or their Trade: Shelley, for a time living among the
Lakes: Coleridge at Southey's (whom perhaps he had a respect for--Southey,
I mean), and Wordsworth, whom I do not think he valued. He was rather
jealous of 'Jem,' who might have done available service in the world, he
thought, giving himself up to such Dreamers; and sitting up with Tennyson
conning over the Morte d'Arthur, Lord of Burleigh, and other things which
helped to make up the two Volumes of 1842. So I always associate that
Arthur Idyll with Basanthwaite Lake, under Skiddaw. Mrs. Spedding was a
sensible, motherly Lady, with whom I used to play Chess of a Night. And
there was an old Friend of hers, Mrs. Bristow, who always reminded me of
Miss La Creevy, if you know of such a Person in Nickleby.
At the end of May we went to lodge for a week at Windermere--where
Wordsworth's new volume of Yarrow Revisited reached us. W. was then at
his home: but Tennyson would not go to visit him: and of course I did
not: nor even saw him.
You have, I suppose, the Carlyle Reminiscences: of which I will say
nothing except that, much as we outsiders gain by them, I think that, on
the whole, they had better have been kept unpublished--for some while at
least. As also thinks Carlyle's Niece, who is surprised that Mr. Froude,
whom her Uncle trusted above all men for the gift of Reticence, should
have been in so much hurry to publish what was left to his Judgment to
publish or no. But Carlyle himself, I think, should have stipulated for
Delay, or retrenchment, if publisht at all.
Here is a dull and coldish Day after the fine ones we have had--which
kept me out of doors as long as they lasted. Now one turns to the
Fireside again. To-morrow is Equinox Day; when, if the Wind should
return to North East, North East will it blow till June 21, as we all
believe down here. My Eyes are better, I presume to say: but not what
they were even before Christmas. Pray let me hear how you are, and
believe me ever the same
E. F.G.
Oh! I doubted about sending you what I yet will send, as you already have
what it refers to. It really calls for no comment from any one who does
not know the Greek; those who do would probably repudiate it.
XCI. {216a}
[_April_, 1881.]
MY DEAR MRS. KEMBLE,
Somewhat before my usual time, you see, but Easter {216b} comes, and I
shall be glad to hear if you keep it in London, or elsewhere. Elsewhere
there has been no inducement to go until To-day: when the Wind, though
yet East, has turned to the Southern side of it: one can walk without any
wrapper; and I dare to fancy we have turned the corner of Winter at last.
People talk of changed Seasons: only yesterday I was reading in my dear
old Sevigne, how she was with the Duke and Duchess of Chaulnes at their
Chateau of Chaulnes in Picardy all but two hundred years ago; that is in
1689: and the green has not as yet ventured to show its 'nez' nor a
Nightingale to sing. {217} You see that I have returned to her as for
some Spring Music, at any rate. As for the Birds, I have nothing but a
Robin, who seems rather pleased when I sit down on a Bench under an Ivied
Pollard, where I suppose he has a Nest, poor little Fellow. But we have
terrible Superstitions about him here; no less than that he always kills
his Parents if he can: my young Reader is quite determined on this head:
and there lately has been a Paper in some Magazine to the same effect.
My dear old Spedding sent me back to old Wordsworth too, who sings (his
best songs, I think) about the Mountains and Lakes they were both
associated with: and with a quiet feeling he sings, that somehow comes
home to me more now than ever it did before.
As to Carlyle--I thought on my first reading that he must have been
'_egare_' at the time of writing: a condition which I well remember
saying to Spedding long ago that one of his temperament might likely fall
into. And now I see that Mrs. Oliphant hints at something of the sort.
Hers I think an admirable Paper: {218} better than has yet been written,
or (I believe) is likely to be written by any one else. Merivale, who
wrote me that he had seen you, had also seen Mrs. Procter, who was vowing
vengeance, and threatening to publish letters from Carlyle to Basil
Montagu full of 'fulsome flattery'--which I do not believe, and should
not, I am sorry to say, unless I saw it in the original. I forget now
what T. C. says of him: (I have lent the Book out)--but certainly Barry
Cornwall told Thackeray he was 'a humbug'--which I think was no uncommon
opinion: I do not mean dishonest: but of pretension to Learning and
Wisdom far beyond the reality. I must think Carlyle's judgments mostly,
or mainly, true; but that he must have 'lost his head,' if not when he
recorded them, yet when he left them in any one's hands to decide on
their publication. Especially when not about Public Men, but about their
Families. It is slaying the Innocent with the Guilty. But of all this
you have doubtless heard in London more than enough. 'Pauvre et triste
humanite!' One's heart opens again to him at the last: sitting alone in
the middle of her Room--'I want to die'--'I want--a Mother.' 'Ah, Mamma
Letizia!' Napoleon is said to have murmured as he lay. By way of pendant
to this, recurs to me the Story that when Ducis was wretched his mother
would lay his head on her Bosom--'Ah, mon homme, mon pauvre homme!'
Well--I am expecting Aldis Wright here at Easter: and a young London
Clerk (this latter I did invite for his short holiday, poor Fellow!).
Wright is to read me 'The Two Noble Kinsmen.'
And now I have written more than enough for yourself and me: whose Eyes
may be the worse for it to-morrow. I still go about in Blue Glasses, and
flinch from Lamp and Candle. Pray let me know about your own Eyes, and
your own Self; and believe me always sincerely yours
LITTLEGRANGE.
I really was relieved that you did not write to thank me for the poor
flowers which I sent you. They were so poor that I thought you would
feel bound so to do, and, when they were gone, repented. I have now some
gay Hyacinths up, which make my pattypan Beds like China Dishes.
XCII. {219}
[_April_, 1881.]
MY DEAR LADY:
This present Letter calls for no answer--except just that which perhaps
you cannot make it. If you have that copy of Plays revised by John the
Great which I sent, or brought, you, I wish you would cause your Maid to
pack it in brown Paper, and send it by Rail duly directed to me. I have
a wish to show it to Aldis Wright, who takes an Interest in your Family,
as in your Prophet. If you have already dismissed the Book elsewhere--not
much liking, I think, the stuff which J. K. spent so much trouble on, I
shall not be surprised, nor at all aggrieved: and there is not much for
A. W. to profit by unless in seeing what pains your noble Uncle took with
his Calling.
It has been what we call down here 'smurring' rather than raining, all
day long: and I think that Flower and Herb already show their gratitude.
My Blackbird (I think it is the same I have tried to keep alive during
the Winter) seems also to have 'wetted his Whistle,' and what they call
the 'Cuckoo's mate,' with a rather harsh scissor note, announces that his
Partner may be on the wing to these Latitudes. You will hear of him at
Mr. W. Shakespeare's, it may be. There must be Violets, white and blue,
somewhere about where he lies, I think. They are generally found in a
Churchyard, where also (the Hunters used to say) a Hare: for the same
reason of comparative security, I suppose.
I am very glad you agree with me about Mrs. Oliphant. That one paper of
hers makes me wish to read her Books.
You must somehow, or somewhile, let me know your Address in Leamington,
unless a Letter addressed to Cavendish Square will find you there. Always
and truly yours
LITTLE G.
XCIII. {221}
_May_ 8, [1881.]
MY DEAR MRS. KEMBLE:
You will not break your Law, though you have done so once--to tell me of
Spedding--But now you will not--nor let me know your Address--so I must
direct to you at a venture: to Marshall Thompson's, whither I suppose you
will return awhile, even if you be not already there. I think, however,
that you are not there yet. If still at Leamington, you look upon a
sight which I used to like well; that is, the blue Avon (as in this
weather it will be) running through buttercup meadows all the way to
Warwick--unless those Meadows are all built over since I was there some
forty years ago.
Aldis Wright stayed with me a whole week at Easter: and we did very well.
Much Shakespeare--especially concerning that curious Question about the
Quarto and Folio Hamlets which people are now trying to solve by Action
as well as by Discussion. Then we had The Two Noble Kinsmen--which
Tennyson and other Judges were assured has much of W. S. in it. Which
parts I forget, or never heard: but it seemed to me that a great deal of
the Play might be his, though not of his best: but Wright could find him
nowhere.
Miss Crabbe sent me a Letter from Carlyle's Niece, cut out from some
Newspaper, about her Uncle's MS. Memoir, and his written words concerning
it. Even if Froude's explanation of the matter be correct, he ought to
have still taken any hesitation on Carlyle's part as sufficient proof
that the MS. were best left unpublisht: or, at any rate, great part of
it. If you be in London, you will be wearied enough with hearing about
this.
I am got back to my--Sevigne!--who somehow returns to me in Spring: fresh
as the Flowers. These latter have done but badly this Spring, cut off or
withered by the Cold: and now parched up by this blazing Sun and dry
Wind. If you get my letter, pray answer it and tell me how you are: and
ever believe me yours
LITTLEGRANGE.
XCIV.
_May_, [1881.]
MY DEAR LADY,
If I did not write (as doubtless I ought) to acknowledge the Playbook, I
really believe that I thought you would have felt bound to answer my
acknowledgment! It came all right, thank you: and A. Wright looked it
over: and it has been lying ready to be returned to you whenever you
should be returned to London. I assure you that I wish you to keep it,
unless it be rather unacceptable than otherwise; I never thought you
would endure the Plays themselves; only that you might be interested in
your brave Uncle's patient and, I think, just, revision of them. This
was all I cared for: and wished to show to A. W. as being interested in
all that concerns so noble an Interpreter of his Shakespeare as your
Uncle was. If you do not care--or wish--to have the Book again, tell me
of some one you would wish to have it: had I wished, I should have told
you so at once: but I now give away even what I might have wished for to
those who are in any way more likely to be more interested in them than
myself, or are likely to have a few more years of life to make what they
may of them. I do not think that A. W. is one of such: he thought (as
you may do) of so much pains wasted on such sorry stuff.
So far from disagreeing with you about Shakespeare emendations, etc., I
have always been of the same mind: quite content with what pleased
myself, and, as to the elder Dramatists, always thinking they would be
better all annihilated after some Selections made from them, as C. Lamb
did.
Mowbray Donne wrote to me a fortnight or so since that his Father was
'pretty well,' but weak in the knees. Three days ago came in Archdeacon
Groome, who told me that a Friend of Mowbray's had just heard from him
that his Father had symptoms of dropsy about the Feet and Ankles. I have
not, however, written to ask; and, not having done so, perhaps ought not
to sadden you with what may be an inaccurate report. But one knows that,
sooner or later, some such end must come; and that, in the meanwhile,
Donne's Life is but little preferable to that which promises the speedier
end to it.
We are all drying up here with hot Sun and cold Wind; my Water-pot won't
keep Polyanthus and Anemone from perishing. I should have thought the
nightly Frosts and Winds would have done for Fruit as well as Flower: but
I am told it is not so as yet: and I hope for an honest mess of
Gooseberry Fool yet. In the meanwhile, 'Ce sera le mois de Mai tant
qu'il plaira a Dieu,' and I am always your ancient
LITTLE G.
XCV.
WOODBRIDGE: TUESDAY:
[_End of May_, 1881.]
MY DEAR MRS. KEMBLE:
I must write you a word of 'God Speed' before you go: before even you go
to London to prepare for going: for, if I wait till then, you will be all
bother with preparations, and leave-takings; and nevertheless feel
yourself bound to answer. Pray do not, even if (as I suppose) still at
Leamington; for you will still have plenty to think about with Daughter
and Children. I do not propose to go to London to shake hands before you
go off: for, as I say, you will have enough of that without me--and my
blue Spectacles, which I can only discard as yet when looking on the
Grass and young Leaves.
I duly sent your Book to Henry Kemble, as you desired: and received a
very polite Note from him in acknowledgment.
And now my house is being pulled about my Ears by preparations for my
Nieces next week. And, instead of my leaving the coast clear to Broom
and Dust-pan, I believe that Charles Keene will be here from Friday to
Monday. As he has long talked of coming, I do not like to put him off
now he has really proposed to come, and we shall scramble on somehow. And
I will get a Carriage and take him a long Drive into the Country where it
is greenest. He is a very good fellow, and has lately lost his Mother,
to whom he was a very pious Son; a man who can _reverence_, although a
Droll in _Punch_.
You will believe that I wish you all well among your Mountains. George
Crabbe has been (for Health's sake) in Italy these last two months, and
wrote me his last Note from the Lago Maggiore. My Sister Jane Wilkinson
talks of coming over to England this Summer: but I think her courage will
fail her when the time comes. If ever you should go to, or near,
Florence, she would be sincerely glad to see you, and to talk over other
Days. She is not at all obtrusively religious: and I think must have
settled abroad to escape some of the old Associations in which she took
so much part, to but little advantage to herself or others.
You know that I cannot write to you when you are abroad unless you tell
me whither I am to direct. And you probably will not do that: but I do
not, and shall [not] cease to be yours always and truly
E. F.G.
XCVI.
[_Nov._ 1881.]
MY DEAR LADY:
I was not quite sure, from your letter, whether you had received mine
directed to you in the Cavendish Square Hotel:--where your Nephew told me
you were to be found. It is no matter otherwise than that I wish you to
know that I had not only enquired if you were returned from abroad, but
had written whither I was told you were to be found. Of which enough.
I am sorry you are gone again to Westminster, to which I cannot reconcile
myself as to our old London. Even Bloomsbury recalls to me the pink May
which used to be seen in those old Squares--sixty years ago. But 'enfin,
voila qui est fait.' You know where that comes from. I have not lately
been in company with my old dear: Annie Thackeray's Book {227a} is a
pretty thing for Ladies in a Rail carriage; but my old Girl is scarce
half herself in it. And there are many inaccuracies, I think. Mais
enfin, voila, etc.
Athenaeum and Academy advertise your Sequel to Records. {227b} I need
not tell you that I look forward to it. I wish you would insert that
capital Paper on Dramatic and Theatrical from the Cornhill. {227c} It
might indeed very properly, as I thought, have found a place in the
Records.
Mowbray Donne wrote me a month ago that his Father was very feeble: one
cannot expect but that he will continue to become more and more so. I
should run up to London to see him, if I thought my doing so would be any
real comfort to him: but _that_ only his Family can be to him: and I
think he may as little wish to exhibit his Decay to an old Friend, who so
long knew him in a far other condition, as his friend might wish to see
him so altered. This is what I judge from my own feelings.
I have only just got my Garden laid up for the winter, and planted some
trees in lieu of those which that last gale blew down. I hear that
Kensington Gardens suffered greatly: how was it with your Green Park, on
which you now look down from such a height, and, I suppose, through a
London Fog?
Ever yours
LITTLE G.
XCVII.
[_Dec._ 1881.]
MY DEAR MRS. KEMBLE:
I _will_ write to you before 1881 is gone, carrying Christmas along with
him. A dismal Festivity it always seems to me--I dare say not much
merrier to you. I think you will tell me where, and with whom, you pass
it. My own company are to be, Aldis Wright, with whom Shakespeare, etc.,
a London Clerk, may be--that is, if he can get sufficient Holyday--and
one or two Guests for the Day.
I forget if I wrote to you since I had a letter from Hallam Tennyson,
telling me of a Visit that he and his Father had been making to
Warwickshire and Sherwood. The best news was that A. T. was 'walking and
working as usual.'
Why, what is become of your Sequel? I see no more advertisement of it in
Athenaeum and Academy--unless it appears in the last, which I have not
conned over. Somehow I think it not impossible--or even unlikely--that
you--may--have--withdrawn--for some reason of your own. You see that I
speak with hesitation--meaning no offence--and only hoping for my own,
and other sakes that I am all astray.
We are reading Nigel, which I had not expected to care for: but so far as
I got--four first Chapters--makes me long for Night to hear more. That
return of Richie to his Master, and dear George Heriot's visit just
after! Oh, Sir Walter is not done for yet by Austens and Eliots. If one
of his Merits were not his _clear Daylight_, one thinks, there ought to
be Societies to keep his Lamp trimmed as well as--Mr. Browning. He is
The Newest Shakespeare Society of Mr. Furnivall.
The Air is so mild, though windy, that I can even sit abroad in the
Sunshine. I scarce dare ask about Donne; neither you, nor Mowbray--I
dare say I shall hear from the latter before Christmas. What you wrote
convinced me there was no use in going up only to see him--or little
else--so painful to oneself and so little cheering to him! I do think
that he is best among his own.
But I do not forget him--'No!'--as the Spaniards say. Nor you, dear Mrs.
Kemble, being your ancient Friend (with a new name) LITTLEGRANGE!
What would you say of the OEdipus, not of Sophocles, but of Dryden and
Nat Lee, in which your uncle acted!
P.S. You did not mention anything about your Family, so I conclude that
all is well with them, both in England and America.
I wish you would just remember me to Mr. H. Aide, who was very courteous
to me when I met him in your room.
This extra Paper is, you see, to serve instead of crossing my Letter.
XCVIII. {230}
[_Feb._ 1882.]
MY DEAR MRS. KEMBLE:
This week I was to have been in London--for the purpose of seeing--or
offering to see--our dear Donne. For, when they told him of my offer, he
said he should indeed like it much--'if he were well enough.' Anyhow, I
can but try, only making him previously understand that he is not to make
any effort in the case. He is, they tell me, pleased with any such mark
of remembrance and regard from his old Friends. And I should have
offered to go before now, had I not judged from your last account of him
that he was better left with his Family, for his own sake, as well [as]
for that of his Friends. However, as I said, I should have gone up on
Trial even now, but that I have myself been, and am yet, suffering with
some sort of Cold (I think, from some indications, Bronchial) which would
ill enable me to be of any use if I got to London. I can't get warm, in
spite of Fires, and closed doors, so must wait, at any rate, to see what
another week will do for me.
I shall, of course, make my way to Queen Anne's, where I should expect to
find you still busy with your Proof-sheets, which I am very glad to hear
of as going on. What could have put it into my head even to think
otherwise? Well, more unlikely things might have happened--even with
Medes and Persians. I do not think you will be offended at my vain
surmises.
I see my poor little Aconites--'New Year's Gifts'--still surviving in the
Garden-plot before my window; 'still surviving,' I say, because of their
having been out for near a month agone. I believe that Messrs. Daffodil,
Crocus and Snowdrop are putting in appearance above ground: but (old
Coward) I have not put my own old Nose out of doors to look for them.
I read (Eyes permitting) the Correspondence between Goethe and Schiller
(translated) from 1798 to 1806 {231}--extremely interesting to me, though
I do not understand--and generally skip--the more purely AEsthetic Part:
which is the Part of Hamlet, I suppose. But, in other respects, two such
men so freely discussing together their own, and each other's, works
interest me greatly. At Night, we have The Fortunes of Nigel; a little
of it--and not every night: for the reason that I do not wish to eat my
Cake too soon. The last night but one I sent my Reader to see Macbeth
played by a little 'Shakespearian' company at a Lecture Hall here. He
brought me one new Reading--suggested, I doubt not, by himself, from a
remembrance of Macbeth's tyrannical ways: 'Hang out our _Gallows_ on the
outward walls.' Nevertheless, the Boy took great Interest in the Play;
and I like to encourage him in Shakespeare, rather than in the Negro
Melodists.
Such a long Letter as I have written (and, I doubt, ill written) really
calls for Apology from me, busy as you may be with those Proofs. But
still believe me sincerely yours
Though Laird of LITTLEGRANGE.
XCIX.
[_Feb._ 1882.]
MY DEAR LADY:--
The same Post which brought me your very kind Letter, brought me also the
enclosed.
The writer of it--Mr. Schutz Wilson--a _Litterateur general_--I
believe--wrote up Omar Khayyam some years ago, and, I dare say, somewhat
hastened another (and so far as I am concerned) final Edition. Of his
Mr. Terriss I did not know even by name, till Mr. Wilson told me. So now
you can judge and act as you see fit in the matter.
If Terriss and Schutz W. fail in knowing your London 'habitat,' you see
that the former makes amends in proposing to go so far as Cheltenham to
ask advice of you. Our poor dear Donne would have been so glad, and so
busy, in telling what he could in the matter--if only in hope of keeping
up your Father's Tradition.
I am ashamed to advert to my own little ailments, while you, I doubt not,
are enduring worse. I should have gone to London last week had I
believed that a week earlier or later mattered; as things are, I will not
reckon on going before next week. I want to be well enough to 'cut
about' and see the three friends whom I want to see--yourself among the
number.
Blakesley (Lincoln's Dean) goes to stay in London next week, and hopes to
play Whist in Weymouth Street.
Kegan Paul, etc., publish dear Spedding's 'Evenings,' {233} etc., and
never was Book more worth reading--and buying. I think I understand your
weariness in bringing out your Book: but many will be the Gainers:--among
them yours always
LITTLEG.
C.
[_Feb._ 1882.]
MY DEAR MRS. KEMBLE:
I have quoted, and sent to Mr. Schutz Wilson, just thus much of your
Letter, leaving his Friend to judge whether it is sufficiently
encouraging to invite him to call on you. I suppose it is: but I thought
safest to give your _ipsissima verba_.
'It is so perfectly easy for any one in London to obtain my Address, that
I think I may leave the future Mercutio to do so at his leisure or
pleasure.'
I dare say you are pretty much indifferent whether he ventures or not; if
he does, I can only hope that he is a Gentleman, and if he be so, I do
not think you will be sorry to help him in trying to keep up your
Father's traditionary excellence in the part, and to save Mr. Terriss--to
save Mercutio--from the contagion of Mr. Irving's treatment of
Shakespeare--so far as I have seen of it--which is simply two acts of
Hamlet.
As I told you, I know nothing--even hitherto heard nothing of Mr.
Terriss. His friend, S. Wilson, I have never seen neither. And I hope
you will think I have done fairly well in my share of the Business.
Fanny Kerrich, my Niece, and a capital Woman, comes to me to-day, not
more for the purpose of seeing myself, than my Brother's Widow who lives
alone in a dismal place three miles off. {234a} I am still wheezy, and
want to get in order so as to visit my few friends in London next week.
{234b}
You see there is no occasion for you to answer this: for, even if I have
done amiss, it is past recall; and I am none the less ancient Friend
LITTLEG.!
CI.
[_March_, 1882.]
MY DEAR LADY,
It is very kind of you to break through your rule of Correspondence, that
you may tell me how it was with you that last Evening. I was aware of no
'stupidity' on your side: I only saw that you were what you called 'a
little tired, and unwell.' Had I known how much, I should of course have
left you with a farewell shake of hands at once. And in so far I must
blame you. But I blame myself for rattling on, not only then, but
always, I fear, in a manner that you tell me (and I thank you for telling
me) runs into occasional impertinence--which no length of acquaintance
can excuse, especially to a Lady. You will think that here is more than
enough of this. But pray do you also say no more about it. I know that
you regard me very kindly, as I am sure that I do you, all the while.
And now I have something to say upon something of a like account; about
that Mr. Schutz Wilson, who solicited an Introduction to you for his
Mercutio, and then proposed to you to avail _himself_ of it. That I
thought he had better have waited for, rather than himself proposed; and
I warned you that I had been told of his being somewhat of a 'prosateur'
at his Club. You, however, would not decline his visit, and would
encourage him, or not, as you saw fit.
And now the man has heaped coals of fire on my head. Not content with
having formerly appraised that Omar in a way that, I dare say, advanced
him to another Edition: he (S.W.) now writes me that he feels moved to
write in favour of another Persian who now accompanies Omar in his last
Avatar! I have told him plainly that he had better not employ time and
talent on what I do not think he will ever persuade the Public to care
about--but he thinks he will. {236} He may very likely cool upon it:
but, in the meanwhile, such are his good Intentions, not only to the
little Poem, but, I believe, to myself also--personally unknown as we are
to one another. Therefore, my dear Lady, though I cannot retract what I
told you on such authority as I had,--nevertheless, as you were so far
prejudiced in his favour because of such service as he formerly was to
me, I feel bound to tell you of this fresh offer on his part: so that, as
you were not unwilling to receive him on trial before, you may not be
less favourably disposed toward him now; in case he should call--which I
doubt not he will do; though be pleased to understand that I have no more
encouraged him to do so now than at first I did.
What a long Story!--I still chirp a little in my throat; but go my ways
abroad by Night as well as by Day: even sitting out, as only last night I
did. The S.W. wind that is so mild, yet sweeps down my garden in a way
that makes havoc of Crocus and Snowdrop; Messrs. Daffodil and Hyacinth
stand up better against it.
I hear that Lord Houghton has been partly paralysed; but is up again.
Thompson, Master of Trinity, had a very slight attack of it some months
ago; I was told Venables had been ill, but I know not of what, nor how
much; and all these my contemporaries; and I, at any rate, still yours as
ever
E. F.G.
CII.
LITTLEGRANGE: WOODBRIDGE,
_March_ 31, [1882.]
DEAR MRS. KEMBLE:--
It is not yet full Moon: {237a}--but it is my 74th Birthday: and you are
the only one whom I write to on that great occasion. A good Lady near
here told me she meant to pay me a visit of congratulation: and I begged
her to stay at home, and neither say, nor write, anything about it. I do
not know that [I] have much to say to you now that I am inspired; but it
occurred to me that you might be going away somewhere for Easter, and so
I would try to get a word from you concerning yourself before you left
London.
_The Book_? 'Ready immediately' advertised Bentley near a fortnight ago:
to-morrow's Academy or Athenaeum will perhaps be talking of it to-morrow:
of all which you will not read a word, I 'guess.' I think you will get
out of London for Easter, if but to get out of the way. Or are you too
indifferent even for that?
Satiated as you may have been with notices and records of Carlyle, do,
nevertheless, look at Wylie's Book {237b} about him: if only for a Scotch
Schoolboy's account of a Visit to him not long before he died, and also
the words of his Bequest of Craigenputtock to some Collegiate Foundation.
Wylie (of whom I did not read all, or half) is a Worshipper, but not a
blind one. He says that Scotland is to be known as the 'Land of Carlyle'
from henceforward. One used to hear of the 'Land of Burns'--then, I
think, 'of Scott.'
There is already a flush of Green, not only on the hedges, but on some of
the trees; all things forwarder, I think, by six weeks than last year.
Here is a Day for entering on seventy-four! But I do think,
notwithstanding, that I am not much the better for it. The Cold I had
before Christmas, returns, or lurks about me: and I cannot resolve on my
usual out-of-door liberty. Enough of that. I suppose that I shall have
some Company at Easter; my poor London Clerk, if he can find no more
amusing place to go to for his short Holyday; probably Aldis Wright, who
always comes into these parts at these Seasons--his 'Nazione' being
Beccles. Perhaps also a learned Nephew of mine--John De Soyres--now
Professor of some History at Queen's College, London, may look in.
Did my Patron, Mr. Schutz Wilson, ever call on you, up to this time? I
dare say, not; for he may suppose you still out of London. And, though I
have had a little correspondence with him since, I have not said a word
about your return--nor about yourself. I saw in my Athenaeum or Academy
that Mercutio did as usual. Have you seen the Play?
I conclude (from not hearing otherwise from Mowbray) that his Father is
much as when I saw him. I do not know if the Papers have reported
anything more of Lord Houghton, and I have not heard of him from my few
correspondents.
But pray do you tell me a word about Mrs. Kemble; and beg her to believe
me ever the same
E. F.G.
CIII.
[_Spring_, 1882.]
MY DEAR MRS. KEMBLE,
I scarce think, judging by my old Recorder the Moon, that it is a month
since I last wrote to you. But not far off, neither. Be that as it may,
just now I feel inclined to tell you that I lately heard from Hallam
Tennyson by way of acknowledgment of the Programme of a Recital of his
Father's verse at Ipswich, by a quondam Tailor there. This, as you may
imagine, I did for fun, such as it was. But Hallam replies, without much
reference to the Reading: but to tell me how his Father had a fit of Gout
in his hand while he was in London: and therefore it was that he had not
called on you as he had intended. Think of my dear old Fellow with the
Gout! In consequence of which he was forbidden his daily allowance of
Port (if I read Hallam's scrawl aright), which, therefore, the Old Boy
had stuck to like a fine Fellow with a constancy which few modern Britons
can boast of. This reminded me that when I was on my last visit to him,
Isle of Wight, 1854, he stuck to his Port (I do not mean too much) and
asked me, who might be drinking Sherry, if I did not see that his was
'the best Beast of the two.' So he has remained true to his old Will
Waterproof Colours--and so he was prevented from calling on you--his
hand, Hallam says, swelled up like 'a great Sponge.' Ah, if he did not
live on a somewhat large scale, with perpetual Visitors, I might go once
more to see him.
Now, you will, I know, answer me (unless your hand be like his!) and then
you will tell me how you are, and how your Party whom you were expecting
at Leamington when last you wrote. I take for granted they arrived safe,
in spite of the Wind that a little alarmed you at the time of your
writing. And now, in another month, you will be starting to meet your
American Family in Switzerland, if the Scheme you told me of still
hold--with them, I mean. So, by the Moon's law, I shall write to you
once again before you leave, and you--will once more answer!
I shall say thus much of myself, that I do not shake off the Cold and
Cough that I have had, off and on, these four months: I certainly feel as
if some of the internal timbers were shaken; which is not to be wondered
at, nor complained of. {241a} Tell me how you fare; and believe me
Your sincere as ancient
LITTLEGRANGE.
I now fancy that it must be Bentley who delays your Book, till Ballantine
& Co. have blown over. {241b}
CIV.
_Whitmonday_, [_May_ 29_th_, 1882.]
MY DEAR MRS. KEMBLE,
Not full moon yet, but Whitsun the 29th of May, {241c} and you told me of
your expecting to be in Switzerland. And when once you get there, it is
all over with full moons as far as my correspondence with you is
concerned.
I heard from Mowbray that his Father had been all but lost to him: but
had partially recovered. Not for long, I suppose: nor need I hope: and
this is all I will say to you on this subject.
I have now Charles Keene staying Whitsuntide with me, and was to have had
Archdeacon Groome to meet him; but he is worn out with Archidiaconal
Charges, and so cannot come. But C. K. and I have been out in Carriage
to the Sea, and no visitor, nor host, could wish for finer weather.
But this of our dear Donne over-clouds me a little, as I doubt not it
does you. Mowbray was to have come down for three days just now to a
Friend five miles off: but of course--you know.
Somehow I am at a loss to write to you on such airy topics as usual.
Therefore, I shall simply ask you to let me know, in as few lines as you
care to write, when you leave England: and to believe me, wherever you
go,
Your sincere Ancient
E. F.G.
CV.
WOODBRIDGE, _June_ 24, [1882.]
MY DEAR MRS. KEMBLE,
You wrote me that you had bidden Blanche to let you know about her
Father: and this I conclude that she, or some of her family have done.
Nevertheless, I will make assurance doubly sure by enclosing you the
letters I received from Mowbray, according to their dates: and will send
them--for once--through Coutts, in hopes that he may find you, as you
will not allow me to do without his help. Of that Death {243a} I say
nothing: as you may expect of me, and as I should expect of you also; if
I may say so.
I have been to pay my annual Visit to George Crabbe and his Sisters in
Norfolk. And here is warm weather come to us at last (as not unusual
after the Longest Day), and I have almost parted with my Bronchial
Cold--though, as in the old Loving Device of the open Scissors, 'To meet
again.' I can only wonder it is no worse with me, considering how my
contemporaries have been afflicted.
I am now reading Froude's Carlyle, which seems to me well done. Insomuch,
that I sent him all the Letters I had kept of Carlyle's, to use or not as
he pleased, etc. I do not think they will be needed among the thousand
others he has: especially as he tells me that his sole commission is, to
edit Mrs. Carlyle's Letters, for which what he has already done is
preparatory: and when this is completed, he will add a Volume of personal
Recollections of C. himself. Froude's Letter to me is a curious one: a
sort of vindication (it seems to me) of himself--quite uncalled for by
me, who did not say one word on the subject. {243b} The job, he says,
was forced upon him: 'a hard problem'--No doubt--But he might have left
the Reminiscences unpublisht, except what related to Mrs. C.--in spite of
Carlyle's oral injunction which reversed his written. Enough of all
this!
Why will you not 'initiate' a letter when you are settled for a while
among your Mountains? Oh, ye Medes and Persians! This may be
impertinent of me: but I am ever yours sincerely
E. F.G.
I see your Book advertised as 'ready.'
CVI. {245a}
[_August_, 1882.]
MY DEAR MRS. KEMBLE,
I have let the Full Moon {245b} go by, and very well she looked, too--over
the Sea by which I am now staying. Not at Lowestoft: but at the old
extinguished Borough of Aldeburgh, to which--as to other 'premiers
Amours,' I revert--where more than sixty years ago I first saw, and first
felt, the Sea--where I have lodged in half the houses since; and where I
have a sort of traditional acquaintance with half the population. 'Clare
Cottage' is where I write from; two little rooms--enough for me--a poor
civil Woman pleased to have me in them--oh, yes,--and a little spare
Bedroom in which I stow a poor Clerk, with his Legs out of the window
from his bed--like a Heron's from his nest--but rather more horizontally.
We dash about in Boats whether Sail or Oar--to which latter I leave him
for his own good Exercise. Poor fellow, he would have liked to tug at
that, or rough-ride a horse, from Boyhood: but must be made Clerk in a
London Lawyer's Office: and so I am glad to get him down for a Holyday
when he can get one, poor Fellow!
The Carlyle 'Reminiscences' had long indisposed me from taking up the
Biography. But when I began, and as I went on with that, I found it one
of the most interesting of Books: and the result is that I not only
admire and respect Carlyle more than ever I did: but even love him, which
I never thought of before. For he loved his Family, as well as for so
long helped to maintain them out of very slender earnings of his own;
and, so far as these two Volumes show me, he loved his Wife also, while
he put her to the work which he had been used to see his own Mother and
Sisters fulfil, and which was suitable to the way of Life which he had
been used to. His indifference to her sufferings seems to me rather
because of Blindness than Neglect; and I think his Biographer has been
even a little too hard upon him on the score of Selfish disregard of her.
Indeed Mr. Norton wrote to me that he looked on Froude as something of an
Iago toward his Hero in respect of all he has done for him. The
publication of the Reminiscences is indeed a mystery to me: for I should
[have] thought that, even in a mercantile point of view, it would
indispose others, as me it did, to the Biography. But Iago must have
bungled in his work so far as I, for one, am concerned, if the result is
such as I find it--or unless I am very obtuse indeed. So I tell Mr.
Norton; who is about to edit Carlyle's Letters to Emerson, and whom I
should not like to see going to his work with such an 'Animus' toward his
Fellow-Editor.
Yours always,
E. F.G.
Faites, s'il vous plait, mes petits Compliments a Madame Wister.
CVII. {247}
ALDEBURGH: _Sept._ 1, [1882.]
MY DEAR MRS. KEMBLE,
Still by the Sea--from which I saw _The Harvest Moon_ rise for her three
nights' Fullness. And to-day is so wet that I shall try and pay you my
plenilunal due--not much to your satisfaction; for the Wet really gets
into one's Brain and Spirits, and I have as little to write of as ever
any Full Moon ever brought me. And yet, if I accomplish my letter, and
'take it to the Barber's,' where I sadly want to go, and, after being
wrought on by him, post my letter--why, you will, by your Laws, be
obliged to answer it. Perhaps you may have a little to tell me of
yourself in requital for the very little you have to hear of me.
I have made a new Acquaintance here. Professor Fawcett (Postmaster
General, I am told) married a Daughter of one Newson Garrett of this
Place, who is also Father of your Doctor Anderson. Well, the Professor
(who was utterly blinded by the Discharge of his Father's Gun some twenty
or twenty-five years ago) came to this Lodging to call on Aldis Wright;
and, when Wright was gone, called on me, and also came and smoked a Pipe
one night here. A thoroughly unaffected, unpretending, man; so modest
indeed that I was ashamed afterwards to think how I had harangued him all
the Evening, instead of getting him to instruct me. But I would not ask
him about his Parliamentary Shop: and I should not have understood his
Political Economy: and I believe he was very glad to be talked to
instead, about some of those he knew, and some whom I had known. And, as
we were both in Crabbe's Borough, we talked of him: the Professor, who
had never read a word, I believe, about him, or of him, was pleased to
hear a little; and I advised him to buy the Life written by Crabbe's Son;
and I would give him my Abstract of the Tales of the Hall, by way of
giving him a taste of the Poet's self.
Yes; you must read Froude's Carlyle above all things, and tell me if you
do not feel as I do about it. Professor Norton persists {248} in it that
I am proof against Froude's invidious insinuations simply because of my
having previously known Carlyle. But how is it that I did not know that
Carlyle was so good, grand, and even loveable, till I read the Letters,
which Froude now edits? I regret that I did not know what the Book tells
us while Carlyle was alive; that I might have loved him as well as
admired him. But Carlyle never spoke of himself in that way: I never
heard him advert to his Works and his Fame, except one day he happened to
mention 'About the time when Men began to talk of me.'
I do not know if I told you in my last that (as you foretold me would be
the case) I did not find your later Records so interesting as the
earlier. Not from any falling off of the recorder, but of the material.
The two dates of this Letter arise from my having written this second
half-sheet so badly that I resolved to write it over again--I scarce know
whether for better or worse. I go home this week, expecting Charles
Keene at Woodbridge for a week. Please to believe me (with Compliments
to Mrs. Wister)
Yours sincerely always
E. F.G.
CVIII. {249}
WOODBRIDGE: _Oct._ 17, [1882.]
MY DEAR MRS. KEMBLE,
I suppose that you are returned from the Loire by this time; but as I am
not sure that you have returned to the 'Hotel des Deux Mondes,' whence
you dated your last, I make bold once more to trouble Coutts with adding
your Address to my Letter. I think I shall have it from yourself not
long after. I shall like to hear a word about my old France, dear to me
from childish associations; and in particular of the Loire endeared to me
by Sevigne--for I never saw the glimmer of its Waters myself. If you
were in England I should send you an account of a tour there, written by
a Lady in 1833--written in the good old way of Ladies' writing, without
any of the smartness, and not too much of the 'graphic' of later times.
Did you look at Les Rochers, which, I have read, is not to be looked
_into_ by the present owner? {250a}
Now for my 'Story, God bless you,' etc., you may guess where none is to
be told. Only, my old Housekeeper here has been bedded for this last
month, an illness which has caused her great pain, and at one time seemed
about to make an End of her. So it may do still: but for the last few
days she has suffered less pain, and so we--hope. This has caused much
trouble in my little household, as you may imagine--as well on our own
account, as on hers.
Mowbray Donne wrote me that his Edith had been seriously--I know not if
dangerously--ill; and he himself much out of sorts, having never yet (he
says, and I believe) recovered from his Father's death. Blanche, for the
present, is quartered at Friends' and Kinsfolk's houses.
Aldis Wright has sent me a Photograph, copied from Mrs. Cameron's
original, of James Spedding--so fine that I know not whether I feel more
pleasure or pain in looking at it. When you return to England, you shall
see it somehow.
I have had a letter or two from Annie Ritchie, who is busy writing
various Articles for Magazines. One concerning Miss Edgeworth in the
Cornhill is pleasant reading. {250b} She tells me that Tennyson is at
Aldworth (his Hampshire house, you know), and a notice in Athenaeum or
Academy tells that he is about to produce 'a Pastoral Drama' at one of
the smaller Theatres! {251a}
You may have seen--but more probably have not seen--how Mr. Irving and
Co. have brought out 'Much Ado' with all _eclat_.
It seems to me (but I believe it seems so every year) that our trees keep
their leaves very long; I suppose because of no severe frosts or winds up
to this time. And my garden still shows some Geranium, Salvia,
Nasturtium, Great Convolvulus, and that grand African Marigold whose
Colour is so comfortable to us Spanish-like Paddies. {251b} I have also
a dear Oleander which even now has a score of blossoms on it, and touches
the top of my little Greenhouse--having been sent me when 'haut comme
ca,' as Marquis Somebody used to say in the days of Louis XIV. Don't you
love the Oleander? So clean in its leaves and stem, as so beautiful in
its flower; loving to stand in water, which it drinks up so fast. I
rather worship mine.
Here is pretty matter to get Coutts to further on to Paris--to Mrs.
Kemble in Paris. And I have written it all in my best MS. with a pen
that has been held with its nib in water for more than a
fortnight--Charles Keene's recipe for keeping Pens in condition--Oleander-
like.
Please to make my Compliments to Mrs. Wister--my good wishes to the young
Musician; {252a} and pray do you believe me your sincere as ever--in
spite of his new name--
LITTLEGRANGE.
CIX.
[_Nov._, 1882.]
MY DEAR MRS. KEMBLE:
You must be homeward-bound by this time, I think: but I hope my letter
won't light upon you just when you are leaving Paris, or just arriving in
London--perhaps about to see Mrs. Wister off to America from Liverpool!
But you will know very well how to set my letter aside till some better
opportunity. May Mrs. Wister fare well upon her Voyage over the
Atlantic, and find all well when she reaches her home.
I have been again--twice or thrice--to Aldeburgh, when my contemporary
old Beauty Mary Lynn was staying there; and pleasant Evenings enough we
had, talking of other days, and she reading to me some of her Mudie
Books, finishing with a nice little Supper, and some hot grog (for me)
which I carried back to the fire, and _set on the carpet_. {252b} She
read me (for one thing) 'Marjorie Fleming' from a Volume of Dr. Brown's
Papers {253a}--read it as well as she could for laughing--'idiotically,'
she said--but all the better to my mind. She had been very dismal all
day, she said. Pray get some one to read you 'Marjorie'--which I say,
because (as I found) it agrees with one best in that way. If only for
dear Sir Walter's sake, who doated on the Child; and would not let his
Twelfth Night be celebrated till she came through the Snow in a Sedan
Chair, where (once in the warm Hall) he called all his Company down to
see her nestling before he carried her upstairs in his arms. A very
pretty picture. My old Mary said that Mr. Anstey's 'Vice Versa' made her
and a friend, to whom she read it, laugh idiotically too: but I could not
laugh over it alone, very clever as it is. And here is enough of me and
Mary.
Devrient's Theory of Shakespeare's Sonnets (which you wrote me of) I
cannot pretend to judge of: what he said of the Englishwomen, to whom the
Imogens, Desdemonas, etc., were acceptable, seems to me well said. I
named it to Aldis Wright in a letter, but what he thinks on the
subject--surely no otherwise than Mrs. Kemble--I have not yet heard. My
dear old Alfred's Pastoral troubles me a little--that he should have
exposed himself to ridicule in his later days. Yet I feel sure that his
aim is a noble one; and there was a good notice in the Academy {253b}
saying there was much that was fine in the Play--nay, that a whole good
Play might yet be made of it by some better Playwright's practical Skill.
And here is the end of my paper, before I have said something else that I
had to say. But you have enough for the present from your ancient E.
F.G.--who has been busy arranging some 'post mortem' papers.
CX.
WOODBRIDGE: _March_ 6, [1883.]
MY DEAR MRS. KEMBLE,
I have asked more than one person for tidings of you, for the last two
months: and only yesterday heard from M. Donne that he had seen you at
the Address to which I shall direct this letter. I wrote to you about
mid-November, desiring Coutts to forward my letter: in which I said that
if you were in no mood to write during the time of Mrs. Wister's
departure for America (which you had told me was to be November end) you
were not to trouble yourself at all. Since which time I have really not
known whether you had not gone off to America too. Anyhow, I thought
better to wait till I had some token of your 'whereabout,' if nothing
more. And now Mowbray tells me that much, and I will venture another
Letter to you after so long an interval. You must always follow your own
inclination as to answering me--not by any means make a 'Duty' of it.
As usual I have nothing to say of myself but what you have heard from me
for years. Only that my (now one year old) friend Bronchitis has thus
far done but little more than to keep me aware that he has not quitted
me, nor even thinks of so doing. Nay, this very day, when the Snow which
held off all winter is now coming down under stress of N.E. wind, I feel
my friend stirring somewhat within.
Enough of that and of myself. Mowbray gives me a very good report of
you--Absit Nemesis for my daring to write it!--And you have got back to
something of our old London Quarters, which I always look to as better
than the new. And do you go to even a Play, in the old Quarters also?
Wright, who was with me at Christmas, was taken by Macmillan to see 'Much
Ado,' and found, all except Scenery, etc. (which was too good) so bad
that he vowed he would never go to see Sh. 'at any of your Courts' again.
Irving without any Humour, Miss Terry with simply Animal Spirits, etc.
However, Wright did intend once more to try--Comedy of Errors, at some
theatre; but how he liked it--I may hear if he comes to me at Easter.
Now this is enough--is it not?--for a letter: but I am as always
Sincerely yours,
E. F.G.
CXI.
WOODBRIDGE: _April_ 12, [1883.]
MY DEAR MRS. KEMBLE:
I do not think you will be sorry that more than a Moon has waxed and
waned since last I wrote to you. For you have seen long enough how
little I had to tell, and that nevertheless you were bound to answer. But
all such Apologies are stale: you will believe, I hope, that I remain as
I was in regard to you, as I shall believe that you are the same toward
me.
Mowbray Donne has told me two months ago that he could not get over the
Remembrance of last May; and that, acting on Body as well as Mind, aged
him, I suppose, as you saw. Mowbray is one of the most loyal men toward
Kinsman and Friend.
Now for my own little Budget of News. I got through those Sunless East
winds well enough: better than I am feeling now they both work together.
I think the Wind will rule till Midsummer: 'Enfin tant qu'il plaira a
Dieu.' Aldis Wright was with me for Easter, and we went on our usual
way, together or apart. Professor Norton had sent me his Carlyle-Emerson
Correspondence, which we conned over together, and liked well on either
side. Carlyle should not have said (and still less Norton printed) that
Tennyson was a 'gloomy' Soul, nor Thackeray 'of inordinate Appetite,'
neither of which sayings is true: nor written of Lord Houghton as a
'Robin Redbreast' of a man. I shall wait very patiently till Mudie sends
me Jane Carlyle--where I am told there is a word of not unkindly
toleration of me; which, if one be named at all, one may be thankful for.
{257}
Here are two Questions to be submitted to Mrs. Kemble by Messrs. Aldis
Wright and Littlegrange--viz., What she understands by--
(1.) 'The Raven himself is hoarse,' etc.
(2.) 'But this _eternal_ Blazon must not be,' etc.
Mrs. Kemble (who _will_ answer my letter) can tell me how she fares in
health and well-being; yes, and if she has seen, or heard, anything of
Alfred Tennyson, who is generally to be heard of in London at this time
of year. And pray let Mrs. Kemble believe in the Writer of these poor
lines as her ancient, and loyal, Subject
E. F.G.
'The raven himself is hoarse,' etc.
"Lady Macbeth compares the Messenger, hoarse for lack of Breath, to a
raven whose croaking was held to be prophetic of Disaster. This we
think the natural interpretation of the words, though it is rejected
by some Commentators."--_Clark and Wright's Clarendon Press
Shakespeare_.
"'Eternal Blazon' = revelation of Eternity. It may be, however, that
Sh. uses 'eternal' for 'infernal' here, as in _Julius Caesar_ I. 2,
160: 'The eternal Devil'; and _Othello_ IV. 2, 130: 'Some eternal
villain.' 'Blazon' is an heraldic term, meaning Description of
armorial bearings, * hence used for description generally; as in _Much
Ado_ II. 1, 307. The verb 'blazon' occurs in _Cymbeline_ IV. 2,
170."--_Ibid_.
Thus have I written out in my very best hand: as I will take care to do
in future; for I think it very bad manners to puzzle anyone--and
especially a Lady--with that which is a trouble to read; and I really had
no idea that I have been so guilty of doing so to Mrs. Kemble.
Also I beg leave to say that nothing in Mowbray's letter set me off
writing again to Mrs. Kemble, except her Address, which I knew not till
he gave it to me, and I remain her very humble obedient Servant,
THE LAIRD OF LITTLEGRANGE--
of which I enclose a side view done by a Woodbridge Artisan for his own
amusement. So that Mrs. Kemble may be made acquainted with the
'_habitat_' of the Flower--which is about to make an Omelette for its
Sunday Dinner.
N.B.--The 'Raven' is not he that reports the news to Miladi M., but 'one
of my fellows Who almost dead for breath, etc.'
* Not, as E. F.G. had thought, the Bearings themselves.
CXII.
[_May_, 1883.]
MY DEAR LADY,
I conclude (from what you wrote me in your last letter) that you are at
Leamington by this time; and I will venture to ask a word of you before
you go off to Switzerland, and I shall have to rely on Coutts & Co. for
further Correspondence between us. I am not sure of your present
Address, even should you be at Leamington--not sure--but yet I think my
letter will find you--and, if it do not--why, then you will be saved the
necessity of answering it.
I had written to Mowbray Donne to ask about himself and his Wife: and
herewith I enclose his Answer--very sad, and very manly. You shall
return it if you please; for I set some store by it.
Now I am reading--have almost finished--Jane Carlyle's Letters. I dare
say you have already heard them more than enough discussed in London; and
therefore I will only say that it is at any rate fine of old Carlyle to
have laid himself so easily open to public Rebuke, though whether such
Revelations are fit for Publicity is another question. At any rate, it
seems to me that _half_ her letters, and _all_ his ejaculations of
Remorse summed up in a Preface, would have done better. There is an
Article by brave Mrs. Oliphant in this month's Contemporary Review {259}
(or Magazine) well worth reading on the subject; with such a Challenge to
Froude as might almost be actionable in Law. We must 'hear both sides,'
and wait for the Volume which [is] to crown all his Labours in this
Cause.
I think your Leamington Country is more in Leaf than ours 'down-East:'
which only just begins to 'stand in a mist of green.' {260} By the by, I
lately heard from Hallam Tennyson that all his Party were well enough;
not having been to London this Spring because Alfred's Doctor had warned
him against London Fogs, which suppress Perspiration, and bring up Gout.
Which is the best piece of news in my Letter; and I am
Yours always and a Day
E. F.G.
P.S. I do not enclose Mowbray's letter, as I had intended to do, for
fear of my own not finding you.
CXIII.
[_May_, 1883.]
MY DEAR LADY;
Stupid me! And now, after a little hunt, I find poor Mowbray's Letter,
which I had made sure of having sent you. But I should not now send it
if I did not implore you not to write in case you thought fit to return
it; which indeed I did ask you to do; but now I would rather it remained
with you, who will acknowledge all the true and brave in it as well as
I--yes, it may be laid, if you please, even among those of your own which
you tell me Mowbray's Father saved up for you. If you return it, let it
be without a word of your own: and pray do not misunderstand me when I
say that. You will hear of me (if Coutts be true) when you are among
your Mountains again; and, if you do hear of me, I know you will--for you
must--reply.
At last some feeling of Spring--a month before Midsummer. And next week
I am expecting my grave Friend Charles Keene, of Punch, to come here for
a week--bringing with him his Bagpipes, and an ancient Viol, and a Book
of Strathspeys and Madrigals; and our Archdeacon will come to meet him,
and to talk over ancient Music and Books: and we shall all three drive
out past the green hedges, and heaths with their furze in blossom--and I
wish--yes, I do--that you were of the Party.
I love all Southey, and all that he does; and love that Correspondence of
his with Caroline Bowles. We (Boy and I) have been reading an account of
Zetland, which makes me thirst for 'The Pirate' again--tiresome, I
know--more than half of it--but what a Vision it leaves behind! {261}
Now, Madam, you cannot pretend that you have to jump at my meaning
through my MS. I am sure it is legible enough, and that I am ever yours
E. F.G.
You write just across the Address you date from; but I jump at that which
I shall direct this Letter by.
CXIV.
WOODBRIDGE, _May_ 27/83.
MY DEAR MRS. KEMBLE:
I feel minded to write you a word of Farewell before you start off for
Switzerland: but I do not think it will be very welcome to you if, as
usual, you feel bound to answer it on the Eve of your Departure. Why not
let me hear from you when you are settled for a few days somewhere among
your Mountains?
I was lately obliged to run to London on a disagreeable errand: which,
however, got itself over soon after midday; when I got into a Cab to
Chelsea, for the purpose of seeing Carlyle's Statue on the Embankment,
and to take a last look at his old House in Cheyne Row. The Statue very
good, I thought, though looking somewhat small for want of a good
Background to set it off: but the old House! Shut up--neglected--'To
Let'--was sad enough to me. I got back to Woodbridge before night. {263}
Since then I have had Charles Keene (who has not been well) staying with
me here for ten days. He is a very good Guest, inasmuch as he entertains
himself with Books, and Birds'-nests, and an ancient Viol which he has
brought down here: as also a Bagpipe (his favourite instrument), only
leaving the 'Bag' behind: he having to supply its functions from his own
lungs. But he will leave me to-morrow or next day; and with June will
come my two Nieces from Lowestoft: and then the Longest Day will come,
and we shall begin declining toward Winter again, after so shortly
escaping from it.
This very morning I receive The Diary of John Ward, Vicar of Stratford on
Avon from 1648 to 1679--with some notices of W. S. which you know all
about. And I am as ever
Sincerely yours
LITTLEGRANGE.
Is not this Letter legible enough?
INDEX
Academy (Royal), pictures at, 49
Aconites, "New Year's Gifts," 211, 231
Aide (H.), 202
Anstey's 'Vice Versa,' 253
Arkwright (Mrs.), 87
Autumn colours, 112
Bagehot's Essays, 170
Barton (Bernard), 174
Basselin (Olivier), quoted, 23
Beard (Dr.), 48
Belvidere Hat, 163
Beranger, 20-22
Beuve (Sainte), Causeries, 40, 53
Blackbird _v._ Nightingale, 46
Blakesley (J. W.), Dean of Lincoln, 78, 233
Boccaccio, 117
Brown (Dr. John), 253
Burns, compared with Beranger, 20-22; quoted, 37
Burrows (General), his defeat by Ayoub Khan, 193
Calderon, 63, 185
Candide, 174
Carlyle (T.), 17; forwards Mr. Ruskin's letter to E. F.G., 19; his Kings
of Norway, 61, 65; presented with a Medal and Address on his 80th
birthday, 88, 91; vehement against Darwin and the Turk, 110; on Sir
Walter Scott, 131; is reading Shakespeare and Boswell's Hebrides, 170;
becomes very feeble, 203; is buried at Ecclefechan, 206, 207; his
Reminiscences, 215, 218; his Letters to Emerson, 246, 256
Carlyle (Mrs.), her Letters, 257, 259
Carlyle (Mrs. Alexander), 163, 170, 186, 207, 215, 222
Chateaubriand's father, 59
Chorley (H. F.), his death, 11; Life of, 38, 53
Clerke Saunders, 164
Coriolanus, 139
Corneille, 73
Country church, Scene in, 46
Cowell (Professor), 155
Crabbe (G.), the Poet, quoted, 39, 43, 55, 59, 118; his portrait by
Pickersgill, 39,150; article on him in the Cornhill, 58; his fancy
quickened by a fall of snow, 198
Crabbe (George), Vicar of Bredfield, the poet's son, 43
Crabbe (George), Rector of Merton, the poet's grandson, 202, 225
Deffand (Madame du), 53
De Quincey (T.), on Janus Weathercock, 90
Derby Day, 186
De Soyres (John), E. F.G.'s nephew, 238
De Soyres (Mrs.), E. F.G.'s sister, her death, 168
Devrient, his Theory of Shakespeare's Sonnets, 253
Dickens (Charles), 69; E. F.G.'s admiration for him, 51, 126; his passion
for colours, 54
Donne (Blanche), 48, 111, 149, 154
Donne (Charles), 95, 111, 131
Donne (Mrs. Charles), her death, 106
Donne (Mowbray), 10, 29, 39, 62, 86, 95, 111, 140, 181, 185, 193, 196,
199, 206, 207, 212, 223, 227, 242, 259, 260; visits E. F.G., 86
Donne (Valentia), 6, 18, 111, 161, 199; her marriage, 127
Donne (W. B.), mentioned, 3, 4, 6, 8, 18, 48, 60, 64, 78, 98, 102, 111,
121, 181, 207, 212, 223, 227, 229, 241; his Lectures, 10; his illness,
35, 37, 39, 42; retires from his post as Licenser of Plays, 48, 50; his
successor, 50; reviews Macready's Memoirs, 75; his death, 243
Ducis, 219
Dunwich, 138
Eastern Question (the), 117
Eckermann, a German Boswell, 155
Edwards (Edwin), 139, 140, 158; his death, 155; exhibition of his
pictures, 166, 168, 169
Elio (F. J.), 120
Elliot (Sir Gilbert), pastoral by, 82
Euphranor, 65
FitzGerald (Edward), parts with his yacht, 3; his reader's mistakes, 4;
his house at Woodbridge, 8; his unwillingness to have visitors, 8, 9; his
mother, 11; reads Hawthorne's Notes of Italian Travel, 12; Memoirs of
Harness, 13; cannot read George Eliot, 15, 38, 171; his love for Sir
Walter Scott, 15, 229; visits his brother Peter, 16; on the art of being
photographed, 24, 25; reads Walpole, Wesley, and Boswell's Johnson, 28;
in Paris in 1830, 31; cannot read Goethe's Faust, 31, 124; reads Ste.
Beuve's Causeries, 40, and Don Quixote, 41, 45; has a skeleton of his
own, bronchitis, 45, 47, 75; goes to Scotland, 49; to the Academy, 49;
reads Dickens, 51; Crabbe, 54; condenses the Tales of the Hall, 59, 64,
118; death of his brother Peter, 64; translations from Calderon, 63;
tries to read Gil Blas and La Fontaine, 66; admires Corneille, 73; reads
Madame de Sevigne, 73; writes to Notes and Queries, 82; begins to 'smell
the ground,' 83; his recollections of Paris, 85; reads Mrs. Trollope's 'A
Charming Fellow,' 95; on framing pictures, 96, 99, 102, 106; translation
of the Agamemnon, 97, 103, 107, 111; meets Macready, 103; his Lugger
Captain, 104, 115, 117; prefers the Second Part of Don Quixote, 108;
scissors and paste his 'Harp and Lute,' 126; reads Dickens' Great
Expectations, 126; on nightingales, 128, 136, 184; wished to dedicate
Agamemnon to Mrs. Kemble, 129; reads The Heart of Mid-Lothian, 130;
Catullus, 135; Guy Mannering, 137; at Dunwich, 138; reads Coriolanus,
139; Kenilworth, 145; David Copperfield, 145; his Readings in Crabbe,
147, 150; reads Hawthorne's Journals, 153; at Lowestoft, 155; reads
Forster's Life of Dickens, 155; and Trollope's Novels, 155, 171;
Eckermann's Goethe, 155; works on Crabbe's Posthumous Tales, 164; his
Quarter-deck, 167; Dombey and Son, 172, 187; Comus and Lycidas, 178; Mrs.
Kemble's Records, 186; Madame de Sevigne, 186, 188; visits George Crabbe
at Merton, 188, 243; his ducks and chickens, 189; his Irish cousins, 190;
at Aldeburgh, 190; with his nieces at Lowestoft, 195; sends Charles
Tennyson's Sonnets to Mrs. Kemble, 198; his eyes out of 'Keller,' 202,
206; reads Winter's Tale, 204; his translations of the two OEdipus plays,
205, 208; his affection for the stage, 210; his collection of actors'
portraits, 210; his love for Spedding, 212; his reminiscences of a visit
with Tennyson at Mirehouse, 214; reads Wordsworth, 217; sends his reader
to see Macbeth, 231; feels as if some of the internal timbers were
shaken, 240; reads Froude's Carlyle, 243, 245, 248; at Aldeburgh, 245,
247; meets Professor Fawcett, 247; consults Mrs. Kemble on two passages
of Shakespeare, 257; goes to look at Carlyle's statue and his old house,
262
FitzGerald (Jane), afterwards Mrs. Wilkinson, E. F.G.'s sister, 112, 122
FitzGerald (J. P.), E. F.G.'s eldest brother, 95, 100; his illness, 141,
144; and death, 149
FitzGerald (Mrs.), E. F.G.'s mother, 11, 61, 96; her portrait by Sir T.
Lawrence, 177
FitzGerald (Percy), his Lives of the Kembles, 5, 6
FitzGerald (Peter), E. F.G.'s brother, 16; his death, 64
Frere (Mrs.), 83, 87, 181
Froude (J. A.), constantly with Carlyle, 203; is charged with his
biography, 208; his Life of Carlyle, 243; writes to E. F.G., 243
Fualdes, murder of, 85; play founded on, 89
Furness (H. H.), 60, 64, 66, 101, 203
Gil Blas, 66
Glyn (Miss), 97
Goethe, 31, 123, 124; his conversations by Eckermann, 155
Goethe and Schiller, correspondence of, 231
Goodwin (Professor), proposes to visit E. F.G., 192
Gordon (Mrs.), 132, 203
Gout, 7
Groome (Archdeacon), 4, 45, 199, 223
Half Hours with the Worst Authors, 31, 34
Hamlet, theory of Gervinus on, 32; the Quarto and Folio Texts of, 221
Harlowe's picture of the Trial Scene in Henry VIII., 87
Harness (Rev. W.), Memoirs of, 6, 13
Hatherley (Lord), letter from, 132
Hawthorne (Nathaniel), his Notes of Italian Travel, 12, 153
Haydn, 83
Haydon (B. R.), verses by his wife, 34
Haymarket Opera (The), 200
Hayward (A.), his translation of Faust, 124; his Select Essays, 170
Helen of Kirkconnel, 164
Helps (Sir Arthur), his death, 68
Hertford (Lord), 48, 50
Hood (T.), verses by, 87, 95
Houghton (Lord), 164, 236, 239, 257
Hugo (F. Victor), his translation of Shakespeare, 114
Hunt (Holman), The Shadow of Death, 40
Intellectual Peat, 69
Irving (Henry), in Hamlet, 74, 75; his portrait, 86; in Queen Mary, 107,
109; his reading of Eugene Aram, 124; in Much Ado about Nothing, 251, 255
Jenny (Mr.), the owner of Bredfield House, 10
Jessica, 179
Kean (Edmund), in Othello, 53
Keats (John), his Letters, 134; his Life and Letters, by Lord Houghton,
164
Keene (Charles), 225, 249, 261; at Little Grange, 242, 263
Kelly (Michael), his Reminiscences, 146
Kemble (Charles), in Othello, 53; as Falconbridge and Petruchio, 58; in
As You Like It, 58; as Charles Surface, 58; as Cromwell, 87; in King
John, 182
Kemble (Mrs. Charles), 61, 62; her 'Smiles and Tears,' 14; contributes to
Kitchener's Cook's Oracle, 89; miniature of her as Urania, 96, 99, 100,
101, 106, 146
Kemble (Fanny), her laws of correspondence, 2; her daughter's marriage,
3; her Memoirs, 29; in America, 36, 46; her article 'On the Stage' in the
Cornhill Magazine, 53, 78, 227; her letter about Macready, 57; her
photograph, 61; as Louisa of Savoy, 73; writes her 'Old Woman's Gossip'
in the Atlantic Monthly, 84, 92; letter from her to the Editor, 93;
omitted passage from her 'Gossip,' 93-94; uses a type-writer, 94; her
opinion of Portia, 95, 124; on Goethe and Portia, 123; end of her
'Gossip,' 125, 129; her Records of a Girlhood, 186; her favourite
Colours, 197; her portrait by Sir T. Lawrence, 210; her Records of Later
Life, 227, 228
Kemble (Henry), Mrs. Kemble's brother, 58, 109
Kemble (Henry), Mrs. Kemble's nephew, 225
Kemble (John Mitchell), 120, 153, 159
Kemble (J. P.), 179, 183; portrait of him as OEdipus, 183, 210; Plays
revised by him, 220
Kerrich (Edmund), E. F.G.'s nephew, 129, 172
La Fontaine, 66
Laurence (S.), copies Pickersgill's portrait of Crabbe, 39; letter from,
90
Leigh (the Hon. Mrs.), Mrs. Kemble's daughter, 161; her marriage, 3
L'Hopital (Chancellor), quoted, 191
Little Grange, first named, 42
Lowell (J. R.), 'Among my Books,' 97, 119, 135; his Odes, 120, 122;
letter from, 136; his coming to England as Minister of the United States,
174; illness of his wife, 174, 184, 186, 192
Lynn (Mary), 191, 252, 253
Macbeth quoted, 43, 68; French opera by Chelard, acted at Dublin, 81
Macready (W. C,), 27; his Memoirs edited by Sir W. F. Pollock, 38, 44,
50, 52, 68, 70, 98, 102; his Macbeth, 44, 57, 68; plays Henry IV., 58;
reads Mrs. Kemble's English Tragedy, 72
Malkin (Arthur), 110, 132, 213
Malkin (Dr. B. H.), Master of Bury School, 94; Crabbe a favourite with
him, 213
Marjorie Fleming, 252
Marot (Clement), quoted, 23
Matthews (Charles), his Memoir, 173
Merivale (Charles), Dean of Ely, 195, 218
Montaigne, 103, 104, 105, 117
Musset (Alfred de), Memoir of, 138; loves to read Clarissa Harlowe, 138
Napoleon, saying of, 218
Naseby, proposed monument at, 17, 27
Norton (C. E), 19, 97, 119, 123, 135, 151, 180, 183, 205, 209, 246, 256
OEdipus, by Dryden and Lee, 229
Oleander, 251
Oliphant (Mrs.), on Carlyle, 218, 220; on Mrs. Carlyle, 259
Oriole, 46
Pasta, saying of, 53
Pasta, in Medea, 181, 200
Pasteur (Le Bon), 30, 33
Peacock (E.), Headlong Hall quoted, 40
Piccolomini, 11
Pigott (E. F. S.), succeeds W. B. Donne, 50
Piozzi (Mrs.), Memoirs of, 46
Pollock (Sir W. F ), visits E. F.G., 15; edits Macready's Memoirs, 38,
44; letter from, 55; visits Carlyle, 110
Portia, 95, 124
Quixote (Don), 41, 108, 155, 182; must be read in Spanish, 114, 117
Ritchie (Mrs.), Miss Thackeray, 135
Rossi in Hamlet, 107
Rousseau on stage decoration, 110
Santley (Mrs.), 111
Sartoris (Edward), 192, 203
Sartoris (Greville), death of, 38
Sartoris (Mrs.), Mrs. Kemble's sister, 38; her illness, 140, 149; and
death, 154; her Medusa and other Tales, 203
Scott (Sir Walter), his indifference to fame, 116; the easy movement of
his stories, 130; Barry Cornwall's saying of him, 131; his Kenilworth,
145; the Fortunes of Nigel, 228, 231; Marjorie Fleming, 252; The Pirate,
261
Sevigne (Madame de), 73, 103, 105, 137, 184, 186, 188, 222; her Rochers,
105, 184; not shown to visitors, 188; list of her dramatis personae, 125;
quoted, 190, 217
Shakespeare, edited by Clark and Wright, 68, 69
Shakespeare, 69
Shakespeare's predecessors, 223
Siddons (Mrs.), 46, 71, 183; her portrait by Sir T. Lawrence, 81; article
on her in the Nineteenth Century, 134; in Winter's Tale, 204
Skeat (Professor), his Inaugural Lecture, 153
Southey's Correspondence with Caroline Bowles, 261
Spanish Tragedy (The), scene from, 62
Spedding (James), is finishing his Life and Letters of Bacon, 27; has
finished them, 42, 51: his note on Antony and Cleopatra, 43, 45;
emendation of Shakespeare, 45; paper on Richard III., 74; his opinion of
Irving's Hamlet, 74; and Miss Ellen Terry's Portia, 74, 77; will not see
Salvini in Othello, 74; on The Merchant of Venice, 77, 80, 176, 201; the
Latest Theory about Bacon, 111; Shakespeare Notes, 189; his Preface to
Charles Tennyson Turner's Sonnets, 197; his accident, 212; and death,
214; his Evenings with a Reviewer, 233: Mrs. Cameron's photograph of him,
250
Stephen (Leslie), 58; his 'Hours in a Library,' 118
Taylor (Tom), 166, 193; his death, 192; his Memoir of Haydon, 194
Tennyson (A.), in Burns's country, 22; changes his publisher, 37; his
Queen Mary, 77; mentioned, 82, 113, 160, 193, 228, 239; his Mary Tudor,
107, 109; visits E. F.G. at Woodbridge, 113, 114; the attack on him in
the Quarterly, 116; his Harold, 122; portrait of him, 134; his saying of
Clarissa Harlow, 138; of Crabbe's portrait by Pickersgill, 151; used to
repeat Clerke Saunders and Helen of Kirkconnel, 164; The Falcon, 169; The
Cup, 206, 208; his saying of Lycidas, 178; his eyes, 183; Ballads and
other Poems, 201; with E. F.G. at Mirehouse, 214; The Promise of May,
251, 253
Tennyson (Frederick), visits E. F.G., 16; his saying of blindness, 183;
his poems, 197
Tennyson (Hallam, now Lord), 114, 228, 239, 260
Tennyson (Lionel), 98; his marriage, 135
Terry (Miss Ellen), as Portia, 74, 77; Tom Taylor's opinion of her, 95
Thackeray (Minnie), death of, 90
Thackeray (Miss), 99; her Old Kensington, 13, 15, 39; meets E. F.G. at
the Royal Academy, 16; her Village on the Cliff, 38; on Madame de
Sevigne, 227; on Miss Edgeworth, 250
Thackeray (W. M.), 38, 120; not the author of a Tragedy, 51; his Drawings
published, 'The Orphan of Pimlico,' etc., 91; his pen and ink drawing of
Mrs. Kemble as Louisa of Savoy, 73
Thurtell, the murderer, 152
Tichborne trial, 28, 36
Tieck, 'an Eyewitness of John Kemble' in The Nineteenth Century, 179, 183
Trench (Archbishop), his Translation of Calderon, 185; E. F.G. sends him
his Crabbe, 185
Tunbridge Wells, 57
Turner (Charles Tennyson), his Sonnets, 151, 197
'Twalmley' ('the Great'), 75, 102, 116
Two Noble Kinsmen (The), 221
Urania, 146
Wade (T.), author of the Jew of Aragon, 120
Wainewright (T. G.), 90
Wales (Prince of), Thanksgiving service for his recovery, 10
Ward (John), Vicar of Stratford on Avon, his diary, 263
Wesley (John), his Journal one of E. F.G.'s hobbies, 28, 186
Whalley (Dr.), his reading of a passage in Macbeth, 46
Wilkinson (Mrs.), E. F.G.'s sister, 112, 122, 169, 225
Wilson (H. Schutz), 232, 233, 235
Wister (Mrs.), Mrs. Kemble's daughter, 6, 36, 252, 254
Woodberry (G. E.), his article on Crabbe, 180
Wylie (W. H.), on Thomas Carlyle, 237
Footnotes:
{3a} Mrs. Kemble's daughter, Frances Butler, was married to the Hon. and
Rev. James Wentworth Leigh, now Dean of Hereford, 29th June 1871.
{3b} See 'Letters,' ii. 126.
{6} Fitzgerald's Lives of the Kembles was reviewed in the _Athenaeum_,
12th August 1871, and the 'Memoirs of Mr. Harness,' 28th October.
{7} Macbeth, ii. 2, 21.
{9} In writing to Sir Frederick Pollock on November 17th, 1871,
FitzGerald says:--
'The Game-dealer here telling me that he has some very good Pheasants,
I have told him to send you a Brace--to go in company with Braces to
Carlyle, and Mrs. Kemble. This will, you may think, necessitate your
writing a Reply of Thanks before your usual time of writing: but don't
do that:--only write to me now in case the Pheasants don't reach you;
I know you will thank me for them, whether they reach you or not; and
so you can defer writing so much till you happen next upon an idle
moment which you may think as well devoted to me; you being the only
man, except Donne, who cares to trouble himself with a gratuitous
letter to one who really does not deserve it.
'Donne, you know, is pleased with Everybody, and with Everything that
Anybody does for him. You must take his Praises of Woodbridge with
this grain of Salt to season them. It may seem odd to you at
first--but not perhaps on reflection--that I feel more--nervous, I may
say--at the prospect of meeting with an old Friend, after all these
years, than of any indifferent Acquaintance. I feel it the less with
Donne, for the reason aforesaid--why should I not feel it with you who
have given so many tokens since our last meeting that you are well
willing to take me as I am? If one is, indeed, by Letter what one is
in person.--I always tell Donne not to come out of his way here--he
says he takes me in the course of a Visit to some East-Anglian
kinsmen. Have you ever any such reason?--Well; if you have no better
reason than that of really wishing to see me, for better or worse, in
my home, come--some Spring or Summer day, when my Home at any rate is
pleasant. This all sounds mock-modesty; but it is not; as I can't
read Books, Plays, Pictures, etc. and don't see People, I feel, when a
Man comes, that I have all to ask and nothing to tell; and one doesn't
like to make a Pump of a Friend.'
{10a} At the Royal Institution, on 'The Theatre in Shakespeare's Time.'
The series consisted of six lectures, which were delivered from 20th
January to 24th February 1872. On 18th February 1872, Mrs. Kemble wrote:
'My dear old friend Donne is lecturing on Shakespeare, and I have heard
him these last two times. He is looking ill and feeble, and I should
like to carry him off too, out of the reach of his too many and too heavy
cares.'--'Further Records,' ii. 253.
{10b} 27th February, 1872, for the recovery of the Prince of Wales.
{10c} Mr. Jenney, the owner of Bredfield House, where FitzGerald was
born. See 'Letters,' i. 64.
{11} H. F. Chorley died 16th February 1872.
{13a} Perhaps Widmore, near Bromley. See 'Further Records,' ii. 253.
{13b} 'Old Kensington,' the first number of which appeared in the
_Cornhill Magazine_ for April 1872.
{15} He came May 18th, 1872, the day before Whitsunday.
{16a} F. T. came August 1st, 1872.
{16b} See 'Letters,' ii. 142-3.
{19a} Miss Harriet St. Leger.
{19b} April 14th, 1873. See 'Letters,' ii. 154.
{23a} Probably the piece beginning--
'On plante des pommiers es bords
Des cimitieres, pres des morts, &c
Olivier Basselin ('Vaux-de-Vire,' ed Jacob, 1858, xv. p. 28)
On Oct 13th, 1879, FitzGerald wrote of a copy of Olivier (ed. Du Bois,
1821) which he had sent by me to Professor Cowell: "If Cowell does not
care for Olivier--the dear Phantom!--pray do you keep him. Read a little
piece--the two first Stanzas--beginning 'Dieu garde de deshonneur,' p.
184--quite beautiful to me; though not classed as Olivier's. Also 'Royne
des Flours, &c,' p. 160. These are things that Beranger could not reach
with all his Art; but Burns could without it."
{23b} De Damoyselle Anne de Marle (Marot, 'Cimetiere,' xiv ):--
'Lors sans viser au lieu dont elle vint,
Et desprisant la gloire que l'on a
En ce bas monde, icelle Anne ordonna,
Que son corps fust entre les pauures mys
En cette fosse. Or prions, chers amys,
Que l'ame soit entre les pauures mise,
Qui bien heureux sont chantez en l'Eglise.'
{25} On March 30, 1873, FitzGerald wrote to Sir Frederick Pollock:--
"At the beginning of this year I submitted to be Photo'ed at last--for
many Nieces, and a few old Friends--I must think that you are an old
Friend as well as a very kind and constant one; and so I don't like
not to send you what I have sent others.--The Artist who took me, took
(as he always does) three several Views of one's Face: but the third
View (looking full-faced) got blurred by my blinking at the Light: so
only these two were reproduced--I shouldn't know that either was meant
for [me]: nor, I think, would any one else, if not told: but the Truth-
telling Sun somehow did them; and as he acted so handsomely by me, I
take courage to distribute them to those who have a regard for me, and
will naturally like to have so favourable a Version of one's Outward
Aspect to remember one by. I should not have sent them if they had
been otherwise. The up-looking one I call 'The Statesman,' quite
ready to be called to the Helm of Affairs: the Down-looking one I call
The Philosopher. Will you take which you like? And when next old
Spedding comes your way, give him the other (he won't care which) with
my Love. I only don't write to him because my doing so would impose
on his Conscience an Answer--which would torment him for some little
while. I do not love him the less: and believe all the while that he
not the less regards me."
Again on May 5, he wrote: "I think I shall have a word about M[acready]
from Mrs. Kemble, with whom I have been corresponding a little since her
return to England. She has lately been staying with her Son in Law, Mr.
Leigh (?), at Stoneleigh Vicarage, near Kenilworth. In the Autumn she
says she will go to America, never to return to England. But I tell her
she _will_ return. She is to sit for her Photo at my express desire, and
I have given her Instructions _how_ to sit, derived from my own
successful Experience. One rule is to sit--in a dirty Shirt--(to avoid
dangerous White) and another is, not to sit on a Sunshiny Day: which we
must leave to the Young.
"By the by, I sent old Spedding my own lovely Photo (_the Statesman_)
which he has acknowledged in Autograph. He tells me that he begins to
'smell Land' with his Bacon."
{28a} See 'Letters,' ii. 165-7.
{28b} See letter of April 22nd, 1873.
{30} Shakespeare, Ant. & Cl., v. 2, line 6:--
'Which shackles accidents, and bolts up change.'
{31} In his 'Half Hours with the Worst Authors' FitzGerald has
transcribed 'Le Bon Pasteur,' which consists of five stanzas of eight
lines each, beginning:--
'Bons habitans de ce Village,
Pretez l'oreille un moment,' &c.
Each stanza ends:--
'Et le bon Dieu vous benira.'
He adds: 'One of the pleasantest remembrances of France is, having heard
this sung to a Barrel-organ, and chorus'd by the Hearers (who had bought
the Song-books) one fine Evening on the Paris Boulevards, June: 1830.'
{34a} Haydon entered these verses in his Diary for May, 1846: 'The
struggle is severe, for myself I care not, but for her so dear to me I
feel. It presses on her mind, and in a moment of pain, she wrote the
following simple bit of feeling to Frederick, who is in South America, on
Board _The Grecian_.' There are seven stanzas in the original, but
FitzGerald has omitted in his transcript the third and fourth and
slightly altered one or two of the lines. He called them 'A poor
Mother's Verses.'
{34b} See 'Letters,' ii. 280.
{37} Burns, quoted from memory as usual. See Globe Edition, p. 214; ed.
Cunningham, iv. 293.
{38} Greville Sartoris was killed by a fall from his horse, not in the
hunting-field, 23 Oct. 1873.
{39} 'Rage' in the original. See Tales of the Hall, Book XII. Sir Owen
Dale.
{40} Quoting from Peacock's 'Headlong Hall':--
'Nature had but little clay
Like that of which she moulded him.'
See 'Letters,' i. 75, note.
{42} 18 April 1874. Professor Hiram Corson endeavoured to maintain the
correctness of the reading of the Folios in Antony and Cleopatra, v. 2.
86-88:
'For his Bounty,
There was no winter in 't. An _Anthony_ it was,
That grew the more by reaping.'
Spedding admirably defended Theobald's certain emendation of 'autumn' for
'Anthony.'
{43} These lines are not to be found in Crabbe, so far as I can
ascertain, but they appear to be a transformation of two which occur in
the Parish Register, Part II., in the story of Phebe Dawson (Works, ii.
183):
'Friend of distress! The mourner feels thy aid;
She cannot pay thee, but thou wilt be paid.'
They had taken possession of FitzGerald's memory in their present shape,
for in a letter to me, dated 5 Nov. 1877, speaking of the poet's son, who
was Vicar of Bredfield, he says: "It is now just twenty years since the
Brave old Boy was laid in Bredfield Churchyard. Two of his Father's
Lines might make Epitaph for some good soul:--
'Friend of the Poor, the Wretched, the Betray'd;
They cannot pay thee--but thou shalt be paid.'
Pas mal ca, eh!"
{45a} In a letter to me dated October 29th, 1871, FitzGerald says:--
"A suggestion that casually fell from old Spedding's lips (I forget
how long ago) occurred to me the other day. Instead of
'Do such business as the bitter day,'
read 'better day'--a certain Emendation, I think. I hope you take
Spedding into your Counsel; he might be induced to look over one Play at
a time though he might shrink from all in a Body; and I scarce ever heard
him conning a page of Shakespeare but he suggested something which was an
improvement--on Shakespeare himself, if not on his Editors--though don't
[tell] Spedding that I say so, for God's sake."
{45b} In 'Notes and Queries,' April 18th, 1874.
{48a} Lord Hertford
{48b} Frank Carr Beard, the friend and medical adviser of Dickens and
Wilkie Collins.
{49a} See Lockhart's 'Life of Scott,' vii. 394. 'About half-past one,
P.M., on the 21st of September, [1832], Sir Walter breathed his last, in
the presence of all his children. It was a beautiful day--so warm that
every window was wide open, and so perfectly still, that the sound of all
others most delicious to his ear, the gentle ripple of the Tweed over its
pebbles, was distinctly audible as we knelt around the bed, and his
eldest son kissed and closed his eyes.'
{49b} Dryburgh.
{49c} The North West Passage. The 'Old Sea Captain' was Trelawny.
{50a} See 'Letters,' ii. 173-4.
{50b} E. F. S. Pigott.
{52} See 'Letters,' ii. 172.
{53a} Not _Macmillan_, but _Cornhill Magazine_, Dec. 1863, 'On the
Stage.' See Letter of 24 Aug. 1875.
{53b} "Pasta, the great lyric tragedian, who, Mrs. Siddons said, was
capable of giving her lessons, replied to the observation, 'Vous avez du
beaucoup etudier l'antique.' 'Je l'ai beaucoup senti.'"--From Mrs.
Kemble's article 'On the Stage' ('Cornhill,' 1863), reprinted as an
Introduction to her Notes upon some of Shakespeare's Plays.
{53c} 'Causeries du Lundi,' xiv. 234.
{53d} Lettre de Viard a M. Walpole, in 'Lettres de Madame du Deffand,'
iv. 178 (Paris, 1824). FitzGerald probably read it in Ste. Beuve,
'Causeries du Lundi,' i. 405.
{54} Cedars, not yew. See Memoirs of Chorley, ii. 240.
{55} In Tales of the Hall, Book XI. ('Works,' vi. 284), quoted from
memory.
{56} Virgil, AEn. vi. 127.
{57a} Referring to the well-known print of 'Remarkable Characters who
were at Tunbridge Wells with Richardson in 1748.'
{57b} James Spedding.
{59a} In the original draft of Tales of the Hall, Book VI.
{59b} See Memoirs of Chateaubriand, written by himself, Eng. trans. 1849
p. 123. At the Chateau of Combourg in Brittany, 'When supper was over,
and the party of four had removed from the table to the chimney, my
mother would throw herself, with a sigh, upon an old cotton-covered sofa,
and near her was placed a little stand with a light. I sat down by the
fire with Lucile; the servants removed the supper-things, and retired. My
father then began to walk up and down, and never ceased until his
bedtime. He wore a kind of white woollen gown, or rather cloak, such as
I have never seen with anyone else. His head, partly bald, was covered
with a large white cap, which stood bolt upright. When, in the course of
his walk, he got to a distance from the fire, the vast apartment was so
ill-lighted by a single candle that he could be no longer seen, he could
still be heard marching about in the dark, however, and presently
returned slowly towards the light, and emerged by degrees from obscurity,
looking like a spectre, with his white robe and cap, and his tall, thin
figure.'
{64a} 'The Mighty Magician' and 'Such Stuff as Dreams are made of.'
{64b} See Winter's Tale, iv. 4, 118-120.
{65} 'Euphranor.'
{67} See 'Letters,' ii. 180.
{68} Sir Arthur Helps died March 7th, 1875.
{69} The Passage of Carlyle to which FitzGerald refers is perhaps in
'Anti-Dryasdust,' in the Introduction to Cromwell's Letters and Speeches.
'By very nature it is a labyrinth and chaos, this that we call Human
History; an _abatis_ of trees and brushwood, a world-wide jungle, at once
growing and dying. Under the green foliage and blossoming fruit-trees of
To-day, there lie, rotting slower or faster, the forests of all other
Years and Days. Some have rotted fast, plants of annual growth, and are
long since quite gone to inorganic mould; others are like the aloe,
growths that last a thousand or three thousand years.' Ste. Beuve, in
his 'Nouveaux Lundis' (iv. 295), has a similar remark: 'Pour un petit
nombre d'arbres qui s'elevent de quelques pieds au-dessus de terre et qui
s'apercoivent de loin, il y a partout, en litterature, de cet humus et de
ce detrius vegetal, de ces feuilles accumulees et entassees qu'on ne
distingue pas, si l'on ne se baisse.' At the end of his copy FitzGerald
has referred to this as 'Carlyle's Peat.'
{71} In The Gamester. See 'Macready's Reminiscences,' i. 54-57.
{72a} In Rowe's Tamerlane. See 'Macready's Reminiscences,' i. 202.
{72b} Probably the English Tragedy, which was finished in October 1838.
See 'Records of Later Days,' ii. 168.
{74} In the _Transactions of the New Shakspere Society_ for 1875-76. The
surviving editor of the 'Cambridge Shakspeare' does not at all feel that
Spedding's criticism 'smashed' the theory which was only put forward as a
tentative solution of a perhaps insoluble problem.
{75a} See 'Letters,' ii. 177.
{75b} See 'Letters,' ii. 198, 228, and Boswell's 'Johnson' (ed. Birkbeck
Hill), iv. 193.
{77} FitzGerald wrote to me about the same time:
"Spedding has (you know) a delicious little Paper about the Merchant
of Venice in July _Fraser_:--but I think he is wrong in subordinating
Shylock to the Comedy Part. If that were meant to be so, Williams
['the divine Williams,' as some Frenchman called Shakespeare]
miscalculated, throwing so much of his very finest writing into the
Jew's Mouth, the downright human Nature of which makes all the Love-
Story Child's play, though very beautiful Child's play indeed."
{78} 'On the Stage,' in the _Cornhill Magazine_ for December 1863
Reprinted as an Introduction to Mrs. Kemble's 'Notes upon some of
Shakespeare's Plays.'
{79} See his 'Life and Letters,' p. 46.
{80} In the _Cornhill Magazine_ for July 1875, The Merchant of Venice at
the Prince of Wales's Theatre.
{82a} 'The Enterprising Impresario' by Walter Maynard (Thomas Willert
Beale), 1867, pp 273-4.
{82b} Beginning, 'A spirit haunts the year's last hours.' It first
appeared in the poems of 1830, p. 67, and is now included in Tennyson's
Collected Works. See 'Letters,' ii. 256.
{82c} By Sir Gilbert Elliot, father of the first Lord Minto. The query
appeared 25 Sept. 1875 ('N. & Q.' 5th Series, iv. 247), and two answers
are given at p. 397, but not by E. F.G.
{83} See 'Letters,' ii. 185.
{84} The _Atlantic Monthly_ for August, September, and October 1875.
{85a} _Atlantic Monthly_, August 1875, p. 167, by T. S. Perry.
{85b} _Ibid._, p. 240.
{86} From Oct. 30 to Nov. 4.
{87a} The Trial of Queen Katharine in _Henry VIII_. Charles Kemble
acted Cromwell.
{87b} _Atlantic Monthly_, August 1875, p. 165.
{88a} 'The Exile,' quoted from memory.
{88b} See letter of August 24, 1875.
{89} _Atlantic Monthly_, August 1875, p. 156.
{90a} Thomas Griffiths Wainewright. De Quincey's account of him is in
his essay on Charles Lamb ('Works,' ed. 1862, viii. 146). His career was
the subject of a story by Dickens, called 'Hunted Down.'
{90b} Minnie Thackeray (Mrs. Leslie Stephen) died Nov. 28.
{91} About the same time he wrote to me:--
'A dozen years ago I entreated Annie Thackeray, Smith & Elder, &c., to
bring out a Volume of Thackeray's better Drawings. Of course they
wouldn't--now Windus and Chatto have, you know, brought out a Volume
of his inferior: and now Annie T. S. & E. prepare a Volume--when it is
not so certain to pay, at any rate, as when W. M. T. was the Hero of
the Day. However, I send them all I have: pretty confident they will
select the worst; of course, for my own part, I would rather have any
other than copies of what I have: but I should like the World to
acknowledge he could do something beside the ugly and ridiculous.
Annie T. sent me the enclosed Specimen: very careless, but full of
Character. I can see W. M. T. drawing it as he was telling one about
his Scotch Trip. That disputatious Scotchman in the second Row with
Spectacles, and--teeth. You may know some who will be amused at
this:--but send it back, please: no occasion to write beside.'
{92} When I was preparing the first edition of FitzGerald's Letters I
wrote to Mrs. Kemble for permission to quote the passage from her Gossip
which is here referred to. She replied (11 Dec. 1883):--
'I have no objection whatever to your quoting what I said of Edward
Fitzgerald in the _Atlantic Monthly_, but I suppose you know that it
was omitted from Bentley's publication of my book at Edward's _own
desire_. He did not certainly knock me on the head with Dr. Johnson's
sledge-hammer, but he did make me feel painfully that I had been
guilty of the impertinence of praising.'
I did not then avail myself of the permission so readily granted, but I
venture to do so now, in the belief that the publicity from which his
sensitive nature shrank during his lifetime may now without impropriety
be given to what was written in all sincerity by one of his oldest and
most intimate friends. It was Mrs. Kemble who described him as 'an
eccentric man of genius, who took more pains to avoid fame than others do
to seek it,' and this description is fully borne out by the account she
gave of him in the offending passage which follows:--
"That Mrs. Fitzgerald is among the most vivid memories of my girlish
days. She and her husband were kind and intimate friends of my father
and mother. He was a most amiable and genial Irish gentleman, with
considerable property in Ireland and Suffolk, and a fine house in
Portland Place, and had married his cousin, a very handsome, clever,
and eccentric woman. I remember she always wore a bracelet of his
hair, on the massive clasp of which were engraved the words, '_Stesso
sangue_, _stessa sorte_.' I also remember, as a feature of sundry
dinners at their house, the first gold dessert and table ornaments
that I ever saw, the magnificence of which made a great impression
upon me; though I also remember their being replaced, upon Mrs.
Fitzgerald's wearying of them, by a set of ground glass and dead and
burnished silver, so exquisite that the splendid gold service was
pronounced infinitely less tasteful and beautiful. One member of her
family--her son Edward Fitzgerald--has remained my friend till this
day. His parents and mine are dead. Of his brothers and sisters I
retain no knowledge, but with him I still keep up an affectionate and
to me most valuable and interesting correspondence. He was
distinguished from the rest of his family, and indeed from most
people, by the possession of very rare intellectual and artistic
gifts. A poet, a painter, a musician, an admirable scholar and
writer, if he had not shunned notoriety as sedulously as most people
seek it, he would have achieved a foremost place among the eminent men
of his day, and left a name second to that of very few of his
contemporaries. His life was spent in literary leisure, or literary
labours of love of singular excellence, which he never cared to
publish beyond the circle of his intimate friends: Euphranor,
Polonius, collections of dialogues full of keen wisdom, fine
observation, and profound thought; sterling philosophy written in the
purest, simplest, and raciest English; noble translations, or rather
free adaptations of Calderon's two finest dramas, The Wonderful
Magician and Life's a Dream, and a splendid paraphrase of the
Agamemnon of AEschylus, which fills its reader with regret that he
should not have _Englished_ the whole of the great trilogy with the
same severe sublimity. In America this gentleman is better known by
his translation or adaptation (how much more of it is his own than the
author's I should like to know if I were Irish) of Omar Khayyam, the
astronomer-poet of Persia. Archbishop Trench, in his volume on the
life and genius of Calderon, frequently refers to Mr. Fitzgerald's
translations, and himself gives a version of Life's a Dream, the
excellence of which falls short, however, of his friend's finer
dramatic poem bearing the same name, though he has gallantly attacked
the difficulty of rendering the Spanish in English verse. While these
were Edward Fitzgerald's studies and pursuits, he led a curious life
of almost entire estrangement from society, preferring the
companionship of the rough sailors and fishermen of the Suffolk coast
to that of lettered folk. He lived with them in the most friendly
intimacy, helping them in their sea ventures, and cruising about with
one, an especially fine sample of his sort, in a small fishing-smack
which Edward Fitzgerald's bounty had set afloat, and in which the
translator of Calderon and AEschylus passed his time, better pleased
with the fellowship and intercourse of the captain and crew of his
small fishing craft than with that of more educated and sophisticated
humanity. He and his brothers were school-fellows of my eldest
brother under Dr. Malkin, the master of the grammar school of Bury St.
Edmunds."
{94} Mrs. Kemble's letter was written with a typewriter (see 'Further
Records,' i. 198, 240, 247). It was given by FitzGerald to Mr. F.
Spalding, now of the Colchester Museum, through whose kindness I am
enabled to quote it:--
'YORK FARM, BRANCHTOWN.
'_Tuesday_, _Dec._ 14. 1875.
'MY DEAR EDWARD FITZGERALD,
'I have got a printing-machine and am going to try and write to you upon
it and see if it will suit your eyes better than my scrawl of
handwriting. Thank you for the Photographs and the line of music; I know
that old bit of tune, it seems to me. I think Mr. Irving's face more
like Young's than my Father's. Tom Taylor, years ago, told me that Miss
Ellen Terry would be a consummate comic actress. Portia should never be
without some one to set her before the Public. She is my model woman.'
{97a} See 'Letters,' ii. 192
{97b} See the _Athenaeum_ for Jan. 1, 15, 22, 29, 1876.
{100} In her 'Further Records,' i. 250, Mrs. Kemble wrote, March 11th,
1876:--
'Last week my old friend Edward Fitzgerald (Omar Kyam, you know), sent
me a beautiful miniature of my mother, which his mother--her intimate
friend--had kept till her death, and which had been painted for Mrs.
Fitzgerald. It is a full-length figure, very beautifully painted, and
very like my mother. Almost immediately after receiving this from
England, my friend Mr. Horace Furness came out to see me. He is a
great collector of books and prints, and brought me an old engraving
of my mother in the character of Urania, which a great many years ago
I remember to have seen, and which was undoubtedly the original of
Mrs. Fitzgerald's miniature. I thought the concidence of their both
reaching me at the same time curious.'
{105} On July 22nd, 1880, he wrote to me:--"I am still reading her! And
could make a pretty Introduction to her; but Press-work is hard to me
now, and nobody would care for what I should do, when done. Mrs. Edwards
has found me a good Photo of 'nos pauvres Rochers,' a straggling old
Chateau, with (I suppose) the Chapel which her old 'Bien Bon' Uncle built
in 1671--while she was talking to her Gardener Pilois and reading
Montaigne, Moliere, Pascal, _or_ Cleopatra, among the trees she had
planted. Bless her! I should like to have made Lamb like her, in spite
of his anti-gallican Obstinacy."
{106} Mrs. Charles Donne, daughter of John Mitchell Kemble, died April
15th, 1876.
{107} First acted April 18th, 1876.
{108a} See 'Letters,' ii. 293.
{108b} See 'Letters,' ii. 198.
{109a} _Atlantic Monthly_, June 1876, p. 719.
{109b} Which opened May 10th, 1876.
{110} In one of his Common Place Books FitzGerald has entered from the
_Monthly Mirror_ for 1807 the following passage of Rousseau on Stage
Scenery--'Ils font, pour epouventer, un Fracas de Decorations sans Effet.
Sur la scene meme il ne faut pas tout dire a la Vue: mais ebranler
l'Imagmation.'
{111} For April and May 1876: 'The Latest Theory about Bacon.'
{113a} See letter of October 4th, 1875
{113b} See 'Letters,' ii. 202-205.
{113c} This card is now in my possession, 'Mr. Alfred Tennyson.
Farringford.' On it is written in pencil, "Dear old Fitz--I am passing
thro' and will call again. [The last three words are crossed out and 'am
here' is written over them]. A.T." FitzGerald enclosed it to Thompson
(Master of Trinity) and wrote on the back, 'P.S. Since writing, this
card was sent in: the Writer followed with his Son: and here we all are
as if twenty years had not passed since we met.'
{114a} About the same time he wrote to me:--"Tennyson came here suddenly
ten days ago--with his Son Hallam, whom I liked much. It was a Relief to
find a Young Gentleman not calling his Father 'The Governor' but
even--'Papa,' and tending him so carefully in all ways. And nothing of
'awfully jolly,' etc. I put them up at the Inn--Bull--as my own House
was in a sort of Interregnum of Painting, within and without: and I knew
they would be well provided at 'John Grout's'--as they were. Tennyson
said he had not found such Dinners at Grand Hotels, etc. And John
(though a Friend of Princes of all Nations--Russian, French, Italian,
etc.--who come to buy Horse flesh) was gratified at the Praise: though he
said to me 'Pray, Sir, what is the name of the Gentleman?'"
{114b} On September 11th, 1877, he wrote to me: 'You ought to have
Hugo's French Shakespeare: it is not wonderful to see how well a German
Translation thrives:--but French Prose--no doubt better than French
Verse. When I was looking over King John the other day I knew that
Napoleon would have owned it as the thing he craved for in the Theatre:
as also the other Historical Plays:--not Love of which one is sick: but
the Business of Men. He said this at St. Helena, or elsewhere.'
{115} It was in 1867. See 'Letters,' ii. 90, 94.
{116} Life, vi. 215. Letter to Lockhart, January 15th, 1826.
{117a} These expressions must not be looked for in the Decameron, as
'emendato secondo l'ordine del Sacro Concilio di Trento.'
{117b} See 'Letters,' ii. 203. In a letter to me dated November 4th,
1876, he says:--
"I have taken refuge from the Eastern Question in Boccaccio, just as the
'piacevoli Donne' who tell the Stories escaped from the Plague. I
suppose one must read this in Italian as my dear Don in Spanish: the
Language of each fitting the Subject 'like a Glove.' But there is
nothing to come up to the Don and his Man."
{118} Book XVIII., vol. vii. p. 188.
{119a} See 'Letters,' ii. 208.
{119b} Gillies' Memoirs of a Literary Veteran. See Letters, ii. 197,
199.
{120a} An Ode for the Fourth of July, 1876.
{120b} Mr. Wade, author of _The Jew of Aragon_, which failed. Mrs.
Kemble says (_Atlantic Monthly_, December 1876, p. 707):--
"I was perfectly miserable when the curtain fell, and the poor young
author, as pale as a ghost, came forward to meet my father at the side
scene, and bravely holding out his hand to him said, 'Never mind, Mr.
Kemble, I'll do better another time.'"
{120c} Francisco Javier Elio, a Spanish General, was executed in 1822
for his seventies against the liberals dining the reactionary period 1814-
1820.
{122a} _Atlantic Monthly_, February 1877, p. 222.
{122b} Holbrook, near Ipswich. That she had also some of the family
humour is evident from what she wrote to Mr. Crabbe of her brother's
early life. 'As regards spiritual advantages out of the house he had
none; for our Pastor was one of the old sort, with a jolly red nose
caused by good cheer. He used to lay his Hat and Whip on the Communion
Table and gabble over the service, running down the Pulpit Stairs not to
lose the opportunity of being invited to a good dinner at the Hall.' It
was with reference to his sister's husband that FitzGerald in
conversation with Tennyson used the expression 'A Mr. Wilkinson, a
clergyman.'
'Why, Fitz,' said Tennyson, 'that's a verse, and a very bad one too.' And
they would afterwards humorously contend for the authorship of the worst
line in the English language.
{123} _Atlantic Monthly_, February 1877, pp. 210, 211, and pp. 220, 221.
{124a} See note to Letter of Dec. 29_th_ 1875.
{124b} For November 1875, in an article called 'The Judgment of Paris,'
p. 400.
{125a} See 'Letters,' ii. 217. This is in my possession.
{125b} It came to an end in April 1877. In a letter to Miss St. Leger,
December 31st, 1876 ('Further Records,' ii. 33), Mrs. Kemble says, 'You
ask me how I mean to carry on the publication of my articles in the
_Atlantic Magazine_ when I leave America; but I do not intend to carry
them on. The editor proposed to me to do so, but I thought it would
entail so much trouble and uncertainty in the transmission of manuscript
and proofs, that it would be better to break off when I came to Europe.
The editor will have manuscript enough for the February, March, and April
numbers when I come away, and with those I think the series must close.
As there is no narrative or sequence of events involved in the
publication, it can, of course, be stopped at any moment; a story without
an end can end anywhere.'
{126} See letter of December 29th, 1875.
{127a} 15, Connaught Square. See 'Further Records,' ii. 42, etc.
{127b} Valentia Donne marred the Rev. R. F. Smith, minor Canon of
Southwell, May 24th, 1877.
{131a} 'We might say in a short word, which means a long matter, that
your Shakespeare fashions his characters from the heart outwards, your
Scott fashions them from the skin inwards, never getting near the heart
of them.'--Carlyle, 'Miscellanies,' vi. 69 (ed. 1869), 'Sir Walter Scott'
{131b} Procter, 'Autobiographical Fragments,' p. 154.
{134a} February 9th, 1878.
{134b} It was not in the _Fortnightly_ but in the _Nineteenth Century_.
{134c} This portrait is in my possession. FitzGerald fastened it in a
copy of the 'Poems chiefly Lyrical' (1830) which he gave me bound up with
the 'Poems' of 1833. He wrote underneath, 'Done in a Steamboat from
Gravesend to London, Jan: 1842.'
{135a} Criticisms and Elucidations of Catullus by H. A. J. Munro.
{135b} See 'Letters,' ii. 233, 235, 236, 238, 239.
{136} See 'Letters,' ii. 247.
{138a} See 'Letters,' ii. 243.
{138b} See 'Letters,' ii. 248.
{145} See 'Letters,' ii. 265.
{146} II. 166 (ed. 1826).
{149} John Purcell FitzGerald died at Boulge, May 4th, 1879.
{151a} See letter of May 5th, 1877.
{151b} In a letter to me dated May 7th, 1879, he says:--
'I see by Athenaeum that Charles Tennyson (Turner) is dead. _Now_
people will begin to talk of his beautiful Sonnets: small, but
original, things, as well as beautiful. Especially after that
somewhat absurd Sale of the Brothers' early Editions.'
{152} Gay, _The Beggar's Opera_, Act III, Air 57.
{153} Professor Skeat's Inaugural Lecture, in _Macmillan's Magazine_ for
February 1879, pp. 304-313.
{154} Mrs. Sartoris, Mrs. Kemble's sister, died August 4, 1879. See
'Further Records,' ii. 277.
{155} Edwin Edwards, who died September 15. See 'Letters,' ii. 277.
{157} In a letter to me of September 29 1879, he says, "My object in
going to London is, to see poor Mrs. Edwards, who writes me that she has
much collapsed in strength (no wonder!) after the Trial she endured for
near three years more or less, and, you know, a very hard light for the
last year . . .
"Besides her, Mrs. Kemble, who has lately lost her Sister, and returned
from Switzerland to London just at a time when most of her Friends are
out of it--_she_ wants to see me, an old Friend of hers and her Family's,
whom she has not seen for more than twenty years. So I do hope to do my
'petit possible' to solace both these poor Ladies at the same time."
{158} On September 11 he wrote to me, 'Ah, pleasant Dunwich Days! I
should never know a better Boy than Edwards, nor a braver little Wife
than her, were I to live six times as long as I am like to do.'
{160} See letter of October 4, 1875.
{161} Mrs. Leigh's son, Pierce Butler, was born on Sunday, November 2,
1879.
{162} See 'Letters,' ii. 326.
{163a} Mrs. Kemble appears to have adopted this suggestion. In her
'Records of a Girlhood,' ii. 41, she says of Sir Thomas Lawrence, 'He
came repeatedly to consult with my mother about the disputed point of my
dress, and gave his sanction to her decision upon it. The first dress of
Belvidera [in _Venice Preserved_], I remember, was a point of nice
discussion between them. . . . I was allowed (not, however, without
serious demur on the part of Lawrence) to cover my head with a black hat
and white feather.'
{163b} William Mason.
{166} November 10, 1879.
{168} Mrs. De Soyres died at Exeter, December 11, 1879.
{169} Played at St. James's Theatre, December 18, 1879.
{171} 'The Duke's Children.'
{173} Probably the 'Records of Later Life,' published in 1882.
{174} On 1st February 1880, FitzGerald wrote to me:--"Do you know what
'Stub Iron' is? (I do), and what 'Heel-taps' derives from, which Mrs.
Kemble asks, and I cannot tell her." This is probably the query referred
to.
{175} Beginning 'As men may children at their sports behold!'--Tales of
the Hall, book xxi., at the end of 'Smugglers and Poachers.'
{176} In the _Cornhill Magazine_, March 1880, 'The Story of the Merchant
of Venice.'
{179} 'An Eye-witness of John Kemble,' by Sir Theodore Martin. The eye-
witness is Tieck.
{180a} This letter was written on a Tuesday, and April 6 was a Tuesday
in 1880. Moreover, in 1880, at Easter, Donne's house was in quarantine.
FitzGerald probably had the advanced sheets of the _Atlantic Monthly_ for
May from Professor Norton as early as the beginning of April.
{180b} The _Atlantic Monthly_ for May 1880, contained an article by Mr.
G. E. Woodberry on Crabbe, 'A Neglected Poet.' See letter to Professor
Norton, May 1, 1880, in 'Letters,' ii. 281.
{181a} No. 39, where FitzGerald's father and mother lived. See 'Records
of a Girlhood,' iii. 28.
{181b} See 'Letters,' ii. 138.
{183a} It was Queen Catharine. When Mrs. Siddons called upon Johnson in
1783, he "particularly asked her which of Shakespeare's characters she
was most pleased with. Upon her answering that she thought the character
of Queen Catharine, in _Henry the Eighth_, the most natural:--'I think so
too, Madam, (said he;) and when ever you perform it, I will once more
hobble out to the theatre myself.'"--Boswell's 'Life of Johnson' (ed.
Birkbeck Hill), iv. 242.
{183b} See letters of February and December 1881.
{184a} See 'Letters,' ii. 244, 249.
{184b} On June 30, 1880, he wrote to me, 'Half her Beauty is the liquid
melodiousness of her language--all unpremeditated as a Blackbird's.'
{186} See letter of May 5, 1877.
{187} In a letter to me of the same date he wrote: 'Last night when Miss
Tox was just coming, like a good Soul, to ask about the ruined Dombey, we
heard a Splash of Rain, and I had the Book shut up, and sat listening to
the Shower by myself--till it blew over, I am sorry to say, and no more
of the sort all night. But we are thankful for that small mercy.
'I am reading through my Sevigne again--welcome as the flowers of May.'
{188a} On June 9, 1879, FitzGerald wrote to me: "I was from Tuesday to
Saturday last in Norfolk with my old Bredfield Party--George, not very
well: and, as he has not written to tell me he is better, I am rather
anxious. You should know him; and his Country: which is still the old
Country which we have lost here; small enclosures, with hedgeway timber:
green gipsey drift-ways: and Crome Cottage and Farmhouse of that
beautiful yellow 'Claylump' with red pantile roof'd--not the d---d Brick
and Slate of these parts."
{188b} See 'Letters,' ii. 290.
{190} See letter of Madame de Sevigne to Madame de Grignan, June 15,
1689.
{191} In one of FitzGerald's Common Place Books he gives the story thus:
"When Chancellor Cheverny went home in his Old Age and for the last time,
'Messieurs' (dit-il aux Gentilshommes du Canton accourus pour le saluer),
'Je ressemble au bon Lievre qui vient mourir au Gite.'"
{192a} Tom Taylor died July 12, 1880.
{192b} On July 16 FitzGerald wrote to me: 'Not being assured that you
were back from Revision, I wrote yesterday to Cowell asking him--and you,
when returned--to call on Professor Goodwin, of American Cambridge, who
goes to-morrow to your Cambridge--to see--if not to stay with--Mr. Jebb.
Mr. Goodwin proposed to give me a look here before he went to Cambridge:
but I told him I could not bear the thought of his coming all this way
for such a purpose. I think you can witness that I do not wish even old
English Friends to take me except on their way elsewhere: and for an
American Gentleman! It is not affectation to say that any such proposal
worried me. So what must I do but ask him to be sure to see Messrs.
Wright and Cowell when he got to Cambridge: and spend part of one of his
days there in going to Bury, and (even if he cared not for the Abbey with
its Abbot Samson and Jocelyn) to sit with a Bottle of light wine at the
Angel window, face to face with that lovely Abbey gate. Perhaps Cowell,
I said, might go over with him--knowing and loving Gothic--that was a
liberty for me to take with Cowell, but he need not go--I did not hint at
you. I suppose I muddled it all. But do show the American Gentleman
some civilities, to make amends for the disrespect which you and Cowell
told me of in April.'
{193} The defeat of General Burrows by Ayoub Khan, announced in the
House of Commons, July 28, 1880. On July 29 further telegrams reported
that General Burrows and other officers had arrived at Candahar after the
defeat.
{194} The date should be September 19, which was a Sunday in 1880. Full
moon was on September 18.
{197} In her 'Further Records,' i. 295, Mrs. Kemble says, 'Russia
leather, you know, is almost an element of the atmosphere of my rooms, as
all the shades of violet and purple are of their colouring, so that my
familiar friends associate the two with their notions of my habitat.'
{198} See 'Life of Crabbe,' p. 262.
{200} See 'Letters,' ii. 295.
{201a} On 'The Story of the Merchant of Venice' in the _Cornhill
Magazine_ for March 1880.
{201b} 'Ballads and other Poems,' 1880.
{202} _Kelter_, condition, order. Forby's 'Vocabulary of East Anglia.'
{203a} See 'Letters,' ii. 110
{203b} 'Medusa and other Tales' (1868), republished in 1880 with a
preface by her daughter, Mrs. Gordon.
{205} Full moon February 14th.
{206a} Acted at the Lyceum, January 3rd, 1881.
{206b} For February 1881.
{210} See letters of April 23rd, 1880, and December 1881.
{211a} See 'Letters,' ii. 180, 320.
{211b} Printed in 'Letters,' ii. 298-301.
{214} Partly printed in 'Letters,' ii. 305-7.
{216a} Printed in 'Letters,' ii. 310-312.
{216b} April 17th was Easter Day in 1881.
{217} Madame de Sevigne writes from Chaulnes, April 17th, 1689, 'A peine
le vert veut-il montrer le nez; pas un rossignol encore; enfin, l'hiver
le 17 d'Avril.'
{218} In _Macmillan's Magazine_ for April 1881.
{219} Partly printed in 'Letters,' ii. 313.
{221} Partly printed in 'Letters,' ii. 312.
{227a} On Madame de Sevigne.
{227b} Published in 1882 as 'Records of Later Life.'
{227c} See letter of August 24th, 1875.
{230} Partly printed in 'Letters,' ii. 320-1.
{231} The correct date is 1794-1805.
{233} 'Evenings with a Reviewer.' The Reviewer was Macaulay, and the
review the Essay on Bacon.
{234a} At Boulge.
{234b} He was in London from February 17th to February 20th.
{236} See 'Letters,' ii. 324-6.
{237a} Full moon April 3rd, 1882.
{237b} 'Thomas Carlyle. The Man and His Books.' By W. H. Wylie. 1881,
p. 363.
{241a} On May 7 FitzGerald wrote to me from Lowestoft:
"I too am taking some medicine, which, whatever effect it has on me,
leaves an indelible mark on Mahogany: for (of course) I spilled a lot
on my Landlady's Chiffonier, and found her this morning rubbing at the
'damned Spot' with Turpentine, and in vain."
And two days later:
"I was to have gone home to-day: but Worthington wishes me to stay, at
any rate, till the week's end, by which time he thinks to remove what
he calls 'a Crepitation' in one lung, by help of the Medicine which
proved its power on the mahogany. Yesterday came a Cabinet-maker, who
was for more than half an hour employed in returning that to its
'sound and pristine health,' or such as I hope my Landlady will be
satisfied with."
{241b} Serjeant Ballantine's 'Experiences of a Barrister's Life'
appeared in March 1882.
{241c} Full moon was June 1st, 1882.
{243a} W. B. Donne died June 20th, 1882.
{243b} This letter is in my possession, and as it indicates what Mr.
Froude's plan originally was, though he afterwards modified it, I have
thought it worth while to give it in full.
'5 ONSLOW GARDENS, S.W.
'_May_ 19.
'DEAR MR. FITZGERALD,
'Certainly you are no stranger to me. I have heard so often from
Carlyle, and I have read so much in his letters, about your exertions,
and about your entertainment of him at various times, that I can
hardly persuade myself that I never saw you.
'The letters you speak of must be very interesting, and I would ask
you to let me see them if I thought that they were likely to be of use
to me; but the subject with which I have to deal is so vast that I am
obliged to limit myself, and so intricate that I am glad to be able to
limit myself. I shall do what Carlyle desired me to do, _i.e._ edit
the collection of his wife's letters, which he himself prepared for
publication.
'This gift or bequest of his governs the rest of my work. What I have
already done is an introduction to these letters. When they are
published I shall add a volume of personal recollections of his later
life; and this will be all. Had I been left unencumbered by special
directions I should have been tempted to leave his domestic history
untouched except on the outside, and have attempted to make a complete
biography out of the general materials. This I am unable to do, and
all that I can give the world will be materials for some other person
to use hereafter. I can explain no further the conditions of the
problem. But for my own share of it I have materials in abundance,
and I must avoid being tempted off into other matters however
important in themselves.
'I may add for myself that I did not seek this duty, nor was it
welcome to me. C. asked me to undertake it. When I looked through
the papers I saw how difficult, how, in some aspects of it, painful,
the task would be.
'Believe me,
'faithfully yours,
'J. A. FROUDE.'
{245a} Printed in 'Letters,' ii. 332.
{245b} July 30th.
{247} Printed in 'Letters,' ii. 333.
{248} Here begins second half-sheet, dated 'Monday, Sept. 5.'
{249} Partly printed in 'Letters,' ii. 335.
{250a} See letter of June 23rd, 1880.
{250b} Reprinted in 'A Book of Sibyls,' 1883.
{251a} _The Promise of May_ was acted at the Globe Theatre, November
11th, 1882.
{251b} See letter of November 13th, 1879.
{252a} Mrs. Wister's son.
{252b} See letter of March 28th, 1880.
{253a} 'John Leech and other Papers,' 1882.
{253b} November 18th, 1882.
{257} See 'Letters and Memorials of Jane Welsh Carlyle,' ii. 249.
{259} For May 1883: 'Mrs. Carlyle.'
{260} Tennyson's 'Brook.'
{261} In a letter to Sir Frederick Pollock, March 16th, 1879, he says:--
"I have had Sir Walter read to me first of a Night, by way of Drama;
then ten minutes for Refreshment, and then Dickens for Farce. Just
finished the Pirate--as wearisome for Nornas, Minnas, Brendas, etc.,
as any of the Scotch Set; but when the Common People have to talk, the
Pirates to quarrel and swear, then Author and Reader are at home; and
at the end I 'fare' to like this one the best of the Series. The Sea
scenery has much to do with this preference I dare say."
{263} See 'Letters,' ii. 344.
***END OF THE PROJECT GUTENBERG EBOOK LETTERS OF EDWARD FITZGERALD TO
FANNY KEMBLE (1871-1883)***
******* This file should be named 21434.txt or 21434.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/2/1/4/3/21434
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://www.gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://www.gutenberg.org/about/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://www.gutenberg.org/fundraising/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:
http://www.gutenberg.org/fundraising/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
|