summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/20862-8.txt1893
-rw-r--r--old/20862-8.zipbin0 -> 31347 bytes
-rw-r--r--old/20862-page-images/f001.pngbin0 -> 1835 bytes
-rw-r--r--old/20862-page-images/f002.pngbin0 -> 220564 bytes
-rw-r--r--old/20862-page-images/f003.pngbin0 -> 17988 bytes
-rw-r--r--old/20862-page-images/f004.pngbin0 -> 6672 bytes
-rw-r--r--old/20862-page-images/f005.pngbin0 -> 24499 bytes
-rw-r--r--old/20862-page-images/f006.pngbin0 -> 30424 bytes
-rw-r--r--old/20862-page-images/p011.pngbin0 -> 22703 bytes
-rw-r--r--old/20862-page-images/p012.pngbin0 -> 36701 bytes
-rw-r--r--old/20862-page-images/p013.pngbin0 -> 37061 bytes
-rw-r--r--old/20862-page-images/p014.pngbin0 -> 31376 bytes
-rw-r--r--old/20862-page-images/p015.pngbin0 -> 28541 bytes
-rw-r--r--old/20862-page-images/p016.pngbin0 -> 26372 bytes
-rw-r--r--old/20862-page-images/p017.pngbin0 -> 36635 bytes
-rw-r--r--old/20862-page-images/p018.pngbin0 -> 38634 bytes
-rw-r--r--old/20862-page-images/p019.pngbin0 -> 623262 bytes
-rw-r--r--old/20862-page-images/p021.pngbin0 -> 14731 bytes
-rw-r--r--old/20862-page-images/p022.pngbin0 -> 26221 bytes
-rw-r--r--old/20862-page-images/p023.pngbin0 -> 38606 bytes
-rw-r--r--old/20862-page-images/p024-image.pngbin0 -> 527522 bytes
-rw-r--r--old/20862-page-images/p024.pngbin0 -> 50152 bytes
-rw-r--r--old/20862-page-images/p025.pngbin0 -> 37774 bytes
-rw-r--r--old/20862-page-images/p026.pngbin0 -> 35320 bytes
-rw-r--r--old/20862-page-images/p027.pngbin0 -> 34803 bytes
-rw-r--r--old/20862-page-images/p028.pngbin0 -> 26679 bytes
-rw-r--r--old/20862-page-images/p029.pngbin0 -> 845225 bytes
-rw-r--r--old/20862-page-images/p031.pngbin0 -> 38226 bytes
-rw-r--r--old/20862-page-images/p032.pngbin0 -> 34971 bytes
-rw-r--r--old/20862-page-images/p033.pngbin0 -> 32965 bytes
-rw-r--r--old/20862-page-images/p034.pngbin0 -> 13935 bytes
-rw-r--r--old/20862-page-images/p035.pngbin0 -> 27382 bytes
-rw-r--r--old/20862-page-images/p036.pngbin0 -> 37593 bytes
-rw-r--r--old/20862-page-images/p037.pngbin0 -> 32763 bytes
-rw-r--r--old/20862-page-images/p038.pngbin0 -> 34628 bytes
-rw-r--r--old/20862-page-images/p039-image.pngbin0 -> 272086 bytes
-rw-r--r--old/20862-page-images/p039.pngbin0 -> 47099 bytes
-rw-r--r--old/20862-page-images/p040.pngbin0 -> 26378 bytes
-rw-r--r--old/20862-page-images/p041.pngbin0 -> 26498 bytes
-rw-r--r--old/20862-page-images/p042.pngbin0 -> 35196 bytes
-rw-r--r--old/20862-page-images/p043.pngbin0 -> 39172 bytes
-rw-r--r--old/20862-page-images/p044-image.pngbin0 -> 471162 bytes
-rw-r--r--old/20862-page-images/p044.pngbin0 -> 46082 bytes
-rw-r--r--old/20862-page-images/p045.pngbin0 -> 36921 bytes
-rw-r--r--old/20862-page-images/p046.pngbin0 -> 34322 bytes
-rw-r--r--old/20862-page-images/p047.pngbin0 -> 37196 bytes
-rw-r--r--old/20862-page-images/p048.pngbin0 -> 9276 bytes
-rw-r--r--old/20862-page-images/p049.pngbin0 -> 27748 bytes
-rw-r--r--old/20862-page-images/p050.pngbin0 -> 38132 bytes
-rw-r--r--old/20862-page-images/p051.pngbin0 -> 36483 bytes
-rw-r--r--old/20862-page-images/p052.pngbin0 -> 32612 bytes
-rw-r--r--old/20862-page-images/p053.pngbin0 -> 539737 bytes
-rw-r--r--old/20862-page-images/p055.pngbin0 -> 37805 bytes
-rw-r--r--old/20862-page-images/p056.pngbin0 -> 35418 bytes
-rw-r--r--old/20862-page-images/p057.pngbin0 -> 5782 bytes
-rw-r--r--old/20862-page-images/p058.pngbin0 -> 26340 bytes
-rw-r--r--old/20862-page-images/p059.pngbin0 -> 36876 bytes
-rw-r--r--old/20862-page-images/p060.pngbin0 -> 34853 bytes
-rw-r--r--old/20862-page-images/p061.pngbin0 -> 38852 bytes
-rw-r--r--old/20862-page-images/p062.pngbin0 -> 39034 bytes
-rw-r--r--old/20862-page-images/p063.pngbin0 -> 37740 bytes
-rw-r--r--old/20862-page-images/p064-image.pngbin0 -> 397151 bytes
-rw-r--r--old/20862-page-images/p064.pngbin0 -> 40233 bytes
-rw-r--r--old/20862-page-images/p065.pngbin0 -> 29917 bytes
-rw-r--r--old/20862-page-images/p066.pngbin0 -> 29094 bytes
-rw-r--r--old/20862-page-images/p067.pngbin0 -> 36267 bytes
-rw-r--r--old/20862-page-images/p068.pngbin0 -> 35783 bytes
-rw-r--r--old/20862-page-images/p069.pngbin0 -> 39164 bytes
-rw-r--r--old/20862-page-images/p070.pngbin0 -> 38878 bytes
-rw-r--r--old/20862-page-images/p071.pngbin0 -> 35656 bytes
-rw-r--r--old/20862-page-images/p072.pngbin0 -> 39704 bytes
-rw-r--r--old/20862-page-images/p073.pngbin0 -> 608618 bytes
-rw-r--r--old/20862-page-images/p075.pngbin0 -> 39590 bytes
-rw-r--r--old/20862-page-images/p076.pngbin0 -> 30921 bytes
-rw-r--r--old/20862-page-images/p077.pngbin0 -> 36093 bytes
-rw-r--r--old/20862-page-images/p078.pngbin0 -> 41736 bytes
-rw-r--r--old/20862-page-images/p079.pngbin0 -> 43641 bytes
-rw-r--r--old/20862-page-images/p080.pngbin0 -> 34372 bytes
-rw-r--r--old/20862.txt1893
-rw-r--r--old/20862.zipbin0 -> 31328 bytes
80 files changed, 3786 insertions, 0 deletions
diff --git a/old/20862-8.txt b/old/20862-8.txt
new file mode 100644
index 0000000..4606fa5
--- /dev/null
+++ b/old/20862-8.txt
@@ -0,0 +1,1893 @@
+The Project Gutenberg EBook of Jerry's Reward, by Evelyn Snead Barnett
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Jerry's Reward
+
+Author: Evelyn Snead Barnett
+
+Illustrator: Etheldred B. Barry
+
+Release Date: March 20, 2007 [EBook #20862]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK JERRY'S REWARD ***
+
+
+
+
+Produced by David Garcia, Jacqueline Jeremy and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+
+
+
+
+
+
+
+JERRY'S REWARD
+
+
+
+
+[Illustration: "THEY NEVER SAW THE OLD FELLOW WITHOUT
+SHOUTING." (_See page 21_)]
+
+
+
+
+Cosy Corner Series
+
+
+JERRY'S
+REWARD
+
+By
+Evelyn Snead Barnett
+
+_Illustrated by_
+Etheldred B. Barry
+
+
+_Boston_
+_L. C. Page & Company_
+1903
+
+
+_Copyright, 1900, 1901_
+By E. S. BARNETT
+
+_Copyright, 1902_
+By L. C. PAGE & COMPANY
+(INCORPORATED)
+
+_All rights reserved_
+
+
+Published, May, 1902
+
+
+Colonial Press
+Electrotyped and Printed by C. H. Simonds & Co.
+Boston, Mass., U. S. A.
+
+
+
+
+CONTENTS
+
+
+CHAPTER PAGE
+
+ I. THE INTERRUPTED GAME 11
+
+ II. THE SHADOW 16
+
+ III. PADDY AND PEGGY 22
+
+ IV. HARD TIMES 28
+
+ V. PEGGY OVERHEARS A STARTLING CONVERSATION 35
+
+ VI. THE POLICE ARE SUMMONED 41
+
+ VII. WHERE WAS PEGGY? 49
+
+VIII. LUCK IN DISGUISE 58
+
+ IX. PADDY MAKES THE EFFORT OF HIS LIFE 66
+
+
+
+
+ILLUSTRATIONS
+
+ PAGE
+
+"THEY NEVER SAW THE OLD FELLOW WITHOUT
+ SHOUTING" (_See page 21_) _Frontispiece_
+
+"THEY STOOD IN A LONG ROW" 13
+
+"HE TURNED AROUND SUDDENLY" 19
+
+"'THE TOP OF THE MORNIN' TO YE'" 24
+
+"ALL THE CHILDREN EXCEPT THE BABIES
+ STARTED FOR SCHOOL" 29
+
+"ALTHOUGH SHE WAS WARMLY CLAD, THE RUSH
+ OF COLD AIR MADE HER SHIVER" 39
+
+"'WHAT ON EARTH ARE YOU DOING HERE ALONE?'" 44
+
+"A STURDY LEG EMERGING FROM HIS FRONT WINDOW" 53
+
+"AROUND HIS TANNED AND WRINKLED NECK
+ WENT HER WHITE ARMS" 64
+
+"AFTER THEM FOLLOWED THE NURSES, CARRYING
+ THE BABIES" 73
+
+
+
+
+JERRY'S REWARD
+
+ * * * * *
+
+
+CHAPTER I.
+
+THE INTERRUPTED GAME
+
+Jefferson Square was a short street in Gaminsville, occupying just one
+block. It took only two things on one side of it to fill up the space
+from corner to corner. One was the Convent of the Good Shepherd, built
+on a large lot surrounded by a high brick wall; the other, a common
+where all the people around dumped cinders, rags, tin cans--in fact,
+anything on earth they wished to throw away. On the other side were
+dwelling-houses, and these were filled with children--lots of them.
+There surely were never so many children on one square before!
+
+There were the Earlys, the Rickersons, the Bakers, the Adamses, the
+Mortons, and the Longs--twenty-one in all.
+
+There were really twenty-eight; but the parents of seven children,
+though they were not what you might call poor, were not well-born like
+the others, so nobody counted them any more than they included them in
+the games that the twenty-one played. This was sad for the seven little
+outcasts, but the others never thought about that.
+
+The twenty-one had splendid times together. It was play, play, play for
+ever--dolls, pin fairs, circuses, and games. Every afternoon they
+gathered in the Mortons' front gate, because it was wider and had three
+stone steps leading down from it, where all the children could sit.
+
+One evening, the latter part of August, the sun had dipped down behind
+the world, leaving red splashes over a green sky. On seeing it the
+children played fast and furiously, for they knew only too well that
+when the sky looked like that they might at any moment be called
+indoors, made to eat their suppers and go to bed.
+
+[Illustration]
+
+The oldest child of the lot was Henry Clay Morton. He was one of those
+boys who try to have their way in everything, and generally succeed; so,
+on this particular evening when he got tired playing "Grammammy Gray"
+and proposed "Lost My Handkerchief," the others consented without any
+fuss. The next thing to decide was who should be "ole man." They stood
+in a long row, and Henry Clay, pointing, began at the top and gave each
+child a word like this:
+
+ "Eeny, meany, miny, mo;
+ Cracky, feeny, finy fo;
+ Ommer neutcha, popper teucha;
+ Rick, bick, ban, do.
+
+ "Oner-ry, oer-ry, ickery Ann;
+ Phyllis and Phollis and Nicholas John;
+ Queevy quavy, English Navy,
+ Stinklum, stanklum, BUCK."
+
+"Buck" was "ole man," and on this occasion happened to be Addison
+Gravison Rickerson, a little pudgy boy who was called "Addy Gravvy"
+for short. He took a handkerchief, and the children, joining hands,
+formed a big circle. Then skipping behind them he sang:
+
+ "Lost my hankshuff yesterday,
+ Found it to-day,
+ Filled it full 'er water,
+ En dashed it away."
+
+He sang the words twice, and then he let the handkerchief fall behind
+little Nell Morton, but she was watching, so she grabbed it and chased
+Addy Gravvy, trying to catch him before he could get round the circle
+into her place. He ran so fast he would have beaten her had not Willie
+Baker stuck out his foot, tripping him up so that little Nell easily
+caught him.
+
+Addy Gravvy protested: "That's no fair, I won't go in the middle." For
+whoever got caught had to go in the middle until the close of the game.
+
+"She is so little," explained Willie, "that she never could have caught
+anybody."
+
+"Then she oughtn't to play," said Addy Gravvy.
+
+At this the children all began talking at once, for Nell was a
+favourite, and matters were looking serious, when suddenly a shadow
+crossed the bar of light made by the Mortons' open front door.
+
+"Paddy!" "Paddy!" cried a dozen frightened ones, and the little group
+took to their heels.
+
+In two minutes the street was as silent as midnight, the only person
+left being a little old man whose back was bent almost double. He
+turned and looked after the children and gave a long, deep sigh.
+
+
+
+
+CHAPTER II.
+
+THE SHADOW
+
+
+Of course you wish to know all about the crooked man whose very shadow
+caused the children to stop their play and scamper to their homes.
+
+You remember I told you that one side of Jefferson Square was occupied
+by the Convent of the Good Shepherd and the common? Well, this convent
+was a source of much interest and not a little awe to the children. They
+were always curious to know what was going on behind those high brick
+walls.
+
+Nothing in the shape of a man, except the priests, was ever allowed
+inside the convent. You can judge, then, of the flutter it caused
+when one day at noon, as the children from their windows opposite were
+watching the penitents playing in the garden in their blue dresses and
+white caps, they saw a little man go boldly in their midst and with a
+shovel begin turning up the soil.
+
+To be sure he was old and ugly; his back was bent like a hoop, and his
+long nose almost touched his toes as he leaned over his shovel--but all
+the same he was a man.
+
+"I wonder who on earth he can be!" said Fanny Morton, and the nurse who
+was peering over her head thoughtlessly replied:
+
+"One of Satan's own imps."
+
+They did not see the newcomer for a long time after, then one morning
+the word passed that he was there. This time the big iron gates at the
+side were open, and he was wheeling barrows of coal into the convent
+cellar.
+
+The next meeting was on the common where he was raking over old
+rubbish and abstracting rags and bits of iron. The children were
+about to speak to him when something in his brown and wrinkled
+face recalled the nurse-girl's remark about "Satan's imps," so
+they were afraid and ran home.
+
+I do not know who started it, but soon he came to be known as "Paddy on
+the Turnpike," and just what this meant would be hard to say. While we
+all know that Paddys are common enough in cities, still there wasn't a
+turnpike for this one to be on within five miles of Jefferson Square.
+
+Although the children were afraid of the old man, they could not help
+teasing him whenever they got a chance. It seemed reckless and brave to
+shout out something and then take to their heels. They dared not come
+too near, for the same nurse-girl, seeing the sensation that her first
+remark had created, added another more astonishing, to the effect that
+Paddy had traded his soul to the devil, and was hunting the rubbish on
+the common over, for sufficient money to buy it back. Which was, of
+course, sheer nonsense, and if the children had been as good as all
+children should be, they never for a moment would have believed such a
+stupid untruth.
+
+By degrees they grew bolder. They would creep behind when he was bending
+over his ash pile, nearer and nearer. Then they would shout something
+about the devil and his bartered soul, thinking they were brave indeed.
+Once they approached so near that they almost touched him, but he turned
+around suddenly and reached out his rake as if he were going to rake
+them all in. At this a panic seized them, and they ran like young deer.
+
+[Illustration: "HE TURNED AROUND SUDDENLY."]
+
+Finally Henry Clay Morton made a rhyme about him, and the others took it
+up. They never saw the old fellow without shouting to a sing-song tune
+that they had made themselves:
+
+ "Paddy on the Turnpike
+ Couldn't count eleven,
+ Put him on a leather bed,
+ Thought he was in Heaven."
+
+
+
+
+CHAPTER III.
+
+PADDY AND PEGGY
+
+
+Not seeming to hear the children, the old man used to work in silence,
+gathering the bottles and rags and things and putting them in his bag.
+Once a week he sold all he had found and brought the money home to his
+wife.
+
+Now Paddy and his wife lived in a little cottage on the far side of the
+common. And Paddy's wife was always sick. The poor woman had had a
+terrible accident in which she had been so badly crushed and twisted
+that she was never free from pain a single moment.
+
+Paddy would rise early in the morning, and, before he left to go to his
+work, he would put her in her chair by the window so that she could look
+out on the common, and here she sat knitting socks all day long.
+
+She did not know many people, so she was much alone. None of the
+neighbours in Jefferson Square were aware that such a person as
+Mrs. Paddy existed, though they might have seen her, if they had
+taken the trouble, every time they looked out of a front window;
+for she lived in plain view of all the dwellings on the Square.
+
+But though none of the "well-bred" people ever knew of Mrs. Paddy's
+existence, sometimes the mother of the little outcasts who were too
+common to be the associates of fine ladies would drop in "to straighten
+things up a bit."
+
+"Well, Mrs. Myer," she would say, "the top of the mornin' to ye. It's to
+market I've just been and the butcher sent ye a posy," and she would put
+a gay flower or two in the blue glass vase that stood on the sick
+woman's window-sill.
+
+Or maybe one of the little outcasts would bring a bowl of steaming soup.
+"Mother thought you might like something to warm you up inside," the
+child would say, and Mrs. Paddy, unknown and unknowing of the fine
+world, would kiss and thank her with a smile that she must have learned
+from the angels.
+
+But no other soul ever visited Mrs. Paddy, and knitting at her window,
+she led a solitary life indeed.
+
+[Illustration]
+
+And the whole heart of Mrs. Paddy was bound up in Paddy, strange as that
+may seem. But, you must know, Paddy was a very different sort of a
+person from what the children imagined him. No matter what she was
+suffering, Mrs. Paddy had always a bright look for him, while, with her,
+Paddy would grow so tender and his knotty features would smooth out so,
+the children never would have recognised him.
+
+And Paddy's thousand attentions could only have been prompted by a
+loving heart. He even grudged every penny that he had to spend on
+himself; and indeed he had often gone hungry that his Peggy might
+have some little comfort.
+
+You see, before she was hurt--before that dreadful day when the heavy
+four-horse team knocked her down and all but crushed the life out of
+her--he used to spend most of his earnings in drink. In fact, to tell
+you the honest truth, he was almost always drunk. And sometimes--it
+makes the tears come into his eyes to think of it now--he used to beat
+her. When he was drunk, you know; never except when liquor had stolen
+his brains.
+
+Well, after she was brought in mangled and bleeding, he was so sorry he
+had ever treated her unkindly that he nearly lost his mind. He prayed
+to God to let her stay with him long enough for him to prove how much he
+really loved her.
+
+Afterwards when she lived, although but a crippled, suffering being, he
+was so afraid that he might forget himself and abuse her again, that he
+never touched a drop of anything stronger than coffee. The poor woman
+used to say that it was worth all the pain, and more, too, to have her
+husband always himself.
+
+Giving up strong drink was not an easy task for him, and he often wanted
+it; but he shunned the society of his drinking friends, and never once
+went where he would be tempted.
+
+He pretended not to hear the children's teasing, but it was only
+pretence. You see, he loved children dearly. He once had two little
+ones of his own, but God took them. For their dear sakes he had tender
+feelings toward all children, and it hurt him that these on Jefferson
+Square should run away from him every time he came near.
+
+He also disliked their name for him; for his real name was Jerry, not
+Paddy at all. He could not help telling his Peggy about it, especially
+when they had been unusually thoughtless and teasing.
+
+It was after one of such times that he said to her: "I think I'll have a
+little speech with 'em. I'll tell 'em that far from wanting to hurt 'em,
+I'll be their friend if they'll let me."
+
+"Do, lovey," replied Mrs. Peggy, "for I'm hatin' to have 'em misjudge
+you."
+
+So the very next day he pretended to be raking and sifting until they
+came nearer and nearer shouting their jibes and their jeers, when he
+quickly turned around and facing them began his speech:
+
+"Don't fear me, chil--" was all the further he got when the rosy cheeks
+became as white as sheets and such scampering and rushing over one
+another you never saw in all your life.
+
+After that it was three whole days before a single one of them was bold
+enough to come even in sight when he was bending over his work, and he
+missed them so that he resolved never to attempt any conversation with
+them again as long as he lived.
+
+
+
+
+CHAPTER IV.
+
+HARD TIMES
+
+
+Things went on in this manner for some time. Then the hot summer was
+over and the green leaves died and fell to the ground with a rustle. All
+the children except the babies started to school. It became too cold to
+play out-of-doors in the afternoon, and soon the days got so short that
+there were no afternoons, and the children forgot it ever had been
+summer at all.
+
+If a body had not already known it, he would never have guessed that the
+row of houses on one side of Jefferson Square contained twenty-eight
+children toasting their toes by blazing fires.
+
+We should say twenty-one, for the entire family of outcasts had moved
+from the square to a more congenial neighbourhood, and Mrs. Paddy lost
+the only friends she had. Instead of the bright faces smiling and
+nodding to her every time they went in or out the front door, an ugly
+white card, with "For Rent" in big black letters, stared at her all day,
+reminding her sadly of the friends who were gone.
+
+[Illustration: "ALL THE CHILDREN EXCEPT THE BABIES STARTED TO SCHOOL."]
+
+Paddy noticed her looking a little forlorn one morning, so he said:
+
+"The cold weather doesn't agree with you, Peggy; there's too much air
+coming through the window cracks. I'll just move your chair away from
+it, and as close to the fire as may be."
+
+He had to leave her alone a great deal those days, for bread was high
+and work scarce. To get either, a man had to start early so as to be
+handy for any odd jobs that came his way.
+
+Peggy was sometimes so lonely that she missed even the naughty children,
+for in summer when they played on the common she could hear their young
+voices and it was company for her. Now all she could see was a bare
+brown waste with never a child in sight.
+
+When Paddy was there bending over his ash heaps she didn't care, for
+every little while he would look up from his work, and wave his hand,
+and that was all she wanted.
+
+Things got very desperate with the Paddys. Money became so scarce that
+they couldn't buy coal, but had to use half-burned cinders from the
+common instead. Peggy declared that they made a "real hot fire," and
+she would joke about their large coal cellar--meaning the common--"that
+never got empty--only fuller and fuller."
+
+Paddy would come in shivering and shaking in his threadbare coat.
+
+"And are you frozen entirely?" she would ask.
+
+And he would answer: "I was mortal cold, but the sight of your gentle
+face has warmed my blood. Faith, it's better than all the fires!"
+
+Whenever the sun came out she would make him take her to the window
+where she could warm herself in its rays. When her husband was working
+at the ash piles she would wave to him.
+
+"On those days," said Paddy, "I always have luck. The people throw out
+more rags, and the cinders are in big lumps and only half burned."
+
+Whenever he made a good find he waved his hand to her, but one day he
+waved both hands and his cap, and she knew he had been unusually
+fortunate.
+
+He came straight in to show her. He had found a big silver dollar. It
+was tarnished and black from the flames, but it was a good one with a
+true ring.
+
+"Whose can it be, I wonder!" exclaimed Peggy.
+
+"If I knew I'd have to take it back," answered Paddy, "but,
+unfortunately, people don't often leave their visiting cards on their
+ash heaps."
+
+This was not all. The very day after he found the dollar, Peggy, from
+her window, saw more frantic waving.
+
+This time it was a silver spoon!
+
+"I can find the owner of that, I'm sure," says Paddy. And he made the
+rounds of all the houses in the neighbourhood to see if they were
+missing any spoons, but nobody claimed it.
+
+Peggy cleaned it and made it shine like new. At first she didn't like to
+use it--it was so beautiful--but her husband persuaded her that as long
+as they couldn't sell it, seeing that the owner might be found some day,
+she had better get the good of it. So she yielded, and declared that
+the soup had an extra richness all on account of the silver.
+
+"It's luck coming our way, dear," says Paddy. "Money in our pockets and
+a silver spoon in our mouths--you'll see."
+
+And it was so; though at first it took such a round-about path--- a
+little way luck has--that they quite mistook it for something else.
+
+
+
+
+CHAPTER V.
+
+PEGGY OVERHEARS A STARTLING CONVERSATION
+
+
+One cold morning in January Paddy built up a good fire, and, putting
+Peggy in her wheel chair, he placed everything in reach that she could
+possibly need.
+
+"I'll not be back before dark, dearie," he said, "for outside of my
+convent work I have a job at the wharf that will keep me all the day."
+With this he kissed her on each pale cheek and on her sweet, patient
+mouth, and left.
+
+The little cottage in which the Paddys lived, you will remember, was on
+the far side of the common. Behind it ran an alley where all sorts of
+people lived,--negroes, beggars, tramps, all of them poor and some of
+them desperate.
+
+Peggy's cottage was at one end of the row, and the convent wall was
+built up close to the side of it, leaving a space just wide enough for
+one person to squeeze through. The walls of the cottage were so thin
+that whenever the children hid in the narrow passage during their play,
+the sick woman inside could hear every word they said--could almost hear
+them breathe.
+
+On the morning in question Peggy was sitting by her fire knitting so
+fast that you could not tell needles from fingers nor fingers from
+needles, when she heard the sound of talking between the cottage and
+the convent wall. She could tell that the speakers were men.
+
+"Now, why have they crept in that narrow crack to talk?" she mused.
+
+A low voice said:
+
+"Are you sure she'll not go back on us?"
+
+Another answered:
+
+"She's safe enough; I've fixed her."
+
+"Listen to me," said the first voice; "you are to bring a bundle to the
+side door at five o'clock. The nurse will let you in, and show you the
+closet under the staircase. There you'll stay until the house is locked
+up and everything settled for the night. After the children are asleep
+and the grown people quieted by the drugged coffee--say when the
+convent bell strikes ten--you will slip out and, unlocking the side
+door, let me in. I have a plan of the house, and know where everything
+of value is kept. We'll get a good, rich pull, and skip."
+
+"You're certain no harm will come from spiking the drink?"
+
+"Not if she obeys orders; it'll give 'em a bully night's rest; that's
+all."
+
+"How'll I know when it's safe to come out?"
+
+"She says if anything happens not down on the books she'll come past
+your hiding-place, and give two taps like this" (tapping). "In that
+case you'll wait till you hear further."
+
+"You'll be there to help, if I get caught? You won't slump?"
+
+"Me? Never! Ain't I always been a man of honour?"
+
+"They say old Morton's mighty game when once roused."
+
+"But he won't be if we can help it; in case he is, and shows fight, why
+then we'll have to----"
+
+The rest of the sentence was lost, and the two men departed.
+
+Poor Mrs. Peggy sat frozen to her chair in terror. What on earth could
+she do! Her husband was gone for the day. There was no chance for his
+return before six o'clock at least.
+
+"Poor, useless body!" she exclaimed, "the neighbours' property in
+danger, their very lives threatened, a traitor in their midst, and me
+sitting here knowing it all, and not able to do anything!"
+
+She was so distressed at her helplessness that tears rolled down her
+thin cheeks. But soon she dried them and said, emphatically:
+
+"There's no avoiding it; I must get word to Mrs. Morton!"
+
+She thought harder than she had ever done before in all her life; then,
+as if answering objections, she said aloud:
+
+"If I can't get anybody to go for me, I will go myself."
+
+She, poor soul, who had never moved unaided for five long years, except
+to turn the wheels of her chair for a few yards in her little narrow
+room!
+
+She rolled herself away from the fire toward the door. With a little
+difficulty she opened it, and peered out. Although she was warmly clad,
+the rush of cold air made her shiver, but she wrapped one of her shawls
+around her head and watched.
+
+No one passed. Twelve o'clock struck. In a few hours it would be too
+late.
+
+[Illustration]
+
+She sighed heavily. "Would it be possible for me to wheel myself over
+the common and across the street? Could I ever reach that great house
+alive?"
+
+She did not think the Mortons' nurse knew her, though she remembered the
+woman distinctly.
+
+Then a new difficulty occurred to her. "Even if I succeed in making the
+journey, can I get private speech with the right persons?"
+
+She hesitated, then she added, bravely:
+
+"Shame on me to think of giving up!" and throwing the door wide open,
+with a mighty effort she pushed her chair over the sill.
+
+It rolled down with a bump and on for a few feet until it was stopped by
+a sharp stone.
+
+It was only several inches from the door to the ground, nevertheless,
+the jar gave her so much pain that she nearly fainted. She lay still for
+some moments, more dead than alive.
+
+"I must go! I have cut off all way of return now. Bumping down that step
+was one thing; getting back would be impossible."
+
+But when she tried to go on, her weakness was so great that she could
+not make any progress. Her chair, wedged against the stone, was
+immovable.
+
+"O God," she prayed, "I don't know what to do now--help me!"
+
+
+
+
+CHAPTER VI.
+
+THE POLICE ARE SUMMONED
+
+
+"Well, Mrs. Myer," exclaimed a bright, chirpy voice right behind her,
+"whoever would have thought of seeing you spry enough to be
+out-of-doors! Won't mother be glad?" and there stood the eldest little
+Outcast, smiling broadly, and holding in her chubby hand a tin bucket,
+that Peggy had seen many a time before.
+
+"You've come just in time, dear heart," said the thankful Peggy. "Do you
+think you could wheel me across the street?"
+
+"Across the street?" reiterated the girl. "Won't it tire you very much?
+Let me go for you."
+
+"I fear you are too little for my business," replied Peggy, and as she
+spoke the words a new idea for accomplishing her purpose entered her
+mind. "Stay, love; I'll tell you what you can do. Take me back to the
+house and you shall hear."
+
+Miss Outcast did her best, and as the burden was not great and the chair
+rolled easily, after some bumping and shoving and pushing, Mrs. Myer
+found herself once more in her own room.
+
+And, as she got her breath, she said: "Have you ever been to the river,
+dearie?"
+
+"Oh, yes," answered the child, "father takes us down there every Sunday.
+We love to stand on the bridge and watch the water dashing against the
+piers. It's such fun; you can't think."
+
+"Could you go there alone?"
+
+"Course I could; what do you want to know for?"
+
+"Jerry is working there to-day, pet, and I have something important to
+tell him. If you can find your way to the mail-boat landing where he is
+helping to load up, and tell him to come to me right away, you'll be
+doing a good action."
+
+"I wonder if mother will scold?"
+
+"Tell her it was my doing, and if she will come hear my reasons she'll
+be satisfied. You'll hurry, won't you, dear?"
+
+Miss Outcast promised, and, after repeating the message several times,
+started briskly off.
+
+The river and the mail-boat were reached without trouble, but to find
+Jerry was another matter. A long stream of porters carrying bags of
+something reached from the wharf to the boat. Their heads were concealed
+by the burden, and their bodies looked so much alike that the child was
+bewildered.
+
+She stood there, frightened and forlorn, almost forgetting why she had
+come, when Jerry himself caught sight of her.
+
+"Why, little one," he exclaimed, dropping his load, and coming toward
+her. "What on earth are you doing here alone?"
+
+Miss Outcast felt happy once more; she beamed on him. "Oh, Jerry, you
+are the very man I came to see; go home just as quick as ever you can
+to your wife."
+
+"Peggy, my Peggy! Is she worse?" and the poor fellow looked the anguish
+he felt.
+
+"I don't b'lieve she's 'zackly worse," said the child, feeling very big
+indeed, "but she's acting queer, and she's got something 'portant on her
+mind and sent me for you."
+
+Jerry waited to hear no more, but, seizing the child's hand, started to
+run. Leaving her in her own street, he hurried on alone.
+
+[Illustration]
+
+His wife was watching for him, trembling and anxious. She was so
+relieved when he appeared that she burst into tears.
+
+He took her frail body in his arms: "Why, Peggy, old girl, what has
+happened? Has anybody been hurting you?"
+
+At these tender words she controlled herself and told him all that
+had occurred.
+
+He was thunderstruck. "The scoundrels!" he muttered. "They surely
+wouldn't dare--but rest easy, love. We'll get ahead of them, never
+fear."
+
+He thought deeply. "The best thing, wife, is not to alarm the ladies,
+but to see Mr. Morton himself. I'll go to him as fast as I can." But
+even in his haste he stopped to replenish the fire, settle Peggy's
+pillows more comfortably, and warm some soup for her.
+
+Then he sought Mr. Morton's office and asked to see him privately.
+
+Mr. Morton sent word that he was busy and did not wish to be disturbed.
+
+"Tell him it's a serious matter," said Jerry.
+
+Upon receiving this message Mr. Morton invited him in, and, closing the
+door of the little private office where he was in the habit of holding
+confidential interviews with his clients, he prepared to listen with a
+bored air.
+
+"I'm Jerry, sir," the visitor began, "Jerry Myer. You may not know me,
+sir, but I know you, and your children--they call me Paddy--'Paddy on
+the Turnpike.'"
+
+"Oh, it's Paddy, is it?" said Morton, remembering.
+
+"Yes, sir; no, sir--that is, it's Jerry, sir."
+
+"Well, Jerry, be quick; what can I do for you this afternoon?"
+
+And Jerry began:
+
+"You see, sir, my wife, being poorly, has to sit all the time indoors.
+Our little cottage is just across the street from your fine house, sir;
+next to the convent wall with only a bit of a passway between; and
+Peggy, she's my wife, overheard two men, hiding there, talking and
+planning as how they would rob you to-night and drug you, and there's
+no telling what else besides."
+
+"How is this?" cried Mr. Morton, "I'm to be robbed and drugged, am I?"
+and the great lawyer looked as if he thought the man was losing his
+wits.
+
+But Jerry began and told a straight tale; told it so circumstantially
+and truthfully that Mr. Morton, forced to believe it, was genuinely
+alarmed.
+
+He immediately summoned the police, and, after a rapid consultation, a
+plan was formed to capture the thieves.
+
+Jerry was to unlock the big iron gates in the convent wall, where the
+coal-carts were in the habit of driving in. Two of the police were to
+hide there, and keep an eye on the house opposite until they saw a
+burglar number one admitted by the traitorous nurse-girl. Then they were
+to return at dark and guard the front of the house, so as to cut off all
+retreat from that direction. Two more of the force were to hide in the
+Mortons' stable, and prevent escape from the rear. Mr. Morton was to
+remain inside to avert suspicion and to give the alarm in case any
+violence was attempted. He was also to practise a little stratagem to
+prevent any of the family from drinking the drugged coffee.
+
+"Don't seem to do anything unusual," counselled the chief. "Go to bed,
+and pretend to sleep. Let them rob you, and when they come out we will
+take care of them and their booty."
+
+"And what am I to do, sir?" asked Jerry.
+
+"You have done enough, man; you go home and stay with your sick wife.
+She will be anxious if we expose you to danger."
+
+You see, the officers wished to put both Mr. Morton and Jerry out of
+the affair, so that they could have all the glory of the capture.
+
+
+
+
+CHAPTER VII.
+
+WHERE WAS PEGGY?
+
+
+When told to go home to his sick wife, Jerry obeyed. But what was his
+surprise, on reaching his tiny cottage, to find the shutters all closed,
+though it was early afternoon, and the front door held fast on the
+outside by two great tenpenny nails.
+
+Where was Peggy? For the nailed door showed that she was not inside.
+To be sure, smoke was still coming out of the chimney, but this was
+accounted for when he remembered the big fire he had built before he
+left. Where, where was Peggy?
+
+Perhaps one of the neighbours had been kind enough to come over and,
+finding her frightened and alone, had wheeled her away. But reflection
+told him that not one of the neighbours had ever been near her except
+the Outcasts, and the discovery of the plot was an absolute secret.
+There would be no occasion for such sudden neighbourliness.
+
+Then Jerry's heart stood still, for he heard a sound like a muffled cry.
+It seemed to come from behind the convent wall; so he crept softly into
+the narrow passageway just as the burglars had done. Here he could see
+without being seen.
+
+At first everything was so still that he thought he must have imagined
+the cry, but soon heard the murmuring sound of voices so low that he
+could not tell whether of men or women.
+
+Jerry was frightened to death. If he alone had been in danger he would
+have been brave, but with his delicate wife away, he knew not where, and
+more conspiracies going on behind the convent wall, he found it hard to
+decide just what he ought to do. Conflicting feelings put him in a sort
+of panic, but he had sense enough left to keep absolutely still.
+
+Before going in search of his wife he must find out what new plan the
+rascals were hatching, so he stood, hardly daring to breathe.
+
+The wind was sharp and keen. It swept across the wide common, whirling
+up the dust, lifting the paper and rags and making them waltz. Ashes
+fell like rain in the narrow passage where Jerry stood. Then a whooping
+gust caught a lot of stuff, and forming a miniature cyclone, headed
+straight for Jerry. Before the poor fellow knew what he was doing, he
+had sneezed three times. The sound reverberated through the close
+passage as if he had blown through a gigantic horn.
+
+Now he was lost! The men must do either one of two things; they might
+think they had been discovered, and run away, but the probability was
+that they would first look over the convent wall to find out who had
+sneezed. And then what?
+
+Jerry seized a large boulder that lay at his feet. Though little and
+old, he had good strength, and the first head that rose over the wall
+meant a cracked skull.
+
+"Jerry, Jerry?" He heard his name whispered by a strange voice. Where
+did the sound come from? Under his very feet.
+
+"Jerry, Jer-ry," a little louder, "where are you?"
+
+"Here behind the wall," whispered Jerry. "Who are you?"
+
+Then there came a sound of steps, a window was raised, a shutter flung
+back.
+
+At this Jerry could stand no more. He left his hiding-place, and strode
+boldly, the big stone in his hand, to the front of his cottage in time
+to see a sturdy leg emerging from his front window.
+
+When the rest of the body followed, the mother of the little Outcasts
+stood before Jerry's astonished eyes.
+
+"For the land's sake! Are you the burglar?" says Jerry.
+
+"For the land's sake, are you?" asked Mrs. Outcast, and both began to
+laugh.
+
+"And where's Peggy?" says Jerry.
+
+"Inside with chattering teeth for fear of the men hid between the
+walls."
+
+"How, when, what!" exclaimed the bewildered man.
+
+"Stop talking, man, and come to your scared wife."
+
+"I'm not scared now that I know who's there," piped a weak voice. "Come
+in right away out of the cold."
+
+"And is it by the door or by the window ye'll have me enter, Missis
+Myer?" asked Jerry. And with that he took out the two tenpenny nails
+with his fingers just as easy as if they had been put in by women.
+
+[Illustration: "A STURDY LEG EMERGING FROM HIS FRONT WINDOW."]
+
+"Wait till I unlock," said Mrs. Outcast, as she climbed back, and
+presently the key turned, and Jerry was allowed to enter.
+
+"And now, perhaps," said he, after he had kissed his wife, "ye'll be
+kind enough to tell me what it all means, for I'll be switched if I
+understand a word of it!"
+
+Mrs. Outcast explained: "When Mimy came home with her story I felt in my
+bones that something was wrong, so I came as fast as I could to help. I
+found this little body scared to death, and you gone for no knowing how
+long. When she told her story I felt real uneasy myself, and wanted to
+take her home with me where she'd be safe. But she was faint-like, and
+besides she said she did not want you to come back and find her gone.
+Heaven knows where."
+
+Jerry pretended to cough behind his hand.
+
+"But two women alone," continued Mrs. Outcast, "are not apt to be
+exactly quiet in their minds when burglars are about, so I suggested
+that we shut up the house as if no one were living here, and to make it
+seem more natural like, I put two nails in the door, and climbed in by
+the window."
+
+"Wasn't it a smart trick?" asked Peggy, admiringly.
+
+"The smartest I ever knew," answered Jerry, promptly. "But how was I to
+get in?"
+
+"Oh, we were listening," said Peggy. "Don't you fear. We thought you
+would try the door and call, when we would know your voice and let you
+in."
+
+"Instead of which, you hid, and made us think them burglars had come
+back sure enough," said Mrs. Outcast.
+
+"And you screamed and whispered, and made me think them burglars were
+hurting Peggy."
+
+And at this all three laughed until the tears rolled down their cheeks.
+
+Peggy was the first to quiet down. "But tell us, love, what Mr. Morton
+said?"
+
+And Jerry unfolded all the plan--not without first going out-doors,
+and looking carefully all around his little cottage to see if any
+eavesdroppers were in hiding. When he concluded by repeating Mr.
+Morton's order to go home and stay with his sick wife, both women
+exclaimed in a breath:
+
+"What a nice, sensible gentleman Mr. Morton is!"
+
+
+
+
+CHAPTER VIII.
+
+LUCK IN DISGUISE
+
+
+But it was not Jerry's way to bide at home when such a dangerous
+adventure was afoot. The more he thought of it the more he was convinced
+he might be needed.
+
+"Suppose there should be three of them burglars instead of two, and one
+of our men was to get hurt; it would be a battle with odds and maybe
+escape for the rogues. No--I won't get shoved aside; I'll disobey
+orders, and play a game of my own."
+
+Then the little man stationed himself behind the window-blind, although
+it was a good two hours before the time set by the thieves. It was well
+he did so, for at half-past four a man with a bundle rang the door-bell
+at the side entrance of the Morton house.
+
+"He's ahead of time," said Jerry. "I wonder if them p'lices are behind
+the convent gate?"
+
+The nurse-girl opened the door so quickly that she had evidently been
+on the watch. The man slipped in, and Jerry noted that he was big and
+brawny.
+
+"It's going to be a mean job to tackle that fellow," he thought. Then
+he went to a pile of things in a corner, and selected a stout hickory
+stick.
+
+He watched awhile longer, but nothing else happened. It grew dark. He
+kissed Peggy, who held him tight a moment, looked into his eyes
+lovingly, but did not protest or cry, as some wives would have done. He
+waved his hand as he left the door, and, keeping close to the convent
+wall, crossed the common. Into the Mortons' gate he slipped, and before
+anyone could say "Jack Robinson" he had crept under the steps of the
+side entrance.
+
+He carried his good stick.
+
+"They'll have pistols sure, and knives maybe, but give me a good whack
+with this at close range, and I'll beat 'em, pistols and all."
+
+His position was cramped and uncomfortable, but he did not care. He
+crouched into as small a space as possible. The time seemed long, but
+he never thought of giving up; he was there to stay.
+
+The convent bell tolled the hours: eight, nine, ten. Then a step, soft
+and slow on the pavement, and he saw two feet. Another step as noiseless
+as a wild beast's; and he saw two more feet.
+
+Jerry was right. There were three men instead of two--one inside, two
+out.
+
+Presently came whispered words too low for him to catch, and he heard a
+bolt cautiously slipped.
+
+One pair of feet disappeared; the other pair remained. This fellow on
+the outside would prevent the police from surprising the two within.
+Should Jerry tackle the watching burglar now or wait?
+
+"I wonder how many more of them there are?" thought Jerry, as he took
+firm hold of his club, and eyed the waiting feet, scarcely daring to
+breathe.
+
+In the meantime, the police stationed back and front had seen the two
+men arrive and one enter; but, not having reached the convent gate early
+enough, they did not know that a third man was within. They kept guard
+and thought they had a sure thing of nabbing the burglars as they
+emerged with their spoils.
+
+Then suddenly the stillness of the hour was broken by the loud report
+of a pistol not half a square away. All the policemen rushed in the
+direction of the sound, and saw a man fleeing in the distance. Two of
+them pursued him, blowing their whistles as they ran. The other two
+stopped to argue whether they had better help their comrades or return
+to their former hiding-place.
+
+But while they talked an exciting scene had occurred. As soon as the
+shot was fired the thief on the outside made a break for the gate. Jerry
+started after him, but the rogue jumped the fence, and ran off, so, not
+to waste time in a fruitless chase, the crooked little old man turned
+back to find himself confronted by two more fugitives. For the shot on
+the outside was a prearranged warning of danger, and as soon as the
+burglars on the inside heard it, they rushed from the house with their
+booty.
+
+They, too, were about to jump the fence when Jerry, wondering what the
+police were doing, and desperate at the idea of all three of the
+rascals eluding them, sprang at them brandishing his club and yelling
+like a dozen Comanche Indians.
+
+At the same time Mr. Morton appeared at the door with a shot-gun, and
+the burglars, thinking they had twenty foes instead of two, began a
+fight for life.
+
+Mr. Morton stood framed in the doorway with a bright light behind him.
+The man nearest Jerry, the same strapping fellow who had entered in the
+afternoon, raised his arm, and there was a flash of metal as he took
+steady aim at Mr. Morton's breast. Another instant, and ten little
+children would have been fatherless; but a resounding whack from a
+hickory stick sent a shot into the air, and the hand that held the
+pistol dropped, nerveless. The would-be murderer tottered a few steps,
+then fell in a heap on the grass.
+
+The remaining burglar, seeing that the game was up, dropped his plunder,
+and started to run. But, as luck would have it, he ran straight into the
+arms of the two policemen, who were returning to the spot they ought
+never to have quitted; and the policemen, not being able to get away,
+could not help making him their prisoner.
+
+The same luck befriended the other two officers; for, coming back from
+a fruitless chase of the man who had fired the decoying shot, they
+fortunately were in time to capture the man who had jumped the fence,
+and were heroes among their fellows for nine days after.
+
+The commotion had roused the whole neighbourhood. Windows were raised by
+frightened women, and half-dressed men ran into the street. Lights were
+quickly brought, and an excited crowd gathered round the prisoners,
+talking and asking a thousand questions.
+
+The two men were handcuffed, and were about being carried off when a
+dark object on the grass attracted attention. A man, alive but unable to
+move. "Who is he?" "How did he get there?" Everybody surprised excepting
+Jerry.
+
+"I beg your pardon, sirs," said the old fellow. "Please excuse me,
+sirs,"--turning humbly from one to another,--"but I had to do it. He was
+going to shoot, and I couldn't stand that, sirs, so I just tapped him a
+bit with my friendly stick."
+
+"And that isn't half," interrupted Mr. Morton. "If it had not been for
+the stout arm of this brave old man I would be dead. See that pistol on
+the ground? It was aimed at me when Jerry's club knocked the breath out
+of the scoundrel lying beside it."
+
+[Illustration]
+
+While her husband was speaking, Mrs. Morton had appeared, and, on
+hearing his words, she went up to the crooked little man. Around his
+tanned and wrinkled neck went her white arms, and with the tears
+streaming she sobbed:
+
+"You brave, brave soldier! His children and their mother will love and
+bless you as long as they live!"
+
+Jerry was so ashamed that he knew not where to look when, fortunately,
+the patrol wagon drove up, and the public attention was diverted by the
+removal of the wounded man and the prisoners to jail. He seized the
+opportunity to escape, and hurried across the common to his little
+cottage.
+
+There his Peggy awaited him. In those arms he was never ashamed; to her
+he was always a hero; and as, listening to his story, she gazed at him
+with eyes overflowing with tenderness, he felt that the earth could not
+contain a happier man than Jerry Myer.
+
+
+
+
+CHAPTER IX.
+
+PADDY MAKES THE EFFORT OF HIS LIFE
+
+
+To make up for lost time Jerry hurried early to his work the next
+morning. He had finished his duties at the convent, and was on his way
+to the wharf when he met Mr. Morton, who stopped to shake hands and
+inquire how Peggy had stood the fright. Naturally they talked over the
+night's adventure.
+
+Mr. Morton had several items of news, for the nurse had been arrested,
+and had made a full confession. If successful, the robbery was to have
+been the prelude for more in the same neighbourhood. It had been
+carefully planned by a gang of professional thieves. The pistol-shot
+had been fired by a confederate not only to inform the burglars that
+they had been discovered, but to decoy the police from the scene of
+action so that the thieves could make their escape.
+
+"They did not count on your big stick, Jerry. Had it not been for you,
+every man of them would have gotten away."
+
+"Sure they wouldn't, sir. Some of them would have been caught. But them
+p'lices are curious creeters. Now if I already had as many thieves on my
+hands as I could well look after, it never would have entered my head to
+go on a wild-goose chase after others. There's no accountin' for them
+p'lices' minds, anyway. And as for their bodies--well, did you ever see
+one that was not that fat that any thief at all couldn't outrun?"
+
+Mr. Morton laughed. "I suppose they get them that way so they will stay
+where they are put."
+
+"And so they can't run away from the thieves," added Jerry. "Now for all
+that I'm crooked, being thin, I'm nimble."
+
+"Indeed you are; and furthermore, you have such good judgment that you
+saved the battle last night."
+
+"I didn't mean that," cried Jerry, in distress and embarrassment.
+"Nobody could have done any less than I did."
+
+"You mean any more, man. To my dying day I shall never forget what I
+owe you nor the sound of the whack of that stick. But, see here, Jerry,
+you are not going to the wharf to-day?"
+
+"Please, sir, I have to."
+
+"No, you don't. You are getting old, and ought not to work so hard. My
+wife and I have been making inquiries, and we know all about you and
+your sick wife. How would you like to be janitor in the building where
+I have my office?"
+
+"I'd like it, sir, if you think I'd suit. Are they needing a new man?"
+
+"I heard only yesterday the present man had given notice, and I promised
+to be on the lookout for a new one. I think the place would suit you,
+and you it--it pays a fair salary." And here Mr. Morton named a sum that
+seemed so large to poor Jerry that his eyes nearly popped out of his
+head.
+
+"Ah, I never could be worth all that, sir! But what a great thing it
+would be for Peggy!" And visions of unburnt coal in large lumps and real
+feather pillows and other luxuries for his suffering wife passed through
+his mind.
+
+"I am sure you can fill the position admirably, and the salary is not
+half so large as you deserve. Come along and we will apply without loss
+of time."
+
+Applying was a mere form, as Mr. Morton's recommendation was enough. The
+new janitor was engaged, and promised to enter upon his duties as soon
+as the convent could find a man to take his place.
+
+Before this happened, Jefferson Square experienced a complete upsetting.
+All the children were summoned to meet in Mrs. Morton's long
+drawing-room, and came trooping to see what was wanted: the Earlys, the
+Rickersons, the Bakers, the Longs, the Adamses, the Morton children
+themselves, and, last of all, Mrs. Outcast with Mimy and the six other
+little Outcasts trailing behind. You may be sure none of them were late.
+
+The curiosity of the children was roused to its highest pitch. They
+couldn't imagine what kind of a party it was going to be with chairs in
+rows like church. And when they were all seated Mrs. Morton looked so
+serious, that Addy Gravvy whispered to his neighbour, "I know--it's a
+funeral."
+
+Then Mrs. Morton made them a long speech. She told a story of a worthy
+old man working from morning till night to provide the barest
+necessities for his sick wife; she told of that wife's patience, of her
+cruel accident and suffering, of her devotion to her husband; she
+repeated the story of the way both of them had risked their lives to
+save the property of neighbours who barely knew of their existence. Then
+she drew a picture of twenty-one thoughtless little imps, jibing and
+jeering the hardworking man who was worth all the rest of the square put
+together--fathers and mothers included--and by the time she reached this
+point all twenty-one of the imps, and seven others who were not imps,
+were boohooing and bellowing in a way that was a caution.
+
+"What are we going to do about it, children?" asked Mrs. Morton.
+
+Each was for making amends in some way, and all blubbered out at once,
+but one--I think it was Henry Clay--cried louder than the rest:
+
+"Le's go over, and tell 'em how sorry we are, and how we'll never make
+fun of him again as long as we live."
+
+This sentiment met with enthusiastic approval, and they were all for
+rushing to the cottage in a body when Mrs. Morton stopped them.
+
+"Wait, children; it would never do to startle the invalid with such a
+crowd. One of you must first go and ask Mrs. Myer when it will be
+convenient for her to see us. Who shall it be?"
+
+And strange to say, every chick and child called out the same name right
+away. Can you guess whose it was?
+
+Little Miss Outcast.
+
+In a short time Mimy returned with the word that Mrs. Myer would love to
+see the children at any and all times, but they must be sure to come
+while Jerry was at home, as he would be so pleased.
+
+"An' I didn't tell her a word of what we are going to say," reported
+Mimy.
+
+The time was discussed, and the following day at noon was selected. Then
+some highly important arrangements were made; and after every last one
+had been pledged to secrecy the meeting adjourned.
+
+During the next twenty-four hours Jefferson Square resembled an ant-hill
+after a big boy has trod on it. Such rushing around and talking in
+excited groups; such goings out and comings in; such wagons colliding at
+front doors leaving bulky parcels; such errand boys breathless with
+carrying huge bundles! The like was never seen before.
+
+Mrs. Myer from her window across the common did not know what to make of
+it. She thought at first that every one of her rich neighbours must be
+going to give a party; though after reflection she decided that this
+could not be, for if all of them were having parties, who would be left
+to come to them? She was very much at sea.
+
+As the silver tones of the convent bell said it was twelve o'clock, a
+gay procession formed on the sidewalk in front of the Mortons'. First
+came the little children, and each carried something: shoes, stockings,
+socks, flannels--all of the very best quality. Next came the
+middle-sized ones with blankets, sheets, and real feather pillows. Then
+the biggest ones with china, glass, earthenware, and all such things.
+After them followed the nurses, carrying the babies, and each baby had a
+gold coin clasped tight in its little fat hand. Then the mothers, trying
+to keep the gang in order, brought dresses, shawls, and warm winter
+clothes. The children wore their best clothes and their freshest
+ribbons, and could not keep in place for a single minute.
+
+[Illustration: "AFTER THEM FOLLOWED THE NURSES, CARRYING THE BABIES."]
+
+The weather was built on purpose. It had been winter and it was going to
+be winter, but somehow one little spring day, balmy and fine, slipped in
+for the occasion. The poor people around got wind of the affair, and
+streamed over the common. Even the Penitents climbed the back wall of
+the convent and sat on top of the broken bottles to see the show. Only
+the nuns went on as if nothing were happening--telling their beads and
+singing their Ave Marias in ignorance of worldly events, as all good
+nuns should be.
+
+Then Mrs. Morton gave the signal, and the children clasped hands, and
+marched across the common, singing at the tops of their lungs. To Peggy
+and Jerry, drawn to the window by the commotion, it was the sweetest
+sound they had ever heard since the voices of their dear little babes
+had been hushed.
+
+Nearer and nearer they came, the little Outcasts, in the post of honour,
+leading. They did not have anything to be sorry for, but everybody
+wanted them and they wanted to come. They crowded into the door of the
+cottage, and nearly buried the aged couple with gifts,--all of them
+talking at once.
+
+Each child came up and, shaking the worthy couple by the hand, promised
+never to be thoughtless and wicked again.
+
+After this ceremony, Jerry, overcoming his shyness, made the effort of
+his life. He thanked the children and their parents in a speech that
+Peggy afterward described as being "just too beautiful, winding up as it
+did with real poetry made up mostly from his own head."
+
+And she told the truth. The old fellow had a roguish twinkle in his gray
+eye as, pointing to the piles of blankets and pillows, he said:
+
+ "Though Paddy on the Turnpike
+ Could never count eleven,
+ When children all brought feather beds
+ He an' Peggy tho't they was in Heaven."
+
+THE END.
+
+
+
+
+COSY CORNER SERIES
+
+
+It is the intention of the publishers that this series shall contain
+only the very highest and purest literature,--stories that shall not
+only appeal to the children themselves, but be appreciated by all those
+who feel with them in their joys and sorrows,--stories that shall be
+most particularly adapted for reading aloud in the family circle.
+
+The numerous illustrations in each book are by well-known artists, and
+each volume has a separate attractive cover design.
+
+Each, 1 vol., 16mo, cloth $0.50
+
+
+
+
+_By ANNIE FELLOWS JOHNSTON_
+
+
+The Little Colonel.
+
+The scene of this story is laid in Kentucky. Its heroine is a small
+girl, who is known as the Little Colonel, on account of her fancied
+resemblance to an old-school Southern gentleman, whose fine estate and
+old family are famous in the region. This old Colonel proves to be the
+grandfather of the child.
+
+
+The Giant Scissors.
+
+This is the story of Joyce and of her adventures in France,--the
+wonderful house with the gate of The Giant Scissors, Jules, her little
+playmate, Sister Denisa, the cruel Brossard, and her dear Aunt Kate.
+Joyce is a great friend of the Little Colonel, and in later volumes
+shares with her the delightful experiences of the "House Party" and the
+"Holidays."
+
+
+Two Little Knights of Kentucky,
+WHO WERE THE LITTLE COLONEL'S NEIGHBORS.
+
+In this volume the Little Colonel returns to us like an old friend, but
+with added grace and charm. She is not, however, the central figure of
+the story, that place being taken by the "two little knights," Malcolm
+and Keith, little Southern aristocrats, whose chivalrous natures lead
+them through a series of interesting adventures.
+
+
+Cicely and Other Stories for Girls.
+
+The readers of Mrs. Johnston's charming juveniles will be glad to learn
+of the issue of this volume for young people, written, in the author's
+sympathetic and entertaining manner.
+
+
+Big Brother.
+
+A story of two boys. The devotion and care of Steven, himself a small
+boy, for his baby brother, is the theme of the simple tale, the pathos
+and beauty of which has appealed to so many thousands.
+
+
+Ole Mammy's Torment.
+
+"Ole Mammy's Torment" has been fitly called "a classic of Southern
+life." It relates the haps and mishaps of a small negro lad, and tells
+how he was led by love and kindness to a knowledge of the right.
+
+
+The Story of Dago.
+
+In this story Mrs. Johnston relates the story of Dago, a pet monkey,
+owned jointly by two brothers. Dago tells his own story, and the account
+of his haps and mishaps is both interesting and amusing.
+
+
+
+
+_By EDITH ROBINSON_
+
+
+A Little Puritan's First Christmas:
+A STORY OF COLONIAL TIMES IN BOSTON.
+
+A story of Colonial times in Boston, telling how Christmas was invented
+by Betty Sewall, a typical child of the Puritans, aided by her
+"unregenerate" brother, Sam.
+
+
+A Little Daughter of Liberty.
+
+The author's motive for this story is well indicated by a quotation from
+her introduction, as follows:
+
+"One ride is memorable in the early history of the American Revolution,
+the well-known ride of Paul Revere. Equally deserving of commendation is
+another ride,--untold in verse or story, its records preserved only in
+family papers or shadowy legend, the ride of Anthony Severn was no less
+historic in its action or memorable in its consequences."
+
+
+A Loyal Little Maid.
+
+A delightful and interesting story of Revolutionary days, in which the
+child heroine, Betsey Schuyler, renders important services to George
+Washington and Alexander Hamilton, and in the end becomes the wife of
+the latter.
+
+
+A Little Puritan Rebel.
+
+Like Miss Robinson's successful story of "A Loyal Little Maid," this is
+another historical tale of a real girl, during the time when the gallant
+Sir Harry Vane was governor of Massachusetts.
+
+
+A Little Puritan Pioneer.
+
+The scene of this story is laid in the Puritan settlement at
+Charlestown. The little girl heroine adds another to the list of
+favorites so well known to the young people in "A Little Puritan Rebel,"
+etc.
+
+
+
+
+_By OUIDA (Louise de la Ramée)_
+
+
+A Dog of Flanders: A CHRISTMAS STORY.
+
+Too well and favorably known to require description.
+
+
+The Nürnberg Stove.
+
+This beautiful story has never before been published at a popular price.
+
+
+A Provence Rose.
+
+A story perfect in sweetness and in grace.
+
+
+Findelkind.
+
+A charming story about a little Swiss herdsman.
+
+
+
+
+_By MISS MULOCK_
+
+
+The Little Lame Prince.
+
+A delightful story of a little boy who has many adventures by means of
+the magic gifts of his fairy godmother.
+
+
+Adventures of a Brownie.
+
+The story of a household elf who torments the cook and gardener, but is
+a constant joy and delight to the children who love and trust him.
+
+
+His Little Mother.
+
+Miss Mulock's short stories for children are a constant source of
+delight to them, and "His Little Mother," in this new and attractive
+dress, will be welcomed by hosts of youthful readers.
+
+
+Little Sunshine's Holiday.
+
+An attractive story of a summer outing. "Little Sunshine" is another of
+those beautiful child-characters for which Miss Mulock is so justly
+famous.
+
+
+
+
+
+End of the Project Gutenberg EBook of Jerry's Reward, by Evelyn Snead Barnett
+
+*** END OF THIS PROJECT GUTENBERG EBOOK JERRY'S REWARD ***
+
+***** This file should be named 20862-8.txt or 20862-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/0/8/6/20862/
+
+Produced by David Garcia, Jacqueline Jeremy and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/20862-8.zip b/old/20862-8.zip
new file mode 100644
index 0000000..fe5dfc3
--- /dev/null
+++ b/old/20862-8.zip
Binary files differ
diff --git a/old/20862-page-images/f001.png b/old/20862-page-images/f001.png
new file mode 100644
index 0000000..11a968b
--- /dev/null
+++ b/old/20862-page-images/f001.png
Binary files differ
diff --git a/old/20862-page-images/f002.png b/old/20862-page-images/f002.png
new file mode 100644
index 0000000..bf7e524
--- /dev/null
+++ b/old/20862-page-images/f002.png
Binary files differ
diff --git a/old/20862-page-images/f003.png b/old/20862-page-images/f003.png
new file mode 100644
index 0000000..974054e
--- /dev/null
+++ b/old/20862-page-images/f003.png
Binary files differ
diff --git a/old/20862-page-images/f004.png b/old/20862-page-images/f004.png
new file mode 100644
index 0000000..c54646c
--- /dev/null
+++ b/old/20862-page-images/f004.png
Binary files differ
diff --git a/old/20862-page-images/f005.png b/old/20862-page-images/f005.png
new file mode 100644
index 0000000..60782f8
--- /dev/null
+++ b/old/20862-page-images/f005.png
Binary files differ
diff --git a/old/20862-page-images/f006.png b/old/20862-page-images/f006.png
new file mode 100644
index 0000000..6c65c63
--- /dev/null
+++ b/old/20862-page-images/f006.png
Binary files differ
diff --git a/old/20862-page-images/p011.png b/old/20862-page-images/p011.png
new file mode 100644
index 0000000..9b5a798
--- /dev/null
+++ b/old/20862-page-images/p011.png
Binary files differ
diff --git a/old/20862-page-images/p012.png b/old/20862-page-images/p012.png
new file mode 100644
index 0000000..d00f52f
--- /dev/null
+++ b/old/20862-page-images/p012.png
Binary files differ
diff --git a/old/20862-page-images/p013.png b/old/20862-page-images/p013.png
new file mode 100644
index 0000000..0fe720a
--- /dev/null
+++ b/old/20862-page-images/p013.png
Binary files differ
diff --git a/old/20862-page-images/p014.png b/old/20862-page-images/p014.png
new file mode 100644
index 0000000..c690991
--- /dev/null
+++ b/old/20862-page-images/p014.png
Binary files differ
diff --git a/old/20862-page-images/p015.png b/old/20862-page-images/p015.png
new file mode 100644
index 0000000..a9ca1c9
--- /dev/null
+++ b/old/20862-page-images/p015.png
Binary files differ
diff --git a/old/20862-page-images/p016.png b/old/20862-page-images/p016.png
new file mode 100644
index 0000000..9f5f754
--- /dev/null
+++ b/old/20862-page-images/p016.png
Binary files differ
diff --git a/old/20862-page-images/p017.png b/old/20862-page-images/p017.png
new file mode 100644
index 0000000..23f7040
--- /dev/null
+++ b/old/20862-page-images/p017.png
Binary files differ
diff --git a/old/20862-page-images/p018.png b/old/20862-page-images/p018.png
new file mode 100644
index 0000000..3210d25
--- /dev/null
+++ b/old/20862-page-images/p018.png
Binary files differ
diff --git a/old/20862-page-images/p019.png b/old/20862-page-images/p019.png
new file mode 100644
index 0000000..c59e453
--- /dev/null
+++ b/old/20862-page-images/p019.png
Binary files differ
diff --git a/old/20862-page-images/p021.png b/old/20862-page-images/p021.png
new file mode 100644
index 0000000..148467c
--- /dev/null
+++ b/old/20862-page-images/p021.png
Binary files differ
diff --git a/old/20862-page-images/p022.png b/old/20862-page-images/p022.png
new file mode 100644
index 0000000..41260dd
--- /dev/null
+++ b/old/20862-page-images/p022.png
Binary files differ
diff --git a/old/20862-page-images/p023.png b/old/20862-page-images/p023.png
new file mode 100644
index 0000000..38424de
--- /dev/null
+++ b/old/20862-page-images/p023.png
Binary files differ
diff --git a/old/20862-page-images/p024-image.png b/old/20862-page-images/p024-image.png
new file mode 100644
index 0000000..4de9e41
--- /dev/null
+++ b/old/20862-page-images/p024-image.png
Binary files differ
diff --git a/old/20862-page-images/p024.png b/old/20862-page-images/p024.png
new file mode 100644
index 0000000..b0f4cee
--- /dev/null
+++ b/old/20862-page-images/p024.png
Binary files differ
diff --git a/old/20862-page-images/p025.png b/old/20862-page-images/p025.png
new file mode 100644
index 0000000..686b668
--- /dev/null
+++ b/old/20862-page-images/p025.png
Binary files differ
diff --git a/old/20862-page-images/p026.png b/old/20862-page-images/p026.png
new file mode 100644
index 0000000..5b44c15
--- /dev/null
+++ b/old/20862-page-images/p026.png
Binary files differ
diff --git a/old/20862-page-images/p027.png b/old/20862-page-images/p027.png
new file mode 100644
index 0000000..2a177f2
--- /dev/null
+++ b/old/20862-page-images/p027.png
Binary files differ
diff --git a/old/20862-page-images/p028.png b/old/20862-page-images/p028.png
new file mode 100644
index 0000000..eea76f6
--- /dev/null
+++ b/old/20862-page-images/p028.png
Binary files differ
diff --git a/old/20862-page-images/p029.png b/old/20862-page-images/p029.png
new file mode 100644
index 0000000..e11e2ee
--- /dev/null
+++ b/old/20862-page-images/p029.png
Binary files differ
diff --git a/old/20862-page-images/p031.png b/old/20862-page-images/p031.png
new file mode 100644
index 0000000..490ae37
--- /dev/null
+++ b/old/20862-page-images/p031.png
Binary files differ
diff --git a/old/20862-page-images/p032.png b/old/20862-page-images/p032.png
new file mode 100644
index 0000000..c28b334
--- /dev/null
+++ b/old/20862-page-images/p032.png
Binary files differ
diff --git a/old/20862-page-images/p033.png b/old/20862-page-images/p033.png
new file mode 100644
index 0000000..7a2370b
--- /dev/null
+++ b/old/20862-page-images/p033.png
Binary files differ
diff --git a/old/20862-page-images/p034.png b/old/20862-page-images/p034.png
new file mode 100644
index 0000000..a5b0f24
--- /dev/null
+++ b/old/20862-page-images/p034.png
Binary files differ
diff --git a/old/20862-page-images/p035.png b/old/20862-page-images/p035.png
new file mode 100644
index 0000000..06d0cd5
--- /dev/null
+++ b/old/20862-page-images/p035.png
Binary files differ
diff --git a/old/20862-page-images/p036.png b/old/20862-page-images/p036.png
new file mode 100644
index 0000000..eab64bd
--- /dev/null
+++ b/old/20862-page-images/p036.png
Binary files differ
diff --git a/old/20862-page-images/p037.png b/old/20862-page-images/p037.png
new file mode 100644
index 0000000..5f815ad
--- /dev/null
+++ b/old/20862-page-images/p037.png
Binary files differ
diff --git a/old/20862-page-images/p038.png b/old/20862-page-images/p038.png
new file mode 100644
index 0000000..c80a361
--- /dev/null
+++ b/old/20862-page-images/p038.png
Binary files differ
diff --git a/old/20862-page-images/p039-image.png b/old/20862-page-images/p039-image.png
new file mode 100644
index 0000000..37d9d4b
--- /dev/null
+++ b/old/20862-page-images/p039-image.png
Binary files differ
diff --git a/old/20862-page-images/p039.png b/old/20862-page-images/p039.png
new file mode 100644
index 0000000..ca99193
--- /dev/null
+++ b/old/20862-page-images/p039.png
Binary files differ
diff --git a/old/20862-page-images/p040.png b/old/20862-page-images/p040.png
new file mode 100644
index 0000000..02dc43c
--- /dev/null
+++ b/old/20862-page-images/p040.png
Binary files differ
diff --git a/old/20862-page-images/p041.png b/old/20862-page-images/p041.png
new file mode 100644
index 0000000..c1494b7
--- /dev/null
+++ b/old/20862-page-images/p041.png
Binary files differ
diff --git a/old/20862-page-images/p042.png b/old/20862-page-images/p042.png
new file mode 100644
index 0000000..8af3c5a
--- /dev/null
+++ b/old/20862-page-images/p042.png
Binary files differ
diff --git a/old/20862-page-images/p043.png b/old/20862-page-images/p043.png
new file mode 100644
index 0000000..a7c0c62
--- /dev/null
+++ b/old/20862-page-images/p043.png
Binary files differ
diff --git a/old/20862-page-images/p044-image.png b/old/20862-page-images/p044-image.png
new file mode 100644
index 0000000..3cce9dc
--- /dev/null
+++ b/old/20862-page-images/p044-image.png
Binary files differ
diff --git a/old/20862-page-images/p044.png b/old/20862-page-images/p044.png
new file mode 100644
index 0000000..59b4868
--- /dev/null
+++ b/old/20862-page-images/p044.png
Binary files differ
diff --git a/old/20862-page-images/p045.png b/old/20862-page-images/p045.png
new file mode 100644
index 0000000..5839a03
--- /dev/null
+++ b/old/20862-page-images/p045.png
Binary files differ
diff --git a/old/20862-page-images/p046.png b/old/20862-page-images/p046.png
new file mode 100644
index 0000000..bae4601
--- /dev/null
+++ b/old/20862-page-images/p046.png
Binary files differ
diff --git a/old/20862-page-images/p047.png b/old/20862-page-images/p047.png
new file mode 100644
index 0000000..9b2e2d8
--- /dev/null
+++ b/old/20862-page-images/p047.png
Binary files differ
diff --git a/old/20862-page-images/p048.png b/old/20862-page-images/p048.png
new file mode 100644
index 0000000..d0a8382
--- /dev/null
+++ b/old/20862-page-images/p048.png
Binary files differ
diff --git a/old/20862-page-images/p049.png b/old/20862-page-images/p049.png
new file mode 100644
index 0000000..90308c9
--- /dev/null
+++ b/old/20862-page-images/p049.png
Binary files differ
diff --git a/old/20862-page-images/p050.png b/old/20862-page-images/p050.png
new file mode 100644
index 0000000..0539c67
--- /dev/null
+++ b/old/20862-page-images/p050.png
Binary files differ
diff --git a/old/20862-page-images/p051.png b/old/20862-page-images/p051.png
new file mode 100644
index 0000000..58c2687
--- /dev/null
+++ b/old/20862-page-images/p051.png
Binary files differ
diff --git a/old/20862-page-images/p052.png b/old/20862-page-images/p052.png
new file mode 100644
index 0000000..29fbbfd
--- /dev/null
+++ b/old/20862-page-images/p052.png
Binary files differ
diff --git a/old/20862-page-images/p053.png b/old/20862-page-images/p053.png
new file mode 100644
index 0000000..2293209
--- /dev/null
+++ b/old/20862-page-images/p053.png
Binary files differ
diff --git a/old/20862-page-images/p055.png b/old/20862-page-images/p055.png
new file mode 100644
index 0000000..62f433b
--- /dev/null
+++ b/old/20862-page-images/p055.png
Binary files differ
diff --git a/old/20862-page-images/p056.png b/old/20862-page-images/p056.png
new file mode 100644
index 0000000..5dc11a0
--- /dev/null
+++ b/old/20862-page-images/p056.png
Binary files differ
diff --git a/old/20862-page-images/p057.png b/old/20862-page-images/p057.png
new file mode 100644
index 0000000..2ea77b0
--- /dev/null
+++ b/old/20862-page-images/p057.png
Binary files differ
diff --git a/old/20862-page-images/p058.png b/old/20862-page-images/p058.png
new file mode 100644
index 0000000..885f8f6
--- /dev/null
+++ b/old/20862-page-images/p058.png
Binary files differ
diff --git a/old/20862-page-images/p059.png b/old/20862-page-images/p059.png
new file mode 100644
index 0000000..5579413
--- /dev/null
+++ b/old/20862-page-images/p059.png
Binary files differ
diff --git a/old/20862-page-images/p060.png b/old/20862-page-images/p060.png
new file mode 100644
index 0000000..50f3333
--- /dev/null
+++ b/old/20862-page-images/p060.png
Binary files differ
diff --git a/old/20862-page-images/p061.png b/old/20862-page-images/p061.png
new file mode 100644
index 0000000..2f17082
--- /dev/null
+++ b/old/20862-page-images/p061.png
Binary files differ
diff --git a/old/20862-page-images/p062.png b/old/20862-page-images/p062.png
new file mode 100644
index 0000000..62a9ecc
--- /dev/null
+++ b/old/20862-page-images/p062.png
Binary files differ
diff --git a/old/20862-page-images/p063.png b/old/20862-page-images/p063.png
new file mode 100644
index 0000000..66b1221
--- /dev/null
+++ b/old/20862-page-images/p063.png
Binary files differ
diff --git a/old/20862-page-images/p064-image.png b/old/20862-page-images/p064-image.png
new file mode 100644
index 0000000..fcd8fa5
--- /dev/null
+++ b/old/20862-page-images/p064-image.png
Binary files differ
diff --git a/old/20862-page-images/p064.png b/old/20862-page-images/p064.png
new file mode 100644
index 0000000..ac28497
--- /dev/null
+++ b/old/20862-page-images/p064.png
Binary files differ
diff --git a/old/20862-page-images/p065.png b/old/20862-page-images/p065.png
new file mode 100644
index 0000000..8e9fb72
--- /dev/null
+++ b/old/20862-page-images/p065.png
Binary files differ
diff --git a/old/20862-page-images/p066.png b/old/20862-page-images/p066.png
new file mode 100644
index 0000000..1b64af8
--- /dev/null
+++ b/old/20862-page-images/p066.png
Binary files differ
diff --git a/old/20862-page-images/p067.png b/old/20862-page-images/p067.png
new file mode 100644
index 0000000..449be02
--- /dev/null
+++ b/old/20862-page-images/p067.png
Binary files differ
diff --git a/old/20862-page-images/p068.png b/old/20862-page-images/p068.png
new file mode 100644
index 0000000..33981a4
--- /dev/null
+++ b/old/20862-page-images/p068.png
Binary files differ
diff --git a/old/20862-page-images/p069.png b/old/20862-page-images/p069.png
new file mode 100644
index 0000000..d1bab89
--- /dev/null
+++ b/old/20862-page-images/p069.png
Binary files differ
diff --git a/old/20862-page-images/p070.png b/old/20862-page-images/p070.png
new file mode 100644
index 0000000..3429d08
--- /dev/null
+++ b/old/20862-page-images/p070.png
Binary files differ
diff --git a/old/20862-page-images/p071.png b/old/20862-page-images/p071.png
new file mode 100644
index 0000000..5b5a6f5
--- /dev/null
+++ b/old/20862-page-images/p071.png
Binary files differ
diff --git a/old/20862-page-images/p072.png b/old/20862-page-images/p072.png
new file mode 100644
index 0000000..7b1325a
--- /dev/null
+++ b/old/20862-page-images/p072.png
Binary files differ
diff --git a/old/20862-page-images/p073.png b/old/20862-page-images/p073.png
new file mode 100644
index 0000000..5c22dec
--- /dev/null
+++ b/old/20862-page-images/p073.png
Binary files differ
diff --git a/old/20862-page-images/p075.png b/old/20862-page-images/p075.png
new file mode 100644
index 0000000..f73384f
--- /dev/null
+++ b/old/20862-page-images/p075.png
Binary files differ
diff --git a/old/20862-page-images/p076.png b/old/20862-page-images/p076.png
new file mode 100644
index 0000000..be8a906
--- /dev/null
+++ b/old/20862-page-images/p076.png
Binary files differ
diff --git a/old/20862-page-images/p077.png b/old/20862-page-images/p077.png
new file mode 100644
index 0000000..ba338c2
--- /dev/null
+++ b/old/20862-page-images/p077.png
Binary files differ
diff --git a/old/20862-page-images/p078.png b/old/20862-page-images/p078.png
new file mode 100644
index 0000000..d06d6f3
--- /dev/null
+++ b/old/20862-page-images/p078.png
Binary files differ
diff --git a/old/20862-page-images/p079.png b/old/20862-page-images/p079.png
new file mode 100644
index 0000000..f067cb3
--- /dev/null
+++ b/old/20862-page-images/p079.png
Binary files differ
diff --git a/old/20862-page-images/p080.png b/old/20862-page-images/p080.png
new file mode 100644
index 0000000..1d5f07e
--- /dev/null
+++ b/old/20862-page-images/p080.png
Binary files differ
diff --git a/old/20862.txt b/old/20862.txt
new file mode 100644
index 0000000..18d49c3
--- /dev/null
+++ b/old/20862.txt
@@ -0,0 +1,1893 @@
+The Project Gutenberg EBook of Jerry's Reward, by Evelyn Snead Barnett
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Jerry's Reward
+
+Author: Evelyn Snead Barnett
+
+Illustrator: Etheldred B. Barry
+
+Release Date: March 20, 2007 [EBook #20862]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK JERRY'S REWARD ***
+
+
+
+
+Produced by David Garcia, Jacqueline Jeremy and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+
+
+
+
+
+
+
+JERRY'S REWARD
+
+
+
+
+[Illustration: "THEY NEVER SAW THE OLD FELLOW WITHOUT
+SHOUTING." (_See page 21_)]
+
+
+
+
+Cosy Corner Series
+
+
+JERRY'S
+REWARD
+
+By
+Evelyn Snead Barnett
+
+_Illustrated by_
+Etheldred B. Barry
+
+
+_Boston_
+_L. C. Page & Company_
+1903
+
+
+_Copyright, 1900, 1901_
+By E. S. BARNETT
+
+_Copyright, 1902_
+By L. C. PAGE & COMPANY
+(INCORPORATED)
+
+_All rights reserved_
+
+
+Published, May, 1902
+
+
+Colonial Press
+Electrotyped and Printed by C. H. Simonds & Co.
+Boston, Mass., U. S. A.
+
+
+
+
+CONTENTS
+
+
+CHAPTER PAGE
+
+ I. THE INTERRUPTED GAME 11
+
+ II. THE SHADOW 16
+
+ III. PADDY AND PEGGY 22
+
+ IV. HARD TIMES 28
+
+ V. PEGGY OVERHEARS A STARTLING CONVERSATION 35
+
+ VI. THE POLICE ARE SUMMONED 41
+
+ VII. WHERE WAS PEGGY? 49
+
+VIII. LUCK IN DISGUISE 58
+
+ IX. PADDY MAKES THE EFFORT OF HIS LIFE 66
+
+
+
+
+ILLUSTRATIONS
+
+ PAGE
+
+"THEY NEVER SAW THE OLD FELLOW WITHOUT
+ SHOUTING" (_See page 21_) _Frontispiece_
+
+"THEY STOOD IN A LONG ROW" 13
+
+"HE TURNED AROUND SUDDENLY" 19
+
+"'THE TOP OF THE MORNIN' TO YE'" 24
+
+"ALL THE CHILDREN EXCEPT THE BABIES
+ STARTED FOR SCHOOL" 29
+
+"ALTHOUGH SHE WAS WARMLY CLAD, THE RUSH
+ OF COLD AIR MADE HER SHIVER" 39
+
+"'WHAT ON EARTH ARE YOU DOING HERE ALONE?'" 44
+
+"A STURDY LEG EMERGING FROM HIS FRONT WINDOW" 53
+
+"AROUND HIS TANNED AND WRINKLED NECK
+ WENT HER WHITE ARMS" 64
+
+"AFTER THEM FOLLOWED THE NURSES, CARRYING
+ THE BABIES" 73
+
+
+
+
+JERRY'S REWARD
+
+ * * * * *
+
+
+CHAPTER I.
+
+THE INTERRUPTED GAME
+
+Jefferson Square was a short street in Gaminsville, occupying just one
+block. It took only two things on one side of it to fill up the space
+from corner to corner. One was the Convent of the Good Shepherd, built
+on a large lot surrounded by a high brick wall; the other, a common
+where all the people around dumped cinders, rags, tin cans--in fact,
+anything on earth they wished to throw away. On the other side were
+dwelling-houses, and these were filled with children--lots of them.
+There surely were never so many children on one square before!
+
+There were the Earlys, the Rickersons, the Bakers, the Adamses, the
+Mortons, and the Longs--twenty-one in all.
+
+There were really twenty-eight; but the parents of seven children,
+though they were not what you might call poor, were not well-born like
+the others, so nobody counted them any more than they included them in
+the games that the twenty-one played. This was sad for the seven little
+outcasts, but the others never thought about that.
+
+The twenty-one had splendid times together. It was play, play, play for
+ever--dolls, pin fairs, circuses, and games. Every afternoon they
+gathered in the Mortons' front gate, because it was wider and had three
+stone steps leading down from it, where all the children could sit.
+
+One evening, the latter part of August, the sun had dipped down behind
+the world, leaving red splashes over a green sky. On seeing it the
+children played fast and furiously, for they knew only too well that
+when the sky looked like that they might at any moment be called
+indoors, made to eat their suppers and go to bed.
+
+[Illustration]
+
+The oldest child of the lot was Henry Clay Morton. He was one of those
+boys who try to have their way in everything, and generally succeed; so,
+on this particular evening when he got tired playing "Grammammy Gray"
+and proposed "Lost My Handkerchief," the others consented without any
+fuss. The next thing to decide was who should be "ole man." They stood
+in a long row, and Henry Clay, pointing, began at the top and gave each
+child a word like this:
+
+ "Eeny, meany, miny, mo;
+ Cracky, feeny, finy fo;
+ Ommer neutcha, popper teucha;
+ Rick, bick, ban, do.
+
+ "Oner-ry, oer-ry, ickery Ann;
+ Phyllis and Phollis and Nicholas John;
+ Queevy quavy, English Navy,
+ Stinklum, stanklum, BUCK."
+
+"Buck" was "ole man," and on this occasion happened to be Addison
+Gravison Rickerson, a little pudgy boy who was called "Addy Gravvy"
+for short. He took a handkerchief, and the children, joining hands,
+formed a big circle. Then skipping behind them he sang:
+
+ "Lost my hankshuff yesterday,
+ Found it to-day,
+ Filled it full 'er water,
+ En dashed it away."
+
+He sang the words twice, and then he let the handkerchief fall behind
+little Nell Morton, but she was watching, so she grabbed it and chased
+Addy Gravvy, trying to catch him before he could get round the circle
+into her place. He ran so fast he would have beaten her had not Willie
+Baker stuck out his foot, tripping him up so that little Nell easily
+caught him.
+
+Addy Gravvy protested: "That's no fair, I won't go in the middle." For
+whoever got caught had to go in the middle until the close of the game.
+
+"She is so little," explained Willie, "that she never could have caught
+anybody."
+
+"Then she oughtn't to play," said Addy Gravvy.
+
+At this the children all began talking at once, for Nell was a
+favourite, and matters were looking serious, when suddenly a shadow
+crossed the bar of light made by the Mortons' open front door.
+
+"Paddy!" "Paddy!" cried a dozen frightened ones, and the little group
+took to their heels.
+
+In two minutes the street was as silent as midnight, the only person
+left being a little old man whose back was bent almost double. He
+turned and looked after the children and gave a long, deep sigh.
+
+
+
+
+CHAPTER II.
+
+THE SHADOW
+
+
+Of course you wish to know all about the crooked man whose very shadow
+caused the children to stop their play and scamper to their homes.
+
+You remember I told you that one side of Jefferson Square was occupied
+by the Convent of the Good Shepherd and the common? Well, this convent
+was a source of much interest and not a little awe to the children. They
+were always curious to know what was going on behind those high brick
+walls.
+
+Nothing in the shape of a man, except the priests, was ever allowed
+inside the convent. You can judge, then, of the flutter it caused
+when one day at noon, as the children from their windows opposite were
+watching the penitents playing in the garden in their blue dresses and
+white caps, they saw a little man go boldly in their midst and with a
+shovel begin turning up the soil.
+
+To be sure he was old and ugly; his back was bent like a hoop, and his
+long nose almost touched his toes as he leaned over his shovel--but all
+the same he was a man.
+
+"I wonder who on earth he can be!" said Fanny Morton, and the nurse who
+was peering over her head thoughtlessly replied:
+
+"One of Satan's own imps."
+
+They did not see the newcomer for a long time after, then one morning
+the word passed that he was there. This time the big iron gates at the
+side were open, and he was wheeling barrows of coal into the convent
+cellar.
+
+The next meeting was on the common where he was raking over old
+rubbish and abstracting rags and bits of iron. The children were
+about to speak to him when something in his brown and wrinkled
+face recalled the nurse-girl's remark about "Satan's imps," so
+they were afraid and ran home.
+
+I do not know who started it, but soon he came to be known as "Paddy on
+the Turnpike," and just what this meant would be hard to say. While we
+all know that Paddys are common enough in cities, still there wasn't a
+turnpike for this one to be on within five miles of Jefferson Square.
+
+Although the children were afraid of the old man, they could not help
+teasing him whenever they got a chance. It seemed reckless and brave to
+shout out something and then take to their heels. They dared not come
+too near, for the same nurse-girl, seeing the sensation that her first
+remark had created, added another more astonishing, to the effect that
+Paddy had traded his soul to the devil, and was hunting the rubbish on
+the common over, for sufficient money to buy it back. Which was, of
+course, sheer nonsense, and if the children had been as good as all
+children should be, they never for a moment would have believed such a
+stupid untruth.
+
+By degrees they grew bolder. They would creep behind when he was bending
+over his ash pile, nearer and nearer. Then they would shout something
+about the devil and his bartered soul, thinking they were brave indeed.
+Once they approached so near that they almost touched him, but he turned
+around suddenly and reached out his rake as if he were going to rake
+them all in. At this a panic seized them, and they ran like young deer.
+
+[Illustration: "HE TURNED AROUND SUDDENLY."]
+
+Finally Henry Clay Morton made a rhyme about him, and the others took it
+up. They never saw the old fellow without shouting to a sing-song tune
+that they had made themselves:
+
+ "Paddy on the Turnpike
+ Couldn't count eleven,
+ Put him on a leather bed,
+ Thought he was in Heaven."
+
+
+
+
+CHAPTER III.
+
+PADDY AND PEGGY
+
+
+Not seeming to hear the children, the old man used to work in silence,
+gathering the bottles and rags and things and putting them in his bag.
+Once a week he sold all he had found and brought the money home to his
+wife.
+
+Now Paddy and his wife lived in a little cottage on the far side of the
+common. And Paddy's wife was always sick. The poor woman had had a
+terrible accident in which she had been so badly crushed and twisted
+that she was never free from pain a single moment.
+
+Paddy would rise early in the morning, and, before he left to go to his
+work, he would put her in her chair by the window so that she could look
+out on the common, and here she sat knitting socks all day long.
+
+She did not know many people, so she was much alone. None of the
+neighbours in Jefferson Square were aware that such a person as
+Mrs. Paddy existed, though they might have seen her, if they had
+taken the trouble, every time they looked out of a front window;
+for she lived in plain view of all the dwellings on the Square.
+
+But though none of the "well-bred" people ever knew of Mrs. Paddy's
+existence, sometimes the mother of the little outcasts who were too
+common to be the associates of fine ladies would drop in "to straighten
+things up a bit."
+
+"Well, Mrs. Myer," she would say, "the top of the mornin' to ye. It's to
+market I've just been and the butcher sent ye a posy," and she would put
+a gay flower or two in the blue glass vase that stood on the sick
+woman's window-sill.
+
+Or maybe one of the little outcasts would bring a bowl of steaming soup.
+"Mother thought you might like something to warm you up inside," the
+child would say, and Mrs. Paddy, unknown and unknowing of the fine
+world, would kiss and thank her with a smile that she must have learned
+from the angels.
+
+But no other soul ever visited Mrs. Paddy, and knitting at her window,
+she led a solitary life indeed.
+
+[Illustration]
+
+And the whole heart of Mrs. Paddy was bound up in Paddy, strange as that
+may seem. But, you must know, Paddy was a very different sort of a
+person from what the children imagined him. No matter what she was
+suffering, Mrs. Paddy had always a bright look for him, while, with her,
+Paddy would grow so tender and his knotty features would smooth out so,
+the children never would have recognised him.
+
+And Paddy's thousand attentions could only have been prompted by a
+loving heart. He even grudged every penny that he had to spend on
+himself; and indeed he had often gone hungry that his Peggy might
+have some little comfort.
+
+You see, before she was hurt--before that dreadful day when the heavy
+four-horse team knocked her down and all but crushed the life out of
+her--he used to spend most of his earnings in drink. In fact, to tell
+you the honest truth, he was almost always drunk. And sometimes--it
+makes the tears come into his eyes to think of it now--he used to beat
+her. When he was drunk, you know; never except when liquor had stolen
+his brains.
+
+Well, after she was brought in mangled and bleeding, he was so sorry he
+had ever treated her unkindly that he nearly lost his mind. He prayed
+to God to let her stay with him long enough for him to prove how much he
+really loved her.
+
+Afterwards when she lived, although but a crippled, suffering being, he
+was so afraid that he might forget himself and abuse her again, that he
+never touched a drop of anything stronger than coffee. The poor woman
+used to say that it was worth all the pain, and more, too, to have her
+husband always himself.
+
+Giving up strong drink was not an easy task for him, and he often wanted
+it; but he shunned the society of his drinking friends, and never once
+went where he would be tempted.
+
+He pretended not to hear the children's teasing, but it was only
+pretence. You see, he loved children dearly. He once had two little
+ones of his own, but God took them. For their dear sakes he had tender
+feelings toward all children, and it hurt him that these on Jefferson
+Square should run away from him every time he came near.
+
+He also disliked their name for him; for his real name was Jerry, not
+Paddy at all. He could not help telling his Peggy about it, especially
+when they had been unusually thoughtless and teasing.
+
+It was after one of such times that he said to her: "I think I'll have a
+little speech with 'em. I'll tell 'em that far from wanting to hurt 'em,
+I'll be their friend if they'll let me."
+
+"Do, lovey," replied Mrs. Peggy, "for I'm hatin' to have 'em misjudge
+you."
+
+So the very next day he pretended to be raking and sifting until they
+came nearer and nearer shouting their jibes and their jeers, when he
+quickly turned around and facing them began his speech:
+
+"Don't fear me, chil--" was all the further he got when the rosy cheeks
+became as white as sheets and such scampering and rushing over one
+another you never saw in all your life.
+
+After that it was three whole days before a single one of them was bold
+enough to come even in sight when he was bending over his work, and he
+missed them so that he resolved never to attempt any conversation with
+them again as long as he lived.
+
+
+
+
+CHAPTER IV.
+
+HARD TIMES
+
+
+Things went on in this manner for some time. Then the hot summer was
+over and the green leaves died and fell to the ground with a rustle. All
+the children except the babies started to school. It became too cold to
+play out-of-doors in the afternoon, and soon the days got so short that
+there were no afternoons, and the children forgot it ever had been
+summer at all.
+
+If a body had not already known it, he would never have guessed that the
+row of houses on one side of Jefferson Square contained twenty-eight
+children toasting their toes by blazing fires.
+
+We should say twenty-one, for the entire family of outcasts had moved
+from the square to a more congenial neighbourhood, and Mrs. Paddy lost
+the only friends she had. Instead of the bright faces smiling and
+nodding to her every time they went in or out the front door, an ugly
+white card, with "For Rent" in big black letters, stared at her all day,
+reminding her sadly of the friends who were gone.
+
+[Illustration: "ALL THE CHILDREN EXCEPT THE BABIES STARTED TO SCHOOL."]
+
+Paddy noticed her looking a little forlorn one morning, so he said:
+
+"The cold weather doesn't agree with you, Peggy; there's too much air
+coming through the window cracks. I'll just move your chair away from
+it, and as close to the fire as may be."
+
+He had to leave her alone a great deal those days, for bread was high
+and work scarce. To get either, a man had to start early so as to be
+handy for any odd jobs that came his way.
+
+Peggy was sometimes so lonely that she missed even the naughty children,
+for in summer when they played on the common she could hear their young
+voices and it was company for her. Now all she could see was a bare
+brown waste with never a child in sight.
+
+When Paddy was there bending over his ash heaps she didn't care, for
+every little while he would look up from his work, and wave his hand,
+and that was all she wanted.
+
+Things got very desperate with the Paddys. Money became so scarce that
+they couldn't buy coal, but had to use half-burned cinders from the
+common instead. Peggy declared that they made a "real hot fire," and
+she would joke about their large coal cellar--meaning the common--"that
+never got empty--only fuller and fuller."
+
+Paddy would come in shivering and shaking in his threadbare coat.
+
+"And are you frozen entirely?" she would ask.
+
+And he would answer: "I was mortal cold, but the sight of your gentle
+face has warmed my blood. Faith, it's better than all the fires!"
+
+Whenever the sun came out she would make him take her to the window
+where she could warm herself in its rays. When her husband was working
+at the ash piles she would wave to him.
+
+"On those days," said Paddy, "I always have luck. The people throw out
+more rags, and the cinders are in big lumps and only half burned."
+
+Whenever he made a good find he waved his hand to her, but one day he
+waved both hands and his cap, and she knew he had been unusually
+fortunate.
+
+He came straight in to show her. He had found a big silver dollar. It
+was tarnished and black from the flames, but it was a good one with a
+true ring.
+
+"Whose can it be, I wonder!" exclaimed Peggy.
+
+"If I knew I'd have to take it back," answered Paddy, "but,
+unfortunately, people don't often leave their visiting cards on their
+ash heaps."
+
+This was not all. The very day after he found the dollar, Peggy, from
+her window, saw more frantic waving.
+
+This time it was a silver spoon!
+
+"I can find the owner of that, I'm sure," says Paddy. And he made the
+rounds of all the houses in the neighbourhood to see if they were
+missing any spoons, but nobody claimed it.
+
+Peggy cleaned it and made it shine like new. At first she didn't like to
+use it--it was so beautiful--but her husband persuaded her that as long
+as they couldn't sell it, seeing that the owner might be found some day,
+she had better get the good of it. So she yielded, and declared that
+the soup had an extra richness all on account of the silver.
+
+"It's luck coming our way, dear," says Paddy. "Money in our pockets and
+a silver spoon in our mouths--you'll see."
+
+And it was so; though at first it took such a round-about path--- a
+little way luck has--that they quite mistook it for something else.
+
+
+
+
+CHAPTER V.
+
+PEGGY OVERHEARS A STARTLING CONVERSATION
+
+
+One cold morning in January Paddy built up a good fire, and, putting
+Peggy in her wheel chair, he placed everything in reach that she could
+possibly need.
+
+"I'll not be back before dark, dearie," he said, "for outside of my
+convent work I have a job at the wharf that will keep me all the day."
+With this he kissed her on each pale cheek and on her sweet, patient
+mouth, and left.
+
+The little cottage in which the Paddys lived, you will remember, was on
+the far side of the common. Behind it ran an alley where all sorts of
+people lived,--negroes, beggars, tramps, all of them poor and some of
+them desperate.
+
+Peggy's cottage was at one end of the row, and the convent wall was
+built up close to the side of it, leaving a space just wide enough for
+one person to squeeze through. The walls of the cottage were so thin
+that whenever the children hid in the narrow passage during their play,
+the sick woman inside could hear every word they said--could almost hear
+them breathe.
+
+On the morning in question Peggy was sitting by her fire knitting so
+fast that you could not tell needles from fingers nor fingers from
+needles, when she heard the sound of talking between the cottage and
+the convent wall. She could tell that the speakers were men.
+
+"Now, why have they crept in that narrow crack to talk?" she mused.
+
+A low voice said:
+
+"Are you sure she'll not go back on us?"
+
+Another answered:
+
+"She's safe enough; I've fixed her."
+
+"Listen to me," said the first voice; "you are to bring a bundle to the
+side door at five o'clock. The nurse will let you in, and show you the
+closet under the staircase. There you'll stay until the house is locked
+up and everything settled for the night. After the children are asleep
+and the grown people quieted by the drugged coffee--say when the
+convent bell strikes ten--you will slip out and, unlocking the side
+door, let me in. I have a plan of the house, and know where everything
+of value is kept. We'll get a good, rich pull, and skip."
+
+"You're certain no harm will come from spiking the drink?"
+
+"Not if she obeys orders; it'll give 'em a bully night's rest; that's
+all."
+
+"How'll I know when it's safe to come out?"
+
+"She says if anything happens not down on the books she'll come past
+your hiding-place, and give two taps like this" (tapping). "In that
+case you'll wait till you hear further."
+
+"You'll be there to help, if I get caught? You won't slump?"
+
+"Me? Never! Ain't I always been a man of honour?"
+
+"They say old Morton's mighty game when once roused."
+
+"But he won't be if we can help it; in case he is, and shows fight, why
+then we'll have to----"
+
+The rest of the sentence was lost, and the two men departed.
+
+Poor Mrs. Peggy sat frozen to her chair in terror. What on earth could
+she do! Her husband was gone for the day. There was no chance for his
+return before six o'clock at least.
+
+"Poor, useless body!" she exclaimed, "the neighbours' property in
+danger, their very lives threatened, a traitor in their midst, and me
+sitting here knowing it all, and not able to do anything!"
+
+She was so distressed at her helplessness that tears rolled down her
+thin cheeks. But soon she dried them and said, emphatically:
+
+"There's no avoiding it; I must get word to Mrs. Morton!"
+
+She thought harder than she had ever done before in all her life; then,
+as if answering objections, she said aloud:
+
+"If I can't get anybody to go for me, I will go myself."
+
+She, poor soul, who had never moved unaided for five long years, except
+to turn the wheels of her chair for a few yards in her little narrow
+room!
+
+She rolled herself away from the fire toward the door. With a little
+difficulty she opened it, and peered out. Although she was warmly clad,
+the rush of cold air made her shiver, but she wrapped one of her shawls
+around her head and watched.
+
+No one passed. Twelve o'clock struck. In a few hours it would be too
+late.
+
+[Illustration]
+
+She sighed heavily. "Would it be possible for me to wheel myself over
+the common and across the street? Could I ever reach that great house
+alive?"
+
+She did not think the Mortons' nurse knew her, though she remembered the
+woman distinctly.
+
+Then a new difficulty occurred to her. "Even if I succeed in making the
+journey, can I get private speech with the right persons?"
+
+She hesitated, then she added, bravely:
+
+"Shame on me to think of giving up!" and throwing the door wide open,
+with a mighty effort she pushed her chair over the sill.
+
+It rolled down with a bump and on for a few feet until it was stopped by
+a sharp stone.
+
+It was only several inches from the door to the ground, nevertheless,
+the jar gave her so much pain that she nearly fainted. She lay still for
+some moments, more dead than alive.
+
+"I must go! I have cut off all way of return now. Bumping down that step
+was one thing; getting back would be impossible."
+
+But when she tried to go on, her weakness was so great that she could
+not make any progress. Her chair, wedged against the stone, was
+immovable.
+
+"O God," she prayed, "I don't know what to do now--help me!"
+
+
+
+
+CHAPTER VI.
+
+THE POLICE ARE SUMMONED
+
+
+"Well, Mrs. Myer," exclaimed a bright, chirpy voice right behind her,
+"whoever would have thought of seeing you spry enough to be
+out-of-doors! Won't mother be glad?" and there stood the eldest little
+Outcast, smiling broadly, and holding in her chubby hand a tin bucket,
+that Peggy had seen many a time before.
+
+"You've come just in time, dear heart," said the thankful Peggy. "Do you
+think you could wheel me across the street?"
+
+"Across the street?" reiterated the girl. "Won't it tire you very much?
+Let me go for you."
+
+"I fear you are too little for my business," replied Peggy, and as she
+spoke the words a new idea for accomplishing her purpose entered her
+mind. "Stay, love; I'll tell you what you can do. Take me back to the
+house and you shall hear."
+
+Miss Outcast did her best, and as the burden was not great and the chair
+rolled easily, after some bumping and shoving and pushing, Mrs. Myer
+found herself once more in her own room.
+
+And, as she got her breath, she said: "Have you ever been to the river,
+dearie?"
+
+"Oh, yes," answered the child, "father takes us down there every Sunday.
+We love to stand on the bridge and watch the water dashing against the
+piers. It's such fun; you can't think."
+
+"Could you go there alone?"
+
+"Course I could; what do you want to know for?"
+
+"Jerry is working there to-day, pet, and I have something important to
+tell him. If you can find your way to the mail-boat landing where he is
+helping to load up, and tell him to come to me right away, you'll be
+doing a good action."
+
+"I wonder if mother will scold?"
+
+"Tell her it was my doing, and if she will come hear my reasons she'll
+be satisfied. You'll hurry, won't you, dear?"
+
+Miss Outcast promised, and, after repeating the message several times,
+started briskly off.
+
+The river and the mail-boat were reached without trouble, but to find
+Jerry was another matter. A long stream of porters carrying bags of
+something reached from the wharf to the boat. Their heads were concealed
+by the burden, and their bodies looked so much alike that the child was
+bewildered.
+
+She stood there, frightened and forlorn, almost forgetting why she had
+come, when Jerry himself caught sight of her.
+
+"Why, little one," he exclaimed, dropping his load, and coming toward
+her. "What on earth are you doing here alone?"
+
+Miss Outcast felt happy once more; she beamed on him. "Oh, Jerry, you
+are the very man I came to see; go home just as quick as ever you can
+to your wife."
+
+"Peggy, my Peggy! Is she worse?" and the poor fellow looked the anguish
+he felt.
+
+"I don't b'lieve she's 'zackly worse," said the child, feeling very big
+indeed, "but she's acting queer, and she's got something 'portant on her
+mind and sent me for you."
+
+Jerry waited to hear no more, but, seizing the child's hand, started to
+run. Leaving her in her own street, he hurried on alone.
+
+[Illustration]
+
+His wife was watching for him, trembling and anxious. She was so
+relieved when he appeared that she burst into tears.
+
+He took her frail body in his arms: "Why, Peggy, old girl, what has
+happened? Has anybody been hurting you?"
+
+At these tender words she controlled herself and told him all that
+had occurred.
+
+He was thunderstruck. "The scoundrels!" he muttered. "They surely
+wouldn't dare--but rest easy, love. We'll get ahead of them, never
+fear."
+
+He thought deeply. "The best thing, wife, is not to alarm the ladies,
+but to see Mr. Morton himself. I'll go to him as fast as I can." But
+even in his haste he stopped to replenish the fire, settle Peggy's
+pillows more comfortably, and warm some soup for her.
+
+Then he sought Mr. Morton's office and asked to see him privately.
+
+Mr. Morton sent word that he was busy and did not wish to be disturbed.
+
+"Tell him it's a serious matter," said Jerry.
+
+Upon receiving this message Mr. Morton invited him in, and, closing the
+door of the little private office where he was in the habit of holding
+confidential interviews with his clients, he prepared to listen with a
+bored air.
+
+"I'm Jerry, sir," the visitor began, "Jerry Myer. You may not know me,
+sir, but I know you, and your children--they call me Paddy--'Paddy on
+the Turnpike.'"
+
+"Oh, it's Paddy, is it?" said Morton, remembering.
+
+"Yes, sir; no, sir--that is, it's Jerry, sir."
+
+"Well, Jerry, be quick; what can I do for you this afternoon?"
+
+And Jerry began:
+
+"You see, sir, my wife, being poorly, has to sit all the time indoors.
+Our little cottage is just across the street from your fine house, sir;
+next to the convent wall with only a bit of a passway between; and
+Peggy, she's my wife, overheard two men, hiding there, talking and
+planning as how they would rob you to-night and drug you, and there's
+no telling what else besides."
+
+"How is this?" cried Mr. Morton, "I'm to be robbed and drugged, am I?"
+and the great lawyer looked as if he thought the man was losing his
+wits.
+
+But Jerry began and told a straight tale; told it so circumstantially
+and truthfully that Mr. Morton, forced to believe it, was genuinely
+alarmed.
+
+He immediately summoned the police, and, after a rapid consultation, a
+plan was formed to capture the thieves.
+
+Jerry was to unlock the big iron gates in the convent wall, where the
+coal-carts were in the habit of driving in. Two of the police were to
+hide there, and keep an eye on the house opposite until they saw a
+burglar number one admitted by the traitorous nurse-girl. Then they were
+to return at dark and guard the front of the house, so as to cut off all
+retreat from that direction. Two more of the force were to hide in the
+Mortons' stable, and prevent escape from the rear. Mr. Morton was to
+remain inside to avert suspicion and to give the alarm in case any
+violence was attempted. He was also to practise a little stratagem to
+prevent any of the family from drinking the drugged coffee.
+
+"Don't seem to do anything unusual," counselled the chief. "Go to bed,
+and pretend to sleep. Let them rob you, and when they come out we will
+take care of them and their booty."
+
+"And what am I to do, sir?" asked Jerry.
+
+"You have done enough, man; you go home and stay with your sick wife.
+She will be anxious if we expose you to danger."
+
+You see, the officers wished to put both Mr. Morton and Jerry out of
+the affair, so that they could have all the glory of the capture.
+
+
+
+
+CHAPTER VII.
+
+WHERE WAS PEGGY?
+
+
+When told to go home to his sick wife, Jerry obeyed. But what was his
+surprise, on reaching his tiny cottage, to find the shutters all closed,
+though it was early afternoon, and the front door held fast on the
+outside by two great tenpenny nails.
+
+Where was Peggy? For the nailed door showed that she was not inside.
+To be sure, smoke was still coming out of the chimney, but this was
+accounted for when he remembered the big fire he had built before he
+left. Where, where was Peggy?
+
+Perhaps one of the neighbours had been kind enough to come over and,
+finding her frightened and alone, had wheeled her away. But reflection
+told him that not one of the neighbours had ever been near her except
+the Outcasts, and the discovery of the plot was an absolute secret.
+There would be no occasion for such sudden neighbourliness.
+
+Then Jerry's heart stood still, for he heard a sound like a muffled cry.
+It seemed to come from behind the convent wall; so he crept softly into
+the narrow passageway just as the burglars had done. Here he could see
+without being seen.
+
+At first everything was so still that he thought he must have imagined
+the cry, but soon heard the murmuring sound of voices so low that he
+could not tell whether of men or women.
+
+Jerry was frightened to death. If he alone had been in danger he would
+have been brave, but with his delicate wife away, he knew not where, and
+more conspiracies going on behind the convent wall, he found it hard to
+decide just what he ought to do. Conflicting feelings put him in a sort
+of panic, but he had sense enough left to keep absolutely still.
+
+Before going in search of his wife he must find out what new plan the
+rascals were hatching, so he stood, hardly daring to breathe.
+
+The wind was sharp and keen. It swept across the wide common, whirling
+up the dust, lifting the paper and rags and making them waltz. Ashes
+fell like rain in the narrow passage where Jerry stood. Then a whooping
+gust caught a lot of stuff, and forming a miniature cyclone, headed
+straight for Jerry. Before the poor fellow knew what he was doing, he
+had sneezed three times. The sound reverberated through the close
+passage as if he had blown through a gigantic horn.
+
+Now he was lost! The men must do either one of two things; they might
+think they had been discovered, and run away, but the probability was
+that they would first look over the convent wall to find out who had
+sneezed. And then what?
+
+Jerry seized a large boulder that lay at his feet. Though little and
+old, he had good strength, and the first head that rose over the wall
+meant a cracked skull.
+
+"Jerry, Jerry?" He heard his name whispered by a strange voice. Where
+did the sound come from? Under his very feet.
+
+"Jerry, Jer-ry," a little louder, "where are you?"
+
+"Here behind the wall," whispered Jerry. "Who are you?"
+
+Then there came a sound of steps, a window was raised, a shutter flung
+back.
+
+At this Jerry could stand no more. He left his hiding-place, and strode
+boldly, the big stone in his hand, to the front of his cottage in time
+to see a sturdy leg emerging from his front window.
+
+When the rest of the body followed, the mother of the little Outcasts
+stood before Jerry's astonished eyes.
+
+"For the land's sake! Are you the burglar?" says Jerry.
+
+"For the land's sake, are you?" asked Mrs. Outcast, and both began to
+laugh.
+
+"And where's Peggy?" says Jerry.
+
+"Inside with chattering teeth for fear of the men hid between the
+walls."
+
+"How, when, what!" exclaimed the bewildered man.
+
+"Stop talking, man, and come to your scared wife."
+
+"I'm not scared now that I know who's there," piped a weak voice. "Come
+in right away out of the cold."
+
+"And is it by the door or by the window ye'll have me enter, Missis
+Myer?" asked Jerry. And with that he took out the two tenpenny nails
+with his fingers just as easy as if they had been put in by women.
+
+[Illustration: "A STURDY LEG EMERGING FROM HIS FRONT WINDOW."]
+
+"Wait till I unlock," said Mrs. Outcast, as she climbed back, and
+presently the key turned, and Jerry was allowed to enter.
+
+"And now, perhaps," said he, after he had kissed his wife, "ye'll be
+kind enough to tell me what it all means, for I'll be switched if I
+understand a word of it!"
+
+Mrs. Outcast explained: "When Mimy came home with her story I felt in my
+bones that something was wrong, so I came as fast as I could to help. I
+found this little body scared to death, and you gone for no knowing how
+long. When she told her story I felt real uneasy myself, and wanted to
+take her home with me where she'd be safe. But she was faint-like, and
+besides she said she did not want you to come back and find her gone.
+Heaven knows where."
+
+Jerry pretended to cough behind his hand.
+
+"But two women alone," continued Mrs. Outcast, "are not apt to be
+exactly quiet in their minds when burglars are about, so I suggested
+that we shut up the house as if no one were living here, and to make it
+seem more natural like, I put two nails in the door, and climbed in by
+the window."
+
+"Wasn't it a smart trick?" asked Peggy, admiringly.
+
+"The smartest I ever knew," answered Jerry, promptly. "But how was I to
+get in?"
+
+"Oh, we were listening," said Peggy. "Don't you fear. We thought you
+would try the door and call, when we would know your voice and let you
+in."
+
+"Instead of which, you hid, and made us think them burglars had come
+back sure enough," said Mrs. Outcast.
+
+"And you screamed and whispered, and made me think them burglars were
+hurting Peggy."
+
+And at this all three laughed until the tears rolled down their cheeks.
+
+Peggy was the first to quiet down. "But tell us, love, what Mr. Morton
+said?"
+
+And Jerry unfolded all the plan--not without first going out-doors,
+and looking carefully all around his little cottage to see if any
+eavesdroppers were in hiding. When he concluded by repeating Mr.
+Morton's order to go home and stay with his sick wife, both women
+exclaimed in a breath:
+
+"What a nice, sensible gentleman Mr. Morton is!"
+
+
+
+
+CHAPTER VIII.
+
+LUCK IN DISGUISE
+
+
+But it was not Jerry's way to bide at home when such a dangerous
+adventure was afoot. The more he thought of it the more he was convinced
+he might be needed.
+
+"Suppose there should be three of them burglars instead of two, and one
+of our men was to get hurt; it would be a battle with odds and maybe
+escape for the rogues. No--I won't get shoved aside; I'll disobey
+orders, and play a game of my own."
+
+Then the little man stationed himself behind the window-blind, although
+it was a good two hours before the time set by the thieves. It was well
+he did so, for at half-past four a man with a bundle rang the door-bell
+at the side entrance of the Morton house.
+
+"He's ahead of time," said Jerry. "I wonder if them p'lices are behind
+the convent gate?"
+
+The nurse-girl opened the door so quickly that she had evidently been
+on the watch. The man slipped in, and Jerry noted that he was big and
+brawny.
+
+"It's going to be a mean job to tackle that fellow," he thought. Then
+he went to a pile of things in a corner, and selected a stout hickory
+stick.
+
+He watched awhile longer, but nothing else happened. It grew dark. He
+kissed Peggy, who held him tight a moment, looked into his eyes
+lovingly, but did not protest or cry, as some wives would have done. He
+waved his hand as he left the door, and, keeping close to the convent
+wall, crossed the common. Into the Mortons' gate he slipped, and before
+anyone could say "Jack Robinson" he had crept under the steps of the
+side entrance.
+
+He carried his good stick.
+
+"They'll have pistols sure, and knives maybe, but give me a good whack
+with this at close range, and I'll beat 'em, pistols and all."
+
+His position was cramped and uncomfortable, but he did not care. He
+crouched into as small a space as possible. The time seemed long, but
+he never thought of giving up; he was there to stay.
+
+The convent bell tolled the hours: eight, nine, ten. Then a step, soft
+and slow on the pavement, and he saw two feet. Another step as noiseless
+as a wild beast's; and he saw two more feet.
+
+Jerry was right. There were three men instead of two--one inside, two
+out.
+
+Presently came whispered words too low for him to catch, and he heard a
+bolt cautiously slipped.
+
+One pair of feet disappeared; the other pair remained. This fellow on
+the outside would prevent the police from surprising the two within.
+Should Jerry tackle the watching burglar now or wait?
+
+"I wonder how many more of them there are?" thought Jerry, as he took
+firm hold of his club, and eyed the waiting feet, scarcely daring to
+breathe.
+
+In the meantime, the police stationed back and front had seen the two
+men arrive and one enter; but, not having reached the convent gate early
+enough, they did not know that a third man was within. They kept guard
+and thought they had a sure thing of nabbing the burglars as they
+emerged with their spoils.
+
+Then suddenly the stillness of the hour was broken by the loud report
+of a pistol not half a square away. All the policemen rushed in the
+direction of the sound, and saw a man fleeing in the distance. Two of
+them pursued him, blowing their whistles as they ran. The other two
+stopped to argue whether they had better help their comrades or return
+to their former hiding-place.
+
+But while they talked an exciting scene had occurred. As soon as the
+shot was fired the thief on the outside made a break for the gate. Jerry
+started after him, but the rogue jumped the fence, and ran off, so, not
+to waste time in a fruitless chase, the crooked little old man turned
+back to find himself confronted by two more fugitives. For the shot on
+the outside was a prearranged warning of danger, and as soon as the
+burglars on the inside heard it, they rushed from the house with their
+booty.
+
+They, too, were about to jump the fence when Jerry, wondering what the
+police were doing, and desperate at the idea of all three of the
+rascals eluding them, sprang at them brandishing his club and yelling
+like a dozen Comanche Indians.
+
+At the same time Mr. Morton appeared at the door with a shot-gun, and
+the burglars, thinking they had twenty foes instead of two, began a
+fight for life.
+
+Mr. Morton stood framed in the doorway with a bright light behind him.
+The man nearest Jerry, the same strapping fellow who had entered in the
+afternoon, raised his arm, and there was a flash of metal as he took
+steady aim at Mr. Morton's breast. Another instant, and ten little
+children would have been fatherless; but a resounding whack from a
+hickory stick sent a shot into the air, and the hand that held the
+pistol dropped, nerveless. The would-be murderer tottered a few steps,
+then fell in a heap on the grass.
+
+The remaining burglar, seeing that the game was up, dropped his plunder,
+and started to run. But, as luck would have it, he ran straight into the
+arms of the two policemen, who were returning to the spot they ought
+never to have quitted; and the policemen, not being able to get away,
+could not help making him their prisoner.
+
+The same luck befriended the other two officers; for, coming back from
+a fruitless chase of the man who had fired the decoying shot, they
+fortunately were in time to capture the man who had jumped the fence,
+and were heroes among their fellows for nine days after.
+
+The commotion had roused the whole neighbourhood. Windows were raised by
+frightened women, and half-dressed men ran into the street. Lights were
+quickly brought, and an excited crowd gathered round the prisoners,
+talking and asking a thousand questions.
+
+The two men were handcuffed, and were about being carried off when a
+dark object on the grass attracted attention. A man, alive but unable to
+move. "Who is he?" "How did he get there?" Everybody surprised excepting
+Jerry.
+
+"I beg your pardon, sirs," said the old fellow. "Please excuse me,
+sirs,"--turning humbly from one to another,--"but I had to do it. He was
+going to shoot, and I couldn't stand that, sirs, so I just tapped him a
+bit with my friendly stick."
+
+"And that isn't half," interrupted Mr. Morton. "If it had not been for
+the stout arm of this brave old man I would be dead. See that pistol on
+the ground? It was aimed at me when Jerry's club knocked the breath out
+of the scoundrel lying beside it."
+
+[Illustration]
+
+While her husband was speaking, Mrs. Morton had appeared, and, on
+hearing his words, she went up to the crooked little man. Around his
+tanned and wrinkled neck went her white arms, and with the tears
+streaming she sobbed:
+
+"You brave, brave soldier! His children and their mother will love and
+bless you as long as they live!"
+
+Jerry was so ashamed that he knew not where to look when, fortunately,
+the patrol wagon drove up, and the public attention was diverted by the
+removal of the wounded man and the prisoners to jail. He seized the
+opportunity to escape, and hurried across the common to his little
+cottage.
+
+There his Peggy awaited him. In those arms he was never ashamed; to her
+he was always a hero; and as, listening to his story, she gazed at him
+with eyes overflowing with tenderness, he felt that the earth could not
+contain a happier man than Jerry Myer.
+
+
+
+
+CHAPTER IX.
+
+PADDY MAKES THE EFFORT OF HIS LIFE
+
+
+To make up for lost time Jerry hurried early to his work the next
+morning. He had finished his duties at the convent, and was on his way
+to the wharf when he met Mr. Morton, who stopped to shake hands and
+inquire how Peggy had stood the fright. Naturally they talked over the
+night's adventure.
+
+Mr. Morton had several items of news, for the nurse had been arrested,
+and had made a full confession. If successful, the robbery was to have
+been the prelude for more in the same neighbourhood. It had been
+carefully planned by a gang of professional thieves. The pistol-shot
+had been fired by a confederate not only to inform the burglars that
+they had been discovered, but to decoy the police from the scene of
+action so that the thieves could make their escape.
+
+"They did not count on your big stick, Jerry. Had it not been for you,
+every man of them would have gotten away."
+
+"Sure they wouldn't, sir. Some of them would have been caught. But them
+p'lices are curious creeters. Now if I already had as many thieves on my
+hands as I could well look after, it never would have entered my head to
+go on a wild-goose chase after others. There's no accountin' for them
+p'lices' minds, anyway. And as for their bodies--well, did you ever see
+one that was not that fat that any thief at all couldn't outrun?"
+
+Mr. Morton laughed. "I suppose they get them that way so they will stay
+where they are put."
+
+"And so they can't run away from the thieves," added Jerry. "Now for all
+that I'm crooked, being thin, I'm nimble."
+
+"Indeed you are; and furthermore, you have such good judgment that you
+saved the battle last night."
+
+"I didn't mean that," cried Jerry, in distress and embarrassment.
+"Nobody could have done any less than I did."
+
+"You mean any more, man. To my dying day I shall never forget what I
+owe you nor the sound of the whack of that stick. But, see here, Jerry,
+you are not going to the wharf to-day?"
+
+"Please, sir, I have to."
+
+"No, you don't. You are getting old, and ought not to work so hard. My
+wife and I have been making inquiries, and we know all about you and
+your sick wife. How would you like to be janitor in the building where
+I have my office?"
+
+"I'd like it, sir, if you think I'd suit. Are they needing a new man?"
+
+"I heard only yesterday the present man had given notice, and I promised
+to be on the lookout for a new one. I think the place would suit you,
+and you it--it pays a fair salary." And here Mr. Morton named a sum that
+seemed so large to poor Jerry that his eyes nearly popped out of his
+head.
+
+"Ah, I never could be worth all that, sir! But what a great thing it
+would be for Peggy!" And visions of unburnt coal in large lumps and real
+feather pillows and other luxuries for his suffering wife passed through
+his mind.
+
+"I am sure you can fill the position admirably, and the salary is not
+half so large as you deserve. Come along and we will apply without loss
+of time."
+
+Applying was a mere form, as Mr. Morton's recommendation was enough. The
+new janitor was engaged, and promised to enter upon his duties as soon
+as the convent could find a man to take his place.
+
+Before this happened, Jefferson Square experienced a complete upsetting.
+All the children were summoned to meet in Mrs. Morton's long
+drawing-room, and came trooping to see what was wanted: the Earlys, the
+Rickersons, the Bakers, the Longs, the Adamses, the Morton children
+themselves, and, last of all, Mrs. Outcast with Mimy and the six other
+little Outcasts trailing behind. You may be sure none of them were late.
+
+The curiosity of the children was roused to its highest pitch. They
+couldn't imagine what kind of a party it was going to be with chairs in
+rows like church. And when they were all seated Mrs. Morton looked so
+serious, that Addy Gravvy whispered to his neighbour, "I know--it's a
+funeral."
+
+Then Mrs. Morton made them a long speech. She told a story of a worthy
+old man working from morning till night to provide the barest
+necessities for his sick wife; she told of that wife's patience, of her
+cruel accident and suffering, of her devotion to her husband; she
+repeated the story of the way both of them had risked their lives to
+save the property of neighbours who barely knew of their existence. Then
+she drew a picture of twenty-one thoughtless little imps, jibing and
+jeering the hardworking man who was worth all the rest of the square put
+together--fathers and mothers included--and by the time she reached this
+point all twenty-one of the imps, and seven others who were not imps,
+were boohooing and bellowing in a way that was a caution.
+
+"What are we going to do about it, children?" asked Mrs. Morton.
+
+Each was for making amends in some way, and all blubbered out at once,
+but one--I think it was Henry Clay--cried louder than the rest:
+
+"Le's go over, and tell 'em how sorry we are, and how we'll never make
+fun of him again as long as we live."
+
+This sentiment met with enthusiastic approval, and they were all for
+rushing to the cottage in a body when Mrs. Morton stopped them.
+
+"Wait, children; it would never do to startle the invalid with such a
+crowd. One of you must first go and ask Mrs. Myer when it will be
+convenient for her to see us. Who shall it be?"
+
+And strange to say, every chick and child called out the same name right
+away. Can you guess whose it was?
+
+Little Miss Outcast.
+
+In a short time Mimy returned with the word that Mrs. Myer would love to
+see the children at any and all times, but they must be sure to come
+while Jerry was at home, as he would be so pleased.
+
+"An' I didn't tell her a word of what we are going to say," reported
+Mimy.
+
+The time was discussed, and the following day at noon was selected. Then
+some highly important arrangements were made; and after every last one
+had been pledged to secrecy the meeting adjourned.
+
+During the next twenty-four hours Jefferson Square resembled an ant-hill
+after a big boy has trod on it. Such rushing around and talking in
+excited groups; such goings out and comings in; such wagons colliding at
+front doors leaving bulky parcels; such errand boys breathless with
+carrying huge bundles! The like was never seen before.
+
+Mrs. Myer from her window across the common did not know what to make of
+it. She thought at first that every one of her rich neighbours must be
+going to give a party; though after reflection she decided that this
+could not be, for if all of them were having parties, who would be left
+to come to them? She was very much at sea.
+
+As the silver tones of the convent bell said it was twelve o'clock, a
+gay procession formed on the sidewalk in front of the Mortons'. First
+came the little children, and each carried something: shoes, stockings,
+socks, flannels--all of the very best quality. Next came the
+middle-sized ones with blankets, sheets, and real feather pillows. Then
+the biggest ones with china, glass, earthenware, and all such things.
+After them followed the nurses, carrying the babies, and each baby had a
+gold coin clasped tight in its little fat hand. Then the mothers, trying
+to keep the gang in order, brought dresses, shawls, and warm winter
+clothes. The children wore their best clothes and their freshest
+ribbons, and could not keep in place for a single minute.
+
+[Illustration: "AFTER THEM FOLLOWED THE NURSES, CARRYING THE BABIES."]
+
+The weather was built on purpose. It had been winter and it was going to
+be winter, but somehow one little spring day, balmy and fine, slipped in
+for the occasion. The poor people around got wind of the affair, and
+streamed over the common. Even the Penitents climbed the back wall of
+the convent and sat on top of the broken bottles to see the show. Only
+the nuns went on as if nothing were happening--telling their beads and
+singing their Ave Marias in ignorance of worldly events, as all good
+nuns should be.
+
+Then Mrs. Morton gave the signal, and the children clasped hands, and
+marched across the common, singing at the tops of their lungs. To Peggy
+and Jerry, drawn to the window by the commotion, it was the sweetest
+sound they had ever heard since the voices of their dear little babes
+had been hushed.
+
+Nearer and nearer they came, the little Outcasts, in the post of honour,
+leading. They did not have anything to be sorry for, but everybody
+wanted them and they wanted to come. They crowded into the door of the
+cottage, and nearly buried the aged couple with gifts,--all of them
+talking at once.
+
+Each child came up and, shaking the worthy couple by the hand, promised
+never to be thoughtless and wicked again.
+
+After this ceremony, Jerry, overcoming his shyness, made the effort of
+his life. He thanked the children and their parents in a speech that
+Peggy afterward described as being "just too beautiful, winding up as it
+did with real poetry made up mostly from his own head."
+
+And she told the truth. The old fellow had a roguish twinkle in his gray
+eye as, pointing to the piles of blankets and pillows, he said:
+
+ "Though Paddy on the Turnpike
+ Could never count eleven,
+ When children all brought feather beds
+ He an' Peggy tho't they was in Heaven."
+
+THE END.
+
+
+
+
+COSY CORNER SERIES
+
+
+It is the intention of the publishers that this series shall contain
+only the very highest and purest literature,--stories that shall not
+only appeal to the children themselves, but be appreciated by all those
+who feel with them in their joys and sorrows,--stories that shall be
+most particularly adapted for reading aloud in the family circle.
+
+The numerous illustrations in each book are by well-known artists, and
+each volume has a separate attractive cover design.
+
+Each, 1 vol., 16mo, cloth $0.50
+
+
+
+
+_By ANNIE FELLOWS JOHNSTON_
+
+
+The Little Colonel.
+
+The scene of this story is laid in Kentucky. Its heroine is a small
+girl, who is known as the Little Colonel, on account of her fancied
+resemblance to an old-school Southern gentleman, whose fine estate and
+old family are famous in the region. This old Colonel proves to be the
+grandfather of the child.
+
+
+The Giant Scissors.
+
+This is the story of Joyce and of her adventures in France,--the
+wonderful house with the gate of The Giant Scissors, Jules, her little
+playmate, Sister Denisa, the cruel Brossard, and her dear Aunt Kate.
+Joyce is a great friend of the Little Colonel, and in later volumes
+shares with her the delightful experiences of the "House Party" and the
+"Holidays."
+
+
+Two Little Knights of Kentucky,
+WHO WERE THE LITTLE COLONEL'S NEIGHBORS.
+
+In this volume the Little Colonel returns to us like an old friend, but
+with added grace and charm. She is not, however, the central figure of
+the story, that place being taken by the "two little knights," Malcolm
+and Keith, little Southern aristocrats, whose chivalrous natures lead
+them through a series of interesting adventures.
+
+
+Cicely and Other Stories for Girls.
+
+The readers of Mrs. Johnston's charming juveniles will be glad to learn
+of the issue of this volume for young people, written, in the author's
+sympathetic and entertaining manner.
+
+
+Big Brother.
+
+A story of two boys. The devotion and care of Steven, himself a small
+boy, for his baby brother, is the theme of the simple tale, the pathos
+and beauty of which has appealed to so many thousands.
+
+
+Ole Mammy's Torment.
+
+"Ole Mammy's Torment" has been fitly called "a classic of Southern
+life." It relates the haps and mishaps of a small negro lad, and tells
+how he was led by love and kindness to a knowledge of the right.
+
+
+The Story of Dago.
+
+In this story Mrs. Johnston relates the story of Dago, a pet monkey,
+owned jointly by two brothers. Dago tells his own story, and the account
+of his haps and mishaps is both interesting and amusing.
+
+
+
+
+_By EDITH ROBINSON_
+
+
+A Little Puritan's First Christmas:
+A STORY OF COLONIAL TIMES IN BOSTON.
+
+A story of Colonial times in Boston, telling how Christmas was invented
+by Betty Sewall, a typical child of the Puritans, aided by her
+"unregenerate" brother, Sam.
+
+
+A Little Daughter of Liberty.
+
+The author's motive for this story is well indicated by a quotation from
+her introduction, as follows:
+
+"One ride is memorable in the early history of the American Revolution,
+the well-known ride of Paul Revere. Equally deserving of commendation is
+another ride,--untold in verse or story, its records preserved only in
+family papers or shadowy legend, the ride of Anthony Severn was no less
+historic in its action or memorable in its consequences."
+
+
+A Loyal Little Maid.
+
+A delightful and interesting story of Revolutionary days, in which the
+child heroine, Betsey Schuyler, renders important services to George
+Washington and Alexander Hamilton, and in the end becomes the wife of
+the latter.
+
+
+A Little Puritan Rebel.
+
+Like Miss Robinson's successful story of "A Loyal Little Maid," this is
+another historical tale of a real girl, during the time when the gallant
+Sir Harry Vane was governor of Massachusetts.
+
+
+A Little Puritan Pioneer.
+
+The scene of this story is laid in the Puritan settlement at
+Charlestown. The little girl heroine adds another to the list of
+favorites so well known to the young people in "A Little Puritan Rebel,"
+etc.
+
+
+
+
+_By OUIDA (Louise de la Ramee)_
+
+
+A Dog of Flanders: A CHRISTMAS STORY.
+
+Too well and favorably known to require description.
+
+
+The Nuernberg Stove.
+
+This beautiful story has never before been published at a popular price.
+
+
+A Provence Rose.
+
+A story perfect in sweetness and in grace.
+
+
+Findelkind.
+
+A charming story about a little Swiss herdsman.
+
+
+
+
+_By MISS MULOCK_
+
+
+The Little Lame Prince.
+
+A delightful story of a little boy who has many adventures by means of
+the magic gifts of his fairy godmother.
+
+
+Adventures of a Brownie.
+
+The story of a household elf who torments the cook and gardener, but is
+a constant joy and delight to the children who love and trust him.
+
+
+His Little Mother.
+
+Miss Mulock's short stories for children are a constant source of
+delight to them, and "His Little Mother," in this new and attractive
+dress, will be welcomed by hosts of youthful readers.
+
+
+Little Sunshine's Holiday.
+
+An attractive story of a summer outing. "Little Sunshine" is another of
+those beautiful child-characters for which Miss Mulock is so justly
+famous.
+
+
+
+
+
+End of the Project Gutenberg EBook of Jerry's Reward, by Evelyn Snead Barnett
+
+*** END OF THIS PROJECT GUTENBERG EBOOK JERRY'S REWARD ***
+
+***** This file should be named 20862.txt or 20862.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/0/8/6/20862/
+
+Produced by David Garcia, Jacqueline Jeremy and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/20862.zip b/old/20862.zip
new file mode 100644
index 0000000..4c4241d
--- /dev/null
+++ b/old/20862.zip
Binary files differ