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diff --git a/old/20776-h/chapter_10.html b/old/20776-h/chapter_10.html new file mode 100644 index 0000000..8796455 --- /dev/null +++ b/old/20776-h/chapter_10.html @@ -0,0 +1,901 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of Encyclopedia of Needlework, by Thérèse De Dillmont. + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + clear: both; + } + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + + } + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + + table {margin-left: auto; margin-right: auto;} + + body{margin-left: 10%; + margin-right: 10%; + } + + .center {text-align: center;} + .smcap {font-variant: small-caps;} + .br {border-right: solid 2px;} + .caption {font-weight: bold; + text-align: center} + + .figcenter {margin: auto; text-align: center;} + + .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 1em; margin-top: + 1em; margin-right: 1em; padding: 0; text-align: center;} + + .figright {float: right; clear: right; margin-left: 1em; margin-bottom: 1em; + margin-top: 1em; margin-right: 0; padding: 0; text-align: center;} + + .footnotes {border: dashed 1px;} + .footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + .footnote .label {position: absolute; right: 84%; text-align: right;} + .fnanchor {vertical-align:baseline; + position: relative; + bottom: 0.33em; + font-size: .8em; + text-decoration: none;} + + --> + /* XML end ]]>*/ + </style> + </head> +<body> + + + +<p><a name="Page_325" id="Page_325"></a></p> + +<hr style="width: 65%;" /> +<div class="figcenter" style="width: 600px;"> +<img src="images/499.jpg" alt="TATTED INSERTION.—DOUBLE KNOTS, SINGLE PICOTS AND JOSEPHINE PICOTS." title="" /> +<span class="caption smcap">Tatted insertion.—Double knots, single picots and josephine picots.</span> +</div> + +<hr style="width: 15%;" /> +<h2><a name="Tatting" id="Tatting"></a>Tatting.</h2> +<hr style="width: 15%;" /> + + +<p>On account of a similarity in their construction, a chapter +on tatting seems to form a natural sequence to the one on +crochet and is in some ways a preparation for that on macramé +which succeeds it.</p> + +<p>The English name of tatting is said to be derived from +«tatters» and to denote the frail disconnected character of the +fabric. By the Italians it was formerly called «occhi», whilst +in the East it still bears the name of «makouk», from the +shuttle used in making it.</p> + +<p>In the eighteenth century, when tatting was in great vogue, +much larger shuttles than our present ones were used, because of +the voluminous materials they had to carry, silk cord being one.</p> + +<p><b>Shuttles</b>.—The tatting shuttle consists of two oval blades +of either bone, ivory, mother of pearl or tortoise-shell, pointed +at both ends, and joined together in the middle. A good shuttle +contributes materially to the rapid and perfect execution of the +work and attention should be paid in its selection to the following +particulars: that it be not more than 7 c/m. long and +2 or 3 c/m. wide: that the two ends be close enough to +prevent the thread from protruding; this is more especially +important in tatting with two shuttles and lastly, that the centre +piece that joins the two oval blades together should have a +hole bored in it, large enough for the thread to pass through.</p> + +<p>In filling the shuttle, be careful not to wind on too much +<a name="Page_326" id="Page_326"></a>thread at once, or the blades will gape open at the ends and the +thread get soiled by constant contact with the worker's hands.</p> + +<p><b>Materials</b>.—A strongly twisted thread such as Fil d'Alsace +D.M.C, Fil à dentelle D.M.C, or Cordonnet 6 fils D.M.C, +is best for tatting. We particularly recommend Fil d'Alsace, +as forming the best shaped knots and picots. A soft material +such as Coton à tricoter D.M.C, can also be used where it +suits the purpose better.</p> + +<p><b><a name="First_position_of_the_hands" id="First_position_of_the_hands"></a>First position of the hands</b> (fig. <a href="#fig_486">486</a>).—The construction +of the knots or stitches, appears at first sight to present great +difficulties but will be easily mastered by attention to the +indications here given. One thing, to be constantly borne in +mind is, that when the right hand has passed the shuttle +through the loop, it must stop with a sudden jerk and hold +the thread tightly extended until the left hand has drawn up +the knot. After filling the shuttle, take the end of the thread +between the thumb and forefinger of the left hand, and the +shuttle in the right, pass the thread over the third and fourth +fingers of the left hand, bring it back towards the thumb and +cross the two threads under the fingers, as indicated in fig. <a href="#fig_486">486</a>. Pass the thread that comes from the shuttle round the +little finger of the right hand, and give the shuttle the direction +shown in the engraving.</p><p><a name="Page_327" id="Page_327"></a></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/500.jpg" alt="FIG. 486. FIRST POSITION OF THE HANDS." title="" /> +<a name="fig_486" id="fig_486"></a><span class="caption smcap">Fig. 486. First position of the hands.</span> +</div> + +<p><b>Second and third position of the hands</b> (figs. <a href="#fig_487">487</a> and +<a href="#fig_488">488</a>).—Make the shuttle pass between the first and third fingers, +in the direction indicated by the arrow in fig. <a href="#fig_487">487</a>, and bring +it out behind the loop.</p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/501.jpg" alt="FIG. 487. SECOND POSITION OF THE HANDS." title="" /> +<a name="fig_487" id="fig_487"></a><span class="caption smcap">Fig. 487. Second position of the hands.</span> +</div> + +<p>Here the first difficulties for beginners arise and until they +have sufficiently mastered the movements of both hands not +to confuse them, we advise them to pay careful attention to +the following instructions. As soon as you have put the shuttle +through the loop, place +the right hand on the +table with the thread +tightly extended, leaving +the left hand perfectly +passive.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/502.jpg" alt="FIG. 488. THIRD POSITION OF THE HANDS." title="" /> +<a name="fig_488" id="fig_488"></a><span class="caption smcap">Fig. 488. Third position of the hands.</span> +</div> + +<p>Then, raising the +third and fourth fingers +of the left hand with +the loop upon them, +pull up the loop, +stretching the thread +tightly in so doing by +extending the fingers. +By this movement +a knot is +formed, the +first part of the +«double knot», +which is the +most common +one in tatting.</p> + +<p>Remember +that the right +hand must be +kept perfectly +still as long as +the left is in motion and that the knot must be formed of the +loop thread that is in the left hand.</p> + +<p>The right hand, or shuttle thread, must always be free to +<a name="Page_328" id="Page_328"></a>run through the knots; if it were itself formed into knots it +would not have the free play, needed for loosening and tightening +the loop on the left hand, as required.</p> + +<p><b>Fourth position of the hands</b> (fig. <a href="#fig_489">489</a>).—The second +part of a knot is formed by the following movements: pass the +shuttle, as indicated in fig. <a href="#fig_489">489</a>, from left to right, between the +first and third fingers through the extended loop; the right +hand seizes the shuttle in front of the empty loop and extends +the thread; the left hand pulls up this second part of the knot +as it did the first.</p> + +<div class="figcenter" style="width: 600px;"> +<img src="images/503.jpg" alt="FIG. 489. FOURTH POSITION OF THE HANDS." title="" /> +<a name="fig_489" id="fig_489"></a><span class="caption smcap">Fig. 489. Fourth position of the hands.</span> +</div> + +<p><b><a name="Single_or_half_knots" id="Single_or_half_knots"></a>Single or half knots. Josephine picots</b> (figs. <a href="#fig_490">490</a> and <a href="#fig_491">491</a>).—The +Josephine picot or purl, as it is also called in tatting, +consists of a series of single or half knots formed of the first +knot only. These picots may be made of 4 or 5 knots, as in +fig. <a href="#fig_490">490</a>, or of 10 or 12 knots, as in fig. <a href="#fig_491">491</a>.</p> + +<div class="figcenter" style="width: 300px;"> +<a name="fig_490" id="fig_490"></a><a name="fig_491" id="fig_491"></a> +<div class="figleft" style="width: 100px;"> +<img src="images/504.jpg" alt="FIG. 490. SINGLE OR HALF KNOTS. +SMALL JOSEPHINE PICOT." title="" /> +<span class="caption smcap">Fig. 490. Single or half knots. +Small josephine picot.</span> +</div> + +<div class="figright" style="width: 150px;"> +<img src="images/505.jpg" alt="FIG. 491. SINGLE OR HALF KNOTS. +LARGE JOSEPHINE PICOT." title="" /> +<span class="caption smcap">Fig. 491. Single or half knots. +Large josephine picot.</span> +</div> +</div> + +<p><b>Fifth position of the hands</b> (fig. <a href="#fig_492">492</a>).—When the second +knot forming the double knot has been made, the two hands +<a name="Page_329" id="Page_329"></a>resume the position shown in fig. <a href="#fig_487">487</a>. Fig. <a href="#fig_492">492</a> reproduces the +same and shows us a few finished knots as well.</p> + +<div class="figcenter" style="width: 550px;"> +<img src="images/506.jpg" alt="FIG. 492. FIFTH POSITION OF THE HANDS." title="" /> +<a name="fig_492" id="fig_492"></a><span class="caption smcap">Fig. 492. Fifth position of the hands.</span> +</div> + +<p><b>Position of the hands for making a picot</b> (fig. <a href="#fig_493">493</a>).—Picots +are introduced into tatting patterns as they are into +knitting and crochet. They also serve to connect the different +parts of a pattern together and render a great many pretty +combinations feasible.</p> + +<div class="figcenter" style="width: 600px;"> +<img src="images/507.jpg" alt="FIG. 493. POSITION OF THE HANDS FOR MAKING A PICOT." title="" /> +<a name="fig_493" id="fig_493"></a><span class="caption smcap">Fig. 493. Position of the hands for making a picot.</span> +</div> + +<p><b>Open and close picot</b> (figs. <a href="#fig_494">494</a> and <a href="#fig_495">495</a>).—These are +<a name="Page_330" id="Page_330"></a>formed of single knots, leaving a loop on the extended thread, +as shown in fig. <a href="#fig_494">494</a>, and a short length of thread between the +knots; finish the second half knot and when you have pulled +it up, join it to the preceding knot. In this manner the picot +represented in fig. <a href="#fig_495">495</a> is formed quite naturally.</p> + +<div class="figcenter" style="width: 600px;"> +<a name="fig_494" id="fig_494"></a><a name="fig_495" id="fig_495"></a> +<div class="figleft" style="width: 250px;"> +<img src="images/508.jpg" alt="FIG. 494. OPEN PICOT." title="" /> +<span class="caption smcap">Fig. 494. Open picot.</span> +</div> + +<div class="figright" style="width: 250px;"> +<img src="images/509.jpg" alt="FIG. 495. CLOSE PICOT." title="" /> +<span class="caption smcap">Fig. 495. Close picot.</span> +</div> +</div> + +<p>In every kind of tatting the knot that comes after the picot +is independent of the loop.</p> + +<p>Thus if the directions say: 2 knots, 1 picot, 3 knots, 1 picot, +2 knots, etc., you must count the knot that served to form the +loop and not make: 2 knots, 1 picot, 4 knots, etc. To join the +different rings, ovals, etc., together by means of picots, take up +the thread that runs over the left hand with a crochet needle, +inserting it into the picot downwards from above, draw the +thread through and pull it up like any other knot.</p> + +<p><b>Tatting with two shuttles</b> (fig. <a href="#fig_496">496</a>).—Two shuttles are +used in tatting when the little rings are not to be connected +together at the bottom by a thread, when you want to hide the +<a name="Page_331" id="Page_331"></a>passage of the thread to another group of knots and when +threads of several colours are used.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/510.jpg" alt="FIG. 496. TATTING WITH TWO SHUTTLES." title="" /> +<a name="fig_496" id="fig_496"></a><span class="caption smcap">Fig. 496. Tatting with two shuttles.</span> +</div> + +<p>When you work with two shuttles, tie the two threads together. +Pass one thread over the third finger of the left hand, +wind it twice round the fourth finger and leave the shuttle +hanging down.</p> + +<p>Pass the second shuttle into the right hand and make the +same movements with it as you do in working with one shuttle +only.</p> + +<p><b><a name="Detached_scallops" id="Detached_scallops"></a>Detached scallops</b> (fig. <a href="#fig_497">497</a>).—Make 12 double knots with +one shuttle, then tighten the thread so as to draw them together +into a half ring; the next knot +must touch the last knot of +the scallop before it.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/511.jpg" alt="FIG. 497. DETACHED SCALLOPS." title="" /> +<a name="fig_497" id="fig_497"></a><span class="caption"><span class="smcap">Fig. 497. Detached scallops.<br /> +Materials</span>: Fil d'Alsace D.M.C in balls +Nos 30 to 70 or Cordonnet 6 fils D.M.C +Nos. 25 to 50.<a href="#Footnote_A" class="fnanchor">[A]</a></span> +</div> + +<p><b>Scallops joined together +at the top</b> (fig. <a href="#fig_498">498</a>). +With one shuttle make 4 +double, 1 picot, * 8 double, +1 picot, 4 double, close the +half ring, 4 double, draw +the thread through the picot +and repeat from *.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/512.jpg" alt="FIG. 498. +SCALLOPS JOINED TOGETHER AT THE TOP." title="" /> +<a name="fig_498" id="fig_498"></a><span class="caption"><span class="smcap">Fig. 498. +Scallops joined together at the top.<br /> +Materials</span>: Fil d'Alsace D.M.C Nos. 30 to 70, +Cordonnet 6 fils D.M.C Nos. 15 to 40, or +Fil à dentelle D.M.C Nos. 25 to 60 <a href="#Footnote_A" class="fnanchor">[A]</a></span> +</div> + +<p><b>Scallops with picots</b> +(fig. <a href="#fig_499">499</a>).—Make with one +shuttle: 4 double, 1 picot, +* 3 double, 1 picot, 2 double, +1 picot, 2 double, 1 picot, 3 +double, 1 picot, 4 double, +close the ring.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/513.jpg" alt="FIG. 499. SCALLOPS WITH PICOTS." title="" /> +<a name="fig_499" id="fig_499"></a><span class="caption"><span class="smcap">Fig. 499. Scallops with picots.<br /> +Materials</span>: Fil d'Alsace D.M.C in balls +Nos. 30 to 70, écru or white.<a href="#Footnote_A" class="fnanchor">[A]</a></span> +</div> + +<p>Leave sufficient length of +thread before beginning the +next ring, for the rings not to overlap each other = make 4 +double, draw the left hand thread through the 5th picot of the +preceding ring and repeat from *.</p> + +<p><b>Tatted insertion</b> (fig. <a href="#fig_500">500</a>).—Make with one shuttle a +<a name="Page_332" id="Page_332"></a>ring like the ones in fig. <a href="#fig_499">499</a>, then leaving a length of, from 5 +to 10 m/m. of thread, make a +second ring = turn the work += leave the same length of +thread again, begin a third +ring which you join after the +4th double, to the 5th picot +of the 1st ring = turn the +work after each ring is made, +so that all the upper rings +represent the right side of +the work and all the lower +ones the wrong.</p> + +<div class="figcenter" style="width: 600px;"> +<img src="images/514.jpg" alt="FIG. 500. TATTED INSERTION." title="" /> +<a name="fig_500" id="fig_500"></a><span class="caption"><span class="smcap">Fig. 500. Tatted insertion.<br /> +Materials</span>: Fil d'Alsace D.M.C in balls +Nos. 30 to 70, écru or white.</span> +</div> + +<p><b>Tatted insertion</b> (fig. <a href="#fig_501">501</a>).—To be worked with +two shuttles. Begin with one +thread and one shuttle and +make a ring, as in figs. <a href="#fig_499">499</a> +and <a href="#fig_500">500</a>; and a second close +to it; then pass the thread +over the left hand, take the +second shuttle in the right +hand and make 6 double on +the 2nd thread, after which +you again make a ring above +and one below with one +shuttle only.</p> + +<div class="figcenter" style="width: 600px;"> +<img src="images/515.jpg" alt="FIG. 501. TATTED INSERTION." title="" /> +<a name="fig_501" id="fig_501"></a><span class="caption"><span class="smcap">Fig. 501. Tatted insertion.<br /> +Materials</span>: Fil d'Alsace D.M.C Nos. 30 +to 70, or Cordonnet 6 fils D.M.C No. 20.</span> +</div> + +<p><b>Edging of tatting and crochet</b> (fig. <a href="#fig_502">502</a>).—Make with one +shuttle: 1 double, 1 picot, 2 double, 1 picot, 2 double, 1 picot, +2 double, 1 picot twice as long as the others, 2 double, 1 picot, +2 double, 1 picot, 2 double, 1 picot, 2 double, 1 long picot, 1 +double = close the ring = fasten off the two threads on the +wrong side with two or three stitches.</p> + +<div class="figcenter" style="width: 600px;"> +<img src="images/516.jpg" alt="FIG. 502. EDGING OF TATTING AND CROCHET." title="" /> +<a name="fig_502" id="fig_502"></a><span class="caption"><span class="smcap">Fig. 502. Edging of tatting and crochet.<br /> +Materials</span>—For the tatting: Fil d'Alsace +D.M.C in balls No. 30. +For the crochet: Cordonnet 6 fils D.M.C +No. 60.</span> +</div> + +<p>After the first knot join the next ring to the preceding +one by the long picot, and work the remainder as has been +already described.</p> + +<p>When you have a sufficient number of rings, pick up the +picots by crochet trebles with 3 chain stitches between them. On +<a name="Page_333" id="Page_333"></a>this first row, crochet a second, consisting of: 2 chain, 1 picot, +2 chain, 1 single in the treble of the 1st row. To finish the bottom +part of the work, make 1 plain in the 1st picot, 3 chain; 1 +plain in the 2nd picot, 3 chain, 1 plain in the 3rd picot, 1 +chain, 1 plain in the 1st picot of the next ring.</p> + +<p>One row of single crochet serves as a footing to the edging.</p> + +<p><b>Tatted edging in three rows</b> (fig. <a href="#fig_503">503</a>).—Worked with +two shuttles. The first row is +worked like fig. <a href="#fig_495">495</a>, with one +shuttle. The second and third +are worked with two.</p> + +<div class="figcenter" style="width: 600px;"> +<img src="images/517.jpg" alt="FIG. 503. +TATTED EDGING IN THREE ROWS." title="" /> +<a name="fig_503" id="fig_503"></a><span class="caption"><span class="smcap">Fig. 503. +Tatted edging in three rows.<br /> +Materials</span>: Fil d'Alsace D.M.C in balls +Nos. 30 to 70, or Cordonnet 6 fils D.M.C +Nos. 20 to 60.</span> +</div> + +<p>Fasten the thread of the +right hand shuttle into the first +picot; then work on this thread +the same number of double +knots and picots as in the 1st +row and join each half ring to +the picot of the row before. In +the 3rd row, insert 3 picots between +the 8 double knots of +the row above. Here the Josephine +picot may be substituted +for the plain picot.</p> + +<p><b>Tatted edging</b> (fig. <a href="#fig_504">504</a>).—Worked +with two shuttles and +two colours. After making a +string of rings like those in fig. <a href="#fig_502">502</a>, with Fil d'Alsace D.M.C +No. 30 écru, fasten the blue and +unbleached threads of the respective +shuttles to the middle picot. Holding the light thread +in the right hand, and the dark one laid over the left hand, +work: 3 double, 1 picot, 3 double = then put the right hand +thread separately through the 2 picots of the rings and continue +to make: 3 double, 1 picot, 3 double.</p> + +<div class="figcenter" style="width: 600px;"> +<img src="images/518.jpg" alt="FIG. 504. TATTED EDGING." title="" /> +<a name="fig_504" id="fig_504"></a><span class="caption"><span class="smcap">Fig. 504. Tatted edging.<br /> +Materials</span>: Fil d'Alsace D.M.C in balls +Nos. 30 to 70, or Fil à dentelle D.M.C +Nos. 25 to 50.<br /> +<span class="smcap">Colours</span>: Écru and Bleu-Indigo 334, or +Jaune d'Ocre 667 and Rouge-Cornouille +450, Gris-Tilleul 331 and Brun-Caroubier +356.</span> +</div> + +<p>The next row also is made with two shuttles. Hold the light +thread in the right hand; with the dark thread, laid across +the left hand, make: * 4 double, 1 picot, 2 double, 1 picot, 2 +<a name="Page_334" id="Page_334"></a>double = turn the work = with the right hand shuttle make: +6 double, put the thread through the little picot formed above +the middle picot of the rings, 6 double, close the ring = +turn the work = make with two shuttles: 2 double, 1 picot, +2 double, 1 picot, 4 double, put the light thread through the +2 blue picots and repeat from *. The first row of crochet for +the footing consists of chain and plain stitches only, the +second, of chain stitches and trebles.</p> + +<p><b>Medallion</b> (fig. <a href="#fig_505">505</a>).—Take two colours of thread and fill +two shuttles with the light colour +and two with the dark. Make with +one shuttle: 24 double and 12 picots, +6 of them short and 6 long; close +the ring, break off the thread and +fasten off the ends by a stitch or +two on the wrong side.—For the +next 4 rows take two shuttles.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/519.jpg" alt="FIG. 505. MEDALLION." title="" /> +<a name="fig_505" id="fig_505"></a><span class="caption"><span class="smcap">Fig. 505. Medallion.<br /> +Materials</span>: Fil d'Alsace D.M.C in +balls Nos. 30 to 50.<a href="#Footnote_A" class="fnanchor">[A]</a><br /> +<span class="smcap">Colours</span>: White and Rouge-Géranium +352, or écru and Vert-Mousse +471, Bleu pâle 668 and Jaune d'Or 676.</span> +</div> + +<p>1st row—with the shuttles +containing the light colour = fasten +the ends on to a short picot and +make: * 3 double, 1 short picot, 2 +double, 1 long picot, 2 double, 1 +long picot, 2 double, 1 long picot, +2 double, 1 short picot, 3 double; +pass the right hand thread through +one of the short picots of the first ring, repeat the series 5 +times from *.</p> + +<p>When you reach the 6th half ring, instead of making the +second picot, put the left hand thread through the short +picot of the first half ring, then complete the last double +knots, cut the threads off, pass them through the picot of +the ring and fasten them off on the wrong side.</p> + +<p>2nd row—with the shuttles filled with the light colour = +fasten the ends on to a long picot, then make: * 4 double, 1 +picot, 4 double, pass the right hand thread through the picot +of the first row and repeat the series 17 times from *.</p> +<p><a name="Page_335" id="Page_335"></a></p> +<p>3rd row—with the shuttles filled with the dark colour = +fasten the ends on to one of the picots of the last row and +make: * 4 double, pass the right hand thread through the picot +of the 2nd row, make a long picot, 4 double and repeat this +series all round the medallion, until you have 18 scallops.</p> + +<p>4th row—with the shuttles filled with the dark colour = +* 2 double, 1 picot, 2 double, 1 picot, 2 double, 1 picot, 2 +double, pass the right hand thread, from the wrong side, through +the picot of the 2nd row and begin again from *.</p> + +<p><b>Insertion of tatting and crochet</b> (fig. <a href="#fig_506">506</a>).—Fill two +shuttles, one with a light colour, say, Bleu de France 344, +the other with a darker, +such as Jaune-Rouille 365, +and two numbers coarser +than the thread you intend +to use for the crochet. Begin +with the dark colour +and make: * 4 double, 1 +picot, 8 double, 1 picot, 4 +double, close the ring. +With both shuttles, the +light colour in the left +hand: 4 double, 1 picot, +2 double, 1 picot, 2 double, +1 picot, 4 double, put the +right hand thread through +the picot of the first circle; +then add: 4 double, 1 picot, 2 double, 1 picot, 2 double, 1 picot, +4 double.</p> + +<div class="figcenter" style="width: 600px;"> +<img src="images/520.jpg" alt="FIG. 506. INSERTION OF TATTING AND CROCHET." title="" /> +<a name="fig_506" id="fig_506"></a><span class="caption"><span class="smcap">Fig. 506. Insertion of tatting and crochet.<br /> +Materials</span>: Fil d'Alsace D.M.C in balls Nos. 30 +to 70, or Fil à dentelle D.M.C Nos. 25 to 50.<br /> +<span class="smcap">Colours</span>: Bleu de France 344 and +Jaune-Rouille 365.</span> +</div> + +<p>With the shuttle, filled with the dark colour: 5 double, +pass the thread through the picot of the first ring, make 8 +double, 1 picot, 5 double, close the ring. Then, leaving a +short length of thread between, make: 4 double, put the +thread through the picot of the preceding ring, 8 double, 1 +picot, 4 double, close the ring **; then repeat from * to **.</p> + +<p>When you have thus made two equal lengths, join them together +with crochet, using a thread two numbers finer than the +tatting thread; if the latter for instance was Fil d'Alsace No. 30, +<a name="Page_336" id="Page_336"></a>you would take No. 50 of the same material for the crochet—1 +plain in the 1st picot, 5 chain, 1 plain in the middle picot, +5 chain, 1 plain in the 3rd and 1st picot = then, over 5 +chain: 1 sextuple cluster stitch (fig. <a href="./chapter_9.html#fig_426">426</a>), 5 chain.</p> + +<p>In the row on the opposite side of the tatting, take out +the crochet needle +at the 3rd chain +stitch and put it in +from beneath into +the corresponding +stitch of the opposite +row; in this +manner join the +two insertions together +so as to +complete the pattern.</p> + +<p><b>Insertion of tatting and crochet</b> +(figs. <a href="#fig_507">507</a> and +<a href="#fig_508">508</a>).—Worked +with one shuttle. +The tatting thread +should be two +numbers coarser than the crochet thread. Begin with 2 strings +of half rings consisting of: 4 short picots and 3 long. Leave a +length of thread between, equal to the diameter of the ring.</p> + +<div class="figcenter" style="width: 600px;"><a name="fig_507" id="fig_507"></a> +<img src="images/521.jpg" alt="FIG. 507. INSERTION OF TATTING AND CROCHET." title="" /> +<span class="caption"><span class="smcap">Fig. 507. Insertion of tatting and crochet.<br /> +Materials</span>—For the tatting: Fil d'Alsace D.M.C in balls +Nos. 30 to 70, or Cordonnet 6 fils D.M.C Nos. 25 to 50, +écru or white.<a href="#Footnote_A" class="fnanchor">[A]</a><br /> +For the crochet: The same materials, but two +numbers finer.</span> +</div> + +<p>When the two strings of half rings are finished, crochet with +the fine thread: 6 plain over each length of thread between, +and at the base of the scallops.</p> + +<div class="figcenter" style="width: 450px;"> +<img src="images/522.jpg" alt="FIG. 508. WORKING DETAIL OF FIG. 507." title="" /> +<a name="fig_508" id="fig_508"></a><span class="caption smcap">Fig. 508. Working detail of fig. <a href="#fig_507">507</a>.</span> +</div> + +<p>2nd row—5 chain, 1 plain in the 4th plain of the 1st row.</p> + +<p>In the row that connects the two rows of tatting, put the +3rd chain stitch into the corresponding stitch of the opposite row.</p> + +<p>For the outside edge make: 1 plain in the 1st short picot, +8 chain *, 1 treble in the 2nd short picot, 7 chain, 1 treble +in the 3rd short picot, 8 chain, 1 plain in the 4th short picot,<a name="Page_337" id="Page_337"></a> +1 plain in the short picot opposite, 3 chain, pass the thread +through the 4th of the 8 chain stitches, 4 chain and repeat from *.</p> + +<p>For the last row make: 3 plain in each of the 3 last of +8 chain, * 1 picot of 5 chain above the treble, 4 plain in +the 4 next chain, 1 picot, 1 single in the same stitch as the +plain before the picot, 3 plain, 1 picot, 3 plain, miss the +1st and the last stitch, then make 3 plain on the next scallop +and repeat from *.</p> + +<p><b>Edging of tatting and crochet</b> (fig. <a href="#fig_509">509</a>).—Worked with +two shuttles and in two shades. With the light shade: 2 +double, 1 short picot, +2 double, 1 +long picot, * 2 double, +1 picot of the +ordinary size, 2 +double, 1 picot, 2 +double, 1 picot, 2 +double, 1 long picot, +2 double, 1 +short picot, 2 double, +close the ring += with 2 shuttles: 3 double, pass the thread through the 1st +picot, make 3 double, 1 long picot, 2 double = with the light +shade: 4 double, pass the thread through the 9th picot of the +1st ring, make 3 double, 1 picot, 4 double, close the ring = with +2 shuttles: 2 double, 1 picot, 3 double, 1 short picot, 3 double += with one shuttle: 2 double, pass the thread through the empty +picot of the small ring, make 2 double, pass the thread through +the long picot of the big ring, then repeat from *.</p> + +<div class="figcenter" style="width: 600px;"> +<a href="images/full_523.jpg"><img src="images/523.jpg" alt="FIG. 509. EDGING OF TATTING AND CROCHET." title="" /></a> +<a name="fig_509" id="fig_509"></a><span class="caption"><span class="smcap">Fig. 509. Edging of tatting and crochet.<br /> +Materials</span>—For the tatting: Fil d'Alsace D.M.C in balls +No. 30 in two shades of one colour.<br /> +For the crochet: Fil d'Alsace D.M.C in balls No. 50 +in one colour only.</span> +</div> + +<p>To complete the edge, crochet first one row, consisting of: +* 1 plain in the 1st of the 5 picots of the big ring, 4 chain, +1 plain in the 2nd picot, 4 chain, 1 plain in the 3rd picot, 4 +chain, 1 plain in the 4th picot, 4 chain, 1 plain in the 5th +picot and repeat from *.</p> + +<p>2nd row—2 plain on the 3rd and 4th of the first chain +stitches = over the 2nd and 3rd chain: 1 plain, 1 half treble, +2 trebles, 1 half treble, 1 plain; on the 4 last chain: 2 plain.</p> + +<p>For the footing make: 1 plain in the long picot, 5 chain,<a name="Page_338" id="Page_338"></a> +1 plain in the next picot, 5 chain, 1 double treble in the short +picot, leave the 2 last loops of the treble on the needle = 3 +trebles in the first lower loop of the double treble, keep the +last loops of these 3 trebles on the needle, after the 4th treble, +draw the needle through the 4 trebles. The last row consists +of: 3 chain, 1 treble over 5 chain.</p> + +<p><b>Tatted medallion</b> (fig. <a href="#fig_510">510</a>).—Worked with two shuttles +and two colours.</p> + +<div class="figcenter" style="width: 400px;"> +<a href="images/full_524.jpg"><img src="images/524.jpg" alt="FIG. 510. TATTED MEDALLION." title="" /></a> +<a name="fig_510" id="fig_510"></a><span class="caption"><span class="smcap">Fig. 510. Tatted medallion.<br /> +Materials</span>: Fil d'Alsace D.M.C Nos. 30 to 50.<a href="#Footnote_A" class="fnanchor">[A]</a><br /> +<span class="smcap">Colours</span>: Gris-Tilleul 330 and Rouge-Cardinal 304.<a href="#Footnote_A" class="fnanchor">[A]</a></span> +</div> + +<p>1st row—with one shuttle: 12 double and 6 picots, close +the ring.</p> + +<p>2nd row—with two shuttles and the dark coloured thread +laid across the left hand = knot the threads into one of the picots +of the 1st ring: 1 +double, 1 long picot, +2 double, pass +the right hand +thread through one +of the picots of the +ring, 1 picot, 2 double +and so on. After +the 12th picot fasten +off the threads +on the wrong side +by two or three +stitches.</p> + +<p>3rd row—with +one shuttle: * 3 +double, pass the +thread through one +of the picots of the +2nd row, make 3 +double, close the +ring = leave 5 m/m. of thread = turn the work = 4 double, +1 picot, 4 double, close the ring = leave 5 m/m. of thread +again and repeat 11 times from *.</p> + +<p>4th row—with two shuttles; fasten the ends to one of +<a name="Page_339" id="Page_339"></a>the picots of one of the 12 rings of the 3rd row: * 3 double, +1 picot, 3 double = with one shuttle: 3 double, pass the thread +through the picot, 3 double, 1 picot, 2 double, 1 picot, 3 +double, close the ring = close to this: 3 double, pass the +thread through the 2nd picot of the 1st ring, 3 double, 1 picot, +3 double, close the ring = again, close to the last ring: 3 double, +pass the thread through the picot of the 2nd ring, 2 double, 1 +picot, 3 double, close the ring = with 2 shuttles: 3 double, pass +the thread through the 2nd picot of the 3rd ring, 3 double, +fasten the thread to the picot of the ring of the 3rd row and +repeat 11 times from *.</p> + +<p>5th row—with two shuttles and the dark colour across the +left hand: 6 double and 2 picots over the lower rings and +10 double and 4 picots over the upper rings.</p> + +<p><b>Tatted edging</b> (fig. <a href="#fig_511">511</a>).—With two shuttles and with the +two colours indicated, +or in any +other combination +of colours.</p> + +<div class="figcenter" style="width: 400px;"> +<a href="images/full_525.jpg"><img src="images/525.jpg" alt="FIG. 511. TATTED EDGING." title="" /></a> +<a name="fig_511" id="fig_511"></a><span class="caption"><span class="smcap">Fig. 511. Tatted edging.<br /> +Materials</span>: Fil d'Alsace D.M.C in balls Nos. 30 to 70, +Cordonnet 6 fils D.M.C Nos. 40 to 50, or Fil à dentelle +D.M.C Nos. 25 to 40.<br /> +<span class="smcap">Colours</span>: Gris-Tilleul 330 and Rouge-Grenat 326.</span> +</div> + +<p>Begin with two +shuttles, the red +thread across the +left hand = 10 double, +1 picot, 6 double += with one +shuttle: 6 double, +1 picot, 6 double, +close the ring = +turn the work = +make a second ring +like the first and +close to it = turn +the work = with +two shuttles: 6 double, 1 picot, 6 double = with one shuttle: +6 double, pass the thread through the picot of the ring opposite, +6 double, close the ring = 6 double, 1 picot, 6 double, close +the ring = turn the work to make the next half ring.</p> + +<p>Make 3 rows of half rings connected by rings. In the 2nd +<a name="Page_340" id="Page_340"></a>row, you pass the thread from the ring through the picot to +which the 2nd ring was fastened in the 1st row.</p> + +<p>For the outside scallops, make with one shuttle: * 5 double, +pass the thread through the picot that connects 2 rings, 5 +double, close the ring = with two shuttles: 4 double = with +one shuttle: 2 double, 1 picot, 2 double, 1 picot, 2 double, +pass the thread through the picot of the half ring of the 3rd row, +2 double; then 8 picots more with 2 double between each, +close the ring = with two shuttles: 4 double, 1 long picot, 2 +double, 1 short picot, 2 double, 1 short picot, 3 double = with +one shuttle: 5 double, pass the thread through the 3rd picot +of the big ring, 5 double, close the ring = with two shuttles: +2 double, 6 picots with 2 double after each picot = with one +shuttle: 5 double, pass the thread through the 3rd picot of the +big ring, 5 double, close the ring = with two shuttles: 3 +double, 1 picot, 2 double, 1 picot, 2 double, 1 picot, 4 double, +pass the right hand thread through the 6th picot of the big +ring = with two shuttles: 4 double, then repeat from *.</p> + +<p>The footing is worked in crochet and consists of one row +of chain stitches and one of trebles.</p> + +<p><b>Square of tatting</b> (fig. <a href="#fig_512">512</a>).—Worked with two shuttles +and two colours. With the light colour: 2 double, 1 picot, 4 +double, 1 picot, 4 double, 1 picot, 4 double, 1 picot, 2 double, +close the ring.</p> + +<div class="figcenter" style="width: 550px;"> +<a href="images/full_526.jpg"><img src="images/526.jpg" alt="FIG. 512. SQUARE OF TATTING." title="" /></a> +<a name="fig_512" id="fig_512"></a><span class="caption"><span class="smcap">Fig. 512. Square of tatting.<br /> +Materials</span>: Fil d'Alsace D.M.C in balls Nos. 30 to 100, Cordonnet 6 fils D.M.C +Nos. 10 to 60, or Fil à dentelle D.M.C Nos. 25 to 70. <a href="#Footnote_A" class="fnanchor">[A]</a><br /> +<span class="smcap">Colours</span>: Jaune-Rouille 366 and Brun-Caroubier 359.<a href="#Footnote_A" class="fnanchor">[A]</a></span> +</div> + +<p>1st row—with two shuttles, the dark coloured thread across +the left hand = fasten the thread to a picot and make: * 2 +double, 1 picot, 2 double, 1 picot, 2 double, 1 picot, 2 double, +pass the right hand thread through the picot of the ring; +1 picot over the connecting thread, then repeat 3 times from *. +The last picot over the picot of the small ring is made at the end.</p> + +<p>2nd row—with two shuttles, the light thread over the left +hand = fasten the thread to the picot over the light picot: * +2 double, pass the right hand thread through the picot of the +1st row, 1 long picot over the lower picot, 3 double, pass the +thread through the next picot of the 1st row = in the corner, +1 rather longer picot than the one before, 3 double, pass the +right hand thread through a picot, 1 long picot, 2 double, pass +the thread through a picot; repeat 3 times from *. To form +<a name="Page_341" id="Page_341"></a>the last picot, fasten off the thread on the wrong side by +two or three stitches.</p> + +<p>3rd row—with one shuttle and the dark colour: * 4 double, +pass the thread through the picot above the picot of the small +ring, 4 double, close the ring = leave 10 m/m. of thread, +make a second ring like the 1st = leave 10 m/m. of thread, +make 6 double, pass the thread through the long picot, 6 +double, close the ring = leave 10 m/m. of thread, make another +ring of 12 knots, fasten it to the same picot, the preceding +knot is fastened to; then make a ring of 8 double knots and +repeat 3 times from *.</p> +<p><a name="Page_342" id="Page_342"></a></p> +<p>4th row—with one shuttle and the light colour and +worked like the 3rd row, leaving a rather longer length of +thread between; then make: 16 instead of 12 double for the +corner rings.</p> + +<p>5th row—with one shuttle and the light colour = 8 double, +fasten the thread to one of the corner loops and between 2 +rings of the 4th ring: 8 double, close the ring = turn the +work = leave a length of thread, 3 double, 1 picot, then 4 +times 2 double knots and 1 picot, 3 double, close the ring. +Make the second ring as close as possible to the first, beginning +and finishing the second with 5 double knots = make +a 3rd ring like the 1st, join it to the 2nd ring by the 4th +picot = turn the work = make another ring of 16 knots +and join it to the same loop of the 4th row, to which the two +other rings are already joined = turn the work = 1 ring +above, with 4 picots, like the first one we described, then a +ring of 12 double knots below.</p> + +<p>At the top, 6 detached half rings, placed between 3 connected +rings, which form the corners. The top rings are to be +joined after the 3rd double knot, to the 4th picot of the preceding +ring.</p> + +<p>6th row—with two shuttles and the dark colour only = +fasten the threads to a picot that serves as a connecting link, +take the dark thread over the left hand and make: 3 double, +1 picot, 2 double, 1 picot, 2 double, 1 picot, 3 double = fasten +the thread to the connecting picot and carry the half rings +all round the square.</p> + +<hr style='width: 45%;' /> + +<p class="center"><a href="./chapter_11.html">Next Chapter.</a></p> +<p class="center"><a href="./20776-h.htm#TABLE_OF_CONTENTS">Return to Table of Contents.</a></p> + +<hr style='width: 45%;' /> + +<div class="footnotes"><h3>FOOTNOTES:</h3> +<div class="footnote"><p><a name="Footnote_A" id="Footnote_A"></a><span class="label">[A]</span> See at the end of the concluding chapter, the table of numbers and sizes +and the list of colours of the D.M.C threads and cottons.</p></div> +</div> +</body> +</html> |
