diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:23:33 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:23:33 -0700 |
| commit | f5a33635463698ce7a2ef1281f9ec6696ab71892 (patch) | |
| tree | caaeae7497c26cafab2df5ff98955cfaae9a2bb9 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 20567-8.txt | 1029 | ||||
| -rw-r--r-- | 20567-8.zip | bin | 0 -> 19657 bytes | |||
| -rw-r--r-- | 20567-h.zip | bin | 0 -> 3737976 bytes | |||
| -rw-r--r-- | 20567-h/20567-h.htm | 1779 | ||||
| -rw-r--r-- | 20567-h/images/cover-original.jpg | bin | 0 -> 190173 bytes | |||
| -rw-r--r-- | 20567-h/images/cover-original_th.jpg | bin | 0 -> 14393 bytes | |||
| -rw-r--r-- | 20567-h/images/illus001.jpg | bin | 0 -> 34631 bytes | |||
| -rw-r--r-- | 20567-h/images/illus001_th.jpg | bin | 0 -> 14436 bytes | |||
| -rw-r--r-- | 20567-h/images/illus002.jpg | bin | 0 -> 22499 bytes | |||
| -rw-r--r-- | 20567-h/images/illus002_th.jpg | bin | 0 -> 10000 bytes | |||
| -rw-r--r-- | 20567-h/images/illus002a.jpg | bin | 0 -> 244503 bytes | |||
| -rw-r--r-- | 20567-h/images/illus002a_th.jpg | bin | 0 -> 34689 bytes | |||
| -rw-r--r-- | 20567-h/images/illus003.jpg | bin | 0 -> 53254 bytes | |||
| -rw-r--r-- | 20567-h/images/illus003_th.jpg | bin | 0 -> 18639 bytes | |||
| -rw-r--r-- | 20567-h/images/illus004.jpg | bin | 0 -> 25586 bytes | |||
| -rw-r--r-- | 20567-h/images/illus004_th.jpg | bin | 0 -> 11755 bytes | |||
| -rw-r--r-- | 20567-h/images/illus007.jpg | bin | 0 -> 46828 bytes | |||
| -rw-r--r-- | 20567-h/images/illus007_th.jpg | bin | 0 -> 17000 bytes | |||
| -rw-r--r-- | 20567-h/images/illus011.jpg | bin | 0 -> 267116 bytes | |||
| -rw-r--r-- | 20567-h/images/illus011_th.jpg | bin | 0 -> 60887 bytes | |||
| -rw-r--r-- | 20567-h/images/illus015.jpg | bin | 0 -> 74390 bytes | |||
| -rw-r--r-- | 20567-h/images/illus015_th.jpg | bin | 0 -> 25260 bytes | |||
| -rw-r--r-- | 20567-h/images/illus017.jpg | bin | 0 -> 20921 bytes | |||
| -rw-r--r-- | 20567-h/images/illus017_th.jpg | bin | 0 -> 9645 bytes | |||
| -rw-r--r-- | 20567-h/images/illus019.jpg | bin | 0 -> 53719 bytes | |||
| -rw-r--r-- | 20567-h/images/illus019_th.jpg | bin | 0 -> 19757 bytes | |||
| -rw-r--r-- | 20567-h/images/illus022.jpg | bin | 0 -> 220496 bytes | |||
| -rw-r--r-- | 20567-h/images/illus022_th.jpg | bin | 0 -> 35777 bytes | |||
| -rw-r--r-- | 20567-h/images/illus023.jpg | bin | 0 -> 62141 bytes | |||
| -rw-r--r-- | 20567-h/images/illus023_th.jpg | bin | 0 -> 22887 bytes | |||
| -rw-r--r-- | 20567-h/images/illus027.jpg | bin | 0 -> 180988 bytes | |||
| -rw-r--r-- | 20567-h/images/illus027_th.jpg | bin | 0 -> 44667 bytes | |||
| -rw-r--r-- | 20567-h/images/illus029.jpg | bin | 0 -> 36797 bytes | |||
| -rw-r--r-- | 20567-h/images/illus029_th.jpg | bin | 0 -> 15293 bytes | |||
| -rw-r--r-- | 20567-h/images/illus035.jpg | bin | 0 -> 62405 bytes | |||
| -rw-r--r-- | 20567-h/images/illus035_th.jpg | bin | 0 -> 22279 bytes | |||
| -rw-r--r-- | 20567-h/images/illus041.jpg | bin | 0 -> 64734 bytes | |||
| -rw-r--r-- | 20567-h/images/illus041_th.jpg | bin | 0 -> 24281 bytes | |||
| -rw-r--r-- | 20567-h/images/illus043.jpg | bin | 0 -> 270906 bytes | |||
| -rw-r--r-- | 20567-h/images/illus043_th.jpg | bin | 0 -> 60767 bytes | |||
| -rw-r--r-- | 20567-h/images/illus047.jpg | bin | 0 -> 72473 bytes | |||
| -rw-r--r-- | 20567-h/images/illus047_th.jpg | bin | 0 -> 26555 bytes | |||
| -rw-r--r-- | 20567-h/images/illus049.jpg | bin | 0 -> 258226 bytes | |||
| -rw-r--r-- | 20567-h/images/illus049_th.jpg | bin | 0 -> 51606 bytes | |||
| -rw-r--r-- | 20567-h/images/illus052.jpg | bin | 0 -> 38491 bytes | |||
| -rw-r--r-- | 20567-h/images/illus052_th.jpg | bin | 0 -> 14185 bytes | |||
| -rw-r--r-- | 20567-h/images/illus053.jpg | bin | 0 -> 227932 bytes | |||
| -rw-r--r-- | 20567-h/images/illus053_th.jpg | bin | 0 -> 27826 bytes | |||
| -rw-r--r-- | 20567-h/images/illus055.jpg | bin | 0 -> 62965 bytes | |||
| -rw-r--r-- | 20567-h/images/illus055_th.jpg | bin | 0 -> 22292 bytes | |||
| -rw-r--r-- | 20567-h/images/illus058.jpg | bin | 0 -> 55228 bytes | |||
| -rw-r--r-- | 20567-h/images/illus058_th.jpg | bin | 0 -> 21232 bytes | |||
| -rw-r--r-- | 20567-h/images/illus061.jpg | bin | 0 -> 71898 bytes | |||
| -rw-r--r-- | 20567-h/images/illus061_th.jpg | bin | 0 -> 26851 bytes | |||
| -rw-r--r-- | 20567-h/images/illus062.jpg | bin | 0 -> 228306 bytes | |||
| -rw-r--r-- | 20567-h/images/illus062_th.jpg | bin | 0 -> 32000 bytes | |||
| -rw-r--r-- | 20567-h/images/illus063.jpg | bin | 0 -> 59116 bytes | |||
| -rw-r--r-- | 20567-h/images/illus063_th.jpg | bin | 0 -> 21836 bytes | |||
| -rw-r--r-- | 20567-h/images/illus064.jpg | bin | 0 -> 25904 bytes | |||
| -rw-r--r-- | 20567-h/images/illus064_th.jpg | bin | 0 -> 10957 bytes | |||
| -rw-r--r-- | 20567.txt | 1029 | ||||
| -rw-r--r-- | 20567.zip | bin | 0 -> 19641 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
65 files changed, 3853 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/20567-8.txt b/20567-8.txt new file mode 100644 index 0000000..d7d8349 --- /dev/null +++ b/20567-8.txt @@ -0,0 +1,1029 @@ +The Project Gutenberg EBook of The Pigeon Tale, by Virginia Bennett + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Pigeon Tale + +Author: Virginia Bennett + +Illustrator: E. Stuart Hardy + +Release Date: February 11, 2007 [EBook #20567] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE PIGEON TALE *** + + + + +Produced by Juliet Sutherland, Markus Brenner and the +Online Distributed Proofreading Team at http://www.pgdp.net + + + + + + + THE + PIGEON TALE + + BY + VIRGINIA BENNETT. + + + + [Illustration: Title] + + + + ILLUSTRATED BY + E. STUART HARDY. + + _LONDON:_ _NEW YORK:_ + ERNEST NISTER. E. P. DUTTON & CO. + + E.N. No. 2074. + + +[Illustration: Flower ornament] +[Illustration: Pigeons] +[Illustration: Branch ornament] +[Illustration: The boy Laurie with a pigeon] + + +The Pigeon Tale + + + + +CHAPTER I. + + +Something unusual was about to happen--any one could see that; the tall +pine trees swayed and nodded to each other as if whispering together, +the leaves blew up against a corner of the fence as though they meant to +sweep the old-fashioned brick path clean, and the gate swung to and fro +on its hinges as in anticipation of a visitor. + +In a far-away corner of the United States stood an old farm-house which +had put on its company manners and quite left off being an every-day +house, though it really never could be called an "every-day" house--it +was too old for that. + +Ever so many children had been born there, and had grown up under its +sheltering roof, loved, married and had gone out into the world; it was +a _very_ old house, and could have told wonderful stories if any one had +listened to them; no, it could not be called an every-day house at all, +but to-day it had a look of expectancy quite different from its usual +sleepy air. + +[Illustration: Aunt Laura] + +The ancient box-hedge by the rose-garden stood like an old soldier at +attention, so! The fresh muslin curtains at the window were stiff with +starch, they would not stir an inch to the breeze blowing in. The old +farm-house was trying to look young again, that was it! To look young +again: how many of us can do that, eh! for it was expecting a visitor, a +very young visitor indeed, a little boy was coming. + +He was not an ordinary little boy, or at least the people at the +farm-house (Aunt Laura and Uncle Sam) did not think so--because his +mother when she was a little girl had gone there for a visit years and +years ago, just as he was coming to-day, and she had loved every nook +and cranny of the old house as they hoped he would love it, and to those +two people, it seemed almost as if she were coming back again, which +really couldn't happen, for that was ever so long ago. + +But she had sent her little boy instead, hoping that the change of air +would do him good after the winter months spent leaning over school +books. So in the quaint low-ceiled bedroom upstairs, sheets that smelled +of lavender, with beautiful hand-embroidered initials, made by some +bride for her trousseau long ago, were spread on the tall four-poster +bed with its curious starched valence and silk patch-work quilt; the +pitcher on the wash-stand had been filled to the brim with cool clear +spring water, queer knit towels in basket weave design hung ready for +use, and a delicious odor of home-made bread floated up from the +regions below. + +It was the little boy's first journey, everything was new to him--when +he got off at the station Uncle Sam met him and lifted him up to the +front seat of the carriage with his hand bag tucked in behind, as he had +lifted the little boy's mother up and seated her beside him, years ago. +And so they drove out together along the broad country roads, past the +green meadows, where quiet cows cropped the grass, until they came +within sight of the farm and windmill and turned into the leafy lane +under the spreading chestnut trees and stopped at the gate. + +[Illustration: _Aunt Laura was there to welcome him._] + +Aunt Laura was there to welcome him--the little boy's name was Laurie, +he had been given the name out of compliment to Aunt Laura; somehow or +other it was almost like "coming home" instead of "going away" he +thought, it was so home-like; perhaps it was because everything was so +very, very old, that their newness and strangeness had entirely worn +off. Perhaps it was because his mother had so often told him about it +all, that everything seemed so familiar. + +He had to ask ever so many questions, polite questions you know, for he +was not a rude little boy at all, but it seemed so wonderful to him to +be here at last that he could not help exclaiming at everything. + +There was the parlor just as he had imagined it, with the row of +seashells across the mantle and the door opening into the porch and +garden and beyond the library with its great deep fireplace, its +old-fashioned andirons and red brick hearth. + +Nothing was new in the old house, everything had been made years and +years ago when there was no machinery, and chairs and furniture had to +be turned by hand; for that reason people who made them took more pains +than they do now, so that they would last a long time, and only the +colours in the brocades had faded and the silk worn away in the +cross-stitch work of the antimacassars. + +Laurie went from room to room with Aunt Laura, looking at everything. +"Will you show me the cow-pitcher, Aunt Laura?" he asked, and Aunt Laura +laughed and opened a deep cupboard, where the best china was kept, and +took the pitcher down from a high shelf. Such a curious pitcher, it was, +a brown and white china cow--I'm sure it must have been very, very old, +for I never see pitchers like it now-a-days. The tail was curved into a +handle, and the mouth was the spout! + +Aunt Laura said that she would keep it on the table every day, full of +cream for his porridge, just as she had done for his mother, when she, +as a little girl, had stayed at the farm. + +[Illustration: Aunt Laura shows Laurie the cow-pitcher] + +When supper came, how good everything tasted! The home-cured ham, +delicious butter made on the farm, great slices of fresh bread and +schmeirkase--I don't believe many of you boys and girls know what +"Schmeirkase" is, do you? Well, anyway, it is made somehow from thick +sour cream, so thick that it is put in a bag and hung up in the dairy +until it is time to be eaten--when I was a little girl and visited a +farm they used to have schmeirkase for supper, and I always hoped they +would offer me a second helping and they always did! There were +strawberries too, and stewed rhubarb, and chocolate layer cake. And Aunt +Laura put the cake away after supper in a round tin box, in a corner of +the cupboard, and gave Laurie a great slice the next morning to eat, for +fear he would grow hungry before dinner. + +"I'm as glad as I can be that I've come," he said, and Uncle Sam and +Aunt Laura smiled at each other. "So like his mother," said Aunt Laura +and Laurie wondered how he could be like his mother, for his mother was +ever so much taller then he, and ever so much more "grown up." + +[Illustration: Flower ornament] + + + + +CHAPTER II. + + +After supper, Laurie slipped his small hand inside Uncle Sam's big one, +and they started out together to see the farm, the big collie dog "Shep" +running along beside them. + +"I've never seen so many animals in all my life," he exclaimed, as they +came up to the great gate that shut in the barnyard, "except perhaps in +the Zoo." + +"Shall we stop here for a moment?" said Uncle Sam, lifting Laurie up and +seating him on the gate-post, where he could see all over the yard at +once. + +"Oh, how fine!" exclaimed Laurie, "I feel just like a little bird that +perches on a tree, and looks down on the cows underneath, and isn't a +bit afraid of their horns!" + +[Illustration: Uncle Sam and Laurie] + +Uncle Sam laughed, for he knew the cows would not hurt him, nevertheless +he kept his arm around Laurie to be sure, for he was a little city boy, +and city boys only see pictures of cows in books, and Uncle Sam thought +Laurie might be a weeny bit afraid. Bossie, Bonnie Bee, Lilian and +Daisy, the cows, were standing around waiting to be milked, switching +their tails and moo-oo-ing now and then; some would wander over to the +wide horse trough, over which the water spilled, and bend their heads +until their mouths touched the water, when they would drink in great +gulps, then turn away with dripping chins. + +Just then there was the sound of hoofs, and old "Sue," "Magic" and +"Marvel" and the colt "Arbutus" raced up from the pasture, and into the +barnyard. + +Uncle Sam drew a handful of apples out of his capacious pockets, and the +horses came whinneying and ate them out of his hand. + +"I'm glad I'm up here," laughed Laurie, but Uncle Sam latched the gate, +and lifted him down, for there was ever so much more to be seen. + +Over in the pig-sty the old mother sow and her family of pigs were +pushing each other out of the way to see who could get the most supper, +some of them being impolite enough to stand with their feet in the +trough, but of course that is considered correct in pig society. + +The little pigs were cunning, with their bright eyes and curly tails, +and even the old sow was admirable, for she would grunt as though to say +"Did you ever see so fine a family; I have taught them that the best +things in this world must be hunted for, and to look out for themselves, +yes! they have been brought up properly, I have a right to be proud." + +Laurie had never seen a real pump before, so they stopped and he had a +drink of the cool well water. How refreshing it was! Next they peeped +into the chicken house, deserted, except for a few old mother hens, +sitting on their eggs, who, when they saw Laurie, set up such a fuss +that he quickly came out again. + +[Illustration: Chickens] + +As they came near an old brown hen sitting in the grass, Laurie laughed +with delight when she got up, and a whole brood of downy yellow chicks +ran from under her wing. + +[Illustration: Laurie with the hen and chicks] + +Uncle Sam now took Laurie back to the barn to see the milking, and they +threaded their way through the dim twilight of the stable, past the +tired horses munching their oats, to the cow-shed, frightening an old +hen off her nest, where she had laid her eggs away from prying eyes in a +corner of the hay. + +Laurie thought he had never smelt anything so delicious as the odor of +the sweet clover grass that hung down between the boards of the flooring +of the hay loft, and when a mouse would scurry away, he would laugh at +its being afraid of him. + +Outside in the gathering twilight, the pigeons were wheeling and +circling overhead, and dipping to the ground for the corn that lay +scattered among the pebbles. + +High overhead, was the dove-cote on the wagon house. "Do the pigeons +fly far away, Uncle Sam? and what are they always doing?" asked Laurie +when he had watched them for some time. "They fly ever so far away, +Laurie," answered Uncle Sam, "but always come back again. Some pigeons +you know, the carrier pigeons, carry messages, but I do not think this +kind is used for that purpose." Meantime Aunt Laura had come out to +scatter corn to the chickens, who, seeing her approach, hurried to meet +her on all sides, until she stood surrounded by the pretty feathered +creatures. Laurie begged for a handful of corn to throw to them, but +started back in dismay, when an old turkey-gobbler reached up and +picked a grain out of his hand. "What a rude old bird," he said, "but I +wasn't a bit afraid of him, he only surprised me," he explained to Aunt +Laura quickly, for fear she would think him timid. Just then the turkey, +who was a pompous sort of creature, cocked his head on one side, and +looked at Laurie for a moment as though he understood, then turned away. + +[Illustration: _"What a rude old bird," said Laurie._] + +"I'm afraid you have hurt his feelings," said Aunt Laura, "you see he is +not used to little boys calling him names"--"Well, I'll not do it any +more, I'm sure I didn't know he minded," replied Laurie, "but still," he +continued, "it's not as if he really understood, he couldn't unless he +were a fairy--but turkeys, and cows and pigeons on farms are not +fairies, are they, Aunt Laura?" "I can't tell you that, Laurie," said +Aunt Laura, "for I've never seen any fairies--some animals are more +sensible than others, and some like to be petted, and are fond of being +with people--if that is what you mean." "No, that is not what I mean +altogether, it's only part of what I mean," he answered; "if the +turkey-gobbler wasn't a fairy, it ought not to make any difference to +him, my calling him rude or not, for he couldn't understand, but he +looked at me in such a funny way, with his head on one side, that he +must have known what I was saying." + +[Illustration: Laurie taking off his shoes and stockings] + + + + +CHAPTER III. + + +"I couldn't be a bit lonely here, Aunt Laura," he said, as he was +sitting on the floor that night beside his bed, struggling to take off +his shoes and stockings all by himself, "you see even when you and Uncle +Sam are too busy for me to 'sturb you, I can just go out and play with +the chickens, and talk to the little calf, and 'pretend.' + +"It's lots of fun 'pretending,'" he continued, "I can pretend, oh! ever +so many things--I learned to do it when I had the mumps, and had to stay +in bed. It wasn't half so bad the having to stay in bed then. I used to +pretend I was a magician sometimes, and could turn my toys into real +soldiers, and real ships, and it used to be lots of fun." + +"I don't think we shall ever be too busy for you to disturb us, Laurie," +said Aunt Laura. + +"Oh, may I peep into that funny little door?" Laurie exclaimed, as he +caught sight of a tiny closet over the mantelpiece. "Where does it go +to, does it go into the chimney?" Aunt Laura laughed, "No, it does not +go into the chimney, though everybody who sees it thinks so at first." +And indeed that seemed the only place that it could open into, for it +was exactly over the fireplace, where the chimney must be. To be sure +the fireplace had been boarded up and painted white, and was never used +now; in its stead a great iron stove like a box, where corn cobs were +burned, was used in winter, for that made the room much warmer, but +certainly the little closet had been built at the same time as the +house, when the fireplace and the chimney had been built. + +"I don't exactly know where it goes to, Laurie," said Aunt Laura, "it +has always been there. When I was a little girl I used to think it was a +door into another part of the house, that I did not know about, where I +had never been, and I used to stand on a chair and peep in, but it was +too dark to see in all the way. I keep some of my jellies in it now," +she added, and as she spoke, she opened the door, and showed him a +tempting row of tumblers, filled with clear amber jelly, neatly covered +with white paper. + +Even after Aunt Laura had tucked him into bed, and given him a +good-night kiss, Laurie kept wondering about all he had seen--there was +so much to think about. + +"I wonder why the pigeons keep flying about all day," he said to +himself, "and what chickens and geese say to each other--after all, I +don't believe they can talk at all," he continued, "for they do not seem +to be really doing anything--they just fly around in a silly sort of +way, picking up crumbs, I wonder what they would talk about if they +could. I wonder if I could peep inside the dove-cote some day and see +what it looks like." By this time he was almost asleep, but he kept +repeating to himself, "I wonder--I wonder--I wonder," over and over +again, until it sounded more like whirrder-whirrder-whirr--yes, Laurie +was almost sure he had stopped saying "wonder" and something soft like +whirr-whirr sounded close by, as if one of the pigeons themselves was +flying about the room. + +Laurie opened his eyes wide--"How could a pigeon be in this room," he +thought; "they must surely be asleep in the dove-cote by this time." The +room was quite dark, except for a little square of light high upon the +wall, but he gradually made out the different objects in the room, and +saw that the light came from the little cupboard on the mantlepiece. He +heard the soft whirr again, this time close by, and looking up he saw a +pigeon perched on one of the four posts of his bed. "So you don't +believe we have any work to do," said the pigeon. "Would you like to see +inside the dove-cote? If so, come with me." When he said this, he +hovered about the bed for a moment, then fluttered over to the +mantelpiece, and stood beside the little cupboard. + +[Illustration: Laurie enters the cupboard] + +Laurie was about to say that he could not possibly get up to the door, +when he remembered what Aunt Laura had said about climbing up on a chair +to peep in, so he jumped out of bed, and pulling a chair close to the +fireplace, stepped from it to the mantelpiece. It never occurred to him +until afterwards, to think that he was ever so much too big to fit +inside the cupboard, and it really did not matter after all, for somehow +or other he did fit--whether he had grown suddenly quite small, or the +cupboard was quite large when one got near enough to it, I do not know, +but there he was inside, with the pigeon hopping along sedately ahead of +him. + +It was apparently a narrow passage, and very long, for they walked on +for some time, turning corners now and then, as though it ran past +certain rooms in the house, and Laurie could see that it was lit by +hundreds of fireflies, making it almost as bright as day. + + + + +CHAPTER IV. + + +Suddenly the passageway came to an end, Laurie does not remember quite +how it happened, but there he was up in the dove-cote, high above the +farmyard, with the pigeons cooing and circling about him. + +What a beautiful dove-cote it was, ever so much larger than one would +have supposed: indeed it was like a real house. + +It did not seem at all strange for the cooing to sound more and more +like words, and presently Laurie found that the pigeons were inviting +him to enter. Inside how beautiful it all was! Velvet carpets lay on the +floor, with the most exquisite patterns traced on them; in each room the +pattern was different, yet always changing, for they were made by the +tiny feet of the pigeons as they moved about. Soft curtains hung at the +doors. They were wonderful feather curtains; instead of having to push +them to one side, all that one had to do was to move towards them, and +they folded into wings. Exquisite music sounded in the rooms, that was +the wind, and it sang of the countries and people it had seen in its +travels. It sang of the waving corn, the ships at sea, the flames +leaping in the fireplace, it crooned a lullaby it had heard a mother +singing to her baby--now the voice of the wind was soft and low, that +was when it remembered the places it had been in, where there was peace +and happiness; now it was loud and harsh, for it had also been in +terrible storms, and wild places, ah! they were wonderful stories. No +one was idle in the dove-cote, some pigeons were kept busy writing the +news that the wind brought, others flew here and there, for they were +the messengers, and must carry the news over the farm. + +One pigeon had a ring over his ankle: he was very important indeed, +quite a personage in the dove-cote. + +[Illustration: Some pigeons were kept busy writing the news that the +wind brought] + +"They are going to dance for you," he said to Laurie, and seven pigeons +stepped into the centre of the room. They began with a faint flutter of +their wings, turning their heads from side to side, gradually growing +swifter in their motion, until their brilliant colors blended and +intermingled in a beautiful prismatic effect. It was like a wonderful +rainbow dance, only the colors changed as the pigeons moved about, and +they opened and closed their wings in such a way, that they seemed to +ripple and flow as water does over the stones. + +Their cooing gradually sounded more and more like water gurgling, and +Laurie listened and listened, until he found his head nodding--he was +almost asleep--no, he was not asleep, he opened his eyes wide, there was +the pigeon still, with the ring about his ankle, but the dancing pigeons +were no longer there; the blue sky shone between trunks of trees, and a +real brook sparkled over the stones--somehow or other they were walking +through a wood, the same wood on the edge of the fields, that they had +driven past on their way to the farm: how quiet it was and how +deliciously soft the moss underfoot, while a gentle breeze swayed the +trees overhead. + +[Illustration: _"Now we will stop at the squirrel house," said the +Pigeon._] + +"Now we will stop at the squirrel's house," said the pigeon, as they +stopped at an old tree. "Rap-tap-rap" with his beak on a knot-hole in +the trunk, and a fat squirrel opened the door. What a lot of chattering! +he was inviting them to enter. "How delightful," thought Laurie as they +stepped inside, "now I shall see what a squirrel's house is really +like." + +And indeed it was very different from what he had supposed an old tree +to be like inside; instead, there was a real little staircase, carpeted +with green moss, winding up through the hollow trunk, there were +landings at the different branches, with tiny doors opening off them, +and the branches themselves were all little rooms with knot-holes for +windows, across which green leaves were hung for curtains. + +The walls were papered with the most beautiful paper in the world; in +one room it was all blossoms with the most delicate odor; in another the +walls were hung with green leaves; in another room great red and yellow +autumn leaves festooned the walls. "You see this is the inside out or +rather the outside in of the tree," explained the squirrel; "this is +where the blossoms and leaves are kept when not in use." + +It was all a little confusing at first to Laurie, for the squirrels +seemed to be in such haste, but they were so friendly, and chattered so +pleasantly to him that somehow or other he understood everything they +were saying, though they talked in squirrel language, and so by-and-by +he felt more at home, and sat down while they brought him some +refreshments. + +[Illustration: Such delicious morsels, served in the most tempting +manner] + +Such delicious morsels, served in the most tempting manner! Purée of +chestnuts, and hickory-nut cake--wonderful cherry cordial, made, the +squirrels explained to Laurie, out of melted sap of the wild cherry +tree--exquisite walnuts baked in acorn cups. Oh! I can't tell you half +what there was, for Laurie did not know himself, but it was all very +delicious, and the squirrels too seemed to think it an important +occasion, for there was a great deal of whisking of tails, and the +squirrel waiters sat up very stiffly with their little paws held up in +front of them, as though they knew how much was expected of them and +meant to do their share. Every now and then Laurie would see a pair of +bright eyes peeping at him over the stair, then off would scurry a baby +squirrel afraid of being caught, "for all the world," thought Laurie, +"the way we do at home when we are forbidden to come down when mother is +giving a party, so watch instead from a landing on the stair when +nurse's back is turned." + +[Illustration: _The squirrel led the way down the winding stair._] + +After the refreshments, there was more bowing and waving of bushy tails +and hand shaking or paw shaking, I do not know which--for it was time to +be off; Laurie thanked them very much and said he would like to come +again, which was very true indeed, and he said in his most "grown up +way" that he had had a delightful time, and the squirrels seemed pleased +and nodded again, and the same old squirrel, who must have been the +door-keeper, for he kept jingling a great bunch of keys in his hands, +now led the way down the winding stair again, until they reached what +must have been the cellar part of the tree, where the squirrels kept +their stores for the winter. It had grown so dark that their guide now +took a lantern down from the wall and, fastening a glow worm inside to +light the way, showed Laurie great piles of nuts and acorns stacked in +the corners. After a while they came to a little door and, passing +through it--the squirrel leading the way, after him the pigeon, and +Laurie bringing up the rear--they found themselves in a long passage, +smelling of earth and mould. "It surely must be underground," thought +Laurie, "I wonder if the moles and mice have streets just as we do. Oh, +dear! I do hope we don't meet that dreadful turkey-gobbler." Before he +had time to think much about it, they came to another little door, on +the other side of which was a stair that evidently led up into another +tree. + +Here the squirrel with the lantern bade them good-bye, and disappeared +down the corridor. The pigeon led the way up the stair, at the top of +which was a rough wooden door. "We must leave a message here," said he, +tapping on the door, and after waiting some time, Laurie thought he +heard a gruff voice say, "To-who-to-who?" "Why doesn't he come and see +instead of asking?" thought Laurie, but just then the door opened, and +an old owl put out his head. + +[Illustration: An old owl put out his head] + +[Illustration: The owl] + + + + +CHAPTER V. + + +The owl looked very sleepy, and blinked his eyes very hard. "He must +have been asleep," said Laurie to himself, "owls always do sleep in the +day-time I suppose." + +"Who-oo!" screeched the owl, flapping his wings and ruffling up his +feathers, and looking very hard at Laurie. "Oh, dear! I beg your +pardon," said Laurie, feeling very much frightened indeed, "I didn't +mean to be rude, but all the birds and animals on the farm here have +such a curious way of knowing what I'm thinking." The owl paid no +attention to him, however, but opened the door wider for them to enter, +and Laurie, keeping close behind the pigeon, stepped in. The owl was +evidently a bachelor, for his room was very untidy; books and papers lay +piled about in the greatest confusion, and while he tried in a clumsy +way to make room for them, every now and then he would upset something, +as he was extremely near-sighted. He finally pushed a revolving globe on +a stand toward Laurie, evidently thinking it a stool; it was very +uncomfortable to sit on, and it had a way of turning round at the least +little motion, and Laurie hoped that whatever the message was the +pigeon would not remain long. + +[Illustration: The owl reads over the paper] + +The pigeon now brought out a folded paper from a pocket underneath his +wing, and handed it to the owl, who opened it, and said he would give it +due consideration on reading it over. After listening to their +conversation awhile Laurie learned that the owl, because of his wisdom, +was the judge who decided the serious affairs and quarrels among the +other birds and animals. The room was built in the hollow of a dead +tree--it was quite snug, but not half so nice as the squirrel house, for +there was no pretty wall paper, and a great spider-web instead hung +across one corner of the room; on one side was an oval window, out of +which could be seen wood and meadow, and on a peg against the wall hung +a warm winter cloak of soft moleskin. The owl now gravely folded and +sealed several legal-looking documents, and gave them to the pigeon, +who, tucking them away in the same pocket, flapped his wings, and, +nodding to Laurie to jump on his back, flew out into the sunshine. +Laurie had hardly time to wonder where the pigeon was taking him to this +time, when he saw the farm below them, and they alighted on the roof of +the barn. + +[Illustration: Laurie was standing on the top of the barn roof] + +"Cock-a-doodle-doo," crowed the rooster on the weather-vane, but he +really thought he was saying "How-de-do-de-do?" He was a splendid +fellow, for he was pure gold and shone in the sunlight; he turned this +way and that for everybody to see him, until the common fowls in the +barn-yard envied him and wished themselves in his place, though if they +had only known it they were far better off than he, for they could pick +up corn and worms, while he was obliged to stand there always, which was +not so pleasant on rainy days. He was terribly hoarse, too, from the +damp weather, and it made his voice sound like a rusty hinge that needed +oiling. "Cock-a-doodle-doo!" he said to Laurie, and Laurie bowed the +best way he could, which was not very easy considering that he was +standing on the top of the barn roof. "So you are the little boy who has +come to visit at the farm-house; I saw you drive in. I see everything +and everybody, people come and people go; it is a mistake to think that +one must travel to see the world: I prefer to remain at home, but then +every one is not as bright as I"--he certainly was conceited--"still I +am never idle," he continued, "for I have my work to do; the farmer +cannot do without me. I warn him of a change of weather, but not +everyone who is changeable can be depended upon." + +Here the pigeon interrupted him to tell him what the wind had said of a +storm coming, and he promised to look toward the east for it. The wind +had certainly got up, there was no doubting it; the weathercock and +pigeon were right, it was going to rain, big drops were pattering down +on the roof. + +[Illustration: Beside him stood the turkey-gobbler] + +Laurie looked round to find the pigeon, but he had disappeared, no doubt +for fear he would get his feathers wet. "Serves you right, serves you +right!" sounded close to Laurie's ear, and beside him stood the +turkey-gobbler. "So you thought the pigeons just flew round in a silly +sort of way, picking up crumbs did you," he said--or gobbled I should +say, his voice was so cross--"and you didn't suppose we had our work to +do as well as the people on the farm, did you?" he really looked very +alarming as he ruffled up his feathers and spread out his tail like a +great fan. "Serves you right, to be left out in the rain this way," he +went on, "next time you'll have better manners, I hope, than to call any +one a rude bird." Laurie was very much frightened indeed--it was raining +harder and harder; he started to run: patter, patter, patter, sounded +the feet of the turkey behind him, "gobble, gobble,"--patter, +patter,--no, it was only the rain drops this time, he was quite out of +breath, where was he? + +[Illustration: The turkey-gobbler] + +He looked about him, he was no longer in the barnyard--of course he knew +where he was now, but--how frightened he had been; he rubbed his eyes, +it was morning, the sun shone and there was Aunt Laura clapping her +hands in the doorway to waken him. "Wake up, wake up, Laurie," she +said--"why dear me," she added in a puzzled way, looking up at the +mantelpiece, "how did I happen to forget to shut the cupboard door last +night?" + +[Illustration: "How did I happen to forget to shut the cupboard door +last night?"] + +Perhaps she forgot to shut it, or the pigeon forgot, I do not know; +anyway that is the end of the Pigeon Story, children;--and maybe +to-morrow, when the stockings are all darned, and the toys put neatly +away, I shall tell you the Field Mouse Tale, or the Duck Tale or the +Windmill Tale, for there are four altogether--would you like to hear +them? + +[Illustration: Flower ornament] + +_Printed in Bavaria._ + + + +[Transcriber's Note: The original varied spelling has been retained in +this ebook. The following typo has been corrected: + +p. 34: "How could a pigeon be in his room," -> this room + +The Illustration descriptions have been added by the transcriber except +those marked in _italics_.] + + + + + +End of the Project Gutenberg EBook of The Pigeon Tale, by Virginia Bennett + +*** END OF THIS PROJECT GUTENBERG EBOOK THE PIGEON TALE *** + +***** This file should be named 20567-8.txt or 20567-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/0/5/6/20567/ + +Produced by Juliet Sutherland, Markus Brenner and the +Online Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/20567-8.zip b/20567-8.zip Binary files differnew file mode 100644 index 0000000..26fcf13 --- /dev/null +++ b/20567-8.zip diff --git a/20567-h.zip b/20567-h.zip Binary files differnew file mode 100644 index 0000000..454a5e3 --- /dev/null +++ b/20567-h.zip diff --git a/20567-h/20567-h.htm b/20567-h/20567-h.htm new file mode 100644 index 0000000..2177f4c --- /dev/null +++ b/20567-h/20567-h.htm @@ -0,0 +1,1779 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of The Pigeon Tale, by Virginia Bennett + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + div.note { + margin: 4em 10% 0 10%; + padding: 0 0.5em 0 0.5em; + border: 1px dashed black; + background-color: rgb(80%,100%,80%); + color: black; + font-size: smaller; + } + div.clear { + clear: both; + } + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + margin-top: 0em; + margin-bottom: 0em; + font-style: normal; + font-weight: normal; + } + + hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + + div.titlepage h1 { + font-size: xx-large; + line-height: 120%; + letter-spacing: 0.1ex; + margin-top: 2em; + margin-bottom: 0em; + } + div.titlepage h2 { + font-size: x-large; + letter-spacing: 0.1ex; + } + div.titlepage h3 { + font-size: large; + line-height: 200%; + letter-spacing: 0.1ex; + margin-top: 0.5em; + margin-bottom: 0em; + } + + div.textbody h2 { + margin-top: 2em; + margin-bottom: 1.5em; + font-size: large; + } + div.textbody p { + text-indent: 1.5em; + } + div.textbody p.newchapter { + text-indent: 0em; + } + div.textbody p.figcenter { + text-indent: 0em; + } + div.textbody p.caption { + text-indent: 0em; + } + div.textbody p.printer { + text-indent: 0em; + text-align: center; + font-size: smaller; + } + + table { + margin-left: auto; + margin-right: auto; + margin-top: 1em; + margin-bottom: 0em; + } + + td.center { + text-align: center; + font-size: smaller; + } + td.left { + text-align: center; + padding-right: 4em; + } + td.right { + text-align: center; + padding-left: 4em; + } + + body { + margin-left: 10%; + margin-right: 10%; + } + + ins.correction { + text-decoration:none; /* replace default underline.. */ + border-bottom: thin dotted gray; /* ..with delicate gray line */ + } + + .pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + right: 1%; + font-size: x-small; + text-align: right; + color: gray; + background-color: inherit; + } + + img { + border-style: none; + } + + a:link { + text-decoration: none; + color: rgb(10%,30%,60%); + background-color: inherit; + } + a:visited { + text-decoration: none; + color: rgb(10%,30%,60%); + background-color: inherit; + } + a:hover { + text-decoration: underline; + } + a:active { + text-decoration: underline; + } + + .smcap { + font-variant: small-caps; + } + + .dropcap { + float: left; + padding-left: 3px; + padding-right: 3px; + font-size: 250%; + line-height: 83%; + overflow: visible; + } + .firstword { + text-transform: uppercase; + font-style: oblique; + } + + p.caption { + text-align: center; + margin-bottom: 1.5em; + } + p.figcenter { + margin-top: 2em; + text-indent: 0em; + text-align: center; + } + p.ornament { + margin-top: 4em; + margin-bottom: 4em; + text-indent: 0em; + text-align: center; + } + + .figleft { + float: left; + clear: left; + margin-left: 0; + margin-bottom: 1em; + margin-top: 0em; + margin-right: 1em; + padding: 0; + text-align: center; + text-indent: 0em; + } + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of The Pigeon Tale, by Virginia Bennett + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Pigeon Tale + +Author: Virginia Bennett + +Illustrator: E. Stuart Hardy + +Release Date: February 11, 2007 [EBook #20567] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE PIGEON TALE *** + + + + +Produced by Juliet Sutherland, Markus Brenner and the +Online Distributed Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + +<p class="figcenter"><a href="images/cover-original.jpg"><img src="images/cover-original_th.jpg" +alt="Cover" title="Cover" /></a></p> + + +<div class="titlepage"> + +<h1><span style="font-size: x-large">THE</span><br /> +PIGEON TALE</h1> + + +<h3>BY</h3> + +<h2>VIRGINIA BENNETT.</h2> + +<p class="figcenter" style="margin-top: 1em; margin-bottom: 0em;"><a href="images/illus003.jpg"><img src="images/illus003_th.jpg" +alt="Title illustration" title="Title illustration" /></a></p> + + +<h3>ILLUSTRATED BY</h3> + +<h2>E. STUART HARDY.</h2> + +<table> +<tr><td class="left"><i>LONDON:</i></td><td class="right"><i>NEW YORK:</i></td></tr> +<tr><td class="left"><span class="smcap">Ernest Nister.</span></td><td class="right"><span class="smcap">E. P. Dutton & Co.</span></td></tr> +<tr><td class="center" colspan="2">E.N. No. 2074.</td></tr> +</table> + +</div> + +<p class="ornament"><a href="images/illus002.jpg"><img src="images/illus002_th.jpg" +alt="Flower ornament" title="Flower ornament" /></a></p> + +<p class="figcenter"><a href="images/illus002a.jpg"><img src="images/illus002a_th.jpg" +alt="Pigeons" title="Pigeons" /></a></p> + +<p class="ornament"><a href="images/illus004.jpg"><img src="images/illus004_th.jpg" +alt="Branch ornament" title="Branch ornament" /></a></p> + +<div class="textbody"> +<p><span class="pagenum"><a name="Page_5" id="Page_5">[5]</a></span></p> + +<p class="figcenter"><a href="images/illus001.jpg"><img src="images/illus001_th.jpg" +alt="The Pigeon Tale" title="The Pigeon Tale" /></a></p> + + + + + +<h2><a name="CHAPTER_I" id="CHAPTER_I"></a>CHAPTER I.</h2> + + +<p class="newchapter"><span class="firstword"><span class="dropcap">S</span>omething</span> unusual was about +to happen—any one could see +that; the tall pine trees swayed and +nodded to each other as if whispering +together, the leaves blew up +against a corner of the fence as +though they meant to sweep the +old-fashioned brick path clean, and +the gate swung to and fro on +its hinges as in anticipation of a +visitor.<span class="pagenum"><a name="Page_6" id="Page_6">[6]</a></span></p> + +<p>In a far-away corner of the +United States stood an old farm-house +which had put on its company +manners and quite left off +being an every-day house, though +it really never could be called an +“every-day” house—it was too old +for that.</p> + +<p>Ever so many children had +been born there, and had grown +up under its sheltering roof, loved, +married and had gone out into the +world; it was a <i>very</i> old house, +and could have told wonderful +stories if any one had listened to +them; no, it could not be called +an every-day house at all, but to-day +it had a look of expectancy +quite different from its usual +sleepy air.<span class="pagenum"><a name="Page_7" id="Page_7">[7]</a></span></p> + +<p class="figcenter"><a href="images/illus007.jpg"><img src="images/illus007_th.jpg" +alt="Aunt Laura" title="Aunt Laura" /></a></p> + +<p>The ancient box-hedge by the +rose-garden stood like an old +soldier at attention, so! The fresh +muslin curtains at the window were +stiff with starch, they would not +stir an inch to the breeze blowing<span class="pagenum"><a name="Page_8" id="Page_8">[8]</a></span> +in. The old farm-house was trying +to look young again, that was +it! To look young again: how +many of us can do that, eh! for +it was expecting a visitor, a very +young visitor indeed, a little boy +was coming.</p> + +<p>He was not an ordinary little +boy, or at least the people at the +farm-house (Aunt Laura and Uncle +Sam) did not think so—because +his mother when she was a little +girl had gone there for a visit +years and years ago, just as he +was coming to-day, and she had +loved every nook and cranny of +the old house as they hoped he +would love it, and to those two +people, it seemed almost as if she +were coming back again, which<span class="pagenum"><a name="Page_9" id="Page_9">[9]</a></span> +really couldn’t happen, for that was +ever so long ago.</p> + +<p>But she had sent her little boy +instead, hoping that the change of +air would do him good after the +winter months spent leaning over +school books. So in the quaint +low-ceiled bedroom upstairs, sheets +that smelled of lavender, with +beautiful hand-embroidered initials, +made by some bride for her +trousseau long ago, were spread +on the tall four-poster bed with its +curious starched valence and silk +patch-work quilt; the pitcher on +the wash-stand had been filled to +the brim with cool clear spring +water, queer knit towels in basket +weave design hung ready for use, +and a delicious odor of home-made<span class="pagenum"><a name="Page_10" id="Page_10">[10]</a></span> +bread floated up from the regions +below.</p> + +<p>It was the little boy’s first +journey, everything was new to +him—when he got off at the station +Uncle Sam met him and lifted him +up to the front seat of the carriage +with his hand bag tucked in behind, +as he had lifted the little +boy’s mother up and seated her +beside him, years ago. And so +they drove out together along the +broad country roads, past the green +meadows, where quiet cows cropped +the grass, until they came within +sight of the farm and windmill and +turned into the leafy lane under the +spreading chestnut trees and stopped +at the gate.</p> + +<p><span class="pagenum"><a name="Page_11" id="Page_11">[11]</a></span></p> +<p class="figcenter"><a href="images/illus011.jpg"><img src="images/illus011_th.jpg" +alt="Aunt Laura was there to welcome him." title="Aunt Laura was there to welcome him." /></a></p> +<p class="caption"><i>Aunt Laura was there to welcome him.</i></p> + +<p><span class="pagenum"><a name="Page_12" id="Page_12">[12]</a></span>Aunt Laura was there to welcome +him—the little boy’s name +was Laurie, he had been given the +name out of compliment to Aunt +Laura; somehow or other it was +almost like “coming home” instead +of “going away” he thought, it +was so home-like; perhaps it was +because everything was so very, +very old, that their newness and +strangeness had entirely worn off. +Perhaps it was because his mother +had so often told him about it all, +that everything seemed so familiar.</p> + +<p>He had to ask ever so many +questions, polite questions you +know, for he was not a rude little +boy at all, but it seemed so wonderful +to him to be here at last that +he could not help exclaiming at +everything.<span class="pagenum"><a name="Page_13" id="Page_13">[13]</a></span></p> + +<p>There was the parlor just as +he had imagined it, with the row +of seashells across the mantle and +the door opening into the porch +and garden and beyond the library +with its great deep fireplace, its +old-fashioned andirons and red +brick hearth.</p> + +<p>Nothing was new in the old +house, everything had been made +years and years ago when there +was no machinery, and chairs and +furniture had to be turned by hand; +for that reason people who made +them took more pains than they +do now, so that they would last +a long time, and only the colours +in the brocades had faded and the +silk worn away in the cross-stitch +work of the antimacassars.<span class="pagenum"><a name="Page_14" id="Page_14">[14]</a></span></p> + +<p>Laurie went from room to room +with Aunt Laura, looking at everything. +“Will you show me the cow-pitcher, +Aunt Laura?” he asked, +and Aunt Laura laughed and opened +a deep cupboard, where the best +china was kept, and took the pitcher +down from a high shelf. Such a +curious pitcher, it was, a brown +and white china cow—I’m sure it +must have been very, very old, for I +never see pitchers like it now-a-days. +The tail was curved into a handle, +and the mouth was the spout!</p> + +<p>Aunt Laura said that she would +keep it on the table every day, full +of cream for his porridge, just as +she had done for his mother, when +she, as a little girl, had stayed at +the farm.<span class="pagenum"><a name="Page_15" id="Page_15">[15]</a></span></p> + +<p class="figcenter"><a href="images/illus015.jpg"><img src="images/illus015_th.jpg" +alt="Aunt Laura shows Laurie the cow-pitcher" title="Aunt Laura shows Laurie the cow-pitcher" /></a></p> + +<p>When supper came, how good +everything tasted! The home-cured +ham, delicious butter made on the +farm, great slices of fresh bread +and schmeirkase—I don’t believe +many of you boys and girls know<span class="pagenum"><a name="Page_16" id="Page_16">[16]</a></span> +what “Schmeirkase” is, do you? +Well, anyway, it is made somehow +from thick sour cream, so thick +that it is put in a bag and hung +up in the dairy until it is time to +be eaten—when I was a little girl +and visited a farm they used to +have schmeirkase for supper, and +I always hoped they would offer +me a second helping and they always +did! There were strawberries +too, and stewed rhubarb, and chocolate +layer cake. And Aunt Laura +put the cake away after supper in +a round tin box, in a corner of +the cupboard, and gave Laurie a +great slice the next morning to +eat, for fear he would grow hungry +before dinner.</p> + +<p>“I’m as glad as I can be that<span class="pagenum"><a name="Page_17" id="Page_17">[17]</a></span> +I’ve come,” he said, and Uncle +Sam and Aunt Laura smiled at +each other. “So like his mother,” +said Aunt Laura and Laurie wondered +how he could be like his mother, +for his mother was ever so much +taller then he, and ever so much +more “grown up.”</p> + +<p class="figcenter"><a href="images/illus017.jpg"><img src="images/illus017_th.jpg" +alt="Flower ornament" title="Flower ornament" /></a></p> + +<p><span class="pagenum"><a name="Page_18" id="Page_18">[18]</a></span></p> + + + +<h2><a name="CHAPTER_II" id="CHAPTER_II"></a>CHAPTER II.</h2> + + +<p class="newchapter"><span class="firstword"><span class="dropcap">A</span>fter</span> supper, Laurie slipped +his small hand inside Uncle +Sam’s big one, and they started +out together to see the farm, the +big collie dog “Shep” running along +beside them.</p> + +<p>“I’ve never seen so many animals +in all my life,” he exclaimed, +as they came up to the great gate +that shut in the barnyard, “except +perhaps in the Zoo.”</p> + +<p>“Shall we stop here for a +moment?” said Uncle Sam, lifting +Laurie up and seating him on the +gate-post, where he could see all +over the yard at once.</p> + +<p>“Oh, how fine!” exclaimed<span class="pagenum"><a name="Page_19" id="Page_19">[19]</a></span> +Laurie, “I feel just like a little bird +that perches on a tree, and looks +down on the cows underneath, and +isn’t a bit afraid of their horns!”</p> + +<p class="figcenter"><a href="images/illus019.jpg"><img src="images/illus019_th.jpg" +alt="Uncle Sam and Laurie" title="Uncle Sam and Laurie" /></a></p> + +<p>Uncle Sam laughed, for he knew +the cows would not hurt him, nevertheless +he kept his arm around +Laurie to be sure, for he was a<span class="pagenum"><a name="Page_20" id="Page_20">[20]</a></span> +little city boy, and city boys only +see pictures of cows in books, and +Uncle Sam thought Laurie might +be a weeny bit afraid. Bossie, +Bonnie Bee, Lilian and Daisy, the +cows, were standing around waiting +to be milked, switching their tails +and moo-oo-ing now and then; +some would wander over to the +wide horse trough, over which the +water spilled, and bend their heads +until their mouths touched the +water, when they would drink in +great gulps, then turn away with +dripping chins.</p> + +<p>Just then there was the sound +of hoofs, and old “Sue,” “Magic” +and “Marvel” and the colt “Arbutus” +raced up from the pasture, +and into the barnyard.<span class="pagenum"><a name="Page_21" id="Page_21">[21]</a></span></p> + +<p>Uncle Sam drew a handful of +apples out of his capacious pockets, +and the horses came whinneying +and ate them out of his hand.</p> + +<p>“I’m glad I’m up here,” laughed +Laurie, but Uncle Sam latched the +gate, and lifted him down, for +there was ever so much more to +be seen.</p> + +<p>Over in the pig-sty the old +mother sow and her family of pigs +were pushing each other out of +the way to see who could get the +most supper, some of them being +impolite enough to stand with their +feet in the trough, but of course +that is considered correct in pig +society.</p> + +<p>The little pigs were cunning, +with their bright eyes and curly<span class="pagenum"><a name="Page_22" id="Page_22">[22]</a></span> +tails, and even the old sow was +admirable, for she would grunt as +though to say “Did you ever see +so fine a family; I have taught +them that the best things in this +world must be hunted for, and to +look out for themselves, yes! they +have been brought up properly, I +have a right to be proud.”</p> + +<p>Laurie had never seen a real +pump before, so they stopped and +he had a drink of the cool well +water. How refreshing it was! +Next they peeped into the chicken +house, deserted, except for a few +old mother hens, sitting on their +eggs, who, when they saw Laurie, +set up such a fuss that he quickly +came out again.</p> + +<p class="figcenter"><a href="images/illus022.jpg"><img src="images/illus022_th.jpg" +alt="Chickens" title="Chickens" /></a></p> + +<p>As they came near an old<span class="pagenum"><a name="Page_23" id="Page_23">[23]</a></span> +brown hen sitting in the grass, +Laurie laughed with delight when +she got up, and a whole brood +of downy yellow chicks ran from +under her wing.</p> + +<p class="figcenter"><a href="images/illus023.jpg"><img src="images/illus023_th.jpg" +alt="Laurie with the hen and chicks" title="Laurie with the hen and chicks" /></a></p> + +<p>Uncle Sam now took Laurie +back to the barn to see the milking, +and they threaded their way through<span class="pagenum"><a name="Page_24" id="Page_24">[24]</a></span> +the dim twilight of the stable, past +the tired horses munching their +oats, to the cow-shed, frightening +an old hen off her nest, where she +had laid her eggs away from prying +eyes in a corner of the hay.</p> + +<p>Laurie thought he had never +smelt anything so delicious as the +odor of the sweet clover grass that +hung down between the boards of +the flooring of the hay loft, and +when a mouse would scurry away, +he would laugh at its being afraid +of him.</p> + +<p>Outside in the gathering twilight, +the pigeons were wheeling +and circling overhead, and dipping +to the ground for the corn that lay +scattered among the pebbles.</p> + +<p>High overhead, was the dove-cote<span class="pagenum"><a name="Page_25" id="Page_25">[25]</a></span> +on the wagon house. “Do +the pigeons fly far away, Uncle +Sam? and what are they always +doing?” asked Laurie when he had +watched them for some time. “They +fly ever so far away, Laurie,” answered +Uncle Sam, “but always +come back again. Some pigeons +you know, the carrier pigeons, carry +messages, but I do not think this +kind is used for that purpose.” +Meantime Aunt Laura had come +out to scatter corn to the chickens, +who, seeing her approach, hurried +to meet her on all sides, until she +stood surrounded by the pretty +feathered creatures. Laurie begged +for a handful of corn to throw to +them, but started back in dismay, +when an old turkey-gobbler reached<span class="pagenum"><a name="Page_26" id="Page_26">[26]</a></span> +up and picked a grain out of +his hand. “What a rude old bird,” +he said, “but I wasn’t a bit afraid +of him, he only surprised me,” he +explained to Aunt Laura quickly, +for fear she would think him timid. +Just then the turkey, who was a +pompous sort of creature, cocked +his head on one side, and looked +at Laurie for a moment as though +he understood, then turned away.</p> + +<p><span class="pagenum"><a name="Page_27" id="Page_27">[27]</a></span></p> +<p class="figcenter"><a href="images/illus027.jpg"><img src="images/illus027_th.jpg" +alt="“What a rude old bird,” said Laurie." title="“What a rude old bird,” said Laurie." /></a></p> +<p class="caption"><i>“What a rude old bird,” said Laurie.</i></p> + +<p>“I’m afraid you have hurt his +feelings,” said Aunt Laura, “you +see he is not used to little boys +calling him names”—“Well, I’ll +not do it any more, I’m sure I +didn’t know he minded,” replied +Laurie, “but still,” he continued, +“it’s not as if he really understood, +he couldn’t unless he were +<span class="pagenum"><a name="Page_28" id="Page_28">[28]</a></span>a fairy—but turkeys, and cows +and pigeons on farms are not +fairies, are they, Aunt Laura?” +“I can’t tell you that, Laurie,” +said Aunt Laura, “for I’ve never +seen any fairies—some animals +are more sensible than others, and +some like to be petted, and are +fond of being with people—if that +is what you mean.” “No, that is +not what I mean altogether, it’s +only part of what I mean,” he +answered; “if the turkey-gobbler +wasn’t a fairy, it ought not to make +any difference to him, my calling +him rude or not, for he couldn’t +understand, but he looked at me +in such a funny way, with his head +on one side, that he must have +known what I was saying.”</p> + +<p><span class="pagenum"><a name="Page_29" id="Page_29">[29]</a></span></p> +<p class="figcenter"><a href="images/illus029.jpg"><img src="images/illus029_th.jpg" +alt="Laurie taking off his shoes and stockings" title="Laurie taking off his shoes and stockings" /></a></p> + + + +<h2><a name="CHAPTER_III" id="CHAPTER_III"></a>CHAPTER III.</h2> + + +<p class="newchapter"><span class="firstword"><span class="dropcap">“I</span> couldn’t</span> be a bit lonely +here, Aunt Laura,” he said, +as he was sitting on the floor that +night beside his bed, struggling +to take off his shoes and stockings +all by himself, “you see even when +you and Uncle Sam are too busy +for me to ’sturb you, I can just +go out and play with the chickens,<span class="pagenum"><a name="Page_30" id="Page_30">[30]</a></span> +and talk to the little calf, and +‘pretend.’</p> + +<p>“It’s lots of fun ‘pretending,’” +he continued, “I can pretend, oh! +ever so many things—I learned to +do it when I had the mumps, and +had to stay in bed. It wasn’t half +so bad the having to stay in bed +then. I used to pretend I was a +magician sometimes, and could +turn my toys into real soldiers, +and real ships, and it used to be +lots of fun.”</p> + +<p>“I don’t think we shall ever +be too busy for you to disturb us, +Laurie,” said Aunt Laura.</p> + +<p>“Oh, may I peep into that +funny little door?” Laurie exclaimed, +as he caught sight of a tiny closet +over the mantelpiece. “Where<span class="pagenum"><a name="Page_31" id="Page_31">[31]</a></span> +does it go to, does it go into the +chimney?” Aunt Laura laughed, +“No, it does not go into the +chimney, though everybody who +sees it thinks so at first.” And +indeed that seemed the only place +that it could open into, for it was +exactly over the fireplace, where +the chimney must be. To be sure +the fireplace had been boarded up +and painted white, and was never +used now; in its stead a great iron +stove like a box, where corn cobs +were burned, was used in winter, +for that made the room much +warmer, but certainly the little +closet had been built at the same +time as the house, when the fireplace +and the chimney had been +built.<span class="pagenum"><a name="Page_32" id="Page_32">[32]</a></span></p> + +<p>“I don’t exactly know where +it goes to, Laurie,” said Aunt +Laura, “it has always been there. +When I was a little girl I used +to think it was a door into another +part of the house, that I did +not know about, where I had +never been, and I used to stand +on a chair and peep in, but it was +too dark to see in all the way. +I keep some of my jellies in it +now,” she added, and as she spoke, +she opened the door, and showed +him a tempting row of tumblers, +filled with clear amber jelly, neatly +covered with white paper.</p> + +<p>Even after Aunt Laura had +tucked him into bed, and given +him a good-night kiss, Laurie +kept wondering about all he had<span class="pagenum"><a name="Page_33" id="Page_33">[33]</a></span> +seen—there was so much to think +about.</p> + +<p>“I wonder why the pigeons +keep flying about all day,” he said +to himself, “and what chickens +and geese say to each other—after +all, I don’t believe they can talk +at all,” he continued, “for they do +not seem to be really doing anything—they +just fly around in a +silly sort of way, picking up crumbs, +I wonder what they would talk +about if they could. I wonder if +I could peep inside the dove-cote +some day and see what it looks +like.” By this time he was almost +asleep, but he kept repeating to +himself, “I wonder—I wonder—I +wonder,” over and over again, +until it sounded more like whirrder-whirrder-whirr—yes,<span class="pagenum"><a name="Page_34" id="Page_34">[34]</a></span> +Laurie was almost +sure he had stopped saying +“wonder” and something soft like +whirr-whirr sounded close by, as +if one of the pigeons themselves +was flying about the room.</p> + +<p>Laurie opened his eyes wide—“How +could a pigeon be in <ins class="correction" title="Transcriber's note: original reads 'his'">this</ins> +room,” he thought; “they must +surely be asleep in the dove-cote +by this time.” The room was quite +dark, except for a little square of +light high upon the wall, but he +gradually made out the different +objects in the room, and saw that +the light came from the little cupboard +on the mantlepiece. He +heard the soft whirr again, this +time close by, and looking up he +saw a pigeon perched on one of<span class="pagenum"><a name="Page_35" id="Page_35">[35]</a></span> +the four posts of his bed. “So +you don’t believe we have any +work to do,” said the pigeon. +“Would you like to see inside +the dove-cote? If so, come with +me.” When he said this, he<span class="pagenum"><a name="Page_36" id="Page_36">[36]</a></span> +hovered about the bed for a moment, +then fluttered over to the +mantelpiece, and stood beside the +little cupboard.</p> + +<p class="figcenter"><a href="images/illus035.jpg"><img src="images/illus035_th.jpg" +alt="Laurie enters the cupboard" title="Laurie enters the cupboard" /></a></p> + +<p>Laurie was about to say that +he could not possibly get up to +the door, when he remembered +what Aunt Laura had said about +climbing up on a chair to peep +in, so he jumped out of bed, and +pulling a chair close to the fireplace, +stepped from it to the +mantelpiece. It never occurred to +him until afterwards, to think that +he was ever so much too big to +fit inside the cupboard, and it +really did not matter after all, for +somehow or other he did fit—whether +he had grown suddenly +quite small, or the cupboard was<span class="pagenum"><a name="Page_37" id="Page_37">[37]</a></span> +quite large when one got near +enough to it, I do not know, +but there he was inside, with the +pigeon hopping along sedately +ahead of him.</p> + +<p>It was apparently a narrow +passage, and very long, for they +walked on for some time, turning +corners now and then, as though +it ran past certain rooms in the +house, and Laurie could see that +it was lit by hundreds of fireflies, +making it almost as bright as day.<span class="pagenum"><a name="Page_38" id="Page_38">[38]</a></span></p> + + + +<h2><a name="CHAPTER_IV" id="CHAPTER_IV"></a>CHAPTER IV.</h2> + + +<p class="newchapter"><span class="firstword"><span class="dropcap">S</span>uddenly</span> the passageway +came to an end, Laurie does +not remember quite how it happened, +but there he was up in the +dove-cote, high above the farmyard, +with the pigeons cooing and circling +about him.</p> + +<p>What a beautiful dove-cote it +was, ever so much larger than one +would have supposed: indeed it +was like a real house.</p> + +<p>It did not seem at all strange +for the cooing to sound more and +more like words, and presently +Laurie found that the pigeons were<span class="pagenum"><a name="Page_39" id="Page_39">[39]</a></span> +inviting him to enter. Inside how +beautiful it all was! Velvet carpets +lay on the floor, with the most +exquisite patterns traced on them; +in each room the pattern was +different, yet always changing, for +they were made by the tiny feet +of the pigeons as they moved +about. Soft curtains hung at the +doors. They were wonderful feather +curtains; instead of having to push +them to one side, all that one had +to do was to move towards them, +and they folded into wings. Exquisite +music sounded in the rooms, +that was the wind, and it sang of +the countries and people it had +seen in its travels. It sang of the +waving corn, the ships at sea, the +flames leaping in the fireplace, it<span class="pagenum"><a name="Page_40" id="Page_40">[40]</a></span> +crooned a lullaby it had heard a +mother singing to her baby—now +the voice of the wind was soft and +low, that was when it remembered +the places it had been in, where +there was peace and happiness; now +it was loud and harsh, for it had +also been in terrible storms, and +wild places, ah! they were wonderful +stories. No one was idle in +the dove-cote, some pigeons were +kept busy writing the news that +the wind brought, others flew here +and there, for they were the messengers, +and must carry the news +over the farm.</p> + +<p>One pigeon had a ring over +his ankle: he was very important +indeed, quite a personage in the +dove-cote.<span class="pagenum"><a name="Page_41" id="Page_41">[41]</a></span></p> + +<p class="figcenter"><a href="images/illus041.jpg"><img src="images/illus041_th.jpg" +alt="Some pigeons were kept busy writing the news that the wind brought" title="Some pigeons were kept busy writing the news that the wind brought" /></a></p> + +<p>“They are going to dance for +you,” he said to Laurie, and seven +pigeons stepped into the centre +of the room. They began with a +faint flutter of their wings, turning +their heads from side to side, gradually +growing swifter in their motion, +until their brilliant colors blended +and intermingled in a beautiful +prismatic effect. It was like a +wonderful rainbow dance, only the<span class="pagenum"><a name="Page_42" id="Page_42">[42]</a></span> +colors changed as the pigeons +moved about, and they opened +and closed their wings in such +a way, that they seemed to ripple +and flow as water does over the +stones.</p> + +<p>Their cooing gradually sounded +more and more like water gurgling, +and Laurie listened and listened, +until he found his head nodding—he +was almost asleep—no, he was +not asleep, he opened his eyes +wide, there was the pigeon still, +with the ring about his ankle, but +the dancing pigeons were no longer +there; the blue sky shone between +trunks of trees, and a real brook +sparkled over the stones—somehow +or other they were walking +through a wood, the same wood<span class="pagenum"><a name="Page_43" id="Page_43">[43]</a></span> +on the edge of the fields, that +they had driven past on their way +to the farm: how quiet it was and +how deliciously soft the moss underfoot, +while a gentle breeze swayed +the trees overhead.</p> + +<p class="figcenter"><a href="images/illus043.jpg"><img src="images/illus043_th.jpg" +alt="“Now we will stop at the squirrel house,” said the Pigeon." +title="“Now we will stop at the squirrel house,” said the Pigeon." /></a></p> +<p class="caption"><i>“Now we will stop at the squirrel house,” +said the Pigeon.</i></p> + +<p><span class="pagenum"><a name="Page_44" id="Page_44">[44]</a></span></p> +<p>“Now we will stop at the +squirrel’s house,” said the pigeon, +as they stopped at an old tree. +“Rap-tap-rap” with his beak on a +knot-hole in the trunk, and a fat +squirrel opened the door. What a +lot of chattering! he was inviting +them to enter. “How delightful,” +thought Laurie as they stepped inside, +“now I shall see what a +squirrel’s house is really like.”</p> + +<p>And indeed it was very +different from what he had supposed +an old tree to be like inside; instead,<span class="pagenum"><a name="Page_45" id="Page_45">[45]</a></span> +there was a real little staircase, +carpeted with green moss, +winding up through the hollow +trunk, there were landings at the +different branches, with tiny doors +opening off them, and the branches +themselves were all little rooms +with knot-holes for windows, across +which green leaves were hung for +curtains.</p> + +<p>The walls were papered with +the most beautiful paper in the +world; in one room it was all +blossoms with the most delicate +odor; in another the walls were +hung with green leaves; in another +room great red and yellow autumn +leaves festooned the walls. “You +see this is the inside out or rather +the outside in of the tree,” explained<span class="pagenum"><a name="Page_46" id="Page_46">[46]</a></span> +the squirrel; “this is where the +blossoms and leaves are kept when +not in use.”</p> + +<p>It was all a little confusing at +first to Laurie, for the squirrels +seemed to be in such haste, but +they were so friendly, and chattered +so pleasantly to him that somehow +or other he understood everything +they were saying, though they +talked in squirrel language, and so +by-and-by he felt more at home, +and sat down while they brought +him some refreshments.</p> + +<p class="figcenter"><a href="images/illus047.jpg"><img src="images/illus047_th.jpg" +alt="Such delicious morsels, served in the most tempting manner" +title="Such delicious morsels, served in the most tempting manner" /></a></p> + +<p>Such delicious morsels, served +in the most tempting manner! +Purée of chestnuts, and hickory-nut +cake—wonderful cherry cordial, +made, the squirrels explained to +Laurie, out of melted sap of the<span class="pagenum"><a name="Page_47" id="Page_47">[47]</a></span> +wild cherry tree—exquisite walnuts +baked in acorn cups. Oh! I can’t +tell you half what there was, for +Laurie did not know himself, but +it was all very delicious, and the +squirrels too seemed to think it +an important occasion, for there +was a great deal of whisking of +tails, and the squirrel waiters sat +up very stiffly with their little +paws held up in front of them,<span class="pagenum"><a name="Page_48" id="Page_48">[48]</a></span> +as though they knew how much +was expected of them and meant +to do their share. Every now and +then Laurie would see a pair of +bright eyes peeping at him over +the stair, then off would scurry a +baby squirrel afraid of being caught, +“for all the world,” thought Laurie, +“the way we do at home when +we are forbidden to come down +when mother is giving a party, so +watch instead from a landing on +the stair when nurse’s back is +turned.”</p> + +<p><span class="pagenum"><a name="Page_49" id="Page_49">[49]</a></span></p> +<p class="figcenter"><a href="images/illus049.jpg"><img src="images/illus049_th.jpg" +alt="The squirrel led the way down the winding stair." +title="The squirrel led the way down the winding stair." /></a></p> +<p class="caption"><i>The squirrel led the way down the winding stair.</i></p> + +<p>After the refreshments, there +was more bowing and waving of +bushy tails and hand shaking or +paw shaking, I do not know which—for +it was time to be off; Laurie +thanked them very much and said<span class="pagenum"><a name="Page_50" id="Page_50">[50]</a></span> +he would like to come again, +which was very true indeed, and +he said in his most “grown up +way” that he had had a delightful +time, and the squirrels seemed +pleased and nodded again, and +the same old squirrel, who must +have been the door-keeper, for he +kept jingling a great bunch of +keys in his hands, now led the +way down the winding stair again, +until they reached what must have +been the cellar part of the tree, +where the squirrels kept their +stores for the winter. It had +grown so dark that their guide +now took a lantern down from +the wall and, fastening a glow +worm inside to light the way, +showed Laurie great piles of nuts<span class="pagenum"><a name="Page_51" id="Page_51">[51]</a></span> +and acorns stacked in the corners. +<span class="figleft"><a href="images/illus052.jpg"><img src="images/illus052_th.jpg" +alt="an old owl put out his head" +title="an old owl put out his head" /></a></span> +After a while they came to a little +door and, passing through it—the +squirrel leading the way, after him +the pigeon, and Laurie bringing +up the rear—they found themselves +in a long passage, smelling of earth +and mould. “It surely must be +underground,” thought Laurie, “I +wonder if the moles and mice have +streets just as we do. Oh, dear! +I do hope we don’t meet that +dreadful turkey-gobbler.” Before +he had time to think much about +it, they came to another little door, +on the other side of which was a +stair that evidently led up into +another tree.</p> + +<p>Here the squirrel with the +lantern bade them good-bye, and<span class="pagenum"><a name="Page_52" id="Page_52">[52]</a></span> +disappeared down +the corridor. The +pigeon led the +way up the stair, +at the top of +which was a rough +wooden door. +“We must leave +a message here,” +said he, tapping on +the door, and after +waiting some time, Laurie thought +he heard a gruff voice say, “To-who-to-who?” +“Why doesn’t he +come and see instead of asking?” +thought Laurie, but just then the +door opened, and an old owl put +out his head.</p> + +<div class="clear"></div> + +<p class="figcenter"><span class="pagenum"><a name="Page_53" id="Page_53">[53]</a></span><a href="images/illus053.jpg"><img src="images/illus053_th.jpg" +alt="The owl" title="The owl" /></a></p> + + + + +<h2><a name="CHAPTER_V" id="CHAPTER_V"></a>CHAPTER V.</h2> + + +<p class="newchapter"><span class="firstword"><span class="dropcap">T</span>he</span> owl looked very sleepy, +and blinked his eyes very +hard. “He must have been asleep,” +said Laurie to himself, “owls +always do sleep in the day-time I +suppose.”</p> + +<p>“Who-oo!” screeched the owl, +flapping his wings and ruffling up +his feathers, and looking very hard +at Laurie. “Oh, dear! I beg +your pardon,” said Laurie, feeling +very much frightened indeed, “I +didn’t mean to be rude, but all the +birds and animals on the farm here<span class="pagenum"><a name="Page_54" id="Page_54">[54]</a></span> +have such a curious way of knowing +what I’m thinking.” The owl +paid no attention to him, however, +but opened the door wider for them +to enter, and Laurie, keeping close +behind the pigeon, stepped in. The +owl was evidently a bachelor, for +his room was very untidy; books +and papers lay piled about in the +greatest confusion, and while he +tried in a clumsy way to make +room for them, every now and then +he would upset something, as he +was extremely near-sighted. He +finally pushed a revolving globe +on a stand toward Laurie, evidently +thinking it a stool; it was +very uncomfortable to sit on, and +it had a way of turning round at +the least little motion, and Laurie<span class="pagenum"><a name="Page_55" id="Page_55">[55]</a></span> +hoped that whatever the message +was the pigeon would not remain +long.</p> + +<p class="figcenter"><a href="images/illus055.jpg"><img src="images/illus055_th.jpg" +alt="The owl reads over the paper" title="The owl reads over the paper" /></a></p> + +<p>The pigeon now brought out +a folded paper from a pocket +underneath his wing, and handed +it to the owl, who opened it, and +said he would give it due consideration +on reading it over.<span class="pagenum"><a name="Page_56" id="Page_56">[56]</a></span> +After listening to their conversation +awhile Laurie learned that the owl, +because of his wisdom, was the +judge who decided the serious +affairs and quarrels among the +other birds and animals. The room +was built in the hollow of a dead +tree—it was quite snug, but not +half so nice as the squirrel house, +for there was no pretty wall paper, +and a great spider-web instead +hung across one corner of the +room; on one side was an oval +window, out of which could be +seen wood and meadow, and on +a peg against the wall hung a +warm winter cloak of soft moleskin. +The owl now gravely folded +and sealed several legal-looking +documents, and gave them to the<span class="pagenum"><a name="Page_57" id="Page_57">[57]</a></span> +pigeon, who, tucking them away +in the same pocket, flapped his +wings, and, nodding to Laurie to +jump on his back, flew out into +the sunshine. Laurie had hardly +time to wonder where the pigeon +was taking him to this time, when<span class="pagenum"><a name="Page_58" id="Page_58">[58]</a></span> +he saw the farm below them, +and they alighted on the roof of +the barn.</p> + +<p class="figcenter"><a href="images/illus058.jpg"><img src="images/illus058_th.jpg" +alt="Laurie was standing on the top of the barn roof" +title="Laurie was standing on the top of the barn roof" /></a></p> + + +<p>“Cock-a-doodle-doo,” crowed +the rooster on the weather-vane, +but he really thought he was saying +“How-de-do-de-do?” He was +a splendid fellow, for he was pure +gold and shone in the sunlight; +he turned this way and that for +everybody to see him, until the +common fowls in the barn-yard +envied him and wished themselves +in his place, though if they had +only known it they were far better +off than he, for they could pick up +corn and worms, while he was +obliged to stand there always, +which was not so pleasant on +rainy days. He was terribly hoarse,<span class="pagenum"><a name="Page_59" id="Page_59">[59]</a></span> +too, from the damp weather, and +it made his voice sound like a +rusty hinge that needed oiling. +“Cock-a-doodle-doo!” he said to +Laurie, and Laurie bowed the best +way he could, which was not very +easy considering that he was standing +on the top of the barn roof. +“So you are the little boy who +has come to visit at the farm-house; +I saw you drive in. I see +everything and everybody, people +come and people go; it is a mistake +to think that one must travel +to see the world: I prefer to remain +at home, but then every one is +not as bright as I”—he certainly +was conceited—“still I am never +idle,” he continued, “for I have +my work to do; the farmer cannot<span class="pagenum"><a name="Page_60" id="Page_60">[60]</a></span> +do without me. I warn him of a +change of weather, but not everyone +who is changeable can be +depended upon.”</p> + +<p>Here the pigeon interrupted +him to tell him what the wind had +said of a storm coming, and he +promised to look toward the east +for it. The wind had certainly got +up, there was no doubting it; the +weathercock and pigeon were right, +it was going to rain, big drops +were pattering down on the roof.</p> + +<p class="figcenter"><a href="images/illus061.jpg"><img src="images/illus061_th.jpg" +alt="Beside him stood the turkey-gobbler" +title="Beside him stood the turkey-gobbler" /></a></p> + +<p>Laurie looked round to find +the pigeon, but he had disappeared, +no doubt for fear he would get +his feathers wet. “Serves you +right, serves you right!” sounded +close to Laurie’s ear, and beside +him stood the turkey-gobbler. “So<span class="pagenum"><a name="Page_61" id="Page_61">[61]</a></span> +you thought the pigeons just flew +round in a silly sort of way, +picking up crumbs did you,” he +said—or gobbled I should say, +his voice was so cross—“and you +didn’t suppose we had our work +to do as well as the people on<span class="pagenum"><a name="Page_62" id="Page_62">[62]</a></span> +the farm, did you?” he really looked +very alarming as he ruffled up his +feathers and spread out his tail +like a great fan. “Serves you +right, to be left out in the rain +this way,” he went on, “next +time you’ll have better manners, +I hope, than to call any one a +rude bird.” Laurie was very much +frightened indeed—it was raining +harder and harder; he started to +run: patter, patter, patter, sounded +the feet of the turkey behind him, +“gobble, gobble,”—patter, patter,—no, +it was only the rain drops this +time, he was quite out of breath, +where was he?</p> + +<p class="figcenter"><a href="images/illus062.jpg"><img src="images/illus062_th.jpg" +alt="The turkey-gobbler" title="The turkey-gobbler" /></a></p> + +<p>He looked about him, he was +no longer in the barnyard—of +course he knew where he was now,<span class="pagenum"><a name="Page_63" id="Page_63">[63]</a></span> +but—how frightened he had been; +he rubbed his eyes, it was morning, +the sun shone and there was +Aunt Laura clapping her hands +in the doorway to waken him. +“Wake up, wake up, Laurie,” she +said—“why dear me,” she added +in a puzzled way, looking up at +the mantelpiece, “how did I happen<span class="pagenum"><a name="Page_64" id="Page_64">[64]</a></span> +to forget to shut the cupboard door +last night?”</p> + +<p class="figcenter"><a href="images/illus063.jpg"><img src="images/illus063_th.jpg" +alt="“How did I happen to forget to shut the cupboard door last night?”" +title="“How did I happen to forget to shut the cupboard door last night?”" /></a></p> + +<p>Perhaps she forgot to shut it, +or the pigeon forgot, I do not +know; anyway that is the end of +the Pigeon Story, children;—and +maybe to-morrow, when the stockings +are all darned, and the toys +put neatly away, I shall tell you +the Field Mouse Tale, or the Duck +Tale or the Windmill Tale, for +there are four altogether—would +you like to hear them?</p> + +<p class="figcenter"><a href="images/illus064.jpg"><img src="images/illus064_th.jpg" +alt="Flower ornament" title="Flower ornament" /></a></p> + +<p class="printer"><i>Printed in Bavaria.</i></p> +</div> + + +<div class="note"> +<p>Transcriber’s Note: The original varied spelling has been retained +in this ebook. The following typo has been corrected:</p> + +<p><a href="#Page_34">p. 34</a>: “How could a pigeon be in his room,” → this room</p> +</div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Pigeon Tale, by Virginia Bennett + +*** END OF THIS PROJECT GUTENBERG EBOOK THE PIGEON TALE *** + +***** This file should be named 20567-h.htm or 20567-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/0/5/6/20567/ + +Produced by Juliet Sutherland, Markus Brenner and the +Online Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/20567-h/images/cover-original.jpg b/20567-h/images/cover-original.jpg Binary files differnew file mode 100644 index 0000000..7dc1aa4 --- /dev/null +++ b/20567-h/images/cover-original.jpg diff --git a/20567-h/images/cover-original_th.jpg b/20567-h/images/cover-original_th.jpg Binary files differnew file mode 100644 index 0000000..d379984 --- /dev/null +++ b/20567-h/images/cover-original_th.jpg diff --git a/20567-h/images/illus001.jpg b/20567-h/images/illus001.jpg Binary files differnew file mode 100644 index 0000000..ea77edc --- /dev/null +++ b/20567-h/images/illus001.jpg diff --git a/20567-h/images/illus001_th.jpg b/20567-h/images/illus001_th.jpg Binary files differnew file mode 100644 index 0000000..2f03a8d --- /dev/null +++ b/20567-h/images/illus001_th.jpg diff --git a/20567-h/images/illus002.jpg b/20567-h/images/illus002.jpg Binary files differnew file mode 100644 index 0000000..2d12fa4 --- /dev/null +++ b/20567-h/images/illus002.jpg diff --git a/20567-h/images/illus002_th.jpg b/20567-h/images/illus002_th.jpg Binary files differnew file mode 100644 index 0000000..708318c --- /dev/null +++ b/20567-h/images/illus002_th.jpg diff --git a/20567-h/images/illus002a.jpg b/20567-h/images/illus002a.jpg Binary files differnew file mode 100644 index 0000000..d191b0d --- /dev/null +++ b/20567-h/images/illus002a.jpg diff --git a/20567-h/images/illus002a_th.jpg b/20567-h/images/illus002a_th.jpg Binary files differnew file mode 100644 index 0000000..dabc243 --- /dev/null +++ b/20567-h/images/illus002a_th.jpg diff --git a/20567-h/images/illus003.jpg b/20567-h/images/illus003.jpg Binary files differnew file mode 100644 index 0000000..4acfdd6 --- /dev/null +++ b/20567-h/images/illus003.jpg diff --git a/20567-h/images/illus003_th.jpg b/20567-h/images/illus003_th.jpg Binary files differnew file mode 100644 index 0000000..bd4e87f --- /dev/null +++ b/20567-h/images/illus003_th.jpg diff --git a/20567-h/images/illus004.jpg b/20567-h/images/illus004.jpg Binary files differnew file mode 100644 index 0000000..680845c --- /dev/null +++ b/20567-h/images/illus004.jpg diff --git a/20567-h/images/illus004_th.jpg b/20567-h/images/illus004_th.jpg Binary files differnew file mode 100644 index 0000000..67fcc67 --- /dev/null +++ b/20567-h/images/illus004_th.jpg diff --git a/20567-h/images/illus007.jpg b/20567-h/images/illus007.jpg Binary files differnew file mode 100644 index 0000000..29cd4a8 --- /dev/null +++ b/20567-h/images/illus007.jpg diff --git a/20567-h/images/illus007_th.jpg b/20567-h/images/illus007_th.jpg Binary files differnew file mode 100644 index 0000000..bc4bfb3 --- /dev/null +++ b/20567-h/images/illus007_th.jpg diff --git a/20567-h/images/illus011.jpg b/20567-h/images/illus011.jpg Binary files differnew file mode 100644 index 0000000..f330c2f --- /dev/null +++ b/20567-h/images/illus011.jpg diff --git a/20567-h/images/illus011_th.jpg b/20567-h/images/illus011_th.jpg Binary files differnew file mode 100644 index 0000000..549a198 --- /dev/null +++ b/20567-h/images/illus011_th.jpg diff --git a/20567-h/images/illus015.jpg b/20567-h/images/illus015.jpg Binary files differnew file mode 100644 index 0000000..11aac11 --- /dev/null +++ b/20567-h/images/illus015.jpg diff --git a/20567-h/images/illus015_th.jpg b/20567-h/images/illus015_th.jpg Binary files differnew file mode 100644 index 0000000..1260420 --- /dev/null +++ b/20567-h/images/illus015_th.jpg diff --git a/20567-h/images/illus017.jpg b/20567-h/images/illus017.jpg Binary files differnew file mode 100644 index 0000000..ba438a8 --- /dev/null +++ b/20567-h/images/illus017.jpg diff --git a/20567-h/images/illus017_th.jpg b/20567-h/images/illus017_th.jpg Binary files differnew file mode 100644 index 0000000..3afcbf2 --- /dev/null +++ b/20567-h/images/illus017_th.jpg diff --git a/20567-h/images/illus019.jpg b/20567-h/images/illus019.jpg Binary files differnew file mode 100644 index 0000000..2ecfb2e --- /dev/null +++ b/20567-h/images/illus019.jpg diff --git a/20567-h/images/illus019_th.jpg b/20567-h/images/illus019_th.jpg Binary files differnew file mode 100644 index 0000000..81953c0 --- /dev/null +++ b/20567-h/images/illus019_th.jpg diff --git a/20567-h/images/illus022.jpg b/20567-h/images/illus022.jpg Binary files differnew file mode 100644 index 0000000..663f3c1 --- /dev/null +++ b/20567-h/images/illus022.jpg diff --git a/20567-h/images/illus022_th.jpg b/20567-h/images/illus022_th.jpg Binary files differnew file mode 100644 index 0000000..e073150 --- /dev/null +++ b/20567-h/images/illus022_th.jpg diff --git a/20567-h/images/illus023.jpg b/20567-h/images/illus023.jpg Binary files differnew file mode 100644 index 0000000..6b0dc8d --- /dev/null +++ b/20567-h/images/illus023.jpg diff --git a/20567-h/images/illus023_th.jpg b/20567-h/images/illus023_th.jpg Binary files differnew file mode 100644 index 0000000..78cff41 --- /dev/null +++ b/20567-h/images/illus023_th.jpg diff --git a/20567-h/images/illus027.jpg b/20567-h/images/illus027.jpg Binary files differnew file mode 100644 index 0000000..9a6f34c --- /dev/null +++ b/20567-h/images/illus027.jpg diff --git a/20567-h/images/illus027_th.jpg b/20567-h/images/illus027_th.jpg Binary files differnew file mode 100644 index 0000000..1e77d76 --- /dev/null +++ b/20567-h/images/illus027_th.jpg diff --git a/20567-h/images/illus029.jpg b/20567-h/images/illus029.jpg Binary files differnew file mode 100644 index 0000000..7dec921 --- /dev/null +++ b/20567-h/images/illus029.jpg diff --git a/20567-h/images/illus029_th.jpg b/20567-h/images/illus029_th.jpg Binary files differnew file mode 100644 index 0000000..73a6bc1 --- /dev/null +++ b/20567-h/images/illus029_th.jpg diff --git a/20567-h/images/illus035.jpg b/20567-h/images/illus035.jpg Binary files differnew file mode 100644 index 0000000..7703ade --- /dev/null +++ b/20567-h/images/illus035.jpg diff --git a/20567-h/images/illus035_th.jpg b/20567-h/images/illus035_th.jpg Binary files differnew file mode 100644 index 0000000..d52a14b --- /dev/null +++ b/20567-h/images/illus035_th.jpg diff --git a/20567-h/images/illus041.jpg b/20567-h/images/illus041.jpg Binary files differnew file mode 100644 index 0000000..fddd854 --- /dev/null +++ b/20567-h/images/illus041.jpg diff --git a/20567-h/images/illus041_th.jpg b/20567-h/images/illus041_th.jpg Binary files differnew file mode 100644 index 0000000..8218e36 --- /dev/null +++ b/20567-h/images/illus041_th.jpg diff --git a/20567-h/images/illus043.jpg b/20567-h/images/illus043.jpg Binary files differnew file mode 100644 index 0000000..cfcee60 --- /dev/null +++ b/20567-h/images/illus043.jpg diff --git a/20567-h/images/illus043_th.jpg b/20567-h/images/illus043_th.jpg Binary files differnew file mode 100644 index 0000000..b2d4a6c --- /dev/null +++ b/20567-h/images/illus043_th.jpg diff --git a/20567-h/images/illus047.jpg b/20567-h/images/illus047.jpg Binary files differnew file mode 100644 index 0000000..308b24f --- /dev/null +++ b/20567-h/images/illus047.jpg diff --git a/20567-h/images/illus047_th.jpg b/20567-h/images/illus047_th.jpg Binary files differnew file mode 100644 index 0000000..73e2449 --- /dev/null +++ b/20567-h/images/illus047_th.jpg diff --git a/20567-h/images/illus049.jpg b/20567-h/images/illus049.jpg Binary files differnew file mode 100644 index 0000000..ed6c60c --- /dev/null +++ b/20567-h/images/illus049.jpg diff --git a/20567-h/images/illus049_th.jpg b/20567-h/images/illus049_th.jpg Binary files differnew file mode 100644 index 0000000..2cae491 --- /dev/null +++ b/20567-h/images/illus049_th.jpg diff --git a/20567-h/images/illus052.jpg b/20567-h/images/illus052.jpg Binary files differnew file mode 100644 index 0000000..7ea515a --- /dev/null +++ b/20567-h/images/illus052.jpg diff --git a/20567-h/images/illus052_th.jpg b/20567-h/images/illus052_th.jpg Binary files differnew file mode 100644 index 0000000..d52d112 --- /dev/null +++ b/20567-h/images/illus052_th.jpg diff --git a/20567-h/images/illus053.jpg b/20567-h/images/illus053.jpg Binary files differnew file mode 100644 index 0000000..e6b3bc6 --- /dev/null +++ b/20567-h/images/illus053.jpg diff --git a/20567-h/images/illus053_th.jpg b/20567-h/images/illus053_th.jpg Binary files differnew file mode 100644 index 0000000..68e68c4 --- /dev/null +++ b/20567-h/images/illus053_th.jpg diff --git a/20567-h/images/illus055.jpg b/20567-h/images/illus055.jpg Binary files differnew file mode 100644 index 0000000..bc14712 --- /dev/null +++ b/20567-h/images/illus055.jpg diff --git a/20567-h/images/illus055_th.jpg b/20567-h/images/illus055_th.jpg Binary files differnew file mode 100644 index 0000000..edb071d --- /dev/null +++ b/20567-h/images/illus055_th.jpg diff --git a/20567-h/images/illus058.jpg b/20567-h/images/illus058.jpg Binary files differnew file mode 100644 index 0000000..8cd0dda --- /dev/null +++ b/20567-h/images/illus058.jpg diff --git a/20567-h/images/illus058_th.jpg b/20567-h/images/illus058_th.jpg Binary files differnew file mode 100644 index 0000000..666b5a8 --- /dev/null +++ b/20567-h/images/illus058_th.jpg diff --git a/20567-h/images/illus061.jpg b/20567-h/images/illus061.jpg Binary files differnew file mode 100644 index 0000000..fdb40af --- /dev/null +++ b/20567-h/images/illus061.jpg diff --git a/20567-h/images/illus061_th.jpg b/20567-h/images/illus061_th.jpg Binary files differnew file mode 100644 index 0000000..a1afb1a --- /dev/null +++ b/20567-h/images/illus061_th.jpg diff --git a/20567-h/images/illus062.jpg b/20567-h/images/illus062.jpg Binary files differnew file mode 100644 index 0000000..f0632c4 --- /dev/null +++ b/20567-h/images/illus062.jpg diff --git a/20567-h/images/illus062_th.jpg b/20567-h/images/illus062_th.jpg Binary files differnew file mode 100644 index 0000000..5337aa7 --- /dev/null +++ b/20567-h/images/illus062_th.jpg diff --git a/20567-h/images/illus063.jpg b/20567-h/images/illus063.jpg Binary files differnew file mode 100644 index 0000000..0a79509 --- /dev/null +++ b/20567-h/images/illus063.jpg diff --git a/20567-h/images/illus063_th.jpg b/20567-h/images/illus063_th.jpg Binary files differnew file mode 100644 index 0000000..48242eb --- /dev/null +++ b/20567-h/images/illus063_th.jpg diff --git a/20567-h/images/illus064.jpg b/20567-h/images/illus064.jpg Binary files differnew file mode 100644 index 0000000..e972bf9 --- /dev/null +++ b/20567-h/images/illus064.jpg diff --git a/20567-h/images/illus064_th.jpg b/20567-h/images/illus064_th.jpg Binary files differnew file mode 100644 index 0000000..42f21c3 --- /dev/null +++ b/20567-h/images/illus064_th.jpg diff --git a/20567.txt b/20567.txt new file mode 100644 index 0000000..7e27cc3 --- /dev/null +++ b/20567.txt @@ -0,0 +1,1029 @@ +The Project Gutenberg EBook of The Pigeon Tale, by Virginia Bennett + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Pigeon Tale + +Author: Virginia Bennett + +Illustrator: E. Stuart Hardy + +Release Date: February 11, 2007 [EBook #20567] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE PIGEON TALE *** + + + + +Produced by Juliet Sutherland, Markus Brenner and the +Online Distributed Proofreading Team at http://www.pgdp.net + + + + + + + THE + PIGEON TALE + + BY + VIRGINIA BENNETT. + + + + [Illustration: Title] + + + + ILLUSTRATED BY + E. STUART HARDY. + + _LONDON:_ _NEW YORK:_ + ERNEST NISTER. E. P. DUTTON & CO. + + E.N. No. 2074. + + +[Illustration: Flower ornament] +[Illustration: Pigeons] +[Illustration: Branch ornament] +[Illustration: The boy Laurie with a pigeon] + + +The Pigeon Tale + + + + +CHAPTER I. + + +Something unusual was about to happen--any one could see that; the tall +pine trees swayed and nodded to each other as if whispering together, +the leaves blew up against a corner of the fence as though they meant to +sweep the old-fashioned brick path clean, and the gate swung to and fro +on its hinges as in anticipation of a visitor. + +In a far-away corner of the United States stood an old farm-house which +had put on its company manners and quite left off being an every-day +house, though it really never could be called an "every-day" house--it +was too old for that. + +Ever so many children had been born there, and had grown up under its +sheltering roof, loved, married and had gone out into the world; it was +a _very_ old house, and could have told wonderful stories if any one had +listened to them; no, it could not be called an every-day house at all, +but to-day it had a look of expectancy quite different from its usual +sleepy air. + +[Illustration: Aunt Laura] + +The ancient box-hedge by the rose-garden stood like an old soldier at +attention, so! The fresh muslin curtains at the window were stiff with +starch, they would not stir an inch to the breeze blowing in. The old +farm-house was trying to look young again, that was it! To look young +again: how many of us can do that, eh! for it was expecting a visitor, a +very young visitor indeed, a little boy was coming. + +He was not an ordinary little boy, or at least the people at the +farm-house (Aunt Laura and Uncle Sam) did not think so--because his +mother when she was a little girl had gone there for a visit years and +years ago, just as he was coming to-day, and she had loved every nook +and cranny of the old house as they hoped he would love it, and to those +two people, it seemed almost as if she were coming back again, which +really couldn't happen, for that was ever so long ago. + +But she had sent her little boy instead, hoping that the change of air +would do him good after the winter months spent leaning over school +books. So in the quaint low-ceiled bedroom upstairs, sheets that smelled +of lavender, with beautiful hand-embroidered initials, made by some +bride for her trousseau long ago, were spread on the tall four-poster +bed with its curious starched valence and silk patch-work quilt; the +pitcher on the wash-stand had been filled to the brim with cool clear +spring water, queer knit towels in basket weave design hung ready for +use, and a delicious odor of home-made bread floated up from the +regions below. + +It was the little boy's first journey, everything was new to him--when +he got off at the station Uncle Sam met him and lifted him up to the +front seat of the carriage with his hand bag tucked in behind, as he had +lifted the little boy's mother up and seated her beside him, years ago. +And so they drove out together along the broad country roads, past the +green meadows, where quiet cows cropped the grass, until they came +within sight of the farm and windmill and turned into the leafy lane +under the spreading chestnut trees and stopped at the gate. + +[Illustration: _Aunt Laura was there to welcome him._] + +Aunt Laura was there to welcome him--the little boy's name was Laurie, +he had been given the name out of compliment to Aunt Laura; somehow or +other it was almost like "coming home" instead of "going away" he +thought, it was so home-like; perhaps it was because everything was so +very, very old, that their newness and strangeness had entirely worn +off. Perhaps it was because his mother had so often told him about it +all, that everything seemed so familiar. + +He had to ask ever so many questions, polite questions you know, for he +was not a rude little boy at all, but it seemed so wonderful to him to +be here at last that he could not help exclaiming at everything. + +There was the parlor just as he had imagined it, with the row of +seashells across the mantle and the door opening into the porch and +garden and beyond the library with its great deep fireplace, its +old-fashioned andirons and red brick hearth. + +Nothing was new in the old house, everything had been made years and +years ago when there was no machinery, and chairs and furniture had to +be turned by hand; for that reason people who made them took more pains +than they do now, so that they would last a long time, and only the +colours in the brocades had faded and the silk worn away in the +cross-stitch work of the antimacassars. + +Laurie went from room to room with Aunt Laura, looking at everything. +"Will you show me the cow-pitcher, Aunt Laura?" he asked, and Aunt Laura +laughed and opened a deep cupboard, where the best china was kept, and +took the pitcher down from a high shelf. Such a curious pitcher, it was, +a brown and white china cow--I'm sure it must have been very, very old, +for I never see pitchers like it now-a-days. The tail was curved into a +handle, and the mouth was the spout! + +Aunt Laura said that she would keep it on the table every day, full of +cream for his porridge, just as she had done for his mother, when she, +as a little girl, had stayed at the farm. + +[Illustration: Aunt Laura shows Laurie the cow-pitcher] + +When supper came, how good everything tasted! The home-cured ham, +delicious butter made on the farm, great slices of fresh bread and +schmeirkase--I don't believe many of you boys and girls know what +"Schmeirkase" is, do you? Well, anyway, it is made somehow from thick +sour cream, so thick that it is put in a bag and hung up in the dairy +until it is time to be eaten--when I was a little girl and visited a +farm they used to have schmeirkase for supper, and I always hoped they +would offer me a second helping and they always did! There were +strawberries too, and stewed rhubarb, and chocolate layer cake. And Aunt +Laura put the cake away after supper in a round tin box, in a corner of +the cupboard, and gave Laurie a great slice the next morning to eat, for +fear he would grow hungry before dinner. + +"I'm as glad as I can be that I've come," he said, and Uncle Sam and +Aunt Laura smiled at each other. "So like his mother," said Aunt Laura +and Laurie wondered how he could be like his mother, for his mother was +ever so much taller then he, and ever so much more "grown up." + +[Illustration: Flower ornament] + + + + +CHAPTER II. + + +After supper, Laurie slipped his small hand inside Uncle Sam's big one, +and they started out together to see the farm, the big collie dog "Shep" +running along beside them. + +"I've never seen so many animals in all my life," he exclaimed, as they +came up to the great gate that shut in the barnyard, "except perhaps in +the Zoo." + +"Shall we stop here for a moment?" said Uncle Sam, lifting Laurie up and +seating him on the gate-post, where he could see all over the yard at +once. + +"Oh, how fine!" exclaimed Laurie, "I feel just like a little bird that +perches on a tree, and looks down on the cows underneath, and isn't a +bit afraid of their horns!" + +[Illustration: Uncle Sam and Laurie] + +Uncle Sam laughed, for he knew the cows would not hurt him, nevertheless +he kept his arm around Laurie to be sure, for he was a little city boy, +and city boys only see pictures of cows in books, and Uncle Sam thought +Laurie might be a weeny bit afraid. Bossie, Bonnie Bee, Lilian and +Daisy, the cows, were standing around waiting to be milked, switching +their tails and moo-oo-ing now and then; some would wander over to the +wide horse trough, over which the water spilled, and bend their heads +until their mouths touched the water, when they would drink in great +gulps, then turn away with dripping chins. + +Just then there was the sound of hoofs, and old "Sue," "Magic" and +"Marvel" and the colt "Arbutus" raced up from the pasture, and into the +barnyard. + +Uncle Sam drew a handful of apples out of his capacious pockets, and the +horses came whinneying and ate them out of his hand. + +"I'm glad I'm up here," laughed Laurie, but Uncle Sam latched the gate, +and lifted him down, for there was ever so much more to be seen. + +Over in the pig-sty the old mother sow and her family of pigs were +pushing each other out of the way to see who could get the most supper, +some of them being impolite enough to stand with their feet in the +trough, but of course that is considered correct in pig society. + +The little pigs were cunning, with their bright eyes and curly tails, +and even the old sow was admirable, for she would grunt as though to say +"Did you ever see so fine a family; I have taught them that the best +things in this world must be hunted for, and to look out for themselves, +yes! they have been brought up properly, I have a right to be proud." + +Laurie had never seen a real pump before, so they stopped and he had a +drink of the cool well water. How refreshing it was! Next they peeped +into the chicken house, deserted, except for a few old mother hens, +sitting on their eggs, who, when they saw Laurie, set up such a fuss +that he quickly came out again. + +[Illustration: Chickens] + +As they came near an old brown hen sitting in the grass, Laurie laughed +with delight when she got up, and a whole brood of downy yellow chicks +ran from under her wing. + +[Illustration: Laurie with the hen and chicks] + +Uncle Sam now took Laurie back to the barn to see the milking, and they +threaded their way through the dim twilight of the stable, past the +tired horses munching their oats, to the cow-shed, frightening an old +hen off her nest, where she had laid her eggs away from prying eyes in a +corner of the hay. + +Laurie thought he had never smelt anything so delicious as the odor of +the sweet clover grass that hung down between the boards of the flooring +of the hay loft, and when a mouse would scurry away, he would laugh at +its being afraid of him. + +Outside in the gathering twilight, the pigeons were wheeling and +circling overhead, and dipping to the ground for the corn that lay +scattered among the pebbles. + +High overhead, was the dove-cote on the wagon house. "Do the pigeons +fly far away, Uncle Sam? and what are they always doing?" asked Laurie +when he had watched them for some time. "They fly ever so far away, +Laurie," answered Uncle Sam, "but always come back again. Some pigeons +you know, the carrier pigeons, carry messages, but I do not think this +kind is used for that purpose." Meantime Aunt Laura had come out to +scatter corn to the chickens, who, seeing her approach, hurried to meet +her on all sides, until she stood surrounded by the pretty feathered +creatures. Laurie begged for a handful of corn to throw to them, but +started back in dismay, when an old turkey-gobbler reached up and +picked a grain out of his hand. "What a rude old bird," he said, "but I +wasn't a bit afraid of him, he only surprised me," he explained to Aunt +Laura quickly, for fear she would think him timid. Just then the turkey, +who was a pompous sort of creature, cocked his head on one side, and +looked at Laurie for a moment as though he understood, then turned away. + +[Illustration: _"What a rude old bird," said Laurie._] + +"I'm afraid you have hurt his feelings," said Aunt Laura, "you see he is +not used to little boys calling him names"--"Well, I'll not do it any +more, I'm sure I didn't know he minded," replied Laurie, "but still," he +continued, "it's not as if he really understood, he couldn't unless he +were a fairy--but turkeys, and cows and pigeons on farms are not +fairies, are they, Aunt Laura?" "I can't tell you that, Laurie," said +Aunt Laura, "for I've never seen any fairies--some animals are more +sensible than others, and some like to be petted, and are fond of being +with people--if that is what you mean." "No, that is not what I mean +altogether, it's only part of what I mean," he answered; "if the +turkey-gobbler wasn't a fairy, it ought not to make any difference to +him, my calling him rude or not, for he couldn't understand, but he +looked at me in such a funny way, with his head on one side, that he +must have known what I was saying." + +[Illustration: Laurie taking off his shoes and stockings] + + + + +CHAPTER III. + + +"I couldn't be a bit lonely here, Aunt Laura," he said, as he was +sitting on the floor that night beside his bed, struggling to take off +his shoes and stockings all by himself, "you see even when you and Uncle +Sam are too busy for me to 'sturb you, I can just go out and play with +the chickens, and talk to the little calf, and 'pretend.' + +"It's lots of fun 'pretending,'" he continued, "I can pretend, oh! ever +so many things--I learned to do it when I had the mumps, and had to stay +in bed. It wasn't half so bad the having to stay in bed then. I used to +pretend I was a magician sometimes, and could turn my toys into real +soldiers, and real ships, and it used to be lots of fun." + +"I don't think we shall ever be too busy for you to disturb us, Laurie," +said Aunt Laura. + +"Oh, may I peep into that funny little door?" Laurie exclaimed, as he +caught sight of a tiny closet over the mantelpiece. "Where does it go +to, does it go into the chimney?" Aunt Laura laughed, "No, it does not +go into the chimney, though everybody who sees it thinks so at first." +And indeed that seemed the only place that it could open into, for it +was exactly over the fireplace, where the chimney must be. To be sure +the fireplace had been boarded up and painted white, and was never used +now; in its stead a great iron stove like a box, where corn cobs were +burned, was used in winter, for that made the room much warmer, but +certainly the little closet had been built at the same time as the +house, when the fireplace and the chimney had been built. + +"I don't exactly know where it goes to, Laurie," said Aunt Laura, "it +has always been there. When I was a little girl I used to think it was a +door into another part of the house, that I did not know about, where I +had never been, and I used to stand on a chair and peep in, but it was +too dark to see in all the way. I keep some of my jellies in it now," +she added, and as she spoke, she opened the door, and showed him a +tempting row of tumblers, filled with clear amber jelly, neatly covered +with white paper. + +Even after Aunt Laura had tucked him into bed, and given him a +good-night kiss, Laurie kept wondering about all he had seen--there was +so much to think about. + +"I wonder why the pigeons keep flying about all day," he said to +himself, "and what chickens and geese say to each other--after all, I +don't believe they can talk at all," he continued, "for they do not seem +to be really doing anything--they just fly around in a silly sort of +way, picking up crumbs, I wonder what they would talk about if they +could. I wonder if I could peep inside the dove-cote some day and see +what it looks like." By this time he was almost asleep, but he kept +repeating to himself, "I wonder--I wonder--I wonder," over and over +again, until it sounded more like whirrder-whirrder-whirr--yes, Laurie +was almost sure he had stopped saying "wonder" and something soft like +whirr-whirr sounded close by, as if one of the pigeons themselves was +flying about the room. + +Laurie opened his eyes wide--"How could a pigeon be in this room," he +thought; "they must surely be asleep in the dove-cote by this time." The +room was quite dark, except for a little square of light high upon the +wall, but he gradually made out the different objects in the room, and +saw that the light came from the little cupboard on the mantlepiece. He +heard the soft whirr again, this time close by, and looking up he saw a +pigeon perched on one of the four posts of his bed. "So you don't +believe we have any work to do," said the pigeon. "Would you like to see +inside the dove-cote? If so, come with me." When he said this, he +hovered about the bed for a moment, then fluttered over to the +mantelpiece, and stood beside the little cupboard. + +[Illustration: Laurie enters the cupboard] + +Laurie was about to say that he could not possibly get up to the door, +when he remembered what Aunt Laura had said about climbing up on a chair +to peep in, so he jumped out of bed, and pulling a chair close to the +fireplace, stepped from it to the mantelpiece. It never occurred to him +until afterwards, to think that he was ever so much too big to fit +inside the cupboard, and it really did not matter after all, for somehow +or other he did fit--whether he had grown suddenly quite small, or the +cupboard was quite large when one got near enough to it, I do not know, +but there he was inside, with the pigeon hopping along sedately ahead of +him. + +It was apparently a narrow passage, and very long, for they walked on +for some time, turning corners now and then, as though it ran past +certain rooms in the house, and Laurie could see that it was lit by +hundreds of fireflies, making it almost as bright as day. + + + + +CHAPTER IV. + + +Suddenly the passageway came to an end, Laurie does not remember quite +how it happened, but there he was up in the dove-cote, high above the +farmyard, with the pigeons cooing and circling about him. + +What a beautiful dove-cote it was, ever so much larger than one would +have supposed: indeed it was like a real house. + +It did not seem at all strange for the cooing to sound more and more +like words, and presently Laurie found that the pigeons were inviting +him to enter. Inside how beautiful it all was! Velvet carpets lay on the +floor, with the most exquisite patterns traced on them; in each room the +pattern was different, yet always changing, for they were made by the +tiny feet of the pigeons as they moved about. Soft curtains hung at the +doors. They were wonderful feather curtains; instead of having to push +them to one side, all that one had to do was to move towards them, and +they folded into wings. Exquisite music sounded in the rooms, that was +the wind, and it sang of the countries and people it had seen in its +travels. It sang of the waving corn, the ships at sea, the flames +leaping in the fireplace, it crooned a lullaby it had heard a mother +singing to her baby--now the voice of the wind was soft and low, that +was when it remembered the places it had been in, where there was peace +and happiness; now it was loud and harsh, for it had also been in +terrible storms, and wild places, ah! they were wonderful stories. No +one was idle in the dove-cote, some pigeons were kept busy writing the +news that the wind brought, others flew here and there, for they were +the messengers, and must carry the news over the farm. + +One pigeon had a ring over his ankle: he was very important indeed, +quite a personage in the dove-cote. + +[Illustration: Some pigeons were kept busy writing the news that the +wind brought] + +"They are going to dance for you," he said to Laurie, and seven pigeons +stepped into the centre of the room. They began with a faint flutter of +their wings, turning their heads from side to side, gradually growing +swifter in their motion, until their brilliant colors blended and +intermingled in a beautiful prismatic effect. It was like a wonderful +rainbow dance, only the colors changed as the pigeons moved about, and +they opened and closed their wings in such a way, that they seemed to +ripple and flow as water does over the stones. + +Their cooing gradually sounded more and more like water gurgling, and +Laurie listened and listened, until he found his head nodding--he was +almost asleep--no, he was not asleep, he opened his eyes wide, there was +the pigeon still, with the ring about his ankle, but the dancing pigeons +were no longer there; the blue sky shone between trunks of trees, and a +real brook sparkled over the stones--somehow or other they were walking +through a wood, the same wood on the edge of the fields, that they had +driven past on their way to the farm: how quiet it was and how +deliciously soft the moss underfoot, while a gentle breeze swayed the +trees overhead. + +[Illustration: _"Now we will stop at the squirrel house," said the +Pigeon._] + +"Now we will stop at the squirrel's house," said the pigeon, as they +stopped at an old tree. "Rap-tap-rap" with his beak on a knot-hole in +the trunk, and a fat squirrel opened the door. What a lot of chattering! +he was inviting them to enter. "How delightful," thought Laurie as they +stepped inside, "now I shall see what a squirrel's house is really +like." + +And indeed it was very different from what he had supposed an old tree +to be like inside; instead, there was a real little staircase, carpeted +with green moss, winding up through the hollow trunk, there were +landings at the different branches, with tiny doors opening off them, +and the branches themselves were all little rooms with knot-holes for +windows, across which green leaves were hung for curtains. + +The walls were papered with the most beautiful paper in the world; in +one room it was all blossoms with the most delicate odor; in another the +walls were hung with green leaves; in another room great red and yellow +autumn leaves festooned the walls. "You see this is the inside out or +rather the outside in of the tree," explained the squirrel; "this is +where the blossoms and leaves are kept when not in use." + +It was all a little confusing at first to Laurie, for the squirrels +seemed to be in such haste, but they were so friendly, and chattered so +pleasantly to him that somehow or other he understood everything they +were saying, though they talked in squirrel language, and so by-and-by +he felt more at home, and sat down while they brought him some +refreshments. + +[Illustration: Such delicious morsels, served in the most tempting +manner] + +Such delicious morsels, served in the most tempting manner! Puree of +chestnuts, and hickory-nut cake--wonderful cherry cordial, made, the +squirrels explained to Laurie, out of melted sap of the wild cherry +tree--exquisite walnuts baked in acorn cups. Oh! I can't tell you half +what there was, for Laurie did not know himself, but it was all very +delicious, and the squirrels too seemed to think it an important +occasion, for there was a great deal of whisking of tails, and the +squirrel waiters sat up very stiffly with their little paws held up in +front of them, as though they knew how much was expected of them and +meant to do their share. Every now and then Laurie would see a pair of +bright eyes peeping at him over the stair, then off would scurry a baby +squirrel afraid of being caught, "for all the world," thought Laurie, +"the way we do at home when we are forbidden to come down when mother is +giving a party, so watch instead from a landing on the stair when +nurse's back is turned." + +[Illustration: _The squirrel led the way down the winding stair._] + +After the refreshments, there was more bowing and waving of bushy tails +and hand shaking or paw shaking, I do not know which--for it was time to +be off; Laurie thanked them very much and said he would like to come +again, which was very true indeed, and he said in his most "grown up +way" that he had had a delightful time, and the squirrels seemed pleased +and nodded again, and the same old squirrel, who must have been the +door-keeper, for he kept jingling a great bunch of keys in his hands, +now led the way down the winding stair again, until they reached what +must have been the cellar part of the tree, where the squirrels kept +their stores for the winter. It had grown so dark that their guide now +took a lantern down from the wall and, fastening a glow worm inside to +light the way, showed Laurie great piles of nuts and acorns stacked in +the corners. After a while they came to a little door and, passing +through it--the squirrel leading the way, after him the pigeon, and +Laurie bringing up the rear--they found themselves in a long passage, +smelling of earth and mould. "It surely must be underground," thought +Laurie, "I wonder if the moles and mice have streets just as we do. Oh, +dear! I do hope we don't meet that dreadful turkey-gobbler." Before he +had time to think much about it, they came to another little door, on +the other side of which was a stair that evidently led up into another +tree. + +Here the squirrel with the lantern bade them good-bye, and disappeared +down the corridor. The pigeon led the way up the stair, at the top of +which was a rough wooden door. "We must leave a message here," said he, +tapping on the door, and after waiting some time, Laurie thought he +heard a gruff voice say, "To-who-to-who?" "Why doesn't he come and see +instead of asking?" thought Laurie, but just then the door opened, and +an old owl put out his head. + +[Illustration: An old owl put out his head] + +[Illustration: The owl] + + + + +CHAPTER V. + + +The owl looked very sleepy, and blinked his eyes very hard. "He must +have been asleep," said Laurie to himself, "owls always do sleep in the +day-time I suppose." + +"Who-oo!" screeched the owl, flapping his wings and ruffling up his +feathers, and looking very hard at Laurie. "Oh, dear! I beg your +pardon," said Laurie, feeling very much frightened indeed, "I didn't +mean to be rude, but all the birds and animals on the farm here have +such a curious way of knowing what I'm thinking." The owl paid no +attention to him, however, but opened the door wider for them to enter, +and Laurie, keeping close behind the pigeon, stepped in. The owl was +evidently a bachelor, for his room was very untidy; books and papers lay +piled about in the greatest confusion, and while he tried in a clumsy +way to make room for them, every now and then he would upset something, +as he was extremely near-sighted. He finally pushed a revolving globe on +a stand toward Laurie, evidently thinking it a stool; it was very +uncomfortable to sit on, and it had a way of turning round at the least +little motion, and Laurie hoped that whatever the message was the +pigeon would not remain long. + +[Illustration: The owl reads over the paper] + +The pigeon now brought out a folded paper from a pocket underneath his +wing, and handed it to the owl, who opened it, and said he would give it +due consideration on reading it over. After listening to their +conversation awhile Laurie learned that the owl, because of his wisdom, +was the judge who decided the serious affairs and quarrels among the +other birds and animals. The room was built in the hollow of a dead +tree--it was quite snug, but not half so nice as the squirrel house, for +there was no pretty wall paper, and a great spider-web instead hung +across one corner of the room; on one side was an oval window, out of +which could be seen wood and meadow, and on a peg against the wall hung +a warm winter cloak of soft moleskin. The owl now gravely folded and +sealed several legal-looking documents, and gave them to the pigeon, +who, tucking them away in the same pocket, flapped his wings, and, +nodding to Laurie to jump on his back, flew out into the sunshine. +Laurie had hardly time to wonder where the pigeon was taking him to this +time, when he saw the farm below them, and they alighted on the roof of +the barn. + +[Illustration: Laurie was standing on the top of the barn roof] + +"Cock-a-doodle-doo," crowed the rooster on the weather-vane, but he +really thought he was saying "How-de-do-de-do?" He was a splendid +fellow, for he was pure gold and shone in the sunlight; he turned this +way and that for everybody to see him, until the common fowls in the +barn-yard envied him and wished themselves in his place, though if they +had only known it they were far better off than he, for they could pick +up corn and worms, while he was obliged to stand there always, which was +not so pleasant on rainy days. He was terribly hoarse, too, from the +damp weather, and it made his voice sound like a rusty hinge that needed +oiling. "Cock-a-doodle-doo!" he said to Laurie, and Laurie bowed the +best way he could, which was not very easy considering that he was +standing on the top of the barn roof. "So you are the little boy who has +come to visit at the farm-house; I saw you drive in. I see everything +and everybody, people come and people go; it is a mistake to think that +one must travel to see the world: I prefer to remain at home, but then +every one is not as bright as I"--he certainly was conceited--"still I +am never idle," he continued, "for I have my work to do; the farmer +cannot do without me. I warn him of a change of weather, but not +everyone who is changeable can be depended upon." + +Here the pigeon interrupted him to tell him what the wind had said of a +storm coming, and he promised to look toward the east for it. The wind +had certainly got up, there was no doubting it; the weathercock and +pigeon were right, it was going to rain, big drops were pattering down +on the roof. + +[Illustration: Beside him stood the turkey-gobbler] + +Laurie looked round to find the pigeon, but he had disappeared, no doubt +for fear he would get his feathers wet. "Serves you right, serves you +right!" sounded close to Laurie's ear, and beside him stood the +turkey-gobbler. "So you thought the pigeons just flew round in a silly +sort of way, picking up crumbs did you," he said--or gobbled I should +say, his voice was so cross--"and you didn't suppose we had our work to +do as well as the people on the farm, did you?" he really looked very +alarming as he ruffled up his feathers and spread out his tail like a +great fan. "Serves you right, to be left out in the rain this way," he +went on, "next time you'll have better manners, I hope, than to call any +one a rude bird." Laurie was very much frightened indeed--it was raining +harder and harder; he started to run: patter, patter, patter, sounded +the feet of the turkey behind him, "gobble, gobble,"--patter, +patter,--no, it was only the rain drops this time, he was quite out of +breath, where was he? + +[Illustration: The turkey-gobbler] + +He looked about him, he was no longer in the barnyard--of course he knew +where he was now, but--how frightened he had been; he rubbed his eyes, +it was morning, the sun shone and there was Aunt Laura clapping her +hands in the doorway to waken him. "Wake up, wake up, Laurie," she +said--"why dear me," she added in a puzzled way, looking up at the +mantelpiece, "how did I happen to forget to shut the cupboard door last +night?" + +[Illustration: "How did I happen to forget to shut the cupboard door +last night?"] + +Perhaps she forgot to shut it, or the pigeon forgot, I do not know; +anyway that is the end of the Pigeon Story, children;--and maybe +to-morrow, when the stockings are all darned, and the toys put neatly +away, I shall tell you the Field Mouse Tale, or the Duck Tale or the +Windmill Tale, for there are four altogether--would you like to hear +them? + +[Illustration: Flower ornament] + +_Printed in Bavaria._ + + + +[Transcriber's Note: The original varied spelling has been retained in +this ebook. The following typo has been corrected: + +p. 34: "How could a pigeon be in his room," -> this room + +The Illustration descriptions have been added by the transcriber except +those marked in _italics_.] + + + + + +End of the Project Gutenberg EBook of The Pigeon Tale, by Virginia Bennett + +*** END OF THIS PROJECT GUTENBERG EBOOK THE PIGEON TALE *** + +***** This file should be named 20567.txt or 20567.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/0/5/6/20567/ + +Produced by Juliet Sutherland, Markus Brenner and the +Online Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/20567.zip b/20567.zip Binary files differnew file mode 100644 index 0000000..49350b0 --- /dev/null +++ b/20567.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..446fa54 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #20567 (https://www.gutenberg.org/ebooks/20567) |
