summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 01:23:03 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 01:23:03 -0700
commit94ab173e03acf4f33fbf7fd9e190571244ccc37e (patch)
tree087777c704e6783c78ed0045cd7917459f99d20a
initial commit of ebook 20427HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--20427-8.txt3773
-rw-r--r--20427-8.zipbin0 -> 49309 bytes
-rw-r--r--20427-h.zipbin0 -> 53973 bytes
-rw-r--r--20427-h/20427-h.htm3818
-rw-r--r--20427.txt3773
-rw-r--r--20427.zipbin0 -> 49288 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 11380 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/20427-8.txt b/20427-8.txt
new file mode 100644
index 0000000..94732fc
--- /dev/null
+++ b/20427-8.txt
@@ -0,0 +1,3773 @@
+Project Gutenberg's Custer, and Other Poems., by Ella Wheeler Wilcox
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Custer, and Other Poems.
+
+Author: Ella Wheeler Wilcox
+
+Release Date: January 23, 2007 [EBook #20427]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK CUSTER, AND OTHER POEMS. ***
+
+
+
+
+Produced by Thierry Alberto, David T. Jones and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+
+ CUSTER
+
+ AND
+
+ OTHER POEMS
+
+ BY
+
+ ELLA WHEELER WILCOX.
+
+ Author of
+"Poems of Passion," "Maurine," "Poems of Pleasure,"
+"How Salvator Won," "The Beautiful Land of Nod,"
+"An Erring Woman's Love," "Men, Women and Emotions," Etc.
+
+
+
+
+ CHICAGO:
+ W. B. CONKEY COMPANY.
+
+
+
+
+
+
+ Published 1896,
+
+ By
+
+ ELLA WHEELER WILCOX.
+
+
+
+
+
+ Preface.
+
+
+
+ "Let such teach others, who themselves excel,
+ And censure freely who have written well."
+
+ --POPE.
+
+
+
+[Transcriber's Note: BOLD characters are denoted by enclosing them with =...=
+ and ITALIC characters are denoted by enclosing them with _..._ ]
+
+
+
+ =CONTENTS=
+
+
+ =PAGE=
+
+The World's Need 7
+
+High Noon 8
+
+Transformation 10
+
+Thought-Magnets 12
+
+Smiles 13
+
+The Undiscovered Country 15
+
+The Universal Route 16
+
+Earthly Pride 17
+
+Unanswered Prayers 18
+
+Thanksgiving 20
+
+A Maiden to Her Mirror 22
+
+The Kettle 23
+
+Contrasts 25
+
+Thy Ship 26
+
+The Tryst 28
+
+Life 31
+
+A Marine Etching 32
+
+The Duel 33
+
+"Love Thyself Last" 35
+
+Christmas Fancies 37
+
+The River 40
+
+Sorry 42
+
+The Old Wooden Cradle 44
+
+Ambition's Trail 46
+
+The Traveled Man 47
+
+Uncontrolled 49
+
+The Tulip Bed at Greeley Square 50
+
+Will 52
+
+To An Astrologer 53
+
+The Tendril's Faith 55
+
+The Times 56
+
+The Question 57
+
+Sorrow's Uses 58
+
+If 59
+
+Which Are You? 60
+
+The Creed To Be 62
+
+Music in the Flat 64
+
+Inspiration 67
+
+The Wish 68
+
+Three Friends 69
+
+You Never Can Tell 71
+
+Here and Now 72
+
+Unconquered 74
+
+All That Love Asks 75
+
+Does It Pay 77
+
+Sestina 78
+
+The Optimist 80
+
+The Pessimist 81
+
+The Hammock's Complaint 82
+
+Life's Harmonies 83
+
+Preaching vs. Practice 84
+
+An Old Man to His Sleeping Young Bride 85
+
+I Am 87
+
+Two Nights 89
+
+Preparation 91
+
+Custer 93
+
+
+
+
+=The World's Need=
+
+
+So many gods, so many creeds,
+ So many paths that wind and wind,
+ While just the art of being kind,
+Is all the sad world needs.
+
+
+
+
+=High Noon=
+
+
+Time's finger on the dial of my life
+Points to high noon! and yet the half-spent day
+Leaves less than half remaining, for the dark,
+Bleak shadows of the grave engulf the end.
+
+To those who burn the candle to the stick,
+The sputtering socket yields but little light.
+Long life is sadder than an early death.
+We cannot count on raveled threads of age
+Whereof to weave a fabric. We must use
+The warp and woof the ready present yields
+And toil while daylight lasts. When I bethink
+How brief the past, the future still more brief,
+Calls on to action, action! Not for me
+Is time for retrospection or for dreams,
+Not time for self-laudation or remorse.
+Have I done nobly? Then I must not let
+Dead yesterday unborn to-morrow shame.
+Have I done wrong? Well, let the bitter taste
+Of fruit that turned to ashes on my lip
+Be my reminder in temptation's hour,
+And keep me silent when I would condemn.
+Sometimes it takes the acid of a sin
+To cleanse the clouded windows of our souls
+So pity may shine through them.
+
+ Looking back,
+My faults and errors seem like stepping-stones
+That led the way to knowledge of the truth
+And made me value virtue; sorrows shine
+In rainbow colors o'er the gulf of years,
+Where lie forgotten pleasures.
+
+ Looking forth,
+Out to the western sky still bright with noon,
+I feel well spurred and booted for the strife
+That ends not till Nirvana is attained.
+
+Battling with fate, with men and with myself,
+Up the steep summit of my life's forenoon,
+Three things I learned, three things of precious worth
+To guide and help me down the western slope.
+I have learned how to pray, and toil, and save.
+To pray for courage to receive what comes,
+Knowing what comes to be divinely sent.
+To toil for universal good, since thus
+And only thus can good come unto me.
+To save, by giving whatsoe'er I have
+To those who have not, this alone is gain.
+
+
+
+
+=Transformation=
+
+
+She waited in a rose-hued room;
+ A wanton-hearted creature she,
+ But beautiful and bright to see
+As some great orchid just in bloom.
+
+Upon wide cushions stretched at ease
+ She lolled in garments filmy fine,
+ Which but enhanced each rounded line;
+A living picture, framed to please.
+
+A bold electric eye of light
+ Leered through its ruddy screen of lace
+ And feasted on her form and face
+As some wine-crimsoned roué might.
+
+From wall and niche, nude nymph beguiled
+ Fair goddesses of world-wide fame,
+ But Psyche's self was put to shame
+By one who from the cushions smiled.
+
+Exotic blossoms from a vase
+ Their sweet narcotic breath exhaled;
+ The lights, the objects round her paled--
+She lost the sense of time and place.
+
+She seemed to float upon the air,
+ Untrammeled, unrestricted, free;
+ And rising from a vapory sea
+She saw a form divinely fair.
+
+A beauteous being in whose face
+ Shone all things sweet and true and good.
+ The innocence of maidenhood,
+The motherhood of all the race.
+
+The warmth which comes from heavenly fire,
+ The strength which leads the weaker man
+ To climb to God's Eternal plan
+And conquer and control desire.
+
+She shook as with a mighty awe,
+ For, gazing on this shape which stood
+ Embodying all true womanhood,
+She knew it was _herself_ she saw.
+
+She woke as from a dream. But when
+ The laughing lover, light and bold
+ Came with his talk of wine and gold
+He gazed, grew silent, gazed again;
+
+Then turned abashed from those calm eyes
+ Where lurked no more the lure to sin.
+ Her higher self had entered in,
+Her path led now to Paradise.
+
+
+
+
+=Thought-Magnets=
+
+
+With each strong thought, with every earnest longing
+ For aught thou deemest needful to thy soul,
+Invisible vast forces are set thronging
+ Between thee and that goal.
+
+'Tis only when some hidden weakness alters
+ And changes thy desire, or makes it less,
+That this mysterious army ever falters
+ Or stops short of success.
+
+Thought is a magnet; and the longed-for pleasure
+ Or boon, or aim, or object, is the steel;
+And its attainment hangs but on the measure
+ Of what thy soul can feel.
+
+
+
+
+=Smiles=
+
+
+Smile a little, smile a little,
+ As you go along,
+Not alone when life is pleasant,
+ But when things go wrong.
+Care delights to see you frowning,
+ Loves to hear you sigh;
+Turn a smiling face upon her,
+ Quick the dame will fly.
+
+Smile a little, smile a little,
+ All along the road;
+Every life must have its burden,
+ Every heart its load.
+Why sit down in gloom and darkness,
+ With your grief to sup?
+As you drink Fate's bitter tonic,
+ Smile across the cup.
+
+Smile upon the troubled pilgrims
+ Whom you pass and meet;
+Frowns are thorns, and smiles are blossoms
+ Oft for weary feet.
+
+Do not make the way seem harder
+ By a sullen face,
+Smile a little, smile a little,
+ Brighten up the place.
+
+Smile upon your undone labor;
+ Not for one who grieves
+O'er his task, waits wealth or glory;
+ He who smiles achieves.
+Though you meet with loss and sorrow
+ In the passing years,
+Smile a little, smile a little,
+ Even through your tears.
+
+
+
+
+=The Undiscovered Country=
+
+
+Man has explored all countries and all lands,
+ And made his own the secrets of each clime.
+ Now, ere the world has fully reached its prime,
+The oval earth lies compassed with steel bands;
+The seas are slaves to ships that touch all strands,
+ And even the haughty elements sublime
+ And bold, yield him their secrets for all time,
+And speed like lackeys forth at his commands.
+
+Still, though he search from shore to distant shore,
+ And no strange realms, no unlocated plains
+Are left for his attainment and control,
+Yet is there one more kingdom to explore.
+ Go, know thyself, O man! there yet remains
+The undiscovered country of thy soul!
+
+
+
+
+=The Universal Route=
+
+
+As we journey along, with a laugh and a song,
+ We see, on youth's flower-decked slope,
+Like a beacon of light, shining fair on the sight,
+ The beautiful Station of Hope.
+
+But the wheels of old Time roll along as we climb,
+ And our youth speeds away on the years;
+And with hearts that are numb with life's sorrows we come
+ To the mist-covered Station of Tears.
+
+Still onward we pass, where the milestones, alas!
+ Are the tombs of our dead, to the West,
+Where glitters and gleams, in the dying sunbeams,
+ The sweet, silent Station of Rest.
+
+All rest is but change, and no grave can estrange
+ The soul from its Parent above;
+And, scorning the rod, it soars back to its God,
+ To the limitless City of Love.
+
+
+
+
+=Earthly Pride=
+
+
+How baseless is the mightiest earthly pride,
+The diamond is but charcoal purified,
+The lordliest pearl that decks a monarch's breast
+Is but an insect's sepulchre at best.
+
+
+
+
+=Unanswered Prayers=
+
+
+Like some school master, kind in being stern,
+Who hears the children crying o'er their slates
+And calling, "Help me master!" yet helps not,
+Since in his silence and refusal lies
+Their self-development, so God abides
+Unheeding many prayers. He is not deaf
+To any cry sent up from earnest hearts,
+He hears and strengthens when He must deny.
+He sees us weeping over life's hard sums
+But should He give the key and dry our tears
+What would it profit us when school were done
+And not one lesson mastered?
+
+ What a world
+Were this if all our prayers were answered. Not
+In famed Pandora's box were such vast ills
+As lie in human hearts. Should our desires
+Voiced one by one in prayer ascend to God
+And come back as events shaped to our wish
+What chaos would result!
+
+ In my fierce youth
+I sighed out breath enough to move a fleet
+Voicing wild prayers to heaven for fancied boons
+Which were denied; and that denial bends
+My knee to prayers of gratitude each day
+Of my maturer years. Yet from those prayers
+I rose alway regirded for the strife
+And conscious of new strength. Pray on, sad heart,
+That which thou pleadest for may not be given
+But in the lofty altitude where souls
+Who supplicate God's grace are lifted there
+Thou shalt find help to bear thy daily lot
+Which is not elsewhere found.
+
+
+
+
+=Thanksgiving=
+
+
+We walk on starry fields of white
+ And do not see the daisies;
+For blessings common in our sight
+ We rarely offer praises.
+We sigh for some supreme delight
+ To crown our lives with splendor,
+And quite ignore our daily store
+ Of pleasures sweet and tender.
+
+Our cares are bold and push their way
+ Upon our thought and feeling.
+They hang about us all the day,
+ Our time from pleasure stealing.
+So unobtrusive many a joy
+ We pass by and forget it,
+But worry strives to own our lives
+ And conquers if we let it.
+
+There's not a day in all the year
+ But holds some hidden pleasure,
+And looking back, joys oft appear
+ To brim the past's wide measure.
+But blessings are like friends, I hold,
+ Who love and labor near us.
+We ought to raise our notes of praise
+ While living hearts can hear us.
+
+Full many a blessing wears the guise
+ Of worry or of trouble.
+Farseeing is the soul and wise
+ Who knows the mask is double.
+But he who has the faith and strength
+ To thank his God for sorrow
+Has found a joy without alloy
+ To gladden every morrow.
+
+We ought to make the moments notes
+ Of happy, glad Thanksgiving;
+The hours and days a silent phrase
+ Of music we are living.
+And so the theme should swell and grow
+ As weeks and months pass o'er us,
+And rise sublime at this good time,
+ A grand Thanksgiving chorus.
+
+
+
+
+=A Maiden To Her Mirror=
+
+
+He said he loved me! Then he called my hair
+ Silk threads wherewith sly Cupid strings his bow,
+ My cheek a rose leaf fallen on new snow;
+And swore my round, full throat would bring despair
+To Venus or to Psyche.
+
+ Time and care
+ Will fade these locks; the merry god, I trow,
+ Uses no grizzled cords upon his bow.
+How will it be when I, no longer fair,
+ Plead for his kiss with cheeks whence long ago
+The early snowflakes melted quite away,
+The rose leaf died--and in whose sallow clay
+ Lie the deep sunken tracks of life's gaunt crow?
+
+When this full throat shall wattle fold on fold,
+ Like some ripe peach left drying on a wall,
+ Or like a spent accordion, when all
+Its music has exhaled--will love grow cold?
+
+
+
+
+=The Kettle=
+
+
+There's many a house of grandeur,
+ With turret, tower and dome,
+That knows not peace or comfort,
+ And does not prove a home.
+_I_ do not ask for splendor
+ To crown my daily lot,
+But this I ask--a kitchen
+ Where the kettle's always hot.
+
+If things are not all ship-shape,
+ I do not fume or fret,
+A little clean disorder
+ Does not my nerves upset.
+But _one_ thing is essential,
+ Or seems so to my thought,
+And that's a tidy kitchen
+ Where the kettle's always hot.
+
+In my Aunt Hattie's household,
+ Though skies outside are drear,
+Though times are dark and troubled,
+ You'll always find good cheer.
+And in her quaint old kitchen--
+ The very homiest spot--
+The kettle's always singing,
+ The water's always hot.
+
+And if you have a headache,
+ Whate'er the hour may be,
+There is no tedious waiting
+ To get your cup of tea.
+I don't know how she does it--
+ Some magic she has caught--
+For the kitchen's cool in summer,
+ Yet the kettle's always hot.
+
+Oh, there's naught else so dreary
+ In household kingdom found
+As a cold and sullen kettle
+ That does not make a sound.
+And I think that love is lacking
+ In the hearts in such a spot,
+Or the kettle would be singing
+ And the water would be hot.
+
+
+
+
+=Contrasts=
+
+
+I see the tall church steeples,
+ They reach so far, so far,
+But the eyes of my heart see the world's great mart,
+ Where the starving people are.
+
+I hear the church bells ringing
+ Their chimes on the morning air;
+But my soul's sad ear is hurt to hear
+ The poor man's cry of despair.
+
+Thicker and thicker the churches,
+ Nearer and nearer the sky
+But alack for their creeds while the poor man's needs
+ Grow deeper as years roll by.
+
+
+
+
+=Thy Ship=
+
+
+Hadst thou a ship, in whose vast hold lay stored
+The priceless riches of all climes and lands,
+Say, wouldst thou let it float upon the seas
+Unpiloted, of fickle winds the sport,
+And of wild waves and hidden rocks the prey?
+
+Thine is that ship; and in its depths concealed
+Lies all the wealth of this vast universe--
+Yea, lies some part of God's omnipotence
+The legacy divine of every soul.
+Thy will, O man, thy will is that great ship,
+And yet behold it drifting here and there--
+One moment lying motionless in port,
+Then on high seas by sudden impulse flung,
+
+Then drying on the sands, and yet again
+Sent forth on idle quests to no-man's land
+To carry nothing and to nothing bring;
+Till worn and fretted by the aimless strife
+And buffeted by vacillating winds
+It founders on a rock, or springs aleak
+With all its unused treasures in the hold.
+
+Go save thy ship, thou sluggard; take the wheel
+And steer to knowledge, glory and success.
+Great mariners have made the pathway plain
+For thee to follow; hold thou to the course
+Of Concentration Channel, and all things
+Shall come in answer to thy swerveless wish
+As comes the needle to the magnet's call,
+Or sunlight to the prisoned blade of grass
+That yearns all winter for the kiss of spring.
+
+
+
+
+=The Tryst=
+
+
+Just when all hope had perished in my soul,
+And balked desire made havoc with my mind,
+My cruel Ladye suddenly grew kind,
+And sent these gracious words upon a scroll:
+"When knowing Night her dusky scarf has tied
+Across the bold, intrusive eyes of day,
+Come as a glad, triumphant lover may,
+No longer fearing that he be denied."
+
+I read her letter for the hundredth time,
+And for the hundredth time my gladdened sight
+Blurred with the rapture of my vast delight,
+And swooned upon the page. I caught the chime
+Of far off bells, and at each silver note
+My heart on tiptoe pressed its eager ear
+Against my breast; it was such joy to hear
+The tolling of the hour of which she wrote.
+
+The curious day still lingered in the skies
+And watched me as I hastened to the tryst.
+And back, beyond great clouds of amethyst,
+I saw the Night's soft, reassuring eyes.
+"Oh, Night," I cried, "dear Love's considerate friend,
+Haste from the far, dim valleys of the west,
+Rock the sad striving earth to quiet rest,
+And bid the day's insistent vigil end."
+
+Down brooding streets, and past the harbored ships
+The Night's young handmaid, Twilight, walked with me.
+A spent moon leaned inertly o'er the sea;
+A few, pale, phantom stars were in eclipse.
+There was the house, My Ladye's sea-girt bower
+All draped in gloom, save for one taper's glow,
+Which lit the path, where willing feet would go.
+There was the house, and this the promised hour.
+
+The tide was out; and from the sea's salt path
+Rose amorous odors, filtering through the night
+And stirring all the senses with delight;
+Sweet perfumes left since Aphrodite's bath.
+Back in the wooded copse, a whip-poor-will
+Gave love's impassioned and impatient call.
+On pebbled sands I heard the waves kiss fall,
+And fall again, so hushed the hour and still.
+
+Light was my knock upon the door, so light,
+And yet the sound seemed rude. My pulses beat
+So loud they drowned the coming of her feet
+The arrow of her taper pierced the gloom--
+The portal closed behind me. She was there--
+Love on her lips and yielding in her eyes
+And but the sea to hear our vows and sighs.
+She took my hand and led me up the stair.
+
+
+
+
+=Life=
+
+
+All in the dark we grope along,
+ And if we go amiss
+We learn at least which path is wrong,
+ And there is gain in this.
+
+We do not always win the race,
+ By only running right,
+We have to tread the mountain's base
+ Before we reach its height.
+
+The Christs alone no errors made;
+ So often had they trod
+The paths that lead through light and shade,
+ They had become as God.
+
+As Krishna, Buddha, Christ again,
+ They passed along the way,
+And left those mighty truths which men
+ But dimly grasp to-day.
+
+But he who loves himself the last
+ And knows the use of pain,
+Though strewn with errors all his past,
+ He surely shall attain.
+
+Some souls there are that needs must taste
+ Of wrong, ere choosing right;
+We should not call those years a waste
+ Which led us to the light.
+
+
+
+
+=A Marine Etching=
+
+
+A yacht from its harbor ropes pulled free,
+ And leaped like a steed o'er the race track blue,
+Then up behind her, the dust of the sea,
+ A gray fog drifted, and hid her from view.
+
+
+
+
+=The Duel=
+
+
+Oh many a duel the world has seen
+ That was bitter with hate, that was red with gore,
+But I sing of a duel by far more cruel
+ Than ever by poet was sung before.
+It was waged by night, yea by day and by night,
+ With never a pause or halt or rest,
+And the curious spot where this battle was fought
+ Was the throbbing heart in a woman's breast.
+
+There met two rivals in deadly strife,
+ And they fought for this woman so pale and proud.
+One was a man in the prime of life,
+ And one was a corpse in a moldy shroud;
+One wrapped in a sheet from his head to his feet,
+ The other one clothed in worldly fashion;
+But a rival to dread is a man who is dead,
+ If he has been loved in life with passion.
+
+The living lover he battled with sighs,
+ He strove for the woman with words that burned,
+While stiff and stark lay the corpse in the dark,
+ And silently yearned and yearned and yearned.
+One spoke of the rapture that life still held
+ For hearts that yielded to love's desire,
+And one through the cold grave's earthy mold
+ Sent thoughts of a past that were fraught with fire.
+
+The living lover seized hold of her hands--
+ "You are mine," he cried, "and we will not part!"
+But she felt the clutch of the dead man's touch
+ On the tense-drawn strings of her aching heart.
+Yet the touch was of ice, and she shrank with fear--
+ Oh! the hands of the dead are cold, so cold--
+And warm were the arms that waited near
+ To gather her close in their clinging fold.
+
+And warm was the light in the living eyes,
+ But the eyes of the dead, how they stare and stare!
+With sudden surrender she turned to the tender
+ And passionate lover who wooed her there.
+Farewell to sorrow, hail, sweet to-morrow!
+ The battle was over, the duel was done.
+They swooned in the blisses of love's fond kisses,
+ And the dead man stared on in the dark alone.
+
+
+
+
+="Love Thyself Last"=
+
+
+Love thyself last. Look near, behold thy duty
+ To those who walk beside thee down life's road;
+Make glad their days by little acts of beauty,
+ And help them bear the burden of earth's load.
+
+Love thyself last. Look far and find the stranger,
+ Who staggers 'neath his sin and his despair;
+Go lend a hand, and lead him out of danger,
+ To hights where he may see the world is fair.
+
+Love thyself last. The vastnesses above thee
+ Are filled with Spirit Forces, strong and pure.
+And fervently, these faithful friends shall love thee:
+ Keep thou thy watch o'er others and endure.
+
+Love thyself last; and oh, such joy shall thrill thee,
+ As never yet to selfish souls was given.
+Whate'er thy lot, a perfect peace will fill thee,
+ And earth shall seem the ante-room of Heaven.
+
+Love thyself last, and them shall grow in spirit
+ To see, to hear, to know, and understand.
+The message of the stars, lo, thou shall hear it,
+ And all God's joys shall be at thy command.
+
+
+
+
+=Christmas Fancies=
+
+
+When Christmas bells are swinging above the fields of snow,
+We hear sweet voices ringing from lands of long ago.
+ And etched on vacant places,
+ Are half forgotten faces
+Of friends we used to cherish, and loves we used to know--
+When Christmas bells are swinging above the fields of snow.
+
+Uprising from the ocean of the present surging near,
+We see, with strange emotion that is not free from fear,
+ That continent Elysian
+ Long vanished from our vision,
+Youth's lovely lost Atlantis, so mourned for and so dear,
+Uprising from the ocean of the present surging near.
+
+When gloomy gray Decembers are roused to Christmas mirth,
+The dullest life remembers there once was joy on earth,
+ And draws from youth's recesses
+ Some memory it possesses,
+And, gazing through the lens of time, exaggerates its worth,
+When gloomy gray December is roused to Christmas mirth.
+
+When hanging up the holly or mistletoe, I wis
+Each heart recalls some folly that lit the world with bliss.
+ Not all the seers and sages
+ With wisdom of the ages
+Can give the mind such pleasure as memories of that kiss
+When hanging up the holly or mistletoe, I wis.
+
+For life was made for loving, and love alone repays,
+As passing years are proving for all of Time's sad ways.
+ There lies a sting in pleasure,
+ And fame gives shallow measure,
+And wealth is but a phantom that mocks the restless days,
+For life was made for loving, and only loving pays.
+
+When Christmas bells are pelting the air with silver chimes,
+And silences are melting to soft, melodious rhymes,
+ Let Love, the world's beginning,
+ End fear and hate and sinning;
+Let Love, the God Eternal, be worshiped in all climes
+When Christmas bells are pelting the air with silver chimes.
+
+
+
+
+=The River=
+
+
+I am a river flowing from God's sea
+Through devious ways. He mapped my course for me;
+I cannot change it; mine alone the toil
+To keep the waters free from grime and soil.
+The winding river ends where it began;
+And when my life has compassed its brief span
+I must return to that mysterious source.
+So let me gather daily on my course
+The perfume from the blossoms as I pass,
+Balm from the pines, and healing from the grass,
+And carry down my current as I go
+Not common stones but precious gems to show;
+And tears (the holy water from sad eyes)
+Back to God's sea, from which all rivers rise
+Let me convey, not blood from wounded hearts,
+Nor poison which the upas tree imparts.
+When over flowery vales I leap with joy,
+Let me not devastate them, nor destroy,
+But rather leave them fairer to the sight;
+Mine be the lot to comfort and delight.
+And if down awful chasms I needs must leap
+Let me not murmur at my lot, but sweep
+On bravely to the end without one fear,
+Knowing that He who planned my ways stands near.
+Love sent me forth, to Love I go again,
+For Love is all, and over all. Amen.
+
+
+
+
+=Sorry=
+
+
+There is much that makes me sorry as I journey down life's way.
+And I seem to see more pathos in poor human lives each day.
+I'm sorry for the strong brave men, who shield the weak from harm,
+But who, in their own troubled hours find no protecting arm.
+
+I am sorry for the victors who have reached success, to stand
+As targets for the arrows shot by envious failure's hand.
+I'm sorry for the generous hearts who freely shared their wine,
+But drink alone the gall of tears in fortune's drear decline.
+
+I'm sorry for the souls who build their own fame's funeral pyre,
+Derided by the scornful throng like ice deriding fire.
+I'm sorry for the conquering ones who know not sin's defeat,
+But daily tread down fierce desire 'neath scorched and bleeding feet.
+
+I'm sorry for the anguished hearts that break with passion's strain,
+But I'm sorrier for the poor starved souls that never knew love's pain.
+Who hunger on through barren years not tasting joys they crave,
+For sadder far is such a lot than weeping o'er a grave.
+
+I'm sorry for the souls that come unwelcomed into birth,
+I'm sorry for the unloved old who cumber up the earth.
+I'm sorry for the suffering poor in life's great maelstrom hurled,
+In truth I'm sorry for them all who make this aching world.
+
+But underneath whate'er seems sad and is not understood,
+I know there lies hid from our sight a mighty germ of good.
+And this belief stands firm by me, my sermon, motto, text--
+The sorriest things in this life will seem grandest in the next.
+
+
+
+
+=The Old Wooden Cradle=
+
+
+Good-bye to the cradle, the dear wooden cradle
+ The rude hand of Progress has thrust it aside.
+No more to its motion o'er sleep's fairy ocean,
+ Our play-weary wayfarers peacefully glide.
+
+No more by the rhythm of slow-moving rocker,
+ Their sweet dreamy fancies are fostered and fed;
+No more to low singing the cradle goes swinging--
+ The child of this era is put into bed.
+
+Good-bye to the cradle, the dear wooden cradle,
+ It lent to the twilight a strange, subtle charm;
+When bees left the clover, when play-time was over,
+ How safe seemed this shelter from danger or harm.
+
+How soft seemed the pillow, how distant the ceiling,
+ How weird were the voices that whispered around,
+What dreams would come flocking, as rocking and rocking,
+ We floated away into slumber profound.
+
+Good-bye to the cradle, the old wooden cradle,
+ The babe of to-day does not know it by sight.
+When day leaves the border, with system and order,
+ The child goes to bed and we put out the light.
+
+I bow to Progression and ask no concession,
+ Though strewn be her pathway with wrecks of the past;
+So off with old lumber, that sweet ark of slumber,
+ The old wooden cradle, is ruthlessly cast.
+
+
+
+
+=Ambition's Trail=
+
+
+If all the end of this continuous striving
+ Were simply _to attain_,
+How poor would seem the planning and contriving
+The endless urging and the hurried driving
+ Of body, heart and brain!
+
+But ever in the wake of true achieving,
+ There shines this glowing trail--
+Some other soul will be spurred on, conceiving,
+New strength and hope, in its own power believing,
+ Because _thou_ didst not fail.
+
+Not thine alone the glory, nor the sorrow,
+ If thou doth miss the goal,
+Undreamed of lives in many a far to-morrow
+From thee their weakness or their force shall borrow--
+ On, on, ambitious soul.
+
+
+
+
+=The Traveled Man=
+
+
+Sometimes I wish the railroads all were torn out,
+ The ships all sunk among the coral strands.
+I am so very weary, yea so worn out,
+ With tales of those who visit foreign lands.
+
+When asked to dine, to meet these traveled people,
+ My soup seems brewed from cemetery bones.
+The fish grows cold on some cathedral steeple,
+ I miss two courses while I stare at thrones.
+
+I'm forced to leave my salad quite untasted,
+ Some musty, moldy temple to explore.
+The ices, fruit and coffee all are wasted
+ While into realms of ancient art I soar.
+
+I'd rather take my chance of life and reason,
+ If in a den of roaring lions hurled
+Than for a single year, ay, for one season,
+ To dwell with folks who'd traveled round the world.
+
+So patronizing are they, so oppressive,
+ With pity for the ones who stay at home,
+So mighty is their knowledge so aggressive,
+ I ofttimes wish they had not _ceased_ to roam.
+
+They loathe the new, they quite detest the present;
+ They revel in a pre-Columbian morn;
+Just dare to say America is pleasant,
+ And die beneath the glances of their scorn.
+
+They are increasing at a rate alarming,
+ Go where I will, the traveled man is there.
+And now I think that rustic wholly charming
+ Who has not strayed beyond his meadows fair.
+
+
+
+
+=Uncontrolled=
+
+
+The mighty forces of mysterious space
+ Are one by one subdued by lordly man.
+ The awful lightning that for eons ran
+Their devastating and untrammeled race,
+Now bear his messages from place to place
+ Like carrier doves. The winds lead on his van;
+ The lawless elements no longer can
+Resist his strength, but yield with sullen grace.
+
+His bold feet scaling heights before untrod,
+ Light, darkness, air and water, heat and cold
+ He bids go forth and bring him power and pelf.
+And yet though ruler, king and demi-god
+ He walks with his fierce passions uncontrolled
+ The conquerer of all things--save himself.
+
+
+
+
+=The Tulip Bed At Greeley Square=
+
+
+You know that oasis, fresh and fair
+In the city desert, as Greeley square?
+
+That bright triangle of scented bloom
+That lies surrounded by grime and gloom?
+
+Right in the breast of the seething town
+Like a gleaming gem or a wanton's gown?
+
+Ah, wonderful things that tulip bed
+Unto my listening soul has said.
+
+Over the rattle and roar of the street
+I hear a chorus of voices sweet,
+
+Day and night, when I pass that way,
+And these are the things the voices say:
+
+"Here, in the heart of the foolish strife,
+We live a simple and natural life.
+
+"Here, in the midst of the clash and din,
+We know what it is to be calm within.
+
+"Here, environed by sin and shame,
+We do what we can with our pure white flame.
+
+"We do what we can with our bloom and grace,
+To make the city a fairer place.
+
+"It is well to be good though the world is vile,
+And so through the dust and the smoke we smile,
+
+"We are but atoms in chaos tossed,
+Yet never a purpose for truth was lost."
+
+Ah, many a sermon is uttered there
+By the bed of blossoms in Greeley square.
+
+And he who listens and hears aright,
+Is better equipped for the world's hard fight.
+
+
+
+
+=Will=
+
+
+ You will be what you will to be;
+Let failure find its false content
+In that poor word "environment,"
+ But spirit scorns it, and is free,
+
+ It masters time, it conquers space,
+It cows that boastful trickster Chance,
+And bids the tyrant Circumstance
+ Uncrown and fill a servant's place.
+
+ The human Will, that force unseen,
+The offspring of a deathless Soul,
+Can hew the way to any goal,
+ Though walls of granite intervene.
+
+ Be not impatient in delay,
+But wait as one who understands;
+When spirit rises and commands,
+ The gods are ready to obey.
+
+ The river seeking for the sea
+Confronts the dam and precipice,
+Yet knows it cannot fail or miss;
+ _You will be what you will to be_!
+
+
+
+
+=To An Astrologer=
+
+
+Nay, seer, I do not doubt thy mystic lore,
+Nor question that the tenor of my life,
+Past, present and the future, is revealed
+There in my horoscope. I do believe
+That yon dead moon compels the haughty seas
+To ebb and flow, and that my natal star
+Stands like a stern-browed sentinel in space
+And challenges events; nor lets one grief,
+Or joy, or failure, or success, pass on
+To mar or bless my earthly lot, until
+It proves its Karmic right to come to me.
+
+All this I grant, but more than this I _know_!
+Before the solar systems were conceived,
+When nothing was but the unnamable,
+My spirit lived, an atom of the Cause.
+Through countless ages and in many forms
+It has existed, ere it entered in
+This human frame to serve its little day
+Upon the earth. The deathless Me of me,
+The spark from that great all-creative fire
+Is part of that eternal source called God,
+And mightier than the universe.
+
+ Why, he
+Who knows, and knowing, never once forgets
+The pedigree divine of his own soul,
+Can conquer, shape and govern destiny
+And use vast space as 'twere a board for chess
+With stars for pawns; can change his horoscope
+To suit his will; turn failure to success,
+And from preordained sorrows, harvest joy.
+
+There is no puny planet, sun or moon,
+Or zodiacal sign which can control
+The God in us! If we bring _that_ to bear
+Upon events, we mold them to our wish,
+'Tis when the infinite 'neath the finite gropes
+That men are governed by their horoscopes.
+
+
+
+
+=The Tendril's Faith=
+
+
+Under the snow in the dark and the cold,
+ A pale little sprout was humming;
+Sweetly it sang, 'neath the frozen mold,
+ Of the beautiful days that were coming.
+
+"How foolish your songs," said a lump of clay,
+ "What is there, I ask, to prove them?
+Just look at the walls between you and the day,
+ Now, have you the strength to move them?"
+
+But under the ice and under the snow
+ The pale little sprout kept singing,
+"I cannot tell how, but I know, I know,
+ I know what the days are bringing."
+
+"Birds, and blossoms, and buzzing bees,
+ Blue, blue skies above me,
+Bloom on the meadows and buds on the trees,
+ And the great glad sun to love me."
+
+A pebble spoke next: "You are quite absurd."
+ It said, "with your song's insistence;
+For _I_ never saw a tree or a bird,
+ So of course there are none in existence."
+
+"But I know, I know," the tendril cried,
+ In beautiful sweet unreason;
+Till lo! from its prison, glorified,
+ It burst in the glad spring season.
+
+
+
+
+=The Times=
+
+
+ The times are not degenerate. Man's faith
+Mounts higher than of old. No crumbling creed
+Can take from the immortal soul the need
+ Of that supreme Creator, God. The wraith
+Of dead beliefs we cherished in our youth
+Fades but to let us welcome new-born Truth.
+
+ Man may not worship at the ancient shrine
+Prone on his face, in self-accusing scorn.
+That night is past. He hails a fairer morn,
+ And knows himself a something all divine;
+No humble worm whose heritage is sin,
+But, born of God, he feels the Christ within.
+
+ Not loud his prayers, as in the olden time,
+But deep his reverence for that mighty force.
+That occult working of the great all Source,
+ Which makes the present era so sublime.
+Religion now means something high and broad,
+And man stood never half so near to God.
+
+
+
+
+=The Question=
+
+
+Beside us in our seeking after pleasures,
+ Through all our restless striving after fame,
+Through all our search for worldly gains and treasures,
+ There walketh one whom no man likes to name.
+Silent he follows, veiled of form and feature,
+ Indifferent if we sorrow or rejoice,
+Yet that day comes when every living creature
+ Must look upon his face and hear his voice.
+
+When that day comes to you, and Death, unmasking,
+ Shall bar your path, and say, "Behold the end,"
+What are the questions that he will be asking
+ About your past? Have you considered, friend?
+I think he will not chide you for your sinning,
+ Nor for your creeds or dogmas will he care;
+He will but ask, "_From your life's first beginning
+ How many burdens have you helped to bear_?"
+
+
+
+
+=Sorrow's Uses=
+
+
+The uses of sorrow I comprehend
+Better and better at each year's end.
+
+Deeper and deeper I seem to see
+Why and wherefore it has to be.
+
+Only after the dark, wet days
+Do we fully rejoice in the sun's bright rays.
+
+Sweeter the crust tastes after the fast
+Than the sated gourmand's finest repast.
+
+The faintest cheer sounds never amiss
+To the actor who once has heard a hiss.
+
+To one who the sadness of freedom knows,
+Light seem the fetters love may impose.
+
+And he who has dwelt with his heart alone,
+Hears all the music in friendship's tone.
+
+So better and better I comprehend,
+How sorrow ever would be our friend.
+
+
+
+
+=If=
+
+
+Twixt what thou art, and what thou wouldst be, let
+No "If" arise on which to lay the blame.
+Man makes a mountain of that puny word,
+But, like a blade of grass before the scythe,
+It falls and withers when a human will,
+Stirred by creative force, sweeps toward its aim.
+
+Thou wilt be what thou couldst be. Circumstance
+Is but the toy of genius. When a soul
+Burns with a god-like purpose to achieve,
+All obstacles between it and its goal
+Must vanish as the dew before the sun.
+
+"If" is the motto of the dilettante
+And idle dreamer; 'tis the poor excuse
+Of mediocrity. The truly great
+Know not the word, or know it but to scorn,
+Else had Joan of Arc a peasant died,
+Uncrowned by glory and by men unsung.
+
+
+
+
+=Which Are You?=
+
+
+There are two kinds of people on earth to-day;
+Just two kinds of people, no more, I say.
+
+Not the sinner and the saint, for it's well understood,
+The good are half bad and the bad are half good.
+
+Not the rich and the poor, for to rate a man's wealth,
+You must first know the state of his conscience and health.
+
+Not the humble and proud, for in life's little span,
+Who puts on vain airs, is not counted a man.
+
+Not the happy and sad, for the swift flying years
+Bring each man his laughter and each man his tears.
+
+No; the two kinds of people on earth I mean,
+Are the people who lift, and the people who lean.
+
+Wherever you go, you will find the earth's masses,
+Are always divided in just these two classes.
+
+And oddly enough, you will find too, I ween,
+There's only one lifter to twenty who lean.
+
+In which class are you? Are you easing the load,
+Of overtaxed lifters, who toil down the road?
+
+Or are you a leaner, who lets others share
+Your portion of labor, and worry and care?
+
+
+
+
+=The Creed To Be=
+
+
+Our thoughts are molding unmade spheres,
+ And, like a blessing or a curse,
+They thunder down the formless years,
+ And ring throughout the universe.
+
+We build our futures, by the shape
+ Of our desires, and not by acts.
+There is no pathway of escape;
+ No priest-made creeds can alter facts.
+
+Salvation is not begged or bought;
+ Too long this selfish hope sufficed;
+Too long man reeked with lawless thought,
+ And leaned upon a tortured Christ.
+
+Like shriveled leaves, these worn out creeds
+ Are dropping from Religion's tree;
+The world begins to know its needs,
+ And souls are crying to be free.
+
+Free from the load of fear and grief,
+ Man fashioned in an ignorant age;
+Free from the ache of unbelief
+ He fled to in rebellious rage.
+
+No church can bind him to the things
+ That fed the first crude souls, evolved;
+For, mounting up on daring wings,
+ He questions mysteries all unsolved.
+
+Above the chant of priests, above
+ The blatant voice of braying doubt,
+He hears the still, small voice of Love,
+ Which sends its simple message out.
+
+And clearer, sweeter, day by day,
+ Its mandate echoes from the skies,
+"Go roll the stone of self away,
+ And let the Christ within thee rise."
+
+
+
+
+=Music In The Flat=
+
+
+When Tom and I were married, we took a little flat;
+I had a taste for singing and playing and all that.
+And Tom, who loved to hear me, said he hoped I would not stop
+All practice, like so many wives who let their music drop.
+So I resolved to set apart an hour or two each day
+To keeping vocal chords and hands in trim to sing and play.
+
+The second morning I had been for half an hour or more
+At work on Haydn's masses, when a tap came at my door.
+A nurse who wore a dainty cap and apron, and a smile,
+Ran down to ask if I would cease my music for awhile.
+The lady in the flat above was very ill, she said,
+And the sound of my piano was distracting to her head.
+
+A fortnight's exercises lost, ere I began them, when,
+The following morning at my door, there came that tap again;
+A woman with an anguished face implored me to forego
+My music for some days to come--a man was dead below.
+I shut down my piano till the corpse had left the house,
+And spoke to Tom in whispers and was quiet as a mouse.
+
+A week of labor limbered up my stiffened hand and voice,
+I stole an extra hour from sleep, to practice and rejoice;
+When, ting-a-ling, the door-bell rang a discord in my trill--
+The baby in the flat across was very, very ill.
+For ten long days that infant's life was hanging by a thread,
+And all that time my instrument was silent as the dead.
+
+So pain and death and sickness came in one perpetual row,
+When babies were not born above, then tenants died below.
+The funeral over underneath, some one fell ill on top,
+And begged me, for the love of God, to let my music drop.
+When trouble went not up or down, it stalked across the hall,
+And so in spite of my resolve, I do not play at all.
+
+
+
+
+=Inspiration=
+
+
+Not like a daring, bold, aggressive boy,
+ Is inspiration, eager to pursue,
+But rather like a maiden, fond, yet coy,
+ Who gives herself to him who best doth woo.
+
+Once she may smile, or thrice, thy soul to fire,
+ In passing by, but when she turns her face,
+Thou must persist and seek her with desire,
+ If thou wouldst win the favor of her grace.
+
+And if, like some winged bird she cleaves the air,
+ And leaves thee spent and stricken on the earth,
+Still must thou strive to follow even there,
+ That she may know thy valor and thy worth.
+
+Then shall she come unveiling all her charms,
+ Giving thee joy for pain, and smiles for tears;
+Then shalt thou clasp her with possessing arms,
+ The while she murmurs music in thine ears.
+
+But ere her kiss has faded from thy cheek,
+ She shall flee from thee over hill and glade,
+So must thou seek and ever seek and seek
+ For each new conquest of this phantom maid.
+
+
+
+
+=The Wish=
+
+
+Should some great angel say to me to-morrow,
+ "Thou must re-tread thy pathway from the start,
+But God will grant, in pity, for thy sorrow,
+ Some one dear wish, the nearest to thy heart."
+
+This were my wish! from my life's dim beginning
+ _Let be what has been!_ wisdom planned the whole;
+My want, my woe, my errors, and my sinning,
+ All, all were needed lessons for my soul.
+
+
+
+
+=Three Friends=
+
+
+Of all the blessings which my life has known,
+I value most, and most praise God for three:
+Want, Loneliness and Pain, those comrades true,
+
+Who, masqueraded in the garb of foes
+For many a year, and filled my heart with dread.
+Yet fickle joys, like false, pretentious friends,
+Have proved less worthy than this trio. First,
+
+Want taught me labor, led me up the steep
+And toilsome paths to hills of pure delight,
+Trod only by the feet that know fatigue,
+And yet press on until the heights appear.
+
+Then loneliness and hunger of the heart
+Sent me upreaching to the realms of space,
+Till all the silences grew eloquent,
+And all their loving forces hailed me friend.
+
+Last, pain taught prayer! placed in my hand the staff
+Of close communion with the over-soul,
+That I might lean upon it till the end,
+And find myself made strong for any strife.
+
+And then these three who had pursued my steps
+Like stern, relentless foes, year after year,
+Unmasked, and turned their faces full on me,
+And lo! they were divinely beautiful,
+For through them shone the lustrous eyes of Love.
+
+
+
+
+=You Never Can Tell=
+
+
+You never can tell when you send a word,
+ Like an arrow shot from a bow
+By an archer blind, be it cruel or kind,
+ Just where it may chance to go.
+It may pierce the breast of your dearest friend.
+ Tipped with its poison or balm,
+To a stranger's heart in life's great mart,
+ It may carry its pain or its calm.
+
+You never can tell when you do an act
+ Just what the result will be;
+But with every deed you are sowing a seed,
+ Though the harvest you may not see.
+Each kindly act is an acorn dropped
+ In God's productive soil
+You may not know, but the tree shall grow,
+ With shelter for those who toil.
+
+You never can tell what your thoughts will do,
+ In bringing you hate or love;
+For thoughts are things, and their airy wings
+ Are swifter than carrier doves.
+They follow the law of the universe--
+ Each thing must create its kind,
+And they speed o'er the track to bring you back
+ _Whatever went out from your mind_.
+
+
+
+
+=Here And Now=
+
+
+Here, in the heart of the world,
+ Here, in the noise and the din,
+Here, where our spirits were hurled
+ To battle with sorrow and sin,
+This is the place and the spot
+ For knowledge of infinite things;
+This is the kingdom where Thought
+ Can conquer the prowess of kings.
+
+Wait for no heavenly life,
+ Seek for no temple alone;
+Here, in the midst of the strife,
+ Know what the sages have known.
+See what the Perfect Ones saw--
+ God in the depth of each soul,
+God as the light and the law,
+ God as beginning and goal.
+
+Earth is one chamber of Heaven,
+ Death is no grander than birth.
+Joy in the life that was given,
+ Strive for perfection on earth.
+Here, in the turmoil and roar,
+ Show what it is to be calm;
+Show how the spirit can soar
+ And bring back its healing and balm.
+
+Stand not aloof nor apart,
+ Plunge in the thick of the fight.
+There in the street and the mart,
+ That is the place to do right.
+Not in some cloister or cave,
+ Not in some kingdom above,
+Here, on this side of the grave,
+ Here, should we labor and love.
+
+
+
+
+=Unconquered=
+
+
+However skilled and strong art thou, my foe,
+However fierce is thy relentless hate
+Though firm thy hand, and strong thy aim, and straight
+Thy poisoned arrow leaves the bended bow,
+To pierce the target of my heart, ah! know
+I am the master yet of my own fate.
+Thou canst not rob me of my best estate,
+Though fortune, fame and friends, yea love shall go.
+
+Not to the dust shall my true self be hurled;
+Nor shall I meet thy worst assaults dismayed.
+When all things in the balance are well weighed,
+There is but one great danger in the world--
+_Thou canst not force my soul to wish thee ill_,
+That is the only evil that can kill.
+
+
+
+
+=All That Love Asks=
+
+
+ "All that I ask," says Love, "is just to stand
+And gaze, unchided, deep in thy dear eyes;
+For in their depths lies largest Paradise.
+ Yet, if perchance one pressure of thy hand
+Be granted me, then joy I thought complete
+ Were still more sweet."
+
+ "All that I ask," says Love, "all that I ask,
+Is just thy hand clasp. Could I brush thy cheek
+As zephyrs brush a rose leaf, words are weak
+ To tell the bliss in which my soul would bask.
+There is no language but would desecrate
+ A joy so great."
+
+ "All that I ask, is just one tender touch
+Of that soft cheek. Thy pulsing palm in mine,
+Thy dark eyes lifted in a trust divine
+ And those curled lips that tempt me overmuch
+Turned where I may not seize the supreme bliss
+ Of one mad kiss.
+
+ "All that I ask," says Love, "of life, of death,
+Or of high heaven itself, is just to stand,
+Glance melting into glance, hand twined in hand,
+ The while I drink the nectar of thy breath,
+In one sweet kiss, but one, of all thy store,
+ I ask no more."
+
+ "All that I ask"--nay, self-deceiving Love,
+Reverse thy phrase, so thus the words may fall,
+In place of "all I ask," say, "I ask all,"
+ All that pertains to earth or soars above,
+All that thou wert, art, will be, body, soul,
+ Love asks the whole.
+
+
+
+
+=Does It Pay=
+
+
+If one poor burdened toiler o'er life's road,
+ Who meets us by the way,
+Goes on less conscious of his galling load,
+ Then life indeed, does pay.
+
+If we can show one troubled heart the gain,
+ That lies alway in loss,
+Why then, we too, are paid for all the pain
+ Of bearing life's hard cross.
+
+If some despondent soul to hope is stirred,
+ Some sad lip made to smile,
+By any act of ours, or any word,
+ Then, life has been worth while.
+
+
+
+
+=Sestina=
+
+
+I wandered o'er the vast green plains of youth,
+And searched for Pleasure. On a distant height
+Fame's silhouette stood sharp against the skies.
+Beyond vast crowds that thronged a broad high-way
+I caught the glimmer of a golden goal,
+While from a blooming bower smiled siren Love.
+
+Straight gazing in her eyes, I laughed at Love,
+With all the haughty insolence of youth,
+As past her bower I strode to seek my goal.
+"Now will I climb to glory's dizzy height,"
+I said, "for there above the common way
+Doth pleasure dwell companioned by the skies."
+
+But when I reached that summit near the skies,
+So far from man I seemed, so far from Love--
+"Not here," I cried, "doth Pleasure find her way,"
+Seen from the distant borderland of youth.
+Fame smiles upon us from her sun-kissed height,
+But frowns in shadows when we reach the goal.
+
+Then were mine eyes fixed on that glittering goal,
+Dear to all sense--sunk souls beneath the skies.
+Gold tempts the artist from the lofty height,
+Gold lures the maiden from the arms of Love,
+Gold buys the fresh ingenuous heart of youth,
+"And gold," I said, "will show me Pleasure's way."
+
+But ah! the soil and discord of that way,
+Where savage hordes rushed headlong to the goal,
+Dead to the best impulses of their youth,
+Blind to the azure beauty of the skies;
+Dulled to the voice of conscience and of love,
+They wandered far from Truth's eternal height.
+
+Then Truth spoke to me from that noble height,
+Saying: "Thou didst pass Pleasure on the way,
+She with the yearning eyes so full of Love,
+Whom thou disdained to seek for glory's goal."
+Two blending paths beneath God's arching skies
+Lead straight to Pleasure. Ah, blind heart of youth,
+Not up fame's height, not toward the base god's goal,
+Doth Pleasure make her way, but 'neath calm skies
+Where Duty walks with Love in endless youth.
+
+
+
+
+=The Optimist=
+
+
+The fields were bleak and sodden. Not a wing
+Or note enlivened the depressing wood,
+A soiled and sullen, stubborn snowdrift stood
+Beside the roadway. Winds came muttering
+Of storms to be, and brought the chilly sting
+Of icebergs in their breath. Stalled cattle mooed
+Forth plaintive pleadings for the earth's green food.
+No gleam, no hint of hope in anything.
+
+The sky was blank and ashen, like the face
+Of some poor wretch who drains life's cup too fast.
+Yet, swaying to and fro, as if to fling
+About chilled Nature its lithe arms of grace,
+Smiling with promise in the wintry blast,
+The optimistic Willow spoke of spring.
+
+
+
+
+=The Pessimist=
+
+
+The pessimistic locust, last to leaf,
+Though all the world is glad, still talks of grief.
+
+
+
+
+=The Hammock's Complaint=
+
+
+Who thinks how desolate and strange
+To me must seem the autumn's change,
+When housed in attic or in chest,
+A lonely and unwilling guest,
+I lie through nights of bleak December,
+And think in silence, and remember.
+
+I think of hempen fields, where I
+Once played with insects floating by,
+And joyed alike in sun and rain,
+Unconscious of approaching pain.
+I dwell upon my later lot,
+Where, swung in some secluded spot
+Between two tried and trusted trees,
+All summer long I wooed the breeze.
+With song of bee and call of bird
+And lover's secrets overheard,
+And sight and scent of blooming flowers,
+To fill the happy sunlight's hours.
+When verdant fields grow bare and brown,
+When forest leaves come raining down,
+When frost has mated with the weather
+And all the birds go south together,
+When drying boats turn up their keels,
+Who wonders how the hammock feels?
+
+
+
+
+=Life's Harmonies=
+
+
+Let no man pray that he know not sorrow,
+ Let no soul ask to be free from pain,
+For the gall of to-day is the sweet of to-morrow,
+ And the moment's loss is the lifetime's gain.
+
+Through want of a thing does its worth redouble,
+ Through hunger's pangs does the feast content,
+And only the heart that has harbored trouble,
+ Can fully rejoice when joy is sent.
+
+Let no man shrink from the bitter tonics
+ Of grief, and yearning, and need, and strife,
+For the rarest chords in the soul's harmonies,
+ Are found in the minor strains of life.
+
+
+
+
+=Preaching vs. Practice=
+
+
+It is easy to sit in the sunshine
+ And talk to the man in the shade;
+It is easy to float in a well-trimmed boat,
+ And point out the places to wade.
+
+But once we pass into the shadows,
+ We murmur and fret and frown,
+And, our length from the bank, we shout for a plank,
+ Or throw up our hands and go down.
+
+It is easy to sit in your carriage,
+ And counsel the man on foot,
+But get down and walk, and you'll change your talk,
+ As you feel the peg in your boot.
+
+It is easy to tell the toiler
+ How best he can carry his pack,
+But no one can rate a burden's weight
+ Until it has been on his back.
+
+The up-curled mouth of pleasure,
+ Can prate of sorrow's worth,
+But give it a sip, and a wryer lip,
+ Was never made on earth.
+
+
+
+
+=An Old Man To His Sleeping Young Bride=
+
+
+As when the old moon lighted by the tender
+ And radiant crescent of the new is seen,
+And for a moment's space suggests the splendor
+ Of what in its full prime it once has been,
+So on my waning years you cast the glory
+ Of youth and pleasure, for a little hour;
+And life again seems like an unread story,
+ And joy and hope both stir me with their power.
+
+Can blooming June be fond of bleak December?
+ I dare not wait to hear my heart reply.
+I will forget the question--and remember
+ Alone the priceless feast spread for mine eye,
+That radiant hair that flows across the pillows,
+ Like shimmering sunbeams over drifts of snow;
+Those heaving breasts, like undulating billows,
+ Whose dangers or delights but Love can know.
+
+That crimson mouth from which sly Cupid borrowed
+ The pattern for his bow, nor asked consent;
+That smooth, unruffled brow which has not sorrowed--
+ All these are mine; should I not be content?
+Yet are these treasures mine, or only lent me?
+ And who shall claim them when I pass away?
+Oh, jealous Fate, to torture and torment me
+ With thoughts like these in my too fleeting day!
+
+For while I gained the prize which all were seeking,
+ And won you with the ardor of my quest,
+The bitter truth I know without your speaking--
+ _You only let me love you at the best_.
+E'en while I lean and count my riches over,
+ And view with gloating eyes your priceless charms,
+I know somewhere there dwells the unnamed lover
+ Who yet shall clasp you, willing, in his arms.
+
+And while my hands stray through your clustering tresses,
+ And while my lips are pressed upon your own,
+This unseen lover waits for such caresses
+ As my poor hungering clay has never known,
+And when some day, between you and your duty
+ A green grave lies, his love shall make you glad,
+And you shall crown him with your splendid beauty--
+ Ah, God! ah, God! 'tis this way men go mad!
+
+
+
+
+=I Am=
+
+
+I know not whence I came,
+ I know not whither I go;
+But the fact stands clear that I am here
+ In this world of pleasure and woe.
+And out of the mist and murk,
+ Another truth shines plain.
+It is in my power each day and hour
+ To add to its joy or its pain.
+
+I know that the earth exists,
+ It is none of my business why.
+I cannot find out what it's all about,
+ I would but waste time to try.
+My life is a brief, brief thing,
+ I am here for a little space.
+And while I stay I would like, if I may,
+ To brighten and better the place.
+
+The trouble, I think, with us all
+ Is the lack of a high conceit.
+If each man thought he was sent to this spot
+ To make it a bit more sweet,
+How soon we could gladden the world.
+ How easily right all wrong.
+If nobody shirked, and each one worked
+ To help his fellows along.
+
+Cease wondering why you came--
+ Stop looking for faults and flaws.
+Rise up to-day in your pride and say,
+ "I am part of the First Great Cause!
+However full the world
+ There is room for an earnest man.
+It had need of _me_ or I would not be,
+ I am here to strengthen the plan."
+
+
+
+
+=Two Nights=
+
+(Suggested by the lives of Napoleon and Josephine.)
+
+
+I.
+
+One night was full of rapture and delight--
+ Of reunited arms and swooning kisses,
+ And all the unnamed and unnumbered blisses
+Which fond souls find in love of love at night.
+
+Heart beat with heart, and each clung into each
+ With twining arms that did but loose their hold
+ To cling still closer; and fond glances told
+These truths for which there is no uttered speech.
+
+There was sweet laughter and endearing words,
+ Made broken by the kiss that could not wait,
+ And cooing sounds as of dear little birds
+That in spring-time love and woo and mate.
+
+And languid sighs that breathed of love's content
+And all too soon this night of rapture went.
+
+
+II.
+
+One night was full of anguish and of pain,
+ Of nerveless arms and mockery of kisses;
+ And those caresses where one sick heart misses
+The quick response the other cannot feign.
+
+Hands idly clasped and unclasped, and lost hold,
+ And the averted eyes, that turned away,
+ And in whose depths no love nor longing lay,
+The saddest of all truths too plainly told.
+
+There was salt sorrow and the gall of tears,
+ Some useless words that ended in a moan,
+ And a dull dread of long unending years
+When one must walk forever more alone.
+Deep shuddering sighs told more than lips could say;
+And the long night of sorrow wore away.
+
+
+
+
+=Preparation=
+
+
+We must not force events, but rather make
+The heart soil ready for their coming, as
+The earth spreads carpets for the feet of Spring,
+Or, with the strengthening tonic of the frost,
+Prepares for Winter. Should a July noon
+Burst suddenly upon a frozen world
+Small joy would follow, even tho' that world
+Were longing for the Summer. Should the sting
+Of sharp December pierce the heart of June,
+What death and devastation would ensue!
+All things are planned. The most majestic sphere
+That whirls through space is governed and controlled
+By supreme law, as is the blade of grass
+Which through the bursting bosom of the earth
+Creeps up to kiss the light. Poor puny man
+Alone doth strive and battle with the Force
+Which rules all lives and worlds, and he alone
+Demands effect before producing cause.
+How vain the hope! We cannot harvest joy
+Until we sow the seed, and God alone
+Knows when that seed has ripened. Oft we stand
+And watch the ground with anxious brooding eyes
+Complaining of the slow unfruitful yield,
+Not knowing that the shadow of ourselves
+Keeps off the sunlight and delays result.
+Sometimes our fierce impatience of desire
+Doth like a sultry May force tender shoots
+Of half-formed pleasures and unshaped events
+To ripen prematurely, and we reap
+But disappointment; or we rot the germs
+With briny tears ere they have time to grow.
+While stars are born and mighty planets die
+And hissing comets scorch the brow of space
+The Universe keeps its eternal calm.
+Through patient preparation, year on year,
+The earth endures the travail of the Spring
+And Winter's desolation. So our souls
+In grand submission to a higher law
+Should move serene through all the ills of life,
+Believing them masked joys.
+
+
+
+
+=Custer=
+
+=BOOK FIRST=
+
+
+I.
+
+All valor died not on the plains of Troy.
+Awake, my Muse, awake! be thine the joy
+To sing of deeds as dauntless and as brave
+As e'er lent luster to a warrior's grave.
+Sing of that noble soldier, nobler man,
+Dear to the heart of each American.
+Sound forth his praise from sea to listening sea--
+Greece her Achilles claimed, immortal Custer, we.
+
+
+II.
+
+Intrepid are earth's heroes now as when
+The gods came down to measure strength with men.
+Let danger threaten or let duty call,
+And self surrenders to the needs of all;
+Incurs vast perils, or, to save those dear,
+Embraces death without one sigh or tear.
+Life's martyrs still the endless drama play
+Though no great Homer lives to chant their worth to-day.
+
+
+III.
+
+And if he chanted, who would list his songs,
+So hurried now the world's gold-seeking throngs?
+And yet shall silence mantle mighty deeds?
+Awake, dear Muse, and sing though no ear heeds!
+Extol the triumphs, and bemoan the end
+Of that true hero, lover, son and friend
+Whose faithful heart in his last choice was shown--
+Death with the comrades dear, refusing flight alone.
+
+
+IV.
+
+He who was born for battle and for strife
+Like some caged eagle frets in peaceful life;
+So Custer fretted when detained afar
+From scenes of stirring action and of war.
+And as the captive eagle in delight,
+When freedom offers, plumes himself for flight
+And soars away to thunder clouds on high,
+With palpitating wings and wild exultant cry.
+
+
+V.
+
+So lion-hearted Custer sprang to arms,
+And gloried in the conflict's loud alarms.
+But one dark shadow marred his bounding joy;
+And then the soldier vanished, and the boy,
+The tender son, clung close, with sobbing breath,
+To her from whom each parting was new death;
+That mother who like goddesses of old,
+Gave to the mighty Mars, three warriors brave and bold,
+
+
+VI.
+
+Yet who, unlike those martial dames of yore,
+Grew pale and shuddered at the sight of gore.
+A fragile being, born to grace the hearth,
+Untroubled by the conflicts of the earth.
+Some gentle dove who reared young eaglets, might,
+In watching those bold birdlings take their flight,
+Feel what that mother felt who saw her sons
+Rush from her loving arms, to face death-dealing guns.
+
+
+VII.
+
+But ere thy lyre is strung to martial strains
+Of wars which sent our hero o'er the plains,
+To add the cypress to his laureled brow,
+Be brave, my Muse, and darker truths avow.
+Let Justice ask a preface to thy songs,
+Before the Indian's crimes declare his wrongs;
+Before effects, wherein all horrors blend,
+Declare the shameful cause, precursor of the end.
+
+
+VIII.
+
+When first this soil the great Columbus trod,
+He was less like the image of his God
+Than those ingenuous souls, unspoiled by art,
+Who lived so near to Mother Nature's heart;
+Those simple children of the wood and wave,
+As frank as trusting, and as true as brave;
+Savage they were, when on some hostile raid
+(For where is he so high, whom war does not degrade?)
+
+
+IX.
+
+But dark deceit and falsehood's shameless shame
+They had not learned, until the white man came.
+He taught them, too, the lurking devil's joy
+In liquid lies, that lure but to destroy.
+With wily words, as false as they were sweet,
+He spread his snares for unsuspecting feet;
+Paid truth with guile, and trampled in the dust
+Their gentle childlike faith and unaffected trust.
+
+
+X.
+
+And for the sport of idle kings and knaves
+Of Nature's greater noblemen, made slaves.
+Alas, the hour, when the wronged Indian knows
+His seeming benefactors are but foes.
+His kinsmen kidnapped and his lands possessed,
+The demon woke in that untutored breast.
+Four hundred years have rolled upon their way--
+The ruthless demon rules the red man to this day.
+
+
+XI.
+
+If, in the morning of success, that grand
+Invincible discoverer of our land
+Had made no lodge or wigwam desolate
+To carry trophies to the proud and great;
+If on our history's page there were no blot
+Left by the cruel rapine of Cabot,
+Of Verrazin, and Hudson, dare we claim
+The Indian of the plains, to-day had been the same?
+
+
+XII.
+
+For in this brief existence, not alone
+Do our lives gather what our hands have sown,
+But we reap, too, what others long ago
+Sowed, careless of the harvests that might grow.
+Thus hour by hour the humblest human souls
+Inscribe in cipher on unending scrolls,
+The history of nations yet to be;
+Incite fierce bloody wars, to rage from sea to sea,
+
+
+XIII.
+
+Or pave the way to peace. There is no past,
+So deathless are events--results so vast.
+And he who strives to make one act or hour
+Stand separate and alone, needs first the power
+To look upon the breaking wave and say,
+"These drops were bosomed by a cloud to-day,
+And those from far mid-ocean's crest were sent."
+So future, present, past, in one wide sea are blent.
+
+
+=BOOK SECOND=
+
+
+I.
+
+Oh, for the power to call to aid, of mine
+Own humble Muse, the famed and sacred nine.
+Then might she fitly sing, and only then,
+Of those intrepid and unflinching men
+Who knew no homes save ever moving tents,
+And who 'twixt fierce unfriendly elements
+And wild barbarians warred. Yet unfraid,
+Since love impels thy strains, sing, sing, my modest maid.
+
+
+II.
+
+Relate how Custer in midwinter sought
+Far Washita's cold shores; tell why he fought
+With savage nomads fortressed in deep snows.
+Woman, thou source of half the sad world's woes
+And all its joys, what sanguinary strife
+Has vexed the earth and made contention rife
+Because of thee! For, hidden in man's heart,
+Ay, in his very soul, of his true self a part,
+
+
+III.
+
+The natural impulse and the wish belongs
+To win thy favor and redress thy wrongs.
+Alas! for woman, and for man, alas!
+If that dread hour should ever come to pass,
+When, through her new-born passion for control,
+She drives that beauteous impulse from his soul.
+What were her vaunted independence worth
+If to obtain she sells her sweetest rights of birth?
+
+
+IV.
+
+God formed fair woman for her true estate--
+Man's tender comrade, and his equal mate,
+Not his competitor in toil and trade.
+While coarser man, with greater strength was made
+To fight her battles and her rights protect.
+Ay! to protect the rights of earth's elect
+(The virgin maiden and the spotless wife)
+From immemorial time has man laid down his life.
+
+
+V.
+
+And now brave Custer's valiant army pressed
+Across the dangerous desert of the West,
+To rescue fair white captives from the hands
+Of brutal Cheyenne and Comanche bands,
+On Washita's bleak banks. Nine hundred strong
+It moved its slow determined way along,
+Past frontier homes left dark and desolate
+By the wild Indians' fierce and unrelenting hate;
+
+
+VI.
+
+Past forts where ranchmen, strong of heart and bold,
+Wept now like orphaned children as they told,
+With quivering muscles and with anguished breath,
+Of captured wives, whose fate was worse than death;
+Past naked bodies whose disfiguring wounds
+Spoke of the hellish hate of human hounds;
+Past bleaching skeleton and rifled grave,
+On pressed th' avenging host, to rescue and to save.
+
+
+VII.
+
+Uncertain Nature, like a fickle friend,
+(Worse than the foe on whom we may depend)
+Turned on these dauntless souls a brow of wrath
+And hurled her icy jav'lins in their path.
+With treacherous quicksands, and with storms that blight,
+Entrapped their footsteps and confused their sight.
+"Yet on," urged Custer, "on at any cost,
+No hour is there to waste, no moment to be lost."
+
+
+VIII.
+
+Determined, silent, on they rode, and on,
+Like fabled Centaurs, men and steeds seemed one.
+No bugle echoed and no voice spoke near,
+Lest on some lurking Indian's list'ning ear
+The sound might fall. Through swift descending snow
+The stealthy guides crept, tracing out the foe;
+No fire was lighted, and no halt was made
+From haggard gray-lipped dawn till night lent friendly shade.
+
+
+IX.
+
+Then, by the shelt'ring river's bank at last,
+The weary warriors paused for their repast.
+A couch of ice and falling snows for spread
+Made many a suffering soldier's chilling bed.
+They slept to dream of glory and delight,
+While the pale fingers of the pitying night
+Wove ghostly winding sheets for that doomed score
+Who, ere another eve, should sleep to wake no more.
+
+
+X.
+
+But those who slept not, saw with startled eyes
+Far off, athwart dim unprotecting skies,
+Ascending slowly with majestic grace,
+A lustrous rocket, rising out of space.
+"Behold the signal of the foe," cried one,
+The field is lost before the strife's begun.
+Yet no! for see! yon rays spread near and far;
+It is the day's first smile, the radiant morning star.
+
+
+XI.
+
+The long hours counting till the daylight broke,
+In whispered words the restless warriors spoke.
+They talked of battles, but they thought of home
+(For hearts are faithful though the feet may roam).
+Brave Hamilton, all eager for the strife,
+Mused o'er that two-fold mystery--death and life;
+"And when I die," quoth he, "mine be the part
+To fall upon the field, a bullet in my heart."
+
+
+XII.
+
+At break of dawn the scouts crept in to say
+The foe was camped a rifle shot away.
+The baying of a dog, an infant's cry
+Pierced through the air; sleep fled from every eye.
+To horse! to arms! the dead demand the dead!
+Let the grand charge upon the lodge be led!
+Let the Mosaic law, life for a life
+Pay the long standing debt of blood. War to the knife!
+
+
+XIII.
+
+So spake each heart in that unholy rage
+Which fires the brain, when war the thoughts engage.
+War, hideous war, appealing to the worst
+In complex man, and waking that wild thirst
+For human blood which blood alone can slake.
+Yet for their country's safety, and the sake
+Of tortured captives moaning in alarm
+The Indian must be made to fear the law's strong arm.
+
+
+XIV.
+
+A noble vengeance burned in Custer's breast,
+But, as he led his army to the crest,
+Above the wigwams, ready for the charge
+He felt the heart within him, swelling large
+With human pity, as an infant's wail
+Shrilled once again above the wintry gale.
+Then hosts of murdered children seemed to rise;
+And shame his halting thought with sad accusing eyes,
+
+
+XV.
+
+And urge him on to action. Stern of brow
+The just avenger, and the General now,
+He gives the silent signal to the band
+Which, all impatient, waits for his command.
+Cold lips to colder metal press; the air
+Echoes those merry strains which mean despair
+For sleeping chieftain and for toiling squaw,
+But joy to those stern hearts which glory in the law
+
+
+XVI.
+
+Of murder paying murder's awful debt.
+And now four squadrons in one charge are met.
+From east and west, from north and south they come,
+At call of bugle and at roll of drum.
+Their rifles rain hot hail upon the foe,
+Who flee from danger in death's jaws to go.
+The Indians fight like maddened bulls at bay,
+And dying shriek and groan, wound the young ear of day.
+
+
+XVII.
+
+A pallid captive and a white-browed boy
+Add to the tumult piercing cries of joy,
+As forth they fly, with high hope animate.
+A hideous squaw pursues them with her hate;
+Her knife descends with sickening force and sound;
+Their bloody entrails stain the snow-clad ground.
+She shouts with glee, then yells with rage and falls
+Dead by her victims' side, pierced by avenging balls.
+
+
+XVIII.
+
+Now war runs riot, carnage reigns supreme.
+All thoughts of mercy fade from Custer's scheme.
+Inhuman methods for inhuman foes,
+Who feed on horrors and exult in woes.
+To conquer and subdue alone remains
+In dealing with the red man on the plains.
+The breast that knows no conscience yields to fear,
+Strike! let the Indian meet his master now and here.
+
+
+XIX.
+
+With thoughts like these was Custer's mind engaged.
+The gentlest are the sternest when enraged.
+All felt the swift contagion of his ire,
+For he was one who could arouse and fire
+The coldest heart, so ardent was his own.
+His fearless eye, his calm intrepid tone,
+Bespoke the leader, strong with conscious power,
+Whom following friends will bless, while foes will curse and cower.
+
+
+XX.
+
+Again they charge! and now among the killed
+Lies Hamilton, his wish so soon fulfilled,
+Brave Elliott pursues across the field
+The flying foe, his own young life to yield.
+But like the leaves in some autumnal gale
+The red men fall in Washita's wild vale.
+Each painted face and black befeathered head
+Still more repulsive seems with death's grim pallor wed.
+
+
+XXI.
+
+New forces gather on surrounding knolls,
+And fierce and fiercer war's red river rolls.
+With bright-hued pennants flying from each lance
+The gayly costumed Kiowas advance.
+And bold Comanches (Bedouins of the land)
+Infuse fresh spirit in the Cheyenne band.
+While from the ambush of some dark ravine
+Flash arrows aimed by hands, unerring and unseen.
+
+
+XXIII.
+
+The hours advance; the storm clouds roll away;
+Still furious and more furious grows the fray.
+The yellow sun makes ghastlier still the sight
+Of painted corpses, staring in its light.
+No longer slaves, but comrades of their griefs,
+The squaws augment the forces of their chiefs.
+They chant weird dirges in a minor key,
+While from the narrow door of wigwam and tepee
+
+[Transcriber's Note: originally the remaining stanzas of Book II were numbered
+incorrectly from here onwards. This has been changed to avoid confusion]
+
+XXIV.
+
+Cold glittering eyes above cold glittering steel
+Their deadly purpose and their hate reveal.
+The click of pistols and the crack of guns
+Proclaim war's daughters dangerous as her sons.
+She who would wield the soldier's sword and lance
+Must be prepared to take the soldier's chance.
+She who would shoot must serve as target, too;
+The battle-frenzied men, infuriate now pursue.
+
+
+XXV.
+
+And blood of warrior, woman and papoose,
+Flow free as waters when some dam breaks loose;
+Consuming fire, the wanton friend of war
+(Whom allies worship and whom foes abhor)
+Now trails her crimson garments through the street,
+And ruin marks the passing of her feet.
+Full three-score lodges smoke upon the plain,
+And all the vale is strewn with bodies of the slain.
+
+
+XXVI.
+
+And those who are not numbered with the dead
+Before all-conquering Custer now are led.
+To soothe their woes, and calm their fears he seeks;
+An Osage guide interprets while he speaks.
+The vanquished captives, humbled, cowed and spent
+Read in the victor's eye his kind intent.
+The modern victor is as kind as brave;
+His captive is his guest, not his insulted slave.
+
+
+XXVII.
+
+Mahwissa, sister of the slaughtered chief
+Of all the Cheyennes, listens; and her grief
+Yields now to hope; and o'er her withered face
+There flits the stealthy cunning of her race.
+Then forth she steps, and thus begins to speak:
+"To aid the fallen and support the weak
+Is man's true province; and to ease the pain
+Of those o'er whom it is his purpose now to reign.
+
+
+XXVIII.
+
+"Let the strong chief unite with theirs his life,
+And take this black-eyed maiden for a wife."
+Then, moving with an air of proud command,
+She leads a dusky damsel by the hand,
+And places her at wondering Custer's side,
+Invoking choicest blessings on the bride
+And all unwilling groom, who thus replies.
+"Fair is the Indian maid, with bright bewildering eyes,
+
+
+XXIX.
+
+"But fairer still is one who, year on year,
+Has borne man's burdens, conquered woman's fear;
+And at my side rode mile on weary mile,
+And faced all deaths, all dangers, with a smile,
+Wise as Minerva, as Diana brave,
+Is she whom generous gods in kindness gave
+To share the hardships of my wandering life,
+Companion, comrade, friend, my loved and loyal wife.
+
+
+XXX.
+
+"The white chief weds but one. Take back thy maid."
+He ceased, and o'er Mahwissa's face a shade
+Of mingled scorn and pity and surprise
+Sweeps as she slow retreats, and thus replies:
+"Rich is the pale-faced chief in battle fame,
+But poor is he who but one wife may claim.
+Wives are the red-skinned heroes' rightful spoil;
+In war they prove his strength, in times of peace they toil."
+
+
+XXXI.
+
+But hark! The bugle echoes o'er the plains
+And sounds again those merry Celtic strains
+Which oft have called light feet to lilting dance,
+But now they mean the order to advance.
+Along the river's bank, beyond the hill
+Two thousand foemen lodge, unconquered still.
+Ere falls night's curtain on this bloody play,
+The army must proceed, with feint of further fray.
+
+
+XXXII.
+
+The weary warriors mount their foam-flecked steeds,
+With flags unfurled the dauntless host proceeds.
+What though the foe outnumbers two to one?
+Boldness achieves what strength oft leaves undone;
+A daring mein will cause brute force to cower,
+And courage is the secret source of power.
+As Custer's column wheels upon their sight
+The frightened red men yield the untried field by flight.
+
+
+XXXIII.
+
+Yet when these conquering heroes sink to rest,
+Dissatisfaction gnaws the leader's breast,
+For far away across vast seas of snows
+Held prisoners still by hostile Arapahoes
+And Cheyennes unsubdued, two captives wait.
+On God and Custer hangs their future fate.
+May the Great Spirit nerve the mortal's arm
+To rescue suffering souls from worse than death's alarm.
+
+
+XXXIV.
+
+But ere they seek to rescue the oppressed,
+The valiant dead, in state, are laid to rest.
+Mourned Hamilton, the faithful and the brave,
+Nine hundred comrades follow to the grave;
+And close behind the banner-hidden corse
+All draped in black, walks mournfully his horse;
+While tears of sound drip through the sunlit day.
+A soldier may not weep, but drums and bugles may.
+
+
+XXXV.
+
+Now, Muse, recount, how after long delays
+And dangerous marches through untrodden ways,
+Where cold and hunger on each hour attend,
+At last the army gains the journey's end.
+An Indian village bursts upon the eye;
+Two hundred lodges, sleep-encompassed lie,
+There captives moan their anguished prayers through tears,
+While in the silent dawn the armied answer nears.
+
+
+XXXVI.
+
+To snatch two fragile victims from the foe
+Nine hundred men have traversed leagues of snow.
+Each woe they suffered in a hostile land
+The flame of vengeance in their bosoms fanned.
+They thirst for slaughter, and the signal wait
+To wrest the captives from their horrid fate.
+Each warrior's hand upon his rifle falls,
+Each savage soldier's heart for awful bloodshed calls.
+
+
+XXXVII.
+
+And one, in years a youth, in woe a man,
+Sad Brewster, scarred by sorrow's blighting ban,
+Looks, panting, where his captive sister sleeps,
+And o'er his face the shade of murder creeps.
+His nostrils quiver like a hungry beast
+Who scents anear the bloody carnal feast.
+He longs to leap down in that slumbering vale
+And leave no foe alive to tell the awful tale.
+
+
+XXXVIII.
+
+Not so, calm Custer. Sick of gory strife,
+He hopes for rescue with no loss of life;
+And plans that bloodless battle of the plains
+Where reasoning mind outwits mere savage brains.
+The sullen soldiers follow where he leads;
+No gun is emptied, and no foeman bleeds.
+Fierce for the fight and eager for the fray
+They look upon their Chief in undisguised dismay.
+
+
+XXXIX.
+
+He hears the murmur of their discontent,
+But sneers can never change a strong mind's bent.
+He knows his purpose and he does not swerve,
+And with a quiet mien and steady nerve
+He meets dark looks where'er his steps may go,
+And silence that is bruising as a blow,
+Where late were smiles and words of ardent praise.
+So pass the lagging weeks of wearying delays.
+
+
+XL.
+
+Inaction is not always what it seems,
+And Custer's mind with plan and project teems.
+Fixed in his peaceful purpose he abides
+With none takes counsel and in none confides;
+But slowly weaves about the foe a net
+Which leaves them wholly at his mercy, yet
+He strikes no fateful blow; he takes no life,
+And holds in check his men, who pant for bloody strife.
+
+
+XLI.
+
+Intrepid warrior and skilled diplomate,
+In his strong hands he holds the red man's fate.
+The craftiest plot he checks with counterplot,
+Till tribe by tribe the tricky foe is brought
+To fear his vengeance and to know his power
+As man's fixed gaze will make a wild beast cower,
+So these crude souls feel that unflinching will
+Which draws them by its force, yet does not deign to kill.
+
+
+XLII.
+
+And one by one the hostile Indians send
+Their chiefs to seek a peaceful treaty's end.
+Great councils follow; skill with cunning copes
+And conquers it; and Custer sees his hopes
+So long delayed, like stars storm hidden, rise
+To radiate with splendor all his skies.
+The stubborn Cheyennes, cowed at last by fear,
+Leading the captive pair, o'er spring-touched hills appear.
+
+
+XLIII.
+
+With breath suspended, now the whole command
+Waits the approach of that equestrian band.
+Nearer it comes, still nearer, then a cry,
+Half sob, half shriek, goes piercing God's blue sky,
+And Brewster, like a nimble-footed doe,
+Or like an arrow hurrying from a bow,
+Shoots swiftly through the intervening space
+And that lost sister clasps, in sorrowing love's embrace.
+
+
+XLIV.
+
+And men who leaned o'er Hamilton's rude bier
+And saw his dead dear face without a tear,
+Strong souls who early learned the manly art
+Of keeping from the eye what's in the heart,
+Soldiers who look unmoved on death's pale brow,
+Avert their eyes, to hide their moisture now.
+The briny flood forced back from shores of woe,
+Needs but to touch the strands of joy to overflow.
+
+
+XLV.
+
+About the captives welcoming warriors crowd,
+All eyes are wet, and Brewster sobs aloud.
+Alas, the ravage wrought by toil and woe
+On faces that were fair twelve moons ago.
+Bronzed by exposure to the heat and cold,
+Still young in years, yet prematurely old,
+By insults humbled and by labor worn,
+They stand in youth's bright hour, of all youth's graces shorn.
+
+
+XLVI.
+
+A scanty garment rudely made of sacks
+Hangs from their loins; bright blankets drape their backs;
+About their necks are twisted tangled strings
+Of gaudy beads, while tinkling wire and rings
+Of yellow brass on wrists and fingers glow.
+Thus, to assuage the anger of the foe
+The cunning Indians decked the captive pair
+Who in one year have known a lifetime of despair.
+
+
+XLVII.
+
+But love can resurrect from sorrow's tomb
+The vanished beauty and the faded bloom,
+As sunlight lifts the bruised flower from the sod,
+Can lift crushed hearts to hope, for love is God.
+Already now in freedom's glad release
+The hunted look of fear gives place to peace,
+And in their eyes at thought of home appears
+That rainbow light of joy which brightest shines through tears.
+
+
+XLVIII.
+
+About the leader thick the warriors crowd;
+Late loud in censure, now in praises loud,
+They laud the tactics, and the skill extol
+Which gained a bloodless yet a glorious goal.
+Alone and lonely in the path of right
+Full many a brave soul walks. When gods requite
+And crown his actions as their worth demands,
+Among admiring throngs the hero always stands.
+
+ * * * * *
+
+
+XLIX.
+
+Back to the East the valorous squadrons sweep;
+The earth, arousing from her long, cold sleep,
+Throws from her breast the coverlet of snow,
+Revealing Spring's soft charms which lie below.
+Suppressed emotions in each heart arise,
+The wooer wakens and the warrior dies.
+The bird of prey is vanquished by the dove,
+And thoughts of bloody strife give place to thoughts of love.
+
+
+L.
+
+The mighty plains, devoid of whispering trees,
+Guard well the secrets of departed seas.
+Where once great tides swept by with ebb and flow
+The scorching sun looks down in tearless woe.
+And fierce tornadoes in ungoverned pain
+Mourn still the loss of that mysterious main.
+Across this ocean bed the soldiers fly--
+Home is the gleaming goal that lures each eager eye.
+
+
+LI.
+
+Like some elixir which the gods prepare,
+They drink the viewless tonic of the air,
+Sweet with the breath of startled antelopes
+Which speed before them over swelling slopes.
+Now like a serpent writhing o'er the moor,
+The column curves and makes a slight detour,
+As Custer leads a thousand men away
+To save a ground bird's nest which in the footpath lay.
+
+
+LII.
+
+Mile following mile, against the leaning skies
+Far off they see a dull dark cloud arise.
+The hunter's instinct in each heart is stirred,
+Beholding there in one stupendous herd
+A hundred thousand buffaloes. Oh great
+Unwieldy proof of Nature's cruder state,
+Rough remnant of a prehistoric day,
+Thou, with the red man, too, must shortly pass away.
+
+
+LIII.
+
+Upon those spreading plains is there not room
+For man and bison, that he seals its doom?
+What pleasure lies and what seductive charm
+In slaying with no purpose but to harm?
+Alas, that man, unable to create,
+Should thirst forever to exterminate,
+And in destruction find his fiercest joy.
+The gods alone create, gods only should destroy.
+
+
+LIV.
+
+The flying hosts a straggling bull pursue;
+Unerring aim, the skillful Custer drew.
+The wounded beast turns madly in despair
+And man and horse are lifted high in air.
+The conscious steed needs not the guiding rein;
+Back with a bound and one quick cry of pain
+He springs, and halts, well knowing where must fall
+In that protected frame, the sure death dealing ball.
+
+
+LV.
+
+With minds intent upon the morrow's feast,
+The men surround the carcass of the beast.
+Rolled on his back, he lies with lolling tongue,
+Soon to the saddle savory steaks are hung.
+And from his mighty head, great tufts of hair
+Are cut as trophies for some lady fair.
+To vultures then they leave the torn remains
+Of what an hour ago was monarch of the plains.
+
+
+LVI.
+
+Far off, two bulls in jealous war engage,
+Their blood-shot eye balls roll in furious rage;
+With maddened hoofs they mutilate the ground
+And loud their angry bellowings resound;
+With shaggy heads bent low they plunge and roar,
+Till both broad bellies drip with purple gore.
+Meanwhile, the heifer, whom the twain desire,
+Stands browsing near the pair, indifferent to their ire.
+
+
+LVII.
+
+At last she lifts her lazy head and heeds
+The clattering hoofs of swift advancing steeds.
+Off to the herd with cumb'rous gait she runs
+And leaves the bulls to face the threatening guns.
+No more for them the free life of the plains,
+Its mating pleasures and its warring pains.
+Their quivering flesh shall feed unnumbered foes,
+Their tufted tails adorn the soldiers' saddle bows.
+
+
+LVIII.
+
+Now into camp the conquering hosts advance;
+On burnished arms the brilliant sunbeams glance.
+Brave Custer leads, blonde as the gods of old;
+Back from his brow blow clustering locks of gold,
+And, like a jewel in a brook, there lies,
+Far in the depths of his blue guarded eyes,
+The thought of one whose smiling lips up-curled,
+Mean more of joy to him than plaudits of the world.
+
+
+LIX.
+
+The troops in columns of platoons appear
+Close to the leader following. Ah, here
+The poetry of war is fully seen,
+Its prose forgotten; as against the green
+Of Mother Nature, uniformed in blue,
+The soldiers pass for Sheridan's review.
+The motion-music of the moving throng,
+Is like a silent tune, set to a wordless song.
+
+
+LX.
+
+The guides and trailers, weird in war's array,
+Precede the troops along the grassy way.
+They chant wild songs, and with loud noise and stress,
+In savage manner savage joy express.
+The Indian captives, blanketed in red,
+On ponies mounted, by the scouts are led.
+Like sumach bushes, etched on evening skies,
+Against the blue-clad troops, this patch of color lies.
+
+
+LXI.
+
+High o'er the scene vast music billows bound,
+And all the air is liquid with the sound
+Of those invisible compelling waves.
+Perchance they reach the low and lonely graves
+Where sleep brave Elliott and Hamilton,
+And whisper there the tale of victory won;
+Or do the souls of soldiers tried and true
+Come at the bugle call, and march in grand review?
+
+
+LXII.
+
+The pleased Commander watches in surprise
+This splendid pageant surge before his eyes.
+Not in those mighty battle days of old
+Did scenes like this upon his sight unfold.
+But now it passes. Drums and bugles cease
+To dash war billows on the shores of Peace.
+The victors smile on fair broad bosomed Sleep
+While in her soothing arms, the vanquished cease to weep.
+
+
+=BOOK THIRD=
+
+[There is an interval of eight years between Books Second and Third.]
+
+
+I.
+
+As in the long dead days marauding hosts
+Of Indians came from far Siberian coasts,
+And drove the peaceful Aztecs from their grounds,
+Despoiled their homes (but left their tell-tale mounds),
+So has the white man with the Indians done.
+Now with their backs against the setting sun
+The remnants of a dying nation stand
+And view the lost domain, once their beloved land.
+
+
+II.
+
+Upon the vast Atlantic's leagues of shore
+The happy red man's tent is seen no more;
+And from the deep blue lakes which mirror heaven
+His bounding bark canoe was long since driven.
+The mighty woods, those temples where his God
+Spoke to his soul, are leveled to the sod;
+And in their place tall church spires point above,
+While priests proclaim the law of Christ, the King of Love.
+
+
+III.
+
+The avaricious and encroaching rail
+Seized the wide fields which knew the Indian's trail.
+Back to the reservations in the West
+The native owners of the land were pressed,
+And selfish cities, harbingers of want,
+Shut from their vision each accustomed haunt.
+Yet hungry Progress, never satisfied,
+Gazed on the western plains, and gazing, longed and sighed.
+
+
+IV.
+
+As some strange bullock in a pasture field
+Compels the herds to fear him, and to yield
+The juicy grass plots and the cooling shade
+Until, despite their greater strength, afraid,
+They huddle in some corner spot and cower
+Before the monarch's all controlling power,
+So has the white man driven from its place
+By his aggressive greed, Columbia's native race.
+
+
+V.
+
+Yet when the bull pursues the herds at bay,
+Incensed they turn, and dare dispute his sway.
+And so the Indians turned, when men forgot
+Their sacred word, and trespassed on the spot.
+The lonely little spot of all their lands,
+The reservation of the peaceful bands.
+But lust for gold all conscience kills in man,
+"Gold in the Black Hills, gold!" the cry arose and ran
+
+
+VI.
+
+From lip to lip, as flames from tree to tree
+Leap till the forest is one fiery sea,
+And through the country surged that hot unrest
+Which thirst for riches wakens in the breast.
+In mighty throngs the fortune hunters came,
+Despoiled the red man's lands and slew his game,
+Broke solemn treaties and defied the law.
+And all these ruthless acts the Nation knew and saw.
+
+
+VII.
+
+Man is the only animal that kills
+Just for the wanton love of slaughter; spills
+The blood of lesser things to see it flow;
+Lures like a friend, to murder like a foe
+The trusting bird and beast; and, coward like,
+Deals covert blows he dare not boldly strike.
+The brutes have finer souls, and only slay
+When torn by hunger's pangs, or when to fear a prey.
+
+
+VIII.
+
+The pale-faced hunter, insolent and bold,
+Pursued the bison while he sought for gold.
+And on the hungry red man's own domains
+He left the rotting and unused remains
+To foul with sickening stench each passing wind
+And rouse the demon in the savage mind,
+Save in the heart where virtues dominate
+Injustice always breeds its natural offspring--hate.
+
+
+IX.
+
+The chieftain of the Sioux, great Sitting Bull,
+Mused o'er their wrongs, and felt his heart swell full
+Of bitter vengeance. Torn with hate's unrest
+He called a council and his braves addressed.
+"From fair Wisconsin's shimmering lakes of blue
+Long years ago the white man drove the Sioux.
+Made bold by conquest, and inflamed by greed,
+He still pursues our tribes, and still our ranks recede.
+
+
+X.
+
+"Fair are the White Chief's promises and words,
+But dark his deeds who robs us of our herds.
+He talks of treaties, asks the right to buy,
+Then takes by force, not waiting our reply.
+He grants us lands for pastures and abodes
+To devastate them by his iron roads.
+But now from happy Spirit Lands, a friend
+Draws near the hunted Sioux, to strengthen and defend.
+
+
+XI.
+
+"While walking in the fields I saw a star;
+Unconsciously I followed it afar--
+It led me on to valleys filled with light,
+Where danced our noble chieftains slain in fight.
+Black Kettle, first of all that host I knew,
+He whom the strong armed Custer foully slew.
+And then a spirit took me by the hand,
+The Great Messiah King who comes to free the land.
+
+
+XII.
+
+"Suns were his eyes, a speaking tear his voice,
+Whose rainbow sounds made listening hearts rejoice
+And thus he spake: 'The red man's hour draws near
+When all his lost domains shall reappear.
+The elk, the deer, the bounding antelope,
+Shall here return to grace each grassy slope.'
+He waved his hand above the fields, and lo!
+Down through the valleys came a herd of buffalo.
+
+
+XIII.
+
+"The wondrous vision vanished, but I knew
+That Sitting Bull must make the promise true.
+Great Spirits plan what mortal man achieves,
+The hand works magic when the heart believes.
+Arouse, ye braves! let not the foe advance.
+Arm for the battle and begin the dance--
+The sacred dance in honor of our slain,
+Who will return to earth, ere many moons shall wane."
+
+
+XIV.
+
+Thus Sitting Bull, the chief of wily knaves,
+Worked on the superstitions of his braves.
+Mixed truth with lies; and stirred to mad unrest
+The warlike instinct in each savage breast.
+A curious product of unhappy times,
+The natural offspring of unnumbered crimes,
+He used low cunning and dramatic arts
+To startle and surprise those crude untutored hearts.
+
+
+XV.
+
+Out from the lodges pour a motley throng,
+Slow measures chanting of a dirge-like song.
+In one great circle dizzily they swing,
+A squaw and chief alternate in the ring.
+Coarse raven locks stream over robes of white,
+Their deep set orbs emit a lurid light,
+And as through pine trees moan the winds refrains,
+So swells and dies away, the ghostly graveyard strains.
+
+
+XVI.
+
+Like worded wine is music to the ear,
+And long-indulged makes mad the hearts that hear.
+The dancers, drunken with the monotone
+Of oft repeated notes, now shriek and groan
+And pierce their ruddy flesh with sharpened spears;
+Still more excited when the blood appears,
+With warlike yells, high in the air they bound,
+Then in a deathlike trance fall prostrate on the ground.
+
+
+XVII.
+
+They wake to tell weird stories of the dead,
+While fresh performers to the ring are led.
+The sacred nature of the dance is lost,
+War is their cry, red war, at any cost.
+Insane for blood they wait for no command,
+But plunge marauding through the frightened land.
+Their demon hearts on devils' pleasures bent,
+For each new foe surprised, new torturing deaths invent.
+
+
+XVIII.
+
+Staked to the earth one helpless creature lies,
+Flames at his feet and splinters in his eyes.
+Another groans with coals upon his breast,
+While 'round the pyre the Indians dance and jest.
+A crying child is brained upon a tree,
+The swooning mother saved from death, to be
+The slave and plaything of a filthy knave,
+Whose sins would startle hell, whose clay defile a grave.
+
+
+XIX.
+
+Their cause was right, their methods all were wrong.
+Pity and censure both to them belong.
+Their woes were many, but their crimes were more.
+The soulless Satan holds not in his store
+Such awful tortures as the Indians' wrath
+Keeps for the hapless victim in his path.
+And if the last lone remnants of that race
+Were by the white man swept from off the earth's fair face,
+
+
+XX.
+
+Were every red man slaughtered in a day,
+Still would that sacrifice but poorly pay
+For one insulted woman captive's woes.
+
+ * * * * *
+
+Again great Custer in his strength arose,
+More daring, more intrepid than of old.
+The passing years had touched and turned to gold
+The ever widening aureole of fame
+That shone upon his brow, and glorified his name.
+
+
+XXI.
+
+Wise men make laws, then turn their eyes away,
+While fools and knaves ignore them day by day;
+And unmolested, fools and knaves at length
+Induce long wars which sap a country's strength.
+The sloth of leaders, ruling but in name,
+Has dragged full many a nation down to shame.
+A word unspoken by the rightful lips
+Has dyed the land with blood, and blocked the sea with ships.
+
+
+XXII.
+
+The word withheld, when Indians asked for aid,
+Came when the red man started on his raid.
+What Justice with a gesture might have done
+Was left for noisy war with bellowing gun.
+And who save Custer and his gallant men
+Could calm the tempest into peace again?
+What other hero in the land could hope
+With Sitting Bull, the fierce and lawless one to cope?
+
+
+XXIII.
+
+What other warrior skilled enough to dare
+Surprise that human tiger in his lair?
+Sure of his strength, unconscious of his fame
+Out from the quiet of the camp he came;
+And stately as Diana at his side
+Elizabeth, his wife and alway bride,
+And Margaret, his sister, rode apace;
+Love's clinging arms he left to meet death's cold embrace.
+
+
+XXIV.
+
+As the bright column wound along its course,
+The smiling leader turned upon his horse
+To gaze with pride on that superb command.
+Twelve hundred men, the picked of all the land,
+Innured to hardship and made strong by strife
+Their lithe limbed bodies breathed of out-door life;
+While on their faces, resolute and brave,
+Hope stamped its shining seal, although their thoughts were grave.
+
+
+XXV.
+
+The sad eyed women halted in the dawn,
+And waved farewell to dear ones riding on.
+The modest mist picked up her robes and ran
+Before the Sun god's swift pursuing van.
+And suddenly there burst on startled eyes,
+The sight of soldiers, marching in the skies;
+That phantom host, a phantom Custer led;
+Mirage of dire portent, forecasting days ahead.
+
+
+XXVI.
+
+The soldier's children, flaunting mimic flags,
+Played by the roadside, striding sticks for nags.
+Their mothers wept, indifferent to the crowd
+Who saw their tears and heard them sob aloud.
+Old Indian men and squaws crooned forth a rhyme
+Sung by their tribes from immemorial time;
+And over all the drums' incessant beat
+Mixed with the scout's weird rune, and tramp of myriad feet.
+
+
+XXVII.
+
+So flawless was the union of each part
+The mighty column (moved as by one heart)
+Pulsed through the air, like some sad song well sung,
+Which gives delight, although the soul is wrung.
+Farther and fainter to the sight and sound
+The beautiful embodied poem wound;
+Till like a ribbon, stretched across the land
+Seemed the long narrow line of that receding band.
+
+
+XXVIII.
+
+The lot of those who in the silence wait
+Is harder than the fighting soldiers' fate.
+Back to the lonely post two women passed,
+With unaccustomed sorrow overcast.
+Two sad for sighs, too desolate for tears,
+The dark forebodings of long widowed years
+In preparation for the awful blow
+Hung on the door of hope the sable badge of woe.
+
+
+XXIX.
+
+Unhappy Muse! for thee no song remains,
+Save the sad miséréré of the plains.
+Yet though defeat, not triumph, ends the tale,
+Great victors sometimes are the souls that fail.
+All glory lies not in the goals we reach,
+But in the lessons which our actions teach.
+And he who, conquered, to the end believes
+In God and in himself, though vanquished, still achieves.
+
+
+XXX.
+
+Ah, grand as rash was that last fatal raid
+The little group of daring heroes made.
+Two hundred and two score intrepid men
+Rode out to war; not one came back again.
+Like fiends incarnate from the depths of hell
+Five thousand foemen rose with deafening yell,
+And swept that vale as with a simoon's breath,
+But like the gods of old, each martyr met his death.
+
+
+XXXI.
+
+Like gods they battled and like gods they died.
+Hour following hour that little band defied
+The hordes of red men swarming o'er the plain,
+Till scarce a score stood upright 'mid the slain.
+Then in the lull of battle, creeping near,
+A scout breathed low in Custer's listening ear:
+"_Death lies before, dear life remains behind
+Mount thy sure-footed steed, and hasten with the wind_."
+
+
+XXXII.
+
+A second's silence. Custer dropped his head,
+His lips slow moving as when prayers are said--
+Two words he breathed--"God and Elizabeth,"
+Then shook his long locks in the face of death,
+And with a final gesture turned away
+To join that fated few who stood at bay.
+Ah! deeds like that the Christ in man reveal
+Let Fame descend her throne at Custer's shrine to kneel.
+
+
+XXXIII.
+
+Too late to rescue, but in time to weep,
+His tardy comrades came. As if asleep
+He lay, so fair, that even hellish hate
+Withheld its hand and dared not mutilate.
+By fiends who knew not honor, honored still,
+He smiled and slept on that far western hill.
+Cast down thy lyre, oh Muse! thy song is done!
+Let tears complete the tale of him who failed, yet won.
+
+
+
+
+
+End of Project Gutenberg's Custer, and Other Poems., by Ella Wheeler Wilcox
+
+*** END OF THIS PROJECT GUTENBERG EBOOK CUSTER, AND OTHER POEMS. ***
+
+***** This file should be named 20427-8.txt or 20427-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/0/4/2/20427/
+
+Produced by Thierry Alberto, David T. Jones and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/20427-8.zip b/20427-8.zip
new file mode 100644
index 0000000..ae9f1bb
--- /dev/null
+++ b/20427-8.zip
Binary files differ
diff --git a/20427-h.zip b/20427-h.zip
new file mode 100644
index 0000000..309c2ea
--- /dev/null
+++ b/20427-h.zip
Binary files differ
diff --git a/20427-h/20427-h.htm b/20427-h/20427-h.htm
new file mode 100644
index 0000000..267d308
--- /dev/null
+++ b/20427-h/20427-h.htm
@@ -0,0 +1,3818 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <title>
+ The Project Gutenberg eBook of Custer and Other Poems, by Ella Wheeler Wilcox.
+ </title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ p { margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+ }
+ h1,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+ }
+ h2 {
+ text-align: left;
+ clear: both; margin-left: 2em;
+ }
+
+ h3 {
+ text-align: left;
+ clear: both; margin-left: 2em;
+ }
+
+ hr { width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+ }
+
+ table {margin-left: auto; margin-right: auto;}
+
+ body{margin-left: 20%;
+ margin-right: 8%;
+ }
+
+ .pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+ } /* page numbers */
+
+ .linenum {position: absolute; top: auto; left: 4%;} /* poetry number */
+ .blockquot{margin-left: 5%; margin-right: 10%;}
+
+
+ .center {text-align: center;}
+ .smcap {font-variant: small-caps;}
+ .u {text-decoration: underline;}
+
+
+ .figcenter {margin: auto; text-align: center;}
+
+
+ .poem {margin-left:10%; margin-right:10%; text-align: left;}
+ .poem br {display: none;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i2 {display: block; margin-left: 2em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i4 {display: block; margin-left: 4em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i6 {display: block; margin-left: 6em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i8 {display: block; margin-left: 8em; padding-left: 3em; text-indent: -3em;}
+
+
+
+ // -->
+ /* XML end ]]>*/
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's Custer, and Other Poems., by Ella Wheeler Wilcox
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Custer, and Other Poems.
+
+Author: Ella Wheeler Wilcox
+
+Release Date: January 23, 2007 [EBook #20427]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK CUSTER, AND OTHER POEMS. ***
+
+
+
+
+Produced by Thierry Alberto, David T. Jones and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+
+
+<h1>CUSTER<br />
+<br /></h1>
+<h4>AND<br />
+<br /></h4>
+<h1>OTHER POEMS</h1>
+<br /><br />
+<h4>BY<br />
+<br /></h4>
+<h1>ELLA WHEELER WILCOX.</h1>
+<br /><br />
+
+<h4>Author of "<span class="smcap">Poems of Passion</span>," "<span class="smcap">Maurine</span>," "<span class="smcap">Poems of Pleasure</span>,"<br /></h4>
+<h4>"<span class="smcap">How Salvator Won</span>," "<span class="smcap">The Beautiful Land of Nod</span>,"<br /></h4>
+<h4>"<span class="smcap">An Erring Woman's Love</span>," "<span class="smcap">Men, Women</span><br /></h4>
+<h4>"<span class="smcap">and Emotions</span>," <span class="smcap">Etc</span>.<br />
+<br /></h4>
+
+<h4>Published 1896,<br /></h4>
+
+<h4>By<br /></h4>
+
+
+<h4>W. B. CONKEY COMPANY.</h4>
+<br />
+<h4>CHICAGO<br /></h4>
+
+<hr style="width: 65%;" />
+
+<h4><span class="smcap">Preface</span>.</h4>
+
+
+
+<h4>"Let such teach others, who themselves excel,</h4>
+<h4>And censure freely who have written well."</h4>
+<p>&nbsp;</p><br />
+<span style="margin-left: 30.5em;">&mdash;<span class="smcap">Pope.</span></span><br />
+
+
+
+
+<hr style="width: 65%;" />
+<h1><a name="CONTENTS" id="CONTENTS"></a>CONTENTS.</h1>
+
+
+<p>&nbsp;</p>
+<div align="center" >
+<a href="#The_Worlds_Need"><b>The World's Need</b></a><br />
+<a href="#High_Noon"><b>High Noon</b></a><br />
+<a href="#Transformation"><b>Transformation</b></a><br />
+<a href="#Thought-Magnets"><b>Thought-Magnets</b></a><br />
+<a href="#Smiles"><b>Smiles</b></a><br />
+<a href="#The_Undiscovered_Country"><b>The Undiscovered Country</b></a><br />
+<a href="#The_Universal_Route"><b>The Universal Route</b></a><br />
+<a href="#Earthly_Pride"><b>Earthly Pride</b></a><br />
+<a href="#Unanswered_Prayers"><b>Unanswered Prayers</b></a><br />
+<a href="#Thanksgiving"><b>Thanksgiving</b></a><br />
+<a href="#A_Maiden_To_Her_Mirror"><b>A Maiden To Her Mirror</b></a><br />
+<a href="#The_Kettle"><b>The Kettle</b></a><br />
+<a href="#Contrasts"><b>Contrasts</b></a><br />
+<a href="#Thy_Ship"><b>Thy Ship</b></a><br />
+<a href="#The_Tryst"><b>The Tryst</b></a><br />
+<a href="#Life"><b>Life</b></a><br />
+<a href="#A_Marine_Etching"><b>A Marine Etching</b></a><br />
+<a href="#The_Duel"><b>The Duel</b></a><br />
+<a href="#Love_Thyself_Last"><b>"Love Thyself Last"</b></a><br />
+<a href="#Christmas_Fancies"><b>Christmas Fancies</b></a><br />
+<a href="#The_River"><b>The River</b></a><br />
+<a href="#Sorry"><b>Sorry</b></a><br />
+<a href="#The_Old_Wooden_Cradle"><b>The Old Wooden Cradle</b></a><br />
+<a href="#Ambitions_Trail"><b>Ambition's Trail</b></a><br />
+<a href="#The_Traveled_Man"><b>The Traveled Man</b></a><br />
+<a href="#Uncontrolled"><b>Uncontrolled</b></a><br />
+<a href="#The_Tulip_Bed_At_Greeley_Square"><b>The Tulip Bed At Greeley Square</b></a><br />
+<a href="#Will"><b>Will</b></a><br />
+<a href="#To_An_Astrologer"><b>To An Astrologer</b></a><br />
+<a href="#The_Tendrils_Faith"><b>The Tendril's Faith</b></a><br />
+<a href="#The_Times"><b>The Times</b></a><br />
+<a href="#The_Question"><b>The Question</b></a><br />
+<a href="#Sorrows_Uses"><b>Sorrow's Uses</b></a><br />
+<a href="#If"><b>If</b></a><br />
+<a href="#Which_Are_You"><b>Which Are You?</b></a><br />
+<a href="#The_Creed_To_Be"><b>The Creed To Be</b></a><br />
+<a href="#Music_In_The_Flat"><b>Music In The Flat</b></a><br />
+<a href="#Inspiration"><b>Inspiration</b></a><br />
+<a href="#The_Wish"><b>The Wish</b></a><br />
+<a href="#Three_Friends"><b>Three Friends</b></a><br />
+<a href="#You_Never_Can_Tell"><b>You Never Can Tell</b></a><br />
+<a href="#Here_And_Now"><b>Here And Now</b></a><br />
+<a href="#Unconquered"><b>Unconquered</b></a><br />
+<a href="#All_That_Love_Asks"><b>All That Love Asks</b></a><br />
+<a href="#Does_It_Pay"><b>Does It Pay</b></a><br />
+<a href="#Sestina"><b>Sestina</b></a><br />
+<a href="#The_Optimist"><b>The Optimist</b></a><br />
+<a href="#The_Pessimist"><b>The Pessimist</b></a><br />
+<a href="#The_Hammocks_Complaint"><b>The Hammock's Complaint</b></a><br />
+<a href="#Lifes_Harmonies"><b>Life's Harmonies</b></a><br />
+<a href="#Preaching_vs_Practice"><b>Preaching vs. Practice</b></a><br />
+<a href="#An_Old_Man_To_His_Sleeping_Young_Bride"><b>An Old Man To His Sleeping Young Bride</b></a><br />
+<a href="#I_Am"><b>I Am</b></a><br />
+<a href="#Two_Nights"><b>Two Nights</b></a><br />
+<a href="#Preparation"><b>Preparation</b></a><br />
+<a href="#Custer"><b>Custer</b></a><br />
+<a href="#BOOK_FIRST"><b>BOOK FIRST.</b></a><br />
+<a href="#BOOK_SECOND"><b>BOOK SECOND.</b></a><br />
+<a href="#BOOK_THIRD"><b>BOOK THIRD.</b></a><br />
+</div>
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Worlds_Need" id="The_Worlds_Need"></a><b>The World's Need</b></h2>
+
+<p>So many gods, so many creeds,<br />
+<span style="margin-left: 1em;">So many paths that wind and wind,</span><br />
+<span style="margin-left: 1em;">While just the art of being kind,</span><br />
+Is all the sad world needs.</p>
+
+
+<hr style="width: 65%;" />
+<h2><a name="High_Noon" id="High_Noon"></a><b>High Noon</b></h2>
+
+
+<p>Time's finger on the dial of my life<br />
+Points to high noon! and yet the half-spent day<br />
+Leaves less than half remaining, for the dark,<br />
+Bleak shadows of the grave engulf the end.</p>
+
+<p>To those who burn the candle to the stick,<br />
+The sputtering socket yields but little light.<br />
+Long life is sadder than an early death.<br />
+We cannot count on raveled threads of age<br />
+Whereof to weave a fabric. We must use<br />
+The warp and woof the ready present yields<br />
+And toil while daylight lasts. When I bethink<br />
+How brief the past, the future still more brief,<br />
+Calls on to action, action! Not for me<br />
+Is time for retrospection or for dreams,<br />
+Not time for self-laudation or remorse.<br />
+Have I done nobly? Then I must not let<br />
+Dead yesterday unborn to-morrow shame.<br />
+Have I done wrong? Well, let the bitter taste<br />
+Of fruit that turned to ashes on my lip<br />
+Be my reminder in temptation's hour,<br />
+And keep me silent when I would condemn.<br />
+Sometimes it takes the acid of a sin<br />
+To cleanse the clouded windows of our souls<br />
+So pity may shine through them.</p>
+
+<p><span style="margin-left: 6em;">Looking back,</span><br />
+My faults and errors seem like stepping-stones<br />
+That led the way to knowledge of the truth<br />
+And made me value virtue; sorrows shine<br />
+In rainbow colors o'er the gulf of years,<br />
+Where lie forgotten pleasures.</p>
+
+<p><span style="margin-left: 6em;">Looking forth,</span><br />
+Out to the western sky still bright with noon,<br />
+I feel well spurred and booted for the strife<br />
+That ends not till Nirvana is attained.</p>
+
+<p>Battling with fate, with men and with myself,<br />
+Up the steep summit of my life's forenoon,<br />
+Three things I learned, three things of precious worth<br />
+To guide and help me down the western slope.<br />
+I have learned how to pray, and toil, and save.<br />
+To pray for courage to receive what comes,<br />
+Knowing what comes to be divinely sent.<br />
+To toil for universal good, since thus<br />
+And only thus can good come unto me.<br />
+To save, by giving whatsoe'er I have<br />
+To those who have not, this alone is gain.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Transformation" id="Transformation"></a><b>Transformation</b></h2>
+
+
+<p>She waited in a rose-hued room;<br />
+<span style="margin-left: 1em;">A wanton-hearted creature she,</span><br />
+<span style="margin-left: 1em;">But beautiful and bright to see</span><br />
+As some great orchid just in bloom.</p>
+
+<p>Upon wide cushions stretched at ease<br />
+<span style="margin-left: 1em;">She lolled in garments filmy fine,</span><br />
+<span style="margin-left: 1em;">Which but enhanced each rounded line;</span><br />
+A living picture, framed to please.</p>
+
+<p>A bold electric eye of light<br />
+<span style="margin-left: 1em;">Leered through its ruddy screen of lace</span><br />
+<span style="margin-left: 1em;">And feasted on her form and face</span><br />
+As some wine-crimsoned rou&eacute; might.</p>
+
+<p>From wall and niche, nude nymph beguiled<br />
+<span style="margin-left: 1em;">Fair goddesses of world-wide fame,</span><br />
+<span style="margin-left: 1em;">But Psyche's self was put to shame</span><br />
+By one who from the cushions smiled.</p>
+
+<p>Exotic blossoms from a vase<br />
+<span style="margin-left: 1em;">Their sweet narcotic breath exhaled;</span><br />
+<span style="margin-left: 1em;">The lights, the objects round her paled&mdash;</span><br />
+She lost the sense of time and place.</p>
+
+<p>She seemed to float upon the air,<br />
+<span style="margin-left: 1em;">Untrammeled, unrestricted, free;</span><br />
+<span style="margin-left: 1em;">And rising from a vapory sea</span><br />
+She saw a form divinely fair.</p>
+
+<p>A beauteous being in whose face<br />
+<span style="margin-left: 1em;">Shone all things sweet and true and good.</span><br />
+<span style="margin-left: 1em;">The innocence of maidenhood,</span><br />
+The motherhood of all the race.</p>
+
+<p>The warmth which comes from heavenly fire,<br />
+<span style="margin-left: 1em;">The strength which leads the weaker man</span><br />
+<span style="margin-left: 1em;">To climb to God's Eternal plan</span><br />
+And conquer and control desire.</p>
+
+<p>She shook as with a mighty awe,<br />
+<span style="margin-left: 1em;">For, gazing on this shape which stood</span><br />
+<span style="margin-left: 1em;">Embodying all true womanhood,</span><br />
+She knew it was <i>herself</i> she saw.</p>
+
+<p>She woke as from a dream. But when<br />
+<span style="margin-left: 1em;">The laughing lover, light and bold</span><br />
+<span style="margin-left: 1em;">Came with his talk of wine and gold</span><br />
+He gazed, grew silent, gazed again;</p>
+
+<p>Then turned abashed from those calm eyes<br />
+<span style="margin-left: 1em;">Where lurked no more the lure to sin.</span><br />
+<span style="margin-left: 1em;">Her higher self had entered in,</span><br />
+Her path led now to Paradise.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Thought-Magnets" id="Thought-Magnets"></a><b>Thought-Magnets</b></h2>
+
+
+<p>With each strong thought, with every earnest longing<br />
+<span style="margin-left: 1em;">For aught thou deemest needful to thy soul,</span><br />
+Invisible vast forces are set thronging<br />
+<span style="margin-left: 1em;">Between thee and that goal.</span></p>
+
+<p>'Tis only when some hidden weakness alters<br />
+<span style="margin-left: 1em;">And changes thy desire, or makes it less,</span><br />
+That this mysterious army ever falters<br />
+<span style="margin-left: 1em;">Or stops short of success.</span></p>
+
+<p>Thought is a magnet; and the longed-for pleasure<br />
+<span style="margin-left: 1em;">Or boon, or aim, or object, is the steel;</span><br />
+And its attainment hangs but on the measure<br />
+<span style="margin-left: 1em;">Of what thy soul can feel.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Smiles" id="Smiles"></a><b>Smiles</b></h2>
+
+
+<p>Smile a little, smile a little,<br />
+<span style="margin-left: 1em;">As you go along,</span><br />
+Not alone when life is pleasant,<br />
+<span style="margin-left: 1em;">But when things go wrong.</span><br />
+Care delights to see you frowning,<br />
+<span style="margin-left: 1em;">Loves to hear you sigh;</span><br />
+Turn a smiling face upon her,<br />
+<span style="margin-left: 1em;">Quick the dame will fly.</span></p>
+
+<p>Smile a little, smile a little,<br />
+<span style="margin-left: 1em;">All along the road;</span><br />
+Every life must have its burden,<br />
+<span style="margin-left: 1em;">Every heart its load.</span><br />
+Why sit down in gloom and darkness,<br />
+<span style="margin-left: 1em;">With your grief to sup?</span><br />
+As you drink Fate's bitter tonic,<br />
+<span style="margin-left: 1em;">Smile across the cup.</span></p>
+
+
+<p>Smile upon the troubled pilgrims<br />
+<span style="margin-left: 1em;">Whom you pass and meet;</span><br />
+Frowns are thorns, and smiles are blossoms<br />
+<span style="margin-left: 1em;">Oft for weary feet.</span><br />
+Do not make the way seem harder<br />
+<span style="margin-left: 1em;">By a sullen face,</span><br />
+Smile a little, smile a little,<br />
+<span style="margin-left: 1em;">Brighten up the place.</span></p>
+
+<p>Smile upon your undone labor;<br />
+<span style="margin-left: 1em;">Not for one who grieves</span><br />
+O'er his task, waits wealth or glory;<br />
+<span style="margin-left: 1em;">He who smiles achieves.</span><br />
+Though you meet with loss and sorrow<br />
+<span style="margin-left: 1em;">In the passing years,</span><br />
+Smile a little, smile a little,<br />
+<span style="margin-left: 1em;">Even through your tears.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Undiscovered_Country" id="The_Undiscovered_Country"></a><b>The Undiscovered Country</b></h2>
+
+
+<p>Man has explored all countries and all lands,<br />
+<span style="margin-left: 1em;">And made his own the secrets of each clime.</span><br />
+<span style="margin-left: 1em;">Now, ere the world has fully reached its prime,</span><br />
+The oval earth lies compassed with steel bands;<br />
+The seas are slaves to ships that touch all strands,<br />
+<span style="margin-left: 1em;">And even the haughty elements sublime</span><br />
+<span style="margin-left: 1em;">And bold, yield him their secrets for all time,</span><br />
+And speed like lackeys forth at his commands.</p>
+
+<p>Still, though he search from shore to distant shore,<br />
+<span style="margin-left: 1em;">And no strange realms, no unlocated plains</span><br />
+Are left for his attainment and control,<br />
+Yet is there one more kingdom to explore.<br />
+<span style="margin-left: 1em;">Go, know thyself, O man! there yet remains</span><br />
+The undiscovered country of thy soul!</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Universal_Route" id="The_Universal_Route"></a><b>The Universal Route</b></h2>
+
+
+<p>As we journey along, with a laugh and a song,<br />
+<span style="margin-left: 1em;">We see, on youth's flower-decked slope,</span><br />
+Like a beacon of light, shining fair on the sight,<br />
+<span style="margin-left: 1em;">The beautiful Station of Hope.</span></p>
+
+<p>But the wheels of old Time roll along as we climb,<br />
+<span style="margin-left: 1em;">And our youth speeds away on the years;</span><br />
+And with hearts that are numb with life's sorrows we come<br />
+<span style="margin-left: 1em;">To the mist-covered Station of Tears.</span></p>
+
+<p>Still onward we pass, where the milestones, alas!<br />
+<span style="margin-left: 1em;">Are the tombs of our dead, to the West,</span><br />
+Where glitters and gleams, in the dying sunbeams,<br />
+<span style="margin-left: 1em;">The sweet, silent Station of Rest.</span></p>
+
+<p>All rest is but change, and no grave can estrange<br />
+<span style="margin-left: 1em;">The soul from its Parent above;</span><br />
+And, scorning the rod, it soars back to its God,<br />
+<span style="margin-left: 1em;">To the limitless City of Love.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Earthly_Pride" id="Earthly_Pride"></a><b>Earthly Pride</b></h2>
+
+
+<p>How baseless is the mightiest earthly pride,<br />
+The diamond is but charcoal purified,<br />
+The lordliest pearl that decks a monarch's breast<br />
+Is but an insect's sepulchre at best.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Unanswered_Prayers" id="Unanswered_Prayers"></a><b>Unanswered Prayers</b></h2>
+
+
+<p>Like some school master, kind in being stern,<br />
+Who hears the children crying o'er their slates<br />
+And calling, "Help me master!" yet helps not,<br />
+Since in his silence and refusal lies<br />
+Their self-development, so God abides<br />
+Unheeding many prayers. He is not deaf<br />
+To any cry sent up from earnest hearts,<br />
+He hears and strengthens when He must deny.<br />
+He sees us weeping over life's hard sums<br />
+But should He give the key and dry our tears<br />
+What would it profit us when school were done<br />
+And not one lesson mastered?</p>
+
+<p><span style="margin-left: 14em;">What a world</span><br />
+Were this if all our prayers were answered. Not<br />
+In famed Pandora's box were such vast ills<br />
+As lie in human hearts. Should our desires<br />
+Voiced one by one in prayer ascend to God<br />
+And come back as events shaped to our wish<br />
+What chaos would result!</p>
+
+<p><span style="margin-left: 12em;">In my fierce youth</span><br />
+I sighed out breath enough to move a fleet<br />
+Voicing wild prayers to heaven for fancied boons<br />
+Which were denied; and that denial bends<br />
+My knee to prayers of gratitude each day<br />
+Of my maturer years. Yet from those prayers<br />
+I rose alway regirded for the strife<br />
+And conscious of new strength. Pray on, sad heart,<br />
+That which thou pleadest for may not be given<br />
+But in the lofty altitude where souls<br />
+Who supplicate God's grace are lifted there<br />
+Thou shalt find help to bear thy daily lot<br />
+Which is not elsewhere found.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Thanksgiving" id="Thanksgiving"></a><b>Thanksgiving</b></h2>
+
+
+<p>We walk on starry fields of white<br />
+<span style="margin-left: 2em;">And do not see the daisies;</span><br />
+<span style="margin-left: 1em;">For blessings common in our sight</span><br />
+We rarely offer praises.<br />
+<span style="margin-left: 1em;">We sigh for some supreme delight<br />
+To crown our lives with splendor,</span><br />
+<span style="margin-left: 1em;">And quite ignore our daily store<br />
+Of pleasures sweet and tender.</span></p>
+
+<p>Our cares are bold and push their way<br />
+<span style="margin-left: 1em;">Upon our thought and feeling.</span><br />
+They hang about us all the day,<br />
+<span style="margin-left: 1em;">Our time from pleasure stealing.</span><br />
+So unobtrusive many a joy<br />
+<span style="margin-left: 1em;">We pass by and forget it,</span><br />
+But worry strives to own our lives<br />
+<span style="margin-left: 1em;">And conquers if we let it.</span></p>
+
+<p>There's not a day in all the year<br />
+<span style="margin-left: 1em;">But holds some hidden pleasure,</span><br />
+And looking back, joys oft appear<br />
+<span style="margin-left: 1em;">To brim the past's wide measure.</span><br />
+But blessings are like friends, I hold,<br />
+<span style="margin-left: 1em;">Who love and labor near us.</span><br />
+We ought to raise our notes of praise<br />
+<span style="margin-left: 1em;">While living hearts can hear us.</span></p>
+
+<p>Full many a blessing wears the guise<br />
+<span style="margin-left: 1em;">Of worry or of trouble.</span><br />
+Farseeing is the soul and wise<br />
+<span style="margin-left: 1em;">Who knows the mask is double.</span><br />
+But he who has the faith and strength<br />
+<span style="margin-left: 1em;">To thank his God for sorrow</span><br />
+Has found a joy without alloy<br />
+<span style="margin-left: 1em;">To gladden every morrow.</span></p>
+
+<p>We ought to make the moments notes<br />
+<span style="margin-left: 1em;">Of happy, glad Thanksgiving;</span><br />
+The hours and days a silent phrase<br />
+<span style="margin-left: 1em;">Of music we are living.</span><br />
+And so the theme should swell and grow<br />
+<span style="margin-left: 1em;">As weeks and months pass o'er us,</span><br />
+And rise sublime at this good time,<br />
+<span style="margin-left: 1em;">A grand Thanksgiving chorus.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="A_Maiden_To_Her_Mirror" id="A_Maiden_To_Her_Mirror"></a><b>A Maiden To Her Mirror</b></h2>
+
+
+<p>He said he loved me! Then he called my hair<br />
+<span style="margin-left: 1em;">Silk threads wherewith sly Cupid strings his bow,</span><br />
+<span style="margin-left: 1em;">My cheek a rose leaf fallen on new snow;</span><br />
+And swore my round, full throat would bring despair<br />
+To Venus or to Psyche.</p>
+
+<p><span style="margin-left: 12em;">Time and care</span><br />
+<span style="margin-left: 1em;">Will fade these locks; the merry god, I trow,</span><br />
+<span style="margin-left: 1em;">Uses no grizzled cords upon his bow.</span><br />
+How will it be when I, no longer fair,<br />
+<span style="margin-left: 1em;">Plead for his kiss with cheeks whence long ago</span><br />
+The early snowflakes melted quite away,<br />
+The rose leaf died&mdash;and in whose sallow clay<br />
+<span style="margin-left: 1em;">Lie the deep sunken tracks of life's gaunt crow?</span></p>
+
+<p>When this full throat shall wattle fold on fold,<br />
+<span style="margin-left: 1em;">Like some ripe peach left drying on a wall,</span><br />
+<span style="margin-left: 1em;">Or like a spent accordion, when all</span><br />
+Its music has exhaled&mdash;will love grow cold?</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Kettle" id="The_Kettle"></a><b>The Kettle</b></h2>
+
+
+<p>There's many a house of grandeur,<br />
+<span style="margin-left: 1em;">With turret, tower and dome,</span><br />
+That knows not peace or comfort,<br />
+<span style="margin-left: 1em;">And does not prove a home.</span><br />
+<i>I</i> do not ask for splendor<br />
+<span style="margin-left: 1em;">To crown my daily lot,</span><br />
+But this I ask&mdash;a kitchen<br />
+<span style="margin-left: 1em;">Where the kettle's always hot.</span></p>
+
+<p>If things are not all ship-shape,<br />
+<span style="margin-left: 1em;">I do not fume or fret,</span><br />
+A little clean disorder<br />
+<span style="margin-left: 1em;">Does not my nerves upset.</span><br />
+But <i>one</i> thing is essential,<br />
+<span style="margin-left: 1em;">Or seems so to my thought,</span><br />
+And that's a tidy kitchen<br />
+<span style="margin-left: 1em;">Where the kettle's always hot.</span></p>
+
+<p>In my Aunt Hattie's household,<br />
+<span style="margin-left: 1em;">Though skies outside are drear,</span><br />
+Though times are dark and troubled,<br />
+<span style="margin-left: 1em;">You'll always find good cheer.</span><br />
+And in her quaint old kitchen&mdash;<br />
+<span style="margin-left: 1em;">The very homiest spot&mdash;</span><br />
+The kettle's always singing,<br />
+<span style="margin-left: 1em;">The water's always hot.</span></p>
+
+<p>And if you have a headache,<br />
+<span style="margin-left: 1em;">Whate'er the hour may be,</span><br />
+There is no tedious waiting<br />
+<span style="margin-left: 1em;">To get your cup of tea.</span><br />
+I don't know how she does it&mdash;<br />
+<span style="margin-left: 1em;">Some magic she has caught&mdash;</span><br />
+For the kitchen's cool in summer,<br />
+<span style="margin-left: 1em;">Yet the kettle's always hot.</span></p>
+
+<p>Oh, there's naught else so dreary<br />
+<span style="margin-left: 1em;">In household kingdom found</span><br />
+As a cold and sullen kettle<br />
+<span style="margin-left: 1em;">That does not make a sound.</span><br />
+And I think that love is lacking<br />
+<span style="margin-left: 1em;">In the hearts in such a spot,</span><br />
+Or the kettle would be singing<br />
+<span style="margin-left: 1em;">And the water would be hot.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Contrasts" id="Contrasts"></a><b>Contrasts</b></h2>
+
+
+<p>I see the tall church steeples,<br />
+<span style="margin-left: 1em;">They reach so far, so far,</span><br />
+But the eyes of my heart see the world's great mart,<br />
+<span style="margin-left: 1em;">Where the starving people are.</span></p>
+
+<p>I hear the church bells ringing<br />
+<span style="margin-left: 1em;">Their chimes on the morning air;</span><br />
+But my soul's sad ear is hurt to hear<br />
+<span style="margin-left: 1em;">The poor man's cry of despair.</span></p>
+
+<p>Thicker and thicker the churches,<br />
+<span style="margin-left: 1em;">Nearer and nearer the sky</span><br />
+But alack for their creeds while the poor man's needs<br />
+<span style="margin-left: 1em;">Grow deeper as years roll by.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Thy_Ship" id="Thy_Ship"></a><b>Thy Ship</b></h2>
+
+
+<p>Hadst thou a ship, in whose vast hold lay stored<br />
+The priceless riches of all climes and lands,<br />
+Say, wouldst thou let it float upon the seas<br />
+Unpiloted, of fickle winds the sport,<br />
+And of wild waves and hidden rocks the prey?</p>
+
+<p>Thine is that ship; and in its depths concealed<br />
+Lies all the wealth of this vast universe&mdash;<br />
+Yea, lies some part of God's omnipotence<br />
+The legacy divine of every soul.<br />
+Thy will, O man, thy will is that great ship,<br />
+And yet behold it drifting here and there&mdash;<br />
+One moment lying motionless in port,<br />
+Then on high seas by sudden impulse flung,</p>
+
+<p>Then drying on the sands, and yet again<br />
+Sent forth on idle quests to no-man's land<br />
+To carry nothing and to nothing bring;<br />
+Till worn and fretted by the aimless strife<br />
+And buffeted by vacillating winds<br />
+It founders on a rock, or springs aleak<br />
+With all its unused treasures in the hold.</p>
+
+<p>Go save thy ship, thou sluggard; take the wheel<br />
+And steer to knowledge, glory and success.<br />
+Great mariners have made the pathway plain<br />
+For thee to follow; hold thou to the course<br />
+Of Concentration Channel, and all things<br />
+Shall come in answer to thy swerveless wish<br />
+As comes the needle to the magnet's call,<br />
+Or sunlight to the prisoned blade of grass<br />
+That yearns all winter for the kiss of spring.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Tryst" id="The_Tryst"></a><b>The Tryst</b></h2>
+
+
+<p>Just when all hope had perished in my soul,<br />
+And balked desire made havoc with my mind,<br />
+My cruel Ladye suddenly grew kind,<br />
+And sent these gracious words upon a scroll:<br />
+"When knowing Night her dusky scarf has tied<br />
+Across the bold, intrusive eyes of day,<br />
+Come as a glad, triumphant lover may,<br />
+No longer fearing that he be denied."</p>
+
+<p>I read her letter for the hundredth time,<br />
+And for the hundredth time my gladdened sight<br />
+Blurred with the rapture of my vast delight,<br />
+And swooned upon the page. I caught the chime<br />
+Of far off bells, and at each silver note<br />
+My heart on tiptoe pressed its eager ear<br />
+Against my breast; it was such joy to hear<br />
+The tolling of the hour of which she wrote.</p>
+
+<p>The curious day still lingered in the skies<br />
+And watched me as I hastened to the tryst.<br />
+And back, beyond great clouds of amethyst,<br />
+I saw the Night's soft, reassuring eyes.<br />
+"Oh, Night," I cried, "dear Love's considerate friend,<br />
+Haste from the far, dim valleys of the west,<br />
+Rock the sad striving earth to quiet rest,<br />
+And bid the day's insistent vigil end."</p>
+
+<p>Down brooding streets, and past the harbored ships<br />
+The Night's young handmaid, Twilight, walked with me.<br />
+A spent moon leaned inertly o'er the sea;<br />
+A few, pale, phantom stars were in eclipse.<br />
+There was the house, My Ladye's sea-girt bower<br />
+All draped in gloom, save for one taper's glow,<br />
+Which lit the path, where willing feet would go.<br />
+There was the house, and this the promised hour.</p>
+
+<p>The tide was out; and from the sea's salt path<br />
+Rose amorous odors, filtering through the night<br />
+And stirring all the senses with delight;<br />
+Sweet perfumes left since Aphrodite's bath.<br />
+Back in the wooded copse, a whip-poor-will<br />
+Gave love's impassioned and impatient call.<br />
+On pebbled sands I heard the waves kiss fall,<br />
+And fall again, so hushed the hour and still.</p>
+
+<p>Light was my knock upon the door, so light,<br />
+And yet the sound seemed rude. My pulses beat<br />
+So loud they drowned the coming of her feet<br />
+The arrow of her taper pierced the gloom&mdash;<br />
+The portal closed behind me. She was there&mdash;<br />
+Love on her lips and yielding in her eyes<br />
+And but the sea to hear our vows and sighs.<br />
+She took my hand and led me up the stair.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Life" id="Life"></a><b>Life</b></h2>
+
+
+<p>All in the dark we grope along,<br />
+<span style="margin-left: 1em;">And if we go amiss</span><br />
+We learn at least which path is wrong,<br />
+<span style="margin-left: 1em;">And there is gain in this.</span></p>
+
+<p>We do not always win the race,<br />
+<span style="margin-left: 1em;">By only running right,</span><br />
+We have to tread the mountain's base<br />
+<span style="margin-left: 1em;">Before we reach its height.</span></p>
+
+<p>The Christs alone no errors made;<br />
+<span style="margin-left: 1em;">So often had they trod</span><br />
+The paths that lead through light and shade,<br />
+<span style="margin-left: 1em;">They had become as God.</span></p>
+
+<p>As Krishna, Buddha, Christ again,<br />
+<span style="margin-left: 1em;">They passed along the way,</span><br />
+And left those mighty truths which men<br />
+<span style="margin-left: 1em;">But dimly grasp to-day.</span></p>
+
+<p>But he who loves himself the last<br />
+<span style="margin-left: 1em;">And knows the use of pain,</span><br />
+Though strewn with errors all his past,<br />
+<span style="margin-left: 1em;">He surely shall attain.</span></p>
+
+<p>Some souls there are that needs must taste<br />
+<span style="margin-left: 1em;">Of wrong, ere choosing right;</span><br />
+We should not call those years a waste<br />
+<span style="margin-left: 1em;">Which led us to the light.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="A_Marine_Etching" id="A_Marine_Etching"></a><b>A Marine Etching</b></h2>
+
+
+<p>A yacht from its harbor ropes pulled free,<br />
+<span style="margin-left: 1em;">And leaped like a steed o'er the race track blue,</span><br />
+Then up behind her, the dust of the sea,<br />
+<span style="margin-left: 1em;">A gray fog drifted, and hid her from view.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Duel" id="The_Duel"></a><b>The Duel</b></h2>
+
+
+<p>Oh many a duel the world has seen<br />
+<span style="margin-left: 1em;">That was bitter with hate, that was red with gore,</span><br />
+But I sing of a duel by far more cruel<br />
+<span style="margin-left: 1em;">Than ever by poet was sung before.</span><br />
+It was waged by night, yea by day and by night,<br />
+<span style="margin-left: 1em;">With never a pause or halt or rest,</span><br />
+And the curious spot where this battle was fought<br />
+<span style="margin-left: 1em;">Was the throbbing heart in a woman's breast.</span></p>
+
+<p>There met two rivals in deadly strife,<br />
+<span style="margin-left: 1em;">And they fought for this woman so pale and proud.</span><br />
+One was a man in the prime of life,<br />
+<span style="margin-left: 1em;">And one was a corpse in a moldy shroud;</span><br />
+One wrapped in a sheet from his head to his feet,<br />
+<span style="margin-left: 1em;">The other one clothed in worldly fashion;</span><br />
+But a rival to dread is a man who is dead,<br />
+<span style="margin-left: 1em;">If he has been loved in life with passion.</span></p>
+
+<p>The living lover he battled with sighs,<br />
+<span style="margin-left: 1em;">He strove for the woman with words that burned,</span><br />
+While stiff and stark lay the corpse in the dark,<br />
+<span style="margin-left: 1em;">And silently yearned and yearned and yearned.</span><br />
+One spoke of the rapture that life still held<br />
+<span style="margin-left: 1em;">For hearts that yielded to love's desire,</span><br />
+And one through the cold grave's earthy mold<br />
+<span style="margin-left: 1em;">Sent thoughts of a past that were fraught with fire.</span></p>
+
+<p>The living lover seized hold of her hands&mdash;<br />
+<span style="margin-left: 1em;">"You are mine," he cried, "and we will not part!"</span><br />
+But she felt the clutch of the dead man's touch<br />
+<span style="margin-left: 1em;">On the tense-drawn strings of her aching heart.</span><br />
+Yet the touch was of ice, and she shrank with fear&mdash;<br />
+<span style="margin-left: 1em;">Oh! the hands of the dead are cold, so cold&mdash;</span><br />
+And warm were the arms that waited near<br />
+<span style="margin-left: 1em;">To gather her close in their clinging fold.</span></p>
+
+<p>And warm was the light in the living eyes,<br />
+<span style="margin-left: 1em;">But the eyes of the dead, how they stare and stare!</span><br />
+With sudden surrender she turned to the tender<br />
+<span style="margin-left: 1em;">And passionate lover who wooed her there.</span><br />
+Farewell to sorrow, hail, sweet to-morrow!<br />
+<span style="margin-left: 1em;">The battle was over, the duel was done.</span><br />
+They swooned in the blisses of love's fond kisses,<br />
+<span style="margin-left: 1em;">And the dead man stared on in the dark alone.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Love_Thyself_Last" id="Love_Thyself_Last"></a><b>"Love Thyself Last"</b></h2>
+
+
+<p>Love thyself last. Look near, behold thy duty<br />
+<span style="margin-left: 1em;">To those who walk beside thee down life's road;</span><br />
+Make glad their days by little acts of beauty,<br />
+<span style="margin-left: 1em;">And help them bear the burden of earth's load.</span></p>
+
+<p>Love thyself last. Look far and find the stranger,<br />
+<span style="margin-left: 1em;">Who staggers 'neath his sin and his despair;</span><br />
+Go lend a hand, and lead him out of danger,<br />
+<span style="margin-left: 1em;">To hights where he may see the world is fair.</span></p>
+
+<p>Love thyself last. The vastnesses above thee<br />
+<span style="margin-left: 1em;">Are filled with Spirit Forces, strong and pure.</span><br />
+And fervently, these faithful friends shall love thee:<br />
+<span style="margin-left: 1em;">Keep thou thy watch o'er others and endure.</span></p>
+
+<p>Love thyself last; and oh, such joy shall thrill thee,<br />
+<span style="margin-left: 1em;">As never yet to selfish souls was given.</span><br />
+Whate'er thy lot, a perfect peace will fill thee,<br />
+<span style="margin-left: 1em;">And earth shall seem the ante-room of Heaven.</span></p>
+
+<p>Love thyself last, and them shall grow in spirit<br />
+<span style="margin-left: 1em;">To see, to hear, to know, and understand.</span><br />
+The message of the stars, lo, thou shall hear it,<br />
+<span style="margin-left: 1em;">And all God's joys shall be at thy command.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Christmas_Fancies" id="Christmas_Fancies"></a><b>Christmas Fancies</b></h2>
+
+
+<p>When Christmas bells are swinging above the fields of snow,<br />
+We hear sweet voices ringing from lands of long ago.<br />
+<span style="margin-left: 4em;">And etched on vacant places,</span><br />
+<span style="margin-left: 4em;">Are half forgotten faces</span><br />
+Of friends we used to cherish, and loves we used to know&mdash;<br />
+When Christmas bells are swinging above the fields of snow.</p>
+
+<p>Uprising from the ocean of the present surging near,<br />
+We see, with strange emotion that is not free from fear,<br />
+<span style="margin-left: 4em;">That continent Elysian</span><br />
+<span style="margin-left: 4em;">Long vanished from our vision,</span><br />
+Youth's lovely lost Atlantis, so mourned for and so dear,<br />
+Uprising from the ocean of the present surging near.</p>
+
+<p>When gloomy gray Decembers are roused to Christmas mirth,<br />
+The dullest life remembers there once was joy on earth,<br />
+<span style="margin-left: 4em;">And draws from youth's recesses</span><br />
+<span style="margin-left: 4em;">Some memory it possesses,</span><br />
+And, gazing through the lens of time, exaggerates its worth,<br />
+When gloomy gray December is roused to Christmas mirth.</p>
+
+<p>When hanging up the holly or mistletoe, I wis<br />
+Each heart recalls some folly that lit the world with bliss.<br />
+<span style="margin-left: 4em;">Not all the seers and sages</span><br />
+<span style="margin-left: 4em;">With wisdom of the ages</span><br />
+Can give the mind such pleasure as memories of that kiss<br />
+When hanging up the holly or mistletoe, I wis.</p>
+
+<p>For life was made for loving, and love alone repays,<br />
+As passing years are proving for all of Time's sad ways.<br />
+<span style="margin-left: 4em;">There lies a sting in pleasure,</span><br />
+<span style="margin-left: 4em;">And fame gives shallow measure,</span><br />
+And wealth is but a phantom that mocks the restless days,<br />
+For life was made for loving, and only loving pays.</p>
+
+<p>When Christmas bells are pelting the air with silver chimes,<br />
+And silences are melting to soft, melodious rhymes,<br />
+<span style="margin-left: 4em;">Let Love, the world's beginning,</span><br />
+<span style="margin-left: 4em;">End fear and hate and sinning;</span><br />
+Let Love, the God Eternal, be worshiped in all climes<br />
+When Christmas bells are pelting the air with silver chimes.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_River" id="The_River"></a><b>The River</b></h2>
+
+
+<p>I am a river flowing from God's sea<br />
+Through devious ways. He mapped my course for me;<br />
+I cannot change it; mine alone the toil<br />
+To keep the waters free from grime and soil.<br />
+The winding river ends where it began;<br />
+And when my life has compassed its brief span<br />
+I must return to that mysterious source.<br />
+So let me gather daily on my course<br />
+The perfume from the blossoms as I pass,<br />
+Balm from the pines, and healing from the grass,<br />
+And carry down my current as I go<br />
+Not common stones but precious gems to show;<br />
+And tears (the holy water from sad eyes)<br />
+Back to God's sea, from which all rivers rise<br />
+Let me convey, not blood from wounded hearts,<br />
+Nor poison which the upas tree imparts.<br />
+When over flowery vales I leap with joy,<br />
+Let me not devastate them, nor destroy,<br />
+But rather leave them fairer to the sight;<br />
+Mine be the lot to comfort and delight.<br />
+And if down awful chasms I needs must leap<br />
+Let me not murmur at my lot, but sweep<br />
+On bravely to the end without one fear,<br />
+Knowing that He who planned my ways stands near.<br />
+Love sent me forth, to Love I go again,<br />
+For Love is all, and over all. Amen.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Sorry" id="Sorry"></a><b>Sorry</b></h2>
+
+
+<p>There is much that makes me sorry as I journey down life's way.<br />
+And I seem to see more pathos in poor human lives each day.<br />
+I'm sorry for the strong brave men, who shield the weak from harm,<br />
+But who, in their own troubled hours find no protecting arm.</p>
+
+<p>I am sorry for the victors who have reached success, to stand<br />
+As targets for the arrows shot by envious failure's hand.<br />
+I'm sorry for the generous hearts who freely shared their wine,<br />
+But drink alone the gall of tears in fortune's drear decline.</p>
+
+<p>I'm sorry for the souls who build their own fame's funeral pyre,<br />
+Derided by the scornful throng like ice deriding fire.<br />
+I'm sorry for the conquering ones who know not sin's defeat,<br />
+But daily tread down fierce desire 'neath scorched and bleeding feet.</p>
+
+<p>I'm sorry for the anguished hearts that break with passion's strain,<br />
+But I'm sorrier for the poor starved souls that never knew love's pain.<br />
+Who hunger on through barren years not tasting joys they crave,<br />
+For sadder far is such a lot than weeping o'er a grave.</p>
+
+<p>I'm sorry for the souls that come unwelcomed into birth,<br />
+I'm sorry for the unloved old who cumber up the earth.<br />
+I'm sorry for the suffering poor in life's great maelstrom hurled,<br />
+In truth I'm sorry for them all who make this aching world.</p>
+
+<p>But underneath whate'er seems sad and is not understood,<br />
+I know there lies hid from our sight a mighty germ of good.<br />
+And this belief stands firm by me, my sermon, motto, text&mdash;<br />
+The sorriest things in this life will seem grandest in the next.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Old_Wooden_Cradle" id="The_Old_Wooden_Cradle"></a><b>The Old Wooden Cradle</b></h2>
+
+
+<p>Good-bye to the cradle, the dear wooden cradle<br />
+<span style="margin-left: 1em;">The rude hand of Progress has thrust it aside.</span><br />
+No more to its motion o'er sleep's fairy ocean,<br />
+<span style="margin-left: 1em;">Our play-weary wayfarers peacefully glide.</span></p>
+
+<p>No more by the rhythm of slow-moving rocker,<br />
+<span style="margin-left: 1em;">Their sweet dreamy fancies are fostered and fed;</span><br />
+No more to low singing the cradle goes swinging&mdash;<br />
+<span style="margin-left: 1em;">The child of this era is put into bed.</span></p>
+
+<p>Good-bye to the cradle, the dear wooden cradle,<br />
+<span style="margin-left: 1em;">It lent to the twilight a strange, subtle charm;</span><br />
+When bees left the clover, when play-time was over,<br />
+<span style="margin-left: 1em;">How safe seemed this shelter from danger or harm.</span></p>
+
+<p>How soft seemed the pillow, how distant the ceiling,<br />
+<span style="margin-left: 1em;">How weird were the voices that whispered around,</span><br />
+What dreams would come flocking, as rocking and rocking,<br />
+<span style="margin-left: 1em;">We floated away into slumber profound.</span></p>
+
+<p>Good-bye to the cradle, the old wooden cradle,<br />
+<span style="margin-left: 1em;">The babe of to-day does not know it by sight.</span><br />
+When day leaves the border, with system and order,<br />
+<span style="margin-left: 1em;">The child goes to bed and we put out the light.</span></p>
+
+<p>I bow to Progression and ask no concession,<br />
+<span style="margin-left: 1em;">Though strewn be her pathway with wrecks of the past;</span><br />
+So off with old lumber, that sweet ark of slumber,<br />
+<span style="margin-left: 1em;">The old wooden cradle, is ruthlessly cast.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Ambitions_Trail" id="Ambitions_Trail"></a><b>Ambition's Trail</b></h2>
+
+
+<p>If all the end of this continuous striving<br />
+<span style="margin-left: 2em;">Were simply <i>to attain</i>,</span><br />
+How poor would seem the planning and contriving<br />
+The endless urging and the hurried driving<br />
+<span style="margin-left: 4em;">Of body, heart and brain!</span></p>
+
+<p>But ever in the wake of true achieving,<br />
+<span style="margin-left: 2em;">There shines this glowing trail&mdash;</span><br />
+Some other soul will be spurred on, conceiving,<br />
+New strength and hope, in its own power believing,<br />
+<span style="margin-left: 4em;">Because <i>thou</i> didst not fail.</span></p>
+
+<p>Not thine alone the glory, nor the sorrow,<br />
+<span style="margin-left: 2em;">If thou doth miss the goal,</span><br />
+Undreamed of lives in many a far to-morrow<br />
+From thee their weakness or their force shall borrow&mdash;<br />
+<span style="margin-left: 4em;">On, on, ambitious soul.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Traveled_Man" id="The_Traveled_Man"></a><b>The Traveled Man</b></h2>
+
+
+<p>Sometimes I wish the railroads all were torn out,<br />
+<span style="margin-left: 1em;">The ships all sunk among the coral strands.</span><br />
+I am so very weary, yea so worn out,<br />
+<span style="margin-left: 1em;">With tales of those who visit foreign lands.</span></p>
+
+<p>When asked to dine, to meet these traveled people,<br />
+<span style="margin-left: 1em;">My soup seems brewed from cemetery bones.</span><br />
+The fish grows cold on some cathedral steeple,<br />
+<span style="margin-left: 1em;">I miss two courses while I stare at thrones.</span></p>
+
+<p>I'm forced to leave my salad quite untasted,<br />
+<span style="margin-left: 1em;">Some musty, moldy temple to explore.</span><br />
+The ices, fruit and coffee all are wasted<br />
+<span style="margin-left: 1em;">While into realms of ancient art I soar.</span></p>
+
+<p>I'd rather take my chance of life and reason,<br />
+<span style="margin-left: 1em;">If in a den of roaring lions hurled</span><br />
+Than for a single year, ay, for one season,<br />
+<span style="margin-left: 1em;">To dwell with folks who'd traveled round the world.</span></p>
+
+<p>So patronizing are they, so oppressive,<br />
+<span style="margin-left: 1em;">With pity for the ones who stay at home,</span><br />
+So mighty is their knowledge so aggressive,<br />
+<span style="margin-left: 1em;">I ofttimes wish they had not <i>ceased</i> to roam.</span></p>
+
+<p>They loathe the new, they quite detest the present;<br />
+<span style="margin-left: 1em;">They revel in a pre-Columbian morn;</span><br />
+Just dare to say America is pleasant,<br />
+<span style="margin-left: 1em;">And die beneath the glances of their scorn.</span></p>
+
+<p>They are increasing at a rate alarming,<br />
+<span style="margin-left: 1em;">Go where I will, the traveled man is there.</span><br />
+And now I think that rustic wholly charming<br />
+<span style="margin-left: 1em;">Who has not strayed beyond his meadows fair.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Uncontrolled" id="Uncontrolled"></a><b>Uncontrolled</b></h2>
+
+
+<p>The mighty forces of mysterious space<br />
+<span style="margin-left: 1em;">Are one by one subdued by lordly man.</span><br />
+<span style="margin-left: 1em;">The awful lightning that for eons ran</span><br />
+Their devastating and untrammeled race,<br />
+Now bear his messages from place to place<br />
+<span style="margin-left: 1em;">Like carrier doves. The winds lead on his van;</span><br />
+<span style="margin-left: 1em;">The lawless elements no longer can</span><br />
+Resist his strength, but yield with sullen grace.</p>
+
+<p>His bold feet scaling heights before untrod,<br />
+<span style="margin-left: 1em;">Light, darkness, air and water, heat and cold</span><br />
+<span style="margin-left: 2em;">He bids go forth and bring him power and pelf.</span><br />
+And yet though ruler, king and demi-god<br />
+<span style="margin-left: 1em;">He walks with his fierce passions uncontrolled</span><br />
+<span style="margin-left: 2em;">The conquerer of all things&mdash;save himself.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Tulip_Bed_At_Greeley_Square" id="The_Tulip_Bed_At_Greeley_Square"></a><b>The Tulip Bed At Greeley Square</b></h2>
+
+
+<p>You know that oasis, fresh and fair<br />
+In the city desert, as Greeley square?</p>
+
+<p>That bright triangle of scented bloom<br />
+That lies surrounded by grime and gloom?</p>
+
+<p>Right in the breast of the seething town<br />
+Like a gleaming gem or a wanton's gown?</p>
+
+<p>Ah, wonderful things that tulip bed<br />
+Unto my listening soul has said.</p>
+
+<p>Over the rattle and roar of the street<br />
+I hear a chorus of voices sweet,</p>
+
+<p>Day and night, when I pass that way,<br />
+And these are the things the voices say:</p>
+
+<p>"Here, in the heart of the foolish strife,<br />
+We live a simple and natural life.</p>
+
+<p>"Here, in the midst of the clash and din,<br />
+We know what it is to be calm within.</p>
+
+<p>"Here, environed by sin and shame,<br />
+We do what we can with our pure white flame.</p>
+
+<p>"We do what we can with our bloom and grace,<br />
+To make the city a fairer place.</p>
+
+<p>"It is well to be good though the world is vile,<br />
+And so through the dust and the smoke we smile,</p>
+
+<p>"We are but atoms in chaos tossed,<br />
+Yet never a purpose for truth was lost."</p>
+
+<p>Ah, many a sermon is uttered there<br />
+By the bed of blossoms in Greeley square.</p>
+
+<p>And he who listens and hears aright,<br />
+Is better equipped for the world's hard fight.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Will" id="Will"></a><b>Will</b></h2>
+
+
+<p><span style="margin-left: 1em;">You will be what you will to be;</span><br />
+Let failure find its false content<br />
+In that poor word "environment,"<br />
+<span style="margin-left: 1em;">But spirit scorns it, and is free,</span></p>
+
+<p><span style="margin-left: 1em;">It masters time, it conquers space,</span><br />
+It cows that boastful trickster Chance,<br />
+And bids the tyrant Circumstance<br />
+<span style="margin-left: 1em;">Uncrown and fill a servant's place.</span></p>
+
+<p><span style="margin-left: 1em;">The human Will, that force unseen,</span><br />
+The offspring of a deathless Soul,<br />
+Can hew the way to any goal,<br />
+<span style="margin-left: 1em;">Though walls of granite intervene.</span></p>
+
+<p><span style="margin-left: 1em;">Be not impatient in delay,</span><br />
+But wait as one who understands;<br />
+When spirit rises and commands,<br />
+<span style="margin-left: 1em;">The gods are ready to obey.</span></p>
+
+<p><span style="margin-left: 1em;">The river seeking for the sea</span><br />
+Confronts the dam and precipice,<br />
+Yet knows it cannot fail or miss;<br />
+<span style="margin-left: 1em;"><i>You will be what you will to be!</i></span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="To_An_Astrologer" id="To_An_Astrologer"></a><b>To An Astrologer</b></h2>
+
+
+<p>Nay, seer, I do not doubt thy mystic lore,<br />
+Nor question that the tenor of my life,<br />
+Past, present and the future, is revealed<br />
+There in my horoscope. I do believe<br />
+That yon dead moon compels the haughty seas<br />
+To ebb and flow, and that my natal star<br />
+Stands like a stern-browed sentinel in space<br />
+And challenges events; nor lets one grief,<br />
+Or joy, or failure, or success, pass on<br />
+To mar or bless my earthly lot, until<br />
+It proves its Karmic right to come to me.</p>
+
+<p>All this I grant, but more than this I <i>know</i>!<br />
+Before the solar systems were conceived,<br />
+When nothing was but the unnamable,<br />
+My spirit lived, an atom of the Cause.<br />
+Through countless ages and in many forms<br />
+It has existed, ere it entered in<br />
+This human frame to serve its little day<br />
+Upon the earth. The deathless Me of me,<br />
+The spark from that great all-creative fire<br />
+Is part of that eternal source called God,<br />
+And mightier than the universe.</p>
+
+<p><span style="margin-left: 12em;">Why, he</span><br />
+Who knows, and knowing, never once forgets<br />
+The pedigree divine of his own soul,<br />
+Can conquer, shape and govern destiny<br />
+And use vast space as 'twere a board for chess<br />
+With stars for pawns; can change his horoscope<br />
+To suit his will; turn failure to success,<br />
+And from preordained sorrows, harvest joy.</p>
+
+<p>There is no puny planet, sun or moon,<br />
+Or zodiacal sign which can control<br />
+The God in us! If we bring <i>that</i> to bear<br />
+Upon events, we mold them to our wish,<br />
+'Tis when the infinite 'neath the finite gropes<br />
+That men are governed by their horoscopes.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Tendrils_Faith" id="The_Tendrils_Faith"></a><b>The Tendril's Faith</b></h2>
+
+
+<p>Under the snow in the dark and the cold,<br />
+<span style="margin-left: 1em;">A pale little sprout was humming;</span><br />
+Sweetly it sang, 'neath the frozen mold,<br />
+<span style="margin-left: 1em;">Of the beautiful days that were coming.</span></p>
+
+<p>"How foolish your songs," said a lump of clay,<br />
+<span style="margin-left: 1em;">"What is there, I ask, to prove them?</span><br />
+Just look at the walls between you and the day,<br />
+<span style="margin-left: 1em;">Now, have you the strength to move them?"</span></p>
+
+<p>But under the ice and under the snow<br />
+<span style="margin-left: 1em;">The pale little sprout kept singing,</span><br />
+"I cannot tell how, but I know, I know,<br />
+<span style="margin-left: 1em;">I know what the days are bringing."</span></p>
+
+<p>"Birds, and blossoms, and buzzing bees,<br />
+<span style="margin-left: 1em;">Blue, blue skies above me,</span><br />
+Bloom on the meadows and buds on the trees,<br />
+<span style="margin-left: 1em;">And the great glad sun to love me."</span></p>
+
+<p>A pebble spoke next: "You are quite absurd."<br />
+<span style="margin-left: 1em;">It said, "with your song's insistence;</span><br />
+For <i>I</i> never saw a tree or a bird,<br />
+<span style="margin-left: 1em;">So of course there are none in existence."</span></p>
+
+<p>"But I know, I know," the tendril cried,<br />
+<span style="margin-left: 1em;">In beautiful sweet unreason;</span><br />
+Till lo! from its prison, glorified,<br />
+<span style="margin-left: 1em;">It burst in the glad spring season.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Times" id="The_Times"></a><b>The Times</b></h2>
+
+
+<p><span style="margin-left: 1em;">The times are not degenerate. Man's faith</span><br />
+Mounts higher than of old. No crumbling creed<br />
+Can take from the immortal soul the need<br />
+<span style="margin-left: 1em;">Of that supreme Creator, God. The wraith</span><br />
+Of dead beliefs we cherished in our youth<br />
+Fades but to let us welcome new-born Truth.</p>
+
+<p><span style="margin-left: 1em;">Man may not worship at the ancient shrine</span><br />
+Prone on his face, in self-accusing scorn.<br />
+That night is past. He hails a fairer morn,<br />
+<span style="margin-left: 1em;">And knows himself a something all divine;</span><br />
+No humble worm whose heritage is sin,<br />
+But, born of God, he feels the Christ within.</p>
+
+<p><span style="margin-left: 1em;">Not loud his prayers, as in the olden time,</span><br />
+But deep his reverence for that mighty force.<br />
+That occult working of the great all Source,<br />
+<span style="margin-left: 1em;">Which makes the present era so sublime.</span><br />
+Religion now means something high and broad,<br />
+And man stood never half so near to God.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Question" id="The_Question"></a><b>The Question</b></h2>
+
+
+<p>Beside us in our seeking after pleasures,<br />
+<span style="margin-left: 1em;">Through all our restless striving after fame,</span><br />
+Through all our search for worldly gains and treasures,<br />
+<span style="margin-left: 1em;">There walketh one whom no man likes to name.</span><br />
+Silent he follows, veiled of form and feature,<br />
+<span style="margin-left: 1em;">Indifferent if we sorrow or rejoice,</span><br />
+Yet that day comes when every living creature<br />
+<span style="margin-left: 1em;">Must look upon his face and hear his voice.</span></p>
+
+<p>When that day comes to you, and Death, unmasking,<br />
+<span style="margin-left: 1em;">Shall bar your path, and say, "Behold the end,"</span><br />
+What are the questions that he will be asking<br />
+<span style="margin-left: 1em;">About your past? Have you considered, friend?</span><br />
+I think he will not chide you for your sinning,<br />
+<span style="margin-left: 1em;">Nor for your creeds or dogmas will he care;</span><br />
+He will but ask, "<i>From your life's first beginning</i><br />
+<span style="margin-left: 1em;"><i>How many burdens have you helped to bear</i>?"</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Sorrows_Uses" id="Sorrows_Uses"></a><b>Sorrow's Uses</b></h2>
+
+
+<p>The uses of sorrow I comprehend<br />
+Better and better at each year's end.</p>
+
+<p>Deeper and deeper I seem to see<br />
+Why and wherefore it has to be.</p>
+
+<p>Only after the dark, wet days<br />
+Do we fully rejoice in the sun's bright rays.</p>
+
+<p>Sweeter the crust tastes after the fast<br />
+Than the sated gourmand's finest repast.</p>
+
+<p>The faintest cheer sounds never amiss<br />
+To the actor who once has heard a hiss.</p>
+
+<p>To one who the sadness of freedom knows,<br />
+Light seem the fetters love may impose.</p>
+
+<p>And he who has dwelt with his heart alone,<br />
+Hears all the music in friendship's tone.</p>
+
+<p>So better and better I comprehend,<br />
+How sorrow ever would be our friend.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="If" id="If"></a><b>If</b></h2>
+
+
+<p>Twixt what thou art, and what thou wouldst be, let<br />
+No "If" arise on which to lay the blame.<br />
+Man makes a mountain of that puny word,<br />
+But, like a blade of grass before the scythe,<br />
+It falls and withers when a human will,<br />
+Stirred by creative force, sweeps toward its aim.</p>
+
+<p>Thou wilt be what thou couldst be. Circumstance<br />
+Is but the toy of genius. When a soul<br />
+Burns with a god-like purpose to achieve,<br />
+All obstacles between it and its goal<br />
+Must vanish as the dew before the sun.</p>
+
+<p>"If" is the motto of the dilettante<br />
+And idle dreamer; 'tis the poor excuse<br />
+Of mediocrity. The truly great<br />
+Know not the word, or know it but to scorn,<br />
+Else had Joan of Arc a peasant died,<br />
+Uncrowned by glory and by men unsung.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Which_Are_You" id="Which_Are_You"></a><b>Which Are You?</b></h2>
+
+
+<p>There are two kinds of people on earth to-day;<br />
+Just two kinds of people, no more, I say.</p>
+
+<p>Not the sinner and the saint, for it's well understood,<br />
+The good are half bad and the bad are half good.</p>
+
+<p>Not the rich and the poor, for to rate a man's wealth,<br />
+You must first know the state of his conscience and health.</p>
+
+<p>Not the humble and proud, for in life's little span,<br />
+Who puts on vain airs, is not counted a man.</p>
+
+<p>Not the happy and sad, for the swift flying years<br />
+Bring each man his laughter and each man his tears.</p>
+
+<p>No; the two kinds of people on earth I mean,<br />
+Are the people who lift, and the people who lean.</p>
+
+<p>Wherever you go, you will find the earth's masses,<br />
+Are always divided in just these two classes.</p>
+
+<p>And oddly enough, you will find too, I ween,<br />
+There's only one lifter to twenty who lean.</p>
+
+<p>In which class are you? Are you easing the load,<br />
+Of overtaxed lifters, who toil down the road?</p>
+
+<p>Or are you a leaner, who lets others share<br />
+Your portion of labor, and worry and care?</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Creed_To_Be" id="The_Creed_To_Be"></a><b>The Creed To Be</b></h2>
+
+
+<p>Our thoughts are molding unmade spheres,<br />
+<span style="margin-left: 1em;">And, like a blessing or a curse,</span><br />
+They thunder down the formless years,<br />
+<span style="margin-left: 1em;">And ring throughout the universe.</span></p>
+
+<p>We build our futures, by the shape<br />
+<span style="margin-left: 1em;">Of our desires, and not by acts.</span><br />
+There is no pathway of escape;<br />
+<span style="margin-left: 1em;">No priest-made creeds can alter facts.</span></p>
+
+<p>Salvation is not begged or bought;<br />
+<span style="margin-left: 1em;">Too long this selfish hope sufficed;</span><br />
+Too long man reeked with lawless thought,<br />
+<span style="margin-left: 1em;">And leaned upon a tortured Christ.</span></p>
+
+<p>Like shriveled leaves, these worn out creeds<br />
+<span style="margin-left: 1em;">Are dropping from Religion's tree;</span><br />
+The world begins to know its needs,<br />
+<span style="margin-left: 1em;">And souls are crying to be free.</span></p>
+
+<p>Free from the load of fear and grief,<br />
+<span style="margin-left: 1em;">Man fashioned in an ignorant age;</span><br />
+Free from the ache of unbelief<br />
+<span style="margin-left: 1em;">He fled to in rebellious rage.</span></p>
+
+<p>No church can bind him to the things<br />
+<span style="margin-left: 1em;">That fed the first crude souls, evolved;</span><br />
+For, mounting up on daring wings,<br />
+<span style="margin-left: 1em;">He questions mysteries all unsolved.</span></p>
+
+<p>Above the chant of priests, above<br />
+<span style="margin-left: 1em;">The blatant voice of braying doubt,</span><br />
+He hears the still, small voice of Love,<br />
+<span style="margin-left: 1em;">Which sends its simple message out.</span></p>
+
+<p>And clearer, sweeter, day by day,<br />
+<span style="margin-left: 1em;">Its mandate echoes from the skies,</span><br />
+"Go roll the stone of self away,<br />
+<span style="margin-left: 1em;">And let the Christ within thee rise."</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Music_In_The_Flat" id="Music_In_The_Flat"></a><b>Music In The Flat</b></h2>
+
+
+<p>When Tom and I were married, we took a little flat;<br />
+I had a taste for singing and playing and all that.<br />
+And Tom, who loved to hear me, said he hoped I would not stop<br />
+All practice, like so many wives who let their music drop.<br />
+So I resolved to set apart an hour or two each day<br />
+To keeping vocal chords and hands in trim to sing and play.</p>
+
+<p>The second morning I had been for half an hour or more<br />
+At work on Haydn's masses, when a tap came at my door.<br />
+A nurse who wore a dainty cap and apron, and a smile,<br />
+Ran down to ask if I would cease my music for awhile.<br />
+The lady in the flat above was very ill, she said,<br />
+And the sound of my piano was distracting to her head.</p>
+
+<p>A fortnight's exercises lost, ere I began them, when,<br />
+The following morning at my door, there came that tap again;<br />
+A woman with an anguished face implored me to forego<br />
+My music for some days to come&mdash;a man was dead below.<br />
+I shut down my piano till the corpse had left the house,<br />
+And spoke to Tom in whispers and was quiet as a mouse.</p>
+
+<p>A week of labor limbered up my stiffened hand and voice,<br />
+I stole an extra hour from sleep, to practice and rejoice;<br />
+When, ting-a-ling, the door-bell rang a discord in my trill&mdash;<br />
+The baby in the flat across was very, very ill.<br />
+For ten long days that infant's life was hanging by a thread,<br />
+And all that time my instrument was silent as the dead.</p>
+
+<p>So pain and death and sickness came in one perpetual row,<br />
+When babies were not born above, then tenants died below.<br />
+The funeral over underneath, some one fell ill on top,<br />
+And begged me, for the love of God, to let my music drop.<br />
+When trouble went not up or down, it stalked across the hall,<br />
+And so in spite of my resolve, I do not play at all.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Inspiration" id="Inspiration"></a><b>Inspiration</b></h2>
+
+
+<p>Not like a daring, bold, aggressive boy,<br />
+<span style="margin-left: 1em;">Is inspiration, eager to pursue,</span><br />
+But rather like a maiden, fond, yet coy,<br />
+<span style="margin-left: 1em;">Who gives herself to him who best doth woo.</span></p>
+
+<p>Once she may smile, or thrice, thy soul to fire,<br />
+<span style="margin-left: 1em;">In passing by, but when she turns her face,</span><br />
+Thou must persist and seek her with desire,<br />
+<span style="margin-left: 1em;">If thou wouldst win the favor of her grace.</span></p>
+
+<p>And if, like some winged bird she cleaves the air,<br />
+<span style="margin-left: 1em;">And leaves thee spent and stricken on the earth,</span><br />
+Still must thou strive to follow even there,<br />
+<span style="margin-left: 1em;">That she may know thy valor and thy worth.</span></p>
+
+<p>Then shall she come unveiling all her charms,<br />
+<span style="margin-left: 1em;">Giving thee joy for pain, and smiles for tears;</span><br />
+Then shalt thou clasp her with possessing arms,<br />
+<span style="margin-left: 1em;">The while she murmurs music in thine ears.</span></p>
+
+<p>But ere her kiss has faded from thy cheek,<br />
+<span style="margin-left: 1em;">She shall flee from thee over hill and glade,</span><br />
+So must thou seek and ever seek and seek<br />
+<span style="margin-left: 1em;">For each new conquest of this phantom maid.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Wish" id="The_Wish"></a><b>The Wish</b></h2>
+
+
+<p>Should some great angel say to me to-morrow,<br />
+<span style="margin-left: 1em;">"Thou must re-tread thy pathway from the start,</span><br />
+But God will grant, in pity, for thy sorrow,<br />
+<span style="margin-left: 1em;">Some one dear wish, the nearest to thy heart."</span></p>
+
+<p>This were my wish! from my life's dim beginning<br />
+<span style="margin-left: 1em;"><i>Let be what has been!</i> wisdom planned the whole;</span><br />
+My want, my woe, my errors, and my sinning,<br />
+<span style="margin-left: 1em;">All, all were needed lessons for my soul.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Three_Friends" id="Three_Friends"></a><b>Three Friends</b></h2>
+
+
+<p>Of all the blessings which my life has known,<br />
+I value most, and most praise God for three:<br />
+Want, Loneliness and Pain, those comrades true,</p>
+
+<p>Who, masqueraded in the garb of foes<br />
+For many a year, and filled my heart with dread.<br />
+Yet fickle joys, like false, pretentious friends,<br />
+Have proved less worthy than this trio. First,</p>
+
+<p>Want taught me labor, led me up the steep<br />
+And toilsome paths to hills of pure delight,<br />
+Trod only by the feet that know fatigue,<br />
+And yet press on until the heights appear.</p>
+
+<p>Then loneliness and hunger of the heart<br />
+Sent me upreaching to the realms of space,<br />
+Till all the silences grew eloquent,<br />
+And all their loving forces hailed me friend.</p>
+
+<p>Last, pain taught prayer! placed in my hand the staff<br />
+Of close communion with the over-soul,<br />
+That I might lean upon it till the end,<br />
+And find myself made strong for any strife.</p>
+
+<p>And then these three who had pursued my steps<br />
+Like stern, relentless foes, year after year,<br />
+Unmasked, and turned their faces full on me,<br />
+And lo! they were divinely beautiful,<br />
+For through them shone the lustrous eyes of Love.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="You_Never_Can_Tell" id="You_Never_Can_Tell"></a><b>You Never Can Tell</b></h2>
+
+
+<p>You never can tell when you send a word,<br />
+<span style="margin-left: 1em;">Like an arrow shot from a bow</span><br />
+By an archer blind, be it cruel or kind,<br />
+<span style="margin-left: 1em;">Just where it may chance to go.</span><br />
+It may pierce the breast of your dearest friend.<br />
+<span style="margin-left: 1em;">Tipped with its poison or balm,</span><br />
+To a stranger's heart in life's great mart,<br />
+<span style="margin-left: 1em;">It may carry its pain or its calm.</span></p>
+
+<p>You never can tell when you do an act<br />
+<span style="margin-left: 1em;">Just what the result will be;</span><br />
+But with every deed you are sowing a seed,<br />
+<span style="margin-left: 1em;">Though the harvest you may not see.</span><br />
+Each kindly act is an acorn dropped<br />
+<span style="margin-left: 1em;">In God's productive soil</span><br />
+You may not know, but the tree shall grow,<br />
+<span style="margin-left: 1em;">With shelter for those who toil.</span></p>
+
+<p>You never can tell what your thoughts will do,<br />
+<span style="margin-left: 1em;">In bringing you hate or love;</span><br />
+For thoughts are things, and their airy wings<br />
+<span style="margin-left: 1em;">Are swifter than carrier doves.</span><br />
+They follow the law of the universe&mdash;<br />
+<span style="margin-left: 1em;">Each thing must create its kind,</span><br />
+And they speed o'er the track to bring you back<br />
+<span style="margin-left: 1em;"><i>Whatever went out from your mind</i>.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Here_And_Now" id="Here_And_Now"></a><b>Here And Now</b></h2>
+
+
+<p>Here, in the heart of the world,<br />
+<span style="margin-left: 1em;">Here, in the noise and the din,</span><br />
+Here, where our spirits were hurled<br />
+<span style="margin-left: 1em;">To battle with sorrow and sin,</span><br />
+This is the place and the spot<br />
+<span style="margin-left: 1em;">For knowledge of infinite things;</span><br />
+This is the kingdom where Thought<br />
+<span style="margin-left: 1em;">Can conquer the prowess of kings.</span></p>
+
+<p>Wait for no heavenly life,<br />
+<span style="margin-left: 1em;">Seek for no temple alone;</span><br />
+Here, in the midst of the strife,<br />
+<span style="margin-left: 1em;">Know what the sages have known.</span><br />
+See what the Perfect Ones saw&mdash;<br />
+<span style="margin-left: 1em;">God in the depth of each soul,</span><br />
+God as the light and the law,<br />
+<span style="margin-left: 1em;">God as beginning and goal.</span></p>
+
+<p>Earth is one chamber of Heaven,<br />
+<span style="margin-left: 1em;">Death is no grander than birth.</span><br />
+Joy in the life that was given,<br />
+<span style="margin-left: 1em;">Strive for perfection on earth.</span><br />
+Here, in the turmoil and roar,<br />
+<span style="margin-left: 1em;">Show what it is to be calm;</span><br />
+Show how the spirit can soar<br />
+<span style="margin-left: 1em;">And bring back its healing and balm.</span></p>
+
+<p>Stand not aloof nor apart,<br />
+<span style="margin-left: 1em;">Plunge in the thick of the fight.</span><br />
+There in the street and the mart,<br />
+<span style="margin-left: 1em;">That is the place to do right.</span><br />
+Not in some cloister or cave,<br />
+<span style="margin-left: 1em;">Not in some kingdom above,</span><br />
+Here, on this side of the grave,<br />
+<span style="margin-left: 1em;">Here, should we labor and love.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Unconquered" id="Unconquered"></a><b>Unconquered</b></h2>
+
+
+<p>However skilled and strong art thou, my foe,<br />
+However fierce is thy relentless hate<br />
+Though firm thy hand, and strong thy aim, and straight<br />
+Thy poisoned arrow leaves the bended bow,<br />
+To pierce the target of my heart, ah! know<br />
+I am the master yet of my own fate.<br />
+Thou canst not rob me of my best estate,<br />
+Though fortune, fame and friends, yea love shall go.</p>
+
+<p>Not to the dust shall my true self be hurled;<br />
+Nor shall I meet thy worst assaults dismayed.<br />
+When all things in the balance are well weighed,<br />
+There is but one great danger in the world&mdash;<br />
+<i>Thou canst not force my soul to wish thee ill</i>,<br />
+That is the only evil that can kill.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="All_That_Love_Asks" id="All_That_Love_Asks"></a><b>All That Love Asks</b></h2>
+
+
+<p><span style="margin-left: 1em;">"All that I ask," says Love, "is just to stand</span><br />
+And gaze, unchided, deep in thy dear eyes;<br />
+For in their depths lies largest Paradise.<br />
+<span style="margin-left: 1em;">Yet, if perchance one pressure of thy hand</span><br />
+Be granted me, then joy I thought complete<br />
+<span style="margin-left: 5em;">Were still more sweet."</span></p>
+
+<p><span style="margin-left: 1em;">"All that I ask," says Love, "all that I ask,</span><br />
+Is just thy hand clasp. Could I brush thy cheek<br />
+As zephyrs brush a rose leaf, words are weak<br />
+<span style="margin-left: 1em;">To tell the bliss in which my soul would bask.</span><br />
+There is no language but would desecrate<br />
+<span style="margin-left: 5em;">A joy so great."</span></p>
+
+<p><span style="margin-left: 1em;">"All that I ask, is just one tender touch</span><br />
+Of that soft cheek. Thy pulsing palm in mine,<br />
+Thy dark eyes lifted in a trust divine<br />
+<span style="margin-left: 1em;">And those curled lips that tempt me overmuch</span><br />
+Turned where I may not seize the supreme bliss<br />
+<span style="margin-left: 5em;">Of one mad kiss.</span></p>
+
+<p><span style="margin-left: 1em;">"All that I ask," says Love, "of life, of death,</span><br />
+Or of high heaven itself, is just to stand,<br />
+Glance melting into glance, hand twined in hand,<br />
+<span style="margin-left: 1em;">The while I drink the nectar of thy breath,</span><br />
+In one sweet kiss, but one, of all thy store,<br />
+<span style="margin-left: 5em;">I ask no more."</span></p>
+
+<p><span style="margin-left: 1em;">"All that I ask"&mdash;nay, self-deceiving Love,</span><br />
+Reverse thy phrase, so thus the words may fall,<br />
+In place of "all I ask," say, "I ask all,"<br />
+<span style="margin-left: 1em;">All that pertains to earth or soars above,</span><br />
+All that thou wert, art, will be, body, soul,<br />
+<span style="margin-left: 5em;">Love asks the whole.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Does_It_Pay" id="Does_It_Pay"></a><b>Does It Pay</b></h2>
+
+
+<p>If one poor burdened toiler o'er life's road,<br />
+<span style="margin-left: 1em;">Who meets us by the way,</span><br />
+Goes on less conscious of his galling load,<br />
+<span style="margin-left: 1em;">Then life indeed, does pay.</span></p>
+
+<p>If we can show one troubled heart the gain,<br />
+<span style="margin-left: 1em;">That lies alway in loss,</span><br />
+Why then, we too, are paid for all the pain<br />
+<span style="margin-left: 1em;">Of bearing life's hard cross.</span></p>
+
+<p>If some despondent soul to hope is stirred,<br />
+<span style="margin-left: 1em;">Some sad lip made to smile,</span><br />
+By any act of ours, or any word,<br />
+<span style="margin-left: 1em;">Then, life has been worth while.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Sestina" id="Sestina"></a><b>Sestina</b></h2>
+
+
+<p>I wandered o'er the vast green plains of youth,<br />
+And searched for Pleasure. On a distant height<br />
+Fame's silhouette stood sharp against the skies.<br />
+Beyond vast crowds that thronged a broad high-way<br />
+I caught the glimmer of a golden goal,<br />
+While from a blooming bower smiled siren Love.</p>
+
+<p>Straight gazing in her eyes, I laughed at Love,<br />
+With all the haughty insolence of youth,<br />
+As past her bower I strode to seek my goal.<br />
+"Now will I climb to glory's dizzy height,"<br />
+I said, "for there above the common way<br />
+Doth pleasure dwell companioned by the skies."</p>
+
+<p>But when I reached that summit near the skies,<br />
+So far from man I seemed, so far from Love&mdash;<br />
+"Not here," I cried, "doth Pleasure find her way,"<br />
+Seen from the distant borderland of youth.<br />
+Fame smiles upon us from her sun-kissed height,<br />
+But frowns in shadows when we reach the goal.</p>
+
+<p>Then were mine eyes fixed on that glittering goal,<br />
+Dear to all sense&mdash;sunk souls beneath the skies.<br />
+Gold tempts the artist from the lofty height,<br />
+Gold lures the maiden from the arms of Love,<br />
+Gold buys the fresh ingenuous heart of youth,<br />
+"And gold," I said, "will show me Pleasure's way."</p>
+
+<p>But ah! the soil and discord of that way,<br />
+Where savage hordes rushed headlong to the goal,<br />
+Dead to the best impulses of their youth,<br />
+Blind to the azure beauty of the skies;<br />
+Dulled to the voice of conscience and of love,<br />
+They wandered far from Truth's eternal height.</p>
+
+<p>Then Truth spoke to me from that noble height,<br />
+Saying: "Thou didst pass Pleasure on the way,<br />
+She with the yearning eyes so full of Love,<br />
+Whom thou disdained to seek for glory's goal."<br />
+Two blending paths beneath God's arching skies<br />
+Lead straight to Pleasure. Ah, blind heart of youth,<br />
+Not up fame's height, not toward the base god's goal,<br />
+Doth Pleasure make her way, but 'neath calm skies<br />
+Where Duty walks with Love in endless youth.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Optimist" id="The_Optimist"></a><b>The Optimist</b></h2>
+
+
+<p>The fields were bleak and sodden. Not a wing<br />
+Or note enlivened the depressing wood,<br />
+A soiled and sullen, stubborn snowdrift stood<br />
+Beside the roadway. Winds came muttering<br />
+Of storms to be, and brought the chilly sting<br />
+Of icebergs in their breath. Stalled cattle mooed<br />
+Forth plaintive pleadings for the earth's green food.<br />
+No gleam, no hint of hope in anything.</p>
+
+<p>The sky was blank and ashen, like the face<br />
+Of some poor wretch who drains life's cup too fast.<br />
+Yet, swaying to and fro, as if to fling<br />
+About chilled Nature its lithe arms of grace,<br />
+Smiling with promise in the wintry blast,<br />
+The optimistic Willow spoke of spring.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Pessimist" id="The_Pessimist"></a><b>The Pessimist</b></h2>
+
+
+<p>The pessimistic locust, last to leaf,<br />
+Though all the world is glad, still talks of grief.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Hammocks_Complaint" id="The_Hammocks_Complaint"></a><b>The Hammock's Complaint</b></h2>
+
+
+<p>Who thinks how desolate and strange<br />
+To me must seem the autumn's change,<br />
+When housed in attic or in chest,<br />
+A lonely and unwilling guest,<br />
+I lie through nights of bleak December,<br />
+And think in silence, and remember.</p>
+
+<p>I think of hempen fields, where I<br />
+Once played with insects floating by,<br />
+And joyed alike in sun and rain,<br />
+Unconscious of approaching pain.<br />
+I dwell upon my later lot,<br />
+Where, swung in some secluded spot<br />
+Between two tried and trusted trees,<br />
+All summer long I wooed the breeze.<br />
+With song of bee and call of bird<br />
+And lover's secrets overheard,<br />
+And sight and scent of blooming flowers,<br />
+To fill the happy sunlight's hours.<br />
+When verdant fields grow bare and brown,<br />
+When forest leaves come raining down,<br />
+When frost has mated with the weather<br />
+And all the birds go south together,<br />
+When drying boats turn up their keels,<br />
+Who wonders how the hammock feels?</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Lifes_Harmonies" id="Lifes_Harmonies"></a><b>Life's Harmonies</b></h2>
+
+
+<p>Let no man pray that he know not sorrow,<br />
+<span style="margin-left: 1em;">Let no soul ask to be free from pain,</span><br />
+For the gall of to-day is the sweet of to-morrow,<br />
+<span style="margin-left: 1em;">And the moment's loss is the lifetime's gain.</span></p>
+
+<p>Through want of a thing does its worth redouble,<br />
+<span style="margin-left: 1em;">Through hunger's pangs does the feast content,</span><br />
+And only the heart that has harbored trouble,<br />
+<span style="margin-left: 1em;">Can fully rejoice when joy is sent.</span></p>
+
+<p>Let no man shrink from the bitter tonics<br />
+<span style="margin-left: 1em;">Of grief, and yearning, and need, and strife,</span><br />
+For the rarest chords in the soul's harmonies,<br />
+<span style="margin-left: 1em;">Are found in the minor strains of life.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Preaching_vs_Practice" id="Preaching_vs_Practice"></a><b>Preaching vs. Practice</b></h2>
+
+
+<p>It is easy to sit in the sunshine<br />
+<span style="margin-left: 1em;">And talk to the man in the shade;</span><br />
+It is easy to float in a well-trimmed boat,<br />
+<span style="margin-left: 1em;">And point out the places to wade.</span></p>
+
+<p>But once we pass into the shadows,<br />
+<span style="margin-left: 1em;">We murmur and fret and frown,</span><br />
+And, our length from the bank, we shout for a plank,<br />
+<span style="margin-left: 1em;">Or throw up our hands and go down.</span></p>
+
+<p>It is easy to sit in your carriage,<br />
+<span style="margin-left: 1em;">And counsel the man on foot,</span><br />
+But get down and walk, and you'll change your talk,<br />
+<span style="margin-left: 1em;">As you feel the peg in your boot.</span></p>
+
+<p>It is easy to tell the toiler<br />
+<span style="margin-left: 1em;">How best he can carry his pack,</span><br />
+But no one can rate a burden's weight<br />
+<span style="margin-left: 1em;">Until it has been on his back.</span></p>
+
+<p>The up-curled mouth of pleasure,<br />
+<span style="margin-left: 1em;">Can prate of sorrow's worth,</span><br />
+But give it a sip, and a wryer lip,<br />
+<span style="margin-left: 1em;">Was never made on earth.</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="An_Old_Man_To_His_Sleeping_Young_Bride" id="An_Old_Man_To_His_Sleeping_Young_Bride"></a><b>An Old Man To His Sleeping Young Bride</b></h2>
+
+
+<p>As when the old moon lighted by the tender<br />
+<span style="margin-left: 1em;">And radiant crescent of the new is seen,</span><br />
+And for a moment's space suggests the splendor<br />
+<span style="margin-left: 1em;">Of what in its full prime it once has been,</span><br />
+So on my waning years you cast the glory<br />
+<span style="margin-left: 1em;">Of youth and pleasure, for a little hour;</span><br />
+And life again seems like an unread story,<br />
+<span style="margin-left: 1em;">And joy and hope both stir me with their power.</span></p>
+
+<p>Can blooming June be fond of bleak December?<br />
+<span style="margin-left: 1em;">I dare not wait to hear my heart reply.</span><br />
+I will forget the question&mdash;and remember<br />
+<span style="margin-left: 1em;">Alone the priceless feast spread for mine eye,</span><br />
+That radiant hair that flows across the pillows,<br />
+<span style="margin-left: 1em;">Like shimmering sunbeams over drifts of snow;</span><br />
+Those heaving breasts, like undulating billows,<br />
+<span style="margin-left: 1em;">Whose dangers or delights but Love can know.</span></p>
+
+<p>That crimson mouth from which sly Cupid borrowed<br />
+<span style="margin-left: 1em;">The pattern for his bow, nor asked consent;</span><br />
+That smooth, unruffled brow which has not sorrowed&mdash;<br />
+<span style="margin-left: 1em;">All these are mine; should I not be content?</span><br />
+Yet are these treasures mine, or only lent me?<br />
+<span style="margin-left: 1em;">And who shall claim them when I pass away?</span><br />
+Oh, jealous Fate, to torture and torment me<br />
+<span style="margin-left: 1em;">With thoughts like these in my too fleeting day!</span></p>
+
+<p>For while I gained the prize which all were seeking,<br />
+<span style="margin-left: 1em;">And won you with the ardor of my quest,</span><br />
+The bitter truth I know without your speaking&mdash;<br />
+<span style="margin-left: 1em;"><i>You only let me love you at the best</i>.</span><br />
+E'en while I lean and count my riches over,<br />
+<span style="margin-left: 1em;">And view with gloating eyes your priceless charms,</span><br />
+I know somewhere there dwells the unnamed lover<br />
+<span style="margin-left: 1em;">Who yet shall clasp you, willing, in his arms.</span></p>
+
+<p>And while my hands stray through your clustering tresses,<br />
+<span style="margin-left: 1em;">And while my lips are pressed upon your own,</span><br />
+This unseen lover waits for such caresses<br />
+<span style="margin-left: 1em;">As my poor hungering clay has never known,</span><br />
+And when some day, between you and your duty<br />
+<span style="margin-left: 1em;">A green grave lies, his love shall make you glad,</span><br />
+And you shall crown him with your splendid beauty&mdash;<br />
+<span style="margin-left: 1em;">Ah, God! ah, God! 'tis this way men go mad!</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="I_Am" id="I_Am"></a><b>I Am</b></h2>
+
+
+<p>I know not whence I came,<br />
+<span style="margin-left: 1em;">I know not whither I go;</span><br />
+But the fact stands clear that I am here<br />
+<span style="margin-left: 1em;">In this world of pleasure and woe.</span><br />
+And out of the mist and murk,<br />
+<span style="margin-left: 1em;">Another truth shines plain.</span><br />
+It is in my power each day and hour<br />
+<span style="margin-left: 1em;">To add to its joy or its pain.</span></p>
+
+<p>I know that the earth exists,<br />
+<span style="margin-left: 1em;">It is none of my business why.</span><br />
+I cannot find out what it's all about,<br />
+<span style="margin-left: 1em;">I would but waste time to try.</span><br />
+My life is a brief, brief thing,<br />
+<span style="margin-left: 1em;">I am here for a little space.</span><br />
+And while I stay I would like, if I may,<br />
+<span style="margin-left: 1em;">To brighten and better the place.</span></p>
+
+<p>The trouble, I think, with us all<br />
+<span style="margin-left: 1em;">Is the lack of a high conceit.</span><br />
+If each man thought he was sent to this spot<br />
+<span style="margin-left: 1em;">To make it a bit more sweet,</span><br />
+How soon we could gladden the world.<br />
+<span style="margin-left: 1em;">How easily right all wrong.</span><br />
+If nobody shirked, and each one worked<br />
+<span style="margin-left: 1em;">To help his fellows along.</span></p>
+
+<p>Cease wondering why you came&mdash;<br />
+<span style="margin-left: 1em;">Stop looking for faults and flaws.</span><br />
+Rise up to-day in your pride and say,<br />
+<span style="margin-left: 1em;">"I am part of the First Great Cause!</span><br />
+However full the world<br />
+<span style="margin-left: 1em;">There is room for an earnest man.</span><br />
+It had need of <i>me</i> or I would not be,<br />
+<span style="margin-left: 1em;">I am here to strengthen the plan."</span></p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Two_Nights" id="Two_Nights"></a><b>Two Nights</b></h2>
+
+<h3>(Suggested by the lives of Napoleon and Josephine.)</h3>
+
+<h3>I.</h3>
+
+<p>One night was full of rapture and delight&mdash;<br />
+<span style="margin-left: 1em;">Of reunited arms and swooning kisses,</span><br />
+<span style="margin-left: 1em;">And all the unnamed and unnumbered blisses</span><br />
+Which fond souls find in love of love at night.</p>
+
+<p>Heart beat with heart, and each clung into each<br />
+<span style="margin-left: 1em;">With twining arms that did but loose their hold</span><br />
+<span style="margin-left: 1em;">To cling still closer; and fond glances told</span><br />
+These truths for which there is no uttered speech.</p>
+
+<p>There was sweet laughter and endearing words,<br />
+<span style="margin-left: 1em;">Made broken by the kiss that could not wait,</span><br />
+<span style="margin-left: 1em;">And cooing sounds as of dear little birds</span><br />
+That in spring-time love and woo and mate.</p>
+
+<p>And languid sighs that breathed of love's content<br />
+And all too soon this night of rapture went.</p>
+
+
+<h3>II.</h3>
+
+<p>One night was full of anguish and of pain,<br />
+<span style="margin-left: 1em;">Of nerveless arms and mockery of kisses;</span><br />
+<span style="margin-left: 1em;">And those caresses where one sick heart misses</span><br />
+The quick response the other cannot feign.</p>
+
+<p>Hands idly clasped and unclasped, and lost hold,<br />
+<span style="margin-left: 1em;">And the averted eyes, that turned away,</span><br />
+<span style="margin-left: 1em;">And in whose depths no love nor longing lay,</span><br />
+The saddest of all truths too plainly told.</p>
+
+<p>There was salt sorrow and the gall of tears,<br />
+<span style="margin-left: 1em;">Some useless words that ended in a moan,</span><br />
+<span style="margin-left: 1em;">And a dull dread of long unending years</span><br />
+When one must walk forever more alone.<br />
+Deep shuddering sighs told more than lips could say;<br />
+And the long night of sorrow wore away.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Preparation" id="Preparation"></a><b>Preparation</b></h2>
+
+
+<p>We must not force events, but rather make<br />
+The heart soil ready for their coming, as<br />
+The earth spreads carpets for the feet of Spring,<br />
+Or, with the strengthening tonic of the frost,<br />
+Prepares for Winter. Should a July noon<br />
+Burst suddenly upon a frozen world<br />
+Small joy would follow, even tho' that world<br />
+Were longing for the Summer. Should the sting<br />
+Of sharp December pierce the heart of June,<br />
+What death and devastation would ensue!<br />
+All things are planned. The most majestic sphere<br />
+That whirls through space is governed and controlled<br />
+By supreme law, as is the blade of grass<br />
+Which through the bursting bosom of the earth<br />
+Creeps up to kiss the light. Poor puny man<br />
+Alone doth strive and battle with the Force<br />
+Which rules all lives and worlds, and he alone<br />
+Demands effect before producing cause.<br />
+How vain the hope! We cannot harvest joy<br />
+Until we sow the seed, and God alone<br />
+Knows when that seed has ripened. Oft we stand<br />
+And watch the ground with anxious brooding eyes<br />
+Complaining of the slow unfruitful yield,<br />
+Not knowing that the shadow of ourselves<br />
+Keeps off the sunlight and delays result.<br />
+Sometimes our fierce impatience of desire<br />
+Doth like a sultry May force tender shoots<br />
+Of half-formed pleasures and unshaped events<br />
+To ripen prematurely, and we reap<br />
+But disappointment; or we rot the germs<br />
+With briny tears ere they have time to grow.<br />
+While stars are born and mighty planets die<br />
+And hissing comets scorch the brow of space<br />
+The Universe keeps its eternal calm.<br />
+Through patient preparation, year on year,<br />
+The earth endures the travail of the Spring<br />
+And Winter's desolation. So our souls<br />
+In grand submission to a higher law<br />
+Should move serene through all the ills of life,<br />
+Believing them masked joys.</p>
+
+
+
+<hr style="width: 65%; Margin-left: 1em; Margin-top: 3em; margin-bottom: 3em;" />
+
+<h2><a name="Custer" id="Custer"></a><b>Custer</b></h2>
+
+
+
+<hr style="width: 65%; Margin-left: 1em; Margin-top: 3em; margin-bottom: 3em;" />
+<h2><a name="BOOK_FIRST" id="BOOK_FIRST"></a>BOOK FIRST.</h2>
+
+
+<h3>I.</h3>
+
+<p>All valor died not on the plains of Troy.<br />
+Awake, my Muse, awake! be thine the joy<br />
+To sing of deeds as dauntless and as brave<br />
+As e'er lent luster to a warrior's grave.<br />
+Sing of that noble soldier, nobler man,<br />
+Dear to the heart of each American.<br />
+Sound forth his praise from sea to listening sea&mdash;<br />
+Greece her Achilles claimed, immortal Custer, we.</p>
+
+
+<h3>II.</h3>
+
+<p>Intrepid are earth's heroes now as when<br />
+The gods came down to measure strength with men.<br />
+Let danger threaten or let duty call,<br />
+And self surrenders to the needs of all;<br />
+Incurs vast perils, or, to save those dear,<br />
+Embraces death without one sigh or tear.<br />
+Life's martyrs still the endless drama play<br />
+Though no great Homer lives to chant their worth to-day.</p>
+
+
+<h3>III.</h3>
+
+<p>And if he chanted, who would list his songs,<br />
+So hurried now the world's gold-seeking throngs?<br />
+And yet shall silence mantle mighty deeds?<br />
+Awake, dear Muse, and sing though no ear heeds!<br />
+Extol the triumphs, and bemoan the end<br />
+Of that true hero, lover, son and friend<br />
+Whose faithful heart in his last choice was shown&mdash;<br />
+Death with the comrades dear, refusing flight alone.</p>
+
+
+<h3>IV.</h3>
+
+<p>He who was born for battle and for strife<br />
+Like some caged eagle frets in peaceful life;<br />
+So Custer fretted when detained afar<br />
+From scenes of stirring action and of war.<br />
+And as the captive eagle in delight,<br />
+When freedom offers, plumes himself for flight<br />
+And soars away to thunder clouds on high,<br />
+With palpitating wings and wild exultant cry.</p>
+
+
+<h3>V.</h3>
+
+<p>So lion-hearted Custer sprang to arms,<br />
+And gloried in the conflict's loud alarms.<br />
+But one dark shadow marred his bounding joy;<br />
+And then the soldier vanished, and the boy,<br />
+The tender son, clung close, with sobbing breath,<br />
+To her from whom each parting was new death;<br />
+That mother who like goddesses of old,<br />
+Gave to the mighty Mars, three warriors brave and bold,</p>
+
+
+<h3>VI.</h3>
+
+<p>Yet who, unlike those martial dames of yore,<br />
+Grew pale and shuddered at the sight of gore.<br />
+A fragile being, born to grace the hearth,<br />
+Untroubled by the conflicts of the earth.<br />
+Some gentle dove who reared young eaglets, might,<br />
+In watching those bold birdlings take their flight,<br />
+Feel what that mother felt who saw her sons<br />
+Rush from her loving arms, to face death-dealing guns.</p>
+
+
+<h3>VII.</h3>
+
+<p>But ere thy lyre is strung to martial strains<br />
+Of wars which sent our hero o'er the plains,<br />
+To add the cypress to his laureled brow,<br />
+Be brave, my Muse, and darker truths avow.<br />
+Let Justice ask a preface to thy songs,<br />
+Before the Indian's crimes declare his wrongs;<br />
+Before effects, wherein all horrors blend,<br />
+Declare the shameful cause, precursor of the end.</p>
+
+
+<h3>VIII.</h3>
+
+<p>When first this soil the great Columbus trod,<br />
+He was less like the image of his God<br />
+Than those ingenuous souls, unspoiled by art,<br />
+Who lived so near to Mother Nature's heart;<br />
+Those simple children of the wood and wave,<br />
+As frank as trusting, and as true as brave;<br />
+Savage they were, when on some hostile raid<br />
+(For where is he so high, whom war does not degrade?)</p>
+
+
+<h3>IX.</h3>
+
+<p>But dark deceit and falsehood's shameless shame<br />
+They had not learned, until the white man came.<br />
+He taught them, too, the lurking devil's joy<br />
+In liquid lies, that lure but to destroy.<br />
+With wily words, as false as they were sweet,<br />
+He spread his snares for unsuspecting feet;<br />
+Paid truth with guile, and trampled in the dust<br />
+Their gentle childlike faith and unaffected trust.</p>
+
+
+<h3>X.</h3>
+
+<p>And for the sport of idle kings and knaves<br />
+Of Nature's greater noblemen, made slaves.<br />
+Alas, the hour, when the wronged Indian knows<br />
+His seeming benefactors are but foes.<br />
+His kinsmen kidnapped and his lands possessed,<br />
+The demon woke in that untutored breast.<br />
+Four hundred years have rolled upon their way&mdash;<br />
+The ruthless demon rules the red man to this day.</p>
+
+
+<h3>XI.</h3>
+
+<p>If, in the morning of success, that grand<br />
+Invincible discoverer of our land<br />
+Had made no lodge or wigwam desolate<br />
+To carry trophies to the proud and great;<br />
+If on our history's page there were no blot<br />
+Left by the cruel rapine of Cabot,<br />
+Of Verrazin, and Hudson, dare we claim<br />
+The Indian of the plains, to-day had been the same?</p>
+
+
+<h3>XII.</h3>
+
+<p>For in this brief existence, not alone<br />
+Do our lives gather what our hands have sown,<br />
+But we reap, too, what others long ago<br />
+Sowed, careless of the harvests that might grow.<br />
+Thus hour by hour the humblest human souls<br />
+Inscribe in cipher on unending scrolls,<br />
+The history of nations yet to be;<br />
+Incite fierce bloody wars, to rage from sea to sea,</p>
+
+
+<h3>XIII.</h3>
+
+<p>Or pave the way to peace. There is no past,<br />
+So deathless are events&mdash;results so vast.<br />
+And he who strives to make one act or hour<br />
+Stand separate and alone, needs first the power<br />
+To look upon the breaking wave and say,<br />
+"These drops were bosomed by a cloud to-day,<br />
+And those from far mid-ocean's crest were sent."<br />
+So future, present, past, in one wide sea are blent.</p>
+
+
+
+<hr style="width: 65%; Margin-left: 1em; Margin-top: 3em; margin-bottom: 3em;" />
+
+<h2><a name="BOOK_SECOND" id="BOOK_SECOND"></a>BOOK SECOND.</h2>
+
+<h3>I.</h3>
+
+<p>Oh, for the power to call to aid, of mine<br />
+Own humble Muse, the famed and sacred nine.<br />
+Then might she fitly sing, and only then,<br />
+Of those intrepid and unflinching men<br />
+Who knew no homes save ever moving tents,<br />
+And who 'twixt fierce unfriendly elements<br />
+And wild barbarians warred. Yet unfraid,<br />
+Since love impels thy strains, sing, sing, my modest maid.</p>
+
+
+<h3>II.</h3>
+
+<p>Relate how Custer in midwinter sought<br />
+Far Washita's cold shores; tell why he fought<br />
+With savage nomads fortressed in deep snows.<br />
+Woman, thou source of half the sad world's woes<br />
+And all its joys, what sanguinary strife<br />
+Has vexed the earth and made contention rife<br />
+Because of thee! For, hidden in man's heart,<br />
+Ay, in his very soul, of his true self a part,</p>
+
+
+<h3>III.</h3>
+
+<p>The natural impulse and the wish belongs<br />
+To win thy favor and redress thy wrongs.<br />
+Alas! for woman, and for man, alas!<br />
+If that dread hour should ever come to pass,<br />
+When, through her new-born passion for control,<br />
+She drives that beauteous impulse from his soul.<br />
+What were her vaunted independence worth<br />
+If to obtain she sells her sweetest rights of birth?</p>
+
+
+<h3>IV.</h3>
+
+<p>God formed fair woman for her true estate&mdash;<br />
+Man's tender comrade, and his equal mate,<br />
+Not his competitor in toil and trade.<br />
+While coarser man, with greater strength was made<br />
+To fight her battles and her rights protect.<br />
+Ay! to protect the rights of earth's elect<br />
+(The virgin maiden and the spotless wife)<br />
+From immemorial time has man laid down his life.</p>
+
+
+<h3>V.</h3>
+
+<p>And now brave Custer's valiant army pressed<br />
+Across the dangerous desert of the West,<br />
+To rescue fair white captives from the hands<br />
+Of brutal Cheyenne and Comanche bands,<br />
+On Washita's bleak banks. Nine hundred strong<br />
+It moved its slow determined way along,<br />
+Past frontier homes left dark and desolate<br />
+By the wild Indians' fierce and unrelenting hate;</p>
+
+
+<h3>VI.</h3>
+
+<p>Past forts where ranchmen, strong of heart and bold,<br />
+Wept now like orphaned children as they told,<br />
+With quivering muscles and with anguished breath,<br />
+Of captured wives, whose fate was worse than death;<br />
+Past naked bodies whose disfiguring wounds<br />
+Spoke of the hellish hate of human hounds;<br />
+Past bleaching skeleton and rifled grave,<br />
+On pressed th' avenging host, to rescue and to save.</p>
+
+
+<h3>VII.</h3>
+
+<p>Uncertain Nature, like a fickle friend,<br />
+(Worse than the foe on whom we may depend)<br />
+Turned on these dauntless souls a brow of wrath<br />
+And hurled her icy jav'lins in their path.<br />
+With treacherous quicksands, and with storms that blight,<br />
+Entrapped their footsteps and confused their sight.<br />
+"Yet on," urged Custer, "on at any cost,<br />
+No hour is there to waste, no moment to be lost."</p>
+
+
+<h3>VIII.</h3>
+
+<p>Determined, silent, on they rode, and on,<br />
+Like fabled Centaurs, men and steeds seemed one.<br />
+No bugle echoed and no voice spoke near,<br />
+Lest on some lurking Indian's list'ning ear<br />
+The sound might fall. Through swift descending snow<br />
+The stealthy guides crept, tracing out the foe;<br />
+No fire was lighted, and no halt was made<br />
+From haggard gray-lipped dawn till night lent friendly shade.</p>
+
+
+<h3>IX.</h3>
+
+<p>Then, by the shelt'ring river's bank at last,<br />
+The weary warriors paused for their repast.<br />
+A couch of ice and falling snows for spread<br />
+Made many a suffering soldier's chilling bed.<br />
+They slept to dream of glory and delight,<br />
+While the pale fingers of the pitying night<br />
+Wove ghostly winding sheets for that doomed score<br />
+Who, ere another eve, should sleep to wake no more.</p>
+
+
+<h3>X.</h3>
+
+<p>But those who slept not, saw with startled eyes<br />
+Far off, athwart dim unprotecting skies,<br />
+Ascending slowly with majestic grace,<br />
+A lustrous rocket, rising out of space.<br />
+"Behold the signal of the foe," cried one,<br />
+The field is lost before the strife's begun.<br />
+Yet no! for see! yon rays spread near and far;<br />
+It is the day's first smile, the radiant morning star.</p>
+
+
+<h3>XI.</h3>
+
+<p>The long hours counting till the daylight broke,<br />
+In whispered words the restless warriors spoke.<br />
+They talked of battles, but they thought of home<br />
+(For hearts are faithful though the feet may roam).<br />
+Brave Hamilton, all eager for the strife,<br />
+Mused o'er that two-fold mystery&mdash;death and life;<br />
+"And when I die," quoth he, "mine be the part<br />
+To fall upon the field, a bullet in my heart."</p>
+
+
+<h3>XII.</h3>
+
+<p>At break of dawn the scouts crept in to say<br />
+The foe was camped a rifle shot away.<br />
+The baying of a dog, an infant's cry<br />
+Pierced through the air; sleep fled from every eye.<br />
+To horse! to arms! the dead demand the dead!<br />
+Let the grand charge upon the lodge be led!<br />
+Let the Mosaic law, life for a life<br />
+Pay the long standing debt of blood. War to the knife!</p>
+
+
+<h3>XIII.</h3>
+
+<p>So spake each heart in that unholy rage<br />
+Which fires the brain, when war the thoughts engage.<br />
+War, hideous war, appealing to the worst<br />
+In complex man, and waking that wild thirst<br />
+For human blood which blood alone can slake.<br />
+Yet for their country's safety, and the sake<br />
+Of tortured captives moaning in alarm<br />
+The Indian must be made to fear the law's strong arm.</p>
+
+
+<h3>XIV.</h3>
+
+<p>A noble vengeance burned in Custer's breast,<br />
+But, as he led his army to the crest,<br />
+Above the wigwams, ready for the charge<br />
+He felt the heart within him, swelling large<br />
+With human pity, as an infant's wail<br />
+Shrilled once again above the wintry gale.<br />
+Then hosts of murdered children seemed to rise;<br />
+And shame his halting thought with sad accusing eyes,</p>
+
+
+<h3>XV.</h3>
+
+<p>And urge him on to action. Stern of brow<br />
+The just avenger, and the General now,<br />
+He gives the silent signal to the band<br />
+Which, all impatient, waits for his command.<br />
+Cold lips to colder metal press; the air<br />
+Echoes those merry strains which mean despair<br />
+For sleeping chieftain and for toiling squaw,<br />
+But joy to those stern hearts which glory in the law</p>
+
+
+<h3>XVI.</h3>
+
+<p>Of murder paying murder's awful debt.<br />
+And now four squadrons in one charge are met.<br />
+From east and west, from north and south they come,<br />
+At call of bugle and at roll of drum.<br />
+Their rifles rain hot hail upon the foe,<br />
+Who flee from danger in death's jaws to go.<br />
+The Indians fight like maddened bulls at bay,<br />
+And dying shriek and groan, wound the young ear of day.</p>
+
+
+<h3>XVII.</h3>
+
+<p>A pallid captive and a white-browed boy<br />
+Add to the tumult piercing cries of joy,<br />
+As forth they fly, with high hope animate.<br />
+A hideous squaw pursues them with her hate;<br />
+Her knife descends with sickening force and sound;<br />
+Their bloody entrails stain the snow-clad ground.<br />
+She shouts with glee, then yells with rage and falls<br />
+Dead by her victims' side, pierced by avenging balls.</p>
+
+
+<h3>XVIII.</h3>
+
+<p>Now war runs riot, carnage reigns supreme.<br />
+All thoughts of mercy fade from Custer's scheme.<br />
+Inhuman methods for inhuman foes,<br />
+Who feed on horrors and exult in woes.<br />
+To conquer and subdue alone remains<br />
+In dealing with the red man on the plains.<br />
+The breast that knows no conscience yields to fear,<br />
+Strike! let the Indian meet his master now and here.</p>
+
+
+<h3>XIX.</h3>
+
+<p>With thoughts like these was Custer's mind engaged.<br />
+The gentlest are the sternest when enraged.<br />
+All felt the swift contagion of his ire,<br />
+For he was one who could arouse and fire<br />
+The coldest heart, so ardent was his own.<br />
+His fearless eye, his calm intrepid tone,<br />
+Bespoke the leader, strong with conscious power,<br />
+Whom following friends will bless, while foes will curse and cower.</p>
+
+
+<h3>XX.</h3>
+
+<p>Again they charge! and now among the killed<br />
+Lies Hamilton, his wish so soon fulfilled,<br />
+Brave Elliott pursues across the field<br />
+The flying foe, his own young life to yield.<br />
+But like the leaves in some autumnal gale<br />
+The red men fall in Washita's wild vale.<br />
+Each painted face and black befeathered head<br />
+Still more repulsive seems with death's grim pallor wed.</p>
+
+
+<h3>XXI.</h3>
+
+<p>New forces gather on surrounding knolls,<br />
+And fierce and fiercer war's red river rolls.<br />
+With bright-hued pennants flying from each lance<br />
+The gayly costumed Kiowas advance.<br />
+And bold Comanches (Bedouins of the land)<br />
+Infuse fresh spirit in the Cheyenne band.<br />
+While from the ambush of some dark ravine<br />
+Flash arrows aimed by hands, unerring and unseen.</p>
+
+
+<h3>XXIII.</h3>
+
+<p>The hours advance; the storm clouds roll away;<br />
+Still furious and more furious grows the fray.<br />
+The yellow sun makes ghastlier still the sight<br />
+Of painted corpses, staring in its light.<br />
+No longer slaves, but comrades of their griefs,<br />
+The squaws augment the forces of their chiefs.<br />
+They chant weird dirges in a minor key,<br />
+While from the narrow door of wigwam and tepee</p>
+
+<p>[Transcriber's Note: originally the remaining stanzas
+of Book II were numbered incorrectly from here onwards.
+This has been changed to avoid confusion]</p>
+
+
+<h3>XXIV.</h3>
+
+<p>Cold glittering eyes above cold glittering steel<br />
+Their deadly purpose and their hate reveal.<br />
+The click of pistols and the crack of guns<br />
+Proclaim war's daughters dangerous as her sons.<br />
+She who would wield the soldier's sword and lance<br />
+Must be prepared to take the soldier's chance.<br />
+She who would shoot must serve as target, too;<br />
+The battle-frenzied men, infuriate now pursue.</p>
+
+
+<h3>XXV.</h3>
+
+<p>And blood of warrior, woman and papoose,<br />
+Flow free as waters when some dam breaks loose;<br />
+Consuming fire, the wanton friend of war<br />
+(Whom allies worship and whom foes abhor)<br />
+Now trails her crimson garments through the street,<br />
+And ruin marks the passing of her feet.<br />
+Full three-score lodges smoke upon the plain,<br />
+And all the vale is strewn with bodies of the slain.</p>
+
+
+<h3>XXVI.</h3>
+
+<p>And those who are not numbered with the dead<br />
+Before all-conquering Custer now are led.<br />
+To soothe their woes, and calm their fears he seeks;<br />
+An Osage guide interprets while he speaks.<br />
+The vanquished captives, humbled, cowed and spent<br />
+Read in the victor's eye his kind intent.<br />
+The modern victor is as kind as brave;<br />
+His captive is his guest, not his insulted slave.</p>
+
+
+<h3>XXVII.</h3>
+
+<p>Mahwissa, sister of the slaughtered chief<br />
+Of all the Cheyennes, listens; and her grief<br />
+Yields now to hope; and o'er her withered face<br />
+There flits the stealthy cunning of her race.<br />
+Then forth she steps, and thus begins to speak:<br />
+"To aid the fallen and support the weak<br />
+Is man's true province; and to ease the pain<br />
+Of those o'er whom it is his purpose now to reign.</p>
+
+
+<h3>XXVIII.</h3>
+
+<p>"Let the strong chief unite with theirs his life,<br />
+And take this black-eyed maiden for a wife."<br />
+Then, moving with an air of proud command,<br />
+She leads a dusky damsel by the hand,<br />
+And places her at wondering Custer's side,<br />
+Invoking choicest blessings on the bride<br />
+And all unwilling groom, who thus replies.<br />
+"Fair is the Indian maid, with bright bewildering eyes,</p>
+
+
+<h3>XXIX.</h3>
+
+<p>"But fairer still is one who, year on year,<br />
+Has borne man's burdens, conquered woman's fear;<br />
+And at my side rode mile on weary mile,<br />
+And faced all deaths, all dangers, with a smile,<br />
+Wise as Minerva, as Diana brave,<br />
+Is she whom generous gods in kindness gave<br />
+To share the hardships of my wandering life,<br />
+Companion, comrade, friend, my loved and loyal wife.</p>
+
+
+<h3>XXX.</h3>
+
+<p>"The white chief weds but one. Take back thy maid."<br />
+He ceased, and o'er Mahwissa's face a shade<br />
+Of mingled scorn and pity and surprise<br />
+Sweeps as she slow retreats, and thus replies:<br />
+"Rich is the pale-faced chief in battle fame,<br />
+But poor is he who but one wife may claim.<br />
+Wives are the red-skinned heroes' rightful spoil;<br />
+In war they prove his strength, in times of peace they toil."</p>
+
+
+<h3>XXXI.</h3>
+
+<p>But hark! The bugle echoes o'er the plains<br />
+And sounds again those merry Celtic strains<br />
+Which oft have called light feet to lilting dance,<br />
+But now they mean the order to advance.<br />
+Along the river's bank, beyond the hill<br />
+Two thousand foemen lodge, unconquered still.<br />
+Ere falls night's curtain on this bloody play,<br />
+The army must proceed, with feint of further fray.</p>
+
+
+<h3>XXXII.</h3>
+
+<p>The weary warriors mount their foam-flecked steeds,<br />
+With flags unfurled the dauntless host proceeds.<br />
+What though the foe outnumbers two to one?<br />
+Boldness achieves what strength oft leaves undone;<br />
+A daring mein will cause brute force to cower,<br />
+And courage is the secret source of power.<br />
+As Custer's column wheels upon their sight<br />
+The frightened red men yield the untried field by flight.</p>
+
+
+<h3>XXXIII.</h3>
+
+<p>Yet when these conquering heroes sink to rest,<br />
+Dissatisfaction gnaws the leader's breast,<br />
+For far away across vast seas of snows<br />
+Held prisoners still by hostile Arapahoes<br />
+And Cheyennes unsubdued, two captives wait.<br />
+On God and Custer hangs their future fate.<br />
+May the Great Spirit nerve the mortal's arm<br />
+To rescue suffering souls from worse than death's alarm.</p>
+
+
+<h3>XXXIV.</h3>
+
+<p>But ere they seek to rescue the oppressed,<br />
+The valiant dead, in state, are laid to rest.<br />
+Mourned Hamilton, the faithful and the brave,<br />
+Nine hundred comrades follow to the grave;<br />
+And close behind the banner-hidden corse<br />
+All draped in black, walks mournfully his horse;<br />
+While tears of sound drip through the sunlit day.<br />
+A soldier may not weep, but drums and bugles may.</p>
+
+
+<h3>XXXV.</h3>
+
+<p>Now, Muse, recount, how after long delays<br />
+And dangerous marches through untrodden ways,<br />
+Where cold and hunger on each hour attend,<br />
+At last the army gains the journey's end.<br />
+An Indian village bursts upon the eye;<br />
+Two hundred lodges, sleep-encompassed lie,<br />
+There captives moan their anguished prayers through tears,<br />
+While in the silent dawn the armied answer nears.</p>
+
+
+<h3>XXXVI.</h3>
+
+<p>To snatch two fragile victims from the foe<br />
+Nine hundred men have traversed leagues of snow.<br />
+Each woe they suffered in a hostile land<br />
+The flame of vengeance in their bosoms fanned.<br />
+They thirst for slaughter, and the signal wait<br />
+To wrest the captives from their horrid fate.<br />
+Each warrior's hand upon his rifle falls,<br />
+Each savage soldier's heart for awful bloodshed calls.</p>
+
+
+<h3>XXXVII.</h3>
+
+<p>And one, in years a youth, in woe a man,<br />
+Sad Brewster, scarred by sorrow's blighting ban,<br />
+Looks, panting, where his captive sister sleeps,<br />
+And o'er his face the shade of murder creeps.<br />
+His nostrils quiver like a hungry beast<br />
+Who scents anear the bloody carnal feast.<br />
+He longs to leap down in that slumbering vale<br />
+And leave no foe alive to tell the awful tale.</p>
+
+
+<h3>XXXVIII.</h3>
+
+<p>Not so, calm Custer. Sick of gory strife,<br />
+He hopes for rescue with no loss of life;<br />
+And plans that bloodless battle of the plains<br />
+Where reasoning mind outwits mere savage brains.<br />
+The sullen soldiers follow where he leads;<br />
+No gun is emptied, and no foeman bleeds.<br />
+Fierce for the fight and eager for the fray<br />
+They look upon their Chief in undisguised dismay.</p>
+
+
+<h3>XXXIX.</h3>
+
+<p>He hears the murmur of their discontent,<br />
+But sneers can never change a strong mind's bent.<br />
+He knows his purpose and he does not swerve,<br />
+And with a quiet mien and steady nerve<br />
+He meets dark looks where'er his steps may go,<br />
+And silence that is bruising as a blow,<br />
+Where late were smiles and words of ardent praise.<br />
+So pass the lagging weeks of wearying delays.</p>
+
+
+<h3>XL.</h3>
+
+<p>Inaction is not always what it seems,<br />
+And Custer's mind with plan and project teems.<br />
+Fixed in his peaceful purpose he abides<br />
+With none takes counsel and in none confides;<br />
+But slowly weaves about the foe a net<br />
+Which leaves them wholly at his mercy, yet<br />
+He strikes no fateful blow; he takes no life,<br />
+And holds in check his men, who pant for bloody strife.</p>
+
+
+<h3>XLI.</h3>
+
+<p>Intrepid warrior and skilled diplomate,<br />
+In his strong hands he holds the red man's fate.<br />
+The craftiest plot he checks with counterplot,<br />
+Till tribe by tribe the tricky foe is brought<br />
+To fear his vengeance and to know his power<br />
+As man's fixed gaze will make a wild beast cower,<br />
+So these crude souls feel that unflinching will<br />
+Which draws them by its force, yet does not deign to kill.</p>
+
+
+<h3>XLII.</h3>
+
+<p>And one by one the hostile Indians send<br />
+Their chiefs to seek a peaceful treaty's end.<br />
+Great councils follow; skill with cunning copes<br />
+And conquers it; and Custer sees his hopes<br />
+So long delayed, like stars storm hidden, rise<br />
+To radiate with splendor all his skies.<br />
+The stubborn Cheyennes, cowed at last by fear,<br />
+Leading the captive pair, o'er spring-touched hills appear.</p>
+
+
+<h3>XLIII.</h3>
+
+<p>With breath suspended, now the whole command<br />
+Waits the approach of that equestrian band.<br />
+Nearer it comes, still nearer, then a cry,<br />
+Half sob, half shriek, goes piercing God's blue sky,<br />
+And Brewster, like a nimble-footed doe,<br />
+Or like an arrow hurrying from a bow,<br />
+Shoots swiftly through the intervening space<br />
+And that lost sister clasps, in sorrowing love's embrace.</p>
+
+
+<h3>XLIV.</h3>
+
+<p>And men who leaned o'er Hamilton's rude bier<br />
+And saw his dead dear face without a tear,<br />
+Strong souls who early learned the manly art<br />
+Of keeping from the eye what's in the heart,<br />
+Soldiers who look unmoved on death's pale brow,<br />
+Avert their eyes, to hide their moisture now.<br />
+The briny flood forced back from shores of woe,<br />
+Needs but to touch the strands of joy to overflow.</p>
+
+
+<h3>XLV.</h3>
+
+<p>About the captives welcoming warriors crowd,<br />
+All eyes are wet, and Brewster sobs aloud.<br />
+Alas, the ravage wrought by toil and woe<br />
+On faces that were fair twelve moons ago.<br />
+Bronzed by exposure to the heat and cold,<br />
+Still young in years, yet prematurely old,<br />
+By insults humbled and by labor worn,<br />
+They stand in youth's bright hour, of all youth's graces shorn.</p>
+
+
+<h3>XLVI.</h3>
+
+<p>A scanty garment rudely made of sacks<br />
+Hangs from their loins; bright blankets drape their backs;<br />
+About their necks are twisted tangled strings<br />
+Of gaudy beads, while tinkling wire and rings<br />
+Of yellow brass on wrists and fingers glow.<br />
+Thus, to assuage the anger of the foe<br />
+The cunning Indians decked the captive pair<br />
+Who in one year have known a lifetime of despair.</p>
+
+
+<h3>XLVII.</h3>
+
+<p>But love can resurrect from sorrow's tomb<br />
+The vanished beauty and the faded bloom,<br />
+As sunlight lifts the bruised flower from the sod,<br />
+Can lift crushed hearts to hope, for love is God.<br />
+Already now in freedom's glad release<br />
+The hunted look of fear gives place to peace,<br />
+And in their eyes at thought of home appears<br />
+That rainbow light of joy which brightest shines through tears.</p>
+
+
+<h3>XLVIII.</h3>
+
+<p>About the leader thick the warriors crowd;<br />
+Late loud in censure, now in praises loud,<br />
+They laud the tactics, and the skill extol<br />
+Which gained a bloodless yet a glorious goal.<br />
+Alone and lonely in the path of right<br />
+Full many a brave soul walks. When gods requite<br />
+And crown his actions as their worth demands,<br />
+Among admiring throngs the hero always stands.</p>
+
+<hr style="width: 45%; Margin-left: 1em; Margin-top: 3em; margin-bottom: 3em;" />
+
+
+<h3>XLIX.</h3>
+
+<p>Back to the East the valorous squadrons sweep;<br />
+The earth, arousing from her long, cold sleep,<br />
+Throws from her breast the coverlet of snow,<br />
+Revealing Spring's soft charms which lie below.<br />
+Suppressed emotions in each heart arise,<br />
+The wooer wakens and the warrior dies.<br />
+The bird of prey is vanquished by the dove,<br />
+And thoughts of bloody strife give place to thoughts of love.</p>
+
+
+<h3>L.</h3>
+
+<p>The mighty plains, devoid of whispering trees,<br />
+Guard well the secrets of departed seas.<br />
+Where once great tides swept by with ebb and flow<br />
+The scorching sun looks down in tearless woe.<br />
+And fierce tornadoes in ungoverned pain<br />
+Mourn still the loss of that mysterious main.<br />
+Across this ocean bed the soldiers fly&mdash;<br />
+Home is the gleaming goal that lures each eager eye.</p>
+
+
+<h3>LI.</h3>
+
+<p>Like some elixir which the gods prepare,<br />
+They drink the viewless tonic of the air,<br />
+Sweet with the breath of startled antelopes<br />
+Which speed before them over swelling slopes.<br />
+Now like a serpent writhing o'er the moor,<br />
+The column curves and makes a slight detour,<br />
+As Custer leads a thousand men away<br />
+To save a ground bird's nest which in the footpath lay.</p>
+
+
+<h3>LII.</h3>
+
+<p>Mile following mile, against the leaning skies<br />
+Far off they see a dull dark cloud arise.<br />
+The hunter's instinct in each heart is stirred,<br />
+Beholding there in one stupendous herd<br />
+A hundred thousand buffaloes. Oh great<br />
+Unwieldy proof of Nature's cruder state,<br />
+Rough remnant of a prehistoric day,<br />
+Thou, with the red man, too, must shortly pass away.</p>
+
+
+<h3>LIII.</h3>
+
+<p>Upon those spreading plains is there not room<br />
+For man and bison, that he seals its doom?<br />
+What pleasure lies and what seductive charm<br />
+In slaying with no purpose but to harm?<br />
+Alas, that man, unable to create,<br />
+Should thirst forever to exterminate,<br />
+And in destruction find his fiercest joy.<br />
+The gods alone create, gods only should destroy.</p>
+
+
+<h3>LIV.</h3>
+
+<p>The flying hosts a straggling bull pursue;<br />
+Unerring aim, the skillful Custer drew.<br />
+The wounded beast turns madly in despair<br />
+And man and horse are lifted high in air.<br />
+The conscious steed needs not the guiding rein;<br />
+Back with a bound and one quick cry of pain<br />
+He springs, and halts, well knowing where must fall<br />
+In that protected frame, the sure death dealing ball.</p>
+
+
+<h3>LV.</h3>
+
+<p>With minds intent upon the morrow's feast,<br />
+The men surround the carcass of the beast.<br />
+Rolled on his back, he lies with lolling tongue,<br />
+Soon to the saddle savory steaks are hung.<br />
+And from his mighty head, great tufts of hair<br />
+Are cut as trophies for some lady fair.<br />
+To vultures then they leave the torn remains<br />
+Of what an hour ago was monarch of the plains.</p>
+
+
+<h3>LVI.</h3>
+
+<p>Far off, two bulls in jealous war engage,<br />
+Their blood-shot eye balls roll in furious rage;<br />
+With maddened hoofs they mutilate the ground<br />
+And loud their angry bellowings resound;<br />
+With shaggy heads bent low they plunge and roar,<br />
+Till both broad bellies drip with purple gore.<br />
+Meanwhile, the heifer, whom the twain desire,<br />
+Stands browsing near the pair, indifferent to their ire.</p>
+
+
+<h3>LVII.</h3>
+
+<p>At last she lifts her lazy head and heeds<br />
+The clattering hoofs of swift advancing steeds.<br />
+Off to the herd with cumb'rous gait she runs<br />
+And leaves the bulls to face the threatening guns.<br />
+No more for them the free life of the plains,<br />
+Its mating pleasures and its warring pains.<br />
+Their quivering flesh shall feed unnumbered foes,<br />
+Their tufted tails adorn the soldiers' saddle bows.</p>
+
+
+<h3>LVIII.</h3>
+
+<p>Now into camp the conquering hosts advance;<br />
+On burnished arms the brilliant sunbeams glance.<br />
+Brave Custer leads, blonde as the gods of old;<br />
+Back from his brow blow clustering locks of gold,<br />
+And, like a jewel in a brook, there lies,<br />
+Far in the depths of his blue guarded eyes,<br />
+The thought of one whose smiling lips up-curled,<br />
+Mean more of joy to him than plaudits of the world.</p>
+
+
+<h3>LIX.</h3>
+
+<p>The troops in columns of platoons appear<br />
+Close to the leader following. Ah, here<br />
+The poetry of war is fully seen,<br />
+Its prose forgotten; as against the green<br />
+Of Mother Nature, uniformed in blue,<br />
+The soldiers pass for Sheridan's review.<br />
+The motion-music of the moving throng,<br />
+Is like a silent tune, set to a wordless song.</p>
+
+
+<h3>LX.</h3>
+
+<p>The guides and trailers, weird in war's array,<br />
+Precede the troops along the grassy way.<br />
+They chant wild songs, and with loud noise and stress,<br />
+In savage manner savage joy express.<br />
+The Indian captives, blanketed in red,<br />
+On ponies mounted, by the scouts are led.<br />
+Like sumach bushes, etched on evening skies,<br />
+Against the blue-clad troops, this patch of color lies.</p>
+
+
+<h3>LXI.</h3>
+
+<p>High o'er the scene vast music billows bound,<br />
+And all the air is liquid with the sound<br />
+Of those invisible compelling waves.<br />
+Perchance they reach the low and lonely graves<br />
+Where sleep brave Elliott and Hamilton,<br />
+And whisper there the tale of victory won;<br />
+Or do the souls of soldiers tried and true<br />
+Come at the bugle call, and march in grand review?</p>
+
+
+<h3>LXII.</h3>
+
+<p>The pleased Commander watches in surprise<br />
+This splendid pageant surge before his eyes.<br />
+Not in those mighty battle days of old<br />
+Did scenes like this upon his sight unfold.<br />
+But now it passes. Drums and bugles cease<br />
+To dash war billows on the shores of Peace.<br />
+The victors smile on fair broad bosomed Sleep<br />
+While in her soothing arms, the vanquished cease to weep.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="BOOK_THIRD" id="BOOK_THIRD"></a>BOOK THIRD.</h2>
+
+<p>[There is an interval of eight years between Books Second and Third.]</p>
+
+
+<h3>I.</h3>
+
+<p>As in the long dead days marauding hosts<br />
+Of Indians came from far Siberian coasts,<br />
+And drove the peaceful Aztecs from their grounds,<br />
+Despoiled their homes (but left their tell-tale mounds),<br />
+So has the white man with the Indians done.<br />
+Now with their backs against the setting sun<br />
+The remnants of a dying nation stand<br />
+And view the lost domain, once their beloved land.</p>
+
+
+<h3>II.</h3>
+
+<p>Upon the vast Atlantic's leagues of shore<br />
+The happy red man's tent is seen no more;<br />
+And from the deep blue lakes which mirror heaven<br />
+His bounding bark canoe was long since driven.<br />
+The mighty woods, those temples where his God<br />
+Spoke to his soul, are leveled to the sod;<br />
+And in their place tall church spires point above,<br />
+While priests proclaim the law of Christ, the King of Love.</p>
+
+
+<h3>III.</h3>
+
+<p>The avaricious and encroaching rail<br />
+Seized the wide fields which knew the Indian's trail.<br />
+Back to the reservations in the West<br />
+The native owners of the land were pressed,<br />
+And selfish cities, harbingers of want,<br />
+Shut from their vision each accustomed haunt.<br />
+Yet hungry Progress, never satisfied,<br />
+Gazed on the western plains, and gazing, longed and sighed.</p>
+
+
+<h3>IV.</h3>
+
+<p>As some strange bullock in a pasture field<br />
+Compels the herds to fear him, and to yield<br />
+The juicy grass plots and the cooling shade<br />
+Until, despite their greater strength, afraid,<br />
+They huddle in some corner spot and cower<br />
+Before the monarch's all controlling power,<br />
+So has the white man driven from its place<br />
+By his aggressive greed, Columbia's native race.</p>
+
+
+<h3>V.</h3>
+
+<p>Yet when the bull pursues the herds at bay,<br />
+Incensed they turn, and dare dispute his sway.<br />
+And so the Indians turned, when men forgot<br />
+Their sacred word, and trespassed on the spot.<br />
+The lonely little spot of all their lands,<br />
+The reservation of the peaceful bands.<br />
+But lust for gold all conscience kills in man,<br />
+"Gold in the Black Hills, gold!" the cry arose and ran</p>
+
+
+<h3>VI.</h3>
+
+<p>From lip to lip, as flames from tree to tree<br />
+Leap till the forest is one fiery sea,<br />
+And through the country surged that hot unrest<br />
+Which thirst for riches wakens in the breast.<br />
+In mighty throngs the fortune hunters came,<br />
+Despoiled the red man's lands and slew his game,<br />
+Broke solemn treaties and defied the law.<br />
+And all these ruthless acts the Nation knew and saw.</p>
+
+
+<h3>VII.</h3>
+
+<p>Man is the only animal that kills<br />
+Just for the wanton love of slaughter; spills<br />
+The blood of lesser things to see it flow;<br />
+Lures like a friend, to murder like a foe<br />
+The trusting bird and beast; and, coward like,<br />
+Deals covert blows he dare not boldly strike.<br />
+The brutes have finer souls, and only slay<br />
+When torn by hunger's pangs, or when to fear a prey.</p>
+
+
+<h3>VIII.</h3>
+
+<p>The pale-faced hunter, insolent and bold,<br />
+Pursued the bison while he sought for gold.<br />
+And on the hungry red man's own domains<br />
+He left the rotting and unused remains<br />
+To foul with sickening stench each passing wind<br />
+And rouse the demon in the savage mind,<br />
+Save in the heart where virtues dominate<br />
+Injustice always breeds its natural offspring&mdash;hate.</p>
+
+
+<h3>IX.</h3>
+
+<p>The chieftain of the Sioux, great Sitting Bull,<br />
+Mused o'er their wrongs, and felt his heart swell full<br />
+Of bitter vengeance. Torn with hate's unrest<br />
+He called a council and his braves addressed.<br />
+"From fair Wisconsin's shimmering lakes of blue<br />
+Long years ago the white man drove the Sioux.<br />
+Made bold by conquest, and inflamed by greed,<br />
+He still pursues our tribes, and still our ranks recede.</p>
+
+
+<h3>X.</h3>
+
+<p>"Fair are the White Chief's promises and words,<br />
+But dark his deeds who robs us of our herds.<br />
+He talks of treaties, asks the right to buy,<br />
+Then takes by force, not waiting our reply.<br />
+He grants us lands for pastures and abodes<br />
+To devastate them by his iron roads.<br />
+But now from happy Spirit Lands, a friend<br />
+Draws near the hunted Sioux, to strengthen and defend.</p>
+
+
+<h3>XI.</h3>
+
+<p>"While walking in the fields I saw a star;<br />
+Unconsciously I followed it afar&mdash;<br />
+It led me on to valleys filled with light,<br />
+Where danced our noble chieftains slain in fight.<br />
+Black Kettle, first of all that host I knew,<br />
+He whom the strong armed Custer foully slew.<br />
+And then a spirit took me by the hand,<br />
+The Great Messiah King who comes to free the land.</p>
+
+
+<h3>XII.</h3>
+
+<p>"Suns were his eyes, a speaking tear his voice,<br />
+Whose rainbow sounds made listening hearts rejoice<br />
+And thus he spake: 'The red man's hour draws near<br />
+When all his lost domains shall reappear.<br />
+The elk, the deer, the bounding antelope,<br />
+Shall here return to grace each grassy slope.'<br />
+He waved his hand above the fields, and lo!<br />
+Down through the valleys came a herd of buffalo.</p>
+
+
+<h3>XIII.</h3>
+
+<p>"The wondrous vision vanished, but I knew<br />
+That Sitting Bull must make the promise true.<br />
+Great Spirits plan what mortal man achieves,<br />
+The hand works magic when the heart believes.<br />
+Arouse, ye braves! let not the foe advance.<br />
+Arm for the battle and begin the dance&mdash;<br />
+The sacred dance in honor of our slain,<br />
+Who will return to earth, ere many moons shall wane."</p>
+
+
+<h3>XIV.</h3>
+
+<p>Thus Sitting Bull, the chief of wily knaves,<br />
+Worked on the superstitions of his braves.<br />
+Mixed truth with lies; and stirred to mad unrest<br />
+The warlike instinct in each savage breast.<br />
+A curious product of unhappy times,<br />
+The natural offspring of unnumbered crimes,<br />
+He used low cunning and dramatic arts<br />
+To startle and surprise those crude untutored hearts.</p>
+
+
+<h3>XV.</h3>
+
+<p>Out from the lodges pour a motley throng,<br />
+Slow measures chanting of a dirge-like song.<br />
+In one great circle dizzily they swing,<br />
+A squaw and chief alternate in the ring.<br />
+Coarse raven locks stream over robes of white,<br />
+Their deep set orbs emit a lurid light,<br />
+And as through pine trees moan the winds refrains,<br />
+So swells and dies away, the ghostly graveyard strains.</p>
+
+
+<h3>XVI.</h3>
+
+<p>Like worded wine is music to the ear,<br />
+And long-indulged makes mad the hearts that hear.<br />
+The dancers, drunken with the monotone<br />
+Of oft repeated notes, now shriek and groan<br />
+And pierce their ruddy flesh with sharpened spears;<br />
+Still more excited when the blood appears,<br />
+With warlike yells, high in the air they bound,<br />
+Then in a deathlike trance fall prostrate on the ground.</p>
+
+
+<h3>XVII.</h3>
+
+<p>They wake to tell weird stories of the dead,<br />
+While fresh performers to the ring are led.<br />
+The sacred nature of the dance is lost,<br />
+War is their cry, red war, at any cost.<br />
+Insane for blood they wait for no command,<br />
+But plunge marauding through the frightened land.<br />
+Their demon hearts on devils' pleasures bent,<br />
+For each new foe surprised, new torturing deaths invent.</p>
+
+
+<h3>XVIII.</h3>
+
+<p>Staked to the earth one helpless creature lies,<br />
+Flames at his feet and splinters in his eyes.<br />
+Another groans with coals upon his breast,<br />
+While 'round the pyre the Indians dance and jest.<br />
+A crying child is brained upon a tree,<br />
+The swooning mother saved from death, to be<br />
+The slave and plaything of a filthy knave,<br />
+Whose sins would startle hell, whose clay defile a grave.</p>
+
+
+<h3>XIX.</h3>
+
+<p>Their cause was right, their methods all were wrong.<br />
+Pity and censure both to them belong.<br />
+Their woes were many, but their crimes were more.<br />
+The soulless Satan holds not in his store<br />
+Such awful tortures as the Indians' wrath<br />
+Keeps for the hapless victim in his path.<br />
+And if the last lone remnants of that race<br />
+Were by the white man swept from off the earth's fair face,</p>
+
+
+<h3>XX.</h3>
+
+<p>Were every red man slaughtered in a day,<br />
+Still would that sacrifice but poorly pay<br />
+For one insulted woman captive's woes.</p>
+
+<hr style="width: 45%; Margin-left: 1em; Margin-top: 1em; margin-bottom: 1em;" />
+
+<p>Again great Custer in his strength arose,<br />
+More daring, more intrepid than of old.<br />
+The passing years had touched and turned to gold<br />
+The ever widening aureole of fame<br />
+That shone upon his brow, and glorified his name.</p>
+
+
+<h3>XXI.</h3>
+
+<p>Wise men make laws, then turn their eyes away,<br />
+While fools and knaves ignore them day by day;<br />
+And unmolested, fools and knaves at length<br />
+Induce long wars which sap a country's strength.<br />
+The sloth of leaders, ruling but in name,<br />
+Has dragged full many a nation down to shame.<br />
+A word unspoken by the rightful lips<br />
+Has dyed the land with blood, and blocked the sea with ships.</p>
+
+
+<h3>XXII.</h3>
+
+<p>The word withheld, when Indians asked for aid,<br />
+Came when the red man started on his raid.<br />
+What Justice with a gesture might have done<br />
+Was left for noisy war with bellowing gun.<br />
+And who save Custer and his gallant men<br />
+Could calm the tempest into peace again?<br />
+What other hero in the land could hope<br />
+With Sitting Bull, the fierce and lawless one to cope?</p>
+
+
+<h3>XXIII.</h3>
+
+<p>What other warrior skilled enough to dare<br />
+Surprise that human tiger in his lair?<br />
+Sure of his strength, unconscious of his fame<br />
+Out from the quiet of the camp he came;<br />
+And stately as Diana at his side<br />
+Elizabeth, his wife and alway bride,<br />
+And Margaret, his sister, rode apace;<br />
+Love's clinging arms he left to meet death's cold embrace.</p>
+
+
+<h3>XXIV.</h3>
+
+<p>As the bright column wound along its course,<br />
+The smiling leader turned upon his horse<br />
+To gaze with pride on that superb command.<br />
+Twelve hundred men, the picked of all the land,<br />
+Innured to hardship and made strong by strife<br />
+Their lithe limbed bodies breathed of out-door life;<br />
+While on their faces, resolute and brave,<br />
+Hope stamped its shining seal, although their thoughts were grave.</p>
+
+
+<h3>XXV.</h3>
+
+<p>The sad eyed women halted in the dawn,<br />
+And waved farewell to dear ones riding on.<br />
+The modest mist picked up her robes and ran<br />
+Before the Sun god's swift pursuing van.<br />
+And suddenly there burst on startled eyes,<br />
+The sight of soldiers, marching in the skies;<br />
+That phantom host, a phantom Custer led;<br />
+Mirage of dire portent, forecasting days ahead.</p>
+
+
+<h3>XXVI.</h3>
+
+<p>The soldier's children, flaunting mimic flags,<br />
+Played by the roadside, striding sticks for nags.<br />
+Their mothers wept, indifferent to the crowd<br />
+Who saw their tears and heard them sob aloud.<br />
+Old Indian men and squaws crooned forth a rhyme<br />
+Sung by their tribes from immemorial time;<br />
+And over all the drums' incessant beat<br />
+Mixed with the scout's weird rune, and tramp of myriad feet.</p>
+
+
+<h3>XXVII.</h3>
+
+<p>So flawless was the union of each part<br />
+The mighty column (moved as by one heart)<br />
+Pulsed through the air, like some sad song well sung,<br />
+Which gives delight, although the soul is wrung.<br />
+Farther and fainter to the sight and sound<br />
+The beautiful embodied poem wound;<br />
+Till like a ribbon, stretched across the land<br />
+Seemed the long narrow line of that receding band.</p>
+
+
+<h3>XXVIII.</h3>
+
+<p>The lot of those who in the silence wait<br />
+Is harder than the fighting soldiers' fate.<br />
+Back to the lonely post two women passed,<br />
+With unaccustomed sorrow overcast.<br />
+Two sad for sighs, too desolate for tears,<br />
+The dark forebodings of long widowed years<br />
+In preparation for the awful blow<br />
+Hung on the door of hope the sable badge of woe.</p>
+
+
+<h3>XXIX.</h3>
+
+<p>Unhappy Muse! for thee no song remains,<br />
+Save the sad mis&eacute;r&eacute;r&eacute; of the plains.<br />
+Yet though defeat, not triumph, ends the tale,<br />
+Great victors sometimes are the souls that fail.<br />
+All glory lies not in the goals we reach,<br />
+But in the lessons which our actions teach.<br />
+And he who, conquered, to the end believes<br />
+In God and in himself, though vanquished, still achieves.</p>
+
+
+<h3>XXX.</h3>
+
+<p>Ah, grand as rash was that last fatal raid<br />
+The little group of daring heroes made.<br />
+Two hundred and two score intrepid men<br />
+Rode out to war; not one came back again.<br />
+Like fiends incarnate from the depths of hell<br />
+Five thousand foemen rose with deafening yell,<br />
+And swept that vale as with a simoon's breath,<br />
+But like the gods of old, each martyr met his death.</p>
+
+
+<h3>XXXI.</h3>
+
+<p>Like gods they battled and like gods they died.<br />
+Hour following hour that little band defied<br />
+The hordes of red men swarming o'er the plain,<br />
+Till scarce a score stood upright 'mid the slain.<br />
+Then in the lull of battle, creeping near,<br />
+A scout breathed low in Custer's listening ear:<br />
+"<i>Death lies before, dear life remains behind</i><br />
+<i>Mount thy sure-footed steed, and hasten with the wind</i>."</p>
+
+
+<h3>XXXII.</h3>
+
+<p>A second's silence. Custer dropped his head,<br />
+His lips slow moving as when prayers are said&mdash;<br />
+Two words he breathed&mdash;"God and Elizabeth,"<br />
+Then shook his long locks in the face of death,<br />
+And with a final gesture turned away<br />
+To join that fated few who stood at bay.<br />
+Ah! deeds like that the Christ in man reveal<br />
+Let Fame descend her throne at Custer's shrine to kneel.</p>
+
+
+<h3>XXXIII.</h3>
+
+<p>Too late to rescue, but in time to weep,<br />
+His tardy comrades came. As if asleep<br />
+He lay, so fair, that even hellish hate<br />
+Withheld its hand and dared not mutilate.<br />
+By fiends who knew not honor, honored still,<br />
+He smiled and slept on that far western hill.<br />
+Cast down thy lyre, oh Muse! thy song is done!<br />
+Let tears complete the tale of him who failed, yet won.</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's Custer, and Other Poems., by Ella Wheeler Wilcox
+
+*** END OF THIS PROJECT GUTENBERG EBOOK CUSTER, AND OTHER POEMS. ***
+
+***** This file should be named 20427-h.htm or 20427-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/0/4/2/20427/
+
+Produced by Thierry Alberto, David T. Jones and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/20427.txt b/20427.txt
new file mode 100644
index 0000000..148d3c9
--- /dev/null
+++ b/20427.txt
@@ -0,0 +1,3773 @@
+Project Gutenberg's Custer, and Other Poems., by Ella Wheeler Wilcox
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Custer, and Other Poems.
+
+Author: Ella Wheeler Wilcox
+
+Release Date: January 23, 2007 [EBook #20427]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK CUSTER, AND OTHER POEMS. ***
+
+
+
+
+Produced by Thierry Alberto, David T. Jones and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+
+ CUSTER
+
+ AND
+
+ OTHER POEMS
+
+ BY
+
+ ELLA WHEELER WILCOX.
+
+ Author of
+"Poems of Passion," "Maurine," "Poems of Pleasure,"
+"How Salvator Won," "The Beautiful Land of Nod,"
+"An Erring Woman's Love," "Men, Women and Emotions," Etc.
+
+
+
+
+ CHICAGO:
+ W. B. CONKEY COMPANY.
+
+
+
+
+
+
+ Published 1896,
+
+ By
+
+ ELLA WHEELER WILCOX.
+
+
+
+
+
+ Preface.
+
+
+
+ "Let such teach others, who themselves excel,
+ And censure freely who have written well."
+
+ --POPE.
+
+
+
+[Transcriber's Note: BOLD characters are denoted by enclosing them with =...=
+ and ITALIC characters are denoted by enclosing them with _..._ ]
+
+
+
+ =CONTENTS=
+
+
+ =PAGE=
+
+The World's Need 7
+
+High Noon 8
+
+Transformation 10
+
+Thought-Magnets 12
+
+Smiles 13
+
+The Undiscovered Country 15
+
+The Universal Route 16
+
+Earthly Pride 17
+
+Unanswered Prayers 18
+
+Thanksgiving 20
+
+A Maiden to Her Mirror 22
+
+The Kettle 23
+
+Contrasts 25
+
+Thy Ship 26
+
+The Tryst 28
+
+Life 31
+
+A Marine Etching 32
+
+The Duel 33
+
+"Love Thyself Last" 35
+
+Christmas Fancies 37
+
+The River 40
+
+Sorry 42
+
+The Old Wooden Cradle 44
+
+Ambition's Trail 46
+
+The Traveled Man 47
+
+Uncontrolled 49
+
+The Tulip Bed at Greeley Square 50
+
+Will 52
+
+To An Astrologer 53
+
+The Tendril's Faith 55
+
+The Times 56
+
+The Question 57
+
+Sorrow's Uses 58
+
+If 59
+
+Which Are You? 60
+
+The Creed To Be 62
+
+Music in the Flat 64
+
+Inspiration 67
+
+The Wish 68
+
+Three Friends 69
+
+You Never Can Tell 71
+
+Here and Now 72
+
+Unconquered 74
+
+All That Love Asks 75
+
+Does It Pay 77
+
+Sestina 78
+
+The Optimist 80
+
+The Pessimist 81
+
+The Hammock's Complaint 82
+
+Life's Harmonies 83
+
+Preaching vs. Practice 84
+
+An Old Man to His Sleeping Young Bride 85
+
+I Am 87
+
+Two Nights 89
+
+Preparation 91
+
+Custer 93
+
+
+
+
+=The World's Need=
+
+
+So many gods, so many creeds,
+ So many paths that wind and wind,
+ While just the art of being kind,
+Is all the sad world needs.
+
+
+
+
+=High Noon=
+
+
+Time's finger on the dial of my life
+Points to high noon! and yet the half-spent day
+Leaves less than half remaining, for the dark,
+Bleak shadows of the grave engulf the end.
+
+To those who burn the candle to the stick,
+The sputtering socket yields but little light.
+Long life is sadder than an early death.
+We cannot count on raveled threads of age
+Whereof to weave a fabric. We must use
+The warp and woof the ready present yields
+And toil while daylight lasts. When I bethink
+How brief the past, the future still more brief,
+Calls on to action, action! Not for me
+Is time for retrospection or for dreams,
+Not time for self-laudation or remorse.
+Have I done nobly? Then I must not let
+Dead yesterday unborn to-morrow shame.
+Have I done wrong? Well, let the bitter taste
+Of fruit that turned to ashes on my lip
+Be my reminder in temptation's hour,
+And keep me silent when I would condemn.
+Sometimes it takes the acid of a sin
+To cleanse the clouded windows of our souls
+So pity may shine through them.
+
+ Looking back,
+My faults and errors seem like stepping-stones
+That led the way to knowledge of the truth
+And made me value virtue; sorrows shine
+In rainbow colors o'er the gulf of years,
+Where lie forgotten pleasures.
+
+ Looking forth,
+Out to the western sky still bright with noon,
+I feel well spurred and booted for the strife
+That ends not till Nirvana is attained.
+
+Battling with fate, with men and with myself,
+Up the steep summit of my life's forenoon,
+Three things I learned, three things of precious worth
+To guide and help me down the western slope.
+I have learned how to pray, and toil, and save.
+To pray for courage to receive what comes,
+Knowing what comes to be divinely sent.
+To toil for universal good, since thus
+And only thus can good come unto me.
+To save, by giving whatsoe'er I have
+To those who have not, this alone is gain.
+
+
+
+
+=Transformation=
+
+
+She waited in a rose-hued room;
+ A wanton-hearted creature she,
+ But beautiful and bright to see
+As some great orchid just in bloom.
+
+Upon wide cushions stretched at ease
+ She lolled in garments filmy fine,
+ Which but enhanced each rounded line;
+A living picture, framed to please.
+
+A bold electric eye of light
+ Leered through its ruddy screen of lace
+ And feasted on her form and face
+As some wine-crimsoned roue might.
+
+From wall and niche, nude nymph beguiled
+ Fair goddesses of world-wide fame,
+ But Psyche's self was put to shame
+By one who from the cushions smiled.
+
+Exotic blossoms from a vase
+ Their sweet narcotic breath exhaled;
+ The lights, the objects round her paled--
+She lost the sense of time and place.
+
+She seemed to float upon the air,
+ Untrammeled, unrestricted, free;
+ And rising from a vapory sea
+She saw a form divinely fair.
+
+A beauteous being in whose face
+ Shone all things sweet and true and good.
+ The innocence of maidenhood,
+The motherhood of all the race.
+
+The warmth which comes from heavenly fire,
+ The strength which leads the weaker man
+ To climb to God's Eternal plan
+And conquer and control desire.
+
+She shook as with a mighty awe,
+ For, gazing on this shape which stood
+ Embodying all true womanhood,
+She knew it was _herself_ she saw.
+
+She woke as from a dream. But when
+ The laughing lover, light and bold
+ Came with his talk of wine and gold
+He gazed, grew silent, gazed again;
+
+Then turned abashed from those calm eyes
+ Where lurked no more the lure to sin.
+ Her higher self had entered in,
+Her path led now to Paradise.
+
+
+
+
+=Thought-Magnets=
+
+
+With each strong thought, with every earnest longing
+ For aught thou deemest needful to thy soul,
+Invisible vast forces are set thronging
+ Between thee and that goal.
+
+'Tis only when some hidden weakness alters
+ And changes thy desire, or makes it less,
+That this mysterious army ever falters
+ Or stops short of success.
+
+Thought is a magnet; and the longed-for pleasure
+ Or boon, or aim, or object, is the steel;
+And its attainment hangs but on the measure
+ Of what thy soul can feel.
+
+
+
+
+=Smiles=
+
+
+Smile a little, smile a little,
+ As you go along,
+Not alone when life is pleasant,
+ But when things go wrong.
+Care delights to see you frowning,
+ Loves to hear you sigh;
+Turn a smiling face upon her,
+ Quick the dame will fly.
+
+Smile a little, smile a little,
+ All along the road;
+Every life must have its burden,
+ Every heart its load.
+Why sit down in gloom and darkness,
+ With your grief to sup?
+As you drink Fate's bitter tonic,
+ Smile across the cup.
+
+Smile upon the troubled pilgrims
+ Whom you pass and meet;
+Frowns are thorns, and smiles are blossoms
+ Oft for weary feet.
+
+Do not make the way seem harder
+ By a sullen face,
+Smile a little, smile a little,
+ Brighten up the place.
+
+Smile upon your undone labor;
+ Not for one who grieves
+O'er his task, waits wealth or glory;
+ He who smiles achieves.
+Though you meet with loss and sorrow
+ In the passing years,
+Smile a little, smile a little,
+ Even through your tears.
+
+
+
+
+=The Undiscovered Country=
+
+
+Man has explored all countries and all lands,
+ And made his own the secrets of each clime.
+ Now, ere the world has fully reached its prime,
+The oval earth lies compassed with steel bands;
+The seas are slaves to ships that touch all strands,
+ And even the haughty elements sublime
+ And bold, yield him their secrets for all time,
+And speed like lackeys forth at his commands.
+
+Still, though he search from shore to distant shore,
+ And no strange realms, no unlocated plains
+Are left for his attainment and control,
+Yet is there one more kingdom to explore.
+ Go, know thyself, O man! there yet remains
+The undiscovered country of thy soul!
+
+
+
+
+=The Universal Route=
+
+
+As we journey along, with a laugh and a song,
+ We see, on youth's flower-decked slope,
+Like a beacon of light, shining fair on the sight,
+ The beautiful Station of Hope.
+
+But the wheels of old Time roll along as we climb,
+ And our youth speeds away on the years;
+And with hearts that are numb with life's sorrows we come
+ To the mist-covered Station of Tears.
+
+Still onward we pass, where the milestones, alas!
+ Are the tombs of our dead, to the West,
+Where glitters and gleams, in the dying sunbeams,
+ The sweet, silent Station of Rest.
+
+All rest is but change, and no grave can estrange
+ The soul from its Parent above;
+And, scorning the rod, it soars back to its God,
+ To the limitless City of Love.
+
+
+
+
+=Earthly Pride=
+
+
+How baseless is the mightiest earthly pride,
+The diamond is but charcoal purified,
+The lordliest pearl that decks a monarch's breast
+Is but an insect's sepulchre at best.
+
+
+
+
+=Unanswered Prayers=
+
+
+Like some school master, kind in being stern,
+Who hears the children crying o'er their slates
+And calling, "Help me master!" yet helps not,
+Since in his silence and refusal lies
+Their self-development, so God abides
+Unheeding many prayers. He is not deaf
+To any cry sent up from earnest hearts,
+He hears and strengthens when He must deny.
+He sees us weeping over life's hard sums
+But should He give the key and dry our tears
+What would it profit us when school were done
+And not one lesson mastered?
+
+ What a world
+Were this if all our prayers were answered. Not
+In famed Pandora's box were such vast ills
+As lie in human hearts. Should our desires
+Voiced one by one in prayer ascend to God
+And come back as events shaped to our wish
+What chaos would result!
+
+ In my fierce youth
+I sighed out breath enough to move a fleet
+Voicing wild prayers to heaven for fancied boons
+Which were denied; and that denial bends
+My knee to prayers of gratitude each day
+Of my maturer years. Yet from those prayers
+I rose alway regirded for the strife
+And conscious of new strength. Pray on, sad heart,
+That which thou pleadest for may not be given
+But in the lofty altitude where souls
+Who supplicate God's grace are lifted there
+Thou shalt find help to bear thy daily lot
+Which is not elsewhere found.
+
+
+
+
+=Thanksgiving=
+
+
+We walk on starry fields of white
+ And do not see the daisies;
+For blessings common in our sight
+ We rarely offer praises.
+We sigh for some supreme delight
+ To crown our lives with splendor,
+And quite ignore our daily store
+ Of pleasures sweet and tender.
+
+Our cares are bold and push their way
+ Upon our thought and feeling.
+They hang about us all the day,
+ Our time from pleasure stealing.
+So unobtrusive many a joy
+ We pass by and forget it,
+But worry strives to own our lives
+ And conquers if we let it.
+
+There's not a day in all the year
+ But holds some hidden pleasure,
+And looking back, joys oft appear
+ To brim the past's wide measure.
+But blessings are like friends, I hold,
+ Who love and labor near us.
+We ought to raise our notes of praise
+ While living hearts can hear us.
+
+Full many a blessing wears the guise
+ Of worry or of trouble.
+Farseeing is the soul and wise
+ Who knows the mask is double.
+But he who has the faith and strength
+ To thank his God for sorrow
+Has found a joy without alloy
+ To gladden every morrow.
+
+We ought to make the moments notes
+ Of happy, glad Thanksgiving;
+The hours and days a silent phrase
+ Of music we are living.
+And so the theme should swell and grow
+ As weeks and months pass o'er us,
+And rise sublime at this good time,
+ A grand Thanksgiving chorus.
+
+
+
+
+=A Maiden To Her Mirror=
+
+
+He said he loved me! Then he called my hair
+ Silk threads wherewith sly Cupid strings his bow,
+ My cheek a rose leaf fallen on new snow;
+And swore my round, full throat would bring despair
+To Venus or to Psyche.
+
+ Time and care
+ Will fade these locks; the merry god, I trow,
+ Uses no grizzled cords upon his bow.
+How will it be when I, no longer fair,
+ Plead for his kiss with cheeks whence long ago
+The early snowflakes melted quite away,
+The rose leaf died--and in whose sallow clay
+ Lie the deep sunken tracks of life's gaunt crow?
+
+When this full throat shall wattle fold on fold,
+ Like some ripe peach left drying on a wall,
+ Or like a spent accordion, when all
+Its music has exhaled--will love grow cold?
+
+
+
+
+=The Kettle=
+
+
+There's many a house of grandeur,
+ With turret, tower and dome,
+That knows not peace or comfort,
+ And does not prove a home.
+_I_ do not ask for splendor
+ To crown my daily lot,
+But this I ask--a kitchen
+ Where the kettle's always hot.
+
+If things are not all ship-shape,
+ I do not fume or fret,
+A little clean disorder
+ Does not my nerves upset.
+But _one_ thing is essential,
+ Or seems so to my thought,
+And that's a tidy kitchen
+ Where the kettle's always hot.
+
+In my Aunt Hattie's household,
+ Though skies outside are drear,
+Though times are dark and troubled,
+ You'll always find good cheer.
+And in her quaint old kitchen--
+ The very homiest spot--
+The kettle's always singing,
+ The water's always hot.
+
+And if you have a headache,
+ Whate'er the hour may be,
+There is no tedious waiting
+ To get your cup of tea.
+I don't know how she does it--
+ Some magic she has caught--
+For the kitchen's cool in summer,
+ Yet the kettle's always hot.
+
+Oh, there's naught else so dreary
+ In household kingdom found
+As a cold and sullen kettle
+ That does not make a sound.
+And I think that love is lacking
+ In the hearts in such a spot,
+Or the kettle would be singing
+ And the water would be hot.
+
+
+
+
+=Contrasts=
+
+
+I see the tall church steeples,
+ They reach so far, so far,
+But the eyes of my heart see the world's great mart,
+ Where the starving people are.
+
+I hear the church bells ringing
+ Their chimes on the morning air;
+But my soul's sad ear is hurt to hear
+ The poor man's cry of despair.
+
+Thicker and thicker the churches,
+ Nearer and nearer the sky
+But alack for their creeds while the poor man's needs
+ Grow deeper as years roll by.
+
+
+
+
+=Thy Ship=
+
+
+Hadst thou a ship, in whose vast hold lay stored
+The priceless riches of all climes and lands,
+Say, wouldst thou let it float upon the seas
+Unpiloted, of fickle winds the sport,
+And of wild waves and hidden rocks the prey?
+
+Thine is that ship; and in its depths concealed
+Lies all the wealth of this vast universe--
+Yea, lies some part of God's omnipotence
+The legacy divine of every soul.
+Thy will, O man, thy will is that great ship,
+And yet behold it drifting here and there--
+One moment lying motionless in port,
+Then on high seas by sudden impulse flung,
+
+Then drying on the sands, and yet again
+Sent forth on idle quests to no-man's land
+To carry nothing and to nothing bring;
+Till worn and fretted by the aimless strife
+And buffeted by vacillating winds
+It founders on a rock, or springs aleak
+With all its unused treasures in the hold.
+
+Go save thy ship, thou sluggard; take the wheel
+And steer to knowledge, glory and success.
+Great mariners have made the pathway plain
+For thee to follow; hold thou to the course
+Of Concentration Channel, and all things
+Shall come in answer to thy swerveless wish
+As comes the needle to the magnet's call,
+Or sunlight to the prisoned blade of grass
+That yearns all winter for the kiss of spring.
+
+
+
+
+=The Tryst=
+
+
+Just when all hope had perished in my soul,
+And balked desire made havoc with my mind,
+My cruel Ladye suddenly grew kind,
+And sent these gracious words upon a scroll:
+"When knowing Night her dusky scarf has tied
+Across the bold, intrusive eyes of day,
+Come as a glad, triumphant lover may,
+No longer fearing that he be denied."
+
+I read her letter for the hundredth time,
+And for the hundredth time my gladdened sight
+Blurred with the rapture of my vast delight,
+And swooned upon the page. I caught the chime
+Of far off bells, and at each silver note
+My heart on tiptoe pressed its eager ear
+Against my breast; it was such joy to hear
+The tolling of the hour of which she wrote.
+
+The curious day still lingered in the skies
+And watched me as I hastened to the tryst.
+And back, beyond great clouds of amethyst,
+I saw the Night's soft, reassuring eyes.
+"Oh, Night," I cried, "dear Love's considerate friend,
+Haste from the far, dim valleys of the west,
+Rock the sad striving earth to quiet rest,
+And bid the day's insistent vigil end."
+
+Down brooding streets, and past the harbored ships
+The Night's young handmaid, Twilight, walked with me.
+A spent moon leaned inertly o'er the sea;
+A few, pale, phantom stars were in eclipse.
+There was the house, My Ladye's sea-girt bower
+All draped in gloom, save for one taper's glow,
+Which lit the path, where willing feet would go.
+There was the house, and this the promised hour.
+
+The tide was out; and from the sea's salt path
+Rose amorous odors, filtering through the night
+And stirring all the senses with delight;
+Sweet perfumes left since Aphrodite's bath.
+Back in the wooded copse, a whip-poor-will
+Gave love's impassioned and impatient call.
+On pebbled sands I heard the waves kiss fall,
+And fall again, so hushed the hour and still.
+
+Light was my knock upon the door, so light,
+And yet the sound seemed rude. My pulses beat
+So loud they drowned the coming of her feet
+The arrow of her taper pierced the gloom--
+The portal closed behind me. She was there--
+Love on her lips and yielding in her eyes
+And but the sea to hear our vows and sighs.
+She took my hand and led me up the stair.
+
+
+
+
+=Life=
+
+
+All in the dark we grope along,
+ And if we go amiss
+We learn at least which path is wrong,
+ And there is gain in this.
+
+We do not always win the race,
+ By only running right,
+We have to tread the mountain's base
+ Before we reach its height.
+
+The Christs alone no errors made;
+ So often had they trod
+The paths that lead through light and shade,
+ They had become as God.
+
+As Krishna, Buddha, Christ again,
+ They passed along the way,
+And left those mighty truths which men
+ But dimly grasp to-day.
+
+But he who loves himself the last
+ And knows the use of pain,
+Though strewn with errors all his past,
+ He surely shall attain.
+
+Some souls there are that needs must taste
+ Of wrong, ere choosing right;
+We should not call those years a waste
+ Which led us to the light.
+
+
+
+
+=A Marine Etching=
+
+
+A yacht from its harbor ropes pulled free,
+ And leaped like a steed o'er the race track blue,
+Then up behind her, the dust of the sea,
+ A gray fog drifted, and hid her from view.
+
+
+
+
+=The Duel=
+
+
+Oh many a duel the world has seen
+ That was bitter with hate, that was red with gore,
+But I sing of a duel by far more cruel
+ Than ever by poet was sung before.
+It was waged by night, yea by day and by night,
+ With never a pause or halt or rest,
+And the curious spot where this battle was fought
+ Was the throbbing heart in a woman's breast.
+
+There met two rivals in deadly strife,
+ And they fought for this woman so pale and proud.
+One was a man in the prime of life,
+ And one was a corpse in a moldy shroud;
+One wrapped in a sheet from his head to his feet,
+ The other one clothed in worldly fashion;
+But a rival to dread is a man who is dead,
+ If he has been loved in life with passion.
+
+The living lover he battled with sighs,
+ He strove for the woman with words that burned,
+While stiff and stark lay the corpse in the dark,
+ And silently yearned and yearned and yearned.
+One spoke of the rapture that life still held
+ For hearts that yielded to love's desire,
+And one through the cold grave's earthy mold
+ Sent thoughts of a past that were fraught with fire.
+
+The living lover seized hold of her hands--
+ "You are mine," he cried, "and we will not part!"
+But she felt the clutch of the dead man's touch
+ On the tense-drawn strings of her aching heart.
+Yet the touch was of ice, and she shrank with fear--
+ Oh! the hands of the dead are cold, so cold--
+And warm were the arms that waited near
+ To gather her close in their clinging fold.
+
+And warm was the light in the living eyes,
+ But the eyes of the dead, how they stare and stare!
+With sudden surrender she turned to the tender
+ And passionate lover who wooed her there.
+Farewell to sorrow, hail, sweet to-morrow!
+ The battle was over, the duel was done.
+They swooned in the blisses of love's fond kisses,
+ And the dead man stared on in the dark alone.
+
+
+
+
+="Love Thyself Last"=
+
+
+Love thyself last. Look near, behold thy duty
+ To those who walk beside thee down life's road;
+Make glad their days by little acts of beauty,
+ And help them bear the burden of earth's load.
+
+Love thyself last. Look far and find the stranger,
+ Who staggers 'neath his sin and his despair;
+Go lend a hand, and lead him out of danger,
+ To hights where he may see the world is fair.
+
+Love thyself last. The vastnesses above thee
+ Are filled with Spirit Forces, strong and pure.
+And fervently, these faithful friends shall love thee:
+ Keep thou thy watch o'er others and endure.
+
+Love thyself last; and oh, such joy shall thrill thee,
+ As never yet to selfish souls was given.
+Whate'er thy lot, a perfect peace will fill thee,
+ And earth shall seem the ante-room of Heaven.
+
+Love thyself last, and them shall grow in spirit
+ To see, to hear, to know, and understand.
+The message of the stars, lo, thou shall hear it,
+ And all God's joys shall be at thy command.
+
+
+
+
+=Christmas Fancies=
+
+
+When Christmas bells are swinging above the fields of snow,
+We hear sweet voices ringing from lands of long ago.
+ And etched on vacant places,
+ Are half forgotten faces
+Of friends we used to cherish, and loves we used to know--
+When Christmas bells are swinging above the fields of snow.
+
+Uprising from the ocean of the present surging near,
+We see, with strange emotion that is not free from fear,
+ That continent Elysian
+ Long vanished from our vision,
+Youth's lovely lost Atlantis, so mourned for and so dear,
+Uprising from the ocean of the present surging near.
+
+When gloomy gray Decembers are roused to Christmas mirth,
+The dullest life remembers there once was joy on earth,
+ And draws from youth's recesses
+ Some memory it possesses,
+And, gazing through the lens of time, exaggerates its worth,
+When gloomy gray December is roused to Christmas mirth.
+
+When hanging up the holly or mistletoe, I wis
+Each heart recalls some folly that lit the world with bliss.
+ Not all the seers and sages
+ With wisdom of the ages
+Can give the mind such pleasure as memories of that kiss
+When hanging up the holly or mistletoe, I wis.
+
+For life was made for loving, and love alone repays,
+As passing years are proving for all of Time's sad ways.
+ There lies a sting in pleasure,
+ And fame gives shallow measure,
+And wealth is but a phantom that mocks the restless days,
+For life was made for loving, and only loving pays.
+
+When Christmas bells are pelting the air with silver chimes,
+And silences are melting to soft, melodious rhymes,
+ Let Love, the world's beginning,
+ End fear and hate and sinning;
+Let Love, the God Eternal, be worshiped in all climes
+When Christmas bells are pelting the air with silver chimes.
+
+
+
+
+=The River=
+
+
+I am a river flowing from God's sea
+Through devious ways. He mapped my course for me;
+I cannot change it; mine alone the toil
+To keep the waters free from grime and soil.
+The winding river ends where it began;
+And when my life has compassed its brief span
+I must return to that mysterious source.
+So let me gather daily on my course
+The perfume from the blossoms as I pass,
+Balm from the pines, and healing from the grass,
+And carry down my current as I go
+Not common stones but precious gems to show;
+And tears (the holy water from sad eyes)
+Back to God's sea, from which all rivers rise
+Let me convey, not blood from wounded hearts,
+Nor poison which the upas tree imparts.
+When over flowery vales I leap with joy,
+Let me not devastate them, nor destroy,
+But rather leave them fairer to the sight;
+Mine be the lot to comfort and delight.
+And if down awful chasms I needs must leap
+Let me not murmur at my lot, but sweep
+On bravely to the end without one fear,
+Knowing that He who planned my ways stands near.
+Love sent me forth, to Love I go again,
+For Love is all, and over all. Amen.
+
+
+
+
+=Sorry=
+
+
+There is much that makes me sorry as I journey down life's way.
+And I seem to see more pathos in poor human lives each day.
+I'm sorry for the strong brave men, who shield the weak from harm,
+But who, in their own troubled hours find no protecting arm.
+
+I am sorry for the victors who have reached success, to stand
+As targets for the arrows shot by envious failure's hand.
+I'm sorry for the generous hearts who freely shared their wine,
+But drink alone the gall of tears in fortune's drear decline.
+
+I'm sorry for the souls who build their own fame's funeral pyre,
+Derided by the scornful throng like ice deriding fire.
+I'm sorry for the conquering ones who know not sin's defeat,
+But daily tread down fierce desire 'neath scorched and bleeding feet.
+
+I'm sorry for the anguished hearts that break with passion's strain,
+But I'm sorrier for the poor starved souls that never knew love's pain.
+Who hunger on through barren years not tasting joys they crave,
+For sadder far is such a lot than weeping o'er a grave.
+
+I'm sorry for the souls that come unwelcomed into birth,
+I'm sorry for the unloved old who cumber up the earth.
+I'm sorry for the suffering poor in life's great maelstrom hurled,
+In truth I'm sorry for them all who make this aching world.
+
+But underneath whate'er seems sad and is not understood,
+I know there lies hid from our sight a mighty germ of good.
+And this belief stands firm by me, my sermon, motto, text--
+The sorriest things in this life will seem grandest in the next.
+
+
+
+
+=The Old Wooden Cradle=
+
+
+Good-bye to the cradle, the dear wooden cradle
+ The rude hand of Progress has thrust it aside.
+No more to its motion o'er sleep's fairy ocean,
+ Our play-weary wayfarers peacefully glide.
+
+No more by the rhythm of slow-moving rocker,
+ Their sweet dreamy fancies are fostered and fed;
+No more to low singing the cradle goes swinging--
+ The child of this era is put into bed.
+
+Good-bye to the cradle, the dear wooden cradle,
+ It lent to the twilight a strange, subtle charm;
+When bees left the clover, when play-time was over,
+ How safe seemed this shelter from danger or harm.
+
+How soft seemed the pillow, how distant the ceiling,
+ How weird were the voices that whispered around,
+What dreams would come flocking, as rocking and rocking,
+ We floated away into slumber profound.
+
+Good-bye to the cradle, the old wooden cradle,
+ The babe of to-day does not know it by sight.
+When day leaves the border, with system and order,
+ The child goes to bed and we put out the light.
+
+I bow to Progression and ask no concession,
+ Though strewn be her pathway with wrecks of the past;
+So off with old lumber, that sweet ark of slumber,
+ The old wooden cradle, is ruthlessly cast.
+
+
+
+
+=Ambition's Trail=
+
+
+If all the end of this continuous striving
+ Were simply _to attain_,
+How poor would seem the planning and contriving
+The endless urging and the hurried driving
+ Of body, heart and brain!
+
+But ever in the wake of true achieving,
+ There shines this glowing trail--
+Some other soul will be spurred on, conceiving,
+New strength and hope, in its own power believing,
+ Because _thou_ didst not fail.
+
+Not thine alone the glory, nor the sorrow,
+ If thou doth miss the goal,
+Undreamed of lives in many a far to-morrow
+From thee their weakness or their force shall borrow--
+ On, on, ambitious soul.
+
+
+
+
+=The Traveled Man=
+
+
+Sometimes I wish the railroads all were torn out,
+ The ships all sunk among the coral strands.
+I am so very weary, yea so worn out,
+ With tales of those who visit foreign lands.
+
+When asked to dine, to meet these traveled people,
+ My soup seems brewed from cemetery bones.
+The fish grows cold on some cathedral steeple,
+ I miss two courses while I stare at thrones.
+
+I'm forced to leave my salad quite untasted,
+ Some musty, moldy temple to explore.
+The ices, fruit and coffee all are wasted
+ While into realms of ancient art I soar.
+
+I'd rather take my chance of life and reason,
+ If in a den of roaring lions hurled
+Than for a single year, ay, for one season,
+ To dwell with folks who'd traveled round the world.
+
+So patronizing are they, so oppressive,
+ With pity for the ones who stay at home,
+So mighty is their knowledge so aggressive,
+ I ofttimes wish they had not _ceased_ to roam.
+
+They loathe the new, they quite detest the present;
+ They revel in a pre-Columbian morn;
+Just dare to say America is pleasant,
+ And die beneath the glances of their scorn.
+
+They are increasing at a rate alarming,
+ Go where I will, the traveled man is there.
+And now I think that rustic wholly charming
+ Who has not strayed beyond his meadows fair.
+
+
+
+
+=Uncontrolled=
+
+
+The mighty forces of mysterious space
+ Are one by one subdued by lordly man.
+ The awful lightning that for eons ran
+Their devastating and untrammeled race,
+Now bear his messages from place to place
+ Like carrier doves. The winds lead on his van;
+ The lawless elements no longer can
+Resist his strength, but yield with sullen grace.
+
+His bold feet scaling heights before untrod,
+ Light, darkness, air and water, heat and cold
+ He bids go forth and bring him power and pelf.
+And yet though ruler, king and demi-god
+ He walks with his fierce passions uncontrolled
+ The conquerer of all things--save himself.
+
+
+
+
+=The Tulip Bed At Greeley Square=
+
+
+You know that oasis, fresh and fair
+In the city desert, as Greeley square?
+
+That bright triangle of scented bloom
+That lies surrounded by grime and gloom?
+
+Right in the breast of the seething town
+Like a gleaming gem or a wanton's gown?
+
+Ah, wonderful things that tulip bed
+Unto my listening soul has said.
+
+Over the rattle and roar of the street
+I hear a chorus of voices sweet,
+
+Day and night, when I pass that way,
+And these are the things the voices say:
+
+"Here, in the heart of the foolish strife,
+We live a simple and natural life.
+
+"Here, in the midst of the clash and din,
+We know what it is to be calm within.
+
+"Here, environed by sin and shame,
+We do what we can with our pure white flame.
+
+"We do what we can with our bloom and grace,
+To make the city a fairer place.
+
+"It is well to be good though the world is vile,
+And so through the dust and the smoke we smile,
+
+"We are but atoms in chaos tossed,
+Yet never a purpose for truth was lost."
+
+Ah, many a sermon is uttered there
+By the bed of blossoms in Greeley square.
+
+And he who listens and hears aright,
+Is better equipped for the world's hard fight.
+
+
+
+
+=Will=
+
+
+ You will be what you will to be;
+Let failure find its false content
+In that poor word "environment,"
+ But spirit scorns it, and is free,
+
+ It masters time, it conquers space,
+It cows that boastful trickster Chance,
+And bids the tyrant Circumstance
+ Uncrown and fill a servant's place.
+
+ The human Will, that force unseen,
+The offspring of a deathless Soul,
+Can hew the way to any goal,
+ Though walls of granite intervene.
+
+ Be not impatient in delay,
+But wait as one who understands;
+When spirit rises and commands,
+ The gods are ready to obey.
+
+ The river seeking for the sea
+Confronts the dam and precipice,
+Yet knows it cannot fail or miss;
+ _You will be what you will to be_!
+
+
+
+
+=To An Astrologer=
+
+
+Nay, seer, I do not doubt thy mystic lore,
+Nor question that the tenor of my life,
+Past, present and the future, is revealed
+There in my horoscope. I do believe
+That yon dead moon compels the haughty seas
+To ebb and flow, and that my natal star
+Stands like a stern-browed sentinel in space
+And challenges events; nor lets one grief,
+Or joy, or failure, or success, pass on
+To mar or bless my earthly lot, until
+It proves its Karmic right to come to me.
+
+All this I grant, but more than this I _know_!
+Before the solar systems were conceived,
+When nothing was but the unnamable,
+My spirit lived, an atom of the Cause.
+Through countless ages and in many forms
+It has existed, ere it entered in
+This human frame to serve its little day
+Upon the earth. The deathless Me of me,
+The spark from that great all-creative fire
+Is part of that eternal source called God,
+And mightier than the universe.
+
+ Why, he
+Who knows, and knowing, never once forgets
+The pedigree divine of his own soul,
+Can conquer, shape and govern destiny
+And use vast space as 'twere a board for chess
+With stars for pawns; can change his horoscope
+To suit his will; turn failure to success,
+And from preordained sorrows, harvest joy.
+
+There is no puny planet, sun or moon,
+Or zodiacal sign which can control
+The God in us! If we bring _that_ to bear
+Upon events, we mold them to our wish,
+'Tis when the infinite 'neath the finite gropes
+That men are governed by their horoscopes.
+
+
+
+
+=The Tendril's Faith=
+
+
+Under the snow in the dark and the cold,
+ A pale little sprout was humming;
+Sweetly it sang, 'neath the frozen mold,
+ Of the beautiful days that were coming.
+
+"How foolish your songs," said a lump of clay,
+ "What is there, I ask, to prove them?
+Just look at the walls between you and the day,
+ Now, have you the strength to move them?"
+
+But under the ice and under the snow
+ The pale little sprout kept singing,
+"I cannot tell how, but I know, I know,
+ I know what the days are bringing."
+
+"Birds, and blossoms, and buzzing bees,
+ Blue, blue skies above me,
+Bloom on the meadows and buds on the trees,
+ And the great glad sun to love me."
+
+A pebble spoke next: "You are quite absurd."
+ It said, "with your song's insistence;
+For _I_ never saw a tree or a bird,
+ So of course there are none in existence."
+
+"But I know, I know," the tendril cried,
+ In beautiful sweet unreason;
+Till lo! from its prison, glorified,
+ It burst in the glad spring season.
+
+
+
+
+=The Times=
+
+
+ The times are not degenerate. Man's faith
+Mounts higher than of old. No crumbling creed
+Can take from the immortal soul the need
+ Of that supreme Creator, God. The wraith
+Of dead beliefs we cherished in our youth
+Fades but to let us welcome new-born Truth.
+
+ Man may not worship at the ancient shrine
+Prone on his face, in self-accusing scorn.
+That night is past. He hails a fairer morn,
+ And knows himself a something all divine;
+No humble worm whose heritage is sin,
+But, born of God, he feels the Christ within.
+
+ Not loud his prayers, as in the olden time,
+But deep his reverence for that mighty force.
+That occult working of the great all Source,
+ Which makes the present era so sublime.
+Religion now means something high and broad,
+And man stood never half so near to God.
+
+
+
+
+=The Question=
+
+
+Beside us in our seeking after pleasures,
+ Through all our restless striving after fame,
+Through all our search for worldly gains and treasures,
+ There walketh one whom no man likes to name.
+Silent he follows, veiled of form and feature,
+ Indifferent if we sorrow or rejoice,
+Yet that day comes when every living creature
+ Must look upon his face and hear his voice.
+
+When that day comes to you, and Death, unmasking,
+ Shall bar your path, and say, "Behold the end,"
+What are the questions that he will be asking
+ About your past? Have you considered, friend?
+I think he will not chide you for your sinning,
+ Nor for your creeds or dogmas will he care;
+He will but ask, "_From your life's first beginning
+ How many burdens have you helped to bear_?"
+
+
+
+
+=Sorrow's Uses=
+
+
+The uses of sorrow I comprehend
+Better and better at each year's end.
+
+Deeper and deeper I seem to see
+Why and wherefore it has to be.
+
+Only after the dark, wet days
+Do we fully rejoice in the sun's bright rays.
+
+Sweeter the crust tastes after the fast
+Than the sated gourmand's finest repast.
+
+The faintest cheer sounds never amiss
+To the actor who once has heard a hiss.
+
+To one who the sadness of freedom knows,
+Light seem the fetters love may impose.
+
+And he who has dwelt with his heart alone,
+Hears all the music in friendship's tone.
+
+So better and better I comprehend,
+How sorrow ever would be our friend.
+
+
+
+
+=If=
+
+
+Twixt what thou art, and what thou wouldst be, let
+No "If" arise on which to lay the blame.
+Man makes a mountain of that puny word,
+But, like a blade of grass before the scythe,
+It falls and withers when a human will,
+Stirred by creative force, sweeps toward its aim.
+
+Thou wilt be what thou couldst be. Circumstance
+Is but the toy of genius. When a soul
+Burns with a god-like purpose to achieve,
+All obstacles between it and its goal
+Must vanish as the dew before the sun.
+
+"If" is the motto of the dilettante
+And idle dreamer; 'tis the poor excuse
+Of mediocrity. The truly great
+Know not the word, or know it but to scorn,
+Else had Joan of Arc a peasant died,
+Uncrowned by glory and by men unsung.
+
+
+
+
+=Which Are You?=
+
+
+There are two kinds of people on earth to-day;
+Just two kinds of people, no more, I say.
+
+Not the sinner and the saint, for it's well understood,
+The good are half bad and the bad are half good.
+
+Not the rich and the poor, for to rate a man's wealth,
+You must first know the state of his conscience and health.
+
+Not the humble and proud, for in life's little span,
+Who puts on vain airs, is not counted a man.
+
+Not the happy and sad, for the swift flying years
+Bring each man his laughter and each man his tears.
+
+No; the two kinds of people on earth I mean,
+Are the people who lift, and the people who lean.
+
+Wherever you go, you will find the earth's masses,
+Are always divided in just these two classes.
+
+And oddly enough, you will find too, I ween,
+There's only one lifter to twenty who lean.
+
+In which class are you? Are you easing the load,
+Of overtaxed lifters, who toil down the road?
+
+Or are you a leaner, who lets others share
+Your portion of labor, and worry and care?
+
+
+
+
+=The Creed To Be=
+
+
+Our thoughts are molding unmade spheres,
+ And, like a blessing or a curse,
+They thunder down the formless years,
+ And ring throughout the universe.
+
+We build our futures, by the shape
+ Of our desires, and not by acts.
+There is no pathway of escape;
+ No priest-made creeds can alter facts.
+
+Salvation is not begged or bought;
+ Too long this selfish hope sufficed;
+Too long man reeked with lawless thought,
+ And leaned upon a tortured Christ.
+
+Like shriveled leaves, these worn out creeds
+ Are dropping from Religion's tree;
+The world begins to know its needs,
+ And souls are crying to be free.
+
+Free from the load of fear and grief,
+ Man fashioned in an ignorant age;
+Free from the ache of unbelief
+ He fled to in rebellious rage.
+
+No church can bind him to the things
+ That fed the first crude souls, evolved;
+For, mounting up on daring wings,
+ He questions mysteries all unsolved.
+
+Above the chant of priests, above
+ The blatant voice of braying doubt,
+He hears the still, small voice of Love,
+ Which sends its simple message out.
+
+And clearer, sweeter, day by day,
+ Its mandate echoes from the skies,
+"Go roll the stone of self away,
+ And let the Christ within thee rise."
+
+
+
+
+=Music In The Flat=
+
+
+When Tom and I were married, we took a little flat;
+I had a taste for singing and playing and all that.
+And Tom, who loved to hear me, said he hoped I would not stop
+All practice, like so many wives who let their music drop.
+So I resolved to set apart an hour or two each day
+To keeping vocal chords and hands in trim to sing and play.
+
+The second morning I had been for half an hour or more
+At work on Haydn's masses, when a tap came at my door.
+A nurse who wore a dainty cap and apron, and a smile,
+Ran down to ask if I would cease my music for awhile.
+The lady in the flat above was very ill, she said,
+And the sound of my piano was distracting to her head.
+
+A fortnight's exercises lost, ere I began them, when,
+The following morning at my door, there came that tap again;
+A woman with an anguished face implored me to forego
+My music for some days to come--a man was dead below.
+I shut down my piano till the corpse had left the house,
+And spoke to Tom in whispers and was quiet as a mouse.
+
+A week of labor limbered up my stiffened hand and voice,
+I stole an extra hour from sleep, to practice and rejoice;
+When, ting-a-ling, the door-bell rang a discord in my trill--
+The baby in the flat across was very, very ill.
+For ten long days that infant's life was hanging by a thread,
+And all that time my instrument was silent as the dead.
+
+So pain and death and sickness came in one perpetual row,
+When babies were not born above, then tenants died below.
+The funeral over underneath, some one fell ill on top,
+And begged me, for the love of God, to let my music drop.
+When trouble went not up or down, it stalked across the hall,
+And so in spite of my resolve, I do not play at all.
+
+
+
+
+=Inspiration=
+
+
+Not like a daring, bold, aggressive boy,
+ Is inspiration, eager to pursue,
+But rather like a maiden, fond, yet coy,
+ Who gives herself to him who best doth woo.
+
+Once she may smile, or thrice, thy soul to fire,
+ In passing by, but when she turns her face,
+Thou must persist and seek her with desire,
+ If thou wouldst win the favor of her grace.
+
+And if, like some winged bird she cleaves the air,
+ And leaves thee spent and stricken on the earth,
+Still must thou strive to follow even there,
+ That she may know thy valor and thy worth.
+
+Then shall she come unveiling all her charms,
+ Giving thee joy for pain, and smiles for tears;
+Then shalt thou clasp her with possessing arms,
+ The while she murmurs music in thine ears.
+
+But ere her kiss has faded from thy cheek,
+ She shall flee from thee over hill and glade,
+So must thou seek and ever seek and seek
+ For each new conquest of this phantom maid.
+
+
+
+
+=The Wish=
+
+
+Should some great angel say to me to-morrow,
+ "Thou must re-tread thy pathway from the start,
+But God will grant, in pity, for thy sorrow,
+ Some one dear wish, the nearest to thy heart."
+
+This were my wish! from my life's dim beginning
+ _Let be what has been!_ wisdom planned the whole;
+My want, my woe, my errors, and my sinning,
+ All, all were needed lessons for my soul.
+
+
+
+
+=Three Friends=
+
+
+Of all the blessings which my life has known,
+I value most, and most praise God for three:
+Want, Loneliness and Pain, those comrades true,
+
+Who, masqueraded in the garb of foes
+For many a year, and filled my heart with dread.
+Yet fickle joys, like false, pretentious friends,
+Have proved less worthy than this trio. First,
+
+Want taught me labor, led me up the steep
+And toilsome paths to hills of pure delight,
+Trod only by the feet that know fatigue,
+And yet press on until the heights appear.
+
+Then loneliness and hunger of the heart
+Sent me upreaching to the realms of space,
+Till all the silences grew eloquent,
+And all their loving forces hailed me friend.
+
+Last, pain taught prayer! placed in my hand the staff
+Of close communion with the over-soul,
+That I might lean upon it till the end,
+And find myself made strong for any strife.
+
+And then these three who had pursued my steps
+Like stern, relentless foes, year after year,
+Unmasked, and turned their faces full on me,
+And lo! they were divinely beautiful,
+For through them shone the lustrous eyes of Love.
+
+
+
+
+=You Never Can Tell=
+
+
+You never can tell when you send a word,
+ Like an arrow shot from a bow
+By an archer blind, be it cruel or kind,
+ Just where it may chance to go.
+It may pierce the breast of your dearest friend.
+ Tipped with its poison or balm,
+To a stranger's heart in life's great mart,
+ It may carry its pain or its calm.
+
+You never can tell when you do an act
+ Just what the result will be;
+But with every deed you are sowing a seed,
+ Though the harvest you may not see.
+Each kindly act is an acorn dropped
+ In God's productive soil
+You may not know, but the tree shall grow,
+ With shelter for those who toil.
+
+You never can tell what your thoughts will do,
+ In bringing you hate or love;
+For thoughts are things, and their airy wings
+ Are swifter than carrier doves.
+They follow the law of the universe--
+ Each thing must create its kind,
+And they speed o'er the track to bring you back
+ _Whatever went out from your mind_.
+
+
+
+
+=Here And Now=
+
+
+Here, in the heart of the world,
+ Here, in the noise and the din,
+Here, where our spirits were hurled
+ To battle with sorrow and sin,
+This is the place and the spot
+ For knowledge of infinite things;
+This is the kingdom where Thought
+ Can conquer the prowess of kings.
+
+Wait for no heavenly life,
+ Seek for no temple alone;
+Here, in the midst of the strife,
+ Know what the sages have known.
+See what the Perfect Ones saw--
+ God in the depth of each soul,
+God as the light and the law,
+ God as beginning and goal.
+
+Earth is one chamber of Heaven,
+ Death is no grander than birth.
+Joy in the life that was given,
+ Strive for perfection on earth.
+Here, in the turmoil and roar,
+ Show what it is to be calm;
+Show how the spirit can soar
+ And bring back its healing and balm.
+
+Stand not aloof nor apart,
+ Plunge in the thick of the fight.
+There in the street and the mart,
+ That is the place to do right.
+Not in some cloister or cave,
+ Not in some kingdom above,
+Here, on this side of the grave,
+ Here, should we labor and love.
+
+
+
+
+=Unconquered=
+
+
+However skilled and strong art thou, my foe,
+However fierce is thy relentless hate
+Though firm thy hand, and strong thy aim, and straight
+Thy poisoned arrow leaves the bended bow,
+To pierce the target of my heart, ah! know
+I am the master yet of my own fate.
+Thou canst not rob me of my best estate,
+Though fortune, fame and friends, yea love shall go.
+
+Not to the dust shall my true self be hurled;
+Nor shall I meet thy worst assaults dismayed.
+When all things in the balance are well weighed,
+There is but one great danger in the world--
+_Thou canst not force my soul to wish thee ill_,
+That is the only evil that can kill.
+
+
+
+
+=All That Love Asks=
+
+
+ "All that I ask," says Love, "is just to stand
+And gaze, unchided, deep in thy dear eyes;
+For in their depths lies largest Paradise.
+ Yet, if perchance one pressure of thy hand
+Be granted me, then joy I thought complete
+ Were still more sweet."
+
+ "All that I ask," says Love, "all that I ask,
+Is just thy hand clasp. Could I brush thy cheek
+As zephyrs brush a rose leaf, words are weak
+ To tell the bliss in which my soul would bask.
+There is no language but would desecrate
+ A joy so great."
+
+ "All that I ask, is just one tender touch
+Of that soft cheek. Thy pulsing palm in mine,
+Thy dark eyes lifted in a trust divine
+ And those curled lips that tempt me overmuch
+Turned where I may not seize the supreme bliss
+ Of one mad kiss.
+
+ "All that I ask," says Love, "of life, of death,
+Or of high heaven itself, is just to stand,
+Glance melting into glance, hand twined in hand,
+ The while I drink the nectar of thy breath,
+In one sweet kiss, but one, of all thy store,
+ I ask no more."
+
+ "All that I ask"--nay, self-deceiving Love,
+Reverse thy phrase, so thus the words may fall,
+In place of "all I ask," say, "I ask all,"
+ All that pertains to earth or soars above,
+All that thou wert, art, will be, body, soul,
+ Love asks the whole.
+
+
+
+
+=Does It Pay=
+
+
+If one poor burdened toiler o'er life's road,
+ Who meets us by the way,
+Goes on less conscious of his galling load,
+ Then life indeed, does pay.
+
+If we can show one troubled heart the gain,
+ That lies alway in loss,
+Why then, we too, are paid for all the pain
+ Of bearing life's hard cross.
+
+If some despondent soul to hope is stirred,
+ Some sad lip made to smile,
+By any act of ours, or any word,
+ Then, life has been worth while.
+
+
+
+
+=Sestina=
+
+
+I wandered o'er the vast green plains of youth,
+And searched for Pleasure. On a distant height
+Fame's silhouette stood sharp against the skies.
+Beyond vast crowds that thronged a broad high-way
+I caught the glimmer of a golden goal,
+While from a blooming bower smiled siren Love.
+
+Straight gazing in her eyes, I laughed at Love,
+With all the haughty insolence of youth,
+As past her bower I strode to seek my goal.
+"Now will I climb to glory's dizzy height,"
+I said, "for there above the common way
+Doth pleasure dwell companioned by the skies."
+
+But when I reached that summit near the skies,
+So far from man I seemed, so far from Love--
+"Not here," I cried, "doth Pleasure find her way,"
+Seen from the distant borderland of youth.
+Fame smiles upon us from her sun-kissed height,
+But frowns in shadows when we reach the goal.
+
+Then were mine eyes fixed on that glittering goal,
+Dear to all sense--sunk souls beneath the skies.
+Gold tempts the artist from the lofty height,
+Gold lures the maiden from the arms of Love,
+Gold buys the fresh ingenuous heart of youth,
+"And gold," I said, "will show me Pleasure's way."
+
+But ah! the soil and discord of that way,
+Where savage hordes rushed headlong to the goal,
+Dead to the best impulses of their youth,
+Blind to the azure beauty of the skies;
+Dulled to the voice of conscience and of love,
+They wandered far from Truth's eternal height.
+
+Then Truth spoke to me from that noble height,
+Saying: "Thou didst pass Pleasure on the way,
+She with the yearning eyes so full of Love,
+Whom thou disdained to seek for glory's goal."
+Two blending paths beneath God's arching skies
+Lead straight to Pleasure. Ah, blind heart of youth,
+Not up fame's height, not toward the base god's goal,
+Doth Pleasure make her way, but 'neath calm skies
+Where Duty walks with Love in endless youth.
+
+
+
+
+=The Optimist=
+
+
+The fields were bleak and sodden. Not a wing
+Or note enlivened the depressing wood,
+A soiled and sullen, stubborn snowdrift stood
+Beside the roadway. Winds came muttering
+Of storms to be, and brought the chilly sting
+Of icebergs in their breath. Stalled cattle mooed
+Forth plaintive pleadings for the earth's green food.
+No gleam, no hint of hope in anything.
+
+The sky was blank and ashen, like the face
+Of some poor wretch who drains life's cup too fast.
+Yet, swaying to and fro, as if to fling
+About chilled Nature its lithe arms of grace,
+Smiling with promise in the wintry blast,
+The optimistic Willow spoke of spring.
+
+
+
+
+=The Pessimist=
+
+
+The pessimistic locust, last to leaf,
+Though all the world is glad, still talks of grief.
+
+
+
+
+=The Hammock's Complaint=
+
+
+Who thinks how desolate and strange
+To me must seem the autumn's change,
+When housed in attic or in chest,
+A lonely and unwilling guest,
+I lie through nights of bleak December,
+And think in silence, and remember.
+
+I think of hempen fields, where I
+Once played with insects floating by,
+And joyed alike in sun and rain,
+Unconscious of approaching pain.
+I dwell upon my later lot,
+Where, swung in some secluded spot
+Between two tried and trusted trees,
+All summer long I wooed the breeze.
+With song of bee and call of bird
+And lover's secrets overheard,
+And sight and scent of blooming flowers,
+To fill the happy sunlight's hours.
+When verdant fields grow bare and brown,
+When forest leaves come raining down,
+When frost has mated with the weather
+And all the birds go south together,
+When drying boats turn up their keels,
+Who wonders how the hammock feels?
+
+
+
+
+=Life's Harmonies=
+
+
+Let no man pray that he know not sorrow,
+ Let no soul ask to be free from pain,
+For the gall of to-day is the sweet of to-morrow,
+ And the moment's loss is the lifetime's gain.
+
+Through want of a thing does its worth redouble,
+ Through hunger's pangs does the feast content,
+And only the heart that has harbored trouble,
+ Can fully rejoice when joy is sent.
+
+Let no man shrink from the bitter tonics
+ Of grief, and yearning, and need, and strife,
+For the rarest chords in the soul's harmonies,
+ Are found in the minor strains of life.
+
+
+
+
+=Preaching vs. Practice=
+
+
+It is easy to sit in the sunshine
+ And talk to the man in the shade;
+It is easy to float in a well-trimmed boat,
+ And point out the places to wade.
+
+But once we pass into the shadows,
+ We murmur and fret and frown,
+And, our length from the bank, we shout for a plank,
+ Or throw up our hands and go down.
+
+It is easy to sit in your carriage,
+ And counsel the man on foot,
+But get down and walk, and you'll change your talk,
+ As you feel the peg in your boot.
+
+It is easy to tell the toiler
+ How best he can carry his pack,
+But no one can rate a burden's weight
+ Until it has been on his back.
+
+The up-curled mouth of pleasure,
+ Can prate of sorrow's worth,
+But give it a sip, and a wryer lip,
+ Was never made on earth.
+
+
+
+
+=An Old Man To His Sleeping Young Bride=
+
+
+As when the old moon lighted by the tender
+ And radiant crescent of the new is seen,
+And for a moment's space suggests the splendor
+ Of what in its full prime it once has been,
+So on my waning years you cast the glory
+ Of youth and pleasure, for a little hour;
+And life again seems like an unread story,
+ And joy and hope both stir me with their power.
+
+Can blooming June be fond of bleak December?
+ I dare not wait to hear my heart reply.
+I will forget the question--and remember
+ Alone the priceless feast spread for mine eye,
+That radiant hair that flows across the pillows,
+ Like shimmering sunbeams over drifts of snow;
+Those heaving breasts, like undulating billows,
+ Whose dangers or delights but Love can know.
+
+That crimson mouth from which sly Cupid borrowed
+ The pattern for his bow, nor asked consent;
+That smooth, unruffled brow which has not sorrowed--
+ All these are mine; should I not be content?
+Yet are these treasures mine, or only lent me?
+ And who shall claim them when I pass away?
+Oh, jealous Fate, to torture and torment me
+ With thoughts like these in my too fleeting day!
+
+For while I gained the prize which all were seeking,
+ And won you with the ardor of my quest,
+The bitter truth I know without your speaking--
+ _You only let me love you at the best_.
+E'en while I lean and count my riches over,
+ And view with gloating eyes your priceless charms,
+I know somewhere there dwells the unnamed lover
+ Who yet shall clasp you, willing, in his arms.
+
+And while my hands stray through your clustering tresses,
+ And while my lips are pressed upon your own,
+This unseen lover waits for such caresses
+ As my poor hungering clay has never known,
+And when some day, between you and your duty
+ A green grave lies, his love shall make you glad,
+And you shall crown him with your splendid beauty--
+ Ah, God! ah, God! 'tis this way men go mad!
+
+
+
+
+=I Am=
+
+
+I know not whence I came,
+ I know not whither I go;
+But the fact stands clear that I am here
+ In this world of pleasure and woe.
+And out of the mist and murk,
+ Another truth shines plain.
+It is in my power each day and hour
+ To add to its joy or its pain.
+
+I know that the earth exists,
+ It is none of my business why.
+I cannot find out what it's all about,
+ I would but waste time to try.
+My life is a brief, brief thing,
+ I am here for a little space.
+And while I stay I would like, if I may,
+ To brighten and better the place.
+
+The trouble, I think, with us all
+ Is the lack of a high conceit.
+If each man thought he was sent to this spot
+ To make it a bit more sweet,
+How soon we could gladden the world.
+ How easily right all wrong.
+If nobody shirked, and each one worked
+ To help his fellows along.
+
+Cease wondering why you came--
+ Stop looking for faults and flaws.
+Rise up to-day in your pride and say,
+ "I am part of the First Great Cause!
+However full the world
+ There is room for an earnest man.
+It had need of _me_ or I would not be,
+ I am here to strengthen the plan."
+
+
+
+
+=Two Nights=
+
+(Suggested by the lives of Napoleon and Josephine.)
+
+
+I.
+
+One night was full of rapture and delight--
+ Of reunited arms and swooning kisses,
+ And all the unnamed and unnumbered blisses
+Which fond souls find in love of love at night.
+
+Heart beat with heart, and each clung into each
+ With twining arms that did but loose their hold
+ To cling still closer; and fond glances told
+These truths for which there is no uttered speech.
+
+There was sweet laughter and endearing words,
+ Made broken by the kiss that could not wait,
+ And cooing sounds as of dear little birds
+That in spring-time love and woo and mate.
+
+And languid sighs that breathed of love's content
+And all too soon this night of rapture went.
+
+
+II.
+
+One night was full of anguish and of pain,
+ Of nerveless arms and mockery of kisses;
+ And those caresses where one sick heart misses
+The quick response the other cannot feign.
+
+Hands idly clasped and unclasped, and lost hold,
+ And the averted eyes, that turned away,
+ And in whose depths no love nor longing lay,
+The saddest of all truths too plainly told.
+
+There was salt sorrow and the gall of tears,
+ Some useless words that ended in a moan,
+ And a dull dread of long unending years
+When one must walk forever more alone.
+Deep shuddering sighs told more than lips could say;
+And the long night of sorrow wore away.
+
+
+
+
+=Preparation=
+
+
+We must not force events, but rather make
+The heart soil ready for their coming, as
+The earth spreads carpets for the feet of Spring,
+Or, with the strengthening tonic of the frost,
+Prepares for Winter. Should a July noon
+Burst suddenly upon a frozen world
+Small joy would follow, even tho' that world
+Were longing for the Summer. Should the sting
+Of sharp December pierce the heart of June,
+What death and devastation would ensue!
+All things are planned. The most majestic sphere
+That whirls through space is governed and controlled
+By supreme law, as is the blade of grass
+Which through the bursting bosom of the earth
+Creeps up to kiss the light. Poor puny man
+Alone doth strive and battle with the Force
+Which rules all lives and worlds, and he alone
+Demands effect before producing cause.
+How vain the hope! We cannot harvest joy
+Until we sow the seed, and God alone
+Knows when that seed has ripened. Oft we stand
+And watch the ground with anxious brooding eyes
+Complaining of the slow unfruitful yield,
+Not knowing that the shadow of ourselves
+Keeps off the sunlight and delays result.
+Sometimes our fierce impatience of desire
+Doth like a sultry May force tender shoots
+Of half-formed pleasures and unshaped events
+To ripen prematurely, and we reap
+But disappointment; or we rot the germs
+With briny tears ere they have time to grow.
+While stars are born and mighty planets die
+And hissing comets scorch the brow of space
+The Universe keeps its eternal calm.
+Through patient preparation, year on year,
+The earth endures the travail of the Spring
+And Winter's desolation. So our souls
+In grand submission to a higher law
+Should move serene through all the ills of life,
+Believing them masked joys.
+
+
+
+
+=Custer=
+
+=BOOK FIRST=
+
+
+I.
+
+All valor died not on the plains of Troy.
+Awake, my Muse, awake! be thine the joy
+To sing of deeds as dauntless and as brave
+As e'er lent luster to a warrior's grave.
+Sing of that noble soldier, nobler man,
+Dear to the heart of each American.
+Sound forth his praise from sea to listening sea--
+Greece her Achilles claimed, immortal Custer, we.
+
+
+II.
+
+Intrepid are earth's heroes now as when
+The gods came down to measure strength with men.
+Let danger threaten or let duty call,
+And self surrenders to the needs of all;
+Incurs vast perils, or, to save those dear,
+Embraces death without one sigh or tear.
+Life's martyrs still the endless drama play
+Though no great Homer lives to chant their worth to-day.
+
+
+III.
+
+And if he chanted, who would list his songs,
+So hurried now the world's gold-seeking throngs?
+And yet shall silence mantle mighty deeds?
+Awake, dear Muse, and sing though no ear heeds!
+Extol the triumphs, and bemoan the end
+Of that true hero, lover, son and friend
+Whose faithful heart in his last choice was shown--
+Death with the comrades dear, refusing flight alone.
+
+
+IV.
+
+He who was born for battle and for strife
+Like some caged eagle frets in peaceful life;
+So Custer fretted when detained afar
+From scenes of stirring action and of war.
+And as the captive eagle in delight,
+When freedom offers, plumes himself for flight
+And soars away to thunder clouds on high,
+With palpitating wings and wild exultant cry.
+
+
+V.
+
+So lion-hearted Custer sprang to arms,
+And gloried in the conflict's loud alarms.
+But one dark shadow marred his bounding joy;
+And then the soldier vanished, and the boy,
+The tender son, clung close, with sobbing breath,
+To her from whom each parting was new death;
+That mother who like goddesses of old,
+Gave to the mighty Mars, three warriors brave and bold,
+
+
+VI.
+
+Yet who, unlike those martial dames of yore,
+Grew pale and shuddered at the sight of gore.
+A fragile being, born to grace the hearth,
+Untroubled by the conflicts of the earth.
+Some gentle dove who reared young eaglets, might,
+In watching those bold birdlings take their flight,
+Feel what that mother felt who saw her sons
+Rush from her loving arms, to face death-dealing guns.
+
+
+VII.
+
+But ere thy lyre is strung to martial strains
+Of wars which sent our hero o'er the plains,
+To add the cypress to his laureled brow,
+Be brave, my Muse, and darker truths avow.
+Let Justice ask a preface to thy songs,
+Before the Indian's crimes declare his wrongs;
+Before effects, wherein all horrors blend,
+Declare the shameful cause, precursor of the end.
+
+
+VIII.
+
+When first this soil the great Columbus trod,
+He was less like the image of his God
+Than those ingenuous souls, unspoiled by art,
+Who lived so near to Mother Nature's heart;
+Those simple children of the wood and wave,
+As frank as trusting, and as true as brave;
+Savage they were, when on some hostile raid
+(For where is he so high, whom war does not degrade?)
+
+
+IX.
+
+But dark deceit and falsehood's shameless shame
+They had not learned, until the white man came.
+He taught them, too, the lurking devil's joy
+In liquid lies, that lure but to destroy.
+With wily words, as false as they were sweet,
+He spread his snares for unsuspecting feet;
+Paid truth with guile, and trampled in the dust
+Their gentle childlike faith and unaffected trust.
+
+
+X.
+
+And for the sport of idle kings and knaves
+Of Nature's greater noblemen, made slaves.
+Alas, the hour, when the wronged Indian knows
+His seeming benefactors are but foes.
+His kinsmen kidnapped and his lands possessed,
+The demon woke in that untutored breast.
+Four hundred years have rolled upon their way--
+The ruthless demon rules the red man to this day.
+
+
+XI.
+
+If, in the morning of success, that grand
+Invincible discoverer of our land
+Had made no lodge or wigwam desolate
+To carry trophies to the proud and great;
+If on our history's page there were no blot
+Left by the cruel rapine of Cabot,
+Of Verrazin, and Hudson, dare we claim
+The Indian of the plains, to-day had been the same?
+
+
+XII.
+
+For in this brief existence, not alone
+Do our lives gather what our hands have sown,
+But we reap, too, what others long ago
+Sowed, careless of the harvests that might grow.
+Thus hour by hour the humblest human souls
+Inscribe in cipher on unending scrolls,
+The history of nations yet to be;
+Incite fierce bloody wars, to rage from sea to sea,
+
+
+XIII.
+
+Or pave the way to peace. There is no past,
+So deathless are events--results so vast.
+And he who strives to make one act or hour
+Stand separate and alone, needs first the power
+To look upon the breaking wave and say,
+"These drops were bosomed by a cloud to-day,
+And those from far mid-ocean's crest were sent."
+So future, present, past, in one wide sea are blent.
+
+
+=BOOK SECOND=
+
+
+I.
+
+Oh, for the power to call to aid, of mine
+Own humble Muse, the famed and sacred nine.
+Then might she fitly sing, and only then,
+Of those intrepid and unflinching men
+Who knew no homes save ever moving tents,
+And who 'twixt fierce unfriendly elements
+And wild barbarians warred. Yet unfraid,
+Since love impels thy strains, sing, sing, my modest maid.
+
+
+II.
+
+Relate how Custer in midwinter sought
+Far Washita's cold shores; tell why he fought
+With savage nomads fortressed in deep snows.
+Woman, thou source of half the sad world's woes
+And all its joys, what sanguinary strife
+Has vexed the earth and made contention rife
+Because of thee! For, hidden in man's heart,
+Ay, in his very soul, of his true self a part,
+
+
+III.
+
+The natural impulse and the wish belongs
+To win thy favor and redress thy wrongs.
+Alas! for woman, and for man, alas!
+If that dread hour should ever come to pass,
+When, through her new-born passion for control,
+She drives that beauteous impulse from his soul.
+What were her vaunted independence worth
+If to obtain she sells her sweetest rights of birth?
+
+
+IV.
+
+God formed fair woman for her true estate--
+Man's tender comrade, and his equal mate,
+Not his competitor in toil and trade.
+While coarser man, with greater strength was made
+To fight her battles and her rights protect.
+Ay! to protect the rights of earth's elect
+(The virgin maiden and the spotless wife)
+From immemorial time has man laid down his life.
+
+
+V.
+
+And now brave Custer's valiant army pressed
+Across the dangerous desert of the West,
+To rescue fair white captives from the hands
+Of brutal Cheyenne and Comanche bands,
+On Washita's bleak banks. Nine hundred strong
+It moved its slow determined way along,
+Past frontier homes left dark and desolate
+By the wild Indians' fierce and unrelenting hate;
+
+
+VI.
+
+Past forts where ranchmen, strong of heart and bold,
+Wept now like orphaned children as they told,
+With quivering muscles and with anguished breath,
+Of captured wives, whose fate was worse than death;
+Past naked bodies whose disfiguring wounds
+Spoke of the hellish hate of human hounds;
+Past bleaching skeleton and rifled grave,
+On pressed th' avenging host, to rescue and to save.
+
+
+VII.
+
+Uncertain Nature, like a fickle friend,
+(Worse than the foe on whom we may depend)
+Turned on these dauntless souls a brow of wrath
+And hurled her icy jav'lins in their path.
+With treacherous quicksands, and with storms that blight,
+Entrapped their footsteps and confused their sight.
+"Yet on," urged Custer, "on at any cost,
+No hour is there to waste, no moment to be lost."
+
+
+VIII.
+
+Determined, silent, on they rode, and on,
+Like fabled Centaurs, men and steeds seemed one.
+No bugle echoed and no voice spoke near,
+Lest on some lurking Indian's list'ning ear
+The sound might fall. Through swift descending snow
+The stealthy guides crept, tracing out the foe;
+No fire was lighted, and no halt was made
+From haggard gray-lipped dawn till night lent friendly shade.
+
+
+IX.
+
+Then, by the shelt'ring river's bank at last,
+The weary warriors paused for their repast.
+A couch of ice and falling snows for spread
+Made many a suffering soldier's chilling bed.
+They slept to dream of glory and delight,
+While the pale fingers of the pitying night
+Wove ghostly winding sheets for that doomed score
+Who, ere another eve, should sleep to wake no more.
+
+
+X.
+
+But those who slept not, saw with startled eyes
+Far off, athwart dim unprotecting skies,
+Ascending slowly with majestic grace,
+A lustrous rocket, rising out of space.
+"Behold the signal of the foe," cried one,
+The field is lost before the strife's begun.
+Yet no! for see! yon rays spread near and far;
+It is the day's first smile, the radiant morning star.
+
+
+XI.
+
+The long hours counting till the daylight broke,
+In whispered words the restless warriors spoke.
+They talked of battles, but they thought of home
+(For hearts are faithful though the feet may roam).
+Brave Hamilton, all eager for the strife,
+Mused o'er that two-fold mystery--death and life;
+"And when I die," quoth he, "mine be the part
+To fall upon the field, a bullet in my heart."
+
+
+XII.
+
+At break of dawn the scouts crept in to say
+The foe was camped a rifle shot away.
+The baying of a dog, an infant's cry
+Pierced through the air; sleep fled from every eye.
+To horse! to arms! the dead demand the dead!
+Let the grand charge upon the lodge be led!
+Let the Mosaic law, life for a life
+Pay the long standing debt of blood. War to the knife!
+
+
+XIII.
+
+So spake each heart in that unholy rage
+Which fires the brain, when war the thoughts engage.
+War, hideous war, appealing to the worst
+In complex man, and waking that wild thirst
+For human blood which blood alone can slake.
+Yet for their country's safety, and the sake
+Of tortured captives moaning in alarm
+The Indian must be made to fear the law's strong arm.
+
+
+XIV.
+
+A noble vengeance burned in Custer's breast,
+But, as he led his army to the crest,
+Above the wigwams, ready for the charge
+He felt the heart within him, swelling large
+With human pity, as an infant's wail
+Shrilled once again above the wintry gale.
+Then hosts of murdered children seemed to rise;
+And shame his halting thought with sad accusing eyes,
+
+
+XV.
+
+And urge him on to action. Stern of brow
+The just avenger, and the General now,
+He gives the silent signal to the band
+Which, all impatient, waits for his command.
+Cold lips to colder metal press; the air
+Echoes those merry strains which mean despair
+For sleeping chieftain and for toiling squaw,
+But joy to those stern hearts which glory in the law
+
+
+XVI.
+
+Of murder paying murder's awful debt.
+And now four squadrons in one charge are met.
+From east and west, from north and south they come,
+At call of bugle and at roll of drum.
+Their rifles rain hot hail upon the foe,
+Who flee from danger in death's jaws to go.
+The Indians fight like maddened bulls at bay,
+And dying shriek and groan, wound the young ear of day.
+
+
+XVII.
+
+A pallid captive and a white-browed boy
+Add to the tumult piercing cries of joy,
+As forth they fly, with high hope animate.
+A hideous squaw pursues them with her hate;
+Her knife descends with sickening force and sound;
+Their bloody entrails stain the snow-clad ground.
+She shouts with glee, then yells with rage and falls
+Dead by her victims' side, pierced by avenging balls.
+
+
+XVIII.
+
+Now war runs riot, carnage reigns supreme.
+All thoughts of mercy fade from Custer's scheme.
+Inhuman methods for inhuman foes,
+Who feed on horrors and exult in woes.
+To conquer and subdue alone remains
+In dealing with the red man on the plains.
+The breast that knows no conscience yields to fear,
+Strike! let the Indian meet his master now and here.
+
+
+XIX.
+
+With thoughts like these was Custer's mind engaged.
+The gentlest are the sternest when enraged.
+All felt the swift contagion of his ire,
+For he was one who could arouse and fire
+The coldest heart, so ardent was his own.
+His fearless eye, his calm intrepid tone,
+Bespoke the leader, strong with conscious power,
+Whom following friends will bless, while foes will curse and cower.
+
+
+XX.
+
+Again they charge! and now among the killed
+Lies Hamilton, his wish so soon fulfilled,
+Brave Elliott pursues across the field
+The flying foe, his own young life to yield.
+But like the leaves in some autumnal gale
+The red men fall in Washita's wild vale.
+Each painted face and black befeathered head
+Still more repulsive seems with death's grim pallor wed.
+
+
+XXI.
+
+New forces gather on surrounding knolls,
+And fierce and fiercer war's red river rolls.
+With bright-hued pennants flying from each lance
+The gayly costumed Kiowas advance.
+And bold Comanches (Bedouins of the land)
+Infuse fresh spirit in the Cheyenne band.
+While from the ambush of some dark ravine
+Flash arrows aimed by hands, unerring and unseen.
+
+
+XXIII.
+
+The hours advance; the storm clouds roll away;
+Still furious and more furious grows the fray.
+The yellow sun makes ghastlier still the sight
+Of painted corpses, staring in its light.
+No longer slaves, but comrades of their griefs,
+The squaws augment the forces of their chiefs.
+They chant weird dirges in a minor key,
+While from the narrow door of wigwam and tepee
+
+[Transcriber's Note: originally the remaining stanzas of Book II were numbered
+incorrectly from here onwards. This has been changed to avoid confusion]
+
+XXIV.
+
+Cold glittering eyes above cold glittering steel
+Their deadly purpose and their hate reveal.
+The click of pistols and the crack of guns
+Proclaim war's daughters dangerous as her sons.
+She who would wield the soldier's sword and lance
+Must be prepared to take the soldier's chance.
+She who would shoot must serve as target, too;
+The battle-frenzied men, infuriate now pursue.
+
+
+XXV.
+
+And blood of warrior, woman and papoose,
+Flow free as waters when some dam breaks loose;
+Consuming fire, the wanton friend of war
+(Whom allies worship and whom foes abhor)
+Now trails her crimson garments through the street,
+And ruin marks the passing of her feet.
+Full three-score lodges smoke upon the plain,
+And all the vale is strewn with bodies of the slain.
+
+
+XXVI.
+
+And those who are not numbered with the dead
+Before all-conquering Custer now are led.
+To soothe their woes, and calm their fears he seeks;
+An Osage guide interprets while he speaks.
+The vanquished captives, humbled, cowed and spent
+Read in the victor's eye his kind intent.
+The modern victor is as kind as brave;
+His captive is his guest, not his insulted slave.
+
+
+XXVII.
+
+Mahwissa, sister of the slaughtered chief
+Of all the Cheyennes, listens; and her grief
+Yields now to hope; and o'er her withered face
+There flits the stealthy cunning of her race.
+Then forth she steps, and thus begins to speak:
+"To aid the fallen and support the weak
+Is man's true province; and to ease the pain
+Of those o'er whom it is his purpose now to reign.
+
+
+XXVIII.
+
+"Let the strong chief unite with theirs his life,
+And take this black-eyed maiden for a wife."
+Then, moving with an air of proud command,
+She leads a dusky damsel by the hand,
+And places her at wondering Custer's side,
+Invoking choicest blessings on the bride
+And all unwilling groom, who thus replies.
+"Fair is the Indian maid, with bright bewildering eyes,
+
+
+XXIX.
+
+"But fairer still is one who, year on year,
+Has borne man's burdens, conquered woman's fear;
+And at my side rode mile on weary mile,
+And faced all deaths, all dangers, with a smile,
+Wise as Minerva, as Diana brave,
+Is she whom generous gods in kindness gave
+To share the hardships of my wandering life,
+Companion, comrade, friend, my loved and loyal wife.
+
+
+XXX.
+
+"The white chief weds but one. Take back thy maid."
+He ceased, and o'er Mahwissa's face a shade
+Of mingled scorn and pity and surprise
+Sweeps as she slow retreats, and thus replies:
+"Rich is the pale-faced chief in battle fame,
+But poor is he who but one wife may claim.
+Wives are the red-skinned heroes' rightful spoil;
+In war they prove his strength, in times of peace they toil."
+
+
+XXXI.
+
+But hark! The bugle echoes o'er the plains
+And sounds again those merry Celtic strains
+Which oft have called light feet to lilting dance,
+But now they mean the order to advance.
+Along the river's bank, beyond the hill
+Two thousand foemen lodge, unconquered still.
+Ere falls night's curtain on this bloody play,
+The army must proceed, with feint of further fray.
+
+
+XXXII.
+
+The weary warriors mount their foam-flecked steeds,
+With flags unfurled the dauntless host proceeds.
+What though the foe outnumbers two to one?
+Boldness achieves what strength oft leaves undone;
+A daring mein will cause brute force to cower,
+And courage is the secret source of power.
+As Custer's column wheels upon their sight
+The frightened red men yield the untried field by flight.
+
+
+XXXIII.
+
+Yet when these conquering heroes sink to rest,
+Dissatisfaction gnaws the leader's breast,
+For far away across vast seas of snows
+Held prisoners still by hostile Arapahoes
+And Cheyennes unsubdued, two captives wait.
+On God and Custer hangs their future fate.
+May the Great Spirit nerve the mortal's arm
+To rescue suffering souls from worse than death's alarm.
+
+
+XXXIV.
+
+But ere they seek to rescue the oppressed,
+The valiant dead, in state, are laid to rest.
+Mourned Hamilton, the faithful and the brave,
+Nine hundred comrades follow to the grave;
+And close behind the banner-hidden corse
+All draped in black, walks mournfully his horse;
+While tears of sound drip through the sunlit day.
+A soldier may not weep, but drums and bugles may.
+
+
+XXXV.
+
+Now, Muse, recount, how after long delays
+And dangerous marches through untrodden ways,
+Where cold and hunger on each hour attend,
+At last the army gains the journey's end.
+An Indian village bursts upon the eye;
+Two hundred lodges, sleep-encompassed lie,
+There captives moan their anguished prayers through tears,
+While in the silent dawn the armied answer nears.
+
+
+XXXVI.
+
+To snatch two fragile victims from the foe
+Nine hundred men have traversed leagues of snow.
+Each woe they suffered in a hostile land
+The flame of vengeance in their bosoms fanned.
+They thirst for slaughter, and the signal wait
+To wrest the captives from their horrid fate.
+Each warrior's hand upon his rifle falls,
+Each savage soldier's heart for awful bloodshed calls.
+
+
+XXXVII.
+
+And one, in years a youth, in woe a man,
+Sad Brewster, scarred by sorrow's blighting ban,
+Looks, panting, where his captive sister sleeps,
+And o'er his face the shade of murder creeps.
+His nostrils quiver like a hungry beast
+Who scents anear the bloody carnal feast.
+He longs to leap down in that slumbering vale
+And leave no foe alive to tell the awful tale.
+
+
+XXXVIII.
+
+Not so, calm Custer. Sick of gory strife,
+He hopes for rescue with no loss of life;
+And plans that bloodless battle of the plains
+Where reasoning mind outwits mere savage brains.
+The sullen soldiers follow where he leads;
+No gun is emptied, and no foeman bleeds.
+Fierce for the fight and eager for the fray
+They look upon their Chief in undisguised dismay.
+
+
+XXXIX.
+
+He hears the murmur of their discontent,
+But sneers can never change a strong mind's bent.
+He knows his purpose and he does not swerve,
+And with a quiet mien and steady nerve
+He meets dark looks where'er his steps may go,
+And silence that is bruising as a blow,
+Where late were smiles and words of ardent praise.
+So pass the lagging weeks of wearying delays.
+
+
+XL.
+
+Inaction is not always what it seems,
+And Custer's mind with plan and project teems.
+Fixed in his peaceful purpose he abides
+With none takes counsel and in none confides;
+But slowly weaves about the foe a net
+Which leaves them wholly at his mercy, yet
+He strikes no fateful blow; he takes no life,
+And holds in check his men, who pant for bloody strife.
+
+
+XLI.
+
+Intrepid warrior and skilled diplomate,
+In his strong hands he holds the red man's fate.
+The craftiest plot he checks with counterplot,
+Till tribe by tribe the tricky foe is brought
+To fear his vengeance and to know his power
+As man's fixed gaze will make a wild beast cower,
+So these crude souls feel that unflinching will
+Which draws them by its force, yet does not deign to kill.
+
+
+XLII.
+
+And one by one the hostile Indians send
+Their chiefs to seek a peaceful treaty's end.
+Great councils follow; skill with cunning copes
+And conquers it; and Custer sees his hopes
+So long delayed, like stars storm hidden, rise
+To radiate with splendor all his skies.
+The stubborn Cheyennes, cowed at last by fear,
+Leading the captive pair, o'er spring-touched hills appear.
+
+
+XLIII.
+
+With breath suspended, now the whole command
+Waits the approach of that equestrian band.
+Nearer it comes, still nearer, then a cry,
+Half sob, half shriek, goes piercing God's blue sky,
+And Brewster, like a nimble-footed doe,
+Or like an arrow hurrying from a bow,
+Shoots swiftly through the intervening space
+And that lost sister clasps, in sorrowing love's embrace.
+
+
+XLIV.
+
+And men who leaned o'er Hamilton's rude bier
+And saw his dead dear face without a tear,
+Strong souls who early learned the manly art
+Of keeping from the eye what's in the heart,
+Soldiers who look unmoved on death's pale brow,
+Avert their eyes, to hide their moisture now.
+The briny flood forced back from shores of woe,
+Needs but to touch the strands of joy to overflow.
+
+
+XLV.
+
+About the captives welcoming warriors crowd,
+All eyes are wet, and Brewster sobs aloud.
+Alas, the ravage wrought by toil and woe
+On faces that were fair twelve moons ago.
+Bronzed by exposure to the heat and cold,
+Still young in years, yet prematurely old,
+By insults humbled and by labor worn,
+They stand in youth's bright hour, of all youth's graces shorn.
+
+
+XLVI.
+
+A scanty garment rudely made of sacks
+Hangs from their loins; bright blankets drape their backs;
+About their necks are twisted tangled strings
+Of gaudy beads, while tinkling wire and rings
+Of yellow brass on wrists and fingers glow.
+Thus, to assuage the anger of the foe
+The cunning Indians decked the captive pair
+Who in one year have known a lifetime of despair.
+
+
+XLVII.
+
+But love can resurrect from sorrow's tomb
+The vanished beauty and the faded bloom,
+As sunlight lifts the bruised flower from the sod,
+Can lift crushed hearts to hope, for love is God.
+Already now in freedom's glad release
+The hunted look of fear gives place to peace,
+And in their eyes at thought of home appears
+That rainbow light of joy which brightest shines through tears.
+
+
+XLVIII.
+
+About the leader thick the warriors crowd;
+Late loud in censure, now in praises loud,
+They laud the tactics, and the skill extol
+Which gained a bloodless yet a glorious goal.
+Alone and lonely in the path of right
+Full many a brave soul walks. When gods requite
+And crown his actions as their worth demands,
+Among admiring throngs the hero always stands.
+
+ * * * * *
+
+
+XLIX.
+
+Back to the East the valorous squadrons sweep;
+The earth, arousing from her long, cold sleep,
+Throws from her breast the coverlet of snow,
+Revealing Spring's soft charms which lie below.
+Suppressed emotions in each heart arise,
+The wooer wakens and the warrior dies.
+The bird of prey is vanquished by the dove,
+And thoughts of bloody strife give place to thoughts of love.
+
+
+L.
+
+The mighty plains, devoid of whispering trees,
+Guard well the secrets of departed seas.
+Where once great tides swept by with ebb and flow
+The scorching sun looks down in tearless woe.
+And fierce tornadoes in ungoverned pain
+Mourn still the loss of that mysterious main.
+Across this ocean bed the soldiers fly--
+Home is the gleaming goal that lures each eager eye.
+
+
+LI.
+
+Like some elixir which the gods prepare,
+They drink the viewless tonic of the air,
+Sweet with the breath of startled antelopes
+Which speed before them over swelling slopes.
+Now like a serpent writhing o'er the moor,
+The column curves and makes a slight detour,
+As Custer leads a thousand men away
+To save a ground bird's nest which in the footpath lay.
+
+
+LII.
+
+Mile following mile, against the leaning skies
+Far off they see a dull dark cloud arise.
+The hunter's instinct in each heart is stirred,
+Beholding there in one stupendous herd
+A hundred thousand buffaloes. Oh great
+Unwieldy proof of Nature's cruder state,
+Rough remnant of a prehistoric day,
+Thou, with the red man, too, must shortly pass away.
+
+
+LIII.
+
+Upon those spreading plains is there not room
+For man and bison, that he seals its doom?
+What pleasure lies and what seductive charm
+In slaying with no purpose but to harm?
+Alas, that man, unable to create,
+Should thirst forever to exterminate,
+And in destruction find his fiercest joy.
+The gods alone create, gods only should destroy.
+
+
+LIV.
+
+The flying hosts a straggling bull pursue;
+Unerring aim, the skillful Custer drew.
+The wounded beast turns madly in despair
+And man and horse are lifted high in air.
+The conscious steed needs not the guiding rein;
+Back with a bound and one quick cry of pain
+He springs, and halts, well knowing where must fall
+In that protected frame, the sure death dealing ball.
+
+
+LV.
+
+With minds intent upon the morrow's feast,
+The men surround the carcass of the beast.
+Rolled on his back, he lies with lolling tongue,
+Soon to the saddle savory steaks are hung.
+And from his mighty head, great tufts of hair
+Are cut as trophies for some lady fair.
+To vultures then they leave the torn remains
+Of what an hour ago was monarch of the plains.
+
+
+LVI.
+
+Far off, two bulls in jealous war engage,
+Their blood-shot eye balls roll in furious rage;
+With maddened hoofs they mutilate the ground
+And loud their angry bellowings resound;
+With shaggy heads bent low they plunge and roar,
+Till both broad bellies drip with purple gore.
+Meanwhile, the heifer, whom the twain desire,
+Stands browsing near the pair, indifferent to their ire.
+
+
+LVII.
+
+At last she lifts her lazy head and heeds
+The clattering hoofs of swift advancing steeds.
+Off to the herd with cumb'rous gait she runs
+And leaves the bulls to face the threatening guns.
+No more for them the free life of the plains,
+Its mating pleasures and its warring pains.
+Their quivering flesh shall feed unnumbered foes,
+Their tufted tails adorn the soldiers' saddle bows.
+
+
+LVIII.
+
+Now into camp the conquering hosts advance;
+On burnished arms the brilliant sunbeams glance.
+Brave Custer leads, blonde as the gods of old;
+Back from his brow blow clustering locks of gold,
+And, like a jewel in a brook, there lies,
+Far in the depths of his blue guarded eyes,
+The thought of one whose smiling lips up-curled,
+Mean more of joy to him than plaudits of the world.
+
+
+LIX.
+
+The troops in columns of platoons appear
+Close to the leader following. Ah, here
+The poetry of war is fully seen,
+Its prose forgotten; as against the green
+Of Mother Nature, uniformed in blue,
+The soldiers pass for Sheridan's review.
+The motion-music of the moving throng,
+Is like a silent tune, set to a wordless song.
+
+
+LX.
+
+The guides and trailers, weird in war's array,
+Precede the troops along the grassy way.
+They chant wild songs, and with loud noise and stress,
+In savage manner savage joy express.
+The Indian captives, blanketed in red,
+On ponies mounted, by the scouts are led.
+Like sumach bushes, etched on evening skies,
+Against the blue-clad troops, this patch of color lies.
+
+
+LXI.
+
+High o'er the scene vast music billows bound,
+And all the air is liquid with the sound
+Of those invisible compelling waves.
+Perchance they reach the low and lonely graves
+Where sleep brave Elliott and Hamilton,
+And whisper there the tale of victory won;
+Or do the souls of soldiers tried and true
+Come at the bugle call, and march in grand review?
+
+
+LXII.
+
+The pleased Commander watches in surprise
+This splendid pageant surge before his eyes.
+Not in those mighty battle days of old
+Did scenes like this upon his sight unfold.
+But now it passes. Drums and bugles cease
+To dash war billows on the shores of Peace.
+The victors smile on fair broad bosomed Sleep
+While in her soothing arms, the vanquished cease to weep.
+
+
+=BOOK THIRD=
+
+[There is an interval of eight years between Books Second and Third.]
+
+
+I.
+
+As in the long dead days marauding hosts
+Of Indians came from far Siberian coasts,
+And drove the peaceful Aztecs from their grounds,
+Despoiled their homes (but left their tell-tale mounds),
+So has the white man with the Indians done.
+Now with their backs against the setting sun
+The remnants of a dying nation stand
+And view the lost domain, once their beloved land.
+
+
+II.
+
+Upon the vast Atlantic's leagues of shore
+The happy red man's tent is seen no more;
+And from the deep blue lakes which mirror heaven
+His bounding bark canoe was long since driven.
+The mighty woods, those temples where his God
+Spoke to his soul, are leveled to the sod;
+And in their place tall church spires point above,
+While priests proclaim the law of Christ, the King of Love.
+
+
+III.
+
+The avaricious and encroaching rail
+Seized the wide fields which knew the Indian's trail.
+Back to the reservations in the West
+The native owners of the land were pressed,
+And selfish cities, harbingers of want,
+Shut from their vision each accustomed haunt.
+Yet hungry Progress, never satisfied,
+Gazed on the western plains, and gazing, longed and sighed.
+
+
+IV.
+
+As some strange bullock in a pasture field
+Compels the herds to fear him, and to yield
+The juicy grass plots and the cooling shade
+Until, despite their greater strength, afraid,
+They huddle in some corner spot and cower
+Before the monarch's all controlling power,
+So has the white man driven from its place
+By his aggressive greed, Columbia's native race.
+
+
+V.
+
+Yet when the bull pursues the herds at bay,
+Incensed they turn, and dare dispute his sway.
+And so the Indians turned, when men forgot
+Their sacred word, and trespassed on the spot.
+The lonely little spot of all their lands,
+The reservation of the peaceful bands.
+But lust for gold all conscience kills in man,
+"Gold in the Black Hills, gold!" the cry arose and ran
+
+
+VI.
+
+From lip to lip, as flames from tree to tree
+Leap till the forest is one fiery sea,
+And through the country surged that hot unrest
+Which thirst for riches wakens in the breast.
+In mighty throngs the fortune hunters came,
+Despoiled the red man's lands and slew his game,
+Broke solemn treaties and defied the law.
+And all these ruthless acts the Nation knew and saw.
+
+
+VII.
+
+Man is the only animal that kills
+Just for the wanton love of slaughter; spills
+The blood of lesser things to see it flow;
+Lures like a friend, to murder like a foe
+The trusting bird and beast; and, coward like,
+Deals covert blows he dare not boldly strike.
+The brutes have finer souls, and only slay
+When torn by hunger's pangs, or when to fear a prey.
+
+
+VIII.
+
+The pale-faced hunter, insolent and bold,
+Pursued the bison while he sought for gold.
+And on the hungry red man's own domains
+He left the rotting and unused remains
+To foul with sickening stench each passing wind
+And rouse the demon in the savage mind,
+Save in the heart where virtues dominate
+Injustice always breeds its natural offspring--hate.
+
+
+IX.
+
+The chieftain of the Sioux, great Sitting Bull,
+Mused o'er their wrongs, and felt his heart swell full
+Of bitter vengeance. Torn with hate's unrest
+He called a council and his braves addressed.
+"From fair Wisconsin's shimmering lakes of blue
+Long years ago the white man drove the Sioux.
+Made bold by conquest, and inflamed by greed,
+He still pursues our tribes, and still our ranks recede.
+
+
+X.
+
+"Fair are the White Chief's promises and words,
+But dark his deeds who robs us of our herds.
+He talks of treaties, asks the right to buy,
+Then takes by force, not waiting our reply.
+He grants us lands for pastures and abodes
+To devastate them by his iron roads.
+But now from happy Spirit Lands, a friend
+Draws near the hunted Sioux, to strengthen and defend.
+
+
+XI.
+
+"While walking in the fields I saw a star;
+Unconsciously I followed it afar--
+It led me on to valleys filled with light,
+Where danced our noble chieftains slain in fight.
+Black Kettle, first of all that host I knew,
+He whom the strong armed Custer foully slew.
+And then a spirit took me by the hand,
+The Great Messiah King who comes to free the land.
+
+
+XII.
+
+"Suns were his eyes, a speaking tear his voice,
+Whose rainbow sounds made listening hearts rejoice
+And thus he spake: 'The red man's hour draws near
+When all his lost domains shall reappear.
+The elk, the deer, the bounding antelope,
+Shall here return to grace each grassy slope.'
+He waved his hand above the fields, and lo!
+Down through the valleys came a herd of buffalo.
+
+
+XIII.
+
+"The wondrous vision vanished, but I knew
+That Sitting Bull must make the promise true.
+Great Spirits plan what mortal man achieves,
+The hand works magic when the heart believes.
+Arouse, ye braves! let not the foe advance.
+Arm for the battle and begin the dance--
+The sacred dance in honor of our slain,
+Who will return to earth, ere many moons shall wane."
+
+
+XIV.
+
+Thus Sitting Bull, the chief of wily knaves,
+Worked on the superstitions of his braves.
+Mixed truth with lies; and stirred to mad unrest
+The warlike instinct in each savage breast.
+A curious product of unhappy times,
+The natural offspring of unnumbered crimes,
+He used low cunning and dramatic arts
+To startle and surprise those crude untutored hearts.
+
+
+XV.
+
+Out from the lodges pour a motley throng,
+Slow measures chanting of a dirge-like song.
+In one great circle dizzily they swing,
+A squaw and chief alternate in the ring.
+Coarse raven locks stream over robes of white,
+Their deep set orbs emit a lurid light,
+And as through pine trees moan the winds refrains,
+So swells and dies away, the ghostly graveyard strains.
+
+
+XVI.
+
+Like worded wine is music to the ear,
+And long-indulged makes mad the hearts that hear.
+The dancers, drunken with the monotone
+Of oft repeated notes, now shriek and groan
+And pierce their ruddy flesh with sharpened spears;
+Still more excited when the blood appears,
+With warlike yells, high in the air they bound,
+Then in a deathlike trance fall prostrate on the ground.
+
+
+XVII.
+
+They wake to tell weird stories of the dead,
+While fresh performers to the ring are led.
+The sacred nature of the dance is lost,
+War is their cry, red war, at any cost.
+Insane for blood they wait for no command,
+But plunge marauding through the frightened land.
+Their demon hearts on devils' pleasures bent,
+For each new foe surprised, new torturing deaths invent.
+
+
+XVIII.
+
+Staked to the earth one helpless creature lies,
+Flames at his feet and splinters in his eyes.
+Another groans with coals upon his breast,
+While 'round the pyre the Indians dance and jest.
+A crying child is brained upon a tree,
+The swooning mother saved from death, to be
+The slave and plaything of a filthy knave,
+Whose sins would startle hell, whose clay defile a grave.
+
+
+XIX.
+
+Their cause was right, their methods all were wrong.
+Pity and censure both to them belong.
+Their woes were many, but their crimes were more.
+The soulless Satan holds not in his store
+Such awful tortures as the Indians' wrath
+Keeps for the hapless victim in his path.
+And if the last lone remnants of that race
+Were by the white man swept from off the earth's fair face,
+
+
+XX.
+
+Were every red man slaughtered in a day,
+Still would that sacrifice but poorly pay
+For one insulted woman captive's woes.
+
+ * * * * *
+
+Again great Custer in his strength arose,
+More daring, more intrepid than of old.
+The passing years had touched and turned to gold
+The ever widening aureole of fame
+That shone upon his brow, and glorified his name.
+
+
+XXI.
+
+Wise men make laws, then turn their eyes away,
+While fools and knaves ignore them day by day;
+And unmolested, fools and knaves at length
+Induce long wars which sap a country's strength.
+The sloth of leaders, ruling but in name,
+Has dragged full many a nation down to shame.
+A word unspoken by the rightful lips
+Has dyed the land with blood, and blocked the sea with ships.
+
+
+XXII.
+
+The word withheld, when Indians asked for aid,
+Came when the red man started on his raid.
+What Justice with a gesture might have done
+Was left for noisy war with bellowing gun.
+And who save Custer and his gallant men
+Could calm the tempest into peace again?
+What other hero in the land could hope
+With Sitting Bull, the fierce and lawless one to cope?
+
+
+XXIII.
+
+What other warrior skilled enough to dare
+Surprise that human tiger in his lair?
+Sure of his strength, unconscious of his fame
+Out from the quiet of the camp he came;
+And stately as Diana at his side
+Elizabeth, his wife and alway bride,
+And Margaret, his sister, rode apace;
+Love's clinging arms he left to meet death's cold embrace.
+
+
+XXIV.
+
+As the bright column wound along its course,
+The smiling leader turned upon his horse
+To gaze with pride on that superb command.
+Twelve hundred men, the picked of all the land,
+Innured to hardship and made strong by strife
+Their lithe limbed bodies breathed of out-door life;
+While on their faces, resolute and brave,
+Hope stamped its shining seal, although their thoughts were grave.
+
+
+XXV.
+
+The sad eyed women halted in the dawn,
+And waved farewell to dear ones riding on.
+The modest mist picked up her robes and ran
+Before the Sun god's swift pursuing van.
+And suddenly there burst on startled eyes,
+The sight of soldiers, marching in the skies;
+That phantom host, a phantom Custer led;
+Mirage of dire portent, forecasting days ahead.
+
+
+XXVI.
+
+The soldier's children, flaunting mimic flags,
+Played by the roadside, striding sticks for nags.
+Their mothers wept, indifferent to the crowd
+Who saw their tears and heard them sob aloud.
+Old Indian men and squaws crooned forth a rhyme
+Sung by their tribes from immemorial time;
+And over all the drums' incessant beat
+Mixed with the scout's weird rune, and tramp of myriad feet.
+
+
+XXVII.
+
+So flawless was the union of each part
+The mighty column (moved as by one heart)
+Pulsed through the air, like some sad song well sung,
+Which gives delight, although the soul is wrung.
+Farther and fainter to the sight and sound
+The beautiful embodied poem wound;
+Till like a ribbon, stretched across the land
+Seemed the long narrow line of that receding band.
+
+
+XXVIII.
+
+The lot of those who in the silence wait
+Is harder than the fighting soldiers' fate.
+Back to the lonely post two women passed,
+With unaccustomed sorrow overcast.
+Two sad for sighs, too desolate for tears,
+The dark forebodings of long widowed years
+In preparation for the awful blow
+Hung on the door of hope the sable badge of woe.
+
+
+XXIX.
+
+Unhappy Muse! for thee no song remains,
+Save the sad miserere of the plains.
+Yet though defeat, not triumph, ends the tale,
+Great victors sometimes are the souls that fail.
+All glory lies not in the goals we reach,
+But in the lessons which our actions teach.
+And he who, conquered, to the end believes
+In God and in himself, though vanquished, still achieves.
+
+
+XXX.
+
+Ah, grand as rash was that last fatal raid
+The little group of daring heroes made.
+Two hundred and two score intrepid men
+Rode out to war; not one came back again.
+Like fiends incarnate from the depths of hell
+Five thousand foemen rose with deafening yell,
+And swept that vale as with a simoon's breath,
+But like the gods of old, each martyr met his death.
+
+
+XXXI.
+
+Like gods they battled and like gods they died.
+Hour following hour that little band defied
+The hordes of red men swarming o'er the plain,
+Till scarce a score stood upright 'mid the slain.
+Then in the lull of battle, creeping near,
+A scout breathed low in Custer's listening ear:
+"_Death lies before, dear life remains behind
+Mount thy sure-footed steed, and hasten with the wind_."
+
+
+XXXII.
+
+A second's silence. Custer dropped his head,
+His lips slow moving as when prayers are said--
+Two words he breathed--"God and Elizabeth,"
+Then shook his long locks in the face of death,
+And with a final gesture turned away
+To join that fated few who stood at bay.
+Ah! deeds like that the Christ in man reveal
+Let Fame descend her throne at Custer's shrine to kneel.
+
+
+XXXIII.
+
+Too late to rescue, but in time to weep,
+His tardy comrades came. As if asleep
+He lay, so fair, that even hellish hate
+Withheld its hand and dared not mutilate.
+By fiends who knew not honor, honored still,
+He smiled and slept on that far western hill.
+Cast down thy lyre, oh Muse! thy song is done!
+Let tears complete the tale of him who failed, yet won.
+
+
+
+
+
+End of Project Gutenberg's Custer, and Other Poems., by Ella Wheeler Wilcox
+
+*** END OF THIS PROJECT GUTENBERG EBOOK CUSTER, AND OTHER POEMS. ***
+
+***** This file should be named 20427.txt or 20427.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/0/4/2/20427/
+
+Produced by Thierry Alberto, David T. Jones and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/20427.zip b/20427.zip
new file mode 100644
index 0000000..b85fc64
--- /dev/null
+++ b/20427.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..6da9f9e
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #20427 (https://www.gutenberg.org/ebooks/20427)