summaryrefslogtreecommitdiff
path: root/204-h/204-h.htm
diff options
context:
space:
mode:
Diffstat (limited to '204-h/204-h.htm')
-rw-r--r--204-h/204-h.htm10220
1 files changed, 10220 insertions, 0 deletions
diff --git a/204-h/204-h.htm b/204-h/204-h.htm
new file mode 100644
index 0000000..3114f11
--- /dev/null
+++ b/204-h/204-h.htm
@@ -0,0 +1,10220 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of The Innocence of Father Brown, by G. K. Chesterton</title>
+<link rel="coverpage" href="images/cover.jpg" />
+<style type="text/css" xml:space="preserve">
+
+ body { margin-left: 20%; margin-right: 20%; text-align: justify; }
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+ div.chapter {page-break-before: always; margin-top: 4em;}
+ p { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ hr { width: 50%; text-align: center;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+ </head>
+ <body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of The Innocence of Father Brown, by G. K. Chesterton</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Innocence of Father Brown</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: G. K. Chesterton</div>
+<div style='display:block; margin:1em 0'>Release Date: January, 1995 [eBook #204]<br />
+[Most recently updated: June 1, 2021]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Judith Boss and David Widger</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE INNOCENCE OF FATHER BROWN ***</div>
+
+ <h1>
+ THE INNOCENCE OF FATHER BROWN
+ </h1>
+
+ <h2>
+ By G. K. Chesterton
+ </h2>
+
+ <hr />
+
+<h2>Contents</h2>
+
+<table summary="" style="">
+
+<tr>
+<td> <a href="#chap01">The Blue Cross</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap02">The Secret Garden</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap03">The Queer Feet</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap04">The Flying Stars</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap05">The Invisible Man</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap06">The Honour of Israel Gow</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap07">The Wrong Shape</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap08">The Sins of Prince Saradine</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap09">The Hammer of God</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap10">The Eye of Apollo</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap11">The Sign of the Broken Sword</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap12">The Three Tools of Death</a></td>
+</tr>
+
+</table>
+
+ <hr />
+
+<div class="chapter">
+
+ <h2><a name="chap01"></a>
+ The Blue Cross
+ </h2>
+ <p>
+ Between the silver ribbon of morning and the green glittering ribbon of
+ sea, the boat touched Harwich and let loose a swarm of folk like flies,
+ among whom the man we must follow was by no means conspicuous&mdash;nor
+ wished to be. There was nothing notable about him, except a slight
+ contrast between the holiday gaiety of his clothes and the official
+ gravity of his face. His clothes included a slight, pale grey jacket, a
+ white waistcoat, and a silver straw hat with a grey-blue ribbon. His lean
+ face was dark by contrast, and ended in a curt black beard that looked
+ Spanish and suggested an Elizabethan ruff. He was smoking a cigarette with
+ the seriousness of an idler. There was nothing about him to indicate the
+ fact that the grey jacket covered a loaded revolver, that the white
+ waistcoat covered a police card, or that the straw hat covered one of the
+ most powerful intellects in Europe. For this was Valentin himself, the
+ head of the Paris police and the most famous investigator of the world;
+ and he was coming from Brussels to London to make the greatest arrest of
+ the century.
+ </p>
+ <p>
+ Flambeau was in England. The police of three countries had tracked the
+ great criminal at last from Ghent to Brussels, from Brussels to the Hook
+ of Holland; and it was conjectured that he would take some advantage of
+ the unfamiliarity and confusion of the Eucharistic Congress, then taking
+ place in London. Probably he would travel as some minor clerk or secretary
+ connected with it; but, of course, Valentin could not be certain; nobody
+ could be certain about Flambeau.
+ </p>
+ <p>
+ It is many years now since this colossus of crime suddenly ceased keeping
+ the world in a turmoil; and when he ceased, as they said after the death
+ of Roland, there was a great quiet upon the earth. But in his best days (I
+ mean, of course, his worst) Flambeau was a figure as statuesque and
+ international as the Kaiser. Almost every morning the daily paper
+ announced that he had escaped the consequences of one extraordinary crime
+ by committing another. He was a Gascon of gigantic stature and bodily
+ daring; and the wildest tales were told of his outbursts of athletic
+ humour; how he turned the juge d&rsquo;instruction upside down and stood him on
+ his head, &ldquo;to clear his mind&rdquo;; how he ran down the Rue de Rivoli with a
+ policeman under each arm. It is due to him to say that his fantastic
+ physical strength was generally employed in such bloodless though
+ undignified scenes; his real crimes were chiefly those of ingenious and
+ wholesale robbery. But each of his thefts was almost a new sin, and would
+ make a story by itself. It was he who ran the great Tyrolean Dairy Company
+ in London, with no dairies, no cows, no carts, no milk, but with some
+ thousand subscribers. These he served by the simple operation of moving
+ the little milk cans outside people&rsquo;s doors to the doors of his own
+ customers. It was he who had kept up an unaccountable and close
+ correspondence with a young lady whose whole letter-bag was intercepted,
+ by the extraordinary trick of photographing his messages infinitesimally
+ small upon the slides of a microscope. A sweeping simplicity, however,
+ marked many of his experiments. It is said that he once repainted all the
+ numbers in a street in the dead of night merely to divert one traveller
+ into a trap. It is quite certain that he invented a portable pillar-box,
+ which he put up at corners in quiet suburbs on the chance of strangers
+ dropping postal orders into it. Lastly, he was known to be a startling
+ acrobat; despite his huge figure, he could leap like a grasshopper and
+ melt into the tree-tops like a monkey. Hence the great Valentin, when he
+ set out to find Flambeau, was perfectly aware that his adventures would
+ not end when he had found him.
+ </p>
+ <p>
+ But how was he to find him? On this the great Valentin&rsquo;s ideas were still
+ in process of settlement.
+ </p>
+ <p>
+ There was one thing which Flambeau, with all his dexterity of disguise,
+ could not cover, and that was his singular height. If Valentin&rsquo;s quick eye
+ had caught a tall apple-woman, a tall grenadier, or even a tolerably tall
+ duchess, he might have arrested them on the spot. But all along his train
+ there was nobody that could be a disguised Flambeau, any more than a cat
+ could be a disguised giraffe. About the people on the boat he had already
+ satisfied himself; and the people picked up at Harwich or on the journey
+ limited themselves with certainty to six. There was a short railway
+ official travelling up to the terminus, three fairly short market
+ gardeners picked up two stations afterwards, one very short widow lady
+ going up from a small Essex town, and a very short Roman Catholic priest
+ going up from a small Essex village. When it came to the last case,
+ Valentin gave it up and almost laughed. The little priest was so much the
+ essence of those Eastern flats; he had a face as round and dull as a
+ Norfolk dumpling; he had eyes as empty as the North Sea; he had several
+ brown paper parcels, which he was quite incapable of collecting. The
+ Eucharistic Congress had doubtless sucked out of their local stagnation
+ many such creatures, blind and helpless, like moles disinterred. Valentin
+ was a sceptic in the severe style of France, and could have no love for
+ priests. But he could have pity for them, and this one might have provoked
+ pity in anybody. He had a large, shabby umbrella, which constantly fell on
+ the floor. He did not seem to know which was the right end of his return
+ ticket. He explained with a moon-calf simplicity to everybody in the
+ carriage that he had to be careful, because he had something made of real
+ silver &ldquo;with blue stones&rdquo; in one of his brown-paper parcels. His quaint
+ blending of Essex flatness with saintly simplicity continuously amused the
+ Frenchman till the priest arrived (somehow) at Tottenham with all his
+ parcels, and came back for his umbrella. When he did the last, Valentin
+ even had the good nature to warn him not to take care of the silver by
+ telling everybody about it. But to whomever he talked, Valentin kept his
+ eye open for someone else; he looked out steadily for anyone, rich or
+ poor, male or female, who was well up to six feet; for Flambeau was four
+ inches above it.
+ </p>
+ <p>
+ He alighted at Liverpool Street, however, quite conscientiously secure
+ that he had not missed the criminal so far. He then went to Scotland Yard
+ to regularise his position and arrange for help in case of need; he then
+ lit another cigarette and went for a long stroll in the streets of London.
+ As he was walking in the streets and squares beyond Victoria, he paused
+ suddenly and stood. It was a quaint, quiet square, very typical of London,
+ full of an accidental stillness. The tall, flat houses round looked at
+ once prosperous and uninhabited; the square of shrubbery in the centre
+ looked as deserted as a green Pacific islet. One of the four sides was
+ much higher than the rest, like a dais; and the line of this side was
+ broken by one of London&rsquo;s admirable accidents&mdash;a restaurant that
+ looked as if it had strayed from Soho. It was an unreasonably attractive
+ object, with dwarf plants in pots and long, striped blinds of lemon yellow
+ and white. It stood specially high above the street, and in the usual
+ patchwork way of London, a flight of steps from the street ran up to meet
+ the front door almost as a fire-escape might run up to a first-floor
+ window. Valentin stood and smoked in front of the yellow-white blinds and
+ considered them long.
+ </p>
+ <p>
+ The most incredible thing about miracles is that they happen. A few clouds
+ in heaven do come together into the staring shape of one human eye. A tree
+ does stand up in the landscape of a doubtful journey in the exact and
+ elaborate shape of a note of interrogation. I have seen both these things
+ myself within the last few days. Nelson does die in the instant of
+ victory; and a man named Williams does quite accidentally murder a man
+ named Williamson; it sounds like a sort of infanticide. In short, there is
+ in life an element of elfin coincidence which people reckoning on the
+ prosaic may perpetually miss. As it has been well expressed in the paradox
+ of Poe, wisdom should reckon on the unforeseen.
+ </p>
+ <p>
+ Aristide Valentin was unfathomably French; and the French intelligence is
+ intelligence specially and solely. He was not &ldquo;a thinking machine&rdquo;; for
+ that is a brainless phrase of modern fatalism and materialism. A machine
+ only is a machine because it cannot think. But he was a thinking man, and
+ a plain man at the same time. All his wonderful successes, that looked
+ like conjuring, had been gained by plodding logic, by clear and
+ commonplace French thought. The French electrify the world not by starting
+ any paradox, they electrify it by carrying out a truism. They carry a
+ truism so far&mdash;as in the French Revolution. But exactly because
+ Valentin understood reason, he understood the limits of reason. Only a man
+ who knows nothing of motors talks of motoring without petrol; only a man
+ who knows nothing of reason talks of reasoning without strong, undisputed
+ first principles. Here he had no strong first principles. Flambeau had
+ been missed at Harwich; and if he was in London at all, he might be
+ anything from a tall tramp on Wimbledon Common to a tall toast-master at
+ the Hotel Metropole. In such a naked state of nescience, Valentin had a
+ view and a method of his own.
+ </p>
+ <p>
+ In such cases he reckoned on the unforeseen. In such cases, when he could
+ not follow the train of the reasonable, he coldly and carefully followed
+ the train of the unreasonable. Instead of going to the right places&mdash;banks,
+ police stations, rendezvous&mdash;he systematically went to the wrong
+ places; knocked at every empty house, turned down every cul de sac, went
+ up every lane blocked with rubbish, went round every crescent that led him
+ uselessly out of the way. He defended this crazy course quite logically.
+ He said that if one had a clue this was the worst way; but if one had no
+ clue at all it was the best, because there was just the chance that any
+ oddity that caught the eye of the pursuer might be the same that had
+ caught the eye of the pursued. Somewhere a man must begin, and it had
+ better be just where another man might stop. Something about that flight
+ of steps up to the shop, something about the quietude and quaintness of
+ the restaurant, roused all the detective&rsquo;s rare romantic fancy and made
+ him resolve to strike at random. He went up the steps, and sitting down at
+ a table by the window, asked for a cup of black coffee.
+ </p>
+ <p>
+ It was half-way through the morning, and he had not breakfasted; the
+ slight litter of other breakfasts stood about on the table to remind him
+ of his hunger; and adding a poached egg to his order, he proceeded
+ musingly to shake some white sugar into his coffee, thinking all the time
+ about Flambeau. He remembered how Flambeau had escaped, once by a pair of
+ nail scissors, and once by a house on fire; once by having to pay for an
+ unstamped letter, and once by getting people to look through a telescope
+ at a comet that might destroy the world. He thought his detective brain as
+ good as the criminal&rsquo;s, which was true. But he fully realised the
+ disadvantage. &ldquo;The criminal is the creative artist; the detective only the
+ critic,&rdquo; he said with a sour smile, and lifted his coffee cup to his lips
+ slowly, and put it down very quickly. He had put salt in it.
+ </p>
+ <p>
+ He looked at the vessel from which the silvery powder had come; it was
+ certainly a sugar-basin; as unmistakably meant for sugar as a
+ champagne-bottle for champagne. He wondered why they should keep salt in
+ it. He looked to see if there were any more orthodox vessels. Yes; there
+ were two salt-cellars quite full. Perhaps there was some speciality in the
+ condiment in the salt-cellars. He tasted it; it was sugar. Then he looked
+ round at the restaurant with a refreshed air of interest, to see if there
+ were any other traces of that singular artistic taste which puts the sugar
+ in the salt-cellars and the salt in the sugar-basin. Except for an odd
+ splash of some dark fluid on one of the white-papered walls, the whole
+ place appeared neat, cheerful and ordinary. He rang the bell for the
+ waiter.
+ </p>
+ <p>
+ When that official hurried up, fuzzy-haired and somewhat blear-eyed at
+ that early hour, the detective (who was not without an appreciation of the
+ simpler forms of humour) asked him to taste the sugar and see if it was up
+ to the high reputation of the hotel. The result was that the waiter yawned
+ suddenly and woke up.
+ </p>
+ <p>
+ &ldquo;Do you play this delicate joke on your customers every morning?&rdquo; inquired
+ Valentin. &ldquo;Does changing the salt and sugar never pall on you as a jest?&rdquo;
+ </p>
+ <p>
+ The waiter, when this irony grew clearer, stammeringly assured him that
+ the establishment had certainly no such intention; it must be a most
+ curious mistake. He picked up the sugar-basin and looked at it; he picked
+ up the salt-cellar and looked at that, his face growing more and more
+ bewildered. At last he abruptly excused himself, and hurrying away,
+ returned in a few seconds with the proprietor. The proprietor also
+ examined the sugar-basin and then the salt-cellar; the proprietor also
+ looked bewildered.
+ </p>
+ <p>
+ Suddenly the waiter seemed to grow inarticulate with a rush of words.
+ </p>
+ <p>
+ &ldquo;I zink,&rdquo; he stuttered eagerly, &ldquo;I zink it is those two clergy-men.&rdquo;
+ </p>
+ <p>
+ &ldquo;What two clergymen?&rdquo;
+ </p>
+ <p>
+ &ldquo;The two clergymen,&rdquo; said the waiter, &ldquo;that threw soup at the wall.&rdquo;
+ </p>
+ <p>
+ &ldquo;Threw soup at the wall?&rdquo; repeated Valentin, feeling sure this must be
+ some singular Italian metaphor.
+ </p>
+ <p>
+ &ldquo;Yes, yes,&rdquo; said the attendant excitedly, and pointed at the dark splash
+ on the white paper; &ldquo;threw it over there on the wall.&rdquo;
+ </p>
+ <p>
+ Valentin looked his query at the proprietor, who came to his rescue with
+ fuller reports.
+ </p>
+ <p>
+ &ldquo;Yes, sir,&rdquo; he said, &ldquo;it&rsquo;s quite true, though I don&rsquo;t suppose it has
+ anything to do with the sugar and salt. Two clergymen came in and drank
+ soup here very early, as soon as the shutters were taken down. They were
+ both very quiet, respectable people; one of them paid the bill and went
+ out; the other, who seemed a slower coach altogether, was some minutes
+ longer getting his things together. But he went at last. Only, the instant
+ before he stepped into the street he deliberately picked up his cup, which
+ he had only half emptied, and threw the soup slap on the wall. I was in
+ the back room myself, and so was the waiter; so I could only rush out in
+ time to find the wall splashed and the shop empty. It don&rsquo;t do any
+ particular damage, but it was confounded cheek; and I tried to catch the
+ men in the street. They were too far off though; I only noticed they went
+ round the next corner into Carstairs Street.&rdquo;
+ </p>
+ <p>
+ The detective was on his feet, hat settled and stick in hand. He had
+ already decided that in the universal darkness of his mind he could only
+ follow the first odd finger that pointed; and this finger was odd enough.
+ Paying his bill and clashing the glass doors behind him, he was soon
+ swinging round into the other street.
+ </p>
+ <p>
+ It was fortunate that even in such fevered moments his eye was cool and
+ quick. Something in a shop-front went by him like a mere flash; yet he
+ went back to look at it. The shop was a popular greengrocer and
+ fruiterer&rsquo;s, an array of goods set out in the open air and plainly
+ ticketed with their names and prices. In the two most prominent
+ compartments were two heaps, of oranges and of nuts respectively. On the
+ heap of nuts lay a scrap of cardboard, on which was written in bold, blue
+ chalk, &ldquo;Best tangerine oranges, two a penny.&rdquo; On the oranges was the
+ equally clear and exact description, &ldquo;Finest Brazil nuts, 4d. a lb.&rdquo; M.
+ Valentin looked at these two placards and fancied he had met this highly
+ subtle form of humour before, and that somewhat recently. He drew the
+ attention of the red-faced fruiterer, who was looking rather sullenly up
+ and down the street, to this inaccuracy in his advertisements. The
+ fruiterer said nothing, but sharply put each card into its proper place.
+ The detective, leaning elegantly on his walking-cane, continued to
+ scrutinise the shop. At last he said, &ldquo;Pray excuse my apparent
+ irrelevance, my good sir, but I should like to ask you a question in
+ experimental psychology and the association of ideas.&rdquo;
+ </p>
+ <p>
+ The red-faced shopman regarded him with an eye of menace; but he continued
+ gaily, swinging his cane, &ldquo;Why,&rdquo; he pursued, &ldquo;why are two tickets wrongly
+ placed in a greengrocer&rsquo;s shop like a shovel hat that has come to London
+ for a holiday? Or, in case I do not make myself clear, what is the
+ mystical association which connects the idea of nuts marked as oranges
+ with the idea of two clergymen, one tall and the other short?&rdquo;
+ </p>
+ <p>
+ The eyes of the tradesman stood out of his head like a snail&rsquo;s; he really
+ seemed for an instant likely to fling himself upon the stranger. At last
+ he stammered angrily: &ldquo;I don&rsquo;t know what you &rsquo;ave to do with it, but if
+ you&rsquo;re one of their friends, you can tell &rsquo;em from me that I&rsquo;ll knock
+ their silly &rsquo;eads off, parsons or no parsons, if they upset my apples
+ again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed?&rdquo; asked the detective, with great sympathy. &ldquo;Did they upset your
+ apples?&rdquo;
+ </p>
+ <p>
+ &ldquo;One of &rsquo;em did,&rdquo; said the heated shopman; &ldquo;rolled &rsquo;em all over the
+ street. I&rsquo;d &rsquo;ave caught the fool but for havin&rsquo; to pick &rsquo;em up.&rdquo;
+ </p>
+ <p>
+ &ldquo;Which way did these parsons go?&rdquo; asked Valentin.
+ </p>
+ <p>
+ &ldquo;Up that second road on the left-hand side, and then across the square,&rdquo;
+ said the other promptly.
+ </p>
+ <p>
+ &ldquo;Thanks,&rdquo; replied Valentin, and vanished like a fairy. On the other side
+ of the second square he found a policeman, and said: &ldquo;This is urgent,
+ constable; have you seen two clergymen in shovel hats?&rdquo;
+ </p>
+ <p>
+ The policeman began to chuckle heavily. &ldquo;I &rsquo;ave, sir; and if you arst me,
+ one of &rsquo;em was drunk. He stood in the middle of the road that bewildered
+ that&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Which way did they go?&rdquo; snapped Valentin.
+ </p>
+ <p>
+ &ldquo;They took one of them yellow buses over there,&rdquo; answered the man; &ldquo;them
+ that go to Hampstead.&rdquo;
+ </p>
+ <p>
+ Valentin produced his official card and said very rapidly: &ldquo;Call up two of
+ your men to come with me in pursuit,&rdquo; and crossed the road with such
+ contagious energy that the ponderous policeman was moved to almost agile
+ obedience. In a minute and a half the French detective was joined on the
+ opposite pavement by an inspector and a man in plain clothes.
+ </p>
+ <p>
+ &ldquo;Well, sir,&rdquo; began the former, with smiling importance, &ldquo;and what may&mdash;?&rdquo;
+ </p>
+ <p>
+ Valentin pointed suddenly with his cane. &ldquo;I&rsquo;ll tell you on the top of that
+ omnibus,&rdquo; he said, and was darting and dodging across the tangle of the
+ traffic. When all three sank panting on the top seats of the yellow
+ vehicle, the inspector said: &ldquo;We could go four times as quick in a taxi.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite true,&rdquo; replied their leader placidly, &ldquo;if we only had an idea of
+ where we were going.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, where are you going?&rdquo; asked the other, staring.
+ </p>
+ <p>
+ Valentin smoked frowningly for a few seconds; then, removing his
+ cigarette, he said: &ldquo;If you know what a man&rsquo;s doing, get in front of him;
+ but if you want to guess what he&rsquo;s doing, keep behind him. Stray when he
+ strays; stop when he stops; travel as slowly as he. Then you may see what
+ he saw and may act as he acted. All we can do is to keep our eyes skinned
+ for a queer thing.&rdquo;
+ </p>
+ <p>
+ &ldquo;What sort of queer thing do you mean?&rdquo; asked the inspector.
+ </p>
+ <p>
+ &ldquo;Any sort of queer thing,&rdquo; answered Valentin, and relapsed into obstinate
+ silence.
+ </p>
+ <p>
+ The yellow omnibus crawled up the northern roads for what seemed like
+ hours on end; the great detective would not explain further, and perhaps
+ his assistants felt a silent and growing doubt of his errand. Perhaps,
+ also, they felt a silent and growing desire for lunch, for the hours crept
+ long past the normal luncheon hour, and the long roads of the North London
+ suburbs seemed to shoot out into length after length like an infernal
+ telescope. It was one of those journeys on which a man perpetually feels
+ that now at last he must have come to the end of the universe, and then
+ finds he has only come to the beginning of Tufnell Park. London died away
+ in draggled taverns and dreary scrubs, and then was unaccountably born
+ again in blazing high streets and blatant hotels. It was like passing
+ through thirteen separate vulgar cities all just touching each other. But
+ though the winter twilight was already threatening the road ahead of them,
+ the Parisian detective still sat silent and watchful, eyeing the frontage
+ of the streets that slid by on either side. By the time they had left
+ Camden Town behind, the policemen were nearly asleep; at least, they gave
+ something like a jump as Valentin leapt erect, struck a hand on each man&rsquo;s
+ shoulder, and shouted to the driver to stop.
+ </p>
+ <p>
+ They tumbled down the steps into the road without realising why they had
+ been dislodged; when they looked round for enlightenment they found
+ Valentin triumphantly pointing his finger towards a window on the left
+ side of the road. It was a large window, forming part of the long façade
+ of a gilt and palatial public-house; it was the part reserved for
+ respectable dining, and labelled &ldquo;Restaurant.&rdquo; This window, like all the
+ rest along the frontage of the hotel, was of frosted and figured glass;
+ but in the middle of it was a big, black smash, like a star in the ice.
+ </p>
+ <p>
+ &ldquo;Our cue at last,&rdquo; cried Valentin, waving his stick; &ldquo;the place with the
+ broken window.&rdquo;
+ </p>
+ <p>
+ &ldquo;What window? What cue?&rdquo; asked his principal assistant. &ldquo;Why, what proof
+ is there that this has anything to do with them?&rdquo;
+ </p>
+ <p>
+ Valentin almost broke his bamboo stick with rage.
+ </p>
+ <p>
+ &ldquo;Proof!&rdquo; he cried. &ldquo;Good God! the man is looking for proof! Why, of
+ course, the chances are twenty to one that it has nothing to do with them.
+ But what else can we do? Don&rsquo;t you see we must either follow one wild
+ possibility or else go home to bed?&rdquo; He banged his way into the
+ restaurant, followed by his companions, and they were soon seated at a
+ late luncheon at a little table, and looked at the star of smashed glass
+ from the inside. Not that it was very informative to them even then.
+ </p>
+ <p>
+ &ldquo;Got your window broken, I see,&rdquo; said Valentin to the waiter as he paid
+ the bill.
+ </p>
+ <p>
+ &ldquo;Yes, sir,&rdquo; answered the attendant, bending busily over the change, to
+ which Valentin silently added an enormous tip. The waiter straightened
+ himself with mild but unmistakable animation.
+ </p>
+ <p>
+ &ldquo;Ah, yes, sir,&rdquo; he said. &ldquo;Very odd thing, that, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed?&rdquo; Tell us about it,&rdquo; said the detective with careless curiosity.
+ </p>
+ <p>
+ &ldquo;Well, two gents in black came in,&rdquo; said the waiter; &ldquo;two of those foreign
+ parsons that are running about. They had a cheap and quiet little lunch,
+ and one of them paid for it and went out. The other was just going out to
+ join him when I looked at my change again and found he&rsquo;d paid me more than
+ three times too much. &lsquo;Here,&rsquo; I says to the chap who was nearly out of the
+ door, &lsquo;you&rsquo;ve paid too much.&rsquo; &lsquo;Oh,&rsquo; he says, very cool, &lsquo;have we?&rsquo; &lsquo;Yes,&rsquo;
+ I says, and picks up the bill to show him. Well, that was a knock-out.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked his interlocutor.
+ </p>
+ <p>
+ &ldquo;Well, I&rsquo;d have sworn on seven Bibles that I&rsquo;d put 4s. on that bill. But
+ now I saw I&rsquo;d put 14s., as plain as paint.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; cried Valentin, moving slowly, but with burning eyes, &ldquo;and then?&rdquo;
+ </p>
+ <p>
+ &ldquo;The parson at the door he says all serene, &lsquo;Sorry to confuse your
+ accounts, but it&rsquo;ll pay for the window.&rsquo; &lsquo;What window?&rsquo; I says. &lsquo;The one
+ I&rsquo;m going to break,&rsquo; he says, and smashed that blessed pane with his
+ umbrella.&rdquo;
+ </p>
+ <p>
+ All three inquirers made an exclamation; and the inspector said under his
+ breath, &ldquo;Are we after escaped lunatics?&rdquo; The waiter went on with some
+ relish for the ridiculous story:
+ </p>
+ <p>
+ &ldquo;I was so knocked silly for a second, I couldn&rsquo;t do anything. The man
+ marched out of the place and joined his friend just round the corner. Then
+ they went so quick up Bullock Street that I couldn&rsquo;t catch them, though I
+ ran round the bars to do it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bullock Street,&rdquo; said the detective, and shot up that thoroughfare as
+ quickly as the strange couple he pursued.
+ </p>
+ <p>
+ Their journey now took them through bare brick ways like tunnels; streets
+ with few lights and even with few windows; streets that seemed built out
+ of the blank backs of everything and everywhere. Dusk was deepening, and
+ it was not easy even for the London policemen to guess in what exact
+ direction they were treading. The inspector, however, was pretty certain
+ that they would eventually strike some part of Hampstead Heath. Abruptly
+ one bulging gas-lit window broke the blue twilight like a bull&rsquo;s-eye
+ lantern; and Valentin stopped an instant before a little garish sweetstuff
+ shop. After an instant&rsquo;s hesitation he went in; he stood amid the gaudy
+ colours of the confectionery with entire gravity and bought thirteen
+ chocolate cigars with a certain care. He was clearly preparing an opening;
+ but he did not need one.
+ </p>
+ <p>
+ An angular, elderly young woman in the shop had regarded his elegant
+ appearance with a merely automatic inquiry; but when she saw the door
+ behind him blocked with the blue uniform of the inspector, her eyes seemed
+ to wake up.
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; she said, &ldquo;if you&rsquo;ve come about that parcel, I&rsquo;ve sent it off
+ already.&rdquo;
+ </p>
+ <p>
+ &ldquo;Parcel?&rdquo; repeated Valentin; and it was his turn to look inquiring.
+ </p>
+ <p>
+ &ldquo;I mean the parcel the gentleman left&mdash;the clergyman gentleman.&rdquo;
+ </p>
+ <p>
+ &ldquo;For goodness&rsquo; sake,&rdquo; said Valentin, leaning forward with his first real
+ confession of eagerness, &ldquo;for Heaven&rsquo;s sake tell us what happened
+ exactly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the woman a little doubtfully, &ldquo;the clergymen came in about
+ half an hour ago and bought some peppermints and talked a bit, and then
+ went off towards the Heath. But a second after, one of them runs back into
+ the shop and says, &lsquo;Have I left a parcel!&rsquo; Well, I looked everywhere and
+ couldn&rsquo;t see one; so he says, &lsquo;Never mind; but if it should turn up,
+ please post it to this address,&rsquo; and he left me the address and a shilling
+ for my trouble. And sure enough, though I thought I&rsquo;d looked everywhere, I
+ found he&rsquo;d left a brown paper parcel, so I posted it to the place he said.
+ I can&rsquo;t remember the address now; it was somewhere in Westminster. But as
+ the thing seemed so important, I thought perhaps the police had come about
+ it.&rdquo;
+ </p>
+ <p>
+ &ldquo;So they have,&rdquo; said Valentin shortly. &ldquo;Is Hampstead Heath near here?&rdquo;
+ </p>
+ <p>
+ &ldquo;Straight on for fifteen minutes,&rdquo; said the woman, &ldquo;and you&rsquo;ll come right
+ out on the open.&rdquo; Valentin sprang out of the shop and began to run. The
+ other detectives followed him at a reluctant trot.
+ </p>
+ <p>
+ The street they threaded was so narrow and shut in by shadows that when
+ they came out unexpectedly into the void common and vast sky they were
+ startled to find the evening still so light and clear. A perfect dome of
+ peacock-green sank into gold amid the blackening trees and the dark violet
+ distances. The glowing green tint was just deep enough to pick out in
+ points of crystal one or two stars. All that was left of the daylight lay
+ in a golden glitter across the edge of Hampstead and that popular hollow
+ which is called the Vale of Health. The holiday makers who roam this
+ region had not wholly dispersed; a few couples sat shapelessly on benches;
+ and here and there a distant girl still shrieked in one of the swings. The
+ glory of heaven deepened and darkened around the sublime vulgarity of man;
+ and standing on the slope and looking across the valley, Valentin beheld
+ the thing which he sought.
+ </p>
+ <p>
+ Among the black and breaking groups in that distance was one especially
+ black which did not break&mdash;a group of two figures clerically clad.
+ Though they seemed as small as insects, Valentin could see that one of
+ them was much smaller than the other. Though the other had a student&rsquo;s
+ stoop and an inconspicuous manner, he could see that the man was well over
+ six feet high. He shut his teeth and went forward, whirling his stick
+ impatiently. By the time he had substantially diminished the distance and
+ magnified the two black figures as in a vast microscope, he had perceived
+ something else; something which startled him, and yet which he had somehow
+ expected. Whoever was the tall priest, there could be no doubt about the
+ identity of the short one. It was his friend of the Harwich train, the
+ stumpy little cure of Essex whom he had warned about his brown paper
+ parcels.
+ </p>
+ <p>
+ Now, so far as this went, everything fitted in finally and rationally
+ enough. Valentin had learned by his inquiries that morning that a Father
+ Brown from Essex was bringing up a silver cross with sapphires, a relic of
+ considerable value, to show some of the foreign priests at the congress.
+ This undoubtedly was the &ldquo;silver with blue stones&rdquo;; and Father Brown
+ undoubtedly was the little greenhorn in the train. Now there was nothing
+ wonderful about the fact that what Valentin had found out Flambeau had
+ also found out; Flambeau found out everything. Also there was nothing
+ wonderful in the fact that when Flambeau heard of a sapphire cross he
+ should try to steal it; that was the most natural thing in all natural
+ history. And most certainly there was nothing wonderful about the fact
+ that Flambeau should have it all his own way with such a silly sheep as
+ the man with the umbrella and the parcels. He was the sort of man whom
+ anybody could lead on a string to the North Pole; it was not surprising
+ that an actor like Flambeau, dressed as another priest, could lead him to
+ Hampstead Heath. So far the crime seemed clear enough; and while the
+ detective pitied the priest for his helplessness, he almost despised
+ Flambeau for condescending to so gullible a victim. But when Valentin
+ thought of all that had happened in between, of all that had led him to
+ his triumph, he racked his brains for the smallest rhyme or reason in it.
+ What had the stealing of a blue-and-silver cross from a priest from Essex
+ to do with chucking soup at wall paper? What had it to do with calling
+ nuts oranges, or with paying for windows first and breaking them
+ afterwards? He had come to the end of his chase; yet somehow he had missed
+ the middle of it. When he failed (which was seldom), he had usually
+ grasped the clue, but nevertheless missed the criminal. Here he had
+ grasped the criminal, but still he could not grasp the clue.
+ </p>
+ <p>
+ The two figures that they followed were crawling like black flies across
+ the huge green contour of a hill. They were evidently sunk in
+ conversation, and perhaps did not notice where they were going; but they
+ were certainly going to the wilder and more silent heights of the Heath.
+ As their pursuers gained on them, the latter had to use the undignified
+ attitudes of the deer-stalker, to crouch behind clumps of trees and even
+ to crawl prostrate in deep grass. By these ungainly ingenuities the
+ hunters even came close enough to the quarry to hear the murmur of the
+ discussion, but no word could be distinguished except the word &ldquo;reason&rdquo;
+ recurring frequently in a high and almost childish voice. Once over an
+ abrupt dip of land and a dense tangle of thickets, the detectives actually
+ lost the two figures they were following. They did not find the trail
+ again for an agonising ten minutes, and then it led round the brow of a
+ great dome of hill overlooking an amphitheatre of rich and desolate sunset
+ scenery. Under a tree in this commanding yet neglected spot was an old
+ ramshackle wooden seat. On this seat sat the two priests still in serious
+ speech together. The gorgeous green and gold still clung to the darkening
+ horizon; but the dome above was turning slowly from peacock-green to
+ peacock-blue, and the stars detached themselves more and more like solid
+ jewels. Mutely motioning to his followers, Valentin contrived to creep up
+ behind the big branching tree, and, standing there in deathly silence,
+ heard the words of the strange priests for the first time.
+ </p>
+ <p>
+ After he had listened for a minute and a half, he was gripped by a
+ devilish doubt. Perhaps he had dragged the two English policemen to the
+ wastes of a nocturnal heath on an errand no saner than seeking figs on its
+ thistles. For the two priests were talking exactly like priests, piously,
+ with learning and leisure, about the most aerial enigmas of theology. The
+ little Essex priest spoke the more simply, with his round face turned to
+ the strengthening stars; the other talked with his head bowed, as if he
+ were not even worthy to look at them. But no more innocently clerical
+ conversation could have been heard in any white Italian cloister or black
+ Spanish cathedral.
+ </p>
+ <p>
+ The first he heard was the tail of one of Father Brown&rsquo;s sentences, which
+ ended: &ldquo;... what they really meant in the Middle Ages by the heavens being
+ incorruptible.&rdquo;
+ </p>
+ <p>
+ The taller priest nodded his bowed head and said:
+ </p>
+ <p>
+ &ldquo;Ah, yes, these modern infidels appeal to their reason; but who can look
+ at those millions of worlds and not feel that there may well be wonderful
+ universes above us where reason is utterly unreasonable?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said the other priest; &ldquo;reason is always reasonable, even in the
+ last limbo, in the lost borderland of things. I know that people charge
+ the Church with lowering reason, but it is just the other way. Alone on
+ earth, the Church makes reason really supreme. Alone on earth, the Church
+ affirms that God himself is bound by reason.&rdquo;
+ </p>
+ <p>
+ The other priest raised his austere face to the spangled sky and said:
+ </p>
+ <p>
+ &ldquo;Yet who knows if in that infinite universe&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Only infinite physically,&rdquo; said the little priest, turning sharply in his
+ seat, &ldquo;not infinite in the sense of escaping from the laws of truth.&rdquo;
+ </p>
+ <p>
+ Valentin behind his tree was tearing his fingernails with silent fury. He
+ seemed almost to hear the sniggers of the English detectives whom he had
+ brought so far on a fantastic guess only to listen to the metaphysical
+ gossip of two mild old parsons. In his impatience he lost the equally
+ elaborate answer of the tall cleric, and when he listened again it was
+ again Father Brown who was speaking:
+ </p>
+ <p>
+ &ldquo;Reason and justice grip the remotest and the loneliest star. Look at
+ those stars. Don&rsquo;t they look as if they were single diamonds and
+ sapphires? Well, you can imagine any mad botany or geology you please.
+ Think of forests of adamant with leaves of brilliants. Think the moon is a
+ blue moon, a single elephantine sapphire. But don&rsquo;t fancy that all that
+ frantic astronomy would make the smallest difference to the reason and
+ justice of conduct. On plains of opal, under cliffs cut out of pearl, you
+ would still find a notice-board, &lsquo;Thou shalt not steal.&rsquo;&rdquo;
+ </p>
+ <p>
+ Valentin was just in the act of rising from his rigid and crouching
+ attitude and creeping away as softly as might be, felled by the one great
+ folly of his life. But something in the very silence of the tall priest
+ made him stop until the latter spoke. When at last he did speak, he said
+ simply, his head bowed and his hands on his knees:
+ </p>
+ <p>
+ &ldquo;Well, I think that other worlds may perhaps rise higher than our reason.
+ The mystery of heaven is unfathomable, and I for one can only bow my
+ head.&rdquo;
+ </p>
+ <p>
+ Then, with brow yet bent and without changing by the faintest shade his
+ attitude or voice, he added:
+ </p>
+ <p>
+ &ldquo;Just hand over that sapphire cross of yours, will you? We&rsquo;re all alone
+ here, and I could pull you to pieces like a straw doll.&rdquo;
+ </p>
+ <p>
+ The utterly unaltered voice and attitude added a strange violence to that
+ shocking change of speech. But the guarder of the relic only seemed to
+ turn his head by the smallest section of the compass. He seemed still to
+ have a somewhat foolish face turned to the stars. Perhaps he had not
+ understood. Or, perhaps, he had understood and sat rigid with terror.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said the tall priest, in the same low voice and in the same still
+ posture, &ldquo;yes, I am Flambeau.&rdquo;
+ </p>
+ <p>
+ Then, after a pause, he said:
+ </p>
+ <p>
+ &ldquo;Come, will you give me that cross?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said the other, and the monosyllable had an odd sound.
+ </p>
+ <p>
+ Flambeau suddenly flung off all his pontifical pretensions. The great
+ robber leaned back in his seat and laughed low but long.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he cried, &ldquo;you won&rsquo;t give it me, you proud prelate. You won&rsquo;t give
+ it me, you little celibate simpleton. Shall I tell you why you won&rsquo;t give
+ it me? Because I&rsquo;ve got it already in my own breast-pocket.&rdquo;
+ </p>
+ <p>
+ The small man from Essex turned what seemed to be a dazed face in the
+ dusk, and said, with the timid eagerness of &ldquo;The Private Secretary&rdquo;:
+ </p>
+ <p>
+ &ldquo;Are&mdash;are you sure?&rdquo;
+ </p>
+ <p>
+ Flambeau yelled with delight.
+ </p>
+ <p>
+ &ldquo;Really, you&rsquo;re as good as a three-act farce,&rdquo; he cried. &ldquo;Yes, you turnip,
+ I am quite sure. I had the sense to make a duplicate of the right parcel,
+ and now, my friend, you&rsquo;ve got the duplicate and I&rsquo;ve got the jewels. An
+ old dodge, Father Brown&mdash;a very old dodge.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Father Brown, and passed his hand through his hair with the
+ same strange vagueness of manner. &ldquo;Yes, I&rsquo;ve heard of it before.&rdquo;
+ </p>
+ <p>
+ The colossus of crime leaned over to the little rustic priest with a sort
+ of sudden interest.
+ </p>
+ <p>
+ &ldquo;You have heard of it?&rdquo; he asked. &ldquo;Where have you heard of it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I mustn&rsquo;t tell you his name, of course,&rdquo; said the little man
+ simply. &ldquo;He was a penitent, you know. He had lived prosperously for about
+ twenty years entirely on duplicate brown paper parcels. And so, you see,
+ when I began to suspect you, I thought of this poor chap&rsquo;s way of doing it
+ at once.&rdquo;
+ </p>
+ <p>
+ &ldquo;Began to suspect me?&rdquo; repeated the outlaw with increased intensity. &ldquo;Did
+ you really have the gumption to suspect me just because I brought you up
+ to this bare part of the heath?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no,&rdquo; said Brown with an air of apology. &ldquo;You see, I suspected you
+ when we first met. It&rsquo;s that little bulge up the sleeve where you people
+ have the spiked bracelet.&rdquo;
+ </p>
+ <p>
+ &ldquo;How in Tartarus,&rdquo; cried Flambeau, &ldquo;did you ever hear of the spiked
+ bracelet?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, one&rsquo;s little flock, you know!&rdquo; said Father Brown, arching his
+ eyebrows rather blankly. &ldquo;When I was a curate in Hartlepool, there were
+ three of them with spiked bracelets. So, as I suspected you from the
+ first, don&rsquo;t you see, I made sure that the cross should go safe, anyhow.
+ I&rsquo;m afraid I watched you, you know. So at last I saw you change the
+ parcels. Then, don&rsquo;t you see, I changed them back again. And then I left
+ the right one behind.&rdquo;
+ </p>
+ <p>
+ &ldquo;Left it behind?&rdquo; repeated Flambeau, and for the first time there was
+ another note in his voice beside his triumph.
+ </p>
+ <p>
+ &ldquo;Well, it was like this,&rdquo; said the little priest, speaking in the same
+ unaffected way. &ldquo;I went back to that sweet-shop and asked if I&rsquo;d left a
+ parcel, and gave them a particular address if it turned up. Well, I knew I
+ hadn&rsquo;t; but when I went away again I did. So, instead of running after me
+ with that valuable parcel, they have sent it flying to a friend of mine in
+ Westminster.&rdquo; Then he added rather sadly: &ldquo;I learnt that, too, from a poor
+ fellow in Hartlepool. He used to do it with handbags he stole at railway
+ stations, but he&rsquo;s in a monastery now. Oh, one gets to know, you know,&rdquo; he
+ added, rubbing his head again with the same sort of desperate apology. &ldquo;We
+ can&rsquo;t help being priests. People come and tell us these things.&rdquo;
+ </p>
+ <p>
+ Flambeau tore a brown-paper parcel out of his inner pocket and rent it in
+ pieces. There was nothing but paper and sticks of lead inside it. He
+ sprang to his feet with a gigantic gesture, and cried:
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t believe you. I don&rsquo;t believe a bumpkin like you could manage all
+ that. I believe you&rsquo;ve still got the stuff on you, and if you don&rsquo;t give
+ it up&mdash;why, we&rsquo;re all alone, and I&rsquo;ll take it by force!&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Father Brown simply, and stood up also, &ldquo;you won&rsquo;t take it by
+ force. First, because I really haven&rsquo;t still got it. And, second, because
+ we are not alone.&rdquo;
+ </p>
+ <p>
+ Flambeau stopped in his stride forward.
+ </p>
+ <p>
+ &ldquo;Behind that tree,&rdquo; said Father Brown, pointing, &ldquo;are two strong policemen
+ and the greatest detective alive. How did they come here, do you ask? Why,
+ I brought them, of course! How did I do it? Why, I&rsquo;ll tell you if you
+ like! Lord bless you, we have to know twenty such things when we work
+ among the criminal classes! Well, I wasn&rsquo;t sure you were a thief, and it
+ would never do to make a scandal against one of our own clergy. So I just
+ tested you to see if anything would make you show yourself. A man
+ generally makes a small scene if he finds salt in his coffee; if he
+ doesn&rsquo;t, he has some reason for keeping quiet. I changed the salt and
+ sugar, and you kept quiet. A man generally objects if his bill is three
+ times too big. If he pays it, he has some motive for passing unnoticed. I
+ altered your bill, and you paid it.&rdquo;
+ </p>
+ <p>
+ The world seemed waiting for Flambeau to leap like a tiger. But he was
+ held back as by a spell; he was stunned with the utmost curiosity.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; went on Father Brown, with lumbering lucidity, &ldquo;as you wouldn&rsquo;t
+ leave any tracks for the police, of course somebody had to. At every place
+ we went to, I took care to do something that would get us talked about for
+ the rest of the day. I didn&rsquo;t do much harm&mdash;a splashed wall, spilt
+ apples, a broken window; but I saved the cross, as the cross will always
+ be saved. It is at Westminster by now. I rather wonder you didn&rsquo;t stop it
+ with the Donkey&rsquo;s Whistle.&rdquo;
+ </p>
+ <p>
+ &ldquo;With the what?&rdquo; asked Flambeau.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m glad you&rsquo;ve never heard of it,&rdquo; said the priest, making a face. &ldquo;It&rsquo;s
+ a foul thing. I&rsquo;m sure you&rsquo;re too good a man for a Whistler. I couldn&rsquo;t
+ have countered it even with the Spots myself; I&rsquo;m not strong enough in the
+ legs.&rdquo;
+ </p>
+ <p>
+ &ldquo;What on earth are you talking about?&rdquo; asked the other.
+ </p>
+ <p>
+ &ldquo;Well, I did think you&rsquo;d know the Spots,&rdquo; said Father Brown, agreeably
+ surprised. &ldquo;Oh, you can&rsquo;t have gone so very wrong yet!&rdquo;
+ </p>
+ <p>
+ &ldquo;How in blazes do you know all these horrors?&rdquo; cried Flambeau.
+ </p>
+ <p>
+ The shadow of a smile crossed the round, simple face of his clerical
+ opponent.
+ </p>
+ <p>
+ &ldquo;Oh, by being a celibate simpleton, I suppose,&rdquo; he said. &ldquo;Has it never
+ struck you that a man who does next to nothing but hear men&rsquo;s real sins is
+ not likely to be wholly unaware of human evil? But, as a matter of fact,
+ another part of my trade, too, made me sure you weren&rsquo;t a priest.&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo; asked the thief, almost gaping.
+ </p>
+ <p>
+ &ldquo;You attacked reason,&rdquo; said Father Brown. &ldquo;It&rsquo;s bad theology.&rdquo;
+ </p>
+ <p>
+ And even as he turned away to collect his property, the three policemen
+ came out from under the twilight trees. Flambeau was an artist and a
+ sportsman. He stepped back and swept Valentin a great bow.
+ </p>
+ <p>
+ &ldquo;Do not bow to me, mon ami,&rdquo; said Valentin with silver clearness. &ldquo;Let us
+ both bow to our master.&rdquo;
+ </p>
+ <p>
+ And they both stood an instant uncovered while the little Essex priest
+ blinked about for his umbrella.
+ </p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+ <h2><a name="chap02"></a>
+ The Secret Garden
+ </h2>
+ <p>
+ Aristide Valentin, Chief of the Paris Police, was late for his dinner, and
+ some of his guests began to arrive before him. These were, however,
+ reassured by his confidential servant, Ivan, the old man with a scar, and
+ a face almost as grey as his moustaches, who always sat at a table in the
+ entrance hall&mdash;a hall hung with weapons. Valentin&rsquo;s house was perhaps
+ as peculiar and celebrated as its master. It was an old house, with high
+ walls and tall poplars almost overhanging the Seine; but the oddity&mdash;and
+ perhaps the police value&mdash;of its architecture was this: that there
+ was no ultimate exit at all except through this front door, which was
+ guarded by Ivan and the armoury. The garden was large and elaborate, and
+ there were many exits from the house into the garden. But there was no
+ exit from the garden into the world outside; all round it ran a tall,
+ smooth, unscalable wall with special spikes at the top; no bad garden,
+ perhaps, for a man to reflect in whom some hundred criminals had sworn to
+ kill.
+ </p>
+ <p>
+ As Ivan explained to the guests, their host had telephoned that he was
+ detained for ten minutes. He was, in truth, making some last arrangements
+ about executions and such ugly things; and though these duties were
+ rootedly repulsive to him, he always performed them with precision.
+ Ruthless in the pursuit of criminals, he was very mild about their
+ punishment. Since he had been supreme over French&mdash;and largely over
+ European&mdash;policial methods, his great influence had been honourably
+ used for the mitigation of sentences and the purification of prisons. He
+ was one of the great humanitarian French freethinkers; and the only thing
+ wrong with them is that they make mercy even colder than justice.
+ </p>
+ <p>
+ When Valentin arrived he was already dressed in black clothes and the red
+ rosette&mdash;an elegant figure, his dark beard already streaked with
+ grey. He went straight through his house to his study, which opened on the
+ grounds behind. The garden door of it was open, and after he had carefully
+ locked his box in its official place, he stood for a few seconds at the
+ open door looking out upon the garden. A sharp moon was fighting with the
+ flying rags and tatters of a storm, and Valentin regarded it with a
+ wistfulness unusual in such scientific natures as his. Perhaps such
+ scientific natures have some psychic prevision of the most tremendous
+ problem of their lives. From any such occult mood, at least, he quickly
+ recovered, for he knew he was late, and that his guests had already begun
+ to arrive. A glance at his drawing-room when he entered it was enough to
+ make certain that his principal guest was not there, at any rate. He saw
+ all the other pillars of the little party; he saw Lord Galloway, the
+ English Ambassador&mdash;a choleric old man with a russet face like an
+ apple, wearing the blue ribbon of the Garter. He saw Lady Galloway, slim
+ and threadlike, with silver hair and a face sensitive and superior. He saw
+ her daughter, Lady Margaret Graham, a pale and pretty girl with an elfish
+ face and copper-coloured hair. He saw the Duchess of Mont St. Michel,
+ black-eyed and opulent, and with her her two daughters, black-eyed and
+ opulent also. He saw Dr. Simon, a typical French scientist, with glasses,
+ a pointed brown beard, and a forehead barred with those parallel wrinkles
+ which are the penalty of superciliousness, since they come through
+ constantly elevating the eyebrows. He saw Father Brown, of Cobhole, in
+ Essex, whom he had recently met in England. He saw&mdash;perhaps with more
+ interest than any of these&mdash;a tall man in uniform, who had bowed to
+ the Galloways without receiving any very hearty acknowledgment, and who
+ now advanced alone to pay his respects to his host. This was Commandant
+ O&rsquo;Brien, of the French Foreign Legion. He was a slim yet somewhat
+ swaggering figure, clean-shaven, dark-haired, and blue-eyed, and, as
+ seemed natural in an officer of that famous regiment of victorious
+ failures and successful suicides, he had an air at once dashing and
+ melancholy. He was by birth an Irish gentleman, and in boyhood had known
+ the Galloways&mdash;especially Margaret Graham. He had left his country
+ after some crash of debts, and now expressed his complete freedom from
+ British etiquette by swinging about in uniform, sabre and spurs. When he
+ bowed to the Ambassador&rsquo;s family, Lord and Lady Galloway bent stiffly, and
+ Lady Margaret looked away.
+ </p>
+ <p>
+ But for whatever old causes such people might be interested in each other,
+ their distinguished host was not specially interested in them. No one of
+ them at least was in his eyes the guest of the evening. Valentin was
+ expecting, for special reasons, a man of world-wide fame, whose friendship
+ he had secured during some of his great detective tours and triumphs in
+ the United States. He was expecting Julius K. Brayne, that
+ multi-millionaire whose colossal and even crushing endowments of small
+ religions have occasioned so much easy sport and easier solemnity for the
+ American and English papers. Nobody could quite make out whether Mr.
+ Brayne was an atheist or a Mormon or a Christian Scientist; but he was
+ ready to pour money into any intellectual vessel, so long as it was an
+ untried vessel. One of his hobbies was to wait for the American
+ Shakespeare&mdash;a hobby more patient than angling. He admired Walt
+ Whitman, but thought that Luke P. Tanner, of Paris, Pa., was more
+ &ldquo;progressive&rdquo; than Whitman any day. He liked anything that he thought
+ &ldquo;progressive.&rdquo; He thought Valentin &ldquo;progressive,&rdquo; thereby doing him a
+ grave injustice.
+ </p>
+ <p>
+ The solid appearance of Julius K. Brayne in the room was as decisive as a
+ dinner bell. He had this great quality, which very few of us can claim,
+ that his presence was as big as his absence. He was a huge fellow, as fat
+ as he was tall, clad in complete evening black, without so much relief as
+ a watch-chain or a ring. His hair was white and well brushed back like a
+ German&rsquo;s; his face was red, fierce and cherubic, with one dark tuft under
+ the lower lip that threw up that otherwise infantile visage with an effect
+ theatrical and even Mephistophelean. Not long, however, did that salon
+ merely stare at the celebrated American; his lateness had already become a
+ domestic problem, and he was sent with all speed into the dining-room with
+ Lady Galloway on his arm.
+ </p>
+ <p>
+ Except on one point the Galloways were genial and casual enough. So long
+ as Lady Margaret did not take the arm of that adventurer O&rsquo;Brien, her
+ father was quite satisfied; and she had not done so, she had decorously
+ gone in with Dr. Simon. Nevertheless, old Lord Galloway was restless and
+ almost rude. He was diplomatic enough during dinner, but when, over the
+ cigars, three of the younger men&mdash;Simon the doctor, Brown the priest,
+ and the detrimental O&rsquo;Brien, the exile in a foreign uniform&mdash;all
+ melted away to mix with the ladies or smoke in the conservatory, then the
+ English diplomatist grew very undiplomatic indeed. He was stung every
+ sixty seconds with the thought that the scamp O&rsquo;Brien might be signalling
+ to Margaret somehow; he did not attempt to imagine how. He was left over
+ the coffee with Brayne, the hoary Yankee who believed in all religions,
+ and Valentin, the grizzled Frenchman who believed in none. They could
+ argue with each other, but neither could appeal to him. After a time this
+ &ldquo;progressive&rdquo; logomachy had reached a crisis of tedium; Lord Galloway got
+ up also and sought the drawing-room. He lost his way in long passages for
+ some six or eight minutes: till he heard the high-pitched, didactic voice
+ of the doctor, and then the dull voice of the priest, followed by general
+ laughter. They also, he thought with a curse, were probably arguing about
+ &ldquo;science and religion.&rdquo; But the instant he opened the salon door he saw
+ only one thing&mdash;he saw what was not there. He saw that Commandant
+ O&rsquo;Brien was absent, and that Lady Margaret was absent too.
+ </p>
+ <p>
+ Rising impatiently from the drawing-room, as he had from the dining-room,
+ he stamped along the passage once more. His notion of protecting his
+ daughter from the Irish-Algerian n&rsquo;er-do-well had become something central
+ and even mad in his mind. As he went towards the back of the house, where
+ was Valentin&rsquo;s study, he was surprised to meet his daughter, who swept
+ past with a white, scornful face, which was a second enigma. If she had
+ been with O&rsquo;Brien, where was O&rsquo;Brien! If she had not been with O&rsquo;Brien,
+ where had she been? With a sort of senile and passionate suspicion he
+ groped his way to the dark back parts of the mansion, and eventually found
+ a servants&rsquo; entrance that opened on to the garden. The moon with her
+ scimitar had now ripped up and rolled away all the storm-wrack. The argent
+ light lit up all four corners of the garden. A tall figure in blue was
+ striding across the lawn towards the study door; a glint of moonlit silver
+ on his facings picked him out as Commandant O&rsquo;Brien.
+ </p>
+ <p>
+ He vanished through the French windows into the house, leaving Lord
+ Galloway in an indescribable temper, at once virulent and vague. The
+ blue-and-silver garden, like a scene in a theatre, seemed to taunt him
+ with all that tyrannic tenderness against which his worldly authority was
+ at war. The length and grace of the Irishman&rsquo;s stride enraged him as if he
+ were a rival instead of a father; the moonlight maddened him. He was
+ trapped as if by magic into a garden of troubadours, a Watteau fairyland;
+ and, willing to shake off such amorous imbecilities by speech, he stepped
+ briskly after his enemy. As he did so he tripped over some tree or stone
+ in the grass; looked down at it first with irritation and then a second
+ time with curiosity. The next instant the moon and the tall poplars looked
+ at an unusual sight&mdash;an elderly English diplomatist running hard and
+ crying or bellowing as he ran.
+ </p>
+ <p>
+ His hoarse shouts brought a pale face to the study door, the beaming
+ glasses and worried brow of Dr. Simon, who heard the nobleman&rsquo;s first
+ clear words. Lord Galloway was crying: &ldquo;A corpse in the grass&mdash;a
+ blood-stained corpse.&rdquo; O&rsquo;Brien at last had gone utterly out of his mind.
+ </p>
+ <p>
+ &ldquo;We must tell Valentin at once,&rdquo; said the doctor, when the other had
+ brokenly described all that he had dared to examine. &ldquo;It is fortunate that
+ he is here;&rdquo; and even as he spoke the great detective entered the study,
+ attracted by the cry. It was almost amusing to note his typical
+ transformation; he had come with the common concern of a host and a
+ gentleman, fearing that some guest or servant was ill. When he was told
+ the gory fact, he turned with all his gravity instantly bright and
+ businesslike; for this, however abrupt and awful, was his business.
+ </p>
+ <p>
+ &ldquo;Strange, gentlemen,&rdquo; he said as they hurried out into the garden, &ldquo;that I
+ should have hunted mysteries all over the earth, and now one comes and
+ settles in my own back-yard. But where is the place?&rdquo; They crossed the
+ lawn less easily, as a slight mist had begun to rise from the river; but
+ under the guidance of the shaken Galloway they found the body sunken in
+ deep grass&mdash;the body of a very tall and broad-shouldered man. He lay
+ face downwards, so they could only see that his big shoulders were clad in
+ black cloth, and that his big head was bald, except for a wisp or two of
+ brown hair that clung to his skull like wet seaweed. A scarlet serpent of
+ blood crawled from under his fallen face.
+ </p>
+ <p>
+ &ldquo;At least,&rdquo; said Simon, with a deep and singular intonation, &ldquo;he is none
+ of our party.&rdquo;
+ </p>
+ <p>
+ &ldquo;Examine him, doctor,&rdquo; cried Valentin rather sharply. &ldquo;He may not be
+ dead.&rdquo;
+ </p>
+ <p>
+ The doctor bent down. &ldquo;He is not quite cold, but I am afraid he is dead
+ enough,&rdquo; he answered. &ldquo;Just help me to lift him up.&rdquo;
+ </p>
+ <p>
+ They lifted him carefully an inch from the ground, and all doubts as to
+ his being really dead were settled at once and frightfully. The head fell
+ away. It had been entirely sundered from the body; whoever had cut his
+ throat had managed to sever the neck as well. Even Valentin was slightly
+ shocked. &ldquo;He must have been as strong as a gorilla,&rdquo; he muttered.
+ </p>
+ <p>
+ Not without a shiver, though he was used to anatomical abortions, Dr.
+ Simon lifted the head. It was slightly slashed about the neck and jaw, but
+ the face was substantially unhurt. It was a ponderous, yellow face, at
+ once sunken and swollen, with a hawk-like nose and heavy lids&mdash;a face
+ of a wicked Roman emperor, with, perhaps, a distant touch of a Chinese
+ emperor. All present seemed to look at it with the coldest eye of
+ ignorance. Nothing else could be noted about the man except that, as they
+ had lifted his body, they had seen underneath it the white gleam of a
+ shirt-front defaced with a red gleam of blood. As Dr. Simon said, the man
+ had never been of their party. But he might very well have been trying to
+ join it, for he had come dressed for such an occasion.
+ </p>
+ <p>
+ Valentin went down on his hands and knees and examined with his closest
+ professional attention the grass and ground for some twenty yards round
+ the body, in which he was assisted less skillfully by the doctor, and
+ quite vaguely by the English lord. Nothing rewarded their grovellings
+ except a few twigs, snapped or chopped into very small lengths, which
+ Valentin lifted for an instant&rsquo;s examination and then tossed away.
+ </p>
+ <p>
+ &ldquo;Twigs,&rdquo; he said gravely; &ldquo;twigs, and a total stranger with his head cut
+ off; that is all there is on this lawn.&rdquo;
+ </p>
+ <p>
+ There was an almost creepy stillness, and then the unnerved Galloway
+ called out sharply:
+ </p>
+ <p>
+ &ldquo;Who&rsquo;s that! Who&rsquo;s that over there by the garden wall!&rdquo;
+ </p>
+ <p>
+ A small figure with a foolishly large head drew waveringly near them in
+ the moonlit haze; looked for an instant like a goblin, but turned out to
+ be the harmless little priest whom they had left in the drawing-room.
+ </p>
+ <p>
+ &ldquo;I say,&rdquo; he said meekly, &ldquo;there are no gates to this garden, do you know.&rdquo;
+ </p>
+ <p>
+ Valentin&rsquo;s black brows had come together somewhat crossly, as they did on
+ principle at the sight of the cassock. But he was far too just a man to
+ deny the relevance of the remark. &ldquo;You are right,&rdquo; he said. &ldquo;Before we
+ find out how he came to be killed, we may have to find out how he came to
+ be here. Now listen to me, gentlemen. If it can be done without prejudice
+ to my position and duty, we shall all agree that certain distinguished
+ names might well be kept out of this. There are ladies, gentlemen, and
+ there is a foreign ambassador. If we must mark it down as a crime, then it
+ must be followed up as a crime. But till then I can use my own discretion.
+ I am the head of the police; I am so public that I can afford to be
+ private. Please Heaven, I will clear everyone of my own guests before I
+ call in my men to look for anybody else. Gentlemen, upon your honour, you
+ will none of you leave the house till tomorrow at noon; there are bedrooms
+ for all. Simon, I think you know where to find my man, Ivan, in the front
+ hall; he is a confidential man. Tell him to leave another servant on guard
+ and come to me at once. Lord Galloway, you are certainly the best person
+ to tell the ladies what has happened, and prevent a panic. They also must
+ stay. Father Brown and I will remain with the body.&rdquo;
+ </p>
+ <p>
+ When this spirit of the captain spoke in Valentin he was obeyed like a
+ bugle. Dr. Simon went through to the armoury and routed out Ivan, the
+ public detective&rsquo;s private detective. Galloway went to the drawing-room
+ and told the terrible news tactfully enough, so that by the time the
+ company assembled there the ladies were already startled and already
+ soothed. Meanwhile the good priest and the good atheist stood at the head
+ and foot of the dead man motionless in the moonlight, like symbolic
+ statues of their two philosophies of death.
+ </p>
+ <p>
+ Ivan, the confidential man with the scar and the moustaches, came out of
+ the house like a cannon ball, and came racing across the lawn to Valentin
+ like a dog to his master. His livid face was quite lively with the glow of
+ this domestic detective story, and it was with almost unpleasant eagerness
+ that he asked his master&rsquo;s permission to examine the remains.
+ </p>
+ <p>
+ &ldquo;Yes; look, if you like, Ivan,&rdquo; said Valentin, &ldquo;but don&rsquo;t be long. We must
+ go in and thrash this out in the house.&rdquo;
+ </p>
+ <p>
+ Ivan lifted the head, and then almost let it drop.
+ </p>
+ <p>
+ &ldquo;Why,&rdquo; he gasped, &ldquo;it&rsquo;s&mdash;no, it isn&rsquo;t; it can&rsquo;t be. Do you know this
+ man, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Valentin indifferently; &ldquo;we had better go inside.&rdquo;
+ </p>
+ <p>
+ Between them they carried the corpse to a sofa in the study, and then all
+ made their way to the drawing-room.
+ </p>
+ <p>
+ The detective sat down at a desk quietly, and even without hesitation; but
+ his eye was the iron eye of a judge at assize. He made a few rapid notes
+ upon paper in front of him, and then said shortly: &ldquo;Is everybody here?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not Mr. Brayne,&rdquo; said the Duchess of Mont St. Michel, looking round.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Lord Galloway in a hoarse, harsh voice. &ldquo;And not Mr. Neil
+ O&rsquo;Brien, I fancy. I saw that gentleman walking in the garden when the
+ corpse was still warm.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ivan,&rdquo; said the detective, &ldquo;go and fetch Commandant O&rsquo;Brien and Mr.
+ Brayne. Mr. Brayne, I know, is finishing a cigar in the dining-room;
+ Commandant O&rsquo;Brien, I think, is walking up and down the conservatory. I am
+ not sure.&rdquo;
+ </p>
+ <p>
+ The faithful attendant flashed from the room, and before anyone could stir
+ or speak Valentin went on with the same soldierly swiftness of exposition.
+ </p>
+ <p>
+ &ldquo;Everyone here knows that a dead man has been found in the garden, his
+ head cut clean from his body. Dr. Simon, you have examined it. Do you
+ think that to cut a man&rsquo;s throat like that would need great force? Or,
+ perhaps, only a very sharp knife?&rdquo;
+ </p>
+ <p>
+ &ldquo;I should say that it could not be done with a knife at all,&rdquo; said the
+ pale doctor.
+ </p>
+ <p>
+ &ldquo;Have you any thought,&rdquo; resumed Valentin, &ldquo;of a tool with which it could
+ be done?&rdquo;
+ </p>
+ <p>
+ &ldquo;Speaking within modern probabilities, I really haven&rsquo;t,&rdquo; said the doctor,
+ arching his painful brows. &ldquo;It&rsquo;s not easy to hack a neck through even
+ clumsily, and this was a very clean cut. It could be done with a
+ battle-axe or an old headsman&rsquo;s axe, or an old two-handed sword.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, good heavens!&rdquo; cried the Duchess, almost in hysterics, &ldquo;there aren&rsquo;t
+ any two-handed swords and battle-axes round here.&rdquo;
+ </p>
+ <p>
+ Valentin was still busy with the paper in front of him. &ldquo;Tell me,&rdquo; he
+ said, still writing rapidly, &ldquo;could it have been done with a long French
+ cavalry sabre?&rdquo;
+ </p>
+ <p>
+ A low knocking came at the door, which, for some unreasonable reason,
+ curdled everyone&rsquo;s blood like the knocking in Macbeth. Amid that frozen
+ silence Dr. Simon managed to say: &ldquo;A sabre&mdash;yes, I suppose it could.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; said Valentin. &ldquo;Come in, Ivan.&rdquo;
+ </p>
+ <p>
+ The confidential Ivan opened the door and ushered in Commandant Neil
+ O&rsquo;Brien, whom he had found at last pacing the garden again.
+ </p>
+ <p>
+ The Irish officer stood up disordered and defiant on the threshold. &ldquo;What
+ do you want with me?&rdquo; he cried.
+ </p>
+ <p>
+ &ldquo;Please sit down,&rdquo; said Valentin in pleasant, level tones. &ldquo;Why, you
+ aren&rsquo;t wearing your sword. Where is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I left it on the library table,&rdquo; said O&rsquo;Brien, his brogue deepening in
+ his disturbed mood. &ldquo;It was a nuisance, it was getting&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ivan,&rdquo; said Valentin, &ldquo;please go and get the Commandant&rsquo;s sword from the
+ library.&rdquo; Then, as the servant vanished, &ldquo;Lord Galloway says he saw you
+ leaving the garden just before he found the corpse. What were you doing in
+ the garden?&rdquo;
+ </p>
+ <p>
+ The Commandant flung himself recklessly into a chair. &ldquo;Oh,&rdquo; he cried in
+ pure Irish, &ldquo;admirin&rsquo; the moon. Communing with Nature, me bhoy.&rdquo;
+ </p>
+ <p>
+ A heavy silence sank and endured, and at the end of it came again that
+ trivial and terrible knocking. Ivan reappeared, carrying an empty steel
+ scabbard. &ldquo;This is all I can find,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Put it on the table,&rdquo; said Valentin, without looking up.
+ </p>
+ <p>
+ There was an inhuman silence in the room, like that sea of inhuman silence
+ round the dock of the condemned murderer. The Duchess&rsquo;s weak exclamations
+ had long ago died away. Lord Galloway&rsquo;s swollen hatred was satisfied and
+ even sobered. The voice that came was quite unexpected.
+ </p>
+ <p>
+ &ldquo;I think I can tell you,&rdquo; cried Lady Margaret, in that clear, quivering
+ voice with which a courageous woman speaks publicly. &ldquo;I can tell you what
+ Mr. O&rsquo;Brien was doing in the garden, since he is bound to silence. He was
+ asking me to marry him. I refused; I said in my family circumstances I
+ could give him nothing but my respect. He was a little angry at that; he
+ did not seem to think much of my respect. I wonder,&rdquo; she added, with
+ rather a wan smile, &ldquo;if he will care at all for it now. For I offer it him
+ now. I will swear anywhere that he never did a thing like this.&rdquo;
+ </p>
+ <p>
+ Lord Galloway had edged up to his daughter, and was intimidating her in
+ what he imagined to be an undertone. &ldquo;Hold your tongue, Maggie,&rdquo; he said
+ in a thunderous whisper. &ldquo;Why should you shield the fellow? Where&rsquo;s his
+ sword? Where&rsquo;s his confounded cavalry&mdash;&rdquo;
+ </p>
+ <p>
+ He stopped because of the singular stare with which his daughter was
+ regarding him, a look that was indeed a lurid magnet for the whole group.
+ </p>
+ <p>
+ &ldquo;You old fool!&rdquo; she said in a low voice without pretence of piety, &ldquo;what
+ do you suppose you are trying to prove? I tell you this man was innocent
+ while with me. But if he wasn&rsquo;t innocent, he was still with me. If he
+ murdered a man in the garden, who was it who must have seen&mdash;who must
+ at least have known? Do you hate Neil so much as to put your own daughter&mdash;&rdquo;
+ </p>
+ <p>
+ Lady Galloway screamed. Everyone else sat tingling at the touch of those
+ satanic tragedies that have been between lovers before now. They saw the
+ proud, white face of the Scotch aristocrat and her lover, the Irish
+ adventurer, like old portraits in a dark house. The long silence was full
+ of formless historical memories of murdered husbands and poisonous
+ paramours.
+ </p>
+ <p>
+ In the centre of this morbid silence an innocent voice said: &ldquo;Was it a
+ very long cigar?&rdquo;
+ </p>
+ <p>
+ The change of thought was so sharp that they had to look round to see who
+ had spoken.
+ </p>
+ <p>
+ &ldquo;I mean,&rdquo; said little Father Brown, from the corner of the room, &ldquo;I mean
+ that cigar Mr. Brayne is finishing. It seems nearly as long as a
+ walking-stick.&rdquo;
+ </p>
+ <p>
+ Despite the irrelevance there was assent as well as irritation in
+ Valentin&rsquo;s face as he lifted his head.
+ </p>
+ <p>
+ &ldquo;Quite right,&rdquo; he remarked sharply. &ldquo;Ivan, go and see about Mr. Brayne
+ again, and bring him here at once.&rdquo;
+ </p>
+ <p>
+ The instant the factotum had closed the door, Valentin addressed the girl
+ with an entirely new earnestness.
+ </p>
+ <p>
+ &ldquo;Lady Margaret,&rdquo; he said, &ldquo;we all feel, I am sure, both gratitude and
+ admiration for your act in rising above your lower dignity and explaining
+ the Commandant&rsquo;s conduct. But there is a hiatus still. Lord Galloway, I
+ understand, met you passing from the study to the drawing-room, and it was
+ only some minutes afterwards that he found the garden and the Commandant
+ still walking there.&rdquo;
+ </p>
+ <p>
+ &ldquo;You have to remember,&rdquo; replied Margaret, with a faint irony in her voice,
+ &ldquo;that I had just refused him, so we should scarcely have come back arm in
+ arm. He is a gentleman, anyhow; and he loitered behind&mdash;and so got
+ charged with murder.&rdquo;
+ </p>
+ <p>
+ &ldquo;In those few moments,&rdquo; said Valentin gravely, &ldquo;he might really&mdash;&rdquo;
+ </p>
+ <p>
+ The knock came again, and Ivan put in his scarred face.
+ </p>
+ <p>
+ &ldquo;Beg pardon, sir,&rdquo; he said, &ldquo;but Mr. Brayne has left the house.&rdquo;
+ </p>
+ <p>
+ &ldquo;Left!&rdquo; cried Valentin, and rose for the first time to his feet.
+ </p>
+ <p>
+ &ldquo;Gone. Scooted. Evaporated,&rdquo; replied Ivan in humorous French. &ldquo;His hat and
+ coat are gone, too, and I&rsquo;ll tell you something to cap it all. I ran
+ outside the house to find any traces of him, and I found one, and a big
+ trace, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked Valentin.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll show you,&rdquo; said his servant, and reappeared with a flashing naked
+ cavalry sabre, streaked with blood about the point and edge. Everyone in
+ the room eyed it as if it were a thunderbolt; but the experienced Ivan
+ went on quite quietly:
+ </p>
+ <p>
+ &ldquo;I found this,&rdquo; he said, &ldquo;flung among the bushes fifty yards up the road
+ to Paris. In other words, I found it just where your respectable Mr.
+ Brayne threw it when he ran away.&rdquo;
+ </p>
+ <p>
+ There was again a silence, but of a new sort. Valentin took the sabre,
+ examined it, reflected with unaffected concentration of thought, and then
+ turned a respectful face to O&rsquo;Brien. &ldquo;Commandant,&rdquo; he said, &ldquo;we trust you
+ will always produce this weapon if it is wanted for police examination.
+ Meanwhile,&rdquo; he added, slapping the steel back in the ringing scabbard,
+ &ldquo;let me return you your sword.&rdquo;
+ </p>
+ <p>
+ At the military symbolism of the action the audience could hardly refrain
+ from applause.
+ </p>
+ <p>
+ For Neil O&rsquo;Brien, indeed, that gesture was the turning-point of existence.
+ By the time he was wandering in the mysterious garden again in the colours
+ of the morning the tragic futility of his ordinary mien had fallen from
+ him; he was a man with many reasons for happiness. Lord Galloway was a
+ gentleman, and had offered him an apology. Lady Margaret was something
+ better than a lady, a woman at least, and had perhaps given him something
+ better than an apology, as they drifted among the old flowerbeds before
+ breakfast. The whole company was more lighthearted and humane, for though
+ the riddle of the death remained, the load of suspicion was lifted off
+ them all, and sent flying off to Paris with the strange millionaire&mdash;a
+ man they hardly knew. The devil was cast out of the house&mdash;he had
+ cast himself out.
+ </p>
+ <p>
+ Still, the riddle remained; and when O&rsquo;Brien threw himself on a garden
+ seat beside Dr. Simon, that keenly scientific person at once resumed it.
+ He did not get much talk out of O&rsquo;Brien, whose thoughts were on pleasanter
+ things.
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t say it interests me much,&rdquo; said the Irishman frankly, &ldquo;especially
+ as it seems pretty plain now. Apparently Brayne hated this stranger for
+ some reason; lured him into the garden, and killed him with my sword. Then
+ he fled to the city, tossing the sword away as he went. By the way, Ivan
+ tells me the dead man had a Yankee dollar in his pocket. So he was a
+ countryman of Brayne&rsquo;s, and that seems to clinch it. I don&rsquo;t see any
+ difficulties about the business.&rdquo;
+ </p>
+ <p>
+ &ldquo;There are five colossal difficulties,&rdquo; said the doctor quietly; &ldquo;like
+ high walls within walls. Don&rsquo;t mistake me. I don&rsquo;t doubt that Brayne did
+ it; his flight, I fancy, proves that. But as to how he did it. First
+ difficulty: Why should a man kill another man with a great hulking sabre,
+ when he can almost kill him with a pocket knife and put it back in his
+ pocket? Second difficulty: Why was there no noise or outcry? Does a man
+ commonly see another come up waving a scimitar and offer no remarks? Third
+ difficulty: A servant watched the front door all the evening; and a rat
+ cannot get into Valentin&rsquo;s garden anywhere. How did the dead man get into
+ the garden? Fourth difficulty: Given the same conditions, how did Brayne
+ get out of the garden?&rdquo;
+ </p>
+ <p>
+ &ldquo;And the fifth,&rdquo; said Neil, with eyes fixed on the English priest who was
+ coming slowly up the path.
+ </p>
+ <p>
+ &ldquo;Is a trifle, I suppose,&rdquo; said the doctor, &ldquo;but I think an odd one. When I
+ first saw how the head had been slashed, I supposed the assassin had
+ struck more than once. But on examination I found many cuts across the
+ truncated section; in other words, they were struck after the head was
+ off. Did Brayne hate his foe so fiendishly that he stood sabring his body
+ in the moonlight?&rdquo;
+ </p>
+ <p>
+ &ldquo;Horrible!&rdquo; said O&rsquo;Brien, and shuddered.
+ </p>
+ <p>
+ The little priest, Brown, had arrived while they were talking, and had
+ waited, with characteristic shyness, till they had finished. Then he said
+ awkwardly:
+ </p>
+ <p>
+ &ldquo;I say, I&rsquo;m sorry to interrupt. But I was sent to tell you the news!&rdquo;
+ </p>
+ <p>
+ &ldquo;News?&rdquo; repeated Simon, and stared at him rather painfully through his
+ glasses.
+ </p>
+ <p>
+ &ldquo;Yes, I&rsquo;m sorry,&rdquo; said Father Brown mildly. &ldquo;There&rsquo;s been another murder,
+ you know.&rdquo;
+ </p>
+ <p>
+ Both men on the seat sprang up, leaving it rocking.
+ </p>
+ <p>
+ &ldquo;And, what&rsquo;s stranger still,&rdquo; continued the priest, with his dull eye on
+ the rhododendrons, &ldquo;it&rsquo;s the same disgusting sort; it&rsquo;s another beheading.
+ They found the second head actually bleeding into the river, a few yards
+ along Brayne&rsquo;s road to Paris; so they suppose that he&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Great Heaven!&rdquo; cried O&rsquo;Brien. &ldquo;Is Brayne a monomaniac?&rdquo;
+ </p>
+ <p>
+ &ldquo;There are American vendettas,&rdquo; said the priest impassively. Then he
+ added: &ldquo;They want you to come to the library and see it.&rdquo;
+ </p>
+ <p>
+ Commandant O&rsquo;Brien followed the others towards the inquest, feeling
+ decidedly sick. As a soldier, he loathed all this secretive carnage;
+ where were these extravagant amputations going to stop? First one head
+ was hacked off, and then another; in this case (he told himself bitterly)
+ it was not true that two heads were better than one. As he crossed the
+ study he almost staggered at a shocking coincidence. Upon
+ Valentin&rsquo;s table lay the coloured picture of yet a third bleeding
+ head; and it was the head of Valentin himself. A second glance showed him
+ it was only a Nationalist paper, called <i>The Guillotine</i>, which
+ every week showed one of its political opponents with rolling eyes and
+ writhing features just after execution; for Valentin was an anti-clerical
+ of some note. But O&rsquo;Brien was an Irishman, with a kind of chastity
+ even in his sins; and his gorge rose against that great brutality of the
+ intellect which belongs only to France. He felt Paris as a whole, from
+ the grotesques on the Gothic churches to the gross caricatures in the
+ newspapers. He remembered the gigantic jests of the Revolution. He saw
+ the whole city as one ugly energy, from the sanguinary sketch lying on
+ Valentin&rsquo;s table up to where, above a mountain and forest of
+ gargoyles, the great devil grins on Notre Dame.
+ </p>
+ <p>
+ The library was long, low, and dark; what light entered it shot from under
+ low blinds and had still some of the ruddy tinge of morning. Valentin and
+ his servant Ivan were waiting for them at the upper end of a long,
+ slightly-sloping desk, on which lay the mortal remains, looking enormous
+ in the twilight. The big black figure and yellow face of the man found in
+ the garden confronted them essentially unchanged. The second head, which
+ had been fished from among the river reeds that morning, lay streaming and
+ dripping beside it; Valentin&rsquo;s men were still seeking to recover the rest
+ of this second corpse, which was supposed to be afloat. Father Brown, who
+ did not seem to share O&rsquo;Brien&rsquo;s sensibilities in the least, went up to the
+ second head and examined it with his blinking care. It was little more
+ than a mop of wet white hair, fringed with silver fire in the red and
+ level morning light; the face, which seemed of an ugly, empurpled and
+ perhaps criminal type, had been much battered against trees or stones as
+ it tossed in the water.
+ </p>
+ <p>
+ &ldquo;Good morning, Commandant O&rsquo;Brien,&rdquo; said Valentin, with quiet cordiality.
+ &ldquo;You have heard of Brayne&rsquo;s last experiment in butchery, I suppose?&rdquo;
+ </p>
+ <p>
+ Father Brown was still bending over the head with white hair, and he said,
+ without looking up:
+ </p>
+ <p>
+ &ldquo;I suppose it is quite certain that Brayne cut off this head, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it seems common sense,&rdquo; said Valentin, with his hands in his
+ pockets. &ldquo;Killed in the same way as the other. Found within a few yards of
+ the other. And sliced by the same weapon which we know he carried away.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes; I know,&rdquo; replied Father Brown submissively. &ldquo;Yet, you know, I
+ doubt whether Brayne could have cut off this head.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why not?&rdquo; inquired Dr. Simon, with a rational stare.
+ </p>
+ <p>
+ &ldquo;Well, doctor,&rdquo; said the priest, looking up blinking, &ldquo;can a man cut off
+ his own head? I don&rsquo;t know.&rdquo;
+ </p>
+ <p>
+ O&rsquo;Brien felt an insane universe crashing about his ears; but the doctor
+ sprang forward with impetuous practicality and pushed back the wet white
+ hair.
+ </p>
+ <p>
+ &ldquo;Oh, there&rsquo;s no doubt it&rsquo;s Brayne,&rdquo; said the priest quietly. &ldquo;He had
+ exactly that chip in the left ear.&rdquo;
+ </p>
+ <p>
+ The detective, who had been regarding the priest with steady and
+ glittering eyes, opened his clenched mouth and said sharply: &ldquo;You seem to
+ know a lot about him, Father Brown.&rdquo;
+ </p>
+ <p>
+ &ldquo;I do,&rdquo; said the little man simply. &ldquo;I&rsquo;ve been about with him for some
+ weeks. He was thinking of joining our church.&rdquo;
+ </p>
+ <p>
+ The star of the fanatic sprang into Valentin&rsquo;s eyes; he strode towards the
+ priest with clenched hands. &ldquo;And, perhaps,&rdquo; he cried, with a blasting
+ sneer, &ldquo;perhaps he was also thinking of leaving all his money to your
+ church.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps he was,&rdquo; said Brown stolidly; &ldquo;it is possible.&rdquo;
+ </p>
+ <p>
+ &ldquo;In that case,&rdquo; cried Valentin, with a dreadful smile, &ldquo;you may indeed
+ know a great deal about him. About his life and about his&mdash;&rdquo;
+ </p>
+ <p>
+ Commandant O&rsquo;Brien laid a hand on Valentin&rsquo;s arm. &ldquo;Drop that slanderous
+ rubbish, Valentin,&rdquo; he said, &ldquo;or there may be more swords yet.&rdquo;
+ </p>
+ <p>
+ But Valentin (under the steady, humble gaze of the priest) had already
+ recovered himself. &ldquo;Well,&rdquo; he said shortly, &ldquo;people&rsquo;s private opinions can
+ wait. You gentlemen are still bound by your promise to stay; you must
+ enforce it on yourselves&mdash;and on each other. Ivan here will tell you
+ anything more you want to know; I must get to business and write to the
+ authorities. We can&rsquo;t keep this quiet any longer. I shall be writing in my
+ study if there is any more news.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is there any more news, Ivan?&rdquo; asked Dr. Simon, as the chief of police
+ strode out of the room.
+ </p>
+ <p>
+ &ldquo;Only one more thing, I think, sir,&rdquo; said Ivan, wrinkling up his grey old
+ face, &ldquo;but that&rsquo;s important, too, in its way. There&rsquo;s that old buffer you
+ found on the lawn,&rdquo; and he pointed without pretence of reverence at the
+ big black body with the yellow head. &ldquo;We&rsquo;ve found out who he is, anyhow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed!&rdquo; cried the astonished doctor, &ldquo;and who is he?&rdquo;
+ </p>
+ <p>
+ &ldquo;His name was Arnold Becker,&rdquo; said the under-detective, &ldquo;though he went by
+ many aliases. He was a wandering sort of scamp, and is known to have been
+ in America; so that was where Brayne got his knife into him. We didn&rsquo;t
+ have much to do with him ourselves, for he worked mostly in Germany. We&rsquo;ve
+ communicated, of course, with the German police. But, oddly enough, there
+ was a twin brother of his, named Louis Becker, whom we had a great deal to
+ do with. In fact, we found it necessary to guillotine him only yesterday.
+ Well, it&rsquo;s a rum thing, gentlemen, but when I saw that fellow flat on the
+ lawn I had the greatest jump of my life. If I hadn&rsquo;t seen Louis Becker
+ guillotined with my own eyes, I&rsquo;d have sworn it was Louis Becker lying
+ there in the grass. Then, of course, I remembered his twin brother in
+ Germany, and following up the clue&mdash;&rdquo;
+ </p>
+ <p>
+ The explanatory Ivan stopped, for the excellent reason that nobody was
+ listening to him. The Commandant and the doctor were both staring at
+ Father Brown, who had sprung stiffly to his feet, and was holding his
+ temples tight like a man in sudden and violent pain.
+ </p>
+ <p>
+ &ldquo;Stop, stop, stop!&rdquo; he cried; &ldquo;stop talking a minute, for I see half. Will
+ God give me strength? Will my brain make the one jump and see all? Heaven
+ help me! I used to be fairly good at thinking. I could paraphrase any page
+ in Aquinas once. Will my head split&mdash;or will it see? I see half&mdash;I
+ only see half.&rdquo;
+ </p>
+ <p>
+ He buried his head in his hands, and stood in a sort of rigid torture of
+ thought or prayer, while the other three could only go on staring at this
+ last prodigy of their wild twelve hours.
+ </p>
+ <p>
+ When Father Brown&rsquo;s hands fell they showed a face quite fresh and serious,
+ like a child&rsquo;s. He heaved a huge sigh, and said: &ldquo;Let us get this said and
+ done with as quickly as possible. Look here, this will be the quickest way
+ to convince you all of the truth.&rdquo; He turned to the doctor. &ldquo;Dr. Simon,&rdquo;
+ he said, &ldquo;you have a strong head-piece, and I heard you this morning
+ asking the five hardest questions about this business. Well, if you will
+ ask them again, I will answer them.&rdquo;
+ </p>
+ <p>
+ Simon&rsquo;s pince-nez dropped from his nose in his doubt and wonder, but he
+ answered at once. &ldquo;Well, the first question, you know, is why a man should
+ kill another with a clumsy sabre at all when a man can kill with a
+ bodkin?&rdquo;
+ </p>
+ <p>
+ &ldquo;A man cannot behead with a bodkin,&rdquo; said Brown calmly, &ldquo;and for this
+ murder beheading was absolutely necessary.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo; asked O&rsquo;Brien, with interest.
+ </p>
+ <p>
+ &ldquo;And the next question?&rdquo; asked Father Brown.
+ </p>
+ <p>
+ &ldquo;Well, why didn&rsquo;t the man cry out or anything?&rdquo; asked the doctor; &ldquo;sabres
+ in gardens are certainly unusual.&rdquo;
+ </p>
+ <p>
+ &ldquo;Twigs,&rdquo; said the priest gloomily, and turned to the window which looked
+ on the scene of death. &ldquo;No one saw the point of the twigs. Why should they
+ lie on that lawn (look at it) so far from any tree? They were not snapped
+ off; they were chopped off. The murderer occupied his enemy with some
+ tricks with the sabre, showing how he could cut a branch in mid-air, or
+ what-not. Then, while his enemy bent down to see the result, a silent
+ slash, and the head fell.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the doctor slowly, &ldquo;that seems plausible enough. But my next
+ two questions will stump anyone.&rdquo;
+ </p>
+ <p>
+ The priest still stood looking critically out of the window and waited.
+ </p>
+ <p>
+ &ldquo;You know how all the garden was sealed up like an air-tight chamber,&rdquo;
+ went on the doctor. &ldquo;Well, how did the strange man get into the garden?&rdquo;
+ </p>
+ <p>
+ Without turning round, the little priest answered: &ldquo;There never was any
+ strange man in the garden.&rdquo;
+ </p>
+ <p>
+ There was a silence, and then a sudden cackle of almost childish laughter
+ relieved the strain. The absurdity of Brown&rsquo;s remark moved Ivan to open
+ taunts.
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; he cried; &ldquo;then we didn&rsquo;t lug a great fat corpse on to a sofa last
+ night? He hadn&rsquo;t got into the garden, I suppose?&rdquo;
+ </p>
+ <p>
+ &ldquo;Got into the garden?&rdquo; repeated Brown reflectively. &ldquo;No, not entirely.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hang it all,&rdquo; cried Simon, &ldquo;a man gets into a garden, or he doesn&rsquo;t.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not necessarily,&rdquo; said the priest, with a faint smile. &ldquo;What is the nest
+ question, doctor?&rdquo;
+ </p>
+ <p>
+ &ldquo;I fancy you&rsquo;re ill,&rdquo; exclaimed Dr. Simon sharply; &ldquo;but I&rsquo;ll ask the next
+ question if you like. How did Brayne get out of the garden?&rdquo;
+ </p>
+ <p>
+ &ldquo;He didn&rsquo;t get out of the garden,&rdquo; said the priest, still looking out of
+ the window.
+ </p>
+ <p>
+ &ldquo;Didn&rsquo;t get out of the garden?&rdquo; exploded Simon.
+ </p>
+ <p>
+ &ldquo;Not completely,&rdquo; said Father Brown.
+ </p>
+ <p>
+ Simon shook his fists in a frenzy of French logic. &ldquo;A man gets out of a
+ garden, or he doesn&rsquo;t,&rdquo; he cried.
+ </p>
+ <p>
+ &ldquo;Not always,&rdquo; said Father Brown.
+ </p>
+ <p>
+ Dr. Simon sprang to his feet impatiently. &ldquo;I have no time to spare on such
+ senseless talk,&rdquo; he cried angrily. &ldquo;If you can&rsquo;t understand a man being on
+ one side of a wall or the other, I won&rsquo;t trouble you further.&rdquo;
+ </p>
+ <p>
+ &ldquo;Doctor,&rdquo; said the cleric very gently, &ldquo;we have always got on very
+ pleasantly together. If only for the sake of old friendship, stop and tell
+ me your fifth question.&rdquo;
+ </p>
+ <p>
+ The impatient Simon sank into a chair by the door and said briefly: &ldquo;The
+ head and shoulders were cut about in a queer way. It seemed to be done
+ after death.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said the motionless priest, &ldquo;it was done so as to make you assume
+ exactly the one simple falsehood that you did assume. It was done to make
+ you take for granted that the head belonged to the body.&rdquo;
+ </p>
+ <p>
+ The borderland of the brain, where all the monsters are made, moved
+ horribly in the Gaelic O&rsquo;Brien. He felt the chaotic presence of all the
+ horse-men and fish-women that man&rsquo;s unnatural fancy has begotten. A voice
+ older than his first fathers seemed saying in his ear: &ldquo;Keep out of the
+ monstrous garden where grows the tree with double fruit. Avoid the evil
+ garden where died the man with two heads.&rdquo; Yet, while these shameful
+ symbolic shapes passed across the ancient mirror of his Irish soul, his
+ Frenchified intellect was quite alert, and was watching the odd priest as
+ closely and incredulously as all the rest.
+ </p>
+ <p>
+ Father Brown had turned round at last, and stood against the window, with
+ his face in dense shadow; but even in that shadow they could see it was
+ pale as ashes. Nevertheless, he spoke quite sensibly, as if there were no
+ Gaelic souls on earth.
+ </p>
+ <p>
+ &ldquo;Gentlemen,&rdquo; he said, &ldquo;you did not find the strange body of Becker in the
+ garden. You did not find any strange body in the garden. In face of Dr.
+ Simon&rsquo;s rationalism, I still affirm that Becker was only partly present.
+ Look here!&rdquo; (pointing to the black bulk of the mysterious corpse) &ldquo;you
+ never saw that man in your lives. Did you ever see this man?&rdquo;
+ </p>
+ <p>
+ He rapidly rolled away the bald, yellow head of the unknown, and put in
+ its place the white-maned head beside it. And there, complete, unified,
+ unmistakable, lay Julius K. Brayne.
+ </p>
+ <p>
+ &ldquo;The murderer,&rdquo; went on Brown quietly, &ldquo;hacked off his enemy&rsquo;s head and
+ flung the sword far over the wall. But he was too clever to fling the
+ sword only. He flung the head over the wall also. Then he had only to clap
+ on another head to the corpse, and (as he insisted on a private inquest)
+ you all imagined a totally new man.&rdquo;
+ </p>
+ <p>
+ &ldquo;Clap on another head!&rdquo; said O&rsquo;Brien staring. &ldquo;What other head? Heads
+ don&rsquo;t grow on garden bushes, do they?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Father Brown huskily, and looking at his boots;
+ &ldquo;there is only one place where they grow. They grow in the basket
+ of the guillotine, beside which the chief of police, Aristide Valentin,
+ was standing not an hour before the murder. Oh, my friends, hear me a
+ minute more before you tear me in pieces. Valentin is an honest man, if
+ being mad for an arguable cause is honesty. But did you never see in that
+ cold, grey eye of his that he is mad! He would do anything, anything, to
+ break what he calls the superstition of the Cross. He has fought for it
+ and starved for it, and now he has murdered for it. Brayne&rsquo;s crazy
+ millions had hitherto been scattered among so many sects that they did
+ little to alter the balance of things. But Valentin heard a whisper that
+ Brayne, like so many scatter-brained sceptics, was drifting to us; and
+ that was quite a different thing. Brayne would pour supplies into the
+ impoverished and pugnacious Church of France; he would support six
+ Nationalist newspapers like <i>The Guillotine</i>. The battle was already
+ balanced on a point, and the fanatic took flame at the risk. He resolved
+ to destroy the millionaire, and he did it as one would expect the
+ greatest of detectives to commit his only crime. He abstracted the
+ severed head of Becker on some criminological excuse, and took it home in
+ his official box. He had that last argument with Brayne, that Lord
+ Galloway did not hear the end of; that failing, he led him out into the
+ sealed garden, talked about swordsmanship, used twigs and a sabre for
+ illustration, and&mdash;&rdquo;
+ </p>
+ <p>
+ Ivan of the Scar sprang up. &ldquo;You lunatic,&rdquo; he yelled; &ldquo;you&rsquo;ll go to my
+ master now, if I take you by&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, I was going there,&rdquo; said Brown heavily; &ldquo;I must ask him to confess,
+ and all that.&rdquo;
+ </p>
+ <p>
+ Driving the unhappy Brown before them like a hostage or sacrifice, they
+ rushed together into the sudden stillness of Valentin&rsquo;s study.
+ </p>
+ <p>
+ The great detective sat at his desk apparently too occupied to hear their
+ turbulent entrance. They paused a moment, and then something in the look
+ of that upright and elegant back made the doctor run forward suddenly. A
+ touch and a glance showed him that there was a small box of pills at
+ Valentin&rsquo;s elbow, and that Valentin was dead in his chair; and on the
+ blind face of the suicide was more than the pride of Cato.
+ </p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+ <h2><a name="chap03"></a>
+ The Queer Feet
+ </h2>
+ <p>
+ If you meet a member of that select club, &ldquo;The Twelve True Fishermen,&rdquo;
+ entering the Vernon Hotel for the annual club dinner, you will observe, as
+ he takes off his overcoat, that his evening coat is green and not black.
+ If (supposing that you have the star-defying audacity to address such a
+ being) you ask him why, he will probably answer that he does it to avoid
+ being mistaken for a waiter. You will then retire crushed. But you will
+ leave behind you a mystery as yet unsolved and a tale worth telling.
+ </p>
+ <p>
+ If (to pursue the same vein of improbable conjecture) you were to meet a
+ mild, hard-working little priest, named Father Brown, and were to ask him
+ what he thought was the most singular luck of his life, he would probably
+ reply that upon the whole his best stroke was at the Vernon Hotel, where
+ he had averted a crime and, perhaps, saved a soul, merely by listening to
+ a few footsteps in a passage. He is perhaps a little proud of this wild
+ and wonderful guess of his, and it is possible that he might refer to it.
+ But since it is immeasurably unlikely that you will ever rise high enough
+ in the social world to find &ldquo;The Twelve True Fishermen,&rdquo; or that you will
+ ever sink low enough among slums and criminals to find Father Brown, I
+ fear you will never hear the story at all unless you hear it from me.
+ </p>
+ <p>
+ The Vernon Hotel at which The Twelve True Fishermen held their annual
+ dinners was an institution such as can only exist in an oligarchical
+ society which has almost gone mad on good manners. It was that topsy-turvy
+ product&mdash;an &ldquo;exclusive&rdquo; commercial enterprise. That is, it was a
+ thing which paid not by attracting people, but actually by turning people
+ away. In the heart of a plutocracy tradesmen become cunning enough to be
+ more fastidious than their customers. They positively create difficulties
+ so that their wealthy and weary clients may spend money and diplomacy in
+ overcoming them. If there were a fashionable hotel in London which no man
+ could enter who was under six foot, society would meekly make up parties
+ of six-foot men to dine in it. If there were an expensive restaurant which
+ by a mere caprice of its proprietor was only open on Thursday afternoon,
+ it would be crowded on Thursday afternoon. The Vernon Hotel stood, as if
+ by accident, in the corner of a square in Belgravia. It was a small hotel;
+ and a very inconvenient one. But its very inconveniences were considered
+ as walls protecting a particular class. One inconvenience, in particular,
+ was held to be of vital importance: the fact that practically only
+ twenty-four people could dine in the place at once. The only big dinner
+ table was the celebrated terrace table, which stood open to the air on a
+ sort of veranda overlooking one of the most exquisite old gardens in
+ London. Thus it happened that even the twenty-four seats at this table
+ could only be enjoyed in warm weather; and this making the enjoyment yet
+ more difficult made it yet more desired. The existing owner of the hotel
+ was a Jew named Lever; and he made nearly a million out of it, by making
+ it difficult to get into. Of course he combined with this limitation in
+ the scope of his enterprise the most careful polish in its performance.
+ The wines and cooking were really as good as any in Europe, and the
+ demeanour of the attendants exactly mirrored the fixed mood of the English
+ upper class. The proprietor knew all his waiters like the fingers on his
+ hand; there were only fifteen of them all told. It was much easier to
+ become a Member of Parliament than to become a waiter in that hotel. Each
+ waiter was trained in terrible silence and smoothness, as if he were a
+ gentleman&rsquo;s servant. And, indeed, there was generally at least one waiter
+ to every gentleman who dined.
+ </p>
+ <p>
+ The club of The Twelve True Fishermen would not have consented to dine
+ anywhere but in such a place, for it insisted on a luxurious privacy; and
+ would have been quite upset by the mere thought that any other club was
+ even dining in the same building. On the occasion of their annual dinner
+ the Fishermen were in the habit of exposing all their treasures, as if
+ they were in a private house, especially the celebrated set of fish knives
+ and forks which were, as it were, the insignia of the society, each being
+ exquisitely wrought in silver in the form of a fish, and each loaded at
+ the hilt with one large pearl. These were always laid out for the fish
+ course, and the fish course was always the most magnificent in that
+ magnificent repast. The society had a vast number of ceremonies and
+ observances, but it had no history and no object; that was where it was so
+ very aristocratic. You did not have to be anything in order to be one of
+ the Twelve Fishers; unless you were already a certain sort of person, you
+ never even heard of them. It had been in existence twelve years. Its
+ president was Mr. Audley. Its vice-president was the Duke of Chester.
+ </p>
+ <p>
+ If I have in any degree conveyed the atmosphere of this appalling hotel,
+ the reader may feel a natural wonder as to how I came to know anything
+ about it, and may even speculate as to how so ordinary a person as my
+ friend Father Brown came to find himself in that golden galley. As far as
+ that is concerned, my story is simple, or even vulgar. There is in the
+ world a very aged rioter and demagogue who breaks into the most refined
+ retreats with the dreadful information that all men are brothers, and
+ wherever this leveller went on his pale horse it was Father Brown&rsquo;s trade
+ to follow. One of the waiters, an Italian, had been struck down with a
+ paralytic stroke that afternoon; and his Jewish employer, marvelling
+ mildly at such superstitions, had consented to send for the nearest Popish
+ priest. With what the waiter confessed to Father Brown we are not
+ concerned, for the excellent reason that that cleric kept it to himself;
+ but apparently it involved him in writing out a note or statement for the
+ conveying of some message or the righting of some wrong. Father Brown,
+ therefore, with a meek impudence which he would have shown equally in
+ Buckingham Palace, asked to be provided with a room and writing materials.
+ Mr. Lever was torn in two. He was a kind man, and had also that bad
+ imitation of kindness, the dislike of any difficulty or scene. At the same
+ time the presence of one unusual stranger in his hotel that evening was
+ like a speck of dirt on something just cleaned. There was never any
+ borderland or anteroom in the Vernon Hotel, no people waiting in the hall,
+ no customers coming in on chance. There were fifteen waiters. There were
+ twelve guests. It would be as startling to find a new guest in the hotel
+ that night as to find a new brother taking breakfast or tea in one&rsquo;s own
+ family. Moreover, the priest&rsquo;s appearance was second-rate and his clothes
+ muddy; a mere glimpse of him afar off might precipitate a crisis in the
+ club. Mr. Lever at last hit on a plan to cover, since he might not
+ obliterate, the disgrace. When you enter (as you never will) the Vernon
+ Hotel, you pass down a short passage decorated with a few dingy but
+ important pictures, and come to the main vestibule and lounge which opens
+ on your right into passages leading to the public rooms, and on your left
+ to a similar passage pointing to the kitchens and offices of the hotel.
+ Immediately on your left hand is the corner of a glass office, which abuts
+ upon the lounge&mdash;a house within a house, so to speak, like the old
+ hotel bar which probably once occupied its place.
+ </p>
+ <p>
+ In this office sat the representative of the proprietor (nobody in this
+ place ever appeared in person if he could help it), and just beyond the
+ office, on the way to the servants&rsquo; quarters, was the gentlemen&rsquo;s cloak
+ room, the last boundary of the gentlemen&rsquo;s domain. But between the office
+ and the cloak room was a small private room without other outlet,
+ sometimes used by the proprietor for delicate and important matters, such
+ as lending a duke a thousand pounds or declining to lend him sixpence. It
+ is a mark of the magnificent tolerance of Mr. Lever that he permitted this
+ holy place to be for about half an hour profaned by a mere priest,
+ scribbling away on a piece of paper. The story which Father Brown was
+ writing down was very likely a much better story than this one, only it
+ will never be known. I can merely state that it was very nearly as long,
+ and that the last two or three paragraphs of it were the least exciting
+ and absorbing.
+ </p>
+ <p>
+ For it was by the time that he had reached these that the priest began a
+ little to allow his thoughts to wander and his animal senses, which were
+ commonly keen, to awaken. The time of darkness and dinner was drawing on;
+ his own forgotten little room was without a light, and perhaps the
+ gathering gloom, as occasionally happens, sharpened the sense of sound. As
+ Father Brown wrote the last and least essential part of his document, he
+ caught himself writing to the rhythm of a recurrent noise outside, just as
+ one sometimes thinks to the tune of a railway train. When he became
+ conscious of the thing he found what it was: only the ordinary patter of
+ feet passing the door, which in an hotel was no very unlikely matter.
+ Nevertheless, he stared at the darkened ceiling, and listened to the
+ sound. After he had listened for a few seconds dreamily, he got to his
+ feet and listened intently, with his head a little on one side. Then he
+ sat down again and buried his brow in his hands, now not merely listening,
+ but listening and thinking also.
+ </p>
+ <p>
+ The footsteps outside at any given moment were such as one might hear in
+ any hotel; and yet, taken as a whole, there was something very strange
+ about them. There were no other footsteps. It was always a very silent
+ house, for the few familiar guests went at once to their own apartments,
+ and the well-trained waiters were told to be almost invisible until they
+ were wanted. One could not conceive any place where there was less reason
+ to apprehend anything irregular. But these footsteps were so odd that one
+ could not decide to call them regular or irregular. Father Brown followed
+ them with his finger on the edge of the table, like a man trying to learn
+ a tune on the piano.
+ </p>
+ <p>
+ First, there came a long rush of rapid little steps, such as a light man
+ might make in winning a walking race. At a certain point they stopped and
+ changed to a sort of slow, swinging stamp, numbering not a quarter of the
+ steps, but occupying about the same time. The moment the last echoing
+ stamp had died away would come again the run or ripple of light, hurrying
+ feet, and then again the thud of the heavier walking. It was certainly the
+ same pair of boots, partly because (as has been said) there were no other
+ boots about, and partly because they had a small but unmistakable creak in
+ them. Father Brown had the kind of head that cannot help asking questions;
+ and on this apparently trivial question his head almost split. He had seen
+ men run in order to jump. He had seen men run in order to slide. But why
+ on earth should a man run in order to walk? Or, again, why should he walk
+ in order to run? Yet no other description would cover the antics of this
+ invisible pair of legs. The man was either walking very fast down one-half
+ of the corridor in order to walk very slow down the other half; or he was
+ walking very slow at one end to have the rapture of walking fast at the
+ other. Neither suggestion seemed to make much sense. His brain was growing
+ darker and darker, like his room.
+ </p>
+ <p>
+ Yet, as he began to think steadily, the very blackness of his cell seemed
+ to make his thoughts more vivid; he began to see as in a kind of vision
+ the fantastic feet capering along the corridor in unnatural or symbolic
+ attitudes. Was it a heathen religious dance? Or some entirely new kind of
+ scientific exercise? Father Brown began to ask himself with more exactness
+ what the steps suggested. Taking the slow step first: it certainly was not
+ the step of the proprietor. Men of his type walk with a rapid waddle, or
+ they sit still. It could not be any servant or messenger waiting for
+ directions. It did not sound like it. The poorer orders (in an oligarchy)
+ sometimes lurch about when they are slightly drunk, but generally, and
+ especially in such gorgeous scenes, they stand or sit in constrained
+ attitudes. No; that heavy yet springy step, with a kind of careless
+ emphasis, not specially noisy, yet not caring what noise it made, belonged
+ to only one of the animals of this earth. It was a gentleman of western
+ Europe, and probably one who had never worked for his living.
+ </p>
+ <p>
+ Just as he came to this solid certainty, the step changed to the quicker
+ one, and ran past the door as feverishly as a rat. The listener remarked
+ that though this step was much swifter it was also much more noiseless,
+ almost as if the man were walking on tiptoe. Yet it was not associated in
+ his mind with secrecy, but with something else&mdash;something that he
+ could not remember. He was maddened by one of those half-memories that
+ make a man feel half-witted. Surely he had heard that strange, swift
+ walking somewhere. Suddenly he sprang to his feet with a new idea in his
+ head, and walked to the door. His room had no direct outlet on the
+ passage, but let on one side into the glass office, and on the other into
+ the cloak room beyond. He tried the door into the office, and found it
+ locked. Then he looked at the window, now a square pane full of purple
+ cloud cleft by livid sunset, and for an instant he smelt evil as a dog
+ smells rats.
+ </p>
+ <p>
+ The rational part of him (whether the wiser or not) regained its
+ supremacy. He remembered that the proprietor had told him that he should
+ lock the door, and would come later to release him. He told himself that
+ twenty things he had not thought of might explain the eccentric sounds
+ outside; he reminded himself that there was just enough light left to
+ finish his own proper work. Bringing his paper to the window so as to
+ catch the last stormy evening light, he resolutely plunged once more into
+ the almost completed record. He had written for about twenty minutes,
+ bending closer and closer to his paper in the lessening light; then
+ suddenly he sat upright. He had heard the strange feet once more.
+ </p>
+ <p>
+ This time they had a third oddity. Previously the unknown man had walked,
+ with levity indeed and lightning quickness, but he had walked. This time
+ he ran. One could hear the swift, soft, bounding steps coming along the
+ corridor, like the pads of a fleeing and leaping panther. Whoever was
+ coming was a very strong, active man, in still yet tearing excitement.
+ Yet, when the sound had swept up to the office like a sort of whispering
+ whirlwind, it suddenly changed again to the old slow, swaggering stamp.
+ </p>
+ <p>
+ Father Brown flung down his paper, and, knowing the office door to be
+ locked, went at once into the cloak room on the other side. The attendant
+ of this place was temporarily absent, probably because the only guests
+ were at dinner and his office was a sinecure. After groping through a grey
+ forest of overcoats, he found that the dim cloak room opened on the
+ lighted corridor in the form of a sort of counter or half-door, like most
+ of the counters across which we have all handed umbrellas and received
+ tickets. There was a light immediately above the semicircular arch of this
+ opening. It threw little illumination on Father Brown himself, who seemed
+ a mere dark outline against the dim sunset window behind him. But it threw
+ an almost theatrical light on the man who stood outside the cloak room in
+ the corridor.
+ </p>
+ <p>
+ He was an elegant man in very plain evening dress; tall, but with an air
+ of not taking up much room; one felt that he could have slid along like a
+ shadow where many smaller men would have been obvious and obstructive. His
+ face, now flung back in the lamplight, was swarthy and vivacious, the face
+ of a foreigner. His figure was good, his manners good humoured and
+ confident; a critic could only say that his black coat was a shade below
+ his figure and manners, and even bulged and bagged in an odd way. The
+ moment he caught sight of Brown&rsquo;s black silhouette against the sunset, he
+ tossed down a scrap of paper with a number and called out with amiable
+ authority: &ldquo;I want my hat and coat, please; I find I have to go away at
+ once.&rdquo;
+ </p>
+ <p>
+ Father Brown took the paper without a word, and obediently went to look
+ for the coat; it was not the first menial work he had done in his life. He
+ brought it and laid it on the counter; meanwhile, the strange gentleman
+ who had been feeling in his waistcoat pocket, said laughing: &ldquo;I haven&rsquo;t
+ got any silver; you can keep this.&rdquo; And he threw down half a sovereign,
+ and caught up his coat.
+ </p>
+ <p>
+ Father Brown&rsquo;s figure remained quite dark and still; but in that instant
+ he had lost his head. His head was always most valuable when he had lost
+ it. In such moments he put two and two together and made four million.
+ Often the Catholic Church (which is wedded to common sense) did not
+ approve of it. Often he did not approve of it himself. But it was real
+ inspiration&mdash;important at rare crises&mdash;when whosoever shall lose
+ his head the same shall save it.
+ </p>
+ <p>
+ &ldquo;I think, sir,&rdquo; he said civilly, &ldquo;that you have some silver in your
+ pocket.&rdquo;
+ </p>
+ <p>
+ The tall gentleman stared. &ldquo;Hang it,&rdquo; he cried, &ldquo;if I choose to give you
+ gold, why should you complain?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because silver is sometimes more valuable than gold,&rdquo; said the priest
+ mildly; &ldquo;that is, in large quantities.&rdquo;
+ </p>
+ <p>
+ The stranger looked at him curiously. Then he looked still more curiously
+ up the passage towards the main entrance. Then he looked back at Brown
+ again, and then he looked very carefully at the window beyond Brown&rsquo;s
+ head, still coloured with the after-glow of the storm. Then he seemed to
+ make up his mind. He put one hand on the counter, vaulted over as easily
+ as an acrobat and towered above the priest, putting one tremendous hand
+ upon his collar.
+ </p>
+ <p>
+ &ldquo;Stand still,&rdquo; he said, in a hacking whisper. &ldquo;I don&rsquo;t want to threaten
+ you, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I do want to threaten you,&rdquo; said Father Brown, in a voice like a rolling
+ drum, &ldquo;I want to threaten you with the worm that dieth not, and the fire
+ that is not quenched.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re a rum sort of cloak-room clerk,&rdquo; said the other.
+ </p>
+ <p>
+ &ldquo;I am a priest, Monsieur Flambeau,&rdquo; said Brown, &ldquo;and I am ready to hear
+ your confession.&rdquo;
+ </p>
+ <p>
+ The other stood gasping for a few moments, and then staggered back into a
+ chair.
+ </p>
+ <p>
+ The first two courses of the dinner of The Twelve True Fishermen had
+ proceeded with placid success. I do not possess a copy of the menu; and
+ if I did it would not convey anything to anybody. It was written in a
+ sort of super-French employed by cooks, but quite unintelligible to
+ Frenchmen. There was a tradition in the club that the <i>hors
+ d&rsquo;œuvres</i> should be various and manifold to the point of
+ madness. They were taken seriously because they were avowedly useless
+ extras, like the whole dinner and the whole club. There was also a
+ tradition that the soup course should be light and unpretending&mdash;a
+ sort of simple and austere vigil for the feast of fish that was to come.
+ The talk was that strange, slight talk which governs the British Empire,
+ which governs it in secret, and yet would scarcely enlighten an ordinary
+ Englishman even if he could overhear it. Cabinet ministers on both sides
+ were alluded to by their Christian names with a sort of bored benignity.
+ The Radical Chancellor of the Exchequer, whom the whole Tory party was
+ supposed to be cursing for his extortions, was praised for his minor
+ poetry, or his saddle in the hunting field. The Tory leader, whom all
+ Liberals were supposed to hate as a tyrant, was discussed and, on the
+ whole, praised&mdash;as a Liberal. It seemed somehow that politicians
+ were very important. And yet, anything seemed important about them except
+ their politics. Mr. Audley, the chairman, was an amiable, elderly man who
+ still wore Gladstone collars; he was a kind of symbol of all that
+ phantasmal and yet fixed society. He had never done anything&mdash;not
+ even anything wrong. He was not fast; he was not even particularly rich.
+ He was simply in the thing; and there was an end of it. No party could
+ ignore him, and if he had wished to be in the Cabinet he certainly would
+ have been put there. The Duke of Chester, the vice-president, was a young
+ and rising politician. That is to say, he was a pleasant youth, with
+ flat, fair hair and a freckled face, with moderate intelligence and
+ enormous estates. In public his appearances were always successful and
+ his principle was simple enough. When he thought of a joke he made it,
+ and was called brilliant. When he could not think of a joke he said that
+ this was no time for trifling, and was called able. In private, in a club
+ of his own class, he was simply quite pleasantly frank and silly, like a
+ schoolboy. Mr. Audley, never having been in politics, treated them a
+ little more seriously. Sometimes he even embarrassed the company by
+ phrases suggesting that there was some difference between a Liberal and a
+ Conservative. He himself was a Conservative, even in private life. He had
+ a roll of grey hair over the back of his collar, like certain
+ old-fashioned statesmen, and seen from behind he looked like the man the
+ empire wants. Seen from the front he looked like a mild, self-indulgent
+ bachelor, with rooms in the Albany&mdash;which he was.
+ </p>
+ <p>
+ As has been remarked, there were twenty-four seats at the terrace table,
+ and only twelve members of the club. Thus they could occupy the terrace in
+ the most luxurious style of all, being ranged along the inner side of the
+ table, with no one opposite, commanding an uninterrupted view of the
+ garden, the colours of which were still vivid, though evening was closing
+ in somewhat luridly for the time of year. The chairman sat in the centre
+ of the line, and the vice-president at the right-hand end of it. When the
+ twelve guests first trooped into their seats it was the custom (for some
+ unknown reason) for all the fifteen waiters to stand lining the wall like
+ troops presenting arms to the king, while the fat proprietor stood and
+ bowed to the club with radiant surprise, as if he had never heard of them
+ before. But before the first chink of knife and fork this army of
+ retainers had vanished, only the one or two required to collect and
+ distribute the plates darting about in deathly silence. Mr. Lever, the
+ proprietor, of course had disappeared in convulsions of courtesy long
+ before. It would be exaggerative, indeed irreverent, to say that he ever
+ positively appeared again. But when the important course, the fish course,
+ was being brought on, there was&mdash;how shall I put it?&mdash;a vivid
+ shadow, a projection of his personality, which told that he was hovering
+ near. The sacred fish course consisted (to the eyes of the vulgar) in a
+ sort of monstrous pudding, about the size and shape of a wedding cake, in
+ which some considerable number of interesting fishes had finally lost the
+ shapes which God had given to them. The Twelve True Fishermen took up
+ their celebrated fish knives and fish forks, and approached it as gravely
+ as if every inch of the pudding cost as much as the silver fork it was
+ eaten with. So it did, for all I know. This course was dealt with in eager
+ and devouring silence; and it was only when his plate was nearly empty
+ that the young duke made the ritual remark: &ldquo;They can&rsquo;t do this anywhere
+ but here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nowhere,&rdquo; said Mr. Audley, in a deep bass voice, turning to the speaker
+ and nodding his venerable head a number of times. &ldquo;Nowhere, assuredly,
+ except here. It was represented to me that at the Café Anglais&mdash;&rdquo;
+ </p>
+ <p>
+ Here he was interrupted and even agitated for a moment by the removal of
+ his plate, but he recaptured the valuable thread of his thoughts. &ldquo;It was
+ represented to me that the same could be done at the Café Anglais. Nothing
+ like it, sir,&rdquo; he said, shaking his head ruthlessly, like a hanging judge.
+ &ldquo;Nothing like it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Overrated place,&rdquo; said a certain Colonel Pound, speaking (by the look of
+ him) for the first time for some months.
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t know,&rdquo; said the Duke of Chester, who was an optimist, &ldquo;it&rsquo;s
+ jolly good for some things. You can&rsquo;t beat it at&mdash;&rdquo;
+ </p>
+ <p>
+ A waiter came swiftly along the room, and then stopped dead. His stoppage
+ was as silent as his tread; but all those vague and kindly gentlemen were
+ so used to the utter smoothness of the unseen machinery which surrounded
+ and supported their lives, that a waiter doing anything unexpected was a
+ start and a jar. They felt as you and I would feel if the inanimate world
+ disobeyed&mdash;if a chair ran away from us.
+ </p>
+ <p>
+ The waiter stood staring a few seconds, while there deepened on every face
+ at table a strange shame which is wholly the product of our time. It is
+ the combination of modern humanitarianism with the horrible modern abyss
+ between the souls of the rich and poor. A genuine historic aristocrat
+ would have thrown things at the waiter, beginning with empty bottles, and
+ very probably ending with money. A genuine democrat would have asked him,
+ with comrade-like clearness of speech, what the devil he was doing. But
+ these modern plutocrats could not bear a poor man near to them, either as
+ a slave or as a friend. That something had gone wrong with the servants
+ was merely a dull, hot embarrassment. They did not want to be brutal, and
+ they dreaded the need to be benevolent. They wanted the thing, whatever it
+ was, to be over. It was over. The waiter, after standing for some seconds
+ rigid, like a cataleptic, turned round and ran madly out of the room.
+ </p>
+ <p>
+ When he reappeared in the room, or rather in the doorway, it was in
+ company with another waiter, with whom he whispered and gesticulated with
+ southern fierceness. Then the first waiter went away, leaving the second
+ waiter, and reappeared with a third waiter. By the time a fourth waiter
+ had joined this hurried synod, Mr. Audley felt it necessary to break the
+ silence in the interests of Tact. He used a very loud cough, instead of a
+ presidential hammer, and said: &ldquo;Splendid work young Moocher&rsquo;s doing in
+ Burmah. Now, no other nation in the world could have&mdash;&rdquo;
+ </p>
+ <p>
+ A fifth waiter had sped towards him like an arrow, and was whispering in
+ his ear: &ldquo;So sorry. Important! Might the proprietor speak to you?&rdquo;
+ </p>
+ <p>
+ The chairman turned in disorder, and with a dazed stare saw Mr. Lever
+ coming towards them with his lumbering quickness. The gait of the good
+ proprietor was indeed his usual gait, but his face was by no means usual.
+ Generally it was a genial copper-brown; now it was a sickly yellow.
+ </p>
+ <p>
+ &ldquo;You will pardon me, Mr. Audley,&rdquo; he said, with asthmatic breathlessness.
+ &ldquo;I have great apprehensions. Your fish-plates, they are cleared away with
+ the knife and fork on them!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I hope so,&rdquo; said the chairman, with some warmth.
+ </p>
+ <p>
+ &ldquo;You see him?&rdquo; panted the excited hotel keeper; &ldquo;you see the waiter who
+ took them away? You know him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Know the waiter?&rdquo; answered Mr. Audley indignantly. &ldquo;Certainly not!&rdquo;
+ </p>
+ <p>
+ Mr. Lever opened his hands with a gesture of agony. &ldquo;I never send him,&rdquo; he
+ said. &ldquo;I know not when or why he come. I send my waiter to take away the
+ plates, and he find them already away.&rdquo;
+ </p>
+ <p>
+ Mr. Audley still looked rather too bewildered to be really the man the
+ empire wants; none of the company could say anything except the man of
+ wood&mdash;Colonel Pound&mdash;who seemed galvanised into an unnatural
+ life. He rose rigidly from his chair, leaving all the rest sitting,
+ screwed his eyeglass into his eye, and spoke in a raucous undertone as if
+ he had half-forgotten how to speak. &ldquo;Do you mean,&rdquo; he said, &ldquo;that somebody
+ has stolen our silver fish service?&rdquo;
+ </p>
+ <p>
+ The proprietor repeated the open-handed gesture with even greater
+ helplessness and in a flash all the men at the table were on their feet.
+ </p>
+ <p>
+ &ldquo;Are all your waiters here?&rdquo; demanded the colonel, in his low, harsh
+ accent.
+ </p>
+ <p>
+ &ldquo;Yes; they&rsquo;re all here. I noticed it myself,&rdquo; cried the young duke,
+ pushing his boyish face into the inmost ring. &ldquo;Always count &rsquo;em as I come
+ in; they look so queer standing up against the wall.&rdquo;
+ </p>
+ <p>
+ &ldquo;But surely one cannot exactly remember,&rdquo; began Mr. Audley, with heavy
+ hesitation.
+ </p>
+ <p>
+ &ldquo;I remember exactly, I tell you,&rdquo; cried the duke excitedly. &ldquo;There never
+ have been more than fifteen waiters at this place, and there were no more
+ than fifteen tonight, I&rsquo;ll swear; no more and no less.&rdquo;
+ </p>
+ <p>
+ The proprietor turned upon him, quaking in a kind of palsy of surprise.
+ &ldquo;You say&mdash;you say,&rdquo; he stammered, &ldquo;that you see all my fifteen
+ waiters?&rdquo;
+ </p>
+ <p>
+ &ldquo;As usual,&rdquo; assented the duke. &ldquo;What is the matter with that!&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing,&rdquo; said Lever, with a deepening accent, &ldquo;only you did not. For one
+ of zem is dead upstairs.&rdquo;
+ </p>
+ <p>
+ There was a shocking stillness for an instant in that room. It may be (so
+ supernatural is the word death) that each of those idle men looked for a
+ second at his soul, and saw it as a small dried pea. One of them&mdash;the
+ duke, I think&mdash;even said with the idiotic kindness of wealth: &ldquo;Is
+ there anything we can do?&rdquo;
+ </p>
+ <p>
+ &ldquo;He has had a priest,&rdquo; said the Jew, not untouched.
+ </p>
+ <p>
+ Then, as to the clang of doom, they awoke to their own position. For a few
+ weird seconds they had really felt as if the fifteenth waiter might be the
+ ghost of the dead man upstairs. They had been dumb under that oppression,
+ for ghosts were to them an embarrassment, like beggars. But the
+ remembrance of the silver broke the spell of the miraculous; broke it
+ abruptly and with a brutal reaction. The colonel flung over his chair and
+ strode to the door. &ldquo;If there was a fifteenth man here, friends,&rdquo; he said,
+ &ldquo;that fifteenth fellow was a thief. Down at once to the front and back
+ doors and secure everything; then we&rsquo;ll talk. The twenty-four pearls of
+ the club are worth recovering.&rdquo;
+ </p>
+ <p>
+ Mr. Audley seemed at first to hesitate about whether it was gentlemanly to
+ be in such a hurry about anything; but, seeing the duke dash down the
+ stairs with youthful energy, he followed with a more mature motion.
+ </p>
+ <p>
+ At the same instant a sixth waiter ran into the room, and declared that he
+ had found the pile of fish plates on a sideboard, with no trace of the
+ silver.
+ </p>
+ <p>
+ The crowd of diners and attendants that tumbled helter-skelter down the
+ passages divided into two groups. Most of the Fishermen followed the
+ proprietor to the front room to demand news of any exit. Colonel Pound,
+ with the chairman, the vice-president, and one or two others darted down
+ the corridor leading to the servants&rsquo; quarters, as the more likely line of
+ escape. As they did so they passed the dim alcove or cavern of the cloak
+ room, and saw a short, black-coated figure, presumably an attendant,
+ standing a little way back in the shadow of it.
+ </p>
+ <p>
+ &ldquo;Hallo, there!&rdquo; called out the duke. &ldquo;Have you seen anyone pass?&rdquo;
+ </p>
+ <p>
+ The short figure did not answer the question directly, but merely said:
+ &ldquo;Perhaps I have got what you are looking for, gentlemen.&rdquo;
+ </p>
+ <p>
+ They paused, wavering and wondering, while he quietly went to the back of
+ the cloak room, and came back with both hands full of shining silver,
+ which he laid out on the counter as calmly as a salesman. It took the form
+ of a dozen quaintly shaped forks and knives.
+ </p>
+ <p>
+ &ldquo;You&mdash;you&mdash;&rdquo; began the colonel, quite thrown off his balance at
+ last. Then he peered into the dim little room and saw two things: first,
+ that the short, black-clad man was dressed like a clergyman; and, second,
+ that the window of the room behind him was burst, as if someone had passed
+ violently through. &ldquo;Valuable things to deposit in a cloak room, aren&rsquo;t
+ they?&rdquo; remarked the clergyman, with cheerful composure.
+ </p>
+ <p>
+ &ldquo;Did&mdash;did you steal those things?&rdquo; stammered Mr. Audley, with staring
+ eyes.
+ </p>
+ <p>
+ &ldquo;If I did,&rdquo; said the cleric pleasantly, &ldquo;at least I am bringing them back
+ again.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you didn&rsquo;t,&rdquo; said Colonel Pound, still staring at the broken window.
+ </p>
+ <p>
+ &ldquo;To make a clean breast of it, I didn&rsquo;t,&rdquo; said the other, with some
+ humour. And he seated himself quite gravely on a stool. &ldquo;But you know who
+ did,&rdquo; said the, colonel.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know his real name,&rdquo; said the priest placidly, &ldquo;but I know
+ something of his fighting weight, and a great deal about his spiritual
+ difficulties. I formed the physical estimate when he was trying to
+ throttle me, and the moral estimate when he repented.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I say&mdash;repented!&rdquo; cried young Chester, with a sort of crow of
+ laughter.
+ </p>
+ <p>
+ Father Brown got to his feet, putting his hands behind him. &ldquo;Odd, isn&rsquo;t
+ it,&rdquo; he said, &ldquo;that a thief and a vagabond should repent, when so many who
+ are rich and secure remain hard and frivolous, and without fruit for God
+ or man? But there, if you will excuse me, you trespass a little upon my
+ province. If you doubt the penitence as a practical fact, there are your
+ knives and forks. You are The Twelve True Fishers, and there are all your
+ silver fish. But He has made me a fisher of men.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you catch this man?&rdquo; asked the colonel, frowning.
+ </p>
+ <p>
+ Father Brown looked him full in his frowning face. &ldquo;Yes,&rdquo; he said, &ldquo;I
+ caught him, with an unseen hook and an invisible line which is long enough
+ to let him wander to the ends of the world, and still to bring him back
+ with a twitch upon the thread.&rdquo;
+ </p>
+ <p>
+ There was a long silence. All the other men present drifted away to carry
+ the recovered silver to their comrades, or to consult the proprietor about
+ the queer condition of affairs. But the grim-faced colonel still sat
+ sideways on the counter, swinging his long, lank legs and biting his dark
+ moustache.
+ </p>
+ <p>
+ At last he said quietly to the priest: &ldquo;He must have been a clever fellow,
+ but I think I know a cleverer.&rdquo;
+ </p>
+ <p>
+ &ldquo;He was a clever fellow,&rdquo; answered the other, &ldquo;but I am not quite sure of
+ what other you mean.&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean you,&rdquo; said the colonel, with a short laugh. &ldquo;I don&rsquo;t want to get
+ the fellow jailed; make yourself easy about that. But I&rsquo;d give a good many
+ silver forks to know exactly how you fell into this affair, and how you
+ got the stuff out of him. I reckon you&rsquo;re the most up-to-date devil of the
+ present company.&rdquo;
+ </p>
+ <p>
+ Father Brown seemed rather to like the saturnine candour of the soldier.
+ &ldquo;Well,&rdquo; he said, smiling, &ldquo;I mustn&rsquo;t tell you anything of the man&rsquo;s
+ identity, or his own story, of course; but there&rsquo;s no particular reason
+ why I shouldn&rsquo;t tell you of the mere outside facts which I found out for
+ myself.&rdquo;
+ </p>
+ <p>
+ He hopped over the barrier with unexpected activity, and sat beside
+ Colonel Pound, kicking his short legs like a little boy on a gate. He
+ began to tell the story as easily as if he were telling it to an old
+ friend by a Christmas fire.
+ </p>
+ <p>
+ &ldquo;You see, colonel,&rdquo; he said, &ldquo;I was shut up in that small room there doing
+ some writing, when I heard a pair of feet in this passage doing a dance
+ that was as queer as the dance of death. First came quick, funny little
+ steps, like a man walking on tiptoe for a wager; then came slow, careless,
+ creaking steps, as of a big man walking about with a cigar. But they were
+ both made by the same feet, I swear, and they came in rotation; first the
+ run and then the walk, and then the run again. I wondered at first idly
+ and then wildly why a man should act these two parts at once. One walk I
+ knew; it was just like yours, colonel. It was the walk of a well-fed
+ gentleman waiting for something, who strolls about rather because he is
+ physically alert than because he is mentally impatient. I knew that I knew
+ the other walk, too, but I could not remember what it was. What wild
+ creature had I met on my travels that tore along on tiptoe in that
+ extraordinary style? Then I heard a clink of plates somewhere; and the
+ answer stood up as plain as St. Peter&rsquo;s. It was the walk of a waiter&mdash;that
+ walk with the body slanted forward, the eyes looking down, the ball of the
+ toe spurning away the ground, the coat tails and napkin flying. Then I
+ thought for a minute and a half more. And I believe I saw the manner of
+ the crime, as clearly as if I were going to commit it.&rdquo;
+ </p>
+ <p>
+ Colonel Pound looked at him keenly, but the speaker&rsquo;s mild grey eyes were
+ fixed upon the ceiling with almost empty wistfulness.
+ </p>
+ <p>
+ &ldquo;A crime,&rdquo; he said slowly, &ldquo;is like any other work of art. Don&rsquo;t look
+ surprised; crimes are by no means the only works of art that come from an
+ infernal workshop. But every work of art, divine or diabolic, has one
+ indispensable mark&mdash;I mean, that the centre of it is simple, however
+ much the fulfilment may be complicated. Thus, in <i>Hamlet</i>, let us say, the
+ grotesqueness of the grave-digger, the flowers of the mad girl, the
+ fantastic finery of Osric, the pallor of the ghost and the grin of the
+ skull are all oddities in a sort of tangled wreath round one plain tragic
+ figure of a man in black. Well, this also,&rdquo; he said, getting slowly down
+ from his seat with a smile, &ldquo;this also is the plain tragedy of a man in
+ black. Yes,&rdquo; he went on, seeing the colonel look up in some wonder, &ldquo;the
+ whole of this tale turns on a black coat. In this, as in <i>Hamlet</i>, there are
+ the rococo excrescences&mdash;yourselves, let us say. There is the dead
+ waiter, who was there when he could not be there. There is the invisible
+ hand that swept your table clear of silver and melted into air. But every
+ clever crime is founded ultimately on some one quite simple fact&mdash;some
+ fact that is not itself mysterious. The mystification comes in covering it
+ up, in leading men&rsquo;s thoughts away from it. This large and subtle and (in
+ the ordinary course) most profitable crime, was built on the plain fact
+ that a gentleman&rsquo;s evening dress is the same as a waiter&rsquo;s. All the rest
+ was acting, and thundering good acting, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;Still,&rdquo; said the colonel, getting up and frowning at his boots, &ldquo;I am not
+ sure that I understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Colonel,&rdquo; said Father Brown, &ldquo;I tell you that this archangel of impudence
+ who stole your forks walked up and down this passage twenty times in the
+ blaze of all the lamps, in the glare of all the eyes. He did not go and
+ hide in dim corners where suspicion might have searched for him. He kept
+ constantly on the move in the lighted corridors, and everywhere that he
+ went he seemed to be there by right. Don&rsquo;t ask me what he was like; you
+ have seen him yourself six or seven times tonight. You were waiting with
+ all the other grand people in the reception room at the end of the passage
+ there, with the terrace just beyond. Whenever he came among you gentlemen,
+ he came in the lightning style of a waiter, with bent head, flapping
+ napkin and flying feet. He shot out on to the terrace, did something to
+ the table cloth, and shot back again towards the office and the waiters&rsquo;
+ quarters. By the time he had come under the eye of the office clerk and
+ the waiters he had become another man in every inch of his body, in every
+ instinctive gesture. He strolled among the servants with the absent-minded
+ insolence which they have all seen in their patrons. It was no new thing
+ to them that a swell from the dinner party should pace all parts of the
+ house like an animal at the Zoo; they know that nothing marks the Smart
+ Set more than a habit of walking where one chooses. When he was
+ magnificently weary of walking down that particular passage he would wheel
+ round and pace back past the office; in the shadow of the arch just beyond
+ he was altered as by a blast of magic, and went hurrying forward again
+ among the Twelve Fishermen, an obsequious attendant. Why should the
+ gentlemen look at a chance waiter? Why should the waiters suspect a
+ first-rate walking gentleman? Once or twice he played the coolest tricks.
+ In the proprietor&rsquo;s private quarters he called out breezily for a syphon
+ of soda water, saying he was thirsty. He said genially that he would carry
+ it himself, and he did; he carried it quickly and correctly through the
+ thick of you, a waiter with an obvious errand. Of course, it could not
+ have been kept up long, but it only had to be kept up till the end of the
+ fish course.
+ </p>
+ <p>
+ &ldquo;His worst moment was when the waiters stood in a row; but even then he
+ contrived to lean against the wall just round the corner in such a way
+ that for that important instant the waiters thought him a gentleman, while
+ the gentlemen thought him a waiter. The rest went like winking. If any
+ waiter caught him away from the table, that waiter caught a languid
+ aristocrat. He had only to time himself two minutes before the fish was
+ cleared, become a swift servant, and clear it himself. He put the plates
+ down on a sideboard, stuffed the silver in his breast pocket, giving it a
+ bulgy look, and ran like a hare (I heard him coming) till he came to the
+ cloak room. There he had only to be a plutocrat again&mdash;a plutocrat
+ called away suddenly on business. He had only to give his ticket to the
+ cloak-room attendant, and go out again elegantly as he had come in. Only&mdash;only
+ I happened to be the cloak-room attendant.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did you do to him?&rdquo; cried the colonel, with unusual intensity. &ldquo;What
+ did he tell you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg your pardon,&rdquo; said the priest immovably, &ldquo;that is where the story
+ ends.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the interesting story begins,&rdquo; muttered Pound. &ldquo;I think I understand
+ his professional trick. But I don&rsquo;t seem to have got hold of yours.&rdquo;
+ </p>
+ <p>
+ &ldquo;I must be going,&rdquo; said Father Brown.
+ </p>
+ <p>
+ They walked together along the passage to the entrance hall, where they
+ saw the fresh, freckled face of the Duke of Chester, who was bounding
+ buoyantly along towards them.
+ </p>
+ <p>
+ &ldquo;Come along, Pound,&rdquo; he cried breathlessly. &ldquo;I&rsquo;ve been looking for you
+ everywhere. The dinner&rsquo;s going again in spanking style, and old Audley has
+ got to make a speech in honour of the forks being saved. We want to start
+ some new ceremony, don&rsquo;t you know, to commemorate the occasion. I say, you
+ really got the goods back, what do you suggest?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why,&rdquo; said the colonel, eyeing him with a certain sardonic approval, &ldquo;I
+ should suggest that henceforward we wear green coats, instead of black.
+ One never knows what mistakes may arise when one looks so like a waiter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, hang it all!&rdquo; said the young man, &ldquo;a gentleman never looks like a
+ waiter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nor a waiter like a gentleman, I suppose,&rdquo; said Colonel Pound, with the
+ same lowering laughter on his face. &ldquo;Reverend sir, your friend must have
+ been very smart to act the gentleman.&rdquo;
+ </p>
+ <p>
+ Father Brown buttoned up his commonplace overcoat to the neck, for the
+ night was stormy, and took his commonplace umbrella from the stand.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he said; &ldquo;it must be very hard work to be a gentleman; but, do you
+ know, I have sometimes thought that it may be almost as laborious to be a
+ waiter.&rdquo;
+ </p>
+ <p>
+ And saying &ldquo;Good evening,&rdquo; he pushed open the heavy doors of that palace
+ of pleasures. The golden gates closed behind him, and he went at a brisk
+ walk through the damp, dark streets in search of a penny omnibus.
+ </p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+ <h2><a name="chap04"></a>
+ The Flying Stars
+ </h2>
+ <p>
+ &ldquo;The most beautiful crime I ever committed,&rdquo; Flambeau would say in his
+ highly moral old age, &ldquo;was also, by a singular coincidence, my last. It
+ was committed at Christmas. As an artist I had always attempted to provide
+ crimes suitable to the special season or landscapes in which I found
+ myself, choosing this or that terrace or garden for a catastrophe, as if
+ for a statuary group. Thus squires should be swindled in long rooms
+ panelled with oak; while Jews, on the other hand, should rather find
+ themselves unexpectedly penniless among the lights and screens of the Café
+ Riche. Thus, in England, if I wished to relieve a dean of his riches
+ (which is not so easy as you might suppose), I wished to frame him, if I
+ make myself clear, in the green lawns and grey towers of some cathedral
+ town. Similarly, in France, when I had got money out of a rich and wicked
+ peasant (which is almost impossible), it gratified me to get his indignant
+ head relieved against a grey line of clipped poplars, and those solemn
+ plains of Gaul over which broods the mighty spirit of Millet.
+ </p>
+ <p>
+ &ldquo;Well, my last crime was a Christmas crime, a cheery, cosy, English
+ middle-class crime; a crime of Charles Dickens. I did it in a good old
+ middle-class house near Putney, a house with a crescent of carriage drive,
+ a house with a stable by the side of it, a house with the name on the two
+ outer gates, a house with a monkey tree. Enough, you know the species. I
+ really think my imitation of Dickens&rsquo;s style was dexterous and literary.
+ It seems almost a pity I repented the same evening.&rdquo;
+ </p>
+ <p>
+ Flambeau would then proceed to tell the story from the inside; and even
+ from the inside it was odd. Seen from the outside it was perfectly
+ incomprehensible, and it is from the outside that the stranger must study
+ it. From this standpoint the drama may be said to have begun when the
+ front doors of the house with the stable opened on the garden with the
+ monkey tree, and a young girl came out with bread to feed the birds on the
+ afternoon of Boxing Day. She had a pretty face, with brave brown eyes; but
+ her figure was beyond conjecture, for she was so wrapped up in brown furs
+ that it was hard to say which was hair and which was fur. But for the
+ attractive face she might have been a small toddling bear.
+ </p>
+ <p>
+ The winter afternoon was reddening towards evening, and already a ruby
+ light was rolled over the bloomless beds, filling them, as it were, with
+ the ghosts of the dead roses. On one side of the house stood the stable,
+ on the other an alley or cloister of laurels led to the larger garden
+ behind. The young lady, having scattered bread for the birds (for the
+ fourth or fifth time that day, because the dog ate it), passed
+ unobtrusively down the lane of laurels and into a glimmering plantation of
+ evergreens behind. Here she gave an exclamation of wonder, real or ritual,
+ and looking up at the high garden wall above her, beheld it fantastically
+ bestridden by a somewhat fantastic figure.
+ </p>
+ <p>
+ &ldquo;Oh, don&rsquo;t jump, Mr. Crook,&rdquo; she called out in some alarm; &ldquo;it&rsquo;s much too
+ high.&rdquo;
+ </p>
+ <p>
+ The individual riding the party wall like an aerial horse was a tall,
+ angular young man, with dark hair sticking up like a hair brush,
+ intelligent and even distinguished lineaments, but a sallow and almost
+ alien complexion. This showed the more plainly because he wore an
+ aggressive red tie, the only part of his costume of which he seemed to
+ take any care. Perhaps it was a symbol. He took no notice of the girl&rsquo;s
+ alarmed adjuration, but leapt like a grasshopper to the ground beside her,
+ where he might very well have broken his legs.
+ </p>
+ <p>
+ &ldquo;I think I was meant to be a burglar,&rdquo; he said placidly, &ldquo;and I have no
+ doubt I should have been if I hadn&rsquo;t happened to be born in that nice
+ house next door. I can&rsquo;t see any harm in it, anyhow.&rdquo;
+ </p>
+ <p>
+ &ldquo;How can you say such things!&rdquo; she remonstrated.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the young man, &ldquo;if you&rsquo;re born on the wrong side of the wall,
+ I can&rsquo;t see that it&rsquo;s wrong to climb over it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I never know what you will say or do next,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t often know myself,&rdquo; replied Mr. Crook; &ldquo;but then I am on the
+ right side of the wall now.&rdquo;
+ </p>
+ <p>
+ &ldquo;And which is the right side of the wall?&rdquo; asked the young lady, smiling.
+ </p>
+ <p>
+ &ldquo;Whichever side you are on,&rdquo; said the young man named Crook.
+ </p>
+ <p>
+ As they went together through the laurels towards the front garden a motor
+ horn sounded thrice, coming nearer and nearer, and a car of splendid
+ speed, great elegance, and a pale green colour swept up to the front doors
+ like a bird and stood throbbing.
+ </p>
+ <p>
+ &ldquo;Hullo, hullo!&rdquo; said the young man with the red tie, &ldquo;here&rsquo;s somebody born
+ on the right side, anyhow. I didn&rsquo;t know, Miss Adams, that your Santa
+ Claus was so modern as this.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that&rsquo;s my godfather, Sir Leopold Fischer. He always comes on Boxing
+ Day.&rdquo;
+ </p>
+ <p>
+ Then, after an innocent pause, which unconsciously betrayed some lack of
+ enthusiasm, Ruby Adams added:
+ </p>
+ <p>
+ &ldquo;He is very kind.&rdquo;
+ </p>
+ <p>
+ John Crook, journalist, had heard of that eminent City magnate; and it
+ was not his fault if the City magnate had not heard of him; for in
+ certain articles in <i>The Clarion</i> or <i>The New Age</i> Sir Leopold
+ had been dealt with austerely. But he said nothing and grimly watched the
+ unloading of the motor-car, which was rather a long process. A large,
+ neat chauffeur in green got out from the front, and a small, neat
+ manservant in grey got out from the back, and between them they deposited
+ Sir Leopold on the doorstep and began to unpack him, like some very
+ carefully protected parcel. Rugs enough to stock a bazaar, furs of all
+ the beasts of the forest, and scarves of all the colours of the rainbow
+ were unwrapped one by one, till they revealed something resembling the
+ human form; the form of a friendly, but foreign-looking old gentleman,
+ with a grey goat-like beard and a beaming smile, who rubbed his big fur
+ gloves together.
+ </p>
+ <p>
+ Long before this revelation was complete the two big doors of the porch
+ had opened in the middle, and Colonel Adams (father of the furry young
+ lady) had come out himself to invite his eminent guest inside. He was a
+ tall, sunburnt, and very silent man, who wore a red smoking-cap like a
+ fez, making him look like one of the English Sirdars or Pashas in Egypt.
+ With him was his brother-in-law, lately come from Canada, a big and rather
+ boisterous young gentleman-farmer, with a yellow beard, by name James
+ Blount. With him also was the more insignificant figure of the priest from
+ the neighbouring Roman Church; for the colonel&rsquo;s late wife had been a
+ Catholic, and the children, as is common in such cases, had been trained
+ to follow her. Everything seemed undistinguished about the priest, even
+ down to his name, which was Brown; yet the colonel had always found
+ something companionable about him, and frequently asked him to such family
+ gatherings.
+ </p>
+ <p>
+ In the large entrance hall of the house there was ample room even for Sir
+ Leopold and the removal of his wraps. Porch and vestibule, indeed, were
+ unduly large in proportion to the house, and formed, as it were, a big
+ room with the front door at one end, and the bottom of the staircase at
+ the other. In front of the large hall fire, over which hung the colonel&rsquo;s
+ sword, the process was completed and the company, including the saturnine
+ Crook, presented to Sir Leopold Fischer. That venerable financier,
+ however, still seemed struggling with portions of his well-lined attire,
+ and at length produced from a very interior tail-coat pocket, a black oval
+ case which he radiantly explained to be his Christmas present for his
+ god-daughter. With an unaffected vain-glory that had something disarming
+ about it he held out the case before them all; it flew open at a touch and
+ half-blinded them. It was just as if a crystal fountain had spurted in
+ their eyes. In a nest of orange velvet lay like three eggs, three white
+ and vivid diamonds that seemed to set the very air on fire all round them.
+ Fischer stood beaming benevolently and drinking deep of the astonishment
+ and ecstasy of the girl, the grim admiration and gruff thanks of the
+ colonel, the wonder of the whole group.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll put &rsquo;em back now, my dear,&rdquo; said Fischer, returning the case to the
+ tails of his coat. &ldquo;I had to be careful of &rsquo;em coming down. They&rsquo;re the
+ three great African diamonds called &lsquo;The Flying Stars,&rsquo; because they&rsquo;ve
+ been stolen so often. All the big criminals are on the track; but even the
+ rough men about in the streets and hotels could hardly have kept their
+ hands off them. I might have lost them on the road here. It was quite
+ possible.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite natural, I should say,&rdquo; growled the man in the red tie. &ldquo;I
+ shouldn&rsquo;t blame &rsquo;em if they had taken &rsquo;em. When they ask for bread, and
+ you don&rsquo;t even give them a stone, I think they might take the stone for
+ themselves.&rdquo;
+ </p>
+ <p>
+ &ldquo;I won&rsquo;t have you talking like that,&rdquo; cried the girl, who was in a curious
+ glow. &ldquo;You&rsquo;ve only talked like that since you became a horrid
+ what&rsquo;s-his-name. You know what I mean. What do you call a man who wants to
+ embrace the chimney-sweep?&rdquo;
+ </p>
+ <p>
+ &ldquo;A saint,&rdquo; said Father Brown.
+ </p>
+ <p>
+ &ldquo;I think,&rdquo; said Sir Leopold, with a supercilious smile, &ldquo;that Ruby means a
+ Socialist.&rdquo;
+ </p>
+ <p>
+ &ldquo;A radical does not mean a man who lives on radishes,&rdquo; remarked Crook,
+ with some impatience; &ldquo;and a Conservative does not mean a man who
+ preserves jam. Neither, I assure you, does a Socialist mean a man who
+ desires a social evening with the chimney-sweep. A Socialist means a man
+ who wants all the chimneys swept and all the chimney-sweeps paid for it.&rdquo;
+ </p>
+ <p>
+ &ldquo;But who won&rsquo;t allow you,&rdquo; put in the priest in a low voice, &ldquo;to own your
+ own soot.&rdquo;
+ </p>
+ <p>
+ Crook looked at him with an eye of interest and even respect. &ldquo;Does one
+ want to own soot?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;One might,&rdquo; answered Brown, with speculation in his eye. &ldquo;I&rsquo;ve heard that
+ gardeners use it. And I once made six children happy at Christmas when the
+ conjuror didn&rsquo;t come, entirely with soot&mdash;applied externally.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, splendid,&rdquo; cried Ruby. &ldquo;Oh, I wish you&rsquo;d do it to this company.&rdquo;
+ </p>
+ <p>
+ The boisterous Canadian, Mr. Blount, was lifting his loud voice in
+ applause, and the astonished financier his (in some considerable
+ deprecation), when a knock sounded at the double front doors. The priest
+ opened them, and they showed again the front garden of evergreens,
+ monkey-tree and all, now gathering gloom against a gorgeous violet sunset.
+ The scene thus framed was so coloured and quaint, like a back scene in a
+ play, that they forgot a moment the insignificant figure standing in the
+ door. He was dusty-looking and in a frayed coat, evidently a common
+ messenger. &ldquo;Any of you gentlemen Mr. Blount?&rdquo; he asked, and held forward a
+ letter doubtfully. Mr. Blount started, and stopped in his shout of assent.
+ Ripping up the envelope with evident astonishment he read it; his face
+ clouded a little, and then cleared, and he turned to his brother-in-law
+ and host.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m sick at being such a nuisance, colonel,&rdquo; he said, with the cheery
+ colonial conventions; &ldquo;but would it upset you if an old acquaintance
+ called on me here tonight on business? In point of fact it&rsquo;s Florian, that
+ famous French acrobat and comic actor; I knew him years ago out West (he
+ was a French-Canadian by birth), and he seems to have business for me,
+ though I hardly guess what.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course, of course,&rdquo; replied the colonel carelessly&mdash;&ldquo;My dear
+ chap, any friend of yours. No doubt he will prove an acquisition.&rdquo;
+ </p>
+ <p>
+ &ldquo;He&rsquo;ll black his face, if that&rsquo;s what you mean,&rdquo; cried Blount, laughing.
+ &ldquo;I don&rsquo;t doubt he&rsquo;d black everyone else&rsquo;s eyes. I don&rsquo;t care; I&rsquo;m not
+ refined. I like the jolly old pantomime where a man sits on his top hat.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not on mine, please,&rdquo; said Sir Leopold Fischer, with dignity.
+ </p>
+ <p>
+ &ldquo;Well, well,&rdquo; observed Crook, airily, &ldquo;don&rsquo;t let&rsquo;s quarrel. There are
+ lower jokes than sitting on a top hat.&rdquo;
+ </p>
+ <p>
+ Dislike of the red-tied youth, born of his predatory opinions and evident
+ intimacy with the pretty godchild, led Fischer to say, in his most
+ sarcastic, magisterial manner: &ldquo;No doubt you have found something much
+ lower than sitting on a top hat. What is it, pray?&rdquo;
+ </p>
+ <p>
+ &ldquo;Letting a top hat sit on you, for instance,&rdquo; said the Socialist.
+ </p>
+ <p>
+ &ldquo;Now, now, now,&rdquo; cried the Canadian farmer with his barbarian benevolence,
+ &ldquo;don&rsquo;t let&rsquo;s spoil a jolly evening. What I say is, let&rsquo;s do something for
+ the company tonight. Not blacking faces or sitting on hats, if you don&rsquo;t
+ like those&mdash;but something of the sort. Why couldn&rsquo;t we have a proper
+ old English pantomime&mdash;clown, columbine, and so on. I saw one when I
+ left England at twelve years old, and it&rsquo;s blazed in my brain like a
+ bonfire ever since. I came back to the old country only last year, and I
+ find the thing&rsquo;s extinct. Nothing but a lot of snivelling fairy plays. I
+ want a hot poker and a policeman made into sausages, and they give me
+ princesses moralising by moonlight, Blue Birds, or something. Blue Beard&rsquo;s
+ more in my line, and him I like best when he turned into the pantaloon.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m all for making a policeman into sausages,&rdquo; said John Crook. &ldquo;It&rsquo;s a
+ better definition of Socialism than some recently given. But surely the
+ get-up would be too big a business.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not a scrap,&rdquo; cried Blount, quite carried away. &ldquo;A harlequinade&rsquo;s the
+ quickest thing we can do, for two reasons. First, one can gag to any
+ degree; and, second, all the objects are household things&mdash;tables and
+ towel-horses and washing baskets, and things like that.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s true,&rdquo; admitted Crook, nodding eagerly and walking about. &ldquo;But I&rsquo;m
+ afraid I can&rsquo;t have my policeman&rsquo;s uniform? Haven&rsquo;t killed a policeman
+ lately.&rdquo;
+ </p>
+ <p>
+ Blount frowned thoughtfully a space, and then smote his thigh. &ldquo;Yes, we
+ can!&rdquo; he cried. &ldquo;I&rsquo;ve got Florian&rsquo;s address here, and he knows every
+ costumier in London. I&rsquo;ll phone him to bring a police dress when he
+ comes.&rdquo; And he went bounding away to the telephone.
+ </p>
+ <p>
+ &ldquo;Oh, it&rsquo;s glorious, godfather,&rdquo; cried Ruby, almost dancing. &ldquo;I&rsquo;ll be
+ columbine and you shall be pantaloon.&rdquo;
+ </p>
+ <p>
+ The millionaire held himself stiff with a sort of heathen solemnity. &ldquo;I
+ think, my dear,&rdquo; he said, &ldquo;you must get someone else for pantaloon.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will be pantaloon, if you like,&rdquo; said Colonel Adams, taking his cigar
+ out of his mouth, and speaking for the first and last time.
+ </p>
+ <p>
+ &ldquo;You ought to have a statue,&rdquo; cried the Canadian, as he came back,
+ radiant, from the telephone. &ldquo;There, we are all fitted. Mr. Crook shall be
+ clown; he&rsquo;s a journalist and knows all the oldest jokes. I can be
+ harlequin, that only wants long legs and jumping about. My friend Florian
+ &rsquo;phones he&rsquo;s bringing the police costume; he&rsquo;s changing on the way. We can
+ act it in this very hall, the audience sitting on those broad stairs
+ opposite, one row above another. These front doors can be the back scene,
+ either open or shut. Shut, you see an English interior. Open, a moonlit
+ garden. It all goes by magic.&rdquo; And snatching a chance piece of billiard
+ chalk from his pocket, he ran it across the hall floor, half-way between
+ the front door and the staircase, to mark the line of the footlights.
+ </p>
+ <p>
+ How even such a banquet of bosh was got ready in the time remained a
+ riddle. But they went at it with that mixture of recklessness and industry
+ that lives when youth is in a house; and youth was in that house that
+ night, though not all may have isolated the two faces and hearts from
+ which it flamed. As always happens, the invention grew wilder and wilder
+ through the very tameness of the bourgeois conventions from which it had
+ to create. The columbine looked charming in an outstanding skirt that
+ strangely resembled the large lamp-shade in the drawing-room. The clown
+ and pantaloon made themselves white with flour from the cook, and red with
+ rouge from some other domestic, who remained (like all true Christian
+ benefactors) anonymous. The harlequin, already clad in silver paper out of
+ cigar boxes, was, with difficulty, prevented from smashing the old
+ Victorian lustre chandeliers, that he might cover himself with resplendent
+ crystals. In fact he would certainly have done so, had not Ruby unearthed
+ some old pantomime paste jewels she had worn at a fancy dress party as the
+ Queen of Diamonds. Indeed, her uncle, James Blount, was getting almost out
+ of hand in his excitement; he was like a schoolboy. He put a paper
+ donkey&rsquo;s head unexpectedly on Father Brown, who bore it patiently, and
+ even found some private manner of moving his ears. He even essayed to put
+ the paper donkey&rsquo;s tail to the coat-tails of Sir Leopold Fischer. This,
+ however, was frowned down. &ldquo;Uncle is too absurd,&rdquo; cried Ruby to Crook,
+ round whose shoulders she had seriously placed a string of sausages. &ldquo;Why
+ is he so wild?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is harlequin to your columbine,&rdquo; said Crook. &ldquo;I am only the clown who
+ makes the old jokes.&rdquo;
+ </p>
+ <p>
+ &ldquo;I wish you were the harlequin,&rdquo; she said, and left the string of sausages
+ swinging.
+ </p>
+ <p>
+ Father Brown, though he knew every detail done behind the scenes, and had
+ even evoked applause by his transformation of a pillow into a pantomime
+ baby, went round to the front and sat among the audience with all the
+ solemn expectation of a child at his first matinee. The spectators were
+ few, relations, one or two local friends, and the servants; Sir Leopold
+ sat in the front seat, his full and still fur-collared figure largely
+ obscuring the view of the little cleric behind him; but it has never been
+ settled by artistic authorities whether the cleric lost much. The
+ pantomime was utterly chaotic, yet not contemptible; there ran through it
+ a rage of improvisation which came chiefly from Crook the clown. Commonly
+ he was a clever man, and he was inspired tonight with a wild omniscience,
+ a folly wiser than the world, that which comes to a young man who has seen
+ for an instant a particular expression on a particular face. He was
+ supposed to be the clown, but he was really almost everything else, the
+ author (so far as there was an author), the prompter, the scene-painter,
+ the scene-shifter, and, above all, the orchestra. At abrupt intervals in
+ the outrageous performance he would hurl himself in full costume at the
+ piano and bang out some popular music equally absurd and appropriate.
+ </p>
+ <p>
+ The climax of this, as of all else, was the moment when the two front
+ doors at the back of the scene flew open, showing the lovely moonlit
+ garden, but showing more prominently the famous professional guest; the
+ great Florian, dressed up as a policeman. The clown at the piano played
+ the constabulary chorus in the &ldquo;Pirates of Penzance,&rdquo; but it was drowned
+ in the deafening applause, for every gesture of the great comic actor was
+ an admirable though restrained version of the carriage and manner of the
+ police. The harlequin leapt upon him and hit him over the helmet; the
+ pianist playing &ldquo;Where did you get that hat?&rdquo; he faced about in admirably
+ simulated astonishment, and then the leaping harlequin hit him again (the
+ pianist suggesting a few bars of &ldquo;Then we had another one&rdquo;). Then the
+ harlequin rushed right into the arms of the policeman and fell on top of
+ him, amid a roar of applause. Then it was that the strange actor gave that
+ celebrated imitation of a dead man, of which the fame still lingers round
+ Putney. It was almost impossible to believe that a living person could
+ appear so limp.
+ </p>
+ <p>
+ The athletic harlequin swung him about like a sack or twisted or tossed
+ him like an Indian club; all the time to the most maddeningly ludicrous
+ tunes from the piano. When the harlequin heaved the comic constable
+ heavily off the floor the clown played &ldquo;I arise from dreams of thee.&rdquo; When
+ he shuffled him across his back, &ldquo;With my bundle on my shoulder,&rdquo; and when
+ the harlequin finally let fall the policeman with a most convincing thud,
+ the lunatic at the instrument struck into a jingling measure with some
+ words which are still believed to have been, &ldquo;I sent a letter to my love
+ and on the way I dropped it.&rdquo;
+ </p>
+ <p>
+ At about this limit of mental anarchy Father Brown&rsquo;s view was obscured
+ altogether; for the City magnate in front of him rose to his full height
+ and thrust his hands savagely into all his pockets. Then he sat down
+ nervously, still fumbling, and then stood up again. For an instant it
+ seemed seriously likely that he would stride across the footlights; then
+ he turned a glare at the clown playing the piano; and then he burst in
+ silence out of the room.
+ </p>
+ <p>
+ The priest had only watched for a few more minutes the absurd but not
+ inelegant dance of the amateur harlequin over his splendidly unconscious
+ foe. With real though rude art, the harlequin danced slowly backwards out
+ of the door into the garden, which was full of moonlight and stillness.
+ The vamped dress of silver paper and paste, which had been too glaring in
+ the footlights, looked more and more magical and silvery as it danced away
+ under a brilliant moon. The audience was closing in with a cataract of
+ applause, when Brown felt his arm abruptly touched, and he was asked in a
+ whisper to come into the colonel&rsquo;s study.
+ </p>
+ <p>
+ He followed his summoner with increasing doubt, which was not dispelled by
+ a solemn comicality in the scene of the study. There sat Colonel Adams,
+ still unaffectedly dressed as a pantaloon, with the knobbed whalebone
+ nodding above his brow, but with his poor old eyes sad enough to have
+ sobered a Saturnalia. Sir Leopold Fischer was leaning against the
+ mantelpiece and heaving with all the importance of panic.
+ </p>
+ <p>
+ &ldquo;This is a very painful matter, Father Brown,&rdquo; said Adams. &ldquo;The truth is,
+ those diamonds we all saw this afternoon seem to have vanished from my
+ friend&rsquo;s tail-coat pocket. And as you&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;As I,&rdquo; supplemented Father Brown, with a broad grin, &ldquo;was sitting just
+ behind him&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing of the sort shall be suggested,&rdquo; said Colonel Adams, with a firm
+ look at Fischer, which rather implied that some such thing had been
+ suggested. &ldquo;I only ask you to give me the assistance that any gentleman
+ might give.&rdquo;
+ </p>
+ <p>
+ &ldquo;Which is turning out his pockets,&rdquo; said Father Brown, and proceeded to do
+ so, displaying seven and sixpence, a return ticket, a small silver
+ crucifix, a small breviary, and a stick of chocolate.
+ </p>
+ <p>
+ The colonel looked at him long, and then said, &ldquo;Do you know, I should like
+ to see the inside of your head more than the inside of your pockets. My
+ daughter is one of your people, I know; well, she has lately&mdash;&rdquo; and
+ he stopped.
+ </p>
+ <p>
+ &ldquo;She has lately,&rdquo; cried out old Fischer, &ldquo;opened her father&rsquo;s house to a
+ cut-throat Socialist, who says openly he would steal anything from a
+ richer man. This is the end of it. Here is the richer man&mdash;and none
+ the richer.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you want the inside of my head you can have it,&rdquo; said Brown rather
+ wearily. &ldquo;What it&rsquo;s worth you can say afterwards. But the first thing I
+ find in that disused pocket is this: that men who mean to steal diamonds
+ don&rsquo;t talk Socialism. They are more likely,&rdquo; he added demurely, &ldquo;to
+ denounce it.&rdquo;
+ </p>
+ <p>
+ Both the others shifted sharply and the priest went on:
+ </p>
+ <p>
+ &ldquo;You see, we know these people, more or less. That Socialist would no more
+ steal a diamond than a Pyramid. We ought to look at once to the one man we
+ don&rsquo;t know. The fellow acting the policeman&mdash;Florian. Where is he
+ exactly at this minute, I wonder.&rdquo;
+ </p>
+ <p>
+ The pantaloon sprang erect and strode out of the room. An interlude
+ ensued, during which the millionaire stared at the priest, and the priest
+ at his breviary; then the pantaloon returned and said, with staccato
+ gravity, &ldquo;The policeman is still lying on the stage. The curtain has gone
+ up and down six times; he is still lying there.&rdquo;
+ </p>
+ <p>
+ Father Brown dropped his book and stood staring with a look of blank
+ mental ruin. Very slowly a light began to creep in his grey eyes, and then
+ he made the scarcely obvious answer.
+ </p>
+ <p>
+ &ldquo;Please forgive me, colonel, but when did your wife die?&rdquo;
+ </p>
+ <p>
+ &ldquo;Wife!&rdquo; replied the staring soldier, &ldquo;she died this year two months. Her
+ brother James arrived just a week too late to see her.&rdquo;
+ </p>
+ <p>
+ The little priest bounded like a rabbit shot. &ldquo;Come on!&rdquo; he cried in quite
+ unusual excitement. &ldquo;Come on! We&rsquo;ve got to go and look at that policeman!&rdquo;
+ </p>
+ <p>
+ They rushed on to the now curtained stage, breaking rudely past the
+ columbine and clown (who seemed whispering quite contentedly), and Father
+ Brown bent over the prostrate comic policeman.
+ </p>
+ <p>
+ &ldquo;Chloroform,&rdquo; he said as he rose; &ldquo;I only guessed it just now.&rdquo;
+ </p>
+ <p>
+ There was a startled stillness, and then the colonel said slowly, &ldquo;Please
+ say seriously what all this means.&rdquo;
+ </p>
+ <p>
+ Father Brown suddenly shouted with laughter, then stopped, and only
+ struggled with it for instants during the rest of his speech. &ldquo;Gentlemen,&rdquo;
+ he gasped, &ldquo;there&rsquo;s not much time to talk. I must run after the criminal.
+ But this great French actor who played the policeman&mdash;this clever
+ corpse the harlequin waltzed with and dandled and threw about&mdash;he was&mdash;&rdquo;
+ His voice again failed him, and he turned his back to run.
+ </p>
+ <p>
+ &ldquo;He was?&rdquo; called Fischer inquiringly.
+ </p>
+ <p>
+ &ldquo;A real policeman,&rdquo; said Father Brown, and ran away into the dark.
+ </p>
+ <p>
+ There were hollows and bowers at the extreme end of that leafy garden, in
+ which the laurels and other immortal shrubs showed against sapphire sky
+ and silver moon, even in that midwinter, warm colours as of the south. The
+ green gaiety of the waving laurels, the rich purple indigo of the night,
+ the moon like a monstrous crystal, make an almost irresponsible romantic
+ picture; and among the top branches of the garden trees a strange figure
+ is climbing, who looks not so much romantic as impossible. He sparkles
+ from head to heel, as if clad in ten million moons; the real moon catches
+ him at every movement and sets a new inch of him on fire. But he swings,
+ flashing and successful, from the short tree in this garden to the tall,
+ rambling tree in the other, and only stops there because a shade has slid
+ under the smaller tree and has unmistakably called up to him.
+ </p>
+ <p>
+ &ldquo;Well, Flambeau,&rdquo; says the voice, &ldquo;you really look like a Flying Star; but
+ that always means a Falling Star at last.&rdquo;
+ </p>
+ <p>
+ The silver, sparkling figure above seems to lean forward in the laurels
+ and, confident of escape, listens to the little figure below.
+ </p>
+ <p>
+ &ldquo;You never did anything better, Flambeau. It was clever to come from
+ Canada (with a Paris ticket, I suppose) just a week after Mrs. Adams died,
+ when no one was in a mood to ask questions. It was cleverer to have marked
+ down the Flying Stars and the very day of Fischer&rsquo;s coming. But there&rsquo;s no
+ cleverness, but mere genius, in what followed. Stealing the stones, I
+ suppose, was nothing to you. You could have done it by sleight of hand in
+ a hundred other ways besides that pretence of putting a paper donkey&rsquo;s
+ tail to Fischer&rsquo;s coat. But in the rest you eclipsed yourself.&rdquo;
+ </p>
+ <p>
+ The silvery figure among the green leaves seems to linger as if
+ hypnotised, though his escape is easy behind him; he is staring at the man
+ below.
+ </p>
+ <p>
+ &ldquo;Oh, yes,&rdquo; says the man below, &ldquo;I know all about it. I know you not only
+ forced the pantomime, but put it to a double use. You were going to steal
+ the stones quietly; news came by an accomplice that you were already
+ suspected, and a capable police officer was coming to rout you up that
+ very night. A common thief would have been thankful for the warning and
+ fled; but you are a poet. You already had the clever notion of hiding the
+ jewels in a blaze of false stage jewellery. Now, you saw that if the dress
+ were a harlequin&rsquo;s the appearance of a policeman would be quite in
+ keeping. The worthy officer started from Putney police station to find
+ you, and walked into the queerest trap ever set in this world. When the
+ front door opened he walked straight on to the stage of a Christmas
+ pantomime, where he could be kicked, clubbed, stunned and drugged by the
+ dancing harlequin, amid roars of laughter from all the most respectable
+ people in Putney. Oh, you will never do anything better. And now, by the
+ way, you might give me back those diamonds.&rdquo;
+ </p>
+ <p>
+ The green branch on which the glittering figure swung, rustled as if in
+ astonishment; but the voice went on:
+ </p>
+ <p>
+ &ldquo;I want you to give them back, Flambeau, and I want you to give up this
+ life. There is still youth and honour and humour in you; don&rsquo;t fancy they
+ will last in that trade. Men may keep a sort of level of good, but no man
+ has ever been able to keep on one level of evil. That road goes down and
+ down. The kind man drinks and turns cruel; the frank man kills and lies
+ about it. Many a man I&rsquo;ve known started like you to be an honest outlaw, a
+ merry robber of the rich, and ended stamped into slime. Maurice Blum
+ started out as an anarchist of principle, a father of the poor; he ended a
+ greasy spy and tale-bearer that both sides used and despised. Harry Burke
+ started his free money movement sincerely enough; now he&rsquo;s sponging on a
+ half-starved sister for endless brandies and sodas. Lord Amber went into
+ wild society in a sort of chivalry; now he&rsquo;s paying blackmail to the
+ lowest vultures in London. Captain Barillon was the great gentleman-apache
+ before your time; he died in a madhouse, screaming with fear of the
+ &ldquo;narks&rdquo; and receivers that had betrayed him and hunted him down. I know
+ the woods look very free behind you, Flambeau; I know that in a flash you
+ could melt into them like a monkey. But some day you will be an old grey
+ monkey, Flambeau. You will sit up in your free forest cold at heart and
+ close to death, and the tree-tops will be very bare.&rdquo;
+ </p>
+ <p>
+ Everything continued still, as if the small man below held the other in
+ the tree in some long invisible leash; and he went on:
+ </p>
+ <p>
+ &ldquo;Your downward steps have begun. You used to boast of doing nothing mean,
+ but you are doing something mean tonight. You are leaving suspicion on an
+ honest boy with a good deal against him already; you are separating him
+ from the woman he loves and who loves him. But you will do meaner things
+ than that before you die.&rdquo;
+ </p>
+ <p>
+ Three flashing diamonds fell from the tree to the turf. The small man
+ stooped to pick them up, and when he looked up again the green cage of the
+ tree was emptied of its silver bird.
+ </p>
+ <p>
+ The restoration of the gems (accidentally picked up by Father Brown, of
+ all people) ended the evening in uproarious triumph; and Sir Leopold, in
+ his height of good humour, even told the priest that though he himself had
+ broader views, he could respect those whose creed required them to be
+ cloistered and ignorant of this world.
+ </p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+ <h2><a name="chap05"></a>
+ The Invisible Man
+ </h2>
+ <p>
+ In the cool blue twilight of two steep streets in Camden Town, the shop at
+ the corner, a confectioner&rsquo;s, glowed like the butt of a cigar. One should
+ rather say, perhaps, like the butt of a firework, for the light was of
+ many colours and some complexity, broken up by many mirrors and dancing on
+ many gilt and gaily-coloured cakes and sweetmeats. Against this one fiery
+ glass were glued the noses of many gutter-snipes, for the chocolates were
+ all wrapped in those red and gold and green metallic colours which are
+ almost better than chocolate itself; and the huge white wedding-cake in
+ the window was somehow at once remote and satisfying, just as if the whole
+ North Pole were good to eat. Such rainbow provocations could naturally
+ collect the youth of the neighbourhood up to the ages of ten or twelve.
+ But this corner was also attractive to youth at a later stage; and a young
+ man, not less than twenty-four, was staring into the same shop window. To
+ him, also, the shop was of fiery charm, but this attraction was not wholly
+ to be explained by chocolates; which, however, he was far from despising.
+ </p>
+ <p>
+ He was a tall, burly, red-haired young man, with a resolute face but a
+ listless manner. He carried under his arm a flat, grey portfolio of
+ black-and-white sketches, which he had sold with more or less success to
+ publishers ever since his uncle (who was an admiral) had disinherited him
+ for Socialism, because of a lecture which he had delivered against that
+ economic theory. His name was John Turnbull Angus.
+ </p>
+ <p>
+ Entering at last, he walked through the confectioner&rsquo;s shop to the back
+ room, which was a sort of pastry-cook restaurant, merely raising his hat
+ to the young lady who was serving there. She was a dark, elegant, alert
+ girl in black, with a high colour and very quick, dark eyes; and after the
+ ordinary interval she followed him into the inner room to take his order.
+ </p>
+ <p>
+ His order was evidently a usual one. &ldquo;I want, please,&rdquo; he said with
+ precision, &ldquo;one halfpenny bun and a small cup of black coffee.&rdquo; An instant
+ before the girl could turn away he added, &ldquo;Also, I want you to marry me.&rdquo;
+ </p>
+ <p>
+ The young lady of the shop stiffened suddenly and said, &ldquo;Those are jokes I
+ don&rsquo;t allow.&rdquo;
+ </p>
+ <p>
+ The red-haired young man lifted grey eyes of an unexpected gravity.
+ </p>
+ <p>
+ &ldquo;Really and truly,&rdquo; he said, &ldquo;it&rsquo;s as serious&mdash;as serious as the
+ halfpenny bun. It is expensive, like the bun; one pays for it. It is
+ indigestible, like the bun. It hurts.&rdquo;
+ </p>
+ <p>
+ The dark young lady had never taken her dark eyes off him, but seemed to
+ be studying him with almost tragic exactitude. At the end of her scrutiny
+ she had something like the shadow of a smile, and she sat down in a chair.
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you think,&rdquo; observed Angus, absently, &ldquo;that it&rsquo;s rather cruel to
+ eat these halfpenny buns? They might grow up into penny buns. I shall give
+ up these brutal sports when we are married.&rdquo;
+ </p>
+ <p>
+ The dark young lady rose from her chair and walked to the window,
+ evidently in a state of strong but not unsympathetic cogitation. When at
+ last she swung round again with an air of resolution she was bewildered to
+ observe that the young man was carefully laying out on the table various
+ objects from the shop-window. They included a pyramid of highly coloured
+ sweets, several plates of sandwiches, and the two decanters containing
+ that mysterious port and sherry which are peculiar to pastry-cooks. In the
+ middle of this neat arrangement he had carefully let down the enormous
+ load of white sugared cake which had been the huge ornament of the window.
+ </p>
+ <p>
+ &ldquo;What on earth are you doing?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Duty, my dear Laura,&rdquo; he began.
+ </p>
+ <p>
+ &ldquo;Oh, for the Lord&rsquo;s sake, stop a minute,&rdquo; she cried, &ldquo;and don&rsquo;t talk to me
+ in that way. I mean, what is all that?&rdquo;
+ </p>
+ <p>
+ &ldquo;A ceremonial meal, Miss Hope.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what is that?&rdquo; she asked impatiently, pointing to the mountain of
+ sugar.
+ </p>
+ <p>
+ &ldquo;The wedding-cake, Mrs. Angus,&rdquo; he said.
+ </p>
+ <p>
+ The girl marched to that article, removed it with some clatter, and put it
+ back in the shop window; she then returned, and, putting her elegant
+ elbows on the table, regarded the young man not unfavourably but with
+ considerable exasperation.
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t give me any time to think,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not such a fool,&rdquo; he answered; &ldquo;that&rsquo;s my Christian humility.&rdquo;
+ </p>
+ <p>
+ She was still looking at him; but she had grown considerably graver behind
+ the smile.
+ </p>
+ <p>
+ &ldquo;Mr. Angus,&rdquo; she said steadily, &ldquo;before there is a minute more of this
+ nonsense I must tell you something about myself as shortly as I can.&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Delighted,&rdquo; replied Angus gravely. &ldquo;You might tell me something about
+ myself, too, while you are about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, do hold your tongue and listen,&rdquo; she said. &ldquo;It&rsquo;s nothing that I&rsquo;m
+ ashamed of, and it isn&rsquo;t even anything that I&rsquo;m specially sorry about. But
+ what would you say if there were something that is no business of mine and
+ yet is my nightmare?&rdquo;
+ </p>
+ <p>
+ &ldquo;In that case,&rdquo; said the man seriously, &ldquo;I should suggest that you bring
+ back the cake.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you must listen to the story first,&rdquo; said Laura, persistently. &ldquo;To
+ begin with, I must tell you that my father owned the inn called the &lsquo;Red
+ Fish&rsquo; at Ludbury, and I used to serve people in the bar.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have often wondered,&rdquo; he said, &ldquo;why there was a kind of a Christian air
+ about this one confectioner&rsquo;s shop.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ludbury is a sleepy, grassy little hole in the Eastern Counties, and the
+ only kind of people who ever came to the &lsquo;Red Fish&rsquo; were occasional
+ commercial travellers, and for the rest, the most awful people you can
+ see, only you&rsquo;ve never seen them. I mean little, loungy men, who had just
+ enough to live on and had nothing to do but lean about in bar-rooms and
+ bet on horses, in bad clothes that were just too good for them. Even these
+ wretched young rotters were not very common at our house; but there were
+ two of them that were a lot too common&mdash;common in every sort of way.
+ They both lived on money of their own, and were wearisomely idle and
+ over-dressed. But yet I was a bit sorry for them, because I half believe
+ they slunk into our little empty bar because each of them had a slight
+ deformity; the sort of thing that some yokels laugh at. It wasn&rsquo;t exactly
+ a deformity either; it was more an oddity. One of them was a surprisingly
+ small man, something like a dwarf, or at least like a jockey. He was not
+ at all jockeyish to look at, though; he had a round black head and a
+ well-trimmed black beard, bright eyes like a bird&rsquo;s; he jingled money in
+ his pockets; he jangled a great gold watch chain; and he never turned up
+ except dressed just too much like a gentleman to be one. He was no fool
+ though, though a futile idler; he was curiously clever at all kinds of
+ things that couldn&rsquo;t be the slightest use; a sort of impromptu conjuring;
+ making fifteen matches set fire to each other like a regular firework; or
+ cutting a banana or some such thing into a dancing doll. His name was
+ Isidore Smythe; and I can see him still, with his little dark face, just
+ coming up to the counter, making a jumping kangaroo out of five cigars.
+ </p>
+ <p>
+ &ldquo;The other fellow was more silent and more ordinary; but somehow he
+ alarmed me much more than poor little Smythe. He was very tall and slight,
+ and light-haired; his nose had a high bridge, and he might almost have
+ been handsome in a spectral sort of way; but he had one of the most
+ appalling squints I have ever seen or heard of. When he looked straight at
+ you, you didn&rsquo;t know where you were yourself, let alone what he was
+ looking at. I fancy this sort of disfigurement embittered the poor chap a
+ little; for while Smythe was ready to show off his monkey tricks anywhere,
+ James Welkin (that was the squinting man&rsquo;s name) never did anything except
+ soak in our bar parlour, and go for great walks by himself in the flat,
+ grey country all round. All the same, I think Smythe, too, was a little
+ sensitive about being so small, though he carried it off more smartly. And
+ so it was that I was really puzzled, as well as startled, and very sorry,
+ when they both offered to marry me in the same week.
+ </p>
+ <p>
+ &ldquo;Well, I did what I&rsquo;ve since thought was perhaps a silly thing. But, after
+ all, these freaks were my friends in a way; and I had a horror of their
+ thinking I refused them for the real reason, which was that they were so
+ impossibly ugly. So I made up some gas of another sort, about never
+ meaning to marry anyone who hadn&rsquo;t carved his way in the world. I said it
+ was a point of principle with me not to live on money that was just
+ inherited like theirs. Two days after I had talked in this well-meaning
+ sort of way, the whole trouble began. The first thing I heard was that
+ both of them had gone off to seek their fortunes, as if they were in some
+ silly fairy tale.
+ </p>
+ <p>
+ &ldquo;Well, I&rsquo;ve never seen either of them from that day to this. But I&rsquo;ve had
+ two letters from the little man called Smythe, and really they were rather
+ exciting.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ever heard of the other man?&rdquo; asked Angus.
+ </p>
+ <p>
+ &ldquo;No, he never wrote,&rdquo; said the girl, after an instant&rsquo;s hesitation.
+ &ldquo;Smythe&rsquo;s first letter was simply to say that he had started out walking
+ with Welkin to London; but Welkin was such a good walker that the little
+ man dropped out of it, and took a rest by the roadside. He happened to be
+ picked up by some travelling show, and, partly because he was nearly a
+ dwarf, and partly because he was really a clever little wretch, he got on
+ quite well in the show business, and was soon sent up to the Aquarium, to
+ do some tricks that I forget. That was his first letter. His second was
+ much more of a startler, and I only got it last week.&rdquo;
+ </p>
+ <p>
+ The man called Angus emptied his coffee-cup and regarded her with mild and
+ patient eyes. Her own mouth took a slight twist of laughter as she
+ resumed, &ldquo;I suppose you&rsquo;ve seen on the hoardings all about this &lsquo;Smythe&rsquo;s
+ Silent Service&rsquo;? Or you must be the only person that hasn&rsquo;t. Oh, I don&rsquo;t
+ know much about it, it&rsquo;s some clockwork invention for doing all the
+ housework by machinery. You know the sort of thing: &lsquo;Press a Button&mdash;A
+ Butler who Never Drinks.&rsquo; &lsquo;Turn a Handle&mdash;Ten Housemaids who Never
+ Flirt.&rsquo; You must have seen the advertisements. Well, whatever these
+ machines are, they are making pots of money; and they are making it all
+ for that little imp whom I knew down in Ludbury. I can&rsquo;t help feeling
+ pleased the poor little chap has fallen on his feet; but the plain fact
+ is, I&rsquo;m in terror of his turning up any minute and telling me he&rsquo;s carved
+ his way in the world&mdash;as he certainly has.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the other man?&rdquo; repeated Angus with a sort of obstinate quietude.
+ </p>
+ <p>
+ Laura Hope got to her feet suddenly. &ldquo;My friend,&rdquo; she said, &ldquo;I think you
+ are a witch. Yes, you are quite right. I have not seen a line of the other
+ man&rsquo;s writing; and I have no more notion than the dead of what or where he
+ is. But it is of him that I am frightened. It is he who is all about my
+ path. It is he who has half driven me mad. Indeed, I think he has driven
+ me mad; for I have felt him where he could not have been, and I have heard
+ his voice when he could not have spoken.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, my dear,&rdquo; said the young man, cheerfully, &ldquo;if he were Satan
+ himself, he is done for now you have told somebody. One goes mad all
+ alone, old girl. But when was it you fancied you felt and heard our
+ squinting friend?&rdquo;
+ </p>
+ <p>
+ &ldquo;I heard James Welkin laugh as plainly as I hear you speak,&rdquo; said the
+ girl, steadily. &ldquo;There was nobody there, for I stood just outside the shop
+ at the corner, and could see down both streets at once. I had forgotten
+ how he laughed, though his laugh was as odd as his squint. I had not
+ thought of him for nearly a year. But it&rsquo;s a solemn truth that a few
+ seconds later the first letter came from his rival.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you ever make the spectre speak or squeak, or anything?&rdquo; asked Angus,
+ with some interest.
+ </p>
+ <p>
+ Laura suddenly shuddered, and then said, with an unshaken voice, &ldquo;Yes.
+ Just when I had finished reading the second letter from Isidore Smythe
+ announcing his success. Just then, I heard Welkin say, &lsquo;He shan&rsquo;t have
+ you, though.&rsquo; It was quite plain, as if he were in the room. It is awful,
+ I think I must be mad.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you really were mad,&rdquo; said the young man, &ldquo;you would think you must be
+ sane. But certainly there seems to me to be something a little rum about
+ this unseen gentleman. Two heads are better than one&mdash;I spare you
+ allusions to any other organs and really, if you would allow me, as a
+ sturdy, practical man, to bring back the wedding-cake out of the window&mdash;&rdquo;
+ </p>
+ <p>
+ Even as he spoke, there was a sort of steely shriek in the street outside,
+ and a small motor, driven at devilish speed, shot up to the door of the
+ shop and stuck there. In the same flash of time a small man in a shiny top
+ hat stood stamping in the outer room.
+ </p>
+ <p>
+ Angus, who had hitherto maintained hilarious ease from motives of mental
+ hygiene, revealed the strain of his soul by striding abruptly out of the
+ inner room and confronting the new-comer. A glance at him was quite
+ sufficient to confirm the savage guesswork of a man in love. This very
+ dapper but dwarfish figure, with the spike of black beard carried
+ insolently forward, the clever unrestful eyes, the neat but very nervous
+ fingers, could be none other than the man just described to him: Isidore
+ Smythe, who made dolls out of banana skins and match-boxes; Isidore
+ Smythe, who made millions out of undrinking butlers and unflirting
+ housemaids of metal. For a moment the two men, instinctively understanding
+ each other&rsquo;s air of possession, looked at each other with that curious
+ cold generosity which is the soul of rivalry.
+ </p>
+ <p>
+ Mr. Smythe, however, made no allusion to the ultimate ground of their
+ antagonism, but said simply and explosively, &ldquo;Has Miss Hope seen that
+ thing on the window?&rdquo;
+ </p>
+ <p>
+ &ldquo;On the window?&rdquo; repeated the staring Angus.
+ </p>
+ <p>
+ &ldquo;There&rsquo;s no time to explain other things,&rdquo; said the small millionaire
+ shortly. &ldquo;There&rsquo;s some tomfoolery going on here that has to be
+ investigated.&rdquo;
+ </p>
+ <p>
+ He pointed his polished walking-stick at the window, recently depleted by
+ the bridal preparations of Mr. Angus; and that gentleman was astonished to
+ see along the front of the glass a long strip of paper pasted, which had
+ certainly not been on the window when he looked through it some time
+ before. Following the energetic Smythe outside into the street, he found
+ that some yard and a half of stamp paper had been carefully gummed along
+ the glass outside, and on this was written in straggly characters, &ldquo;If you
+ marry Smythe, he will die.&rdquo;
+ </p>
+ <p>
+ &ldquo;Laura,&rdquo; said Angus, putting his big red head into the shop, &ldquo;you&rsquo;re not
+ mad.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s the writing of that fellow Welkin,&rdquo; said Smythe gruffly. &ldquo;I haven&rsquo;t
+ seen him for years, but he&rsquo;s always bothering me. Five times in the last
+ fortnight he&rsquo;s had threatening letters left at my flat, and I can&rsquo;t even
+ find out who leaves them, let alone if it is Welkin himself. The porter of
+ the flats swears that no suspicious characters have been seen, and here he
+ has pasted up a sort of dado on a public shop window, while the people in
+ the shop&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite so,&rdquo; said Angus modestly, &ldquo;while the people in the shop were having
+ tea. Well, sir, I can assure you I appreciate your common sense in dealing
+ so directly with the matter. We can talk about other things afterwards.
+ The fellow cannot be very far off yet, for I swear there was no paper
+ there when I went last to the window, ten or fifteen minutes ago. On the
+ other hand, he&rsquo;s too far off to be chased, as we don&rsquo;t even know the
+ direction. If you&rsquo;ll take my advice, Mr. Smythe, you&rsquo;ll put this at once
+ in the hands of some energetic inquiry man, private rather than public. I
+ know an extremely clever fellow, who has set up in business five minutes
+ from here in your car. His name&rsquo;s Flambeau, and though his youth was a bit
+ stormy, he&rsquo;s a strictly honest man now, and his brains are worth money. He
+ lives in Lucknow Mansions, Hampstead.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is odd,&rdquo; said the little man, arching his black eyebrows. &ldquo;I live,
+ myself, in Himylaya Mansions, round the corner. Perhaps you might care to
+ come with me; I can go to my rooms and sort out these queer Welkin
+ documents, while you run round and get your friend the detective.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are very good,&rdquo; said Angus politely. &ldquo;Well, the sooner we act the
+ better.&rdquo;
+ </p>
+ <p>
+ Both men, with a queer kind of impromptu fairness, took the same sort of
+ formal farewell of the lady, and both jumped into the brisk little car. As
+ Smythe took the handles and they turned the great corner of the street,
+ Angus was amused to see a gigantesque poster of &ldquo;Smythe&rsquo;s Silent Service,&rdquo;
+ with a picture of a huge headless iron doll, carrying a saucepan with the
+ legend, &ldquo;A Cook Who is Never Cross.&rdquo;
+ </p>
+ <p>
+ &ldquo;I use them in my own flat,&rdquo; said the little black-bearded man, laughing,
+ &ldquo;partly for advertisements, and partly for real convenience. Honestly, and
+ all above board, those big clockwork dolls of mine do bring your coals or
+ claret or a timetable quicker than any live servants I&rsquo;ve ever known, if
+ you know which knob to press. But I&rsquo;ll never deny, between ourselves, that
+ such servants have their disadvantages, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed?&rdquo; said Angus; &ldquo;is there something they can&rsquo;t do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; replied Smythe coolly; &ldquo;they can&rsquo;t tell me who left those
+ threatening letters at my flat.&rdquo;
+ </p>
+ <p>
+ The man&rsquo;s motor was small and swift like himself; in fact, like his
+ domestic service, it was of his own invention. If he was an advertising
+ quack, he was one who believed in his own wares. The sense of something
+ tiny and flying was accentuated as they swept up long white curves of road
+ in the dead but open daylight of evening. Soon the white curves came
+ sharper and dizzier; they were upon ascending spirals, as they say in the
+ modern religions. For, indeed, they were cresting a corner of London which
+ is almost as precipitous as Edinburgh, if not quite so picturesque.
+ Terrace rose above terrace, and the special tower of flats they sought,
+ rose above them all to almost Egyptian height, gilt by the level sunset.
+ The change, as they turned the corner and entered the crescent known as
+ Himylaya Mansions, was as abrupt as the opening of a window; for they
+ found that pile of flats sitting above London as above a green sea of
+ slate. Opposite to the mansions, on the other side of the gravel crescent,
+ was a bushy enclosure more like a steep hedge or dyke than a garden, and
+ some way below that ran a strip of artificial water, a sort of canal, like
+ the moat of that embowered fortress. As the car swept round the crescent
+ it passed, at one corner, the stray stall of a man selling chestnuts; and
+ right away at the other end of the curve, Angus could see a dim blue
+ policeman walking slowly. These were the only human shapes in that high
+ suburban solitude; but he had an irrational sense that they expressed the
+ speechless poetry of London. He felt as if they were figures in a story.
+ </p>
+ <p>
+ The little car shot up to the right house like a bullet, and shot out its
+ owner like a bomb shell. He was immediately inquiring of a tall
+ commissionaire in shining braid, and a short porter in shirt sleeves,
+ whether anybody or anything had been seeking his apartments. He was
+ assured that nobody and nothing had passed these officials since his last
+ inquiries; whereupon he and the slightly bewildered Angus were shot up in
+ the lift like a rocket, till they reached the top floor.
+ </p>
+ <p>
+ &ldquo;Just come in for a minute,&rdquo; said the breathless Smythe. &ldquo;I want to show
+ you those Welkin letters. Then you might run round the corner and fetch
+ your friend.&rdquo; He pressed a button concealed in the wall, and the door
+ opened of itself.
+ </p>
+ <p>
+ It opened on a long, commodious ante-room, of which the only arresting
+ features, ordinarily speaking, were the rows of tall half-human mechanical
+ figures that stood up on both sides like tailors&rsquo; dummies. Like tailors&rsquo;
+ dummies they were headless; and like tailors&rsquo; dummies they had a handsome
+ unnecessary humpiness in the shoulders, and a pigeon-breasted protuberance
+ of chest; but barring this, they were not much more like a human figure
+ than any automatic machine at a station that is about the human height.
+ They had two great hooks like arms, for carrying trays; and they were
+ painted pea-green, or vermilion, or black for convenience of distinction;
+ in every other way they were only automatic machines and nobody would have
+ looked twice at them. On this occasion, at least, nobody did. For between
+ the two rows of these domestic dummies lay something more interesting than
+ most of the mechanics of the world. It was a white, tattered scrap of
+ paper scrawled with red ink; and the agile inventor had snatched it up
+ almost as soon as the door flew open. He handed it to Angus without a
+ word. The red ink on it actually was not dry, and the message ran, &ldquo;If you
+ have been to see her today, I shall kill you.&rdquo;
+ </p>
+ <p>
+ There was a short silence, and then Isidore Smythe said quietly, &ldquo;Would
+ you like a little whiskey? I rather feel as if I should.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you; I should like a little Flambeau,&rdquo; said Angus, gloomily. &ldquo;This
+ business seems to me to be getting rather grave. I&rsquo;m going round at once
+ to fetch him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Right you are,&rdquo; said the other, with admirable cheerfulness. &ldquo;Bring him
+ round here as quick as you can.&rdquo;
+ </p>
+ <p>
+ But as Angus closed the front door behind him he saw Smythe push back a
+ button, and one of the clockwork images glided from its place and slid
+ along a groove in the floor carrying a tray with syphon and decanter.
+ There did seem something a trifle weird about leaving the little man alone
+ among those dead servants, who were coming to life as the door closed.
+ </p>
+ <p>
+ Six steps down from Smythe&rsquo;s landing the man in shirt sleeves was doing
+ something with a pail. Angus stopped to extract a promise, fortified with
+ a prospective bribe, that he would remain in that place until the return
+ with the detective, and would keep count of any kind of stranger coming up
+ those stairs. Dashing down to the front hall he then laid similar charges
+ of vigilance on the commissionaire at the front door, from whom he learned
+ the simplifying circumstances that there was no back door. Not content
+ with this, he captured the floating policeman and induced him to stand
+ opposite the entrance and watch it; and finally paused an instant for a
+ pennyworth of chestnuts, and an inquiry as to the probable length of the
+ merchant&rsquo;s stay in the neighbourhood.
+ </p>
+ <p>
+ The chestnut seller, turning up the collar of his coat, told him he should
+ probably be moving shortly, as he thought it was going to snow. Indeed,
+ the evening was growing grey and bitter, but Angus, with all his
+ eloquence, proceeded to nail the chestnut man to his post.
+ </p>
+ <p>
+ &ldquo;Keep yourself warm on your own chestnuts,&rdquo; he said earnestly. &ldquo;Eat up
+ your whole stock; I&rsquo;ll make it worth your while. I&rsquo;ll give you a sovereign
+ if you&rsquo;ll wait here till I come back, and then tell me whether any man,
+ woman, or child has gone into that house where the commissionaire is
+ standing.&rdquo;
+ </p>
+ <p>
+ He then walked away smartly, with a last look at the besieged tower.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve made a ring round that room, anyhow,&rdquo; he said. &ldquo;They can&rsquo;t all four
+ of them be Mr. Welkin&rsquo;s accomplices.&rdquo;
+ </p>
+ <p>
+ Lucknow Mansions were, so to speak, on a lower platform of that hill of
+ houses, of which Himylaya Mansions might be called the peak. Mr.
+ Flambeau&rsquo;s semi-official flat was on the ground floor, and presented in
+ every way a marked contrast to the American machinery and cold hotel-like
+ luxury of the flat of the Silent Service. Flambeau, who was a friend of
+ Angus, received him in a rococo artistic den behind his office, of which
+ the ornaments were sabres, harquebuses, Eastern curiosities, flasks of
+ Italian wine, savage cooking-pots, a plumy Persian cat, and a small
+ dusty-looking Roman Catholic priest, who looked particularly out of place.
+ </p>
+ <p>
+ &ldquo;This is my friend Father Brown,&rdquo; said Flambeau. &ldquo;I&rsquo;ve often wanted you to
+ meet him. Splendid weather, this; a little cold for Southerners like me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I think it will keep clear,&rdquo; said Angus, sitting down on a
+ violet-striped Eastern ottoman.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said the priest quietly, &ldquo;it has begun to snow.&rdquo;
+ </p>
+ <p>
+ And, indeed, as he spoke, the first few flakes, foreseen by the man of
+ chestnuts, began to drift across the darkening windowpane.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Angus heavily. &ldquo;I&rsquo;m afraid I&rsquo;ve come on business, and rather
+ jumpy business at that. The fact is, Flambeau, within a stone&rsquo;s throw of
+ your house is a fellow who badly wants your help; he&rsquo;s perpetually being
+ haunted and threatened by an invisible enemy&mdash;a scoundrel whom nobody
+ has even seen.&rdquo; As Angus proceeded to tell the whole tale of Smythe and
+ Welkin, beginning with Laura&rsquo;s story, and going on with his own, the
+ supernatural laugh at the corner of two empty streets, the strange
+ distinct words spoken in an empty room, Flambeau grew more and more
+ vividly concerned, and the little priest seemed to be left out of it, like
+ a piece of furniture. When it came to the scribbled stamp-paper pasted on
+ the window, Flambeau rose, seeming to fill the room with his huge
+ shoulders.
+ </p>
+ <p>
+ &ldquo;If you don&rsquo;t mind,&rdquo; he said, &ldquo;I think you had better tell me the rest on
+ the nearest road to this man&rsquo;s house. It strikes me, somehow, that there
+ is no time to be lost.&rdquo;
+ </p>
+ <p>
+ &ldquo;Delighted,&rdquo; said Angus, rising also, &ldquo;though he&rsquo;s safe enough for the
+ present, for I&rsquo;ve set four men to watch the only hole to his burrow.&rdquo;
+ </p>
+ <p>
+ They turned out into the street, the small priest trundling after them
+ with the docility of a small dog. He merely said, in a cheerful way, like
+ one making conversation, &ldquo;How quick the snow gets thick on the ground.&rdquo;
+ </p>
+ <p>
+ As they threaded the steep side streets already powdered with silver,
+ Angus finished his story; and by the time they reached the crescent with
+ the towering flats, he had leisure to turn his attention to the four
+ sentinels. The chestnut seller, both before and after receiving a
+ sovereign, swore stubbornly that he had watched the door and seen no
+ visitor enter. The policeman was even more emphatic. He said he had had
+ experience of crooks of all kinds, in top hats and in rags; he wasn&rsquo;t so
+ green as to expect suspicious characters to look suspicious; he looked out
+ for anybody, and, so help him, there had been nobody. And when all three
+ men gathered round the gilded commissionaire, who still stood smiling
+ astride of the porch, the verdict was more final still.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve got a right to ask any man, duke or dustman, what he wants in these
+ flats,&rdquo; said the genial and gold-laced giant, &ldquo;and I&rsquo;ll swear there&rsquo;s been
+ nobody to ask since this gentleman went away.&rdquo;
+ </p>
+ <p>
+ The unimportant Father Brown, who stood back, looking modestly at the
+ pavement, here ventured to say meekly, &ldquo;Has nobody been up and down
+ stairs, then, since the snow began to fall? It began while we were all
+ round at Flambeau&rsquo;s.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nobody&rsquo;s been in here, sir, you can take it from me,&rdquo; said the official,
+ with beaming authority.
+ </p>
+ <p>
+ &ldquo;Then I wonder what that is?&rdquo; said the priest, and stared at the ground
+ blankly like a fish.
+ </p>
+ <p>
+ The others all looked down also; and Flambeau used a fierce exclamation
+ and a French gesture. For it was unquestionably true that down the middle
+ of the entrance guarded by the man in gold lace, actually between the
+ arrogant, stretched legs of that colossus, ran a stringy pattern of grey
+ footprints stamped upon the white snow.
+ </p>
+ <p>
+ &ldquo;God!&rdquo; cried Angus involuntarily, &ldquo;the Invisible Man!&rdquo;
+ </p>
+ <p>
+ Without another word he turned and dashed up the stairs, with Flambeau
+ following; but Father Brown still stood looking about him in the snow-clad
+ street as if he had lost interest in his query.
+ </p>
+ <p>
+ Flambeau was plainly in a mood to break down the door with his big
+ shoulders; but the Scotchman, with more reason, if less intuition, fumbled
+ about on the frame of the door till he found the invisible button; and the
+ door swung slowly open.
+ </p>
+ <p>
+ It showed substantially the same serried interior; the hall had grown
+ darker, though it was still struck here and there with the last crimson
+ shafts of sunset, and one or two of the headless machines had been moved
+ from their places for this or that purpose, and stood here and there about
+ the twilit place. The green and red of their coats were all darkened in
+ the dusk; and their likeness to human shapes slightly increased by their
+ very shapelessness. But in the middle of them all, exactly where the paper
+ with the red ink had lain, there lay something that looked like red ink
+ spilt out of its bottle. But it was not red ink.
+ </p>
+ <p>
+ With a French combination of reason and violence Flambeau simply said
+ &ldquo;Murder!&rdquo; and, plunging into the flat, had explored, every corner and
+ cupboard of it in five minutes. But if he expected to find a corpse he
+ found none. Isidore Smythe was not in the place, either dead or alive.
+ After the most tearing search the two men met each other in the outer
+ hall, with streaming faces and staring eyes. &ldquo;My friend,&rdquo; said Flambeau,
+ talking French in his excitement, &ldquo;not only is your murderer invisible,
+ but he makes invisible also the murdered man.&rdquo;
+ </p>
+ <p>
+ Angus looked round at the dim room full of dummies, and in some Celtic
+ corner of his Scotch soul a shudder started. One of the life-size dolls
+ stood immediately overshadowing the blood stain, summoned, perhaps, by the
+ slain man an instant before he fell. One of the high-shouldered hooks that
+ served the thing for arms, was a little lifted, and Angus had suddenly the
+ horrid fancy that poor Smythe&rsquo;s own iron child had struck him down. Matter
+ had rebelled, and these machines had killed their master. But even so,
+ what had they done with him?
+ </p>
+ <p>
+ &ldquo;Eaten him?&rdquo; said the nightmare at his ear; and he sickened for an instant
+ at the idea of rent, human remains absorbed and crushed into all that
+ acephalous clockwork.
+ </p>
+ <p>
+ He recovered his mental health by an emphatic effort, and said to
+ Flambeau, &ldquo;Well, there it is. The poor fellow has evaporated like a cloud
+ and left a red streak on the floor. The tale does not belong to this
+ world.&rdquo;
+ </p>
+ <p>
+ &ldquo;There is only one thing to be done,&rdquo; said Flambeau, &ldquo;whether it belongs
+ to this world or the other. I must go down and talk to my friend.&rdquo;
+ </p>
+ <p>
+ They descended, passing the man with the pail, who again asseverated that
+ he had let no intruder pass, down to the commissionaire and the hovering
+ chestnut man, who rigidly reasserted their own watchfulness. But when
+ Angus looked round for his fourth confirmation he could not see it, and
+ called out with some nervousness, &ldquo;Where is the policeman?&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg your pardon,&rdquo; said Father Brown; &ldquo;that is my fault. I just sent him
+ down the road to investigate something&mdash;that I just thought worth
+ investigating.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, we want him back pretty soon,&rdquo; said Angus abruptly, &ldquo;for the
+ wretched man upstairs has not only been murdered, but wiped out.&rdquo;
+ </p>
+ <p>
+ &ldquo;How?&rdquo; asked the priest.
+ </p>
+ <p>
+ &ldquo;Father,&rdquo; said Flambeau, after a pause, &ldquo;upon my soul I believe it is more
+ in your department than mine. No friend or foe has entered the house, but
+ Smythe is gone, as if stolen by the fairies. If that is not supernatural,
+ I&mdash;&rdquo;
+ </p>
+ <p>
+ As he spoke they were all checked by an unusual sight; the big blue
+ policeman came round the corner of the crescent, running. He came straight
+ up to Brown.
+ </p>
+ <p>
+ &ldquo;You&rsquo;re right, sir,&rdquo; he panted, &ldquo;they&rsquo;ve just found poor Mr. Smythe&rsquo;s body
+ in the canal down below.&rdquo;
+ </p>
+ <p>
+ Angus put his hand wildly to his head. &ldquo;Did he run down and drown
+ himself?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;He never came down, I&rsquo;ll swear,&rdquo; said the constable, &ldquo;and he wasn&rsquo;t
+ drowned either, for he died of a great stab over the heart.&rdquo;
+ </p>
+ <p>
+ &ldquo;And yet you saw no one enter?&rdquo; said Flambeau in a grave voice.
+ </p>
+ <p>
+ &ldquo;Let us walk down the road a little,&rdquo; said the priest.
+ </p>
+ <p>
+ As they reached the other end of the crescent he observed abruptly,
+ &ldquo;Stupid of me! I forgot to ask the policeman something. I wonder if they
+ found a light brown sack.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why a light brown sack?&rdquo; asked Angus, astonished.
+ </p>
+ <p>
+ &ldquo;Because if it was any other coloured sack, the case must begin over
+ again,&rdquo; said Father Brown; &ldquo;but if it was a light brown sack, why, the
+ case is finished.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am pleased to hear it,&rdquo; said Angus with hearty irony. &ldquo;It hasn&rsquo;t begun,
+ so far as I am concerned.&rdquo;
+ </p>
+ <p>
+ &ldquo;You must tell us all about it,&rdquo; said Flambeau with a strange heavy
+ simplicity, like a child.
+ </p>
+ <p>
+ Unconsciously they were walking with quickening steps down the long sweep
+ of road on the other side of the high crescent, Father Brown leading
+ briskly, though in silence. At last he said with an almost touching
+ vagueness, &ldquo;Well, I&rsquo;m afraid you&rsquo;ll think it so prosy. We always begin at
+ the abstract end of things, and you can&rsquo;t begin this story anywhere else.
+ </p>
+ <p>
+ &ldquo;Have you ever noticed this&mdash;that people never answer what you say?
+ They answer what you mean&mdash;or what they think you mean. Suppose one
+ lady says to another in a country house, &lsquo;Is anybody staying with you?&rsquo;
+ the lady doesn&rsquo;t answer &lsquo;Yes; the butler, the three footmen, the
+ parlourmaid, and so on,&rsquo; though the parlourmaid may be in the room, or the
+ butler behind her chair. She says &lsquo;There is nobody staying with us,&rsquo;
+ meaning nobody of the sort you mean. But suppose a doctor inquiring into
+ an epidemic asks, &lsquo;Who is staying in the house?&rsquo; then the lady will
+ remember the butler, the parlourmaid, and the rest. All language is used
+ like that; you never get a question answered literally, even when you get
+ it answered truly. When those four quite honest men said that no man had
+ gone into the Mansions, they did not really mean that no man had gone into
+ them. They meant no man whom they could suspect of being your man. A man
+ did go into the house, and did come out of it, but they never noticed
+ him.&rdquo;
+ </p>
+ <p>
+ &ldquo;An invisible man?&rdquo; inquired Angus, raising his red eyebrows. &ldquo;A mentally
+ invisible man,&rdquo; said Father Brown.
+ </p>
+ <p>
+ A minute or two after he resumed in the same unassuming voice, like a man
+ thinking his way. &ldquo;Of course you can&rsquo;t think of such a man, until you do
+ think of him. That&rsquo;s where his cleverness comes in. But I came to think of
+ him through two or three little things in the tale Mr. Angus told us.
+ First, there was the fact that this Welkin went for long walks. And then
+ there was the vast lot of stamp paper on the window. And then, most of
+ all, there were the two things the young lady said&mdash;things that
+ couldn&rsquo;t be true. Don&rsquo;t get annoyed,&rdquo; he added hastily, noting a sudden
+ movement of the Scotchman&rsquo;s head; &ldquo;she thought they were true. A person
+ can&rsquo;t be quite alone in a street a second before she receives a letter.
+ She can&rsquo;t be quite alone in a street when she starts reading a letter just
+ received. There must be somebody pretty near her; he must be mentally
+ invisible.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why must there be somebody near her?&rdquo; asked Angus.
+ </p>
+ <p>
+ &ldquo;Because,&rdquo; said Father Brown, &ldquo;barring carrier-pigeons, somebody must have
+ brought her the letter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you really mean to say,&rdquo; asked Flambeau, with energy, &ldquo;that Welkin
+ carried his rival&rsquo;s letters to his lady?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said the priest. &ldquo;Welkin carried his rival&rsquo;s letters to his lady.
+ You see, he had to.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I can&rsquo;t stand much more of this,&rdquo; exploded Flambeau. &ldquo;Who is this
+ fellow? What does he look like? What is the usual get-up of a mentally
+ invisible man?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is dressed rather handsomely in red, blue and gold,&rdquo; replied the
+ priest promptly with precision, &ldquo;and in this striking, and even showy,
+ costume he entered Himylaya Mansions under eight human eyes; he killed
+ Smythe in cold blood, and came down into the street again carrying the
+ dead body in his arms&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Reverend sir,&rdquo; cried Angus, standing still, &ldquo;are you raving mad, or am
+ I?&rdquo;
+ </p>
+ <p>
+ &ldquo;You are not mad,&rdquo; said Brown, &ldquo;only a little unobservant. You have not
+ noticed such a man as this, for example.&rdquo;
+ </p>
+ <p>
+ He took three quick strides forward, and put his hand on the shoulder of
+ an ordinary passing postman who had bustled by them unnoticed under the
+ shade of the trees.
+ </p>
+ <p>
+ &ldquo;Nobody ever notices postmen somehow,&rdquo; he said thoughtfully; &ldquo;yet they
+ have passions like other men, and even carry large bags where a small
+ corpse can be stowed quite easily.&rdquo;
+ </p>
+ <p>
+ The postman, instead of turning naturally, had ducked and tumbled against
+ the garden fence. He was a lean fair-bearded man of very ordinary
+ appearance, but as he turned an alarmed face over his shoulder, all three
+ men were fixed with an almost fiendish squint.
+ </p>
+ <hr />
+ <p>
+ Flambeau went back to his sabres, purple rugs and Persian cat, having many
+ things to attend to. John Turnbull Angus went back to the lady at the
+ shop, with whom that imprudent young man contrives to be extremely
+ comfortable. But Father Brown walked those snow-covered hills under the
+ stars for many hours with a murderer, and what they said to each other
+ will never be known.
+ </p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+ <h2><a name="chap06"></a>
+ The Honour of Israel Gow
+ </h2>
+ <p>
+ A stormy evening of olive and silver was closing in, as Father Brown,
+ wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley
+ and beheld the strange castle of Glengyle. It stopped one end of the glen
+ or hollow like a blind alley; and it looked like the end of the world.
+ Rising in steep roofs and spires of seagreen slate in the manner of the
+ old French-Scotch chateaux, it reminded an Englishman of the sinister
+ steeple-hats of witches in fairy tales; and the pine woods that rocked
+ round the green turrets looked, by comparison, as black as numberless
+ flocks of ravens. This note of a dreamy, almost a sleepy devilry, was no
+ mere fancy from the landscape. For there did rest on the place one of
+ those clouds of pride and madness and mysterious sorrow which lie more
+ heavily on the noble houses of Scotland than on any other of the children
+ of men. For Scotland has a double dose of the poison called heredity; the
+ sense of blood in the aristocrat, and the sense of doom in the Calvinist.
+ </p>
+ <p>
+ The priest had snatched a day from his business at Glasgow to meet his
+ friend Flambeau, the amateur detective, who was at Glengyle Castle with
+ another more formal officer investigating the life and death of the late
+ Earl of Glengyle. That mysterious person was the last representative of a
+ race whose valour, insanity, and violent cunning had made them terrible
+ even among the sinister nobility of their nation in the sixteenth century.
+ None were deeper in that labyrinthine ambition, in chamber within chamber
+ of that palace of lies that was built up around Mary Queen of Scots.
+ </p>
+ <p>
+ The rhyme in the country-side attested the motive and the result of their
+ machinations candidly:
+ </p>
+<pre xml:space="preserve">
+ As green sap to the simmer trees
+ Is red gold to the Ogilvies.
+</pre>
+ <p>
+ For many centuries there had never been a decent lord in Glengyle Castle;
+ and with the Victorian era one would have thought that all eccentricities
+ were exhausted. The last Glengyle, however, satisfied his tribal tradition
+ by doing the only thing that was left for him to do; he disappeared. I do
+ not mean that he went abroad; by all accounts he was still in the castle,
+ if he was anywhere. But though his name was in the church register and the
+ big red Peerage, nobody ever saw him under the sun.
+ </p>
+ <p>
+ If anyone saw him it was a solitary man-servant, something between a groom
+ and a gardener. He was so deaf that the more business-like assumed him to
+ be dumb; while the more penetrating declared him to be half-witted. A
+ gaunt, red-haired labourer, with a dogged jaw and chin, but quite blank
+ blue eyes, he went by the name of Israel Gow, and was the one silent
+ servant on that deserted estate. But the energy with which he dug
+ potatoes, and the regularity with which he disappeared into the kitchen
+ gave people an impression that he was providing for the meals of a
+ superior, and that the strange earl was still concealed in the castle. If
+ society needed any further proof that he was there, the servant
+ persistently asserted that he was not at home. One morning the provost and
+ the minister (for the Glengyles were Presbyterian) were summoned to the
+ castle. There they found that the gardener, groom and cook had added to
+ his many professions that of an undertaker, and had nailed up his noble
+ master in a coffin. With how much or how little further inquiry this odd
+ fact was passed, did not as yet very plainly appear; for the thing had
+ never been legally investigated till Flambeau had gone north two or three
+ days before. By then the body of Lord Glengyle (if it was the body) had
+ lain for some time in the little churchyard on the hill.
+ </p>
+ <p>
+ As Father Brown passed through the dim garden and came under the shadow of
+ the chateau, the clouds were thick and the whole air damp and thundery.
+ Against the last stripe of the green-gold sunset he saw a black human
+ silhouette; a man in a chimney-pot hat, with a big spade over his
+ shoulder. The combination was queerly suggestive of a sexton; but when
+ Brown remembered the deaf servant who dug potatoes, he thought it natural
+ enough. He knew something of the Scotch peasant; he knew the
+ respectability which might well feel it necessary to wear &ldquo;blacks&rdquo; for an
+ official inquiry; he knew also the economy that would not lose an hour&rsquo;s
+ digging for that. Even the man&rsquo;s start and suspicious stare as the priest
+ went by were consonant enough with the vigilance and jealousy of such a
+ type.
+ </p>
+ <p>
+ The great door was opened by Flambeau himself, who had with him a lean man
+ with iron-grey hair and papers in his hand: Inspector Craven from Scotland
+ Yard. The entrance hall was mostly stripped and empty; but the pale,
+ sneering faces of one or two of the wicked Ogilvies looked down out of
+ black periwigs and blackening canvas.
+ </p>
+ <p>
+ Following them into an inner room, Father Brown found that the allies had
+ been seated at a long oak table, of which their end was covered with
+ scribbled papers, flanked with whisky and cigars. Through the whole of its
+ remaining length it was occupied by detached objects arranged at
+ intervals; objects about as inexplicable as any objects could be. One
+ looked like a small heap of glittering broken glass. Another looked like a
+ high heap of brown dust. A third appeared to be a plain stick of wood.
+ </p>
+ <p>
+ &ldquo;You seem to have a sort of geological museum here,&rdquo; he said, as he sat
+ down, jerking his head briefly in the direction of the brown dust and the
+ crystalline fragments.
+ </p>
+ <p>
+ &ldquo;Not a geological museum,&rdquo; replied Flambeau; &ldquo;say a psychological museum.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, for the Lord&rsquo;s sake,&rdquo; cried the police detective laughing, &ldquo;don&rsquo;t
+ let&rsquo;s begin with such long words.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you know what psychology means?&rdquo; asked Flambeau with friendly
+ surprise. &ldquo;Psychology means being off your chump.&rdquo;
+ </p>
+ <p>
+ &ldquo;Still I hardly follow,&rdquo; replied the official.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Flambeau, with decision, &ldquo;I mean that we&rsquo;ve only found out
+ one thing about Lord Glengyle. He was a maniac.&rdquo;
+ </p>
+ <p>
+ The black silhouette of Gow with his top hat and spade passed the window,
+ dimly outlined against the darkening sky. Father Brown stared passively at
+ it and answered:
+ </p>
+ <p>
+ &ldquo;I can understand there must have been something odd about the man, or he
+ wouldn&rsquo;t have buried himself alive&mdash;nor been in such a hurry to bury
+ himself dead. But what makes you think it was lunacy?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Flambeau, &ldquo;you just listen to the list of things Mr. Craven
+ has found in the house.&rdquo;
+ </p>
+ <p>
+ &ldquo;We must get a candle,&rdquo; said Craven, suddenly. &ldquo;A storm is getting up, and
+ it&rsquo;s too dark to read.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you found any candles,&rdquo; asked Brown smiling, &ldquo;among your oddities?&rdquo;
+ </p>
+ <p>
+ Flambeau raised a grave face, and fixed his dark eyes on his friend.
+ </p>
+ <p>
+ &ldquo;That is curious, too,&rdquo; he said. &ldquo;Twenty-five candles, and not a trace of
+ a candlestick.&rdquo;
+ </p>
+ <p>
+ In the rapidly darkening room and rapidly rising wind, Brown went along
+ the table to where a bundle of wax candles lay among the other scrappy
+ exhibits. As he did so he bent accidentally over the heap of red-brown
+ dust; and a sharp sneeze cracked the silence.
+ </p>
+ <p>
+ &ldquo;Hullo!&rdquo; he said, &ldquo;snuff!&rdquo;
+ </p>
+ <p>
+ He took one of the candles, lit it carefully, came back and stuck it in
+ the neck of the whisky bottle. The unrestful night air, blowing through
+ the crazy window, waved the long flame like a banner. And on every side of
+ the castle they could hear the miles and miles of black pine wood seething
+ like a black sea around a rock.
+ </p>
+ <p>
+ &ldquo;I will read the inventory,&rdquo; began Craven gravely, picking up one of the
+ papers, &ldquo;the inventory of what we found loose and unexplained in the
+ castle. You are to understand that the place generally was dismantled and
+ neglected; but one or two rooms had plainly been inhabited in a simple but
+ not squalid style by somebody; somebody who was not the servant Gow. The
+ list is as follows:
+ </p>
+ <p>
+ &ldquo;First item. A very considerable hoard of precious stones, nearly all
+ diamonds, and all of them loose, without any setting whatever. Of course,
+ it is natural that the Ogilvies should have family jewels; but those are
+ exactly the jewels that are almost always set in particular articles of
+ ornament. The Ogilvies would seem to have kept theirs loose in their
+ pockets, like coppers.
+ </p>
+ <p>
+ &ldquo;Second item. Heaps and heaps of loose snuff, not kept in a horn, or even
+ a pouch, but lying in heaps on the mantelpieces, on the sideboard, on the
+ piano, anywhere. It looks as if the old gentleman would not take the
+ trouble to look in a pocket or lift a lid.
+ </p>
+ <p>
+ &ldquo;Third item. Here and there about the house curious little heaps of minute
+ pieces of metal, some like steel springs and some in the form of
+ microscopic wheels. As if they had gutted some mechanical toy.
+ </p>
+ <p>
+ &ldquo;Fourth item. The wax candles, which have to be stuck in bottle necks
+ because there is nothing else to stick them in. Now I wish you to note how
+ very much queerer all this is than anything we anticipated. For the
+ central riddle we are prepared; we have all seen at a glance that there
+ was something wrong about the last earl. We have come here to find out
+ whether he really lived here, whether he really died here, whether that
+ red-haired scarecrow who did his burying had anything to do with his
+ dying. But suppose the worst in all this, the most lurid or melodramatic
+ solution you like. Suppose the servant really killed the master, or
+ suppose the master isn&rsquo;t really dead, or suppose the master is dressed up
+ as the servant, or suppose the servant is buried for the master; invent
+ what Wilkie Collins&rsquo; tragedy you like, and you still have not explained a
+ candle without a candlestick, or why an elderly gentleman of good family
+ should habitually spill snuff on the piano. The core of the tale we could
+ imagine; it is the fringes that are mysterious. By no stretch of fancy can
+ the human mind connect together snuff and diamonds and wax and loose
+ clockwork.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think I see the connection,&rdquo; said the priest. &ldquo;This Glengyle was mad
+ against the French Revolution. He was an enthusiast for the ancien regime,
+ and was trying to re-enact literally the family life of the last Bourbons.
+ He had snuff because it was the eighteenth century luxury; wax candles,
+ because they were the eighteenth century lighting; the mechanical bits of
+ iron represent the locksmith hobby of Louis XVI; the diamonds are for the
+ Diamond Necklace of Marie Antoinette.&rdquo;
+ </p>
+ <p>
+ Both the other men were staring at him with round eyes. &ldquo;What a perfectly
+ extraordinary notion!&rdquo; cried Flambeau. &ldquo;Do you really think that is the
+ truth?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am perfectly sure it isn&rsquo;t,&rdquo; answered Father Brown, &ldquo;only you said that
+ nobody could connect snuff and diamonds and clockwork and candles. I give
+ you that connection off-hand. The real truth, I am very sure, lies
+ deeper.&rdquo;
+ </p>
+ <p>
+ He paused a moment and listened to the wailing of the wind in the turrets.
+ Then he said, &ldquo;The late Earl of Glengyle was a thief. He lived a second
+ and darker life as a desperate housebreaker. He did not have any
+ candlesticks because he only used these candles cut short in the little
+ lantern he carried. The snuff he employed as the fiercest French criminals
+ have used pepper: to fling it suddenly in dense masses in the face of a
+ captor or pursuer. But the final proof is in the curious coincidence of
+ the diamonds and the small steel wheels. Surely that makes everything
+ plain to you? Diamonds and small steel wheels are the only two instruments
+ with which you can cut out a pane of glass.&rdquo;
+ </p>
+ <p>
+ The bough of a broken pine tree lashed heavily in the blast against the
+ windowpane behind them, as if in parody of a burglar, but they did not
+ turn round. Their eyes were fastened on Father Brown.
+ </p>
+ <p>
+ &ldquo;Diamonds and small wheels,&rdquo; repeated Craven ruminating. &ldquo;Is that all that
+ makes you think it the true explanation?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t think it the true explanation,&rdquo; replied the priest placidly; &ldquo;but
+ you said that nobody could connect the four things. The true tale, of
+ course, is something much more humdrum. Glengyle had found, or thought he
+ had found, precious stones on his estate. Somebody had bamboozled him with
+ those loose brilliants, saying they were found in the castle caverns. The
+ little wheels are some diamond-cutting affair. He had to do the thing very
+ roughly and in a small way, with the help of a few shepherds or rude
+ fellows on these hills. Snuff is the one great luxury of such Scotch
+ shepherds; it&rsquo;s the one thing with which you can bribe them. They didn&rsquo;t
+ have candlesticks because they didn&rsquo;t want them; they held the candles in
+ their hands when they explored the caves.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is that all?&rdquo; asked Flambeau after a long pause. &ldquo;Have we got to the dull
+ truth at last?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, no,&rdquo; said Father Brown.
+ </p>
+ <p>
+ As the wind died in the most distant pine woods with a long hoot as of
+ mockery Father Brown, with an utterly impassive face, went on:
+ </p>
+ <p>
+ &ldquo;I only suggested that because you said one could not plausibly connect
+ snuff with clockwork or candles with bright stones. Ten false philosophies
+ will fit the universe; ten false theories will fit Glengyle Castle. But we
+ want the real explanation of the castle and the universe. But are there no
+ other exhibits?&rdquo;
+ </p>
+ <p>
+ Craven laughed, and Flambeau rose smiling to his feet and strolled down
+ the long table.
+ </p>
+ <p>
+ &ldquo;Items five, six, seven, etc.,&rdquo; he said, &ldquo;and certainly more varied than
+ instructive. A curious collection, not of lead pencils, but of the lead
+ out of lead pencils. A senseless stick of bamboo, with the top rather
+ splintered. It might be the instrument of the crime. Only, there isn&rsquo;t any
+ crime. The only other things are a few old missals and little Catholic
+ pictures, which the Ogilvies kept, I suppose, from the Middle Ages&mdash;their
+ family pride being stronger than their Puritanism. We only put them in the
+ museum because they seem curiously cut about and defaced.&rdquo;
+ </p>
+ <p>
+ The heady tempest without drove a dreadful wrack of clouds across Glengyle
+ and threw the long room into darkness as Father Brown picked up the little
+ illuminated pages to examine them. He spoke before the drift of darkness
+ had passed; but it was the voice of an utterly new man.
+ </p>
+ <p>
+ &ldquo;Mr. Craven,&rdquo; said he, talking like a man ten years younger, &ldquo;you have got
+ a legal warrant, haven&rsquo;t you, to go up and examine that grave? The sooner
+ we do it the better, and get to the bottom of this horrible affair. If I
+ were you I should start now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Now,&rdquo; repeated the astonished detective, &ldquo;and why now?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because this is serious,&rdquo; answered Brown; &ldquo;this is not spilt snuff or
+ loose pebbles, that might be there for a hundred reasons. There is only
+ one reason I know of for this being done; and the reason goes down to the
+ roots of the world. These religious pictures are not just dirtied or torn
+ or scrawled over, which might be done in idleness or bigotry, by children
+ or by Protestants. These have been treated very carefully&mdash;and very
+ queerly. In every place where the great ornamented name of God comes in
+ the old illuminations it has been elaborately taken out. The only other
+ thing that has been removed is the halo round the head of the Child Jesus.
+ Therefore, I say, let us get our warrant and our spade and our hatchet,
+ and go up and break open that coffin.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; demanded the London officer.
+ </p>
+ <p>
+ &ldquo;I mean,&rdquo; answered the little priest, and his voice seemed to rise
+ slightly in the roar of the gale. &ldquo;I mean that the great devil of the
+ universe may be sitting on the top tower of this castle at this moment, as
+ big as a hundred elephants, and roaring like the Apocalypse. There is
+ black magic somewhere at the bottom of this.&rdquo;
+ </p>
+ <p>
+ &ldquo;Black magic,&rdquo; repeated Flambeau in a low voice, for he was too
+ enlightened a man not to know of such things; &ldquo;but what can these other
+ things mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, something damnable, I suppose,&rdquo; replied Brown impatiently. &ldquo;How
+ should I know? How can I guess all their mazes down below? Perhaps you can
+ make a torture out of snuff and bamboo. Perhaps lunatics lust after wax
+ and steel filings. Perhaps there is a maddening drug made of lead pencils!
+ Our shortest cut to the mystery is up the hill to the grave.&rdquo;
+ </p>
+ <p>
+ His comrades hardly knew that they had obeyed and followed him till a
+ blast of the night wind nearly flung them on their faces in the garden.
+ Nevertheless they had obeyed him like automata; for Craven found a hatchet
+ in his hand, and the warrant in his pocket; Flambeau was carrying the
+ heavy spade of the strange gardener; Father Brown was carrying the little
+ gilt book from which had been torn the name of God.
+ </p>
+ <p>
+ The path up the hill to the churchyard was crooked but short; only under
+ that stress of wind it seemed laborious and long. Far as the eye could
+ see, farther and farther as they mounted the slope, were seas beyond seas
+ of pines, now all aslope one way under the wind. And that universal
+ gesture seemed as vain as it was vast, as vain as if that wind were
+ whistling about some unpeopled and purposeless planet. Through all that
+ infinite growth of grey-blue forests sang, shrill and high, that ancient
+ sorrow that is in the heart of all heathen things. One could fancy that
+ the voices from the under world of unfathomable foliage were cries of the
+ lost and wandering pagan gods: gods who had gone roaming in that
+ irrational forest, and who will never find their way back to heaven.
+ </p>
+ <p>
+ &ldquo;You see,&rdquo; said Father Brown in low but easy tone, &ldquo;Scotch people before
+ Scotland existed were a curious lot. In fact, they&rsquo;re a curious lot still.
+ But in the prehistoric times I fancy they really worshipped demons. That,&rdquo;
+ he added genially, &ldquo;is why they jumped at the Puritan theology.&rdquo;
+ </p>
+ <p>
+ &ldquo;My friend,&rdquo; said Flambeau, turning in a kind of fury, &ldquo;what does all that
+ snuff mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;My friend,&rdquo; replied Brown, with equal seriousness, &ldquo;there is one mark of
+ all genuine religions: materialism. Now, devil-worship is a perfectly
+ genuine religion.&rdquo;
+ </p>
+ <p>
+ They had come up on the grassy scalp of the hill, one of the few bald
+ spots that stood clear of the crashing and roaring pine forest. A mean
+ enclosure, partly timber and partly wire, rattled in the tempest to tell
+ them the border of the graveyard. But by the time Inspector Craven had
+ come to the corner of the grave, and Flambeau had planted his spade point
+ downwards and leaned on it, they were both almost as shaken as the shaky
+ wood and wire. At the foot of the grave grew great tall thistles, grey and
+ silver in their decay. Once or twice, when a ball of thistledown broke
+ under the breeze and flew past him, Craven jumped slightly as if it had
+ been an arrow.
+ </p>
+ <p>
+ Flambeau drove the blade of his spade through the whistling grass into the
+ wet clay below. Then he seemed to stop and lean on it as on a staff.
+ </p>
+ <p>
+ &ldquo;Go on,&rdquo; said the priest very gently. &ldquo;We are only trying to find the
+ truth. What are you afraid of?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am afraid of finding it,&rdquo; said Flambeau.
+ </p>
+ <p>
+ The London detective spoke suddenly in a high crowing voice that was meant
+ to be conversational and cheery. &ldquo;I wonder why he really did hide himself
+ like that. Something nasty, I suppose; was he a leper?&rdquo;
+ </p>
+ <p>
+ &ldquo;Something worse than that,&rdquo; said Flambeau.
+ </p>
+ <p>
+ &ldquo;And what do you imagine,&rdquo; asked the other, &ldquo;would be worse than a leper?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t imagine it,&rdquo; said Flambeau.
+ </p>
+ <p>
+ He dug for some dreadful minutes in silence, and then said in a choked
+ voice, &ldquo;I&rsquo;m afraid of his not being the right shape.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nor was that piece of paper, you know,&rdquo; said Father Brown quietly, &ldquo;and
+ we survived even that piece of paper.&rdquo;
+ </p>
+ <p>
+ Flambeau dug on with a blind energy. But the tempest had shouldered away
+ the choking grey clouds that clung to the hills like smoke and revealed
+ grey fields of faint starlight before he cleared the shape of a rude
+ timber coffin, and somehow tipped it up upon the turf. Craven stepped
+ forward with his axe; a thistle-top touched him, and he flinched. Then he
+ took a firmer stride, and hacked and wrenched with an energy like
+ Flambeau&rsquo;s till the lid was torn off, and all that was there lay
+ glimmering in the grey starlight.
+ </p>
+ <p>
+ &ldquo;Bones,&rdquo; said Craven; and then he added, &ldquo;but it is a man,&rdquo; as if that
+ were something unexpected.
+ </p>
+ <p>
+ &ldquo;Is he,&rdquo; asked Flambeau in a voice that went oddly up and down, &ldquo;is he all
+ right?&rdquo;
+ </p>
+ <p>
+ &ldquo;Seems so,&rdquo; said the officer huskily, bending over the obscure and
+ decaying skeleton in the box. &ldquo;Wait a minute.&rdquo;
+ </p>
+ <p>
+ A vast heave went over Flambeau&rsquo;s huge figure. &ldquo;And now I come to think of
+ it,&rdquo; he cried, &ldquo;why in the name of madness shouldn&rsquo;t he be all right? What
+ is it gets hold of a man on these cursed cold mountains? I think it&rsquo;s the
+ black, brainless repetition; all these forests, and over all an ancient
+ horror of unconsciousness. It&rsquo;s like the dream of an atheist. Pine-trees
+ and more pine-trees and millions more pine-trees&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;God!&rdquo; cried the man by the coffin, &ldquo;but he hasn&rsquo;t got a head.&rdquo;
+ </p>
+ <p>
+ While the others stood rigid the priest, for the first time, showed a leap
+ of startled concern.
+ </p>
+ <p>
+ &ldquo;No head!&rdquo; he repeated. &ldquo;No head?&rdquo; as if he had almost expected some other
+ deficiency.
+ </p>
+ <p>
+ Half-witted visions of a headless baby born to Glengyle, of a headless
+ youth hiding himself in the castle, of a headless man pacing those ancient
+ halls or that gorgeous garden, passed in panorama through their minds. But
+ even in that stiffened instant the tale took no root in them and seemed to
+ have no reason in it. They stood listening to the loud woods and the
+ shrieking sky quite foolishly, like exhausted animals. Thought seemed to
+ be something enormous that had suddenly slipped out of their grasp.
+ </p>
+ <p>
+ &ldquo;There are three headless men,&rdquo; said Father Brown, &ldquo;standing round this
+ open grave.&rdquo;
+ </p>
+ <p>
+ The pale detective from London opened his mouth to speak, and left it open
+ like a yokel, while a long scream of wind tore the sky; then he looked at
+ the axe in his hands as if it did not belong to him, and dropped it.
+ </p>
+ <p>
+ &ldquo;Father,&rdquo; said Flambeau in that infantile and heavy voice he used very
+ seldom, &ldquo;what are we to do?&rdquo;
+ </p>
+ <p>
+ His friend&rsquo;s reply came with the pent promptitude of a gun going off.
+ </p>
+ <p>
+ &ldquo;Sleep!&rdquo; cried Father Brown. &ldquo;Sleep. We have come to the end of the ways.
+ Do you know what sleep is? Do you know that every man who sleeps believes
+ in God? It is a sacrament; for it is an act of faith and it is a food. And
+ we need a sacrament, if only a natural one. Something has fallen on us
+ that falls very seldom on men; perhaps the worst thing that can fall on
+ them.&rdquo;
+ </p>
+ <p>
+ Craven&rsquo;s parted lips came together to say, &ldquo;What do you mean?&rdquo;
+ </p>
+ <p>
+ The priest had turned his face to the castle as he answered: &ldquo;We have
+ found the truth; and the truth makes no sense.&rdquo;
+ </p>
+ <p>
+ He went down the path in front of them with a plunging and reckless step
+ very rare with him, and when they reached the castle again he threw
+ himself upon sleep with the simplicity of a dog.
+ </p>
+ <p>
+ Despite his mystic praise of slumber, Father Brown was up earlier than
+ anyone else except the silent gardener; and was found smoking a big pipe
+ and watching that expert at his speechless labours in the kitchen garden.
+ Towards daybreak the rocking storm had ended in roaring rains, and the day
+ came with a curious freshness. The gardener seemed even to have been
+ conversing, but at sight of the detectives he planted his spade sullenly
+ in a bed and, saying something about his breakfast, shifted along the
+ lines of cabbages and shut himself in the kitchen. &ldquo;He&rsquo;s a valuable man,
+ that,&rdquo; said Father Brown. &ldquo;He does the potatoes amazingly. Still,&rdquo; he
+ added, with a dispassionate charity, &ldquo;he has his faults; which of us
+ hasn&rsquo;t? He doesn&rsquo;t dig this bank quite regularly. There, for instance,&rdquo;
+ and he stamped suddenly on one spot. &ldquo;I&rsquo;m really very doubtful about that
+ potato.&rdquo;
+ </p>
+ <p>
+ &ldquo;And why?&rdquo; asked Craven, amused with the little man&rsquo;s hobby.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m doubtful about it,&rdquo; said the other, &ldquo;because old Gow was doubtful
+ about it himself. He put his spade in methodically in every place but just
+ this. There must be a mighty fine potato just here.&rdquo;
+ </p>
+ <p>
+ Flambeau pulled up the spade and impetuously drove it into the place. He
+ turned up, under a load of soil, something that did not look like a
+ potato, but rather like a monstrous, over-domed mushroom. But it struck
+ the spade with a cold click; it rolled over like a ball, and grinned up at
+ them.
+ </p>
+ <p>
+ &ldquo;The Earl of Glengyle,&rdquo; said Brown sadly, and looked down heavily at the
+ skull.
+ </p>
+ <p>
+ Then, after a momentary meditation, he plucked the spade from Flambeau,
+ and, saying &ldquo;We must hide it again,&rdquo; clamped the skull down in the earth.
+ Then he leaned his little body and huge head on the great handle of the
+ spade, that stood up stiffly in the earth, and his eyes were empty and his
+ forehead full of wrinkles. &ldquo;If one could only conceive,&rdquo; he muttered, &ldquo;the
+ meaning of this last monstrosity.&rdquo; And leaning on the large spade handle,
+ he buried his brows in his hands, as men do in church.
+ </p>
+ <p>
+ All the corners of the sky were brightening into blue and silver; the
+ birds were chattering in the tiny garden trees; so loud it seemed as if
+ the trees themselves were talking. But the three men were silent enough.
+ </p>
+ <p>
+ &ldquo;Well, I give it all up,&rdquo; said Flambeau at last boisterously. &ldquo;My brain
+ and this world don&rsquo;t fit each other; and there&rsquo;s an end of it. Snuff,
+ spoilt Prayer Books, and the insides of musical boxes&mdash;what&mdash;&rdquo;
+ </p>
+ <p>
+ Brown threw up his bothered brow and rapped on the spade handle with an
+ intolerance quite unusual with him. &ldquo;Oh, tut, tut, tut, tut!&rdquo; he cried.
+ &ldquo;All that is as plain as a pikestaff. I understood the snuff and
+ clockwork, and so on, when I first opened my eyes this morning. And since
+ then I&rsquo;ve had it out with old Gow, the gardener, who is neither so deaf
+ nor so stupid as he pretends. There&rsquo;s nothing amiss about the loose items.
+ I was wrong about the torn mass-book, too; there&rsquo;s no harm in that. But
+ it&rsquo;s this last business. Desecrating graves and stealing dead men&rsquo;s heads&mdash;surely
+ there&rsquo;s harm in that? Surely there&rsquo;s black magic still in that? That
+ doesn&rsquo;t fit in to the quite simple story of the snuff and the candles.&rdquo;
+ And, striding about again, he smoked moodily.
+ </p>
+ <p>
+ &ldquo;My friend,&rdquo; said Flambeau, with a grim humour, &ldquo;you must be careful with
+ me and remember I was once a criminal. The great advantage of that estate
+ was that I always made up the story myself, and acted it as quick as I
+ chose. This detective business of waiting about is too much for my French
+ impatience. All my life, for good or evil, I have done things at the
+ instant; I always fought duels the next morning; I always paid bills on
+ the nail; I never even put off a visit to the dentist&mdash;&rdquo;
+ </p>
+ <p>
+ Father Brown&rsquo;s pipe fell out of his mouth and broke into three pieces on
+ the gravel path. He stood rolling his eyes, the exact picture of an idiot.
+ &ldquo;Lord, what a turnip I am!&rdquo; he kept saying. &ldquo;Lord, what a turnip!&rdquo; Then,
+ in a somewhat groggy kind of way, he began to laugh.
+ </p>
+ <p>
+ &ldquo;The dentist!&rdquo; he repeated. &ldquo;Six hours in the spiritual abyss, and all
+ because I never thought of the dentist! Such a simple, such a beautiful
+ and peaceful thought! Friends, we have passed a night in hell; but now the
+ sun is risen, the birds are singing, and the radiant form of the dentist
+ consoles the world.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will get some sense out of this,&rdquo; cried Flambeau, striding forward, &ldquo;if
+ I use the tortures of the Inquisition.&rdquo;
+ </p>
+ <p>
+ Father Brown repressed what appeared to be a momentary disposition to
+ dance on the now sunlit lawn and cried quite piteously, like a child, &ldquo;Oh,
+ let me be silly a little. You don&rsquo;t know how unhappy I have been. And now
+ I know that there has been no deep sin in this business at all. Only a
+ little lunacy, perhaps&mdash;and who minds that?&rdquo;
+ </p>
+ <p>
+ He spun round once more, then faced them with gravity.
+ </p>
+ <p>
+ &ldquo;This is not a story of crime,&rdquo; he said; &ldquo;rather it is the story of a
+ strange and crooked honesty. We are dealing with the one man on earth,
+ perhaps, who has taken no more than his due. It is a study in the savage
+ living logic that has been the religion of this race.
+ </p>
+ <p>
+ &ldquo;That old local rhyme about the house of Glengyle&mdash;
+ </p>
+<pre xml:space="preserve">
+ As green sap to the simmer trees
+ Is red gold to the Ogilvies&mdash;
+</pre>
+ <p>
+ was literal as well as metaphorical. It did not merely mean that the
+ Glengyles sought for wealth; it was also true that they literally gathered
+ gold; they had a huge collection of ornaments and utensils in that metal.
+ They were, in fact, misers whose mania took that turn. In the light of
+ that fact, run through all the things we found in the castle. Diamonds
+ without their gold rings; candles without their gold candlesticks; snuff
+ without the gold snuff-boxes; pencil-leads without the gold pencil-cases;
+ a walking stick without its gold top; clockwork without the gold clocks&mdash;or
+ rather watches. And, mad as it sounds, because the halos and the name of
+ God in the old missals were of real gold; these also were taken away.&rdquo;
+ </p>
+ <p>
+ The garden seemed to brighten, the grass to grow gayer in the
+ strengthening sun, as the crazy truth was told. Flambeau lit a cigarette
+ as his friend went on.
+ </p>
+ <p>
+ &ldquo;Were taken away,&rdquo; continued Father Brown; &ldquo;were taken away&mdash;but not
+ stolen. Thieves would never have left this mystery. Thieves would have
+ taken the gold snuff-boxes, snuff and all; the gold pencil-cases, lead and
+ all. We have to deal with a man with a peculiar conscience, but certainly
+ a conscience. I found that mad moralist this morning in the kitchen garden
+ yonder, and I heard the whole story.
+ </p>
+ <p>
+ &ldquo;The late Archibald Ogilvie was the nearest approach to a good man ever
+ born at Glengyle. But his bitter virtue took the turn of the misanthrope;
+ he moped over the dishonesty of his ancestors, from which, somehow, he
+ generalised a dishonesty of all men. More especially he distrusted
+ philanthropy or free-giving; and he swore if he could find one man who
+ took his exact rights he should have all the gold of Glengyle. Having
+ delivered this defiance to humanity he shut himself up, without the
+ smallest expectation of its being answered. One day, however, a deaf and
+ seemingly senseless lad from a distant village brought him a belated
+ telegram; and Glengyle, in his acrid pleasantry, gave him a new farthing.
+ At least he thought he had done so, but when he turned over his change he
+ found the new farthing still there and a sovereign gone. The accident
+ offered him vistas of sneering speculation. Either way, the boy would show
+ the greasy greed of the species. Either he would vanish, a thief stealing
+ a coin; or he would sneak back with it virtuously, a snob seeking a
+ reward. In the middle of that night Lord Glengyle was knocked up out of
+ his bed&mdash;for he lived alone&mdash;and forced to open the door to the
+ deaf idiot. The idiot brought with him, not the sovereign, but exactly
+ nineteen shillings and eleven-pence three-farthings in change.
+ </p>
+ <p>
+ &ldquo;Then the wild exactitude of this action took hold of the mad lord&rsquo;s brain
+ like fire. He swore he was Diogenes, that had long sought an honest man,
+ and at last had found one. He made a new will, which I have seen. He took
+ the literal youth into his huge, neglected house, and trained him up as
+ his solitary servant and&mdash;after an odd manner&mdash;his heir. And
+ whatever that queer creature understands, he understood absolutely his
+ lord&rsquo;s two fixed ideas: first, that the letter of right is everything; and
+ second, that he himself was to have the gold of Glengyle. So far, that is
+ all; and that is simple. He has stripped the house of gold, and taken not
+ a grain that was not gold; not so much as a grain of snuff. He lifted the
+ gold leaf off an old illumination, fully satisfied that he left the rest
+ unspoilt. All that I understood; but I could not understand this skull
+ business. I was really uneasy about that human head buried among the
+ potatoes. It distressed me&mdash;till Flambeau said the word.
+ </p>
+ <p>
+ &ldquo;It will be all right. He will put the skull back in the grave, when he
+ has taken the gold out of the tooth.&rdquo;
+ </p>
+ <p>
+ And, indeed, when Flambeau crossed the hill that morning, he saw that
+ strange being, the just miser, digging at the desecrated grave, the plaid
+ round his throat thrashing out in the mountain wind; the sober top hat on
+ his head.
+ </p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+ <h2><a name="chap07"></a>
+ The Wrong Shape
+ </h2>
+ <p>
+ Certain of the great roads going north out of London continue far into the
+ country a sort of attenuated and interrupted spectre of a street, with
+ great gaps in the building, but preserving the line. Here will be a group
+ of shops, followed by a fenced field or paddock, and then a famous
+ public-house, and then perhaps a market garden or a nursery garden, and
+ then one large private house, and then another field and another inn, and
+ so on. If anyone walks along one of these roads he will pass a house which
+ will probably catch his eye, though he may not be able to explain its
+ attraction. It is a long, low house, running parallel with the road,
+ painted mostly white and pale green, with a veranda and sun-blinds, and
+ porches capped with those quaint sort of cupolas like wooden umbrellas
+ that one sees in some old-fashioned houses. In fact, it is an
+ old-fashioned house, very English and very suburban in the good old
+ wealthy Clapham sense. And yet the house has a look of having been built
+ chiefly for the hot weather. Looking at its white paint and sun-blinds one
+ thinks vaguely of pugarees and even of palm trees. I cannot trace the
+ feeling to its root; perhaps the place was built by an Anglo-Indian.
+ </p>
+ <p>
+ Anyone passing this house, I say, would be namelessly fascinated by it;
+ would feel that it was a place about which some story was to be told. And
+ he would have been right, as you shall shortly hear. For this is the story&mdash;the
+ story of the strange things that did really happen in it in the
+ Whitsuntide of the year 18&mdash;:
+ </p>
+ <p>
+ Anyone passing the house on the Thursday before Whit-Sunday at about
+ half-past four p.m. would have seen the front door open, and Father Brown,
+ of the small church of St. Mungo, come out smoking a large pipe in company
+ with a very tall French friend of his called Flambeau, who was smoking a
+ very small cigarette. These persons may or may not be of interest to the
+ reader, but the truth is that they were not the only interesting things
+ that were displayed when the front door of the white-and-green house was
+ opened. There are further peculiarities about this house, which must be
+ described to start with, not only that the reader may understand this
+ tragic tale, but also that he may realise what it was that the opening of
+ the door revealed.
+ </p>
+ <p>
+ The whole house was built upon the plan of a T, but a T with a very long
+ cross piece and a very short tail piece. The long cross piece was the
+ frontage that ran along in face of the street, with the front door in the
+ middle; it was two stories high, and contained nearly all the important
+ rooms. The short tail piece, which ran out at the back immediately
+ opposite the front door, was one story high, and consisted only of two
+ long rooms, the one leading into the other. The first of these two rooms
+ was the study in which the celebrated Mr. Quinton wrote his wild Oriental
+ poems and romances. The farther room was a glass conservatory full of
+ tropical blossoms of quite unique and almost monstrous beauty, and on such
+ afternoons as these glowing with gorgeous sunlight. Thus when the hall
+ door was open, many a passer-by literally stopped to stare and gasp; for
+ he looked down a perspective of rich apartments to something really like a
+ transformation scene in a fairy play: purple clouds and golden suns and
+ crimson stars that were at once scorchingly vivid and yet transparent and
+ far away.
+ </p>
+ <p>
+ Leonard Quinton, the poet, had himself most carefully arranged this
+ effect; and it is doubtful whether he so perfectly expressed his
+ personality in any of his poems. For he was a man who drank and bathed in
+ colours, who indulged his lust for colour somewhat to the neglect of form&mdash;even
+ of good form. This it was that had turned his genius so wholly to eastern
+ art and imagery; to those bewildering carpets or blinding embroideries in
+ which all the colours seem fallen into a fortunate chaos, having nothing
+ to typify or to teach. He had attempted, not perhaps with complete
+ artistic success, but with acknowledged imagination and invention, to
+ compose epics and love stories reflecting the riot of violent and even
+ cruel colour; tales of tropical heavens of burning gold or blood-red
+ copper; of eastern heroes who rode with twelve-turbaned mitres upon
+ elephants painted purple or peacock green; of gigantic jewels that a
+ hundred negroes could not carry, but which burned with ancient and
+ strange-hued fires.
+ </p>
+ <p>
+ In short (to put the matter from the more common point of view), he dealt
+ much in eastern heavens, rather worse than most western hells; in eastern
+ monarchs, whom we might possibly call maniacs; and in eastern jewels which
+ a Bond Street jeweller (if the hundred staggering negroes brought them
+ into his shop) might possibly not regard as genuine. Quinton was a genius,
+ if a morbid one; and even his morbidity appeared more in his life than in
+ his work. In temperament he was weak and waspish, and his health had
+ suffered heavily from oriental experiments with opium. His wife&mdash;a
+ handsome, hard-working, and, indeed, over-worked woman objected to the
+ opium, but objected much more to a live Indian hermit in white and yellow
+ robes, whom her husband insisted on entertaining for months together, a
+ Virgil to guide his spirit through the heavens and the hells of the east.
+ </p>
+ <p>
+ It was out of this artistic household that Father Brown and his friend
+ stepped on to the door-step; and to judge from their faces, they stepped
+ out of it with much relief. Flambeau had known Quinton in wild student
+ days in Paris, and they had renewed the acquaintance for a week-end; but
+ apart from Flambeau&rsquo;s more responsible developments of late, he did not
+ get on well with the poet now. Choking oneself with opium and writing
+ little erotic verses on vellum was not his notion of how a gentleman
+ should go to the devil. As the two paused on the door-step, before taking
+ a turn in the garden, the front garden gate was thrown open with violence,
+ and a young man with a billycock hat on the back of his head tumbled up
+ the steps in his eagerness. He was a dissipated-looking youth with a
+ gorgeous red necktie all awry, as if he had slept in it, and he kept
+ fidgeting and lashing about with one of those little jointed canes.
+ </p>
+ <p>
+ &ldquo;I say,&rdquo; he said breathlessly, &ldquo;I want to see old Quinton. I must see him.
+ Has he gone?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Quinton is in, I believe,&rdquo; said Father Brown, cleaning his pipe, &ldquo;but
+ I do not know if you can see him. The doctor is with him at present.&rdquo;
+ </p>
+ <p>
+ The young man, who seemed not to be perfectly sober, stumbled into the
+ hall; and at the same moment the doctor came out of Quinton&rsquo;s study,
+ shutting the door and beginning to put on his gloves.
+ </p>
+ <p>
+ &ldquo;See Mr. Quinton?&rdquo; said the doctor coolly. &ldquo;No, I&rsquo;m afraid you can&rsquo;t. In
+ fact, you mustn&rsquo;t on any account. Nobody must see him; I&rsquo;ve just given him
+ his sleeping draught.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, but look here, old chap,&rdquo; said the youth in the red tie, trying
+ affectionately to capture the doctor by the lapels of his coat. &ldquo;Look
+ here. I&rsquo;m simply sewn up, I tell you. I&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s no good, Mr. Atkinson,&rdquo; said the doctor, forcing him to fall back;
+ &ldquo;when you can alter the effects of a drug I&rsquo;ll alter my decision,&rdquo; and,
+ settling on his hat, he stepped out into the sunlight with the other two.
+ He was a bull-necked, good-tempered little man with a small moustache,
+ inexpressibly ordinary, yet giving an impression of capacity.
+ </p>
+ <p>
+ The young man in the billycock, who did not seem to be gifted with any
+ tact in dealing with people beyond the general idea of clutching hold of
+ their coats, stood outside the door, as dazed as if he had been thrown out
+ bodily, and silently watched the other three walk away together through
+ the garden.
+ </p>
+ <p>
+ &ldquo;That was a sound, spanking lie I told just now,&rdquo; remarked the medical
+ man, laughing. &ldquo;In point of fact, poor Quinton doesn&rsquo;t have his sleeping
+ draught for nearly half an hour. But I&rsquo;m not going to have him bothered
+ with that little beast, who only wants to borrow money that he wouldn&rsquo;t
+ pay back if he could. He&rsquo;s a dirty little scamp, though he is Mrs.
+ Quinton&rsquo;s brother, and she&rsquo;s as fine a woman as ever walked.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Father Brown. &ldquo;She&rsquo;s a good woman.&rdquo;
+ </p>
+ <p>
+ &ldquo;So I propose to hang about the garden till the creature has cleared off,&rdquo;
+ went on the doctor, &ldquo;and then I&rsquo;ll go in to Quinton with the medicine.
+ Atkinson can&rsquo;t get in, because I locked the door.&rdquo;
+ </p>
+ <p>
+ &ldquo;In that case, Dr. Harris,&rdquo; said Flambeau, &ldquo;we might as well walk round at
+ the back by the end of the conservatory. There&rsquo;s no entrance to it that
+ way, but it&rsquo;s worth seeing, even from the outside.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, and I might get a squint at my patient,&rdquo; laughed the doctor, &ldquo;for he
+ prefers to lie on an ottoman right at the end of the conservatory amid all
+ those blood-red poinsettias; it would give me the creeps. But what are you
+ doing?&rdquo;
+ </p>
+ <p>
+ Father Brown had stopped for a moment, and picked up out of the long
+ grass, where it had almost been wholly hidden, a queer, crooked Oriental
+ knife, inlaid exquisitely in coloured stones and metals.
+ </p>
+ <p>
+ &ldquo;What is this?&rdquo; asked Father Brown, regarding it with some disfavour.
+ </p>
+ <p>
+ &ldquo;Oh, Quinton&rsquo;s, I suppose,&rdquo; said Dr. Harris carelessly; &ldquo;he has all sorts
+ of Chinese knickknacks about the place. Or perhaps it belongs to that mild
+ Hindoo of his whom he keeps on a string.&rdquo;
+ </p>
+ <p>
+ &ldquo;What Hindoo?&rdquo; asked Father Brown, still staring at the dagger in his
+ hand.
+ </p>
+ <p>
+ &ldquo;Oh, some Indian conjuror,&rdquo; said the doctor lightly; &ldquo;a fraud, of course.&rdquo;
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t believe in magic?&rdquo; asked Father Brown, without looking up.
+ </p>
+ <p>
+ &ldquo;O crickey! magic!&rdquo; said the doctor.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s very beautiful,&rdquo; said the priest in a low, dreaming voice; &ldquo;the
+ colours are very beautiful. But it&rsquo;s the wrong shape.&rdquo;
+ </p>
+ <p>
+ &ldquo;What for?&rdquo; asked Flambeau, staring.
+ </p>
+ <p>
+ &ldquo;For anything. It&rsquo;s the wrong shape in the abstract. Don&rsquo;t you ever feel
+ that about Eastern art? The colours are intoxicatingly lovely; but the
+ shapes are mean and bad&mdash;deliberately mean and bad. I have seen
+ wicked things in a Turkey carpet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mon Dieu!&rdquo; cried Flambeau, laughing.
+ </p>
+ <p>
+ &ldquo;They are letters and symbols in a language I don&rsquo;t know; but I know they
+ stand for evil words,&rdquo; went on the priest, his voice growing lower and
+ lower. &ldquo;The lines go wrong on purpose&mdash;like serpents doubling to
+ escape.&rdquo;
+ </p>
+ <p>
+ &ldquo;What the devil are you talking about?&rdquo; said the doctor with a loud laugh.
+ </p>
+ <p>
+ Flambeau spoke quietly to him in answer. &ldquo;The Father sometimes gets this
+ mystic&rsquo;s cloud on him,&rdquo; he said; &ldquo;but I give you fair warning that I have
+ never known him to have it except when there was some evil quite near.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, rats!&rdquo; said the scientist.
+ </p>
+ <p>
+ &ldquo;Why, look at it,&rdquo; cried Father Brown, holding out the crooked knife at
+ arm&rsquo;s length, as if it were some glittering snake. &ldquo;Don&rsquo;t you see it is
+ the wrong shape? Don&rsquo;t you see that it has no hearty and plain purpose? It
+ does not point like a spear. It does not sweep like a scythe. It does not
+ look like a weapon. It looks like an instrument of torture.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, as you don&rsquo;t seem to like it,&rdquo; said the jolly Harris, &ldquo;it had
+ better be taken back to its owner. Haven&rsquo;t we come to the end of this
+ confounded conservatory yet? This house is the wrong shape, if you like.&rdquo;
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t understand,&rdquo; said Father Brown, shaking his head. &ldquo;The shape of
+ this house is quaint&mdash;it is even laughable. But there is nothing
+ wrong about it.&rdquo;
+ </p>
+ <p>
+ As they spoke they came round the curve of glass that ended the
+ conservatory, an uninterrupted curve, for there was neither door nor
+ window by which to enter at that end. The glass, however, was clear, and
+ the sun still bright, though beginning to set; and they could see not only
+ the flamboyant blossoms inside, but the frail figure of the poet in a
+ brown velvet coat lying languidly on the sofa, having, apparently, fallen
+ half asleep over a book. He was a pale, slight man, with loose, chestnut
+ hair and a fringe of beard that was the paradox of his face, for the beard
+ made him look less manly. These traits were well known to all three of
+ them; but even had it not been so, it may be doubted whether they would
+ have looked at Quinton just then. Their eyes were riveted on another
+ object.
+ </p>
+ <p>
+ Exactly in their path, immediately outside the round end of the glass
+ building, was standing a tall man, whose drapery fell to his feet in
+ faultless white, and whose bare, brown skull, face, and neck gleamed in
+ the setting sun like splendid bronze. He was looking through the glass at
+ the sleeper, and he was more motionless than a mountain.
+ </p>
+ <p>
+ &ldquo;Who is that?&rdquo; cried Father Brown, stepping back with a hissing intake of
+ his breath.
+ </p>
+ <p>
+ &ldquo;Oh, it is only that Hindoo humbug,&rdquo; growled Harris; &ldquo;but I don&rsquo;t know
+ what the deuce he&rsquo;s doing here.&rdquo;
+ </p>
+ <p>
+ &ldquo;It looks like hypnotism,&rdquo; said Flambeau, biting his black moustache.
+ </p>
+ <p>
+ &ldquo;Why are you unmedical fellows always talking bosh about hypnotism?&rdquo; cried
+ the doctor. &ldquo;It looks a deal more like burglary.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, we will speak to it, at any rate,&rdquo; said Flambeau, who was always
+ for action. One long stride took him to the place where the Indian stood.
+ Bowing from his great height, which overtopped even the Oriental&rsquo;s, he
+ said with placid impudence:
+ </p>
+ <p>
+ &ldquo;Good evening, sir. Do you want anything?&rdquo;
+ </p>
+ <p>
+ Quite slowly, like a great ship turning into a harbour, the great yellow
+ face turned, and looked at last over its white shoulder. They were
+ startled to see that its yellow eyelids were quite sealed, as in sleep.
+ &ldquo;Thank you,&rdquo; said the face in excellent English. &ldquo;I want nothing.&rdquo; Then,
+ half opening the lids, so as to show a slit of opalescent eyeball, he
+ repeated, &ldquo;I want nothing.&rdquo; Then he opened his eyes wide with a startling
+ stare, said, &ldquo;I want nothing,&rdquo; and went rustling away into the rapidly
+ darkening garden.
+ </p>
+ <p>
+ &ldquo;The Christian is more modest,&rdquo; muttered Father Brown; &ldquo;he wants
+ something.&rdquo;
+ </p>
+ <p>
+ &ldquo;What on earth was he doing?&rdquo; asked Flambeau, knitting his black brows and
+ lowering his voice.
+ </p>
+ <p>
+ &ldquo;I should like to talk to you later,&rdquo; said Father Brown.
+ </p>
+ <p>
+ The sunlight was still a reality, but it was the red light of evening, and
+ the bulk of the garden trees and bushes grew blacker and blacker against
+ it. They turned round the end of the conservatory, and walked in silence
+ down the other side to get round to the front door. As they went they
+ seemed to wake something, as one startles a bird, in the deeper corner
+ between the study and the main building; and again they saw the
+ white-robed fakir slide out of the shadow, and slip round towards the
+ front door. To their surprise, however, he had not been alone. They found
+ themselves abruptly pulled up and forced to banish their bewilderment by
+ the appearance of Mrs. Quinton, with her heavy golden hair and square pale
+ face, advancing on them out of the twilight. She looked a little stern,
+ but was entirely courteous.
+ </p>
+ <p>
+ &ldquo;Good evening, Dr. Harris,&rdquo; was all she said.
+ </p>
+ <p>
+ &ldquo;Good evening, Mrs. Quinton,&rdquo; said the little doctor heartily. &ldquo;I am just
+ going to give your husband his sleeping draught.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she said in a clear voice. &ldquo;I think it is quite time.&rdquo; And she
+ smiled at them, and went sweeping into the house.
+ </p>
+ <p>
+ &ldquo;That woman&rsquo;s over-driven,&rdquo; said Father Brown; &ldquo;that&rsquo;s the kind of woman
+ that does her duty for twenty years, and then does something dreadful.&rdquo;
+ </p>
+ <p>
+ The little doctor looked at him for the first time with an eye of
+ interest. &ldquo;Did you ever study medicine?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;You have to know something of the mind as well as the body,&rdquo; answered the
+ priest; &ldquo;we have to know something of the body as well as the mind.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the doctor, &ldquo;I think I&rsquo;ll go and give Quinton his stuff.&rdquo;
+ </p>
+ <p>
+ They had turned the corner of the front façade, and were approaching the
+ front doorway. As they turned into it they saw the man in the white robe
+ for the third time. He came so straight towards the front door that it
+ seemed quite incredible that he had not just come out of the study
+ opposite to it. Yet they knew that the study door was locked.
+ </p>
+ <p>
+ Father Brown and Flambeau, however, kept this weird contradiction to
+ themselves, and Dr. Harris was not a man to waste his thoughts on the
+ impossible. He permitted the omnipresent Asiatic to make his exit, and
+ then stepped briskly into the hall. There he found a figure which he had
+ already forgotten. The inane Atkinson was still hanging about, humming and
+ poking things with his knobby cane. The doctor&rsquo;s face had a spasm of
+ disgust and decision, and he whispered rapidly to his companion: &ldquo;I must
+ lock the door again, or this rat will get in. But I shall be out again in
+ two minutes.&rdquo;
+ </p>
+ <p>
+ He rapidly unlocked the door and locked it again behind him, just balking
+ a blundering charge from the young man in the billycock. The young man
+ threw himself impatiently on a hall chair. Flambeau looked at a Persian
+ illumination on the wall; Father Brown, who seemed in a sort of daze,
+ dully eyed the door. In about four minutes the door was opened again.
+ Atkinson was quicker this time. He sprang forward, held the door open for
+ an instant, and called out: &ldquo;Oh, I say, Quinton, I want&mdash;&rdquo;
+ </p>
+ <p>
+ From the other end of the study came the clear voice of Quinton, in
+ something between a yawn and a yell of weary laughter.
+ </p>
+ <p>
+ &ldquo;Oh, I know what you want. Take it, and leave me in peace. I&rsquo;m writing a
+ song about peacocks.&rdquo;
+ </p>
+ <p>
+ Before the door closed half a sovereign came flying through the aperture;
+ and Atkinson, stumbling forward, caught it with singular dexterity.
+ </p>
+ <p>
+ &ldquo;So that&rsquo;s settled,&rdquo; said the doctor, and, locking the door savagely, he
+ led the way out into the garden.
+ </p>
+ <p>
+ &ldquo;Poor Leonard can get a little peace now,&rdquo; he added to Father Brown; &ldquo;he&rsquo;s
+ locked in all by himself for an hour or two.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; answered the priest; &ldquo;and his voice sounded jolly enough when we
+ left him.&rdquo; Then he looked gravely round the garden, and saw the loose
+ figure of Atkinson standing and jingling the half-sovereign in his pocket,
+ and beyond, in the purple twilight, the figure of the Indian sitting bolt
+ upright upon a bank of grass with his face turned towards the setting sun.
+ Then he said abruptly: &ldquo;Where is Mrs. Quinton!&rdquo;
+ </p>
+ <p>
+ &ldquo;She has gone up to her room,&rdquo; said the doctor. &ldquo;That is her shadow on the
+ blind.&rdquo;
+ </p>
+ <p>
+ Father Brown looked up, and frowningly scrutinised a dark outline at the
+ gas-lit window.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he said, &ldquo;that is her shadow,&rdquo; and he walked a yard or two and
+ threw himself upon a garden seat.
+ </p>
+ <p>
+ Flambeau sat down beside him; but the doctor was one of those energetic
+ people who live naturally on their legs. He walked away, smoking, into the
+ twilight, and the two friends were left together.
+ </p>
+ <p>
+ &ldquo;My father,&rdquo; said Flambeau in French, &ldquo;what is the matter with you?&rdquo;
+ </p>
+ <p>
+ Father Brown was silent and motionless for half a minute, then he said:
+ &ldquo;Superstition is irreligious, but there is something in the air of this
+ place. I think it&rsquo;s that Indian&mdash;at least, partly.&rdquo;
+ </p>
+ <p>
+ He sank into silence, and watched the distant outline of the Indian, who
+ still sat rigid as if in prayer. At first sight he seemed motionless, but
+ as Father Brown watched him he saw that the man swayed ever so slightly
+ with a rhythmic movement, just as the dark tree-tops swayed ever so
+ slightly in the wind that was creeping up the dim garden paths and
+ shuffling the fallen leaves a little.
+ </p>
+ <p>
+ The landscape was growing rapidly dark, as if for a storm, but they could
+ still see all the figures in their various places. Atkinson was leaning
+ against a tree with a listless face; Quinton&rsquo;s wife was still at her
+ window; the doctor had gone strolling round the end of the conservatory;
+ they could see his cigar like a will-o&rsquo;-the-wisp; and the fakir still sat
+ rigid and yet rocking, while the trees above him began to rock and almost
+ to roar. Storm was certainly coming.
+ </p>
+ <p>
+ &ldquo;When that Indian spoke to us,&rdquo; went on Brown in a conversational
+ undertone, &ldquo;I had a sort of vision, a vision of him and all his universe.
+ Yet he only said the same thing three times. When first he said &lsquo;I want
+ nothing,&rsquo; it meant only that he was impenetrable, that Asia does not give
+ itself away. Then he said again, &lsquo;I want nothing,&rsquo; and I knew that he
+ meant that he was sufficient to himself, like a cosmos, that he needed no
+ God, neither admitted any sins. And when he said the third time, &lsquo;I want
+ nothing,&rsquo; he said it with blazing eyes. And I knew that he meant literally
+ what he said; that nothing was his desire and his home; that he was weary
+ for nothing as for wine; that annihilation, the mere destruction of
+ everything or anything&mdash;&rdquo;
+ </p>
+ <p>
+ Two drops of rain fell; and for some reason Flambeau started and looked
+ up, as if they had stung him. And the same instant the doctor down by the
+ end of the conservatory began running towards them, calling out something
+ as he ran.
+ </p>
+ <p>
+ As he came among them like a bombshell the restless Atkinson happened to
+ be taking a turn nearer to the house front; and the doctor clutched him by
+ the collar in a convulsive grip. &ldquo;Foul play!&rdquo; he cried; &ldquo;what have you
+ been doing to him, you dog?&rdquo;
+ </p>
+ <p>
+ The priest had sprung erect, and had the voice of steel of a soldier in
+ command.
+ </p>
+ <p>
+ &ldquo;No fighting,&rdquo; he cried coolly; &ldquo;we are enough to hold anyone we want to.
+ What is the matter, doctor?&rdquo;
+ </p>
+ <p>
+ &ldquo;Things are not right with Quinton,&rdquo; said the doctor, quite white. &ldquo;I
+ could just see him through the glass, and I don&rsquo;t like the way he&rsquo;s lying.
+ It&rsquo;s not as I left him, anyhow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let us go in to him,&rdquo; said Father Brown shortly. &ldquo;You can leave Mr.
+ Atkinson alone. I have had him in sight since we heard Quinton&rsquo;s voice.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will stop here and watch him,&rdquo; said Flambeau hurriedly. &ldquo;You go in and
+ see.&rdquo;
+ </p>
+ <p>
+ The doctor and the priest flew to the study door, unlocked it, and fell
+ into the room. In doing so they nearly fell over the large mahogany table
+ in the centre at which the poet usually wrote; for the place was lit only
+ by a small fire kept for the invalid. In the middle of this table lay a
+ single sheet of paper, evidently left there on purpose. The doctor
+ snatched it up, glanced at it, handed it to Father Brown, and crying,
+ &ldquo;Good God, look at that!&rdquo; plunged toward the glass room beyond, where the
+ terrible tropic flowers still seemed to keep a crimson memory of the
+ sunset.
+ </p>
+ <p>
+ Father Brown read the words three times before he put down the paper. The
+ words were: &ldquo;I die by my own hand; yet I die murdered!&rdquo; They were in the
+ quite inimitable, not to say illegible, handwriting of Leonard Quinton.
+ </p>
+ <p>
+ Then Father Brown, still keeping the paper in his hand, strode towards the
+ conservatory, only to meet his medical friend coming back with a face of
+ assurance and collapse. &ldquo;He&rsquo;s done it,&rdquo; said Harris.
+ </p>
+ <p>
+ They went together through the gorgeous unnatural beauty of cactus and
+ azalea and found Leonard Quinton, poet and romancer, with his head hanging
+ downward off his ottoman and his red curls sweeping the ground. Into his
+ left side was thrust the queer dagger that they had picked up in the
+ garden, and his limp hand still rested on the hilt.
+ </p>
+ <p>
+ Outside the storm had come at one stride, like the night in Coleridge, and
+ garden and glass roof were darkened with driving rain. Father Brown seemed
+ to be studying the paper more than the corpse; he held it close to his
+ eyes; and seemed trying to read it in the twilight. Then he held it up
+ against the faint light, and, as he did so, lightning stared at them for
+ an instant so white that the paper looked black against it.
+ </p>
+ <p>
+ Darkness full of thunder followed, and after the thunder Father Brown&rsquo;s
+ voice said out of the dark: &ldquo;Doctor, this paper is the wrong shape.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked Doctor Harris, with a frowning stare.
+ </p>
+ <p>
+ &ldquo;It isn&rsquo;t square,&rdquo; answered Brown. &ldquo;It has a sort of edge snipped off at
+ the corner. What does it mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;How the deuce should I know?&rdquo; growled the doctor. &ldquo;Shall we move this
+ poor chap, do you think? He&rsquo;s quite dead.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; answered the priest; &ldquo;we must leave him as he lies and send for the
+ police.&rdquo; But he was still scrutinising the paper.
+ </p>
+ <p>
+ As they went back through the study he stopped by the table and picked up
+ a small pair of nail scissors. &ldquo;Ah,&rdquo; he said, with a sort of relief, &ldquo;this
+ is what he did it with. But yet&mdash;&rdquo; And he knitted his brows.
+ </p>
+ <p>
+ &ldquo;Oh, stop fooling with that scrap of paper,&rdquo; said the doctor emphatically.
+ &ldquo;It was a fad of his. He had hundreds of them. He cut all his paper like
+ that,&rdquo; as he pointed to a stack of sermon paper still unused on another
+ and smaller table. Father Brown went up to it and held up a sheet. It was
+ the same irregular shape.
+ </p>
+ <p>
+ &ldquo;Quite so,&rdquo; he said. &ldquo;And here I see the corners that were snipped off.&rdquo;
+ And to the indignation of his colleague he began to count them.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s all right,&rdquo; he said, with an apologetic smile. &ldquo;Twenty-three
+ sheets cut and twenty-two corners cut off them. And as I see you are
+ impatient we will rejoin the others.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who is to tell his wife?&rdquo; asked Dr. Harris. &ldquo;Will you go and tell her
+ now, while I send a servant for the police?&rdquo;
+ </p>
+ <p>
+ &ldquo;As you will,&rdquo; said Father Brown indifferently. And he went out to the
+ hall door.
+ </p>
+ <p>
+ Here also he found a drama, though of a more grotesque sort. It showed
+ nothing less than his big friend Flambeau in an attitude to which he had
+ long been unaccustomed, while upon the pathway at the bottom of the steps
+ was sprawling with his boots in the air the amiable Atkinson, his
+ billycock hat and walking cane sent flying in opposite directions along
+ the path. Atkinson had at length wearied of Flambeau&rsquo;s almost paternal
+ custody, and had endeavoured to knock him down, which was by no means a
+ smooth game to play with the Roi des Apaches, even after that monarch&rsquo;s
+ abdication.
+ </p>
+ <p>
+ Flambeau was about to leap upon his enemy and secure him once more, when
+ the priest patted him easily on the shoulder.
+ </p>
+ <p>
+ &ldquo;Make it up with Mr. Atkinson, my friend,&rdquo; he said. &ldquo;Beg a mutual pardon
+ and say &lsquo;Good night.&rsquo; We need not detain him any longer.&rdquo; Then, as
+ Atkinson rose somewhat doubtfully and gathered his hat and stick and went
+ towards the garden gate, Father Brown said in a more serious voice: &ldquo;Where
+ is that Indian?&rdquo;
+ </p>
+ <p>
+ They all three (for the doctor had joined them) turned involuntarily
+ towards the dim grassy bank amid the tossing trees purple with twilight,
+ where they had last seen the brown man swaying in his strange prayers. The
+ Indian was gone.
+ </p>
+ <p>
+ &ldquo;Confound him,&rdquo; cried the doctor, stamping furiously. &ldquo;Now I know that it
+ was that nigger that did it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought you didn&rsquo;t believe in magic,&rdquo; said Father Brown quietly.
+ </p>
+ <p>
+ &ldquo;No more I did,&rdquo; said the doctor, rolling his eyes. &ldquo;I only know that I
+ loathed that yellow devil when I thought he was a sham wizard. And I shall
+ loathe him more if I come to think he was a real one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, his having escaped is nothing,&rdquo; said Flambeau. &ldquo;For we could have
+ proved nothing and done nothing against him. One hardly goes to the parish
+ constable with a story of suicide imposed by witchcraft or
+ auto-suggestion.&rdquo;
+ </p>
+ <p>
+ Meanwhile Father Brown had made his way into the house, and now went to
+ break the news to the wife of the dead man.
+ </p>
+ <p>
+ When he came out again he looked a little pale and tragic, but what passed
+ between them in that interview was never known, even when all was known.
+ </p>
+ <p>
+ Flambeau, who was talking quietly with the doctor, was surprised to see
+ his friend reappear so soon at his elbow; but Brown took no notice, and
+ merely drew the doctor apart. &ldquo;You have sent for the police, haven&rsquo;t you?&rdquo;
+ he asked.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; answered Harris. &ldquo;They ought to be here in ten minutes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Will you do me a favour?&rdquo; said the priest quietly. &ldquo;The truth is, I make
+ a collection of these curious stories, which often contain, as in the case
+ of our Hindoo friend, elements which can hardly be put into a police
+ report. Now, I want you to write out a report of this case for my private
+ use. Yours is a clever trade,&rdquo; he said, looking the doctor gravely and
+ steadily in the face. &ldquo;I sometimes think that you know some details of
+ this matter which you have not thought fit to mention. Mine is a
+ confidential trade like yours, and I will treat anything you write for me
+ in strict confidence. But write the whole.&rdquo;
+ </p>
+ <p>
+ The doctor, who had been listening thoughtfully with his head a little on
+ one side, looked the priest in the face for an instant, and said: &ldquo;All
+ right,&rdquo; and went into the study, closing the door behind him.
+ </p>
+ <p>
+ &ldquo;Flambeau,&rdquo; said Father Brown, &ldquo;there is a long seat there under the
+ veranda, where we can smoke out of the rain. You are my only friend in the
+ world, and I want to talk to you. Or, perhaps, be silent with you.&rdquo;
+ </p>
+ <p>
+ They established themselves comfortably in the veranda seat; Father Brown,
+ against his common habit, accepted a good cigar and smoked it steadily in
+ silence, while the rain shrieked and rattled on the roof of the veranda.
+ </p>
+ <p>
+ &ldquo;My friend,&rdquo; he said at length, &ldquo;this is a very queer case. A very queer
+ case.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should think it was,&rdquo; said Flambeau, with something like a shudder.
+ </p>
+ <p>
+ &ldquo;You call it queer, and I call it queer,&rdquo; said the other, &ldquo;and yet we mean
+ quite opposite things. The modern mind always mixes up two different
+ ideas: mystery in the sense of what is marvellous, and mystery in the
+ sense of what is complicated. That is half its difficulty about miracles.
+ A miracle is startling; but it is simple. It is simple because it is a
+ miracle. It is power coming directly from God (or the devil) instead of
+ indirectly through nature or human wills. Now, you mean that this business
+ is marvellous because it is miraculous, because it is witchcraft worked by
+ a wicked Indian. Understand, I do not say that it was not spiritual or
+ diabolic. Heaven and hell only know by what surrounding influences strange
+ sins come into the lives of men. But for the present my point is this: If
+ it was pure magic, as you think, then it is marvellous; but it is not
+ mysterious&mdash;that is, it is not complicated. The quality of a miracle
+ is mysterious, but its manner is simple. Now, the manner of this business
+ has been the reverse of simple.&rdquo;
+ </p>
+ <p>
+ The storm that had slackened for a little seemed to be swelling again, and
+ there came heavy movements as of faint thunder. Father Brown let fall the
+ ash of his cigar and went on:
+ </p>
+ <p>
+ &ldquo;There has been in this incident,&rdquo; he said, &ldquo;a twisted, ugly, complex
+ quality that does not belong to the straight bolts either of heaven or
+ hell. As one knows the crooked track of a snail, I know the crooked track
+ of a man.&rdquo;
+ </p>
+ <p>
+ The white lightning opened its enormous eye in one wink, the sky shut up
+ again, and the priest went on:
+ </p>
+ <p>
+ &ldquo;Of all these crooked things, the crookedest was the shape of that piece
+ of paper. It was crookeder than the dagger that killed him.&rdquo;
+ </p>
+ <p>
+ &ldquo;You mean the paper on which Quinton confessed his suicide,&rdquo; said
+ Flambeau.
+ </p>
+ <p>
+ &ldquo;I mean the paper on which Quinton wrote, &lsquo;I die by my own hand,&rsquo;&rdquo;
+ answered Father Brown. &ldquo;The shape of that paper, my friend, was the wrong
+ shape; the wrong shape, if ever I have seen it in this wicked world.&rdquo;
+ </p>
+ <p>
+ &ldquo;It only had a corner snipped off,&rdquo; said Flambeau, &ldquo;and I understand that
+ all Quinton&rsquo;s paper was cut that way.&rdquo;
+ </p>
+ <p>
+ &ldquo;It was a very odd way,&rdquo; said the other, &ldquo;and a very bad way, to my taste
+ and fancy. Look here, Flambeau, this Quinton&mdash;God receive his soul!&mdash;was
+ perhaps a bit of a cur in some ways, but he really was an artist, with the
+ pencil as well as the pen. His handwriting, though hard to read, was bold
+ and beautiful. I can&rsquo;t prove what I say; I can&rsquo;t prove anything. But I
+ tell you with the full force of conviction that he could never have cut
+ that mean little piece off a sheet of paper. If he had wanted to cut down
+ paper for some purpose of fitting in, or binding up, or what not, he would
+ have made quite a different slash with the scissors. Do you remember the
+ shape? It was a mean shape. It was a wrong shape. Like this. Don&rsquo;t you
+ remember?&rdquo;
+ </p>
+ <p>
+ And he waved his burning cigar before him in the darkness, making
+ irregular squares so rapidly that Flambeau really seemed to see them as
+ fiery hieroglyphics upon the darkness&mdash;hieroglyphics such as his
+ friend had spoken of, which are undecipherable, yet can have no good
+ meaning.
+ </p>
+ <p>
+ &ldquo;But,&rdquo; said Flambeau, as the priest put his cigar in his mouth again and
+ leaned back, staring at the roof, &ldquo;suppose somebody else did use the
+ scissors. Why should somebody else, cutting pieces off his sermon paper,
+ make Quinton commit suicide?&rdquo;
+ </p>
+ <p>
+ Father Brown was still leaning back and staring at the roof, but he took
+ his cigar out of his mouth and said: &ldquo;Quinton never did commit suicide.&rdquo;
+ </p>
+ <p>
+ Flambeau stared at him. &ldquo;Why, confound it all,&rdquo; he cried, &ldquo;then why did he
+ confess to suicide?&rdquo;
+ </p>
+ <p>
+ The priest leant forward again, settled his elbows on his knees, looked at
+ the ground, and said, in a low, distinct voice: &ldquo;He never did confess to
+ suicide.&rdquo;
+ </p>
+ <p>
+ Flambeau laid his cigar down. &ldquo;You mean,&rdquo; he said, &ldquo;that the writing was
+ forged?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Father Brown. &ldquo;Quinton wrote it all right.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, there you are,&rdquo; said the aggravated Flambeau; &ldquo;Quinton wrote, &lsquo;I
+ die by my own hand,&rsquo; with his own hand on a plain piece of paper.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of the wrong shape,&rdquo; said the priest calmly.
+ </p>
+ <p>
+ &ldquo;Oh, the shape be damned!&rdquo; cried Flambeau. &ldquo;What has the shape to do with
+ it?&rdquo;
+ </p>
+ <p>
+ &ldquo;There were twenty-three snipped papers,&rdquo; resumed Brown unmoved, &ldquo;and only
+ twenty-two pieces snipped off. Therefore one of the pieces had been
+ destroyed, probably that from the written paper. Does that suggest
+ anything to you?&rdquo;
+ </p>
+ <p>
+ A light dawned on Flambeau&rsquo;s face, and he said: &ldquo;There was something else
+ written by Quinton, some other words. &lsquo;They will tell you I die by my own
+ hand,&rsquo; or &lsquo;Do not believe that&mdash;&lsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Hotter, as the children say,&rdquo; said his friend. &ldquo;But the piece was hardly
+ half an inch across; there was no room for one word, let alone five. Can
+ you think of anything hardly bigger than a comma which the man with hell
+ in his heart had to tear away as a testimony against him?&rdquo;
+ </p>
+ <p>
+ &ldquo;I can think of nothing,&rdquo; said Flambeau at last.
+ </p>
+ <p>
+ &ldquo;What about quotation marks?&rdquo; said the priest, and flung his cigar far
+ into the darkness like a shooting star.
+ </p>
+ <p>
+ All words had left the other man&rsquo;s mouth, and Father Brown said, like one
+ going back to fundamentals:
+ </p>
+ <p>
+ &ldquo;Leonard Quinton was a romancer, and was writing an Oriental romance about
+ wizardry and hypnotism. He&mdash;&rdquo;
+ </p>
+ <p>
+ At this moment the door opened briskly behind them, and the doctor came
+ out with his hat on. He put a long envelope into the priest&rsquo;s hands.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s the document you wanted,&rdquo; he said, &ldquo;and I must be getting home.
+ Good night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good night,&rdquo; said Father Brown, as the doctor walked briskly to the gate.
+ He had left the front door open, so that a shaft of gaslight fell upon
+ them. In the light of this Brown opened the envelope and read the
+ following words:
+ </p>
+<pre xml:space="preserve">
+ DEAR FATHER BROWN,&mdash;Vicisti Galilee. Otherwise, damn your
+ eyes, which are very penetrating ones. Can it be possible that
+ there is something in all that stuff of yours after all?
+</pre>
+<pre xml:space="preserve">
+ I am a man who has ever since boyhood believed in Nature and
+ in all natural functions and instincts, whether men called them
+ moral or immoral. Long before I became a doctor, when I was a
+ schoolboy keeping mice and spiders, I believed that to be a good
+ animal is the best thing in the world. But just now I am shaken;
+ I have believed in Nature; but it seems as if Nature could betray
+ a man. Can there be anything in your bosh? I am really getting
+ morbid.
+</pre>
+<pre xml:space="preserve">
+ I loved Quinton&rsquo;s wife. What was there wrong in that? Nature
+ told me to, and it&rsquo;s love that makes the world go round. I also
+ thought quite sincerely that she would be happier with a clean
+ animal like me than with that tormenting little lunatic. What was
+ there wrong in that? I was only facing facts, like a man of
+ science. She would have been happier.
+</pre>
+<pre xml:space="preserve">
+ According to my own creed I was quite free to kill Quinton,
+ which was the best thing for everybody, even himself. But as a
+ healthy animal I had no notion of killing myself. I resolved,
+ therefore, that I would never do it until I saw a chance that
+ would leave me scot free. I saw that chance this morning.
+</pre>
+<pre xml:space="preserve">
+ I have been three times, all told, into Quinton&rsquo;s study today.
+ The first time I went in he would talk about nothing but the weird
+ tale, called &ldquo;The Cure of a Saint,&rdquo; which he was writing, which
+ was all about how some Indian hermit made an English colonel kill
+ himself by thinking about him. He showed me the last sheets, and
+ even read me the last paragraph, which was something like this:
+ &ldquo;The conqueror of the Punjab, a mere yellow skeleton, but still
+ gigantic, managed to lift himself on his elbow and gasp in his
+ nephew&rsquo;s ear: &lsquo;I die by my own hand, yet I die murdered!&rsquo;&rdquo; It so
+ happened by one chance out of a hundred, that those last words
+ were written at the top of a new sheet of paper. I left the room,
+ and went out into the garden intoxicated with a frightful
+ opportunity.
+</pre>
+<pre xml:space="preserve">
+ We walked round the house; and two more things happened in my
+ favour. You suspected an Indian, and you found a dagger which the
+ Indian might most probably use. Taking the opportunity to stuff
+ it in my pocket I went back to Quinton&rsquo;s study, locked the door,
+ and gave him his sleeping draught. He was against answering
+ Atkinson at all, but I urged him to call out and quiet the fellow,
+ because I wanted a clear proof that Quinton was alive when I left
+ the room for the second time. Quinton lay down in the conservatory,
+ and I came through the study. I am a quick man with my hands, and
+ in a minute and a half I had done what I wanted to do. I had
+ emptied all the first part of Quinton&rsquo;s romance into the fireplace,
+ where it burnt to ashes. Then I saw that the quotation marks
+ wouldn&rsquo;t do, so I snipped them off, and to make it seem likelier,
+ snipped the whole quire to match. Then I came out with the
+ knowledge that Quinton&rsquo;s confession of suicide lay on the front
+ table, while Quinton lay alive but asleep in the conservatory
+ beyond.
+</pre>
+<pre xml:space="preserve">
+ The last act was a desperate one; you can guess it: I pretended
+ to have seen Quinton dead and rushed to his room. I delayed you
+ with the paper, and, being a quick man with my hands, killed
+ Quinton while you were looking at his confession of suicide. He
+ was half-asleep, being drugged, and I put his own hand on the
+ knife and drove it into his body. The knife was of so queer a
+ shape that no one but an operator could have calculated the angle
+ that would reach his heart. I wonder if you noticed this.
+</pre>
+<pre xml:space="preserve">
+ When I had done it, the extraordinary thing happened. Nature
+ deserted me. I felt ill. I felt just as if I had done something
+ wrong. I think my brain is breaking up; I feel some sort of
+ desperate pleasure in thinking I have told the thing to somebody;
+ that I shall not have to be alone with it if I marry and have
+ children. What is the matter with me?... Madness... or can one
+ have remorse, just as if one were in Byron&rsquo;s poems! I cannot
+ write any more.
+
+ James Erskine Harris.
+</pre>
+ <p>
+ Father Brown carefully folded up the letter, and put it in his breast
+ pocket just as there came a loud peal at the gate bell, and the wet
+ waterproofs of several policemen gleamed in the road outside.
+ </p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+ <h2><a name="chap08"></a>
+ The Sins of Prince Saradine
+ </h2>
+ <p>
+ When Flambeau took his month&rsquo;s holiday from his office in Westminster he
+ took it in a small sailing-boat, so small that it passed much of its time
+ as a rowing-boat. He took it, moreover, in little rivers in the Eastern
+ counties, rivers so small that the boat looked like a magic boat, sailing
+ on land through meadows and cornfields. The vessel was just comfortable
+ for two people; there was room only for necessities, and Flambeau had
+ stocked it with such things as his special philosophy considered
+ necessary. They reduced themselves, apparently, to four essentials: tins
+ of salmon, if he should want to eat; loaded revolvers, if he should want
+ to fight; a bottle of brandy, presumably in case he should faint; and a
+ priest, presumably in case he should die. With this light luggage he
+ crawled down the little Norfolk rivers, intending to reach the Broads at
+ last, but meanwhile delighting in the overhanging gardens and meadows, the
+ mirrored mansions or villages, lingering to fish in the pools and corners,
+ and in some sense hugging the shore.
+ </p>
+ <p>
+ Like a true philosopher, Flambeau had no aim in his holiday; but, like a
+ true philosopher, he had an excuse. He had a sort of half purpose, which
+ he took just so seriously that its success would crown the holiday, but
+ just so lightly that its failure would not spoil it. Years ago, when he
+ had been a king of thieves and the most famous figure in Paris, he had
+ often received wild communications of approval, denunciation, or even
+ love; but one had, somehow, stuck in his memory. It consisted simply of a
+ visiting-card, in an envelope with an English postmark. On the back of the
+ card was written in French and in green ink: &ldquo;If you ever retire and
+ become respectable, come and see me. I want to meet you, for I have met
+ all the other great men of my time. That trick of yours of getting one
+ detective to arrest the other was the most splendid scene in French
+ history.&rdquo; On the front of the card was engraved in the formal fashion,
+ &ldquo;Prince Saradine, Reed House, Reed Island, Norfolk.&rdquo;
+ </p>
+ <p>
+ He had not troubled much about the prince then, beyond ascertaining that
+ he had been a brilliant and fashionable figure in southern Italy. In his
+ youth, it was said, he had eloped with a married woman of high rank; the
+ escapade was scarcely startling in his social world, but it had clung to
+ men&rsquo;s minds because of an additional tragedy: the alleged suicide of the
+ insulted husband, who appeared to have flung himself over a precipice in
+ Sicily. The prince then lived in Vienna for a time, but his more recent
+ years seemed to have been passed in perpetual and restless travel. But
+ when Flambeau, like the prince himself, had left European celebrity and
+ settled in England, it occurred to him that he might pay a surprise visit
+ to this eminent exile in the Norfolk Broads. Whether he should find the
+ place he had no idea; and, indeed, it was sufficiently small and
+ forgotten. But, as things fell out, he found it much sooner than he
+ expected.
+ </p>
+ <p>
+ They had moored their boat one night under a bank veiled in high grasses
+ and short pollarded trees. Sleep, after heavy sculling, had come to them
+ early, and by a corresponding accident they awoke before it was light. To
+ speak more strictly, they awoke before it was daylight; for a large lemon
+ moon was only just setting in the forest of high grass above their heads,
+ and the sky was of a vivid violet-blue, nocturnal but bright. Both men had
+ simultaneously a reminiscence of childhood, of the elfin and adventurous
+ time when tall weeds close over us like woods. Standing up thus against
+ the large low moon, the daisies really seemed to be giant daisies, the
+ dandelions to be giant dandelions. Somehow it reminded them of the dado of
+ a nursery wall-paper. The drop of the river-bed sufficed to sink them
+ under the roots of all shrubs and flowers and make them gaze upwards at
+ the grass. &ldquo;By Jove!&rdquo; said Flambeau, &ldquo;it&rsquo;s like being in fairyland.&rdquo;
+ </p>
+ <p>
+ Father Brown sat bolt upright in the boat and crossed himself. His
+ movement was so abrupt that his friend asked him, with a mild stare, what
+ was the matter.
+ </p>
+ <p>
+ &ldquo;The people who wrote the mediaeval ballads,&rdquo; answered the priest, &ldquo;knew
+ more about fairies than you do. It isn&rsquo;t only nice things that happen in
+ fairyland.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, bosh!&rdquo; said Flambeau. &ldquo;Only nice things could happen under such an
+ innocent moon. I am for pushing on now and seeing what does really come.
+ We may die and rot before we ever see again such a moon or such a mood.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; said Father Brown. &ldquo;I never said it was always wrong to enter
+ fairyland. I only said it was always dangerous.&rdquo;
+ </p>
+ <p>
+ They pushed slowly up the brightening river; the glowing violet of the sky
+ and the pale gold of the moon grew fainter and fainter, and faded into
+ that vast colourless cosmos that precedes the colours of the dawn. When
+ the first faint stripes of red and gold and grey split the horizon from
+ end to end they were broken by the black bulk of a town or village which
+ sat on the river just ahead of them. It was already an easy twilight, in
+ which all things were visible, when they came under the hanging roofs and
+ bridges of this riverside hamlet. The houses, with their long, low,
+ stooping roofs, seemed to come down to drink at the river, like huge grey
+ and red cattle. The broadening and whitening dawn had already turned to
+ working daylight before they saw any living creature on the wharves and
+ bridges of that silent town. Eventually they saw a very placid and
+ prosperous man in his shirt sleeves, with a face as round as the recently
+ sunken moon, and rays of red whisker around the low arc of it, who was
+ leaning on a post above the sluggish tide. By an impulse not to be
+ analysed, Flambeau rose to his full height in the swaying boat and shouted
+ at the man to ask if he knew Reed Island or Reed House. The prosperous
+ man&rsquo;s smile grew slightly more expansive, and he simply pointed up the
+ river towards the next bend of it. Flambeau went ahead without further
+ speech.
+ </p>
+ <p>
+ The boat took many such grassy corners and followed many such reedy and
+ silent reaches of river; but before the search had become monotonous they
+ had swung round a specially sharp angle and come into the silence of a
+ sort of pool or lake, the sight of which instinctively arrested them. For
+ in the middle of this wider piece of water, fringed on every side with
+ rushes, lay a long, low islet, along which ran a long, low house or
+ bungalow built of bamboo or some kind of tough tropic cane. The upstanding
+ rods of bamboo which made the walls were pale yellow, the sloping rods
+ that made the roof were of darker red or brown, otherwise the long house
+ was a thing of repetition and monotony. The early morning breeze rustled
+ the reeds round the island and sang in the strange ribbed house as in a
+ giant pan-pipe.
+ </p>
+ <p>
+ &ldquo;By George!&rdquo; cried Flambeau; &ldquo;here is the place, after all! Here is Reed
+ Island, if ever there was one. Here is Reed House, if it is anywhere. I
+ believe that fat man with whiskers was a fairy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps,&rdquo; remarked Father Brown impartially. &ldquo;If he was, he was a bad
+ fairy.&rdquo;
+ </p>
+ <p>
+ But even as he spoke the impetuous Flambeau had run his boat ashore in the
+ rattling reeds, and they stood in the long, quaint islet beside the odd
+ and silent house.
+ </p>
+ <p>
+ The house stood with its back, as it were, to the river and the only
+ landing-stage; the main entrance was on the other side, and looked down
+ the long island garden. The visitors approached it, therefore, by a small
+ path running round nearly three sides of the house, close under the low
+ eaves. Through three different windows on three different sides they
+ looked in on the same long, well-lit room, panelled in light wood, with a
+ large number of looking-glasses, and laid out as for an elegant lunch. The
+ front door, when they came round to it at last, was flanked by two
+ turquoise-blue flower pots. It was opened by a butler of the drearier type&mdash;long,
+ lean, grey and listless&mdash;who murmured that Prince Saradine was from
+ home at present, but was expected hourly; the house being kept ready for
+ him and his guests. The exhibition of the card with the scrawl of green
+ ink awoke a flicker of life in the parchment face of the depressed
+ retainer, and it was with a certain shaky courtesy that he suggested that
+ the strangers should remain. &ldquo;His Highness may be here any minute,&rdquo; he
+ said, &ldquo;and would be distressed to have just missed any gentleman he had
+ invited. We have orders always to keep a little cold lunch for him and his
+ friends, and I am sure he would wish it to be offered.&rdquo;
+ </p>
+ <p>
+ Moved with curiosity to this minor adventure, Flambeau assented
+ gracefully, and followed the old man, who ushered him ceremoniously into
+ the long, lightly panelled room. There was nothing very notable about it,
+ except the rather unusual alternation of many long, low windows with many
+ long, low oblongs of looking-glass, which gave a singular air of lightness
+ and unsubstantialness to the place. It was somehow like lunching out of
+ doors. One or two pictures of a quiet kind hung in the corners, one a
+ large grey photograph of a very young man in uniform, another a red chalk
+ sketch of two long-haired boys. Asked by Flambeau whether the soldierly
+ person was the prince, the butler answered shortly in the negative; it was
+ the prince&rsquo;s younger brother, Captain Stephen Saradine, he said. And with
+ that the old man seemed to dry up suddenly and lose all taste for
+ conversation.
+ </p>
+ <p>
+ After lunch had tailed off with exquisite coffee and liqueurs, the guests
+ were introduced to the garden, the library, and the housekeeper&mdash;a
+ dark, handsome lady, of no little majesty, and rather like a plutonic
+ Madonna. It appeared that she and the butler were the only survivors of
+ the prince&rsquo;s original foreign menage the other servants now in the house
+ being new and collected in Norfolk by the housekeeper. This latter lady
+ went by the name of Mrs. Anthony, but she spoke with a slight Italian
+ accent, and Flambeau did not doubt that Anthony was a Norfolk version of
+ some more Latin name. Mr. Paul, the butler, also had a faintly foreign
+ air, but he was in tongue and training English, as are many of the most
+ polished men-servants of the cosmopolitan nobility.
+ </p>
+ <p>
+ Pretty and unique as it was, the place had about it a curious luminous
+ sadness. Hours passed in it like days. The long, well-windowed rooms were
+ full of daylight, but it seemed a dead daylight. And through all other
+ incidental noises, the sound of talk, the clink of glasses, or the passing
+ feet of servants, they could hear on all sides of the house the melancholy
+ noise of the river.
+ </p>
+ <p>
+ &ldquo;We have taken a wrong turning, and come to a wrong place,&rdquo; said Father
+ Brown, looking out of the window at the grey-green sedges and the silver
+ flood. &ldquo;Never mind; one can sometimes do good by being the right person in
+ the wrong place.&rdquo;
+ </p>
+ <p>
+ Father Brown, though commonly a silent, was an oddly sympathetic little
+ man, and in those few but endless hours he unconsciously sank deeper into
+ the secrets of Reed House than his professional friend. He had that knack
+ of friendly silence which is so essential to gossip; and saying scarcely a
+ word, he probably obtained from his new acquaintances all that in any case
+ they would have told. The butler indeed was naturally uncommunicative. He
+ betrayed a sullen and almost animal affection for his master; who, he
+ said, had been very badly treated. The chief offender seemed to be his
+ highness&rsquo;s brother, whose name alone would lengthen the old man&rsquo;s lantern
+ jaws and pucker his parrot nose into a sneer. Captain Stephen was a
+ ne&rsquo;er-do-well, apparently, and had drained his benevolent brother of
+ hundreds and thousands; forced him to fly from fashionable life and live
+ quietly in this retreat. That was all Paul, the butler, would say, and
+ Paul was obviously a partisan.
+ </p>
+ <p>
+ The Italian housekeeper was somewhat more communicative, being, as Brown
+ fancied, somewhat less content. Her tone about her master was faintly
+ acid; though not without a certain awe. Flambeau and his friend were
+ standing in the room of the looking-glasses examining the red sketch of
+ the two boys, when the housekeeper swept in swiftly on some domestic
+ errand. It was a peculiarity of this glittering, glass-panelled place that
+ anyone entering was reflected in four or five mirrors at once; and Father
+ Brown, without turning round, stopped in the middle of a sentence of
+ family criticism. But Flambeau, who had his face close up to the picture,
+ was already saying in a loud voice, &ldquo;The brothers Saradine, I suppose.
+ They both look innocent enough. It would be hard to say which is the good
+ brother and which the bad.&rdquo; Then, realising the lady&rsquo;s presence, he turned
+ the conversation with some triviality, and strolled out into the garden.
+ But Father Brown still gazed steadily at the red crayon sketch; and Mrs.
+ Anthony still gazed steadily at Father Brown.
+ </p>
+ <p>
+ She had large and tragic brown eyes, and her olive face glowed darkly with
+ a curious and painful wonder&mdash;as of one doubtful of a stranger&rsquo;s
+ identity or purpose. Whether the little priest&rsquo;s coat and creed touched
+ some southern memories of confession, or whether she fancied he knew more
+ than he did, she said to him in a low voice as to a fellow plotter, &ldquo;He is
+ right enough in one way, your friend. He says it would be hard to pick out
+ the good and bad brothers. Oh, it would be hard, it would be mighty hard,
+ to pick out the good one.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t understand you,&rdquo; said Father Brown, and began to move away.
+ </p>
+ <p>
+ The woman took a step nearer to him, with thunderous brows and a sort of
+ savage stoop, like a bull lowering his horns.
+ </p>
+ <p>
+ &ldquo;There isn&rsquo;t a good one,&rdquo; she hissed. &ldquo;There was badness enough in the
+ captain taking all that money, but I don&rsquo;t think there was much goodness
+ in the prince giving it. The captain&rsquo;s not the only one with something
+ against him.&rdquo;
+ </p>
+ <p>
+ A light dawned on the cleric&rsquo;s averted face, and his mouth formed silently
+ the word &ldquo;blackmail.&rdquo; Even as he did so the woman turned an abrupt white
+ face over her shoulder and almost fell. The door had opened soundlessly
+ and the pale Paul stood like a ghost in the doorway. By the weird trick of
+ the reflecting walls, it seemed as if five Pauls had entered by five doors
+ simultaneously.
+ </p>
+ <p>
+ &ldquo;His Highness,&rdquo; he said, &ldquo;has just arrived.&rdquo;
+ </p>
+ <p>
+ In the same flash the figure of a man had passed outside the first window,
+ crossing the sunlit pane like a lighted stage. An instant later he passed
+ at the second window and the many mirrors repainted in successive frames
+ the same eagle profile and marching figure. He was erect and alert, but
+ his hair was white and his complexion of an odd ivory yellow. He had that
+ short, curved Roman nose which generally goes with long, lean cheeks and
+ chin, but these were partly masked by moustache and imperial. The
+ moustache was much darker than the beard, giving an effect slightly
+ theatrical, and he was dressed up to the same dashing part, having a white
+ top hat, an orchid in his coat, a yellow waistcoat and yellow gloves which
+ he flapped and swung as he walked. When he came round to the front door
+ they heard the stiff Paul open it, and heard the new arrival say
+ cheerfully, &ldquo;Well, you see I have come.&rdquo; The stiff Mr. Paul bowed and
+ answered in his inaudible manner; for a few minutes their conversation
+ could not be heard. Then the butler said, &ldquo;Everything is at your
+ disposal;&rdquo; and the glove-flapping Prince Saradine came gaily into the room
+ to greet them. They beheld once more that spectral scene&mdash;five
+ princes entering a room with five doors.
+ </p>
+ <p>
+ The prince put the white hat and yellow gloves on the table and offered
+ his hand quite cordially.
+ </p>
+ <p>
+ &ldquo;Delighted to see you here, Mr. Flambeau,&rdquo; he said. &ldquo;Knowing you very well
+ by reputation, if that&rsquo;s not an indiscreet remark.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not at all,&rdquo; answered Flambeau, laughing. &ldquo;I am not sensitive. Very few
+ reputations are gained by unsullied virtue.&rdquo;
+ </p>
+ <p>
+ The prince flashed a sharp look at him to see if the retort had any
+ personal point; then he laughed also and offered chairs to everyone,
+ including himself.
+ </p>
+ <p>
+ &ldquo;Pleasant little place, this, I think,&rdquo; he said with a detached air. &ldquo;Not
+ much to do, I fear; but the fishing is really good.&rdquo;
+ </p>
+ <p>
+ The priest, who was staring at him with the grave stare of a baby, was
+ haunted by some fancy that escaped definition. He looked at the grey,
+ carefully curled hair, yellow white visage, and slim, somewhat foppish
+ figure. These were not unnatural, though perhaps a shade prononcé, like
+ the outfit of a figure behind the footlights. The nameless interest lay in
+ something else, in the very framework of the face; Brown was tormented
+ with a half memory of having seen it somewhere before. The man looked like
+ some old friend of his dressed up. Then he suddenly remembered the
+ mirrors, and put his fancy down to some psychological effect of that
+ multiplication of human masks.
+ </p>
+ <p>
+ Prince Saradine distributed his social attentions between his guests with
+ great gaiety and tact. Finding the detective of a sporting turn and eager
+ to employ his holiday, he guided Flambeau and Flambeau&rsquo;s boat down to the
+ best fishing spot in the stream, and was back in his own canoe in twenty
+ minutes to join Father Brown in the library and plunge equally politely
+ into the priest&rsquo;s more philosophic pleasures. He seemed to know a great
+ deal both about the fishing and the books, though of these not the most
+ edifying; he spoke five or six languages, though chiefly the slang of
+ each. He had evidently lived in varied cities and very motley societies,
+ for some of his cheerfullest stories were about gambling hells and opium
+ dens, Australian bushrangers or Italian brigands. Father Brown knew that
+ the once-celebrated Saradine had spent his last few years in almost
+ ceaseless travel, but he had not guessed that the travels were so
+ disreputable or so amusing.
+ </p>
+ <p>
+ Indeed, with all his dignity of a man of the world, Prince Saradine
+ radiated to such sensitive observers as the priest, a certain atmosphere
+ of the restless and even the unreliable. His face was fastidious, but his
+ eye was wild; he had little nervous tricks, like a man shaken by drink or
+ drugs, and he neither had, nor professed to have, his hand on the helm of
+ household affairs. All these were left to the two old servants, especially
+ to the butler, who was plainly the central pillar of the house. Mr. Paul,
+ indeed, was not so much a butler as a sort of steward or, even,
+ chamberlain; he dined privately, but with almost as much pomp as his
+ master; he was feared by all the servants; and he consulted with the
+ prince decorously, but somewhat unbendingly&mdash;rather as if he were the
+ prince&rsquo;s solicitor. The sombre housekeeper was a mere shadow in
+ comparison; indeed, she seemed to efface herself and wait only on the
+ butler, and Brown heard no more of those volcanic whispers which had half
+ told him of the younger brother who blackmailed the elder. Whether the
+ prince was really being thus bled by the absent captain, he could not be
+ certain, but there was something insecure and secretive about Saradine
+ that made the tale by no means incredible.
+ </p>
+ <p>
+ When they went once more into the long hall with the windows and the
+ mirrors, yellow evening was dropping over the waters and the willowy
+ banks; and a bittern sounded in the distance like an elf upon his dwarfish
+ drum. The same singular sentiment of some sad and evil fairyland crossed
+ the priest&rsquo;s mind again like a little grey cloud. &ldquo;I wish Flambeau were
+ back,&rdquo; he muttered.
+ </p>
+ <p>
+ &ldquo;Do you believe in doom?&rdquo; asked the restless Prince Saradine suddenly.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; answered his guest. &ldquo;I believe in Doomsday.&rdquo;
+ </p>
+ <p>
+ The prince turned from the window and stared at him in a singular manner,
+ his face in shadow against the sunset. &ldquo;What do you mean?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;I mean that we here are on the wrong side of the tapestry,&rdquo; answered
+ Father Brown. &ldquo;The things that happen here do not seem to mean anything;
+ they mean something somewhere else. Somewhere else retribution will come
+ on the real offender. Here it often seems to fall on the wrong person.&rdquo;
+ </p>
+ <p>
+ The prince made an inexplicable noise like an animal; in his shadowed face
+ the eyes were shining queerly. A new and shrewd thought exploded silently
+ in the other&rsquo;s mind. Was there another meaning in Saradine&rsquo;s blend of
+ brilliancy and abruptness? Was the prince&mdash;Was he perfectly sane? He
+ was repeating, &ldquo;The wrong person&mdash;the wrong person,&rdquo; many more times
+ than was natural in a social exclamation.
+ </p>
+ <p>
+ Then Father Brown awoke tardily to a second truth. In the mirrors before
+ him he could see the silent door standing open, and the silent Mr. Paul
+ standing in it, with his usual pallid impassiveness.
+ </p>
+ <p>
+ &ldquo;I thought it better to announce at once,&rdquo; he said, with the same stiff
+ respectfulness as of an old family lawyer, &ldquo;a boat rowed by six men has
+ come to the landing-stage, and there&rsquo;s a gentleman sitting in the stern.&rdquo;
+ </p>
+ <p>
+ &ldquo;A boat!&rdquo; repeated the prince; &ldquo;a gentleman?&rdquo; and he rose to his feet.
+ </p>
+ <p>
+ There was a startled silence punctuated only by the odd noise of the bird
+ in the sedge; and then, before anyone could speak again, a new face and
+ figure passed in profile round the three sunlit windows, as the prince had
+ passed an hour or two before. But except for the accident that both
+ outlines were aquiline, they had little in common. Instead of the new
+ white topper of Saradine, was a black one of antiquated or foreign shape;
+ under it was a young and very solemn face, clean shaven, blue about its
+ resolute chin, and carrying a faint suggestion of the young Napoleon. The
+ association was assisted by something old and odd about the whole get-up,
+ as of a man who had never troubled to change the fashions of his fathers.
+ He had a shabby blue frock coat, a red, soldierly looking waistcoat, and a
+ kind of coarse white trousers common among the early Victorians, but
+ strangely incongruous today. From all this old clothes-shop his olive face
+ stood out strangely young and monstrously sincere.
+ </p>
+ <p>
+ &ldquo;The deuce!&rdquo; said Prince Saradine, and clapping on his white hat he went
+ to the front door himself, flinging it open on the sunset garden.
+ </p>
+ <p>
+ By that time the new-comer and his followers were drawn up on the lawn
+ like a small stage army. The six boatmen had pulled the boat well up on
+ shore, and were guarding it almost menacingly, holding their oars erect
+ like spears. They were swarthy men, and some of them wore earrings. But
+ one of them stood forward beside the olive-faced young man in the red
+ waistcoat, and carried a large black case of unfamiliar form.
+ </p>
+ <p>
+ &ldquo;Your name,&rdquo; said the young man, &ldquo;is Saradine?&rdquo;
+ </p>
+ <p>
+ Saradine assented rather negligently.
+ </p>
+ <p>
+ The new-comer had dull, dog-like brown eyes, as different as possible from
+ the restless and glittering grey eyes of the prince. But once again Father
+ Brown was tortured with a sense of having seen somewhere a replica of the
+ face; and once again he remembered the repetitions of the glass-panelled
+ room, and put down the coincidence to that. &ldquo;Confound this crystal
+ palace!&rdquo; he muttered. &ldquo;One sees everything too many times. It&rsquo;s like a
+ dream.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you are Prince Saradine,&rdquo; said the young man, &ldquo;I may tell you that my
+ name is Antonelli.&rdquo;
+ </p>
+ <p>
+ &ldquo;Antonelli,&rdquo; repeated the prince languidly. &ldquo;Somehow I remember the name.&rdquo;
+ </p>
+ <p>
+ &ldquo;Permit me to present myself,&rdquo; said the young Italian.
+ </p>
+ <p>
+ With his left hand he politely took off his old-fashioned top-hat; with
+ his right he caught Prince Saradine so ringing a crack across the face
+ that the white top hat rolled down the steps and one of the blue
+ flower-pots rocked upon its pedestal.
+ </p>
+ <p>
+ The prince, whatever he was, was evidently not a coward; he sprang at his
+ enemy&rsquo;s throat and almost bore him backwards to the grass. But his enemy
+ extricated himself with a singularly inappropriate air of hurried
+ politeness.
+ </p>
+ <p>
+ &ldquo;That is all right,&rdquo; he said, panting and in halting English. &ldquo;I have
+ insulted. I will give satisfaction. Marco, open the case.&rdquo;
+ </p>
+ <p>
+ The man beside him with the earrings and the big black case proceeded to
+ unlock it. He took out of it two long Italian rapiers, with splendid steel
+ hilts and blades, which he planted point downwards in the lawn. The
+ strange young man standing facing the entrance with his yellow and
+ vindictive face, the two swords standing up in the turf like two crosses
+ in a cemetery, and the line of the ranked towers behind, gave it all an
+ odd appearance of being some barbaric court of justice. But everything
+ else was unchanged, so sudden had been the interruption. The sunset gold
+ still glowed on the lawn, and the bittern still boomed as announcing some
+ small but dreadful destiny.
+ </p>
+ <p>
+ &ldquo;Prince Saradine,&rdquo; said the man called Antonelli, &ldquo;when I was an infant in
+ the cradle you killed my father and stole my mother; my father was the
+ more fortunate. You did not kill him fairly, as I am going to kill you.
+ You and my wicked mother took him driving to a lonely pass in Sicily,
+ flung him down a cliff, and went on your way. I could imitate you if I
+ chose, but imitating you is too vile. I have followed you all over the
+ world, and you have always fled from me. But this is the end of the world&mdash;and
+ of you. I have you now, and I give you the chance you never gave my
+ father. Choose one of those swords.&rdquo;
+ </p>
+ <p>
+ Prince Saradine, with contracted brows, seemed to hesitate a moment, but
+ his ears were still singing with the blow, and he sprang forward and
+ snatched at one of the hilts. Father Brown had also sprung forward,
+ striving to compose the dispute; but he soon found his personal presence
+ made matters worse. Saradine was a French freemason and a fierce atheist,
+ and a priest moved him by the law of contraries. And for the other man
+ neither priest nor layman moved him at all. This young man with the
+ Bonaparte face and the brown eyes was something far sterner than a puritan&mdash;a
+ pagan. He was a simple slayer from the morning of the earth; a man of the
+ stone age&mdash;a man of stone.
+ </p>
+ <p>
+ One hope remained, the summoning of the household; and Father Brown ran
+ back into the house. He found, however, that all the under servants had
+ been given a holiday ashore by the autocrat Paul, and that only the sombre
+ Mrs. Anthony moved uneasily about the long rooms. But the moment she
+ turned a ghastly face upon him, he resolved one of the riddles of the
+ house of mirrors. The heavy brown eyes of Antonelli were the heavy brown
+ eyes of Mrs. Anthony; and in a flash he saw half the story.
+ </p>
+ <p>
+ &ldquo;Your son is outside,&rdquo; he said without wasting words; &ldquo;either he or the
+ prince will be killed. Where is Mr. Paul?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is at the landing-stage,&rdquo; said the woman faintly. &ldquo;He is&mdash;he is&mdash;signalling
+ for help.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mrs. Anthony,&rdquo; said Father Brown seriously, &ldquo;there is no time for
+ nonsense. My friend has his boat down the river fishing. Your son&rsquo;s boat
+ is guarded by your son&rsquo;s men. There is only this one canoe; what is Mr.
+ Paul doing with it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Santa Maria! I do not know,&rdquo; she said; and swooned all her length on the
+ matted floor.
+ </p>
+ <p>
+ Father Brown lifted her to a sofa, flung a pot of water over her, shouted
+ for help, and then rushed down to the landing-stage of the little island.
+ But the canoe was already in mid-stream, and old Paul was pulling and
+ pushing it up the river with an energy incredible at his years.
+ </p>
+ <p>
+ &ldquo;I will save my master,&rdquo; he cried, his eyes blazing maniacally. &ldquo;I will
+ save him yet!&rdquo;
+ </p>
+ <p>
+ Father Brown could do nothing but gaze after the boat as it struggled
+ up-stream and pray that the old man might waken the little town in time.
+ </p>
+ <p>
+ &ldquo;A duel is bad enough,&rdquo; he muttered, rubbing up his rough dust-coloured
+ hair, &ldquo;but there&rsquo;s something wrong about this duel, even as a duel. I feel
+ it in my bones. But what can it be?&rdquo;
+ </p>
+ <p>
+ As he stood staring at the water, a wavering mirror of sunset, he heard
+ from the other end of the island garden a small but unmistakable sound&mdash;the
+ cold concussion of steel. He turned his head.
+ </p>
+ <p>
+ Away on the farthest cape or headland of the long islet, on a strip of
+ turf beyond the last rank of roses, the duellists had already crossed
+ swords. Evening above them was a dome of virgin gold, and, distant as they
+ were, every detail was picked out. They had cast off their coats, but the
+ yellow waistcoat and white hair of Saradine, the red waistcoat and white
+ trousers of Antonelli, glittered in the level light like the colours of
+ the dancing clockwork dolls. The two swords sparkled from point to pommel
+ like two diamond pins. There was something frightful in the two figures
+ appearing so little and so gay. They looked like two butterflies trying to
+ pin each other to a cork.
+ </p>
+ <p>
+ Father Brown ran as hard as he could, his little legs going like a wheel.
+ But when he came to the field of combat he found he was born too late and
+ too early&mdash;too late to stop the strife, under the shadow of the grim
+ Sicilians leaning on their oars, and too early to anticipate any
+ disastrous issue of it. For the two men were singularly well matched, the
+ prince using his skill with a sort of cynical confidence, the Sicilian
+ using his with a murderous care. Few finer fencing matches can ever have
+ been seen in crowded amphitheatres than that which tinkled and sparkled on
+ that forgotten island in the reedy river. The dizzy fight was balanced so
+ long that hope began to revive in the protesting priest; by all common
+ probability Paul must soon come back with the police. It would be some
+ comfort even if Flambeau came back from his fishing, for Flambeau,
+ physically speaking, was worth four other men. But there was no sign of
+ Flambeau, and, what was much queerer, no sign of Paul or the police. No
+ other raft or stick was left to float on; in that lost island in that vast
+ nameless pool, they were cut off as on a rock in the Pacific.
+ </p>
+ <p>
+ Almost as he had the thought the ringing of the rapiers quickened to a
+ rattle, the prince&rsquo;s arms flew up, and the point shot out behind between
+ his shoulder-blades. He went over with a great whirling movement, almost
+ like one throwing the half of a boy&rsquo;s cart-wheel. The sword flew from his
+ hand like a shooting star, and dived into the distant river. And he
+ himself sank with so earth-shaking a subsidence that he broke a big
+ rose-tree with his body and shook up into the sky a cloud of red earth&mdash;like
+ the smoke of some heathen sacrifice. The Sicilian had made blood-offering
+ to the ghost of his father.
+ </p>
+ <p>
+ The priest was instantly on his knees by the corpse; but only to make too
+ sure that it was a corpse. As he was still trying some last hopeless tests
+ he heard for the first time voices from farther up the river, and saw a
+ police boat shoot up to the landing-stage, with constables and other
+ important people, including the excited Paul. The little priest rose with
+ a distinctly dubious grimace.
+ </p>
+ <p>
+ &ldquo;Now, why on earth,&rdquo; he muttered, &ldquo;why on earth couldn&rsquo;t he have come
+ before?&rdquo;
+ </p>
+ <p>
+ Some seven minutes later the island was occupied by an invasion of
+ townsfolk and police, and the latter had put their hands on the victorious
+ duellist, ritually reminding him that anything he said might be used
+ against him.
+ </p>
+ <p>
+ &ldquo;I shall not say anything,&rdquo; said the monomaniac, with a wonderful and
+ peaceful face. &ldquo;I shall never say anything more. I am very happy, and I
+ only want to be hanged.&rdquo;
+ </p>
+ <p>
+ Then he shut his mouth as they led him away, and it is the strange but
+ certain truth that he never opened it again in this world, except to say
+ &ldquo;Guilty&rdquo; at his trial.
+ </p>
+ <p>
+ Father Brown had stared at the suddenly crowded garden, the arrest of the
+ man of blood, the carrying away of the corpse after its examination by the
+ doctor, rather as one watches the break-up of some ugly dream; he was
+ motionless, like a man in a nightmare. He gave his name and address as a
+ witness, but declined their offer of a boat to the shore, and remained
+ alone in the island garden, gazing at the broken rose bush and the whole
+ green theatre of that swift and inexplicable tragedy. The light died along
+ the river; mist rose in the marshy banks; a few belated birds flitted
+ fitfully across.
+ </p>
+ <p>
+ Stuck stubbornly in his sub-consciousness (which was an unusually lively
+ one) was an unspeakable certainty that there was something still
+ unexplained. This sense that had clung to him all day could not be fully
+ explained by his fancy about &ldquo;looking-glass land.&rdquo; Somehow he had not seen
+ the real story, but some game or masque. And yet people do not get hanged
+ or run through the body for the sake of a charade.
+ </p>
+ <p>
+ As he sat on the steps of the landing-stage ruminating he grew conscious
+ of the tall, dark streak of a sail coming silently down the shining river,
+ and sprang to his feet with such a backrush of feeling that he almost
+ wept.
+ </p>
+ <p>
+ &ldquo;Flambeau!&rdquo; he cried, and shook his friend by both hands again and again,
+ much to the astonishment of that sportsman, as he came on shore with his
+ fishing tackle. &ldquo;Flambeau,&rdquo; he said, &ldquo;so you&rsquo;re not killed?&rdquo;
+ </p>
+ <p>
+ &ldquo;Killed!&rdquo; repeated the angler in great astonishment. &ldquo;And why should I be
+ killed?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, because nearly everybody else is,&rdquo; said his companion rather wildly.
+ &ldquo;Saradine got murdered, and Antonelli wants to be hanged, and his mother&rsquo;s
+ fainted, and I, for one, don&rsquo;t know whether I&rsquo;m in this world or the next.
+ But, thank God, you&rsquo;re in the same one.&rdquo; And he took the bewildered
+ Flambeau&rsquo;s arm.
+ </p>
+ <p>
+ As they turned from the landing-stage they came under the eaves of the low
+ bamboo house, and looked in through one of the windows, as they had done
+ on their first arrival. They beheld a lamp-lit interior well calculated to
+ arrest their eyes. The table in the long dining-room had been laid for
+ dinner when Saradine&rsquo;s destroyer had fallen like a stormbolt on the
+ island. And the dinner was now in placid progress, for Mrs. Anthony sat
+ somewhat sullenly at the foot of the table, while at the head of it was
+ Mr. Paul, the major domo, eating and drinking of the best, his bleared,
+ bluish eyes standing queerly out of his face, his gaunt countenance
+ inscrutable, but by no means devoid of satisfaction.
+ </p>
+ <p>
+ With a gesture of powerful impatience, Flambeau rattled at the window,
+ wrenched it open, and put an indignant head into the lamp-lit room.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he cried. &ldquo;I can understand you may need some refreshment, but
+ really to steal your master&rsquo;s dinner while he lies murdered in the garden&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I have stolen a great many things in a long and pleasant life,&rdquo; replied
+ the strange old gentleman placidly; &ldquo;this dinner is one of the few things
+ I have not stolen. This dinner and this house and garden happen to belong
+ to me.&rdquo;
+ </p>
+ <p>
+ A thought flashed across Flambeau&rsquo;s face. &ldquo;You mean to say,&rdquo; he began,
+ &ldquo;that the will of Prince Saradine&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I am Prince Saradine,&rdquo; said the old man, munching a salted almond.
+ </p>
+ <p>
+ Father Brown, who was looking at the birds outside, jumped as if he were
+ shot, and put in at the window a pale face like a turnip.
+ </p>
+ <p>
+ &ldquo;You are what?&rdquo; he repeated in a shrill voice.
+ </p>
+ <p>
+ &ldquo;Paul, Prince Saradine, A vos ordres,&rdquo; said the venerable person politely,
+ lifting a glass of sherry. &ldquo;I live here very quietly, being a domestic
+ kind of fellow; and for the sake of modesty I am called Mr. Paul, to
+ distinguish me from my unfortunate brother Mr. Stephen. He died, I hear,
+ recently&mdash;in the garden. Of course, it is not my fault if enemies
+ pursue him to this place. It is owing to the regrettable irregularity of
+ his life. He was not a domestic character.&rdquo;
+ </p>
+ <p>
+ He relapsed into silence, and continued to gaze at the opposite wall just
+ above the bowed and sombre head of the woman. They saw plainly the family
+ likeness that had haunted them in the dead man. Then his old shoulders
+ began to heave and shake a little, as if he were choking, but his face did
+ not alter.
+ </p>
+ <p>
+ &ldquo;My God!&rdquo; cried Flambeau after a pause, &ldquo;he&rsquo;s laughing!&rdquo;
+ </p>
+ <p>
+ &ldquo;Come away,&rdquo; said Father Brown, who was quite white. &ldquo;Come away from this
+ house of hell. Let us get into an honest boat again.&rdquo;
+ </p>
+ <p>
+ Night had sunk on rushes and river by the time they had pushed off from
+ the island, and they went down-stream in the dark, warming themselves with
+ two big cigars that glowed like crimson ships&rsquo; lanterns. Father Brown took
+ his cigar out of his mouth and said:
+ </p>
+ <p>
+ &ldquo;I suppose you can guess the whole story now? After all, it&rsquo;s a primitive
+ story. A man had two enemies. He was a wise man. And so he discovered that
+ two enemies are better than one.&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not follow that,&rdquo; answered Flambeau.
+ </p>
+ <p>
+ &ldquo;Oh, it&rsquo;s really simple,&rdquo; rejoined his friend. &ldquo;Simple, though anything
+ but innocent. Both the Saradines were scamps, but the prince, the elder,
+ was the sort of scamp that gets to the top, and the younger, the captain,
+ was the sort that sinks to the bottom. This squalid officer fell from
+ beggar to blackmailer, and one ugly day he got his hold upon his brother,
+ the prince. Obviously it was for no light matter, for Prince Paul Saradine
+ was frankly &lsquo;fast,&rsquo; and had no reputation to lose as to the mere sins of
+ society. In plain fact, it was a hanging matter, and Stephen literally had
+ a rope round his brother&rsquo;s neck. He had somehow discovered the truth about
+ the Sicilian affair, and could prove that Paul murdered old Antonelli in
+ the mountains. The captain raked in the hush money heavily for ten years,
+ until even the prince&rsquo;s splendid fortune began to look a little foolish.
+ </p>
+ <p>
+ &ldquo;But Prince Saradine bore another burden besides his blood-sucking
+ brother. He knew that the son of Antonelli, a mere child at the time of
+ the murder, had been trained in savage Sicilian loyalty, and lived only to
+ avenge his father, not with the gibbet (for he lacked Stephen&rsquo;s legal
+ proof), but with the old weapons of vendetta. The boy had practised arms
+ with a deadly perfection, and about the time that he was old enough to use
+ them Prince Saradine began, as the society papers said, to travel. The
+ fact is that he began to flee for his life, passing from place to place
+ like a hunted criminal; but with one relentless man upon his trail. That
+ was Prince Paul&rsquo;s position, and by no means a pretty one. The more money
+ he spent on eluding Antonelli the less he had to silence Stephen. The more
+ he gave to silence Stephen the less chance there was of finally escaping
+ Antonelli. Then it was that he showed himself a great man&mdash;a genius
+ like Napoleon.
+ </p>
+ <p>
+ &ldquo;Instead of resisting his two antagonists, he surrendered suddenly to both
+ of them. He gave way like a Japanese wrestler, and his foes fell prostrate
+ before him. He gave up the race round the world, and he gave up his
+ address to young Antonelli; then he gave up everything to his brother. He
+ sent Stephen money enough for smart clothes and easy travel, with a letter
+ saying roughly: &lsquo;This is all I have left. You have cleaned me out. I still
+ have a little house in Norfolk, with servants and a cellar, and if you
+ want more from me you must take that. Come and take possession if you
+ like, and I will live there quietly as your friend or agent or anything.&rsquo;
+ He knew that the Sicilian had never seen the Saradine brothers save,
+ perhaps, in pictures; he knew they were somewhat alike, both having grey,
+ pointed beards. Then he shaved his own face and waited. The trap worked.
+ The unhappy captain, in his new clothes, entered the house in triumph as a
+ prince, and walked upon the Sicilian&rsquo;s sword.
+ </p>
+ <p>
+ &ldquo;There was one hitch, and it is to the honour of human nature. Evil
+ spirits like Saradine often blunder by never expecting the virtues of
+ mankind. He took it for granted that the Italian&rsquo;s blow, when it came,
+ would be dark, violent and nameless, like the blow it avenged; that the
+ victim would be knifed at night, or shot from behind a hedge, and so die
+ without speech. It was a bad minute for Prince Paul when Antonelli&rsquo;s
+ chivalry proposed a formal duel, with all its possible explanations. It
+ was then that I found him putting off in his boat with wild eyes. He was
+ fleeing, bareheaded, in an open boat before Antonelli should learn who he
+ was.
+ </p>
+ <p>
+ &ldquo;But, however agitated, he was not hopeless. He knew the adventurer and he
+ knew the fanatic. It was quite probable that Stephen, the adventurer,
+ would hold his tongue, through his mere histrionic pleasure in playing a
+ part, his lust for clinging to his new cosy quarters, his rascal&rsquo;s trust
+ in luck, and his fine fencing. It was certain that Antonelli, the fanatic,
+ would hold his tongue, and be hanged without telling tales of his family.
+ Paul hung about on the river till he knew the fight was over. Then he
+ roused the town, brought the police, saw his two vanquished enemies taken
+ away forever, and sat down smiling to his dinner.&rdquo;
+ </p>
+ <p>
+ &ldquo;Laughing, God help us!&rdquo; said Flambeau with a strong shudder. &ldquo;Do they get
+ such ideas from Satan?&rdquo;
+ </p>
+ <p>
+ &ldquo;He got that idea from you,&rdquo; answered the priest.
+ </p>
+ <p>
+ &ldquo;God forbid!&rdquo; ejaculated Flambeau. &ldquo;From me! What do you mean!&rdquo;
+ </p>
+ <p>
+ The priest pulled a visiting-card from his pocket and held it up in the
+ faint glow of his cigar; it was scrawled with green ink.
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you remember his original invitation to you?&rdquo; he asked, &ldquo;and the
+ compliment to your criminal exploit? &lsquo;That trick of yours,&rsquo; he says, &lsquo;of
+ getting one detective to arrest the other&rsquo;? He has just copied your trick.
+ With an enemy on each side of him, he slipped swiftly out of the way and
+ let them collide and kill each other.&rdquo;
+ </p>
+ <p>
+ Flambeau tore Prince Saradine&rsquo;s card from the priest&rsquo;s hands and rent it
+ savagely in small pieces.
+ </p>
+ <p>
+ &ldquo;There&rsquo;s the last of that old skull and crossbones,&rdquo; he said as he
+ scattered the pieces upon the dark and disappearing waves of the stream;
+ &ldquo;but I should think it would poison the fishes.&rdquo;
+ </p>
+ <p>
+ The last gleam of white card and green ink was drowned and darkened; a
+ faint and vibrant colour as of morning changed the sky, and the moon
+ behind the grasses grew paler. They drifted in silence.
+ </p>
+ <p>
+ &ldquo;Father,&rdquo; said Flambeau suddenly, &ldquo;do you think it was all a dream?&rdquo;
+ </p>
+ <p>
+ The priest shook his head, whether in dissent or agnosticism, but remained
+ mute. A smell of hawthorn and of orchards came to them through the
+ darkness, telling them that a wind was awake; the next moment it swayed
+ their little boat and swelled their sail, and carried them onward down the
+ winding river to happier places and the homes of harmless men.
+ </p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+ <h2><a name="chap09"></a>
+ The Hammer of God
+ </h2>
+ <p>
+ The little village of Bohun Beacon was perched on a hill so steep that the
+ tall spire of its church seemed only like the peak of a small mountain. At
+ the foot of the church stood a smithy, generally red with fires and always
+ littered with hammers and scraps of iron; opposite to this, over a rude
+ cross of cobbled paths, was &ldquo;The Blue Boar,&rdquo; the only inn of the place. It
+ was upon this crossway, in the lifting of a leaden and silver daybreak,
+ that two brothers met in the street and spoke; though one was beginning
+ the day and the other finishing it. The Rev. and Hon. Wilfred Bohun was
+ very devout, and was making his way to some austere exercises of prayer or
+ contemplation at dawn. Colonel the Hon. Norman Bohun, his elder brother,
+ was by no means devout, and was sitting in evening dress on the bench
+ outside &ldquo;The Blue Boar,&rdquo; drinking what the philosophic observer was free
+ to regard either as his last glass on Tuesday or his first on Wednesday.
+ The colonel was not particular.
+ </p>
+ <p>
+ The Bohuns were one of the very few aristocratic families really dating
+ from the Middle Ages, and their pennon had actually seen Palestine. But it
+ is a great mistake to suppose that such houses stand high in chivalric
+ tradition. Few except the poor preserve traditions. Aristocrats live not
+ in traditions but in fashions. The Bohuns had been Mohocks under Queen
+ Anne and Mashers under Queen Victoria. But like more than one of the
+ really ancient houses, they had rotted in the last two centuries into mere
+ drunkards and dandy degenerates, till there had even come a whisper of
+ insanity. Certainly there was something hardly human about the colonel&rsquo;s
+ wolfish pursuit of pleasure, and his chronic resolution not to go home
+ till morning had a touch of the hideous clarity of insomnia. He was a
+ tall, fine animal, elderly, but with hair still startlingly yellow. He
+ would have looked merely blonde and leonine, but his blue eyes were sunk
+ so deep in his face that they looked black. They were a little too close
+ together. He had very long yellow moustaches; on each side of them a fold
+ or furrow from nostril to jaw, so that a sneer seemed cut into his face.
+ Over his evening clothes he wore a curious pale yellow coat that looked
+ more like a very light dressing gown than an overcoat, and on the back of
+ his head was stuck an extraordinary broad-brimmed hat of a bright green
+ colour, evidently some oriental curiosity caught up at random. He was
+ proud of appearing in such incongruous attires&mdash;proud of the fact
+ that he always made them look congruous.
+ </p>
+ <p>
+ His brother the curate had also the yellow hair and the elegance, but he
+ was buttoned up to the chin in black, and his face was clean-shaven,
+ cultivated, and a little nervous. He seemed to live for nothing but his
+ religion; but there were some who said (notably the blacksmith, who was a
+ Presbyterian) that it was a love of Gothic architecture rather than of
+ God, and that his haunting of the church like a ghost was only another and
+ purer turn of the almost morbid thirst for beauty which sent his brother
+ raging after women and wine. This charge was doubtful, while the man&rsquo;s
+ practical piety was indubitable. Indeed, the charge was mostly an ignorant
+ misunderstanding of the love of solitude and secret prayer, and was
+ founded on his being often found kneeling, not before the altar, but in
+ peculiar places, in the crypts or gallery, or even in the belfry. He was
+ at the moment about to enter the church through the yard of the smithy,
+ but stopped and frowned a little as he saw his brother&rsquo;s cavernous eyes
+ staring in the same direction. On the hypothesis that the colonel was
+ interested in the church he did not waste any speculations. There only
+ remained the blacksmith&rsquo;s shop, and though the blacksmith was a Puritan
+ and none of his people, Wilfred Bohun had heard some scandals about a
+ beautiful and rather celebrated wife. He flung a suspicious look across
+ the shed, and the colonel stood up laughing to speak to him.
+ </p>
+ <p>
+ &ldquo;Good morning, Wilfred,&rdquo; he said. &ldquo;Like a good landlord I am watching
+ sleeplessly over my people. I am going to call on the blacksmith.&rdquo;
+ </p>
+ <p>
+ Wilfred looked at the ground, and said: &ldquo;The blacksmith is out. He is over
+ at Greenford.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know,&rdquo; answered the other with silent laughter; &ldquo;that is why I am
+ calling on him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Norman,&rdquo; said the cleric, with his eye on a pebble in the road, &ldquo;are you
+ ever afraid of thunderbolts?&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked the colonel. &ldquo;Is your hobby meteorology?&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean,&rdquo; said Wilfred, without looking up, &ldquo;do you ever think that God
+ might strike you in the street?&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg your pardon,&rdquo; said the colonel; &ldquo;I see your hobby is folk-lore.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know your hobby is blasphemy,&rdquo; retorted the religious man, stung in the
+ one live place of his nature. &ldquo;But if you do not fear God, you have good
+ reason to fear man.&rdquo;
+ </p>
+ <p>
+ The elder raised his eyebrows politely. &ldquo;Fear man?&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Barnes the blacksmith is the biggest and strongest man for forty miles
+ round,&rdquo; said the clergyman sternly. &ldquo;I know you are no coward or weakling,
+ but he could throw you over the wall.&rdquo;
+ </p>
+ <p>
+ This struck home, being true, and the lowering line by mouth and nostril
+ darkened and deepened. For a moment he stood with the heavy sneer on his
+ face. But in an instant Colonel Bohun had recovered his own cruel good
+ humour and laughed, showing two dog-like front teeth under his yellow
+ moustache. &ldquo;In that case, my dear Wilfred,&rdquo; he said quite carelessly, &ldquo;it
+ was wise for the last of the Bohuns to come out partially in armour.&rdquo;
+ </p>
+ <p>
+ And he took off the queer round hat covered with green, showing that it
+ was lined within with steel. Wilfred recognised it indeed as a light
+ Japanese or Chinese helmet torn down from a trophy that hung in the old
+ family hall.
+ </p>
+ <p>
+ &ldquo;It was the first hat to hand,&rdquo; explained his brother airily; &ldquo;always the
+ nearest hat&mdash;and the nearest woman.&rdquo;
+ </p>
+ <p>
+ &ldquo;The blacksmith is away at Greenford,&rdquo; said Wilfred quietly; &ldquo;the time of
+ his return is unsettled.&rdquo;
+ </p>
+ <p>
+ And with that he turned and went into the church with bowed head, crossing
+ himself like one who wishes to be quit of an unclean spirit. He was
+ anxious to forget such grossness in the cool twilight of his tall Gothic
+ cloisters; but on that morning it was fated that his still round of
+ religious exercises should be everywhere arrested by small shocks. As he
+ entered the church, hitherto always empty at that hour, a kneeling figure
+ rose hastily to its feet and came towards the full daylight of the
+ doorway. When the curate saw it he stood still with surprise. For the
+ early worshipper was none other than the village idiot, a nephew of the
+ blacksmith, one who neither would nor could care for the church or for
+ anything else. He was always called &ldquo;Mad Joe,&rdquo; and seemed to have no other
+ name; he was a dark, strong, slouching lad, with a heavy white face, dark
+ straight hair, and a mouth always open. As he passed the priest, his
+ moon-calf countenance gave no hint of what he had been doing or thinking
+ of. He had never been known to pray before. What sort of prayers was he
+ saying now? Extraordinary prayers surely.
+ </p>
+ <p>
+ Wilfred Bohun stood rooted to the spot long enough to see the idiot go out
+ into the sunshine, and even to see his dissolute brother hail him with a
+ sort of avuncular jocularity. The last thing he saw was the colonel
+ throwing pennies at the open mouth of Joe, with the serious appearance of
+ trying to hit it.
+ </p>
+ <p>
+ This ugly sunlit picture of the stupidity and cruelty of the earth sent
+ the ascetic finally to his prayers for purification and new thoughts. He
+ went up to a pew in the gallery, which brought him under a coloured window
+ which he loved and always quieted his spirit; a blue window with an angel
+ carrying lilies. There he began to think less about the half-wit, with his
+ livid face and mouth like a fish. He began to think less of his evil
+ brother, pacing like a lean lion in his horrible hunger. He sank deeper
+ and deeper into those cold and sweet colours of silver blossoms and
+ sapphire sky.
+ </p>
+ <p>
+ In this place half an hour afterwards he was found by Gibbs, the village
+ cobbler, who had been sent for him in some haste. He got to his feet with
+ promptitude, for he knew that no small matter would have brought Gibbs
+ into such a place at all. The cobbler was, as in many villages, an
+ atheist, and his appearance in church was a shade more extraordinary than
+ Mad Joe&rsquo;s. It was a morning of theological enigmas.
+ </p>
+ <p>
+ &ldquo;What is it?&rdquo; asked Wilfred Bohun rather stiffly, but putting out a
+ trembling hand for his hat.
+ </p>
+ <p>
+ The atheist spoke in a tone that, coming from him, was quite startlingly
+ respectful, and even, as it were, huskily sympathetic.
+ </p>
+ <p>
+ &ldquo;You must excuse me, sir,&rdquo; he said in a hoarse whisper, &ldquo;but we didn&rsquo;t
+ think it right not to let you know at once. I&rsquo;m afraid a rather dreadful
+ thing has happened, sir. I&rsquo;m afraid your brother&mdash;&rdquo;
+ </p>
+ <p>
+ Wilfred clenched his frail hands. &ldquo;What devilry has he done now?&rdquo; he cried
+ in voluntary passion.
+ </p>
+ <p>
+ &ldquo;Why, sir,&rdquo; said the cobbler, coughing, &ldquo;I&rsquo;m afraid he&rsquo;s done nothing, and
+ won&rsquo;t do anything. I&rsquo;m afraid he&rsquo;s done for. You had really better come
+ down, sir.&rdquo;
+ </p>
+ <p>
+ The curate followed the cobbler down a short winding stair which brought
+ them out at an entrance rather higher than the street. Bohun saw the
+ tragedy in one glance, flat underneath him like a plan. In the yard of the
+ smithy were standing five or six men mostly in black, one in an
+ inspector&rsquo;s uniform. They included the doctor, the Presbyterian minister,
+ and the priest from the Roman Catholic chapel, to which the blacksmith&rsquo;s
+ wife belonged. The latter was speaking to her, indeed, very rapidly, in an
+ undertone, as she, a magnificent woman with red-gold hair, was sobbing
+ blindly on a bench. Between these two groups, and just clear of the main
+ heap of hammers, lay a man in evening dress, spread-eagled and flat on his
+ face. From the height above Wilfred could have sworn to every item of his
+ costume and appearance, down to the Bohun rings upon his fingers; but the
+ skull was only a hideous splash, like a star of blackness and blood.
+ </p>
+ <p>
+ Wilfred Bohun gave but one glance, and ran down the steps into the yard.
+ The doctor, who was the family physician, saluted him, but he scarcely
+ took any notice. He could only stammer out: &ldquo;My brother is dead. What does
+ it mean? What is this horrible mystery?&rdquo; There was an unhappy silence; and
+ then the cobbler, the most outspoken man present, answered: &ldquo;Plenty of
+ horror, sir,&rdquo; he said; &ldquo;but not much mystery.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked Wilfred, with a white face.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s plain enough,&rdquo; answered Gibbs. &ldquo;There is only one man for forty
+ miles round that could have struck such a blow as that, and he&rsquo;s the man
+ that had most reason to.&rdquo;
+ </p>
+ <p>
+ &ldquo;We must not prejudge anything,&rdquo; put in the doctor, a tall, black-bearded
+ man, rather nervously; &ldquo;but it is competent for me to corroborate what Mr.
+ Gibbs says about the nature of the blow, sir; it is an incredible blow.
+ Mr. Gibbs says that only one man in this district could have done it. I
+ should have said myself that nobody could have done it.&rdquo;
+ </p>
+ <p>
+ A shudder of superstition went through the slight figure of the curate. &ldquo;I
+ can hardly understand,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Mr. Bohun,&rdquo; said the doctor in a low voice, &ldquo;metaphors literally fail me.
+ It is inadequate to say that the skull was smashed to bits like an
+ eggshell. Fragments of bone were driven into the body and the ground like
+ bullets into a mud wall. It was the hand of a giant.&rdquo;
+ </p>
+ <p>
+ He was silent a moment, looking grimly through his glasses; then he added:
+ &ldquo;The thing has one advantage&mdash;that it clears most people of suspicion
+ at one stroke. If you or I or any normally made man in the country were
+ accused of this crime, we should be acquitted as an infant would be
+ acquitted of stealing the Nelson column.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s what I say,&rdquo; repeated the cobbler obstinately; &ldquo;there&rsquo;s only one
+ man that could have done it, and he&rsquo;s the man that would have done it.
+ Where&rsquo;s Simeon Barnes, the blacksmith?&rdquo;
+ </p>
+ <p>
+ &ldquo;He&rsquo;s over at Greenford,&rdquo; faltered the curate.
+ </p>
+ <p>
+ &ldquo;More likely over in France,&rdquo; muttered the cobbler.
+ </p>
+ <p>
+ &ldquo;No; he is in neither of those places,&rdquo; said a small and colourless voice,
+ which came from the little Roman priest who had joined the group. &ldquo;As a
+ matter of fact, he is coming up the road at this moment.&rdquo;
+ </p>
+ <p>
+ The little priest was not an interesting man to look at, having stubbly
+ brown hair and a round and stolid face. But if he had been as splendid as
+ Apollo no one would have looked at him at that moment. Everyone turned
+ round and peered at the pathway which wound across the plain below, along
+ which was indeed walking, at his own huge stride and with a hammer on his
+ shoulder, Simeon the smith. He was a bony and gigantic man, with deep,
+ dark, sinister eyes and a dark chin beard. He was walking and talking
+ quietly with two other men; and though he was never specially cheerful, he
+ seemed quite at his ease.
+ </p>
+ <p>
+ &ldquo;My God!&rdquo; cried the atheistic cobbler, &ldquo;and there&rsquo;s the hammer he did it
+ with.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said the inspector, a sensible-looking man with a sandy moustache,
+ speaking for the first time. &ldquo;There&rsquo;s the hammer he did it with over there
+ by the church wall. We have left it and the body exactly as they are.&rdquo;
+ </p>
+ <p>
+ All glanced round and the short priest went across and looked down in
+ silence at the tool where it lay. It was one of the smallest and the
+ lightest of the hammers, and would not have caught the eye among the rest;
+ but on the iron edge of it were blood and yellow hair.
+ </p>
+ <p>
+ After a silence the short priest spoke without looking up, and there was a
+ new note in his dull voice. &ldquo;Mr. Gibbs was hardly right,&rdquo; he said, &ldquo;in
+ saying that there is no mystery. There is at least the mystery of why so
+ big a man should attempt so big a blow with so little a hammer.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, never mind that,&rdquo; cried Gibbs, in a fever. &ldquo;What are we to do with
+ Simeon Barnes?&rdquo;
+ </p>
+ <p>
+ &ldquo;Leave him alone,&rdquo; said the priest quietly. &ldquo;He is coming here of himself.
+ I know those two men with him. They are very good fellows from Greenford,
+ and they have come over about the Presbyterian chapel.&rdquo;
+ </p>
+ <p>
+ Even as he spoke the tall smith swung round the corner of the church, and
+ strode into his own yard. Then he stood there quite still, and the hammer
+ fell from his hand. The inspector, who had preserved impenetrable
+ propriety, immediately went up to him.
+ </p>
+ <p>
+ &ldquo;I won&rsquo;t ask you, Mr. Barnes,&rdquo; he said, &ldquo;whether you know anything about
+ what has happened here. You are not bound to say. I hope you don&rsquo;t know,
+ and that you will be able to prove it. But I must go through the form of
+ arresting you in the King&rsquo;s name for the murder of Colonel Norman Bohun.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are not bound to say anything,&rdquo; said the cobbler in officious
+ excitement. &ldquo;They&rsquo;ve got to prove everything. They haven&rsquo;t proved yet that
+ it is Colonel Bohun, with the head all smashed up like that.&rdquo;
+ </p>
+ <p>
+ &ldquo;That won&rsquo;t wash,&rdquo; said the doctor aside to the priest. &ldquo;That&rsquo;s out of the
+ detective stories. I was the colonel&rsquo;s medical man, and I knew his body
+ better than he did. He had very fine hands, but quite peculiar ones. The
+ second and third fingers were the same length. Oh, that&rsquo;s the colonel
+ right enough.&rdquo;
+ </p>
+ <p>
+ As he glanced at the brained corpse upon the ground the iron eyes of the
+ motionless blacksmith followed them and rested there also.
+ </p>
+ <p>
+ &ldquo;Is Colonel Bohun dead?&rdquo; said the smith quite calmly. &ldquo;Then he&rsquo;s damned.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t say anything! Oh, don&rsquo;t say anything,&rdquo; cried the atheist cobbler,
+ dancing about in an ecstasy of admiration of the English legal system. For
+ no man is such a legalist as the good Secularist.
+ </p>
+ <p>
+ The blacksmith turned on him over his shoulder the august face of a
+ fanatic.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s well for you infidels to dodge like foxes because the world&rsquo;s law
+ favours you,&rdquo; he said; &ldquo;but God guards His own in His pocket, as you shall
+ see this day.&rdquo;
+ </p>
+ <p>
+ Then he pointed to the colonel and said: &ldquo;When did this dog die in his
+ sins?&rdquo;
+ </p>
+ <p>
+ &ldquo;Moderate your language,&rdquo; said the doctor.
+ </p>
+ <p>
+ &ldquo;Moderate the Bible&rsquo;s language, and I&rsquo;ll moderate mine. When did he die?&rdquo;
+ </p>
+ <p>
+ &ldquo;I saw him alive at six o&rsquo;clock this morning,&rdquo; stammered Wilfred Bohun.
+ </p>
+ <p>
+ &ldquo;God is good,&rdquo; said the smith. &ldquo;Mr. Inspector, I have not the slightest
+ objection to being arrested. It is you who may object to arresting me. I
+ don&rsquo;t mind leaving the court without a stain on my character. You do mind
+ perhaps leaving the court with a bad set-back in your career.&rdquo;
+ </p>
+ <p>
+ The solid inspector for the first time looked at the blacksmith with a
+ lively eye; as did everybody else, except the short, strange priest, who
+ was still looking down at the little hammer that had dealt the dreadful
+ blow.
+ </p>
+ <p>
+ &ldquo;There are two men standing outside this shop,&rdquo; went on the blacksmith
+ with ponderous lucidity, &ldquo;good tradesmen in Greenford whom you all know,
+ who will swear that they saw me from before midnight till daybreak and
+ long after in the committee room of our Revival Mission, which sits all
+ night, we save souls so fast. In Greenford itself twenty people could
+ swear to me for all that time. If I were a heathen, Mr. Inspector, I would
+ let you walk on to your downfall. But as a Christian man I feel bound to
+ give you your chance, and ask you whether you will hear my alibi now or in
+ court.&rdquo;
+ </p>
+ <p>
+ The inspector seemed for the first time disturbed, and said, &ldquo;Of course I
+ should be glad to clear you altogether now.&rdquo;
+ </p>
+ <p>
+ The smith walked out of his yard with the same long and easy stride, and
+ returned to his two friends from Greenford, who were indeed friends of
+ nearly everyone present. Each of them said a few words which no one ever
+ thought of disbelieving. When they had spoken, the innocence of Simeon
+ stood up as solid as the great church above them.
+ </p>
+ <p>
+ One of those silences struck the group which are more strange and
+ insufferable than any speech. Madly, in order to make conversation, the
+ curate said to the Catholic priest:
+ </p>
+ <p>
+ &ldquo;You seem very much interested in that hammer, Father Brown.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I am,&rdquo; said Father Brown; &ldquo;why is it such a small hammer?&rdquo;
+ </p>
+ <p>
+ The doctor swung round on him.
+ </p>
+ <p>
+ &ldquo;By George, that&rsquo;s true,&rdquo; he cried; &ldquo;who would use a little hammer with
+ ten larger hammers lying about?&rdquo;
+ </p>
+ <p>
+ Then he lowered his voice in the curate&rsquo;s ear and said: &ldquo;Only the kind of
+ person that can&rsquo;t lift a large hammer. It is not a question of force or
+ courage between the sexes. It&rsquo;s a question of lifting power in the
+ shoulders. A bold woman could commit ten murders with a light hammer and
+ never turn a hair. She could not kill a beetle with a heavy one.&rdquo;
+ </p>
+ <p>
+ Wilfred Bohun was staring at him with a sort of hypnotised horror, while
+ Father Brown listened with his head a little on one side, really
+ interested and attentive. The doctor went on with more hissing emphasis:
+ </p>
+ <p>
+ &ldquo;Why do these idiots always assume that the only person who hates the
+ wife&rsquo;s lover is the wife&rsquo;s husband? Nine times out of ten the person who
+ most hates the wife&rsquo;s lover is the wife. Who knows what insolence or
+ treachery he had shown her&mdash;look there!&rdquo;
+ </p>
+ <p>
+ He made a momentary gesture towards the red-haired woman on the bench. She
+ had lifted her head at last and the tears were drying on her splendid
+ face. But the eyes were fixed on the corpse with an electric glare that
+ had in it something of idiocy.
+ </p>
+ <p>
+ The Rev. Wilfred Bohun made a limp gesture as if waving away all desire to
+ know; but Father Brown, dusting off his sleeve some ashes blown from the
+ furnace, spoke in his indifferent way.
+ </p>
+ <p>
+ &ldquo;You are like so many doctors,&rdquo; he said; &ldquo;your mental science is really
+ suggestive. It is your physical science that is utterly impossible. I
+ agree that the woman wants to kill the co-respondent much more than the
+ petitioner does. And I agree that a woman will always pick up a small
+ hammer instead of a big one. But the difficulty is one of physical
+ impossibility. No woman ever born could have smashed a man&rsquo;s skull out
+ flat like that.&rdquo; Then he added reflectively, after a pause: &ldquo;These people
+ haven&rsquo;t grasped the whole of it. The man was actually wearing an iron
+ helmet, and the blow scattered it like broken glass. Look at that woman.
+ Look at her arms.&rdquo;
+ </p>
+ <p>
+ Silence held them all up again, and then the doctor said rather sulkily:
+ &ldquo;Well, I may be wrong; there are objections to everything. But I stick to
+ the main point. No man but an idiot would pick up that little hammer if he
+ could use a big hammer.&rdquo;
+ </p>
+ <p>
+ With that the lean and quivering hands of Wilfred Bohun went up to his
+ head and seemed to clutch his scanty yellow hair. After an instant they
+ dropped, and he cried: &ldquo;That was the word I wanted; you have said the
+ word.&rdquo;
+ </p>
+ <p>
+ Then he continued, mastering his discomposure: &ldquo;The words you said were,
+ &lsquo;No man but an idiot would pick up the small hammer.&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said the doctor. &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the curate, &ldquo;no man but an idiot did.&rdquo; The rest stared at him
+ with eyes arrested and riveted, and he went on in a febrile and feminine
+ agitation.
+ </p>
+ <p>
+ &ldquo;I am a priest,&rdquo; he cried unsteadily, &ldquo;and a priest should be no shedder
+ of blood. I&mdash;I mean that he should bring no one to the gallows. And I
+ thank God that I see the criminal clearly now&mdash;because he is a
+ criminal who cannot be brought to the gallows.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will not denounce him?&rdquo; inquired the doctor.
+ </p>
+ <p>
+ &ldquo;He would not be hanged if I did denounce him,&rdquo; answered Wilfred with a
+ wild but curiously happy smile. &ldquo;When I went into the church this morning
+ I found a madman praying there&mdash;that poor Joe, who has been wrong all
+ his life. God knows what he prayed; but with such strange folk it is not
+ incredible to suppose that their prayers are all upside down. Very likely
+ a lunatic would pray before killing a man. When I last saw poor Joe he was
+ with my brother. My brother was mocking him.&rdquo;
+ </p>
+ <p>
+ &ldquo;By Jove!&rdquo; cried the doctor, &ldquo;this is talking at last. But how do you
+ explain&mdash;&rdquo;
+ </p>
+ <p>
+ The Rev. Wilfred was almost trembling with the excitement of his own
+ glimpse of the truth. &ldquo;Don&rsquo;t you see; don&rsquo;t you see,&rdquo; he cried feverishly;
+ &ldquo;that is the only theory that covers both the queer things, that answers
+ both the riddles. The two riddles are the little hammer and the big blow.
+ The smith might have struck the big blow, but would not have chosen the
+ little hammer. His wife would have chosen the little hammer, but she could
+ not have struck the big blow. But the madman might have done both. As for
+ the little hammer&mdash;why, he was mad and might have picked up anything.
+ And for the big blow, have you never heard, doctor, that a maniac in his
+ paroxysm may have the strength of ten men?&rdquo;
+ </p>
+ <p>
+ The doctor drew a deep breath and then said, &ldquo;By golly, I believe you&rsquo;ve
+ got it.&rdquo;
+ </p>
+ <p>
+ Father Brown had fixed his eyes on the speaker so long and steadily as to
+ prove that his large grey, ox-like eyes were not quite so insignificant as
+ the rest of his face. When silence had fallen he said with marked respect:
+ &ldquo;Mr. Bohun, yours is the only theory yet propounded which holds water
+ every way and is essentially unassailable. I think, therefore, that you
+ deserve to be told, on my positive knowledge, that it is not the true
+ one.&rdquo; And with that the old little man walked away and stared again at the
+ hammer.
+ </p>
+ <p>
+ &ldquo;That fellow seems to know more than he ought to,&rdquo; whispered the doctor
+ peevishly to Wilfred. &ldquo;Those popish priests are deucedly sly.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no,&rdquo; said Bohun, with a sort of wild fatigue. &ldquo;It was the lunatic. It
+ was the lunatic.&rdquo;
+ </p>
+ <p>
+ The group of the two clerics and the doctor had fallen away from the more
+ official group containing the inspector and the man he had arrested. Now,
+ however, that their own party had broken up, they heard voices from the
+ others. The priest looked up quietly and then looked down again as he
+ heard the blacksmith say in a loud voice:
+ </p>
+ <p>
+ &ldquo;I hope I&rsquo;ve convinced you, Mr. Inspector. I&rsquo;m a strong man, as you say,
+ but I couldn&rsquo;t have flung my hammer bang here from Greenford. My hammer
+ hasn&rsquo;t got wings that it should come flying half a mile over hedges and
+ fields.&rdquo;
+ </p>
+ <p>
+ The inspector laughed amicably and said: &ldquo;No, I think you can be
+ considered out of it, though it&rsquo;s one of the rummiest coincidences I ever
+ saw. I can only ask you to give us all the assistance you can in finding a
+ man as big and strong as yourself. By George! you might be useful, if only
+ to hold him! I suppose you yourself have no guess at the man?&rdquo;
+ </p>
+ <p>
+ &ldquo;I may have a guess,&rdquo; said the pale smith, &ldquo;but it is not at a man.&rdquo; Then,
+ seeing the scared eyes turn towards his wife on the bench, he put his huge
+ hand on her shoulder and said: &ldquo;Nor a woman either.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked the inspector jocularly. &ldquo;You don&rsquo;t think cows
+ use hammers, do you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think no thing of flesh held that hammer,&rdquo; said the blacksmith in a
+ stifled voice; &ldquo;mortally speaking, I think the man died alone.&rdquo;
+ </p>
+ <p>
+ Wilfred made a sudden forward movement and peered at him with burning
+ eyes.
+ </p>
+ <p>
+ &ldquo;Do you mean to say, Barnes,&rdquo; came the sharp voice of the cobbler, &ldquo;that
+ the hammer jumped up of itself and knocked the man down?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you gentlemen may stare and snigger,&rdquo; cried Simeon; &ldquo;you clergymen
+ who tell us on Sunday in what a stillness the Lord smote Sennacherib. I
+ believe that One who walks invisible in every house defended the honour of
+ mine, and laid the defiler dead before the door of it. I believe the force
+ in that blow was just the force there is in earthquakes, and no force
+ less.&rdquo;
+ </p>
+ <p>
+ Wilfred said, with a voice utterly undescribable: &ldquo;I told Norman myself to
+ beware of the thunderbolt.&rdquo;
+ </p>
+ <p>
+ &ldquo;That agent is outside my jurisdiction,&rdquo; said the inspector with a slight
+ smile.
+ </p>
+ <p>
+ &ldquo;You are not outside His,&rdquo; answered the smith; &ldquo;see you to it,&rdquo; and,
+ turning his broad back, he went into the house.
+ </p>
+ <p>
+ The shaken Wilfred was led away by Father Brown, who had an easy and
+ friendly way with him. &ldquo;Let us get out of this horrid place, Mr. Bohun,&rdquo;
+ he said. &ldquo;May I look inside your church? I hear it&rsquo;s one of the oldest in
+ England. We take some interest, you know,&rdquo; he added with a comical
+ grimace, &ldquo;in old English churches.&rdquo;
+ </p>
+ <p>
+ Wilfred Bohun did not smile, for humour was never his strong point. But he
+ nodded rather eagerly, being only too ready to explain the Gothic
+ splendours to someone more likely to be sympathetic than the Presbyterian
+ blacksmith or the atheist cobbler.
+ </p>
+ <p>
+ &ldquo;By all means,&rdquo; he said; &ldquo;let us go in at this side.&rdquo; And he led the way
+ into the high side entrance at the top of the flight of steps. Father
+ Brown was mounting the first step to follow him when he felt a hand on his
+ shoulder, and turned to behold the dark, thin figure of the doctor, his
+ face darker yet with suspicion.
+ </p>
+ <p>
+ &ldquo;Sir,&rdquo; said the physician harshly, &ldquo;you appear to know some secrets in
+ this black business. May I ask if you are going to keep them to yourself?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, doctor,&rdquo; answered the priest, smiling quite pleasantly, &ldquo;there is
+ one very good reason why a man of my trade should keep things to himself
+ when he is not sure of them, and that is that it is so constantly his duty
+ to keep them to himself when he is sure of them. But if you think I have
+ been discourteously reticent with you or anyone, I will go to the extreme
+ limit of my custom. I will give you two very large hints.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, sir?&rdquo; said the doctor gloomily.
+ </p>
+ <p>
+ &ldquo;First,&rdquo; said Father Brown quietly, &ldquo;the thing is quite in your own
+ province. It is a matter of physical science. The blacksmith is mistaken,
+ not perhaps in saying that the blow was divine, but certainly in saying
+ that it came by a miracle. It was no miracle, doctor, except in so far as
+ man is himself a miracle, with his strange and wicked and yet half-heroic
+ heart. The force that smashed that skull was a force well known to
+ scientists&mdash;one of the most frequently debated of the laws of
+ nature.&rdquo;
+ </p>
+ <p>
+ The doctor, who was looking at him with frowning intentness, only said:
+ &ldquo;And the other hint?&rdquo;
+ </p>
+ <p>
+ &ldquo;The other hint is this,&rdquo; said the priest. &ldquo;Do you remember the
+ blacksmith, though he believes in miracles, talking scornfully of the
+ impossible fairy tale that his hammer had wings and flew half a mile
+ across country?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said the doctor, &ldquo;I remember that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; added Father Brown, with a broad smile, &ldquo;that fairy tale was the
+ nearest thing to the real truth that has been said today.&rdquo; And with that
+ he turned his back and stumped up the steps after the curate.
+ </p>
+ <p>
+ The Reverend Wilfred, who had been waiting for him, pale and impatient, as
+ if this little delay were the last straw for his nerves, led him
+ immediately to his favourite corner of the church, that part of the
+ gallery closest to the carved roof and lit by the wonderful window with
+ the angel. The little Latin priest explored and admired everything
+ exhaustively, talking cheerfully but in a low voice all the time. When in
+ the course of his investigation he found the side exit and the winding
+ stair down which Wilfred had rushed to find his brother dead, Father Brown
+ ran not down but up, with the agility of a monkey, and his clear voice
+ came from an outer platform above.
+ </p>
+ <p>
+ &ldquo;Come up here, Mr. Bohun,&rdquo; he called. &ldquo;The air will do you good.&rdquo;
+ </p>
+ <p>
+ Bohun followed him, and came out on a kind of stone gallery or balcony
+ outside the building, from which one could see the illimitable plain in
+ which their small hill stood, wooded away to the purple horizon and dotted
+ with villages and farms. Clear and square, but quite small beneath them,
+ was the blacksmith&rsquo;s yard, where the inspector still stood taking notes
+ and the corpse still lay like a smashed fly.
+ </p>
+ <p>
+ &ldquo;Might be the map of the world, mightn&rsquo;t it?&rdquo; said Father Brown.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Bohun very gravely, and nodded his head.
+ </p>
+ <p>
+ Immediately beneath and about them the lines of the Gothic building
+ plunged outwards into the void with a sickening swiftness akin to suicide.
+ There is that element of Titan energy in the architecture of the Middle
+ Ages that, from whatever aspect it be seen, it always seems to be rushing
+ away, like the strong back of some maddened horse. This church was hewn
+ out of ancient and silent stone, bearded with old fungoids and stained
+ with the nests of birds. And yet, when they saw it from below, it sprang
+ like a fountain at the stars; and when they saw it, as now, from above, it
+ poured like a cataract into a voiceless pit. For these two men on the
+ tower were left alone with the most terrible aspect of Gothic; the
+ monstrous foreshortening and disproportion, the dizzy perspectives, the
+ glimpses of great things small and small things great; a topsy-turvydom of
+ stone in the mid-air. Details of stone, enormous by their proximity, were
+ relieved against a pattern of fields and farms, pygmy in their distance. A
+ carved bird or beast at a corner seemed like some vast walking or flying
+ dragon wasting the pastures and villages below. The whole atmosphere was
+ dizzy and dangerous, as if men were upheld in air amid the gyrating wings
+ of colossal genii; and the whole of that old church, as tall and rich as a
+ cathedral, seemed to sit upon the sunlit country like a cloudburst.
+ </p>
+ <p>
+ &ldquo;I think there is something rather dangerous about standing on these high
+ places even to pray,&rdquo; said Father Brown. &ldquo;Heights were made to be looked
+ at, not to be looked from.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you mean that one may fall over,&rdquo; asked Wilfred.
+ </p>
+ <p>
+ &ldquo;I mean that one&rsquo;s soul may fall if one&rsquo;s body doesn&rsquo;t,&rdquo; said the other
+ priest.
+ </p>
+ <p>
+ &ldquo;I scarcely understand you,&rdquo; remarked Bohun indistinctly.
+ </p>
+ <p>
+ &ldquo;Look at that blacksmith, for instance,&rdquo; went on Father Brown calmly; &ldquo;a
+ good man, but not a Christian&mdash;hard, imperious, unforgiving. Well,
+ his Scotch religion was made up by men who prayed on hills and high crags,
+ and learnt to look down on the world more than to look up at heaven.
+ Humility is the mother of giants. One sees great things from the valley;
+ only small things from the peak.&rdquo;
+ </p>
+ <p>
+ &ldquo;But he&mdash;he didn&rsquo;t do it,&rdquo; said Bohun tremulously.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said the other in an odd voice; &ldquo;we know he didn&rsquo;t do it.&rdquo;
+ </p>
+ <p>
+ After a moment he resumed, looking tranquilly out over the plain with his
+ pale grey eyes. &ldquo;I knew a man,&rdquo; he said, &ldquo;who began by worshipping with
+ others before the altar, but who grew fond of high and lonely places to
+ pray from, corners or niches in the belfry or the spire. And once in one
+ of those dizzy places, where the whole world seemed to turn under him like
+ a wheel, his brain turned also, and he fancied he was God. So that, though
+ he was a good man, he committed a great crime.&rdquo;
+ </p>
+ <p>
+ Wilfred&rsquo;s face was turned away, but his bony hands turned blue and white
+ as they tightened on the parapet of stone.
+ </p>
+ <p>
+ &ldquo;He thought it was given to him to judge the world and strike down the
+ sinner. He would never have had such a thought if he had been kneeling
+ with other men upon a floor. But he saw all men walking about like
+ insects. He saw one especially strutting just below him, insolent and
+ evident by a bright green hat&mdash;a poisonous insect.&rdquo;
+ </p>
+ <p>
+ Rooks cawed round the corners of the belfry; but there was no other sound
+ till Father Brown went on.
+ </p>
+ <p>
+ &ldquo;This also tempted him, that he had in his hand one of the most awful
+ engines of nature; I mean gravitation, that mad and quickening rush by
+ which all earth&rsquo;s creatures fly back to her heart when released. See, the
+ inspector is strutting just below us in the smithy. If I were to toss a
+ pebble over this parapet it would be something like a bullet by the time
+ it struck him. If I were to drop a hammer&mdash;even a small hammer&mdash;&rdquo;
+ </p>
+ <p>
+ Wilfred Bohun threw one leg over the parapet, and Father Brown had him in
+ a minute by the collar.
+ </p>
+ <p>
+ &ldquo;Not by that door,&rdquo; he said quite gently; &ldquo;that door leads to hell.&rdquo;
+ </p>
+ <p>
+ Bohun staggered back against the wall, and stared at him with frightful
+ eyes.
+ </p>
+ <p>
+ &ldquo;How do you know all this?&rdquo; he cried. &ldquo;Are you a devil?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am a man,&rdquo; answered Father Brown gravely; &ldquo;and therefore have all
+ devils in my heart. Listen to me,&rdquo; he said after a short pause. &ldquo;I know
+ what you did&mdash;at least, I can guess the great part of it. When you
+ left your brother you were racked with no unrighteous rage, to the extent
+ even that you snatched up a small hammer, half inclined to kill him with
+ his foulness on his mouth. Recoiling, you thrust it under your buttoned
+ coat instead, and rushed into the church. You pray wildly in many places,
+ under the angel window, upon the platform above, and a higher platform
+ still, from which you could see the colonel&rsquo;s Eastern hat like the back of
+ a green beetle crawling about. Then something snapped in your soul, and
+ you let God&rsquo;s thunderbolt fall.&rdquo;
+ </p>
+ <p>
+ Wilfred put a weak hand to his head, and asked in a low voice: &ldquo;How did
+ you know that his hat looked like a green beetle?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that,&rdquo; said the other with the shadow of a smile, &ldquo;that was common
+ sense. But hear me further. I say I know all this; but no one else shall
+ know it. The next step is for you; I shall take no more steps; I will seal
+ this with the seal of confession. If you ask me why, there are many
+ reasons, and only one that concerns you. I leave things to you because you
+ have not yet gone very far wrong, as assassins go. You did not help to fix
+ the crime on the smith when it was easy; or on his wife, when that was
+ easy. You tried to fix it on the imbecile because you knew that he could
+ not suffer. That was one of the gleams that it is my business to find in
+ assassins. And now come down into the village, and go your own way as free
+ as the wind; for I have said my last word.&rdquo;
+ </p>
+ <p>
+ They went down the winding stairs in utter silence, and came out into the
+ sunlight by the smithy. Wilfred Bohun carefully unlatched the wooden gate
+ of the yard, and going up to the inspector, said: &ldquo;I wish to give myself
+ up; I have killed my brother.&rdquo;
+ </p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+ <h2><a name="chap10"></a>
+ The Eye of Apollo
+ </h2>
+ <p>
+ That singular smoky sparkle, at once a confusion and a transparency, which
+ is the strange secret of the Thames, was changing more and more from its
+ grey to its glittering extreme as the sun climbed to the zenith over
+ Westminster, and two men crossed Westminster Bridge. One man was very tall
+ and the other very short; they might even have been fantastically compared
+ to the arrogant clock-tower of Parliament and the humbler humped shoulders
+ of the Abbey, for the short man was in clerical dress. The official
+ description of the tall man was M. Hercule Flambeau, private detective,
+ and he was going to his new offices in a new pile of flats facing the
+ Abbey entrance. The official description of the short man was the Reverend
+ J. Brown, attached to St. Francis Xavier&rsquo;s Church, Camberwell, and he was
+ coming from a Camberwell deathbed to see the new offices of his friend.
+ </p>
+ <p>
+ The building was American in its sky-scraping altitude, and American also
+ in the oiled elaboration of its machinery of telephones and lifts. But it
+ was barely finished and still understaffed; only three tenants had moved
+ in; the office just above Flambeau was occupied, as also was the office
+ just below him; the two floors above that and the three floors below were
+ entirely bare. But the first glance at the new tower of flats caught
+ something much more arresting. Save for a few relics of scaffolding, the
+ one glaring object was erected outside the office just above Flambeau&rsquo;s.
+ It was an enormous gilt effigy of the human eye, surrounded with rays of
+ gold, and taking up as much room as two or three of the office windows.
+ </p>
+ <p>
+ &ldquo;What on earth is that?&rdquo; asked Father Brown, and stood still. &ldquo;Oh, a new
+ religion,&rdquo; said Flambeau, laughing; &ldquo;one of those new religions that
+ forgive your sins by saying you never had any. Rather like Christian
+ Science, I should think. The fact is that a fellow calling himself Kalon
+ (I don&rsquo;t know what his name is, except that it can&rsquo;t be that) has taken
+ the flat just above me. I have two lady typewriters underneath me, and
+ this enthusiastic old humbug on top. He calls himself the New Priest of
+ Apollo, and he worships the sun.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let him look out,&rdquo; said Father Brown. &ldquo;The sun was the cruellest of all
+ the gods. But what does that monstrous eye mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;As I understand it, it is a theory of theirs,&rdquo; answered Flambeau, &ldquo;that a
+ man can endure anything if his mind is quite steady. Their two great
+ symbols are the sun and the open eye; for they say that if a man were
+ really healthy he could stare at the sun.&rdquo;
+ </p>
+ <p>
+ &ldquo;If a man were really healthy,&rdquo; said Father Brown, &ldquo;he would not bother to
+ stare at it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, that&rsquo;s all I can tell you about the new religion,&rdquo; went on Flambeau
+ carelessly. &ldquo;It claims, of course, that it can cure all physical
+ diseases.&rdquo;
+ </p>
+ <p>
+ &ldquo;Can it cure the one spiritual disease?&rdquo; asked Father Brown, with a
+ serious curiosity.
+ </p>
+ <p>
+ &ldquo;And what is the one spiritual disease?&rdquo; asked Flambeau, smiling.
+ </p>
+ <p>
+ &ldquo;Oh, thinking one is quite well,&rdquo; said his friend.
+ </p>
+ <p>
+ Flambeau was more interested in the quiet little office below him than in
+ the flamboyant temple above. He was a lucid Southerner, incapable of
+ conceiving himself as anything but a Catholic or an atheist; and new
+ religions of a bright and pallid sort were not much in his line. But
+ humanity was always in his line, especially when it was good-looking;
+ moreover, the ladies downstairs were characters in their way. The office
+ was kept by two sisters, both slight and dark, one of them tall and
+ striking. She had a dark, eager and aquiline profile, and was one of those
+ women whom one always thinks of in profile, as of the clean-cut edge of
+ some weapon. She seemed to cleave her way through life. She had eyes of
+ startling brilliancy, but it was the brilliancy of steel rather than of
+ diamonds; and her straight, slim figure was a shade too stiff for its
+ grace. Her younger sister was like her shortened shadow, a little greyer,
+ paler, and more insignificant. They both wore a business-like black, with
+ little masculine cuffs and collars. There are thousands of such curt,
+ strenuous ladies in the offices of London, but the interest of these lay
+ rather in their real than their apparent position.
+ </p>
+ <p>
+ For Pauline Stacey, the elder, was actually the heiress of a crest and
+ half a county, as well as great wealth; she had been brought up in castles
+ and gardens, before a frigid fierceness (peculiar to the modern woman) had
+ driven her to what she considered a harsher and a higher existence. She
+ had not, indeed, surrendered her money; in that there would have been a
+ romantic or monkish abandon quite alien to her masterful utilitarianism.
+ She held her wealth, she would say, for use upon practical social objects.
+ Part of it she had put into her business, the nucleus of a model
+ typewriting emporium; part of it was distributed in various leagues and
+ causes for the advancement of such work among women. How far Joan, her
+ sister and partner, shared this slightly prosaic idealism no one could be
+ very sure. But she followed her leader with a dog-like affection which was
+ somehow more attractive, with its touch of tragedy, than the hard, high
+ spirits of the elder. For Pauline Stacey had nothing to say to tragedy;
+ she was understood to deny its existence.
+ </p>
+ <p>
+ Her rigid rapidity and cold impatience had amused Flambeau very much on
+ the first occasion of his entering the flats. He had lingered outside the
+ lift in the entrance hall waiting for the lift-boy, who generally conducts
+ strangers to the various floors. But this bright-eyed falcon of a girl had
+ openly refused to endure such official delay. She said sharply that she
+ knew all about the lift, and was not dependent on boys&mdash;or men
+ either. Though her flat was only three floors above, she managed in the
+ few seconds of ascent to give Flambeau a great many of her fundamental
+ views in an off-hand manner; they were to the general effect that she was
+ a modern working woman and loved modern working machinery. Her bright
+ black eyes blazed with abstract anger against those who rebuke mechanic
+ science and ask for the return of romance. Everyone, she said, ought to be
+ able to manage machines, just as she could manage the lift. She seemed
+ almost to resent the fact of Flambeau opening the lift-door for her; and
+ that gentleman went up to his own apartments smiling with somewhat mingled
+ feelings at the memory of such spit-fire self-dependence.
+ </p>
+ <p>
+ She certainly had a temper, of a snappy, practical sort; the gestures of
+ her thin, elegant hands were abrupt or even destructive.
+ </p>
+ <p>
+ Once Flambeau entered her office on some typewriting business, and found
+ she had just flung a pair of spectacles belonging to her sister into the
+ middle of the floor and stamped on them. She was already in the rapids of
+ an ethical tirade about the &ldquo;sickly medical notions&rdquo; and the morbid
+ admission of weakness implied in such an apparatus. She dared her sister
+ to bring such artificial, unhealthy rubbish into the place again. She
+ asked if she was expected to wear wooden legs or false hair or glass eyes;
+ and as she spoke her eyes sparkled like the terrible crystal.
+ </p>
+ <p>
+ Flambeau, quite bewildered with this fanaticism, could not refrain from
+ asking Miss Pauline (with direct French logic) why a pair of spectacles
+ was a more morbid sign of weakness than a lift, and why, if science might
+ help us in the one effort, it might not help us in the other.
+ </p>
+ <p>
+ &ldquo;That is so different,&rdquo; said Pauline Stacey, loftily. &ldquo;Batteries and
+ motors and all those things are marks of the force of man&mdash;yes, Mr.
+ Flambeau, and the force of woman, too! We shall take our turn at these
+ great engines that devour distance and defy time. That is high and
+ splendid&mdash;that is really science. But these nasty props and plasters
+ the doctors sell&mdash;why, they are just badges of poltroonery. Doctors
+ stick on legs and arms as if we were born cripples and sick slaves. But I
+ was free-born, Mr. Flambeau! People only think they need these things
+ because they have been trained in fear instead of being trained in power
+ and courage, just as the silly nurses tell children not to stare at the
+ sun, and so they can&rsquo;t do it without blinking. But why among the stars
+ should there be one star I may not see? The sun is not my master, and I
+ will open my eyes and stare at him whenever I choose.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your eyes,&rdquo; said Flambeau, with a foreign bow, &ldquo;will dazzle the sun.&rdquo; He
+ took pleasure in complimenting this strange stiff beauty, partly because
+ it threw her a little off her balance. But as he went upstairs to his
+ floor he drew a deep breath and whistled, saying to himself: &ldquo;So she has
+ got into the hands of that conjurer upstairs with his golden eye.&rdquo; For,
+ little as he knew or cared about the new religion of Kalon, he had heard
+ of his special notion about sun-gazing.
+ </p>
+ <p>
+ He soon discovered that the spiritual bond between the floors above and
+ below him was close and increasing. The man who called himself Kalon was a
+ magnificent creature, worthy, in a physical sense, to be the pontiff of
+ Apollo. He was nearly as tall even as Flambeau, and very much better
+ looking, with a golden beard, strong blue eyes, and a mane flung back like
+ a lion&rsquo;s. In structure he was the blonde beast of Nietzsche, but all this
+ animal beauty was heightened, brightened and softened by genuine intellect
+ and spirituality. If he looked like one of the great Saxon kings, he
+ looked like one of the kings that were also saints. And this despite the
+ cockney incongruity of his surroundings; the fact that he had an office
+ half-way up a building in Victoria Street; that the clerk (a commonplace
+ youth in cuffs and collars) sat in the outer room, between him and the
+ corridor; that his name was on a brass plate, and the gilt emblem of his
+ creed hung above his street, like the advertisement of an oculist. All
+ this vulgarity could not take away from the man called Kalon the vivid
+ oppression and inspiration that came from his soul and body. When all was
+ said, a man in the presence of this quack did feel in the presence of a
+ great man. Even in the loose jacket-suit of linen that he wore as a
+ workshop dress in his office he was a fascinating and formidable figure;
+ and when robed in the white vestments and crowned with the golden circlet,
+ in which he daily saluted the sun, he really looked so splendid that the
+ laughter of the street people sometimes died suddenly on their lips. For
+ three times in the day the new sun-worshipper went out on his little
+ balcony, in the face of all Westminster, to say some litany to his shining
+ lord: once at daybreak, once at sunset, and once at the shock of noon. And
+ it was while the shock of noon still shook faintly from the towers of
+ Parliament and parish church that Father Brown, the friend of Flambeau,
+ first looked up and saw the white priest of Apollo.
+ </p>
+ <p>
+ Flambeau had seen quite enough of these daily salutations of Phoebus, and
+ plunged into the porch of the tall building without even looking for his
+ clerical friend to follow. But Father Brown, whether from a professional
+ interest in ritual or a strong individual interest in tomfoolery, stopped
+ and stared up at the balcony of the sun-worshipper, just as he might have
+ stopped and stared up at a Punch and Judy. Kalon the Prophet was already
+ erect, with argent garments and uplifted hands, and the sound of his
+ strangely penetrating voice could be heard all the way down the busy
+ street uttering his solar litany. He was already in the middle of it; his
+ eyes were fixed upon the flaming disc. It is doubtful if he saw anything
+ or anyone on this earth; it is substantially certain that he did not see a
+ stunted, round-faced priest who, in the crowd below, looked up at him with
+ blinking eyes. That was perhaps the most startling difference between even
+ these two far divided men. Father Brown could not look at anything without
+ blinking; but the priest of Apollo could look on the blaze at noon without
+ a quiver of the eyelid.
+ </p>
+ <p>
+ &ldquo;O sun,&rdquo; cried the prophet, &ldquo;O star that art too great to be allowed among
+ the stars! O fountain that flowest quietly in that secret spot that is
+ called space. White Father of all white unwearied things, white flames and
+ white flowers and white peaks. Father, who art more innocent than all thy
+ most innocent and quiet children; primal purity, into the peace of which&mdash;&rdquo;
+ </p>
+ <p>
+ A rush and crash like the reversed rush of a rocket was cloven with a
+ strident and incessant yelling. Five people rushed into the gate of the
+ mansions as three people rushed out, and for an instant they all deafened
+ each other. The sense of some utterly abrupt horror seemed for a moment to
+ fill half the street with bad news&mdash;bad news that was all the worse
+ because no one knew what it was. Two figures remained still after the
+ crash of commotion: the fair priest of Apollo on the balcony above, and
+ the ugly priest of Christ below him.
+ </p>
+ <p>
+ At last the tall figure and titanic energy of Flambeau appeared in the
+ doorway of the mansions and dominated the little mob. Talking at the top
+ of his voice like a fog-horn, he told somebody or anybody to go for a
+ surgeon; and as he turned back into the dark and thronged entrance his
+ friend Father Brown dipped in insignificantly after him. Even as he ducked
+ and dived through the crowd he could still hear the magnificent melody and
+ monotony of the solar priest still calling on the happy god who is the
+ friend of fountains and flowers.
+ </p>
+ <p>
+ Father Brown found Flambeau and some six other people standing round the
+ enclosed space into which the lift commonly descended. But the lift had
+ not descended. Something else had descended; something that ought to have
+ come by a lift.
+ </p>
+ <p>
+ For the last four minutes Flambeau had looked down on it; had seen the
+ brained and bleeding figure of that beautiful woman who denied the
+ existence of tragedy. He had never had the slightest doubt that it was
+ Pauline Stacey; and, though he had sent for a doctor, he had not the
+ slightest doubt that she was dead.
+ </p>
+ <p>
+ He could not remember for certain whether he had liked her or disliked
+ her; there was so much both to like and dislike. But she had been a person
+ to him, and the unbearable pathos of details and habit stabbed him with
+ all the small daggers of bereavement. He remembered her pretty face and
+ priggish speeches with a sudden secret vividness which is all the
+ bitterness of death. In an instant like a bolt from the blue, like a
+ thunderbolt from nowhere, that beautiful and defiant body had been dashed
+ down the open well of the lift to death at the bottom. Was it suicide?
+ With so insolent an optimist it seemed impossible. Was it murder? But who
+ was there in those hardly inhabited flats to murder anybody? In a rush of
+ raucous words, which he meant to be strong and suddenly found weak, he
+ asked where was that fellow Kalon. A voice, habitually heavy, quiet and
+ full, assured him that Kalon for the last fifteen minutes had been away up
+ on his balcony worshipping his god. When Flambeau heard the voice, and
+ felt the hand of Father Brown, he turned his swarthy face and said
+ abruptly:
+ </p>
+ <p>
+ &ldquo;Then, if he has been up there all the time, who can have done it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps,&rdquo; said the other, &ldquo;we might go upstairs and find out. We have
+ half an hour before the police will move.&rdquo;
+ </p>
+ <p>
+ Leaving the body of the slain heiress in charge of the surgeons, Flambeau
+ dashed up the stairs to the typewriting office, found it utterly empty,
+ and then dashed up to his own. Having entered that, he abruptly returned
+ with a new and white face to his friend.
+ </p>
+ <p>
+ &ldquo;Her sister,&rdquo; he said, with an unpleasant seriousness, &ldquo;her sister seems
+ to have gone out for a walk.&rdquo;
+ </p>
+ <p>
+ Father Brown nodded. &ldquo;Or, she may have gone up to the office of that sun
+ man,&rdquo; he said. &ldquo;If I were you I should just verify that, and then let us
+ all talk it over in your office. No,&rdquo; he added suddenly, as if remembering
+ something, &ldquo;shall I ever get over that stupidity of mine? Of course, in
+ their office downstairs.&rdquo;
+ </p>
+ <p>
+ Flambeau stared; but he followed the little father downstairs to the empty
+ flat of the Staceys, where that impenetrable pastor took a large
+ red-leather chair in the very entrance, from which he could see the stairs
+ and landings, and waited. He did not wait very long. In about four minutes
+ three figures descended the stairs, alike only in their solemnity. The
+ first was Joan Stacey, the sister of the dead woman&mdash;evidently she
+ had been upstairs in the temporary temple of Apollo; the second was the
+ priest of Apollo himself, his litany finished, sweeping down the empty
+ stairs in utter magnificence&mdash;something in his white robes, beard and
+ parted hair had the look of Dore&rsquo;s Christ leaving the Pretorium; the third
+ was Flambeau, black browed and somewhat bewildered.
+ </p>
+ <p>
+ Miss Joan Stacey, dark, with a drawn face and hair prematurely touched
+ with grey, walked straight to her own desk and set out her papers with a
+ practical flap. The mere action rallied everyone else to sanity. If Miss
+ Joan Stacey was a criminal, she was a cool one. Father Brown regarded her
+ for some time with an odd little smile, and then, without taking his eyes
+ off her, addressed himself to somebody else.
+ </p>
+ <p>
+ &ldquo;Prophet,&rdquo; he said, presumably addressing Kalon, &ldquo;I wish you would tell me
+ a lot about your religion.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall be proud to do it,&rdquo; said Kalon, inclining his still crowned head,
+ &ldquo;but I am not sure that I understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, it&rsquo;s like this,&rdquo; said Father Brown, in his frankly doubtful way: &ldquo;We
+ are taught that if a man has really bad first principles, that must be
+ partly his fault. But, for all that, we can make some difference between a
+ man who insults his quite clear conscience and a man with a conscience
+ more or less clouded with sophistries. Now, do you really think that
+ murder is wrong at all?&rdquo;
+ </p>
+ <p>
+ &ldquo;Is this an accusation?&rdquo; asked Kalon very quietly.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; answered Brown, equally gently, &ldquo;it is the speech for the defence.&rdquo;
+ </p>
+ <p>
+ In the long and startled stillness of the room the prophet of Apollo
+ slowly rose; and really it was like the rising of the sun. He filled that
+ room with his light and life in such a manner that a man felt he could as
+ easily have filled Salisbury Plain. His robed form seemed to hang the
+ whole room with classic draperies; his epic gesture seemed to extend it
+ into grander perspectives, till the little black figure of the modern
+ cleric seemed to be a fault and an intrusion, a round, black blot upon
+ some splendour of Hellas.
+ </p>
+ <p>
+ &ldquo;We meet at last, Caiaphas,&rdquo; said the prophet. &ldquo;Your church and mine are
+ the only realities on this earth. I adore the sun, and you the darkening
+ of the sun; you are the priest of the dying and I of the living God. Your
+ present work of suspicion and slander is worthy of your coat and creed.
+ All your church is but a black police; you are only spies and detectives
+ seeking to tear from men confessions of guilt, whether by treachery or
+ torture. You would convict men of crime, I would convict them of
+ innocence. You would convince them of sin, I would convince them of
+ virtue.
+ </p>
+ <p>
+ &ldquo;Reader of the books of evil, one more word before I blow away your
+ baseless nightmares for ever. Not even faintly could you understand how
+ little I care whether you can convict me or no. The things you call
+ disgrace and horrible hanging are to me no more than an ogre in a child&rsquo;s
+ toy-book to a man once grown up. You said you were offering the speech for
+ the defence. I care so little for the cloudland of this life that I will
+ offer you the speech for the prosecution. There is but one thing that can
+ be said against me in this matter, and I will say it myself. The woman
+ that is dead was my love and my bride; not after such manner as your tin
+ chapels call lawful, but by a law purer and sterner than you will ever
+ understand. She and I walked another world from yours, and trod palaces of
+ crystal while you were plodding through tunnels and corridors of brick.
+ Well, I know that policemen, theological and otherwise, always fancy that
+ where there has been love there must soon be hatred; so there you have the
+ first point made for the prosecution. But the second point is stronger; I
+ do not grudge it you. Not only is it true that Pauline loved me, but it is
+ also true that this very morning, before she died, she wrote at that table
+ a will leaving me and my new church half a million. Come, where are the
+ handcuffs? Do you suppose I care what foolish things you do with me? Penal
+ servitude will only be like waiting for her at a wayside station. The
+ gallows will only be going to her in a headlong car.&rdquo;
+ </p>
+ <p>
+ He spoke with the brain-shaking authority of an orator, and Flambeau and
+ Joan Stacey stared at him in amazed admiration. Father Brown&rsquo;s face seemed
+ to express nothing but extreme distress; he looked at the ground with one
+ wrinkle of pain across his forehead. The prophet of the sun leaned easily
+ against the mantelpiece and resumed:
+ </p>
+ <p>
+ &ldquo;In a few words I have put before you the whole case against me&mdash;the
+ only possible case against me. In fewer words still I will blow it to
+ pieces, so that not a trace of it remains. As to whether I have committed
+ this crime, the truth is in one sentence: I could not have committed this
+ crime. Pauline Stacey fell from this floor to the ground at five minutes
+ past twelve. A hundred people will go into the witness-box and say that I
+ was standing out upon the balcony of my own rooms above from just before
+ the stroke of noon to a quarter-past&mdash;the usual period of my public
+ prayers. My clerk (a respectable youth from Clapham, with no sort of
+ connection with me) will swear that he sat in my outer office all the
+ morning, and that no communication passed through. He will swear that I
+ arrived a full ten minutes before the hour, fifteen minutes before any
+ whisper of the accident, and that I did not leave the office or the
+ balcony all that time. No one ever had so complete an alibi; I could
+ subpoena half Westminster. I think you had better put the handcuffs away
+ again. The case is at an end.
+ </p>
+ <p>
+ &ldquo;But last of all, that no breath of this idiotic suspicion remain in the
+ air, I will tell you all you want to know. I believe I do know how my
+ unhappy friend came by her death. You can, if you choose, blame me for it,
+ or my faith and philosophy at least; but you certainly cannot lock me up.
+ It is well known to all students of the higher truths that certain adepts
+ and illuminati have in history attained the power of levitation&mdash;that
+ is, of being self-sustained upon the empty air. It is but a part of that
+ general conquest of matter which is the main element in our occult wisdom.
+ Poor Pauline was of an impulsive and ambitious temper. I think, to tell
+ the truth, she thought herself somewhat deeper in the mysteries than she
+ was; and she has often said to me, as we went down in the lift together,
+ that if one&rsquo;s will were strong enough, one could float down as harmlessly
+ as a feather. I solemnly believe that in some ecstasy of noble thoughts
+ she attempted the miracle. Her will, or faith, must have failed her at the
+ crucial instant, and the lower law of matter had its horrible revenge.
+ There is the whole story, gentlemen, very sad and, as you think, very
+ presumptuous and wicked, but certainly not criminal or in any way
+ connected with me. In the short-hand of the police-courts, you had better
+ call it suicide. I shall always call it heroic failure for the advance of
+ science and the slow scaling of heaven.&rdquo;
+ </p>
+ <p>
+ It was the first time Flambeau had ever seen Father Brown vanquished. He
+ still sat looking at the ground, with a painful and corrugated brow, as if
+ in shame. It was impossible to avoid the feeling which the prophet&rsquo;s
+ winged words had fanned, that here was a sullen, professional suspecter of
+ men overwhelmed by a prouder and purer spirit of natural liberty and
+ health. At last he said, blinking as if in bodily distress: &ldquo;Well, if that
+ is so, sir, you need do no more than take the testamentary paper you spoke
+ of and go. I wonder where the poor lady left it.&rdquo;
+ </p>
+ <p>
+ &ldquo;It will be over there on her desk by the door, I think,&rdquo; said Kalon, with
+ that massive innocence of manner that seemed to acquit him wholly. &ldquo;She
+ told me specially she would write it this morning, and I actually saw her
+ writing as I went up in the lift to my own room.&rdquo;
+ </p>
+ <p>
+ &ldquo;Was her door open then?&rdquo; asked the priest, with his eye on the corner of
+ the matting.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Kalon calmly.
+ </p>
+ <p>
+ &ldquo;Ah! it has been open ever since,&rdquo; said the other, and resumed his silent
+ study of the mat.
+ </p>
+ <p>
+ &ldquo;There is a paper over here,&rdquo; said the grim Miss Joan, in a somewhat
+ singular voice. She had passed over to her sister&rsquo;s desk by the doorway,
+ and was holding a sheet of blue foolscap in her hand. There was a sour
+ smile on her face that seemed unfit for such a scene or occasion, and
+ Flambeau looked at her with a darkening brow.
+ </p>
+ <p>
+ Kalon the prophet stood away from the paper with that loyal
+ unconsciousness that had carried him through. But Flambeau took it out of
+ the lady&rsquo;s hand, and read it with the utmost amazement. It did, indeed,
+ begin in the formal manner of a will, but after the words &ldquo;I give and
+ bequeath all of which I die possessed&rdquo; the writing abruptly stopped with a
+ set of scratches, and there was no trace of the name of any legatee.
+ Flambeau, in wonder, handed this truncated testament to his clerical
+ friend, who glanced at it and silently gave it to the priest of the sun.
+ </p>
+ <p>
+ An instant afterwards that pontiff, in his splendid sweeping draperies,
+ had crossed the room in two great strides, and was towering over Joan
+ Stacey, his blue eyes standing from his head.
+ </p>
+ <p>
+ &ldquo;What monkey tricks have you been playing here?&rdquo; he cried. &ldquo;That&rsquo;s not all
+ Pauline wrote.&rdquo;
+ </p>
+ <p>
+ They were startled to hear him speak in quite a new voice, with a Yankee
+ shrillness in it; all his grandeur and good English had fallen from him
+ like a cloak.
+ </p>
+ <p>
+ &ldquo;That is the only thing on her desk,&rdquo; said Joan, and confronted him
+ steadily with the same smile of evil favour.
+ </p>
+ <p>
+ Of a sudden the man broke out into blasphemies and cataracts of
+ incredulous words. There was something shocking about the dropping of his
+ mask; it was like a man&rsquo;s real face falling off.
+ </p>
+ <p>
+ &ldquo;See here!&rdquo; he cried in broad American, when he was breathless with
+ cursing, &ldquo;I may be an adventurer, but I guess you&rsquo;re a murderess. Yes,
+ gentlemen, here&rsquo;s your death explained, and without any levitation. The
+ poor girl is writing a will in my favour; her cursed sister comes in,
+ struggles for the pen, drags her to the well, and throws her down before
+ she can finish it. Sakes! I reckon we want the handcuffs after all.&rdquo;
+ </p>
+ <p>
+ &ldquo;As you have truly remarked,&rdquo; replied Joan, with ugly calm, &ldquo;your clerk is
+ a very respectable young man, who knows the nature of an oath; and he will
+ swear in any court that I was up in your office arranging some typewriting
+ work for five minutes before and five minutes after my sister fell. Mr.
+ Flambeau will tell you that he found me there.&rdquo;
+ </p>
+ <p>
+ There was a silence.
+ </p>
+ <p>
+ &ldquo;Why, then,&rdquo; cried Flambeau, &ldquo;Pauline was alone when she fell, and it was
+ suicide!&rdquo;
+ </p>
+ <p>
+ &ldquo;She was alone when she fell,&rdquo; said Father Brown, &ldquo;but it was not
+ suicide.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then how did she die?&rdquo; asked Flambeau impatiently.
+ </p>
+ <p>
+ &ldquo;She was murdered.&rdquo;
+ </p>
+ <p>
+ &ldquo;But she was alone,&rdquo; objected the detective.
+ </p>
+ <p>
+ &ldquo;She was murdered when she was all alone,&rdquo; answered the priest.
+ </p>
+ <p>
+ All the rest stared at him, but he remained sitting in the same old
+ dejected attitude, with a wrinkle in his round forehead and an appearance
+ of impersonal shame and sorrow; his voice was colourless and sad.
+ </p>
+ <p>
+ &ldquo;What I want to know,&rdquo; cried Kalon, with an oath, &ldquo;is when the police are
+ coming for this bloody and wicked sister. She&rsquo;s killed her flesh and
+ blood; she&rsquo;s robbed me of half a million that was just as sacredly mine as&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Come, come, prophet,&rdquo; interrupted Flambeau, with a kind of sneer;
+ &ldquo;remember that all this world is a cloudland.&rdquo;
+ </p>
+ <p>
+ The hierophant of the sun-god made an effort to climb back on his
+ pedestal. &ldquo;It is not the mere money,&rdquo; he cried, &ldquo;though that would equip
+ the cause throughout the world. It is also my beloved one&rsquo;s wishes. To
+ Pauline all this was holy. In Pauline&rsquo;s eyes&mdash;&rdquo;
+ </p>
+ <p>
+ Father Brown suddenly sprang erect, so that his chair fell over flat
+ behind him. He was deathly pale, yet he seemed fired with a hope; his eyes
+ shone.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s it!&rdquo; he cried in a clear voice. &ldquo;That&rsquo;s the way to begin. In
+ Pauline&rsquo;s eyes&mdash;&rdquo;
+ </p>
+ <p>
+ The tall prophet retreated before the tiny priest in an almost mad
+ disorder. &ldquo;What do you mean? How dare you?&rdquo; he cried repeatedly.
+ </p>
+ <p>
+ &ldquo;In Pauline&rsquo;s eyes,&rdquo; repeated the priest, his own shining more and more.
+ &ldquo;Go on&mdash;in God&rsquo;s name, go on. The foulest crime the fiends ever
+ prompted feels lighter after confession; and I implore you to confess. Go
+ on, go on&mdash;in Pauline&rsquo;s eyes&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Let me go, you devil!&rdquo; thundered Kalon, struggling like a giant in bonds.
+ &ldquo;Who are you, you cursed spy, to weave your spiders&rsquo; webs round me, and
+ peep and peer? Let me go.&rdquo;
+ </p>
+ <p>
+ &ldquo;Shall I stop him?&rdquo; asked Flambeau, bounding towards the exit, for Kalon
+ had already thrown the door wide open.
+ </p>
+ <p>
+ &ldquo;No; let him pass,&rdquo; said Father Brown, with a strange deep sigh that
+ seemed to come from the depths of the universe. &ldquo;Let Cain pass by, for he
+ belongs to God.&rdquo;
+ </p>
+ <p>
+ There was a long-drawn silence in the room when he had left it, which was
+ to Flambeau&rsquo;s fierce wits one long agony of interrogation. Miss Joan
+ Stacey very coolly tidied up the papers on her desk.
+ </p>
+ <p>
+ &ldquo;Father,&rdquo; said Flambeau at last, &ldquo;it is my duty, not my curiosity only&mdash;it
+ is my duty to find out, if I can, who committed the crime.&rdquo;
+ </p>
+ <p>
+ &ldquo;Which crime?&rdquo; asked Father Brown.
+ </p>
+ <p>
+ &ldquo;The one we are dealing with, of course,&rdquo; replied his impatient friend.
+ </p>
+ <p>
+ &ldquo;We are dealing with two crimes,&rdquo; said Brown, &ldquo;crimes of very different
+ weight&mdash;and by very different criminals.&rdquo;
+ </p>
+ <p>
+ Miss Joan Stacey, having collected and put away her papers, proceeded to
+ lock up her drawer. Father Brown went on, noticing her as little as she
+ noticed him.
+ </p>
+ <p>
+ &ldquo;The two crimes,&rdquo; he observed, &ldquo;were committed against the same weakness
+ of the same person, in a struggle for her money. The author of the larger
+ crime found himself thwarted by the smaller crime; the author of the
+ smaller crime got the money.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, don&rsquo;t go on like a lecturer,&rdquo; groaned Flambeau; &ldquo;put it in a few
+ words.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can put it in one word,&rdquo; answered his friend.
+ </p>
+ <p>
+ Miss Joan Stacey skewered her business-like black hat on to her head with
+ a business-like black frown before a little mirror, and, as the
+ conversation proceeded, took her handbag and umbrella in an unhurried
+ style, and left the room.
+ </p>
+ <p>
+ &ldquo;The truth is one word, and a short one,&rdquo; said Father Brown. &ldquo;Pauline
+ Stacey was blind.&rdquo;
+ </p>
+ <p>
+ &ldquo;Blind!&rdquo; repeated Flambeau, and rose slowly to his whole huge stature.
+ </p>
+ <p>
+ &ldquo;She was subject to it by blood,&rdquo; Brown proceeded. &ldquo;Her sister would have
+ started eyeglasses if Pauline would have let her; but it was her special
+ philosophy or fad that one must not encourage such diseases by yielding to
+ them. She would not admit the cloud; or she tried to dispel it by will. So
+ her eyes got worse and worse with straining; but the worst strain was to
+ come. It came with this precious prophet, or whatever he calls himself,
+ who taught her to stare at the hot sun with the naked eye. It was called
+ accepting Apollo. Oh, if these new pagans would only be old pagans, they
+ would be a little wiser! The old pagans knew that mere naked
+ Nature-worship must have a cruel side. They knew that the eye of Apollo
+ can blast and blind.&rdquo;
+ </p>
+ <p>
+ There was a pause, and the priest went on in a gentle and even broken
+ voice. &ldquo;Whether or no that devil deliberately made her blind, there is no
+ doubt that he deliberately killed her through her blindness. The very
+ simplicity of the crime is sickening. You know he and she went up and down
+ in those lifts without official help; you know also how smoothly and
+ silently the lifts slide. Kalon brought the lift to the girl&rsquo;s landing,
+ and saw her, through the open door, writing in her slow, sightless way the
+ will she had promised him. He called out to her cheerily that he had the
+ lift ready for her, and she was to come out when she was ready. Then he
+ pressed a button and shot soundlessly up to his own floor, walked through
+ his own office, out on to his own balcony, and was safely praying before
+ the crowded street when the poor girl, having finished her work, ran gaily
+ out to where lover and lift were to receive her, and stepped&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t!&rdquo; cried Flambeau.
+ </p>
+ <p>
+ &ldquo;He ought to have got half a million by pressing that button,&rdquo; continued
+ the little father, in the colourless voice in which he talked of such
+ horrors. &ldquo;But that went smash. It went smash because there happened to be
+ another person who also wanted the money, and who also knew the secret
+ about poor Pauline&rsquo;s sight. There was one thing about that will that I
+ think nobody noticed: although it was unfinished and without signature,
+ the other Miss Stacey and some servant of hers had already signed it as
+ witnesses. Joan had signed first, saying Pauline could finish it later,
+ with a typical feminine contempt for legal forms. Therefore, Joan wanted
+ her sister to sign the will without real witnesses. Why? I thought of the
+ blindness, and felt sure she had wanted Pauline to sign in solitude
+ because she had wanted her not to sign at all.
+ </p>
+ <p>
+ &ldquo;People like the Staceys always use fountain pens; but this was specially
+ natural to Pauline. By habit and her strong will and memory she could
+ still write almost as well as if she saw; but she could not tell when her
+ pen needed dipping. Therefore, her fountain pens were carefully filled by
+ her sister&mdash;all except this fountain pen. This was carefully not
+ filled by her sister; the remains of the ink held out for a few lines and
+ then failed altogether. And the prophet lost five hundred thousand pounds
+ and committed one of the most brutal and brilliant murders in human
+ history for nothing.&rdquo;
+ </p>
+ <p>
+ Flambeau went to the open door and heard the official police ascending the
+ stairs. He turned and said: &ldquo;You must have followed everything devilish
+ close to have traced the crime to Kalon in ten minutes.&rdquo;
+ </p>
+ <p>
+ Father Brown gave a sort of start.
+ </p>
+ <p>
+ &ldquo;Oh! to him,&rdquo; he said. &ldquo;No; I had to follow rather close to find out about
+ Miss Joan and the fountain pen. But I knew Kalon was the criminal before I
+ came into the front door.&rdquo;
+ </p>
+ <p>
+ &ldquo;You must be joking!&rdquo; cried Flambeau.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m quite serious,&rdquo; answered the priest. &ldquo;I tell you I knew he had done
+ it, even before I knew what he had done.&rdquo;
+ </p>
+ <p>
+ &ldquo;But why?&rdquo;
+ </p>
+ <p>
+ &ldquo;These pagan stoics,&rdquo; said Brown reflectively, &ldquo;always fail by their
+ strength. There came a crash and a scream down the street, and the priest
+ of Apollo did not start or look round. I did not know what it was. But I
+ knew that he was expecting it.&rdquo;
+ </p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+ <h2><a name="chap11"></a>
+ The Sign of the Broken Sword
+ </h2>
+ <p>
+ The thousand arms of the forest were grey, and its million fingers silver.
+ In a sky of dark green-blue-like slate the stars were bleak and brilliant
+ like splintered ice. All that thickly wooded and sparsely tenanted
+ countryside was stiff with a bitter and brittle frost. The black hollows
+ between the trunks of the trees looked like bottomless, black caverns of
+ that Scandinavian hell, a hell of incalculable cold. Even the square stone
+ tower of the church looked northern to the point of heathenry, as if it
+ were some barbaric tower among the sea rocks of Iceland. It was a queer
+ night for anyone to explore a churchyard. But, on the other hand, perhaps
+ it was worth exploring.
+ </p>
+ <p>
+ It rose abruptly out of the ashen wastes of forest in a sort of hump or
+ shoulder of green turf that looked grey in the starlight. Most of the
+ graves were on a slant, and the path leading up to the church was as steep
+ as a staircase. On the top of the hill, in the one flat and prominent
+ place, was the monument for which the place was famous. It contrasted
+ strangely with the featureless graves all round, for it was the work of
+ one of the greatest sculptors of modern Europe; and yet his fame was at
+ once forgotten in the fame of the man whose image he had made. It showed,
+ by touches of the small silver pencil of starlight, the massive metal
+ figure of a soldier recumbent, the strong hands sealed in an everlasting
+ worship, the great head pillowed upon a gun. The venerable face was
+ bearded, or rather whiskered, in the old, heavy Colonel Newcome fashion.
+ The uniform, though suggested with the few strokes of simplicity, was that
+ of modern war. By his right side lay a sword, of which the tip was broken
+ off; on the left side lay a Bible. On glowing summer afternoons wagonettes
+ came full of Americans and cultured suburbans to see the sepulchre; but
+ even then they felt the vast forest land with its one dumpy dome of
+ churchyard and church as a place oddly dumb and neglected. In this
+ freezing darkness of mid-winter one would think he might be left alone
+ with the stars. Nevertheless, in the stillness of those stiff woods a
+ wooden gate creaked, and two dim figures dressed in black climbed up the
+ little path to the tomb.
+ </p>
+ <p>
+ So faint was that frigid starlight that nothing could have been traced
+ about them except that while they both wore black, one man was enormously
+ big, and the other (perhaps by contrast) almost startlingly small. They
+ went up to the great graven tomb of the historic warrior, and stood for a
+ few minutes staring at it. There was no human, perhaps no living, thing
+ for a wide circle; and a morbid fancy might well have wondered if they
+ were human themselves. In any case, the beginning of their conversation
+ might have seemed strange. After the first silence the small man said to
+ the other:
+ </p>
+ <p>
+ &ldquo;Where does a wise man hide a pebble?&rdquo;
+ </p>
+ <p>
+ And the tall man answered in a low voice: &ldquo;On the beach.&rdquo;
+ </p>
+ <p>
+ The small man nodded, and after a short silence said: &ldquo;Where does a wise
+ man hide a leaf?&rdquo;
+ </p>
+ <p>
+ And the other answered: &ldquo;In the forest.&rdquo;
+ </p>
+ <p>
+ There was another stillness, and then the tall man resumed: &ldquo;Do you mean
+ that when a wise man has to hide a real diamond he has been known to hide
+ it among sham ones?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no,&rdquo; said the little man with a laugh, &ldquo;we will let bygones be
+ bygones.&rdquo;
+ </p>
+ <p>
+ He stamped his cold feet for a second or two, and then said: &ldquo;I&rsquo;m not
+ thinking of that at all, but of something else; something rather peculiar.
+ Just strike a match, will you?&rdquo;
+ </p>
+ <p>
+ The big man fumbled in his pocket, and soon a scratch and a flare painted
+ gold the whole flat side of the monument. On it was cut in black letters
+ the well-known words which so many Americans had reverently read: &ldquo;Sacred
+ to the Memory of General Sir Arthur St. Clare, Hero and Martyr, who Always
+ Vanquished his Enemies and Always Spared Them, and Was Treacherously Slain
+ by Them At Last. May God in Whom he Trusted both Reward and Revenge him.&rdquo;
+ </p>
+ <p>
+ The match burnt the big man&rsquo;s fingers, blackened, and dropped. He was
+ about to strike another, but his small companion stopped him. &ldquo;That&rsquo;s all
+ right, Flambeau, old man; I saw what I wanted. Or, rather, I didn&rsquo;t see
+ what I didn&rsquo;t want. And now we must walk a mile and a half along the road
+ to the next inn, and I will try to tell you all about it. For Heaven knows
+ a man should have a fire and ale when he dares tell such a story.&rdquo;
+ </p>
+ <p>
+ They descended the precipitous path, they relatched the rusty gate, and
+ set off at a stamping, ringing walk down the frozen forest road. They had
+ gone a full quarter of a mile before the smaller man spoke again. He said:
+ &ldquo;Yes; the wise man hides a pebble on the beach. But what does he do if
+ there is no beach? Do you know anything of that great St. Clare trouble?&rdquo;
+ </p>
+ <p>
+ &ldquo;I know nothing about English generals, Father Brown,&rdquo; answered the large
+ man, laughing, &ldquo;though a little about English policemen. I only know that
+ you have dragged me a precious long dance to all the shrines of this
+ fellow, whoever he is. One would think he got buried in six different
+ places. I&rsquo;ve seen a memorial to General St. Clare in Westminster Abbey.
+ I&rsquo;ve seen a ramping equestrian statue of General St. Clare on the
+ Embankment. I&rsquo;ve seen a medallion of St. Clare in the street he was born
+ in, and another in the street he lived in; and now you drag me after dark
+ to his coffin in the village churchyard. I am beginning to be a bit tired
+ of his magnificent personality, especially as I don&rsquo;t in the least know
+ who he was. What are you hunting for in all these crypts and effigies?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am only looking for one word,&rdquo; said Father Brown. &ldquo;A word that isn&rsquo;t
+ there.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; asked Flambeau; &ldquo;are you going to tell me anything about it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I must divide it into two parts,&rdquo; remarked the priest. &ldquo;First there is
+ what everybody knows; and then there is what I know. Now, what everybody
+ knows is short and plain enough. It is also entirely wrong.&rdquo;
+ </p>
+ <p>
+ &ldquo;Right you are,&rdquo; said the big man called Flambeau cheerfully. &ldquo;Let&rsquo;s begin
+ at the wrong end. Let&rsquo;s begin with what everybody knows, which isn&rsquo;t
+ true.&rdquo;
+ </p>
+ <p>
+ &ldquo;If not wholly untrue, it is at least very inadequate,&rdquo; continued Brown;
+ &ldquo;for in point of fact, all that the public knows amounts precisely to
+ this: The public knows that Arthur St. Clare was a great and successful
+ English general. It knows that after splendid yet careful campaigns both
+ in India and Africa he was in command against Brazil when the great
+ Brazilian patriot Olivier issued his ultimatum. It knows that on that
+ occasion St. Clare with a very small force attacked Olivier with a very
+ large one, and was captured after heroic resistance. And it knows that
+ after his capture, and to the abhorrence of the civilised world, St. Clare
+ was hanged on the nearest tree. He was found swinging there after the
+ Brazilians had retired, with his broken sword hung round his neck.&rdquo;
+ </p>
+ <p>
+ &ldquo;And that popular story is untrue?&rdquo; suggested Flambeau.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said his friend quietly, &ldquo;that story is quite true, so far as it
+ goes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I think it goes far enough!&rdquo; said Flambeau; &ldquo;but if the popular
+ story is true, what is the mystery?&rdquo;
+ </p>
+ <p>
+ They had passed many hundreds of grey and ghostly trees before the little
+ priest answered. Then he bit his finger reflectively and said: &ldquo;Why, the
+ mystery is a mystery of psychology. Or, rather, it is a mystery of two
+ psychologies. In that Brazilian business two of the most famous men of
+ modern history acted flat against their characters. Mind you, Olivier and
+ St. Clare were both heroes&mdash;the old thing, and no mistake; it was
+ like the fight between Hector and Achilles. Now, what would you say to an
+ affair in which Achilles was timid and Hector was treacherous?&rdquo;
+ </p>
+ <p>
+ &ldquo;Go on,&rdquo; said the large man impatiently as the other bit his finger again.
+ </p>
+ <p>
+ &ldquo;Sir Arthur St. Clare was a soldier of the old religious type&mdash;the
+ type that saved us during the Mutiny,&rdquo; continued Brown. &ldquo;He was always
+ more for duty than for dash; and with all his personal courage was
+ decidedly a prudent commander, particularly indignant at any needless
+ waste of soldiers. Yet in this last battle he attempted something that a
+ baby could see was absurd. One need not be a strategist to see it was as
+ wild as wind; just as one need not be a strategist to keep out of the way
+ of a motor-bus. Well, that is the first mystery; what had become of the
+ English general&rsquo;s head? The second riddle is, what had become of the
+ Brazilian general&rsquo;s heart? President Olivier might be called a visionary
+ or a nuisance; but even his enemies admitted that he was magnanimous to
+ the point of knight errantry. Almost every other prisoner he had ever
+ captured had been set free or even loaded with benefits. Men who had
+ really wronged him came away touched by his simplicity and sweetness. Why
+ the deuce should he diabolically revenge himself only once in his life;
+ and that for the one particular blow that could not have hurt him? Well,
+ there you have it. One of the wisest men in the world acted like an idiot
+ for no reason. One of the best men in the world acted like a fiend for no
+ reason. That&rsquo;s the long and the short of it; and I leave it to you, my
+ boy.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, you don&rsquo;t,&rdquo; said the other with a snort. &ldquo;I leave it to you; and you
+ jolly well tell me all about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; resumed Father Brown, &ldquo;it&rsquo;s not fair to say that the public
+ impression is just what I&rsquo;ve said, without adding that two things have
+ happened since. I can&rsquo;t say they threw a new light; for nobody can make
+ sense of them. But they threw a new kind of darkness; they threw the
+ darkness in new directions. The first was this. The family physician of
+ the St. Clares quarrelled with that family, and began publishing a violent
+ series of articles, in which he said that the late general was a religious
+ maniac; but as far as the tale went, this seemed to mean little more than
+ a religious man.
+ </p>
+ <p>
+ &ldquo;Anyhow, the story fizzled out. Everyone knew, of course, that St. Clare
+ had some of the eccentricities of puritan piety. The second incident was
+ much more arresting. In the luckless and unsupported regiment which made
+ that rash attempt at the Black River there was a certain Captain Keith,
+ who was at that time engaged to St. Clare&rsquo;s daughter, and who afterwards
+ married her. He was one of those who were captured by Olivier, and, like
+ all the rest except the general, appears to have been bounteously treated
+ and promptly set free. Some twenty years afterwards this man, then
+ Lieutenant-Colonel Keith, published a sort of autobiography called &lsquo;A
+ British Officer in Burmah and Brazil.&rsquo; In the place where the reader looks
+ eagerly for some account of the mystery of St. Clare&rsquo;s disaster may be
+ found the following words: &lsquo;Everywhere else in this book I have narrated
+ things exactly as they occurred, holding as I do the old-fashioned opinion
+ that the glory of England is old enough to take care of itself. The
+ exception I shall make is in this matter of the defeat by the Black River;
+ and my reasons, though private, are honourable and compelling. I will,
+ however, add this in justice to the memories of two distinguished men.
+ General St. Clare has been accused of incapacity on this occasion; I can
+ at least testify that this action, properly understood, was one of the
+ most brilliant and sagacious of his life. President Olivier by similar
+ report is charged with savage injustice. I think it due to the honour of
+ an enemy to say that he acted on this occasion with even more than his
+ characteristic good feeling. To put the matter popularly, I can assure my
+ countrymen that St. Clare was by no means such a fool nor Olivier such a
+ brute as he looked. This is all I have to say; nor shall any earthly
+ consideration induce me to add a word to it.&rsquo;&rdquo;
+ </p>
+ <p>
+ A large frozen moon like a lustrous snowball began to show through the
+ tangle of twigs in front of them, and by its light the narrator had been
+ able to refresh his memory of Captain Keith&rsquo;s text from a scrap of printed
+ paper. As he folded it up and put it back in his pocket Flambeau threw up
+ his hand with a French gesture.
+ </p>
+ <p>
+ &ldquo;Wait a bit, wait a bit,&rdquo; he cried excitedly. &ldquo;I believe I can guess it at
+ the first go.&rdquo;
+ </p>
+ <p>
+ He strode on, breathing hard, his black head and bull neck forward, like a
+ man winning a walking race. The little priest, amused and interested, had
+ some trouble in trotting beside him. Just before them the trees fell back
+ a little to left and right, and the road swept downwards across a clear,
+ moonlit valley, till it dived again like a rabbit into the wall of another
+ wood. The entrance to the farther forest looked small and round, like the
+ black hole of a remote railway tunnel. But it was within some hundred
+ yards, and gaped like a cavern before Flambeau spoke again.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve got it,&rdquo; he cried at last, slapping his thigh with his great hand.
+ &ldquo;Four minutes&rsquo; thinking, and I can tell your whole story myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; assented his friend. &ldquo;You tell it.&rdquo;
+ </p>
+ <p>
+ Flambeau lifted his head, but lowered his voice. &ldquo;General Sir Arthur St.
+ Clare,&rdquo; he said, &ldquo;came of a family in which madness was hereditary; and
+ his whole aim was to keep this from his daughter, and even, if possible,
+ from his future son-in-law. Rightly or wrongly, he thought the final
+ collapse was close, and resolved on suicide. Yet ordinary suicide would
+ blazon the very idea he dreaded. As the campaign approached the clouds
+ came thicker on his brain; and at last in a mad moment he sacrificed his
+ public duty to his private. He rushed rashly into battle, hoping to fall
+ by the first shot. When he found that he had only attained capture and
+ discredit, the sealed bomb in his brain burst, and he broke his own sword
+ and hanged himself.&rdquo;
+ </p>
+ <p>
+ He stared firmly at the grey façade of forest in front of him, with the
+ one black gap in it, like the mouth of the grave, into which their path
+ plunged. Perhaps something menacing in the road thus suddenly swallowed
+ reinforced his vivid vision of the tragedy, for he shuddered.
+ </p>
+ <p>
+ &ldquo;A horrid story,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;A horrid story,&rdquo; repeated the priest with bent head. &ldquo;But not the real
+ story.&rdquo;
+ </p>
+ <p>
+ Then he threw back his head with a sort of despair and cried: &ldquo;Oh, I wish
+ it had been.&rdquo;
+ </p>
+ <p>
+ The tall Flambeau faced round and stared at him.
+ </p>
+ <p>
+ &ldquo;Yours is a clean story,&rdquo; cried Father Brown, deeply moved. &ldquo;A sweet,
+ pure, honest story, as open and white as that moon. Madness and despair
+ are innocent enough. There are worse things, Flambeau.&rdquo;
+ </p>
+ <p>
+ Flambeau looked up wildly at the moon thus invoked; and from where he
+ stood one black tree-bough curved across it exactly like a devil&rsquo;s horn.
+ </p>
+ <p>
+ &ldquo;Father&mdash;father,&rdquo; cried Flambeau with the French gesture and stepping
+ yet more rapidly forward, &ldquo;do you mean it was worse than that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Worse than that,&rdquo; said Paul like a grave echo. And they plunged into the
+ black cloister of the woodland, which ran by them in a dim tapestry of
+ trunks, like one of the dark corridors in a dream.
+ </p>
+ <p>
+ They were soon in the most secret entrails of the wood, and felt close
+ about them foliage that they could not see, when the priest said again:
+ </p>
+ <p>
+ &ldquo;Where does a wise man hide a leaf? In the forest. But what does he do if
+ there is no forest?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, well,&rdquo; cried Flambeau irritably, &ldquo;what does he do?&rdquo;
+ </p>
+ <p>
+ &ldquo;He grows a forest to hide it in,&rdquo; said the priest in an obscure voice. &ldquo;A
+ fearful sin.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here,&rdquo; cried his friend impatiently, for the dark wood and the dark
+ saying got a little on his nerves; &ldquo;will you tell me this story or not?
+ What other evidence is there to go on?&rdquo;
+ </p>
+ <p>
+ &ldquo;There are three more bits of evidence,&rdquo; said the other, &ldquo;that I have dug
+ up in holes and corners; and I will give them in logical rather than
+ chronological order. First of all, of course, our authority for the issue
+ and event of the battle is in Olivier&rsquo;s own dispatches, which are lucid
+ enough. He was entrenched with two or three regiments on the heights that
+ swept down to the Black River, on the other side of which was lower and
+ more marshy ground. Beyond this again was gently rising country, on which
+ was the first English outpost, supported by others which lay, however,
+ considerably in its rear. The British forces as a whole were greatly
+ superior in numbers; but this particular regiment was just far enough from
+ its base to make Olivier consider the project of crossing the river to cut
+ it off. By sunset, however, he had decided to retain his own position,
+ which was a specially strong one. At daybreak next morning he was
+ thunderstruck to see that this stray handful of English, entirely
+ unsupported from their rear, had flung themselves across the river, half
+ by a bridge to the right, and the other half by a ford higher up, and were
+ massed upon the marshy bank below him.
+ </p>
+ <p>
+ &ldquo;That they should attempt an attack with such numbers against such a
+ position was incredible enough; but Olivier noticed something yet more
+ extraordinary. For instead of attempting to seize more solid ground, this
+ mad regiment, having put the river in its rear by one wild charge, did
+ nothing more, but stuck there in the mire like flies in treacle. Needless
+ to say, the Brazilians blew great gaps in them with artillery, which they
+ could only return with spirited but lessening rifle fire. Yet they never
+ broke; and Olivier&rsquo;s curt account ends with a strong tribute of admiration
+ for the mystic valour of these imbeciles. &lsquo;Our line then advanced
+ finally,&rsquo; writes Olivier, &lsquo;and drove them into the river; we captured
+ General St. Clare himself and several other officers. The colonel and the
+ major had both fallen in the battle. I cannot resist saying that few finer
+ sights can have been seen in history than the last stand of this
+ extraordinary regiment; wounded officers picking up the rifles of dead
+ soldiers, and the general himself facing us on horseback bareheaded and
+ with a broken sword.&rsquo; On what happened to the general afterwards Olivier
+ is as silent as Captain Keith.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; grunted Flambeau, &ldquo;get on to the next bit of evidence.&rdquo;
+ </p>
+ <p>
+ &ldquo;The next evidence,&rdquo; said Father Brown, &ldquo;took some time to find, but it
+ will not take long to tell. I found at last in an almshouse down in the
+ Lincolnshire Fens an old soldier who not only was wounded at the Black
+ River, but had actually knelt beside the colonel of the regiment when he
+ died. This latter was a certain Colonel Clancy, a big bull of an Irishman;
+ and it would seem that he died almost as much of rage as of bullets. He,
+ at any rate, was not responsible for that ridiculous raid; it must have
+ been imposed on him by the general. His last edifying words, according to
+ my informant, were these: &lsquo;And there goes the damned old donkey with the
+ end of his sword knocked off. I wish it was his head.&rsquo; You will remark
+ that everyone seems to have noticed this detail about the broken sword
+ blade, though most people regard it somewhat more reverently than did the
+ late Colonel Clancy. And now for the third fragment.&rdquo;
+ </p>
+ <p>
+ Their path through the woodland began to go upward, and the speaker paused
+ a little for breath before he went on. Then he continued in the same
+ business-like tone:
+ </p>
+ <p>
+ &ldquo;Only a month or two ago a certain Brazilian official died in England,
+ having quarrelled with Olivier and left his country. He was a well-known
+ figure both here and on the Continent, a Spaniard named Espado; I knew him
+ myself, a yellow-faced old dandy, with a hooked nose. For various private
+ reasons I had permission to see the documents he had left; he was a
+ Catholic, of course, and I had been with him towards the end. There was
+ nothing of his that lit up any corner of the black St. Clare business,
+ except five or six common exercise books filled with the diary of some
+ English soldier. I can only suppose that it was found by the Brazilians on
+ one of those that fell. Anyhow, it stopped abruptly the night before the
+ battle.
+ </p>
+ <p>
+ &ldquo;But the account of that last day in the poor fellow&rsquo;s life was certainly
+ worth reading. I have it on me; but it&rsquo;s too dark to read it here, and I
+ will give you a resume. The first part of that entry is full of jokes,
+ evidently flung about among the men, about somebody called the Vulture. It
+ does not seem as if this person, whoever he was, was one of themselves,
+ nor even an Englishman; neither is he exactly spoken of as one of the
+ enemy. It sounds rather as if he were some local go-between and
+ non-combatant; perhaps a guide or a journalist. He has been closeted with
+ old Colonel Clancy; but is more often seen talking to the major. Indeed,
+ the major is somewhat prominent in this soldier&rsquo;s narrative; a lean,
+ dark-haired man, apparently, of the name of Murray&mdash;a north of
+ Ireland man and a Puritan. There are continual jests about the contrast
+ between this Ulsterman&rsquo;s austerity and the conviviality of Colonel Clancy.
+ There is also some joke about the Vulture wearing bright-coloured clothes.
+ </p>
+ <p>
+ &ldquo;But all these levities are scattered by what may well be called the note
+ of a bugle. Behind the English camp and almost parallel to the river ran
+ one of the few great roads of that district. Westward the road curved
+ round towards the river, which it crossed by the bridge before mentioned.
+ To the east the road swept backwards into the wilds, and some two miles
+ along it was the next English outpost. From this direction there came
+ along the road that evening a glitter and clatter of light cavalry, in
+ which even the simple diarist could recognise with astonishment the
+ general with his staff. He rode the great white horse which you have seen
+ so often in illustrated papers and Academy pictures; and you may be sure
+ that the salute they gave him was not merely ceremonial. He, at least,
+ wasted no time on ceremony, but, springing from the saddle immediately,
+ mixed with the group of officers, and fell into emphatic though
+ confidential speech. What struck our friend the diarist most was his
+ special disposition to discuss matters with Major Murray; but, indeed,
+ such a selection, so long as it was not marked, was in no way unnatural.
+ The two men were made for sympathy; they were men who &lsquo;read their Bibles&rsquo;;
+ they were both the old Evangelical type of officer. However this may be,
+ it is certain that when the general mounted again he was still talking
+ earnestly to Murray; and that as he walked his horse slowly down the road
+ towards the river, the tall Ulsterman still walked by his bridle rein in
+ earnest debate. The soldiers watched the two until they vanished behind a
+ clump of trees where the road turned towards the river. The colonel had
+ gone back to his tent, and the men to their pickets; the man with the
+ diary lingered for another four minutes, and saw a marvellous sight.
+ </p>
+ <p>
+ &ldquo;The great white horse which had marched slowly down the road, as it had
+ marched in so many processions, flew back, galloping up the road towards
+ them as if it were mad to win a race. At first they thought it had run
+ away with the man on its back; but they soon saw that the general, a fine
+ rider, was himself urging it to full speed. Horse and man swept up to them
+ like a whirlwind; and then, reining up the reeling charger, the general
+ turned on them a face like flame, and called for the colonel like the
+ trumpet that wakes the dead.
+ </p>
+ <p>
+ &ldquo;I conceive that all the earthquake events of that catastrophe tumbled on
+ top of each other rather like lumber in the minds of men such as our
+ friend with the diary. With the dazed excitement of a dream, they found
+ themselves falling&mdash;literally falling&mdash;into their ranks, and
+ learned that an attack was to be led at once across the river. The general
+ and the major, it was said, had found out something at the bridge, and
+ there was only just time to strike for life. The major had gone back at
+ once to call up the reserve along the road behind; it was doubtful if even
+ with that prompt appeal help could reach them in time. But they must pass
+ the stream that night, and seize the heights by morning. It is with the
+ very stir and throb of that romantic nocturnal march that the diary
+ suddenly ends.&rdquo;
+ </p>
+ <p>
+ Father Brown had mounted ahead; for the woodland path grew smaller,
+ steeper, and more twisted, till they felt as if they were ascending a
+ winding staircase. The priest&rsquo;s voice came from above out of the darkness.
+ </p>
+ <p>
+ &ldquo;There was one other little and enormous thing. When the general urged
+ them to their chivalric charge he half drew his sword from the scabbard;
+ and then, as if ashamed of such melodrama, thrust it back again. The sword
+ again, you see.&rdquo;
+ </p>
+ <p>
+ A half-light broke through the network of boughs above them, flinging the
+ ghost of a net about their feet; for they were mounting again to the faint
+ luminosity of the naked night. Flambeau felt truth all round him as an
+ atmosphere, but not as an idea. He answered with bewildered brain: &ldquo;Well,
+ what&rsquo;s the matter with the sword? Officers generally have swords, don&rsquo;t
+ they?&rdquo;
+ </p>
+ <p>
+ &ldquo;They are not often mentioned in modern war,&rdquo; said the other
+ dispassionately; &ldquo;but in this affair one falls over the blessed sword
+ everywhere.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, what is there in that?&rdquo; growled Flambeau; &ldquo;it was a twopence
+ coloured sort of incident; the old man&rsquo;s blade breaking in his last
+ battle. Anyone might bet the papers would get hold of it, as they have. On
+ all these tombs and things it&rsquo;s shown broken at the point. I hope you
+ haven&rsquo;t dragged me through this Polar expedition merely because two men
+ with an eye for a picture saw St. Clare&rsquo;s broken sword.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; cried Father Brown, with a sharp voice like a pistol shot; &ldquo;but who
+ saw his unbroken sword?&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; cried the other, and stood still under the stars. They
+ had come abruptly out of the grey gates of the wood.
+ </p>
+ <p>
+ &ldquo;I say, who saw his unbroken sword?&rdquo; repeated Father Brown obstinately.
+ &ldquo;Not the writer of the diary, anyhow; the general sheathed it in time.&rdquo;
+ </p>
+ <p>
+ Flambeau looked about him in the moonlight, as a man struck blind might
+ look in the sun; and his friend went on, for the first time with
+ eagerness:
+ </p>
+ <p>
+ &ldquo;Flambeau,&rdquo; he cried, &ldquo;I cannot prove it, even after hunting through the
+ tombs. But I am sure of it. Let me add just one more tiny fact that tips
+ the whole thing over. The colonel, by a strange chance, was one of the
+ first struck by a bullet. He was struck long before the troops came to
+ close quarters. But he saw St. Clare&rsquo;s sword broken. Why was it broken?
+ How was it broken? My friend, it was broken before the battle.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; said his friend, with a sort of forlorn jocularity; &ldquo;and pray where
+ is the other piece?&rdquo;
+ </p>
+ <p>
+ &ldquo;I can tell you,&rdquo; said the priest promptly. &ldquo;In the northeast corner of
+ the cemetery of the Protestant Cathedral at Belfast.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed?&rdquo; inquired the other. &ldquo;Have you looked for it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I couldn&rsquo;t,&rdquo; replied Brown, with frank regret. &ldquo;There&rsquo;s a great marble
+ monument on top of it; a monument to the heroic Major Murray, who fell
+ fighting gloriously at the famous Battle of the Black River.&rdquo;
+ </p>
+ <p>
+ Flambeau seemed suddenly galvanised into existence. &ldquo;You mean,&rdquo; he cried
+ hoarsely, &ldquo;that General St. Clare hated Murray, and murdered him on the
+ field of battle because&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You are still full of good and pure thoughts,&rdquo; said the other. &ldquo;It was
+ worse than that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the large man, &ldquo;my stock of evil imagination is used up.&rdquo;
+ </p>
+ <p>
+ The priest seemed really doubtful where to begin, and at last he said
+ again:
+ </p>
+ <p>
+ &ldquo;Where would a wise man hide a leaf? In the forest.&rdquo;
+ </p>
+ <p>
+ The other did not answer.
+ </p>
+ <p>
+ &ldquo;If there were no forest, he would make a forest. And if he wished to hide
+ a dead leaf, he would make a dead forest.&rdquo;
+ </p>
+ <p>
+ There was still no reply, and the priest added still more mildly and
+ quietly:
+ </p>
+ <p>
+ &ldquo;And if a man had to hide a dead body, he would make a field of dead
+ bodies to hide it in.&rdquo;
+ </p>
+ <p>
+ Flambeau began to stamp forward with an intolerance of delay in time or
+ space; but Father Brown went on as if he were continuing the last
+ sentence:
+ </p>
+ <p>
+ &ldquo;Sir Arthur St. Clare, as I have already said, was a man who read his
+ Bible. That was what was the matter with him. When will people understand
+ that it is useless for a man to read his Bible unless he also reads
+ everybody else&rsquo;s Bible? A printer reads a Bible for misprints. A Mormon
+ reads his Bible, and finds polygamy; a Christian Scientist reads his, and
+ finds we have no arms and legs. St. Clare was an old Anglo-Indian
+ Protestant soldier. Now, just think what that might mean; and, for
+ Heaven&rsquo;s sake, don&rsquo;t cant about it. It might mean a man physically
+ formidable living under a tropic sun in an Oriental society, and soaking
+ himself without sense or guidance in an Oriental Book. Of course, he read
+ the Old Testament rather than the New. Of course, he found in the Old
+ Testament anything that he wanted&mdash;lust, tyranny, treason. Oh, I dare
+ say he was honest, as you call it. But what is the good of a man being
+ honest in his worship of dishonesty?
+ </p>
+ <p>
+ &ldquo;In each of the hot and secret countries to which the man went he kept a
+ harem, he tortured witnesses, he amassed shameful gold; but certainly he
+ would have said with steady eyes that he did it to the glory of the Lord.
+ My own theology is sufficiently expressed by asking which Lord? Anyhow,
+ there is this about such evil, that it opens door after door in hell, and
+ always into smaller and smaller chambers. This is the real case against
+ crime, that a man does not become wilder and wilder, but only meaner and
+ meaner. St. Clare was soon suffocated by difficulties of bribery and
+ blackmail; and needed more and more cash. And by the time of the Battle of
+ the Black River he had fallen from world to world to that place which
+ Dante makes the lowest floor of the universe.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked his friend again.
+ </p>
+ <p>
+ &ldquo;I mean that,&rdquo; retorted the cleric, and suddenly pointed at a puddle
+ sealed with ice that shone in the moon. &ldquo;Do you remember whom Dante put in
+ the last circle of ice?&rdquo;
+ </p>
+ <p>
+ &ldquo;The traitors,&rdquo; said Flambeau, and shuddered. As he looked around at the
+ inhuman landscape of trees, with taunting and almost obscene outlines, he
+ could almost fancy he was Dante, and the priest with the rivulet of a
+ voice was, indeed, a Virgil leading him through a land of eternal sins.
+ </p>
+ <p>
+ The voice went on: &ldquo;Olivier, as you know, was quixotic, and would not
+ permit a secret service and spies. The thing, however, was done, like many
+ other things, behind his back. It was managed by my old friend Espado; he
+ was the bright-clad fop, whose hook nose got him called the Vulture.
+ Posing as a sort of philanthropist at the front, he felt his way through
+ the English Army, and at last got his fingers on its one corrupt man&mdash;please
+ God!&mdash;and that man at the top. St. Clare was in foul need of money,
+ and mountains of it. The discredited family doctor was threatening those
+ extraordinary exposures that afterwards began and were broken off; tales
+ of monstrous and prehistoric things in Park Lane; things done by an
+ English Evangelist that smelt like human sacrifice and hordes of slaves.
+ Money was wanted, too, for his daughter&rsquo;s dowry; for to him the fame of
+ wealth was as sweet as wealth itself. He snapped the last thread,
+ whispered the word to Brazil, and wealth poured in from the enemies of
+ England. But another man had talked to Espado the Vulture as well as he.
+ Somehow the dark, grim young major from Ulster had guessed the hideous
+ truth; and when they walked slowly together down that road towards the
+ bridge Murray was telling the general that he must resign instantly, or be
+ court-martialled and shot. The general temporised with him till they came
+ to the fringe of tropic trees by the bridge; and there by the singing
+ river and the sunlit palms (for I can see the picture) the general drew
+ his sabre and plunged it through the body of the major.&rdquo;
+ </p>
+ <p>
+ The wintry road curved over a ridge in cutting frost, with cruel black
+ shapes of bush and thicket; but Flambeau fancied that he saw beyond it
+ faintly the edge of an aureole that was not starlight and moonlight, but
+ some fire such as is made by men. He watched it as the tale drew to its
+ close.
+ </p>
+ <p>
+ &ldquo;St. Clare was a hell-hound, but he was a hound of breed. Never, I&rsquo;ll
+ swear, was he so lucid and so strong as when poor Murray lay a cold lump
+ at his feet. Never in all his triumphs, as Captain Keith said truly, was
+ the great man so great as he was in this last world-despised defeat. He
+ looked coolly at his weapon to wipe off the blood; he saw the point he had
+ planted between his victim&rsquo;s shoulders had broken off in the body. He saw
+ quite calmly, as through a club windowpane, all that must follow. He saw
+ that men must find the unaccountable corpse; must extract the
+ unaccountable sword-point; must notice the unaccountable broken sword&mdash;or
+ absence of sword. He had killed, but not silenced. But his imperious
+ intellect rose against the facer; there was one way yet. He could make the
+ corpse less unaccountable. He could create a hill of corpses to cover this
+ one. In twenty minutes eight hundred English soldiers were marching down
+ to their death.&rdquo;
+ </p>
+ <p>
+ The warmer glow behind the black winter wood grew richer and brighter, and
+ Flambeau strode on to reach it. Father Brown also quickened his stride;
+ but he seemed merely absorbed in his tale.
+ </p>
+ <p>
+ &ldquo;Such was the valour of that English thousand, and such the genius of
+ their commander, that if they had at once attacked the hill, even their
+ mad march might have met some luck. But the evil mind that played with
+ them like pawns had other aims and reasons. They must remain in the
+ marshes by the bridge at least till British corpses should be a common
+ sight there. Then for the last grand scene; the silver-haired
+ soldier-saint would give up his shattered sword to save further slaughter.
+ Oh, it was well organised for an impromptu. But I think (I cannot prove),
+ I think that it was while they stuck there in the bloody mire that someone
+ doubted&mdash;and someone guessed.&rdquo;
+ </p>
+ <p>
+ He was mute a moment, and then said: &ldquo;There is a voice from nowhere that
+ tells me the man who guessed was the lover... the man to wed the old man&rsquo;s
+ child.&rdquo;
+ </p>
+ <p>
+ &ldquo;But what about Olivier and the hanging?&rdquo; asked Flambeau.
+ </p>
+ <p>
+ &ldquo;Olivier, partly from chivalry, partly from policy, seldom encumbered his
+ march with captives,&rdquo; explained the narrator. &ldquo;He released everybody in
+ most cases. He released everybody in this case.&rdquo;
+ </p>
+ <p>
+ &ldquo;Everybody but the general,&rdquo; said the tall man.
+ </p>
+ <p>
+ &ldquo;Everybody,&rdquo; said the priest.
+ </p>
+ <p>
+ Flambeau knit his black brows. &ldquo;I don&rsquo;t grasp it all yet,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;There is another picture, Flambeau,&rdquo; said Brown in his more mystical
+ undertone. &ldquo;I can&rsquo;t prove it; but I can do more&mdash;I can see it. There
+ is a camp breaking up on the bare, torrid hills at morning, and Brazilian
+ uniforms massed in blocks and columns to march. There is the red shirt and
+ long black beard of Olivier, which blows as he stands, his broad-brimmed
+ hat in his hand. He is saying farewell to the great enemy he is setting
+ free&mdash;the simple, snow-headed English veteran, who thanks him in the
+ name of his men. The English remnant stand behind at attention; beside
+ them are stores and vehicles for the retreat. The drums roll; the
+ Brazilians are moving; the English are still like statues. So they abide
+ till the last hum and flash of the enemy have faded from the tropic
+ horizon. Then they alter their postures all at once, like dead men coming
+ to life; they turn their fifty faces upon the general&mdash;faces not to
+ be forgotten.&rdquo;
+ </p>
+ <p>
+ Flambeau gave a great jump. &ldquo;Ah,&rdquo; he cried, &ldquo;you don&rsquo;t mean&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Father Brown in a deep, moving voice. &ldquo;It was an English hand
+ that put the rope round St. Clare&rsquo;s neck; I believe the hand that put the
+ ring on his daughter&rsquo;s finger. They were English hands that dragged him up
+ to the tree of shame; the hands of men that had adored him and followed
+ him to victory. And they were English souls (God pardon and endure us
+ all!) who stared at him swinging in that foreign sun on the green gallows
+ of palm, and prayed in their hatred that he might drop off it into hell.&rdquo;
+ </p>
+ <p>
+ As the two topped the ridge there burst on them the strong scarlet light
+ of a red-curtained English inn. It stood sideways in the road, as if
+ standing aside in the amplitude of hospitality. Its three doors stood open
+ with invitation; and even where they stood they could hear the hum and
+ laughter of humanity happy for a night.
+ </p>
+ <p>
+ &ldquo;I need not tell you more,&rdquo; said Father Brown. &ldquo;They tried him in the
+ wilderness and destroyed him; and then, for the honour of England and of
+ his daughter, they took an oath to seal up for ever the story of the
+ traitor&rsquo;s purse and the assassin&rsquo;s sword blade. Perhaps&mdash;Heaven help
+ them&mdash;they tried to forget it. Let us try to forget it, anyhow; here
+ is our inn.&rdquo;
+ </p>
+ <p>
+ &ldquo;With all my heart,&rdquo; said Flambeau, and was just striding into the bright,
+ noisy bar when he stepped back and almost fell on the road.
+ </p>
+ <p>
+ &ldquo;Look there, in the devil&rsquo;s name!&rdquo; he cried, and pointed rigidly at the
+ square wooden sign that overhung the road. It showed dimly the crude shape
+ of a sabre hilt and a shortened blade; and was inscribed in false archaic
+ lettering, &ldquo;The Sign of the Broken Sword.&rdquo;
+ </p>
+ <p>
+ &ldquo;Were you not prepared?&rdquo; asked Father Brown gently. &ldquo;He is the god of this
+ country; half the inns and parks and streets are named after him and his
+ story.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought we had done with the leper,&rdquo; cried Flambeau, and spat on the
+ road.
+ </p>
+ <p>
+ &ldquo;You will never have done with him in England,&rdquo; said the priest, looking
+ down, &ldquo;while brass is strong and stone abides. His marble statues will
+ erect the souls of proud, innocent boys for centuries, his village tomb
+ will smell of loyalty as of lilies. Millions who never knew him shall love
+ him like a father&mdash;this man whom the last few that knew him dealt
+ with like dung. He shall be a saint; and the truth shall never be told of
+ him, because I have made up my mind at last. There is so much good and
+ evil in breaking secrets, that I put my conduct to a test. All these
+ newspapers will perish; the anti-Brazil boom is already over; Olivier is
+ already honoured everywhere. But I told myself that if anywhere, by name,
+ in metal or marble that will endure like the pyramids, Colonel Clancy, or
+ Captain Keith, or President Olivier, or any innocent man was wrongly
+ blamed, then I would speak. If it were only that St. Clare was wrongly
+ praised, I would be silent. And I will.&rdquo;
+ </p>
+ <p>
+ They plunged into the red-curtained tavern, which was not only cosy, but
+ even luxurious inside. On a table stood a silver model of the tomb of St.
+ Clare, the silver head bowed, the silver sword broken. On the walls were
+ coloured photographs of the same scene, and of the system of wagonettes
+ that took tourists to see it. They sat down on the comfortable padded
+ benches.
+ </p>
+ <p>
+ &ldquo;Come, it&rsquo;s cold,&rdquo; cried Father Brown; &ldquo;let&rsquo;s have some wine or beer.&rdquo;
+ </p>
+ <p>
+ &ldquo;Or brandy,&rdquo; said Flambeau.
+ </p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+ <h2><a name="chap12"></a>
+ The Three Tools of Death
+ </h2>
+ <p>
+ Both by calling and conviction Father Brown knew better than most of us,
+ that every man is dignified when he is dead. But even he felt a pang of
+ incongruity when he was knocked up at daybreak and told that Sir Aaron
+ Armstrong had been murdered. There was something absurd and unseemly about
+ secret violence in connection with so entirely entertaining and popular a
+ figure. For Sir Aaron Armstrong was entertaining to the point of being
+ comic; and popular in such a manner as to be almost legendary. It was like
+ hearing that Sunny Jim had hanged himself; or that Mr. Pickwick had died
+ in Hanwell. For though Sir Aaron was a philanthropist, and thus dealt with
+ the darker side of our society, he prided himself on dealing with it in
+ the brightest possible style. His political and social speeches were
+ cataracts of anecdotes and &ldquo;loud laughter&rdquo;; his bodily health was of a
+ bursting sort; his ethics were all optimism; and he dealt with the Drink
+ problem (his favourite topic) with that immortal or even monotonous gaiety
+ which is so often a mark of the prosperous total abstainer.
+ </p>
+ <p>
+ The established story of his conversion was familiar on the more puritanic
+ platforms and pulpits, how he had been, when only a boy, drawn away from
+ Scotch theology to Scotch whisky, and how he had risen out of both and
+ become (as he modestly put it) what he was. Yet his wide white beard,
+ cherubic face, and sparkling spectacles, at the numberless dinners and
+ congresses where they appeared, made it hard to believe, somehow, that he
+ had ever been anything so morbid as either a dram-drinker or a Calvinist.
+ He was, one felt, the most seriously merry of all the sons of men.
+ </p>
+ <p>
+ He had lived on the rural skirt of Hampstead in a handsome house, high but
+ not broad, a modern and prosaic tower. The narrowest of its narrow sides
+ overhung the steep green bank of a railway, and was shaken by passing
+ trains. Sir Aaron Armstrong, as he boisterously explained, had no nerves.
+ But if the train had often given a shock to the house, that morning the
+ tables were turned, and it was the house that gave a shock to the train.
+ </p>
+ <p>
+ The engine slowed down and stopped just beyond that point where an angle
+ of the house impinged upon the sharp slope of turf. The arrest of most
+ mechanical things must be slow; but the living cause of this had been very
+ rapid. A man clad completely in black, even (it was remembered) to the
+ dreadful detail of black gloves, appeared on the ridge above the engine,
+ and waved his black hands like some sable windmill. This in itself would
+ hardly have stopped even a lingering train. But there came out of him a
+ cry which was talked of afterwards as something utterly unnatural and new.
+ It was one of those shouts that are horridly distinct even when we cannot
+ hear what is shouted. The word in this case was &ldquo;Murder!&rdquo;
+ </p>
+ <p>
+ But the engine-driver swears he would have pulled up just the same if he
+ had heard only the dreadful and definite accent and not the word.
+ </p>
+ <p>
+ The train once arrested, the most superficial stare could take in many
+ features of the tragedy. The man in black on the green bank was Sir Aaron
+ Armstrong&rsquo;s man-servant Magnus. The baronet in his optimism had often
+ laughed at the black gloves of this dismal attendant; but no one was
+ likely to laugh at him just now.
+ </p>
+ <p>
+ So soon as an inquirer or two had stepped off the line and across the
+ smoky hedge, they saw, rolled down almost to the bottom of the bank, the
+ body of an old man in a yellow dressing-gown with a very vivid scarlet
+ lining. A scrap of rope seemed caught about his leg, entangled presumably
+ in a struggle. There was a smear or so of blood, though very little; but
+ the body was bent or broken into a posture impossible to any living thing.
+ It was Sir Aaron Armstrong. A few more bewildered moments brought out a
+ big fair-bearded man, whom some travellers could salute as the dead man&rsquo;s
+ secretary, Patrick Royce, once well known in Bohemian society and even
+ famous in the Bohemian arts. In a manner more vague, but even more
+ convincing, he echoed the agony of the servant. By the time the third
+ figure of that household, Alice Armstrong, daughter of the dead man, had
+ come already tottering and waving into the garden, the engine-driver had
+ put a stop to his stoppage. The whistle had blown and the train had panted
+ on to get help from the next station.
+ </p>
+ <p>
+ Father Brown had been thus rapidly summoned at the request of Patrick
+ Royce, the big ex-Bohemian secretary. Royce was an Irishman by birth; and
+ that casual kind of Catholic that never remembers his religion until he is
+ really in a hole. But Royce&rsquo;s request might have been less promptly
+ complied with if one of the official detectives had not been a friend and
+ admirer of the unofficial Flambeau; and it was impossible to be a friend
+ of Flambeau without hearing numberless stories about Father Brown. Hence,
+ while the young detective (whose name was Merton) led the little priest
+ across the fields to the railway, their talk was more confidential than
+ could be expected between two total strangers.
+ </p>
+ <p>
+ &ldquo;As far as I can see,&rdquo; said Mr. Merton candidly, &ldquo;there is no sense to be
+ made of it at all. There is nobody one can suspect. Magnus is a solemn old
+ fool; far too much of a fool to be an assassin. Royce has been the
+ baronet&rsquo;s best friend for years; and his daughter undoubtedly adored him.
+ Besides, it&rsquo;s all too absurd. Who would kill such a cheery old chap as
+ Armstrong? Who could dip his hands in the gore of an after-dinner speaker?
+ It would be like killing Father Christmas.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it was a cheery house,&rdquo; assented Father Brown. &ldquo;It was a cheery
+ house while he was alive. Do you think it will be cheery now he is dead?&rdquo;
+ </p>
+ <p>
+ Merton started a little and regarded his companion with an enlivened eye.
+ &ldquo;Now he is dead?&rdquo; he repeated.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; continued the priest stolidly, &ldquo;he was cheerful. But did he
+ communicate his cheerfulness? Frankly, was anyone else in the house
+ cheerful but he?&rdquo;
+ </p>
+ <p>
+ A window in Merton&rsquo;s mind let in that strange light of surprise in which
+ we see for the first time things we have known all along. He had often
+ been to the Armstrongs&rsquo;, on little police jobs of the philanthropist; and,
+ now he came to think of it, it was in itself a depressing house. The rooms
+ were very high and very cold; the decoration mean and provincial; the
+ draughty corridors were lit by electricity that was bleaker than
+ moonlight. And though the old man&rsquo;s scarlet face and silver beard had
+ blazed like a bonfire in each room or passage in turn, it did not leave
+ any warmth behind it. Doubtless this spectral discomfort in the place was
+ partly due to the very vitality and exuberance of its owner; he needed no
+ stoves or lamps, he would say, but carried his own warmth with him. But
+ when Merton recalled the other inmates, he was compelled to confess that
+ they also were as shadows of their lord. The moody man-servant, with his
+ monstrous black gloves, was almost a nightmare; Royce, the secretary, was
+ solid enough, a big bull of a man, in tweeds, with a short beard; but the
+ straw-coloured beard was startlingly salted with grey like the tweeds, and
+ the broad forehead was barred with premature wrinkles. He was good-natured
+ enough also, but it was a sad sort of good-nature, almost a heart-broken
+ sort&mdash;he had the general air of being some sort of failure in life.
+ As for Armstrong&rsquo;s daughter, it was almost incredible that she was his
+ daughter; she was so pallid in colour and sensitive in outline. She was
+ graceful, but there was a quiver in the very shape of her that was like
+ the lines of an aspen. Merton had sometimes wondered if she had learnt to
+ quail at the crash of the passing trains.
+ </p>
+ <p>
+ &ldquo;You see,&rdquo; said Father Brown, blinking modestly, &ldquo;I&rsquo;m not sure that the
+ Armstrong cheerfulness is so very cheerful&mdash;for other people. You say
+ that nobody could kill such a happy old man, but I&rsquo;m not sure; ne nos
+ inducas in tentationem. If ever I murdered somebody,&rdquo; he added quite
+ simply, &ldquo;I dare say it might be an Optimist.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo; cried Merton amused. &ldquo;Do you think people dislike cheerfulness?&rdquo;
+ </p>
+ <p>
+ &ldquo;People like frequent laughter,&rdquo; answered Father Brown, &ldquo;but I don&rsquo;t think
+ they like a permanent smile. Cheerfulness without humour is a very trying
+ thing.&rdquo;
+ </p>
+ <p>
+ They walked some way in silence along the windy grassy bank by the rail,
+ and just as they came under the far-flung shadow of the tall Armstrong
+ house, Father Brown said suddenly, like a man throwing away a troublesome
+ thought rather than offering it seriously: &ldquo;Of course, drink is neither
+ good nor bad in itself. But I can&rsquo;t help sometimes feeling that men like
+ Armstrong want an occasional glass of wine to sadden them.&rdquo;
+ </p>
+ <p>
+ Merton&rsquo;s official superior, a grizzled and capable detective named Gilder,
+ was standing on the green bank waiting for the coroner, talking to Patrick
+ Royce, whose big shoulders and bristly beard and hair towered above him.
+ This was the more noticeable because Royce walked always with a sort of
+ powerful stoop, and seemed to be going about his small clerical and
+ domestic duties in a heavy and humbled style, like a buffalo drawing a
+ go-cart.
+ </p>
+ <p>
+ He raised his head with unusual pleasure at the sight of the priest, and
+ took him a few paces apart. Meanwhile Merton was addressing the older
+ detective respectfully indeed, but not without a certain boyish
+ impatience.
+ </p>
+ <p>
+ &ldquo;Well, Mr. Gilder, have you got much farther with the mystery?&rdquo;
+ </p>
+ <p>
+ &ldquo;There is no mystery,&rdquo; replied Gilder, as he looked under dreamy eyelids
+ at the rooks.
+ </p>
+ <p>
+ &ldquo;Well, there is for me, at any rate,&rdquo; said Merton, smiling.
+ </p>
+ <p>
+ &ldquo;It is simple enough, my boy,&rdquo; observed the senior investigator, stroking
+ his grey, pointed beard. &ldquo;Three minutes after you&rsquo;d gone for Mr. Royce&rsquo;s
+ parson the whole thing came out. You know that pasty-faced servant in the
+ black gloves who stopped the train?&rdquo;
+ </p>
+ <p>
+ &ldquo;I should know him anywhere. Somehow he rather gave me the creeps.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; drawled Gilder, &ldquo;when the train had gone on again, that man had
+ gone too. Rather a cool criminal, don&rsquo;t you think, to escape by the very
+ train that went off for the police?&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re pretty sure, I suppose,&rdquo; remarked the young man, &ldquo;that he really
+ did kill his master?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, my son, I&rsquo;m pretty sure,&rdquo; replied Gilder drily, &ldquo;for the trifling
+ reason that he has gone off with twenty thousand pounds in papers that
+ were in his master&rsquo;s desk. No, the only thing worth calling a difficulty
+ is how he killed him. The skull seems broken as with some big weapon, but
+ there&rsquo;s no weapon at all lying about, and the murderer would have found it
+ awkward to carry it away, unless the weapon was too small to be noticed.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps the weapon was too big to be noticed,&rdquo; said the priest, with an
+ odd little giggle.
+ </p>
+ <p>
+ Gilder looked round at this wild remark, and rather sternly asked Brown
+ what he meant.
+ </p>
+ <p>
+ &ldquo;Silly way of putting it, I know,&rdquo; said Father Brown apologetically.
+ &ldquo;Sounds like a fairy tale. But poor Armstrong was killed with a giant&rsquo;s
+ club, a great green club, too big to be seen, and which we call the earth.
+ He was broken against this green bank we are standing on.&rdquo;
+ </p>
+ <p>
+ &ldquo;How do you mean?&rdquo; asked the detective quickly.
+ </p>
+ <p>
+ Father Brown turned his moon face up to the narrow façade of the house and
+ blinked hopelessly up. Following his eyes, they saw that right at the top
+ of this otherwise blind back quarter of the building, an attic window
+ stood open.
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you see,&rdquo; he explained, pointing a little awkwardly like a child,
+ &ldquo;he was thrown down from there?&rdquo;
+ </p>
+ <p>
+ Gilder frowningly scrutinised the window, and then said: &ldquo;Well, it is
+ certainly possible. But I don&rsquo;t see why you are so sure about it.&rdquo;
+ </p>
+ <p>
+ Brown opened his grey eyes wide. &ldquo;Why,&rdquo; he said, &ldquo;there&rsquo;s a bit of rope
+ round the dead man&rsquo;s leg. Don&rsquo;t you see that other bit of rope up there
+ caught at the corner of the window?&rdquo;
+ </p>
+ <p>
+ At that height the thing looked like the faintest particle of dust or
+ hair, but the shrewd old investigator was satisfied. &ldquo;You&rsquo;re quite right,
+ sir,&rdquo; he said to Father Brown; &ldquo;that is certainly one to you.&rdquo;
+ </p>
+ <p>
+ Almost as he spoke a special train with one carriage took the curve of the
+ line on their left, and, stopping, disgorged another group of policemen,
+ in whose midst was the hangdog visage of Magnus, the absconded servant.
+ </p>
+ <p>
+ &ldquo;By Jove! they&rsquo;ve got him,&rdquo; cried Gilder, and stepped forward with quite a
+ new alertness.
+ </p>
+ <p>
+ &ldquo;Have you got the money!&rdquo; he cried to the first policeman.
+ </p>
+ <p>
+ The man looked him in the face with a rather curious expression and said:
+ &ldquo;No.&rdquo; Then he added: &ldquo;At least, not here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Which is the inspector, please?&rdquo; asked the man called Magnus.
+ </p>
+ <p>
+ When he spoke everyone instantly understood how this voice had stopped a
+ train. He was a dull-looking man with flat black hair, a colourless face,
+ and a faint suggestion of the East in the level slits in his eyes and
+ mouth. His blood and name, indeed, had remained dubious, ever since Sir
+ Aaron had &ldquo;rescued&rdquo; him from a waitership in a London restaurant, and (as
+ some said) from more infamous things. But his voice was as vivid as his
+ face was dead. Whether through exactitude in a foreign language, or in
+ deference to his master (who had been somewhat deaf), Magnus&rsquo;s tones had a
+ peculiarly ringing and piercing quality, and the whole group quite jumped
+ when he spoke.
+ </p>
+ <p>
+ &ldquo;I always knew this would happen,&rdquo; he said aloud with brazen blandness.
+ &ldquo;My poor old master made game of me for wearing black; but I always said I
+ should be ready for his funeral.&rdquo;
+ </p>
+ <p>
+ And he made a momentary movement with his two dark-gloved hands.
+ </p>
+ <p>
+ &ldquo;Sergeant,&rdquo; said Inspector Gilder, eyeing the black hands with wrath,
+ &ldquo;aren&rsquo;t you putting the bracelets on this fellow; he looks pretty
+ dangerous.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, sir,&rdquo; said the sergeant, with the same odd look of wonder, &ldquo;I don&rsquo;t
+ know that we can.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked the other sharply. &ldquo;Haven&rsquo;t you arrested him?&rdquo;
+ </p>
+ <p>
+ A faint scorn widened the slit-like mouth, and the whistle of an
+ approaching train seemed oddly to echo the mockery.
+ </p>
+ <p>
+ &ldquo;We arrested him,&rdquo; replied the sergeant gravely, &ldquo;just as he was coming
+ out of the police station at Highgate, where he had deposited all his
+ master&rsquo;s money in the care of Inspector Robinson.&rdquo;
+ </p>
+ <p>
+ Gilder looked at the man-servant in utter amazement. &ldquo;Why on earth did you
+ do that?&rdquo; he asked of Magnus.
+ </p>
+ <p>
+ &ldquo;To keep it safe from the criminal, of course,&rdquo; replied that person
+ placidly.
+ </p>
+ <p>
+ &ldquo;Surely,&rdquo; said Gilder, &ldquo;Sir Aaron&rsquo;s money might have been safely left with
+ Sir Aaron&rsquo;s family.&rdquo;
+ </p>
+ <p>
+ The tail of his sentence was drowned in the roar of the train as it went
+ rocking and clanking; but through all the hell of noises to which that
+ unhappy house was periodically subject, they could hear the syllables of
+ Magnus&rsquo;s answer, in all their bell-like distinctness: &ldquo;I have no reason to
+ feel confidence in Sir Aaron&rsquo;s family.&rdquo;
+ </p>
+ <p>
+ All the motionless men had the ghostly sensation of the presence of some
+ new person; and Merton was scarcely surprised when he looked up and saw
+ the pale face of Armstrong&rsquo;s daughter over Father Brown&rsquo;s shoulder. She
+ was still young and beautiful in a silvery style, but her hair was of so
+ dusty and hueless a brown that in some shadows it seemed to have turned
+ totally grey.
+ </p>
+ <p>
+ &ldquo;Be careful what you say,&rdquo; said Royce gruffly, &ldquo;you&rsquo;ll frighten Miss
+ Armstrong.&rdquo;
+ </p>
+ <p>
+ &ldquo;I hope so,&rdquo; said the man with the clear voice.
+ </p>
+ <p>
+ As the woman winced and everyone else wondered, he went on: &ldquo;I am somewhat
+ used to Miss Armstrong&rsquo;s tremors. I have seen her trembling off and on for
+ years. And some said she was shaking with cold and some she was shaking
+ with fear, but I know she was shaking with hate and wicked anger&mdash;fiends
+ that have had their feast this morning. She would have been away by now
+ with her lover and all the money but for me. Ever since my poor old master
+ prevented her from marrying that tipsy blackguard&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Stop,&rdquo; said Gilder very sternly. &ldquo;We have nothing to do with your family
+ fancies or suspicions. Unless you have some practical evidence, your mere
+ opinions&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! I&rsquo;ll give you practical evidence,&rdquo; cut in Magnus, in his hacking
+ accent. &ldquo;You&rsquo;ll have to subpoena me, Mr. Inspector, and I shall have to
+ tell the truth. And the truth is this: An instant after the old man was
+ pitched bleeding out of the window, I ran into the attic, and found his
+ daughter swooning on the floor with a red dagger still in her hand. Allow
+ me to hand that also to the proper authorities.&rdquo; He took from his
+ tail-pocket a long horn-hilted knife with a red smear on it, and handed it
+ politely to the sergeant. Then he stood back again, and his slits of eyes
+ almost faded from his face in one fat Chinese sneer.
+ </p>
+ <p>
+ Merton felt an almost bodily sickness at the sight of him; and he muttered
+ to Gilder: &ldquo;Surely you would take Miss Armstrong&rsquo;s word against his?&rdquo;
+ </p>
+ <p>
+ Father Brown suddenly lifted a face so absurdly fresh that it looked
+ somehow as if he had just washed it. &ldquo;Yes,&rdquo; he said, radiating innocence,
+ &ldquo;but is Miss Armstrong&rsquo;s word against his?&rdquo;
+ </p>
+ <p>
+ The girl uttered a startled, singular little cry; everyone looked at her.
+ Her figure was rigid as if paralysed; only her face within its frame of
+ faint brown hair was alive with an appalling surprise. She stood like one
+ of a sudden lassooed and throttled.
+ </p>
+ <p>
+ &ldquo;This man,&rdquo; said Mr. Gilder gravely, &ldquo;actually says that you were found
+ grasping a knife, insensible, after the murder.&rdquo;
+ </p>
+ <p>
+ &ldquo;He says the truth,&rdquo; answered Alice.
+ </p>
+ <p>
+ The next fact of which they were conscious was that Patrick Royce strode
+ with his great stooping head into their ring and uttered the singular
+ words: &ldquo;Well, if I&rsquo;ve got to go, I&rsquo;ll have a bit of pleasure first.&rdquo;
+ </p>
+ <p>
+ His huge shoulder heaved and he sent an iron fist smash into Magnus&rsquo;s
+ bland Mongolian visage, laying him on the lawn as flat as a starfish. Two
+ or three of the police instantly put their hands on Royce; but to the rest
+ it seemed as if all reason had broken up and the universe were turning
+ into a brainless harlequinade.
+ </p>
+ <p>
+ &ldquo;None of that, Mr. Royce,&rdquo; Gilder had called out authoritatively. &ldquo;I shall
+ arrest you for assault.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, you won&rsquo;t,&rdquo; answered the secretary in a voice like an iron gong, &ldquo;you
+ will arrest me for murder.&rdquo;
+ </p>
+ <p>
+ Gilder threw an alarmed glance at the man knocked down; but since that
+ outraged person was already sitting up and wiping a little blood off a
+ substantially uninjured face, he only said shortly: &ldquo;What do you mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is quite true, as this fellow says,&rdquo; explained Royce, &ldquo;that Miss
+ Armstrong fainted with a knife in her hand. But she had not snatched the
+ knife to attack her father, but to defend him.&rdquo;
+ </p>
+ <p>
+ &ldquo;To defend him,&rdquo; repeated Gilder gravely. &ldquo;Against whom?&rdquo;
+ </p>
+ <p>
+ &ldquo;Against me,&rdquo; answered the secretary.
+ </p>
+ <p>
+ Alice looked at him with a complex and baffling face; then she said in a
+ low voice: &ldquo;After it all, I am still glad you are brave.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come upstairs,&rdquo; said Patrick Royce heavily, &ldquo;and I will show you the
+ whole cursed thing.&rdquo;
+ </p>
+ <p>
+ The attic, which was the secretary&rsquo;s private place (and rather a small
+ cell for so large a hermit), had indeed all the vestiges of a violent
+ drama. Near the centre of the floor lay a large revolver as if flung away;
+ nearer to the left was rolled a whisky bottle, open but not quite empty.
+ The cloth of the little table lay dragged and trampled, and a length of
+ cord, like that found on the corpse, was cast wildly across the
+ windowsill. Two vases were smashed on the mantelpiece and one on the
+ carpet.
+ </p>
+ <p>
+ &ldquo;I was drunk,&rdquo; said Royce; and this simplicity in the prematurely battered
+ man somehow had the pathos of the first sin of a baby.
+ </p>
+ <p>
+ &ldquo;You all know about me,&rdquo; he continued huskily; &ldquo;everybody knows how my
+ story began, and it may as well end like that too. I was called a clever
+ man once, and might have been a happy one; Armstrong saved the remains of
+ a brain and body from the taverns, and was always kind to me in his own
+ way, poor fellow! Only he wouldn&rsquo;t let me marry Alice here; and it will
+ always be said that he was right enough. Well, you can form your own
+ conclusions, and you won&rsquo;t want me to go into details. That is my whisky
+ bottle half emptied in the corner; that is my revolver quite emptied on
+ the carpet. It was the rope from my box that was found on the corpse, and
+ it was from my window the corpse was thrown. You need not set detectives
+ to grub up my tragedy; it is a common enough weed in this world. I give
+ myself to the gallows; and, by God, that is enough!&rdquo;
+ </p>
+ <p>
+ At a sufficiently delicate sign, the police gathered round the large man
+ to lead him away; but their unobtrusiveness was somewhat staggered by the
+ remarkable appearance of Father Brown, who was on his hands and knees on
+ the carpet in the doorway, as if engaged in some kind of undignified
+ prayers. Being a person utterly insensible to the social figure he cut, he
+ remained in this posture, but turned a bright round face up at the
+ company, presenting the appearance of a quadruped with a very comic human
+ head.
+ </p>
+ <p>
+ &ldquo;I say,&rdquo; he said good-naturedly, &ldquo;this really won&rsquo;t do at all, you know.
+ At the beginning you said we&rsquo;d found no weapon. But now we&rsquo;re finding too
+ many; there&rsquo;s the knife to stab, and the rope to strangle, and the pistol
+ to shoot; and after all he broke his neck by falling out of a window! It
+ won&rsquo;t do. It&rsquo;s not economical.&rdquo; And he shook his head at the ground as a
+ horse does grazing.
+ </p>
+ <p>
+ Inspector Gilder had opened his mouth with serious intentions, but before
+ he could speak the grotesque figure on the floor had gone on quite
+ volubly.
+ </p>
+ <p>
+ &ldquo;And now three quite impossible things. First, these holes in the carpet,
+ where the six bullets have gone in. Why on earth should anybody fire at
+ the carpet? A drunken man lets fly at his enemy&rsquo;s head, the thing that&rsquo;s
+ grinning at him. He doesn&rsquo;t pick a quarrel with his feet, or lay siege to
+ his slippers. And then there&rsquo;s the rope&rdquo;&mdash;and having done with the
+ carpet the speaker lifted his hands and put them in his pocket, but
+ continued unaffectedly on his knees&mdash;&ldquo;in what conceivable
+ intoxication would anybody try to put a rope round a man&rsquo;s neck and
+ finally put it round his leg? Royce, anyhow, was not so drunk as that, or
+ he would be sleeping like a log by now. And, plainest of all, the whisky
+ bottle. You suggest a dipsomaniac fought for the whisky bottle, and then
+ having won, rolled it away in a corner, spilling one half and leaving the
+ other. That is the very last thing a dipsomaniac would do.&rdquo;
+ </p>
+ <p>
+ He scrambled awkwardly to his feet, and said to the self-accused murderer
+ in tones of limpid penitence: &ldquo;I&rsquo;m awfully sorry, my dear sir, but your
+ tale is really rubbish.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sir,&rdquo; said Alice Armstrong in a low tone to the priest, &ldquo;can I speak to
+ you alone for a moment?&rdquo;
+ </p>
+ <p>
+ This request forced the communicative cleric out of the gangway, and
+ before he could speak in the next room, the girl was talking with strange
+ incisiveness.
+ </p>
+ <p>
+ &ldquo;You are a clever man,&rdquo; she said, &ldquo;and you are trying to save Patrick, I
+ know. But it&rsquo;s no use. The core of all this is black, and the more things
+ you find out the more there will be against the miserable man I love.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo; asked Brown, looking at her steadily.
+ </p>
+ <p>
+ &ldquo;Because,&rdquo; she answered equally steadily, &ldquo;I saw him commit the crime
+ myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said the unmoved Brown, &ldquo;and what did he do?&rdquo;
+ </p>
+ <p>
+ &ldquo;I was in this room next to them,&rdquo; she explained; &ldquo;both doors were closed,
+ but I suddenly heard a voice, such as I had never heard on earth, roaring
+ &lsquo;Hell, hell, hell,&rsquo; again and again, and then the two doors shook with the
+ first explosion of the revolver. Thrice again the thing banged before I
+ got the two doors open and found the room full of smoke; but the pistol
+ was smoking in my poor, mad Patrick&rsquo;s hand; and I saw him fire the last
+ murderous volley with my own eyes. Then he leapt on my father, who was
+ clinging in terror to the window-sill, and, grappling, tried to strangle
+ him with the rope, which he threw over his head, but which slipped over
+ his struggling shoulders to his feet. Then it tightened round one leg and
+ Patrick dragged him along like a maniac. I snatched a knife from the mat,
+ and, rushing between them, managed to cut the rope before I fainted.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see,&rdquo; said Father Brown, with the same wooden civility. &ldquo;Thank you.&rdquo;
+ </p>
+ <p>
+ As the girl collapsed under her memories, the priest passed stiffly into
+ the next room, where he found Gilder and Merton alone with Patrick Royce,
+ who sat in a chair, handcuffed. There he said to the Inspector
+ submissively:
+ </p>
+ <p>
+ &ldquo;Might I say a word to the prisoner in your presence; and might he take
+ off those funny cuffs for a minute?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is a very powerful man,&rdquo; said Merton in an undertone. &ldquo;Why do you want
+ them taken off?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, I thought,&rdquo; replied the priest humbly, &ldquo;that perhaps I might have
+ the very great honour of shaking hands with him.&rdquo;
+ </p>
+ <p>
+ Both detectives stared, and Father Brown added: &ldquo;Won&rsquo;t you tell them about
+ it, sir?&rdquo;
+ </p>
+ <p>
+ The man on the chair shook his tousled head, and the priest turned
+ impatiently.
+ </p>
+ <p>
+ &ldquo;Then I will,&rdquo; he said. &ldquo;Private lives are more important than public
+ reputations. I am going to save the living, and let the dead bury their
+ dead.&rdquo;
+ </p>
+ <p>
+ He went to the fatal window, and blinked out of it as he went on talking.
+ </p>
+ <p>
+ &ldquo;I told you that in this case there were too many weapons and only one
+ death. I tell you now that they were not weapons, and were not used to
+ cause death. All those grisly tools, the noose, the bloody knife, the
+ exploding pistol, were instruments of a curious mercy. They were not used
+ to kill Sir Aaron, but to save him.&rdquo;
+ </p>
+ <p>
+ &ldquo;To save him!&rdquo; repeated Gilder. &ldquo;And from what?&rdquo;
+ </p>
+ <p>
+ &ldquo;From himself,&rdquo; said Father Brown. &ldquo;He was a suicidal maniac.&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo; cried Merton in an incredulous tone. &ldquo;And the Religion of
+ Cheerfulness&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;It is a cruel religion,&rdquo; said the priest, looking out of the window. &ldquo;Why
+ couldn&rsquo;t they let him weep a little, like his fathers before him? His
+ plans stiffened, his views grew cold; behind that merry mask was the empty
+ mind of the atheist. At last, to keep up his hilarious public level, he
+ fell back on that dram-drinking he had abandoned long ago. But there is
+ this horror about alcoholism in a sincere teetotaler: that he pictures and
+ expects that psychological inferno from which he has warned others. It
+ leapt upon poor Armstrong prematurely, and by this morning he was in such
+ a case that he sat here and cried he was in hell, in so crazy a voice that
+ his daughter did not know it. He was mad for death, and with the monkey
+ tricks of the mad he had scattered round him death in many shapes&mdash;a
+ running noose and his friend&rsquo;s revolver and a knife. Royce entered
+ accidentally and acted in a flash. He flung the knife on the mat behind
+ him, snatched up the revolver, and having no time to unload it, emptied it
+ shot after shot all over the floor. The suicide saw a fourth shape of
+ death, and made a dash for the window. The rescuer did the only thing he
+ could&mdash;ran after him with the rope and tried to tie him hand and
+ foot. Then it was that the unlucky girl ran in, and misunderstanding the
+ struggle, strove to slash her father free. At first she only slashed poor
+ Royce&rsquo;s knuckles, from which has come all the little blood in this affair.
+ But, of course, you noticed that he left blood, but no wound, on that
+ servant&rsquo;s face? Only before the poor woman swooned, she did hack her
+ father loose, so that he went crashing through that window into eternity.&rdquo;
+ </p>
+ <p>
+ There was a long stillness slowly broken by the metallic noises of Gilder
+ unlocking the handcuffs of Patrick Royce, to whom he said: &ldquo;I think I
+ should have told the truth, sir. You and the young lady are worth more
+ than Armstrong&rsquo;s obituary notices.&rdquo;
+ </p>
+ <p>
+ &ldquo;Confound Armstrong&rsquo;s notices,&rdquo; cried Royce roughly. &ldquo;Don&rsquo;t you see it was
+ because she mustn&rsquo;t know?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mustn&rsquo;t know what?&rdquo; asked Merton.
+ </p>
+ <p>
+ &ldquo;Why, that she killed her father, you fool!&rdquo; roared the other. &ldquo;He&rsquo;d have
+ been alive now but for her. It might craze her to know that.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I don&rsquo;t think it would,&rdquo; remarked Father Brown, as he picked up his
+ hat. &ldquo;I rather think I should tell her. Even the most murderous blunders
+ don&rsquo;t poison life like sins; anyhow, I think you may both be the happier
+ now. I&rsquo;ve got to go back to the Deaf School.&rdquo;
+ </p>
+ <p>
+ As he went out on to the gusty grass an acquaintance from Highgate stopped
+ him and said:
+ </p>
+ <p>
+ &ldquo;The Coroner has arrived. The inquiry is just going to begin.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve got to get back to the Deaf School,&rdquo; said Father Brown. &ldquo;I&rsquo;m sorry I
+ can&rsquo;t stop for the inquiry.&rdquo;
+ </p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE INNOCENCE OF FATHER BROWN ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &bull; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+ </body>
+</html>