summaryrefslogtreecommitdiff
path: root/20334.txt
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 01:22:34 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 01:22:34 -0700
commit38b79be0d9053b21d1c58b46f4d540e1e6eebb5f (patch)
treefd08a4c17008b7ccf6249c06e79ee59697f880bb /20334.txt
initial commit of ebook 20334HEADmain
Diffstat (limited to '20334.txt')
-rw-r--r--20334.txt2636
1 files changed, 2636 insertions, 0 deletions
diff --git a/20334.txt b/20334.txt
new file mode 100644
index 0000000..cdae3cd
--- /dev/null
+++ b/20334.txt
@@ -0,0 +1,2636 @@
+The Project Gutenberg EBook of Punch, or the London Charivari, Volume 159,
+December 29, 1920, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, or the London Charivari, Volume 159, December 29, 1920
+
+Author: Various
+
+Editor: Owen Seaman
+
+Release Date: January 11, 2007 [EBook #20334]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by Lesley Halamek, Jonathan Ingram and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+PUNCH, OR THE LONDON CHARIVARI.
+
+VOL. 159.
+
+DECEMBER 29, 1920
+
+
+
+CHARIVARIA.
+
+
+No newspapers were published on Saturday, Sunday or Monday. We did not
+begrudge them their holiday, but we do think _The Daily Mail_ might
+have issued occasional bulletins respecting the weather at Thanet, as
+we consider three days is too long to keep their readers in suspense.
+
+ * * *
+
+The most popular indoor game this winter seems to be
+Battledore-and-Juttlecock.
+
+ * * *
+
+A woman informed a London magistrate last Tuesday that her husband
+thrashed her at Easter, Whitsuntide and on August Bank Holiday.
+Our thoughts were constantly with her during the recent Yuletide
+festivities.
+
+ * * *
+
+Readers should not be alarmed if a curious rustling noise is heard
+next Saturday morning. It will be simply the sound of new leaves being
+turned over.
+
+ * * *
+
+In view of the possible increase of their salaries it is not the
+intention of Members of Parliament to solicit Christmas-boxes.
+Householders, therefore, should be on their guard against men passing
+themselves off as M.P.s.
+
+ * * *
+
+Our attention is drawn to the fact that the latest photograph of Mr.
+LLOYD GEORGE shows him to be smoking a cigar with the band on. We can
+only say that CROMWELL wouldn't have done it.
+
+ * * *
+
+Our magistrates appear to be made of poor stuff these days. A man
+named SNAIL was last week summoned before the Feltham magistrates
+for exceeding the speed limit, yet no official joke was made.
+Incidentally, why is it that Mr. Justice DARLING never gets a real
+chance like this?
+
+ * * *
+
+A New York policeman has been arrested in the act of removing a safe
+from a large drapery store. It is said that upon being seen by another
+policeman he offered to run and fetch a burglar.
+
+ * * *
+
+Mme. DELYSIA has been bitten by a dog in New York. The owner's
+defence, that the animal had never tasted famous dancer before, is not
+likely to be accepted.
+
+ * * *
+
+Like a soothing balm just before the old year dies comes the
+intimation from Mr. LOVAT FRASER that there is a bright side to
+things.
+
+ * * *
+
+With reference to the opening of the pantomime season it is reported
+that a couple of new jokes have been found nesting in a Glasgow
+theatre.
+
+ * * *
+
+Psychologists are inclined to attribute the recent night stampede of
+sheep in the Midlands, when thousands of them jumped their hurdles,
+to the influence of a large number of people concentrating on a
+well-known remedy for sleeplessness.
+
+ * * *
+
+It is stated that rabies does not exist in Ireland. Our opinion is
+that it wouldn't be noticed if it did.
+
+ * * *
+
+Very few English Christmas customs, we hear, are prevalent out
+in Russia. We have always felt that the custom of clients giving
+Christmas-boxes to their executioners will never become very popular.
+
+ * * *
+
+It is rumoured that the repeated assassinations of General VILLA have
+made it necessary for him to resign his position as Permanent Chief
+Insurgent to the State of Mexico.
+
+ * * *
+
+_The Morning Post_ has remarked that nowadays the Eton boy is often
+reduced to travelling third-class. It is hoped to persuade Sir ERIC
+GEDDES to disguise himself as an Eton boy during the holidays to see
+how it feels.
+
+ * * *
+
+It is now admitted that the plum-pudding which was badly mauled by a
+small boy in the Hoxton district on Christmas Day began it by inviting
+his assailant to "come on."
+
+ * * *
+
+D'ANNUNZIO is reported to be coming to a more reasonable frame of
+mind. Apparently he is disposed to allow Italy a certain measure of
+independence.
+
+ * * *
+
+People step out into the road and never look to right or left, says a
+London coroner. This makes things far too easy for motorists.
+
+ * * *
+
+Dr. A. GRAHAM BELL recently told a Derby audience how he invented the
+telephone. We note that he still refuses to say why.
+
+ * * *
+
+We are informed that, on and after the 1st of January, Mr. CHURCHILL
+cannot undertake to refute the opinions of any writer who has not been
+officially recognised as a best seller.
+
+ * * *
+
+A scientist has succeeded in putting a pea to sleep with
+electro-magnetism. The clumsy old method of drowning it in a plate of
+soup should now be a thing of the past.
+
+ * * *
+
+General TOWNSHEND says that with seventy thousand men he could
+have conquered half Asia. But then he might have lost Mr. HORATIO
+BOTTOMLEY.
+
+ * * *
+
+What we want now is something to make the world safe for those who
+made the world safe for democracy.
+
+ * * *
+
+There is now on the market a new patent contrivance which gives
+warning when the contents of an oven are on the point of burning. We
+have secured a sample, but unfortunately our cook still relies on her
+sense of smell.
+
+ * * *
+
+"Leather is now much cheaper," we read. Yet we have noticed no drop in
+the price of restaurant steak.
+
+ * * *
+
+On January 1st the Ministry of Munitions will enter upon its second
+year of winding up.
+
+ * * * * *
+
+[Illustration: OUR GOGGLERS.
+
+_First Girl in grandmotherly spectacles (to second ditto)._ "HOW
+FRIGHTFULLY OUT OF DATE THAT WOMAN IS. FANCY--LORGNETTES!"]
+
+ * * * * *
+
+THE HAPPY HOOTS.
+
+Yes, it is nearly twelve now. In ten minutes we shall hear the
+bells--I mean the hooters. I wonder if there were hooters when
+TENNYSON wrote those popular lines about ringing in the New Year. Very
+likely he didn't hear them if there were, as there's nothing to show
+that he ever really stayed up late enough to see the New Year in. It's
+a pity, because the hooters would have fitted in to that poem most
+beautifully. The hooting idea is just what is wanted to give a
+dramatic contrast to the sugary ringing business.
+
+ "Ring out the false, ring in the true"
+
+doesn't _convince_ somehow; it's too impartial. One doesn't say to the
+footman, "Show the Rector up, please, and show this blackmailer out,"
+even at the Lyceum. One says, "_Kick_ this black-hearted hound out,"
+and the footman realises then that you have something against the
+fellow. Just so one doesn't gather from the above line that the poet
+has any strong preference as between the false and the true, except
+that there is no good rhyme to "the false," unless you can count
+"waltz"; but what about--
+
+ _Hoot_ out the old, ring in the new;
+ _Hoot_ out the false, ring in the true?
+
+Magnificent! There's some sting in that; it "gets over," and it brings
+the whole poem into harmony with modern practice.
+
+Come on, we'd better have another dance before the great moment. I
+wonder if TENNYSON ever saw the New Year in at two guineas a head. I
+don't expect so. For that matter it's the first time we've done it at
+an expensive public "Revel" ourselves; but then this is the first year
+we've been absolutely bankrupt. Up till now we've been rather well
+off, and have celebrated cheaply at home. Do you realise that this is
+our wedding-day? I believe you'd forgotten; women never remember these
+things. Yes, it's six years.... Six years. And this is the first year
+we've been bankrupt. All the same, as I say, it's the first year we've
+come out and had a jolly good supper. Reckless? Yes, I'm afraid we
+are. But we've caught it from the Government.... However, to-morrow
+we'll start a new cheque-book.
+
+Have you made your resolutions yet? I have. Do you remember this time
+last year? You said you'd keep accounts, and I said I wouldn't smoke
+so much. And all the year through our resolution has never wavered.
+I've got evidence of that. Look at my diary. Here we are:--
+
+_January 1st._--G. started keeping accounts. Gave up smoking.
+
+And here we are again:--
+
+_March 20th._--G. started accounts.
+
+_March 29th._--Knocked off smoking.
+
+That shows it was no mere flash-in-the-pan, doesn't it?
+
+And we _went on_ like that. Look at this:--
+
+_June 6th._--Gave up smoking.
+
+_June 7th._--Only one pipe since yesterday.
+
+_June 30th._--Cut myself down to four pipes a day.
+
+_July 1st-9th._--G. keeping accounts; knocked off smoking.
+
+But I wonder why I kept writing it down. Even in September, you see, I
+wasn't taking it for granted:--
+
+_September 29th._--Quarter-Day. Not smoking this quarter. G. began new
+system of accounts.
+
+It looks like bragging, doesn't it? But I don't think I can have meant
+it that way. Still, it is rather marvellous, when you come to think of
+it--here we are, after all these months, twelve of them, and we still
+stick doggedly to the same unswerving resolution. Nothing can alter
+it. That's what I call tenacity of purpose.
+
+You don't think I'm serious? But I am. I'm just as serious as I was
+last year. This year I _shall_ give up smoking. Only I think you ought
+to give up your hot-water bottle in sympathy. You won't? No, I know
+you won't. You're a slave of the bottle, you see. It doesn't do you
+any harm? Oh, yes it does. It makes your backbone flabby, and it makes
+you susceptible to colds, and it gives you chilblains, and, anyhow,
+it's morally pernicious, because it's an _indulgence_.... If I'd known
+you were a hot-water-bottle woman before we were married.... However,
+we needn't go into that. But if you won't give up your bottle I shan't
+give up smoking after all.
+
+Look, they're opening the windows. We shall all catch cold. Can you
+hear anything? I can hear those people eating. What a draught! Can
+you hear anything? I can hear the eaters quite plainly now. Here comes
+Father Christmas. I believe he is going to give us all gifts.
+
+Can you hear anything yet? I have been given a diary. What have you
+got? Another diary? Is yours for 1921? So is mine. How dull! Christmas
+will be on a Sunday next year, I see. So will our wedding-day. I hope
+you'll remember it this time. And they have arranged for the Spring to
+begin on March 21st. Think of it! Spring--in less than three months!
+
+There they go.
+
+ Hoot out, wild hooters, to the wild sky!
+
+What a jolly noise! Much better than bells, really much more accurate
+as an expression of one's feelings. There's a sort of "faint but
+pursuing" note about it. And that's how I feel, rather. It was a
+dreadful year, really, wasn't it?--that last one, I mean. No money,
+no clothes--nothing but rates and dentists and small accounts
+respectfully submitted for our esteemed favour. One long crisis....
+But we kept the flag flying. This year----
+
+Hallo! somebody's going to recite. What do you think it will be?
+You'll never guess. Yes, you're quite right.
+
+ Ring out a slowly-dying cause
+ And ancient forms of party strife.
+
+That sounds like a bit of Government propaganda. Disgraceful, I call
+it. If I was a Wee Free----
+
+ Ring in the nobler modes of life,
+ With sweeter manners----
+
+That's a hit at somebody, too, I shouldn't wonder. Somebody must
+have written a topical verse for the occasion. Those people are still
+eating. I expect they are doing Hog-money, or whatever it is....
+
+Are you still as obstinate as ever about that hot-water bottle? Very
+well, then, I shall now have the first smoke of the New Year. Oh, no;
+we 've got to do _Auld Lang Syne_ first. I never _can_ smoke while I'm
+singing.
+
+"Should auld acquaintance...." Do you know any of the people here? No?
+Do you ever want to see any of them again? No? Never mind, they've
+all paid a lot of money to hold our hands; let them have their
+money's worth.... "A right gude willie-waucht...." Waiter! One large
+willie-waucht, please, and a small pint stoup.... Do you realise that
+this is the only night in the year when you can get a willie-waucht at
+this hour? What a world!
+
+Six years. Do you see that nice couple over there? I bet they haven't
+been married as long as we have. And I bet they're not so bankrupt.
+This is going to be a dreadful year. I can see that at once. But we'll
+keep the flag flying.
+
+Ah, here come the willie-wauchts. Thank you, waiter.
+
+Well, my dear--a cup of kindness with you. Here's luck!
+
+A. P. H.
+
+ * * * * *
+
+NATURAL HISTORY ON THE FOOTBALL FIELD.
+
+ "St. Columb's Court and North-End met at The Farm, when
+ St. Columb's Court were the victors by three goats to
+ one."--_Irish Paper._
+
+ * * * * *
+
+ "Harry ---- (19), described as a comedian, was bound over in
+ L5 for six months under the rug, the property of Hilda ----."
+
+ _Provincial Paper._
+
+It seems that HARRY was not the only comedian in court.
+
+ * * * * *
+
+[Illustration: A BOXING NIGHTMARE.
+
+ THE GOOD FAIRY GEORGINA. "I WAVE MY WAND--UTOPIA DOTH APPEAR ...
+ (_extemporising_) SOMETHING'S GONE WRONG. O DEAR! O DEAR! O DEAR!"]
+
+ * * * * *
+
+[Illustration: _Post-War Sportsman._ "THE HOUNDS MEET ON THE LAWN
+TO-MORROW, MY DEAR. WE MUST GIVE THEM A STIRRUP-CUP."
+
+_Wife._ "I HOPE THE CHEF KNOWS HOW TO MAKE IT. IF NOT I SUPPOSE
+CLARET-CUP WOULD DO?"]
+
+ * * * * *
+
+ELIZABETH'S CHRISTMAS.
+
+"I've always thort 'ow I'd love to 'ave a reel nice Christmas,"
+remarked Elizabeth--"a jolly proper kind o' one, you know, 'm."
+
+"Don't you find Christmas a pleasant time, then?" I inquired.
+
+"Well, you see, 'm, I bin in service ever since I was turned fifteen,
+an' you know wot Christmas in service is. An extry tip, I will say,
+but a lot of extry work to go along with it--and wot washin' up!
+Some'ow it orl seems so different in books an' on the pictures."
+
+She sighed as she spoke and a look that was almost human crept into
+the arid region of her countenance. A feeling of compunction swept
+over me. Was it possible that this poor simple girl concealed depths
+of conviviality in her nature and a genial disposition which I, in
+common with all her former employers, had carelessly overlooked? I
+will admit that this unexpected phase in Elizabeth's character touched
+and interested me.
+
+"Elizabeth," I cried in a sudden glow of enthusiasm, "you shall have
+your jolly Christmas--I will provide it. You shall have your turkey,
+plum-pudding, mince-pies, crackers, mistletoe and all the rest of
+it." _Cheeryble_ in his most beneficent mood could not have felt more
+expansive than I did just then. "You can invite your friends; we shall
+not be at home, so you will have the place to yourself."
+
+"Lor!" she ejaculated. "D'ye reerly mean it, 'm?"
+
+"I do, Elizabeth. Let me know the sort of Christmas you've always
+longed for and I'll see that you get it."
+
+She drew up her lank form and her face shone. "Well, 'm, I don't know
+where you get 'em, but for one thing I've often thort as 'ow I'd like
+to 'ave a festlebord."
+
+"What's that?" I asked, puzzled. "Is it in the Stores' list?"
+
+"I don't know, 'm, but there's always a lot about it in the books.
+When the Squire's son comes 'ome repentant at Christmas-tide they
+always gathers round a festlebord and rejoices."
+
+I began to see light. "You mean a 'festal board'?"
+
+"That's wot I sed, 'm."
+
+"Well, you shall have one, Elizabeth, I'll see to that. I'd let you
+have a Squire's son as well, but unfortunately the only ones I know
+are not repentant--as yet. And now tell me which of your friends you
+would like to invite."
+
+"There's my sister-in-lor 'ud like to come--'er that I 'aven't been
+on speakin' terms with for five years--but she shan't. An' my friend
+isn't comin'; I'll see to that arter the things she sed about me to my
+young man's cousin--sorcy baggage! As for my two aunts they don't set
+foot under the same roof as me arter the way----"
+
+"Never mind about the people you're not inviting," I broke in; "we
+don't need a list of them. Who do you want to come?"
+
+"Well, there's Mrs. Spurge, the char--a real nice lady, as you know,
+'m. Then I'd like to arsk Polly, the sister of the cook wot lives in
+the 'ouse at the corner with red 'air; an' there's Mary Baxter. An'
+isn't it lucky my sailor-brother will be 'ome for the first time in
+ten years? Can 'e come too, 'm? 'E's been round the world twice."
+
+"In that case, Elizabeth, he certainly ought to be invited. He may
+even have returned home repentant, so you will be able to rejoice at
+the festal board in proper style."
+
+"Oh, 'm, isn't it luverly? I won't 'arf have a beano this Christmas.
+Wot a time we'll 'ave, _wot_ a time!"
+
+ * * * * *
+
+For my part I did not pass a very blithesome Christmas. Henry's aunt,
+who invited us, is rich, but she is also dull, and several times I
+found myself rather envying Elizabeth. While Aunt Jane nodded in her
+chair, Henry and I pictured those boisterous revels of Elizabeth and
+her friends, their boundless mirth, their unrestrained gaiety. We
+imagined them too gathered round the sailor-brother, listening with
+rapt delight as he told them stories of the far-off wonder-lands he
+had known. Henry sighed then and said there were times when he envied
+the so-called lower classes their capacity for enjoyment.
+
+When we returned home Elizabeth greeted us with beaming countenance.
+"I 'ope you 'ad a good time," she said; "I know _I_ 'ad."
+
+"Then it really was as nice as you thought it would be, Elizabeth?"
+
+"It was first-rate, 'm. Leastways orl went well until arter dinner,
+when we begins chippin' each other and ends in 'avin' a few words.
+My sailor-brother started it by chaffin' Polly about 'er red 'air an'
+arskin' why she didn't cut it orf, an' she told 'im then that if 'e'd
+such an objection to red she wondered 'e didn't cut 'is own nose orf.
+Arter that one thing led to another; we took sides an'----"
+
+"Oh, Elizabeth, you don't mean to say you quarrelled?" I interrupted
+sorrowfully.
+
+"Oh, no, it wasn't quarrellin', 'm--just bargin', you know. Any'ow it
+ended in Polly an' Mary an' my brother goin' off early. I was chilly
+to Mrs. Spurge owin' to 'er 'avin' said that she didn't believe my
+sailor-brother 'd ever been further than Wapping in a coal-barge.
+I shouldn't 'ave spoke to 'er again that evenin' if the book 'adn't
+brought us together again friendly, like."
+
+"What book?" I asked, bewildered.
+
+"One of yours that I got out of the study, 'm. Oh, _wot_ a book!
+Sorter ghost story in a manner o' speakin'. I laughed an' I cried over
+it, turn about. So did Mrs. Spurge. You see we read bits out to each
+other--kep it up till three o'clock in the mornin', we did. It was
+luverly!"
+
+"And what was the book called?" I inquired.
+
+"It's called _A Christmas Car'l_, 'm, by Mr. DICKINGS. Why didn't
+nobody tell me about it afore? It's far better 'n the pictures. 'Just
+like 'eaven,' Mrs. Spurge said."
+
+"I'm glad you enjoyed yourself, Elizabeth."
+
+"It's the 'appiest Christmas I ever 'ad, 'm. That there Mr. Dickings
+is a one! 'E do know wot's wot in festlebords."
+
+ * * * * *
+
+[Illustration: _Patient._ "MY MISSIS SENT ME FUR A BOTTLE O' MEDICINE
+FUR ME CORF. SHE SAYS IT KEEPS HER AWAKE O' NIGHTS. I SAYS, 'YOU'VE
+NOBBUT TO LIE AWAKE. I'VE GOT TO LIE AWAKE AN' CORF.'"]
+
+ * * * * *
+
+HOW, WHY AND WHAT.
+
+_(Being the Tragedy of the Conscientious Inquirer who fell among
+Philistines.)_
+
+ There was an old man who said, "How
+ Can I link the To-Be with the Now?"
+ But they said, "Poor old thing!
+ You've been reading Dean INGE,
+ And you're _not_ high enough in the brow."
+
+ But in spite of this check he said, "Why
+ Is my Ego the same as my I?"
+ So they put him to bed
+ And placed ice on his head
+ till the cerebral storm had passed by.
+
+ Now I'm told he is asking them, "What
+ Use has psycho-analysis got?"
+ And they answer, "N.E.
+ If you're not an M.D.,
+ Or a novelist minus a plot."
+
+ * * * * *
+
+ "A cargo of 800 German pianos arrived at the Tyne from Hamburg
+ on Saturday."
+
+ _Daily Paper._
+
+Another key industry in danger.
+
+ * * * * *
+
+[Illustration: UNFINISHED DRAWING FOR "PUNCH" BY THE LATE F. H.
+TOWNSEND.
+
+THE FIGURE OF THE LITTLE GIRL WAS SKETCHED ON THE MORNING OF HIS
+DEATH. THE LEGEND WHICH THIS PICTURE WAS TO ILLUSTRATE IS NOT KNOWN.]
+
+ * * * * *
+
+
+MAYBIRDS.
+
+I can see some justification for keeping peacocks, especially if
+you have shaven lawns and terraces and sundials, though sundials, I
+imagine, are rather a nuisance now-a-days, because of the trouble of
+having them reset for summer and winter time. Peacocks at any rate are
+beautiful, and, if their voices are apt in England to become a little
+hoarse, that is only because they screech when the weather is going to
+be bad.
+
+The pheasant is also a useful and beautiful fowl. One may put down
+bread-crumbs to attract the pheasant to one's garden when he is alive,
+or to one's plate when he is dead.
+
+But I can see no justification whatever for keeping maybirds, for
+they are neither useful nor beautiful. Perhaps you do not know what
+a maybird is. I have five maybirds. I have them because people here
+would keep saying to me, "Look at the price of fresh eggs, and how
+much nicer it is to have your own." It is a curious thing about the
+country that people are always giving one disinterested advice in
+the matter of domestic economy. In London it is different. In London
+people let you take a twopenny bus ticket to Westminster instead of
+walking across the Park, and go to ruin in your own sweet way. They
+rather admire your dash. But in the country they tell you about these
+things.
+
+So I went to a man and confessed to him my trouble about fresh eggs.
+
+"I see," he said; "you want maybirds."
+
+"No, I don't," I said; "I want hens."
+
+"It's the same thing," he told me. "How many would you like?"
+
+"Five," I said. I thought five would be an unostentatious number and
+make it clear that I was not trying to compete with the wholesale
+egg-dealers.
+
+He segregated five maybirds and explained their points to me.
+
+It appeared that one of them was a Buff Orpington and three were white
+Wyandottes and one had no particular politics. I should say now that
+it was an Independent. It has speckles and is the one that keeps
+getting into the garden.
+
+I asked him when the creatures would begin to enter upon their new
+duties, and he said they would do so at once.
+
+"What is their maximum egg-laying velocity?" I inquired.
+
+"They'll lay about three eggs a day between them," he said, "these
+five birds."
+
+"Why between them?" I enquired. But I consented to buy his birds, and
+he said if I liked he would run round to my garden at once and run up
+a hen-house and a hen-run for me. "Run" seemed rather a word with him.
+
+I said, "Yes, by all means."
+
+He came round that evening and hewed down an apple-tree under the
+light of the moon to make room for the maybird-run, and in the morning
+he brought a large roll of wire-netting, and the next day he built a
+wooden house, and the day after that he brought his five maybirds,
+and the day after that he came round and asked for some cinders. He
+sprinkled these all over the enclosure, and I watched him while he
+worked.
+
+"What is that for?" I asked.
+
+"They want something to scratch in when they run about," he explained.
+"Exercise is what they need."
+
+"They seem to be scratching already, but they don't seem to be
+running," I said. "Wouldn't it have been better to put a cinder-track
+all round the edge and train them to run races round it?"
+
+He said that he hadn't thought of that, but I could try it if I
+liked. Then he gave me a bag of food, which he said was particularly
+efficacious for maybirds, and produced his bill.
+
+All this happened about a month ago, and for the last four weeks the
+principal preoccupation of my household has been the feeding of these
+five birds. I have had to lay a gravel-path from the aviary to the
+back premises in order to sustain the weight of the traffic. Huge
+bowls of hot food are constantly being mixed and carried to them,
+without any apparent consciousness on their part of their reciprocal
+responsibilities. What I mean to say is that there are no eggs. The
+food which they eat resembles Christmas-pudding at the time when it is
+stirred, and I have suggested that a sixpence should be concealed in
+it every now and then--sixpence being apparently the current price of
+an egg--in order to indicate the nature of our hopes.
+
+I have made other valuable suggestions. I have suggested putting an
+anthracite stove in their sitting-room, and papering the walls
+with illustrations representing various methods of mass production,
+ordinary methods having failed. I notice that cabbages are suspended
+by a string across the top of the parade-ground in order that the
+birds may obtain exercise by springing at them. The cabbages are
+eaten, but I do not believe that the birds jump. I believe that they
+clamber up the wire with their claws, walk along the tight-rope and
+bite the cabbage off with their teeth.
+
+Sometimes, as I think I have mentioned, the one with speckles escapes
+into the garden, and I have several times been asked to chase it home.
+Nothing makes one look more ridiculous than chasing an independent
+maybird of no particular views across an onion bed. The rest of the
+animals appear to spend most of their time in walking about the run
+with their hands in their pockets looking for things on the ground.
+
+But every now and then one or other of them makes the loud cry which
+is usually associated with successful egg-production; the whole
+household troops beaming with anticipation along the gravel-path; and
+it is then discovered that the Buff has knocked one of the Whites off
+her perch, or that one of the Whites has scratched a cinder on which
+the Buff had set her eye, or that the Independent member has made a
+bitter speech which is deeply resented by the Coalition. But there are
+no eggs.
+
+About a week ago the corn which apparently forms a part of the
+necessary nourishment of maybirds, and is kept in an outhouse, was
+attacked by rats. I was told that I must do something about this. I
+buttered some slices of bread with arsenic and laid them down on the
+outhouse floor. The rats ate the bread and arsenic and went on with
+the corn. Unless a great improvement is manifested in the New Year I
+have decided to butter the maybirds with arsenic and place them in the
+outhouse too.
+
+EVOE.
+
+ * * * * *
+
+[Illustration: _Nurse._ "LITTLE GENTLEMEN, MASTER ERIC, LEAVE THE LAST
+MINCE-PIE TO THEIR SISTERS."
+
+_Generous Little Girl._ "O NURSE, DO LET HIM BE A LITTLE CAD."]
+
+ * * * * *
+
+CYCLONE IN THE CHANNEL ISLANDS.
+
+ "Meteorological Notes.
+
+ Harbour Office, Jersey. Wind - E.W.E. - Strong Breeze."
+
+ _Jersey Paper._
+
+ * * * * *
+
+ "To get away, the man must have jumped from a height of about
+ ten feet to the ground, then across a garden, and over a wall
+ about eight feet high into a laneway."--_Irish Paper._
+
+Some "lep," as they say in Ireland.
+
+ * * * * *
+
+ "In the House of Lords on Saturday, the expiring
+ Lords Continuance Bill [was] read a third time and
+ passed."--_Provincial Paper._
+
+Trust the Peers for looking after themselves.
+
+ * * * * *
+
+[Illustration: _Child (saying prayers_). "GIVE US THIS DAY OUR DAILY
+BREAD-AND-BUTTER."
+
+_Governess._ "NO, DEAR--NOT BUTTER." _Child._ "MARGE, THEN."]
+
+ * * * * *
+
+
+LETTERS I NEVER POSTED.
+
+CONCERNING GOOD RESOLUTIONS.
+
+TO THE GIRL AT THE EXCHANGE.
+
+The New Year is upon us and with it comes the determination to mend
+our bad habits and make serious efforts to turn over a new leaf.
+Perhaps you have already thought of this and have made some good
+resolutions; perhaps, on the other hand, you cannot think of anything
+amiss that needs correcting. In this case will you let me help you_?_
+In every other respect you may be perfection, but as an exchange
+operator, which is the only capacity in which (alas!) I know you, you
+are often lacking. I have no doubt that you are charming in private
+life and that we should get on famously if we met at dinner; but you
+have an irritating way of giving me the wrong number, which I do most
+cordially hope you will lose during 1921. When I protest, you merely
+say you are sorry, but what I suggest is that an ounce of careful
+listening at first is worth tons of sorrow later. Kingston doesn't
+really sound a bit like Brixton, and yet yesterday, when I asked for a
+Kingston number, you put me at once on to the same number in the other
+suburb. Constantly when I say I want 2365 you give me 2356. To give
+you your due you are always, I will admit, sorry; but....
+
+Another thing. Sometimes, when you ring me up and I answer, all you
+do is to ask, "Number, please," as though I had rung you. (It is then
+that I feel most that I should like to wring you.) When I reply, "But
+you rang me," you revert to your prevailing regretful melancholy and
+say, "Sorry you were troubled," and before I can go deeply into the
+question and discover how these things occur you ring off. Can't
+you make an effort during 1921 not to do this? Let it be a year of
+gladness.
+
+Sometimes I am perfectly certain you don't ring up the number I want
+until after you have asked me once or twice if they have answered.
+Isn't that so? "I'll ring them again," you say with a kind of resigned
+adventurousness; but, knowing as I do that they have been waiting for
+my call, I am not taken in. But what I want to know is--what were you
+doing instead of ringing up at first? I suppose that these secrets
+will never be penetrated by the ordinary subscriber outside the sacred
+precincts; but I wish you would give me fewer of such problems to
+ponder during the year that is coming.
+
+P.S.--Have you ever considered, with proper alarm, what would happen
+to a cinema story if a wrong number were provided by the operator, or
+if any delay whatever occurred? This should make you think.
+
+TO A RACING JOURNALIST.
+
+I suggest that you should include among your good resolutions for the
+New Year the decision not to allow your readers to participate in your
+special information as to which horse will come in first. Tell them
+all you like about yesterday's sport, but dangle no more "security
+tips" before their diminishing purses. If they must bet--which
+of course they must, as betting is now the principal national
+industry--let them at least have the fun of selecting the "also-ran"
+themselves.
+
+TO MANY AN EDITOR.
+
+In contemplating your 1921 programme of regeneration could you not
+make a vow to dispense with all headlines that ask questions? Probably
+you never see the paper yourself and therefore have no feeling in the
+matter, but I can assure you that the habit can become very wearisome.
+"Will it freeze to-day?" "Can Beckett win?" "Will Hobbs reach his
+3,000 runs?" "Are the Lords going to pass the Bill?" Won't you make an
+effort to do without this formula? It is futile in itself and has the
+unfortunate effect of raising what surely are undesirable doubts as to
+whether journalists are any more sensible than their readers.
+
+TO ONE EDITOR IN PARTICULAR.
+
+No comic hats in 1921, please.
+
+TO THE P.M.G.
+
+There is, as everyone (except possibly Mr. AUSTEN CHAMBERLAIN and the
+cynic who professes to hate letters so much that he wishes that they
+cost a shilling a-piece to send) will agree, one good resolution which
+above all others you should concentrate upon for 1921, and that is
+to get back our penny postage. With so many comparatively unnecessary
+things still untaxed, it never should have been sacrificed.
+
+TO A PORK BUTCHER.
+
+Among the problems of this latter day of discontents few are more
+pressing than speculating as to why sausages and pork-pies have so
+degenerated. Under the malign influence of Peace, sausages have become
+tasteless and pork-pies nothing but pies with pork in them; the crust
+chiefly plaster-of-Paris, and the meat not an essential element, soft
+and seductive and fused with the pastry, but an alien assortment of
+half-cooked cubes. I can understand that after a great war a certain
+deterioration must set in, but I fail to see why sausages and
+pork-pies, if made at all, should not be made as well as ever,
+especially as you get such a long price for them. Couldn't
+you--wouldn't you--try in 1921 to make them with some at least of the
+old care?
+
+TO A CABINET MINISTER.
+
+Might not a vow against writing for the papers be rather a nice one to
+observe during 1921? It is quite on the cards that one's duties to
+the State (not too inadequately paid for) ought to be sufficiently
+exacting to preclude journalism at all. There's a question of dignity
+too, although I hesitate to drag that in.
+
+TO THE CHIEF OF THE POLICE.
+
+Couldn't you (I hope I am addressing the right gentleman) arrange that
+before 1921 becomes 1922--twelve whole months--a simple device is made
+for taxis by which a square of red glass can be slipped over one
+of the lamps at night to indicate that the cab is free? I'm sure
+it wouldn't really be difficult, and the comfort of London would be
+enormously increased.
+
+TO A TAXI-DRIVER.
+
+You will perhaps note what I have just said to the Chief of the
+Police. If you had any interest in your work you would, of course,
+long since have fixed up something of the kind for yourself. But let
+that pass. All I am suggesting to you as a 1921 amendment is that you
+should bank in a more accessible part of your clothing. Waiting for
+change in this weather (especially with the flag still down) can be an
+exasperating experience. Won't you make a resolution during the coming
+year to keep your money nearer the surface?
+
+E. V. L.
+
+ * * * * *
+
+[Illustration: _Neighbour (bearer of message, to billiard
+enthusiast)._ "YOU'RE WANTED AT 'OME, CHARLIE. YER WIFE'S JUST
+PRESENTED YER WITH ANOTHER REBATE OFF YER INCOME-TAX."]
+
+ * * * * *
+
+HOW TO DEAL WITH WINDBAGS.
+
+ "The address was punctured throughout with cheers."--_West
+ Indian Paper._
+
+ * * * * *
+
+ "There would be a grand dinner and music, and
+ splendidly-dressed ladies to look at, and things to eat that
+ strangely twisted the girls' paws when they tried to tell
+ about them," _Weekly Paper._
+
+Mem.--Never try to talk the deaf-and-dumb language after dinner.
+
+ * * * * *
+
+[Illustration: _Profiteer (to his wife)._ "PRETTY MIXED LOT AT THIS
+HOTEL. 'ERE COME SOME MORE O' THEM PRE-WAR BLIGHTERS."]
+
+ * * * * *
+
+
+THE BARKER THAT MISSED FIRE.
+
+On hearing a shuffle of feet in the porch and the clearing of little
+throats, I exclaimed, "Those carols again!" If between "those" and
+"carols" I inserted another word, I withdraw it.
+
+I went into the hall and barked like a dog.
+
+I have often said that, if anyone could earn a hundred pounds a week
+on the stage by barking like a dog, I could. Children like to come to
+my house to tea merely for the thrill of listening to my imitation. I
+used to flatter myself that I could bark like a dog even better than
+NELSON KEYS can imitate GERALD DU MAURIER.
+
+I hardly gave the carol-singers time even to mention Royal David's
+city before I barked. Instantly one pair of little feet scuttled away
+towards the gate; then a voice called, "Don't be silly, Alfy; come on
+back."
+
+Two small girls stood at the front-door as I opened it. One of them
+smiled up at me and said, "He thinks he's going to be bit." She
+appeared to be amused by the idea. Down by the gate was a small
+muffled figure carrying a Chinese lantern. "Come on back, Alfy,"
+she called again, "and let's sing to the gentleman. You see," she
+explained to me in confidence, "he's got addleoids and can't sing
+loud, so we let him hold the lantern."
+
+I was beginning to feel sorry that I had played a trick on such
+inoffensive children and was about to assure them that my savage
+bull-terrier was safely locked up in the kitchen when the brave little
+lass began chattering again.
+
+"My dad keeps dogs--all sorts," she told me, "and sells them to
+gentlemen. So I'm used to dogs." Then she turned once more to the
+lantern-bearer and commanded, "Now come on and sing, Alfy. It ain't a
+dog at all; it's only the gentleman trying to make a noise like one."
+
+ * * * * *
+
+ "Rod Iron Red Mail Bird, year old; good breed;
+ 16s."--_Provincial Paper._
+
+We fancy it must be an armour-clad rooster of this species
+that, crossed with a Plymouth Rock, was responsible for the
+reinforced-concrete chicken that we met at dinner the other night.
+
+ * * * * *
+
+ "When once the exchanges of the world have righted
+ themselves--and that is bound to come about sooner or
+ later--then will follow such a reaction in the trade of
+ the country that will exceed the expectations of the most
+ sanguinary optimist."--_Trade Paper._
+
+We think this must be intended as a hit at TROTSKY.
+
+ * * * * *
+
+
+NEW RHYMES FOR OLD CHILDREN.
+
+THE OYSTER.
+
+ The oyster takes no exercise;
+ I don't believe she really tries;
+ And since she has no legs
+ I don't see why she should, do you?
+ Besides, she has a lot to do--
+ She lays a million eggs.
+ At any rate she doesn't stir;
+ Her food is always brought to her.
+
+ But sometimes through her open lips
+ A horrid little creature slips
+ Which simply will not go;
+ And that annoys the poor old girl;
+ It means she has to make a pearl--
+ It _irritates_, you know;
+ So, crooning some small requiem,
+ She turns the thing into a gem.
+
+ And when I meet the wives of Earls
+ With lovely necklaces of pearls
+ It makes me see quite red;
+ For every jewel on the chain
+ Some patient oyster had a pain
+ And had to stay in bed.
+ To think what millions men can make
+ Out of an oyster's tummy-ache!
+
+ A. P. H.
+
+ * * * * *
+
+ "AT ---- HALL, ST. JOHN'S WOOD, TUES., BY AUCTION, STOCK OF A
+ FURRIER.--CATS. FREE." _ADVT. IN DAILY PAPER._
+
+A CASE OF ADDING INSULT TO INJURY.
+
+ * * * * *
+
+[ILLUSTRATION: MICAWBER AND SON.
+
+SENILE OPTIMIST. "AND TO YOU, MY BOY, I BEQUEATH--MY LIABILITIES. MAY
+YOU BE WORTHY OF THEM!"
+
+JUVENILE DITTO. "THAT'S ALL RIGHT, SIR. SOMETHING'S SURE TO TURN UP!"]
+
+ * * * * *
+
+
+ESSENCE OF PARLIAMENT.
+
+[ILLUSTRATION: AT THE MILLENNIUM STORES.
+
+_MR. LLOYD GEORGE (CHAIRMAN)._ "YOU'VE WORKED SPLENDIDLY UP TO
+CHRISTMAS, AND IF YOU'LL PUT YOUR BACKS INTO IT FOR THE NEW YEAR TRADE
+I'LL SEE IF I CAN'T GIVE YOU A GOOD LONG HOLIDAY IN THE AUTUMN."
+
+_Mr. BONAR LAW (Manager)._ "OR SOME OTHER TIME."
+
+MR. BONAR LAW, MR. LLOYD GEORGE, MR. SHORTT, MR. CHAMBERLAIN, MR.
+NEAL, SIR ERIC GEDDES, SIR ROBERT HORNE, MR. CHURCHILL.]
+
+_Monday, December 20th._--As the result of being tossed backwards and
+forwards between the two Houses the Government of Ireland Bill had
+already lost most of its awkward corners. The last two were rounded
+off to-day, when the Government secured that Southern Ireland should
+have three years, instead of two, in which to make up her mind whether
+to accept or refuse the proffered Parliament, and that in the meantime
+only a joint resolution of both Houses should prevent the Act from
+coming into operation. Lord MIDLETON pressed hard for a retention
+of the Lords' veto, but was thrown overboard by Lord CREWE, who was
+greatly impressed by the LORD CHANCELLOR'S reminder that within three
+years there must be a General Election.
+
+In the Commons Sir ROBERT HORNE performed his customary Monday dance
+among the fiscal egg-shells. He declined to give an estimate as to
+the number of British workmen unemployed owing to the importation
+of German goods--"no man who breathes could do it"--and judiciously
+evaded acceptance of Sir FREDERICK HALL'S suggestion that one reason
+why Teuton manufacturers were snapping up Dominion contracts was that
+their employes worked eleven hours a day.
+
+The close of one of the longest and weariest sessions on record finds
+the Government in a penitent mood. How long will it last? The
+PRIME MINISTER told one of his supporters that he hoped next year's
+programme would be less exacting, and immediately promised another
+measure dealing with dumping and exchange; and when Sir F. BANBURY
+helpfully suggested that the surest way to avoid an Autumn Session
+would be to introduce fewer Bills Mr. BONAR LAW turned on him with the
+retort that "a surer way would be to introduce none."
+
+An amusing duel between well-matched opponents took place over
+liquor control. Mr. MACQUISTEN, whose voice, at once insinuating
+and penetrative, has been likened to a corkscrew, urged that the
+_bona-fide_ frequenters of public-houses should be consulted in the
+settlement of the drink regulations. The present arrangement, in his
+view, was like entrusting the regulation of the Churches to avowed
+atheists. Lady ASTOR made full use of her shrill treble in retorting
+that it was the "victims"--by which apparently she meant the wives
+of Mr. MACQUISTEN'S _proteges_--who ought to have the last word.
+She herself had it in the series of incredulous "Oh's!"--uttered
+_crescendo_ on a rising scale and accompanied by appropriate
+gesture--with which she received Mr. MACQUISTEN'S confident assertion
+that the working-men's clubs are the enemies of "the Trade."
+
+Supplementary Estimates produced a good deal of miscellaneous
+information. On the Vote for Road Transport Colonel MILDMAY attacked
+the system of tar-spraying and told a melancholy story of a cow that
+skidded with fatal results. He was backed up by Sir F. BANBURY, who
+said that he had found the ideal pavement in soft wood and awakened
+memories of an ancient jest by suggesting that something might be done
+if he and the MINISTER OF TRANSPORT were to put their heads together.
+
+_Tuesday, December 21st._--Sir WILLIAM DAVISON thundered against the
+Home Office for not taking steps to prevent the desecration of the
+Nelson Column by the delivery of seditious speeches. Sir JOHN BAIRD
+explained that it was impossible to know beforehand what sort of
+speech was going to be delivered. But his critic would have none of
+this paltry excuse. "Did not the regulations provide," he boomed,
+"that the objects of the meetings must be specified?" Fortunately for
+the Minister, who had nearly been blown off the Treasury Bench, Mr.
+HOGGE came to the rescue. "Is it not a fact," he inquired, "that the
+monument was erected to a man who turned a blind eye to orders?"
+
+The strange case of Lord ROTHERMERE and the Committee on Public
+Accounts was further investigated. The Committee had reported that a
+certain stationery contract for the Air Ministry had been extravagant
+and improper. The AIR MINISTER at the time was the noble Lord who has
+lately been so eloquent about "squander-mania," but he has since, in
+a letter to the Press, declared that he never signed or initialled
+the order. Lieut.-Colonel ARCHER-SHEE and Mr. ORMSBY-GORE sought the
+opinion of the Treasury on the transaction, and Mr. BALDWIN replied
+that it was certainly usual for a Minister to be held responsible for
+his expenditure, and that if subordinate officials were thrown over by
+their chiefs it would be bad for the Service.
+
+The Lords' amendments to the Commons' amendments to the Lords'
+amendments to the Government of Ireland Bill were agreed to. Sir L.
+WORTHINGTON-EVANS thought to improve the occasion by a neat little
+speech expressing goodwill to Ireland, and, much to his surprise,
+found himself in collision with the SPEAKER, who observed that this
+was not the time for First Reading speeches.
+
+It was rather hard on Lord PEEL, as the grandson of the great Sir
+ROBERT, to have to sponsor the Dyestuffs Bill. He frankly described it
+as "a disagreeable pill." Lord EMMOTT and other Peers showed a strong
+disinclination to take their medicine, but Lord MOULTON said that the
+chemists--naturally enough--were all in favour of it, and persuaded
+the House to swallow the bolus.
+
+In the course of an eleventh-hour effort to destroy the Agriculture
+Bill Lord LINCOLNSHIRE described the PRIME MINISTER'S Christmas motto
+as _Tax Vobiscum_; and the success of his jape served as a partial
+solace for the defeat of his motion.
+
+ * * * * *
+
+[Illustration: _Old Sea-dog (to nervous passenger)._ "ROLL? SHE _CAN_
+ROLL! D'YE SEE THEM MARKS ON THE WALL? THAT'S OUR FEET."]
+
+ * * * * *
+
+
+A WARNING FROM THE SKY.
+
+ [The latest form of mascot is a trinket-model of the sign of
+ the zodiac under which one was born.]
+
+ 'Twas Caution bade me: "Think a while;
+ Calm thought may prove your saviour;
+ You've only seen her gala style
+ And very best behaviour;
+ What though her form's divinely planned
+ And rightly you adore it,
+ Her character's an unknown land,
+ You'd better first explore it."
+
+ But such exploring baffled me--
+ She had, to my vexation,
+ No younger brother I could fee
+ For stable information--
+ Until at last I noted (worn
+ Mid baubles weird and various)
+ A mascot which announced her born
+ Beneath the sign Aquarius.
+
+ An ancient tome declared how this
+ Implied that, though a beauty,
+ The girl was careless, slack, remiss
+ And negligent of duty;
+ I stilled in time my cardiac stir
+ And ceased my adoration,
+ Thanking my lucky stars and her
+ Explicit constellation.
+
+ * * * * *
+
+
+AT THE PLAY.
+
+"PETER PAN."
+
+_Peter Pan_, the play, must by now have long overtaken the age of
+_Peter Pan_, the boy; but, like him, it never grows any older. The
+cast may change, but that seems to make hardly any difference. The new
+_Peter_ (Miss EDNA BEST) is as good as any of them. Graceful of shape
+and lithe of limb, he is still essentially a boy, the realised figure
+of BARRIE'S fancy; a little aloof and inscrutable; romantic, too, in
+his very detachment from the sentiment of romance that he provokes.
+Miss FREDA GODFREY, the new _Wendy_, would have seemed good if we had
+not known better ones. To be frank, she looked rather too mature for
+the part; she needed a more childlike air to give piquancy to her
+assumption of maternal responsibilities. It was pleasant to see Mr.
+HENRY AINLEY unbend to the task, simple for him, of playing _Captain
+Hook_ and _Mr. Darling_. One admired his self-control in refusing to
+impose new subtleties upon established and sacred tradition.
+
+Of familiar friends, age has not withered the compelling charms of Mr.
+SHELTON'S _Smee_, nor, in the person of Mr. CLEAVE, has custom staled
+the infinite futility of _Slightly_. I was glad, too, to find Miss
+SYBIL CARLISLE back in the part of _Mrs. Darling_, which she played
+most appealingly.
+
+The lagoon scene was cut out this year; perhaps it was thought that
+there is enough lagoon in London just now. I could more willingly have
+spared the business of _Mr. Darling_ and the kennel, the one blot in
+the play. My impression of this grotesquerie has not changed since I
+first saw _Peter Pan_.
+
+Among new impressions was a feeling that the domestic details of
+the First Act are a little too leisurely, so that I appreciated the
+impatience of my little neighbour for the arrival of _Peter Pan_,
+whose acquaintance she had still to make. Also from the presence of
+children in my party I became conscious how much of the humour of
+the play--its burlesque, for example, of the stage villain--is only
+seizable by children who have grown up. BARRIE wrote it, of course, to
+please the eternal child in himself, but forgot now and then what an
+unusual child it was.
+
+O. S.
+
+ * * * * *
+
+On Wednesday, January 5th, 1921, at 3.30 and 8 P.M., in the Hall of
+the Inner Temple, the "Time and Talents" Guild will give a series of
+"Action Tableaux," dramatised by Miss WILSON-FOX, in illustration of
+the history of Southwark and Old Bermondsey from Saxon times to
+the present day. There will be singing, in character, by the Stock
+Exchange Choir. The profits will go in aid of the Settlement in
+Bermondsey, which has been carried on for twenty-one years among the
+factory girls by members of "Time and Talents," and to-day includes
+a Hostel, Clubs, a Country Holiday Fund and a cottage in the country.
+Applications for tickets may be made to Miss WILSON-FOX, 17, De Vere
+Gardens, Kensington, W. 8.
+
+ * * * * *
+
+
+THE GREAT RESOLVE.
+
+ ["When _Chu Chin Chow_ reaches its 2,000th representation on
+ the 29th, it will have run for 1,582 days, 26 days longer than
+ the War." _Sunday Times._]
+
+ Behind its pendent curtain folds
+ We know not what the future holds;
+ We only know that worlds have gone
+ Since _Chu Chin Chow_ was first put on.
+
+ Mid all our stress and strife and change
+ This strikes me as extremely strange;
+ I think when plays go on like this
+ There ought to be an artistice.
+
+ But, when we have another war
+ After the peace we've toiled so for,
+ And empires break and thrones are bust
+ And nations tumble in the dust,
+
+ And culture, rising from the East,
+ On tottering Europe is released,
+ And Chinamen at last shall rule
+ In Dublin, Warsaw and Stamboul,
+
+ Soon as the roar of cannon ends
+ And all men once again are friends,
+ I must fulfil my ancient vow
+ And go and visit _Chu Chin Chow_.
+
+ * * * * *
+
+
+ST. CECILIA OF CREMONA.
+
+_Punch_ has no desire to plunge into the controversy which has arisen
+over the employment of women in professional orchestras, especially as
+the cause has already been practically won, and here, at any rate, the
+saying, "What Lancashire thinks to-day England will think to-morrow,"
+has failed to justify itself. The example of Manchester is not being
+followed in London, and what is deemed advisable for the Free Trade
+Hall in one city is not to dominate the policy of the Queen's Hall in
+the other.
+
+But without going into the arguable points of this latest duel of the
+sexes, Mr. Punch, already in the last year which completes his
+fourth score, may be allowed to indulge in an old man's privilege
+of retrospect and incidentally to congratulate the ladies on the
+wonderful and triumphant progress they have made in instrumental art
+since the roaring 'forties. For in the 'forties women, though still
+supreme on the lyric stage, had hardly begun to assert themselves as
+executants, save on the pianoforte. _Punch_ well remembers LISZT--with
+the spelling of whose name he had considerable difficulty--in his
+meteoric pianofortitude. But the young WILMA NERUDA, who visited
+London in 1849, escaped his benevolent notice. She was then only ten.
+It was not until twenty years later that, as Madame NORMAN-NERUDA, she
+revisited London, proved that consummate skill could be combined with
+admirable grace in a woman-violinist, took her place as a leader of
+the quartet at the Monday "Pops," upset the tyranny of the pianoforte
+and harp as the only instruments suitable for the young person, and
+virtually created the professional woman-violinist. Indeed, she may
+be said to have at once made the fiddle fashionable and profitable for
+girls.
+
+On its invasion of Mayfair the pencil of DU MAURIER furnishes the best
+comment. Before 1869, woman-violinists were only single spies; now
+they are to be reckoned in battalions. And they no longer "play the
+easiest passages with the greatest difficulty," as was once said of
+an incompetent male pianist, but in all departments of technique and
+interpretation have fully earned Sir HENRY WOOD'S tribute to their
+skill, sincerity and delicacy. When the eminent conductor goes on, in
+his catalogue of their excellences, to say, "They do not drink,
+and they do not smoke as much as men," he reminds Mr. Punch of two
+historic sayings of a famous foreign conductor. The first was uttered
+at a rehearsal of the Venusberg music from _Tannhaeuser_: "Gentlemen,
+you play it as if you were teetotalers--_which you are not_." The
+other was his lament over a fine but uncertain wind-instrument player:
+"With ---- it is always Quench, Quench, Quench."
+
+Mr. Punch is old-fashioned enough to hope that, whether teetotalers
+or not, the ladies will leave trombones and tubas severely alone, and
+confine their instrumental energies mainly to the nice conduct of the
+leading strings--the aristocrats of the orchestra, the sovereigns of
+the chamber concert.
+
+ * * * * *
+
+From a butcher's advertisement:--
+
+ "SPECIAL PRE-WAR PORK, AND BEEF, SAUSAGES."--_Local Paper._
+
+While all in favour of old-fashioned Christmas fare, here we draw the
+line.
+
+ * * * * *
+
+ "Enough butter to cover 265,000,000 slices of bread was
+ produced in Manitoba this year. Of 8,250,000,000 pounds
+ produced, 4,100,000 has been exported."--_Canadian Paper._
+
+Thirty-one pounds of butter to the slice is certainly the most
+tempting inducement to Canadian immigration we have yet noticed.
+
+ * * * * *
+
+[Illustration: THE INSPIRED MUSICIAN AND THE CHRISTMAS HAM.]
+
+ * * * * *
+
+
+OUR BOOKING-OFFICE.
+
+_(By Mr. Punch's Staff of Learned Clerks.)_
+
+I can't help thinking that Mr. H. G. HIBBERT has not chosen altogether
+the right name for his second volume of theatrical and Bohemian
+gossip, _A Playgoer's Memories_ (GRANT RICHARDS). It is not so
+unsophisticated as the title had somehow led me to expect. Indeed
+"unsophisticated" is perhaps the last epithet that could justly be
+applied to Mr. HIBBERT'S memories. I fancy I had unconsciously been
+looking for something more in the style of my own ignorant playgoing.
+"How wonderful she was in that scene with the broker's man," or "Do
+you remember the opening of the Third Act?" Not thus Mr. HIBBERT. For
+him the play itself is far less the thing than a peg upon which
+to hang all sorts of tags and bobtails of recollection, financial,
+technical and just not scandalous because of the discretion of the
+telling. His book is a repository of theatrical information, but the
+great part of it of more absorbing concern for the manager's-room or
+the stage-door than, say, the dress circle. But I must not be wanting
+in gratitude for the entertainment which, for all this carping, I
+certainly derived from it. As an expert on stage finance, for example,
+to-day and forty years back, Mr. HIBBERT has revelations that may well
+cause the least concerned to marvel. And there is an appendix, which
+gives a list of Drury Lane pantomimes, with casts, for half a century,
+including, of course, the incomparable first one; but that is not
+a memory of this world. A book to be kept for odd references in two
+senses.
+
+ * * * * *
+
+[Illustration: CULPABLE NEGLIGENCE ON THE PART OF AN EDITOR OF AN
+ILLUSTRATED PAPER. IMPENDING LIBEL ACTIONS.
+
+CAPTAIN ERIC BLIGHTMAN, WHOSE ENGAGEMENT TO LADY SARAH HUBB HAS JUST
+BEEN ANNOUNCED.
+
+BASHER SMITH, EX-HEAVYWEIGHT CHAMPION OF STEPNEY, WHO IS TO ACT AS
+REFEREE AT THE CORKERY-HACKETT FIGHT ON FRIDAY.]
+
+[Transcriber's Note: The captions were reversed.]
+
+ * * * * *
+
+What most interfered with my peace of mind over _The Happy Highways_
+(HEINEMANN) was, I think, its almost entire absence of highway, and
+the exceedingly unhappy nature of its confused and uncharted lanes.
+Indeed, I am wondering now if the title may not have been an instance
+of bitter irony on the part of Miss STORM JAMESON. Certainly a more
+formless mass of writing never within my experience masqueraded as a
+novel. There are ideas and reflections--these last mostly angry and
+vaguely socialistic--and here and there glimpses of illusory narrative
+about a group of young persons, brothers and a girl-friend, who live
+at Herne Hill, attend King's College and talk (oh, but interminably)
+the worst pamphlet-talk of the pre-war age. It is, I take it, a
+reviewer's job to stifle his boredom and push on resolutely through
+the dust to find what good, if any, may be hidden by it. I will admit
+therefore some vague interest in the record of how the War hit such
+persons as these. Also (to the credit of the author as tale-teller)
+she does allow one of the young men to earn a scholarship, and for
+no sane reason to depart instantly thereupon before the mast of a
+sailing-ship; also another, the central figure, to fall in love
+with the girl. The book is in three parts, of which the third is
+superfluously specialized as "chaos." Whether Miss JAMESON will yet
+write a story I am unable to say; I rather wonder, however, that
+Messrs. HEINEMANN did not suggest to her that these heterogeneous
+pages would furnish excellent material for the experiment.
+
+ * * * * *
+
+I have discovered that Miss PEGGY WEBLING has quite a remarkable
+talent for making ordinary places and people seem improbable. She
+achieves this in _Comedy Corner_ (HUTCHINSON) by sketching in her
+scenery quite competently and then allowing her characters to live
+lives, amongst it, so fraught with coincidence, so swayed by the most
+unlikely impulses, that a small draper's shop, a West End "Hattery"
+and an almshouse for old actresses become the most extraordinary
+places on earth, where anything might happen and nobody would be
+surprised. _Winnie_, her heroine, behaves more improbably than anyone
+else, but she is such a dear little goose that most amiable readers
+will be quite glad that she doesn't have to suffer as much as such
+geese would if they existed in real life. You can see from this that
+it is one of those books that are full of real niceness and goodwill,
+and it has besides plenty of plot and lots of interesting characters,
+and yet somehow it gives you the feeling of being out of focus. You
+read on, expecting every moment that clever Miss WEBLING will give
+things a little push in the right direction and make them seem true,
+and, while you are reading and hoping, you come to the happy ending.
+
+ * * * * *
+
+Should you enter _The Gates of Tien T'ze_ (HODDER AND STOUGHTON) you
+will not regret it, but it is possible that you may be--as I was--a
+little breathless before the end of this vehement story is reached.
+The average tale of criminals and detectives is not apt to move
+slowly, but here Mr. LESLIE HOWARD GORDON maintains the speed of a
+half-mile relay race. I am not going to reveal his mystery except
+to say that _Tien T'ze_ was a Chinese organisation which perpetrated
+crimes, and that _Donald Craig_, _Kyrle Durand_--his secretary
+(female) and cousin--and _Bruce MacIvor_, superintendent of the
+Criminal Investigation Department, were employed in tracking it down
+and smashing it to pieces. Never have I met anyone in fiction (let
+fact alone) so clever as _Kyrle_ in getting herself and her friends
+out of tight places. When _Craig_ and _MacIvor_ were so beset by _Tien
+T'ze_ that their last hour seemed to have come I found myself saying,
+"It is time for _Kyrle_ to emerge from her machine," and she emerged.
+In a novel of this _genre_ it is essential that the excitement should
+never fall below fever-heat, but Mr. GORDON'S book does better than
+that; its temperature would, I think, burst any ordinary thermometer.
+
+ * * * * *
+
+ "The Vicar's Study Circle is now engaged in considering the
+ teaching of what is known as the 'Higher Criticism.' All
+ interested are invited to attend, whatever sex they may claim
+ to possess."
+
+ --_Parish Magazine._
+
+The Vicar evidently possesses the open mind so necessary for
+discussions of this sort.
+
+ * * * * *
+
+
+
+
+[Illustration: EPILOGUE]
+
+
+AS WE SEE OTHERS: A CANDID APPRECIATION OF U.S.A.
+
+The liner _de luxe_ had swung in past Sandy Hook, and the tender had
+already come alongside with its mail and Press-gang. There ensued a
+furious race to interview the most distinguished passenger, and it
+was by the representative of _The Democratic Elevator_, who got
+there first, that the Sage, in the very act of recording the emotions
+provoked by his first sky-scraper, was _aborde_.
+
+"Mr. Punch, I guess?" said he. "Pleased to meet you, Sir. And what do
+you think of the American nation?"
+
+"Shall I tell you now," asked Mr. Punch, "or wait till I've actually
+seen it?"
+
+"Right here," said the interviewer, and drew his note-book.
+
+"Well," began Mr. Punch, "I think a good deal of it--I mean, I think a
+good deal about it. And it nearly always makes me smile. Of course you
+won't understand why it nearly always makes me smile, because we
+don't see fun in the same things. You don't appreciate our humour, and
+therefore you say that we haven't any. And if we don't appreciate
+your humour that proves again that we haven't any. So you'll never
+understand why it makes me smile, sometimes gently and sometimes
+rather bitterly, to think about your nation; but I'll tell you just
+the same.
+
+"In the first place, what you call 'America' is only a small fraction
+of the American continent, not even as large as British North America.
+And in the second place what you call your 'nation'--well, some rude
+person once said of it that it isn't really a nation at all, but just
+a picnic. I won't go so far as that, but I hardly suppose you will be
+much better pleased if I call it a League of Nations. That is a phrase
+that you hate, because your President WILSON loves it.
+
+"By the way, I must be very careful how I speak of your President,
+because you're so sensitive on that subject. You allow yourselves to
+abuse him as the head of a political party, but if other nations so
+much as question his omniscience he suddenly becomes the Head of
+a Sovereign State. An English Cabinet Minister once told me how an
+American gave vent in conversation to the most violent language in
+regard to the policy of the President of the day, and when at the end
+the Englishman very quietly said, 'I am inclined to agree with you,'
+the American turned on him in a fury, saying: 'Sir, I didn't come here
+to have my country insulted!'
+
+"However, to return to your League of Nations. In England (where I
+come from) they are just now reviving a play by Mr. ISRAEL ZANGWILL,
+in which, if I recall it rightly, he makes out your country to be the
+Melting Pot into which every sort of fancy alien type is thrown, and
+turned out a pattern American citizen, a member of a United Family. I
+wish I could believe it. It seems to us that your German, even after
+passing through the Melting Pot, remains a German; that your Irishman,
+however much he Americanises himself for purposes of political power
+and graft, remains an Irishman. You never seem to get together as a
+nation, except when you go to war, and even then you don't keep it
+up, for you're not together now, although you're still at war with
+Germany. The rest of the time you seem to spend in having Elections
+and 'placating' (I think that's what you call it) the German interest,
+or the negro interest, or the Sinn Fein interest.
+
+"And this brings me to the point that makes me smile most of all--when
+it doesn't make me weep. Isn't it a pathetic thing that a really great
+and strong people like you should be so weak and little as to let your
+Press sympathise blatantly with the campaign of murder in Ireland; to
+suffer that campaign to be actively assisted by American gunmen; to
+look on while it is being financed by American money, here employed in
+conjunction with the resources of that very Bolshevism which you take
+care to treat as criminal in your own country?
+
+"Isn't it pitiful that you should regard reprisals (hateful though
+they may be) as worse than the hideous murders which provoked them;
+forgetting your own addiction to lynch law; forgetting too (as some
+of our own people forget) that the sanctity of the law depends as much
+upon the goodwill and assistance of the populace as it does upon the
+police, and cannot else be maintained?
+
+"Indeed your memory is not very good. Your Monroe Doctrine, which
+insists that nobody from outside shall interfere with your affairs,
+escapes you whenever you want to interfere with other people's. You
+even forget, at convenient times, your own Civil War. Just as there
+was not a protest made by you against the methods of our blockade of
+Germany for which an answer could not be found in some precedent set
+by you in that War of North and South, so now the best answer to your
+sympathy with the preposterous claims of an Irish Republic is to be
+found in those four years in which you fought so bloodily to preserve
+the integrity of your own Union.
+
+"Yet you let men like DE VALERA go at large proclaiming the brutal
+tyranny of the alien Saxon and advertising his country as a Sovereign
+State--all because you have to 'placate' the Irish interest. I should
+very much like to hear what you would think of us if at our Elections
+we ran an Anti-You campaign and even made Intervention a plank in our
+platform (as one of your Parties did) for the sake of 'placating' the
+niggers or the Cubans or the Filipinos or any other sort of Dago in
+our midst.
+
+"Of course we are told--and of course I believe it--that the 'best'
+American sentiment is all right. But, if so, it must be cherished by a
+very select few, or they would never tolerate a condition of things so
+rotten that, unless your coming President finds some cure for it, you
+are like to become the laughing-stock of Europe. I am almost tempted
+to go into the Melting Pot myself and show you, as none but an
+American citizen would ever be allowed to show you, how it is to be
+done. Unfortunately I am too busy elsewhere, putting my own country
+right.
+
+"But to conclude--for I see that we are drawing close to the
+landing-stage--I do hope that in my desire to be genial I have not
+been too flattering. No true friend ever flatters. And in my heart,
+which has some of our common blood in it (notoriously thicker than
+water), I cannot help loving your country, and would love it better
+still if only it gave me a better chance. Indeed, I belong at home to
+a Society for the Promotion of Anglo-American Friendship. More than
+that"--and here the Sage was seen to probe into a voluminous and
+bulging breast-pocket--"I have brought with me a token of affection
+designed to stimulate a mutual cordiality."
+
+"_Not_ a flask of whisky?" exclaimed the representative of _The
+Democratic Elevator_, suddenly moved to animation.
+
+"No, not that, not that, my child," said Mr. Punch, "but something
+far, far better for you; something that gives you, among other less
+serious matter, a record of the way in which we in England, with
+private troubles of our own no easier than yours to bear, and
+exhausted with twice as many years of sacrifice in the War of Liberty
+(whose colossal effigy I have just had the pleasure to remark), still
+try to play an honourable part in that society of nations from which
+you have apparently resolved, for your better ease and comfort, to cut
+yourselves off. Be good enough to accept, in the spirit of benevolence
+in which I offer it, this copy of my
+
+ONE HUNDRED AND FIFTY-NINTH VOLUME."
+
+[Illustration]
+
+ * * * * *
+
+
+
+
+[Illustration: Index]
+
+
+
+CARTOONS.
+
+
+PARTRIDGE, BERNARD
+ Aladdin and the Miner's Lamp 311
+ Bad for the Bull 51
+ Cap of Liberty: Le Dernier Cri 191
+ Close Corporation (A) 351
+ Economists (The) 471
+ Experts (The) 291
+ Folly of Athens (The) 411
+ German Invasion (A) 431
+ Great Repudiation (The) 231
+ "House"-Breaker (The) 151
+ If Winston Set the Fashion-- 111
+ League of Youth (The) 91
+ Micawber and Son 511
+ Moral Suasion 71
+ Prince Comes Home (The) 271
+ Problem (The) 131
+ Road to Economy (The) 451
+ Salvage 251
+ Scales of Justice (The) 331
+ Session of Common Sense (A) 171
+ Shrine of Honour (The) 371
+ Snowed Under 211
+ Verdun 491
+ Worth a Trial 391
+
+RAVEN-HILL, L.
+ Abysmalists (The) 383
+ Balm for the Sick Man 423
+ Blue Ribbon of the Sea (The) 83
+ Boblet (The) 463
+ Encourage Home Industries 363
+ Evil Communications 43
+ Good Fairy Georgina (The) 503
+ Iconoclast (The) 123
+ I. O. U. 11
+ Labor Omnia Vincit 443
+ Last Straw (The) 403
+ "Lion of Lucerne (The)" 143
+ Our Parish Church 31
+ Our Village Sign 343
+ Out of the Frying-Pan 183
+ Polish Hug (The) 283
+ Prospective Jonah? (A) 263
+ Public Benefactor (The) 203
+ Real Music (The) 103
+ Resources of Civilisation (The) 303
+ Road to Ruin (The) 163
+ Sing a Song of Drachmas 483
+ Tartarin dans les Indes 243
+ Too-Free Country (A) 323
+
+REYNOLDS, FRANK
+ Under a Cloud (with a Golden Lining) 223
+
+TOWNSEND, F. H.
+ L'Enfant Terrible 3
+ Sea-view of the Situation (A) 63
+ Subject to Revision 23
+
+
+
+ARTICLES.
+
+
+ALLEN, INGLIS
+ Difference of Class (A) 208
+
+ANDERSON, MISS E. V. M.
+ Mudford Blight (The) 188
+
+ARMSTRONG, H.
+ Working for Peace 330
+
+BELL, NEIL
+ Cage (The) 349
+
+BIDDULPH, MISS VIOLET
+ In Defence of Dorothy 102
+
+BIRD, A. W.
+ Cricket Mannerism (A) 22
+ Edward and the B.O.F. 98
+ Fine Old Fruity (The) 490
+ Stuttfield and the Reds 374
+ Twenty Years On 55
+
+BLAIKLEY, MISS E. L.
+ Pamela's Alphabet 270
+
+BRETHERTON, CYRIL
+ Charivaria weekly
+ To Isis 76
+ Vignettes of Scottish Sport 458
+
+BROWN, C. L. M.
+ Our Invincible Navy 362
+
+BROWN, HILTON
+ Blue Mountains (The) 136
+ Nimrod 195
+ Santamingoes 24
+
+BRYANT, A. W. M.
+ Kings and Queens 224
+
+BUDGEN, C. G.
+ Language for Logic (The) 422
+
+CAMERON, C. F.
+ Taxation of Virtue (The) 214
+
+CASSON, C. R.
+ Eve Victorious 466
+ Humourist (The) 488
+ Light Fantastic (The) 366
+ Word Chains 28
+
+CHALMERS, P. R.
+ Kelpie (The) 149
+ Visionary (The) 124
+
+CHANDLER, MISS B. W.
+ Coup for _The Daily Trail_ (A) 182
+ Our Pastoral 36
+
+CLARK, DUDLEY
+ Badly Synged 82
+
+CROSS, W. H.
+ Cures for Insomnia 470
+
+DARMADY, E. S.
+ Peculiar Case of Toller (The) 75
+
+DARMADY, E. S. & J.
+ Human City and Suburban (The) 184
+ Superfection Laundry (The) 342
+
+DAVIES, MISS S. M.
+ Prodigies (The) 202
+ Sources of Laughter 385
+
+DYER, A. E. R.
+ Knell of the Navy (The) 246
+ Passing of Alfred (The) 298
+
+EASTWOOD, CAPTAIN
+ Rabbits' Game (The) 144
+
+ECKERSLEY, ARTHUR
+ Squatters 105
+
+FARROW, R. S.
+ New Journalism (The) 370
+
+FAY, S. J.
+ Authorship for All 46, 66
+ Dissimulation of Suzanne 176
+ My Right-Hand Man 234
+ Sayings of Barbara (The) 388
+
+FOX-SMITH, MISS C.
+ All Sorts 46
+ Nitrates 86
+ Ship in a Bottle (A) 230
+ Yarns 390
+
+FRANKLIN, BERNARD
+ Ballad of the Early Worm (A) 265
+
+FYLEMAN, MISS ROSE
+ Check by the Queen 306
+ Consolation 264
+ Fairy Tailor (The) 482
+ Queen's Counsel 88
+ Rainy Morning 253
+ Wedding Presents 186
+
+GARLAND, A. P.
+ Patient's Library (The) 118
+ Place of the Trombone in the Band (The) 428
+ Romance of Book-making (The) 2
+ Timon 1
+
+GARSTIN, CROSBIE
+ Barrel of Beef (The) 456
+ Down Channel 77
+ Fair (The) 110
+ Letter to the Back-Blocks 324
+ Old Woman's House Rock, Scilly 213
+ Our Heavy-Waits 464
+ Reefs (The) 30
+ Spanish Ledges 237
+
+GILLMAN, W. H.
+ Counter-Irritant (The) 108
+ Headlining 318
+ Very Personal 255
+
+GOODHART, MRS. H.
+ Logs to Burn 337
+
+GRAVES, C. L.
+ Between Two Stools 226
+ British Tarpon (The) 198
+ Changes in Club-Land 130
+ Cry of the Adult Author (The) 345
+ Cures Worth Making 38
+ Fashion and Physique 210
+ Footnote to the "Bab Ballads" 408
+ From Spa and Shore 122
+ Happy Gardener (The) 398
+ Mixed Meteorological Maxims 269
+ New Utopia (The) 366
+ Our Lucky Dippers 442
+ Our Natural History Column 69
+ Prawling's Theory 316
+ Puss at the Palace 490
+ Revival of the Fittest (The) 116
+ Revival of Ollendorff 335
+ Revolt of Youth (The) 168
+ St. Cecilia of Cremona 514
+ State and the Screen (The) 50
+ To Certain Cautious Prophets 256
+ To General Oi 198
+ Tragedy of Reaction (A) 19
+ Two Studies in Musical Criticism 276
+ When and If 289
+
+GREENLAND, GEORGE
+ Miriam's Two Babies 254
+
+HARWOOD, A. C.
+ How to Build a House 176
+
+HASELDEN, PERCY
+ Old Beer Flagon (The) 358
+
+HERBERT, A. P.
+ Art of Poetry (The) 164
+ Autobiography Shocker (The) 313
+ Contemporary Folksongs 384
+ Criminal Type (A) 62
+ Euclid in Real Life 346
+ Foul Game (A) 495
+ Grasshopper (The) 42
+ Happy Hoots (The) 502
+ Heart of Mine 88
+ If They were at School 408
+ Korban Bath (The) 288
+ Little Bits of London 468
+ Little Horse (The) 26
+ Mystery (The) 126
+ Mystery of the Apple-pie Beds 268
+ New Rhymes for Old Children 186, 215, 234, 244, 295, 306, 329, 350,
+ 365, 416, 426, 455, 475, 485, 510
+ On with the Dance 6
+ Private Film (The) 338
+ Seven Whitebait 206
+ Spider (The) 116
+ Thoughts on _The Times_ 148
+ White Spat (The) 448
+
+HEYER, GEORGE
+ Rhymes of the Underground 95, 115, 176, 193
+
+HODGKINSON, T.
+ Best Laid Schemes (The) 66
+ Devoted Lover (The) 270
+ First Love and Last 146
+ Home from Home (A) 225
+ Love's Handicap 318
+ _Mens Conscia Mali_ 106
+ Ministering Angel (The) 85
+ Note on the Drama (A) 450
+ Sartorial Tragedy (A) 398
+ Vanished Glory 7
+ Warning from the Sky (A) 513
+
+HOLMES, CAPT. W. K.
+ Ben and the Boot (The) 233
+ Territorial (The) 137
+ To James in the Bath 250
+ Victim of Fashion (A) 96
+
+HOLT, E. C.
+ Songs of an Ovalite 45
+
+JACKSON, LIEUT. GERALD, R.N.
+ Difficult Case (A) 410
+
+JAGGER, ARTHUR
+ Elfin Tennis 405
+ _Rara Avis_ 182
+ Westward Ho! 169
+
+JAY, THOMAS
+ Charivaria weekly
+ Questions 449
+
+JENKINS, ERNEST
+ Barker that Missed Fire (The) 510
+ Downing of the Pen (The) 354
+ Improving "Hansard" 434
+ My Dromedary 78
+ Premier's Metaphors (The) 386
+ Should Millionaires read Homer? 58
+ Shrimp Test (The) 253
+ Solving the Holiday Fare Problem 81
+ When Charl. comes over 18
+
+KIDD, ARTHUR
+ Another War to End War 175
+ More Secret History 326
+ Our "Promised" Land 429
+ Passing of the Cradle (The) 205
+
+KILPATRICK, MRS.
+ Elizabeth Goes on Holiday 64
+ Elizabeth Goes to the Sales 4
+ Elizabeth Outwitted 284
+ Elizabeth's Christmas 504
+ Ernest Experiments 315
+ Hard Times for Heroines 146
+
+KING, P. J.
+ Ministry for Heroes (The) 294
+
+KITCHIN, HARCOURT
+ My Rat 25
+
+KNOX, E. V.
+ About Conferences 326
+ About Golf 462
+ Coal Cup (The) 204
+ Converted Castles 48
+ D'Annunzio Dialogue (A) 406
+ George, Jane and Lenin 153
+ Gone Away! 302
+ Handy Man (The) 228
+ Harding and Cox 37
+ I remember--I remember 70
+ Maybirds 506
+ Miners' Opera (The) 262
+ More Pay for M.P.s 438
+ My Apologia 377
+ On Running Down to Brighton 190
+ Priscilla Paints 18
+ Priscilla Plays Fairies 446
+ Proof Positive 344
+ Sand Sports 170
+ September in My Garden 244
+ Squish 106
+ Taffy the Fox 486
+ Thoughts in a Cold Snap 484
+ Unauthentic Impressions 364, 382, 404, 424, 444
+ Ways and Means 68
+ Yet One More Plan for Ireland 282
+
+LAMBURN, MISS R. C.
+ Anniversary (The) 118
+ Birthday Present (The) 94
+ Strike in Fairyland (A) 356
+ Way Out of the Present Unrest 238
+
+LANGLEY, F. O.
+ Boot Mystery (The) 414
+ Conspirators (The) 248, 266, 286, 308, 328, 348
+ Genf and the League of Nations 368
+ King's Messenger (The) 8
+ Lucerne 154
+ Mountain and the Prophets (The) 476
+ Movement in the Money Market 189
+ Story about a Clock (A) 38
+
+LEWIS, M. A.
+ Tragedy in Birdland (A) 395
+ Transmigration of Bowles (The) 128
+ _Vade Mecums_ 96
+
+LEYS, MISS H. M.
+ Flowers' Names 57, 78, 90, 104, 122, 145, 198, 206, 229, 273, 298
+
+LOCKER, W. A.
+ Essence of Parliament weekly during Session
+
+LUCAS, E. V.
+ Among the Pedestals 122
+ Brown Lady (The) 430
+ Buckler's 76
+ Cabman and the Coin (The) 246
+ Cynosure (The) 397
+ Dining Gladiator (The) 304, 322
+ Down-our-Court Circular 117
+ End of the Season (The) 194
+ For Ourselves Alone 296
+ Honours Easy 274
+ If We All Took to Margotry 142
+ Letters I never Post (The) 416
+ Letters I never Posted 508
+ More Margobiography 102
+ Mother-in-law Mystery (The) 376
+ Other Half (The) 476
+ Philosophers 22
+ Points of View 56
+ Privileges of Margotism (The) 166
+ Ring in the Old 358
+ Succulent Comedians (The) 84
+ "Suggestions" 496
+ That Tea Interval 216
+ Three Exceptional Men 15
+ Wire and Barbed Wire 226
+
+MARTIN, N. R.
+ Sniper (The) 406
+ Tips for Uncles 49
+
+MAY, H. R. D.
+ Whiff of the Briny (A) 162
+
+MORRISON, A. C. L.
+ Language Difficulty (The) 218
+
+NORRISS, CECIL
+ Charivaria weekly
+
+NOTT-BOWER, W. G.
+ "G.B.R.L." 435
+
+OGILVIE, W. H.
+ Opening Run (The) 357
+
+PENNEY, F. G.
+ To a Clerical Golfing Friend 455
+
+PHELPS, S. K.
+ Ministry of Ancestry (The) 222
+ Pigs 258
+
+PLATT, F. W.
+ Wail of the Wasp (The) 238
+
+PLUMBE, C. C.
+ Roses all the Way 86
+
+PRESTON-TEWART, A.
+ Bridge Conventions 242
+
+RICHARDSON, R. J.
+ Cubbin' thro' the Rye 266
+ Headgear for Heroes 229
+ Room at the Back (The) 174
+ Scene at the Club (A) 74
+
+RIGBY, REGINALD
+ Great Idea (The) 394
+ Little Moa (The) 265
+ Piglets 56
+ Prone 149
+ What to do with our Boys 136
+
+SALVIDGE, STANLEY
+ Belles of the Ball 402
+
+SEAMAN, OWEN
+ Apology to the Bench (An) 142
+ Ashes (The) 222
+ As We See Others 517
+ At the Play 158, 196, 236, 256, 275, 336, 378, 418, 514
+ "Christmas Spirit (The)" 482
+ Dark Ages (The) 442
+ Doggerel 202
+ Falling Prices 302
+ How to Vitalise the Drama 382
+ Lessons from Nature 262
+ Michaelmas and the Goose 242
+ Mr. Smillie's Little Armageddon 162
+ Poet-Laureate and his German Friends (The) 342
+ Standard Golf-Ball (The) 422
+ To the Lion of Lucerne 462
+ To our Play-Makers 282
+ Unknown Warrior (The) 370
+
+SILSBY, MISS E.
+ Late Worm (The) 322
+
+SMITH, E. A.
+ One Touch of Dickens 436
+
+SPENDER, MISS B. E.
+ Unlikely Story (An) 438
+
+STUART, MISS D. M.
+ Before the Cenotaph 362
+ Chantry (The) 298
+
+TAYLOR, S. J.
+ To a Maker of Pills 150
+
+THORNHILL, J. F. P.
+ Beau Brimacombe 396
+
+THORP, JOSEPH
+ At the Play 44, 125, 276, 456
+
+TROTTER, MRS. A. F.
+ Moon-Seller (The) 216
+
+WESTBROOK, H. W.
+ Beginner (The) 109
+
+WHITAKER, V.
+ Nocturne 58
+
+WHITE, E. P.
+ Another Garden of Allah 108
+ Goldwire and Poppyseed 9
+ Racing as a Business 426
+ _Si Jeunesse Savait_ 310
+ Taste of Authority (A) 138
+ "To Him that hath ..." 156
+ Vacillating Policy (A) 398
+
+WHITE, R. F.
+ Increased Output 402
+ Type-Slinger (The) 334
+
+WHITMARSH, F. J.
+ Guide to Greatness (A) 330
+ Peerless Provincial (The) 297
+
+ * * * * *
+
+
+
+PICTURES AND SKETCHES.
+
+
+ARMOUR, G. D., 159, 215, 233, 248, 279, 295, 339, 379, 419, 439, 459,
+479, 513
+
+BATEMAN, H. M., 16, 17, 35, 187, 257, 267
+
+BAUMER, LEWIS, 119, 190, 207, 224, 250, 270, 330, 390, 430, 450, 490,
+510
+
+BELCHER, GEORGE, 75, 97
+
+BIRD, W., 40, 61, 161, 177, 308, 417, 435, 461
+
+BROCK, H. M., 9, 57, 89, 109, 297, 364, 415
+
+BROOK, RICARDO, 300
+
+COTTRELL, TOM, 169, 474
+
+CURRY, J. R., 280
+
+DOWD, J. H., 28, 100, 148, 160, 168, 178, 181, 188, 241, 261, 361,
+428, 501
+
+EARNSHAW, HAROLD, 341, 345
+
+"FOUGASSE", 27, 47, 87, 101, 121, 154, 227, 277, 287, 317, 369, 407,
+447, 477, 487, 500
+
+FRASER, PETER, 105, 221, 268, 288, 328, 399, 420
+
+GAMMON, REGINALD, 139, 209
+
+GARSTIN, CROSBIE, 21
+
+GHILCHIK, D. L., 41, 218
+
+GRAVE, CHARLES, 19, 25, 99, 125, 204, 249, 293, 395, 465
+
+HARRISON, CHARLES, 356, 376, 499
+
+HASELDEN, W. K., 276, 336, 418, 456
+
+HENRY, THOMAS, 48, 488
+
+JENNIS, G., 77, 144, 259, 316, 337, 359
+
+LLEWELLYN, MAJOR W., 498
+
+LLOYD, A. W., 13, 33, 34, 53, 54, 73, 74, 93, 94, 113, 133, 134, 333,
+353, 354, 373, 374, 393, 413, 414, 433, 434, 453, 473, 493, 512
+
+MARTIN, L. B., 114
+
+MILLS, A. WALLIS, 30, 45, 70, 127, 153, 164, 210, 278, 289, 315, 335,
+355, 377, 409, 424, 457, 475, 485, 504
+
+MORELAND, ARTHUR, 141, 174, 201, 319, 394
+
+MORRISON, J., 138
+
+MORROW, EDWIN, 388
+
+MORROW, GEORGE, 60, 80, 120, 140, 180, 195, 220, 237, 260, 273, 320,
+340, 360, 380, 400, 410, 440, 460, 480, 495, 516
+
+NORRIS, ARTHUR, 68, 348, 397
+
+OWEN, WILL, 385
+
+PARTRIDGE, BERNARD, 1
+
+PETT, NORMAN, 20, 36, 98, 228, 258, 301, 421, 446
+
+PRANCE, BERTRAM, 79, 117, 137, 299, 436, 468
+
+RAVEN-HILL, L., 37, 55, 95, 189, 253, 269, 334, 396, 478, 497, 518
+
+REYNOLDS, FRANK, 4, 24, 44, 64, 84, 104, 124, 157, 158, 170, 184, 194,
+196, 213, 236, 239, 244, 275, 284, 304, 327, 344, 367, 389, 404, 427,
+444, 464, 484, 509
+
+RIDGEWELL, W. L., 14, 128
+
+ROWNTREE, HARRY, 149
+
+SHEPARD, E. H., 10, 107, 130, 167, 197, 234, 254, 264, 455, 515
+
+SHEPHERD, J. A., 217
+
+SHEPPERSON, C. A., 67, 147, 247, 347, 469, 507
+
+SIMMONS, GRAHAM, 173
+
+SMITH, A. T., 50, 135, 145, 179, 240, 294, 313, 357, 368, 375
+
+SPEED, LANCELOT, 78, 235, 305
+
+STAMPA, G. L., 15, 29, 59, 85, 155, 175, 199, 219, 229, 274, 307, 329,
+350, 365, 387, 425, 454, 467, 489
+
+TERRY, STAN, 81, 200, 208, 281, 321, 381, 401, 441
+
+THOMAS, BERT, 7, 69, 115, 185, 214, 225, 255, 285, 309, 324, 405, 494,
+505
+
+THORP, J. H., 296, 314, 429
+
+TOWNSEND, F. H., 5, 39, 49, 65, 90, 110, 129, 150, 165, 193, 205, 230,
+245, 265, 290, 310, 325, 349, 370, 384, 408, 437, 449, 470, 506
+
+WOOD, STARR, 445
+
+[Illustration: FINIS]
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Volume
+159, December 29, 1920, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 20334.txt or 20334.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/0/3/3/20334/
+
+Produced by Lesley Halamek, Jonathan Ingram and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.