summaryrefslogtreecommitdiff
path: root/2002.txt
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:18:10 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:18:10 -0700
commitbecd834bcee0bfaece0cb366a478067c7863d847 (patch)
tree47ced89802984f1de2266e8d69db8a0a9ed20164 /2002.txt
initial commit of ebook 2002HEADmain
Diffstat (limited to '2002.txt')
-rw-r--r--2002.txt1401
1 files changed, 1401 insertions, 0 deletions
diff --git a/2002.txt b/2002.txt
new file mode 100644
index 0000000..36e1d63
--- /dev/null
+++ b/2002.txt
@@ -0,0 +1,1401 @@
+The Project Gutenberg EBook of Sonnets from the Portuguese
+by Browning, Elizabeth Barrett
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Sonnets from the Portuguese
+
+Author: Browning, Elizabeth Barrett
+
+Release Date: September 14, 2004 [EBook #2002]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SONNETS FROM THE PORTUGUESE ***
+
+
+
+
+Transcribed from the 1906 Caradoc Press edition by David Price, email
+ccx074@coventry.ac.uk.
+
+
+
+
+
+SONNETS FROM THE PORTUGUESE
+
+
+INDEX OF FIRST LINES
+
+
+I I thought once how Theocritus had sung
+II But only three in all God's universe
+III Unlike are we, unlike, O princely Heart!
+IV Thou hast thy calling to some palace-floor
+V I lift my heavy heart up solemnly
+VI Go from me. Yet I feel that I shall stand
+VII The face of all the world is changed, I think
+VIII What can I give thee back, O liberal
+IX Can it be right to give what I can give?
+X Yet, love, mere love, is beautiful indeed
+XI And therefore if to love can be desert
+XII Indeed this very love which is my boast
+XIII And wilt thou have me fashion into speech
+XIV If thou must love me, let it be for nought
+XV Accuse me not, beseech thee, that I wear
+XVI And yet, because thou overcomest so
+XVII My poet thou canst touch on all the notes
+XVIII I never gave a lock of hair away
+XIX The soul's Rialto hath its merchandize
+XX Beloved, my beloved, when I think
+XXI Say over again, and yet once over again
+XXII When our two souls stand up erect and strong
+XXIII Is it indeed so? If I lay here dead
+XXIV Let the world's sharpness like a clasping knife
+XXV A heavy heart, Beloved, have I borne
+XXVI I lived with visions for my company
+XXVII My own Beloved, who hast lifted me
+XXVIII My letters! all dead paper, mute and white!
+XXIX I think of thee!--my thoughts do twine and bud
+XXX I see thine image through my tears to-night
+XXXI Thou comest! all is said without a word
+XXXII The first time that the sun rose on thine oath
+XXXIII Yes, call me by my pet-name! let me hear
+XXXIV With the same heart, I said, I'll answer thee
+XXXV If I leave all for thee, wilt thou exchange
+XXXVI When we met first and loved, I did not build
+XXXVII Pardon, oh, pardon, that my soul should make
+XXXVIII First time he kissed me, he but only kissed
+XXXIX Because thou hast the power and own'st the grace
+XL Oh, yes! they love through all this world of ours!
+XLI I thank all who have loved me in their hearts
+XLII My future will not copy fair my past
+XLIII How do I love thee? Let me count the ways
+XLIV Beloved, thou hast brought me many flowers
+
+
+
+
+I
+
+
+I thought once how Theocritus had sung
+Of the sweet years, the dear and wished-for years,
+Who each one in a gracious hand appears
+To bear a gift for mortals, old or young:
+And, as I mused it in his antique tongue,
+I saw, in gradual vision through my tears,
+The sweet, sad years, the melancholy years,
+Those of my own life, who by turns had flung
+A shadow across me. Straightway I was 'ware,
+So weeping, how a mystic Shape did move
+Behind me, and drew me backward by the hair;
+And a voice said in mastery, while I strove,--
+"Guess now who holds thee!"--"Death," I said, But, there,
+The silver answer rang, "Not Death, but Love."
+
+
+
+
+II
+
+
+But only three in all God's universe
+Have heard this word thou hast said,--Himself, beside
+Thee speaking, and me listening! and replied
+One of us . . . that was God, . . . and laid the curse
+So darkly on my eyelids, as to amerce
+My sight from seeing thee,--that if I had died,
+The death-weights, placed there, would have signified
+Less absolute exclusion. "Nay" is worse
+From God than from all others, O my friend!
+Men could not part us with their worldly jars,
+Nor the seas change us, nor the tempests bend;
+Our hands would touch for all the mountain-bars:
+And, heaven being rolled between us at the end,
+We should but vow the faster for the stars.
+
+
+
+
+III
+
+
+Unlike are we, unlike, O princely Heart!
+Unlike our uses and our destinies.
+Our ministering two angels look surprise
+On one another, as they strike athwart
+Their wings in passing. Thou, bethink thee, art
+A guest for queens to social pageantries,
+With gages from a hundred brighter eyes
+Than tears even can make mine, to play thy part
+Of chief musician. What hast thou to do
+With looking from the lattice-lights at me,
+A poor, tired, wandering singer, singing through
+The dark, and leaning up a cypress tree?
+The chrism is on thine head,--on mine, the dew,--
+And Death must dig the level where these agree.
+
+
+
+
+IV
+
+
+Thou hast thy calling to some palace-floor,
+Most gracious singer of high poems! where
+The dancers will break footing, from the care
+Of watching up thy pregnant lips for more.
+And dost thou lift this house's latch too poor
+For hand of thine? and canst thou think and bear
+To let thy music drop here unaware
+In folds of golden fulness at my door?
+Look up and see the casement broken in,
+The bats and owlets builders in the roof!
+My cricket chirps against thy mandolin.
+Hush, call no echo up in further proof
+Of desolation! there's a voice within
+That weeps . . . as thou must sing . . . alone, aloof.
+
+
+
+
+V
+
+
+I lift my heavy heart up solemnly,
+As once Electra her sepulchral urn,
+And, looking in thine eyes, I over-turn
+The ashes at thy feet. Behold and see
+What a great heap of grief lay hid in me,
+And how the red wild sparkles dimly burn
+Through the ashen greyness. If thy foot in scorn
+Could tread them out to darkness utterly,
+It might be well perhaps. But if instead
+Thou wait beside me for the wind to blow
+The grey dust up, . . . those laurels on thine head,
+O my Beloved, will not shield thee so,
+That none of all the fires shall scorch and shred
+The hair beneath. Stand further off then! go!
+
+
+
+
+VI
+
+
+Go from me. Yet I feel that I shall stand
+Henceforward in thy shadow. Nevermore
+Alone upon the threshold of my door
+Of individual life, I shall command
+The uses of my soul, nor lift my hand
+Serenely in the sunshine as before,
+Without the sense of that which I forbore--
+Thy touch upon the palm. The widest land
+Doom takes to part us, leaves thy heart in mine
+With pulses that beat double. What I do
+And what I dream include thee, as the wine
+Must taste of its own grapes. And when I sue
+God for myself, He hears that name of thine,
+And sees within my eyes the tears of two.
+
+
+
+
+VII
+
+
+The face of all the world is changed, I think,
+Since first I heard the footsteps of thy soul
+Move still, oh, still, beside me, as they stole
+Betwixt me and the dreadful outer brink
+Of obvious death, where I, who thought to sink,
+Was caught up into love, and taught the whole
+Of life in a new rhythm. The cup of dole
+God gave for baptism, I am fain to drink,
+And praise its sweetness, Sweet, with thee anear.
+The names of country, heaven, are changed away
+For where thou art or shalt be, there or here;
+And this . . . this lute and song . . . loved yesterday,
+(The singing angels know) are only dear
+Because thy name moves right in what they say.
+
+
+
+
+VIII
+
+
+What can I give thee back, O liberal
+And princely giver, who hast brought the gold
+And purple of thine heart, unstained, untold,
+And laid them on the outside of the wall
+For such as I to take or leave withal,
+In unexpected largesse? am I cold,
+Ungrateful, that for these most manifold
+High gifts, I render nothing back at all?
+Not so; not cold,--but very poor instead.
+Ask God who knows. For frequent tears have run
+The colours from my life, and left so dead
+And pale a stuff, it were not fitly done
+To give the same as pillow to thy head.
+Go farther! let it serve to trample on.
+
+
+
+
+IX
+
+
+Can it be right to give what I can give?
+To let thee sit beneath the fall of tears
+As salt as mine, and hear the sighing years
+Re-sighing on my lips renunciative
+Through those infrequent smiles which fail to live
+For all thy adjurations? O my fears,
+That this can scarce be right! We are not peers
+So to be lovers; and I own, and grieve,
+That givers of such gifts as mine are, must
+Be counted with the ungenerous. Out, alas!
+I will not soil thy purple with my dust,
+Nor breathe my poison on thy Venice-glass,
+Nor give thee any love--which were unjust.
+Beloved, I only love thee! let it pass.
+
+
+
+
+X
+
+
+Yet, love, mere love, is beautiful indeed
+And worthy of acceptation. Fire is bright,
+Let temple burn, or flax; an equal light
+Leaps in the flame from cedar-plank or weed:
+And love is fire. And when I say at need
+I love thee . . . mark! . . . I love thee--in thy sight
+I stand transfigured, glorified aright,
+With conscience of the new rays that proceed
+Out of my face toward thine. There's nothing low
+In love, when love the lowest: meanest creatures
+Who love God, God accepts while loving so.
+And what I feel, across the inferior features
+Of what I am, doth flash itself, and show
+How that great work of Love enhances Nature's.
+
+
+
+
+XI
+
+
+And therefore if to love can be desert,
+I am not all unworthy. Cheeks as pale
+As these you see, and trembling knees that fail
+To bear the burden of a heavy heart,--
+This weary minstrel-life that once was girt
+To climb Aornus, and can scarce avail
+To pipe now 'gainst the valley nightingale
+A melancholy music,--why advert
+To these things? O Beloved, it is plain
+I am not of thy worth nor for thy place!
+And yet, because I love thee, I obtain
+From that same love this vindicating grace
+To live on still in love, and yet in vain,--
+To bless thee, yet renounce thee to thy face.
+
+
+
+
+XII
+
+
+Indeed this very love which is my boast,
+And which, when rising up from breast to brow,
+Doth crown me with a ruby large enow
+To draw men's eyes and prove the inner cost,--
+This love even, all my worth, to the uttermost,
+I should not love withal, unless that thou
+Hadst set me an example, shown me how,
+When first thine earnest eyes with mine were crossed,
+And love called love. And thus, I cannot speak
+Of love even, as a good thing of my own:
+Thy soul hath snatched up mine all faint and weak,
+And placed it by thee on a golden throne,--
+And that I love (O soul, we must be meek!)
+Is by thee only, whom I love alone.
+
+
+
+
+XIII
+
+
+And wilt thou have me fashion into speech
+The love I bear thee, finding words enough,
+And hold the torch out, while the winds are rough,
+Between our faces, to cast light on each?--
+I drop it at thy feet. I cannot teach
+My hand to hold my spirits so far off
+From myself--me--that I should bring thee proof
+In words, of love hid in me out of reach.
+Nay, let the silence of my womanhood
+Commend my woman-love to thy belief,--
+Seeing that I stand unwon, however wooed,
+And rend the garment of my life, in brief,
+By a most dauntless, voiceless fortitude,
+Lest one touch of this heart convey its grief.
+
+
+
+
+XIV
+
+
+If thou must love me, let it be for nought
+Except for love's sake only. Do not say
+"I love her for her smile--her look--her way
+Of speaking gently,--for a trick of thought
+That falls in well with mine, and certes brought
+A sense of pleasant ease on such a day"--
+For these things in themselves, Beloved, may
+Be changed, or change for thee,--and love, so wrought,
+May be unwrought so. Neither love me for
+Thine own dear pity's wiping my cheeks dry,--
+A creature might forget to weep, who bore
+Thy comfort long, and lose thy love thereby!
+But love me for love's sake, that evermore
+Thou may'st love on, through love's eternity.
+
+
+
+
+XV
+
+
+Accuse me not, beseech thee, that I wear
+Too calm and sad a face in front of thine;
+For we two look two ways, and cannot shine
+With the same sunlight on our brow and hair.
+On me thou lookest with no doubting care,
+As on a bee shut in a crystalline;
+Since sorrow hath shut me safe in love's divine,
+And to spread wing and fly in the outer air
+Were most impossible failure, if I strove
+To fail so. But I look on thee--on thee--
+Beholding, besides love, the end of love,
+Hearing oblivion beyond memory;
+As one who sits and gazes from above,
+Over the rivers to the bitter sea.
+
+
+
+
+XVI
+
+
+And yet, because thou overcomest so,
+Because thou art more noble and like a king,
+Thou canst prevail against my fears and fling
+Thy purple round me, till my heart shall grow
+Too close against thine heart henceforth to know
+How it shook when alone. Why, conquering
+May prove as lordly and complete a thing
+In lifting upward, as in crushing low!
+And as a vanquished soldier yields his sword
+To one who lifts him from the bloody earth,
+Even so, Beloved, I at last record,
+Here ends my strife. If thou invite me forth,
+I rise above abasement at the word.
+Make thy love larger to enlarge my worth!
+
+
+
+
+XVII
+
+
+My poet, thou canst touch on all the notes
+God set between His After and Before,
+And strike up and strike off the general roar
+Of the rushing worlds a melody that floats
+In a serene air purely. Antidotes
+Of medicated music, answering for
+Mankind's forlornest uses, thou canst pour
+From thence into their ears. God's will devotes
+Thine to such ends, and mine to wait on thine.
+How, Dearest, wilt thou have me for most use?
+A hope, to sing by gladly? or a fine
+Sad memory, with thy songs to interfuse?
+A shade, in which to sing--of palm or pine?
+A grave, on which to rest from singing? Choose.
+
+
+
+
+XVIII
+
+
+I never gave a lock of hair away
+To a man, Dearest, except this to thee,
+Which now upon my fingers thoughtfully
+I ring out to the full brown length and say
+"Take it." My day of youth went yesterday;
+My hair no longer bounds to my foot's glee,
+Nor plant I it from rose- or myrtle-tree,
+As girls do, any more: it only may
+Now shade on two pale cheeks the mark of tears,
+Taught drooping from the head that hangs aside
+Through sorrow's trick. I thought the funeral-shears
+Would take this first, but Love is justified,--
+Take it thou,--finding pure, from all those years,
+The kiss my mother left here when she died.
+
+
+
+
+XIX
+
+
+The soul's Rialto hath its merchandize;
+I barter curl for curl upon that mart,
+And from my poet's forehead to my heart
+Receive this lock which outweighs argosies,--
+As purply black, as erst to Pindar's eyes
+The dim purpureal tresses gloomed athwart
+The nine white Muse-brows. For this counterpart, . . .
+The bay crown's shade, Beloved, I surmise,
+Still lingers on thy curl, it is so black!
+Thus, with a fillet of smooth-kissing breath,
+I tie the shadows safe from gliding back,
+And lay the gift where nothing hindereth;
+Here on my heart, as on thy brow, to lack
+No natural heat till mine grows cold in death.
+
+
+
+
+XX
+
+
+Beloved, my Beloved, when I think
+That thou wast in the world a year ago,
+What time I sat alone here in the snow
+And saw no footprint, heard the silence sink
+No moment at thy voice, but, link by link,
+Went counting all my chains as if that so
+They never could fall off at any blow
+Struck by thy possible hand,--why, thus I drink
+Of life's great cup of wonder! Wonderful,
+Never to feel thee thrill the day or night
+With personal act or speech,--nor ever cull
+Some prescience of thee with the blossoms white
+Thou sawest growing! Atheists are as dull,
+Who cannot guess God's presence out of sight.
+
+
+
+
+XXI
+
+
+Say over again, and yet once over again,
+That thou dost love me. Though the word repeated
+Should seem a "cuckoo-song," as thou dost treat it,
+Remember, never to the hill or plain,
+Valley and wood, without her cuckoo-strain
+Comes the fresh Spring in all her green completed.
+Beloved, I, amid the darkness greeted
+By a doubtful spirit-voice, in that doubt's pain
+Cry, "Speak once more--thou lovest!" Who can fear
+Too many stars, though each in heaven shall roll,
+Too many flowers, though each shall crown the year?
+Say thou dost love me, love me, love me--toll
+The silver iterance!--only minding, Dear,
+To love me also in silence with thy soul.
+
+
+
+
+XXII
+
+
+When our two souls stand up erect and strong,
+Face to face, silent, drawing nigh and nigher,
+Until the lengthening wings break into fire
+At either curved point,--what bitter wrong
+Can the earth do to us, that we should not long
+Be here contented? Think! In mounting higher,
+The angels would press on us and aspire
+To drop some golden orb of perfect song
+Into our deep, dear silence. Let us stay
+Rather on earth, Beloved,--where the unfit
+Contrarious moods of men recoil away
+And isolate pure spirits, and permit
+A place to stand and love in for a day,
+With darkness and the death-hour rounding it.
+
+
+
+
+XXIII
+
+
+Is it indeed so? If I lay here dead,
+Wouldst thou miss any life in losing mine?
+And would the sun for thee more coldly shine
+Because of grave-damps falling round my head?
+I marvelled, my Beloved, when I read
+Thy thought so in the letter. I am thine--
+But . . . so much to thee? Can I pour thy wine
+While my hands tremble? Then my soul, instead
+Of dreams of death, resumes life's lower range.
+Then, love me, Love! look on me--breathe on me!
+As brighter ladies do not count it strange,
+For love, to give up acres and degree,
+I yield the grave for thy sake, and exchange
+My near sweet view of heaven, for earth with thee!
+
+
+
+
+XXIV
+
+
+Let the world's sharpness like a clasping knife
+Shut in upon itself and do no harm
+In this close hand of Love, now soft and warm,
+And let us hear no sound of human strife
+After the click of the shutting. Life to life--
+I lean upon thee, Dear, without alarm,
+And feel as safe as guarded by a charm
+Against the stab of worldlings, who if rife
+Are weak to injure. Very whitely still
+The lilies of our lives may reassure
+Their blossoms from their roots, accessible
+Alone to heavenly dews that drop not fewer;
+Growing straight, out of man's reach, on the hill.
+God only, who made us rich, can make us poor.
+
+
+
+
+XXV
+
+
+A heavy heart, Beloved, have I borne
+From year to year until I saw thy face,
+And sorrow after sorrow took the place
+Of all those natural joys as lightly worn
+As the stringed pearls, each lifted in its turn
+By a beating heart at dance-time. Hopes apace
+Were changed to long despairs, till God's own grace
+Could scarcely lift above the world forlorn
+My heavy heart. Then thou didst bid me bring
+And let it drop adown thy calmly great
+Deep being! Fast it sinketh, as a thing
+Which its own nature does precipitate,
+While thine doth close above it, mediating
+Betwixt the stars and the unaccomplished fate.
+
+
+
+
+XXVI
+
+
+I lived with visions for my company
+Instead of men and women, years ago,
+And found them gentle mates, nor thought to know
+A sweeter music than they played to me.
+But soon their trailing purple was not free
+Of this world's dust, their lutes did silent grow,
+And I myself grew faint and blind below
+Their vanishing eyes. Then thou didst come--to be,
+Beloved, what they seemed. Their shining fronts,
+Their songs, their splendours, (better, yet the same,
+As river-water hallowed into fonts)
+Met in thee, and from out thee overcame
+My soul with satisfaction of all wants:
+Because God's gifts put man's best dreams to shame.
+
+
+
+
+XXVII
+
+
+My own Beloved, who hast lifted me
+From this drear flat of earth where I was thrown,
+And, in betwixt the languid ringlets, blown
+A life-breath, till the forehead hopefully
+Shines out again, as all the angels see,
+Before thy saving kiss! My own, my own,
+Who camest to me when the world was gone,
+And I who looked for only God, found thee!
+I find thee; I am safe, and strong, and glad.
+As one who stands in dewless asphodel,
+Looks backward on the tedious time he had
+In the upper life,--so I, with bosom-swell,
+Make witness, here, between the good and bad,
+That Love, as strong as Death, retrieves as well.
+
+
+
+
+XXVIII
+
+
+My letters! all dead paper, mute and white!
+And yet they seem alive and quivering
+Against my tremulous hands which loose the string
+And let them drop down on my knee to-night.
+This said,--he wished to have me in his sight
+Once, as a friend: this fixed a day in spring
+To come and touch my hand . . . a simple thing,
+Yet I wept for it!--this, . . . the paper's light . . .
+Said, Dear I love thee; and I sank and quailed
+As if God's future thundered on my past.
+This said, I am thine--and so its ink has paled
+With lying at my heart that beat too fast.
+And this . . . O Love, thy words have ill availed
+If, what this said, I dared repeat at last!
+
+
+
+
+XXIX
+
+
+I think of thee!--my thoughts do twine and bud
+About thee, as wild vines, about a tree,
+Put out broad leaves, and soon there's nought to see
+Except the straggling green which hides the wood.
+Yet, O my palm-tree, be it understood
+I will not have my thoughts instead of thee
+Who art dearer, better! Rather, instantly
+Renew thy presence; as a strong tree should,
+Rustle thy boughs and set thy trunk all bare,
+And let these bands of greenery which insphere thee,
+Drop heavily down,--burst, shattered everywhere!
+Because, in this deep joy to see and hear thee
+And breathe within thy shadow a new air,
+I do not think of thee--I am too near thee.
+
+
+
+
+XXX
+
+
+I see thine image through my tears to-night,
+And yet to-day I saw thee smiling. How
+Refer the cause?--Beloved, is it thou
+Or I, who makes me sad? The acolyte
+Amid the chanted joy and thankful rite
+May so fall flat, with pale insensate brow,
+On the altar-stair. I hear thy voice and vow,
+Perplexed, uncertain, since thou art out of sight,
+As he, in his swooning ears, the choir's amen.
+Beloved, dost thou love? or did I see all
+The glory as I dreamed, and fainted when
+Too vehement light dilated my ideal,
+For my soul's eyes? Will that light come again,
+As now these tears come--falling hot and real?
+
+
+
+
+XXXI
+
+
+Thou comest! all is said without a word.
+I sit beneath thy looks, as children do
+In the noon-sun, with souls that tremble through
+Their happy eyelids from an unaverred
+Yet prodigal inward joy. Behold, I erred
+In that last doubt! and yet I cannot rue
+The sin most, but the occasion--that we two
+Should for a moment stand unministered
+By a mutual presence. Ah, keep near and close,
+Thou dove-like help! and when my fears would rise,
+With thy broad heart serenely interpose:
+Brood down with thy divine sufficiencies
+These thoughts which tremble when bereft of those,
+Like callow birds left desert to the skies.
+
+
+
+
+XXXII
+
+
+The first time that the sun rose on thine oath
+To love me, I looked forward to the moon
+To slacken all those bonds which seemed too soon
+And quickly tied to make a lasting troth.
+Quick-loving hearts, I thought, may quickly loathe;
+And, looking on myself, I seemed not one
+For such man's love!--more like an out-of-tune
+Worn viol, a good singer would be wroth
+To spoil his song with, and which, snatched in haste,
+Is laid down at the first ill-sounding note.
+I did not wrong myself so, but I placed
+A wrong on thee. For perfect strains may float
+'Neath master-hands, from instruments defaced,--
+And great souls, at one stroke, may do and doat.
+
+
+
+
+XXXIII
+
+
+Yes, call me by my pet-name! let me hear
+The name I used to run at, when a child,
+From innocent play, and leave the cowslips plied,
+To glance up in some face that proved me dear
+With the look of its eyes. I miss the clear
+Fond voices which, being drawn and reconciled
+Into the music of Heaven's undefiled,
+Call me no longer. Silence on the bier,
+While I call God--call God!--so let thy mouth
+Be heir to those who are now exanimate.
+Gather the north flowers to complete the south,
+And catch the early love up in the late.
+Yes, call me by that name,--and I, in truth,
+With the same heart, will answer and not wait.
+
+
+
+
+XXXIV
+
+
+With the same heart, I said, I'll answer thee
+As those, when thou shalt call me by my name--
+Lo, the vain promise! is the same, the same,
+Perplexed and ruffled by life's strategy?
+When called before, I told how hastily
+I dropped my flowers or brake off from a game.
+To run and answer with the smile that came
+At play last moment, and went on with me
+Through my obedience. When I answer now,
+I drop a grave thought, break from solitude;
+Yet still my heart goes to thee--ponder how--
+Not as to a single good, but all my good!
+Lay thy hand on it, best one, and allow
+That no child's foot could run fast as this blood.
+
+
+
+
+XXXV
+
+
+If I leave all for thee, wilt thou exchange
+And be all to me? Shall I never miss
+Home-talk and blessing and the common kiss
+That comes to each in turn, nor count it strange,
+When I look up, to drop on a new range
+Of walls and floors, another home than this?
+Nay, wilt thou fill that place by me which is
+Filled by dead eyes too tender to know change
+That's hardest. If to conquer love, has tried,
+To conquer grief, tries more, as all things prove,
+For grief indeed is love and grief beside.
+Alas, I have grieved so I am hard to love.
+Yet love me--wilt thou? Open thy heart wide,
+And fold within, the wet wings of thy dove.
+
+
+
+
+XXXVI
+
+
+When we met first and loved, I did not build
+Upon the event with marble. Could it mean
+To last, a love set pendulous between
+Sorrow and sorrow? Nay, I rather thrilled,
+Distrusting every light that seemed to gild
+The onward path, and feared to overlean
+A finger even. And, though I have grown serene
+And strong since then, I think that God has willed
+A still renewable fear . . . O love, O troth . . .
+Lest these enclasped hands should never hold,
+This mutual kiss drop down between us both
+As an unowned thing, once the lips being cold.
+And Love, be false! if he, to keep one oath,
+Must lose one joy, by his life's star foretold.
+
+
+
+
+XXXVII
+
+
+Pardon, oh, pardon, that my soul should make
+Of all that strong divineness which I know
+For thine and thee, an image only so
+Formed of the sand, and fit to shift and break.
+It is that distant years which did not take
+Thy sovranty, recoiling with a blow,
+Have forced my swimming brain to undergo
+Their doubt and dread, and blindly to forsake
+Thy purity of likeness and distort
+Thy worthiest love to a worthless counterfeit.
+As if a shipwrecked Pagan, safe in port,
+His guardian sea-god to commemorate,
+Should set a sculptured porpoise, gills a-snort
+And vibrant tail, within the temple-gate.
+
+
+
+
+XXXVIII
+
+
+First time he kissed me, he but only kissed
+The fingers of this hand wherewith I write;
+And ever since, it grew more clean and white.
+Slow to world-greetings, quick with its "O, list,"
+When the angels speak. A ring of amethyst
+I could not wear here, plainer to my sight,
+Than that first kiss. The second passed in height
+The first, and sought the forehead, and half missed,
+Half falling on the hair. O beyond meed!
+That was the chrism of love, which love's own crown,
+With sanctifying sweetness, did precede
+The third upon my lips was folded down
+In perfect, purple state; since when, indeed,
+I have been proud and said, "My love, my own."
+
+
+
+
+XXXIX
+
+
+Because thou hast the power and own'st the grace
+To look through and behind this mask of me,
+(Against which, years have beat thus blanchingly,
+With their rains,) and behold my soul's true face,
+The dim and weary witness of life's race,--
+Because thou hast the faith and love to see,
+Through that same soul's distracting lethargy,
+The patient angel waiting for a place
+In the new Heavens,--because nor sin nor woe,
+Nor God's infliction, nor death's neighbourhood,
+Nor all which others viewing, turn to go,
+Nor all which makes me tired of all, self-viewed,--
+Nothing repels thee, . . . Dearest, teach me so
+To pour out gratitude, as thou dost, good!
+
+
+
+
+XL
+
+
+Oh, yes! they love through all this world of ours!
+I will not gainsay love, called love forsooth:
+I have heard love talked in my early youth,
+And since, not so long back but that the flowers
+Then gathered, smell still. Mussulmans and Giaours
+Throw kerchiefs at a smile, and have no ruth
+For any weeping. Polypheme's white tooth
+Slips on the nut if, after frequent showers,
+The shell is over-smooth,--and not so much
+Will turn the thing called love, aside to hate
+Or else to oblivion. But thou art not such
+A lover, my Beloved! thou canst wait
+Through sorrow and sickness, to bring souls to touch,
+And think it soon when others cry "Too late."
+
+
+
+
+XLI
+
+
+I thank all who have loved me in their hearts,
+With thanks and love from mine. Deep thanks to all
+Who paused a little near the prison-wall
+To hear my music in its louder parts
+Ere they went onward, each one to the mart's
+Or temple's occupation, beyond call.
+But thou, who, in my voice's sink and fall
+When the sob took it, thy divinest Art's
+Own instrument didst drop down at thy foot
+To harken what I said between my tears, . . .
+Instruct me how to thank thee! Oh, to shoot
+My soul's full meaning into future years,
+That they should lend it utterance, and salute
+Love that endures, from life that disappears!
+
+
+
+
+XLII
+
+
+My future will not copy fair my past--
+I wrote that once; and thinking at my side
+My ministering life-angel justified
+The word by his appealing look upcast
+To the white throne of God, I turned at last,
+And there, instead, saw thee, not unallied
+To angels in thy soul! Then I, long tried
+By natural ills, received the comfort fast,
+While budding, at thy sight, my pilgrim's staff
+Gave out green leaves with morning dews impearled.
+I seek no copy now of life's first half:
+Leave here the pages with long musing curled,
+And write me new my future's epigraph,
+New angel mine, unhoped for in the world!
+
+
+
+
+XLIII
+
+
+How do I love thee? Let me count the ways.
+I love thee to the depth and breadth and height
+My soul can reach, when feeling out of sight
+For the ends of Being and ideal Grace.
+I love thee to the level of everyday's
+Most quiet need, by sun and candlelight.
+I love thee freely, as men strive for Right;
+I love thee purely, as they turn from Praise.
+I love thee with the passion put to use
+In my old griefs, and with my childhood's faith.
+I love thee with a love I seemed to lose
+With my lost saints,--I love thee with the breath,
+Smiles, tears, of all my life!--and, if God choose,
+I shall but love thee better after death.
+
+
+
+
+XLIV
+
+
+Beloved, thou hast brought me many flowers
+Plucked in the garden, all the summer through,
+And winter, and it seemed as if they grew
+In this close room, nor missed the sun and showers.
+So, in the like name of that love of ours,
+Take back these thoughts which here unfolded too,
+And which on warm and cold days I withdrew
+From my heart's ground. Indeed, those beds and bowers
+Be overgrown with bitter weeds and rue,
+And wait thy weeding; yet here's eglantine,
+Here's ivy!--take them, as I used to do
+Thy flowers, and keep them where they shall not pine.
+Instruct thine eyes to keep their colours true,
+And tell thy soul, their roots are left in mine.
+
+
+
+
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SONNETS FROM THE PORTUGUESE ***
+
+***** This file should be named 2002.txt or 2002.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/0/0/2002/
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year. For example:
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+