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diff --git a/2002-0.txt b/2002-0.txt new file mode 100644 index 0000000..dfc7f6d --- /dev/null +++ b/2002-0.txt @@ -0,0 +1,1397 @@ +The Project Gutenberg eBook, Sonnets from the Portuguese, by Elizabeth +Barrett Browning + + +This eBook is for the use of anyone anywhere in the United States and most +other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms of +the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you'll have +to check the laws of the country where you are located before using this ebook. + + + + +Title: Sonnets from the Portuguese + + +Author: Elizabeth Barrett Browning + + + +Release Date: January 13, 2015 [eBook #2002] +[This file was first posted on April 20, 1999] + +Language: English + +Character set encoding: UTF-8 + + +***START OF THE PROJECT GUTENBERG EBOOK SONNETS FROM THE PORTUGUESE*** + + +Transcribed from the 1906 Caradoc Press edition by David Price, email +ccx074@pglaf.org + + [Picture: Book cover] + + + + + + SONNETS FROM THE + PORTUGUESE + + + * * * * * + + BY + ELIZABETH + BARRETT BROWNING + + * * * * * + + [Picture: Decorative graphic] + + THE CARADOC PRESS BEDFORD PARK + CHISWICK LONDON MDCCCCVI + + + + +INDEX OF FIRST LINES + + I I thought once how Theocritus had sung + II But only three in all God’s universe + III Unlike are we, unlike, O princely Heart! + IV Thou hast thy calling to some palace-floor + V I lift my heavy heart up solemnly + VI Go from me. Yet I feel that I shall stand + VII The face of all the world is changed, I think + VIII What can I give thee back, O liberal + IX Can it be right to give what I can give? + X Yet, love, mere love, is beautiful indeed + XI And therefore if to love can be desert + XII Indeed this very love which is my boast + XIII And wilt thou have me fashion into speech + XIV If thou must love me, let it be for nought + XV Accuse me not, beseech thee, that I wear + XVI And yet, because thou overcomest so + XVII My poet thou canst touch on all the notes + XVIII I never gave a lock of hair away + XIX The soul’s Rialto hath its merchandize + XX Beloved, my beloved, when I think + XXI Say over again, and yet once over again + XXII When our two souls stand up erect and strong + XXIII Is it indeed so? If I lay here dead + XXIV Let the world’s sharpness like a clasping knife + XXV A heavy heart, Beloved, have I borne + XXVI I lived with visions for my company + XXVII My own Beloved, who hast lifted me + XXVIII My letters! all dead paper, mute and white! + XXIX I think of thee!—my thoughts do twine and bud + XXX I see thine image through my tears to-night + XXXI Thou comest! all is said without a word + XXXII The first time that the sun rose on thine oath + XXXIII Yes, call me by my pet-name! let me hear + XXXIV With the same heart, I said, I’ll answer thee + XXXV If I leave all for thee, wilt thou exchange + XXXVI When we met first and loved, I did not build + XXXVII Pardon, oh, pardon, that my soul should make + XXXVIII First time he kissed me, he but only kissed + XXXIX Because thou hast the power and own’st the grace + XL Oh, yes! they love through all this world of ours! + XLI I thank all who have loved me in their hearts + XLII My future will not copy fair my past + XLIII How do I love thee? Let me count the ways + XLIV Beloved, thou hast brought me many flowers + + + + +I + + + I thought once how Theocritus had sung + Of the sweet years, the dear and wished-for years, + Who each one in a gracious hand appears + To bear a gift for mortals, old or young: + And, as I mused it in his antique tongue, + I saw, in gradual vision through my tears, + The sweet, sad years, the melancholy years, + Those of my own life, who by turns had flung + A shadow across me. Straightway I was ’ware, + So weeping, how a mystic Shape did move + Behind me, and drew me backward by the hair; + And a voice said in mastery, while I strove,— + “Guess now who holds thee!”—“Death,” I said, But, there, + The silver answer rang, “Not Death, but Love.” + + + + +II + + + But only three in all God’s universe + Have heard this word thou hast said,—Himself, beside + Thee speaking, and me listening! and replied + One of us . . . that was God, . . . and laid the curse + So darkly on my eyelids, as to amerce + My sight from seeing thee,—that if I had died, + The death-weights, placed there, would have signified + Less absolute exclusion. “Nay” is worse + From God than from all others, O my friend! + Men could not part us with their worldly jars, + Nor the seas change us, nor the tempests bend; + Our hands would touch for all the mountain-bars: + And, heaven being rolled between us at the end, + We should but vow the faster for the stars. + + + + +III + + + Unlike are we, unlike, O princely Heart! + Unlike our uses and our destinies. + Our ministering two angels look surprise + On one another, as they strike athwart + Their wings in passing. Thou, bethink thee, art + A guest for queens to social pageantries, + With gages from a hundred brighter eyes + Than tears even can make mine, to play thy part + Of chief musician. What hast thou to do + With looking from the lattice-lights at me, + A poor, tired, wandering singer, singing through + The dark, and leaning up a cypress tree? + The chrism is on thine head,—on mine, the dew,— + And Death must dig the level where these agree. + + + + +IV + + + Thou hast thy calling to some palace-floor, + Most gracious singer of high poems! where + The dancers will break footing, from the care + Of watching up thy pregnant lips for more. + And dost thou lift this house’s latch too poor + For hand of thine? and canst thou think and bear + To let thy music drop here unaware + In folds of golden fulness at my door? + Look up and see the casement broken in, + The bats and owlets builders in the roof! + My cricket chirps against thy mandolin. + Hush, call no echo up in further proof + Of desolation! there’s a voice within + That weeps . . . as thou must sing . . . alone, aloof. + + + + +V + + + I lift my heavy heart up solemnly, + As once Electra her sepulchral urn, + And, looking in thine eyes, I over-turn + The ashes at thy feet. Behold and see + What a great heap of grief lay hid in me, + And how the red wild sparkles dimly burn + Through the ashen greyness. If thy foot in scorn + Could tread them out to darkness utterly, + It might be well perhaps. But if instead + Thou wait beside me for the wind to blow + The grey dust up, . . . those laurels on thine head, + O my Belovëd, will not shield thee so, + That none of all the fires shall scorch and shred + The hair beneath. Stand further off then! go! + + + + +VI + + + Go from me. Yet I feel that I shall stand + Henceforward in thy shadow. Nevermore + Alone upon the threshold of my door + Of individual life, I shall command + The uses of my soul, nor lift my hand + Serenely in the sunshine as before, + Without the sense of that which I forbore— + Thy touch upon the palm. The widest land + Doom takes to part us, leaves thy heart in mine + With pulses that beat double. What I do + And what I dream include thee, as the wine + Must taste of its own grapes. And when I sue + God for myself, He hears that name of thine, + And sees within my eyes the tears of two. + + + + +VII + + + The face of all the world is changed, I think, + Since first I heard the footsteps of thy soul + Move still, oh, still, beside me, as they stole + Betwixt me and the dreadful outer brink + Of obvious death, where I, who thought to sink, + Was caught up into love, and taught the whole + Of life in a new rhythm. The cup of dole + God gave for baptism, I am fain to drink, + And praise its sweetness, Sweet, with thee anear. + The names of country, heaven, are changed away + For where thou art or shalt be, there or here; + And this . . . this lute and song . . . loved yesterday, + (The singing angels know) are only dear + Because thy name moves right in what they say. + + + + +VIII + + + What can I give thee back, O liberal + And princely giver, who hast brought the gold + And purple of thine heart, unstained, untold, + And laid them on the outside of the wall + For such as I to take or leave withal, + In unexpected largesse? am I cold, + Ungrateful, that for these most manifold + High gifts, I render nothing back at all? + Not so; not cold,—but very poor instead. + Ask God who knows. For frequent tears have run + The colours from my life, and left so dead + And pale a stuff, it were not fitly done + To give the same as pillow to thy head. + Go farther! let it serve to trample on. + + + + +IX + + + Can it be right to give what I can give? + To let thee sit beneath the fall of tears + As salt as mine, and hear the sighing years + Re-sighing on my lips renunciative + Through those infrequent smiles which fail to live + For all thy adjurations? O my fears, + That this can scarce be right! We are not peers + So to be lovers; and I own, and grieve, + That givers of such gifts as mine are, must + Be counted with the ungenerous. Out, alas! + I will not soil thy purple with my dust, + Nor breathe my poison on thy Venice-glass, + Nor give thee any love—which were unjust. + Beloved, I only love thee! let it pass. + + + + +X + + + Yet, love, mere love, is beautiful indeed + And worthy of acceptation. Fire is bright, + Let temple burn, or flax; an equal light + Leaps in the flame from cedar-plank or weed: + And love is fire. And when I say at need + I love thee . . . mark! . . . I love thee—in thy sight + I stand transfigured, glorified aright, + With conscience of the new rays that proceed + Out of my face toward thine. There’s nothing low + In love, when love the lowest: meanest creatures + Who love God, God accepts while loving so. + And what I feel, across the inferior features + Of what I am, doth flash itself, and show + How that great work of Love enhances Nature’s. + + + + +XI + + + And therefore if to love can be desert, + I am not all unworthy. Cheeks as pale + As these you see, and trembling knees that fail + To bear the burden of a heavy heart,— + This weary minstrel-life that once was girt + To climb Aornus, and can scarce avail + To pipe now ’gainst the valley nightingale + A melancholy music,—why advert + To these things? O Belovëd, it is plain + I am not of thy worth nor for thy place! + And yet, because I love thee, I obtain + From that same love this vindicating grace + To live on still in love, and yet in vain,— + To bless thee, yet renounce thee to thy face. + + + + +XII + + + Indeed this very love which is my boast, + And which, when rising up from breast to brow, + Doth crown me with a ruby large enow + To draw men’s eyes and prove the inner cost,— + This love even, all my worth, to the uttermost, + I should not love withal, unless that thou + Hadst set me an example, shown me how, + When first thine earnest eyes with mine were crossed, + And love called love. And thus, I cannot speak + Of love even, as a good thing of my own: + Thy soul hath snatched up mine all faint and weak, + And placed it by thee on a golden throne,— + And that I love (O soul, we must be meek!) + Is by thee only, whom I love alone. + + + + +XIII + + + And wilt thou have me fashion into speech + The love I bear thee, finding words enough, + And hold the torch out, while the winds are rough, + Between our faces, to cast light on each?— + I drop it at thy feet. I cannot teach + My hand to hold my spirits so far off + From myself—me—that I should bring thee proof + In words, of love hid in me out of reach. + Nay, let the silence of my womanhood + Commend my woman-love to thy belief,— + Seeing that I stand unwon, however wooed, + And rend the garment of my life, in brief, + By a most dauntless, voiceless fortitude, + Lest one touch of this heart convey its grief. + + + + +XIV + + + If thou must love me, let it be for nought + Except for love’s sake only. Do not say + “I love her for her smile—her look—her way + Of speaking gently,—for a trick of thought + That falls in well with mine, and certes brought + A sense of pleasant ease on such a day”— + For these things in themselves, Belovëd, may + Be changed, or change for thee,—and love, so wrought, + May be unwrought so. Neither love me for + Thine own dear pity’s wiping my cheeks dry,— + A creature might forget to weep, who bore + Thy comfort long, and lose thy love thereby! + But love me for love’s sake, that evermore + Thou may’st love on, through love’s eternity. + + + + +XV + + + Accuse me not, beseech thee, that I wear + Too calm and sad a face in front of thine; + For we two look two ways, and cannot shine + With the same sunlight on our brow and hair. + On me thou lookest with no doubting care, + As on a bee shut in a crystalline; + Since sorrow hath shut me safe in love’s divine, + And to spread wing and fly in the outer air + Were most impossible failure, if I strove + To fail so. But I look on thee—on thee— + Beholding, besides love, the end of love, + Hearing oblivion beyond memory; + As one who sits and gazes from above, + Over the rivers to the bitter sea. + + + + +XVI + + + And yet, because thou overcomest so, + Because thou art more noble and like a king, + Thou canst prevail against my fears and fling + Thy purple round me, till my heart shall grow + Too close against thine heart henceforth to know + How it shook when alone. Why, conquering + May prove as lordly and complete a thing + In lifting upward, as in crushing low! + And as a vanquished soldier yields his sword + To one who lifts him from the bloody earth, + Even so, Belovëd, I at last record, + Here ends my strife. If thou invite me forth, + I rise above abasement at the word. + Make thy love larger to enlarge my worth! + + + + +XVII + + + My poet, thou canst touch on all the notes + God set between His After and Before, + And strike up and strike off the general roar + Of the rushing worlds a melody that floats + In a serene air purely. Antidotes + Of medicated music, answering for + Mankind’s forlornest uses, thou canst pour + From thence into their ears. God’s will devotes + Thine to such ends, and mine to wait on thine. + How, Dearest, wilt thou have me for most use? + A hope, to sing by gladly? or a fine + Sad memory, with thy songs to interfuse? + A shade, in which to sing—of palm or pine? + A grave, on which to rest from singing? Choose. + + + + +XVIII + + + I never gave a lock of hair away + To a man, Dearest, except this to thee, + Which now upon my fingers thoughtfully + I ring out to the full brown length and say + “Take it.” My day of youth went yesterday; + My hair no longer bounds to my foot’s glee, + Nor plant I it from rose- or myrtle-tree, + As girls do, any more: it only may + Now shade on two pale cheeks the mark of tears, + Taught drooping from the head that hangs aside + Through sorrow’s trick. I thought the funeral-shears + Would take this first, but Love is justified,— + Take it thou,—finding pure, from all those years, + The kiss my mother left here when she died. + + + + +XIX + + + The soul’s Rialto hath its merchandize; + I barter curl for curl upon that mart, + And from my poet’s forehead to my heart + Receive this lock which outweighs argosies,— + As purply black, as erst to Pindar’s eyes + The dim purpureal tresses gloomed athwart + The nine white Muse-brows. For this counterpart, . . . + The bay crown’s shade, Belovëd, I surmise, + Still lingers on thy curl, it is so black! + Thus, with a fillet of smooth-kissing breath, + I tie the shadows safe from gliding back, + And lay the gift where nothing hindereth; + Here on my heart, as on thy brow, to lack + No natural heat till mine grows cold in death. + + + + +XX + + + Belovëd, my Belovëd, when I think + That thou wast in the world a year ago, + What time I sat alone here in the snow + And saw no footprint, heard the silence sink + No moment at thy voice, but, link by link, + Went counting all my chains as if that so + They never could fall off at any blow + Struck by thy possible hand,—why, thus I drink + Of life’s great cup of wonder! Wonderful, + Never to feel thee thrill the day or night + With personal act or speech,—nor ever cull + Some prescience of thee with the blossoms white + Thou sawest growing! Atheists are as dull, + Who cannot guess God’s presence out of sight. + + + + +XXI + + + Say over again, and yet once over again, + That thou dost love me. Though the word repeated + Should seem a “cuckoo-song,” as thou dost treat it, + Remember, never to the hill or plain, + Valley and wood, without her cuckoo-strain + Comes the fresh Spring in all her green completed. + Belovëd, I, amid the darkness greeted + By a doubtful spirit-voice, in that doubt’s pain + Cry, “Speak once more—thou lovest!” Who can fear + Too many stars, though each in heaven shall roll, + Too many flowers, though each shall crown the year? + Say thou dost love me, love me, love me—toll + The silver iterance!—only minding, Dear, + To love me also in silence with thy soul. + + + + +XXII + + + When our two souls stand up erect and strong, + Face to face, silent, drawing nigh and nigher, + Until the lengthening wings break into fire + At either curvëd point,—what bitter wrong + Can the earth do to us, that we should not long + Be here contented? Think! In mounting higher, + The angels would press on us and aspire + To drop some golden orb of perfect song + Into our deep, dear silence. Let us stay + Rather on earth, Belovëd,—where the unfit + Contrarious moods of men recoil away + And isolate pure spirits, and permit + A place to stand and love in for a day, + With darkness and the death-hour rounding it. + + + + +XXIII + + + Is it indeed so? If I lay here dead, + Wouldst thou miss any life in losing mine? + And would the sun for thee more coldly shine + Because of grave-damps falling round my head? + I marvelled, my Belovëd, when I read + Thy thought so in the letter. I am thine— + But . . . so much to thee? Can I pour thy wine + While my hands tremble? Then my soul, instead + Of dreams of death, resumes life’s lower range. + Then, love me, Love! look on me—breathe on me! + As brighter ladies do not count it strange, + For love, to give up acres and degree, + I yield the grave for thy sake, and exchange + My near sweet view of heaven, for earth with thee! + + + + +XXIV + + + Let the world’s sharpness like a clasping knife + Shut in upon itself and do no harm + In this close hand of Love, now soft and warm, + And let us hear no sound of human strife + After the click of the shutting. Life to life— + I lean upon thee, Dear, without alarm, + And feel as safe as guarded by a charm + Against the stab of worldlings, who if rife + Are weak to injure. Very whitely still + The lilies of our lives may reassure + Their blossoms from their roots, accessible + Alone to heavenly dews that drop not fewer; + Growing straight, out of man’s reach, on the hill. + God only, who made us rich, can make us poor. + + + + +XXV + + + A heavy heart, Belovëd, have I borne + From year to year until I saw thy face, + And sorrow after sorrow took the place + Of all those natural joys as lightly worn + As the stringed pearls, each lifted in its turn + By a beating heart at dance-time. Hopes apace + Were changed to long despairs, till God’s own grace + Could scarcely lift above the world forlorn + My heavy heart. Then thou didst bid me bring + And let it drop adown thy calmly great + Deep being! Fast it sinketh, as a thing + Which its own nature does precipitate, + While thine doth close above it, mediating + Betwixt the stars and the unaccomplished fate. + + + + +XXVI + + + I lived with visions for my company + Instead of men and women, years ago, + And found them gentle mates, nor thought to know + A sweeter music than they played to me. + But soon their trailing purple was not free + Of this world’s dust, their lutes did silent grow, + And I myself grew faint and blind below + Their vanishing eyes. Then thou didst come—to be, + Belovëd, what they seemed. Their shining fronts, + Their songs, their splendours, (better, yet the same, + As river-water hallowed into fonts) + Met in thee, and from out thee overcame + My soul with satisfaction of all wants: + Because God’s gifts put man’s best dreams to shame. + + + + +XXVII + + + My own Belovëd, who hast lifted me + From this drear flat of earth where I was thrown, + And, in betwixt the languid ringlets, blown + A life-breath, till the forehead hopefully + Shines out again, as all the angels see, + Before thy saving kiss! My own, my own, + Who camest to me when the world was gone, + And I who looked for only God, found thee! + I find thee; I am safe, and strong, and glad. + As one who stands in dewless asphodel, + Looks backward on the tedious time he had + In the upper life,—so I, with bosom-swell, + Make witness, here, between the good and bad, + That Love, as strong as Death, retrieves as well. + + + + +XXVIII + + + My letters! all dead paper, mute and white! + And yet they seem alive and quivering + Against my tremulous hands which loose the string + And let them drop down on my knee to-night. + This said,—he wished to have me in his sight + Once, as a friend: this fixed a day in spring + To come and touch my hand . . . a simple thing, + Yet I wept for it!—this, . . . the paper’s light . . . + Said, Dear I love thee; and I sank and quailed + As if God’s future thundered on my past. + This said, I am thine—and so its ink has paled + With lying at my heart that beat too fast. + And this . . . O Love, thy words have ill availed + If, what this said, I dared repeat at last! + + + + +XXIX + + + I think of thee!—my thoughts do twine and bud + About thee, as wild vines, about a tree, + Put out broad leaves, and soon there’s nought to see + Except the straggling green which hides the wood. + Yet, O my palm-tree, be it understood + I will not have my thoughts instead of thee + Who art dearer, better! Rather, instantly + Renew thy presence; as a strong tree should, + Rustle thy boughs and set thy trunk all bare, + And let these bands of greenery which insphere thee, + Drop heavily down,—burst, shattered everywhere! + Because, in this deep joy to see and hear thee + And breathe within thy shadow a new air, + I do not think of thee—I am too near thee. + + + + +XXX + + + I see thine image through my tears to-night, + And yet to-day I saw thee smiling. How + Refer the cause?—Belovëd, is it thou + Or I, who makes me sad? The acolyte + Amid the chanted joy and thankful rite + May so fall flat, with pale insensate brow, + On the altar-stair. I hear thy voice and vow, + Perplexed, uncertain, since thou art out of sight, + As he, in his swooning ears, the choir’s amen. + Belovëd, dost thou love? or did I see all + The glory as I dreamed, and fainted when + Too vehement light dilated my ideal, + For my soul’s eyes? Will that light come again, + As now these tears come—falling hot and real? + + + + +XXXI + + + Thou comest! all is said without a word. + I sit beneath thy looks, as children do + In the noon-sun, with souls that tremble through + Their happy eyelids from an unaverred + Yet prodigal inward joy. Behold, I erred + In that last doubt! and yet I cannot rue + The sin most, but the occasion—that we two + Should for a moment stand unministered + By a mutual presence. Ah, keep near and close, + Thou dove-like help! and when my fears would rise, + With thy broad heart serenely interpose: + Brood down with thy divine sufficiencies + These thoughts which tremble when bereft of those, + Like callow birds left desert to the skies. + + + + +XXXII + + + The first time that the sun rose on thine oath + To love me, I looked forward to the moon + To slacken all those bonds which seemed too soon + And quickly tied to make a lasting troth. + Quick-loving hearts, I thought, may quickly loathe; + And, looking on myself, I seemed not one + For such man’s love!—more like an out-of-tune + Worn viol, a good singer would be wroth + To spoil his song with, and which, snatched in haste, + Is laid down at the first ill-sounding note. + I did not wrong myself so, but I placed + A wrong on thee. For perfect strains may float + ’Neath master-hands, from instruments defaced,— + And great souls, at one stroke, may do and doat. + + + + +XXXIII + + + Yes, call me by my pet-name! let me hear + The name I used to run at, when a child, + From innocent play, and leave the cowslips plied, + To glance up in some face that proved me dear + With the look of its eyes. I miss the clear + Fond voices which, being drawn and reconciled + Into the music of Heaven’s undefiled, + Call me no longer. Silence on the bier, + While I call God—call God!—so let thy mouth + Be heir to those who are now exanimate. + Gather the north flowers to complete the south, + And catch the early love up in the late. + Yes, call me by that name,—and I, in truth, + With the same heart, will answer and not wait. + + + + +XXXIV + + + With the same heart, I said, I’ll answer thee + As those, when thou shalt call me by my name— + Lo, the vain promise! is the same, the same, + Perplexed and ruffled by life’s strategy? + When called before, I told how hastily + I dropped my flowers or brake off from a game. + To run and answer with the smile that came + At play last moment, and went on with me + Through my obedience. When I answer now, + I drop a grave thought, break from solitude; + Yet still my heart goes to thee—ponder how— + Not as to a single good, but all my good! + Lay thy hand on it, best one, and allow + That no child’s foot could run fast as this blood. + + + + +XXXV + + + If I leave all for thee, wilt thou exchange + And be all to me? Shall I never miss + Home-talk and blessing and the common kiss + That comes to each in turn, nor count it strange, + When I look up, to drop on a new range + Of walls and floors, another home than this? + Nay, wilt thou fill that place by me which is + Filled by dead eyes too tender to know change + That’s hardest. If to conquer love, has tried, + To conquer grief, tries more, as all things prove, + For grief indeed is love and grief beside. + Alas, I have grieved so I am hard to love. + Yet love me—wilt thou? Open thy heart wide, + And fold within, the wet wings of thy dove. + + + + +XXXVI + + + When we met first and loved, I did not build + Upon the event with marble. Could it mean + To last, a love set pendulous between + Sorrow and sorrow? Nay, I rather thrilled, + Distrusting every light that seemed to gild + The onward path, and feared to overlean + A finger even. And, though I have grown serene + And strong since then, I think that God has willed + A still renewable fear . . . O love, O troth . . . + Lest these enclaspëd hands should never hold, + This mutual kiss drop down between us both + As an unowned thing, once the lips being cold. + And Love, be false! if he, to keep one oath, + Must lose one joy, by his life’s star foretold. + + + + +XXXVII + + + Pardon, oh, pardon, that my soul should make + Of all that strong divineness which I know + For thine and thee, an image only so + Formed of the sand, and fit to shift and break. + It is that distant years which did not take + Thy sovranty, recoiling with a blow, + Have forced my swimming brain to undergo + Their doubt and dread, and blindly to forsake + Thy purity of likeness and distort + Thy worthiest love to a worthless counterfeit. + As if a shipwrecked Pagan, safe in port, + His guardian sea-god to commemorate, + Should set a sculptured porpoise, gills a-snort + And vibrant tail, within the temple-gate. + + + + +XXXVIII + + + First time he kissed me, he but only kissed + The fingers of this hand wherewith I write; + And ever since, it grew more clean and white. + Slow to world-greetings, quick with its “O, list,” + When the angels speak. A ring of amethyst + I could not wear here, plainer to my sight, + Than that first kiss. The second passed in height + The first, and sought the forehead, and half missed, + Half falling on the hair. O beyond meed! + That was the chrism of love, which love’s own crown, + With sanctifying sweetness, did precede + The third upon my lips was folded down + In perfect, purple state; since when, indeed, + I have been proud and said, “My love, my own.” + + + + +XXXIX + + + Because thou hast the power and own’st the grace + To look through and behind this mask of me, + (Against which, years have beat thus blanchingly, + With their rains,) and behold my soul’s true face, + The dim and weary witness of life’s race,— + Because thou hast the faith and love to see, + Through that same soul’s distracting lethargy, + The patient angel waiting for a place + In the new Heavens,—because nor sin nor woe, + Nor God’s infliction, nor death’s neighbourhood, + Nor all which others viewing, turn to go, + Nor all which makes me tired of all, self-viewed,— + Nothing repels thee, . . . Dearest, teach me so + To pour out gratitude, as thou dost, good! + + + + +XL + + + Oh, yes! they love through all this world of ours! + I will not gainsay love, called love forsooth: + I have heard love talked in my early youth, + And since, not so long back but that the flowers + Then gathered, smell still. Mussulmans and Giaours + Throw kerchiefs at a smile, and have no ruth + For any weeping. Polypheme’s white tooth + Slips on the nut if, after frequent showers, + The shell is over-smooth,—and not so much + Will turn the thing called love, aside to hate + Or else to oblivion. But thou art not such + A lover, my Belovëd! thou canst wait + Through sorrow and sickness, to bring souls to touch, + And think it soon when others cry “Too late.” + + + + +XLI + + + I thank all who have loved me in their hearts, + With thanks and love from mine. Deep thanks to all + Who paused a little near the prison-wall + To hear my music in its louder parts + Ere they went onward, each one to the mart’s + Or temple’s occupation, beyond call. + But thou, who, in my voice’s sink and fall + When the sob took it, thy divinest Art’s + Own instrument didst drop down at thy foot + To harken what I said between my tears, . . . + Instruct me how to thank thee! Oh, to shoot + My soul’s full meaning into future years, + That they should lend it utterance, and salute + Love that endures, from life that disappears! + + + + +XLII + + + My future will not copy fair my past— + I wrote that once; and thinking at my side + My ministering life-angel justified + The word by his appealing look upcast + To the white throne of God, I turned at last, + And there, instead, saw thee, not unallied + To angels in thy soul! Then I, long tried + By natural ills, received the comfort fast, + While budding, at thy sight, my pilgrim’s staff + Gave out green leaves with morning dews impearled. + I seek no copy now of life’s first half: + Leave here the pages with long musing curled, + And write me new my future’s epigraph, + New angel mine, unhoped for in the world! + + + + +XLIII + + + How do I love thee? Let me count the ways. + I love thee to the depth and breadth and height + My soul can reach, when feeling out of sight + For the ends of Being and ideal Grace. + I love thee to the level of everyday’s + Most quiet need, by sun and candlelight. + I love thee freely, as men strive for Right; + I love thee purely, as they turn from Praise. + I love thee with the passion put to use + In my old griefs, and with my childhood’s faith. + I love thee with a love I seemed to lose + With my lost saints,—I love thee with the breath, + Smiles, tears, of all my life!—and, if God choose, + I shall but love thee better after death. + + + + +XLIV + + + Belovëd, thou hast brought me many flowers + Plucked in the garden, all the summer through, + And winter, and it seemed as if they grew + In this close room, nor missed the sun and showers. + So, in the like name of that love of ours, + Take back these thoughts which here unfolded too, + And which on warm and cold days I withdrew + From my heart’s ground. Indeed, those beds and bowers + Be overgrown with bitter weeds and rue, + And wait thy weeding; yet here’s eglantine, + Here’s ivy!—take them, as I used to do + Thy flowers, and keep them where they shall not pine. + Instruct thine eyes to keep their colours true, + And tell thy soul, their roots are left in mine. + + + + +***END OF THE PROJECT GUTENBERG EBOOK SONNETS FROM THE PORTUGUESE*** + + +******* This file should be named 2002-0.txt or 2002-0.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/2/0/0/2002 + + +Updated editions will replace the previous one--the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. 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