summaryrefslogtreecommitdiff
path: root/20017.txt
diff options
context:
space:
mode:
Diffstat (limited to '20017.txt')
-rw-r--r--20017.txt1408
1 files changed, 1408 insertions, 0 deletions
diff --git a/20017.txt b/20017.txt
new file mode 100644
index 0000000..210d003
--- /dev/null
+++ b/20017.txt
@@ -0,0 +1,1408 @@
+The Project Gutenberg EBook of Pages for Laughing Eyes, by Unknown
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Pages for Laughing Eyes
+
+Author: Unknown
+
+Release Date: December 4, 2006 [EBook #20017]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PAGES FOR LAUGHING EYES ***
+
+
+
+
+Produced by Sigal Alon, Fox in the Stars, Janet Blenkinship
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+
+
+
+
+
+[Illustration]
+
+
+
+
+Pages
+
+for
+
+Laughing
+
+Eyes.
+
+
+
+
+[Illustration: A THANKSGIVING SURPRISE.]
+
+
+
+
+SLEIGHING SONG.
+
+
+[Illustration]
+
+ Hurrah! Hurrah! for the jolly snow!
+ Over it we lightly go:
+ Dear sister is so glad, you see,
+ To have a nice drive in the sleigh with me,
+ To have a nice drive in the sleigh with me--
+ Hurrah! Hurrah! Hurrah!
+
+ Hurrah! Hurrah for the ice and cold!
+ Both very young and gay and bold,
+ We fear no snow, we fear no ice,
+ There's naught in the world that is half so nice,
+ There's naught in the world that is half so nice--
+ Hurrah! Hurrah! Hurrah!
+
+
+
+
+FOOD FOR HER LITTLE ONES
+
+
+[Illustration]
+
+Over the lofty peaks of many of the mountains of Europe a magnificent
+bird may occasionally be seen flying, while down in the valley, two
+thousand feet or more below, a hen may be scratching worms for her
+dinner, or a young lamb gamboling over the sweet meadow grass.
+
+From that enormous height, even, the keen eyes of the eagle can detect
+the movement of either, and she flies, or rather drops, straight down
+upon the poor fowl, and with her powerful foot kills it at a blow, or
+breaks the back of the pretty lamb with same terrible weapon. Then, she
+rises upward with her prey, to feed the little ones she has left in the
+nest.
+
+
+
+
+A BUSY STREET
+
+
+Here you have a picture of busy street-life in a great city. Everybody
+is in a hurry and everybody wishes to get ahead. The man at the left has
+loaded his wagon so high that he finds it hard to hold the reins. Do you
+see the cunning little dog in the pony-cart? He means to see all there
+is about him.
+
+[Illustration: A BUSY STREET]
+
+
+
+
+THE NEW DOLL'S CARRIAGE
+
+
+[Illustration]
+
+At Christmas Jessie had a pretty French doll given to her by her aunt
+Amy. For weeks Jessie thought she had nothing more to wish for, but in
+the spring, however, when the days were warm and sunny, and nature
+called her out-of-doors, she found it rather inconvenient to take her
+dolly with her every time. She couldn't use her arms for anything else,
+you see, and like every other child, she liked to run and jump, and pick
+flowers and other things that caught her eye. But, like a good little
+mother, she thought her dolly needed the fresh air quite as much as
+herself; so one night, at the supper-table, she said: "I wish I had a
+carriage for Bella, then I could leave her in that when I went for
+buttercups and violets."
+
+Papa was present, and he heard her remark. In a few days Jessie's
+birthday would come, and both he and her mamma had been thinking of what
+they would give her then; for Jessie was such a good, gentle child,
+seldom teasing for what she could not have, that they always took
+especial care to remember her on such holidays.
+
+The innocent hint was just what he wanted. So on the birthday morn,
+Jessie found Bella seated in a beautiful little carriage, close beside
+her chair at the breakfast-table. You may be sure she was a very happy
+little girl then, and that she gave mamma and papa many loving hugs and
+kisses for their thoughtfulness and love.
+
+
+
+
+JOSIE'S FRIEND.
+
+A TRUE STORY.
+
+
+I must tell you what happened to my little girl, for we all thought it
+so wonderful.
+
+[Illustration]
+
+She was a dear child, only seven years old, and so anxious to have a
+friend all her own. One day I took her to Boston. She was wild with joy
+at being allowed to take such a long trip in the cars. As the train
+steamed out from Newport, Josie's happy little face was pressed close to
+the window; but after a while she grew less interested in the fields
+outside, and more so in the passengers near us.
+
+"O mamma!" she whispered to me, "do you see that little girl opposite? I
+want her for a friend so much!"
+
+The child she had noticed was indeed a sweet little girl, with hair
+almost as golden as Josie's own. She was soon smiling at Josie, and the
+two little travellers held up their dollies for each other to look at.
+
+[Illustration]
+
+But before we got to Boston my little girl had grown weary, and soon was
+fast asleep. When we reached Boston she awoke, and saw her little friend
+disappearing. Josie waved her hand to her, and then, to my great
+surprise, shut her eyes tight.
+
+"Why, darling," I said, "didn't you hear mamma tell you this was Boston?
+Don't go to sleep again; there are auntie and little Bess."
+
+"Mamma," she answered gravely, "I was not going to sleep. I was asking
+God to let that little girl be my friend."
+
+"But, my dear," I said, "you live in Newport, and you have only seen her
+in the cars. She probably lives in Boston. Come, auntie is hunting for
+us."
+
+Josie had a fine time at auntie's, and her cousin Bess for a while
+filled completely the position of friend. But the week over, and we were
+aboard the train for Newport; and Josie's mind was again filled with the
+all-engrossing subject of--a friend.
+
+We arrived at home in time for luncheon. Immediately after, Josie was in
+her room telling her sister all about her visit. Suddenly I heard a cry
+of joy. "O mamma! mamma! There she is! God did send her."
+
+I hurried into Josie's room, and there at the window stood Josie,
+holding up her doll, and smiling at the window of the next house.
+
+A second glance showed me that this was the very child we had seen in
+the cars.
+
+The little girls soon became acquainted, for little Carrie had come to
+spend the winter with the Endicotts, who owned the house next our
+cottage.
+
+No words can tell how happy my Josie has been with the little friend God
+sent her.
+
+[Illustration]
+
+
+
+
+BUTTERFLY WISDOM.
+
+
+[Illustration]
+
+ A butterfly poised on a wild-rose spray,
+ As a child tripped by one summer day,
+ And he thought: "How sorrowful she must be
+ To know she can never have wings like me!"
+ But the child passed on, with a careless eye
+ Of the gay-winged, proud, young butterfly,
+ While he fluttered about, as butterflies will,
+ Sipping of honey and dew his fill.
+
+ The butterfly spread his wings to the sky,
+ As the sweet-faced child again tripped by,
+ And he thought: "How envious she will be
+ My beautiful azure wings to see!"
+ But the child passed, with a lightsome heart,
+ Where never had lodged a poisonous dart,
+ While he fluttered about, as butterflies will,
+ Sipping of honey and dew his fill.
+
+[Illustration]
+
+ When the child again passed the wild-rose sweet,
+ A bit of azure fell at her feet;
+ She lifted it from the moss, and said:--
+ "Poor little butterfly, it is dead!"
+ Then she tossed it up towards the wild-rose spray,
+ And, singing merrily, went her way,
+ With never a thought, the summer through,
+ Of the butterfly and its wings of blue.
+
+[Illustration]
+
+
+
+
+MR. MONKEY.
+
+
+Oh, fun, fun, fun! Is there anything half so funny in this world as a
+monkey?
+
+[Illustration]
+
+Just listen a moment, and I will tell you of one that I saw the other
+day.
+
+[Illustration]
+
+Think what a proud monkey he must have been, dressed in a fine suit of
+clothes! Then to have every one look out of the window when he rung the
+bell, while he sat up on the corner of the hand-organ. And how the
+children laughed to see him! After he had called every one within
+hearing to look at him, he made a little bow and took off his hat very
+politely.
+
+[Illustration]
+
+Then he put down the bell, and his master gave him cymbals, which he
+banged together in a lively way.
+
+How delighted all were to see that Mr. Monkey was a student! It was so
+very queer to see the little scholar wearing those spectacles which the
+hand-organ man put on his nose; how well he held the tiny book, no
+matter if it was wrong side up!
+
+[Illustration]
+
+Mr. Monkey would have made a good farmer, we all said, when we saw him
+churn. The way that handle flew up and down would have made milk into
+butter very shortly, if there had been milk there.
+
+[Illustration]
+
+Next came the fiddle, a nice little one, just the right size for a
+monkey to play. The hand-organ sounded very slowly while the little
+monkey played his fiddle. For fear that his master would feel badly
+because he was so far behind, Mr. Monkey put away his instrument, and
+bowed very low to the people, taking off his hat to thank them for the
+many pennies showered upon him.
+
+
+
+
+[Illustration: A Ride in A Water Wheel]
+
+A TRUE STORY.
+
+
+Bertie Gale lived near a noisy little brook, which went singing through
+the meadow. Just below the house in which he lived was a dam. It made a
+large pond above it, and the water was used to turn the wheel of a small
+woollen-mill.
+
+It was such fun to watch the water pouring over the wheel, turning it
+swiftly round and round.
+
+Bertie was never tired of looking at it, but it made his mother very
+anxious if her little boy was long out of her sight. But he had promised
+never to go into the water without permission.
+
+But one summer the water was shut off for a while, and the mill was
+silent. The old wheel was badly decayed and broken, and Mr. Gale said a
+new wheel must be built.
+
+[Illustration]
+
+Every day Bertie hurried home from school to watch his father and the
+workmen, as they built the new wheel.
+
+One day when he came home, he ran down to the mill as usual. The wheel
+was in its place all ready for action.
+
+How new and clean it looked! The workmen had gone, and no one was in
+sight.
+
+"What a nice playhouse it would make," thought the boy. Then he stepped
+carefully into the wheel.
+
+[Illustration]
+
+"This is my castle," said Bertie to himself, "and the brook is the river
+Rhine, and"--
+
+Bertie did not finish his sentence. Suddenly there was a terrible
+roaring over his head, and the wheel began to go slowly around. The next
+thing the boy knew he was lying upon a pile of blocks and shavings,
+feeling very much as if he had been through his mother's sausage-mill,
+but very thankful that he was not still going around that swiftly-moving
+wheel. He was not very much hurt, but it was a long time before he cared
+to look at the water-wheel again.
+
+
+
+
+JAMIE.
+
+
+One day lit-tle Jam-ie went with some friends to see some mov-ing
+pic-tures and a play called "The Johns-town Flood." He had been told the
+sto-ry be-fore and knew how it turned out. So he sat ver-y still through
+three acts, and then he saw a man who had been giv-en the name of "Paul
+Re-vere" just for that play, be-cause he was go-ing to do some-thing
+such as a real and great Paul Revere once did, more than a hun-dred
+years be-fore, a thing to warn the land of dan-ger and help the peo-ple
+to be free.
+
+[Illustration]
+
+The man in the play had to mount a horse and gal-lop down a val-ley
+shout-ing to the peo-ple to go to the hills to get out of the way of a
+great flood which had bro-ken out from a res-er-voir a-bove the cit-y.
+
+Just then, as the man mount-ed the horse, on the stage, little Jam-ie
+left his seat and ran home as fast as he could.
+
+"Why, Jam-ie," said his moth-er "The show can't be o-ver yet, it's on-ly
+four o'clock."
+
+"I know it is-n't o-ver yet, mam-ma," said Jam-ie, "but the ver-y next
+act was to be the flood, and I thought that if I staid I'd be drowned!"
+
+
+
+
+MOTHER'S CHILDREN
+
+
+[Illustration]
+
+"El-sie, just mind the ba-by for a few min-utes while I fin-ish Jack's
+lit-tle trou-sers. He tears his clothes so that it's just patch, patch,
+put in pockets and sew on but-tons all the time."
+
+"Oh, moth-er, look! Ba-by has tak-en a step! Come quick and look at
+him!"
+
+So moth-er ran to see her ba-by-boy, and kiss the brave lit-tle fel-low
+who had dared to do this won-der-ful thing. She a-gain seat-ed her-self
+at her work, when she heard El-sie call, "Oh, mam-ma! Sa-die has got
+hold of grand-ma's bas-ket, and is toss-ing all the things out of it on
+the floor. She'll scream when I take it from her, but don't wor-ry, I
+think I can man-age her."
+
+[Illustration]
+
+It was not long aft-er that when mam-ma cried out, "Why, there must be
+some-thing burn-ing! Oh, where is Tom-my? He has so many tricks with
+fire!"
+
+[Illustration]
+
+Up jumped mam-ma a-gain, and run-ing in-to the li-bra-ry, found Tom-my
+in high glee at play in front of a bright coal fire in the grate, on the
+top bar of which was a row of small fig-ures made from dough that cook
+was work-ing in the kitch-en. Tom had seized a big piece of dough, ran
+off with it to the li-bra-ry, and mould-ed it up to suit him in the
+shape of a row of small boys tak-ing hold of hands. He set them on the
+hot i-ron bar, and was brown-ing them ready to eat!
+
+"This is great fun, moth-er!" said Tom. "I'll give the chil-dren some
+when they are baked!"
+
+
+
+
+VICTOR.
+
+
+[Illustration]
+
+"It's a nice thing to have spring come!" said Vic-tor.
+
+"With my red wheel-barrow I can work out in the gar-den ev-er-y day with
+O-bed. He says he'd rath-er have me with him than an-y two men! Why, I
+can car-ry a wa-ter-ing-pot, a lot of twigs, leaves and things I've
+raked off the flow-er beds, and some-times I e-ven car-ry a whole load
+of stones!
+
+"O-bed is go-ing to teach me how to make one gar-den-bed for my-self. He
+says I can plant an-y-thing there that I like. I'm try-ing to think what
+I do like. O-bed says that some things come up when you plant seeds and
+some come up from bulbs. I like po-ta-toes and sweet peas. I guess I'll
+plant them. For a bor-der, I'd like small on-ions. Seems to me some
+tur-nips and hol-ly-hocks would look well in my bed. Now would-n't they?
+Sweet corn grows up pret-ty and grace-ful, I heard Aunt Hat-tie say, so
+I'll have some of that in my bed with a lot of for-get-me-nots. Aun-tie
+likes those ver-y much.
+
+"Oh, I must have the fa-vor-ite flow-ers of each one in our house, come
+to think of it! Let's see, what is Papa's fa-vor-ite flow-er? I guess it
+must be squash, for he likes mam-ma's squash pies so much.
+
+"Now what is mam-ma's? It must be he-li-o-trope. It's a hard word, but
+I've sure-ly heard her say he-li-o-trope sach-et. It must be a pret-ty
+flower, for ev-er-y thing in the clothes press has that per-fume, Ka-tie
+says.
+
+"Now I don't know all these plants I've heard folks talk about. I don't
+know an-y of them. Per-haps be-fore I tell O-bed to get all these things
+for me to start I'd bet-ter ask him if they'll go well to-geth-er."
+
+
+
+
+GRANDMOTHER'S HOME.
+
+
+Grand-moth-er Gra-ham was a love-ly old la-dy. She had a beau-ti-ful
+home a few miles from the city. Her chil-dren and her grand-chil-dren
+went out to see her quite oft-en.
+
+A-my thought there was no place like Grand-ma's for her sum-mer
+va-ca-tion. There was a lake, a boat, white lil-ies, squir-rels, grand
+trees old-er than grand-moth-er, her-self. Then there were barns,
+sta-bles, hor-ses, cows, calves, and a Shet-land pony that an-y child
+could ride.
+
+A-my had her bi-cy-cle with her, and went off on it to see Grand-ma's
+neigh-bors and do any lit-tle er-rands that were re-quired. If cous-in
+Jam-ie were on a vis-it at the same time, per-haps he would mount
+Gyp-sy, the po-ny, and ride a-long by Am-y's side. A race be-tween the
+bi-cy-cle and the po-ny was great fun.
+
+[Illustration]
+
+But there were days when rains kept the chil-dren in the house. Grand-ma
+told them love-ly sto-ries then. Jam-ie would sit play-ing with his
+sol-diers, and A-my al-ways had all she could do in her "house-days" as
+she called them, sew-ing to "keep her dolls in clothes," for "Elm
+Lodge" was a great place to wear out clothes.
+
+[Illustration]
+
+The sto-ries Grand-ma liked best to tell were "true sto-ries" of the
+days when her own chil-dren were small, and A-my liked best to hear
+a-bout her own fa-ther and what he did when he was a child. So one day
+grand-ma told this:
+
+
+GRANDMOTHER'S STORY.
+
+"My lit-tle Har-vey was ver-y fond of fruit and flow-ers. When he was a
+wee bit of a lad he liked noth-ing bet-ter than to pull the tu-lips off
+by their heads and fill the crown of his hat with them. We told him that
+he must not do this, for there were not e-nough of them to waste in that
+way. He looked sad, but sat down un-der a tree, and seemed in deep
+thought. He was-n't more than three years old then.
+
+"We left him and went in-to the house. In a few min-utes he went soft-ly
+down the gar-den walk, took off his shoes, stooped down, and scooped up
+earth e-nough to fill them, and then, in his stock-ing-feet, ran in
+a-mong the tulips and filled each cup full of the earth, emp-ty-ing all
+from his shoes in-to them. Daugh-ter and I had been watch-ing the child
+from the li-bra-ry win-dow. We crept out of the house and got in-to the
+gar-den as quick-ly as we could, and peep-ing be-hind the hon-ey suc-kle
+ar-bor, lis-tened while the lit-tle fel-low talked a-loud. 'Now 'ou
+tu-lips, dear, make haste and grow. All this dirt will make 'ou grow, I
+know, and then there'll be e-nough tu-lips for me to fill my 'it-tle hat
+full ev'ry day!'
+
+"The lis-ten-ers had to laugh at that. My ba-by-boy dropped his shoes
+and ran as fast as he could a-way from us, 'round-and-'round, through
+the damp gar-den paths! He led us quite a chase be-fore we could catch
+him."
+
+How A-my and Jam-ie laughed when Grand-ma told "tales out of school" as
+she called them.
+
+[Illustration: ALL HER CHILDREN LIKED TO VISIT GRANDMA.]
+
+"But I must just tell you this, my dear, for the tu-lip-story al-ways
+makes me think of it.
+
+"There came a day, at last, when we had to send Har-vey to school.
+Tom-my Short took him, with his green wool-len bag, slate, pen-cil, and
+two cook-ies, just round the cor-ner to Miss Burt's school. Aft-er a few
+weeks, Grand-pa Chase met the new pu-pil in the gar-den one day, just as
+he came in from school.
+
+"'Well, Har-vey' said Grandpa, 'I suppose you can spell al-most an-y
+thing by this time!'
+
+"'Yes, sir?' said Har-vey.
+
+"'Can you spell rat?'
+
+"'R-a-t, rat' said the small boy, with much pride.
+
+"'Ver-y well, my boy. Now can you spell mouse?'
+
+"Har-vey wrink-led up his fore-head and tried hard to think how it could
+be done. Aft-er a few min-utes the child said, 'No, Grandpa, I can't do
+it.'
+
+"'What,' cried Grandpa Chase, 'you can spell a great rat and can't spell
+a lit-tle bit of a mouse!'
+
+"A-gain Har-vey thought hard, and then he said, 'Yes I can spell a big
+rat, but I guess a spelt mouse is a great deal big-ger than a spelt
+rat!'"
+
+
+
+
+CHEER UP!
+
+
+[Illustration]
+
+ You do not like this weath-er, Ralph,
+ But March is pass-ing by,
+ We'll sure-ly have bright days at last,
+ With A-pril's laugh-ing sky.
+
+
+
+
+CHILDREN'S WORK.
+
+
+The Berk-ville Ham-let School pu-pils took much in-ter-est in the Fresh
+Air Chil-dren who had been sent out to their vil-lage for sum-mer
+out-ings. They had thought of ways in which mon-ey could be raised to
+help a-long the good cause.
+
+"Why could-n't we have some tab-leaux and oth-er things in our school
+house on Sa-tur-day af-ter-noons in May?" asked Jen-nie Hill. "Tom-my
+Burns would print the tickets and all the chil-dren in the vil-lage
+will, I know, sell them."
+
+So the mat-ter was talked ov-er, and all the peo-ple liked the plan so
+much that the young folks soon be-gan to prac-tice their parts for the
+first day.
+
+Le-on and Ef-fie King were to wear old time cos-tumes, stand ver-y
+still, and not speak. They made a pleas-ing tab-leau. There was a
+plat-form in the school room, on the back of which were placed
+ev-er-green trees. For some scenes a pho-tog-ra-pher's screens were used
+for a back-ground.
+
+[Illustration]
+
+An-na Mor-ris ap-peared af-ter Le-on and Ef-fie. She made a pret-ty
+pic-ture.
+
+Al-lan Frost, in a clear, pleas-ant voice gave the name of each scene.
+He was a boy in the Pri-ma-ry class. All liked to hear young Al-lan
+speak. When he called "The Task," the cur-tain, which had been hung
+a-cross the plat-form end of the room, was pulled aside, and there sat
+Ann Green, the lar-gest girl in school look-ing as if she were hard at
+work at the task of puzz-ling out some prob-lem.
+
+[Illustration]
+
+Bes-sie Burns said she would play she was a laun-dress. She did her part
+well.
+
+[Illustration]
+
+The school chil-dren thought up what they would like to be. Hen-ry
+Hard-ing a dark-eyed, black hair-ed boy said he thought he could get
+him-self up to look like a pic-ture he seen of an East-ern Grass
+Sell-er. So he was announced un-der that ti-tle. All thought he looked
+his part.
+
+It would make too long a sto-ry to tell ev-er-y thing a-bout that show.
+But the last scene was rath-er an odd one. One far-mer who lived out a
+short dis-tance from the vil-lage, had an old-fash-ioned ma-chine which
+had been in his cel-lar for a great man-y years. One of the school boys
+knew of this queer ar-ti-cle and coaxed the loan of it for the show.
+
+[Illustration]
+
+Jer-ry Jar-vis, fath-er of one of the pu-pils, said that he had turned
+the crank of that ma-chine time and time a-gain when he was a boy, and
+that he was will-ing to go on the stage with it at that time if it would
+help a-long the "Show," and raise mon-ey for the "Cause." So when the
+clos-ing scene came Al-lan Frost called "The Grind-er!"
+
+[Illustration]
+
+The folks all en-joyed those Sa-tur-day af-ter-noons. The chil-dren
+tried to va-ry the shows as much as they could. One day they gave a
+con-cert. Once they sold home-made can-dy and cakes. Their "Col-o-ni-al
+Loan" par-ty was much praised. The vil-lage had man-y treas-ures in old
+chi-na, fur-ni-ture, can-dle sticks, kit-chen ar-ti-cles, pic-tures,
+guns, swords, and clothes of old times.
+
+[Illustration]
+
+All were sur-prised at the ti-dy sum col-lect-ed and man-y a poor ci-ty
+child re-joiced in the out-ing that mon-ey brought to them through the
+Fresh Air So-ci-ety.
+
+
+
+
+EGGS IN THE HAY MOW.
+
+
+"Run out to the barn, An-nie and see if you can find some eggs. I mean
+to make cake this morn-ing and I shall want four or five," said Mrs.
+Brown to her lit-tle daugh-ter, An-nie, who had been help-ing her
+moth-er in the kit-chen work.
+
+Hunt-ing for hen's eggs was great fun for the chil-dren at Brown Farm.
+Some-times two of them would go out to-geth-er, and each would try to
+get more eggs than the oth-er, and be the first to reach the kit-chen
+with a cap or hat full.
+
+[Illustration]
+
+An-nie placed a short light lad-der a-gainst a high beam in the barn,
+climbed up and just as she reached the top, her bright eyes peep-ing in
+through the hay piled up on the barn-loft floor, she saw a nice hol-low
+place, some-thing like a small cave, where one wise bid-dy had scratched
+out a co-sy nest for her-self, and laid some five large eggs. The hen
+had gone out for a walk or for a lunch-eon, so An-nie took four of the
+eggs, put them in-to the crown of her hat, and hast-ened back to give
+them to her moth-er.
+
+"May I not beat them up for you, with the whirl-i-gig beat-er, moth-er,
+it is so much fun?"
+
+"Yes, you may, An-nie, and it will be quite a help to me."
+
+So on through the morn-ing the lit-tle girl found man-y a use-ful and
+plea-sant thing to do. When the work was all done and an out-ing had
+been planned for the af-ter-noon, Mrs. Brown said to An-nie, "This
+lit-tle verse comes to my mind. I think one of my old-er chil-dren once
+learned it at school. It is,
+
+ "Work while you work,
+ Play while you play,
+ That is the way
+ To be hap-py and gay.
+ All that you do
+ Do with all your might;
+ Things done by halves
+ Are nev-er done right."
+
+[Illustration]
+
+
+
+
+THE LOST SKATES.
+
+
+[Illustration]
+
+"Oh, I'll go and see if the ice is firm," said Robin to
+his friend Marjie, one winter's morning.
+
+He went off carrying his skates, and when he reached the ice he laid
+them on the bank, and then thought he would have a slide.
+
+Marjie, who had followed Robin to the pond, caught up the skates and
+went behind a tree and put them on, and was soon skating across the
+pond. After a while she went to Robin, who was standing by the bank,
+looking full of dismay.
+
+"Why, Marjie!" he cried, "I never saw you come! I've lost my skates! I
+left them on the bank and they are gone!"
+
+[Illustration]
+
+"Some wicked person must have taken them!" said Marjie.
+
+"I would like to catch him," said Robin.
+
+"Then catch me, Robin!" said Marjie.
+
+Robin gazed at her. Then a light broke over his face.
+
+"Oh, I see!" he cried: "you put them on while I was sliding! Well, now
+we can take turns with the skates!"
+
+Marjie thought, as she gave Robin a hug, that there was never a dearer
+friend than he!
+
+
+
+
+NO JOKE AT ALL.
+
+
+[Illustration]
+
+ "Ha!" thought Tommy Purr one day,
+ "Here's a chance a joke to play;
+ See him drop upon the floor
+ All those books, and hear me roar!"
+
+ Chuckling to himself in glee,
+ "I do love a joke," said he,
+ Pushed poor Whiskers, just for fun--
+ Down the books came, every one.
+
+[Illustration]
+
+ But the biggest book of all,
+ Happened on his crown to fall;
+ Tommy roared with might and main,
+ Not with laughter but with pain.
+
+ Tommy now has gone to bed
+ With a big bruise on his head;
+ Vinegar and paper brown
+ Cover up his aching crown.
+
+ There in sorrow Tommy lies,
+ Wishing he had been more wise;
+ For although those books did fall,
+ His joke proved no joke at all.
+
+
+
+
+WINTER HOLIDAYS.
+
+
+ O it's merry in the winter
+ When the holidays come round,
+ When the air is crisp and frosty
+ And the snow is on the ground.
+
+ Though Jack Frost may nip your noses,
+ There is nothing that I know
+ Like a jolly game of snowballs,
+ Making feet and fingers glow!
+
+ You can take your baby sister
+ For a voyage in a sleigh;
+ You can build a monster snow-man
+ That will pass the time away.
+
+ Then there's hanging up the holly
+ And the Christmas mistletoe,
+ Roasting chestnuts in the firelight,
+ When you can't go out, you know.
+
+ If you try, you can be happy
+ In a score of different ways.
+ O, it's wonderful how pleasant
+ Are the winter holidays!
+
+[Illustration]
+
+
+
+
+WHEN I GROW UP.
+
+
+[Illustration]
+
+ "When I grow up my dress shall be
+ All made of silk and lace,
+ My hair I'll wear in some fine style
+ That best will suit my face;
+ With rings upon my fingers, too,
+ And bracelets on my arms,
+ I'll be the finest lady out,
+ With wondrous mighty charms.
+
+ "When I grow up, you understand,
+ I'll always dine at eight,
+ And go to dances and 'At homes,'
+ And sit up very late.
+ I'll never touch rice-puddings then,
+ But pastry eat, and cheese,
+ And always do just what I like
+ And go just where I please.
+
+ "When I grow up I'll have no nurse,
+ Nor yet a governess;
+ And lessons will not bother me
+ When I grow up, I guess.
+ I'll pay no heed to proper nouns,
+ Nor yet to mood nor tense"--
+ Here nurse put in: "When you grow up
+ Let's hope you'll have some sense!"
+
+[Illustration]
+
+
+
+
+THE TEA PARTY.
+
+
+[Illustration]
+
+ Little Miss Betty has had a tea-party
+ Everyone came with an appetite hearty;
+ Animals, dollies, and toys were invited;
+ Bobby was good and our Baby delighted;
+ And when it was over they ran and asked mother
+ If they might to-morrow have just such another!
+
+
+
+
+TOMMY THE TEASE.
+
+
+"Here's a pie I found cooling on the bench under the pantry window!"
+said Tom Sommers. "I'm going to eat it all myself!"
+
+[Illustration]
+
+"That is the cook's pie. I saw her making it," said wee George.
+
+"Won't 'ou div me some pie?" asked little Ella.
+
+"No, I won't give you one single bit. This pie is full of plums and
+juice, I know. Ah! but it will have a good taste! No, Nancy, Susanna,
+Mariah Anniah you shall not have even a taste of this sweet pie!"
+
+"My name is'nt 'Ria Sannia' 'Ou're a bad boy. 'Ou call me names. 'Ou
+won't div me any pie! 'Ou eat it all alone!"
+
+"Well, now, this is too bad. Not a knife in any of my pockets! Happen to
+have a jack-knife with you, Georgie?"
+
+"No, I haven't any knife."
+
+"What, a big boy like you and no jack-knife?"
+
+"I'd like one, but folks say I'm too little to have one yet. But I'm
+going to save all my candy money now and buy one for myself."
+
+"Very well, no knife, no pie! It's getting late and I must be going
+along. It'll take me some time to get there for I must walk slowly so as
+not to spill a drop of this juicy pie. Good bye."
+
+Saying this, Tom walked away with the pie.
+
+Just then a loud and angry voice was heard shouting, "Where's that pie?"
+The stout cook came rushing upon the scene, shaking her dish cloth and
+rolling pin in the air. "Who's got that pie?" she screamed as she ran
+around and around and back again to the same bench where she had placed
+the pie to cool. What was her surprise, then, to see the very same pie
+just where she had left it!
+
+"Oh it's that bad boy, Tom Sommers, who has been playing this trick on
+me!" she shouted, in a loud voice. "Just let me catch him!"
+
+
+
+
+THE YOUNG LAMB.
+
+
+One day when brother John came home from market he brought a baby lamb
+for Maude.
+
+"I thought you'd like this little playmate, sister, you seem to be alone
+so much. This baby doesn't know how to nibble grass yet and you'll have
+to get mamma to show you how to bring him up."
+
+[Illustration]
+
+Maude was delighted with her present. Her mother took a baby's
+nurse-bottle and filled it with sweet new milk and in a very short time
+Lambkin could take, through the rubber tube, all the milk his kind
+friends would give him.
+
+Maude and her pet made a pretty picture playing together in the meadow.
+
+Nora, who worked in the kitchen, used to sing an odd little song, some
+of the words being,
+
+ "Little lamb, little lamb,
+ Will you leave your old dam
+ And sit with me by the nursery fire?
+ You shall have bread and milk,
+ And a cushion of silk,
+ And a cradle as soft as a lamb could desire.
+
+ "No! no, little child
+ I'd rather run wild
+ And play all the day by the side of my dam;
+ For we love one another
+ Like you and your mother
+ And she'd cry all the day for the loss of her lamb."
+
+
+
+
+TROTTY'S LESSON.
+
+
+"Now try to learn this, Trotty. Of course, you're little and don't know
+much, but when folks ask you how old your brother is you can just say 'a
+whole hand old!'"
+
+[Illustration]
+
+"What for buver?"
+
+"Well, it's because I'm just five years old! You won't have to learn to
+count yet, but you take a short path and say 'a whole hand old!' Now
+will you do it?"
+
+"I will try!"
+
+
+
+
+RUTH.
+
+
+"Company coming to-morrow and not a crumb of cake in the house!" said
+Mrs. Brown one morning. "Jane's gone and there's all the sweeping to do,
+the baby to take care of, and three meals a day to get!"
+
+[Illustration]
+
+"Mother, mother dear," called Ruth from the next room, "do let me make
+the cake. I should like nothing better. It would be great fun."
+
+"Great fun! Now that is what one says who knows nothing about it. It
+would be better to go without any cake at all than to place before our
+friends some that they cannot eat," replied the tired mother.
+
+"When I was at Aunt Fanny's," said Ruth, "she taught me how to make a
+kind of cake that we all liked. Uncle John said he could eat all I could
+make. Do let me try, mother dear."
+
+"Oh, Ruth, what a tease you are. Well, it will keep you quiet for a
+while and I suppose you must learn somehow."
+
+Then Ruth ran into the kitchen in high glee. First she looked at the
+fire in the stove as Aunt Fanny had taught her to do. More coal was
+needed. So she had to go down cellar and bring up as much as she could
+in the hod. She opened the draughts and put on a little coal at first.
+When that had kindled she put on a little more. She took a whisk and
+swept out the stove oven. Then she put more water into the kettle on on
+top of the stove. Soon it was time to close the draughts. She put her
+hand into the oven to feel how hot it was just as she had seen her Aunt
+Fanny do.
+
+[Illustration]
+
+When the stove was as she wanted it, Ruth ran out to the barn and found
+four warm eggs in nests among the hay. These she brought into the house,
+and breaking them into a bowl, began to beat them up quickly. Next she
+took a yellow dish from the dresser and put into it one cup of butter
+and two cups of sugar. For a long time she mixed these two together
+until they were "all one," as she called it.
+
+Next she put the four beaten eggs into the bowl with the butter and
+sugar, and beat them until her little hands ached. Then she measured out
+three cups of flour and sifted it into another dish. With this she put
+two teaspoonfuls of baking powder, and then sifted flour and baking
+powder together. After this was done, she added a little of it at a time
+to the mixture of butter and eggs, beating away until all the flour had
+been used up. Then she put into it a teaspoonful of vanilla essence and
+added enough milk to make a thick batter. Little pans shaped like hearts
+and rounds, and one large round pan were then well greased, and the
+beaten up cake put into each pan until it was half full. Then the pans
+of cake were set into the oven and in ten or fifteen minutes all the
+tiny "hearts and rounds" were baked a light brown, while the large pan
+had to stay baking ten or fifteen minutes more.
+
+A very happy child was young Ruth when she took out her pans of cake.
+
+Her father, mother, brothers and the "company" who arrived the next day
+thought it the "nicest cake ever made by so young a little girl."
+
+
+
+
+MISCHIEVOUS BABY.
+
+
+[Illustration]
+
+ Full of mischief? Well, yes, may be,
+ Else he would not be a baby.
+ But--when he's asleep, dear me,
+ What baby could more quiet be?
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Pages for Laughing Eyes, by Unknown
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PAGES FOR LAUGHING EYES ***
+
+***** This file should be named 20017.txt or 20017.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/0/0/1/20017/
+
+Produced by Sigal Alon, Fox in the Stars, Janet Blenkinship
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+