diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:03:59 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:03:59 -0700 |
| commit | 96d37710031c61fd62fb3464eacce7f78603855f (patch) | |
| tree | 8ff1dc4b8fbdeeff326e8bec92e11eb8fd3d3924 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 19763-8.txt | 9887 | ||||
| -rw-r--r-- | 19763-8.zip | bin | 0 -> 170539 bytes | |||
| -rw-r--r-- | 19763-h.zip | bin | 0 -> 707114 bytes | |||
| -rw-r--r-- | 19763-h/19763-h.htm | 10114 | ||||
| -rw-r--r-- | 19763-h/images/img001.jpg | bin | 0 -> 36593 bytes | |||
| -rw-r--r-- | 19763-h/images/img002.jpg | bin | 0 -> 79480 bytes | |||
| -rw-r--r-- | 19763-h/images/img003.jpg | bin | 0 -> 23509 bytes | |||
| -rw-r--r-- | 19763-h/images/img005.jpg | bin | 0 -> 24985 bytes | |||
| -rw-r--r-- | 19763-h/images/img006.jpg | bin | 0 -> 47714 bytes | |||
| -rw-r--r-- | 19763-h/images/img007.jpg | bin | 0 -> 22911 bytes | |||
| -rw-r--r-- | 19763-h/images/img008.jpg | bin | 0 -> 32813 bytes | |||
| -rw-r--r-- | 19763-h/images/img009.jpg | bin | 0 -> 28477 bytes | |||
| -rw-r--r-- | 19763-h/images/img010.jpg | bin | 0 -> 29857 bytes | |||
| -rw-r--r-- | 19763-h/images/img011.jpg | bin | 0 -> 17510 bytes | |||
| -rw-r--r-- | 19763-h/images/img014.jpg | bin | 0 -> 28589 bytes | |||
| -rw-r--r-- | 19763-h/images/img015.jpg | bin | 0 -> 32969 bytes | |||
| -rw-r--r-- | 19763-h/images/img030.jpg | bin | 0 -> 82531 bytes | |||
| -rw-r--r-- | 19763-h/images/img313.jpg | bin | 0 -> 90618 bytes | |||
| -rw-r--r-- | 19763-h/images/img356.jpg | bin | 0 -> 87113 bytes | |||
| -rw-r--r-- | 19763.txt | 9887 | ||||
| -rw-r--r-- | 19763.zip | bin | 0 -> 170475 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
24 files changed, 29904 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/19763-8.txt b/19763-8.txt new file mode 100644 index 0000000..dcc616d --- /dev/null +++ b/19763-8.txt @@ -0,0 +1,9887 @@ +The Project Gutenberg EBook of Overland Red, by Henry Herbert Knibbs + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Overland Red + A Romance of the Moonstone Cañon Trail + +Author: Henry Herbert Knibbs + +Illustrator: Anton Fischer + +Release Date: November 11, 2006 [EBook #19763] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK OVERLAND RED *** + + + + +Produced by Roger Frank and the Online Distributed +Proofreading Team at http://www.pgdp.net + + + + + +[Illustration: (page 123) OVERLAND LIMITED!] + +----------------------------------------------------------------------- + +OVERLAND RED + +A ROMANCE OF THE MOONSTONE CAÑON TRAIL + +WITH ILLUSTRATIONS BY ANTON FISCHER + +NEW YORK + +GROSSET & DUNLAP PUBLISHERS + +----------------------------------------------------------------------- + +COPYRIGHT, 1914, BY HOUGHTON MIFFLIN COMPANY + +ALL RIGHTS RESERVED + +----------------------------------------------------------------------- + +To I. J. K. + +----------------------------------------------------------------------- + +CONTENTS + + THE ROAD xi + I. THE PROSPECTOR 3 + II. WATER 10 + III. RAGGED ROMANCE 14 + IV. "ANY ROAD, AT ANY TIME, FOR ANYWHERE" 25 + V. "CAN HE RIDE?" 39 + VI. ADVOCATE EXTRAORDINARY 48 + VII. THE GIRL WHO GLANCED BACK 60 + VIII. THE TEST 72 + IX. A CELESTIAL ENTERPRISE 88 + X. "PERFECTLY HARMLESS LITTLE OLE TENDERFOOT" 98 + XI. DESERT LAW 110 + XII. "FOOL'S LUCK" 125 + XIII. THE RETURN 132 + XIV. "CALL IT THE 'ROSE GIRL'" 141 + XV. SILENT SAUNDERS 157 + XVI. BLUNDER 163 + XVII. GUESTS 177 + XVIII. A RED EPISODE 185 + XIX. "TO CUT MY TRAIL LIKE THAT" 202 + XX. THE LED HORSE 211 + XXI. BORROWED PLUMES 223 + XXII. THE YUMA COLT 231 + XXIII. SILENT SAUNDERS SPEAKS 247 + XXIV. "LIKE SUNSHINE" 254 + XXV. IN THE SHADOW OF THE HILLS 262 + XXVI. SPECIAL 273 + XXVII. THE RIDERS 278 + XXVIII. GOPHERTOWN 288 + XXIX. TOLL 299 + XXX. TWO ROSES 305 + XXXI. NIGHT 320 + XXXII. MORNING 332 + XXXIII. A SPEECH 345 + +----------------------------------------------------------------------- + +ILLUSTRATIONS + +OVERLAND LIMITED! (page 123) Frontispiece +THE GIRL'S LEVEL GRAY EYES STUDIED THE TRAMP'S FACE 16 +"IT'S A CLEAN-UP" 296 +"CAN'T I HAVE ANOTHER ONE, ROSE GIRL?" 340 + +----------------------------------------------------------------------- + + + + +The Road + + +Through the San Fernando Valley, toward the hills of Calabasas runs that +old road, El Camino Real of the early Mission days. + +And now replicas of old Mission bells, each suspended in solitary +dignity from a rusted iron rod, mark intervals along the dusty way, once +a narrow trail worn by the patient feet of that gentle and great padre, +Junípero Serra,--a trail from the San Gabriel Valley to the shores of +Monterey. A narrow trail then, but, even then, to him it was broad in +its potential significance of the dawn of Grace upon the mountain shores +of Heaven's lost garden, California. + +Not far from one iron-posted bell in the valley, El Camino Real falters, +to find, eventually, a lazy way round the low foothills, as though +reluctant to lift its winding length over the sharp pitch of the Canajo +Pass, beyond. + +Near this lone bell another road, an offspring of old El Camino Real, +runs quickly from its gray and patient sire. Branching south in hurried +turns and multiple windings it climbs the rolling hills, ever dodging +the rude-piled masses of rock, with scattered brush between, but forever +aspiring courageously through the mountain sage and sunshine toward its +ultimate green rest in the shadowy hills. + +In the sweet sage is the drone of bees, like the hum of a far city. The +thinning, acrid air is tinged with the faint fragrance of sunburnt +shrubs and grasses. + +With the sinuous avoidings of a baffled snake the road turns and turns +upon itself until its earlier promise of high adventuring seems +doubtful. As often as not it climbs a semi-barren dun stretch of +sunbaked earth dotted with stubby cacti--passes these dwarfed +grotesques, and attempts the narrowing crest of the cañon-wall, to swing +abruptly back to the cacti again, gaining but little in its upward +trend. + +Impatient, it finally plunges dizzily round a sharp, outstanding angle +of rock and down into the unexpected enchantment of Moonstone Cañon. +Here the gaunt cliffs rise to great wild gardens, draped with soft rose +and poignant red amid drowsy undertones of gray and green and gold. Dots +of vivid colors flame and fade and pass to ledges of dank, vineclad rock +and drifts of shale, as the road climbs again. + +At the next turn are the indistinct voices of water, commingling in a +monotone--and the road ceases to be, as the cool silver of a mountain +stream cuts through it, with seemingly inconsequential meanderings, but +with the soft arrogance of a power too great to be denied. And the +indistinct voices, left behind, fade to unimaginable sounds as the +stream patters down its gravelly course, contented beyond measure with +its own adventuring. + +Patiently the road takes up its way, moving in easier sweeps through a +widening valley, but forever climbing. + +Again and again, fetlock deep across it runs the stream, gently +persistent and forever murmuring its happy soliloquies. + +Here and there the road passes quickly through a blot of shade,--a group +of wide-spreading live-oaks,--and reappears, gray-white and hot in the +sun. + +And then, its high ambition fulfilled, the road recovers from its last +climbing sweep round the base of a shouldering hill and runs straight +and smooth to its ultimate green rest in the shade of the sycamores. +Beyond these two huge-limbed warders of the mountain ranch gate, there +is a flower-bordered _way_, but it is the road no longer. + +The mountain ranch takes its name from the cañon below. It is the +Moonstone Ranch, the home of Louise, whose ancestors, the Lacharmes, +grew roses in old France. + +Among the many riders to and from the ranch, there is one, a great, +two-fisted, high-complexioned man, whose genial presence is ever +welcome. He answers to many names. To the youngsters he is "Uncle +Jack,"--usually with an exclamation. To some of the older folk he is +"Mr. Summers," or "Jack." Again, the foreman of the Moonstone Ranch +seldom calls him anything more dignified than "Red." Louise does +sometimes call him--quite affectionately--"Overland." + +----------------------------------------------------------------------- + + + + +OVERLAND RED + +CHAPTER I + +THE PROSPECTOR + + +For five years he had journeyed back and forth between the little desert +station on the Mojave and the range to the north. The townspeople paid +scant attention to him. He was simply another "desert rat" obsessed with +the idea that gold was to be found in those northern hills. He bought +supplies and paid grudgingly. No one knew his name. + +The prospector was much younger than he appeared to be. The desert sun +had dried his sinews and warped his shoulders. The desert wind had +scrawled thin lines of age upon his face. The desert solitude had +stooped him with its awesome burden of brooding silence. + +Slowly his mind had been squeezed dry of all human interest save the +recurrent memory of a child's face--that, and the poignant memory of the +child's mother. For ten years he had been trying to forget. The last +five years on the desert had dimmed the woman's visioned face as the +child came more often between him and the memory of the mother, in his +dreams. + +Then there were voices, the voices of strange spirits that winged +through the dusk of the outlands and hovered round his fire at night. + +One voice, soft, insistent, ravished his imagination with visions of +illimitable power and peace and rest. "Gold! Lost gold!" it would +whisper as he sat by the meager flame. Then he would tremble and draw +nearer the warmth. "Where?" he would ask, tempting the darkness as a +child, fearfully certain of a reply. + +Then another voice, cadenced like the soft rush of waves up the sand, +would murmur, "Somewhere away! Somewhere away! Somewhere away!" And in +the indefiniteness of that answer he found an inexplicable joy. The +vagueness of "Somewhere away" was as vast with pregnant possibilities as +his desert. His was the eternity of hope, boundless and splendid in its +extravagant promises. Drunk with the wine of dreams, he knew himself to +be a monarch, a monarch uncrowned and unattended, yet always with his +feet upon the wide threshold of his kingdom. + +Then would come the biting chill of night, the manifold rays of stars +and silence, silence reft of winds, yet alive with the tense immobility +of the crouching beast, waiting ... waiting.... + +The desert, impassively withering him to the shell of a man, or wracking +him terribly in heat or in storm and cold, still cajoled him day and +night with promises, whispered, vague and intoxicating as the perfume of +a woman's hair. + +Finally the desert flung wide the secret portals of her treasure-house +and gave royally like a courtesan of kings. + +The man, his dream all but fulfilled, found the taste of awakening +bitter on his lips. He counted his years of toil and cursed as he viewed +his shrunken hands, claw-like, scarred, crippled. + +He felt the weight of his years and dreaded their accumulated burdens. +He realized that the dream was all--its fulfillment nothing. He knew +himself to be a thing to be pointed at; yet he longed for the sound of +human voices, for the touch of human hands, for the living sweetness of +his child's face. The sirens of the invisible night no longer whispered +to him. He was utterly alone. He had entered his kingdom. Viewed from +afar it had seemed a vast pleasure-dome of infinite enchantment. He +found Success, as it ever shall be, a veritable desert, grudging man +foothold, yet luring him from one aspiration to another, only to consume +his years in dust. + +A narrow cañon held his secret. He had wandered into it, panned a little +black sand, and found color. Finally he discovered the fountainhead of +the hoarded yellow particles that spell Power. There in the fastness of +those steep, purgatorial walls was the hermitage of the two +voices--voices that no longer whispered of hope, but left him in the +utter loneliness of possession and its birthright, Fear. + +He cried aloud for the companionship of men--and glanced fearfully round +lest man had heard him call. + +He again journeyed to the town beside the railroad, bought supplies and +vanished, a ragged wraith, on the horizon. + +Back in the cañon he set about his labors, finding a numbing solace in +toil. + +But at night he would think of the child's face. He had said to those +with whom he had left the child that he would return with a fortune. +They knew he went away to forget. They did not expect him to return. +That had been ten years ago. He had written twice. Then he had drifted, +always promising the inner voice that urged him that he would find gold +for her, his child, that she might ever think kindly of him. So he tried +to buy himself--with promises. Once he had been a man of his hands, a +man who stood straight and faced the sun. Now the people of the desert +town eyed him askance. He heard them say he was mad--that the desert had +"got him." They were wrong. The desert and its secret was his--a sullen +paramour, but _his_ nevertheless. Had she not given him of her very +heart? + +He viewed his shrunken body, knew that he stooped and shuffled, realized +that he had paid the inevitable, the inexorable price for the secret. +His wine of dreams had evaporated.... He sifted the coarse gold between +his fingers, letting it fall back into the pan. Was it for _this_ that +he had wasted his soul? + + * * * * * + +In the desert town men began to notice the regularity of his comings and +goings. Two or three of them foregathered in the saloon and commented on +it. + +"He packed some dynamite last trip," asserted one. + +There was a silence. The round clock behind the bar ticked loudly, +ominously. + +"Then he's struck it at last," said another. + +"Mebby," commented the first speaker. + +The third man nodded. Then came silence again and the absolute ticking +of the clock. Presently from outside in the white heat of the road came +the rush of hoofs and an abrupt stop. A spurred and booted rider, his +swarthy face gray with dust, strode in, nodded to the group and called +for whiskey. + +"Which way did he go, Saunders?" asked one. + +"North, as usual," said the rider. + +"Let's set down," suggested the third man. + +They shuffled to a table. The bartender brought glasses and a bottle. +Then, uninvited, he pulled up a chair and sat with them. The rider +looked at him pointedly. + +"Oh, I'm in on this," asserted the bartender. "Daugherty is the +Wells-Fargo man here. He won't talk to nobody but me--about _business_." + +"What's that got to do with it?" queried the rider. + +"Just what you'd notice, Saunders. Listen! The rat left a bag of dust in +the Company's safe last trip. Daugherty says its worth mebby five +hundred. He says the rat's goin' to bring in some more. Do I come in?" + +"You're on," said the rider. "Now, see here, boys, we got to find out if +he's filed on it yet, and what his name is, and then--" + +"Mebby we'd better find out _where_ it is first," suggested one. + +"And then jump him?" queried the rider over his glass. + +"And then jump him," chorused the group. "He's out there alone. It's +easy." And each poured himself a drink, for which, strangely enough, no +one offered to pay, and for which the bartender evidently forgot to +collect. + +Meanwhile the prospector toiled through the drought of that summer +hoarding the little yellow flakes that he washed from the gravel in the +cañon. + + + + +CHAPTER II + +WATER + + +All round him for miles each way the water-holes had gone dry. The +little cañon stream still wound down its shaded course, disappearing in +a patch of sand at the cañon's mouth, so the prospector felt secure. +None had ridden out to look for him through that furnace of burning sand +that stretched between the hills and the desert town. + +The stream dwindled slowly, imperceptibly. + +One morning the prospector noticed it, and immediately explored the +creek clear to its source--a spurt of water springing from the roof of a +grotto in the cliff. Such a supply, evidently from the rocky heart of +the range itself, would be inexhaustible. + +A week later he awoke to find the creek-bed dry save in a few +depressions among the rocks. He again visited the grotto. The place was +damp and cool, glistening with beads of moisture, but the flow from the +roof-crevice had ceased. Still he thought there must be plenty of water +beneath the rocks of the stream-bed. He would dig for it. + +Another week, and he became uneasy. The stream had disappeared as though +poured into a colossal crevice. A few feet below the gravel he struck +solid rock. He tried dynamite unsuccessfully. Then he hoarded the +drippings from the grotto crevice till he had filled his canteen. +Carefully he stowed his gold in a chamois pouch and prepared to leave +the cañon. His burro had strayed during the week of drought--was +probably dead beside some dry water-hole. + +The prospector set out to cross the range in the light of the stars. + +Fearful that he might be seen, panic warped his reasoning. He planned to +journey south along the foothills, until opposite the desert town and +then cross over to it. If he approached from such a direction, no one +would guess his original starting-place. He knew of an unfailing +water-hole two days' journey from the cañon. This water-hole was far out +of his way, but his canteen supply would more than last till he reached +it. + +Then Fate, the fate that had dogged his every step since first he +ventured into the solitudes, closed up and crept at his heels. He became +more morose and strangely fearful. His vision, refined by the wasting of +his body, created shadows that lay about his feet like stagnant pools, +shadows where no shadows should be. + +Ominous was his fall as he crossed an arroyo. The canteen, slung over +his shoulder, struck a sharp point of rock that started one of the +seams. The leak was infinitesimal. The felt cover of the canteen +absorbed the drip, which evaporated. When he arrived at the water-hole, +_that_ was dry. His canteen felt strangely light. He could not remember +having used so much water. He changed his plan. He struck straight from +the hills toward the railroad. He knew that eventually he would, as he +journeyed west, cross it, perhaps near a water-tank. + +Toward the blinding afternoon of that day he saw strange lakes and pools +spread out upon the distant sand and inverted mountain ranges stretching +to the horizon. + +Fate crept closer to his heels, waiting with the dumb patience of the +desert to claim the struggling, impotent puppet whose little day was all +but spent. + +He stumbled across the blazing bars of steel that marked the railroad. +His empty canteen clattered on the ties as he fell. He got to his knees +and dragged himself from the track. He laughed, for he had thwarted Fate +this once; he would not be run over by the train. He lay limp, wasted, +scarcely breathing. + +Serenely Fate crouched near him, patient, impassive.... + +He heard a man speak and another answer. He felt an arm beneath his +head, and water.... Water! + +He drank, and all at once his strength flamed up. It was not water they +gave him; it was merely the taste of it--a mockery. He wanted more ... +all! + +He lurched to his feet, struggling with a bearded giant that held him +from his desire--to drink until he could drink no more--to die drinking +the water they had taken from him even as they gave it. He fought +blindly. Fate, disdaining further patience, arose and flung itself about +his feet. He stumbled. A flash wiped all things from his vision and the +long night came swiftly. + + + + +CHAPTER III + +RAGGED ROMANCE + + +At the wide gate of the mountain ranch stood the girl. Her black +saddle-pony Boyar fretted to be away. Glancing back through the +cavernous shade of the live-oaks, the girl hesitated before opening the +gate. A little breeze, wayfaring through Moonstone Cañon and on up to +the mountain ranch, touched the girl's cheek and she breathed deeply of +its cool fragrance. + +The wide gate swung open, and Louise Lacharme, curbing Black Boyar, rode +out of the shadows into the hot light of the morning, singing as she +rode. + +Against the soft gray of the cañon wall flamed a crimson flower like a +pomegranate bud. Across the road ran the cool mountain stream. Away and +away toward the empty sky the ragged edges of the cliffs were etched +sharply upon the blue. + +The road ran swiftly round the eastern wall of the cañon. Louise, as +fragrantly bright as morning sunshine on golden flowers, laughed as the +pony's lithe bound tore the silver of the ford to swirling beads and +blade-like flashes. + +On the rise beyond, the girl drew rein at the beginning of the Old +Meadow Trail, a hidden trail that led to a mountain meadow of ripe +grasses, groups of trees, and the enchantment of seclusion. + +The pony shouldered through the breast-high greasewood and picked his +steps along the edge of the hill. The twigs and branches lisped and +clattered against the carved leather tapaderos that hooded the stirrups. +The warm sun awoke the wild fragrance of sage and mountain soil. Little +lizards of the stones raced from Black Boyar's tread, becoming rigid on +the sides of rocks, clinging at odd angles with heads slanted, like +delicate Orient carvings in dull brass. + +The girl's eyes, the color of sea-water in the sun, were leveled toward +the distant hills across the San Fernando Valley. From her fingers +dangled the long bridle-reins. Her lips were gently parted. Her gaze was +the gaze of one who dreams in the daylight. And close in the hidden +meadow crouched Romance, Romance ragged, unkempt, jocular.... + +Boyar first scented the wood-smoke. Louise noticed his forward-standing +ears and his fidgeting. Immediately before her was the low rounded rock, +a throne of dreams that she had graced before. From down the slope and +almost hidden by the bulk of the rock, a little wand of smoke stood up +in the windless air, to break at last into tiny shreds and curls of +nothingness. + +"It can't be much of a fire yet!" exclaimed Louise, forever watchful, as +are all the hill-folk, for that dread, ungovernable red monster of +destruction, a mountain fire. "It can't be much of a fire _yet_." + +The pony Boyar, delicately scenting something more than wood-smoke, +snorted and swerved. Louise dismounted and stepped hurriedly round the +shoulder of the rock. A bristle-bearded face confronted her. "No, it +ain't much of a fire yet, but our hired girl she joined a movin'-picture +outfit, so us two he-things are doin' the best we can chasin' a +breakfast." And the tramp, Overland Red, ragged, unkempt, jocular, rose +from his knees beside a tiny blaze. He pulled a bleak flop of felt from +his tangled hair in an over-accentuated bow of welcome. + +"We offer you the freedom of the city, ma'am. Welcome to our midst, and +kindly excuse appearances this morning. Our trunks got delayed in New +York." + +Unsmilingly the girl's level gray eyes studied the tramp's face. Then +her glance swept him swiftly from bared head to rundown heel. "I was +just making up my mind whether I'd stay and talk with you, or ask you to +put out your fire and go somewhere else. But I think you are all right. +Please put on your hat." + +[Illustration: THE GIRL'S LEVEL GRAY EYES STUDIED THE TRAMP'S FACE] + +Overland Red's self-assurance shrunk a little. The girl's eyes were +direct and fearless, yet not altogether unfriendly. He thought that deep +within them dwelt a smile. + +"You got my map all right," he said, a trifle more respectfully. +"'Course we'll douse the fire when we duck out of here. But what do you +think of Collie here, my pal? Is he all right?" + +"Oh, he's only a boy," said Louise, glancing casually at the youth +crouched above the fire. + +The boy, a slim lad of sixteen or thereabout, flushed beneath the +battered brim of his black felt hat. He watched the tomato-can +coffee-pot intently. Louise could not see his face. + +"Yes, Miss. _I'm_ all right and so is he." And a humorous wistfulness +crept into the tramp's eyes. "He's what you might call a changeling." + +"Changeling?" + +"Uhuh! Always changin' around from place to place--when you're young. +Ain't that it?" + +"Oh! And when you are older?" she queried, smiling. + +Overland Red frowned. "Oh, then you're just a tramp, a Willie, a Bo, a +Hobo." + +He saw the girl's eyes harden a little. He spoke quickly, and, she +imagined, truthfully. "I worked ten years for one outfit once, without +a change. And I never knowed what it was to do a day's work out of the +saddle. You know what that means." + +"Cattle? Mexico?" + +Overland Red grinned. "Say! You was born in California, wasn't you?" + +"Yes, of course." + +"'Cause Mexico has been about the only place a puncher could work that +long without doin' day labor on foot half the year. Yes, I been there. +'Course, now, I'm doin' high finance, and givin' advice to the young, +and livin' on my income. And say, when it comes to real brain work, I'm +the Most Exhausted Baked High Potentate, but I wouldn't do no mineral +labor for nobody. If I can't work in the saddle, I don't work--that's +all." + +"Mineral labor? What, mining?" asked Louise. + +"No, not mining. Jest mineral labor like Japs, or section-hands, or +coachmen with bugs on their hats. Ain't the papers always speakin' of +that kind as minerals?" + +"Don't you mean menials?" + +"Well, yes. It's all the same, anyway. I never do no hair-splittin' on +words. Bein' a pote myself, it ain't necessary." + +"A--a poet! Really?" + +"Really and truly, and carry one and add five. I've roped a lot of +po'try in my time, Miss. Say, are we campin' on your land?" + +"No. This is government land, from here to our line up above--the +Moonstone Rancho." + +"The Moonstone Rancho?" queried Overland Red, breaking a twig and +feeding the fire. + +"Yes. It's named after the cañon. But don't let me keep you from +breakfast." + +"Breakfast, eh? That's right! I almost forgot it, talkin' to you. +Collie's got the coffee to boilin'. No, _you_ ain't keepin' us from our +breakfast any that you'd notice. It would take a whole reg'ment of +Rurales to keep us from a breakfast if we seen one runnin' around loose +without its pa or ma." + +Louise Lacharme did not smile. This was too real. Here was adventure +with no raconteur's glamour, no bookish gloss. Here was Romance. Romance +unshaven, illiterate, with its coat off making coffee in a +smoke-blackened tomato-can, but Romance nevertheless. That this romance +should touch her life, Louise had not the faintest dream. She was +alone ... but, pshaw! Boyar was grazing near, and besides, she was not +really afraid of the men. She thought she rather liked them, or, more +particularly, the boisterous one who had said his name was Overland Red. + +The tramp gazed at her a moment before he lifted the tomato-can from the +embers. "We know you won't join us, but we're goin' to give you the +invite just the same. And we mean it. Ma'am, if you'll be so kind as to +draw up your chair, us gents'll eat." + +"Thank you!" said Louise, and Overland's face brightened at the +good-fellowship in her voice. "Thank you both, but I've had breakfast." + +She gazed at the solitary, bubbling, tomato-can coffee-pot of +"second-edition" coffee. There was nothing else to grace the board, or +rather rock. "I'll be right back," she said. "I'll just take off Boyar's +bridle. Here, Boy!" she called. "You'll be able to eat better." + +And she ran to the pony. From a saddle-pocket she took her own lunch of +sandwiches and ripe olives wrapped in oiled paper. She delayed her +return to loosen the forward cincha of the saddle and to find the little +stock of cigarette-papers and tobacco that she carried for any chance +rider of the Moonstone who might be without them. + +Collie, the boy tramp, glanced up at Overland Red. "I guess she's gone," +he said regretfully. + +"You're nutty, Collie. She ain't the kind to sneak off after sayin' +she's comin' back. I know a hoss and a real woman when I see 'em. I was +raised in the West, myself." + +The boy Collie was young, sensitive, and he had not been "raised in the +West." He frowned. "Yes, you was raised in the West, and what you got to +show for it?" + +"Well, hear the kid!" exclaimed Overland. "Out of the mouth of babes and +saplings! What have I got to show? What have I--! Wha--? Oh, you go +chase a snake! I know a good hoss and a good woman when I see 'em, and I +seen both together this morning." + +"But what do _she_ want with us bos?" asked the boy. + +"S-s-h-h! Why, she's interested in me romantic past, of course. Ain't I +the 'cute little gopher when it comes to the ladies? Fan me, Collie, and +slow music and a beer for one. I'm some lady's-man, sister!" + +"You're a bo, the same as me," said the boy. + +"S-s-h-h! For the love of Pete, don't you handle that word 'bo' so +careless. It's loaded. It has a jarrin' effect on ears +unattenuated--er--meanin' ears that ain't keyed up to it, as the pote +says. She's comin' back. Fold your napkin. Don't look so blame hungry! +Ain't you got any style?" + +"She's the prettiest girl I ever seen," said the boy, hastily swallowing +his share of the hot, insipid coffee. + +"Pretty?" whispered Overland, as Louise approached. "She's thoroughbred. +Did you see them eyes? Afraid of nothin', and smilin' at what might dast +to scare her. Not foolish, either. She's wise. And she's kind and +laughin', and not ashamed to talk to us. That's thoroughbred." + +Round the rock came Louise, the neat package of sandwiches in one hand. +In the other was the tobacco and cigarette-papers. "I'm going to have my +luncheon," she said. "If you won't object, I'll take a sandwich. There, +I have mine. The rest are for you." + +"We had our breakfast," said Overland quickly, "when you was talkin' to +your pony." + +Louise glanced at the empty tomato-can. "Well, I'll excuse you for not +waiting for me, but I shall not excuse you from having luncheon with me. +I made these sandwiches myself. Have one. They're really good." + +"Oh!" groaned Overland, grimacing. "If I could curry up my language +smooth, like that, I--I guess I'd get deaf listenin' to myself talk. You +said that speech like takin' two turns round the bandstand tryin' to +catch yourself, and then climbin' a post and steppin' on your own +shoulders so you could see the parade down the street. Do you get that?" +And he sighed heavily. "Say! These here sandwiches is great!" + +"Will you have one?" asked Louise, gracefully proffering the olives. + +"Seein' it's you. Thanks. I always take two. The second one for a chaser +to kill the taste of the first. It's the only way to eat 'em--if you +know where to stop. They do taste like somethin' you done and are sorry +for afterwards, don't they?" + +"Were you ever sorry for anything?" asked the boy, feeling a little +piqued that he had been left out of the conversation. + +"I was raised in the West, myself," growled the tramp, scowling. "But +that's a good pony you got, Miss. That your saddle too?" + +"Yes." + +"You rope any?" + +"A little. How did you know?" + +"Rawhide cover to the saddle-horn is wore with a rope," said Overland, +helping himself to a second sandwich. + +Then the tramp and the girl, oblivious to everything else, discussed +rawhide riatas as compared with the regular three-strand stock rope, or +lariat,--center-fire, three quarter, and double rigs, swell forks and +old Visalia trees, spade bits and "U" curbs,--neither willing, even +lightly, to admit the other's superiority of chosen rig. + +The boy Collie listened intently and a trifle jealously. Overland Red +and the girl had found a common ground of interest that excluded him +utterly. The boy itched for an excuse to make the girl speak to him, +even look at him. + +The sandwiches gone, Louise proffered Overland tobacco and papers. +Actual tears stood in the ex-cowboy's eyes. "Smoke! Me?" he exclaimed. +"I was dyin' for it. I'd do time for you!" + +Then in that boyish spirit that never quite leaves the range-rider, +Overland Red took the tobacco and papers and cleverly rolled a cigarette +with one hand. In the other he held his battered felt hat. His eyes had +a far-away look as he reached forward and lighted his cigarette at the +fire. "I was settin' on a crazy bronc', holdin' his head up so he +couldn't go to buckin'--outside a little old adobe down in Yuma, +Arizona, then," he explained, glancing at the girl. "Did you ever drift +away complete, like that, jest from some little old trick to make you +dream?" + + + + +CHAPTER IV + +"ANY ROAD, AT ANY TIME, FOR ANYWHERE" + + +The boy Collie took the empty tomato-can and went for water with which +to put out the fire. + +Louise and Overland Red gazed silently at the youthful figure crossing +the meadow. The same thought was in both their hearts--that the boy's +chance in life was still ahead of him. Something of this was in the +girl's level gray eyes as she asked, "Why did you come up here, so far +from the town and the railroad?" + +"We generally don't," replied Overland Red. "We ain't broke. Collie's +got some money. We got out of grub from comin' up here. We come up to +see the scenery. I ain't kiddin'; we sure did! 'Course, speakin' in +general, a free lunch looks better to me any day than the Yosemite--but +that's because I need the lunch. You got to be fed up to it to enjoy +scenery. Now, on the road we're lookin' at lots of it every day, but we +ain't seein' much. But give me a good feed and turn me loose in the Big +Show Pasture where the Bridal Veil is weepin' jealous of the Cathedral +Spires, and the Big Trees is too big to be jealous of anything, where +Adam would 'a' felt old the day he was born--jest take off my hobbles +and turn me out to graze _there_, and _feed_, and say, lady, I scorn the +idea of doin' _any_thing but decomposin' my feelin's and smokin' and +writin' po'try. I been there! There's where I writ the song called 'Beat +It, Bo.' Mebby you heard of it." + +"No, I should like to hear it." + +The fire steamed and spluttered as Collie extinguished it. Overland Red +handed the tobacco and papers to him. + +"About comin' up this here trail?" he resumed as the boy stretched +beside them on the warm earth. "Well, Miss, it was four years ago that I +picked up Collie here at Albuquerque. His pa died sudden and left the +kid to find out what a hard map this ole world is. We been across, from +Frisco to New York, twice since then, and from Seattle to San Diego on +the side, and 'most everywhere in California, it bein' my native State +and the best of the lot. You see, Collie, he's gettin' what you might +call a liberated education, full of big ideas--no dinky stuff. Yes, I +picked him up at Albuquerque, a half-starved, skinny little cuss that +was cryin' and beggin' me to get him out of there." + +"Albuquerque?" queried Louise. + +"Uhuh. Later, comin' acrost the Mojave, we got thrun off a freight by +mistake for a couple of sewin'-machines that we was ridin' with to +Barstow, so the tickets on the crates said. That was near Daggett, by a +water-tank. It was hotter than settin' on a stove in Death Valley at 12 +o'clock Sunday noon. We beat it for the next town, afoot. Collie +commenced to give out. He was pretty tender and not strong. I lugged him +some and he walked some. He was talkin' of green grass and cucumbers in +the ice-box and ice-cream and home and the Maumee River, and a whole lot +of things you can't find in the desert. Well, I got him to his feet next +mornin'. We had some trouble, and was detained a spell in Barstow after +that. They couldn't prove nothin', so they let us go. Then Collie got to +talkin' again about a California road that wiggled up a hill and through +a cañon, and had one of these here ole Mission bells where it lit off +for the sky-ranch. Funny, for he was never in California then. Mebby it +was the old post-card he got at Albuquerque. You see his pa bought it +for him 'cause he wanted it. He was only a kid then. Collie, he says +it's the only thing his pa ever did buy for him, and so he kept it till +it was about wore out from lookin' at it. But considerin' how his pa +acted, I guess that was about all Collie needed to remember him by. +Anyhow, he dreamed of that road, and told me so much about it that I +got to lookin' for it too. I knowed of the old El Camino Real and the +bells, so we kept our eye peeled for that particular dream road, kind of +for fun. We found her yesterday." + +"What, this? The road to our ranch?" + +"Uhuh. Collie, he said so the minute we got in that cañon, Moonstone +Cañon, you said. We're restin' up and enjoyin' the scenery. We need the +rest, for only last week we resigned from doin' a stunt in a +movin'-picture outfit. They wanted somebody to do native sons. We said +we didn't have them kind of clothes, but the foreman of the outfit says +we'd do fine jest as we was. It was fierce--and, believe me, lady, I +been through some! I been through some! + +"They was two others in checker clothes and dip-lid caps, and they +_wasn't_ native sons. They acted like sons of--I'd hate to tell you +what, Miss--to the chief dollie in the show. They stole her beau and +tied him to the S. P. tracks; kind of loose, though. She didn't seem to +care. She jest stood around chewin' gum and rollin' her lamps at the +head guy. Then the movin'-picture express, which was a retired +switch-engine hooked onto a Swede observation car, backs down on +Adolphus, and we was to rush up like--pretty fast, and save his life. + +"She was a sassy little chicken with blond feathers and a three-quarter +rig skirt. She had a regular strawberry-ice-cream-soda complexion, and +her eyes looked like a couple of glass alleys with electric lights in +'em. I wondered if she took 'em out at night to go to sleep or only +switched off the current. Anyhow, up she rides in a big reddish kind of +automobile and twists her hands round her wrists and looks up the track +and down the track and sees us and says, 'Oh, w'ich way has he went? +W'ich way did Disgustus Adolphus beat it to?' And chewin' gum right on +top of that, too. It was tough on us, Miss, but we needed the money. + +"'Bout the eighteenth time she comes coughin' up in that old one-lung +machine,--to get her expression right, so the boss kept hollerin',--why, +I gets sick and tired. If there's anything _doin_', why, I'm game, but +such monkeyin'! There was that picture-machine idiot workin' the crank +as if he was shellin' a thicket-full of Injuns with a Gatling, and his +fool cap turned round with the lid down the back of his neck, and me and +Collie, the only sensible-actin' ones of the lot, because we was actin' +natural, jest restin'. I got sick and tired. The next time up coughs +that crippled-up automobile with the mumps on its front tire, and she +says, 'Where, oh, where has he went?' I ups and says, 'Crazy, Miss, and +can you blame him?' + +"She didn't see no joke in that, so the boss he fired us. He wasn't +goin' to pay us at that, but I picks up the little picture-machine box +and I swings her up over the track kind of suggestive like. 'One!' said +I. 'Do we get our money?' + +"'Drop that machine!' says he, rushin' up to me. + +"'I'm a-goin' to,' says I, 'good and hard. Think again, while I count. +Do we get our money?' + +"'You get pinched!' says he. + +"'Two,' says I, and I swings the box up by the legs. + +"'Hole on!' yells the boss. 'Pay the mutt, Jimmy, and, for Gord sake, +get that machine before he ruins the best reel we made yet!' + +"We got paid." + +"But the bell and Moonstone Cañon?" questioned Louise, glancing back at +Boyar grazing down the meadow. + +"Sure! Well, we flopped near here that night--" + +"Flopped?" + +"Uhuh. Let's see, you ain't hep to that, are you? Why, we crawled to the +hay, hit the feathers, pounded our ear--er--went to bed! That's what it +used to be. Well, in the morning, me and Collie got some sardines and +crackers to the store and a little coffee. It was goin' over there that +we seen the bell and the road and the whole works. I got kind of +interested myself in that cañon. I never saw so many moonstones layin' +right on top the gravel, and I been in Mex., too. We liked it and we +stayed over last night, expectin' to be gone by now." + +"And when you leave here?" queried Louise. + +"Same old thing," replied Overland cheerfully. "I know the ropes. Collie +works by spells. Oh, we're livin', and that's all you need to do in +California." + +"And that is all--now that you have found the road?" + +"Oh, the road is like all of them dreams," said Overland. "Such things +are good for keepin' people interested in somethin' till it's done, +that's all. It was fun at first, lookin' up every arroyo and slit in the +hills, till we found it. Same as them marriages on the desert, after +that." + +"Marriages?" + +"Uhuh. Seein' water what ain't there, like." + +"Oh, mirages!" And Louise laughed joyfully. + +"I don't see no joke," said Overland, aggrieved. + +"I really beg your pardon." + +"That's all right, Miss. But what would you call it?" + +"Oh, an illusion, a mirage, something that seems to be, but that is +not." + +"I don't see where it's got anything on marriages, then, do you? But I +ain't generally peppermistic. I believe in folks and things, although +I'm old enough to know better." + +"I'm glad you believe in folks," said Louise. "So do I." + +"It's account of bein' a pote, I guess," sighed the tramp. "'Course I +ain't a professional. They got to have a license. I never took out one, +not havin' the money. Anyway, if I did have enough money for a regular +license, I'd start a saloon and live respectable." + +"Won't you quote something?" And the girl smiled bewitchingly. "Boyar +and I must go soon. It's getting hot." + +"I'm mighty sorry you're goin', Miss. You're real California stock. +Knowed it the minute I set eyes on you. Besides, you passed us the +smokes." + +"Red, you shut up!" + +Overland turned a blue, astonished eye on Collie. "Why, kiddo, what's +bitin' _you_?" + +"Because the lady give us the makings don't say _she_ smokes, does it?" + +Overland grunted. "Because you're foolish with the heat, don't say I am, +does it? Them sandwiches has gone to your head, Chico. Who said she did +smoke?" + +Louise, grave-eyed, watched the two men, Overland sullen and scowling, +Collie fierce and flaming. + +"We ain't used to--to real ladies," apologized Overland. "We could do +better if we practiced up." + +"Of course!" said Louise, smiling. "But the poetry." + +"U-m-m, yes. The po'try. What'll I give her, Collie?" + +"I don't care," replied the boy. "You might try 'Casey Jones.' It's +better'n anything _you_ ever wrote." + +"That? I guess not! That ain't her style. I mean one of my +_own_--somethin' _good_." + +"Oh, I don't know. 'Toledo Blake,'" mumbled Collie. + +"Nope! But I guess the 'Grand Old Privilege' will do for a starter." + +"Oh, good!" And Louise clapped her hands. "The title is splendid. Is the +poem original?" + +The tramp bowed a trifle haughtily. "Original? Me life's work, lady." +And he awkwardly essayed to button a buttonless coat, coughed, waved his +half-consumed cigarette toward the skies, and began:-- + + "Folks say we got no morals--that they all fell in the soup; + And no conscience--so the would-be goodies say; + And I guess our good intentions _did_ jest up and flew the coop, + While we stood around and watched 'em fade away. + + "But there's one thing that we're lovin' more than money, grub, or booze, + Or even decent folks that speaks us fair; + And that's the Grand Old Privilege to chuck our luck and choose, + _Any_ road at _any_ time for _any_ where." + +And Overland, his hand above his heart, bowed effusively. + +"I like 'would-be goodies,'" said Louise. "Sounds just like a mussy, +sticky cookie that's too sweet. And 'Any road at any time for any +where--' I think that is real." + +Overland puffed his chest and cleared his throat. "I can't help it, +Miss. Born that way. Cut my first tooth on a book of pomes ma got for a +premium with Mustang Liniment." + +"Well, thank you." And Louise nodded gayly. "Keep the tobacco and papers +to remember me by. I must go." + +"We don't need them to remember you by," said Overland gallantly. Then +the smile suddenly left his face. + +Down the Old Meadow Trail, unseen by the girl and the boy, rode a single +horseman, and something at his hip glinted in the sun. Overland's hand +went to his own hip. Then he shrugged his shoulders, and slowly +recovered himself. "What's the use?" he muttered. + +But there was that in his tone which brought Collie's head up. The lad +pushed back his battered felt hat and ran his fingers through his wavy +black hair, perplexedly. "What's the matter, Red? What's the matter?" + +"Nothin'. Jest thinkin'." Yet the tramp's eyes narrowed as he glanced +furtively past the girl to where Boyar, the black pony, grazed in the +meadow. + +Louise, puzzled by something familiar in the boy's upturned, questioning +face, raised one gauntleted hand to her lips. "Why, you're the boy I +saw, out on the desert, two years ago. Weren't you lying by a water-tank +when our train stopped and a man was kneeling beside you pouring water +on your face? Aren't you that boy?" + +"Yes!" exclaimed Collie, getting to his feet. "Red told me about _you_, +too." + +"Yes, it's her," muttered Overland, nodding to himself. + +"And you chucked a rose out of the window to us?" said the boy. +"Overland said _she_ did." + +"Yes. It's her, the Rose-Lady Girl," said Overland. "Some of the folks +in the train laughed when I picked up the rose. I remember. Some one +else says, 'They're only tramps.' I recollect that, too." + +"But those men were arrested at Barstow, for murder, Uncle Walter said." + +Again Overland Red nodded. "They was, Miss. But they couldn't prove +nothin', so they let us go." + +"We always was goin' to say thanks to the girl with the rose if we ever +seen her," said the boy Collie. "We ain't had such a lot of roses give +to us." + +"So we says it now," said Overland quickly. "Or mebby we wouldn't never +have another chance." Then he slowly rolled another cigarette. + +Just then the black pony Boyar nickered. He recognized a friend entering +the meadow. + +Overland lighted his cigarette. As he straightened up, Louise was +surprised to see him thrust both hands above his head while he continued +smoking placidly. "Excuse me, Miss," he said, turning the cigarette +round with his lips; "but the gent behind you with the gun has got the +drop on me. I guess he's waitin' for you to step out of range." + +Louise turned swiftly. Dick Tenlow, deputy sheriff, nodded good-morning +to her, but kept his gun trained on the tramp. + +"Just step out from behind that rock," said Tenlow, addressing +Overland. + +"Don't know as I will," replied the tramp. "You're no gentleman; you +didn't say 'please.'" + +"Come on! No bluff like that goes here," said the deputy. + +"Can't you see I ain't finished smokin' yet?" queried Overland. + +"Come on! Step along!" + +"No way to address a gent, you Johnny. Say, I'll tell you _now_ before +you fall down and shoot yourself. Do you think you got me because you +rode up while I was talkin' to a lady, and butted into polite +conversation like a drunk Swede at a dance? Say, you think I'd 'a' ever +let you got this far if there hadn't been a lady present? Why, you +little nickle-plated, rubber-eared policeman, I was doin' the double +roll with a pair of Colts .45's when you was learnin' the taste of +milk!" + +"That'll be about all for _you_," said the sheriff, grinning. + +"No, it ain't. You ain't takin' me serious, and there's where you're +makin' your mistake. I'm touchy about some things, Mr. Pussy-foot. I +could 'a' got you three times while you was ridin' down that trail, and +I wouldn't 'a' had to stop talkin' to do it. And you with that little +old gun out before you even seen me!" + +"Why didn't you, then?" asked Tenlow, restraining his anger; for Louise, +in spite of herself, had smiled at Overland's somewhat picturesque +resentment. "Why didn't you, then?" + +"Huh!" snorted Overland scornfully. "Do you suppose I'd start anything +with a _lady_ around? That ain't my style. You're a kid. You'll get hurt +some day." + +Deputy Tenlow scowled. He was a big man, slow of tongue, ordinarily +genial, and proverbially stupid. He knew the tramp was endeavoring to +anger him. The deputy turned to Louise. "Sorry, Miss Lacharme, but I got +to take him." + +"There's really nothing to hinder, is there?" Louise asked sweetly. + + + + +CHAPTER V + +"CAN HE RIDE?" + + +The tramp glanced up, addressing the deputy. "Yes, even now there is +something to hinder, if I was to get busy." Then he coolly dropped his +arms and leaned against the rock with one leg crossed before the other +in a manner sometimes supposed to reflect social ease and elegance. "But +I'm game to take what's comin'. If you'll just stick me up and extract +the .38 automatic I'm packin' on my hip,--and, believe me, she's a bad +Gat. when she's in action,--why, I'll feel lots better. The little gun +might get to shootin' by herself, and then somebody would get hurt sure. +You see, I'm givin' you all the chance you want to take me without +gettin' mussed up. I'm nervous about firearms, anyhow." + +Deputy Dick Tenlow advanced and secured the gun. + +"Now," said Overland Red, heaving a sigh; "now, I ain't ashamed to look +a gun in the face. You see, Miss," he added, turning to address the +girl, "I was sheriff of Abilene once, in the ole red-eye, rumpus days. I +have planted some citizens in my time. You see, I kind of owe the ones +I did plant a silent apology for lettin' this here chicken-rancher get +me so easy." + +"You talk big," said Tenlow, laughing. "Who was you when you was sheriff +of Abilene, eh?" + +"Jack Summers, sometimes called Red Jack Summers," replied Overland +quietly, and he looked the deputy in the eye. + +"Jack Summers!" + +Overland nodded. "Take it or leave it. You'll find out some day. And now +you got some excuse for packin' a gun round these here peaceful hills +and valleys the rest of your life. You took Jack Summers, and there +ain't goin' to be a funeral." + +Something about the tramp's manner inclined the deputy to believe that +he had spoken truth. "All right," said Tenlow; "just step ahead. Don't +try the brush or I'll drop you." + +"'Course you would," said Overland, stepping ahead of the deputy's pony. +"But the bunch you're takin' orders from don't want me dead; they want +me alive. I ain't no good all shot up. You ought to know that." + +"I know there's a thousand dollars reward for you. I need the money." + +Overland Red grinned. "It's against me morals to bet--with kids. But +I'll put up that little automatic you frisked off me, against the +thousand you expect to get, that you don't even get a long-range smell +of that money. Are you on?" + +Tenlow motioned the other to step ahead. + +"I'm bettin' my little gun to a thousand dollars less than nothin'. +Ain't you game? I'm givin' you the long end." + +"Never mind," growled Tenlow. "You can talk later." + +The boy Collie, recovering from his surprise at the arrest, stepped up +to the sheriff. "Where do I come in?" he asked. "You can't pinch Red +without me. I was with him that time the guy croaked out on the Mojave. +Red didn't kill him. They let us go once. What you doin' pinchin' us +again? How do _you_ know--" + +"Hold on, Collie; don't get careless," said Overland. "He don't know +nothin'. He's followin' orders. The game's up." + +Louise whistled Boyar to her and bridled him. The little group ahead +seemed to be waiting for her. She led the pony toward the trail. "Did he +do it?" she asked as she caught up with Collie. + +"No," he muttered. "Red's the squarest pal on earth. Red tried to save +the guy--out there on the desert. Gave him all the water we had, pretty +near. He dassent to give him all, for because he was afraid it would +kill him. The guy fell and hit his head on the rail. Red said he was +dyin' on his feet, anyway. Then Red lugged me clean to that tank where +you seen us from the train. I was all in. I guess Red saved my life. He +didn't tell you that." + +"Is he--was he really a cowboy? Can he ride?" asked Louise. + +"Can he ride? Say, I seen him ride Cyclone once and get first money for +ridin' the worst buckin' bronc' at the rodeo, over to Tucson. Well, I +guess!" + +"Boyar, my pony, is the fastest pony in the hills," said Louise +pensively. + +"What you givin' us?" said the boy, glancing at her sharply. + +"Nothing. I was merely imagining something." + +"Red's square," asserted the boy. + +"Sheriff Tenlow is a splendid shot," murmured Louise, with apparent +irrelevance. + +They had crossed the meadow. Ahead of the sheriff walked Overland, his +slouch gone, his head carried high. Collie noted this unusual alertness +of poise and wondered. + +"Don't try the brush," cautioned Tenlow, also aware of Overland's +alertness. + +"When I leave here, I'll ride. Sabe?" And Overland stepped briskly to +the trail, turning his back squarely on the alert and puzzled sheriff. + +"He's been raised in these hills," muttered the tramp. "He knows the +trails. I don't. But--I'd like to show that little Rose-Lady Girl some +real ridin' once. She's a sport. I'd ride into hell and rake out the +fire for her.... I hate to--to do it--but I guess I got to." + +"Step up there," said Tenlow. "What you talkin' about, anyhow?" + +"Angels," replied Overland. "I see 'em once in a while." And he glanced +back. He saw Collie talking to the girl, who stood by her pony, the +reins dangling lightly from her outstretched hand. + +"Snake!" screamed Overland Red, leaping backward and flinging up his +arms, directly in the face of the deputy's pony. The horse reared. +Overland, crouching, sprang under its belly, striking it as he went. +Again the pony reared, nearly throwing the deputy. + +"Overland Limited!" shouted the tramp, dashing toward Boyar. With a +spring he was in the saddle and had slipped the quirt from the +saddle-horn to his wrist. He would need that quirt, as he had no spurs. + +Round swung Tenlow, cursing. Black Boyar shot across the meadow, the +quirt falling at each jump. The tramp glanced back. Tenlow's right hand +went up and his gun roared once, twice.... + +The boy Collie, white and gasping, threw himself in front of Tenlow's +horse. The deputy spurred the pony over him and swept down the meadow. + +Louise, angered in that the boy had snatched Boyar's reins from her as +Overland shouted, relented as she saw the instant bravery in the lad's +endeavor to stop Tenlow's horse. She stooped over him. He rose stiffly. + +"Oh! I thought you were hurt!" she exclaimed. + +"Nope! I guess not. I was scared, I guess. Let's watch 'em, Miss!" And +forgetful of his bruised and shaken body, he limped to the edge of the +meadow, followed by Louise. "There they go!" he cried. "Red's 'way +ahead. The sheriff gent can't shoot again--he's too busy ridin'." + +"Boyar! Boyar! Good horse! Good horse!" cried the girl as the black pony +flashed across the steep slope of the ragged mountain side like a winged +thing. "Boyar! Boy!" + +She shivered as the loose shale, ploughed by the pony's flying hoofs, +slithered down the slope at every plunge. + +"Can he ride?" shouted Collie, wild tears of joy in his eyes. + +Suddenly Overland, glancing back, saw Tenlow stop and raise his arm. The +tramp cowboy swung Black Boyar half-round, and driving his unspurred +heels into the pony's ribs, put him straight down the terrific slope of +the mountain at a run. + +Tenlow's gun cracked. A spray of dust rose instantly ahead of Boyar. + +"Look! Look!" cried Louise. The deputy, angered out of his usual +judgment, spurred his horse directly down the footless shale that the +tramp had ridden across diagonally. "Look! He can't--The horse--! Oh!" +she groaned as Tenlow's pony stumbled and all but pitched headlong. "The +other man--knew better than that--" she gasped, turning to the boy. "He +waited--till he struck rock and brush before he turned Boyar." + +"Can he ride?" shouted Collie, grinning. But the grin died to a gasp. A +burst of shale and dust shot up from the hillside. They saw the flash of +the cinchas on the belly of Tenlow's horse as the dauntless pony +stumbled and dove headlong down the slope, rolling over and over, to +stop finally--a patch of brown, shapeless, quivering. + +Below, Overland Red had curbed Boyar and was gazing up at a spot of +black on the hillside--Dick Tenlow, motionless, silent. His sombrero lay +several yards down the slope. + +"Oh! The horse!" cried Louise, chokingly, with her hand to her breast. + +As for Dick Tenlow, lying halfway down the hillside, stunned and +shattered, she had but a secondary sympathy. He had sacrificed a gallant +and willing beast to his anger. The tramp, riding a strange pony over +desperately perilous and unfamiliar ground, had used judgment. "Your +friend is a man!" she said, turning to the boy. "But Dick Tenlow is +hurt--perhaps killed. He went under the horse when it fell." + +"I guess it's up to us to see if the sheriff gent is done for, at that," +said the boy. "Mebby we can do something." + +"You'll get arrested, now," said the girl. "If Dick Tenlow is alive, +you'll have to go for help. If he isn't...." + +"I'll go, all right. I ain't afraid. I didn't do anything. I guess I'll +stick around till Red shows up again, anyhow." + +"You're a stranger here. I should go as soon as you have sent help," +said the girl. + +"Mebby I better. I'll help get him up the hill and in the shade. Then +I'll beat it for the doc. If I don't come back after that," he said +slowly, flushing, "it ain't because I'm scared of anything I done." + + * * * * * + +Far down in the valley Boyar's sweating sides glistened in the sun. An +arm was raised in a gesture of farewell as the tramp swung the pony +toward the town. Much to her surprise, Louise found herself waving a +vigorous adieu to the distant figure. + +The tramp Overland, realizing that the deputy was badly injured, told +the first person he met about the accident, advising him to get help at +once for the deputy. Then he turned the pony toward the foothills. In a +clump of greasewood he dismounted, and, leaving the reins hanging to the +saddle-horn, struck Black Boyar on the flank. The horse leaped toward +the Moonstone Trail. The tramp disappeared in the brush. + + + + +CHAPTER VI + +ADVOCATE EXTRAORDINARY + + +Louise Lacharme, more beautiful than roses, strolled across the +vine-shadowed porch of the big ranch-house and sat on the porch rail +opposite her uncle. His clear blue eyes twinkled approval as he gazed at +her. + +Walter Stone was fifty, but the fifty of the hard-riding optimist of the +great outdoors. The smooth tan of his cheeks contrasted oddly with the +silver of his close-cropped hair. He appeared as a young man prematurely +gray. + +"How is Boyar?" he asked, smiling a little as Louise, sitting sideways +on the porch-rail, swung her foot back and forth quickly. + +"Oh, Boy is all right. The tramp turned him loose in the valley. Boy +came home." + +"It was a clever bit of riding, to get the best of Tenlow on his own +range. Was Dick very badly hurt?" queried Walter Stone. + +"Yes, his collar-bone was broken and he was crushed and terribly +bruised. His horse was killed. When I was down, day before yesterday, +the doctor said Dick would be all right in time." + +"How about this boy, the tramp boy they arrested?" + +"Oh," said Louise, "that was a shame! He stayed and helped the doctor +put Dick in the buggy and rode with him to town. Mr. Tenlow was +unconscious, and the boy had to go to hold him. Then the boy explained +it all at the store, and they arrested him anyway, as a suspicious +character. I should have let him go. When Mr. Tenlow became conscious +and they told him they had the boy, he said to keep him in the +calaboose; that that was where he belonged." + +"And you want me to see what I can do for this boy?" + +"I didn't say so." And Louise tilted her chin. + +"Now, sweetheart, don't quibble. It isn't like you." + +The gray silk-clad ankle flashed back and forth. "Really, Uncle Walter, +you could have done something for the boy without making me say that I +wanted you to. You're always doing something nice--helping people that +are in trouble. You don't usually have to be asked." + +"Perhaps I like to be asked--by--Louise." + +"You're just flattering me, I know! But uncle, if you had seen the boy +jump in front of Mr. Tenlow's horse when Dick shot at the tramp,--and +afterwards when the boy helped me with Dick and stuck right to him clear +to his house,--why, you couldn't help but admire him. Then they +arrested him--for what? It's a shame! I told him to run when I saw the +doctor's buggy coming." + +"Yes, Louise; the boy may be brave and likable enough, but how are we to +know what he really is? I don't like to take the risk. I don't like to +meddle in such affairs." + +"Uncle Walter! Risk! And the risks you used to take when you were a +young man. Oh, Aunty Eleanor has told me all about your riding bronchos +and the Panamint--and lots of things. I won't tell you all, for you'd be +flattered to pieces, and I want you in one whole lump to-day." + +"Only for to-day, Louise?" + +"Oh, maybe for to-morrow, and to-morrow and to-morrow. But, uncle, only +last week you said at breakfast that the present system of arrest and +imprisonment was all wrong. That was because they arrested that editor +who was a friend of yours. But now, when you have a chance to prove that +you were in earnest, you don't seem a bit interested." + +"Did I really say all that, sweetness?" + +"Now _you_ are quibbling. And does 'sweetness,' mean me, or what you +said at breakfast? Because you said 'the whole damn system'; and there +were two ladies at the table. Of course, that was before breakfast. +After breakfast you picked a rose for aunty, and kissed me." + +Walter Stone laughed heartily. "But I do take a great deal of interest +in anything that interests you." + +Louise slipped lithely from the porch-rail and swung up on the broad arm +of his chair, snuggling against him impetuously. "I know you do, uncle. +I just love you! I'll stop teasing." + +"I surrender. I'm a pretty fair soldier at long range, but this"--and +his arm went round her affectionately--"this is utter defeat. I strike +my colors. Then, you always give in so gracefully." + +"To you, perhaps, Uncle Walter. But I haven't given in this time. I'm +just as interested as ever." + +"And you think they are the men we saw out on the Mojave by the +water-tank?" + +"Oh, I know it! They remembered the rose. They spoke of it right away, +before I did." + +"Yes, Louise. And you remember, too, that they were arrested at +Barstow--for murder, the conductor said?" + +"That's just it! The boy Collie says the tramp Overland Red didn't kill +the man. He was trying to save him and gave him water. If you could only +hear what the boy says about it--" + +"I don't suppose it would do any harm," said the rancher. "I dislike to +use my influence. You know, I practically control Dick Tenlow's place at +the elections." + +"That's just why he should be willing to let the boy go," said Louise +quickly. + +"No, sweetheart. That's just why I shouldn't ask Dick to do anything of +the kind. But I see I'm in for it. You have already interested your Aunt +Eleanor. She spoke to me about the boy last night." + +"Aunty Eleanor is a dear. I didn't really ask her to speak to you." + +"No," he said, laughing. "Of course not. You're too clever for that. You +simply sow your poppy-seed and leave it alone. The poppies come up fast +enough." + +Louise laughed softly. "You're pretending to criticize and you're really +flattering,--deliberately,--aren't you, Uncle Walter?" + +"Flattering? And you?" + +"Because Aunt Eleanor said you could be simply irresistible when you +wanted to be. I think so, too. Especially when you are on a horse." + +"Naturally. I always did feel more confident in the saddle. I could, if +need arose, ride away like the chap in Bobby Burns's verse, you +remember-- + + "He gave his bridle-rein a shake, + And turned him on the shore, + With, 'Farewell, forever more, my dear, + Farewell, forever more.'" + +"But you didn't, uncle. Aunty said she used to be almost afraid that +you'd ride away with her, like Lochinvar." + +"Yes." And Walter Stone sighed deeply. + +"Oh, Uncle Walter! That sounded full of regrets and things." + +"It was. It is. I'm fifty." + +"It isn't fifty. It's a lack of exercise. And you wouldn't be half so +fine-looking if you were fat. I _always_ sigh when I don't know what to +do. Then I just saddle Boy and ride. And I'll _never_ let myself get +fat." + +"A vow is a vow--at sixteen." + +"Now I _know_ you need exercise. You're getting reminiscent, and that's +a sign of torpid liver." + +Walter Stone laughed till the tears came. "Exercise!" he exclaimed. "Ah! +I begin to divine a subtle method in your doctrine of health. Ah, ha! I +look well on a horse! I need exercise! It's a very satisfactory ride +from here to town and back. Incidentally, Louise, I smell a rat. I used +to be able to hold my own." + +"It isn't my fault if you don't now," said Louise, snuggling in his +arm. + +"That's unworthy of you!" he growled, his arm tightening round her slim +young figure. "Tell me, sweetheart; how is it that you can be so +thoroughly practical and so unfathomably romantic in the same breath? +You have deliberately shattered me to bits that you might mould me +nearer to your heart's desire. And your heart's desire, just now, is to +help an unknown, a tramp, out of jail." + +Louise pouted. "You say 'just now' as though my heart's desires weren't +very serious matters as a rule. You _know_ you wouldn't be half so happy +if I didn't tease you for something at least once a week. I remember +once I didn't ask you for anything for a whole week, and you went and +asked Aunty Eleanor if I were ill. Besides, the boy _needs_ help, +whether he did anything wrong or not. Can't you understand?" + +"That's utopian, Louise, but it isn't generally practicable." + +"Then make it individually practicable, uncle--just this time. Pshaw! I +don't believe you're half-trying to argue. Why, when Boyar bucked you +off that time and ran into the barb-wire, then _he_ didn't need +doctoring for that awful cut on his shoulder, because he had done +wrong." + +"That is no parallel, Louise. Boyar didn't know any better. And this boy +is not sick or injured." + +"How do you know that? He's down in that terribly hot, smelly jail. If +he did get sick, who would know it?" + +"And Boyar isn't a human being. He can't reason." + +"Oh, Uncle Walter! I thought you knew horses better than that. Boyar can +reason much better than most people." + +"The proof being that he prefers you to any one else?" + +"No," replied Louise, smiling mischievously. "That isn't Boyar's +_reason_; it's his affection. That's different." + +"Yes, quite different," said Walter Stone. "Is this boy good-looking?" +And the rancher fumbled in his pocket for a cigar. + +Louise slipped from the arm of his chair and stood opposite him, her +lips pouted teasingly, the young face glowing with mischief and fun. "Am +I?" she asked, curtsying and twinkling. "'Cause if you're going to ride +down to the valley to see the boy just because Beautiful asked you, +Beautiful will go alone. But if you come because _I_ want you,"--and +Louise smiled bewitchingly,--"why, Beautiful will come too, and sing for +you--perhaps." + +"My heart, my service, and my future are at your feet, Señorita Louisa, +my mouse. Are your eyes gray or green this morning?" + +"Both," replied Louise quickly. "Green for spunk and gray for love. +That's what Aunty Eleanor says." + +"Come a little nearer. Let me see. No, they are quite gray now." + +"'Cause why?" she cooed, and stooping, kissed him with warm, careless +affection. "You always ask me about my eyes when you want me to kiss +you. Of course, when you want to kiss _me_, why, you just come and take +'em." + +"My esteemed privilege, sweetheart. I am your caballero." + +"Did Aunty Eleanor?" said Louise. + +But Walter Stone rose and straightened his shoulders. "That will do, +mouse. I can't have any jealousy between my sweethearts." + +"Never! And, Uncle Walter, do you want to ride Major or Rally? Rally and +Boyar get along better together. I'll saddle Boy in a jiffy." + + * * * * * + +To ride some ten miles in the blazing sun of midsummer requires a kind +of anticipatory fortitude, at fifty, especially when one's own vine and +fig tree is cool and fragrant, embowered in blue flowers and graced by, +let us say, Louise. And a cigar is always at its best when half-smoked. +But when Louise came blithely leading the two saddle-ponies, Black Boyar +and the big pinto Rally, Walter Stone shook an odd twenty years from +his broad shoulders and swung into the saddle briskly. + +From the shade of the great sycamore warders of the wide gate, he waved +a gauntleted salute to Aunt Eleanor, who stood on the porch, drawing a +leaf of the graceful moon-vine through her slender fingers. She nodded a +smiling farewell. + +Louise and her uncle rode as two lovers, their ponies close together. +The girl swayed to Boyar's quick, swinging walk. Walter Stone sat the +strong, tireless Rally with solid ease. + +The girl, laughing happily at her triumph, leaned toward her escort +teasingly, singing fragments of old Spanish love-songs, or talking with +eager lips and sparkling eyes. Of a sudden she would assume a +demureness, utterly bewitching in its veiled and perfect mimicry. Quite +seriously he would set about to overcome this delightful mood of hers +with extravagant vows of lifelong love and servitude, as though he were +in truth her chosen caballero and she his Señorita of the Rose. + +And as they played at love-making, hidden graces of the girl's sweet +nature unfolded to him, and deep in his heart he wondered, and found +life good, and Youth still unspoiled by the years, and Louise a +veritable enchantress of infinite moods, each one adorable. +Golden-haired, gray-eyed, quick with sympathy, sweetly subtle and subtly +sweet was Louise.... And one must worship Youth and Beauty and Love, +even with their passing bitter on one's lips. + +But to Walter Stone no such bitterness had come, this soldierly, wise +caballero escorting his adorable señorita on an errand of mercy. His was +the heart of Youth, eternal and undaunted Youth. And Beauty was hers, of +the spirit as well as of the flesh. And Love.... + +"Why, Louise! There are tears on your lashes, my colleen!" + +"But I am singing, uncle." And she smiled through her tears. + +"Sweetheart?" + +"Yes, Uncle Walter?" + +"What is it? Tell me." + +"I wish I could. I don't know. I think I'm getting to be grown up--just +like a woman. It--it makes me--think of lots of things. Let's ride." And +her silver spurs flashed. + +Boyar, taken quite by surprise, grunted as he leaped down the Moonstone +Trail. He resented this undeserved punishment by plunging sideways +across the road. Again came the flash of the silver spurs, and Walter +Stone heard Louise disciplining the pony. + +"Just a woman. Just like a woman," murmured the rancher. "Now, Boyar, +and some others of us, will never quite understand what that means." And +with rein and voice he lifted the pinto Rally to a lope. + + + + +CHAPTER VII + +THE GIRL WHO GLANCED BACK + + +At the crossroads in the valley stood the local jail, or "coop," as it +was more descriptively called. Unpainted, isolated, its solitary +ugliness lacked even the squalid dignity commonly associated with the +word "jail." The sun pelted down upon its bleached, unshaded roof and +sides. The burning air ran over its warped shingles like a kind of +colorless fire. + +The boy Collie, half-dreaming in the suffocating heat of the place, +started to his feet as the door swung open. He had heard horses coming. +They had stopped. He could hardly realize that the sunlight was swimming +through the close dusk of the place. But the girl of Moonstone Cañon, +reining Boyar round, was real, and she smiled and nodded a greeting. + +"This is Mr. Stone, my uncle," she said. "He wants to talk with you." + +With a glance that noted each unlovely detail of the place, the broken +iron bed, the cracked pitcher, and the unspeakable blankets, Louise +touched her pony and was gone. + +Collie rubbed his eyes, blinking in the sun as he stood gazing after +her. + +Walter Stone, standing near the doorway, noted the lad's clear, healthy +skin, his well-shaped head with its tumble of wavy black hair, and the +luminous dark eyes. He felt an instant sympathy for the boy, a sympathy +that he masked with a business-like brusqueness. "Well, young man?" + +"Yes, sir." + +"Come outside. It's vile in there." + +Stone led his pony to the north side of the "coop." + +Collie followed. + +Away to the west he saw the hazy peaks. A lake of burning air pulsed +above the flat, hot floor of the valley. Over there lay the hills and +the shade and the road.... Somewhere beyond was Overland, his friend, +penniless, hunted, hungry.... + +"She brung you?" queried the boy. + +"Yes. I have seen Tenlow, the sheriff. He is willing to let you go at my +request. What do you intend doing, now that you are free?" + +"I don' know. Find Red, I guess." + +Walter Stone nodded. "What then?" + +"Oh, stick it out with Red. They'll be after him sure now. Red's my +pal." + +"What has he done to get the police after him?" + +"Nothin'. It's the bunch." + +"The bunch?" + +"Uhuh. Them guys out on the Mojave. But say, are you workin' me to get +next to Red and get him pinched again?" + +"No. You don't have to answer me. This man Red is nothing to me, one way +or the other. He took Miss Lacharme's pony, but she has overlooked that. +I thought, perhaps, you might care to explain your position. Perhaps you +had rather not. You may go now if you wish." + +"Is that straight?" + +"Yes." + +For several tense seconds the lad gazed at his questioner. Finally his +gaze shifted to the hills. "I guess you're straight," he said presently. +"I guess she wouldn't have you for a relation if you wasn't straight." + +The elder man laughed. "That's right--she wouldn't, young man." + +"How's the sheriff guy?" asked the boy. + +"He's getting along well enough. What made you ask?" + +"Oh, nothin'. I hate to see any guy get hurt." + +"I'm glad to hear you say that. I begin to think you are a bigger man +than he is." + +"Me?" And Collie flushed, misunderstanding the other's drift. "I guess +you're kiddin'." + +"No, I mean it. Mr. Tenlow still seemed pretty hot about your share in +this--er--enterprise. You seem to have no hard feelings against him." + +"Huh! He shouldn't to be sore at _me_. I didn't spur no horse onto him +and ride him down like a dog. I guess Red would 'a' killed him if he'd +seen it. Say, nobody got Red, did they?" + +"I haven't heard of it. How did this man Red come to pick you up? You're +pretty young to be tramping." + +"Cross your heart you ain't tryin' to queer Red? You ain't tryin' to put +the Injun sign on us, are you?" + +"No. I have heard all about the Mojave affair--the prospector that died +on the track--and the arrest of Overland Red at Barstow. You told my +niece that this Overland Red was 'square.' How did you come to be mixed +up in it?" + +"I guess I'll have to tell you the whole thing, straight. Red always +said that to tell the truth was just as good as lyin', because nobody +would believe us, anyway. And if a fella gets caught tellin' the truth, +why, he's that much to the good." + +"Well, I shall try and believe you this time," said Stone. "Miss +Lacharme thinks you're honest." + +"A guy couldn't lie to her!" said the boy. + +"Then just consider me her representative," said Stone, smiling. + +Collie squatted in the meager shade of the "coop." + +Walter Stone, dropping the pony's reins, came and sat beside the lad. +There was something in the older man's presence, an unspoken assurance +of comradeship and sincerity that annulled the boy's tendency to +reticence about himself. He began hesitatingly, "My dad was a drinkin' +man. Ma died, and he got worse at it. I was a kid and didn't care, for +he never done nothin' to me. We lived back East, over a pawnbroker's on +Main Street. One day pa come home with a timetable. He sat up 'most all +night readin' it. Every time I woke up, he was readin' it and talkin' to +himself. That was after ma died. + +"In the mornin', when I was gettin' dressed, he come over and says to +take the needle he had and stick it through the timetable anywhere. I +was scared he was goin' to have the jimmies. But I took the needle--it +had black thread in it--and stuck it through the timetable. He opened +the page and laughed awful loud and queer. Albuquerque was where the +needle went in. He couldn't say the name right, but he kept lookin' at +it. + +"Then he went out and was gone all day and all night. When he come back +he showed me a whole wad of money. I says, 'Where did you get it?' He +got mad and tells me to shut up. + +"That day we got on a train. I says, 'Where are we goin'?' and he says +to never mind, and did I want some peanuts. + +"We kept ridin' and ridin' in the same car, and eatin' bananas and +san'wiches and sleepin' settin' up at nights. I was just about sick when +we come to Albuquerque. You see, that was where the needle went through +the timetable, and dad said we would get off there. He got awful drunk +that night. + +"Next day he said he was goin' to quit liquor and make a fresh start. I +knowed he wouldn't, 'cause he always said that next mornin'. But I guess +he tried to quit. I don't know. + +"One night he didn't come back to the room where we was stayin' upstairs +over the saloon. They found him 'way down the track next day, all cut to +pieces by the train." + +The boy paused, reached forward, and plucked a withered stem of grass +which he wound round and round his finger. + +Walter Stone sat looking across the valley. + +"I guess his money was all gone," resumed the boy. "Anyhow, 'bout a year +after, Overland Red comes along. He comes to the saloon where I was +stayin',--they give me a job cleanin' out every day,--and he got to +talkin' a lot of stuff about scenery and livin' the simple life, and all +that guff. The bartender got to jawin' with him, and I laughed, and the +bartender hits me a lick side the head. Red, he hits the bartender a +lick side of _his_ head--and the bartender don't get up right away. +'I'll learn him to hit kids,' said Red. 'If you learn him to hit 'em as +hard as that,' I says to Red, 'then it will be all off with me the next +time.' + +"Does he hit you very often?' said Red. + +"Whenever he feels like it,' I told him. + +"Red laughed and said to come on. I was sick of there, so I run away +with Red. We tried it on a freight and got put off. Red had some water +in a canteen he swiped. It was lucky for us he did. We kept walkin' and +goin' nights, and mebby ridin' on freights in the daytime if we could. +One day, a long time after that, we was crossin' the desert again. We +got put off a freight that time, too. We was walkin' along when we found +a guy layin' beside the track. Red said he wasn't dead, but was dyin'. +We give him some water. Then he kind of come to and wanted to drink it +all. Red said, 'No.' Then the guy got kind of crazy. He got up and +grabbed Red. I was scared. + +"Red, he passed me the canteen and told me to keep it away from the guy +because more water would kill him. Then the guy went for Red. 'He's +dyin' on his feet,' said Red. 'It's his last flash.' And he tried to +hold the guy quiet, talkin' decent to him all the time. They was +staggerin' around when the guy tripped backwards over the rail. His head +hit on the other rail and Red fell on top of him. Anyway, the guy was +dead." + +Walter Stone shifted his position, turning to gaze at the boy's white +face. "Yes--go on," he said quietly. + +"Red was for searchin' the guy, but I says to come on before we got +caught. Red, he laughed kind of queer, and asked me, 'Caught at what?' +Then I said, 'I dunno,' but I was scared. + +"Anyway, he went through the dead guy's clothes and found some papers +and old letters and a little leather bag with a whole lot of gold-dust +in it. Red said mebby five hundred dollars!" + +"Gold-dust?" + +"Uhuh! Then Red _was_ scared. He buried the bag and the papers 'way out +in the sand and made a mark on the ties to find it by." + +"Did you find out the dead man's name?" asked Stone, glancing curiously +at the boy. + +"Nope. We just beat it for the next station. I was feelin' sick. I give +out, and Red, he lugged me to the next water-tank. He was pourin' water +on me when the Limited come along and stopped, and _she_ throwed the +rose to us. Red told me about it after. You wouldn't go back on a pal +like that, would you?" + +"No, I don't know that I should." + +"That's me!" said the boy. "Then they went to work and pinched us at +Barstow. Said we killed the guy because his head was smashed in where he +hit the rails. They tried to make Red say that he robbed the guy after +killin' him. But Red told everything, except he didn't tell about the +letters and the gold-dust. They tried to make me say it, but I dassent. +I knowed they would fix Red sure if I did, and he told me not to tell +about the gold if they did pinch us." + +"They let you go--after the police examination. Then how is it that the +authorities are after you again?" + +"It's the bunch," replied the boy. "Them guys out there knowed the dead +guy had a mine or a ledge or somethin' where he got the gold. Nobody was +wise to where. They told at the jail how he used to come in once in a +while and send his dust to Los Angeles by the express company. All them +guys like the sheriff and the station agent and all the people in that +town are workin' tryin' to find out where the gold come from. They think +because Red and me is tramps that they can make us tell and arrest us +whenever they like. But even Red don't know, unless it's in the papers +he hid in the sand." + +"That sounds like a pretty straight story," said Stone. "So you intend +to stick to this man Red?" + +"Sure! Would you quit him now, when they're after him worst?" + +"They will get him finally." + +"Mebby. But Red's pretty slick at a getaway. If they do pinch him again, +that's where I come in. I'm the only witness and the only friend he's +got." + +"Of course. But don't you see, my boy, that your way of living is so +much against you that you couldn't really help him? A man's naked word +is worth just what his friends and neighbors will allow him for it, and +no more." + +"But ain't a guy got no rights in this country?" + +"Certainly he has. But he has to prove that he is entitled to them, by +his way of living." + +"Then he's got to go to church, and work, and live decent, or he don't +get a square deal, hey?" + +"But why shouldn't he do that much?" + +Collie did not answer. Instead, he inspected his questioner critically +from head to foot. "I guess you're right," he said finally. "I've heard +folks talk like that before, but I never took no stock. They kind of +said it because they knowed it. I guess you say it because you mean it." + +"Of course I do," said Stone heartily. "Well, here comes my niece with +the mail. See! Over there is El Camino Real, running north. My ranch is +up _there_, in the hills. My foreman's name is Williams. If you should +ask him for work, I believe he might give you something to do. I heard +him say he needed a man, not long ago." + +Walter Stone cinched up the saddle and mounted his pony. The boy's eyes +shone as he gazed at the strong, soldierly figure. Ah, to look like +that, and ride a horse like that! + +Boyar, the black pony, clattered up and stopped. "Hello, folks!" said +Louise, purposely including the boy in her greeting. + +Collie flushed happily. Then a bitterness grew in his heart as he +thought of his friend Overland, hunted from town to town by the same law +that protected these people--an unjust law that they observed and +fostered. + +"Well?" said Stone. + +Collie's gaze was on the ground. "I don' know," he muttered. "I don' +know." + +"Well, good luck to you!" And the ponies swung into that philosophical +lope of the Western horse who knows his journey's length. + +The figures of the riders grew smaller. Still the boy stood in the road, +watching them. Undecided, he gazed. Then came an answer to his stubborn +self-questioning. Louise glanced back--glanced back for an instant in +mute sympathy with his loneliness. + +Slowly the boy turned and entered the jail. He folded his coat over his +arm, stepped outside, and closed the door. + +Before him stretched the hot gray level of El Camino Real, the road to +the beyond. From it branched a narrower road, reaching up into the +southern hills,--on, up to the mysterious Moonstone Cañon with its +singing stream and its gracious shade. Somewhere beyond, higher, and in +the shadowy fastness of the great ranges lay the Moonstone Ranch ... her +home. + +"I guess, steppin' up smart, I'll be there just about in time for +supper," said the boy. And whistling cheerily, he set his feet toward +the south and the Moonstone Trail. + + + + +CHAPTER VIII + +THE TEST + + +After a week of weeding in the vegetable garden, Collie was put to work +repairing fence. There were many miles of it, inclosing some twenty +thousand acres of grazing-land, and the cross-fencing of the oat, +alfalfa, fruit, and vegetable acreage. The fence was forever in need of +repair. The heavy winter rains, torrential in the mountains, often +washed away entire hillsides, leaving a dozen or so staggering posts +held together by the wires, tangled and sagging. Cattle frequently +pulled loosened posts from the earth by kneeling under the wire and +working through, oblivious to the barbs. Again, "stock gone a little +loco" would often charge straight through the rigid and ripping wire +barriers as though their strands were of thread. Posts would split in +the sun, and staples would drop out, leaving sagging spaces which cattle +never failed to find and take advantage of. Trees uprooted by the rain +and wind would often fall across the fence. + +Altogether, the maintaining of a serviceable fence-line on a +well-ordered ranch necessitates eternal vigilance. + +The Moonstone Rancho was well ordered under the direct supervision of +Walter Stone's foreman, "Brand" Williams. Williams was a Wyoming cowman +of the old school; taciturn, lean, sinewy. + +Some ten years before, Williams, seeking employment, had ridden over the +range with Stone. Returning, the cowman remarked disconsolately, "I like +your stock, and I'll tie to you. But, say, it's only playin' at ranchin' +on twenty thousand fenced. I was raised in Wyoming." + +"All right," Stone had replied. "Play hard and we'll get along +first-rate." + +Every inch of Brand Williams's six feet was steeped in the astringent of +experience. He played hard and prospered, as did his employer. + +Collie stood awaiting the foreman's instructions. + +"Ever mend fence?" asked Williams. + +"Nope." + +"Good. Then you can learn right. Go rope a cayuse--get some staples and +that leetle axe in my office, and go to it. There's plenty fence." + +The "Go rope a cayuse" momentarily staggered the boy, but he went +silently to the corral, secured a riata, and by puzzling the playful +ponies by his amateur tactics he finally entangled "Baldy," a +white-faced cow-pony of peaceful mien but uncertain disposition. + +Williams, watching the performance, lazily rolled a straw-paper +cigarette. + +Snubbed to the post, bridled and saddled awkwardly, Baldy gave no +outward sign of his malignant inward intent of getting rid of the lad +the minute he mounted. + +Williams slowly drew a match across his sleeve from elbow to wrist, +ending with a flame that was extremely convenient to his cigarette. He +wasted no effort at anything. He was a man who never met a yawn halfway, +but only gave in to it when actually obliged to. Collie climbed into the +saddle and started for the corral gate. He arrived there far ahead of +the horse. He got to his feet and brushed his knees. The pony was +humping round the corral with marvelous agility for so old a horse. + +"He never did like a left-handed man," said Williams gravely. "Next time +get on him from the _other_ side, and see if he don't behave. Hold on; +don't be in a hurry. Let him throw a few more jumps, then he'll quit for +to-day most likely. And say, son, if he does take to buckin' with you +again, don't choke that saddle to death hangin' on to the horn. Set up +straight, lean a little back, and clinch your knees. You'll get piled, +anyhow, but you might as well start right." + +The boy approached the horse again, secured the dangling reins, and +again mounted. Baldy was as demure as a spinster in church. He actually +looked pious. + +Collie urged the pony toward the gate. Baldy reared. + +"A spade bit ain't made to pull teeth with, although you can," said +Williams. "Baldy's old, but his teeth are all good yet. Just easy now. +Ride in your saddle, not on your reins. That's it! And say, kid, I would +'a' got them staples and that axe before crawlin' the hoss, eh?" + +Collie flushed. He dismounted and walked to the foreman's office. When +he returned to the corral, the horse was gone. Williams still sat on the +corral bars smoking and gazing earnestly at nothing. + +Round the corner of the stable Collie saw the pony, his nose peacefully +submerged in the water-trough, but his eye wide and vigilant. The boy +ran toward him. Baldy snorted and, wheeling, ran back into the corral, +circled it with an expression which said plainly, "Let us play a little +game of tag, in which, my young friend, you shall always be 'It.'" + +Again Collie tried to rope the pony. + +"Want any help?" asked Williams, as he slid from the corral bars to the +ground. + +"Nope." And Collie disentangled his legs from an amazing contortion of +the riata and tried to whirl the loop as he had seen the cowmen whirl +it. + +"Hold on, son!" said Williams. "You mean right, but don't go to rope him +with the saddle on. If you looped that horn, he, like as not, would yank +you clean to Calabasas before you got your feet out of that mess of rope +you're standin' in. Anyway, you ain't goin' to Calabasas; you're due up +the other way." + +Collie was learning things rapidly, and, better still, he was learning +in a way that would cause him to remember. + +Williams spoke sharply to the pony. Baldy stopped and eyed the foreman +with vapid inquisitiveness. "Now, son, I got three things to tell you," +and the foreman gathered up the reins. "First--keep on keepin' your +mouth shut and tendin' to business. It pays. Second--always drop your +reins over a hoss's head when you get off, whether he's trained that way +or not. And last--always figure a hoss thinks he knows more than you do. +Sometimes he does. Sometimes he don't. Then he won't fool you so +frequent, for you'll be watchin' him. I wouldn't 'a' said that much, +only you're a tenderfoot from the East, I hear. If you was a tenderfoot +from the West, you would 'a' had to take your own medicine." + +Collie's shoulder was lame from his fall and was becoming stiff, but he +grinned cheerfully, and said nothing, which pleased Williams. + +The foreman leveled his slow, keen eyes at him for a minute. "You'll +find a spring under the live-oaks by the third cross-fence north. Reckon +you'll get there about noon. Keep your eye peeled for fire. I thought I +seen somebody up there as I come across from the corral early this +mornin'. We come close to burnin' out here once, account of a hobo's +fire. Understand, if you ketch anybody cantelopin' around _a-foot_, you +just ride 'em off the range pronto. That's all." + +As Collie rode away through the morning sunshine, Williams loafed across +the corral, roped and saddled a white-eyed pinto, and, spurring up a +narrow cañon west of the ranch buildings, disappeared round a turn of +the shady trail. As the foreman rode, he alternately talked to the pony +and himself. + +"Tramp, eh?" he said, addressing the pony. "What do you say, Sarko? +Nothin', eh? Same as me.... Overland Red's kid pal, eh? Huh! I knowed +Jack Summers, Red Jack Summers, down in Sonora in '83. Mexico was some +open country then. Jack was a white pardner, too. Went to the bad, +account of that Chola girl that he was courtin' goin' wrong.... Funny +how the boss come to pick up that kid. Thinks there's somethin' in him. +O' course they is. But what? Eh, Sarko, what? You say nothin', same as +me.... Here, you! That's a lizard, you fool hoss. Never seen one before, +so you're try in' to catch it by jumpin' through your bridle after it, +eh? Never seen one before, oh, no! Don't like that, eh? Well, you quit, +and I will. Exactly. It's me, and my ole Spanish spurs. I'm +listenin'.... Nothin' to say?... Uhuh! I reckon little Louise had +somethin' to do with gettin' the kid the job. Well, if _she_ likes him, +I got to. Guess I'd love a snake if she said to. Yes, I'm listenin' to +myself ..." And the taciturn foreman's hard, weathered face wrinkled in +a smile. "I'm listenin' ... None of the boys know Red's camped up by the +spring. I do. Red used to be a damn white Injun in the old days. I'll +give the kid a chance to put him wise for old times. And I'll find out +if the kid means business or not ... which is some help to know how to +handle him later." + +Williams picketed his pony in the meadow above the third cross-fence. +Loafing down the slope toward the spring, he noticed the faint smoke of +a fire. Farther down the line fence, he could see Collie in the +distance, riding slowly toward the three live-oaks. The foreman found a +convenient seat on a ledge, rolled another of his eternal cigarettes, +and watched the boy approach from below. + +Collie had already dismounted three times that morning; twice to mend +fence, and once more involuntarily. He determined, with a mighty vow to +the bow-legged god of all horseflesh, to learn to stay on a broncho or +die learning. + +The boy had a native fondness for animals, and he had already thought of +buying a pony with his first few months' wages. But the vision of his +erstwhile companion Overland, perhaps imprisoned and hopeless in the +grip of the "bunch," annulled that desire. He would save every cent for +that emergency. + +Arrived at the spring, both boy and horse drank gratefully, for the day +was hot. Then Collie noticed the thin smoke coming through the trees and +strode toward it. + +"It ain't much of a fire yet," said Overland. "Our hired girl--" and he +grinned through a two-weeks' tangle of red beard. "Oh, but ain't he the +'cute little workin'-man with his little ole hoss and his garments of +toil." + +"Oh, Red!" exclaimed the boy. + +"Me sure! I been hidin' in my whiskers so long I didn't know if you'd +know me." + +"I been thinking about you every day." + +"Uhuh. So have I. I reckon some others has, too. Say, what you been +doin' lately, studyin' law or learnin' the piano? I been lookin' for +you for a week. It's the first day I seen you out on the range." + +"I was working in the garden first. Then they put me at this, this +mornin'." + +"Uhuh. Well, Col, that there getaway of mine is in all the papers. +'Tramp Cowboy Steals Horse and Escapes.' Say, did she yip about my +borrowin' the cayuse?" + +"She was mad at first. But your fancy ridin' kind of made her forget. I +told her you was square, Red." + +"Huh! I guess she could tell that herself." + +"But, Red, I'm not kidding. I told her uncle about the bunch and the guy +on the desert." + +"Did he believe it?" + +"I guess so. He ain't said much. But he gives me the chance to make +good. He must have believed somethin'." + +"Well, stick to it, Collie. You never was cut out for a genuine towerist +like me, anyhow. It ain't in your blood." + +"What you goin' to do now, Red?" + +"Me? Listen! There's gold out there, somewhere. I'm broke now. I need +some dough. I got ideas. Ten dollars does it. I get a new set of clothes +and get shaved and me hair trimmed close. Then I commence me good work +in Main Street, in Los. Down on North Main is where I catch the gent +from the East who will fall for anything that wears a Stetson and some +outdoors complexion. I tell all about my ledge in the Mojave and get +staked to go out and prospect. It's bein' done every day--it and the +other fella." + +"But, Red--" + +"Hold on, kid. I ain't goin' to bunk nobody. This here's square. I need +financin'--a burro and a grubstake and me for the big dry spot. Ship the +outfit to the desert town, and then hit it along the rails to where we +hid it. If the papers we hid is any good, me to locate the ledge. +Anyhow, there's a good five hundred in the poke, and that's better than +a kick in the pants." + +"You'll get pinched sure, Red." + +"Nix, kiddo. Not out there. Money talks. 'Course it ain't makin' any +distressin' sounds around here jest now, but, say, got the makin's?" + +"I ain't smoked since I been here, Red." + +"Excuse me, Miss Collie. What denomination did you say?" + +"Straight, Red. I'm savin' my money." + +"What do they pay you for settin' on that cayuse?" + +"Fifteen a month, and board, and the horse to ride." + +"Don't mention the hoss, pal. Jest make motions with your hands when you +mean him. Talkin' is apt to wake him up." + +"He pitched me twice." + +"Just havin' bad dreams, that's all," said Overland, grinning. "Fifteen +a month and found ain't bad for a bum, is it?" + +"Cut that out, Red. I ain't no bum." + +"Ex-cuse me. There I gone and laminated your feelin's again. Why in hell +don't you blush, or drop your little ole lace handkerchief, or fix your +back hair, so I can remember I'm talkin' to a lady? It ain't manners, +this here impersonatin' you're a boy like that." + +"Quit your kiddin', Red. Mebby you think it was easy to cut out the old +stuff, and everybody on the ranch on to what I used to be. I was cryin' +the first night. I was lonesome for you." + +Overland's eyelids flickered. He grinned. "Uhuh! I could hear you clean +over in the Simi Valley. I was thinkin' of comin' right back, only--" + +"Oh, if you think I'm lyin to you--" + +Overland thrust up a soiled palm. "Nix; you never did yet. How much coin +can you rustle?" + +"I got that eight-and-a-half I had when we was pinched. It's down to the +bunk-house." + +"Well, bring it up here to-morrow mornin'. And, say, swipe a sogun for +me. I near froze last night." + +Collie's brows drew together. "I'll bring the money, sure! but I can't +swipe no blanket, even for you. The boss thinks I'm square, and so does +she. I'll bring tobacco and papers. Got any grub?" + +"Well, some. I ain't exactly livin' on sagebrush and scenery yet. I been +trainin' some chickens to do the Texas Tommy. Every one that learns to +do it in one lesson gets presented with a large hot fryin'-pan. +Surprisin' how them chickens is fond of dancin'. I reckon I learned six +of 'em since I seen you last. But don't forget the eight rollers and +four bits. I need ten, but eight-fifty will do. I'll have to leave out +the silk pejammies and the rosewater this trip. But kickie pants is good +enough for me to sleep in. How's that sheriff gent?" + +"Busted his collar-bone and killed his horse." + +"I'm sad for the hoss. How do you like livin' decent?" + +"Fine, Red! I wish you would--" + +"Hold on, Collie, not me! I'm gettin' too old, too plumb old and +disgusted with this vale of steers to change and tie down to short +grass. Now you're near enough to the age of that little Louise girl to +make life interestin'." + +"Who said anything about her?" + +"Whoa, Chico! Back up. You're steppin' on your bridle. Don't go 'way +mad. Why, I said somethin' about her, that's who. You got any idea of +hobblin' my talk?" + +"No. But--" + +"Oh, you can't flim your ole pal, nohow. You're just commencin' life on +what that little Louise lady thinks you ought to be. And you will be it +some day, if you keep straight. So will I." + +"You?" Collie was unable to associate a reconstructive idea with +Overland's mode of life. + +"Say! Just as if I never knowed a good woman. Say, I could actooly give +up smokin' for her, if I had to hire some guy to do it for me. That's +what I think of her. When I get me plush rags and the dizzy lid, I'll +call around in me private caboose and take you both for a little ride." + +For a moment the boy gazed away to where the silver of the Southern +Pacific rails glinted in the valley. Overland Red's presence brought +back poignantly the long, lazy days of loafing and the wide, starry +nights of wayside fire, tobacco, and talk. There was a charm in the free +life of the road--that long gray road that never ended--never ended in +the quiet shade of a mountain ranch or in the rose-bordered pathway to a +valley cottage. The long gray road held out no promise of rest for worn +and aged folk. After all, its only freedom was the freedom of eternal +wandering ... until one could adventure no longer ... and then? Better +to tread the harder path of duty. + +The boy's black eyes were lifted pleadingly. "Red," he said +hesitatingly. "Red, I got to tell you to camp the other side of that +line fence till I come to-morrow." + +Overland understood instantly that the lad was but following general +instructions. He loved the boy, and so, perversely, worked upon his +feelings. "Oh, the _other_ side? Ex-cuse me, chief, for intrudin' on +this here resavation. Sorry I'm crowdin' you so." + +"Now, Red, wait--" + +"Wait? What, for you to insult your ole pal again by tellin' him he +might drink all the water in this here spring, mebby, or inflooence the +morals of the cattle, or steal the wire off the fence? Huh! I thought I +was your _pal_?" + +"Oh, Red, quit kiddin'. Don't you see I got orders? I got orders." + +"You're gettin' civilized fast, all right. The first thing civilization +does is to projooce hobos and bums. Then she turns up her nose because +hobos and bums ain't civilized. Did you ever see a ma cat get mad +because one of her kittens was born with sore eyes? I guess not. Cats +has got sense. Now, what if I don't indignify myself to the extent of +crawlin' under that line fence?" + +"'Course I'll bring you the coin in the mornin'. But if you don't go +now, why, I got to quit this job. I got to play square to him." + +"So it's orders or me, eh?" + +"Yes, Red, and I want to use you right, and be square, too." + +Overland Red's beard hid the quiver of his lips as he asked huskily: +"And you would be comin' back on the road with your ole pal again? You +would give up the job and the chance of a smile from that little +Rose-Lady Girl and flew the coop with me again if I said the word?" + +"Sure I would. You come first and the job comes second; but--but I want +to keep the job." + +Overland's keen blue eyes filled with instant emotion. "Oh, you go chase +a snake up your sleeve. Do you think I'd bust your chances of makin' +good here? Do you reckon I'd let a line fence stand between me and you, +speakin' poetical? Say, I'll go camp in that sheriff gent's front yard +if it'll do any good to you, or before I'll see you in bad with the +little Rose Girl!" + +"Please, Red; I mean it." + +"So do I. I'll fade quicker than spit on a hot stove. Don't forget +to-morrow mornin'. Some day I'll put you hep to how to ride. You better +get to your fence job." + +Brand Williams watched the man and the boy as they walked along the +line-fence trail together. Collie leading the pony, the man talking and +gesticulating earnestly. Finally they shook hands. The tramp crawled +under the fence. The boy mounted Baldy and rode away. + +Williams, catching up his own horse, spurred quickly across the ridge +above the spring that the boy might not see him. + + + + +CHAPTER IX + +A CELESTIAL ENTERPRISE + + +Broad avenues of feathery pepper trees, long driveways between shadowy +rows of the soldierly eucalyptus, wide lawns and gigantic palms of the +southern isles, weaving pampas grass, gay as the plumes of romance, +jasmine, orange-bloom, and roses everywhere. Over all is the eternal +sunshine and noon breeze of the sea, graciously cooling. Roundabout is a +girdle of far hills. + +Some old Spanish padre named it "Nuestra Señora Reina de Los Angeles," +making melody that still lures with its ancient charm. A city for +angels, verily. A city of angels? Verily; some fallen, indeed, for there +is much nefarious trafficking in real estate, but all in all the +majority of souls in Los Angeles are celestial bound, treading upon +sunbeams in their pilgrimage. + +The plaza, round which the new town roars from dawn to dusk, is still +haunted by a crumbling old adobe, while near it droop dusty pepper trees +that seem to whisper to each other endlessly--"Mañana! Mañana!" Whisper +as did those swarthy vaqueros and the young, lithe, low-voiced +señoritas who strolled across the plaza in the dusk of by-gone days. +"Mañana! Mañana!--To-morrow! To-morrow!" + +And the to-morrows have come and gone as did those Spanish lovers, +riding up through the sunshine on their silver-bitted pinto ponies and +riding out at dusk with tinkling spur-chains into that long to-morrow +that has shrouded the ancient plaza in listless dreams. Mexicans in +black sombreros and blue overalls still prowl from cantina to cantina, +but the gay vaquero and his señorita are no more. + +Overland Red, a harsh note in the somnolence of the place, stepped +buoyantly across the square. And here, if ever, Overland was at home. + +A swarthy, fat Mexican shaved him while a lean old rurale of Overland's +earlier acquaintance obligingly accepted some pesos with which to drink +the señor's health, and other pesos with which to purchase certain +clothing for the señor. + +The retired rurale drove a relentless bargain with a countryman, +returning with certain picturesque garments that Overland donned in the +back room of the little circus-blue barber shop. + +The tramp had worthily determined to hold wise and remunerative converse +with the first Easterner that "looked good to him." He would make +half-truths do double duty. He needed money to purchase a burro, packs, +canteen, pick, shovel, dynamite, and provisions. He intended to repay +the investor by money-order from some desert town as soon as he found +the hidden gold. This unusual and worthy intention lent Overland added +assurance, and he needed it. Fortune, goddess evanishing and coy, was +with him for once. If he could but dodge the plain-clothes men long +enough to outfit and get away.... + +The "Mojave Bar," on North Main Street of the City of Angels was all but +empty. Upon it the lassitude of early afternoon lay heavily. The +spider-legged music-racks of the Mexican string orchestra, the empty +platform chairs, the deserted side-tables along the pictured wall, the +huge cactus scrawled over with pin-etched initials,--all the impedimenta +of the saloon seemed to slumber. + +The white-coated proprietor, with elbows on the bar, gazed listlessly at +a Remington night-scene--a desert nocturne with a shadowy adobe against +the blue-black night, a glimmer of lamplight through a doorway, and in +the golden pathway a pony and rider and the red flash of pistol shots. + +Opposite the bartender, at a table against the wall, sat a young man, +clad in cool gray. He smoked a cigarette, and occasionally sipped from a +tall glass. He was slender, clean-cut, high-colored, an undeniable +patrician. In his mild gray eyes, deep down, gleamed a latent humor, an +interior twinkling not apparent to the multitude. + +Sweeney Orcutt, the saloon-keeper, noticed this reserve characteristic +now for the first time, as the young man turned toward him. Sweeney was +a retired plain-clothes man with a record, and a bank account. It was +said that he knew every crook from Los Angeles to New York. Be it added, +to his credit, that he kept his own counsel--attending to his own +business on both sides of the bar. + +"Do they ever do those things now?" queried the young man, nodding +toward the picture. + +Sweeney Orcutt smiled a thin-lipped smile. "Not much. Sometimes in Texas +or Mexico. I seen the day when they did." + +The young man lazily crossed his legs. "Nice and cool here," he remarked +presently. + +"Been in town long?" asked Sweeney. + +"No, only a few days." + +"I was goin' to say there's a good show over on Spring +Street--movin'-pictures of the best ridin' and buckin' and ropin' I seen +yet." + +"Yes? Is there any one in town who is not working for the movies?" + +Again Sweeney Orcutt smiled his thin-lipped smile. "Yes, I guess there +is. I might scare up one or two I used to know who is workin' the +transients, which ain't exactly workin' _for_ the movies." + +"I should like to meet some character who is really doing something in +earnest; that is, some cowboy, miner, prospector, teamster,--one of +those twenty-mule-team kind, you know,--or any such chap. Why, even the +real estate men that have been up to my hotel seem to be acting a part. +One expects every minute to see one of them pull a gun and hold up a +fellow. No doubt they mean business." + +"Bank on that," said Orcutt dryly. + +"You see," continued the young man, "I have too much time on my hands +just now. The doctors tell me to rest, and I've been doing nothing else +all my life. It's pretty monotonous. I've tried to get interested in +some of the chaps on North Main Street, and around the plaza. I've +offered to buy them drinks and all that, but they seem to shy off. I +suppose they think I'm a detective or something of that kind." + +"More like, a newspaper man after a story. Hello, there! Now, what's +doin'?" + +Outside near the curb a crowd had collected. A traffic officer was +talking to the driver of an automobile. As Sweeney Orcutt strolled +toward the doorway, Overland Red, clean-shaven, clothed in new corduroys +and high lace boots, and a sombrero aslant on his stiff red hair, dove +into the saloon and called for a "bucket of suds." + +"Close--shave--Red--" whispered Orcutt. + +"Had me Orcutt, likewise," replied the tramp. "Say, Sweeney, stall off +the Dick out there. I think he piped me as I blew in, but I ain't sure. +He'll be pokin' in here in a minute. If he sees me talkin',--to the guy +there, for instance,--and you give him a steer, he won't look too close. +Sabe?" And Overland drank, observing the Easterner at the table over the +top of his glass. + +"They got that guy Overland Red mugged in every station from here to +Chicago," whispered Orcutt. "Paper says he put it over a desert rat up +near Barstow. Did you hear about it?" + +"Some," replied Overland sententiously. + +"And did you hear about his last get-away on one of the Moonstone Rancho +ponies? Some class to that!" + +"I read somethin' about it," replied Overland. + +"Well, Red, if you won't tumble, all I got to say is, beat it. You're +worth a thousand bucks to any fly-cop that nips you in this town. I'm +handin' you a little dope that you can slide out on and not get stuck." + +"Thanks, Sweeney. Well, I'll ring you up from Kalamazoo." + +"Kalamazoo? In them clothes?" + +"Sure. There's a law against travelin' naked in some States. Where you +been grazin' lately?" + +"In the bull-pasture; and say, Red, it's gettin' warm there, for some." + +"Well, I guess I'll beat it," said Overland. + +"Take a slant at the door first." + +Overland turned leisurely. In the doorway stood the traffic officer. He +glanced from Orcutt to the two men near the table. "Hello, Sweeney!" he +called, glancing a second time at Overland. + +"Hello!" answered Sweeney, strolling to the end of the bar. "Somebody +speedin'?" + +"Yes. Say, who's the guy, the big one?" + +"Him? Oh, that's Billy Sample, the fella that does the desert stuff for +the General Film Company. The kid is his pardner who acts the +tenderfoot. They 're waitin' for the machine now to take 'em out to +Glendale. Got some stunt to pull off this afternoon, so Billy was +tellin' me. They're about half-stewed now. They make me sick." + +"Thought I saw the big guy out on the street a minute ago," said the +officer, hesitating. "There's a card out for a fella that looks like +him. I guess--" + +"He thought it was his machine comin'," said Orcutt. "He run out to see. +It's a wonder how them movie actors can make up to look like most +anybody. Why, I been in your line of business, as you know, and I been +fooled lots of times. Makes a fella feel like he don't know where he's +at with the town full of them movin'-picture actors." + +"Well, so long, Sweeney." And the traffic officer, a little afraid of +being laughed at by the famous ex-officer, Sweeney Orcutt, departed, +just a thousand dollars poorer than he might have been had he had the +courage of his convictions. + +Overland and Orcutt exchanged glances. Orcutt's glance rested meaningly, +for an instant, on the Easterner at the table. Overland grinned. Orcutt +spoke to the young Easterner, who immediately rose to his feet and +bowed. + +"You was lookin' for somebody that's the real thing, you said. This +here's my friend Jack Summers. He used to be sheriff of Abilene once. He +ain't workin' for a movin'-picture outfit and he won't borrow your +watch. Mebby he has a little business deal to put up to you and mebby +not. Take my word for it, he's straight." + +"I'm William Winthrop, back East. 'Billy' will do here. I'm a +tenderfoot, but I'm not exactly a fool. I observed the delicacy with +which you engineered the recent exodus of the policeman. I'm +interested." + +"Sounds like plush to me," said Overland. "I got a little time--not +much. You're correct about the cop. I got a pretty good thing out in +the Mojave--gold--" + +Winthrop laughed. "You aren't losing any time, are you?" + +"You wouldn't neither if you was in my boots," said Overland, grinning +cheerfully. + +"Oh, Red's all right," said Orcutt. "What'll you gents have?" + +"Seein' I'm all right, Sweeney, I'll take five dollars in small change. +I need the coin for entertainin' purposes, I'll pay you in the mornin'." + +"You got me that time," said Orcutt. "Here's the coin." + +"Shall we sit down here?" asked Winthrop, indicating one of the tables. + +"Sure! Now this ain't no frame-up. No, I'll set where I can watch +Sweeney. He's like to steal his own cash-register if you don't watch +him." And Winthrop noticed that his companion faced the door. He also +noticed, as the man's coat brushed against a chair as he sat down, that +that same coat covered a shiny black shoulder holster in which gleamed +the worn butt of an automatic pistol. + +"My real name is Jack Summers," began Overland Red. "Some folks took to +callin' me 'Overland Red,' seein' as I been some towerist in my time." + +"Great!" murmured the Easterner. "'Overland Red!' That name has me +hypnotized." + +"You was sayin'?" queried Overland. + +"Beg your pardon. Nothing worth while. I haven't been so happy for a +year. Let me explain. I have a little money, pretty well invested. I +also have lungs, I believe. The doctors don't quite agree about that, +however. The last one gave me six months to live. That was a year ago. I +owe him an apology and six months. I'm not afraid, exactly, and I'm +certainly not glad. But I want to forget it. That's all. Go ahead about +that desert and the gold. I'm listening." + + + + +CHAPTER X + +"PERFECTLY HARMLESS LITTLE OLE TENDERFOOT" + + +William Stanley Winthrop woke next morning with a vague impression of +having lost something. He gazed indolently at the sunlight filtering +through the curtains of his sleeping-room. Beyond the archway to the +adjoining room of his suite, a ray of sunshine lay like living gold upon +the soft, rich-hued fabric of the carpet. + +"Gold!" he murmured. "Mojave Desert! Overland Red! Lost gold! No, it +isn't the two hundred dollars I invested in the rascal's story, for it +was worth the money. I never spent four happier hours in my life, at +fifty dollars an hour. The best of it is he actually made me believe +him. I think he believed himself." + +Winthrop sat up in bed, yawning. "I think black coffee will be about +all, this morning," he murmured, as he dressed leisurely. + +He was tying a fastidiously correct bow on his tan oxford when he +happened to glance out of the window. It was early, altogether too +early, he reflected, to appear in the breakfast-room of the hotel. +Winthrop's indefinite soliloquy melted into the rapt silence of +imagination. Below on the smooth black pavement pattered two laden +burros. On their packs hung dusty, weatherworn canteens, a pick and +shovel, and a rifle in its soiled and frayed scabbard. The sturdy, +shaggy burros followed a little, lean old man, whose flop-brimmed hat, +faded shirt, and battered boots told a tale of the outlands, whispered +of sun-swept immensities, of sage and cacti, sand and silence. Winthrop +drew a long breath. Such an adventurer was the Overland Red he had +talked with the evening previous. The tramp had mentioned a town far out +on the desert. Winthrop sauntered down to the deserted office and +secured a timetable. + +When the east-bound express left Los Angeles the following morning, +Winthrop was aboard, uncomfortably installed in the private drawing-room +of a sleeper. He had cheerfully paid the double fare that he might have +the entire space to himself, and he needed it. Around him, on the floor, +in the seats, in the racks, and on the hooks were innumerable packages, +bags, and bundles. + +"Very eccentric. He must be rich," whispered the wife of a dry-goods +merchant from Keokuk, as her husband pushed her ahead of him past the +door of the drawing-room. + +"Just plain hog!" said the dry-goods merchant. "A man that'll pay +double fare to have the whole earth to himself when other folks has to +be packed into a berth and suffocate! The conductor said he paid double +to Chicago to get that compartment, and he's only goin' out in the +desert a little ways. I'd 'a' took it myself." + +"Well, we could hardly afford it, anyway," said the woman pleasantly. +"We've had such a good time I don't mind sleeping in a berth, Hiram." + +They crowded on and finally found their seats. + +Winthrop smiled to himself. He liked the woman's voice. + +He lighted a cigarette and gazed wistfully, even despairingly, at the +"outfit" which surrounded him. He sighed. "Awful accumulation of +plunder. Wonder what I'll do with it?" + +As the train climbed the grade beyond San Bernardino, he grew restless. +Flinging down his cigarette, he began unwrapping his belongings. Out +came blankets, extra clothing, a rifle, canteens of several patterns, +two pack-saddles, a coil of rope, a pair of high lace boots,--hobnailed, +heavy, and unserviceable,--a pocket compass, a hunting-knife, a patent +filter, two halters, two galvanized pails, a small, compact, silk tent, +an axe, a fishing-rod, a rubber cup, a box of cigars, a bottle of +brandy, several neckerchiefs, a cartridge-belt, a Colts revolver of +large and aggressive caliber, cartridges, a prospector's pick, a shovel, +a medicine-case, a new safety razor, a looking-glass, a clinic +thermometer, and a copy of "Robinson Crusoe." + +He pondered over the agglomeration of articles pensively. "He was a good +salesman," he said, smiling. "I'll be either a juggler or a strong man +before I'm through with these things. I think I'll begin now and +re-pack. I'll make one glorious bundle of it. That's the ticket!" + +Winthrop went to work, whistling cheerfully. He spread the blanket and +rearranged his possessions, finally rolling them up into an uncertain +bundle which he roped with the weird skill of the amateur packer. He +tried to lift the bundle to the opposite seat. He decided to leave it on +the floor. + +Over the grade and on the level of the desert the train gathered speed. +The shimmering spaces revolved slowly, to meet the rushing track ahead. +Hour after hour sat Winthrop, reading and occasionally glancing out +across the desert. His was the wildest of wild-goose chases. A stranger +had told him of a mysterious ledge of gold somewhere out on the desert, +and the stranger had named a desert town--the town toward which Winthrop +was journeying. Would the eccentric Overland Red be there? Winthrop +hoped so. He wanted to believe that this Ulysses of the outlands had +spoken truth. He imagined vividly Overland Red's surprise when one +William Stanley Winthrop, late of New York, should appear, equipped to +the chin and eager to participate in the hunt for the lost gold. Then +again, the prospector might not care to be burdened with the +companionship of a tenderfoot. Still, the uncertainty of his welcome +lent zest to Winthrop's enterprise. He closed the door of his +drawing-room and wound through a mahogany maze toward the dining-car. + + * * * * * + +Next morning, as the train slowed down for the desert town, Winthrop was +in the vestibule, peering out anxiously. It did not occur to him that +Overland Red knew nothing of his coming, or that the other would be +waiting on the station platform if he did. The tramp had not the +faintest desire to make himself conspicuous. Some of Winthrop's +enthusiasm had evaporated during the hot night in the sleeper. + +"Thank you very much," called the lady from Keokuk, Iowa. + +"Don't mention it," said Winthrop, disembarking behind the porter with +his "plunder." Then, as the Pullman slid away, Winthrop deliberately and +gracefully threw a kiss to the dry-goods merchant's wife. "Nice little +woman," he reflected. "Too nice to associate with that grampus. Well, I +hope they'll enjoy the rest of the trip in the drawing-room. I'm glad I +was able to arrange it." + +He watched the train crawl down the track. He wondered how long he would +be able to distinguish the pattern of the brasswork on the observation +car-rail. + +Out of the empty distance came the _click_, _clink_, _clank_ of hammers +and shovels as the section-men, a mile down the track, stepped into work +behind the train. + +"Prospectin'?" queried a lank individual, slouching up to Winthrop. + +"A little," said Winthrop. "It's pretty dry work." + +"Uhuh. It's goin' to be hot about noon." + +"I suppose so. Will you kindly give me a hand with this monstrosity," +said Winthrop, indicating the pack. "The agent seems to be busy." + +"Sure! She ain't roped very tight." + +Which proved to be true. The bundle, with a kind of animate +indifference, slowly sagged, opened, and things began to trickle from it +in its journey across the platform. Among the things was the bottle of +brandy. The lank individual picked this up tenderly and set it to one +side. Winthrop noticed his solicitude, and smiled. + +"We can rope 'em up again," said the lank one, suddenly becoming +enthusiastic. "My name's Jim Hicks. I'm constable here." + +"I see. Well, I'm William Winthrop, from Los Angeles. I'm a naturalist. +Will you accept a cigar?" + +"Thanks. You want to pack this here bottle, too?" + +"Not right away. Whew! It is getting hot." + +"Goin' up to the hotel?" queried the constable. + +Winthrop glanced along the street. The hotel did not look inviting. "I +don't know. I'd like to get in the shade somewhere." + +"There's old Fernando's 'dobe down the track under them pepper trees. +He's a friend of mine. He ain't to home to-day. Mebby you'd like to set +down there and wait for your friend." + +"My friend?" + +"Why, ain't you waitin' for anybody? You ain't goin' to tackle that +bug-huntin' trip alone, be you? It's dangerous out there for a +tenderfoot. Now I have took folks out, and brought 'em back all +right,--gone as far as them hills over there, and that's a good jag from +here,--and I only charge four dollars a day and grub." + +"I thought you said you were constable?" + +"So I be. Takin' parties across the desert is on the side. How far you +figurin' on goin'?" + +"I haven't made up my mind yet. Say we go down as far as the adobe you +spoke about, as a beginning. Perhaps we can arrange terms." + +"I'm on, pard," said the constable. + + * * * * * + +Under the pepper trees shading Fernando's adobe sat Winthrop and the +constable. The brandy-bottle was half empty and a box of cigars was open +beside it on the bench. The afternoon shadows were lengthening. The +constable had been discursive, voluminous, in his entertaining. Time was +as nothing. He borrowed generously of to-morrow and even the next day. +He became suddenly quite fond of this quiet, gentlemanly chap opposite +him, who said little, but seemed to be a prince of good fellows. + +"'S this way," said the constable, leaning forward and waving his cigar. +"You're fren' of mine--sure thing. 'S af'ernoon now, but I was plumb +fooled this mornin'. Y' know i's af'ernoon now. Thought you was the guy +I'm lookin' for. H'overlan' Red--bum--tram'. Wire from Loshangeles to +upperan' him if he shows up here. See?" + +"You're not quite clear to me," replied Winthrop. "But never mind about +apprehending any one. Let's talk about this glorious prospect of sand, +silence, and solitude. I feel like a fallen angel. Never mind about +arresting anybody. Life is too short. Let's talk of roses." + +"Roshes! Huh!" sniggered the constable. "You're kin' of sof, ain't you? +Roshes nothin'! I'm goin' talk 'bout business. It's business, my +business to talk 'bout it, see? 'T ain't your business. You c'n lissen, +an' when I get through, then you c'n talk roshes." + +"But what is your business?" asked Winthrop, with an indifference that +he did not feel. + +"S-s-s-h-h! I'm cons'able. Tha's on the quiet. Thousand dollars rewar' +f'r th' appr'enshun of 'Verlan' Red. Thought you was him--hic--hee! +hee!" + +"Please don't laugh like that. It hurts my feelings," said Winthrop. "It +is bad enough to be taken for a--er--tramp." + +"Nobody's feelin's--pologishe. '_Course_ you ain' him! You're jus' a +li'l' ole ten'erfoot--perfec'ly harmless li'l' ole ten'erfoot." + +"Thanks. May I ask you to have another?" + +"Nope. 'Nough's 'nough. 'S time f'r dinner." + +"Nearly. Well, if you flatly refuse to drink my health, I'll have to +drink it alone, and that's rather egotistical, isn't it?" + +"Never. B' Gosh! You're sport. Funny li'l' ole ten'erfoot--perf'ly +harmless. Sure, I'll drink all th' health you got, 'n then go +home--dinner." + +"One will be sufficient, I think," said Winthrop. + +"Sufficen' wha'?" And the constable leered cunningly. + +"To drown all pangs. Well, here's pleasant dreams." + +Far down the line came the faint thrill of wheels and the distant, +clear-cut blast of a locomotive. The local freight from Los Angeles was +whistling for the "block." + +Winthrop glanced at his watch, then at the constable. "What train is +that?" asked the Easterner. + +The constable's eyelids drooped, then opened languidly. "Railro' train, +'f course." And he slid forward to his elbow and thence to the bench. +Presently he snored. + +Winthrop strolled toward the approaching train. "Pretty stiff session," +he commented. "Now if happy chance should bring Overland Red on this +freight, with his burro and outfit; I'll have one reason to offer for +wanting to go with him. I've probably saved him some annoyance, +indirectly, but rather effectively, I think." + +The great oil-burning locomotive roared in, casting heat-waves that +smelled of steam, iron, and mechanical energy. The hot air sickened +Winthrop. + +A car was cut out and shunted to a siding. Then the engine, pausing to +drink a gargantuan draught at the tank, simmered away in the dusk, +clanking across the switch-points. A figure leaped from the freight-car +to the ground. Then out came a burro and several bundles. The figure +strode to the station and filled two canteens. Winthrop walked toward +the burro. When he of the burro and canteens returned, he found Winthrop +stroking the little animal's nose. + +"What the--! How the--! Who lost you out here?" asked Overland. + +Winthrop spoke rapidly and to the point. "Express this morning. Lonesome +again. Thought I'd make a change. My outfit is over at the station. +Don't say 'No' before you hear me. You're going to need me--tenderfeet +and all." + +"But you can't--" + +"Wait. The local constable has a wire from the Los Angeles police to +look out for you. Perhaps you got this far because you're traveling in a +freight-car. No doubt all the passenger trains have been watched all +along the line. The constable has been my--er--my guest since morning. +He is asleep now. I had to do it. He told me, after either the sixth or +seventh glass, I forget which, that he was looking for you. Come on over +to the station and inspect my outfit, please. I think we had better +vanish." + +Overland breathed once, deeply. "Lead me to it!" he exclaimed. "You got +my number. I guess you're some lame chicken, eh? No? I'll never call you +a tenderfoot as long as I live. Shake!" + +The inspection of the outfit was brief. "Take the Colts and the +cartridges, and the blankets and the rope. T' hell with the rest." + + + + +CHAPTER XI + +DESERT LAW + + +Away out in the night of stars and silence plodded the patient burro, +and beside him shuffled Overland Red and Billy Winthrop. + +"We'll fool 'em," said Overland. "Keep joggin'. We'll be over the range +before mornin'. Then let 'em find us." + +Winthrop, staggering along, felt his moral stamina crumbling within him. +"I don't know--about that. Perhaps I'll be a drag to the expedition. I'm +pretty tired." + +Overland, experienced in the remorse that follows liquor on an empty +stomach, swore vigorously and picturesquely. "You'll stick! Do you +suppose I'd shake you now after you overcomin' a genuine nickel-plated +desert constable? Nix. That ain't my style. You believed me when I said +I was comin' to this particular town. It's worth somethin' to have a +fella around that believes a fella once in a while. But what I want to +know is, why you done up the constable so offhand like, not knowin' +whether I'd show up here or not?" + +"Why?" And Winthrop smiled wanly. "Because I'm a perfectly harmless +little old tenderfoot." And his voice caught as he tried to laugh. + +An hour of plodding through the dusk, two hours, and they were at a +water-hole near the northern hills. Overland unroped one of the packs, +made a fire, and presently had some hot coffee for his companion, who +was pretty well used up. Nature was taking inexorable toll for his +conquest of the constable. + +"You take it easy and don't worry," said Overland. + +Winthrop raised on his elbow and gazed at the tiny fire. "Tiger, tiger +burning bright!" he quoted. + +"This here coffee'll fix you right," responded Overland Red, grinning. +"Didn't know I was a pote, did you? Now if I was a doc, I'd give you a +shot in the arm that would put you to sleep. Seein' I ain't, it's coffee +for yours." + +"Do you think they will follow us?" Winthrop asked presently. + +"As sure as snakes," said Overland. "And this here water-hole is the +first place they'll strike for. They'll wait till mornin' to find our +trail." + +"When they do find it?" + +"I'll show 'em a Mexican trick with a hole in it. You go to sleep, +pardner." + + * * * * * + +The moon rolled down to the rim of the world. The infinitesimal +mountain peaks rose slowly along the lower edge of the flat silver +shield, black and growing bolder in outline and size as they blotted +half, three quarters, finally all of the burnished radiance. Then along +the edge of the far range ran an instant delicate light, a light that +melted into space and was gone, leaving a palpitating glory of myriad +summer stars. + +The little fire died down. The barren outland wastes slumbered in the +charitable dusk of night. + +Overland, cross-legged on his blanket, smoked moodily. His thoughts +drifted out on the tide of silence to Moonstone Cañon and Collie and the +Rose Girl, Louise Lacharme. For them he planned impossibly. Of them he +dreamed absurd dreams. + +Out of the flotsam of his pondering came memories of other nights such +as this, desert nights on the border ranges of old Mexico--that lost +world of his adventurous youth. Mingled with his waking dreams were the +sounds of many familiar names--Sonora, Trevino, Nueva Laredo, Nava, San +José, Las Cruces, Nogales, Yuma, San Antonio,--each a burning ember of +memory that glowed and faded while the music of silver strings and +singing girls pulsed rhythmically in the stillness--to break at last +into the querulous wailing of a lone coyote. Winthrop stirred restlessly +and muttered. + +All at once the tramp realized that this easygoing young Easterner, +wealthy, unused to hardship, delicate of health, had his battle to +fight, as well. "I've knowed 'em to get over it," reflected Overland. +"She's high and dry up here on the desert, and I reckon to go where it's +higher. He's game, but he's desp'rate. He's tryin' to dodge the verdict, +which can't be did. Well, if excitement will help any, I guess he's +ridin' the right range. If he's got to pass over, he might as well go +quick. Mebby he's the best kind of a pal for this deal, after all." + +Overland looked across at the muffled form. "Pardner!" he called. +Winthrop did not answer. + +"Well, it saves explainin'," muttered the tramp, and he rose quietly. He +gathered the few camp-utensils together, rolled his blankets, brushed +sand over the embers of the fire, and groped stealthily toward the +burro. He roped the pack, glancing back toward the water-hole +occasionally. Winthrop slept heavily. + +"Guess I'll go back and get that gun," muttered Overland. "I might need +two; anyway, he might wake up and plug his old friend the constable +before he knowed it. I ain't givin' a whoop for the constable, but I +don't want to see the kid get in wrong." + +Then Overland, wily and resourceful in border tactics, led the burro +round the camp in a wide circle, from which he branched toward the hills +to the north. For two hours he journeyed across the starlit emptiness. +Arriving at a narrow cañon in the foothills, he picketed the burro. Then +he sat down. Why not continue with his pack and provisions? He could +camp in the fastness of the mountain country and explore it alone. He +would run less risk of capture. Winthrop was not strong. The Easterner +meant well enough, but this was the desert. + +The blue of the eastern horizon grew shallower, changing to a cold thin +gray which warmed slowly to the straw color of tempering steel. The +tramp, watching the sky, shook his clenched fist at the dawn. "You, up +there!" he growled. "You didn't give me a square deal when I was down +and out that time--in Sonora. I had to crawl to it alone. But I'll show +you that I'm bigger than you. I'm goin' back to the tenderfoot and see +him through if I swing pole-high for it." + +It was light when the tramp had arrived at the water-hole. He crept +behind a sharp dip in the hummocks. The crest of his hiding-place was +covered with brush. It was a natural rifle-pit affording him seclusion +and shelter. + +With the sun came the faint thud of hoofs as two riders came warily up +to the water-hole. One dismounted and stooped over Winthrop. The other +sat his horse, silent, vigilant, saturnine. + +"Say, where's your pal, that there Overland Red guy?" asked the +constable, shaking Winthrop awake and glaring at him with a bleared and +baleful eye. + +The man on the horse frowned, considering, in the light of his +experience as a successful and still living two-gun man, that such +tactics were rather crude. + +The Easterner sat up, coughed and blinked in the dawn. "Where is what? +Why, good-morning! You're up early." And his eye swept the empty camp. +So Overland Red had deserted him, after all. He might have expected as +much. "I haven't any 'pal,' as you can see. I'm out here studying insect +life, as I told you I would be, yesterday. You needn't shake me any +more. I'm awake. I can't say that I'm exactly pleased with my first +specimen." + +"Oh! I'm a specimen, am I? I'm a insect, hey? Well, you're crooked, and +you just talk up quick or the calaboose for yours!" + +"No. I beg your pardon--but, no. You are in no condition, this morning, +to talk with a gentleman. However, you are my guest. Have a cigar?" + +The horseman's eyes twinkled. He admired the young Easterner's +coolness. Not so the constable. + +"See here, you swindlin' tin-horn shell-shover, you cough up where +Overland Red is or there'll be somethin' doin'. You doped that booze +yesterday, but you can't throw no bluff like that to-day." + +"I did what? Please talk slowly." + +"You doped that booze you--" + +Much to the constable's surprise he found himself sitting on Winthrop's +blankets and one of his eyes felt as though some one had begun to stitch +it up quickly with coarse thread. + +Winthrop, smiling serenely, nodded. "Sorry to have to do it. I know I +don't look like that kind, and I'm not, but I happen to know how." + +The constable got to his feet. + +"I didn't doctor the brandy, as you intimated," said Winthrop. "And you +needn't finger that belt of yours. I haven't a gun with me, and I +believe it is not the thing for one man to use a gun on another when +the--er--victim happens to be unarmed." + +The horseman, who had courage, admired Winthrop's attitude. He rode +between them. "Cut it out, Hicks," he said. "You're actin' locoed. Guess +you're carryin' your load yet. I'll talk to the kid. We 're losing time. +See here, stranger...." + +Overland, watching and listening from his hiding-place, grinned as the +constable sullenly mounted his horse. + +Winthrop politely but firmly declined to acknowledge that he had had a +companion. Overland was pleased and the riders were baffled by the young +man's subtle evasion of answering them directly. + +"Size of it is, you're stung," said the man who had questioned Winthrop +last. "He's lit out, now he's done you." + +To this the Easterner made no reply. + +The horsemen rode away, following the circle of burro tracks toward the +hills. Winthrop watched them, wondering what had become of his +companion. He could hardly believe that the tramp had deserted him, yet +the evidence was pretty plain. Even his revolver was gone, and his belt +and cartridges. Winthrop yawned. He was hungry. There was no food. But +there was water. He walked toward the water-hole. + +"Stand still--and listen," said a voice. + +Winthrop jumped back, startled and trembling. The voice seemed to come +from the water-hole at his feet. + +"Over here--this way," the voice said. + +Winthrop smiled. If it were a disembodied spirit talking, it was no +other than the spirit of Overland Red. The accent was unmistakable. The +Easterner glanced round and observed a peculiar something behind the +brush edging the rise beyond the water-hole. + +"It's me," said Overland, still concealed. "Thought I quit you, eh? Are +them fellas out of sight yet?" + +"No. They're still in sight. They are too far to see anything, though." + +"And you can see them all right, son? That don't figure out correct." + +Winthrop laughed. "That's so. Where's the burro?" + +"He's hid--right in plain sight up a little arroyo." + +"Won't they find him, and confiscate him and the things?" + +"Not on your life! 'T ain't exactly healthy, even for constables, to go +round confiscatin' outfits they don't know who's connected with. They +can't say for sure that burro and stuff is mine. They'll look it over +and leave it right there." + +"But why did you come all the way back here?" asked Winthrop. + +"Seein' they's lots of time, I'll explain. If I had kep' on goin', they +would 'a' trailed me, and mebby got a crack at me in them hills. They +are two to one, and they could get me at night. Now they'll either give +it up, or spot my back tracks and find me here. That's all." + +"Perhaps that won't be all," ventured Winthrop, walking toward the ridge +where Overland lay concealed. + +The tramp grinned up at him. "Mebby not, pardner. You was tellin' +Sweeney Orcutt back in Los Angeles that you wanted to get up against the +real thing. I reckon you bought the right ticket this trip." + +"Will they--will there be any shooting?" asked the Easterner. + +"Not if I can help it," replied Overland. "I borrowed your gun on the +chance of it. 'Course, if they get sassy, why, they's no tellin' what +will happen. I'm mighty touchy about some things. But listen! I'm actin' +as your travelin' insurance agent, pro temperly, as the pote says, which +means keepin' your temper. If they do spot me, and get foolish enough to +think that I got time to listen to any arguments against my rights as a +free and unbranded citizen of the big range, why, you drop and roll +behind the first sand-hill that is a foot high. After the smoke blows +away, I'll be dee-lighted to accept your congratulations." + +"I guess you mean business," said Winthrop, becoming serious. "I'm game, +but isn't there any other way out of it?" + +"Not for me, son. What chance would I have with the whole desert town to +swear against me? They're after the gold, and they reckon to scare me +into tellin' where it is. I'm after that same gold, and I don't reckon +to be bluffed off by a couple of pikers like them." + +"The dark one, the man on the bay horse, seemed to be a pretty +capable-looking individual," said Winthrop. + +"Glad you noticed that. You're improvin'. He is a capable gent. He's a +old two-gun man. Did you see how he had his guns tied down low so they +would pull quick. Nothin' fancy about him, but he's good leather. The +other one don't count." + +"What shall I do when they come back?" + +"You jest go to studyin' bugs or rattlesnakes or tarantulas or +somethin'. Make a bluff at it. If they ask you anything, answer 'em nice +and polite, _and so I can hear_. A whole pile depends on my keepin' up +with the talk. I'll figure from what they say, or don't say." + +"They seem to be turning. They've stopped. One of them is down on the +ground looking at something. Now he's up again. They're riding back," +said Winthrop. + +"They cut my back trail," said Overland, snuggling down behind the +brush. "You go and set down by the water-hole and find a bug to study." + +"Are you going to fight?" + +"Not if it can be helped. Otherwise--till me wires are down and me lamps +are out. She's desert law out here. They seems to be some chance for a +argument about who's goin' to be judge. I'm out for the job myself. I +reckon to throw about fifteen votes--they's six in your gun and nine in +the automatic. The election is like to be interestin' and close." + +"I wish I could help," said the Easterner. + +"You can--by keepin' your nerve," replied Overland. Then he rolled a +cigarette and lay smoking and gazing at the sky. Winthrop watched the +approaching horsemen. Presently he got up and sauntered to the +water-hole. + +The tramp lay curled like a snake behind the mound. He drew Winthrop's +gun from its holster and inspected it, shaking his head as he slid it +back again. "She's new and will pull stiff. That means she'll throw to +the right. Well, I got the little Gat. to open up the show with." + +William Stanley Winthrop, despite his resolution, found that his hands +trembled and that his heart beat chokingly. He wanted to shout, to run +out toward the horsemen, to do anything rather than sit stupidly silent +by the water-hole. + +The two riders loped up. The constable dismounted. "Nothin' doin'," he +said, stooping to drink. + +"No. Nothing doing," echoed the man on horseback. + +"That," muttered Overland Red, squirming a little higher behind the +bushes, "was intended for me. I know that tone. It means there's a hell +of a lot doin'. Well, I'm good and ready." And he lifted both of his +red, hairy hands to the edge of the hole and both his hands were +"filled." + +About then the man on the pony began to ride out from the water-hole in +a wide circle. The constable came from the spring. Overland noticed that +he kept Winthrop between himself and the sage on the ridge. "That +settles it," Overland swiftly concluded. "They're on. I'm right sad to +have to do it." + +The heavy, space-blunted report of the circling horseman's gun--and +Overland calmly spat out the sand that flitted across his lips. The +rider had ventured a shot and had ridden behind a ridge instantly. + +Winthrop exclaimed at these strange tactics. + +"He seen a jack run in there," explained the constable, leering. + +"This here's gettin' interestin'," mumbled Overland as the constable +unholstered his gun and sauntered toward the ridge. "I got to get the +gent on the cayuse. The other one don't count." + +The rider had appeared from behind the ridge. Slowly Overland raised +his right hand. Then the old fighting soul of Jack Summers, sheriff of +Abilene, rebelled. "No! Dam' if I'll ambush any white man." And he +leaped to his feet. "Overland Limited!" he shouted, and with his +battle-cry came the quick tattoo of shots. The horseman wavered, doubled +up, and pitched forward to the sand. + +Overland Red dropped and rolled to one side as the constable's gun +boomed ineffectually. The tramp lay still. + +A clatter of empty stirrups, the swish of a horse galloping past, and +silence. + +Slowly the constable approached Overland's prostrate figure. "Time's up +for you!" he said, covering the tramp with his gun. + +"Water!" groaned Overland. + +"Water, eh? Well, crawl to it, you rat!" + +Winthrop, his heart thumping wildly, followed the constable. So this was +desert law? No word of warning or inquiry, but a hail of shots, a +riderless horse,--two men stretched upon the sand and the burning sun +swinging in a cloudless circle above the desolate silence. + +"You seem to kind of recognize your friend now," sneered the constable. + +That was too much for Winthrop's overstrung nerves. His pulses roared in +his ears. With a leap he seized the constable's gun and twisted at it +with both hands. There was an explosion, and Winthrop grinned savagely, +still struggling. With insane strength he finally tore the gun from the +other's grasp. "You're the only coward in this affair," he gasped, as he +levelled the gun at the constable. That officer, reading danger in +Winthrop's eye, discreetly threw up his hands. + +"Good!" exclaimed Overland, sitting up suddenly. "That was risky, but it +worked out all right. I had a better plan. You go set down, Billy. I'll +see this gent safe toward home." + +Winthrop laughed hysterically. "Why, you--you--you're a joke!" he cried. +"I thought--" + +"So did the little man with the pie-pan pinned on his shirt," said +Overland. "You keep his gun. I got to see how bad the other gent's hit." + +An hour later the constable of the desert town led his pony toward the +railroad. On the pony was his companion, with both arms bandaged. He +leaned forward brokenly, swaying and cursing. "I'll--get him, if it +takes--a thousand years," he muttered. + +"I reckon it'll take all of that," growled the constable. "You can have +all you want of his game, Saunders,--I'm through." + +Out by the water-hole, Overland turned to Winthrop. "I'm glad you +enjoyed the performance," he said, grinning. "We've opened the pot and +the best man rakes her down. She's desert law from now to the finish." + + + + +CHAPTER XII + +"FOOL'S LUCK" + + +Gaunt, unshaven, weary, Winthrop rested on the crest of the northern +range. Overland, looking for water, toiled on down the slope with the +little burro. Winthrop rose stiffly and shuffled down the rocks. Near +the foot of the range he saw the burro just disappearing round a bend in +a cañon. When he came up with Overland, the tramp had a fire going and +had pitched the tent. The cañon opened out to a level green meadow, +through which ran a small stream. They had come a long day's journey +from the water-hole on the other side of the range. They were safe from +ordinary pursuit. That evening beside the fire, Overland Red told again +the story of the dead prospector, the gold, and the buried papers. In +his troubled slumbers the Easterner dreamed of pacing along the track +counting the ties, and eventually digging in the sand, digging until his +very soul ached with the futility of his labor. Waking, he never lost +faith in the certainty of finding the place. He now knew the tramp well +enough to appreciate that the other had not risked his own life and +nearly killed one of his pursuers through sheer bravado, or fear, or +personal hatred. Something more potent was beneath the tramp's +motives--some incentive that was almost a religion. So far, Winthrop was +correct. He erred, however, in supposing Overland to be obsessed with a +mania for gold for its own sake. The erstwhile sheriff of Abilene had +dreamed a dream about an adopted waif and a beautiful young girl. The +dream was big. Its fulfillment would require much money. There was more +of the poet in Overland Red than his best friend had ever imagined. + +Three days they rested in the wild seclusion of the cañon. The silence, +the solemnity of the place, fascinated Winthrop. The tiny stream, cold +and clear, the vegetation, in a region otherwise barren-gray and +burning,--the arid Mojave with its blistering heat, the trees, the +painted rocks,--ochre, copper, bronze, red, gray, and dim lilac in the +distances,--the gracious shade, the little burro, half ludicrous, half +pathetic in its stolid acceptance of circumstances,--all had a charm for +him that soothed and satisfied his restlessness. + +Meanwhile the indefatigable Overland spun yarn after yarn of the road +and range, and rolled innumerable cigarettes with one hand, much to +Winthrop's amusement. + +The third morning Winthrop had awakened feeling so completely refreshed +that he begged Overland to allow him to make an attempt to find the +hidden papers and the little bag of gold. Overland demurred at first, +fearing that the Easterner would become lost or stricken with the heat. +Throughout the day Winthrop argued stubbornly that he ran no risk of +capture, while Overland did. He asserted that he could easily find the +water-hole, which was no difficult task, and from there he could go by +compass straight out to the tracks. Overland had told him that somewhere +near a little culvert beneath the track was the marked tie indicating +the hiding-place of the dead prospector's things. It would mean a +journey of a day and a night, traveling pretty continuously. + +Finally Overland agreed to Winthrop's plan to make the attempt the +following day. + + * * * * * + +At the foot of the range Overland gave his companion a canteen and a +piece of gunnysack wrapped round some hardtack and jerked beef. + +"Don't I need my gun this time?" queried Winthrop. + +"Nope, Billy. 'Cause why? You don't generally kill a little gopher or a +little owl that's settin' up tendin' to his business, because you ain't +scared of them. But you will go off of the trail to kill a rattler, a +side-winder, because he's able to kill you if he takes a notion. +Correct. Now a tenderfoot totin' a gun is dangerouser than any rattler +that ever hugged hisself to sleep in the sun--and most fellas travelin' +the desert knows it. Why, I'm plumb scared of a gun-totin' tenderfoot, +myself. Not havin' a gun will be your best recommend, generally +speakin'. Stick to the bugs, Billy; stick to the bugs." + +"Well, you ought to know." + +"I got seven puckers in my hide to prove what I say. Six of 'em were put +there by plumb amachoors in the gun line; fellas I never took pains to +draw on quick, never suspectin' nothin'. The other, number seven, was +put there by a gent that meant business. He died of a kind of lead +poisonin' right immediate." + +They shook hands, the battered, sunburned adventurer, rough-bearded, +broad-chested, genial with robust health, and the slender, almost +delicately fashioned Easterner, who had forgotten that there were such +things as lungs, or doctors,--for the time being. + +"Say, Billy, you need a shave," commented Overland, as the other turned +to begin his journey across the desert. + +Winthrop grinned. "You need--er--decapitating," he retorted, glancing +back. Then he faced the south and strode away. + +Overland, ascending the range, paused halfway up. "Decap-itating," he +muttered. "Huh! That's a new one on me. De-cap--Let's see! Somethin' to +do with a fella's hat, I reckon. It's easy to run a word down and hole +it if you got brains. Mebby Billy meant for me to get a new one. Well, +the constable's friend only put one hole in her--she's a pretty good hat +yet." + + * * * * * + +Overland found his slow way back to the hidden cañon. He felt a little +lonely as he thought of Collie. He gave the burro some scraps of camp +bread, knowing that the little animal would not stray so long as he was +fed, even a little, each day. + +It was while he was scouring the fry-pan that he noticed the black sand +across the stream. Leisurely he rose and scooped a panful of the sand +and gravel and began washing it, more as a pastime than with an idea of +finding gold. Slowly he oscillated the whispering sand, slopping the +water out until he had panned the lot. He spread his bandanna on a +smooth rock and gently emptied the residue of the washing on it. +"Color--but thin," he said. "Let's try her again." + +He moved farther upstream--this time with one of his regular pans. He +became absorbed in his experiment. He washed panful after panful, +slowly, carefully, collectedly. Suddenly he stood up, swore softly, and +flung the half-washed dirt of the last pan on the rocks. "I'm a nut!" +he exclaimed. "This livin' in civilization has been puttin' my intellec' +to the bad. Too much Eastern sassiety." And with this inexplicable +self-arraignment he stooped at the tent-door, buckled on his gun, and +started upstream. He glanced from side to side of the steep and +narrowing walls as he advanced slowly. He passed places where the stream +disappeared in the sand to find some subterranean channel and reappear +below again. Rounding an angle of the cliff, he dropped to his knees and +examined some tiny parallel scratches on a rounded rock--the marks made +by a boot-heel that had slipped. For an hour he toiled over the rocks on +up the diminishing stream. "Gettin' thin," he muttered, gazing at the +silver thread of water rippling over the pebbles. A few feet ahead the +cliffs met at the bottom in a sharp-edged "V," not over a foot apart in +the stream-bed, but widening above. Overland scrambled through. On the +other side of the opening he straightened up, breathing hard. His hand +crept to his hip. On a sandy level a few yards ahead of him stood a +ragged and faded canvas tent, its flap wavering idly in a breath of +wind. In front of the tent was the rain-washed charcoal of an old fire. +A rusted pan, a pick, and the worn stub of a shovel lay near the stream. +A box marked "Dynamite" was half-filled with odds and ends of empty +tins, cooking-utensils, and among the things was a glass fruit-jar half +filled with matches. + +Slowly Overland's hand dropped to his side. He stepped forward, stooped, +and peered into the tent. "Thought so," he said laughing queerly. Save +for a pair of old quilts and an old corduroy coat, the place was empty. + +"Fool's luck," muttered Overland. "Wonder the Gophertown outfit didn't +find him and fix him. But come to think of it, they ain't so anxious to +cross over to this side of the range and get too clost to a real town, +and get run in or shot up. Fool's luck," he reiterated, coolly rolling a +cigarette and gazing about with a critical eye. "They's another trail +into this cañon that the prospector knowed. I got to find it. Billy'll +be some interested." + + + + +CHAPTER XIII + +THE RETURN + + +Overland Red lay concealed in an arroyo at the foot of the range. He +could overlook the desert without being seen. It was the afternoon of +the day following Winthrop's departure. + +Since discovering the dead prospector's camp and all that it meant, the +tramp was doubly vigilant. He tried to believe that his anxiety was for +his own safety rather than for Winthrop's. He finally gave up that idea, +grumbling something about becoming "plumb soft in his feelin's since he +took to associatin' with sassiety folks." However, had Winthrop been of +the West and seasoned in its more rugged ways, Overland would have +thought little of the young man's share in recent events. While he knew +that Winthrop looked upon their venture as nothing more than a rather +keenly exciting game, Overland realized also that the Easterner had +played the game royally. Perhaps the fact that Winthrop's health was not +of the best appealed to some hidden sentiment in the tramp's peculiar +nature. In any event, Overland Red found himself strangely solicitous +for his companion's return. + +Far in the south a speck moved, almost imperceptibly. The tramp's keen +eyes told him that this was no horseman. He rolled a cigarette and lay +back in the shade of a boulder. "He's a couple of points off his course, +but he can't miss the range," he reflected. + +Desiring to assure himself that no horseman followed Winthrop, Overland +Red made no sign that might help the other to find the trail over the +range. The rim of Winthrop's hat became distinguishable; then the white +lacing of his boots. Nearer, Overland saw that his face was drawn and +set with lines of fatigue. + +No riders appeared on the horizon. Overland stepped out from behind the +rock. "Well, how did you make it?" he called. + +Winthrop came forward wearily "No luck at all." + +"Couldn't find it, eh?" + +"I counted every tie between the tank and that little ditch under the +track. The entire stretch has been relaid with new ties." + +Overland whistled. Then he grinned. "You had a good healthy walk, +anyhow," he observed. + +"It doesn't seem to worry you much," said Winthrop. + +"Nope. Now you're back, it don't. I reckon you done your dam'dest as +the song says. Angels can do no less. Buck up, Billy! You 're limper'n a +second-hand porous-plaster. Here, take a shot at this. That will stiffen +your knees some. Did you meet up with anybody?" + +"Not a soul. I thought I should freeze last night, though. I didn't +imagine the desert could get so cold." + +"Livin' out here on the old dry spot will either kill you or cure you. +That's one reason I let you go look for them things. The harder you hit +the trail, and can stand it, the quicker you'll get built up." Then +Overland, realizing that his companion was worse than tired, that he was +dispirited, became as wily as the proverbial serpent. His method, +however, could hardly be compared with the dove's conciliatory cooing. +"You sure are a bum scout," he began. + +Winthrop flushed, but was silent. + +"Bet a banana you didn't even leave the track and look for it." + +"No, I didn't. Where could I have begun?" + +Overland ignored the question. "I'm hungrier than a gorilla. Just send a +wireless to them feet of your'n. We got some climbin' to do afore dark." + +"I'd just as soon camp here. Go up to-morrow," said Winthrop. + +"So'd I if it wasn't for bein' scared some of the hills would mosey off +before I got back." And Overland set a brisk pace up the mountain, +talking as he climbed. Winthrop could do nothing but listen. He was +breathless. + +"Or that cañon," continued Overland. "She might not be there if we +stayed away all night. Besides, I'm scared to leave _it_ alone by +itself." + +"Leave what?" gasped Winthrop. + +"It. The find I made while you was out surveyin' the Santa Fé. I was +feared you'd get nervous prosecution if I told you all to once, so I +breaks it easy like." + +"What was it?" + +"Nothin' but a tent in the cañon we're campin' in. But, Billy, when you +find a tent and some minin' tools and other signs of trouble 'way up +some lonesome old slot in the hills, you want to get ready for a +surprise. Mebby it'll be nothin' but some old clothes and bones. Mebby +it'll be them and somethin' else. I didn't find the bones, but I found +the somethin' else, coarse, and fair dribblin' thick in the dirt. It's +there and rich, Billy, rich!" + +Overland Red turned and paused as Winthrop leaned against a rock. + +"It's the--the real thing?" queried the Easterner. + +"The real thing, pardner. Now what do you think of that for highbrow +stuff?" + +"Meaning that you stumbled on the secret?" + +"If you want to say it that way, yes. Just like fallin' into a sewer and +findin' a gold watch where you lit." + +"Then it's all true? We've found the gold? You really believed we +should, and for that matter, so did I. I can't say why. I rather felt +that we should." + +"I guess I'm some class when it comes to findin' the incubator that +hatches them little yella babies with the come-and-find-me eyes." + +Winthrop straightened his tired shoulders. "You seem to think that +you're pretty clever," he said, laughing. "But in the elegant and +expressive diction of the late--the late Overland Red Summers, 'I think +you're a bum scout.'" And they shook hands, laughing as they turned to +climb the trail. + +Near the crest, Overland again paused. "Say, Billy, you said the 'late' +Overland Red Summers. You took particular noise to make me hear that +word 'late.' Have you got any objections to explainin' that there idea? +I been examinin' the works of that word 'late,' and it don't tick right +to me. 'Late' means 'planted,' don't it?" + +"Sometimes. It may also mean behind time. Do you remember that I said, a +day or two ago, that I shouldn't be surprised if the lost gold were in +the very cañon where we camped? I claim precedence of divination, +auto-suggestion, and right of eminent domain. I shall not waive my +prerogative." + +"I never owned one," said Overland. "But afore I'll let you come any +style over me, I'll have one made with a silk linin' and di'monds in the +buttons, jest as soon as the claim gets to payin' good. Say, pardner, +it's _free_ gold, and _coarse_. I wisht Collie was here--the little +cuss." + +"Collie?" + +"Uhuh. The kid I was tellin' you about, that I adopted back in +Albuquerque. He's got a share in this here deal, by rights. He invested +his eight rollers and four bits in the chances of my findin' the stuff. +It was all the coin he had at the time. You see, I was campin' up on the +Moonstone for a change of air, and Collie and me had a meetin' of the +board of dissectors. The board votes unanimous to invest the paid-in +capital in a suit of new jeans for the president, which was me. I got +'em on now. You see, I had to be dollied up to look the part so I could +catch a come-on and get me grubstake." + +"I see," said Winthrop, his gray eyes twinkling. "And I was the +come-on?" + +"Well," said Overland, scratching his head, "mebby you _was_, but you +ain't no more. If she pans out anything like I expect, you'll be +standin' up so clost to bein' rich that if she was a bronc' you'd get +kicked sure." + +They rested for a few minutes, both gazing down on the evening desert. +The reflected light, strong and clear, drew abrupt, keen-edged contrasts +between the black, triangular shadows of the peaks and the gray of the +range. Something elusive, awesome, unreal was in the air about them. The +rugged mountain-side with its chaos of riven boulders, its forest of +splintered rocky spires, silver cold in the twilight, its impassive bulk +looming so large, yet a mere segment in the circling range, was as a +day-dream of some ancient Valhalla, clothed in the mystic glory of +ever-changing light, and crowned with slumbering clouds. + +Winthrop sighed as he again faced the range. Overland heard and smiled. +"You said it all," he muttered. "You said it all then." + +"You're something of a poet, aren't you?" queried Winthrop. + +"You bet! I'm some artist, too. A lady I was figurin' on acceptin' a +invite to dinner with, once,--one of them rich kind that always wants to +get their money's worth out of anything they do for a poor +guy,--happened to come out on the back steps where I was holdin' kind of +a coroner's request over a lettuce san'wich. 'My man,' she says, 'I have +always been interested to know if you--er--tramps ever think of +anything else but food and lodging and loafing. Nothing personal, I +assure you. Merely a general interest in social conditions which you +seem so well fitted to explode from experience. For instance, now, what +are your favorite colors?' + +"I couldn't see what that had to do with it, and I got kind of mad. A +lettuce san'wich ain't encouragin' to confidence, so I up and says, +'What are me favorite colors, lady? Well, speakin' from experience, they +is _ham_ and _eggs_.' + +"She took a tumble to herself and sent me out some of the best--and a +bottle of Red Cross beer with it." + +On up the slope they toiled, Winthrop half-forgetting his weariness in +thinking of Overland's sprightly experiences with what he termed "the +hard ole map--this here world." + +At the summit they paused again to rest. + +"That was the time," began Overland, "when I writ that there pome called +'Heart Throbs of a Hobo.' Listen!" + + "Oh, my stummick is jest akein' + For a little bite of bacon, + A slice of bread, a little mug of brew. + I'm tired of seein' scenery, + Jest lead me to a beanery, + Where there's something more than only air to chew." + +"The last line sounds like a sneeze," said Winthrop, laughing. + +"Speakin' of sneeze," said Overland, "makes me think you ain't coughed +so much lately, Billy." + +"I had a pretty bad time yesterday morning," replied Winthrop. + +"Well, you'll get cured and stay cured, up here," said Overland, hugely +optimistic. + +"Of course," rejoined Winthrop, smiling. "It's such hard work to breathe +up here that I have to keep alive to attend to it." + +"That's her! Them little old bellowsus of your'n 'll get exercise--not +pumpin' off the effects of booze an' cigarettes, neither, but from +pumpin' in clean thin air with a edge to it. Them little old germs will +all get dizzy and lose their holt." + +"That's getting rather deep into personalities," said Winthrop. "But I +think you're correct. I could eat a whole side of bacon, raw." + +And he followed Overland silently across the range and down into the +cool depths of the hidden cañon, where the tramp, ever watchful of the +younger man's health, slipped from his coat and made Winthrop put it on, +despite the latter's protest that he was hot and sweating. + + + + +CHAPTER XIV + +"CALL IT THE 'ROSE GIRL'" + + +"What are you going to do with those things?" asked Winthrop. "Not burn +them?" + +"Yep; every strap and tie-string," replied Overland, gathering together +the dead prospector's few effects. "Cause why? Well, Billy, if this +claim ain't filed on,--and I reckon it ain't,--why, we files on her as +the original locators. Nobody gets wise to anything and it saves the +chance of gettin' jumped. The bunch over there would make it interestin' +for us if they knowed we was goin' to file on it. They'd put up a fight +by law, and mebby one not by law. Sabe?" + +"I think so. Going to burn that little--er--cradle arrangement, too?" + +"Yep. Sorry, 'cause it's wood, and wood is wood here. That little rocker +is a cradle all right for rockin' them yella babies in and then out. The +hand that rocks that cradle hard enough rules the world, as the pote +says." + +"So this is how gold is mined?" queried Winthrop, examining the crude +rocker and the few rusted tools. + +"One way. Pan, cradle, or sluice for free gold. They's about four other +ways. This here's our way." + +"Is it a rich claim?" + +"Tolerable. I panned some up the branch. She runs about two dollars a +pan." + +"Is that all?" + +Overland smiled as he poked a smouldering corner of blanket into the +fire. "It is and it ain't. I reckon you could pan fifty pans a day. +That's a hundred dollars. Then I could do that much and the cookin', +too. That's another hundred. Two hundred dollars a day ain't bad wages +for two guys. It ought to keep us in grub and postage stamps and some +chewin'-gum once in a while." + +"Two hundred a day!" And Winthrop whistled. "That doesn't seem much in +New York--on the street, but out here--right out of the ground. Why, +that's twelve hundred a week." + +"Nope--not exactly. She's a rich one, and bein' so rich at the start +she'll peter out fast, I take it. I know these here kind. When we come +to the end of the cañon we're at the end, that's all. Besides, she's so +rich we won't work six days every week. If she was half as good, mebby +we would. You never done much fancy pick-handle exercise, did you?" + +"No, but I'm going to. This beats signing checks all to pieces." + +"Never got cramps that way myself," grunted Overland. "But I have from +swingin' a pick. Your back'll be so blame stiff in about three days that +you'll wish you never seen a pan or a shovel. Then you'll get over the +fever and settle down sensible. Three of us could do a heap better than +two. I wish Collie was on the job." + +"I'm willing," said Winthrop. + +"'Course you are, but you get your half of this as agreed. Collie's +share comes out of my half. I'm playin' this hand over the table, in +plain sight." + +Winthrop glanced quickly at Overland's inscrutable face. "Suppose I +should tell you that my income, each week, is about equal to what we +expect to get from this claim?" + +"Makes no difference," growled Overland. "It wasn't your money that +stood off the constable--and later out in the desert. It was _you_. +They's some places left on this old map yet where a man is jest what his +two fists and his head is worth. This here Mojave is one of 'em. Are you +squeak to that?" + +"I understand," said Winthrop. + + * * * * * + +They worked steadily until evening. They staked out their respective and +adjoining claims, dropped the rusted tools in a bottomless crevice, and +removed the last shred and vestige of a previous occupancy. + +"This here's been too easy," said Overland, as he sliced bacon for the +evening meal. "When things comes as easy as this, you want to watch out +for a change in the weather. We ain't through with the bunch yet." + +The Easterner, making the evening fire, nodded. "How are we to get +provisions?" he asked. + +"First, I was thinkin' of packin' 'em in from Gophertown, over yonder. +She's about thirty miles from here, across the alkali. 'T aint a regular +town, but they got grub. But if we got to comin' in regular, they'd +smell gold quicker than bees findin' orange-blossoms. They got my +number, likewise." + +"How's that?" + +"They know I been standin' out on the edge ever since I had a little +fuss with some folks over at Yuma, quite a spell ago." + +"Won't you tell me about it?" + +"Sure! They was three parties interested--me and another gent and a +hoss. I guess the hoss is still alive." + +Winthrop laughed. "That's a pretty brief epic," he said. + +"Uhuh. It was. But I reckon we got to hit the breeze out of here right +soon. Here, le' me take that fry-pan a minute. It's this way. Me and +you's located this claim. Now we go and file. But first we got to get +some dough. I got a scheme. I'm thinkin' of gettin' a dude +outfit--long-tailed coat and checker pants and a elevated lid with a +shine to it. Then you and me to the State House and file on this here +claim. You stay right in them kickie clothes and that puncher hat. We +file, see? The gents supportin' the bars and store corners will be so +interested in seein' me do you for your pile that they'll forget to +remember who I am, like I would be in me natural jeans. They'll size me +for a phoney promoter excavatin' your pocketbook. It's a chance--but we +got to take it." + +"That's all very weird and wonderful," said Winthrop, "and not so very +flattering to me, but I am game. I'll furnish the expense money." + +After the evening meal they drew nearer the fire and smoked in the chill +silence. The flames threw strange dancing shadows on the opposite cliff. + +Winthrop, mindful of Overland's advice, slipped on his coat as the night +deepened. "About your adopting a disguise," he began; "I should think +you would look well enough clean-shaven and dressed in some stylish, +rough tweed. You have fine shoulders and--" + +"Hold on, Billy! I'm a livin' statoo, I know. But listen! I got to go +the limit to look the part. You can't iron the hoof-marks of hell and +Texas out of my mug in a hundred years. The old desert and the border +towns and the bottle burned 'em in to stay. Them kind of looks don't go +with business clothes. I got to look fly--jest like I didn't know no +better." + +"Perhaps you are right. You seem to make a go of everything you tackle." + +"Yep! Some things I made go so fast I ain't caught up with 'em yet. You +know I used to wonder if a fella's face would ever come smooth again in +heaven. That was a spell ago. I ain't been worryin' about it none +lately." + +"How old are you?" + +"Me? I'm huggin' thirty-five clost. But not so clost I can't hear +thirty-six lopin' up right smart." + +"Only thirty-five!" exclaimed Winthrop. Then quickly, "Oh, I beg your +pardon." + +"That's nothin'", said Overland genially. "It ain't the 'thirty-five' +that makes me feel sore--it's the 'only.' You said it all then. But +believe me, pardner, the thirty-five have been all red chips." + +"Well, you have _lived_," sighed Winthrop. + +"And come clost to forgettin' to, once or twice. Anyhow,--speakin' of +heaven,--I'd jest as soon take my chances with this here mug of mine, +what shows I earned all I got, as with one of them there dead-fish faces +I seen on some guys that never done nothin' better or worse than get up +for breakfast." + +Winthrop smiled. "Yes. And you believe in a heaven, then?" + +"From mornin' till night. And then more than ever. Not your kind of a +heaven, or mebby any other guy's. But as sure as you're goin' to crease +them new boots by settin' too clost to the fire, there's somethin' up +there windin' up the works regular and seein' that she ticks right, and +once in a while chuckin' out old wheels and puttin' in new ones. Jest +take a look at them stars! Do you reckon they're runnin' right on time +and not jumpin' the track and dodgin' each other that slick--jest +because they was throwed out of a star-factory promiscus like a shovel +of gravel? No, sir! Each one is doin' its stunt because the other one +is--same as folks. Sure, there's somethin' runnin the big works; but +whether me or you is goin' to get a look-in,--goin' to be let in on +it,--why, that's different." + +Winthrop drew back from the fire and crossed his legs. He leaned +forward, gazing at the flames. From the viewless distance came the howl +of coyotes. + +"They're tryin' to figure it out--same as us," said Overland, poking a +half-burned root into the fire. "And they're gettin' about as far along +at it, too. Like most folks does in a crowd--jest howlin' all together. +Mebby it sounds good to 'em. I don' know." + +"I'm somewhat of a scoffer, I think," said Winthrop presently. + +"Most lungers is," was Overland's cheerful comment. "They're sore on +their luck. They ain't really sore at the big works. They only think so. +I've knowed lots of 'em that way." + +"To-night,--here in this cañon,--with the stars and the desert so near, +you almost persuade me that there is something." + +"Hold on, Billy! You're grazin' on the wrong side of the range if you +think I'm preachin'. My God! I hate preachin' worse than I could hate +hell if I thought they was one. My little old ideas is mine. I roped 'em +and branded 'em and I'm breakin' 'em in to ride to suit me. I ain't +askin' nobody to risk gettin' throwed ridin' any of my stock. Sabe?" + +"But a chap may peek through the fence and watch, mayn't he?" + +"Sure! Mebby you're breakin' some stock of your own like that. If you +are, any little old rig I got is yours." + +"Thank you. And I'm not joking. Perhaps I'll get the right grip on +things later. I've been used to town and the pace. I've always had +money, but I never felt really clean, inside and out, until now. I +never before burned my bridges and went it under my own flag." + +Overland nodded sagely. "Uhuh. It's the air. Your feelin' clean and +religious-like is nacheral up here. Don't worry if it feels queer to you +at first--you'll get used to it. Why, I quit cussin', myself, when +everything seems so dum' quiet. Sounds like the whole works had stopped +to listen to a fella. Swearin' ain't so hefty then. Sort of outdoor +stage fright, I reckon. Say, do you believe preachin' ever did much +good?" + +"Sometimes I've thought it did." + +"I seen a case once," began Overland reminiscently. "It was Toledo +Blake. He was a kind of bum middleweight scrapper when he was workin' at +it. When he wasn't trainin' he was a kind of locoed heavyweight--stewed +most of the time. It was one winter night in Toledo. Me and him went +into one of them 'Come-In-Stranger' rescue joints. 'Course, they was +singin' hymns and prayin' in there, but it was warmer than outside, so +we stayed. + +"After a while up jumps the foreman of that gospel outfit. His foretop +was long, and he wore it over one ear like a hoss's when the wind is +blowin'. + +"He commenced wrong, I guess. He points down the room to where me and +Toledo was settin', and he hollers, 'Go to the ant, you slugger! +Consider her game and get hep to it,' or somethin' similar. + +"That word 'slugger' kind of jarred Toledo. He jumps up kind of mad. +'Mebby I am a slugger, and mebby I ain't, but you needn't to get +personal about it. Anyhow, I ain't got no aunt.' + +"'The text,' says the hoss-faced guy on the platform, 'the text, my +brother, is semaphorical.' + +"Toledo couldn't understand that, so I whispers, 'Set down, you mutt! +Semaphore is a sign ain't it? Well, he's givin' you the sign talk. Set +down and listen.' + +"Toledo, he hadn't had a drink for a week, and he was naturally feelin' +kind of ugly. 'All right,' he growls at the preacher guy. 'All right. I +pass.' + +"'Ah, my brother!' says the hoss-faced guy. 'I see the spirits is at +work.' That kind of got Toledo's goat. + +"'Your dope is _bum_,' says Toledo. 'I ain't had a drink for a week. +First you tell a fella to go see his aunt, when she's been planted for +ten years. Then--' + +"'Listen, brother!' says the preacher guy. 'I referred to ants--little, +industrious critters that are examples of thrift to the idle, the +indignant, the--' + +"'Hold on!' says Toledo. 'Do you mean red ants or black ants?' And I +seen that a spark had touched Toledo's brainbox and that he was +wrastlin' with somethin' that felt like thinkin'. + +"'Either, my brother,' says the hoss-faced guy, smilin' clear up to his +back teeth. + +"'Well, you're drawin' your dope from the wrong can,' says Toledo, +shufflin' for the door. 'Because,' says he, turnin' in the doorway, +'because, how in hell is a fella goin' to find any ants with two feet of +snow on the ground?' + +"And then Toledo and me went out. It was a mighty cold night." + +Overland Red rolled a cigarette, pausing in his narrative to see whether +Winthrop, who sat with bowed head, was asleep or not. + +Winthrop glanced up. "I'm awake," he said, smiling. "Very much awake. I +can see it all--you two, down on your luck, and the snow freezing and +melting on the bottoms of your trousers. And the stuffy little rescue +mission with a few weary faces and many empty chairs; the 'preacher +guy,' as you call him, earnest, and ignorant, and altogether wrong in +trying to reason with Toledo Blake's empty stomach." + +"That's it!" concurred Overland. "A empty stomach is a plumb +unreasonable thing. But the preacher guy done some good, at that. He set +Toledo Blake to thinkin' which was somethin' new and original for +Toledo. + +"It was nex' spring Toledo and me was travelin' out this way, inspectin' +the road-bed of the Santa Fé, when we runs onto a big red-ant's nest in +the sand alongside of the track. Toledo, he squats down and looks. The +first thing he sees was a leetle pa ant grab up a piece of crust twice +his size and commence sweatin' and puffin' to drag it home to the kids. + +"'The leetle cuss!' says Toledo. 'He's some strong on the lift!' And +Toledo, he takes the piece of crust from the pa ant and sticks it at the +top of the hole, thinkin' to help the pa ant along. But the pa ant, he +hustles right up and grabs the crust and waves her around his head a +couple of times to show how strong he is, and then starts back to where +he found the crust. Down he plumps it--gives it a h'ist or two and then +grabs it up. He waves it around in his mitts and wobbles off toward the +hole again. Independent? Well, mostly! + +"Toledo, he said nothin', but his eyes was pokin' out of his head tryin' +to think. You never see a man sweat so tryin' to get both hands onto a +idea at once. His dome was kind of flat, but he could handle one idea, +in single harness, at a time. + +"Anyhow, the next town we strikes, Toledo, he quits me and gets a sort +of chambermaid's job tidyin' up around a little old boiler-factory and +machine-shop; pilin' scrap-iron and pig-iron and little things like +that. And he stuck, too. + +"A couple of years after that I was beatin' it on a rattler goin' west, +and I drops off at that town. About the first thing I seen was Toledo +comin' down the street. Alongside of him was a woman carry in' a kid in +her arms, and another one grazin' along close behind. And Toledo had a +loaf of bread under his arm. + +"'This here is Mrs. Blake,' says Toledo, kind of nervous. + +"'I am glad she is,' says I. 'Toledo, you're doin' well. Don't know +nothin' about the leetle colt in the blanket, but the yearlin' is built +right. He's got good hocks and first-class action.' + +"Mrs. Toledo, she kind of sniffed superior, but said nothin'. You know +that kind of sayin' nothin' which is waitin' for you to move on. + +"'Won't you come up to the shack and have grub?' says Toledo, hopin' I'd +say 'No.' + +"'Nope,' says I. 'Obliged jest the same. I see you got hep to the ant +all right.' + +"'I'll let you know I'm nobody's aunt!' says Mrs. Toledo, yankin' the +yearlin' off his hoofs and settin' him down again. For a fact, she thunk +I was alludin' to her. + +"'Of course not, madam,' says I, polite, and liftin' me lid. 'And I +judge somebody's in luck at that.' + +"I guess it was her not used to bein' spoke and acted polite to that got +her goat. Mebby she smelt somethin' sarcastic. I dunno. Anyhow, she was +a longhorn with a bad eye. 'Go on, you chicken-lifter!' she says. + +"Bein' no hand to sass a lady, I said nothin' more to _her_. But I hands +Toledo a jolt for bein' ashamed of his old pal. + +"'Well, so long,' says I, kind of offhand and easy. 'So long. I'll tell +Lucy when I see her that you was run over by a freight and killed. Then +she can take out them papers and marry Mike Brannigan that's been +waitin' in the hopes you'd pass over. You remember Mike, the cop on +Cherry Street. You oughta. He's pinched you often enough. 'Course you +do. Well, so long. Little Johnny was lookin' fine the last I seen of +him. He's gettin' more like his pa every day. But I got to beat it.'" + +Overland Red leaned back and puffed a great cloud of smoke from a fresh +cigarette. + +"Who was Lucy?" asked Winthrop. + +"Search me!" replied Overland. "They wasn't any Lucy or nobody like +that. But I'd like to 'a' stayed to hear Toledo explain that to Mrs. +Toledo, though. She was a hard map to talk to." + +"I suppose there's a moral attached to that, or, more properly, embodied +in that story. But it is good enough in itself without disemboweling it +for the moral." + +"You can't always go by ants, neither," said Overland. + +Winthrop nodded. His eyes were filled with the awe of great distances +and innumerable stars. "Gold!" he whispered presently, as one whispers +in dreams. "Gold! Everywhere! In the sun--in the starlight--in the +flowers--in the flame. In wine, in a girl's hair.... Gold! Mystery.... +Power ... and as impotent as Fate." Winthrop's head lifted suddenly. +"What shall we call the mine?" he asked. + +Overland Red started, as though struck from ambush. "How did you guess?" +he queried. + +"Guess what?" + +"That I was thinkin' about the claim?" + +"I didn't guess it. I was dreaming. Suddenly I asked a question, +without knowing that I was speaking." + +"Mebby I was bearin' down so hard on the same idea that you kind of felt +the strain." + +"Possibly. That's not unusual. What _shall_ we call it?" + +"Wha--I was thinkin' of callin' it the 'Rose Girl' after a girl Collie +and me knows up Moonstone Cañon way." + +"It's rather a good name," said Winthrop. "Is the girl pretty?" + +"Pretty? Gosh! That ain't the word. Her real name is Louise Lacharme, +and, believe me, Billy, she's all that her name sounds like, and then +some." + + + + +CHAPTER XV + +SILENT SAUNDERS + + +One after another, in the course of the two years following Collie's +arrival, the old riders of the Moonstone Rancho drifted away. There +remained but Brand Williams the foreman, Collie, and the sturdy, +hard-riding Miguel, a young Spanish vaquero who was devoted to but two +things in life, his splendid pinto pony, and the Moonstone Ranch. + +The others had been lured to the new oil-fields up north--to the +excitement of Goldfield, or to Mexico City, where even more excitement +promised. In their stead came new men--Bud Light, Parson Long, Billy +Dime, and one Silent Saunders. + +Louise became acquainted with the new men while riding with her uncle. +She was his constant companion in the hills. One by one the new arrivals +became devoted to her. Her sincere interest in the ranch work pleased +them, and naturally, for it was their work. Walter Stone was also +pleased with his niece's interest in the detail of the ranch work. She +was as a daughter to him. Some day the property would be hers. + +Fully conscious, from within herself, of her dependence upon her uncle, +Louise managed to be of inestimable service. She performed her +self-allotted tasks without ostentation. She had that rare quality of +stimulating enthusiasm among the men--enthusiasm for their work and +pride in giving faithful and energetic service--pride in accomplishing a +little more each day than was asked or expected of them. Louise's youth, +her beauty, her sincerity, and, above all, her absolute simplicity of +manner commanded admiration and respect among the hard-riding Moonstone +boys. She was, to them, a "lady," yet a lady they could understand. Hers +was a gentle tyranny. A request from her was deemed a great compliment +by its recipient. + +All of them, with the exception of Collie, openly praised her +horsemanship, her quiet daring, her uniform kindness. Her beauty had +ceased to be commented upon. It was accepted by them as one accepts the +fragrant beauty of a rose, naturally, silently, gratefully. + +Collie had gained in height and breadth of shoulder. He no longer needed +instruction in managing broncho stock. He loved the life of the hills; +the cool, invigorating mornings, the keen wind of the noon peaks, the +placidity of the evening as the stars multiplied in the peaceful sky. + +He became that rare quantity among cowmen, a rider who handled and +mastered unbroken horses without brutality. This counted heavily for him +both with Louise and Walter Stone. Men new to the range laughed at his +method of "gentling" horses. Later their laughter stilled to envious +desire. Lacking his invariable patience, his consistent magnetism, they +finally resumed their old methods, and earned dominance by sheer +strength of arm--"main strength and awkwardness," as Williams put it. + +"It's easy--for him," commented Brand Williams, discussing Collie's +almost uncanny quelling of a vicious, unbitted mustang. "It's easy. You +fellas expect a boss to buck and bite and kick and buffalo you +generally. _He_ don't. He don't expect anything like that, and he don't +let 'em learn how." + +"Can you work it that way?" asked Billy Dime. + +"Nope. I learned the other way and the bosses knows it. I always had to +sweat. He's born to it natural, like a good cow-pony is." + +And Collie looked upon his work as a game--a game that had to be played +hard and well, but a game, nevertheless. Incidentally he thought often +of Overland Red. He had searched the papers diligently for a year, +before he received the first letter from Overland. The news it contained +set Collie to thinking seriously of leaving the Moonstone Rancho and +joining his old companion in this new venture of gold-digging which, as +Overland took pains to explain, was "paying big." But there was +Louise.... They were great friends. They had even ridden to town +together and attended the little white church in the eucalyptus +grove.... He thought of their ride homeward late that Sunday +afternoon.... + + * * * * * + +Once and once only had Overland's name been mentioned in the bunk-house. +Saunders, discussing horses and riders in general, listened to Collie's +account of Overland's escape from the deputy, Tenlow. Then he spoke +slightingly of the feat, claiming that any man who had ever ridden range +could do as much, with the right pony. + +Brand Williams tried to change the subject, for shrewd reasons of his +own, but Collie flamed up instantly. "I got a little saved up," he said; +"mebby eight hundred. She's yours if you dast to walk a horse, comin' or +goin', over that drift that Red took on the jump. Are you game?" + +"I'm not on the bet," replied Saunders. "So Overland Red is a friend of +yours, eh?" + +"Overland Red could ride where you dassent to walk and drag a halter," +asserted Collie. Then he relapsed to silence, a little ashamed in that +he had been trapped into showing temper. + +Williams the taciturn astonished the bunk-house by adding: "The kid is +right. Red could outride most men. I was his pal once, down in Sonora. +There ain't a better two-gun artist livin'." And the lean foreman looked +pointedly at Saunders. + +Saunders smiled evilly. He had reason to believe that Williams had +spoken the truth. + + * * * * * + +A few weeks later, Williams, returning unexpectedly to the bunk-house, +found Saunders changing his shirt preparatory to a ride to town. The +rest of the boys were already on their way to the Oro Rancho across the +valley. Williams saw two puckered scars, each above the elbow on +Saunders's bared arms. + +"That was dam' good shootin'," said the foreman, indicating the other's +scarred arms. + +"Fair," said Saunders gruffly. + +"Takes a gun-artist to put a man out of business that way and not finish +him," said Williams, smiling. + +"Cholo mix-up," said Saunders. + +"And shootin' from the ground, at that," continued Williams. "And at a +fella on a horse. Easy to see that, for the both holes are slantin' up. +The shootin' was done from below." + +Saunders flushed. He was about to speak when Williams interrupted him. +"Makes me think of some of Overland Red's--that is, old Red Jack +Summers's fancy work. I don' know why," he drawled, and turning he left +the bunk-house. + +Collie, returning from a visit to the Oro Rancho that evening, was met +by Williams. The latter was on foot. + +"Drop into my shack after dark," said the foreman. Then he stepped back +into the bushes as the other men rode up. + +The foreman's interview with Collie that evening was brief. It left a +lot to the imagination. "You said too much about Overland Red the other +night, when you was talkin' to Silent Saunders," said Williams. "He's +tryin' to find out somethin'. I don't know what he's after. Keep your +eye peeled and your teeth on the bit. That's all." + + + + +CHAPTER XVI + +BLUNDER + + +"Oh, he's built all right, and he comes of good stock," said Brand +Williams, nodding toward a bay colt that stood steaming in the sun. + +It had rained the night before--an unexpected shower and the last of the +winter rains. Now that the snow had left the hills, the young stock, +some thirty-odd year-old colts had been turned into the north range. +Collie and Williams had ridden over to look at the colts; Williams as a +matter of duty, Collie because he was interested and liked Williams's +society. + +The colt, shaking itself, turned and nipped at its shoulder and switched +its tail. + +"He's stayed fat, too," continued Williams. "But look at him! He's +bitin' and switchin' because he's wet. Thinks it's fly-time a'ready. +He's jest a four-legged horse-hide blunder. I know his kind." + +Collie, dismounting and unbuttoning his slicker, rolled it and tied it +to the saddle. "I guess you're right, Brand. Last week I was over this +way. He had his head through the corral bars at the bottom and he +couldn't get loose. He was happy, though. He must have been there quite +a spell, for he ate about half a bale of hay. I got him loose and he +tried his darndest to kick my head off." + +"Uhuh," grunted the foreman. "Reckon it's the last rain we'll get this +year. Now would you look at that! He's the limit!" + +The colt, sniffing curiously at a crotch in the live-oak against which +he had been rubbing, had stepped into the low fork of the tree. Perhaps +he had some vague notion to rub both his sides at once as an economy of +effort. His front feet had slipped on the wet ground. He went down, +wedged fast. He struggled and kicked. He nickered plaintively, and +rolled his terror-stricken eyes toward the cowmen in wild appeal. + +"And like all of his kind, hoss and human," said Williams, dismounting, +"he's askin' for help in a voice that sounds like it was our fault that +he's in trouble. He's the limit!" + +With much labor they finally released the colt, who expressed prompt +gratitude by launching a swift and vicious kick at Collie. + +"He's feeling good enough," said that youth, coolly picking up his hat +that had dropped as he dodged. + +"Yes. All he needs is a couple of punchers and a hoss-doctor and a +policeman to ride round with him and keep him out of trouble. He's no +account; never will be," growled Williams. + +"I don't know, Brand. He's a mighty likely-looking and interesting +specimen. He's different. I kind of like him." + +"Well, I don't. I ain't got time. He's always goin' to manufacture +trouble, when he don't come by it natural. He's got a kind eye, but no +brains behind it." + +They mounted and rode up the hill, looking for breaks in the fences and +counting the colts, some of whom, luxuriously lazy in the heat of the +sun, stood with lowered heads, drowsing. Others, scattered about the +hillsides and in the arroyos, grazed nippingly at the sparse +bunch-grass, moving quickly from clump to clump. + +The "blunder" colt seemed to find his own imbecilities sufficiently +entertaining, for he grazed alone. + +The foreman's inspection terminated with the repairing of a break in the +fence inclosing the spring-hole, a small area of bog-land dotted with +hummocks of lush grass. Between the hummocks was a slimy, black ooze +that covered the bones of more than one unfortunate animal. The heavy, +ripe grass lent an appearance of stability, of solidity, to the +treacherous footing. + +Williams and Collie reinforced the sagging posts with props of fallen +limbs and stones carried from the trail below. They piled brush where +the wire had parted, filling the opening with an almost impassable +barrier of twisted branches. Until the last rain, the spring-hole fence +had appeared solid--but one night of rain in the California hills can +work unimaginable changes in trail, stream-bed, or fence line. + +"Get after that fence first thing in the morning," said Williams as he +unsaddled the pinto that afternoon. "I noticed the blunder colt followed +us up to the spring. If there's any way of gettin' bogged, he'll find +it, or invent a new way for himself." + +The blunder colt's mischief-making amounted to absolute genius. There +was much of the enterprising puppy in his nature and in his methods. The +impulse which seemed to direct the extremely uneven tenor of his way +would have resolved itself orally into: "Do it--and then see what +happens!" He was not vicious, but brainlessly joyful in his mischief. + +As the foreman and Collie disappeared beyond the crest of the hill, the +colt, who had watched them with absurdly stupid intensity, lowered his +head and nibbled indifferently at the grass along the edge of the +spring-hole fence. He approached the break and sniffed at the props and +network of branches. This was interesting! And a very carelessly +constructed piece of fence, indeed! He would investigate. The blunder +colt was never too hungry to cease grazing and turn toward adventure. + +He nosed one of the props. He leaned against it heavily, deliberately, +and rubbed himself. Verily "His eye had all the seeming of a demon's +that is dreaming"--of unalloyed mischief. + +The prop creaked, finally became loosened, and fell. The colt sprang +back awkwardly, snorting in indignant surprise. "The very idea!" he +would have said, even as he would have chewed gum and have worn a +perpetual tear in his trousers had he been human. + +With stiff stealthiness he approached the break again, pretending a +hesitancy that he enjoyed immensely. He reached under the lower wire, +neck outstretched, and nibbled at a bunch of ripe grass. There was +plenty of grass within easier reach, but he wanted the unattainable. A +barb caught in his mane. He jerked his head up. The barb pricked his +neck. He jerked harder. Another prop became loosened. Then he strode +away, this time with calm indifference. He pretended to graze, but his +eye roved back to the break. His attitude expressed a sly +alertness--something of the quiet vigilance a grazing horse betrays when +one approaches with a bridle. He drew nearer the fence again. With head +over the top wire he gazed longingly at the clumps of grass on the +hummocks scattered over the muck of the overflow. His shoulder needed +scratching. With drooping head, eyes half-closed, and lower lip pendant, +he rubbed against the loosened post. The post sagged and wobbled. +Whether it was deliberate intent, or just natural "horse" predominating +his actions, it would be difficult to determine. Finally the post gave +way and fell. The colt drew back and contemplated the opening with a +vacuous eye. It was not interesting now. No, indeed! He wandered away. + +But in the dusk of that evening, when a chill dew sparkled along the +edges of the bog, he came, a clumsy shadow and grazed among the +hummocks. Slowly he worked toward the treachery of black ooze that shone +in the starlight. He sank to his fetlocks. He drew his feet up one after +another, still progressing toward the centre of the bog, and sinking +deeper at each step. He became stricken with fear as he sank to his +hocks. He plunged and snorted. The bog held him with a soft, detaining +grip--and drew him slowly down. He nickered, and finally screamed in +absolute terror. Up to his heaving belly the black mud crept. He flung +himself sideways. Exhausted, he lay with neck and head outstretched. +Again he struggled, his eyes wild and protruding with the blood pressure +of his straining. Then the chill of night crept over him. He became +quiet--shivered a little, and nickered faintly. + +In the willows a little owl called pensively. + + * * * * * + +The morning light, streaming across the hills, spread like raw gold over +the bog. Collie whistled as he rode down the trail, and beat his gloved +hands to keep warm. He heard a plaintive whinny and a bubbling gasp. He +leaped from his pony, the coiled riata in his hand as he touched the +ground. + +The blunder colt, neck outstretched, was still above the ooze. His eyes +were bloodshot, as their white rims showed. His nose quivered and +twisted with his quick, irregular breathing. + +It was a "two-man job," but Collie knew that the colt would probably be +gone before he could ride back and return with help. He swung the riata, +then hesitated. To noose the colt's neck would only result in strangling +it when he pulled. He found a branch large enough to stiffen the brush +near the break. Swiftly he built a shaky footing and crept out toward +the colt. By shoving the riata under the colt's belly with a forked +stick, and fishing the loose end up on the other side, he managed to get +a loop round the animal's hind quarters. He mounted his own horse and +took a turn of the riata round the saddle-horn. + +His pony set its feet and leaned to the work. Slowly the colt was drawn +to solid ground. + +He was a pitiful object as he lay panting and shivering, plastered with +mud and black slime, and almost dead from shock and chill. Collie spread +his slicker over him and rode up the hill at a trot. The blunder colt +raised its head a little, then dropped it and lay motionless. + + * * * * * + +When Collie and Billy Dime returned with gunnysacks and an old blanket, +the sun had warmed the air. The mud on the colt's side and neck had +begun to dry. + +Billy Dime commented briefly. "He's a goner. He's froze clean to his +heart. Why didn't you leave him where he was?" + +Collie spread the gunnysacks on a level beneath a live-oak, beneath +which they dragged the colt and covered him with the blanket. They gave +him whiskey with water that they heated at a little fire of brush. The +colt lifted its head, endeavoring spasmodically to get to its feet. + +"He's wearin' hisself out. He ain't got much farther to go," said Billy +Dime, mounting and turning his pony. "Come on, kid. If he's alive +to-morrow mornin'--good enough." + +"I think I'll stay awhile," said Collie. "Brand says he isn't worth +saving, but--I kind of like the cuss. He's different." + +"Correct, nurse, he is. You can telephone me if the patient shows signs +of bitin' you. Keep tabs on his pulse--give him his whiskey regular, but +don't by no means allow him to set up in bed and smoke. I'll call again +nex' year. So long, sweetness." + +"You go plump!" laughed Collie. + +And Billy Dime rode over the hill singing a dolefully cheerful ditty +about burying some one on the "lo-o-ne prairee." To him a horse was +merely something useful, so long as it could go. When it couldn't go, he +got another that could. + +Collie replenished the smoking fire, scraped some of the mud from the +colt's thick, winter coat, and heated a half-dozen large stones. + +His brother cowmen would have laughed at these "tender ministrations," +and Collie himself smiled as he recalled Billy Dime's parting +directions. + +Collie placed the heated stones round the shivering animal, re-dried the +blanket at the fire, and covered the pitifully weak and panting +creature. The colt's restless lifting of its head he overcame by sitting +near it and stroking its muzzle with a soothing hand. + +Time and again he rose to re-heat the stones and replenish the fire. The +colt's breathing became less irregular. He gave it more of the hot +whiskey and water. + +Then he mended the fence. He had brought an axe with him and a supply of +staples. + +Toward mid-afternoon he became hungry and solaced himself with a +cigarette. + +Again the blunder colt became restless, showing a desire to rise, but +for lack of strength the desire ended with a swaying and tossing of its +head. + +Evening came quickly. The air grew bitingly chill. Collie wished that +one of the boys would bring him something to eat. The foreman surely +knew where he was. Collie could imagine the boys joking about him over +their evening "chuck." + +With the darkness he drew on his slicker and squatted by the fire. He +fell asleep. He awoke shivering, to find the embers dull. The stars were +intensely brilliant and large. + +Once during the evening he made up his mind to return to the +ranch-house, but a stubborn determination to save the colt, despite the +ridicule he knew he would elicit, held him to his task. Should he leave, +the colt might become chilled again and die. Then he _would_ be open to +ridicule. Collie reasoned that he must finish the task as he had begun +it--thoroughly. + +Again he heated the stones, warmed the blanket, and gave "Blunder," as +he now called him affectionately, some hot whiskey. Then he built a +larger fire, wrapped himself in his saddle-blankets, and, with feet to +the blaze, slept. His own pony grazed at large, dragging a rope. + +Habit brought Collie awake early. The fire had gone out. He was stiff +with cold. Arising, he glanced at the heap beneath the blanket ringed +with stones. "Time to eat!" he cried lustily, and whipped the blanket +from the mud-encrusted Blunder. The colt raised its head, struggled, put +out one stiff fore leg, and then the other. Collie grabbed the animal's +tail and heaved. Blunder humped himself--and was on his feet, wobbling, +dizzy-eyed, scandalously "mussed up"--but alive! + +"Whoop-ee!" shouted Collie as the colt staggered a pace or two trying +his questionable strength. "Gee! But I'm hungry!" + +The Blunder, a mere caricature of a horse in pose and outward seeming, +gazed at his rescuer with stupid eyes. He had not the faintest idea what +all the joy was about, but something deep in his horse nature told him +that the boisterous youth was his friend. Timidly he approached Collie, +wagged his head up and down experimentally, as if trying his neck +hinges, and reached out and nuzzled the young man's hand, nipping +playfully at his fingers. + +Collie was dumbfounded. "He's thankin' me--the little cuss! Why, you +rubber-kneed, water-eyed mud turtle you! I didn't know you had that +much sense." + +The youth did not hear the regular beat of hoofs as Williams loped up, +until the colt, stilt-legged, emitted a weak nicker. Collie turned. + +Williams smiled grimly. "Knew you'd stick," he said. + +He gazed at the revived colt, the circle of stones, and the blanket. He +made no comment. + +Collie caught up his pony and mounted. As they rode over the hill +together, Williams, turning in the saddle, laughed and pointed down +toward the arroyo. + +The blunder colt, apparently overjoyed to be alive, had ambled awkwardly +up to one of his mates who stood stolidly waiting for the sun to warm +him. The other colt, unused to the Blunder's society and perhaps +unfavorably impressed by his dissipated appearance, received this +friendly overture with a pair of punishing hoofs. Blunder staggered and +fell, but scrambled to his feet again, astonished, indignant, highly +offended. + +"If you was to drive that blunder colt up to horse-heaven and he knew it +_was_ horse-heaven, you'd have to turn him around and back him in. Then +I reckon he'd bust the corral tryin' to get out again." + +Collie grinned. "Well, I wouldn't this morning--if there was anything +to eat there, even hay." + +"Well, you don't get your breakfast at the chuck-house _this_ morning," +said Williams gruffly. + +"I don't, eh? Since when?" + +Williams again turned in his saddle, observing Collie for a minute +before he spoke. "I see you're smilin', so I'll tell you. Since when? +Well, since about two hours ago, when Miss Louise come steppin' over to +the bunk-house and asks where you are. Billy Dime ups and tells her you +was sick-nursin' the blunder colt. She didn't smile, but turned to me +and asked me. I told her about what was doin'. I seen she had it in for +somebody. It was me. 'Brand,' she says, quiet-like, 'is it customary on +the Moonstone for lunch or dinner to be taken to the men that are +staying out from camp?' + +"'Yes, ma'am,' says I. + +"And the plumb hell of it was," continued Williams, "she didn't say +another word. I wisht she had. I feel like a little less than nothin' +shot full of holes this lovely mornin'." + +Collie rode on silently. + +"Why don't you say somethin'?" queried Williams. + +"I was waiting for the rest of it," said Collie. + +Williams laughed. "I guess you ain't such a fool, at that, with your +nussin' stock and settin' up nights with 'em. Miss Louise says to tell +you to come right up to the house,--the _house_, you understand,--and +get your breakfast with them. They said they was goin' to wait for you. +I guess that ain't throwin' it into the rest of us some. Keep it up, +Collie kid, keep it up, and you'll be payin' us all wages some day." + + + + +CHAPTER XVII + +GUESTS + + +A month had passed since the rescue of the blunder colt. The air was +warm and clear, the sky intensely blue. Moonstone Cañon grew fragrant +with budding flowers. The little lizards came from their winter crevices +and clung to the sun-warmed stones. A covey of young quail fluttered +along the hillside under the stately surveillance of the mother bird. +Wild cats prowled boldly on the southern slopes. Cotton-tails huddled +beneath the greasewood brush and nibbled at the grasses. The cañon +stream ran clear again now that the storm-washed silt had settled. On +the peaks the high winds were cold and cutting, but on the slopes and in +the valleys the earth was moist and warm. + +Louise, humming a song, rode slowly along the Moonstone Cañon Trail. At +the "double turn" in the cañon, where dwelt Echo and her myrmidons, +Louise rode more slowly. + + "Dreaming Fance, the cobbler's son, took his tools and laces, + Wrought her shoes of scarlet dye, shoes as pale as snow. + They shall lead her wild-rose feet all the faëry paces, + Danced along the road of love, the road such feet should go." + +She sang slowly, pausing after each line that the echoes might not blur. + +"Danced along ... along ... the road ... of love, the road ... of +love ... of love," sang the echoes. + +Louise smiled dreamily. Then the clatter of Boyar's shod hoofs rang and +reëchoed, finally to hush in the gravel of the ford beyond. + +Why Louise thought of Collie just then, it would be difficult to +imagine. Still, she had, ever since his night's vigil with the blunder +colt, caught herself noting little details associated with him and his +work. He brushed his teeth. Not all of the other men did. He did not +chew tobacco. Despite his lack of early training, he was naturally neat. +He disliked filth instinctively. His bits, spurs, and trappings shone. +He had learned to shoe his string of ponies--an art that is fast +becoming lost among present-day cowmen. With little comment but faithful +zeal he copied Brand Williams. This, of course, flattered the taciturn +cowman, who unobtrusively arranged Collie's work so that it might bring +the younger man before the notice of Walter Stone, and incidentally +Louise. Of course, Louise was not aware of this. + +The girl no longer sang as she rode, but dreamed, with unseeing eyes on +the trail ahead--dreamed such dreams as one may put aside easily until, +perchance, the dream converges toward reality which cannot be so lightly +put aside. + +Brand Williams had his own ideas of romance; ideas pretty well submerged +in the deeps of hardy experience, but existing, nevertheless, and as +immovable as the bed of the sea. He badgered Collie whenever he chanced +to have seen him with the Rose Girl, and smiling inwardly at the young +man's indignation, he would straightway arrange that Collie should ride +to town, for, say, a few pounds of staples wanted in a hurry, when he +knew that the buckboard would be going to town on the morrow, and also +that there were plenty of staples in the storeroom. + +Something of the kind was afoot, or rather a-saddle, as Louise rode down +the Moonstone Trail, for beyond the turn and the rippling ford she saw a +lithe, blue-shirted figure that she knew. + +Louise would not have admitted even to herself that she urged Boyar. +Nevertheless the reins tightened and slackened gently. Boyar swung into +his easy lope. It pleased the girl that Collie, turning in his saddle at +the sound of hoofs, waved a salute, but did not check his horse. He had +never presumed on her frank friendship and "taken things for granted." +He kept his place always. He was polite, a little reticent, and very +much in love with Louise. Louise did not pretend to herself that she +was not aware of it. She was all the more pleased that Collie should act +so admirably. She had loaned him books, some of which he had read +faithfully and intelligently. In secret he had kissed her name written +on the flyleaf of each of them. He really rather adored Louise than +loved her, and he builded well, for his adoration (unintimate as +adoration must ever be until perchance it touches earth and is +translated into love) was of that blithe and inspiriting quality that +lifts a man above his natural self and shapes the lips to song and the +heart to unselfish service. He knew himself to be good-looking and not +altogether a barbarian. No morbid hopelessness clouded his broad +horizon. He knew himself and cherished his strength and his optimism. He +ate slowly, which is no insignificant item on the credit side of the big +book of Success. + +Collie lifted his broad-brimmed hat as Louise rode up. His face was +flushed. His lips were smiling, but his dark eyes were steady and grave. + +"'Morning, Collie! Boyar is just bound to lope. He never can bear to have +a horse ahead of him." + +"He don't have to, very often," said Collie. + +"Of course, there are Kentucky saddle-horses that could beat him. But +they are not cow-ponies." + +"No. And they couldn't beat him if they had to do his work in the +hills. About a week of the trails would kill a thoroughbred." + +"Boyar is very conceited, aren't you, Boy?" And she patted the sleek +arch of his neck. + +"I don't blame him," said Collie, his eyes twinkling. + +"Going all the way to town?" asked Louise. + +"Yes. Brand wants some things from the store." + +"I'm going to the station. We expect a telegram from some friends. Maybe +they'll be there themselves. I hope not, though. They said they were +coming to-morrow, but would telegraph if they started sooner. We would +have to get Price's team and buckboard--and I'd be ashamed to ride +behind his horses, especially with my--my friend from the East." + +"Boyar and this here buckskin colt would make a pretty fair team," +ventured Collie, smiling to himself. + +"To drive? Heavens, Collie, no! They've neither of them been in +harness." + +"I was just imagining," said Collie. + +"Of course!" exclaimed Louise, laughing. "I understand. Why, I must be +late. There's the train for the north just leaving the station. I +expected to be there in case the Marshalls did come to-day. But they +said they'd telegraph." + +"I can see three folks on the platform," said Collie. "One is the +agent; see his cap shine? Then there's a man and a woman." + +"If it's Anne, she'll never forgive me. She's so--formal about things. +It can't be the Marshalls, though." + +"We can ride," suggested Collie. And the two ponies leaped forward. A +little trail of dust followed them across the valley. + +At the station Louise found her guests, young Dr. Marshall and his wife; +also the telegram announcing the day they would arrive. + +"I'm sorry," began Louise; but the Marshalls silenced her with hearty +"Oh, pshaws!" and "No matters!" with an incidental hug from Anne. + +"Why, you have changed so, Anne!" exclaimed Louise. "What _have_ you +been doing? You used to be so terribly formal, and now you're actually +hugging me in public!" + +"The 'public' has just departed, Miss Lacharme, with your pony, I +believe. He rides well--the tall dark chap that came with you." + +"Oh, Collie. He's gone for the buckboard, of course. Stupid of me not to +drive down. We really didn't expect you until to-morrow, but you'll +forgive us all, won't you? You can see now how telegrams are handled at +these stations." + +Anne Marshall, a brown-eyed, rather stately and pleasingly slender girl, +smiled and shook her head. "I don't know. I may, if you will promise to +introduce me to that fascinating young cowboy that rode away with your +horse. I used to dream of such men." + +Young Dr. Marshall coughed. The girls laughed. + +"Oh, Collie?" said Louise. "Of course, you will meet him. He's our +right-hand man. Uncle Walter says he couldn't get along without him and +Aunty Eleanor just thinks he is perfect." + +"And Louise?" queried Anne Marshall. + +"Same," said Louise non-committally. "I don't see why he took Boyar with +him to the store, though." + + * * * * * + +The Marshalls and Louise paced slowly up and down the station platform, +chatting about the East and Louise's last visit there, before Anne was +married. Presently they were interrupted by a wild clatter of hoofs and +the grind and screech of a hastily applied brake. The borrowed +buckboard, strong, light, two-seated, and built for service, had arrived +dramatically. Collie leaned back, the reins wrapped round his wrists, +and his foot pressing the brake home. In the harness stood, or rather +gyrated, Boyar and Collie's own pony Apache. It is enough to say that +neither of them had ever been in harness before. The ponies were trying +to get rid of the appended vehicle through any possible means. Louise +gasped. + +"Price's team is out--over to the Oro Ranch. I knew you wanted a team in +a hurry--" said Collie. + +"It looks quite like a team in a hurry," commented Dr. Marshall. "Your +man is a good driver?" + +"Splendid!" said Louise. "Come on, Anne. You always said you wanted to +ride behind some real Western horses. Here they are." + +"Why, this is just--just--bully!" whispered the stately Anne Marshall. +"And isn't he a striking figure?" + +"Yes," assented Louise, who was just the least bit uncertain as to the +outcome of Collie's hasty assembling of untutored harness material. "It +is just 'bully.' Where in the world did you unearth that word, Anne?" + + + + +CHAPTER XVIII + +A RED EPISODE + + +Dr. Marshall's offhand designation of the buckboard as "a team in a +hurry" was prophetic, even unto the end. + +What Boyar could not accomplish in the way of equine gymnastics in +harness, Apache, Collie's pony, could. + +Louise was a little fearful for her guests, yet she had confidence in +the driver. The Marshalls apparently saw nothing more than a pair of +very spirited "real Western horses like one reads about, you know," +until Dr. Marshall, slowly coming out of a kind of anticipatory haze, as +Boyar stood on his hind feet and tried to face the buckboard, recognized +the black horse as Louise's saddle animal. He took a firmer grip on the +seat and looked at Collie. The young man seemed to be enjoying himself. +There wasn't a line of worry on his clean-cut face. + +"Pretty lively," said the doctor. + +Collie, with his foot on the brake and both arms rigid, nodded. +Moonstone Cañon Trail was not a boulevard. He was not to be lured into +conversation. He was giving his whole mind and all of his magnetism to +the team. + +Boyar and Apache took advantage of every turn, pitch, steep descent, and +ford to display the demoniacal ingenuity inspired by their outraged +feelings. They were splendid, obedient saddle-animals. But to be buckled +and strapped in irritating harness, and hitched to that four-wheeled +disgrace, a buckboard!... + +Anne Marshall chatted happily with Louise, punctuating her lively +chatter with subdued little cries of delight as some new turn in the +trail opened on a vista unimaginably beautiful, especially to her +Eastern eyes. + +Young Dr. Marshall, in the front seat with Collie, braced his feet and +smiled. _He_ had had experience, in an East-Side ambulance, but then +that had been over level streets. He glanced over the edge of the cañon +road and his smile faded a little. It faded entirely as the front wheel +sheared off a generous shovelful of earth from a sharp upright angle of +the hill as the team took the turn at a gallop. The young physician had +a sense of humor, which is the next best thing to courage, although he +had plenty of his kind of courage also. He brushed the earth from his +lap. + +"The road needs widening there, anyway," commented Collie, as though +apologizing. + +"I have my--er--repair kit with me," said the genial doctor. "I'm a +surgeon." + +Collie nodded, but kept his eyes rigidly on the horses. Evidently this +immaculate, of the white collar and cuffs and the stylish gray tweeds, +had "sand." + +"They're a little fussy--but I know 'em," said Collie, as Boyar, +apparently terror-stricken at a manzanita that he had passed hundreds of +times, reared, his fore feet pawing space and the traces dangerously +slack. Louise bit her lower lip and quickly called Anne's attention to a +spot of vivid color on the hillside. To Dr. Marshall's surprise, Collie +struck Apache, who was behaving, smartly with the whip. Apache leaped +forward, bringing Boyar down to his feet again. The doctor would have +been inclined to strike Boyar for misbehaving. He saw Collie's wisdom +and smiled. To have punished Boyar when already on his hind feet would +have been folly. + +At the top of the next grade the lathering, restive ponies finally +settled to a stubborn trot. "Mad clean through," said Collie. + +"I should say they were behaving well enough," said the doctor, not as +much as an opinion as to relieve his tense nerves in speech. + +"When a bronc' gets to acting ladylike, then is the time to look out," +said Collie. "Boyar and Apache have never been in harness before. Seems +kind of queer to 'em." + +"What! Never been--Why! Huh! For Heaven's sake, don't let Mrs. Marshall +hear that." + + * * * * * + +Walter Stone and his wife made the Marshalls feel at home immediately. +Walter Stone had known Dr. Marshall's father, and he found in the son a +pleasant living recollection of his old friend. Aunt Eleanor and Louise +had visited with Anne when they were East. She was Anne Winthrop then, +and Louise and she had found much in common to enjoy in shopping and +sightseeing. Their one regret was that Louise would have to return to +the West before her marriage to the young Dr. Marshall they all admired +so much. There had been vague promises of coming West after "things were +settled," as Anne put it. Which was merely another way of saying, "After +we are married and have become enough used to each other to really enjoy +a long trip West." + +The Marshalls had arrived with three years of happiness behind them, and +apparently with an æon or so of happiness to look forward to, for they +were quiet, unassuming young folks, with plenty of money and no desire +whatever to make people aware of it. + +The host brought cigars and an extra steamer-chair to the wide veranda. +"It's much cooler out here. We'll smoke while the girls tell each other +all about it." + +"I _should_ like to sit on something solid for a few minutes," said the +doctor. "It was a most amazing drive." + +"We're pretty well used to the cañon," said Stone. "Yet I can see how it +would strike an Easterner." + +"Indeed it did, Mr. Stone. There is a thrill in every turn of it, for +me. I shall dream of it." + +"Were you delayed at the station?" queried Stone. + +"We wired," said the doctor. "It seems that the telegram was not +delivered. Miss Lacharme explained that messages have to wait until +called for, unless money is wired for delivering them." + +"That is a fact, Doctor. Splendid system, isn't it?" + +"I am really sorry that we put Miss Lacharme to so much trouble. She had +to scare up a team on the instant." + +"Price, the storekeeper, brought you up, didn't he?" + +"I don't think so. Miss Louise called him 'Collie,' I believe. He'd make +a splendid army surgeon, that young man! He has nerves like tempered +steel wire, and I never saw such cool strength." + +"Oh, that's nothing. Any one could drive Price's horses." + +The doctor smiled. "The young man confided to me that their names were +'Boyar' and 'Apache,' I believe. They both lived up to the last one's +name." + +"Well, I'll be--Here, have a fresh cigar! I want to smoke on that. +Hu-m-m! Did that young pirate drive those saddle-animals--drive 'em from +the station to this rancho--Whew! I congratulate you, Doctor. You'll +never be killed in a runaway. He's a good horseman, but--Well, I'll talk +to _him_." + +"Pardon me if I ask you not to, Stone. The girls enjoyed it immensely. +So did I. I believe the driver did. He never once lost his smile." + +"Collie is usually pretty level-headed," said Walter Stone. "He must +have been put to it for horses. Price's team must have been out." + +"He's more than level-headed," asserted Dr. Marshall. "He's magnetic. I +could feel confidence radiating from him like sunshine from a brick +wall." + +"I think he'll amount to something, myself. Everything he tackles he +tackles earnestly. He doesn't leave loose ends to be picked up by some +one else later. I've had a reason to watch him specially. Three years +ago he was tramping it with a 'pal.' A boy tramp. Now see what he's +grown to be." + +"A _tramp_! No!" + +"Fact. He's done pretty well for himself since he's been with us. He had +a hard time of it before that." + +"I served my apprenticeship in the slums," said Dr. Marshall. "East-Side +hospital. I think that I can also appreciate what you have done for +him." + +"Thank you, Doctor,--but the credit belongs with the boy. Hello! Here +are our girls again." And Walter Stone and the doctor rose on the +instant. + +"I think I shall call you Uncle Walter," said Anne Marshall, who had not +met Walter Stone until then. + +"I'm unworthy," said the rancher, his eyes twinkling. "And I don't want +to be relegated to the 'uncle' class so soon." + +"_Thanksawfully_," said Louise. + +"Jealous, mouse?" + +"Indeed, no. I'm not Mrs. Marshall's husband." + +"I have already congratulated the doctor," said Walter Stone, bowing. + +"Doctor," said Anne, in her most formal manner. "You're antique. Why +don't you say something bright?" + +"I do, every time I call you Anne. I really must go in and brush up a +bit, as you suggest. You'll excuse me, I'm sure." + +"Yes, indeed,--almost with pleasure. And, Doctor, _don't_ wear your +fountain-pen in your white vest pocket. You're not on duty, now." + +In the shadows of the mountain evening they congregated on the veranda +and chatted about the East, the West, and incidentally about the +proposed picnic they were to enjoy a few days later, when "boots and +saddles" would be the order of the day. "And the trails are not bad, +Anne," said Louise. "When you get used to them, you'll forget all about +them, but your pony won't. He'll be just as deliberate and anxious about +your safety, and his, at the end of the week as he was at the +beginning." + +"Imagine! A week of riding about these mountains! How Billy would have +enjoyed it, Doctor." + +"Yes. But I believe he is having a pretty good time where he is." + +"We wish he could be here, Anne," said Louise. "I've never met your +brother. He's always been away when I have been East." + +"Which has been his misfortune," said Dr. Marshall. + +"He writes such beautiful letters about the desert and his mining +claim,--that's his latest fad,--and says he's much stronger. But I +believe they all say that--when they have his trouble, you know." + +"From Billy's last letter, I should say he was in pretty fair shape," +said the doctor. "He's living outdoors and at a good altitude, somewhere +on the desert. He's making money. He posts his letters at a town called +'Dagget,' in this State." + +"Up above San Berdoo," said Walter Stone. And he straightway drifted +into reverie, gazing at the bright end of his cigar until it faded in +the darkness. + +"Hello!" exclaimed Dr. Marshall, leaning forward. "Sounds like the +exhaust of a pretty heavy car. I didn't imagine any one would drive that +cañon road after dark." + +"Unusual," said Stone, getting to his feet. "Some one in a hurry. I'll +turn on the porch-light and defy the mosquitoes." + +With a leonine roar and a succeeding clatter of empty cylinders, an +immense racing-car stopped at the gate below. The powerful headlight +shot a widening pathway through the night. Voices came indistinctly from +the vicinity of the machine. Before Walter Stone had reached the bottom +step of the porch, a huge figure appeared from out the shadows. In the +radiance of the porch-light stood a wonderfully attired stranger. Frock +coat, silk hat, patent leathers, striped trousers, and pearl gaiters, a +white vest, and a noticeable watch-chain adorned the driver of the +automobile. He stood for a minute, blinking in the light. Then he swept +his hat from his head with muscular grace. "Excuse me for intrudin'," he +said. "I seen this glim and headed for it. Is Mr. Walter Stone at +lee-sure?" + +"I'm Walter Stone," said the rancher, somewhat mystified. + +"My name's Summers, Jack Summers, proprietor of the Rose Girl Mine." And +Overland Red, erstwhile sheriff of Abilene, cowboy, tramp, prospector, +gunman, and many other interesting things, proffered a highly engraved +calling-card. Again he bowed profoundly, his hat in his hand, a white +carnation in his buttonhole and rapture in his heart. He had seen Louise +again--Louise, leaning forward, staring at him incredulously. Wouldn't +the Rose Girl be surprised? She was. + +"I can't say that I quite understand--" began Stone. + +"Why, it's the man who borrowed my pony!" exclaimed Louise. + +"Correct, Miss. I--I come to thank you for lendin' me the cayuse that +time." + +Walter Stone simply had to laugh. "Come up and rest after your trip up +the cañon. Of course, you want to see Collie. He told me about your +finding the claim. Says you have given him a quarter-interest. I'm glad +you're doing well." + +"I took a little run in to Los to get some new tires. The desert eats +'em up pretty fast. The Guzzuh, she cast her off hind shoe the other +day. I was scared she'd go lame. Bein' up this way, I thought I'd roll +up and see Collie." + +"The 'Guzzuh'?" queried Stone. "You rode up, then?" + +"Nope. The Guzzuh is me little old racin'-car. I christened her that +right after I got so as I could climb on to her without her pitchin' me +off. She's some bronc' she is." + +Overland Red, despite his outward regeneration, was Overland Red still, +only a little more so. His overwhelming apparel accentuated his +peculiarities, his humorous gestures, his silent self-consciousness. But +there was something big, forceful, and wholesouled about the man, +something that attracted despite his incongruities. + +Anne Marshall was at once--as she told Louise later--"desperately +interested." Dr. Marshall saw in Overland a new and exceedingly virile +type. Even gentle Aunt Eleanor received the irrepressible with +unmistakable welcome. She had heard much of his history from Collie. +Overland was as irresistible as the morning sun. While endeavoring +earnestly to "do the genteel," as he had assured Winthrop he would when +he left him to make this visit, Overland had literally taken them by +storm. + +Young Dr. Marshall studied him, racking his memory for a name. Presently +he turned to his wife. "What was Billy's partner's name--the miner? I've +forgotten." + +"A Mr. Summers, I believe. Yes, I'm sure. Jack Summers, Billy called him +in his letters." + +"Just a minute," said the doctor, turning to Overland, who sat, +huge-limbed, smiling, red-visaged, happy. "Pardon me. You said Mr. Jack +Summers, I believe? Do you happen to know a Mr. Winthrop, Billy +Winthrop?" + +"Me? What, Billy? Billy Winthrop? Say, is this me? I inhaled a whole lot +of gasoline comin' up that grade, but I ain't feelin' dizzy. Billy +Winthrop? Why--" And his exclamation subsided as he asked cautiously, +"Did you know him?" + +"I am his sister," said Anne Marshall. + +Overland was dumbfounded. "His sister," he muttered. "The one he writ to +in New York. Huh! Yes, me and Billy's pardners." + +"Is he--is he better?" asked Anne hesitatingly. + +"Better! Say, lady, excuse me if I tell you he's gettin' so blame frisky +that he's got me scared. Why, I left him settin' on a rock eatin' a +sardine san'wich with one hand and shootin' holes in all the tin cans in +sight with the other. 'So long, Red!' he hollers as I lit out with the +burro to cross the range. 'So long, and don't let your feet slip.' And +_Pom!_ goes the .45 that he was jugglin' and another tin can passed +over. He takes a bite from the san'wich and then, _Pom!_ goes the gun +again and another tin can bites the dust, jest as free and easy as if he +wasn't keepin' guard over thirty or forty thousand dollars' worth of +gold-dust and trouble, and jest as if he ain't got no lungs at all." + +"Billy must have changed a little," ventured Dr. Marshall, smiling. + +"Changed? Excuse me, ladies. But when I first turned my lamps on him in +Los, I says to myself if there wasn't a fella with one foot in the grave +and the other on a banana-peel, I was mistook. And listen! He come out +to the Mojave with me. He jest almost cried to come. I was scared it was +vi'lets and 'Gather at the River,' without the melodeum, for him. But +you never see a fella get such a chest! Search me if I knows where he +got it from, for he wasn't much bigger around in the works than a +mosquito when I took him up there. And eat! My Gosh, he can eat! And a +complexion like a Yaqui. And he can sleep longer and harder and louder +than a corral of gradin' mules on Saturday night! 'Course he's slim +yet, but it's the kind of slim like rawhide that you could hobble a +elephant with. And, say, he's a pardner on your life! Believe me, and +I'm listenin' to myself, too." + +"His lungs are better, then?" + +"Lungs? He ain't got none. They're belluses--prime California skirtin' +leather off the back. Lady, that kid is a wonder." + +"I'm awfully glad Billy is better. He _must_ be, judging from what you +tell me." + +"I wisht I'd 'a' had him runnin' the 'Guzzuh' instead of that little +chicken-breasted chaffer they three-shelled on to me in Los Angeles. I +hired him because they said I 'd better take him along until I was some +better acquainted with the machine. The Guzzuh ain't no ordinary +bronc'." + +"The 'Guzzuh'?" queried Dr. Marshall. + +"Uhuh. That's what I christened her. She's a racer. She's sixty +hoss-power, and sometimes I reckon I could handle sixty hosses easier to +once than I could her. We was lopin' along out in the desert, 'bout +fifty miles an hour by the leetle clock on the dashboard, when all of a +sudden she lays back her ears and she bucks. I leans back and keeps her +head up, but it ain't no use. She gives a jump or two and says +'_Guzzuh!_' jest like that, and quits. I climbs out and looked her over. +She sure was balky. I was glad she said _somethin'_, if it was only +'Guzzuh,' instead of quittin' on me silent and scornful. Sounded like +she was apologizin' for stoppin' up like that. I felt of her chest and +she was pretty much het up. When she cooled off, I started her +easy--sort of grazin' along pretendin' we wasn't goin' to lope again. +When she got her second wind I give her her head, and she let out and +loped clean into the desert town, without makin' a stumble or castin' a +shoe. Paid three thousand for her in Los. She is guaranteed to do eighty +miles on the level, and she does a whole lot of other things that ain't +jest on the level. She'd climb a back fence if you spoke right to her. A +sand-storm ain't got nothin' on her when she gets her back up." + +"Your car must be unique," suggested Walter Stone. + +"Nope. She ain't a 'Yew-neck.' I forget her brand. I ain't had her very +long. But I can run her now better than that little +two-dollar-and-a-half excuse they lent me in Los. He loses his nerve +comin' up the cañon there. You see the Guzzuh got to friskin' round the +turns on her hind feet. So I gives him a box of candy to keep him quiet +and takes the reins myself. I got my foot in the wrong stirrup on the +start--was chokin' off her wind instead of feedin' her. Then I got my +foot on the giddap-dingus and we come. The speed-clock's limit is ninety +miles an hour and we busted the speed clock comin' down that last +grade. But we're here." + +Dr. Marshall and Walter Stone gazed at each other. They laughed. +Overland smiled condescendingly. Anne Marshall had recourse to her +handkerchief, but Louise did not smile. + +"Does Billy ever drive your car?" asked Anne Marshall presently. + +"He drives her in the desert and in the hills some. He drove her into a +sand-hill once clean up to her withers. When he came back,--he kind of +went ahead a spell to look over the ground, so he says,--he apologizes +to her like a gent. Oh, he likes her more 'n I do. Bruck two +searchlights at one hundred dollars a glim, but that's nothin'. Oh, yes, +Billy's got good nerve." + +Overland shifted his foot to his other knee and leaned back luxuriously, +puffing fluently at his cigar. + +"Billy did get to feelin' kind of down, a spell back. He had a argument +with a Gophertown gent about our claim. I wasn't there at the time, but +when I come back, I tied up Billy's leg--" + +"Goodness! His leg?" exclaimed Anne. + +"Yes, ma'am. The Gophertown gent snuck up and tried to stick Billy up +when Billy was readin' po'try--some of mine. Billy didn't scare so easy. +He reaches for his gun. Anyhow, the Gophertown gent's bullet hit a rock, +and shied up and stung Billy in the leg. Billy never misses a tin can +now'days, and the gent was bigger than a can. We never seen nothin' of +him again." + +"Gracious, it's perfectly awful!" cried Anne. + +"Yes, lady. That's what Billy said. He said he didn't object to gettin' +shot at, but he did object to gettin' hit, especially when he was +readin' po'try. Said it kind of bruck his strand of thought. That guy +was no gent." + +Walter Stone again glanced at Dr. Marshall. Aunt Eleanor rose, bidding +the men good-night. Louise and Mrs. Marshall followed somewhat +reluctantly. Stone disappeared to return with cigars, whiskey and +seltzer, which he placed at Overland's elbow. "My friend Dr. Marshall is +an Easterner," he said. + +Overland waved a comprehending hand, lit another cigar, and settled +back. "Now I can take the hobbles off and talk nacheral. When you gents +want me to stop, just say 'Guzzuh.'" + + + + +CHAPTER XIX + +"TO CUT MY TRAIL LIKE THAT!" + + +Overland Red was concluding his last yarn, a most amazing account of +"The night the Plancher boys shot up Abilene." + +It was exactly two o'clock by Dr. Marshall's watch. + +"Both my guns was choked up with burnt powder. I reached down and +borrowed two guns off a gent what wasn't usin' his jest then. Next day I +was elected sheriff unanimous. They was seven of us left standin'. That +was back in '98." Overland yawned and stood up. + +"The boys are all asleep now," said Walter Stone. "We have plenty of +room here. You'll not object to taking one of the guest-rooms as you +find it, I'm sure." + +"For better or for worse, as the pote says." And Overland grinned. "But +I got to put that little chaffer to roost somewhere." + +"That's so." + +"I'll go wake him up." And Overland strode to the racing-car. The +"chaffer" had departed for parts unknown. + +"I guess he was scared at that last grade," said Overland, returning to +the house. "He's gone. He must 'a' been scared, to beat it back down the +road afoot." + +"Perhaps he has gone to the stables," said Stone. "Well, we'll take care +of you here. You can see Collie in the morning." + +Overland, closing the door of the spacious, cool guest-room, glanced +about curiously. What was it made the place seem so different from even +the most expensive hotel suites? The furniture was very plain. The +decorations were soft-toned and simple. "It's--it's because the Rose +Girl lives here, I guess," he soliloquized. "Now this kind of a roost +would jest suit Billy, but it makes me feel like walkin' on eggs. This +here grazin' is too good for me." + +He undressed slowly, folding his unaccustomed garments with great care. +He placed his automatic pistol on the chair by the bed. Then he crept +beneath the sheets, forgetting to turn out the light. "Huh! Gettin' +absent-minded like the old perfessor what picked up a hairbrush instead +of a lookin'-glass to see if he needed shavin'. He was dum' near scared +to death to see how his beard was growin'." And Overland chuckled as he +turned out the lights. + +He could not go to sleep at once. He missed the desert night--the spaces +and the stars. "I left here in a hurry once," he muttered. "'Bout three +years ago. Then I was kiddin' Collie about wearin' silk pejammies. Now I +got 'em--got 'em on, by thunder! Don't know as I feel any heftier in the +intellec'. And I can't show 'em to nobody. What's the good of havin' 'em +if nobody knows it? But I can hang 'em on the bedpost in the mornin', +careless like, jest like I was raised to it. Them pejammies cost four +dollars a leg. Some class...." And he drifted to sleep. + +After breakfast Dr. Marshall, who had taken a fancy to Overland, +strolled with him over to the bunk-house. Most of the men were on the +range. Collie was assembling bits and bridles, saddles, cinchas, and +spurs, to complete an equipment for the proposed camping trip in the +hills. He was astounded at Overland's appearance. However, he had +absorbed Western ideals rapidly. He was sincerely glad, overjoyed, to +see his old friend, but he showed little of it in voice and manner. He +shook hands with a brief, "How, Red!" and went on with his work. + +Dr. Marshall, after expressing interest in the equipment, excused +himself and wandered over to the corrals, where he admired the horses. + +"Where did you get 'em?" queried Collie, adjusting the length of a pair +of stirrup-leathers. + +"These?" And Overland spread his coat-tails and ruffled. "Why, out of +the old Mojave. Dug 'em up with a little pick and shovel." + +"You said in your letter you found the claim." + +"Uhuh. Almost fell over it before I did, though. We never found the +other things, by the track. New ties. No mark. Say, that Billy Winthrop +I writ about is the brother of them folks stayin' here! What do you +think!" + +"Wish I was out there with you fellows," said Collie. + +"You're doin' pretty good right here, kiddo. The boss don't think you're +the worst that ever came acrost, and I expect the ladies can put up with +havin' you on the same ranch by the way they talk. Got a hoss of your +own yet?" + +"Nope. I got my eye on one, though. Say, Red, this is the best place to +work. The boss is fine. I'm getting forty a month now, and savin' it. +The boys are all right, too. Brand Williams, the foreman--" + +"Brand who?" + +"Williams. He came from Wyoming." + +"Well, this here's gettin' like a story and not like real livin'. Why, I +knowed old Brand in Mex. in the old days when a hoss and a gun was about +all a guy needed to set up housekeepin'. We was pals. So he's foreman +here, eh? Well, you follow his trail close about cattle or hosses and +you'll win out." + +"I been doing that," said Collie. "The other day he told me to keep my +eye on one of the boys. Silent Saunders, he's called. Kind of funny. I +don't know anything about Saunders." + +"Well, you bank on it. Stack 'em up chin-high on it, Collie, if Brand +says that. He knows some-thin' or he would never talk. Brand is a +particular friend of yours?" + +"You bet!" + +"Well, tie to him. What he says is better than fine gold as the pote +says. I reckon coarse gold suits me better, outside of po'try. How does +the Saunders insec' wear his clothes?" + +"He's kind of lame in one arm and--here he comes now. You can see for +yourself. The one on that pinto." + +As Saunders rode past the two men, he turned in his saddle. Despite +Overland's finery he recognized him at once. + +Overland's gaze never left the other's hands. "Mornin'," said Overland, +nodding. "Ain't you grazin' pretty far this side of Gophertown?" + +"Who the hell are you talkin' to?" Saunders asked venomously, and his +eyes narrowed. + +Overland grinned, and carelessly shifted the lapel of his coat from +beneath which peeped the butt of his automatic pistol. Collie felt his +scalp tightening. There was something tense and suggestive in the air. + +"I'm talkin' to a fella that ought to know better than to get sassy to +me," said Overland, "or to cut my trail like that." + +Saunders rode on. + +"Seen him before?" asked Collie. + +"Yep. Twice--over the end of a gun. He come visitin' me and Billy at a +water-hole out in the dry spot. We got to exchangin' opinions. Two of +mine he ain't forgot, I guess." + +"Saunders is branded above the elbows on both arms," said Collie. "He's +been shot up pretty bad." + +"You don't tell! Wonder how that happened. Mebby he was practicin' the +double roll and got careless. Now, I wonder!" + +"He's one of the 'bunch'?" said Collie, suddenly awake to the situation. +"Come on over to the bunk-house where we can talk, Red. I'll introduce +you regular to Silent." + +"All right. Here, you walk on the other side. I'm left-handed when I +shake with him." + +But Saunders was not at the bunk-house. Instead he had ridden on down to +the gate and out upon the Moonstone Trail. He had become acquainted with +Deputy Tenlow. He would make things interesting for the man who had +"winged" him out in the desert. + +"I smell somethin' burnin'," said Overland significantly. "The Saunders +man has got somethin' up his sleeve. He didn't turn his pony into the +corral, did he?" + +"No." + +"All right. Now, about them papers and your part of this here claim ..." + +For an hour they talked about the claim, Winthrop, Collie's prospects, +and their favorite topic, the Rose Girl. They were speaking of her when +she appeared at the bunk-house door. + +"Good-morning, Mr. Summers. Mrs. Marshall wished to know if you would +tell her more about her brother--when you have visited with Collie. She +was afraid you might leave without her seeing you again." + +"I was thinkin' about that myself," replied Overland. "Yes, Miss, I'll +be right over direct." + +Louise nodded, smiled, and was gone. + +"Say, Red, you better go quick, in the machine," said Collie, fearful +that Saunders was up to mischief. + +"Grand idea, that," said Overland, calmly brushing his hat. "But Tenlow +and Saunders--that you're thinkin' about--ain't neither of 'em goin' to +ride up too close to me again. They are goin' to lay for me down the +cañon. They'll string a riata across the road and hold up the car, most +likely. They know I can't get out of here any other road." + +"Then what will you do?" + +"Me? Why, me and the Guzzuh'll go down the trail jest as slow and easy +as a baby-buggy pushed by a girl that's waitin' in the park for her +beau." + +"You'll ditch the machine and get all broke up," ventured Collie. + +"I am havin' too good a time to last, I know, seein' the Rose Girl again +and you and visitin' the folks up to the house. Well, if it's my turn, I +ain't kickin'. Sorry Brand ain't here. I'd like to see him. Here's a +little old map I drawed of the hills, and how to get to the claim in +case I get detained for speedin'. Get Brand, if anything happens. He's a +steady old boat and he'll tell you what to do." + +"But, Red, you don't think--?" + +"Not when it hurts me dome," interrupted Overland. "I got a hunch I'll +see you again before long. So long, Chico. I got to shine some of the +rust off my talk and entertain the ladies. You might get into my class, +too, some day, if you knowed anything except hoss-wrastlin' and +cow-punchin'," he added affectionately. + +And Overland departed, sublimely content and not in the least disturbed +by future possibilities. "He's the great kid!" he kept repeating to +himself. "He's the same kid--solid clean through.... Good-morning, +ladies. Now about Billy--er--Mr. Winthrop; why, as I was say-in' last +night.... No, thanks, I'll set facin' the road. Sun? Why, lady, I'm +sun-cured, myself." + + + + +CHAPTER XX + +THE LED HORSE + + +Anne Marshall had stepped from the porch to the living-room. Overland +Red was alone with Louise. + +Facing her quickly, his easy banter gone, his blue eyes intense, +untroubled, magnetic, he drew a deep breath. "They're waiting for me +down the cañon, about now," he said, and his tone explained his speech. + +Louise frowned slightly, studying his face. "That is unfortunate, just +now," she said slowly. + +"Or most any time--for the other fella," responded Overland cheerfully. + +The girl gazed at the toe of her slipper. "I know you didn't speak +because you were afraid. What do you intend?" + +"If I ain't oversteppin' the rules in invitin' you--why, I was goin' to +say, 'Miss Lacharme, wouldn't you like to take a little buggy-ride in +the Guzzuh, nice and slow. She's awful easy ridin' if you don't rein her +too strong.'" + +"I don't know," said Louise pensively. "Your car can only hold two?" + +"Yes, ma'am." + +"I couldn't run away and leave Mrs. Marshall. Of course, you would go +on--after--after we were in the valley. How could I get back?" + +"That's so!" exclaimed Overland, with some subtlety, pretending he had +not thought of that contingency. "'Course Collie could ride down ahead +with a spare hoss. You see the sheriff gent and Saunders--" + +"Saunders? Our man Saunders?" + +"Uhuh. Me and him ain't friends exactly. I figure he's rode down to tell +the Tenlow man that I'm up here." + +"You are sure?" + +"Yes, Miss. I don't make no mistakes about him." + +"Then one of our men has gone to get the deputy to arrest you, and you +are our guest." + +"Thanks, Miss, for sayin' that. It's worth gettin' pinched to be _your_ +guest." + +"I did intend to ride down for the mail. Boyar needs exercising." + +"So does the Guzzuh, Miss. It's queer how she acts when she ain't been +worked every day." + +"I don't believe Anne would care to come, in the machine. I'll ask her." +And Louise stepped to the living-room. + +Collie, who had been watching anxiously from the corrals, came across +the yard to the veranda. He was dressed for riding, and he had a gun on +his hip. Overland scowled. "You little idiot," he said, "when your Uncle +Jack's brains get ossified, just give the sad news to the press. You're +jest itchin' to get in a muss and get plugged. I ain't. I figure to ride +down the Moonstone Trail, steerin' the Guzzuh with one hand and smellin' +a bunch of roses in the other. Watch my smoke. Now, beat it!" + +Louise, coming blithely from the living-room, nodded to Overland. Her +pensiveness had departed. Her cheeks were flushed. "Oh, Collie! Saddle +Boyar--" she began, but Overland coughed disapprovingly. He did not wish +Tenlow and Saunders to suspect that the led horse was for Louise. + +"Or--no. Saddle Sarko," said Louise, at once aware of Overland's plan. +"And have him at the foot of the hill for me as soon as you can." + +"Yes, Miss Louise." And Collie departed for the corrals wonderingly. +Overland was too much for him. + +They had luncheon and allowed Collie two hours to arrive at the valley +level with the led pony. After luncheon Louise appeared in riding-skirt +and boots. "Mr. Summers is going to take me for a ride in his new car," +she said. "Don't worry, aunty. He is going to drive slowly. He finds +that he has to leave unexpectedly." + +"I'm sorry you are going without seeing Mr. Stone and Dr. Marshall +again," said Aunt Eleanor. "You'll be careful, won't you?" + +"So am I, ma'am.--Yes, I'll run slow." + +"But how will you come back?" queried Anne. + +"Collie has gone ahead with a spare pony. Good-bye, aunty." + +"I can't thank you enough for all that you have done for Billy. I am so +glad he's well and strong again. We never could manage him. Good-bye, +and tell Billy he _must_ come over and see us right away." + +"You'll drive carefully?" queried Aunt Eleanor again. + +"Jest like I was goin' to get pinched," said Overland, bowing. + + * * * * * + +As Collie rode down the last pitch, leading the restive Sarko, Dick +Tenlow stepped from the brush. "'Morning, Collie. Out for a little +pasear?" + +"Shouldn't wonder, Dick." + +"Horses are lookin' good. Feed good on the hills yet?" + +"Pretty good." + +"I hear you got company up to the Moonstone." + +"Yep. Eastern folks, doctor and his wife." And Collie looked the deputy +hard in the eye. + +"Oh, that was their machine I heard coughin' up the cañon last night, +eh?" + +"I didn't ask them about that," replied Collie. + +"You're improvin' since you first come into these hills," said Tenlow, +with some sarcasm. + +"I'm holdin' down a better job than I did then," said Collie +good-naturedly. + +"Well, I ain't. I'm holdin' the same job, which you will recollect. It +ain't much of a job, but it's good to requisition that cayuse you're +leadin'." + +"What you kiddin' about?" + +"Straight goods," said Tenlow, reaching for Sarko's reins. "Just hand +over your end of that tie-rope." + +"I guess not, Dick. You're on the wrong trail. What do you think I am?" + +"Same as I always thought." + +"Then you want to change your opinion of me," said Collie, relinquishing +the tie-rope. "I ain't breaking the law, but you are going to hear more +about this." + +"I'll risk that. You can ride right along, pronto." + +"And you keep Sarko? I guess not! I'll stick." + +"You can't throw no bluff this morning," said Tenlow, irritated by the +youth's persistence. "I guess you know what I mean." + +"You got the horse, but I don't leave here without him," said Collie +stubbornly. And there was an underlying assurance about Collie's +attitude that perplexed the deputy, who was satisfied that the led horse +was for Overland Red's use. + +Saunders, hiding back in the brush, cursed Tenlow's stupidity. To have +let Collie go on and have followed him under cover would have been the +only sensible plan. Rapidly approximating the outcome of this muddle, +Saunders untied his pony and rode back toward the ranch, taking an +unused and densely covered bridle-trail. + +From up in the cañon came the thunder of the racing-car. Far above them +Tenlow and Collie could see it creeping round a turn in the road. It +disappeared in a dip, to reappear almost instantly, gliding swiftly down +the long slant toward the valley. The staccato drumming of the exhaust +echoed along the hillside. Overland's silk hat shone bravely in the sun. +Beside the outlaw was the figure of a woman. Tenlow foresaw +complications and muttered profanely. + +Down the next ditch rolled the car, rocking to the unevenness of the +mountain road. Overland opened the throttle, the machine shot forward, +and in a few seconds drew up abreast of the deputy. + +"Thank you so much, Mr. Summers," said Louise, stepping from the car. +"How are you, Mr. Tenlow." + +"How'do, Miss Lacharme." + +"Good-bye, Mr. Summers. I enjoyed the ride very much." + +"Just a minute--" began the deputy. + +"Where's my pony, Collie? He didn't get away, did he?" + +"No, ma'am. Mr. Tenlow 'requisitioned' him. Thought I'd wait till you +came along so I could explain." + +"Requisitioned my pony! What do you mean?" + +"It's this way, Miss Lacharme. That man there in the machine is wanted. +He--" + +"What has that to do with my pony, please?" + +"I guess you know who he is. I figured he was layin' to get away on that +pony." + +"You want to go back to school, pardner, and learn to figure correct," +said Overland, his foot on the accelerator pedal of the throbbing car. +"One minus one is nothin'." + +"Hold on there!" cried Tenlow, striding forward. Louise stood between +the deputy and the car. + +"My horse, please," she said quietly. As she spoke the car roared, +jumped forward, and shot down the smooth grade of the valley road. + +"Now, Mr. Tenlow, I wish you would explain this to me. And then to Uncle +Walter. I sent one of our men with a horse. He was to wait for me here. +What right have you to interfere with him?" + +"I guess I got as much right as you have to interfere with me," said +Tenlow sullenly. + +"Hold on there!" cried Collie, jumping forward. + +"Collie, I'll talk with him." + +"Take my horse, Miss Louise," said Collie, flushing. + +"No, indeed. I'll ride Sarko." + +"I'll get him," said Collie. + +"No. Mr. Tenlow will get him, I am sure." + +"A woman can make any deal look smooth--if she is interested," said +Tenlow, turning toward the brush. He came out leading the pony. + +"Thank you. Collie, you may get the mail, please." + +Collie stood watching her as she rode away. Then with much deliberation +he tied his own pony Apache to a clump of greasewood. He unbuckled his +belt and flung it, with gun and holster, to the ground. + +"Now," he said, his face blazing white with suppressed anger. "I'm going +to make you eat that speech about any woman making things look +smooth--_if she's interested_." + +"You go on home or I'll break you in two," said Tenlow. + +Collie's reply was a flail-like blow between Tenlow's eyes. The deputy +staggered, gritted his teeth, and flung himself at the younger man. The +fight was unequal from the beginning. Apache snorted and circled as the +bushes crashed and crackled. + +A few minutes later, Tenlow strode from the brush leading his pony. He +wiped the blood and sweat from his face and spat viciously. + + * * * * * + +Louise, riding homeward slowly, heard a horse coming behind her. She +reined Sarko and waited. Collie saw no way out of it, so he rode up, +grinning from a bruised and battered face. + +"Why, Collie!" + +The young man grinned again. His lips were swollen and one eye was +nearly closed. + +Dismounting, Louise stepped to the ford. "Oh, I'm sorry!" she cried. +"Your face is terribly bruised. And your eye--" She could not help +smiling at Collie's ludicrous appearance. + +"I took a fall," he mumbled blandly. "Apache here is tricky at times." + +Louise's gaze was direct and reproachful. "Here, let me bathe your face. +Stoop down, like that. You don't look so badly, now that the dirt is +off. Surely you didn't fall on your _eye_?" + +Collie tried to laugh, but the effort was not very successful. + +Tenderly she bathed his bruised face. Her nearness, her touch, made him +forget the pain. Suddenly he seized her hand and kissed it, leaving a +stain of blood where his lips had touched. She was thrilled with a +mingled feeling of pride and shame--pride in that he had fought because +of her, as she knew well enough, and shame at the brutality of the +affair which she understood as clearly as though she had witnessed it. +She was too honest to make herself believe she was not flattered, in a +way, but she made Collie think otherwise. + +He evaded her direct questioning stubbornly. Finally she asked whether +Mr. Tenlow "had taken a fall," or not. + +"Sure he did!" replied Collie. "A couple or three years ago--tryin' to +outride Overland Red. Don't you remember?" + +"Collie, you're a regular hypocrite." + +"Yes, ma'am." + +"And you look--frightful." + +"Yes, ma'am." + +"You're not a bit ashamed." + +"Yes, ma'am, I am." + +"Don't say 'Yes, ma'am' all the time. You don't seem to be ashamed. Why +should you be, though. Because you were fighting?" + +"No, Miss Louise. Because I got licked." + +Louise mounted Sarko and rode beside Collie silently. Presently she +touched his arm. "But did you?" she asked, her eyes grave and her tone +conveying a subtle question above the mere letter. + +"No! By thunder!" he exclaimed. "Not in a hundred years!" + +"Well, get some raw meat from the cook. I'll give your explanation to +Dr. and Mrs. Marshall, for you will have to be ready for the trip +to-morrow. You will have to think of a better explanation for the boys." + +While riding homeward, Louise dropped her glove. Collie was afoot +instantly and picked it up. "Can I keep it?" he said. + +The girl looked curiously at him for a moment. "No, I think not, +Collie," she said gently. + +Collie rode up to the corrals that afternoon whistling as blithely as he +could considering his injuries. He continued to whistle as he unsaddled +Apache. + +At the bunk-house Brand Williams looked at him once, and bent double +with silent laughter. The boys badgered him unmercifully. "Fell off a +hoss!--Go tell that to the chink!--Who stepped on your face, kid?--Been +ridin' on your map, eh?--Where _was_ the wreck?--Who sewed up your +eye?" + +"S-s-h-h, fellas," said Miguel, grinning. "If you make all that noise, +how you going to hear the tune he is whistling, hey?" + +Collie glanced at Saunders, who had said nothing. "Got anything to offer +on the subject, Silent?" he asked. + +"Nope. I take mine out in thinkin'." + +"You're going to have a chance to do a whole lot more of it before +long," said Collie; and he said it with a suggestiveness that did not +escape the taciturn foreman, Brand Williams. + + + + +CHAPTER XXI + +BORROWED PLUMES + + +"He speaks of a pretty round sum," said Walter Stone, returning the +letter that Collie had asked him to read. "I don't know but that the +land you speak of is a good investment. You were thinking of raising +stock--horses?" + +"Yes, sir. The Oro people are making good at it. The land north of you +is good grazing-land and good water. Of course, I got to wait for a +while. Red says in the letter that my share of the claim so far is five +thousand. That wouldn't go far on that piece of land, but I've saved +some, too." + +"You might make a payment to hold the land," said Stone. + +"I don't like that way. I want to buy it all at once." + +Walter Stone smiled. Collie was ambitious, and rather inexperienced. "So +you think you will leave us and go to mining until you have made enough +more to buy it outright?" + +"Yes, sir. I don't want you to think I ain't satisfied here. I like it +here." + +"I know you do, Collie. Well, think it over. Prospecting is gambling. +It is sometimes magnificent gambling. Miss Lacharme's father was a +prospector. We have never heard from him since he went out on the +desert. But that has nothing to do with it. If I didn't believe you'd +make a first-rate citizen, I shouldn't hesitate a minute about your +going. I'd rather see you ranching it. We need solid men here in +California. There are so many remittance-men, invalids, idlers, +speculators, and unbalanced enthusiasts that do more harm than good, +that we need a few _new_ landmarks. We need a few new cornerstones and +keystones to stiffen the structure that is building so fast. I realize +that we must build from the ground up--not hang out tents from the +trees. That day is past." + +"It's a big thing--to be stuck on California more than getting rich," +said Collie. + +"Yes. The State of California is a bank--a new bank. The more depositors +we have, the stronger we shall be--provided our depositors have faith in +us. We have their good will now. We need solid, two-handed men who can +take hold and prove that investment in our State is profitable." + +"You bet!" exclaimed Collie, catching some of the older man's +enthusiasm. Then he added with less enthusiasm: "But how about such +things as the Jap ranchers dumping carloads of onions in the rivers and +melons in the ocean, by the ton, and every one cut so it can't be used +by poor folks? If Eastern people got on to that they would shy off +pretty quick." + +"Yes," said the rancher, frowning. "It's true enough that such things do +happen. I've known of boatloads of fish being dumped back in the ocean +because the middlemen wouldn't give the fishermen a living price. In +western Canada thousands of bushels of grain have been burned on the +ground because the Eastern market was down and the railroads would not +make a rate that would allow a profit to the farmer. Such things are not +local to California. California is in the limelight just now and such +things are naturally prominent." + +"It looks awful bad for good fruit and vegetables and fish to be thrown +away when folks have to pay ten cents for a loaf of bread no bigger than +a watch-charm," said Collie. + +"It is bad. Crookedness in real estate transactions is bad. We don't +want to waste our time, however, in feeling worried about it. What we +want to do is to show the other fellow that _our_ work is successful and +straight." + +"Yes, sir. A fellow has got to believe in something. I guess believing +in his own State is the best." + +"Of course. Now, about your leaving us. I had rather you would stay +until the Marshalls go. Louise and Mrs. Stone depend on you so much." + +"Sure I will! You see, Red don't say to come, in his letter, but he sent +the check for three hundred if I did want to come. There's no hurry." + +"All right. Hello, Louise! Dinner waiting?" + +"Yes, Uncle Walter. How are you, Collie?" And Louise nodded to him. +"What are you two hatching? You seem so serious." + +"Plans for the ultimate glory of the State," said Stone. + +"Ultimate?" + +"Yes. We've been going beneath the surface of things a little. Collie +expects to go even deeper, so he tells me." + +Collie walked slowly toward the bunk-house. Halfway there he took +Overland's check from the letter and studied it. He put it back into his +pocket. As he passed the corrals, Apache nickered in a friendly way. +"Haven't got a thing for you," said Collie. "Not a bite. We're not goin' +to town to-day. To-morrow, maybe, for there'll be doings at the Oro +Rancho and we'll be there--we'll be there!" + +With a run and a spring the young man leaped the gate and trotted into +the bunk-house. + +Brand Williams was solemnly shaving. He turned a lathered face toward +Collie whose abrupt entrance had all but caused the foreman to +sacrifice his left ear. "Well," he drawled, "who is dead?" + +"You mean, Who is alive? I guess. Say, Brand, what do you think that +Yuma horse over at the Oro is worth?" + +"That dam' outlaw? Ain't worth the trouble of mentioning." + +"But, oh, Brand, she's built right! I tell you! Short-coupled, and them +legs and withers! They ain't a pony in the valley can touch her. And +only three years old!" + +"Nor a man neither," said Williams. + +"She's been scared to death because the fellows was scared of her and +started in wrong." + +"So'll the man be that tries to ride her. Say, I seen that +copper-colored, china-eyed, she-son of a Kansas cyclone put Bull O'Toole +so far to the bad once that his return ticket expired long before he got +back. I tell you, kid, she's _outlaw_. She's got the disposition of a +Comanche with a streak of lightnin' on a drunk throwed in. You keep off +that hoss!" + +"Maybe," said Collie. "But I notice you put me to breakin' about all the +stock on this ranch that you can't handle yourself." + +Which was true. Williams shaved and perspired in silence. + +"Let's see," he said presently, emerging from the wash-basin. "When's +that barbecue comin' off?" + +"To-morrow. As if you didn't know!" + +"Sunday, eh? Well, you might as well get killed on a Sunday as any other +day. I suppose your askin' about that hoss means you are thinkin' of +ridin' her, eh?" + +"I was thinkin' of it. They are putting her up as a chance for the man +that can. She has put three of their boys to the bad. Matt Gleason, the +Oro foreman, says he'll give her to any Moonstoner that can stay on her +two minutes." + +"He said 'Moonstoner' particular?" queried Williams. + +"He did. To me. I was over tryin' to buy her." + +"You're plumb loco. So he said any _Moonstoner_ eh? Any Moonstoner. By +crip, I've a notion--Let's see, there's Miguel--he's too swift. Billy +Dime might make it if he didn't get too much red-eye in him first. Bud +ain't steady enough--and it wouldn't look right if I was the only rider +here to take a chance. I dunno." + +"What you gaspin' about?" queried Collie. + +"Nothin', kid. You can get hosses ready for all the ladies for to-morrow +mornin' at six sharp. Sabe? I got orders to send you over with 'em. +Mebby you're some proud now, eh? Well, don't fall off Apache pertendin' +you're so polite you can't spit." + +"What you sore about, Brand?" + +"I was thinkin' what a slashin' string of riders we got. Here a little +old ranch like the Oro says they'll give a hoss to any Moonstoner what +kin stay on him for two minutes. It's plumb sickenin'. Kids! Jest kids, +on this ranch." + +"That so? Say, Brand, you ain't got rid of so much English talk at once +since I been here. You ought to talk more. You keep too quiet. Talking +sociable will help to take the wrinkles out of your neck." + +"You talk so much you'll never live to get any." + +"Say, Brand." + +"Uhuh." + +"Will you lend me the Chola spurs and that swell quirt old Miguel +plaited for you, and your Mexican bridle, just for to-morrow?" + +"So that's what you been lovin' up to me for, eh?" + +"Lovin' up to you, you darned old--darned old--_dude_, you." + +"Hold on! You said it! Take the spurs! Take the quirt! Take the bridle! +Take the hat and gloves with the silk roses on! Anybody that's got nerve +enough to call _me_ a _dude_ can take anything I got. Say, you don't +want to borrow a pair of _pants_, do you?" + +Honors were about even when Collie left the bunk-house, his arms laden +with the foreman's finery. He colored to his hair as he saw Louise +coming toward him. He fumbled at the gate, opened it, and stood aside +for her to pass. As she smiled and thanked him, he heard his name +called. + +"Hey!" shouted Williams, coming suddenly from the bunk-house. "Hey, +Collie! You went away without them pants! I'll lend 'em to you--" + +Collie, his face flaming, strode down the trail, the blood drumming in +his ears. + + + + +CHAPTER XXII + +THE YUMA COLT + + +The Oro Rancho sent out word that the fiftieth year of its existence +would be celebrated with an old-fashioned Spanish barbecue. The +invitation was general, including every one within a radius of fifty +miles. + +Added to the natural interest in good things to eat and drink was that +of witnessing the pony races. Each rancher would bring, casually, almost +accidentally, as it were, one pony that represented its owner's idea of +speed and quality. No set programme offered, which made the races all +the more interesting in that they were genuine. + +The Oro Ranch had long ago established and proudly maintained a +reputation for breeding the best saddle-and work-stock in Southern +California. In fact, the ranch survived the competition of the +automobile chiefly because it was the only important stock-raising ranch +in the southland. + +Good feeling went even so far as to include the sheep-ranchers of the +old Spanish Grant, by special invitation. + +It was the delight and pride of native Californians to ride their best +saddle-horses on such occasions. True, motor-cars came from the city and +from the farthest homes, but locally saddle-horses of all sizes and +kinds were in evidence. Sleek bays with "Kentucky" written in every +rippling muscle, single-footed in beside heavy mountain ponies, well +boned, broad of knee, strong of flank, and docile; lean mustangs of the +valley, short-coupled buckskins with the endurance of live rawhide; +Mexican pintos, restless and gay in carved leather, and silver +trappings; scrawny stolid cayuses that looked half-starved, but that +could out-eat and out-last many a better-built horse; they all came, and +their riders were immediately made welcome. + +Under the trees, along the corrals and fences, in and around the +stables, stood the ponies, heads tossing, bits jingling, stamping, +thoroughly alive to the importance of the festive occasion, and filling +the eye with an unforgettable picture--a living vignette of the old days +of the range and riata. + +Mrs. Stone, Mrs. Marshall, Louise, Dr. Marshall, and Walter Stone were +among the earlier arrivals. A half-dozen men sprang to take their horses +as they rode up, but Collie gathered the bridle-reins and led the ponies +to the shade of the pepper trees. Then he wandered over to the corrals. +His eyes glowed as he watched the sleek ponies dodging, wheeling, +circling like a battalion, and led by a smooth-coated, copper-hued mare, +young, lithe, straight-limbed, and as beautifully rounded as a Grecian +bronze. He moistened his lips as he watched her. He pushed back his hat, +felt for tobacco and papers, and rolled a cigarette. This was the +renowned "Yuma colt," the outlaw. He wanted her. She was a horse in a +thousand. + +In some strange way he was conscious that Louise stood beside him, +before he turned and raised his sombrero. + +"More beautiful than strong men or beautiful women," said Louise. + +"That's so, Miss Louise. Because they just live natural and act natural. +And that copper-colored mare,--she's only a colt yet,--there's a horse a +man would be willing to work seven years for like the man in the Bible +did for his wife." + +Louise smiled. "Would you work seven years for her?" she asked. + +"I would, if I had to," he said enthusiastically. + +"Of course, because you really love horses, don't you?" + +"Better than anything else. Of course, there are mean ones. But a real +good horse comes close to making an ordinary man feel ashamed of +himself. Why, see what a horse will do! He will go anywhere--work all +day and all night if he has to--run till he breaks his heart to save a +fellow's life, and always be a friend. A horse never acts like eight +hours was his day's work. He is willing at any time and all the +time--and self-respectin' and clean. I reckon a knowin' horse just plumb +loves a man that is good to him." + +Louise, her gray eyes wide and pensive, gazed at the young cowboy. "How +old is the colt?" she asked. + +"They say three years. But she's older than that in brains. She is +leading older horses than her." + +"Then if you worked seven years for her, she would be ten years old +before you owned her." + +"You caught me there. I didn't think of that." + +"Uncle Walter says she is outlaw. I believe she could be tamed. Boyar +was pretty wild before he was broken to ride." + +"If you want that pony, Miss Louise, she's yours. I guess I could break +her." + +"They won't sell her. No, I was only romancing. Isn't she beautiful! She +seems to be almost listening to us. What a head and what a quick, +intelligent eye! Oh, you wonderful horse!" And laughing, Louise threw a +kiss to the Yuma colt. "I must go. I came over to see the horses before +the crowd arrived." + +Collie stood hat in hand watching Louise as she strolled toward the +ranch-house. He saw her stop and pat Boyar. + +"I kind of wish I was a horse myself," he said whimsically. "Either the +black or the outlaw. She treats them both fine." + +Brand Williams, Bud Light, Parson Long, Billy Dime, and Miguel rode up, +talking, joking, laughing. + +"Fall to the kid!" said Miguel, indicating Collie. "I guess I'm scalded +if he ain't nailed to the fence. He's just eating his head off thinking +about the Yuma horse he dassent ride. No? Eh, Collie?" + +"Hello, Miguel. Nope. I'm taking lessons in tendin' to my own +business--like them." And Collie nodded toward the horses. + +"Ain't he purty?" said Billy Dime. "All fussed up and walkin' round like +a new rooster introducin' hisself to a set of strange hens. Oh, pshaw!" + +"And you're making a noise like one of the hens trying to get the notice +of the new rooster, I guess." + +"Well, seem' I got the notice, come on over and I'll show you where they +keep the ice--with things on it," said Billy Dime. + +The Moonstone riders dismounted, slapped the dust from their shirts and +trousers, and ambled over toward the refreshments. + +The little group, happy, talkative, pledged each other and the Moonstone +Ranch generously. + +Brand Williams, close to Collie, nudged him. "If you are thinkin' of +takin' a fall out of the outlaw cayuse, don't hit this stuff much," he +said. And Collie nodded. + +The Moonstoners would one and all back Boyar for a place in the finals +of the pony races, despite the Mexican "outfit" that already mingled +with them making bets on their favorite pinto. + +"Who's ridin' Boyar?" queried Bud Light. + +"In the races? Why, Miguel here," said Williams, slapping the Mexican on +the shoulder. "He don't weigh much, but he's some glue-on-a-sliver when +it comes to racin' tricks. The other Mexicans are after our pesos this +time. Last year we skinned 'em so bad with Boyar takin' first that some +of 'em had to wait till dark to go home." + +Collie, listening, felt his heart pump faster. He turned away for an +instant that his fellows might not see the disappointment in his face. +He had hoped to ride Boyar to victory. + +"Miss Louise could get more out of Boyar in a race than even Miguel +here," said Billy Dime. + +"I dunno," said Williams. "She give me orders that Miguel was to ride +Boyar if they was any racin'." + +So Louise herself had chosen Miguel to ride the pony. Collie grew +unreasonably jealous. Once more and again he pledged the Moonstone +Rancho in a brimming cup. Then he wandered over to the Mexican ponies, +inspecting them casually. + +A Mexican youth, handsome, dark, smiling, offered to bet with him on the +result of the races. Collie declined, but gained his point. He learned +the Mexican's choice for first place, a lean, wiry buckskin with a goat +head and a wicked eye, but with wonderful flanks and withers. Collie +meditated. As a result he placed something like fifty dollars in bets +with various ranchers, naming the Mexican horse for first place. Word +went round that the Moonstone Kid was betting against his own horse. + +Later Brand Williams accosted him. "What you fell up against?" he asked +sternly. "What made you jar yourself loose like that?" + +"It's horses with me to-day--not home-sweet-home, Brand. Bet you a pair +of specs--and you need 'em--to a bag of peanuts that the Chola cayuse +runs first." + +"Your brains is afloat, son. You better cut out the booze." + +Unexpectedly Collie encountered Louise as he went to look after his own +horses. + +"I hear that you intend to ride the outlaw Yuma. Is it so?" + +Collie nodded. + +"I had rather you didn't," said Louise. + +"Why?" asked Collie, tactlessly. + +Louise did not answer, and Collie strode off feeling angry with himself +and more than ever determined to risk breaking his neck to win the +outlaw. + +Boyar, the Moonstone pony, ran second in the finals. The buckskin of the +Mexicans won first place. Collie collected his winnings indifferently. +He grew ashamed of himself, realizing that a foolish and unwarrantable +jealousy had led him into a species of disloyalty. He was a Moonstone +rider. He had bet against the Moonstone pony, and _her_ pony. He was +about to ask one of the other boys to see to the horses when a tumult in +the corrals drew his attention. He strolled over to the crowd, finding a +place for himself on the corral bars. + +Mat Gleason, superintendent of the Oro Ranch, loafed, his back against a +post. Two men with ropes were following the roan pony round the corral. +Presently a riata flipped out and fell. Inch by inch the outlaw was +worked to the snubbing-post. One of the Oro riders seized the pony's ear +in his teeth and, flinging his legs round her neck, hung, weighing her +head down. There was the flash of teeth, a grunting tug at the cinchas, +a cloud of dust, and Jasper Lane, foreman of the Oro outfit, was in the +saddle. The cloud of dust, following the roan pony, grew denser. Above +the dun cloud a sombrero swung to and fro fanning the outlaw's ears. +Jasper Lane had essayed to ride the Yuma colt once before. His broken +shoulder had set nicely, in fact, better than Bull O'Toole's leg which +had been broken when the outlaw fell on him. Billy Squires, a young +Montana puncher working for the Oro people, still carried his arm in a +sling. All in all, the assembled company, as Brand Williams mildly put +it, "were beginning to take notice of that copper-colored she-son of a +cyclone." + +Jasper Lane plied spurs and quirt. The visiting cowmen shrilled their +delight. The pony was broncho from the end of her long, switching tail +to the tip of her pink muzzle. + +Following a quick tattoo of hoofs on the baked earth came a flash like +the trout's leap for the fly--a curving plunge--the sound as of a +breaking willow branch, and then palpitating silence. + +The dun cloud of dust settled, disclosing the foam-flecked, +sweat-blackened colt, oddly beautiful in her poised immobility. Near her +lay Jasper Lane, face downward. The pony sniffed at his crumpled +sombrero. + +"That horse is plumb gentle," said Collie. "Look at her!" + +"Crazy with the heat," commented Billy Dime, jerking his thumb toward +Collie. + +Tall, slim, slow of movement, Collie slipped from the corral bars and +secured the dangling reins. Across the utter silence came the whistle of +a viewless hawk. The cowmen awakened from their momentary apathy. Two of +them carried Jasper Lane toward the ranch-house. Some one laughed. + +Gleason, the superintendent, gazed at the outlaw pony and fingered his +belt. "That's the fourth!" he said slowly and distinctly. "She ain't +worth it." + +"The fourth Oro rider," said a voice. "You ain't countin' any Moonstone +riders." + +"Ain't seen any to count," retorted Gleason, and there was a general +laugh. + +Strangely enough, the outlaw pony followed Collie quietly as he led her +toward Gleason, "The boys say there's a bet up that nobody can stick on +her two minutes. She's the bet. Is that right?" said Collie. + +"What you goin' to do?" queried Gleason, and some of the Oro boys +laughed. + +"I don't know yet," said Collie. "Maybe I'll take her back to the +Moonstone with me." + +Miguel of the Moonstone removed his sombrero and gravely passed it. +"Flowers for the Collie kid," he said solemnly. + +Collie, grave, alert, a little white beneath his tan, called for +Williams to hold the pony. Then the younger man, talking to her +meanwhile, slipped off the bridle and adjusted a hackamore in its place. +He tightened the cinchas. The men had ceased joking. Evidently the kid +meant business. Next he removed his spurs and flung them, with his +quirt, in a corner. + +"Just defending yourself, eh, Yuma girl?" he said. "They cut all the +sense out of you with a horse-killin' bit and rip you with the spurs, +and expect you to behave." + +"He'll be teachin' her to say her prayers next," observed Bud Light. +"He's gettin' a spell on her now." + +"He'll need all _his_ for himself," said Pars Long. + +The pony, still nervously resenting the memory of the mouth-crushing +spade-bit, and the tearing rowels, flinched and sidled away as Collie +tried to mount. Her glossy ears were flattened and the rims of her eyes +showed white. + +"Jump!" whispered Williams. "And don't rough her. Mebby you'll win out." + +And even as Collie's hand touched the saddle-horn, Williams sprang back +and climbed the corral bars. + +With a leap the Moonstone rider was in the saddle. The pony shook her +head as he reined her round toward the corral gate. The men stared. +Gleason swore. Billy Dime began to croon a range ditty about "Picking +little Posies on the Golden Shore." The roan's sleek, sweating sides +quivered. + +"Here's where she goes to it," said Williams. + +"Whoop! Let 'er buck!" shouted the crowd. + +Rebellion swelled in the pony's rippling muscles. She waited, fore feet +braced, for the first sting of the quirt, the first rip of the spurs, to +turn herself into a hellish thing of plunging destruction. + +Collie, leaning forward, patted her neck. "Come on, sis. Come on, Yuma +girl. You're just a little hummingbird. You ain't a real horse." + +With a leap the pony reared. Still there came no sting of spur or quirt. +She dropped to her feet. Collie had cleverly consumed a minute of the +allotted time. + +"One minute!" called Williams, holding the watch. + +"Why, that ain't ridin'," grumbled an Oro man. + +"See you later," said Williams, and several of his companions looked at +him strangely. The foreman's eyes were fixed on the watch. + +Collie had also heard, and he dug his unspurred heels into the pony's +sides. She leaped straight for the corral gate and freedom. With a +patter of hoofs, stiff-legged, she jolted toward the plain. The men +dropped from the bars and ran toward the gate, all, except Williams, who +turned, blinking in the sun, his watch in his hand. + +A few short jumps, a fish-like swirl sideways, and still Collie held his +seat. He eased the hackamore a little. He was breathing hard. The horse +took up the slack with a vicious plunge, head downward. The boy's face +grew white. He felt something warm trickling down his mouth and chin. He +threw back his head and gripped with his knees. + +"They're off!" halloed a puncher. + +"Only one of 'em--so far," said Williams. "One minute and thirty +seconds." + +Then, like a bolt of copper light, the pony shot forward at a run. + +On the ranch-house veranda sat Walter Stone conversing with his host, +where several girls, bright-faced and gowned in cool white, were talking +and laughing. + +The pony headed straight for the veranda. The laughing group jumped to +their feet. Collie, using both hands, swung the hackamore across the +outlaw's neck and tugged. + +She stopped with a jolt that all but unseated him. Walter Stone rose. +"It's one of my boys," he said. And he noticed that a little stream of +red was trickling from Collie's mouth and nostrils. + +His head was snapped back and then forward at every plunge. Still he +gripped the saddle with rigid knees. The outlaw bucked again, and flung +herself viciously sideways, turning completely round. Collie pitched +drunkenly as the horse came down again and again. His eyes were blurred +and his brain grew numb. Faintly he heard Brand Williams cry, "Two +minutes! Moonstone wins!" Then came a cheer. His gripping knees relaxed. +He reeled and all around him the air grew streaked with slivers of +piercing fire. He pitched headforemost at the feet of the group on the +veranda. + +In a flash Louise Lacharme was beside him, kneeling and supporting his +head. "Water!" she cried, wiping his face with her handkerchief. + +Boot-heels gritted on the parched earth and spurs jingled as the men +came running. + +The pony, with hackamore dangling, raced across the plain toward the +hills. + +"This'll do jest as well," said Williams, pouring a mouthful of whiskey +between Collie's lips. Then the taciturn foreman lifted the youth to his +feet. Collie dragged along, stepping shakily. "Dam' little fool!" said +Williams affectionately. "You ain't satisfied to get killed where you +belong, but you got to go and splatter yourself all over the front yard +in front of the ladies. You with your bloody nose and your face shot +plumb full of gravel. If you knowed how you looked when she piled you--" + +"I know how she looked," said Collie. "That's good enough for me. Did I +make it?" + +"The bronc' is yours," said Williams. "Bud and Miguel just rode out +after her." + +Then Williams did an unaccountable thing. He hunted among the crowd till +he found the man who had said, "Why, that ain't ridin'." He asked the +man quietly if he had made such a remark. The other replied that he had. +Then Williams promptly knocked him down, with all the wiry strength of +his six feet of bone and muscle. "Take that home and look at it," he +remarked, walking away. + +Through the dusk of the evening the Moonstone boys jingled homeward, the +horses climbing the trail briskly. Two of them worked the outlaw up the +hill, each with a rope on her and each exceedingly busy. Collie was too +stiff and sore to help them. + +Miguel, hilarious in that he had ridden Boyar to second place, and so +upheld the Moonstone honor, sang many strange and wonderful songs and +baited Collie between-whiles. Proud of their companion's conquest of the +outlaw colt, the Moonstone boys made light of it proportionately. + +"Did you see him reclinin' on that Yuma grasshopper," said Bud Light, +"and pertendin' he was ridin' a hoss?" + +"And then," added Billy Dime, "he gets so het up and proud that he rides +right over to the ladies, and 'flop' he goes like swattin' a frog with a +shingle. He rides about five rods on the cayuse and then five more on +his map. Collie's sure tough. How's your mug, kid?" + +"It never felt so bad as yours looks naturally," responded Collie, +puffing at a cigarette with swollen lips. "But I ain't jealous." + +"Now, ain't you?" queried Williams, who had ridden silently beside him. +"Well, now, I was plumb mistook! I kind of thought you was." + + + + +CHAPTER XXIII + +SILENT SAUNDERS SPEAKS + + +Meanwhile Collie kept a vigilant eye on Silent Saunders. The other, +somewhat sullenly but efficiently, attended to his work. Collie's +vigilance was rewarded unexpectedly and rather disagreeably. + +One day, as he stood stroking Black Boyar's neck, he happened to glance +across the yard. Saunders was saddling one of the horses in the corral. +Louise, astride Boyar, spoke to Collie of some detail of the ranch work, +purposely prolonging the conversation. Something of the Collie of the +Oro barbecue had vanished. In its stead was an inexplicable but positive +quality of masterfulness, apparent in poise and manner. + +Louise, because she knew him so well, was puzzled and curious. She could +not account for the change. She was frankly interested in him in spite +of, or perhaps because of, his early misfortunes. Instinctively she felt +that he had gained a moral confidence in himself. His physical +excellence and ability had always been manifest. This morning, his +grave, dark eyes, upturned to her face as he caressed Boyar, were +disconcertingly straightforward. He seemed to be drinking his fill of +her beauty. His quick smile, still boyish, and altogether irresistible, +flashed as she spoke humorously of his conquest of the outlaw colt Yuma. + +"I learned more--ridin' that cayuse for two minutes--than I ever expect +to learn again in that time." + +Remembering that she had been first to reach him when he was thrown, the +fresh bloom of her cheeks deepened. Her eyelids drooped for an instant. +"One can learn a great deal quickly, sometimes," she said. Then added, +for he had smiled again,--"About horses." + +"And folks." He spoke quietly and lifted her gauntleted hand, touching +it lightly with his lips. So swift, so unexpected had been his homage +that she did not realize it until it was irrevocably paid. + +"Why, Collie!" + +"Because you wasn't ashamed to help a guy in front of the others." + +"Please don't say 'guy.' And why should I be ashamed to help any of our +boys?" she said, laughing. She had quite recovered herself. + +"'Course you wouldn't be. But this is a kind of 'good-bye,' too. I was +going to ask you to mail this letter to Overland Red. I told him in it +that I was coming." + +"We are sorry that you are leaving," said Louise. "Uncle Walter said you +had spoken to him." + +"It isn't the money. I could wait. But I don't feel like taking all that +money and not doing anything for it. I guess Red needs me, too. Brand +says I'm a fool to quit here now. Mebby I am. I like it here; the work +and everything." + +Saunders, watching them, saw Collie give Louise a letter. He saw her +tuck it in her waist and rein Boyar round toward the gate. + +As Collie came toward the corrals he noticed that Saunders had saddled +the pinto Rally. He was a little surprised. Rally was Walter Stone's +favorite saddle-horse and used by none but him. He knew his employer was +absent. Perhaps Saunders had instructions to bring Rally to the station. + +Collie paid no further attention to Saunders until the latter came from +his quarters with a coat and a blanket-roll which he tied to the saddle. +Then Collie became interested. He left the road and climbed the hill +back of the corrals. He watched Saunders astride the pinto as he opened +the gate and spurred through without closing it. That was a little +unusual. + +"I feel almost like taking a cayuse and following him," muttered Collie. +"But, no. What for, anyway?" + +On a rise far below was Black Boyar, loping along easily. Collie saw him +stop and turn into the Old Meadow Trail. He watched for Saunders to +appear on the road below the ranch. Presently out from the shoulder of a +hill leaped Rally. Saunders was plying quirt and spur. The pinto was +doing his best. + +"Something's wrong. I'll just take a chance." And Collie ran to the +corral and roped the Yuma colt. He saddled her, led her a few steps that +she might become used to the feel of the cinchas, and then mounted. He +turned the pony up the hill and sat watching the pinto on the road +below. He saw Saunders draw rein and dismount, apparently searching the +road for something. Then he saw him mount quickly and disappear on the +Old Meadow Trail. + +Collie whirled the pony round and down the hill. Through the gateway he +thundered. The steel-sinewed flanks stiffened and relaxed rhythmically +as the hillside flew past. The Yuma colt, half-wild, ran with great +leaps that ate into space. They swept through the first ford. A thin +sheet of water spread on either side of them. The outlaw fought the curb +all the way up the hill beyond. Pebbles clattered from her hoofs and +spun skyward as she raced along the level of the hilltop. + +Down the next grade the pony swung, taking the turns with short leaps. +On the crest Collie checked her. The road beyond, clear to the valley, +was empty. + +He examined the tracks entering the Old Meadow Trail. He had not been +mistaken. Saunders had ridden in. Mounting, Collie spurred through the +greasewood, trusting to the pony's natural activity and sure-footedness. + + * * * * * + +Louise, sitting on the dream-rock in the old meadow, gazed out across +the valley. Black Boyar stood near with trailing bridle-reins. + +Despite herself the girl kept recalling Collie's face as he had talked +with her at the ranch. Admiration she had known before and many +times--adoration never, until that morning. + +For a long time she dreamed. The shadows of the greasewood lengthened. +The air grew cooler. Louise ended her soliloquy by saying aloud: "He's a +nice boy, though. I do hope he will keep as he is." + +Boyar, lifting his head, nickered and was answered by Rally, entering +the meadow. Silent Saunders rode up hurriedly. + +"Why, Saunders,--what is it? That's Rally! Were you going to meet Uncle +Walter?" + +"No, Miss. I'm in a hurry. Just hand over that letter that young Collie +give to you at the ranch. I want it. I mean business." + +"You want the letter? What do you mean? What right have you--" + +"No right. Only I want it. I don't want to make trouble." + +"You! A Western man, and speak that way to a woman! Saunders, I'm +ashamed to think you ever worked for us." + +"Oh, I know you got nerve. But I'm in a hurry. Hand it over. Then you +can call me anything you like." + +"I shall not hand it over." + +"All right. I got to have it." + +The girl, her gray eyes blazing with indignation, backed away as he +strode toward her. "You'd dare, would you?" And as Saunders laughed she +cut him across the face with her quirt. + +His face, streaked with the red welt of the rawhide, grew white as he +controlled his anger. He leaped at her and had his hands on her when she +struck him again with all her strength. He staggered back, his hand to +his eyes. + +A wild rush of hoofs, a shock, a crash, and he was beneath the plunging +feet of the Yuma colt. The pony flashed past, her head jerking up. +Louise saw Collie leap to the ground and come running back. + +Saunders, rolling to his side, reached for his holster, when he saw that +in Collie's hand which precluded further argument. + +"Don't get up!" said Collie quietly. "I never killed a man--but I'm +going to, quick, if you lift a finger." + +Saunders kept still. Collie stepped round behind him. "Now, get up, +slow," he commanded. + +When Saunders was on his feet, Collie reached forward and secured his +gun. + +"I'll send your check to the store," said Louise, addressing Saunders. +"I shall tell Mr. Stone that I discharged you. I don't believe I had +better tell the men about this." + +"Beat it, Saunders," said Collie, laughing. "You are leaving here afoot, +which suits me fine. Red would be plumb happy to know it." + +"Red's goin' to walk into my lead some of these days." + +"That's some day. This is to-day," said Collie. + +Saunders, turning, gazed covetously at the pinto Rally. Collie saw, and +smiled. "I missed twice. The third trick is goin' to be mine. Don't you +forget that, Mister Kid," said Saunders. + +"Oh, you here yet?" said Collie; and he was not a little gratified to +notice that Saunders limped as he struck off down the trail. + + + + +CHAPTER XXIV + +"LIKE SUNSHINE" + + +Louise drew off her gauntlets and tossed them on the rock. Collie saw +the print of Saunders's fingers on her wrist and forearm. "I ought to +'a' made him kneel down and ask you to let him live!" he said. + +"I was afraid--at first. Then I was just angry. It was sickening to see +the marks grow red and swell on his face. I hit him as hard as I could, +but I'm not sorry." + +"Sorry?" growled Collie. "He takes your brand with him. He didn't get +the letter. I got to thank you a whole lot for that." + +"But how did he know I had it? What did he want with the letter?" + +"He saw me give it to you. He's one of the bunch, the Mojave bunch +that's been trailing Red all over the country. When Red disappeared up +in those desert hills, I reckon Saunders must have got hold of a paper +and read about the get-away here at the Moonstone. He just naturally +came over here and got a job to see if he couldn't trace Red." + +"You are thinking of joining Mr. Summers at the claim?" + +"Yes. The Eastern folks are gone now. I hate to go. But I got to get +busy and make some money. A fellow hasn't much of a show without money +these days." + +Louise was silent. She sat gazing across the valley. + +Collie approached her hesitatingly. "I just got to say it--after all +that's happened. Seems that I could, now." + +Louise paled and flushed. "Oh, Collie!" she cried entreatingly. "We have +been such good friends. Please don't spoil it all!" + +"I know I am a fool," he said, "or I was going to be. But please to take +Boyar and go. I'll bring Rally. I was wrong to think you would listen a +little." + +But Louise remained sitting upon the rock as though she had not heard +him. Slowly he stepped toward her, his spurs jingling musically. He +caught up one of her gloves and turned it over and over in his fingers +with a kind of clumsy reverence. "It's mighty little--and there's the +shape of your hand in it, just like it bends when you hold the reins. It +seems like a thing almost too good for me to touch, because it means +_you_. I know you won't laugh at me, either." + +Louise turned toward him. "No. I understand," she said. + +"Here was where Red and I first saw you to know who you was. I used to +hate folks that wore good clothes. I thought they was all the same, you +and all that kind. But, no, it ain't so. You looked back once, when you +were riding away from the jail that time. I was going to look for Red +and not go to work at the Moonstone. I saw you look back. That settled +it. I was proud to think you cared even anything for a tramp. I was +mighty lonesome then. Since, I got to thinking I'd be somebody some day. +But I can see where I stand. I'm a puncher, working for the Moonstone. +You kind of liked me because I had hard luck when I was a kid. But that +made me _love_ you. It ain't wrong, I guess, to love something you can't +ever reach up to. It ain't wrong to keep on loving, only it's awful +lonesome not to ever tell you about it." + +"I'm sorry, Collie," said Louise gently. + +"Please don't you be sorry. Why, I'm glad! Maybe you don't think it is +the best thing in the world to love a girl. I ain't asking anything but +to just go on loving you. Seems like a man wants the girl he loves to +know it, even if that is just all. You said I love horses. I do. But +loving you started me loving horses. Red said once that I was just +living like what I thought you wanted me to be. Red's wise when he +takes his time to it. But now I'm living the way I think I want to. I +won't ask you to say you care. I guess you don't--that way. But if I +ever get rich--then--" + +"Collie, you must not think I am different from any other girl. I'm just +as selfish and stubborn as I can be. I almost feel ashamed to have you +think of me as you do. Let's be sensible about it. You know I like you. +I'm glad you care--for--what you think I am." + +"That's it. You are always so kind to a fellow that it makes me feel +mean to speak like I have. You listened--and I am pretty glad of that." + +He turned and caught Boyar's bridle. Mounting he caught up Yuma and +Rally. Slowly Collie and the girl rode the trail to the level of the +summit. Slowly they dropped down the descent into Moonstone Cañon. The +letter, Overland Red, Silent Saunders, were forgotten. Side by side +plodded the pony Yuma and Black Boyar. Rally followed. The trees on the +western edge of the cañon threw long, shadowy bars of dusk across the +road. Quail called from the hillside. Other quail answered plaintively +from a distance. Alternate warmth and coolness swam in the air and +touched the riders' faces. + +At a bend in the road the ponies crowded together. Collie's hand +accidentally brushed against the girl's and she drew away. He glanced +up quickly. She was gazing straight ahead at the distant peaks. He felt +strangely pleased that she had drawn away from him when his hand touched +hers. Some instinct told him that their old friendship had given place +to something else--something as yet too vague to describe. She was not +angry with him, he knew. Her face was troubled. He gazed at her as they +rode and his heart yearned for her tenderly. Life had suddenly assumed a +tensity that silenced them. The little lizards of the stones scurried +away from either side of the road. One after another, with sprightly +steps, a covey of mountain quail crossed the road before them, leaving +little starlike tracks in the dust. Though homeward bound the ponies +plodded with lowered heads. Moonstone Cañon, always wonderful in its +wild, rugged beauty, seemed as a place of dreams, only real as it echoed +the tread of the ponies. The cañon stream chattered, murmured, quarreled +round a rock-strewn bend, laughed at itself, and passed, singing a +cool-voiced melody. + +They rode through a vale of enchantment, only known to Youth and Love. +Her gray eyes were misty and troubled. His eyes were heavy with +unuttered longing. His heart pounded until it almost choked him. He bit +his lips that he might keep silent. + +The glint of the slanting sunlight on her hair, the turn of her wrist as +she held the reins, her apparent unconsciousness of all outward things +enthralled him. A spell hung round him like a mist, blinding and +baffling all clearer thought. And because Louise knew his heart, knew +that his homage was not of books, but of his very self, she lingered in +the dream whose thread she might have snapped with a word, a gesture. + +Generously the girl blamed herself that she had been the one to cause +him sorrow. She could not give herself to him, be his wife as she knew +he wished her to be. Yet she liked him more than she cared to admit. He +had fought for her once and taken his punishment with a grin. She felt +joy in his homage, and yet she felt humility. In what way, she asked +herself, was she better, cleaner of heart, kinder or cleverer than +Collie? Why should people make distinctions as to birth, or breeding, or +wealth, when character and physical excellence meant so much more? + +"Collie!" she whispered, and the touch of her fingers on his arm was as +the touch of fire,--"Collie!" + +She drew one of her little gray gauntlets from her belt. "Here," she +said, and the word was a caress. + +But he put the proffered token away from him with a trembling hand. +"Don't!" he cried. "I tried not to want you! I did try! This +morning--before I told you--I could have knelt and prayed to your glove. +But now, Louise, Louise Lacharme, I can't. That glove would burn me and +drive me wild to come back to you." + +"To come back to you ...?" The words sung themselves through her +consciousness. "Come back to you...." He was going away. "You care so +much?" she asked. There was a new light in her eyes. Her face was almost +colorless. So she had looked when Saunders threatened her. She swayed in +the saddle. Collie's arm was about her. She raised one arm and flung it +round his neck, drawing his face down to her trembling lips. Then she +drew away, her face burning. + +Across the end of the cañon a vagrant sunbeam ran like a bridge of faëry +gold. It pelted the gray wall with a million particles of mellow fire. +It flickered, flashed anew, and faded. The ponies drew apart. The colt +Yuma grew restless. + +"Good-bye," murmured Louise. + +"Like the sunshine," he said, pointing to the cliff. + +"It is gone," she whispered, shivering a little as the shadows drew +down. + +"It will shine again," he said, smiling. + +Without a word she touched Black Boyar with the spurs. A stone clattered +down as he leaped forward, and she was gone. + +Collie curbed the colt Yuma, who would have followed. "No, little +hummingbird," he said whimsically. "We aren't so used to heaven that we +can ride out of it quite so fast." + + * * * * * + +Next morning, with blanket and slicker rolled behind his saddle, he rode +down the Moonstone Cañon Trail. At the foot of the range he turned +eastward, a new world before him. The far hills, hiding the desert +beyond, bulked large and mysterious. + +Louise had not been present when he bade good-bye to his Moonstone +friends. + + + + +CHAPTER XXV + +IN THE SHADOW OF THE HILLS + + +The afternoon of the third day out from the Moonstone Ranch, Collie +picketed the roan pony Yuma near a water-hole in the desert. He spread +his saddle-blankets, rolled a cigarette, and smoked. Presently he rose +and took some food from a saddle-pocket. + +The pony, unused to the desert, fretted and sniffed at the sagebrush +with evident disgust. Collie had given her water, but there was no +grazing. + +After he had eaten he studied the rough map that Overland had given him. +There, to the south, was the desert town. He had passed that, as +directed, skirting it widely. There to the east were the hills. +Somewhere behind them was the hidden cañon and Overland Red. + +Stiff and tired from his long ride, he stretched himself for a short +rest. He dozed. Something touched his foot. It was the riata with which +he had picketed the pony. He meant to travel again that night. He would +sleep a little while. The horse, circling the picket, would be sure to +awaken him again. + +He slept heavily. The Yuma colt stood with rounded nostrils sniffing the +night air. The pony faced in the direction of the distant town. She knew +that another horse and rider were coming toward her through the +darkness. They were far off, but coming. + +For a long time she stood stamping impatiently at intervals. Finally she +grew restive. The oncoming horse had stopped. That other animal, the +man, had dismounted and was coming toward her on foot. She could not see +through the starlit blanket of night, but she knew. + +The man-thing drew a little nearer. The pony swerved as if about to run, +but hesitated, ears flattened, curious, half-belligerent. + + * * * * * + +That afternoon Silent Saunders, riding along the border of the desert +town, had seen a strange horse and rider far out--away from the road and +evidently heading for the water-hole. Saunders rode into town, borrowed +a pair of field-glasses, and rode out again. He at once recognized the +roan pony as the Oro outlaw, but the rider? He was not so sure. He would +investigate. + +The fact that he saw no glimmer of fire as he now approached the +water-hole made him doubly cautious. Nearer, he crouched behind a bush. +He threw a pebble at the pony. She circled the picket, awakening Collie, +who spoke to her sleepily. Saunders crept back toward his horse. He +knew _that_ voice. He would track the young rider to the range and +beyond--to the gold. He rode back to town through the night, entered the +saloon, and beckoned to a belated lounger. + +Shivering in the morning starlight, Collie arose and saddled the pony. +He rode in the general direction of the range. The blurred shadow of the +foothills seemed stationary. His horse was not moving forward--simply +walking a gigantic treadmill of black space that revolved beneath him. +The hills drew no nearer than did the constellations above them. + +Suddenly the shadows of the hills pushed back. Almost instantly he faced +the quick rise of the range. Out of the silence came the slithering step +of some one walking in the sand. The darkness seemed to expand. + +Overland Red stood before him, silent, alert, anxious. "You, Chico?" he +asked. + +"Sure. Hello, Red." + +"Anybody see you come across yesterday?" + +"Not that I know of. I kept away from the town." + +"Your hoss shod?" + +"Yes. All around. Why?" + +"Nothin'. I'm sufferin' glad to see you again. When we get on top of the +hills, you take the left trail and keep on down. You can't miss the +cañon. I'll leave you here. I got to stay here a spell to see that +nothin' else comes up but the sun this mornin'." + +"All right, Red. Your pardner down there?" + +"Yep. Whistle when you get up to the meadow in the cañon. Billy'll be +lookin' for you." + +"Any trouble lately?" + +"Nope. But Billy's got a hunch, though. He says he feels it in the air." + +At the crest Collie rode on down the winding trail, or rather way, for +no regular trail existed. At the foot of the range he turned to the +right and entered the narrow cañon, following the stream until he came +to the meadow, where he picketed the pony. + +He continued on up the cañon on foot. When he arrived at the camp, +Overland was there waiting. Winthrop and he greeted Collie cordially. +"Short cut," explained Overland, jerking his thumb over his shoulder. +"No hoss trail, though. Too steep." + +Faint dawn lights were shifting along the cañon walls as they had +breakfast. As the morning sunlight spread to their camp Collie's natural +curiosity in regard to Overland's pardner was satisfied. He saw a +straight, slender figure, in flannel shirt and khaki. The gray eyes were +peculiarly keen and humorous. Winthrop was not a little like his sister +Anne in poise and coloring. The hands were nervously slender and +aristocratic, albeit roughened and scarred by toil. There was a +suggestion of dash and go about Winthrop that appealed to Collie. Even +in repose the Easterner seemed to be alert. Undoubtedly he would make a +good companion in any circumstance. + +"There's spare blankets in the tent. Roll in for a snooze, Collie. Billy +and me'll pack your saddle and stuff up here later." + +"I guess I will. You might sponge Yuma's back a little, Red. She's +brought me close to two hundred miles in the last three days." + +"Sure, Bo! I'll brush her teeth and manicure her toe-nails if you say +the word. I guess that hoss has kind of made a hit with you." + +Collie yawned. "Mebby. But it isn't in it with the hit she'll make with +you if you try to take up her feet. She's half-sister to a shot of +dynamite. I'm only telling you so she won't kick your fool head off." + +"You talk like most a full-size man," said Overland. + +Down at the meadow, Overland looked at the colt and shook his head. "He +is correct," he said succinctly. "That hoss don't welcome handlin' worth +a bean." + +Winthrop's silence rather stirred Overland's sensitive pride in his +horsemanship. "'Course I broke and rode hundreds like her, down in Mex. +But then I was paid for doin' it. It was my business then. Now, minin' +and educatin' Collie is my business, and a busted neck wouldn't help +any." + +Winthrop realized for the first time that Overland's supreme interest in +life was Collie's welfare. Heretofore the paternal note had not been +evident. Winthrop had imagined them chums, friends, tramps together. +They were more than that. Overland considered Collie an adopted son. + +The Easterner glanced at Overland's broad shoulders stooped beneath the +weight of the heavy stock saddle. Something in the man's humorous +simplicity, his entire willingness to serve those whom he liked and his +stiff indifference to all others, appealed to Winthrop. So this flotsam +of the range, this erstwhile tramp, this paradox of coarseness and +sentiment, had an object in life? A laudable object: that of serving +with his sincerest effort the boy friend he had picked up on the desert, +a castaway. + +As they toiled up the stream toward the camp, Winthrop recalled their +former chats by the night-fire. Now he began to see the drift of +Overland's then frequent references to Collie. And there was a +girl,--mentioned by Overland almost reverently,--the Rose Girl, Louise +Lacharme, of whom Anne Marshall had written much in eulogy to him. And +Winthrop himself? + +His swift introspection left him aware that of them all he alone seemed +to lack a definite aim. Making money--mining--was still to him a game, +interesting and healthful, but play. To Overland it was life. Winthrop +saw himself as he was. His improved health scoffed at the idea of +becoming sentimental about it. He laughed, and Overland, turning, +regarded him with bushy, interrogative brows. + +"Nothing," said Winthrop. + +"Ain't you feelin' good lately, Billy?" + +"I'm all right." + +"Glad of that. It's good to forget you got such a thing as health if you +want to keep it. If you get to lookin' for it, like as not you'll find +it's gone." + +"I'm looking for something entirely different. Something you +have--something that I never possessed." + +"I don't know anything I got that you haven't 'less it's that new +Stetson I got in Los. You can have her, Billy, and welcome. Your lid +_is_ gettin' on the bum." + +"Not that," laughed Winthrop. "Something you keep under it." + +"'T ain't me hair. I'm plumb sure of that." + +"No." + +"Mebby you're jealous of some of me highbrow ideas?" + +"Add an 'l' and you have it." + +"I-d-e-a-l-s. Oh, ideals, eh? Never owned none except that little +electric do-diddle-um of the Guzzuh what makes the spark to keep the +machinery goin'. That's called the 'Ideal.'" + +"The spark to keep the machinery going--that's it," said Winthrop. + +At the camp he prepared to make his trip to the Moonstone Ranch. He read +his sister's letter over and over again. Finally he sauntered up the +cañon to where Overland was at work. "I'll lend a hand," he said, in +answer to Overland's questioning face. "I don't believe I'll go before +to-morrow night. It is hardly right to leave the minute my new pardner +arrives. I want to talk with him." + +Overland nodded. "Guess you're right. It won't hurt to keep in the +shadow of the hills for a day or two. Can't tell who might 'a' spotted +Collie ridin' out this way." + + * * * * * + +That afternoon, toward evening, Collie arose, refreshed, and eager to +inspect the claim. He could hear the faint click of pick and shovel up +the cañon. He stretched himself, drank from the stream, and sauntered +toward the meadow. He would see to his pony first. + +He found the horse had been picketed afresh by Overland when he had come +for the saddle. He was returning toward camp when he heard a slight +noise behind him--the noise a man's boot makes stepping on a pebble that +turns beneath his weight. + +Collie wheeled quickly, saw nothing unusual, and turned again toward the +camp. Then he hesitated. He would look down the cañon. He realized that +he was unarmed. Then he grew ashamed of his hesitancy. He picked his way +down the stream. A buzzard circled far above the cliffs. The air hummed +with invisible bees in the rank wild clover. He peered past the next +bend. A short distance below stood a riderless horse. The bridle was +trailing. For an instant Collie did not realize the significance of the +animal waiting patiently for its rider. Then, like the flash of a +speeding film, he saw it all--his pony's tracks up the cañon--the rider +who had undoubtedly seen him crossing to the water-hole, and who had +waited until daylight to follow the tracks; who had dismounted, and was +probably in ambush watching him. He summoned all his reserve courage. +Turning away, he remarked, distinctly, naturally, casually, "Thought I +heard something. Must have been the water." + +He walked slowly back to the notch in the cañon walls. Stepping through +it, he continued on up the stream. A few paces beyond the notch, and a +face appeared in the cleft rock, watching him. The watcher seemed in +doubt. Collie's action had been natural enough. Had he seen the horse? +The hidden face grew crafty. The eyes grew cold. The watcher tapped the +side of the cliff with his revolver butt. The noise was slight, but in +that place of sensitive echoes, loud enough to be heard a long way up +the cañon. Then it was that Collie made a courageous but terrible +mistake. He heard the sound, and seemed to realize that it was made +intentionally--to attract his attention. Yet he was not sure. He kept +on, ignoring the sound. Had he not suspected some one was in the cañon, +to have glanced back would have been the most natural thing in the +world. The watcher realized this. He knew that the other had heard +him--suspected his presence, and was making a daring bluff. + +"Got to stop that," muttered the watcher, and he raised his hand. + +The imprisoned report rolled and reëchoed like mountain thunder. Collie +threw up his arms and lurched forward. + +Below in the cañon clattered the hoofs of the speeding horse. The rider, +still holding his six-gun, muzzle up, glanced back. "I didn't care +partic'lar about gettin' _him_, but gettin' the kid hits the red-head +between the eyes. I guess I'm about even now." And Silent Saunders +holstered his gun, swung out of the cañon, and spurred down the +mountain, not toward the desert town, but toward Gophertown, some thirty +miles to the north. He had found the claim. The desert town folk he had +used to good advantage. They had paid his expenses while he trailed +Overland and Collie. They had even guaranteed him protection from the +law--such as it was on the Mojave. He had every reason to be grateful to +them, but he was just a step or two above them in criminal artistry. He +had been a "killer." Like the lone wolf that calls the pack to the hunt, +he turned instinctively to Gophertown, a settlement in the hills not +unknown to a few of the authorities, but unmolested by them. The +atmosphere of Gophertown was not conducive to long life. + + + + +CHAPTER XXVI + +SPECIAL + + +Overland, leaning on his shovel, drew his sleeve across his forehead. +"Reckon I'll go down and wake Collie. He'll sleep his head off and feel +worse 'n thunder." + +"I'll go," said Winthrop, throwing aside a pan of dirt with a fine +disregard of its eventual value. "I want some tobacco, anyway." + +"Fetch a couple of sticks of dynamite along, Billy. I'll put in one more +shot for to-night." + +A distant, reverberating report caused the two men to jerk into +attitudes of tense surprise. + +"What the hell!" exclaimed Overland, running toward the tent. "That +wasn't the kid. Collie's only packin' a automatic, and here it is." + +He stopped in the tent-door, grabbed up the gun and belt, and ran down +the cañon, Winthrop following breathlessly. Near the notch he paused, +motioning Winthrop to one side. "Mebby it was to draw us on. You keep +there, Billy. I'll poke ahead." + +But Overland did not go far. He almost stumbled over the prone figure of +Collie. With a cry he tore his handkerchief from his throat and plugged +the wound. "Clean through," he said, getting to his feet. "Get the +whiskey." + +"Shan't I help you carry him?" queried Winthrop. + +Overland shook his head. "Get the whiskey and get a fire goin'. I'll +bring him." + +"Will he--live?" asked Winthrop, hesitating. + +"I reckon not, Billy. He was plugged from behind--close--and clean +through. Here's the slug." + +Then Overland picked up the limp form. So this was the end of all his +planning and his toil? He cursed himself for having urged Collie to come +to the desert. He strode carefully, bent with the weight of that +shattered body. He felt that he had lost more than the visible Collie; +that he had lost the inspiration, the ideal, the grip on hope that had +held him toward the goal of good endeavor. His old-time recklessness +swept down upon him like the tides, submerging his better self. Yet he +held steadily to one idea. He would do all that he could to save +Collie's life. Failing in that ... there would be a red reckoning. After +that he would not care what came. + +Already he had planned to send Winthrop, in his big car, for a doctor. +The car was at the desert town, where a liveryman accepted a royal +monthly toll in advance to care for it. + +At the tent Overland laid Collie on the blankets, bathed and bandaged +the wound, and watched his low pulse quicken to the stimulant that he +gave him in small doses. + +"It's the shock as much as the wound," said Overland. "He got it close, +and from behind--_from behind_ do you hear?" + +Winthrop, startled by the other's intensity, stammered: "What shall I +do? What shall I do?" + +Overland bit his nails and scowled. "You will ride to town. Collie's +hoss is here. Take the Guzzuh and burn the road for Los and get a +doctor. Not a pill doctor, but a knife man. Bring the car clean back +here to the range. To hell with the chances." + +Winthrop slipped into his coat and filled a canteen. + +"If that horse throws me--" he began. + +"You got to ride. You _got_ to, understand? I dassent leave him." + +Down in the meadow Overland saddled the pony Yuma. He mounted and she +had her "spell" of bucking. "Now, take her and ride," said Overland. +"After you hit the level, let her out and hang on. If any one tries to +stick you up this time--why, jest nacherally _plug_ 'em. Sabe?" + +Winthrop nodded. + +Two hours later a wild-eyed, sweating pony tore through the desert town +at a run. Her rider slid to the ground as the liveryman grabbed the +pony's bridle. + +"Take--care--of her," gasped Winthrop. "I want--the machine." + +"Anybody hurt?" + +"Yes. Who did that?" + +Winthrop stood with mouth open and eyes staring. The tires of the big +machine were flat. + +"I dunno. I watched her every day. I sleep here nights. Las' Sunday I +was over to Daggett." + +"And left no one in charge?" + +"The boy was here." + +"Well--the job is done. Take care of the horse. I'll be back in a +minute." + +At the station Winthrop wired for a special car and engine. He gave his +check for the amount necessary and went back to the stable. He was +working at the damaged tires when the agent appeared. "Special's at the +Junction now. Be here in five minutes." + +Winthrop climbed to the engine-cab. "I'll give you ten dollars for every +minute you cut from the regular passenger schedule," he said. + +The engineer nodded. "Get back on the plush and hang on," was his brief +acknowledgment. + + * * * * * + +It was dark when the surgeon, drying his hands, came from the cañon +stream to the tent. "That's about all I can do now," he said, slipping +into his coat. + +Overland, who was sitting on a box beside the tent, stood up and +stretched himself. "Is he goin' to make it?" he asked. + +"I can't say. He is young, in good condition, and strong. If you will +get me some blankets, I'll turn in. Call me in about two hours." + + + + +CHAPTER XXVII + +THE RIDERS + + +Several days passed before the surgeon would express a definite opinion. + +Collie lay, hollow-cheeked and ghastly, in the dim interior of the tent. +His eyes were wide and fixed. Overland came in. Collie recognized him +and tried to smile. Overland backed out of the tent and strode away +growling. The tears were running down his unshaven cheeks. He did not +return until later in the day. Then he asked the surgeon that +oft-repeated question. + +"I don't see how he can recover," said the surgeon quietly. "Of course +there's a slim chance. Don't build on it, though." + +"If there's a chance, I reckon he will freeze to it," said Overland. +"From what he was ramblin' about when he was off his head, I reckon he's +got somethin' more to live for than just himself." + +"Has he any relatives?" queried the surgeon. + +"Nope. Except me. But he was expectin' to have, I guess. And I tell you +what, Doc, she's worth gettin' shot up for." + +"Too bad! Too bad," muttered the surgeon. + +"What's too bad, eh?" + +The other shook his head. "If there is any one that he would care to +see, or that would care to see him, you had better write at once." + +Overland was stunned. The doctor's word had been given at last, and it +was not a word of hope. + +Overland Red bowed to the doctor's opinion, but his heart was +unconquerable. He wrote a long letter to his old-time friend, Brand +Williams, of the Moonstone Ranch. The letter was curiously worded. It +did not mention Louise Lacharme, nor Mrs. Stone, nor the rancher. It +was, in the main, about Mexico and the "old days"; no hint of Collie's +accident was in the page until the very end. The letter concluded with +"But you needn't think you owe me anything for that. I was glad to put +him to the hush because we was pals them days. Collie was shot by +Saunders. The doctor says he will die most likely. He was shot in the +back. It would go bad with Saunders if the Moonstone boys ever heard of +this." + + * * * * * + +The letter dispatched by Winthrop, Overland Red took courage. He felt +that he himself was holding Collie's life from sinking. His huge +optimism would not admit that his friend _could_ die. + +He was leaning back against a rock near the notch and gazing at the +slanting moonlight that spread across the somber canyon walls. A week +had gone since he mailed his letter to Brand Williams, of the +Moonstone, and Collie was still alive. Overland shifted his position, +standing beside him the Winchester that had lain across his knees, and +pulling his sombrero over his eyes. The notch made an excellent +background for an object over the sights of a rifle, even at night, so +long as the moon shone. Gophertown riders would never venture that far +up the cañon with horses. They would tether their ponies at the entrance +and come afoot and under cover. Still, they would have to pass the notch +in any event. + +Thus it was that when, some few minutes later, Overland heard the faint +jingle of rein-chains, he grinned. It was celestial music to him. + +The sound came again, nearer the notch, and clearer. He remained +motionless gazing at the shadowy opening. + +Slowly a shaft of moonlight drew down toward the notch, silvering its +ragged edges. Lower the light slid until it revealed the opening and in +it the figure of a horseman. In the white light Overland could see the +quirt dangling from the other's wrist. The horseman's wide belt +glittered. + +"Brand!" called Overland Red softly. The opposite wall took up the name +hesitatingly and tossed it back. + +"Brand!" whispered the echoes that drifted to the darkened corners of +the cliff and were lost in voiceless murmurings. + +"Brand your own stock," came the answer, low and distinct. + +Overland laughed. It was their old-time pun upon the foreman's name. He +got to his feet and approached. "It does me good," he said, extending +his hand. + +"How is Collie?" asked Williams, dismounting. + +Overland heaved great sigh. "He's floatin' somewhere between here and +the far shore. Mebby he's tryin' to pull through. The doc says the kid +don't seem to care whether he does or not. Did--the little Rose +Girl--tell you anything to--to say to him?" + +"When I was leavin' she come out to the gate," said Williams. "She +didn't say much. She only hands me this, and kind of whispered, 'Give +him this. He will understand.'" + +And Williams drew a small gray gauntlet from his shirt. Overland took +the glove and tucked it in his pocket. + +"Anything doing?" asked Williams. + +"Nope. They're overdue to jump us if shootin' Collie was any sign." + +"Like old times," said Williams. + +"Like old times," echoed Overland. "No trouble findin' your way across?" + +"Easy. Followed them automobile tracks clear to the range. We fed up at +the town. The boys gets kind of restless--" + +"Boys? Ain't you alone?" + +"Hell, no!" replied Williams disgustedly. "I wish I was! I got four +pigeon-toed, bow-legged, bat-eared Moonstoners down in that meadow, just +itchin' mad to cut loose. And they ain't sayin' a word, which is +suspicious. Worryin' across the old dry spot the last three days has +kind of het 'em up. And then hearin' about Collie...." + +"How'd you come to have so much comp'ny?" queried Overland. + +"I was plumb fool enough to read that letter of yours to 'em. They all +like Collie first-rate. Better than I calculated on. The boss talked +turkey to 'em, but he had to let 'em come. He did everything he could to +hold 'em, knowin' what was in the wind." + +"And they quit?" + +"Quit? Every red-eyed bat of 'em. Bud and Pars and Billy and Miguel. +Told the boss they quit, because me bein' foreman they would do as I +says, but if they quit I wasn't their foreman any longer, and they would +do as they dum please. They had the nerve to tell me that I could come +along if I was wishful." + +"Kind of bad for Stone, eh?" + +"The Price boys are holdin' down the ranch. You see, Jack, it hit us +kind of hard, Collie ridin' away one mornin', and next thing your +letter that he was down and pretty nigh out. The boys didn't just like +that." + +Overland nodded. "Well, Brand, I guess I'll step down and look 'em +over." + +"Only one thing, Jack. I feel kind of responsible for them boys, even if +I ain't their foreman just now. Don't you go to spielin' to 'em and get +'em thinkin' foolish. They're about ready to shoot up a town, if +necessary." + +"Been hittin' the booze any?" + +"Some. But not bad." + +"All right. I don't want to say only 'How!' and thank 'em for Collie. If +I say more than three words after that, you can have my hat." + +"It don't take three words, sometimes," said Williams, somewhat +ambiguously. + +"Leave it to me," said Overland, still more ambiguously. + + * * * * * + +Ringed round their little fire in the meadow sat or lay the Moonstone +riders. While crossing the desert Williams had sketched a few of the red +episodes in Overland's early career. These pleased the riders mightily. +They were anxious to meet Red Jack Summers. When Williams did introduce +him, they were rather silent, asking after Collie in monosyllables. They +seemed strangely reticent. + +Both Williams and Overland felt an inexplicable tensity in the +situation. + +Miguel, the young Mexican vaquero, broke silence. "How long you call it +to this Gophertown place, I think?" + +"Thirty miles," said Overland. + +"Walkin' backwards--like Miguel's talk," said Billy Dime. + +"That's easy," said Bud Light. + +"What's easy?" questioned Williams. + +"Walkin' backwards," replied the facetious Bud. + +"If you don't step on your neck," said Pars Long. + +"I'm gettin' cold feet," asserted Bud Light after a silence. + +"That disease is ketchin'," said Billy Dime. + +"I know it. I been sleepin' next to you," retorted Bud. + +Brand Williams glanced across the fire at Overland, who smiled +inscrutably. The undercurrent was unfathomable to Williams, though he +guessed its main drift. + +Suddenly Pars Long glanced at the foreman. "Brand," he said quietly, "we +expect you didn't read all of that letter from your friend here. You +said Collie was shot. You didn't say how, which ain't natural. We been +talkin' about it. Where was he hit?" + +Overland saw his chance and grasped it with both hands. "In the back," +he said slowly, and with great intensity. + +Followed a silence in which the stamping of the tethered horses and the +whisper of the fire were the only sounds. + +Presently Miguel ran his fingers through his glossy black hair. "In the +back!" he exclaimed. "And you needn't to tell that he was run away, +neither." + +"In the back?" echoed Billy Dime. + +Overland and Williams exchanged glances. "You done it now," said +Williams. + +"'Cordin' to agreement," said Overland. + +"Make it a wireless," said Billy Dime. "We ain't listenin', anyhow." + +"Only thirty miles. What do you say, Brand?" + +"Nothin'." + +"_As_ usual," ejaculated Dime. + +"I say about three to-morrow morning," ventured Pars Long. "Light will +be good about nine. We can do the thirty by nine. A fella would be able +to ride round town then without fallin' over anything." + +"What you fellas gettin' at?" queried Williams. + +"Gophertown," replied Dime. "You want to come along?" + +"Is it settled?" asked the foreman. + +The group nodded. + +"Well, boys, it would 'a' been _my_ way of evenin' up for a pal." + +"Then you're comin', too?" + +"Do you think I'm packin' these here two guns and this belt jest to +reduce my shape?" queried Williams in a rather hurt tone. + +"Whoop-ee for Brand!" they chorused, and the tethered ponies shied and +circled. + +"I never rode out _lookin'_ for trouble," said Williams. "And I never +shied from lookin' _at_ it when it come my way." + +"Who said anything about trouble?" queried Billy Dime innocently. "I'm +_dry_. I want a _drink_. I'm goin' over to Gophertown to get it. I'll +treat the bunch." + +"Which bunch?" + +"Any and all--come stand up and down it." + +"We'll be there when you call our numbers, sister. You comin'?" asked +Pars Long, nodding toward Overland. + +"Me? Nope.... I'm goin'. I'm goin' to ask you boys to kindly allow me +the privilege of gettin' my drink first and by my lonesome. There will +be a gent there with sore eyes. He got sore eyes waitin' and watchin' +for me to call. I expect to cure him of his eye trouble. After that you +will be as welcome as Mary's little lamb--fried." + +"Bur-rie me not on the lo-o-ne prai-ree," sang Bud Light. + +"Not while you got the fastest hoss in the outfit," said Williams. + +"Collie's hoss is here," said Overland. "I'm ridin' her this trip. I +kind of like the idea of usin' his hoss on this here errand of mercy." + +"Three--to-morrow mornin'!" called Billy Dime, as Overland disappeared +in the shadows. + + * * * * * + +Brand Williams, the taciturn, the silent, stepped from the fire and +strode across the meadow. He paused opposite the Yuma colt and gazed at +her in the moonlight. He jerked up his chin and laughed noiselessly. +"Two-gun Jack Summers on that red Yuma hoss, ridin' into Gophertown with +both hands filled and lookin' for trouble.... God! He was bad enough +when he was dodgin' trouble. Well, I'm glad I'm livin' to see it. I was +commencin' to think they wasn't any more _men_ left in the country. I'm +forty-seven year old. To-morrow I'll be twenty again ... or nothin'." + + + + +CHAPTER XXVIII + +GOPHERTOWN + + +Some towns "nestle" on the plain. Others, more aspiring, "roost" in the +hills. Gophertown squatted on the desert at the very edge of a range of +barren foothills. Its principal street was not much more than a +bridle-trail that led past eleven ramshackle cabins, derelicts of the +old mining days when Gophertown knew gold. + +The population of Gophertown was of an itinerant order. This was not +always due to internecine disputes. Frequently a citizen became overbold +and visited his old haunts instead of remaining safely, even if +monotonously, at home. Train robbery was a sure passport to Gophertown's +protection. Man-killing lent an added distinction to an applicant for +hurried admission. Cattle-and horse-thieving were mere industries not to +be confounded with these higher professions. + +Overland Red had once wintered in Gophertown. Immediately previous to +his arrival in Gophertown he had been obliged to maintain, in an +unofficial capacity, his former prestige as sheriff of Abilene. The town +of Abilene had sympathized with him heartily, but had advised him to +absent himself indefinitely and within the hour. + +The general store and saloon of the old mining camp still stood at the +corner of the town facing the desert. A bleached and faded sign once +read, "Palace Emporium." The letters now seemed to be shrinking from +public gaze--vanishing into the wood as though ashamed of themselves. +The wording of the sign had been frequently and indifferently +punctuated. Each succeeding marksman had exploded his own theory, and +passed on. + +Liquor was still to be obtained at the general store. Provisions were +occasionally teamed in and were made up of peculiarly conglomerate lots. +There were no women in Gophertown. There was little local gossip. There +was no regular watch kept on the outlands. Gophertown felt secure in +itself. Each man was his own argus. He was expected to know his enemies +by instinct. He was expected, as a usual thing, to settle his disputes +single-handed. + + * * * * * + +Silent Saunders was in the general store and saloon. He was disgusted in +that he had been unable to induce the citizens to ride out with him and +clean up Overland Red's claim. Overland had once been of them, even if +briefly. He had been popular, especially as he was then the quickest +man with a gun they had ever honored with their patronage. Also, the +Gophertown folk had recently received a warning letter from the +superintendent of a transcontinental railroad. They were not interested +in Saunders's proposal. + +Saunders, coming from the saloon, was not a little surprised to see a +band of horsemen far out on the desert. He felt that their presence in +his vicinity had something to do with himself. He counted the horses. +There were six of them. He knew instantly that the riders were cowmen, +although he could not distinguish one from another. He beckoned to the +saloon-keeper. + +"We could 'a' stopped that," he said, pointing toward the desert. + +"Big bunch. One--two--three--six of 'em. _Big_ bunch to come visitin' +here." + +Saunders gestured toward the cañon behind Gophertown. + +The saloon-keeper shook his head. "Don't think most of our boys will be +back this week. Brandin' that bunch of new stock. Takes time to do it +right." + +"Well, here comes Parks and Santa Fé Smith," said Saunders. "That makes +four of us." + +"Mebby--and mebby not," said the saloon-keeper. "That depends. Depends +on the party that's callin' and who they're callin' _on_." + +"There's Sago--just ridin' the ledge trail. That's five." + +"'Lige and Joe Kennedy are up at the corrals," said the saloon-keeper. +"They would hate to miss anything like this." + +"Mebby they won't, if that bunch gets past us," said Saunders. + +"Seen the time when you could handle them alone, didn't you, Si?" + +"Yes, and I can now." + +"Nix, Si. Your gun arms ain't what they was sence Overland Red winged +you." + +"How in hell do you know he did?" + +"I could tell you more. But come on in and have one on the house. If I +was you, I'd set with my back to the door and be taking a drink. Red +Summers never shot a man in the back yet. If he's playin' for _you_, +why, that gives you a chance to pull a gun." + +"How about you?" queried Saunders. + +"Me? None of my business. I'm here to push the booze." + +"And you'll do your collectin' with a gun, or go broke, if it's Red +Summers and his friends." + +"Tryin' to scare me because you are?" asked the bartender. + +"Red helped Kennedy out of a mix once. Kennedy is his friend." + +"But Joe ain't here. What's gettin' into you? How do you know it is Red, +anyway? You act queer." + +"I got a hunch," said Saunders. + +"Then you want to go into action quick, for when a gunman gets a hunch +that he knows who is trailin' him, it's a bad sign." + +Saunders drummed on the table with his fingers. The drink of liquor had +restored his nerve. Perhaps the riders were not coming to visit him, +after all. He rose and stepped to the door. The oncoming horses were +near enough for him to distinguish the roan outlaw Yuma--Collie's horse. +Her rider's figure was only too familiar. Saunders fingered his belt. +Unbuckling it, he stepped back into the barroom and laid the +two-holstered guns and the belt on the table. + +Parks, from up in the cañon, rode up, tied his pony, and strolled to the +bar, nodding to Saunders. Following him came Santa Fé Smith, a +bow-legged individual in sweater and blue jeans. He nodded to Saunders. +Presently Sago, the Inyo County outlaw, came in, wheezing and +perspiring. Saunders stepped to the bar and called for "one all around." + +As they drank two more ponies clattered up and 'Lige and Joe Kennedy +joined the group at the bar. "Hutch and Simpson are comin' afoot," said +Joe Kennedy. + +"That leaves Wagner and the Chink to hear from," said the saloon-keeper. + +"Wagner's sick. I don't know where the Chink is. Everybody seems to 'a' +got up in time for dinner, this mornin', eh?" And big Joe Kennedy +laughed. "This here bar is right popular jest now." + +"Goin' to be more popular," said the saloon-keeper. + +"That so?" exclaimed several, facetiously. + +"Ask Saunders there," said the saloon-keeper. + +"Friends of yours, Silent?" + +"Yes. Friends of mine." + +"Whole six of 'em, eh?" + +"Whole six of 'em." + +"Well, we won't butt in. We'll give you lots of room." + +Saunders said nothing. He paid for the liquor, and, stepping to the +table, sat with his back to the doorway. In front of him lay his guns, +placed handily, but with studied carelessness. He leaned naturally on +one elbow, as though half asleep. His hat was tilted over his brows. + +From outside came the jingle of spurs and rein-chains and the distant +sound of voices. Saunders began leisurely to roll a cigarette. He laid a +few matches on the table. Several of the men at the bar grinned +knowingly. + +Then came the gritting of heels on the hardpacked trail and Overland +Red stood in the doorway. "Mornin', gents--and Saunders," he said, +glancing at the figure seated back toward him. + +"Hello, Red!" exclaimed Joe Kennedy. "Out early, ain't you. Have a +drink." + +"Not out too early. Hello, Lusk!" + +"How, Red," said the saloon-keeper. + +"Where's your friends. Ask 'em in," said Kennedy. + +"Shall I ask 'em in, Saunders?" queried Overland, his voice edged with a +double meaning. + +"Not on my account," said Saunders over his shoulder. + +"All right. Let's have a drink, boys." + +Even "Go-Light" Sago, the vilest of the Gophertown crew, admired +Overland's coolness in turning his back on Saunders and facing the bar. + +For a second Saunders's fingers twitched. He glanced up. + +Joe Kennedy was looking at him over his glass of whiskey. "Ain't you +drinkin', Silent?" he asked. + +"With some folks," said Saunders. + +Overland whirled round. "Have a drink with me, then." + +Saunders laughed. + +"Then you don't smoke either, while I'm here," said Overland, his hand +on his hip. + +"That so?" + +"Yes, that's so! When you try to pull that old bluff of a match-game on +me, wait till I'm a hundred and four years old, Silent. That gun-trick +died of old age. Think up a new one." + +"Ain't you talkin' a little loud for polite sassiety?" questioned Sago, +addressing Overland. + +"Seein' you're the only one that thinks so, I reckon not," said +Overland. + +"Then," said Sago, moving slightly from the bar, "Saunders smokes." + +It was an open declaration of war. Sago, the Inyo County outlaw, sided +with Saunders. + +According to the ethics of gunmen, Saunders was not armed. He was not +"packing iron." His weapons lay on the table within reach, but he knew +Overland would not precipitate matters by shooting him down where he +sat. He glanced at Sago. The other winked. + +"Then I smoke," said Saunders, and reached for a match. He shot from the +hip, swinging his guns sideways. The stutter of Overland's automatics +mingled with the roar of Saunders's heavy Colts. + +Sago, jumping clear, pulled his gun. Kennedy clutched his arm. Saunders +slid from his chair, coughed horribly, and wilted to the floor. Overland +backed toward the door, both guns leveled. + +Sago, jerking his arm free, threw two shots at Overland, who replied +with a rippling tattoo of the automatics. The Inyo County outlaw sank to +his hands and knees. Then Overland leaped through the doorway. The +Moonstone riders spurred toward the saloon, thinking that the quarrel +had provoked too many guns. Overland tried to stop them, but they were +hot for fight. + +"It's a clean up!" yelled Parks, running out of the saloon and mounting +his horse. "You framed it, you red-headed son--" He got no further. +Brand Williams, thundering down at the head of the Moonstone riders, +threw a level shot that cut through Parks, who wavered, but managed to +wheel his horse and fire at Overland Red. Then the outlaw slid from the +saddle clawing at it as he fell. + +The Gophertown men poured from the saloon, and, seizing their ponies, +circled round to the back of the building, firing as they retreated. + +Miguel spurred his big pinto in among them and emptied his gun. He rode +out at a lope, reloading. The front of his flannel shirt was shot away, +but he was not aware of it. + +Billy Dime coolly sat his horse and "drew fine" at each shot, till a +leaden slug drilled his gun-arm. He swore profusely, and wisely spurred +out of range. + +"I got one!" cried Miguel, swinging shut the cylinder of his gun. "I go +get another one." + +"Give 'em my com-pli-ments," said Dime, winding a handkerchief round his +arm and knotting it with one hand and his teeth. + +Williams, keeping under cover, fired slowly and with great precision. +Overland Red, utterly unable to manage the Yuma colt under fire, rode up +to Williams. "Let's call it off, Brand. I got my man. They was no need +of the rest of it. How did it start, anyhow?" + +"That's about what the kid said when he let go the wagon on top of the +hill. I counted five Gophers down. Billy's hit, and Miguel's goin' to +be, the dam' little fool. Look at him!" + +The Gophertown men were drawing away toward the cañon. They turned +occasionally to throw a shot at Miguel and Pars Long, who followed them. + +Bud Light sat his horse, gazing solemnly at the stump of his gun-finger. +His shirt was spattered with blood. + +Suddenly Williams raised a shrill call. The Moonstone boys wheeled their +ponies and rode toward him. Williams pointed up the cañon. Down it rode +a group of men who seemed to be undecided in their movements. They would +spur forward and then check and circle, apparently waiting for their +friends to come up to them. "It's the rest of the Gophertown outfit. We +might as well beat it," said Williams. "This here thing's gettin' too +popular all to once." + +"Did that guy get you?" asked Williams, nodding to Overland. + +"Not what you'd notice," replied Overland. "We'll take a drink on the +house. She ain't so tidy as she was." + +"Neither is the guy behind the bar," said Bud Light, pointing with the +stub of his finger to Lusk's face. The saloon-keeper had been hit between +the eyes by a chance bullet. + +"He's where he belongs," said Williams. "So is this one." And Williams +touched Saunders's body with his boot. "Let's drink and vamoose." + +"Here's to the kid!" cried Overland, strangely white and shaky. + +"Here's hoping!" chorused the Moonstone riders. + +[Illustration: IT'S A CLEAN-UP] + + + + +CHAPTER XXIX + +TOLL + + +None of the Moonstone boys had supposed that Overland Red was hit. He +rode joyfully and even began a poem to the occasion. Williams was first +to notice that Overland's speech was growing thick and that his free +hand clasped the saddle-horn. + +The others, riding a little to the rear, burst suddenly into boisterous +laughter. "What you think, Brand?" called Pars Long. "Bud's jest been +countin' his fingers and he says there is one missin'. He ain't sure +yet, but he's countin' hard. He has to skip when he comes to number one +on his right mitt. Says he can't get started to count, that way." + +"Some lucky it ain't his head," replied Williams. + +"His head? Bud would never miss that. But his pore little ole finger, +layin' calm and cold back there. A very sad business, brethren." + +"I paid twelve sweaty plunks for her in Los and look at her!" cried Pars +Long, doffing his sombrero. The high crown was literally shot to pieces. +"I guess I am some wise guy. You fellas kidded me about sportin' an +extra high lid. Come on, Chico, they're laughin' at us!" + +"If they'd 'a' shot the crown off clean down to your ears, you'd never +noticed it," grumbled Billy Dime. + +"Mebby I am a flat-headed chicken, Billy, but I got both wings yet," +retorted Long. + +Billy Dime looked down at the blood-soaked sleeve of his right arm. "The +fella that did it is eatin' grass now," he muttered. + +"Now, what's the matter with Miguel? Discovered any bullets nestin' in +your manly buzzum, Miguel?" + +"I think no. But I lose something," replied Miguel, smiling. + +"That so?" + +"I did have the tobacco and papers here," he said, and he put his hand +on his chest. "Now I look and the pocket and some of the shirt is not +there--and my tobacco is gone, and the little papers." + +"Is that all? Sad. I thought you'd lost a railroad or a steamship or +something. Cheer up! Things might be better." + +"I think I like to smoke," said Miguel, quite seriously. "I will ride +back and get some tobacco and some more papers." + +"That ain't all you'll get. Here, smoke up. You look fine in that +peek-a-boo shirt. Never knowed you had such a good shape. What size +gloves do you wear, pet?" And Pars Long passed tobacco and papers to +Miguel, who rolled a cigarette and smoked contentedly. + +"Billy, you look sick," said Bud Light. + +"Oh, no! I want to go to a dance, right away. Whoa!" + +They drew rein. Williams, dismounting, was bending over his companion +Overland, who had suddenly slipped from the saddle. + +"Where's he punctured?" queried Bud Light. + +Williams examined the prostrate man. "Kind of low down, and in the side. +'T ain't bad, but it's bad enough. Got any whiskey?" + +"You bet! I got a pocket-gun here. Swiped it in the saloon." And Pars +Long handed a flask to Williams. + +The riders, standing round the fallen man, watched Williams as he bound +up the wound, which was bleeding slowly. The whiskey partially revived +Overland. He managed finally to cling to the saddle, supported by +Williams. + +"She's thirty hot miles to camp. Red won't last out," said Long. + +"I say he does," said Bud Light. "Did you see them puckers in his hide? +I counted seven. He ain't made to be stopped by a gun." + +"Mebby he ain't stopped, but he's slowed up considerable. Did you see +the two guys he got? Saunders was pretty nigh cut in two and the other +one by the bar had four holes in him. I counted 'em, to quit thinkin' of +my arm. Them automatics is fierce!" + +"He would never 'a' got out if he'd been packin' a regular old six-gun," +said Bud Light. "_Both_ them guys were throwin' lead at him." + +"How do you know? You wasn't there." + +"Easy. He went in to get Saunders. He gets him. The other one takes a +hand. He got _him_. _We_ didn't do any shootin' inside." + +"Guess that's right. But how about the barkeep?" + +"Oh, he just got in the way. He was drilled between the lamps. In a mix +like that who's goin' to take time to draw fine?" + +"Did you see Brand lift the Gophertown guy out of his saddle--the one +that was shootin' at Red in front of the joint? Brand threw a forty-five +into him, and comin' on the jump, too. The Gopher humped up like he'd +been horned by the Santa Fé Limited. Now what's the dope?" + +Overland Red had again fallen from his horse. Williams beckoned to Long. +"Take the Yuma colt, Pars, and fan it for the cañon. Send the doc back, +and you stay with that young Winthrop and look after Collie. Your hoss +is quieter for Red, anyway. Tell the doc to bring his tools along. I +reckon we'll camp over there near the hills till to-morrow." + +"Who was it got me?" questioned Overland as he was revived a second +time. + +"I don't know," replied Williams. "The only distinguishin' brand on him +was one I put there. It ain't worryin' him now." + +"Like old times," said Overland, trying to smile. + +"Like old times," echoed Williams. + +"I guess it was Parks," murmured Overland. "He had plenty of chance. I +wasn't after him." + + * * * * * + +Slowly the group of horsemen rode across the desert. The afternoon sun +made queer shadows of them and their mounts. Billy Dime rode bent +forward. His face was white and beaded with sweat. Overland, on Long's +pony, was supported by Miguel and Brand Williams. Pars Long had +disappeared in the shadows of the range. + +Billy Dime's eyes grew strangely bright. He laughed, gazing at the +foreman's back. "The whole damn fuss was wrong, _wrong_, I tell you! We +had no _business_ shootin' up that town." + +"But it was considerable pleasure," said Bud Light. "You're off your +bean, Billy. I guess you forget what they did to Collie." + +Billy Dime leered. The fever from his wound was working through his +blood. "Don't pertend to me, Bud Light, that you come on this little +pasear on account of _Collie_. It was _her_ eyes that said to go. You +know that. She never said words, but her _eyes_ said to go--and to kill! +Do you get that? That's what a woman can do to a man, without sayin' a +word. And what did Collie ever do for me? Look at that arm. _Look_ at +it! What did Collie ever do for me to get shot up this way?" And Billy +Dime began to weep. "I killed two of 'em--two of 'em. I saw 'em drop. I +was drawin' fine--_fine_, I tell you, and I couldn't miss." + +Bud Light rode forward to Williams. "Billy's gone off his crust. He's +ravin' back there, Brand." + +Williams drew Long's flask from his saddle-pocket. "Give him a shot of +this. Take some yourself. Miguel and I don't need any. Hold on--I'll +give Red a shot first. When it gets to workin', you yip and ride for the +hills. We'll all ride--_ride_, you understand? It'll be a dry camp, and +a hard flash, but we'll make it." + + + + +CHAPTER XXX + +TWO ROSES + + +One morning, some three weeks after the invasion of Gophertown, Bud +Light, Billy Dime, and Brand Williams appeared at the Moonstone Ranch +office. + +Quite casually they had dismounted, and jingling up had asked for Walter +Stone. Upon his appearance the younger men applied individually for +their old places. The room smelled of cigarette smoke and antiseptics. +Quite as though nothing unusual had happened the rancher reinstated +them. + +"Have a good time, boys?" he asked. + +"Yes, sir. Very good time. Better than we expected," replied Billy Dime. +Bud Light nodded. + +Stone looked hard at Billy Dime's bandaged arm. "Miguel and Parson Long +have a good time also?" + +"Stayed to help Overland Red work the claim. Overland Red got hurt a +little, doin' somethin'. He's all right now." + +"None of the Moonstone boys were injured?" + +"Nope. Not a one of us," replied Dime blandly. + +Walter Stone's eyes twinkled, but he did not smile. "We will call it a +vacation this time, with pay. Tell Williams to step in here, please." +And the rancher dismissed his embarrassed and happy punchers with a +gesture. + +The interview with Williams was not so brief. "The boys came out of it +all right?" asked Stone, shaking hands with his old foreman. + +"Yes, sir." + +"How did you manage that?" + +"Didn't. They did." + +"Any one--er--of the other side have an accident?" + +"Saunders--and six gents got hurt pretty bad." + +"Whew! Our boys were lucky." + +"It was nothin' but luck that they ain't all back there now--on the +sand. You see, the Gophertown outfit are all what you'd call good with a +gun, but it was kind of a surprise, the spreadin' of the thing from +Red's little private deal to a six-hand game. We sure was lucky." + +"And Collie?" + +Williams shook his head. "I don't know. We thought he had crossed over. +Seems he took a new holt. The doc and Winthrop brung him to Los in the +automobile. He's at the hospital. But they say he don't pick up any +since he come there." + +"All right, Brand. I think that is all." + +"How about my name goin' back on the books?" asked Williams. + +"It hasn't been off the books. You know, Louise attends to the +time-sheet." + +Williams nodded. "I expect Miguel and Parson Long will be sniffin' +around lookin' for a job before long. They agreed to stay with Red till +he got on his feet again. But they told him they would go just as soon +as he was all right, for you couldn't run your ranch without 'em." + +Walter Stone smiled broadly. "You're foreman, Brand." + +"They was fightin' just as much for the name of the old Moonstone as for +Collie, or for fun," said Williams. + +"I know it. But I don't believe in such methods. That sort of thing is +about done with," said Stone. + +"I was readin' about the old days in the Panamint, not long ago," said +Williams, gazing at a corner of the office. "I--they was a list of names +of the ranchers that cleaned up the rustlers over there, back in '86. It +was interestin'--some of them names." + +Walter Stone coughed and turned in his chair. He gazed out of the +window. Finally he faced Williams again. "We had to do it," he said, +smiling. + +Williams nodded. They understood each other. + + * * * * * + +The Marshalls, delighted with Los Angeles, had taken apartments in the +city. Dr. Marshall, at the urgent request of Walter Stone, had called at +the hospital to see Collie. The wound had healed slowly. Collie gained +no strength. He seemed indifferent as to whether he recovered or not. +Dr. Marshall, consulting with the surgeon, agreed that the young man's +recovery was still doubtful. His vitality was extremely low. His usual +optimism had stagnated. + +Later, when Walter Stone, Mrs. Stone, and Louise visited the hospital, +Collie had smiled wanly and said but little, thanking them for their +visit with a word. + +Louise returned home, heartsick and haunted by Collie's eyes that had +seemed so listless, so indifferent, so weary. She had hoped to cheer +him. His indifference affected her more than his actual physical +condition, which seemed to be the cause of it. Louise recognized in +herself a species of selfishness in feeling as she did. Like most folk +of superabundant health she was unable to realize the possibilities of +sickness. She longed for his companionship. She had not dared to ask +herself whether or not she loved him. She was glad that he should love +her--and yet she was not altogether happy. She had sent him her token, +the little gray riding-gauntlet. He had in no way acknowledged it. + +The sentiment incident to Collie's almost fatal misfortune did not blind +her in the least. She told herself frankly that she missed him. At the +ranch he had been with her much. From her he had gleaned of books and +people. The actual advantage to him was not in the quantity of knowledge +he had gained, but in the quality and direction suggested by her +attitude toward all things. The advantage to her in his companionship +had been the joy of giving, of shaping his thought, of seeing him slowly +and unconsciously differentiate himself--stand apart from his fellows as +something she had helped to create. This much of him she possessed +through conscious effort. + +Then to have seen him in the hospital, helpless, seemingly beyond any +noticeable influence of her presence, stirred in her a kind of maternal +jealousy. Straightway she visited Anne Marshall, who kissed her, held +her at arms' length, saw the soft rose glow in her face, and spoke to +the point, albeit in parables. Dr. Marshall had been very poor--a doctor +in the slums--just before _they_ were married. People had _said_ things +and had _looked_ things, which was even worse. They subtly intimated +that the doctor was marrying her for her money. She was the happiest +woman in the world. She thought Collie was the manliest and most +striking figure she had ever seen. + +To all of which Louise listened quietly, blushing a little. "And he is +wealthy," concluded Anne. "For so young a man, he is wealthy. The Rose +Girl Mining Company, Incorporated, my dear, pays well. Collie is one of +the three largest stockholders. You see, Billy and Overland Red have +decided to turn the claim into a corporation." + +"Don't you contradict your--your theory a little, Anne?" asked Louise. + +"No, indeed! It doesn't matter in the least who has the money, so long +as the man is the right one." + +And Louise was silent, and a bit happier. + +The little parcel that came to the hospital, directed to Collie, was +from Overland. It was accompanied by a vividly worded note and a small, +stained, and wrinkled glove, at once familiar. + +Overland's note explained the delay in forwarding the glove. "It's some +mussed up," he wrote, "because I had it in my shirt when I was hit. I +was some mussed up likewise, or I would not 'a' forgot it so long. The +little Rose Girl sent it to you by Brand when she thinks you was going +to cross over on the last sunset limited. And I am feeling Fine, +thanks. Do not rite to me if it gives you cramps.--Youres verry +fathefuly, Jack." + +Collie turned the gauntlet over in his trembling fingers. His eyes +glowed. He called the nurse, telling her he was hungry. + +Anne Marshall's visits were always refreshing. Well-gowned, cool, +fragrant, she came, next afternoon, to Collie's bedside. + +"You _must_ get well," she said, smiling. "The doctor will be terribly +disappointed if you don't. Isn't that coldly encouraging? What a thing +to say!" + +"I don't want to disappoint anybody," said Collie. + +"Well, you will if you don't get better right away, sir! I wish I could +do something to help. I can only sympathize and encourage the doctor." + +"I know he's doing a whole lot for me. I think mebby you could help--a +little--if you wanted to." + +"Gracious! As though I didn't! Why didn't you tell me sooner?" + +"It only came yesterday," said Collie, tremulously drawing the gauntlet +from beneath his pillow. + +Anne Marshall gazed at the soiled and wrinkled glove with unenlightened +eyes. Then her quick smile flashed. "Oh! Now I know! So that is the +talisman? Came yesterday? No wonder you seem brighter." + +Collie's answering smile was irresistible. "It isn't just the glove--but +would you--I mean, if you was like me--without being educated or +anything--" He hesitated, breathing deeply. + +But Anne Marshall understood him instantly, and answered his shyly +questioning eyes. + +"Indeed, I should. If I had half your chance, I shouldn't waste a minute +in claiming the mate to that glove. One glove is of absolutely no use, +you know." + +"This one was--pretty much," sighed Collie. "I was feeling like letting +go inside and not trying to--to stay any longer, just before it came." + +"S-s-s-h! Don't even think of that. Some one called on me a few days +ago. You are a very fortunate young man." + +Anne Marshall's ambiguity was not altogether displeasing to Collie, in +that it was not altogether unintelligible. + + * * * * * + +William Stanley Winthrop, sojourning briefly but fashionably in Los +Angeles, appeared at the hospital in immaculate outing flannels. It was +several weeks after his sister's last visit there. Winthrop took the +convalescent Collie to the Moonstone Rancho in his car. + +Bud Light and Billy Dime accidentally met the car in the valley and +accompanied it vigorously through Moonstone Cañon. + +Aunt Eleanor and Walter Stone were at the gate. Collie was helped to the +house and immediately taken to the guest-room. He was much fatigued with +the journey. The question in his eyes was answered by Aunt Eleanor. +"Louise rode over to the north range to-day. She should be back now." + +Winthrop scarce needed an introduction. He was Anne Marshall's brother. +That was sufficient for the host and hostess. He was made welcome--as he +was wherever he went. He had heard a great deal, from his sister, of the +Stones, and their beautiful niece, Louise Lacharme. He was enthusiastic +about the Moonstone Cañon. He grew even more enthusiastic after meeting +Louise. + +She came riding her black pony Boyar down the afternoon hillside--a +picture that he never forgot. Her gray sombrero hung on the saddle-horn. +Her gloves were tucked in her belt. She had loosened the neck of her +blouse and rolled back her sleeves, at the spring above, to bathe her +face and arms in the chill overflow. Her hair shone with a soft golden +radiance that was ethereal in the flicker of afternoon sunlight through +the live-oaks. From her golden head to the tip of her small riding-boot +she was a harmony of vigor and grace, of exquisite coloring and +infinite charm. + +Her naturalness of manner, her direct simplicity, was almost, if not +quite, her greatest attraction, and a quality which Winthrop fully +appreciated. + +"I have been quite curious about you, Mr. Winthrop," she said. "You are +quite like Anne. I adore Anne. Shall we turn Boyar into the corral?" + +If William Stanley Winthrop had had any idea of making an impression, he +forgot it. The impression Louise was unconsciously making straightway +absorbed his attention. + +"Yes, indeed! Turn him into the corral--turn him into _anything_, Miss +Lacharme. You have the magic. Make another admirer of him." + +"Thank you, Mr. Winthrop. But Boyar could hardly be improved." + +"You trained him, didn't you?" queried Winthrop. + +Louise laughed. "Yes. But he was well-bred to begin with." + +Winthrop ejaculated a mental "Ouch!" Simplicity did not necessarily mean +stupidity. + +"Do you enjoy mining--the real work--out there in the desert, Mr. +Winthrop?" + +"I could enjoy anything in company with Overland." + +"Of course. Do you think people who have lots of money are apt to be +cynical?" she asked. + +"Not more so than people without money. But what splendid animals!" he +exclaimed as they approached the corral. + +"Uncle Walter and I are very fond of them," she said, turning Boyar into +the inclosure. + +"Do you know, Miss Lacharme, I like horses and dogs and cats, and I just +revel in burros. But animals don't seem to like me. They're rather +indifferent to me. I wonder if it is a matter of health, or magnetism, +or something of that sort?" + +"Oh, no! But it is difficult to explain. Even if you are very fond of +animals it doesn't follow that they will like you. That seems rather +cold, doesn't it? It's almost unfair." + +"Yes, if one considers it seriously." + +"Don't you?" + +Winthrop gazed at her for a second before replying. "I see I must tell +you the truth," he said lightly. "You compel it. It _does_ hurt me to +have anything or any one that I care for indifferent to me. Perhaps it's +because I realize that I am giving affection and selfishly want 'value +returned,' so to speak. Pardon me for becoming serious." + +"Surely! But I thank you, too. See Boyar roll! He's happy. No, he +doesn't roll because his back itches. You see, he's sweaty where the +saddle covered him. Before he rolled, you noticed that he deliberately +found a dusty spot. The dust dries the sweat and he doesn't take cold. +That's the real explanation." + +"I knew it couldn't be through happiness at leaving you," said Winthrop. + +"If you are determined to keep it up," said Louise mischievously, "all +right. But be careful, sir! I enjoy it. It's been dull--dreadfully dull +since Anne and the doctor left. May I have your knife?" + +A belated crimson Colombe rose nodded beneath the guest-room window. +Louise cut the stem and pinned the flower in the lapel of Winthrop's +white flannel coat. He gazed at her intent on her task. + +"There!" she said, with a light touch of her supple fingers. "That will +do." And slowly her gray eyes lifted to his. + +The color flooded to his face. His eyes became momentarily brilliant. He +drew a deep breath. "You told me to be careful. I shall be," he said, +bowing slightly. "Please say something. Your silent attack was a little +too--too successful." + +"Truce?" she queried, laughing. + +"Never!" replied Winthrop. "Even as our rather mutual and distinctly +illustrious friend Overland says, 'Not till me wires are all down and +me lights are out.'" + +Collie, standing at the open French window just above them, drew back. +Quite naturally, being a young man in love, he misinterpreted all that +he had seen and heard. Louise had been away the day he was expected to +return to the ranch. She had come back. She was seemingly satisfied with +Winthrop's society. She was even more than satisfied; she was flirting +with him. An unreasonable, bucolic jealousy, partly due to his +condition, overcame Collie's usual serenity. His invalidism magnified +the whole affair to absurd proportions. + +Perhaps it was the intensity of his gaze that caused Louise to glance +up. His expression startled her. His eyes were burning. His face was +unnaturally white. He met her glance, but gave no sign of recognition--a +rudeness that he regretted even while he manifested it. + +Louise turned away proudly, calling Winthrop's attention to a huge +garden-seat beneath the live-oaks. "We have dinner out there quite +often," she said, her eyes glowing. "Would you care to rest a while +after your ride?" + +"'A jug of wine--a loaf of bread--'" he quoted. + +"But it isn't a wilderness. And dinner won't be ready for an hour yet. +Don't you think a wilderness would have been utterly stupid with his +'thou' beside him singing everlastingly? Now please don't say, 'It would +depend on the _thou_.'" + +"Do you sing, Miss Lacharme?" + +"A little." + +"Please, then,--a little. Then I'll answer your question." + +"I had rather not, just now." + +"My answer would be the same in either case. This is living, after the +desert and its loneliness. I discovered one thing out there, +however,--myself. It was a surprise. My 'way-back ancestors must have +been pirates." + +"Mine--grew roses--in southern France." + +"I am glad they eventually came to America," he said. + +"Are you so fond of candy, Mr. Winthrop?" + +"No." + +"Neither am I." + +"I'm glad they came, just the same. I simply can't help it." + +"Overland--Mr. Summers--doesn't take life very seriously, does he?" +asked Louise. + +"Not as seriously as life has taken him, at odd times." + +"You brought Collie in your car, didn't you?" + +"Yes." + +"He's much better?" + +"Yes. But he's pretty shaky yet. He's a little queer, in fact. As we +came up the cañon he asked me to stop the car by the cliff, near this +end,--that place where the sunlight comes through a kind of notch in the +west. I thought he was tired of the motion of the car, so we stopped and +he lay back looking at the cliff. Pretty soon the sun shot a long ray +past us and it fairly splattered gold on the cañon wall. Then the shaft +of sunlight went out. 'It will shine again,' he said, as if I didn't +know that. Collie's a pretty sick man." + +Later Winthrop and Louise joined the others at the veranda. Louise +excused herself. She searched a long time before she found another rose. +This time it was a Colombe bud, full, red, and beautiful. She stepped to +Collie's window. "Boy!" she called softly. + +White and trembling, he stood in the long window looking down at her. +"I'm glad you are home again," she said. + +He nodded, and glanced away. + +"Boy!" she called again. "Catch." And she tossed the rose. He caught it +and pressed it to his lips. + + + + +CHAPTER XXXI + +NIGHT + + +Evening, placidly content with the warm silence, departed lingeringly. +Belated insects still buzzed in the wayside foliage. A bee, overtaken in +his busy pilfering by the obliterating dusk, hung on a nodding mountain +flower, unfearful above the cañon's emptiness. An occasional bird +ventured a boldly questioning note that lingered unfinished in the +silence of indecision. Across the road hopped a young rabbit, a little +rounded shadow that melted into the blur of the sage. A cold white fire, +spreading behind the purple-edged ranges, enriched their somber panoply +with illusive enchantments, ever changing as the dim effulgence drifted +from peak to peak. Shadows grew luminous and were gone. In their stead +wooded valleys and wide cañons unfolded to the magic of the moon. There +was no world but night and imagination. + +With many rustlings the quail huddled in the live-oaks, complaining +querulously until the darkness silenced them. + +The warm, acrid fragrance of the hills was drawn intermittently across +the cooler level of the shadowy road. A little owl, softly reiterating +his cadences of rue, made loneliness as a thing tangible, a thing +groping in the dusk with velvet hands. + +Then came that hush of rest, that pause of preparation, as though night +hesitated to awaken her countless myrmidons. With the lisping of +invisible leaves the Great Master's music-book unfolded. That low, +orchestral "F"--the dominant note of all nature's melodies--sounded in +timorous unison--an experimental murmuring. Repeated in higher octaves, +it swelled to shrill confidence, then a hundred, then myriad invisibles +chanted to their beloved night or gossiped of the mystery of stars. + +Then Night crept from the deep, cool cañons to the starlit peaks and +knelt with her sister hill-folk, Silence and Solitude; knelt, listening +with bowed head to that ancient antiphony of thankfulness and praise; +then rose and faced the western sea. + +Boyar, the black pony, shook his head with a silvery jingling of +rein-chains. His sleek flanks glistened in the moonlight. Louise curbed +him gently with hand and voice as he stepped through the wide gateway of +the ranch. + +He paced lightly across the first shallow ford. Then the narrowing walls +of the cañon echoed his clean-cut steps--a patter of phantom hoof-beats +following him, stride for stride. Down the long, ever-winding road they +swung. + +Louise, impelled to dreams by the languorous warm night and Boyar's easy +stride up the steep, touched his neck with the rein and turned him into +the Old Meadow Trail. + +The tall, slender stems of the yucca and infrequent clumps of dwarfed +cacti cast clear-edged shadows on the bare, moonlit ground. Boyar, +sniffing, suddenly swung up and pivoted, his fore feet hanging over +sheer black emptiness. Louise leaned forward, reining him round. Even +before his fore feet touched the trail again, she heard the sibilant +_bur-r-ing_ of the cold, uncoiling thing as it slid down the blind +shadows of the hillside. + +"I shan't believe in omens," she murmured. + +She reassured the trembling Boyar, who fretted sideways and snorted as +he passed the spot where the snake had been coiled in the trail. + +At the edge of the Old Meadow the girl dismounted, allowing Boyar to +graze at will. + +She climbed to the low rounded rock, her erstwhile throne of dreams, +where she sat with knees gathered to her in her clasped hands. The pony +paused in his grazing to lift his head and look at her with gently +wondering eyes. + +The utter solitude of the place, far above the viewless valley, allowed +her thought a horizon impossible at the Moonstone Rancho. Alone she +faced the grave question of making an unalterable choice. Collie had +asked her to marry him. She had evaded direct reply to his direct +question. She knew of no good reason why she should marry him. She knew +of no better reason why she should not. She thought she was content with +being loved. She was, for the moment. + +The Old Meadow, that had once before revealed a sprightly and ragged +romance, slumbered in the southern night; slumbered to awaken to the +hushed tread of men and strange whisperings. + +Down in the valley the coyotes called dismally, with that infinite +shrill sadness of wild things that hunger, and in their wailing pulsed +the eternal and unanswerable "Why?" challenging the peaceful stars. +Something in their questioning cry impelled Louise to lift her hands to +the night. "What is it? What is it up there--behind everything--that +never, never answers?" + +The moon was lost somewhere behind the ragged peaks. The night grew +deeper. The Old Meadow, shadowed by the range above it, grew dark, +impenetrable, a place without boundary or breadth or depth. + +"Got a match, kid?" + +Louise raised her head. Some one was afoot on the Old Meadow Trail. She +could hear the whisper of dried grasses against the boots of the men as +another voice replied, "Sure! Here you are." And Louise knew that Collie +was one of the men. + +About to call, she hesitated, strangely curious as to who the other man +might be, and why Collie and he should foregather in the Old Meadow, at +night. + +"Never mind," mumbled the first speaker; "I thought I wanted to smoke, +but I don't. I want to talk first--about the Rose Girl." + +Louise tried to call out, but she was interrupted by Overland's voice. +The two men had stopped at the lower side of the great rock. She could +hear them plainly, although she could not see them. + +"Collie--we're busted. We're done, Chico. I ain't said nothin' to Billy +yet. He's got money, anyway. This here only hits you and me." + +"What do you mean, Red?" + +"I mean that the Rose Girl Mining Company, Incorporated, Jack Summers, +President and General Manager, don't belong to us and never did. We been +sellin' stock that ain't ours and never was." + +"How's that?" + +"I was goin' to write. But I ain't no hand to write about business. +Writin' po'try is bad enough. You recollec' them papers and that dust +Billy tried to find, out there by the track?" + +"Yes." + +"Well, I found it all. Since the company is workin' the claim now and I +didn't have so much to do, I got to thinkin' of them papers. I went out +there, paced her off down the track, guessed at about where it was, and +found 'em." + +"Found them?" + +"Yes, sir. There was that little bag almost atop of the sand, account of +wind and rain. Then there was a record of the claim, our claim. It's +been filed on before. We made a mistake and filed on the wrong section. +When me and Billy went to file, I noticed the clerk said something about +havin' neighbors on the claim next, but I was scared of answerin' too +many questions, so I give him some cigars and beat it." + +"Who owns our claim, then?" + +"That's the queer part of it. You know the guy we give the water to--the +one that died out there. _He_ owns the claim, or he did. It belongs by +rights to his girl now. His name was André Lacharme." + +"Lacharme!" + +"Yes, Louise's pa. Recollect your boss tellin' us as how the Rose Girl's +daddy was missin' out in the Mojave? Then they was a letter--old and +'most wore out--from Walter Stone himself. It was to him--her +pa--tellin' him about the little Louise baby and askin' him to come to +the Moonstone and take a job and quit prospectin'. That's where we +stand." + +Louise, breathless, listened and could not believe that she was real, +that this was not a dream. André Lacharme! Her father! + +"I seen a lawyer about it," resumed Overland. "He said it was plain +enough that the claim belonged to the dead prospector or his girl, now. +You see, we worked the claim and kep' up the work accordin' to law. What +we made ain't ours, but I'm mighty glad it's hers. 'Course, we earned +what dust we dug, all right. Now I'm leavin' it up to you. Do we tell +her or do we say nothin', and go on gettin' rich?" + +"Why do you put it up to me?" asked Collie. + +"Because, kid, you got the most to lose. Your chance is about gone with +the Rose Girl if you let go the gold. Sabe? The little Rose Girl is +wise. She don't give two cents for money--but she ain't foolish enough +to marry a puncher that's workin' for wages on her uncle's ranch. And +when she gets all me and Billy made and your share, she'll be rich. That +won't be no time for you to go courtin' _her_. It ain't that you ain't +good enough for any girl. But now'days things is different. You got to +have money." + +"Do you think Louise would take the money?" asked Collie. + +"I don't know. But that ain't it. We either give it up--or we don't. +What do you say?" + +"Why--to tell Louise, of course. I meant that right along. You ought to +know that." + +"You givin' it up because you had some fuss with her, or anything like +that?" + +"No, Red. I say tell her, because it's square. Did she stop to ask +questions when I was in trouble? No. She went to work to help me, quick. +I guess we care more for her than a whole carload of gold." + +"Well, I guess. Once I wouldn't 'a' stopped to worry about whose gold it +was. But knowin' the Rose Girl,--knowin' what she _is_,--why, it's +makin' me soft in me morals." + +"What do we do now, Red?" + +"I'm goin' to beat it. Back to the dusty for mine." + +"You don't have to do that, Red." + +"That's just why I'm a-doin' it. I like to do what I like." + +"Quitting now seems like saying, 'I'm whipped,'" said Collie. "Quitting +after giving up our money to her looks like we were sore--even if we do +it and smile. She would feel bad, Red. She'd think she drove us off." + +"No, I reckon not. She'll see that I always been a good daddy to you and +put you right in this case. It was all right when you had a chance. It +ain't now. It ain't fair to her, neither, because she's like to stick to +any promises she might 'a' made you." + +"Why don't you ask Stone for a job?" said Collie. + +"What? Me? After bein' President of the Rose Girl Mining Company, +in--Say! They's no halfway house for me. It's all or nothin'. Why, I +don't even own the Guzzuh. Could you stand it to see her every day, and +you just a puncher workin' for the Moonstone. She would smile and treat +you _fine_, and you'd be eatin' your own heart out for her." + +"No, I couldn't," said Collie slowly. "Red, I guess you're right." + +Collie's perspective was distorted through sudden disappointment. The +old life of the road ... the vague to-morrows of indolence ... the +sprightly companionship of Overland Red, inventive, eloquent.... + +"Red, if I come with you, it's because I can't stand seeing her--after +everything that has happened. It is square to her, too, I guess." + +"I ain't askin' you, Collie, but there's nothin' like ramblin' to make +you forget. It's got hard work beat to a mush, because when you're +ramblin' you're 'most always hungry. Listen! Love is when you ain't +satisfied. So is a empty stomach. A fella's got to eat. Do you get +that?" + +"Yes. But, Red, you said you loved a woman once. You didn't forget." + +"No, kid. I didn't. Once I didn't do nothin' else but remember. I got +over that. It's only accidental to circumstances pertainin' to the fact +that I remember now. You never seen _me_ cry in my soup, did you?" + +"But you're different." + +"That's the blat every yearlin' makes till he grows up and finds out +he's a cow jest like his ma. I ain't different inside. And bleedin' +inside is dangerouser than bleedin' outside. Listen! Remember the little +fire beside the track, when we was 'way up in the big hills? Remember +the curve, like a snake unwindin' where she run round the hill, and +nothin' beyond but space and the sun drippin' red in the ocean? Remember +the chicken we swiped and et that night? And then the smokes and lookin' +up at the stars? Remember that? Listen! + + "It's beat it, bo, while your feet are mates, + And we'll see the whole United States. + With a smoke and a pal and a fire at night, + And up again in the mornin' bright, + With nothin' but road and sky in sight + And nothin' to do but go. + + "Then, beat it, bo, while the walkin' 's good; + And the birds on the wires is sawin' wood. + If to-day ain't the finest for you and me, + There's always to-morrow, that's goin' to be. + And the day after that is a-comin'. See! + And nothin' to do but go. + + "I'm the ramblin' son with the nervous feet, + That never was made for a steady beat. + I had many a job for a little spell; + I been on the bum, and I've hit it swell. + But there's only one road to Fare-ye-well, + And nothin' to do but go." + +"With nothing to do but go," whispered Collie. "Red, we've always been +friends?" + +"You bet your return ticket!" + +"And we are always going to be," said Collie. "I guess that settles it. +I--I wish Saunders--had--finished me." + +Louise, numb from sitting still so long, moved slightly. + +"What's that?" exclaimed Collie. + +"Jest some of your little old ideas changin' cars," replied Overland. +"You'll get used to it." + +"No; I heard something." + +"You'll be seein' things next. Got a match? I'm jest dyin' for a smoke. +Remember when she give us the makin's and you got hot at me?" + +Overland cupped the flame in his hands and lighted his cigarette. The +soft glow of the match spread in the windless air, penetrating the +darkness. For an instant, a breath, Overland saw a startled face gazing +down at him; the white face of the Rose Girl! + +"Great Snakes!" he cried, stepping back as the flame expired. + +"What's the matter, Red?" + +"Nothin'. I was just thinkin'. I burned my mitt. Come on, Collie. +Brand'll find a bunk for me to-night, I reckon. We'll tell the boss and +the Rose Girl all about it to-morrow." + + + + +CHAPTER XXXII + +MORNING + + +"Something's goin' to happen," stated Brand Williams. + +"How's that?" queried Bud Light. + +"See them two bosses--the Yuma colt and Boyar--?" + +"Uhuh." + +"Well, Boyar's been standin' there since daylight, saddled. Nobody rides +him but Miss Louise." + +"It's mighty early, but I don't see nothin' strange about the rest of +it." + +"Wait a minute, Bud. Did you see Collie this mornin'? Was he all fixed +up with his hair jest _so_, and his bandanna jest _so_, and his new +sombrero and his silver spurs, and them new chaps, lookin' mighty +important? He saddles Yuma and ties her over there. While he was eatin', +the Boyar hoss trails his bridle over to where Yuma is tied. There they +stand visitin' like two old soldiers on crutches instead of two mighty +quick-actin' cayuses. Now that Yuma hoss has kicked the fancy linin' out +of every cayuse that dast come nigh her. They 're _all_ scared of her. +She's makin' an exception this mornin'. She's plumb friendly with +Boyar. That signifies! Hosses can see farther in the dark than folks." + +"Signifies what?" + +"Well, after all the talk I jest wasted on you, it signifies that you're +too thick-headed, Buddy, to waste any more on. I can learn you to +_spell_ if you wanta take lessons." + +"You're dreamin', Brand. Wake up! As to spellin'--I'm spellin' right now +while the fo'man is entertainin' me." + +"Thanks for callin' my attention to it. You can take your hoss and ride +over to the Three Oaks. There's some fence down, over at the North +Spring. I ain't dreamin' about that." + +Bud Light departed, swearing to himself. He disliked mending fence. +Williams knew it. The cheerful Bud, "Reckoned he ought to 'a' known +better than to try to ride the old man into the fence. Next time he +would listen--and mebby learn something." + +Louise, drawing on her gauntlets, came down the broad steps of the +ranch-house. The November air was crisp with the tang of early morning. + +She was puzzled at finding Boyar and Yuma together. She noticed Boyar +had trailed his bridle across the yard--an unusual thing for him to do, +considering his training. Louise spoke to the Yuma colt, who sniffed at +her gloved hand. The girl wondered why Collie had saddled Yuma. He +usually rode one of the ranch horses to work. She wanted to talk with +him--to reason with him; for her knowledge of the previous night's +disclosures worried and distressed her. She thought Collie's half +promise to Overland Red to turn to their old life had been too easily +made. Her pride in him was touched. She was hurt, and not a little +angry. She saw the flaw in his ultimate decision to sacrifice himself +and his prospects through a too stringent and quixotic interpretation of +his duty. To go back to the old life again--a tramp! + +But Collie was not to be seen. However, Louise never hesitated long. +Deliberately she untied the Yuma colt and swung into the saddle. Black +Boyar seemed to realize something unusual in her preference. He fretted +as the roan pony leaped sideways toward the gate. + +Louise knew that Collie would follow her. She was riding his pony, the +Yuma colt, and he would be fearful for the rider's safety. + +Collie, coming from the bunk-house, glanced up and saw Black Boyar +standing alone where his own pony had stood. This was not an invitation; +this was daring him to follow. + +He rode into the cañon, half conscious of Yuma's tracks ahead of him. He +rode past the tracks as they swerved toward a grassy level near the +stream. + +"Collie!" + +Louise stood beside the sweating Yuma, patting the pony's neck. Collie +raised his sombrero formally. + +Louise was bareheaded. The clear morning sunlight enhanced her rich +coloring. Against the misty gray of the cañon wall, her head in profile, +as she stood beside the horse, was as delicately beautiful as that +vision that imagination knows full well but may seldom realize. + +"Yes, ma'am." + +"Collie, don't! Say anything but that. You look awfully glum. Surely not +because I took Yuma." + +"No. Only I was afraid for you." + +"So you followed at break-neck speed to rescue the timorous, the +despairing, and-so-forth?" + +"I can't joke like that this morning." + +"Why? I'm here, safe enough. Had breakfast?" + +"Yes. I wanted to see you about something, Louise." + +"All right. But you are so unnaturally tall and severe and judicial +sitting there on Boyar. You look almost funereal. Please get down. Roll +a cigarette and act natural. I'm not going to scold you, sir." + +"I wish you would." + +"Why? What have you been doing that makes you look so ashamed of +yourself. Tell me!" + +"I didn't know I was." + +"You don't act naturally. Is there something about me that is different? +Is that it?" + +"No. I wish you was different, sometimes." + +"You do?" + +"No," he said gently. "I don't wish you were different. I want to +remember you like you are." + +"To _remember_ me?" + +"Yes," he whispered, "to remember you." + +He seemed to see regret, astonishment, questioning, gentle reproof, even +a hint of amusement in her eyes. But her expression changed instantly. +"I think you have something to remember me by; something you asked me +for once, long ago. I sent it to you. You have never spoken of +it--acknowledged it. I can't quite forgive that." + +"Your glove. I know. I got it here." And he touched his breast. "I +thought you would understand." + +"I do. But, Collie, a girl always likes to be told that she is +understood, even when she knows it." + +"I was going to write about getting your glove, at the hospital. I guess +I was too tired." + +"At the hospital?" + +"Yes. Red sent it to me. Brand gave it to him to give to me--that time." + +"Oh!" And Louise felt like retracting a little; but sweetly perverse, +she obeyed sheer instinct. "Collie, do you realize that I have already +asked you to dismount? Shall I have to ask you again? Do you realize +that I am standing while you are sitting your horse?" + +"I am begging your pardon, Louise." + +The girl nodded brightly, smiling as she noticed the little scar on his +chin--a wound that she had made him blush for when she had admonished +him for fighting with Dick Tenlow. + +She watched the rise and fall of the muscles of his arm, beneath his +flannel shirt, as he lighted his cigarette. How broad-chested and strong +and wholesome he seemed in the morning sunlight! There was an untamed +grace about his movements, his gestures, which, together with his +absolute unconsciousness of self, pleased and attracted her. + +"Yuma is a little wild, but she is a fine saddle-pony. I'm really +jealous for Boyar's prestige." + +"I was afraid for you to ride her," said Collie. + +"She behaves beautifully." + +"Would you take her as a kind of present from me?" he asked. + +"Give Yuma to me? I thought you loved her?" + +"I do. That's why I want you to have her." + +"He would give you away," said Louise, stroking Yuma's neck. "Give you +away just as you're learning to trust him and perhaps even like him a +little--and he says he loves you! Let's run away from him, Hummingbird!" + +"I think I could stand it if you would just be mean once," said Collie. + +"Stand what, Collie?" + +He had been watching her shapely hand and supple, rounded wrist as she +stroked the pony's neck. Swiftly she turned from the horse and faced +him. "What, Collie?" There was laughter in her eyes, a laughter that +challenged more than his serious mood. Her lips were smiling. Her chin +was tilted provokingly. + +His eyes grew wide with unspoken love, unuttered longing. He delighted +in the delicious curve of her cheek, and of her arm resting on the +saddle. Her poise had an inexplicable suggestion of royal courage, as +though she were battling for more than her lips could utter. In her +absence he had adored her. Now he forgot all that he had meant to tell +her in the sensuous delight of her mere presence. But even that was not +enough. He dropped the pony's reins and strode toward her. Louise paled +even as he drew near, but he saw nothing but her eyes and her lips, lips +that curved wistfully, provoking tenderness and love. For an instant +Louise held her heart aloof. + +"Let me just worship you--a little while--a little while," he whispered. + +"Only a little while?" she breathed; and the soft rose glowed in her +cheeks. + +"Just forever," he said. + +And Louise Lacharme, more beautiful than the morning, Louise, his most +gracious señorita, his Madonna of the Rose, lifted her arms to him. Her +lips quivered like a child's, tremulous with longing to tell him +silently, as his lips found hers, all that her heart was giving and all +the wealth of love it yet should give. + +Gently his hands clasped her golden head. His whole being thrilled as he +touched her hair, her cheeks, her lips. "Oh, Collie! Collie! Love me +always," she whispered. And she drew him down to her breast and caressed +his cheek, sighing and murmuring little endearments and sweet, broken +words of love. + + * * * * * + +Moonstone Cañon, coldly beautiful, echoed the hoof-beats of the ponies +as they walked homeward. + +Louise turned in the saddle. "Collie," she said with an indescribable +gesture of appeal, "you will always take care of me, won't you?" + +"My Rose Girl! Why do you say that?" + +"I was thinking of my father." + +Louise saw his lips stiffen and his chin lift. "Louise, I had no right, +just now,--I haven't any right--I'm poor. The claim wasn't ours." + +"I didn't mean that," she said, smiling wistfully. "But you will always +care for me, won't you? I don't care one bit about the claim. It has +made trouble and sorrow enough. I can't remember my father. I can hardly +think of him as my father. But it is horrible to think of his dying for +water because he cared so much for gold." + +"But how did you know?" + +"I know," she answered gravely. "And I know that you are a very, very +foolish boy, not to trust your friends more than you do. Did you suppose +you would be happier or better in leaving Moonstone Rancho? Did you +suppose I would be happier? Collie, you have so much to learn." + +"I guess that's so," he sighed. Then his eyes brightened with his +old-time mischief. "Couldn't you begin now to teach me a little--like +back there in the cañon?" + +And being of a decisive habit of mind, he rode close to Louise and +claimed immediate and delicious instruction. + +"But how _did_ you know?" he asked again--"about the claim and your +father and me?" + +"A secret that I share with Overland," she replied. + +[Illustration: CAN'T I HAVE ANOTHER ONE, ROSE GIRL?] + +"So he told you! When? Not last night. He was asleep when I came away +this morning." + +"So he is here, then?" + +"Louise, you're joking. Didn't Red talk to you?" + +"No." + +"And you know all about it already?" He looked at her curiously for a +moment. "Did you know that I said I was going to leave the Moonstone?" + +"Why?" + +"For the same reason that I can't now--you. Red and Billy Winthrop and I +don't own a cent's worth of the claim now. I don't even own what's in +the bank. All I got is Yuma." + +"You gave Yuma to me, Collie." + +"I sure did. I haven't even her. But I've got you. Oh, Louise! I can't +believe it. I could just shout. Can't I have another one, Rose Girl?" + +"Must I teach you not to ask?" said Louise. + +Collie took her other meaning as she made a little mouth at him. "Not +after this," he said, and gave apt proof that he meant it. + +"More than a whole carload of gold?" she asked, gazing at him. + +"You know _that_, too?" + +"Collie?" + +"What is it?" + +"Promise that you won't speak to any one about the claim, or the +desert, or my father until I say you may." + +"Of course I promise." + +"Nor about ourselves, until I tell you to." + +"Never--if it will make you happy." + + * * * * * + +Overland Red, sitting on a boulder beside the road, stooped and gathered +up a handful of pebbles. Then, for lack of other interest, he invented a +game of ancient and honorable origin. "She loves me," he said tossing +away a pebble. "She loves me not." And up spun another pebble. So he +continued until the pebbles were gone. "She loves me not," he muttered +lugubriously. Then his face brightened. "Of course she don't. She loves +_him_. That's what I was tryin' to get at, anyway." + +He fumbled at a huge bunch of little red flowers called "Hummingbird's +Trumpets." He arranged the hastily constructed bouquet to suit him. Then +he laid it on the rock. + +"Accordin' to the latest book on good table-manners, or 'How to Be Happy +Though Dressed Up,' this here bouquet is the proper thing. They'll think +I'm some wiz' when I step out and present these here hummin'birds' +bugles. Huh! I seen the two bosses gone, and I gets wise direct. But I +got to brace up. Wonder what she'll think about me--after hearin' what I +said last night at the Old Meadow? Gee! I wonder what I did say? Did I +cuss much? I forget. H-m-m. Good-mornin', folks! I--er--This here--Them +hummin'birds' bugles--flowers--Happy day--Collie, what's wrong with you? +What you laughin' at?" + +"You, of course. Where did you get the posies?" + +"Picked 'em along the Golden Shore. Just got back." + +"You do look scared, Red." + +"Seein' you're gettin' personal--_you_ needn't to think because _you_ +just been there that I never will." + +"Say, Overland--I--we--" began Collie. + +"I knowed it! I won't say a word to nobody." + +Collie glanced at Louise. She nodded. Then she gave Overland her hand. +He seized it and stood looking into her sweet gray eyes. "Little Rose +Girl," he said quietly, "you always was the best and kindest and +beautifullest we ever knowed. It ain't the first time you give your hand +to help them that ain't fit to touch it. If there _is_ any Golden Shore, +I guess me and Collie will be there just because we knowed you down here +and couldn't stay around, nohow, where you wasn't. And, believe me, if +he don't treat you from now on like you was a plumb angel, I'll--I'll +ride him off the big range and into space quicker'n shootin' stars! +These here flowers is for you--not for that long-legged grasshopper +ridin' your hoss there. I should think Boyar would be plumb ashamed." + +"Then Collie can walk," said Louise promptly. "Collie, will you please +let Mr. Summers take Boyar? I want to talk with the President of--of my +mine a little while." + +"Don't faint, Chico," said Overland, swinging into the saddle. "I always +was the 'cute little gopher with the ladies. You watch _us_ ride up this +trail if you want to see a pair that _can_ ride." + +Collie shook his fist at the grinning Overland, who had turned as he +rode away. "You want to learn to act quick when a lady asks you," called +Overland. "You didn't get off this hoss any too spry." + +Then Collie stooped and picked up a little red flower that had dropped +from the boisterous one's offering. + + + + +CHAPTER XXXIII + +A SPEECH + + +The Marshalls and Billy Winthrop came in their car. The ride through the +cañon had been pleasant. They were talking about Overland. They had been +discussing the rearrangement of a great many things since the news of +Louise's heritage had become known. + +"You had better close the muffler, Billy. You are frightening that +pony!" + +"That's the Yuma colt," said Winthrop. "Overland is riding her." + +"Overland?" + +"Yes. He's coming to meet us." + +Plunging through the crackling greasewood at the side of the road, the +Yuma colt leaped toward the car. In broad sombrero, blue silk +neckerchief, blue flannel shirt, and silver-studded leather chaps, was a +strangely familiar figure. The great silver spurs rang musically as the +pony reared. The figure gave easily to the wild plunging of the horse, +yet was as firm as iron in the saddle. + +Anne drew a deep breath. It was not the grotesque, frock-coated Overland +of a recent visit, nor was it the ragged, unkempt vision Louise had +conjured up for her in relating the Old Meadow story. In fact, it was +not Overland Red at all, but Jack Summers, the range-rider of the old +red Abilene days. He was clean-shaven, vigorous, splendidly strong, and +confident. In the saddle, bedecked in his showy trappings, surrounded by +his friends, Jack Summers had found his youth again, and the past was as +a closed book, for the nonce. + +"I'm the boss's envy extraordinary," said Overland, by way of greeting. +"Walt said something else, too, about bein' a potentiary, but I reckon +_that_ was a joke." + +"Good-morning! Don't get down! Glad to see you again!" + +But Overland was in the road, hat in hand, and Yuma's bridle-reins over +one arm. + +"'Mornin', Billy! 'Mornin', Doctor! You run right up to the house. I left +the gate open." + +Then Overland rode back, following them. Later he reappeared, minus +spurs and chaps, but still clad in the garb of the range-rider. He was +as proud and happy as a boy. He seemed to have dropped ten years from +his shoulders. And he was strangely unlike his old boisterous self +withal. + +The noon sun crept through the moon-vine. Out on the wide veranda was +the long table. They were a happy group at luncheon there. Even the +taciturn Brand Williams had been persuaded to come. His native +picturesqueness was rather effaced by a black, characterless suit of +"store clothes." + +Walter Stone, at the conclusion of the luncheon, asked Overland to make +a speech. Nothing daunted, Overland rose briskly. + +"I expect you're lookin' for me to fall off the roof of the cannery into +the tomato-vat and make a large red splash. Not me. I got somethin' to +say. Now the difference in droppin' a egg on the kitchen floor and +breakin' it calm-like, in a saucer, ain't only the muss on the floor. +You save the egg. Just recent I come nigh to losin' my whole basket. You +all know who saved 'em. Not namin' any names, the same person, by jest +bein' herself, and kind to everybody, put me wise to the fact that money +and clothes ain't all that goes to make a man. And, at the same time, +speakin' kind of orthodoxical, money and clothes has a whole lot to do +with makin' a man. I just got hep to that idea recent. + +"Speakin' of clothes leads me to remark that I got a new outfit up at +the bunk-house. It's a automobilein' outfit. Billy says it's the correc' +thing. He helped me pick it out. Which leads Billy into this here thing, +too. He said to break the news gentle, and not scare anybody to death +and not get 'em to thinkin' that somebody was hurt or anything like +that, so I'm breakin' it to you easy. Me and Billy is goin' away. We're +goin' in the Guzzuh--'God save the mush,' as the pote says. We are the +Overland Red Towerist and Observation Company, Unlimited. We are goin' + + "'Round the world and back again; + Heel and toe in sun and rain'-- + +as another pote says. Only we ride. I ain't got nothin' to say about +gettin' married, or happy days, or any of that ordinary kind of stuff. I +want to drink the health of my friends. I got so many and such good ones +that I dassent to incriminate any particular one; so I say, lookin' at +your faces like roses and lilies and--and faces, I say,-- + + "'Here's to California, the darling of the West, + A blessin' on those livin' here-- + And God help all the rest.'" + +Overland sat down amid applause. He located his tobacco and papers, +rolled a cigarette with one hand, and gazed across the hills. Glancing +up, he saw Louise looking at him. He smiled. "I was settin' on a crazy +bronc' holdin' his head up so he couldn't go to buckin'--outside a +little old adobe down in Yuma, Arizona, then. Did you ever drift away +like that, just from some little old trick to make you dream?" + +At a nod from Aunt Eleanor they all rose. + +Louise stepped from her end of the table to where Overland stood gazing +out across the hills. She touched him lightly on the arm. He turned and +looked at her unseeingly. His eyes were filled with the dreams of his +youth, dreams that had not come true ... and yet.... He gazed down into +her face. His expression changed. His eyes grew misty with happiness. He +realized how many friends he had and how loyal and excellent they were. +And of all that he had gained his greatest treasure was his love for +Louise--for Louise Lacharme, the little Rose Girl of his dreams. That +love lay buried deep in his rugged heart. She would never know of it. No +one should ever know--not even Collie. + +Louise, in an ecstasy of affection and pity that she could not +understand, suddenly flung her arms around Overland's neck and kissed +him full on the lips. + +More than he had ever dared to dream had come true. + +THE END + +----------------------------------------------------------------------- + +GROSSET & DUNLAP'S DRAMATIZED NOVELS + +THE KIND THAT ARE MAKING THEATRICAL HISTORY + +May be had wherever books are sold. Ask for Grosset & Dunlap's list + + +WITHIN THE LAW. By Bayard Veiller & Marvin Dana. Illustrated by Wm. +Charles Cooke. + +This is a novelization of the immensely successful play which ran for +two years in New York and Chicago. + +The plot of this powerful novel is of a young woman's revenge directed +against her employer who allowed her to be sent to prison for three +years on a charge of theft, of which she was innocent. + + +WHAT HAPPENED TO MARY. By Robert Carlton Brown. Illustrated with scenes +from the play. + +This is a narrative of a young and innocent country girl who is suddenly +thrown into the very heart of New York, "the land of her dreams," where +she is exposed to all sorts of temptations and dangers. + +The story of Mary is being told in moving pictures and played in +theatres all over the world. + + +THE RETURN OF PETER GRIMM. By David Belasco. Illustrated by John Rae. + +This is a novelization of the popular play in which David Warfield, as +Old Peter Grimm, scored such a remarkable success. + +The story is spectacular and extremely pathetic but withal, powerful, +both as a book and as a play. + + +THE GARDEN OF ALLAH. By Robert Hichens. + +This novel is an intense, glowing epic of the great desert, sunlit +barbaric, with its marvelous atmosphere of vastness and loneliness. + +It is a book of rapturous beauty, vivid in word painting. The play has +been staged with magnificent cast and gorgeous properties. + + +BEN HUR. A Tale of the Christ. By General Lew Wallace. + +The whole world has placed this famous Religious-Historical Romance on a +height of pre-eminence which no other novel of its time has reached. The +clashing of rivalry and the deepest human passions, the perfect +reproduction of brilliant Roman life, and the tense, fierce atmosphere +of the arena have kept their deep fascination. A tremendous dramatic +success. + + +BOUGHT AND PAID FOR. By George Broadhurst and Arthur Hornblow. +Illustrated with scenes from the play. + +A stupendous arraignment of modern marriage which has created an +interest on the stage that is almost unparalleled. The scenes are laid +in New York, and deal with conditions among both the rich and poor. + +The interest of the story turns on the day-by day developments which +show the young wife the price she has paid. + +Ask for complete free list of G. & D. Popular Copyrighted Fiction + +GROSSET & DUNLAP, 526 WEST 26th ST., NEW YORK + +----------------------------------------------------------------------- + +STORIES OF WESTERN LIFE + +May be had wherever books are sold. Ask for Grosset & Dunlap's list + + +RIDERS OF THE PURPLE SAGE, By Zane Grey. + +Illustrated by Douglas Duer. + +In this picturesque romance of Utah of some forty years ago, we are +permitted to see the unscrupulous methods employed by the invisible hand +of the Mormon Church to break the will of those refusing to conform to +its rule. + + +FRIAR TUCK, By Robert Alexander Wason. + +Illustrated by Stanley L. Wood. + +Happy Hawkins tells us, in his humorous way, how Friar Tuck lived among +the Cowboys, how he adjusted their quarrels and love affairs and how he +fought with them and for them when occasion required. + + +THE SKY PILOT, By Ralph Connor. + +Illustrated by Louis Rhead. + +There is no novel, dealing with the rough existence of cowboys, so +charming in the telling, abounding as it does with the freshest and the +truest pathos. + + +THE EMIGRANT TRAIL By Geraldine Bonner. + +Colored frontispiece by John Rae. + +The book relates the adventures of a party on its overland pilgrimage, +and the birth and growth of the absorbing love of two strong men for a +charming heroine. + + +THE BOSS OF WIND RIVER, By A. M. Chisholm. + +Illustrated by Frank Tenney Johnson. + +This is a strong, virile novel with the lumber industry for its central +theme and a love story full of interest as a sort of subplot. + + +A PRAIRIE COURTSHIP. By Harold Bindloss. + +A story of Canadian prairies in which the hero is stirred, through the +influence of his love for a woman, to settle down to the heroic business +of pioneer farming. + + +JOYCE OF THE NORTH WOODS, By Harriet T. Comstock. + +Illustrated by John Cassel. + +A story of the deep woods that shows the power of love at work among its +primitive dwellers. It is a tensely moving study of the human heart and +its aspirations that unfolds itself through thrilling situations and +dramatic developments. + +Ask for a complete free list of G. & D. Popular Copyrighted Fiction + +GROSSET & DUNLAP, 526 WEST 26th ST., NEW YORK + +----------------------------------------------------------------------- + +TITLES SELECTED FROM GROSSET & DUNLAP'S LIST + +May be had wherever books are sold. Ask for Grosset & Dunlap's list + + +THE SIEGE OF THE SEVEN SUITORS. By Meredith Nicholson. Illustrated by C. +Coles Phillips and Reginald Birch. + +Seven suitors vie with each other for the love of a beautiful girl, and +she subjects them to a test that is full of mystery, magic and sheer +amusement. + + +THE MAGNET. By Henry C. Rowland. Illustrated by Clarence F. Underwood. + +The story of a remarkable courtship involving three pretty girls on a +yacht, a poet-lover in pursuit, and a mix-up in the names of the girls. + + +THE TURN OF THE ROAD. By Eugenia Brooks Frothingham. + +A beautiful young opera singer chooses professional success instead of +love, but comes to a place in life where the call of the heart is +stronger than worldly success. + + +SCOTTIE AND HIS LADY. By Margaret Morse. Illustrated by Harold M. Brett. + +A young girl whose affections have been blighted is presented with a +Scotch Collie to divert her mind, and the roving adventures of her pet +lead the young mistress into another romance. + + +SHEILA VEDDER. By Amelia E. Barr. Frontispiece by Harrison Fisher. + +A very beautiful romance of the Shetland Islands, with a handsome, +strong willed hero and a lovely girl of Gaelic blood as heroine. A +sequel to "Jan Vedder's Wife." + + +JOHN WARD. PREACHER. By Margaret Deland. + +The first big success of this much loved American novelist. It is a +powerful portrayal of a young clergyman's attempt to win his beautiful +wife to his own narrow creed. + + +THE TRAIL OF NINETY-EIGHT. By Robert W. Service. Illustrated by Maynard +Dixon. + +One of the best stories of "Vagabondia" ever written, and one of the +most accurate and picturesque of the stampede of gold seekers to the +Yukon. The love story embedded in the narrative is strikingly original. + +Ask for complete free list of G. & D. Popular Copyrighted Fiction + +GROSSET & DUNLAP, 526 WEST 26th ST., NEW YORK + +----------------------------------------------------------------------- + +KATE DOUGLAS WIGGIN'S STORIES OF PURE DELIGHT + +Full of originality and humor, kindliness and cheer + + +THE OLD PEABODY PEW. Large Octavo. Decorative text pages, printed in two +colors. Illustrations by Alice Barber Stephens. + +One of the prettiest romances that has ever come from this author's pen +is made to bloom on Christmas Eve in the sweet freshness of an old New +England meeting house. + + +PENELOPE'S PROGRESS. Attractive cover design in colors. + +Scotland is the background for the merry doings of three very clever and +original American girls. Their adventures in adjusting themselves to the +Scot and his land are full of humor. + + +PENELOPE'S IRISH EXPERIENCES. Uniform in style with "Penelope's +Progress." + +The trio of clever girls who rambled over Scotland cross the border to +the Emerald Isle, and again they sharpen their wits against new +conditions, and revel in the land of laughter and wit. + + +REBECCA OF SUNNYBROOK FARM. + +One of the most beautiful studies of childhood--Rebecca's artistic, +unusual and quaintly charming qualities stand cut midst a circle of +austere New Englanders. The stage version is making a phenomenal +dramatic record. + + +NEW CHRONICLES OF REBECCA. With illustrations by F. C. Yohn. + +Some more quaintly amusing chronicles that carry Rebecca through various +stages to her eighteenth birthday. + + +ROSE O' THE RIVER. With illustrations by George Wright. + +The simple story of Rose, a country girl and Stephen a sturdy young +farmer. The girl's fancy for a city man interrupts their love and merges +the story into an emotional strain where the reader follows the events +with rapt attention. + +GROSSET & DUNLAP, 526 WEST 26th ST., NEW YORK + + + + + + +End of the Project Gutenberg EBook of Overland Red, by Henry Herbert Knibbs + +*** END OF THIS PROJECT GUTENBERG EBOOK OVERLAND RED *** + +***** This file should be named 19763-8.txt or 19763-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/9/7/6/19763/ + +Produced by Roger Frank and the Online Distributed +Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card +donations. To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +*** END: FULL LICENSE *** + diff --git a/19763-8.zip b/19763-8.zip Binary files differnew file mode 100644 index 0000000..89e5a51 --- /dev/null +++ b/19763-8.zip diff --git a/19763-h.zip b/19763-h.zip Binary files differnew file mode 100644 index 0000000..9f27197 --- /dev/null +++ b/19763-h.zip diff --git a/19763-h/19763-h.htm b/19763-h/19763-h.htm new file mode 100644 index 0000000..087991f --- /dev/null +++ b/19763-h/19763-h.htm @@ -0,0 +1,10114 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of Overland Red, by Henry Herbert Knibbs. + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ + <!-- + p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} + p.titleblock {margin-top: 0; margin-bottom: 0; text-indent: 0; text-align: center;} + h1,h2,h3,h4,h5,h6 {text-align: center; clear: both;} + table {margin-left: auto; margin-right: auto;} + body {margin-left: 10%; margin-right: 10%;} + .pagenum {display: inline; font-size: x-small; text-align: right; + position: absolute; right: 2%; border:1px solid white; + padding: 1px 3px; font-style: normal; + font-variant:normal; font-weight:normal; text-decoration: none; + color: #444; background-color: #EEE;} + .blockquot {margin-left: 5%; margin-right: 10%;} + .center {text-align: center;} + .smcap {font-variant: small-caps;} + td.pr {padding-right:10px;} + hr.full {width:100%; margin-top: 2em; margin-bottom: 2em;} + hr.major {width:75%; margin-top: 2em; margin-bottom: 2em;} + hr.minor {width:30%; margin-top: 0.5em; margin-bottom: 0.5em;} + .figcenter {margin: auto; text-align: center;} + .caption {font-size: 80%;} + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Overland Red, by Henry Herbert Knibbs + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Overland Red + A Romance of the Moonstone Cañon Trail + +Author: Henry Herbert Knibbs + +Illustrator: Anton Fischer + +Release Date: November 11, 2006 [EBook #19763] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK OVERLAND RED *** + + + + +Produced by Roger Frank and the Online Distributed +Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + +<h1>Overland Red</h1> + +<h2>A ROMANCE<br/> +OF THE MOONSTONE CAÑON TRAIL</h2> + +<div class='figcenter' style='width: 244px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-001" id="illus-001"></a> +<img src='images/img001.jpg' alt='' title='' width = '244' height = '206'/> +</div> + +<hr class='major' /> + +<div class='figcenter' style='width: 400px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-002" id="illus-002"></a> +<img src='images/img002.jpg' alt='(page 123) OVERLAND LIMITED!' title='' width = '400' height = '624'/><br /> +<span class='caption'>OVERLAND LIMITED! (page 123) </span> +</div> + +<hr class='major' /> + +<table width='450' cellpadding='2' cellspacing='0' summary='' border='1'><tr><td> +<p class="titleblock" style="font-size: 220%; margin-top: 40px; margin-bottom:20px; font-weight: bold;">Overland Red</p> +<p class="titleblock" style="font-size: 140%;">A ROMANCE</p> +<p class="titleblock" style="font-size: 140%; margin-bottom: 40px;">OF THE MOONSTONE CAÑON TRAIL</p> +<p class="titleblock" style="font-size: 100%;">WITH ILLUSTRATIONS BY</p> +<p class="titleblock" style="font-size: 100%;">ANTON FISCHER</p> +<div class='figcenter' style='padding-top: 60px; padding-bottom: 60px;'> +<img src='images/img003.jpg' width = '106' height = '137' alt=''/> +</div> +<p class="titleblock">NEW YORK</p> +<p class="titleblock" style="font-size: 120%;">GROSSET & DUNLAP</p> +<p class="titleblock" style="margin-bottom: 40px;">PUBLISHERS</p> +</td></tr></table> + +<hr class='major' /> + +<p class='center' style='font-size:80%'> +COPYRIGHT, 1914, BY HOUGHTON MIFFLIN COMPANY<br /><br /> +ALL RIGHTS RESERVED</p> + +<hr class='major' /> + +<p class='center'>To I. J. K.</p> + +<div class='figcenter' style='width: 181px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-003" id="illus-003"></a> +<img src='images/img005.jpg' alt='' title='' width = '181' height = '166'/><br /> +</div> + +<hr class='major' /> +<div class='figcenter' style='width: 302px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-004" id="illus-004"></a> +<img src='images/img006.jpg' alt='' title='' width = '302' height = '592'/><br /> +</div> + +<hr class='major' /> + +<div class='figcenter' style='width: 327px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-005" id="illus-005"></a> +<img src='images/img007.jpg' alt='' title='' width = '327' height = '104'/><br /> +</div> + +<h2><a name="Contents" id="Contents"></a>Contents</h2> +<div class="smcap"> +<table border="0" width="500" cellpadding="2" cellspacing="0" summary="Contents"> +<col style="width:20%;" /> +<col style="width:70%;" /> +<col style="width:10%;" /> +<tr> + <td class="pr" align="right">The Road</td> + <td align="left"></td> + <td align="right"><a href="#The_Road"><span style='font-variant:normal'>xi</span></a></td> +</tr> +<tr> + <td class="pr" align="right">I</td> + <td align="left">The Prospector</td> + <td align="right"><a href="#CHAPTER_I">3</a></td> +</tr> +<tr> + <td class="pr" align="right">II</td> + <td align="left">Water</td> + <td align="right"><a href="#CHAPTER_II">10</a></td> +</tr> +<tr> + <td class="pr" align="right">III</td> + <td align="left">Ragged Romance</td> + <td align="right"><a href="#CHAPTER_III">14</a></td> +</tr> +<tr> + <td class="pr" align="right">IV</td> + <td align="left">"Any Road, At Any Time, For Anywhere"</td> + <td align="right"><a href="#CHAPTER_IV">25</a></td> +</tr> +<tr> + <td class="pr" align="right">V</td> + <td align="left">"Can He Ride?"</td> + <td align="right"><a href="#CHAPTER_V">39</a></td> +</tr> +<tr> + <td class="pr" align="right">VI</td> + <td align="left">Advocate Extraordinary</td> + <td align="right"><a href="#CHAPTER_VI">48</a></td> +</tr> +<tr> + <td class="pr" align="right">VII</td> + <td align="left">The Girl Who Glanced Back</td> + <td align="right"><a href="#CHAPTER_VII">60</a></td> +</tr> +<tr> + <td class="pr" align="right">VIII</td> + <td align="left">The Test</td> + <td align="right"><a href="#CHAPTER_VIII">72</a></td> +</tr> +<tr> + <td class="pr" align="right">IX</td> + <td align="left">A Celestial EnterprisE</td> + <td align="right"><a href="#CHAPTER_IX">88</a></td> +</tr> +<tr> + <td class="pr" align="right">X</td> + <td align="left">"Perfectly Harmless Little Ole Tenderfoot"</td> + <td align="right"><a href="#CHAPTER_X">98</a></td> +</tr> +<tr> + <td class="pr" align="right">XI</td> + <td align="left">Desert Law</td> + <td align="right"><a href="#CHAPTER_XI">110</a></td> +</tr> +<tr> + <td class="pr" align="right">XII</td> + <td align="left">"Fool's Luck"</td> + <td align="right"><a href="#CHAPTER_XII">125</a></td> +</tr> +<tr> + <td class="pr" align="right">XIII</td> + <td align="left">The Return</td> + <td align="right"><a href="#CHAPTER_XIII">132</a></td> +</tr> +<tr> + <td class="pr" align="right">XIV</td> + <td align="left">"Call it The 'rose Girl'"</td> + <td align="right"><a href="#CHAPTER_XIV">141</a></td> +</tr> +<tr> + <td class="pr" align="right">XV</td> + <td align="left">Silent Saunders</td> + <td align="right"><a href="#CHAPTER_XV">157</a></td> +</tr> +<tr> + <td class="pr" align="right">XVI</td> + <td align="left">Blunder</td> + <td align="right"><a href="#CHAPTER_XVI">163</a></td> +</tr> +<tr> + <td class="pr" align="right">XVII</td> + <td align="left">Guests</td> + <td align="right"><a href="#CHAPTER_XVII">177</a></td> +</tr> +<tr> + <td class="pr" align="right">XVIII</td> + <td align="left">A Red Episode</td> + <td align="right"><a href="#CHAPTER_XVIII">185</a></td> +</tr> +<tr> + <td class="pr" align="right">XIX</td> + <td align="left">"To Cut My Trail Like That!"</td> + <td align="right"><a href="#CHAPTER_XIX">202</a></td> +</tr> +<tr> + <td class="pr" align="right">XX</td> + <td align="left">The Led Horse</td> + <td align="right"><a href="#CHAPTER_XX">211</a></td> +</tr> +<tr> + <td class="pr" align="right">XXI</td> + <td align="left">Borrowed Plumes</td> + <td align="right"><a href="#CHAPTER_XXI">223</a></td> +</tr> +<tr> + <td class="pr" align="right">XXII</td> + <td align="left">The Yuma Colt</td> + <td align="right"><a href="#CHAPTER_XXII">231</a></td> +</tr> +<tr> + <td class="pr" align="right">XXIII</td> + <td align="left">Silent Saunders Speaks</td> + <td align="right"><a href="#CHAPTER_XXIII">247</a></td> +</tr> +<tr> + <td class="pr" align="right">XXIV</td> + <td align="left">"Like Sunshine"</td> + <td align="right"><a href="#CHAPTER_XXIV">254</a></td> +</tr> +<tr> + <td class="pr" align="right">XXV</td> + <td align="left">In the Shadow Of The Hills</td> + <td align="right"><a href="#CHAPTER_XXV">262</a></td> +</tr> +<tr> + <td class="pr" align="right">XXVI</td> + <td align="left">Special</td> + <td align="right"><a href="#CHAPTER_XXVI">273</a></td> +</tr> +<tr> + <td class="pr" align="right">XXVII</td> + <td align="left">The Riders</td> + <td align="right"><a href="#CHAPTER_XXVII">278</a></td> +</tr> +<tr> + <td class="pr" align="right">XXVIII</td> + <td align="left">Gophertown</td> + <td align="right"><a href="#CHAPTER_XXVIII">288</a></td> +</tr> +<tr> + <td class="pr" align="right">XXIX</td> + <td align="left">Toll</td> + <td align="right"><a href="#CHAPTER_XXIX">299</a></td> +</tr> +<tr> + <td class="pr" align="right">XXX</td> + <td align="left">Two Roses</td> + <td align="right"><a href="#CHAPTER_XXX">305</a></td> +</tr> +<tr> + <td class="pr" align="right">XXXI</td> + <td align="left">Night</td> + <td align="right"><a href="#CHAPTER_XXXI">320</a></td> +</tr> +<tr> + <td class="pr" align="right">XXXII</td> + <td align="left">Morning</td> + <td align="right"><a href="#CHAPTER_XXXII">332</a></td> +</tr> +<tr> + <td class="pr" align="right">XXXIII</td> + <td align="left">A Speech</td> + <td align="right"><a href="#CHAPTER_XXXIII">345</a></td> +</tr> +</table> +</div> +<hr class='major' /> +<div class='figcenter' style='width: 292px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-006" id="illus-006"></a> +<img src='images/img008.jpg' alt='' title='' width = '292' height = '162'/><br /> +</div> + +<h2><a name="Illustrations" id="Illustrations"></a>Illustrations</h2> +<div class="smcap"> +<table border="0" width="600" cellpadding="2" cellspacing="0" summary="Illustrations"> +<col style="width:80%;" /> +<col style="width:20%;" /> +<tr><td align="left">Overland Limited! (page 123)</td><td align="right"><a href="#illus-002"><span style='font-variant:normal; font-style:italic;'>Frontispiece</span></a></td></tr> +<tr><td align="left">The Girl's Level Gray Eyes Studied the Tramp's Face</td><td align="right"><a href="#illus-012">16</a></td></tr> +<tr><td align="left">It's a Clean-Up</td><td align="right"><a href="#illus-013">298</a></td></tr> +<tr><td align="left">Can't I Have Another One, Rose Girl?</td><td align="right"><a href="#illus-014">340</a></td></tr> +</table> +</div> + +<div class='figcenter' style='width: 208px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-007" id="illus-007"></a> +<img src='images/img009.jpg' alt='' title='' width = '208' height = '202'/><br /> +</div> + +<hr class='major' /> +<div class='figcenter' style='width: 262px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-008" id="illus-008"></a> +<img src='images/img010.jpg' alt='' title='' width = '262' height = '296'/><br /> +</div> + +<hr style="width: 65%;" /> +<div class='figcenter' style='width: 256px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-009" id="illus-009"></a> +<img src='images/img011.jpg' alt='' title='' width = '256' height = '98'/><br /> +</div> + +<h2><a name="The_Road" id="The_Road"></a>The Road</h2> + +<p>Through the San Fernando Valley, toward the hills of Calabasas runs that +old road, El Camino Real of the early Mission days.</p> + +<p>And now replicas of old Mission bells, each suspended in solitary +dignity from a rusted iron rod, mark intervals along the dusty way, once +a narrow trail worn by the patient feet of that gentle and great padre, +Junípero Serra,—a trail from the San Gabriel Valley to the shores of +Monterey. A narrow trail then, but, even then, to him it was broad in +its potential significance of the dawn of Grace upon the mountain shores +of Heaven's lost garden, California.</p> + +<p>Not far from one iron-posted bell in the valley, El Camino Real falters, +to find, eventually, a lazy way round the low foothills, as though +reluctant to lift its winding length over the sharp pitch of the Canajo +Pass, beyond.</p> + +<p>Near this lone bell another road, an offspring of old El Camino Real, +runs quickly from its gray and patient sire. Branching south in hurried +turns and multiple windings it climbs the rolling hills, ever dodging +the rude-piled masses of rock, with scattered brush between, but forever +aspiring courageously through the mountain<span class='pagenum'><a name="Page_xii" id="Page_xii">[Pg xii]</a></span> sage and sunshine toward its +ultimate green rest in the shadowy hills.</p> + +<p>In the sweet sage is the drone of bees, like the hum of a far city. The +thinning, acrid air is tinged with the faint fragrance of sunburnt +shrubs and grasses.</p> + +<p>With the sinuous avoidings of a baffled snake the road turns and turns +upon itself until its earlier promise of high adventuring seems +doubtful. As often as not it climbs a semi-barren dun stretch of +sunbaked earth dotted with stubby cacti—passes these dwarfed +grotesques, and attempts the narrowing crest of the cañon-wall, to swing +abruptly back to the cacti again, gaining but little in its upward +trend.</p> + +<p>Impatient, it finally plunges dizzily round a sharp, outstanding angle +of rock and down into the unexpected enchantment of Moonstone Cañon. +Here the gaunt cliffs rise to great wild gardens, draped with soft rose +and poignant red amid drowsy undertones of gray and green and gold. Dots +of vivid colors flame and fade and pass to ledges of dank, vineclad rock +and drifts of shale, as the road climbs again.</p> + +<p>At the next turn are the indistinct voices of water, commingling in a +monotone—and the road ceases to be, as the cool silver of a mountain +stream cuts through it, with seemingly inconsequential meanderings, but +with the soft<span class='pagenum'><a name="Page_xiii" id="Page_xiii">[Pg xiii]</a></span> arrogance of a power too great to be denied. And the +indistinct voices, left behind, fade to unimaginable sounds as the +stream patters down its gravelly course, contented beyond measure with +its own adventuring.</p> + +<p>Patiently the road takes up its way, moving in easier sweeps through a +widening valley, but forever climbing.</p> + +<p>Again and again, fetlock deep across it runs the stream, gently +persistent and forever murmuring its happy soliloquies.</p> + +<p>Here and there the road passes quickly through a blot of shade,—a group +of wide-spreading live-oaks,—and reappears, gray-white and hot in the +sun.</p> + +<p>And then, its high ambition fulfilled, the road recovers from its last +climbing sweep round the base of a shouldering hill and runs straight +and smooth to its ultimate green rest in the shade of the sycamores. +Beyond these two huge-limbed warders of the mountain ranch gate, there +is a flower-bordered <i>way</i>, but it is the road no longer.</p> + +<p>The mountain ranch takes its name from the cañon below. It is the +Moonstone Ranch, the home of Louise, whose ancestors, the Lacharmes, +grew roses in old France.</p> + +<p>Among the many riders to and from the ranch, there is one, a great, +two-fisted, high-complexioned man, whose genial presence is ever +welcome. He answers to many names. To the youngsters he is "Uncle +Jack,"—usually with an exclamation. To some of the older folk he is +"Mr. Summers," or "Jack." Again, the foreman of the Moonstone Ranch +seldom calls him anything more dignified than "Red." Louise does +sometimes call him—quite affectionately—"Overland."</p> + +<div class='figcenter' style='width: 231px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-010" id="illus-010"></a> +<img src='images/img014.jpg' alt='' title='' width = '231' height = '342'/><br /> +</div> + +<hr style="width: 65%;" /> +<h2><a name="Overland_Red" id="Overland_Red"></a>Overland Red</h2> + +<div class='figcenter' style='width: 267px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-011" id="illus-011"></a> +<img src='images/img015.jpg' alt='' title='' width = '267' height = '194'/><br /> +</div> + +<hr class="major" /> + +<h2>Overland Red</h2> + +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_I" id="CHAPTER_I"></a> +<span class='pagenum'><a name="Page_3" id="Page_3">3</a></span> +<h2>CHAPTER I</h2><h3>THE PROSPECTOR</h3> +</div> + +<p>For five years he had journeyed back and forth between the little desert +station on the Mojave and the range to the north. The townspeople paid +scant attention to him. He was simply another "desert rat" obsessed with +the idea that gold was to be found in those northern hills. He bought +supplies and paid grudgingly. No one knew his name.</p> + +<p>The prospector was much younger than he appeared to be. The desert sun +had dried his sinews and warped his shoulders. The desert wind had +scrawled thin lines of age upon his face. The desert solitude had +stooped him with its awesome burden of brooding silence.</p> + +<p>Slowly his mind had been squeezed dry of all human interest save the +recurrent memory of a child's face—that, and the poignant memory of the +child's mother. For ten years he had been trying to forget. The last +five years on the desert had dimmed the woman's visioned face as the<span class='pagenum'><a name="Page_4" id="Page_4">4</a></span> +child came more often between him and the memory of the mother, in his +dreams.</p> + +<p>Then there were voices, the voices of strange spirits that winged +through the dusk of the outlands and hovered round his fire at night.</p> + +<p>One voice, soft, insistent, ravished his imagination with visions of +illimitable power and peace and rest. "Gold! Lost gold!" it would +whisper as he sat by the meager flame. Then he would tremble and draw +nearer the warmth. "Where?" he would ask, tempting the darkness as a +child, fearfully certain of a reply.</p> + +<p>Then another voice, cadenced like the soft rush of waves up the sand, +would murmur, "Somewhere away! Somewhere away! Somewhere away!" And in +the indefiniteness of that answer he found an inexplicable joy. The +vagueness of "Somewhere away" was as vast with pregnant possibilities as +his desert. His was the eternity of hope, boundless and splendid in its +extravagant promises. Drunk with the wine of dreams, he knew himself to +be a monarch, a monarch uncrowned and unattended, yet always with his +feet upon the wide threshold of his kingdom.</p> + +<p>Then would come the biting chill of night, the manifold rays of stars +and silence, silence reft of winds, yet alive with the tense immobility +of the crouching beast, waiting ... waiting....<span class='pagenum'><a name="Page_5" id="Page_5">5</a></span></p> + +<p>The desert, impassively withering him to the shell of a man, or wracking +him terribly in heat or in storm and cold, still cajoled him day and +night with promises, whispered, vague and intoxicating as the perfume of +a woman's hair.</p> + +<p>Finally the desert flung wide the secret portals of her treasure-house +and gave royally like a courtesan of kings.</p> + +<p>The man, his dream all but fulfilled, found the taste of awakening +bitter on his lips. He counted his years of toil and cursed as he viewed +his shrunken hands, claw-like, scarred, crippled.</p> + +<p>He felt the weight of his years and dreaded their accumulated burdens. +He realized that the dream was all—its fulfillment nothing. He knew +himself to be a thing to be pointed at; yet he longed for the sound of +human voices, for the touch of human hands, for the living sweetness of +his child's face. The sirens of the invisible night no longer whispered +to him. He was utterly alone. He had entered his kingdom. Viewed from +afar it had seemed a vast pleasure-dome of infinite enchantment. He +found Success, as it ever shall be, a veritable desert, grudging man +foothold, yet luring him from one aspiration to another, only to consume +his years in dust.</p> + +<p>A narrow cañon held his secret. He had wandered into it, panned a little +black sand, and found color. Finally he discovered the fountainhead<span class='pagenum'><a name="Page_6" id="Page_6">6</a></span> of +the hoarded yellow particles that spell Power. There in the fastness of +those steep, purgatorial walls was the hermitage of the two +voices—voices that no longer whispered of hope, but left him in the +utter loneliness of possession and its birthright, Fear.</p> + +<p>He cried aloud for the companionship of men—and glanced fearfully round +lest man had heard him call.</p> + +<p>He again journeyed to the town beside the railroad, bought supplies and +vanished, a ragged wraith, on the horizon.</p> + +<p>Back in the cañon he set about his labors, finding a numbing solace in +toil.</p> + +<p>But at night he would think of the child's face. He had said to those +with whom he had left the child that he would return with a fortune. +They knew he went away to forget. They did not expect him to return. +That had been ten years ago. He had written twice. Then he had drifted, +always promising the inner voice that urged him that he would find gold +for her, his child, that she might ever think kindly of him. So he tried +to buy himself—with promises. Once he had been a man of his hands, a +man who stood straight and faced the sun. Now the people of the desert +town eyed him askance. He heard them say he was mad—that the desert had +"got him." They were wrong. The desert and its secret was his—a<span class='pagenum'><a name="Page_7" id="Page_7">7</a></span> sullen +paramour, but <i>his</i> nevertheless. Had she not given him of her very +heart?</p> + +<p>He viewed his shrunken body, knew that he stooped and shuffled, realized +that he had paid the inevitable, the inexorable price for the secret. +His wine of dreams had evaporated.... He sifted the coarse gold between +his fingers, letting it fall back into the pan. Was it for <i>this</i> that +he had wasted his soul?</p> + +<hr style='width: 45%;' /> + +<p>In the desert town men began to notice the regularity of his comings and +goings. Two or three of them foregathered in the saloon and commented on +it.</p> + +<p>"He packed some dynamite last trip," asserted one.</p> + +<p>There was a silence. The round clock behind the bar ticked loudly, +ominously.</p> + +<p>"Then he's struck it at last," said another.</p> + +<p>"Mebby," commented the first speaker.</p> + +<p>The third man nodded. Then came silence again and the absolute ticking +of the clock. Presently from outside in the white heat of the road came +the rush of hoofs and an abrupt stop. A spurred and booted rider, his +swarthy face gray with dust, strode in, nodded to the group and called +for whiskey.</p> + +<p>"Which way did he go, Saunders?" asked one.<span class='pagenum'><a name="Page_8" id="Page_8">8</a></span></p> + +<p>"North, as usual," said the rider.</p> + +<p>"Let's set down," suggested the third man.</p> + +<p>They shuffled to a table. The bartender brought glasses and a bottle. +Then, uninvited, he pulled up a chair and sat with them. The rider +looked at him pointedly.</p> + +<p>"Oh, I'm in on this," asserted the bartender. "Daugherty is the +Wells-Fargo man here. He won't talk to nobody but me—about <i>business</i>."</p> + +<p>"What's that got to do with it?" queried the rider.</p> + +<p>"Just what you'd notice, Saunders. Listen! The rat left a bag of dust in +the Company's safe last trip. Daugherty says its worth mebby five +hundred. He says the rat's goin' to bring in some more. Do I come in?"</p> + +<p>"You're on," said the rider. "Now, see here, boys, we got to find out if +he's filed on it yet, and what his name is, and then—"</p> + +<p>"Mebby we'd better find out <i>where</i> it is first," suggested one.</p> + +<p>"And then jump him?" queried the rider over his glass.</p> + +<p>"And then jump him," chorused the group. "He's out there alone. It's +easy." And each poured himself a drink, for which, strangely enough, no +one offered to pay, and for which the bartender evidently forgot to +collect.<span class='pagenum'><a name="Page_9" id="Page_9">9</a></span></p> + +<p>Meanwhile the prospector toiled through the drought of that summer +hoarding the little yellow flakes that he washed from the gravel in the +cañon.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_II" id="CHAPTER_II"></a> +<span class='pagenum'><a name="Page_10" id="Page_10">10</a></span> +<h2>CHAPTER II</h2><h3>WATER</h3> +</div> + +<p>All round him for miles each way the water-holes had gone dry. The +little cañon stream still wound down its shaded course, disappearing in +a patch of sand at the cañon's mouth, so the prospector felt secure. +None had ridden out to look for him through that furnace of burning sand +that stretched between the hills and the desert town.</p> + +<p>The stream dwindled slowly, imperceptibly.</p> + +<p>One morning the prospector noticed it, and immediately explored the +creek clear to its source—a spurt of water springing from the roof of a +grotto in the cliff. Such a supply, evidently from the rocky heart of +the range itself, would be inexhaustible.</p> + +<p>A week later he awoke to find the creek-bed dry save in a few +depressions among the rocks. He again visited the grotto. The place was +damp and cool, glistening with beads of moisture, but the flow from the +roof-crevice had ceased. Still he thought there must be plenty of water +beneath the rocks of the stream-bed. He would dig for it.<span class='pagenum'><a name="Page_11" id="Page_11">11</a></span></p> + +<p>Another week, and he became uneasy. The stream had disappeared as though +poured into a colossal crevice. A few feet below the gravel he struck +solid rock. He tried dynamite unsuccessfully. Then he hoarded the +drippings from the grotto crevice till he had filled his canteen. +Carefully he stowed his gold in a chamois pouch and prepared to leave +the cañon. His burro had strayed during the week of drought—was +probably dead beside some dry water-hole.</p> + +<p>The prospector set out to cross the range in the light of the stars.</p> + +<p>Fearful that he might be seen, panic warped his reasoning. He planned to +journey south along the foothills, until opposite the desert town and +then cross over to it. If he approached from such a direction, no one +would guess his original starting-place. He knew of an unfailing +water-hole two days' journey from the cañon. This water-hole was far out +of his way, but his canteen supply would more than last till he reached +it.</p> + +<p>Then Fate, the fate that had dogged his every step since first he +ventured into the solitudes, closed up and crept at his heels. He became +more morose and strangely fearful. His vision, refined by the wasting of +his body, created shadows that lay about his feet like stagnant pools, +shadows where no shadows should be.</p> + +<p>Ominous was his fall as he crossed an arroyo.<span class='pagenum'><a name="Page_12" id="Page_12">12</a></span> The canteen, slung over +his shoulder, struck a sharp point of rock that started one of the +seams. The leak was infinitesimal. The felt cover of the canteen +absorbed the drip, which evaporated. When he arrived at the water-hole, +<i>that</i> was dry. His canteen felt strangely light. He could not remember +having used so much water. He changed his plan. He struck straight from +the hills toward the railroad. He knew that eventually he would, as he +journeyed west, cross it, perhaps near a water-tank.</p> + +<p>Toward the blinding afternoon of that day he saw strange lakes and pools +spread out upon the distant sand and inverted mountain ranges stretching +to the horizon.</p> + +<p>Fate crept closer to his heels, waiting with the dumb patience of the +desert to claim the struggling, impotent puppet whose little day was all +but spent.</p> + +<p>He stumbled across the blazing bars of steel that marked the railroad. +His empty canteen clattered on the ties as he fell. He got to his knees +and dragged himself from the track. He laughed, for he had thwarted Fate +this once; he would not be run over by the train. He lay limp, wasted, +scarcely breathing.</p> + +<p>Serenely Fate crouched near him, patient, impassive....</p> + +<p>He heard a man speak and another answer.<span class='pagenum'><a name="Page_13" id="Page_13">13</a></span> He felt an arm beneath his +head, and water.... Water!</p> + +<p>He drank, and all at once his strength flamed up. It was not water they +gave him; it was merely the taste of it—a mockery. He wanted more ... +all!</p> + +<p>He lurched to his feet, struggling with a bearded giant that held him +from his desire—to drink until he could drink no more—to die drinking +the water they had taken from him even as they gave it. He fought +blindly. Fate, disdaining further patience, arose and flung itself about +his feet. He stumbled. A flash wiped all things from his vision and the +long night came swiftly.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_III" id="CHAPTER_III"></a> +<span class='pagenum'><a name="Page_14" id="Page_14">14</a></span> +<h2>CHAPTER III</h2><h3>RAGGED ROMANCE</h3> +</div> + +<p>At the wide gate of the mountain ranch stood the girl. Her black +saddle-pony Boyar fretted to be away. Glancing back through the +cavernous shade of the live-oaks, the girl hesitated before opening the +gate. A little breeze, wayfaring through Moonstone Cañon and on up to +the mountain ranch, touched the girl's cheek and she breathed deeply of +its cool fragrance.</p> + +<p>The wide gate swung open, and Louise Lacharme, curbing Black Boyar, rode +out of the shadows into the hot light of the morning, singing as she +rode.</p> + +<p>Against the soft gray of the cañon wall flamed a crimson flower like a +pomegranate bud. Across the road ran the cool mountain stream. Away and +away toward the empty sky the ragged edges of the cliffs were etched +sharply upon the blue.</p> + +<p>The road ran swiftly round the eastern wall of the cañon. Louise, as +fragrantly bright as morning sunshine on golden flowers, laughed as the +pony's lithe bound tore the silver of the ford to swirling beads and +blade-like flashes.<span class='pagenum'><a name="Page_15" id="Page_15">15</a></span></p> + +<p>On the rise beyond, the girl drew rein at the beginning of the Old +Meadow Trail, a hidden trail that led to a mountain meadow of ripe +grasses, groups of trees, and the enchantment of seclusion.</p> + +<p>The pony shouldered through the breast-high greasewood and picked his +steps along the edge of the hill. The twigs and branches lisped and +clattered against the carved leather tapaderos that hooded the stirrups. +The warm sun awoke the wild fragrance of sage and mountain soil. Little +lizards of the stones raced from Black Boyar's tread, becoming rigid on +the sides of rocks, clinging at odd angles with heads slanted, like +delicate Orient carvings in dull brass.</p> + +<p>The girl's eyes, the color of sea-water in the sun, were leveled toward +the distant hills across the San Fernando Valley. From her fingers +dangled the long bridle-reins. Her lips were gently parted. Her gaze was +the gaze of one who dreams in the daylight. And close in the hidden +meadow crouched Romance, Romance ragged, unkempt, jocular....</p> + +<p>Boyar first scented the wood-smoke. Louise noticed his forward-standing +ears and his fidgeting. Immediately before her was the low rounded rock, +a throne of dreams that she had graced before. From down the slope and +almost hidden by the bulk of the rock, a little<span class='pagenum'><a name="Page_16" id="Page_16">16</a></span> wand of smoke stood up +in the windless air, to break at last into tiny shreds and curls of +nothingness.</p> + +<p>"It can't be much of a fire yet!" exclaimed Louise, forever watchful, as +are all the hill-folk, for that dread, ungovernable red monster of +destruction, a mountain fire. "It can't be much of a fire <i>yet</i>."</p> + +<p>The pony Boyar, delicately scenting something more than wood-smoke, +snorted and swerved. Louise dismounted and stepped hurriedly round the +shoulder of the rock. A bristle-bearded face confronted her. "No, it +ain't much of a fire yet, but our hired girl she joined a movin'-picture +outfit, so us two he-things are doin' the best we can chasin' a +breakfast." And the tramp, Overland Red, ragged, unkempt, jocular, rose +from his knees beside a tiny blaze. He pulled a bleak flop of felt from +his tangled hair in an over-accentuated bow of welcome.</p> + +<p>"We offer you the freedom of the city, ma'am. Welcome to our midst, and +kindly excuse appearances this morning. Our trunks got delayed in New +York."</p> + +<p>Unsmilingly the girl's level gray eyes studied the tramp's face. Then +her glance swept him swiftly from bared head to rundown heel. "I was +just making up my mind whether I'd stay and talk with you, or ask you to +put out your fire and go somewhere else. But I think you are all right. +Please put on your hat."</p> + +<div class='figcenter' style='width: 400px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-012" id="illus-012"></a> +<img src='images/img030.jpg' alt='THE GIRL'S LEVEL GRAY EYES STUDIED THE TRAMP'S FACE' title='' width = '400' height = '554'/><br /> +<span class='caption'>THE GIRL'S LEVEL GRAY EYES STUDIED THE TRAMP'S FACE</span> +</div> + +<p><span class='pagenum'><a name="Page_17" id="Page_17">17</a></span>Overland Red's self-assurance shrunk a little. The girl's eyes were +direct and fearless, yet not altogether unfriendly. He thought that deep +within them dwelt a smile.</p> + +<p>"You got my map all right," he said, a trifle more respectfully. +"'Course we'll douse the fire when we duck out of here. But what do you +think of Collie here, my pal? Is he all right?"</p> + +<p>"Oh, he's only a boy," said Louise, glancing casually at the youth +crouched above the fire.</p> + +<p>The boy, a slim lad of sixteen or thereabout, flushed beneath the +battered brim of his black felt hat. He watched the tomato-can +coffee-pot intently. Louise could not see his face.</p> + +<p>"Yes, Miss. <i>I'm</i> all right and so is he." And a humorous wistfulness +crept into the tramp's eyes. "He's what you might call a changeling."</p> + +<p>"Changeling?"</p> + +<p>"Uhuh! Always changin' around from place to place—when you're young. +Ain't that it?"</p> + +<p>"Oh! And when you are older?" she queried, smiling.</p> + +<p>Overland Red frowned. "Oh, then you're just a tramp, a Willie, a Bo, a +Hobo."</p> + +<p>He saw the girl's eyes harden a little. He spoke quickly, and, she +imagined, truthfully. "I worked ten years for one outfit once, without<span class='pagenum'><a name="Page_18" id="Page_18">18</a></span> +a change. And I never knowed what it was to do a day's work out of the +saddle. You know what that means."</p> + +<p>"Cattle? Mexico?"</p> + +<p>Overland Red grinned. "Say! You was born in California, wasn't you?"</p> + +<p>"Yes, of course."</p> + +<p>"'Cause Mexico has been about the only place a puncher could work that +long without doin' day labor on foot half the year. Yes, I been there. +'Course, now, I'm doin' high finance, and givin' advice to the young, +and livin' on my income. And say, when it comes to real brain work, I'm +the Most Exhausted Baked High Potentate, but I wouldn't do no mineral +labor for nobody. If I can't work in the saddle, I don't work—that's +all."</p> + +<p>"Mineral labor? What, mining?" asked Louise.</p> + +<p>"No, not mining. Jest mineral labor like Japs, or section-hands, or +coachmen with bugs on their hats. Ain't the papers always speakin' of +that kind as minerals?"</p> + +<p>"Don't you mean menials?"</p> + +<p>"Well, yes. It's all the same, anyway. I never do no hair-splittin' on +words. Bein' a pote myself, it ain't necessary."</p> + +<p>"A—a poet! Really?"</p> + +<p>"Really and truly, and carry one and add five.<span class='pagenum'><a name="Page_19" id="Page_19">19</a></span> I've roped a lot of +po'try in my time, Miss. Say, are we campin' on your land?"</p> + +<p>"No. This is government land, from here to our line up above—the +Moonstone Rancho."</p> + +<p>"The Moonstone Rancho?" queried Overland Red, breaking a twig and +feeding the fire.</p> + +<p>"Yes. It's named after the cañon. But don't let me keep you from +breakfast."</p> + +<p>"Breakfast, eh? That's right! I almost forgot it, talkin' to you. +Collie's got the coffee to boilin'. No, <i>you</i> ain't keepin' us from our +breakfast any that you'd notice. It would take a whole reg'ment of +Rurales to keep us from a breakfast if we seen one runnin' around loose +without its pa or ma."</p> + +<p>Louise Lacharme did not smile. This was too real. Here was adventure +with no raconteur's glamour, no bookish gloss. Here was Romance. Romance +unshaven, illiterate, with its coat off making coffee in a +smoke-blackened tomato-can, but Romance nevertheless. That this romance +should touch her life, Louise had not the faintest dream. She was +alone ... but, pshaw! Boyar was grazing near, and besides, she was not really +afraid of the men. She thought she rather liked them, or, more +particularly, the boisterous one who had said his name was Overland Red.</p> + +<p>The tramp gazed at her a moment before he lifted the tomato-can from the +embers. "We<span class='pagenum'><a name="Page_20" id="Page_20">20</a></span> know you won't join us, but we're goin' to give you the +invite just the same. And we mean it. Ma'am, if you'll be so kind as to +draw up your chair, us gents'll eat."</p> + +<p>"Thank you!" said Louise, and Overland's face brightened at the +good-fellowship in her voice. "Thank you both, but I've had breakfast."</p> + +<p>She gazed at the solitary, bubbling, tomato-can coffee-pot of +"second-edition" coffee. There was nothing else to grace the board, or +rather rock. "I'll be right back," she said. "I'll just take off Boyar's +bridle. Here, Boy!" she called. "You'll be able to eat better."</p> + +<p>And she ran to the pony. From a saddle-pocket she took her own lunch of +sandwiches and ripe olives wrapped in oiled paper. She delayed her +return to loosen the forward cincha of the saddle and to find the little +stock of cigarette-papers and tobacco that she carried for any chance +rider of the Moonstone who might be without them.</p> + +<p>Collie, the boy tramp, glanced up at Overland Red. "I guess she's gone," +he said regretfully.</p> + +<p>"You're nutty, Collie. She ain't the kind to sneak off after sayin' +she's comin' back. I know a hoss and a real woman when I see 'em. I was +raised in the West, myself."<span class='pagenum'><a name="Page_21" id="Page_21">21</a></span></p> + +<p>The boy Collie was young, sensitive, and he had not been "raised in the +West." He frowned. "Yes, you was raised in the West, and what you got to +show for it?"</p> + +<p>"Well, hear the kid!" exclaimed Overland. "Out of the mouth of babes and +saplings! What have I got to show? What have I—! Wha—? Oh, you go +chase a snake! I know a good hoss and a good woman when I see 'em, and I +seen both together this morning."</p> + +<p>"But what do <i>she</i> want with us bos?" asked the boy.</p> + +<p>"S-s-h-h! Why, she's interested in me romantic past, of course. Ain't I +the 'cute little gopher when it comes to the ladies? Fan me, Collie, and +slow music and a beer for one. I'm some lady's-man, sister!"</p> + +<p>"You're a bo, the same as me," said the boy.</p> + +<p>"S-s-h-h! For the love of Pete, don't you handle that word 'bo' so +careless. It's loaded. It has a jarrin' effect on ears +unattenuated—er—meanin' ears that ain't keyed up to it, as the pote +says. She's comin' back. Fold your napkin. Don't look so blame hungry! +Ain't you got any style?"</p> + +<p>"She's the prettiest girl I ever seen," said the boy, hastily swallowing +his share of the hot, insipid coffee.<span class='pagenum'><a name="Page_22" id="Page_22">22</a></span></p> + +<p>"Pretty?" whispered Overland, as Louise approached. "She's thoroughbred. +Did you see them eyes? Afraid of nothin', and smilin' at what might dast +to scare her. Not foolish, either. She's wise. And she's kind and +laughin', and not ashamed to talk to us. That's thoroughbred."</p> + +<p>Round the rock came Louise, the neat package of sandwiches in one hand. +In the other was the tobacco and cigarette-papers. "I'm going to have my +luncheon," she said. "If you won't object, I'll take a sandwich. There, +I have mine. The rest are for you."</p> + +<p>"We had our breakfast," said Overland quickly, "when you was talkin' to +your pony."</p> + +<p>Louise glanced at the empty tomato-can. "Well, I'll excuse you for not +waiting for me, but I shall not excuse you from having luncheon with me. +I made these sandwiches myself. Have one. They're really good."</p> + +<p>"Oh!" groaned Overland, grimacing. "If I could curry up my language +smooth, like that, I—I guess I'd get deaf listenin' to myself talk. You +said that speech like takin' two turns round the bandstand tryin' to +catch yourself, and then climbin' a post and steppin' on your own +shoulders so you could see the parade down the street. Do you get that?" +And he sighed heavily. "Say! These here sandwiches is great!"<span class='pagenum'><a name="Page_23" id="Page_23">23</a></span></p> + +<p>"Will you have one?" asked Louise, gracefully proffering the olives.</p> + +<p>"Seein' it's you. Thanks. I always take two. The second one for a chaser +to kill the taste of the first. It's the only way to eat 'em—if you +know where to stop. They do taste like somethin' you done and are sorry +for afterwards, don't they?"</p> + +<p>"Were you ever sorry for anything?" asked the boy, feeling a little +piqued that he had been left out of the conversation.</p> + +<p>"I was raised in the West, myself," growled the tramp, scowling. "But +that's a good pony you got, Miss. That your saddle too?"</p> + +<p>"Yes."</p> + +<p>"You rope any?"</p> + +<p>"A little. How did you know?"</p> + +<p>"Rawhide cover to the saddle-horn is wore with a rope," said Overland, +helping himself to a second sandwich.</p> + +<p>Then the tramp and the girl, oblivious to everything else, discussed +rawhide riatas as compared with the regular three-strand stock rope, or +lariat,—center-fire, three quarter, and double rigs, swell forks and +old Visalia trees, spade bits and "U" curbs,—neither willing, even +lightly, to admit the other's superiority of chosen rig.</p> + +<p>The boy Collie listened intently and a trifle jealously. Overland Red +and the girl had found<span class='pagenum'><a name="Page_24" id="Page_24">24</a></span> a common ground of interest that excluded him +utterly. The boy itched for an excuse to make the girl speak to him, +even look at him.</p> + +<p>The sandwiches gone, Louise proffered Overland tobacco and papers. +Actual tears stood in the ex-cowboy's eyes. "Smoke! Me?" he exclaimed. +"I was dyin' for it. I'd do time for you!"</p> + +<p>Then in that boyish spirit that never quite leaves the range-rider, +Overland Red took the tobacco and papers and cleverly rolled a cigarette +with one hand. In the other he held his battered felt hat. His eyes had +a far-away look as he reached forward and lighted his cigarette at the +fire. "I was settin' on a crazy bronc', holdin' his head up so he +couldn't go to buckin'—outside a little old adobe down in Yuma, +Arizona, then," he explained, glancing at the girl. "Did you ever drift +away complete, like that, jest from some little old trick to make you +dream?"</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_IV" id="CHAPTER_IV"></a> +<span class='pagenum'><a name="Page_25" id="Page_25">25</a></span> +<h2>CHAPTER IV</h2><h3>"ANY ROAD, AT ANY TIME, FOR ANYWHERE"</h3> +</div> + +<p>The boy Collie took the empty tomato-can and went for water with which +to put out the fire.</p> + +<p>Louise and Overland Red gazed silently at the youthful figure crossing +the meadow. The same thought was in both their hearts—that the boy's +chance in life was still ahead of him. Something of this was in the +girl's level gray eyes as she asked, "Why did you come up here, so far +from the town and the railroad?"</p> + +<p>"We generally don't," replied Overland Red. "We ain't broke. Collie's +got some money. We got out of grub from comin' up here. We come up to +see the scenery. I ain't kiddin'; we sure did! 'Course, speakin' in +general, a free lunch looks better to me any day than the Yosemite—but +that's because I need the lunch. You got to be fed up to it to enjoy +scenery. Now, on the road we're lookin' at lots of it every day, but we +ain't seein' much. But give me a good feed and turn me loose in the Big +Show Pasture where the Bridal Veil is weepin' jealous of the Cathedral +Spires, and the Big Trees is too big to be jealous<span class='pagenum'><a name="Page_26" id="Page_26">26</a></span> of anything, where +Adam would 'a' felt old the day he was born—jest take off my hobbles +and turn me out to graze <i>there</i>, and <i>feed</i>, and say, lady, I scorn the +idea of doin' <i>any</i>thing but decomposin' my feelin's and smokin' and +writin' po'try. I been there! There's where I writ the song called 'Beat +It, Bo.' Mebby you heard of it."</p> + +<p>"No, I should like to hear it."</p> + +<p>The fire steamed and spluttered as Collie extinguished it. Overland Red +handed the tobacco and papers to him.</p> + +<p>"About comin' up this here trail?" he resumed as the boy stretched +beside them on the warm earth. "Well, Miss, it was four years ago that I +picked up Collie here at Albuquerque. His pa died sudden and left the +kid to find out what a hard map this ole world is. We been across, from +Frisco to New York, twice since then, and from Seattle to San Diego on +the side, and 'most everywhere in California, it bein' my native State +and the best of the lot. You see, Collie, he's gettin' what you might +call a liberated education, full of big ideas—no dinky stuff. Yes, I +picked him up at Albuquerque, a half-starved, skinny little cuss that +was cryin' and beggin' me to get him out of there."</p> + +<p>"Albuquerque?" queried Louise.</p> + +<p>"Uhuh. Later, comin' acrost the Mojave, we<span class='pagenum'><a name="Page_27" id="Page_27">27</a></span> got thrun off a freight by +mistake for a couple of sewin'-machines that we was ridin' with to +Barstow, so the tickets on the crates said. That was near Daggett, by a +water-tank. It was hotter than settin' on a stove in Death Valley at 12 +o'clock Sunday noon. We beat it for the next town, afoot. Collie +commenced to give out. He was pretty tender and not strong. I lugged him +some and he walked some. He was talkin' of green grass and cucumbers in +the ice-box and ice-cream and home and the Maumee River, and a whole lot +of things you can't find in the desert. Well, I got him to his feet next +mornin'. We had some trouble, and was detained a spell in Barstow after +that. They couldn't prove nothin', so they let us go. Then Collie got to +talkin' again about a California road that wiggled up a hill and through +a cañon, and had one of these here ole Mission bells where it lit off +for the sky-ranch. Funny, for he was never in California then. Mebby it +was the old post-card he got at Albuquerque. You see his pa bought it +for him 'cause he wanted it. He was only a kid then. Collie, he says +it's the only thing his pa ever did buy for him, and so he kept it till +it was about wore out from lookin' at it. But considerin' how his pa +acted, I guess that was about all Collie needed to remember him by. +Anyhow, he dreamed of that road, and told me so much<span class='pagenum'><a name="Page_28" id="Page_28">28</a></span> about it that I +got to lookin' for it too. I knowed of the old El Camino Real and the +bells, so we kept our eye peeled for that particular dream road, kind of +for fun. We found her yesterday."</p> + +<p>"What, this? The road to our ranch?"</p> + +<p>"Uhuh. Collie, he said so the minute we got in that cañon, Moonstone +Cañon, you said. We're restin' up and enjoyin' the scenery. We need the +rest, for only last week we resigned from doin' a stunt in a +movin'-picture outfit. They wanted somebody to do native sons. We said +we didn't have them kind of clothes, but the foreman of the outfit says +we'd do fine jest as we was. It was fierce—and, believe me, lady, I +been through some! I been through some!</p> + +<p>"They was two others in checker clothes and dip-lid caps, and they +<i>wasn't</i> native sons. They acted like sons of—I'd hate to tell you +what, Miss—to the chief dollie in the show. They stole her beau and +tied him to the S. P. tracks; kind of loose, though. She didn't seem to +care. She jest stood around chewin' gum and rollin' her lamps at the +head guy. Then the movin'-picture express, which was a retired +switch-engine hooked onto a Swede observation car, backs down on +Adolphus, and we was to rush up like—pretty fast, and save his life.</p> + +<p>"She was a sassy little chicken with blond feathers and a three-quarter +rig skirt. She had<span class='pagenum'><a name="Page_29" id="Page_29">29</a></span> a regular strawberry-ice-cream-soda complexion, and +her eyes looked like a couple of glass alleys with electric lights in +'em. I wondered if she took 'em out at night to go to sleep or only +switched off the current. Anyhow, up she rides in a big reddish kind of +automobile and twists her hands round her wrists and looks up the track +and down the track and sees us and says, 'Oh, w'ich way has he went? +W'ich way did Disgustus Adolphus beat it to?' And chewin' gum right on +top of that, too. It was tough on us, Miss, but we needed the money.</p> + +<p>"'Bout the eighteenth time she comes coughin' up in that old one-lung +machine,—to get her expression right, so the boss kept hollerin',—why, +I gets sick and tired. If there's anything <i>doin</i>', why, I'm game, but +such monkeyin'! There was that picture-machine idiot workin' the crank +as if he was shellin' a thicket-full of Injuns with a Gatling, and his +fool cap turned round with the lid down the back of his neck, and me and +Collie, the only sensible-actin' ones of the lot, because we was actin' +natural, jest restin'. I got sick and tired. The next time up coughs +that crippled-up automobile with the mumps on its front tire, and she +says, 'Where, oh, where has he went?' I ups and says, 'Crazy, Miss, and +can you blame him?'</p> + +<p>"She didn't see no joke in that, so the boss<span class='pagenum'><a name="Page_30" id="Page_30">30</a></span> he fired us. He wasn't +goin' to pay us at that, but I picks up the little picture-machine box +and I swings her up over the track kind of suggestive like. 'One!' said +I. 'Do we get our money?'</p> + +<p>"'Drop that machine!' says he, rushin' up to me.</p> + +<p>"'I'm a-goin' to,' says I, 'good and hard. Think again, while I count. +Do we get our money?'</p> + +<p>"'You get pinched!' says he.</p> + +<p>"'Two,' says I, and I swings the box up by the legs.</p> + +<p>"'Hole on!' yells the boss. 'Pay the mutt, Jimmy, and, for Gord sake, +get that machine before he ruins the best reel we made yet!'</p> + +<p>"We got paid."</p> + +<p>"But the bell and Moonstone Cañon?" questioned Louise, glancing back at +Boyar grazing down the meadow.</p> + +<p>"Sure! Well, we flopped near here that night—"</p> + +<p>"Flopped?"</p> + +<p>"Uhuh. Let's see, you ain't hep to that, are you? Why, we crawled to the +hay, hit the feathers, pounded our ear—er—went to bed! That's what it +used to be. Well, in the morning, me and Collie got some sardines and +crackers to the store and a little coffee. It was goin' over there that +we seen the bell and the road and the<span class='pagenum'><a name="Page_31" id="Page_31">31</a></span> whole works. I got kind of +interested myself in that cañon. I never saw so many moonstones layin' +right on top the gravel, and I been in Mex., too. We liked it and we +stayed over last night, expectin' to be gone by now."</p> + +<p>"And when you leave here?" queried Louise.</p> + +<p>"Same old thing," replied Overland cheerfully. "I know the ropes. Collie +works by spells. Oh, we're livin', and that's all you need to do in +California."</p> + +<p>"And that is all—now that you have found the road?"</p> + +<p>"Oh, the road is like all of them dreams," said Overland. "Such things +are good for keepin' people interested in somethin' till it's done, +that's all. It was fun at first, lookin' up every arroyo and slit in the +hills, till we found it. Same as them marriages on the desert, after +that."</p> + +<p>"Marriages?"</p> + +<p>"Uhuh. Seein' water what ain't there, like."</p> + +<p>"Oh, mirages!" And Louise laughed joyfully.</p> + +<p>"I don't see no joke," said Overland, aggrieved.</p> + +<p>"I really beg your pardon."</p> + +<p>"That's all right, Miss. But what would you call it?"</p> + +<p>"Oh, an illusion, a mirage, something that seems to be, but that is +not."<span class='pagenum'><a name="Page_32" id="Page_32">32</a></span></p> + +<p>"I don't see where it's got anything on marriages, then, do you? But I +ain't generally peppermistic. I believe in folks and things, although +I'm old enough to know better."</p> + +<p>"I'm glad you believe in folks," said Louise. "So do I."</p> + +<p>"It's account of bein' a pote, I guess," sighed the tramp. "'Course I +ain't a professional. They got to have a license. I never took out one, +not havin' the money. Anyway, if I did have enough money for a regular +license, I'd start a saloon and live respectable."</p> + +<p>"Won't you quote something?" And the girl smiled bewitchingly. "Boyar +and I must go soon. It's getting hot."</p> + +<p>"I'm mighty sorry you're goin', Miss. You're real California stock. +Knowed it the minute I set eyes on you. Besides, you passed us the +smokes."</p> + +<p>"Red, you shut up!"</p> + +<p>Overland turned a blue, astonished eye on Collie. "Why, kiddo, what's +bitin' <i>you</i>?"</p> + +<p>"Because the lady give us the makings don't say <i>she</i> smokes, does it?"</p> + +<p>Overland grunted. "Because you're foolish with the heat, don't say I am, +does it? Them sandwiches has gone to your head, Chico. Who said she did +smoke?"</p> + +<p>Louise, grave-eyed, watched the two men,<span class='pagenum'><a name="Page_33" id="Page_33">33</a></span> Overland sullen and scowling, +Collie fierce and flaming.</p> + +<p>"We ain't used to—to real ladies," apologized Overland. "We could do +better if we practiced up."</p> + +<p>"Of course!" said Louise, smiling. "But the poetry."</p> + +<p>"U-m-m, yes. The po'try. What'll I give her, Collie?"</p> + +<p>"I don't care," replied the boy. "You might try 'Casey Jones.' It's +better'n anything <i>you</i> ever wrote."</p> + +<p>"That? I guess not! That ain't her style. I mean one of my +<i>own</i>—somethin' <i>good</i>."</p> + +<p>"Oh, I don't know. 'Toledo Blake,'" mumbled Collie.</p> + +<p>"Nope! But I guess the 'Grand Old Privilege' will do for a starter."</p> + +<p>"Oh, good!" And Louise clapped her hands. "The title is splendid. Is the +poem original?"</p> + +<p>The tramp bowed a trifle haughtily. "Original? Me life's work, lady." +And he awkwardly essayed to button a buttonless coat, coughed, waved his +half-consumed cigarette toward the skies, and began:—</p> + +<p> +<span style="margin-left: 1em;">"Folks say we got no morals—that they all fell in the soup;</span><br /> +<span class='pagenum'><a name="Page_34" id="Page_34">34</a></span><span style="margin-left: 1em;">And no conscience—so the would-be goodies say;</span><br /> +<span style="margin-left: 1em;">And I guess our good intentions <i>did</i> jest up and flew the coop,</span><br /> +<span style="margin-left: 1em;">While we stood around and watched 'em fade away.</span><br /> +<br /> +<span style="margin-left: 1em;">"But there's one thing that we're lovin' more than money, grub, or booze,</span><br /> +<span style="margin-left: 1em;">Or even decent folks that speaks us fair;</span><br /> +<span style="margin-left: 1em;">And that's the Grand Old Privilege to chuck our luck and choose,</span><br /> +<span style="margin-left: 1em;"><i>Any</i> road at <i>any</i> time for <i>any</i> where."</span><br /> +</p> + +<p>And Overland, his hand above his heart, bowed effusively.</p> + +<p>"I like 'would-be goodies,'" said Louise. "Sounds just like a mussy, +sticky cookie that's too sweet. And 'Any road at any time for any +where—' I think that is real."</p> + +<p>Overland puffed his chest and cleared his throat. "I can't help it, +Miss. Born that way. Cut my first tooth on a book of pomes ma got for a +premium with Mustang Liniment."</p> + +<p>"Well, thank you." And Louise nodded gayly. "Keep the tobacco and papers +to remember me by. I must go."</p> + +<p>"We don't need them to remember you by," said Overland gallantly. Then +the smile suddenly left his face.</p> + +<p>Down the Old Meadow Trail, unseen by the girl and the boy, rode a single +horseman, and something at his hip glinted in the sun. Overland's<span class='pagenum'><a name="Page_35" id="Page_35">35</a></span> hand +went to his own hip. Then he shrugged his shoulders, and slowly +recovered himself. "What's the use?" he muttered.</p> + +<p>But there was that in his tone which brought Collie's head up. The lad +pushed back his battered felt hat and ran his fingers through his wavy +black hair, perplexedly. "What's the matter, Red? What's the matter?"</p> + +<p>"Nothin'. Jest thinkin'." Yet the tramp's eyes narrowed as he glanced +furtively past the girl to where Boyar, the black pony, grazed in the +meadow.</p> + +<p>Louise, puzzled by something familiar in the boy's upturned, questioning +face, raised one gauntleted hand to her lips. "Why, you're the boy I +saw, out on the desert, two years ago. Weren't you lying by a water-tank +when our train stopped and a man was kneeling beside you pouring water +on your face? Aren't you that boy?"</p> + +<p>"Yes!" exclaimed Collie, getting to his feet. "Red told me about <i>you</i>, +too."</p> + +<p>"Yes, it's her," muttered Overland, nodding to himself.</p> + +<p>"And you chucked a rose out of the window to us?" said the boy. +"Overland said <i>she</i> did."</p> + +<p>"Yes. It's her, the Rose-Lady Girl," said Overland. "Some of the folks +in the train laughed when I picked up the rose. I remember.<span class='pagenum'><a name="Page_36" id="Page_36">36</a></span> Some one +else says, 'They're only tramps.' I recollect that, too."</p> + +<p>"But those men were arrested at Barstow, for murder, Uncle Walter said."</p> + +<p>Again Overland Red nodded. "They was, Miss. But they couldn't prove +nothin', so they let us go."</p> + +<p>"We always was goin' to say thanks to the girl with the rose if we ever +seen her," said the boy Collie. "We ain't had such a lot of roses give +to us."</p> + +<p>"So we says it now," said Overland quickly. "Or mebby we wouldn't never +have another chance." Then he slowly rolled another cigarette.</p> + +<p>Just then the black pony Boyar nickered. He recognized a friend entering +the meadow.</p> + +<p>Overland lighted his cigarette. As he straightened up, Louise was +surprised to see him thrust both hands above his head while he continued +smoking placidly. "Excuse me, Miss," he said, turning the cigarette +round with his lips; "but the gent behind you with the gun has got the +drop on me. I guess he's waitin' for you to step out of range."</p> + +<p>Louise turned swiftly. Dick Tenlow, deputy sheriff, nodded good-morning +to her, but kept his gun trained on the tramp.</p> + +<p>"Just step out from behind that rock," said Tenlow, addressing +Overland.<span class='pagenum'><a name="Page_37" id="Page_37">37</a></span></p> + +<p>"Don't know as I will," replied the tramp. "You're no gentleman; you +didn't say 'please.'"</p> + +<p>"Come on! No bluff like that goes here," said the deputy.</p> + +<p>"Can't you see I ain't finished smokin' yet?" queried Overland.</p> + +<p>"Come on! Step along!"</p> + +<p>"No way to address a gent, you Johnny. Say, I'll tell you <i>now</i> before +you fall down and shoot yourself. Do you think you got me because you +rode up while I was talkin' to a lady, and butted into polite +conversation like a drunk Swede at a dance? Say, you think I'd 'a' ever +let you got this far if there hadn't been a lady present? Why, you +little nickle-plated, rubber-eared policeman, I was doin' the double +roll with a pair of Colts .45's when you was learnin' the taste of +milk!"</p> + +<p>"That'll be about all for <i>you</i>," said the sheriff, grinning.</p> + +<p>"No, it ain't. You ain't takin' me serious, and there's where you're +makin' your mistake. I'm touchy about some things, Mr. Pussy-foot. I +could 'a' got you three times while you was ridin' down that trail, and +I wouldn't 'a' had to stop talkin' to do it. And you with that little +old gun out before you even seen me!"</p> + +<p>"Why didn't you, then?" asked Tenlow, restraining his anger; for Louise, +in spite of herself,<span class='pagenum'><a name="Page_38" id="Page_38">38</a></span> had smiled at Overland's somewhat picturesque +resentment. "Why didn't you, then?"</p> + +<p>"Huh!" snorted Overland scornfully. "Do you suppose I'd start anything +with a <i>lady</i> around? That ain't my style. You're a kid. You'll get hurt +some day."</p> + +<p>Deputy Tenlow scowled. He was a big man, slow of tongue, ordinarily +genial, and proverbially stupid. He knew the tramp was endeavoring to +anger him. The deputy turned to Louise. "Sorry, Miss Lacharme, but I got +to take him."</p> + +<p>"There's really nothing to hinder, is there?" Louise asked sweetly.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_V" id="CHAPTER_V"></a> +<span class='pagenum'><a name="Page_39" id="Page_39">39</a></span> +<h2>CHAPTER V</h2><h3>"CAN HE RIDE?"</h3> +</div> + +<p>The tramp glanced up, addressing the deputy. "Yes, even now there is +something to hinder, if I was to get busy." Then he coolly dropped his +arms and leaned against the rock with one leg crossed before the other +in a manner sometimes supposed to reflect social ease and elegance. "But +I'm game to take what's comin'. If you'll just stick me up and extract +the .38 automatic I'm packin' on my hip,—and, believe me, she's a bad +Gat. when she's in action,—why, I'll feel lots better. The little gun +might get to shootin' by herself, and then somebody would get hurt sure. +You see, I'm givin' you all the chance you want to take me without +gettin' mussed up. I'm nervous about firearms, anyhow."</p> + +<p>Deputy Dick Tenlow advanced and secured the gun.</p> + +<p>"Now," said Overland Red, heaving a sigh; "now, I ain't ashamed to look +a gun in the face. You see, Miss," he added, turning to address the +girl, "I was sheriff of Abilene once, in the ole red-eye, rumpus days. I +have planted some citizens<span class='pagenum'><a name="Page_40" id="Page_40">40</a></span> in my time. You see, I kind of owe the ones +I did plant a silent apology for lettin' this here chicken-rancher get +me so easy."</p> + +<p>"You talk big," said Tenlow, laughing. "Who was you when you was sheriff +of Abilene, eh?"</p> + +<p>"Jack Summers, sometimes called Red Jack Summers," replied Overland +quietly, and he looked the deputy in the eye.</p> + +<p>"Jack Summers!"</p> + +<p>Overland nodded. "Take it or leave it. You'll find out some day. And now +you got some excuse for packin' a gun round these here peaceful hills +and valleys the rest of your life. You took Jack Summers, and there +ain't goin' to be a funeral."</p> + +<p>Something about the tramp's manner inclined the deputy to believe that +he had spoken truth. "All right," said Tenlow; "just step ahead. Don't +try the brush or I'll drop you."</p> + +<p>"'Course you would," said Overland, stepping ahead of the deputy's pony. +"But the bunch you're takin' orders from don't want me dead; they want +me alive. I ain't no good all shot up. You ought to know that."</p> + +<p>"I know there's a thousand dollars reward for you. I need the money."</p> + +<p>Overland Red grinned. "It's against me morals to bet—with kids. But +I'll put up that little automatic you frisked off me, against the +thousand you expect to get, that you don't even<span class='pagenum'><a name="Page_41" id="Page_41">41</a></span> get a long-range smell +of that money. Are you on?"</p> + +<p>Tenlow motioned the other to step ahead.</p> + +<p>"I'm bettin' my little gun to a thousand dollars less than nothin'. +Ain't you game? I'm givin' you the long end."</p> + +<p>"Never mind," growled Tenlow. "You can talk later."</p> + +<p>The boy Collie, recovering from his surprise at the arrest, stepped up +to the sheriff. "Where do I come in?" he asked. "You can't pinch Red +without me. I was with him that time the guy croaked out on the Mojave. +Red didn't kill him. They let us go once. What you doin' pinchin' us +again? How do <i>you</i> know—"</p> + +<p>"Hold on, Collie; don't get careless," said Overland. "He don't know +nothin'. He's followin' orders. The game's up."</p> + +<p>Louise whistled Boyar to her and bridled him. The little group ahead +seemed to be waiting for her. She led the pony toward the trail. "Did he +do it?" she asked as she caught up with Collie.</p> + +<p>"No," he muttered. "Red's the squarest pal on earth. Red tried to save +the guy—out there on the desert. Gave him all the water we had, pretty +near. He dassent to give him all, for because he was afraid it would +kill him. The guy fell and hit his head on the rail. Red said he was +dyin' on his feet, anyway. Then Red lugged<span class='pagenum'><a name="Page_42" id="Page_42">42</a></span> me clean to that tank where +you seen us from the train. I was all in. I guess Red saved my life. He +didn't tell you that."</p> + +<p>"Is he—was he really a cowboy? Can he ride?" asked Louise.</p> + +<p>"Can he ride? Say, I seen him ride Cyclone once and get first money for +ridin' the worst buckin' bronc' at the rodeo, over to Tucson. Well, I +guess!"</p> + +<p>"Boyar, my pony, is the fastest pony in the hills," said Louise +pensively.</p> + +<p>"What you givin' us?" said the boy, glancing at her sharply.</p> + +<p>"Nothing. I was merely imagining something."</p> + +<p>"Red's square," asserted the boy.</p> + +<p>"Sheriff Tenlow is a splendid shot," murmured Louise, with apparent +irrelevance.</p> + +<p>They had crossed the meadow. Ahead of the sheriff walked Overland, his +slouch gone, his head carried high. Collie noted this unusual alertness +of poise and wondered.</p> + +<p>"Don't try the brush," cautioned Tenlow, also aware of Overland's +alertness.</p> + +<p>"When I leave here, I'll ride. Sabe?" And Overland stepped briskly to +the trail, turning his back squarely on the alert and puzzled sheriff.</p> + +<p>"He's been raised in these hills," muttered the tramp. "He knows the +trails. I don't. But—I'd<span class='pagenum'><a name="Page_43" id="Page_43">43</a></span> like to show that little Rose-Lady Girl some +real ridin' once. She's a sport. I'd ride into hell and rake out the +fire for her.... I hate to—to do it—but I guess I got to."</p> + +<p>"Step up there," said Tenlow. "What you talkin' about, anyhow?"</p> + +<p>"Angels," replied Overland. "I see 'em once in a while." And he glanced +back. He saw Collie talking to the girl, who stood by her pony, the +reins dangling lightly from her outstretched hand.</p> + +<p>"Snake!" screamed Overland Red, leaping backward and flinging up his +arms, directly in the face of the deputy's pony. The horse reared. +Overland, crouching, sprang under its belly, striking it as he went. +Again the pony reared, nearly throwing the deputy.</p> + +<p>"Overland Limited!" shouted the tramp, dashing toward Boyar. With a +spring he was in the saddle and had slipped the quirt from the +saddle-horn to his wrist. He would need that quirt, as he had no spurs.</p> + +<p>Round swung Tenlow, cursing. Black Boyar shot across the meadow, the +quirt falling at each jump. The tramp glanced back. Tenlow's right hand +went up and his gun roared once, twice....</p> + +<p>The boy Collie, white and gasping, threw himself in front of Tenlow's +horse. The deputy spurred the pony over him and swept down the meadow.<span class='pagenum'><a name="Page_44" id="Page_44">44</a></span></p> + +<p>Louise, angered in that the boy had snatched Boyar's reins from her as +Overland shouted, relented as she saw the instant bravery in the lad's +endeavor to stop Tenlow's horse. She stooped over him. He rose stiffly.</p> + +<p>"Oh! I thought you were hurt!" she exclaimed.</p> + +<p>"Nope! I guess not. I was scared, I guess. Let's watch 'em, Miss!" And +forgetful of his bruised and shaken body, he limped to the edge of the +meadow, followed by Louise. "There they go!" he cried. "Red's 'way +ahead. The sheriff gent can't shoot again—he's too busy ridin'."</p> + +<p>"Boyar! Boyar! Good horse! Good horse!" cried the girl as the black pony +flashed across the steep slope of the ragged mountain side like a winged +thing. "Boyar! Boy!"</p> + +<p>She shivered as the loose shale, ploughed by the pony's flying hoofs, +slithered down the slope at every plunge.</p> + +<p>"Can he ride?" shouted Collie, wild tears of joy in his eyes.</p> + +<p>Suddenly Overland, glancing back, saw Tenlow stop and raise his arm. The +tramp cowboy swung Black Boyar half-round, and driving his unspurred +heels into the pony's ribs, put him straight down the terrific slope of +the mountain at a run.</p> + +<p>Tenlow's gun cracked. A spray of dust rose instantly ahead of Boyar.<span class='pagenum'><a name="Page_45" id="Page_45">45</a></span></p> + +<p>"Look! Look!" cried Louise. The deputy, angered out of his usual +judgment, spurred his horse directly down the footless shale that the +tramp had ridden across diagonally. "Look! He can't—The horse—! Oh!" +she groaned as Tenlow's pony stumbled and all but pitched headlong. "The +other man—knew better than that—" she gasped, turning to the boy. "He +waited—till he struck rock and brush before he turned Boyar."</p> + +<p>"Can he ride?" shouted Collie, grinning. But the grin died to a gasp. A +burst of shale and dust shot up from the hillside. They saw the flash of +the cinchas on the belly of Tenlow's horse as the dauntless pony +stumbled and dove headlong down the slope, rolling over and over, to +stop finally—a patch of brown, shapeless, quivering.</p> + +<p>Below, Overland Red had curbed Boyar and was gazing up at a spot of +black on the hillside—Dick Tenlow, motionless, silent. His sombrero lay +several yards down the slope.</p> + +<p>"Oh! The horse!" cried Louise, chokingly, with her hand to her breast.</p> + +<p>As for Dick Tenlow, lying halfway down the hillside, stunned and +shattered, she had but a secondary sympathy. He had sacrificed a gallant +and willing beast to his anger. The tramp, riding a strange pony over +desperately perilous and unfamiliar ground, had used judgment. "Your<span class='pagenum'><a name="Page_46" id="Page_46">46</a></span> +friend is a man!" she said, turning to the boy. "But Dick Tenlow is +hurt—perhaps killed. He went under the horse when it fell."</p> + +<p>"I guess it's up to us to see if the sheriff gent is done for, at that," +said the boy. "Mebby we can do something."</p> + +<p>"You'll get arrested, now," said the girl. "If Dick Tenlow is alive, +you'll have to go for help. If he isn't...."</p> + +<p>"I'll go, all right. I ain't afraid. I didn't do anything. I guess I'll +stick around till Red shows up again, anyhow."</p> + +<p>"You're a stranger here. I should go as soon as you have sent help," +said the girl.</p> + +<p>"Mebby I better. I'll help get him up the hill and in the shade. Then +I'll beat it for the doc. If I don't come back after that," he said +slowly, flushing, "it ain't because I'm scared of anything I done."</p> + +<hr style='width: 45%;' /> + +<p>Far down in the valley Boyar's sweating sides glistened in the sun. An +arm was raised in a gesture of farewell as the tramp swung the pony +toward the town. Much to her surprise, Louise found herself waving a +vigorous adieu to the distant figure.</p> + +<p>The tramp Overland, realizing that the deputy was badly injured, told +the first person he met about the accident, advising him to get help at<span class='pagenum'><a name="Page_47" id="Page_47">47</a></span> +once for the deputy. Then he turned the pony toward the foothills. In a +clump of greasewood he dismounted, and, leaving the reins hanging to the +saddle-horn, struck Black Boyar on the flank. The horse leaped toward +the Moonstone Trail. The tramp disappeared in the brush.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_VI" id="CHAPTER_VI"></a> +<span class='pagenum'><a name="Page_48" id="Page_48">48</a></span> +<h2>CHAPTER VI</h2><h3>ADVOCATE EXTRAORDINARY</h3> +</div> + +<p>Louise Lacharme, more beautiful than roses, strolled across the +vine-shadowed porch of the big ranch-house and sat on the porch rail +opposite her uncle. His clear blue eyes twinkled approval as he gazed at +her.</p> + +<p>Walter Stone was fifty, but the fifty of the hard-riding optimist of the +great outdoors. The smooth tan of his cheeks contrasted oddly with the +silver of his close-cropped hair. He appeared as a young man prematurely +gray.</p> + +<p>"How is Boyar?" he asked, smiling a little as Louise, sitting sideways +on the porch-rail, swung her foot back and forth quickly.</p> + +<p>"Oh, Boy is all right. The tramp turned him loose in the valley. Boy +came home."</p> + +<p>"It was a clever bit of riding, to get the best of Tenlow on his own +range. Was Dick very badly hurt?" queried Walter Stone.</p> + +<p>"Yes, his collar-bone was broken and he was crushed and terribly +bruised. His horse was killed. When I was down, day before yesterday, +the doctor said Dick would be all right in time."<span class='pagenum'><a name="Page_49" id="Page_49">49</a></span></p> + +<p>"How about this boy, the tramp boy they arrested?"</p> + +<p>"Oh," said Louise, "that was a shame! He stayed and helped the doctor +put Dick in the buggy and rode with him to town. Mr. Tenlow was +unconscious, and the boy had to go to hold him. Then the boy explained +it all at the store, and they arrested him anyway, as a suspicious +character. I should have let him go. When Mr. Tenlow became conscious +and they told him they had the boy, he said to keep him in the +calaboose; that that was where he belonged."</p> + +<p>"And you want me to see what I can do for this boy?"</p> + +<p>"I didn't say so." And Louise tilted her chin.</p> + +<p>"Now, sweetheart, don't quibble. It isn't like you."</p> + +<p>The gray silk-clad ankle flashed back and forth. "Really, Uncle Walter, +you could have done something for the boy without making me say that I +wanted you to. You're always doing something nice—helping people that +are in trouble. You don't usually have to be asked."</p> + +<p>"Perhaps I like to be asked—by—Louise."</p> + +<p>"You're just flattering me, I know! But uncle, if you had seen the boy +jump in front of Mr. Tenlow's horse when Dick shot at the tramp,—and +afterwards when the boy helped me with Dick and stuck right to him clear +to his house,—why,<span class='pagenum'><a name="Page_50" id="Page_50">50</a></span> you couldn't help but admire him. Then they +arrested him—for what? It's a shame! I told him to run when I saw the +doctor's buggy coming."</p> + +<p>"Yes, Louise; the boy may be brave and likable enough, but how are we to +know what he really is? I don't like to take the risk. I don't like to +meddle in such affairs."</p> + +<p>"Uncle Walter! Risk! And the risks you used to take when you were a +young man. Oh, Aunty Eleanor has told me all about your riding bronchos +and the Panamint—and lots of things. I won't tell you all, for you'd be +flattered to pieces, and I want you in one whole lump to-day."</p> + +<p>"Only for to-day, Louise?"</p> + +<p>"Oh, maybe for to-morrow, and to-morrow and to-morrow. But, uncle, only +last week you said at breakfast that the present system of arrest and +imprisonment was all wrong. That was because they arrested that editor +who was a friend of yours. But now, when you have a chance to prove that +you were in earnest, you don't seem a bit interested."</p> + +<p>"Did I really say all that, sweetness?"</p> + +<p>"Now <i>you</i> are quibbling. And does 'sweetness,' mean me, or what you +said at breakfast? Because you said 'the whole damn system'; and there +were two ladies at the table. Of course,<span class='pagenum'><a name="Page_51" id="Page_51">51</a></span> that was before breakfast. +After breakfast you picked a rose for aunty, and kissed me."</p> + +<p>Walter Stone laughed heartily. "But I do take a great deal of interest +in anything that interests you."</p> + +<p>Louise slipped lithely from the porch-rail and swung up on the broad arm +of his chair, snuggling against him impetuously. "I know you do, uncle. +I just love you! I'll stop teasing."</p> + +<p>"I surrender. I'm a pretty fair soldier at long range, but this"—and +his arm went round her affectionately—"this is utter defeat. I strike +my colors. Then, you always give in so gracefully."</p> + +<p>"To you, perhaps, Uncle Walter. But I haven't given in this time. I'm +just as interested as ever."</p> + +<p>"And you think they are the men we saw out on the Mojave by the +water-tank?"</p> + +<p>"Oh, I know it! They remembered the rose. They spoke of it right away, +before I did."</p> + +<p>"Yes, Louise. And you remember, too, that they were arrested at +Barstow—for murder, the conductor said?"</p> + +<p>"That's just it! The boy Collie says the tramp Overland Red didn't kill +the man. He was trying to save him and gave him water. If you could only +hear what the boy says about it—"<span class='pagenum'><a name="Page_52" id="Page_52">52</a></span></p> + +<p>"I don't suppose it would do any harm," said the rancher. "I dislike to +use my influence. You know, I practically control Dick Tenlow's place at +the elections."</p> + +<p>"That's just why he should be willing to let the boy go," said Louise +quickly.</p> + +<p>"No, sweetheart. That's just why I shouldn't ask Dick to do anything of +the kind. But I see I'm in for it. You have already interested your Aunt +Eleanor. She spoke to me about the boy last night."</p> + +<p>"Aunty Eleanor is a dear. I didn't really ask her to speak to you."</p> + +<p>"No," he said, laughing. "Of course not. You're too clever for that. You +simply sow your poppy-seed and leave it alone. The poppies come up fast +enough."</p> + +<p>Louise laughed softly. "You're pretending to criticize and you're really +flattering,—deliberately,—aren't you, Uncle Walter?"</p> + +<p>"Flattering? And you?"</p> + +<p>"Because Aunt Eleanor said you could be simply irresistible when you +wanted to be. I think so, too. Especially when you are on a horse."</p> + +<p>"Naturally. I always did feel more confident in the saddle. I could, if +need arose, ride away like the chap in Bobby Burns's verse, you<span class='pagenum'><a name="Page_53" id="Page_53">53</a></span> +remember—</p> + +<p> +<span style="margin-left: 1em;">"He gave his bridle-rein a shake,</span><br /> +<span style="margin-left: 1em;">And turned him on the shore,</span><br /> +<span style="margin-left: 1em;">With, 'Farewell, forever more, my dear,</span><br /> +<span style="margin-left: 1em;">Farewell, forever more.'"</span><br /> +</p> + +<p>"But you didn't, uncle. Aunty said she used to be almost afraid that +you'd ride away with her, like Lochinvar."</p> + +<p>"Yes." And Walter Stone sighed deeply.</p> + +<p>"Oh, Uncle Walter! That sounded full of regrets and things."</p> + +<p>"It was. It is. I'm fifty."</p> + +<p>"It isn't fifty. It's a lack of exercise. And you wouldn't be half so +fine-looking if you were fat. I <i>always</i> sigh when I don't know what to +do. Then I just saddle Boy and ride. And I'll <i>never</i> let myself get +fat."</p> + +<p>"A vow is a vow—at sixteen."</p> + +<p>"Now I <i>know</i> you need exercise. You're getting reminiscent, and that's +a sign of torpid liver."</p> + +<p>Walter Stone laughed till the tears came. "Exercise!" he exclaimed. "Ah! +I begin to divine a subtle method in your doctrine of health. Ah, ha! I +look well on a horse! I need exercise! It's a very satisfactory ride +from here to town and back. Incidentally, Louise, I smell a rat. I used +to be able to hold my own."</p> + +<p>"It isn't my fault if you don't now," said Louise, snuggling in his +arm.<span class='pagenum'><a name="Page_54" id="Page_54">54</a></span></p> + +<p>"That's unworthy of you!" he growled, his arm tightening round her slim +young figure. "Tell me, sweetheart; how is it that you can be so +thoroughly practical and so unfathomably romantic in the same breath? +You have deliberately shattered me to bits that you might mould me +nearer to your heart's desire. And your heart's desire, just now, is to +help an unknown, a tramp, out of jail."</p> + +<p>Louise pouted. "You say 'just now' as though my heart's desires weren't +very serious matters as a rule. You <i>know</i> you wouldn't be half so happy +if I didn't tease you for something at least once a week. I remember +once I didn't ask you for anything for a whole week, and you went and +asked Aunty Eleanor if I were ill. Besides, the boy <i>needs</i> help, +whether he did anything wrong or not. Can't you understand?"</p> + +<p>"That's utopian, Louise, but it isn't generally practicable."</p> + +<p>"Then make it individually practicable, uncle—just this time. Pshaw! I +don't believe you're half-trying to argue. Why, when Boyar bucked you +off that time and ran into the barb-wire, then <i>he</i> didn't need +doctoring for that awful cut on his shoulder, because he had done +wrong."</p> + +<p>"That is no parallel, Louise. Boyar didn't know any better. And this boy +is not sick or injured."<span class='pagenum'><a name="Page_55" id="Page_55">55</a></span></p> + +<p>"How do you know that? He's down in that terribly hot, smelly jail. If +he did get sick, who would know it?"</p> + +<p>"And Boyar isn't a human being. He can't reason."</p> + +<p>"Oh, Uncle Walter! I thought you knew horses better than that. Boyar can +reason much better than most people."</p> + +<p>"The proof being that he prefers you to any one else?"</p> + +<p>"No," replied Louise, smiling mischievously. "That isn't Boyar's +<i>reason</i>; it's his affection. That's different."</p> + +<p>"Yes, quite different," said Walter Stone. "Is this boy good-looking?" +And the rancher fumbled in his pocket for a cigar.</p> + +<p>Louise slipped from the arm of his chair and stood opposite him, her +lips pouted teasingly, the young face glowing with mischief and fun. "Am +I?" she asked, curtsying and twinkling. "'Cause if you're going to ride +down to the valley to see the boy just because Beautiful asked you, +Beautiful will go alone. But if you come because <i>I</i> want you,"—and +Louise smiled bewitchingly,—"why, Beautiful will come too, and sing for +you—perhaps."</p> + +<p>"My heart, my service, and my future are at your feet, Señorita Louisa, +my mouse. Are your eyes gray or green this morning?"<span class='pagenum'><a name="Page_56" id="Page_56">56</a></span></p> + +<p>"Both," replied Louise quickly. "Green for spunk and gray for love. +That's what Aunty Eleanor says."</p> + +<p>"Come a little nearer. Let me see. No, they are quite gray now."</p> + +<p>"'Cause why?" she cooed, and stooping, kissed him with warm, careless +affection. "You always ask me about my eyes when you want me to kiss +you. Of course, when you want to kiss <i>me</i>, why, you just come and take +'em."</p> + +<p>"My esteemed privilege, sweetheart. I am your caballero."</p> + +<p>"Did Aunty Eleanor?" said Louise.</p> + +<p>But Walter Stone rose and straightened his shoulders. "That will do, +mouse. I can't have any jealousy between my sweethearts."</p> + +<p>"Never! And, Uncle Walter, do you want to ride Major or Rally? Rally and +Boyar get along better together. I'll saddle Boy in a jiffy."</p> + +<hr style='width: 45%;' /> + +<p>To ride some ten miles in the blazing sun of midsummer requires a kind +of anticipatory fortitude, at fifty, especially when one's own vine and +fig tree is cool and fragrant, embowered in blue flowers and graced by, +let us say, Louise. And a cigar is always at its best when half-smoked. +But when Louise came blithely leading the two saddle-ponies, Black Boyar +and the big pinto Rally,<span class='pagenum'><a name="Page_57" id="Page_57">57</a></span> Walter Stone shook an odd twenty years from +his broad shoulders and swung into the saddle briskly.</p> + +<p>From the shade of the great sycamore warders of the wide gate, he waved +a gauntleted salute to Aunt Eleanor, who stood on the porch, drawing a +leaf of the graceful moon-vine through her slender fingers. She nodded a +smiling farewell.</p> + +<p>Louise and her uncle rode as two lovers, their ponies close together. +The girl swayed to Boyar's quick, swinging walk. Walter Stone sat the +strong, tireless Rally with solid ease.</p> + +<p>The girl, laughing happily at her triumph, leaned toward her escort +teasingly, singing fragments of old Spanish love-songs, or talking with +eager lips and sparkling eyes. Of a sudden she would assume a +demureness, utterly bewitching in its veiled and perfect mimicry. Quite +seriously he would set about to overcome this delightful mood of hers +with extravagant vows of lifelong love and servitude, as though he were +in truth her chosen caballero and she his Señorita of the Rose.</p> + +<p>And as they played at love-making, hidden graces of the girl's sweet +nature unfolded to him, and deep in his heart he wondered, and found +life good, and Youth still unspoiled by the years, and Louise a +veritable enchantress of infinite<span class='pagenum'><a name="Page_58" id="Page_58">58</a></span> moods, each one adorable. +Golden-haired, gray-eyed, quick with sympathy, sweetly subtle and subtly +sweet was Louise.... And one must worship Youth and Beauty and Love, +even with their passing bitter on one's lips.</p> + +<p>But to Walter Stone no such bitterness had come, this soldierly, wise +caballero escorting his adorable señorita on an errand of mercy. His was +the heart of Youth, eternal and undaunted Youth. And Beauty was hers, of +the spirit as well as of the flesh. And Love....</p> + +<p>"Why, Louise! There are tears on your lashes, my colleen!"</p> + +<p>"But I am singing, uncle." And she smiled through her tears.</p> + +<p>"Sweetheart?"</p> + +<p>"Yes, Uncle Walter?"</p> + +<p>"What is it? Tell me."</p> + +<p>"I wish I could. I don't know. I think I'm getting to be grown up—just +like a woman. It—it makes me—think of lots of things. Let's ride." And +her silver spurs flashed.</p> + +<p>Boyar, taken quite by surprise, grunted as he leaped down the Moonstone +Trail. He resented this undeserved punishment by plunging sideways +across the road. Again came the flash of the silver spurs, and Walter +Stone heard Louise disciplining the pony.</p> + +<p>"Just a woman. Just like a woman," murmured<span class='pagenum'><a name="Page_59" id="Page_59">59</a></span> the rancher. "Now, Boyar, +and some others of us, will never quite understand what that means." And +with rein and voice he lifted the pinto Rally to a lope.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_VII" id="CHAPTER_VII"></a> +<span class='pagenum'><a name="Page_60" id="Page_60">60</a></span> +<h2>CHAPTER VII</h2><h3>THE GIRL WHO GLANCED BACK</h3> +</div> + +<p>At the crossroads in the valley stood the local jail, or "coop," as it +was more descriptively called. Unpainted, isolated, its solitary +ugliness lacked even the squalid dignity commonly associated with the +word "jail." The sun pelted down upon its bleached, unshaded roof and +sides. The burning air ran over its warped shingles like a kind of +colorless fire.</p> + +<p>The boy Collie, half-dreaming in the suffocating heat of the place, +started to his feet as the door swung open. He had heard horses coming. +They had stopped. He could hardly realize that the sunlight was swimming +through the close dusk of the place. But the girl of Moonstone Cañon, +reining Boyar round, was real, and she smiled and nodded a greeting.</p> + +<p>"This is Mr. Stone, my uncle," she said. "He wants to talk with you."</p> + +<p>With a glance that noted each unlovely detail of the place, the broken +iron bed, the cracked pitcher, and the unspeakable blankets, Louise +touched her pony and was gone.</p> + +<p>Collie rubbed his eyes, blinking in the sun as he stood gazing after +her.<span class='pagenum'><a name="Page_61" id="Page_61">61</a></span></p> + +<p>Walter Stone, standing near the doorway, noted the lad's clear, healthy +skin, his well-shaped head with its tumble of wavy black hair, and the +luminous dark eyes. He felt an instant sympathy for the boy, a sympathy +that he masked with a business-like brusqueness. "Well, young man?"</p> + +<p>"Yes, sir."</p> + +<p>"Come outside. It's vile in there."</p> + +<p>Stone led his pony to the north side of the "coop."</p> + +<p>Collie followed.</p> + +<p>Away to the west he saw the hazy peaks. A lake of burning air pulsed +above the flat, hot floor of the valley. Over there lay the hills and +the shade and the road.... Somewhere beyond was Overland, his friend, +penniless, hunted, hungry....</p> + +<p>"She brung you?" queried the boy.</p> + +<p>"Yes. I have seen Tenlow, the sheriff. He is willing to let you go at my +request. What do you intend doing, now that you are free?"</p> + +<p>"I don' know. Find Red, I guess."</p> + +<p>Walter Stone nodded. "What then?"</p> + +<p>"Oh, stick it out with Red. They'll be after him sure now. Red's my +pal."</p> + +<p>"What has he done to get the police after him?"</p> + +<p>"Nothin'. It's the bunch."<span class='pagenum'><a name="Page_62" id="Page_62">62</a></span></p> + +<p>"The bunch?"</p> + +<p>"Uhuh. Them guys out on the Mojave. But say, are you workin' me to get +next to Red and get him pinched again?"</p> + +<p>"No. You don't have to answer me. This man Red is nothing to me, one way +or the other. He took Miss Lacharme's pony, but she has overlooked that. +I thought, perhaps, you might care to explain your position. Perhaps you +had rather not. You may go now if you wish."</p> + +<p>"Is that straight?"</p> + +<p>"Yes."</p> + +<p>For several tense seconds the lad gazed at his questioner. Finally his +gaze shifted to the hills. "I guess you're straight," he said presently. +"I guess she wouldn't have you for a relation if you wasn't straight."</p> + +<p>The elder man laughed. "That's right—she wouldn't, young man."</p> + +<p>"How's the sheriff guy?" asked the boy.</p> + +<p>"He's getting along well enough. What made you ask?"</p> + +<p>"Oh, nothin'. I hate to see any guy get hurt."</p> + +<p>"I'm glad to hear you say that. I begin to think you are a bigger man +than he is."</p> + +<p>"Me?" And Collie flushed, misunderstanding the other's drift. "I guess +you're kiddin'."</p> + +<p>"No, I mean it. Mr. Tenlow still seemed<span class='pagenum'><a name="Page_63" id="Page_63">63</a></span> pretty hot about your share in +this—er—enterprise. You seem to have no hard feelings against him."</p> + +<p>"Huh! He shouldn't to be sore at <i>me</i>. I didn't spur no horse onto him +and ride him down like a dog. I guess Red would 'a' killed him if he'd +seen it. Say, nobody got Red, did they?"</p> + +<p>"I haven't heard of it. How did this man Red come to pick you up? You're +pretty young to be tramping."</p> + +<p>"Cross your heart you ain't tryin' to queer Red? You ain't tryin' to put +the Injun sign on us, are you?"</p> + +<p>"No. I have heard all about the Mojave affair—the prospector that died +on the track—and the arrest of Overland Red at Barstow. You told my +niece that this Overland Red was 'square.' How did you come to be mixed +up in it?"</p> + +<p>"I guess I'll have to tell you the whole thing, straight. Red always +said that to tell the truth was just as good as lyin', because nobody +would believe us, anyway. And if a fella gets caught tellin' the truth, +why, he's that much to the good."</p> + +<p>"Well, I shall try and believe you this time," said Stone. "Miss +Lacharme thinks you're honest."<span class='pagenum'><a name="Page_64" id="Page_64">64</a></span></p> + +<p>"A guy couldn't lie to her!" said the boy.</p> + +<p>"Then just consider me her representative," said Stone, smiling.</p> + +<p>Collie squatted in the meager shade of the "coop."</p> + +<p>Walter Stone, dropping the pony's reins, came and sat beside the lad. +There was something in the older man's presence, an unspoken assurance +of comradeship and sincerity that annulled the boy's tendency to +reticence about himself. He began hesitatingly, "My dad was a drinkin' +man. Ma died, and he got worse at it. I was a kid and didn't care, for +he never done nothin' to me. We lived back East, over a pawnbroker's on +Main Street. One day pa come home with a timetable. He sat up 'most all +night readin' it. Every time I woke up, he was readin' it and talkin' to +himself. That was after ma died.</p> + +<p>"In the mornin', when I was gettin' dressed, he come over and says to +take the needle he had and stick it through the timetable anywhere. I +was scared he was goin' to have the jimmies. But I took the needle—it +had black thread in it—and stuck it through the timetable. He opened +the page and laughed awful loud and queer. Albuquerque was where the +needle went in. He couldn't say the name right, but he kept lookin' at +it.</p> + +<p>"Then he went out and was gone all day and<span class='pagenum'><a name="Page_65" id="Page_65">65</a></span> all night. When he come back +he showed me a whole wad of money. I says, 'Where did you get it?' He +got mad and tells me to shut up.</p> + +<p>"That day we got on a train. I says, 'Where are we goin'?' and he says +to never mind, and did I want some peanuts.</p> + +<p>"We kept ridin' and ridin' in the same car, and eatin' bananas and +san'wiches and sleepin' settin' up at nights. I was just about sick when +we come to Albuquerque. You see, that was where the needle went through +the timetable, and dad said we would get off there. He got awful drunk +that night.</p> + +<p>"Next day he said he was goin' to quit liquor and make a fresh start. I +knowed he wouldn't, 'cause he always said that next mornin'. But I guess +he tried to quit. I don't know.</p> + +<p>"One night he didn't come back to the room where we was stayin' upstairs +over the saloon. They found him 'way down the track next day, all cut to +pieces by the train."</p> + +<p>The boy paused, reached forward, and plucked a withered stem of grass +which he wound round and round his finger.</p> + +<p>Walter Stone sat looking across the valley.</p> + +<p>"I guess his money was all gone," resumed the boy. "Anyhow, 'bout a year +after, Overland Red comes along. He comes to the saloon where I was +stayin',—they give me a job cleanin' out<span class='pagenum'><a name="Page_66" id="Page_66">66</a></span> every day,—and he got to +talkin' a lot of stuff about scenery and livin' the simple life, and all +that guff. The bartender got to jawin' with him, and I laughed, and the +bartender hits me a lick side the head. Red, he hits the bartender a +lick side of <i>his</i> head—and the bartender don't get up right away. +'I'll learn him to hit kids,' said Red. 'If you learn him to hit 'em as +hard as that,' I says to Red, 'then it will be all off with me the next +time.'</p> + +<p>"Does he hit you very often?' said Red.</p> + +<p>"Whenever he feels like it,' I told him.</p> + +<p>"Red laughed and said to come on. I was sick of there, so I run away +with Red. We tried it on a freight and got put off. Red had some water +in a canteen he swiped. It was lucky for us he did. We kept walkin' and +goin' nights, and mebby ridin' on freights in the daytime if we could. +One day, a long time after that, we was crossin' the desert again. We +got put off a freight that time, too. We was walkin' along when we found +a guy layin' beside the track. Red said he wasn't dead, but was dyin'. +We give him some water. Then he kind of come to and wanted to drink it +all. Red said, 'No.' Then the guy got kind of crazy. He got up and +grabbed Red. I was scared.</p> + +<p>"Red, he passed me the canteen and told me to keep it away from the guy +because more water would kill him. Then the guy went for Red.<span class='pagenum'><a name="Page_67" id="Page_67">67</a></span> 'He's +dyin' on his feet,' said Red. 'It's his last flash.' And he tried to +hold the guy quiet, talkin' decent to him all the time. They was +staggerin' around when the guy tripped backwards over the rail. His head +hit on the other rail and Red fell on top of him. Anyway, the guy was +dead."</p> + +<p>Walter Stone shifted his position, turning to gaze at the boy's white +face. "Yes—go on," he said quietly.</p> + +<p>"Red was for searchin' the guy, but I says to come on before we got +caught. Red, he laughed kind of queer, and asked me, 'Caught at what?' +Then I said, 'I dunno,' but I was scared.</p> + +<p>"Anyway, he went through the dead guy's clothes and found some papers +and old letters and a little leather bag with a whole lot of gold-dust +in it. Red said mebby five hundred dollars!"</p> + +<p>"Gold-dust?"</p> + +<p>"Uhuh! Then Red <i>was</i> scared. He buried the bag and the papers 'way out +in the sand and made a mark on the ties to find it by."</p> + +<p>"Did you find out the dead man's name?" asked Stone, glancing curiously +at the boy.</p> + +<p>"Nope. We just beat it for the next station. I was feelin' sick. I give +out, and Red, he lugged me to the next water-tank. He was pourin' water +on me when the Limited come along and stopped, and <i>she</i> throwed the +rose to us. Red<span class='pagenum'><a name="Page_68" id="Page_68">68</a></span> told me about it after. You wouldn't go back on a pal +like that, would you?"</p> + +<p>"No, I don't know that I should."</p> + +<p>"That's me!" said the boy. "Then they went to work and pinched us at +Barstow. Said we killed the guy because his head was smashed in where he +hit the rails. They tried to make Red say that he robbed the guy after +killin' him. But Red told everything, except he didn't tell about the +letters and the gold-dust. They tried to make me say it, but I dassent. +I knowed they would fix Red sure if I did, and he told me not to tell +about the gold if they did pinch us."</p> + +<p>"They let you go—after the police examination. Then how is it that the +authorities are after you again?"</p> + +<p>"It's the bunch," replied the boy. "Them guys out there knowed the dead +guy had a mine or a ledge or somethin' where he got the gold. Nobody was +wise to where. They told at the jail how he used to come in once in a +while and send his dust to Los Angeles by the express company. All them +guys like the sheriff and the station agent and all the people in that +town are workin' tryin' to find out where the gold come from. They think +because Red and me is tramps that they can make us tell and arrest us +whenever they like. But even Red don't know, unless it's in the papers +he hid in the sand."<span class='pagenum'><a name="Page_69" id="Page_69">69</a></span></p> + +<p>"That sounds like a pretty straight story," said Stone. "So you intend +to stick to this man Red?"</p> + +<p>"Sure! Would you quit him now, when they're after him worst?"</p> + +<p>"They will get him finally."</p> + +<p>"Mebby. But Red's pretty slick at a getaway. If they do pinch him again, +that's where I come in. I'm the only witness and the only friend he's +got."</p> + +<p>"Of course. But don't you see, my boy, that your way of living is so +much against you that you couldn't really help him? A man's naked word +is worth just what his friends and neighbors will allow him for it, and +no more."</p> + +<p>"But ain't a guy got no rights in this country?"</p> + +<p>"Certainly he has. But he has to prove that he is entitled to them, by +his way of living."</p> + +<p>"Then he's got to go to church, and work, and live decent, or he don't +get a square deal, hey?"</p> + +<p>"But why shouldn't he do that much?"</p> + +<p>Collie did not answer. Instead, he inspected his questioner critically +from head to foot. "I guess you're right," he said finally. "I've heard +folks talk like that before, but I never took no stock. They kind of +said it because they knowed it. I guess you say it because you mean it."</p> + +<p>"Of course I do," said Stone heartily. "Well,<span class='pagenum'><a name="Page_70" id="Page_70">70</a></span> here comes my niece with +the mail. See! Over there is El Camino Real, running north. My ranch is +up <i>there</i>, in the hills. My foreman's name is Williams. If you should +ask him for work, I believe he might give you something to do. I heard +him say he needed a man, not long ago."</p> + +<p>Walter Stone cinched up the saddle and mounted his pony. The boy's eyes +shone as he gazed at the strong, soldierly figure. Ah, to look like +that, and ride a horse like that!</p> + +<p>Boyar, the black pony, clattered up and stopped. "Hello, folks!" said +Louise, purposely including the boy in her greeting.</p> + +<p>Collie flushed happily. Then a bitterness grew in his heart as he +thought of his friend Overland, hunted from town to town by the same law +that protected these people—an unjust law that they observed and +fostered.</p> + +<p>"Well?" said Stone.</p> + +<p>Collie's gaze was on the ground. "I don' know," he muttered. "I don' +know."</p> + +<p>"Well, good luck to you!" And the ponies swung into that philosophical +lope of the Western horse who knows his journey's length.</p> + +<p>The figures of the riders grew smaller. Still the boy stood in the road, +watching them. Undecided, he gazed. Then came an answer to his stubborn +self-questioning. Louise glanced back—glanced<span class='pagenum'><a name="Page_71" id="Page_71">71</a></span> back for an instant in +mute sympathy with his loneliness.</p> + +<p>Slowly the boy turned and entered the jail. He folded his coat over his +arm, stepped outside, and closed the door.</p> + +<p>Before him stretched the hot gray level of El Camino Real, the road to +the beyond. From it branched a narrower road, reaching up into the +southern hills,—on, up to the mysterious Moonstone Cañon with its +singing stream and its gracious shade. Somewhere beyond, higher, and in +the shadowy fastness of the great ranges lay the Moonstone Ranch ... her +home.</p> + +<p>"I guess, steppin' up smart, I'll be there just about in time for +supper," said the boy. And whistling cheerily, he set his feet toward +the south and the Moonstone Trail.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_VIII" id="CHAPTER_VIII"></a> +<span class='pagenum'><a name="Page_72" id="Page_72">72</a></span> +<h2>CHAPTER VIII</h2><h3>THE TEST</h3> +</div> + +<p>After a week of weeding in the vegetable garden, Collie was put to work +repairing fence. There were many miles of it, inclosing some twenty +thousand acres of grazing-land, and the cross-fencing of the oat, +alfalfa, fruit, and vegetable acreage. The fence was forever in need of +repair. The heavy winter rains, torrential in the mountains, often +washed away entire hillsides, leaving a dozen or so staggering posts +held together by the wires, tangled and sagging. Cattle frequently +pulled loosened posts from the earth by kneeling under the wire and +working through, oblivious to the barbs. Again, "stock gone a little +loco" would often charge straight through the rigid and ripping wire +barriers as though their strands were of thread. Posts would split in +the sun, and staples would drop out, leaving sagging spaces which cattle +never failed to find and take advantage of. Trees uprooted by the rain +and wind would often fall across the fence.</p> + +<p>Altogether, the maintaining of a serviceable fence-line on a +well-ordered ranch necessitates eternal vigilance.<span class='pagenum'><a name="Page_73" id="Page_73">73</a></span></p> + +<p>The Moonstone Rancho was well ordered under the direct supervision of +Walter Stone's foreman, "Brand" Williams. Williams was a Wyoming cowman +of the old school; taciturn, lean, sinewy.</p> + +<p>Some ten years before, Williams, seeking employment, had ridden over the +range with Stone. Returning, the cowman remarked disconsolately, "I like +your stock, and I'll tie to you. But, say, it's only playin' at ranchin' +on twenty thousand fenced. I was raised in Wyoming."</p> + +<p>"All right," Stone had replied. "Play hard and we'll get along +first-rate."</p> + +<p>Every inch of Brand Williams's six feet was steeped in the astringent of +experience. He played hard and prospered, as did his employer.</p> + +<p>Collie stood awaiting the foreman's instructions.</p> + +<p>"Ever mend fence?" asked Williams.</p> + +<p>"Nope."</p> + +<p>"Good. Then you can learn right. Go rope a cayuse—get some staples and +that leetle axe in my office, and go to it. There's plenty fence."</p> + +<p>The "Go rope a cayuse" momentarily staggered the boy, but he went +silently to the corral, secured a riata, and by puzzling the playful +ponies by his amateur tactics he finally entangled "Baldy," a +white-faced cow-pony of peaceful mien but uncertain disposition.<span class='pagenum'><a name="Page_74" id="Page_74">74</a></span></p> + +<p>Williams, watching the performance, lazily rolled a straw-paper +cigarette.</p> + +<p>Snubbed to the post, bridled and saddled awkwardly, Baldy gave no +outward sign of his malignant inward intent of getting rid of the lad +the minute he mounted.</p> + +<p>Williams slowly drew a match across his sleeve from elbow to wrist, +ending with a flame that was extremely convenient to his cigarette. He +wasted no effort at anything. He was a man who never met a yawn halfway, +but only gave in to it when actually obliged to. Collie climbed into the +saddle and started for the corral gate. He arrived there far ahead of +the horse. He got to his feet and brushed his knees. The pony was +humping round the corral with marvelous agility for so old a horse.</p> + +<p>"He never did like a left-handed man," said Williams gravely. "Next time +get on him from the <i>other</i> side, and see if he don't behave. Hold on; +don't be in a hurry. Let him throw a few more jumps, then he'll quit for +to-day most likely. And say, son, if he does take to buckin' with you +again, don't choke that saddle to death hangin' on to the horn. Set up +straight, lean a little back, and clinch your knees. You'll get piled, +anyhow, but you might as well start right."</p> + +<p>The boy approached the horse again, secured<span class='pagenum'><a name="Page_75" id="Page_75">75</a></span> the dangling reins, and +again mounted. Baldy was as demure as a spinster in church. He actually +looked pious.</p> + +<p>Collie urged the pony toward the gate. Baldy reared.</p> + +<p>"A spade bit ain't made to pull teeth with, although you can," said +Williams. "Baldy's old, but his teeth are all good yet. Just easy now. +Ride in your saddle, not on your reins. That's it! And say, kid, I would +'a' got them staples and that axe before crawlin' the hoss, eh?"</p> + +<p>Collie flushed. He dismounted and walked to the foreman's office. When +he returned to the corral, the horse was gone. Williams still sat on the +corral bars smoking and gazing earnestly at nothing.</p> + +<p>Round the corner of the stable Collie saw the pony, his nose peacefully +submerged in the water-trough, but his eye wide and vigilant. The boy +ran toward him. Baldy snorted and, wheeling, ran back into the corral, +circled it with an expression which said plainly, "Let us play a little +game of tag, in which, my young friend, you shall always be 'It.'"</p> + +<p>Again Collie tried to rope the pony.</p> + +<p>"Want any help?" asked Williams, as he slid from the corral bars to the +ground.</p> + +<p>"Nope." And Collie disentangled his legs from an amazing contortion of +the riata and tried<span class='pagenum'><a name="Page_76" id="Page_76">76</a></span> to whirl the loop as he had seen the cowmen whirl +it.</p> + +<p>"Hold on, son!" said Williams. "You mean right, but don't go to rope him +with the saddle on. If you looped that horn, he, like as not, would yank +you clean to Calabasas before you got your feet out of that mess of rope +you're standin' in. Anyway, you ain't goin' to Calabasas; you're due up +the other way."</p> + +<p>Collie was learning things rapidly, and, better still, he was learning +in a way that would cause him to remember.</p> + +<p>Williams spoke sharply to the pony. Baldy stopped and eyed the foreman +with vapid inquisitiveness. "Now, son, I got three things to tell you," +and the foreman gathered up the reins. "First—keep on keepin' your +mouth shut and tendin' to business. It pays. Second—always drop your +reins over a hoss's head when you get off, whether he's trained that way +or not. And last—always figure a hoss thinks he knows more than you do. +Sometimes he does. Sometimes he don't. Then he won't fool you so +frequent, for you'll be watchin' him. I wouldn't 'a' said that much, +only you're a tenderfoot from the East, I hear. If you was a tenderfoot +from the West, you would 'a' had to take your own medicine."</p> + +<p>Collie's shoulder was lame from his fall and<span class='pagenum'><a name="Page_77" id="Page_77">77</a></span> was becoming stiff, but he +grinned cheerfully, and said nothing, which pleased Williams.</p> + +<p>The foreman leveled his slow, keen eyes at him for a minute. "You'll +find a spring under the live-oaks by the third cross-fence north. Reckon +you'll get there about noon. Keep your eye peeled for fire. I thought I +seen somebody up there as I come across from the corral early this +mornin'. We come close to burnin' out here once, account of a hobo's +fire. Understand, if you ketch anybody cantelopin' around <i>a-foot</i>, you +just ride 'em off the range pronto. That's all."</p> + +<p>As Collie rode away through the morning sunshine, Williams loafed across +the corral, roped and saddled a white-eyed pinto, and, spurring up a +narrow cañon west of the ranch buildings, disappeared round a turn of +the shady trail. As the foreman rode, he alternately talked to the pony +and himself.</p> + +<p>"Tramp, eh?" he said, addressing the pony. "What do you say, Sarko? +Nothin', eh? Same as me.... Overland Red's kid pal, eh? Huh! I knowed +Jack Summers, Red Jack Summers, down in Sonora in '83. Mexico was some +open country then. Jack was a white pardner, too. Went to the bad, +account of that Chola girl that he was courtin' goin' wrong.... Funny +how the boss come to pick up that kid. Thinks there's somethin' in him. +O' course they is. But what? Eh,<span class='pagenum'><a name="Page_78" id="Page_78">78</a></span> Sarko, what? You say nothin', same as +me.... Here, you! That's a lizard, you fool hoss. Never seen one before, +so you're try in' to catch it by jumpin' through your bridle after it, +eh? Never seen one before, oh, no! Don't like that, eh? Well, you quit, +and I will. Exactly. It's me, and my ole Spanish spurs. I'm +listenin'.... Nothin' to say?... Uhuh! I reckon little Louise had +somethin' to do with gettin' the kid the job. Well, if <i>she</i> likes him, +I got to. Guess I'd love a snake if she said to. Yes, I'm listenin' to +myself ..." And the taciturn foreman's hard, weathered face wrinkled in +a smile. "I'm listenin' ... None of the boys know Red's camped up by the +spring. I do. Red used to be a damn white Injun in the old days. I'll +give the kid a chance to put him wise for old times. And I'll find out +if the kid means business or not ... which is some help to know how to +handle him later."</p> + +<p>Williams picketed his pony in the meadow above the third cross-fence. +Loafing down the slope toward the spring, he noticed the faint smoke of +a fire. Farther down the line fence, he could see Collie in the +distance, riding slowly toward the three live-oaks. The foreman found a +convenient seat on a ledge, rolled another of his eternal cigarettes, +and watched the boy approach from below.<span class='pagenum'><a name="Page_79" id="Page_79">79</a></span></p> + +<p>Collie had already dismounted three times that morning; twice to mend +fence, and once more involuntarily. He determined, with a mighty vow to +the bow-legged god of all horseflesh, to learn to stay on a broncho or +die learning.</p> + +<p>The boy had a native fondness for animals, and he had already thought of +buying a pony with his first few months' wages. But the vision of his +erstwhile companion Overland, perhaps imprisoned and hopeless in the +grip of the "bunch," annulled that desire. He would save every cent for +that emergency.</p> + +<p>Arrived at the spring, both boy and horse drank gratefully, for the day +was hot. Then Collie noticed the thin smoke coming through the trees and +strode toward it.</p> + +<p>"It ain't much of a fire yet," said Overland. "Our hired girl—" and he +grinned through a two-weeks' tangle of red beard. "Oh, but ain't he the +'cute little workin'-man with his little ole hoss and his garments of +toil."</p> + +<p>"Oh, Red!" exclaimed the boy.</p> + +<p>"Me sure! I been hidin' in my whiskers so long I didn't know if you'd +know me."</p> + +<p>"I been thinking about you every day."</p> + +<p>"Uhuh. So have I. I reckon some others has, too. Say, what you been +doin' lately, studyin' law or learnin' the piano? I been lookin' for +you<span class='pagenum'><a name="Page_80" id="Page_80">80</a></span> for a week. It's the first day I seen you out on the range."</p> + +<p>"I was working in the garden first. Then they put me at this, this +mornin'."</p> + +<p>"Uhuh. Well, Col, that there getaway of mine is in all the papers. +'Tramp Cowboy Steals Horse and Escapes.' Say, did she yip about my +borrowin' the cayuse?"</p> + +<p>"She was mad at first. But your fancy ridin' kind of made her forget. I +told her you was square, Red."</p> + +<p>"Huh! I guess she could tell that herself."</p> + +<p>"But, Red, I'm not kidding. I told her uncle about the bunch and the guy +on the desert."</p> + +<p>"Did he believe it?"</p> + +<p>"I guess so. He ain't said much. But he gives me the chance to make +good. He must have believed somethin'."</p> + +<p>"Well, stick to it, Collie. You never was cut out for a genuine towerist +like me, anyhow. It ain't in your blood."</p> + +<p>"What you goin' to do now, Red?"</p> + +<p>"Me? Listen! There's gold out there, somewhere. I'm broke now. I need +some dough. I got ideas. Ten dollars does it. I get a new set of clothes +and get shaved and me hair trimmed close. Then I commence me good work +in Main Street, in Los. Down on North Main is where I catch the gent +from the East who will fall for<span class='pagenum'><a name="Page_81" id="Page_81">81</a></span> anything that wears a Stetson and some +outdoors complexion. I tell all about my ledge in the Mojave and get +staked to go out and prospect. It's bein' done every day—it and the +other fella."</p> + +<p>"But, Red—"</p> + +<p>"Hold on, kid. I ain't goin' to bunk nobody. This here's square. I need +financin'—a burro and a grubstake and me for the big dry spot. Ship the +outfit to the desert town, and then hit it along the rails to where we +hid it. If the papers we hid is any good, me to locate the ledge. +Anyhow, there's a good five hundred in the poke, and that's better than +a kick in the pants."</p> + +<p>"You'll get pinched sure, Red."</p> + +<p>"Nix, kiddo. Not out there. Money talks. 'Course it ain't makin' any +distressin' sounds around here jest now, but, say, got the makin's?"</p> + +<p>"I ain't smoked since I been here, Red."</p> + +<p>"Excuse me, Miss Collie. What denomination did you say?"</p> + +<p>"Straight, Red. I'm savin' my money."</p> + +<p>"What do they pay you for settin' on that cayuse?"</p> + +<p>"Fifteen a month, and board, and the horse to ride."</p> + +<p>"Don't mention the hoss, pal. Jest make motions with your hands when you +mean him. Talkin' is apt to wake him up."<span class='pagenum'><a name="Page_82" id="Page_82">82</a></span></p> + +<p>"He pitched me twice."</p> + +<p>"Just havin' bad dreams, that's all," said Overland, grinning. "Fifteen +a month and found ain't bad for a bum, is it?"</p> + +<p>"Cut that out, Red. I ain't no bum."</p> + +<p>"Ex-cuse me. There I gone and laminated your feelin's again. Why in hell +don't you blush, or drop your little ole lace handkerchief, or fix your +back hair, so I can remember I'm talkin' to a lady? It ain't manners, +this here impersonatin' you're a boy like that."</p> + +<p>"Quit your kiddin', Red. Mebby you think it was easy to cut out the old +stuff, and everybody on the ranch on to what I used to be. I was cryin' +the first night. I was lonesome for you."</p> + +<p>Overland's eyelids flickered. He grinned. "Uhuh! I could hear you clean +over in the Simi Valley. I was thinkin' of comin' right back, only—"</p> + +<p>"Oh, if you think I'm lyin to you—"</p> + +<p>Overland thrust up a soiled palm. "Nix; you never did yet. How much coin +can you rustle?"</p> + +<p>"I got that eight-and-a-half I had when we was pinched. It's down to the +bunk-house."</p> + +<p>"Well, bring it up here to-morrow mornin'. And, say, swipe a sogun for +me. I near froze last night."</p> + +<p>Collie's brows drew together. "I'll bring the money, sure! but I can't +swipe no blanket, even<span class='pagenum'><a name="Page_83" id="Page_83">83</a></span> for you. The boss thinks I'm square, and so does +she. I'll bring tobacco and papers. Got any grub?"</p> + +<p>"Well, some. I ain't exactly livin' on sagebrush and scenery yet. I been +trainin' some chickens to do the Texas Tommy. Every one that learns to +do it in one lesson gets presented with a large hot fryin'-pan. +Surprisin' how them chickens is fond of dancin'. I reckon I learned six +of 'em since I seen you last. But don't forget the eight rollers and +four bits. I need ten, but eight-fifty will do. I'll have to leave out +the silk pejammies and the rosewater this trip. But kickie pants is good +enough for me to sleep in. How's that sheriff gent?"</p> + +<p>"Busted his collar-bone and killed his horse."</p> + +<p>"I'm sad for the hoss. How do you like livin' decent?"</p> + +<p>"Fine, Red! I wish you would—"</p> + +<p>"Hold on, Collie, not me! I'm gettin' too old, too plumb old and +disgusted with this vale of steers to change and tie down to short +grass. Now you're near enough to the age of that little Louise girl to +make life interestin'."</p> + +<p>"Who said anything about her?"</p> + +<p>"Whoa, Chico! Back up. You're steppin' on your bridle. Don't go 'way +mad. Why, I said somethin' about her, that's who. You got any idea of +hobblin' my talk?"<span class='pagenum'><a name="Page_84" id="Page_84">84</a></span></p> + +<p>"No. But—"</p> + +<p>"Oh, you can't flim your ole pal, nohow. You're just commencin' life on +what that little Louise lady thinks you ought to be. And you will be it +some day, if you keep straight. So will I."</p> + +<p>"You?" Collie was unable to associate a reconstructive idea with +Overland's mode of life.</p> + +<p>"Say! Just as if I never knowed a good woman. Say, I could actooly give +up smokin' for her, if I had to hire some guy to do it for me. That's +what I think of her. When I get me plush rags and the dizzy lid, I'll +call around in me private caboose and take you both for a little ride."</p> + +<p>For a moment the boy gazed away to where the silver of the Southern +Pacific rails glinted in the valley. Overland Red's presence brought +back poignantly the long, lazy days of loafing and the wide, starry +nights of wayside fire, tobacco, and talk. There was a charm in the free +life of the road—that long gray road that never ended—never ended in +the quiet shade of a mountain ranch or in the rose-bordered pathway to a +valley cottage. The long gray road held out no promise of rest for worn +and aged folk. After all, its only freedom was the freedom of eternal +wandering ... until one could adventure no longer ... and then? Better +to tread the harder path of duty.<span class='pagenum'><a name="Page_85" id="Page_85">85</a></span></p> + +<p>The boy's black eyes were lifted pleadingly. "Red," he said +hesitatingly. "Red, I got to tell you to camp the other side of that +line fence till I come to-morrow."</p> + +<p>Overland understood instantly that the lad was but following general +instructions. He loved the boy, and so, perversely, worked upon his +feelings. "Oh, the <i>other</i> side? Ex-cuse me, chief, for intrudin' on +this here resavation. Sorry I'm crowdin' you so."</p> + +<p>"Now, Red, wait—"</p> + +<p>"Wait? What, for you to insult your ole pal again by tellin' him he +might drink all the water in this here spring, mebby, or inflooence the +morals of the cattle, or steal the wire off the fence? Huh! I thought I +was your <i>pal</i>?"</p> + +<p>"Oh, Red, quit kiddin'. Don't you see I got orders? I got orders."</p> + +<p>"You're gettin' civilized fast, all right. The first thing civilization +does is to projooce hobos and bums. Then she turns up her nose because +hobos and bums ain't civilized. Did you ever see a ma cat get mad +because one of her kittens was born with sore eyes? I guess not. Cats +has got sense. Now, what if I don't indignify myself to the extent of +crawlin' under that line fence?"</p> + +<p>"'Course I'll bring you the coin in the mornin'. But if you don't go +now, why, I got to quit this job. I got to play square to him."<span class='pagenum'><a name="Page_86" id="Page_86">86</a></span></p> + +<p>"So it's orders or me, eh?"</p> + +<p>"Yes, Red, and I want to use you right, and be square, too."</p> + +<p>Overland Red's beard hid the quiver of his lips as he asked huskily: +"And you would be comin' back on the road with your ole pal again? You +would give up the job and the chance of a smile from that little +Rose-Lady Girl and flew the coop with me again if I said the word?"</p> + +<p>"Sure I would. You come first and the job comes second; but—but I want +to keep the job."</p> + +<p>Overland's keen blue eyes filled with instant emotion. "Oh, you go chase +a snake up your sleeve. Do you think I'd bust your chances of makin' +good here? Do you reckon I'd let a line fence stand between me and you, +speakin' poetical? Say, I'll go camp in that sheriff gent's front yard +if it'll do any good to you, or before I'll see you in bad with the +little Rose Girl!"</p> + +<p>"Please, Red; I mean it."</p> + +<p>"So do I. I'll fade quicker than spit on a hot stove. Don't forget +to-morrow mornin'. Some day I'll put you hep to how to ride. You better +get to your fence job."</p> + +<p>Brand Williams watched the man and the boy as they walked along the +line-fence trail together. Collie leading the pony, the man talking and +gesticulating earnestly. Finally they shook<span class='pagenum'><a name="Page_87" id="Page_87">87</a></span> hands. The tramp crawled +under the fence. The boy mounted Baldy and rode away.</p> + +<p>Williams, catching up his own horse, spurred quickly across the ridge +above the spring that the boy might not see him.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_IX" id="CHAPTER_IX"></a> +<span class='pagenum'><a name="Page_88" id="Page_88">88</a></span> +<h2>CHAPTER IX</h2><h3>A CELESTIAL ENTERPRISE</h3> +</div> + +<p>Broad avenues of feathery pepper trees, long driveways between shadowy +rows of the soldierly eucalyptus, wide lawns and gigantic palms of the +southern isles, weaving pampas grass, gay as the plumes of romance, +jasmine, orange-bloom, and roses everywhere. Over all is the eternal +sunshine and noon breeze of the sea, graciously cooling. Roundabout is a +girdle of far hills.</p> + +<p>Some old Spanish padre named it "Nuestra Señora Reina de Los Angeles," +making melody that still lures with its ancient charm. A city for +angels, verily. A city of angels? Verily; some fallen, indeed, for there +is much nefarious trafficking in real estate, but all in all the +majority of souls in Los Angeles are celestial bound, treading upon +sunbeams in their pilgrimage.</p> + +<p>The plaza, round which the new town roars from dawn to dusk, is still +haunted by a crumbling old adobe, while near it droop dusty pepper trees +that seem to whisper to each other endlessly—"Mañana! Mañana!" Whisper +as did those swarthy vaqueros and the young, lithe,<span class='pagenum'><a name="Page_89" id="Page_89">89</a></span> low-voiced +señoritas who strolled across the plaza in the dusk of by-gone days. +"Mañana! Mañana!—To-morrow! To-morrow!"</p> + +<p>And the to-morrows have come and gone as did those Spanish lovers, +riding up through the sunshine on their silver-bitted pinto ponies and +riding out at dusk with tinkling spur-chains into that long to-morrow +that has shrouded the ancient plaza in listless dreams. Mexicans in +black sombreros and blue overalls still prowl from cantina to cantina, +but the gay vaquero and his señorita are no more.</p> + +<p>Overland Red, a harsh note in the somnolence of the place, stepped +buoyantly across the square. And here, if ever, Overland was at home.</p> + +<p>A swarthy, fat Mexican shaved him while a lean old rurale of Overland's +earlier acquaintance obligingly accepted some pesos with which to drink +the señor's health, and other pesos with which to purchase certain +clothing for the señor.</p> + +<p>The retired rurale drove a relentless bargain with a countryman, +returning with certain picturesque garments that Overland donned in the +back room of the little circus-blue barber shop.</p> + +<p>The tramp had worthily determined to hold wise and remunerative converse +with the first Easterner that "looked good to him." He would make +half-truths do double duty. He needed money to purchase a burro, packs, +canteen, pick,<span class='pagenum'><a name="Page_90" id="Page_90">90</a></span> shovel, dynamite, and provisions. He intended to repay +the investor by money-order from some desert town as soon as he found +the hidden gold. This unusual and worthy intention lent Overland added +assurance, and he needed it. Fortune, goddess evanishing and coy, was +with him for once. If he could but dodge the plain-clothes men long +enough to outfit and get away....</p> + +<p>The "Mojave Bar," on North Main Street of the City of Angels was all but +empty. Upon it the lassitude of early afternoon lay heavily. The +spider-legged music-racks of the Mexican string orchestra, the empty +platform chairs, the deserted side-tables along the pictured wall, the +huge cactus scrawled over with pin-etched initials,—all the impedimenta +of the saloon seemed to slumber.</p> + +<p>The white-coated proprietor, with elbows on the bar, gazed listlessly at +a Remington night-scene—a desert nocturne with a shadowy adobe against +the blue-black night, a glimmer of lamplight through a doorway, and in +the golden pathway a pony and rider and the red flash of pistol shots.</p> + +<p>Opposite the bartender, at a table against the wall, sat a young man, +clad in cool gray. He smoked a cigarette, and occasionally sipped from a +tall glass. He was slender, clean-cut, high-colored, an undeniable +patrician. In his mild gray<span class='pagenum'><a name="Page_91" id="Page_91">91</a></span> eyes, deep down, gleamed a latent humor, an +interior twinkling not apparent to the multitude.</p> + +<p>Sweeney Orcutt, the saloon-keeper, noticed this reserve characteristic +now for the first time, as the young man turned toward him. Sweeney was +a retired plain-clothes man with a record, and a bank account. It was +said that he knew every crook from Los Angeles to New York. Be it added, +to his credit, that he kept his own counsel—attending to his own +business on both sides of the bar.</p> + +<p>"Do they ever do those things now?" queried the young man, nodding +toward the picture.</p> + +<p>Sweeney Orcutt smiled a thin-lipped smile. "Not much. Sometimes in Texas +or Mexico. I seen the day when they did."</p> + +<p>The young man lazily crossed his legs. "Nice and cool here," he remarked +presently.</p> + +<p>"Been in town long?" asked Sweeney.</p> + +<p>"No, only a few days."</p> + +<p>"I was goin' to say there's a good show over on Spring +Street—movin'-pictures of the best ridin' and buckin' and ropin' I seen +yet."</p> + +<p>"Yes? Is there any one in town who is not working for the movies?"</p> + +<p>Again Sweeney Orcutt smiled his thin-lipped smile. "Yes, I guess there +is. I might scare up one or two I used to know who is workin'<span class='pagenum'><a name="Page_92" id="Page_92">92</a></span> the +transients, which ain't exactly workin' <i>for</i> the movies."</p> + +<p>"I should like to meet some character who is really doing something in +earnest; that is, some cowboy, miner, prospector, teamster,—one of +those twenty-mule-team kind, you know,—or any such chap. Why, even the +real estate men that have been up to my hotel seem to be acting a part. +One expects every minute to see one of them pull a gun and hold up a +fellow. No doubt they mean business."</p> + +<p>"Bank on that," said Orcutt dryly.</p> + +<p>"You see," continued the young man, "I have too much time on my hands +just now. The doctors tell me to rest, and I've been doing nothing else +all my life. It's pretty monotonous. I've tried to get interested in +some of the chaps on North Main Street, and around the plaza. I've +offered to buy them drinks and all that, but they seem to shy off. I +suppose they think I'm a detective or something of that kind."</p> + +<p>"More like, a newspaper man after a story. Hello, there! Now, what's +doin'?"</p> + +<p>Outside near the curb a crowd had collected. A traffic officer was +talking to the driver of an automobile. As Sweeney Orcutt strolled +toward the doorway, Overland Red, clean-shaven, clothed in new corduroys +and high lace boots, and a sombrero aslant on his stiff red hair, dove<span class='pagenum'><a name="Page_93" id="Page_93">93</a></span> +into the saloon and called for a "bucket of suds."</p> + +<p>"Close—shave—Red—" whispered Orcutt.</p> + +<p>"Had me Orcutt, likewise," replied the tramp. "Say, Sweeney, stall off +the Dick out there. I think he piped me as I blew in, but I ain't sure. +He'll be pokin' in here in a minute. If he sees me talkin',—to the guy +there, for instance,—and you give him a steer, he won't look too close. +Sabe?" And Overland drank, observing the Easterner at the table over the +top of his glass.</p> + +<p>"They got that guy Overland Red mugged in every station from here to +Chicago," whispered Orcutt. "Paper says he put it over a desert rat up +near Barstow. Did you hear about it?"</p> + +<p>"Some," replied Overland sententiously.</p> + +<p>"And did you hear about his last get-away on one of the Moonstone Rancho +ponies? Some class to that!"</p> + +<p>"I read somethin' about it," replied Overland.</p> + +<p>"Well, Red, if you won't tumble, all I got to say is, beat it. You're +worth a thousand bucks to any fly-cop that nips you in this town. I'm +handin' you a little dope that you can slide out on and not get stuck."</p> + +<p>"Thanks, Sweeney. Well, I'll ring you up from Kalamazoo."<span class='pagenum'><a name="Page_94" id="Page_94">94</a></span></p> + +<p>"Kalamazoo? In them clothes?"</p> + +<p>"Sure. There's a law against travelin' naked in some States. Where you +been grazin' lately?"</p> + +<p>"In the bull-pasture; and say, Red, it's gettin' warm there, for some."</p> + +<p>"Well, I guess I'll beat it," said Overland.</p> + +<p>"Take a slant at the door first."</p> + +<p>Overland turned leisurely. In the doorway stood the traffic officer. He +glanced from Orcutt to the two men near the table. "Hello, Sweeney!" he +called, glancing a second time at Overland.</p> + +<p>"Hello!" answered Sweeney, strolling to the end of the bar. "Somebody +speedin'?"</p> + +<p>"Yes. Say, who's the guy, the big one?"</p> + +<p>"Him? Oh, that's Billy Sample, the fella that does the desert stuff for +the General Film Company. The kid is his pardner who acts the +tenderfoot. They 're waitin' for the machine now to take 'em out to +Glendale. Got some stunt to pull off this afternoon, so Billy was +tellin' me. They're about half-stewed now. They make me sick."</p> + +<p>"Thought I saw the big guy out on the street a minute ago," said the +officer, hesitating. "There's a card out for a fella that looks like +him. I guess—"</p> + +<p>"He thought it was his machine comin'," said Orcutt. "He run out to see. +It's a wonder how them movie actors can make up to look like most<span class='pagenum'><a name="Page_95" id="Page_95">95</a></span> +anybody. Why, I been in your line of business, as you know, and I been +fooled lots of times. Makes a fella feel like he don't know where he's +at with the town full of them movin'-picture actors."</p> + +<p>"Well, so long, Sweeney." And the traffic officer, a little afraid of +being laughed at by the famous ex-officer, Sweeney Orcutt, departed, +just a thousand dollars poorer than he might have been had he had the +courage of his convictions.</p> + +<p>Overland and Orcutt exchanged glances. Orcutt's glance rested meaningly, +for an instant, on the Easterner at the table. Overland grinned. Orcutt +spoke to the young Easterner, who immediately rose to his feet and +bowed.</p> + +<p>"You was lookin' for somebody that's the real thing, you said. This +here's my friend Jack Summers. He used to be sheriff of Abilene once. He +ain't workin' for a movin'-picture outfit and he won't borrow your +watch. Mebby he has a little business deal to put up to you and mebby +not. Take my word for it, he's straight."</p> + +<p>"I'm William Winthrop, back East. 'Billy' will do here. I'm a +tenderfoot, but I'm not exactly a fool. I observed the delicacy with +which you engineered the recent exodus of the policeman. I'm +interested."</p> + +<p>"Sounds like plush to me," said Overland. "I got a little time—not +much. You're correct<span class='pagenum'><a name="Page_96" id="Page_96">96</a></span> about the cop. I got a pretty good thing out in +the Mojave—gold—"</p> + +<p>Winthrop laughed. "You aren't losing any time, are you?"</p> + +<p>"You wouldn't neither if you was in my boots," said Overland, grinning +cheerfully.</p> + +<p>"Oh, Red's all right," said Orcutt. "What'll you gents have?"</p> + +<p>"Seein' I'm all right, Sweeney, I'll take five dollars in small change. +I need the coin for entertainin' purposes, I'll pay you in the mornin'."</p> + +<p>"You got me that time," said Orcutt. "Here's the coin."</p> + +<p>"Shall we sit down here?" asked Winthrop, indicating one of the tables.</p> + +<p>"Sure! Now this ain't no frame-up. No, I'll set where I can watch +Sweeney. He's like to steal his own cash-register if you don't watch +him." And Winthrop noticed that his companion faced the door. He also +noticed, as the man's coat brushed against a chair as he sat down, that +that same coat covered a shiny black shoulder holster in which gleamed +the worn butt of an automatic pistol.</p> + +<p>"My real name is Jack Summers," began Overland Red. "Some folks took to +callin' me 'Overland Red,' seein' as I been some towerist in my time."<span class='pagenum'><a name="Page_97" id="Page_97">97</a></span></p> + +<p>"Great!" murmured the Easterner. "'Overland Red!' That name has me +hypnotized."</p> + +<p>"You was sayin'?" queried Overland.</p> + +<p>"Beg your pardon. Nothing worth while. I haven't been so happy for a +year. Let me explain. I have a little money, pretty well invested. I +also have lungs, I believe. The doctors don't quite agree about that, +however. The last one gave me six months to live. That was a year ago. I +owe him an apology and six months. I'm not afraid, exactly, and I'm +certainly not glad. But I want to forget it. That's all. Go ahead about +that desert and the gold. I'm listening."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_X" id="CHAPTER_X"></a> +<span class='pagenum'><a name="Page_98" id="Page_98">98</a></span> +<h2>CHAPTER X</h2><h3>"PERFECTLY HARMLESS LITTLE OLE TENDERFOOT"</h3> +</div> + +<p>William Stanley Winthrop woke next morning with a vague impression of +having lost something. He gazed indolently at the sunlight filtering +through the curtains of his sleeping-room. Beyond the archway to the +adjoining room of his suite, a ray of sunshine lay like living gold upon +the soft, rich-hued fabric of the carpet.</p> + +<p>"Gold!" he murmured. "Mojave Desert! Overland Red! Lost gold! No, it +isn't the two hundred dollars I invested in the rascal's story, for it +was worth the money. I never spent four happier hours in my life, at +fifty dollars an hour. The best of it is he actually made me believe +him. I think he believed himself."</p> + +<p>Winthrop sat up in bed, yawning. "I think black coffee will be about +all, this morning," he murmured, as he dressed leisurely.</p> + +<p>He was tying a fastidiously correct bow on his tan oxford when he +happened to glance out of the window. It was early, altogether too +early, he reflected, to appear in the breakfast-room of the<span class='pagenum'><a name="Page_99" id="Page_99">99</a></span> hotel. +Winthrop's indefinite soliloquy melted into the rapt silence of +imagination. Below on the smooth black pavement pattered two laden +burros. On their packs hung dusty, weatherworn canteens, a pick and +shovel, and a rifle in its soiled and frayed scabbard. The sturdy, +shaggy burros followed a little, lean old man, whose flop-brimmed hat, +faded shirt, and battered boots told a tale of the outlands, whispered +of sun-swept immensities, of sage and cacti, sand and silence. Winthrop +drew a long breath. Such an adventurer was the Overland Red he had +talked with the evening previous. The tramp had mentioned a town far out +on the desert. Winthrop sauntered down to the deserted office and +secured a timetable.</p> + +<p>When the east-bound express left Los Angeles the following morning, +Winthrop was aboard, uncomfortably installed in the private drawing-room +of a sleeper. He had cheerfully paid the double fare that he might have +the entire space to himself, and he needed it. Around him, on the floor, +in the seats, in the racks, and on the hooks were innumerable packages, +bags, and bundles.</p> + +<p>"Very eccentric. He must be rich," whispered the wife of a dry-goods +merchant from Keokuk, as her husband pushed her ahead of him past the +door of the drawing-room.</p> + +<p>"Just plain hog!" said the dry-goods merchant.<span class='pagenum'><a name="Page_100" id="Page_100">100</a></span> "A man that'll pay +double fare to have the whole earth to himself when other folks has to +be packed into a berth and suffocate! The conductor said he paid double +to Chicago to get that compartment, and he's only goin' out in the +desert a little ways. I'd 'a' took it myself."</p> + +<p>"Well, we could hardly afford it, anyway," said the woman pleasantly. +"We've had such a good time I don't mind sleeping in a berth, Hiram."</p> + +<p>They crowded on and finally found their seats.</p> + +<p>Winthrop smiled to himself. He liked the woman's voice.</p> + +<p>He lighted a cigarette and gazed wistfully, even despairingly, at the +"outfit" which surrounded him. He sighed. "Awful accumulation of +plunder. Wonder what I'll do with it?"</p> + +<p>As the train climbed the grade beyond San Bernardino, he grew restless. +Flinging down his cigarette, he began unwrapping his belongings. Out +came blankets, extra clothing, a rifle, canteens of several patterns, +two pack-saddles, a coil of rope, a pair of high lace boots,—hobnailed, +heavy, and unserviceable,—a pocket compass, a hunting-knife, a patent +filter, two halters, two galvanized pails, a small, compact, silk tent, +an axe, a fishing-rod, a rubber cup, a box of cigars, a bottle of +brandy, several neckerchiefs, a cartridge-belt,<span class='pagenum'><a name="Page_101" id="Page_101">101</a></span> a Colts revolver of +large and aggressive caliber, cartridges, a prospector's pick, a shovel, +a medicine-case, a new safety razor, a looking-glass, a clinic +thermometer, and a copy of "Robinson Crusoe."</p> + +<p>He pondered over the agglomeration of articles pensively. "He was a good +salesman," he said, smiling. "I'll be either a juggler or a strong man +before I'm through with these things. I think I'll begin now and +re-pack. I'll make one glorious bundle of it. That's the ticket!"</p> + +<p>Winthrop went to work, whistling cheerfully. He spread the blanket and +rearranged his possessions, finally rolling them up into an uncertain +bundle which he roped with the weird skill of the amateur packer. He +tried to lift the bundle to the opposite seat. He decided to leave it on +the floor.</p> + +<p>Over the grade and on the level of the desert the train gathered speed. +The shimmering spaces revolved slowly, to meet the rushing track ahead. +Hour after hour sat Winthrop, reading and occasionally glancing out +across the desert. His was the wildest of wild-goose chases. A stranger +had told him of a mysterious ledge of gold somewhere out on the desert, +and the stranger had named a desert town—the town toward which Winthrop +was journeying. Would the eccentric Overland Red be there? Winthrop<span class='pagenum'><a name="Page_102" id="Page_102">102</a></span> +hoped so. He wanted to believe that this Ulysses of the outlands had +spoken truth. He imagined vividly Overland Red's surprise when one +William Stanley Winthrop, late of New York, should appear, equipped to +the chin and eager to participate in the hunt for the lost gold. Then +again, the prospector might not care to be burdened with the +companionship of a tenderfoot. Still, the uncertainty of his welcome +lent zest to Winthrop's enterprise. He closed the door of his +drawing-room and wound through a mahogany maze toward the dining-car.</p> + +<hr style='width: 45%;' /> + +<p>Next morning, as the train slowed down for the desert town, Winthrop was +in the vestibule, peering out anxiously. It did not occur to him that +Overland Red knew nothing of his coming, or that the other would be +waiting on the station platform if he did. The tramp had not the +faintest desire to make himself conspicuous. Some of Winthrop's +enthusiasm had evaporated during the hot night in the sleeper.</p> + +<p>"Thank you very much," called the lady from Keokuk, Iowa.</p> + +<p>"Don't mention it," said Winthrop, disembarking behind the porter with +his "plunder." Then, as the Pullman slid away, Winthrop deliberately and +gracefully threw a kiss to the dry-goods merchant's wife. "Nice little +woman," he<span class='pagenum'><a name="Page_103" id="Page_103">103</a></span> reflected. "Too nice to associate with that grampus. Well, I +hope they'll enjoy the rest of the trip in the drawing-room. I'm glad I +was able to arrange it."</p> + +<p>He watched the train crawl down the track. He wondered how long he would +be able to distinguish the pattern of the brasswork on the observation +car-rail.</p> + +<p>Out of the empty distance came the <i>click</i>, <i>clink</i>, <i>clank</i> of hammers +and shovels as the section-men, a mile down the track, stepped into work +behind the train.</p> + +<p>"Prospectin'?" queried a lank individual, slouching up to Winthrop.</p> + +<p>"A little," said Winthrop. "It's pretty dry work."</p> + +<p>"Uhuh. It's goin' to be hot about noon."</p> + +<p>"I suppose so. Will you kindly give me a hand with this monstrosity," +said Winthrop, indicating the pack. "The agent seems to be busy."</p> + +<p>"Sure! She ain't roped very tight."</p> + +<p>Which proved to be true. The bundle, with a kind of animate +indifference, slowly sagged, opened, and things began to trickle from it +in its journey across the platform. Among the things was the bottle of +brandy. The lank individual picked this up tenderly and set it to one +side. Winthrop noticed his solicitude, and smiled.</p> + +<p>"We can rope 'em up again," said the lank<span class='pagenum'><a name="Page_104" id="Page_104">104</a></span> one, suddenly becoming +enthusiastic. "My name's Jim Hicks. I'm constable here."</p> + +<p>"I see. Well, I'm William Winthrop, from Los Angeles. I'm a naturalist. +Will you accept a cigar?"</p> + +<p>"Thanks. You want to pack this here bottle, too?"</p> + +<p>"Not right away. Whew! It is getting hot."</p> + +<p>"Goin' up to the hotel?" queried the constable.</p> + +<p>Winthrop glanced along the street. The hotel did not look inviting. "I +don't know. I'd like to get in the shade somewhere."</p> + +<p>"There's old Fernando's 'dobe down the track under them pepper trees. +He's a friend of mine. He ain't to home to-day. Mebby you'd like to set +down there and wait for your friend."</p> + +<p>"My friend?"</p> + +<p>"Why, ain't you waitin' for anybody? You ain't goin' to tackle that +bug-huntin' trip alone, be you? It's dangerous out there for a +tenderfoot. Now I have took folks out, and brought 'em back all +right,—gone as far as them hills over there, and that's a good jag from +here,—and I only charge four dollars a day and grub."</p> + +<p>"I thought you said you were constable?"</p> + +<p>"So I be. Takin' parties across the desert is on the side. How far you +figurin' on goin'?"</p> + +<p>"I haven't made up my mind yet. Say we go<span class='pagenum'><a name="Page_105" id="Page_105">105</a></span> down as far as the adobe you +spoke about, as a beginning. Perhaps we can arrange terms."</p> + +<p>"I'm on, pard," said the constable.</p> + +<hr style='width: 45%;' /> + +<p>Under the pepper trees shading Fernando's adobe sat Winthrop and the +constable. The brandy-bottle was half empty and a box of cigars was open +beside it on the bench. The afternoon shadows were lengthening. The +constable had been discursive, voluminous, in his entertaining. Time was +as nothing. He borrowed generously of to-morrow and even the next day. +He became suddenly quite fond of this quiet, gentlemanly chap opposite +him, who said little, but seemed to be a prince of good fellows.</p> + +<p>"'S this way," said the constable, leaning forward and waving his cigar. +"You're fren' of mine—sure thing. 'S af'ernoon now, but I was plumb +fooled this mornin'. Y' know i's af'ernoon now. Thought you was the guy +I'm lookin' for. H'overlan' Red—bum—tram'. Wire from Loshangeles to +upperan' him if he shows up here. See?"</p> + +<p>"You're not quite clear to me," replied Winthrop. "But never mind about +apprehending any one. Let's talk about this glorious prospect of sand, +silence, and solitude. I feel like a fallen angel. Never mind about +arresting anybody. Life is too short. Let's talk of roses."<span class='pagenum'><a name="Page_106" id="Page_106">106</a></span></p> + +<p>"Roshes! Huh!" sniggered the constable. "You're kin' of sof, ain't you? +Roshes nothin'! I'm goin' talk 'bout business. It's business, my +business to talk 'bout it, see? 'T ain't your business. You c'n lissen, +an' when I get through, then you c'n talk roshes."</p> + +<p>"But what is your business?" asked Winthrop, with an indifference that +he did not feel.</p> + +<p>"S-s-s-h-h! I'm cons'able. Tha's on the quiet. Thousand dollars rewar' +f'r th' appr'enshun of 'Verlan' Red. Thought you was him—hic—hee! +hee!"</p> + +<p>"Please don't laugh like that. It hurts my feelings," said Winthrop. "It +is bad enough to be taken for a—er—tramp."</p> + +<p>"Nobody's feelin's—pologishe. '<i>Course</i> you ain' him! You're jus' a +li'l' ole ten'erfoot—perfec'ly harmless li'l' ole ten'erfoot."</p> + +<p>"Thanks. May I ask you to have another?"</p> + +<p>"Nope. 'Nough's 'nough. 'S time f'r dinner."</p> + +<p>"Nearly. Well, if you flatly refuse to drink my health, I'll have to +drink it alone, and that's rather egotistical, isn't it?"</p> + +<p>"Never. B' Gosh! You're sport. Funny li'l' ole ten'erfoot—perf'ly +harmless. Sure, I'll drink all th' health you got, 'n then go +home—dinner."</p> + +<p>"One will be sufficient, I think," said Winthrop.<span class='pagenum'><a name="Page_107" id="Page_107">107</a></span></p> + +<p>"Sufficen' wha'?" And the constable leered cunningly.</p> + +<p>"To drown all pangs. Well, here's pleasant dreams."</p> + +<p>Far down the line came the faint thrill of wheels and the distant, +clear-cut blast of a locomotive. The local freight from Los Angeles was +whistling for the "block."</p> + +<p>Winthrop glanced at his watch, then at the constable. "What train is +that?" asked the Easterner.</p> + +<p>The constable's eyelids drooped, then opened languidly. "Railro' train, +'f course." And he slid forward to his elbow and thence to the bench. +Presently he snored.</p> + +<p>Winthrop strolled toward the approaching train. "Pretty stiff session," +he commented. "Now if happy chance should bring Overland Red on this +freight, with his burro and outfit; I'll have one reason to offer for +wanting to go with him. I've probably saved him some annoyance, +indirectly, but rather effectively, I think."</p> + +<p>The great oil-burning locomotive roared in, casting heat-waves that +smelled of steam, iron, and mechanical energy. The hot air sickened +Winthrop.</p> + +<p>A car was cut out and shunted to a siding. Then the engine, pausing to +drink a gargantuan<span class='pagenum'><a name="Page_108" id="Page_108">108</a></span> draught at the tank, simmered away in the dusk, +clanking across the switch-points. A figure leaped from the freight-car +to the ground. Then out came a burro and several bundles. The figure +strode to the station and filled two canteens. Winthrop walked toward +the burro. When he of the burro and canteens returned, he found Winthrop +stroking the little animal's nose.</p> + +<p>"What the—! How the—! Who lost you out here?" asked Overland.</p> + +<p>Winthrop spoke rapidly and to the point. "Express this morning. Lonesome +again. Thought I'd make a change. My outfit is over at the station. +Don't say 'No' before you hear me. You're going to need me—tenderfeet +and all."</p> + +<p>"But you can't—"</p> + +<p>"Wait. The local constable has a wire from the Los Angeles police to +look out for you. Perhaps you got this far because you're traveling in a +freight-car. No doubt all the passenger trains have been watched all +along the line. The constable has been my—er—my guest since morning. +He is asleep now. I had to do it. He told me, after either the sixth or +seventh glass, I forget which, that he was looking for you. Come on over +to the station and inspect my outfit, please. I think we had better +vanish."</p> + +<p>Overland breathed once, deeply. "Lead me to<span class='pagenum'><a name="Page_109" id="Page_109">109</a></span> it!" he exclaimed. "You got +my number. I guess you're some lame chicken, eh? No? I'll never call you +a tenderfoot as long as I live. Shake!"</p> + +<p>The inspection of the outfit was brief. "Take the Colts and the +cartridges, and the blankets and the rope. T' hell with the rest."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XI" id="CHAPTER_XI"></a> +<span class='pagenum'><a name="Page_110" id="Page_110">110</a></span> +<h2>CHAPTER XI</h2><h3>DESERT LAW</h3> +</div> + +<p>Away out in the night of stars and silence plodded the patient burro, +and beside him shuffled Overland Red and Billy Winthrop.</p> + +<p>"We'll fool 'em," said Overland. "Keep joggin'. We'll be over the range +before mornin'. Then let 'em find us."</p> + +<p>Winthrop, staggering along, felt his moral stamina crumbling within him. +"I don't know—about that. Perhaps I'll be a drag to the expedition. I'm +pretty tired."</p> + +<p>Overland, experienced in the remorse that follows liquor on an empty +stomach, swore vigorously and picturesquely. "You'll stick! Do you +suppose I'd shake you now after you overcomin' a genuine nickel-plated +desert constable? Nix. That ain't my style. You believed me when I said +I was comin' to this particular town. It's worth somethin' to have a +fella around that believes a fella once in a while. But what I want to +know is, why you done up the constable so offhand like, not knowin' +whether I'd show up here or not?"</p> + +<p>"Why?" And Winthrop smiled wanly. "Because<span class='pagenum'><a name="Page_111" id="Page_111">111</a></span> I'm a perfectly harmless +little old tenderfoot." And his voice caught as he tried to laugh.</p> + +<p>An hour of plodding through the dusk, two hours, and they were at a +water-hole near the northern hills. Overland unroped one of the packs, +made a fire, and presently had some hot coffee for his companion, who +was pretty well used up. Nature was taking inexorable toll for his +conquest of the constable.</p> + +<p>"You take it easy and don't worry," said Overland.</p> + +<p>Winthrop raised on his elbow and gazed at the tiny fire. "Tiger, tiger +burning bright!" he quoted.</p> + +<p>"This here coffee'll fix you right," responded Overland Red, grinning. +"Didn't know I was a pote, did you? Now if I was a doc, I'd give you a +shot in the arm that would put you to sleep. Seein' I ain't, it's coffee +for yours."</p> + +<p>"Do you think they will follow us?" Winthrop asked presently.</p> + +<p>"As sure as snakes," said Overland. "And this here water-hole is the +first place they'll strike for. They'll wait till mornin' to find our +trail."</p> + +<p>"When they do find it?"</p> + +<p>"I'll show 'em a Mexican trick with a hole in it. You go to sleep, +pardner."</p> + +<hr style='width: 45%;' /> + +<p>The moon rolled down to the rim of the world.<span class='pagenum'><a name="Page_112" id="Page_112">112</a></span> The infinitesimal +mountain peaks rose slowly along the lower edge of the flat silver +shield, black and growing bolder in outline and size as they blotted +half, three quarters, finally all of the burnished radiance. Then along +the edge of the far range ran an instant delicate light, a light that +melted into space and was gone, leaving a palpitating glory of myriad +summer stars.</p> + +<p>The little fire died down. The barren outland wastes slumbered in the +charitable dusk of night.</p> + +<p>Overland, cross-legged on his blanket, smoked moodily. His thoughts +drifted out on the tide of silence to Moonstone Cañon and Collie and the +Rose Girl, Louise Lacharme. For them he planned impossibly. Of them he +dreamed absurd dreams.</p> + +<p>Out of the flotsam of his pondering came memories of other nights such +as this, desert nights on the border ranges of old Mexico—that lost +world of his adventurous youth. Mingled with his waking dreams were the +sounds of many familiar names—Sonora, Trevino, Nueva Laredo, Nava, San +José, Las Cruces, Nogales, Yuma, San Antonio,—each a burning ember of +memory that glowed and faded while the music of silver strings and +singing girls pulsed rhythmically in the stillness—to break at last +into the querulous wailing of a lone coyote. Winthrop stirred restlessly +and muttered.<span class='pagenum'><a name="Page_113" id="Page_113">113</a></span></p> + +<p>All at once the tramp realized that this easygoing young Easterner, +wealthy, unused to hardship, delicate of health, had his battle to +fight, as well. "I've knowed 'em to get over it," reflected Overland. +"She's high and dry up here on the desert, and I reckon to go where it's +higher. He's game, but he's desp'rate. He's tryin' to dodge the verdict, +which can't be did. Well, if excitement will help any, I guess he's +ridin' the right range. If he's got to pass over, he might as well go +quick. Mebby he's the best kind of a pal for this deal, after all."</p> + +<p>Overland looked across at the muffled form. "Pardner!" he called. +Winthrop did not answer.</p> + +<p>"Well, it saves explainin'," muttered the tramp, and he rose quietly. He +gathered the few camp-utensils together, rolled his blankets, brushed +sand over the embers of the fire, and groped stealthily toward the +burro. He roped the pack, glancing back toward the water-hole +occasionally. Winthrop slept heavily.</p> + +<p>"Guess I'll go back and get that gun," muttered Overland. "I might need +two; anyway, he might wake up and plug his old friend the constable +before he knowed it. I ain't givin' a whoop for the constable, but I +don't want to see the kid get in wrong."</p> + +<p>Then Overland, wily and resourceful in border<span class='pagenum'><a name="Page_114" id="Page_114">114</a></span> tactics, led the burro +round the camp in a wide circle, from which he branched toward the hills +to the north. For two hours he journeyed across the starlit emptiness. +Arriving at a narrow cañon in the foothills, he picketed the burro. Then +he sat down. Why not continue with his pack and provisions? He could +camp in the fastness of the mountain country and explore it alone. He +would run less risk of capture. Winthrop was not strong. The Easterner +meant well enough, but this was the desert.</p> + +<p>The blue of the eastern horizon grew shallower, changing to a cold thin +gray which warmed slowly to the straw color of tempering steel. The +tramp, watching the sky, shook his clenched fist at the dawn. "You, up +there!" he growled. "You didn't give me a square deal when I was down +and out that time—in Sonora. I had to crawl to it alone. But I'll show +you that I'm bigger than you. I'm goin' back to the tenderfoot and see +him through if I swing pole-high for it."</p> + +<p>It was light when the tramp had arrived at the water-hole. He crept +behind a sharp dip in the hummocks. The crest of his hiding-place was +covered with brush. It was a natural rifle-pit affording him seclusion +and shelter.</p> + +<p>With the sun came the faint thud of hoofs as two riders came warily up +to the water-hole.<span class='pagenum'><a name="Page_115" id="Page_115">115</a></span> One dismounted and stooped over Winthrop. The other +sat his horse, silent, vigilant, saturnine.</p> + +<p>"Say, where's your pal, that there Overland Red guy?" asked the +constable, shaking Winthrop awake and glaring at him with a bleared and +baleful eye.</p> + +<p>The man on the horse frowned, considering, in the light of his +experience as a successful and still living two-gun man, that such +tactics were rather crude.</p> + +<p>The Easterner sat up, coughed and blinked in the dawn. "Where is what? +Why, good-morning! You're up early." And his eye swept the empty camp. +So Overland Red had deserted him, after all. He might have expected as +much. "I haven't any 'pal,' as you can see. I'm out here studying insect +life, as I told you I would be, yesterday. You needn't shake me any +more. I'm awake. I can't say that I'm exactly pleased with my first +specimen."</p> + +<p>"Oh! I'm a specimen, am I? I'm a insect, hey? Well, you're crooked, and +you just talk up quick or the calaboose for yours!"</p> + +<p>"No. I beg your pardon—but, no. You are in no condition, this morning, +to talk with a gentleman. However, you are my guest. Have a cigar?"</p> + +<p>The horseman's eyes twinkled. He admired<span class='pagenum'><a name="Page_116" id="Page_116">116</a></span> the young Easterner's +coolness. Not so the constable.</p> + +<p>"See here, you swindlin' tin-horn shell-shover, you cough up where +Overland Red is or there'll be somethin' doin'. You doped that booze +yesterday, but you can't throw no bluff like that to-day."</p> + +<p>"I did what? Please talk slowly."</p> + +<p>"You doped that booze you—"</p> + +<p>Much to the constable's surprise he found himself sitting on Winthrop's +blankets and one of his eyes felt as though some one had begun to stitch +it up quickly with coarse thread.</p> + +<p>Winthrop, smiling serenely, nodded. "Sorry to have to do it. I know I +don't look like that kind, and I'm not, but I happen to know how."</p> + +<p>The constable got to his feet.</p> + +<p>"I didn't doctor the brandy, as you intimated," said Winthrop. "And you +needn't finger that belt of yours. I haven't a gun with me, and I +believe it is not the thing for one man to use a gun on another when +the—er—victim happens to be unarmed."</p> + +<p>The horseman, who had courage, admired Winthrop's attitude. He rode +between them. "Cut it out, Hicks," he said. "You're actin' locoed. Guess +you're carryin' your load yet. I'll talk to the kid. We 're losing time. +See here, stranger...."<span class='pagenum'><a name="Page_117" id="Page_117">117</a></span></p> + +<p>Overland, watching and listening from his hiding-place, grinned as the +constable sullenly mounted his horse.</p> + +<p>Winthrop politely but firmly declined to acknowledge that he had had a +companion. Overland was pleased and the riders were baffled by the young +man's subtle evasion of answering them directly.</p> + +<p>"Size of it is, you're stung," said the man who had questioned Winthrop +last. "He's lit out, now he's done you."</p> + +<p>To this the Easterner made no reply.</p> + +<p>The horsemen rode away, following the circle of burro tracks toward the +hills. Winthrop watched them, wondering what had become of his +companion. He could hardly believe that the tramp had deserted him, yet +the evidence was pretty plain. Even his revolver was gone, and his belt +and cartridges. Winthrop yawned. He was hungry. There was no food. But +there was water. He walked toward the water-hole.</p> + +<p>"Stand still—and listen," said a voice.</p> + +<p>Winthrop jumped back, startled and trembling. The voice seemed to come +from the water-hole at his feet.</p> + +<p>"Over here—this way," the voice said.</p> + +<p>Winthrop smiled. If it were a disembodied spirit talking, it was no +other than the spirit of Overland Red. The accent was unmistakable.<span class='pagenum'><a name="Page_118" id="Page_118">118</a></span> The +Easterner glanced round and observed a peculiar something behind the +brush edging the rise beyond the water-hole.</p> + +<p>"It's me," said Overland, still concealed. "Thought I quit you, eh? Are +them fellas out of sight yet?"</p> + +<p>"No. They're still in sight. They are too far to see anything, though."</p> + +<p>"And you can see them all right, son? That don't figure out correct."</p> + +<p>Winthrop laughed. "That's so. Where's the burro?"</p> + +<p>"He's hid—right in plain sight up a little arroyo."</p> + +<p>"Won't they find him, and confiscate him and the things?"</p> + +<p>"Not on your life! 'T ain't exactly healthy, even for constables, to go +round confiscatin' outfits they don't know who's connected with. They +can't say for sure that burro and stuff is mine. They'll look it over +and leave it right there."</p> + +<p>"But why did you come all the way back here?" asked Winthrop.</p> + +<p>"Seein' they's lots of time, I'll explain. If I had kep' on goin', they +would 'a' trailed me, and mebby got a crack at me in them hills. They +are two to one, and they could get me at night. Now they'll either give +it up, or spot my back tracks and find me here. That's all."<span class='pagenum'><a name="Page_119" id="Page_119">119</a></span></p> + +<p>"Perhaps that won't be all," ventured Winthrop, walking toward the ridge +where Overland lay concealed.</p> + +<p>The tramp grinned up at him. "Mebby not, pardner. You was tellin' +Sweeney Orcutt back in Los Angeles that you wanted to get up against the +real thing. I reckon you bought the right ticket this trip."</p> + +<p>"Will they—will there be any shooting?" asked the Easterner.</p> + +<p>"Not if I can help it," replied Overland. "I borrowed your gun on the +chance of it. 'Course, if they get sassy, why, they's no tellin' what +will happen. I'm mighty touchy about some things. But listen! I'm actin' +as your travelin' insurance agent, pro temperly, as the pote says, which +means keepin' your temper. If they do spot me, and get foolish enough to +think that I got time to listen to any arguments against my rights as a +free and unbranded citizen of the big range, why, you drop and roll +behind the first sand-hill that is a foot high. After the smoke blows +away, I'll be dee-lighted to accept your congratulations."</p> + +<p>"I guess you mean business," said Winthrop, becoming serious. "I'm game, +but isn't there any other way out of it?"</p> + +<p>"Not for me, son. What chance would I have with the whole desert town to +swear against me?<span class='pagenum'><a name="Page_120" id="Page_120">120</a></span> They're after the gold, and they reckon to scare me +into tellin' where it is. I'm after that same gold, and I don't reckon +to be bluffed off by a couple of pikers like them."</p> + +<p>"The dark one, the man on the bay horse, seemed to be a pretty +capable-looking individual," said Winthrop.</p> + +<p>"Glad you noticed that. You're improvin'. He is a capable gent. He's a +old two-gun man. Did you see how he had his guns tied down low so they +would pull quick. Nothin' fancy about him, but he's good leather. The +other one don't count."</p> + +<p>"What shall I do when they come back?"</p> + +<p>"You jest go to studyin' bugs or rattlesnakes or tarantulas or +somethin'. Make a bluff at it. If they ask you anything, answer 'em nice +and polite, <i>and so I can hear</i>. A whole pile depends on my keepin' up +with the talk. I'll figure from what they say, or don't say."</p> + +<p>"They seem to be turning. They've stopped. One of them is down on the +ground looking at something. Now he's up again. They're riding back," +said Winthrop.</p> + +<p>"They cut my back trail," said Overland, snuggling down behind the +brush. "You go and set down by the water-hole and find a bug to study."</p> + +<p>"Are you going to fight?"<span class='pagenum'><a name="Page_121" id="Page_121">121</a></span></p> + +<p>"Not if it can be helped. Otherwise—till me wires are down and me lamps +are out. She's desert law out here. They seems to be some chance for a +argument about who's goin' to be judge. I'm out for the job myself. I +reckon to throw about fifteen votes—they's six in your gun and nine in +the automatic. The election is like to be interestin' and close."</p> + +<p>"I wish I could help," said the Easterner.</p> + +<p>"You can—by keepin' your nerve," replied Overland. Then he rolled a +cigarette and lay smoking and gazing at the sky. Winthrop watched the +approaching horsemen. Presently he got up and sauntered to the +water-hole.</p> + +<p>The tramp lay curled like a snake behind the mound. He drew Winthrop's +gun from its holster and inspected it, shaking his head as he slid it +back again. "She's new and will pull stiff. That means she'll throw to +the right. Well, I got the little Gat. to open up the show with."</p> + +<p>William Stanley Winthrop, despite his resolution, found that his hands +trembled and that his heart beat chokingly. He wanted to shout, to run +out toward the horsemen, to do anything rather than sit stupidly silent +by the water-hole.</p> + +<p>The two riders loped up. The constable dismounted. "Nothin' doin'," he +said, stooping to drink.<span class='pagenum'><a name="Page_122" id="Page_122">122</a></span></p> + +<p>"No. Nothing doing," echoed the man on horseback.</p> + +<p>"That," muttered Overland Red, squirming a little higher behind the +bushes, "was intended for me. I know that tone. It means there's a hell +of a lot doin'. Well, I'm good and ready." And he lifted both of his +red, hairy hands to the edge of the hole and both his hands were +"filled."</p> + +<p>About then the man on the pony began to ride out from the water-hole in +a wide circle. The constable came from the spring. Overland noticed that +he kept Winthrop between himself and the sage on the ridge. "That +settles it," Overland swiftly concluded. "They're on. I'm right sad to +have to do it."</p> + +<p>The heavy, space-blunted report of the circling horseman's gun—and +Overland calmly spat out the sand that flitted across his lips. The +rider had ventured a shot and had ridden behind a ridge instantly.</p> + +<p>Winthrop exclaimed at these strange tactics.</p> + +<p>"He seen a jack run in there," explained the constable, leering.</p> + +<p>"This here's gettin' interestin'," mumbled Overland as the constable +unholstered his gun and sauntered toward the ridge. "I got to get the +gent on the cayuse. The other one don't count."</p> + +<p>The rider had appeared from behind the ridge.<span class='pagenum'><a name="Page_123" id="Page_123">123</a></span> Slowly Overland raised +his right hand. Then the old fighting soul of Jack Summers, sheriff of +Abilene, rebelled. "No! Dam' if I'll ambush any white man." And he +leaped to his feet. "Overland Limited!" he shouted, and with his +battle-cry came the quick tattoo of shots. The horseman wavered, doubled +up, and pitched forward to the sand.</p> + +<p>Overland Red dropped and rolled to one side as the constable's gun +boomed ineffectually. The tramp lay still.</p> + +<p>A clatter of empty stirrups, the swish of a horse galloping past, and +silence.</p> + +<p>Slowly the constable approached Overland's prostrate figure. "Time's up +for you!" he said, covering the tramp with his gun.</p> + +<p>"Water!" groaned Overland.</p> + +<p>"Water, eh? Well, crawl to it, you rat!"</p> + +<p>Winthrop, his heart thumping wildly, followed the constable. So this was +desert law? No word of warning or inquiry, but a hail of shots, a +riderless horse,—two men stretched upon the sand and the burning sun +swinging in a cloudless circle above the desolate silence.</p> + +<p>"You seem to kind of recognize your friend now," sneered the constable.</p> + +<p>That was too much for Winthrop's overstrung nerves. His pulses roared in +his ears. With a leap he seized the constable's gun and twisted<span class='pagenum'><a name="Page_124" id="Page_124">124</a></span> at it +with both hands. There was an explosion, and Winthrop grinned savagely, +still struggling. With insane strength he finally tore the gun from the +other's grasp. "You're the only coward in this affair," he gasped, as he +levelled the gun at the constable. That officer, reading danger in +Winthrop's eye, discreetly threw up his hands.</p> + +<p>"Good!" exclaimed Overland, sitting up suddenly. "That was risky, but it +worked out all right. I had a better plan. You go set down, Billy. I'll +see this gent safe toward home."</p> + +<p>Winthrop laughed hysterically. "Why, you—you—you're a joke!" he cried. +"I thought—"</p> + +<p>"So did the little man with the pie-pan pinned on his shirt," said +Overland. "You keep his gun. I got to see how bad the other gent's hit."</p> + +<p>An hour later the constable of the desert town led his pony toward the +railroad. On the pony was his companion, with both arms bandaged. He +leaned forward brokenly, swaying and cursing. "I'll—get him, if it +takes—a thousand years," he muttered.</p> + +<p>"I reckon it'll take all of that," growled the constable. "You can have +all you want of his game, Saunders,—I'm through."</p> + +<p>Out by the water-hole, Overland turned to Winthrop. "I'm glad you +enjoyed the performance," he said, grinning. "We've opened the pot and +the best man rakes her down. She's desert law from now to the finish."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XII" id="CHAPTER_XII"></a> +<span class='pagenum'><a name="Page_125" id="Page_125">125</a></span> +<h2>CHAPTER XII</h2><h3>"FOOL'S LUCK"</h3> +</div> + +<p>Gaunt, unshaven, weary, Winthrop rested on the crest of the northern +range. Overland, looking for water, toiled on down the slope with the +little burro. Winthrop rose stiffly and shuffled down the rocks. Near +the foot of the range he saw the burro just disappearing round a bend in +a cañon. When he came up with Overland, the tramp had a fire going and +had pitched the tent. The cañon opened out to a level green meadow, +through which ran a small stream. They had come a long day's journey +from the water-hole on the other side of the range. They were safe from +ordinary pursuit. That evening beside the fire, Overland Red told again +the story of the dead prospector, the gold, and the buried papers. In +his troubled slumbers the Easterner dreamed of pacing along the track +counting the ties, and eventually digging in the sand, digging until his +very soul ached with the futility of his labor. Waking, he never lost +faith in the certainty of finding the place. He now knew the tramp well +enough to appreciate that the other had not risked his own life and +nearly killed one<span class='pagenum'><a name="Page_126" id="Page_126">126</a></span> of his pursuers through sheer bravado, or fear, or +personal hatred. Something more potent was beneath the tramp's +motives—some incentive that was almost a religion. So far, Winthrop was +correct. He erred, however, in supposing Overland to be obsessed with a +mania for gold for its own sake. The erstwhile sheriff of Abilene had +dreamed a dream about an adopted waif and a beautiful young girl. The +dream was big. Its fulfillment would require much money. There was more +of the poet in Overland Red than his best friend had ever imagined.</p> + +<p>Three days they rested in the wild seclusion of the cañon. The silence, +the solemnity of the place, fascinated Winthrop. The tiny stream, cold +and clear, the vegetation, in a region otherwise barren-gray and +burning,—the arid Mojave with its blistering heat, the trees, the +painted rocks,—ochre, copper, bronze, red, gray, and dim lilac in the +distances,—the gracious shade, the little burro, half ludicrous, half +pathetic in its stolid acceptance of circumstances,—all had a charm for +him that soothed and satisfied his restlessness.</p> + +<p>Meanwhile the indefatigable Overland spun yarn after yarn of the road +and range, and rolled innumerable cigarettes with one hand, much to +Winthrop's amusement.</p> + +<p>The third morning Winthrop had awakened<span class='pagenum'><a name="Page_127" id="Page_127">127</a></span> feeling so completely refreshed +that he begged Overland to allow him to make an attempt to find the +hidden papers and the little bag of gold. Overland demurred at first, +fearing that the Easterner would become lost or stricken with the heat. +Throughout the day Winthrop argued stubbornly that he ran no risk of +capture, while Overland did. He asserted that he could easily find the +water-hole, which was no difficult task, and from there he could go by +compass straight out to the tracks. Overland had told him that somewhere +near a little culvert beneath the track was the marked tie indicating +the hiding-place of the dead prospector's things. It would mean a +journey of a day and a night, traveling pretty continuously.</p> + +<p>Finally Overland agreed to Winthrop's plan to make the attempt the +following day.</p> + +<hr style='width: 45%;' /> + +<p>At the foot of the range Overland gave his companion a canteen and a +piece of gunnysack wrapped round some hardtack and jerked beef.</p> + +<p>"Don't I need my gun this time?" queried Winthrop.</p> + +<p>"Nope, Billy. 'Cause why? You don't generally kill a little gopher or a +little owl that's settin' up tendin' to his business, because you ain't +scared of them. But you will go off of the trail to kill a rattler, a +side-winder, because he's able<span class='pagenum'><a name="Page_128" id="Page_128">128</a></span> to kill you if he takes a notion. +Correct. Now a tenderfoot totin' a gun is dangerouser than any rattler +that ever hugged hisself to sleep in the sun—and most fellas travelin' +the desert knows it. Why, I'm plumb scared of a gun-totin' tenderfoot, +myself. Not havin' a gun will be your best recommend, generally +speakin'. Stick to the bugs, Billy; stick to the bugs."</p> + +<p>"Well, you ought to know."</p> + +<p>"I got seven puckers in my hide to prove what I say. Six of 'em were put +there by plumb amachoors in the gun line; fellas I never took pains to +draw on quick, never suspectin' nothin'. The other, number seven, was +put there by a gent that meant business. He died of a kind of lead +poisonin' right immediate."</p> + +<p>They shook hands, the battered, sunburned adventurer, rough-bearded, +broad-chested, genial with robust health, and the slender, almost +delicately fashioned Easterner, who had forgotten that there were such +things as lungs, or doctors,—for the time being.</p> + +<p>"Say, Billy, you need a shave," commented Overland, as the other turned +to begin his journey across the desert.</p> + +<p>Winthrop grinned. "You need—er—decapitating," he retorted, glancing +back. Then he faced the south and strode away.</p> + +<p>Overland, ascending the range, paused halfway<span class='pagenum'><a name="Page_129" id="Page_129">129</a></span> up. "Decap-itating," he +muttered. "Huh! That's a new one on me. De-cap—Let's see! Somethin' to +do with a fella's hat, I reckon. It's easy to run a word down and hole +it if you got brains. Mebby Billy meant for me to get a new one. Well, +the constable's friend only put one hole in her—she's a pretty good hat +yet."</p> + +<hr style='width: 45%;' /> + +<p>Overland found his slow way back to the hidden cañon. He felt a little +lonely as he thought of Collie. He gave the burro some scraps of camp +bread, knowing that the little animal would not stray so long as he was +fed, even a little, each day.</p> + +<p>It was while he was scouring the fry-pan that he noticed the black sand +across the stream. Leisurely he rose and scooped a panful of the sand +and gravel and began washing it, more as a pastime than with an idea of +finding gold. Slowly he oscillated the whispering sand, slopping the +water out until he had panned the lot. He spread his bandanna on a +smooth rock and gently emptied the residue of the washing on it. +"Color—but thin," he said. "Let's try her again."</p> + +<p>He moved farther upstream—this time with one of his regular pans. He +became absorbed in his experiment. He washed panful after panful, +slowly, carefully, collectedly. Suddenly he stood up, swore softly, and +flung the half-washed dirt of the last pan on the rocks. "I'm a nut!"<span class='pagenum'><a name="Page_130" id="Page_130">130</a></span> +he exclaimed. "This livin' in civilization has been puttin' my intellec' +to the bad. Too much Eastern sassiety." And with this inexplicable +self-arraignment he stooped at the tent-door, buckled on his gun, and +started upstream. He glanced from side to side of the steep and +narrowing walls as he advanced slowly. He passed places where the stream +disappeared in the sand to find some subterranean channel and reappear +below again. Rounding an angle of the cliff, he dropped to his knees and +examined some tiny parallel scratches on a rounded rock—the marks made +by a boot-heel that had slipped. For an hour he toiled over the rocks on +up the diminishing stream. "Gettin' thin," he muttered, gazing at the +silver thread of water rippling over the pebbles. A few feet ahead the +cliffs met at the bottom in a sharp-edged "V," not over a foot apart in +the stream-bed, but widening above. Overland scrambled through. On the +other side of the opening he straightened up, breathing hard. His hand +crept to his hip. On a sandy level a few yards ahead of him stood a +ragged and faded canvas tent, its flap wavering idly in a breath of +wind. In front of the tent was the rain-washed charcoal of an old fire. +A rusted pan, a pick, and the worn stub of a shovel lay near the stream. +A box marked "Dynamite" was half-filled with odds and ends of empty +tins, cooking-utensils, and among the<span class='pagenum'><a name="Page_131" id="Page_131">131</a></span> things was a glass fruit-jar half +filled with matches.</p> + +<p>Slowly Overland's hand dropped to his side. He stepped forward, stooped, +and peered into the tent. "Thought so," he said laughing queerly. Save +for a pair of old quilts and an old corduroy coat, the place was empty.</p> + +<p>"Fool's luck," muttered Overland. "Wonder the Gophertown outfit didn't +find him and fix him. But come to think of it, they ain't so anxious to +cross over to this side of the range and get too clost to a real town, +and get run in or shot up. Fool's luck," he reiterated, coolly rolling a +cigarette and gazing about with a critical eye. "They's another trail +into this cañon that the prospector knowed. I got to find it. Billy'll +be some interested."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XIII" id="CHAPTER_XIII"></a> +<span class='pagenum'><a name="Page_132" id="Page_132">132</a></span> +<h2>CHAPTER XIII</h2><h3>THE RETURN</h3> +</div> + +<p>Overland Red lay concealed in an arroyo at the foot of the range. He +could overlook the desert without being seen. It was the afternoon of +the day following Winthrop's departure.</p> + +<p>Since discovering the dead prospector's camp and all that it meant, the +tramp was doubly vigilant. He tried to believe that his anxiety was for +his own safety rather than for Winthrop's. He finally gave up that idea, +grumbling something about becoming "plumb soft in his feelin's since he +took to associatin' with sassiety folks." However, had Winthrop been of +the West and seasoned in its more rugged ways, Overland would have +thought little of the young man's share in recent events. While he knew +that Winthrop looked upon their venture as nothing more than a rather +keenly exciting game, Overland realized also that the Easterner had +played the game royally. Perhaps the fact that Winthrop's health was not +of the best appealed to some hidden sentiment in the tramp's peculiar +nature. In any<span class='pagenum'><a name="Page_133" id="Page_133">133</a></span> event, Overland Red found himself strangely solicitous +for his companion's return.</p> + +<p>Far in the south a speck moved, almost imperceptibly. The tramp's keen +eyes told him that this was no horseman. He rolled a cigarette and lay +back in the shade of a boulder. "He's a couple of points off his course, +but he can't miss the range," he reflected.</p> + +<p>Desiring to assure himself that no horseman followed Winthrop, Overland +Red made no sign that might help the other to find the trail over the +range. The rim of Winthrop's hat became distinguishable; then the white +lacing of his boots. Nearer, Overland saw that his face was drawn and +set with lines of fatigue.</p> + +<p>No riders appeared on the horizon. Overland stepped out from behind the +rock. "Well, how did you make it?" he called.</p> + +<p>Winthrop came forward wearily "No luck at all."</p> + +<p>"Couldn't find it, eh?"</p> + +<p>"I counted every tie between the tank and that little ditch under the +track. The entire stretch has been relaid with new ties."</p> + +<p>Overland whistled. Then he grinned. "You had a good healthy walk, +anyhow," he observed.</p> + +<p>"It doesn't seem to worry you much," said Winthrop.</p> + +<p>"Nope. Now you're back, it don't. I reckon<span class='pagenum'><a name="Page_134" id="Page_134">134</a></span> you done your dam'dest as +the song says. Angels can do no less. Buck up, Billy! You 're limper'n a +second-hand porous-plaster. Here, take a shot at this. That will stiffen +your knees some. Did you meet up with anybody?"</p> + +<p>"Not a soul. I thought I should freeze last night, though. I didn't +imagine the desert could get so cold."</p> + +<p>"Livin' out here on the old dry spot will either kill you or cure you. +That's one reason I let you go look for them things. The harder you hit +the trail, and can stand it, the quicker you'll get built up." Then +Overland, realizing that his companion was worse than tired, that he was +dispirited, became as wily as the proverbial serpent. His method, +however, could hardly be compared with the dove's conciliatory cooing. +"You sure are a bum scout," he began.</p> + +<p>Winthrop flushed, but was silent.</p> + +<p>"Bet a banana you didn't even leave the track and look for it."</p> + +<p>"No, I didn't. Where could I have begun?"</p> + +<p>Overland ignored the question. "I'm hungrier than a gorilla. Just send a +wireless to them feet of your'n. We got some climbin' to do afore dark."</p> + +<p>"I'd just as soon camp here. Go up to-morrow," said Winthrop.</p> + +<p>"So'd I if it wasn't for bein' scared some of<span class='pagenum'><a name="Page_135" id="Page_135">135</a></span> the hills would mosey off +before I got back." And Overland set a brisk pace up the mountain, +talking as he climbed. Winthrop could do nothing but listen. He was +breathless.</p> + +<p>"Or that cañon," continued Overland. "She might not be there if we +stayed away all night. Besides, I'm scared to leave <i>it</i> alone by +itself."</p> + +<p>"Leave what?" gasped Winthrop.</p> + +<p>"It. The find I made while you was out surveyin' the Santa Fé. I was +feared you'd get nervous prosecution if I told you all to once, so I +breaks it easy like."</p> + +<p>"What was it?"</p> + +<p>"Nothin' but a tent in the cañon we're campin' in. But, Billy, when you +find a tent and some minin' tools and other signs of trouble 'way up +some lonesome old slot in the hills, you want to get ready for a +surprise. Mebby it'll be nothin' but some old clothes and bones. Mebby +it'll be them and somethin' else. I didn't find the bones, but I found +the somethin' else, coarse, and fair dribblin' thick in the dirt. It's +there and rich, Billy, rich!"</p> + +<p>Overland Red turned and paused as Winthrop leaned against a rock.</p> + +<p>"It's the—the real thing?" queried the Easterner.</p> + +<p>"The real thing, pardner. Now what do you think of that for highbrow +stuff?"<span class='pagenum'><a name="Page_136" id="Page_136">136</a></span></p> + +<p>"Meaning that you stumbled on the secret?"</p> + +<p>"If you want to say it that way, yes. Just like fallin' into a sewer and +findin' a gold watch where you lit."</p> + +<p>"Then it's all true? We've found the gold? You really believed we +should, and for that matter, so did I. I can't say why. I rather felt +that we should."</p> + +<p>"I guess I'm some class when it comes to findin' the incubator that +hatches them little yella babies with the come-and-find-me eyes."</p> + +<p>Winthrop straightened his tired shoulders. "You seem to think that +you're pretty clever," he said, laughing. "But in the elegant and +expressive diction of the late—the late Overland Red Summers, 'I think +you're a bum scout.'" And they shook hands, laughing as they turned to +climb the trail.</p> + +<p>Near the crest, Overland again paused. "Say, Billy, you said the 'late' +Overland Red Summers. You took particular noise to make me hear that +word 'late.' Have you got any objections to explainin' that there idea? +I been examinin' the works of that word 'late,' and it don't tick right +to me. 'Late' means 'planted,' don't it?"</p> + +<p>"Sometimes. It may also mean behind time. Do you remember that I said, a +day or two ago, that I shouldn't be surprised if the lost gold were<span class='pagenum'><a name="Page_137" id="Page_137">137</a></span> in +the very cañon where we camped? I claim precedence of divination, +auto-suggestion, and right of eminent domain. I shall not waive my +prerogative."</p> + +<p>"I never owned one," said Overland. "But afore I'll let you come any +style over me, I'll have one made with a silk linin' and di'monds in the +buttons, jest as soon as the claim gets to payin' good. Say, pardner, +it's <i>free</i> gold, and <i>coarse</i>. I wisht Collie was here—the little +cuss."</p> + +<p>"Collie?"</p> + +<p>"Uhuh. The kid I was tellin' you about, that I adopted back in +Albuquerque. He's got a share in this here deal, by rights. He invested +his eight rollers and four bits in the chances of my findin' the stuff. +It was all the coin he had at the time. You see, I was campin' up on the +Moonstone for a change of air, and Collie and me had a meetin' of the +board of dissectors. The board votes unanimous to invest the paid-in +capital in a suit of new jeans for the president, which was me. I got +'em on now. You see, I had to be dollied up to look the part so I could +catch a come-on and get me grubstake."</p> + +<p>"I see," said Winthrop, his gray eyes twinkling. "And I was the +come-on?"</p> + +<p>"Well," said Overland, scratching his head, "mebby you <i>was</i>, but you +ain't no more. If she pans out anything like I expect, you'll be<span class='pagenum'><a name="Page_138" id="Page_138">138</a></span> +standin' up so clost to bein' rich that if she was a bronc' you'd get +kicked sure."</p> + +<p>They rested for a few minutes, both gazing down on the evening desert. +The reflected light, strong and clear, drew abrupt, keen-edged contrasts +between the black, triangular shadows of the peaks and the gray of the +range. Something elusive, awesome, unreal was in the air about them. The +rugged mountain-side with its chaos of riven boulders, its forest of +splintered rocky spires, silver cold in the twilight, its impassive bulk +looming so large, yet a mere segment in the circling range, was as a +day-dream of some ancient Valhalla, clothed in the mystic glory of +ever-changing light, and crowned with slumbering clouds.</p> + +<p>Winthrop sighed as he again faced the range. Overland heard and smiled. +"You said it all," he muttered. "You said it all then."</p> + +<p>"You're something of a poet, aren't you?" queried Winthrop.</p> + +<p>"You bet! I'm some artist, too. A lady I was figurin' on acceptin' a +invite to dinner with, once,—one of them rich kind that always wants to +get their money's worth out of anything they do for a poor +guy,—happened to come out on the back steps where I was holdin' kind of +a coroner's request over a lettuce san'wich. 'My man,' she says, 'I have +always been interested<span class='pagenum'><a name="Page_139" id="Page_139">139</a></span> to know if you—er—tramps ever think of +anything else but food and lodging and loafing. Nothing personal, I +assure you. Merely a general interest in social conditions which you +seem so well fitted to explode from experience. For instance, now, what +are your favorite colors?'</p> + +<p>"I couldn't see what that had to do with it, and I got kind of mad. A +lettuce san'wich ain't encouragin' to confidence, so I up and says, +'What are me favorite colors, lady? Well, speakin' from experience, they +is <i>ham</i> and <i>eggs</i>.'</p> + +<p>"She took a tumble to herself and sent me out some of the best—and a +bottle of Red Cross beer with it."</p> + +<p>On up the slope they toiled, Winthrop half-forgetting his weariness in +thinking of Overland's sprightly experiences with what he termed "the +hard ole map—this here world."</p> + +<p>At the summit they paused again to rest.</p> + +<p>"That was the time," began Overland, "when I writ that there pome called +'Heart Throbs of a Hobo.' Listen!"</p> + +<p> +<span style="margin-left: 1em;">"Oh, my stummick is jest akein'</span><br /> +<span style="margin-left: 1.5em;">For a little bite of bacon,</span><br /> +<span style="margin-left: 1.5em;">A slice of bread, a little mug of brew.</span><br /> +<span style="margin-left: 1.5em;">I'm tired of seein' scenery,</span><br /> +<span style="margin-left: 1.5em;">Jest lead me to a beanery,</span><br /> +<span style="margin-left: 1.5em;">Where there's something more than only air to chew."</span><br /> +<span class='pagenum'><a name="Page_140" id="Page_140">140</a></span></p> + +<p>"The last line sounds like a sneeze," said Winthrop, laughing.</p> + +<p>"Speakin' of sneeze," said Overland, "makes me think you ain't coughed +so much lately, Billy."</p> + +<p>"I had a pretty bad time yesterday morning," replied Winthrop.</p> + +<p>"Well, you'll get cured and stay cured, up here," said Overland, hugely +optimistic.</p> + +<p>"Of course," rejoined Winthrop, smiling. "It's such hard work to breathe +up here that I have to keep alive to attend to it."</p> + +<p>"That's her! Them little old bellowsus of your'n 'll get exercise—not +pumpin' off the effects of booze an' cigarettes, neither, but from +pumpin' in clean thin air with a edge to it. Them little old germs will +all get dizzy and lose their holt."</p> + +<p>"That's getting rather deep into personalities," said Winthrop. "But I +think you're correct. I could eat a whole side of bacon, raw."</p> + +<p>And he followed Overland silently across the range and down into the +cool depths of the hidden cañon, where the tramp, ever watchful of the +younger man's health, slipped from his coat and made Winthrop put it on, +despite the latter's protest that he was hot and sweating.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XIV" id="CHAPTER_XIV"></a> +<span class='pagenum'><a name="Page_141" id="Page_141">141</a></span> +<h2>CHAPTER XIV</h2><h3>"CALL IT THE 'ROSE GIRL'"</h3> +</div> + +<p>"What are you going to do with those things?" asked Winthrop. "Not burn +them?"</p> + +<p>"Yep; every strap and tie-string," replied Overland, gathering together +the dead prospector's few effects. "Cause why? Well, Billy, if this +claim ain't filed on,—and I reckon it ain't,—why, we files on her as +the original locators. Nobody gets wise to anything and it saves the +chance of gettin' jumped. The bunch over there would make it interestin' +for us if they knowed we was goin' to file on it. They'd put up a fight +by law, and mebby one not by law. Sabe?"</p> + +<p>"I think so. Going to burn that little—er—cradle arrangement, too?"</p> + +<p>"Yep. Sorry, 'cause it's wood, and wood is wood here. That little rocker +is a cradle all right for rockin' them yella babies in and then out. The +hand that rocks that cradle hard enough rules the world, as the pote +says."</p> + +<p>"So this is how gold is mined?" queried Winthrop, examining the crude +rocker and the few rusted tools.<span class='pagenum'><a name="Page_142" id="Page_142">142</a></span></p> + +<p>"One way. Pan, cradle, or sluice for free gold. They's about four other +ways. This here's our way."</p> + +<p>"Is it a rich claim?"</p> + +<p>"Tolerable. I panned some up the branch. She runs about two dollars a +pan."</p> + +<p>"Is that all?"</p> + +<p>Overland smiled as he poked a smouldering corner of blanket into the +fire. "It is and it ain't. I reckon you could pan fifty pans a day. +That's a hundred dollars. Then I could do that much and the cookin', +too. That's another hundred. Two hundred dollars a day ain't bad wages +for two guys. It ought to keep us in grub and postage stamps and some +chewin'-gum once in a while."</p> + +<p>"Two hundred a day!" And Winthrop whistled. "That doesn't seem much in +New York—on the street, but out here—right out of the ground. Why, +that's twelve hundred a week."</p> + +<p>"Nope—not exactly. She's a rich one, and bein' so rich at the start +she'll peter out fast, I take it. I know these here kind. When we come +to the end of the cañon we're at the end, that's all. Besides, she's so +rich we won't work six days every week. If she was half as good, mebby +we would. You never done much fancy pick-handle exercise, did you?"</p> + +<p>"No, but I'm going to. This beats signing checks all to pieces."<span class='pagenum'><a name="Page_143" id="Page_143">143</a></span></p> + +<p>"Never got cramps that way myself," grunted Overland. "But I have from +swingin' a pick. Your back'll be so blame stiff in about three days that +you'll wish you never seen a pan or a shovel. Then you'll get over the +fever and settle down sensible. Three of us could do a heap better than +two. I wish Collie was on the job."</p> + +<p>"I'm willing," said Winthrop.</p> + +<p>"'Course you are, but you get your half of this as agreed. Collie's +share comes out of my half. I'm playin' this hand over the table, in +plain sight."</p> + +<p>Winthrop glanced quickly at Overland's inscrutable face. "Suppose I +should tell you that my income, each week, is about equal to what we +expect to get from this claim?"</p> + +<p>"Makes no difference," growled Overland. "It wasn't your money that +stood off the constable—and later out in the desert. It was <i>you</i>. +They's some places left on this old map yet where a man is jest what his +two fists and his head is worth. This here Mojave is one of 'em. Are you +squeak to that?"</p> + +<p>"I understand," said Winthrop.</p> + +<hr style='width: 45%;' /> + +<p>They worked steadily until evening. They staked out their respective and +adjoining claims, dropped the rusted tools in a bottomless crevice, and +removed the last shred and vestige of a previous occupancy.<span class='pagenum'><a name="Page_144" id="Page_144">144</a></span></p> + +<p>"This here's been too easy," said Overland, as he sliced bacon for the +evening meal. "When things comes as easy as this, you want to watch out +for a change in the weather. We ain't through with the bunch yet."</p> + +<p>The Easterner, making the evening fire, nodded. "How are we to get +provisions?" he asked.</p> + +<p>"First, I was thinkin' of packin' 'em in from Gophertown, over yonder. +She's about thirty miles from here, across the alkali. 'T aint a regular +town, but they got grub. But if we got to comin' in regular, they'd +smell gold quicker than bees findin' orange-blossoms. They got my +number, likewise."</p> + +<p>"How's that?"</p> + +<p>"They know I been standin' out on the edge ever since I had a little +fuss with some folks over at Yuma, quite a spell ago."</p> + +<p>"Won't you tell me about it?"</p> + +<p>"Sure! They was three parties interested—me and another gent and a +hoss. I guess the hoss is still alive."</p> + +<p>Winthrop laughed. "That's a pretty brief epic," he said.</p> + +<p>"Uhuh. It was. But I reckon we got to hit the breeze out of here right +soon. Here, le' me take that fry-pan a minute. It's this way. Me and +you's located this claim. Now we go and<span class='pagenum'><a name="Page_145" id="Page_145">145</a></span> file. But first we got to get +some dough. I got a scheme. I'm thinkin' of gettin' a dude +outfit—long-tailed coat and checker pants and a elevated lid with a +shine to it. Then you and me to the State House and file on this here +claim. You stay right in them kickie clothes and that puncher hat. We +file, see? The gents supportin' the bars and store corners will be so +interested in seein' me do you for your pile that they'll forget to +remember who I am, like I would be in me natural jeans. They'll size me +for a phoney promoter excavatin' your pocketbook. It's a chance—but we +got to take it."</p> + +<p>"That's all very weird and wonderful," said Winthrop, "and not so very +flattering to me, but I am game. I'll furnish the expense money."</p> + +<p>After the evening meal they drew nearer the fire and smoked in the chill +silence. The flames threw strange dancing shadows on the opposite cliff.</p> + +<p>Winthrop, mindful of Overland's advice, slipped on his coat as the night +deepened. "About your adopting a disguise," he began; "I should think +you would look well enough clean-shaven and dressed in some stylish, +rough tweed. You have fine shoulders and—"</p> + +<p>"Hold on, Billy! I'm a livin' statoo, I know. But listen! I got to go +the limit to look the part. You can't iron the hoof-marks of hell and +Texas<span class='pagenum'><a name="Page_146" id="Page_146">146</a></span> out of my mug in a hundred years. The old desert and the border +towns and the bottle burned 'em in to stay. Them kind of looks don't go +with business clothes. I got to look fly—jest like I didn't know no +better."</p> + +<p>"Perhaps you are right. You seem to make a go of everything you tackle."</p> + +<p>"Yep! Some things I made go so fast I ain't caught up with 'em yet. You +know I used to wonder if a fella's face would ever come smooth again in +heaven. That was a spell ago. I ain't been worryin' about it none +lately."</p> + +<p>"How old are you?"</p> + +<p>"Me? I'm huggin' thirty-five clost. But not so clost I can't hear +thirty-six lopin' up right smart."</p> + +<p>"Only thirty-five!" exclaimed Winthrop. Then quickly, "Oh, I beg your +pardon."</p> + +<p>"That's nothin'", said Overland genially. "It ain't the 'thirty-five' +that makes me feel sore—it's the 'only.' You said it all then. But +believe me, pardner, the thirty-five have been all red chips."</p> + +<p>"Well, you have <i>lived</i>," sighed Winthrop.</p> + +<p>"And come clost to forgettin' to, once or twice. Anyhow,—speakin' of +heaven,—I'd jest as soon take my chances with this here mug of mine, +what shows I earned all I got, as with one of them there dead-fish faces +I seen on some guys<span class='pagenum'><a name="Page_147" id="Page_147">147</a></span> that never done nothin' better or worse than get up +for breakfast."</p> + +<p>Winthrop smiled. "Yes. And you believe in a heaven, then?"</p> + +<p>"From mornin' till night. And then more than ever. Not your kind of a +heaven, or mebby any other guy's. But as sure as you're goin' to crease +them new boots by settin' too clost to the fire, there's somethin' up +there windin' up the works regular and seein' that she ticks right, and +once in a while chuckin' out old wheels and puttin' in new ones. Jest +take a look at them stars! Do you reckon they're runnin' right on time +and not jumpin' the track and dodgin' each other that slick—jest +because they was throwed out of a star-factory promiscus like a shovel +of gravel? No, sir! Each one is doin' its stunt because the other one +is—same as folks. Sure, there's somethin' runnin the big works; but +whether me or you is goin' to get a look-in,—goin' to be let in on +it,—why, that's different."</p> + +<p>Winthrop drew back from the fire and crossed his legs. He leaned +forward, gazing at the flames. From the viewless distance came the howl +of coyotes.</p> + +<p>"They're tryin' to figure it out—same as us," said Overland, poking a +half-burned root into the fire. "And they're gettin' about as far along +at it, too. Like most folks does in a crowd—jest<span class='pagenum'><a name="Page_148" id="Page_148">148</a></span> howlin' all together. +Mebby it sounds good to 'em. I don' know."</p> + +<p>"I'm somewhat of a scoffer, I think," said Winthrop presently.</p> + +<p>"Most lungers is," was Overland's cheerful comment. "They're sore on +their luck. They ain't really sore at the big works. They only think so. +I've knowed lots of 'em that way."</p> + +<p>"To-night,—here in this cañon,—with the stars and the desert so near, +you almost persuade me that there is something."</p> + +<p>"Hold on, Billy! You're grazin' on the wrong side of the range if you +think I'm preachin'. My God! I hate preachin' worse than I could hate +hell if I thought they was one. My little old ideas is mine. I roped 'em +and branded 'em and I'm breakin' 'em in to ride to suit me. I ain't +askin' nobody to risk gettin' throwed ridin' any of my stock. Sabe?"</p> + +<p>"But a chap may peek through the fence and watch, mayn't he?"</p> + +<p>"Sure! Mebby you're breakin' some stock of your own like that. If you +are, any little old rig I got is yours."</p> + +<p>"Thank you. And I'm not joking. Perhaps I'll get the right grip on +things later. I've been used to town and the pace. I've always had +money, but I never felt really clean, inside and<span class='pagenum'><a name="Page_149" id="Page_149">149</a></span> out, until now. I +never before burned my bridges and went it under my own flag."</p> + +<p>Overland nodded sagely. "Uhuh. It's the air. Your feelin' clean and +religious-like is nacheral up here. Don't worry if it feels queer to you +at first—you'll get used to it. Why, I quit cussin', myself, when +everything seems so dum' quiet. Sounds like the whole works had stopped +to listen to a fella. Swearin' ain't so hefty then. Sort of outdoor +stage fright, I reckon. Say, do you believe preachin' ever did much +good?"</p> + +<p>"Sometimes I've thought it did."</p> + +<p>"I seen a case once," began Overland reminiscently. "It was Toledo +Blake. He was a kind of bum middleweight scrapper when he was workin' at +it. When he wasn't trainin' he was a kind of locoed heavyweight—stewed +most of the time. It was one winter night in Toledo. Me and him went +into one of them 'Come-In-Stranger' rescue joints. 'Course, they was +singin' hymns and prayin' in there, but it was warmer than outside, so +we stayed.</p> + +<p>"After a while up jumps the foreman of that gospel outfit. His foretop +was long, and he wore it over one ear like a hoss's when the wind is +blowin'.</p> + +<p>"He commenced wrong, I guess. He points down the room to where me and +Toledo was<span class='pagenum'><a name="Page_150" id="Page_150">150</a></span> settin', and he hollers, 'Go to the ant, you slugger! +Consider her game and get hep to it,' or somethin' similar.</p> + +<p>"That word 'slugger' kind of jarred Toledo. He jumps up kind of mad. +'Mebby I am a slugger, and mebby I ain't, but you needn't to get +personal about it. Anyhow, I ain't got no aunt.'</p> + +<p>"'The text,' says the hoss-faced guy on the platform, 'the text, my +brother, is semaphorical.'</p> + +<p>"Toledo couldn't understand that, so I whispers, 'Set down, you mutt! +Semaphore is a sign ain't it? Well, he's givin' you the sign talk. Set +down and listen.'</p> + +<p>"Toledo, he hadn't had a drink for a week, and he was naturally feelin' +kind of ugly. 'All right,' he growls at the preacher guy. 'All right. I +pass.'</p> + +<p>"'Ah, my brother!' says the hoss-faced guy. 'I see the spirits is at +work.' That kind of got Toledo's goat.</p> + +<p>"'Your dope is <i>bum</i>,' says Toledo. 'I ain't had a drink for a week. +First you tell a fella to go see his aunt, when she's been planted for +ten years. Then—'</p> + +<p>"'Listen, brother!' says the preacher guy. 'I referred to ants—little, +industrious critters that are examples of thrift to the idle, the +indignant, the—'</p> + +<p>"'Hold on!' says Toledo. 'Do you mean red<span class='pagenum'><a name="Page_151" id="Page_151">151</a></span> ants or black ants?' And I +seen that a spark had touched Toledo's brainbox and that he was +wrastlin' with somethin' that felt like thinkin'.</p> + +<p>"'Either, my brother,' says the hoss-faced guy, smilin' clear up to his +back teeth.</p> + +<p>"'Well, you're drawin' your dope from the wrong can,' says Toledo, +shufflin' for the door. 'Because,' says he, turnin' in the doorway, +'because, how in hell is a fella goin' to find any ants with two feet of +snow on the ground?'</p> + +<p>"And then Toledo and me went out. It was a mighty cold night."</p> + +<p>Overland Red rolled a cigarette, pausing in his narrative to see whether +Winthrop, who sat with bowed head, was asleep or not.</p> + +<p>Winthrop glanced up. "I'm awake," he said, smiling. "Very much awake. I +can see it all—you two, down on your luck, and the snow freezing and +melting on the bottoms of your trousers. And the stuffy little rescue +mission with a few weary faces and many empty chairs; the 'preacher +guy,' as you call him, earnest, and ignorant, and altogether wrong in +trying to reason with Toledo Blake's empty stomach."</p> + +<p>"That's it!" concurred Overland. "A empty stomach is a plumb +unreasonable thing. But the preacher guy done some good, at that. He set +Toledo Blake to thinkin' which was somethin' new and original for +Toledo.<span class='pagenum'><a name="Page_152" id="Page_152">152</a></span></p> + +<p>"It was nex' spring Toledo and me was travelin' out this way, inspectin' +the road-bed of the Santa Fé, when we runs onto a big red-ant's nest in +the sand alongside of the track. Toledo, he squats down and looks. The +first thing he sees was a leetle pa ant grab up a piece of crust twice +his size and commence sweatin' and puffin' to drag it home to the kids.</p> + +<p>"'The leetle cuss!' says Toledo. 'He's some strong on the lift!' And +Toledo, he takes the piece of crust from the pa ant and sticks it at the +top of the hole, thinkin' to help the pa ant along. But the pa ant, he +hustles right up and grabs the crust and waves her around his head a +couple of times to show how strong he is, and then starts back to where +he found the crust. Down he plumps it—gives it a h'ist or two and then +grabs it up. He waves it around in his mitts and wobbles off toward the +hole again. Independent? Well, mostly!</p> + +<p>"Toledo, he said nothin', but his eyes was pokin' out of his head tryin' +to think. You never see a man sweat so tryin' to get both hands onto a +idea at once. His dome was kind of flat, but he could handle one idea, +in single harness, at a time.</p> + +<p>"Anyhow, the next town we strikes, Toledo, he quits me and gets a sort +of chambermaid's job tidyin' up around a little old boiler-factory<span class='pagenum'><a name="Page_153" id="Page_153">153</a></span> and +machine-shop; pilin' scrap-iron and pig-iron and little things like +that. And he stuck, too.</p> + +<p>"A couple of years after that I was beatin' it on a rattler goin' west, +and I drops off at that town. About the first thing I seen was Toledo +comin' down the street. Alongside of him was a woman carry in' a kid in +her arms, and another one grazin' along close behind. And Toledo had a +loaf of bread under his arm.</p> + +<p>"'This here is Mrs. Blake,' says Toledo, kind of nervous.</p> + +<p>"'I am glad she is,' says I. 'Toledo, you're doin' well. Don't know +nothin' about the leetle colt in the blanket, but the yearlin' is built +right. He's got good hocks and first-class action.'</p> + +<p>"Mrs. Toledo, she kind of sniffed superior, but said nothin'. You know +that kind of sayin' nothin' which is waitin' for you to move on.</p> + +<p>"'Won't you come up to the shack and have grub?' says Toledo, hopin' I'd +say 'No.'</p> + +<p>"'Nope,' says I. 'Obliged jest the same. I see you got hep to the ant +all right.'</p> + +<p>"'I'll let you know I'm nobody's aunt!' says Mrs. Toledo, yankin' the +yearlin' off his hoofs and settin' him down again. For a fact, she thunk +I was alludin' to her.</p> + +<p>"'Of course not, madam,' says I, polite, and liftin' me lid. 'And I +judge somebody's in luck at that.'<span class='pagenum'><a name="Page_154" id="Page_154">154</a></span></p> + +<p>"I guess it was her not used to bein' spoke and acted polite to that got +her goat. Mebby she smelt somethin' sarcastic. I dunno. Anyhow, she was +a longhorn with a bad eye. 'Go on, you chicken-lifter!' she says.</p> + +<p>"Bein' no hand to sass a lady, I said nothin' more to <i>her</i>. But I hands +Toledo a jolt for bein' ashamed of his old pal.</p> + +<p>"'Well, so long,' says I, kind of offhand and easy. 'So long. I'll tell +Lucy when I see her that you was run over by a freight and killed. Then +she can take out them papers and marry Mike Brannigan that's been +waitin' in the hopes you'd pass over. You remember Mike, the cop on +Cherry Street. You oughta. He's pinched you often enough. 'Course you +do. Well, so long. Little Johnny was lookin' fine the last I seen of +him. He's gettin' more like his pa every day. But I got to beat it.'"</p> + +<p>Overland Red leaned back and puffed a great cloud of smoke from a fresh +cigarette.</p> + +<p>"Who was Lucy?" asked Winthrop.</p> + +<p>"Search me!" replied Overland. "They wasn't any Lucy or nobody like +that. But I'd like to 'a' stayed to hear Toledo explain that to Mrs. +Toledo, though. She was a hard map to talk to."</p> + +<p>"I suppose there's a moral attached to that, or, more properly, embodied +in that story. But<span class='pagenum'><a name="Page_155" id="Page_155">155</a></span> it is good enough in itself without disemboweling it +for the moral."</p> + +<p>"You can't always go by ants, neither," said Overland.</p> + +<p>Winthrop nodded. His eyes were filled with the awe of great distances +and innumerable stars. "Gold!" he whispered presently, as one whispers +in dreams. "Gold! Everywhere! In the sun—in the starlight—in the +flowers—in the flame. In wine, in a girl's hair.... Gold! Mystery.... +Power ... and as impotent as Fate." Winthrop's head lifted suddenly. +"What shall we call the mine?" he asked.</p> + +<p>Overland Red started, as though struck from ambush. "How did you guess?" +he queried.</p> + +<p>"Guess what?"</p> + +<p>"That I was thinkin' about the claim?"</p> + +<p>"I didn't guess it. I was dreaming. Suddenly I asked a question, +without knowing that I was speaking."</p> + +<p>"Mebby I was bearin' down so hard on the same idea that you kind of felt +the strain."</p> + +<p>"Possibly. That's not unusual. What <i>shall</i> we call it?"</p> + +<p>"Wha—I was thinkin' of callin' it the 'Rose Girl' after a girl Collie +and me knows up Moonstone Cañon way."</p> + +<p>"It's rather a good name," said Winthrop. "Is the girl pretty?"<span class='pagenum'><a name="Page_156" id="Page_156">156</a></span></p> + +<p>"Pretty? Gosh! That ain't the word. Her real name is Louise Lacharme, +and, believe me, Billy, she's all that her name sounds like, and then +some."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XV" id="CHAPTER_XV"></a> +<span class='pagenum'><a name="Page_157" id="Page_157">157</a></span> +<h2>CHAPTER XV</h2><h3>SILENT SAUNDERS</h3> +</div> + +<p>One after another, in the course of the two years following Collie's +arrival, the old riders of the Moonstone Rancho drifted away. There +remained but Brand Williams the foreman, Collie, and the sturdy, +hard-riding Miguel, a young Spanish vaquero who was devoted to but two +things in life, his splendid pinto pony, and the Moonstone Ranch.</p> + +<p>The others had been lured to the new oil-fields up north—to the +excitement of Goldfield, or to Mexico City, where even more excitement +promised. In their stead came new men—Bud Light, Parson Long, Billy +Dime, and one Silent Saunders.</p> + +<p>Louise became acquainted with the new men while riding with her uncle. +She was his constant companion in the hills. One by one the new arrivals +became devoted to her. Her sincere interest in the ranch work pleased +them, and naturally, for it was their work. Walter Stone was also +pleased with his niece's interest in the detail of the ranch work. She +was as a daughter to him. Some day the property would be hers.<span class='pagenum'><a name="Page_158" id="Page_158">158</a></span></p> + +<p>Fully conscious, from within herself, of her dependence upon her uncle, +Louise managed to be of inestimable service. She performed her +self-allotted tasks without ostentation. She had that rare quality of +stimulating enthusiasm among the men—enthusiasm for their work and +pride in giving faithful and energetic service—pride in accomplishing a +little more each day than was asked or expected of them. Louise's youth, +her beauty, her sincerity, and, above all, her absolute simplicity of +manner commanded admiration and respect among the hard-riding Moonstone +boys. She was, to them, a "lady," yet a lady they could understand. Hers +was a gentle tyranny. A request from her was deemed a great compliment +by its recipient.</p> + +<p>All of them, with the exception of Collie, openly praised her +horsemanship, her quiet daring, her uniform kindness. Her beauty had +ceased to be commented upon. It was accepted by them as one accepts the +fragrant beauty of a rose, naturally, silently, gratefully.</p> + +<p>Collie had gained in height and breadth of shoulder. He no longer needed +instruction in managing broncho stock. He loved the life of the hills; +the cool, invigorating mornings, the keen wind of the noon peaks, the +placidity of the evening as the stars multiplied in the peaceful sky.</p> + +<p>He became that rare quantity among cowmen,<span class='pagenum'><a name="Page_159" id="Page_159">159</a></span> a rider who handled and +mastered unbroken horses without brutality. This counted heavily for him +both with Louise and Walter Stone. Men new to the range laughed at his +method of "gentling" horses. Later their laughter stilled to envious +desire. Lacking his invariable patience, his consistent magnetism, they +finally resumed their old methods, and earned dominance by sheer +strength of arm—"main strength and awkwardness," as Williams put it.</p> + +<p>"It's easy—for him," commented Brand Williams, discussing Collie's +almost uncanny quelling of a vicious, unbitted mustang. "It's easy. You +fellas expect a boss to buck and bite and kick and buffalo you +generally. <i>He</i> don't. He don't expect anything like that, and he don't +let 'em learn how."</p> + +<p>"Can you work it that way?" asked Billy Dime.</p> + +<p>"Nope. I learned the other way and the bosses knows it. I always had to +sweat. He's born to it natural, like a good cow-pony is."</p> + +<p>And Collie looked upon his work as a game—a game that had to be played +hard and well, but a game, nevertheless. Incidentally he thought often +of Overland Red. He had searched the papers diligently for a year, +before he received the first letter from Overland. The news it contained +set Collie to thinking seriously of leaving the Moonstone<span class='pagenum'><a name="Page_160" id="Page_160">160</a></span> Rancho and +joining his old companion in this new venture of gold-digging which, as +Overland took pains to explain, was "paying big." But there was +Louise.... They were great friends. They had even ridden to town +together and attended the little white church in the eucalyptus +grove.... He thought of their ride homeward late that Sunday +afternoon....</p> + +<hr style='width: 45%;' /> + +<p>Once and once only had Overland's name been mentioned in the bunk-house. +Saunders, discussing horses and riders in general, listened to Collie's +account of Overland's escape from the deputy, Tenlow. Then he spoke +slightingly of the feat, claiming that any man who had ever ridden range +could do as much, with the right pony.</p> + +<p>Brand Williams tried to change the subject, for shrewd reasons of his +own, but Collie flamed up instantly. "I got a little saved up," he said; +"mebby eight hundred. She's yours if you dast to walk a horse, comin' or +goin', over that drift that Red took on the jump. Are you game?"</p> + +<p>"I'm not on the bet," replied Saunders. "So Overland Red is a friend of +yours, eh?"</p> + +<p>"Overland Red could ride where you dassent to walk and drag a halter," +asserted Collie. Then he relapsed to silence, a little ashamed in that +he had been trapped into showing temper.</p> + +<p>Williams the taciturn astonished the bunk-house<span class='pagenum'><a name="Page_161" id="Page_161">161</a></span> by adding: "The kid is +right. Red could outride most men. I was his pal once, down in Sonora. +There ain't a better two-gun artist livin'." And the lean foreman looked +pointedly at Saunders.</p> + +<p>Saunders smiled evilly. He had reason to believe that Williams had +spoken the truth.</p> + +<hr style='width: 45%;' /> + +<p>A few weeks later, Williams, returning unexpectedly to the bunk-house, +found Saunders changing his shirt preparatory to a ride to town. The +rest of the boys were already on their way to the Oro Rancho across the +valley. Williams saw two puckered scars, each above the elbow on +Saunders's bared arms.</p> + +<p>"That was dam' good shootin'," said the foreman, indicating the other's +scarred arms.</p> + +<p>"Fair," said Saunders gruffly.</p> + +<p>"Takes a gun-artist to put a man out of business that way and not finish +him," said Williams, smiling.</p> + +<p>"Cholo mix-up," said Saunders.</p> + +<p>"And shootin' from the ground, at that," continued Williams. "And at a +fella on a horse. Easy to see that, for the both holes are slantin' up. +The shootin' was done from below."</p> + +<p>Saunders flushed. He was about to speak when Williams interrupted him. +"Makes me think of some of Overland Red's—that is, old Red Jack<span class='pagenum'><a name="Page_162" id="Page_162">162</a></span> +Summers's fancy work. I don' know why," he drawled, and turning he left +the bunk-house.</p> + +<p>Collie, returning from a visit to the Oro Rancho that evening, was met +by Williams. The latter was on foot.</p> + +<p>"Drop into my shack after dark," said the foreman. Then he stepped back +into the bushes as the other men rode up.</p> + +<p>The foreman's interview with Collie that evening was brief. It left a +lot to the imagination. "You said too much about Overland Red the other +night, when you was talkin' to Silent Saunders," said Williams. "He's +tryin' to find out somethin'. I don't know what he's after. Keep your +eye peeled and your teeth on the bit. That's all."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XVI" id="CHAPTER_XVI"></a> +<span class='pagenum'><a name="Page_163" id="Page_163">163</a></span> +<h2>CHAPTER XVI</h2><h3>BLUNDER</h3> +</div> + +<p>"Oh, he's built all right, and he comes of good stock," said Brand +Williams, nodding toward a bay colt that stood steaming in the sun.</p> + +<p>It had rained the night before—an unexpected shower and the last of the +winter rains. Now that the snow had left the hills, the young stock, +some thirty-odd year-old colts had been turned into the north range. +Collie and Williams had ridden over to look at the colts; Williams as a +matter of duty, Collie because he was interested and liked Williams's +society.</p> + +<p>The colt, shaking itself, turned and nipped at its shoulder and switched +its tail.</p> + +<p>"He's stayed fat, too," continued Williams. "But look at him! He's +bitin' and switchin' because he's wet. Thinks it's fly-time a'ready. +He's jest a four-legged horse-hide blunder. I know his kind."</p> + +<p>Collie, dismounting and unbuttoning his slicker, rolled it and tied it +to the saddle. "I guess you're right, Brand. Last week I was over this +way. He had his head through the corral<span class='pagenum'><a name="Page_164" id="Page_164">164</a></span> bars at the bottom and he +couldn't get loose. He was happy, though. He must have been there quite +a spell, for he ate about half a bale of hay. I got him loose and he +tried his darndest to kick my head off."</p> + +<p>"Uhuh," grunted the foreman. "Reckon it's the last rain we'll get this +year. Now would you look at that! He's the limit!"</p> + +<p>The colt, sniffing curiously at a crotch in the live-oak against which +he had been rubbing, had stepped into the low fork of the tree. Perhaps +he had some vague notion to rub both his sides at once as an economy of +effort. His front feet had slipped on the wet ground. He went down, +wedged fast. He struggled and kicked. He nickered plaintively, and +rolled his terror-stricken eyes toward the cowmen in wild appeal.</p> + +<p>"And like all of his kind, hoss and human," said Williams, dismounting, +"he's askin' for help in a voice that sounds like it was our fault that +he's in trouble. He's the limit!"</p> + +<p>With much labor they finally released the colt, who expressed prompt +gratitude by launching a swift and vicious kick at Collie.</p> + +<p>"He's feeling good enough," said that youth, coolly picking up his hat +that had dropped as he dodged.</p> + +<p>"Yes. All he needs is a couple of punchers and a hoss-doctor and a +policeman to ride round with<span class='pagenum'><a name="Page_165" id="Page_165">165</a></span> him and keep him out of trouble. He's no +account; never will be," growled Williams.</p> + +<p>"I don't know, Brand. He's a mighty likely-looking and interesting +specimen. He's different. I kind of like him."</p> + +<p>"Well, I don't. I ain't got time. He's always goin' to manufacture +trouble, when he don't come by it natural. He's got a kind eye, but no +brains behind it."</p> + +<p>They mounted and rode up the hill, looking for breaks in the fences and +counting the colts, some of whom, luxuriously lazy in the heat of the +sun, stood with lowered heads, drowsing. Others, scattered about the +hillsides and in the arroyos, grazed nippingly at the sparse +bunch-grass, moving quickly from clump to clump.</p> + +<p>The "blunder" colt seemed to find his own imbecilities sufficiently +entertaining, for he grazed alone.</p> + +<p>The foreman's inspection terminated with the repairing of a break in the +fence inclosing the spring-hole, a small area of bog-land dotted with +hummocks of lush grass. Between the hummocks was a slimy, black ooze +that covered the bones of more than one unfortunate animal. The heavy, +ripe grass lent an appearance of stability, of solidity, to the +treacherous footing.</p> + +<p>Williams and Collie reinforced the sagging posts with props of fallen +limbs and stones carried<span class='pagenum'><a name="Page_166" id="Page_166">166</a></span> from the trail below. They piled brush where +the wire had parted, filling the opening with an almost impassable +barrier of twisted branches. Until the last rain, the spring-hole fence +had appeared solid—but one night of rain in the California hills can +work unimaginable changes in trail, stream-bed, or fence line.</p> + +<p>"Get after that fence first thing in the morning," said Williams as he +unsaddled the pinto that afternoon. "I noticed the blunder colt followed +us up to the spring. If there's any way of gettin' bogged, he'll find +it, or invent a new way for himself."</p> + +<p>The blunder colt's mischief-making amounted to absolute genius. There +was much of the enterprising puppy in his nature and in his methods. The +impulse which seemed to direct the extremely uneven tenor of his way +would have resolved itself orally into: "Do it—and then see what +happens!" He was not vicious, but brainlessly joyful in his mischief.</p> + +<p>As the foreman and Collie disappeared beyond the crest of the hill, the +colt, who had watched them with absurdly stupid intensity, lowered his +head and nibbled indifferently at the grass along the edge of the +spring-hole fence. He approached the break and sniffed at the props and +network of branches. This was interesting! And a very carelessly +constructed piece of fence, indeed! He<span class='pagenum'><a name="Page_167" id="Page_167">167</a></span> would investigate. The blunder +colt was never too hungry to cease grazing and turn toward adventure.</p> + +<p>He nosed one of the props. He leaned against it heavily, deliberately, +and rubbed himself. Verily "His eye had all the seeming of a demon's +that is dreaming"—of unalloyed mischief.</p> + +<p>The prop creaked, finally became loosened, and fell. The colt sprang +back awkwardly, snorting in indignant surprise. "The very idea!" he +would have said, even as he would have chewed gum and have worn a +perpetual tear in his trousers had he been human.</p> + +<p>With stiff stealthiness he approached the break again, pretending a +hesitancy that he enjoyed immensely. He reached under the lower wire, +neck outstretched, and nibbled at a bunch of ripe grass. There was +plenty of grass within easier reach, but he wanted the unattainable. A +barb caught in his mane. He jerked his head up. The barb pricked his +neck. He jerked harder. Another prop became loosened. Then he strode +away, this time with calm indifference. He pretended to graze, but his +eye roved back to the break. His attitude expressed a sly +alertness—something of the quiet vigilance a grazing horse betrays when +one approaches with a bridle. He drew nearer the fence again. With head +over the top wire he<span class='pagenum'><a name="Page_168" id="Page_168">168</a></span> gazed longingly at the clumps of grass on the +hummocks scattered over the muck of the overflow. His shoulder needed +scratching. With drooping head, eyes half-closed, and lower lip pendant, +he rubbed against the loosened post. The post sagged and wobbled. +Whether it was deliberate intent, or just natural "horse" predominating +his actions, it would be difficult to determine. Finally the post gave +way and fell. The colt drew back and contemplated the opening with a +vacuous eye. It was not interesting now. No, indeed! He wandered away.</p> + +<p>But in the dusk of that evening, when a chill dew sparkled along the +edges of the bog, he came, a clumsy shadow and grazed among the +hummocks. Slowly he worked toward the treachery of black ooze that shone +in the starlight. He sank to his fetlocks. He drew his feet up one after +another, still progressing toward the centre of the bog, and sinking +deeper at each step. He became stricken with fear as he sank to his +hocks. He plunged and snorted. The bog held him with a soft, detaining +grip—and drew him slowly down. He nickered, and finally screamed in +absolute terror. Up to his heaving belly the black mud crept. He flung +himself sideways. Exhausted, he lay with neck and head outstretched. +Again he struggled, his eyes wild and protruding with the blood pressure +of his straining. Then the<span class='pagenum'><a name="Page_169" id="Page_169">169</a></span> chill of night crept over him. He became +quiet—shivered a little, and nickered faintly.</p> + +<p>In the willows a little owl called pensively.</p> + +<hr style='width: 45%;' /> + +<p>The morning light, streaming across the hills, spread like raw gold over +the bog. Collie whistled as he rode down the trail, and beat his gloved +hands to keep warm. He heard a plaintive whinny and a bubbling gasp. He +leaped from his pony, the coiled riata in his hand as he touched the +ground.</p> + +<p>The blunder colt, neck outstretched, was still above the ooze. His eyes +were bloodshot, as their white rims showed. His nose quivered and +twisted with his quick, irregular breathing.</p> + +<p>It was a "two-man job," but Collie knew that the colt would probably be +gone before he could ride back and return with help. He swung the riata, +then hesitated. To noose the colt's neck would only result in strangling +it when he pulled. He found a branch large enough to stiffen the brush +near the break. Swiftly he built a shaky footing and crept out toward +the colt. By shoving the riata under the colt's belly with a forked +stick, and fishing the loose end up on the other side, he managed to get +a loop round the animal's hind quarters. He mounted his own horse and +took a turn of the riata round the saddle-horn.<span class='pagenum'><a name="Page_170" id="Page_170">170</a></span></p> + +<p>His pony set its feet and leaned to the work. Slowly the colt was drawn +to solid ground.</p> + +<p>He was a pitiful object as he lay panting and shivering, plastered with +mud and black slime, and almost dead from shock and chill. Collie spread +his slicker over him and rode up the hill at a trot. The blunder colt +raised its head a little, then dropped it and lay motionless.</p> + +<hr style='width: 45%;' /> + +<p>When Collie and Billy Dime returned with gunnysacks and an old blanket, +the sun had warmed the air. The mud on the colt's side and neck had +begun to dry.</p> + +<p>Billy Dime commented briefly. "He's a goner. He's froze clean to his +heart. Why didn't you leave him where he was?"</p> + +<p>Collie spread the gunnysacks on a level beneath a live-oak, beneath +which they dragged the colt and covered him with the blanket. They gave +him whiskey with water that they heated at a little fire of brush. The +colt lifted its head, endeavoring spasmodically to get to its feet.</p> + +<p>"He's wearin' hisself out. He ain't got much farther to go," said Billy +Dime, mounting and turning his pony. "Come on, kid. If he's alive +to-morrow mornin'—good enough."</p> + +<p>"I think I'll stay awhile," said Collie. "Brand says he isn't worth +saving, but—I kind of like the cuss. He's different."<span class='pagenum'><a name="Page_171" id="Page_171">171</a></span></p> + +<p>"Correct, nurse, he is. You can telephone me if the patient shows signs +of bitin' you. Keep tabs on his pulse—give him his whiskey regular, but +don't by no means allow him to set up in bed and smoke. I'll call again +nex' year. So long, sweetness."</p> + +<p>"You go plump!" laughed Collie.</p> + +<p>And Billy Dime rode over the hill singing a dolefully cheerful ditty +about burying some one on the "lo-o-ne prairee." To him a horse was +merely something useful, so long as it could go. When it couldn't go, he +got another that could.</p> + +<p>Collie replenished the smoking fire, scraped some of the mud from the +colt's thick, winter coat, and heated a half-dozen large stones.</p> + +<p>His brother cowmen would have laughed at these "tender ministrations," +and Collie himself smiled as he recalled Billy Dime's parting +directions.</p> + +<p>Collie placed the heated stones round the shivering animal, re-dried the +blanket at the fire, and covered the pitifully weak and panting +creature. The colt's restless lifting of its head he overcame by sitting +near it and stroking its muzzle with a soothing hand.</p> + +<p>Time and again he rose to re-heat the stones and replenish the fire. The +colt's breathing became less irregular. He gave it more of the hot +whiskey and water.<span class='pagenum'><a name="Page_172" id="Page_172">172</a></span></p> + +<p>Then he mended the fence. He had brought an axe with him and a supply of +staples.</p> + +<p>Toward mid-afternoon he became hungry and solaced himself with a +cigarette.</p> + +<p>Again the blunder colt became restless, showing a desire to rise, but +for lack of strength the desire ended with a swaying and tossing of its +head.</p> + +<p>Evening came quickly. The air grew bitingly chill. Collie wished that +one of the boys would bring him something to eat. The foreman surely +knew where he was. Collie could imagine the boys joking about him over +their evening "chuck."</p> + +<p>With the darkness he drew on his slicker and squatted by the fire. He +fell asleep. He awoke shivering, to find the embers dull. The stars were +intensely brilliant and large.</p> + +<p>Once during the evening he made up his mind to return to the +ranch-house, but a stubborn determination to save the colt, despite the +ridicule he knew he would elicit, held him to his task. Should he leave, +the colt might become chilled again and die. Then he <i>would</i> be open to +ridicule. Collie reasoned that he must finish the task as he had begun +it—thoroughly.</p> + +<p>Again he heated the stones, warmed the blanket, and gave "Blunder," as +he now called him affectionately, some hot whiskey. Then he built<span class='pagenum'><a name="Page_173" id="Page_173">173</a></span> a +larger fire, wrapped himself in his saddle-blankets, and, with feet to +the blaze, slept. His own pony grazed at large, dragging a rope.</p> + +<p>Habit brought Collie awake early. The fire had gone out. He was stiff +with cold. Arising, he glanced at the heap beneath the blanket ringed +with stones. "Time to eat!" he cried lustily, and whipped the blanket +from the mud-encrusted Blunder. The colt raised its head, struggled, put +out one stiff fore leg, and then the other. Collie grabbed the animal's +tail and heaved. Blunder humped himself—and was on his feet, wobbling, +dizzy-eyed, scandalously "mussed up"—but alive!</p> + +<p>"Whoop-ee!" shouted Collie as the colt staggered a pace or two trying +his questionable strength. "Gee! But I'm hungry!"</p> + +<p>The Blunder, a mere caricature of a horse in pose and outward seeming, +gazed at his rescuer with stupid eyes. He had not the faintest idea what +all the joy was about, but something deep in his horse nature told him +that the boisterous youth was his friend. Timidly he approached Collie, +wagged his head up and down experimentally, as if trying his neck +hinges, and reached out and nuzzled the young man's hand, nipping +playfully at his fingers.</p> + +<p>Collie was dumbfounded. "He's thankin' me—the little cuss! Why, you +rubber-kneed, water-eyed<span class='pagenum'><a name="Page_174" id="Page_174">174</a></span> mud turtle you! I didn't know you had that +much sense."</p> + +<p>The youth did not hear the regular beat of hoofs as Williams loped up, +until the colt, stilt-legged, emitted a weak nicker. Collie turned.</p> + +<p>Williams smiled grimly. "Knew you'd stick," he said.</p> + +<p>He gazed at the revived colt, the circle of stones, and the blanket. He +made no comment.</p> + +<p>Collie caught up his pony and mounted. As they rode over the hill +together, Williams, turning in the saddle, laughed and pointed down +toward the arroyo.</p> + +<p>The blunder colt, apparently overjoyed to be alive, had ambled awkwardly +up to one of his mates who stood stolidly waiting for the sun to warm +him. The other colt, unused to the Blunder's society and perhaps +unfavorably impressed by his dissipated appearance, received this +friendly overture with a pair of punishing hoofs. Blunder staggered and +fell, but scrambled to his feet again, astonished, indignant, highly +offended.</p> + +<p>"If you was to drive that blunder colt up to horse-heaven and he knew it +<i>was</i> horse-heaven, you'd have to turn him around and back him in. Then +I reckon he'd bust the corral tryin' to get out again."</p> + +<p>Collie grinned. "Well, I wouldn't this morning—if<span class='pagenum'><a name="Page_175" id="Page_175">175</a></span> there was anything +to eat there, even hay."</p> + +<p>"Well, you don't get your breakfast at the chuck-house <i>this</i> morning," +said Williams gruffly.</p> + +<p>"I don't, eh? Since when?"</p> + +<p>Williams again turned in his saddle, observing Collie for a minute +before he spoke. "I see you're smilin', so I'll tell you. Since when? +Well, since about two hours ago, when Miss Louise come steppin' over to +the bunk-house and asks where you are. Billy Dime ups and tells her you +was sick-nursin' the blunder colt. She didn't smile, but turned to me +and asked me. I told her about what was doin'. I seen she had it in for +somebody. It was me. 'Brand,' she says, quiet-like, 'is it customary on +the Moonstone for lunch or dinner to be taken to the men that are +staying out from camp?'</p> + +<p>"'Yes, ma'am,' says I.</p> + +<p>"And the plumb hell of it was," continued Williams, "she didn't say +another word. I wisht she had. I feel like a little less than nothin' +shot full of holes this lovely mornin'."</p> + +<p>Collie rode on silently.</p> + +<p>"Why don't you say somethin'?" queried Williams.</p> + +<p>"I was waiting for the rest of it," said Collie.</p> + +<p>Williams laughed. "I guess you ain't such a fool, at that, with your +nussin' stock and settin'<span class='pagenum'><a name="Page_176" id="Page_176">176</a></span> up nights with 'em. Miss Louise says to tell +you to come right up to the house,—the <i>house</i>, you understand,—and +get your breakfast with them. They said they was goin' to wait for you. +I guess that ain't throwin' it into the rest of us some. Keep it up, +Collie kid, keep it up, and you'll be payin' us all wages some day."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XVII" id="CHAPTER_XVII"></a> +<span class='pagenum'><a name="Page_177" id="Page_177">177</a></span> +<h2>CHAPTER XVII</h2><h3>GUESTS</h3> +</div> + +<p>A month had passed since the rescue of the blunder colt. The air was +warm and clear, the sky intensely blue. Moonstone Cañon grew fragrant +with budding flowers. The little lizards came from their winter crevices +and clung to the sun-warmed stones. A covey of young quail fluttered +along the hillside under the stately surveillance of the mother bird. +Wild cats prowled boldly on the southern slopes. Cotton-tails huddled +beneath the greasewood brush and nibbled at the grasses. The cañon +stream ran clear again now that the storm-washed silt had settled. On +the peaks the high winds were cold and cutting, but on the slopes and in +the valleys the earth was moist and warm.</p> + +<p>Louise, humming a song, rode slowly along the Moonstone Cañon Trail. At +the "double turn" in the cañon, where dwelt Echo and her myrmidons, +Louise rode more slowly.</p> + +<p> +<span style="margin-left: 1em;">"Dreaming Fance, the cobbler's son, took his tools and laces,</span><br /> +<span style="margin-left: 1em;">Wrought her shoes of scarlet dye, shoes as pale as snow.</span><br /> +<span style="margin-left: 1em;">They shall lead her wild-rose feet all the faëry paces,</span><br /> +<span style="margin-left: 1em;">Danced along the road of love, the road such feet should go."</span><br /> +<span class='pagenum'><a name="Page_178" id="Page_178">178</a></span></p> + +<p>She sang slowly, pausing after each line that the echoes might not blur.</p> + +<p>"Danced along ... along ... the road ... of love, the road ... of +love ... of love," sang the echoes.</p> + +<p>Louise smiled dreamily. Then the clatter of Boyar's shod hoofs rang and +reëchoed, finally to hush in the gravel of the ford beyond.</p> + +<p>Why Louise thought of Collie just then, it would be difficult to +imagine. Still, she had, ever since his night's vigil with the blunder +colt, caught herself noting little details associated with him and his +work. He brushed his teeth. Not all of the other men did. He did not +chew tobacco. Despite his lack of early training, he was naturally neat. +He disliked filth instinctively. His bits, spurs, and trappings shone. +He had learned to shoe his string of ponies—an art that is fast +becoming lost among present-day cowmen. With little comment but faithful +zeal he copied Brand Williams. This, of course, flattered the taciturn +cowman, who unobtrusively arranged Collie's work so that it might bring +the younger man before the notice of Walter Stone, and incidentally +Louise. Of course, Louise was not aware of this.</p> + +<p>The girl no longer sang as she rode, but dreamed, with unseeing eyes on +the trail ahead—dreamed such dreams as one may put aside easily<span class='pagenum'><a name="Page_179" id="Page_179">179</a></span> until, +perchance, the dream converges toward reality which cannot be so lightly +put aside.</p> + +<p>Brand Williams had his own ideas of romance; ideas pretty well submerged +in the deeps of hardy experience, but existing, nevertheless, and as +immovable as the bed of the sea. He badgered Collie whenever he chanced +to have seen him with the Rose Girl, and smiling inwardly at the young +man's indignation, he would straightway arrange that Collie should ride +to town, for, say, a few pounds of staples wanted in a hurry, when he +knew that the buckboard would be going to town on the morrow, and also +that there were plenty of staples in the storeroom.</p> + +<p>Something of the kind was afoot, or rather a-saddle, as Louise rode down +the Moonstone Trail, for beyond the turn and the rippling ford she saw a +lithe, blue-shirted figure that she knew.</p> + +<p>Louise would not have admitted even to herself that she urged Boyar. +Nevertheless the reins tightened and slackened gently. Boyar swung into +his easy lope. It pleased the girl that Collie, turning in his saddle at +the sound of hoofs, waved a salute, but did not check his horse. He had +never presumed on her frank friendship and "taken things for granted." +He kept his place always. He was polite, a little reticent, and very +much in love with Louise. Louise did not pretend<span class='pagenum'><a name="Page_180" id="Page_180">180</a></span> to herself that she +was not aware of it. She was all the more pleased that Collie should act +so admirably. She had loaned him books, some of which he had read +faithfully and intelligently. In secret he had kissed her name written +on the flyleaf of each of them. He really rather adored Louise than +loved her, and he builded well, for his adoration (unintimate as +adoration must ever be until perchance it touches earth and is +translated into love) was of that blithe and inspiriting quality that +lifts a man above his natural self and shapes the lips to song and the +heart to unselfish service. He knew himself to be good-looking and not +altogether a barbarian. No morbid hopelessness clouded his broad +horizon. He knew himself and cherished his strength and his optimism. He +ate slowly, which is no insignificant item on the credit side of the big +book of Success.</p> + +<p>Collie lifted his broad-brimmed hat as Louise rode up. His face was +flushed. His lips were smiling, but his dark eyes were steady and grave.</p> + +<p>"'Morning, Collie! Boyar is just bound to lope. He never can bear to have +a horse ahead of him."</p> + +<p>"He don't have to, very often," said Collie.</p> + +<p>"Of course, there are Kentucky saddle-horses that could beat him. But +they are not cow-ponies."</p> + +<p>"No. And they couldn't beat him if they had<span class='pagenum'><a name="Page_181" id="Page_181">181</a></span> to do his work in the +hills. About a week of the trails would kill a thoroughbred."</p> + +<p>"Boyar is very conceited, aren't you, Boy?" And she patted the sleek +arch of his neck.</p> + +<p>"I don't blame him," said Collie, his eyes twinkling.</p> + +<p>"Going all the way to town?" asked Louise.</p> + +<p>"Yes. Brand wants some things from the store."</p> + +<p>"I'm going to the station. We expect a telegram from some friends. Maybe +they'll be there themselves. I hope not, though. They said they were +coming to-morrow, but would telegraph if they started sooner. We would +have to get Price's team and buckboard—and I'd be ashamed to ride +behind his horses, especially with my—my friend from the East."</p> + +<p>"Boyar and this here buckskin colt would make a pretty fair team," +ventured Collie, smiling to himself.</p> + +<p>"To drive? Heavens, Collie, no! They've neither of them been in +harness."</p> + +<p>"I was just imagining," said Collie.</p> + +<p>"Of course!" exclaimed Louise, laughing. "I understand. Why, I must be +late. There's the train for the north just leaving the station. I +expected to be there in case the Marshalls did come to-day. But they +said they'd telegraph."</p> + +<p>"I can see three folks on the platform," said<span class='pagenum'><a name="Page_182" id="Page_182">182</a></span> Collie. "One is the +agent; see his cap shine? Then there's a man and a woman."</p> + +<p>"If it's Anne, she'll never forgive me. She's so—formal about things. +It can't be the Marshalls, though."</p> + +<p>"We can ride," suggested Collie. And the two ponies leaped forward. A +little trail of dust followed them across the valley.</p> + +<p>At the station Louise found her guests, young Dr. Marshall and his wife; +also the telegram announcing the day they would arrive.</p> + +<p>"I'm sorry," began Louise; but the Marshalls silenced her with hearty +"Oh, pshaws!" and "No matters!" with an incidental hug from Anne.</p> + +<p>"Why, you have changed so, Anne!" exclaimed Louise. "What <i>have</i> you +been doing? You used to be so terribly formal, and now you're actually +hugging me in public!"</p> + +<p>"The 'public' has just departed, Miss Lacharme, with your pony, I +believe. He rides well—the tall dark chap that came with you."</p> + +<p>"Oh, Collie. He's gone for the buckboard, of course. Stupid of me not to +drive down. We really didn't expect you until to-morrow, but you'll +forgive us all, won't you? You can see now how telegrams are handled at +these stations."</p> + +<p>Anne Marshall, a brown-eyed, rather stately and pleasingly slender girl, +smiled and shook her<span class='pagenum'><a name="Page_183" id="Page_183">183</a></span> head. "I don't know. I may, if you will promise to +introduce me to that fascinating young cowboy that rode away with your +horse. I used to dream of such men."</p> + +<p>Young Dr. Marshall coughed. The girls laughed.</p> + +<p>"Oh, Collie?" said Louise. "Of course, you will meet him. He's our +right-hand man. Uncle Walter says he couldn't get along without him and +Aunty Eleanor just thinks he is perfect."</p> + +<p>"And Louise?" queried Anne Marshall.</p> + +<p>"Same," said Louise non-committally. "I don't see why he took Boyar with +him to the store, though."</p> + +<hr style='width: 45%;' /> + +<p>The Marshalls and Louise paced slowly up and down the station platform, +chatting about the East and Louise's last visit there, before Anne was +married. Presently they were interrupted by a wild clatter of hoofs and +the grind and screech of a hastily applied brake. The borrowed +buckboard, strong, light, two-seated, and built for service, had arrived +dramatically. Collie leaned back, the reins wrapped round his wrists, +and his foot pressing the brake home. In the harness stood, or rather +gyrated, Boyar and Collie's own pony Apache. It is enough to say that +neither of them had ever been in harness before. The ponies were trying +to get rid of the<span class='pagenum'><a name="Page_184" id="Page_184">184</a></span> appended vehicle through any possible means. Louise +gasped.</p> + +<p>"Price's team is out—over to the Oro Ranch. I knew you wanted a team in +a hurry—" said Collie.</p> + +<p>"It looks quite like a team in a hurry," commented Dr. Marshall. "Your +man is a good driver?"</p> + +<p>"Splendid!" said Louise. "Come on, Anne. You always said you wanted to +ride behind some real Western horses. Here they are."</p> + +<p>"Why, this is just—just—bully!" whispered the stately Anne Marshall. +"And isn't he a striking figure?"</p> + +<p>"Yes," assented Louise, who was just the least bit uncertain as to the +outcome of Collie's hasty assembling of untutored harness material. "It +is just 'bully.' Where in the world did you unearth that word, Anne?"</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XVIII" id="CHAPTER_XVIII"></a> +<span class='pagenum'><a name="Page_185" id="Page_185">185</a></span> +<h2>CHAPTER XVIII</h2><h3>A RED EPISODE</h3> +</div> + +<p>Dr. Marshall's offhand designation of the buckboard as "a team in a +hurry" was prophetic, even unto the end.</p> + +<p>What Boyar could not accomplish in the way of equine gymnastics in +harness, Apache, Collie's pony, could.</p> + +<p>Louise was a little fearful for her guests, yet she had confidence in +the driver. The Marshalls apparently saw nothing more than a pair of +very spirited "real Western horses like one reads about, you know," +until Dr. Marshall, slowly coming out of a kind of anticipatory haze, as +Boyar stood on his hind feet and tried to face the buckboard, recognized +the black horse as Louise's saddle animal. He took a firmer grip on the +seat and looked at Collie. The young man seemed to be enjoying himself. +There wasn't a line of worry on his clean-cut face.</p> + +<p>"Pretty lively," said the doctor.</p> + +<p>Collie, with his foot on the brake and both arms rigid, nodded. +Moonstone Cañon Trail was not a boulevard. He was not to be lured into<span class='pagenum'><a name="Page_186" id="Page_186">186</a></span> +conversation. He was giving his whole mind and all of his magnetism to +the team.</p> + +<p>Boyar and Apache took advantage of every turn, pitch, steep descent, and +ford to display the demoniacal ingenuity inspired by their outraged +feelings. They were splendid, obedient saddle-animals. But to be buckled +and strapped in irritating harness, and hitched to that four-wheeled +disgrace, a buckboard!...</p> + +<p>Anne Marshall chatted happily with Louise, punctuating her lively +chatter with subdued little cries of delight as some new turn in the +trail opened on a vista unimaginably beautiful, especially to her +Eastern eyes.</p> + +<p>Young Dr. Marshall, in the front seat with Collie, braced his feet and +smiled. <i>He</i> had had experience, in an East-Side ambulance, but then +that had been over level streets. He glanced over the edge of the cañon +road and his smile faded a little. It faded entirely as the front wheel +sheared off a generous shovelful of earth from a sharp upright angle of +the hill as the team took the turn at a gallop. The young physician had +a sense of humor, which is the next best thing to courage, although he +had plenty of his kind of courage also. He brushed the earth from his +lap.</p> + +<p>"The road needs widening there, anyway," commented Collie, as though +apologizing.<span class='pagenum'><a name="Page_187" id="Page_187">187</a></span></p> + +<p>"I have my—er—repair kit with me," said the genial doctor. "I'm a +surgeon."</p> + +<p>Collie nodded, but kept his eyes rigidly on the horses. Evidently this +immaculate, of the white collar and cuffs and the stylish gray tweeds, +had "sand."</p> + +<p>"They're a little fussy—but I know 'em," said Collie, as Boyar, +apparently terror-stricken at a manzanita that he had passed hundreds of +times, reared, his fore feet pawing space and the traces dangerously +slack. Louise bit her lower lip and quickly called Anne's attention to a +spot of vivid color on the hillside. To Dr. Marshall's surprise, Collie +struck Apache, who was behaving, smartly with the whip. Apache leaped +forward, bringing Boyar down to his feet again. The doctor would have +been inclined to strike Boyar for misbehaving. He saw Collie's wisdom +and smiled. To have punished Boyar when already on his hind feet would +have been folly.</p> + +<p>At the top of the next grade the lathering, restive ponies finally +settled to a stubborn trot. "Mad clean through," said Collie.</p> + +<p>"I should say they were behaving well enough," said the doctor, not as +much as an opinion as to relieve his tense nerves in speech.</p> + +<p>"When a bronc' gets to acting ladylike, then is the time to look out," +said Collie. "Boyar and<span class='pagenum'><a name="Page_188" id="Page_188">188</a></span> Apache have never been in harness before. Seems +kind of queer to 'em."</p> + +<p>"What! Never been—Why! Huh! For Heaven's sake, don't let Mrs. Marshall +hear that."</p> + +<hr style='width: 45%;' /> + +<p>Walter Stone and his wife made the Marshalls feel at home immediately. +Walter Stone had known Dr. Marshall's father, and he found in the son a +pleasant living recollection of his old friend. Aunt Eleanor and Louise +had visited with Anne when they were East. She was Anne Winthrop then, +and Louise and she had found much in common to enjoy in shopping and +sightseeing. Their one regret was that Louise would have to return to +the West before her marriage to the young Dr. Marshall they all admired +so much. There had been vague promises of coming West after "things were +settled," as Anne put it. Which was merely another way of saying, "After +we are married and have become enough used to each other to really enjoy +a long trip West."</p> + +<p>The Marshalls had arrived with three years of happiness behind them, and +apparently with an æon or so of happiness to look forward to, for they +were quiet, unassuming young folks, with plenty of money and no desire +whatever to make people aware of it.</p> + +<p>The host brought cigars and an extra steamer-chair<span class='pagenum'><a name="Page_189" id="Page_189">189</a></span> to the wide veranda. +"It's much cooler out here. We'll smoke while the girls tell each other +all about it."</p> + +<p>"I <i>should</i> like to sit on something solid for a few minutes," said the +doctor. "It was a most amazing drive."</p> + +<p>"We're pretty well used to the cañon," said Stone. "Yet I can see how it +would strike an Easterner."</p> + +<p>"Indeed it did, Mr. Stone. There is a thrill in every turn of it, for +me. I shall dream of it."</p> + +<p>"Were you delayed at the station?" queried Stone.</p> + +<p>"We wired," said the doctor. "It seems that the telegram was not +delivered. Miss Lacharme explained that messages have to wait until +called for, unless money is wired for delivering them."</p> + +<p>"That is a fact, Doctor. Splendid system, isn't it?"</p> + +<p>"I am really sorry that we put Miss Lacharme to so much trouble. She had +to scare up a team on the instant."</p> + +<p>"Price, the storekeeper, brought you up, didn't he?"</p> + +<p>"I don't think so. Miss Louise called him 'Collie,' I believe. He'd make +a splendid army surgeon, that young man! He has nerves like<span class='pagenum'><a name="Page_190" id="Page_190">190</a></span> tempered +steel wire, and I never saw such cool strength."</p> + +<p>"Oh, that's nothing. Any one could drive Price's horses."</p> + +<p>The doctor smiled. "The young man confided to me that their names were +'Boyar' and 'Apache,' I believe. They both lived up to the last one's +name."</p> + +<p>"Well, I'll be—Here, have a fresh cigar! I want to smoke on that. +Hu-m-m! Did that young pirate drive those saddle-animals—drive 'em from +the station to this rancho—Whew! I congratulate you, Doctor. You'll +never be killed in a runaway. He's a good horseman, but—Well, I'll talk +to <i>him</i>."</p> + +<p>"Pardon me if I ask you not to, Stone. The girls enjoyed it immensely. +So did I. I believe the driver did. He never once lost his smile."</p> + +<p>"Collie is usually pretty level-headed," said Walter Stone. "He must +have been put to it for horses. Price's team must have been out."</p> + +<p>"He's more than level-headed," asserted Dr. Marshall. "He's magnetic. I +could feel confidence radiating from him like sunshine from a brick +wall."</p> + +<p>"I think he'll amount to something, myself. Everything he tackles he +tackles earnestly. He doesn't leave loose ends to be picked up by some<span class='pagenum'><a name="Page_191" id="Page_191">191</a></span> +one else later. I've had a reason to watch him specially. Three years +ago he was tramping it with a 'pal.' A boy tramp. Now see what he's +grown to be."</p> + +<p>"A <i>tramp</i>! No!"</p> + +<p>"Fact. He's done pretty well for himself since he's been with us. He had +a hard time of it before that."</p> + +<p>"I served my apprenticeship in the slums," said Dr. Marshall. "East-Side +hospital. I think that I can also appreciate what you have done for +him."</p> + +<p>"Thank you, Doctor,—but the credit belongs with the boy. Hello! Here +are our girls again." And Walter Stone and the doctor rose on the +instant.</p> + +<p>"I think I shall call you Uncle Walter," said Anne Marshall, who had not +met Walter Stone until then.</p> + +<p>"I'm unworthy," said the rancher, his eyes twinkling. "And I don't want +to be relegated to the 'uncle' class so soon."</p> + +<p>"<i>Thanksawfully</i>," said Louise.</p> + +<p>"Jealous, mouse?"</p> + +<p>"Indeed, no. I'm not Mrs. Marshall's husband."</p> + +<p>"I have already congratulated the doctor," said Walter Stone, bowing.</p> + +<p>"Doctor," said Anne, in her most formal<span class='pagenum'><a name="Page_192" id="Page_192">192</a></span> manner. "You're antique. Why +don't you say something bright?"</p> + +<p>"I do, every time I call you Anne. I really must go in and brush up a +bit, as you suggest. You'll excuse me, I'm sure."</p> + +<p>"Yes, indeed,—almost with pleasure. And, Doctor, <i>don't</i> wear your +fountain-pen in your white vest pocket. You're not on duty, now."</p> + +<p>In the shadows of the mountain evening they congregated on the veranda +and chatted about the East, the West, and incidentally about the +proposed picnic they were to enjoy a few days later, when "boots and +saddles" would be the order of the day. "And the trails are not bad, +Anne," said Louise. "When you get used to them, you'll forget all about +them, but your pony won't. He'll be just as deliberate and anxious about +your safety, and his, at the end of the week as he was at the +beginning."</p> + +<p>"Imagine! A week of riding about these mountains! How Billy would have +enjoyed it, Doctor."</p> + +<p>"Yes. But I believe he is having a pretty good time where he is."</p> + +<p>"We wish he could be here, Anne," said Louise. "I've never met your +brother. He's always been away when I have been East."</p> + +<p>"Which has been his misfortune," said Dr. Marshall.<span class='pagenum'><a name="Page_193" id="Page_193">193</a></span></p> + +<p>"He writes such beautiful letters about the desert and his mining +claim,—that's his latest fad,—and says he's much stronger. But I +believe they all say that—when they have his trouble, you know."</p> + +<p>"From Billy's last letter, I should say he was in pretty fair shape," +said the doctor. "He's living outdoors and at a good altitude, somewhere +on the desert. He's making money. He posts his letters at a town called +'Dagget,' in this State."</p> + +<p>"Up above San Berdoo," said Walter Stone. And he straightway drifted +into reverie, gazing at the bright end of his cigar until it faded in +the darkness.</p> + +<p>"Hello!" exclaimed Dr. Marshall, leaning forward. "Sounds like the +exhaust of a pretty heavy car. I didn't imagine any one would drive that +cañon road after dark."</p> + +<p>"Unusual," said Stone, getting to his feet. "Some one in a hurry. I'll +turn on the porch-light and defy the mosquitoes."</p> + +<p>With a leonine roar and a succeeding clatter of empty cylinders, an +immense racing-car stopped at the gate below. The powerful headlight +shot a widening pathway through the night. Voices came indistinctly from +the vicinity of the machine. Before Walter Stone had reached the bottom +step of the porch, a huge figure appeared from out the shadows. In the +radiance of the<span class='pagenum'><a name="Page_194" id="Page_194">194</a></span> porch-light stood a wonderfully attired stranger. Frock +coat, silk hat, patent leathers, striped trousers, and pearl gaiters, a +white vest, and a noticeable watch-chain adorned the driver of the +automobile. He stood for a minute, blinking in the light. Then he swept +his hat from his head with muscular grace. "Excuse me for intrudin'," he +said. "I seen this glim and headed for it. Is Mr. Walter Stone at +lee-sure?"</p> + +<p>"I'm Walter Stone," said the rancher, somewhat mystified.</p> + +<p>"My name's Summers, Jack Summers, proprietor of the Rose Girl Mine." And +Overland Red, erstwhile sheriff of Abilene, cowboy, tramp, prospector, +gunman, and many other interesting things, proffered a highly engraved +calling-card. Again he bowed profoundly, his hat in his hand, a white +carnation in his buttonhole and rapture in his heart. He had seen Louise +again—Louise, leaning forward, staring at him incredulously. Wouldn't +the Rose Girl be surprised? She was.</p> + +<p>"I can't say that I quite understand—" began Stone.</p> + +<p>"Why, it's the man who borrowed my pony!" exclaimed Louise.</p> + +<p>"Correct, Miss. I—I come to thank you for lendin' me the cayuse that +time."</p> + +<p>Walter Stone simply had to laugh. "Come up and rest after your trip up +the cañon. Of course,<span class='pagenum'><a name="Page_195" id="Page_195">195</a></span> you want to see Collie. He told me about your +finding the claim. Says you have given him a quarter-interest. I'm glad +you're doing well."</p> + +<p>"I took a little run in to Los to get some new tires. The desert eats +'em up pretty fast. The Guzzuh, she cast her off hind shoe the other +day. I was scared she'd go lame. Bein' up this way, I thought I'd roll +up and see Collie."</p> + +<p>"The 'Guzzuh'?" queried Stone. "You rode up, then?"</p> + +<p>"Nope. The Guzzuh is me little old racin'-car. I christened her that +right after I got so as I could climb on to her without her pitchin' me +off. She's some bronc' she is."</p> + +<p>Overland Red, despite his outward regeneration, was Overland Red still, +only a little more so. His overwhelming apparel accentuated his +peculiarities, his humorous gestures, his silent self-consciousness. But +there was something big, forceful, and wholesouled about the man, +something that attracted despite his incongruities.</p> + +<p>Anne Marshall was at once—as she told Louise later—"desperately +interested." Dr. Marshall saw in Overland a new and exceedingly virile +type. Even gentle Aunt Eleanor received the irrepressible with +unmistakable welcome. She had heard much of his history from Collie. +Overland was as irresistible as the morning sun. While endeavoring +earnestly to "do the genteel,"<span class='pagenum'><a name="Page_196" id="Page_196">196</a></span> as he had assured Winthrop he would when +he left him to make this visit, Overland had literally taken them by +storm.</p> + +<p>Young Dr. Marshall studied him, racking his memory for a name. Presently +he turned to his wife. "What was Billy's partner's name—the miner? I've +forgotten."</p> + +<p>"A Mr. Summers, I believe. Yes, I'm sure. Jack Summers, Billy called him +in his letters."</p> + +<p>"Just a minute," said the doctor, turning to Overland, who sat, +huge-limbed, smiling, red-visaged, happy. "Pardon me. You said Mr. Jack +Summers, I believe? Do you happen to know a Mr. Winthrop, Billy +Winthrop?"</p> + +<p>"Me? What, Billy? Billy Winthrop? Say, is this me? I inhaled a whole lot +of gasoline comin' up that grade, but I ain't feelin' dizzy. Billy +Winthrop? Why—" And his exclamation subsided as he asked cautiously, +"Did you know him?"</p> + +<p>"I am his sister," said Anne Marshall.</p> + +<p>Overland was dumbfounded. "His sister," he muttered. "The one he writ to +in New York. Huh! Yes, me and Billy's pardners."</p> + +<p>"Is he—is he better?" asked Anne hesitatingly.</p> + +<p>"Better! Say, lady, excuse me if I tell you he's gettin' so blame frisky +that he's got me scared. Why, I left him settin' on a rock eatin'<span class='pagenum'><a name="Page_197" id="Page_197">197</a></span> a +sardine san'wich with one hand and shootin' holes in all the tin cans in +sight with the other. 'So long, Red!' he hollers as I lit out with the +burro to cross the range. 'So long, and don't let your feet slip.' And +<i>Pom!</i> goes the .45 that he was jugglin' and another tin can passed +over. He takes a bite from the san'wich and then, <i>Pom!</i> goes the gun +again and another tin can bites the dust, jest as free and easy as if he +wasn't keepin' guard over thirty or forty thousand dollars' worth of +gold-dust and trouble, and jest as if he ain't got no lungs at all."</p> + +<p>"Billy must have changed a little," ventured Dr. Marshall, smiling.</p> + +<p>"Changed? Excuse me, ladies. But when I first turned my lamps on him in +Los, I says to myself if there wasn't a fella with one foot in the grave +and the other on a banana-peel, I was mistook. And listen! He come out +to the Mojave with me. He jest almost cried to come. I was scared it was +vi'lets and 'Gather at the River,' without the melodeum, for him. But +you never see a fella get such a chest! Search me if I knows where he +got it from, for he wasn't much bigger around in the works than a +mosquito when I took him up there. And eat! My Gosh, he can eat! And a +complexion like a Yaqui. And he can sleep longer and harder and louder +than a corral of gradin' mules on Saturday night!<span class='pagenum'><a name="Page_198" id="Page_198">198</a></span> 'Course he's slim +yet, but it's the kind of slim like rawhide that you could hobble a +elephant with. And, say, he's a pardner on your life! Believe me, and +I'm listenin' to myself, too."</p> + +<p>"His lungs are better, then?"</p> + +<p>"Lungs? He ain't got none. They're belluses—prime California skirtin' +leather off the back. Lady, that kid is a wonder."</p> + +<p>"I'm awfully glad Billy is better. He <i>must</i> be, judging from what you +tell me."</p> + +<p>"I wisht I'd 'a' had him runnin' the 'Guzzuh' instead of that little +chicken-breasted chaffer they three-shelled on to me in Los Angeles. I +hired him because they said I 'd better take him along until I was some +better acquainted with the machine. The Guzzuh ain't no ordinary +bronc'."</p> + +<p>"The 'Guzzuh'?" queried Dr. Marshall.</p> + +<p>"Uhuh. That's what I christened her. She's a racer. She's sixty +hoss-power, and sometimes I reckon I could handle sixty hosses easier to +once than I could her. We was lopin' along out in the desert, 'bout +fifty miles an hour by the leetle clock on the dashboard, when all of a +sudden she lays back her ears and she bucks. I leans back and keeps her +head up, but it ain't no use. She gives a jump or two and says +'<i>Guzzuh!</i>' jest like that, and quits. I climbs out and looked her over. +She sure was balky. I was glad she said <i>somethin'</i>, if it was only +'Guzzuh,' instead of<span class='pagenum'><a name="Page_199" id="Page_199">199</a></span> quittin' on me silent and scornful. Sounded like +she was apologizin' for stoppin' up like that. I felt of her chest and +she was pretty much het up. When she cooled off, I started her +easy—sort of grazin' along pretendin' we wasn't goin' to lope again. +When she got her second wind I give her her head, and she let out and +loped clean into the desert town, without makin' a stumble or castin' a +shoe. Paid three thousand for her in Los. She is guaranteed to do eighty +miles on the level, and she does a whole lot of other things that ain't +jest on the level. She'd climb a back fence if you spoke right to her. A +sand-storm ain't got nothin' on her when she gets her back up."</p> + +<p>"Your car must be unique," suggested Walter Stone.</p> + +<p>"Nope. She ain't a 'Yew-neck.' I forget her brand. I ain't had her very +long. But I can run her now better than that little +two-dollar-and-a-half excuse they lent me in Los. He loses his nerve +comin' up the cañon there. You see the Guzzuh got to friskin' round the +turns on her hind feet. So I gives him a box of candy to keep him quiet +and takes the reins myself. I got my foot in the wrong stirrup on the +start—was chokin' off her wind instead of feedin' her. Then I got my +foot on the giddap-dingus and we come. The speed-clock's limit is ninety +miles an<span class='pagenum'><a name="Page_200" id="Page_200">200</a></span> hour and we busted the speed clock comin' down that last +grade. But we're here."</p> + +<p>Dr. Marshall and Walter Stone gazed at each other. They laughed. +Overland smiled condescendingly. Anne Marshall had recourse to her +handkerchief, but Louise did not smile.</p> + +<p>"Does Billy ever drive your car?" asked Anne Marshall presently.</p> + +<p>"He drives her in the desert and in the hills some. He drove her into a +sand-hill once clean up to her withers. When he came back,—he kind of +went ahead a spell to look over the ground, so he says,—he apologizes +to her like a gent. Oh, he likes her more 'n I do. Bruck two +searchlights at one hundred dollars a glim, but that's nothin'. Oh, yes, +Billy's got good nerve."</p> + +<p>Overland shifted his foot to his other knee and leaned back luxuriously, +puffing fluently at his cigar.</p> + +<p>"Billy did get to feelin' kind of down, a spell back. He had a argument +with a Gophertown gent about our claim. I wasn't there at the time, but +when I come back, I tied up Billy's leg—"</p> + +<p>"Goodness! His leg?" exclaimed Anne.</p> + +<p>"Yes, ma'am. The Gophertown gent snuck up and tried to stick Billy up +when Billy was readin' po'try—some of mine. Billy didn't scare so easy. +He reaches for his gun. Anyhow, the Gophertown gent's bullet hit a rock, +and<span class='pagenum'><a name="Page_201" id="Page_201">201</a></span> shied up and stung Billy in the leg. Billy never misses a tin can +now'days, and the gent was bigger than a can. We never seen nothin' of +him again."</p> + +<p>"Gracious, it's perfectly awful!" cried Anne.</p> + +<p>"Yes, lady. That's what Billy said. He said he didn't object to gettin' +shot at, but he did object to gettin' hit, especially when he was +readin' po'try. Said it kind of bruck his strand of thought. That guy +was no gent."</p> + +<p>Walter Stone again glanced at Dr. Marshall. Aunt Eleanor rose, bidding +the men good-night. Louise and Mrs. Marshall followed somewhat +reluctantly. Stone disappeared to return with cigars, whiskey and +seltzer, which he placed at Overland's elbow. "My friend Dr. Marshall is +an Easterner," he said.</p> + +<p>Overland waved a comprehending hand, lit another cigar, and settled +back. "Now I can take the hobbles off and talk nacheral. When you gents +want me to stop, just say 'Guzzuh.'"</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XIX" id="CHAPTER_XIX"></a> +<span class='pagenum'><a name="Page_202" id="Page_202">202</a></span> +<h2>CHAPTER XIX</h2><h3>"TO CUT MY TRAIL LIKE THAT!"</h3> +</div> + +<p>Overland Red was concluding his last yarn, a most amazing account of +"The night the Plancher boys shot up Abilene."</p> + +<p>It was exactly two o'clock by Dr. Marshall's watch.</p> + +<p>"Both my guns was choked up with burnt powder. I reached down and +borrowed two guns off a gent what wasn't usin' his jest then. Next day I +was elected sheriff unanimous. They was seven of us left standin'. That +was back in '98." Overland yawned and stood up.</p> + +<p>"The boys are all asleep now," said Walter Stone. "We have plenty of +room here. You'll not object to taking one of the guest-rooms as you +find it, I'm sure."</p> + +<p>"For better or for worse, as the pote says." And Overland grinned. "But +I got to put that little chaffer to roost somewhere."</p> + +<p>"That's so."</p> + +<p>"I'll go wake him up." And Overland strode to the racing-car. The +"chaffer" had departed for parts unknown.<span class='pagenum'><a name="Page_203" id="Page_203">203</a></span></p> + +<p>"I guess he was scared at that last grade," said Overland, returning to +the house. "He's gone. He must 'a' been scared, to beat it back down the +road afoot."</p> + +<p>"Perhaps he has gone to the stables," said Stone. "Well, we'll take care +of you here. You can see Collie in the morning."</p> + +<p>Overland, closing the door of the spacious, cool guest-room, glanced +about curiously. What was it made the place seem so different from even +the most expensive hotel suites? The furniture was very plain. The +decorations were soft-toned and simple. "It's—it's because the Rose +Girl lives here, I guess," he soliloquized. "Now this kind of a roost +would jest suit Billy, but it makes me feel like walkin' on eggs. This +here grazin' is too good for me."</p> + +<p>He undressed slowly, folding his unaccustomed garments with great care. +He placed his automatic pistol on the chair by the bed. Then he crept +beneath the sheets, forgetting to turn out the light. "Huh! Gettin' +absent-minded like the old perfessor what picked up a hairbrush instead +of a lookin'-glass to see if he needed shavin'. He was dum' near scared +to death to see how his beard was growin'." And Overland chuckled as he +turned out the lights.</p> + +<p>He could not go to sleep at once. He missed the desert night—the spaces +and the stars. "I left<span class='pagenum'><a name="Page_204" id="Page_204">204</a></span> here in a hurry once," he muttered. "'Bout three +years ago. Then I was kiddin' Collie about wearin' silk pejammies. Now I +got 'em—got 'em on, by thunder! Don't know as I feel any heftier in the +intellec'. And I can't show 'em to nobody. What's the good of havin' 'em +if nobody knows it? But I can hang 'em on the bedpost in the mornin', +careless like, jest like I was raised to it. Them pejammies cost four +dollars a leg. Some class...." And he drifted to sleep.</p> + +<p>After breakfast Dr. Marshall, who had taken a fancy to Overland, +strolled with him over to the bunk-house. Most of the men were on the +range. Collie was assembling bits and bridles, saddles, cinchas, and +spurs, to complete an equipment for the proposed camping trip in the +hills. He was astounded at Overland's appearance. However, he had +absorbed Western ideals rapidly. He was sincerely glad, overjoyed, to +see his old friend, but he showed little of it in voice and manner. He +shook hands with a brief, "How, Red!" and went on with his work.</p> + +<p>Dr. Marshall, after expressing interest in the equipment, excused +himself and wandered over to the corrals, where he admired the horses.</p> + +<p>"Where did you get 'em?" queried Collie, adjusting the length of a pair +of stirrup-leathers.</p> + +<p>"These?" And Overland spread his coat-tails<span class='pagenum'><a name="Page_205" id="Page_205">205</a></span> and ruffled. "Why, out of +the old Mojave. Dug 'em up with a little pick and shovel."</p> + +<p>"You said in your letter you found the claim."</p> + +<p>"Uhuh. Almost fell over it before I did, though. We never found the +other things, by the track. New ties. No mark. Say, that Billy Winthrop +I writ about is the brother of them folks stayin' here! What do you +think!"</p> + +<p>"Wish I was out there with you fellows," said Collie.</p> + +<p>"You're doin' pretty good right here, kiddo. The boss don't think you're +the worst that ever came acrost, and I expect the ladies can put up with +havin' you on the same ranch by the way they talk. Got a hoss of your +own yet?"</p> + +<p>"Nope. I got my eye on one, though. Say, Red, this is the best place to +work. The boss is fine. I'm getting forty a month now, and savin' it. +The boys are all right, too. Brand Williams, the foreman—"</p> + +<p>"Brand who?"</p> + +<p>"Williams. He came from Wyoming."</p> + +<p>"Well, this here's gettin' like a story and not like real livin'. Why, I +knowed old Brand in Mex. in the old days when a hoss and a gun was about +all a guy needed to set up housekeepin'. We was pals. So he's foreman +here, eh? Well, you follow<span class='pagenum'><a name="Page_206" id="Page_206">206</a></span> his trail close about cattle or hosses and +you'll win out."</p> + +<p>"I been doing that," said Collie. "The other day he told me to keep my +eye on one of the boys. Silent Saunders, he's called. Kind of funny. I +don't know anything about Saunders."</p> + +<p>"Well, you bank on it. Stack 'em up chin-high on it, Collie, if Brand +says that. He knows some-thin' or he would never talk. Brand is a +particular friend of yours?"</p> + +<p>"You bet!"</p> + +<p>"Well, tie to him. What he says is better than fine gold as the pote +says. I reckon coarse gold suits me better, outside of po'try. How does +the Saunders insec' wear his clothes?"</p> + +<p>"He's kind of lame in one arm and—here he comes now. You can see for +yourself. The one on that pinto."</p> + +<p>As Saunders rode past the two men, he turned in his saddle. Despite +Overland's finery he recognized him at once.</p> + +<p>Overland's gaze never left the other's hands. "Mornin'," said Overland, +nodding. "Ain't you grazin' pretty far this side of Gophertown?"</p> + +<p>"Who the hell are you talkin' to?" Saunders asked venomously, and his +eyes narrowed.</p> + +<p>Overland grinned, and carelessly shifted the lapel of his coat from +beneath which peeped the butt of his automatic pistol. Collie felt his +scalp<span class='pagenum'><a name="Page_207" id="Page_207">207</a></span> tightening. There was something tense and suggestive in the air.</p> + +<p>"I'm talkin' to a fella that ought to know better than to get sassy to +me," said Overland, "or to cut my trail like that."</p> + +<p>Saunders rode on.</p> + +<p>"Seen him before?" asked Collie.</p> + +<p>"Yep. Twice—over the end of a gun. He come visitin' me and Billy at a +water-hole out in the dry spot. We got to exchangin' opinions. Two of +mine he ain't forgot, I guess."</p> + +<p>"Saunders is branded above the elbows on both arms," said Collie. "He's +been shot up pretty bad."</p> + +<p>"You don't tell! Wonder how that happened. Mebby he was practicin' the +double roll and got careless. Now, I wonder!"</p> + +<p>"He's one of the 'bunch'?" said Collie, suddenly awake to the situation. +"Come on over to the bunk-house where we can talk, Red. I'll introduce +you regular to Silent."</p> + +<p>"All right. Here, you walk on the other side. I'm left-handed when I +shake with him."</p> + +<p>But Saunders was not at the bunk-house. Instead he had ridden on down to +the gate and out upon the Moonstone Trail. He had become acquainted with +Deputy Tenlow. He would make things interesting for the man who had +"winged" him out in the desert.<span class='pagenum'><a name="Page_208" id="Page_208">208</a></span></p> + +<p>"I smell somethin' burnin'," said Overland significantly. "The Saunders +man has got somethin' up his sleeve. He didn't turn his pony into the +corral, did he?"</p> + +<p>"No."</p> + +<p>"All right. Now, about them papers and your part of this here claim ..."</p> + +<p>For an hour they talked about the claim, Winthrop, Collie's prospects, +and their favorite topic, the Rose Girl. They were speaking of her when +she appeared at the bunk-house door.</p> + +<p>"Good-morning, Mr. Summers. Mrs. Marshall wished to know if you would +tell her more about her brother—when you have visited with Collie. She +was afraid you might leave without her seeing you again."</p> + +<p>"I was thinkin' about that myself," replied Overland. "Yes, Miss, I'll +be right over direct."</p> + +<p>Louise nodded, smiled, and was gone.</p> + +<p>"Say, Red, you better go quick, in the machine," said Collie, fearful +that Saunders was up to mischief.</p> + +<p>"Grand idea, that," said Overland, calmly brushing his hat. "But Tenlow +and Saunders—that you're thinkin' about—ain't neither of 'em goin' to +ride up too close to me again. They are goin' to lay for me down the +cañon. They'll string a riata across the road and hold up the car,<span class='pagenum'><a name="Page_209" id="Page_209">209</a></span> most +likely. They know I can't get out of here any other road."</p> + +<p>"Then what will you do?"</p> + +<p>"Me? Why, me and the Guzzuh'll go down the trail jest as slow and easy +as a baby-buggy pushed by a girl that's waitin' in the park for her +beau."</p> + +<p>"You'll ditch the machine and get all broke up," ventured Collie.</p> + +<p>"I am havin' too good a time to last, I know, seein' the Rose Girl again +and you and visitin' the folks up to the house. Well, if it's my turn, I +ain't kickin'. Sorry Brand ain't here. I'd like to see him. Here's a +little old map I drawed of the hills, and how to get to the claim in +case I get detained for speedin'. Get Brand, if anything happens. He's a +steady old boat and he'll tell you what to do."</p> + +<p>"But, Red, you don't think—?"</p> + +<p>"Not when it hurts me dome," interrupted Overland. "I got a hunch I'll +see you again before long. So long, Chico. I got to shine some of the +rust off my talk and entertain the ladies. You might get into my class, +too, some day, if you knowed anything except hoss-wrastlin' and +cow-punchin'," he added affectionately.</p> + +<p>And Overland departed, sublimely content and not in the least disturbed +by future possibilities. "He's the great kid!" he kept repeating<span class='pagenum'><a name="Page_210" id="Page_210">210</a></span> to +himself. "He's the same kid—solid clean through.... Good-morning, +ladies. Now about Billy—er—Mr. Winthrop; why, as I was say-in' last +night.... No, thanks, I'll set facin' the road. Sun? Why, lady, I'm +sun-cured, myself."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XX" id="CHAPTER_XX"></a> +<span class='pagenum'><a name="Page_211" id="Page_211">211</a></span> +<h2>CHAPTER XX</h2><h3>THE LED HORSE</h3> +</div> + +<p>Anne Marshall had stepped from the porch to the living-room. Overland +Red was alone with Louise.</p> + +<p>Facing her quickly, his easy banter gone, his blue eyes intense, +untroubled, magnetic, he drew a deep breath. "They're waiting for me +down the cañon, about now," he said, and his tone explained his speech.</p> + +<p>Louise frowned slightly, studying his face. "That is unfortunate, just +now," she said slowly.</p> + +<p>"Or most any time—for the other fella," responded Overland cheerfully.</p> + +<p>The girl gazed at the toe of her slipper. "I know you didn't speak +because you were afraid. What do you intend?"</p> + +<p>"If I ain't oversteppin' the rules in invitin' you—why, I was goin' to +say, 'Miss Lacharme, wouldn't you like to take a little buggy-ride in +the Guzzuh, nice and slow. She's awful easy ridin' if you don't rein her +too strong.'"</p> + +<p>"I don't know," said Louise pensively. "Your car can only hold two?"<span class='pagenum'><a name="Page_212" id="Page_212">212</a></span></p> + +<p>"Yes, ma'am."</p> + +<p>"I couldn't run away and leave Mrs. Marshall. Of course, you would go +on—after—after we were in the valley. How could I get back?"</p> + +<p>"That's so!" exclaimed Overland, with some subtlety, pretending he had +not thought of that contingency. "'Course Collie could ride down ahead +with a spare hoss. You see the sheriff gent and Saunders—"</p> + +<p>"Saunders? Our man Saunders?"</p> + +<p>"Uhuh. Me and him ain't friends exactly. I figure he's rode down to tell +the Tenlow man that I'm up here."</p> + +<p>"You are sure?"</p> + +<p>"Yes, Miss. I don't make no mistakes about him."</p> + +<p>"Then one of our men has gone to get the deputy to arrest you, and you +are our guest."</p> + +<p>"Thanks, Miss, for sayin' that. It's worth gettin' pinched to be <i>your</i> +guest."</p> + +<p>"I did intend to ride down for the mail. Boyar needs exercising."</p> + +<p>"So does the Guzzuh, Miss. It's queer how she acts when she ain't been +worked every day."</p> + +<p>"I don't believe Anne would care to come, in the machine. I'll ask her." +And Louise stepped to the living-room.</p> + +<p>Collie, who had been watching anxiously from<span class='pagenum'><a name="Page_213" id="Page_213">213</a></span> the corrals, came across +the yard to the veranda. He was dressed for riding, and he had a gun on +his hip. Overland scowled. "You little idiot," he said, "when your Uncle +Jack's brains get ossified, just give the sad news to the press. You're +jest itchin' to get in a muss and get plugged. I ain't. I figure to ride +down the Moonstone Trail, steerin' the Guzzuh with one hand and smellin' +a bunch of roses in the other. Watch my smoke. Now, beat it!"</p> + +<p>Louise, coming blithely from the living-room, nodded to Overland. Her +pensiveness had departed. Her cheeks were flushed. "Oh, Collie! Saddle +Boyar—" she began, but Overland coughed disapprovingly. He did not wish +Tenlow and Saunders to suspect that the led horse was for Louise.</p> + +<p>"Or—no. Saddle Sarko," said Louise, at once aware of Overland's plan. +"And have him at the foot of the hill for me as soon as you can."</p> + +<p>"Yes, Miss Louise." And Collie departed for the corrals wonderingly. +Overland was too much for him.</p> + +<p>They had luncheon and allowed Collie two hours to arrive at the valley +level with the led pony. After luncheon Louise appeared in riding-skirt +and boots. "Mr. Summers is going to take me for a ride in his new car," +she said. "Don't<span class='pagenum'><a name="Page_214" id="Page_214">214</a></span> worry, aunty. He is going to drive slowly. He finds +that he has to leave unexpectedly."</p> + +<p>"I'm sorry you are going without seeing Mr. Stone and Dr. Marshall +again," said Aunt Eleanor. "You'll be careful, won't you?"</p> + +<p>"So am I, ma'am.—Yes, I'll run slow."</p> + +<p>"But how will you come back?" queried Anne.</p> + +<p>"Collie has gone ahead with a spare pony. Good-bye, aunty."</p> + +<p>"I can't thank you enough for all that you have done for Billy. I am so +glad he's well and strong again. We never could manage him. Good-bye, +and tell Billy he <i>must</i> come over and see us right away."</p> + +<p>"You'll drive carefully?" queried Aunt Eleanor again.</p> + +<p>"Jest like I was goin' to get pinched," said Overland, bowing.</p> + +<hr style='width: 45%;' /> + +<p>As Collie rode down the last pitch, leading the restive Sarko, Dick +Tenlow stepped from the brush. "'Morning, Collie. Out for a little +pasear?"</p> + +<p>"Shouldn't wonder, Dick."</p> + +<p>"Horses are lookin' good. Feed good on the hills yet?"</p> + +<p>"Pretty good."</p> + +<p>"I hear you got company up to the Moonstone."<span class='pagenum'><a name="Page_215" id="Page_215">215</a></span></p> + +<p>"Yep. Eastern folks, doctor and his wife." And Collie looked the deputy +hard in the eye.</p> + +<p>"Oh, that was their machine I heard coughin' up the cañon last night, +eh?"</p> + +<p>"I didn't ask them about that," replied Collie.</p> + +<p>"You're improvin' since you first come into these hills," said Tenlow, +with some sarcasm.</p> + +<p>"I'm holdin' down a better job than I did then," said Collie +good-naturedly.</p> + +<p>"Well, I ain't. I'm holdin' the same job, which you will recollect. It +ain't much of a job, but it's good to requisition that cayuse you're +leadin'."</p> + +<p>"What you kiddin' about?"</p> + +<p>"Straight goods," said Tenlow, reaching for Sarko's reins. "Just hand +over your end of that tie-rope."</p> + +<p>"I guess not, Dick. You're on the wrong trail. What do you think I am?"</p> + +<p>"Same as I always thought."</p> + +<p>"Then you want to change your opinion of me," said Collie, relinquishing +the tie-rope. "I ain't breaking the law, but you are going to hear more +about this."</p> + +<p>"I'll risk that. You can ride right along, pronto."</p> + +<p>"And you keep Sarko? I guess not! I'll stick."</p> + +<p>"You can't throw no bluff this morning," said<span class='pagenum'><a name="Page_216" id="Page_216">216</a></span> Tenlow, irritated by the +youth's persistence. "I guess you know what I mean."</p> + +<p>"You got the horse, but I don't leave here without him," said Collie +stubbornly. And there was an underlying assurance about Collie's +attitude that perplexed the deputy, who was satisfied that the led horse +was for Overland Red's use.</p> + +<p>Saunders, hiding back in the brush, cursed Tenlow's stupidity. To have +let Collie go on and have followed him under cover would have been the +only sensible plan. Rapidly approximating the outcome of this muddle, +Saunders untied his pony and rode back toward the ranch, taking an +unused and densely covered bridle-trail.</p> + +<p>From up in the cañon came the thunder of the racing-car. Far above them +Tenlow and Collie could see it creeping round a turn in the road. It +disappeared in a dip, to reappear almost instantly, gliding swiftly down +the long slant toward the valley. The staccato drumming of the exhaust +echoed along the hillside. Overland's silk hat shone bravely in the sun. +Beside the outlaw was the figure of a woman. Tenlow foresaw +complications and muttered profanely.</p> + +<p>Down the next ditch rolled the car, rocking to the unevenness of the +mountain road. Overland opened the throttle, the machine shot forward, +and in a few seconds drew up abreast of the deputy.<span class='pagenum'><a name="Page_217" id="Page_217">217</a></span></p> + +<p>"Thank you so much, Mr. Summers," said Louise, stepping from the car. +"How are you, Mr. Tenlow."</p> + +<p>"How'do, Miss Lacharme."</p> + +<p>"Good-bye, Mr. Summers. I enjoyed the ride very much."</p> + +<p>"Just a minute—" began the deputy.</p> + +<p>"Where's my pony, Collie? He didn't get away, did he?"</p> + +<p>"No, ma'am. Mr. Tenlow 'requisitioned' him. Thought I'd wait till you +came along so I could explain."</p> + +<p>"Requisitioned my pony! What do you mean?"</p> + +<p>"It's this way, Miss Lacharme. That man there in the machine is wanted. +He—"</p> + +<p>"What has that to do with my pony, please?"</p> + +<p>"I guess you know who he is. I figured he was layin' to get away on that +pony."</p> + +<p>"You want to go back to school, pardner, and learn to figure correct," +said Overland, his foot on the accelerator pedal of the throbbing car. +"One minus one is nothin'."</p> + +<p>"Hold on there!" cried Tenlow, striding forward. Louise stood between +the deputy and the car.</p> + +<p>"My horse, please," she said quietly. As she spoke the car roared, +jumped forward, and shot down the smooth grade of the valley road.<span class='pagenum'><a name="Page_218" id="Page_218">218</a></span></p> + +<p>"Now, Mr. Tenlow, I wish you would explain this to me. And then to Uncle +Walter. I sent one of our men with a horse. He was to wait for me here. +What right have you to interfere with him?"</p> + +<p>"I guess I got as much right as you have to interfere with me," said +Tenlow sullenly.</p> + +<p>"Hold on there!" cried Collie, jumping forward.</p> + +<p>"Collie, I'll talk with him."</p> + +<p>"Take my horse, Miss Louise," said Collie, flushing.</p> + +<p>"No, indeed. I'll ride Sarko."</p> + +<p>"I'll get him," said Collie.</p> + +<p>"No. Mr. Tenlow will get him, I am sure."</p> + +<p>"A woman can make any deal look smooth—if she is interested," said +Tenlow, turning toward the brush. He came out leading the pony.</p> + +<p>"Thank you. Collie, you may get the mail, please."</p> + +<p>Collie stood watching her as she rode away. Then with much deliberation +he tied his own pony Apache to a clump of greasewood. He unbuckled his +belt and flung it, with gun and holster, to the ground.</p> + +<p>"Now," he said, his face blazing white with suppressed anger. "I'm going +to make you eat that speech about any woman making things look +smooth—<i>if she's interested</i>."<span class='pagenum'><a name="Page_219" id="Page_219">219</a></span></p> + +<p>"You go on home or I'll break you in two," said Tenlow.</p> + +<p>Collie's reply was a flail-like blow between Tenlow's eyes. The deputy +staggered, gritted his teeth, and flung himself at the younger man. The +fight was unequal from the beginning. Apache snorted and circled as the +bushes crashed and crackled.</p> + +<p>A few minutes later, Tenlow strode from the brush leading his pony. He +wiped the blood and sweat from his face and spat viciously.</p> + +<hr style='width: 45%;' /> + +<p>Louise, riding homeward slowly, heard a horse coming behind her. She +reined Sarko and waited. Collie saw no way out of it, so he rode up, +grinning from a bruised and battered face.</p> + +<p>"Why, Collie!"</p> + +<p>The young man grinned again. His lips were swollen and one eye was +nearly closed.</p> + +<p>Dismounting, Louise stepped to the ford. "Oh, I'm sorry!" she cried. +"Your face is terribly bruised. And your eye—" She could not help +smiling at Collie's ludicrous appearance.</p> + +<p>"I took a fall," he mumbled blandly. "Apache here is tricky at times."</p> + +<p>Louise's gaze was direct and reproachful. "Here, let me bathe your face. +Stoop down, like that. You don't look so badly, now that the dirt is +off. Surely you didn't fall on your <i>eye</i>?"<span class='pagenum'><a name="Page_220" id="Page_220">220</a></span></p> + +<p>Collie tried to laugh, but the effort was not very successful.</p> + +<p>Tenderly she bathed his bruised face. Her nearness, her touch, made him +forget the pain. Suddenly he seized her hand and kissed it, leaving a +stain of blood where his lips had touched. She was thrilled with a +mingled feeling of pride and shame—pride in that he had fought because +of her, as she knew well enough, and shame at the brutality of the +affair which she understood as clearly as though she had witnessed it. +She was too honest to make herself believe she was not flattered, in a +way, but she made Collie think otherwise.</p> + +<p>He evaded her direct questioning stubbornly. Finally she asked whether +Mr. Tenlow "had taken a fall," or not.</p> + +<p>"Sure he did!" replied Collie. "A couple or three years ago—tryin' to +outride Overland Red. Don't you remember?"</p> + +<p>"Collie, you're a regular hypocrite."</p> + +<p>"Yes, ma'am."</p> + +<p>"And you look—frightful."</p> + +<p>"Yes, ma'am."</p> + +<p>"You're not a bit ashamed."</p> + +<p>"Yes, ma'am, I am."</p> + +<p>"Don't say 'Yes, ma'am' all the time. You don't seem to be ashamed. Why +should you be, though. Because you were fighting?"<span class='pagenum'><a name="Page_221" id="Page_221">221</a></span></p> + +<p>"No, Miss Louise. Because I got licked."</p> + +<p>Louise mounted Sarko and rode beside Collie silently. Presently she +touched his arm. "But did you?" she asked, her eyes grave and her tone +conveying a subtle question above the mere letter.</p> + +<p>"No! By thunder!" he exclaimed. "Not in a hundred years!"</p> + +<p>"Well, get some raw meat from the cook. I'll give your explanation to +Dr. and Mrs. Marshall, for you will have to be ready for the trip +to-morrow. You will have to think of a better explanation for the boys."</p> + +<p>While riding homeward, Louise dropped her glove. Collie was afoot +instantly and picked it up. "Can I keep it?" he said.</p> + +<p>The girl looked curiously at him for a moment. "No, I think not, +Collie," she said gently.</p> + +<p>Collie rode up to the corrals that afternoon whistling as blithely as he +could considering his injuries. He continued to whistle as he unsaddled +Apache.</p> + +<p>At the bunk-house Brand Williams looked at him once, and bent double +with silent laughter. The boys badgered him unmercifully. "Fell off a +hoss!—Go tell that to the chink!—Who stepped on your face, kid?—Been +ridin' on your map, eh?—Where <i>was</i> the wreck?—Who sewed up your +eye?"<span class='pagenum'><a name="Page_222" id="Page_222">222</a></span></p> + +<p>"S-s-h-h, fellas," said Miguel, grinning. "If you make all that noise, +how you going to hear the tune he is whistling, hey?"</p> + +<p>Collie glanced at Saunders, who had said nothing. "Got anything to offer +on the subject, Silent?" he asked.</p> + +<p>"Nope. I take mine out in thinkin'."</p> + +<p>"You're going to have a chance to do a whole lot more of it before +long," said Collie; and he said it with a suggestiveness that did not +escape the taciturn foreman, Brand Williams.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXI" id="CHAPTER_XXI"></a> +<span class='pagenum'><a name="Page_223" id="Page_223">223</a></span> +<h2>CHAPTER XXI</h2><h3>BORROWED PLUMES</h3> +</div> + +<p>"He speaks of a pretty round sum," said Walter Stone, returning the +letter that Collie had asked him to read. "I don't know but that the +land you speak of is a good investment. You were thinking of raising +stock—horses?"</p> + +<p>"Yes, sir. The Oro people are making good at it. The land north of you +is good grazing-land and good water. Of course, I got to wait for a +while. Red says in the letter that my share of the claim so far is five +thousand. That wouldn't go far on that piece of land, but I've saved +some, too."</p> + +<p>"You might make a payment to hold the land," said Stone.</p> + +<p>"I don't like that way. I want to buy it all at once."</p> + +<p>Walter Stone smiled. Collie was ambitious, and rather inexperienced. "So +you think you will leave us and go to mining until you have made enough +more to buy it outright?"</p> + +<p>"Yes, sir. I don't want you to think I ain't satisfied here. I like it +here."</p> + +<p>"I know you do, Collie. Well, think it over.<span class='pagenum'><a name="Page_224" id="Page_224">224</a></span> Prospecting is gambling. +It is sometimes magnificent gambling. Miss Lacharme's father was a +prospector. We have never heard from him since he went out on the +desert. But that has nothing to do with it. If I didn't believe you'd +make a first-rate citizen, I shouldn't hesitate a minute about your +going. I'd rather see you ranching it. We need solid men here in +California. There are so many remittance-men, invalids, idlers, +speculators, and unbalanced enthusiasts that do more harm than good, +that we need a few <i>new</i> landmarks. We need a few new cornerstones and +keystones to stiffen the structure that is building so fast. I realize +that we must build from the ground up—not hang out tents from the +trees. That day is past."</p> + +<p>"It's a big thing—to be stuck on California more than getting rich," +said Collie.</p> + +<p>"Yes. The State of California is a bank—a new bank. The more depositors +we have, the stronger we shall be—provided our depositors have faith in +us. We have their good will now. We need solid, two-handed men who can +take hold and prove that investment in our State is profitable."</p> + +<p>"You bet!" exclaimed Collie, catching some of the older man's +enthusiasm. Then he added with less enthusiasm: "But how about such +things as the Jap ranchers dumping carloads of<span class='pagenum'><a name="Page_225" id="Page_225">225</a></span> onions in the rivers and +melons in the ocean, by the ton, and every one cut so it can't be used +by poor folks? If Eastern people got on to that they would shy off +pretty quick."</p> + +<p>"Yes," said the rancher, frowning. "It's true enough that such things do +happen. I've known of boatloads of fish being dumped back in the ocean +because the middlemen wouldn't give the fishermen a living price. In +western Canada thousands of bushels of grain have been burned on the +ground because the Eastern market was down and the railroads would not +make a rate that would allow a profit to the farmer. Such things are not +local to California. California is in the limelight just now and such +things are naturally prominent."</p> + +<p>"It looks awful bad for good fruit and vegetables and fish to be thrown +away when folks have to pay ten cents for a loaf of bread no bigger than +a watch-charm," said Collie.</p> + +<p>"It is bad. Crookedness in real estate transactions is bad. We don't +want to waste our time, however, in feeling worried about it. What we +want to do is to show the other fellow that <i>our</i> work is successful and +straight."</p> + +<p>"Yes, sir. A fellow has got to believe in something. I guess believing +in his own State is the best."</p> + +<p>"Of course. Now, about your leaving us. I<span class='pagenum'><a name="Page_226" id="Page_226">226</a></span> had rather you would stay +until the Marshalls go. Louise and Mrs. Stone depend on you so much."</p> + +<p>"Sure I will! You see, Red don't say to come, in his letter, but he sent +the check for three hundred if I did want to come. There's no hurry."</p> + +<p>"All right. Hello, Louise! Dinner waiting?"</p> + +<p>"Yes, Uncle Walter. How are you, Collie?" And Louise nodded to him. +"What are you two hatching? You seem so serious."</p> + +<p>"Plans for the ultimate glory of the State," said Stone.</p> + +<p>"Ultimate?"</p> + +<p>"Yes. We've been going beneath the surface of things a little. Collie +expects to go even deeper, so he tells me."</p> + +<p>Collie walked slowly toward the bunk-house. Halfway there he took +Overland's check from the letter and studied it. He put it back into his +pocket. As he passed the corrals, Apache nickered in a friendly way. +"Haven't got a thing for you," said Collie. "Not a bite. We're not goin' +to town to-day. To-morrow, maybe, for there'll be doings at the Oro +Rancho and we'll be there—we'll be there!"</p> + +<p>With a run and a spring the young man leaped the gate and trotted into +the bunk-house.</p> + +<p>Brand Williams was solemnly shaving. He turned a lathered face toward +Collie whose abrupt<span class='pagenum'><a name="Page_227" id="Page_227">227</a></span> entrance had all but caused the foreman to +sacrifice his left ear. "Well," he drawled, "who is dead?"</p> + +<p>"You mean, Who is alive? I guess. Say, Brand, what do you think that +Yuma horse over at the Oro is worth?"</p> + +<p>"That dam' outlaw? Ain't worth the trouble of mentioning."</p> + +<p>"But, oh, Brand, she's built right! I tell you! Short-coupled, and them +legs and withers! They ain't a pony in the valley can touch her. And +only three years old!"</p> + +<p>"Nor a man neither," said Williams.</p> + +<p>"She's been scared to death because the fellows was scared of her and +started in wrong."</p> + +<p>"So'll the man be that tries to ride her. Say, I seen that +copper-colored, china-eyed, she-son of a Kansas cyclone put Bull O'Toole +so far to the bad once that his return ticket expired long before he got +back. I tell you, kid, she's <i>outlaw</i>. She's got the disposition of a +Comanche with a streak of lightnin' on a drunk throwed in. You keep off +that hoss!"</p> + +<p>"Maybe," said Collie. "But I notice you put me to breakin' about all the +stock on this ranch that you can't handle yourself."</p> + +<p>Which was true. Williams shaved and perspired in silence.</p> + +<p>"Let's see," he said presently, emerging from<span class='pagenum'><a name="Page_228" id="Page_228">228</a></span> the wash-basin. "When's +that barbecue comin' off?"</p> + +<p>"To-morrow. As if you didn't know!"</p> + +<p>"Sunday, eh? Well, you might as well get killed on a Sunday as any other +day. I suppose your askin' about that hoss means you are thinkin' of +ridin' her, eh?"</p> + +<p>"I was thinkin' of it. They are putting her up as a chance for the man +that can. She has put three of their boys to the bad. Matt Gleason, the +Oro foreman, says he'll give her to any Moonstoner that can stay on her +two minutes."</p> + +<p>"He said 'Moonstoner' particular?" queried Williams.</p> + +<p>"He did. To me. I was over tryin' to buy her."</p> + +<p>"You're plumb loco. So he said any <i>Moonstoner</i> eh? Any Moonstoner. By +crip, I've a notion—Let's see, there's Miguel—he's too swift. Billy +Dime might make it if he didn't get too much red-eye in him first. Bud +ain't steady enough—and it wouldn't look right if I was the only rider +here to take a chance. I dunno."</p> + +<p>"What you gaspin' about?" queried Collie.</p> + +<p>"Nothin', kid. You can get hosses ready for all the ladies for to-morrow +mornin' at six sharp. Sabe? I got orders to send you over with 'em.<span class='pagenum'><a name="Page_229" id="Page_229">229</a></span> +Mebby you're some proud now, eh? Well, don't fall off Apache pertendin' +you're so polite you can't spit."</p> + +<p>"What you sore about, Brand?"</p> + +<p>"I was thinkin' what a slashin' string of riders we got. Here a little +old ranch like the Oro says they'll give a hoss to any Moonstoner what +kin stay on him for two minutes. It's plumb sickenin'. Kids! Jest kids, +on this ranch."</p> + +<p>"That so? Say, Brand, you ain't got rid of so much English talk at once +since I been here. You ought to talk more. You keep too quiet. Talking +sociable will help to take the wrinkles out of your neck."</p> + +<p>"You talk so much you'll never live to get any."</p> + +<p>"Say, Brand."</p> + +<p>"Uhuh."</p> + +<p>"Will you lend me the Chola spurs and that swell quirt old Miguel +plaited for you, and your Mexican bridle, just for to-morrow?"</p> + +<p>"So that's what you been lovin' up to me for, eh?"</p> + +<p>"Lovin' up to you, you darned old—darned old—<i>dude</i>, you."</p> + +<p>"Hold on! You said it! Take the spurs! Take the quirt! Take the bridle! +Take the hat and gloves with the silk roses on! Anybody that's got nerve +enough to call <i>me</i> a <i>dude</i> can take<span class='pagenum'><a name="Page_230" id="Page_230">230</a></span> anything I got. Say, you don't +want to borrow a pair of <i>pants</i>, do you?"</p> + +<p>Honors were about even when Collie left the bunk-house, his arms laden +with the foreman's finery. He colored to his hair as he saw Louise +coming toward him. He fumbled at the gate, opened it, and stood aside +for her to pass. As she smiled and thanked him, he heard his name +called.</p> + +<p>"Hey!" shouted Williams, coming suddenly from the bunk-house. "Hey, +Collie! You went away without them pants! I'll lend 'em to you—"</p> + +<p>Collie, his face flaming, strode down the trail, the blood drumming in +his ears.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXII" id="CHAPTER_XXII"></a> +<span class='pagenum'><a name="Page_231" id="Page_231">231</a></span> +<h2>CHAPTER XXII</h2><h3>THE YUMA COLT</h3> +</div> + +<p>The Oro Rancho sent out word that the fiftieth year of its existence +would be celebrated with an old-fashioned Spanish barbecue. The +invitation was general, including every one within a radius of fifty +miles.</p> + +<p>Added to the natural interest in good things to eat and drink was that +of witnessing the pony races. Each rancher would bring, casually, almost +accidentally, as it were, one pony that represented its owner's idea of +speed and quality. No set programme offered, which made the races all +the more interesting in that they were genuine.</p> + +<p>The Oro Ranch had long ago established and proudly maintained a +reputation for breeding the best saddle-and work-stock in Southern +California. In fact, the ranch survived the competition of the +automobile chiefly because it was the only important stock-raising ranch +in the southland.</p> + +<p>Good feeling went even so far as to include the sheep-ranchers of the +old Spanish Grant, by special invitation.</p> + +<p>It was the delight and pride of native Californians<span class='pagenum'><a name="Page_232" id="Page_232">232</a></span> to ride their best +saddle-horses on such occasions. True, motor-cars came from the city and +from the farthest homes, but locally saddle-horses of all sizes and +kinds were in evidence. Sleek bays with "Kentucky" written in every +rippling muscle, single-footed in beside heavy mountain ponies, well +boned, broad of knee, strong of flank, and docile; lean mustangs of the +valley, short-coupled buckskins with the endurance of live rawhide; +Mexican pintos, restless and gay in carved leather, and silver +trappings; scrawny stolid cayuses that looked half-starved, but that +could out-eat and out-last many a better-built horse; they all came, and +their riders were immediately made welcome.</p> + +<p>Under the trees, along the corrals and fences, in and around the +stables, stood the ponies, heads tossing, bits jingling, stamping, +thoroughly alive to the importance of the festive occasion, and filling +the eye with an unforgettable picture—a living vignette of the old days +of the range and riata.</p> + +<p>Mrs. Stone, Mrs. Marshall, Louise, Dr. Marshall, and Walter Stone were +among the earlier arrivals. A half-dozen men sprang to take their horses +as they rode up, but Collie gathered the bridle-reins and led the ponies +to the shade of the pepper trees. Then he wandered over to the corrals. +His eyes glowed as he watched the sleek<span class='pagenum'><a name="Page_233" id="Page_233">233</a></span> ponies dodging, wheeling, +circling like a battalion, and led by a smooth-coated, copper-hued mare, +young, lithe, straight-limbed, and as beautifully rounded as a Grecian +bronze. He moistened his lips as he watched her. He pushed back his hat, +felt for tobacco and papers, and rolled a cigarette. This was the +renowned "Yuma colt," the outlaw. He wanted her. She was a horse in a +thousand.</p> + +<p>In some strange way he was conscious that Louise stood beside him, +before he turned and raised his sombrero.</p> + +<p>"More beautiful than strong men or beautiful women," said Louise.</p> + +<p>"That's so, Miss Louise. Because they just live natural and act natural. +And that copper-colored mare,—she's only a colt yet,—there's a horse a +man would be willing to work seven years for like the man in the Bible +did for his wife."</p> + +<p>Louise smiled. "Would you work seven years for her?" she asked.</p> + +<p>"I would, if I had to," he said enthusiastically.</p> + +<p>"Of course, because you really love horses, don't you?"</p> + +<p>"Better than anything else. Of course, there are mean ones. But a real +good horse comes close to making an ordinary man feel ashamed of +himself. Why, see what a horse will do! He will go<span class='pagenum'><a name="Page_234" id="Page_234">234</a></span> anywhere—work all +day and all night if he has to—run till he breaks his heart to save a +fellow's life, and always be a friend. A horse never acts like eight +hours was his day's work. He is willing at any time and all the +time—and self-respectin' and clean. I reckon a knowin' horse just plumb +loves a man that is good to him."</p> + +<p>Louise, her gray eyes wide and pensive, gazed at the young cowboy. "How +old is the colt?" she asked.</p> + +<p>"They say three years. But she's older than that in brains. She is +leading older horses than her."</p> + +<p>"Then if you worked seven years for her, she would be ten years old +before you owned her."</p> + +<p>"You caught me there. I didn't think of that."</p> + +<p>"Uncle Walter says she is outlaw. I believe she could be tamed. Boyar +was pretty wild before he was broken to ride."</p> + +<p>"If you want that pony, Miss Louise, she's yours. I guess I could break +her."</p> + +<p>"They won't sell her. No, I was only romancing. Isn't she beautiful! She +seems to be almost listening to us. What a head and what a quick, +intelligent eye! Oh, you wonderful horse!" And laughing, Louise threw a +kiss to the Yuma colt. "I must go. I came over to see the horses before +the crowd arrived."<span class='pagenum'><a name="Page_235" id="Page_235">235</a></span></p> + +<p>Collie stood hat in hand watching Louise as she strolled toward the +ranch-house. He saw her stop and pat Boyar.</p> + +<p>"I kind of wish I was a horse myself," he said whimsically. "Either the +black or the outlaw. She treats them both fine."</p> + +<p>Brand Williams, Bud Light, Parson Long, Billy Dime, and Miguel rode up, +talking, joking, laughing.</p> + +<p>"Fall to the kid!" said Miguel, indicating Collie. "I guess I'm scalded +if he ain't nailed to the fence. He's just eating his head off thinking +about the Yuma horse he dassent ride. No? Eh, Collie?"</p> + +<p>"Hello, Miguel. Nope. I'm taking lessons in tendin' to my own +business—like them." And Collie nodded toward the horses.</p> + +<p>"Ain't he purty?" said Billy Dime. "All fussed up and walkin' round like +a new rooster introducin' hisself to a set of strange hens. Oh, pshaw!"</p> + +<p>"And you're making a noise like one of the hens trying to get the notice +of the new rooster, I guess."</p> + +<p>"Well, seem' I got the notice, come on over and I'll show you where they +keep the ice—with things on it," said Billy Dime.</p> + +<p>The Moonstone riders dismounted, slapped the dust from their shirts and +trousers, and ambled over toward the refreshments.<span class='pagenum'><a name="Page_236" id="Page_236">236</a></span></p> + +<p>The little group, happy, talkative, pledged each other and the Moonstone +Ranch generously.</p> + +<p>Brand Williams, close to Collie, nudged him. "If you are thinkin' of +takin' a fall out of the outlaw cayuse, don't hit this stuff much," he +said. And Collie nodded.</p> + +<p>The Moonstoners would one and all back Boyar for a place in the finals +of the pony races, despite the Mexican "outfit" that already mingled +with them making bets on their favorite pinto.</p> + +<p>"Who's ridin' Boyar?" queried Bud Light.</p> + +<p>"In the races? Why, Miguel here," said Williams, slapping the Mexican on +the shoulder. "He don't weigh much, but he's some glue-on-a-sliver when +it comes to racin' tricks. The other Mexicans are after our pesos this +time. Last year we skinned 'em so bad with Boyar takin' first that some +of 'em had to wait till dark to go home."</p> + +<p>Collie, listening, felt his heart pump faster. He turned away for an +instant that his fellows might not see the disappointment in his face. +He had hoped to ride Boyar to victory.</p> + +<p>"Miss Louise could get more out of Boyar in a race than even Miguel +here," said Billy Dime.</p> + +<p>"I dunno," said Williams. "She give me orders that Miguel was to ride +Boyar if they was any racin'."<span class='pagenum'><a name="Page_237" id="Page_237">237</a></span></p> + +<p>So Louise herself had chosen Miguel to ride the pony. Collie grew +unreasonably jealous. Once more and again he pledged the Moonstone +Rancho in a brimming cup. Then he wandered over to the Mexican ponies, +inspecting them casually.</p> + +<p>A Mexican youth, handsome, dark, smiling, offered to bet with him on the +result of the races. Collie declined, but gained his point. He learned +the Mexican's choice for first place, a lean, wiry buckskin with a goat +head and a wicked eye, but with wonderful flanks and withers. Collie +meditated. As a result he placed something like fifty dollars in bets +with various ranchers, naming the Mexican horse for first place. Word +went round that the Moonstone Kid was betting against his own horse.</p> + +<p>Later Brand Williams accosted him. "What you fell up against?" he asked +sternly. "What made you jar yourself loose like that?"</p> + +<p>"It's horses with me to-day—not home-sweet-home, Brand. Bet you a pair +of specs—and you need 'em—to a bag of peanuts that the Chola cayuse +runs first."</p> + +<p>"Your brains is afloat, son. You better cut out the booze."</p> + +<p>Unexpectedly Collie encountered Louise as he went to look after his own +horses.</p> + +<p>"I hear that you intend to ride the outlaw Yuma. Is it so?"<span class='pagenum'><a name="Page_238" id="Page_238">238</a></span></p> + +<p>Collie nodded.</p> + +<p>"I had rather you didn't," said Louise.</p> + +<p>"Why?" asked Collie, tactlessly.</p> + +<p>Louise did not answer, and Collie strode off feeling angry with himself +and more than ever determined to risk breaking his neck to win the +outlaw.</p> + +<p>Boyar, the Moonstone pony, ran second in the finals. The buckskin of the +Mexicans won first place. Collie collected his winnings indifferently. +He grew ashamed of himself, realizing that a foolish and unwarrantable +jealousy had led him into a species of disloyalty. He was a Moonstone +rider. He had bet against the Moonstone pony, and <i>her</i> pony. He was +about to ask one of the other boys to see to the horses when a tumult in +the corrals drew his attention. He strolled over to the crowd, finding a +place for himself on the corral bars.</p> + +<p>Mat Gleason, superintendent of the Oro Ranch, loafed, his back against a +post. Two men with ropes were following the roan pony round the corral. +Presently a riata flipped out and fell. Inch by inch the outlaw was +worked to the snubbing-post. One of the Oro riders seized the pony's ear +in his teeth and, flinging his legs round her neck, hung, weighing her +head down. There was the flash of teeth, a grunting tug at the cinchas, +a cloud of dust, and Jasper Lane, foreman of the<span class='pagenum'><a name="Page_239" id="Page_239">239</a></span> Oro outfit, was in the +saddle. The cloud of dust, following the roan pony, grew denser. Above +the dun cloud a sombrero swung to and fro fanning the outlaw's ears. +Jasper Lane had essayed to ride the Yuma colt once before. His broken +shoulder had set nicely, in fact, better than Bull O'Toole's leg which +had been broken when the outlaw fell on him. Billy Squires, a young +Montana puncher working for the Oro people, still carried his arm in a +sling. All in all, the assembled company, as Brand Williams mildly put +it, "were beginning to take notice of that copper-colored she-son of a +cyclone."</p> + +<p>Jasper Lane plied spurs and quirt. The visiting cowmen shrilled their +delight. The pony was broncho from the end of her long, switching tail +to the tip of her pink muzzle.</p> + +<p>Following a quick tattoo of hoofs on the baked earth came a flash like +the trout's leap for the fly—a curving plunge—the sound as of a +breaking willow branch, and then palpitating silence.</p> + +<p>The dun cloud of dust settled, disclosing the foam-flecked, +sweat-blackened colt, oddly beautiful in her poised immobility. Near her +lay Jasper Lane, face downward. The pony sniffed at his crumpled +sombrero.</p> + +<p>"That horse is plumb gentle," said Collie. "Look at her!"<span class='pagenum'><a name="Page_240" id="Page_240">240</a></span></p> + +<p>"Crazy with the heat," commented Billy Dime, jerking his thumb toward +Collie.</p> + +<p>Tall, slim, slow of movement, Collie slipped from the corral bars and +secured the dangling reins. Across the utter silence came the whistle of +a viewless hawk. The cowmen awakened from their momentary apathy. Two of +them carried Jasper Lane toward the ranch-house. Some one laughed.</p> + +<p>Gleason, the superintendent, gazed at the outlaw pony and fingered his +belt. "That's the fourth!" he said slowly and distinctly. "She ain't +worth it."</p> + +<p>"The fourth Oro rider," said a voice. "You ain't countin' any Moonstone +riders."</p> + +<p>"Ain't seen any to count," retorted Gleason, and there was a general +laugh.</p> + +<p>Strangely enough, the outlaw pony followed Collie quietly as he led her +toward Gleason, "The boys say there's a bet up that nobody can stick on +her two minutes. She's the bet. Is that right?" said Collie.</p> + +<p>"What you goin' to do?" queried Gleason, and some of the Oro boys +laughed.</p> + +<p>"I don't know yet," said Collie. "Maybe I'll take her back to the +Moonstone with me."</p> + +<p>Miguel of the Moonstone removed his sombrero and gravely passed it. +"Flowers for the Collie kid," he said solemnly.<span class='pagenum'><a name="Page_241" id="Page_241">241</a></span></p> + +<p>Collie, grave, alert, a little white beneath his tan, called for +Williams to hold the pony. Then the younger man, talking to her +meanwhile, slipped off the bridle and adjusted a hackamore in its place. +He tightened the cinchas. The men had ceased joking. Evidently the kid +meant business. Next he removed his spurs and flung them, with his +quirt, in a corner.</p> + +<p>"Just defending yourself, eh, Yuma girl?" he said. "They cut all the +sense out of you with a horse-killin' bit and rip you with the spurs, +and expect you to behave."</p> + +<p>"He'll be teachin' her to say her prayers next," observed Bud Light. +"He's gettin' a spell on her now."</p> + +<p>"He'll need all <i>his</i> for himself," said Pars Long.</p> + +<p>The pony, still nervously resenting the memory of the mouth-crushing +spade-bit, and the tearing rowels, flinched and sidled away as Collie +tried to mount. Her glossy ears were flattened and the rims of her eyes +showed white.</p> + +<p>"Jump!" whispered Williams. "And don't rough her. Mebby you'll win out."</p> + +<p>And even as Collie's hand touched the saddle-horn, Williams sprang back +and climbed the corral bars.</p> + +<p>With a leap the Moonstone rider was in the saddle. The pony shook her +head as he reined<span class='pagenum'><a name="Page_242" id="Page_242">242</a></span> her round toward the corral gate. The men stared. +Gleason swore. Billy Dime began to croon a range ditty about "Picking +little Posies on the Golden Shore." The roan's sleek, sweating sides +quivered.</p> + +<p>"Here's where she goes to it," said Williams.</p> + +<p>"Whoop! Let 'er buck!" shouted the crowd.</p> + +<p>Rebellion swelled in the pony's rippling muscles. She waited, fore feet +braced, for the first sting of the quirt, the first rip of the spurs, to +turn herself into a hellish thing of plunging destruction.</p> + +<p>Collie, leaning forward, patted her neck. "Come on, sis. Come on, Yuma +girl. You're just a little hummingbird. You ain't a real horse."</p> + +<p>With a leap the pony reared. Still there came no sting of spur or quirt. +She dropped to her feet. Collie had cleverly consumed a minute of the +allotted time.</p> + +<p>"One minute!" called Williams, holding the watch.</p> + +<p>"Why, that ain't ridin'," grumbled an Oro man.</p> + +<p>"See you later," said Williams, and several of his companions looked at +him strangely. The foreman's eyes were fixed on the watch.</p> + +<p>Collie had also heard, and he dug his unspurred heels into the pony's +sides. She leaped straight<span class='pagenum'><a name="Page_243" id="Page_243">243</a></span> for the corral gate and freedom. With a +patter of hoofs, stiff-legged, she jolted toward the plain. The men +dropped from the bars and ran toward the gate, all, except Williams, who +turned, blinking in the sun, his watch in his hand.</p> + +<p>A few short jumps, a fish-like swirl sideways, and still Collie held his +seat. He eased the hackamore a little. He was breathing hard. The horse +took up the slack with a vicious plunge, head downward. The boy's face +grew white. He felt something warm trickling down his mouth and chin. He +threw back his head and gripped with his knees.</p> + +<p>"They're off!" halloed a puncher.</p> + +<p>"Only one of 'em—so far," said Williams. "One minute and thirty +seconds."</p> + +<p>Then, like a bolt of copper light, the pony shot forward at a run.</p> + +<p>On the ranch-house veranda sat Walter Stone conversing with his host, +where several girls, bright-faced and gowned in cool white, were talking +and laughing.</p> + +<p>The pony headed straight for the veranda. The laughing group jumped to +their feet. Collie, using both hands, swung the hackamore across the +outlaw's neck and tugged.</p> + +<p>She stopped with a jolt that all but unseated him. Walter Stone rose. +"It's one of my boys," he said. And he noticed that a little stream of<span class='pagenum'><a name="Page_244" id="Page_244">244</a></span> +red was trickling from Collie's mouth and nostrils.</p> + +<p>His head was snapped back and then forward at every plunge. Still he +gripped the saddle with rigid knees. The outlaw bucked again, and flung +herself viciously sideways, turning completely round. Collie pitched +drunkenly as the horse came down again and again. His eyes were blurred +and his brain grew numb. Faintly he heard Brand Williams cry, "Two +minutes! Moonstone wins!" Then came a cheer. His gripping knees relaxed. +He reeled and all around him the air grew streaked with slivers of +piercing fire. He pitched headforemost at the feet of the group on the +veranda.</p> + +<p>In a flash Louise Lacharme was beside him, kneeling and supporting his +head. "Water!" she cried, wiping his face with her handkerchief.</p> + +<p>Boot-heels gritted on the parched earth and spurs jingled as the men +came running.</p> + +<p>The pony, with hackamore dangling, raced across the plain toward the +hills.</p> + +<p>"This'll do jest as well," said Williams, pouring a mouthful of whiskey +between Collie's lips. Then the taciturn foreman lifted the youth to his +feet. Collie dragged along, stepping shakily. "Dam' little fool!" said +Williams affectionately. "You ain't satisfied to get killed where you +belong, but you got to go and splatter yourself all<span class='pagenum'><a name="Page_245" id="Page_245">245</a></span> over the front yard +in front of the ladies. You with your bloody nose and your face shot +plumb full of gravel. If you knowed how you looked when she piled you—"</p> + +<p>"I know how she looked," said Collie. "That's good enough for me. Did I +make it?"</p> + +<p>"The bronc' is yours," said Williams. "Bud and Miguel just rode out +after her."</p> + +<p>Then Williams did an unaccountable thing. He hunted among the crowd till +he found the man who had said, "Why, that ain't ridin'." He asked the +man quietly if he had made such a remark. The other replied that he had. +Then Williams promptly knocked him down, with all the wiry strength of +his six feet of bone and muscle. "Take that home and look at it," he +remarked, walking away.</p> + +<p>Through the dusk of the evening the Moonstone boys jingled homeward, the +horses climbing the trail briskly. Two of them worked the outlaw up the +hill, each with a rope on her and each exceedingly busy. Collie was too +stiff and sore to help them.</p> + +<p>Miguel, hilarious in that he had ridden Boyar to second place, and so +upheld the Moonstone honor, sang many strange and wonderful songs and +baited Collie between-whiles. Proud of their companion's conquest of the +outlaw colt, the Moonstone boys made light of it proportionately.<span class='pagenum'><a name="Page_246" id="Page_246">246</a></span></p> + +<p>"Did you see him reclinin' on that Yuma grasshopper," said Bud Light, +"and pertendin' he was ridin' a hoss?"</p> + +<p>"And then," added Billy Dime, "he gets so het up and proud that he rides +right over to the ladies, and 'flop' he goes like swattin' a frog with a +shingle. He rides about five rods on the cayuse and then five more on +his map. Collie's sure tough. How's your mug, kid?"</p> + +<p>"It never felt so bad as yours looks naturally," responded Collie, +puffing at a cigarette with swollen lips. "But I ain't jealous."</p> + +<p>"Now, ain't you?" queried Williams, who had ridden silently beside him. +"Well, now, I was plumb mistook! I kind of thought you was."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXIII" id="CHAPTER_XXIII"></a> +<span class='pagenum'><a name="Page_247" id="Page_247">247</a></span> +<h2>CHAPTER XXIII</h2><h3>SILENT SAUNDERS SPEAKS</h3> +</div> + +<p>Meanwhile Collie kept a vigilant eye on Silent Saunders. The other, +somewhat sullenly but efficiently, attended to his work. Collie's +vigilance was rewarded unexpectedly and rather disagreeably.</p> + +<p>One day, as he stood stroking Black Boyar's neck, he happened to glance +across the yard. Saunders was saddling one of the horses in the corral. +Louise, astride Boyar, spoke to Collie of some detail of the ranch work, +purposely prolonging the conversation. Something of the Collie of the +Oro barbecue had vanished. In its stead was an inexplicable but positive +quality of masterfulness, apparent in poise and manner.</p> + +<p>Louise, because she knew him so well, was puzzled and curious. She could +not account for the change. She was frankly interested in him in spite +of, or perhaps because of, his early misfortunes. Instinctively she felt +that he had gained a moral confidence in himself. His physical +excellence and ability had always been manifest. This morning, his +grave, dark eyes, upturned to her face as he caressed Boyar, were +disconcertingly<span class='pagenum'><a name="Page_248" id="Page_248">248</a></span> straightforward. He seemed to be drinking his fill of +her beauty. His quick smile, still boyish, and altogether irresistible, +flashed as she spoke humorously of his conquest of the outlaw colt Yuma.</p> + +<p>"I learned more—ridin' that cayuse for two minutes—than I ever expect +to learn again in that time."</p> + +<p>Remembering that she had been first to reach him when he was thrown, the +fresh bloom of her cheeks deepened. Her eyelids drooped for an instant. +"One can learn a great deal quickly, sometimes," she said. Then added, +for he had smiled again,—"About horses."</p> + +<p>"And folks." He spoke quietly and lifted her gauntleted hand, touching +it lightly with his lips. So swift, so unexpected had been his homage +that she did not realize it until it was irrevocably paid.</p> + +<p>"Why, Collie!"</p> + +<p>"Because you wasn't ashamed to help a guy in front of the others."</p> + +<p>"Please don't say 'guy.' And why should I be ashamed to help any of our +boys?" she said, laughing. She had quite recovered herself.</p> + +<p>"'Course you wouldn't be. But this is a kind of 'good-bye,' too. I was +going to ask you to mail this letter to Overland Red. I told him in it +that I was coming."<span class='pagenum'><a name="Page_249" id="Page_249">249</a></span></p> + +<p>"We are sorry that you are leaving," said Louise. "Uncle Walter said you +had spoken to him."</p> + +<p>"It isn't the money. I could wait. But I don't feel like taking all that +money and not doing anything for it. I guess Red needs me, too. Brand +says I'm a fool to quit here now. Mebby I am. I like it here; the work +and everything."</p> + +<p>Saunders, watching them, saw Collie give Louise a letter. He saw her +tuck it in her waist and rein Boyar round toward the gate.</p> + +<p>As Collie came toward the corrals he noticed that Saunders had saddled +the pinto Rally. He was a little surprised. Rally was Walter Stone's +favorite saddle-horse and used by none but him. He knew his employer was +absent. Perhaps Saunders had instructions to bring Rally to the station.</p> + +<p>Collie paid no further attention to Saunders until the latter came from +his quarters with a coat and a blanket-roll which he tied to the saddle. +Then Collie became interested. He left the road and climbed the hill +back of the corrals. He watched Saunders astride the pinto as he opened +the gate and spurred through without closing it. That was a little +unusual.</p> + +<p>"I feel almost like taking a cayuse and following him," muttered Collie. +"But, no. What for, anyway?"<span class='pagenum'><a name="Page_250" id="Page_250">250</a></span></p> + +<p>On a rise far below was Black Boyar, loping along easily. Collie saw him +stop and turn into the Old Meadow Trail. He watched for Saunders to +appear on the road below the ranch. Presently out from the shoulder of a +hill leaped Rally. Saunders was plying quirt and spur. The pinto was +doing his best.</p> + +<p>"Something's wrong. I'll just take a chance." And Collie ran to the +corral and roped the Yuma colt. He saddled her, led her a few steps that +she might become used to the feel of the cinchas, and then mounted. He +turned the pony up the hill and sat watching the pinto on the road +below. He saw Saunders draw rein and dismount, apparently searching the +road for something. Then he saw him mount quickly and disappear on the +Old Meadow Trail.</p> + +<p>Collie whirled the pony round and down the hill. Through the gateway he +thundered. The steel-sinewed flanks stiffened and relaxed rhythmically +as the hillside flew past. The Yuma colt, half-wild, ran with great +leaps that ate into space. They swept through the first ford. A thin +sheet of water spread on either side of them. The outlaw fought the curb +all the way up the hill beyond. Pebbles clattered from her hoofs and +spun skyward as she raced along the level of the hilltop.</p> + +<p>Down the next grade the pony swung, taking<span class='pagenum'><a name="Page_251" id="Page_251">251</a></span> the turns with short leaps. +On the crest Collie checked her. The road beyond, clear to the valley, +was empty.</p> + +<p>He examined the tracks entering the Old Meadow Trail. He had not been +mistaken. Saunders had ridden in. Mounting, Collie spurred through the +greasewood, trusting to the pony's natural activity and sure-footedness.</p> + +<hr style='width: 45%;' /> + +<p>Louise, sitting on the dream-rock in the old meadow, gazed out across +the valley. Black Boyar stood near with trailing bridle-reins.</p> + +<p>Despite herself the girl kept recalling Collie's face as he had talked +with her at the ranch. Admiration she had known before and many +times—adoration never, until that morning.</p> + +<p>For a long time she dreamed. The shadows of the greasewood lengthened. +The air grew cooler. Louise ended her soliloquy by saying aloud: "He's a +nice boy, though. I do hope he will keep as he is."</p> + +<p>Boyar, lifting his head, nickered and was answered by Rally, entering +the meadow. Silent Saunders rode up hurriedly.</p> + +<p>"Why, Saunders,—what is it? That's Rally! Were you going to meet Uncle +Walter?"</p> + +<p>"No, Miss. I'm in a hurry. Just hand over that letter that young Collie +give to you at the ranch. I want it. I mean business."<span class='pagenum'><a name="Page_252" id="Page_252">252</a></span></p> + +<p>"You want the letter? What do you mean? What right have you—"</p> + +<p>"No right. Only I want it. I don't want to make trouble."</p> + +<p>"You! A Western man, and speak that way to a woman! Saunders, I'm +ashamed to think you ever worked for us."</p> + +<p>"Oh, I know you got nerve. But I'm in a hurry. Hand it over. Then you +can call me anything you like."</p> + +<p>"I shall not hand it over."</p> + +<p>"All right. I got to have it."</p> + +<p>The girl, her gray eyes blazing with indignation, backed away as he +strode toward her. "You'd dare, would you?" And as Saunders laughed she +cut him across the face with her quirt.</p> + +<p>His face, streaked with the red welt of the rawhide, grew white as he +controlled his anger. He leaped at her and had his hands on her when she +struck him again with all her strength. He staggered back, his hand to +his eyes.</p> + +<p>A wild rush of hoofs, a shock, a crash, and he was beneath the plunging +feet of the Yuma colt. The pony flashed past, her head jerking up. +Louise saw Collie leap to the ground and come running back.</p> + +<p>Saunders, rolling to his side, reached for his holster, when he saw that +in Collie's hand which precluded further argument.<span class='pagenum'><a name="Page_253" id="Page_253">253</a></span></p> + +<p>"Don't get up!" said Collie quietly. "I never killed a man—but I'm +going to, quick, if you lift a finger."</p> + +<p>Saunders kept still. Collie stepped round behind him. "Now, get up, +slow," he commanded.</p> + +<p>When Saunders was on his feet, Collie reached forward and secured his +gun.</p> + +<p>"I'll send your check to the store," said Louise, addressing Saunders. +"I shall tell Mr. Stone that I discharged you. I don't believe I had +better tell the men about this."</p> + +<p>"Beat it, Saunders," said Collie, laughing. "You are leaving here afoot, +which suits me fine. Red would be plumb happy to know it."</p> + +<p>"Red's goin' to walk into my lead some of these days."</p> + +<p>"That's some day. This is to-day," said Collie.</p> + +<p>Saunders, turning, gazed covetously at the pinto Rally. Collie saw, and +smiled. "I missed twice. The third trick is goin' to be mine. Don't you +forget that, Mister Kid," said Saunders.</p> + +<p>"Oh, you here yet?" said Collie; and he was not a little gratified to +notice that Saunders limped as he struck off down the trail.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXIV" id="CHAPTER_XXIV"></a> +<span class='pagenum'><a name="Page_254" id="Page_254">254</a></span> +<h2>CHAPTER XXIV</h2><h3>"LIKE SUNSHINE"</h3> +</div> + +<p>Louise drew off her gauntlets and tossed them on the rock. Collie saw +the print of Saunders's fingers on her wrist and forearm. "I ought to +'a' made him kneel down and ask you to let him live!" he said.</p> + +<p>"I was afraid—at first. Then I was just angry. It was sickening to see +the marks grow red and swell on his face. I hit him as hard as I could, +but I'm not sorry."</p> + +<p>"Sorry?" growled Collie. "He takes your brand with him. He didn't get +the letter. I got to thank you a whole lot for that."</p> + +<p>"But how did he know I had it? What did he want with the letter?"</p> + +<p>"He saw me give it to you. He's one of the bunch, the Mojave bunch +that's been trailing Red all over the country. When Red disappeared up +in those desert hills, I reckon Saunders must have got hold of a paper +and read about the get-away here at the Moonstone. He just naturally +came over here and got a job to see if he couldn't trace Red."<span class='pagenum'><a name="Page_255" id="Page_255">255</a></span></p> + +<p>"You are thinking of joining Mr. Summers at the claim?"</p> + +<p>"Yes. The Eastern folks are gone now. I hate to go. But I got to get +busy and make some money. A fellow hasn't much of a show without money +these days."</p> + +<p>Louise was silent. She sat gazing across the valley.</p> + +<p>Collie approached her hesitatingly. "I just got to say it—after all +that's happened. Seems that I could, now."</p> + +<p>Louise paled and flushed. "Oh, Collie!" she cried entreatingly. "We have +been such good friends. Please don't spoil it all!"</p> + +<p>"I know I am a fool," he said, "or I was going to be. But please to take +Boyar and go. I'll bring Rally. I was wrong to think you would listen a +little."</p> + +<p>But Louise remained sitting upon the rock as though she had not heard +him. Slowly he stepped toward her, his spurs jingling musically. He +caught up one of her gloves and turned it over and over in his fingers +with a kind of clumsy reverence. "It's mighty little—and there's the +shape of your hand in it, just like it bends when you hold the reins. It +seems like a thing almost too good for me to touch, because it means +<i>you</i>. I know you won't laugh at me, either."<span class='pagenum'><a name="Page_256" id="Page_256">256</a></span></p> + +<p>Louise turned toward him. "No. I understand," she said.</p> + +<p>"Here was where Red and I first saw you to know who you was. I used to +hate folks that wore good clothes. I thought they was all the same, you +and all that kind. But, no, it ain't so. You looked back once, when you +were riding away from the jail that time. I was going to look for Red +and not go to work at the Moonstone. I saw you look back. That settled +it. I was proud to think you cared even anything for a tramp. I was +mighty lonesome then. Since, I got to thinking I'd be somebody some day. +But I can see where I stand. I'm a puncher, working for the Moonstone. +You kind of liked me because I had hard luck when I was a kid. But that +made me <i>love</i> you. It ain't wrong, I guess, to love something you can't +ever reach up to. It ain't wrong to keep on loving, only it's awful +lonesome not to ever tell you about it."</p> + +<p>"I'm sorry, Collie," said Louise gently.</p> + +<p>"Please don't you be sorry. Why, I'm glad! Maybe you don't think it is +the best thing in the world to love a girl. I ain't asking anything but +to just go on loving you. Seems like a man wants the girl he loves to +know it, even if that is just all. You said I love horses. I do. But +loving you started me loving horses. Red said once that I was just +living like what I thought you wanted<span class='pagenum'><a name="Page_257" id="Page_257">257</a></span> me to be. Red's wise when he +takes his time to it. But now I'm living the way I think I want to. I +won't ask you to say you care. I guess you don't—that way. But if I +ever get rich—then—"</p> + +<p>"Collie, you must not think I am different from any other girl. I'm just +as selfish and stubborn as I can be. I almost feel ashamed to have you +think of me as you do. Let's be sensible about it. You know I like you. +I'm glad you care—for—what you think I am."</p> + +<p>"That's it. You are always so kind to a fellow that it makes me feel +mean to speak like I have. You listened—and I am pretty glad of that."</p> + +<p>He turned and caught Boyar's bridle. Mounting he caught up Yuma and +Rally. Slowly Collie and the girl rode the trail to the level of the +summit. Slowly they dropped down the descent into Moonstone Cañon. The +letter, Overland Red, Silent Saunders, were forgotten. Side by side +plodded the pony Yuma and Black Boyar. Rally followed. The trees on the +western edge of the cañon threw long, shadowy bars of dusk across the +road. Quail called from the hillside. Other quail answered plaintively +from a distance. Alternate warmth and coolness swam in the air and +touched the riders' faces.</p> + +<p>At a bend in the road the ponies crowded together. Collie's hand +accidentally brushed<span class='pagenum'><a name="Page_258" id="Page_258">258</a></span> against the girl's and she drew away. He glanced +up quickly. She was gazing straight ahead at the distant peaks. He felt +strangely pleased that she had drawn away from him when his hand touched +hers. Some instinct told him that their old friendship had given place +to something else—something as yet too vague to describe. She was not +angry with him, he knew. Her face was troubled. He gazed at her as they +rode and his heart yearned for her tenderly. Life had suddenly assumed a +tensity that silenced them. The little lizards of the stones scurried +away from either side of the road. One after another, with sprightly +steps, a covey of mountain quail crossed the road before them, leaving +little starlike tracks in the dust. Though homeward bound the ponies +plodded with lowered heads. Moonstone Cañon, always wonderful in its +wild, rugged beauty, seemed as a place of dreams, only real as it echoed +the tread of the ponies. The cañon stream chattered, murmured, quarreled +round a rock-strewn bend, laughed at itself, and passed, singing a +cool-voiced melody.</p> + +<p>They rode through a vale of enchantment, only known to Youth and Love. +Her gray eyes were misty and troubled. His eyes were heavy with +unuttered longing. His heart pounded until it almost choked him. He bit +his lips that he might keep silent.<span class='pagenum'><a name="Page_259" id="Page_259">259</a></span></p> + +<p>The glint of the slanting sunlight on her hair, the turn of her wrist as +she held the reins, her apparent unconsciousness of all outward things +enthralled him. A spell hung round him like a mist, blinding and +baffling all clearer thought. And because Louise knew his heart, knew +that his homage was not of books, but of his very self, she lingered in +the dream whose thread she might have snapped with a word, a gesture.</p> + +<p>Generously the girl blamed herself that she had been the one to cause +him sorrow. She could not give herself to him, be his wife as she knew +he wished her to be. Yet she liked him more than she cared to admit. He +had fought for her once and taken his punishment with a grin. She felt +joy in his homage, and yet she felt humility. In what way, she asked +herself, was she better, cleaner of heart, kinder or cleverer than +Collie? Why should people make distinctions as to birth, or breeding, or +wealth, when character and physical excellence meant so much more?</p> + +<p>"Collie!" she whispered, and the touch of her fingers on his arm was as +the touch of fire,—"Collie!"</p> + +<p>She drew one of her little gray gauntlets from her belt. "Here," she +said, and the word was a caress.</p> + +<p>But he put the proffered token away from him with a trembling hand. +"Don't!" he cried. "I<span class='pagenum'><a name="Page_260" id="Page_260">260</a></span> tried not to want you! I did try! This +morning—before I told you—I could have knelt and prayed to your glove. +But now, Louise, Louise Lacharme, I can't. That glove would burn me and +drive me wild to come back to you."</p> + +<p>"To come back to you ...?" The words sung themselves through her +consciousness. "Come back to you...." He was going away. "You care so +much?" she asked. There was a new light in her eyes. Her face was almost +colorless. So she had looked when Saunders threatened her. She swayed in +the saddle. Collie's arm was about her. She raised one arm and flung it +round his neck, drawing his face down to her trembling lips. Then she +drew away, her face burning.</p> + +<p>Across the end of the cañon a vagrant sunbeam ran like a bridge of faëry +gold. It pelted the gray wall with a million particles of mellow fire. +It flickered, flashed anew, and faded. The ponies drew apart. The colt +Yuma grew restless.</p> + +<p>"Good-bye," murmured Louise.</p> + +<p>"Like the sunshine," he said, pointing to the cliff.</p> + +<p>"It is gone," she whispered, shivering a little as the shadows drew +down.</p> + +<p>"It will shine again," he said, smiling.</p> + +<p>Without a word she touched Black Boyar with the spurs. A stone clattered +down as he leaped forward, and she was gone.<span class='pagenum'><a name="Page_261" id="Page_261">261</a></span></p> + +<p>Collie curbed the colt Yuma, who would have followed. "No, little +hummingbird," he said whimsically. "We aren't so used to heaven that we +can ride out of it quite so fast."</p> + +<hr style='width: 45%;' /> + +<p>Next morning, with blanket and slicker rolled behind his saddle, he rode +down the Moonstone Cañon Trail. At the foot of the range he turned +eastward, a new world before him. The far hills, hiding the desert +beyond, bulked large and mysterious.</p> + +<p>Louise had not been present when he bade good-bye to his Moonstone +friends.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXV" id="CHAPTER_XXV"></a> +<span class='pagenum'><a name="Page_262" id="Page_262">262</a></span> +<h2>CHAPTER XXV</h2><h3>IN THE SHADOW OF THE HILLS</h3> +</div> + +<p>The afternoon of the third day out from the Moonstone Ranch, Collie +picketed the roan pony Yuma near a water-hole in the desert. He spread +his saddle-blankets, rolled a cigarette, and smoked. Presently he rose +and took some food from a saddle-pocket.</p> + +<p>The pony, unused to the desert, fretted and sniffed at the sagebrush +with evident disgust. Collie had given her water, but there was no +grazing.</p> + +<p>After he had eaten he studied the rough map that Overland had given him. +There, to the south, was the desert town. He had passed that, as +directed, skirting it widely. There to the east were the hills. +Somewhere behind them was the hidden cañon and Overland Red.</p> + +<p>Stiff and tired from his long ride, he stretched himself for a short +rest. He dozed. Something touched his foot. It was the riata with which +he had picketed the pony. He meant to travel again that night. He would +sleep a little while. The horse, circling the picket, would be sure to +awaken him again.<span class='pagenum'><a name="Page_263" id="Page_263">263</a></span></p> + +<p>He slept heavily. The Yuma colt stood with rounded nostrils sniffing the +night air. The pony faced in the direction of the distant town. She knew +that another horse and rider were coming toward her through the +darkness. They were far off, but coming.</p> + +<p>For a long time she stood stamping impatiently at intervals. Finally she +grew restive. The oncoming horse had stopped. That other animal, the +man, had dismounted and was coming toward her on foot. She could not see +through the starlit blanket of night, but she knew.</p> + +<p>The man-thing drew a little nearer. The pony swerved as if about to run, +but hesitated, ears flattened, curious, half-belligerent.</p> + +<hr style='width: 45%;' /> + +<p>That afternoon Silent Saunders, riding along the border of the desert +town, had seen a strange horse and rider far out—away from the road and +evidently heading for the water-hole. Saunders rode into town, borrowed +a pair of field-glasses, and rode out again. He at once recognized the +roan pony as the Oro outlaw, but the rider? He was not so sure. He would +investigate.</p> + +<p>The fact that he saw no glimmer of fire as he now approached the +water-hole made him doubly cautious. Nearer, he crouched behind a bush. +He threw a pebble at the pony. She circled the picket, awakening Collie, +who spoke to her<span class='pagenum'><a name="Page_264" id="Page_264">264</a></span> sleepily. Saunders crept back toward his horse. He +knew <i>that</i> voice. He would track the young rider to the range and +beyond—to the gold. He rode back to town through the night, entered the +saloon, and beckoned to a belated lounger.</p> + +<p>Shivering in the morning starlight, Collie arose and saddled the pony. +He rode in the general direction of the range. The blurred shadow of the +foothills seemed stationary. His horse was not moving forward—simply +walking a gigantic treadmill of black space that revolved beneath him. +The hills drew no nearer than did the constellations above them.</p> + +<p>Suddenly the shadows of the hills pushed back. Almost instantly he faced +the quick rise of the range. Out of the silence came the slithering step +of some one walking in the sand. The darkness seemed to expand.</p> + +<p>Overland Red stood before him, silent, alert, anxious. "You, Chico?" he +asked.</p> + +<p>"Sure. Hello, Red."</p> + +<p>"Anybody see you come across yesterday?"</p> + +<p>"Not that I know of. I kept away from the town."</p> + +<p>"Your hoss shod?"</p> + +<p>"Yes. All around. Why?"</p> + +<p>"Nothin'. I'm sufferin' glad to see you again. When we get on top of the +hills, you take the left trail and keep on down. You can't miss the<span class='pagenum'><a name="Page_265" id="Page_265">265</a></span> +cañon. I'll leave you here. I got to stay here a spell to see that +nothin' else comes up but the sun this mornin'."</p> + +<p>"All right, Red. Your pardner down there?"</p> + +<p>"Yep. Whistle when you get up to the meadow in the cañon. Billy'll be +lookin' for you."</p> + +<p>"Any trouble lately?"</p> + +<p>"Nope. But Billy's got a hunch, though. He says he feels it in the air."</p> + +<p>At the crest Collie rode on down the winding trail, or rather way, for +no regular trail existed. At the foot of the range he turned to the +right and entered the narrow cañon, following the stream until he came +to the meadow, where he picketed the pony.</p> + +<p>He continued on up the cañon on foot. When he arrived at the camp, +Overland was there waiting. Winthrop and he greeted Collie cordially. +"Short cut," explained Overland, jerking his thumb over his shoulder. +"No hoss trail, though. Too steep."</p> + +<p>Faint dawn lights were shifting along the cañon walls as they had +breakfast. As the morning sunlight spread to their camp Collie's natural +curiosity in regard to Overland's pardner was satisfied. He saw a +straight, slender figure, in flannel shirt and khaki. The gray eyes were +peculiarly keen and humorous. Winthrop was not a little like his sister +Anne in poise and coloring. The<span class='pagenum'><a name="Page_266" id="Page_266">266</a></span> hands were nervously slender and +aristocratic, albeit roughened and scarred by toil. There was a +suggestion of dash and go about Winthrop that appealed to Collie. Even +in repose the Easterner seemed to be alert. Undoubtedly he would make a +good companion in any circumstance.</p> + +<p>"There's spare blankets in the tent. Roll in for a snooze, Collie. Billy +and me'll pack your saddle and stuff up here later."</p> + +<p>"I guess I will. You might sponge Yuma's back a little, Red. She's +brought me close to two hundred miles in the last three days."</p> + +<p>"Sure, Bo! I'll brush her teeth and manicure her toe-nails if you say +the word. I guess that hoss has kind of made a hit with you."</p> + +<p>Collie yawned. "Mebby. But it isn't in it with the hit she'll make with +you if you try to take up her feet. She's half-sister to a shot of +dynamite. I'm only telling you so she won't kick your fool head off."</p> + +<p>"You talk like most a full-size man," said Overland.</p> + +<p>Down at the meadow, Overland looked at the colt and shook his head. "He +is correct," he said succinctly. "That hoss don't welcome handlin' worth +a bean."</p> + +<p>Winthrop's silence rather stirred Overland's sensitive pride in his +horsemanship. "'Course I broke and rode hundreds like her, down in Mex.<span class='pagenum'><a name="Page_267" id="Page_267">267</a></span> +But then I was paid for doin' it. It was my business then. Now, minin' +and educatin' Collie is my business, and a busted neck wouldn't help +any."</p> + +<p>Winthrop realized for the first time that Overland's supreme interest in +life was Collie's welfare. Heretofore the paternal note had not been +evident. Winthrop had imagined them chums, friends, tramps together. +They were more than that. Overland considered Collie an adopted son.</p> + +<p>The Easterner glanced at Overland's broad shoulders stooped beneath the +weight of the heavy stock saddle. Something in the man's humorous +simplicity, his entire willingness to serve those whom he liked and his +stiff indifference to all others, appealed to Winthrop. So this flotsam +of the range, this erstwhile tramp, this paradox of coarseness and +sentiment, had an object in life? A laudable object: that of serving +with his sincerest effort the boy friend he had picked up on the desert, +a castaway.</p> + +<p>As they toiled up the stream toward the camp, Winthrop recalled their +former chats by the night-fire. Now he began to see the drift of +Overland's then frequent references to Collie. And there was a +girl,—mentioned by Overland almost reverently,—the Rose Girl, Louise +Lacharme, of whom Anne Marshall had written much in eulogy to him. And +Winthrop himself?<span class='pagenum'><a name="Page_268" id="Page_268">268</a></span></p> + +<p>His swift introspection left him aware that of them all he alone seemed +to lack a definite aim. Making money—mining—was still to him a game, +interesting and healthful, but play. To Overland it was life. Winthrop +saw himself as he was. His improved health scoffed at the idea of +becoming sentimental about it. He laughed, and Overland, turning, +regarded him with bushy, interrogative brows.</p> + +<p>"Nothing," said Winthrop.</p> + +<p>"Ain't you feelin' good lately, Billy?"</p> + +<p>"I'm all right."</p> + +<p>"Glad of that. It's good to forget you got such a thing as health if you +want to keep it. If you get to lookin' for it, like as not you'll find +it's gone."</p> + +<p>"I'm looking for something entirely different. Something you +have—something that I never possessed."</p> + +<p>"I don't know anything I got that you haven't 'less it's that new +Stetson I got in Los. You can have her, Billy, and welcome. Your lid +<i>is</i> gettin' on the bum."</p> + +<p>"Not that," laughed Winthrop. "Something you keep under it."</p> + +<p>"'T ain't me hair. I'm plumb sure of that."</p> + +<p>"No."</p> + +<p>"Mebby you're jealous of some of me highbrow ideas?"<span class='pagenum'><a name="Page_269" id="Page_269">269</a></span></p> + +<p>"Add an 'l' and you have it."</p> + +<p>"I-d-e-a-l-s. Oh, ideals, eh? Never owned none except that little +electric do-diddle-um of the Guzzuh what makes the spark to keep the +machinery goin'. That's called the 'Ideal.'"</p> + +<p>"The spark to keep the machinery going—that's it," said Winthrop.</p> + +<p>At the camp he prepared to make his trip to the Moonstone Ranch. He read +his sister's letter over and over again. Finally he sauntered up the +cañon to where Overland was at work. "I'll lend a hand," he said, in +answer to Overland's questioning face. "I don't believe I'll go before +to-morrow night. It is hardly right to leave the minute my new pardner +arrives. I want to talk with him."</p> + +<p>Overland nodded. "Guess you're right. It won't hurt to keep in the +shadow of the hills for a day or two. Can't tell who might 'a' spotted +Collie ridin' out this way."</p> + +<hr style='width: 45%;' /> + +<p>That afternoon, toward evening, Collie arose, refreshed, and eager to +inspect the claim. He could hear the faint click of pick and shovel up +the cañon. He stretched himself, drank from the stream, and sauntered +toward the meadow. He would see to his pony first.</p> + +<p>He found the horse had been picketed afresh by Overland when he had come +for the saddle.<span class='pagenum'><a name="Page_270" id="Page_270">270</a></span> He was returning toward camp when he heard a slight +noise behind him—the noise a man's boot makes stepping on a pebble that +turns beneath his weight.</p> + +<p>Collie wheeled quickly, saw nothing unusual, and turned again toward the +camp. Then he hesitated. He would look down the cañon. He realized that +he was unarmed. Then he grew ashamed of his hesitancy. He picked his way +down the stream. A buzzard circled far above the cliffs. The air hummed +with invisible bees in the rank wild clover. He peered past the next +bend. A short distance below stood a riderless horse. The bridle was +trailing. For an instant Collie did not realize the significance of the +animal waiting patiently for its rider. Then, like the flash of a +speeding film, he saw it all—his pony's tracks up the cañon—the rider +who had undoubtedly seen him crossing to the water-hole, and who had +waited until daylight to follow the tracks; who had dismounted, and was +probably in ambush watching him. He summoned all his reserve courage. +Turning away, he remarked, distinctly, naturally, casually, "Thought I +heard something. Must have been the water."</p> + +<p>He walked slowly back to the notch in the cañon walls. Stepping through +it, he continued on up the stream. A few paces beyond the notch, and a +face appeared in the cleft rock, watching<span class='pagenum'><a name="Page_271" id="Page_271">271</a></span> him. The watcher seemed in +doubt. Collie's action had been natural enough. Had he seen the horse? +The hidden face grew crafty. The eyes grew cold. The watcher tapped the +side of the cliff with his revolver butt. The noise was slight, but in +that place of sensitive echoes, loud enough to be heard a long way up +the cañon. Then it was that Collie made a courageous but terrible +mistake. He heard the sound, and seemed to realize that it was made +intentionally—to attract his attention. Yet he was not sure. He kept +on, ignoring the sound. Had he not suspected some one was in the cañon, +to have glanced back would have been the most natural thing in the +world. The watcher realized this. He knew that the other had heard +him—suspected his presence, and was making a daring bluff.</p> + +<p>"Got to stop that," muttered the watcher, and he raised his hand.</p> + +<p>The imprisoned report rolled and reëchoed like mountain thunder. Collie +threw up his arms and lurched forward.</p> + +<p>Below in the cañon clattered the hoofs of the speeding horse. The rider, +still holding his six-gun, muzzle up, glanced back. "I didn't care +partic'lar about gettin' <i>him</i>, but gettin' the kid hits the red-head +between the eyes. I guess I'm about even now." And Silent Saunders +holstered<span class='pagenum'><a name="Page_272" id="Page_272">272</a></span> his gun, swung out of the cañon, and spurred down the +mountain, not toward the desert town, but toward Gophertown, some thirty +miles to the north. He had found the claim. The desert town folk he had +used to good advantage. They had paid his expenses while he trailed +Overland and Collie. They had even guaranteed him protection from the +law—such as it was on the Mojave. He had every reason to be grateful to +them, but he was just a step or two above them in criminal artistry. He +had been a "killer." Like the lone wolf that calls the pack to the hunt, +he turned instinctively to Gophertown, a settlement in the hills not +unknown to a few of the authorities, but unmolested by them. The +atmosphere of Gophertown was not conducive to long life.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXVI" id="CHAPTER_XXVI"></a> +<span class='pagenum'><a name="Page_273" id="Page_273">273</a></span> +<h2>CHAPTER XXVI</h2><h3>SPECIAL</h3> +</div> + +<p>Overland, leaning on his shovel, drew his sleeve across his forehead. +"Reckon I'll go down and wake Collie. He'll sleep his head off and feel +worse 'n thunder."</p> + +<p>"I'll go," said Winthrop, throwing aside a pan of dirt with a fine +disregard of its eventual value. "I want some tobacco, anyway."</p> + +<p>"Fetch a couple of sticks of dynamite along, Billy. I'll put in one more +shot for to-night."</p> + +<p>A distant, reverberating report caused the two men to jerk into +attitudes of tense surprise.</p> + +<p>"What the hell!" exclaimed Overland, running toward the tent. "That +wasn't the kid. Collie's only packin' a automatic, and here it is."</p> + +<p>He stopped in the tent-door, grabbed up the gun and belt, and ran down +the cañon, Winthrop following breathlessly. Near the notch he paused, +motioning Winthrop to one side. "Mebby it was to draw us on. You keep +there, Billy. I'll poke ahead."</p> + +<p>But Overland did not go far. He almost stumbled over the prone figure of +Collie. With a cry he tore his handkerchief from his throat and<span class='pagenum'><a name="Page_274" id="Page_274">274</a></span> plugged +the wound. "Clean through," he said, getting to his feet. "Get the +whiskey."</p> + +<p>"Shan't I help you carry him?" queried Winthrop.</p> + +<p>Overland shook his head. "Get the whiskey and get a fire goin'. I'll +bring him."</p> + +<p>"Will he—live?" asked Winthrop, hesitating.</p> + +<p>"I reckon not, Billy. He was plugged from behind—close—and clean +through. Here's the slug."</p> + +<p>Then Overland picked up the limp form. So this was the end of all his +planning and his toil? He cursed himself for having urged Collie to come +to the desert. He strode carefully, bent with the weight of that +shattered body. He felt that he had lost more than the visible Collie; +that he had lost the inspiration, the ideal, the grip on hope that had +held him toward the goal of good endeavor. His old-time recklessness +swept down upon him like the tides, submerging his better self. Yet he +held steadily to one idea. He would do all that he could to save +Collie's life. Failing in that ... there would be a red reckoning. After +that he would not care what came.</p> + +<p>Already he had planned to send Winthrop, in his big car, for a doctor. +The car was at the desert town, where a liveryman accepted a royal +monthly toll in advance to care for it.<span class='pagenum'><a name="Page_275" id="Page_275">275</a></span></p> + +<p>At the tent Overland laid Collie on the blankets, bathed and bandaged +the wound, and watched his low pulse quicken to the stimulant that he +gave him in small doses.</p> + +<p>"It's the shock as much as the wound," said Overland. "He got it close, +and from behind—<i>from behind</i> do you hear?"</p> + +<p>Winthrop, startled by the other's intensity, stammered: "What shall I +do? What shall I do?"</p> + +<p>Overland bit his nails and scowled. "You will ride to town. Collie's +hoss is here. Take the Guzzuh and burn the road for Los and get a +doctor. Not a pill doctor, but a knife man. Bring the car clean back +here to the range. To hell with the chances."</p> + +<p>Winthrop slipped into his coat and filled a canteen.</p> + +<p>"If that horse throws me—" he began.</p> + +<p>"You got to ride. You <i>got</i> to, understand? I dassent leave him."</p> + +<p>Down in the meadow Overland saddled the pony Yuma. He mounted and she +had her "spell" of bucking. "Now, take her and ride," said Overland. +"After you hit the level, let her out and hang on. If any one tries to +stick you up this time—why, jest nacherally <i>plug</i> 'em. Sabe?"</p> + +<p>Winthrop nodded.<span class='pagenum'><a name="Page_276" id="Page_276">276</a></span></p> + +<p>Two hours later a wild-eyed, sweating pony tore through the desert town +at a run. Her rider slid to the ground as the liveryman grabbed the +pony's bridle.</p> + +<p>"Take—care—of her," gasped Winthrop. "I want—the machine."</p> + +<p>"Anybody hurt?"</p> + +<p>"Yes. Who did that?"</p> + +<p>Winthrop stood with mouth open and eyes staring. The tires of the big +machine were flat.</p> + +<p>"I dunno. I watched her every day. I sleep here nights. Las' Sunday I +was over to Daggett."</p> + +<p>"And left no one in charge?"</p> + +<p>"The boy was here."</p> + +<p>"Well—the job is done. Take care of the horse. I'll be back in a +minute."</p> + +<p>At the station Winthrop wired for a special car and engine. He gave his +check for the amount necessary and went back to the stable. He was +working at the damaged tires when the agent appeared. "Special's at the +Junction now. Be here in five minutes."</p> + +<p>Winthrop climbed to the engine-cab. "I'll give you ten dollars for every +minute you cut from the regular passenger schedule," he said.</p> + +<p>The engineer nodded. "Get back on the plush and hang on," was his brief +acknowledgment.</p> + +<hr style='width: 45%;' /> + +<p>It was dark when the surgeon, drying his<span class='pagenum'><a name="Page_277" id="Page_277">277</a></span> hands, came from the cañon +stream to the tent. "That's about all I can do now," he said, slipping +into his coat.</p> + +<p>Overland, who was sitting on a box beside the tent, stood up and +stretched himself. "Is he goin' to make it?" he asked.</p> + +<p>"I can't say. He is young, in good condition, and strong. If you will +get me some blankets, I'll turn in. Call me in about two hours."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXVII" id="CHAPTER_XXVII"></a> +<span class='pagenum'><a name="Page_278" id="Page_278">278</a></span> +<h2>CHAPTER XXVII</h2><h3>THE RIDERS</h3> +</div> + +<p>Several days passed before the surgeon would express a definite opinion.</p> + +<p>Collie lay, hollow-cheeked and ghastly, in the dim interior of the tent. +His eyes were wide and fixed. Overland came in. Collie recognized him +and tried to smile. Overland backed out of the tent and strode away +growling. The tears were running down his unshaven cheeks. He did not +return until later in the day. Then he asked the surgeon that +oft-repeated question.</p> + +<p>"I don't see how he can recover," said the surgeon quietly. "Of course +there's a slim chance. Don't build on it, though."</p> + +<p>"If there's a chance, I reckon he will freeze to it," said Overland. +"From what he was ramblin' about when he was off his head, I reckon he's +got somethin' more to live for than just himself."</p> + +<p>"Has he any relatives?" queried the surgeon.</p> + +<p>"Nope. Except me. But he was expectin' to have, I guess. And I tell you +what, Doc, she's worth gettin' shot up for."</p> + +<p>"Too bad! Too bad," muttered the surgeon.</p> + +<p>"What's too bad, eh?"<span class='pagenum'><a name="Page_279" id="Page_279">279</a></span></p> + +<p>The other shook his head. "If there is any one that he would care to +see, or that would care to see him, you had better write at once."</p> + +<p>Overland was stunned. The doctor's word had been given at last, and it +was not a word of hope.</p> + +<p>Overland Red bowed to the doctor's opinion, but his heart was +unconquerable. He wrote a long letter to his old-time friend, Brand +Williams, of the Moonstone Ranch. The letter was curiously worded. It +did not mention Louise Lacharme, nor Mrs. Stone, nor the rancher. It +was, in the main, about Mexico and the "old days"; no hint of Collie's +accident was in the page until the very end. The letter concluded with +"But you needn't think you owe me anything for that. I was glad to put +him to the hush because we was pals them days. Collie was shot by +Saunders. The doctor says he will die most likely. He was shot in the +back. It would go bad with Saunders if the Moonstone boys ever heard of +this."</p> + +<hr style='width: 45%;' /> + +<p>The letter dispatched by Winthrop, Overland Red took courage. He felt +that he himself was holding Collie's life from sinking. His huge +optimism would not admit that his friend <i>could</i> die.</p> + +<p>He was leaning back against a rock near the notch and gazing at the +slanting moonlight that spread across the somber canyon walls. A week +had gone since he mailed his letter to Brand Williams,<span class='pagenum'><a name="Page_280" id="Page_280">280</a></span> of the +Moonstone, and Collie was still alive. Overland shifted his position, +standing beside him the Winchester that had lain across his knees, and +pulling his sombrero over his eyes. The notch made an excellent +background for an object over the sights of a rifle, even at night, so +long as the moon shone. Gophertown riders would never venture that far +up the cañon with horses. They would tether their ponies at the entrance +and come afoot and under cover. Still, they would have to pass the notch +in any event.</p> + +<p>Thus it was that when, some few minutes later, Overland heard the faint +jingle of rein-chains, he grinned. It was celestial music to him.</p> + +<p>The sound came again, nearer the notch, and clearer. He remained +motionless gazing at the shadowy opening.</p> + +<p>Slowly a shaft of moonlight drew down toward the notch, silvering its +ragged edges. Lower the light slid until it revealed the opening and in +it the figure of a horseman. In the white light Overland could see the +quirt dangling from the other's wrist. The horseman's wide belt +glittered.</p> + +<p>"Brand!" called Overland Red softly. The opposite wall took up the name +hesitatingly and tossed it back.</p> + +<p>"Brand!" whispered the echoes that drifted to the darkened corners of +the cliff and were lost in voiceless murmurings.<span class='pagenum'><a name="Page_281" id="Page_281">281</a></span></p> + +<p>"Brand your own stock," came the answer, low and distinct.</p> + +<p>Overland laughed. It was their old-time pun upon the foreman's name. He +got to his feet and approached. "It does me good," he said, extending +his hand.</p> + +<p>"How is Collie?" asked Williams, dismounting.</p> + +<p>Overland heaved great sigh. "He's floatin' somewhere between here and +the far shore. Mebby he's tryin' to pull through. The doc says the kid +don't seem to care whether he does or not. Did—the little Rose +Girl—tell you anything to—to say to him?"</p> + +<p>"When I was leavin' she come out to the gate," said Williams. "She +didn't say much. She only hands me this, and kind of whispered, 'Give +him this. He will understand.'"</p> + +<p>And Williams drew a small gray gauntlet from his shirt. Overland took +the glove and tucked it in his pocket.</p> + +<p>"Anything doing?" asked Williams.</p> + +<p>"Nope. They're overdue to jump us if shootin' Collie was any sign."</p> + +<p>"Like old times," said Williams.</p> + +<p>"Like old times," echoed Overland. "No trouble findin' your way across?"</p> + +<p>"Easy. Followed them automobile tracks clear to the range. We fed up at +the town. The boys gets kind of restless—"<span class='pagenum'><a name="Page_282" id="Page_282">282</a></span></p> + +<p>"Boys? Ain't you alone?"</p> + +<p>"Hell, no!" replied Williams disgustedly. "I wish I was! I got four +pigeon-toed, bow-legged, bat-eared Moonstoners down in that meadow, just +itchin' mad to cut loose. And they ain't sayin' a word, which is +suspicious. Worryin' across the old dry spot the last three days has +kind of het 'em up. And then hearin' about Collie...."</p> + +<p>"How'd you come to have so much comp'ny?" queried Overland.</p> + +<p>"I was plumb fool enough to read that letter of yours to 'em. They all +like Collie first-rate. Better than I calculated on. The boss talked +turkey to 'em, but he had to let 'em come. He did everything he could to +hold 'em, knowin' what was in the wind."</p> + +<p>"And they quit?"</p> + +<p>"Quit? Every red-eyed bat of 'em. Bud and Pars and Billy and Miguel. +Told the boss they quit, because me bein' foreman they would do as I +says, but if they quit I wasn't their foreman any longer, and they would +do as they dum please. They had the nerve to tell me that I could come +along if I was wishful."</p> + +<p>"Kind of bad for Stone, eh?"</p> + +<p>"The Price boys are holdin' down the ranch. You see, Jack, it hit us +kind of hard, Collie ridin' away one mornin', and next thing your +letter<span class='pagenum'><a name="Page_283" id="Page_283">283</a></span> that he was down and pretty nigh out. The boys didn't just like +that."</p> + +<p>Overland nodded. "Well, Brand, I guess I'll step down and look 'em +over."</p> + +<p>"Only one thing, Jack. I feel kind of responsible for them boys, even if +I ain't their foreman just now. Don't you go to spielin' to 'em and get +'em thinkin' foolish. They're about ready to shoot up a town, if +necessary."</p> + +<p>"Been hittin' the booze any?"</p> + +<p>"Some. But not bad."</p> + +<p>"All right. I don't want to say only 'How!' and thank 'em for Collie. If +I say more than three words after that, you can have my hat."</p> + +<p>"It don't take three words, sometimes," said Williams, somewhat +ambiguously.</p> + +<p>"Leave it to me," said Overland, still more ambiguously.</p> + +<hr style='width: 45%;' /> + +<p>Ringed round their little fire in the meadow sat or lay the Moonstone +riders. While crossing the desert Williams had sketched a few of the red +episodes in Overland's early career. These pleased the riders mightily. +They were anxious to meet Red Jack Summers. When Williams did introduce +him, they were rather silent, asking after Collie in monosyllables. They +seemed strangely reticent.<span class='pagenum'><a name="Page_284" id="Page_284">284</a></span></p> + +<p>Both Williams and Overland felt an inexplicable tensity in the +situation.</p> + +<p>Miguel, the young Mexican vaquero, broke silence. "How long you call it +to this Gophertown place, I think?"</p> + +<p>"Thirty miles," said Overland.</p> + +<p>"Walkin' backwards—like Miguel's talk," said Billy Dime.</p> + +<p>"That's easy," said Bud Light.</p> + +<p>"What's easy?" questioned Williams.</p> + +<p>"Walkin' backwards," replied the facetious Bud.</p> + +<p>"If you don't step on your neck," said Pars Long.</p> + +<p>"I'm gettin' cold feet," asserted Bud Light after a silence.</p> + +<p>"That disease is ketchin'," said Billy Dime.</p> + +<p>"I know it. I been sleepin' next to you," retorted Bud.</p> + +<p>Brand Williams glanced across the fire at Overland, who smiled +inscrutably. The undercurrent was unfathomable to Williams, though he +guessed its main drift.</p> + +<p>Suddenly Pars Long glanced at the foreman. "Brand," he said quietly, "we +expect you didn't read all of that letter from your friend here. You +said Collie was shot. You didn't say how, which ain't natural. We been +talkin' about it. Where was he hit?"<span class='pagenum'><a name="Page_285" id="Page_285">285</a></span></p> + +<p>Overland saw his chance and grasped it with both hands. "In the back," +he said slowly, and with great intensity.</p> + +<p>Followed a silence in which the stamping of the tethered horses and the +whisper of the fire were the only sounds.</p> + +<p>Presently Miguel ran his fingers through his glossy black hair. "In the +back!" he exclaimed. "And you needn't to tell that he was run away, +neither."</p> + +<p>"In the back?" echoed Billy Dime.</p> + +<p>Overland and Williams exchanged glances. "You done it now," said +Williams.</p> + +<p>"'Cordin' to agreement," said Overland.</p> + +<p>"Make it a wireless," said Billy Dime. "We ain't listenin', anyhow."</p> + +<p>"Only thirty miles. What do you say, Brand?"</p> + +<p>"Nothin'."</p> + +<p>"<i>As</i> usual," ejaculated Dime.</p> + +<p>"I say about three to-morrow morning," ventured Pars Long. "Light will +be good about nine. We can do the thirty by nine. A fella would be able +to ride round town then without fallin' over anything."</p> + +<p>"What you fellas gettin' at?" queried Williams.</p> + +<p>"Gophertown," replied Dime. "You want to come along?"<span class='pagenum'><a name="Page_286" id="Page_286">286</a></span></p> + +<p>"Is it settled?" asked the foreman.</p> + +<p>The group nodded.</p> + +<p>"Well, boys, it would 'a' been <i>my</i> way of evenin' up for a pal."</p> + +<p>"Then you're comin', too?"</p> + +<p>"Do you think I'm packin' these here two guns and this belt jest to +reduce my shape?" queried Williams in a rather hurt tone.</p> + +<p>"Whoop-ee for Brand!" they chorused, and the tethered ponies shied and +circled.</p> + +<p>"I never rode out <i>lookin'</i> for trouble," said Williams. "And I never +shied from lookin' <i>at</i> it when it come my way."</p> + +<p>"Who said anything about trouble?" queried Billy Dime innocently. "I'm +<i>dry</i>. I want a <i>drink</i>. I'm goin' over to Gophertown to get it. I'll +treat the bunch."</p> + +<p>"Which bunch?"</p> + +<p>"Any and all—come stand up and down it."</p> + +<p>"We'll be there when you call our numbers, sister. You comin'?" asked +Pars Long, nodding toward Overland.</p> + +<p>"Me? Nope.... I'm goin'. I'm goin' to ask you boys to kindly allow me +the privilege of gettin' my drink first and by my lonesome. There will +be a gent there with sore eyes. He got sore eyes waitin' and watchin' +for me to call. I expect to cure him of his eye trouble. After that<span class='pagenum'><a name="Page_287" id="Page_287">287</a></span> you +will be as welcome as Mary's little lamb—fried."</p> + +<p>"Bur-rie me not on the lo-o-ne prai-ree," sang Bud Light.</p> + +<p>"Not while you got the fastest hoss in the outfit," said Williams.</p> + +<p>"Collie's hoss is here," said Overland. "I'm ridin' her this trip. I +kind of like the idea of usin' his hoss on this here errand of mercy."</p> + +<p>"Three—to-morrow mornin'!" called Billy Dime, as Overland disappeared +in the shadows.</p> + +<hr style='width: 45%;' /> + +<p>Brand Williams, the taciturn, the silent, stepped from the fire and +strode across the meadow. He paused opposite the Yuma colt and gazed at +her in the moonlight. He jerked up his chin and laughed noiselessly. +"Two-gun Jack Summers on that red Yuma hoss, ridin' into Gophertown with +both hands filled and lookin' for trouble.... God! He was bad enough +when he was dodgin' trouble. Well, I'm glad I'm livin' to see it. I was +commencin' to think they wasn't any more <i>men</i> left in the country. I'm +forty-seven year old. To-morrow I'll be twenty again ... or nothin'."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXVIII" id="CHAPTER_XXVIII"></a> +<span class='pagenum'><a name="Page_288" id="Page_288">288</a></span> +<h2>CHAPTER XXVIII</h2><h3>GOPHERTOWN</h3> +</div> + +<p>Some towns "nestle" on the plain. Others, more aspiring, "roost" in the +hills. Gophertown squatted on the desert at the very edge of a range of +barren foothills. Its principal street was not much more than a +bridle-trail that led past eleven ramshackle cabins, derelicts of the +old mining days when Gophertown knew gold.</p> + +<p>The population of Gophertown was of an itinerant order. This was not +always due to internecine disputes. Frequently a citizen became overbold +and visited his old haunts instead of remaining safely, even if +monotonously, at home. Train robbery was a sure passport to Gophertown's +protection. Man-killing lent an added distinction to an applicant for +hurried admission. Cattle-and horse-thieving were mere industries not to +be confounded with these higher professions.</p> + +<p>Overland Red had once wintered in Gophertown. Immediately previous to +his arrival in Gophertown he had been obliged to maintain, in an +unofficial capacity, his former prestige as sheriff of Abilene. The town +of Abilene had<span class='pagenum'><a name="Page_289" id="Page_289">289</a></span> sympathized with him heartily, but had advised him to +absent himself indefinitely and within the hour.</p> + +<p>The general store and saloon of the old mining camp still stood at the +corner of the town facing the desert. A bleached and faded sign once +read, "Palace Emporium." The letters now seemed to be shrinking from +public gaze—vanishing into the wood as though ashamed of themselves. +The wording of the sign had been frequently and indifferently +punctuated. Each succeeding marksman had exploded his own theory, and +passed on.</p> + +<p>Liquor was still to be obtained at the general store. Provisions were +occasionally teamed in and were made up of peculiarly conglomerate lots. +There were no women in Gophertown. There was little local gossip. There +was no regular watch kept on the outlands. Gophertown felt secure in +itself. Each man was his own argus. He was expected to know his enemies +by instinct. He was expected, as a usual thing, to settle his disputes +single-handed.</p> + +<hr style='width: 45%;' /> + +<p>Silent Saunders was in the general store and saloon. He was disgusted in +that he had been unable to induce the citizens to ride out with him and +clean up Overland Red's claim. Overland had once been of them, even if +briefly. He had<span class='pagenum'><a name="Page_290" id="Page_290">290</a></span> been popular, especially as he was then the quickest +man with a gun they had ever honored with their patronage. Also, the +Gophertown folk had recently received a warning letter from the +superintendent of a transcontinental railroad. They were not interested +in Saunders's proposal.</p> + +<p>Saunders, coming from the saloon, was not a little surprised to see a +band of horsemen far out on the desert. He felt that their presence in +his vicinity had something to do with himself. He counted the horses. +There were six of them. He knew instantly that the riders were cowmen, +although he could not distinguish one from another. He beckoned to the +saloon-keeper.</p> + +<p>"We could 'a' stopped that," he said, pointing toward the desert.</p> + +<p>"Big bunch. One—two—three—six of 'em. <i>Big</i> bunch to come visitin' +here."</p> + +<p>Saunders gestured toward the cañon behind Gophertown.</p> + +<p>The saloon-keeper shook his head. "Don't think most of our boys will be +back this week. Brandin' that bunch of new stock. Takes time to do it +right."</p> + +<p>"Well, here comes Parks and Santa Fé Smith," said Saunders. "That makes +four of us."</p> + +<p>"Mebby—and mebby not," said the saloon-keeper. "That depends. Depends +on the party that's callin' and who they're callin' <i>on</i>."<span class='pagenum'><a name="Page_291" id="Page_291">291</a></span></p> + +<p>"There's Sago—just ridin' the ledge trail. That's five."</p> + +<p>"'Lige and Joe Kennedy are up at the corrals," said the saloon-keeper. +"They would hate to miss anything like this."</p> + +<p>"Mebby they won't, if that bunch gets past us," said Saunders.</p> + +<p>"Seen the time when you could handle them alone, didn't you, Si?"</p> + +<p>"Yes, and I can now."</p> + +<p>"Nix, Si. Your gun arms ain't what they was sence Overland Red winged +you."</p> + +<p>"How in hell do you know he did?"</p> + +<p>"I could tell you more. But come on in and have one on the house. If I +was you, I'd set with my back to the door and be taking a drink. Red +Summers never shot a man in the back yet. If he's playin' for <i>you</i>, +why, that gives you a chance to pull a gun."</p> + +<p>"How about you?" queried Saunders.</p> + +<p>"Me? None of my business. I'm here to push the booze."</p> + +<p>"And you'll do your collectin' with a gun, or go broke, if it's Red +Summers and his friends."</p> + +<p>"Tryin' to scare me because you are?" asked the bartender.</p> + +<p>"Red helped Kennedy out of a mix once. Kennedy is his friend."<span class='pagenum'><a name="Page_292" id="Page_292">292</a></span></p> + +<p>"But Joe ain't here. What's gettin' into you? How do you know it is Red, +anyway? You act queer."</p> + +<p>"I got a hunch," said Saunders.</p> + +<p>"Then you want to go into action quick, for when a gunman gets a hunch +that he knows who is trailin' him, it's a bad sign."</p> + +<p>Saunders drummed on the table with his fingers. The drink of liquor had +restored his nerve. Perhaps the riders were not coming to visit him, +after all. He rose and stepped to the door. The oncoming horses were +near enough for him to distinguish the roan outlaw Yuma—Collie's horse. +Her rider's figure was only too familiar. Saunders fingered his belt. +Unbuckling it, he stepped back into the barroom and laid the +two-holstered guns and the belt on the table.</p> + +<p>Parks, from up in the cañon, rode up, tied his pony, and strolled to the +bar, nodding to Saunders. Following him came Santa Fé Smith, a +bow-legged individual in sweater and blue jeans. He nodded to Saunders. +Presently Sago, the Inyo County outlaw, came in, wheezing and +perspiring. Saunders stepped to the bar and called for "one all around."</p> + +<p>As they drank two more ponies clattered up and 'Lige and Joe Kennedy +joined the group at the bar. "Hutch and Simpson are comin' afoot," said +Joe Kennedy.<span class='pagenum'><a name="Page_293" id="Page_293">293</a></span></p> + +<p>"That leaves Wagner and the Chink to hear from," said the saloon-keeper.</p> + +<p>"Wagner's sick. I don't know where the Chink is. Everybody seems to 'a' +got up in time for dinner, this mornin', eh?" And big Joe Kennedy +laughed. "This here bar is right popular jest now."</p> + +<p>"Goin' to be more popular," said the saloon-keeper.</p> + +<p>"That so?" exclaimed several, facetiously.</p> + +<p>"Ask Saunders there," said the saloon-keeper.</p> + +<p>"Friends of yours, Silent?"</p> + +<p>"Yes. Friends of mine."</p> + +<p>"Whole six of 'em, eh?"</p> + +<p>"Whole six of 'em."</p> + +<p>"Well, we won't butt in. We'll give you lots of room."</p> + +<p>Saunders said nothing. He paid for the liquor, and, stepping to the +table, sat with his back to the doorway. In front of him lay his guns, +placed handily, but with studied carelessness. He leaned naturally on +one elbow, as though half asleep. His hat was tilted over his brows.</p> + +<p>From outside came the jingle of spurs and rein-chains and the distant +sound of voices. Saunders began leisurely to roll a cigarette. He laid a +few matches on the table. Several of the men at the bar grinned +knowingly.</p> + +<p>Then came the gritting of heels on the hardpacked<span class='pagenum'><a name="Page_294" id="Page_294">294</a></span> trail and Overland +Red stood in the doorway. "Mornin', gents—and Saunders," he said, +glancing at the figure seated back toward him.</p> + +<p>"Hello, Red!" exclaimed Joe Kennedy. "Out early, ain't you. Have a +drink."</p> + +<p>"Not out too early. Hello, Lusk!"</p> + +<p>"How, Red," said the saloon-keeper.</p> + +<p>"Where's your friends. Ask 'em in," said Kennedy.</p> + +<p>"Shall I ask 'em in, Saunders?" queried Overland, his voice edged with a +double meaning.</p> + +<p>"Not on my account," said Saunders over his shoulder.</p> + +<p>"All right. Let's have a drink, boys."</p> + +<p>Even "Go-Light" Sago, the vilest of the Gophertown crew, admired +Overland's coolness in turning his back on Saunders and facing the bar.</p> + +<p>For a second Saunders's fingers twitched. He glanced up.</p> + +<p>Joe Kennedy was looking at him over his glass of whiskey. "Ain't you +drinkin', Silent?" he asked.</p> + +<p>"With some folks," said Saunders.</p> + +<p>Overland whirled round. "Have a drink with me, then."</p> + +<p>Saunders laughed.</p> + +<p>"Then you don't smoke either, while I'm here," said Overland, his hand +on his hip.<span class='pagenum'><a name="Page_295" id="Page_295">295</a></span></p> + +<p>"That so?"</p> + +<p>"Yes, that's so! When you try to pull that old bluff of a match-game on +me, wait till I'm a hundred and four years old, Silent. That gun-trick +died of old age. Think up a new one."</p> + +<p>"Ain't you talkin' a little loud for polite sassiety?" questioned Sago, +addressing Overland.</p> + +<p>"Seein' you're the only one that thinks so, I reckon not," said +Overland.</p> + +<p>"Then," said Sago, moving slightly from the bar, "Saunders smokes."</p> + +<p>It was an open declaration of war. Sago, the Inyo County outlaw, sided +with Saunders.</p> + +<p>According to the ethics of gunmen, Saunders was not armed. He was not +"packing iron." His weapons lay on the table within reach, but he knew +Overland would not precipitate matters by shooting him down where he +sat. He glanced at Sago. The other winked.</p> + +<p>"Then I smoke," said Saunders, and reached for a match. He shot from the +hip, swinging his guns sideways. The stutter of Overland's automatics +mingled with the roar of Saunders's heavy Colts.</p> + +<p>Sago, jumping clear, pulled his gun. Kennedy clutched his arm. Saunders +slid from his chair, coughed horribly, and wilted to the floor. Overland +backed toward the door, both guns leveled.<span class='pagenum'><a name="Page_296" id="Page_296">296</a></span></p> + +<p>Sago, jerking his arm free, threw two shots at Overland, who replied +with a rippling tattoo of the automatics. The Inyo County outlaw sank to +his hands and knees. Then Overland leaped through the doorway. The +Moonstone riders spurred toward the saloon, thinking that the quarrel +had provoked too many guns. Overland tried to stop them, but they were +hot for fight.</p> + +<p>"It's a clean up!" yelled Parks, running out of the saloon and mounting +his horse. "You framed it, you red-headed son—" He got no further. +Brand Williams, thundering down at the head of the Moonstone riders, +threw a level shot that cut through Parks, who wavered, but managed to +wheel his horse and fire at Overland Red. Then the outlaw slid from the +saddle clawing at it as he fell.</p> + +<p>The Gophertown men poured from the saloon, and, seizing their ponies, +circled round to the back of the building, firing as they retreated.</p> + +<p>Miguel spurred his big pinto in among them and emptied his gun. He rode +out at a lope, reloading. The front of his flannel shirt was shot away, +but he was not aware of it.</p> + +<p>Billy Dime coolly sat his horse and "drew fine" at each shot, till a +leaden slug drilled his gun-arm. He swore profusely, and wisely spurred +out of range.<span class='pagenum'><a name="Page_297" id="Page_297">297</a></span></p> + +<p>"I got one!" cried Miguel, swinging shut the cylinder of his gun. "I go +get another one."</p> + +<p>"Give 'em my com-pli-ments," said Dime, winding a handkerchief round his +arm and knotting it with one hand and his teeth.</p> + +<p>Williams, keeping under cover, fired slowly and with great precision. +Overland Red, utterly unable to manage the Yuma colt under fire, rode up +to Williams. "Let's call it off, Brand. I got my man. They was no need +of the rest of it. How did it start, anyhow?"</p> + +<p>"That's about what the kid said when he let go the wagon on top of the +hill. I counted five Gophers down. Billy's hit, and Miguel's goin' to +be, the dam' little fool. Look at him!"</p> + +<p>The Gophertown men were drawing away toward the cañon. They turned +occasionally to throw a shot at Miguel and Pars Long, who followed them.</p> + +<p>Bud Light sat his horse, gazing solemnly at the stump of his gun-finger. +His shirt was spattered with blood.</p> + +<p>Suddenly Williams raised a shrill call. The Moonstone boys wheeled their +ponies and rode toward him. Williams pointed up the cañon. Down it rode +a group of men who seemed to be undecided in their movements. They would +spur forward and then check and circle, apparently waiting for their +friends to come up to them.<span class='pagenum'><a name="Page_298" id="Page_298">298</a></span> "It's the rest of the Gophertown outfit. We +might as well beat it," said Williams. "This here thing's gettin' too +popular all to once."</p> + +<p>"Did that guy get you?" asked Williams, nodding to Overland.</p> + +<p>"Not what you'd notice," replied Overland. "We'll take a drink on the +house. She ain't so tidy as she was."</p> + +<p>"Neither is the guy behind the bar," said Bud Light, pointing with the +stub of his finger to Lusk's face. The saloon-keeper had been hit between +the eyes by a chance bullet.</p> + +<p>"He's where he belongs," said Williams. "So is this one." And Williams +touched Saunders's body with his boot. "Let's drink and vamoose."</p> + +<p>"Here's to the kid!" cried Overland, strangely white and shaky.</p> + +<p>"Here's hoping!" chorused the Moonstone riders.</p> + +<div class='figcenter' style='width: 400px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-013" id="illus-013"></a> +<img src='images/img313.jpg' alt='IT'S A CLEAN-UP' title='' width = '400' height = '621'/><br /> +<span class='caption'>IT'S A CLEAN-UP</span> +</div> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXIX" id="CHAPTER_XXIX"></a> +<span class='pagenum'><a name="Page_299" id="Page_299">299</a></span> +<h2>CHAPTER XXIX</h2><h3>TOLL</h3> +</div> + +<p>None of the Moonstone boys had supposed that Overland Red was hit. He +rode joyfully and even began a poem to the occasion. Williams was first +to notice that Overland's speech was growing thick and that his free +hand clasped the saddle-horn.</p> + +<p>The others, riding a little to the rear, burst suddenly into boisterous +laughter. "What you think, Brand?" called Pars Long. "Bud's jest been +countin' his fingers and he says there is one missin'. He ain't sure +yet, but he's countin' hard. He has to skip when he comes to number one +on his right mitt. Says he can't get started to count, that way."</p> + +<p>"Some lucky it ain't his head," replied Williams.</p> + +<p>"His head? Bud would never miss that. But his pore little ole finger, +layin' calm and cold back there. A very sad business, brethren."</p> + +<p>"I paid twelve sweaty plunks for her in Los and look at her!" cried Pars +Long, doffing his sombrero. The high crown was literally shot to pieces. +"I guess I am some wise guy. You fellas<span class='pagenum'><a name="Page_300" id="Page_300">300</a></span> kidded me about sportin' an +extra high lid. Come on, Chico, they're laughin' at us!"</p> + +<p>"If they'd 'a' shot the crown off clean down to your ears, you'd never +noticed it," grumbled Billy Dime.</p> + +<p>"Mebby I am a flat-headed chicken, Billy, but I got both wings yet," +retorted Long.</p> + +<p>Billy Dime looked down at the blood-soaked sleeve of his right arm. "The +fella that did it is eatin' grass now," he muttered.</p> + +<p>"Now, what's the matter with Miguel? Discovered any bullets nestin' in +your manly buzzum, Miguel?"</p> + +<p>"I think no. But I lose something," replied Miguel, smiling.</p> + +<p>"That so?"</p> + +<p>"I did have the tobacco and papers here," he said, and he put his hand +on his chest. "Now I look and the pocket and some of the shirt is not +there—and my tobacco is gone, and the little papers."</p> + +<p>"Is that all? Sad. I thought you'd lost a railroad or a steamship or +something. Cheer up! Things might be better."</p> + +<p>"I think I like to smoke," said Miguel, quite seriously. "I will ride +back and get some tobacco and some more papers."</p> + +<p>"That ain't all you'll get. Here, smoke up. You look fine in that +peek-a-boo shirt. Never<span class='pagenum'><a name="Page_301" id="Page_301">301</a></span> knowed you had such a good shape. What size +gloves do you wear, pet?" And Pars Long passed tobacco and papers to +Miguel, who rolled a cigarette and smoked contentedly.</p> + +<p>"Billy, you look sick," said Bud Light.</p> + +<p>"Oh, no! I want to go to a dance, right away. Whoa!"</p> + +<p>They drew rein. Williams, dismounting, was bending over his companion +Overland, who had suddenly slipped from the saddle.</p> + +<p>"Where's he punctured?" queried Bud Light.</p> + +<p>Williams examined the prostrate man. "Kind of low down, and in the side. +'T ain't bad, but it's bad enough. Got any whiskey?"</p> + +<p>"You bet! I got a pocket-gun here. Swiped it in the saloon." And Pars +Long handed a flask to Williams.</p> + +<p>The riders, standing round the fallen man, watched Williams as he bound +up the wound, which was bleeding slowly. The whiskey partially revived +Overland. He managed finally to cling to the saddle, supported by +Williams.</p> + +<p>"She's thirty hot miles to camp. Red won't last out," said Long.</p> + +<p>"I say he does," said Bud Light. "Did you see them puckers in his hide? +I counted seven. He ain't made to be stopped by a gun."</p> + +<p>"Mebby he ain't stopped, but he's slowed up considerable. Did you see +the two guys he got?<span class='pagenum'><a name="Page_302" id="Page_302">302</a></span> Saunders was pretty nigh cut in two and the other +one by the bar had four holes in him. I counted 'em, to quit thinkin' of +my arm. Them automatics is fierce!"</p> + +<p>"He would never 'a' got out if he'd been packin' a regular old six-gun," +said Bud Light. "<i>Both</i> them guys were throwin' lead at him."</p> + +<p>"How do you know? You wasn't there."</p> + +<p>"Easy. He went in to get Saunders. He gets him. The other one takes a +hand. He got <i>him</i>. <i>We</i> didn't do any shootin' inside."</p> + +<p>"Guess that's right. But how about the barkeep?"</p> + +<p>"Oh, he just got in the way. He was drilled between the lamps. In a mix +like that who's goin' to take time to draw fine?"</p> + +<p>"Did you see Brand lift the Gophertown guy out of his saddle—the one +that was shootin' at Red in front of the joint? Brand threw a forty-five +into him, and comin' on the jump, too. The Gopher humped up like he'd +been horned by the Santa Fé Limited. Now what's the dope?"</p> + +<p>Overland Red had again fallen from his horse. Williams beckoned to Long. +"Take the Yuma colt, Pars, and fan it for the cañon. Send the doc back, +and you stay with that young Winthrop and look after Collie. Your hoss +is quieter for Red, anyway. Tell the doc to bring his tools<span class='pagenum'><a name="Page_303" id="Page_303">303</a></span> along. I +reckon we'll camp over there near the hills till to-morrow."</p> + +<p>"Who was it got me?" questioned Overland as he was revived a second +time.</p> + +<p>"I don't know," replied Williams. "The only distinguishin' brand on him +was one I put there. It ain't worryin' him now."</p> + +<p>"Like old times," said Overland, trying to smile.</p> + +<p>"Like old times," echoed Williams.</p> + +<p>"I guess it was Parks," murmured Overland. "He had plenty of chance. I +wasn't after him."</p> + +<hr style='width: 45%;' /> + +<p>Slowly the group of horsemen rode across the desert. The afternoon sun +made queer shadows of them and their mounts. Billy Dime rode bent +forward. His face was white and beaded with sweat. Overland, on Long's +pony, was supported by Miguel and Brand Williams. Pars Long had +disappeared in the shadows of the range.</p> + +<p>Billy Dime's eyes grew strangely bright. He laughed, gazing at the +foreman's back. "The whole damn fuss was wrong, <i>wrong</i>, I tell you! We +had no <i>business</i> shootin' up that town."</p> + +<p>"But it was considerable pleasure," said Bud Light. "You're off your +bean, Billy. I guess you forget what they did to Collie."</p> + +<p>Billy Dime leered. The fever from his wound<span class='pagenum'><a name="Page_304" id="Page_304">304</a></span> was working through his +blood. "Don't pertend to me, Bud Light, that you come on this little +pasear on account of <i>Collie</i>. It was <i>her</i> eyes that said to go. You +know that. She never said words, but her <i>eyes</i> said to go—and to kill! +Do you get that? That's what a woman can do to a man, without sayin' a +word. And what did Collie ever do for me? Look at that arm. <i>Look</i> at +it! What did Collie ever do for me to get shot up this way?" And Billy +Dime began to weep. "I killed two of 'em—two of 'em. I saw 'em drop. I +was drawin' fine—<i>fine</i>, I tell you, and I couldn't miss."</p> + +<p>Bud Light rode forward to Williams. "Billy's gone off his crust. He's +ravin' back there, Brand."</p> + +<p>Williams drew Long's flask from his saddle-pocket. "Give him a shot of +this. Take some yourself. Miguel and I don't need any. Hold on—I'll +give Red a shot first. When it gets to workin', you yip and ride for the +hills. We'll all ride—<i>ride</i>, you understand? It'll be a dry camp, and +a hard flash, but we'll make it."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXX" id="CHAPTER_XXX"></a> +<span class='pagenum'><a name="Page_305" id="Page_305">305</a></span> +<h2>CHAPTER XXX</h2><h3>TWO ROSES</h3> +</div> + +<p>One morning, some three weeks after the invasion of Gophertown, Bud +Light, Billy Dime, and Brand Williams appeared at the Moonstone Ranch +office.</p> + +<p>Quite casually they had dismounted, and jingling up had asked for Walter +Stone. Upon his appearance the younger men applied individually for +their old places. The room smelled of cigarette smoke and antiseptics. +Quite as though nothing unusual had happened the rancher reinstated +them.</p> + +<p>"Have a good time, boys?" he asked.</p> + +<p>"Yes, sir. Very good time. Better than we expected," replied Billy Dime. +Bud Light nodded.</p> + +<p>Stone looked hard at Billy Dime's bandaged arm. "Miguel and Parson Long +have a good time also?"</p> + +<p>"Stayed to help Overland Red work the claim. Overland Red got hurt a +little, doin' somethin'. He's all right now."</p> + +<p>"None of the Moonstone boys were injured?"</p> + +<p>"Nope. Not a one of us," replied Dime blandly.<span class='pagenum'><a name="Page_306" id="Page_306">306</a></span></p> + +<p>Walter Stone's eyes twinkled, but he did not smile. "We will call it a +vacation this time, with pay. Tell Williams to step in here, please." +And the rancher dismissed his embarrassed and happy punchers with a +gesture.</p> + +<p>The interview with Williams was not so brief. "The boys came out of it +all right?" asked Stone, shaking hands with his old foreman.</p> + +<p>"Yes, sir."</p> + +<p>"How did you manage that?"</p> + +<p>"Didn't. They did."</p> + +<p>"Any one—er—of the other side have an accident?"</p> + +<p>"Saunders—and six gents got hurt pretty bad."</p> + +<p>"Whew! Our boys were lucky."</p> + +<p>"It was nothin' but luck that they ain't all back there now—on the +sand. You see, the Gophertown outfit are all what you'd call good with a +gun, but it was kind of a surprise, the spreadin' of the thing from +Red's little private deal to a six-hand game. We sure was lucky."</p> + +<p>"And Collie?"</p> + +<p>Williams shook his head. "I don't know. We thought he had crossed over. +Seems he took a new holt. The doc and Winthrop brung him to Los in the +automobile. He's at the hospital. But they say he don't pick up any +since he come there."<span class='pagenum'><a name="Page_307" id="Page_307">307</a></span></p> + +<p>"All right, Brand. I think that is all."</p> + +<p>"How about my name goin' back on the books?" asked Williams.</p> + +<p>"It hasn't been off the books. You know, Louise attends to the +time-sheet."</p> + +<p>Williams nodded. "I expect Miguel and Parson Long will be sniffin' +around lookin' for a job before long. They agreed to stay with Red till +he got on his feet again. But they told him they would go just as soon +as he was all right, for you couldn't run your ranch without 'em."</p> + +<p>Walter Stone smiled broadly. "You're foreman, Brand."</p> + +<p>"They was fightin' just as much for the name of the old Moonstone as for +Collie, or for fun," said Williams.</p> + +<p>"I know it. But I don't believe in such methods. That sort of thing is +about done with," said Stone.</p> + +<p>"I was readin' about the old days in the Panamint, not long ago," said +Williams, gazing at a corner of the office. "I—they was a list of names +of the ranchers that cleaned up the rustlers over there, back in '86. It +was interestin'—some of them names."</p> + +<p>Walter Stone coughed and turned in his chair. He gazed out of the +window. Finally he faced Williams again. "We had to do it," he said, +smiling.<span class='pagenum'><a name="Page_308" id="Page_308">308</a></span></p> + +<p>Williams nodded. They understood each other.</p> + +<hr style='width: 45%;' /> + +<p>The Marshalls, delighted with Los Angeles, had taken apartments in the +city. Dr. Marshall, at the urgent request of Walter Stone, had called at +the hospital to see Collie. The wound had healed slowly. Collie gained +no strength. He seemed indifferent as to whether he recovered or not. +Dr. Marshall, consulting with the surgeon, agreed that the young man's +recovery was still doubtful. His vitality was extremely low. His usual +optimism had stagnated.</p> + +<p>Later, when Walter Stone, Mrs. Stone, and Louise visited the hospital, +Collie had smiled wanly and said but little, thanking them for their +visit with a word.</p> + +<p>Louise returned home, heartsick and haunted by Collie's eyes that had +seemed so listless, so indifferent, so weary. She had hoped to cheer +him. His indifference affected her more than his actual physical +condition, which seemed to be the cause of it. Louise recognized in +herself a species of selfishness in feeling as she did. Like most folk +of superabundant health she was unable to realize the possibilities of +sickness. She longed for his companionship. She had not dared to ask +herself whether or not she loved him. She was glad that he should love +her—and yet she<span class='pagenum'><a name="Page_309" id="Page_309">309</a></span> was not altogether happy. She had sent him her token, +the little gray riding-gauntlet. He had in no way acknowledged it.</p> + +<p>The sentiment incident to Collie's almost fatal misfortune did not blind +her in the least. She told herself frankly that she missed him. At the +ranch he had been with her much. From her he had gleaned of books and +people. The actual advantage to him was not in the quantity of knowledge +he had gained, but in the quality and direction suggested by her +attitude toward all things. The advantage to her in his companionship +had been the joy of giving, of shaping his thought, of seeing him slowly +and unconsciously differentiate himself—stand apart from his fellows as +something she had helped to create. This much of him she possessed +through conscious effort.</p> + +<p>Then to have seen him in the hospital, helpless, seemingly beyond any +noticeable influence of her presence, stirred in her a kind of maternal +jealousy. Straightway she visited Anne Marshall, who kissed her, held +her at arms' length, saw the soft rose glow in her face, and spoke to +the point, albeit in parables. Dr. Marshall had been very poor—a doctor +in the slums—just before <i>they</i> were married. People had <i>said</i> things +and had <i>looked</i> things, which was even worse. They subtly intimated +that the doctor was marrying her<span class='pagenum'><a name="Page_310" id="Page_310">310</a></span> for her money. She was the happiest +woman in the world. She thought Collie was the manliest and most +striking figure she had ever seen.</p> + +<p>To all of which Louise listened quietly, blushing a little. "And he is +wealthy," concluded Anne. "For so young a man, he is wealthy. The Rose +Girl Mining Company, Incorporated, my dear, pays well. Collie is one of +the three largest stockholders. You see, Billy and Overland Red have +decided to turn the claim into a corporation."</p> + +<p>"Don't you contradict your—your theory a little, Anne?" asked Louise.</p> + +<p>"No, indeed! It doesn't matter in the least who has the money, so long +as the man is the right one."</p> + +<p>And Louise was silent, and a bit happier.</p> + +<p>The little parcel that came to the hospital, directed to Collie, was +from Overland. It was accompanied by a vividly worded note and a small, +stained, and wrinkled glove, at once familiar.</p> + +<p>Overland's note explained the delay in forwarding the glove. "It's some +mussed up," he wrote, "because I had it in my shirt when I was hit. I +was some mussed up likewise, or I would not 'a' forgot it so long. The +little Rose Girl sent it to you by Brand when she thinks you was going +to cross over on the last sunset limited.<span class='pagenum'><a name="Page_311" id="Page_311">311</a></span> And I am feeling Fine, +thanks. Do not rite to me if it gives you cramps.—Youres verry +fathefuly, Jack."</p> + +<p>Collie turned the gauntlet over in his trembling fingers. His eyes +glowed. He called the nurse, telling her he was hungry.</p> + +<p>Anne Marshall's visits were always refreshing. Well-gowned, cool, +fragrant, she came, next afternoon, to Collie's bedside.</p> + +<p>"You <i>must</i> get well," she said, smiling. "The doctor will be terribly +disappointed if you don't. Isn't that coldly encouraging? What a thing +to say!"</p> + +<p>"I don't want to disappoint anybody," said Collie.</p> + +<p>"Well, you will if you don't get better right away, sir! I wish I could +do something to help. I can only sympathize and encourage the doctor."</p> + +<p>"I know he's doing a whole lot for me. I think mebby you could help—a +little—if you wanted to."</p> + +<p>"Gracious! As though I didn't! Why didn't you tell me sooner?"</p> + +<p>"It only came yesterday," said Collie, tremulously drawing the gauntlet +from beneath his pillow.</p> + +<p>Anne Marshall gazed at the soiled and wrinkled glove with unenlightened +eyes. Then her quick smile flashed. "Oh! Now I know! So that<span class='pagenum'><a name="Page_312" id="Page_312">312</a></span> is the +talisman? Came yesterday? No wonder you seem brighter."</p> + +<p>Collie's answering smile was irresistible. "It isn't just the glove—but +would you—I mean, if you was like me—without being educated or +anything—" He hesitated, breathing deeply.</p> + +<p>But Anne Marshall understood him instantly, and answered his shyly +questioning eyes.</p> + +<p>"Indeed, I should. If I had half your chance, I shouldn't waste a minute +in claiming the mate to that glove. One glove is of absolutely no use, +you know."</p> + +<p>"This one was—pretty much," sighed Collie. "I was feeling like letting +go inside and not trying to—to stay any longer, just before it came."</p> + +<p>"S-s-s-h! Don't even think of that. Some one called on me a few days +ago. You are a very fortunate young man."</p> + +<p>Anne Marshall's ambiguity was not altogether displeasing to Collie, in +that it was not altogether unintelligible.</p> + +<hr style='width: 45%;' /> + +<p>William Stanley Winthrop, sojourning briefly but fashionably in Los +Angeles, appeared at the hospital in immaculate outing flannels. It was +several weeks after his sister's last visit there. Winthrop took the +convalescent Collie to the Moonstone Rancho in his car.</p> + +<p>Bud Light and Billy Dime accidentally met<span class='pagenum'><a name="Page_313" id="Page_313">313</a></span> the car in the valley and +accompanied it vigorously through Moonstone Cañon.</p> + +<p>Aunt Eleanor and Walter Stone were at the gate. Collie was helped to the +house and immediately taken to the guest-room. He was much fatigued with +the journey. The question in his eyes was answered by Aunt Eleanor. +"Louise rode over to the north range to-day. She should be back now."</p> + +<p>Winthrop scarce needed an introduction. He was Anne Marshall's brother. +That was sufficient for the host and hostess. He was made welcome—as he +was wherever he went. He had heard a great deal, from his sister, of the +Stones, and their beautiful niece, Louise Lacharme. He was enthusiastic +about the Moonstone Cañon. He grew even more enthusiastic after meeting +Louise.</p> + +<p>She came riding her black pony Boyar down the afternoon hillside—a +picture that he never forgot. Her gray sombrero hung on the saddle-horn. +Her gloves were tucked in her belt. She had loosened the neck of her +blouse and rolled back her sleeves, at the spring above, to bathe her +face and arms in the chill overflow. Her hair shone with a soft golden +radiance that was ethereal in the flicker of afternoon sunlight through +the live-oaks. From her golden head to the tip of her small riding-boot +she was a harmony of vigor<span class='pagenum'><a name="Page_314" id="Page_314">314</a></span> and grace, of exquisite coloring and +infinite charm.</p> + +<p>Her naturalness of manner, her direct simplicity, was almost, if not +quite, her greatest attraction, and a quality which Winthrop fully +appreciated.</p> + +<p>"I have been quite curious about you, Mr. Winthrop," she said. "You are +quite like Anne. I adore Anne. Shall we turn Boyar into the corral?"</p> + +<p>If William Stanley Winthrop had had any idea of making an impression, he +forgot it. The impression Louise was unconsciously making straightway +absorbed his attention.</p> + +<p>"Yes, indeed! Turn him into the corral—turn him into <i>anything</i>, Miss +Lacharme. You have the magic. Make another admirer of him."</p> + +<p>"Thank you, Mr. Winthrop. But Boyar could hardly be improved."</p> + +<p>"You trained him, didn't you?" queried Winthrop.</p> + +<p>Louise laughed. "Yes. But he was well-bred to begin with."</p> + +<p>Winthrop ejaculated a mental "Ouch!" Simplicity did not necessarily mean +stupidity.</p> + +<p>"Do you enjoy mining—the real work—out there in the desert, Mr. +Winthrop?"</p> + +<p>"I could enjoy anything in company with Overland."<span class='pagenum'><a name="Page_315" id="Page_315">315</a></span></p> + +<p>"Of course. Do you think people who have lots of money are apt to be +cynical?" she asked.</p> + +<p>"Not more so than people without money. But what splendid animals!" he +exclaimed as they approached the corral.</p> + +<p>"Uncle Walter and I are very fond of them," she said, turning Boyar into +the inclosure.</p> + +<p>"Do you know, Miss Lacharme, I like horses and dogs and cats, and I just +revel in burros. But animals don't seem to like me. They're rather +indifferent to me. I wonder if it is a matter of health, or magnetism, +or something of that sort?"</p> + +<p>"Oh, no! But it is difficult to explain. Even if you are very fond of +animals it doesn't follow that they will like you. That seems rather +cold, doesn't it? It's almost unfair."</p> + +<p>"Yes, if one considers it seriously."</p> + +<p>"Don't you?"</p> + +<p>Winthrop gazed at her for a second before replying. "I see I must tell +you the truth," he said lightly. "You compel it. It <i>does</i> hurt me to +have anything or any one that I care for indifferent to me. Perhaps it's +because I realize that I am giving affection and selfishly want 'value +returned,' so to speak. Pardon me for becoming serious."</p> + +<p>"Surely! But I thank you, too. See Boyar roll! He's happy. No, he +doesn't roll because<span class='pagenum'><a name="Page_316" id="Page_316">316</a></span> his back itches. You see, he's sweaty where the +saddle covered him. Before he rolled, you noticed that he deliberately +found a dusty spot. The dust dries the sweat and he doesn't take cold. +That's the real explanation."</p> + +<p>"I knew it couldn't be through happiness at leaving you," said Winthrop.</p> + +<p>"If you are determined to keep it up," said Louise mischievously, "all +right. But be careful, sir! I enjoy it. It's been dull—dreadfully dull +since Anne and the doctor left. May I have your knife?"</p> + +<p>A belated crimson Colombe rose nodded beneath the guest-room window. +Louise cut the stem and pinned the flower in the lapel of Winthrop's +white flannel coat. He gazed at her intent on her task.</p> + +<p>"There!" she said, with a light touch of her supple fingers. "That will +do." And slowly her gray eyes lifted to his.</p> + +<p>The color flooded to his face. His eyes became momentarily brilliant. He +drew a deep breath. "You told me to be careful. I shall be," he said, +bowing slightly. "Please say something. Your silent attack was a little +too—too successful."</p> + +<p>"Truce?" she queried, laughing.</p> + +<p>"Never!" replied Winthrop. "Even as our rather mutual and distinctly +illustrious friend<span class='pagenum'><a name="Page_317" id="Page_317">317</a></span> Overland says, 'Not till me wires are all down and +me lights are out.'"</p> + +<p>Collie, standing at the open French window just above them, drew back. +Quite naturally, being a young man in love, he misinterpreted all that +he had seen and heard. Louise had been away the day he was expected to +return to the ranch. She had come back. She was seemingly satisfied with +Winthrop's society. She was even more than satisfied; she was flirting +with him. An unreasonable, bucolic jealousy, partly due to his +condition, overcame Collie's usual serenity. His invalidism magnified +the whole affair to absurd proportions.</p> + +<p>Perhaps it was the intensity of his gaze that caused Louise to glance +up. His expression startled her. His eyes were burning. His face was +unnaturally white. He met her glance, but gave no sign of recognition—a +rudeness that he regretted even while he manifested it.</p> + +<p>Louise turned away proudly, calling Winthrop's attention to a huge +garden-seat beneath the live-oaks. "We have dinner out there quite +often," she said, her eyes glowing. "Would you care to rest a while +after your ride?"</p> + +<p>"'A jug of wine—a loaf of bread—'" he quoted.</p> + +<p>"But it isn't a wilderness. And dinner won't be ready for an hour yet. +Don't you think a<span class='pagenum'><a name="Page_318" id="Page_318">318</a></span> wilderness would have been utterly stupid with his +'thou' beside him singing everlastingly? Now please don't say, 'It would +depend on the <i>thou</i>.'"</p> + +<p>"Do you sing, Miss Lacharme?"</p> + +<p>"A little."</p> + +<p>"Please, then,—a little. Then I'll answer your question."</p> + +<p>"I had rather not, just now."</p> + +<p>"My answer would be the same in either case. This is living, after the +desert and its loneliness. I discovered one thing out there, +however,—myself. It was a surprise. My 'way-back ancestors must have +been pirates."</p> + +<p>"Mine—grew roses—in southern France."</p> + +<p>"I am glad they eventually came to America," he said.</p> + +<p>"Are you so fond of candy, Mr. Winthrop?"</p> + +<p>"No."</p> + +<p>"Neither am I."</p> + +<p>"I'm glad they came, just the same. I simply can't help it."</p> + +<p>"Overland—Mr. Summers—doesn't take life very seriously, does he?" +asked Louise.</p> + +<p>"Not as seriously as life has taken him, at odd times."</p> + +<p>"You brought Collie in your car, didn't you?"</p> + +<p>"Yes."</p> + +<p>"He's much better?"<span class='pagenum'><a name="Page_319" id="Page_319">319</a></span></p> + +<p>"Yes. But he's pretty shaky yet. He's a little queer, in fact. As we +came up the cañon he asked me to stop the car by the cliff, near this +end,—that place where the sunlight comes through a kind of notch in the +west. I thought he was tired of the motion of the car, so we stopped and +he lay back looking at the cliff. Pretty soon the sun shot a long ray +past us and it fairly splattered gold on the cañon wall. Then the shaft +of sunlight went out. 'It will shine again,' he said, as if I didn't +know that. Collie's a pretty sick man."</p> + +<p>Later Winthrop and Louise joined the others at the veranda. Louise +excused herself. She searched a long time before she found another rose. +This time it was a Colombe bud, full, red, and beautiful. She stepped to +Collie's window. "Boy!" she called softly.</p> + +<p>White and trembling, he stood in the long window looking down at her. +"I'm glad you are home again," she said.</p> + +<p>He nodded, and glanced away.</p> + +<p>"Boy!" she called again. "Catch." And she tossed the rose. He caught it +and pressed it to his lips.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXXI" id="CHAPTER_XXXI"></a> +<span class='pagenum'><a name="Page_320" id="Page_320">320</a></span> +<h2>CHAPTER XXXI</h2><h3>NIGHT</h3> +</div> + +<p>Evening, placidly content with the warm silence, departed lingeringly. +Belated insects still buzzed in the wayside foliage. A bee, overtaken in +his busy pilfering by the obliterating dusk, hung on a nodding mountain +flower, unfearful above the cañon's emptiness. An occasional bird +ventured a boldly questioning note that lingered unfinished in the +silence of indecision. Across the road hopped a young rabbit, a little +rounded shadow that melted into the blur of the sage. A cold white fire, +spreading behind the purple-edged ranges, enriched their somber panoply +with illusive enchantments, ever changing as the dim effulgence drifted +from peak to peak. Shadows grew luminous and were gone. In their stead +wooded valleys and wide cañons unfolded to the magic of the moon. There +was no world but night and imagination.</p> + +<p>With many rustlings the quail huddled in the live-oaks, complaining +querulously until the darkness silenced them.</p> + +<p>The warm, acrid fragrance of the hills was drawn intermittently across +the cooler level of<span class='pagenum'><a name="Page_321" id="Page_321">321</a></span> the shadowy road. A little owl, softly reiterating +his cadences of rue, made loneliness as a thing tangible, a thing +groping in the dusk with velvet hands.</p> + +<p>Then came that hush of rest, that pause of preparation, as though night +hesitated to awaken her countless myrmidons. With the lisping of +invisible leaves the Great Master's music-book unfolded. That low, +orchestral "F"—the dominant note of all nature's melodies—sounded in +timorous unison—an experimental murmuring. Repeated in higher octaves, +it swelled to shrill confidence, then a hundred, then myriad invisibles +chanted to their beloved night or gossiped of the mystery of stars.</p> + +<p>Then Night crept from the deep, cool cañons to the starlit peaks and +knelt with her sister hill-folk, Silence and Solitude; knelt, listening +with bowed head to that ancient antiphony of thankfulness and praise; +then rose and faced the western sea.</p> + +<p>Boyar, the black pony, shook his head with a silvery jingling of +rein-chains. His sleek flanks glistened in the moonlight. Louise curbed +him gently with hand and voice as he stepped through the wide gateway of +the ranch.</p> + +<p>He paced lightly across the first shallow ford. Then the narrowing walls +of the cañon echoed his clean-cut steps—a patter of phantom hoof-beats<span class='pagenum'><a name="Page_322" id="Page_322">322</a></span> +following him, stride for stride. Down the long, ever-winding road they +swung.</p> + +<p>Louise, impelled to dreams by the languorous warm night and Boyar's easy +stride up the steep, touched his neck with the rein and turned him into +the Old Meadow Trail.</p> + +<p>The tall, slender stems of the yucca and infrequent clumps of dwarfed +cacti cast clear-edged shadows on the bare, moonlit ground. Boyar, +sniffing, suddenly swung up and pivoted, his fore feet hanging over +sheer black emptiness. Louise leaned forward, reining him round. Even +before his fore feet touched the trail again, she heard the sibilant +<i>bur-r-ing</i> of the cold, uncoiling thing as it slid down the blind +shadows of the hillside.</p> + +<p>"I shan't believe in omens," she murmured.</p> + +<p>She reassured the trembling Boyar, who fretted sideways and snorted as +he passed the spot where the snake had been coiled in the trail.</p> + +<p>At the edge of the Old Meadow the girl dismounted, allowing Boyar to +graze at will.</p> + +<p>She climbed to the low rounded rock, her erstwhile throne of dreams, +where she sat with knees gathered to her in her clasped hands. The pony +paused in his grazing to lift his head and look at her with gently +wondering eyes.</p> + +<p>The utter solitude of the place, far above the viewless valley, allowed +her thought a horizon<span class='pagenum'><a name="Page_323" id="Page_323">323</a></span> impossible at the Moonstone Rancho. Alone she +faced the grave question of making an unalterable choice. Collie had +asked her to marry him. She had evaded direct reply to his direct +question. She knew of no good reason why she should marry him. She knew +of no better reason why she should not. She thought she was content with +being loved. She was, for the moment.</p> + +<p>The Old Meadow, that had once before revealed a sprightly and ragged +romance, slumbered in the southern night; slumbered to awaken to the +hushed tread of men and strange whisperings.</p> + +<p>Down in the valley the coyotes called dismally, with that infinite +shrill sadness of wild things that hunger, and in their wailing pulsed +the eternal and unanswerable "Why?" challenging the peaceful stars. +Something in their questioning cry impelled Louise to lift her hands to +the night. "What is it? What is it up there—behind everything—that +never, never answers?"</p> + +<p>The moon was lost somewhere behind the ragged peaks. The night grew +deeper. The Old Meadow, shadowed by the range above it, grew dark, +impenetrable, a place without boundary or breadth or depth.</p> + +<p>"Got a match, kid?"</p> + +<p>Louise raised her head. Some one was afoot on the Old Meadow Trail. She +could hear the whisper<span class='pagenum'><a name="Page_324" id="Page_324">324</a></span> of dried grasses against the boots of the men as +another voice replied, "Sure! Here you are." And Louise knew that Collie +was one of the men.</p> + +<p>About to call, she hesitated, strangely curious as to who the other man +might be, and why Collie and he should foregather in the Old Meadow, at +night.</p> + +<p>"Never mind," mumbled the first speaker; "I thought I wanted to smoke, +but I don't. I want to talk first—about the Rose Girl."</p> + +<p>Louise tried to call out, but she was interrupted by Overland's voice. +The two men had stopped at the lower side of the great rock. She could +hear them plainly, although she could not see them.</p> + +<p>"Collie—we're busted. We're done, Chico. I ain't said nothin' to Billy +yet. He's got money, anyway. This here only hits you and me."</p> + +<p>"What do you mean, Red?"</p> + +<p>"I mean that the Rose Girl Mining Company, Incorporated, Jack Summers, +President and General Manager, don't belong to us and never did. We been +sellin' stock that ain't ours and never was."</p> + +<p>"How's that?"</p> + +<p>"I was goin' to write. But I ain't no hand to write about business. +Writin' po'try is bad enough. You recollec' them papers and that dust +Billy tried to find, out there by the track?"<span class='pagenum'><a name="Page_325" id="Page_325">325</a></span></p> + +<p>"Yes."</p> + +<p>"Well, I found it all. Since the company is workin' the claim now and I +didn't have so much to do, I got to thinkin' of them papers. I went out +there, paced her off down the track, guessed at about where it was, and +found 'em."</p> + +<p>"Found them?"</p> + +<p>"Yes, sir. There was that little bag almost atop of the sand, account of +wind and rain. Then there was a record of the claim, our claim. It's +been filed on before. We made a mistake and filed on the wrong section. +When me and Billy went to file, I noticed the clerk said something about +havin' neighbors on the claim next, but I was scared of answerin' too +many questions, so I give him some cigars and beat it."</p> + +<p>"Who owns our claim, then?"</p> + +<p>"That's the queer part of it. You know the guy we give the water to—the +one that died out there. <i>He</i> owns the claim, or he did. It belongs by +rights to his girl now. His name was André Lacharme."</p> + +<p>"Lacharme!"</p> + +<p>"Yes, Louise's pa. Recollect your boss tellin' us as how the Rose Girl's +daddy was missin' out in the Mojave? Then they was a letter—old and +'most wore out—from Walter Stone himself. It was to him—her +pa—tellin' him about the little Louise baby and askin' him to come to<span class='pagenum'><a name="Page_326" id="Page_326">326</a></span> +the Moonstone and take a job and quit prospectin'. That's where we +stand."</p> + +<p>Louise, breathless, listened and could not believe that she was real, +that this was not a dream. André Lacharme! Her father!</p> + +<p>"I seen a lawyer about it," resumed Overland. "He said it was plain +enough that the claim belonged to the dead prospector or his girl, now. +You see, we worked the claim and kep' up the work accordin' to law. What +we made ain't ours, but I'm mighty glad it's hers. 'Course, we earned +what dust we dug, all right. Now I'm leavin' it up to you. Do we tell +her or do we say nothin', and go on gettin' rich?"</p> + +<p>"Why do you put it up to me?" asked Collie.</p> + +<p>"Because, kid, you got the most to lose. Your chance is about gone with +the Rose Girl if you let go the gold. Sabe? The little Rose Girl is +wise. She don't give two cents for money—but she ain't foolish enough +to marry a puncher that's workin' for wages on her uncle's ranch. And +when she gets all me and Billy made and your share, she'll be rich. That +won't be no time for you to go courtin' <i>her</i>. It ain't that you ain't +good enough for any girl. But now'days things is different. You got to +have money."</p> + +<p>"Do you think Louise would take the money?" asked Collie.<span class='pagenum'><a name="Page_327" id="Page_327">327</a></span></p> + +<p>"I don't know. But that ain't it. We either give it up—or we don't. +What do you say?"</p> + +<p>"Why—to tell Louise, of course. I meant that right along. You ought to +know that."</p> + +<p>"You givin' it up because you had some fuss with her, or anything like +that?"</p> + +<p>"No, Red. I say tell her, because it's square. Did she stop to ask +questions when I was in trouble? No. She went to work to help me, quick. +I guess we care more for her than a whole carload of gold."</p> + +<p>"Well, I guess. Once I wouldn't 'a' stopped to worry about whose gold it +was. But knowin' the Rose Girl,—knowin' what she <i>is</i>,—why, it's +makin' me soft in me morals."</p> + +<p>"What do we do now, Red?"</p> + +<p>"I'm goin' to beat it. Back to the dusty for mine."</p> + +<p>"You don't have to do that, Red."</p> + +<p>"That's just why I'm a-doin' it. I like to do what I like."</p> + +<p>"Quitting now seems like saying, 'I'm whipped,'" said Collie. "Quitting +after giving up our money to her looks like we were sore—even if we do +it and smile. She would feel bad, Red. She'd think she drove us off."</p> + +<p>"No, I reckon not. She'll see that I always been a good daddy to you and +put you right in this case. It was all right when you had a chance.<span class='pagenum'><a name="Page_328" id="Page_328">328</a></span> It +ain't now. It ain't fair to her, neither, because she's like to stick to +any promises she might 'a' made you."</p> + +<p>"Why don't you ask Stone for a job?" said Collie.</p> + +<p>"What? Me? After bein' President of the Rose Girl Mining Company, +in—Say! They's no halfway house for me. It's all or nothin'. Why, I +don't even own the Guzzuh. Could you stand it to see her every day, and +you just a puncher workin' for the Moonstone. She would smile and treat +you <i>fine</i>, and you'd be eatin' your own heart out for her."</p> + +<p>"No, I couldn't," said Collie slowly. "Red, I guess you're right."</p> + +<p>Collie's perspective was distorted through sudden disappointment. The +old life of the road ... the vague to-morrows of indolence ... the +sprightly companionship of Overland Red, inventive, eloquent....</p> + +<p>"Red, if I come with you, it's because I can't stand seeing her—after +everything that has happened. It is square to her, too, I guess."</p> + +<p>"I ain't askin' you, Collie, but there's nothin' like ramblin' to make +you forget. It's got hard work beat to a mush, because when you're +ramblin' you're 'most always hungry. Listen! Love is when you ain't +satisfied. So is a empty stomach. A fella's got to eat. Do you get +that?"<span class='pagenum'><a name="Page_329" id="Page_329">329</a></span></p> + +<p>"Yes. But, Red, you said you loved a woman once. You didn't forget."</p> + +<p>"No, kid. I didn't. Once I didn't do nothin' else but remember. I got +over that. It's only accidental to circumstances pertainin' to the fact +that I remember now. You never seen <i>me</i> cry in my soup, did you?"</p> + +<p>"But you're different."</p> + +<p>"That's the blat every yearlin' makes till he grows up and finds out +he's a cow jest like his ma. I ain't different inside. And bleedin' +inside is dangerouser than bleedin' outside. Listen! Remember the little +fire beside the track, when we was 'way up in the big hills? Remember +the curve, like a snake unwindin' where she run round the hill, and +nothin' beyond but space and the sun drippin' red in the ocean? Remember +the chicken we swiped and et that night? And then the smokes and lookin' +up at the stars? Remember that? Listen!</p> + +<p> +<span style="margin-left: 1em;">"It's beat it, bo, while your feet are mates,</span><br /> +<span style="margin-left: 1em;">And we'll see the whole United States.</span><br /> +<span style="margin-left: 1em;">With a smoke and a pal and a fire at night,</span><br /> +<span style="margin-left: 1em;">And up again in the mornin' bright,</span><br /> +<span style="margin-left: 1em;">With nothin' but road and sky in sight</span><br /> +<span style="margin-left: 2.5em;">And nothin' to do but go.</span><br /> +<br /> +<span style="margin-left: 1em;">"Then, beat it, bo, while the walkin' 's good;</span><br /> +<span style="margin-left: 1em;">And the birds on the wires is sawin' wood.</span><br /> +<span class='pagenum'><a name="Page_330" id="Page_330">330</a></span><span style="margin-left: 1em;">If to-day ain't the finest for you and me,</span><br /> +<span style="margin-left: 1em;">There's always to-morrow, that's goin' to be.</span><br /> +<span style="margin-left: 1em;">And the day after that is a-comin'. See!</span><br /> +<span style="margin-left: 2.5em;">And nothin' to do but go.</span><br /> +<br /> +<span style="margin-left: 1em;">"I'm the ramblin' son with the nervous feet,</span><br /> +<span style="margin-left: 1em;">That never was made for a steady beat.</span><br /> +<span style="margin-left: 1em;">I had many a job for a little spell;</span><br /> +<span style="margin-left: 1em;">I been on the bum, and I've hit it swell.</span><br /> +<span style="margin-left: 1em;">But there's only one road to Fare-ye-well,</span><br /> +<span style="margin-left: 2.5em;">And nothin' to do but go."</span><br /> +</p> + +<p>"With nothing to do but go," whispered Collie. "Red, we've always been +friends?"</p> + +<p>"You bet your return ticket!"</p> + +<p>"And we are always going to be," said Collie. "I guess that settles it. +I—I wish Saunders—had—finished me."</p> + +<p>Louise, numb from sitting still so long, moved slightly.</p> + +<p>"What's that?" exclaimed Collie.</p> + +<p>"Jest some of your little old ideas changin' cars," replied Overland. +"You'll get used to it."</p> + +<p>"No; I heard something."</p> + +<p>"You'll be seein' things next. Got a match? I'm jest dyin' for a smoke. +Remember when she give us the makin's and you got hot at me?"</p> + +<p>Overland cupped the flame in his hands and lighted his cigarette. The +soft glow of the match spread in the windless air, penetrating the +darkness. For an instant, a breath, Overland saw a<span class='pagenum'><a name="Page_331" id="Page_331">331</a></span> startled face gazing +down at him; the white face of the Rose Girl!</p> + +<p>"Great Snakes!" he cried, stepping back as the flame expired.</p> + +<p>"What's the matter, Red?"</p> + +<p>"Nothin'. I was just thinkin'. I burned my mitt. Come on, Collie. +Brand'll find a bunk for me to-night, I reckon. We'll tell the boss and +the Rose Girl all about it to-morrow."</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXXII" id="CHAPTER_XXXII"></a> +<span class='pagenum'><a name="Page_332" id="Page_332">332</a></span> +<h2>CHAPTER XXXII</h2><h3>MORNING</h3> +</div> + +<p>"Something's goin' to happen," stated Brand Williams.</p> + +<p>"How's that?" queried Bud Light.</p> + +<p>"See them two bosses—the Yuma colt and Boyar—?"</p> + +<p>"Uhuh."</p> + +<p>"Well, Boyar's been standin' there since daylight, saddled. Nobody rides +him but Miss Louise."</p> + +<p>"It's mighty early, but I don't see nothin' strange about the rest of +it."</p> + +<p>"Wait a minute, Bud. Did you see Collie this mornin'? Was he all fixed +up with his hair jest <i>so</i>, and his bandanna jest <i>so</i>, and his new +sombrero and his silver spurs, and them new chaps, lookin' mighty +important? He saddles Yuma and ties her over there. While he was eatin', +the Boyar hoss trails his bridle over to where Yuma is tied. There they +stand visitin' like two old soldiers on crutches instead of two mighty +quick-actin' cayuses. Now that Yuma hoss has kicked the fancy linin' out +of every cayuse that dast come nigh her. They 're <i>all</i> scared of her. +She's<span class='pagenum'><a name="Page_333" id="Page_333">333</a></span> makin' an exception this mornin'. She's plumb friendly with +Boyar. That signifies! Hosses can see farther in the dark than folks."</p> + +<p>"Signifies what?"</p> + +<p>"Well, after all the talk I jest wasted on you, it signifies that you're +too thick-headed, Buddy, to waste any more on. I can learn you to +<i>spell</i> if you wanta take lessons."</p> + +<p>"You're dreamin', Brand. Wake up! As to spellin'—I'm spellin' right now +while the fo'man is entertainin' me."</p> + +<p>"Thanks for callin' my attention to it. You can take your hoss and ride +over to the Three Oaks. There's some fence down, over at the North +Spring. I ain't dreamin' about that."</p> + +<p>Bud Light departed, swearing to himself. He disliked mending fence. +Williams knew it. The cheerful Bud, "Reckoned he ought to 'a' known +better than to try to ride the old man into the fence. Next time he +would listen—and mebby learn something."</p> + +<p>Louise, drawing on her gauntlets, came down the broad steps of the +ranch-house. The November air was crisp with the tang of early morning.</p> + +<p>She was puzzled at finding Boyar and Yuma together. She noticed Boyar +had trailed his bridle across the yard—an unusual thing for him to do, +considering his training. Louise spoke<span class='pagenum'><a name="Page_334" id="Page_334">334</a></span> to the Yuma colt, who sniffed at +her gloved hand. The girl wondered why Collie had saddled Yuma. He +usually rode one of the ranch horses to work. She wanted to talk with +him—to reason with him; for her knowledge of the previous night's +disclosures worried and distressed her. She thought Collie's half +promise to Overland Red to turn to their old life had been too easily +made. Her pride in him was touched. She was hurt, and not a little +angry. She saw the flaw in his ultimate decision to sacrifice himself +and his prospects through a too stringent and quixotic interpretation of +his duty. To go back to the old life again—a tramp!</p> + +<p>But Collie was not to be seen. However, Louise never hesitated long. +Deliberately she untied the Yuma colt and swung into the saddle. Black +Boyar seemed to realize something unusual in her preference. He fretted +as the roan pony leaped sideways toward the gate.</p> + +<p>Louise knew that Collie would follow her. She was riding his pony, the +Yuma colt, and he would be fearful for the rider's safety.</p> + +<p>Collie, coming from the bunk-house, glanced up and saw Black Boyar +standing alone where his own pony had stood. This was not an invitation; +this was daring him to follow.</p> + +<p>He rode into the cañon, half conscious of Yuma's tracks ahead of him. He +rode past the<span class='pagenum'><a name="Page_335" id="Page_335">335</a></span> tracks as they swerved toward a grassy level near the +stream.</p> + +<p>"Collie!"</p> + +<p>Louise stood beside the sweating Yuma, patting the pony's neck. Collie +raised his sombrero formally.</p> + +<p>Louise was bareheaded. The clear morning sunlight enhanced her rich +coloring. Against the misty gray of the cañon wall, her head in profile, +as she stood beside the horse, was as delicately beautiful as that +vision that imagination knows full well but may seldom realize.</p> + +<p>"Yes, ma'am."</p> + +<p>"Collie, don't! Say anything but that. You look awfully glum. Surely not +because I took Yuma."</p> + +<p>"No. Only I was afraid for you."</p> + +<p>"So you followed at break-neck speed to rescue the timorous, the +despairing, and-so-forth?"</p> + +<p>"I can't joke like that this morning."</p> + +<p>"Why? I'm here, safe enough. Had breakfast?"</p> + +<p>"Yes. I wanted to see you about something, Louise."</p> + +<p>"All right. But you are so unnaturally tall and severe and judicial +sitting there on Boyar. You look almost funereal. Please get down. Roll +a cigarette and act natural. I'm not going to scold you, sir."<span class='pagenum'><a name="Page_336" id="Page_336">336</a></span></p> + +<p>"I wish you would."</p> + +<p>"Why? What have you been doing that makes you look so ashamed of +yourself. Tell me!"</p> + +<p>"I didn't know I was."</p> + +<p>"You don't act naturally. Is there something about me that is different? +Is that it?"</p> + +<p>"No. I wish you was different, sometimes."</p> + +<p>"You do?"</p> + +<p>"No," he said gently. "I don't wish you were different. I want to +remember you like you are."</p> + +<p>"To <i>remember</i> me?"</p> + +<p>"Yes," he whispered, "to remember you."</p> + +<p>He seemed to see regret, astonishment, questioning, gentle reproof, even +a hint of amusement in her eyes. But her expression changed instantly. +"I think you have something to remember me by; something you asked me +for once, long ago. I sent it to you. You have never spoken of +it—acknowledged it. I can't quite forgive that."</p> + +<p>"Your glove. I know. I got it here." And he touched his breast. "I +thought you would understand."</p> + +<p>"I do. But, Collie, a girl always likes to be told that she is +understood, even when she knows it."</p> + +<p>"I was going to write about getting your glove, at the hospital. I guess +I was too tired."</p> + +<p>"At the hospital?"<span class='pagenum'><a name="Page_337" id="Page_337">337</a></span></p> + +<p>"Yes. Red sent it to me. Brand gave it to him to give to me—that time."</p> + +<p>"Oh!" And Louise felt like retracting a little; but sweetly perverse, +she obeyed sheer instinct. "Collie, do you realize that I have already +asked you to dismount? Shall I have to ask you again? Do you realize +that I am standing while you are sitting your horse?"</p> + +<p>"I am begging your pardon, Louise."</p> + +<p>The girl nodded brightly, smiling as she noticed the little scar on his +chin—a wound that she had made him blush for when she had admonished +him for fighting with Dick Tenlow.</p> + +<p>She watched the rise and fall of the muscles of his arm, beneath his +flannel shirt, as he lighted his cigarette. How broad-chested and strong +and wholesome he seemed in the morning sunlight! There was an untamed +grace about his movements, his gestures, which, together with his +absolute unconsciousness of self, pleased and attracted her.</p> + +<p>"Yuma is a little wild, but she is a fine saddle-pony. I'm really +jealous for Boyar's prestige."</p> + +<p>"I was afraid for you to ride her," said Collie.</p> + +<p>"She behaves beautifully."</p> + +<p>"Would you take her as a kind of present from me?" he asked.</p> + +<p>"Give Yuma to me? I thought you loved her?"<span class='pagenum'><a name="Page_338" id="Page_338">338</a></span></p> + +<p>"I do. That's why I want you to have her."</p> + +<p>"He would give you away," said Louise, stroking Yuma's neck. "Give you +away just as you're learning to trust him and perhaps even like him a +little—and he says he loves you! Let's run away from him, Hummingbird!"</p> + +<p>"I think I could stand it if you would just be mean once," said Collie.</p> + +<p>"Stand what, Collie?"</p> + +<p>He had been watching her shapely hand and supple, rounded wrist as she +stroked the pony's neck. Swiftly she turned from the horse and faced +him. "What, Collie?" There was laughter in her eyes, a laughter that +challenged more than his serious mood. Her lips were smiling. Her chin +was tilted provokingly.</p> + +<p>His eyes grew wide with unspoken love, unuttered longing. He delighted +in the delicious curve of her cheek, and of her arm resting on the +saddle. Her poise had an inexplicable suggestion of royal courage, as +though she were battling for more than her lips could utter. In her +absence he had adored her. Now he forgot all that he had meant to tell +her in the sensuous delight of her mere presence. But even that was not +enough. He dropped the pony's reins and strode toward her. Louise paled +even as he drew near, but he saw nothing but her eyes and her lips, lips +that curved wistfully, provoking<span class='pagenum'><a name="Page_339" id="Page_339">339</a></span> tenderness and love. For an instant +Louise held her heart aloof.</p> + +<p>"Let me just worship you—a little while—a little while," he whispered.</p> + +<p>"Only a little while?" she breathed; and the soft rose glowed in her +cheeks.</p> + +<p>"Just forever," he said.</p> + +<p>And Louise Lacharme, more beautiful than the morning, Louise, his most +gracious señorita, his Madonna of the Rose, lifted her arms to him. Her +lips quivered like a child's, tremulous with longing to tell him +silently, as his lips found hers, all that her heart was giving and all +the wealth of love it yet should give.</p> + +<p>Gently his hands clasped her golden head. His whole being thrilled as he +touched her hair, her cheeks, her lips. "Oh, Collie! Collie! Love me +always," she whispered. And she drew him down to her breast and caressed +his cheek, sighing and murmuring little endearments and sweet, broken +words of love.</p> + +<hr style='width: 45%;' /> + +<p>Moonstone Cañon, coldly beautiful, echoed the hoof-beats of the ponies +as they walked homeward.</p> + +<p>Louise turned in the saddle. "Collie," she said with an indescribable +gesture of appeal, "you will always take care of me, won't you?"</p> + +<p>"My Rose Girl! Why do you say that?"<span class='pagenum'><a name="Page_340" id="Page_340">340</a></span></p> + +<p>"I was thinking of my father."</p> + +<p>Louise saw his lips stiffen and his chin lift. "Louise, I had no right, +just now,—I haven't any right—I'm poor. The claim wasn't ours."</p> + +<p>"I didn't mean that," she said, smiling wistfully. "But you will always +care for me, won't you? I don't care one bit about the claim. It has +made trouble and sorrow enough. I can't remember my father. I can hardly +think of him as my father. But it is horrible to think of his dying for +water because he cared so much for gold."</p> + +<p>"But how did you know?"</p> + +<p>"I know," she answered gravely. "And I know that you are a very, very +foolish boy, not to trust your friends more than you do. Did you suppose +you would be happier or better in leaving Moonstone Rancho? Did you +suppose I would be happier? Collie, you have so much to learn."</p> + +<p>"I guess that's so," he sighed. Then his eyes brightened with his +old-time mischief. "Couldn't you begin now to teach me a little—like +back there in the cañon?"</p> + +<p>And being of a decisive habit of mind, he rode close to Louise and +claimed immediate and delicious instruction.</p> + +<p>"But how <i>did</i> you know?" he asked again—"about the claim and your +father and me?"</p> + +<p>"A secret that I share with Overland," she replied.</p> + +<div class='figcenter' style='width: 400px; padding-top: 1em; padding-bottom: 1em;'> +<a name="illus-014" id="illus-014"></a> +<img src='images/img356.jpg' alt='CAN'T I HAVE ANOTHER ONE, ROSE GIRL?' title='' width = '400' height = '618'/><br /> +<span class='caption'>CAN'T I HAVE ANOTHER ONE, ROSE GIRL?</span> +</div> + +<p><span class='pagenum'><a name="Page_341" id="Page_341">341</a></span>"So he told you! When? Not last night. He was asleep when I came away +this morning."</p> + +<p>"So he is here, then?"</p> + +<p>"Louise, you're joking. Didn't Red talk to you?"</p> + +<p>"No."</p> + +<p>"And you know all about it already?" He looked at her curiously for a +moment. "Did you know that I said I was going to leave the Moonstone?"</p> + +<p>"Why?"</p> + +<p>"For the same reason that I can't now—you. Red and Billy Winthrop and I +don't own a cent's worth of the claim now. I don't even own what's in +the bank. All I got is Yuma."</p> + +<p>"You gave Yuma to me, Collie."</p> + +<p>"I sure did. I haven't even her. But I've got you. Oh, Louise! I can't +believe it. I could just shout. Can't I have another one, Rose Girl?"</p> + +<p>"Must I teach you not to ask?" said Louise.</p> + +<p>Collie took her other meaning as she made a little mouth at him. "Not +after this," he said, and gave apt proof that he meant it.</p> + +<p>"More than a whole carload of gold?" she asked, gazing at him.</p> + +<p>"You know <i>that</i>, too?"</p> + +<p>"Collie?"</p> + +<p>"What is it?"</p> + +<p>"Promise that you won't speak to any one<span class='pagenum'><a name="Page_342" id="Page_342">342</a></span> about the claim, or the +desert, or my father until I say you may."</p> + +<p>"Of course I promise."</p> + +<p>"Nor about ourselves, until I tell you to."</p> + +<p>"Never—if it will make you happy."</p> + +<hr style='width: 45%;' /> + +<p>Overland Red, sitting on a boulder beside the road, stooped and gathered +up a handful of pebbles. Then, for lack of other interest, he invented a +game of ancient and honorable origin. "She loves me," he said tossing +away a pebble. "She loves me not." And up spun another pebble. So he +continued until the pebbles were gone. "She loves me not," he muttered +lugubriously. Then his face brightened. "Of course she don't. She loves +<i>him</i>. That's what I was tryin' to get at, anyway."</p> + +<p>He fumbled at a huge bunch of little red flowers called "Hummingbird's +Trumpets." He arranged the hastily constructed bouquet to suit him. Then +he laid it on the rock.</p> + +<p>"Accordin' to the latest book on good table-manners, or 'How to Be Happy +Though Dressed Up,' this here bouquet is the proper thing. They'll think +I'm some wiz' when I step out and present these here hummin'birds' +bugles. Huh! I seen the two bosses gone, and I gets wise direct. But I +got to brace up. Wonder what she'll think about me—after hearin' what I +said last night<span class='pagenum'><a name="Page_343" id="Page_343">343</a></span> at the Old Meadow? Gee! I wonder what I did say? Did I +cuss much? I forget. H-m-m. Good-mornin', folks! I—er—This here—Them +hummin'birds' bugles—flowers—Happy day—Collie, what's wrong with you? +What you laughin' at?"</p> + +<p>"You, of course. Where did you get the posies?"</p> + +<p>"Picked 'em along the Golden Shore. Just got back."</p> + +<p>"You do look scared, Red."</p> + +<p>"Seein' you're gettin' personal—<i>you</i> needn't to think because <i>you</i> +just been there that I never will."</p> + +<p>"Say, Overland—I—we—" began Collie.</p> + +<p>"I knowed it! I won't say a word to nobody."</p> + +<p>Collie glanced at Louise. She nodded. Then she gave Overland her hand. +He seized it and stood looking into her sweet gray eyes. "Little Rose +Girl," he said quietly, "you always was the best and kindest and +beautifullest we ever knowed. It ain't the first time you give your hand +to help them that ain't fit to touch it. If there <i>is</i> any Golden Shore, +I guess me and Collie will be there just because we knowed you down here +and couldn't stay around, nohow, where you wasn't. And, believe me, if +he don't treat you from now on like you was a plumb angel, I'll—I'll +ride him off the big range and into<span class='pagenum'><a name="Page_344" id="Page_344">344</a></span> space quicker'n shootin' stars! +These here flowers is for you—not for that long-legged grasshopper +ridin' your hoss there. I should think Boyar would be plumb ashamed."</p> + +<p>"Then Collie can walk," said Louise promptly. "Collie, will you please +let Mr. Summers take Boyar? I want to talk with the President of—of my +mine a little while."</p> + +<p>"Don't faint, Chico," said Overland, swinging into the saddle. "I always +was the 'cute little gopher with the ladies. You watch <i>us</i> ride up this +trail if you want to see a pair that <i>can</i> ride."</p> + +<p>Collie shook his fist at the grinning Overland, who had turned as he +rode away. "You want to learn to act quick when a lady asks you," called +Overland. "You didn't get off this hoss any too spry."</p> + +<p>Then Collie stooped and picked up a little red flower that had dropped +from the boisterous one's offering.</p> + +<hr class="major" /> +<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'> +<a name="CHAPTER_XXXIII" id="CHAPTER_XXXIII"></a> +<span class='pagenum'><a name="Page_345" id="Page_345">345</a></span> +<h2>CHAPTER XXXIII</h2><h3>A SPEECH</h3> +</div> + +<p>The Marshalls and Billy Winthrop came in their car. The ride through the +cañon had been pleasant. They were talking about Overland. They had been +discussing the rearrangement of a great many things since the news of +Louise's heritage had become known.</p> + +<p>"You had better close the muffler, Billy. You are frightening that +pony!"</p> + +<p>"That's the Yuma colt," said Winthrop. "Overland is riding her."</p> + +<p>"Overland?"</p> + +<p>"Yes. He's coming to meet us."</p> + +<p>Plunging through the crackling greasewood at the side of the road, the +Yuma colt leaped toward the car. In broad sombrero, blue silk +neckerchief, blue flannel shirt, and silver-studded leather chaps, was a +strangely familiar figure. The great silver spurs rang musically as the +pony reared. The figure gave easily to the wild plunging of the horse, +yet was as firm as iron in the saddle.</p> + +<p>Anne drew a deep breath. It was not the grotesque, frock-coated Overland +of a recent<span class='pagenum'><a name="Page_346" id="Page_346">346</a></span> visit, nor was it the ragged, unkempt vision Louise had +conjured up for her in relating the Old Meadow story. In fact, it was +not Overland Red at all, but Jack Summers, the range-rider of the old +red Abilene days. He was clean-shaven, vigorous, splendidly strong, and +confident. In the saddle, bedecked in his showy trappings, surrounded by +his friends, Jack Summers had found his youth again, and the past was as +a closed book, for the nonce.</p> + +<p>"I'm the boss's envy extraordinary," said Overland, by way of greeting. +"Walt said something else, too, about bein' a potentiary, but I reckon +<i>that</i> was a joke."</p> + +<p>"Good-morning! Don't get down! Glad to see you again!"</p> + +<p>But Overland was in the road, hat in hand, and Yuma's bridle-reins over +one arm.</p> + +<p>"'Mornin', Billy! 'Mornin', Doctor! You run right up to the house. I left +the gate open."</p> + +<p>Then Overland rode back, following them. Later he reappeared, minus +spurs and chaps, but still clad in the garb of the range-rider. He was +as proud and happy as a boy. He seemed to have dropped ten years from +his shoulders. And he was strangely unlike his old boisterous self +withal.</p> + +<p>The noon sun crept through the moon-vine. Out on the wide veranda was +the long table.<span class='pagenum'><a name="Page_347" id="Page_347">347</a></span> They were a happy group at luncheon there. Even the +taciturn Brand Williams had been persuaded to come. His native +picturesqueness was rather effaced by a black, characterless suit of +"store clothes."</p> + +<p>Walter Stone, at the conclusion of the luncheon, asked Overland to make +a speech. Nothing daunted, Overland rose briskly.</p> + +<p>"I expect you're lookin' for me to fall off the roof of the cannery into +the tomato-vat and make a large red splash. Not me. I got somethin' to +say. Now the difference in droppin' a egg on the kitchen floor and +breakin' it calm-like, in a saucer, ain't only the muss on the floor. +You save the egg. Just recent I come nigh to losin' my whole basket. You +all know who saved 'em. Not namin' any names, the same person, by jest +bein' herself, and kind to everybody, put me wise to the fact that money +and clothes ain't all that goes to make a man. And, at the same time, +speakin' kind of orthodoxical, money and clothes has a whole lot to do +with makin' a man. I just got hep to that idea recent.</p> + +<p>"Speakin' of clothes leads me to remark that I got a new outfit up at +the bunk-house. It's a automobilein' outfit. Billy says it's the correc' +thing. He helped me pick it out. Which leads Billy into this here thing, +too. He said to break the news gentle, and not scare anybody to death<span class='pagenum'><a name="Page_348" id="Page_348">348</a></span> +and not get 'em to thinkin' that somebody was hurt or anything like +that, so I'm breakin' it to you easy. Me and Billy is goin' away. We're +goin' in the Guzzuh—'God save the mush,' as the pote says. We are the +Overland Red Towerist and Observation Company, Unlimited. We are goin'</p> + +<p> +<span style="margin-left: 1em;">"'Round the world and back again;</span><br /> +<span style="margin-left: 1em;">Heel and toe in sun and rain'—</span><br /> +</p> + +<p>as another pote says. Only we ride. I ain't got nothin' to say about +gettin' married, or happy days, or any of that ordinary kind of stuff. I +want to drink the health of my friends. I got so many and such good ones +that I dassent to incriminate any particular one; so I say, lookin' at +your faces like roses and lilies and—and faces, I say,—</p> + +<p> +<span style="margin-left: 1em;">"'Here's to California, the darling of the West,</span><br /> +<span style="margin-left: 1em;">A blessin' on those livin' here—</span><br /> +<span style="margin-left: 1em;">And God help all the rest.'"</span><br /> +</p> + +<p>Overland sat down amid applause. He located his tobacco and papers, +rolled a cigarette with one hand, and gazed across the hills. Glancing +up, he saw Louise looking at him. He smiled. "I was settin' on a crazy +bronc' holdin' his head up so he couldn't go to buckin'—outside a +little old adobe down in Yuma, Arizona, then. Did you ever drift away +like that, just from some little old trick to make you dream?"</p> + +<p>At a nod from Aunt Eleanor they all rose.</p> + +<p>Louise stepped from her end of the table to where Overland stood gazing +out across the hills. She touched him lightly on the arm. He turned and +looked at her unseeingly. His eyes were filled with the dreams of his +youth, dreams that had not come true ... and yet.... He gazed down into +her face. His expression changed. His eyes grew misty with happiness. He +realized how many friends he had and how loyal and excellent they were. +And of all that he had gained his greatest treasure was his love for +Louise—for Louise Lacharme, the little Rose Girl of his dreams. That +love lay buried deep in his rugged heart. She would never know of it. No +one should ever know—not even Collie.</p> + +<p>Louise, in an ecstasy of affection and pity that she could not +understand, suddenly flung her arms around Overland's neck and kissed +him full on the lips.</p> + +<p>More than he had ever dared to dream had come true.</p> + +<p>THE END</p> + +<p>GROSSET & DUNLAP'S DRAMATIZED NOVELS</p> + +<p>THE KIND THAT ARE MAKING THEATRICAL HISTORY</p> + +<p>May be had wherever books are sold. Ask for Grosset & Dunlap's list</p> + +<p>WITHIN THE LAW. By Bayard Veiller & Marvin Dana. Illustrated by Wm. +Charles Cooke.</p> + +<p>This is a novelization of the immensely successful play which ran for +two years in New York and Chicago.</p> + +<p>The plot of this powerful novel is of a young woman's revenge directed +against her employer who allowed her to be sent to prison for three +years on a charge of theft, of which she was innocent.</p> + +<p>WHAT HAPPENED TO MARY. By Robert Carlton Brown. Illustrated with scenes +from the play.</p> + +<p>This is a narrative of a young and innocent country girl who is suddenly +thrown into the very heart of New York, "the land of her dreams," where +she is exposed to all sorts of temptations and dangers.</p> + +<p>The story of Mary is being told in moving pictures and played in +theatres all over the world.</p> + +<p>THE RETURN OF PETER GRIMM. By David Belasco. Illustrated by John Rae.</p> + +<p>This is a novelization of the popular play in which David Warfield, as +Old Peter Grimm, scored such a remarkable success.</p> + +<p>The story is spectacular and extremely pathetic but withal, powerful, +both as a book and as a play.</p> + +<p>THE GARDEN OF ALLAH. By Robert Hichens.</p> + +<p>This novel is an intense, glowing epic of the great desert, sunlit +barbaric, with its marvelous atmosphere of vastness and loneliness.</p> + +<p>It is a book of rapturous beauty, vivid in word painting. The play has +been staged with magnificent cast and gorgeous properties.</p> + +<p>BEN HUR. A Tale of the Christ. By General Lew Wallace.</p> + +<p>The whole world has placed this famous Religious-Historical Romance on a +height of pre-eminence which no other novel of its time has reached. The +clashing of rivalry and the deepest human passions, the perfect +reproduction of brilliant Roman life, and the tense, fierce atmosphere +of the arena have kept their deep fascination. A tremendous dramatic +success.</p> + +<p>BOUGHT AND PAID FOR. By George Broadhurst and Arthur Hornblow. +Illustrated with scenes from the play.</p> + +<p>A stupendous arraignment of modern marriage which has created an +interest on the stage that is almost unparalleled. The scenes are laid +in New York, and deal with conditions among both the rich and poor.</p> + +<p>The interest of the story turns on the day-by day developments which +show the young wife the price she has paid.</p> + +<p><b><i>Ask for complete free list of G. & D. Popular Copyrighted Fiction</i></b></p> + +<p><span class="smcap">Grosset</span> & <span class="smcap">Dunlap</span>, 526 <span class="smcap">West</span> 26th <span class="smcap">St., New York</span></p> + +<p>STORIES OF WESTERN LIFE</p> + +<p><b>May be had wherever books are sold. Ask for Grosset & Dunlap's list</b></p> + +<p>RIDERS OF THE PURPLE SAGE, By Zane Grey.</p> + +<p>Illustrated by Douglas Duer.</p> + +<p>In this picturesque romance of Utah of some forty years ago, we are +permitted to see the unscrupulous methods employed by the invisible hand +of the Mormon Church to break the will of those refusing to conform to +its rule.</p> + +<p>FRIAR TUCK, By Robert Alexander Wason.</p> + +<p>Illustrated by Stanley L. Wood.</p> + +<p>Happy Hawkins tells us, in his humorous way, how Friar Tuck lived among +the Cowboys, how he adjusted their quarrels and love affairs and how he +fought with them and for them when occasion required.</p> + +<p>THE SKY PILOT, By Ralph Connor.</p> + +<p>Illustrated by Louis Rhead.</p> + +<p>There is no novel, dealing with the rough existence of cowboys, so +charming in the telling, abounding as it does with the freshest and the +truest pathos.</p> + +<p>THE EMIGRANT TRAIL By Geraldine Bonner.</p> + +<p>Colored frontispiece by John Rae.</p> + +<p>The book relates the adventures of a party on its overland pilgrimage, +and the birth and growth of the absorbing love of two strong men for a +charming heroine.</p> + +<p>THE BOSS OF WIND RIVER, By A. M. Chisholm.</p> + +<p>Illustrated by Frank Tenney Johnson.</p> + +<p>This is a strong, virile novel with the lumber industry for its central +theme and a love story full of interest as a sort of subplot.</p> + +<p>A PRAIRIE COURTSHIP. By Harold Bindloss.</p> + +<p>A story of Canadian prairies in which the hero is stirred, through the +influence of his love for a woman, to settle down to the heroic business +of pioneer farming.</p> + +<p>JOYCE OF THE NORTH WOODS, By Harriet T. Comstock.</p> + +<p>Illustrated by John Cassel.</p> + +<p>A story of the deep woods that shows the power of love at work among its +primitive dwellers. It is a tensely moving study of the human heart and +its aspirations that unfolds itself through thrilling situations and +dramatic developments.</p> + +<p><b><i>Ask for</i> a <i>complete free list of G. & D. Popular Copyrighted Fiction</i></b></p> + +<p><span class="smcap">Grosset</span> & <span class="smcap">Dunlap</span>, 526 <span class="smcap">West</span> 26th <span class="smcap">St., New York</span></p> + +<p>TITLES SELECTED FROM GROSSET & DUNLAP'S LIST</p> + +<p><b>May be had wherever books are sold. Ask for Grosset & Dunlap's list</b></p> + +<p>THE SIEGE OF THE SEVEN SUITORS. By Meredith Nicholson. Illustrated by C. +Coles Phillips and Reginald Birch.</p> + +<p>Seven suitors vie with each other for the love of a beautiful girl, and +she subjects them to a test that is full of mystery, magic and sheer +amusement.</p> + +<p>THE MAGNET. By Henry C. Rowland. Illustrated by Clarence F. Underwood.</p> + +<p>The story of a remarkable courtship involving three pretty girls on a +yacht, a poet-lover in pursuit, and a mix-up in the names of the girls.</p> + +<p>THE TURN OF THE ROAD. By Eugenia Brooks Frothingham.</p> + +<p>A beautiful young opera singer chooses professional success instead of +love, but comes to a place in life where the call of the heart is +stronger than worldly success.</p> + +<p>SCOTTIE AND HIS LADY. By Margaret Morse. Illustrated by Harold M. Brett.</p> + +<p>A young girl whose affections have been blighted is presented with a +Scotch Collie to divert her mind, and the roving adventures of her pet +lead the young mistress into another romance.</p> + +<p>SHEILA VEDDER. By Amelia E. Barr. Frontispiece by Harrison Fisher.</p> + +<p>A very beautiful romance of the Shetland Islands, with a handsome, +strong willed hero and a lovely girl of Gaelic blood as heroine. A +sequel to "Jan Vedder's Wife."</p> + +<p>JOHN WARD. PREACHER. By Margaret Deland.</p> + +<p>The first big success of this much loved American novelist. It is a +powerful portrayal of a young clergyman's attempt to win his beautiful +wife to his own narrow creed.</p> + +<p>THE TRAIL OF NINETY-EIGHT. By Robert W. Service. Illustrated by Maynard +Dixon.</p> + +<p>One of the best stories of "Vagabondia" ever written, and one of the +most accurate and picturesque of the stampede of gold seekers to the +Yukon. The love story embedded in the narrative is strikingly original.</p> + +<p><i>Ask for complete free list of G. & D. Popular Copyrighted Fiction</i></p> + +<p><span class="smcap">Grosset</span> & <span class="smcap">Dunlap</span>, 526 <span class="smcap">West</span> 26th <span class="smcap">St., New York</span></p> + +<p>KATE DOUGLAS WIGGIN'S STORIES OF PURE DELIGHT</p> + +<p>Full of originality and humor, kindliness and cheer</p> + +<p>THE OLD PEABODY PEW. Large Octavo. Decorative text pages, printed in two +colors. Illustrations by Alice Barber Stephens.</p> + +<p>One of the prettiest romances that has ever come from this author's pen +is made to bloom on Christmas Eve in the sweet freshness of an old New +England meeting house.</p> + +<p>PENELOPE'S PROGRESS. Attractive cover design in colors.</p> + +<p>Scotland is the background for the merry doings of three very clever and +original American girls. Their adventures in adjusting themselves to the +Scot and his land are full of humor.</p> + +<p>PENELOPE'S IRISH EXPERIENCES. Uniform in style with "Penelope's +Progress."</p> + +<p>The trio of clever girls who rambled over Scotland cross the border to +the Emerald Isle, and again they sharpen their wits against new +conditions, and revel in the land of laughter and wit.</p> + +<p>REBECCA OF SUNNYBROOK FARM.</p> + +<p>One of the most beautiful studies of childhood—Rebecca's artistic, +unusual and quaintly charming qualities stand cut midst a circle of +austere New Englanders. The stage version is making a phenomenal +dramatic record.</p> + +<p>NEW CHRONICLES OF REBECCA. With illustrations by F. C. Yohn.</p> + +<p>Some more quaintly amusing chronicles that carry Rebecca through various +stages to her eighteenth birthday.</p> + +<p>ROSE O' THE RIVER. With illustrations by George Wright.</p> + +<p>The simple story of Rose, a country girl and Stephen a sturdy young +farmer. The girl's fancy for a city man interrupts their love and merges +the story into an emotional strain where the reader follows the events +with rapt attention.</p> + +<p><span class="smcap">Grosset</span> & <span class="smcap">Dunlap</span>, 526 <span class="smcap">West</span> 26th <span class="smcap">St., New York</span></p> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Overland Red, by Henry Herbert Knibbs + +*** END OF THIS PROJECT GUTENBERG EBOOK OVERLAND RED *** + +***** This file should be named 19763-h.htm or 19763-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/9/7/6/19763/ + +Produced by Roger Frank and the Online Distributed +Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card +donations. To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +*** END: FULL LICENSE *** + + + +</pre> + +</body> +</html> + diff --git a/19763-h/images/img001.jpg b/19763-h/images/img001.jpg Binary files differnew file mode 100644 index 0000000..e8b157b --- /dev/null +++ b/19763-h/images/img001.jpg diff --git a/19763-h/images/img002.jpg b/19763-h/images/img002.jpg Binary files differnew file mode 100644 index 0000000..7456503 --- /dev/null +++ b/19763-h/images/img002.jpg diff --git a/19763-h/images/img003.jpg b/19763-h/images/img003.jpg Binary files differnew file mode 100644 index 0000000..1df8ab6 --- /dev/null +++ b/19763-h/images/img003.jpg diff --git a/19763-h/images/img005.jpg b/19763-h/images/img005.jpg Binary files differnew file mode 100644 index 0000000..183d11f --- /dev/null +++ b/19763-h/images/img005.jpg diff --git a/19763-h/images/img006.jpg b/19763-h/images/img006.jpg Binary files differnew file mode 100644 index 0000000..ff148c2 --- /dev/null +++ b/19763-h/images/img006.jpg diff --git a/19763-h/images/img007.jpg b/19763-h/images/img007.jpg Binary files differnew file mode 100644 index 0000000..3574ef7 --- /dev/null +++ b/19763-h/images/img007.jpg diff --git a/19763-h/images/img008.jpg b/19763-h/images/img008.jpg Binary files differnew file mode 100644 index 0000000..0f1efb6 --- /dev/null +++ b/19763-h/images/img008.jpg diff --git a/19763-h/images/img009.jpg b/19763-h/images/img009.jpg Binary files differnew file mode 100644 index 0000000..431cf2e --- /dev/null +++ b/19763-h/images/img009.jpg diff --git a/19763-h/images/img010.jpg b/19763-h/images/img010.jpg Binary files differnew file mode 100644 index 0000000..b84d40f --- /dev/null +++ b/19763-h/images/img010.jpg diff --git a/19763-h/images/img011.jpg b/19763-h/images/img011.jpg Binary files differnew file mode 100644 index 0000000..90588b6 --- /dev/null +++ b/19763-h/images/img011.jpg diff --git a/19763-h/images/img014.jpg b/19763-h/images/img014.jpg Binary files differnew file mode 100644 index 0000000..e0b7682 --- /dev/null +++ b/19763-h/images/img014.jpg diff --git a/19763-h/images/img015.jpg b/19763-h/images/img015.jpg Binary files differnew file mode 100644 index 0000000..9133845 --- /dev/null +++ b/19763-h/images/img015.jpg diff --git a/19763-h/images/img030.jpg b/19763-h/images/img030.jpg Binary files differnew file mode 100644 index 0000000..dafbca5 --- /dev/null +++ b/19763-h/images/img030.jpg diff --git a/19763-h/images/img313.jpg b/19763-h/images/img313.jpg Binary files differnew file mode 100644 index 0000000..3f85e7c --- /dev/null +++ b/19763-h/images/img313.jpg diff --git a/19763-h/images/img356.jpg b/19763-h/images/img356.jpg Binary files differnew file mode 100644 index 0000000..9ae5016 --- /dev/null +++ b/19763-h/images/img356.jpg diff --git a/19763.txt b/19763.txt new file mode 100644 index 0000000..06dd98d --- /dev/null +++ b/19763.txt @@ -0,0 +1,9887 @@ +The Project Gutenberg EBook of Overland Red, by Henry Herbert Knibbs + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Overland Red + A Romance of the Moonstone Canon Trail + +Author: Henry Herbert Knibbs + +Illustrator: Anton Fischer + +Release Date: November 11, 2006 [EBook #19763] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK OVERLAND RED *** + + + + +Produced by Roger Frank and the Online Distributed +Proofreading Team at http://www.pgdp.net + + + + + +[Illustration: (page 123) OVERLAND LIMITED!] + +----------------------------------------------------------------------- + +OVERLAND RED + +A ROMANCE OF THE MOONSTONE CANON TRAIL + +WITH ILLUSTRATIONS BY ANTON FISCHER + +NEW YORK + +GROSSET & DUNLAP PUBLISHERS + +----------------------------------------------------------------------- + +COPYRIGHT, 1914, BY HOUGHTON MIFFLIN COMPANY + +ALL RIGHTS RESERVED + +----------------------------------------------------------------------- + +To I. J. K. + +----------------------------------------------------------------------- + +CONTENTS + + THE ROAD xi + I. THE PROSPECTOR 3 + II. WATER 10 + III. RAGGED ROMANCE 14 + IV. "ANY ROAD, AT ANY TIME, FOR ANYWHERE" 25 + V. "CAN HE RIDE?" 39 + VI. ADVOCATE EXTRAORDINARY 48 + VII. THE GIRL WHO GLANCED BACK 60 + VIII. THE TEST 72 + IX. A CELESTIAL ENTERPRISE 88 + X. "PERFECTLY HARMLESS LITTLE OLE TENDERFOOT" 98 + XI. DESERT LAW 110 + XII. "FOOL'S LUCK" 125 + XIII. THE RETURN 132 + XIV. "CALL IT THE 'ROSE GIRL'" 141 + XV. SILENT SAUNDERS 157 + XVI. BLUNDER 163 + XVII. GUESTS 177 + XVIII. A RED EPISODE 185 + XIX. "TO CUT MY TRAIL LIKE THAT" 202 + XX. THE LED HORSE 211 + XXI. BORROWED PLUMES 223 + XXII. THE YUMA COLT 231 + XXIII. SILENT SAUNDERS SPEAKS 247 + XXIV. "LIKE SUNSHINE" 254 + XXV. IN THE SHADOW OF THE HILLS 262 + XXVI. SPECIAL 273 + XXVII. THE RIDERS 278 + XXVIII. GOPHERTOWN 288 + XXIX. TOLL 299 + XXX. TWO ROSES 305 + XXXI. NIGHT 320 + XXXII. MORNING 332 + XXXIII. A SPEECH 345 + +----------------------------------------------------------------------- + +ILLUSTRATIONS + +OVERLAND LIMITED! (page 123) Frontispiece +THE GIRL'S LEVEL GRAY EYES STUDIED THE TRAMP'S FACE 16 +"IT'S A CLEAN-UP" 296 +"CAN'T I HAVE ANOTHER ONE, ROSE GIRL?" 340 + +----------------------------------------------------------------------- + + + + +The Road + + +Through the San Fernando Valley, toward the hills of Calabasas runs that +old road, El Camino Real of the early Mission days. + +And now replicas of old Mission bells, each suspended in solitary +dignity from a rusted iron rod, mark intervals along the dusty way, once +a narrow trail worn by the patient feet of that gentle and great padre, +Junipero Serra,--a trail from the San Gabriel Valley to the shores of +Monterey. A narrow trail then, but, even then, to him it was broad in +its potential significance of the dawn of Grace upon the mountain shores +of Heaven's lost garden, California. + +Not far from one iron-posted bell in the valley, El Camino Real falters, +to find, eventually, a lazy way round the low foothills, as though +reluctant to lift its winding length over the sharp pitch of the Canajo +Pass, beyond. + +Near this lone bell another road, an offspring of old El Camino Real, +runs quickly from its gray and patient sire. Branching south in hurried +turns and multiple windings it climbs the rolling hills, ever dodging +the rude-piled masses of rock, with scattered brush between, but forever +aspiring courageously through the mountain sage and sunshine toward its +ultimate green rest in the shadowy hills. + +In the sweet sage is the drone of bees, like the hum of a far city. The +thinning, acrid air is tinged with the faint fragrance of sunburnt +shrubs and grasses. + +With the sinuous avoidings of a baffled snake the road turns and turns +upon itself until its earlier promise of high adventuring seems +doubtful. As often as not it climbs a semi-barren dun stretch of +sunbaked earth dotted with stubby cacti--passes these dwarfed +grotesques, and attempts the narrowing crest of the canon-wall, to swing +abruptly back to the cacti again, gaining but little in its upward +trend. + +Impatient, it finally plunges dizzily round a sharp, outstanding angle +of rock and down into the unexpected enchantment of Moonstone Canon. +Here the gaunt cliffs rise to great wild gardens, draped with soft rose +and poignant red amid drowsy undertones of gray and green and gold. Dots +of vivid colors flame and fade and pass to ledges of dank, vineclad rock +and drifts of shale, as the road climbs again. + +At the next turn are the indistinct voices of water, commingling in a +monotone--and the road ceases to be, as the cool silver of a mountain +stream cuts through it, with seemingly inconsequential meanderings, but +with the soft arrogance of a power too great to be denied. And the +indistinct voices, left behind, fade to unimaginable sounds as the +stream patters down its gravelly course, contented beyond measure with +its own adventuring. + +Patiently the road takes up its way, moving in easier sweeps through a +widening valley, but forever climbing. + +Again and again, fetlock deep across it runs the stream, gently +persistent and forever murmuring its happy soliloquies. + +Here and there the road passes quickly through a blot of shade,--a group +of wide-spreading live-oaks,--and reappears, gray-white and hot in the +sun. + +And then, its high ambition fulfilled, the road recovers from its last +climbing sweep round the base of a shouldering hill and runs straight +and smooth to its ultimate green rest in the shade of the sycamores. +Beyond these two huge-limbed warders of the mountain ranch gate, there +is a flower-bordered _way_, but it is the road no longer. + +The mountain ranch takes its name from the canon below. It is the +Moonstone Ranch, the home of Louise, whose ancestors, the Lacharmes, +grew roses in old France. + +Among the many riders to and from the ranch, there is one, a great, +two-fisted, high-complexioned man, whose genial presence is ever +welcome. He answers to many names. To the youngsters he is "Uncle +Jack,"--usually with an exclamation. To some of the older folk he is +"Mr. Summers," or "Jack." Again, the foreman of the Moonstone Ranch +seldom calls him anything more dignified than "Red." Louise does +sometimes call him--quite affectionately--"Overland." + +----------------------------------------------------------------------- + + + + +OVERLAND RED + +CHAPTER I + +THE PROSPECTOR + + +For five years he had journeyed back and forth between the little desert +station on the Mojave and the range to the north. The townspeople paid +scant attention to him. He was simply another "desert rat" obsessed with +the idea that gold was to be found in those northern hills. He bought +supplies and paid grudgingly. No one knew his name. + +The prospector was much younger than he appeared to be. The desert sun +had dried his sinews and warped his shoulders. The desert wind had +scrawled thin lines of age upon his face. The desert solitude had +stooped him with its awesome burden of brooding silence. + +Slowly his mind had been squeezed dry of all human interest save the +recurrent memory of a child's face--that, and the poignant memory of the +child's mother. For ten years he had been trying to forget. The last +five years on the desert had dimmed the woman's visioned face as the +child came more often between him and the memory of the mother, in his +dreams. + +Then there were voices, the voices of strange spirits that winged +through the dusk of the outlands and hovered round his fire at night. + +One voice, soft, insistent, ravished his imagination with visions of +illimitable power and peace and rest. "Gold! Lost gold!" it would +whisper as he sat by the meager flame. Then he would tremble and draw +nearer the warmth. "Where?" he would ask, tempting the darkness as a +child, fearfully certain of a reply. + +Then another voice, cadenced like the soft rush of waves up the sand, +would murmur, "Somewhere away! Somewhere away! Somewhere away!" And in +the indefiniteness of that answer he found an inexplicable joy. The +vagueness of "Somewhere away" was as vast with pregnant possibilities as +his desert. His was the eternity of hope, boundless and splendid in its +extravagant promises. Drunk with the wine of dreams, he knew himself to +be a monarch, a monarch uncrowned and unattended, yet always with his +feet upon the wide threshold of his kingdom. + +Then would come the biting chill of night, the manifold rays of stars +and silence, silence reft of winds, yet alive with the tense immobility +of the crouching beast, waiting ... waiting.... + +The desert, impassively withering him to the shell of a man, or wracking +him terribly in heat or in storm and cold, still cajoled him day and +night with promises, whispered, vague and intoxicating as the perfume of +a woman's hair. + +Finally the desert flung wide the secret portals of her treasure-house +and gave royally like a courtesan of kings. + +The man, his dream all but fulfilled, found the taste of awakening +bitter on his lips. He counted his years of toil and cursed as he viewed +his shrunken hands, claw-like, scarred, crippled. + +He felt the weight of his years and dreaded their accumulated burdens. +He realized that the dream was all--its fulfillment nothing. He knew +himself to be a thing to be pointed at; yet he longed for the sound of +human voices, for the touch of human hands, for the living sweetness of +his child's face. The sirens of the invisible night no longer whispered +to him. He was utterly alone. He had entered his kingdom. Viewed from +afar it had seemed a vast pleasure-dome of infinite enchantment. He +found Success, as it ever shall be, a veritable desert, grudging man +foothold, yet luring him from one aspiration to another, only to consume +his years in dust. + +A narrow canon held his secret. He had wandered into it, panned a little +black sand, and found color. Finally he discovered the fountainhead of +the hoarded yellow particles that spell Power. There in the fastness of +those steep, purgatorial walls was the hermitage of the two +voices--voices that no longer whispered of hope, but left him in the +utter loneliness of possession and its birthright, Fear. + +He cried aloud for the companionship of men--and glanced fearfully round +lest man had heard him call. + +He again journeyed to the town beside the railroad, bought supplies and +vanished, a ragged wraith, on the horizon. + +Back in the canon he set about his labors, finding a numbing solace in +toil. + +But at night he would think of the child's face. He had said to those +with whom he had left the child that he would return with a fortune. +They knew he went away to forget. They did not expect him to return. +That had been ten years ago. He had written twice. Then he had drifted, +always promising the inner voice that urged him that he would find gold +for her, his child, that she might ever think kindly of him. So he tried +to buy himself--with promises. Once he had been a man of his hands, a +man who stood straight and faced the sun. Now the people of the desert +town eyed him askance. He heard them say he was mad--that the desert had +"got him." They were wrong. The desert and its secret was his--a sullen +paramour, but _his_ nevertheless. Had she not given him of her very +heart? + +He viewed his shrunken body, knew that he stooped and shuffled, realized +that he had paid the inevitable, the inexorable price for the secret. +His wine of dreams had evaporated.... He sifted the coarse gold between +his fingers, letting it fall back into the pan. Was it for _this_ that +he had wasted his soul? + + * * * * * + +In the desert town men began to notice the regularity of his comings and +goings. Two or three of them foregathered in the saloon and commented on +it. + +"He packed some dynamite last trip," asserted one. + +There was a silence. The round clock behind the bar ticked loudly, +ominously. + +"Then he's struck it at last," said another. + +"Mebby," commented the first speaker. + +The third man nodded. Then came silence again and the absolute ticking +of the clock. Presently from outside in the white heat of the road came +the rush of hoofs and an abrupt stop. A spurred and booted rider, his +swarthy face gray with dust, strode in, nodded to the group and called +for whiskey. + +"Which way did he go, Saunders?" asked one. + +"North, as usual," said the rider. + +"Let's set down," suggested the third man. + +They shuffled to a table. The bartender brought glasses and a bottle. +Then, uninvited, he pulled up a chair and sat with them. The rider +looked at him pointedly. + +"Oh, I'm in on this," asserted the bartender. "Daugherty is the +Wells-Fargo man here. He won't talk to nobody but me--about _business_." + +"What's that got to do with it?" queried the rider. + +"Just what you'd notice, Saunders. Listen! The rat left a bag of dust in +the Company's safe last trip. Daugherty says its worth mebby five +hundred. He says the rat's goin' to bring in some more. Do I come in?" + +"You're on," said the rider. "Now, see here, boys, we got to find out if +he's filed on it yet, and what his name is, and then--" + +"Mebby we'd better find out _where_ it is first," suggested one. + +"And then jump him?" queried the rider over his glass. + +"And then jump him," chorused the group. "He's out there alone. It's +easy." And each poured himself a drink, for which, strangely enough, no +one offered to pay, and for which the bartender evidently forgot to +collect. + +Meanwhile the prospector toiled through the drought of that summer +hoarding the little yellow flakes that he washed from the gravel in the +canon. + + + + +CHAPTER II + +WATER + + +All round him for miles each way the water-holes had gone dry. The +little canon stream still wound down its shaded course, disappearing in +a patch of sand at the canon's mouth, so the prospector felt secure. +None had ridden out to look for him through that furnace of burning sand +that stretched between the hills and the desert town. + +The stream dwindled slowly, imperceptibly. + +One morning the prospector noticed it, and immediately explored the +creek clear to its source--a spurt of water springing from the roof of a +grotto in the cliff. Such a supply, evidently from the rocky heart of +the range itself, would be inexhaustible. + +A week later he awoke to find the creek-bed dry save in a few +depressions among the rocks. He again visited the grotto. The place was +damp and cool, glistening with beads of moisture, but the flow from the +roof-crevice had ceased. Still he thought there must be plenty of water +beneath the rocks of the stream-bed. He would dig for it. + +Another week, and he became uneasy. The stream had disappeared as though +poured into a colossal crevice. A few feet below the gravel he struck +solid rock. He tried dynamite unsuccessfully. Then he hoarded the +drippings from the grotto crevice till he had filled his canteen. +Carefully he stowed his gold in a chamois pouch and prepared to leave +the canon. His burro had strayed during the week of drought--was +probably dead beside some dry water-hole. + +The prospector set out to cross the range in the light of the stars. + +Fearful that he might be seen, panic warped his reasoning. He planned to +journey south along the foothills, until opposite the desert town and +then cross over to it. If he approached from such a direction, no one +would guess his original starting-place. He knew of an unfailing +water-hole two days' journey from the canon. This water-hole was far out +of his way, but his canteen supply would more than last till he reached +it. + +Then Fate, the fate that had dogged his every step since first he +ventured into the solitudes, closed up and crept at his heels. He became +more morose and strangely fearful. His vision, refined by the wasting of +his body, created shadows that lay about his feet like stagnant pools, +shadows where no shadows should be. + +Ominous was his fall as he crossed an arroyo. The canteen, slung over +his shoulder, struck a sharp point of rock that started one of the +seams. The leak was infinitesimal. The felt cover of the canteen +absorbed the drip, which evaporated. When he arrived at the water-hole, +_that_ was dry. His canteen felt strangely light. He could not remember +having used so much water. He changed his plan. He struck straight from +the hills toward the railroad. He knew that eventually he would, as he +journeyed west, cross it, perhaps near a water-tank. + +Toward the blinding afternoon of that day he saw strange lakes and pools +spread out upon the distant sand and inverted mountain ranges stretching +to the horizon. + +Fate crept closer to his heels, waiting with the dumb patience of the +desert to claim the struggling, impotent puppet whose little day was all +but spent. + +He stumbled across the blazing bars of steel that marked the railroad. +His empty canteen clattered on the ties as he fell. He got to his knees +and dragged himself from the track. He laughed, for he had thwarted Fate +this once; he would not be run over by the train. He lay limp, wasted, +scarcely breathing. + +Serenely Fate crouched near him, patient, impassive.... + +He heard a man speak and another answer. He felt an arm beneath his +head, and water.... Water! + +He drank, and all at once his strength flamed up. It was not water they +gave him; it was merely the taste of it--a mockery. He wanted more ... +all! + +He lurched to his feet, struggling with a bearded giant that held him +from his desire--to drink until he could drink no more--to die drinking +the water they had taken from him even as they gave it. He fought +blindly. Fate, disdaining further patience, arose and flung itself about +his feet. He stumbled. A flash wiped all things from his vision and the +long night came swiftly. + + + + +CHAPTER III + +RAGGED ROMANCE + + +At the wide gate of the mountain ranch stood the girl. Her black +saddle-pony Boyar fretted to be away. Glancing back through the +cavernous shade of the live-oaks, the girl hesitated before opening the +gate. A little breeze, wayfaring through Moonstone Canon and on up to +the mountain ranch, touched the girl's cheek and she breathed deeply of +its cool fragrance. + +The wide gate swung open, and Louise Lacharme, curbing Black Boyar, rode +out of the shadows into the hot light of the morning, singing as she +rode. + +Against the soft gray of the canon wall flamed a crimson flower like a +pomegranate bud. Across the road ran the cool mountain stream. Away and +away toward the empty sky the ragged edges of the cliffs were etched +sharply upon the blue. + +The road ran swiftly round the eastern wall of the canon. Louise, as +fragrantly bright as morning sunshine on golden flowers, laughed as the +pony's lithe bound tore the silver of the ford to swirling beads and +blade-like flashes. + +On the rise beyond, the girl drew rein at the beginning of the Old +Meadow Trail, a hidden trail that led to a mountain meadow of ripe +grasses, groups of trees, and the enchantment of seclusion. + +The pony shouldered through the breast-high greasewood and picked his +steps along the edge of the hill. The twigs and branches lisped and +clattered against the carved leather tapaderos that hooded the stirrups. +The warm sun awoke the wild fragrance of sage and mountain soil. Little +lizards of the stones raced from Black Boyar's tread, becoming rigid on +the sides of rocks, clinging at odd angles with heads slanted, like +delicate Orient carvings in dull brass. + +The girl's eyes, the color of sea-water in the sun, were leveled toward +the distant hills across the San Fernando Valley. From her fingers +dangled the long bridle-reins. Her lips were gently parted. Her gaze was +the gaze of one who dreams in the daylight. And close in the hidden +meadow crouched Romance, Romance ragged, unkempt, jocular.... + +Boyar first scented the wood-smoke. Louise noticed his forward-standing +ears and his fidgeting. Immediately before her was the low rounded rock, +a throne of dreams that she had graced before. From down the slope and +almost hidden by the bulk of the rock, a little wand of smoke stood up +in the windless air, to break at last into tiny shreds and curls of +nothingness. + +"It can't be much of a fire yet!" exclaimed Louise, forever watchful, as +are all the hill-folk, for that dread, ungovernable red monster of +destruction, a mountain fire. "It can't be much of a fire _yet_." + +The pony Boyar, delicately scenting something more than wood-smoke, +snorted and swerved. Louise dismounted and stepped hurriedly round the +shoulder of the rock. A bristle-bearded face confronted her. "No, it +ain't much of a fire yet, but our hired girl she joined a movin'-picture +outfit, so us two he-things are doin' the best we can chasin' a +breakfast." And the tramp, Overland Red, ragged, unkempt, jocular, rose +from his knees beside a tiny blaze. He pulled a bleak flop of felt from +his tangled hair in an over-accentuated bow of welcome. + +"We offer you the freedom of the city, ma'am. Welcome to our midst, and +kindly excuse appearances this morning. Our trunks got delayed in New +York." + +Unsmilingly the girl's level gray eyes studied the tramp's face. Then +her glance swept him swiftly from bared head to rundown heel. "I was +just making up my mind whether I'd stay and talk with you, or ask you to +put out your fire and go somewhere else. But I think you are all right. +Please put on your hat." + +[Illustration: THE GIRL'S LEVEL GRAY EYES STUDIED THE TRAMP'S FACE] + +Overland Red's self-assurance shrunk a little. The girl's eyes were +direct and fearless, yet not altogether unfriendly. He thought that deep +within them dwelt a smile. + +"You got my map all right," he said, a trifle more respectfully. +"'Course we'll douse the fire when we duck out of here. But what do you +think of Collie here, my pal? Is he all right?" + +"Oh, he's only a boy," said Louise, glancing casually at the youth +crouched above the fire. + +The boy, a slim lad of sixteen or thereabout, flushed beneath the +battered brim of his black felt hat. He watched the tomato-can +coffee-pot intently. Louise could not see his face. + +"Yes, Miss. _I'm_ all right and so is he." And a humorous wistfulness +crept into the tramp's eyes. "He's what you might call a changeling." + +"Changeling?" + +"Uhuh! Always changin' around from place to place--when you're young. +Ain't that it?" + +"Oh! And when you are older?" she queried, smiling. + +Overland Red frowned. "Oh, then you're just a tramp, a Willie, a Bo, a +Hobo." + +He saw the girl's eyes harden a little. He spoke quickly, and, she +imagined, truthfully. "I worked ten years for one outfit once, without +a change. And I never knowed what it was to do a day's work out of the +saddle. You know what that means." + +"Cattle? Mexico?" + +Overland Red grinned. "Say! You was born in California, wasn't you?" + +"Yes, of course." + +"'Cause Mexico has been about the only place a puncher could work that +long without doin' day labor on foot half the year. Yes, I been there. +'Course, now, I'm doin' high finance, and givin' advice to the young, +and livin' on my income. And say, when it comes to real brain work, I'm +the Most Exhausted Baked High Potentate, but I wouldn't do no mineral +labor for nobody. If I can't work in the saddle, I don't work--that's +all." + +"Mineral labor? What, mining?" asked Louise. + +"No, not mining. Jest mineral labor like Japs, or section-hands, or +coachmen with bugs on their hats. Ain't the papers always speakin' of +that kind as minerals?" + +"Don't you mean menials?" + +"Well, yes. It's all the same, anyway. I never do no hair-splittin' on +words. Bein' a pote myself, it ain't necessary." + +"A--a poet! Really?" + +"Really and truly, and carry one and add five. I've roped a lot of +po'try in my time, Miss. Say, are we campin' on your land?" + +"No. This is government land, from here to our line up above--the +Moonstone Rancho." + +"The Moonstone Rancho?" queried Overland Red, breaking a twig and +feeding the fire. + +"Yes. It's named after the canon. But don't let me keep you from +breakfast." + +"Breakfast, eh? That's right! I almost forgot it, talkin' to you. +Collie's got the coffee to boilin'. No, _you_ ain't keepin' us from our +breakfast any that you'd notice. It would take a whole reg'ment of +Rurales to keep us from a breakfast if we seen one runnin' around loose +without its pa or ma." + +Louise Lacharme did not smile. This was too real. Here was adventure +with no raconteur's glamour, no bookish gloss. Here was Romance. Romance +unshaven, illiterate, with its coat off making coffee in a +smoke-blackened tomato-can, but Romance nevertheless. That this romance +should touch her life, Louise had not the faintest dream. She was +alone ... but, pshaw! Boyar was grazing near, and besides, she was not +really afraid of the men. She thought she rather liked them, or, more +particularly, the boisterous one who had said his name was Overland Red. + +The tramp gazed at her a moment before he lifted the tomato-can from the +embers. "We know you won't join us, but we're goin' to give you the +invite just the same. And we mean it. Ma'am, if you'll be so kind as to +draw up your chair, us gents'll eat." + +"Thank you!" said Louise, and Overland's face brightened at the +good-fellowship in her voice. "Thank you both, but I've had breakfast." + +She gazed at the solitary, bubbling, tomato-can coffee-pot of +"second-edition" coffee. There was nothing else to grace the board, or +rather rock. "I'll be right back," she said. "I'll just take off Boyar's +bridle. Here, Boy!" she called. "You'll be able to eat better." + +And she ran to the pony. From a saddle-pocket she took her own lunch of +sandwiches and ripe olives wrapped in oiled paper. She delayed her +return to loosen the forward cincha of the saddle and to find the little +stock of cigarette-papers and tobacco that she carried for any chance +rider of the Moonstone who might be without them. + +Collie, the boy tramp, glanced up at Overland Red. "I guess she's gone," +he said regretfully. + +"You're nutty, Collie. She ain't the kind to sneak off after sayin' +she's comin' back. I know a hoss and a real woman when I see 'em. I was +raised in the West, myself." + +The boy Collie was young, sensitive, and he had not been "raised in the +West." He frowned. "Yes, you was raised in the West, and what you got to +show for it?" + +"Well, hear the kid!" exclaimed Overland. "Out of the mouth of babes and +saplings! What have I got to show? What have I--! Wha--? Oh, you go +chase a snake! I know a good hoss and a good woman when I see 'em, and I +seen both together this morning." + +"But what do _she_ want with us bos?" asked the boy. + +"S-s-h-h! Why, she's interested in me romantic past, of course. Ain't I +the 'cute little gopher when it comes to the ladies? Fan me, Collie, and +slow music and a beer for one. I'm some lady's-man, sister!" + +"You're a bo, the same as me," said the boy. + +"S-s-h-h! For the love of Pete, don't you handle that word 'bo' so +careless. It's loaded. It has a jarrin' effect on ears +unattenuated--er--meanin' ears that ain't keyed up to it, as the pote +says. She's comin' back. Fold your napkin. Don't look so blame hungry! +Ain't you got any style?" + +"She's the prettiest girl I ever seen," said the boy, hastily swallowing +his share of the hot, insipid coffee. + +"Pretty?" whispered Overland, as Louise approached. "She's thoroughbred. +Did you see them eyes? Afraid of nothin', and smilin' at what might dast +to scare her. Not foolish, either. She's wise. And she's kind and +laughin', and not ashamed to talk to us. That's thoroughbred." + +Round the rock came Louise, the neat package of sandwiches in one hand. +In the other was the tobacco and cigarette-papers. "I'm going to have my +luncheon," she said. "If you won't object, I'll take a sandwich. There, +I have mine. The rest are for you." + +"We had our breakfast," said Overland quickly, "when you was talkin' to +your pony." + +Louise glanced at the empty tomato-can. "Well, I'll excuse you for not +waiting for me, but I shall not excuse you from having luncheon with me. +I made these sandwiches myself. Have one. They're really good." + +"Oh!" groaned Overland, grimacing. "If I could curry up my language +smooth, like that, I--I guess I'd get deaf listenin' to myself talk. You +said that speech like takin' two turns round the bandstand tryin' to +catch yourself, and then climbin' a post and steppin' on your own +shoulders so you could see the parade down the street. Do you get that?" +And he sighed heavily. "Say! These here sandwiches is great!" + +"Will you have one?" asked Louise, gracefully proffering the olives. + +"Seein' it's you. Thanks. I always take two. The second one for a chaser +to kill the taste of the first. It's the only way to eat 'em--if you +know where to stop. They do taste like somethin' you done and are sorry +for afterwards, don't they?" + +"Were you ever sorry for anything?" asked the boy, feeling a little +piqued that he had been left out of the conversation. + +"I was raised in the West, myself," growled the tramp, scowling. "But +that's a good pony you got, Miss. That your saddle too?" + +"Yes." + +"You rope any?" + +"A little. How did you know?" + +"Rawhide cover to the saddle-horn is wore with a rope," said Overland, +helping himself to a second sandwich. + +Then the tramp and the girl, oblivious to everything else, discussed +rawhide riatas as compared with the regular three-strand stock rope, or +lariat,--center-fire, three quarter, and double rigs, swell forks and +old Visalia trees, spade bits and "U" curbs,--neither willing, even +lightly, to admit the other's superiority of chosen rig. + +The boy Collie listened intently and a trifle jealously. Overland Red +and the girl had found a common ground of interest that excluded him +utterly. The boy itched for an excuse to make the girl speak to him, +even look at him. + +The sandwiches gone, Louise proffered Overland tobacco and papers. +Actual tears stood in the ex-cowboy's eyes. "Smoke! Me?" he exclaimed. +"I was dyin' for it. I'd do time for you!" + +Then in that boyish spirit that never quite leaves the range-rider, +Overland Red took the tobacco and papers and cleverly rolled a cigarette +with one hand. In the other he held his battered felt hat. His eyes had +a far-away look as he reached forward and lighted his cigarette at the +fire. "I was settin' on a crazy bronc', holdin' his head up so he +couldn't go to buckin'--outside a little old adobe down in Yuma, +Arizona, then," he explained, glancing at the girl. "Did you ever drift +away complete, like that, jest from some little old trick to make you +dream?" + + + + +CHAPTER IV + +"ANY ROAD, AT ANY TIME, FOR ANYWHERE" + + +The boy Collie took the empty tomato-can and went for water with which +to put out the fire. + +Louise and Overland Red gazed silently at the youthful figure crossing +the meadow. The same thought was in both their hearts--that the boy's +chance in life was still ahead of him. Something of this was in the +girl's level gray eyes as she asked, "Why did you come up here, so far +from the town and the railroad?" + +"We generally don't," replied Overland Red. "We ain't broke. Collie's +got some money. We got out of grub from comin' up here. We come up to +see the scenery. I ain't kiddin'; we sure did! 'Course, speakin' in +general, a free lunch looks better to me any day than the Yosemite--but +that's because I need the lunch. You got to be fed up to it to enjoy +scenery. Now, on the road we're lookin' at lots of it every day, but we +ain't seein' much. But give me a good feed and turn me loose in the Big +Show Pasture where the Bridal Veil is weepin' jealous of the Cathedral +Spires, and the Big Trees is too big to be jealous of anything, where +Adam would 'a' felt old the day he was born--jest take off my hobbles +and turn me out to graze _there_, and _feed_, and say, lady, I scorn the +idea of doin' _any_thing but decomposin' my feelin's and smokin' and +writin' po'try. I been there! There's where I writ the song called 'Beat +It, Bo.' Mebby you heard of it." + +"No, I should like to hear it." + +The fire steamed and spluttered as Collie extinguished it. Overland Red +handed the tobacco and papers to him. + +"About comin' up this here trail?" he resumed as the boy stretched +beside them on the warm earth. "Well, Miss, it was four years ago that I +picked up Collie here at Albuquerque. His pa died sudden and left the +kid to find out what a hard map this ole world is. We been across, from +Frisco to New York, twice since then, and from Seattle to San Diego on +the side, and 'most everywhere in California, it bein' my native State +and the best of the lot. You see, Collie, he's gettin' what you might +call a liberated education, full of big ideas--no dinky stuff. Yes, I +picked him up at Albuquerque, a half-starved, skinny little cuss that +was cryin' and beggin' me to get him out of there." + +"Albuquerque?" queried Louise. + +"Uhuh. Later, comin' acrost the Mojave, we got thrun off a freight by +mistake for a couple of sewin'-machines that we was ridin' with to +Barstow, so the tickets on the crates said. That was near Daggett, by a +water-tank. It was hotter than settin' on a stove in Death Valley at 12 +o'clock Sunday noon. We beat it for the next town, afoot. Collie +commenced to give out. He was pretty tender and not strong. I lugged him +some and he walked some. He was talkin' of green grass and cucumbers in +the ice-box and ice-cream and home and the Maumee River, and a whole lot +of things you can't find in the desert. Well, I got him to his feet next +mornin'. We had some trouble, and was detained a spell in Barstow after +that. They couldn't prove nothin', so they let us go. Then Collie got to +talkin' again about a California road that wiggled up a hill and through +a canon, and had one of these here ole Mission bells where it lit off +for the sky-ranch. Funny, for he was never in California then. Mebby it +was the old post-card he got at Albuquerque. You see his pa bought it +for him 'cause he wanted it. He was only a kid then. Collie, he says +it's the only thing his pa ever did buy for him, and so he kept it till +it was about wore out from lookin' at it. But considerin' how his pa +acted, I guess that was about all Collie needed to remember him by. +Anyhow, he dreamed of that road, and told me so much about it that I +got to lookin' for it too. I knowed of the old El Camino Real and the +bells, so we kept our eye peeled for that particular dream road, kind of +for fun. We found her yesterday." + +"What, this? The road to our ranch?" + +"Uhuh. Collie, he said so the minute we got in that canon, Moonstone +Canon, you said. We're restin' up and enjoyin' the scenery. We need the +rest, for only last week we resigned from doin' a stunt in a +movin'-picture outfit. They wanted somebody to do native sons. We said +we didn't have them kind of clothes, but the foreman of the outfit says +we'd do fine jest as we was. It was fierce--and, believe me, lady, I +been through some! I been through some! + +"They was two others in checker clothes and dip-lid caps, and they +_wasn't_ native sons. They acted like sons of--I'd hate to tell you +what, Miss--to the chief dollie in the show. They stole her beau and +tied him to the S. P. tracks; kind of loose, though. She didn't seem to +care. She jest stood around chewin' gum and rollin' her lamps at the +head guy. Then the movin'-picture express, which was a retired +switch-engine hooked onto a Swede observation car, backs down on +Adolphus, and we was to rush up like--pretty fast, and save his life. + +"She was a sassy little chicken with blond feathers and a three-quarter +rig skirt. She had a regular strawberry-ice-cream-soda complexion, and +her eyes looked like a couple of glass alleys with electric lights in +'em. I wondered if she took 'em out at night to go to sleep or only +switched off the current. Anyhow, up she rides in a big reddish kind of +automobile and twists her hands round her wrists and looks up the track +and down the track and sees us and says, 'Oh, w'ich way has he went? +W'ich way did Disgustus Adolphus beat it to?' And chewin' gum right on +top of that, too. It was tough on us, Miss, but we needed the money. + +"'Bout the eighteenth time she comes coughin' up in that old one-lung +machine,--to get her expression right, so the boss kept hollerin',--why, +I gets sick and tired. If there's anything _doin_', why, I'm game, but +such monkeyin'! There was that picture-machine idiot workin' the crank +as if he was shellin' a thicket-full of Injuns with a Gatling, and his +fool cap turned round with the lid down the back of his neck, and me and +Collie, the only sensible-actin' ones of the lot, because we was actin' +natural, jest restin'. I got sick and tired. The next time up coughs +that crippled-up automobile with the mumps on its front tire, and she +says, 'Where, oh, where has he went?' I ups and says, 'Crazy, Miss, and +can you blame him?' + +"She didn't see no joke in that, so the boss he fired us. He wasn't +goin' to pay us at that, but I picks up the little picture-machine box +and I swings her up over the track kind of suggestive like. 'One!' said +I. 'Do we get our money?' + +"'Drop that machine!' says he, rushin' up to me. + +"'I'm a-goin' to,' says I, 'good and hard. Think again, while I count. +Do we get our money?' + +"'You get pinched!' says he. + +"'Two,' says I, and I swings the box up by the legs. + +"'Hole on!' yells the boss. 'Pay the mutt, Jimmy, and, for Gord sake, +get that machine before he ruins the best reel we made yet!' + +"We got paid." + +"But the bell and Moonstone Canon?" questioned Louise, glancing back at +Boyar grazing down the meadow. + +"Sure! Well, we flopped near here that night--" + +"Flopped?" + +"Uhuh. Let's see, you ain't hep to that, are you? Why, we crawled to the +hay, hit the feathers, pounded our ear--er--went to bed! That's what it +used to be. Well, in the morning, me and Collie got some sardines and +crackers to the store and a little coffee. It was goin' over there that +we seen the bell and the road and the whole works. I got kind of +interested myself in that canon. I never saw so many moonstones layin' +right on top the gravel, and I been in Mex., too. We liked it and we +stayed over last night, expectin' to be gone by now." + +"And when you leave here?" queried Louise. + +"Same old thing," replied Overland cheerfully. "I know the ropes. Collie +works by spells. Oh, we're livin', and that's all you need to do in +California." + +"And that is all--now that you have found the road?" + +"Oh, the road is like all of them dreams," said Overland. "Such things +are good for keepin' people interested in somethin' till it's done, +that's all. It was fun at first, lookin' up every arroyo and slit in the +hills, till we found it. Same as them marriages on the desert, after +that." + +"Marriages?" + +"Uhuh. Seein' water what ain't there, like." + +"Oh, mirages!" And Louise laughed joyfully. + +"I don't see no joke," said Overland, aggrieved. + +"I really beg your pardon." + +"That's all right, Miss. But what would you call it?" + +"Oh, an illusion, a mirage, something that seems to be, but that is +not." + +"I don't see where it's got anything on marriages, then, do you? But I +ain't generally peppermistic. I believe in folks and things, although +I'm old enough to know better." + +"I'm glad you believe in folks," said Louise. "So do I." + +"It's account of bein' a pote, I guess," sighed the tramp. "'Course I +ain't a professional. They got to have a license. I never took out one, +not havin' the money. Anyway, if I did have enough money for a regular +license, I'd start a saloon and live respectable." + +"Won't you quote something?" And the girl smiled bewitchingly. "Boyar +and I must go soon. It's getting hot." + +"I'm mighty sorry you're goin', Miss. You're real California stock. +Knowed it the minute I set eyes on you. Besides, you passed us the +smokes." + +"Red, you shut up!" + +Overland turned a blue, astonished eye on Collie. "Why, kiddo, what's +bitin' _you_?" + +"Because the lady give us the makings don't say _she_ smokes, does it?" + +Overland grunted. "Because you're foolish with the heat, don't say I am, +does it? Them sandwiches has gone to your head, Chico. Who said she did +smoke?" + +Louise, grave-eyed, watched the two men, Overland sullen and scowling, +Collie fierce and flaming. + +"We ain't used to--to real ladies," apologized Overland. "We could do +better if we practiced up." + +"Of course!" said Louise, smiling. "But the poetry." + +"U-m-m, yes. The po'try. What'll I give her, Collie?" + +"I don't care," replied the boy. "You might try 'Casey Jones.' It's +better'n anything _you_ ever wrote." + +"That? I guess not! That ain't her style. I mean one of my +_own_--somethin' _good_." + +"Oh, I don't know. 'Toledo Blake,'" mumbled Collie. + +"Nope! But I guess the 'Grand Old Privilege' will do for a starter." + +"Oh, good!" And Louise clapped her hands. "The title is splendid. Is the +poem original?" + +The tramp bowed a trifle haughtily. "Original? Me life's work, lady." +And he awkwardly essayed to button a buttonless coat, coughed, waved his +half-consumed cigarette toward the skies, and began:-- + + "Folks say we got no morals--that they all fell in the soup; + And no conscience--so the would-be goodies say; + And I guess our good intentions _did_ jest up and flew the coop, + While we stood around and watched 'em fade away. + + "But there's one thing that we're lovin' more than money, grub, or booze, + Or even decent folks that speaks us fair; + And that's the Grand Old Privilege to chuck our luck and choose, + _Any_ road at _any_ time for _any_ where." + +And Overland, his hand above his heart, bowed effusively. + +"I like 'would-be goodies,'" said Louise. "Sounds just like a mussy, +sticky cookie that's too sweet. And 'Any road at any time for any +where--' I think that is real." + +Overland puffed his chest and cleared his throat. "I can't help it, +Miss. Born that way. Cut my first tooth on a book of pomes ma got for a +premium with Mustang Liniment." + +"Well, thank you." And Louise nodded gayly. "Keep the tobacco and papers +to remember me by. I must go." + +"We don't need them to remember you by," said Overland gallantly. Then +the smile suddenly left his face. + +Down the Old Meadow Trail, unseen by the girl and the boy, rode a single +horseman, and something at his hip glinted in the sun. Overland's hand +went to his own hip. Then he shrugged his shoulders, and slowly +recovered himself. "What's the use?" he muttered. + +But there was that in his tone which brought Collie's head up. The lad +pushed back his battered felt hat and ran his fingers through his wavy +black hair, perplexedly. "What's the matter, Red? What's the matter?" + +"Nothin'. Jest thinkin'." Yet the tramp's eyes narrowed as he glanced +furtively past the girl to where Boyar, the black pony, grazed in the +meadow. + +Louise, puzzled by something familiar in the boy's upturned, questioning +face, raised one gauntleted hand to her lips. "Why, you're the boy I +saw, out on the desert, two years ago. Weren't you lying by a water-tank +when our train stopped and a man was kneeling beside you pouring water +on your face? Aren't you that boy?" + +"Yes!" exclaimed Collie, getting to his feet. "Red told me about _you_, +too." + +"Yes, it's her," muttered Overland, nodding to himself. + +"And you chucked a rose out of the window to us?" said the boy. +"Overland said _she_ did." + +"Yes. It's her, the Rose-Lady Girl," said Overland. "Some of the folks +in the train laughed when I picked up the rose. I remember. Some one +else says, 'They're only tramps.' I recollect that, too." + +"But those men were arrested at Barstow, for murder, Uncle Walter said." + +Again Overland Red nodded. "They was, Miss. But they couldn't prove +nothin', so they let us go." + +"We always was goin' to say thanks to the girl with the rose if we ever +seen her," said the boy Collie. "We ain't had such a lot of roses give +to us." + +"So we says it now," said Overland quickly. "Or mebby we wouldn't never +have another chance." Then he slowly rolled another cigarette. + +Just then the black pony Boyar nickered. He recognized a friend entering +the meadow. + +Overland lighted his cigarette. As he straightened up, Louise was +surprised to see him thrust both hands above his head while he continued +smoking placidly. "Excuse me, Miss," he said, turning the cigarette +round with his lips; "but the gent behind you with the gun has got the +drop on me. I guess he's waitin' for you to step out of range." + +Louise turned swiftly. Dick Tenlow, deputy sheriff, nodded good-morning +to her, but kept his gun trained on the tramp. + +"Just step out from behind that rock," said Tenlow, addressing +Overland. + +"Don't know as I will," replied the tramp. "You're no gentleman; you +didn't say 'please.'" + +"Come on! No bluff like that goes here," said the deputy. + +"Can't you see I ain't finished smokin' yet?" queried Overland. + +"Come on! Step along!" + +"No way to address a gent, you Johnny. Say, I'll tell you _now_ before +you fall down and shoot yourself. Do you think you got me because you +rode up while I was talkin' to a lady, and butted into polite +conversation like a drunk Swede at a dance? Say, you think I'd 'a' ever +let you got this far if there hadn't been a lady present? Why, you +little nickle-plated, rubber-eared policeman, I was doin' the double +roll with a pair of Colts .45's when you was learnin' the taste of +milk!" + +"That'll be about all for _you_," said the sheriff, grinning. + +"No, it ain't. You ain't takin' me serious, and there's where you're +makin' your mistake. I'm touchy about some things, Mr. Pussy-foot. I +could 'a' got you three times while you was ridin' down that trail, and +I wouldn't 'a' had to stop talkin' to do it. And you with that little +old gun out before you even seen me!" + +"Why didn't you, then?" asked Tenlow, restraining his anger; for Louise, +in spite of herself, had smiled at Overland's somewhat picturesque +resentment. "Why didn't you, then?" + +"Huh!" snorted Overland scornfully. "Do you suppose I'd start anything +with a _lady_ around? That ain't my style. You're a kid. You'll get hurt +some day." + +Deputy Tenlow scowled. He was a big man, slow of tongue, ordinarily +genial, and proverbially stupid. He knew the tramp was endeavoring to +anger him. The deputy turned to Louise. "Sorry, Miss Lacharme, but I got +to take him." + +"There's really nothing to hinder, is there?" Louise asked sweetly. + + + + +CHAPTER V + +"CAN HE RIDE?" + + +The tramp glanced up, addressing the deputy. "Yes, even now there is +something to hinder, if I was to get busy." Then he coolly dropped his +arms and leaned against the rock with one leg crossed before the other +in a manner sometimes supposed to reflect social ease and elegance. "But +I'm game to take what's comin'. If you'll just stick me up and extract +the .38 automatic I'm packin' on my hip,--and, believe me, she's a bad +Gat. when she's in action,--why, I'll feel lots better. The little gun +might get to shootin' by herself, and then somebody would get hurt sure. +You see, I'm givin' you all the chance you want to take me without +gettin' mussed up. I'm nervous about firearms, anyhow." + +Deputy Dick Tenlow advanced and secured the gun. + +"Now," said Overland Red, heaving a sigh; "now, I ain't ashamed to look +a gun in the face. You see, Miss," he added, turning to address the +girl, "I was sheriff of Abilene once, in the ole red-eye, rumpus days. I +have planted some citizens in my time. You see, I kind of owe the ones +I did plant a silent apology for lettin' this here chicken-rancher get +me so easy." + +"You talk big," said Tenlow, laughing. "Who was you when you was sheriff +of Abilene, eh?" + +"Jack Summers, sometimes called Red Jack Summers," replied Overland +quietly, and he looked the deputy in the eye. + +"Jack Summers!" + +Overland nodded. "Take it or leave it. You'll find out some day. And now +you got some excuse for packin' a gun round these here peaceful hills +and valleys the rest of your life. You took Jack Summers, and there +ain't goin' to be a funeral." + +Something about the tramp's manner inclined the deputy to believe that +he had spoken truth. "All right," said Tenlow; "just step ahead. Don't +try the brush or I'll drop you." + +"'Course you would," said Overland, stepping ahead of the deputy's pony. +"But the bunch you're takin' orders from don't want me dead; they want +me alive. I ain't no good all shot up. You ought to know that." + +"I know there's a thousand dollars reward for you. I need the money." + +Overland Red grinned. "It's against me morals to bet--with kids. But +I'll put up that little automatic you frisked off me, against the +thousand you expect to get, that you don't even get a long-range smell +of that money. Are you on?" + +Tenlow motioned the other to step ahead. + +"I'm bettin' my little gun to a thousand dollars less than nothin'. +Ain't you game? I'm givin' you the long end." + +"Never mind," growled Tenlow. "You can talk later." + +The boy Collie, recovering from his surprise at the arrest, stepped up +to the sheriff. "Where do I come in?" he asked. "You can't pinch Red +without me. I was with him that time the guy croaked out on the Mojave. +Red didn't kill him. They let us go once. What you doin' pinchin' us +again? How do _you_ know--" + +"Hold on, Collie; don't get careless," said Overland. "He don't know +nothin'. He's followin' orders. The game's up." + +Louise whistled Boyar to her and bridled him. The little group ahead +seemed to be waiting for her. She led the pony toward the trail. "Did he +do it?" she asked as she caught up with Collie. + +"No," he muttered. "Red's the squarest pal on earth. Red tried to save +the guy--out there on the desert. Gave him all the water we had, pretty +near. He dassent to give him all, for because he was afraid it would +kill him. The guy fell and hit his head on the rail. Red said he was +dyin' on his feet, anyway. Then Red lugged me clean to that tank where +you seen us from the train. I was all in. I guess Red saved my life. He +didn't tell you that." + +"Is he--was he really a cowboy? Can he ride?" asked Louise. + +"Can he ride? Say, I seen him ride Cyclone once and get first money for +ridin' the worst buckin' bronc' at the rodeo, over to Tucson. Well, I +guess!" + +"Boyar, my pony, is the fastest pony in the hills," said Louise +pensively. + +"What you givin' us?" said the boy, glancing at her sharply. + +"Nothing. I was merely imagining something." + +"Red's square," asserted the boy. + +"Sheriff Tenlow is a splendid shot," murmured Louise, with apparent +irrelevance. + +They had crossed the meadow. Ahead of the sheriff walked Overland, his +slouch gone, his head carried high. Collie noted this unusual alertness +of poise and wondered. + +"Don't try the brush," cautioned Tenlow, also aware of Overland's +alertness. + +"When I leave here, I'll ride. Sabe?" And Overland stepped briskly to +the trail, turning his back squarely on the alert and puzzled sheriff. + +"He's been raised in these hills," muttered the tramp. "He knows the +trails. I don't. But--I'd like to show that little Rose-Lady Girl some +real ridin' once. She's a sport. I'd ride into hell and rake out the +fire for her.... I hate to--to do it--but I guess I got to." + +"Step up there," said Tenlow. "What you talkin' about, anyhow?" + +"Angels," replied Overland. "I see 'em once in a while." And he glanced +back. He saw Collie talking to the girl, who stood by her pony, the +reins dangling lightly from her outstretched hand. + +"Snake!" screamed Overland Red, leaping backward and flinging up his +arms, directly in the face of the deputy's pony. The horse reared. +Overland, crouching, sprang under its belly, striking it as he went. +Again the pony reared, nearly throwing the deputy. + +"Overland Limited!" shouted the tramp, dashing toward Boyar. With a +spring he was in the saddle and had slipped the quirt from the +saddle-horn to his wrist. He would need that quirt, as he had no spurs. + +Round swung Tenlow, cursing. Black Boyar shot across the meadow, the +quirt falling at each jump. The tramp glanced back. Tenlow's right hand +went up and his gun roared once, twice.... + +The boy Collie, white and gasping, threw himself in front of Tenlow's +horse. The deputy spurred the pony over him and swept down the meadow. + +Louise, angered in that the boy had snatched Boyar's reins from her as +Overland shouted, relented as she saw the instant bravery in the lad's +endeavor to stop Tenlow's horse. She stooped over him. He rose stiffly. + +"Oh! I thought you were hurt!" she exclaimed. + +"Nope! I guess not. I was scared, I guess. Let's watch 'em, Miss!" And +forgetful of his bruised and shaken body, he limped to the edge of the +meadow, followed by Louise. "There they go!" he cried. "Red's 'way +ahead. The sheriff gent can't shoot again--he's too busy ridin'." + +"Boyar! Boyar! Good horse! Good horse!" cried the girl as the black pony +flashed across the steep slope of the ragged mountain side like a winged +thing. "Boyar! Boy!" + +She shivered as the loose shale, ploughed by the pony's flying hoofs, +slithered down the slope at every plunge. + +"Can he ride?" shouted Collie, wild tears of joy in his eyes. + +Suddenly Overland, glancing back, saw Tenlow stop and raise his arm. The +tramp cowboy swung Black Boyar half-round, and driving his unspurred +heels into the pony's ribs, put him straight down the terrific slope of +the mountain at a run. + +Tenlow's gun cracked. A spray of dust rose instantly ahead of Boyar. + +"Look! Look!" cried Louise. The deputy, angered out of his usual +judgment, spurred his horse directly down the footless shale that the +tramp had ridden across diagonally. "Look! He can't--The horse--! Oh!" +she groaned as Tenlow's pony stumbled and all but pitched headlong. "The +other man--knew better than that--" she gasped, turning to the boy. "He +waited--till he struck rock and brush before he turned Boyar." + +"Can he ride?" shouted Collie, grinning. But the grin died to a gasp. A +burst of shale and dust shot up from the hillside. They saw the flash of +the cinchas on the belly of Tenlow's horse as the dauntless pony +stumbled and dove headlong down the slope, rolling over and over, to +stop finally--a patch of brown, shapeless, quivering. + +Below, Overland Red had curbed Boyar and was gazing up at a spot of +black on the hillside--Dick Tenlow, motionless, silent. His sombrero lay +several yards down the slope. + +"Oh! The horse!" cried Louise, chokingly, with her hand to her breast. + +As for Dick Tenlow, lying halfway down the hillside, stunned and +shattered, she had but a secondary sympathy. He had sacrificed a gallant +and willing beast to his anger. The tramp, riding a strange pony over +desperately perilous and unfamiliar ground, had used judgment. "Your +friend is a man!" she said, turning to the boy. "But Dick Tenlow is +hurt--perhaps killed. He went under the horse when it fell." + +"I guess it's up to us to see if the sheriff gent is done for, at that," +said the boy. "Mebby we can do something." + +"You'll get arrested, now," said the girl. "If Dick Tenlow is alive, +you'll have to go for help. If he isn't...." + +"I'll go, all right. I ain't afraid. I didn't do anything. I guess I'll +stick around till Red shows up again, anyhow." + +"You're a stranger here. I should go as soon as you have sent help," +said the girl. + +"Mebby I better. I'll help get him up the hill and in the shade. Then +I'll beat it for the doc. If I don't come back after that," he said +slowly, flushing, "it ain't because I'm scared of anything I done." + + * * * * * + +Far down in the valley Boyar's sweating sides glistened in the sun. An +arm was raised in a gesture of farewell as the tramp swung the pony +toward the town. Much to her surprise, Louise found herself waving a +vigorous adieu to the distant figure. + +The tramp Overland, realizing that the deputy was badly injured, told +the first person he met about the accident, advising him to get help at +once for the deputy. Then he turned the pony toward the foothills. In a +clump of greasewood he dismounted, and, leaving the reins hanging to the +saddle-horn, struck Black Boyar on the flank. The horse leaped toward +the Moonstone Trail. The tramp disappeared in the brush. + + + + +CHAPTER VI + +ADVOCATE EXTRAORDINARY + + +Louise Lacharme, more beautiful than roses, strolled across the +vine-shadowed porch of the big ranch-house and sat on the porch rail +opposite her uncle. His clear blue eyes twinkled approval as he gazed at +her. + +Walter Stone was fifty, but the fifty of the hard-riding optimist of the +great outdoors. The smooth tan of his cheeks contrasted oddly with the +silver of his close-cropped hair. He appeared as a young man prematurely +gray. + +"How is Boyar?" he asked, smiling a little as Louise, sitting sideways +on the porch-rail, swung her foot back and forth quickly. + +"Oh, Boy is all right. The tramp turned him loose in the valley. Boy +came home." + +"It was a clever bit of riding, to get the best of Tenlow on his own +range. Was Dick very badly hurt?" queried Walter Stone. + +"Yes, his collar-bone was broken and he was crushed and terribly +bruised. His horse was killed. When I was down, day before yesterday, +the doctor said Dick would be all right in time." + +"How about this boy, the tramp boy they arrested?" + +"Oh," said Louise, "that was a shame! He stayed and helped the doctor +put Dick in the buggy and rode with him to town. Mr. Tenlow was +unconscious, and the boy had to go to hold him. Then the boy explained +it all at the store, and they arrested him anyway, as a suspicious +character. I should have let him go. When Mr. Tenlow became conscious +and they told him they had the boy, he said to keep him in the +calaboose; that that was where he belonged." + +"And you want me to see what I can do for this boy?" + +"I didn't say so." And Louise tilted her chin. + +"Now, sweetheart, don't quibble. It isn't like you." + +The gray silk-clad ankle flashed back and forth. "Really, Uncle Walter, +you could have done something for the boy without making me say that I +wanted you to. You're always doing something nice--helping people that +are in trouble. You don't usually have to be asked." + +"Perhaps I like to be asked--by--Louise." + +"You're just flattering me, I know! But uncle, if you had seen the boy +jump in front of Mr. Tenlow's horse when Dick shot at the tramp,--and +afterwards when the boy helped me with Dick and stuck right to him clear +to his house,--why, you couldn't help but admire him. Then they +arrested him--for what? It's a shame! I told him to run when I saw the +doctor's buggy coming." + +"Yes, Louise; the boy may be brave and likable enough, but how are we to +know what he really is? I don't like to take the risk. I don't like to +meddle in such affairs." + +"Uncle Walter! Risk! And the risks you used to take when you were a +young man. Oh, Aunty Eleanor has told me all about your riding bronchos +and the Panamint--and lots of things. I won't tell you all, for you'd be +flattered to pieces, and I want you in one whole lump to-day." + +"Only for to-day, Louise?" + +"Oh, maybe for to-morrow, and to-morrow and to-morrow. But, uncle, only +last week you said at breakfast that the present system of arrest and +imprisonment was all wrong. That was because they arrested that editor +who was a friend of yours. But now, when you have a chance to prove that +you were in earnest, you don't seem a bit interested." + +"Did I really say all that, sweetness?" + +"Now _you_ are quibbling. And does 'sweetness,' mean me, or what you +said at breakfast? Because you said 'the whole damn system'; and there +were two ladies at the table. Of course, that was before breakfast. +After breakfast you picked a rose for aunty, and kissed me." + +Walter Stone laughed heartily. "But I do take a great deal of interest +in anything that interests you." + +Louise slipped lithely from the porch-rail and swung up on the broad arm +of his chair, snuggling against him impetuously. "I know you do, uncle. +I just love you! I'll stop teasing." + +"I surrender. I'm a pretty fair soldier at long range, but this"--and +his arm went round her affectionately--"this is utter defeat. I strike +my colors. Then, you always give in so gracefully." + +"To you, perhaps, Uncle Walter. But I haven't given in this time. I'm +just as interested as ever." + +"And you think they are the men we saw out on the Mojave by the +water-tank?" + +"Oh, I know it! They remembered the rose. They spoke of it right away, +before I did." + +"Yes, Louise. And you remember, too, that they were arrested at +Barstow--for murder, the conductor said?" + +"That's just it! The boy Collie says the tramp Overland Red didn't kill +the man. He was trying to save him and gave him water. If you could only +hear what the boy says about it--" + +"I don't suppose it would do any harm," said the rancher. "I dislike to +use my influence. You know, I practically control Dick Tenlow's place at +the elections." + +"That's just why he should be willing to let the boy go," said Louise +quickly. + +"No, sweetheart. That's just why I shouldn't ask Dick to do anything of +the kind. But I see I'm in for it. You have already interested your Aunt +Eleanor. She spoke to me about the boy last night." + +"Aunty Eleanor is a dear. I didn't really ask her to speak to you." + +"No," he said, laughing. "Of course not. You're too clever for that. You +simply sow your poppy-seed and leave it alone. The poppies come up fast +enough." + +Louise laughed softly. "You're pretending to criticize and you're really +flattering,--deliberately,--aren't you, Uncle Walter?" + +"Flattering? And you?" + +"Because Aunt Eleanor said you could be simply irresistible when you +wanted to be. I think so, too. Especially when you are on a horse." + +"Naturally. I always did feel more confident in the saddle. I could, if +need arose, ride away like the chap in Bobby Burns's verse, you +remember-- + + "He gave his bridle-rein a shake, + And turned him on the shore, + With, 'Farewell, forever more, my dear, + Farewell, forever more.'" + +"But you didn't, uncle. Aunty said she used to be almost afraid that +you'd ride away with her, like Lochinvar." + +"Yes." And Walter Stone sighed deeply. + +"Oh, Uncle Walter! That sounded full of regrets and things." + +"It was. It is. I'm fifty." + +"It isn't fifty. It's a lack of exercise. And you wouldn't be half so +fine-looking if you were fat. I _always_ sigh when I don't know what to +do. Then I just saddle Boy and ride. And I'll _never_ let myself get +fat." + +"A vow is a vow--at sixteen." + +"Now I _know_ you need exercise. You're getting reminiscent, and that's +a sign of torpid liver." + +Walter Stone laughed till the tears came. "Exercise!" he exclaimed. "Ah! +I begin to divine a subtle method in your doctrine of health. Ah, ha! I +look well on a horse! I need exercise! It's a very satisfactory ride +from here to town and back. Incidentally, Louise, I smell a rat. I used +to be able to hold my own." + +"It isn't my fault if you don't now," said Louise, snuggling in his +arm. + +"That's unworthy of you!" he growled, his arm tightening round her slim +young figure. "Tell me, sweetheart; how is it that you can be so +thoroughly practical and so unfathomably romantic in the same breath? +You have deliberately shattered me to bits that you might mould me +nearer to your heart's desire. And your heart's desire, just now, is to +help an unknown, a tramp, out of jail." + +Louise pouted. "You say 'just now' as though my heart's desires weren't +very serious matters as a rule. You _know_ you wouldn't be half so happy +if I didn't tease you for something at least once a week. I remember +once I didn't ask you for anything for a whole week, and you went and +asked Aunty Eleanor if I were ill. Besides, the boy _needs_ help, +whether he did anything wrong or not. Can't you understand?" + +"That's utopian, Louise, but it isn't generally practicable." + +"Then make it individually practicable, uncle--just this time. Pshaw! I +don't believe you're half-trying to argue. Why, when Boyar bucked you +off that time and ran into the barb-wire, then _he_ didn't need +doctoring for that awful cut on his shoulder, because he had done +wrong." + +"That is no parallel, Louise. Boyar didn't know any better. And this boy +is not sick or injured." + +"How do you know that? He's down in that terribly hot, smelly jail. If +he did get sick, who would know it?" + +"And Boyar isn't a human being. He can't reason." + +"Oh, Uncle Walter! I thought you knew horses better than that. Boyar can +reason much better than most people." + +"The proof being that he prefers you to any one else?" + +"No," replied Louise, smiling mischievously. "That isn't Boyar's +_reason_; it's his affection. That's different." + +"Yes, quite different," said Walter Stone. "Is this boy good-looking?" +And the rancher fumbled in his pocket for a cigar. + +Louise slipped from the arm of his chair and stood opposite him, her +lips pouted teasingly, the young face glowing with mischief and fun. "Am +I?" she asked, curtsying and twinkling. "'Cause if you're going to ride +down to the valley to see the boy just because Beautiful asked you, +Beautiful will go alone. But if you come because _I_ want you,"--and +Louise smiled bewitchingly,--"why, Beautiful will come too, and sing for +you--perhaps." + +"My heart, my service, and my future are at your feet, Senorita Louisa, +my mouse. Are your eyes gray or green this morning?" + +"Both," replied Louise quickly. "Green for spunk and gray for love. +That's what Aunty Eleanor says." + +"Come a little nearer. Let me see. No, they are quite gray now." + +"'Cause why?" she cooed, and stooping, kissed him with warm, careless +affection. "You always ask me about my eyes when you want me to kiss +you. Of course, when you want to kiss _me_, why, you just come and take +'em." + +"My esteemed privilege, sweetheart. I am your caballero." + +"Did Aunty Eleanor?" said Louise. + +But Walter Stone rose and straightened his shoulders. "That will do, +mouse. I can't have any jealousy between my sweethearts." + +"Never! And, Uncle Walter, do you want to ride Major or Rally? Rally and +Boyar get along better together. I'll saddle Boy in a jiffy." + + * * * * * + +To ride some ten miles in the blazing sun of midsummer requires a kind +of anticipatory fortitude, at fifty, especially when one's own vine and +fig tree is cool and fragrant, embowered in blue flowers and graced by, +let us say, Louise. And a cigar is always at its best when half-smoked. +But when Louise came blithely leading the two saddle-ponies, Black Boyar +and the big pinto Rally, Walter Stone shook an odd twenty years from +his broad shoulders and swung into the saddle briskly. + +From the shade of the great sycamore warders of the wide gate, he waved +a gauntleted salute to Aunt Eleanor, who stood on the porch, drawing a +leaf of the graceful moon-vine through her slender fingers. She nodded a +smiling farewell. + +Louise and her uncle rode as two lovers, their ponies close together. +The girl swayed to Boyar's quick, swinging walk. Walter Stone sat the +strong, tireless Rally with solid ease. + +The girl, laughing happily at her triumph, leaned toward her escort +teasingly, singing fragments of old Spanish love-songs, or talking with +eager lips and sparkling eyes. Of a sudden she would assume a +demureness, utterly bewitching in its veiled and perfect mimicry. Quite +seriously he would set about to overcome this delightful mood of hers +with extravagant vows of lifelong love and servitude, as though he were +in truth her chosen caballero and she his Senorita of the Rose. + +And as they played at love-making, hidden graces of the girl's sweet +nature unfolded to him, and deep in his heart he wondered, and found +life good, and Youth still unspoiled by the years, and Louise a +veritable enchantress of infinite moods, each one adorable. +Golden-haired, gray-eyed, quick with sympathy, sweetly subtle and subtly +sweet was Louise.... And one must worship Youth and Beauty and Love, +even with their passing bitter on one's lips. + +But to Walter Stone no such bitterness had come, this soldierly, wise +caballero escorting his adorable senorita on an errand of mercy. His was +the heart of Youth, eternal and undaunted Youth. And Beauty was hers, of +the spirit as well as of the flesh. And Love.... + +"Why, Louise! There are tears on your lashes, my colleen!" + +"But I am singing, uncle." And she smiled through her tears. + +"Sweetheart?" + +"Yes, Uncle Walter?" + +"What is it? Tell me." + +"I wish I could. I don't know. I think I'm getting to be grown up--just +like a woman. It--it makes me--think of lots of things. Let's ride." And +her silver spurs flashed. + +Boyar, taken quite by surprise, grunted as he leaped down the Moonstone +Trail. He resented this undeserved punishment by plunging sideways +across the road. Again came the flash of the silver spurs, and Walter +Stone heard Louise disciplining the pony. + +"Just a woman. Just like a woman," murmured the rancher. "Now, Boyar, +and some others of us, will never quite understand what that means." And +with rein and voice he lifted the pinto Rally to a lope. + + + + +CHAPTER VII + +THE GIRL WHO GLANCED BACK + + +At the crossroads in the valley stood the local jail, or "coop," as it +was more descriptively called. Unpainted, isolated, its solitary +ugliness lacked even the squalid dignity commonly associated with the +word "jail." The sun pelted down upon its bleached, unshaded roof and +sides. The burning air ran over its warped shingles like a kind of +colorless fire. + +The boy Collie, half-dreaming in the suffocating heat of the place, +started to his feet as the door swung open. He had heard horses coming. +They had stopped. He could hardly realize that the sunlight was swimming +through the close dusk of the place. But the girl of Moonstone Canon, +reining Boyar round, was real, and she smiled and nodded a greeting. + +"This is Mr. Stone, my uncle," she said. "He wants to talk with you." + +With a glance that noted each unlovely detail of the place, the broken +iron bed, the cracked pitcher, and the unspeakable blankets, Louise +touched her pony and was gone. + +Collie rubbed his eyes, blinking in the sun as he stood gazing after +her. + +Walter Stone, standing near the doorway, noted the lad's clear, healthy +skin, his well-shaped head with its tumble of wavy black hair, and the +luminous dark eyes. He felt an instant sympathy for the boy, a sympathy +that he masked with a business-like brusqueness. "Well, young man?" + +"Yes, sir." + +"Come outside. It's vile in there." + +Stone led his pony to the north side of the "coop." + +Collie followed. + +Away to the west he saw the hazy peaks. A lake of burning air pulsed +above the flat, hot floor of the valley. Over there lay the hills and +the shade and the road.... Somewhere beyond was Overland, his friend, +penniless, hunted, hungry.... + +"She brung you?" queried the boy. + +"Yes. I have seen Tenlow, the sheriff. He is willing to let you go at my +request. What do you intend doing, now that you are free?" + +"I don' know. Find Red, I guess." + +Walter Stone nodded. "What then?" + +"Oh, stick it out with Red. They'll be after him sure now. Red's my +pal." + +"What has he done to get the police after him?" + +"Nothin'. It's the bunch." + +"The bunch?" + +"Uhuh. Them guys out on the Mojave. But say, are you workin' me to get +next to Red and get him pinched again?" + +"No. You don't have to answer me. This man Red is nothing to me, one way +or the other. He took Miss Lacharme's pony, but she has overlooked that. +I thought, perhaps, you might care to explain your position. Perhaps you +had rather not. You may go now if you wish." + +"Is that straight?" + +"Yes." + +For several tense seconds the lad gazed at his questioner. Finally his +gaze shifted to the hills. "I guess you're straight," he said presently. +"I guess she wouldn't have you for a relation if you wasn't straight." + +The elder man laughed. "That's right--she wouldn't, young man." + +"How's the sheriff guy?" asked the boy. + +"He's getting along well enough. What made you ask?" + +"Oh, nothin'. I hate to see any guy get hurt." + +"I'm glad to hear you say that. I begin to think you are a bigger man +than he is." + +"Me?" And Collie flushed, misunderstanding the other's drift. "I guess +you're kiddin'." + +"No, I mean it. Mr. Tenlow still seemed pretty hot about your share in +this--er--enterprise. You seem to have no hard feelings against him." + +"Huh! He shouldn't to be sore at _me_. I didn't spur no horse onto him +and ride him down like a dog. I guess Red would 'a' killed him if he'd +seen it. Say, nobody got Red, did they?" + +"I haven't heard of it. How did this man Red come to pick you up? You're +pretty young to be tramping." + +"Cross your heart you ain't tryin' to queer Red? You ain't tryin' to put +the Injun sign on us, are you?" + +"No. I have heard all about the Mojave affair--the prospector that died +on the track--and the arrest of Overland Red at Barstow. You told my +niece that this Overland Red was 'square.' How did you come to be mixed +up in it?" + +"I guess I'll have to tell you the whole thing, straight. Red always +said that to tell the truth was just as good as lyin', because nobody +would believe us, anyway. And if a fella gets caught tellin' the truth, +why, he's that much to the good." + +"Well, I shall try and believe you this time," said Stone. "Miss +Lacharme thinks you're honest." + +"A guy couldn't lie to her!" said the boy. + +"Then just consider me her representative," said Stone, smiling. + +Collie squatted in the meager shade of the "coop." + +Walter Stone, dropping the pony's reins, came and sat beside the lad. +There was something in the older man's presence, an unspoken assurance +of comradeship and sincerity that annulled the boy's tendency to +reticence about himself. He began hesitatingly, "My dad was a drinkin' +man. Ma died, and he got worse at it. I was a kid and didn't care, for +he never done nothin' to me. We lived back East, over a pawnbroker's on +Main Street. One day pa come home with a timetable. He sat up 'most all +night readin' it. Every time I woke up, he was readin' it and talkin' to +himself. That was after ma died. + +"In the mornin', when I was gettin' dressed, he come over and says to +take the needle he had and stick it through the timetable anywhere. I +was scared he was goin' to have the jimmies. But I took the needle--it +had black thread in it--and stuck it through the timetable. He opened +the page and laughed awful loud and queer. Albuquerque was where the +needle went in. He couldn't say the name right, but he kept lookin' at +it. + +"Then he went out and was gone all day and all night. When he come back +he showed me a whole wad of money. I says, 'Where did you get it?' He +got mad and tells me to shut up. + +"That day we got on a train. I says, 'Where are we goin'?' and he says +to never mind, and did I want some peanuts. + +"We kept ridin' and ridin' in the same car, and eatin' bananas and +san'wiches and sleepin' settin' up at nights. I was just about sick when +we come to Albuquerque. You see, that was where the needle went through +the timetable, and dad said we would get off there. He got awful drunk +that night. + +"Next day he said he was goin' to quit liquor and make a fresh start. I +knowed he wouldn't, 'cause he always said that next mornin'. But I guess +he tried to quit. I don't know. + +"One night he didn't come back to the room where we was stayin' upstairs +over the saloon. They found him 'way down the track next day, all cut to +pieces by the train." + +The boy paused, reached forward, and plucked a withered stem of grass +which he wound round and round his finger. + +Walter Stone sat looking across the valley. + +"I guess his money was all gone," resumed the boy. "Anyhow, 'bout a year +after, Overland Red comes along. He comes to the saloon where I was +stayin',--they give me a job cleanin' out every day,--and he got to +talkin' a lot of stuff about scenery and livin' the simple life, and all +that guff. The bartender got to jawin' with him, and I laughed, and the +bartender hits me a lick side the head. Red, he hits the bartender a +lick side of _his_ head--and the bartender don't get up right away. +'I'll learn him to hit kids,' said Red. 'If you learn him to hit 'em as +hard as that,' I says to Red, 'then it will be all off with me the next +time.' + +"Does he hit you very often?' said Red. + +"Whenever he feels like it,' I told him. + +"Red laughed and said to come on. I was sick of there, so I run away +with Red. We tried it on a freight and got put off. Red had some water +in a canteen he swiped. It was lucky for us he did. We kept walkin' and +goin' nights, and mebby ridin' on freights in the daytime if we could. +One day, a long time after that, we was crossin' the desert again. We +got put off a freight that time, too. We was walkin' along when we found +a guy layin' beside the track. Red said he wasn't dead, but was dyin'. +We give him some water. Then he kind of come to and wanted to drink it +all. Red said, 'No.' Then the guy got kind of crazy. He got up and +grabbed Red. I was scared. + +"Red, he passed me the canteen and told me to keep it away from the guy +because more water would kill him. Then the guy went for Red. 'He's +dyin' on his feet,' said Red. 'It's his last flash.' And he tried to +hold the guy quiet, talkin' decent to him all the time. They was +staggerin' around when the guy tripped backwards over the rail. His head +hit on the other rail and Red fell on top of him. Anyway, the guy was +dead." + +Walter Stone shifted his position, turning to gaze at the boy's white +face. "Yes--go on," he said quietly. + +"Red was for searchin' the guy, but I says to come on before we got +caught. Red, he laughed kind of queer, and asked me, 'Caught at what?' +Then I said, 'I dunno,' but I was scared. + +"Anyway, he went through the dead guy's clothes and found some papers +and old letters and a little leather bag with a whole lot of gold-dust +in it. Red said mebby five hundred dollars!" + +"Gold-dust?" + +"Uhuh! Then Red _was_ scared. He buried the bag and the papers 'way out +in the sand and made a mark on the ties to find it by." + +"Did you find out the dead man's name?" asked Stone, glancing curiously +at the boy. + +"Nope. We just beat it for the next station. I was feelin' sick. I give +out, and Red, he lugged me to the next water-tank. He was pourin' water +on me when the Limited come along and stopped, and _she_ throwed the +rose to us. Red told me about it after. You wouldn't go back on a pal +like that, would you?" + +"No, I don't know that I should." + +"That's me!" said the boy. "Then they went to work and pinched us at +Barstow. Said we killed the guy because his head was smashed in where he +hit the rails. They tried to make Red say that he robbed the guy after +killin' him. But Red told everything, except he didn't tell about the +letters and the gold-dust. They tried to make me say it, but I dassent. +I knowed they would fix Red sure if I did, and he told me not to tell +about the gold if they did pinch us." + +"They let you go--after the police examination. Then how is it that the +authorities are after you again?" + +"It's the bunch," replied the boy. "Them guys out there knowed the dead +guy had a mine or a ledge or somethin' where he got the gold. Nobody was +wise to where. They told at the jail how he used to come in once in a +while and send his dust to Los Angeles by the express company. All them +guys like the sheriff and the station agent and all the people in that +town are workin' tryin' to find out where the gold come from. They think +because Red and me is tramps that they can make us tell and arrest us +whenever they like. But even Red don't know, unless it's in the papers +he hid in the sand." + +"That sounds like a pretty straight story," said Stone. "So you intend +to stick to this man Red?" + +"Sure! Would you quit him now, when they're after him worst?" + +"They will get him finally." + +"Mebby. But Red's pretty slick at a getaway. If they do pinch him again, +that's where I come in. I'm the only witness and the only friend he's +got." + +"Of course. But don't you see, my boy, that your way of living is so +much against you that you couldn't really help him? A man's naked word +is worth just what his friends and neighbors will allow him for it, and +no more." + +"But ain't a guy got no rights in this country?" + +"Certainly he has. But he has to prove that he is entitled to them, by +his way of living." + +"Then he's got to go to church, and work, and live decent, or he don't +get a square deal, hey?" + +"But why shouldn't he do that much?" + +Collie did not answer. Instead, he inspected his questioner critically +from head to foot. "I guess you're right," he said finally. "I've heard +folks talk like that before, but I never took no stock. They kind of +said it because they knowed it. I guess you say it because you mean it." + +"Of course I do," said Stone heartily. "Well, here comes my niece with +the mail. See! Over there is El Camino Real, running north. My ranch is +up _there_, in the hills. My foreman's name is Williams. If you should +ask him for work, I believe he might give you something to do. I heard +him say he needed a man, not long ago." + +Walter Stone cinched up the saddle and mounted his pony. The boy's eyes +shone as he gazed at the strong, soldierly figure. Ah, to look like +that, and ride a horse like that! + +Boyar, the black pony, clattered up and stopped. "Hello, folks!" said +Louise, purposely including the boy in her greeting. + +Collie flushed happily. Then a bitterness grew in his heart as he +thought of his friend Overland, hunted from town to town by the same law +that protected these people--an unjust law that they observed and +fostered. + +"Well?" said Stone. + +Collie's gaze was on the ground. "I don' know," he muttered. "I don' +know." + +"Well, good luck to you!" And the ponies swung into that philosophical +lope of the Western horse who knows his journey's length. + +The figures of the riders grew smaller. Still the boy stood in the road, +watching them. Undecided, he gazed. Then came an answer to his stubborn +self-questioning. Louise glanced back--glanced back for an instant in +mute sympathy with his loneliness. + +Slowly the boy turned and entered the jail. He folded his coat over his +arm, stepped outside, and closed the door. + +Before him stretched the hot gray level of El Camino Real, the road to +the beyond. From it branched a narrower road, reaching up into the +southern hills,--on, up to the mysterious Moonstone Canon with its +singing stream and its gracious shade. Somewhere beyond, higher, and in +the shadowy fastness of the great ranges lay the Moonstone Ranch ... her +home. + +"I guess, steppin' up smart, I'll be there just about in time for +supper," said the boy. And whistling cheerily, he set his feet toward +the south and the Moonstone Trail. + + + + +CHAPTER VIII + +THE TEST + + +After a week of weeding in the vegetable garden, Collie was put to work +repairing fence. There were many miles of it, inclosing some twenty +thousand acres of grazing-land, and the cross-fencing of the oat, +alfalfa, fruit, and vegetable acreage. The fence was forever in need of +repair. The heavy winter rains, torrential in the mountains, often +washed away entire hillsides, leaving a dozen or so staggering posts +held together by the wires, tangled and sagging. Cattle frequently +pulled loosened posts from the earth by kneeling under the wire and +working through, oblivious to the barbs. Again, "stock gone a little +loco" would often charge straight through the rigid and ripping wire +barriers as though their strands were of thread. Posts would split in +the sun, and staples would drop out, leaving sagging spaces which cattle +never failed to find and take advantage of. Trees uprooted by the rain +and wind would often fall across the fence. + +Altogether, the maintaining of a serviceable fence-line on a +well-ordered ranch necessitates eternal vigilance. + +The Moonstone Rancho was well ordered under the direct supervision of +Walter Stone's foreman, "Brand" Williams. Williams was a Wyoming cowman +of the old school; taciturn, lean, sinewy. + +Some ten years before, Williams, seeking employment, had ridden over the +range with Stone. Returning, the cowman remarked disconsolately, "I like +your stock, and I'll tie to you. But, say, it's only playin' at ranchin' +on twenty thousand fenced. I was raised in Wyoming." + +"All right," Stone had replied. "Play hard and we'll get along +first-rate." + +Every inch of Brand Williams's six feet was steeped in the astringent of +experience. He played hard and prospered, as did his employer. + +Collie stood awaiting the foreman's instructions. + +"Ever mend fence?" asked Williams. + +"Nope." + +"Good. Then you can learn right. Go rope a cayuse--get some staples and +that leetle axe in my office, and go to it. There's plenty fence." + +The "Go rope a cayuse" momentarily staggered the boy, but he went +silently to the corral, secured a riata, and by puzzling the playful +ponies by his amateur tactics he finally entangled "Baldy," a +white-faced cow-pony of peaceful mien but uncertain disposition. + +Williams, watching the performance, lazily rolled a straw-paper +cigarette. + +Snubbed to the post, bridled and saddled awkwardly, Baldy gave no +outward sign of his malignant inward intent of getting rid of the lad +the minute he mounted. + +Williams slowly drew a match across his sleeve from elbow to wrist, +ending with a flame that was extremely convenient to his cigarette. He +wasted no effort at anything. He was a man who never met a yawn halfway, +but only gave in to it when actually obliged to. Collie climbed into the +saddle and started for the corral gate. He arrived there far ahead of +the horse. He got to his feet and brushed his knees. The pony was +humping round the corral with marvelous agility for so old a horse. + +"He never did like a left-handed man," said Williams gravely. "Next time +get on him from the _other_ side, and see if he don't behave. Hold on; +don't be in a hurry. Let him throw a few more jumps, then he'll quit for +to-day most likely. And say, son, if he does take to buckin' with you +again, don't choke that saddle to death hangin' on to the horn. Set up +straight, lean a little back, and clinch your knees. You'll get piled, +anyhow, but you might as well start right." + +The boy approached the horse again, secured the dangling reins, and +again mounted. Baldy was as demure as a spinster in church. He actually +looked pious. + +Collie urged the pony toward the gate. Baldy reared. + +"A spade bit ain't made to pull teeth with, although you can," said +Williams. "Baldy's old, but his teeth are all good yet. Just easy now. +Ride in your saddle, not on your reins. That's it! And say, kid, I would +'a' got them staples and that axe before crawlin' the hoss, eh?" + +Collie flushed. He dismounted and walked to the foreman's office. When +he returned to the corral, the horse was gone. Williams still sat on the +corral bars smoking and gazing earnestly at nothing. + +Round the corner of the stable Collie saw the pony, his nose peacefully +submerged in the water-trough, but his eye wide and vigilant. The boy +ran toward him. Baldy snorted and, wheeling, ran back into the corral, +circled it with an expression which said plainly, "Let us play a little +game of tag, in which, my young friend, you shall always be 'It.'" + +Again Collie tried to rope the pony. + +"Want any help?" asked Williams, as he slid from the corral bars to the +ground. + +"Nope." And Collie disentangled his legs from an amazing contortion of +the riata and tried to whirl the loop as he had seen the cowmen whirl +it. + +"Hold on, son!" said Williams. "You mean right, but don't go to rope him +with the saddle on. If you looped that horn, he, like as not, would yank +you clean to Calabasas before you got your feet out of that mess of rope +you're standin' in. Anyway, you ain't goin' to Calabasas; you're due up +the other way." + +Collie was learning things rapidly, and, better still, he was learning +in a way that would cause him to remember. + +Williams spoke sharply to the pony. Baldy stopped and eyed the foreman +with vapid inquisitiveness. "Now, son, I got three things to tell you," +and the foreman gathered up the reins. "First--keep on keepin' your +mouth shut and tendin' to business. It pays. Second--always drop your +reins over a hoss's head when you get off, whether he's trained that way +or not. And last--always figure a hoss thinks he knows more than you do. +Sometimes he does. Sometimes he don't. Then he won't fool you so +frequent, for you'll be watchin' him. I wouldn't 'a' said that much, +only you're a tenderfoot from the East, I hear. If you was a tenderfoot +from the West, you would 'a' had to take your own medicine." + +Collie's shoulder was lame from his fall and was becoming stiff, but he +grinned cheerfully, and said nothing, which pleased Williams. + +The foreman leveled his slow, keen eyes at him for a minute. "You'll +find a spring under the live-oaks by the third cross-fence north. Reckon +you'll get there about noon. Keep your eye peeled for fire. I thought I +seen somebody up there as I come across from the corral early this +mornin'. We come close to burnin' out here once, account of a hobo's +fire. Understand, if you ketch anybody cantelopin' around _a-foot_, you +just ride 'em off the range pronto. That's all." + +As Collie rode away through the morning sunshine, Williams loafed across +the corral, roped and saddled a white-eyed pinto, and, spurring up a +narrow canon west of the ranch buildings, disappeared round a turn of +the shady trail. As the foreman rode, he alternately talked to the pony +and himself. + +"Tramp, eh?" he said, addressing the pony. "What do you say, Sarko? +Nothin', eh? Same as me.... Overland Red's kid pal, eh? Huh! I knowed +Jack Summers, Red Jack Summers, down in Sonora in '83. Mexico was some +open country then. Jack was a white pardner, too. Went to the bad, +account of that Chola girl that he was courtin' goin' wrong.... Funny +how the boss come to pick up that kid. Thinks there's somethin' in him. +O' course they is. But what? Eh, Sarko, what? You say nothin', same as +me.... Here, you! That's a lizard, you fool hoss. Never seen one before, +so you're try in' to catch it by jumpin' through your bridle after it, +eh? Never seen one before, oh, no! Don't like that, eh? Well, you quit, +and I will. Exactly. It's me, and my ole Spanish spurs. I'm +listenin'.... Nothin' to say?... Uhuh! I reckon little Louise had +somethin' to do with gettin' the kid the job. Well, if _she_ likes him, +I got to. Guess I'd love a snake if she said to. Yes, I'm listenin' to +myself ..." And the taciturn foreman's hard, weathered face wrinkled in +a smile. "I'm listenin' ... None of the boys know Red's camped up by the +spring. I do. Red used to be a damn white Injun in the old days. I'll +give the kid a chance to put him wise for old times. And I'll find out +if the kid means business or not ... which is some help to know how to +handle him later." + +Williams picketed his pony in the meadow above the third cross-fence. +Loafing down the slope toward the spring, he noticed the faint smoke of +a fire. Farther down the line fence, he could see Collie in the +distance, riding slowly toward the three live-oaks. The foreman found a +convenient seat on a ledge, rolled another of his eternal cigarettes, +and watched the boy approach from below. + +Collie had already dismounted three times that morning; twice to mend +fence, and once more involuntarily. He determined, with a mighty vow to +the bow-legged god of all horseflesh, to learn to stay on a broncho or +die learning. + +The boy had a native fondness for animals, and he had already thought of +buying a pony with his first few months' wages. But the vision of his +erstwhile companion Overland, perhaps imprisoned and hopeless in the +grip of the "bunch," annulled that desire. He would save every cent for +that emergency. + +Arrived at the spring, both boy and horse drank gratefully, for the day +was hot. Then Collie noticed the thin smoke coming through the trees and +strode toward it. + +"It ain't much of a fire yet," said Overland. "Our hired girl--" and he +grinned through a two-weeks' tangle of red beard. "Oh, but ain't he the +'cute little workin'-man with his little ole hoss and his garments of +toil." + +"Oh, Red!" exclaimed the boy. + +"Me sure! I been hidin' in my whiskers so long I didn't know if you'd +know me." + +"I been thinking about you every day." + +"Uhuh. So have I. I reckon some others has, too. Say, what you been +doin' lately, studyin' law or learnin' the piano? I been lookin' for +you for a week. It's the first day I seen you out on the range." + +"I was working in the garden first. Then they put me at this, this +mornin'." + +"Uhuh. Well, Col, that there getaway of mine is in all the papers. +'Tramp Cowboy Steals Horse and Escapes.' Say, did she yip about my +borrowin' the cayuse?" + +"She was mad at first. But your fancy ridin' kind of made her forget. I +told her you was square, Red." + +"Huh! I guess she could tell that herself." + +"But, Red, I'm not kidding. I told her uncle about the bunch and the guy +on the desert." + +"Did he believe it?" + +"I guess so. He ain't said much. But he gives me the chance to make +good. He must have believed somethin'." + +"Well, stick to it, Collie. You never was cut out for a genuine towerist +like me, anyhow. It ain't in your blood." + +"What you goin' to do now, Red?" + +"Me? Listen! There's gold out there, somewhere. I'm broke now. I need +some dough. I got ideas. Ten dollars does it. I get a new set of clothes +and get shaved and me hair trimmed close. Then I commence me good work +in Main Street, in Los. Down on North Main is where I catch the gent +from the East who will fall for anything that wears a Stetson and some +outdoors complexion. I tell all about my ledge in the Mojave and get +staked to go out and prospect. It's bein' done every day--it and the +other fella." + +"But, Red--" + +"Hold on, kid. I ain't goin' to bunk nobody. This here's square. I need +financin'--a burro and a grubstake and me for the big dry spot. Ship the +outfit to the desert town, and then hit it along the rails to where we +hid it. If the papers we hid is any good, me to locate the ledge. +Anyhow, there's a good five hundred in the poke, and that's better than +a kick in the pants." + +"You'll get pinched sure, Red." + +"Nix, kiddo. Not out there. Money talks. 'Course it ain't makin' any +distressin' sounds around here jest now, but, say, got the makin's?" + +"I ain't smoked since I been here, Red." + +"Excuse me, Miss Collie. What denomination did you say?" + +"Straight, Red. I'm savin' my money." + +"What do they pay you for settin' on that cayuse?" + +"Fifteen a month, and board, and the horse to ride." + +"Don't mention the hoss, pal. Jest make motions with your hands when you +mean him. Talkin' is apt to wake him up." + +"He pitched me twice." + +"Just havin' bad dreams, that's all," said Overland, grinning. "Fifteen +a month and found ain't bad for a bum, is it?" + +"Cut that out, Red. I ain't no bum." + +"Ex-cuse me. There I gone and laminated your feelin's again. Why in hell +don't you blush, or drop your little ole lace handkerchief, or fix your +back hair, so I can remember I'm talkin' to a lady? It ain't manners, +this here impersonatin' you're a boy like that." + +"Quit your kiddin', Red. Mebby you think it was easy to cut out the old +stuff, and everybody on the ranch on to what I used to be. I was cryin' +the first night. I was lonesome for you." + +Overland's eyelids flickered. He grinned. "Uhuh! I could hear you clean +over in the Simi Valley. I was thinkin' of comin' right back, only--" + +"Oh, if you think I'm lyin to you--" + +Overland thrust up a soiled palm. "Nix; you never did yet. How much coin +can you rustle?" + +"I got that eight-and-a-half I had when we was pinched. It's down to the +bunk-house." + +"Well, bring it up here to-morrow mornin'. And, say, swipe a sogun for +me. I near froze last night." + +Collie's brows drew together. "I'll bring the money, sure! but I can't +swipe no blanket, even for you. The boss thinks I'm square, and so does +she. I'll bring tobacco and papers. Got any grub?" + +"Well, some. I ain't exactly livin' on sagebrush and scenery yet. I been +trainin' some chickens to do the Texas Tommy. Every one that learns to +do it in one lesson gets presented with a large hot fryin'-pan. +Surprisin' how them chickens is fond of dancin'. I reckon I learned six +of 'em since I seen you last. But don't forget the eight rollers and +four bits. I need ten, but eight-fifty will do. I'll have to leave out +the silk pejammies and the rosewater this trip. But kickie pants is good +enough for me to sleep in. How's that sheriff gent?" + +"Busted his collar-bone and killed his horse." + +"I'm sad for the hoss. How do you like livin' decent?" + +"Fine, Red! I wish you would--" + +"Hold on, Collie, not me! I'm gettin' too old, too plumb old and +disgusted with this vale of steers to change and tie down to short +grass. Now you're near enough to the age of that little Louise girl to +make life interestin'." + +"Who said anything about her?" + +"Whoa, Chico! Back up. You're steppin' on your bridle. Don't go 'way +mad. Why, I said somethin' about her, that's who. You got any idea of +hobblin' my talk?" + +"No. But--" + +"Oh, you can't flim your ole pal, nohow. You're just commencin' life on +what that little Louise lady thinks you ought to be. And you will be it +some day, if you keep straight. So will I." + +"You?" Collie was unable to associate a reconstructive idea with +Overland's mode of life. + +"Say! Just as if I never knowed a good woman. Say, I could actooly give +up smokin' for her, if I had to hire some guy to do it for me. That's +what I think of her. When I get me plush rags and the dizzy lid, I'll +call around in me private caboose and take you both for a little ride." + +For a moment the boy gazed away to where the silver of the Southern +Pacific rails glinted in the valley. Overland Red's presence brought +back poignantly the long, lazy days of loafing and the wide, starry +nights of wayside fire, tobacco, and talk. There was a charm in the free +life of the road--that long gray road that never ended--never ended in +the quiet shade of a mountain ranch or in the rose-bordered pathway to a +valley cottage. The long gray road held out no promise of rest for worn +and aged folk. After all, its only freedom was the freedom of eternal +wandering ... until one could adventure no longer ... and then? Better +to tread the harder path of duty. + +The boy's black eyes were lifted pleadingly. "Red," he said +hesitatingly. "Red, I got to tell you to camp the other side of that +line fence till I come to-morrow." + +Overland understood instantly that the lad was but following general +instructions. He loved the boy, and so, perversely, worked upon his +feelings. "Oh, the _other_ side? Ex-cuse me, chief, for intrudin' on +this here resavation. Sorry I'm crowdin' you so." + +"Now, Red, wait--" + +"Wait? What, for you to insult your ole pal again by tellin' him he +might drink all the water in this here spring, mebby, or inflooence the +morals of the cattle, or steal the wire off the fence? Huh! I thought I +was your _pal_?" + +"Oh, Red, quit kiddin'. Don't you see I got orders? I got orders." + +"You're gettin' civilized fast, all right. The first thing civilization +does is to projooce hobos and bums. Then she turns up her nose because +hobos and bums ain't civilized. Did you ever see a ma cat get mad +because one of her kittens was born with sore eyes? I guess not. Cats +has got sense. Now, what if I don't indignify myself to the extent of +crawlin' under that line fence?" + +"'Course I'll bring you the coin in the mornin'. But if you don't go +now, why, I got to quit this job. I got to play square to him." + +"So it's orders or me, eh?" + +"Yes, Red, and I want to use you right, and be square, too." + +Overland Red's beard hid the quiver of his lips as he asked huskily: +"And you would be comin' back on the road with your ole pal again? You +would give up the job and the chance of a smile from that little +Rose-Lady Girl and flew the coop with me again if I said the word?" + +"Sure I would. You come first and the job comes second; but--but I want +to keep the job." + +Overland's keen blue eyes filled with instant emotion. "Oh, you go chase +a snake up your sleeve. Do you think I'd bust your chances of makin' +good here? Do you reckon I'd let a line fence stand between me and you, +speakin' poetical? Say, I'll go camp in that sheriff gent's front yard +if it'll do any good to you, or before I'll see you in bad with the +little Rose Girl!" + +"Please, Red; I mean it." + +"So do I. I'll fade quicker than spit on a hot stove. Don't forget +to-morrow mornin'. Some day I'll put you hep to how to ride. You better +get to your fence job." + +Brand Williams watched the man and the boy as they walked along the +line-fence trail together. Collie leading the pony, the man talking and +gesticulating earnestly. Finally they shook hands. The tramp crawled +under the fence. The boy mounted Baldy and rode away. + +Williams, catching up his own horse, spurred quickly across the ridge +above the spring that the boy might not see him. + + + + +CHAPTER IX + +A CELESTIAL ENTERPRISE + + +Broad avenues of feathery pepper trees, long driveways between shadowy +rows of the soldierly eucalyptus, wide lawns and gigantic palms of the +southern isles, weaving pampas grass, gay as the plumes of romance, +jasmine, orange-bloom, and roses everywhere. Over all is the eternal +sunshine and noon breeze of the sea, graciously cooling. Roundabout is a +girdle of far hills. + +Some old Spanish padre named it "Nuestra Senora Reina de Los Angeles," +making melody that still lures with its ancient charm. A city for +angels, verily. A city of angels? Verily; some fallen, indeed, for there +is much nefarious trafficking in real estate, but all in all the +majority of souls in Los Angeles are celestial bound, treading upon +sunbeams in their pilgrimage. + +The plaza, round which the new town roars from dawn to dusk, is still +haunted by a crumbling old adobe, while near it droop dusty pepper trees +that seem to whisper to each other endlessly--"Manana! Manana!" Whisper +as did those swarthy vaqueros and the young, lithe, low-voiced +senoritas who strolled across the plaza in the dusk of by-gone days. +"Manana! Manana!--To-morrow! To-morrow!" + +And the to-morrows have come and gone as did those Spanish lovers, +riding up through the sunshine on their silver-bitted pinto ponies and +riding out at dusk with tinkling spur-chains into that long to-morrow +that has shrouded the ancient plaza in listless dreams. Mexicans in +black sombreros and blue overalls still prowl from cantina to cantina, +but the gay vaquero and his senorita are no more. + +Overland Red, a harsh note in the somnolence of the place, stepped +buoyantly across the square. And here, if ever, Overland was at home. + +A swarthy, fat Mexican shaved him while a lean old rurale of Overland's +earlier acquaintance obligingly accepted some pesos with which to drink +the senor's health, and other pesos with which to purchase certain +clothing for the senor. + +The retired rurale drove a relentless bargain with a countryman, +returning with certain picturesque garments that Overland donned in the +back room of the little circus-blue barber shop. + +The tramp had worthily determined to hold wise and remunerative converse +with the first Easterner that "looked good to him." He would make +half-truths do double duty. He needed money to purchase a burro, packs, +canteen, pick, shovel, dynamite, and provisions. He intended to repay +the investor by money-order from some desert town as soon as he found +the hidden gold. This unusual and worthy intention lent Overland added +assurance, and he needed it. Fortune, goddess evanishing and coy, was +with him for once. If he could but dodge the plain-clothes men long +enough to outfit and get away.... + +The "Mojave Bar," on North Main Street of the City of Angels was all but +empty. Upon it the lassitude of early afternoon lay heavily. The +spider-legged music-racks of the Mexican string orchestra, the empty +platform chairs, the deserted side-tables along the pictured wall, the +huge cactus scrawled over with pin-etched initials,--all the impedimenta +of the saloon seemed to slumber. + +The white-coated proprietor, with elbows on the bar, gazed listlessly at +a Remington night-scene--a desert nocturne with a shadowy adobe against +the blue-black night, a glimmer of lamplight through a doorway, and in +the golden pathway a pony and rider and the red flash of pistol shots. + +Opposite the bartender, at a table against the wall, sat a young man, +clad in cool gray. He smoked a cigarette, and occasionally sipped from a +tall glass. He was slender, clean-cut, high-colored, an undeniable +patrician. In his mild gray eyes, deep down, gleamed a latent humor, an +interior twinkling not apparent to the multitude. + +Sweeney Orcutt, the saloon-keeper, noticed this reserve characteristic +now for the first time, as the young man turned toward him. Sweeney was +a retired plain-clothes man with a record, and a bank account. It was +said that he knew every crook from Los Angeles to New York. Be it added, +to his credit, that he kept his own counsel--attending to his own +business on both sides of the bar. + +"Do they ever do those things now?" queried the young man, nodding +toward the picture. + +Sweeney Orcutt smiled a thin-lipped smile. "Not much. Sometimes in Texas +or Mexico. I seen the day when they did." + +The young man lazily crossed his legs. "Nice and cool here," he remarked +presently. + +"Been in town long?" asked Sweeney. + +"No, only a few days." + +"I was goin' to say there's a good show over on Spring +Street--movin'-pictures of the best ridin' and buckin' and ropin' I seen +yet." + +"Yes? Is there any one in town who is not working for the movies?" + +Again Sweeney Orcutt smiled his thin-lipped smile. "Yes, I guess there +is. I might scare up one or two I used to know who is workin' the +transients, which ain't exactly workin' _for_ the movies." + +"I should like to meet some character who is really doing something in +earnest; that is, some cowboy, miner, prospector, teamster,--one of +those twenty-mule-team kind, you know,--or any such chap. Why, even the +real estate men that have been up to my hotel seem to be acting a part. +One expects every minute to see one of them pull a gun and hold up a +fellow. No doubt they mean business." + +"Bank on that," said Orcutt dryly. + +"You see," continued the young man, "I have too much time on my hands +just now. The doctors tell me to rest, and I've been doing nothing else +all my life. It's pretty monotonous. I've tried to get interested in +some of the chaps on North Main Street, and around the plaza. I've +offered to buy them drinks and all that, but they seem to shy off. I +suppose they think I'm a detective or something of that kind." + +"More like, a newspaper man after a story. Hello, there! Now, what's +doin'?" + +Outside near the curb a crowd had collected. A traffic officer was +talking to the driver of an automobile. As Sweeney Orcutt strolled +toward the doorway, Overland Red, clean-shaven, clothed in new corduroys +and high lace boots, and a sombrero aslant on his stiff red hair, dove +into the saloon and called for a "bucket of suds." + +"Close--shave--Red--" whispered Orcutt. + +"Had me Orcutt, likewise," replied the tramp. "Say, Sweeney, stall off +the Dick out there. I think he piped me as I blew in, but I ain't sure. +He'll be pokin' in here in a minute. If he sees me talkin',--to the guy +there, for instance,--and you give him a steer, he won't look too close. +Sabe?" And Overland drank, observing the Easterner at the table over the +top of his glass. + +"They got that guy Overland Red mugged in every station from here to +Chicago," whispered Orcutt. "Paper says he put it over a desert rat up +near Barstow. Did you hear about it?" + +"Some," replied Overland sententiously. + +"And did you hear about his last get-away on one of the Moonstone Rancho +ponies? Some class to that!" + +"I read somethin' about it," replied Overland. + +"Well, Red, if you won't tumble, all I got to say is, beat it. You're +worth a thousand bucks to any fly-cop that nips you in this town. I'm +handin' you a little dope that you can slide out on and not get stuck." + +"Thanks, Sweeney. Well, I'll ring you up from Kalamazoo." + +"Kalamazoo? In them clothes?" + +"Sure. There's a law against travelin' naked in some States. Where you +been grazin' lately?" + +"In the bull-pasture; and say, Red, it's gettin' warm there, for some." + +"Well, I guess I'll beat it," said Overland. + +"Take a slant at the door first." + +Overland turned leisurely. In the doorway stood the traffic officer. He +glanced from Orcutt to the two men near the table. "Hello, Sweeney!" he +called, glancing a second time at Overland. + +"Hello!" answered Sweeney, strolling to the end of the bar. "Somebody +speedin'?" + +"Yes. Say, who's the guy, the big one?" + +"Him? Oh, that's Billy Sample, the fella that does the desert stuff for +the General Film Company. The kid is his pardner who acts the +tenderfoot. They 're waitin' for the machine now to take 'em out to +Glendale. Got some stunt to pull off this afternoon, so Billy was +tellin' me. They're about half-stewed now. They make me sick." + +"Thought I saw the big guy out on the street a minute ago," said the +officer, hesitating. "There's a card out for a fella that looks like +him. I guess--" + +"He thought it was his machine comin'," said Orcutt. "He run out to see. +It's a wonder how them movie actors can make up to look like most +anybody. Why, I been in your line of business, as you know, and I been +fooled lots of times. Makes a fella feel like he don't know where he's +at with the town full of them movin'-picture actors." + +"Well, so long, Sweeney." And the traffic officer, a little afraid of +being laughed at by the famous ex-officer, Sweeney Orcutt, departed, +just a thousand dollars poorer than he might have been had he had the +courage of his convictions. + +Overland and Orcutt exchanged glances. Orcutt's glance rested meaningly, +for an instant, on the Easterner at the table. Overland grinned. Orcutt +spoke to the young Easterner, who immediately rose to his feet and +bowed. + +"You was lookin' for somebody that's the real thing, you said. This +here's my friend Jack Summers. He used to be sheriff of Abilene once. He +ain't workin' for a movin'-picture outfit and he won't borrow your +watch. Mebby he has a little business deal to put up to you and mebby +not. Take my word for it, he's straight." + +"I'm William Winthrop, back East. 'Billy' will do here. I'm a +tenderfoot, but I'm not exactly a fool. I observed the delicacy with +which you engineered the recent exodus of the policeman. I'm +interested." + +"Sounds like plush to me," said Overland. "I got a little time--not +much. You're correct about the cop. I got a pretty good thing out in +the Mojave--gold--" + +Winthrop laughed. "You aren't losing any time, are you?" + +"You wouldn't neither if you was in my boots," said Overland, grinning +cheerfully. + +"Oh, Red's all right," said Orcutt. "What'll you gents have?" + +"Seein' I'm all right, Sweeney, I'll take five dollars in small change. +I need the coin for entertainin' purposes, I'll pay you in the mornin'." + +"You got me that time," said Orcutt. "Here's the coin." + +"Shall we sit down here?" asked Winthrop, indicating one of the tables. + +"Sure! Now this ain't no frame-up. No, I'll set where I can watch +Sweeney. He's like to steal his own cash-register if you don't watch +him." And Winthrop noticed that his companion faced the door. He also +noticed, as the man's coat brushed against a chair as he sat down, that +that same coat covered a shiny black shoulder holster in which gleamed +the worn butt of an automatic pistol. + +"My real name is Jack Summers," began Overland Red. "Some folks took to +callin' me 'Overland Red,' seein' as I been some towerist in my time." + +"Great!" murmured the Easterner. "'Overland Red!' That name has me +hypnotized." + +"You was sayin'?" queried Overland. + +"Beg your pardon. Nothing worth while. I haven't been so happy for a +year. Let me explain. I have a little money, pretty well invested. I +also have lungs, I believe. The doctors don't quite agree about that, +however. The last one gave me six months to live. That was a year ago. I +owe him an apology and six months. I'm not afraid, exactly, and I'm +certainly not glad. But I want to forget it. That's all. Go ahead about +that desert and the gold. I'm listening." + + + + +CHAPTER X + +"PERFECTLY HARMLESS LITTLE OLE TENDERFOOT" + + +William Stanley Winthrop woke next morning with a vague impression of +having lost something. He gazed indolently at the sunlight filtering +through the curtains of his sleeping-room. Beyond the archway to the +adjoining room of his suite, a ray of sunshine lay like living gold upon +the soft, rich-hued fabric of the carpet. + +"Gold!" he murmured. "Mojave Desert! Overland Red! Lost gold! No, it +isn't the two hundred dollars I invested in the rascal's story, for it +was worth the money. I never spent four happier hours in my life, at +fifty dollars an hour. The best of it is he actually made me believe +him. I think he believed himself." + +Winthrop sat up in bed, yawning. "I think black coffee will be about +all, this morning," he murmured, as he dressed leisurely. + +He was tying a fastidiously correct bow on his tan oxford when he +happened to glance out of the window. It was early, altogether too +early, he reflected, to appear in the breakfast-room of the hotel. +Winthrop's indefinite soliloquy melted into the rapt silence of +imagination. Below on the smooth black pavement pattered two laden +burros. On their packs hung dusty, weatherworn canteens, a pick and +shovel, and a rifle in its soiled and frayed scabbard. The sturdy, +shaggy burros followed a little, lean old man, whose flop-brimmed hat, +faded shirt, and battered boots told a tale of the outlands, whispered +of sun-swept immensities, of sage and cacti, sand and silence. Winthrop +drew a long breath. Such an adventurer was the Overland Red he had +talked with the evening previous. The tramp had mentioned a town far out +on the desert. Winthrop sauntered down to the deserted office and +secured a timetable. + +When the east-bound express left Los Angeles the following morning, +Winthrop was aboard, uncomfortably installed in the private drawing-room +of a sleeper. He had cheerfully paid the double fare that he might have +the entire space to himself, and he needed it. Around him, on the floor, +in the seats, in the racks, and on the hooks were innumerable packages, +bags, and bundles. + +"Very eccentric. He must be rich," whispered the wife of a dry-goods +merchant from Keokuk, as her husband pushed her ahead of him past the +door of the drawing-room. + +"Just plain hog!" said the dry-goods merchant. "A man that'll pay +double fare to have the whole earth to himself when other folks has to +be packed into a berth and suffocate! The conductor said he paid double +to Chicago to get that compartment, and he's only goin' out in the +desert a little ways. I'd 'a' took it myself." + +"Well, we could hardly afford it, anyway," said the woman pleasantly. +"We've had such a good time I don't mind sleeping in a berth, Hiram." + +They crowded on and finally found their seats. + +Winthrop smiled to himself. He liked the woman's voice. + +He lighted a cigarette and gazed wistfully, even despairingly, at the +"outfit" which surrounded him. He sighed. "Awful accumulation of +plunder. Wonder what I'll do with it?" + +As the train climbed the grade beyond San Bernardino, he grew restless. +Flinging down his cigarette, he began unwrapping his belongings. Out +came blankets, extra clothing, a rifle, canteens of several patterns, +two pack-saddles, a coil of rope, a pair of high lace boots,--hobnailed, +heavy, and unserviceable,--a pocket compass, a hunting-knife, a patent +filter, two halters, two galvanized pails, a small, compact, silk tent, +an axe, a fishing-rod, a rubber cup, a box of cigars, a bottle of +brandy, several neckerchiefs, a cartridge-belt, a Colts revolver of +large and aggressive caliber, cartridges, a prospector's pick, a shovel, +a medicine-case, a new safety razor, a looking-glass, a clinic +thermometer, and a copy of "Robinson Crusoe." + +He pondered over the agglomeration of articles pensively. "He was a good +salesman," he said, smiling. "I'll be either a juggler or a strong man +before I'm through with these things. I think I'll begin now and +re-pack. I'll make one glorious bundle of it. That's the ticket!" + +Winthrop went to work, whistling cheerfully. He spread the blanket and +rearranged his possessions, finally rolling them up into an uncertain +bundle which he roped with the weird skill of the amateur packer. He +tried to lift the bundle to the opposite seat. He decided to leave it on +the floor. + +Over the grade and on the level of the desert the train gathered speed. +The shimmering spaces revolved slowly, to meet the rushing track ahead. +Hour after hour sat Winthrop, reading and occasionally glancing out +across the desert. His was the wildest of wild-goose chases. A stranger +had told him of a mysterious ledge of gold somewhere out on the desert, +and the stranger had named a desert town--the town toward which Winthrop +was journeying. Would the eccentric Overland Red be there? Winthrop +hoped so. He wanted to believe that this Ulysses of the outlands had +spoken truth. He imagined vividly Overland Red's surprise when one +William Stanley Winthrop, late of New York, should appear, equipped to +the chin and eager to participate in the hunt for the lost gold. Then +again, the prospector might not care to be burdened with the +companionship of a tenderfoot. Still, the uncertainty of his welcome +lent zest to Winthrop's enterprise. He closed the door of his +drawing-room and wound through a mahogany maze toward the dining-car. + + * * * * * + +Next morning, as the train slowed down for the desert town, Winthrop was +in the vestibule, peering out anxiously. It did not occur to him that +Overland Red knew nothing of his coming, or that the other would be +waiting on the station platform if he did. The tramp had not the +faintest desire to make himself conspicuous. Some of Winthrop's +enthusiasm had evaporated during the hot night in the sleeper. + +"Thank you very much," called the lady from Keokuk, Iowa. + +"Don't mention it," said Winthrop, disembarking behind the porter with +his "plunder." Then, as the Pullman slid away, Winthrop deliberately and +gracefully threw a kiss to the dry-goods merchant's wife. "Nice little +woman," he reflected. "Too nice to associate with that grampus. Well, I +hope they'll enjoy the rest of the trip in the drawing-room. I'm glad I +was able to arrange it." + +He watched the train crawl down the track. He wondered how long he would +be able to distinguish the pattern of the brasswork on the observation +car-rail. + +Out of the empty distance came the _click_, _clink_, _clank_ of hammers +and shovels as the section-men, a mile down the track, stepped into work +behind the train. + +"Prospectin'?" queried a lank individual, slouching up to Winthrop. + +"A little," said Winthrop. "It's pretty dry work." + +"Uhuh. It's goin' to be hot about noon." + +"I suppose so. Will you kindly give me a hand with this monstrosity," +said Winthrop, indicating the pack. "The agent seems to be busy." + +"Sure! She ain't roped very tight." + +Which proved to be true. The bundle, with a kind of animate +indifference, slowly sagged, opened, and things began to trickle from it +in its journey across the platform. Among the things was the bottle of +brandy. The lank individual picked this up tenderly and set it to one +side. Winthrop noticed his solicitude, and smiled. + +"We can rope 'em up again," said the lank one, suddenly becoming +enthusiastic. "My name's Jim Hicks. I'm constable here." + +"I see. Well, I'm William Winthrop, from Los Angeles. I'm a naturalist. +Will you accept a cigar?" + +"Thanks. You want to pack this here bottle, too?" + +"Not right away. Whew! It is getting hot." + +"Goin' up to the hotel?" queried the constable. + +Winthrop glanced along the street. The hotel did not look inviting. "I +don't know. I'd like to get in the shade somewhere." + +"There's old Fernando's 'dobe down the track under them pepper trees. +He's a friend of mine. He ain't to home to-day. Mebby you'd like to set +down there and wait for your friend." + +"My friend?" + +"Why, ain't you waitin' for anybody? You ain't goin' to tackle that +bug-huntin' trip alone, be you? It's dangerous out there for a +tenderfoot. Now I have took folks out, and brought 'em back all +right,--gone as far as them hills over there, and that's a good jag from +here,--and I only charge four dollars a day and grub." + +"I thought you said you were constable?" + +"So I be. Takin' parties across the desert is on the side. How far you +figurin' on goin'?" + +"I haven't made up my mind yet. Say we go down as far as the adobe you +spoke about, as a beginning. Perhaps we can arrange terms." + +"I'm on, pard," said the constable. + + * * * * * + +Under the pepper trees shading Fernando's adobe sat Winthrop and the +constable. The brandy-bottle was half empty and a box of cigars was open +beside it on the bench. The afternoon shadows were lengthening. The +constable had been discursive, voluminous, in his entertaining. Time was +as nothing. He borrowed generously of to-morrow and even the next day. +He became suddenly quite fond of this quiet, gentlemanly chap opposite +him, who said little, but seemed to be a prince of good fellows. + +"'S this way," said the constable, leaning forward and waving his cigar. +"You're fren' of mine--sure thing. 'S af'ernoon now, but I was plumb +fooled this mornin'. Y' know i's af'ernoon now. Thought you was the guy +I'm lookin' for. H'overlan' Red--bum--tram'. Wire from Loshangeles to +upperan' him if he shows up here. See?" + +"You're not quite clear to me," replied Winthrop. "But never mind about +apprehending any one. Let's talk about this glorious prospect of sand, +silence, and solitude. I feel like a fallen angel. Never mind about +arresting anybody. Life is too short. Let's talk of roses." + +"Roshes! Huh!" sniggered the constable. "You're kin' of sof, ain't you? +Roshes nothin'! I'm goin' talk 'bout business. It's business, my +business to talk 'bout it, see? 'T ain't your business. You c'n lissen, +an' when I get through, then you c'n talk roshes." + +"But what is your business?" asked Winthrop, with an indifference that +he did not feel. + +"S-s-s-h-h! I'm cons'able. Tha's on the quiet. Thousand dollars rewar' +f'r th' appr'enshun of 'Verlan' Red. Thought you was him--hic--hee! +hee!" + +"Please don't laugh like that. It hurts my feelings," said Winthrop. "It +is bad enough to be taken for a--er--tramp." + +"Nobody's feelin's--pologishe. '_Course_ you ain' him! You're jus' a +li'l' ole ten'erfoot--perfec'ly harmless li'l' ole ten'erfoot." + +"Thanks. May I ask you to have another?" + +"Nope. 'Nough's 'nough. 'S time f'r dinner." + +"Nearly. Well, if you flatly refuse to drink my health, I'll have to +drink it alone, and that's rather egotistical, isn't it?" + +"Never. B' Gosh! You're sport. Funny li'l' ole ten'erfoot--perf'ly +harmless. Sure, I'll drink all th' health you got, 'n then go +home--dinner." + +"One will be sufficient, I think," said Winthrop. + +"Sufficen' wha'?" And the constable leered cunningly. + +"To drown all pangs. Well, here's pleasant dreams." + +Far down the line came the faint thrill of wheels and the distant, +clear-cut blast of a locomotive. The local freight from Los Angeles was +whistling for the "block." + +Winthrop glanced at his watch, then at the constable. "What train is +that?" asked the Easterner. + +The constable's eyelids drooped, then opened languidly. "Railro' train, +'f course." And he slid forward to his elbow and thence to the bench. +Presently he snored. + +Winthrop strolled toward the approaching train. "Pretty stiff session," +he commented. "Now if happy chance should bring Overland Red on this +freight, with his burro and outfit; I'll have one reason to offer for +wanting to go with him. I've probably saved him some annoyance, +indirectly, but rather effectively, I think." + +The great oil-burning locomotive roared in, casting heat-waves that +smelled of steam, iron, and mechanical energy. The hot air sickened +Winthrop. + +A car was cut out and shunted to a siding. Then the engine, pausing to +drink a gargantuan draught at the tank, simmered away in the dusk, +clanking across the switch-points. A figure leaped from the freight-car +to the ground. Then out came a burro and several bundles. The figure +strode to the station and filled two canteens. Winthrop walked toward +the burro. When he of the burro and canteens returned, he found Winthrop +stroking the little animal's nose. + +"What the--! How the--! Who lost you out here?" asked Overland. + +Winthrop spoke rapidly and to the point. "Express this morning. Lonesome +again. Thought I'd make a change. My outfit is over at the station. +Don't say 'No' before you hear me. You're going to need me--tenderfeet +and all." + +"But you can't--" + +"Wait. The local constable has a wire from the Los Angeles police to +look out for you. Perhaps you got this far because you're traveling in a +freight-car. No doubt all the passenger trains have been watched all +along the line. The constable has been my--er--my guest since morning. +He is asleep now. I had to do it. He told me, after either the sixth or +seventh glass, I forget which, that he was looking for you. Come on over +to the station and inspect my outfit, please. I think we had better +vanish." + +Overland breathed once, deeply. "Lead me to it!" he exclaimed. "You got +my number. I guess you're some lame chicken, eh? No? I'll never call you +a tenderfoot as long as I live. Shake!" + +The inspection of the outfit was brief. "Take the Colts and the +cartridges, and the blankets and the rope. T' hell with the rest." + + + + +CHAPTER XI + +DESERT LAW + + +Away out in the night of stars and silence plodded the patient burro, +and beside him shuffled Overland Red and Billy Winthrop. + +"We'll fool 'em," said Overland. "Keep joggin'. We'll be over the range +before mornin'. Then let 'em find us." + +Winthrop, staggering along, felt his moral stamina crumbling within him. +"I don't know--about that. Perhaps I'll be a drag to the expedition. I'm +pretty tired." + +Overland, experienced in the remorse that follows liquor on an empty +stomach, swore vigorously and picturesquely. "You'll stick! Do you +suppose I'd shake you now after you overcomin' a genuine nickel-plated +desert constable? Nix. That ain't my style. You believed me when I said +I was comin' to this particular town. It's worth somethin' to have a +fella around that believes a fella once in a while. But what I want to +know is, why you done up the constable so offhand like, not knowin' +whether I'd show up here or not?" + +"Why?" And Winthrop smiled wanly. "Because I'm a perfectly harmless +little old tenderfoot." And his voice caught as he tried to laugh. + +An hour of plodding through the dusk, two hours, and they were at a +water-hole near the northern hills. Overland unroped one of the packs, +made a fire, and presently had some hot coffee for his companion, who +was pretty well used up. Nature was taking inexorable toll for his +conquest of the constable. + +"You take it easy and don't worry," said Overland. + +Winthrop raised on his elbow and gazed at the tiny fire. "Tiger, tiger +burning bright!" he quoted. + +"This here coffee'll fix you right," responded Overland Red, grinning. +"Didn't know I was a pote, did you? Now if I was a doc, I'd give you a +shot in the arm that would put you to sleep. Seein' I ain't, it's coffee +for yours." + +"Do you think they will follow us?" Winthrop asked presently. + +"As sure as snakes," said Overland. "And this here water-hole is the +first place they'll strike for. They'll wait till mornin' to find our +trail." + +"When they do find it?" + +"I'll show 'em a Mexican trick with a hole in it. You go to sleep, +pardner." + + * * * * * + +The moon rolled down to the rim of the world. The infinitesimal +mountain peaks rose slowly along the lower edge of the flat silver +shield, black and growing bolder in outline and size as they blotted +half, three quarters, finally all of the burnished radiance. Then along +the edge of the far range ran an instant delicate light, a light that +melted into space and was gone, leaving a palpitating glory of myriad +summer stars. + +The little fire died down. The barren outland wastes slumbered in the +charitable dusk of night. + +Overland, cross-legged on his blanket, smoked moodily. His thoughts +drifted out on the tide of silence to Moonstone Canon and Collie and the +Rose Girl, Louise Lacharme. For them he planned impossibly. Of them he +dreamed absurd dreams. + +Out of the flotsam of his pondering came memories of other nights such +as this, desert nights on the border ranges of old Mexico--that lost +world of his adventurous youth. Mingled with his waking dreams were the +sounds of many familiar names--Sonora, Trevino, Nueva Laredo, Nava, San +Jose, Las Cruces, Nogales, Yuma, San Antonio,--each a burning ember of +memory that glowed and faded while the music of silver strings and +singing girls pulsed rhythmically in the stillness--to break at last +into the querulous wailing of a lone coyote. Winthrop stirred restlessly +and muttered. + +All at once the tramp realized that this easygoing young Easterner, +wealthy, unused to hardship, delicate of health, had his battle to +fight, as well. "I've knowed 'em to get over it," reflected Overland. +"She's high and dry up here on the desert, and I reckon to go where it's +higher. He's game, but he's desp'rate. He's tryin' to dodge the verdict, +which can't be did. Well, if excitement will help any, I guess he's +ridin' the right range. If he's got to pass over, he might as well go +quick. Mebby he's the best kind of a pal for this deal, after all." + +Overland looked across at the muffled form. "Pardner!" he called. +Winthrop did not answer. + +"Well, it saves explainin'," muttered the tramp, and he rose quietly. He +gathered the few camp-utensils together, rolled his blankets, brushed +sand over the embers of the fire, and groped stealthily toward the +burro. He roped the pack, glancing back toward the water-hole +occasionally. Winthrop slept heavily. + +"Guess I'll go back and get that gun," muttered Overland. "I might need +two; anyway, he might wake up and plug his old friend the constable +before he knowed it. I ain't givin' a whoop for the constable, but I +don't want to see the kid get in wrong." + +Then Overland, wily and resourceful in border tactics, led the burro +round the camp in a wide circle, from which he branched toward the hills +to the north. For two hours he journeyed across the starlit emptiness. +Arriving at a narrow canon in the foothills, he picketed the burro. Then +he sat down. Why not continue with his pack and provisions? He could +camp in the fastness of the mountain country and explore it alone. He +would run less risk of capture. Winthrop was not strong. The Easterner +meant well enough, but this was the desert. + +The blue of the eastern horizon grew shallower, changing to a cold thin +gray which warmed slowly to the straw color of tempering steel. The +tramp, watching the sky, shook his clenched fist at the dawn. "You, up +there!" he growled. "You didn't give me a square deal when I was down +and out that time--in Sonora. I had to crawl to it alone. But I'll show +you that I'm bigger than you. I'm goin' back to the tenderfoot and see +him through if I swing pole-high for it." + +It was light when the tramp had arrived at the water-hole. He crept +behind a sharp dip in the hummocks. The crest of his hiding-place was +covered with brush. It was a natural rifle-pit affording him seclusion +and shelter. + +With the sun came the faint thud of hoofs as two riders came warily up +to the water-hole. One dismounted and stooped over Winthrop. The other +sat his horse, silent, vigilant, saturnine. + +"Say, where's your pal, that there Overland Red guy?" asked the +constable, shaking Winthrop awake and glaring at him with a bleared and +baleful eye. + +The man on the horse frowned, considering, in the light of his +experience as a successful and still living two-gun man, that such +tactics were rather crude. + +The Easterner sat up, coughed and blinked in the dawn. "Where is what? +Why, good-morning! You're up early." And his eye swept the empty camp. +So Overland Red had deserted him, after all. He might have expected as +much. "I haven't any 'pal,' as you can see. I'm out here studying insect +life, as I told you I would be, yesterday. You needn't shake me any +more. I'm awake. I can't say that I'm exactly pleased with my first +specimen." + +"Oh! I'm a specimen, am I? I'm a insect, hey? Well, you're crooked, and +you just talk up quick or the calaboose for yours!" + +"No. I beg your pardon--but, no. You are in no condition, this morning, +to talk with a gentleman. However, you are my guest. Have a cigar?" + +The horseman's eyes twinkled. He admired the young Easterner's +coolness. Not so the constable. + +"See here, you swindlin' tin-horn shell-shover, you cough up where +Overland Red is or there'll be somethin' doin'. You doped that booze +yesterday, but you can't throw no bluff like that to-day." + +"I did what? Please talk slowly." + +"You doped that booze you--" + +Much to the constable's surprise he found himself sitting on Winthrop's +blankets and one of his eyes felt as though some one had begun to stitch +it up quickly with coarse thread. + +Winthrop, smiling serenely, nodded. "Sorry to have to do it. I know I +don't look like that kind, and I'm not, but I happen to know how." + +The constable got to his feet. + +"I didn't doctor the brandy, as you intimated," said Winthrop. "And you +needn't finger that belt of yours. I haven't a gun with me, and I +believe it is not the thing for one man to use a gun on another when +the--er--victim happens to be unarmed." + +The horseman, who had courage, admired Winthrop's attitude. He rode +between them. "Cut it out, Hicks," he said. "You're actin' locoed. Guess +you're carryin' your load yet. I'll talk to the kid. We 're losing time. +See here, stranger...." + +Overland, watching and listening from his hiding-place, grinned as the +constable sullenly mounted his horse. + +Winthrop politely but firmly declined to acknowledge that he had had a +companion. Overland was pleased and the riders were baffled by the young +man's subtle evasion of answering them directly. + +"Size of it is, you're stung," said the man who had questioned Winthrop +last. "He's lit out, now he's done you." + +To this the Easterner made no reply. + +The horsemen rode away, following the circle of burro tracks toward the +hills. Winthrop watched them, wondering what had become of his +companion. He could hardly believe that the tramp had deserted him, yet +the evidence was pretty plain. Even his revolver was gone, and his belt +and cartridges. Winthrop yawned. He was hungry. There was no food. But +there was water. He walked toward the water-hole. + +"Stand still--and listen," said a voice. + +Winthrop jumped back, startled and trembling. The voice seemed to come +from the water-hole at his feet. + +"Over here--this way," the voice said. + +Winthrop smiled. If it were a disembodied spirit talking, it was no +other than the spirit of Overland Red. The accent was unmistakable. The +Easterner glanced round and observed a peculiar something behind the +brush edging the rise beyond the water-hole. + +"It's me," said Overland, still concealed. "Thought I quit you, eh? Are +them fellas out of sight yet?" + +"No. They're still in sight. They are too far to see anything, though." + +"And you can see them all right, son? That don't figure out correct." + +Winthrop laughed. "That's so. Where's the burro?" + +"He's hid--right in plain sight up a little arroyo." + +"Won't they find him, and confiscate him and the things?" + +"Not on your life! 'T ain't exactly healthy, even for constables, to go +round confiscatin' outfits they don't know who's connected with. They +can't say for sure that burro and stuff is mine. They'll look it over +and leave it right there." + +"But why did you come all the way back here?" asked Winthrop. + +"Seein' they's lots of time, I'll explain. If I had kep' on goin', they +would 'a' trailed me, and mebby got a crack at me in them hills. They +are two to one, and they could get me at night. Now they'll either give +it up, or spot my back tracks and find me here. That's all." + +"Perhaps that won't be all," ventured Winthrop, walking toward the ridge +where Overland lay concealed. + +The tramp grinned up at him. "Mebby not, pardner. You was tellin' +Sweeney Orcutt back in Los Angeles that you wanted to get up against the +real thing. I reckon you bought the right ticket this trip." + +"Will they--will there be any shooting?" asked the Easterner. + +"Not if I can help it," replied Overland. "I borrowed your gun on the +chance of it. 'Course, if they get sassy, why, they's no tellin' what +will happen. I'm mighty touchy about some things. But listen! I'm actin' +as your travelin' insurance agent, pro temperly, as the pote says, which +means keepin' your temper. If they do spot me, and get foolish enough to +think that I got time to listen to any arguments against my rights as a +free and unbranded citizen of the big range, why, you drop and roll +behind the first sand-hill that is a foot high. After the smoke blows +away, I'll be dee-lighted to accept your congratulations." + +"I guess you mean business," said Winthrop, becoming serious. "I'm game, +but isn't there any other way out of it?" + +"Not for me, son. What chance would I have with the whole desert town to +swear against me? They're after the gold, and they reckon to scare me +into tellin' where it is. I'm after that same gold, and I don't reckon +to be bluffed off by a couple of pikers like them." + +"The dark one, the man on the bay horse, seemed to be a pretty +capable-looking individual," said Winthrop. + +"Glad you noticed that. You're improvin'. He is a capable gent. He's a +old two-gun man. Did you see how he had his guns tied down low so they +would pull quick. Nothin' fancy about him, but he's good leather. The +other one don't count." + +"What shall I do when they come back?" + +"You jest go to studyin' bugs or rattlesnakes or tarantulas or +somethin'. Make a bluff at it. If they ask you anything, answer 'em nice +and polite, _and so I can hear_. A whole pile depends on my keepin' up +with the talk. I'll figure from what they say, or don't say." + +"They seem to be turning. They've stopped. One of them is down on the +ground looking at something. Now he's up again. They're riding back," +said Winthrop. + +"They cut my back trail," said Overland, snuggling down behind the +brush. "You go and set down by the water-hole and find a bug to study." + +"Are you going to fight?" + +"Not if it can be helped. Otherwise--till me wires are down and me lamps +are out. She's desert law out here. They seems to be some chance for a +argument about who's goin' to be judge. I'm out for the job myself. I +reckon to throw about fifteen votes--they's six in your gun and nine in +the automatic. The election is like to be interestin' and close." + +"I wish I could help," said the Easterner. + +"You can--by keepin' your nerve," replied Overland. Then he rolled a +cigarette and lay smoking and gazing at the sky. Winthrop watched the +approaching horsemen. Presently he got up and sauntered to the +water-hole. + +The tramp lay curled like a snake behind the mound. He drew Winthrop's +gun from its holster and inspected it, shaking his head as he slid it +back again. "She's new and will pull stiff. That means she'll throw to +the right. Well, I got the little Gat. to open up the show with." + +William Stanley Winthrop, despite his resolution, found that his hands +trembled and that his heart beat chokingly. He wanted to shout, to run +out toward the horsemen, to do anything rather than sit stupidly silent +by the water-hole. + +The two riders loped up. The constable dismounted. "Nothin' doin'," he +said, stooping to drink. + +"No. Nothing doing," echoed the man on horseback. + +"That," muttered Overland Red, squirming a little higher behind the +bushes, "was intended for me. I know that tone. It means there's a hell +of a lot doin'. Well, I'm good and ready." And he lifted both of his +red, hairy hands to the edge of the hole and both his hands were +"filled." + +About then the man on the pony began to ride out from the water-hole in +a wide circle. The constable came from the spring. Overland noticed that +he kept Winthrop between himself and the sage on the ridge. "That +settles it," Overland swiftly concluded. "They're on. I'm right sad to +have to do it." + +The heavy, space-blunted report of the circling horseman's gun--and +Overland calmly spat out the sand that flitted across his lips. The +rider had ventured a shot and had ridden behind a ridge instantly. + +Winthrop exclaimed at these strange tactics. + +"He seen a jack run in there," explained the constable, leering. + +"This here's gettin' interestin'," mumbled Overland as the constable +unholstered his gun and sauntered toward the ridge. "I got to get the +gent on the cayuse. The other one don't count." + +The rider had appeared from behind the ridge. Slowly Overland raised +his right hand. Then the old fighting soul of Jack Summers, sheriff of +Abilene, rebelled. "No! Dam' if I'll ambush any white man." And he +leaped to his feet. "Overland Limited!" he shouted, and with his +battle-cry came the quick tattoo of shots. The horseman wavered, doubled +up, and pitched forward to the sand. + +Overland Red dropped and rolled to one side as the constable's gun +boomed ineffectually. The tramp lay still. + +A clatter of empty stirrups, the swish of a horse galloping past, and +silence. + +Slowly the constable approached Overland's prostrate figure. "Time's up +for you!" he said, covering the tramp with his gun. + +"Water!" groaned Overland. + +"Water, eh? Well, crawl to it, you rat!" + +Winthrop, his heart thumping wildly, followed the constable. So this was +desert law? No word of warning or inquiry, but a hail of shots, a +riderless horse,--two men stretched upon the sand and the burning sun +swinging in a cloudless circle above the desolate silence. + +"You seem to kind of recognize your friend now," sneered the constable. + +That was too much for Winthrop's overstrung nerves. His pulses roared in +his ears. With a leap he seized the constable's gun and twisted at it +with both hands. There was an explosion, and Winthrop grinned savagely, +still struggling. With insane strength he finally tore the gun from the +other's grasp. "You're the only coward in this affair," he gasped, as he +levelled the gun at the constable. That officer, reading danger in +Winthrop's eye, discreetly threw up his hands. + +"Good!" exclaimed Overland, sitting up suddenly. "That was risky, but it +worked out all right. I had a better plan. You go set down, Billy. I'll +see this gent safe toward home." + +Winthrop laughed hysterically. "Why, you--you--you're a joke!" he cried. +"I thought--" + +"So did the little man with the pie-pan pinned on his shirt," said +Overland. "You keep his gun. I got to see how bad the other gent's hit." + +An hour later the constable of the desert town led his pony toward the +railroad. On the pony was his companion, with both arms bandaged. He +leaned forward brokenly, swaying and cursing. "I'll--get him, if it +takes--a thousand years," he muttered. + +"I reckon it'll take all of that," growled the constable. "You can have +all you want of his game, Saunders,--I'm through." + +Out by the water-hole, Overland turned to Winthrop. "I'm glad you +enjoyed the performance," he said, grinning. "We've opened the pot and +the best man rakes her down. She's desert law from now to the finish." + + + + +CHAPTER XII + +"FOOL'S LUCK" + + +Gaunt, unshaven, weary, Winthrop rested on the crest of the northern +range. Overland, looking for water, toiled on down the slope with the +little burro. Winthrop rose stiffly and shuffled down the rocks. Near +the foot of the range he saw the burro just disappearing round a bend in +a canon. When he came up with Overland, the tramp had a fire going and +had pitched the tent. The canon opened out to a level green meadow, +through which ran a small stream. They had come a long day's journey +from the water-hole on the other side of the range. They were safe from +ordinary pursuit. That evening beside the fire, Overland Red told again +the story of the dead prospector, the gold, and the buried papers. In +his troubled slumbers the Easterner dreamed of pacing along the track +counting the ties, and eventually digging in the sand, digging until his +very soul ached with the futility of his labor. Waking, he never lost +faith in the certainty of finding the place. He now knew the tramp well +enough to appreciate that the other had not risked his own life and +nearly killed one of his pursuers through sheer bravado, or fear, or +personal hatred. Something more potent was beneath the tramp's +motives--some incentive that was almost a religion. So far, Winthrop was +correct. He erred, however, in supposing Overland to be obsessed with a +mania for gold for its own sake. The erstwhile sheriff of Abilene had +dreamed a dream about an adopted waif and a beautiful young girl. The +dream was big. Its fulfillment would require much money. There was more +of the poet in Overland Red than his best friend had ever imagined. + +Three days they rested in the wild seclusion of the canon. The silence, +the solemnity of the place, fascinated Winthrop. The tiny stream, cold +and clear, the vegetation, in a region otherwise barren-gray and +burning,--the arid Mojave with its blistering heat, the trees, the +painted rocks,--ochre, copper, bronze, red, gray, and dim lilac in the +distances,--the gracious shade, the little burro, half ludicrous, half +pathetic in its stolid acceptance of circumstances,--all had a charm for +him that soothed and satisfied his restlessness. + +Meanwhile the indefatigable Overland spun yarn after yarn of the road +and range, and rolled innumerable cigarettes with one hand, much to +Winthrop's amusement. + +The third morning Winthrop had awakened feeling so completely refreshed +that he begged Overland to allow him to make an attempt to find the +hidden papers and the little bag of gold. Overland demurred at first, +fearing that the Easterner would become lost or stricken with the heat. +Throughout the day Winthrop argued stubbornly that he ran no risk of +capture, while Overland did. He asserted that he could easily find the +water-hole, which was no difficult task, and from there he could go by +compass straight out to the tracks. Overland had told him that somewhere +near a little culvert beneath the track was the marked tie indicating +the hiding-place of the dead prospector's things. It would mean a +journey of a day and a night, traveling pretty continuously. + +Finally Overland agreed to Winthrop's plan to make the attempt the +following day. + + * * * * * + +At the foot of the range Overland gave his companion a canteen and a +piece of gunnysack wrapped round some hardtack and jerked beef. + +"Don't I need my gun this time?" queried Winthrop. + +"Nope, Billy. 'Cause why? You don't generally kill a little gopher or a +little owl that's settin' up tendin' to his business, because you ain't +scared of them. But you will go off of the trail to kill a rattler, a +side-winder, because he's able to kill you if he takes a notion. +Correct. Now a tenderfoot totin' a gun is dangerouser than any rattler +that ever hugged hisself to sleep in the sun--and most fellas travelin' +the desert knows it. Why, I'm plumb scared of a gun-totin' tenderfoot, +myself. Not havin' a gun will be your best recommend, generally +speakin'. Stick to the bugs, Billy; stick to the bugs." + +"Well, you ought to know." + +"I got seven puckers in my hide to prove what I say. Six of 'em were put +there by plumb amachoors in the gun line; fellas I never took pains to +draw on quick, never suspectin' nothin'. The other, number seven, was +put there by a gent that meant business. He died of a kind of lead +poisonin' right immediate." + +They shook hands, the battered, sunburned adventurer, rough-bearded, +broad-chested, genial with robust health, and the slender, almost +delicately fashioned Easterner, who had forgotten that there were such +things as lungs, or doctors,--for the time being. + +"Say, Billy, you need a shave," commented Overland, as the other turned +to begin his journey across the desert. + +Winthrop grinned. "You need--er--decapitating," he retorted, glancing +back. Then he faced the south and strode away. + +Overland, ascending the range, paused halfway up. "Decap-itating," he +muttered. "Huh! That's a new one on me. De-cap--Let's see! Somethin' to +do with a fella's hat, I reckon. It's easy to run a word down and hole +it if you got brains. Mebby Billy meant for me to get a new one. Well, +the constable's friend only put one hole in her--she's a pretty good hat +yet." + + * * * * * + +Overland found his slow way back to the hidden canon. He felt a little +lonely as he thought of Collie. He gave the burro some scraps of camp +bread, knowing that the little animal would not stray so long as he was +fed, even a little, each day. + +It was while he was scouring the fry-pan that he noticed the black sand +across the stream. Leisurely he rose and scooped a panful of the sand +and gravel and began washing it, more as a pastime than with an idea of +finding gold. Slowly he oscillated the whispering sand, slopping the +water out until he had panned the lot. He spread his bandanna on a +smooth rock and gently emptied the residue of the washing on it. +"Color--but thin," he said. "Let's try her again." + +He moved farther upstream--this time with one of his regular pans. He +became absorbed in his experiment. He washed panful after panful, +slowly, carefully, collectedly. Suddenly he stood up, swore softly, and +flung the half-washed dirt of the last pan on the rocks. "I'm a nut!" +he exclaimed. "This livin' in civilization has been puttin' my intellec' +to the bad. Too much Eastern sassiety." And with this inexplicable +self-arraignment he stooped at the tent-door, buckled on his gun, and +started upstream. He glanced from side to side of the steep and +narrowing walls as he advanced slowly. He passed places where the stream +disappeared in the sand to find some subterranean channel and reappear +below again. Rounding an angle of the cliff, he dropped to his knees and +examined some tiny parallel scratches on a rounded rock--the marks made +by a boot-heel that had slipped. For an hour he toiled over the rocks on +up the diminishing stream. "Gettin' thin," he muttered, gazing at the +silver thread of water rippling over the pebbles. A few feet ahead the +cliffs met at the bottom in a sharp-edged "V," not over a foot apart in +the stream-bed, but widening above. Overland scrambled through. On the +other side of the opening he straightened up, breathing hard. His hand +crept to his hip. On a sandy level a few yards ahead of him stood a +ragged and faded canvas tent, its flap wavering idly in a breath of +wind. In front of the tent was the rain-washed charcoal of an old fire. +A rusted pan, a pick, and the worn stub of a shovel lay near the stream. +A box marked "Dynamite" was half-filled with odds and ends of empty +tins, cooking-utensils, and among the things was a glass fruit-jar half +filled with matches. + +Slowly Overland's hand dropped to his side. He stepped forward, stooped, +and peered into the tent. "Thought so," he said laughing queerly. Save +for a pair of old quilts and an old corduroy coat, the place was empty. + +"Fool's luck," muttered Overland. "Wonder the Gophertown outfit didn't +find him and fix him. But come to think of it, they ain't so anxious to +cross over to this side of the range and get too clost to a real town, +and get run in or shot up. Fool's luck," he reiterated, coolly rolling a +cigarette and gazing about with a critical eye. "They's another trail +into this canon that the prospector knowed. I got to find it. Billy'll +be some interested." + + + + +CHAPTER XIII + +THE RETURN + + +Overland Red lay concealed in an arroyo at the foot of the range. He +could overlook the desert without being seen. It was the afternoon of +the day following Winthrop's departure. + +Since discovering the dead prospector's camp and all that it meant, the +tramp was doubly vigilant. He tried to believe that his anxiety was for +his own safety rather than for Winthrop's. He finally gave up that idea, +grumbling something about becoming "plumb soft in his feelin's since he +took to associatin' with sassiety folks." However, had Winthrop been of +the West and seasoned in its more rugged ways, Overland would have +thought little of the young man's share in recent events. While he knew +that Winthrop looked upon their venture as nothing more than a rather +keenly exciting game, Overland realized also that the Easterner had +played the game royally. Perhaps the fact that Winthrop's health was not +of the best appealed to some hidden sentiment in the tramp's peculiar +nature. In any event, Overland Red found himself strangely solicitous +for his companion's return. + +Far in the south a speck moved, almost imperceptibly. The tramp's keen +eyes told him that this was no horseman. He rolled a cigarette and lay +back in the shade of a boulder. "He's a couple of points off his course, +but he can't miss the range," he reflected. + +Desiring to assure himself that no horseman followed Winthrop, Overland +Red made no sign that might help the other to find the trail over the +range. The rim of Winthrop's hat became distinguishable; then the white +lacing of his boots. Nearer, Overland saw that his face was drawn and +set with lines of fatigue. + +No riders appeared on the horizon. Overland stepped out from behind the +rock. "Well, how did you make it?" he called. + +Winthrop came forward wearily "No luck at all." + +"Couldn't find it, eh?" + +"I counted every tie between the tank and that little ditch under the +track. The entire stretch has been relaid with new ties." + +Overland whistled. Then he grinned. "You had a good healthy walk, +anyhow," he observed. + +"It doesn't seem to worry you much," said Winthrop. + +"Nope. Now you're back, it don't. I reckon you done your dam'dest as +the song says. Angels can do no less. Buck up, Billy! You 're limper'n a +second-hand porous-plaster. Here, take a shot at this. That will stiffen +your knees some. Did you meet up with anybody?" + +"Not a soul. I thought I should freeze last night, though. I didn't +imagine the desert could get so cold." + +"Livin' out here on the old dry spot will either kill you or cure you. +That's one reason I let you go look for them things. The harder you hit +the trail, and can stand it, the quicker you'll get built up." Then +Overland, realizing that his companion was worse than tired, that he was +dispirited, became as wily as the proverbial serpent. His method, +however, could hardly be compared with the dove's conciliatory cooing. +"You sure are a bum scout," he began. + +Winthrop flushed, but was silent. + +"Bet a banana you didn't even leave the track and look for it." + +"No, I didn't. Where could I have begun?" + +Overland ignored the question. "I'm hungrier than a gorilla. Just send a +wireless to them feet of your'n. We got some climbin' to do afore dark." + +"I'd just as soon camp here. Go up to-morrow," said Winthrop. + +"So'd I if it wasn't for bein' scared some of the hills would mosey off +before I got back." And Overland set a brisk pace up the mountain, +talking as he climbed. Winthrop could do nothing but listen. He was +breathless. + +"Or that canon," continued Overland. "She might not be there if we +stayed away all night. Besides, I'm scared to leave _it_ alone by +itself." + +"Leave what?" gasped Winthrop. + +"It. The find I made while you was out surveyin' the Santa Fe. I was +feared you'd get nervous prosecution if I told you all to once, so I +breaks it easy like." + +"What was it?" + +"Nothin' but a tent in the canon we're campin' in. But, Billy, when you +find a tent and some minin' tools and other signs of trouble 'way up +some lonesome old slot in the hills, you want to get ready for a +surprise. Mebby it'll be nothin' but some old clothes and bones. Mebby +it'll be them and somethin' else. I didn't find the bones, but I found +the somethin' else, coarse, and fair dribblin' thick in the dirt. It's +there and rich, Billy, rich!" + +Overland Red turned and paused as Winthrop leaned against a rock. + +"It's the--the real thing?" queried the Easterner. + +"The real thing, pardner. Now what do you think of that for highbrow +stuff?" + +"Meaning that you stumbled on the secret?" + +"If you want to say it that way, yes. Just like fallin' into a sewer and +findin' a gold watch where you lit." + +"Then it's all true? We've found the gold? You really believed we +should, and for that matter, so did I. I can't say why. I rather felt +that we should." + +"I guess I'm some class when it comes to findin' the incubator that +hatches them little yella babies with the come-and-find-me eyes." + +Winthrop straightened his tired shoulders. "You seem to think that +you're pretty clever," he said, laughing. "But in the elegant and +expressive diction of the late--the late Overland Red Summers, 'I think +you're a bum scout.'" And they shook hands, laughing as they turned to +climb the trail. + +Near the crest, Overland again paused. "Say, Billy, you said the 'late' +Overland Red Summers. You took particular noise to make me hear that +word 'late.' Have you got any objections to explainin' that there idea? +I been examinin' the works of that word 'late,' and it don't tick right +to me. 'Late' means 'planted,' don't it?" + +"Sometimes. It may also mean behind time. Do you remember that I said, a +day or two ago, that I shouldn't be surprised if the lost gold were in +the very canon where we camped? I claim precedence of divination, +auto-suggestion, and right of eminent domain. I shall not waive my +prerogative." + +"I never owned one," said Overland. "But afore I'll let you come any +style over me, I'll have one made with a silk linin' and di'monds in the +buttons, jest as soon as the claim gets to payin' good. Say, pardner, +it's _free_ gold, and _coarse_. I wisht Collie was here--the little +cuss." + +"Collie?" + +"Uhuh. The kid I was tellin' you about, that I adopted back in +Albuquerque. He's got a share in this here deal, by rights. He invested +his eight rollers and four bits in the chances of my findin' the stuff. +It was all the coin he had at the time. You see, I was campin' up on the +Moonstone for a change of air, and Collie and me had a meetin' of the +board of dissectors. The board votes unanimous to invest the paid-in +capital in a suit of new jeans for the president, which was me. I got +'em on now. You see, I had to be dollied up to look the part so I could +catch a come-on and get me grubstake." + +"I see," said Winthrop, his gray eyes twinkling. "And I was the +come-on?" + +"Well," said Overland, scratching his head, "mebby you _was_, but you +ain't no more. If she pans out anything like I expect, you'll be +standin' up so clost to bein' rich that if she was a bronc' you'd get +kicked sure." + +They rested for a few minutes, both gazing down on the evening desert. +The reflected light, strong and clear, drew abrupt, keen-edged contrasts +between the black, triangular shadows of the peaks and the gray of the +range. Something elusive, awesome, unreal was in the air about them. The +rugged mountain-side with its chaos of riven boulders, its forest of +splintered rocky spires, silver cold in the twilight, its impassive bulk +looming so large, yet a mere segment in the circling range, was as a +day-dream of some ancient Valhalla, clothed in the mystic glory of +ever-changing light, and crowned with slumbering clouds. + +Winthrop sighed as he again faced the range. Overland heard and smiled. +"You said it all," he muttered. "You said it all then." + +"You're something of a poet, aren't you?" queried Winthrop. + +"You bet! I'm some artist, too. A lady I was figurin' on acceptin' a +invite to dinner with, once,--one of them rich kind that always wants to +get their money's worth out of anything they do for a poor +guy,--happened to come out on the back steps where I was holdin' kind of +a coroner's request over a lettuce san'wich. 'My man,' she says, 'I have +always been interested to know if you--er--tramps ever think of +anything else but food and lodging and loafing. Nothing personal, I +assure you. Merely a general interest in social conditions which you +seem so well fitted to explode from experience. For instance, now, what +are your favorite colors?' + +"I couldn't see what that had to do with it, and I got kind of mad. A +lettuce san'wich ain't encouragin' to confidence, so I up and says, +'What are me favorite colors, lady? Well, speakin' from experience, they +is _ham_ and _eggs_.' + +"She took a tumble to herself and sent me out some of the best--and a +bottle of Red Cross beer with it." + +On up the slope they toiled, Winthrop half-forgetting his weariness in +thinking of Overland's sprightly experiences with what he termed "the +hard ole map--this here world." + +At the summit they paused again to rest. + +"That was the time," began Overland, "when I writ that there pome called +'Heart Throbs of a Hobo.' Listen!" + + "Oh, my stummick is jest akein' + For a little bite of bacon, + A slice of bread, a little mug of brew. + I'm tired of seein' scenery, + Jest lead me to a beanery, + Where there's something more than only air to chew." + +"The last line sounds like a sneeze," said Winthrop, laughing. + +"Speakin' of sneeze," said Overland, "makes me think you ain't coughed +so much lately, Billy." + +"I had a pretty bad time yesterday morning," replied Winthrop. + +"Well, you'll get cured and stay cured, up here," said Overland, hugely +optimistic. + +"Of course," rejoined Winthrop, smiling. "It's such hard work to breathe +up here that I have to keep alive to attend to it." + +"That's her! Them little old bellowsus of your'n 'll get exercise--not +pumpin' off the effects of booze an' cigarettes, neither, but from +pumpin' in clean thin air with a edge to it. Them little old germs will +all get dizzy and lose their holt." + +"That's getting rather deep into personalities," said Winthrop. "But I +think you're correct. I could eat a whole side of bacon, raw." + +And he followed Overland silently across the range and down into the +cool depths of the hidden canon, where the tramp, ever watchful of the +younger man's health, slipped from his coat and made Winthrop put it on, +despite the latter's protest that he was hot and sweating. + + + + +CHAPTER XIV + +"CALL IT THE 'ROSE GIRL'" + + +"What are you going to do with those things?" asked Winthrop. "Not burn +them?" + +"Yep; every strap and tie-string," replied Overland, gathering together +the dead prospector's few effects. "Cause why? Well, Billy, if this +claim ain't filed on,--and I reckon it ain't,--why, we files on her as +the original locators. Nobody gets wise to anything and it saves the +chance of gettin' jumped. The bunch over there would make it interestin' +for us if they knowed we was goin' to file on it. They'd put up a fight +by law, and mebby one not by law. Sabe?" + +"I think so. Going to burn that little--er--cradle arrangement, too?" + +"Yep. Sorry, 'cause it's wood, and wood is wood here. That little rocker +is a cradle all right for rockin' them yella babies in and then out. The +hand that rocks that cradle hard enough rules the world, as the pote +says." + +"So this is how gold is mined?" queried Winthrop, examining the crude +rocker and the few rusted tools. + +"One way. Pan, cradle, or sluice for free gold. They's about four other +ways. This here's our way." + +"Is it a rich claim?" + +"Tolerable. I panned some up the branch. She runs about two dollars a +pan." + +"Is that all?" + +Overland smiled as he poked a smouldering corner of blanket into the +fire. "It is and it ain't. I reckon you could pan fifty pans a day. +That's a hundred dollars. Then I could do that much and the cookin', +too. That's another hundred. Two hundred dollars a day ain't bad wages +for two guys. It ought to keep us in grub and postage stamps and some +chewin'-gum once in a while." + +"Two hundred a day!" And Winthrop whistled. "That doesn't seem much in +New York--on the street, but out here--right out of the ground. Why, +that's twelve hundred a week." + +"Nope--not exactly. She's a rich one, and bein' so rich at the start +she'll peter out fast, I take it. I know these here kind. When we come +to the end of the canon we're at the end, that's all. Besides, she's so +rich we won't work six days every week. If she was half as good, mebby +we would. You never done much fancy pick-handle exercise, did you?" + +"No, but I'm going to. This beats signing checks all to pieces." + +"Never got cramps that way myself," grunted Overland. "But I have from +swingin' a pick. Your back'll be so blame stiff in about three days that +you'll wish you never seen a pan or a shovel. Then you'll get over the +fever and settle down sensible. Three of us could do a heap better than +two. I wish Collie was on the job." + +"I'm willing," said Winthrop. + +"'Course you are, but you get your half of this as agreed. Collie's +share comes out of my half. I'm playin' this hand over the table, in +plain sight." + +Winthrop glanced quickly at Overland's inscrutable face. "Suppose I +should tell you that my income, each week, is about equal to what we +expect to get from this claim?" + +"Makes no difference," growled Overland. "It wasn't your money that +stood off the constable--and later out in the desert. It was _you_. +They's some places left on this old map yet where a man is jest what his +two fists and his head is worth. This here Mojave is one of 'em. Are you +squeak to that?" + +"I understand," said Winthrop. + + * * * * * + +They worked steadily until evening. They staked out their respective and +adjoining claims, dropped the rusted tools in a bottomless crevice, and +removed the last shred and vestige of a previous occupancy. + +"This here's been too easy," said Overland, as he sliced bacon for the +evening meal. "When things comes as easy as this, you want to watch out +for a change in the weather. We ain't through with the bunch yet." + +The Easterner, making the evening fire, nodded. "How are we to get +provisions?" he asked. + +"First, I was thinkin' of packin' 'em in from Gophertown, over yonder. +She's about thirty miles from here, across the alkali. 'T aint a regular +town, but they got grub. But if we got to comin' in regular, they'd +smell gold quicker than bees findin' orange-blossoms. They got my +number, likewise." + +"How's that?" + +"They know I been standin' out on the edge ever since I had a little +fuss with some folks over at Yuma, quite a spell ago." + +"Won't you tell me about it?" + +"Sure! They was three parties interested--me and another gent and a +hoss. I guess the hoss is still alive." + +Winthrop laughed. "That's a pretty brief epic," he said. + +"Uhuh. It was. But I reckon we got to hit the breeze out of here right +soon. Here, le' me take that fry-pan a minute. It's this way. Me and +you's located this claim. Now we go and file. But first we got to get +some dough. I got a scheme. I'm thinkin' of gettin' a dude +outfit--long-tailed coat and checker pants and a elevated lid with a +shine to it. Then you and me to the State House and file on this here +claim. You stay right in them kickie clothes and that puncher hat. We +file, see? The gents supportin' the bars and store corners will be so +interested in seein' me do you for your pile that they'll forget to +remember who I am, like I would be in me natural jeans. They'll size me +for a phoney promoter excavatin' your pocketbook. It's a chance--but we +got to take it." + +"That's all very weird and wonderful," said Winthrop, "and not so very +flattering to me, but I am game. I'll furnish the expense money." + +After the evening meal they drew nearer the fire and smoked in the chill +silence. The flames threw strange dancing shadows on the opposite cliff. + +Winthrop, mindful of Overland's advice, slipped on his coat as the night +deepened. "About your adopting a disguise," he began; "I should think +you would look well enough clean-shaven and dressed in some stylish, +rough tweed. You have fine shoulders and--" + +"Hold on, Billy! I'm a livin' statoo, I know. But listen! I got to go +the limit to look the part. You can't iron the hoof-marks of hell and +Texas out of my mug in a hundred years. The old desert and the border +towns and the bottle burned 'em in to stay. Them kind of looks don't go +with business clothes. I got to look fly--jest like I didn't know no +better." + +"Perhaps you are right. You seem to make a go of everything you tackle." + +"Yep! Some things I made go so fast I ain't caught up with 'em yet. You +know I used to wonder if a fella's face would ever come smooth again in +heaven. That was a spell ago. I ain't been worryin' about it none +lately." + +"How old are you?" + +"Me? I'm huggin' thirty-five clost. But not so clost I can't hear +thirty-six lopin' up right smart." + +"Only thirty-five!" exclaimed Winthrop. Then quickly, "Oh, I beg your +pardon." + +"That's nothin'", said Overland genially. "It ain't the 'thirty-five' +that makes me feel sore--it's the 'only.' You said it all then. But +believe me, pardner, the thirty-five have been all red chips." + +"Well, you have _lived_," sighed Winthrop. + +"And come clost to forgettin' to, once or twice. Anyhow,--speakin' of +heaven,--I'd jest as soon take my chances with this here mug of mine, +what shows I earned all I got, as with one of them there dead-fish faces +I seen on some guys that never done nothin' better or worse than get up +for breakfast." + +Winthrop smiled. "Yes. And you believe in a heaven, then?" + +"From mornin' till night. And then more than ever. Not your kind of a +heaven, or mebby any other guy's. But as sure as you're goin' to crease +them new boots by settin' too clost to the fire, there's somethin' up +there windin' up the works regular and seein' that she ticks right, and +once in a while chuckin' out old wheels and puttin' in new ones. Jest +take a look at them stars! Do you reckon they're runnin' right on time +and not jumpin' the track and dodgin' each other that slick--jest +because they was throwed out of a star-factory promiscus like a shovel +of gravel? No, sir! Each one is doin' its stunt because the other one +is--same as folks. Sure, there's somethin' runnin the big works; but +whether me or you is goin' to get a look-in,--goin' to be let in on +it,--why, that's different." + +Winthrop drew back from the fire and crossed his legs. He leaned +forward, gazing at the flames. From the viewless distance came the howl +of coyotes. + +"They're tryin' to figure it out--same as us," said Overland, poking a +half-burned root into the fire. "And they're gettin' about as far along +at it, too. Like most folks does in a crowd--jest howlin' all together. +Mebby it sounds good to 'em. I don' know." + +"I'm somewhat of a scoffer, I think," said Winthrop presently. + +"Most lungers is," was Overland's cheerful comment. "They're sore on +their luck. They ain't really sore at the big works. They only think so. +I've knowed lots of 'em that way." + +"To-night,--here in this canon,--with the stars and the desert so near, +you almost persuade me that there is something." + +"Hold on, Billy! You're grazin' on the wrong side of the range if you +think I'm preachin'. My God! I hate preachin' worse than I could hate +hell if I thought they was one. My little old ideas is mine. I roped 'em +and branded 'em and I'm breakin' 'em in to ride to suit me. I ain't +askin' nobody to risk gettin' throwed ridin' any of my stock. Sabe?" + +"But a chap may peek through the fence and watch, mayn't he?" + +"Sure! Mebby you're breakin' some stock of your own like that. If you +are, any little old rig I got is yours." + +"Thank you. And I'm not joking. Perhaps I'll get the right grip on +things later. I've been used to town and the pace. I've always had +money, but I never felt really clean, inside and out, until now. I +never before burned my bridges and went it under my own flag." + +Overland nodded sagely. "Uhuh. It's the air. Your feelin' clean and +religious-like is nacheral up here. Don't worry if it feels queer to you +at first--you'll get used to it. Why, I quit cussin', myself, when +everything seems so dum' quiet. Sounds like the whole works had stopped +to listen to a fella. Swearin' ain't so hefty then. Sort of outdoor +stage fright, I reckon. Say, do you believe preachin' ever did much +good?" + +"Sometimes I've thought it did." + +"I seen a case once," began Overland reminiscently. "It was Toledo +Blake. He was a kind of bum middleweight scrapper when he was workin' at +it. When he wasn't trainin' he was a kind of locoed heavyweight--stewed +most of the time. It was one winter night in Toledo. Me and him went +into one of them 'Come-In-Stranger' rescue joints. 'Course, they was +singin' hymns and prayin' in there, but it was warmer than outside, so +we stayed. + +"After a while up jumps the foreman of that gospel outfit. His foretop +was long, and he wore it over one ear like a hoss's when the wind is +blowin'. + +"He commenced wrong, I guess. He points down the room to where me and +Toledo was settin', and he hollers, 'Go to the ant, you slugger! +Consider her game and get hep to it,' or somethin' similar. + +"That word 'slugger' kind of jarred Toledo. He jumps up kind of mad. +'Mebby I am a slugger, and mebby I ain't, but you needn't to get +personal about it. Anyhow, I ain't got no aunt.' + +"'The text,' says the hoss-faced guy on the platform, 'the text, my +brother, is semaphorical.' + +"Toledo couldn't understand that, so I whispers, 'Set down, you mutt! +Semaphore is a sign ain't it? Well, he's givin' you the sign talk. Set +down and listen.' + +"Toledo, he hadn't had a drink for a week, and he was naturally feelin' +kind of ugly. 'All right,' he growls at the preacher guy. 'All right. I +pass.' + +"'Ah, my brother!' says the hoss-faced guy. 'I see the spirits is at +work.' That kind of got Toledo's goat. + +"'Your dope is _bum_,' says Toledo. 'I ain't had a drink for a week. +First you tell a fella to go see his aunt, when she's been planted for +ten years. Then--' + +"'Listen, brother!' says the preacher guy. 'I referred to ants--little, +industrious critters that are examples of thrift to the idle, the +indignant, the--' + +"'Hold on!' says Toledo. 'Do you mean red ants or black ants?' And I +seen that a spark had touched Toledo's brainbox and that he was +wrastlin' with somethin' that felt like thinkin'. + +"'Either, my brother,' says the hoss-faced guy, smilin' clear up to his +back teeth. + +"'Well, you're drawin' your dope from the wrong can,' says Toledo, +shufflin' for the door. 'Because,' says he, turnin' in the doorway, +'because, how in hell is a fella goin' to find any ants with two feet of +snow on the ground?' + +"And then Toledo and me went out. It was a mighty cold night." + +Overland Red rolled a cigarette, pausing in his narrative to see whether +Winthrop, who sat with bowed head, was asleep or not. + +Winthrop glanced up. "I'm awake," he said, smiling. "Very much awake. I +can see it all--you two, down on your luck, and the snow freezing and +melting on the bottoms of your trousers. And the stuffy little rescue +mission with a few weary faces and many empty chairs; the 'preacher +guy,' as you call him, earnest, and ignorant, and altogether wrong in +trying to reason with Toledo Blake's empty stomach." + +"That's it!" concurred Overland. "A empty stomach is a plumb +unreasonable thing. But the preacher guy done some good, at that. He set +Toledo Blake to thinkin' which was somethin' new and original for +Toledo. + +"It was nex' spring Toledo and me was travelin' out this way, inspectin' +the road-bed of the Santa Fe, when we runs onto a big red-ant's nest in +the sand alongside of the track. Toledo, he squats down and looks. The +first thing he sees was a leetle pa ant grab up a piece of crust twice +his size and commence sweatin' and puffin' to drag it home to the kids. + +"'The leetle cuss!' says Toledo. 'He's some strong on the lift!' And +Toledo, he takes the piece of crust from the pa ant and sticks it at the +top of the hole, thinkin' to help the pa ant along. But the pa ant, he +hustles right up and grabs the crust and waves her around his head a +couple of times to show how strong he is, and then starts back to where +he found the crust. Down he plumps it--gives it a h'ist or two and then +grabs it up. He waves it around in his mitts and wobbles off toward the +hole again. Independent? Well, mostly! + +"Toledo, he said nothin', but his eyes was pokin' out of his head tryin' +to think. You never see a man sweat so tryin' to get both hands onto a +idea at once. His dome was kind of flat, but he could handle one idea, +in single harness, at a time. + +"Anyhow, the next town we strikes, Toledo, he quits me and gets a sort +of chambermaid's job tidyin' up around a little old boiler-factory and +machine-shop; pilin' scrap-iron and pig-iron and little things like +that. And he stuck, too. + +"A couple of years after that I was beatin' it on a rattler goin' west, +and I drops off at that town. About the first thing I seen was Toledo +comin' down the street. Alongside of him was a woman carry in' a kid in +her arms, and another one grazin' along close behind. And Toledo had a +loaf of bread under his arm. + +"'This here is Mrs. Blake,' says Toledo, kind of nervous. + +"'I am glad she is,' says I. 'Toledo, you're doin' well. Don't know +nothin' about the leetle colt in the blanket, but the yearlin' is built +right. He's got good hocks and first-class action.' + +"Mrs. Toledo, she kind of sniffed superior, but said nothin'. You know +that kind of sayin' nothin' which is waitin' for you to move on. + +"'Won't you come up to the shack and have grub?' says Toledo, hopin' I'd +say 'No.' + +"'Nope,' says I. 'Obliged jest the same. I see you got hep to the ant +all right.' + +"'I'll let you know I'm nobody's aunt!' says Mrs. Toledo, yankin' the +yearlin' off his hoofs and settin' him down again. For a fact, she thunk +I was alludin' to her. + +"'Of course not, madam,' says I, polite, and liftin' me lid. 'And I +judge somebody's in luck at that.' + +"I guess it was her not used to bein' spoke and acted polite to that got +her goat. Mebby she smelt somethin' sarcastic. I dunno. Anyhow, she was +a longhorn with a bad eye. 'Go on, you chicken-lifter!' she says. + +"Bein' no hand to sass a lady, I said nothin' more to _her_. But I hands +Toledo a jolt for bein' ashamed of his old pal. + +"'Well, so long,' says I, kind of offhand and easy. 'So long. I'll tell +Lucy when I see her that you was run over by a freight and killed. Then +she can take out them papers and marry Mike Brannigan that's been +waitin' in the hopes you'd pass over. You remember Mike, the cop on +Cherry Street. You oughta. He's pinched you often enough. 'Course you +do. Well, so long. Little Johnny was lookin' fine the last I seen of +him. He's gettin' more like his pa every day. But I got to beat it.'" + +Overland Red leaned back and puffed a great cloud of smoke from a fresh +cigarette. + +"Who was Lucy?" asked Winthrop. + +"Search me!" replied Overland. "They wasn't any Lucy or nobody like +that. But I'd like to 'a' stayed to hear Toledo explain that to Mrs. +Toledo, though. She was a hard map to talk to." + +"I suppose there's a moral attached to that, or, more properly, embodied +in that story. But it is good enough in itself without disemboweling it +for the moral." + +"You can't always go by ants, neither," said Overland. + +Winthrop nodded. His eyes were filled with the awe of great distances +and innumerable stars. "Gold!" he whispered presently, as one whispers +in dreams. "Gold! Everywhere! In the sun--in the starlight--in the +flowers--in the flame. In wine, in a girl's hair.... Gold! Mystery.... +Power ... and as impotent as Fate." Winthrop's head lifted suddenly. +"What shall we call the mine?" he asked. + +Overland Red started, as though struck from ambush. "How did you guess?" +he queried. + +"Guess what?" + +"That I was thinkin' about the claim?" + +"I didn't guess it. I was dreaming. Suddenly I asked a question, +without knowing that I was speaking." + +"Mebby I was bearin' down so hard on the same idea that you kind of felt +the strain." + +"Possibly. That's not unusual. What _shall_ we call it?" + +"Wha--I was thinkin' of callin' it the 'Rose Girl' after a girl Collie +and me knows up Moonstone Canon way." + +"It's rather a good name," said Winthrop. "Is the girl pretty?" + +"Pretty? Gosh! That ain't the word. Her real name is Louise Lacharme, +and, believe me, Billy, she's all that her name sounds like, and then +some." + + + + +CHAPTER XV + +SILENT SAUNDERS + + +One after another, in the course of the two years following Collie's +arrival, the old riders of the Moonstone Rancho drifted away. There +remained but Brand Williams the foreman, Collie, and the sturdy, +hard-riding Miguel, a young Spanish vaquero who was devoted to but two +things in life, his splendid pinto pony, and the Moonstone Ranch. + +The others had been lured to the new oil-fields up north--to the +excitement of Goldfield, or to Mexico City, where even more excitement +promised. In their stead came new men--Bud Light, Parson Long, Billy +Dime, and one Silent Saunders. + +Louise became acquainted with the new men while riding with her uncle. +She was his constant companion in the hills. One by one the new arrivals +became devoted to her. Her sincere interest in the ranch work pleased +them, and naturally, for it was their work. Walter Stone was also +pleased with his niece's interest in the detail of the ranch work. She +was as a daughter to him. Some day the property would be hers. + +Fully conscious, from within herself, of her dependence upon her uncle, +Louise managed to be of inestimable service. She performed her +self-allotted tasks without ostentation. She had that rare quality of +stimulating enthusiasm among the men--enthusiasm for their work and +pride in giving faithful and energetic service--pride in accomplishing a +little more each day than was asked or expected of them. Louise's youth, +her beauty, her sincerity, and, above all, her absolute simplicity of +manner commanded admiration and respect among the hard-riding Moonstone +boys. She was, to them, a "lady," yet a lady they could understand. Hers +was a gentle tyranny. A request from her was deemed a great compliment +by its recipient. + +All of them, with the exception of Collie, openly praised her +horsemanship, her quiet daring, her uniform kindness. Her beauty had +ceased to be commented upon. It was accepted by them as one accepts the +fragrant beauty of a rose, naturally, silently, gratefully. + +Collie had gained in height and breadth of shoulder. He no longer needed +instruction in managing broncho stock. He loved the life of the hills; +the cool, invigorating mornings, the keen wind of the noon peaks, the +placidity of the evening as the stars multiplied in the peaceful sky. + +He became that rare quantity among cowmen, a rider who handled and +mastered unbroken horses without brutality. This counted heavily for him +both with Louise and Walter Stone. Men new to the range laughed at his +method of "gentling" horses. Later their laughter stilled to envious +desire. Lacking his invariable patience, his consistent magnetism, they +finally resumed their old methods, and earned dominance by sheer +strength of arm--"main strength and awkwardness," as Williams put it. + +"It's easy--for him," commented Brand Williams, discussing Collie's +almost uncanny quelling of a vicious, unbitted mustang. "It's easy. You +fellas expect a boss to buck and bite and kick and buffalo you +generally. _He_ don't. He don't expect anything like that, and he don't +let 'em learn how." + +"Can you work it that way?" asked Billy Dime. + +"Nope. I learned the other way and the bosses knows it. I always had to +sweat. He's born to it natural, like a good cow-pony is." + +And Collie looked upon his work as a game--a game that had to be played +hard and well, but a game, nevertheless. Incidentally he thought often +of Overland Red. He had searched the papers diligently for a year, +before he received the first letter from Overland. The news it contained +set Collie to thinking seriously of leaving the Moonstone Rancho and +joining his old companion in this new venture of gold-digging which, as +Overland took pains to explain, was "paying big." But there was +Louise.... They were great friends. They had even ridden to town +together and attended the little white church in the eucalyptus +grove.... He thought of their ride homeward late that Sunday +afternoon.... + + * * * * * + +Once and once only had Overland's name been mentioned in the bunk-house. +Saunders, discussing horses and riders in general, listened to Collie's +account of Overland's escape from the deputy, Tenlow. Then he spoke +slightingly of the feat, claiming that any man who had ever ridden range +could do as much, with the right pony. + +Brand Williams tried to change the subject, for shrewd reasons of his +own, but Collie flamed up instantly. "I got a little saved up," he said; +"mebby eight hundred. She's yours if you dast to walk a horse, comin' or +goin', over that drift that Red took on the jump. Are you game?" + +"I'm not on the bet," replied Saunders. "So Overland Red is a friend of +yours, eh?" + +"Overland Red could ride where you dassent to walk and drag a halter," +asserted Collie. Then he relapsed to silence, a little ashamed in that +he had been trapped into showing temper. + +Williams the taciturn astonished the bunk-house by adding: "The kid is +right. Red could outride most men. I was his pal once, down in Sonora. +There ain't a better two-gun artist livin'." And the lean foreman looked +pointedly at Saunders. + +Saunders smiled evilly. He had reason to believe that Williams had +spoken the truth. + + * * * * * + +A few weeks later, Williams, returning unexpectedly to the bunk-house, +found Saunders changing his shirt preparatory to a ride to town. The +rest of the boys were already on their way to the Oro Rancho across the +valley. Williams saw two puckered scars, each above the elbow on +Saunders's bared arms. + +"That was dam' good shootin'," said the foreman, indicating the other's +scarred arms. + +"Fair," said Saunders gruffly. + +"Takes a gun-artist to put a man out of business that way and not finish +him," said Williams, smiling. + +"Cholo mix-up," said Saunders. + +"And shootin' from the ground, at that," continued Williams. "And at a +fella on a horse. Easy to see that, for the both holes are slantin' up. +The shootin' was done from below." + +Saunders flushed. He was about to speak when Williams interrupted him. +"Makes me think of some of Overland Red's--that is, old Red Jack +Summers's fancy work. I don' know why," he drawled, and turning he left +the bunk-house. + +Collie, returning from a visit to the Oro Rancho that evening, was met +by Williams. The latter was on foot. + +"Drop into my shack after dark," said the foreman. Then he stepped back +into the bushes as the other men rode up. + +The foreman's interview with Collie that evening was brief. It left a +lot to the imagination. "You said too much about Overland Red the other +night, when you was talkin' to Silent Saunders," said Williams. "He's +tryin' to find out somethin'. I don't know what he's after. Keep your +eye peeled and your teeth on the bit. That's all." + + + + +CHAPTER XVI + +BLUNDER + + +"Oh, he's built all right, and he comes of good stock," said Brand +Williams, nodding toward a bay colt that stood steaming in the sun. + +It had rained the night before--an unexpected shower and the last of the +winter rains. Now that the snow had left the hills, the young stock, +some thirty-odd year-old colts had been turned into the north range. +Collie and Williams had ridden over to look at the colts; Williams as a +matter of duty, Collie because he was interested and liked Williams's +society. + +The colt, shaking itself, turned and nipped at its shoulder and switched +its tail. + +"He's stayed fat, too," continued Williams. "But look at him! He's +bitin' and switchin' because he's wet. Thinks it's fly-time a'ready. +He's jest a four-legged horse-hide blunder. I know his kind." + +Collie, dismounting and unbuttoning his slicker, rolled it and tied it +to the saddle. "I guess you're right, Brand. Last week I was over this +way. He had his head through the corral bars at the bottom and he +couldn't get loose. He was happy, though. He must have been there quite +a spell, for he ate about half a bale of hay. I got him loose and he +tried his darndest to kick my head off." + +"Uhuh," grunted the foreman. "Reckon it's the last rain we'll get this +year. Now would you look at that! He's the limit!" + +The colt, sniffing curiously at a crotch in the live-oak against which +he had been rubbing, had stepped into the low fork of the tree. Perhaps +he had some vague notion to rub both his sides at once as an economy of +effort. His front feet had slipped on the wet ground. He went down, +wedged fast. He struggled and kicked. He nickered plaintively, and +rolled his terror-stricken eyes toward the cowmen in wild appeal. + +"And like all of his kind, hoss and human," said Williams, dismounting, +"he's askin' for help in a voice that sounds like it was our fault that +he's in trouble. He's the limit!" + +With much labor they finally released the colt, who expressed prompt +gratitude by launching a swift and vicious kick at Collie. + +"He's feeling good enough," said that youth, coolly picking up his hat +that had dropped as he dodged. + +"Yes. All he needs is a couple of punchers and a hoss-doctor and a +policeman to ride round with him and keep him out of trouble. He's no +account; never will be," growled Williams. + +"I don't know, Brand. He's a mighty likely-looking and interesting +specimen. He's different. I kind of like him." + +"Well, I don't. I ain't got time. He's always goin' to manufacture +trouble, when he don't come by it natural. He's got a kind eye, but no +brains behind it." + +They mounted and rode up the hill, looking for breaks in the fences and +counting the colts, some of whom, luxuriously lazy in the heat of the +sun, stood with lowered heads, drowsing. Others, scattered about the +hillsides and in the arroyos, grazed nippingly at the sparse +bunch-grass, moving quickly from clump to clump. + +The "blunder" colt seemed to find his own imbecilities sufficiently +entertaining, for he grazed alone. + +The foreman's inspection terminated with the repairing of a break in the +fence inclosing the spring-hole, a small area of bog-land dotted with +hummocks of lush grass. Between the hummocks was a slimy, black ooze +that covered the bones of more than one unfortunate animal. The heavy, +ripe grass lent an appearance of stability, of solidity, to the +treacherous footing. + +Williams and Collie reinforced the sagging posts with props of fallen +limbs and stones carried from the trail below. They piled brush where +the wire had parted, filling the opening with an almost impassable +barrier of twisted branches. Until the last rain, the spring-hole fence +had appeared solid--but one night of rain in the California hills can +work unimaginable changes in trail, stream-bed, or fence line. + +"Get after that fence first thing in the morning," said Williams as he +unsaddled the pinto that afternoon. "I noticed the blunder colt followed +us up to the spring. If there's any way of gettin' bogged, he'll find +it, or invent a new way for himself." + +The blunder colt's mischief-making amounted to absolute genius. There +was much of the enterprising puppy in his nature and in his methods. The +impulse which seemed to direct the extremely uneven tenor of his way +would have resolved itself orally into: "Do it--and then see what +happens!" He was not vicious, but brainlessly joyful in his mischief. + +As the foreman and Collie disappeared beyond the crest of the hill, the +colt, who had watched them with absurdly stupid intensity, lowered his +head and nibbled indifferently at the grass along the edge of the +spring-hole fence. He approached the break and sniffed at the props and +network of branches. This was interesting! And a very carelessly +constructed piece of fence, indeed! He would investigate. The blunder +colt was never too hungry to cease grazing and turn toward adventure. + +He nosed one of the props. He leaned against it heavily, deliberately, +and rubbed himself. Verily "His eye had all the seeming of a demon's +that is dreaming"--of unalloyed mischief. + +The prop creaked, finally became loosened, and fell. The colt sprang +back awkwardly, snorting in indignant surprise. "The very idea!" he +would have said, even as he would have chewed gum and have worn a +perpetual tear in his trousers had he been human. + +With stiff stealthiness he approached the break again, pretending a +hesitancy that he enjoyed immensely. He reached under the lower wire, +neck outstretched, and nibbled at a bunch of ripe grass. There was +plenty of grass within easier reach, but he wanted the unattainable. A +barb caught in his mane. He jerked his head up. The barb pricked his +neck. He jerked harder. Another prop became loosened. Then he strode +away, this time with calm indifference. He pretended to graze, but his +eye roved back to the break. His attitude expressed a sly +alertness--something of the quiet vigilance a grazing horse betrays when +one approaches with a bridle. He drew nearer the fence again. With head +over the top wire he gazed longingly at the clumps of grass on the +hummocks scattered over the muck of the overflow. His shoulder needed +scratching. With drooping head, eyes half-closed, and lower lip pendant, +he rubbed against the loosened post. The post sagged and wobbled. +Whether it was deliberate intent, or just natural "horse" predominating +his actions, it would be difficult to determine. Finally the post gave +way and fell. The colt drew back and contemplated the opening with a +vacuous eye. It was not interesting now. No, indeed! He wandered away. + +But in the dusk of that evening, when a chill dew sparkled along the +edges of the bog, he came, a clumsy shadow and grazed among the +hummocks. Slowly he worked toward the treachery of black ooze that shone +in the starlight. He sank to his fetlocks. He drew his feet up one after +another, still progressing toward the centre of the bog, and sinking +deeper at each step. He became stricken with fear as he sank to his +hocks. He plunged and snorted. The bog held him with a soft, detaining +grip--and drew him slowly down. He nickered, and finally screamed in +absolute terror. Up to his heaving belly the black mud crept. He flung +himself sideways. Exhausted, he lay with neck and head outstretched. +Again he struggled, his eyes wild and protruding with the blood pressure +of his straining. Then the chill of night crept over him. He became +quiet--shivered a little, and nickered faintly. + +In the willows a little owl called pensively. + + * * * * * + +The morning light, streaming across the hills, spread like raw gold over +the bog. Collie whistled as he rode down the trail, and beat his gloved +hands to keep warm. He heard a plaintive whinny and a bubbling gasp. He +leaped from his pony, the coiled riata in his hand as he touched the +ground. + +The blunder colt, neck outstretched, was still above the ooze. His eyes +were bloodshot, as their white rims showed. His nose quivered and +twisted with his quick, irregular breathing. + +It was a "two-man job," but Collie knew that the colt would probably be +gone before he could ride back and return with help. He swung the riata, +then hesitated. To noose the colt's neck would only result in strangling +it when he pulled. He found a branch large enough to stiffen the brush +near the break. Swiftly he built a shaky footing and crept out toward +the colt. By shoving the riata under the colt's belly with a forked +stick, and fishing the loose end up on the other side, he managed to get +a loop round the animal's hind quarters. He mounted his own horse and +took a turn of the riata round the saddle-horn. + +His pony set its feet and leaned to the work. Slowly the colt was drawn +to solid ground. + +He was a pitiful object as he lay panting and shivering, plastered with +mud and black slime, and almost dead from shock and chill. Collie spread +his slicker over him and rode up the hill at a trot. The blunder colt +raised its head a little, then dropped it and lay motionless. + + * * * * * + +When Collie and Billy Dime returned with gunnysacks and an old blanket, +the sun had warmed the air. The mud on the colt's side and neck had +begun to dry. + +Billy Dime commented briefly. "He's a goner. He's froze clean to his +heart. Why didn't you leave him where he was?" + +Collie spread the gunnysacks on a level beneath a live-oak, beneath +which they dragged the colt and covered him with the blanket. They gave +him whiskey with water that they heated at a little fire of brush. The +colt lifted its head, endeavoring spasmodically to get to its feet. + +"He's wearin' hisself out. He ain't got much farther to go," said Billy +Dime, mounting and turning his pony. "Come on, kid. If he's alive +to-morrow mornin'--good enough." + +"I think I'll stay awhile," said Collie. "Brand says he isn't worth +saving, but--I kind of like the cuss. He's different." + +"Correct, nurse, he is. You can telephone me if the patient shows signs +of bitin' you. Keep tabs on his pulse--give him his whiskey regular, but +don't by no means allow him to set up in bed and smoke. I'll call again +nex' year. So long, sweetness." + +"You go plump!" laughed Collie. + +And Billy Dime rode over the hill singing a dolefully cheerful ditty +about burying some one on the "lo-o-ne prairee." To him a horse was +merely something useful, so long as it could go. When it couldn't go, he +got another that could. + +Collie replenished the smoking fire, scraped some of the mud from the +colt's thick, winter coat, and heated a half-dozen large stones. + +His brother cowmen would have laughed at these "tender ministrations," +and Collie himself smiled as he recalled Billy Dime's parting +directions. + +Collie placed the heated stones round the shivering animal, re-dried the +blanket at the fire, and covered the pitifully weak and panting +creature. The colt's restless lifting of its head he overcame by sitting +near it and stroking its muzzle with a soothing hand. + +Time and again he rose to re-heat the stones and replenish the fire. The +colt's breathing became less irregular. He gave it more of the hot +whiskey and water. + +Then he mended the fence. He had brought an axe with him and a supply of +staples. + +Toward mid-afternoon he became hungry and solaced himself with a +cigarette. + +Again the blunder colt became restless, showing a desire to rise, but +for lack of strength the desire ended with a swaying and tossing of its +head. + +Evening came quickly. The air grew bitingly chill. Collie wished that +one of the boys would bring him something to eat. The foreman surely +knew where he was. Collie could imagine the boys joking about him over +their evening "chuck." + +With the darkness he drew on his slicker and squatted by the fire. He +fell asleep. He awoke shivering, to find the embers dull. The stars were +intensely brilliant and large. + +Once during the evening he made up his mind to return to the +ranch-house, but a stubborn determination to save the colt, despite the +ridicule he knew he would elicit, held him to his task. Should he leave, +the colt might become chilled again and die. Then he _would_ be open to +ridicule. Collie reasoned that he must finish the task as he had begun +it--thoroughly. + +Again he heated the stones, warmed the blanket, and gave "Blunder," as +he now called him affectionately, some hot whiskey. Then he built a +larger fire, wrapped himself in his saddle-blankets, and, with feet to +the blaze, slept. His own pony grazed at large, dragging a rope. + +Habit brought Collie awake early. The fire had gone out. He was stiff +with cold. Arising, he glanced at the heap beneath the blanket ringed +with stones. "Time to eat!" he cried lustily, and whipped the blanket +from the mud-encrusted Blunder. The colt raised its head, struggled, put +out one stiff fore leg, and then the other. Collie grabbed the animal's +tail and heaved. Blunder humped himself--and was on his feet, wobbling, +dizzy-eyed, scandalously "mussed up"--but alive! + +"Whoop-ee!" shouted Collie as the colt staggered a pace or two trying +his questionable strength. "Gee! But I'm hungry!" + +The Blunder, a mere caricature of a horse in pose and outward seeming, +gazed at his rescuer with stupid eyes. He had not the faintest idea what +all the joy was about, but something deep in his horse nature told him +that the boisterous youth was his friend. Timidly he approached Collie, +wagged his head up and down experimentally, as if trying his neck +hinges, and reached out and nuzzled the young man's hand, nipping +playfully at his fingers. + +Collie was dumbfounded. "He's thankin' me--the little cuss! Why, you +rubber-kneed, water-eyed mud turtle you! I didn't know you had that +much sense." + +The youth did not hear the regular beat of hoofs as Williams loped up, +until the colt, stilt-legged, emitted a weak nicker. Collie turned. + +Williams smiled grimly. "Knew you'd stick," he said. + +He gazed at the revived colt, the circle of stones, and the blanket. He +made no comment. + +Collie caught up his pony and mounted. As they rode over the hill +together, Williams, turning in the saddle, laughed and pointed down +toward the arroyo. + +The blunder colt, apparently overjoyed to be alive, had ambled awkwardly +up to one of his mates who stood stolidly waiting for the sun to warm +him. The other colt, unused to the Blunder's society and perhaps +unfavorably impressed by his dissipated appearance, received this +friendly overture with a pair of punishing hoofs. Blunder staggered and +fell, but scrambled to his feet again, astonished, indignant, highly +offended. + +"If you was to drive that blunder colt up to horse-heaven and he knew it +_was_ horse-heaven, you'd have to turn him around and back him in. Then +I reckon he'd bust the corral tryin' to get out again." + +Collie grinned. "Well, I wouldn't this morning--if there was anything +to eat there, even hay." + +"Well, you don't get your breakfast at the chuck-house _this_ morning," +said Williams gruffly. + +"I don't, eh? Since when?" + +Williams again turned in his saddle, observing Collie for a minute +before he spoke. "I see you're smilin', so I'll tell you. Since when? +Well, since about two hours ago, when Miss Louise come steppin' over to +the bunk-house and asks where you are. Billy Dime ups and tells her you +was sick-nursin' the blunder colt. She didn't smile, but turned to me +and asked me. I told her about what was doin'. I seen she had it in for +somebody. It was me. 'Brand,' she says, quiet-like, 'is it customary on +the Moonstone for lunch or dinner to be taken to the men that are +staying out from camp?' + +"'Yes, ma'am,' says I. + +"And the plumb hell of it was," continued Williams, "she didn't say +another word. I wisht she had. I feel like a little less than nothin' +shot full of holes this lovely mornin'." + +Collie rode on silently. + +"Why don't you say somethin'?" queried Williams. + +"I was waiting for the rest of it," said Collie. + +Williams laughed. "I guess you ain't such a fool, at that, with your +nussin' stock and settin' up nights with 'em. Miss Louise says to tell +you to come right up to the house,--the _house_, you understand,--and +get your breakfast with them. They said they was goin' to wait for you. +I guess that ain't throwin' it into the rest of us some. Keep it up, +Collie kid, keep it up, and you'll be payin' us all wages some day." + + + + +CHAPTER XVII + +GUESTS + + +A month had passed since the rescue of the blunder colt. The air was +warm and clear, the sky intensely blue. Moonstone Canon grew fragrant +with budding flowers. The little lizards came from their winter crevices +and clung to the sun-warmed stones. A covey of young quail fluttered +along the hillside under the stately surveillance of the mother bird. +Wild cats prowled boldly on the southern slopes. Cotton-tails huddled +beneath the greasewood brush and nibbled at the grasses. The canon +stream ran clear again now that the storm-washed silt had settled. On +the peaks the high winds were cold and cutting, but on the slopes and in +the valleys the earth was moist and warm. + +Louise, humming a song, rode slowly along the Moonstone Canon Trail. At +the "double turn" in the canon, where dwelt Echo and her myrmidons, +Louise rode more slowly. + + "Dreaming Fance, the cobbler's son, took his tools and laces, + Wrought her shoes of scarlet dye, shoes as pale as snow. + They shall lead her wild-rose feet all the faery paces, + Danced along the road of love, the road such feet should go." + +She sang slowly, pausing after each line that the echoes might not blur. + +"Danced along ... along ... the road ... of love, the road ... of +love ... of love," sang the echoes. + +Louise smiled dreamily. Then the clatter of Boyar's shod hoofs rang and +reechoed, finally to hush in the gravel of the ford beyond. + +Why Louise thought of Collie just then, it would be difficult to +imagine. Still, she had, ever since his night's vigil with the blunder +colt, caught herself noting little details associated with him and his +work. He brushed his teeth. Not all of the other men did. He did not +chew tobacco. Despite his lack of early training, he was naturally neat. +He disliked filth instinctively. His bits, spurs, and trappings shone. +He had learned to shoe his string of ponies--an art that is fast +becoming lost among present-day cowmen. With little comment but faithful +zeal he copied Brand Williams. This, of course, flattered the taciturn +cowman, who unobtrusively arranged Collie's work so that it might bring +the younger man before the notice of Walter Stone, and incidentally +Louise. Of course, Louise was not aware of this. + +The girl no longer sang as she rode, but dreamed, with unseeing eyes on +the trail ahead--dreamed such dreams as one may put aside easily until, +perchance, the dream converges toward reality which cannot be so lightly +put aside. + +Brand Williams had his own ideas of romance; ideas pretty well submerged +in the deeps of hardy experience, but existing, nevertheless, and as +immovable as the bed of the sea. He badgered Collie whenever he chanced +to have seen him with the Rose Girl, and smiling inwardly at the young +man's indignation, he would straightway arrange that Collie should ride +to town, for, say, a few pounds of staples wanted in a hurry, when he +knew that the buckboard would be going to town on the morrow, and also +that there were plenty of staples in the storeroom. + +Something of the kind was afoot, or rather a-saddle, as Louise rode down +the Moonstone Trail, for beyond the turn and the rippling ford she saw a +lithe, blue-shirted figure that she knew. + +Louise would not have admitted even to herself that she urged Boyar. +Nevertheless the reins tightened and slackened gently. Boyar swung into +his easy lope. It pleased the girl that Collie, turning in his saddle at +the sound of hoofs, waved a salute, but did not check his horse. He had +never presumed on her frank friendship and "taken things for granted." +He kept his place always. He was polite, a little reticent, and very +much in love with Louise. Louise did not pretend to herself that she +was not aware of it. She was all the more pleased that Collie should act +so admirably. She had loaned him books, some of which he had read +faithfully and intelligently. In secret he had kissed her name written +on the flyleaf of each of them. He really rather adored Louise than +loved her, and he builded well, for his adoration (unintimate as +adoration must ever be until perchance it touches earth and is +translated into love) was of that blithe and inspiriting quality that +lifts a man above his natural self and shapes the lips to song and the +heart to unselfish service. He knew himself to be good-looking and not +altogether a barbarian. No morbid hopelessness clouded his broad +horizon. He knew himself and cherished his strength and his optimism. He +ate slowly, which is no insignificant item on the credit side of the big +book of Success. + +Collie lifted his broad-brimmed hat as Louise rode up. His face was +flushed. His lips were smiling, but his dark eyes were steady and grave. + +"'Morning, Collie! Boyar is just bound to lope. He never can bear to have +a horse ahead of him." + +"He don't have to, very often," said Collie. + +"Of course, there are Kentucky saddle-horses that could beat him. But +they are not cow-ponies." + +"No. And they couldn't beat him if they had to do his work in the +hills. About a week of the trails would kill a thoroughbred." + +"Boyar is very conceited, aren't you, Boy?" And she patted the sleek +arch of his neck. + +"I don't blame him," said Collie, his eyes twinkling. + +"Going all the way to town?" asked Louise. + +"Yes. Brand wants some things from the store." + +"I'm going to the station. We expect a telegram from some friends. Maybe +they'll be there themselves. I hope not, though. They said they were +coming to-morrow, but would telegraph if they started sooner. We would +have to get Price's team and buckboard--and I'd be ashamed to ride +behind his horses, especially with my--my friend from the East." + +"Boyar and this here buckskin colt would make a pretty fair team," +ventured Collie, smiling to himself. + +"To drive? Heavens, Collie, no! They've neither of them been in +harness." + +"I was just imagining," said Collie. + +"Of course!" exclaimed Louise, laughing. "I understand. Why, I must be +late. There's the train for the north just leaving the station. I +expected to be there in case the Marshalls did come to-day. But they +said they'd telegraph." + +"I can see three folks on the platform," said Collie. "One is the +agent; see his cap shine? Then there's a man and a woman." + +"If it's Anne, she'll never forgive me. She's so--formal about things. +It can't be the Marshalls, though." + +"We can ride," suggested Collie. And the two ponies leaped forward. A +little trail of dust followed them across the valley. + +At the station Louise found her guests, young Dr. Marshall and his wife; +also the telegram announcing the day they would arrive. + +"I'm sorry," began Louise; but the Marshalls silenced her with hearty +"Oh, pshaws!" and "No matters!" with an incidental hug from Anne. + +"Why, you have changed so, Anne!" exclaimed Louise. "What _have_ you +been doing? You used to be so terribly formal, and now you're actually +hugging me in public!" + +"The 'public' has just departed, Miss Lacharme, with your pony, I +believe. He rides well--the tall dark chap that came with you." + +"Oh, Collie. He's gone for the buckboard, of course. Stupid of me not to +drive down. We really didn't expect you until to-morrow, but you'll +forgive us all, won't you? You can see now how telegrams are handled at +these stations." + +Anne Marshall, a brown-eyed, rather stately and pleasingly slender girl, +smiled and shook her head. "I don't know. I may, if you will promise to +introduce me to that fascinating young cowboy that rode away with your +horse. I used to dream of such men." + +Young Dr. Marshall coughed. The girls laughed. + +"Oh, Collie?" said Louise. "Of course, you will meet him. He's our +right-hand man. Uncle Walter says he couldn't get along without him and +Aunty Eleanor just thinks he is perfect." + +"And Louise?" queried Anne Marshall. + +"Same," said Louise non-committally. "I don't see why he took Boyar with +him to the store, though." + + * * * * * + +The Marshalls and Louise paced slowly up and down the station platform, +chatting about the East and Louise's last visit there, before Anne was +married. Presently they were interrupted by a wild clatter of hoofs and +the grind and screech of a hastily applied brake. The borrowed +buckboard, strong, light, two-seated, and built for service, had arrived +dramatically. Collie leaned back, the reins wrapped round his wrists, +and his foot pressing the brake home. In the harness stood, or rather +gyrated, Boyar and Collie's own pony Apache. It is enough to say that +neither of them had ever been in harness before. The ponies were trying +to get rid of the appended vehicle through any possible means. Louise +gasped. + +"Price's team is out--over to the Oro Ranch. I knew you wanted a team in +a hurry--" said Collie. + +"It looks quite like a team in a hurry," commented Dr. Marshall. "Your +man is a good driver?" + +"Splendid!" said Louise. "Come on, Anne. You always said you wanted to +ride behind some real Western horses. Here they are." + +"Why, this is just--just--bully!" whispered the stately Anne Marshall. +"And isn't he a striking figure?" + +"Yes," assented Louise, who was just the least bit uncertain as to the +outcome of Collie's hasty assembling of untutored harness material. "It +is just 'bully.' Where in the world did you unearth that word, Anne?" + + + + +CHAPTER XVIII + +A RED EPISODE + + +Dr. Marshall's offhand designation of the buckboard as "a team in a +hurry" was prophetic, even unto the end. + +What Boyar could not accomplish in the way of equine gymnastics in +harness, Apache, Collie's pony, could. + +Louise was a little fearful for her guests, yet she had confidence in +the driver. The Marshalls apparently saw nothing more than a pair of +very spirited "real Western horses like one reads about, you know," +until Dr. Marshall, slowly coming out of a kind of anticipatory haze, as +Boyar stood on his hind feet and tried to face the buckboard, recognized +the black horse as Louise's saddle animal. He took a firmer grip on the +seat and looked at Collie. The young man seemed to be enjoying himself. +There wasn't a line of worry on his clean-cut face. + +"Pretty lively," said the doctor. + +Collie, with his foot on the brake and both arms rigid, nodded. +Moonstone Canon Trail was not a boulevard. He was not to be lured into +conversation. He was giving his whole mind and all of his magnetism to +the team. + +Boyar and Apache took advantage of every turn, pitch, steep descent, and +ford to display the demoniacal ingenuity inspired by their outraged +feelings. They were splendid, obedient saddle-animals. But to be buckled +and strapped in irritating harness, and hitched to that four-wheeled +disgrace, a buckboard!... + +Anne Marshall chatted happily with Louise, punctuating her lively +chatter with subdued little cries of delight as some new turn in the +trail opened on a vista unimaginably beautiful, especially to her +Eastern eyes. + +Young Dr. Marshall, in the front seat with Collie, braced his feet and +smiled. _He_ had had experience, in an East-Side ambulance, but then +that had been over level streets. He glanced over the edge of the canon +road and his smile faded a little. It faded entirely as the front wheel +sheared off a generous shovelful of earth from a sharp upright angle of +the hill as the team took the turn at a gallop. The young physician had +a sense of humor, which is the next best thing to courage, although he +had plenty of his kind of courage also. He brushed the earth from his +lap. + +"The road needs widening there, anyway," commented Collie, as though +apologizing. + +"I have my--er--repair kit with me," said the genial doctor. "I'm a +surgeon." + +Collie nodded, but kept his eyes rigidly on the horses. Evidently this +immaculate, of the white collar and cuffs and the stylish gray tweeds, +had "sand." + +"They're a little fussy--but I know 'em," said Collie, as Boyar, +apparently terror-stricken at a manzanita that he had passed hundreds of +times, reared, his fore feet pawing space and the traces dangerously +slack. Louise bit her lower lip and quickly called Anne's attention to a +spot of vivid color on the hillside. To Dr. Marshall's surprise, Collie +struck Apache, who was behaving, smartly with the whip. Apache leaped +forward, bringing Boyar down to his feet again. The doctor would have +been inclined to strike Boyar for misbehaving. He saw Collie's wisdom +and smiled. To have punished Boyar when already on his hind feet would +have been folly. + +At the top of the next grade the lathering, restive ponies finally +settled to a stubborn trot. "Mad clean through," said Collie. + +"I should say they were behaving well enough," said the doctor, not as +much as an opinion as to relieve his tense nerves in speech. + +"When a bronc' gets to acting ladylike, then is the time to look out," +said Collie. "Boyar and Apache have never been in harness before. Seems +kind of queer to 'em." + +"What! Never been--Why! Huh! For Heaven's sake, don't let Mrs. Marshall +hear that." + + * * * * * + +Walter Stone and his wife made the Marshalls feel at home immediately. +Walter Stone had known Dr. Marshall's father, and he found in the son a +pleasant living recollection of his old friend. Aunt Eleanor and Louise +had visited with Anne when they were East. She was Anne Winthrop then, +and Louise and she had found much in common to enjoy in shopping and +sightseeing. Their one regret was that Louise would have to return to +the West before her marriage to the young Dr. Marshall they all admired +so much. There had been vague promises of coming West after "things were +settled," as Anne put it. Which was merely another way of saying, "After +we are married and have become enough used to each other to really enjoy +a long trip West." + +The Marshalls had arrived with three years of happiness behind them, and +apparently with an aeon or so of happiness to look forward to, for they +were quiet, unassuming young folks, with plenty of money and no desire +whatever to make people aware of it. + +The host brought cigars and an extra steamer-chair to the wide veranda. +"It's much cooler out here. We'll smoke while the girls tell each other +all about it." + +"I _should_ like to sit on something solid for a few minutes," said the +doctor. "It was a most amazing drive." + +"We're pretty well used to the canon," said Stone. "Yet I can see how it +would strike an Easterner." + +"Indeed it did, Mr. Stone. There is a thrill in every turn of it, for +me. I shall dream of it." + +"Were you delayed at the station?" queried Stone. + +"We wired," said the doctor. "It seems that the telegram was not +delivered. Miss Lacharme explained that messages have to wait until +called for, unless money is wired for delivering them." + +"That is a fact, Doctor. Splendid system, isn't it?" + +"I am really sorry that we put Miss Lacharme to so much trouble. She had +to scare up a team on the instant." + +"Price, the storekeeper, brought you up, didn't he?" + +"I don't think so. Miss Louise called him 'Collie,' I believe. He'd make +a splendid army surgeon, that young man! He has nerves like tempered +steel wire, and I never saw such cool strength." + +"Oh, that's nothing. Any one could drive Price's horses." + +The doctor smiled. "The young man confided to me that their names were +'Boyar' and 'Apache,' I believe. They both lived up to the last one's +name." + +"Well, I'll be--Here, have a fresh cigar! I want to smoke on that. +Hu-m-m! Did that young pirate drive those saddle-animals--drive 'em from +the station to this rancho--Whew! I congratulate you, Doctor. You'll +never be killed in a runaway. He's a good horseman, but--Well, I'll talk +to _him_." + +"Pardon me if I ask you not to, Stone. The girls enjoyed it immensely. +So did I. I believe the driver did. He never once lost his smile." + +"Collie is usually pretty level-headed," said Walter Stone. "He must +have been put to it for horses. Price's team must have been out." + +"He's more than level-headed," asserted Dr. Marshall. "He's magnetic. I +could feel confidence radiating from him like sunshine from a brick +wall." + +"I think he'll amount to something, myself. Everything he tackles he +tackles earnestly. He doesn't leave loose ends to be picked up by some +one else later. I've had a reason to watch him specially. Three years +ago he was tramping it with a 'pal.' A boy tramp. Now see what he's +grown to be." + +"A _tramp_! No!" + +"Fact. He's done pretty well for himself since he's been with us. He had +a hard time of it before that." + +"I served my apprenticeship in the slums," said Dr. Marshall. "East-Side +hospital. I think that I can also appreciate what you have done for +him." + +"Thank you, Doctor,--but the credit belongs with the boy. Hello! Here +are our girls again." And Walter Stone and the doctor rose on the +instant. + +"I think I shall call you Uncle Walter," said Anne Marshall, who had not +met Walter Stone until then. + +"I'm unworthy," said the rancher, his eyes twinkling. "And I don't want +to be relegated to the 'uncle' class so soon." + +"_Thanksawfully_," said Louise. + +"Jealous, mouse?" + +"Indeed, no. I'm not Mrs. Marshall's husband." + +"I have already congratulated the doctor," said Walter Stone, bowing. + +"Doctor," said Anne, in her most formal manner. "You're antique. Why +don't you say something bright?" + +"I do, every time I call you Anne. I really must go in and brush up a +bit, as you suggest. You'll excuse me, I'm sure." + +"Yes, indeed,--almost with pleasure. And, Doctor, _don't_ wear your +fountain-pen in your white vest pocket. You're not on duty, now." + +In the shadows of the mountain evening they congregated on the veranda +and chatted about the East, the West, and incidentally about the +proposed picnic they were to enjoy a few days later, when "boots and +saddles" would be the order of the day. "And the trails are not bad, +Anne," said Louise. "When you get used to them, you'll forget all about +them, but your pony won't. He'll be just as deliberate and anxious about +your safety, and his, at the end of the week as he was at the +beginning." + +"Imagine! A week of riding about these mountains! How Billy would have +enjoyed it, Doctor." + +"Yes. But I believe he is having a pretty good time where he is." + +"We wish he could be here, Anne," said Louise. "I've never met your +brother. He's always been away when I have been East." + +"Which has been his misfortune," said Dr. Marshall. + +"He writes such beautiful letters about the desert and his mining +claim,--that's his latest fad,--and says he's much stronger. But I +believe they all say that--when they have his trouble, you know." + +"From Billy's last letter, I should say he was in pretty fair shape," +said the doctor. "He's living outdoors and at a good altitude, somewhere +on the desert. He's making money. He posts his letters at a town called +'Dagget,' in this State." + +"Up above San Berdoo," said Walter Stone. And he straightway drifted +into reverie, gazing at the bright end of his cigar until it faded in +the darkness. + +"Hello!" exclaimed Dr. Marshall, leaning forward. "Sounds like the +exhaust of a pretty heavy car. I didn't imagine any one would drive that +canon road after dark." + +"Unusual," said Stone, getting to his feet. "Some one in a hurry. I'll +turn on the porch-light and defy the mosquitoes." + +With a leonine roar and a succeeding clatter of empty cylinders, an +immense racing-car stopped at the gate below. The powerful headlight +shot a widening pathway through the night. Voices came indistinctly from +the vicinity of the machine. Before Walter Stone had reached the bottom +step of the porch, a huge figure appeared from out the shadows. In the +radiance of the porch-light stood a wonderfully attired stranger. Frock +coat, silk hat, patent leathers, striped trousers, and pearl gaiters, a +white vest, and a noticeable watch-chain adorned the driver of the +automobile. He stood for a minute, blinking in the light. Then he swept +his hat from his head with muscular grace. "Excuse me for intrudin'," he +said. "I seen this glim and headed for it. Is Mr. Walter Stone at +lee-sure?" + +"I'm Walter Stone," said the rancher, somewhat mystified. + +"My name's Summers, Jack Summers, proprietor of the Rose Girl Mine." And +Overland Red, erstwhile sheriff of Abilene, cowboy, tramp, prospector, +gunman, and many other interesting things, proffered a highly engraved +calling-card. Again he bowed profoundly, his hat in his hand, a white +carnation in his buttonhole and rapture in his heart. He had seen Louise +again--Louise, leaning forward, staring at him incredulously. Wouldn't +the Rose Girl be surprised? She was. + +"I can't say that I quite understand--" began Stone. + +"Why, it's the man who borrowed my pony!" exclaimed Louise. + +"Correct, Miss. I--I come to thank you for lendin' me the cayuse that +time." + +Walter Stone simply had to laugh. "Come up and rest after your trip up +the canon. Of course, you want to see Collie. He told me about your +finding the claim. Says you have given him a quarter-interest. I'm glad +you're doing well." + +"I took a little run in to Los to get some new tires. The desert eats +'em up pretty fast. The Guzzuh, she cast her off hind shoe the other +day. I was scared she'd go lame. Bein' up this way, I thought I'd roll +up and see Collie." + +"The 'Guzzuh'?" queried Stone. "You rode up, then?" + +"Nope. The Guzzuh is me little old racin'-car. I christened her that +right after I got so as I could climb on to her without her pitchin' me +off. She's some bronc' she is." + +Overland Red, despite his outward regeneration, was Overland Red still, +only a little more so. His overwhelming apparel accentuated his +peculiarities, his humorous gestures, his silent self-consciousness. But +there was something big, forceful, and wholesouled about the man, +something that attracted despite his incongruities. + +Anne Marshall was at once--as she told Louise later--"desperately +interested." Dr. Marshall saw in Overland a new and exceedingly virile +type. Even gentle Aunt Eleanor received the irrepressible with +unmistakable welcome. She had heard much of his history from Collie. +Overland was as irresistible as the morning sun. While endeavoring +earnestly to "do the genteel," as he had assured Winthrop he would when +he left him to make this visit, Overland had literally taken them by +storm. + +Young Dr. Marshall studied him, racking his memory for a name. Presently +he turned to his wife. "What was Billy's partner's name--the miner? I've +forgotten." + +"A Mr. Summers, I believe. Yes, I'm sure. Jack Summers, Billy called him +in his letters." + +"Just a minute," said the doctor, turning to Overland, who sat, +huge-limbed, smiling, red-visaged, happy. "Pardon me. You said Mr. Jack +Summers, I believe? Do you happen to know a Mr. Winthrop, Billy +Winthrop?" + +"Me? What, Billy? Billy Winthrop? Say, is this me? I inhaled a whole lot +of gasoline comin' up that grade, but I ain't feelin' dizzy. Billy +Winthrop? Why--" And his exclamation subsided as he asked cautiously, +"Did you know him?" + +"I am his sister," said Anne Marshall. + +Overland was dumbfounded. "His sister," he muttered. "The one he writ to +in New York. Huh! Yes, me and Billy's pardners." + +"Is he--is he better?" asked Anne hesitatingly. + +"Better! Say, lady, excuse me if I tell you he's gettin' so blame frisky +that he's got me scared. Why, I left him settin' on a rock eatin' a +sardine san'wich with one hand and shootin' holes in all the tin cans in +sight with the other. 'So long, Red!' he hollers as I lit out with the +burro to cross the range. 'So long, and don't let your feet slip.' And +_Pom!_ goes the .45 that he was jugglin' and another tin can passed +over. He takes a bite from the san'wich and then, _Pom!_ goes the gun +again and another tin can bites the dust, jest as free and easy as if he +wasn't keepin' guard over thirty or forty thousand dollars' worth of +gold-dust and trouble, and jest as if he ain't got no lungs at all." + +"Billy must have changed a little," ventured Dr. Marshall, smiling. + +"Changed? Excuse me, ladies. But when I first turned my lamps on him in +Los, I says to myself if there wasn't a fella with one foot in the grave +and the other on a banana-peel, I was mistook. And listen! He come out +to the Mojave with me. He jest almost cried to come. I was scared it was +vi'lets and 'Gather at the River,' without the melodeum, for him. But +you never see a fella get such a chest! Search me if I knows where he +got it from, for he wasn't much bigger around in the works than a +mosquito when I took him up there. And eat! My Gosh, he can eat! And a +complexion like a Yaqui. And he can sleep longer and harder and louder +than a corral of gradin' mules on Saturday night! 'Course he's slim +yet, but it's the kind of slim like rawhide that you could hobble a +elephant with. And, say, he's a pardner on your life! Believe me, and +I'm listenin' to myself, too." + +"His lungs are better, then?" + +"Lungs? He ain't got none. They're belluses--prime California skirtin' +leather off the back. Lady, that kid is a wonder." + +"I'm awfully glad Billy is better. He _must_ be, judging from what you +tell me." + +"I wisht I'd 'a' had him runnin' the 'Guzzuh' instead of that little +chicken-breasted chaffer they three-shelled on to me in Los Angeles. I +hired him because they said I 'd better take him along until I was some +better acquainted with the machine. The Guzzuh ain't no ordinary +bronc'." + +"The 'Guzzuh'?" queried Dr. Marshall. + +"Uhuh. That's what I christened her. She's a racer. She's sixty +hoss-power, and sometimes I reckon I could handle sixty hosses easier to +once than I could her. We was lopin' along out in the desert, 'bout +fifty miles an hour by the leetle clock on the dashboard, when all of a +sudden she lays back her ears and she bucks. I leans back and keeps her +head up, but it ain't no use. She gives a jump or two and says +'_Guzzuh!_' jest like that, and quits. I climbs out and looked her over. +She sure was balky. I was glad she said _somethin'_, if it was only +'Guzzuh,' instead of quittin' on me silent and scornful. Sounded like +she was apologizin' for stoppin' up like that. I felt of her chest and +she was pretty much het up. When she cooled off, I started her +easy--sort of grazin' along pretendin' we wasn't goin' to lope again. +When she got her second wind I give her her head, and she let out and +loped clean into the desert town, without makin' a stumble or castin' a +shoe. Paid three thousand for her in Los. She is guaranteed to do eighty +miles on the level, and she does a whole lot of other things that ain't +jest on the level. She'd climb a back fence if you spoke right to her. A +sand-storm ain't got nothin' on her when she gets her back up." + +"Your car must be unique," suggested Walter Stone. + +"Nope. She ain't a 'Yew-neck.' I forget her brand. I ain't had her very +long. But I can run her now better than that little +two-dollar-and-a-half excuse they lent me in Los. He loses his nerve +comin' up the canon there. You see the Guzzuh got to friskin' round the +turns on her hind feet. So I gives him a box of candy to keep him quiet +and takes the reins myself. I got my foot in the wrong stirrup on the +start--was chokin' off her wind instead of feedin' her. Then I got my +foot on the giddap-dingus and we come. The speed-clock's limit is ninety +miles an hour and we busted the speed clock comin' down that last +grade. But we're here." + +Dr. Marshall and Walter Stone gazed at each other. They laughed. +Overland smiled condescendingly. Anne Marshall had recourse to her +handkerchief, but Louise did not smile. + +"Does Billy ever drive your car?" asked Anne Marshall presently. + +"He drives her in the desert and in the hills some. He drove her into a +sand-hill once clean up to her withers. When he came back,--he kind of +went ahead a spell to look over the ground, so he says,--he apologizes +to her like a gent. Oh, he likes her more 'n I do. Bruck two +searchlights at one hundred dollars a glim, but that's nothin'. Oh, yes, +Billy's got good nerve." + +Overland shifted his foot to his other knee and leaned back luxuriously, +puffing fluently at his cigar. + +"Billy did get to feelin' kind of down, a spell back. He had a argument +with a Gophertown gent about our claim. I wasn't there at the time, but +when I come back, I tied up Billy's leg--" + +"Goodness! His leg?" exclaimed Anne. + +"Yes, ma'am. The Gophertown gent snuck up and tried to stick Billy up +when Billy was readin' po'try--some of mine. Billy didn't scare so easy. +He reaches for his gun. Anyhow, the Gophertown gent's bullet hit a rock, +and shied up and stung Billy in the leg. Billy never misses a tin can +now'days, and the gent was bigger than a can. We never seen nothin' of +him again." + +"Gracious, it's perfectly awful!" cried Anne. + +"Yes, lady. That's what Billy said. He said he didn't object to gettin' +shot at, but he did object to gettin' hit, especially when he was +readin' po'try. Said it kind of bruck his strand of thought. That guy +was no gent." + +Walter Stone again glanced at Dr. Marshall. Aunt Eleanor rose, bidding +the men good-night. Louise and Mrs. Marshall followed somewhat +reluctantly. Stone disappeared to return with cigars, whiskey and +seltzer, which he placed at Overland's elbow. "My friend Dr. Marshall is +an Easterner," he said. + +Overland waved a comprehending hand, lit another cigar, and settled +back. "Now I can take the hobbles off and talk nacheral. When you gents +want me to stop, just say 'Guzzuh.'" + + + + +CHAPTER XIX + +"TO CUT MY TRAIL LIKE THAT!" + + +Overland Red was concluding his last yarn, a most amazing account of +"The night the Plancher boys shot up Abilene." + +It was exactly two o'clock by Dr. Marshall's watch. + +"Both my guns was choked up with burnt powder. I reached down and +borrowed two guns off a gent what wasn't usin' his jest then. Next day I +was elected sheriff unanimous. They was seven of us left standin'. That +was back in '98." Overland yawned and stood up. + +"The boys are all asleep now," said Walter Stone. "We have plenty of +room here. You'll not object to taking one of the guest-rooms as you +find it, I'm sure." + +"For better or for worse, as the pote says." And Overland grinned. "But +I got to put that little chaffer to roost somewhere." + +"That's so." + +"I'll go wake him up." And Overland strode to the racing-car. The +"chaffer" had departed for parts unknown. + +"I guess he was scared at that last grade," said Overland, returning to +the house. "He's gone. He must 'a' been scared, to beat it back down the +road afoot." + +"Perhaps he has gone to the stables," said Stone. "Well, we'll take care +of you here. You can see Collie in the morning." + +Overland, closing the door of the spacious, cool guest-room, glanced +about curiously. What was it made the place seem so different from even +the most expensive hotel suites? The furniture was very plain. The +decorations were soft-toned and simple. "It's--it's because the Rose +Girl lives here, I guess," he soliloquized. "Now this kind of a roost +would jest suit Billy, but it makes me feel like walkin' on eggs. This +here grazin' is too good for me." + +He undressed slowly, folding his unaccustomed garments with great care. +He placed his automatic pistol on the chair by the bed. Then he crept +beneath the sheets, forgetting to turn out the light. "Huh! Gettin' +absent-minded like the old perfessor what picked up a hairbrush instead +of a lookin'-glass to see if he needed shavin'. He was dum' near scared +to death to see how his beard was growin'." And Overland chuckled as he +turned out the lights. + +He could not go to sleep at once. He missed the desert night--the spaces +and the stars. "I left here in a hurry once," he muttered. "'Bout three +years ago. Then I was kiddin' Collie about wearin' silk pejammies. Now I +got 'em--got 'em on, by thunder! Don't know as I feel any heftier in the +intellec'. And I can't show 'em to nobody. What's the good of havin' 'em +if nobody knows it? But I can hang 'em on the bedpost in the mornin', +careless like, jest like I was raised to it. Them pejammies cost four +dollars a leg. Some class...." And he drifted to sleep. + +After breakfast Dr. Marshall, who had taken a fancy to Overland, +strolled with him over to the bunk-house. Most of the men were on the +range. Collie was assembling bits and bridles, saddles, cinchas, and +spurs, to complete an equipment for the proposed camping trip in the +hills. He was astounded at Overland's appearance. However, he had +absorbed Western ideals rapidly. He was sincerely glad, overjoyed, to +see his old friend, but he showed little of it in voice and manner. He +shook hands with a brief, "How, Red!" and went on with his work. + +Dr. Marshall, after expressing interest in the equipment, excused +himself and wandered over to the corrals, where he admired the horses. + +"Where did you get 'em?" queried Collie, adjusting the length of a pair +of stirrup-leathers. + +"These?" And Overland spread his coat-tails and ruffled. "Why, out of +the old Mojave. Dug 'em up with a little pick and shovel." + +"You said in your letter you found the claim." + +"Uhuh. Almost fell over it before I did, though. We never found the +other things, by the track. New ties. No mark. Say, that Billy Winthrop +I writ about is the brother of them folks stayin' here! What do you +think!" + +"Wish I was out there with you fellows," said Collie. + +"You're doin' pretty good right here, kiddo. The boss don't think you're +the worst that ever came acrost, and I expect the ladies can put up with +havin' you on the same ranch by the way they talk. Got a hoss of your +own yet?" + +"Nope. I got my eye on one, though. Say, Red, this is the best place to +work. The boss is fine. I'm getting forty a month now, and savin' it. +The boys are all right, too. Brand Williams, the foreman--" + +"Brand who?" + +"Williams. He came from Wyoming." + +"Well, this here's gettin' like a story and not like real livin'. Why, I +knowed old Brand in Mex. in the old days when a hoss and a gun was about +all a guy needed to set up housekeepin'. We was pals. So he's foreman +here, eh? Well, you follow his trail close about cattle or hosses and +you'll win out." + +"I been doing that," said Collie. "The other day he told me to keep my +eye on one of the boys. Silent Saunders, he's called. Kind of funny. I +don't know anything about Saunders." + +"Well, you bank on it. Stack 'em up chin-high on it, Collie, if Brand +says that. He knows some-thin' or he would never talk. Brand is a +particular friend of yours?" + +"You bet!" + +"Well, tie to him. What he says is better than fine gold as the pote +says. I reckon coarse gold suits me better, outside of po'try. How does +the Saunders insec' wear his clothes?" + +"He's kind of lame in one arm and--here he comes now. You can see for +yourself. The one on that pinto." + +As Saunders rode past the two men, he turned in his saddle. Despite +Overland's finery he recognized him at once. + +Overland's gaze never left the other's hands. "Mornin'," said Overland, +nodding. "Ain't you grazin' pretty far this side of Gophertown?" + +"Who the hell are you talkin' to?" Saunders asked venomously, and his +eyes narrowed. + +Overland grinned, and carelessly shifted the lapel of his coat from +beneath which peeped the butt of his automatic pistol. Collie felt his +scalp tightening. There was something tense and suggestive in the air. + +"I'm talkin' to a fella that ought to know better than to get sassy to +me," said Overland, "or to cut my trail like that." + +Saunders rode on. + +"Seen him before?" asked Collie. + +"Yep. Twice--over the end of a gun. He come visitin' me and Billy at a +water-hole out in the dry spot. We got to exchangin' opinions. Two of +mine he ain't forgot, I guess." + +"Saunders is branded above the elbows on both arms," said Collie. "He's +been shot up pretty bad." + +"You don't tell! Wonder how that happened. Mebby he was practicin' the +double roll and got careless. Now, I wonder!" + +"He's one of the 'bunch'?" said Collie, suddenly awake to the situation. +"Come on over to the bunk-house where we can talk, Red. I'll introduce +you regular to Silent." + +"All right. Here, you walk on the other side. I'm left-handed when I +shake with him." + +But Saunders was not at the bunk-house. Instead he had ridden on down to +the gate and out upon the Moonstone Trail. He had become acquainted with +Deputy Tenlow. He would make things interesting for the man who had +"winged" him out in the desert. + +"I smell somethin' burnin'," said Overland significantly. "The Saunders +man has got somethin' up his sleeve. He didn't turn his pony into the +corral, did he?" + +"No." + +"All right. Now, about them papers and your part of this here claim ..." + +For an hour they talked about the claim, Winthrop, Collie's prospects, +and their favorite topic, the Rose Girl. They were speaking of her when +she appeared at the bunk-house door. + +"Good-morning, Mr. Summers. Mrs. Marshall wished to know if you would +tell her more about her brother--when you have visited with Collie. She +was afraid you might leave without her seeing you again." + +"I was thinkin' about that myself," replied Overland. "Yes, Miss, I'll +be right over direct." + +Louise nodded, smiled, and was gone. + +"Say, Red, you better go quick, in the machine," said Collie, fearful +that Saunders was up to mischief. + +"Grand idea, that," said Overland, calmly brushing his hat. "But Tenlow +and Saunders--that you're thinkin' about--ain't neither of 'em goin' to +ride up too close to me again. They are goin' to lay for me down the +canon. They'll string a riata across the road and hold up the car, most +likely. They know I can't get out of here any other road." + +"Then what will you do?" + +"Me? Why, me and the Guzzuh'll go down the trail jest as slow and easy +as a baby-buggy pushed by a girl that's waitin' in the park for her +beau." + +"You'll ditch the machine and get all broke up," ventured Collie. + +"I am havin' too good a time to last, I know, seein' the Rose Girl again +and you and visitin' the folks up to the house. Well, if it's my turn, I +ain't kickin'. Sorry Brand ain't here. I'd like to see him. Here's a +little old map I drawed of the hills, and how to get to the claim in +case I get detained for speedin'. Get Brand, if anything happens. He's a +steady old boat and he'll tell you what to do." + +"But, Red, you don't think--?" + +"Not when it hurts me dome," interrupted Overland. "I got a hunch I'll +see you again before long. So long, Chico. I got to shine some of the +rust off my talk and entertain the ladies. You might get into my class, +too, some day, if you knowed anything except hoss-wrastlin' and +cow-punchin'," he added affectionately. + +And Overland departed, sublimely content and not in the least disturbed +by future possibilities. "He's the great kid!" he kept repeating to +himself. "He's the same kid--solid clean through.... Good-morning, +ladies. Now about Billy--er--Mr. Winthrop; why, as I was say-in' last +night.... No, thanks, I'll set facin' the road. Sun? Why, lady, I'm +sun-cured, myself." + + + + +CHAPTER XX + +THE LED HORSE + + +Anne Marshall had stepped from the porch to the living-room. Overland +Red was alone with Louise. + +Facing her quickly, his easy banter gone, his blue eyes intense, +untroubled, magnetic, he drew a deep breath. "They're waiting for me +down the canon, about now," he said, and his tone explained his speech. + +Louise frowned slightly, studying his face. "That is unfortunate, just +now," she said slowly. + +"Or most any time--for the other fella," responded Overland cheerfully. + +The girl gazed at the toe of her slipper. "I know you didn't speak +because you were afraid. What do you intend?" + +"If I ain't oversteppin' the rules in invitin' you--why, I was goin' to +say, 'Miss Lacharme, wouldn't you like to take a little buggy-ride in +the Guzzuh, nice and slow. She's awful easy ridin' if you don't rein her +too strong.'" + +"I don't know," said Louise pensively. "Your car can only hold two?" + +"Yes, ma'am." + +"I couldn't run away and leave Mrs. Marshall. Of course, you would go +on--after--after we were in the valley. How could I get back?" + +"That's so!" exclaimed Overland, with some subtlety, pretending he had +not thought of that contingency. "'Course Collie could ride down ahead +with a spare hoss. You see the sheriff gent and Saunders--" + +"Saunders? Our man Saunders?" + +"Uhuh. Me and him ain't friends exactly. I figure he's rode down to tell +the Tenlow man that I'm up here." + +"You are sure?" + +"Yes, Miss. I don't make no mistakes about him." + +"Then one of our men has gone to get the deputy to arrest you, and you +are our guest." + +"Thanks, Miss, for sayin' that. It's worth gettin' pinched to be _your_ +guest." + +"I did intend to ride down for the mail. Boyar needs exercising." + +"So does the Guzzuh, Miss. It's queer how she acts when she ain't been +worked every day." + +"I don't believe Anne would care to come, in the machine. I'll ask her." +And Louise stepped to the living-room. + +Collie, who had been watching anxiously from the corrals, came across +the yard to the veranda. He was dressed for riding, and he had a gun on +his hip. Overland scowled. "You little idiot," he said, "when your Uncle +Jack's brains get ossified, just give the sad news to the press. You're +jest itchin' to get in a muss and get plugged. I ain't. I figure to ride +down the Moonstone Trail, steerin' the Guzzuh with one hand and smellin' +a bunch of roses in the other. Watch my smoke. Now, beat it!" + +Louise, coming blithely from the living-room, nodded to Overland. Her +pensiveness had departed. Her cheeks were flushed. "Oh, Collie! Saddle +Boyar--" she began, but Overland coughed disapprovingly. He did not wish +Tenlow and Saunders to suspect that the led horse was for Louise. + +"Or--no. Saddle Sarko," said Louise, at once aware of Overland's plan. +"And have him at the foot of the hill for me as soon as you can." + +"Yes, Miss Louise." And Collie departed for the corrals wonderingly. +Overland was too much for him. + +They had luncheon and allowed Collie two hours to arrive at the valley +level with the led pony. After luncheon Louise appeared in riding-skirt +and boots. "Mr. Summers is going to take me for a ride in his new car," +she said. "Don't worry, aunty. He is going to drive slowly. He finds +that he has to leave unexpectedly." + +"I'm sorry you are going without seeing Mr. Stone and Dr. Marshall +again," said Aunt Eleanor. "You'll be careful, won't you?" + +"So am I, ma'am.--Yes, I'll run slow." + +"But how will you come back?" queried Anne. + +"Collie has gone ahead with a spare pony. Good-bye, aunty." + +"I can't thank you enough for all that you have done for Billy. I am so +glad he's well and strong again. We never could manage him. Good-bye, +and tell Billy he _must_ come over and see us right away." + +"You'll drive carefully?" queried Aunt Eleanor again. + +"Jest like I was goin' to get pinched," said Overland, bowing. + + * * * * * + +As Collie rode down the last pitch, leading the restive Sarko, Dick +Tenlow stepped from the brush. "'Morning, Collie. Out for a little +pasear?" + +"Shouldn't wonder, Dick." + +"Horses are lookin' good. Feed good on the hills yet?" + +"Pretty good." + +"I hear you got company up to the Moonstone." + +"Yep. Eastern folks, doctor and his wife." And Collie looked the deputy +hard in the eye. + +"Oh, that was their machine I heard coughin' up the canon last night, +eh?" + +"I didn't ask them about that," replied Collie. + +"You're improvin' since you first come into these hills," said Tenlow, +with some sarcasm. + +"I'm holdin' down a better job than I did then," said Collie +good-naturedly. + +"Well, I ain't. I'm holdin' the same job, which you will recollect. It +ain't much of a job, but it's good to requisition that cayuse you're +leadin'." + +"What you kiddin' about?" + +"Straight goods," said Tenlow, reaching for Sarko's reins. "Just hand +over your end of that tie-rope." + +"I guess not, Dick. You're on the wrong trail. What do you think I am?" + +"Same as I always thought." + +"Then you want to change your opinion of me," said Collie, relinquishing +the tie-rope. "I ain't breaking the law, but you are going to hear more +about this." + +"I'll risk that. You can ride right along, pronto." + +"And you keep Sarko? I guess not! I'll stick." + +"You can't throw no bluff this morning," said Tenlow, irritated by the +youth's persistence. "I guess you know what I mean." + +"You got the horse, but I don't leave here without him," said Collie +stubbornly. And there was an underlying assurance about Collie's +attitude that perplexed the deputy, who was satisfied that the led horse +was for Overland Red's use. + +Saunders, hiding back in the brush, cursed Tenlow's stupidity. To have +let Collie go on and have followed him under cover would have been the +only sensible plan. Rapidly approximating the outcome of this muddle, +Saunders untied his pony and rode back toward the ranch, taking an +unused and densely covered bridle-trail. + +From up in the canon came the thunder of the racing-car. Far above them +Tenlow and Collie could see it creeping round a turn in the road. It +disappeared in a dip, to reappear almost instantly, gliding swiftly down +the long slant toward the valley. The staccato drumming of the exhaust +echoed along the hillside. Overland's silk hat shone bravely in the sun. +Beside the outlaw was the figure of a woman. Tenlow foresaw +complications and muttered profanely. + +Down the next ditch rolled the car, rocking to the unevenness of the +mountain road. Overland opened the throttle, the machine shot forward, +and in a few seconds drew up abreast of the deputy. + +"Thank you so much, Mr. Summers," said Louise, stepping from the car. +"How are you, Mr. Tenlow." + +"How'do, Miss Lacharme." + +"Good-bye, Mr. Summers. I enjoyed the ride very much." + +"Just a minute--" began the deputy. + +"Where's my pony, Collie? He didn't get away, did he?" + +"No, ma'am. Mr. Tenlow 'requisitioned' him. Thought I'd wait till you +came along so I could explain." + +"Requisitioned my pony! What do you mean?" + +"It's this way, Miss Lacharme. That man there in the machine is wanted. +He--" + +"What has that to do with my pony, please?" + +"I guess you know who he is. I figured he was layin' to get away on that +pony." + +"You want to go back to school, pardner, and learn to figure correct," +said Overland, his foot on the accelerator pedal of the throbbing car. +"One minus one is nothin'." + +"Hold on there!" cried Tenlow, striding forward. Louise stood between +the deputy and the car. + +"My horse, please," she said quietly. As she spoke the car roared, +jumped forward, and shot down the smooth grade of the valley road. + +"Now, Mr. Tenlow, I wish you would explain this to me. And then to Uncle +Walter. I sent one of our men with a horse. He was to wait for me here. +What right have you to interfere with him?" + +"I guess I got as much right as you have to interfere with me," said +Tenlow sullenly. + +"Hold on there!" cried Collie, jumping forward. + +"Collie, I'll talk with him." + +"Take my horse, Miss Louise," said Collie, flushing. + +"No, indeed. I'll ride Sarko." + +"I'll get him," said Collie. + +"No. Mr. Tenlow will get him, I am sure." + +"A woman can make any deal look smooth--if she is interested," said +Tenlow, turning toward the brush. He came out leading the pony. + +"Thank you. Collie, you may get the mail, please." + +Collie stood watching her as she rode away. Then with much deliberation +he tied his own pony Apache to a clump of greasewood. He unbuckled his +belt and flung it, with gun and holster, to the ground. + +"Now," he said, his face blazing white with suppressed anger. "I'm going +to make you eat that speech about any woman making things look +smooth--_if she's interested_." + +"You go on home or I'll break you in two," said Tenlow. + +Collie's reply was a flail-like blow between Tenlow's eyes. The deputy +staggered, gritted his teeth, and flung himself at the younger man. The +fight was unequal from the beginning. Apache snorted and circled as the +bushes crashed and crackled. + +A few minutes later, Tenlow strode from the brush leading his pony. He +wiped the blood and sweat from his face and spat viciously. + + * * * * * + +Louise, riding homeward slowly, heard a horse coming behind her. She +reined Sarko and waited. Collie saw no way out of it, so he rode up, +grinning from a bruised and battered face. + +"Why, Collie!" + +The young man grinned again. His lips were swollen and one eye was +nearly closed. + +Dismounting, Louise stepped to the ford. "Oh, I'm sorry!" she cried. +"Your face is terribly bruised. And your eye--" She could not help +smiling at Collie's ludicrous appearance. + +"I took a fall," he mumbled blandly. "Apache here is tricky at times." + +Louise's gaze was direct and reproachful. "Here, let me bathe your face. +Stoop down, like that. You don't look so badly, now that the dirt is +off. Surely you didn't fall on your _eye_?" + +Collie tried to laugh, but the effort was not very successful. + +Tenderly she bathed his bruised face. Her nearness, her touch, made him +forget the pain. Suddenly he seized her hand and kissed it, leaving a +stain of blood where his lips had touched. She was thrilled with a +mingled feeling of pride and shame--pride in that he had fought because +of her, as she knew well enough, and shame at the brutality of the +affair which she understood as clearly as though she had witnessed it. +She was too honest to make herself believe she was not flattered, in a +way, but she made Collie think otherwise. + +He evaded her direct questioning stubbornly. Finally she asked whether +Mr. Tenlow "had taken a fall," or not. + +"Sure he did!" replied Collie. "A couple or three years ago--tryin' to +outride Overland Red. Don't you remember?" + +"Collie, you're a regular hypocrite." + +"Yes, ma'am." + +"And you look--frightful." + +"Yes, ma'am." + +"You're not a bit ashamed." + +"Yes, ma'am, I am." + +"Don't say 'Yes, ma'am' all the time. You don't seem to be ashamed. Why +should you be, though. Because you were fighting?" + +"No, Miss Louise. Because I got licked." + +Louise mounted Sarko and rode beside Collie silently. Presently she +touched his arm. "But did you?" she asked, her eyes grave and her tone +conveying a subtle question above the mere letter. + +"No! By thunder!" he exclaimed. "Not in a hundred years!" + +"Well, get some raw meat from the cook. I'll give your explanation to +Dr. and Mrs. Marshall, for you will have to be ready for the trip +to-morrow. You will have to think of a better explanation for the boys." + +While riding homeward, Louise dropped her glove. Collie was afoot +instantly and picked it up. "Can I keep it?" he said. + +The girl looked curiously at him for a moment. "No, I think not, +Collie," she said gently. + +Collie rode up to the corrals that afternoon whistling as blithely as he +could considering his injuries. He continued to whistle as he unsaddled +Apache. + +At the bunk-house Brand Williams looked at him once, and bent double +with silent laughter. The boys badgered him unmercifully. "Fell off a +hoss!--Go tell that to the chink!--Who stepped on your face, kid?--Been +ridin' on your map, eh?--Where _was_ the wreck?--Who sewed up your +eye?" + +"S-s-h-h, fellas," said Miguel, grinning. "If you make all that noise, +how you going to hear the tune he is whistling, hey?" + +Collie glanced at Saunders, who had said nothing. "Got anything to offer +on the subject, Silent?" he asked. + +"Nope. I take mine out in thinkin'." + +"You're going to have a chance to do a whole lot more of it before +long," said Collie; and he said it with a suggestiveness that did not +escape the taciturn foreman, Brand Williams. + + + + +CHAPTER XXI + +BORROWED PLUMES + + +"He speaks of a pretty round sum," said Walter Stone, returning the +letter that Collie had asked him to read. "I don't know but that the +land you speak of is a good investment. You were thinking of raising +stock--horses?" + +"Yes, sir. The Oro people are making good at it. The land north of you +is good grazing-land and good water. Of course, I got to wait for a +while. Red says in the letter that my share of the claim so far is five +thousand. That wouldn't go far on that piece of land, but I've saved +some, too." + +"You might make a payment to hold the land," said Stone. + +"I don't like that way. I want to buy it all at once." + +Walter Stone smiled. Collie was ambitious, and rather inexperienced. "So +you think you will leave us and go to mining until you have made enough +more to buy it outright?" + +"Yes, sir. I don't want you to think I ain't satisfied here. I like it +here." + +"I know you do, Collie. Well, think it over. Prospecting is gambling. +It is sometimes magnificent gambling. Miss Lacharme's father was a +prospector. We have never heard from him since he went out on the +desert. But that has nothing to do with it. If I didn't believe you'd +make a first-rate citizen, I shouldn't hesitate a minute about your +going. I'd rather see you ranching it. We need solid men here in +California. There are so many remittance-men, invalids, idlers, +speculators, and unbalanced enthusiasts that do more harm than good, +that we need a few _new_ landmarks. We need a few new cornerstones and +keystones to stiffen the structure that is building so fast. I realize +that we must build from the ground up--not hang out tents from the +trees. That day is past." + +"It's a big thing--to be stuck on California more than getting rich," +said Collie. + +"Yes. The State of California is a bank--a new bank. The more depositors +we have, the stronger we shall be--provided our depositors have faith in +us. We have their good will now. We need solid, two-handed men who can +take hold and prove that investment in our State is profitable." + +"You bet!" exclaimed Collie, catching some of the older man's +enthusiasm. Then he added with less enthusiasm: "But how about such +things as the Jap ranchers dumping carloads of onions in the rivers and +melons in the ocean, by the ton, and every one cut so it can't be used +by poor folks? If Eastern people got on to that they would shy off +pretty quick." + +"Yes," said the rancher, frowning. "It's true enough that such things do +happen. I've known of boatloads of fish being dumped back in the ocean +because the middlemen wouldn't give the fishermen a living price. In +western Canada thousands of bushels of grain have been burned on the +ground because the Eastern market was down and the railroads would not +make a rate that would allow a profit to the farmer. Such things are not +local to California. California is in the limelight just now and such +things are naturally prominent." + +"It looks awful bad for good fruit and vegetables and fish to be thrown +away when folks have to pay ten cents for a loaf of bread no bigger than +a watch-charm," said Collie. + +"It is bad. Crookedness in real estate transactions is bad. We don't +want to waste our time, however, in feeling worried about it. What we +want to do is to show the other fellow that _our_ work is successful and +straight." + +"Yes, sir. A fellow has got to believe in something. I guess believing +in his own State is the best." + +"Of course. Now, about your leaving us. I had rather you would stay +until the Marshalls go. Louise and Mrs. Stone depend on you so much." + +"Sure I will! You see, Red don't say to come, in his letter, but he sent +the check for three hundred if I did want to come. There's no hurry." + +"All right. Hello, Louise! Dinner waiting?" + +"Yes, Uncle Walter. How are you, Collie?" And Louise nodded to him. +"What are you two hatching? You seem so serious." + +"Plans for the ultimate glory of the State," said Stone. + +"Ultimate?" + +"Yes. We've been going beneath the surface of things a little. Collie +expects to go even deeper, so he tells me." + +Collie walked slowly toward the bunk-house. Halfway there he took +Overland's check from the letter and studied it. He put it back into his +pocket. As he passed the corrals, Apache nickered in a friendly way. +"Haven't got a thing for you," said Collie. "Not a bite. We're not goin' +to town to-day. To-morrow, maybe, for there'll be doings at the Oro +Rancho and we'll be there--we'll be there!" + +With a run and a spring the young man leaped the gate and trotted into +the bunk-house. + +Brand Williams was solemnly shaving. He turned a lathered face toward +Collie whose abrupt entrance had all but caused the foreman to +sacrifice his left ear. "Well," he drawled, "who is dead?" + +"You mean, Who is alive? I guess. Say, Brand, what do you think that +Yuma horse over at the Oro is worth?" + +"That dam' outlaw? Ain't worth the trouble of mentioning." + +"But, oh, Brand, she's built right! I tell you! Short-coupled, and them +legs and withers! They ain't a pony in the valley can touch her. And +only three years old!" + +"Nor a man neither," said Williams. + +"She's been scared to death because the fellows was scared of her and +started in wrong." + +"So'll the man be that tries to ride her. Say, I seen that +copper-colored, china-eyed, she-son of a Kansas cyclone put Bull O'Toole +so far to the bad once that his return ticket expired long before he got +back. I tell you, kid, she's _outlaw_. She's got the disposition of a +Comanche with a streak of lightnin' on a drunk throwed in. You keep off +that hoss!" + +"Maybe," said Collie. "But I notice you put me to breakin' about all the +stock on this ranch that you can't handle yourself." + +Which was true. Williams shaved and perspired in silence. + +"Let's see," he said presently, emerging from the wash-basin. "When's +that barbecue comin' off?" + +"To-morrow. As if you didn't know!" + +"Sunday, eh? Well, you might as well get killed on a Sunday as any other +day. I suppose your askin' about that hoss means you are thinkin' of +ridin' her, eh?" + +"I was thinkin' of it. They are putting her up as a chance for the man +that can. She has put three of their boys to the bad. Matt Gleason, the +Oro foreman, says he'll give her to any Moonstoner that can stay on her +two minutes." + +"He said 'Moonstoner' particular?" queried Williams. + +"He did. To me. I was over tryin' to buy her." + +"You're plumb loco. So he said any _Moonstoner_ eh? Any Moonstoner. By +crip, I've a notion--Let's see, there's Miguel--he's too swift. Billy +Dime might make it if he didn't get too much red-eye in him first. Bud +ain't steady enough--and it wouldn't look right if I was the only rider +here to take a chance. I dunno." + +"What you gaspin' about?" queried Collie. + +"Nothin', kid. You can get hosses ready for all the ladies for to-morrow +mornin' at six sharp. Sabe? I got orders to send you over with 'em. +Mebby you're some proud now, eh? Well, don't fall off Apache pertendin' +you're so polite you can't spit." + +"What you sore about, Brand?" + +"I was thinkin' what a slashin' string of riders we got. Here a little +old ranch like the Oro says they'll give a hoss to any Moonstoner what +kin stay on him for two minutes. It's plumb sickenin'. Kids! Jest kids, +on this ranch." + +"That so? Say, Brand, you ain't got rid of so much English talk at once +since I been here. You ought to talk more. You keep too quiet. Talking +sociable will help to take the wrinkles out of your neck." + +"You talk so much you'll never live to get any." + +"Say, Brand." + +"Uhuh." + +"Will you lend me the Chola spurs and that swell quirt old Miguel +plaited for you, and your Mexican bridle, just for to-morrow?" + +"So that's what you been lovin' up to me for, eh?" + +"Lovin' up to you, you darned old--darned old--_dude_, you." + +"Hold on! You said it! Take the spurs! Take the quirt! Take the bridle! +Take the hat and gloves with the silk roses on! Anybody that's got nerve +enough to call _me_ a _dude_ can take anything I got. Say, you don't +want to borrow a pair of _pants_, do you?" + +Honors were about even when Collie left the bunk-house, his arms laden +with the foreman's finery. He colored to his hair as he saw Louise +coming toward him. He fumbled at the gate, opened it, and stood aside +for her to pass. As she smiled and thanked him, he heard his name +called. + +"Hey!" shouted Williams, coming suddenly from the bunk-house. "Hey, +Collie! You went away without them pants! I'll lend 'em to you--" + +Collie, his face flaming, strode down the trail, the blood drumming in +his ears. + + + + +CHAPTER XXII + +THE YUMA COLT + + +The Oro Rancho sent out word that the fiftieth year of its existence +would be celebrated with an old-fashioned Spanish barbecue. The +invitation was general, including every one within a radius of fifty +miles. + +Added to the natural interest in good things to eat and drink was that +of witnessing the pony races. Each rancher would bring, casually, almost +accidentally, as it were, one pony that represented its owner's idea of +speed and quality. No set programme offered, which made the races all +the more interesting in that they were genuine. + +The Oro Ranch had long ago established and proudly maintained a +reputation for breeding the best saddle-and work-stock in Southern +California. In fact, the ranch survived the competition of the +automobile chiefly because it was the only important stock-raising ranch +in the southland. + +Good feeling went even so far as to include the sheep-ranchers of the +old Spanish Grant, by special invitation. + +It was the delight and pride of native Californians to ride their best +saddle-horses on such occasions. True, motor-cars came from the city and +from the farthest homes, but locally saddle-horses of all sizes and +kinds were in evidence. Sleek bays with "Kentucky" written in every +rippling muscle, single-footed in beside heavy mountain ponies, well +boned, broad of knee, strong of flank, and docile; lean mustangs of the +valley, short-coupled buckskins with the endurance of live rawhide; +Mexican pintos, restless and gay in carved leather, and silver +trappings; scrawny stolid cayuses that looked half-starved, but that +could out-eat and out-last many a better-built horse; they all came, and +their riders were immediately made welcome. + +Under the trees, along the corrals and fences, in and around the +stables, stood the ponies, heads tossing, bits jingling, stamping, +thoroughly alive to the importance of the festive occasion, and filling +the eye with an unforgettable picture--a living vignette of the old days +of the range and riata. + +Mrs. Stone, Mrs. Marshall, Louise, Dr. Marshall, and Walter Stone were +among the earlier arrivals. A half-dozen men sprang to take their horses +as they rode up, but Collie gathered the bridle-reins and led the ponies +to the shade of the pepper trees. Then he wandered over to the corrals. +His eyes glowed as he watched the sleek ponies dodging, wheeling, +circling like a battalion, and led by a smooth-coated, copper-hued mare, +young, lithe, straight-limbed, and as beautifully rounded as a Grecian +bronze. He moistened his lips as he watched her. He pushed back his hat, +felt for tobacco and papers, and rolled a cigarette. This was the +renowned "Yuma colt," the outlaw. He wanted her. She was a horse in a +thousand. + +In some strange way he was conscious that Louise stood beside him, +before he turned and raised his sombrero. + +"More beautiful than strong men or beautiful women," said Louise. + +"That's so, Miss Louise. Because they just live natural and act natural. +And that copper-colored mare,--she's only a colt yet,--there's a horse a +man would be willing to work seven years for like the man in the Bible +did for his wife." + +Louise smiled. "Would you work seven years for her?" she asked. + +"I would, if I had to," he said enthusiastically. + +"Of course, because you really love horses, don't you?" + +"Better than anything else. Of course, there are mean ones. But a real +good horse comes close to making an ordinary man feel ashamed of +himself. Why, see what a horse will do! He will go anywhere--work all +day and all night if he has to--run till he breaks his heart to save a +fellow's life, and always be a friend. A horse never acts like eight +hours was his day's work. He is willing at any time and all the +time--and self-respectin' and clean. I reckon a knowin' horse just plumb +loves a man that is good to him." + +Louise, her gray eyes wide and pensive, gazed at the young cowboy. "How +old is the colt?" she asked. + +"They say three years. But she's older than that in brains. She is +leading older horses than her." + +"Then if you worked seven years for her, she would be ten years old +before you owned her." + +"You caught me there. I didn't think of that." + +"Uncle Walter says she is outlaw. I believe she could be tamed. Boyar +was pretty wild before he was broken to ride." + +"If you want that pony, Miss Louise, she's yours. I guess I could break +her." + +"They won't sell her. No, I was only romancing. Isn't she beautiful! She +seems to be almost listening to us. What a head and what a quick, +intelligent eye! Oh, you wonderful horse!" And laughing, Louise threw a +kiss to the Yuma colt. "I must go. I came over to see the horses before +the crowd arrived." + +Collie stood hat in hand watching Louise as she strolled toward the +ranch-house. He saw her stop and pat Boyar. + +"I kind of wish I was a horse myself," he said whimsically. "Either the +black or the outlaw. She treats them both fine." + +Brand Williams, Bud Light, Parson Long, Billy Dime, and Miguel rode up, +talking, joking, laughing. + +"Fall to the kid!" said Miguel, indicating Collie. "I guess I'm scalded +if he ain't nailed to the fence. He's just eating his head off thinking +about the Yuma horse he dassent ride. No? Eh, Collie?" + +"Hello, Miguel. Nope. I'm taking lessons in tendin' to my own +business--like them." And Collie nodded toward the horses. + +"Ain't he purty?" said Billy Dime. "All fussed up and walkin' round like +a new rooster introducin' hisself to a set of strange hens. Oh, pshaw!" + +"And you're making a noise like one of the hens trying to get the notice +of the new rooster, I guess." + +"Well, seem' I got the notice, come on over and I'll show you where they +keep the ice--with things on it," said Billy Dime. + +The Moonstone riders dismounted, slapped the dust from their shirts and +trousers, and ambled over toward the refreshments. + +The little group, happy, talkative, pledged each other and the Moonstone +Ranch generously. + +Brand Williams, close to Collie, nudged him. "If you are thinkin' of +takin' a fall out of the outlaw cayuse, don't hit this stuff much," he +said. And Collie nodded. + +The Moonstoners would one and all back Boyar for a place in the finals +of the pony races, despite the Mexican "outfit" that already mingled +with them making bets on their favorite pinto. + +"Who's ridin' Boyar?" queried Bud Light. + +"In the races? Why, Miguel here," said Williams, slapping the Mexican on +the shoulder. "He don't weigh much, but he's some glue-on-a-sliver when +it comes to racin' tricks. The other Mexicans are after our pesos this +time. Last year we skinned 'em so bad with Boyar takin' first that some +of 'em had to wait till dark to go home." + +Collie, listening, felt his heart pump faster. He turned away for an +instant that his fellows might not see the disappointment in his face. +He had hoped to ride Boyar to victory. + +"Miss Louise could get more out of Boyar in a race than even Miguel +here," said Billy Dime. + +"I dunno," said Williams. "She give me orders that Miguel was to ride +Boyar if they was any racin'." + +So Louise herself had chosen Miguel to ride the pony. Collie grew +unreasonably jealous. Once more and again he pledged the Moonstone +Rancho in a brimming cup. Then he wandered over to the Mexican ponies, +inspecting them casually. + +A Mexican youth, handsome, dark, smiling, offered to bet with him on the +result of the races. Collie declined, but gained his point. He learned +the Mexican's choice for first place, a lean, wiry buckskin with a goat +head and a wicked eye, but with wonderful flanks and withers. Collie +meditated. As a result he placed something like fifty dollars in bets +with various ranchers, naming the Mexican horse for first place. Word +went round that the Moonstone Kid was betting against his own horse. + +Later Brand Williams accosted him. "What you fell up against?" he asked +sternly. "What made you jar yourself loose like that?" + +"It's horses with me to-day--not home-sweet-home, Brand. Bet you a pair +of specs--and you need 'em--to a bag of peanuts that the Chola cayuse +runs first." + +"Your brains is afloat, son. You better cut out the booze." + +Unexpectedly Collie encountered Louise as he went to look after his own +horses. + +"I hear that you intend to ride the outlaw Yuma. Is it so?" + +Collie nodded. + +"I had rather you didn't," said Louise. + +"Why?" asked Collie, tactlessly. + +Louise did not answer, and Collie strode off feeling angry with himself +and more than ever determined to risk breaking his neck to win the +outlaw. + +Boyar, the Moonstone pony, ran second in the finals. The buckskin of the +Mexicans won first place. Collie collected his winnings indifferently. +He grew ashamed of himself, realizing that a foolish and unwarrantable +jealousy had led him into a species of disloyalty. He was a Moonstone +rider. He had bet against the Moonstone pony, and _her_ pony. He was +about to ask one of the other boys to see to the horses when a tumult in +the corrals drew his attention. He strolled over to the crowd, finding a +place for himself on the corral bars. + +Mat Gleason, superintendent of the Oro Ranch, loafed, his back against a +post. Two men with ropes were following the roan pony round the corral. +Presently a riata flipped out and fell. Inch by inch the outlaw was +worked to the snubbing-post. One of the Oro riders seized the pony's ear +in his teeth and, flinging his legs round her neck, hung, weighing her +head down. There was the flash of teeth, a grunting tug at the cinchas, +a cloud of dust, and Jasper Lane, foreman of the Oro outfit, was in the +saddle. The cloud of dust, following the roan pony, grew denser. Above +the dun cloud a sombrero swung to and fro fanning the outlaw's ears. +Jasper Lane had essayed to ride the Yuma colt once before. His broken +shoulder had set nicely, in fact, better than Bull O'Toole's leg which +had been broken when the outlaw fell on him. Billy Squires, a young +Montana puncher working for the Oro people, still carried his arm in a +sling. All in all, the assembled company, as Brand Williams mildly put +it, "were beginning to take notice of that copper-colored she-son of a +cyclone." + +Jasper Lane plied spurs and quirt. The visiting cowmen shrilled their +delight. The pony was broncho from the end of her long, switching tail +to the tip of her pink muzzle. + +Following a quick tattoo of hoofs on the baked earth came a flash like +the trout's leap for the fly--a curving plunge--the sound as of a +breaking willow branch, and then palpitating silence. + +The dun cloud of dust settled, disclosing the foam-flecked, +sweat-blackened colt, oddly beautiful in her poised immobility. Near her +lay Jasper Lane, face downward. The pony sniffed at his crumpled +sombrero. + +"That horse is plumb gentle," said Collie. "Look at her!" + +"Crazy with the heat," commented Billy Dime, jerking his thumb toward +Collie. + +Tall, slim, slow of movement, Collie slipped from the corral bars and +secured the dangling reins. Across the utter silence came the whistle of +a viewless hawk. The cowmen awakened from their momentary apathy. Two of +them carried Jasper Lane toward the ranch-house. Some one laughed. + +Gleason, the superintendent, gazed at the outlaw pony and fingered his +belt. "That's the fourth!" he said slowly and distinctly. "She ain't +worth it." + +"The fourth Oro rider," said a voice. "You ain't countin' any Moonstone +riders." + +"Ain't seen any to count," retorted Gleason, and there was a general +laugh. + +Strangely enough, the outlaw pony followed Collie quietly as he led her +toward Gleason, "The boys say there's a bet up that nobody can stick on +her two minutes. She's the bet. Is that right?" said Collie. + +"What you goin' to do?" queried Gleason, and some of the Oro boys +laughed. + +"I don't know yet," said Collie. "Maybe I'll take her back to the +Moonstone with me." + +Miguel of the Moonstone removed his sombrero and gravely passed it. +"Flowers for the Collie kid," he said solemnly. + +Collie, grave, alert, a little white beneath his tan, called for +Williams to hold the pony. Then the younger man, talking to her +meanwhile, slipped off the bridle and adjusted a hackamore in its place. +He tightened the cinchas. The men had ceased joking. Evidently the kid +meant business. Next he removed his spurs and flung them, with his +quirt, in a corner. + +"Just defending yourself, eh, Yuma girl?" he said. "They cut all the +sense out of you with a horse-killin' bit and rip you with the spurs, +and expect you to behave." + +"He'll be teachin' her to say her prayers next," observed Bud Light. +"He's gettin' a spell on her now." + +"He'll need all _his_ for himself," said Pars Long. + +The pony, still nervously resenting the memory of the mouth-crushing +spade-bit, and the tearing rowels, flinched and sidled away as Collie +tried to mount. Her glossy ears were flattened and the rims of her eyes +showed white. + +"Jump!" whispered Williams. "And don't rough her. Mebby you'll win out." + +And even as Collie's hand touched the saddle-horn, Williams sprang back +and climbed the corral bars. + +With a leap the Moonstone rider was in the saddle. The pony shook her +head as he reined her round toward the corral gate. The men stared. +Gleason swore. Billy Dime began to croon a range ditty about "Picking +little Posies on the Golden Shore." The roan's sleek, sweating sides +quivered. + +"Here's where she goes to it," said Williams. + +"Whoop! Let 'er buck!" shouted the crowd. + +Rebellion swelled in the pony's rippling muscles. She waited, fore feet +braced, for the first sting of the quirt, the first rip of the spurs, to +turn herself into a hellish thing of plunging destruction. + +Collie, leaning forward, patted her neck. "Come on, sis. Come on, Yuma +girl. You're just a little hummingbird. You ain't a real horse." + +With a leap the pony reared. Still there came no sting of spur or quirt. +She dropped to her feet. Collie had cleverly consumed a minute of the +allotted time. + +"One minute!" called Williams, holding the watch. + +"Why, that ain't ridin'," grumbled an Oro man. + +"See you later," said Williams, and several of his companions looked at +him strangely. The foreman's eyes were fixed on the watch. + +Collie had also heard, and he dug his unspurred heels into the pony's +sides. She leaped straight for the corral gate and freedom. With a +patter of hoofs, stiff-legged, she jolted toward the plain. The men +dropped from the bars and ran toward the gate, all, except Williams, who +turned, blinking in the sun, his watch in his hand. + +A few short jumps, a fish-like swirl sideways, and still Collie held his +seat. He eased the hackamore a little. He was breathing hard. The horse +took up the slack with a vicious plunge, head downward. The boy's face +grew white. He felt something warm trickling down his mouth and chin. He +threw back his head and gripped with his knees. + +"They're off!" halloed a puncher. + +"Only one of 'em--so far," said Williams. "One minute and thirty +seconds." + +Then, like a bolt of copper light, the pony shot forward at a run. + +On the ranch-house veranda sat Walter Stone conversing with his host, +where several girls, bright-faced and gowned in cool white, were talking +and laughing. + +The pony headed straight for the veranda. The laughing group jumped to +their feet. Collie, using both hands, swung the hackamore across the +outlaw's neck and tugged. + +She stopped with a jolt that all but unseated him. Walter Stone rose. +"It's one of my boys," he said. And he noticed that a little stream of +red was trickling from Collie's mouth and nostrils. + +His head was snapped back and then forward at every plunge. Still he +gripped the saddle with rigid knees. The outlaw bucked again, and flung +herself viciously sideways, turning completely round. Collie pitched +drunkenly as the horse came down again and again. His eyes were blurred +and his brain grew numb. Faintly he heard Brand Williams cry, "Two +minutes! Moonstone wins!" Then came a cheer. His gripping knees relaxed. +He reeled and all around him the air grew streaked with slivers of +piercing fire. He pitched headforemost at the feet of the group on the +veranda. + +In a flash Louise Lacharme was beside him, kneeling and supporting his +head. "Water!" she cried, wiping his face with her handkerchief. + +Boot-heels gritted on the parched earth and spurs jingled as the men +came running. + +The pony, with hackamore dangling, raced across the plain toward the +hills. + +"This'll do jest as well," said Williams, pouring a mouthful of whiskey +between Collie's lips. Then the taciturn foreman lifted the youth to his +feet. Collie dragged along, stepping shakily. "Dam' little fool!" said +Williams affectionately. "You ain't satisfied to get killed where you +belong, but you got to go and splatter yourself all over the front yard +in front of the ladies. You with your bloody nose and your face shot +plumb full of gravel. If you knowed how you looked when she piled you--" + +"I know how she looked," said Collie. "That's good enough for me. Did I +make it?" + +"The bronc' is yours," said Williams. "Bud and Miguel just rode out +after her." + +Then Williams did an unaccountable thing. He hunted among the crowd till +he found the man who had said, "Why, that ain't ridin'." He asked the +man quietly if he had made such a remark. The other replied that he had. +Then Williams promptly knocked him down, with all the wiry strength of +his six feet of bone and muscle. "Take that home and look at it," he +remarked, walking away. + +Through the dusk of the evening the Moonstone boys jingled homeward, the +horses climbing the trail briskly. Two of them worked the outlaw up the +hill, each with a rope on her and each exceedingly busy. Collie was too +stiff and sore to help them. + +Miguel, hilarious in that he had ridden Boyar to second place, and so +upheld the Moonstone honor, sang many strange and wonderful songs and +baited Collie between-whiles. Proud of their companion's conquest of the +outlaw colt, the Moonstone boys made light of it proportionately. + +"Did you see him reclinin' on that Yuma grasshopper," said Bud Light, +"and pertendin' he was ridin' a hoss?" + +"And then," added Billy Dime, "he gets so het up and proud that he rides +right over to the ladies, and 'flop' he goes like swattin' a frog with a +shingle. He rides about five rods on the cayuse and then five more on +his map. Collie's sure tough. How's your mug, kid?" + +"It never felt so bad as yours looks naturally," responded Collie, +puffing at a cigarette with swollen lips. "But I ain't jealous." + +"Now, ain't you?" queried Williams, who had ridden silently beside him. +"Well, now, I was plumb mistook! I kind of thought you was." + + + + +CHAPTER XXIII + +SILENT SAUNDERS SPEAKS + + +Meanwhile Collie kept a vigilant eye on Silent Saunders. The other, +somewhat sullenly but efficiently, attended to his work. Collie's +vigilance was rewarded unexpectedly and rather disagreeably. + +One day, as he stood stroking Black Boyar's neck, he happened to glance +across the yard. Saunders was saddling one of the horses in the corral. +Louise, astride Boyar, spoke to Collie of some detail of the ranch work, +purposely prolonging the conversation. Something of the Collie of the +Oro barbecue had vanished. In its stead was an inexplicable but positive +quality of masterfulness, apparent in poise and manner. + +Louise, because she knew him so well, was puzzled and curious. She could +not account for the change. She was frankly interested in him in spite +of, or perhaps because of, his early misfortunes. Instinctively she felt +that he had gained a moral confidence in himself. His physical +excellence and ability had always been manifest. This morning, his +grave, dark eyes, upturned to her face as he caressed Boyar, were +disconcertingly straightforward. He seemed to be drinking his fill of +her beauty. His quick smile, still boyish, and altogether irresistible, +flashed as she spoke humorously of his conquest of the outlaw colt Yuma. + +"I learned more--ridin' that cayuse for two minutes--than I ever expect +to learn again in that time." + +Remembering that she had been first to reach him when he was thrown, the +fresh bloom of her cheeks deepened. Her eyelids drooped for an instant. +"One can learn a great deal quickly, sometimes," she said. Then added, +for he had smiled again,--"About horses." + +"And folks." He spoke quietly and lifted her gauntleted hand, touching +it lightly with his lips. So swift, so unexpected had been his homage +that she did not realize it until it was irrevocably paid. + +"Why, Collie!" + +"Because you wasn't ashamed to help a guy in front of the others." + +"Please don't say 'guy.' And why should I be ashamed to help any of our +boys?" she said, laughing. She had quite recovered herself. + +"'Course you wouldn't be. But this is a kind of 'good-bye,' too. I was +going to ask you to mail this letter to Overland Red. I told him in it +that I was coming." + +"We are sorry that you are leaving," said Louise. "Uncle Walter said you +had spoken to him." + +"It isn't the money. I could wait. But I don't feel like taking all that +money and not doing anything for it. I guess Red needs me, too. Brand +says I'm a fool to quit here now. Mebby I am. I like it here; the work +and everything." + +Saunders, watching them, saw Collie give Louise a letter. He saw her +tuck it in her waist and rein Boyar round toward the gate. + +As Collie came toward the corrals he noticed that Saunders had saddled +the pinto Rally. He was a little surprised. Rally was Walter Stone's +favorite saddle-horse and used by none but him. He knew his employer was +absent. Perhaps Saunders had instructions to bring Rally to the station. + +Collie paid no further attention to Saunders until the latter came from +his quarters with a coat and a blanket-roll which he tied to the saddle. +Then Collie became interested. He left the road and climbed the hill +back of the corrals. He watched Saunders astride the pinto as he opened +the gate and spurred through without closing it. That was a little +unusual. + +"I feel almost like taking a cayuse and following him," muttered Collie. +"But, no. What for, anyway?" + +On a rise far below was Black Boyar, loping along easily. Collie saw him +stop and turn into the Old Meadow Trail. He watched for Saunders to +appear on the road below the ranch. Presently out from the shoulder of a +hill leaped Rally. Saunders was plying quirt and spur. The pinto was +doing his best. + +"Something's wrong. I'll just take a chance." And Collie ran to the +corral and roped the Yuma colt. He saddled her, led her a few steps that +she might become used to the feel of the cinchas, and then mounted. He +turned the pony up the hill and sat watching the pinto on the road +below. He saw Saunders draw rein and dismount, apparently searching the +road for something. Then he saw him mount quickly and disappear on the +Old Meadow Trail. + +Collie whirled the pony round and down the hill. Through the gateway he +thundered. The steel-sinewed flanks stiffened and relaxed rhythmically +as the hillside flew past. The Yuma colt, half-wild, ran with great +leaps that ate into space. They swept through the first ford. A thin +sheet of water spread on either side of them. The outlaw fought the curb +all the way up the hill beyond. Pebbles clattered from her hoofs and +spun skyward as she raced along the level of the hilltop. + +Down the next grade the pony swung, taking the turns with short leaps. +On the crest Collie checked her. The road beyond, clear to the valley, +was empty. + +He examined the tracks entering the Old Meadow Trail. He had not been +mistaken. Saunders had ridden in. Mounting, Collie spurred through the +greasewood, trusting to the pony's natural activity and sure-footedness. + + * * * * * + +Louise, sitting on the dream-rock in the old meadow, gazed out across +the valley. Black Boyar stood near with trailing bridle-reins. + +Despite herself the girl kept recalling Collie's face as he had talked +with her at the ranch. Admiration she had known before and many +times--adoration never, until that morning. + +For a long time she dreamed. The shadows of the greasewood lengthened. +The air grew cooler. Louise ended her soliloquy by saying aloud: "He's a +nice boy, though. I do hope he will keep as he is." + +Boyar, lifting his head, nickered and was answered by Rally, entering +the meadow. Silent Saunders rode up hurriedly. + +"Why, Saunders,--what is it? That's Rally! Were you going to meet Uncle +Walter?" + +"No, Miss. I'm in a hurry. Just hand over that letter that young Collie +give to you at the ranch. I want it. I mean business." + +"You want the letter? What do you mean? What right have you--" + +"No right. Only I want it. I don't want to make trouble." + +"You! A Western man, and speak that way to a woman! Saunders, I'm +ashamed to think you ever worked for us." + +"Oh, I know you got nerve. But I'm in a hurry. Hand it over. Then you +can call me anything you like." + +"I shall not hand it over." + +"All right. I got to have it." + +The girl, her gray eyes blazing with indignation, backed away as he +strode toward her. "You'd dare, would you?" And as Saunders laughed she +cut him across the face with her quirt. + +His face, streaked with the red welt of the rawhide, grew white as he +controlled his anger. He leaped at her and had his hands on her when she +struck him again with all her strength. He staggered back, his hand to +his eyes. + +A wild rush of hoofs, a shock, a crash, and he was beneath the plunging +feet of the Yuma colt. The pony flashed past, her head jerking up. +Louise saw Collie leap to the ground and come running back. + +Saunders, rolling to his side, reached for his holster, when he saw that +in Collie's hand which precluded further argument. + +"Don't get up!" said Collie quietly. "I never killed a man--but I'm +going to, quick, if you lift a finger." + +Saunders kept still. Collie stepped round behind him. "Now, get up, +slow," he commanded. + +When Saunders was on his feet, Collie reached forward and secured his +gun. + +"I'll send your check to the store," said Louise, addressing Saunders. +"I shall tell Mr. Stone that I discharged you. I don't believe I had +better tell the men about this." + +"Beat it, Saunders," said Collie, laughing. "You are leaving here afoot, +which suits me fine. Red would be plumb happy to know it." + +"Red's goin' to walk into my lead some of these days." + +"That's some day. This is to-day," said Collie. + +Saunders, turning, gazed covetously at the pinto Rally. Collie saw, and +smiled. "I missed twice. The third trick is goin' to be mine. Don't you +forget that, Mister Kid," said Saunders. + +"Oh, you here yet?" said Collie; and he was not a little gratified to +notice that Saunders limped as he struck off down the trail. + + + + +CHAPTER XXIV + +"LIKE SUNSHINE" + + +Louise drew off her gauntlets and tossed them on the rock. Collie saw +the print of Saunders's fingers on her wrist and forearm. "I ought to +'a' made him kneel down and ask you to let him live!" he said. + +"I was afraid--at first. Then I was just angry. It was sickening to see +the marks grow red and swell on his face. I hit him as hard as I could, +but I'm not sorry." + +"Sorry?" growled Collie. "He takes your brand with him. He didn't get +the letter. I got to thank you a whole lot for that." + +"But how did he know I had it? What did he want with the letter?" + +"He saw me give it to you. He's one of the bunch, the Mojave bunch +that's been trailing Red all over the country. When Red disappeared up +in those desert hills, I reckon Saunders must have got hold of a paper +and read about the get-away here at the Moonstone. He just naturally +came over here and got a job to see if he couldn't trace Red." + +"You are thinking of joining Mr. Summers at the claim?" + +"Yes. The Eastern folks are gone now. I hate to go. But I got to get +busy and make some money. A fellow hasn't much of a show without money +these days." + +Louise was silent. She sat gazing across the valley. + +Collie approached her hesitatingly. "I just got to say it--after all +that's happened. Seems that I could, now." + +Louise paled and flushed. "Oh, Collie!" she cried entreatingly. "We have +been such good friends. Please don't spoil it all!" + +"I know I am a fool," he said, "or I was going to be. But please to take +Boyar and go. I'll bring Rally. I was wrong to think you would listen a +little." + +But Louise remained sitting upon the rock as though she had not heard +him. Slowly he stepped toward her, his spurs jingling musically. He +caught up one of her gloves and turned it over and over in his fingers +with a kind of clumsy reverence. "It's mighty little--and there's the +shape of your hand in it, just like it bends when you hold the reins. It +seems like a thing almost too good for me to touch, because it means +_you_. I know you won't laugh at me, either." + +Louise turned toward him. "No. I understand," she said. + +"Here was where Red and I first saw you to know who you was. I used to +hate folks that wore good clothes. I thought they was all the same, you +and all that kind. But, no, it ain't so. You looked back once, when you +were riding away from the jail that time. I was going to look for Red +and not go to work at the Moonstone. I saw you look back. That settled +it. I was proud to think you cared even anything for a tramp. I was +mighty lonesome then. Since, I got to thinking I'd be somebody some day. +But I can see where I stand. I'm a puncher, working for the Moonstone. +You kind of liked me because I had hard luck when I was a kid. But that +made me _love_ you. It ain't wrong, I guess, to love something you can't +ever reach up to. It ain't wrong to keep on loving, only it's awful +lonesome not to ever tell you about it." + +"I'm sorry, Collie," said Louise gently. + +"Please don't you be sorry. Why, I'm glad! Maybe you don't think it is +the best thing in the world to love a girl. I ain't asking anything but +to just go on loving you. Seems like a man wants the girl he loves to +know it, even if that is just all. You said I love horses. I do. But +loving you started me loving horses. Red said once that I was just +living like what I thought you wanted me to be. Red's wise when he +takes his time to it. But now I'm living the way I think I want to. I +won't ask you to say you care. I guess you don't--that way. But if I +ever get rich--then--" + +"Collie, you must not think I am different from any other girl. I'm just +as selfish and stubborn as I can be. I almost feel ashamed to have you +think of me as you do. Let's be sensible about it. You know I like you. +I'm glad you care--for--what you think I am." + +"That's it. You are always so kind to a fellow that it makes me feel +mean to speak like I have. You listened--and I am pretty glad of that." + +He turned and caught Boyar's bridle. Mounting he caught up Yuma and +Rally. Slowly Collie and the girl rode the trail to the level of the +summit. Slowly they dropped down the descent into Moonstone Canon. The +letter, Overland Red, Silent Saunders, were forgotten. Side by side +plodded the pony Yuma and Black Boyar. Rally followed. The trees on the +western edge of the canon threw long, shadowy bars of dusk across the +road. Quail called from the hillside. Other quail answered plaintively +from a distance. Alternate warmth and coolness swam in the air and +touched the riders' faces. + +At a bend in the road the ponies crowded together. Collie's hand +accidentally brushed against the girl's and she drew away. He glanced +up quickly. She was gazing straight ahead at the distant peaks. He felt +strangely pleased that she had drawn away from him when his hand touched +hers. Some instinct told him that their old friendship had given place +to something else--something as yet too vague to describe. She was not +angry with him, he knew. Her face was troubled. He gazed at her as they +rode and his heart yearned for her tenderly. Life had suddenly assumed a +tensity that silenced them. The little lizards of the stones scurried +away from either side of the road. One after another, with sprightly +steps, a covey of mountain quail crossed the road before them, leaving +little starlike tracks in the dust. Though homeward bound the ponies +plodded with lowered heads. Moonstone Canon, always wonderful in its +wild, rugged beauty, seemed as a place of dreams, only real as it echoed +the tread of the ponies. The canon stream chattered, murmured, quarreled +round a rock-strewn bend, laughed at itself, and passed, singing a +cool-voiced melody. + +They rode through a vale of enchantment, only known to Youth and Love. +Her gray eyes were misty and troubled. His eyes were heavy with +unuttered longing. His heart pounded until it almost choked him. He bit +his lips that he might keep silent. + +The glint of the slanting sunlight on her hair, the turn of her wrist as +she held the reins, her apparent unconsciousness of all outward things +enthralled him. A spell hung round him like a mist, blinding and +baffling all clearer thought. And because Louise knew his heart, knew +that his homage was not of books, but of his very self, she lingered in +the dream whose thread she might have snapped with a word, a gesture. + +Generously the girl blamed herself that she had been the one to cause +him sorrow. She could not give herself to him, be his wife as she knew +he wished her to be. Yet she liked him more than she cared to admit. He +had fought for her once and taken his punishment with a grin. She felt +joy in his homage, and yet she felt humility. In what way, she asked +herself, was she better, cleaner of heart, kinder or cleverer than +Collie? Why should people make distinctions as to birth, or breeding, or +wealth, when character and physical excellence meant so much more? + +"Collie!" she whispered, and the touch of her fingers on his arm was as +the touch of fire,--"Collie!" + +She drew one of her little gray gauntlets from her belt. "Here," she +said, and the word was a caress. + +But he put the proffered token away from him with a trembling hand. +"Don't!" he cried. "I tried not to want you! I did try! This +morning--before I told you--I could have knelt and prayed to your glove. +But now, Louise, Louise Lacharme, I can't. That glove would burn me and +drive me wild to come back to you." + +"To come back to you ...?" The words sung themselves through her +consciousness. "Come back to you...." He was going away. "You care so +much?" she asked. There was a new light in her eyes. Her face was almost +colorless. So she had looked when Saunders threatened her. She swayed in +the saddle. Collie's arm was about her. She raised one arm and flung it +round his neck, drawing his face down to her trembling lips. Then she +drew away, her face burning. + +Across the end of the canon a vagrant sunbeam ran like a bridge of faery +gold. It pelted the gray wall with a million particles of mellow fire. +It flickered, flashed anew, and faded. The ponies drew apart. The colt +Yuma grew restless. + +"Good-bye," murmured Louise. + +"Like the sunshine," he said, pointing to the cliff. + +"It is gone," she whispered, shivering a little as the shadows drew +down. + +"It will shine again," he said, smiling. + +Without a word she touched Black Boyar with the spurs. A stone clattered +down as he leaped forward, and she was gone. + +Collie curbed the colt Yuma, who would have followed. "No, little +hummingbird," he said whimsically. "We aren't so used to heaven that we +can ride out of it quite so fast." + + * * * * * + +Next morning, with blanket and slicker rolled behind his saddle, he rode +down the Moonstone Canon Trail. At the foot of the range he turned +eastward, a new world before him. The far hills, hiding the desert +beyond, bulked large and mysterious. + +Louise had not been present when he bade good-bye to his Moonstone +friends. + + + + +CHAPTER XXV + +IN THE SHADOW OF THE HILLS + + +The afternoon of the third day out from the Moonstone Ranch, Collie +picketed the roan pony Yuma near a water-hole in the desert. He spread +his saddle-blankets, rolled a cigarette, and smoked. Presently he rose +and took some food from a saddle-pocket. + +The pony, unused to the desert, fretted and sniffed at the sagebrush +with evident disgust. Collie had given her water, but there was no +grazing. + +After he had eaten he studied the rough map that Overland had given him. +There, to the south, was the desert town. He had passed that, as +directed, skirting it widely. There to the east were the hills. +Somewhere behind them was the hidden canon and Overland Red. + +Stiff and tired from his long ride, he stretched himself for a short +rest. He dozed. Something touched his foot. It was the riata with which +he had picketed the pony. He meant to travel again that night. He would +sleep a little while. The horse, circling the picket, would be sure to +awaken him again. + +He slept heavily. The Yuma colt stood with rounded nostrils sniffing the +night air. The pony faced in the direction of the distant town. She knew +that another horse and rider were coming toward her through the +darkness. They were far off, but coming. + +For a long time she stood stamping impatiently at intervals. Finally she +grew restive. The oncoming horse had stopped. That other animal, the +man, had dismounted and was coming toward her on foot. She could not see +through the starlit blanket of night, but she knew. + +The man-thing drew a little nearer. The pony swerved as if about to run, +but hesitated, ears flattened, curious, half-belligerent. + + * * * * * + +That afternoon Silent Saunders, riding along the border of the desert +town, had seen a strange horse and rider far out--away from the road and +evidently heading for the water-hole. Saunders rode into town, borrowed +a pair of field-glasses, and rode out again. He at once recognized the +roan pony as the Oro outlaw, but the rider? He was not so sure. He would +investigate. + +The fact that he saw no glimmer of fire as he now approached the +water-hole made him doubly cautious. Nearer, he crouched behind a bush. +He threw a pebble at the pony. She circled the picket, awakening Collie, +who spoke to her sleepily. Saunders crept back toward his horse. He +knew _that_ voice. He would track the young rider to the range and +beyond--to the gold. He rode back to town through the night, entered the +saloon, and beckoned to a belated lounger. + +Shivering in the morning starlight, Collie arose and saddled the pony. +He rode in the general direction of the range. The blurred shadow of the +foothills seemed stationary. His horse was not moving forward--simply +walking a gigantic treadmill of black space that revolved beneath him. +The hills drew no nearer than did the constellations above them. + +Suddenly the shadows of the hills pushed back. Almost instantly he faced +the quick rise of the range. Out of the silence came the slithering step +of some one walking in the sand. The darkness seemed to expand. + +Overland Red stood before him, silent, alert, anxious. "You, Chico?" he +asked. + +"Sure. Hello, Red." + +"Anybody see you come across yesterday?" + +"Not that I know of. I kept away from the town." + +"Your hoss shod?" + +"Yes. All around. Why?" + +"Nothin'. I'm sufferin' glad to see you again. When we get on top of the +hills, you take the left trail and keep on down. You can't miss the +canon. I'll leave you here. I got to stay here a spell to see that +nothin' else comes up but the sun this mornin'." + +"All right, Red. Your pardner down there?" + +"Yep. Whistle when you get up to the meadow in the canon. Billy'll be +lookin' for you." + +"Any trouble lately?" + +"Nope. But Billy's got a hunch, though. He says he feels it in the air." + +At the crest Collie rode on down the winding trail, or rather way, for +no regular trail existed. At the foot of the range he turned to the +right and entered the narrow canon, following the stream until he came +to the meadow, where he picketed the pony. + +He continued on up the canon on foot. When he arrived at the camp, +Overland was there waiting. Winthrop and he greeted Collie cordially. +"Short cut," explained Overland, jerking his thumb over his shoulder. +"No hoss trail, though. Too steep." + +Faint dawn lights were shifting along the canon walls as they had +breakfast. As the morning sunlight spread to their camp Collie's natural +curiosity in regard to Overland's pardner was satisfied. He saw a +straight, slender figure, in flannel shirt and khaki. The gray eyes were +peculiarly keen and humorous. Winthrop was not a little like his sister +Anne in poise and coloring. The hands were nervously slender and +aristocratic, albeit roughened and scarred by toil. There was a +suggestion of dash and go about Winthrop that appealed to Collie. Even +in repose the Easterner seemed to be alert. Undoubtedly he would make a +good companion in any circumstance. + +"There's spare blankets in the tent. Roll in for a snooze, Collie. Billy +and me'll pack your saddle and stuff up here later." + +"I guess I will. You might sponge Yuma's back a little, Red. She's +brought me close to two hundred miles in the last three days." + +"Sure, Bo! I'll brush her teeth and manicure her toe-nails if you say +the word. I guess that hoss has kind of made a hit with you." + +Collie yawned. "Mebby. But it isn't in it with the hit she'll make with +you if you try to take up her feet. She's half-sister to a shot of +dynamite. I'm only telling you so she won't kick your fool head off." + +"You talk like most a full-size man," said Overland. + +Down at the meadow, Overland looked at the colt and shook his head. "He +is correct," he said succinctly. "That hoss don't welcome handlin' worth +a bean." + +Winthrop's silence rather stirred Overland's sensitive pride in his +horsemanship. "'Course I broke and rode hundreds like her, down in Mex. +But then I was paid for doin' it. It was my business then. Now, minin' +and educatin' Collie is my business, and a busted neck wouldn't help +any." + +Winthrop realized for the first time that Overland's supreme interest in +life was Collie's welfare. Heretofore the paternal note had not been +evident. Winthrop had imagined them chums, friends, tramps together. +They were more than that. Overland considered Collie an adopted son. + +The Easterner glanced at Overland's broad shoulders stooped beneath the +weight of the heavy stock saddle. Something in the man's humorous +simplicity, his entire willingness to serve those whom he liked and his +stiff indifference to all others, appealed to Winthrop. So this flotsam +of the range, this erstwhile tramp, this paradox of coarseness and +sentiment, had an object in life? A laudable object: that of serving +with his sincerest effort the boy friend he had picked up on the desert, +a castaway. + +As they toiled up the stream toward the camp, Winthrop recalled their +former chats by the night-fire. Now he began to see the drift of +Overland's then frequent references to Collie. And there was a +girl,--mentioned by Overland almost reverently,--the Rose Girl, Louise +Lacharme, of whom Anne Marshall had written much in eulogy to him. And +Winthrop himself? + +His swift introspection left him aware that of them all he alone seemed +to lack a definite aim. Making money--mining--was still to him a game, +interesting and healthful, but play. To Overland it was life. Winthrop +saw himself as he was. His improved health scoffed at the idea of +becoming sentimental about it. He laughed, and Overland, turning, +regarded him with bushy, interrogative brows. + +"Nothing," said Winthrop. + +"Ain't you feelin' good lately, Billy?" + +"I'm all right." + +"Glad of that. It's good to forget you got such a thing as health if you +want to keep it. If you get to lookin' for it, like as not you'll find +it's gone." + +"I'm looking for something entirely different. Something you +have--something that I never possessed." + +"I don't know anything I got that you haven't 'less it's that new +Stetson I got in Los. You can have her, Billy, and welcome. Your lid +_is_ gettin' on the bum." + +"Not that," laughed Winthrop. "Something you keep under it." + +"'T ain't me hair. I'm plumb sure of that." + +"No." + +"Mebby you're jealous of some of me highbrow ideas?" + +"Add an 'l' and you have it." + +"I-d-e-a-l-s. Oh, ideals, eh? Never owned none except that little +electric do-diddle-um of the Guzzuh what makes the spark to keep the +machinery goin'. That's called the 'Ideal.'" + +"The spark to keep the machinery going--that's it," said Winthrop. + +At the camp he prepared to make his trip to the Moonstone Ranch. He read +his sister's letter over and over again. Finally he sauntered up the +canon to where Overland was at work. "I'll lend a hand," he said, in +answer to Overland's questioning face. "I don't believe I'll go before +to-morrow night. It is hardly right to leave the minute my new pardner +arrives. I want to talk with him." + +Overland nodded. "Guess you're right. It won't hurt to keep in the +shadow of the hills for a day or two. Can't tell who might 'a' spotted +Collie ridin' out this way." + + * * * * * + +That afternoon, toward evening, Collie arose, refreshed, and eager to +inspect the claim. He could hear the faint click of pick and shovel up +the canon. He stretched himself, drank from the stream, and sauntered +toward the meadow. He would see to his pony first. + +He found the horse had been picketed afresh by Overland when he had come +for the saddle. He was returning toward camp when he heard a slight +noise behind him--the noise a man's boot makes stepping on a pebble that +turns beneath his weight. + +Collie wheeled quickly, saw nothing unusual, and turned again toward the +camp. Then he hesitated. He would look down the canon. He realized that +he was unarmed. Then he grew ashamed of his hesitancy. He picked his way +down the stream. A buzzard circled far above the cliffs. The air hummed +with invisible bees in the rank wild clover. He peered past the next +bend. A short distance below stood a riderless horse. The bridle was +trailing. For an instant Collie did not realize the significance of the +animal waiting patiently for its rider. Then, like the flash of a +speeding film, he saw it all--his pony's tracks up the canon--the rider +who had undoubtedly seen him crossing to the water-hole, and who had +waited until daylight to follow the tracks; who had dismounted, and was +probably in ambush watching him. He summoned all his reserve courage. +Turning away, he remarked, distinctly, naturally, casually, "Thought I +heard something. Must have been the water." + +He walked slowly back to the notch in the canon walls. Stepping through +it, he continued on up the stream. A few paces beyond the notch, and a +face appeared in the cleft rock, watching him. The watcher seemed in +doubt. Collie's action had been natural enough. Had he seen the horse? +The hidden face grew crafty. The eyes grew cold. The watcher tapped the +side of the cliff with his revolver butt. The noise was slight, but in +that place of sensitive echoes, loud enough to be heard a long way up +the canon. Then it was that Collie made a courageous but terrible +mistake. He heard the sound, and seemed to realize that it was made +intentionally--to attract his attention. Yet he was not sure. He kept +on, ignoring the sound. Had he not suspected some one was in the canon, +to have glanced back would have been the most natural thing in the +world. The watcher realized this. He knew that the other had heard +him--suspected his presence, and was making a daring bluff. + +"Got to stop that," muttered the watcher, and he raised his hand. + +The imprisoned report rolled and reechoed like mountain thunder. Collie +threw up his arms and lurched forward. + +Below in the canon clattered the hoofs of the speeding horse. The rider, +still holding his six-gun, muzzle up, glanced back. "I didn't care +partic'lar about gettin' _him_, but gettin' the kid hits the red-head +between the eyes. I guess I'm about even now." And Silent Saunders +holstered his gun, swung out of the canon, and spurred down the +mountain, not toward the desert town, but toward Gophertown, some thirty +miles to the north. He had found the claim. The desert town folk he had +used to good advantage. They had paid his expenses while he trailed +Overland and Collie. They had even guaranteed him protection from the +law--such as it was on the Mojave. He had every reason to be grateful to +them, but he was just a step or two above them in criminal artistry. He +had been a "killer." Like the lone wolf that calls the pack to the hunt, +he turned instinctively to Gophertown, a settlement in the hills not +unknown to a few of the authorities, but unmolested by them. The +atmosphere of Gophertown was not conducive to long life. + + + + +CHAPTER XXVI + +SPECIAL + + +Overland, leaning on his shovel, drew his sleeve across his forehead. +"Reckon I'll go down and wake Collie. He'll sleep his head off and feel +worse 'n thunder." + +"I'll go," said Winthrop, throwing aside a pan of dirt with a fine +disregard of its eventual value. "I want some tobacco, anyway." + +"Fetch a couple of sticks of dynamite along, Billy. I'll put in one more +shot for to-night." + +A distant, reverberating report caused the two men to jerk into +attitudes of tense surprise. + +"What the hell!" exclaimed Overland, running toward the tent. "That +wasn't the kid. Collie's only packin' a automatic, and here it is." + +He stopped in the tent-door, grabbed up the gun and belt, and ran down +the canon, Winthrop following breathlessly. Near the notch he paused, +motioning Winthrop to one side. "Mebby it was to draw us on. You keep +there, Billy. I'll poke ahead." + +But Overland did not go far. He almost stumbled over the prone figure of +Collie. With a cry he tore his handkerchief from his throat and plugged +the wound. "Clean through," he said, getting to his feet. "Get the +whiskey." + +"Shan't I help you carry him?" queried Winthrop. + +Overland shook his head. "Get the whiskey and get a fire goin'. I'll +bring him." + +"Will he--live?" asked Winthrop, hesitating. + +"I reckon not, Billy. He was plugged from behind--close--and clean +through. Here's the slug." + +Then Overland picked up the limp form. So this was the end of all his +planning and his toil? He cursed himself for having urged Collie to come +to the desert. He strode carefully, bent with the weight of that +shattered body. He felt that he had lost more than the visible Collie; +that he had lost the inspiration, the ideal, the grip on hope that had +held him toward the goal of good endeavor. His old-time recklessness +swept down upon him like the tides, submerging his better self. Yet he +held steadily to one idea. He would do all that he could to save +Collie's life. Failing in that ... there would be a red reckoning. After +that he would not care what came. + +Already he had planned to send Winthrop, in his big car, for a doctor. +The car was at the desert town, where a liveryman accepted a royal +monthly toll in advance to care for it. + +At the tent Overland laid Collie on the blankets, bathed and bandaged +the wound, and watched his low pulse quicken to the stimulant that he +gave him in small doses. + +"It's the shock as much as the wound," said Overland. "He got it close, +and from behind--_from behind_ do you hear?" + +Winthrop, startled by the other's intensity, stammered: "What shall I +do? What shall I do?" + +Overland bit his nails and scowled. "You will ride to town. Collie's +hoss is here. Take the Guzzuh and burn the road for Los and get a +doctor. Not a pill doctor, but a knife man. Bring the car clean back +here to the range. To hell with the chances." + +Winthrop slipped into his coat and filled a canteen. + +"If that horse throws me--" he began. + +"You got to ride. You _got_ to, understand? I dassent leave him." + +Down in the meadow Overland saddled the pony Yuma. He mounted and she +had her "spell" of bucking. "Now, take her and ride," said Overland. +"After you hit the level, let her out and hang on. If any one tries to +stick you up this time--why, jest nacherally _plug_ 'em. Sabe?" + +Winthrop nodded. + +Two hours later a wild-eyed, sweating pony tore through the desert town +at a run. Her rider slid to the ground as the liveryman grabbed the +pony's bridle. + +"Take--care--of her," gasped Winthrop. "I want--the machine." + +"Anybody hurt?" + +"Yes. Who did that?" + +Winthrop stood with mouth open and eyes staring. The tires of the big +machine were flat. + +"I dunno. I watched her every day. I sleep here nights. Las' Sunday I +was over to Daggett." + +"And left no one in charge?" + +"The boy was here." + +"Well--the job is done. Take care of the horse. I'll be back in a +minute." + +At the station Winthrop wired for a special car and engine. He gave his +check for the amount necessary and went back to the stable. He was +working at the damaged tires when the agent appeared. "Special's at the +Junction now. Be here in five minutes." + +Winthrop climbed to the engine-cab. "I'll give you ten dollars for every +minute you cut from the regular passenger schedule," he said. + +The engineer nodded. "Get back on the plush and hang on," was his brief +acknowledgment. + + * * * * * + +It was dark when the surgeon, drying his hands, came from the canon +stream to the tent. "That's about all I can do now," he said, slipping +into his coat. + +Overland, who was sitting on a box beside the tent, stood up and +stretched himself. "Is he goin' to make it?" he asked. + +"I can't say. He is young, in good condition, and strong. If you will +get me some blankets, I'll turn in. Call me in about two hours." + + + + +CHAPTER XXVII + +THE RIDERS + + +Several days passed before the surgeon would express a definite opinion. + +Collie lay, hollow-cheeked and ghastly, in the dim interior of the tent. +His eyes were wide and fixed. Overland came in. Collie recognized him +and tried to smile. Overland backed out of the tent and strode away +growling. The tears were running down his unshaven cheeks. He did not +return until later in the day. Then he asked the surgeon that +oft-repeated question. + +"I don't see how he can recover," said the surgeon quietly. "Of course +there's a slim chance. Don't build on it, though." + +"If there's a chance, I reckon he will freeze to it," said Overland. +"From what he was ramblin' about when he was off his head, I reckon he's +got somethin' more to live for than just himself." + +"Has he any relatives?" queried the surgeon. + +"Nope. Except me. But he was expectin' to have, I guess. And I tell you +what, Doc, she's worth gettin' shot up for." + +"Too bad! Too bad," muttered the surgeon. + +"What's too bad, eh?" + +The other shook his head. "If there is any one that he would care to +see, or that would care to see him, you had better write at once." + +Overland was stunned. The doctor's word had been given at last, and it +was not a word of hope. + +Overland Red bowed to the doctor's opinion, but his heart was +unconquerable. He wrote a long letter to his old-time friend, Brand +Williams, of the Moonstone Ranch. The letter was curiously worded. It +did not mention Louise Lacharme, nor Mrs. Stone, nor the rancher. It +was, in the main, about Mexico and the "old days"; no hint of Collie's +accident was in the page until the very end. The letter concluded with +"But you needn't think you owe me anything for that. I was glad to put +him to the hush because we was pals them days. Collie was shot by +Saunders. The doctor says he will die most likely. He was shot in the +back. It would go bad with Saunders if the Moonstone boys ever heard of +this." + + * * * * * + +The letter dispatched by Winthrop, Overland Red took courage. He felt +that he himself was holding Collie's life from sinking. His huge +optimism would not admit that his friend _could_ die. + +He was leaning back against a rock near the notch and gazing at the +slanting moonlight that spread across the somber canyon walls. A week +had gone since he mailed his letter to Brand Williams, of the +Moonstone, and Collie was still alive. Overland shifted his position, +standing beside him the Winchester that had lain across his knees, and +pulling his sombrero over his eyes. The notch made an excellent +background for an object over the sights of a rifle, even at night, so +long as the moon shone. Gophertown riders would never venture that far +up the canon with horses. They would tether their ponies at the entrance +and come afoot and under cover. Still, they would have to pass the notch +in any event. + +Thus it was that when, some few minutes later, Overland heard the faint +jingle of rein-chains, he grinned. It was celestial music to him. + +The sound came again, nearer the notch, and clearer. He remained +motionless gazing at the shadowy opening. + +Slowly a shaft of moonlight drew down toward the notch, silvering its +ragged edges. Lower the light slid until it revealed the opening and in +it the figure of a horseman. In the white light Overland could see the +quirt dangling from the other's wrist. The horseman's wide belt +glittered. + +"Brand!" called Overland Red softly. The opposite wall took up the name +hesitatingly and tossed it back. + +"Brand!" whispered the echoes that drifted to the darkened corners of +the cliff and were lost in voiceless murmurings. + +"Brand your own stock," came the answer, low and distinct. + +Overland laughed. It was their old-time pun upon the foreman's name. He +got to his feet and approached. "It does me good," he said, extending +his hand. + +"How is Collie?" asked Williams, dismounting. + +Overland heaved great sigh. "He's floatin' somewhere between here and +the far shore. Mebby he's tryin' to pull through. The doc says the kid +don't seem to care whether he does or not. Did--the little Rose +Girl--tell you anything to--to say to him?" + +"When I was leavin' she come out to the gate," said Williams. "She +didn't say much. She only hands me this, and kind of whispered, 'Give +him this. He will understand.'" + +And Williams drew a small gray gauntlet from his shirt. Overland took +the glove and tucked it in his pocket. + +"Anything doing?" asked Williams. + +"Nope. They're overdue to jump us if shootin' Collie was any sign." + +"Like old times," said Williams. + +"Like old times," echoed Overland. "No trouble findin' your way across?" + +"Easy. Followed them automobile tracks clear to the range. We fed up at +the town. The boys gets kind of restless--" + +"Boys? Ain't you alone?" + +"Hell, no!" replied Williams disgustedly. "I wish I was! I got four +pigeon-toed, bow-legged, bat-eared Moonstoners down in that meadow, just +itchin' mad to cut loose. And they ain't sayin' a word, which is +suspicious. Worryin' across the old dry spot the last three days has +kind of het 'em up. And then hearin' about Collie...." + +"How'd you come to have so much comp'ny?" queried Overland. + +"I was plumb fool enough to read that letter of yours to 'em. They all +like Collie first-rate. Better than I calculated on. The boss talked +turkey to 'em, but he had to let 'em come. He did everything he could to +hold 'em, knowin' what was in the wind." + +"And they quit?" + +"Quit? Every red-eyed bat of 'em. Bud and Pars and Billy and Miguel. +Told the boss they quit, because me bein' foreman they would do as I +says, but if they quit I wasn't their foreman any longer, and they would +do as they dum please. They had the nerve to tell me that I could come +along if I was wishful." + +"Kind of bad for Stone, eh?" + +"The Price boys are holdin' down the ranch. You see, Jack, it hit us +kind of hard, Collie ridin' away one mornin', and next thing your +letter that he was down and pretty nigh out. The boys didn't just like +that." + +Overland nodded. "Well, Brand, I guess I'll step down and look 'em +over." + +"Only one thing, Jack. I feel kind of responsible for them boys, even if +I ain't their foreman just now. Don't you go to spielin' to 'em and get +'em thinkin' foolish. They're about ready to shoot up a town, if +necessary." + +"Been hittin' the booze any?" + +"Some. But not bad." + +"All right. I don't want to say only 'How!' and thank 'em for Collie. If +I say more than three words after that, you can have my hat." + +"It don't take three words, sometimes," said Williams, somewhat +ambiguously. + +"Leave it to me," said Overland, still more ambiguously. + + * * * * * + +Ringed round their little fire in the meadow sat or lay the Moonstone +riders. While crossing the desert Williams had sketched a few of the red +episodes in Overland's early career. These pleased the riders mightily. +They were anxious to meet Red Jack Summers. When Williams did introduce +him, they were rather silent, asking after Collie in monosyllables. They +seemed strangely reticent. + +Both Williams and Overland felt an inexplicable tensity in the +situation. + +Miguel, the young Mexican vaquero, broke silence. "How long you call it +to this Gophertown place, I think?" + +"Thirty miles," said Overland. + +"Walkin' backwards--like Miguel's talk," said Billy Dime. + +"That's easy," said Bud Light. + +"What's easy?" questioned Williams. + +"Walkin' backwards," replied the facetious Bud. + +"If you don't step on your neck," said Pars Long. + +"I'm gettin' cold feet," asserted Bud Light after a silence. + +"That disease is ketchin'," said Billy Dime. + +"I know it. I been sleepin' next to you," retorted Bud. + +Brand Williams glanced across the fire at Overland, who smiled +inscrutably. The undercurrent was unfathomable to Williams, though he +guessed its main drift. + +Suddenly Pars Long glanced at the foreman. "Brand," he said quietly, "we +expect you didn't read all of that letter from your friend here. You +said Collie was shot. You didn't say how, which ain't natural. We been +talkin' about it. Where was he hit?" + +Overland saw his chance and grasped it with both hands. "In the back," +he said slowly, and with great intensity. + +Followed a silence in which the stamping of the tethered horses and the +whisper of the fire were the only sounds. + +Presently Miguel ran his fingers through his glossy black hair. "In the +back!" he exclaimed. "And you needn't to tell that he was run away, +neither." + +"In the back?" echoed Billy Dime. + +Overland and Williams exchanged glances. "You done it now," said +Williams. + +"'Cordin' to agreement," said Overland. + +"Make it a wireless," said Billy Dime. "We ain't listenin', anyhow." + +"Only thirty miles. What do you say, Brand?" + +"Nothin'." + +"_As_ usual," ejaculated Dime. + +"I say about three to-morrow morning," ventured Pars Long. "Light will +be good about nine. We can do the thirty by nine. A fella would be able +to ride round town then without fallin' over anything." + +"What you fellas gettin' at?" queried Williams. + +"Gophertown," replied Dime. "You want to come along?" + +"Is it settled?" asked the foreman. + +The group nodded. + +"Well, boys, it would 'a' been _my_ way of evenin' up for a pal." + +"Then you're comin', too?" + +"Do you think I'm packin' these here two guns and this belt jest to +reduce my shape?" queried Williams in a rather hurt tone. + +"Whoop-ee for Brand!" they chorused, and the tethered ponies shied and +circled. + +"I never rode out _lookin'_ for trouble," said Williams. "And I never +shied from lookin' _at_ it when it come my way." + +"Who said anything about trouble?" queried Billy Dime innocently. "I'm +_dry_. I want a _drink_. I'm goin' over to Gophertown to get it. I'll +treat the bunch." + +"Which bunch?" + +"Any and all--come stand up and down it." + +"We'll be there when you call our numbers, sister. You comin'?" asked +Pars Long, nodding toward Overland. + +"Me? Nope.... I'm goin'. I'm goin' to ask you boys to kindly allow me +the privilege of gettin' my drink first and by my lonesome. There will +be a gent there with sore eyes. He got sore eyes waitin' and watchin' +for me to call. I expect to cure him of his eye trouble. After that you +will be as welcome as Mary's little lamb--fried." + +"Bur-rie me not on the lo-o-ne prai-ree," sang Bud Light. + +"Not while you got the fastest hoss in the outfit," said Williams. + +"Collie's hoss is here," said Overland. "I'm ridin' her this trip. I +kind of like the idea of usin' his hoss on this here errand of mercy." + +"Three--to-morrow mornin'!" called Billy Dime, as Overland disappeared +in the shadows. + + * * * * * + +Brand Williams, the taciturn, the silent, stepped from the fire and +strode across the meadow. He paused opposite the Yuma colt and gazed at +her in the moonlight. He jerked up his chin and laughed noiselessly. +"Two-gun Jack Summers on that red Yuma hoss, ridin' into Gophertown with +both hands filled and lookin' for trouble.... God! He was bad enough +when he was dodgin' trouble. Well, I'm glad I'm livin' to see it. I was +commencin' to think they wasn't any more _men_ left in the country. I'm +forty-seven year old. To-morrow I'll be twenty again ... or nothin'." + + + + +CHAPTER XXVIII + +GOPHERTOWN + + +Some towns "nestle" on the plain. Others, more aspiring, "roost" in the +hills. Gophertown squatted on the desert at the very edge of a range of +barren foothills. Its principal street was not much more than a +bridle-trail that led past eleven ramshackle cabins, derelicts of the +old mining days when Gophertown knew gold. + +The population of Gophertown was of an itinerant order. This was not +always due to internecine disputes. Frequently a citizen became overbold +and visited his old haunts instead of remaining safely, even if +monotonously, at home. Train robbery was a sure passport to Gophertown's +protection. Man-killing lent an added distinction to an applicant for +hurried admission. Cattle-and horse-thieving were mere industries not to +be confounded with these higher professions. + +Overland Red had once wintered in Gophertown. Immediately previous to +his arrival in Gophertown he had been obliged to maintain, in an +unofficial capacity, his former prestige as sheriff of Abilene. The town +of Abilene had sympathized with him heartily, but had advised him to +absent himself indefinitely and within the hour. + +The general store and saloon of the old mining camp still stood at the +corner of the town facing the desert. A bleached and faded sign once +read, "Palace Emporium." The letters now seemed to be shrinking from +public gaze--vanishing into the wood as though ashamed of themselves. +The wording of the sign had been frequently and indifferently +punctuated. Each succeeding marksman had exploded his own theory, and +passed on. + +Liquor was still to be obtained at the general store. Provisions were +occasionally teamed in and were made up of peculiarly conglomerate lots. +There were no women in Gophertown. There was little local gossip. There +was no regular watch kept on the outlands. Gophertown felt secure in +itself. Each man was his own argus. He was expected to know his enemies +by instinct. He was expected, as a usual thing, to settle his disputes +single-handed. + + * * * * * + +Silent Saunders was in the general store and saloon. He was disgusted in +that he had been unable to induce the citizens to ride out with him and +clean up Overland Red's claim. Overland had once been of them, even if +briefly. He had been popular, especially as he was then the quickest +man with a gun they had ever honored with their patronage. Also, the +Gophertown folk had recently received a warning letter from the +superintendent of a transcontinental railroad. They were not interested +in Saunders's proposal. + +Saunders, coming from the saloon, was not a little surprised to see a +band of horsemen far out on the desert. He felt that their presence in +his vicinity had something to do with himself. He counted the horses. +There were six of them. He knew instantly that the riders were cowmen, +although he could not distinguish one from another. He beckoned to the +saloon-keeper. + +"We could 'a' stopped that," he said, pointing toward the desert. + +"Big bunch. One--two--three--six of 'em. _Big_ bunch to come visitin' +here." + +Saunders gestured toward the canon behind Gophertown. + +The saloon-keeper shook his head. "Don't think most of our boys will be +back this week. Brandin' that bunch of new stock. Takes time to do it +right." + +"Well, here comes Parks and Santa Fe Smith," said Saunders. "That makes +four of us." + +"Mebby--and mebby not," said the saloon-keeper. "That depends. Depends +on the party that's callin' and who they're callin' _on_." + +"There's Sago--just ridin' the ledge trail. That's five." + +"'Lige and Joe Kennedy are up at the corrals," said the saloon-keeper. +"They would hate to miss anything like this." + +"Mebby they won't, if that bunch gets past us," said Saunders. + +"Seen the time when you could handle them alone, didn't you, Si?" + +"Yes, and I can now." + +"Nix, Si. Your gun arms ain't what they was sence Overland Red winged +you." + +"How in hell do you know he did?" + +"I could tell you more. But come on in and have one on the house. If I +was you, I'd set with my back to the door and be taking a drink. Red +Summers never shot a man in the back yet. If he's playin' for _you_, +why, that gives you a chance to pull a gun." + +"How about you?" queried Saunders. + +"Me? None of my business. I'm here to push the booze." + +"And you'll do your collectin' with a gun, or go broke, if it's Red +Summers and his friends." + +"Tryin' to scare me because you are?" asked the bartender. + +"Red helped Kennedy out of a mix once. Kennedy is his friend." + +"But Joe ain't here. What's gettin' into you? How do you know it is Red, +anyway? You act queer." + +"I got a hunch," said Saunders. + +"Then you want to go into action quick, for when a gunman gets a hunch +that he knows who is trailin' him, it's a bad sign." + +Saunders drummed on the table with his fingers. The drink of liquor had +restored his nerve. Perhaps the riders were not coming to visit him, +after all. He rose and stepped to the door. The oncoming horses were +near enough for him to distinguish the roan outlaw Yuma--Collie's horse. +Her rider's figure was only too familiar. Saunders fingered his belt. +Unbuckling it, he stepped back into the barroom and laid the +two-holstered guns and the belt on the table. + +Parks, from up in the canon, rode up, tied his pony, and strolled to the +bar, nodding to Saunders. Following him came Santa Fe Smith, a +bow-legged individual in sweater and blue jeans. He nodded to Saunders. +Presently Sago, the Inyo County outlaw, came in, wheezing and +perspiring. Saunders stepped to the bar and called for "one all around." + +As they drank two more ponies clattered up and 'Lige and Joe Kennedy +joined the group at the bar. "Hutch and Simpson are comin' afoot," said +Joe Kennedy. + +"That leaves Wagner and the Chink to hear from," said the saloon-keeper. + +"Wagner's sick. I don't know where the Chink is. Everybody seems to 'a' +got up in time for dinner, this mornin', eh?" And big Joe Kennedy +laughed. "This here bar is right popular jest now." + +"Goin' to be more popular," said the saloon-keeper. + +"That so?" exclaimed several, facetiously. + +"Ask Saunders there," said the saloon-keeper. + +"Friends of yours, Silent?" + +"Yes. Friends of mine." + +"Whole six of 'em, eh?" + +"Whole six of 'em." + +"Well, we won't butt in. We'll give you lots of room." + +Saunders said nothing. He paid for the liquor, and, stepping to the +table, sat with his back to the doorway. In front of him lay his guns, +placed handily, but with studied carelessness. He leaned naturally on +one elbow, as though half asleep. His hat was tilted over his brows. + +From outside came the jingle of spurs and rein-chains and the distant +sound of voices. Saunders began leisurely to roll a cigarette. He laid a +few matches on the table. Several of the men at the bar grinned +knowingly. + +Then came the gritting of heels on the hardpacked trail and Overland +Red stood in the doorway. "Mornin', gents--and Saunders," he said, +glancing at the figure seated back toward him. + +"Hello, Red!" exclaimed Joe Kennedy. "Out early, ain't you. Have a +drink." + +"Not out too early. Hello, Lusk!" + +"How, Red," said the saloon-keeper. + +"Where's your friends. Ask 'em in," said Kennedy. + +"Shall I ask 'em in, Saunders?" queried Overland, his voice edged with a +double meaning. + +"Not on my account," said Saunders over his shoulder. + +"All right. Let's have a drink, boys." + +Even "Go-Light" Sago, the vilest of the Gophertown crew, admired +Overland's coolness in turning his back on Saunders and facing the bar. + +For a second Saunders's fingers twitched. He glanced up. + +Joe Kennedy was looking at him over his glass of whiskey. "Ain't you +drinkin', Silent?" he asked. + +"With some folks," said Saunders. + +Overland whirled round. "Have a drink with me, then." + +Saunders laughed. + +"Then you don't smoke either, while I'm here," said Overland, his hand +on his hip. + +"That so?" + +"Yes, that's so! When you try to pull that old bluff of a match-game on +me, wait till I'm a hundred and four years old, Silent. That gun-trick +died of old age. Think up a new one." + +"Ain't you talkin' a little loud for polite sassiety?" questioned Sago, +addressing Overland. + +"Seein' you're the only one that thinks so, I reckon not," said +Overland. + +"Then," said Sago, moving slightly from the bar, "Saunders smokes." + +It was an open declaration of war. Sago, the Inyo County outlaw, sided +with Saunders. + +According to the ethics of gunmen, Saunders was not armed. He was not +"packing iron." His weapons lay on the table within reach, but he knew +Overland would not precipitate matters by shooting him down where he +sat. He glanced at Sago. The other winked. + +"Then I smoke," said Saunders, and reached for a match. He shot from the +hip, swinging his guns sideways. The stutter of Overland's automatics +mingled with the roar of Saunders's heavy Colts. + +Sago, jumping clear, pulled his gun. Kennedy clutched his arm. Saunders +slid from his chair, coughed horribly, and wilted to the floor. Overland +backed toward the door, both guns leveled. + +Sago, jerking his arm free, threw two shots at Overland, who replied +with a rippling tattoo of the automatics. The Inyo County outlaw sank to +his hands and knees. Then Overland leaped through the doorway. The +Moonstone riders spurred toward the saloon, thinking that the quarrel +had provoked too many guns. Overland tried to stop them, but they were +hot for fight. + +"It's a clean up!" yelled Parks, running out of the saloon and mounting +his horse. "You framed it, you red-headed son--" He got no further. +Brand Williams, thundering down at the head of the Moonstone riders, +threw a level shot that cut through Parks, who wavered, but managed to +wheel his horse and fire at Overland Red. Then the outlaw slid from the +saddle clawing at it as he fell. + +The Gophertown men poured from the saloon, and, seizing their ponies, +circled round to the back of the building, firing as they retreated. + +Miguel spurred his big pinto in among them and emptied his gun. He rode +out at a lope, reloading. The front of his flannel shirt was shot away, +but he was not aware of it. + +Billy Dime coolly sat his horse and "drew fine" at each shot, till a +leaden slug drilled his gun-arm. He swore profusely, and wisely spurred +out of range. + +"I got one!" cried Miguel, swinging shut the cylinder of his gun. "I go +get another one." + +"Give 'em my com-pli-ments," said Dime, winding a handkerchief round his +arm and knotting it with one hand and his teeth. + +Williams, keeping under cover, fired slowly and with great precision. +Overland Red, utterly unable to manage the Yuma colt under fire, rode up +to Williams. "Let's call it off, Brand. I got my man. They was no need +of the rest of it. How did it start, anyhow?" + +"That's about what the kid said when he let go the wagon on top of the +hill. I counted five Gophers down. Billy's hit, and Miguel's goin' to +be, the dam' little fool. Look at him!" + +The Gophertown men were drawing away toward the canon. They turned +occasionally to throw a shot at Miguel and Pars Long, who followed them. + +Bud Light sat his horse, gazing solemnly at the stump of his gun-finger. +His shirt was spattered with blood. + +Suddenly Williams raised a shrill call. The Moonstone boys wheeled their +ponies and rode toward him. Williams pointed up the canon. Down it rode +a group of men who seemed to be undecided in their movements. They would +spur forward and then check and circle, apparently waiting for their +friends to come up to them. "It's the rest of the Gophertown outfit. We +might as well beat it," said Williams. "This here thing's gettin' too +popular all to once." + +"Did that guy get you?" asked Williams, nodding to Overland. + +"Not what you'd notice," replied Overland. "We'll take a drink on the +house. She ain't so tidy as she was." + +"Neither is the guy behind the bar," said Bud Light, pointing with the +stub of his finger to Lusk's face. The saloon-keeper had been hit between +the eyes by a chance bullet. + +"He's where he belongs," said Williams. "So is this one." And Williams +touched Saunders's body with his boot. "Let's drink and vamoose." + +"Here's to the kid!" cried Overland, strangely white and shaky. + +"Here's hoping!" chorused the Moonstone riders. + +[Illustration: IT'S A CLEAN-UP] + + + + +CHAPTER XXIX + +TOLL + + +None of the Moonstone boys had supposed that Overland Red was hit. He +rode joyfully and even began a poem to the occasion. Williams was first +to notice that Overland's speech was growing thick and that his free +hand clasped the saddle-horn. + +The others, riding a little to the rear, burst suddenly into boisterous +laughter. "What you think, Brand?" called Pars Long. "Bud's jest been +countin' his fingers and he says there is one missin'. He ain't sure +yet, but he's countin' hard. He has to skip when he comes to number one +on his right mitt. Says he can't get started to count, that way." + +"Some lucky it ain't his head," replied Williams. + +"His head? Bud would never miss that. But his pore little ole finger, +layin' calm and cold back there. A very sad business, brethren." + +"I paid twelve sweaty plunks for her in Los and look at her!" cried Pars +Long, doffing his sombrero. The high crown was literally shot to pieces. +"I guess I am some wise guy. You fellas kidded me about sportin' an +extra high lid. Come on, Chico, they're laughin' at us!" + +"If they'd 'a' shot the crown off clean down to your ears, you'd never +noticed it," grumbled Billy Dime. + +"Mebby I am a flat-headed chicken, Billy, but I got both wings yet," +retorted Long. + +Billy Dime looked down at the blood-soaked sleeve of his right arm. "The +fella that did it is eatin' grass now," he muttered. + +"Now, what's the matter with Miguel? Discovered any bullets nestin' in +your manly buzzum, Miguel?" + +"I think no. But I lose something," replied Miguel, smiling. + +"That so?" + +"I did have the tobacco and papers here," he said, and he put his hand +on his chest. "Now I look and the pocket and some of the shirt is not +there--and my tobacco is gone, and the little papers." + +"Is that all? Sad. I thought you'd lost a railroad or a steamship or +something. Cheer up! Things might be better." + +"I think I like to smoke," said Miguel, quite seriously. "I will ride +back and get some tobacco and some more papers." + +"That ain't all you'll get. Here, smoke up. You look fine in that +peek-a-boo shirt. Never knowed you had such a good shape. What size +gloves do you wear, pet?" And Pars Long passed tobacco and papers to +Miguel, who rolled a cigarette and smoked contentedly. + +"Billy, you look sick," said Bud Light. + +"Oh, no! I want to go to a dance, right away. Whoa!" + +They drew rein. Williams, dismounting, was bending over his companion +Overland, who had suddenly slipped from the saddle. + +"Where's he punctured?" queried Bud Light. + +Williams examined the prostrate man. "Kind of low down, and in the side. +'T ain't bad, but it's bad enough. Got any whiskey?" + +"You bet! I got a pocket-gun here. Swiped it in the saloon." And Pars +Long handed a flask to Williams. + +The riders, standing round the fallen man, watched Williams as he bound +up the wound, which was bleeding slowly. The whiskey partially revived +Overland. He managed finally to cling to the saddle, supported by +Williams. + +"She's thirty hot miles to camp. Red won't last out," said Long. + +"I say he does," said Bud Light. "Did you see them puckers in his hide? +I counted seven. He ain't made to be stopped by a gun." + +"Mebby he ain't stopped, but he's slowed up considerable. Did you see +the two guys he got? Saunders was pretty nigh cut in two and the other +one by the bar had four holes in him. I counted 'em, to quit thinkin' of +my arm. Them automatics is fierce!" + +"He would never 'a' got out if he'd been packin' a regular old six-gun," +said Bud Light. "_Both_ them guys were throwin' lead at him." + +"How do you know? You wasn't there." + +"Easy. He went in to get Saunders. He gets him. The other one takes a +hand. He got _him_. _We_ didn't do any shootin' inside." + +"Guess that's right. But how about the barkeep?" + +"Oh, he just got in the way. He was drilled between the lamps. In a mix +like that who's goin' to take time to draw fine?" + +"Did you see Brand lift the Gophertown guy out of his saddle--the one +that was shootin' at Red in front of the joint? Brand threw a forty-five +into him, and comin' on the jump, too. The Gopher humped up like he'd +been horned by the Santa Fe Limited. Now what's the dope?" + +Overland Red had again fallen from his horse. Williams beckoned to Long. +"Take the Yuma colt, Pars, and fan it for the canon. Send the doc back, +and you stay with that young Winthrop and look after Collie. Your hoss +is quieter for Red, anyway. Tell the doc to bring his tools along. I +reckon we'll camp over there near the hills till to-morrow." + +"Who was it got me?" questioned Overland as he was revived a second +time. + +"I don't know," replied Williams. "The only distinguishin' brand on him +was one I put there. It ain't worryin' him now." + +"Like old times," said Overland, trying to smile. + +"Like old times," echoed Williams. + +"I guess it was Parks," murmured Overland. "He had plenty of chance. I +wasn't after him." + + * * * * * + +Slowly the group of horsemen rode across the desert. The afternoon sun +made queer shadows of them and their mounts. Billy Dime rode bent +forward. His face was white and beaded with sweat. Overland, on Long's +pony, was supported by Miguel and Brand Williams. Pars Long had +disappeared in the shadows of the range. + +Billy Dime's eyes grew strangely bright. He laughed, gazing at the +foreman's back. "The whole damn fuss was wrong, _wrong_, I tell you! We +had no _business_ shootin' up that town." + +"But it was considerable pleasure," said Bud Light. "You're off your +bean, Billy. I guess you forget what they did to Collie." + +Billy Dime leered. The fever from his wound was working through his +blood. "Don't pertend to me, Bud Light, that you come on this little +pasear on account of _Collie_. It was _her_ eyes that said to go. You +know that. She never said words, but her _eyes_ said to go--and to kill! +Do you get that? That's what a woman can do to a man, without sayin' a +word. And what did Collie ever do for me? Look at that arm. _Look_ at +it! What did Collie ever do for me to get shot up this way?" And Billy +Dime began to weep. "I killed two of 'em--two of 'em. I saw 'em drop. I +was drawin' fine--_fine_, I tell you, and I couldn't miss." + +Bud Light rode forward to Williams. "Billy's gone off his crust. He's +ravin' back there, Brand." + +Williams drew Long's flask from his saddle-pocket. "Give him a shot of +this. Take some yourself. Miguel and I don't need any. Hold on--I'll +give Red a shot first. When it gets to workin', you yip and ride for the +hills. We'll all ride--_ride_, you understand? It'll be a dry camp, and +a hard flash, but we'll make it." + + + + +CHAPTER XXX + +TWO ROSES + + +One morning, some three weeks after the invasion of Gophertown, Bud +Light, Billy Dime, and Brand Williams appeared at the Moonstone Ranch +office. + +Quite casually they had dismounted, and jingling up had asked for Walter +Stone. Upon his appearance the younger men applied individually for +their old places. The room smelled of cigarette smoke and antiseptics. +Quite as though nothing unusual had happened the rancher reinstated +them. + +"Have a good time, boys?" he asked. + +"Yes, sir. Very good time. Better than we expected," replied Billy Dime. +Bud Light nodded. + +Stone looked hard at Billy Dime's bandaged arm. "Miguel and Parson Long +have a good time also?" + +"Stayed to help Overland Red work the claim. Overland Red got hurt a +little, doin' somethin'. He's all right now." + +"None of the Moonstone boys were injured?" + +"Nope. Not a one of us," replied Dime blandly. + +Walter Stone's eyes twinkled, but he did not smile. "We will call it a +vacation this time, with pay. Tell Williams to step in here, please." +And the rancher dismissed his embarrassed and happy punchers with a +gesture. + +The interview with Williams was not so brief. "The boys came out of it +all right?" asked Stone, shaking hands with his old foreman. + +"Yes, sir." + +"How did you manage that?" + +"Didn't. They did." + +"Any one--er--of the other side have an accident?" + +"Saunders--and six gents got hurt pretty bad." + +"Whew! Our boys were lucky." + +"It was nothin' but luck that they ain't all back there now--on the +sand. You see, the Gophertown outfit are all what you'd call good with a +gun, but it was kind of a surprise, the spreadin' of the thing from +Red's little private deal to a six-hand game. We sure was lucky." + +"And Collie?" + +Williams shook his head. "I don't know. We thought he had crossed over. +Seems he took a new holt. The doc and Winthrop brung him to Los in the +automobile. He's at the hospital. But they say he don't pick up any +since he come there." + +"All right, Brand. I think that is all." + +"How about my name goin' back on the books?" asked Williams. + +"It hasn't been off the books. You know, Louise attends to the +time-sheet." + +Williams nodded. "I expect Miguel and Parson Long will be sniffin' +around lookin' for a job before long. They agreed to stay with Red till +he got on his feet again. But they told him they would go just as soon +as he was all right, for you couldn't run your ranch without 'em." + +Walter Stone smiled broadly. "You're foreman, Brand." + +"They was fightin' just as much for the name of the old Moonstone as for +Collie, or for fun," said Williams. + +"I know it. But I don't believe in such methods. That sort of thing is +about done with," said Stone. + +"I was readin' about the old days in the Panamint, not long ago," said +Williams, gazing at a corner of the office. "I--they was a list of names +of the ranchers that cleaned up the rustlers over there, back in '86. It +was interestin'--some of them names." + +Walter Stone coughed and turned in his chair. He gazed out of the +window. Finally he faced Williams again. "We had to do it," he said, +smiling. + +Williams nodded. They understood each other. + + * * * * * + +The Marshalls, delighted with Los Angeles, had taken apartments in the +city. Dr. Marshall, at the urgent request of Walter Stone, had called at +the hospital to see Collie. The wound had healed slowly. Collie gained +no strength. He seemed indifferent as to whether he recovered or not. +Dr. Marshall, consulting with the surgeon, agreed that the young man's +recovery was still doubtful. His vitality was extremely low. His usual +optimism had stagnated. + +Later, when Walter Stone, Mrs. Stone, and Louise visited the hospital, +Collie had smiled wanly and said but little, thanking them for their +visit with a word. + +Louise returned home, heartsick and haunted by Collie's eyes that had +seemed so listless, so indifferent, so weary. She had hoped to cheer +him. His indifference affected her more than his actual physical +condition, which seemed to be the cause of it. Louise recognized in +herself a species of selfishness in feeling as she did. Like most folk +of superabundant health she was unable to realize the possibilities of +sickness. She longed for his companionship. She had not dared to ask +herself whether or not she loved him. She was glad that he should love +her--and yet she was not altogether happy. She had sent him her token, +the little gray riding-gauntlet. He had in no way acknowledged it. + +The sentiment incident to Collie's almost fatal misfortune did not blind +her in the least. She told herself frankly that she missed him. At the +ranch he had been with her much. From her he had gleaned of books and +people. The actual advantage to him was not in the quantity of knowledge +he had gained, but in the quality and direction suggested by her +attitude toward all things. The advantage to her in his companionship +had been the joy of giving, of shaping his thought, of seeing him slowly +and unconsciously differentiate himself--stand apart from his fellows as +something she had helped to create. This much of him she possessed +through conscious effort. + +Then to have seen him in the hospital, helpless, seemingly beyond any +noticeable influence of her presence, stirred in her a kind of maternal +jealousy. Straightway she visited Anne Marshall, who kissed her, held +her at arms' length, saw the soft rose glow in her face, and spoke to +the point, albeit in parables. Dr. Marshall had been very poor--a doctor +in the slums--just before _they_ were married. People had _said_ things +and had _looked_ things, which was even worse. They subtly intimated +that the doctor was marrying her for her money. She was the happiest +woman in the world. She thought Collie was the manliest and most +striking figure she had ever seen. + +To all of which Louise listened quietly, blushing a little. "And he is +wealthy," concluded Anne. "For so young a man, he is wealthy. The Rose +Girl Mining Company, Incorporated, my dear, pays well. Collie is one of +the three largest stockholders. You see, Billy and Overland Red have +decided to turn the claim into a corporation." + +"Don't you contradict your--your theory a little, Anne?" asked Louise. + +"No, indeed! It doesn't matter in the least who has the money, so long +as the man is the right one." + +And Louise was silent, and a bit happier. + +The little parcel that came to the hospital, directed to Collie, was +from Overland. It was accompanied by a vividly worded note and a small, +stained, and wrinkled glove, at once familiar. + +Overland's note explained the delay in forwarding the glove. "It's some +mussed up," he wrote, "because I had it in my shirt when I was hit. I +was some mussed up likewise, or I would not 'a' forgot it so long. The +little Rose Girl sent it to you by Brand when she thinks you was going +to cross over on the last sunset limited. And I am feeling Fine, +thanks. Do not rite to me if it gives you cramps.--Youres verry +fathefuly, Jack." + +Collie turned the gauntlet over in his trembling fingers. His eyes +glowed. He called the nurse, telling her he was hungry. + +Anne Marshall's visits were always refreshing. Well-gowned, cool, +fragrant, she came, next afternoon, to Collie's bedside. + +"You _must_ get well," she said, smiling. "The doctor will be terribly +disappointed if you don't. Isn't that coldly encouraging? What a thing +to say!" + +"I don't want to disappoint anybody," said Collie. + +"Well, you will if you don't get better right away, sir! I wish I could +do something to help. I can only sympathize and encourage the doctor." + +"I know he's doing a whole lot for me. I think mebby you could help--a +little--if you wanted to." + +"Gracious! As though I didn't! Why didn't you tell me sooner?" + +"It only came yesterday," said Collie, tremulously drawing the gauntlet +from beneath his pillow. + +Anne Marshall gazed at the soiled and wrinkled glove with unenlightened +eyes. Then her quick smile flashed. "Oh! Now I know! So that is the +talisman? Came yesterday? No wonder you seem brighter." + +Collie's answering smile was irresistible. "It isn't just the glove--but +would you--I mean, if you was like me--without being educated or +anything--" He hesitated, breathing deeply. + +But Anne Marshall understood him instantly, and answered his shyly +questioning eyes. + +"Indeed, I should. If I had half your chance, I shouldn't waste a minute +in claiming the mate to that glove. One glove is of absolutely no use, +you know." + +"This one was--pretty much," sighed Collie. "I was feeling like letting +go inside and not trying to--to stay any longer, just before it came." + +"S-s-s-h! Don't even think of that. Some one called on me a few days +ago. You are a very fortunate young man." + +Anne Marshall's ambiguity was not altogether displeasing to Collie, in +that it was not altogether unintelligible. + + * * * * * + +William Stanley Winthrop, sojourning briefly but fashionably in Los +Angeles, appeared at the hospital in immaculate outing flannels. It was +several weeks after his sister's last visit there. Winthrop took the +convalescent Collie to the Moonstone Rancho in his car. + +Bud Light and Billy Dime accidentally met the car in the valley and +accompanied it vigorously through Moonstone Canon. + +Aunt Eleanor and Walter Stone were at the gate. Collie was helped to the +house and immediately taken to the guest-room. He was much fatigued with +the journey. The question in his eyes was answered by Aunt Eleanor. +"Louise rode over to the north range to-day. She should be back now." + +Winthrop scarce needed an introduction. He was Anne Marshall's brother. +That was sufficient for the host and hostess. He was made welcome--as he +was wherever he went. He had heard a great deal, from his sister, of the +Stones, and their beautiful niece, Louise Lacharme. He was enthusiastic +about the Moonstone Canon. He grew even more enthusiastic after meeting +Louise. + +She came riding her black pony Boyar down the afternoon hillside--a +picture that he never forgot. Her gray sombrero hung on the saddle-horn. +Her gloves were tucked in her belt. She had loosened the neck of her +blouse and rolled back her sleeves, at the spring above, to bathe her +face and arms in the chill overflow. Her hair shone with a soft golden +radiance that was ethereal in the flicker of afternoon sunlight through +the live-oaks. From her golden head to the tip of her small riding-boot +she was a harmony of vigor and grace, of exquisite coloring and +infinite charm. + +Her naturalness of manner, her direct simplicity, was almost, if not +quite, her greatest attraction, and a quality which Winthrop fully +appreciated. + +"I have been quite curious about you, Mr. Winthrop," she said. "You are +quite like Anne. I adore Anne. Shall we turn Boyar into the corral?" + +If William Stanley Winthrop had had any idea of making an impression, he +forgot it. The impression Louise was unconsciously making straightway +absorbed his attention. + +"Yes, indeed! Turn him into the corral--turn him into _anything_, Miss +Lacharme. You have the magic. Make another admirer of him." + +"Thank you, Mr. Winthrop. But Boyar could hardly be improved." + +"You trained him, didn't you?" queried Winthrop. + +Louise laughed. "Yes. But he was well-bred to begin with." + +Winthrop ejaculated a mental "Ouch!" Simplicity did not necessarily mean +stupidity. + +"Do you enjoy mining--the real work--out there in the desert, Mr. +Winthrop?" + +"I could enjoy anything in company with Overland." + +"Of course. Do you think people who have lots of money are apt to be +cynical?" she asked. + +"Not more so than people without money. But what splendid animals!" he +exclaimed as they approached the corral. + +"Uncle Walter and I are very fond of them," she said, turning Boyar into +the inclosure. + +"Do you know, Miss Lacharme, I like horses and dogs and cats, and I just +revel in burros. But animals don't seem to like me. They're rather +indifferent to me. I wonder if it is a matter of health, or magnetism, +or something of that sort?" + +"Oh, no! But it is difficult to explain. Even if you are very fond of +animals it doesn't follow that they will like you. That seems rather +cold, doesn't it? It's almost unfair." + +"Yes, if one considers it seriously." + +"Don't you?" + +Winthrop gazed at her for a second before replying. "I see I must tell +you the truth," he said lightly. "You compel it. It _does_ hurt me to +have anything or any one that I care for indifferent to me. Perhaps it's +because I realize that I am giving affection and selfishly want 'value +returned,' so to speak. Pardon me for becoming serious." + +"Surely! But I thank you, too. See Boyar roll! He's happy. No, he +doesn't roll because his back itches. You see, he's sweaty where the +saddle covered him. Before he rolled, you noticed that he deliberately +found a dusty spot. The dust dries the sweat and he doesn't take cold. +That's the real explanation." + +"I knew it couldn't be through happiness at leaving you," said Winthrop. + +"If you are determined to keep it up," said Louise mischievously, "all +right. But be careful, sir! I enjoy it. It's been dull--dreadfully dull +since Anne and the doctor left. May I have your knife?" + +A belated crimson Colombe rose nodded beneath the guest-room window. +Louise cut the stem and pinned the flower in the lapel of Winthrop's +white flannel coat. He gazed at her intent on her task. + +"There!" she said, with a light touch of her supple fingers. "That will +do." And slowly her gray eyes lifted to his. + +The color flooded to his face. His eyes became momentarily brilliant. He +drew a deep breath. "You told me to be careful. I shall be," he said, +bowing slightly. "Please say something. Your silent attack was a little +too--too successful." + +"Truce?" she queried, laughing. + +"Never!" replied Winthrop. "Even as our rather mutual and distinctly +illustrious friend Overland says, 'Not till me wires are all down and +me lights are out.'" + +Collie, standing at the open French window just above them, drew back. +Quite naturally, being a young man in love, he misinterpreted all that +he had seen and heard. Louise had been away the day he was expected to +return to the ranch. She had come back. She was seemingly satisfied with +Winthrop's society. She was even more than satisfied; she was flirting +with him. An unreasonable, bucolic jealousy, partly due to his +condition, overcame Collie's usual serenity. His invalidism magnified +the whole affair to absurd proportions. + +Perhaps it was the intensity of his gaze that caused Louise to glance +up. His expression startled her. His eyes were burning. His face was +unnaturally white. He met her glance, but gave no sign of recognition--a +rudeness that he regretted even while he manifested it. + +Louise turned away proudly, calling Winthrop's attention to a huge +garden-seat beneath the live-oaks. "We have dinner out there quite +often," she said, her eyes glowing. "Would you care to rest a while +after your ride?" + +"'A jug of wine--a loaf of bread--'" he quoted. + +"But it isn't a wilderness. And dinner won't be ready for an hour yet. +Don't you think a wilderness would have been utterly stupid with his +'thou' beside him singing everlastingly? Now please don't say, 'It would +depend on the _thou_.'" + +"Do you sing, Miss Lacharme?" + +"A little." + +"Please, then,--a little. Then I'll answer your question." + +"I had rather not, just now." + +"My answer would be the same in either case. This is living, after the +desert and its loneliness. I discovered one thing out there, +however,--myself. It was a surprise. My 'way-back ancestors must have +been pirates." + +"Mine--grew roses--in southern France." + +"I am glad they eventually came to America," he said. + +"Are you so fond of candy, Mr. Winthrop?" + +"No." + +"Neither am I." + +"I'm glad they came, just the same. I simply can't help it." + +"Overland--Mr. Summers--doesn't take life very seriously, does he?" +asked Louise. + +"Not as seriously as life has taken him, at odd times." + +"You brought Collie in your car, didn't you?" + +"Yes." + +"He's much better?" + +"Yes. But he's pretty shaky yet. He's a little queer, in fact. As we +came up the canon he asked me to stop the car by the cliff, near this +end,--that place where the sunlight comes through a kind of notch in the +west. I thought he was tired of the motion of the car, so we stopped and +he lay back looking at the cliff. Pretty soon the sun shot a long ray +past us and it fairly splattered gold on the canon wall. Then the shaft +of sunlight went out. 'It will shine again,' he said, as if I didn't +know that. Collie's a pretty sick man." + +Later Winthrop and Louise joined the others at the veranda. Louise +excused herself. She searched a long time before she found another rose. +This time it was a Colombe bud, full, red, and beautiful. She stepped to +Collie's window. "Boy!" she called softly. + +White and trembling, he stood in the long window looking down at her. +"I'm glad you are home again," she said. + +He nodded, and glanced away. + +"Boy!" she called again. "Catch." And she tossed the rose. He caught it +and pressed it to his lips. + + + + +CHAPTER XXXI + +NIGHT + + +Evening, placidly content with the warm silence, departed lingeringly. +Belated insects still buzzed in the wayside foliage. A bee, overtaken in +his busy pilfering by the obliterating dusk, hung on a nodding mountain +flower, unfearful above the canon's emptiness. An occasional bird +ventured a boldly questioning note that lingered unfinished in the +silence of indecision. Across the road hopped a young rabbit, a little +rounded shadow that melted into the blur of the sage. A cold white fire, +spreading behind the purple-edged ranges, enriched their somber panoply +with illusive enchantments, ever changing as the dim effulgence drifted +from peak to peak. Shadows grew luminous and were gone. In their stead +wooded valleys and wide canons unfolded to the magic of the moon. There +was no world but night and imagination. + +With many rustlings the quail huddled in the live-oaks, complaining +querulously until the darkness silenced them. + +The warm, acrid fragrance of the hills was drawn intermittently across +the cooler level of the shadowy road. A little owl, softly reiterating +his cadences of rue, made loneliness as a thing tangible, a thing +groping in the dusk with velvet hands. + +Then came that hush of rest, that pause of preparation, as though night +hesitated to awaken her countless myrmidons. With the lisping of +invisible leaves the Great Master's music-book unfolded. That low, +orchestral "F"--the dominant note of all nature's melodies--sounded in +timorous unison--an experimental murmuring. Repeated in higher octaves, +it swelled to shrill confidence, then a hundred, then myriad invisibles +chanted to their beloved night or gossiped of the mystery of stars. + +Then Night crept from the deep, cool canons to the starlit peaks and +knelt with her sister hill-folk, Silence and Solitude; knelt, listening +with bowed head to that ancient antiphony of thankfulness and praise; +then rose and faced the western sea. + +Boyar, the black pony, shook his head with a silvery jingling of +rein-chains. His sleek flanks glistened in the moonlight. Louise curbed +him gently with hand and voice as he stepped through the wide gateway of +the ranch. + +He paced lightly across the first shallow ford. Then the narrowing walls +of the canon echoed his clean-cut steps--a patter of phantom hoof-beats +following him, stride for stride. Down the long, ever-winding road they +swung. + +Louise, impelled to dreams by the languorous warm night and Boyar's easy +stride up the steep, touched his neck with the rein and turned him into +the Old Meadow Trail. + +The tall, slender stems of the yucca and infrequent clumps of dwarfed +cacti cast clear-edged shadows on the bare, moonlit ground. Boyar, +sniffing, suddenly swung up and pivoted, his fore feet hanging over +sheer black emptiness. Louise leaned forward, reining him round. Even +before his fore feet touched the trail again, she heard the sibilant +_bur-r-ing_ of the cold, uncoiling thing as it slid down the blind +shadows of the hillside. + +"I shan't believe in omens," she murmured. + +She reassured the trembling Boyar, who fretted sideways and snorted as +he passed the spot where the snake had been coiled in the trail. + +At the edge of the Old Meadow the girl dismounted, allowing Boyar to +graze at will. + +She climbed to the low rounded rock, her erstwhile throne of dreams, +where she sat with knees gathered to her in her clasped hands. The pony +paused in his grazing to lift his head and look at her with gently +wondering eyes. + +The utter solitude of the place, far above the viewless valley, allowed +her thought a horizon impossible at the Moonstone Rancho. Alone she +faced the grave question of making an unalterable choice. Collie had +asked her to marry him. She had evaded direct reply to his direct +question. She knew of no good reason why she should marry him. She knew +of no better reason why she should not. She thought she was content with +being loved. She was, for the moment. + +The Old Meadow, that had once before revealed a sprightly and ragged +romance, slumbered in the southern night; slumbered to awaken to the +hushed tread of men and strange whisperings. + +Down in the valley the coyotes called dismally, with that infinite +shrill sadness of wild things that hunger, and in their wailing pulsed +the eternal and unanswerable "Why?" challenging the peaceful stars. +Something in their questioning cry impelled Louise to lift her hands to +the night. "What is it? What is it up there--behind everything--that +never, never answers?" + +The moon was lost somewhere behind the ragged peaks. The night grew +deeper. The Old Meadow, shadowed by the range above it, grew dark, +impenetrable, a place without boundary or breadth or depth. + +"Got a match, kid?" + +Louise raised her head. Some one was afoot on the Old Meadow Trail. She +could hear the whisper of dried grasses against the boots of the men as +another voice replied, "Sure! Here you are." And Louise knew that Collie +was one of the men. + +About to call, she hesitated, strangely curious as to who the other man +might be, and why Collie and he should foregather in the Old Meadow, at +night. + +"Never mind," mumbled the first speaker; "I thought I wanted to smoke, +but I don't. I want to talk first--about the Rose Girl." + +Louise tried to call out, but she was interrupted by Overland's voice. +The two men had stopped at the lower side of the great rock. She could +hear them plainly, although she could not see them. + +"Collie--we're busted. We're done, Chico. I ain't said nothin' to Billy +yet. He's got money, anyway. This here only hits you and me." + +"What do you mean, Red?" + +"I mean that the Rose Girl Mining Company, Incorporated, Jack Summers, +President and General Manager, don't belong to us and never did. We been +sellin' stock that ain't ours and never was." + +"How's that?" + +"I was goin' to write. But I ain't no hand to write about business. +Writin' po'try is bad enough. You recollec' them papers and that dust +Billy tried to find, out there by the track?" + +"Yes." + +"Well, I found it all. Since the company is workin' the claim now and I +didn't have so much to do, I got to thinkin' of them papers. I went out +there, paced her off down the track, guessed at about where it was, and +found 'em." + +"Found them?" + +"Yes, sir. There was that little bag almost atop of the sand, account of +wind and rain. Then there was a record of the claim, our claim. It's +been filed on before. We made a mistake and filed on the wrong section. +When me and Billy went to file, I noticed the clerk said something about +havin' neighbors on the claim next, but I was scared of answerin' too +many questions, so I give him some cigars and beat it." + +"Who owns our claim, then?" + +"That's the queer part of it. You know the guy we give the water to--the +one that died out there. _He_ owns the claim, or he did. It belongs by +rights to his girl now. His name was Andre Lacharme." + +"Lacharme!" + +"Yes, Louise's pa. Recollect your boss tellin' us as how the Rose Girl's +daddy was missin' out in the Mojave? Then they was a letter--old and +'most wore out--from Walter Stone himself. It was to him--her +pa--tellin' him about the little Louise baby and askin' him to come to +the Moonstone and take a job and quit prospectin'. That's where we +stand." + +Louise, breathless, listened and could not believe that she was real, +that this was not a dream. Andre Lacharme! Her father! + +"I seen a lawyer about it," resumed Overland. "He said it was plain +enough that the claim belonged to the dead prospector or his girl, now. +You see, we worked the claim and kep' up the work accordin' to law. What +we made ain't ours, but I'm mighty glad it's hers. 'Course, we earned +what dust we dug, all right. Now I'm leavin' it up to you. Do we tell +her or do we say nothin', and go on gettin' rich?" + +"Why do you put it up to me?" asked Collie. + +"Because, kid, you got the most to lose. Your chance is about gone with +the Rose Girl if you let go the gold. Sabe? The little Rose Girl is +wise. She don't give two cents for money--but she ain't foolish enough +to marry a puncher that's workin' for wages on her uncle's ranch. And +when she gets all me and Billy made and your share, she'll be rich. That +won't be no time for you to go courtin' _her_. It ain't that you ain't +good enough for any girl. But now'days things is different. You got to +have money." + +"Do you think Louise would take the money?" asked Collie. + +"I don't know. But that ain't it. We either give it up--or we don't. +What do you say?" + +"Why--to tell Louise, of course. I meant that right along. You ought to +know that." + +"You givin' it up because you had some fuss with her, or anything like +that?" + +"No, Red. I say tell her, because it's square. Did she stop to ask +questions when I was in trouble? No. She went to work to help me, quick. +I guess we care more for her than a whole carload of gold." + +"Well, I guess. Once I wouldn't 'a' stopped to worry about whose gold it +was. But knowin' the Rose Girl,--knowin' what she _is_,--why, it's +makin' me soft in me morals." + +"What do we do now, Red?" + +"I'm goin' to beat it. Back to the dusty for mine." + +"You don't have to do that, Red." + +"That's just why I'm a-doin' it. I like to do what I like." + +"Quitting now seems like saying, 'I'm whipped,'" said Collie. "Quitting +after giving up our money to her looks like we were sore--even if we do +it and smile. She would feel bad, Red. She'd think she drove us off." + +"No, I reckon not. She'll see that I always been a good daddy to you and +put you right in this case. It was all right when you had a chance. It +ain't now. It ain't fair to her, neither, because she's like to stick to +any promises she might 'a' made you." + +"Why don't you ask Stone for a job?" said Collie. + +"What? Me? After bein' President of the Rose Girl Mining Company, +in--Say! They's no halfway house for me. It's all or nothin'. Why, I +don't even own the Guzzuh. Could you stand it to see her every day, and +you just a puncher workin' for the Moonstone. She would smile and treat +you _fine_, and you'd be eatin' your own heart out for her." + +"No, I couldn't," said Collie slowly. "Red, I guess you're right." + +Collie's perspective was distorted through sudden disappointment. The +old life of the road ... the vague to-morrows of indolence ... the +sprightly companionship of Overland Red, inventive, eloquent.... + +"Red, if I come with you, it's because I can't stand seeing her--after +everything that has happened. It is square to her, too, I guess." + +"I ain't askin' you, Collie, but there's nothin' like ramblin' to make +you forget. It's got hard work beat to a mush, because when you're +ramblin' you're 'most always hungry. Listen! Love is when you ain't +satisfied. So is a empty stomach. A fella's got to eat. Do you get +that?" + +"Yes. But, Red, you said you loved a woman once. You didn't forget." + +"No, kid. I didn't. Once I didn't do nothin' else but remember. I got +over that. It's only accidental to circumstances pertainin' to the fact +that I remember now. You never seen _me_ cry in my soup, did you?" + +"But you're different." + +"That's the blat every yearlin' makes till he grows up and finds out +he's a cow jest like his ma. I ain't different inside. And bleedin' +inside is dangerouser than bleedin' outside. Listen! Remember the little +fire beside the track, when we was 'way up in the big hills? Remember +the curve, like a snake unwindin' where she run round the hill, and +nothin' beyond but space and the sun drippin' red in the ocean? Remember +the chicken we swiped and et that night? And then the smokes and lookin' +up at the stars? Remember that? Listen! + + "It's beat it, bo, while your feet are mates, + And we'll see the whole United States. + With a smoke and a pal and a fire at night, + And up again in the mornin' bright, + With nothin' but road and sky in sight + And nothin' to do but go. + + "Then, beat it, bo, while the walkin' 's good; + And the birds on the wires is sawin' wood. + If to-day ain't the finest for you and me, + There's always to-morrow, that's goin' to be. + And the day after that is a-comin'. See! + And nothin' to do but go. + + "I'm the ramblin' son with the nervous feet, + That never was made for a steady beat. + I had many a job for a little spell; + I been on the bum, and I've hit it swell. + But there's only one road to Fare-ye-well, + And nothin' to do but go." + +"With nothing to do but go," whispered Collie. "Red, we've always been +friends?" + +"You bet your return ticket!" + +"And we are always going to be," said Collie. "I guess that settles it. +I--I wish Saunders--had--finished me." + +Louise, numb from sitting still so long, moved slightly. + +"What's that?" exclaimed Collie. + +"Jest some of your little old ideas changin' cars," replied Overland. +"You'll get used to it." + +"No; I heard something." + +"You'll be seein' things next. Got a match? I'm jest dyin' for a smoke. +Remember when she give us the makin's and you got hot at me?" + +Overland cupped the flame in his hands and lighted his cigarette. The +soft glow of the match spread in the windless air, penetrating the +darkness. For an instant, a breath, Overland saw a startled face gazing +down at him; the white face of the Rose Girl! + +"Great Snakes!" he cried, stepping back as the flame expired. + +"What's the matter, Red?" + +"Nothin'. I was just thinkin'. I burned my mitt. Come on, Collie. +Brand'll find a bunk for me to-night, I reckon. We'll tell the boss and +the Rose Girl all about it to-morrow." + + + + +CHAPTER XXXII + +MORNING + + +"Something's goin' to happen," stated Brand Williams. + +"How's that?" queried Bud Light. + +"See them two bosses--the Yuma colt and Boyar--?" + +"Uhuh." + +"Well, Boyar's been standin' there since daylight, saddled. Nobody rides +him but Miss Louise." + +"It's mighty early, but I don't see nothin' strange about the rest of +it." + +"Wait a minute, Bud. Did you see Collie this mornin'? Was he all fixed +up with his hair jest _so_, and his bandanna jest _so_, and his new +sombrero and his silver spurs, and them new chaps, lookin' mighty +important? He saddles Yuma and ties her over there. While he was eatin', +the Boyar hoss trails his bridle over to where Yuma is tied. There they +stand visitin' like two old soldiers on crutches instead of two mighty +quick-actin' cayuses. Now that Yuma hoss has kicked the fancy linin' out +of every cayuse that dast come nigh her. They 're _all_ scared of her. +She's makin' an exception this mornin'. She's plumb friendly with +Boyar. That signifies! Hosses can see farther in the dark than folks." + +"Signifies what?" + +"Well, after all the talk I jest wasted on you, it signifies that you're +too thick-headed, Buddy, to waste any more on. I can learn you to +_spell_ if you wanta take lessons." + +"You're dreamin', Brand. Wake up! As to spellin'--I'm spellin' right now +while the fo'man is entertainin' me." + +"Thanks for callin' my attention to it. You can take your hoss and ride +over to the Three Oaks. There's some fence down, over at the North +Spring. I ain't dreamin' about that." + +Bud Light departed, swearing to himself. He disliked mending fence. +Williams knew it. The cheerful Bud, "Reckoned he ought to 'a' known +better than to try to ride the old man into the fence. Next time he +would listen--and mebby learn something." + +Louise, drawing on her gauntlets, came down the broad steps of the +ranch-house. The November air was crisp with the tang of early morning. + +She was puzzled at finding Boyar and Yuma together. She noticed Boyar +had trailed his bridle across the yard--an unusual thing for him to do, +considering his training. Louise spoke to the Yuma colt, who sniffed at +her gloved hand. The girl wondered why Collie had saddled Yuma. He +usually rode one of the ranch horses to work. She wanted to talk with +him--to reason with him; for her knowledge of the previous night's +disclosures worried and distressed her. She thought Collie's half +promise to Overland Red to turn to their old life had been too easily +made. Her pride in him was touched. She was hurt, and not a little +angry. She saw the flaw in his ultimate decision to sacrifice himself +and his prospects through a too stringent and quixotic interpretation of +his duty. To go back to the old life again--a tramp! + +But Collie was not to be seen. However, Louise never hesitated long. +Deliberately she untied the Yuma colt and swung into the saddle. Black +Boyar seemed to realize something unusual in her preference. He fretted +as the roan pony leaped sideways toward the gate. + +Louise knew that Collie would follow her. She was riding his pony, the +Yuma colt, and he would be fearful for the rider's safety. + +Collie, coming from the bunk-house, glanced up and saw Black Boyar +standing alone where his own pony had stood. This was not an invitation; +this was daring him to follow. + +He rode into the canon, half conscious of Yuma's tracks ahead of him. He +rode past the tracks as they swerved toward a grassy level near the +stream. + +"Collie!" + +Louise stood beside the sweating Yuma, patting the pony's neck. Collie +raised his sombrero formally. + +Louise was bareheaded. The clear morning sunlight enhanced her rich +coloring. Against the misty gray of the canon wall, her head in profile, +as she stood beside the horse, was as delicately beautiful as that +vision that imagination knows full well but may seldom realize. + +"Yes, ma'am." + +"Collie, don't! Say anything but that. You look awfully glum. Surely not +because I took Yuma." + +"No. Only I was afraid for you." + +"So you followed at break-neck speed to rescue the timorous, the +despairing, and-so-forth?" + +"I can't joke like that this morning." + +"Why? I'm here, safe enough. Had breakfast?" + +"Yes. I wanted to see you about something, Louise." + +"All right. But you are so unnaturally tall and severe and judicial +sitting there on Boyar. You look almost funereal. Please get down. Roll +a cigarette and act natural. I'm not going to scold you, sir." + +"I wish you would." + +"Why? What have you been doing that makes you look so ashamed of +yourself. Tell me!" + +"I didn't know I was." + +"You don't act naturally. Is there something about me that is different? +Is that it?" + +"No. I wish you was different, sometimes." + +"You do?" + +"No," he said gently. "I don't wish you were different. I want to +remember you like you are." + +"To _remember_ me?" + +"Yes," he whispered, "to remember you." + +He seemed to see regret, astonishment, questioning, gentle reproof, even +a hint of amusement in her eyes. But her expression changed instantly. +"I think you have something to remember me by; something you asked me +for once, long ago. I sent it to you. You have never spoken of +it--acknowledged it. I can't quite forgive that." + +"Your glove. I know. I got it here." And he touched his breast. "I +thought you would understand." + +"I do. But, Collie, a girl always likes to be told that she is +understood, even when she knows it." + +"I was going to write about getting your glove, at the hospital. I guess +I was too tired." + +"At the hospital?" + +"Yes. Red sent it to me. Brand gave it to him to give to me--that time." + +"Oh!" And Louise felt like retracting a little; but sweetly perverse, +she obeyed sheer instinct. "Collie, do you realize that I have already +asked you to dismount? Shall I have to ask you again? Do you realize +that I am standing while you are sitting your horse?" + +"I am begging your pardon, Louise." + +The girl nodded brightly, smiling as she noticed the little scar on his +chin--a wound that she had made him blush for when she had admonished +him for fighting with Dick Tenlow. + +She watched the rise and fall of the muscles of his arm, beneath his +flannel shirt, as he lighted his cigarette. How broad-chested and strong +and wholesome he seemed in the morning sunlight! There was an untamed +grace about his movements, his gestures, which, together with his +absolute unconsciousness of self, pleased and attracted her. + +"Yuma is a little wild, but she is a fine saddle-pony. I'm really +jealous for Boyar's prestige." + +"I was afraid for you to ride her," said Collie. + +"She behaves beautifully." + +"Would you take her as a kind of present from me?" he asked. + +"Give Yuma to me? I thought you loved her?" + +"I do. That's why I want you to have her." + +"He would give you away," said Louise, stroking Yuma's neck. "Give you +away just as you're learning to trust him and perhaps even like him a +little--and he says he loves you! Let's run away from him, Hummingbird!" + +"I think I could stand it if you would just be mean once," said Collie. + +"Stand what, Collie?" + +He had been watching her shapely hand and supple, rounded wrist as she +stroked the pony's neck. Swiftly she turned from the horse and faced +him. "What, Collie?" There was laughter in her eyes, a laughter that +challenged more than his serious mood. Her lips were smiling. Her chin +was tilted provokingly. + +His eyes grew wide with unspoken love, unuttered longing. He delighted +in the delicious curve of her cheek, and of her arm resting on the +saddle. Her poise had an inexplicable suggestion of royal courage, as +though she were battling for more than her lips could utter. In her +absence he had adored her. Now he forgot all that he had meant to tell +her in the sensuous delight of her mere presence. But even that was not +enough. He dropped the pony's reins and strode toward her. Louise paled +even as he drew near, but he saw nothing but her eyes and her lips, lips +that curved wistfully, provoking tenderness and love. For an instant +Louise held her heart aloof. + +"Let me just worship you--a little while--a little while," he whispered. + +"Only a little while?" she breathed; and the soft rose glowed in her +cheeks. + +"Just forever," he said. + +And Louise Lacharme, more beautiful than the morning, Louise, his most +gracious senorita, his Madonna of the Rose, lifted her arms to him. Her +lips quivered like a child's, tremulous with longing to tell him +silently, as his lips found hers, all that her heart was giving and all +the wealth of love it yet should give. + +Gently his hands clasped her golden head. His whole being thrilled as he +touched her hair, her cheeks, her lips. "Oh, Collie! Collie! Love me +always," she whispered. And she drew him down to her breast and caressed +his cheek, sighing and murmuring little endearments and sweet, broken +words of love. + + * * * * * + +Moonstone Canon, coldly beautiful, echoed the hoof-beats of the ponies +as they walked homeward. + +Louise turned in the saddle. "Collie," she said with an indescribable +gesture of appeal, "you will always take care of me, won't you?" + +"My Rose Girl! Why do you say that?" + +"I was thinking of my father." + +Louise saw his lips stiffen and his chin lift. "Louise, I had no right, +just now,--I haven't any right--I'm poor. The claim wasn't ours." + +"I didn't mean that," she said, smiling wistfully. "But you will always +care for me, won't you? I don't care one bit about the claim. It has +made trouble and sorrow enough. I can't remember my father. I can hardly +think of him as my father. But it is horrible to think of his dying for +water because he cared so much for gold." + +"But how did you know?" + +"I know," she answered gravely. "And I know that you are a very, very +foolish boy, not to trust your friends more than you do. Did you suppose +you would be happier or better in leaving Moonstone Rancho? Did you +suppose I would be happier? Collie, you have so much to learn." + +"I guess that's so," he sighed. Then his eyes brightened with his +old-time mischief. "Couldn't you begin now to teach me a little--like +back there in the canon?" + +And being of a decisive habit of mind, he rode close to Louise and +claimed immediate and delicious instruction. + +"But how _did_ you know?" he asked again--"about the claim and your +father and me?" + +"A secret that I share with Overland," she replied. + +[Illustration: CAN'T I HAVE ANOTHER ONE, ROSE GIRL?] + +"So he told you! When? Not last night. He was asleep when I came away +this morning." + +"So he is here, then?" + +"Louise, you're joking. Didn't Red talk to you?" + +"No." + +"And you know all about it already?" He looked at her curiously for a +moment. "Did you know that I said I was going to leave the Moonstone?" + +"Why?" + +"For the same reason that I can't now--you. Red and Billy Winthrop and I +don't own a cent's worth of the claim now. I don't even own what's in +the bank. All I got is Yuma." + +"You gave Yuma to me, Collie." + +"I sure did. I haven't even her. But I've got you. Oh, Louise! I can't +believe it. I could just shout. Can't I have another one, Rose Girl?" + +"Must I teach you not to ask?" said Louise. + +Collie took her other meaning as she made a little mouth at him. "Not +after this," he said, and gave apt proof that he meant it. + +"More than a whole carload of gold?" she asked, gazing at him. + +"You know _that_, too?" + +"Collie?" + +"What is it?" + +"Promise that you won't speak to any one about the claim, or the +desert, or my father until I say you may." + +"Of course I promise." + +"Nor about ourselves, until I tell you to." + +"Never--if it will make you happy." + + * * * * * + +Overland Red, sitting on a boulder beside the road, stooped and gathered +up a handful of pebbles. Then, for lack of other interest, he invented a +game of ancient and honorable origin. "She loves me," he said tossing +away a pebble. "She loves me not." And up spun another pebble. So he +continued until the pebbles were gone. "She loves me not," he muttered +lugubriously. Then his face brightened. "Of course she don't. She loves +_him_. That's what I was tryin' to get at, anyway." + +He fumbled at a huge bunch of little red flowers called "Hummingbird's +Trumpets." He arranged the hastily constructed bouquet to suit him. Then +he laid it on the rock. + +"Accordin' to the latest book on good table-manners, or 'How to Be Happy +Though Dressed Up,' this here bouquet is the proper thing. They'll think +I'm some wiz' when I step out and present these here hummin'birds' +bugles. Huh! I seen the two bosses gone, and I gets wise direct. But I +got to brace up. Wonder what she'll think about me--after hearin' what I +said last night at the Old Meadow? Gee! I wonder what I did say? Did I +cuss much? I forget. H-m-m. Good-mornin', folks! I--er--This here--Them +hummin'birds' bugles--flowers--Happy day--Collie, what's wrong with you? +What you laughin' at?" + +"You, of course. Where did you get the posies?" + +"Picked 'em along the Golden Shore. Just got back." + +"You do look scared, Red." + +"Seein' you're gettin' personal--_you_ needn't to think because _you_ +just been there that I never will." + +"Say, Overland--I--we--" began Collie. + +"I knowed it! I won't say a word to nobody." + +Collie glanced at Louise. She nodded. Then she gave Overland her hand. +He seized it and stood looking into her sweet gray eyes. "Little Rose +Girl," he said quietly, "you always was the best and kindest and +beautifullest we ever knowed. It ain't the first time you give your hand +to help them that ain't fit to touch it. If there _is_ any Golden Shore, +I guess me and Collie will be there just because we knowed you down here +and couldn't stay around, nohow, where you wasn't. And, believe me, if +he don't treat you from now on like you was a plumb angel, I'll--I'll +ride him off the big range and into space quicker'n shootin' stars! +These here flowers is for you--not for that long-legged grasshopper +ridin' your hoss there. I should think Boyar would be plumb ashamed." + +"Then Collie can walk," said Louise promptly. "Collie, will you please +let Mr. Summers take Boyar? I want to talk with the President of--of my +mine a little while." + +"Don't faint, Chico," said Overland, swinging into the saddle. "I always +was the 'cute little gopher with the ladies. You watch _us_ ride up this +trail if you want to see a pair that _can_ ride." + +Collie shook his fist at the grinning Overland, who had turned as he +rode away. "You want to learn to act quick when a lady asks you," called +Overland. "You didn't get off this hoss any too spry." + +Then Collie stooped and picked up a little red flower that had dropped +from the boisterous one's offering. + + + + +CHAPTER XXXIII + +A SPEECH + + +The Marshalls and Billy Winthrop came in their car. The ride through the +canon had been pleasant. They were talking about Overland. They had been +discussing the rearrangement of a great many things since the news of +Louise's heritage had become known. + +"You had better close the muffler, Billy. You are frightening that +pony!" + +"That's the Yuma colt," said Winthrop. "Overland is riding her." + +"Overland?" + +"Yes. He's coming to meet us." + +Plunging through the crackling greasewood at the side of the road, the +Yuma colt leaped toward the car. In broad sombrero, blue silk +neckerchief, blue flannel shirt, and silver-studded leather chaps, was a +strangely familiar figure. The great silver spurs rang musically as the +pony reared. The figure gave easily to the wild plunging of the horse, +yet was as firm as iron in the saddle. + +Anne drew a deep breath. It was not the grotesque, frock-coated Overland +of a recent visit, nor was it the ragged, unkempt vision Louise had +conjured up for her in relating the Old Meadow story. In fact, it was +not Overland Red at all, but Jack Summers, the range-rider of the old +red Abilene days. He was clean-shaven, vigorous, splendidly strong, and +confident. In the saddle, bedecked in his showy trappings, surrounded by +his friends, Jack Summers had found his youth again, and the past was as +a closed book, for the nonce. + +"I'm the boss's envy extraordinary," said Overland, by way of greeting. +"Walt said something else, too, about bein' a potentiary, but I reckon +_that_ was a joke." + +"Good-morning! Don't get down! Glad to see you again!" + +But Overland was in the road, hat in hand, and Yuma's bridle-reins over +one arm. + +"'Mornin', Billy! 'Mornin', Doctor! You run right up to the house. I left +the gate open." + +Then Overland rode back, following them. Later he reappeared, minus +spurs and chaps, but still clad in the garb of the range-rider. He was +as proud and happy as a boy. He seemed to have dropped ten years from +his shoulders. And he was strangely unlike his old boisterous self +withal. + +The noon sun crept through the moon-vine. Out on the wide veranda was +the long table. They were a happy group at luncheon there. Even the +taciturn Brand Williams had been persuaded to come. His native +picturesqueness was rather effaced by a black, characterless suit of +"store clothes." + +Walter Stone, at the conclusion of the luncheon, asked Overland to make +a speech. Nothing daunted, Overland rose briskly. + +"I expect you're lookin' for me to fall off the roof of the cannery into +the tomato-vat and make a large red splash. Not me. I got somethin' to +say. Now the difference in droppin' a egg on the kitchen floor and +breakin' it calm-like, in a saucer, ain't only the muss on the floor. +You save the egg. Just recent I come nigh to losin' my whole basket. You +all know who saved 'em. Not namin' any names, the same person, by jest +bein' herself, and kind to everybody, put me wise to the fact that money +and clothes ain't all that goes to make a man. And, at the same time, +speakin' kind of orthodoxical, money and clothes has a whole lot to do +with makin' a man. I just got hep to that idea recent. + +"Speakin' of clothes leads me to remark that I got a new outfit up at +the bunk-house. It's a automobilein' outfit. Billy says it's the correc' +thing. He helped me pick it out. Which leads Billy into this here thing, +too. He said to break the news gentle, and not scare anybody to death +and not get 'em to thinkin' that somebody was hurt or anything like +that, so I'm breakin' it to you easy. Me and Billy is goin' away. We're +goin' in the Guzzuh--'God save the mush,' as the pote says. We are the +Overland Red Towerist and Observation Company, Unlimited. We are goin' + + "'Round the world and back again; + Heel and toe in sun and rain'-- + +as another pote says. Only we ride. I ain't got nothin' to say about +gettin' married, or happy days, or any of that ordinary kind of stuff. I +want to drink the health of my friends. I got so many and such good ones +that I dassent to incriminate any particular one; so I say, lookin' at +your faces like roses and lilies and--and faces, I say,-- + + "'Here's to California, the darling of the West, + A blessin' on those livin' here-- + And God help all the rest.'" + +Overland sat down amid applause. He located his tobacco and papers, +rolled a cigarette with one hand, and gazed across the hills. Glancing +up, he saw Louise looking at him. He smiled. "I was settin' on a crazy +bronc' holdin' his head up so he couldn't go to buckin'--outside a +little old adobe down in Yuma, Arizona, then. Did you ever drift away +like that, just from some little old trick to make you dream?" + +At a nod from Aunt Eleanor they all rose. + +Louise stepped from her end of the table to where Overland stood gazing +out across the hills. She touched him lightly on the arm. He turned and +looked at her unseeingly. His eyes were filled with the dreams of his +youth, dreams that had not come true ... and yet.... He gazed down into +her face. His expression changed. His eyes grew misty with happiness. He +realized how many friends he had and how loyal and excellent they were. +And of all that he had gained his greatest treasure was his love for +Louise--for Louise Lacharme, the little Rose Girl of his dreams. That +love lay buried deep in his rugged heart. She would never know of it. No +one should ever know--not even Collie. + +Louise, in an ecstasy of affection and pity that she could not +understand, suddenly flung her arms around Overland's neck and kissed +him full on the lips. + +More than he had ever dared to dream had come true. + +THE END + +----------------------------------------------------------------------- + +GROSSET & DUNLAP'S DRAMATIZED NOVELS + +THE KIND THAT ARE MAKING THEATRICAL HISTORY + +May be had wherever books are sold. Ask for Grosset & Dunlap's list + + +WITHIN THE LAW. By Bayard Veiller & Marvin Dana. Illustrated by Wm. +Charles Cooke. + +This is a novelization of the immensely successful play which ran for +two years in New York and Chicago. + +The plot of this powerful novel is of a young woman's revenge directed +against her employer who allowed her to be sent to prison for three +years on a charge of theft, of which she was innocent. + + +WHAT HAPPENED TO MARY. By Robert Carlton Brown. Illustrated with scenes +from the play. + +This is a narrative of a young and innocent country girl who is suddenly +thrown into the very heart of New York, "the land of her dreams," where +she is exposed to all sorts of temptations and dangers. + +The story of Mary is being told in moving pictures and played in +theatres all over the world. + + +THE RETURN OF PETER GRIMM. By David Belasco. Illustrated by John Rae. + +This is a novelization of the popular play in which David Warfield, as +Old Peter Grimm, scored such a remarkable success. + +The story is spectacular and extremely pathetic but withal, powerful, +both as a book and as a play. + + +THE GARDEN OF ALLAH. By Robert Hichens. + +This novel is an intense, glowing epic of the great desert, sunlit +barbaric, with its marvelous atmosphere of vastness and loneliness. + +It is a book of rapturous beauty, vivid in word painting. The play has +been staged with magnificent cast and gorgeous properties. + + +BEN HUR. A Tale of the Christ. By General Lew Wallace. + +The whole world has placed this famous Religious-Historical Romance on a +height of pre-eminence which no other novel of its time has reached. The +clashing of rivalry and the deepest human passions, the perfect +reproduction of brilliant Roman life, and the tense, fierce atmosphere +of the arena have kept their deep fascination. A tremendous dramatic +success. + + +BOUGHT AND PAID FOR. By George Broadhurst and Arthur Hornblow. +Illustrated with scenes from the play. + +A stupendous arraignment of modern marriage which has created an +interest on the stage that is almost unparalleled. The scenes are laid +in New York, and deal with conditions among both the rich and poor. + +The interest of the story turns on the day-by day developments which +show the young wife the price she has paid. + +Ask for complete free list of G. & D. Popular Copyrighted Fiction + +GROSSET & DUNLAP, 526 WEST 26th ST., NEW YORK + +----------------------------------------------------------------------- + +STORIES OF WESTERN LIFE + +May be had wherever books are sold. Ask for Grosset & Dunlap's list + + +RIDERS OF THE PURPLE SAGE, By Zane Grey. + +Illustrated by Douglas Duer. + +In this picturesque romance of Utah of some forty years ago, we are +permitted to see the unscrupulous methods employed by the invisible hand +of the Mormon Church to break the will of those refusing to conform to +its rule. + + +FRIAR TUCK, By Robert Alexander Wason. + +Illustrated by Stanley L. Wood. + +Happy Hawkins tells us, in his humorous way, how Friar Tuck lived among +the Cowboys, how he adjusted their quarrels and love affairs and how he +fought with them and for them when occasion required. + + +THE SKY PILOT, By Ralph Connor. + +Illustrated by Louis Rhead. + +There is no novel, dealing with the rough existence of cowboys, so +charming in the telling, abounding as it does with the freshest and the +truest pathos. + + +THE EMIGRANT TRAIL By Geraldine Bonner. + +Colored frontispiece by John Rae. + +The book relates the adventures of a party on its overland pilgrimage, +and the birth and growth of the absorbing love of two strong men for a +charming heroine. + + +THE BOSS OF WIND RIVER, By A. M. Chisholm. + +Illustrated by Frank Tenney Johnson. + +This is a strong, virile novel with the lumber industry for its central +theme and a love story full of interest as a sort of subplot. + + +A PRAIRIE COURTSHIP. By Harold Bindloss. + +A story of Canadian prairies in which the hero is stirred, through the +influence of his love for a woman, to settle down to the heroic business +of pioneer farming. + + +JOYCE OF THE NORTH WOODS, By Harriet T. Comstock. + +Illustrated by John Cassel. + +A story of the deep woods that shows the power of love at work among its +primitive dwellers. It is a tensely moving study of the human heart and +its aspirations that unfolds itself through thrilling situations and +dramatic developments. + +Ask for a complete free list of G. & D. Popular Copyrighted Fiction + +GROSSET & DUNLAP, 526 WEST 26th ST., NEW YORK + +----------------------------------------------------------------------- + +TITLES SELECTED FROM GROSSET & DUNLAP'S LIST + +May be had wherever books are sold. Ask for Grosset & Dunlap's list + + +THE SIEGE OF THE SEVEN SUITORS. By Meredith Nicholson. Illustrated by C. +Coles Phillips and Reginald Birch. + +Seven suitors vie with each other for the love of a beautiful girl, and +she subjects them to a test that is full of mystery, magic and sheer +amusement. + + +THE MAGNET. By Henry C. Rowland. Illustrated by Clarence F. Underwood. + +The story of a remarkable courtship involving three pretty girls on a +yacht, a poet-lover in pursuit, and a mix-up in the names of the girls. + + +THE TURN OF THE ROAD. By Eugenia Brooks Frothingham. + +A beautiful young opera singer chooses professional success instead of +love, but comes to a place in life where the call of the heart is +stronger than worldly success. + + +SCOTTIE AND HIS LADY. By Margaret Morse. Illustrated by Harold M. Brett. + +A young girl whose affections have been blighted is presented with a +Scotch Collie to divert her mind, and the roving adventures of her pet +lead the young mistress into another romance. + + +SHEILA VEDDER. By Amelia E. Barr. Frontispiece by Harrison Fisher. + +A very beautiful romance of the Shetland Islands, with a handsome, +strong willed hero and a lovely girl of Gaelic blood as heroine. A +sequel to "Jan Vedder's Wife." + + +JOHN WARD. PREACHER. By Margaret Deland. + +The first big success of this much loved American novelist. It is a +powerful portrayal of a young clergyman's attempt to win his beautiful +wife to his own narrow creed. + + +THE TRAIL OF NINETY-EIGHT. By Robert W. Service. Illustrated by Maynard +Dixon. + +One of the best stories of "Vagabondia" ever written, and one of the +most accurate and picturesque of the stampede of gold seekers to the +Yukon. The love story embedded in the narrative is strikingly original. + +Ask for complete free list of G. & D. Popular Copyrighted Fiction + +GROSSET & DUNLAP, 526 WEST 26th ST., NEW YORK + +----------------------------------------------------------------------- + +KATE DOUGLAS WIGGIN'S STORIES OF PURE DELIGHT + +Full of originality and humor, kindliness and cheer + + +THE OLD PEABODY PEW. Large Octavo. Decorative text pages, printed in two +colors. Illustrations by Alice Barber Stephens. + +One of the prettiest romances that has ever come from this author's pen +is made to bloom on Christmas Eve in the sweet freshness of an old New +England meeting house. + + +PENELOPE'S PROGRESS. Attractive cover design in colors. + +Scotland is the background for the merry doings of three very clever and +original American girls. Their adventures in adjusting themselves to the +Scot and his land are full of humor. + + +PENELOPE'S IRISH EXPERIENCES. Uniform in style with "Penelope's +Progress." + +The trio of clever girls who rambled over Scotland cross the border to +the Emerald Isle, and again they sharpen their wits against new +conditions, and revel in the land of laughter and wit. + + +REBECCA OF SUNNYBROOK FARM. + +One of the most beautiful studies of childhood--Rebecca's artistic, +unusual and quaintly charming qualities stand cut midst a circle of +austere New Englanders. The stage version is making a phenomenal +dramatic record. + + +NEW CHRONICLES OF REBECCA. With illustrations by F. C. Yohn. + +Some more quaintly amusing chronicles that carry Rebecca through various +stages to her eighteenth birthday. + + +ROSE O' THE RIVER. With illustrations by George Wright. + +The simple story of Rose, a country girl and Stephen a sturdy young +farmer. The girl's fancy for a city man interrupts their love and merges +the story into an emotional strain where the reader follows the events +with rapt attention. + +GROSSET & DUNLAP, 526 WEST 26th ST., NEW YORK + + + + + + +End of the Project Gutenberg EBook of Overland Red, by Henry Herbert Knibbs + +*** END OF THIS PROJECT GUTENBERG EBOOK OVERLAND RED *** + +***** This file should be named 19763.txt or 19763.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/9/7/6/19763/ + +Produced by Roger Frank and the Online Distributed +Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card +donations. To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +*** END: FULL LICENSE *** + diff --git a/19763.zip b/19763.zip Binary files differnew file mode 100644 index 0000000..9cf3948 --- /dev/null +++ b/19763.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..67874bd --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #19763 (https://www.gutenberg.org/ebooks/19763) |
