diff options
Diffstat (limited to '19151.txt')
| -rw-r--r-- | 19151.txt | 2436 |
1 files changed, 2436 insertions, 0 deletions
diff --git a/19151.txt b/19151.txt new file mode 100644 index 0000000..8aec031 --- /dev/null +++ b/19151.txt @@ -0,0 +1,2436 @@ +The Project Gutenberg EBook of Punch, or the London Charivari, Volume 159, +August 11, 1920, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Volume 159, August 11, 1920 + +Author: Various + +Editor: Owen Seaman + +Release Date: August 31, 2006 [EBook #19151] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Lesley Halamek, Jonathan Ingram and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + +PUNCH, OR THE LONDON CHARIVARI. + +VOL. 159. + + + +August 11th, 1920. + + + + +CHARIVARIA. + + +"We doubt," says a contemporary, "if the Government has effected much +by refusing to let Dr. MANNIX land on Irish shores." We agree. What +is most wanted at the moment is that the Government should land on +Ireland. + + * * * + +We feel that the time is now ripe for somebody to pop up with the +suggestion that the wet summer has been caused by the shooting in +Belfast. + + * * * + +Manchester City Council has decided to purchase the famous Free Trade +Hall for the sum of ninety thousand pounds. A thorough search for +the Sacred Principles of Liberalism, which are said to be concealed +somewhere in the basement, will be undertaken as soon as the property +changes hands. + + * * * + +There is no truth in the report that Mr. LLOYD GEORGE, after listening +to the grand howl of the Wolf Cubs at Olympia, declared that it was a +very tame affair for anyone used to listening to Mr. DEVLIN. + + * * * + +"Kangaroos and wallabies," says a Colonial journalist, "are about the +only things that the Australian sportsman can chase." Members of the +M.C.C. team declare that they expect to change all that. + + * * * + +Reports that the gold had been removed from the Bank of Ireland to +this country for the sake of safety have caused consternation in +Dublin. There was always a possibility, the Irish say, that the Sinn +Feiners might not lay hands on the stuff, but there isn't one chance +in a hundred of it getting past Sir ERIC GEDDES. + + * * * + +_A propos_ of the growing reluctance on the part of railway servants +to take tips from holiday-makers, it appears that they are merely +following the example set by the higher officials. We have positive +information that only a week or so since Sir ERIC GEDDES flatly +refused to take a tip from _The Daily Mail_. + + * * * + +While approving in principle of the proposal that the finger-prints of +all children should be registered, Government officials point out that +the expense would certainly be out of all proportion to the advantage +obtained, in view of the prevailing high prices of jam. + + * * * + +There is just this one consolation about the weather of late. So far +the Government have not placed a tax on rain. + + * * * + +"Soldiers are very dissatisfied with the way in which ex-service men +are now being treated," states a Sunday paper. We understand that, if +this dissatisfaction should spread, Mr. CHURCHILL may call upon the +Army to resign. + + * * * + +After exhaustive experiments Signor MARCONI has failed to obtain +any wireless message from Mars. Much anxiety is being felt by those +persons having friends or mining shares there. + + * * * + +The youngest son of Sir ERIC GEDDES is learning to play golf. It +is hoped by this plan to keep his mind off thoughts of a political +career. + + * * * + +A reader living in Aberdeen informs us that the last batch of Scotch +refugees arrived from England last Thursday in an exhausted condition. + + * * * + +"Cats are very poor swimmers," states a writer in a weekly journal. +This no doubt accounts for the exceptionally high infantile mortality +among these domestic pets. + + * * * + +Last week a wedding at Ibstock, Leicestershire, had to be postponed +after the ceremony had already begun, owing to the failure of the +Registrar to appear. It was not until the best man, who denied having +mislaid the Registrar, had been thoroughly searched that the ceremony +was abandoned. + + * * * + +A burglar accused of stealing sixteen volumes of classical poetry was +sentenced to a month's imprisonment. The defence that he was insane +was evidently ignored. + + * * * + +The Westminster magistrate, the other day, described a prisoner as "a +very clever thief." It is said that the fellow intends printing this +testimonial on his letter-paper. + + * * * + +A man knocked down by a racing motorist in New York is reported to +have had both legs and an arm fractured, several ribs broken, and +other injuries. Motorists in this country incline to the theory that +it was the work of an amateur. + + * * * + +A Swiss guide recently discovered a chamois within sixty feet of the +summit of the Jungfrau. Only on receiving the most explicit assurance +that the Fourth Internationale would not be held at Grindelwald would +the creature consent to resume its proper place in the landscape. + + * * * + +According to the conductor of the Southern Syncopated Orchestra the +modern fox-trot has been evolved from a primitive negro dance called +"The Blues." The theory that the Blues are the logical outcome of a +primitive negro dance called the fox-trot is thus exploded. + + * * * + +A gentleman advertises for an island for men who are fed up with +taxation. We can only say that Great Britain is just the very place. + + * * * * * + +[Illustration: _The Laird._ "NOW, WHO ON EARTH MIGHT THOSE PEOPLE BE, +DONALD, DRESSED LIKE TOURISTS?"] + + * * * * * + + "In some ways the American woman, it must be confessed, can give + we English points on good dressing."--_Evening Paper._ + +She might now extend her beneficence and include some points on +syntax. + + * * * * * + + "The clergy had to work far more than forty-eight hours per day, + but their pay was quite inadequate."--_Local Paper._ + +We don't see how it would be possible to give adequate remuneration +for such a feat. + + * * * * * + + +=IN DEFENCE OF DOROTHY.= + +I was greatly pained to read, the other day, in one of our leading +dailies a most violent and uncalled-for attack on a popular favourite. +Perhaps I should say one who _was_ popular, for, alas, favourites have +their day, and no doubt this attack was but to demolish the reputation +of the setting star and enhance that of a rising one. Still it was +unnecessarily churlish; it criticised not only the colour of her +complexion, the exuberance of her presence, but her very name was held +up to ridicule, the fault surely of her god-parents. + +There has been, not unnaturally, quite a sensation in her circle over +this attack; Papa Gontier and Maman Cochet clasped each other's +hands in sympathy and said, "What will people say next of _us_, a +respectable and time-honoured old couple, if they flout pretty popular +little Dorothy Perkins?" "Of course, if people who live in a brand-new +red-brick villa choose to invite Dorothy into their garden, one +can't expect her to look her best; but, after all, there's only that +languishing Stella Gray who can stand such a trial as that, and +perhaps the stout Frau Druschki." "She, poor thing, is quite out of +favour just now--hardly mentioned in polite society. Quite under a +cloud; in fact a greeting from Teplitz is the only one she gets." +"Now William Allen Richardson (there's a ridiculous long name, if you +like!) was saying only yesterday how grateful we should all feel to +dear Dorothy, who never seems to mind the weather and cheers us up +when all else fails." "I must say I don't feel quite sure of William's +sincerity, he is so very changeable, you know, and does not _really_ +care to be seen in Dorothy's company." + +Pretty little Mme. Laurette Messime was quite hanging her head about +it all. "_I_ live in harmony with _all_ my neighbours," she simpered. +"Ah, yes," flaunted Lady Gay, in that unblushing manner of hers, +"that's very easy to do for colourless people." At this Caroline +Testout turned quite pale and stuttered, "Well, Dorothy _does_ scream +so." "Hush, hush, my children," said the deep voice of the venerable +Marshal Niel. Though yellow with extreme old age the old gentleman +bore himself proudly and his dress was glossy and clean. "We all have +our place in the world. Let carping critics say what they please, +whether it is Dorothy in her gay gown or Liberty in her revolutionary +wear, our showy American cousins, our well-beloved Scotch relations, +or our Persian guests--they are _all_ welcome, _all_ beautiful." +"Hear, hear!" murmured the other roses. + + * * * * * + +=MORE MARGOBIOGRAPHY.= + +PROPOSALS--CARLYLE--BISMARCK--DISRAELI--A NEW BROWNING POEM--NAPOLEON +ON LIVING BRITISH STATESMEN. + + [Readers of the vivacious but too reticent serial now appearing in + _The Sunday Times_ may have noticed that the narrative is now and + then interrupted by a row of what Lord RANDOLPH CHURCHILL, during + one of his conversations with Mrs. ASQUITH and JOWETT, called (to + the immense delight of the MASTER OF BALLIOL) "those damned dots." + Mr. Punch has, at fabulous expense, acquired the right to + publish certain of the omitted passages, a selection of which is + appended.] + +=Many Admirers.= + +No sooner was I in my earliest teens and had made up my mind as to +the best cigarettes, than proposals began to be a matter of daily +occurrence, so that whenever I saw the fifth footman or the third +butler stealthily approaching me I knew that he was concealing a +_billet doux_. Sometimes they were very flattering. Here is one, +written in the big boyish hand of a Prince of the Blood:-- + + My beautiful, there is no one like you. They want me to marry the + daughter of a royal house, but if you will say "Yes" I will defy + them. We will be married by the Archbishop, who marries and buries + so beautifully; but I shall never need burying, because those who + marry you never die. + +Poor boy, I had to send him a negative by the fifteenth groom in the +third phaeton, drawn by a pair of dashing chestnuts which another of +my unsuccessful adorers had given me. I noticed that when they got +back to Grosvenor Square the chestnuts had turned to greys. + + +=The Sage of Chelsea.= + +THOMAS CARLYLE loved to have me trotting in and out of his house in +Cheyne Row, and we had endless talks on the desirability of silence. +"Yon wee Meg," he used to say, for he refused to call me "Margot," +declaring it was a Frenchified name--"yon wee Meg is the cleverest +girl in Scotland--and the wittiest." + +I remember once that RUSKIN was there too, and we had a little breeze. + +RUSKIN (_patronisingly_). What do you think of the paintings of +TURNER? + +MARGOT. He bores me. + +RUSKIN (_drawing in a long breath_). Bores you? + +MARGOT (_with a slow smile_). He probably bores you too, only you +daren't admit it. + +What would have happened I cannot imagine had not dear old CARLYLE +offered me a draw of his pipe, while remarking laughingly, "She's a +wonder, is Meg; she'll lead the world yet." + +One day he asked me what I thought of his writing. + +MARGOT. Too jerky and overcharged. + +CARLYLE (_wincing_). I must try to improve. What is your theory of +authorship? + +MARGOT. I think one should assume that everything that happens to +oneself must be interesting to others. + +CARLYLE (_as though staggered by a new idea_). Why? + +MARGOT (_simply_). Because oneself is so precious, so unique. + +I asked him once what he really thought of Mrs. CARLYLE, but he +changed the subject. + + +=Bismarck.= + +It was in Berlin, when I was seventeen, that I met BISMARCK. It was at +the Opera, where, being a young English girl, I was in the habit of +going alone. The great Chancellor, who was all unconscious that I had +penetrated his identity, watched me for a long while between the Acts +and then overtook me on my way home and in French asked me to supper. + +MARGOT (_also in French_). But I am not hungry. + +BISMARCK. In Germany you should do as the Germans do and eat always; +(_with emphasis_) I do. + +MARGOT (_scathingly_). I wonder if you are aware that I am English? + +BISMARCK (_muttering something I could not catch about England lying +crushed at his feet_). But you are beautiful too! Some day you will be +a countrywoman of mine. + +MARGOT. How? + +BISMARCK. Because we shall make war on England and conquer it, and it +will then be our own and all of you will be our people and our slaves. +At least we should conquer it if---- + +MARGOT. If what? + +BISMARCK. If it were not for a young man who will then be Prime +Minister. It is of him we are afraid. + +MARGOT. What is his name? + +BISMARCK. ASQUITH. + +Could prescience further go? BISMARCK then left me with another +ungainly effort at French: _"Au revoir, Mademoiselle."_ But we never +met again. + +=Disraeli's Last Days.= + +I was with DISRAELI (who was one of the few men who did not propose to +me) not long before the end, and he gave me many confidences, although +he knew all about my friendship with GLADSTONE. But then I have always +chosen my friends impartially from all the camps. My exact memory +enables me to repeat my last conversation with DIZZY word for word:-- + +MARGOT. You look tired. Shall I dance for you? + +(_Continued on page 104_). + + * * * * * + +[Illustration: THE REAL MUSIC. + +JOHN BULL. "I WISH THEY'D LET ME HEAR THE LADY."] + + * * * * * + +[Illustration: _The Wife (bitterly)._ "YES, IT MAKES A NICE OUTIN' FOR +ME, DON'T IT--SETTIN' IN THE RAIN ALL DAY GUARDIN' A TIN O' WORMS?"] + + * * * * * + +DIZZY. No, no. + +MARGOT _(brightly_). Let us be sensible and talk frankly about your +approaching death. Have you any views as to your biography? + +DIZZY. Need there be one? + +MARGOT. Of course. + +DIZZY (_earnestly_). Would you write it? You would be so discreet. + +I had to refuse, but I am sure I could have made a more amusing job of +it than MR. BUCKLE has done, in spite of the love-letters. What a pity +they didn't entrust it to my dear EDMUND GOSSE! + +=A Browning Poem.= + +Here is a little poem that BROWNING wrote for me on hearing me say +that when we were girls "we did not know the meaning of the word +'fast'":-- + + We all of us worship our Margot, + She's such a determined _escargot_. + +=Talks with the Dead.= + +The great NAPOLEON had died many years before I was born; and how +unjust it is that the lives of really interesting people should not +coincide! But with the assistance of my beloved OLIVER LODGE I have +had many conversations with him. Our first opened in this manner:-- + +MARGOT. Do you take any interest in current English politics? + +NAPOLEON. _Oui_ (Yes). + +MARGOT. What do you think of LLOYD GEORGE? + +NAPOLEON. An opportunist on horseback. + +MARGOT. I love riding too. I met most of my friends in the +hunting-field. You should have seen me cantering into the hall of our +town mansion. Who do you think our greatest statesman? + +NAPOLEON. ASQUITH beyond a doubt. + +Both PLATO and JULIUS CAESAR, whom my beloved OLIVER has also +introduced to me, said the same thing. + +E. V. L. + + + * * * * * + + +FLOWERS' NAMES. + +SOLOMON'S SEAL. + + Oh, lordly was KING SOLOMON + A-stepping down so proud, + With his negro slaves and dancing girls + And all his royal crowd; + His peacocks and his viziers, + His eunuchs old and grey, + His gallants and his chamberlains + And glistening array. + + Oh, blithesome was KING SOLOMON + That burning summer day + When lo! a humble shepherdess + Stood silent in his way; + Then stepped down kingly SOLOMON, + And proud and great stepped he, + And there he kissed the shepherdess-- + Kissed one and two and three. + + Then proudly turned the peasant-maid-- + Pale as a ghost was she-- + "For all ye are KING SOLOMON, + What make ye here so free?" + Oh, lordly laughed KING SOLOMON, + "Shalt be my queen," quoth he; + "These kisses pledged KING SOLOMON + And sealed him to thee." + + Then on went splendid SOLOMON + And all his glittering band, + And the wondering white peasant-girl + He led her by the hand; + But in that place sprang flower-stems + All green, for kingly pride, + With the small white kisses hanging down + With which he sealed his bride. + + * * * * * + + +SQUATTERS. + +Ursula came into the study, carrying something that had once been a +photograph, but which the ravages of time had long since reduced to a +faded and almost indecipherable problem. + +"Dear," she said, "you know this portrait of Clara's boy, the one +in the sailor suit, from my writing-table? I was looking at it just +now----" + +I interrupted her (it really was one of my rushed mornings). "I've +been looking at it any time these fifteen years," I observed bitterly, +"watching it become every day more and more fly-blown and like nothing +on earth. What entitles it to special notice at this moment?" + +"Nothing--much," said Ursula; but from the tone of her voice +experience taught me that sentiment was only just out of sight. "I was +wondering whether to burn it----" + +"Good." + +"And then I thought that, as he was married the other day and is quite +likely to have a boy of his own, it would be interesting to compare +this early portrait." + +"It would," I assented grimly. Perhaps disappointment had made me +brutal. "There's almost nothing, from the Alps at midnight to +Royalty down a coalmine, with which it would not be equally safe and +appropriate to compare it. Only, as I gather that this involves its +continued existence for a further indefinite period, my one request is +that in the meantime you remove it. Shut it in the safe. Bury it. But +don't leave it about." + +"Aren't you being rather excited about nothing?" + +"No. This is a matter of principle, and I am speaking for your own +good. Fifteen years ago that photograph, unframed and in the first +flush of youth, was casually deposited on your writing-table. Perhaps +you only meant to put it out of your hand for a moment while you +attended to something else. But you know what the result has been. It +has remained there, gradually establishing a prescriptive right. No +doubt it has been dusted, with the rest of the room, seven times a +week...." + +"Six times," said Ursula, smiling, but blushing a little too--I was +glad to observe that. + +"... and as often been replaced. Its charm for the observant visitor +has, to put the thing mildly, long since vanished. I doubt if +either of us would so much as see it had it not attained for me the +fascination of an eye-sore. Yet it stays on, simply because no one has +the initiative to take action. To put it concisely, it is a squatter." + +"Don't be ridiculous." + +"I was never more serious in my life. This speckled travesty, this +photographic mummy, is but one example out of many. I do not know +whether other homes resemble ours in the same tendency towards the +mausoleum. But I strongly suspect it." + +"What things are there besides this?" broke out Ursula, suddenly +defensive. "Tell me a list of them." + +"You forget, sweetheart, that as a professional literary man my time, +especially in the morning, has a certain commercial value, but I will +endeavour to do as you ask. You would of course justly repudiate any +comparison between your own artistic setting and those Victorian +houses wherein the 'drawing-room book' reposed always in the same +sacred corner. Yet in the matter of derelict articles we are +millionaires, we are beset by squatters." + +I could see that Ursula was impressed, though she tried to conceal +the fact. "Professional literary men seem to be strangely under the +dominion of one word," she began coldly. + +At that moment a bell tinkled. + +"Eliza!" cried Ursula; "and I'm not dressed." As she fluttered from +the room I had a distinct impression that she was not sorry for an +excuse to break off the interview. + +I re-settled myself at my desk, smiling a little cynically. How +long would the lesson last? Then I happened to glance towards the +mantelpiece, beside which Ursula had been standing. There, hastily +propped against the clock, was that detestable photograph. It still +quivered in the movement of release, as though shaking its shoulders, +settling down palpably for another decade. With an uncontrollable +impulse I leapt up, seized the abomination and, flinging it on the +floor, ground it to powder with my heel. + +In one word, the anti-squatting campaign had definitely begun. + +A. E. + + * * * * * + +[Illustration: _Navvy._ "WHY DON'T YER WEAR THEM BOARDS THE RIGHT WAY +ROUND?" + +_Sandwichman._ "WOT! IN ME DINNER-HOUR? NOT ME!"] + + * * * * * + + "Some five or six million years hence, therefore, it is + prophesied, the earth will fall into the grip of an ice age. There + will descend on all living things the blight of eternal cod." + + _Scotch Paper._ + +Although the danger is not immediate it deserves the serious +consideration of the FOOD CONTROLLER. + + * * * * * + + +=SQUISH.= + +_(Being some notes on a bye-path in politics.)_ + + +The Board of Agriculture has been biding its time. In the fierce light +of publicity which has been beating of late upon Mr. LLOYD GEORGE, +Mr. WINSTON CHURCHILL and Sir ERIC GEDDES the attempt of this rustic +Ministry to assert itself has passed almost unnoticed. Our gaze has +been fixed upon the London railway termini, upon Warsaw and upon +Belfast; we have been neglecting Campden (Glos.). Yet in that town, I +read, "the Ministry of Agriculture has completed arrangements for a +commercial course in the State Fruit and Vegetable College to instruct +students in the manufacture of preserved fruit products." + +I have considered the last part of the sentence quoted above very +carefully in the light of the Rules and Regulations governing +procedure in State Departments, Magna Carta, the Habeas Corpus Act and +the Constitutions of Clarendon, and have come to the conclusion that +it means "making jam." I am very sure, as the PRIME MINISTER would +say, that things are about to happen in preserved fruit products; +things will become very much worse and very much sterner in jam. And +if in jam why then also in jelly and in marmalade. Even at this moment +in the offices of the Board of Agriculture there are a number of +clerks, I suppose, sitting with schedules in front of them, something +like this:-- + ++------------+----------+----------+----------+----------+----------+-----+ +| |No. of |No. of |No. of |No. of |No. of | | +| |candidates|candidates|candidates|candidates|candidates| | +| |in |awaiting |fully |trained |full, but |Total| +| |training |training |trained |but not |not | | +| |in |in | |full |trained | | ++------------+----------+----------+----------+----------+----------+-----+ +| | | | | | | | +|1. Jam | | | | | | | +| | | | | | | | ++------------+----------+----------+----------+----------+----------+-----+ +| | | | | | | | +|2. Jelly | | | | | | | +| | | | | | | | ++------------+----------+----------+----------+----------+----------+-----+ +| | | | | | | | +|3. Marmalade| | | | | | | +| | | | | | | | ++------------+----------+----------+----------+----------+----------+-----+ +| | | | | | | | +| Total | | | | | | | +| | | | | | | | ++------------+----------+----------+----------+----------+----------+-----+ + +The perfect beauty of schedules framed upon this model is only to be +apprehended by those who realise that when they are filled in and +added up correctly the figure at the base of the vertical "Total" +column on the right is identical with the figure on the right of the +horizontal "Total" column at the base. It is the haunting magic of +this fact that gives to Government clerks the wistful far-away look +which they habitually wear. + +It is not a good schedule this, of course--not a complete, not an +exhaustive one. After a month or so it will be discovered with a +cry of astonishment that no record has been kept of the number of +candidates who are being trained in jam or jelly (combined) but not in +marmalade, in jelly and marmalade (combined) but not in jam, and in +jam and marmalade (combined) but not in jelly. And so a new and a +greater schedule will have to be compiled. But even after that for +a long time no one will notice that nothing has been said about the +number of candidates who are being trained in jam and jelly and +marmalade all combined and mashed up together, as they are at a picnic +on the sands. + +Of the many debatable issues raised by this new Government project, in +so far as it affects the spheres of jelly and jam, I do not propose to +speak now; I prefer to confine my attention for the moment to the fruit +product which touches most nearly the home breakfast-table--namely, +marmalade. + +There are three schools of thought in marmalade. There are those who +like the dark and very runny kind with large segments or wedges of +peel. There are those who prefer a clear and jellified substance with +tiny fragments of peel enshrined in it as the fly is enshrined in +amber. And there are some, I suppose, who favour a kind of glutinous +yellow composition, neither reactionary nor progressive, but something +betwixt and between. There can be very little doubt which kind of +marmalade the State Marmalade School will produce. + +And then, mark you, one fine day the President of the Board of +Agriculture will turn round and issue a _communique_ to the Press like +this:-- + +"Preferential treatment in the supply of sugar for the purpose of +conducting the processes of manufacture of fruit products will +henceforward be given to those who possess the Campden diploma for +proficiency in the conduct of the above-named processes." + +And where is your freedom then? Cooks and housewives will be condemned +either to make State marmalade or to make no marmalade at all. +Personally I am inclined to think that the President of the Board of +Agriculture will go further than this. I think that encouragement will +be given to those who take the State Marmalade course to follow it up +with a subsidiary or finishing course of wasp treatment. + +And in wasp treatment also there are three schools. There is what is +called the CHURCHILL school, which hits out right and left with an +infuriated spoon. Then there is the MONTAGU school, which takes no +provocative action, but sits still and says, "They won't sting you if +you don't irritate them;" it says this especially when they are flying +round somebody else's head. And lastly there is the Medium school, +which, choosing the moment when the wasp is busily engaged, presses it +down gently and firmly into the marmalade, so that the last spoonfuls +of the dish are not so much a fruit product as a kind of entomological +preserve. The last way, I think, will be the State way of dealing with +wasps, and a reward will probably be offered for the stings of all +wasps embalmed on Coalition lines. + +The electorate has stuck to the Government through the Peace Treaty, +through Mesopotamia, through Ireland and through coal. Can it stick to +them, is what I ask, through marmalade? + +EVOE. + + * * * * * + + +_MENS CONSCIA MALI._ + + The lightning flashed and flickered, roared the thunder, + Down came the rain, and in the usual way + Pavilionward we sped to sit and wonder + Was this the end of play. + + In scattered groups my comrades talked together, + Their disappointment faded bit by bit, + So soothing can it be to tell the weather + Just what you think of it. + + But I--I sat aloof as one distressed by + A painful tendency to droop and wilt; + Though none suspected it, I was oppressed by + A conscience charged with guilt. + + I watched the pitch become a sodden pulp, a + Morass, a sponge, a lake, a running stream, + What time a sad repentant _Mea culpa_ + Was all my musing's theme. + + Mine was the cricket sin too hard to pardon + In one whose age should carry greater sense; + On Friday night I'd watered all the garden, + Thus tempting Providence. + + * * * * * + +"Mr. ---- asserted that the Russian people would be permitted +'untrammelled to pork out their own salvation.'"--_Canadian Paper._ +And why not the Irish people too? + + * * * * * + +[Illustration: THE MAN WHO WOULD GET TO THE SEASIDE. +TRAINS FULL. +CHARABANKS FULL. +AEROPLANES FULL. +THE LAST RESOURCE. +SEA, SAND AND HOTELS FULL.] + + * * * * * + + +THE COUNTER-IRRITANT + +Most men have a hobby. Timbrell-Timson's is to bear on his narrow +shoulders the burden of Middle Europe. He calls it Mittel-Europa. +Lately he has been sharing his burden with me. + +"You know," he said, frowning--he always frowns, because of the +burden--"I am rather uneasy about the Czecho-Slovaks." + +"I'm not too comfortable about them myself," I said truthfully. + +"There seems to be a certain lack of stability about their new +constitution," said T.-T., "a--a--a--what shall I say?" + +"A--er--um--a," I put in. + +"Exactly; just so," said T.-T. He then got into his stride and gave me +twenty minutes' Czecho-Slovakism when I was dying to discover whether +HOBBS had scored his two-millionth run. + +As T.-T. talked my mind wandered away into regions of its own--Aunt +Jane's rheumatic gout, my broken niblick, the necessity for getting +my hair cut. But sub-consciously I reserved a courteous minimum of +attention for T.-T., and said, "H'm" and "Ha" with decent frequency. +He went on and on, shedding several ounces of the burden. I decided +that Aunt Jane ought to have a shot at Christian Science. + +"... very much the same plight as the Poles," said T.-T., emerging from +a cloud of Czecho-Slovakism and pausing to clear his meagre throat. + +I felt it was up to me. "Of course," I said, "the Poles don't strike +one as being--er--very--that is--" + +"Precisely. They are not," said T.-T., as I knew he would. "But I am +very relieved to see that M. Grabski...." + +This was something new and sounded amusing. "Grabski?" I said. "What's +happened to dear old--I mean, I thought M. Paderewski was--" + +"I am referring to the recent Spa Conference," said T.-T. severely. + +"Of course, how silly of me," I murmured. + +T.-T. gave me another twenty minutes of Poland. Then he released me, +with a final word of warning against putting too much faith in M. +Daschovitch. I promised I wouldn't. + +T.-T. shook me cordially by the hand and said, "It has been a pleasure +to talk to such a sympathetic listener." + +What led me to revolt was T.-T.'s hat-trick. Three evenings in +succession he unloaded on me chunks of the burden. Probably he thought +the third time made it my own property. + +I asked advice from Brown, a man of commonsense. + +"During the Great War," said Brown, "I went down with pneumonia. They +painted my chest yellow, and, when I asked the Sister why, she said it +was a counter-irritant. That's what you want to use now, my lad. Stand +up to your little friend and beat him at his own game." + +"But how?" I said. "I can't. What he doesn't know about the gentle +Czech isn't worth a cussovitch." + +"Cultivate a counter-burden," said Brown, "and make him eat it as he +has made you eat his." + +When I left Brown it was decided that I was henceforth to be an +authority on Mittel-Afrika. The next evening I was purposely +unoccupied in a corner of the smoking-room when T.-T. came in, +frowning and bowed down by his burden, to which apparently I had +brought no relief. + +"Well, to-day's news from Mittel-Europa is hardly--" he began. + +"Scarcely glanced at it," I said. "I was so busy with the news from +Mittel-Afrika--Abyssinia, in fact." + +T.-T. looked surprised, partly, no doubt, because he knew as well as +I did that Abyssinia is nowhere near the middle of Africa. Then he +gained balance and reopened with the remark that "The ineradicable +weakness of the Czecho-Slovak is--" + +"Just what I feel about the Ethiopians," I said. + +"Of course there is in the Czecho a fundamental--" began T.-T. once +more. + +"Not half so fundamental as in the Abyssinians," I said promptly. + +T.-T. was puzzled but obstinate. The burden, I think, was rather bad +that evening. He tried me with Grabski and got as far as saying that +he had little respect for that gentleman's antecedents. + +I broke in by comparing Grabski's antecedents with the antecedents of +B'lumbu, the Abyssinian Deputy Under-secretary of the Admiralty, much +to the detriment of the latter. Then I launched out into a long and +startling _expose_ of what I called the Swarthy Peril. I told T.-T. +that the Ethiopians ate their young, and warned him that, unless he +was careful, they would soon be over here devouring his own spectacled +progeny. I told him about the Ethiopic secret plans for the invasion +of Mexico as a stepping-stone to the subjugation of Mittel-Amerika. +I hinted that Abyssinian spies were everywhere--that even one of the +club waiters was not above suspicion. + +For thirty-five minutes I held T.-T. in his chair (may the Abyssinian +gods forgive me!). After the first three minutes he forgot his burden +and never a word spake he. + +Then I released him with a final warning against putting any faith at +all in Gran'slam, the Abyssinian Assistant Foreign Secretary, and as +we parted I said gratefully, "It has been a pleasure to talk to such a +sympathetic listener." + +I don't think T.-T. really believes even now in the Swarthy Peril, but +the counter-irritant has done its work. + + * * * * * + +ANOTHER GARDEN OF ALLAH. + +[The Metropolitan Water Board announces an advance in the Water Rate.] + + I cannot fill the bounteous cup + Munificently as of yore + Because the water's going up + (It didn't at Lodore); + No longer now can I regale + The canine stranger with a pail + Drawn from my cistern's store. + + Let Samuel the sunflower die, + Let Gerald the geranium fade, + And all the other plants that I + Have hitherto displayed; + The virgin grass within my plot + May call for water--I will not + Preserve a single blade. + + Henceforth let Claude the cactus dress + My garden beds, who bravely grows + Without a frequent S.O.S. + To water-can and hose. + I've cast these weapons to the void + And permanently unemployed + Is Hildebrand the hose. + + Within the house by words and deeds + I've run an Anti-Waste Campaign; + On every tap the legend reads: + "Teetotalers, abstain!" + While on each bath and tub of mine + I've drawn freehand a PLIMSOLL line, + Impressionist but plain. + + When upward mount my chops and cheese + I fain must bend beneath the blow; + I have to pay the price for these + Whether I will or no. + But here at least, by dint of thought, + I feel that I can bring to naught + The rise in H_2O. + + You'll find that I shall keep in check + The gross expense of water when + Domestic _nettoyage a sec_ + Rules my ancestral den. + I, unlike Nature, don't abhor + A "vacuum"--to clean the floor: + In fact I've ordered ten. + + * * * * * + + "At Bremen ... the crowd seized the stalls in the market, and sold + the goods at prices between 100 and 200 per cent. lower than the + prices demanded."--_Provincial Paper._ + +The correspondent who sends us the above cutting demands similar +reductions in English markets in order that he may live within his +income of _minus_ two pounds a week. + + * * * * * + + +[Illustration: =INCORRIGIBLES.= + +"EXCUSE ME, SIR--I'M DOWN HERE FOR A REST CURE, AND NOT ALLOWED TO +LOOK AT A NEWSPAPER. PERHAPS YOU WOULDN'T MIND TELLING ME WHAT KAFFIRS +STOOD AT YESTERDAY?" + +"SORRY I CAN'T OBLIGE YOU. I'VE SWORN OFF NEWSPAPERS MYSELF. THIS IS +_THE SHRIMPTON COURIER_ FOR FEBRUARY 12 THAT MY LANDLADY WRAPPED MY +SANDWICHES IN."] + + * * * * * + +THE BEGINNER. + +Six months ago Maurice Gillstone's flat was the home of unrest. +Maurice was one of those authors who tire of their creations before +completion. He would get an idea, begin to write and then turn to some +other theme. + +It made the domestic atmosphere difficult. You would go to call on the +Gillstones and find them plunged in despair. Maurice would gaze at you +with a wild unseeing eye, pass his hand through his dishevelled hair, +mutter "The inspiration has left me," and fling himself into a chair +and groan. Mrs. Maurice would burst into tears. + +The flat was strewn with fragments of manuscripts. Plays, novels, +poems (none finished) littered the rooms in profusion; a brilliant +but isolated Scene I., stray opening chapters of novels, detached +prologues of mighty epics. + +"His beginnings are wonderful," Mrs. Maurice would wail between her +sobs; "keen critics and men of the most delicate literary taste rave +over them; but if he can't finish them, what's the use?" + +It was very sad. + +Then John Edmund Drall, the inventor of the non-alcoholic beverage +which is now a household word and an old friend of the Gillstones, +came along and tried to cure Maurice of his literary defect by the +sort of ruse one would employ on a jibbing horse. He sent Maurice a +bottle of his Lemonbeer and asked him to write an appreciation of that +noxious fluid. + +"I have asked Maurice," Drall confided to me, "to scribble a +testimonial to Lemonbeer. It will kind of break the spell, and it +wouldn't be Maurice if he didn't turn out a perfect gem of literary +composition. I know my Lemonbeer is really good and I know that +Maurice is extremely appreciative. Maurice is under a spell. It must +be broken. If he can write a complete testimonial he will easily +finish all those beginnings of his." The idea seemed sound. + +Well, Maurice drank the Lemonbeer and, in spite of an increasing +tendency to swoon, did begin to write a gem of a testimonial. He had, +however, written but the first four words of it when he fainted. These +words were "Lemonbeer is the best...." + +Maurice would do anything for a friend, and, as I say, had actually +written "Lemonbeer is the best ..." after drinking a whole bottle of +it. + +It was Drall's advertisement manager who said that in point of selling +power this testimonial was unsurpassed. "The finished completeness of +the composition," he said, "shows sheer genius. Just four words. A +word added or subtracted would ruin it." + +When Maurice came to and learnt how brilliant he had been he simply +put on his hat and walked round to a Film Agency to say that he was +prepared to write--and complete--any number of masterpieces. Since +that day he has never looked back. + + * * * * * + +=Commercial Candour.= + + "ANTIQUE SILVER. + + Mr. ---- invites all interested to inspect his fine stock which he + can offer just new at exceptionally low prices."--_Daily Paper._ + + * * * * * + + +[Illustration: _Peggy._ "PLEASE, MISS JUDKIN, MUMMY SAYS WILL YOU +KINDLY LET HER HAVE A LITTLE BRANDY FOR OUR GOAT? IT'S VERY ILL AND +MUMMY IS AFRAID IT'S DYING." + +_Miss Judkin._ "TELL YOUR MOTHER I'M VERY SORRY, BUT THE ONLY BRANDY +I'VE GOT IS VERY OLD." + +_Peggy._ "OH, THAT WILL DO SPLENDIDLY. IT'S A VERY OLD GOAT."] + + * * * * * + +THE FAIR. + + Look up, my child, the sirens whoop + Shrill invitations to the Fair, + The yellow swing-boats soar and swoop, + The Gavioli organs blare; + Bull-throated show-men, bracken-brown, + Compete to shout each other down. + + Behold the booths of gingerbread, + Of nougat and of peppermints, + The stall of toys where overhead + Balloons of gay translucent tints + Float on the breeze and drift and sway; + Fruit of a fairy vine are they. + + Within this green fantastic grot + Bright-coloured balls are danced and spun + On jets ("'Ere, lovey, 'ave a shot"); + A gipsy lady tends a gun, + A very rose of gipsy girls, + With earrings glinting in her curls. + + Will marvels cease? This humble booth + Enshrines a dame of royal birth, + Princess Badrubidure, forsooth, + The fattest princess on the earth; + Come, we will stand where kings have stood, + And you shall pinch her if you're good. + + The brasses gleam, the mirrors flash, + How splendid is the Round-About! + The organ brays, the cymbals clash, + The spotted horses bound about + Their whirling platform, full of beans, + And country girls ride by like queens. + + Professor Battling Bendigo + (Ex ten-stone champion of the West) + Parades the stage before his show + And swells his biceps and his chest; + "Is England's manhood dead and gone?" + He asks; "Won't no one take me on?" + + A big drum booms, revolvers crack; + Who is this hero that appears, + A velvet tunic on his back, + His whiskers curling round his ears? + 'Tis he who drew the jungle's sting, + Diabolo, the Lion King. + + Within are birds beyond belief + And creatures colourful and quaint: + Lean dingoes weighed with secret grief + And monkey humourists who ain't; + Bears, camels, pards--Look up, my dear, + The wonders of the world are here! + + PATLANDER. + + * * * * * + +"CELLS BELOW ZERO FOR T.B. PATIENTS. + +Ink in Nurses' Pens Froze when Taking Men's Temperature."--_Canadian +Paper._ + +Personally, we prefer having ours taken with a thermometer. + + * * * * * + +"OFFENCES UNDER THE LIGHTING ORDERS. + +--At Thursday's petty session Emile ---- was paid L1 for having no +near side light on his motor car."--_Local Paper._ + +But ought foreign offenders to be favoured in this way? + + * * * * * + +"Richmond camp is a scene of bustling activity from sunrise to +reveille, or 'Taps' as the Americans term it."--_Evening Paper._ + +And after that the boy scouts would appear to have had a nice long day +to themselves. + + * * * * * + +[Illustration: IF WINSTON SET THE FASHION-- + +PREMIER (_entering Cabinet Council Room_). "WHAT--NOBODY HERE?" + +BUTLER. "YOU FORGET, SIR. THIS IS PRESS DAY. THE GENTLEMEN ARE ALL +FINISHING THEIR NEWSPAPER ARTICLES."] + + * * * * * + +[Illustration: A LONG PARTNERSHIP. + +_Capt. Wedgwood Benn_ (_to Mr. Asquith_). "ISN'T IT ABOUT TIME YOU +TOOK THE GLOVES OFF AND HAD A GO AT 'EM YOURSELF?" _Top Row_ (_reading +from left to right_).--Mr. G. R. THORNE, Mr. DEVLIN, Sir DONALD +MACLEAN, Mr. CLYNES, Gen. SEELY, Col. WEDGWOOD. _Middle Row._--The +SPEAKER, Lieut.-Commander KENWORTHY, Mr. BONAR LAW, Mr. LLOYD GEORGE, +Mr. ASQUITH, Capt. WEDGWOOD BENN. _Bottom Row._--Mr. GEORGE LAMBERT, +Mr. WHITLEY (_Chairman of Committees_).] + + +=ESSENCE OF PARLIAMENT.= + +_Monday, August 2nd._--The rain that drenched the Bank-holiday-makers +had its counterpart inside the House of Commons in the shower of +Questions arising out of Mr. CHURCHILL'S article on the Polish crisis +in an evening newspaper. Members of various parties sought to know +whether, when the WAR SECRETARY said that peace with Soviet Russia was +only another form of war and apparently invited the co-operation of +the German militarists to fight the Bolshevists, he was expressing the +views of the Government; and if not, what had become of the doctrine +of collective responsibility? + +The PRIME MINISTER manfully tried to shield his colleague from the +storm, but the effort took all his strength and ingenuity, and more +than once it seemed as if an unusually violent blast would blow his +umbrella inside out. His principal points were that the article did +not mean what it appeared to say; that if it did it was not so much +an expression of policy as of a "hankering"--("HANKERING. An uneasy +craving to possess or enjoy something"--_Dictionary_); that he could +not control his colleagues' desires or their expression, even in a +newspaper hostile to the Government, so long as they were consistent +with the policy of the Government; and that he was not aware of +anything in this particular article that "cut across any declaration +of policy by His Majesty's Government." + +This does not sound very convincing perhaps, but it was sufficient to +satisfy Members, whose chief anxiety is to get off as soon as possible +to the country, and who voted down by 134 to 32 an attempt to move the +adjournment. + +The CHIEF SECRETARY formally introduced a Bill "to make provision for +the restoration and maintenance of order in Ireland." Earlier in the +sitting the PRIME MINISTER had declined Mr. DE VALERA'S alleged offer +to accept a republic on the Cuban pattern, and had reiterated his +intention to pass the Home Rule Bill after the Recess. + +Mr. T. P. O'CONNOR is a declared opponent of both these measures, but +that did not prevent him from contrasting the lightning speed of the +House when passing coercion for Ireland with its snail-like pace when +approaching conciliation. In fifty years it had not given justice to +Ireland; it was to be asked to give injustice to Ireland in fewer +hours. + +_Tuesday, August 3rd._--That genial optimist Lord PEEL commended the +Ministry of Mines Bill as being calculated to restore harmony and +goodwill among masters and men. According to Lord GAINFORD the best +way to secure this result is to hand back the control of the mines +to their owners, between whom and the employes, he declared, cordial +relations had existed in the past. Still, the owners would work the +Bill for what it was worth, and hoped the miners would do the same. +Lord HALDANE said that was just what the miners had announced their +intention of not doing unless they were given a great deal more power +than the Bill proposed. But this lack of enthusiasm in no way damped +Lord PEEL'S ardour. Indeed he observed that he had "never introduced a +Bill that was received with any sort of enthusiasm." Mollified by this +engaging candour the Peers gave the Bill a Second Reading. + +I am glad to record another example of Government economy. To Mr. +GILBERT, who desired that more sandpits should be provided in the +London parks for the delectation of town-tied children, Sir ALFRED +MOND reluctantly but sternly replied that "in view of the considerable +expenditure involved" he did not feel justified in adding to the +existing number of three. + +Dumps suggest dolefulness, but the debate on the action of the +Disposals Board in disposing of the accumulations at Slough, St. Omer +and elsewhere was decidedly lively. Mr. HOPE led off by attacking the +recent report of the Committee on National Expenditure, and declared +that its Chairman, though a paragon of truth, was not necessarily a +mirror of accuracy. The Chairman himself (Sir F. BANBURY), seated for +the nonce upon the Opposition Bench, replied with appropriate vigour +in a speech which caused Sir GORDON HEWART to remark that the passion +for censoriousness was not a real virtue, but which greatly pleased +the Labour Party, in acknowledging whose compliments Sir FREDERICK +severely strained the brim of his tall hat. + +After these star-turns the "walking gentlemen" had their chance. +Sixteen times were they called upon to parade the Division Lobbies +by an Opposition which on one occasion registered no fewer than +fifty-three votes. + +_Wednesday, August 4th._--One of the few Irish institutions which all +Irishmen unite in praising is the mail service between Kingstown and +Holyhead. Even the Sinn Feiners would think twice before cutting this +link between England and Ireland. Yet, according to Lord ORANMORE AND +BROWNE, the British Post Office has actually given notice to terminate +the contract. He was assured, however, by Lord CRAWFORD that tenders +for a new contract would shortly be invited and that, whoever secured +it, the efficiency of the service would be maintained. + +It was nearly eight o'clock before the Ministry of Mines came on. Lord +SALISBURY thought it would be improper to consider so important a +measure after dinner; Lord CRAWFORD thought it would be still more +improper to suggest that the Peers would not be in a condition to +transact business after that meal. He carried his point, but at the +expense of the Bill, for Lord SALISBURY, returning like a giant +refreshed, induced their Lordships to transform the Minister of Mines +into a mere Under-Secretary of the Board of Trade, thus defeating, +according to Lord PEEL, the principal purpose of the measure. + +It was another day of rather small beer in the Commons. There were, +however, one or two _dicta_ of note. Thus Sir BERTRAM FALK, who +was concerned because Naval officers received no special marriage +allowance, was specifically assured by Sir JAMES CRAIG that the +Admiralty will not prevent men from marrying. I understood, however, +that it will not recognise a wife in every port. + +_Thursday, August 5th._--With lofty disregard of a hundred-and-twenty +years of history the Duke of NORTHUMBERLAND informed the Peers that +the present state of Ireland was due to Bolshevism. Having diagnosed +the disease so clearly he ought to have been ready with a remedy, but +could suggest nothing more practical than the holding of mass meetings +to organise British public opinion. + +Meanwhile the Commons were engaged in rushing through with the aid +of the "guillotine" a Bill for the restoration of order in the +distressful country. Mr. BONAR LAW, usually so accurate, fell into an +ancient trap, and declared that the Sinn Fein leaders had "raised a +_Frankenstein_ that they cannot control." + +Sir HAMAR GREENWOOD made as good a defence of the Bill as was possible +in the circumstances. But neither he nor anybody else could say how +courts-martial, which are "to act on the ordinary rules of evidence," +will be successful in bringing criminals to justice if witnesses +refuse to come forward. + +Mr. T. P. O'CONNOR re-delivered the anti-coercion speech which he has +been making off and on for the last forty years. Mr. DEVLIN was a +little more up-to-date, for he introduced a reference to the Belfast +riots and drew from the CHIEF SECRETARY an assurance that the Bill +would be as applicable to Ulster as to the rest of Ireland. + +Mr. ASQUITH denounced the Bill with unusual animation, and was sure +that it would do more harm than good. Cromwellian treatment needed +a CROMWELL, but he did not see one on the Treasury Bench. "CROMWELL +yourself!" retorted the PRIME MINISTER. The only unofficial supporter +of the Bill, and even he "no great admirer," was Lord HUGH CECIL; but +nevertheless the Second Reading was carried by 289 to 71. + +The House afterwards gave a Second Reading to the Census (Ireland) +Bill, on the principle, as Captain ELLIOTT caustically observed, that +if you can't do anything with the people of Ireland you might at least +find out how many of them there are. + +_Friday, August 6th._--The remaining stages of the Coercion Bill were +passed under the "guillotine." Mr. DEVLIN declared that this was not +"cricket," and refused to play any longer; but it is only fair to say +that he had not then seen our artist's picture. + + * * * * * + +[Illustration: "AN' WHEN I TOLD 'IM IN THE ORFICE THAT ME MONEY WASN'T +RIGHT, HE SAYS, ''ERE 'S A READY RECKONER--WORK IT OUT YERSELF;' AN' +BELIEVE ME OR BELIEVE ME NOT, BUT WHEN I LOOKED AT THE BLESSED BOOK I +FOUND IT WAS LAST YEAR'S."] + + * * * * * + + "At this stage the Chairman withdrew complaining of a head-ache + without nominating a successor, darkness set in and there were no + lights. Along with the Chairman some forty people also left in a + body. What happened afterwards is not clear." + + _Indian Paper._ + +We don't wonder the reporter was baffled. + + * * * * * + +DEAR MR. PUNCH.--_Re_ the authorship of SHAKSPEARE'S plays, may I +quote from _Twelfth Night_, Act I., Scene V.? Thank you. + + + "'Tis beauty truly blent, whose red and white + Nature's own sweet and cunning hand laid on." + + +This is unquestionably bacon. + + * * * * * + +[Illustration: _The Vicar_ (_in a gallant attempt to cover his +opponent's eloquence_) _sings._ "WE PLOUGH THE FIELDS AND SCATTER--"] + + * * * * * + +=ROAD CONDITIONS FOR CHARABANCS.= + +The following road information is compiled from reports received by +the Charabanc Defence Association:-- + +The Lushborough road is good and free from obstruction as far as +Great Boundingley, but from Chatback to Wrothley the conditions are +unfavourable. The bridge one mile south of the former place has been +occupied by a strong force of unfriendly natives, and several cases of +tarring have been reported. There is, however, an alternative route +_via_ Boozeley, but great caution is advised in passing through +Wrothley, passengers being recommended to provide themselves with a +good supply of loose metal before entering the village, where most of +the houses are protected with iron shutters. Helmets should not +be removed before reaching Cadbridge, where there is no danger of +retaliation. + +Bottles may be discharged freely all along the Muckley road as far +as Ruddiham, but caution is needed at Bashfield Corner, from which +a small band of snipers has not yet been dislodged, though their +ammunition is running short. Passengers should be prepared to use all +the resources of their vocabulary at Bargingham, where the inhabitants +enjoy a well-deserved repute for their command of picturesque +invective. It would be humiliating to the whole charabanc +confraternity if they were to yield their pre-eminence in this branch +of education to a small rural community. + +Thanks to the vigilance of the well-armed patrols of the Charabanc +Defence Association the main roads in East Anglia are almost clear +of the enemy. Caution must still be observed in passing through +Garningham at night. One of the hardiest "charabankers" was recently +prostrated in that village by a well-aimed epithet from the oldest +inhabitant. A writer in a Norwich paper recently described the +area within ten miles of Whelksham as "a paradise for baboon-faced +Yahooligans." But these futile ebullitions of malice are powerless to +check the triumphal progress of the charabanc in the Eastern Counties. + +But no route at present offers more favourable or exhilarating +opportunities to the high-minded excursionist than the main Gath road +from Scrapston to Kinlarry. Excellent sport is afforded just outside +Stillminster, where Sir John Goodfellow's greenhouses are within easy +bottle-throw of the road and furnish a splendid target. On the +whole, however, it is thought advisable to abstain from saluting +the neighbouring hospital for shell-shock patients with a salvo of +megaphones, local opinion being adverse to such manifestations. + + * * * * * + +=RHYMES OF THE UNDERGROUND.= + + The Ealing trains run frequently, + The Ealing trains run fast; + I stand at Gloucester Road and see + A many hurtling past; + They go to Acton, Turnham Green, + And stations I have never seen, + Simply because my lot has been + In other places cast. + + The folk on Ealing trains who ride + They, pitying, bestow + On me a look instinct with pride; + But I would have them know + That, while on Wimbledonian plains + My humble domicile remains, + I HAVE NO USE FOR EALING TRAINS, + Though still they come and go. + + * * * * * + +Conversation of the moment in a City restaurant:-- + +REGULAR CUSTOMER (_looking down menu_). "Waiter, why is cottage pie +never on now?" + +WAITER. "Well, Sir, since this 'ere shortage of 'ouses we ain't +allowed to make 'em any more." + + * * * * * + + +THE REVIVAL OF THE FITTEST. + +(_Written after reading Mr. Francis W. GALPIN'S "Old English +Instruments of Music_.") + + I am no skilful vocalist; + I can't control my _mezza gola_; + I have but an indifferent fist + (Or foot) upon the Pianola. + + But there are instruments, I own, + That fire me with a fond ambition + To master for their names alone + Apart from their august tradition. + + They are the Fipple-Flute, a word + Suggestive of seraphic screeches; + The Poliphant comes next, and third + The Humstrum--aren't they perfect peaches? + + About their tone I cannot say + Much that would carry clear conviction, + For, till I read of them to-day, + I knew them not in fact or fiction. + + As yet I am, alas! without + Instruction in the art of fippling, + Though something may be found about + It in the works of LEAR or KIPLING. + + And possibly I may unearth + In LECKY or in LAURENCE OLIPHANT + Some facts to remedy my dearth + Of knowledge bearing on the Poliphant. + + But, now their pictures I have seen + In GALPIN'S learned dissertation, + So far as in me lies I mean + To bring about their restoration. + + Yet since I cannot learn all three + And time is ever onward humming, + My few remaining years shall be + Devoted wholly to humstrumming. + + That, when my bones to rest are laid, + Upon my tomb it may be written: + "He was the very last who played + Upon the Humstrum in Great Britain." + + * * * * * + + +THE SPIDER. + +Lately we had occasion to consider the place of the grasshopper in +modern politics. Now let us consider the place of the spider in our +social life. + +It seems to me that the spider is the most accomplished and in some +ways the most sensible insect we have in these parts. In my opinion a +great deal too much fuss has been made about the bee. She is a knowing +little thing, but the spider is her superior in many ways. Yet no one +seems to write books or educational rhymes about the spider. It is +really a striking example of the well-known hypocrisy and materialism +of the British race. The bee is held up to the young as a model of +industry and domestic virtue--and why? Simply because she manufactures +food which we happen to like. The spider is held up to the young as +the type of rapacity, malice and cruelty, on the sole ground that he +catches flies, though we do not pretend that we are fond of flies, and +conveniently ignore the fact that, if the spider did not swat that +fly, we should probably swat it ourselves. + +The real charge against the spider is that he doesn't make any food +for us. As for the virtue and nobility of the bee, I don't see it. The +only way in which she is able to accumulate all that honey at all is +by massacring the unfortunate males by the thousand as soon as she +conveniently can, a piece of Prussianism which may be justified on +purely material grounds, but is scarcely consistent with her high +reputation for morality and lovingkindness. If it could be shown that +the bee consciously collected all that honey with the idea that we +should annex it there might be something to be said for her on moral +grounds; but nobody pretends that. Now look at the spider. We are told +that as a commercial product spider-silk has been found to be equal if +not superior to the best silk spun by the Lepidopterous larvae, with +whom, of course, you are familiar. "But the cannibalistic propensities +of spiders, making it impossible to keep more than one in a single +receptacle ... have hitherto prevented the silk being used ... for +textile fabrics." So that it comes to this: if spiders are useless +because they eat each other, the bees do much the same thing (only +wholesale), but it makes them commercially useful. The bee therefore +we place upon a pinnacle of respectability, but the spider we despise. +Faugh! the hypocrisy of it makes me sick. My children will be taught +to venerate the spider and despise the bee. + +For, putting aside the question of moral values, look what the spider +can do. What is there in the clammy, not to say messy, honey-comb to +be compared with the delicate fabric of the spider's web? Indeed, +should we ever have given a single thought to the honey-comb if it had +had no honey in it? Do we become lyrical about the wasp's comb? We do +not. It is a case where greed and materialism have warped our artistic +perceptions. The spider can lower itself from the drawing-room ceiling +to the floor by a silken thread produced out of itself. Still more +marvellous, he can climb up the same thread to the ceiling when he +is bored, winding up the thread inside him as he goes, and so making +pursuit impossible. What can the bee do to equal that? And how is it +done? We don't even know. _The Encyclopaedia Britannica_ doesn't know; +or if it does it doesn't let on. But the whole tedious routine of the +bee's domestic pottering day is an open book to us. Ask yourself, +which would you rather do, be able to collect honey and put it in a +suitable receptacle, or be able to let yourself down from the top +floor to the basement by a silken rope produced out of your tummy, and +then climb up it again when you want to go upstairs, just winding up +the rope inside you? I think you will agree that the spider has it. It +is hard enough, goodness knows, to wind up an ordinary ball of string +so that it will go into the string-box properly. What one would do if +one had to put it in one's bread-box I can't think. When my children +grow up, instead of learning + + "How doth the little busy bee ..." + +they will learn-- + + How doth the jolly little spider + Wind up such miles of silk inside her, + When it is clear that spiders' tummies + Are not so big as mine or Mummy's? + The explanation seems to be, + They do not eat so much as me. + +That will point the moral of moderation in eating, you see. There will +be a lot more verses, I expect; I can see _cram_ and _diaphragm_ and +possibly _jam_ coming very soon. But we must get on. + +The spider is like the bee in this respect, that the male seems to +have a most rotten time. For one thing he is nearly always about +two sizes smaller than the female. Owing to that and to what _The +Encyclopaedia Britannica_ humorously describes as "the greater +voracity" of the female (there is a lot of quiet fun in _The +Encyclopaedia Britannica_), he is a very brave spider who makes a +proposal of marriage. "He makes his advances to his mate at the risk +of his life and is not infrequently killed and eaten by her before or +after" they are engaged ("before or after" is good). "Fully aware of +the danger he pays his addresses with extreme caution, frequently +waiting for hours in her vicinity before venturing to come to close +quarters. Males of the _Argyopidae_ hang on the outskirts of the webs +of the females and signal their presence to her by jerking the radial +threads in a peculiar manner." This is, of course, the origin of the +quaint modern custom by which the young man rings the bell before +attempting to enter the web of his beloved in Grosvenor Square. +Contemporary novelists have even placed on record cases in which the +male has "waited for hours in her vicinity before venturing to come +to close quarters;" but too much attention must not be paid to these +imaginative accounts. If I have said enough to secure that in future a +little more kindliness and respect will be shown to the spider in the +nurseries of this great Empire, and a little less of it wasted on the +bee, I have not misspent my time. + +But I shall not be content. Can we not go further? Can we not get a +little more of the simplicity of spider life into this hectic world of +ours? In these latitudes the spider lives only for a single season. +"The young emerge from the cocoon in the early spring, grow through +the summer and reach maturity in the early autumn. _The sexes then +pair and perish_ soon after the female has constructed her cocoon." +How delicious! No winter; no bother about coal; no worry about the +children's education; just one glorious summer of sport, one wild +summer of fly-catching and midge-eating, a romantic, not to say +dangerous wooing, a quiet wedding in the autumn, dump the family in +some nice unfurnished cocoon--and perish. Is there nothing to be said +for that? How different from the miserable bee, which just goes on and +on, worrying about posterity, working and working, fussing about.... + +Yet all our lives are modelled on the bee's. + +A. P. H. + + * * * * * + +[Illustration: _Mr. Meere._ "YOU'LL REALLY HAVE TO BE MORE CAREFUL, +DEAR, HOW YOU SPEAK TO THE COOK OR SHE'LL BE LEAVING US." + +_Mrs. M._ "PERHAPS I WAS RATHER SEVERE." + +_Mr. M._ "SEVERE! WHY, ANYONE WOULD HAVE THOUGHT YOU WERE TALKING TO +ME."] + + * * * * * + +DOWN-OUR-COURT CIRCULAR. + +Why should not some of the other people, who also enjoy life, have +their movements recorded too? Like this:-- + +During Mr. William Sikes' visit to the Devonshire moors Mrs. Sikes +will remain in town. + + * * * + +Mr. and Mrs. James Harris have arrived in London from Southend. + + * * * + +Miss Levi, Miss Hirsch and Master Isaacson are among the guests at +Victoria Park, where some highly successful children's parties have +been given. + + * * * + +Epping is much in favour just now, and a large number of (public) +house-parties have been arranged. Among those entertaining this week +are Mr. Henry Higgins, Mr. Robert Atkins and Mr. John Smith. + + * * * + +Mr. Henry Hawkins, Mrs. Hawkins, Mr. Henry Hawkins, junior, and Miss +Hawkins left town on August 2nd for Hampstead Heath, for a day's +riding and shooting. A large bag of nuts was obtained. Mr. Hawkins has +not yet returned. + + * * * * * + + "LITTLE PROGRESS MADE. + KING STILL DEFIANT." + _Daily Paper._ + + Oh, dear! Another complication! + Who is the monarch? Which the nation? + We breathe again. The Leicester pro. + Kept up his end four hours or so. + + * * * * * + "Another of the big round landlords of London is selling his + estate. + + Sir Joseph Doughty Tichborne is selling his Doughty Estate of 14 + acres."--_Evening Paper._ + +It recalls the famous case. "The Claimant" would certainly have made +"a big round landlord." + + * * * * * + + "Here then is a new development of serious local journalism. Just + an unpretentious but exceedingly well-printed village sheet, + breathing local atmosphere, emitting nothing that can possibly + interest the natives." + +_Local Paper._ + +But we seem to have seen journals like this before. + + * * * * * + +From a Dutch bulb-grower's catalogue:-- + + "Nothing but Inferior quality being sent out from my Nurseries. My + terms are Cash with order only." + +In matters of commerce this Dutchman appears to be maintaining his +country's reputation. + + * * * * * + +=THE ANNIVERSARY.= + +It began as quite an ordinary day. I read my paper at breakfast and +Kathleen poured out the coffee. She wore that little frown between her +eyebrows that means that she is thinking out the menu for lunch and +dinner and hoping that Nurse hasn't burnt Baby's porridge again. This +is married life. + +Then I started in a hurry for the office, hurling a "Good-bye, dear" +through the open window as I passed. The 9.15 leaves little time for +affection. That too is married life. + +It was the sweetbriar hedge that made me decide to miss the 9.15. It +clutched hold of me suddenly and told me that the sky was very blue +and the woods very green, and that the office was an absurd thing on +such a day. + +I went slowly back home round the outside of the garden wall. Someone +was singing in the garden. I stopped and whistled a tune. A face +appeared over the wall--rather an attractive face. + +"Hello!" it said; "someone I knew a long time ago used to whistle that +tune outside my garden." + +"Hello!" I said; "come out for a walk?" + +"I can't come out at the bidding of young men on the highway. It isn't +done." + +"Never mind. Come out." + +"Have I ever been introduced to you?" + +"Introductions went out years ago. Come by the side gate." + +She came. She held a shady hat in her hand and walked on tip-toe. + +"Sh!" she cautioned; "no one must see me. I have a reputation, you +know. I don't want the Vicar to denounce me from the pulpit on Sunday +in front of Baby." + +"I will be quite frank with you," she went on, holding out her left +hand with a dramatic flourish; "I am married--I have a husband." + +I gave a hollow groan; then, with a manly effort, I mastered my +emotion. + +"I hope he's nice to you," I said. + +"No, he isn't. He grouches off to the office in the morning and +grouches back in the evening and reads newspapers. He's just grouched +off now." + +"The callous brute!" I hissed through my teeth. + +"There's worse than that," she said darkly. + +"No!" + +"Yes. To-day, to-day is an anniversary, and he forgot it." The manner +was that of MADAME BERNHARDT. + +"Anniversaries," I said reassuringly, "are difficult to remember. They +accumulate so." + +"Are you defending him?" she protested. + +"Er--no," I said hastily. "The man's an unmitigated scoundrel. He +ought to be divorced or something. What anniversary was it?" + +"Our wedding-day," she said with a sob in the voice. + +"Heavens!" I said. "Oh, the dastardly ruffian!" + +"_You_ wouldn't forget your wedding-day, would you?" + +"_Never!_" I said hoarsely. + +"You're quite rather nice," she sighed. + +"You're adorable," I said readily. + +"How lovely! My husband never says things like that." And she leant +against my shoulder. + +We got on rather well after that. We had lunch in an inn garden, where +you could smell lavender and sweet peas and roses and where there were +box hedges turned under magical spells into giant birds. We discovered +a stream in a wood with hart's-tongue fern growing along its banks. I +picked her armfuls of wild roses. + +"It's to make up," I said, "because your brute of a husband forgot +your wedding-day." + +"I'd love to be married to you," she said brazenly. + +I turned aside to brush away a bitter tear. + +It was almost dusk when we got back to the side gate. + +"Good-bye," she whispered. "Go away quickly; I believe that's the +Vicar coming down the road." + +Then she shut the gate with gentle swiftness in my face. I walked +round to the front door. She was in the hall. + +"Hello!" she said; "I hope you had a good day at the office?" + +"Thanks," I said; "pretty rotten." + +"I've had a lovely day," she said; "I picked up such a nice young man +in the high road. He's taking me out to-night. He's just going to ring +up for seats." + +Without a word I went to the telephone. + + * * * * * + +=The Right Order of Things at Last.= + +"A Gentleman would be pleased to Recommend his Butler in whose service +he has been three years."--_Daily Paper._ + + * * * * * + + "TO AMERICANS IN LONDON.--The ----, Cornwall, offers you + comfortable home while on this side; far away from the madding + crown."--_Daily Paper._ + +Republican prejudices respected. + + * * * * * + + There was a hard-swearing old sailor + Whose speech might have startled a jailer; + But he frankly avowed + That the charabanc crowd + Would not be allowed on a whaler. + + * * * * * + +=THE PATIENTS' LIBRARY.= + +Though a West-End physician of repute, he must, I think, have had a +course of American training, if rapidity of action be any indication +thereof. + +Scarcely had the maid ushered me into his study and I had taken a seat +than he came forward brusquely, looked at me with the glowering eye of +the _Second Murderer_, grasped a large piece of me in the region of +the fourth rib and barked, "You're too fat." + +Having been carefully bred I refrained from retaliation. I did +not tell him that his legs were out of drawing and that he had a +frightfully vicious nose. But before I had time to explain my business +he had started on a series of explosive directions: "Eat proper food. +Plenty of open air. Exercise morning, noon and night and in between. +Use the Muldow system. You need a tonic." + +He turned to his table and was, I suppose, about to draw a cheque for +me on the local chemist's when I decided to say my little piece. + +"Excuse me, Sir," said I mildly, "I am not a patient." + +The combination fountain-pen and thermometer almost fell from his +hand. + +"I am," said I, "the sole proprietor and sole representative of the +Physicians' Supply Association. I gave your maid my card. I have +called with a thrilling offer of magazines for your waiting-room." + +"What dates?" said he, a gleam of interest in his dark eye. + +"All pre-war," said I proudly; "none of them are later than 1900 and +some go back to 1880." + +"Not B.C.?" said he, with a look in which hope and disbelief were +mingled. + +"No," said I. "All are A.D.; but they include two Reports of Missions +to Deep Sea Fishermen in 1885--very rare. I'm sure they would match +splendidly the Proceedings of the Royal Commission on Aniline Dyes +which you have in the waiting-room." + +"No," said he firmly. "I have one of the most important practices in +Harley Street. I likewise possess one of the finest collections of old +magazines in the profession. That blue-book on Aniline Dyes is barely +fifty years old. It was left me by my father, and I retain it simply +through affection for him in spite of its modernity. But the rest +go back to the Crimean vintage and earlier. When you have something +really old, come to me. But"--and he threw in a winning smile in his +best bedside manner--"not till then." + +I am now in search of a young practitioner who is merely starting a +collection. + + * * * * * +[Illustration SCENE.--_A Flower Show: Garden Ornament Section._ + +_Mother._ "I DON'T CARE FOR THAT LITTLE FIGURE. HE'S TOO +EIGHTEENTH-CENTURY FOR MY TASTE." + +_Critical Little Girl_ (_who has lately taken part in +tableaux-vivants_). "HOW CAN YOU TELL WHAT CENTURY HE IS, MOTHER? HE'S +GOT NO CLOTHES ON."] + + * * * * * + +OUR BOOKING-OFFICE. + +(_By Mr. Punch's Staff of Learned Clerks._) + +If sorrow's crown of sorrow is as the poet says, it should be equally +true that there is enough satisfaction in remembering unhappier things +to ensure success for _The Crisis of the Naval War_ (CASSELL), the +large and dignified volume in which Admiral of the Fleet Viscount +JELLICOE OF SCAPA, G.C.B., O.M., G.C.V.O., reminds us how near the +German submarines came to triumph in 1917, and details the various +ways by which their menace was overcome. It is a solid book, written +with authority, and addressed rather to the expert than to the casual +reader; but even the latter individual (the middle-aged home-worker, +for instance, remembering the rationed plate of beans and rice that +constituted his lunch in the Spring of 1917) can thrill now to read of +the precautions this represented, and the multiform activities that +kept that distasteful dish just sufficiently replenished. I have +observed that Viscount JELLICOE avoids any approach to sensationalism. +His book however contains a number of exceedingly interesting +photographs of convoys at sea, smoke-screens, depth-charges exploding, +and the like, which the most uninformed can appreciate. And in at +least one feature of "counter-measures," the history of the decoy or +mystery ships, the record is of such exalted and amazing heroism that +not the strictest language of officialdom can lessen its power to stir +the heart. Who, for example, could read the story of _The Prize_, and +the involuntary tribute from the captured German commander that rounds +it off, without a glow of gratitude and pride? Do you recall how we +would attempt to stifle curiosity with the unsatisfactory formula, "We +shall know some day"? Here in this authoritative volume is another +corner of the curtain lifted. + + * * * * * + +Although he is still comparatively a newcomer, a book with the +signature of Mr. JOSEPH HERGESHEIMER is already something of a +landmark in the publishing season. To this repute _Linda Condon_ +(HEINEMANN) will certainly add. In many ways I incline to think it, or +parts of it, the best work that this unusual artist has yet done. The +development of _Linda_, in the hateful surroundings of an American +"hotel-child," through her detached and observant youth to a womanhood +austere, remote, inspired only by the worship of essential beauty, is +told with an exquisite rightness of touch that is a continual delight. +Mr. HERGESHEIMER has above all else the gift of suggesting atmosphere +and colour (ought I not in mere gratitude to bring myself to say +"color"?); his picture of _Linda's_ amazing mother and the rest of +the luxurious brainless company of her hotel existence has the exotic +brilliance of the orchid-house, at once dazzling and repulsive. Later, +in the course of her married life, inspiring and inspired by the +sculptor _Pleydon_ (in whose fate the curious may perhaps trace some +echo of recent controversy), the story of _Linda_ becomes inevitably +less vivid, though its grasp of the reader's sympathy is never +relaxed. In fine, a tale short as such go nowadays, but throughout +of an arresting and memorable beauty. The state of modern American +fiction has, if I may say so without offence, been for some time a +cause of regret to the judicious; let Mr. HERGESHEIMER be resolute in +refusing to lower his standard by over-production, and I look to see +him leading a return towards the best traditions of an honourable +past. + + * * * * * + +It is not an impossible conception that _Sniping in France_ +(HUTCHINSON) will still be available in libraries in the year 2020 +A.D., and I can imagine the title then catching the eye of some +enthusiastic sportsman, whose bent for game is stronger than his +knowledge of history. Feeling that here is a new class of shooting for +him to try his hand at, he will hasten to acquaint himself with the +details and will discover that the first of the essentials is a +European war in full blast. Whether or not he will see his way to +arrange that for himself, I don't know and, since I shall not be +present, I don't care. But in any case he will be absorbed in an +eminently scientific and indeed romantic study of perhaps the most +thrilling and deadly-earnest big game hunting there has ever been, and +he will be left not a little impressed with the work of the author, +Major H. HESKETH PRICHARD, D.S.O., M.C., his skill, energy and +personality. As to this last he will find a brief summing-up in the +foreword of General Lord HORNE, and he will be able to visualise the +whole "blunderbuss" very clearly by the help of the illustrations of +Mr. ERNEST BLAIKLEY, of the late Lieut. B. HEAD, and of the camera. +There is undoubtedly much controversial matter in the book, which must +necessarily give rise to the most remarkable gun-room discussions. I +can well imagine some stout-hearted Colonel, prompted by his love for +the plain soldier-man and his rooted dislike of all "specialists," +becoming very heated in the small hours of the morning about the +paragraph on page 97, in which a division untrained in the Sniping +Schools is in passing compared to a band of "careless and ignorant +tourists." + + * * * * * + +Senor IBANEZ' new novel, _Mare Nostrum_ (CONSTABLE), is ostensibly a +yarn about spies and submarines, its hero a gallant Spanish captain, +_Ulysses Ferragut_, scion of a long line of sailormen. And there can +be no doubt of the proper anti-German sentiments of this stout fellow, +even though his impetuous passion for _Freya Talberg_, a Delilah in +the service of the enemy, did make him store a tiny island with what +the translator will persist in calling combustibles, meaning, one +supposes, fuel. But more fundamentally it is an affectionate song +of praise of the Mediterranean and the dwellers on its littoral, +especially the fiery and hardy sailors of Spain, and of Spaniards, in +particular the Valencians and Catalonians. Signor IBANEZ' method +is distinctly discursive; he gives, for instance, six-and-twenty +consecutive pages to the description of the inmates of the Naples +Aquarium and is always ready to suspend his story for a lengthy +disquisition on any subject, person or place that interests him. This +puts him peculiarly at the mercy of his transliterator, who has a +positive genius for choosing the wrong word and depriving any comment +of its subtlety, any well-made phrase of its distinction. Even +plain narrative such as the following is none too attractive:--"The +voluminous documents would become covered with dust on his table and +Don Esteban would have to saddle himself with the dates in order that +the end of the legal procedures should not slip by." What ingenuous +person authorises this sort of "authorised translation"? + + * * * * * + +If I may say so without offence, Mr. EDGAR RICE BURROUGHS reminds me +a little of those billiard experts who, having evolved a particular +stroke, will continue it indefinitely, to the joy of the faithful +and the exasperated boredom of the others. To explain my metaphor, I +gather that Mr. BURROUGHS, having "got set," to an incredible number +of thousands, with an invention called _Tarzan_, is now by way of +beating his own record over the adventures of _John Carter_ in the red +planet Mars. Concerning these amazing volumes there is just this to +say, that either you can read them with avidity or you can't read them +at all. From certain casual observations I conceive the test to be +primarily one of youth, for honesty compels my middle-age to admit +a personal failure. I saw the idea; for one thing no egg was ever a +quarter so full of meat as the Martian existence of incomprehensible +thrills, to heighten the effect of which Mr. BURROUGHS has invented +what amounts to a new language, with a glossary of its own, thus +appealing to a well-known instinct of boyhood, but rendering the whole +business of a more than Meredithian obscurity to the uninitiate. I +have hitherto forgotten to say that the particular volume before me is +called _The War Lord of Mars_ (METHUEN). I may add that it closes +with the heroic _Carter_ hailed as Jeddak of Jeddaks, which sounds +eminently satisfactory, though without conveying any definite promise +of finality. + + * * * * * + +[Illustration: _The Knight._ "LET'S SEE. WE HAVE ALREADY OVERCOME THE +CHIEF JAILER AND HIS TEN ASSISTANTS, AND SLAIN THE FEARSOME HOUND +WHICH GUARDED THE COURTYARD. WE HAVE NOW TO DESTROY THE ONE-EYED GIANT +AND THE BEAN-FED DRAGON, SCALE THE OUTER WALL, SWIM THE MOAT AND THEN +TO HORSE. COURAGE, SWEET LADY! YOU ARE PRACTICALLY SAVED."] + + * * * * * + +=Do Poultry Pay?= + + "Six Hens for sale, some laying 7s. each."--_Local Paper._ + +You will find three of them as good as a guinea-fowl. + + * * * * * + + "But the germ of Socialism or BZolshevism--however you like to + call it--has hardly entered the Polish working-class blood." + + _Provincial Paper._ + +We fear, however, that it has got into our contemporary's +composing-room. + + * * * * * + + +Transcriber's Note: + +Page 116 corrected Typo: changed "Encylopaedia" to "Encyclopaedia". + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Volume +159, August 11, 1920, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 19151.txt or 19151.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/9/1/5/19151/ + +Produced by Lesley Halamek, Jonathan Ingram and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
