diff options
Diffstat (limited to '19101-h/19101-h.htm')
| -rw-r--r-- | 19101-h/19101-h.htm | 6530 |
1 files changed, 6530 insertions, 0 deletions
diff --git a/19101-h/19101-h.htm b/19101-h/19101-h.htm new file mode 100644 index 0000000..60362dd --- /dev/null +++ b/19101-h/19101-h.htm @@ -0,0 +1,6530 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> +<head> +<title>The Girl with the Green Eyes</title> +<meta http-equiv = "Content-Type" content = "text/html; +charset=ISO-8859-1"> + +<style type = "text/css"> + +body {margin-left: 10%; margin-right: 10%;} + +hr {width: 80%; margin-top: 1em; margin-bottom: 1em;} +hr.break {margin-top: 2em; margin-bottom: 2em;} +hr.mid {width: 40%;} +hr.tiny {width: 20%;} + +h1, h2, h3, h4, h5, h6 {text-align: center; font-style: normal; +font-weight: normal; line-height: 1.5; margin-top: .5em; +margin-bottom: 0em;} + +h1 {font-size: 200%;} +h2 {font-size: 150%;} +h3 {font-size: 125%;} +h4 {font-size: 115%;} +h5 {font-size: 100%;} +h6 {font-size: 90%;} + +p, div, blockquote {margin-top: .5em; margin-bottom: 0em; +line-height: 1.2;} + +p.illustration {text-align: center; margin-top: 1em; +margin-bottom: 1em;} + +p.booktitle {font-size: 105%; font-family: sans-serif; margin-top: 1em;} +p.bookblurb {font-size: 92%; margin-left: 2em; margin-right: 1em;} +p.bookprice {font-size: 92%; text-align: right;} + +/* footnotes & tags */ + +a.contents {text-decoration: none;} + +/* drama */ + +p.act {font-size: 115%; text-align: center; margin-top: 3em; +margin-bottom: 1.5em;} +p.scene {font-size: 110%; text-align: center; font-variant: small-caps; +margin-top: 1.5em; margin-bottom: 1em;} +p.stagedir {text-align: right; margin-left: 2em; font-style: italic;} +p.scenedesc {font-style: italic; margin-left: 1em; text-indent: -1em;} +p.curtain {text-align: center; margin-top: 1.5em;} + +/* tables */ + +table {margin-left: auto; margin-right: auto; margin-top: 1em; +margin-bottom: 1em;} + +td {vertical-align: top; padding: .1em .5em;} + +td.group {line-height: 1.5;} +td.group.right {border-right: thin solid;} +td.group.left {border-left: thin solid;} +td.label {vertical-align: middle;} +td.cast {text-align: right;} + +td.number {text-align: right;} +td.padded {padding: 1em 1.5em 1em 1.5em;} + +/* conditional */ + + +.subtitle {font-size: 80%;} +.inset {padding-left: 2em;} +.inset.two {padding-left: 4em;} + +/* text formatting */ + +.chapter {margin-top: 4em;} +.section {margin-top: 2em;} +.space {margin-top: 1em;} +.nospace {margin-top: 0em;} + +.smallroman {font-size: 0.8em;} +.smallcaps {font-variant: small-caps; font-style: normal;} +.extended {letter-spacing: 0.3em;} +.sans {font-family: sans-serif;} +.ital {font-style: italic;} +.boldf {font-weight: bold;} +.plaintext {font-style: normal;} /* switches off italics */ + + +ins.correction {text-decoration: none; border-bottom: thin dotted red;} +.pagenum {position: absolute; right: 5%; font-size: 95%; +font-weight: normal; font-style: normal; text-align: right; +text-indent: 0em;} +.mynote {background-color: #DDE; color: #000; padding: .5em; +margin: 1em 5em; font-family: sans-serif; font-size: 95%;} + +</style> +</head> + +<body> + + +<pre> + +The Project Gutenberg EBook of The Girl with the Green Eyes, by Clyde Fitch + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Girl with the Green Eyes + A Play in Four Acts + +Author: Clyde Fitch + +Release Date: August 22, 2006 [EBook #19101] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE GIRL WITH THE GREEN EYES *** + + + + +Produced by Louise Hope, David Garcia and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + + + + + +</pre> + + +<p class = "mynote"> +A few typographical errors have been corrected. They have been +marked in the text with <ins class = "correction" title = +"like this">mouse-hover popups</ins>. All French and German words +("Wunderbaum!") are as in the original. +</p> + + +<h2 class = "section">THE GIRL WITH THE<br> +GREEN EYES</h2> + +<p class = "chapter"> </p> + +<p class = "illustration"> +<img src = "images/publogo.png" width = "152" height = "45" +alt = "publisher's logo" title = "publisher's logo"> +</p> + +<p class = "chapter"> </p> + +<h2 class = "boldf">The Girl with the<br> +Green Eyes</h2> + +<h4 class = "ital">A PLAY IN FOUR ACTS</h4> + +<p class = "section"> </p> + +<h4 class = "ital">By</h4> + +<h4>CLYDE FITCH</h4> + +<p class = "illustration"> +<img src = "images/fleur.png" width = "33" height = "36" +alt = "fleur-de-lis" title = "fleur-de-lis"> +</p> + +<p class = "chapter"> </p> + +<h5>THE MACMILLAN COMPANY<br> +<i>NEW YORK MCMV</i></h5> + +<h6 class = "smallcaps">LONDON: MACMILLAN & CO., Ltd.</h6> + +<p class = "chapter"> </p> + +<h6 class = "smallcaps">Copyright, 1905,<br> +By THE MACMILLAN COMPANY.<br> +All Rights Reserved.</h6> + +<hr class = "tiny"> + +<h6>Set up and electrotyped. Published November, 1905.</h6> + + +<h6 class = "boldf">Norwood Press</h6> +<h6>J. S. Cushing & Co.—Berwick & Smith Co.<br> +Norwood, Mass., U.S.A.</h6> + +<hr class = "mid break"> + +<span class = "pagenum">5</span> +<h5>TO</h5> + +<h4>CLARA BLOODGOOD</h4> + +<h5>GOOD FRIEND AND IDEAL INTERPRETER<br> +OF “JINNY”</h5> + +<hr class = "mid break"> + +<span class = "pagenum">7</span> +<h4 class = "ital">THE GIRL WITH THE GREEN EYES</h4> + +<hr class = "tiny"> + +<table> +<tr> +<td><a class = "contents" href = "#actI">ACT I.</a></td> +<td><span class = "smallcaps">The Tillmans’ House, New +York.</span><br> +<span class = "inset two"><i>The Wedding.</i></span> +</td> +</tr> +<tr> +<td></td> +<td class = "padded">(Two months elapse.)</td> +</tr> +<tr> +<td><a class = "contents" href = "#actII">ACT II.</a></td> +<td><span class = "smallcaps">The Vatican, Rome.</span><br> +<span class = "inset two"><i>The Honeymoon.</i></span> +</td> +</tr> +<tr> +<td></td> +<td class = "padded">(Three weeks elapse.)</td> +</tr> +<tr> +<td><a class = "contents" href = "#actIII">ACT III.</a></td> +<td><span class = "smallcaps">The Austins’ House, New +York.</span><br> +<span class = "inset two"><i>Home.</i></span> +</td> +</tr> +<tr> +<td></td> +<td class = "padded">(The night passes.)</td> +</tr> +<tr> +<td><a class = "contents" href = "#actIV">ACT IV.</a></td> +<td class = "smallcaps">The Same.</td> +</tr> +<tr> +<td class = "inset smallcaps"> +<a class = "contents" href = "#actIV_i">Scene I.</a></td> +<td class = "inset"><i>Dawn of the Next Day.</i></td> +</tr> +<tr> +<td class = "inset smallcaps"> +<a class = "contents" href = "#actIV_ii">Scene II.</a></td> +<td class = "inset"><i>Early the Same Morning.</i></td> +</tr> +</table> + +<hr class = "mid break"> + +<span class = "pagenum">9</span> + +<h4 class = "ital">THE PERSONS MORE OR LESS<br> +CONCERNED IN THE PLAY</h4> + +<hr class = "tiny"> + +<table> +<tr> +<td colspan = "3"> +<span class = "smallcaps">“Jinny” Austin.</span></td> +</tr> +<tr> +<td class = "group right" width = "40%"> +<span class = "smallcaps">Mr. Tillman</span><br> +<span class = "smallcaps">Mrs. Tillman</span> +</td> +<td class = "label" colspan = "2"> +<i>Her Parents.</i> +</td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">Geoffrey Tillman.</span> <i>Her +Brother.</i></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">Susie.</span> <i>Her Cousin.</i> +</td> +</tr> +<tr> +<td class = "group right" colspan = "2"> +<span class = "smallcaps">Miss Ruth Chester</span><br> +<span class = "smallcaps">Miss Grace Dane</span><br> +<span class = "smallcaps">Miss Belle Westing</span><br> +<span class = "smallcaps">Miss Gertrude Wood</span> +</td> +<td class = "label" width = "50%"> +<i>Her Bridesmaids.</i> +</td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">Maggie.</span> <i>Maid at the +Tillmans’.</i></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">Housemaid.</span> <i>At the +Tillmans’.</i></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">Butler.</span> <i>At the +Tillmans’.</i></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">Footman.</span> <i>At the +Tillmans’.</i></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">John Austin.</span></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">Mrs. Cullingham.</span></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">Peter Cullingham.</span> <i>Her +Son.</i></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">Mrs. Lopp.</span></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">Carrie.</span> <i>Her +Daughter.</i></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">A French Couple.</span></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">A German Couple.</span></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">A Guide.</span></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">A Driver.</span></td> +</tr> +<tr> +<td colspan = "3"> +<span class = "smallcaps">A Group of Tourists.</span></td> +</tr> +</table> + +<hr class = "mid break"> + +<p> +<span class = "pagenum">11</span> +Originally produced under the management of Charles Frohman at the Savoy +Theatre, New York, on the 25th of December, 1902, with the following +cast:—</p> + +<table> +<tr> +<td>“Jinny” Austin</td> +<td class = "cast">Miss Clara Bloodgood</td> +</tr> +<tr> +<td>Mr. Tillman</td> +<td class = "cast">Mr. Charles Abbott</td> +</tr> +<tr> +<td>Mrs. Tillman</td> +<td class = "cast">Mrs. Harriet Otis Dellenbaugh</td> +</tr> +<tr> +<td>Geoffrey Tillman</td> +<td class = "cast">Mr. John M. Albaugh, Jr.</td> +</tr> +<tr> +<td>Susie</td> +<td class = "cast">Miss Edith Taliaferro</td> +</tr> +<tr> +<td>Miss Ruth Chester</td> +<td class = "cast">Miss Lucille Flaven</td> +</tr> +<tr> +<td>Miss Grace Dane</td> +<td class = "cast">Miss Mary Blyth</td> +</tr> +<tr> +<td>Miss Belle Westing</td> +<td class = "cast">Miss Helena Otis</td> +</tr> +<tr> +<td>Miss Gertrude Wood</td> +<td class = "cast">Miss Felice Morris</td> +</tr> +<tr> +<td>Maggie</td> +<td class = "cast">Miss Lucile Watson</td> +</tr> +<tr> +<td>Housemaid</td> +<td class = "cast">Miss Angela Keir</td> +</tr> +<tr> +<td>Butler</td> +<td class = "cast">Mr. Gardner Jenkins</td> +</tr> +<tr> +<td>Footman</td> +<td class = "cast">Mr. Walter Dickinson</td> +</tr> +<tr> +<td>John Austin</td> +<td class = "cast">Mr. Robert Drouet</td> +</tr> +<tr> +<td>Mrs. Cullingham</td> +<td class = "cast">Mrs. McKee Rankin</td> +</tr> +<tr> +<td>Peter Cullingham</td> +<td class = "cast">Mr. Harry E. Asmus</td> +</tr> +<tr> +<td>Mrs. Lopp</td> +<td class = "cast">Miss Ellen Rowland</td> +</tr> +<tr> +<td>Carrie</td> +<td class = "cast">Miss Clara B. Hunter</td> +</tr> +<tr> +<td class = "label">A French Couple</td> +<td class = "cast"> +Mr. Henry De Barry<br> +Miss Louise Delmar</td> +</tr> +<tr> +<td class = "label">A German Couple</td> +<td class = "cast"> +Mr. J. R. Cooley<br> +Miss Elsa Ganett</td> +</tr> +<tr> +<td>A Guide</td> +<td class = "cast">Mr. Frank Brownlee</td> +</tr> +<tr> +<td>A Driver</td> +<td class = "cast">Mr. Lou W. Carter</td> +</tr> +<tr> +<td class = "label">A Group of Tourists</td> +<td class = "cast"> +Miss Elizabeth French<br> +Miss Gertrude Bindley<br> +Miss Myrtle Lane</td> +</tr> +</table> + +<hr class = "break"> + +<span class = "pagenum">13</span> +<p class = "act"><a name = "actI" id = "actI">ACT I</a></p> + +<p class = "scenedesc"> +A charming room in the Tillmans' house. The walls are white woodwork, +framing in old tapestries of deep foliage design, with here and there a +flaming flamingo; white furniture with old, green brocade cushions. The +room is in the purest Louis XVI. The noon sunlight streams through a +window on the left. On the opposite side is a door to the hall. At back +double doors open into a corridor which leads to the ballroom. At left +centre are double doors to the front hall. A great, luxurious sofa is at +the left, with chairs sociably near it, and on the other side of the +room a table has chairs +<span class = "pagenum">14</span> +grouped about it. On <ins class = "correction" title = +"missing 'a'?">floral</ins> small table are books and objets d'art, and +everywhere there is a profusion of white roses and maidenhair fern.</p> + +<p class = "scenedesc"> +In the stage directions Left and Right mean Left and Right of actor, as +he faces audience.</p> + +<p class = "scenedesc"> +Three smart-looking <span class = "smallcaps">Servants</span> are +peering through the crack of the folding door, their backs to the +audience. The pretty, slender <span class = "smallcaps">Maid</span> is +on a chair. The elderly <span class = "smallcaps">Butler</span> +dignifiedly stands on the floor. The plump, overfed little <span class = +"smallcaps">Housemaid</span> is kneeling so as to see beneath the head +of the <span class = "smallcaps">Butler</span>.</p> + + +<p><span class = "smallcaps">Housemaid.</span> [<i>Gasping.</i>] Oh, +ain't it a beautiful sight!</p> + +<p><span class = "smallcaps">Butler.</span> [<i>Pompously.</i>] Not to +me who 'ave seen a Lord married in Hengland.</p> + +<p><span class = "pagenum">15</span> +<span class = "smallcaps">Maggie.</span> Oh, you make me sick, Mr. +Potts, always talking of your English Aristocracy! I'm sure there never +was no prettier wedding than this. Nor as pretty a bride as Miss +Jinny.</p> + +<p><span class = "smallcaps">Butler.</span> [<i>Correcting her.</i>] +Mrs. Haustin!</p> + +<p><span class = "smallcaps">Housemaid.</span> She looks for all the +world like one of them frosted angels on a Christmas card. My, I wish I +could 'a' seen her go up the aisle with the organ going for all it was +worth!</p> + +<p><span class = "smallcaps">Maggie.</span> It was a <i>beautiful</i> +sight!</p> + +<p><span class = "smallcaps">Butler.</span> A good many 'appens to be +'aving the sense to be going now.</p> + +<p><span class = "smallcaps">Housemaid.</span> Could you hear Miss Jinny +say "I do," and make them other remarks?</p> + +<p><span class = "smallcaps">Maggie.</span> Yes, <i>plain</i>, though +her voice was trembly like. But Mr. Austin he almost shouted!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Laughing nervously in excitement.</p> + +<p><span class = "smallcaps">Butler.</span> 'E's glad to get 'er!</p> + +<p><span class = "pagenum">16</span> +<span class = "smallcaps">Maggie.</span> <i>And her him!</i></p> + +<p><span class = "smallcaps">Housemaid.</span> Yes, that's what I likes +about it. Did any one cry?</p> + +<p><span class = "smallcaps">Maggie.</span> Mrs. Tillman. Lots of people +are going now.</p> + +<p><span class = "smallcaps">Housemaid.</span> What elegant clothes! Oh, +gosh!</p> + +<p><span class = "smallcaps">Butler.</span> [<i>Superciliously.</i>] +Mrs. Cullingham don't seem in no 'urry; she's a common lot!</p> + +<p><span class = "smallcaps">Maggie.</span> I don't care, she's rich and +Miss Jinny likes her; she just throws money around to any poor person or +church or hospital that wants it, or <i>don't</i>! So she can't be so +<i>very common</i> neither, Mr. Potts!</p> + +<p><span class = "smallcaps">Housemaid.</span> Say, I catch on to +something! Young Mr. Tillman's sweet on that there tall bridesmaid.</p> + +<p><span class = "smallcaps">Maggie.</span> [<i>Sharply.</i>] Who?</p> + +<p><span class = "pagenum">17</span> +<span class = "smallcaps">Butler.</span> Miss Chester. I've seen there +was something goin' hon between them whenever she's dined or lunched +'ere.</p> + +<p><span class = "smallcaps">Maggie.</span> [<i>Angry.</i>] 'Tain't +true!</p> + +<p><span class = "smallcaps">Butler.</span> I'll bet my month's +wages.</p> + +<p><span class = "smallcaps">Maggie.</span> I don't believe you!</p> + +<p><span class = "smallcaps">Butler.</span> Why, what's it to +<i>you</i>, please?</p> + +<p><span class = "smallcaps">Maggie.</span> [<i>Saving herself.</i>] +Nothing—</p> + +<p><span class = "smallcaps">Housemaid.</span> Well, I guess it's truth +enough. That's the second time I've seen him squeeze her hand when no +one wasn't lookin'.</p> + +<p><span class = "smallcaps">Maggie.</span> Here, change places with me! +[<i>Getting down from her chair.</i>] If you was a gentleman, Mr. Potts, +you'd have given me <i>your place</i>!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Witheringly.</p> + +<p><span class = "smallcaps">Butler.</span> If I was a <i>gentleman</i>, +miss, I wouldn't be here; <i>I'd</i> be on the other side of the +door.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He moves the chairs away.</p> + +<p><span class = "pagenum">18</span> +<span class = "smallcaps">Maggie.</span> [<i>To Housemaid.</i>] Honest, +you saw something between them?</p> + +<p><span class = "smallcaps">Housemaid.</span> Who?</p> + +<p><span class = "smallcaps">Maggie.</span> Him and her? Mr. Geoffrey +and Miss Chester—</p> + +<p><span class = "smallcaps">Housemaid.</span> <i>Cheese it!</i> they're +coming this way!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She and the <span class = +"smallcaps">Maid</span> and the <span class = "smallcaps">Butler</span> +vanish through the door Right.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Geoffrey</span> and <span class = "smallcaps">Ruth</span> +enter through the double doors quickly at back. <span class = +"smallcaps">Geoffrey</span> is a young, good-looking man, but with a +weak face. He is of course very smartly dressed. <span class = +"smallcaps">Ruth</span> is a very serenely beautiful girl, rather noble +in type, but unconscious and unpretending in manner. They close the +doors quickly behind them.</p> + +<p><span class = "smallcaps">Geoffrey.</span> We'll not be interrupted +here, and +<span class = "pagenum">19</span> +I must have a few words with you before you go.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He follows her to the sofa where she +sits, and leans over it, with his arm about her shoulder.</p> + +<p><span class = "smallcaps">Ruth.</span> Oh, Geof,—Geof, why +weren't we married like this?</p> + +<p><span class = "smallcaps">Geoffrey.</span> It couldn't be helped, +darling!</p> + +<p><span class = "smallcaps">Ruth.</span> It isn't the big wedding I +miss, oh, no, it's only it seemed sweeter in a church. Why did we have +to steal off to Brooklyn, to that poor, strange little preacher in his +stuffy back parlour, and behave as if we were doing something of which +we were ashamed?</p> + +<p><span class = "smallcaps">Geoffrey.</span> You love me, I love +you,—isn't that the chief thing, dearest?</p> + +<p><span class = "smallcaps">Ruth.</span> But how much longer must we +keep it secret?</p> + +<p><span class = "smallcaps">Geoffrey.</span> Till I can straighten my +affairs +<span class = "pagenum">20</span> +out. I can't explain it all to you; there are terrible debts,—one +more than all the others,—a debt I made when I was in college.</p> + +<p><span class = "smallcaps">Ruth.</span> If I could only help you! I +have a <i>little</i> money.</p> + +<p><span class = "smallcaps">Geoffrey.</span> No, I love you too much; +besides, this debt isn't <i>money</i>, and I hope to get rid of it +somehow before long.</p> + +<p><span class = "smallcaps">Ruth.</span> Forgive me for worrying you. +It is only that every one is so happy at this wedding except +me,—dear Jinny brimming over with joy, as I would be,—and +it's made me feel—a little—</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>Comes around the sofa +and sits beside her.</i>] I know, dear, and it's made me feel what a +brute I am! Oh, if you knew how I hate myself for all I've done, and for +the pain and trouble I cause you now!</p> + +<p class = "stagedir"> +<span class = "pagenum">21</span> +<span class = "plaintext">[</span><span class = +"smallcaps">Maggie</span>, her sharp features set tense, appears in the +doorway on the left behind the curtains and listens.</p> + +<p><span class = "smallcaps">Ruth.</span> Never mind, we won't think of +that any more.</p> + +<p><span class = "smallcaps">Geoffrey.</span> I can never throw it off, +not for a minute! I'm a worthless fellow and how can you love +me—</p> + +<p><span class = "smallcaps">Ruth.</span> [<i>Interrupting him.</i>] I +<i>do</i>! You are worth everything to me, and you will be worth much to +the world yet!</p> + +<p><span class = "smallcaps">Geoffrey.</span> I love you, +Ruth—that's the one claim I can make to deserve you. But it's +helped me to give up <i>all</i> the beastly pleasures I used to +indulge in!</p> + +<p><span class = "smallcaps">Ruth.</span> [<i>Softly.</i>] Geof!</p> + +<p><span class = "smallcaps">Geoffrey.</span> Which I used to think the +only things worth living for, and which now, thanks to you, I +loathe,—every one of them.</p> + +<p><span class = "pagenum">22</span> +<span class = "smallcaps">Ruth.</span> I'm so glad! I've been some help, +then.</p> + +<p><span class = "smallcaps">Geoffrey.</span> If I'd only got you +earlier, I'd have been a different man, Ruth!</p> + +<p><span class = "smallcaps">Ruth.</span> [<i>Smiling and taking his +nervous hand in hers.</i>] Then I mightn't have fallen in love with you +if you were a <i>different</i> man!</p> + +<p><span class = "smallcaps">Geoffrey.</span> Dear girl! Anyway, this is +the good news that I want to tell you—I hope now to have things +settled in a couple of weeks.</p> + +<p><span class = "smallcaps">Ruth.</span> [<i>In glad relief.</i>] +Geoffrey!</p> + +<p><span class = "smallcaps">Geoffrey.</span> But—I mayn't be +successful; it might be, Ruth—it might be, we would have to +wait—for years—</p> + +<p><span class = "smallcaps">Ruth.</span> [<i>Quietly.</i>] I don't +think I could bear that! It's not easy for me to lie and deceive as I've +had to the last few months; I don't think I could keep it up.</p> + +<p class = "stagedir"> +<span class = "pagenum">23</span> +<span class = "plaintext">[</span><span class = "smallcaps">Peter +Cullingham</span> enters suddenly, from the ballroom, a pale young man, +but, unlike <span class = "smallcaps">Geoffrey</span>, hard and +virile.</p> + +<p><span class = "smallcaps">Peter.</span> Oh, here you are! I say, are +you two spoony? Just the way <i>I</i> feel! [<i>Laughing.</i>] I caught +and hugged old Mrs. Parmby just now! I think it's sort of in the air at +weddings, don't you?</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>Rising.</i>] I'm +surprised to see you've left the refreshment table, Peter.</p> + +<p><span class = "smallcaps">Peter.</span> They sent me to find Miss +Chester—they're going to cut the bridesmaid's cake, and if you two +really are spoony, Miss Chester, you'd better not miss it—you +might get the ring!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They laugh as <span class = +"smallcaps">Peter</span> takes out a bottle from which he takes a round, +black tablet which he puts in his mouth.</p> + +<p><span class = "smallcaps">Ruth.</span> [<i>Also rising.</i>] I'd +better go.</p> + +<p class = "stagedir"> +<span class = "pagenum">24</span> +<span class = "plaintext">[</span><span class = "smallcaps">Peter</span> +is making frantic efforts to swallow the tablet.</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>Noticing him.</i>] +What's the matter with you?</p> + +<p><span class = "smallcaps">Peter.</span> O dear! I've eaten so many +ices and fancy cakes, I've got awful indigestion, and I'm trying to +swallow a charcoal tablet.</p> + +<p><span class = "smallcaps">Ruth.</span> Come with me and get a glass +of water.</p> + +<p><span class = "smallcaps">Peter.</span> No, it's very bad to drink +water with your meals; but I'll get a piece of bridesmaid's +cake—that'll push it down!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Peter</span> +and <span class = "smallcaps">Ruth</span> go out through the double +doors.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>The moment they are out of the room, +<span class = "smallcaps">Maggie</span> comes from behind the curtain +and goes straight up to <span class = "smallcaps">Geoffrey</span>. He +looks astonished and frightened.</p> + +<p><span class = "smallcaps">Geoffrey.</span> What do you want? Have you +been listening?</p> + +<p><span class = "pagenum">25</span> +<span class = "smallcaps">Maggie.</span> So that's it, is it? You want +to marry her when you can get rid of me.</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>With relief.</i>] What +do you mean?</p> + +<p><span class = "smallcaps">Maggie.</span> Oh, I may not have heard +everything, but I heard and saw enough to catch on that you're in love +with Miss Chester.</p> + +<p><span class = "smallcaps">Geoffrey.</span> Well?</p> + +<p><span class = "smallcaps">Maggie.</span> Well, you won't marry +her—I'll never set you free.</p> + +<p><span class = "smallcaps">Geoffrey.</span> Sh!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Looking about and closing the +doors.</p> + +<p><span class = "smallcaps">Maggie.</span> Oh, they're all in the +dining room.</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>Angry.</i>] What do +you want, anyway?</p> + +<p><span class = "smallcaps">Maggie.</span> [<i>She pleads a +little.</i>] When I came here to your house and got a position, it was +because I <i>loved</i> you, if you <i>had</i> treated me bad, and I +hoped by seeing you again, and being near +<span class = "pagenum">26</span> +you, you might come back to me and everything be made straight!</p> + +<p><span class = "smallcaps">Geoffrey.</span> Never! Never! It's +impossible.</p> + +<p><span class = "smallcaps">Maggie.</span> [<i>Angry again.</i>] Oh, is +it! Well, the dirty little money you give me now only holds my tongue +quiet so long's you behave yourself and don't run after any other girls! +But the minute you try to throw me down, I'll come out with the whole +story.</p> + +<p><span class = "smallcaps">Geoffrey.</span> I was drunk when I married +you!</p> + +<p><span class = "smallcaps">Maggie.</span> More shame to you!</p> + +<p><span class = "smallcaps">Geoffrey.</span> You're right. But I was +only twenty—and you—led me on—</p> + +<p><span class = "smallcaps">Maggie.</span> [<i>Interrupting him.</i>] +Me! led you on! <i>me</i>, as decent and nice a girl as there was in New +Haven if I do do housework, and that's my wedding ring and you put it +there, and mother's got the certificate locked up good and safe in her +<span class = "pagenum">27</span> +box with my dead baby sister's hair and the silver plate off my father's +coffin!</p> + +<p><span class = "smallcaps">Geoffrey.</span> We mustn't talk here any +more!</p> + +<p><span class = "smallcaps">Maggie.</span> You look out! If I wasn't so +fond of your sister Miss Jinny, and if the old people weren't so good to +me, I'd just show you right up <i>here—now</i>!</p> + +<p><span class = "smallcaps">Geoffrey.</span> I'll <i>buy</i> you off if +I can't divorce you!</p> + +<p><span class = "smallcaps">Maggie.</span> <i>You!</i> Poof!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Girls'</span> voices are heard from the ballroom.</p> + +<p><span class = "smallcaps">Geoffrey.</span> Look out—some one's +coming!</p> + +<p><span class = "smallcaps">Maggie.</span> [<i>Going.</i>] You haven't +got a red cent; my cheque's always one of your <i>father's</i>!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She goes out Right.</p> + +<p><span class = "smallcaps">Geoffrey.</span> Good God! what am I going +to do—shoot myself, if I don't get out of this soon—I must +get some air!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He goes out Left.</p> + +<p class = "stagedir"> +<span class = "pagenum">28</span> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +opens the double doors, looks in, and then enters. She is an adorable +little human being, pretty, high-strung, temperamental, full of certain +feminine fascination that defies analysis, which is partly due to the +few faults she possesses. She is, of course, dressed in the conventional +wedding-dress, a tulle veil thrown over her face.</p> + +<p><span class = "smallcaps">Jinny.</span> Not a soul! Come on!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She is followed in by the four <span +class = "smallcaps">Bridesmaids</span>—nice girls every one of +them—and also, very slyly, by <span class = +"smallcaps">Susie</span>, a very modern spoiled child, who sits +unobserved out of the way at the back.</p> + +<p>Now, my dears, I wish to say good-by all by ourselves so I can make +you a little speech! [<i>All laugh gently.</i>] In the first place I +want to tell you that there's nothing like marriage! And +<span class = "pagenum">29</span> +you must every one of you try it! Really, I was never so happy in my +life!</p> + +<p><span class = "smallcaps">Grace.</span> Must we stand, or may we sit +down?</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, stand; it won't be long +and you'll only crush your lovely frocks. In fact, I advise you not to +lose any time sitting down again until you've got the happy day +fixed!</p> + +<p><span class = "smallcaps">Ruth.</span> You know, Jinny darling, that +there is no one so glad for your happiness as your four bridesmaids +are—isn't that so, girls?</p> + +<p><span class = "smallcaps">All.</span> Yes!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>And they all together embrace <span +class = "smallcaps">Jinny</span>, saying, "Dear old Jinny," "Darling +Jinny," "We'll miss you dreadfully," etc., ad lib., till they get +tearful.</p> + +<p><span class = "smallcaps">Jinny.</span> Good gracious, girls, we +mustn't cry. I'll get red eyes, and Jack'll think what an awful +<span class = "pagenum">30</span> +difference just the marriage service makes in a woman.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>The doors at the back open, and <span +class = "smallcaps">Austin</span> appears in the doorway.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Austin</span> is a typical New Yorker in appearance, +thirty-two years old, good-looking, manly, self-poised, and somewhat +phlegmatic in temperament.</p> + +<p><span class = "smallcaps">Austin.</span> Hello! May a mere man come +in to this delectable tea party?</p> + +<p><span class = "smallcaps">Jinny.</span> <i>No</i>, Jack! But +<i>wait</i>—by the door till I call you!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Amused.</i>] Thank +you!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He goes out, closing the door.</p> + +<p><span class = "smallcaps">Gertrude.</span> We'll miss you so awfully, +Jinny.</p> + +<p><span class = "smallcaps">Jinny.</span> Just what I say! Get a man to +keep you company, and then you won't miss any one.</p> + +<p><span class = "pagenum">31</span> +<span class = "smallcaps">Belle.</span> Yes, but attractive men with +lots of money don't come into the Grand Central Station by every +train!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Putting her arm about +her.</i>] You want too much, my dear Belle! And you aren't watching the +Grand Central Station either half so much as you are the steamer docks +for a suitable person. Now don't be angry; you know you want a good big +title, and you've got the money to pay, but, my dear Belle, it's those +ideas of yours that have kept you single +till—twenty-six!—now <i>that</i> you must confess was nice +of me, to take off <i>three</i> years!</p> + +<p><span class = "smallcaps">Belle.</span> [<i>Laughing.</i>] Jinny, +you're horrid!</p> + +<p><span class = "smallcaps">Jinny.</span> No, I'm not! You know I'm +<i>really</i> fond of you, or you wouldn't be my bridesmaid to-day; it's +only that I want <i>your wedding</i> to be as happy as +<i>mine</i>—that's all, and here's a little gift +<span class = "pagenum">32</span> +for you to remember your disagreeable but loving friend by!</p> + +<p class = "stagedir"> +[<i>Giving her a small jewelry box.</i></p> + +<p><span class = "smallcaps">Belle.</span> Thank you, Jinny! Thank +you!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>A little moved.</p> + +<p><span class = "smallcaps">Grace.</span> Mercy! I hope you're not +going to take each one of us!</p> + +<p><span class = "smallcaps">Jinny.</span> I am, and come here, +<i>you're</i> next!</p> + +<p><span class = "smallcaps">Grace.</span> I'll swear I don't want to +get married at all!</p> + +<p><span class = "smallcaps">Jinny.</span> Don't be silly, you +<i>icicle</i>! Of course you don't; you freeze all the men away, so that +you've no idea how nice and comfy they can be! My advice to you, Grace +darling,—and I <i>love</i> you, or I wouldn't bother,—is to +<i>thaw</i>! [<i>Laughs.</i>] I used to be awfully jealous of +you—</p> + +<p><span class = "smallcaps">Grace.</span> [<i>Interrupting.</i>] +Oh!</p> + +<p><span class = "smallcaps">Jinny.</span> Yes, I was! You're lots +prettier than I am.</p> + +<p><span class = "pagenum">33</span> +<span class = "smallcaps">Grace.</span> Jinny!</p> + +<p><span class = "smallcaps">Jinny.</span> You <i>are</i>! But I got +over it because I soon saw you were so cold, there was no danger of any +conflagration near you! Oh, I've watched your <i>eyes</i> often to see +if any man had lighted the fires in them yet. And now I'm determined +they shall be lighted. You're too <i>cold</i>! Thaw, dear,—not to +<i>everybody</i>,—that would be like slushy weather, but don't +keep yourself so continually so far below zero that you won't have time +to strike—well—say eighty-five in <i>the shade</i>, when the +right bit of masculine sunshine <i>does</i> come along! Here—with +my best love!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Giving her a small jewelry box.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Grace</span> +kisses <span class = "smallcaps">Jinny</span>.</p> + +<p><span class = "smallcaps">Gertrude.</span> I am the next +<i>victim</i>, I believe!</p> + +<p><span class = "smallcaps">Jinny.</span> All I've got to say to +<i>you</i>, Miss, is, that if you don't decide pretty soon on <i>one</i> +of the +<span class = "pagenum">34</span> +half dozen men you are flirting with <i>disgracefully</i> at present, +they'll every one find you out and you'll have to go in for +widowers.</p> + +<p><span class = "smallcaps">Gertrude.</span> [<i>Mockingly.</i>] +Horrors!</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, I don't know! I suppose a +widower is sort of <i>broken in</i> and would be more likely to put up +with your caprices! For the sake of your charm and wit and true heart +underneath it all, you dear old girl you!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Giving her a small jewel box.</p> + +<p><span class = "smallcaps">Gertrude.</span> Thank you, Jinny. I'm only +afraid I will do the wrong thing with you away! You know you're always +my ballast!</p> + +<p><span class = "smallcaps">Jinny.</span> Nonsense! Female ballast is +no good; masculine ballast is the only kind that's safe if you want to +make life's journey in a love balloon. [<i><span class = +"smallcaps">She</span> turns to <span class = "smallcaps">Ruth +Chester</span>.</i>] Ruth—the trouble with you is, you're too sad +lately, and +<span class = "pagenum">35</span> +show such a lack of interest. I should think you might be in love, only +I haven't been able to find the man. Anyway, if you aren't in love, you +must <i>pretend</i> an interest in things. Of course, men's affairs are +awfully dull, but they don't like you to talk about them, so it's really +very easy. All you have to do is listen, stare them straight in the +eyes, think of whatever you like, and look pleased! It <i>does</i> +flatter them, and they think <i>they</i> are <i>interesting</i>, and you +<i>charming</i>! Wear this, and think of me! [<i>Giving her a box.</i>] +and be happy! I <i>want</i> you to be <i>happy</i>—and I can see +you aren't!</p> + +<p><span class = "smallcaps">Ruth.</span> [<i>Kissing her.</i>] Thank +you, dear!</p> + +<p><span class = "smallcaps">Jinny.</span> There, that's +all!—except—when I come home from abroad in October, if +every one of you aren't engaged to be married, I'll wash my hands of +you—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They all laugh.</p> + +<p class = "stagedir"> +<span class = "pagenum">36</span> +<span class = "plaintext">[</span><span class = +"smallcaps">Susie</span>, sliding off her chair at back, comes +forward.</p> + +<p><span class = "smallcaps">Susie.</span> Now, it's my turn! You can't +chuck me!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Trying not to laugh.</i>] +Susie! where did you come from and <i>what do</i> you mean?</p> + +<p><span class = "smallcaps">Susie.</span> Oh, you give me a +pain!—I went up the aisle with you to-day, too—what's the +matter with telling me how to get married!</p> + +<p><span class = "smallcaps">Jinny.</span> I'll tell you this, your +language is dreadful; where do you get all the boy's slang? You don't +talk like a lady.</p> + +<p><span class = "smallcaps">Susie.</span> I'm not a lady. I'm a little +girl!</p> + +<p><span class = "smallcaps">Jinny.</span> You <i>talk</i> much more +like a common boy.</p> + +<p><span class = "smallcaps">Susie.</span> Well, I'd rather <i>be</i> a +<i>boy</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> Susie, I shall tell Aunt +Laura her daughter needs looking after.</p> + +<p><span class = "pagenum">37</span> +<span class = "smallcaps">Susie.</span> Oh, very well, cousin Jinny. If +you're going to make trouble, why, forget it!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Turns and goes out haughtily, +Right.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Going to the double +doors, calls.</i>] Now you can come in, Jack.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Austin</span> enters.</p> + +<p><span class = "smallcaps">Austin.</span> And now I've only time to +say good-by. All your guests have gone except the Cullinghams, who are +upstairs with your mother, looking at the presents.</p> + +<p><span class = "smallcaps">Gertrude.</span> Come! All hands around +him!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>The five <span class = +"smallcaps">Girls</span> join hands, with <span class = +"smallcaps">Austin</span> in the centre.</p> + +<p><span class = "smallcaps">Belle.</span> We don't care if every one +else has gone or not, <i>we're</i> here yet!</p> + +<p><span class = "smallcaps">Austin.</span> So I see! But I am ordered +by my father-in-law—ahem! [<i>all laugh</i>] —to go to my +room, or he thinks there will be danger of our losing our train.</p> + +<p><span class = "pagenum">38</span> +<span class = "smallcaps">All the Bridesmaids.</span> [<i>Ad lib.</i>] +Where are you going? Where are you going? We won't let you out till you +tell us.</p> + +<p><span class = "smallcaps">Austin.</span> I daren't—I'm afraid +of my wife!</p> + +<p><span class = "smallcaps">Jinny.</span> Bravo, Jack!</p> + +<p><span class = "smallcaps">Grace.</span> Very well, then, we'll let +you out, on <i>one</i> condition, that you kiss us all in turn.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>The <span class = +"smallcaps">Girls</span> laugh.</p> + +<p><span class = "smallcaps">Jinny.</span> No! No! [<i>Breaking +away.</i>] He shan't do any such thing!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They all laugh and break up the +ring.</p> + +<p><span class = "smallcaps">Gertrude.</span> Dear me, isn't she +jealous!</p> + +<p><span class = "smallcaps">Belle.</span> Yes, it is evidently time we +all went! Good-by, Jinny! [<i>Kissing her.</i>] A happy journey to +<i>Washington</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> No, it isn't!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>General good-bys. <span class = +"smallcaps">Jinny</span> begins with <span class = +"smallcaps">Ruth</span> at one end, and <span class = +"smallcaps">Austin</span> at the other; he +<span class = "pagenum">39</span> +says good-by and shakes hands with each girl.</p> + +<p><span class = "smallcaps">Gertrude.</span> [<i>Kissing <span class = +"smallcaps">Jinny</span>.</i>] Good-by, and a pleasant trip to +<i>Niagara Falls</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> Not a bit!</p> + +<p><span class = "smallcaps">Grace.</span> [<i>Kissing <span class = +"smallcaps">Jinny</span>.</i>] Good-by, I believe it's <i>Boston</i> or +<i>Chicago</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> <i>Neither!</i></p> + +<p><span class = "smallcaps">Ruth.</span> Good-by, dear, and all the +happiness in the world!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Kisses her.</p> + +<p><span class = "smallcaps">Jinny.</span> Thank you.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She turns and goes with the other +three girls to the double doors at back, where they are heard +talking.</p> + +<p><span class = "smallcaps">Ruth.</span> Mr. Austin?</p> + +<p><span class = "smallcaps">Austin.</span> Yes?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Joining her.</p> + +<p><span class = "pagenum">40</span> +<span class = "smallcaps">Ruth.</span> [<i>Embarrassed.</i>] You like +your new brother, <i>don't</i> you?</p> + +<p><span class = "smallcaps">Austin.</span> <ins class = "correction" +title = "text reads 'Geoff'">Geof</ins>? most certainly I do, and Jinny +adores him.</p> + +<p><span class = "smallcaps">Ruth.</span> I know, then, you'll be a good +friend to him if he needs one.</p> + +<p><span class = "smallcaps">Austin.</span> Surely I will.</p> + +<p><span class = "smallcaps">Ruth.</span> I think he does need one.</p> + +<p><span class = "smallcaps">Austin.</span> Really—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>The <span class = +"smallcaps">Girls</span> are passing out through the doors.</p> + +<p><span class = "smallcaps">Belle.</span> Come along, Ruth.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">They</span> +pass out and <span class = "smallcaps">Jinny</span> stands in the +doorway talking to them till they are out of hearing.</p> + +<p><span class = "smallcaps">Ruth.</span> Sh! please don't tell any one, +not even Jinny, what I've said! I may be betraying something I've no +right to do, and don't tell <i>him</i> I've spoken to you.</p> + +<p><span class = "smallcaps">Austin.</span> All right!</p> + +<p class = "stagedir"> +<span class = "pagenum">41</span> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +turns around in the doorway.</p> + +<p><span class = "smallcaps">Ruth.</span> Thank you—and +good-by.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Shaking his hand again.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +notices that they shake hands twice. A queer little look comes into her +face.</p> + +<p><span class = "smallcaps">Austin.</span> Good-by.</p> + +<p><span class = "smallcaps">Ruth.</span> Have they gone?—Oh! +[<i>Hurrying past <span class = "smallcaps">Jinny</span>.</i>] Good-by, +dear.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She goes out through the double +doors.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>In a curious little +voice.</i>] Good-by....</p> + +[<i>She comes slowly down the room toward <span class = +"smallcaps">Austin</span>, and smiles at him quizzically.</i>] What were +you two saying? + +<p><span class = "smallcaps">Austin.</span> Good-by!</p> + +<p><span class = "smallcaps">Jinny.</span> But you'd said it once to her +already! Why did you have to say good-by <i>twice</i> to <i>Ruth</i>? +Once was enough for all the other girls!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Banteringly.</i>] The +first time <i>I</i> said +<span class = "pagenum">42</span> +good-by to <i>her</i>, and the second time <i>she</i> said good-by to +<i>me</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> Do you know what I +believe—<i>Ruth Chester's in love with you</i>!</p> + +<p><span class = "smallcaps">Austin.</span> Oh, darling!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Laughs.</p> + +<p><span class = "smallcaps">Jinny.</span> Yes, that explains the whole +thing. No wonder she was <i>triste</i> to-day.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Laughing.</i>] Jinny, +sweetheart, don't get such an absurd notion into your head.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Looks straight at him a +moment, then speaks tenderly.</i>] No—no—I know it's not +your fault. There was no other woman in this house for you to-day but +<i>me</i>, <i>was</i> there?</p> + +<p><span class = "smallcaps">Austin.</span> There was no other woman in +the world for me since the first week I knew you.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Taking her into his arms.</p> + +<p><span class = "smallcaps">Jinny.</span> This is good-by to <i>Jinny +Tillman</i>!</p> + +<p class = "stagedir"> +<span class = "pagenum">43</span> +<span class = "plaintext">[</span>He kisses her.</p> + +<p>Jack, darling, do you think I could sit on your knee like a little +child and put my arm around your neck and rest my head on your shoulder +for just five seconds—I'm <i>so tired</i>!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mrs. +Cullingham</span> opens the door.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Oh!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Shuts the door very quickly and +knocks.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +and <span class = "smallcaps">Austin</span> laugh.</p> + +<p><span class = "smallcaps">Jinny.</span> Yes, +yes—come in!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mrs. +Cullingham</span> enters. She is a handsome, whole-souled, florid woman; +one of those creatures of inexhaustible vitality who make people of a +nervous temperament tired almost on contact by sheer contrast. She is +the kindest, best meaning creature in the world.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Oh, do excuse me! I +haven't any more tact!—and I hate to interrupt +<span class = "pagenum">44</span> +you, but I must say good-by. [<i>Calls.</i>] Peter!</p> + +<p><span class = "smallcaps">Peter.</span> Yes'm.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Entering with a glass of water and a +powder. He sits in the arm-chair at right, and constantly looks at his +watch.</p> + +<p><span class = "smallcaps">Austin.</span> I'm much obliged to you, +Mrs. Cullingham, for the interruption, as I was sent long ago to make +myself ready for the train, if you'll excuse me!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Certainly!</p> + +<p><span class = "smallcaps">Jinny.</span> Good-by!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Taking his hand as he passes her.</p> + +<p><span class = "smallcaps">Austin.</span> Good-by!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He goes out Right.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> If it's time for +<i>him</i>, it's certainly time for <i>you</i>. I won't keep you a +minute!</p> + +<p><span class = "pagenum">45</span> +<span class = "smallcaps">Jinny.</span> No, really we've plenty of +time,— [<i>both sit on sofa.</i>] Wasn't it a lovely wedding!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> I never saw a +sweeter, my dear! And it was perfectly elegant! Simply great!</p> + +<p><span class = "smallcaps">Jinny.</span> And isn't Jack—</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> He is! And so are +you! In fact I've been telling your mother I don't know how to thank you +both. You've asked me to-day to meet the swellest crowd I've ever been +in where I was <i>invited</i>, and didn't have to buy tickets, and felt +I had a right to say something besides "excuse me," and "I beg your +pardon." Of course, I've sat next to them all before in restaurants and +at concerts, but this time I felt like the real thing myself, and I +shall never forget it! If you or your husband ever want any mining tips, +come to me; what my +<span class = "pagenum">46</span> +husband don't know about mines isn't worth knowing!</p> + +<p><span class = "smallcaps">Jinny.</span> I'm as glad as I can be if +you've had a good time, and you mustn't feel indebted to us. Ever since +we met in Egypt that winter, mamma and I have always felt you were one +of our best friends.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Of course you know +it isn't for <i>my own</i> sake I'm doing these stunts to get into +Society. It's all for <i>my boy</i>. He's <i>got</i> to have the +best—or the <i>worst</i>, however you look at it! +[<i>Laughing.</i>] Anyway, I want him to have a chance at it, and it +belongs to him through his father, for my first husband was a real +swell!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Looking at <span class = +"smallcaps">Peter</span> lovingly.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>At this moment, <span class = +"smallcaps">Peter</span>, having again looked at his watch, tips up the +powder on his tongue, and swallows it down with the water.</p> + +<p><span class = "pagenum">47</span> +<span class = "smallcaps">Mrs. Cullingham.</span> Poor darling! He +suffers terribly from indigestion. That's an alkali powder he takes +twenty minutes after eating. Peter, we must say good-by now.</p> + +<p><span class = "smallcaps">Peter.</span> [<i>Coming up.</i>] Good-by, +Miss Jinny.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> <i>Mrs. +Austin!</i></p> + +<p><span class = "smallcaps">Jinny.</span> Oh, I'll always be "Miss +Jinny" to Peter!</p> + +<p><span class = "smallcaps">Peter.</span> Thank you! We've had a great +time at your wedding! <i>Bully food!</i> But I'm <i>feeling</i> it! +[<i>He turns aside.</i>] Excuse me!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> I was just telling +Mrs. Austin—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Interrupted.</p> + +<p><span class = "smallcaps">Jinny.</span> "Jinny"—don't +change.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Thank you— +[<i>Rises to go.</i>] I was just saying we won't forget in our social +life, will we, Peter, that Miss +<span class = "pagenum">48</span> +Jinny gave us the biggest boost up we've had yet?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +also rises.</p> + +<p><span class = "smallcaps">Peter.</span> Well, you know, mother, I +don't think the game's worth the candle. It's begun to pall on me +already.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> I really think he's +going to be superior to it!</p> + +<p><span class = "smallcaps">Peter.</span> I only go now for your +sake.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mrs. +Tillman</span>, coming from Right, speaks off stage.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Jinny! Jinny!</p> + +<p><span class = "smallcaps">Jinny.</span> Mother!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mrs. +Tillman</span> enters.</p> + +<p><span class = "smallcaps">Jinny.</span> I ought to dress?</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>To <span class = +"smallcaps">Mrs. Cullingham.</span></i>] She'll be late if she isn't +careful.</p> + +<p><span class = "smallcaps">Jinny.</span> I'm going to. Is Maggie +there?</p> + +<p><span class = "pagenum">49</span> +<span class = "smallcaps">Mrs. Tillman.</span> Yes, waiting!</p> + +<p><span class = "smallcaps">Jinny.</span> Good-by. [<i>Kisses <span +class = "smallcaps">Mrs. Cullingham.</span></i>] Good-by. [<i>Shakes +<span class = "smallcaps">Peter's</span> hand.</i>]</p> + +<p><span class = "smallcaps">Peter.</span> Many happy returns!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +goes out Right.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Come, I want to give +you some of Jinny's flowers to take home with you. Would you like +some?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> I should love +them!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They go out through the doors at +back.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Peter</span> +is suffering with indigestion. He takes a charcoal tablet, and <span +class = "smallcaps">Susie</span> cautiously enters Right.</p> + +<p><span class = "smallcaps">Susie.</span> There you are! Have you got +'em?</p> + +<p><span class = "smallcaps">Peter.</span> No, I gave them back to +you.</p> + +<p><span class = "smallcaps">Susie.</span> Then they're in there on the +table—get 'em quick, the trunks are coming down now!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Peter</span> +goes out quickly at back, as the +<span class = "pagenum">50</span> +<span class = "smallcaps">Butler</span> and <span class = +"smallcaps">Man Servant</span> enter Right, carrying a large new trunk +with a portmanteau on top of it.</p> + +<p><span class = "smallcaps">Susie.</span> Put them right over there for +a minute! [<i>They put them down in the centre of the room, and the +<span class = "smallcaps">Footman</span> goes out Right.</i>] And mind, +you don't split on us, Thomas. Auntie Tillman knows all about +it—it's just to be a nice little surprise for Cousin Jinny and my +new uncle.</p> + +<p><span class = "smallcaps">Butler.</span> Very well, miss.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He also goes out Right.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>At the same time <span class = +"smallcaps">Peter</span> reënters at back with a roll of papers and some +broad white satin ribbon. The papers are about half a foot broad and two +feet long, and on them is printed, "We are on our honeymoon."</p> + +<p><span class = "smallcaps">Peter.</span> [<i>With gay excitement.</i>] +I've got 'em.</p> + +<p><span class = "pagenum">51</span> +<span class = "smallcaps">Susie.</span> Get some water—there's +sticky stuff on the back!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Peter</span> +gives her the papers and ribbons and goes out again at back.</p> + +<p><span class = "smallcaps">Susie.</span> Quick! [<i>Ties a big white +bow on the portmanteau and on a trunk handle.</i>] If Auntie Tillman +sees 'em, I'll bet she'll grab 'em off. She'll be as mad as +<i>hops</i>!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>The <span class = +"smallcaps">Butler</span> and <span class = "smallcaps">Footman</span> +reënter Right, and bring down an old steamer trunk and a gentleman's +dressing-bag.</p> + +<p><span class = "smallcaps">Butler.</span> [<i>To the <span class = +"smallcaps">Footman</span>.</i>] Go and see if the carriage is +there!</p> + +<p><span class = "smallcaps">Footman.</span> Yes, sir.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He goes out Left.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>As <span class = +"smallcaps">Peter</span> reënters from the back, with the water.</p> + +<p><span class = "smallcaps">Susie.</span> Quick now! Quick!</p> + +<p class = "stagedir"> +<span class = "pagenum">52</span> +<span class = "plaintext">[</span>They stick one label on the big +steamer trunk facing the audience.</p> + +<p><span class = "smallcaps">Peter.</span> I say isn't that great!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Susie</span> +giggles aloud with delight. The <span class = "smallcaps">Butler</span>, +standing at one side, smiles. They put another label on the other +trunk.</p> + +<p><span class = "smallcaps">Susie.</span> [<i>Giggling.</i>] I heard +them plan it,—they're taking one old trunk purposely so as people +would not catch on they were just married!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Giggles delightedly.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>The <span class = +"smallcaps">Footman</span> reënters with a driver, Left.</p> + +<p><span class = "smallcaps">Footman.</span> Yes, sir, it's here.</p> + +<p><span class = "smallcaps">Butler.</span> [<i>To the driver.</i>] You +can take that first.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Pointing to the steamer trunk.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Driver</span> goes out Left with it on his shoulder, and the +portmanteau.</p> + +<p><span class = "smallcaps">Butler.</span> Now, James, you're to go +over with +<span class = "pagenum">53</span> +the luggage to Twenty-third Street Ferry and check the heavy baggage; +you know where to.</p> + +<p><span class = "smallcaps">Footman.</span> Yes, sir.</p> + +<p><span class = "smallcaps">Susie.</span> [<i>Eagerly.</i>] Oh, +<i>where to?</i></p> + +<p><span class = "smallcaps">Butler.</span> I am hunder hoath not to +tell, Miss.</p> + +<p><span class = "smallcaps">Susie.</span> O pish!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Kneeling in the big arm-chair and +watching proceedings from behind its back.</p> + +<p><span class = "smallcaps">Butler.</span> [<i>Continues to the <span +class = "smallcaps">Footman</span>.</i>] And wait with the checks and +Mr. Austin's dressing-bag— [<i>Showing it.</i>] —until they +come.</p> + +<p><span class = "smallcaps">Footman.</span> Yes, sir.</p> + +<p><span class = "smallcaps">Peter.</span> And make haste, or, I say, +somebody'll turn up and give our whole joke away!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>The <span class = +"smallcaps">Driver</span> reënters.</p> + +<p><span class = "smallcaps">Susie.</span> Yes, <i>do</i> hurry!</p> + +<p><span class = "smallcaps">Footman.</span> [<i>To the <span class = +"smallcaps">Driver</span>.</i>] Come along.</p> + +<p class = "stagedir"> +<span class = "pagenum">54</span> +<span class = "plaintext">[</span>They take the big trunk out Left. +<span class = "smallcaps">Butler</span> follows with the +dressing-bag.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> [<i>Calls from the +room at back.</i>] Peter darling, are you there?</p> + +<p><span class = "smallcaps">Susie.</span> Phew! Just in time!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Sliding down into a more correct +position in the chair.</p> + +<p><span class = "smallcaps">Peter.</span> Yes, mother!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Going to back.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> [<i>In the doorway, +at back.</i>] Come, take these beautiful roses from Mrs. Tillman!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mrs. +Cullingham</span> and <span class = "smallcaps">Mrs. Tillman</span> +enter.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>With her arms full +of roses.</i>] Thomas will take them down.</p> + +<p><span class = "smallcaps">Peter.</span> No, I'd like to. Aren't they +bully?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He takes them.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> [<i>To <span class += "smallcaps">Mrs. Tillman</span>.</i>] +<span class = "pagenum">55</span> +Good-by, and thank you again. I know you must want to go up to +Jinny.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Yes, she may need me +to help her a little. Good-by. Good-by, Peter.</p> + +<p><span class = "smallcaps">Peter.</span> Good-by, ma'm.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mrs. +Tillman</span> goes out Right.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Why, Susie, how do +you do?</p> + +<p><span class = "smallcaps">Susie.</span> [<i>Glides out of the chair +and stands before it.</i>] How do you do?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Embarrassed.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> You're a good +little girl, I hope?</p> + +<p><span class = "smallcaps">Susie.</span> I don't! I hate good little +girls!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> O my!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She goes out, laughing, Left.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Peter</span>, coming to <span class = +"smallcaps">Susie</span>, catches her in his arms and kisses her, much +against her will.</p> + +<p><span class = "smallcaps">Susie.</span> [<i>Furious.</i>] Oh, you +horrid, nasty thing, +<span class = "pagenum">56</span> +you! [<i>She strikes at him; he runs; she chases him from one side of +the room to the other, around a sofa and table, and out Left, screaming +as she chases him.</i>] I hate you! I hate you!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Maggie</span> enters Right.</p> + +<p><span class = "smallcaps">Maggie.</span> Miss Susie, Mrs. Tillman +wants to see you upstairs.</p> + +<p><span class = "smallcaps">Susie.</span> What for?</p> + +<p><span class = "smallcaps">Maggie.</span> I don't know, Miss.</p> + +<p><span class = "smallcaps">Susie.</span> Pshaw! have I got to go? All +right!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Going toward the door at Right.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Austin</span> enters, meeting <span class = +"smallcaps">Susie</span>.</p> + +<p><span class = "smallcaps">Austin.</span> Hello! Where are <i>you</i> +going?</p> + +<p><span class = "smallcaps">Susie.</span> Oh, up to Auntie Tillman's +room. Goodness knows what for; it's an awful bore! Want to come +along?</p> + +<p><span class = "smallcaps">Austin.</span> No, thank you; but if you +see your Cousin Jinny, you might tell her I am down.</p> + +<p><span class = "pagenum">57</span> +<span class = "smallcaps">Susie.</span> [<i>Hanging on to him.</i>] I +say! Where are you and Cousin Jinny going to, anyway?</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Smiling.</i>] I don't +know.</p> + +<p><span class = "smallcaps">Susie.</span> O my, what a fib! And that's +a nice example to set a little girl!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She goes out Right.</p> + +<p><span class = "smallcaps">Maggie.</span> [<i>Coming forward.</i>] I +beg pardon, sir, but may I speak to you a minute?</p> + +<p><span class = "smallcaps">Austin.</span> Certainly, Maggie, what +is it?</p> + +<p><span class = "smallcaps">Maggie.</span> I've been trying for a +chance to see you alone. I wouldn't bother you, sir—but it's only +because I'm fond of Miss Jinny, and of Mr. and Mrs. Tillman, and they've +all been so good to me; I know it would nearly kill 'em if they +knew.</p> + +<p><span class = "smallcaps">Austin.</span> Come, Maggie, knew what?</p> + +<p><span class = "smallcaps">Maggie.</span> Well, <i>one member</i> of +this family ain't been good to me, sir. [<i>From this point her feelings +<span class = "pagenum">58</span> +begin to get the better of her and she speaks rapidly and +hysterically.</i>] He's been bad, bad as he could, and somebody's got to +talk to him, and I don't see who's a-goin' to do it but you. If he don't +change, I'll not hold my tongue any longer. It's all I can do for their +sakes to hold it now!</p> + +<p><span class = "smallcaps">Austin.</span> Look here, what are you +talking about? You don't mean Mr. Geoffrey?</p> + +<p><span class = "smallcaps">Maggie.</span> Yes, I do, sir; he's my +husband.</p> + +<p><span class = "smallcaps">Austin.</span> What!!</p> + +<p><span class = "smallcaps">Maggie.</span> We was married when he was +at Yale, sir; I was in a shop there.</p> + +<p><span class = "smallcaps">Austin.</span> But—! Well, after all, +isn't this your and Geoffrey's affair? Why bring me in?</p> + +<p><span class = "smallcaps">Maggie.</span> Because he's making love to +Miss Chester, and promising to marry <i>her</i> now, and if he don't +stop—I'll make trouble!</p> + +<p><span class = "pagenum">59</span> +<span class = "smallcaps">Austin.</span> But if he's married to you, as +you say—he can't marry—any one else.</p> + +<p><span class = "smallcaps">Maggie.</span> He's tried to make me +believe our marriage ain't legal, because he was only twenty and he'd +been drinking!</p> + +<p><span class = "smallcaps">Austin.</span> What makes you think Mr. +Geoffrey cares for—Miss Chester?</p> + +<p><span class = "smallcaps">Maggie.</span> I just heard and see him +making love to her <i>here</i>!</p> + +<p><span class = "smallcaps">Austin.</span> This is a pretty bad story, +Maggie.</p> + +<p><span class = "smallcaps">Maggie.</span> Yes, sir, and the worst is, +sir, I know I ain't good enough for him, and that's why I've kept still +about it these three years, but I can't help loving him no matter how +ugly he's treated me. [<i>Breaking down into tears.</i>] I just can't +help it! I <i>love</i> him, sir, even if I'm only a servant girl, and I +can't stand it thinking he's going to try and get rid of me for some one +else!</p> + +<p class = "stagedir"> +<span class = "pagenum">60</span> +<span class = "plaintext">[</span>She sobs out loud.</p> + +<p><span class = "smallcaps">Austin.</span> Sh!—Maggie. Sit down a +minute, and control yourself. Somebody'll hear you, and besides they'll +be coming down presently. I'll have a talk with Mr. Geoffrey when I come +back—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Interrupted as <span class = +"smallcaps">Geoffrey</span> enters Left. He doesn't see <span class = +"smallcaps">Maggie</span>, who is collapsed in a corner of the sofa.</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>To <span class = +"smallcaps">Austin</span>.</i>] Ah! Thank goodness I've caught you; I +had an awful headache and went out for a breath of air, and then I was +afraid I might have missed you! I knew in that case Jinny would never +forgive me, nor—I—myself—for +that—matter—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>His voice grows less exuberant in the +middle of his speech and finally at the end almost dies away, as he sees +the expression in <span class = "smallcaps">Austin's</span> face and +realizes that something is wrong +<span class = "pagenum">61</span> +somewhere. When he stops speaking, <span class = +"smallcaps">Maggie</span> gives a gasping sob. He hears it, and +starting, sees her.</p> + +<p><span class = "smallcaps">Geoffrey.</span> Maggie!</p> + +<p><span class = "smallcaps">Austin.</span> Geoffrey, is what this girl +says true?</p> + +<p><span class = "smallcaps">Geoffrey.</span> That I married her in New +Haven? Yes.</p> + +<p><span class = "smallcaps">Maggie.</span> [<i>Rises.</i>] I'll go, +please, I'd rather go.</p> + +<p><span class = "smallcaps">Austin.</span> Yes, go, Maggie; it's +better.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Maggie</span> goes out Right.</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>As soon as she is out +of the room.</i>] Promise me, Jack, you won't tell any one! It's awful, +I know! For two years at college I went all to pieces and led a rotten +life,—and one night, drunk, I married her, and it isn't so much +her fault. I suppose she thought I loved her,—but this would break +up the old lady and gentleman so, if they knew, I couldn't stand it! And +<span class = "pagenum">62</span> +Jinny, for God's sake, don't tell Jinny. <i>She respects me.</i> You +won't tell her, will you?</p> + +<p><span class = "smallcaps">Austin.</span> No. But Maggie says you want +to marry some one else now.</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>With a change, in +great shame.</i>] That's true, too.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He sits in utter dejection on the +sofa.</p> + +<p><span class = "smallcaps">Austin.</span> How are you going to +do it?</p> + +<p><span class = "smallcaps">Geoffrey.</span> I must make money somehow +and buy off Maggie.</p> + +<p><span class = "smallcaps">Austin.</span> Yes, go out to Sioux Falls, +get a divorce there on respectable grounds, and settle a sum of money on +Maggie.</p> + +<p><span class = "smallcaps">Geoffrey.</span> But I can't do that!</p> + +<p><span class = "smallcaps">Austin.</span> Why not?</p> + +<p><span class = "smallcaps">Geoffrey.</span> I can't do anything that +would give publicity, and that divorce would.</p> + +<p><span class = "smallcaps">Austin.</span> Any divorce would; you can't +get rid of that.</p> + +<p><span class = "pagenum">63</span> +<span class = "smallcaps">Geoffrey.</span> I tell you I can't have +publicity. Ruth—Miss Chester—would hear of it.</p> + +<p><span class = "smallcaps">Austin.</span> Well, if she loves you, +she'll forgive your wild oats, especially as every one sees now what a +steady, straight fellow you've become.</p> + +<p><span class = "smallcaps">Geoffrey.</span> It's Ruth! But I can't do +that. No, Jack, you must help—you will, won't you? Oh, <i>do</i>, +for Jinny's sake! Help me to persuade Maggie to keep silent for good, +tear up that certificate of marriage. I was only twenty; it's hardly +legal, and I'll settle a good sum—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Interrupted.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Going straight to him, +puts his hand heavily on his shoulder.</i>] Good God, you're proposing +bigamy! You've done enough; don't stoop to <i>crime</i>!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>The two <span class = +"smallcaps">Men</span> face each other a moment. <span class = +"smallcaps">Geoffrey's</span> head drops.</p> + +<p><span class = "pagenum">64</span> +<span class = "smallcaps">Austin.</span> Forget you ever said that; do +what I tell you when Jinny and I have gone abroad, so she will be away +from it a little, and if you want money, let me know.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +enters Right, with nervous gaiety, covering an upheaving emotion which +is very near the surface.</p> + +<p><span class = "smallcaps">Jinny.</span> Ready! And there <i>you</i> +are, Geof. I've been sending all over the house after you! Good-by! +[<i>Throwing her arms about him.</i>] Dear old Geof! Haven't we had good +times together! Always, always from the youngest days I can +remember—I don't believe there were ever a brother and sister so +sympathetic; I know there was never a brother such a perfect darling as +you were—I'll miss you, Geof! [<i>The tears come into her voice, +anyway.</i>] I used to think I'd never marry at all if I couldn't marry +<i>you</i>, and I <i>do</i> think <i>he</i> is the +<span class = "pagenum">65</span> +only man in the world who could have taken me away from home, so long as +you were there! [<i>To <span class = "smallcaps">Austin</span>, +smiling.</i>] You aren't jealous?</p> + +<p><span class = "smallcaps">Austin.</span> No!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>In jest.</i>] Isn't it +awful! You can't <i>make</i> him jealous! I think it's a positive flaw +in his character! Not like—<i>us</i>, is he?</p> + +<p><span class = "smallcaps">Geoffrey.</span> Dear old girl—</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Whispers to him.</i>] And +I've noticed how you've overcome certain things, dear Geof. I know it's +been <i>hard</i>, and I'm proud of you.</p> + +<p><span class = "smallcaps">Geoffrey.</span> Sh! Jinny, dear old +sister! I'll miss <i>you</i>! By George, Jin, the house'll be awful +without—but you— [<i>His voice grows husky.</i>] —just +excuse me a minute!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He is about to break down, and so +hurries out Right.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Sniffling.</i>] He was +going to cry! Oh, +<span class = "pagenum">66</span> +Jack, you'll be a brother to Geoffrey, won't you? You know he's been +awfully dissipated, and he's changed it all, all by himself! <i>If he +should go wrong again</i>—I believe it would break my heart, I +love him so!</p> + +<p><span class = "smallcaps">Austin.</span> I'll do <i>more</i> for him, +if he ever needs me, than if he were <i>my own</i> brother, because he's +<i>yours</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Presses his hand and +looks up at him lovingly and gratefully.</i>] Thank you. Wait here just +a minute; I know he won't come back to say good-by. He's gone up to his +room, I'm sure—I'll just surprise him with a hug and my hands over +his eyes like we used to do years ago.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She starts to go out Right, and meets +<span class = "smallcaps">Mr.</span> and <span class = "smallcaps">Mrs. +Tillman</span>, who enter.</p> + +<p><span class = "smallcaps">Tillman.</span> The carriage is here!</p> + +<p><span class = "smallcaps">Jinny.</span> I won't be a +second—</p> + +<p class = "stagedir"> +<span class = "pagenum">67</span> +<span class = "plaintext">[</span>She goes out Right.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Where has she +gone?</p> + +<p><span class = "smallcaps">Austin.</span> Up to her brother.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Her father's been +locked up in his study for three hours—he <i>says</i> thinking, +but to <i>me</i> his eyes look very suspicious!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Taking her husband's arm +affectionately.</p> + +<p><span class = "smallcaps">Tillman.</span> [<i>Clears his throat.</i>] +Nonsense!</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Well, <i>how many +cigars did you smoke</i>?</p> + +<p><span class = "smallcaps">Tillman.</span> Eight.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> The amount of emotion +that a man can soak out of himself with tobacco is wonderful! He uses it +just like a sponge!</p> + +<p><span class = "smallcaps">Tillman.</span> Jack, the first thing I +asked about you when I heard that—er—that things were +getting this way was, does he smoke? A man who smokes has always that +outlet. If things +<span class = "pagenum">68</span> +go wrong—go out and smoke a cigar, and when the cigar's +<i>finished</i>, ten to one everything's got right, somehow! If you lose +your temper, don't speak!—a cigar, and when it's finished, then +speak! You'll find the temper all gone up in the smoke! A woman's +happiness is safest with a man who smokes. [<i>He clears his throat, +which is filling.</i>] God bless you, Jack, it <i>is</i> a wrench; our +only girl, you know. She's been a great joy—ahem!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He quickly gets out a cigar.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>Stopping him from +smoking.</i>] No, no, dear, they're <i>going now</i>!</p> + +<p><span class = "smallcaps">Tillman.</span> Well, the best I can say +is, I wish you as happy a married life as her mother and I have had.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Thirty-five +<i>dear</i> years! But now, George, let me say a word—you always +have +<span class = "pagenum">69</span> +monopolized our new son—he'll be much fonder of you than +<i>me</i>!</p> + +<p><span class = "smallcaps">Tillman.</span> Old +lady!—Jealous!—</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Turn about is fair +play—you're jealous still of Jinny and me. [<i>She pauses a +moment.</i>] I think we'd better tell him!</p> + +<p><span class = "smallcaps">Tillman.</span> All right. The only rifts +in our lute, Jack, have been little threads of jealousy that have +snapped sometimes!</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Nothing ever +serious—of course, <i>but</i> it's a fault that Jinny shares with +us, and the <i>only fault</i> we've ever been able to find.</p> + +<p><span class = "smallcaps">Tillman.</span> We called her for years the +girl with the green eyes. She goes it pretty <i>strong</i> +sometimes!</p> + +<p><span class = "smallcaps">Austin.</span> Oh, that's all right—I +shall <i>like</i> it!</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> You'll always bear +with her, won't you, if she should ever get jealous of you?</p> + +<p><span class = "pagenum">70</span> +<span class = "smallcaps">Austin.</span> Of <i>me</i>? I'll never give +<i>her the chance</i>.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> It isn't a question of +chance; you just can't help it sometimes, can you, George?</p> + +<p><span class = "smallcaps">Tillman.</span> No, you can't.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> And so—</p> + +<p><span class = "smallcaps">Austin.</span> Don't worry! Your daughter's +safe with me. I'm not the jealous sort myself and I love Jinny so +completely, so calmly, and yet with my heart, and soul, and mind, and +body, she'll never have a <i>chance</i> even to <i>try</i> to be jealous +of <i>me</i>!</p> + +<p><span class = "smallcaps">Tillman.</span> Sh!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +enters Right.</p> + +<p><span class = "smallcaps">Jinny.</span> I found poor Maggie up in my +room crying! She says she can't bear to have me go away. I think she's +sorry now she wouldn't come with me as maid—and I said good-by to +cook and she sniffed!</p> + +<p class = "stagedir"> +<span class = "pagenum">71</span> +<span class = "plaintext">[</span><span class = +"smallcaps">Austin</span> looks at his watch.</p> + +<p><span class = "smallcaps">Austin.</span> Oh! we ought to go!</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Good-by, darling!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Kissing <span class = +"smallcaps">Jinny</span> and embracing her a long time, while <span +class = "smallcaps">Austin</span> and <span class = +"smallcaps">Tillman</span> shake hands warmly and say good-by.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Going to her father.</i>] +Good-by, father. Dear old father!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>With happy emotion.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Austin</span> meanwhile is shaking hands with <span class = +"smallcaps">Mrs. Tillman</span>.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Returns to her +mother.</i>] Darling—oh, how good you've always been to me! Oh, +mummy darling, I <i>shall</i> miss you! You'll send me a letter +to-morrow, won't you, or a telegram? Send a telegram—you've got +the address!</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>With tears in her +eyes.</i>] Yes, it's written down!</p> + +<p><span class = "pagenum">72</span> +<span class = "smallcaps">Jinny.</span> You can tell father, but no one +else!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Hugs and kisses her mother.</p> + +<p><span class = "smallcaps">Tillman.</span> Come, Susan! They'll lose +their train!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +again embraces her father.</p> + +<p><span class = "smallcaps">All.</span> Good-by! Good-by!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Jinny</span>, starting to go with <span class = +"smallcaps">Austin</span>, suddenly leaves him and runs back again to +her mother and throws herself in her arms. They embrace, in tears.</p> + +<p><span class = "smallcaps">Jinny.</span> Good-by, mother!</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Good-by, my +darling!</p> + +<p><span class = "smallcaps">Tillman.</span> Come, come! they'll lose +their train!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +runs to <span class = "smallcaps">Austin</span>, and with his arms about +her, they hurry to the door Left. They go through the doors at back to +window in the corridor. <span class = "smallcaps">Jinny</span> stops at +the door and she and <span class = "smallcaps">Austin</span> face each +other a moment.</p> + +<p><span class = "pagenum">73</span> +<span class = "smallcaps">Jinny.</span> [<i>Looking up at him.</i>] Oh, +Jack!</p> + +<p class = "stagedir"> +[<i>She throws her arms about his neck and buries her face on his +shoulder.</i></p> + +<p><span class = "smallcaps">Austin.</span> Jinny, Jinny dear, you're +not sorry?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Slowly raises her head +and looks at him, smiling through her tears, and speaks in a voice full +of tears and little sobs.</i>] Sorry? Oh, no! Oh, no! It hurts me to +leave them, but I never was so <i>happy</i> in my life!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He kisses her and they hurry out, with +his arm about her.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>In the corridor, +lifts the window.</i>] I hear the door—</p> + +<p><span class = "smallcaps">Tillman.</span> There they are!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Susie</span> +rushes across the stage with a bowl of rice in her arms and goes out +Left.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mr.</span> +and <span class = "smallcaps">Mrs. Tillman</span> wave and say +"Good-by!" "Good-by!" "Good-by!" They close +<span class = "pagenum">74</span> +the window in silence. The sound is heard as the window frame reaches +the bottom. They turn and come slowly forward, <span class = +"smallcaps">Tillman</span> wiping his eyes and <span class = +"smallcaps">Mrs. Tillman</span> biting her lips to keep the tears back. +They come into the front room and stop, and for a second they look +around the empty room. <span class = "smallcaps">Tillman</span> puts his +hand in his pocket and takes out his cigar case. <span class = +"smallcaps">Mrs. Tillman</span>, turning, sees him; she goes to him +swiftly and touches his arm, looking up at him through her tears. He +turns to her and slowly takes her in his arms and holds her there close +and kisses her tenderly on the cheek.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Susie</span> +enters Left, with empty bowl, sobbing aloud, as</p> + +<p class = "curtain">THE CURTAIN FALLS</p> + + + + +<span class = "pagenum">75</span> +<p class = "act"><a name = "actII" id = "actII">ACT II</a></p> + +<h5>(<i>Two months later</i>)</h5> + + +<p class = "scenedesc"> +The Vatican, Rome; the Tribune of the Apollo Belvedere; a semicircular +room with dark red walls; in the centre is the large statue of Apollo. +There are doorways at Right and Left. There is a bench on the right side +of the room. A single <span class = "smallcaps">Lady Tourist</span> +enters Right, takes a hasty glance, yawns, and looking down at her +Baedeker, goes out Left. <span class = "smallcaps">A Papal Guard</span> +is seen passing outside in the court. <span class = "smallcaps">A +Frenchman</span> and his <span class = "smallcaps">Wife</span> (with +Baedekers) are seen approaching; they are heard talking volubly. They +enter Left.</p> + +<p><span class = "smallcaps">Both.</span> Ah!—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They stand a moment in silent +admiration.</p> + +<p><span class = "pagenum">76</span> +<span class = "smallcaps">He.</span> [<i>Reading from Baedeker.</i>] +Apollo Belvedere. [<i>He looks up.</i>] C'est superb!</p> + +<p><span class = "smallcaps">She.</span> [<i>Beaming with +admiration.</i>] Magnifique! Voilà un homme!</p> + +<p><span class = "smallcaps">He.</span> <i>Quelle grace!</i></p> + +<p><span class = "smallcaps">She.</span> <i>Quelle force!</i></p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Both talk at once in great admiration +and intense excitement for a few moments. Then he suddenly drops into +his ordinary tone and manner.</p> + +<p><span class = "smallcaps">He.</span> Allons, allons nous!</p> + +<p><span class = "smallcaps">She.</span> [<i>In the same tone.</i>] Oui, +j'ai faim!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They go out Right.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +and <span class = "smallcaps">Austin</span> enter Left, he looking over +his shoulder. They stand a moment just inside the doorway.</p> + +<p><span class = "smallcaps">Jinny.</span> What are you looking back so +much for, Jackie?</p> + +<p><span class = "pagenum">77</span> +<span class = "smallcaps">Austin.</span> I thought I saw some one I +know.</p> + +<p><span class = "smallcaps">Jinny.</span> Who?</p> + +<p><span class = "smallcaps">Austin.</span> I didn't know who; it just +seemed to be a familiar back.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Playfully.</i>] Oh, come! +I think the present works of art and your loving wife are quite enough +for you to look at without hunting around for familiar backs!</p> + +<p><span class = "smallcaps">Austin.</span> And Baedeker! [<i>Reading +from Baedeker about the Apollo.</i>] Apollo Belvedere, found at the end +of the fifteenth century, probably in a Roman villa—</p> + +<p><span class = "smallcaps">Jinny.</span> Of course, Apollo!</p> + +<p><span class = "smallcaps">Austin.</span> Great, isn't it?</p> + +<p><span class = "smallcaps">Jinny.</span> Stunning! [<i>She turns and +looks at him, smiling quizzically.</i>] <i>Still</i>—but I suppose +I'm prejudiced!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Obtuse.</i>] Still +what?</p> + +<p><span class = "pagenum">78</span> +<span class = "smallcaps">Jinny.</span> You dear old stupid! You know, +Jack, you're deeply and <i>fundamentally</i> clever and brilliant, but +you're not quite—<i>bright—not quick</i>!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Laughing.</p> + +<p><span class = "smallcaps">Austin.</span> Don't you think having +<i>one</i> in the family quick as chain lightning is enough? What have I +missed this time, Jinny? You don't mean you've found a family likeness +in the statue over there? I don't want to be unappreciative, but it +doesn't suggest your father to me in the least,—nor even +Geoffrey.</p> + +<p><span class = "smallcaps">Jinny.</span> <i>Stupid!!</i> Of course it +doesn't <i>suggest</i> anybody to me—I was only thinking I +sympathized with Mrs. Perkins of Boston,—don't you know the old +story about her?</p> + +<p><span class = "smallcaps">Austin.</span> No, what was it?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>After a quick look around +to see that +<span class = "pagenum">79</span> +they are alone.</i>] Well—Mrs. Perkins from Boston was personally +conducted here once and shown this very statue, and she looked at it for +a few moments, and then turned around and said, "Yes, it's all right, +but give <i>me Perkins</i>!"</p> + +<p><span class = "smallcaps">Austin.</span> Jinny!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Laughing.</p> + +<p><span class = "smallcaps">Jinny.</span> Are you shocked? Come, I'm +tired; let's sit down here and read my letters—there's one from +Geof.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They sit on the bench at Right, and +<span class = "smallcaps">Jinny</span> takes out a letter from <span +class = "smallcaps">Geoffrey</span>.</p> + +<p><span class = "smallcaps">Austin.</span> I'll read ahead in Baedeker +and you tell me if there's any news. [<i>He opens the Baedeker and +reads, and she opens and reads the letter.</i>] Where is Geof's letter +from?</p> + +<p><span class = "smallcaps">Jinny.</span> New York, of course; where +else would it be?</p> + +<p><span class = "pagenum">80</span> +<span class = "smallcaps">Austin.</span> I had an idea he was going +away.</p> + +<p><span class = "smallcaps">Jinny.</span> Geof! Where?</p> + +<p><span class = "smallcaps">Austin.</span> West, a good way +somewhere.</p> + +<p><span class = "smallcaps">Jinny.</span> But <i>why</i> would he go +West?</p> + +<p><span class = "smallcaps">Austin.</span> Oh, he had some business, I +believe; I remember thinking it was a good idea when he told me. It was +the day we were married—I was waiting for you to come +downstairs.</p> + +<p><span class = "smallcaps">Jinny.</span> I think it's very funny Geof +never said anything about it to <i>me</i>.</p> + +<p><span class = "smallcaps">Austin.</span> My dear, what time had +<i>you</i>? You were <i>getting married</i>!!</p> + +<p><span class = "smallcaps">Jinny.</span> I <i>was</i>! Thank heaven! +I'm <i>so happy</i>, Jack!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Snuggling up to him on the bench.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Steals a little, quick +hug with his arm about her waist.</i>] Bless you, darling, I don't think +there was ever a man as happy as I am!</p> + +<p class = "stagedir"> +<span class = "pagenum">81</span> +<span class = "plaintext">[</span>They start apart quickly as a <span +class = "smallcaps">German Couple</span> enter Right, with a <span class += "smallcaps">Young Daughter</span>, who is munching a cake, and +hanging, a tired and unwilling victim, to her mother's hand.</p> + +<p><span class = "smallcaps">Woman.</span> Ach! schön! sehr schön!!</p> + +<p><span class = "smallcaps">Man.</span> Grösses, nicht?</p> + +<p><span class = "smallcaps">Woman.</span> <i>Yah!</i></p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They stand admiring.</p> + +<p><span class = "smallcaps">Austin.</span> By the way, when you answer +your brother's letter, I wish you'd say I seemed surprised he was still +in New York.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Reading.</i>] +Um—um—</p> + +<p><span class = "smallcaps">Man.</span> [<i>Wiping his warm brow.</i>] +<i>Wunderbaum!</i></p> + +<p><span class = "smallcaps">Woman.</span> <i>Yah!!</i></p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They go out Left, talking.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Looking up from her +letter.</i>] Oh! what do you think?</p> + +<p><span class = "pagenum">82</span> +<span class = "smallcaps">Austin.</span> That you're the sweetest woman +in the world.</p> + +<p><span class = "smallcaps">Jinny.</span> No, <i>darling</i>, I mean +<i>who</i> do you think Geoffrey says is over here and in Italy?</p> + +<p><span class = "smallcaps">Austin.</span> I haven't the most remote +idea! So far as <i>I've</i> been able to observe there has been +absolutely <i>no one</i> in Italy but <i>you and me</i>.</p> + +<p><span class = "smallcaps">Jinny.</span> If you keep on talking like +that, I shall kiss you!</p> + +<p><span class = "smallcaps">Austin.</span> What! before the tall, white +gentleman? [<i>Motioning to Apollo.</i>] I am dumb.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Very lovingly.</i>] +Silly! Well!—Mrs. Cullingham and Peter are over here and have +brought Ruth Chester!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Speaking without +thinking.</i>] Then it <i>was</i> her back.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>With the smallest +sharpening of the look in her eye.</i>] When?</p> + +<p><span class = "pagenum">83</span> +<span class = "smallcaps">Austin.</span> That I saw just now.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>With the tiniest +suggestion of a strain in her voice.</i>] You said you didn't know whom +it reminded you of.</p> + +<p><span class = "smallcaps">Austin.</span> Yes, I know, I didn't +quite.</p> + +<p><span class = "smallcaps">Jinny.</span> But if you thought it was +Ruth Chester, why not have said so?</p> + +<p><span class = "smallcaps">Austin.</span> No reason, dear, I simply +didn't think.</p> + +<p><span class = "smallcaps">Jinny.</span> Well— +[<i>Sententiously.</i>] —<i>next time—think!</i></p> + +<p><span class = "smallcaps">Austin.</span> What else does Geoffrey +say?</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, nothing. The heat for two +days was frightful—already they miss me more than he can +say—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Interrupted.</p> + +<p><span class = "smallcaps">Austin.</span> I'll bet.</p> + +<p><span class = "smallcaps">Jinny.</span> Father smoked nineteen cigars +a day the first week I was gone.</p> + +<p><span class = "pagenum">84</span> +<span class = "smallcaps">Austin.</span> <i>I</i> haven't <i>had</i> to +smoke <i>any</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> Mercy! don't boast!—and +he thinks they will all soon go to Long Island for the summer.</p> + +<p><span class = "smallcaps">Austin.</span> Doesn't he say a word nor a +hint at his going West?</p> + +<p><span class = "smallcaps">Jinny.</span> No, he says he may go to +Newport for August, and that's all.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Putting away letter, and getting out +others.</p> + +<p><span class = "smallcaps">Austin.</span> Going to read all those?</p> + +<p><span class = "smallcaps">Jinny.</span> If you don't mind, while I +rest. <i>Do</i> you mind?</p> + +<p><span class = "smallcaps">Austin.</span> Of course not, but I think +while you're reading I'll just take a little turn and see if I can't +come across the Cullinghams.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Rising.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>After the merest second's +pause, and looking seriously at him.</i>] Why don't you?</p> + +<p><span class = "pagenum">85</span> +<span class = "smallcaps">Austin.</span> I'll bring them here if I find +them—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He goes out Right.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +looks up where he went off and gazes, motionless, for a few moments. +Then she throws off the mood and opens a letter.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Two tired Americans enter Right, a +girl and her mother, <span class = "smallcaps">Mrs. Lopp</span> and +<span class = "smallcaps">Carrie</span>.</p> + +<p><span class = "smallcaps">Mrs. Lopp.</span> What's this, Carrie?</p> + +<p><span class = "smallcaps">Carrie.</span> [<i>Looking in her +Baedeker.</i>] I don't know; I've sort of lost my place, somehow!</p> + +<p><span class = "smallcaps">Mrs. Lopp.</span> Well, we must be in Room +No. 3 or 4—ain't we?</p> + +<p><span class = "smallcaps">Carrie.</span> [<i>Reads out.</i>] The big +statue at the end of Room No. 3 is Diana the Huntress.</p> + +<p><span class = "smallcaps">Mrs. Lopp.</span> This must be it, +then,—Diana! Strong-looking woman, ain't she?</p> + +<p><span class = "smallcaps">Carrie.</span> Yes, very nice. You know she +was the goddess who wouldn't let the men see her bathe.</p> + +<p><span class = "pagenum">86</span> +<span class = "smallcaps">Mrs. Lopp.</span> Mercy, Carrie! and did all +the other goddesses? I don't think much of their habits. I suppose this +is the same person those Italians sell on the streets at home, and call +the Bather.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +is secretly very much amused, finally she speaks.</p> + +<p><span class = "smallcaps">Jinny.</span> Excuse me, but you are in one +of the cabinets—and this is the Apollo Belvedere.</p> + +<p><span class = "smallcaps">Mrs. Lopp.</span> Oh, thank you very much. +I guess we've got mixed up with the rooms,—seems as if there's so +many.</p> + +<p><span class = "smallcaps">Carrie.</span> [<i>Triumphantly.</i>] +There! I <i>thought</i> it was a man all the time!</p> + +<p><span class = "smallcaps">Mrs. Lopp.</span> Well, what with so many +of the statues only being piecemeal, as it were, and so many of the men +having kinder women's hair, +<span class = "pagenum">87</span> +I declare it seems as if I don't know the ladies from the gentlemen half +the time.</p> + +<p><span class = "smallcaps">Carrie.</span> Did the rest of us go +through here?</p> + +<p><span class = "smallcaps">Jinny.</span> I beg your pardon?</p> + +<p><span class = "smallcaps">Carrie.</span> Thirty-four people with a +gassy guide? We got so tired hearing him talk that we jes' sneaked off +by ourselves, and now we're a little scared about getting home; we +belong to the Cook's Gentlemen and Ladies.</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, no, the others haven't +passed through here; probably they have gone to see the pictures; you'd +better go back and keep asking the attendants the way to the pictures +till you get there.</p> + +<p><span class = "smallcaps">Mrs. Lopp.</span> [<i>With rather subdued +voice.</i>] Thank you! We've come to do Europe and the Holy Land in five +weeks for $400—but I don't know, seems as if I'm getting awful +tired—after jes' sevin days.</p> + +<p><span class = "pagenum">88</span> +<span class = "smallcaps">Carrie.</span> [<i>Affectionately.</i>] Now, +mommer, don't give up; it's because you haven't got over being seasick +yet; that's all!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Helplessly.</i>] Oh, yes, +you'll find it much less tiring in a few days, I'm sure.</p> + +<p><span class = "smallcaps">Mrs. Lopp.</span> Still Rome does seem a +powerful way from <i>home</i>! How'll we ask for the pictures?</p> + +<p><span class = "smallcaps">Carrie.</span> Why, mommer! "Tableaux!" +"Tableaux!" I should think you'd 'a' learned that from our church +entertainments! Good-by; thank you ever so much.</p> + +<p><span class = "smallcaps">Mrs. Lopp.</span> You haven't lost <i>your +party</i>, too, have you?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Smiling.</i>] I hope not! +He <i>promised</i> to come back!!</p> + +<p><span class = "smallcaps">Mrs. Lopp.</span> Oh! pleased to have met +you—Good-by!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They start off Left.</p> + +<p><span class = "pagenum">89</span> +<span class = "smallcaps">Jinny.</span> No, not that way—back the +way you came.</p> + +<p><span class = "smallcaps">Mrs. Lopp.</span> Oh, thank you!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She drops her black silk bag; out of +it drop crackers, an account book, a thimble, a thread-and-needle case, +a bottle of pepsin tablets, etc. They all stoop to pick the collection +up, <span class = "smallcaps">Jinny</span> helping.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Handing.</i>] I'm sure +you'll want these!</p> + +<p><span class = "smallcaps">Mrs. Lopp.</span> Yes, indeed; don't you +find them coupon meals very dissatisfactory?</p> + +<p><span class = "smallcaps">Carrie.</span> Thank you ever so much +again. Come on, mommer!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mrs. +Lopp</span> and <span class = "smallcaps">Carrie</span> go out Left.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +looks at her watch and goes back to her letter.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mrs. +Cullingham</span> enters Left.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> [<i>Screams.</i>] +Jinny!</p> + +<p><span class = "pagenum">90</span> +<span class = "smallcaps">Jinny.</span> [<i>Jumps up.</i>] Mrs. +Cullingham! [<i>They embrace.</i>] Did Jack find you?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> No, we haven't seen +him! Ruth and Peter are dawdling along, each on their own; I like to +shoot through a gallery. There's no use spending so much time; when it's +over you've mixed everything all up just the same!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Laughing.</i>] Well, I've +this minute read a letter from Geoffrey saying you were over here. And +Jack, who thought he got a glimpse of you a little while ago, went +straight off to try and find you.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> What fun it is to +see you—and how <i>happy</i> you look!</p> + +<p><span class = "smallcaps">Jinny.</span> I couldn't <i>look</i> as +happy as I <i>feel</i>!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> [<i>Glancing at the +statue.</i>] Who's your friend? Nice gent, isn't he?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Laughing.</p> + +<p><span class = "pagenum">91</span> +<span class = "smallcaps">Jinny.</span> Mr. Apollo! Would you like to +meet him?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> [<i>Hesitates.</i>] +Er—no—I don't think! You must draw the line somewhere! He +wouldn't do a thing to Corbett, would he?</p> + +<p><span class = "smallcaps">Jinny.</span> Who was Corbett?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> He was a prize +fighter, and <i>is</i>—but that's another story— Do you mean +to say you've never heard of him?</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, the name sounds familiar. +But this, you know, is Apollo.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> No, I don't know; +was he a champion?</p> + +<p><span class = "smallcaps">Jinny.</span> No, he was a Greek god!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Oh, was he? Well, I +wouldn't have cared about being in the tailoring business in those days, +would you? Let's sit down. [<i>They sit on bench Right.</i>] Of course +you +<span class = "pagenum">92</span> +know we wouldn't accept a thing like that in Peoria, where I come from, +as a gift! No, indeed! If the King of Italy sent it over to our Mayor, +he'd return it C.O.D.</p> + +<p><span class = "smallcaps">Jinny.</span> Sounds like Boston and the +Macmonnies Bacchante!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Oh, my dear, +<i>worse</i> than that! It reminds me of a man at home who kept an +underclothing store in our principal street and had a plaster cast of +this gent's brother, I should think, in his window to show a suit of +Jaegers on,—you know, a "combination"! And our Town Committee of +Thirteen for the moral improvement of Peoria made the man take it out of +his window and hang the suit up empty!</p> + +<p><span class = "smallcaps">Jinny.</span> Poor man!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> You ought to see +our Park!—you know we've got a perfectly beautiful +<span class = "pagenum">93</span> +park,—and all the <i>men</i> statues wear Prince Alberts, and +stand like this— [<i>She poses with lifted arm at right angle to +body.</i>] —as if they were saying, "This way out" or "To the +monkey cage and zoo."</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Laughing.</i>] But the +women statues?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> My dear! They only +have heads and hands; all the rest's just clumps of drapery—we +only have "Americans" and "Libertys," anyway. They apply the Chinese +emigration law to all Venuses and <i>sich ladies</i>!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They both laugh.</p> + +<p><span class = "smallcaps">Jinny.</span> Where did you say Peter and +Ruth were?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Well, I left +Peter—who isn't at all well; I hoped this trip would help his +indigestion, but it seems to have made it worse!—I left +him—er—in a room with a lot of <i>broken-up +<span class = "pagenum">94</span> +Venuses</i>—I thought it was all right; he was eating candy, and +there wasn't a whole woman among 'em!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Slight strain in her +voice.</i>] How did you happen to bring over Ruth Chester?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Well, you know I +always liked her. She never snubbed me in her life—I don't think +any one you've introduced me to has been quite so nice to Peter and me +as Mrs. Chester and her daughter.</p> + +<p><span class = "smallcaps">Jinny.</span> O they <i>are</i> real +people!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Ruth is terribly +depressed over something. She's thin as a rail and the family are +worried. She says there's nothing worrying her, and the doctors can't +find anything the matter with her,—so Mrs. Chester asked me if I +wouldn't take her abroad. They thought the voyage and change might do +her good, and I +<span class = "pagenum">95</span> +seem to have a more cheery influence over her than most people. So here +we are! [<i>As <span class = "smallcaps">Peter</span> enters Left, +eating.</i>] Here's Peter! How do you think the darling looks?</p> + +<p><span class = "smallcaps">Peter.</span> How do you do, Mrs. +Austin?</p> + +<p><span class = "smallcaps">Jinny.</span> How do you do, Peter? +[<i>They shake hands.</i>] I'm sorry to hear you are seedy, but you eat +too many sweet things.</p> + +<p><span class = "smallcaps">Peter.</span> I'm not eating candy; it's +soda mints! [<i>Showing a small bottle.</i>] I <i>am</i> bad to-day, +mother.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> If you don't get +better, we'll go to Carlsbad.</p> + +<p><span class = "smallcaps">Jinny.</span> How do you like Rome, +Peter?</p> + +<p><span class = "smallcaps">Peter.</span> Oh, I don't know—too +much Boston and not enough Chicago to make it a real lively town.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Laughing.</i>] I think +I'll go look for Jack and tell him you've turned up.</p> + +<p><span class = "pagenum">96</span> +<span class = "smallcaps">Mrs. Cullingham.</span> Perhaps he's found +Ruth.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>With a change in her +voice.</i>] Yes, perhaps.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She goes out Right.</p> + +<p><span class = "smallcaps">Peter.</span> [<i>Going to the doorway +Right, calls after her.</i>] Ruth's in a room on your left, with rows of +men's heads on shelves, Emperors and things,—but gee, such a +<i>job lot</i>!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Comes back and looks up at the +statue.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Isn't it beautiful, +Peter?</p> + +<p><span class = "smallcaps">Peter.</span> No, it's <i>too big</i>!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Still this one +isn't broken!</p> + +<p><span class = "smallcaps">Peter.</span> That's a comfort! Yes, it has +been mended, too! [<i>Examining.</i>] Oh, yes, it's only another of +these second-hand statues. Say, you missed one whole one, the best I've +seen yet! A Venus off in a fine little room, all mosaics and painted +walls,—that's where I've been.</p> + +<p><span class = "pagenum">97</span> +<span class = "smallcaps">Mrs. Cullingham.</span> Why, Peter Cullingham! +<i>Alone?</i> What kind of a Venus?</p> + +<p><span class = "smallcaps">Peter.</span> Oh, beautiful! I forgot to +take my medicine!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Was +she—er—<i>dressed</i>, darling?</p> + +<p><span class = "smallcaps">Peter.</span> We—you know—she +<i>had</i> been, but she'd sort of pushed it a good way off!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> [<i>With a +sigh.</i>] You know we <i>ought</i> to admire these things, Peter +darling; that's partly what we've come to Europe for!</p> + +<p><span class = "smallcaps">Peter.</span> O pshaw! here comes a gang of +tourists. Come on, let's skip!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> But Ruth and Mrs. +Austin?</p> + +<p><span class = "smallcaps">Peter.</span> We didn't agree to wait, and +we can all meet at our hotel.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>A crowd of <span class = +"smallcaps">Tourists</span>, led by a <span class = +"smallcaps">Guide</span>, presses and crowds in the doorway. They drag +<span class = "pagenum">98</span> +their tired feet in a listless shuffle across the room and stand in a +somewhat sheepish and stupid bunch at the statue. One or two of the +younger women nudge each other and giggle. The <span class = +"smallcaps">Guide</span> stands a little in advance of them. The <span +class = "smallcaps">Guide</span> describes the statue, and while he is +doing so <span class = "smallcaps">Peter</span> and <span class = +"smallcaps">Mrs. Cullingham</span> go out Right. Most of the <span class += "smallcaps">Tourists</span> turn and watch them go instead of looking +at the statue.</p> + +<p><span class = "smallcaps">Guide.</span> This is the Apollo Belvedere, +discovered at the end of the fifteenth century, some say in a Roman +villa or farm-house near the Grotter Terratter. Very fine specimen both +as marble and man. This statyer is calculated to make Sandow et cetery +look like thirty cents. Height seven feet, weight—</p> + +<p><span class = "smallcaps">A Man Tourist.</span> How much?</p> + +<p><span class = "pagenum">99</span> +<span class = "smallcaps">A Girl Tourist.</span> Was he married?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Titters from the group.</p> + +<p><span class = "smallcaps">Guide.</span> Give it up! Should judge he +was. The god once held a bow in his left hand and probably a laurel +wreath in his right.</p> + +<p><span class = "smallcaps">Another Woman Tourist.</span> A what?</p> + +<p><span class = "smallcaps">Guide.</span> A laurel wreath. You want to +take a good look at this, as it is a very fine piece. Now come along, +please—make haste; we must finish up this place before +feeding!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He leads the way out Right, and the +<span class = "smallcaps">Tourists</span> follow, shuffling along, +without speaking, <span class = "smallcaps">Mrs. Lopp</span> and <span +class = "smallcaps">Carrie</span> lagging in the rear.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Austin</span> enters Left, followed by <ins class = +"correction" title = +"text has 'Ruth' in plain type"><span class = +"smallcaps">Ruth</span></ins>.</p> + +<p><span class = "smallcaps">Austin.</span> This is where I left her +with Apollo! [<i>Calls.</i>] Jinny! She seems to have gone!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He looks behind the statue and out +door, Right.</p> + +<p><span class = "smallcaps">Ruth.</span> Probably the Cullinghams, who +were +<span class = "pagenum">100</span> +headed in this direction, found her, and they've all gone back for us; +you see I walked all around the court first without going into the +rooms, so I missed them, but found you.</p> + +<p><span class = "smallcaps">Austin.</span> What shall we do? Sit down +here and wait for them to come back, or shall I go in search?</p> + +<p><span class = "smallcaps">Ruth.</span> Oh, no, you might miss them, +and then we'd all be lost! If you left Jinny here, she's sure to come +back to meet you.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She sits on the bench and <span class += "smallcaps">Austin</span> stands behind her.</p> + +<p><span class = "smallcaps">Austin.</span> I'm sorry to learn you've +been ill.</p> + +<p><span class = "smallcaps">Ruth.</span> Oh! it's nothing.</p> + +<p><span class = "smallcaps">Austin.</span> Ah, I'm afraid it's a good +deal. Will you forgive me if I say I think I know what it is!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She looks up startled.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>After a moment.</p> + +<p><span class = "pagenum">101</span> +You haven't forgotten the day of Jinny's and my wedding, when you told +me Geoffrey Tillman needed a friend?</p> + +<p><span class = "smallcaps">Ruth.</span> I hoped <i>you'd</i> +forgotten; I oughtn't to have told you; I <i>oughtn't</i> to have!</p> + +<p><span class = "smallcaps">Austin.</span> Why not? I had a talk with +Geoffrey, then, and he told me everything.</p> + +<p><span class = "smallcaps">Ruth.</span> He did! You are sure?</p> + +<p><span class = "smallcaps">Austin.</span> Sure.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He sits beside her.</p> + +<p><span class = "smallcaps">Ruth.</span> That he and I—</p> + +<p><span class = "smallcaps">Austin.</span> Love each other.</p> + +<p><span class = "smallcaps">Ruth.</span> Oh, but that isn't all.</p> + +<p><span class = "smallcaps">Austin.</span> I know the rest!</p> + +<p><span class = "smallcaps">Ruth.</span> He told +you—about—about—</p> + +<p><span class = "smallcaps">Austin.</span> The marriage?—Yes?</p> + +<p><span class = "smallcaps">Ruth.</span> Oh, I'm so glad, so glad! Now +I can speak of it to some one, and some one who can advise me, and will +help us.</p> + +<p><span class = "pagenum">102</span> +<span class = "smallcaps">Austin.</span> I have already advised him, but +he doesn't seem to be taking my advice; it has worried me.</p> + +<p><span class = "smallcaps">Ruth.</span> When I left he was awfully +depressed. He said he saw no prospect of being able to publish our +marriage for years, maybe!</p> + +<p><span class = "smallcaps">Austin.</span> <i>What</i> marriage?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>In astonishment.</p> + +<p><span class = "smallcaps">Ruth.</span> <i>Our</i> marriage, in +Brooklyn! [<i>She notices his expression and is alarmed.</i>] You said +he had told you!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Recovering himself, and +speaking at first with hesitation.</i>] Yes, but not the details, +not—wait, I'm a little confused. [<i>Rising and walking a +moment.</i>] Let's get it all quite clear now, that's the only way I can +help you—both; I ought, of course, to have gone through it all +with him, but there really wasn't time.</p> + +<p><span class = "pagenum">103</span> +<span class = "smallcaps">Ruth.</span> I can't go on like this much +longer. It's killing me to deceive mother; I <i>must</i> tell her +soon!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Quickly, stops +walking.</i>] No. You mustn't, not yet, if I'm going to help you; you'll +obey me, won't you?</p> + +<p><span class = "smallcaps">Ruth.</span> Yes, if you only will +help us!</p> + +<p><span class = "smallcaps">Austin.</span> You said you and Geoffrey +Tillman were married where?</p> + +<p><span class = "smallcaps">Ruth.</span> In Brooklyn.</p> + +<p><span class = "smallcaps">Austin.</span> When?</p> + +<p><span class = "smallcaps">Ruth.</span> A month before your +wedding.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>To himself.</i>] It's +impossible!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Walking up and down.</p> + +<p><span class = "smallcaps">Ruth.</span> [<i>Smiling sadly.</i>] Oh, +no! I remember the date only too well.</p> + +<p><span class = "smallcaps">Austin.</span> I didn't mean that.</p> + +<p><span class = "smallcaps">Ruth.</span> I lied to my mother that day +for the +<span class = "pagenum">104</span> +first time—at any rate, since I was a child—and I've been +lying to her ever since.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Probing her.</i>] +But—but why were you married so secretly?</p> + +<p><span class = "smallcaps">Ruth.</span> We couldn't afford to marry +and set up for ourselves. He expected then to be sent off at once to the +Philippines, and—well he didn't want to leave me behind, free; I'm +afraid he's rather jealous—you must have found out by now that +Jinny is. They all are! And <i>I</i> didn't want him to go so far off +without my belonging to him either; <i>I'm</i> that jealous, too! +[<i>Smiling.</i>] So—that's why!</p> + +<p><span class = "smallcaps">Austin.</span> And this long period of +secrecy since then—do you understand that?</p> + +<p>Ruth. Hasn't he explained to you his debts? You know before he loved +me he was very fast, but since—</p> + +<p><span class = "pagenum">105</span> +<span class = "smallcaps">Austin.</span> Yes, I know how he gave up +every one of his old habits with a great deal of courage.</p> + +<p><span class = "smallcaps">Ruth.</span> <i>Nobody</i> knows what it +cost him! How can you help us? Get him something to do to pay off his +debts? Or can't you make him feel even if we do have to go on living at +our different homes for a while, it is better to publish the fact that +we are married?—</p> + +<p><span class = "smallcaps">Austin.</span> I shall go back at once to +America if I can persuade Jinny!</p> + +<p><span class = "smallcaps">Ruth.</span> And I, too?</p> + +<p><span class = "smallcaps">Austin.</span> No. You must stay abroad +till I send word for you to come home. If I am going to help you, you +will help me by doing exactly as I say, won't you?</p> + +<p><span class = "smallcaps">Ruth.</span> Yes.</p> + +<p><span class = "smallcaps">Austin.</span> It's <i>very</i> important +that you should <i>absolutely obey me</i>!</p> + +<p><span class = "pagenum">106</span> +<span class = "smallcaps">Ruth.</span> <i>I will.</i></p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>A pause.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Jinny</span>, unnoticed by either of them, appears in the +doorway at Right. <span class = "smallcaps">Austin</span> is walking up +and down. <span class = "smallcaps">Ruth</span> is leaning her elbow on +the back of the bench and burying her face in her hands.</p> + +<p><span class = "smallcaps">Austin.</span> It's awful! My God, it's +awful!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>In a strained, assumed, +nonchalant tone.</i>] <i>What is?</i></p> + +<p><span class = "smallcaps">Ruth.</span> Jinny!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Rising.</p> + +<p><span class = "smallcaps">Austin.</span> I didn't hear you, +Jinny!</p> + +<p><span class = "smallcaps">Jinny.</span> No, you both seemed so +absorbed.</p> + +<p><span class = "smallcaps">Ruth.</span> [<i>Going to <span class = +"smallcaps">Jinny</span>.</i>] I'm so glad to see you.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Kisses her, but <span class = +"smallcaps">Jinny</span> only gives her her cheek and that rather +unwillingly; she is looking all the time at her husband.</p> + +<p><span class = "smallcaps">Jinny.</span> Thank you, I've just left the +Cullinghams. +<span class = "pagenum">107</span> +They sent word to you they were going and would wait for you +outside.</p> + +<p><span class = "smallcaps">Ruth.</span> Oh, then, I mustn't keep them +waiting. We'll all meet at dinner to-night, won't we? +Good-by—good-by.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>With a grateful look at <span class = +"smallcaps">Austin</span>, she goes out Right.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Watches her go; then +turns to <span class = "smallcaps">Austin</span>.</i>] That wasn't true, +what I told her—I haven't seen the Cullinghams, and I don't know +where they are, and what's more, I don't care!</p> + +<p><span class = "smallcaps">Austin.</span> What do you mean?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Beginning by degrees to +lose control of herself.</i>] What did <i>she</i> mean by <i>following +you</i> to Rome?</p> + +<p><span class = "smallcaps">Austin.</span> Jinny!</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, don't try to deny it; +that'll only make me suspect <i>you</i>!</p> + +<p><span class = "pagenum">108</span> +<span class = "smallcaps">Austin.</span> My dear girl, you don't know +what you're saying!</p> + +<p><span class = "smallcaps">Jinny.</span> She's ill, they say at home! +Yes, and they don't know what's the matter with her, do they? No! But I +can tell them! She's in love with another woman's husband!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Taking her hand.</i>] +Hush! I won't allow you to say such things!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>With a disagreeable +little laugh.</i>] Oh, won't you? <i>You'd</i> better be +careful,—my eyes are opened!</p> + +<p><span class = "smallcaps">Austin.</span> Yes, and much too wide.</p> + +<p><span class = "smallcaps">Jinny.</span> A half-blind person would +have known there was something between you two. When I came into this +room just now, it was in the air—it was in both your faces!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She sits on the bench.</p> + +<p><span class = "smallcaps">Austin.</span> You've worked yourself up to +such a +<span class = "pagenum">109</span> +pitch you're not responsible for what you're saying!</p> + +<p><span class = "smallcaps">Jinny.</span> <i>I</i> not +<i>responsible</i>! What was it you were saying was <i>so</i> "awful" +when I came in here? "My God, so awful!"</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He doesn't answer.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Almost hysterical, she rises.</p> + +<p>She had told you she loved you! She'd confessed she'd followed you +over here!</p> + +<p><span class = "smallcaps">Austin.</span> Absolutely false, +<i>both</i> your suppositions!</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, of course you'd protect +her; you're a gentleman! But if I <i>thought</i> you <i>knew</i> she was +coming over—</p> + +<p><span class = "smallcaps">Austin.</span> Jinny! Jinny! How <i>can</i> +you have such a thought?</p> + +<p><span class = "smallcaps">Jinny.</span> Well, why didn't you tell me +when you thought you saw her a little while ago?</p> + +<p><span class = "smallcaps">Austin.</span> Oh—</p> + +<p><span class = "pagenum">110</span> +<span class = "smallcaps">Jinny.</span> Oh, it's very easy to say "Oh!" +[<i>Imitating him.</i>] but <i>why didn't you</i>?</p> + +<p><span class = "smallcaps">Austin.</span> I told you I didn't think +who it was; I only thought something familiar flashed across my eyes. +Jinny darling, this is sheer madness on your part, letting yourself go +like this. It has no reason, it has no excuse! Ask your own heart, and +your own mind, if in speaking to <i>me</i> as you have, you haven't done +me at least an injustice and my love for you a <i>little</i> wrong.</p> + +<p><span class = "smallcaps">Jinny.</span> Well, I'm sure <i>she's</i> +in love with you, anyway.</p> + +<p><span class = "smallcaps">Austin.</span> No, she isn't! And it's +disgraceful of you to say so! I know she isn't—</p> + +<p><span class = "smallcaps">Jinny.</span> How do you know she +isn't?</p> + +<p><span class = "smallcaps">Austin.</span> There's no question of it. +I'm sure of it! You mustn't think, dear, that because <i>you</i> love +me, everybody does—you idealize me!</p> + +<p class = "stagedir"> +<span class = "pagenum">111</span> +<span class = "plaintext">[</span>Smiling apologetically.</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, you're so modest you +don't see! but I do—on the steamer, in the hotels, everywhere we +go, always, all the women admire you awfully! I see it!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Laughing.</i>] What +utter nonsense! [<i>Taking her into his arms.</i>] You've got something +in your <i>eyes</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> Only tears!</p> + +<p><span class = "smallcaps">Austin.</span> No, something +else,—something <i>green</i>.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Laughs through her +tears.</i>] Somebody's told you my old nickname!</p> + +<p><span class = "smallcaps">Austin.</span> What?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Laughs and is a little +embarrassed.</i>] The girl with the green eyes.</p> + +<p><span class = "smallcaps">Austin.</span> Ahem!—</p> + +<p><span class = "smallcaps">Jinny.</span> Well, I don't care if it is +appropriate, I can't help it.</p> + +<p class = "stagedir"> +<span class = "pagenum">112</span> +<span class = "plaintext">[</span>Slipping from his arms.</p> + +<p><span class = "smallcaps">Austin.</span> You must—or it will +threaten our happiness if you let yourself be carried away by jealousy +for no earthly reason outside of your dear, little imagination, like you +have this time—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Interrupted.</p> + +<p><span class = "smallcaps">Jinny.</span> You honestly don't think she +cares for you?</p> + +<p><span class = "smallcaps">Austin.</span> Not a bit!</p> + +<p><span class = "smallcaps">Jinny.</span> But what was it you were so +serious about—what <i>is</i> between you?</p> + +<p><span class = "smallcaps">Austin.</span> She is in a little trouble, +and I happen to know about it.</p> + +<p><span class = "smallcaps">Jinny.</span> How?</p> + +<p><span class = "smallcaps">Austin.</span> [<i>After a second's +hesitation.</i>] That you mustn't ask me; it was not from her I knew +of it.</p> + +<p><span class = "smallcaps">Jinny.</span> Truly?</p> + +<p><span class = "pagenum">113</span> +<span class = "smallcaps">Austin.</span> Truly.</p> + +<p><span class = "smallcaps">Jinny.</span> I don't care, she hadn't any +business to go to you! I should think she'd have gone to a <i>woman</i> +instead of a <i>man</i> for sympathy. She's got Mrs. Cullingham!</p> + +<p><span class = "smallcaps">Austin.</span> She can't go to her, poor +girl. Mrs. Cullingham knows nothing about it.</p> + +<p><span class = "smallcaps">Jinny.</span> Now don't you get too +sympathetic—<i>that's very dangerous</i>!</p> + +<p><span class = "smallcaps">Austin.</span> Look out, your imagination +is peeping through the keyhole.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>A moment's pause.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>In a sympathetic tone, +the jealousy gone.</i>] What is her trouble, Jack?</p> + +<p><span class = "smallcaps">Austin.</span> That, dear, I can't tell you +now; some day, perhaps, if you want me to, but not now. Only I give you +my word of honor, it has nothing to do with you and me—does not +touch our +<span class = "pagenum">114</span> +life! And I want you to tell me you believe me, and <i>trust</i> me, and +won't let yourself be jealous again!</p> + +<p><span class = "smallcaps">Jinny.</span> I do believe you, and I do +trust you, and I will <i>try</i> not to be jealous again!</p> + +<p><span class = "smallcaps">Austin.</span> That's right.</p> + +<p><span class = "smallcaps">Jinny.</span> You know that book of De +Maupassant's [<i>They move away together.</i>] I was reading in the +train the other day,—about the young girl who killed herself with +charcoal fumes when her lover deserted her?</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Half laughing.</i>] This +is apropos of what, please? I have absolutely <i>no</i> sympathy with +such people.</p> + +<p><span class = "smallcaps">Jinny.</span> In America that girl would +have simply turned on the gas.</p> + +<p><span class = "smallcaps">Austin.</span> You're getting morbid, +Jinny!</p> + +<p><span class = "smallcaps">Jinny.</span> No, I'm not! but if +ever—</p> + +<p><span class = "pagenum">115</span> +<span class = "smallcaps">Austin.</span> [<i>Interrupting—laughing +it off.</i>] I shall install <i>electric light</i> as soon as we get +home!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They both laugh.</p> + +<p><span class = "smallcaps">Jinny.</span> I'm sorry I was so +disagreeable to Ruth, but I'll try to make up for it in every way I +can.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She sits on the bench and he leans +over the back toward her.</p> + +<p><span class = "smallcaps">Austin.</span> There's one other thing, +Jinny, I'd like to speak of now. Would you mind giving up the Lakes and +going home this week?</p> + +<p><span class = "smallcaps">Jinny.</span> Going <i>home</i>—at +once?</p> + +<p><span class = "smallcaps">Austin.</span> Yes—<i>Wall Street</i> +is very uncertain. I'm worried,—I don't mind telling +you,—and I want to see Geoffrey about his business.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Half in earnest.</i>] +Jack! You're not running away from <i>her</i>, are you?</p> + +<p><span class = "pagenum">116</span> +<span class = "smallcaps">Austin.</span> Jinny! <i>After all</i> we've +said!</p> + +<p><span class = "smallcaps">Jinny.</span> No! I wasn't in earnest! I'm +ready to go. I've seen the Lakes, and whether you are in Italy or in New +York, so long as we are together, it's our honeymoon just the same.</p> + +<p><span class = "smallcaps">Austin.</span> And may it last <i>all our +lives</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> Still, I don't mind owning up +that leaving Ruth Chester behind here is rather pleasanter! [<i>She +rises quickly with a sudden thought.</i>] <i>She</i> is not going back, +too?</p> + +<p><span class = "smallcaps">Austin.</span> Oh, no, not for a long time. +They are over here indefinitely.</p> + +<p><span class = "smallcaps">Jinny.</span> I've been too horrid and +nasty for words this morning, Jack—I'm so sorry.</p> + +<p><span class = "smallcaps">Austin.</span> It's over and forgotten +now.</p> + +<p><span class = "smallcaps">Jinny.</span> You <i>do</i> +forgive me?</p> + +<p><span class = "smallcaps">Austin.</span> Of course, dear; only I want +to say +<span class = "pagenum">117</span> +this one thing to you: to suspect unjustly a <i>true</i> love is to +insult that love!</p> + +<p><span class = "smallcaps">Jinny.</span> I didn't really suspect +you.</p> + +<p><span class = "smallcaps">Austin.</span> Of course I know you didn't; +this is only by way of a grandfatherly warning! It is possible to insult +a true love too often—and love can die—</p> + +<p><span class = "smallcaps">Jinny.</span> Sh! don't, please, say any +more. You have forgiven me, haven't you?</p> + +<p><span class = "smallcaps">Austin.</span> Yes!</p> + +<p><span class = "smallcaps">Jinny.</span> Then kiss me!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Smiling.</i>] Here! My +dear, some one will see us!</p> + +<p><span class = "smallcaps">Jinny.</span> No, only Apollo; see, there's +no one else about—it's luncheon hour!</p> + +<p><span class = "smallcaps">Austin.</span> But—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Taking her hand.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Pulling him.</i>] Come +along, then, behind the statue. No one will see us there!</p> + +<p class = "stagedir"> +<span class = "pagenum">118</span> +<span class = "plaintext">[</span>They are behind the statue a moment +and then come around the other side.</p> + +<p><span class = "smallcaps">Jinny.</span> There! no one saw us, and I'm +so <i>happy</i>, are you?</p> + +<p><span class = "smallcaps">Austin.</span> <i>"So happy!"</i></p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +takes his arm and they go to the Left entrance. She stops and looks up +at him.</p> + +<p><span class = "smallcaps">Jinny.</span> Are my eyes <i>green</i> +now?</p> + +<p><span class = "smallcaps">Austin.</span> Now they're <i>blue</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> Hurrah! and I'm going, from +now on, to be <i>so good</i>, you won't know me.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>And hugging his arm tight they go out +as—</p> + +<p class = "curtain">THE CURTAIN FALLS</p> + + +<span class = "pagenum">119</span> +<p class = "act"><a name = "actIII" id = "actIII">ACT III</a></p> + +<h5>(<i>Three weeks later</i>)</h5> + + +<p class = "scenedesc"> +The Austins' library; a warm, attractive room, with dark woodwork, and +the walls hung in crimson brocade; Dutch marqueterie furniture; blue and +white china on the mantel and tops of the book shelves; carbon +photographs of pictures by Reynolds, Ronney, and Gainsborough on the +wall. There is a double window at the back. A door at Right leads to the +hall, and another on the Left side of the room leads to <span class = +"smallcaps">Jinny</span>'s own room. <span class = "smallcaps">Mrs. +Tillman</span> sits at a pianola Right, playing "Tell me, Pretty +Maiden"; she stops once in a while, showing that she is unaccustomed to +the instrument. <span class = "smallcaps">Jinny</span> enters from Left, +singing as her mother plays.</p> + +<p><span class = "pagenum">120</span> +<span class = "smallcaps">Jinny.</span> Darling mother!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She puts her arms about her and kisses +her.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They come away from the pianola +together, to a big arm-chair.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> I really must get one +of those sewing-machine pianos for your father. I believe even he could +play it, and it would be lots of amusement for us.</p> + +<p><span class = "smallcaps">Jinny.</span> Jack adores it; I gave it to +him for an anniversary present.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> What anniversary?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Sitting in the chair.</p> + +<p><span class = "smallcaps">Jinny.</span> Day before yesterday. The +eleventh Tuesday since our marriage. Have you been in town all day? I +<i>am</i> glad to see you!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She sits on the arm of the chair with +her arm about her mother.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Yes, and I told your +father to +<span class = "pagenum">121</span> +meet me here and we'd take the six-thirty train from Long Island +City.</p> + +<p><span class = "smallcaps">Jinny.</span> Jack and I are going to the +theatre to-night.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> I thought they were +all closed!</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, no, there are several +musical comedies on,—Jack's favorite form of amusement,—and +I've bought the tickets myself for a sort of birthday party.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Is it his +birthday?</p> + +<p><span class = "smallcaps">Jinny.</span> No, that's only my +excuse!</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>Laughing.</i>] Had +we dreamed you and Jack were coming home in June, your father and I +wouldn't have gone into the country so early.</p> + +<p><span class = "smallcaps">Jinny.</span> We've been home two weeks and +it hasn't been hot yet.</p> + +<p><span class = "pagenum">122</span> +<span class = "smallcaps">Mrs. Tillman.</span> And you're still ideally +happy aren't you, darling?</p> + +<p><span class = "smallcaps">Jinny.</span> Yes—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She rises and goes to a table near the +centre of the room and looks at the titles of several books without +realizing what they are.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Why, Jinny,—what +does that mean?</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, it's all my horrid +disposition!</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Been seeing green?</p> + +<p><span class = "smallcaps">Jinny.</span> Um! Um! Once in Rome, and on +the steamer, and again since we've been back.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Nothing serious?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Hesitatingly, she turns +and faces her mother.</i>] No—but the last time Jack was harder to +bring around than before, and he looked at me for fully five minutes +without a particle of love in his eyes, and they were +almost—<i>dead</i> eyes!</p> + +<p><span class = "pagenum">123</span> +<span class = "smallcaps">Mrs. Tillman.</span> What was it all +about?</p> + +<p><span class = "smallcaps">Jinny.</span> Ruth Chester, +principally.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Why Ruth?</p> + +<p><span class = "smallcaps">Jinny.</span> Well, the first real scene I +made was in Rome in the Vatican. I was jealous of her; I can't explain +it all to you—as a matter of fact, it hasn't been all explained to +<i>me</i>! Something was troubling Ruth that Jack knew, and he said he'd +help her.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> What?</p> + +<p><span class = "smallcaps">Jinny.</span> That's just it; Jack won't +tell me. And the day we sailed from Naples a telegram came, and of +course I opened it, and it said, "Trust me, I will do everything you +say. Ruth."</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Why haven't you told +me anything of all this before, dear?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Going back to her +mother.</i>] I was +<span class = "pagenum">124</span> +ashamed to! Somehow, in the end I always knew I was wrong and had hurt +him—hurt him terribly, mother, the man I love better than +everything else in the world! Yes, even better than you and father and +Geoffrey—all together!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>In her mother's arms, crying a +little.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Oh, this curse of +jealousy! I was in hopes he was so strong he would help you to +overcome it.</p> + +<p><span class = "smallcaps">Jinny.</span> He does try hard, I can see +sometimes; but he hasn't a spark of it in him, and he can't understand +it, and I know I'm unreasonable, and before I know it I am saying things +I don't know what, and some day he won't forgive them! I'm sure some day +he won't!—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Breaking down again.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She rises and turns away.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>Rising and putting +her arms +<span class = "pagenum">125</span> +about her.</i>] Come, dear! Now you're getting yourself all unstrung, +and that won't do you any good; you've got to fight this battle out, I'm +afraid, by yourself, trusting in the deep love of your husband to teach +him forbearance. Your father's and my troubles were never very big +because we <i>shared</i> the curse, so we knew how to sympathize with +each other!</p> + +<p><span class = "smallcaps">Jinny.</span> What an awful thing +it is!</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Yes, my dear child. +Jealousy has no saving grace, and it only destroys what is always most +precious to you. Jinny, don't let it destroy <i>your best</i> +happiness!</p> + +<p><span class = "smallcaps">Jinny.</span> Mother, if it <i>should</i>, +I'd kill myself!</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>Shocked, but quite +disbelieving her.</i>] My dear!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Maggie</span> enters Right.</p> + +<p><span class = "smallcaps">Maggie.</span> Mr. Tillman is downstairs, +madam.</p> + +<p><span class = "pagenum">126</span> +<span class = "smallcaps">Mrs. Tillman.</span> Tell him to +come up.</p> + +<p><span class = "smallcaps">Maggie.</span> Yes, madam.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She goes out Right.</p> + +<p><span class = "smallcaps">Jinny.</span> Don't tell father anything +before me.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> I don't know that I +shall tell him at all; he would only advise more cigars!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Tillman</span> enters Right.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mrs. +Tillman</span> sits on the sofa at Left.</p> + +<p><span class = "smallcaps">Tillman.</span> Are you here?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Going to meet him.</i>] +We are, father dear, and your presence <i>almost</i> completes us. +[<i>Kisses him.</i>] I say <i>almost</i>, because Jack hasn't come up +town yet, and Geoffrey's heartless enough to stay on fishing at Cape +Cod!</p> + +<p><span class = "smallcaps">Tillman.</span> No, he isn't; he's back +to-day.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He sits in the arm-chair at Right.</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, I do want to see him!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Sitting near her father.</p> + +<p><span class = "pagenum">127</span> +<span class = "smallcaps">Tillman.</span> He ought to have been in by +now—I met them this morning. He was to lunch with Jack, and he's +going to put up for a few days at the University.</p> + +<p><span class = "smallcaps">Jinny.</span> He must dine with us every +night.</p> + +<p><span class = "smallcaps">Tillman.</span> Jinny!— [<i>Looking +at her.</i>] —You look as if you've been crying!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>The two <span class = +"smallcaps">Women</span> are embarrassed, and <span class = +"smallcaps">Jinny</span> doesn't reply.</p> + +<p><span class = "smallcaps">Tillman.</span> [<i>Hurt.</i>] Oh, if you +prefer to have secrets from your father, it's all right! <i>I don't +begrudge</i> your mother her <i>first place</i> in your affections!</p> + +<p><span class = "smallcaps">Jinny.</span> Not at all, father; with you +and mother there's no first place. She will tell you all about it on the +way home! Please, mother.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Very well, dear.</p> + +<p><span class = "smallcaps">Tillman.</span> A little "scrap" between +you and Jack?</p> + +<p><span class = "pagenum">128</span> +<span class = "smallcaps">Jinny.</span> Yes, but it's all over!</p> + +<p><span class = "smallcaps">Tillman.</span> Um!— [<i>Thinks a +second, then taking out his cigar case, he empties it of cigars and +hands them to <span class = "smallcaps">Jinny</span>.</i>] +<ins class = "correction" title = +"text continues italics to end of passage">Give</ins> your husband +these, please, when he comes in!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +and her <span class = "smallcaps">Mother</span> exchange a smile.</p> + +<p><span class = "smallcaps">Jinny.</span> But, father, Jack's got boxes +full—</p> + +<p><span class = "smallcaps">Tillman.</span> Never mind; give him those, +<i>from me, with my compliments</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Laughing.</i>] Very +well!</p> + +<p><span class = "smallcaps">Tillman.</span> How are you and Maggie +getting on?</p> + +<p><span class = "smallcaps">Jinny.</span> Splendidly.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Such a nice girl!</p> + +<p><span class = "smallcaps">Jinny.</span> And wasn't it odd Jack was +bitterly opposed to my taking her?</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> My dear, if we hadn't +lent her to you for these few weeks, you wouldn't have got anybody +decent for so short a time.</p> + +<p><span class = "pagenum">129</span> +<span class = "smallcaps">Tillman.</span> Why didn't Jack want her to +come?</p> + +<p><span class = "smallcaps">Jinny.</span> I don't know, he just didn't +want her; and then last week he talked with her in the library for +three-quarters of an hour by my watch.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Why?</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, it seems <i>she</i> has +troubles, too! All single young women with troubles, of no matter what +class, seem to make a bee line for my husband, even if they have to +cross the ocean!</p> + +<p><span class = "smallcaps">Tillman.</span> What do you mean?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Half laughing.</i>] Oh, +nothing, but it was about that talk with Maggie that we had our last +quarrel.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Maggie</span> enters Right.</p> + +<p><span class = "smallcaps">Maggie.</span> Mrs. Cullingham.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>A second's dead silence, the +announcement falling like a bombshell.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Astounded.</i>] +<i>Who?</i></p> + +<p class = "stagedir"> +<span class = "pagenum">130</span> +<span class = "plaintext">[</span>She rises.</p> + +<p><span class = "smallcaps">Tillman and Mrs. Tillman.</span> +<i>Who?</i></p> + +<p><span class = "smallcaps">Maggie.</span> Mrs. Cullingham and her son, +madam.</p> + +<p><span class = "smallcaps">Jinny.</span> They're in Europe.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Are you sure you're +not mistaken, Maggie?</p> + +<p><span class = "smallcaps">Maggie.</span> Oh, yes'm. Even if you +<i>could</i> mistake Mrs. Cullingham, you couldn't mistake Mr. +Peter!</p> + +<p><span class = "smallcaps">Jinny.</span> Ask them to please come up, +Maggie.</p> + +<p><span class = "smallcaps">Maggie.</span> Yes'm.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She goes out Right.</p> + +<p><span class = "smallcaps">Tillman.</span> Why, they only just sailed +the other day, didn't they?</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Yes, and they were +supposed to be gone all summer at least, for Ruth Chester's health! What +in the world can they have come back for?</p> + +<p><span class = "pagenum">131</span> +<span class = "smallcaps">Jinny.</span> [<i>With curious +determination.</i>] <i>That</i> is what <i>I</i> intend to find out.</p> + +<p><span class = "smallcaps">Tillman.</span> [<i>Rising.</i>] We must be +going, Susan; we've lost our train as it is.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>Rising.</i>] We +can take the seven-two.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Maggie</span> shows in <span class = "smallcaps">Mrs. +Cullingham</span> and <span class = "smallcaps">Peter</span>. <span +class = "smallcaps">Peter</span> shakes hands with <span class = +"smallcaps">Mrs. Tillman</span>, then with <span class = +"smallcaps">Jinny</span>, and then with <span class = "smallcaps">Mr. +Tillman</span>.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mrs. +Cullingham</span> kisses <span class = "smallcaps">Mrs. Tillman</span> +and shakes hands with <span class = "smallcaps">Mr. Tillman</span>.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Jinny, you angel, +aren't you surprised!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Kissing her.</p> + +<p><span class = "smallcaps">Jinny.</span> Well, rather!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Well, you aren't a +bit more surprised than I am. [<i>A clock strikes six-thirty.</i>] +<span class = "pagenum">132</span> +There goes the half hour, Peter; you must take your powder.</p> + +<p><span class = "smallcaps">Peter.</span> I beg your pardon, mother; +it's the tablet now.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Excuse me, dear, +I'm so dead tired.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Sits on the sofa.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>To Peter.</i>] Will you +have some water?</p> + +<p><span class = "smallcaps">Peter.</span> No, thank you, I've learned +now to take them <i>au naturel</i>, and without much, if any, +inconvenience!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Takes his tablet with still a certain +amount of difficulty, and sits Right.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>To <span class = +"smallcaps">Mrs. Cullingham</span>.</i>] Did you have a bad voyage?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> No, perfectly +beautiful!</p> + +<p><span class = "smallcaps">Peter.</span> [<i>Reproachfully, and with a +final swallow.</i>] Oh, mother!</p> + +<p><span class = "pagenum">133</span> +<span class = "smallcaps">Mrs. Cullingham.</span> Except, of course, for +poor Peter; he gets worse every trip! He can eat <i>absolutely +nothing</i>—that is <i>for long</i>! But it's the Custom House +that's worn me out; I was there from twelve till four.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> But you wouldn't have +had time to buy anything!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Of course not! But +I took plenty of new dresses for the entire summer; most of them hadn't +been worn, and they were determined to make me pay duty.</p> + +<p><span class = "smallcaps">Jinny.</span> We had to pay awfully for +things! I wanted to try and smuggle, but Jack wouldn't let me!</p> + +<p><span class = "smallcaps">Mr. Tillman.</span> I'm afraid <i>we</i> +must go!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">All</span> +rise.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> What do you think +the Inspector had the impudence to ask me finally,—if +<span class = "pagenum">134</span> +I wanted to bring the dresses in as theatrical properties!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They laugh.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> You must have some +<i>gorgeous</i> frocks!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Oh, there are some +<i>paillettes</i>! But who do you suppose he took me for—Sarah +Bernhardt!</p> + +<p><span class = "smallcaps">Tillman.</span> [<i>Looking at his +watch.</i>] I don't wish to interrupt this vital political conversation, +but, Susan, if you don't want to miss the seven-two train, +too—!</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>Rising.</i>] Oh, +no, we mustn't do that. Good-by. [<i>To <span class = "smallcaps">Mrs. +Cullingham</span>, shaking hands.</i>] It's nice to see you again, +anyway. Is Ruth better?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> I'm sorry to +say—I don't think she is—good-by.</p> + +<p class = "stagedir"> +<span class = "pagenum">135</span> +<span class = "plaintext">[</span>To <span class = "smallcaps">Mr. +Tillman</span>, who says good-by—general good-bys.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> [<i>To <span class = +"smallcaps">Jinny</span>.</i>] You want me to tell your father?</p> + +<p><span class = "smallcaps">Jinny.</span> Yes, it's better; it does +make him jealous if he thinks I tell you things and keep secrets from +him.</p> + +<p><span class = "smallcaps">Tillman.</span> Good-by, Peter.</p> + +<p><span class = "smallcaps">Mrs. Tillman.</span> Good-by, Peter.</p> + +<p><span class = "smallcaps">Peter.</span> By-by.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Mr.</span> +and <span class = "smallcaps">Mrs. Tillman</span> quickly go out Right, +<span class = "smallcaps">Jinny</span> going to the door with them.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Coming back from +doorway.</i>] Now do tell me what it means. I thought you were abroad +indefinitely, or for the summer at least.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> So did I! I'm just +as surprised to be here as you <i>seem to be</i>! [<i>They +<span class = "pagenum">136</span> +sit down near each other.</i>] Didn't you really know we were +coming?</p> + +<p><span class = "smallcaps">Jinny.</span> No! How should I?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> I don't +know—I thought—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She hesitates, embarrassed.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>After a pause.</p> + +<p><span class = "smallcaps">Jinny.</span> What did you think?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Nothing, except +that you must know we were coming home.</p> + +<p><span class = "smallcaps">Jinny.</span> Why—that <i>I</i> +must?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> You mustn't put me +into a corner like that!</p> + +<p><span class = "smallcaps">Jinny.</span> How do you mean "corner"? How +did you happen to come home like this?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Ruth suddenly got a +cable—she didn't tell me from whom—but she said she must go +home at once.</p> + +<p><span class = "smallcaps">Jinny.</span> But her mother's never been +better!</p> + +<p><span class = "pagenum">137</span> +<span class = "smallcaps">Mrs. Cullingham.</span> [<i>Carelessly.</i>] +The cable wasn't from her mother.</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, then, you know who it was +from? [<i>No answer.</i>] Oh, I see now why you thought I ought to know +about it; the cable was from <i>Jack</i>, <i>wasn't it</i>?</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> [<i>Relieved.</i>] +Yes.</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, it was!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> I looked at it when +she was out of the room; of course, it was sort of by accident— +[<i>Very much embarrassed.</i>] —that is, I just happened to +see—O dear, there! You know what I mean; it was dreadful of me, +but I couldn't help it.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>In a strained voice.</i>] +Jack and Ruth are very good friends and he looks after some of her +affairs. You know having no man in the family complicates things.</p> + +<p><span class = "pagenum">138</span> +<span class = "smallcaps">Peter.</span> Oh! I say!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Standing up, suddenly.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> What <i>is it</i>, +dear?</p> + +<p><span class = "smallcaps">Peter.</span> I believe I haven't got my +before-dinner tabs.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Oh, look +carefully!</p> + +<p><span class = "smallcaps">Peter.</span> [<i>He looks in his +right-hand pocket, takes out a bottle.</i>] Soda mints! [<i>From his +left-hand pocket a box.</i>] Alkali powders! [<i>From third pocket a +bottle.</i>] Charcoal tablets! [<i>From fourth pocket another +bottle.</i>] Dr. Man's Positive Cure! [<i>From fifth pocket a box.</i>] +Bicarbonate soda!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> There's your other +side pocket!</p> + +<p><span class = "smallcaps">Peter.</span> That's my saccharine +[<i>Showing bottle.</i>] and my lithia tabs. [<i>Showing another +bottle.</i>] We'll have to go, mother; I've left them home!</p> + +<p><span class = "pagenum">139</span> +<span class = "smallcaps">Mrs. Cullingham.</span> We must go, anyway, my +dear.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Rising.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +also rises.</p> + +<p><span class = "smallcaps">Peter.</span> [<i>Suddenly claps his hand +behind him and speaks joyfully.</i>] No, we needn't go after all; I +forgot my hip pocket. Here they are!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Bringing them out.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> We must go all the +same! [<i>To <span class = "smallcaps">Jinny</span>.</i>] Sometimes I +think he takes too much medicine stuff!</p> + +<p><span class = "smallcaps">Jinny.</span> I should think so! Peter, you +ought to diet.</p> + +<p><span class = "smallcaps">Peter.</span> I can't! I've tried, and I +lose my appetite right away!</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Good-by, dear. How +long will you be in town?</p> + +<p><span class = "smallcaps">Jinny.</span> I don't know—several +weeks, I imagine. +<span class = "pagenum">140</span> +Jack came home on some business, you know, and I don't think it's +settled yet. Good-by.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>To <span class = +"smallcaps">Peter</span>.</p> + +<p><span class = "smallcaps">Peter.</span> Good-by. You know you mustn't +drink water with your meals; that's the great thing. So I drink only +champagne.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He goes out Right.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> [<i>Waits and +speaks to <span class = "smallcaps">Jinny</span> with real feeling.</i>] +I'm awfully ashamed of myself, and I hope I haven't made any trouble or +fuss with my meddling. Don't let me!</p> + +<p><span class = "smallcaps">Jinny.</span> No, of course not.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>With a strained smile.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> I wish I could +believe you.</p> + +<p><span class = "smallcaps">Jinny.</span> Well, <i>do</i>.</p> + +<p><span class = "smallcaps">Mrs. Cullingham.</span> Good-by.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She goes out Right.</p> + +<p><span class = "pagenum">141</span> +<span class = "smallcaps">Jinny.</span> Good-by. Where's that telegram +that came for him a little while ago? [<i>Going to the desk at Right, +and finding the telegram.</i>] Of course it's from her, saying that +she's arrived. That's the trouble with telegrams; the address doesn't +give the handwriting away. She must have sent it from the dock! Couldn't +even wait till she was home! [<i>She walks to the window and stands +there a moment, then comes back, looking at her watch.</i>] Nearly seven +already, and no sign of him, and we must dress and dine—huh! I +think I might as well tear up my theatre tickets! [<i>She paces up and +down the room, stopping now and then with each new thought that comes to +her.</i>] I wonder if he went down there to meet her—he must have +known the boat; if he cabled her to come back, she must have cabled an +answer and what boat she'd take! But no other telegram +<span class = "pagenum">142</span> +has come for Jack here to my knowledge—oh! of course, what am I +thinking of, she sent <i>that one</i> to <i>his office</i> to-day; she +was afraid he might have left before this one could get there, so she +risked it here. Good Heavens! why am I maudling on like this to myself +out loud? It's really nothing—Jack will <i>explain</i> once more +that he <i>can't</i> explain, but that Ruth has "troubles," and I'll +believe him again! But I won't! He promised me she should stay over +there! [<i>Looks at her watch again.</i>] He's there, with her! +<i>Nothing ever</i> kept him half as late down town as this! What a +little fool I am!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Geoffrey</span> enters suddenly Right.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Cries out, joyfully.</i>] +Geoffrey! [<i>And rushing to him, embraces him.</i>] You brute, you, not +to come straight back to New York when you heard I was home! You dear +old darling, you!</p> + +<p><span class = "pagenum">143</span> +<span class = "smallcaps">Geoffrey.</span> I couldn't, old girl; there +were reasons—I don't have to tell you I wanted to.</p> + +<p><span class = "smallcaps">Jinny.</span> I don't know! Was there a +pretty girl up there, Geof? I'm sure I shouldn't think her pretty if you +were in love with her. I believe I shall be awfully jealous of your wife +when you get one!</p> + +<p><span class = "smallcaps">Geoffrey.</span> Rubbish! Hasn't Jack come +back yet?</p> + +<p><span class = "smallcaps">Jinny.</span> "Come back" from where?</p> + +<p><span class = "smallcaps">Geoffrey.</span> Brooklyn.</p> + +<p><span class = "smallcaps">Jinny.</span> Brooklyn! Why, he told +me—what did he go there for?</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>Embarrassed.</i>] I +don't know if you don't—</p> + +<p><span class = "smallcaps">Jinny.</span> You <i>do</i>!!</p> + +<p><span class = "smallcaps">Geoffrey.</span> +No—really—I—</p> + +<p><span class = "pagenum">144</span> +<span class = "smallcaps">Jinny.</span> Oh, it's something to be +concealed, then?</p> + +<p><span class = "smallcaps">Geoffrey.</span> Hang it, Jinny! drop the +subject. I thought he said he was going to Brooklyn; probably I was +mistaken.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Satirically.</i>] One is +so apt to think just casually that every one's going to Brooklyn! +[<i>Looks at her watch.</i>] Of course it's Brooklyn. [<i>Goes and looks +at the telegram; turns.</i>] So you're going back on <i>me</i>, too, are +you? You're going to <i>protect Jack</i> at <i>my</i> expense!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Austin</span> enters Right.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Absorbed.</i>] Good +evening, Jinny dear.</p> + +<p><span class = "smallcaps">Jinny.</span> It's after seven!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Pleasantly.</i>] Is it? +Have you been waiting long, Geoffrey?</p> + +<p><span class = "smallcaps">Geoffrey.</span> No, I've only just now +come in.</p> + +<p><span class = "smallcaps">Jinny.</span> It's <i>I</i> who have done +the waiting!</p> + +<p><span class = "pagenum">145</span> +<span class = "smallcaps">Austin.</span> I'm sorry, but it couldn't be +helped.</p> + +<p><span class = "smallcaps">Jinny.</span> You didn't tell me you were +going to Brooklyn.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>After a quick, sharp +look at Geoffrey, who shakes his head once emphatically.</i>] It must +have escaped my mind.</p> + +<p><span class = "smallcaps">Jinny.</span> That's very likely! Going to +Brooklyn's the sort of thing one talks about and dreads for days.</p> + +<p><span class = "smallcaps">Austin.</span> Well, Jinny, that will bear +postponement, and my conversation with Geoffrey won't; will you please +leave us together here for a while?</p> + +<p><span class = "smallcaps">Jinny.</span> And what about the +theatre?</p> + +<p><span class = "smallcaps">Austin.</span> What theatre?</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, you've <i>forgotten</i> +entirely my little birthday party! Thanks!</p> + +<p><span class = "smallcaps">Austin.</span> Oh, Jinny! I <i>did</i>! +Forgive me! I'm awfully sorry! I've got a lot on my mind to-day.</p> + +<p class = "stagedir"> +<span class = "pagenum">146</span> +<span class = "plaintext">[</span>Tries to put his arms about her and +kiss her. She pushes herself away from him, refusing to let him kiss +her.</p> + +<p><span class = "smallcaps">Jinny.</span> Yes—I know you +have— [<i>At door Left.</i>] —I'll leave you two to your +confidences. You can trust Geof; he just now refused to betray you.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Austin</span> only looks at her fixedly, seriously. She +looks back at him with bravado. Then she deliberately crosses the room, +gets the cable, and recrosses with it and goes out Left.</p> + +<p><span class = "smallcaps">Austin.</span> Poor Jinny! [<i>Turning to +<span class = "smallcaps">Geoffrey</span>.</i>] and that, too, lies +largely on your already overcrowded shoulders.</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>Breaking down.</i>] I +know! I know!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Sitting in the corner of +the sofa.</i>] +<span class = "pagenum">147</span> +Here, don't cry! You've got to be strong now, and you've no use nor time +for crying. I've had another long interview with the Brooklyn +minister.</p> + +<p><span class = "smallcaps">Geoffrey.</span> Yes?—</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Drawing a chair near to +him and sitting.</i>] Well, of course we both know that he's doing wrong +to keep silent, but he will. He wishes I hadn't told him, because he +thinks he'd never have noticed your divorce from Maggie when it was +granted—nor remembered your name if he had seen it in the +papers.</p> + +<p><span class = "smallcaps">Geoffrey.</span> That's what I <i>told</i> +you!</p> + +<p><span class = "smallcaps">Austin.</span> <i>You</i> only argued that +for fear I'd insist on <i>your</i> going to this minister yourself. But +in the bottom of your heart you know it was a risk we couldn't afford to +run. I've explained everything to him—how such a fine, sweet girl +<span class = "pagenum">148</span> +would suffer if he did expose you, and I gave him my word you would be +remarried to Ruth at once after the divorce. Of course we both know it's +wrong, but we both hope the end justifies the means that removes +difficulty number two.</p> + +<p><span class = "smallcaps">Geoffrey.</span> You're sure about +Maggie?</p> + +<p><span class = "smallcaps">Austin.</span> She's signed a paper; she +realizes you'll never live with her, and—it's pathetic—she +loves you—that girl, too—so much as to give you your +freedom—Good Lord! what is it about you weak men that wins women +so? What is it in <i>you</i> that has made two women love <i>you</i> to +such a self-sacrificing extent?</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>Half tragic, half +comic laugh.</i>] I give it up!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Bitterly.</i>] So do I. +Well, Maggie is to have six hundred dollars a year.</p> + +<p><span class = "smallcaps">Geoffrey.</span> Where'll I get it?</p> + +<p><span class = "pagenum">149</span> +<span class = "smallcaps">Austin.</span> We'll talk about that when the +time comes. [<i>He rises.</i>] <i>Now</i> the most important, the most +painful, task of all must be done and <i>you</i> must do it. <i>Not I +this time—you!</i></p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>Looking up, +frightened.</i>] What?</p> + +<p><span class = "smallcaps">Austin.</span> Ruth Chester landed this +morning.</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>Starting up.</i>] +Impossible!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Rising.</p> + +<p><span class = "smallcaps">Austin.</span> The moment Maggie signed my +paper I cabled Miss Chester to return. You can't go out west and +institute proceedings for divorce without her <i>knowing the whole truth +from you</i> first! You don't want her to find it out from the +newspapers, do you?</p> + +<p><span class = "smallcaps">Geoffrey.</span> And you want <i>me</i> to +tell her?</p> + +<p><span class = "smallcaps">Austin.</span> <i>To-day.</i> And to-morrow +you start west!</p> + +<p><span class = "pagenum">150</span> +<span class = "smallcaps">Geoffrey.</span> [<i>Facing <span class = +"smallcaps">Austin</span>.</i>] I <i>won't</i> tell her!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Calmly.</i>] You've +got to!</p> + +<p>Geoffrey. I'd rather shoot myself; do you understand me—I'd +rather shoot myself!</p> + +<p><span class = "smallcaps">Austin.</span> That's nothing! That would +be decidedly the <i>easiest</i> course out of it, <i>and</i> the most +<i>cowardly</i>.</p> + +<p><span class = "smallcaps">Geoffrey.</span> She'll hate me! She'll +loathe me! How could she help it at first! But just after a little, if I +weren't there, the love she has for me might move her somehow or +other—and by degrees perhaps—to forgive—</p> + +<p><span class = "smallcaps">Austin.</span> I don't deny that you will +have to go through a terrible degradation with her—but that is +nothing compared with what you deserve. If <i>you</i> tell her, at least +the humiliation is secret, locked there between you two, and no one else +in the world can ever know what happens; <i>but</i> +<span class = "pagenum">151</span> +if you send some one else, and no matter who,—<i>any one</i> else +but you <i>is</i> an outsider,—you ask her to make a spectacle of +her humiliation, to let a third in as witness to the relations and +emotions between you two! It's insulting her <i>again</i>! Don't you +<i>see</i>?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>A pause.</p> + +<p><span class = "smallcaps">Geoffrey.</span> Yes, I see! My God! I +<i>must</i> tell her myself.</p> + +<p><span class = "smallcaps">Austin.</span> That's right, don't waver, +make up your mind and do it—Come!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Urging him up.</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>Hesitates a +moment.</i>] And Jinny?</p> + +<p><span class = "smallcaps">Austin.</span> Oh, she'll come round all +right; she always does.</p> + +<p><span class = "smallcaps">Geoffrey.</span> And she doesn't +suspect?</p> + +<p><span class = "smallcaps">Austin.</span> Not the slightest.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>A pause.</p> + +<p><span class = "pagenum">152</span> +<span class = "smallcaps">Geoffrey.</span> Need she?</p> + +<p><span class = "smallcaps">Austin.</span> The worst? No, +<i>never</i>!</p> + +<p><span class = "smallcaps">Geoffrey.</span> [<i>He rises, with new +encouragement.</i>] You'll give me your word?</p> + +<p><span class = "smallcaps">Austin.</span> Yes. [<i>Shakes his +hand.</i>] I know how much she loves you; <i>I</i> wouldn't have her +know anything. It's made us some ugly scenes, but they soon pass, and +when you are once out of your trouble for good, we'll have no excuse, +I'm sure, for any more!</p> + +<p><span class = "smallcaps">Geoffrey.</span> Then I shall go to bed +to-night with the respect still of at least two women who are dear to +me, my mother and Jinny, even if I lose the respect and love of the one +woman who is dearer! Only think, Jack, how I've got to stand up +there—never mind about myself—and make <i>her suffer +tortures</i>! Good-by. God give me courage to do the heart-breaking +thing I must do.</p> + +<p><span class = "pagenum">153</span> +<span class = "smallcaps">Austin.</span> I am sure the one hope you have +of forgiveness is in your manliness of going to her as you are doing and +telling her yourself <i>all</i> the truth!</p> + +<p><span class = "smallcaps">Geoffrey.</span> And that, like everything +else, I owe to you.</p> + +<p><span class = "smallcaps">Austin.</span> No, to <i>Jinny</i>! Good +luck!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He shakes <span class = +"smallcaps">Geoffrey's</span> hand and <span class = +"smallcaps">Geoffrey</span> goes out Right.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Goes to the door Left, +opens it, and calls to <span class = "smallcaps">Jinny</span>, in the +next room.</i>] Jinny, Geoffrey's gone,—what are you doing?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Answers in a very little +staccato voice.</i>] Waiting till you should have the leisure to +receive me!</p> + +<p><span class = "smallcaps">Austin.</span> Come along!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Leaves the doorway.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +enters Left and stands in the doorway.</p> + +<p><span class = "pagenum">154</span> +<span class = "smallcaps">Jinny.</span> [<i>With affected +nonchalance.</i>] I didn't care to go downstairs for dinner, so I have +had a tray up here. Maggie brought up something for you, too; would you +like it now?</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Ignoring purposely her +mood and manner.</i>] I shouldn't mind! I do feel a little hungry.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He sits in the arm-chair.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Speaks off through the +doorway Left.</i>] Bring in the tray for Mr. Austin, Maggie.</p> + +<p><span class = "smallcaps">Maggie.</span> [<i>Off stage.</i>] +Yes'm.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +pulls forward a little tea table beside his chair. Her whole manner must +be one of slow, dragging carelessness, like the calm before a storm. Her +expression must be hard. She carries the telegram still +<span class = "pagenum">155</span> +unopened, and on top of it the theatre tickets torn into pieces.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Maggie</span> brings in the tray, puts it on the table, and +goes out Right. On the tray are chops, peas, some whiskey, a syphon, a +roll, etc.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Sits down quickly and +with a show of eagerness.</i>] Ah!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Begins to eat as if he were hungry and +enjoyed it.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +sits on the sofa at his Left, and looks at him,—<span class = +"smallcaps">Austin</span> is of course conscious of <span class = +"smallcaps">Jinny's</span> mood, but pretends not to notice it.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>After a silence during +which he eats.</i>] I say I <i>am</i> hungry! And these chops <i>are</i> +very good, aren't they?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>No answer.</p> + +<p>I'll tell you what it is, Jinny! Of course travelling is great sport +and all the rest of it, but after +<span class = "pagenum">156</span> +all one does get tired of hotels, and to quote a somewhat familiar +refrain, "There's no place like home."</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>No answer.</p> + +<p>Have you a headache, Jinny?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Very short.</i>] No.</p> + +<p><span class = "smallcaps">Austin.</span> That's a good thing, and I +hope you are not as disappointed as I am about the theatre.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Half laughs.</i>] +Humph!</p> + +<p><span class = "smallcaps">Austin.</span> I'll celebrate <i>your</i> +birthday to-morrow and take <i>you</i>.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Quickly.</i>] <i>Why</i> +did you go to Brooklyn?</p> + +<p><span class = "smallcaps">Austin.</span> On the private business of +some one else.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>With all her nerves tied +tight.</i>] That's the best answer you will give me?</p> + +<p><span class = "smallcaps">Austin.</span> My dear girl, it's the only +answer I <i>can</i> give you.</p> + +<p><span class = "pagenum">157</span> +<span class = "smallcaps">Jinny.</span> When you are through I have +something for you!</p> + +<p><span class = "smallcaps">Austin.</span> What?</p> + +<p><span class = "smallcaps">Jinny.</span> I'll give it to you when you +have finished.</p> + +<p><span class = "smallcaps">Austin.</span> I'm ready. [<i>He rises. +<span class = "smallcaps">Jinny</span> rises too, and gives him the +telegram with the torn tickets on top, and then rings the bell, at +Right.</i>] What are these torn papers?</p> + +<p><span class = "smallcaps">Jinny.</span> Our theatre tickets!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He looks at her.</p> + +<p><span class = "smallcaps">Austin.</span> And when did this telegram +come?</p> + +<p><span class = "smallcaps">Jinny.</span> This afternoon.</p> + +<p><span class = "smallcaps">Austin.</span> Why didn't I get it when I +came in?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Bitingly.</i>] I kept it +to have the <i>pleasure</i> of giving it to you myself; it's from Ruth +Chester.</p> + +<p><span class = "smallcaps">Austin.</span> How do you know?</p> + +<p><span class = "pagenum">158</span> +<span class = "smallcaps">Jinny.</span> Oh, I haven't opened it! But I +know! When I held it in my hand it burnt my fingers! [<i><span class = +"smallcaps">Maggie</span> enters Right.</i>] Take away the tray, please, +Maggie.</p> + +<p><span class = "smallcaps">Maggie.</span> Yes'm.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She leaves the room with the tray.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +replaces the small table carelessly, almost roughly.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Austin</span> opens and reads the telegram; there is a +second's pause.</p> + +<p><span class = "smallcaps">Jinny.</span> May I read it?</p> + +<p><span class = "smallcaps">Austin.</span> [<i>After a moment's +hesitation.</i>] Yes, if you wish.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Not handing it to her.</p> + +<p><span class = "smallcaps">Jinny.</span> I <i>do</i>!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Reaches over and hands +her the telegram; he speaks quietly.</i>] When you behave like this it's +impossible for me to feel the same toward you.</p> + +<p><span class = "pagenum">159</span> +<span class = "smallcaps">Jinny.</span> And how do you think I feel when +I read this?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Reads it, satirically, bitterly.</p> + +<p>"Arrived safely; please let me see you before the day goes. Ruth." +"<i>Ruth</i>" if you please!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Standing over <span +class = "smallcaps">Jinny</span>.</i>] I want you to be careful +to-night. I want you to control yourself. I've been through a great deal +to-day, and if you make me angry God knows what I mightn't say and +<i>do</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> And <i>I've</i> been through +a great deal <i>for many a day now</i>, and I want the truth about this +at last! It's all very well for you to spare her by not telling me what +this <i>mysterious</i> trouble is about which you've been hoodwinking me +ever since we were married, but <i>now</i> you've got to choose between +sparing <i>her</i> and sparing <i>me</i>!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She sits determinedly.</p> + +<p><span class = "pagenum">160</span> +<span class = "smallcaps">Austin.</span> Is this your answer to me when +I beg you to be very careful to-night to control yourself?</p> + +<p><span class = "smallcaps">Jinny.</span> It's your turn to be careful! +What did you marry me for if you were in love with Ruth?</p> + +<p><span class = "smallcaps">Austin.</span> <i>Jinny!</i></p> + +<p><span class = "smallcaps">Jinny.</span> [<i>A little frightened, to +excuse herself.</i>] You gave me your word of honor she would stay +abroad indefinitely.</p> + +<p><span class = "smallcaps">Austin.</span> Nonsense! I said I +understood she was going to stay some time—indefinitely.</p> + +<p><span class = "smallcaps">Jinny.</span> It's the same thing, and here +she is back practically the moment we are!</p> + +<p><span class = "smallcaps">Austin.</span> I can't control Miss +Chester's movements—I couldn't foresee when she would come back. +In Rome she told me she would stay on.</p> + +<p><span class = "pagenum">161</span> +<span class = "smallcaps">Jinny.</span> [<i>Rising and facing him.</i>] +Ah! that's what I wanted to see, if you really <i>would lie</i> +to me!</p> + +<p><span class = "smallcaps">Austin.</span> What do you mean?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Beside herself.</i>] +Liar! [<i>He only looks at her, with his face hard and set; she is +insane with jealousy for the moment.</i>] <i>You sent</i> for Ruth to +come back.</p> + +<p><span class = "smallcaps">Austin.</span> <i>And</i> if <i>I +did</i>?</p> + +<p><span class = "smallcaps">Jinny.</span> You tried to deceive me about +it. And if you'll tell me a lie about one thing, you'll tell me a lie +about another, and I don't believe one word of all your explanations +about the intrigue between you and Ruth Chester!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Taking her two +hands.</i>] Sit down!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She sits in the arm-chair, half forced +by him.</p> + +<p><span class = "smallcaps">Jinny.</span> <i>Why</i> did you send for +Ruth Chester to come back?</p> + +<p><span class = "pagenum">162</span> +<span class = "smallcaps">Austin.</span> I have told you before, I am +trying to help Miss Chester.</p> + +<p><span class = "smallcaps">Jinny.</span> "<i>Ruth!</i>"</p> + +<p><span class = "smallcaps">Austin.</span> I am trying to help her in a +great and serious trouble.</p> + +<p><span class = "smallcaps">Jinny.</span> Why did you send for her to +come back? What's the trouble?</p> + +<p><span class = "smallcaps">Austin.</span> I've told you before I can't +tell you.</p> + +<p><span class = "smallcaps">Jinny.</span> You daren't tell me, and you +haven't even the face to tell another lie about it!</p> + +<p><span class = "smallcaps">Austin.</span> If you say another word, I +shall <i>hate</i> you! If you <i>won't</i> control <i>yourself</i>, I +must make you, as well as keep my own sane balance. You have insulted my +love for you to-night as you've never done before; you've struck at my +own ideal of <i>you</i>; you've almost done, in a word, what I warned +you you might do—<i>kill</i> the love I have for you!</p> + +<p><span class = "pagenum">163</span> +<span class = "smallcaps">Jinny.</span> [<i>Frightened.</i>] Jack!</p> + +<p><span class = "smallcaps">Austin.</span> I mean what I say!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>In tears.</i>] +That—that you—you don't love me?</p> + +<p><span class = "smallcaps">Austin.</span> That is not what I said, but +I tell you now that since I first began to care for you, never have I +loved you so little as I do to-night.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>With an effort at angry +justification.</i>] And suppose I tell you it is your own fault, because +you haven't treated me—</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Interrupting her.</i>] +Like a <i>child</i>, instead of a <i>woman</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> No, because you've kept part +of yourself from me, and that part you've given—</p> + +<p><span class = "smallcaps">Austin.</span> For God's sake, stop! +[<i>A pause—<span class = "smallcaps">Jinny</span> is now +thoroughly frightened; slowly she comes to her senses.</i>] Do you +<i>want</i> a rupture for +<span class = "pagenum">164</span> +good between us? [<i>No answer.</i>] Can't you see what I tell you is +true? That I can't bear any more to-night? That if you keep on you will +rob <i>me</i> of every bit of love I have for you, just as you've +already robbed me of the woman I thought you were?</p> + +<p><span class = "smallcaps">Jinny.</span> "Already!" No, no, Jack, +don't say that. Oh, what have I done!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She cries.</p> + +<p><span class = "smallcaps">Austin.</span> You've done something very +serious, and before you do more— [<i>Speaking hardly.</i>] +—I think we'd better not stay in this evening; it would be wiser +for both of us if we went out somewhere.</p> + +<p><span class = "smallcaps">Jinny.</span> No, I couldn't go out feeling +this way! I've hurt you, hurt you terribly! Oh, why do I do it? Why +can't I help myself?</p> + +<p><span class = "smallcaps">Austin.</span> I think one more scene +to-night +<span class = "pagenum">165</span> +would finish things for us. I <i>warn</i> you of that, Jinny—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He goes to the desk and sits at it, +looking blankly before him. She comes slowly, almost timidly, behind his +chair.</p> + +<p><span class = "smallcaps">Jinny.</span> No, don't say it! don't say +it! Try to forgive me—oh, Jack, I hate myself, and I'm so ashamed +of myself! I know I've disappointed you awfully, awfully! You <i>did</i> +idealize me; I knew it when you married me, but I told you then I wasn't +worth your loving me, didn't I? I never pretended to be worthy of you. I +always knew I wasn't.</p> + +<p><span class = "smallcaps">Austin.</span> Hush!</p> + +<p><span class = "smallcaps">Jinny.</span> It's true! it's only too +awfully true. But do you remember how you answered me then when I told +you I wasn't worth your loving me?</p> + +<p><span class = "pagenum">166</span> +<span class = "smallcaps">Austin.</span> [<i>Coldly and without looking +at her.</i>] No.</p> + +<p><span class = "smallcaps">Jinny.</span> You took me in your arms and +held me so I couldn't have got away if I'd wanted to—which I +didn't—and stopped the words on my lips with your <i>kisses</i>. +[<i>Her throat fills. He makes no reply. She goes on very +pathetically.</i>] <i>How I wish</i> you'd answer me that way now!</p> + +<p><span class = "smallcaps">Austin.</span> Whose fault is it?</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, mine! <i>mine</i>! I know +it. <i>You</i> don't know it one-half so well as I! I love you better +than anything in the world, love everything of you—the turn of +your head, the blessed touch of your hand, the smallest word that comes +from your dear lips—the thoughts that your forehead hides, but +which my heart guesses when I'm sane! And yet, try as hard as I can, +these mad fits take hold of me, and although I'd willingly <i>die</i> to +save you <i>pain</i>, still <i>I</i>, <i>I</i> myself, hurt and wound +you +<span class = "pagenum">167</span> +past all bearing! It doesn't make any difference that <i>I</i> suffer +too! <i>I ought</i> to! I deserve to—you <i>don't</i>! Oh, no! I +know I'm a disappointment and a failure!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Her eyes fill up with tears and her +voice breaks.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>He turns to her.</i>] +No, Jinny, not so bad as that, only I thought you were +<i>big</i>—and you're <i>so little</i>, oh, <i>so small</i>!</p> + +<p><span class = "smallcaps">Jinny.</span> Yes, it's true; I'm +small—I'm <i>small</i>! Oh, I'd like to be big, too! I want to be +noble and strong, but I'm not—I'm as weak as water—only it's +<i>boiling</i> water! I want to be Brunhilde, and I'm only Frou Frou! +Yes, I'm little; but I <i>love</i> you—<i>I love you!</i></p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She sinks on to a stool beside him. A +moment's pause.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>With a trembling voice.</p> + +<p>You don't mind my sitting here?</p> + +<p><span class = "pagenum">168</span> +<span class = "smallcaps">Austin.</span> No—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Very quietly, he places his arm about +her neck, his hand on her shoulder. She quickly steals up her hand to +take his, and leaning her head over it, kisses his hand. He draws it +away and kisses her hair.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Timidly, very +softly.</i>] You forgive me?</p> + +<p><span class = "smallcaps">Austin.</span> [<i>With a long sigh.</i>] +Yes.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Bursting into tears and +burying her face upon his knees.</i>] Thank you—thank you—I +know I don't deserve it—I don't deserve it—I don't deserve +it!<!--She doesn't. Though he's an idiot too, so maybe they deserve each +other.--></p> + +<p><span class = "smallcaps">Austin.</span> [<i>Softly.</i>] +Sh!—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +half turns and looks up at him.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Very, very quietly.</i>] +You forgive me—but still—yes, I see it in your face, you +don't love me the same. You look so tired, dear.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Also very quietly.</i>] +I am, Jinny.</p> + +<p><span class = "pagenum">169</span> +<span class = "smallcaps">Jinny.</span> And—happy?</p> + +<p><span class = "smallcaps">Austin.</span> I'm <i>not</i> quite +happy.</p> + +<p><span class = "smallcaps">Jinny.</span> I wish I could make you +so—make you love me the old way. You used to smile a little when +you looked at me—Jack, you don't any more. But I mean to make you +to-night, if I can, and to make you love me as much as ever you did.</p> + +<p><span class = "smallcaps">Austin.</span> Good luck, dear.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Brightening.</i>] What +time is it?</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Looking at his +watch.</i>] Nearly nine.</p> + +<p><span class = "smallcaps">Jinny.</span> I suppose it is too late for +me to dress and for us to go to the theatre?</p> + +<p><span class = "smallcaps">Austin.</span> Oh, yes,—and I'm too +tired.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Triumphantly.</i>] Well, +then, you shall have your theatre at home! If Mahomet won't go to the +mountain, the mountain must go to your lordship!</p> + +<p><span class = "pagenum">170</span> +<span class = "smallcaps">Austin.</span> I don't understand!</p> + +<p><span class = "smallcaps">Jinny.</span> Well, just wait— +[<i>She blows her nose.</i>] —till I bathe my face and eyes a +little; I feel rather bleary! [<i>Starting to go, she stops and +turns.</i>] Good-by?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Questioningly.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Quietly.</i>] +Good-by.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Who wanted him to call +her to him and kiss her.</i>] Oh, very well! but I'll <i>make</i> you +smile yet and <i>kiss</i> me of your own accord to-night—you'll +see!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She goes out Left.</p> + +[<i>She is heard singing in her room. <span class = +"smallcaps">Austin</span> goes to the desk and after a long sigh he +begins to write.</i>] + +<p><span class = "smallcaps">Austin.</span> [<i>Writing.</i>] Dear Ruth. +The satisfaction of the visit to Brooklyn prevents me from being +disappointed at having missed your telegram till +<span class = "pagenum">171</span> +too late to go to your house to-night. My heart aches for the blow you +must have this evening, but please God you will bear it bravely. The man +who loves you is not bad, but he has been weak. However, I feel once he +can shake off the burden of his present marriage, you will never have +cause to complain of him again. And if your future happiness lies truly +in his hands, it will be safe there.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Calls from her room.</i>] +Are you ready?</p> + +<p><span class = "smallcaps">Austin.</span> Yes.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He stops writing.</p> + +<p><span class = "smallcaps">Jinny.</span> In your orchestra chair?</p> + +<p><span class = "smallcaps">Austin.</span> Yes.</p> + +<p><span class = "smallcaps">Jinny.</span> What will you have, tragedy +or comedy?</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Smiling.</i>] Shall we +begin with tragedy?</p> + +<p><span class = "smallcaps">Jinny.</span> All right.</p> + +<p><span class = "pagenum">172</span> +<span class = "smallcaps">Austin.</span> [<i>Continues to write.</i>] So +far I have been able to keep Jinny in absolute ignorance, but I fear the +blow must fall upon her soon, and I dread to think of what she, too, +will suffer. Help me to keep it from her as long as we can, won't +you?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +comes back; she has changed her dress to a loose negligée gown, with a +red turban on her head; she brings two sheets with her.</p> + +<p><span class = "smallcaps">Jinny.</span> Excuse me one minute while I +set the stage! [<i>Moving toward each other the big arm-chair and the +sofa, she covers them with the sheets. <span class = +"smallcaps">Austin</span> turns from his letter on the desk, to +watch.</i>] Uncle Tom's Cabin, Act Four! [<i>She goes out only for a +moment, and reënters, wearing a man's overcoat, with a pillow tied in +the middle with a silk scarf, eyes, nose, and mouth made on it with a +burnt +<span class = "pagenum">173</span> +match.</i>] Eliza crossing the ice! Come, honey darling! [<i>To the +pillow.</i>] Mammy'll save you from de wicked white man! [<i>Jumping up +on the sofa, and moving with the springs.</i>] <i>You</i> ought to do +the bloodhounds for me, Jack! Excuse me, but you look the part! +[<i><span class = "smallcaps">Austin</span> watches her, not unamused, +but without smiling.</i>] Hold tight to Lize, honey, and don't be afeerd +o' dat big black man over dah—dat's Uncle Tom. [<i>Crossing to the +arm-chair.</i>] Don't be afeerd, honey; it's Lize dat's cuttin' de ice +this time. [<i>She throws the pillow away and drags off the two +sheets.</i>] Oh, I can see this is too serious for you!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She starts singing a cakewalk and +dances across the room until she reaches him, where she finishes.</p> + +<p><span class = "smallcaps">Austin.</span> Very good, Jinny! I'm sure +we couldn't have seen better at the theatre.</p> + +<p><span class = "pagenum">174</span> +<span class = "smallcaps">Jinny.</span> Ah! You're getting yourself +again!—Darling! Come!—Come!—come to the pianola and +you shall have the sextette! It's in there ready; I heard mother +struggling with it. You don't suppose she has designs upon the Casino, +do you? Now—ready?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He goes to the pianola and starts +to play the sextette from <ins class = "correction" title = +"correct spelling as printed">"Florodora."</ins> She runs to the +opposite side of the room and begins to sing and dance, crossing to +<span class = "smallcaps">Austin</span> as he plays.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>After a few +moments.</i>] But I can't see you and play at the same time; I don't +like it!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Delighted.</i>] You +<i>want to see me</i>, do you?</p> + +<p><span class = "smallcaps">Austin.</span> Of course I do!</p> + +<p><span class = "smallcaps">Jinny.</span> Jack! [<i>Delighted.</i>] +Well, then, turn round!</p> + +<p class = "stagedir"> +<span class = "pagenum">175</span> +<span class = "plaintext">[</span><span class = +"smallcaps">Jinny</span>, hurrying the time of the song, turns it into a +regular skirt dance. She dances delightfully and <span class = +"smallcaps">Austin</span> cannot resist her charm. His face lightens, he +smiles, and love comes into his eyes. <span class = +"smallcaps">Jinny</span> sees and dances and sings all the better till +she reaches him.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Rising, he takes her +into his arms.</i>] You adorable Jinny!</p> + +<p><span class = "smallcaps">Jinny.</span> Ah, Jack! You're smiling +again and—<i>you love me</i>!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Clasping her arms about his neck.</p> + +<p><span class = "smallcaps">Austin.</span> Yes! Is the theatre +finished?</p> + +<p><span class = "smallcaps">Jinny.</span> No, only the first act. +[<i>He sits in the big arm-chair, <span class = "smallcaps">Jinny</span> +on his knee.</i>] I'm <i>tired</i>! [<i>He kisses her. There is a pause. +There is a knock on the door at Right.</i>] Oh, hang it! [<i>Knock +repeated.</i>] <i>Don't</i> answer it! We haven't half made up yet!</p> + +<p><span class = "pagenum">176</span> +<span class = "smallcaps">Austin.</span> But we must answer it, +dear.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>As she rises +unwillingly.</i>] I don't see why—I should have let her knock till +she went away.</p> + +<p><span class = "smallcaps">Austin.</span> Come in!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Maggie</span> enters with a letter.</p> + +<p><span class = "smallcaps">Jinny.</span> What is it, Maggie?</p> + +<p><span class = "smallcaps">Maggie.</span> A note from Miss Chester, +m'm, and she's downstairs herself waiting for an answer.</p> + +<p><span class = "smallcaps">Jinny.</span> For <i>me</i>?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Taking the letter.</p> + +<p><span class = "smallcaps">Maggie.</span> No, m'm; I think she said it +was for <i>Mr.</i> Austin.</p> + +<p><span class = "smallcaps">Jinny.</span> <i>Oh!</i>—You may wait +outside for the answer, Maggie.</p> + +<p><span class = "smallcaps">Maggie.</span> Yes, m'm.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She goes out.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Slowly goes to <span +class = "smallcaps">Austin</span> and gives him +<span class = "pagenum">177</span> +the letter, lightly.</i>] I see now why you were so anxious to let +Maggie in. Perhaps you were expecting this.</p> + +<p><span class = "smallcaps">Austin.</span> Jinny! [<i>Holding her by +the hand and trying to pull her over to him.</i>] Come, I'll give you a +kiss for the letter.</p> + +<p><span class = "smallcaps">Jinny.</span> No, thank you, I don't want +kisses that are given by you for letters from Ruth Chester. Yes! do kiss +me! [<i>He kisses her.</i>] I <i>won't</i> be jealous! +<i>I won't be!</i> [<i>Clinching her teeth.</i>] See, I'm not +jealous a bit! Read your old letter!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Austin</span> opens the note and reads it. As he does so +<span class = "smallcaps">Jinny</span> has passed on to the desk and +sees <span class = "smallcaps">Austin's</span> unfinished letter to +<span class = "smallcaps">Ruth</span>, which after a little hesitation +she picks up and reads. <span class = "smallcaps">Austin</span>, having +read <span class = "smallcaps">Ruth's</span> note, looks up thoughtfully +a second, and then re-reads it. <span class = "smallcaps">Jinny</span> +is furious over what she +<span class = "pagenum">178</span> +reads. As she finishes she gives a little cry from the very depths of +her heart.</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, <i>Jack</i>!</p> + +<p><span class = "smallcaps">Austin.</span> What is it?</p> + +<p><span class = "smallcaps">Jinny.</span> Nothing!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She sinks by the desk, crushing the +letter in her hand. She looks over at him, and then down at the letter, +and then back at him.</p> + +<p><span class = "smallcaps">Austin.</span> Maggie!</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Rising suddenly. She +speaks with a voice trembling with only half-contained emotion and +passion.</i>] I told her to wait in the hall; may I read it?</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Holding out her hand for the +letter.</p> + +<p><span class = "smallcaps">Austin.</span> Now look here, +Jinny,—I always let you read everything, don't I?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Hiding his letter behind +her back.</i>] Yes. [<i>Holding out her other hand.</i>] Give it +to me!</p> + +<p><span class = "pagenum">179</span> +<span class = "smallcaps">Austin.</span> Now begin to show that you +really are going to turn over a new leaf, and that your love is going to +have perfect confidence, and don't ask to see this letter.</p> + +<p><span class = "smallcaps">Jinny.</span> But I <i>do</i> ask to +see it!</p> + +<p><span class = "smallcaps">Austin.</span> Then this time I must refuse +you!</p> + +<p><span class = "smallcaps">Jinny.</span> What! is it even more +compromising than <i>your</i> letter to her?</p> + +<p><span class = "smallcaps">Austin.</span> What letter? [<i>Looking +first on the desk, he looks across at her and sees it in her hand. He is +angry, but also frightened for fear it has told her her brother's +secret.</i>] And you've read it?</p> + +<p><span class = "smallcaps">Jinny.</span> It lay open on the desk +there, and anyway the end justifies me!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>In an agony.</i>] What +does it tell you? I forget what I wrote!</p> + +<p><span class = "smallcaps">Jinny.</span> It tells me that my jealousy +all along +<span class = "pagenum">180</span> +has been right, that I've been a fool to let you blind me!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>With a great sigh of +relief.</i>] Is that all?</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Beside herself.</i>] "Is +that all!" Isn't that enough? Dear God, isn't that enough? That there's +an understanding between you and Ruth to get rid of <i>me</i>!</p> + +<p><span class = "smallcaps">Austin.</span> If it tells you that, the +letter lies! Give it to me!</p> + +<p><span class = "smallcaps">Jinny.</span> No! <i>I'll</i> read it to +you! [<i>Reads with bitter emphasis.</i>] "The satisfaction of the visit +to Brooklyn prevents me from being disappointed at having missed your +telegram till too late to go to your house to-night!" So—you and +she went to Brooklyn, did you, and that's why you came back too late to +go to the theatre with me? You <i>cheat</i>! [<i>She screams in her +madness. +<span class = "pagenum">181</span> +A pause.</i>] Why don't you answer—why don't you say +something?</p> + +<p><span class = "smallcaps">Austin.</span> Because if I speak as I +feel, I'm afraid of saying something I'll regret all my life!</p> + +<p><span class = "smallcaps">Jinny.</span> You don't deny, then?</p> + +<p><span class = "smallcaps">Austin.</span> Yes! that is due to Ruth. +Whatever you may feel about <i>me</i>, you have no <i>right</i> to +<i>insult</i> her!</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, <i>there's more to</i> +the letter!</p> + +<p><span class = "smallcaps">Austin.</span> Jinny, don't you see what +you're doing?</p> + +<p><span class = "smallcaps">Jinny.</span> Yes, I'm getting at the truth +at last! [<i>Reads.</i>] "My heart aches for the blow you must have this +evening! The man who loves you—"</p> + +<p><span class = "smallcaps">Austin.</span> You shan't read any more; +you're mad now!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Tearing the letter away from her.</p> + +<p><span class = "pagenum">182</span> +<span class = "smallcaps">Jinny.</span> I don't need the letter, the +words are burning in here! [<i>Pressing her hands to her forehead.</i>] +"The man who loves you isn't bad, only weak. However, I feel once we can +shake off the burden of <i>this present marriage</i>"—oh! +you—you <i>brute</i> to say that!—"you will never have cause +to complain of him again! So far I have been able to keep Jinny in +perfect ignorance, but I feel the blow must fall upon her +now—"</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Interrupted.</p> + +<p><span class = "smallcaps">Austin.</span> Shall I tell you <i>the +truth</i>?</p> + +<p><span class = "smallcaps">Jinny.</span> You don't have to; I've found +it out for myself!</p> + +<p><span class = "smallcaps">Austin.</span> [<i>In weariness, in +disgust, in utter hopelessness.</i>] No! what's the use. You've done it +now—let it go! Let it all go—the whole thing! What's the +use!—it's finished!— [<i>A knock on the door at +Right.</i>] Come in!</p> + +<p class = "stagedir"> +<span class = "pagenum">183</span> +<span class = "plaintext">[</span>Maggie enters and closes the door +behind her.</p> + +<p><span class = "smallcaps">Maggie.</span> Please, sir, Miss Chester +came upstairs and made me knock again to see if there was an answer and +if you will see her now or not.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Suddenly—aflame +with her idea.</i>] Yes! Maggie, show her in!</p> + +<p><span class = "smallcaps">Austin.</span> No, no! What do you want to +do! I'll see Miss Chester to-morrow, Maggie.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +has crossed to the door, Right.</p> + +<p><span class = "smallcaps">Jinny.</span> Ruth! Ruth!</p> + +<p><span class = "smallcaps">Ruth.</span> [<i>Off stage.</i>] Yes? May I +come?</p> + +<p><span class = "smallcaps">Jinny.</span> <i>Do</i> come in!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She recrosses <ins class = +"correction" title = "so in original: missing 'the'?">room</ins>; she +and <span class = "smallcaps">Austin</span> face each other for a +second.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>In a lowered voice.</i>] +For God's sake, be careful!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Ruth</span> +enters Right.</p> + +<p><span class = "pagenum">184</span> +<span class = "smallcaps">Ruth.</span> Jinny!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Going to her quickly to embrace +her.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Jinny</span>, without speaking, draws away and stares at her +with a look of hatred. <span class = "smallcaps">Ruth</span>, seeing it, +stops short, and looks from <span class = "smallcaps">Jinny</span> to +<span class = "smallcaps">Austin</span> for explanation—she turns +to <span class = "smallcaps">Austin</span> and gives him her hand, which +he takes, presses, and drops; <span class = "smallcaps">Jinny's</span> +shoulders contract at this moment; <span class = "smallcaps">Ruth</span> +immediately turns again to <span class = "smallcaps">Jinny</span>.</p> + +<p><span class = "smallcaps">Ruth.</span> What is it, Jinny? [<i>To +<span class = "smallcaps">Austin</span>.</i>] Surely she doesn't blame +<i>me</i> in any way.</p> + +<p><span class = "smallcaps">Jinny.</span> <i>Blame you!</i></p> + +<p><span class = "smallcaps">Austin.</span> She doesn't <i>know</i>.</p> + +<p><span class = "smallcaps">Jinny.</span> That's a lie! I know +everything, Ruth! I know why you followed my husband to Rome, and why he +sent for you to come back here. I know that you and he were in Brooklyn +<span class = "pagenum">185</span> +this afternoon, and that you only plan to get rid of me by some divorce, +and by hook or crook to marry each other!</p> + +<p><span class = "smallcaps">Ruth.</span> No!—No!—</p> + +<p><span class = "smallcaps">Jinny.</span> Oh, you can lie, too, can +you? I won't keep you waiting long! You've stolen my husband from +me—take him. I won't <i>share</i> him with any woman! He's yours +now, and I'll soon be out of your way!</p> + +<p><span class = "smallcaps">Austin.</span> <i>Jinny!</i></p> + +<p><span class = "smallcaps">Ruth.</span> [<i>To Austin.</i>] She must +be told the truth.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Austin</span> bows his head.</p> + +<p><span class = "smallcaps">Jinny.</span> Now you'll make up your +story, will you? I tell you it's useless. If he wouldn't let me see your +compromising letter, I've seen a letter from <i>him</i> to <i>you</i> +to-night that gives the whole thing away.</p> + +<p><span class = "pagenum">186</span> +<span class = "smallcaps">Ruth.</span> [<i>Very quietly.</i>] Your +husband went to Brooklyn <i>without me</i>, as your <i>brother</i> will +tell you, to see the clergyman who married me, or <i>thought</i> he +<i>married</i> me to <i>Geoffrey Tillman</i> three months ago! [<i><span +class = "smallcaps">Jinny</span> looks up with a start.</i>] That +marriage was <i>illegal</i> because your brother was already married, +and Mr. Austin tried and did get the promise of silence this afternoon +about the Brooklyn service, to prevent a charge of bigamy against your +brother. The first marriage, which still holds good, was +with—Maggie, your present servant—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +stands immovable. There is a silence.</p> + +<p><span class = "smallcaps">Austin.</span> Geoffrey is not at your +house?</p> + +<p><span class = "smallcaps">Ruth.</span> No, he left when I came on +here. As I wrote you in the note I sent upstairs, I was too stunned by +what he told me to answer then, and I wanted a word of advice with you. +[<i>She turns +<span class = "pagenum">187</span> +to <span class = "smallcaps">Jinny</span>.</i>] <i>I</i> knew what I +thought was my <i>marriage</i> to your brother must be kept secret, but +I could not learn why. This was my trouble, which, after your marriage, +I selfishly laid on your husband's shoulders, thinking he might help me! +[<i>No answer from <span class = "smallcaps">Jinny</span>, who stands as +if struck dumb and into stone.</i>] Mr. Austin only learned the whole +truth when we met that day in Rome. <i>I</i> did not learn till to-day +that I was not honestly your brother's wife. I had to be told, because +divorce proceedings are to be started at once to break—the +other—marriage. [<i>No answer from <span class = +"smallcaps">Jinny</span>.</i>] To spare me, and above all to spare you +the knowledge of your brother's sin, your husband has kept Geoffrey's +secret from you. You have <i>well</i> repaid him! [<i>She turns again to +<span class = "smallcaps">Austin</span>.</i>] Good-by—I feel +to-night I couldn't marry Geoffrey again. He's tumbled so far off his +<span class = "pagenum">188</span> +pedestal he has fallen out of my heart. But still—we'll see; I've +told him to come to-morrow. <i>Thank you</i> from the bottom of my +heart—it's full of gratitude, even if it is broken!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>She goes out Right.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +slowly turns, almost afraid to look at <span class = +"smallcaps">Austin</span>. He stands stern, with set face.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>In a low voice, ashamed +to go near him.</i>] Can you forgive me? Can you—</p> + +<p><span class = "smallcaps">Austin.</span> Ugh!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Crossing room for his coat.</p> + +<p><span class = "smallcaps">Jinny.</span> I'm mad! You know I don't +know what I do. But I <i>love you</i>—I love you! +Forgive me!</p> + +<p><span class = "smallcaps">Austin.</span> Never!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Taking up his coat.</p> + +<p><span class = "smallcaps">Jinny.</span> Where are you going?</p> + +<p><span class = "smallcaps">Austin.</span> Out of this house.</p> + +<p><span class = "pagenum">189</span> +<span class = "smallcaps">Jinny.</span> If you leave me, I'll not bear +it! I'll kill myself! I warn you!</p> + +<p><span class = "smallcaps">Austin.</span> Bah!—Good-by!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Going to the door Right.</p> + +<p><span class = "smallcaps">Jinny.</span> No! Where are you going?</p> + +<p><span class = "smallcaps">Austin.</span> Out of this house <i>for +good</i>!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>At the door he turns and looks at +her.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Echoes.</i>] For +good?</p> + +<p><span class = "smallcaps">Austin.</span> <i>For good!</i></p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He goes out, slamming the door behind +him.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +stands a moment motionless. She then cries faintly—"Jack!" She +goes to the door and pushes it open, crying out again in loud, strong +despair, "Jack!" There is a moment's pause. She cries out again weakly, +heartbrokenly, "Jack!"—comes back into the room, and throwing +herself down on the floor, her head resting on her arms in the +<span class = "pagenum">190</span> +arm-chair, she sobs hysterically, wildly, "What have I done! Dear God, +what have I done!" as</p> + +<p class = "curtain">THE CURTAIN FALLS</p> + + +<span class = "pagenum">191</span> +<p class = "act"><a name = "actIV" id = "actIV">ACT IV</a></p> + +<p class = "scene"><a name = "actIV_i" id = "actIV_i">Scene I</a></p> + +<p class = "scenedesc"> +Dawn of the next day. At the rise of the curtain <span class = +"smallcaps">Jinny</span> is by the open window, whose curtains she has +thrown aside. The sky is blood-red and streaked with gold the moment +before sunrise. <span class = "smallcaps">Jinny</span> is worn and +haggard, with hair dishevelled.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Turning and leaning +against the window.</i>] Day at last! What a night—what a +night—but now it's morning and he hasn't come back! He means it! +And it's my own fault—it's my own fault! [<i>She shivers. She +closes the window and comes away. After a moment's pause she goes +deliberately and looks at the several gas +<span class = "pagenum">192</span> +fixtures in the room. She then closes all the doors and locks them. She +carefully draws down the shade and closes in the curtains of the window. +She hesitates, then pulls aside the curtains and the shade, and takes a +long, last look at the dawn. She closes it all in again. She gets +Austin's picture from the desk and places it on the table near the +centre of the room. She then goes to the gas bracket at the Right and +turns on the gas. She lights it to see if the gas is all right; then +blows it out. She then crosses to the other bracket and turns that on; +she goes to the chandelier at centre, and, mounting a chair, turns on +its three jets. She then sits down by the table with <span class = +"smallcaps">Austin's</span> picture before her, and looking into its +eyes, her elbows on the table, her head in her hands, she waits.</i>] +Oh, Jack, my beloved! I couldn't help it—I never for one minute +stopped loving +<span class = "pagenum">193</span> +you better than everything else in my life, but no more than I could +stop loving you could I stop or help being jealous! Once the cruel idea +has got hold of me it seems to <i>have</i> to work its way out! +Everything gets red before me and I don't seem to know what I say or do! +It's no excuse, I know. I've got no excuse, only I <i>love</i> you! +You'll forgive me when I'm gone, won't you, Jack? You'll know I +<i>loved</i> you!—loved you so I couldn't <i>live</i> without +you!—loved you!—<i>loved</i> you! [<i>She kisses the +photograph tenderly, adoringly, slowly, in tears.</i>] +Loved—you—loved you!—loved—</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Her head drops forward, as</p> + + +<p class = "curtain">THE CURTAIN FALLS</p> + + +<span class = "pagenum">194</span> +<p class = "scene"><a name = "actIV_ii" id = "actIV_ii">Scene II</a></p> + +<p class = "scenedesc"> +The same morning, three hours later. The curtain rises on the same scene +in a dull, cold, early morning light. The lamp has burnt itself out. +<!--What lamp? Why didn't it set off a terrific fire?--> A tiny ray of +sunlight steals through a slip between the curtains. <span class = +"smallcaps">Jinny</span> sits by the table, her arms spread over it and +her head on her arms—she is perfectly still. <span class = +"smallcaps">Austin's</span> picture is before her. There is a moment's +silence. Voices are heard outside, approaching door, at Right. Gradually +what they say is distinguished.</p> + +<p><span class = "smallcaps">Maggie.</span> No, sir. She hasn't been to +bed; I've been to her bedroom—that door's not unlocked.</p> + +<p><span class = "smallcaps">Tillman.</span> She's been here all +night?</p> + +<p><span class = "smallcaps">Maggie.</span> Yes, sir. But twice in the +night, sir, I came to the door and spoke to her and she +<span class = "pagenum">195</span> +wouldn't answer me—but I could hear her walking up and down and +sometimes talking to herself.</p> + +<p><span class = "smallcaps">Tillman.</span> [<i>Calls softly.</i>] +Jinny! [<i>Knocks softly.</i>] It's father! [<i>No answer.</i>] It looks +as if she were asleep now.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>At a little +distance.</i>] Father!</p> + +<p><span class = "smallcaps">Tillman.</span> I'm outside the library +door.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Nearer.</i>] I can't +wait—have you seen her? Will she see me?</p> + +<p><span class = "smallcaps">Tillman.</span> She's locked herself in +here. She's not been to her own room.</p> + +<p><span class = "smallcaps">Austin.</span> Not been to bed at all! Poor +Jinny—God forgive me.</p> + +<p><span class = "smallcaps">Tillman.</span> Maggie says she's walked +the floor all night.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He knocks on the door Right.</p> + +<p><span class = "smallcaps">Austin.</span> [<i>Outside the door, Right, +rather softly.</i>] Jinny! I'm so sorry! I can't say how sorry! +<span class = "pagenum">196</span> +I've thought it out through the night, and I think I understand things +better. [<i>He waits a moment for an answer.</i>] Jinny, answer me! you +shall be as jealous as you like, and I'll always explain and kiss away +those doubts of yours, and I'll have no more secrets from you, dear. Not +one! Jinny! [<i>As he calls there is a slight movement of one of <span +class = "smallcaps">Jinny's</span> arms. With a note of alarm.</i>] +Father! I can't hear a sound of breathing! [<i>A moment's pause as +they listen.</i>] She threatened it—she threatened it several +times! [<i>With great determination.</i>] We must get into this +room—do you hear me—we must get in if we have to break the +door down! [<i>They shake the door. He calls a little louder.</i>] +Jinny, Jinny darling—do you hear me? [<i><span class = +"smallcaps">Jinny</span> makes a sort of feeble effort to lift her head, +but fails.</i>] Jinny, for God's sake, answer me! I love you +Jinny—<i>Jinny!</i> [<i>Very slowly <span class = +"smallcaps">Jinny</span> lifts her +<span class = "pagenum">197</span> +head and, with difficulty, she hears as if in a dream; she is dazed, +barely alive.</i>] She doesn't answer!</p> + +<p><span class = "smallcaps">Tillman.</span> See if the key is in the +lock.</p> + +<p><span class = "smallcaps">Austin.</span> No.</p> + +<p><span class = "smallcaps">Tillman.</span> Get the other keys, +Maggie.</p> + +<p><span class = "smallcaps">Austin.</span> <i>Father!</i> Gas! Don't +you smell it?</p> + +<p><span class = "smallcaps">Tillman.</span> What!</p> + +<p><span class = "smallcaps">Austin.</span> Gas, I tell you! O God! +she's killed herself! Jinny! Jinny!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Beating the door.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +staggers up, she tries to call "Jack"—but the word only comes out +in a half-articulate whisper! She tries again, but fails.</p> + +<p><span class = "smallcaps">Maggie.</span> Here's a key, sir.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +tries to go to the door; she staggers a few steps and then falls.</p> + +<p class = "stagedir"> +<span class = "pagenum">198</span> +<span class = "plaintext">[</span>They try one key—it does not +unlock the door; they try another.</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = "smallcaps">Jinny</span> +half raises herself and makes an effort to crawl, but is unable and +sinks back upon the floor.</p> + +<p><span class = "smallcaps">Austin.</span> Break the door in, father! +We daren't waste any more time!</p> + +<p><span class = "smallcaps">Tillman.</span> No, this has +done it!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>They open the door and rush in. They +stop aghast at <span class = "smallcaps">Jinny</span> and the +oppressiveness of the gas in the room.</p> + +<p><span class = "smallcaps">Tillman.</span> Jinny!</p> + +<p><span class = "smallcaps">Austin.</span> Quick—the window! +[<i><span class = "smallcaps">Tillman</span> tears aside the curtains +and throws open the window. The sunshine of full morning pours in. He +then rushes to the opposite gas burners and turns them off. Kneeling +quickly beside her.</i>] <i>Jinny! My wife!</i> My beloved!</p> + +<p class = "stagedir"> +<span class = "pagenum">199</span> +<span class = "plaintext">[</span>He takes her up in his arms and +hurries to the window.</p> + +<p><span class = "smallcaps">Tillman.</span> Are we too late?</p> + +<p><span class = "smallcaps">Austin.</span> I don't know. No! she's +breathing—and see—see!—she knows me!—she knows +me! [<i><span class = "smallcaps">Jinny</span> smiles at him +pathetically.</i>] Send Maggie for the doctor!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span><span class = +"smallcaps">Tillman</span> goes out Right.</p> + +<p><span class = "smallcaps">Austin.</span> Jinny, forgive me! Forgive +me! Forgive me! [<i>She slips her two arms up and joins them about his +neck. <span class = "smallcaps">Austin</span> kisses her.</i>] Father! +We've saved her! Oh, thank God, we've saved her!</p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>Bringing her to big chair and putting +her in it, he kneels at her feet.</p> + +<p><span class = "smallcaps">Jinny.</span> [<i>Whispers faintly.</i>] +<i>Dear Jack!</i> You forgive <i>me</i>—all my beastly +jealousy?</p> + +<p><span class = "smallcaps">Austin.</span> There's one thing stronger +even than +<span class = "pagenum">200</span> +jealousy, my Jinny. And that's <span class = "smallcaps">love</span>! +That's <i>LOVE</i>! <!--F2 stops herself from throwing up--></p> + +<p class = "stagedir"> +<span class = "plaintext">[</span>He kisses her hands, and</p> + +<p class = "curtain">THE CURTAIN FALLS</p> + +<hr> + +<hr> + +<span class = "pagenum">[1]</span> + +<h4 class = "extended sans">REPRESENTATIVE PLAYS</h4> + +<h5>BY WELL-KNOWN PLAYWRIGHTS</h5> + +<hr class = "mid"> + +<h5 class = "boldf">By MR. CLYDE FITCH</h5> + +<h6>Each 75c. net (postage 6c.)</h6> + +<p class = "booktitle"> +The Climbers</p> + +<p class = "bookblurb">A keen satire on contemporary New York society, +which explains its title thus:—</p> + +<p class = "bookblurb">"There are social climbers, but wealth is as good +a goal. I was a climber after wealth and everything it brings."</p> + +<p class = "bookblurb">"And I after happiness and all it +brings."—<i>Act II</i>.</p> + +<p class = "booktitle"> +The Girl with the Green Eyes</p> + +<p class = "bookblurb"> +A study of the jealous temperament. The play is full of touches of a +remarkable intuition, and the heroine's character is portrayed with rare +delicacy.</p> + +<p class = "booktitle"> +The Toast of the Town</p> + +<p class = "bookblurb"> +A comedy dealing with the life of an actress in the period of George +III., and with the tragedy of middle age.</p> + +<p class = "booktitle"> +Her Own Way <span class = "subtitle">and</span><br> +The Stubbornness of Geraldine</p> + +<p class = "bookblurb"> +are two original American plays, ingenious and novel in their employment +of pictorial devices. These plays are funds of delightful sentiment, +unhackneyed, piquant humor, and minute observation.</p> + +<p class = "bookblurb"> +For the faithfulness of his chronicles of American life Mr. Fitch is to +be ranked with Mr. Henry Arthur Jones in the English field, and with the +best of the modern French dramatists on the Continent.</p> + +<hr class = "mid"> + +<h5 class = "extended sans">THE MACMILLAN COMPANY</h5> + +<h5>64-66 Fifth Avenue, New York</h5> + +<hr> + +<span class = "pagenum">[2]</span> + +<h4 class = "extended sans">REPRESENTATIVE PLAYS</h4> + +<h5>BY WELL-KNOWN PLAYWRIGHTS</h5> + +<hr class = "mid"> + +<h5 class = "boldf">By HENRY ARTHUR JONES</h5> + +<h6>Each 75c. net (postage 6c.)</h6> + +<p class = "booktitle"> +The Manœuvres of Jane</p> + +<p class = "bookblurb"> +An Original Comedy in Four Acts.</p> + +<p class = "bookblurb"> +"The occasional publication of a play by Henry Arthur Jones is a matter +for congratulation.... In 'The Manœuvres of Jane' we see Mr. Jones +in his most sprightly mood and at the height of his ingenuity;... its +plot is plausible and comic, and its dialogue is witty."</p> + +<p class = "bookprice"> +<i>The Transcript</i> (Boston).</p> + +<p class = "booktitle"> +Mrs. Dane's Defence</p> + +<p class = "bookblurb"> +A Play in Four Acts.</p> + +<p class = "bookblurb"> +First produced in London by Sir Charles Wyndham. Margaret Anglin and +Charles Richman scored a success in it in New York and elsewhere.</p> + +<p class = "booktitle"> +The Whitewashing of Julia</p> + +<p class = "bookblurb"> +An Original Comedy in Three Acts and an Epilogue.</p> + +<p class = "booktitle"> +Saints and Sinners</p> + +<p class = "bookblurb"> +An Original Drama of Modern English Middle-Class Life in Five Acts.</p> + +<p class = "booktitle"> +The Crusaders</p> + +<p class = "bookblurb"> +An Original Comedy of Modern London Life.</p> + +<p class = "booktitle"> +The Case of Rebellious Susan</p> + +<p class = "bookblurb"> +A Comedy in Three Acts.</p> + +<p class = "booktitle"> +Carnac Sahib</p> + +<p class = "bookblurb"> +An Original Play in Four Acts.</p> + +<p class = "booktitle"> +The Triumph of the Philistines</p> + +<p class = "booktitle"> +Michael and His Lost Angel</p> + +<p class = "booktitle"> +The Tempters</p> + +<p class = "booktitle"> +The Liars</p> + +<p class = "booktitle"> +The Masqueraders</p> + +<hr class = "mid"> + +<h5 class = "extended sans">THE MACMILLAN COMPANY</h5> + +<h5>64-66 Fifth Avenue, New York</h5> + +<hr> + +<span class = "pagenum">[3]</span> + +<h4 class = "extended sans">REPRESENTATIVE PLAYS</h4> + +<h5>BY WELL-KNOWN PLAYWRIGHTS</h5> + +<hr class = "mid"> + +<h5 class = "boldf">By MR. WINSTON CHURCHILL</h5> + +<p class = "booktitle"> +The Title-Mart</p> + +<p class = "bookblurb"> +A live comedy of American life, turning on schemes of ambitious elders, +through which love and the young folks follow their own sweet ways.</p> + +<p class = "bookprice"> +Cloth, 16mo, 75c. net (postage 6c.)</p> + +<hr class = "tiny"> + +<h5 class = "boldf">By PAUL HEYSE</h5> + +<h6 class = "smallcaps">Freely translated by WILLIAM WINTER</h6> + +<p class = "booktitle"> +Mary of Magdala</p> + +<p class = "bookblurb"> +The English version used by Mrs. Fiske in New York and elsewhere.</p> + +<p class = "bookprice"> +Cloth, $1.25 net</p> + +<hr class = "tiny"> + +<h5 class = "boldf">By MR. WILLIAM BUTLER YEATS</h5> + +<h6>(Plays for an Irish Theatre)</h6> + +<p class = "booktitle"> +Where There is Nothing</p> + +<p class = "booktitle"> +The Hour Glass and Other Plays</p> + +<p class = "bookprice"> +Cloth, each $1.25 net (postage 7c.)</p> + +<p class = "booktitle"> +In the Seven Woods</p> + +<p class = "bookprice"> +Cloth, 12mo, $1.00 net (postage 6c.)</p> + +<p class = "bookblurb"> +"Mr. Yeats' work is notable as supplying that rarest of all +things—a distinctly new strain in English poetic and dramatic +literature."—<span class = "smallcaps">Miss Katharine Lee +Bates</span> in the <i>Transcript</i> (Boston).</p> + +<hr class = "mid"> + +<h5 class = "extended sans">THE MACMILLAN COMPANY</h5> + +<h5>64-66 Fifth Avenue, New York</h5> + +<hr> + +<span class = "pagenum">[4]</span> + +<h4 class = "extended sans">REPRESENTATIVE PLAYS</h4> + +<h5>BY WELL-KNOWN PLAYWRIGHTS</h5> + +<hr class = "mid"> + +<h5 class = "boldf">By MR. THOMAS HARDY</h5> + +<p class = "booktitle"> +The Dynasts</p> + +<p class = "bookblurb"> +A Drama of the Napoleonic Wars. In three parts.</p> + +<p class = "bookprice"> +Part I., 12mo, cloth, $1.50 net</p> + +<hr class = "tiny"> + +<h5 class = "boldf">By MR. STEPHEN PHILLIPS</h5> + +<p class = "bookprice"> +Cloth, each $1.25 net (postage 8c.)</p> + +<p class = "booktitle"> +The Sin of David</p> + +<p class = "bookblurb"> +The theme is indicated by the title, but the time of the play is that of +Cromwell, and runs its course during the English civil war.</p> + +<p class = "booktitle"> +Ulysses</p> + +<p class = "bookblurb"> +A dramatic success in both London and New York, first presented in a +marvellous stage-setting by Beerbohm Tree, and pronounced "the most +strikingly imaginative production the present generation has +witnessed."</p> + +<hr class = "tiny"> + +<h5 class = "boldf">By MR. PERCY W. MACKAYE</h5> + +<p class = "bookprice"> +Cloth, each $1.25 net (postage 7c.)</p> + +<p class = "booktitle"> +Fenris the Wolf <span class = "subtitle">A Tragedy.</span></p> + +<p class = "booktitle"> +The Canterbury Pilgrims</p> + +<p class = "bookblurb"> +"A rollicking little farce-comedy, with lyrics +interspersed."—<i>Churchman.</i></p> + +<hr class = "tiny"> + +<h5 class = "boldf">By MR. LAURENCE HOUSMAN</h5> + +<p class = "booktitle"> +Bethlehem</p> + +<p class = "bookblurb"> +A Nativity Play. Performed with Music by <span class = +"smallcaps">Joseph Moorat</span>, under the Stage Direction of <span +class = "smallcaps">Edward Gordon Craig</span>, December, MCMII.</p> + +<p class = "bookprice"> +Cloth, 12mo, $1.25 net (postage 7c.)</p> + +<hr class = "mid"> + +<h5 class = "extended sans">THE MACMILLAN COMPANY</h5> + +<h5>64-66 Fifth Avenue, New York</h5> + +<hr> + +<p class = "mynote"> +The following text was printed at the beginning of the original book, +immediately after the copyright notice. It is included here for +historical interest only.</p> + +<p>All acting rights, both professional and amateur, are reserved by +Clyde Fitch. Performances forbidden and right of representation +reserved. Application for the right of performing this piece must be +made to The Macmillan Company. Any piracy or infringement will be +prosecuted in accordance with the penalties provided by the United +States Statutes:—</p> + +<p>"<span class = "smallcaps">Sec.</span> 4966.—Any person +publicly performing or representing any dramatic or musical composition, +for which copyright has been obtained, without the consent of the +proprietor of the said dramatic or musical composition, or his heirs or +assigns, shall be liable for damages therefor, such damages in all cases +to be assessed at such sum, not less than one hundred dollars for the +first and fifty dollars for every subsequent performance, as to the +Court shall appear to be just. If the unlawful performance and +representation be wilful and for profit, such person or persons shall be +guilty of a misdemeanor, and upon conviction be imprisoned for a period +not exceeding one year."—<span class = "smallcaps">U. S. +Revised Statutes</span>, Title 60, Chap. 3.</p> + + + + + + + +<pre> + + + + + +End of Project Gutenberg's The Girl with the Green Eyes, by Clyde Fitch + +*** END OF THIS PROJECT GUTENBERG EBOOK THE GIRL WITH THE GREEN EYES *** + +***** This file should be named 19101-h.htm or 19101-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/9/1/0/19101/ + +Produced by Louise Hope, David Garcia and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> + |
