diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:54:51 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:54:51 -0700 |
| commit | a7417d1d5c112ac53d078411535c252dd61e6efd (patch) | |
| tree | 2d6ab59a89e4ae4b9717a3af5fd007a40df929cc /19076.txt | |
Diffstat (limited to '19076.txt')
| -rw-r--r-- | 19076.txt | 2464 |
1 files changed, 2464 insertions, 0 deletions
diff --git a/19076.txt b/19076.txt new file mode 100644 index 0000000..3ad9567 --- /dev/null +++ b/19076.txt @@ -0,0 +1,2464 @@ +The Project Gutenberg EBook of Naudsonce, by H. Beam Piper + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Naudsonce + +Author: H. Beam Piper + +Illustrator: Morey + +Release Date: August 18, 2006 [EBook #19076] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK NAUDSONCE *** + + + + +Produced by Greg Weeks, William Woods, and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + +NAUDSONCE + + + + Bishop Berkeley's famous question + about the sound of a falling tree + may have no standing in Science. + But there is a highly interesting + question about "sound" that Science + needs to consider.... + + + +BY H. BEAM PIPER + +ILLUSTRATED BY MOREY + + * * * * * + + + + +[Illustration] + + +The sun warmed Mark Howell's back pleasantly. Underfoot, the +mosslike stuff was soft and yielding, and there was a fragrance +in the air unlike anything he had ever smelled. He was going to +like this planet; he knew it. The question was, how would it, +and its people, like him? He watched the little figures advancing +across the fields from the mound, with the village out of sight +on the other end of it and the combat-car circling lazily on +contragravity above. + +Major Luis Gofredo, the Marine officer, spoke without lowering +his binoculars: + +"They have a tubular thing about twelve feet long; six of them +are carrying it on poles, three to a side, and a couple more are +walking behind it. Mark, do you think it could be a cannon?" + +So far, he didn't know enough to have an opinion, and said so, +adding: + +"What I saw of the village in the screen from the car, it looked +pretty primitive. Of course, gunpowder's one of those things a +primitive people could discover by accident, if the ingredients +were available." + +"We won't take any chances, then." + +"You think they're hostile? I was hoping they were coming out to +parley with us." + +That was Paul Meillard. He had a right to be anxious; his whole +future in the Colonial Office would be made or ruined by what was +going to happen here. + +The joint Space Navy-Colonial Office expedition was looking for +new planets suitable for colonization; they had been out, now, +for four years, which was close to maximum for an exploring +expedition. They had entered eleven systems, and made landings +on eight planets. Three had been reasonably close to Terra-type. +There had been Fafnir; conditions there would correspond to Terra +during the Cretaceous Period, but any Cretaceous dinosaur would +have been cute and cuddly to the things on Fafnir. Then there had +been Imhotep; in twenty or thirty thousand years, it would be +a fine planet, but at present it was undergoing an extensive +glaciation. And Irminsul, covered with forests of gigantic trees; +it would have been fine except for the fauna, which was nasty, +especially a race of subsapient near-humanoids who had just +gotten as far as clubs and _coup-de-poing_ axes. Contact with +them had entailed heavy ammunition expenditure, with two men and +a woman killed and a dozen injured. He'd had a limp, himself, +for a while as a result. + +As for the other five, one had been an all-out hell-planet, and +the rest had been the sort that get colonized by irreconcilable +minority-groups who want to get away from everybody else. The +Colonial Office wouldn't even consider any of them. + +Then they had found this one, third of a G0-star, eighty million +miles from primary, less axial inclination than Terra, which would +mean a more uniform year-round temperature, and about half land +surface. On the evidence of a couple of sneak landings for +specimens, the biochemistry was identical with Terra's and the +organic matter was edible. It was the sort of planet every explorer +dreams of finding, except for one thing. + +It was inhabited by a sapient humanoid race, and some of them were +civilized enough to put it in Class V, and Colonial Office doctrine +on Class V planets was rigid. Friendly relations with the natives +had to be established, and permission to settle had to be guaranteed +in a treaty of some sort with somebody more or less authorized to +make one. + +If Paul Meillard could accomplish that, he had it made. He would +stay on with forty or fifty of the ship's company to make +preparations. In a year a couple of ships would come out from Terra, +with a thousand colonists, and a battalion or so of Federation +troops, to protect them from the natives and vice versa. Meillard +would automatically be appointed governor-general. + +But if he failed, he was through. Not out--just through. When he +got back to Terra, he would be promoted to some home office position +at slightly higher base pay but without the three hundred per cent +extraterrestrial bonus, and he would vegetate there till he retired. +Every time his name came up, somebody would say, "Oh, yes; he +flubbed the contact on Whatzit." + +It wouldn't do the rest of them any good, either. There would +always be the suspicion that they had contributed to the failure. + + * * * * * + +_Bwaaa-waaa-waaanh!_ + +The wavering sound hung for an instant in the air. A few seconds +later, it was repeated, then repeated again. + +"Our cannon's a horn," Gofredo said. "I can't see how they're +blowing it, though." + +There was a stir to right and left, among the Marines deployed +in a crescent line on either side of the contact team; a metallic +clatter as weapons were checked. A shadow fell in front of them +as a combat-car moved into position above. + +"What do you suppose it means?" Meillard wondered. + +"Terrans, go home." He drew a frown from Meillard with the +suggestion. "Maybe it's supposed to intimidate us." + +"They're probably doing it to encourage themselves," Anna de Jong, +the psychologist, said. "I'll bet they're really scared stiff." + +"I see how they're blowing it," Gofredo said. "The man who's walking +behind it has a hand-bellows." He raised his voice. "Fix bayonets! +These people don't know anything about rifles, but they know what +spears are. They have some of their own." + +So they had. The six who walked in the lead were unarmed, unless +the thing one of them carried was a spear. So, it seemed, were the +horn-bearers. Behind them, however, in an open-order skirmish-line, +came fifty-odd with weapons. Most of them had spears, the points +glinting redly. Bronze, with a high copper content. A few had bows. +They came slowly; details became more plainly visible. + +The leader wore a long yellow robe; the thing in his hand was a +bronze-headed staff. Three of his companions also wore robes; the +other two were bare-legged in short tunics. The horn-bearers wore +either robes or tunics; the spearmen and bowmen behind either wore +tunics or were naked except for breechclouts. All wore sandals. They +were red-brown in color, completely hairless; they had long necks, +almost chinless lower jaws, and fleshy, beaklike noses that gave +them an avian appearance which was heightened by red crests, like +roosters' combs, on the tops of their heads. + +"Well, aren't they something to see?" Lillian Ransby, the linguist asked. + +"I wonder how we look to them," Paul Meillard said. + +That was something to wonder about, too. The differences between +one and another of the Terrans must puzzle them. Paul Meillard, as +close to being a pure Negro as anybody in the Seventh Century of +the Atomic Era was to being pure anything. Lillian Ransby, almost +ash-blond. Major Gofredo, barely over the minimum Service height +requirement; his name was Old Terran Spanish, but his ancestry +must have been Polynesian, Amerind and Mongolian. Karl Dorver, +the sociographer, six feet six, with red hair. Bennet Fayon, +the biologist and physiologist, plump, pink-faced and balding. +Willi Schallenmacher, with a bushy black beard.... + +They didn't have any ears, he noticed, and then he was taking stock +of the things they wore and carried. Belts, with pouches, and knives +with flat bronze blades and riveted handles. Three of the delegation +had small flutes hung by cords around their necks, and a fourth had +a reed Pan-pipe. No shields, and no swords; that was good. Swords +and shields mean organized warfare, possibly a warrior-caste. This +crowd weren't warriors. The spearmen and bowmen weren't arrayed for +battle, but for a drive-hunt, with the bows behind the spears to +stop anything that broke through the line. + +"All right; let's go meet them." The querulous, uncertain note was +gone from Meillard's voice; he knew what to do and how to do it. + + * * * * * + +Gofredo called to the Marines to stand fast. Then they were +advancing to meet the natives, and when they were twenty feet apart, +both groups halted. The horn stopped blowing. The one in the yellow +robe lifted his staff and said something that sounded like, +"_Tweedle-eedle-oodly-eenk_." + +The horn, he saw, was made of strips of leather, wound spirally +and coated with some kind of varnish. Everything these people had +was carefully and finely made. An old culture, but a static one. +Probably tradition-bound as all get-out. + +Meillard was raising his hands; solemnly he addressed the natives: + +"'Twas brillig and the slithy toves were whooping it up in the +Malemute Saloon, and the kid that handled the music box did gyre +and gimble in the wabe, and back of the bar in a solo game all +mimsy were the borogoves, and the mome raths outgabe the lady +that's known as Lou." + +That was supposed to show them that we, too, have a spoken language, +to prove that their language and ours were mutually incomprehensible, +and to demonstrate the need for devising a means of communication. +At least that was what the book said. It demonstrated nothing of +the sort to this crowd. It scared them. The dignitary with the staff +twittered excitedly. One of his companions agreed with him at length. +Another started to reach for his knife, then remembered his manners. +The bellowsman pumped a few blasts on the horn. + +"What do you think of the language?" he asked Lillian. + +"They all sound that bad, when you first hear them. Give them a few +seconds, and then we'll have Phase Two." + +When the gibbering and skreeking began to fall off, she stepped +forward. Lillian was, herself, a good test of how human aliens were; +this gang weren't human enough to whistle at her. She touched +herself on the breast. "Me," she said. + +The natives seemed shocked. She repeated the gesture and the word, +then turned and addressed Paul Meillard. "You." + +"Me," Meillard said, pointing to himself. Then he said, "You," to +Luis Gofredo. It went around the contact team; when it came to him, +he returned it to point of origin. + +"I don't think they get it at all," he added in a whisper. + +"They ought to," Lillian said. "Every language has a word for self +and a word for person-addressed." + +"Well, look at them," Karl Dorver invited. "Six different opinions +about what we mean, and now the band's starting an argument of their +own." + +"Phase Two-A," Lillian said firmly, stepping forward. She pointed +to herself. "Me--Lillian Ransby. Lillian Ransby--me _name_. +You--_name_? + +"_Bwoooo!_" the spokesman screamed in horror, clutching his staff +as though to shield it from profanation. The others howled like +a hound-pack at a full moon, except one of the short-tunic boys, +who was slapping himself on the head with both hands and yodeling. +The horn-crew hastily swung their piece around at the Terrans, +pumping frantically. + +"What do you suppose I said?" Lillian asked. + +"Oh, something like, 'Curse your gods, death to your king, and +spit in your mother's face,' I suppose." + +"Let me try it," Gofredo said. + +The little Marine major went through the same routine. At his first +word, the uproar stopped; before he was through, the natives' faces +were sagging and crumbling into expressions of utter and +heartbroken grief. + +"It's not as bad as all that, is it?" he said. "You try it, Mark." + +"Me ... Mark ... Howell...." They looked bewildered. + +"Let's try objects, and play-acting," Lillian suggested. "They're +farmers; they ought to have a word for water." + + * * * * * + +They spent almost an hour at it. They poured out two gallons of +water, pretended to be thirsty, gave each other drinks. The natives +simply couldn't agree on the word, in their own language, for water. +That or else they missed the point of the whole act. They tried +fire, next. The efficiency of a steel hatchet was impressive, and +so was the sudden flame of a pocket-lighter, but no word for fire +emerged, either. + +"Ah, to Niflheim with it!" Luis Gofredo cried in exasperation. +"We're getting nowhere at five times light speed. Give them their +presents and send them home, Paul." + +"Sheath-knives; they'll have to be shown how sharp they are," +he suggested. "Red bandannas. And costume jewelry." + +"How about something to eat, Bennet?" Meillard asked Fayon. + +"Extee Three, and C-H trade candy," Fayon said. Field Ration, +Extraterrestrial Service, Type Three, could be eaten by anything +with a carbon-hydrogen metabolism, and so could the trade candy. +"Nothing else, though, till we have some idea what goes on inside +them." + +Dorver thought the six members of the delegation would be persons +of special consequence, and should have something extra. That was +probably so. Dorver was as quick to pick up clues to an alien social +order as he was, himself, to deduce a culture pattern from a few +artifacts. He and Lillian went back to the landing craft to collect +the presents. + +Everybody, horn-detail, armed guard and all, got one ten-inch bowie +knife and sheath, a red bandanna neckcloth, and a piece of flashy +junk jewelry. The (town council? prominent citizens? or what?) also +received a colored table-spread apiece; these were draped over their +shoulders and fastened with two-inch plastic pins advertising the +candidacy of somebody for President of the Federation Member Republic +of Venus a couple of elections ago. They all looked woebegone about +it; that would be their expression of joy. Different type nerves and +different facial musculature, Fayon thought. As soon as they sampled +the Extee Three and candy, they looked crushed under all the sorrows +of the galaxy. + +By pantomime and pointing to the sun, Meillard managed to inform +them that the next day, when the sun was in the same position, the +Terrans would visit their village, bringing more gifts. The natives +were quite agreeable, but Meillard was disgruntled that he had to +use sign-talk. The natives started off toward the village on the +mound, munching Extee Three and trying out their new knives. This +time tomorrow, half of them would have bandaged thumbs. + + * * * * * + +The Marine riflemen and submachine-gunners were coming in, slinging +their weapons and lighting cigarettes. A couple of Navy technicians +were getting a snooper--a thing shaped like a short-tailed tadpole, +six feet long by three at the widest, fitted with visible-light +and infra-red screen pickups and crammed with detection +instruments--ready to relieve the combat car over the village. +The contact team crowded into the Number One landing craft, which +had been fitted out as a temporary headquarters. Prefab-hut elements +were already being unloaded from the other craft. + +Everybody felt that a drink was in order, even if it was two hours +short of cocktail time. They carried bottles and glasses and ice to +the front of the landing craft and sat down in front of the battery +of view and communication screens. The central screen was a two-way, +tuned to one in the officers' lounge aboard the _Hubert Penrose_, +two hundred miles above. In it, also provided with drinks, were +Captain Guy Vindinho and two other Navy officers, and a Marine +captain in shipboard blues. Like Gofredo, Vindinho must have gotten +into the Service on tiptoe; he had a bald dome and a red beard, and +he always looked as though he were gloating because nobody knew +that his name was really Rumplestiltskin. He had been watching +the contact by screen. He lifted his glass toward Meillard. + +"Over the hump, Paul?" + +Meillard raised his drink to Vindinho. "Over the first one. +There's a whole string of them ahead. At least, we sent them away +happy. I hope." + +"You're going to make permanent camp where you are now?" one of +the other officers asked. Lieutenant-Commander Dave Questell; +ground engineering and construction officer. "What do you need?" + +There were two viewscreens from pickups aboard the 2500-foot battle +cruiser. One, at ten-power magnification, gave a maplike view of the +broad valley and the uplands and mountain foothills to the south. It +was only by tracing the course of the main river and its tributaries +that they could find the tiny spot of the native village, and they +couldn't see the landing craft at all. The other, at a hundred +power, showed the oblong mound, with the village on its flat top, +little dots around a circular central plaza. They could see the two +turtle-shaped landing-craft, and the combat car, that had been +circling over the mound, landing beside them, and, sometimes, +a glint of sunlight from the snooper that had taken its place. + +The snooper was also transmitting in, to another screen, from +two hundred feet above the village. From the sound outlet came an +incessant gibber of native voices. There were over a hundred houses, +all small and square, with pyramidal roofs. On the end of the mound +toward the Terran camp, animals of at least four different species +were crowded, cattle that had been herded up from the meadows at +the first alarm. The open circle in the middle of the village was +crowded, and more natives lined the low palisade along the edge +of the mound. + +"Well, we're going to stay here till we learn the language," +Meillard was saying. "This is the best place for it. It's completely +isolated, forests on both sides, and seventy miles to the nearest +other village. If we're careful, we can stay here as long as we want +to and nobody'll find out about us. Then, after we can talk with +these people, we'll go to the big town." + + * * * * * + +The big town was two hundred and fifty miles down the valley, +at the forks of the main river, a veritable metropolis of almost +three thousand people. That was where the treaty would have to +be negotiated. + +[Illustration: "... But no two of them speak the same language!"] + +"You'll want more huts. You'll want a water tank, and a pipeline +to that stream below you, and a pump," Questell said. "You think +a month?" + +Meillard looked at Lillian Ransby. "What do you think?" + +"_Poodly-doodly-oodly-foodle_," she said. "You saw how far we didn't +get this afternoon. All we found out was that none of the standard +procedures work at all." She made a tossing gesture over her shoulder. +"There goes the book; we have to do it off the cuff from here." + +"Suppose we make another landing, back in the mountains, say two or +three hundred miles south of you," Vindinho said. "It's not right +to keep the rest aboard two hundred miles off planet, and you won't +be wanting liberty parties coming down where you are." + +"The country over there looks uninhabited," Meillard said. +"No villages, anyhow. That wouldn't hurt, at all." + +"Well, it'll suit me," Charley Loughran, the xeno-naturalist, said. +"I want a chance to study the life-forms in a state of nature." + +Vindinho nodded. "Luis, do you anticipate any trouble with this +crowd here?" he asked. + +"How about it, Mark? What do they look like to you? Warlike?" + +"No." He stated the opinion he had formed. "I had a close look at +their weapons when they came in for their presents. Hunting arms. +Most of the spears have cross-guards, usually wooden, lashed on, +to prevent a wounded animal from running up the spear-shaft at the +hunter. They made boar-spears like that on Terra a thousand years +ago. Maybe they have to fight raiding parties from the hills once +in a while, but not often enough for them to develop special +fighting weapons or techniques." + +"Their village is fortified," Meillard mentioned. + +"I question that," Gofredo differed. "There won't be more than +a total of five hundred there; call that a fighting strength of +two hundred, to defend a twenty-five-hundred-meter perimeter, with +woodchoppers' axes and bows and spears. If you notice, there's no +wall around the village itself. That palisade is just a fence." + +"Why would they mound the village up?" Questell, in the screen +wondered. "You don't think the river gets up that high, do you? +Because if it does--" + +Schallenmacher shook his head. "There just isn't enough watershed, +and there's too much valley. I'll be very much surprised if that +stream, there"--he nodded at the hundred-power screen--"ever gets +more than six inches over the bank." + +"I don't know what those houses are built of. This is all alluvial +country; building stone would be almost unobtainable. I don't see +anything like a brick kiln. I don't see any evidence of irrigation, +either, so there must be plenty of rainfall. If they use adobe, or +sun-dried brick, houses would start to crumble in a few years, and +they would be pulled down and the rubble shoved aside to make room +for a new house. The village has been rising on its own ruins, +probably shifting back and forth from one end of that mound to +the other." + +"If that's it, they've been there a long time," Karl Dorver said. +"And how far have they advanced?" + +"Early bronze; I'll bet they still use a lot of stone implements. +Pre-dynastic Egypt, or very early Tigris-Euphrates, in Terran terms. +I can't see any evidence that they have the wheel. They have draft +animals; when we were coming down, I saw a few of them pulling pole +travoises. I'd say they've been farming for a long time. They have +quite a diversity of crops, and I suspect that they have some idea +of crop-rotation. I'm amazed at their musical instruments; they seem +to have put more skill into making them than anything else. I'm +going to take a jeep, while they're all in the village, and have +a look around the fields, now." + +Charley Loughran went along for specimens, and, for the ride, +Lillian Ransby. Most of his guesses, he found, had been correct. +He found a number of pole travoises, from which the animals had +been unhitched in the first panic when the landing craft had been +coming down. Some of them had big baskets permanently attached. +There were drag-marks everywhere in the soft ground, but not a +single wheel track. He found one plow, cunningly put together with +wooden pegs and rawhide lashings; the point was stone, and it +would only score a narrow groove, not a proper furrow. It was, +however, fitted with a big bronze ring to which a draft animal +could be hitched. Most of the cultivation seemed to have been done +with spades and hoes. He found a couple of each, bronze, cast flat +in an open-top mold. They hadn't learned to make composite molds. + +There was an even wider variety of crops than he had expected: two +cereals, a number of different root-plants, and a lot of different +legumes, and things like tomatoes and pumpkins. + +"Bet these people had a pretty good life, here--before the Terrans +came," Charley observed. + +"Don't say that in front of Paul," Lillian warned. "He has enough +to worry about now, without starting him on whether we'll do these +people more harm than good." + +Two more landing craft had come down from the _Hubert Penrose_; +they found Dave Questell superintending the unloading of more +prefab-huts, and two were already up that had been brought down +with the first landing. + +A name for the planet had also arrived. + +"Svantovit," Karl Dorver told him. "Principal god of the Baltic +Slavs, about three thousand years ago. Guy Vindinho dug it out +of the 'Encyclopedia of Mythology.' Svantovit was represented as +holding a bow in one hand and a horn in the other." + +"Well, that fits. What will we call the natives; Svantovitians, +or Svantovese?" + +"Well, Paul wanted to call them Svantovese, but Luis persuaded him +to call them Svants. He said everybody'd call them that, anyhow, +so we might as well make it official from the start." + +"We can call the language Svantovese," Lillian decided. "After +dinner, I am going to start playing back recordings and running off +audiovisuals. I will be so happy to know that I have a name for what +I'm studying. Probably be all I will know." + + * * * * * + +After dinner, he and Karl and Paul went into a huddle on what sort +of gifts to give the natives, and the advisability of trading with +them, and for what. Nothing too far in advance of their present +culture level. Wheels; they could be made in the fabricating shop +aboard the ship. + +"You know, it's odd," Karl Dorver said. "These people here have +never seen a wheel, and, except in documentary or historical-drama +films, neither have a lot of Terrans." + +That was true. As a means of transportation, the wheel had been +completely obsolete since the development of contragravity, six +centuries ago. Well, a lot of Terrans in the Year Zero had never +seen a suit of armor, or an harquebus, or even a tinder box or +a spinning wheel. + +Wheelbarrows; now there was something they'd find useful. He +screened Max Milzer, in charge of the fabricating and repair shops +on the ship. Max had never even heard of a wheelbarrow. + +"I can make them up, Mark; better send me some drawings, though. +Did you just invent it?" + +"As far as I know, a man named Leonardo da Vinci invented it, in +the Sixth Century Pre-Atomic. How soon can you get me half a dozen +of them?" + +"Well, let's see. Welded sheet metal, and pipe for the frame and +handles. I'll have some of them for you by noon tomorrow. Now, about +hoes; how tall are these people, and how long are their arms, and +how far can they stoop over?" + + * * * * * + +They were all up late, that night. So were the Svants; there was a +fire burning in the middle of the village, and watch-fires along the +edge of the mound. Luis Gofredo was just as distrustful of them as +they were of the Terrans; he kept the camp lighted, a strong guard +on the alert, and the area of darkness beyond infra red lighted and +covered by photoelectric sentries on the ground and snoopers in the +air. Like Paul Meillard, Luis Gofredo was a worrier and a pessimist. +Everything happened for the worst in this worst of all possible +galaxies, and if anything could conceivably go wrong, it infallibly +would. That was probably why he was still alive and had never had +a command massacred. + +The wheelbarrows, four of them, came down from the ship by midmorning. +With them came a grindstone, a couple of crosscut saws, and a lot of +picks and shovels and axes, and cases of sheath knives and mess gear +and miscellaneous trade goods, including a lot of the empty wine and +whisky bottles that had been hoarded for the past four years. + +At lunch, the talk was almost exclusively about the language problem. +Lillian Ransby, who had not gotten to sleep before sunrise and had +just gotten up, was discouraged. + +"I don't know what we're going to do next," she admitted. "Glenn +Orent and Anna and I were on it all night, and we're nowhere. We +have about a hundred wordlike sounds isolated, and twenty or so are +used repeatedly, and we can't assign a meaning to any of them. And +none of the Svants ever reacted the same way twice to anything we +said to them. There's just no one-to-one relationship anywhere." + +"I'm beginning to doubt they have a language," the Navy intelligence +officer said. "Sure, they make a lot of vocal noise. So do chipmunks." + +"They have to have a language," Anna de Jong declared. "No sapient +thought is possible without verbalization." + +"Well, no society like that is possible without some means of +communication," Karl Dorver supported her from the other flank. +He seemed to have made that point before. "You know," he added, +"I'm beginning to wonder if it mightn't be telepathy." + +He evidently hadn't suggested that before. The others looked at +him in surprise. Anna started to say, "Oh, I doubt if--" and then +stopped. + +"I know, the race of telepaths is an old gimmick that's been used in +new-planet adventure stories for centuries, but maybe we've finally +found one." + +"I don't like it, Karl," Loughran said. "If they're telepaths, why +don't they understand us? And if they're telepaths, why do they talk +at all? And you can't convince me that this boodly-oodly-doodle of +theirs isn't talking." + +"Well, our neural structure and theirs won't be nearly alike," +Fayon said. "I know, this analogy between telepathy and radio +is full of holes, but it's good enough for this. Our wave length +can't be picked up with their sets." + +"The deuce it can't," Gofredo contradicted. "I've been bothered +about that from the beginning. These people act as though they got +meaning from us. Not the meaning we intend, but some meaning. When +Paul made the gobbledygook speech, they all reacted in the same +way--frightened, and then defensive. The you-me routine simply +bewildered them, as we'd be at a set of semantically lucid but +self-contradictory statements. When Lillian tried to introduce +herself, they were shocked and horrified...." + +"It looked to me like actual physical disgust," Anna interpolated. + +"When I tried it, they acted like a lot of puppies being petted, +and when Mark tried it, they were simply baffled. I watched Mark +explaining that steel knives were dangerously sharp; they got the +demonstration, but when he tried to tie words onto it, it threw +them completely." + +"ALL RIGHT. Pass that," Loughran conceded. "But if they have +telepathy, why do they use spoken words?" + +"Oh, I can answer that," Anna said. "Say they communicated by speech +originally, and developed their telepathic faculty slowly and without +realizing it. They'd go on using speech, and since the message would +be received telepathically ahead of the spoken message, nobody would +pay any attention to the words as such. Everybody would have a spoken +language of his own; it would be sort of the instrumental +accompaniment to the song." + +"Some of them don't bother speaking," Karl nodded. "They just toot." + +"I'll buy that, right away," Loughran agreed. "In mating, or +in group-danger situations, telepathy would be a race-survival +characteristic. It would be selected for genetically, and the +non-gifted strains would tend to die out." + +It wouldn't do. It wouldn't do at all. He said so. + +"Look at their technology. We either have a young race, just emerged +from savagery, or an old, stagnant race. All indications seem to +favor the latter. A young race would not have time to develop +telepathy as Anna suggests. An old race would have gone much farther +than these people have. Progress is a matter of communication and +pooling ideas and discoveries. Make a trend-graph of technological +progress on Terra; every big jump comes after an improvement in +communications. The printing press; railways and steamships; the +telegraph; radio. Then think how telepathy would speed up progress." + + * * * * * + +The sun was barely past noon meridian before the Svants, who had +ventured down into the fields at sunrise, were returning to the +mound-village. In the snooper-screen, they could be seen coming up +in tunics and breechclouts, entering houses, and emerging in long +robes. There seemed to be no bows or spears in evidence, but the big +horn sounded occasionally. Paul Meillard was pleased. Even if it had +been by sign-talk, which he rated with worm-fishing for trout or +shooting sitting rabbits, he had gotten something across to them. + +When they went to the village, at 1500, they had trouble getting +their lorry down. A couple of Marines in a jeep had to go in first +to get the crowd out of the way. Several of the locals, including +the one with the staff, joined with them; this quick co-operation +delighted Meillard. When they had the lorry down and were all out +of it, the dignitary with the staff, his scarlet tablecloth over +his yellow robe, began an oration, apparently with every confidence +that he was being understood. In spite of his objections at lunch, +the telepathy theory was beginning to seem more persuasive. + +"Give them the Shooting of Dan McJabberwock again," he told +Meillard. "This is where we came in yesterday." + +Something Meillard had noticed was exciting him. "Wait a moment. +They're going to do something." + +They were indeed. The one with the staff and three of his henchmen +advanced. The staff bearer touched himself on the brow. "_Fwoonk_," +he said. Then he pointed to Meillard. "_Hoonkle_," he said. + +"They got it!" Lillian was hugging herself joyfully. "I knew they +ought to!" + +Meillard indicated himself and said, "_Fwoonk_." + +That wasn't right. The village elder immediately corrected him. +The word, it seemed, was, "_Fwoonk_." + +His three companions agreed that that was the word for self, +but that was as far as the agreement went. They rendered it, +respectively, as "_Pwink_," "_Tweelt_" and "_Kroosh_." + +Gofredo gave a barking laugh. He was right; anything that could go +wrong would go wrong. Lillian used a word; it was not a ladylike +word at all. The Svants looked at them as though wondering what +could possibly be the matter. Then they went into a huddle, arguing +vehemently. The argument spread, like a ripple in a pool; soon +everybody was twittering vocally or blowing on flutes and Panpipes. +Then the big horn started blaring. Immediately, Gofredo snatched the +hand-phone of his belt radio and began speaking urgently into it. + +"What are you doing, Luis?" Meillard asked anxiously. + +"Calling the reserve in. I'm not taking chances on this." He spoke +again into the phone, then called over his shoulder: "Rienet; three +one-second bursts, in the air!" + +A Marine pointed a submachine gun skyward and ripped off a string of +shots, then another, and another. There was silence after the first +burst. Then a frightful howling arose. + +"Luis, you imbecile!" Meillard was shouting. + +Gofredo jumped onto the top of an airjeep, where they could all +see him; drawing his pistol, he fired twice into the air. + +"Be quiet, all of you!" he shouted, as though that would do any good. + +It did. Silence fell, bounced noisily, and then settled over the +crowd. Gofredo went on talking to them: "Take it easy, now; easy." +He might have been speaking to a frightened dog or a fractious +horse. "Nobody's going to hurt you. This is nothing but the great +noise-magic of the Terrans...." + +"Get the presents unloaded," Meillard was saying. "Make a big show +of it. The table first." + +The horn, which had started, stopped blowing. As they were getting +off the long table and piling it with trade goods, another lorry +came in, disgorging twenty Marine riflemen. They had their bayonets +fixed; the natives looked apprehensively at the bare steel, but +went on listening to Gofredo. Meillard pulled the (Lord Mayor? +Archbishop? Lord of the Manor?) aside, and began making sign-talk +to him. + +When quiet was restored, Howell put a pick and shovel into a +wheelbarrow and pushed them out into the space that had been cleared +in front of the table. He swung the pick for a while, then shoveled +the barrow full of ground. After pushing it around for a while, he +dumped it back in the hole and leveled it off. Two Marines brought +out an eight-inch log and chopped a couple of billets off it with +an ax, then cut off another with one of the saws, split them up, +and filled the wheelbarrow with the firewood. + +[Illustration: _We can't use the computer till we can tell it what +the data is data about!_] + +The knives, jewelry and other small items would be no problem; they +had enough of them to go around. The other stuff would be harder to +distribute, and Paul Meillard and Karl Dorver were arguing about how +to handle it. If they weren't careful, a lot of new bowie knives +would get bloodied. + +"Have them form a queue," Anna suggested. "That will give them the +idea of equal sharing, and we'll be able to learn something about +their status levels and social hierarchy and agonistic relations." + + * * * * * + +The one with the staff took it as a matter of course that he would +go first; his associates began falling in behind him, and the rest +of the villagers behind them. Whether they'd gotten one the day +before or not, everybody was given a knife and a bandanna and one +piece of flashy junk-jewelry, also a stainless steel cup and mess +plate, a bucket, and an empty bottle with a cork. The women didn't +carry sheath knives, so they got Boy Scout knives on lanyards. They +were all lavishly supplied with Extee Three and candy. Any of the +children who looked big enough to be trusted with them got knives +too, and plenty of candy. + +Anna and Karl were standing where the queue was forming, watching +how they fell into line; so was Lillian, with an audiovisual camera. +Having seen that the Marine enlisted men were getting the presents +handed out properly, Howell strolled over to them. Just as he came +up, a couple approached hesitantly, a man in a breechclout under a +leather apron, and a woman, much smaller, in a ragged and soiled +tunic. As soon as they fell into line, another Svant, in a blue +robe, pushed them aside and took their place. + +"Here, you can't do that!" Lillian cried. "Karl, make him step back." + +Karl was saying something about social status and precedence. The +couple tried to get into line behind the man who had pushed them +aside. Another villager tried to shove them out of his way. Howell +advanced, his right fist closing. Then he remembered that he didn't +know what he'd be punching; he might break the fellow's neck, or +his own knuckles. He grabbed the blue-robed Svant by the wrist with +both hands, kicked a foot out from under him, and jerked, sending +him flying for six feet and then sliding in the dust for another +couple of yards. He pushed the others back, and put the couple +into place in the line. + +"Mark, you shouldn't have done that," Dorver was expostulating. +"We don't know...." + +The Svant sat up, shaking his head groggily. Then he realized what +had been done to him. With a snarl of rage, he was on his feet, his +knife in his hand. It was a Terran bowie knife. Without conscious +volition, Howell's pistol was out and he was thumbing the safety off. + +The Svant stopped short, then dropped the knife, ducked his head, +and threw his arms over it to shield his comb. He backed away a few +steps, then turned and bolted into the nearest house. The others, +including the woman in the ragged tunic, were twittering in alarm. +Only the man in the leather apron was calm; he was saying, +tonelessly, "_Ghrooogh-ghrooogh_." + +Luis Gofredo was coming up on the double, followed by three of +his riflemen. + +"What happened, Mark? Trouble?" + +"All over now." He told Gofredo what had happened. Dorver was still +objecting: + +"... Social precedence; the Svant may have been right, according +to local customs." + +"Local customs be damned!" Gofredo became angry. "This is a Terran +Federation handout; we make the rules, and one of them is, no +pushing people out of line. Teach the buggers that now and we won't +have to work so hard at it later." He called back over his shoulder, +"Situation under control; get the show going again." + +The natives were all grimacing heartbrokenly with pleasure. Maybe +the one who got thrown on his ear--no, he didn't have any--was not +one of the more popular characters in the village. + +"You just pulled your gun, and he dropped the knife and ran?" +Gofredo asked. "And the others were scared, too?" + +"That's right. They all saw you fire yours; the noise scared them." + +Gofredo nodded. "We'll avoid promiscuous shooting, then. No use +letting them find out the noise won't hurt them any sooner than +we have to." + +Paul Meillard had worked out a way to distribute the picks and +shovels and axes. Considering each house as representing a family +unit, which might or might not be the case, there were picks and +shovels enough to go around, and an ax for every third house. They +took them around in an airjeep and left them at the doors. The +houses, he found, weren't adobe at all. They were built of logs, +plastered with adobe on the outside. That demolished his theory +that the houses were torn down periodically, and left the mound +itself unexplained. + +The wheelbarrows and the grindstone and the two crosscut saws +were another matter. Nobody was quite sure that the (nobility? +capitalist-class? politicians? prominent citizens?) wouldn't simply +appropriate them for themselves. Paul Meillard was worried about +that; everybody else was willing to let matters take their course. +Before they were off the ground in their vehicles, a violent dispute +had begun, with a bedlam of jabbering and shrieking. By the time +they were landing at the camp, the big laminated leather horn had +begun to bellow. + + * * * * * + +One of the huts had been fitted as contact-team headquarters, with +all the view and communication screens installed, and one end +partitioned off and soundproofed for Lillian to study recordings in. +It was cocktail time when they returned; conversationally, it was a +continuation from lunch. Karl Dorver was even more convinced than +ever of his telepathic hypothesis, and he had completely converted +Anna de Jong to it. + +"Look at that." He pointed at the snooper screen, which gave a view +of the plaza from directly above. "They're reaching an agreement +already." + +So they seemed to be, though upon what was less apparent. The horn +had stopped, and the noise was diminishing. The odd thing was that +peace was being restored, or was restoring itself, as the uproar had +begun--outwardly from the center of the plaza to the periphery of +the crowd. The same thing had happened when Gofredo had ordered the +submachine gun fired, and, now that he recalled, when he had dealt +with the line-crasher. + +"Suppose a few of them, in the middle, are agreed," Anna said. +"They are all thinking in unison, combining their telepathic +powers. They dominate those nearest to them, who join and amplify +their telepathic signal, and it spreads out through the whole +group. A mental chain-reaction." + +"That would explain the mechanism of community leadership, and I'd +been wondering about that," Dorver said, becoming more excited. +"It's a mental aristocracy; an especially gifted group of telepaths, +in agreement and using their powers in concert, implanting their +opinions in the minds of all the others. I'll bet the purpose of the +horn is to distract the thoughts of the others, so that they can be +more easily dominated. And the noise of the shots shocked them out +of communication with each other; no wonder they were frightened." + +Bennet Fayon was far from convinced. "So far, this telepathy theory +is only an assumption. I find it a lot easier to assume some +fundamental difference between the way they translate sound into +sense-data and the way we do. We _think_ those combs on top of their +heads are their external hearing organs, but we have no idea what's +back of them, or what kind of a neural hookup is connected to them. +I wish I knew how these people dispose of their dead. I need a +couple of fresh cadavers. Too bad they aren't warlike. Nothing like +a good bloody battle to advance the science of anatomy, and what we +don't know about Svant anatomy is practically the entire subject." + +"I should imagine the animals hear in the same way," Meillard said. +"When the wagon wheels and the hoes and the blacksmith tools come +down from the ship, we'll trade for cattle." + +"When they make the second landing in the mountains, I'm going to do +a lot of hunting," Loughran added. "I'll get wild animals for you." + +"Well, I'm going to assume that the vocal noises they make are +meaningful speech," Lillian Ransby said. "So far, I've just been +trying to analyze them for phonetic values. Now I'm going to analyze +them for sound-wave patterns. No matter what goes on inside their +private nervous systems, the sounds exist as waves in the public +atmosphere. I'm going to assume that the Lord Mayor and his stooges +were all trying to say the same thing when they were pointing to +themselves, and I'm going to see if all four of those sounds have +any common characteristic." + +By the time dinner was over, they were all talking in circles, none +of them hopefully. They all made recordings of the speech about the +slithy toves in the Malemute Saloon; Lillian wanted to find out what +was different about them. Luis Gofredo saw to it that the camp +itself would be visible-lighted, and beyond the lights he set up +more photoelectric robot sentries and put a couple of snoopers to +circling on contragravity, with infra-red lights and receptors. He +also insisted that all his own men and all Dave Questell's Navy +construction engineers keep their weapons ready to hand. The natives +in the village were equally distrustful. They didn't herd the cattle +up from the meadows where they had been pastured, but they lighted +watch-fires along the edge of the mound as soon as it became dark. + + * * * * * + +It was three hours after nightfall when something on the +indicator-board for the robot sentries went off like a startled +rattlesnake. Everybody, talking idly or concentrating on writing up +the day's observations, stiffened. Luis Gofredo, dozing in a chair, +was on his feet instantly and crossing the hut to the instruments. +His second-in-command, who had been playing chess with Willi +Schallenmacher, rose and snatched his belt from the back of his +chair, putting it on. + +"Take it easy," Gofredo said. "Probably just a cow or a horse--local +equivalent--that's strayed over from the other side." + +He sat down in front of one of the snooper screens and twisted knobs +on the remote controls. The monochrome view, transformed from infra +red, rotated as the snooper circled and changed course. The other +screen showed the camp receding and the area around it widening as +its snooper gained altitude. + +"It's not a big party," Gofredo was saying. "I can't see--Oh, +yes I can. Only two of them." + +The humanoid figures, one larger than the other, were moving +cautiously across the fields, crouching low. The snooper went down +toward them, and then he recognized them. The man and woman whom +the blue-robed villager had tried to shove out of the queue, that +afternoon. Gofredo recognized them, too. + +"Your friends, Mark. Harry," he told his subordinate, "go out and +pass the word around. Only two, and we think they're friendly. Keep +everybody out of sight; we don't want to scare them away." + +The snooper followed closely behind them. The man was no longer +wearing his apron; the woman's tunic was even more tattered and +soiled. She was leading him by the hand. Now and then, she would +stop and turn her head to the rear. The snooper over the mound +showed nothing but half a dozen fire-watchers dozing by their fires. +Then the pair were at the edge of the camp lights. As they advanced, +they seemed to realize that they had passed a point-of-no-return. +They straightened and came forward steadily, the woman seeming +to be guiding her companion. + +"What's happening, Mark?" + +It was Lillian; she must have just come out of the soundproof +speech-lab. + +"You know them; the pair in the queue, this afternoon. I think +we've annexed a couple of friendly natives." + +They all went outside. The two natives, having come into the camp, +had stopped. For a moment, the man in the breechclout seemed undecided +whether he was more afraid to turn and run than advance. The woman, +holding his hand, led him forward. They were both bruised, and both +had minor cuts, and neither of them had any of the things that had +been given to them that afternoon. + +"Rest of the gang beat them up and robbed them," Gofredo began angrily. + +"See what you did?" Dorver began. "According to their own customs, +they had no right to be ahead of those others, and now you've gotten +them punished for it." + +"I'd have done more to that fellow then Mark did, if I'd been there +when it happened." The Marine officer turned to Meillard. "Look, +this is your show, Paul; how you run it is your job. But in your +place, I'd take that pair back to the village and have them point +out who beat them up, and teach the whole gang of them a lesson. +If you're going to colonize this planet, you're going to have to +establish Federation law, and Federation law says you mustn't gang +up on people and beat and rob them. We don't have to speak Svantese +to make them understand what we'll put up with and what we won't." + +"Later, Luis. After we've gotten a treaty with somebody." Meillard +broke off. "Watch this!" + +The woman was making sign-talk. She pointed to the village on the +mound. Then, with her hands, she shaped a bucket like the ones that +had been given to them, and made a snatching gesture away from +herself. She indicated the neckcloths, and the sheath knife and the +other things, and snatched them away too. She made beating motions, +and touched her bruises and the man's. All the time, she was talking +excitedly, in a high, shrill voice. The man made the same +_ghroogh-ghroogh_ noises that he had that afternoon. + +"No; we can't take any punitive action. Not now," Meillard said. +"But we'll have to do something for them." + +Vengeance, it seemed, wasn't what they wanted. The woman made +vehement gestures of rejection toward the village, then bowed, +placing her hands on her brow. The man imitated her obeisance, then +they both straightened. The woman pointed to herself and to the man, +and around the circle of huts and landing craft. She began scuttling +about, picking up imaginary litter and sweeping with an imaginary +broom. The man started pounding with an imaginary hammer, then +chopping with an imaginary ax. + +Lillian was clapping her hands softly. "Good; got it the first time. +'You let us stay; we work for you.' How about it, Paul?" + +Meillard nodded. "Punitive action's unadvisable, but we will show +our attitude by taking them in. You tell them, Luis; these people +seem to like your voice." + +Gofredo put a hand on each of their shoulders. "You ... stay ... +with us." He pointed around the camp. "You ... stay ... this ... +place." + +Their faces broke into that funny just-before-tears expression that +meant happiness with them. The man confined his vocal expressions to +his odd _ghroogh-ghroogh_-ing; the woman twittered joyfully. Gofredo +put a hand on the woman's shoulder, pointed to the man and from him +back to her. "Unh?" he inquired. + +The woman put a hand on the man's head, then brought it down to +within a foot of the ground. She picked up the imaginary infant +and rocked it in her arms, then set it down and grew it up until +she had her hand on the top of the man's head again. + +"That was good, Mom," Gofredo told her. "Now, you and Sonny come +along; we'll issue you equipment and find you billets." He added, +"What in blazes are we going to feed them; Extee Three?" + + * * * * * + +They gave them replacements for all the things that had been taken +away from them. They gave the man a one-piece suit of Marine combat +coveralls; Lillian gave the woman a lavender bathrobe, and Anna +contributed a red scarf. They found them quarters in one end of a +store shed, after making sure that there was nothing they could get +at that would hurt them or that they could damage. They gave each of +them a pair of blankets and a pneumatic mattress, which delighted +them, although the cots puzzled them at first. + +"What do you think about feeding them, Bennet?" Meillard asked, +when the two Svants had gone to bed and they were back in the +headquarters hut. "You said the food on this planet is safe +for Terrans." + +"So I did, and it is, but the rule's not reversible. Things we eat +might kill them," Fayon said. "Meats will be especially dangerous. +And no caffeine, and no alcohol." + +"Alcohol won't hurt them," Schallenmacher said. "I saw big jars full +of fermenting fruit-mash back of some of those houses; in about a +year, it ought to be fairly good wine. C_{2}H_{5}OH is the same on +any planet." + +"Well, we'll get native foodstuffs tomorrow," Meillard said. +"We'll have to do that by signs, too," he regretted. + +"Get Mom to help you; she's pretty sharp," Lillian advised. +"But I think Sonny's the village half-wit." + +Anna de Jong agreed. "Even if we don't understand Svant psychology, +that's evident; he's definitely subnormal. The way he clings to his +mother for guidance is absolutely pathetic. He's a mature adult, +but mentally he's still a little child." + +"That may explain it!" Dorver cried. "A mental defective, in a +community of telepaths, constantly invading the minds of others +with irrational and disgusting thoughts; no wonder he is rejected +and persecuted. And in a community on this culture level, the mother +of an abnormal child is often regarded with superstitious +detestation--" + +[Illustration] + +"Yes, of course!" Anna de Jong instantly agreed, and began to go +into the villagers' hostility to both mother and son; both of them +were now taking the telepathy hypothesis for granted. + +Well, maybe so. He turned to Lillian. + +"What did you find out?" + +"Well, there is a common characteristic in all four sounds. A +little patch on the screen at seventeen-twenty cycles. The odd +thing is that when I try to repeat the sound, it isn't there." + +Odd indeed. If a Svant said something, he made sound waves; if she +imitated the sound, she ought to imitate the wave pattern. He said +so, and she agreed. + +"But come back here and look at this," she invited. + +She had been using a visibilizing analyzer; in it, a sound was broken +by a set of filters into frequency-groups, translated into light +from dull red to violet paling into pure white. It photographed the +light-pattern on high-speed film, automatically developed it, and +then made a print-copy and projected the film in slow motion on a +screen. When she pressed a button, a recorded voice said, "_Fwoonk_." +An instant later, a pattern of vertical lines in various colors and +lengths was projected on the screen. + +"Those green lines," she said. "That's it. Now, watch this." + +She pressed another button, got the photoprint out of a slot, and +propped it beside the screen. Then she picked up a hand-phone and +said, "_Fwoonk_," into it. It sounded like the first one, but the +pattern that danced onto the screen was quite different. Where the +green had been, there was a patch of pale-blue lines. She ran the +other three Svants' voices, each saying, presumably, "Me." Some were +mainly up in blue, others had a good deal of yellow and orange, but +they all had the little patch of green lines. + +"Well, that seems to be the information," he said. "The rest is +just noise." + +"Maybe one of them is saying, 'John Doe, _me_, son of Joe Blow,' +and another is saying, 'Tough guy, _me_; lick anybody in town.'" + +"All in one syllable?" Then he shrugged. How did he know what these +people could pack into one syllable? He picked up the hand-phone and +said, "Fwoonk," into it. The pattern, a little deeper in color and +with longer lines, was recognizably like hers, and unlike any of +the Svants'. + + * * * * * + +The others came in, singly and in pairs and threes. They watched +the colors dance on the screen to picture the four Svant words +which might or might not all mean _me_. They tried to duplicate +them. Luis Gofredo and Willi Schallenmacher came closest of anybody. +Bennet Fayon was still insisting that the Svants had a perfectly +comprehensible language--to other Svants. Anna de Jong had started to +veer a little away from the Dorver Hypothesis. There was a difference +between event-level sound, which was a series of waves of alternately +crowded and rarefied molecules of air, and object-level sound, which +was an auditory sensation inside the nervous system, she admitted. +That, Fayon crowed, was what he'd been saying all along; their +auditory system was probably such that _fwoonk_ and _pwink_ and +_tweelt_ and _kroosh_ all sounded alike to them. + +By this time, _fwoonk_ and _pwink_ and _tweelt_ and _kroosh_ had +become swear words among the joint Space Navy-Colonial Office +contact team. + +"Well, if I hear the two sounds alike, why doesn't the analyzer hear +them alike?" Karl Dorver demanded. + +"It has better ears than you do, Karl. Look how many different +frequencies there are in that word, all crowding up behind each +other," Lillian said. "But it isn't sensitive or selective enough. +I'm going to see what Ayesha Keithley can do about building me +a better one." + +Ayesha was signals and detection officer on the _Hubert Penrose_. +Dave Questell mentioned that she'd had a hard day, and was probably +making sack-time, and she wouldn't welcome being called at 0130. +Nobody seemed to have realized that it had gotten that late. + +"Well, I'll call the ship and have a recording made for her for when +she gets up. But till we get something that'll sort this mess out +and make sense of it, I'm stopped." + +"You're stopped, period, Lillian," Dorver told her. "What these +people gibber at us doesn't even make as much sense as the Shooting +of Dan McJabberwock. The real information is conveyed by telepathy." + + * * * * * + +Lieutenant j.g. Ayesha Keithley was on the screen the next morning +while they were eating breakfast. She was a blonde, like Lillian. + +"I got your message; you seem to have problems, don't you?" + +"Speaking conservatively, yes. You see what we're up against?" + +"You don't know what their vocal organs are like, do you?" the girl +in naval uniform in the screen asked. + +Lillian shook her head. "Bennet Fayon's hoping for a war, or an +epidemic, or something to break out, so that he can get a few +cadavers to dissect." + +"Well, he'll find that they're pretty complex," Ayesha Keithley +said. "I identified stick-and-slip sounds and percussion sounds, +and plucked-string sounds, along with the ordinary hiss-and-buzz +speech-sounds. Making a vocoder to reproduce that speech is going +to be fun. Just what are you using, in the way of equipment?" + +Lillian was still talking about that when the two landing craft +from the ship were sighted, coming down. Charley Loughran and Willi +Schallenmacher, who were returning to the _Hubert Penrose_ to join +the other landing party, began assembling their luggage. The others +went outside, Howell among them. + +Mom and Sonny were watching the two craft grow larger and closer +above, keeping close to a group of spacemen; Sonny was looking around +excitedly, while Mom clung to his arm, like a hen with an oversized +chick. The reasoning was clear--these people knew all about big things +that came down out of the sky and weren't afraid of them; stick close +to them, and it would be perfectly safe. Sonny saw the contact team +emerging from their hut and grabbed his mother's arm, pointing. They +both beamed happily; that expression didn't look sad, at all, now that +you knew what it meant. Sonny began ghroogh-ghrooghing hideously; Mom +hushed him with a hand over his mouth, and they both made eating +gestures, rubbed their abdomens comfortably, and pointed toward the +mess hut. Bennet Fayon was frightened. He turned and started on the +double toward the cook, who was standing in the doorway of the hut, +calling out to him. + +The cook spoke inaudibly. Fayon stopped short. "Unholy Saint Beelzebub, +no!" he cried. The cook said something in reply, shrugging. Fayon came +back, talking to himself. + +"Terran carniculture pork," he said, when he returned. "Zarathustra +pool-ball fruit. Potato-flour hotcakes, with Baldur honey and Odin +flameberry jam. And two big cups of coffee apiece. It's a miracle +they aren't dead now. If they're alive for lunch, we won't need to +worry about feeding them anything we eat, but I'm glad somebody else +has the moral responsibility for this." + +Lillian Ransby came out of the headquarters hut. "Ayesha's coming +down this afternoon, with a lot of equipment," she said. "We're +not exactly going to count air molecules in the sound waves, but +we'll do everything short of that. We'll need more lab space, +soundproofed." + +"Tell Dave Questell what you want," Meillard said. "Do you really +think you can get anything?" + +She shrugged. "If there's anything there to get. How long it'll +take is another question." + + * * * * * + +The two sixty-foot collapsium-armored turtles settled to the ground +and went off contragravity. The ports opened, and things began being +floated off on lifter-skids: framework for the water tower, and +curved titanium sheets for the tank. Anna de Jong said something +about hot showers, and not having to take any more sponge-baths. +Howell was watching the stuff come off the other landing craft. A +dozen pairs of four-foot wagon wheels, with axles. Hoes, in bundles. +Scythe blades. A hand forge, with a crank-driven fan blower, and a +hundred and fifty pound anvil, and sledges and cutters and swages +and tongs. + +Everybody was busy, and Mom and Sonny were fidgeting, gesturing +toward the work with their own empty hands. _Hey, boss; whatta +we gonna do?_ He patted them on the shoulders. + +"Take it easy." He hoped his tone would convey nonurgency. +"We'll find something for you to do." + +He wasn't particularly happy about most of what was coming off. +Giving these Svants tools was fine, but it was more important to +give them technologies. The people on the ship hadn't thought of +that. These wheels, now; machined steel hubs, steel rims, tubular +steel spokes, drop-forged and machined axles. The Svants wouldn't +be able to copy them in a thousand years. Well, in a hundred, if +somebody showed them where and how to mine iron and how to smelt +and work it. And how to build a steam engine. + +He went over and pulled a hoe out of one of the bundles. Blades +stamped out with a power press, welded to tubular steel handles. +Well, wood for hoe handles was hard to come by on a spaceship, even +a battle cruiser almost half a mile in diameter; he had to admit +that. And they were about two thousand per cent more efficient than +the bronze scrapers the Svants used. That wasn't the idea, though. +Even supposing that the first wave of colonists came out in a year +and a half, it would be close to twenty years before Terran-operated +factories would be in mass production for the native trade. The idea +was to teach these people to make better things for themselves; give +them a leg up, so that the next generation would be ready for +contragravity and nuclear and electric power. + +Mom didn't know what to make of any of it. Sonny did, though; he +was excited, grabbing Howell's arm, pointing, saying, "_Ghroogh_! +_Ghroogh_!" He pointed at the wheels, and then made a stooping, +lifting and pushing gesture. _Like wheelbarrow?_ + +"That's right." He nodded, wondering if Sonny recognized that as +an affirmative sign. "Like big wheelbarrow." + +One thing puzzled Sonny, though. Wheelbarrow wheels were small--his +hands indicated the size--and single. These were big, and double. + +"Let me show you this, Sonny." + +He squatted, took a pad and pencil from his pocket, and drew two +pairs of wheels, and then put a wagon on them, and drew a quadruped +hitched to it, and a Svant with a stick walking beside it. Sonny +looked at the picture--Svants seemed to have pictoral sense, for +which make us thankful!--and then caught his mother's sleeve and +showed it to her. Mom didn't get it. Sonny took the pencil and +drew another animal, with a pole travois. He made gestures. A +travois dragged; it went slow. A wagon had wheels that went +around; it went fast. + +So Lillian and Anna thought he was the village half-wit. Village +genius, more likely; the other peasants didn't understand him, and +resented his superiority. They went over for a closer look at the +wheels, and pushed them. Sonny was almost beside himself. Mom was +puzzled, but she thought they were pretty wonderful. + +Then they looked at blacksmith tools. Tongs; Sonny had never seen +anything like them. Howell wondered what the Svants used to handle +hot metal; probably big tweezers made by tying two green sticks +together. There was an old Arabian legend that Allah had made the +first tongs and given them to the first smith, because nobody could +make tongs without having a pair already. + +Sonny didn't understand the fan-blower until it was taken apart. +Then he made a great discovery. The wheels, and the fan, and the +pivoted tongs, all embodied the same principle, one his people +had evidently never discovered. A whole new world seemed to open +before him; from then on, he was constantly finding things pierced +and rotating on pivots. + + * * * * * + +By this time, Mom was fidgeting again. She ought to be doing +something to justify her presence in the camp. He was wondering +what sort of work he could invent for her when Karl Dorver called +to him from the door of the headquarters hut. + +"Mark, can you spare Mom for a while?" he asked. "We want her to +look at pictures and show us which of the animals are meat-cattle, +and which of the crops are ripe." + +"Think you can get anything out of her?" + +"Sign-talk, yes. We may get a few words from her, too." + +At first, Mom was unwilling to leave Sonny. She finally decided that +it would be safe, and trotted over to Dorver, entering the hut. + +Dave Questell's construction crew began at once on the water tank, +using a power shovel to dig the foundation. They had to haul water +in a tank from the river a quarter-mile away to mix the concrete. +Sonny watched that interestedly. So did a number of the villagers, +who gathered safely out of bowshot. They noticed Sonny among the +Terrans and pointed at him. Sonny noticed that. He unobtrusively +picked up a double-bitted ax and kept it to hand. + +He and Mom had lunch with the contact team. As they showed no ill +effects from breakfast, Fayon decided that it was safe to let them +have anything the Terrans ate or drank. They liked wine; they knew +what it was, all right, but this seemed to have a delightfully +different flavor. They each tried a cigarette, choked over the +first few puffs, and decided that they didn't like smoking. + +"Mom gave us a lot of information, as far as she could, on the crops +and animals. The big things, the size of rhinoceroses, are draft +animals and nothing else; they're not eaten," Dorver said. "I don't +know whether the meat isn't good, or is taboo, or they are too +valuable to eat. They eat all the other three species, and milk two +of them. I have an idea they grind their grain in big stone mortars +as needed." + +That was right; he'd seen things like that. + +"Willi, when you're over in the mountains, see if you can find +something we can make millstones out of. We can shape them with +sono-cutters; after they get the idea, they can do it themselves +by hand. One of those big animals could be used to turn the mill. +Did you get any words from her?" + +Paul Meillard shook his head gloomily. "Nothing we can be sure of. +It was the same thing as in the village, yesterday. She'd say +something, I'd repeat it, and she'd tell us it was wrong and say +the same thing over again. Lillian took recordings; she got the +same results as last night. Ask her about it later." + +"She has the same effect on Mom as on the others?" + +"Yes. Mom was very polite and tried not to show it, but--" + +Lillian took him aside, out of earshot of the two Svants, after +lunch. She was almost distracted. + +"Mark, I don't know what I'm going to do. She's like the others. +Every time I open my mouth in front of her, she's simply horrified. +It's as though my voice does something loathsome to her. And I'm the +one who's supposed to learn to talk to them." + +"Well, those who can do, and those who can't teach," he told her. +"You can study recordings, and tell us what the words are and +teach us how to recognize and pronounce them. You're the only +linguist we have." + +That seemed to comfort her a little. He hoped it would work out that +way. If they could communicate with these people and did leave a +party here to prepare for the first colonization, he'd stay on, to +teach the natives Terran technologies and study theirs. He'd been +expecting that Lillian would stay, too. She was the linguist; she'd +have to stay. But now, if it turned out that she would be no help but +a liability, she'd go back with the _Hubert Penrose_. Paul wouldn't +keep a linguist who offended the natives' every sensibility with +every word she spoke. He didn't want that to happen. Lillian and he +had come to mean a little too much to each other to be parted now. + + * * * * * + +Paul Meillard and Karl Dorver had considerable difficulty with Mom, +that afternoon. They wanted her to go with them and help trade for +cattle. Mom didn't want to; she was afraid. They had to do a lot of +play-acting, with half a dozen Marines pretending to guard her with +fixed bayonets from some of Dave Questell's Navy construction men +who had red bandannas on their heads to simulate combs before she +got the idea. Then she was afraid to get into the contragravity +lorry that was to carry the hoes and the wagon wheels. Sonny managed +to reassure her, and insisted on going along, and he insisted on +taking his ax with him. That meant doubling the guard, to make sure +Sonny didn't lose his self-control when he saw his former +persecutors within chopping distance. + +It went off much better than either Paul Meillard or Luis Gofredo +expected. After the first shock of being air-borne had worn off, +Mom found that she liked contragravity-riding; Sonny was wildly +delighted with it from the start. The natives showed neither of them +any hostility. Mom's lavender bathrobe and Sonny's green coveralls +and big ax seemed to be symbols of a new and exalted status; even +the Lord Mayor was extremely polite to them. + +The Lord Mayor and half a dozen others got a contragravity ride, +too, to the meadows to pick out cattle. A dozen animals, including +a pair of the two-ton draft beasts, were driven to the Terran camp. +A couple of lorry-loads of assorted vegetables were brought in, too. +Everybody seemed very happy about the deal, especially Bennet Fayon. +He wanted to slaughter one of the sheep-sized meat-and-milk animals +at once and get to work on it. Gofredo advised him to put it off +till the next morning. He wanted a large native audience to see +the animal being shot with a rifle. + +The water tower was finished, and the big spherical tank hoisted on +top of it and made fast. A pump, and a filter-system were installed. +There was no water for hot showers that evening, though. They would +have to run a pipeline to the river, and that would entail a ditch +that would cut through several cultivated fields, which, in turn, +would provoke an uproar. Paul Meillard didn't want that happening +until he'd concluded the cattle-trade. + +Charley Loughran and Willi Schallenmacher had gone up to the ship on +one of the landing craft; they accompanied the landing party that went +down into the mountains. Ayesha Keithley arrived late in the afternoon +on another landing craft, with five or six tons of instruments and +parts and equipment, and a male Navy warrant-officer helper. + +They looked around the lab Lillian had been using at one end of +the headquarters hut. + +"This won't do," the girl Navy officer said. "We can't get a quarter +of the apparatus we're going to need in here. We'll have to build +something." + +Dave Questell was drawn into the discussion. Yes, he could put +up something big enough for everything the girls would need to +install, and soundproof it. Concrete, he decided; they'd have to +wait till he got the water line down and the pump going, though. + +There was a crowd of natives in the fields, gaping at the Terran +camp, the next morning, and Gofredo decided to kill the +animal--until they learned the native name, they were calling it +Domesticated Type C. It was herded out where everyone could watch, +and a Marine stepped forward unslung his rifle took a kneeling +position, and aimed at it. It was a hundred and fifty yards away. +Mom had come out to see what was going on; Sonny and Howell, who +had been consulting by signs over the construction of a wagon, were +standing side by side. The Marine squeezed his trigger. The rifle +banged, and the Domesticated-C bounded into the air, dropped, and +kicked a few times and was still. The natives, however, missed that +part of it; they were howling piteously and rubbing their heads. +All but Sonny. He was just mildly surprised at what had happened +to the Dom.-C. + +Sonny, it would appear, was stone deaf. + + * * * * * + +As anticipated, there was another uproar later in the morning when +the ditching machine started north across the meadow. A mob of +Svants, seeing its relentless progress toward a field of something +like turnips, gathered in front of it, twittering and brandishing +implements of agriculture, many of them Terran-made. + +Paul Meillard was ready for this. Two lorries went out; one loaded +with Marines, who jumped off with their rifles ready. By this +time, all the Svants knew what rifles would do beside make a +noise. Meillard, Dorver, Gofredo and a few others got out of the +other vehicle, and unloaded presents. Gofredo did all the talking. +The Svants couldn't understand him, but they liked it. They also +liked the presents, which included a dozen empty half-gallon rum +demijohns, tarpaulins, and a lot of assorted knickknacks. The +pipeline went through. + +He and Sonny got the forge set up. There was no fuel for it. +A party of Marines had gone out to the woods to the east to cut +wood; when they got back, they'd burn some charcoal in the pit +that had been dug beside the camp. Until then, he and Sonny were +drawing plans for a wooden wheel with a metal tire when Lillian +came out of the headquarters hut with a clipboard under her arm. +She motioned to him. + +"Come on over," he told her. "You can talk in front of Sonny; +he won't mind. He can't hear." + +"Can't hear?" she echoed. "You mean--?" + +"That's right. Sonny's stone deaf. He didn't even hear that rifle +going off. The only one of this gang that has brains enough to pour +sand out of a boot with directions on the bottom of the heel, and +he's a total linguistic loss." + +"So he isn't a half-wit, after all." + +"He's got an IQ close to genius level. Look at this; he never saw +a wheel before yesterday; now he's designing one." + +[Illustration: _It's killing us it's so nice...._] + +Lillian's eyes widened. "So that's why Mom's so sharp about +sign-talk. She's been doing it all his life." Then she remembered +what she had come out to show him, and held out the clipboard. "You +know how that analyzer of mine works? Well, here's what Ayesha's +going to do. After breaking a sound into frequency bands instead of +being photographed and projected, each band goes to an analyzer of +its own, and is projected on its own screen. There'll be forty of +them, each for a band of a hundred cycles, from zero to four +thousand. That seems to be the Svant vocal range." + +The diagram passed from hand to hand during cocktail time, before +dinner. Bennet Fayon had been working all day dissecting the animal +they were all calling a _domsee_, a name which would stick even if +and when they learned the native name. He glanced disinterestedly at +the drawing, then looked again, more closely. Then he set down the +drink he was holding in his other hand and studied it intently. + +"You know what you have here?" he asked. "This is a very close analogy +to the hearing organs of that animal I was working on. The comb, as +we've assumed, is the external organ. It's covered with small flaps +and fissures. Back of each fissure is a long, narrow membrane; they're +paired, one on each side of the comb, and from them nerves lead to +clusters of small round membranes. Nerves lead from them to a complex +nerve-cable at the bottom of the comb and into the brain at the base +of the skull. I couldn't understand how the system functioned, but now +I see it. Each of the larger membranes on the outside responds to a +sound-frequency band, and the small ones on the inside break the bands +down to individual frequencies." + +"How many of the little ones are there?" Ayesha asked. + +"Thousands of them; the inner comb is simply packed with them. Wait; +I'll show you." + +He rose and went away, returning with a sheaf of photo-enlargements +and a number of blocks of lucite in which specimens were mounted. +Everybody examined them. Anna de Jong, as a practicing psychologist, +had an M.D. and to get that she'd had to know a modicum of anatomy; +she was puzzled. + +"I can't understand how they hear with those things. I'll grant +that the membranes will respond to sound, but I can't see how +they transmit it." + +"But they do hear," Meillard said. "Their musical instruments, +their reactions to our voices, the way they are affected by sounds +like gunfire--" + +"They hear, but they don't hear in the same way we do," Fayon replied. +"If you can't be convinced by anything else, look at these things, +and compare them with the structure of the human ear, or the ear +of any member of any other sapient race we're ever contacted. +That's what I've been saying from the beginning." + +"They have sound-perception to an extent that makes ours look +almost like deafness," Ayesha Keithley said. "I wish I could design +a sound-detector one-tenth as good as this must be." + +Yes. The way the Lord Mayor said _fwoonk_ and the way Paul Meillard +said it sounded entirely different to them. Of course, _fwoonk_ and +_pwink_ and _tweelt_ and _kroosh_ sounded alike to them, but let's +don't be too picky about things. + + * * * * * + +There were no hot showers that evening; Dave Questell's gang had +trouble with the pump and needed some new parts made up aboard the +ship. They were still working on it the next morning. He had meant +to start teaching Sonny blacksmithing, but during the evening +Lillian and Anna had decided to try teaching Mom a nonphonetic, +ideographic, alphabet, and in the morning they co-opted Sonny to +help. Deprived of his disciple, he strolled over to watch the work +on the pump. About twenty Svants had come in from the fields and +were also watching, from the meadow. + +After a while, the job was finished. The petty officer in charge +of the work pushed in the switch, and the pump started, sucking +dry with a harsh racket. The natives twittered in surprise. Then +the water came, and the pump settled down to a steady _thugg-thugg, +thugg-thugg_. + +The Svants seemed to like the new sound; they grimaced in pleasure +and moved closer; within forty or fifty feet, they all squatted on +the ground and sat entranced. Others came in from the fields, drawn +by the sound. They, too, came up and squatted, until there was a +semicircle of them. The tank took a long time to fill; until it did, +they all sat immobile and fascinated. Even after it stopped, many +remained, hoping that it would start again. Paul Meillard began +wondering, a trifle uneasily, if that would happen every time +the pump went on. + +"They get a positive pleasure from it. It affects them the same way +Luis' voice does." + +"Mean I have a voice like a pump?" Gofredo demanded. + +"Well, I'm going to find out," Ayesha Keithley said. "The next time +that starts, I'm going to make a recording, and compare it with your +voice-recording. I'll give five to one there'll be a similarity." + +Questell got the foundation for the sonics lab dug, and began +pouring concrete. That took water, and the pump ran continuously +that afternoon. Concrete-mixing took more water the next day, and +by noon the whole village population, down to the smallest child, +was massed at the pumphouse, enthralled. Mom was snared by the sound +like any of the rest; only Sonny was unaffected. Lillian and Ayesha +compared recordings of the voices of the team with the pump-sound; +in Gofredo's they found an identical frequency-pattern. + +"We'll need the new apparatus to be positive about it, but it's there, +all right," Ayesha said. "That's why Luis' voice pleases them." + +"That tags me; Old Pump-Mouth," Gofredo said. "It'll get all through +the Corps, and they'll be calling me that when I'm a four-star general, +if I live that long." + +Meillard was really worried, now. So was Bennet Fayon. He said so +that afternoon at cocktail time. + +"It's an addiction," he declared. "Once they hear it, they have no +will to resist; they just squat and listen. I don't know what it's +doing to them, but I'm scared of it." + +"I know one thing it's doing," Meillard said. "It's keeping them +from their work in the fields. For all we know, it may cause them +to lose a crop they need badly for subsistence." + + * * * * * + +The native they had come to call the Lord Mayor evidently thought +so, too. He was with the others, the next morning, squatting with +his staff across his knees, as bemused as any of them, but when the +pump stopped he rose and approached a group of Terrans, launching +into what could only be an impassioned tirade. He pointed with his +staff to the pump house, and to the semicircle of still motionless +villagers. He pointed to the fields, and back to the people, and to +the pump house again, gesturing vehemently with his other hand. + +_You make the noise. My people will not work while they hear it. +The fields lie untended. Stop the noise, and let my people work._ + +Couldn't possibly be any plainer. + +Then the pump started again. The Lord Mayor's hands tightened on the +staff; he was struggling tormentedly with himself, in vain. His face +relaxed into the heartbroken expression of joy; he turned and +shuffled over, dropping onto his haunches with the others. + +"Shut down the pump, Dave!" Meillard called out. "Cut the power off." + +The _thugg-thugg_-ing stopped. The Lord Mayor rose, made an odd +salaamlike bow toward the Terrans, and then turned on the people, +striking with his staff and shrieking at them. A few got to their +feet and joined him, screaming, pushing, tugging. Others joined. +In a little while, they were all on their feet, straggling away +across the fields. + +Dave Questell wanted to know what it meant; Meillard explained. + +"Well, what are we going to do for water?" the Navy engineer asked. + +"Soundproof the pump house. You can do that, can't you?" + +"Sure. Mound it over with earth. We'll have that done in a few hours." + +That started Gofredo worrying. "This happens every time we colonize +an inhabited planet. We give the natives something new. Then we find +out it's bad for them, and we try to take it away from them. And +then the knives come out, and the shooting starts." + +Luis Gofredo was also a specialist, speaking on his subject. + + * * * * * + +While they were at lunch, Charley Loughran screened in from +the other camp and wanted to talk to Bennet Fayon. + +"A funny thing, Bennet. I took a shot at a bird ... no, a flying +mammal ... and dropped it. It was dead when it hit the ground, +but there isn't a mark on it. I want you to do an autopsy, and +find out how I can kill things by missing them." + +"How far away was it?" + +"Call it forty feet; no more." + +"What were you using, Charley?" Ayesha Keithley called from the table. + +"Eight-point-five Mars-Consolidated pistol," Loughran said. "I'd +laid my shotgun down and walked away from it--" + +"Twelve hundred foot-seconds," Ayesha said. "Bow-wave as well as +muzzle-blast." + +"You think the report was what did it?" Fayon asked. + +"You want to bet it didn't?" she countered. + +Nobody did. + + * * * * * + +Mom was sulky. She didn't like what Dave Questell's men were doing +to the nice-noise-place. Ayesha and Lillian consoled her by taking +her into the soundproofed room and playing the recording of the +pump-noise for her. Sonny couldn't care less, one way or another; +he spent the afternoon teaching Mark Howell what the marks on paper +meant. It took a lot of signs and play-acting. He had learned about +thirty ideographs; by combining them and drawing little pictures, +he could express a number of simple ideas. There was, of course, +a limit to how many of those things anybody could learn and +remember--look how long it took an Old Terran Chinese scribe +to learn his profession--but it was the beginning of a method +of communication. + +Questell got the pump house mounded over. Ayesha came out and tried +a sound-meter, and also Mom, on it while the pump was running. +Neither reacted. + +A good many Svants were watching the work. They began to demonstrate +angrily. A couple tried to interfere and were knocked down with +rifle butts. The Lord Mayor and his Board of Aldermen came out with +the big horn and harangued them at length, and finally got them +to go back to the fields. As nearly as anybody could tell, he was +friendly to and co-operative with the Terrans. The snooper over +the village reported excitement in the plaza. + +Bennet Fayon had taken an airjeep to the other camp immediately +after lunch. He was back by 1500, accompanied by Loughran. They +carried a cloth-wrapped package into Fayon's dissecting-room. +At cocktail time, Paul Meillard had to go and get them. + +"Sorry," Fayon said, joining the group. "Didn't notice how late it +was getting. We're still doing a post on this svant-bat; that's what +Charley's calling it, till we get the native name. + +"The immediate cause of death was spasmodic contraction of every +muscle in the thing's body; some of them were partly relaxed before +we could get to work on it, but not completely. Every bone that +isn't broken is dislocated; a good many both. There is not the +slightest trace of external injury. Everything was done by its own +muscles." He looked around. "I hope nobody covered Ayesha's bet, +after I left. If they did, she collects. The large outer membranes +in the comb seem to be unaffected, but there is considerable +compression of the small round ones inside, in just one area, +and more on the left side than on the right. Charley says it +was flying across in front of him from left to right." + +"The receptor-area responding to the frequencies of the report," +Ayesha said. + +Anna de Jong made a passing gesture toward Fayon. "The baby's yours, +Bennet," she said. "This isn't psychological. I won't accept a case +of psychosomatic compound fracture." + +"Don't be too premature about it, Anna. I think that's more or less +what you have, here." + +Everybody looked at him, surprised. His subject was comparative +technology. The bio and psycho-sciences were completely outside +his field. + +"A lot of things have been bothering me, ever since the first +contact. I'm beginning to think I'm on the edge of understanding +them, now. Bennet, the higher life-forms here--the people, and that +domsee, and Charley's svant-bat--are structurally identical with us. +I don't mean gross structure, like ears and combs. I mean molecular +and cellular and tissue structure. Is that right?" + +Fayon nodded. "Biology on this planet is exactly Terra type. Yes. +With adequate safeguards, I'd even say you could make a viable +tissue-graft from a Svant to a Terran, or vice versa." + +"Ayesha, would the sound waves from that pistol-shot in any +conceivable way have the sort of physical effect we're considering?" + +"Absolutely not," she said, and Luis Gofredo said: "I've been shot +at and missed with pistols at closer range than that." + +"Then it was the effect on the animal's nervous system." + +Anna shrugged. "It's still Bennet's baby. I'm a psychologist, +not a neurologist." + +"What I've been saying, all along," Fayon reiterated complacently. +"Their hearing is different from ours. This proves it. + +"It proves that they don't hear at all." + +He had expected an explosion; he wasn't disappointed. They all +contradicted him, many derisively. Signal reactions. Only Paul +Meillard made the semantically appropriate response: + +"What do you mean, Mark?" + +"They don't _hear_ sound; they _feel_ it. You all saw what they have +inside their combs. Those things don't transmit sound like the ears +of any sound-sensitive life-form we've ever seen. They transform +sound waves into tactile sensations." + +Fayon cursed, slowly and luridly. Anna de Jong looked at him +wide-eyed. He finished his cocktail and poured another. In the +snooper screen, what looked like an indignation meeting was making +uproar in the village plaza. Gofredo cut the volume of the speaker +even lower. + +"That would explain a lot of things," Meillard said slowly. "How +hard it was for them to realize that we didn't understand when they +talked to us. A punch in the nose feels the same to anybody. They +thought they were giving us bodily feelings. They didn't know we +were insensible to them." + +"But they do ... they do have a language," Lillian faltered. +"They talk." + +"Not the way we understand it. If they want to say, 'Me,' it's +_tickle-pinch-rub_, even if it sounds like _fwoonk_ to us, when it +doesn't sound like _pwink_ or _tweelt_ or _kroosh_. The tactile +sensations, to a Svant, feel no more different than a massage by +four different hands. Analogous to a word pronounced by four +different voices, to us. They'll have a code for expressing meanings +in tactile sensation, just as we have a code for expressing meanings +in audible sound." + +"Except that when a Svant tells another, 'I am happy,' or 'I have a +stomach-ache,' he makes the other one feel that way too," Anna said. +"That would carry an awful lot more conviction. I don't imagine +symptom-swapping is popular among Svants. Karl! You were nearly +right, at that. This isn't telepathy, but it's a lot like it." + +"So it is," Dorver, who had been mourning his departed telepathy +theory, said brightly. "And look how it explains their society. +Peaceful, everybody in quick agreement--" He looked at the screen +and gulped. The Lord Mayor and his party had formed one clump, and +the opposition was grouped at the other side of the plaza; they were +screaming in unison at each other. "They make their decisions by +endurance; the party that can resist the feelings of the other +longest converts their opponents." + +"Pure democracy," Gofredo declared. "Rule by the party that can +make the most noise." + +"And I'll bet that when they're sick, they go around chanting, +'I am well; I feel just fine!'" Anna said. "Autosuggestion would +really work, here. Think of the feedback, too. One Svant has a feeling. +He verbalizes it, and the sound of his own voice re-enforces it in him. +It is induced in his hearers, and they verbalize it, re-enforcing it +in themselves and in him. This could go on and on." + +"Yes. It has. Look at their technology." He felt more comfortable, +now he was on home ground again. "A friend of mine, speaking about +a mutual acquaintance, once said, 'When they installed her circuits, +they put in such big feeling circuits that there was no room left +for any thinking circuits.' I think that's a perfect description of +what I estimate Svant mentality to be. Take these bronze knives, and +the musical instruments. Wonderful; the work of individuals trying +to express feeling in metal or wood. But get an idea like the wheel, +or even a pair of tongs? Poo! How would you state the First Law of +Motion, or the Second Law of Thermodynamics, in tickle-pinch-rub +terms? Sonny could grasp an idea like that. Sonny's handicap, if +you call it that, cuts him off from feel-thinking; he can think +logically instead of sensually." + +He sipped his cocktail and continued: "I can understand why the +village is mounded up, too. I realized that while I was watching +Dave's gang bury the pump house. I'd been bothered by that, and by +the absence of granaries for all the grain they raise, and by the +number of people for so few and such small houses. I think the +village is mostly underground, and the houses are just entrances, +soundproofed, to shelter them from uncomfortable natural +noises--thunderstorms, for instance." + +The horn was braying in the snooper-screen speaker; somebody +wondered what it was for. Gofredo laughed. + +"I thought, at first, that it was a war-horn. It isn't. It's a +peace-horn," he said. "Public tranquilizer. The first day, they +brought it out and blew it at us to make us peaceable." + +"Now I see why Sonny is rejected and persecuted," Anna was saying. +"He must make all sorts of horrible noises that he can't hear ... +that's not the word; we have none for it ... and nobody but his +mother can stand being near him." + +"Like me," Lillian said. "Now I understand. Just think of the most +revolting thing that could be done to you physically; that's what I +do to them every time I speak. And I always thought I had a nice +voice," she added, pathetically. + +"You have, for Terrans," Ayesha said. "For Svants, you'll just +have to change it." + +"But how--?" + +"Use an analyzer; train it. That was why I took up sonics, in +the first place. I had a voice like a crow with a sore throat, +but by practicing with an analyzer, an hour a day, I gave myself +an entirely different voice in a couple of months. Just try to +get some pump-sound frequencies into it, like Luis'." + +"But why? I'm no use here. I'm a linguist, and these people haven't +any language that I could ever learn, and they couldn't even learn +ours. They couldn't learn to make sounds, as sounds." + +"You've been doing very good work with Mom on those ideographs," +Meillard said. "Keep it up till you've taught her the Lingua Terra +Basic vocabulary, and with her help we can train a few more. They +can be our interpreters; we can write what we want them to say to +the others. It'll be clumsy, but it will work, and it's about the +only thing I can think of that will." + +"And it will improve in time," Ayesha added. "And we can make +vocoders and visibilizers. Paul, you have authority to requisition +personnel from the ship's company. Draft me; I'll stay here and +work on it." + +The rumpus in the village plaza was getting worse. The Lord Mayor +and his adherents were being out-shouted by the opposition. + +"Better do something about that in a hurry, Paul, if you don't want +a lot of Svants shot," Gofredo said. "Give that another half hour +and we'll have visitors, with bows and spears." + +"Ayesha, you have a recording of the pump," Meillard said. "Load a +record-player onto a jeep and fly over the village and play it for +them. Do it right away. Anna, get Mom in here. We want to get her to +tell that gang that from now on, at noon and for a couple of hours +after sunset, when the work's done, there will be free public +pump-concerts, over the village plaza." + + * * * * * + +Ayesha and her warrant-officer helper and a Marine lieutenant +went out hastily. Everybody else faced the screen to watch. In +fifteen minutes, an airjeep was coming in on the village. As it +circled low, a new sound, the steady _thugg-thugg, thugg-thugg_ +of the pump, began. + +The yelling and twittering and the blaring of the peace-horn died out +almost at once. As the jeep circled down to housetop level, the two +contending faction-clumps broke apart; their component individuals +moved into the center of the plaza and squatted, staring up, letting +the delicious waves of sound caress them. + +"Do we have to send a detail in a jeep to do that twice a day?" +Gofredo asked. "We keep a snooper over the village; fit it with +a loud-speaker and a timer; it can give them their _thugg-thugg_, +on schedule, automatically." + +"We might give the Lord Mayor a recording and a player and let him +decide when the people ought to listen--if that's the word--to it," +Dorver said. "Then it would be something of their own." + +"No!" He spoke so vehemently that the others started. "You know +what would happen? Nobody would be able to turn it off; they'd +all be hypnotized, or doped, or whatever it is. They'd just sit +in a circle around it till they starved to death, and when the +power-unit gave out, the record-player would be surrounded by +a ring of skeletons. We'll just have to keep on playing it for +them ourselves. Terrans' Burden." + +"That'll give us a sanction over them," Gofredo observed. "Extra +_thugg-thugg_ if they're very good; shut it off on them if they act +nasty. And find out what Lillian has in her voice that the rest of +us don't have, and make a good loud recording of that, and stash it +away along with the rest of the heavy-weapons ammunition. You know, +you're not going to have any trouble at all, when we go down-country +to talk to the king or whatever. This is better than fire-water ever +was." + +"We must never misuse our advantage, Luis," Meillard said seriously. +"We must use it only for their good." + +He really meant it. Only--You had to know some general history to +study technological history, and it seemed to him that that pious +assertion had been made a few times before. Some of the others who +had made it had really meant it, too, but that had made little +difference in the long run. + +Fayon and Anna were talking enthusiastically about the work ahead of +them. + +"I don't know where your subject ends and mine begins," Anna was +saying. "We'll just have to handle it between us. What are we going +to call it? We certainly can't call it hearing." + +"Nonauditory sonic sense is the only thing I can think of," Fayon +said. "And that's such a clumsy term." + +"Mark; you thought of it first," Anna said. "What do you think?" + +"Nonauditory sonic sense. It isn't any worse than Domesticated +Type C, and that got cut down to size. _Naudsonce._" + + * * * * * + + + + + + +End of the Project Gutenberg EBook of Naudsonce, by H. Beam Piper + +*** END OF THIS PROJECT GUTENBERG EBOOK NAUDSONCE *** + +***** This file should be named 19076.txt or 19076.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/9/0/7/19076/ + +Produced by Greg Weeks, William Woods, and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card +donations. To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +*** END: FULL LICENSE *** + |
