summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:17:57 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:17:57 -0700
commit1c804178f8f469fb39ec787b6ff05f744f7d241d (patch)
tree88d9b7b9cf5fd65cf6f9dfc1857ecc365bcfcd0d
initial commit of ebook 1892HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--1892-0.txt947
-rw-r--r--1892-0.zipbin0 -> 16631 bytes
-rw-r--r--1892-h.zipbin0 -> 493212 bytes
-rw-r--r--1892-h/1892-h.htm1139
-rw-r--r--1892-h/images/cover.jpgbin0 -> 475021 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/1892.txt870
-rw-r--r--old/1892.zipbin0 -> 16777 bytes
-rw-r--r--old/xadam10.txt766
-rw-r--r--old/xadam10.zipbin0 -> 15111 bytes
12 files changed, 3738 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/1892-0.txt b/1892-0.txt
new file mode 100644
index 0000000..2d6512a
--- /dev/null
+++ b/1892-0.txt
@@ -0,0 +1,947 @@
+The Project Gutenberg eBook of Extracts From Adam’s Diary by Mark Twain
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: Extracts From Adam’s Diary
+
+Author: Mark Twain (Samuel Clemens)
+
+Release Date: September 15, 2004 [eBook #1892]
+[Most recently updated: September 6, 2021]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: Kirk Pearson
+
+*** START OF THE PROJECT GUTENBERG EBOOK EXTRACTS FROM ADAM’S DIARY ***
+
+
+
+
+[Illustration]
+
+Extracts From Adam’s Diary
+
+Translated from the original MS.
+
+by Mark Twain
+
+
+
+
+[NOTE.—I translated a portion of this diary some years ago, and a
+friend of mine printed a few copies in an incomplete form, but the
+public never got them. Since then I have deciphered some more of Adam’s
+hieroglyphics, and think he has now become sufficiently important as a
+public character to justify this publication.—M. T.]
+
+
+
+
+Monday
+
+
+This new creature with the long hair is a good deal in the way. It is
+always hanging around and following me about. I don’t like this; I am
+not used to company. I wish it would stay with the other animals.
+Cloudy to-day, wind in the east; think we shall have rain…. Where did I
+get that word?… I remember now—the new creature uses it.
+
+
+
+
+Tuesday
+
+
+Been examining the great waterfall. It is the finest thing on the
+estate, I think. The new creature calls it Niagara Falls—why, I am sure
+I do not know. Says it looks like Niagara Falls. That is not a reason;
+it is mere waywardness and imbecility. I get no chance to name anything
+myself. The new creature names everything that comes along, before I
+can get in a protest. And always that same pretext is offered—it looks
+like the thing. There is the dodo, for instance. Says the moment one
+looks at it one sees at a glance that it “looks like a dodo.” It will
+have to keep that name, no doubt. It wearies me to fret about it, and
+it does no good, anyway. Dodo! It looks no more like a dodo than I do.
+
+
+
+
+Wednesday
+
+
+Built me a shelter against the rain, but could not have it to myself in
+peace. The new creature intruded. When I tried to put it out it shed
+water out of the holes it looks with, and wiped it away with the back
+of its paws, and made a noise such as some of the other animals make
+when they are in distress. I wish it would not talk; it is always
+talking. That sounds like a cheap fling at the poor creature, a slur;
+but I do not mean it so. I have never heard the human voice before, and
+any new and strange sound intruding itself here upon the solemn hush of
+these dreaming solitudes offends my ear and seems a false note. And
+this new sound is so close to me; it is right at my shoulder, right at
+my ear, first on one side and then on the other, and I am used only to
+sounds that are more or less distant from me.
+
+
+
+
+Friday
+
+
+The naming goes recklessly on, in spite of anything I can do. I had a
+very good name for the estate, and it was musical and pretty
+—GARDEN-OF-EDEN. Privately, I continue to call it that, but not any
+longer publicly. The new creature says it is all woods and rocks and
+scenery, and therefore has no resemblance to a garden. Says it looks
+like a park, and does not look like anything but a park. Consequently,
+without consulting me, it has been new-named —NIAGARA FALLS PARK. This
+is sufficiently high-handed, it seems to me. And already there is a
+sign up:
+
+KEEP OFF THE GRASS
+
+My life is not as happy as it was.
+
+
+
+
+Saturday
+
+
+The new creature eats too much fruit. We are going to run short, most
+likely. “We” again—that is its word; mine too, now, from hearing it so
+much. Good deal of fog this morning. I do not go out in the fog myself.
+The new creature does. It goes out in all weathers, and stumps right in
+with its muddy feet. And talks. It used to be so pleasant and quiet
+here.
+
+
+
+
+Sunday
+
+
+Pulled through. This day is getting to be more and more trying. It was
+selected and set apart last November as a day of rest. I already had
+six of them per week, before. This morning found the new creature
+trying to clod apples out of that forbidden tree.
+
+
+
+
+Monday
+
+
+The new creature says its name is Eve. That is all right, I have no
+objections. Says it is to call it by when I want it to come. I said it
+was superfluous, then. The word evidently raised me in its respect; and
+indeed it is a large, good word, and will bear repetition. It says it
+is not an It, it is a She. This is probably doubtful; yet it is all one
+to me; what she is were nothing to me if she would but go by herself
+and not talk.
+
+
+
+
+Tuesday
+
+
+She has littered the whole estate with execrable names and offensive
+signs:
+
+THIS WAY TO THE WHIRLPOOL.
+
+THIS WAY TO GOAT ISLAND.
+
+CAVE OF THE WINDS THIS WAY.
+
+She says this park would make a tidy summer resort, if there was any
+custom for it. Summer resort—another invention of hers—just words,
+without any meaning. What is a summer resort? But it is best not to ask
+her, she has such a rage for explaining.
+
+
+
+
+Friday
+
+
+She has taken to beseeching me to stop going over the Falls. What harm
+does it do? Says it makes her shudder. I wonder why. I have always done
+it—always liked the plunge, and the excitement, and the coolness. I
+supposed it was what the Falls were for. They have no other use that I
+can see, and they must have been made for something. She says they were
+only made for scenery—like the rhinoceros and the mastodon.
+
+I went over the Falls in a barrel—not satisfactory to her. Went over in
+a tub—still not satisfactory. Swam the Whirlpool and the Rapids in a
+fig-leaf suit. It got much damaged. Hence, tedious complaints about my
+extravagance. I am too much hampered here. What I need is change of
+scene.
+
+
+
+
+Saturday
+
+
+I escaped last Tuesday night, and travelled two days, and built me
+another shelter, in a secluded place, and obliterated my tracks as well
+as I could, but she hunted me out by means of a beast which she has
+tamed and calls a wolf, and came making that pitiful noise again, and
+shedding that water out of the places she looks with. I was obliged to
+return with her, but will presently emigrate again, when occasion
+offers. She engages herself in many foolish things: among others,
+trying to study out why the animals called lions and tigers live on
+grass and flowers, when, as she says, the sort of teeth they wear would
+indicate that they were intended to eat each other. This is foolish,
+because to do that would be to kill each other, and that would
+introduce what, as I understand it, is called “death;” and death, as I
+have been told, has not yet entered the Park. Which is a pity, on some
+accounts.
+
+
+
+
+Sunday
+
+
+Pulled through.
+
+
+
+
+Monday
+
+
+I believe I see what the week is for: it is to give time to rest up
+from the weariness of Sunday. It seems a good idea…. She has been
+climbing that tree again. Clodded her out of it. She said nobody was
+looking. Seems to consider that a sufficient justification for chancing
+any dangerous thing. Told her that. The word justification moved her
+admiration—and envy too, I thought. It is a good word.
+
+
+
+
+Thursday
+
+
+She told me she was made out of a rib taken from my body. This is at
+least doubtful, if not more than that. I have not missed any rib…. She
+is in much trouble about the buzzard; says grass does not agree with
+it; is afraid she can’t raise it; thinks it was intended to live on
+decayed flesh. The buzzard must get along the best it can with what is
+provided. We cannot overturn the whole scheme to accommodate the
+buzzard.
+
+
+
+
+Saturday
+
+
+She fell in the pond yesterday, when she was looking at herself in it,
+which she is always doing. She nearly strangled, and said it was most
+uncomfortable. This made her sorry for the creatures which live in
+there, which she calls fish, for she continues to fasten names on to
+things that don’t need them and don’t come when they are called by
+them, which is a matter of no consequence to her, as she is such a
+numskull anyway; so she got a lot of them out and brought them in last
+night and put them in my bed to keep warm, but I have noticed them now
+and then all day, and I don’t see that they are any happier there than
+they were before, only quieter. When night comes I shall throw them
+out-doors. I will not sleep with them again, for I find them clammy and
+unpleasant to lie among when a person hasn’t anything on.
+
+
+
+
+Sunday
+
+
+Pulled through.
+
+
+
+
+Tuesday
+
+
+She has taken up with a snake now. The other animals are glad, for she
+was always experimenting with them and bothering them; and I am glad,
+because the snake talks, and this enables me to get a rest.
+
+
+
+
+Friday
+
+
+She says the snake advises her to try the fruit of that tree, and says
+the result will be a great and fine and noble education. I told her
+there would be another result, too—it would introduce death into the
+world. That was a mistake—it had been better to keep the remark to
+myself; it only gave her an idea—she could save the sick buzzard, and
+furnish fresh meat to the despondent lions and tigers. I advised her to
+keep away from the tree. She said she wouldn’t. I foresee trouble. Will
+emigrate.
+
+
+
+
+Wednesday
+
+
+I have had a variegated time. I escaped that night, and rode a horse
+all night as fast as he could go, hoping to get clear out of the Park
+and hide in some other country before the trouble should begin; but it
+was not to be. About an hour after sunup, as I was riding through a
+flowery plain where thousands of animals were grazing, slumbering, or
+playing with each other, according to their wont, all of a sudden they
+broke into a tempest of frightful noises, and in one moment the plain
+was in a frantic commotion and every beast was destroying its neighbor.
+I knew what it meant—Eve had eaten that fruit, and death was come into
+the world…. The tigers ate my horse, paying no attention when I ordered
+them to desist, and they would even have eaten me if I had stayed—which
+I didn’t, but went away in much haste…. I found this place, outside the
+Park, and was fairly comfortable for a few days, but she has found me
+out. Found me out, and has named the place Tonawanda—says it looks like
+that. In fact, I was not sorry she came, for there are but meagre
+pickings here, and she brought some of those apples. I was obliged to
+eat them, I was so hungry. It was against my principles, but I find
+that principles have no real force except when one is well fed…. She
+came curtained in boughs and bunches of leaves, and when I asked her
+what she meant by such nonsense, and snatched them away and threw them
+down, she tittered and blushed. I had never seen a person titter and
+blush before, and to me it seemed unbecoming and idiotic. She said I
+would soon know how it was myself. This was correct. Hungry as I was, I
+laid down the apple half eaten—certainly the best one I ever saw,
+considering the lateness of the season—and arrayed myself in the
+discarded boughs and branches, and then spoke to her with some severity
+and ordered her to go and get some more and not make such a spectacle
+of herself. She did it, and after this we crept down to where the
+wild-beast battle had been, and collected some skins, and I made her
+patch together a couple of suits proper for public occasions. They are
+uncomfortable, it is true, but stylish, and that is the main point
+about clothes. … I find she is a good deal of a companion. I see I
+should be lonesome and depressed without her, now that I have lost my
+property. Another thing, she says it is ordered that we work for our
+living hereafter. She will be useful. I will superintend.
+
+
+
+
+Ten Days Later
+
+
+She accuses me of being the cause of our disaster! She says, with
+apparent sincerity and truth, that the Serpent assured her that the
+forbidden fruit was not apples, it was chestnuts. I said I was
+innocent, then, for I had not eaten any chestnuts. She said the Serpent
+informed her that “chestnut” was a figurative term meaning an aged and
+mouldy joke. I turned pale at that, for I have made many jokes to pass
+the weary time, and some of them could have been of that sort, though I
+had honestly supposed that they were new when I made them. She asked me
+if I had made one just at the time of the catastrophe. I was obliged to
+admit that I had made one to myself, though not aloud. It was this. I
+was thinking about the Falls, and I said to myself, “How wonderful it
+is to see that vast body of water tumble down there!” Then in an
+instant a bright thought flashed into my head, and I let it fly,
+saying, “It would be a deal more wonderful to see it tumble up
+there!”—and I was just about to kill myself with laughing at it when
+all nature broke loose in war and death, and I had to flee for my life.
+“There,” she said, with triumph, “that is just it; the Serpent
+mentioned that very jest, and called it the First Chestnut, and said it
+was coeval with the creation.” Alas, I am indeed to blame. Would that I
+were not witty; oh, would that I had never had that radiant thought!
+
+
+
+
+Next Year
+
+
+We have named it Cain. She caught it while I was up country trapping on
+the North Shore of the Erie; caught it in the timber a couple of miles
+from our dug-out—or it might have been four, she isn’t certain which.
+It resembles us in some ways, and may be a relation. That is what she
+thinks, but this is an error, in my judgment. The difference in size
+warrants the conclusion that it is a different and new kind of animal—a
+fish, perhaps, though when I put it in the water to see, it sank, and
+she plunged in and snatched it out before there was opportunity for the
+experiment to determine the matter. I still think it is a fish, but she
+is indifferent about what it is, and will not let me have it to try. I
+do not understand this. The coming of the creature seems to have
+changed her whole nature and made her unreasonable about experiments.
+She thinks more of it than she does of any of the other animals, but is
+not able to explain why. Her mind is disordered—everything shows it.
+Sometimes she carries the fish in her arms half the night when it
+complains and wants to get to the water. At such times the water comes
+out of the places in her face that she looks out of, and she pats the
+fish on the back and makes soft sounds with her mouth to soothe it, and
+betrays sorrow and solicitude in a hundred ways. I have never seen her
+do like this with any other fish, and it troubles me greatly. She used
+to carry the young tigers around so, and play with them, before we lost
+our property; but it was only play; she never took on about them like
+this when their dinner disagreed with them.
+
+
+
+
+Sunday
+
+
+She doesn’t work Sundays, but lies around all tired out, and likes to
+have the fish wallow over her; and she makes fool noises to amuse it,
+and pretends to chew its paws, and that makes it laugh. I have not seen
+a fish before that could laugh. This makes me doubt…. I have come to
+like Sunday myself. Superintending all the week tires a body so. There
+ought to be more Sundays. In the old days they were tough, but now they
+come handy.
+
+
+
+
+Wednesday
+
+
+It isn’t a fish. I cannot quite make out what it is. It makes curious,
+devilish noises when not satisfied, and says “goo-goo” when it is. It
+is not one of us, for it doesn’t walk; it is not a bird, for it doesn’t
+fly; it is not a frog, for it doesn’t hop; it is not a snake, for it
+doesn’t crawl; I feel sure it is not a fish, though I cannot get a
+chance to find out whether it can swim or not. It merely lies around,
+and mostly on its back, with its feet up. I have not seen any other
+animal do that before. I said I believed it was an enigma, but she only
+admired the word without understanding it. In my judgment it is either
+an enigma or some kind of a bug. If it dies, I will take it apart and
+see what its arrangements are. I never had a thing perplex me so.
+
+
+
+
+Three Months Later
+
+
+The perplexity augments instead of diminishing. I sleep but little. It
+has ceased from lying around, and goes about on its four legs now. Yet
+it differs from the other four-legged animals in that its front legs
+are unusually short, consequently this causes the main part of its
+person to stick up uncomfortably high in the air, and this is not
+attractive. It is built much as we are, but its method of travelling
+shows that it is not of our breed. The short front legs and long hind
+ones indicate that it is of the kangaroo family, but it is a marked
+variation of the species, since the true kangaroo hops, whereas this
+one never does. Still, it is a curious and interesting variety, and has
+not been catalogued before. As I discovered it, I have felt justified
+in securing the credit of the discovery by attaching my name to it, and
+hence have called it Kangaroorum Adamiensis…. It must have been a young
+one when it came, for it has grown exceedingly since. It must be five
+times as big, now, as it was then, and when discontented is able to
+make from twenty-two to thirty-eight times the noise it made at first.
+Coercion does not modify this, but has the contrary effect. For this
+reason I discontinued the system. She reconciles it by persuasion, and
+by giving it things which she had previously told it she wouldn’t give
+it. As already observed, I was not at home when it first came, and she
+told me she found it in the woods. It seems odd that it should be the
+only one, yet it must be so, for I have worn myself out these many
+weeks trying to find another one to add to my collection, and for this
+one to play with; for surely then it would be quieter, and we could
+tame it more easily. But I find none, nor any vestige of any; and
+strangest of all, no tracks. It has to live on the ground, it cannot
+help itself; therefore, how does it get about without leaving a track?
+I have set a dozen traps, but they do no good. I catch all small
+animals except that one; animals that merely go into the trap out of
+curiosity, I think, to see what the milk is there for. They never drink
+it.
+
+
+
+
+Three Months Later
+
+
+The kangaroo still continues to grow, which is very strange and
+perplexing. I never knew one to be so long getting its growth. It has
+fur on its head now; not like kangaroo fur, but exactly like our hair,
+except that it is much finer and softer, and instead of being black is
+red. I am like to lose my mind over the capricious and harassing
+developments of this unclassifiable zoological freak. If I could catch
+another one—but that is hopeless; it is a new variety, and the only
+sample; this is plain. But I caught a true kangaroo and brought it in,
+thinking that this one, being lonesome, would rather have that for
+company than have no kin at all, or any animal it could feel a nearness
+to or get sympathy from in its forlorn condition here among strangers
+who do not know its ways or habits, or what to do to make it feel that
+it is among friends; but it was a mistake—it went into such fits at the
+sight of the kangaroo that I was convinced it had never seen one
+before. I pity the poor noisy little animal, but there is nothing I can
+do to make it happy. If I could tame it—but that is out of the
+question; the more I try, the worse I seem to make it. It grieves me to
+the heart to see it in its little storms of sorrow and passion. I
+wanted to let it go, but she wouldn’t hear of it. That seemed cruel and
+not like her; and yet she may be right. It might be lonelier than ever;
+for since I cannot find another one, how could it?
+
+
+
+
+Five Months Later
+
+
+It is not a kangaroo. No, for it supports itself by holding to her
+finger, and thus goes a few steps on its hind legs, and then falls
+down. It is probably some kind of a bear; and yet it has no tail—as
+yet—and no fur, except on its head. It still keeps on growing—that is a
+curious circumstance, for bears get their growth earlier than this.
+Bears are dangerous—since our catastrophe—and I shall not be satisfied
+to have this one prowling about the place much longer without a muzzle
+on. I have offered to get her a kangaroo if she would let this one go,
+but it did no good—she is determined to run us into all sorts of
+foolish risks, I think. She was not like this before she lost her mind.
+
+
+
+
+A Fortnight Later
+
+
+I examined its mouth. There is no danger yet; it has only one tooth. It
+has no tail yet. It makes more noise now than it ever did before—and
+mainly at night. I have moved out. But I shall go over, mornings, to
+breakfast, and to see if it has more teeth. If it gets a mouthful of
+teeth, it will be time for it to go, tail or no tail, for a bear does
+not need a tail in order to be dangerous.
+
+
+
+
+Four Months Later
+
+
+I have been off hunting and fishing a month, up in the region that she
+calls Buffalo; I don’t know why, unless it is because there are not any
+buffaloes there. Meantime the bear has learned to paddle around all by
+itself on its hind legs, and says “poppa” and “momma.” It is certainly
+a new species. This resemblance to words may be purely accidental, of
+course, and may have no purpose or meaning; but even in that case it is
+still extraordinary, and is a thing which no other bear can do. This
+imitation of speech, taken together with general absence of fur and
+entire absence of tail, sufficiently indicates that this is a new kind
+of bear. The further study of it will be exceedingly interesting.
+Meantime I will go off on a far expedition among the forests of the
+North and make an exhaustive search. There must certainly be another
+one somewhere, and this one will be less dangerous when it has company
+of its own species. I will go straightway; but I will muzzle this one
+first.
+
+
+
+
+Three Months Later
+
+
+It has been a weary, weary hunt, yet I have had no success. In the mean
+time, without stirring from the home estate, she has caught another
+one! I never saw such luck. I might have hunted these woods a hundred
+years, I never should have run across that thing.
+
+
+
+
+Next Day
+
+
+I have been comparing the new one with the old one, and it is perfectly
+plain that they are the same breed. I was going to stuff one of them
+for my collection, but she is prejudiced against it for some reason or
+other; so I have relinquished the idea, though I think it is a mistake.
+It would be an irreparable loss to science if they should get away. The
+old one is tamer than it was, and can laugh and talk like the parrot,
+having learned this, no doubt, from being with the parrot so much, and
+having the imitative faculty in a highly developed degree. I shall be
+astonished if it turns out to be a new kind of parrot, and yet I ought
+not to be astonished, for it has already been everything else it could
+think of, since those first days when it was a fish. The new one is as
+ugly now as the old one was at first; has the same sulphur-and-raw-meat
+complexion and the same singular head without any fur on it. She calls
+it Abel.
+
+
+
+
+Ten Years Later
+
+
+They are boys; we found it out long ago. It was their coming in that
+small, immature shape that puzzled us; we were not used to it. There
+are some girls now. Abel is a good boy, but if Cain had stayed a bear
+it would have improved him. After all these years, I see that I was
+mistaken about Eve in the beginning; it is better to live outside the
+Garden with her than inside it without her. At first I thought she
+talked too much; but now I should be sorry to have that voice fall
+silent and pass out of my life. Blessed be the chestnut that brought us
+near together and taught me to know the goodness of her heart and the
+sweetness of her spirit!
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK EXTRACTS FROM ADAM’S DIARY ***
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you will have to check the laws of the country where
+ you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
diff --git a/1892-0.zip b/1892-0.zip
new file mode 100644
index 0000000..6b3aec5
--- /dev/null
+++ b/1892-0.zip
Binary files differ
diff --git a/1892-h.zip b/1892-h.zip
new file mode 100644
index 0000000..a6bf20b
--- /dev/null
+++ b/1892-h.zip
Binary files differ
diff --git a/1892-h/1892-h.htm b/1892-h/1892-h.htm
new file mode 100644
index 0000000..12286ef
--- /dev/null
+++ b/1892-h/1892-h.htm
@@ -0,0 +1,1139 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of Extracts From Adam’s Diary by Mark Twain</title>
+<link rel="coverpage" href="images/cover.jpg" />
+<style type="text/css">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+p.letter {text-indent: 0%;
+ margin-left: 10%;
+ margin-right: 10%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+div.fig { display:block;
+ margin:0 auto;
+ text-align:center;
+ margin-top: 1em;
+ margin-bottom: 1em;}
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+
+</head>
+
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Extracts From Adam’s Diary by Mark Twain</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Extracts From Adam’s Diary</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Mark Twain (Samuel Clemens)</div>
+<div style='display:block; margin:1em 0'>Release Date: September 15, 2004 [eBook #1892]<br />
+[Most recently updated: September 6, 2021]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Kirk Pearson</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK EXTRACTS FROM ADAM’S DIARY ***</div>
+
+<div class="fig" style="width:55%;">
+<img src="images/cover.jpg" style="width:100%;" alt="[Illustration]" />
+</div>
+
+<h1>Extracts From Adam&rsquo;s Diary</h1>
+
+<h3>Translated from the original MS.</h3>
+
+<h2 class="no-break">by Mark Twain</h2>
+
+<hr />
+
+<p class="letter">
+[NOTE.&mdash;I translated a portion of this diary some years ago, and a friend
+of mine printed a few copies in an incomplete form, but the public never got
+them. Since then I have deciphered some more of Adam&rsquo;s hieroglyphics, and
+think he has now become sufficiently important as a public character to justify
+this publication.&mdash;M. T.]
+</p>
+
+<div class="chapter">
+
+<h2>Monday</h2>
+
+<p>
+This new creature with the long hair is a good deal in the way. It is always
+hanging around and following me about. I don&rsquo;t like this; I am not used
+to company. I wish it would stay with the other animals. Cloudy to-day, wind in
+the east; think we shall have rain…. Where did I get that word?… I remember
+now&mdash;the new creature uses it.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Tuesday</h2>
+
+<p>
+Been examining the great waterfall. It is the finest thing on the estate, I
+think. The new creature calls it Niagara Falls&mdash;why, I am sure I do not
+know. Says it looks like Niagara Falls. That is not a reason; it is mere
+waywardness and imbecility. I get no chance to name anything myself. The new
+creature names everything that comes along, before I can get in a protest. And
+always that same pretext is offered&mdash;it looks like the thing. There is the
+dodo, for instance. Says the moment one looks at it one sees at a glance that
+it &ldquo;looks like a dodo.&rdquo; It will have to keep that name, no doubt.
+It wearies me to fret about it, and it does no good, anyway. Dodo! It looks no
+more like a dodo than I do.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Wednesday</h2>
+
+<p>
+Built me a shelter against the rain, but could not have it to myself in peace.
+The new creature intruded. When I tried to put it out it shed water out of the
+holes it looks with, and wiped it away with the back of its paws, and made a
+noise such as some of the other animals make when they are in distress. I wish
+it would not talk; it is always talking. That sounds like a cheap fling at the
+poor creature, a slur; but I do not mean it so. I have never heard the human
+voice before, and any new and strange sound intruding itself here upon the
+solemn hush of these dreaming solitudes offends my ear and seems a false note.
+And this new sound is so close to me; it is right at my shoulder, right at my
+ear, first on one side and then on the other, and I am used only to sounds that
+are more or less distant from me.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Friday</h2>
+
+<p>
+The naming goes recklessly on, in spite of anything I can do. I had a very good
+name for the estate, and it was musical and pretty &mdash;GARDEN-OF-EDEN.
+Privately, I continue to call it that, but not any longer publicly. The new
+creature says it is all woods and rocks and scenery, and therefore has no
+resemblance to a garden. Says it looks like a park, and does not look like
+anything but a park. Consequently, without consulting me, it has been new-named
+&mdash;NIAGARA FALLS PARK. This is sufficiently high-handed, it seems to me.
+And already there is a sign up:
+</p>
+
+<h5>KEEP OFF THE GRASS</h5>
+
+<p>
+My life is not as happy as it was.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Saturday</h2>
+
+<p>
+The new creature eats too much fruit. We are going to run short, most likely.
+&ldquo;We&rdquo; again&mdash;that is its word; mine too, now, from hearing it
+so much. Good deal of fog this morning. I do not go out in the fog myself. The
+new creature does. It goes out in all weathers, and stumps right in with its
+muddy feet. And talks. It used to be so pleasant and quiet here.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Sunday</h2>
+
+<p>
+Pulled through. This day is getting to be more and more trying. It was selected
+and set apart last November as a day of rest. I already had six of them per
+week, before. This morning found the new creature trying to clod apples out of
+that forbidden tree.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Monday</h2>
+
+<p>
+The new creature says its name is Eve. That is all right, I have no objections.
+Says it is to call it by when I want it to come. I said it was superfluous,
+then. The word evidently raised me in its respect; and indeed it is a large,
+good word, and will bear repetition. It says it is not an It, it is a She. This
+is probably doubtful; yet it is all one to me; what she is were nothing to me
+if she would but go by herself and not talk.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Tuesday</h2>
+
+<p>
+She has littered the whole estate with execrable names and offensive signs:
+</p>
+
+<h5>THIS WAY TO THE WHIRLPOOL.</h5>
+
+<h5>THIS WAY TO GOAT ISLAND.</h5>
+
+<h5>CAVE OF THE WINDS THIS WAY.</h5>
+
+<p>
+She says this park would make a tidy summer resort, if there was any custom for
+it. Summer resort&mdash;another invention of hers&mdash;just words, without any
+meaning. What is a summer resort? But it is best not to ask her, she has such a
+rage for explaining.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Friday</h2>
+
+<p>
+She has taken to beseeching me to stop going over the Falls. What harm does it
+do? Says it makes her shudder. I wonder why. I have always done it&mdash;always
+liked the plunge, and the excitement, and the coolness. I supposed it was what
+the Falls were for. They have no other use that I can see, and they must have
+been made for something. She says they were only made for scenery&mdash;like
+the rhinoceros and the mastodon.
+</p>
+
+<p>
+I went over the Falls in a barrel&mdash;not satisfactory to her. Went over in a
+tub&mdash;still not satisfactory. Swam the Whirlpool and the Rapids in a
+fig-leaf suit. It got much damaged. Hence, tedious complaints about my
+extravagance. I am too much hampered here. What I need is change of scene.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Saturday</h2>
+
+<p>
+I escaped last Tuesday night, and travelled two days, and built me another
+shelter, in a secluded place, and obliterated my tracks as well as I could, but
+she hunted me out by means of a beast which she has tamed and calls a wolf, and
+came making that pitiful noise again, and shedding that water out of the places
+she looks with. I was obliged to return with her, but will presently emigrate
+again, when occasion offers. She engages herself in many foolish things: among
+others, trying to study out why the animals called lions and tigers live on
+grass and flowers, when, as she says, the sort of teeth they wear would
+indicate that they were intended to eat each other. This is foolish, because to
+do that would be to kill each other, and that would introduce what, as I
+understand it, is called &ldquo;death;&rdquo; and death, as I have been told,
+has not yet entered the Park. Which is a pity, on some accounts.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Sunday</h2>
+
+<p>
+Pulled through.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Monday</h2>
+
+<p>
+I believe I see what the week is for: it is to give time to rest up from the
+weariness of Sunday. It seems a good idea…. She has been climbing that tree
+again. Clodded her out of it. She said nobody was looking. Seems to consider
+that a sufficient justification for chancing any dangerous thing. Told her
+that. The word justification moved her admiration&mdash;and envy too, I
+thought. It is a good word.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Thursday</h2>
+
+<p>
+She told me she was made out of a rib taken from my body. This is at least
+doubtful, if not more than that. I have not missed any rib…. She is in much
+trouble about the buzzard; says grass does not agree with it; is afraid she
+can&rsquo;t raise it; thinks it was intended to live on decayed flesh. The
+buzzard must get along the best it can with what is provided. We cannot
+overturn the whole scheme to accommodate the buzzard.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Saturday</h2>
+
+<p>
+She fell in the pond yesterday, when she was looking at herself in it, which
+she is always doing. She nearly strangled, and said it was most uncomfortable.
+This made her sorry for the creatures which live in there, which she calls
+fish, for she continues to fasten names on to things that don&rsquo;t need them
+and don&rsquo;t come when they are called by them, which is a matter of no
+consequence to her, as she is such a numskull anyway; so she got a lot of them
+out and brought them in last night and put them in my bed to keep warm, but I
+have noticed them now and then all day, and I don&rsquo;t see that they are any
+happier there than they were before, only quieter. When night comes I shall
+throw them out-doors. I will not sleep with them again, for I find them clammy
+and unpleasant to lie among when a person hasn&rsquo;t anything on.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Sunday</h2>
+
+<p>
+Pulled through.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Tuesday</h2>
+
+<p>
+She has taken up with a snake now. The other animals are glad, for she was
+always experimenting with them and bothering them; and I am glad, because the
+snake talks, and this enables me to get a rest.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Friday</h2>
+
+<p>
+She says the snake advises her to try the fruit of that tree, and says the
+result will be a great and fine and noble education. I told her there would be
+another result, too&mdash;it would introduce death into the world. That was a
+mistake&mdash;it had been better to keep the remark to myself; it only gave her
+an idea&mdash;she could save the sick buzzard, and furnish fresh meat to the
+despondent lions and tigers. I advised her to keep away from the tree. She said
+she wouldn&rsquo;t. I foresee trouble. Will emigrate.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Wednesday</h2>
+
+<p>
+I have had a variegated time. I escaped that night, and rode a horse all night
+as fast as he could go, hoping to get clear out of the Park and hide in some
+other country before the trouble should begin; but it was not to be. About an
+hour after sunup, as I was riding through a flowery plain where thousands of
+animals were grazing, slumbering, or playing with each other, according to
+their wont, all of a sudden they broke into a tempest of frightful noises, and
+in one moment the plain was in a frantic commotion and every beast was
+destroying its neighbor. I knew what it meant&mdash;Eve had eaten that fruit,
+and death was come into the world…. The tigers ate my horse, paying no
+attention when I ordered them to desist, and they would even have eaten me if I
+had stayed&mdash;which I didn&rsquo;t, but went away in much haste…. I found
+this place, outside the Park, and was fairly comfortable for a few days, but
+she has found me out. Found me out, and has named the place
+Tonawanda&mdash;says it looks like that. In fact, I was not sorry she came, for
+there are but meagre pickings here, and she brought some of those apples. I was
+obliged to eat them, I was so hungry. It was against my principles, but I find
+that principles have no real force except when one is well fed…. She came
+curtained in boughs and bunches of leaves, and when I asked her what she meant
+by such nonsense, and snatched them away and threw them down, she tittered and
+blushed. I had never seen a person titter and blush before, and to me it seemed
+unbecoming and idiotic. She said I would soon know how it was myself. This was
+correct. Hungry as I was, I laid down the apple half eaten&mdash;certainly the
+best one I ever saw, considering the lateness of the season&mdash;and arrayed
+myself in the discarded boughs and branches, and then spoke to her with some
+severity and ordered her to go and get some more and not make such a spectacle
+of herself. She did it, and after this we crept down to where the wild-beast
+battle had been, and collected some skins, and I made her patch together a
+couple of suits proper for public occasions. They are uncomfortable, it is
+true, but stylish, and that is the main point about clothes. … I find she is a
+good deal of a companion. I see I should be lonesome and depressed without her,
+now that I have lost my property. Another thing, she says it is ordered that we
+work for our living hereafter. She will be useful. I will superintend.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Ten Days Later</h2>
+
+<p>
+She accuses me of being the cause of our disaster! She says, with apparent
+sincerity and truth, that the Serpent assured her that the forbidden fruit was
+not apples, it was chestnuts. I said I was innocent, then, for I had not eaten
+any chestnuts. She said the Serpent informed her that &ldquo;chestnut&rdquo;
+was a figurative term meaning an aged and mouldy joke. I turned pale at that,
+for I have made many jokes to pass the weary time, and some of them could have
+been of that sort, though I had honestly supposed that they were new when I
+made them. She asked me if I had made one just at the time of the catastrophe.
+I was obliged to admit that I had made one to myself, though not aloud. It was
+this. I was thinking about the Falls, and I said to myself, &ldquo;How
+wonderful it is to see that vast body of water tumble down there!&rdquo; Then
+in an instant a bright thought flashed into my head, and I let it fly, saying,
+&ldquo;It would be a deal more wonderful to see it tumble up
+there!&rdquo;&mdash;and I was just about to kill myself with laughing at it
+when all nature broke loose in war and death, and I had to flee for my life.
+&ldquo;There,&rdquo; she said, with triumph, &ldquo;that is just it; the
+Serpent mentioned that very jest, and called it the First Chestnut, and said it
+was coeval with the creation.&rdquo; Alas, I am indeed to blame. Would that I
+were not witty; oh, would that I had never had that radiant thought!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Next Year</h2>
+
+<p>
+We have named it Cain. She caught it while I was up country trapping on the
+North Shore of the Erie; caught it in the timber a couple of miles from our
+dug-out&mdash;or it might have been four, she isn&rsquo;t certain which. It
+resembles us in some ways, and may be a relation. That is what she thinks, but
+this is an error, in my judgment. The difference in size warrants the
+conclusion that it is a different and new kind of animal&mdash;a fish, perhaps,
+though when I put it in the water to see, it sank, and she plunged in and
+snatched it out before there was opportunity for the experiment to determine
+the matter. I still think it is a fish, but she is indifferent about what it
+is, and will not let me have it to try. I do not understand this. The coming of
+the creature seems to have changed her whole nature and made her unreasonable
+about experiments. She thinks more of it than she does of any of the other
+animals, but is not able to explain why. Her mind is
+disordered&mdash;everything shows it. Sometimes she carries the fish in her
+arms half the night when it complains and wants to get to the water. At such
+times the water comes out of the places in her face that she looks out of, and
+she pats the fish on the back and makes soft sounds with her mouth to soothe
+it, and betrays sorrow and solicitude in a hundred ways. I have never seen her
+do like this with any other fish, and it troubles me greatly. She used to carry
+the young tigers around so, and play with them, before we lost our property;
+but it was only play; she never took on about them like this when their dinner
+disagreed with them.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Sunday</h2>
+
+<p>
+She doesn&rsquo;t work Sundays, but lies around all tired out, and likes to
+have the fish wallow over her; and she makes fool noises to amuse it, and
+pretends to chew its paws, and that makes it laugh. I have not seen a fish
+before that could laugh. This makes me doubt…. I have come to like Sunday
+myself. Superintending all the week tires a body so. There ought to be more
+Sundays. In the old days they were tough, but now they come handy.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Wednesday</h2>
+
+<p>
+It isn&rsquo;t a fish. I cannot quite make out what it is. It makes curious,
+devilish noises when not satisfied, and says &ldquo;goo-goo&rdquo; when it is.
+It is not one of us, for it doesn&rsquo;t walk; it is not a bird, for it
+doesn&rsquo;t fly; it is not a frog, for it doesn&rsquo;t hop; it is not a
+snake, for it doesn&rsquo;t crawl; I feel sure it is not a fish, though I
+cannot get a chance to find out whether it can swim or not. It merely lies
+around, and mostly on its back, with its feet up. I have not seen any other
+animal do that before. I said I believed it was an enigma, but she only admired
+the word without understanding it. In my judgment it is either an enigma or
+some kind of a bug. If it dies, I will take it apart and see what its
+arrangements are. I never had a thing perplex me so.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Three Months Later</h2>
+
+<p>
+The perplexity augments instead of diminishing. I sleep but little. It has
+ceased from lying around, and goes about on its four legs now. Yet it differs
+from the other four-legged animals in that its front legs are unusually short,
+consequently this causes the main part of its person to stick up uncomfortably
+high in the air, and this is not attractive. It is built much as we are, but
+its method of travelling shows that it is not of our breed. The short front
+legs and long hind ones indicate that it is of the kangaroo family, but it is a
+marked variation of the species, since the true kangaroo hops, whereas this one
+never does. Still, it is a curious and interesting variety, and has not been
+catalogued before. As I discovered it, I have felt justified in securing the
+credit of the discovery by attaching my name to it, and hence have called it
+Kangaroorum Adamiensis…. It must have been a young one when it came, for it has
+grown exceedingly since. It must be five times as big, now, as it was then, and
+when discontented is able to make from twenty-two to thirty-eight times the
+noise it made at first. Coercion does not modify this, but has the contrary
+effect. For this reason I discontinued the system. She reconciles it by
+persuasion, and by giving it things which she had previously told it she
+wouldn&rsquo;t give it. As already observed, I was not at home when it first
+came, and she told me she found it in the woods. It seems odd that it should be
+the only one, yet it must be so, for I have worn myself out these many weeks
+trying to find another one to add to my collection, and for this one to play
+with; for surely then it would be quieter, and we could tame it more easily.
+But I find none, nor any vestige of any; and strangest of all, no tracks. It
+has to live on the ground, it cannot help itself; therefore, how does it get
+about without leaving a track? I have set a dozen traps, but they do no good. I
+catch all small animals except that one; animals that merely go into the trap
+out of curiosity, I think, to see what the milk is there for. They never drink
+it.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Three Months Later</h2>
+
+<p>
+The kangaroo still continues to grow, which is very strange and perplexing. I
+never knew one to be so long getting its growth. It has fur on its head now;
+not like kangaroo fur, but exactly like our hair, except that it is much finer
+and softer, and instead of being black is red. I am like to lose my mind over
+the capricious and harassing developments of this unclassifiable zoological
+freak. If I could catch another one&mdash;but that is hopeless; it is a new
+variety, and the only sample; this is plain. But I caught a true kangaroo and
+brought it in, thinking that this one, being lonesome, would rather have that
+for company than have no kin at all, or any animal it could feel a nearness to
+or get sympathy from in its forlorn condition here among strangers who do not
+know its ways or habits, or what to do to make it feel that it is among
+friends; but it was a mistake&mdash;it went into such fits at the sight of the
+kangaroo that I was convinced it had never seen one before. I pity the poor
+noisy little animal, but there is nothing I can do to make it happy. If I could
+tame it&mdash;but that is out of the question; the more I try, the worse I seem
+to make it. It grieves me to the heart to see it in its little storms of sorrow
+and passion. I wanted to let it go, but she wouldn&rsquo;t hear of it. That
+seemed cruel and not like her; and yet she may be right. It might be lonelier
+than ever; for since I cannot find another one, how could it?
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Five Months Later</h2>
+
+<p>
+It is not a kangaroo. No, for it supports itself by holding to her finger, and
+thus goes a few steps on its hind legs, and then falls down. It is probably
+some kind of a bear; and yet it has no tail&mdash;as yet&mdash;and no fur,
+except on its head. It still keeps on growing&mdash;that is a curious
+circumstance, for bears get their growth earlier than this. Bears are
+dangerous&mdash;since our catastrophe&mdash;and I shall not be satisfied to
+have this one prowling about the place much longer without a muzzle on. I have
+offered to get her a kangaroo if she would let this one go, but it did no
+good&mdash;she is determined to run us into all sorts of foolish risks, I
+think. She was not like this before she lost her mind.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>A Fortnight Later</h2>
+
+<p>
+I examined its mouth. There is no danger yet; it has only one tooth. It has no
+tail yet. It makes more noise now than it ever did before&mdash;and mainly at
+night. I have moved out. But I shall go over, mornings, to breakfast, and to
+see if it has more teeth. If it gets a mouthful of teeth, it will be time for
+it to go, tail or no tail, for a bear does not need a tail in order to be
+dangerous.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Four Months Later</h2>
+
+<p>
+I have been off hunting and fishing a month, up in the region that she calls
+Buffalo; I don&rsquo;t know why, unless it is because there are not any
+buffaloes there. Meantime the bear has learned to paddle around all by itself
+on its hind legs, and says &ldquo;poppa&rdquo; and &ldquo;momma.&rdquo; It is
+certainly a new species. This resemblance to words may be purely accidental, of
+course, and may have no purpose or meaning; but even in that case it is still
+extraordinary, and is a thing which no other bear can do. This imitation of
+speech, taken together with general absence of fur and entire absence of tail,
+sufficiently indicates that this is a new kind of bear. The further study of it
+will be exceedingly interesting. Meantime I will go off on a far expedition
+among the forests of the North and make an exhaustive search. There must
+certainly be another one somewhere, and this one will be less dangerous when it
+has company of its own species. I will go straightway; but I will muzzle this
+one first.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Three Months Later</h2>
+
+<p>
+It has been a weary, weary hunt, yet I have had no success. In the mean time,
+without stirring from the home estate, she has caught another one! I never saw
+such luck. I might have hunted these woods a hundred years, I never should have
+run across that thing.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Next Day</h2>
+
+<p>
+I have been comparing the new one with the old one, and it is perfectly plain
+that they are the same breed. I was going to stuff one of them for my
+collection, but she is prejudiced against it for some reason or other; so I
+have relinquished the idea, though I think it is a mistake. It would be an
+irreparable loss to science if they should get away. The old one is tamer than
+it was, and can laugh and talk like the parrot, having learned this, no doubt,
+from being with the parrot so much, and having the imitative faculty in a
+highly developed degree. I shall be astonished if it turns out to be a new kind
+of parrot, and yet I ought not to be astonished, for it has already been
+everything else it could think of, since those first days when it was a fish.
+The new one is as ugly now as the old one was at first; has the same
+sulphur-and-raw-meat complexion and the same singular head without any fur on
+it. She calls it Abel.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Ten Years Later</h2>
+
+<p>
+They are boys; we found it out long ago. It was their coming in that small,
+immature shape that puzzled us; we were not used to it. There are some girls
+now. Abel is a good boy, but if Cain had stayed a bear it would have improved
+him. After all these years, I see that I was mistaken about Eve in the
+beginning; it is better to live outside the Garden with her than inside it
+without her. At first I thought she talked too much; but now I should be sorry
+to have that voice fall silent and pass out of my life. Blessed be the chestnut
+that brought us near together and taught me to know the goodness of her heart
+and the sweetness of her spirit!
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK EXTRACTS FROM ADAM’S DIARY ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &bull; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+</body>
+
+</html>
+
+
diff --git a/1892-h/images/cover.jpg b/1892-h/images/cover.jpg
new file mode 100644
index 0000000..b7c0bcc
--- /dev/null
+++ b/1892-h/images/cover.jpg
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..ff0a067
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #1892 (https://www.gutenberg.org/ebooks/1892)
diff --git a/old/1892.txt b/old/1892.txt
new file mode 100644
index 0000000..dd726b1
--- /dev/null
+++ b/old/1892.txt
@@ -0,0 +1,870 @@
+The Project Gutenberg EBook of Extracts From Adam's Diary
+by Mark Twain (Samuel Clemens)
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Extracts From Adam's Diary
+
+Author: Mark Twain (Samuel Clemens)
+
+Release Date: September 15, 2004 [EBook #1892]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK EXTRACTS FROM ADAM'S DIARY ***
+
+
+
+
+Produced by Kirk Pearson
+
+
+
+
+
+EXTRACTS FROM ADAM'S DIARY
+
+Translated from the original MS.
+
+by Mark Twain
+
+
+
+
+[NOTE.--I translated a portion of this diary some years ago, and
+a friend of mine printed a few copies in an incomplete form, but
+the public never got them. Since then I have deciphered some more
+of Adam's hieroglyphics, and think he has now become sufficiently
+important as a public character to justify this publication.--M. T.]
+
+
+
+
+Monday
+
+This new creature with the long hair is a good deal in the way.
+It is always hanging around and following me about. I don't like
+this; I am not used to company. I wish it would stay with the
+other animals. Cloudy to-day, wind in the east; think we shall
+have rain.... Where did I get that word?... I remember now
+--the new creature uses it.
+
+Tuesday
+
+Been examining the great waterfall. It is the finest thing on the
+estate, I think. The new creature calls it Niagara Falls--why,
+I am sure I do not know. Says it looks like Niagara Falls. That
+is not a reason; it is mere waywardness and imbecility. I get no
+chance to name anything myself. The new creature names everything
+that comes along, before I can get in a protest. And always that
+same pretext is offered--it looks like the thing. There is the
+dodo, for instance. Says the moment one looks at it one sees at
+a glance that it "looks like a dodo." It will have to keep that
+name, no doubt. It wearies me to fret about it, and it does no
+good, anyway. Dodo! It looks no more like a dodo than I do.
+
+Wednesday
+
+Built me a shelter against the rain, but could not have it to
+myself in peace. The new creature intruded. When I tried to put
+it out it shed water out of the holes it looks with, and wiped it
+away with the back of its paws, and made a noise such as some of
+the other animals make when they are in distress. I wish it would
+not talk; it is always talking. That sounds like a cheap fling
+at the poor creature, a slur; but I do not mean it so. I have never
+heard the human voice before, and any new and strange sound
+intruding itself here upon the solemn hush of these dreaming
+solitudes offends my ear and seems a false note. And this new
+sound is so close to me; it is right at my shoulder, right at my
+ear, first on one side and then on the other, and I am used only
+to sounds that are more or less distant from me.
+
+Friday
+
+The naming goes recklessly on, in spite of anything I can do. I
+had a very good name for the estate, and it was musical and pretty
+--GARDEN-OF-EDEN. Privately, I continue to call it that, but not
+any longer publicly. The new creature says it is all woods and
+rocks and scenery, and therefore has no resemblance to a garden.
+Says it looks like a park, and does not look like anything but a
+park. Consequently, without consulting me, it has been new-named
+--NIAGARA FALLS PARK. This is sufficiently high-handed, it seems to
+me. And already there is a sign up:
+
+ KEEP OFF
+ THE GRASS
+
+My life is not as happy as it was.
+
+Saturday
+
+The new creature eats too much fruit. We are going to run short,
+most likely. "We" again--that is its word; mine too, now, from
+hearing it so much. Good deal of fog this morning. I do not go
+out in the fog myself. The new creature does. It goes out in
+all weathers, and stumps right in with its muddy feet. And talks.
+It used to be so pleasant and quiet here.
+
+Sunday
+
+Pulled through. This day is getting to be more and more trying.
+It was selected and set apart last November as a day of rest. I
+already had six of them per week, before. This morning found the
+new creature trying to clod apples out of that forbidden tree.
+
+Monday
+
+The new creature says its name is Eve. That is all right, I have
+no objections. Says it is to call it by when I want it to come.
+I said it was superfluous, then. The word evidently raised me in
+its respect; and indeed it is a large, good word, and will bear
+repetition. It says it is not an It, it is a She. This is probably
+doubtful; yet it is all one to me; what she is were nothing to me
+if she would but go by herself and not talk.
+
+Tuesday
+
+She has littered the whole estate with execrable names and offensive
+signs:
+
+THIS WAY TO THE WHIRLPOOL.
+
+THIS WAY TO GOAT ISLAND.
+
+CAVE OF THE WINDS THIS WAY.
+
+She says this park would make a tidy summer resort, if there was
+any custom for it. Summer resort--another invention of hers--just
+words, without any meaning. What is a summer resort? But it is
+best not to ask her, she has such a rage for explaining.
+
+Friday
+
+She has taken to beseeching me to stop going over the Falls. What
+harm does it do? Says it makes her shudder. I wonder why. I have
+always done it--always liked the plunge, and the excitement, and
+the coolness. I supposed it was what the Falls were for. They
+have no other use that I can see, and they must have been made for
+something. She says they were only made for scenery--like the
+rhinoceros and the mastodon.
+
+I went over the Falls in a barrel--not satisfactory to her. Went
+over in a tub--still not satisfactory. Swam the Whirlpool and the
+Rapids in a fig-leaf suit. It got much damaged. Hence, tedious
+complaints about my extravagance. I am too much hampered here.
+What I need is change of scene.
+
+Saturday
+
+I escaped last Tuesday night, and travelled two days, and built
+me another shelter, in a secluded place, and obliterated my tracks
+as well as I could, but she hunted me out by means of a beast which
+she has tamed and calls a wolf, and came making that pitiful noise
+again, and shedding that water out of the places she looks with.
+I was obliged to return with her, but will presently emigrate again,
+when occasion offers. She engages herself in many foolish things:
+among others, trying to study out why the animals called lions and
+tigers live on grass and flowers, when, as she says, the sort of
+teeth they wear would indicate that they were intended to eat each
+other. This is foolish, because to do that would be to kill each
+other, and that would introduce what, as I understand it, is called
+"death;" and death, as I have been told, has not yet entered the
+Park. Which is a pity, on some accounts.
+
+Sunday
+
+Pulled through.
+
+Monday
+
+I believe I see what the week is for: it is to give time to rest
+up from the weariness of Sunday. It seems a good idea.... She
+has been climbing that tree again. Clodded her out of it. She
+said nobody was looking. Seems to consider that a sufficient
+justification for chancing any dangerous thing. Told her that.
+The word justification moved her admiration--and envy too, I
+thought. It is a good word.
+
+Thursday
+
+She told me she was made out of a rib taken from my body. This
+is at least doubtful, if not more than that. I have not missed
+any rib.... She is in much trouble about the buzzard; says
+grass does not agree with it; is afraid she can't raise it; thinks
+it was intended to live on decayed flesh. The buzzard must get
+along the best it can with what is provided. We cannot overturn
+the whole scheme to accommodate the buzzard.
+
+Saturday
+
+She fell in the pond yesterday, when she was looking at herself
+in it, which she is always doing. She nearly strangled, and said
+it was most uncomfortable. This made her sorry for the creatures
+which live in there, which she calls fish, for she continues to
+fasten names on to things that don't need them and don't come when
+they are called by them, which is a matter of no consequence to
+her, as she is such a numskull anyway; so she got a lot of them
+out and brought them in last night and put them in my bed to keep
+warm, but I have noticed them now and then all day, and I don't
+see that they are any happier there than they were before, only
+quieter. When night comes I shall throw them out-doors. I will
+not sleep with them again, for I find them clammy and unpleasant
+to lie among when a person hasn't anything on.
+
+Sunday
+
+Pulled through.
+
+Tuesday
+
+She has taken up with a snake now. The other animals are glad,
+for she was always experimenting with them and bothering them;
+and I am glad, because the snake talks, and this enables me to
+get a rest.
+
+Friday
+
+She says the snake advises her to try the fruit of that tree, and
+says the result will be a great and fine and noble education. I
+told her there would be another result, too--it would introduce
+death into the world. That was a mistake--it had been better to
+keep the remark to myself; it only gave her an idea--she could
+save the sick buzzard, and furnish fresh meat to the despondent
+lions and tigers. I advised her to keep away from the tree. She
+said she wouldn't. I foresee trouble. Will emigrate.
+
+Wednesday
+
+I have had a variegated time. I escaped that night, and rode a
+horse all night as fast as he could go, hoping to get clear out of
+the Park and hide in some other country before the trouble should
+begin; but it was not to be. About an hour after sunup, as I was
+riding through a flowery plain where thousands of animals were
+grazing, slumbering, or playing with each other, according to their
+wont, all of a sudden they broke into a tempest of frightful noises,
+and in one moment the plain was in a frantic commotion and every
+beast was destroying its neighbor. I knew what it meant--Eve had
+eaten that fruit, and death was come into the world.... The
+tigers ate my horse, paying no attention when I ordered them to
+desist, and they would even have eaten me if I had stayed--which
+I didn't, but went away in much haste.... I found this place,
+outside the Park, and was fairly comfortable for a few days, but
+she has found me out. Found me out, and has named the place
+Tonawanda--says it looks like that. In fact, I was not sorry she
+came, for there are but meagre pickings here, and she brought some
+of those apples. I was obliged to eat them, I was so hungry. It
+was against my principles, but I find that principles have no real
+force except when one is well fed.... She came curtained in
+boughs and bunches of leaves, and when I asked her what she meant
+by such nonsense, and snatched them away and threw them down, she
+tittered and blushed. I had never seen a person titter and blush
+before, and to me it seemed unbecoming and idiotic. She said I
+would soon know how it was myself. This was correct. Hungry as
+I was, I laid down the apple half eaten--certainly the best one I
+ever saw, considering the lateness of the season--and arrayed
+myself in the discarded boughs and branches, and then spoke to her
+with some severity and ordered her to go and get some more and not
+make such a spectacle of herself. She did it, and after this we
+crept down to where the wild-beast battle had been, and collected
+some skins, and I made her patch together a couple of suits proper
+for public occasions. They are uncomfortable, it is true, but
+stylish, and that is the main point about clothes. ... I find
+she is a good deal of a companion. I see I should be lonesome and
+depressed without her, now that I have lost my property. Another
+thing, she says it is ordered that we work for our living hereafter.
+She will be useful. I will superintend.
+
+Ten Days Later
+
+She accuses me of being the cause of our disaster! She says, with
+apparent sincerity and truth, that the Serpent assured her that
+the forbidden fruit was not apples, it was chestnuts. I said I
+was innocent, then, for I had not eaten any chestnuts. She said
+the Serpent informed her that "chestnut" was a figurative term
+meaning an aged and mouldy joke. I turned pale at that, for I
+have made many jokes to pass the weary time, and some of them could
+have been of that sort, though I had honestly supposed that they
+were new when I made them. She asked me if I had made one just
+at the time of the catastrophe. I was obliged to admit that I had
+made one to myself, though not aloud. It was this. I was thinking
+about the Falls, and I said to myself, "How wonderful it is to see
+that vast body of water tumble down there!" Then in an instant a
+bright thought flashed into my head, and I let it fly, saying, "It
+would be a deal more wonderful to see it tumble up there!"--and I
+was just about to kill myself with laughing at it when all nature
+broke loose in war and death, and I had to flee for my life.
+"There," she said, with triumph, "that is just it; the Serpent
+mentioned that very jest, and called it the First Chestnut, and
+said it was coeval with the creation." Alas, I am indeed to blame.
+Would that I were not witty; oh, would that I had never had that
+radiant thought!
+
+Next Year
+
+We have named it Cain. She caught it while I was up country
+trapping on the North Shore of the Erie; caught it in the timber
+a couple of miles from our dug-out--or it might have been four,
+she isn't certain which. It resembles us in some ways, and may
+be a relation. That is what she thinks, but this is an error,
+in my judgment. The difference in size warrants the conclusion
+that it is a different and new kind of animal--a fish, perhaps,
+though when I put it in the water to see, it sank, and she plunged
+in and snatched it out before there was opportunity for the
+experiment to determine the matter. I still think it is a fish,
+but she is indifferent about what it is, and will not let me have
+it to try. I do not understand this. The coming of the creature
+seems to have changed her whole nature and made her unreasonable
+about experiments. She thinks more of it than she does of any of
+the other animals, but is not able to explain why. Her mind is
+disordered--everything shows it. Sometimes she carries the fish
+in her arms half the night when it complains and wants to get to
+the water. At such times the water comes out of the places in
+her face that she looks out of, and she pats the fish on the back
+and makes soft sounds with her mouth to soothe it, and betrays
+sorrow and solicitude in a hundred ways. I have never seen her
+do like this with any other fish, and it troubles me greatly. She
+used to carry the young tigers around so, and play with them,
+before we lost our property; but it was only play; she never took
+on about them like this when their dinner disagreed with them.
+
+Sunday
+
+She doesn't work Sundays, but lies around all tired out, and likes
+to have the fish wallow over her; and she makes fool noises to
+amuse it, and pretends to chew its paws, and that makes it laugh.
+I have not seen a fish before that could laugh. This makes me
+doubt.... I have come to like Sunday myself. Superintending
+all the week tires a body so. There ought to be more Sundays.
+In the old days they were tough, but now they come handy.
+
+Wednesday
+
+It isn't a fish. I cannot quite make out what it is. It makes
+curious, devilish noises when not satisfied, and says "goo-goo"
+when it is. It is not one of us, for it doesn't walk; it is not
+a bird, for it doesn't fly; it is not a frog, for it doesn't hop;
+it is not a snake, for it doesn't crawl; I feel sure it is not a
+fish, though I cannot get a chance to find out whether it can swim
+or not. It merely lies around, and mostly on its back, with its
+feet up. I have not seen any other animal do that before. I said
+I believed it was an enigma, but she only admired the word without
+understanding it. In my judgment it is either an enigma or some
+kind of a bug. If it dies, I will take it apart and see what its
+arrangements are. I never had a thing perplex me so.
+
+Three Months Later
+
+The perplexity augments instead of diminishing. I sleep but little.
+It has ceased from lying around, and goes about on its four legs
+now. Yet it differs from the other four-legged animals in that
+its front legs are unusually short, consequently this causes the
+main part of its person to stick up uncomfortably high in the air,
+and this is not attractive. It is built much as we are, but its
+method of travelling shows that it is not of our breed. The short
+front legs and long hind ones indicate that it is of the kangaroo
+family, but it is a marked variation of the species, since the
+true kangaroo hops, whereas this one never does. Still, it is a
+curious and interesting variety, and has not been catalogued before.
+As I discovered it, I have felt justified in securing the credit
+of the discovery by attaching my name to it, and hence have called
+it Kangaroorum Adamiensis.... It must have been a young one
+when it came, for it has grown exceedingly since. It must be five
+times as big, now, as it was then, and when discontented is able
+to make from twenty-two to thirty-eight times the noise it made
+at first. Coercion does not modify this, but has the contrary
+effect. For this reason I discontinued the system. She reconciles
+it by persuasion, and by giving it things which she had previously
+told it she wouldn't give it. As already observed, I was not at
+home when it first came, and she told me she found it in the woods.
+It seems odd that it should be the only one, yet it must be so,
+for I have worn myself out these many weeks trying to find another
+one to add to my collection, and for this one to play with; for
+surely then it would be quieter, and we could tame it more easily.
+But I find none, nor any vestige of any; and strangest of all, no
+tracks. It has to live on the ground, it cannot help itself;
+therefore, how does it get about without leaving a track? I have
+set a dozen traps, but they do no good. I catch all small animals
+except that one; animals that merely go into the trap out of
+curiosity, I think, to see what the milk is there for. They never
+drink it.
+
+Three Months Later
+
+The kangaroo still continues to grow, which is very strange and
+perplexing. I never knew one to be so long getting its growth.
+It has fur on its head now; not like kangaroo fur, but exactly
+like our hair, except that it is much finer and softer, and instead
+of being black is red. I am like to lose my mind over the capricious
+and harassing developments of this unclassifiable zoological freak.
+If I could catch another one--but that is hopeless; it is a new
+variety, and the only sample; this is plain. But I caught a true
+kangaroo and brought it in, thinking that this one, being lonesome,
+would rather have that for company than have no kin at all, or any
+animal it could feel a nearness to or get sympathy from in its
+forlorn condition here among strangers who do not know its ways
+or habits, or what to do to make it feel that it is among friends;
+but it was a mistake--it went into such fits at the sight of the
+kangaroo that I was convinced it had never seen one before. I
+pity the poor noisy little animal, but there is nothing I can do
+to make it happy. If I could tame it--but that is out of the
+question; the more I try, the worse I seem to make it. It grieves
+me to the heart to see it in its little storms of sorrow and
+passion. I wanted to let it go, but she wouldn't hear of it. That
+seemed cruel and not like her; and yet she may be right. It might
+be lonelier than ever; for since I cannot find another one, how
+could it?
+
+Five Months Later
+
+It is not a kangaroo. No, for it supports itself by holding to
+her finger, and thus goes a few steps on its hind legs, and then
+falls down. It is probably some kind of a bear; and yet it has
+no tail--as yet--and no fur, except on its head. It still keeps
+on growing--that is a curious circumstance, for bears get their
+growth earlier than this. Bears are dangerous--since our
+catastrophe--and I shall not be satisfied to have this one prowling
+about the place much longer without a muzzle on. I have offered
+to get her a kangaroo if she would let this one go, but it did no
+good--she is determined to run us into all sorts of foolish risks,
+I think. She was not like this before she lost her mind.
+
+A Fortnight Later
+
+I examined its mouth. There is no danger yet; it has only one
+tooth. It has no tail yet. It makes more noise now than it ever
+did before--and mainly at night. I have moved out. But I shall
+go over, mornings, to breakfast, and to see if it has more teeth.
+If it gets a mouthful of teeth, it will be time for it to go, tail
+or no tail, for a bear does not need a tail in order to be
+dangerous.
+
+Four Months Later
+
+I have been off hunting and fishing a month, up in the region that
+she calls Buffalo; I don't know why, unless it is because there
+are not any buffaloes there. Meantime the bear has learned to
+paddle around all by itself on its hind legs, and says "poppa"
+and "momma." It is certainly a new species. This resemblance to
+words may be purely accidental, of course, and may have no purpose
+or meaning; but even in that case it is still extraordinary, and
+is a thing which no other bear can do. This imitation of speech,
+taken together with general absence of fur and entire absence of
+tail, sufficiently indicates that this is a new kind of bear. The
+further study of it will be exceedingly interesting. Meantime I
+will go off on a far expedition among the forests of the North and
+make an exhaustive search. There must certainly be another one
+somewhere, and this one will be less dangerous when it has company
+of its own species. I will go straightway; but I will muzzle this
+one first.
+
+Three Months Later
+
+It has been a weary, weary hunt, yet I have had no success. In
+the mean time, without stirring from the home estate, she has
+caught another one! I never saw such luck. I might have hunted
+these woods a hundred years, I never should have run across that
+thing.
+
+Next Day
+
+I have been comparing the new one with the old one, and it is
+perfectly plain that they are the same breed. I was going to stuff
+one of them for my collection, but she is prejudiced against it
+for some reason or other; so I have relinquished the idea, though
+I think it is a mistake. It would be an irreparable loss to science
+if they should get away. The old one is tamer than it was, and
+can laugh and talk like the parrot, having learned this, no doubt,
+from being with the parrot so much, and having the imitative faculty
+in a highly developed degree. I shall be astonished if it turns
+out to be a new kind of parrot, and yet I ought not to be astonished,
+for it has already been everything else it could think of, since
+those first days when it was a fish. The new one is as ugly now
+as the old one was at first; has the same sulphur-and-raw-meat
+complexion and the same singular head without any fur on it. She
+calls it Abel.
+
+Ten Years Later
+
+They are boys; we found it out long ago. It was their coming in
+that small, immature shape that puzzled us; we were not used to it.
+There are some girls now. Abel is a good boy, but if Cain had
+stayed a bear it would have improved him. After all these years,
+I see that I was mistaken about Eve in the beginning; it is better
+to live outside the Garden with her than inside it without her.
+At first I thought she talked too much; but now I should be sorry
+to have that voice fall silent and pass out of my life. Blessed
+be the chestnut that brought us near together and taught me to
+know the goodness of her heart and the sweetness of her spirit!
+
+
+
+
+
+End of the Project Gutenberg EBook of Extracts From Adam's Diary
+by Mark Twain (Samuel Clemens)
+
+*** END OF THIS PROJECT GUTENBERG EBOOK EXTRACTS FROM ADAM'S DIARY ***
+
+***** This file should be named 1892.txt or 1892.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/8/9/1892/
+
+Produced by Kirk Pearson
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/1892.zip b/old/1892.zip
new file mode 100644
index 0000000..815160d
--- /dev/null
+++ b/old/1892.zip
Binary files differ
diff --git a/old/xadam10.txt b/old/xadam10.txt
new file mode 100644
index 0000000..8398c27
--- /dev/null
+++ b/old/xadam10.txt
@@ -0,0 +1,766 @@
+The Project Gutenberg Etext Extracts From Adam's Diary, by Twain
+#15 in our series by Mark Twain [Samuel Clemens]
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+Extracts From Adam's Diary
+
+by Mark Twain
+
+September, 1999 [Etext #1892]
+
+
+The Project Gutenberg Etext Extracts From Adam's Diary, by Twain
+******This file should be named xadam10.txt or xadam10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, xadam11.txt
+VERSIONS based on separate sources get new LETTER, xadam10a.txt
+
+
+This Etext prepared by Kirk Pearson, kpearson@nyx.net
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we usually do NOT keep any
+of these books in compliance with any particular paper edition.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, leaving time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-six text
+files per month, or 432 more Etexts in 1999 for a total of 2000+
+If these reach just 10% of the computerized population, then the
+total should reach over 200 billion Etexts given away this year.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only ~5% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 3,333 Etexts unless we
+manage to get some real funding; currently our funding is mostly
+from Michael Hart's salary at Carnegie-Mellon University, and an
+assortment of sporadic gifts; this salary is only good for a few
+more years, so we are looking for something to replace it, as we
+don't want Project Gutenberg to be so dependent on one person.
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails. . .try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+hart@pobox.com forwards to hart@prairienet.org and archive.org
+if your mail bounces from archive.org, I will still see it, if
+it bounces from prairienet.org, better resend later on. . . .
+
+We would prefer to send you this information by email.
+
+******
+
+To access Project Gutenberg etexts, use any Web browser
+to view http://promo.net/pg. This site lists Etexts by
+author and by title, and includes information about how
+to get involved with Project Gutenberg. You could also
+download our past Newsletters, or subscribe here. This
+is one of our major sites, please email hart@pobox.com,
+for a more complete list of our various sites.
+
+To go directly to the etext collections, use FTP or any
+Web browser to visit a Project Gutenberg mirror (mirror
+sites are available on 7 continents; mirrors are listed
+at http://promo.net/pg).
+
+Mac users, do NOT point and click, typing works better.
+
+Example FTP session:
+
+ftp sunsite.unc.edu
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+***
+
+**Information prepared by the Project Gutenberg legal advisor**
+
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+This Etext prepared by Kirk Pearson, kpearson@nyx.net
+
+
+
+
+
+Extracts From Adam's Diary
+
+Translated from the original MS.
+
+by Mark Twain
+
+
+
+
+[NOTE.--I translated a portion of this diary some years ago, and
+a friend of mine printed a few copies in an incomplete form, but
+the public never got them. Since then I have deciphered some more
+of Adam's hieroglyphics, and think he has now become sufficiently
+important as a public character to justify this publication.--M. T.]
+
+
+Monday
+
+This new creature with the long hair is a good deal in the way.
+It is always hanging around and following me about. I don't like
+this; I am not used to company. I wish it would stay with the
+other animals. Cloudy to-day, wind in the east; think we shall
+have rain. ... Where did I get that word? ... I remember now--
+the new creature uses it.
+
+Tuesday
+
+Been examining the great waterfall. It is the finest thing on the
+estate, I think. The new creature calls it Niagara Falls--why,
+I am sure I do not know. Says it looks like Niagara Falls. That
+is not a reason; it is mere waywardness and imbecility. I get no
+chance to name anything myself. The new creature names everything
+that comes along, before I can get in a protest. And always that
+same pretext is offered--it looks like the thing. There is the
+dodo, for instance. Says the moment one looks at it one sees at
+a glance that it "looks like a dodo." It will have to keep that
+name, no doubt. It wearies me to fret about it, and it does no
+good, anyway. Dodo! It looks no more like a dodo than I do.
+
+Wednesday
+
+Built me a shelter against the rain, but could not have it to
+myself in peace. The new creature intruded. When I tried to put
+it out it shed water out of the holes it looks with, and wiped it
+away with the back of its paws, and made a noise such as some of
+the other animals make when they are in distress. I wish it would
+not talk; it is always talking. That sounds like a cheap fling
+at the poor creature, a slur; but I do not mean it so. I have never
+heard the human voice before, and any new and strange sound
+intruding itself here upon the solemn hush of these dreaming
+solitudes offends my ear and seems a false note. And this new
+sound is so close to me; it is right at my shoulder, right at my
+ear, first on one side and then on the other, and I am used only
+to sounds that are more or less distant from me.
+
+Friday
+
+The naming goes recklessly on, in spite of anything I can do. I
+had a very good name for the estate, and it was musical and pretty--
+GARDEN-OF-EDEN. Privately, I continue to call it that, but not
+any longer publicly. The new creature says it is all woods and
+rocks and scenery, and therefore has no resemblance to a garden.
+Says it looks like a park, and does not look like anything but a
+park. Consequently, without consulting me, it has been new-named--
+NIAGARA FALLS PARK. This is sufficiently high-handed, it seems to
+me. And already there is a sign up:
+
+ KEEP OFF
+ THE GRASS
+
+My life is not as happy as it was.
+
+Saturday
+
+The new creature eats too much fruit. We are going to run short,
+most likely. "We" again--that is its word; mine too, now, from
+hearing it so much. Good deal of fog this morning. I do not go
+out in the fog myself. The new creature does. It goes out in
+all weathers, and stumps right in with its muddy feet. And talks.
+It used to be so pleasant and quiet here.
+
+Sunday
+
+Pulled through. This day is getting to be more and more trying.
+It was selected and set apart last November as a day of rest. I
+already had six of them per week, before. This morning found the
+new creature trying to clod apples out of that forbidden tree.
+
+Monday
+
+The new creature says its name is Eve. That is all right, I have
+no objections. Says it is to call it by when I want it to come.
+I said it was superfluous, then. The word evidently raised me in
+its respect; and indeed it is a large, good word, and will bear
+repetition. It says it is not an It, it is a She. This is probably
+doubtful; yet it is all one to me; what she is were nothing to me
+if she would but go by herself and not talk.
+
+Tuesday
+
+She has littered the whole estate with execrable names and offensive
+signs:
+
+THIS WAY TO THE WHIRLPOOL.
+
+THIS WAY TO GOAT ISLAND.
+
+CAVE OF THE WINDS THIS WAY.
+
+She says this park would make a tidy summer resort, if there was
+any custom for it. Summer resort--another invention of hers--just
+words, without any meaning. What is a summer resort? But it is
+best not to ask her, she has such a rage for explaining.
+
+Friday
+
+She has taken to beseeching me to stop going over the Falls. What
+harm does it do? Says it makes her shudder. I wonder why. I have
+always done it--always liked the plunge, and the excitement, and
+the coolness. I supposed it was what the Falls were for. They
+have no other use that I can see, and they must have been made for
+something. She says they were only made for scenery--like the
+rhinoceros and the mastodon.
+
+I went over the Falls in a barrel--not satisfactory to her. Went
+over in a tub--still not satisfactory. Swam the Whirlpool and the
+Rapids in a fig-leaf suit. It got much damaged. Hence, tedious
+complaints about my extravagance. I am too much hampered here.
+What I need is change of scene.
+
+Saturday
+
+I escaped last Tuesday night, and travelled two days, and built
+me another shelter, in a secluded place, and obliterated my tracks
+as well as I could, but she hunted me out by means of a beast which
+she has tamed and calls a wolf, and came making that pitiful noise
+again, and shedding that water out of the places she looks with.
+I was obliged to return with her, but will presently emigrate again,
+when occasion offers. She engages herself in many foolish things:
+among others, trying to study out why the animals called lions and
+tigers live on grass and flowers, when, as she says, the sort of
+teeth they wear would indicate that they were intended to eat each
+other. This is foolish, because to do that would be to kill each
+other, and that would introduce what, as I understand it, is called
+"death;" and death, as I have been told, has not yet entered the
+Park. Which is a pity, on some accounts.
+
+Sunday
+
+Pulled through.
+
+Monday
+
+I believe I see what the week is for: it is to give time to rest
+up from the weariness of Sunday. It seems a good idea. ... She
+has been climbing that tree again. Clodded her out of it. She
+said nobody was looking. Seems to consider that a sufficient
+justification for chancing any dangerous thing. Told her that.
+The word justification moved her admiration--and envy too, I
+thought. It is a good word.
+
+Thursday
+
+She told me she was made out of a rib taken from my body. This
+is at least doubtful, if not more than that. I have not missed
+any rib. ... She is in much trouble about the buzzard; says
+grass does not agree with it; is afraid she can't raise it; thinks
+it was intended to live on decayed flesh. The buzzard must get
+along the best it can with what is provided. We cannot overturn
+the whole scheme to accommodate the buzzard.
+
+Saturday
+
+She fell in the pond yesterday, when she was looking at herself
+in it, which she is always doing. She nearly strangled, and said
+it was most uncomfortable. This made her sorry for the creatures
+which live in there, which she calls fish, for she continues to
+fasten names on to things that don't need them and don't come when
+they are called by them, which is a matter of no consequence to
+her, as she is such a numskull anyway; so she got a lot of them
+out and brought them in last night and put them in my bed to keep
+warm, but I have noticed them now and then all day, and I don't
+see that they are any happier there than they were before, only
+quieter. When night comes I shall throw them out-doors. I will
+not sleep with them again, for I find them clammy and unpleasant
+to lie among when a person hasn't anything on.
+
+Sunday
+
+Pulled through.
+
+Tuesday
+
+She has taken up with a snake now. The other animals are glad,
+for she was always experimenting with them and bothering them;
+and I am glad, because the snake talks, and this enables me to
+get a rest.
+
+Friday
+
+She says the snake advises her to try the fruit of that tree, and
+says the result will be a great and fine and noble education. I
+told her there would be another result, too--it would introduce
+death into the world. That was a mistake--it had been better to
+keep the remark to myself; it only gave her an idea--she could
+save the sick buzzard, and furnish fresh meat to the despondent
+lions and tigers. I advised her to keep away from the tree. She
+said she wouldn't. I foresee trouble. Will emigrate.
+
+Wednesday
+
+I have had a variegated time. I escaped that night, and rode a
+horse all night as fast as he could go, hoping to get clear out of
+the Park and hide in some other country before the trouble should
+begin; but it was not to be. About an hour after sunup, as I was
+riding through a flowery plain where thousands of animals were
+grazing, slumbering, or playing with each other, according to their
+wont, all of a sudden they broke into a tempest of frightful noises,
+and in one moment the plain was in a frantic commotion and every
+beast was destroying its neighbor. I knew what it meant--Eve had
+eaten that fruit, and death was come into the world. ... The
+tigers ate my horse, paying no attention when I ordered them to
+desist, and they would even have eaten me if I had stayed--which
+I didn't, but went away in much haste. ... I found this place,
+outside the Park, and was fairly comfortable for a few days, but
+she has found me out. Found me out, and has named the place
+Tonawanda--says it looks like that. In fact, I was not sorry she
+came, for there are but meagre pickings here, and she brought some
+of those apples. I was obliged to eat them, I was so hungry. It
+was against my principles, but I find that principles have no real
+force except when one is well fed. ... She came curtained in
+boughs and bunches of leaves, and when I asked her what she meant
+by such nonsense, and snatched them away and threw them down, she
+tittered and blushed. I had never seen a person titter and blush
+before, and to me it seemed unbecoming and idiotic. She said I
+would soon know how it was myself. This was correct. Hungry as
+I was, I laid down the apple half eaten--certainly the best one I
+ever saw, considering the lateness of the season--and arrayed
+myself in the discarded boughs and branches, and then spoke to her
+with some severity and ordered her to go and get some more and not
+make such a spectacle of herself. She did it, and after this we
+crept down to where the wild-beast battle had been, and collected
+some skins, and I made her patch together a couple of suits proper
+for public occasions. They are uncomfortable, it is true, but
+stylish, and that is the main point about clothes. ... I find
+she is a good deal of a companion. I see I should be lonesome and
+depressed without her, now that I have lost my property. Another
+thing, she says it is ordered that we work for our living hereafter.
+She will be useful. I will superintend.
+
+Ten Days Later
+
+She accuses me of being the cause of our disaster! She says, with
+apparent sincerity and truth, that the Serpent assured her that
+the forbidden fruit was not apples, it was chestnuts. I said I
+was innocent, then, for I had not eaten any chestnuts. She said
+the Serpent informed her that "chestnut" was a figurative term
+meaning an aged and mouldy joke. I turned pale at that, for I
+have made many jokes to pass the weary time, and some of them could
+have been of that sort, though I had honestly supposed that they
+were new when I made them. She asked me if I had made one just
+at the time of the catastrophe. I was obliged to admit that I had
+made one to myself, though not aloud. It was this. I was thinking
+about the Falls, and I said to myself, "How wonderful it is to see
+that vast body of water tumble down there!" Then in an instant a
+bright thought flashed into my head, and I let it fly, saying, "It
+would be a deal more wonderful to see it tumble up there!"--and I
+was just about to kill myself with laughing at it when all nature
+broke loose in war and death, and I had to flee for my life.
+"There," she said, with triumph, "that is just it; the Serpent
+mentioned that very jest, and called it the First Chestnut, and
+said it was coeval with the creation." Alas, I am indeed to blame.
+Would that I were not witty; oh, would that I had never had that
+radiant thought!
+
+Next Year
+
+We have named it Cain. She caught it while I was up country
+trapping on the North Shore of the Erie; caught it in the timber
+a couple of miles from our dug-out--or it might have been four,
+she isn't certain which. It resembles us in some ways, and may
+be a relation. That is what she thinks, but this is an error,
+in my judgment. The difference in size warrants the conclusion
+that it is a different and new kind of animal--a fish, perhaps,
+though when I put it in the water to see, it sank, and she plunged
+in and snatched it out before there was opportunity for the
+experiment to determine the matter. I still think it is a fish,
+but she is indifferent about what it is, and will not let me have
+it to try. I do not understand this. The coming of the creature
+seems to have changed her whole nature and made her unreasonable
+about experiments. She thinks more of it than she does of any of
+the other animals, but is not able to explain why. Her mind is
+disordered--everything shows it. Sometimes she carries the fish
+in her arms half the night when it complains and wants to get to
+the water. At such times the water comes out of the places in
+her face that she looks out of, and she pats the fish on the back
+and makes soft sounds with her mouth to soothe it, and betrays
+sorrow and solicitude in a hundred ways. I have never seen her
+do like this with any other fish, and it troubles me greatly. She
+used to carry the young tigers around so, and play with them,
+before we lost our property; but it was only play; she never took
+on about them like this when their dinner disagreed with them.
+
+Sunday
+
+She doesn't work Sundays, but lies around all tired out, and likes
+to have the fish wallow over her; and she makes fool noises to
+amuse it, and pretends to chew its paws, and that makes it laugh.
+I have not seen a fish before that could laugh. This makes me
+doubt. ... I have come to like Sunday myself. Superintending
+all the week tires a body so. There ought to be more Sundays.
+In the old days they were tough, but now they come handy.
+
+Wednesday
+
+It isn't a fish. I cannot quite make out what it is. It makes
+curious, devilish noises when not satisfied, and says "goo-goo"
+when it is. It is not one of us, for it doesn't walk; it is not
+a bird, for it doesn't fly; it is not a frog, for it doesn't hop;
+it is not a snake, for it doesn't crawl; I feel sure it is not a
+fish, though I cannot get a chance to find out whether it can swim
+or not. It merely lies around, and mostly on its back, with its
+feet up. I have not seen any other animal do that before. I said
+I believed it was an enigma, but she only admired the word without
+understanding it. In my judgment it is either an enigma or some
+kind of a bug. If it dies, I will take it apart and see what its
+arrangements are. I never had a thing perplex me so.
+
+Three Months Later
+
+The perplexity augments instead of diminishing. I sleep but little.
+It has ceased from lying around, and goes about on its four legs
+now. Yet it differs from the other four-legged animals in that
+its front legs are unusually short, consequently this causes the
+main part of its person to stick up uncomfortably high in the air,
+and this is not attractive. It is built much as we are, but its
+method of travelling shows that it is not of our breed. The short
+front legs and long hind ones indicate that it is of the kangaroo
+family, but it is a marked variation of the species, since the
+true kangaroo hops, whereas this one never does. Still, it is a
+curious and interesting variety, and has not been catalogued before.
+As I discovered it, I have felt justified in securing the credit
+of the discovery by attaching my name to it, and hence have called
+it Kangaroorum Adamiensis. ... It must have been a young one
+when it came, for it has grown exceedingly since. It must be five
+times as big, now, as it was then, and when discontented is able
+to make from twenty-two to thirty-eight times the noise it made
+at first. Coercion does not modify this, but has the contrary
+effect. For this reason I discontinued the system. She reconciles
+it by persuasion, and by giving it things which she had previously
+told it she wouldn't give it. As already observed, I was not at
+home when it first came, and she told me she found it in the woods.
+It seems odd that it should be the only one, yet it must be so,
+for I have worn myself out these many weeks trying to find another
+one to add to my collection, and for this one to play with; for
+surely then it would be quieter, and we could tame it more easily.
+But I find none, nor any vestige of any; and strangest of all, no
+tracks. It has to live on the ground, it cannot help itself;
+therefore, how does it get about without leaving a track? I have
+set a dozen traps, but they do no good. I catch all small animals
+except that one; animals that merely go into the trap out of
+curiosity, I think, to see what the milk is there for. They never
+drink it.
+
+Three Months Later
+
+The kangaroo still continues to grow, which is very strange and
+perplexing. I never knew one to be so long getting its growth.
+It has fur on its head now; not like kangaroo fur, but exactly
+like our hair, except that it is much finer and softer, and instead
+of being black is red. I am like to lose my mind over the capricious
+and harassing developments of this unclassifiable zoological freak.
+If I could catch another one--but that is hopeless; it is a new
+variety, and the only sample; this is plain. But I caught a true
+kangaroo and brought it in, thinking that this one, being lonesome,
+would rather have that for company than have no kin at all, or any
+animal it could feel a nearness to or get sympathy from in its
+forlorn condition here among strangers who do not know its ways
+or habits, or what to do to make it feel that it is among friends;
+but it was a mistake--it went into such fits at the sight of the
+kangaroo that I was convinced it had never seen one before. I
+pity the poor noisy little animal, but there is nothing I can do
+to make it happy. If I could tame it--but that is out of the
+question; the more I try, the worse I seem to make it. It grieves
+me to the heart to see it in its little storms of sorrow and
+passion. I wanted to let it go, but she wouldn't hear of it. That
+seemed cruel and not like her; and yet she may be right. It might
+be lonelier than ever; for since I cannot find another one, how
+could it?
+
+Five Months Later
+
+It is not a kangaroo. No, for it supports itself by holding to
+her finger, and thus goes a few steps on its hind legs, and then
+falls down. It is probably some kind of a bear; and yet it has
+no tail--as yet--and no fur, except on its head. It still keeps
+on growing--that is a curious circumstance, for bears get their
+growth earlier than this. Bears are dangerous--since our
+catastrophe--and I shall not be satisfied to have this one prowling
+about the place much longer without a muzzle on. I have offered
+to get her a kangaroo if she would let this one go, but it did no
+good--she is determined to run us into all sorts of foolish risks,
+I think. She was not like this before she lost her mind.
+
+A Fortnight Later
+
+I examined its mouth. There is no danger yet; it has only one
+tooth. It has no tail yet. It makes more noise now than it ever
+did before--and mainly at night. I have moved out. But I shall
+go over, mornings, to breakfast, and to see if it has more teeth.
+If it gets a mouthful of teeth, it will be time for it to go, tail
+or no tail, for a bear does not need a tail in order to be
+dangerous.
+
+Four Months Later
+
+I have been off hunting and fishing a month, up in the region that
+she calls Buffalo; I don't know why, unless it is because there
+are not any buffaloes there. Meantime the bear has learned to
+paddle around all by itself on its hind legs, and says "poppa"
+and "momma." It is certainly a new species. This resemblance to
+words may be purely accidental, of course, and may have no purpose
+or meaning; but even in that case it is still extraordinary, and
+is a thing which no other bear can do. This imitation of speech,
+taken together with general absence of fur and entire absence of
+tail, sufficiently indicates that this is a new kind of bear. The
+further study of it will be exceedingly interesting. Meantime I
+will go off on a far expedition among the forests of the North and
+make an exhaustive search. There must certainly be another one
+somewhere, and this one will be less dangerous when it has company
+of its own species. I will go straightway; but I will muzzle this
+one first.
+
+Three Months Later
+
+It has been a weary, weary hunt, yet I have had no success. In
+the mean time, without stirring from the home estate, she has
+caught another one! I never saw such luck. I might have hunted
+these woods a hundred years, I never should have run across that
+thing.
+
+Next Day
+
+I have been comparing the new one with the old one, and it is
+perfectly plain that they are the same breed. I was going to stuff
+one of them for my collection, but she is prejudiced against it
+for some reason or other; so I have relinquished the idea, though
+I think it is a mistake. It would be an irreparable loss to science
+if they should get away. The old one is tamer than it was, and
+can laugh and talk like the parrot, having learned this, no doubt,
+from being with the parrot so much, and having the imitative faculty
+in a highly developed degree. I shall be astonished if it turns
+out to be a new kind of parrot, and yet I ought not to be astonished,
+for it has already been everything else it could think of, since
+those first days when it was a fish. The new one is as ugly now
+as the old one was at first; has the same sulphur-and-raw-meat
+complexion and the same singular head without any fur on it. She
+calls it Abel.
+
+Ten Years Later
+
+They are boys; we found it out long ago. It was their coming in
+that small, immature shape that puzzled us; we were not used to it.
+There are some girls now. Abel is a good boy, but if Cain had
+stayed a bear it would have improved him. After all these years,
+I see that I was mistaken about Eve in the beginning; it is better
+to live outside the Garden with her than inside it without her.
+At first I thought she talked too much; but now I should be sorry
+to have that voice fall silent and pass out of my life. Blessed
+be the chestnut that brought us near together and taught me to
+know the goodness of her heart and the sweetness of her spirit!
+
+
+
+
+
+End of The Project Gutenberg Etext Extracts From Adam's Diary, by Twain
+
diff --git a/old/xadam10.zip b/old/xadam10.zip
new file mode 100644
index 0000000..2547475
--- /dev/null
+++ b/old/xadam10.zip
Binary files differ